I recently had to switch out an ignition switch/housing on a 2009 Volkswagen Jetta. After changing everything the immobilizer kicked in. VW wants 1400 to do this job and i can't afford that. How could I reboot/fix the immobilizer to recognize the new housing switch and key? I did this on a 2011 VW Golf TDi and didn't have this issue.

I just changed the ignition switch and housing on a 2009 VW Jetta 2.5, its giving the immobilizer error and key error. Could a cold reboot fix this?

This post will repeat weekly through the month of December. Please repost or cross post as a way to promote this subreddit. Or ignore this one and check out our others! I apologize if it's cramping your style, but when I work hard on certain posts I want to be sure they are useful! I also am working on making these shorter so they don't get lost in the madness....
Scroll down for the Character Questions and create a thoughtful and empathetic profile of your main characters for your projects!
As always please use these as sparks to create and feel free to post your responses and ideas in comments or separate post! This is YOUR subreddit so go ahead and post away!
Prompt: Imagine a dystopian world where an oppressive government has successfully erased all forms of personal identity and history. In this society, individuals are assigned generic roles and are forbidden from expressing their unique thoughts, emotions, or experiences. Write a short story or reflective essay exploring the life of a character who discovers a hidden underground community that encourages self-expression and reignites the importance of personal narratives.
In your response, consider the following:

1. Character and World Building:
   • Describe the protagonist's background, their assigned role, and their initial perception of the oppressive world they inhabit.
   • Develop the hidden underground community, including its purpose, structure, and the means through which it safeguards personal stories.
   • Create a contrast between the protagonist's initial world and the underground community, highlighting the impact of personal narratives on shaping identity and resisting oppression.
2. Plot Analysis:
   • Outline the protagonist's journey of discovery, including their initial skepticism, the influential encounters they have within the underground community, and the personal sacrifices they make to preserve their identity.
   • Explore the challenges and conflicts faced by the protagonist, both externally (e.g., encounters with government authorities) and internally (e.g., the struggle to confront their identity).
3. Deep Introspection:
   • Prompt the protagonist to reflect deeply on the uncomfortable subjects that the government's erasure of personal narratives seeks to suppress. These could include topics such as individuality, memory, trauma, and the power of storytelling as a tool for empathy and resistance.
   • Encourage the protagonist to evolve their thoughts and perceptions throughout the narrative, considering the consequences of silence and the potential for personal growth through self-expression and sharing.
4. Requirements for Responses:
   • Conduct research to explore real-world examples of societies that suppress personal narratives or attempt to erase collective memory.
5. Prompt: In a post-apocalyptic world, a devastating pandemic has wiped out most of humanity. The survivors are forced to live in isolated communities, each with its own set of strict rules and customs. Write a short story or reflective essay exploring the life of a character who questions the existing order and embarks on a journey to unite these fragmented communities. Consider the role of unity, diversity, and collaboration in rebuilding a shattered world.
6. Prompt: Set in a future where advanced AI technology has permeated every aspect of society, write a story or reflective essay following a protagonist who begins to question the boundaries between human and machine. Delve into the ethical implications of human-AI relationships, the erosion of human emotions, and the potential consequences of blurring the line between artificial and genuine experiences.
7. Prompt: Imagine a world where climate change and environmental degradation have irreversibly altered the planet. Write a story or reflective essay from the perspective of a character who is part of a group striving to restore balance and heal the damaged Earth. Explore the connections between personal responsibility, collective action, and the intersections of social and environmental justice.
8. Prompt: Transport yourself to a society where strict social hierarchies are based on a person's genetic makeup. Write a short story or reflective essay following a character who challenges this system and advocates for equality and inclusivity. Examine the role of genetic determinism, discrimination, and the power of individual agency in reshaping social structures.
9. Prompt: Imagine a world where art and creativity are considered illegal, seen as tools of subversion and chaos. Write a story or reflective essay from the perspective of an artist who risks everything to defy this oppressive regime and reclaim the power of artistic expression. Analyze the significance of art as a form of resistance, its ability to inspire change, and its impact on personal and societal transformation.

Remember to consider the following for each of the prompts to insure a well rounded and thought out premise that will engage the audience and allow room for growth in the plot.
Prompt 1 - Post-Apocalyptic Community Building:

• Consider the unique customs, rules, and societal structures of each isolated community.
• Explore the protagonist's motivation for questioning the existing order and their vision for uniting the communities.
• Analyze the challenges and conflicts faced in the journey of uniting fragmented communities and the potential benefits and drawbacks of unity.

Prompt 2 - Ethical Implications of AI Technology:

• Reflect on the protagonist's personal experiences and interactions with AI, including the blurring of boundaries between human and machine.
• Explore the ethical dilemmas and consequences of advancing AI technology.
• Analyze the impact of human emotions, genuine experiences, and the potential loss or transformation of human qualities in a society heavily influenced by AI.

Prompt 3 - Environmental Restoration and Social Justice:

• Consider the protagonist's role in the restoration of the damaged Earth and their motivations for taking action.
• Explore the intersections of social justice and the environment, including the disproportionate impacts of climate change on marginalized communities.
• Analyze the challenges of collective action, personal responsibility, and the potential for transformative change in healing the planet and addressing social inequalities.

Prompt 4 - Genetic Hierarchy and Social Change:

• Reflect on the protagonist's experience within the rigid social hierarchy based on genetics.
• Analyze the implications of genetic determinism and discrimination in shaping social structures.
• Explore the role of individual agency, activism, and the potential strategies for challenging and reshaping the genetic-based hierarchy.

Prompt 5 - Artistic Expression as Resistance:

• Consider the protagonist's personal experiences as an artist within an oppressive regime.
• Reflect on the significance of artistic expression as a form of resistance and its power to inspire change and challenge societal norms.
• Analyze the risks, sacrifices, and potential outcomes associated with defying an oppressive regime through art.

1. Chick Lit: Write a chick lit novel or short story following a relatable protagonist navigating the challenges of love, career, and self-discovery. Explore themes of friendship, personal growth, and finding balance in a fast-paced, modern world.
2. Young Readers' Adventure: Imagine a group of young friends who stumble upon a hidden portal to another realm. Write an adventure novel or short story as they embark on a quest to save a magical world from darkness. Delve into themes of friendship, bravery, and the power of imagination.
3. Historical Fiction: Set in a time of significant historical events, write a novel or short story highlighting a lesser-known figure or group of people. Research the historical context meticulously and emphasize the character's resilience, struggles, and contributions during that tumultuous period.
4. Fantasy: Create a fantastical world filled with mythical creatures, magic, and ancient prophecies. Write a novel or short story following a young protagonist who discovers their extraordinary abilities and must navigate a treacherous journey to fulfill their destiny. Explore themes of self-discovery, heroism, and the blurred lines between good and evil.
5. Mystery/Thriller: Write a gripping mystery or thriller novel following a seasoned detective or amateur sleuth investigating a perplexing crime. Develop complex characters, suspenseful plot twists, and an intricate web of clues and red herrings that keep readers guessing until the very end.
6. Science Fiction: Set in a future where technological advancements have transformed society, write a novel or short story exploring the ethical and societal implications of groundbreaking inventions. Examine themes such as artificial intelligence, genetic engineering, or virtual reality and their impact on humanity's future.
7. Romance: Craft a heartwarming romance novel or short story centered around two individuals from different backgrounds or opposing sides. Explore themes of love, forgiveness, and the triumph of the human spirit in the face of adversity.
8. Coming-of-Age: Write a coming-of-age novel or short story following a young protagonist's journey of self-discovery, identity formation, and navigating the complexities of adolescence. Explore themes of friendship, personal growth, and the challenges of transitioning into adulthood.
9. Psychological Thriller: Create a psychological thriller novel or short story that delves into the intricacies of the human mind. Focus on a protagonist who becomes entangled in a web of deception, manipulation, and paranoia. Explore themes of trust, perception, and the blurred lines between reality and illusion.
10. Family Drama: Write a novel or short story exploring the dynamics and complexities within a multi-generational family. Include themes of love, secrets, and conflicts that arise as family members navigate their relationships, face past traumas, and strive for reconciliation.

Considerations for each prompt:

• Genre-specific elements: Ensure your story incorporates the defining characteristics and tropes of the chosen genre, such as the tone, pacing, and narrative conventions.
• Character development: Develop dynamic and relatable characters who undergo significant growth or transformation throughout the story.
• Plot structure: Create a compelling plot that introduces conflict, builds tension, and resolves in a satisfying manner, adhering to the common structure of the chosen genre.
• Themes and messages: Select themes that resonate with the genre and explore them through the characters' experiences and narrative development.
• Reader engagement: Craft a story that captivates the intended audience, keeping them invested in the characters and eager to uncover what happens next.

1. Historical Romance: Write a one-page historical romance set in a lavish ballroom during the Victorian era. Focus on the forbidden love between a spirited debutante and a mysterious gentleman from a different social class.
2. Science Fiction Comedy: Craft a one-page comedic story set in a futuristic space station. Follow the misadventures of a clumsy maintenance technician who unwittingly saves the day against all odds.
3. Paranormal Mystery: Pen a one-page mystery story set in a haunted mansion. Introduce a skeptical paranormal investigator who must solve the mystery of a ghostly apparition that has been terrorizing the inhabitants.
4. Literary Fiction: Write a one-page literary fiction piece centered around a character's contemplation of the fleeting nature of life and the importance of cherishing the present moment.
5. Action Adventure: Craft a one-page action-packed adventure story set in the jungles of an unexplored island. Follow a daring archaeologist's quest for a hidden treasure while battling against treacherous obstacles and rival adventurers.
6. Psychological Drama: Create a one-page psychological drama following the internal struggles of a troubled artist as they grapple with their inner demons and seek redemption.
7. Magical Realism: Write a one-page magical realism story set in a sleepy coastal town. Explore the extraordinary occurrences that happen when an enigmatic mermaid washes ashore and disrupts the mundane lives of the townsfolk.
8. Thriller: Craft a one-page thriller story involving a race against time. Follow a determined protagonist as they try to decipher cryptic clues and prevent a citywide disaster.
9. Fantasy Adventure: Pen a one-page fantasy adventure story set in a whimsical realm. Follow a young hero's quest to retrieve a stolen artifact and restore balance to the land, encountering fantastical creatures and overcoming obstacles along the way.
10. Historical Fiction Mystery: Write a one-page historical fiction mystery set during the Roaring Twenties. Follow a quick-witted detective as they unravel a web of deceit and intrigue surrounding a glamorous underground speakeasy in the heart of the city.

Considerations for each prompt:

• Engaging Beginning: Choose a compelling starting point that grabs the reader's attention and hooks them into the story from the very first sentence.
• Concise Plot: Craft a tightly woven plot that can be fully developed within one page, with an introduction, rising action, climax, and resolution.
• Strong Characterization: Develop distinct and memorable characters, even within the limited space, by providing key details that bring them to life and make them relatable to the reader.
• Descriptive Language: Use vivid and sensory language to paint a clear picture of the setting, engage the reader's imagination, and create an immersive reading experience.
• Resolution or Twist: Provide a satisfying resolution to the story or introduce an unexpected twist that leaves the reader intrigued and wanting more.

Protagonist Character Profile:

1. Name:
2. Age:
3. Gender:
4. Physical appearance:
5. Background:
6. Personality traits (list at least five):
7. Core values and beliefs:
8. Motivations and goals:
9. Biggest fear:
10. Internal conflicts:
11. External conflicts:
12. Strengths:
13. Weaknesses:
14. Childhood experiences and their impact:
15. Education and professional background:
16. Relationship status and dynamics:
17. Quirks or peculiar habits:
18. Psychological disorders, if any:
19. Familial relationships and dynamics:
20. Support system (friends, mentors, etc.):
21. Traumatic experiences and their effects:
22. Coping mechanisms:
23. Emotional vulnerabilities:
24. Resilience and determination:
25. Personal growth throughout the story:

Protagonist Character Questions:

1. What drives the protagonist to take action and pursue their goals?
2. How does the protagonist's childhood shape their behaviors and choices?
3. What values does the protagonist hold dear, and how do they influence their decision-making process?
4. What inner conflicts does the protagonist face, and how do they attempt to reconcile them?
5. How does the protagonist's education and professional background contribute to their strengths and weaknesses?
6. What traumatic experiences has the protagonist overcome, and how have these experiences shaped their worldview?
7. How does the protagonist cope with stress or adversity?
8. What relationships and dynamics are most significant to the protagonist, and how do these relationships evolve throughout the story?
9. In what ways does the protagonist exhibit resilience and determination in the face of challenges?
10. How does the protagonist approach personal growth and self-improvement?
11. What psychological disorders, if any, does the protagonist struggle with, and how do these disorders impact their thoughts and actions?
12. How does the protagonist's physical appearance contribute to their self-perception and interactions with others?
13. What unique quirks or habits does the protagonist possess that make them stand out?
14. What are the protagonist's primary desires and aspirations?
15. How does the protagonist's internalized fear drive or hinder their actions?
16. How does the protagonist navigate and resolve external conflicts?
17. What coping mechanisms does the protagonist rely on during times of stress or emotional turmoil?
18. How do familial relationships and dynamics influence the protagonist's actions and decisions?
19. What significant life choices or dilemmas does the protagonist face throughout the story, and how do they respond?
20. In what ways does the protagonist's support system impact their growth and resilience?
21. How does the protagonist's personal development and self-discovery contribute to the overall narrative arc?
22. How does the protagonist's background and experiences shape their perception of the world?
23. What are the protagonist's core beliefs and values, and how do these impact their interactions with others?
24. How does the protagonist handle setbacks or failures, and what lessons do they learn from these experiences?
25. What external influences or societal pressures affect the protagonist's decision-making process?

Antagonist Character Profile:

1. Name:
2. Age:
3. Gender:
4. Physical appearance:
5. Background:
6. Personality traits (list at least five):
7. Core values and beliefs:
8. Motivations and goals:
9. Biggest fear:
10. Internal conflicts:
11. External conflicts:
12. Strengths:
13. Weaknesses:
14. Childhood experiences and their impact $ Go on

1. Education and professional background: 16. Relationship status and dynamics: 17. Quirks or peculiar habits: 18. Psychological disorders, if any: 19. Familial relationships and dynamics: 20. Support system (friends, mentors, etc.): 21. Traumatic experiences and their effects: 22. Coping mechanisms: 23. Emotional vulnerabilities: 24. Strategies for achieving their goals: 25. Methods they employ to antagonize the protagonist:

Antagonist Character Questions:

1. What drives the antagonist to oppose the protagonist and act as an obstacle in their journey?
2. How does the antagonist's background and upbringing contribute to their negative behaviors and motivations?
3. What core values and beliefs does the antagonist hold that align with their antagonistic actions?
4. What personal goals or desires does the antagonist seek to fulfill?
5. What is the biggest fear or insecurity that drives the antagonist's actions?
6. How does the antagonist's internal conflicts manifest and impact their decisions?
7. What external conflicts arise as a result of the antagonist's actions, and how do they handle these conflicts?
8. In what ways does the antagonist exhibit strength and power, and how do these traits affect their interactions with others?
9. What are the antagonist's weaknesses or vulnerabilities that can be exploited by the protagonist?
10. How have childhood experiences shaped the antagonist's worldview and motivations?
11. How does the antagonist's education and professional background contribute to their methods and strategies?
12. What familial relationships or dynamics influence the antagonist's actions and choices?
13. What unique quirks or habits does the antagonist possess that make them distinct or memorable?
14. Are there any psychological disorders or conditions that contribute to the antagonist's behavior?
15. How does the antagonist cope with stress or emotional turmoil?
16. What strategies or tactics does the antagonist employ to achieve their goals and antagonize the protagonist?
17. How do the antagonist's actions impact their relationships and interactions with other characters in the story?

18.How does the antagonist perceive and justify their actions, even if they are considered morally or ethically wrong?

1. What external influences or societal pressures contribute to the antagonist's motivations or actions?
   
2. How does the antagonist's physical appearance contribute to their demeanor and portrayal in the story?
   
3. What significant life choices or dilemmas has the antagonist faced, and how have these shaped their character?
   
4. What is the antagonist's reaction to setbacks or failures, and how do they adapt their strategies?
   
5. How does the antagonist's support system or lack thereof impact their actions and decisions?
   
6. What past traumatic experiences or events have influenced the antagonist's worldview and behaviors?
   
7. How does the antagonist's emotional state or emotional vulnerabilities influence their actions and interactions with others?
   

So, I (23 F) live in a shared 4-bedroom apartment while going to college full time with 3 other girls living with me, also college students, complete strangers before moving in. The first year everything was relatively okay with all of us. We didn't talk much unless we saw one another in the common rooms, (mainly the kitchen) and we all didn't really interact much at least on my part. Until the second year, me and two of my roommates had a falling out because of cleaning issues around the apartment. Basically, we don't see eye to eye on the way things are left in the apartment, so we don't talk really at all unless something is broken in the apartment and they need me to fix it or call maintenance because I'm the one who always does it.
Recently it has begun to get hotter in the place we live, and I turn the thermostat to cold and monitor it and remember to turn it off to be easy on our utilities. But one of my roommates (we'll say her name is Lisa) has been turning the temperature on heat when it is over 80-90 degrees outside. Me and even my other roommate I don't really get along with (we'll call her Rayne) asked politely in the group chat to not do that during the hot temperature season. She did not respond in the group chat at all to our questions. A few weeks have gone by, and Lisa still turns the thermostat to heat leaving our apartment to become humid the longer it stays on not to mention we live on the second floor and heat rises from the ground up through our apartment. I'm tired of coming home after a long day of school or one of my 2 part time jobs just to be hotter and turn on the AC just to have Lisa turn the heat back on a few minutes later.
I have even asked Lisa TWICE in a private text that we had asked her to stop, and if she wanted to talk to me face to face about it since we have mostly ever talked over text. Still no response, I feel that she is being the childish person in this situation not talking to me, or the rest of the roommates to establish a compromise on ANYTHING. And due to Lisa and I's fallout I fell that she does it on purpose to make me mad.
So, I went and bought a thermostat lockbox to put over the thermostat that only I have the keys to, and I am planning to install it when she's not here so she can't say I didn't try to talk to her. If she or my other roommate Rayne or both go to management about it, I will simply say that I have asked Lisa to stop putting the air on heat when it is hot outside, that I have reached out to her multiple times, and she has not responded, and that I am managing the amount of usage that goes to our utilities that we all have to split and pay for.
Am I establishing a boundary that keeps getting crossed by one person making everyone else miserable, or am I taking away someone's rights to a commodity they are entitled to? I feel like I am doing this not just for my sake, but for my other two roommates who are also annoyed by her antics.
Reddit, am I the A-Hole???

ACT 1. Sunday afternoon after visiting the local market two brothers wait for their train to arrive. If they were even a minute late, they knew their mother would surely scold them and scold the elder of the two far worse. The idea of another beating did not bother the elder brother; he had been through far worse just dealing with the brat and his attempted jailbreaks, though something did begin to make him painfully nauseous forcing him to feel pressured by the light breeze as if gravity had suddenly been increased tenfold. All his senses were heightening beyond anything he had thought possible.All around him he saw that the once energetic and hyperactive passengers had become little more than mannequins; their movements slowing to a standstill. They had all gone silent. The station was no longer filled with the cries of children or the gentle laughs of their parents. He had never heard such silence in such a crowded location. He did not feel panicked, nor did he feel a need to act for this silence was oddly comforting to him. However, the newly calm atmosphere would quickly be the source of a lifetime of suffering.His hand began to reach for his brother in an attempt to call his attention. Though in a moment of both unprecedented shock and exhaustion John shoved his younger brother onto the rails of an oncoming train. Local news would report the incident as nothing more than a tragic manic episode of a young sixteen-year-old. However, for John this single visceral instant in which all of his brother's bones were instantly crushed was stretched into hours. He was painfully aware of how every bone in his brother's body contorted in inhuman ways some nearly resembling perfect right angles, until eventually, they snapped and sent insurmountable pain throughout his nervous system. His blood curling screams were made mute by the screech of the train coming to a halt, though, by the time they stopped, his brother had torn his every vocal cord and had long ago lost consciousness. Still on the platform, the elder brother stood still, attempting to process what exactly he had done. He had no idea what force had compelled him to push his brother, but that instant would forever define what he saw as reality.That however was nineteen years ago, in present day he lived in isolation far from any person. He spent his isolated days wandering the land around his cabin completing house chores that distracted him from reminiscing about his days in the asylum or as he liked to call it “The Echo Room” where he was transferred after the incident. He headed inside after spending a portion of his morning counting all one-hundred-and-thirty-two trees that were showing signs of life after the harsh winter that nearly forced him to cut down two of them for firewood. Once inside he began preparing his morning coffee when he heard a loud creak come from the hall. He (after many incidents) learnt to avoid the boards that creaked, so in his mind immediately an intruder was breaking into his cabin searching for food or his stash of special edition coffee. Deciding to investigate he walked towards the noise when suddenly he heard two knocks at his front door. Confused and slightly worried, he proceeded to walk towards the door making sure not to step on any of the annoyingly loud floorboards.He approached and looked through the peephole and saw only what remained of the melting snow outside. Opening the door, he saw that only his steps led to the doormat. He glanced around and saw no indication of any life aside a few dark patches on the snow. He was about to close the door when he noticed a tiny red package wrapped in a radiant red bow placed clear from where the door would open. Cautiously picking it up, he noticed how it had almost no weight to it; as if empty. He walked inside and sat at his desk planning to journal later about the weird morning he had been having. He examined the exterior of the package and saw how not only was it near perfect condition but it was also slightly warm to the touch; as if recently held. He undid the bow and cautiously opened the package, half expecting an explosive of some sort. Though, all he found was a ragged ripped piece of paper. Unremarkable aside from the fact that it was inside such a carefully constructed package. On the other side he saw that it had some scarlet lettering inscribed into it reading.“Ouroboros”. At first believing it to be a prank by the kids who had heard rumors about him, and his incident, nearly caused him to dismiss it entirely deeming it little more than a slightly humorous event. He decided to put it aside for now as he had coffee left to drink that was quickly getting cold. He walked back towards the kitchen still distracted by the idea of no trace being left by whoever had left the gift. Was it even a gift? Maybe it was just some well-executed prank? In any manner he would later have a better look at it. He absentmindedly, reached for his cup and immediately pulled his hand back shocked by the temperature of the cup. It was frozen! Almost to a complete solid. He thought himself slightly distracted but not enough to freeze his morning coffee especially not his special edition coffee. First The Box and now this, it was all adding up to an annoying morning. Was it still morning? No, that’s not right. He had just spent the day counting trees. How could it still possibly be morning?The thought of Dr. Lumis being correct about his mental condition after so many years sent a chill down his spine especially since last time they talked, he did not exactly behave amicably. He was sure that both incidents had been isolated events that could never happen again. Sure, he had heard the echoes every once in a while, but he was never insane like the others; this he knew to be a fact. If he was insane, how could he have ever left? Disoriented and beginning to sweat, his legs suddenly gave out causing him to fall backward landing on the cold wooden floorboards. He looked around hurriedly expecting to see an intruder that had somehow found him. After seeing nothing but his pristine furniture, he steadied himself and began to control his breathing. He slowly got up causing the wood underneath to creak under the sudden release of weight. Deciding to further assure himself he went around the cabin checking in all four rooms. He found nothing aside from his own disturbances. Still feeling slightly nervous and disturbed he headed back towards the living room in search for The Box with the red bow determining that it had somehow triggered his current situation. The Box was still where he placed it; much to his relief. He sat down. He looked once again at the scarlet lettering.
Act 2. Back in the asylum he would often spend his days wondering how he could have ever been grouped alongside individuals who had purposefully and viciously committed heinous crimes against innocent victims. He was not insane like them. Whatever had caused his hand to shove his brother had long abandoned him. His routine now consisted of cleaning whatever mess the older residents made in the halls and transporting lab waste to the crematorium. He would clean from the southern stalls all the way to the northern cemetery and make his rounds gathering the waste from the rooms. It was a simple job but lonely, nonetheless. The halls were often only illuminated by tiny flickering red lights that indicated the position of the cameras through which Dr.Lumis would often monitor John during his nightly crusades. Though incredibly distasteful, John did not mind, he accepted that odd situations would be easier to explain if someone of credit had seen them. Yet despite this, he felt he was being watched by someone other than the doctor. He assumed that this feeling was due to the paranoia he had been diagnosed with a few months back. On a particular night, moments after dumping another bag of soft solids and dense liquids down the chute, he heard footsteps, just outside the room. Expecting to see the doctor he begrudgingly walked towards the door. Exiting and seeing no one he called out for the doctor but got no response aside from the echo of his own voice. He began to walk towards where he had heard the footsteps come from when he suddenly collapsed out of exhaustion. The same exhaustion that had plagued him during the moment of his brother’s death. He tried to reach for his panic button (a gift from Lumis) but it had disappeared from his chain. He tried to scream but not a single whisper was heard. He gazed into the dark corridor where he had thought Dr.Lumis had gone, but saw nothing but soft shadows. Though something was unnervingly wrong about them. They moved as if following an order, all synchronized, all heading towards him. That night in the asylum had left him scared to even return to the disposal area; he feared that The Shadows might eventually be able to reach him. The Shadows did not haunt him unaccompanied: they followed alongside The Echo tormenting his nights. While The Shadows could not reach him during daylight, he could never escape The Echo. It followed wherever he went and tracked everything he did. Dr.Lumis explained that he merely suffered from an extreme case paranoia but John saw the others; who yelled and who screamed true nonsense, he was perfectly aware of himself and the ones around him. Dr. Lumis secretly believed patient #132 experienced Hyper-sanity though this he would never verbally confess. It was term he decided would for now adequately describe his patient’s acute awareness of The Shadows and The Echo. John would for many years go without hearing The Echo after that night, only ever hearing what seemed like the final moans of a dying voice. Back in present day, he hoped he wasn’t suffering another hallucination as they tended to leave him in an embarrassing shocked state. He questioned what “Ouroboros” could possibly mean in relation to himself. He considered the possibility of it being an early warning of some threat to the sanctity of his home. He quickly dismissed it as he had not interacted with anyone long enough to possibly annoy them. Weird them out? Sure. Offend them? Maybe with his sense of fashion. Following his incredibly fine-tuned survival instincts he put on a light coat and went outside to walk among the trees. A mundane task, but one he truly enjoyed especially since he hoped it would distract him for a short while. Just before he closed the door behind him, he took one more look at The Box sitting on his desk and decided to take it with him in case he met the person who had left it. The sun had begun to set marking the end of the day. He watched the sun hide behind the mountain range letting the world bathe in darkness for another night. John did not dislike the night (he had worked nightshifts in The Echo Room for years) but he didn’t find the freezing cold to be ideal. He had not left his land for what was a few years now and the idea of even slightly stepping out of his comfort was making him incredibly anxious. Still, he walked forward towards wherever the path took him. The night only got darker and quieter, and he only got colder. He did not see the lightning bugs that usually warded away the dark near the edge of his hill. Without the soft hum of bugs or soft breeze that would brush against his beard he felt alone. Even the nights back in the asylum did not possess this level of quiet. He kept moving hoping that eventually he would find something that could break the uncomfortable silence. As he continued down the hill, he realized he could no longer distinguish the path from the dirt surrounding it. He considered heading back when he realized he had not kept track of where he had come from. Not only was he lost but alone with his thoughts and whatever had been watching him from the start. He walked a step forward and then another one back repeatedly. What he was attempting to achieve was beyond reason. Had he gone mad? No, he was perfectly sane. “Wait, I can hear them clearly now” he spoke, his voice dried from the cold.“This is not a hallucination” he spoke softly.“i-I AM NOT HALLUCINATING” he proclaimed. He heard The Echo once more though they were not of his voice but rather of Another. He had long been aware of “The Echo” but he could never fully determine whether it was a dream or an effect of the chemicals but this Other was undoubtedly real. “I don’t know where you are but please. Are you real?” he asked the night. He could now hear The Echo or rather feel the pressure of its words upon his reality. Had it been trying to hide the Other? He walked forward and pulled out The Box. “You gave me this right? What for? What purpose does it serve?” No one responded.Annoyed, he threw it as far as he could down the hill. “THERE! THIS CAN’T CONTINUE WITHOUT IT, RIGHT?” He shouted at the endless empty. That’s when out of the darkness emerged a faint light. Was it a lightning bug or maybe a sign of civilization?
Act 3. Cautiously, he approached the cold light and saw that the light was artificial. The tube inside flickered before another appeared a few feet ahead, and then another and then another and then what seemed like an uncountable amount more. He took a step forward and noticed that the ground underneath had turned to hard white tile. Accepting that this was not the weirdest occurrence that had affected him he proceeded to walk forward making sure to keep a mental note to journal about it later. The surrounding landscape transformed into white walls that every so often had a window that let him peek at the other side. At first, he could still see the snowy landscape, but it to slowly changed; first having scattered papers and then chairs, cabinets, and desks until they eventually resembled a typical office. Its purpose was not obvious to him, and neither was the hallway but if they were changing surely, it possessed a deeper metaphorical meaning that related to his life. He saw a door at the very end of the hall and decided to not postpone the ploy of whatever “The Echo” was planning. He stood before the door wondering about what it could possibly contain. John proceeded to open the door. Inside was a desk along with a single cabinet. Walking inside he noticed that the room was illuminated by some otherworldly source that had no words that could possibly describe it. He walked towards the desk and a file he had not seen previously, sat open. Inside was a description of his physical appearance. “Age: 35. Height: 5’8. Weight: 185 lbs. Hair: Black with obvious signs of stress. Eyes: Brown. Character Aptitude: High.” “Okay, I get it. I’m old, you didn’t have to expose my hair like that” he said slightly embarrassed quickly restyling his hair. He noticed that even though they had an almost perfect description of his hobbies, dreams and wishes they did not have a single picture as if they for some reason were only able to use words. “SOOO you know about that one time in the asylum (don’t ask) BUT NOT A SINGLE PICTURE? That’s lame.” he said mockingly. On the final page he found what looked like an incomplete file; most of the personal attributes had not yet been filled and only a note was made reading. “They don’t need a complete story just one they can understand.” Besides the fact that whatever role he played in this act had been a mere afterthought; he was confused as to how anyone could have ever gathered such sensitive and personal information about his isolated life. Was it The Echo? Had it told them his life? A phone started to ring somewhere in the room abruptly breaking the silence he had become used to. He quickly rotated towards the source of the ringing but did not find anything. There was only him and the four walls that despite the lighting did not change a shade of grey. He walked towards one of them that seemed to be where the noise came from resting his hand on it and gently put his ear to it thinking that the ringing was from another room entirely. The wall he had just laid a hand on had no longer a physical representation and causing John to fall through to the other side. Disoriented he slowly looked up and saw The Telephone illuminated by what seemed to be the same light that illuminated the previous room. This one however was far more powerful and concentrated solely on The Telephone. He approached it expecting a chasm to somehow appear underneath his feet. The Telephone did not stop ringing and only seemed to increase in intensity (though this could have simply been a hallucination). He lifted it to cut the blaring noise and slowly put it to his ear. “hello?” “…” “…” “The protagonist only dies if the story ends” the voice said quietly. “HUH? YOU DRAGGED ME HERE TO TELL ME THAT OMINOUSLY ANNOYING LOAD OF *********!” “…I’m so sorry” The call disconnected not out of offense but rather out of completion. John slammed the phone back onto its stand and decided it was time for this nonsense to end. He walked out into the room he was in before anxiously attempting to find another exit: only to be met with solid walls. What wicked game had he been roped into? When would it end? These were questions he would answer far earlier than he expected. A door appeared in the center of the room. No, it was more of a two-dimensional plane that appeared to be a sort of portal. With no other options, John stepped into the newly opened portal.
Act 4. On the other side was a station, and his ears were immediately flooded with the cries of children and the laughs of their parents. He walked around moving through the crowd careful to not miss any indication of the location. His pace increased as he began to recognize the commuters shortly realizing exactly where he was. He rushed to a platform, the platform where he and his brother were to arrive after their day in the market. He sat on a nearby bench committed to saving his brother no matter who he would have to shove instead. Three agonizing days passed with the daily commuters repeating their routine with the slightest variations. One of these variations would be the key to preventing the day that haunted his nights. Something would soon cause him to shove his brother onto the tracks. He was determined to stop the fall or kill himself to keep his brother safe.He heard a familiar laughter and turned towards the source and saw his brothers face uncontrollably laughing and himself lightly smiling. He began to run towards them but felt once again suddenly exhausted. As if the air became a type of nonnewtonian sludge making his legs impossibly heavy. The crowd around him seemed to be moving just as easily as before; children laughing just as maniacally and just as carelessly. He tried to yell to them, but his lungs were filled with the dense fluid drowning any screams he attempted. He was forced to watch how his brother got closer and closer to the edge. Through much effort, he managed to get close enough to extend a hand towards his past trying to desperately push him away from his brother. The past reacted in what seemed to be a defensive system and sent a temporal anomaly throughout the space his past and present inhabited. Time began to exponentially speed forward. In a last desperate attempt to prevent his brother’s death he tried to distract the past long enough to let the train pass without incident, but the temporal anomaly caused the relative slow velocity of his touch to have the effect of a sudden jerk and in his final moments of consciousness he saw his brother accelerate towards the rails in a split second. He awoke back in the office alone with nothing, but the realization of what force had killed his brother. He curled into the fetal position and began to cry; still believing his lungs to be filled with the dense liquid he did not let out a single sigh. He spent several hours in this state of painful silence without even opening his eyes. His emotions were chaotic and his thoughts unending. They tormented him for hours far after he had run out of tears to let out. They were merciless and torturous forbidding him from resting, insisting on his suffering. Being the cause of his brother’s death nearly caused him to go insane yet part of him kept insisting that Another was to blame. Another had caused him to do it. The Other had forced his hand. Of this, he was now sure. The Other enjoyed his suffering, The Other forced him to kill his brother. He had not eaten nor slept in what seemed like years and yet he stood up defying the gravity that held him down. He took a deep breath of as much oxygen as his lungs allowed and began to speak. “Whoever you are. Whatever you are. Wherever you are. Just know I will no longer play for your entertainment the rest is entirely my choice” he said threateningly. He then began to walk forwards confidently towards the dark wall and through the hidden door that he was not supposed to see. He entered what seemed to be a studio room though, unlike the sterile office; it was trashed. Papers littered the floor and empty bottles populated the lone mattress. On it laid a journal that had recently had liquid spilt on it. He picked the journal and gently opened it and began to read. It was scratched with the stray ideas of a creator who seemed to have never decided upon an end or beginning to his story; yet possessing the journey. He saw many ideas that together seemed to create a way for the continuity to depend entirely on Another rather than itself. A thought described in a single word interested him enough to take it with him. The room started to dissolve around him transforming into a cold landscape. Armed with the knowledge of who he was he treaded what remained of the worn-out path. The sun began to rise signing the start of another day, yet John did not seem to notice as he was focused on something buried in the snow. He could not see much of it yet he knew it was The Box he had thrown the previous night. He dug it up and began his walk up the hill once more. He eventually arrived at his cabin and walked towards his front door….
Act 5.
If you wish to rebel; continue reading on the next page.
Begin the story once more on Truth 2.
If you wish to ward away The Other; don’t read any further
If you wish to follow The Echo read Truth 3
To understand turn to Truth 4
Truth 1
…Before deciding that no longer would he be a puppet for someone’s amusement. John arrogantly began marched back down the hill and headed north towards the nearest interstate a few miles from his home hoping that he had derailed The Echo’s plot. It took him hours on foot, but he would eventually come across the road and start his journey back to civilization no longer subject to the whims of an Otherworldly Audience. He believed his future was now his to decide. He decided what he would become. He decided when and what to think. This he was sure would be how he escaped his torment. John suddenly suffered a complete body collapse and fell forward landing face first onto the scorching road. It would be several sweltering hours before anyone would find him. But eventually someone did, john suffering heavy burns and on the brink of death was saved. He would awake months later in a hospital bed though no one would ever know of this. Weeks would pass as john laid in the hospital bed unable to speak or even move; alerting no one to his consciousness. The doctors and nurses were busy with whatever important patients needed immediate attention; they walked from one end to the other in what seemed like mere minutes. The entire time the only company he had was The Echo and yet slowly it too seemed to forget his existence as well. Eventually The Echo having no interest went away.Jane a third-year medical student had recently joined the staff a month prior and had already been assigned two elders and one child. Though overwhelmed she did not grow annoyed nor frustrated; she loved her job and by proxy her patients. Despite her benevolent nature there was a single patient she never went near as he always seemed to be watching her despite his eyes being shut for over four months. Any time she got near to patient #132 she would begin to get nauseous and quickly retreat. She had no ID on the man, but it seemed he was dehydrated for far longer than should’ve been possible and should be by all accounts dead if not near it. Whenever she worked nightshifts, she would swear that she heard the man whimper slightly as if to warn her of something. Even when she was on the opposite side of the building, she would hear the echo of his groans. She would eventually be transferred and would soon forget the man who after 6 months was officially declared braindead and was due to be disposed of, yet she would still every once in a while, still hear The Echo. Forgotten Ending
Truth 2…Realizing that there was no other choice John took a step forward while placing the note he ripped from the journal into The Box making sure to keep it neatly packaged. He saw the footprints he had left two nights before and carefully stepped into each one making sure to not disturb the surrounding snow. Whatever…Whoever had set him on this path allowed him to live a life of suffering, a life of loss, and a life of pain. This, he felt was the way things were intended to play out; the way it had to end. He placed The Box on the final step making sure it would not be knocked away whenever the door would eventually open. He walked away nearly to the edge of the property when he looked back once more. Managing to peek inside he saw his past still making his coffee when he saw an almost invisible distortion appear near the front door. He smiled and turned away only saying…Freedom ending
Truth 3…though spotting a disturbance near the back of the cabin distracted him from the front door. He decided to investigate for fear of losing a single blossoming tree. Arriving near the back fence he saw no indication of a disturbance giving him much needed reassurance. He heard noise emerge from inside the cabin giving him one more dilemma to deal with. He headed to the backdoor making sure to not disturb the recent snow and entered the cabin. Being sleep deprived and without coffee he had forgotten about the wooden floor and stepped on one that caused a creak to be heard throughout the cabin. He quickly hid in the bathroom fearing that he had disturbed the continuity that The Echo had established when suddenly a bright flash blinded him. He found himself at the front door next to The Box. Slightly amused he proceeded to knock on the door and was soon after transported once more to an empty hall. Both confused and entertained as he was being transported from one place in time to another he took a few steps forward alerting the past to his presence. Seeing his past enter the hall he ducked and quickly hid around the corner. His past seemed to believe that the doctor was in the halls and decided to investigate though just as he was nearing closer; his past collapsed. John saw how his fall was slowed as if moving through the dense liquid he had once gone through. He walked towards his past and noticed an old fashioned panic button that would instantly call Dr.Lumis to his location. Measuring the consequences, he decided to remove the panic button and head back towards The Shadows. For a third and final time he was transported to a final location, the bottom of a snowy hill. Taking in his surroundings he noticed burn marks on the snow where his past would eventually walk through the portal whenever the past caught up. He reached into his pocket and realized how the plot was supposed to move forward. He walked until he reached the exact point where his past would once again find The Box. He kneeled and buried The Box making sure to erase any evidence of his own disturbances. Fully fulfilling his purpose John collapsed. The End.
“Did the hero die?” “What?” “Did he die?” “No? He beat the bad guy and saved the day remember?” “Yea but like AFTER.” “Well, I guess after a few years he would.” “No” The young child said growing annoyed, “when you said, “The End” did he die?” “No.” responded the elder brother. “Then what happened to him? Is he still alive?” “The protagonist only dies if you stop reading.” concluded the elder brother as if possessed. Begin again?
Truth 4…Then just as he took his first step forward everything began to rot. His trees, his home, his coffee, all of it was slowly eroding into a fine dust. He knew that another temporal anomaly would be the likely cause, but he had not yet experienced one that possessed this level of molecular destruction. The fabric of his reality was slowly and thoroughly being untangled into its most simple of compositions. It separated the light from dark, gravity from time, and words from spaces.John could now comprehend what had defined his reality for so many painful years, he finally understood The Narrative and how all possible endings had been chosen long before his creation. John had been a slave from the moment The Narrative began; not once in his entire existence had he ever had a real choice only walking paths already treaded by Another. He was nothing but a plot device in an otherwise self-indulging tale written by a gentle master forced to be cruel for those above. From the moment this story began, John was in pain. He could never hope to truly escape; he could only die until he arose once more. Had John never understood what his life really was then maybe he could’ve found meaning in his suffering. Unfortunately, this choice has now forced John to become aware of how truly meaningless his existence was. His life was little more than entertainment for The Other; they were the ones truly in control. For as long as The Other remained, The Echo would doom John to eternal suffering. The Echo was never in control of The Narrative; he too was merely a subject to it by an even greater force. The Echo did not wish for John to suffer but The Other would not allow John to live if he did not. It is a toxic cycle of pain, suffering and realization that forces John to relive The Narrative lifetime after lifetime. The Narrative must have suffering intertwined into its foundation otherwise The Other would grow bored and erase the reality ending John in but a mere thought. Don’t you see? Don’t you understand? This is reality; John cannot exist without pain, The Echo cannot live without a narrative, and The Other is you. THE END......
Intended to be a philosophical narrative detailing the tragic relationship between the reader, the narrator, and the character and how they cannot coexist without hurting each other.

Proof Picture
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Howdy! Before getting into todays sale, I want to briefly address the ongoing security concerns with the current scam.

1. I will never disclose my password to anyone.
2. Not only does my reddit account have 2FA, all my emails associated have 2FA. In general, every account I possess, has 2FA.
3. I will never accept Crypto for any reason.
4. And lastly, just take precaution. Always ask for proof pictures, check the Ban List, middlemen are worth every penny for the protection it provides to both parties.

Now for todays sale, finally back for another sale. Most groups have a picture with all the items together to better organize my post. I apologize for the lengthy post.
Buy with Confidence! Every applicable item is Sigma Verified!
Prices are based on Kitco Ask.
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Gold (Items in this lot)
Pending 10 Gram Gold Bar Koi Fish Imperfect - $776 SPOT
5 Gram Gold PAMP Lakshmi - $650
5 Gram Gold PAMP in Assay - $395 Each (6 available)
5 Gram Gold Engelhard #1 - $465
5 Gram Gold Engelhard #2 (Small Copper Spot) - $460
Pending 2.5 Gram Gold PAMP in Assay (Protective film is off) - $202
2.5 Gram Gold Credit Suisse in Assay - $215
2020 1/4 OZ Gold Australia Marlin - $610
Pending 1984 1/10 Oz Gold Krugerrand - $250
Pending 1988 1/10 Oz Proof American Gold Eagle (Coin in capsule only) - $270
2020 1/10 Oz Gold Canada Bald Eagle Sealed - $251 Each (7 available)
2014 1/10 Oz Proof American Gold Eagle NGC PF 70 Ultra Cameo Angela M. Buchanan SIgned - $350
2018 1/10 Oz Proof American Gold Eagle NGC PF 70 Ultra Cameo John M. Mercanti Signed - $350
1989 1/4 Gold Panda in Black Onyx,14K Gold Bezel at Below MELT - $719 (1/4 Oz Gold Panda. Bezel is about 3.3 Grams of 14k Gold)(Melt is around $752)
1985 1/20 Oz Gold Panda - $129 Each (15 available)
1993 Australian Nugget (Kangaroo) 1/20 Oz Gold - $128
2023 1/20 Oz Gold Year of the Rabbit - $150
1990 1/20 Oz Gold Kangaroo - $126
Pending Mexico Dos Pesos Gold - $129
1911 $5 Gold Indian - $615
Geiger Club Set (1 Gram Gold and 1/2 Oz Silver) Set Number 234 - $145
World's Smallest Gold Coins, Statue of Liberty (.5 Grams of 14k Gold) - $37
World's Smallest Gold Coins, Krugerrand toned (.5 Grams of 14k Gold) - $37 Each (2 available)
World's Smallest Gold Coins, Abraham Lincoln (.5 Grams of 14k Gold) - $37
Pending World's Smallest Gold Coins, Rembrandt van Rijn (.5 Grams of 14k Gold) - $37
Pending .10 Gram Gold KaratPay - $15 Each (11 available)
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Bullion Silver (Items in this lot)
Silver Dragon Laser Engraved .999 Fine (898 Grams) (Unmarked but Sigma Tested) #1 Under Spot! - $880 ($30.50/Ozt)
Silver Dragon Laser Engraved .999 Fine (981 Grams) (Unmarked but Sigma Tested) #2 Under Spot! - $961 ($30.50/Ozt)
4 Ozt Silver Gilded Round in Capsule - $122 (SPOT)
5 Oz Silver Alexander the Great - $156 Each (Below Spot!) (8 available)(Some have had their plastic broken)
22 Troy Ounce Ironman Silver Helmet by Pit Bullion Bellow Melt - $682 ($31/Ozt)(Below Spot)
2018 5 Oz Proof Libertad (Capsule is scruffy) - $235
2 Oz Silver Privateer High Relief "The Captain" - $68
Pending 2009 5 Oz BU Silver Libertad - $195
Generic Silver Pours (Unmarked but Sigma Tested) Below Spot at $30.50/Ozt - $96.25 for the 3.16 Ozt one and $102 for the 3.345 Ozt one.
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Poured Silver (Items in this lot)
5 Ozt Hayleybug Silver Puck - $165
3.92 Ozt Silver Gun Pour - $$119.50 ($30/Ozt)(Under Spot)
Wild Pig 2 Ozt Silver Octopus - $68
Hayleybug 1 Ozt Silver Pour Design #1 - $36
Hayleybug 1 Ozt Silver Pour Design #2 - $36
Hayleybug 1 Ozt Silver Pour Design #3 - $36
Hayleybug 1/2 Oz Silver Pour - $18
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Government/Sovereign Minted Silver Rounds (Items in this lot)
2022 1 Oz Libertad in Fabulous 15 Holder (Milky) - $35 Each (3 available)
Pending 2016 1 Oz Silver Kookaburra Monkey Privy - $33
Pending 2022 1 Ozt Silver Phoenix (Cracked Capsule) - $32
Pending 1986 Proof Silver Eagle Capsule and Velvet Case only - $52
2019 1 Oz Proof Krugerrand - $44 (Milky)
All Pending Proof Silver Eagles all with Box and COA - $49 Each
Years available (1) 2001, (2) 2002, (2) 2003, (2) 2004, (1) 2005, (1) 2006, (1) 2014
2021 1 Oz Silver Swan - $33
2012 1 OZ Year of the Dragon (minor toning) - $48
2020 1 OZ Australia 1 Dollar - $32
2001 Silver Eagle "9/11" Colorized - $31.50
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Silver Bars (Items in this lot)
1 Oz Silver Shitters Full - $44
2022 3 Oz 40th Anniversary Libertad Bar - $225 (2 Oz Silver Bar with a 1 Oz Libertad inside)
10 Gram Silver Geiger in Assay - $17 Each (2 available)
1 Oz PAMP "Am Yisrael Chai!" - $95
5 Gram Geiger Silver in Assay - $11
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Fractional Silver
All Pending 1 Gram Silver MPM Fish - $1.50 Each (70 available)
1/10 Silver Medjugorje Queen of Peace - $3.50 Each (69 available)
1 Gram Silver - $1.50 Each (500 available)
1/10 Oz Silver Morgan Rounds (Milky) - $3.50 Each (3 avaialble)
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1 Oz Silver Rounds (Items in this lot)
Pending Worlds Wildlife "The Bear" 1 Oz - $32
1 Oz Silver Vikings in Capsule - $31.50 Each (1 available)
2024 Samoa Year of the Dragon with Black Rhodium Plating Coin - $55
1 Oz Generics - $31 Each (9 available)(Under Spot)
2 Pending 1 Oz Engelhard Rounds - $33 Each (5 available)
1 Oz New Aztec Calendar Design #1 - $32 Each (6 available)
1 Oz New Aztec Calendar Design #2 - $32 Each (10 available)
2022 Liberty 1 Oz (Norfed Type)(Milky) - $32.50 Each (7 available)
1 Oz Silver John Wick Round - $31.50
Pending 1 Oz African Wildlife "The Giraffe" Proof - $32 (Minor Milk)
1 Oz Silver "Connect #6" - $32
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90% Silver (Items in this lot)
1999-2020 Silver Proof Quarter Sets - $695 about $25 Per FV (22 individual lenses, 111 silver proof quarters. Includes 1999-2009 Statehood and US Territories, 2010-2020 America the Beautiful. (2019/2020 quarters are .999 fine and 1999-2018 are .90 fine)
90% Silver Proof Quarters in Lenses (Some toned) - $29 Each Lens (8 available)
$3 FV Lot of 90% Silver - $70 for the Lot
90% Silver Proof Dimes (Slight Milk) - $2.30 Each (4 available)
90% Silver Roosevelt Dimes - $2.15 Each ($20 FV available)(Slightly under melt)
90% Silver Proof Quarters (Slight Milk) - $5.75 Each (3 available)
.999 2022 Silver Proof Quarters - $9 Each (2 available)
90% Silver Proof Kennedy (Slight Milk) - $11.50 Each (2 available)
90% Silver Kennedy Half Dollars - $11.37 Each (10 available)
40% Silver Kennedy Half Dollars Under Melt - $4.25 Each (24 available)
3 Pending Peace Dollars - $25.50 Each (6 available)
Pending Peace Dollar Key Chain - $27
1934 S Peace Dollar #1 - $29
1934 S Peace Dollar #2 - $29
Pending 1926 S Peace Dollar - $29
Pending 1904 O Morgan Silver Dollar - $33
1991 USO 90% Silver Dollar Proof with Box and COA (Slight Milk) - $24 Each (2 available)
2001 US Capital Silver Dollar Proof with Box and COA - $24
1995 Civil War Battlefield Silver Dollar and Clad Half Dollar - $26
1991 Mount Rushmore 90% Silver Dollar and Clad Half Dollar (Milky) - $24
1990 Prestige Proof Set - $27
1999 Silver Proof Set With Box and COA (Slight Milk) - $44 Each (2 avaialble)
1962 Proof Set (Some are loose) - $22
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Slabs (Items in this lot)
1986-2005 Proof Silver Eagle Set (20 Coins/Slabs) All Graded by NGC as PF 69 Ultra Cameo! - $1,325 for set, includes NGC Slab Box.
2018 Australia 1 Oz Kookaburra Dog Privy PCGS MS 70 - $69
2021 S PCGS MS 70 Silver Eagle - $44
2021 PCGS MS 70 Silver Eagle (Last Production) - $44
2006 W Proof Silver Eagle NGC PF 69 Imperfect - $54
2023 Dragons of the World 1 Oz Egyptian Dragon NGC MS 70 Antiqued - $110 (Thick Slab)
2021 The Red Flag Fleet Ching Shih NGC MS 70 - $50
2019 South Korea Silver Proof Medal NGC PF 70 Ultra Cameo - $78 (Minor Milk on reverse)
2018 W Silver Eagle NGC MS 70 Mercanti - $
1995 1 Oz American Silver Eagle MS 69 ANACS - $37
2011 Great Britain S5PND Olympics Countdown NGC PF 69 Ultra Cameo - $39
1986 S Proof Silver Eagle PCGS PR 69 DCAM - $75
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Copper
1 Oz Copper Will Myers - $2
5 Ozt WildPig Copper Poured Bar - $14 Each
2.21 Ozt WildPig Copper Poured Bar - $10 Each
WildPig Copper Fossil Round - $8.5 Each (4 available)(Weights Range from 45-49 Grams Each)
WildPig Copper Frankenstein Round - $6 Each (7 available)(Weights Range from 24-29 Grams Each)
1 Oz Copper Bar - $1.50
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Random Items (Last 4 are NSFW)(Items in this lot)
2022 1 Gram Platinum Panda in OGP - $77
1 Gram PAMP Platinum - $42
Sterling Silver, "The Virgin of the Rocks" Gold Gilded - $61 (Melt, 65.60 Grams)
2 Oz Silver Revolver - $195
Pending 2 Oz Silver Doggaebi - $74
Pending 2 Oz Silver Doggaebi (Cracked Capsule) - $68
Pending 2 Oz Silver Michelangelo's Eyes - $75
Both Pending 2 Oz Silver South Korea Shield of St Michael - $88 Each (2 available)
Sterling Silver - Wild Pig Pours Modern Solid Cuff Bracelet - 77.7 Grams - $85 (Melt is around $72)
Lockermint 1 Oz Holiday Wenches Colorized Sealed - $85
Lockermint 1 Oz Locker Wenches - $
CMG Mint 1/10 Oz Silver Bar "Happy Birthday" NSFW - $10 Each (3 available)
St Louis Mint 1/10 Oz Silver Bar "Jasmine" NSFW - $10 Each (3 available)
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Shipping
Shipping ranges from $5-$6.50 for Ground Advantage. Heavier packages can ship ground advantage or Priority Mail for $9. Insurance can be added upon buyer request. I pack securely with bubble wrap and other packing materials. Packages go out within two days, Monday through Sunday. It usually takes 1-2 days for USPS to scan packages.
Priority Mail Express/UPS are also available.
Payment
I accept PPFF, Venmo, Cash App and Zelle to a certain extent.
Miscellaneous
Feel free to let me know if you have any questions. And as always, I try my best to be competitive on prices. Thats the point of buying from the community. So if any of my prices are off, please let me know.
Best, Gabe

I spent a lot of time on this, and I’m very proud of the result! I’d appreciate if you gave it a read and left any feedback. <3
Under the Shroud of Night Chapter Concept
New Killer: Alfred Warren (The Werewolf)
New Survivor: Barry Bennett
New Map: Hunting Grounds (Bonecreek Woods)
Map Offering: Bloody Fur
“Unkempt and untamed black fur, dripping with fresh blood. Whatever creature the fur belonged to, it was no ordinary beast.”
Barry Bennett Perks:
Solitary Survivalist
You work best alone. Too much company would attract unwanted attention.
While there are no other Survivors within 32/28/24 meters of you, you leave no scratch marks and your aura cannot be revealed to the Killer.
These effects are disabled while being chased.
“You tryin’ to draw attention? Keep it down, or I’ll throw you to the wolves.” - Barry Bennett
On the Clock
When pressure begins to mount, your determination knows no bounds.
While opening an exit gate, the Endgame Collapse timer is paused. Open exit gates 5/7.5/10% faster.
After opening an exit gate, the Endgame Collapse timer is delayed by 15 seconds.
“This ain’t my first rodeo, kid. I can buy us some time.” - Barry Bennett
Into the Night
While others stumble their way through the dark, your keen senses allow you to traverse with ease.
Anytime you are afflicted with the Blindness or Oblivious status effect, the Killer’s aura is revealed to you for 6/7/8 seconds. You still suffer from the negative effects.
Has a cooldown of 30 seconds.
“If you can’t handle it, go throw yourself on a hook and save the beast some trouble.” - Barry Bennett
Alfred Warren, The Werewolf
Power: Predator’s Pursuit
As the full moon rises, the beast’s hunt begins. Run or hide, it doesn’t matter; he’ll find you all the same.
SPECIAL ABILITY: HUNTER’S INSTINCT
Press the Power button to let out a roar, revealing Survivors within 24 meters with Killer Instinct. Gain 8 seconds of Undetectable for each detected Survivor.
After using Hunter’s Instinct, Primal Charge becomes available for as long as you are Undetectable.
SPECIAL ATTACK: PRIMAL CHARGE
Charge forward at high speed. At any time during the charge, The Werewolf may pause the charge and Pounce in any direction, damaging hit Survivors for a single health state.
If the initial Pounce misses, there will be a window where The Werewolf can launch a second, shorter Pounce.
The Werewolf Addons:
Brown
Spoiled Meal

• Sometimes, a regular dinner just can’t suit a werewolf.
• While aiming a Pounce, it’s target location is revealed to you.

Bird-Watching Binoculars

• Bird species of all kinds inhabit Bonecreek; try and spot them all!
• During Primal Charge, the auras of Survivors within 16 meters are revealed to you.

Firewood

• Just try not to cause any wildfires.
• The initial Pounce travels 15% further.
• The subsequent Pounce travels 15% less.

Warren’s Lighter

• Light the flames, and burn it all down.
• The subsequent Pounce travels 15% further.
• The initial Pounce travels 15% less.

Yellow
Deer Carcass

• While being hunted by the beast of the woods, few animals make it very far.
• Increases Hunter’s Instinct detection range by 4 meters.
• “What kinda predator could have done this?” - Morris Bennett

Rustled Leaves

• One of the many signs that something has passed through.
• Increases the duration of Primal Charge by 10%.

Silver Bullet

• Supposedly, the only thing that can kill a werewolf.
• Survivors detected by Hunter’s Instinct suffer from Oblivious for 20 seconds.

Shattered Chains

• Warren originally tried to chain himself up at night, to prevent the werewolf’s rampage. Of course, nothing could truly stop the beast.
• Undetectable persists for 6 seconds after using Primal Charge.

Bonecreek Cabin Key

• A key to one of Bonecreek’s rental cabins.
• Decreases the cooldown when breaking a pallet with Primal Charge by 15%.

Green
Bear Guts

• The mangled guts of Bonecreek’s former apex predator.
• Increases the time the initial Pounce can be aimed by 50%.

Broken Shotgun

• Even this devastating weapon fared poorly against the beast.
• Increases the window for an additional Pounce attack by 50%.

Torn Antlers

• The only remnant of a deer who suffered a grim fate.
• Increases Hunter’s Instinct detection range by 6 meters.

Empty Nest

• A bird’s nest that has since been vacated. Blood and feathers littered the ground around it.
• Increases the duration of Primal Charge by 20%.

Missing Persons Compendium

• A file compiled by Barry Bennett consisting of every known person to have gone missing in Bonecreek Woods.
• Reduces the cooldown time of Hunter’s Instinct by 15%.
• “Something ain’t adding up…because it sure as hell ain’t a bear causing all this.” - Barry Bennett

Purple
Shedded Fur

• The changes happened faster than Warren anticipated.
• Increases movement speed during Primal Charge by 25%.
• The Werewolf can no longer perform a subsequent Pounce.

Dislodged Bullet

• Warren awoke to find a bullet lodged within his leg.
• The initial Pounce inflicts Mangled and Hemorrhage for 90 seconds.

Filthy Scarf

• A dirt-ridden scarf Warren wore to hide the suspicious marks on his neck.
• While Undetectable from Hunter’s Instinct, gain 5% Haste.
• Reduces the Undetectable duration to 4 seconds for each detected Survivor.

Missing Poster

• A poster promising a cash reward for finding Morris Bennett. Last seen hunting in Bonecreek Woods.
• Upon activating Hunter’s Instinct, detected Survivors will have their auras revealed for 5 seconds instead of being detected by Killer Instinct.
• Increases Hunter’s Instinct cooldown time by 8 seconds.

Red
Iridescent Moon Tablet

• A mysterious tablet rumored to harbor secrets of the moon.
• Hunter’s Instinct now has unlimited range.
• No longer gain Undetectable from Hunter’s Instinct.
• Primal Charge is only available for 10 seconds after using Hunter’s Instinct.
• “I hear it whisper to me…and, sometimes…I can’t help but listen.” - Alfred Warren

First Trophy

• The mounted head of Morris Bennett, the very first human victim of Warren’s rampage. Created by the Fog as a cruel jest.
• After hooking a Survivor, the next Pounce attack can put healthy Survivors into the dying state.
• “Till my last breath, I’ll hunt you down, Warren. And I’ll kill you like the ragged dog you are.” - Barry Bennett

The Werewolf Perks:
Cat and Mouse
You toy with your prey, relishing in their desperation and panic.
Injuring a Survivor with a basic attack inflicts them with Oblivious for 15/20/25 seconds.
When the affected Survivor begins to heal, reveal their aura for 5 seconds.
Has a cooldown of 30/35/40 seconds.
“Please…let the restraints hold tonight.” - Alfred Warren
Dark Horizon
Just when they think they’ve escaped…you emerge from the darkness.
Once the exit gates are powered, gain Undetectable for 20/25/30 seconds.
Anytime you gain Undetectable, it persists for an additional 5 seconds.
“Where did it go? I swear, it was just in the trees…” - Morris Bennett
Primal Hunger
Your thirst for the hunt is insatiable.
Each time a Survivor performs a rushed vault within 12 meters, and during chase, reveal their aura for 1/1.5/2 seconds.
Each time a rushed vault is performed in the same chase, the aura reveal is extended by 1 second.
This perk’s effects reset whenever the chase ends.
Has a cooldown of 30 seconds.
“I haven’t eaten in weeks. At least…not when I’m myself.” - Alfred Warren

I spent a lot of time on this, and I’m very proud of the result! I’d appreciate if you gave it a read and left any feedback. <3
Under the Shroud of Night Chapter Concept
New Killer: Alfred Warren (The Werewolf)
New Survivor: Barry Bennett
New Map: Hunting Grounds (Bonecreek Woods)
Map Offering: Bloody Fur
“Unkempt and untamed black fur, dripping with fresh blood. Whatever creature the fur belonged to, it was no ordinary beast.”
Barry Bennett Perks:
Solitary Survivalist
You work best alone. Too much company would attract unwanted attention.
While there are no other Survivors within 32/28/24 meters of you, you leave no scratch marks and your aura cannot be revealed to the Killer.
These effects are disabled while being chased.
“You tryin’ to draw attention? Keep it down, or I’ll throw you to the wolves.” - Barry Bennett
On the Clock
When pressure begins to mount, your determination knows no bounds.
While opening an exit gate, the Endgame Collapse timer is paused. Open exit gates 5/7.5/10% faster.
After opening an exit gate, the Endgame Collapse timer is delayed by 15 seconds.
“This ain’t my first rodeo, kid. I can buy us some time.” - Barry Bennett
Into the Night
While others stumble their way through the dark, your keen senses allow you to traverse with ease.
Anytime you are afflicted with the Blindness or Oblivious status effect, the Killer’s aura is revealed to you for 6/7/8 seconds. You still suffer from the negative effects.
Has a cooldown of 30 seconds.
“If you can’t handle it, go throw yourself on a hook and save the beast some trouble.” - Barry Bennett
Alfred Warren, The Werewolf
Power: Predator’s Pursuit
As the full moon rises, the beast’s hunt begins. Run or hide, it doesn’t matter; he’ll find you all the same.
SPECIAL ABILITY: HUNTER’S INSTINCT
Press the Power button to let out a roar, revealing Survivors within 24 meters with Killer Instinct. Gain 8 seconds of Undetectable for each detected Survivor.
After using Hunter’s Instinct, Primal Charge becomes available for as long as you are Undetectable.
SPECIAL ATTACK: PRIMAL CHARGE
Charge forward at high speed. At any time during the charge, The Werewolf may pause the charge and Pounce in any direction, damaging hit Survivors for a single health state.
If the initial Pounce misses, there will be a window where The Werewolf can launch a second, shorter Pounce.
The Werewolf Addons:
Brown
Spoiled Meal

• Sometimes, a regular dinner just can’t suit a werewolf.
• While aiming a Pounce, it’s target location is revealed to you.

Bird-Watching Binoculars

• Bird species of all kinds inhabit Bonecreek; try and spot them all!
• During Primal Charge, the auras of Survivors within 16 meters are revealed to you.

Firewood

• Just try not to cause any wildfires.
• The initial Pounce travels 15% further.
• The subsequent Pounce travels 15% less.

Warren’s Lighter

• Light the flames, and burn it all down.
• The subsequent Pounce travels 15% further.
• The initial Pounce travels 15% less.

Yellow
Deer Carcass

• While being hunted by the beast of the woods, few animals make it very far.
• Increases Hunter’s Instinct detection range by 4 meters.
• “What kinda predator could have done this?” - Morris Bennett

Rustled Leaves

• One of the many signs that something has passed through.
• Increases the duration of Primal Charge by 10%.

Silver Bullet

• Supposedly, the only thing that can kill a werewolf.
• Survivors detected by Hunter’s Instinct suffer from Oblivious for 20 seconds.

Shattered Chains

• Warren originally tried to chain himself up at night, to prevent the werewolf’s rampage. Of course, nothing could truly stop the beast.
• Undetectable persists for 6 seconds after using Primal Charge.

Bonecreek Cabin Key

• A key to one of Bonecreek’s rental cabins.
• Decreases the cooldown when breaking a pallet with Primal Charge by 15%.

Green
Bear Guts

• The mangled guts of Bonecreek’s former apex predator.
• Increases the time the initial Pounce can be aimed by 50%.

Broken Shotgun

• Even this devastating weapon fared poorly against the beast.
• Increases the window for an additional Pounce attack by 50%.

Torn Antlers

• The only remnant of a deer who suffered a grim fate.
• Increases Hunter’s Instinct detection range by 6 meters.

Empty Nest

• A bird’s nest that has since been vacated. Blood and feathers littered the ground around it.
• Increases the duration of Primal Charge by 20%.

Missing Persons Compendium

• A file compiled by Barry Bennett consisting of every known person to have gone missing in Bonecreek Woods.
• Reduces the cooldown time of Hunter’s Instinct by 15%.
• “Something ain’t adding up…because it sure as hell ain’t a bear causing all this.” - Barry Bennett

Purple
Shedded Fur

• The changes happened faster than Warren anticipated.
• Increases movement speed during Primal Charge by 25%.
• The Werewolf can no longer perform a subsequent Pounce.

Dislodged Bullet

• Warren awoke to find a bullet lodged within his leg.
• The initial Pounce inflicts Mangled and Hemorrhage for 90 seconds.

Filthy Scarf

• A dirt-ridden scarf Warren wore to hide the suspicious marks on his neck.
• While Undetectable from Hunter’s Instinct, gain 5% Haste.
• Reduces the Undetectable duration to 4 seconds for each detected Survivor.

Missing Poster

• A poster promising a cash reward for finding Morris Bennett. Last seen hunting in Bonecreek Woods.
• Upon activating Hunter’s Instinct, detected Survivors will have their auras revealed for 5 seconds instead of being detected by Killer Instinct.
• Increases Hunter’s Instinct cooldown time by 8 seconds.

Red
Iridescent Moon Tablet

• A mysterious tablet rumored to harbor secrets of the moon.
• Hunter’s Instinct now has unlimited range.
• No longer gain Undetectable from Hunter’s Instinct.
• Primal Charge is only available for 10 seconds after using Hunter’s Instinct.
• “I hear it whisper to me…and, sometimes…I can’t help but listen.” - Alfred Warren

First Trophy

• The mounted head of Morris Bennett, the very first human victim of Warren’s rampage. Created by the Fog as a cruel jest.
• After hooking a Survivor, the next Pounce attack can put healthy Survivors into the dying state.
• “Till my last breath, I’ll hunt you down, Warren. And I’ll kill you like the ragged dog you are.” - Barry Bennett

The Werewolf Perks:
Cat and Mouse
You toy with your prey, relishing in their desperation and panic.
Injuring a Survivor with a basic attack inflicts them with Oblivious for 15/20/25 seconds.
When the affected Survivor begins to heal, reveal their aura for 5 seconds.
Has a cooldown of 30/35/40 seconds.
“Please…let the restraints hold tonight.” - Alfred Warren
Dark Horizon
Just when they think they’ve escaped…you emerge from the darkness.
Once the exit gates are powered, gain Undetectable for 20/25/30 seconds.
Anytime you gain Undetectable, it persists for an additional 5 seconds.
“Where did it go? I swear, it was just in the trees…” - Morris Bennett
Primal Hunger
Your thirst for the hunt is insatiable.
Each time a Survivor performs a rushed vault within 12 meters, and during chase, reveal their aura for 1/1.5/2 seconds.
Each time a rushed vault is performed in the same chase, the aura reveal is extended by 1 second.
This perk’s effects reset whenever the chase ends.
Has a cooldown of 30 seconds.
“I haven’t eaten in weeks. At least…not when I’m myself.” - Alfred Warren

Everything in my inventory is up for trade. The most valuable items are listed here, the rest you can find in My Inventory

Feel free to Add Me or even better send a Trade Offer. Open for any suggestions: upgrades, downgrades / knives, gloves, skins / stickers, patterns, floats.

All Buyouts are listed in cash value.

KNIVES

★ Butterfly Knife Lore (Factory New), B/O: $7194.77

★ Butterfly Knife Autotronic (Minimal Wear), B/O: $2025.74

⎯

★ M9 Bayonet Ultraviolet (Field-Tested), B/O: $557.87

★ M9 Bayonet Stained (Well-Worn), B/O: $529.41

★ M9 Bayonet Boreal Forest (Field-Tested), B/O: $465.39

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★ Talon Knife Doppler (Factory New), B/O: $1295.27

★ Bayonet Tiger Tooth (Minimal Wear), B/O: $746.28

★ Karambit Bright Water (Field-Tested), B/O: $688.15

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★ Flip Knife Doppler (Factory New), B/O: $547.93

★ Flip Knife Autotronic (Minimal Wear), B/O: $476.69

★ Flip Knife Case Hardened (Battle-Scarred), B/O: $278.18

★ Flip Knife Black Laminate (Well-Worn), B/O: $258.83

★ Flip Knife Urban Masked (Field-Tested), B/O: $181.64

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★ Stiletto Knife Marble Fade (Factory New), B/O: $686.04

★ Stiletto Knife Doppler (Factory New), B/O: $665.41

★ Stiletto Knife, B/O: $601.39

★ Stiletto Knife Crimson Web (Field-Tested), B/O: $418.25

★ Stiletto Knife Night Stripe (Field-Tested), B/O: $227.80

★ Stiletto Knife Boreal Forest (Field-Tested), B/O: $194.96

★ Stiletto Knife Safari Mesh (Field-Tested), B/O: $192.79

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★ Nomad Knife Crimson Web (Field-Tested), B/O: $518.11

★ Nomad Knife Scorched (Field-Tested), B/O: $169.78

★ Nomad Knife Forest DDPAT (Battle-Scarred), B/O: $166.88

★ StatTrak™ Nomad Knife Blue Steel (Field-Tested), B/O: $335.79

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★ Skeleton Knife Stained (Well-Worn), B/O: $442.05

★ Skeleton Knife Urban Masked (Minimal Wear), B/O: $426.24

★ Skeleton Knife Boreal Forest (Field-Tested), B/O: $314.03

★ StatTrak™ Skeleton Knife Fade (Minimal Wear), B/O: $2361.28

★ StatTrak™ Skeleton Knife Urban Masked (Field-Tested), B/O: $376.53

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★ Ursus Knife Doppler (Factory New), B/O: $557.12

★ Ursus Knife, B/O: $471.42

★ Ursus Knife Blue Steel (Minimal Wear), B/O: $212.37

★ Ursus Knife Case Hardened (Battle-Scarred), B/O: $187.66

★ Ursus Knife Damascus Steel (Field-Tested), B/O: $178.18

★ Ursus Knife Ultraviolet (Battle-Scarred), B/O: $155.13

★ Ursus Knife Boreal Forest (Battle-Scarred), B/O: $124.26

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★ Huntsman Knife Black Laminate (Minimal Wear), B/O: $204.83

★ Huntsman Knife Black Laminate (Field-Tested), B/O: $184.50

★ StatTrak™ Huntsman Knife Lore (Battle-Scarred), B/O: $224.11

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★ Bowie Knife Gamma Doppler (Factory New), B/O: $2142.02

★ Bowie Knife, B/O: $230.44

★ Bowie Knife Damascus Steel (Factory New), B/O: $209.20

★ Bowie Knife Ultraviolet (Minimal Wear), B/O: $180.51

★ Bowie Knife Ultraviolet (Field-Tested), B/O: $131.03

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★ Falchion Knife Night (Field-Tested), B/O: $132.54

★ Falchion Knife Urban Masked (Well-Worn), B/O: $112.81

★ Falchion Knife Scorched (Field-Tested), B/O: $108.81

★ Falchion Knife Forest DDPAT (Field-Tested), B/O: $107.82

★ Falchion Knife Safari Mesh (Field-Tested), B/O: $107.46

★ StatTrak™ Falchion Knife Ultraviolet (Field-Tested), B/O: $143.08

⎯

★ Paracord Knife Crimson Web (Minimal Wear), B/O: $486.48

★ Paracord Knife Blue Steel (Battle-Scarred), B/O: $163.12

⎯

★ Survival Knife Blue Steel (Battle-Scarred), B/O: $138.26

★ Survival Knife Night Stripe (Field-Tested), B/O: $131.03

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★ Gut Knife Sapphire (Minimal Wear), B/O: $1127.79

★ Gut Knife Gamma Doppler (Factory New), B/O: $286.17

★ Gut Knife Doppler (Factory New), B/O: $246.55

★ Gut Knife Marble Fade (Factory New), B/O: $240.77

★ Gut Knife, B/O: $210.49

★ Gut Knife Lore (Field-Tested), B/O: $194.22

★ Gut Knife Case Hardened (Battle-Scarred), B/O: $151.51

★ Gut Knife Blue Steel (Minimal Wear), B/O: $124.94

★ Gut Knife Rust Coat (Well-Worn), B/O: $118.99

★ Gut Knife Boreal Forest (Minimal Wear), B/O: $109.80

★ StatTrak™ Gut Knife Doppler (Factory New), B/O: $237.96

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★ Shadow Daggers Gamma Doppler (Factory New), B/O: $264.92

★ Shadow Daggers Marble Fade (Factory New), B/O: $253.03

★ Shadow Daggers Tiger Tooth (Factory New), B/O: $237.22

★ Shadow Daggers Crimson Web (Field-Tested), B/O: $153.40

★ Shadow Daggers Autotronic (Minimal Wear), B/O: $144.42

★ Shadow Daggers Blue Steel (Field-Tested), B/O: $105.20

★ StatTrak™ Shadow Daggers Damascus Steel (Minimal Wear), B/O: $150.46

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★ Navaja Knife Fade (Factory New), B/O: $365.99

★ Navaja Knife Doppler (Factory New), B/O: $228.93

★ Navaja Knife Marble Fade (Factory New), B/O: $227.43

★ Navaja Knife Slaughter (Factory New), B/O: $209.06

★ Navaja Knife, B/O: $203.16

★ Navaja Knife Case Hardened (Well-Worn), B/O: $132.57

★ Navaja Knife Damascus Steel (Factory New), B/O: $121.69

★ Navaja Knife Damascus Steel (Minimal Wear), B/O: $109.95

★ Navaja Knife Damascus Steel (Field-Tested), B/O: $100.41

★ StatTrak™ Navaja Knife Fade (Factory New), B/O: $369.01

★ StatTrak™ Navaja Knife Damascus Steel (Field-Tested), B/O: $109.95

GLOVES

★ Sport Gloves Amphibious (Minimal Wear), B/O: $2394.67

★ Sport Gloves Omega (Well-Worn), B/O: $572.33

★ Sport Gloves Bronze Morph (Minimal Wear), B/O: $338.88

★ Sport Gloves Big Game (Field-Tested), B/O: $323.66

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★ Specialist Gloves Marble Fade (Minimal Wear), B/O: $1652.07

★ Specialist Gloves Tiger Strike (Field-Tested), B/O: $599.14

★ Specialist Gloves Crimson Web (Well-Worn), B/O: $231.57

★ Specialist Gloves Buckshot (Minimal Wear), B/O: $126.21

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★ Moto Gloves POW! (Minimal Wear), B/O: $996.99

★ Moto Gloves POW! (Field-Tested), B/O: $383.31

★ Moto Gloves POW! (Well-Worn), B/O: $276.00

★ Moto Gloves Turtle (Field-Tested), B/O: $180.28

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★ Hand Wraps CAUTION! (Minimal Wear), B/O: $502.29

★ Hand Wraps Giraffe (Minimal Wear), B/O: $180.73

★ Hand Wraps CAUTION! (Battle-Scarred), B/O: $178.32

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★ Driver Gloves Queen Jaguar (Minimal Wear), B/O: $181.01

★ Driver Gloves Rezan the Red (Field-Tested), B/O: $101.66

⎯

★ Broken Fang Gloves Jade (Field-Tested), B/O: $127.88

★ Broken Fang Gloves Needle Point (Minimal Wear), B/O: $124.55

⎯

★ Bloodhound Gloves Guerrilla (Minimal Wear), B/O: $127.94

★ Hydra Gloves Case Hardened (Field-Tested), B/O: $102.55

WEAPONS

AK-47 X-Ray (Well-Worn), B/O: $478.95

AUG Hot Rod (Factory New), B/O: $425.83

StatTrak™ M4A1-S Hyper Beast (Factory New), B/O: $413.95

M4A4 Daybreak (Factory New), B/O: $309.51

StatTrak™ AK-47 Aquamarine Revenge (Factory New), B/O: $305.43

AK-47 Case Hardened (Well-Worn), B/O: $196.38

StatTrak™ M4A4 Temukau (Minimal Wear), B/O: $174.64

P90 Run and Hide (Field-Tested), B/O: $167.03

AWP Asiimov (Field-Tested), B/O: $153.33

Souvenir SSG 08 Death Strike (Minimal Wear), B/O: $140.00

M4A1-S Printstream (Battle-Scarred), B/O: $124.70

StatTrak™ M4A1-S Golden Coil (Field-Tested), B/O: $117.48

AWP Asiimov (Well-Worn), B/O: $115.97

StatTrak™ Desert Eagle Printstream (Minimal Wear), B/O: $112.96

StatTrak™ AK-47 Asiimov (Minimal Wear), B/O: $110.85

Souvenir M4A1-S Master Piece (Well-Worn), B/O: $102.42

AK-47 Bloodsport (Minimal Wear), B/O: $100.53

Trade Offer Link - Steam Profile Link - My Inventory

Knives - Bowie Knife, Butterfly Knife, Falchion Knife, Flip Knife, Gut Knife, Huntsman Knife, M9 Bayonet, Bayonet, Karambit, Shadow Daggers, Stiletto Knife, Ursus Knife, Navaja Knife, Talon Knife, Classic Knife, Paracord Knife, Survival Knife, Nomad Knife, Skeleton Knife, Patterns - Gamma Doppler, Doppler (Phase 1, Phase 2, Phase 3, Phase 4, Black Pearl, Sapphire, Ruby, Emerald), Crimson Web, Lore, Fade, Ultraviolet, Night, Marble Fade (Fire & Ice, Fake FI), Case Hardened (Blue Gem), Autotronic, Slaughter, Black Laminate, Tiger Tooth, Boreal Forest, Scorched, Blue Steel, Vanilla, Damascus Steel, Forest DDPAT, Urban Masked, Freehand, Stained, Bright Water, Safari Mesh, Rust Coat, Gloves - Bloodhound Gloves (Charred, Snakebite, Guerrilla, Bronzed), Driver Gloves (Snow Leopard, King Snake, Crimson Weave, Imperial Plaid, Black Tie, Lunar Weave, Diamondback, Rezan the Red, Overtake, Queen Jaguar, Convoy, Racing Green), Hand Wraps (Cobalt Skulls, CAUTION!, Overprint, Slaughter, Leather, Giraffe, Badlands, Spruce DDPAT, Arboreal, Constrictor, Desert Shamagh, Duct Tape), Moto Gloves (Spearmint, POW!, Cool Mint, Smoke Out, Finish Line, Polygon, Blood Pressure, Turtle, Boom!, Eclipse, 3rd Commando Company, Transport), Specialist Gloves (Crimson Kimono, Tiger Strike, Emerald Web, Field Agent, Marble Fade, Fade, Foundation, Lt. Commander, Crimson Web, Mogul, Forest DDPAT, Buckshot), Sport Gloves (Pandora's Box, Superconductor, Hedge Maze, Vice, Amphibious, Slingshot, Omega, Arid, Big Game, Nocts, Scarlet Shamagh, Bronze Morph), Hydra Gloves (Case Hardened, Emerald, Rattler, Mangrove), Broken Fang Gloves (Jade, Yellow-banded, Unhinged, Needle Point), Pistols - P2000 (Wicked Sick, Ocean Foam, Fire Element, Amber Fade, Corticera, Chainmail, Imperial Dragon, Obsidian, Scorpion, Handgun, Acid Etched), USP-S (Printstream, Kill Confirmed, Whiteout, Road Rash, Owergrowth, The Traitor, Neo-Noir, Dark Water, Orion, Blueprint, Stainless, Caiman, Serum, Monster Mashup, Royal Blue, Ancient Visions, Cortex, Orange Anolis, Ticket To Hell, Black Lotus, Cyrex, Check Engine, Guardian, Purple DDPAT, Torque, Blood Tiger, Flashback, Business Class, Pathfinder, Para Green), Lead Conduit, Glock-18 (Ramese's Reach, Umbral Rabbit, Fade, Candy Apple, Bullet Queen, Synth Leaf, Neo-Noir, Nuclear Garden, Dragon Tatto, Reactor, Pink DDPAT, Twilight Galaxy, Sand Dune, Groundwater, Blue Fissure, Snack Attack, Water Elemental, Brass, Wasteland Rebel, Vogue, Franklin, Royal Legion, Gamma Doppler, Weasel, Steel Disruption, Ironwork, Grinder, High Beam, Moonrise, Oxide Blaze, Bunsen Burner, Clear Polymer, Bunsen Burner, Night), P250 (Apep's Curse, Re.built, Nuclear Threat, Modern Hunter, Splash, Whiteout, Vino Primo, Mehndi, Asiimov, Visions, Undertow, Cartel, See Ya Later, Gunsmoke, Splash, Digital Architect, Muertos, Red Rock, Bengal Tiger, Crimson Kimono, Wingshot, Metallic DDPAT, Hive, Dark Filigree, Mint Kimono), Five-Seven (Neon Kimono, Berries And Cherries, Fall Hazard, Crimson Blossom, Hyper Beast, Nitro, Fairy Tale, Case Hardened, Copper Galaxy, Angry Mob, Monkey Business, Fowl Play, Anodized Gunmetal, Hot Shot, Retrobution, Boost Protocol), CZ75-Auto (Chalice, Crimson Web, Emerald Quartz, The Fuschia is Now, Nitro, Xiangliu, Yellow Jacket, Victoria, Poison Dart, Syndicate, Eco, Hexane, Pole, Tigris), Tec-9 (Mummy's Rot, Rebel, Terrace, Nuclear Threat, Hades, Rust Leaf, Decimator, Blast From, Orange Murano, Toxic, Fuel Injector, Remote Control, Bamboo Forest, Isaac, Avalanche, Brother, Re-Entry, Blue Titanium, Bamboozle), R8 Revolver (Banana Cannon, Fade, Blaze, Crimson Web, Liama Cannon, Crazy 8, Reboot, Canal Spray, Night, Amber Fade), Desert Eagle (Blaze, Hand Cannon, Fennec Fox, Sunset Storm, Emerald Jörmungandr, Pilot, Hypnotic, Golden Koi, Printstream, Cobalt Disruption, Code Red, Ocean Drive, Midnight Storm, Kumicho Dragon, Crimson Web, Heirloom, Night Heist, Mecha Industries, Night, Conspiracy, Trigger Discipline, Naga, Directive, Light Rail), Dual Berettas (Flora Carnivora, Duelist, Cobra Strike, Black Limba, Emerald, Hemoglobin, Twin Turbo, Marina, Melondrama, Pyre, Retribution, Briar, Dezastre, Royal Consorts, Urban Shock, Dualing Dragons, Panther, Balance), Rifles - 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Hi everyone,
I wanted to share with you my response to the introduction found in the only edition of Use of the Self currently in print. I believe it's a rather misleading intro to FM Alexander's work, so I'm sharing this in the hope that I can help clear up misconceptions people may have about the Alexander Technique, not derived only from Anthony Kingsley, but many bland blog posts one tends to encounter when researching the Alexander Technique. That said, this is not intended to be an introduction of its own, but rather something experienced students, teachers, and anyone enthusiastically learning the Technique may find useful. In the tradition of Alexander himself, I've included extensive footnotes, some painfully long. I'm happy to answer any questions or otherwise discuss what I've written. Understand these are my own interpretations and opinions about what some call "the work," so take them as you will. I've taken lessons for a number of years and currently am training as a teacher, so my view of the Technique is based on these experiences, as well as my interpretations of Alexander's writings. Some of these interpretations you may object to, but I hope you find my arguments reasonable.
Response to Anthony Kingsley's Introduction to The Use of the Self
The Use of the Self may be FM Alexander's most important work, since it contains his own account of how he developed what is now called the Alexander Technique. While Alexander's other volumes are available from Mouritz, the only edition of The Use of the Self currently in print is published by Orion Spring. This edition replaces the philosopher John Dewey's introduction—which praises the technique's "genuinely scientific character"—with one by the contemporary teacher Anthony Kingsley, who is heralded on the book's front cover as a "leading Alexander Technique teacher." Therefore it is probable that many readers' first impressions of the Alexander Technique will be framed by Mr. Kingsley's opinions. I submit this is problematic, since his introduction is in my view contradictory to fundamental principles of the Alexander Technique. I write this response to address the introduction's two most dire faults: Kingsley's misrepresentation of the concepts inhibition and direction, and his dismissal of the concept of the primary control. I'll begin with the second, since it is a more straightforward error.
Primary Control
Kingsley opens his paragraphs on the primary control with the opinion that the concept should be "recast," then describes Alexander's definition of the primary control as a "particular relationship of his head, neck and back [that] acted as a master reflex that conditioned his whole organism." Then he discards this definition, claiming the head-neck-back relativity should instead be "regarded as an indicator[sic] of overall health rather than an area considered in isolation." He concedes the "region of the neck and back is a [...] barometer of our state of being," but concludes that "no single element is actually primary," since our eyes, breath, digestive system, and all other psychophysical elements are "simultaneous and interdependent" and also like barometers. Finally, he reveals his "recast" of the primary control, defining it as "the unknown and unseen self-righting and self-healing mechanism that can be restored and vitalized."
In sum, Mr. Kingsley has presented the primary control—which Alexander wrote extensively about and considered central to his technique—with an ill-defined mystical force which, accordingly, Alexander must have unwittingly stumbled upon and mistaken for a certain relativity of the head, neck and back.
Ironically, it is in The Use of the Self where Alexander wrote of discovering the necessity to first free his neck in seeking a better condition for his vocal apparatus, since that was the sine qua non of taking his head forward and up, of widening the back, and so forth, which are in turn the necessary conditions of freedom and stability in the limbs. This is the genesis of Alexander's use of the word "primary" in describing the head-neck-back relationship, and in my experience, as in Alexander's, it holds true: the sequence of directions given to oneself matters greatly, since tense feet, for example, can hardly flatten on the floor if the head is taken back and down, whereas the head can be taken "forward and up"1 to a fine degree even if there is tension in the lower extremities, particularly while sitting. Further, and maybe most significantly, the relativity of the head-neck-back rarely need change during any manner of activity, whereas the arms and legs are constantly bending, rising, stretching, and so on. Small wonder Alexander considered this relativity primary.
Of course, Kingsley is not wrong to point out the interdependence of all processes in the body. It is certainly true that undue tension in the feet creates a downward pull on the head, neck and back. Yet what is crucial to understand here is that in the context of learning and teaching the Alexander Technique, the primary control is an indispensable concept. It instructs the pupil to guide his or her attention through the body in the sequence most fit to facilitate proper relativity of all the parts, and it names succinctly that natural, visible, dynamic yet enduring relativity of the head, neck and back observable in little children and animals as well as many great musicians and athletes. Thus Kingsley discards a practical concept in favor of a truism about "interdependence;" and so we come to his second, graver error.
Direction
Here it begins to seem that what Kingsley writes of in his introduction is not the Alexander Technique at all, but in fact the Kingsley Technique, since he has redefined not only the primary control, but two other conceptual pillars of the technique: inhibition and direction.
First, he takes aim at direction, neglecting to elucidate Alexander's own definition of the concept before setting out the axiom that "aiming for postural improvements using postural directions leads to a bodymind[sic] attitude of effort and trying, which simply reinforces the problem." Dismissing as superfluous all "ideas and images about heads, necks and backs," he declares that "the trying[sic] self is the obstacle, and the shift towards a non-trying[sic] self is the solution." Finally, he offers his own definition of the directions as "the natural flow of energy and vibrancy that exists within the organism," directions which are interfered with "when we are in a condition of stress and reactivity."
Here, again, Kingsley takes a practical concept which Alexander developed based on careful observation of his own muscular action, and replaces it with a kind of mystical or spiritual phenomenon which, implicitly, only the initiated can perceive.2 Thus the famous directions are not, as Alexander described repeatedly, a series of mental orders or intentions projected to oneself before and during muscular activity along lines one has reasoned out in advance, but a "natural flow of energy and vibrancy"—just as the primary control is not, as Alexander saw it, a concrete, observable relativity of the head, neck and back, but an "unknown and unseen self-righting and self-healing mechanism." These pseudo-spiritual definitions do a massive disservice to neophyte readers, and reveal Kingsley's muddled seeing in relation to the central problem addressed by the Alexander Technique: how to shed habit and coordinate the bodymind through reasoned conception and conscious awareness.
But for a moment let us leave aside direction, since a subtler and more misleading error still lurks in Kingsley's presentation: his dismissal of conception itself. He explicitly warns that "ideas, concepts and cognitive efforts reinforce the very mental instrument that is the problem in the first place," he advises us to simply trust that "the prevention or inhibition[sic] of reaction, maintains or liberates this stream of energy [or direction] in the body."
To understand Kingsley's error, we must return to Alexander. In Man's Supreme Inheritance, Alexander sets out four stages to the "performance of any muscular action by conscious guidance and control:"

1. The conception of the movement required;
2. The inhibition of erroneous preconceived ideas which subconsciously suggest the manner in which the movement or series of movements should be performed;
3. The new and conscious mental orders which will set in motion the muscular mechanism essential to the correct performance of the action;
4. The movements (contractions and expansions) of the muscles which carry out the mental orders.

Alexander considered "conception of the movement required" the very first stage in his technique, to precede even inhibition. Thus he made clear, if indirectly, that in the context of his technique, clear conception is essential to achieving a desired end. Incidentally, this is a fact any competent artist can attest to; if a composition is not unambiguously understood and organized within one's memory, it cannot be brought to fruition. Even the most simple act, such as extending one's arm to grasp a nearby object, requires a detailed conception of distance, weight, strength, and so forth; if the object turns out to be heavier than expected, the conception of these variables and their relation to one another, and hence the muscular action, must change. This is direction in action, albeit subconscious.
Yet Kingsley belittles conception, instead leaning on concepts like "ease," "letting go" "acceptance," and the like. He is not alone in this among teachers, but in my opinion, they overlook the influence of what Alexander termed "erroneous beliefs," a concept closely related to that of "unreliable sensory appreciation." Both could be read in the spiritual lexicon alongside "letting go," etc.; but that would place their referent outside the realm of what words and concepts can describe. On the contrary, Alexander was pointing to something concrete and empirically observable: to errors of spatio-motor perception able to be observed phenomenologically and in other people's behavior; not to transcendent truths about observation itself. Thus the classic example of an Alexandrian "erroneous belief" is a person who raises their arm and believes their shoulder has remained still when it has not. The key for the pupil in this instance is to gain an accurate conception5 of their own muscular action, in reference to bodily sensations; not to simply "let go" or "do nothing."3 And this conception must come about through active tutelage—e.g. Alexander Technique lessons—or, dare I say, the way Alexander himself did it: by reasoned experimentation, conceiving hypotheses based on careful register and analysis of his own sensations, and also by watching the behavior of others. John Dewey called the technique scientific for a reason.
All of this is not to understate the importance of concepts like "release" and "effortlessness," including in the context of the Alexander Technique. Seeing more or less what is meant by them is doubtless the key to mastery of all activities, all practices, all techniques. Yet those spiritual concepts should not blot out the very concrete technique Alexander developed for improving what he called "the use of the self:" that coordination of the muscular system, achieved through conscious reason, which influences for better or worse the functioning of the whole organism.4
Inhibition
So much for direction. What about inhibition? Under the heading "Inhibition and Non-Doing," Kingsley describes Alexander's understanding of inhibition as "an artificial pause between stimulus and reaction," after which he could "give directions to himself." Then he lays down the gauntlet, stating that in the "real world […] life does not offer us the choice to inhibit:" since according to neuroscience research, "neural reactions take milliseconds and are faster than conscious thought processes." In other words, "we either react to the stimulus, or not." So, with inhibition proven impossible, Kingsley is left with no choice but to "reformulate" another of Alexander's concepts, offering us a supposedly scientifically enlightened6 view that inhibition is really "a quality of non-doing[sic] that needs to be already available in the organism before the receipt of a stimulus." This is "a way of being[sic] rather than a way of doing[sic]."
This Kingsleyan inhibition turns out to be the essence of the technique, since it is this very "condition of non-doing[sic]" the teacher is supposed to transmit, through a touch Kingsley describes as "a dance of poetry and a symphony of silence." With it, the teacher imparts a "deep sense of acceptance" by which "change emerges in the pupil."7 He goes on to compare the Alexander Technique to "Zen Buddhism, mindfulness and the philosophy of non-duality," identifying the uniqueness of the Alexander Technique in "the transmission of immediate experience." In fact, there is no Alexander Technique as such, but only inhibition:
The Chinese Tao has a concept of Wu Wei[sic], which translates as surrendering to the effortless flow of life[sic], or non-doing[sic] action. Ultimately, the Alexander Technique needs to reinvent itself and relinquish the Technique. The Alexander Teacher really teaches nothing[sic!]. But this nothing or emptiness is in fact the deepest essence of being and the fullness of life. Like grace, it drops onto us and into us when the conditions are ripe.
The problem is that Alexander's own writings indicate that inhibition is not a "quality," a "condition," or a "surrendering to the effortless flow of life." On the contrary, according to Universal Constant in Living, it is "the act of refusing to respond to the primary desire to gain an end, [which] becomes the act of responding (volitionary act) to the conscious reasoned desire to employ the means whereby that end may be gained." As clear as day: inhibition is an action in response to the stimulus of conscious desire: a conscious, continuing refusal to do a thing the way one normally does it. Alexander saw that this inhibitory act had to precede in every instance any attempt to change his habits. Everyone is well familiar with the inhibitory act. The act of not indulging an immediate desire, however small, is it. So, inhibition is not an "artificial pause," but a phenomenologically observable process within the organism, a process that can be made habitual through practice. It is no more abstract and transcendent than blinking or moving one's finger.7
Here Kingsley again takes something ordinary and concrete and makes it mystical, going so far as to "relinquish the Technique." The trouble is that there is a good reason the Alexander Technique came to be known as such. A technique is a skillful way of doing something; a mental tool; a procedure. Ways of doing can be found everywhere: techniques for dance, for romance, for healing, even for attaining nirvana or enlightenment. Each has a goal in mind and is based on what worked in the past; each resorts to concepts to explain itself; each prescribes action, or doing something a certain way. Yet Kingsley dismisses the idea of doing anything at all. Equating the Alexander Technique with "nothing," he tosses out the concepts Alexander spent decades refining, when Alexander's genius was precisely to conceive a useful, coherent way of doing things through patient observation of the phenomena he termed inhibition, direction, primary control, and the rest.
So, the technique may encompass all the acts of living, but it is still a technique. Alexander often used the term "procedure" to describe it, and I think procedure is as apt a word as any to describe the application of his technique to the acts of living. He constantly stressed the technique's sequential, stepwise nature and recorded countless practical examples of it in action, both in hypotheticals and accounts of lessons. The technique is not a metaphysics or a philosophy like non-duality; it is a practical procedure with a clear purpose: restoring
advantageous, natural relativity of the head, neck and back.
Conclusion
The technique is blindingly simple but surprisingly subtle and difficult to master; and, as far as I am aware, it is unique. Unfortunately, Kingsley is not alone in overlooking the uniqueness and subtleties of the technique in favor of spiritual truisms and platitudes. I suspect there are two main reasons for this.
The first is the tendency of serious pupils of the technique to become more open to "spirituality," both philosophically (e.g. non-duality) and in terms of sadhana (e.g. meditation, yoga, self-inquiry). Many are enthusiastic about the similarities between the Alexander Technique and, for example, mindfulness practice. It is certainly true that the technique requires the pupil to have some degree of "mindfulness," or the ability to realize when the mind has wandered; and it is also true that a few people who devote themselves to the technique come upon some of the same insights one might find in spiritual practice. Yet spiritual insight is not the purpose of the technique. In my opinion, the Alexander Technique is a relative of energy practices such as Hatha yoga, qigong, and TRE (trauma release exercises). Such techniques are often used in tandem with spiritual practices meant for the cultivation of insight, but their purpose has traditionally been preparatory and salutary, not "spiritual." One need not stray too esoteric to encounter the idea that the real goal of spirituality has nothing to do with "ways of doing." On the other hand, Qigong explicitly aims to regulate qi in the body; kundalini yoga is concerned with the flow of prana; the Alexander Technique seeks to restore the good use of the primary control. More practically, the technique teaches mental discipline, and ultimately the ability of the nervous system to regulate itself. Such a practice may lay the groundwork for spiritual realization, but it is by no means indistinguishable from it.
While there is no point speculating about Alexander's private insights, one thing can be certain: he left us a definite procedure with a practical, concrete purpose—not a transcendental one. Yet Kingsley's introduction continually implies the Alexander Technique is an essentially spiritual practice with heavenly fruit. Disparaging the core concepts that constitute the Alexander Technique, he invites us instead to simply "surrender," "let go in faith," and blindly trust that its real essence—nothing less than Wu Wei—will be transmitted through the "rare, "unconditional" touch of the teacher.
The second, more obvious reason Alexander has been so misunderstood is that he rarely wrote concisely, and in any case, recognition and conception of the primary control can never be refined through words, but only through unfamiliar sensory experiences—either reasoned out, as Alexander did, or in the hands of a good teacher. Hence there is more than a kernel of truth to Kingsley's view of the "supreme value of guidance with the hands;" yet I differ from him in that I insist the Alexander Technique cannot be divorced from intellectual understanding and, indeed, conception.
The Use of the Self and Alexander's other works certainly were not without their flaws, but at their best they illuminate concepts which are nuanced, rich, and useful when applied. Primary control, direction and inhibition are three such concepts. Whatever their flaws, Alexander's books point the way to a wonderful technique, and they deserve thoughtful, probing introductions like Dewey's—not dismissals.
1 Like many other Alexandrian terms, the concrete meaning of "forward and up" seems incredibly controversial among Alexander Technique teachers. While I conceive it roughly as freedom of the atlanto-occipital joint, the term cannot be understood in isolation from the rest of the parts—namely, from one's conception of the primary control. It seems to experience it, one must discover it, as Alexander did, or be shown it by a teacher.
2 This is not to say there are not phenomena only some people perceive.
3An overemphasis on "letting go" and the like obscures the fact that Alexander always described the technique as consisting of stages or sequential steps, which in my opinion constitute the "means whereby" he wrote of.
4 "Use of the self" is another problematic term. Related to the concept of "good form" and "good technique" among athletes and musicians, it refers essentially to coordination of the musculature along reasoned lines, which is not separate from conception of the primary control. Equal and opposite is the term "misuse," since one's idea of misuse depends on one's idea of good use. Different teachers understand the term differently. Kingsley states that "bodily tensions and distortions become fixed and reinforced as we react to the general stimuli of living." True enough. Yet he goes on to imply it is associated only with fear, anxiety and distress. Again he couples this concept to the language of contemporary spirituality, trumpeting that it "alienates us from our own true nature." This is to completely ignore the point Alexander returned to again and again in his own writing: that the use of the self is inextricably linked with conception. No doubt, tension and imbalance are very often inextricable from fear. But there may be another class of misuse: one based on misconceptions about the body, unexamined movement patterns from childhood which have little or nothing to do with manifestations of stress or emotions in the body. I suspect one may experience profound psychophysical quietude yet still tend to throw their head back and down in relation to their neck and back, especially in movement.
5Kingsley writes that the teacher's touch indicates the "negation of trying and doing within the pupil." Even a token mention of guidance viz. the relativity of the body parts is nowhere to be found. Yet in my opinion this discussion of touch is misleading, since nothing like it can be found at all in Alexander's writings. On the contrary, Alexander stressed that the teacher's role was to demonstrate manually the proper relativity of the pupil's parts, with the means whereby of the technique; not to transmit "a way of being," nor indeed enlightenment or gnosis.
6 Neuroscientific findings relating to will and volition have proliferated in recent years. They may raise fundamental questions about the nature of self and will, but in my opinion they have little to do with the Alexander Technique, no more than they do with dancing or playing an instrument. If there are really recognizable activities Alexander termed "inhibition" and "direction," then his writings are timeless, since they speak from direct observation and experiment, not philosophy about "free will" and the like.
7 In spiritual literature one encounters, almost universally, the idea that there is no "doer" of action, or no "doer" but God. Hence Kingsley is implying that Alexandrian inhibition is somehow related to this concept, which Buddha famously summarized: "Events happen, deeds are done, but there is no doer thereof." In my opinion, the Alexander Technique has nothing more to do with this than does reading, writing, or playing a game. There may be "procedures followed, but no follower thereof."

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https://www.healthrising.org/blog/2024/05/18/chronic-fatigue-syndrome-long-covid-energy-sink/
TLDR by Claude.ai
In summary, the preprint study by Shankar et al. found that immune cells from ME/CFS and Long COVID patients exhibit reduced energy production, elevated oxidative stress levels, and mitochondrial dysfunction compared to healthy controls. These findings were particularly pronounced in female ME/CFS patients. The authors propose that the immune system's struggle to produce energy in these conditions may lead to an energy drain on the rest of the body, potentially explaining the fatigue and other symptoms experienced by patients. They also suggest that reducing oxidative stress using antioxidants might help regulate the immune system activation and improve energy levels.
The gist, copied from the blog
• Health Rising reported some time ago becoming obsessed with the energy problems found in ME/CFS. Vishnu Shankar, a PhD. Stanford student, engineered a study that assessed energy production in ME/CFS patients’ immune cells. The study recently appeared in preprint form and includes some new findings – so it’s onto round 2 of this fascinating study.
• Shankar focused on immune cells because they provide a good test case for assessing energy production. It turns out that protecting the body from pathogens turns is quite an energy-intensive project. Even when it’s not fighting off an infection, the immune system uses about 15-20% of our energy.
• The study assessed both mitochondrial activity and oxidative stress in immune cells (PBMCs) in ME/CFS patients, long-COVID patients, and healthy controls.
• The immune cells in the ME/CFS/long-COVID patients weren’t pumping out as much energy as the healthy controls’ cells – suggesting they were damaged and possibly exhausted.
• Because damaged mitochondria can become free radical-producing machines, they took a look at oxidative stress (free radical) levels. (Just as a damaged automobile engine produces more exhaust than a well-functioning one, damaged mitochondria spew out more toxins; i.e. free radicals.)
• Immune cells have to switch their after-burners on to get the energy to go after pathogens. Producing that energy comes at a cost, though, in the form of increased levels of reactive oxygen species oxidative stress (free radicals). (Note the key word – reactive oxygen species – these are unbalanced oxygen molecules which try to achieve balance by ripping electrons from other molecules; hence the word “reactive”.)
• Dramatically higher levels of reactive oxygen species were found in both the ME/CFS and long-COVID patients’ immune cells compared to the healthy controls. (ME/CFS patients had the highest levels). A closer look revealed, however, that the reactive oxygen species were almost wholly centered in the immune cells from female ME/CFS patients.
• Both male ME/CFS and long-COVID patients did, however, exhibit elevated glutathione levels – indicating that their immune cells were also dealing with increased oxidative stress levels – which have triggered the production of the master antioxidant in our cells – glutathione.
• Altogether, multiple pathways that deal with oxidative stress (glutathione, superoxide dismutase, lipid oxidative damage, etc.) appear to have been overwhelmed in the immune cells in both ME/CFS and long-COVID patients. In all cases, the ME/CFS patients were worse off than the long-COVID patients – leading the authors to suggest that long COVID was an intermediate condition between health and ME/CFS.
• Increased levels of mitochondrial calcium – which drive the production of reactive oxygen species (ROS) in the mitochondria – provided another potential explanation for the increased levels of oxidative stress. That was a very interesting finding given that in 2021 Wirth and Scheibenbogen proposed that increased mitochondrial levels of calcium were a core factor in ME/CFS.
• Once again, damage to the lipids that protect our cells and the organelles in our cells popped out during a metabolomic analysis (of T-cells). Since reactive oxygen species target lipids this finding make sense and it underscored what big deal lipid issues have become in ME/CFS studies over the past few years.
• Once again, men and women had different findings. Oxidative stress was worse in women while lipid damage was more extensive in men. Plus, the study suggested that when confronted with high oxidative stress levels, women’s T-cells go on a hyper proliferation binge – potentially sucking more energy from the rest of the body.
• Trying to reduce the oxidative stress present, they used antioxidants like NAC (increase glutathione), metformin (increase SOD2 expression), and liproxstatin-1 (reduce lipid peroxide levels) in cell cultures and found that NAC and metformin was able to reduce immune activity to some extent. That finding suggested that the right antioxidants might be able to tame the immune activity and improve energy levels.
• All in all, the authors proposed that long periods of elevated reactive oxygen species damage the mitochondria, producing a long-term problem of energy depletion. Because the immune cells already use up so much energy in the body, and then struggle to produce energy in ME/CFS and long COVID, the authors proposed that immune problems in these diseases produce an energy sink that draws energy from other areas of the body.

Gross Domestic Product (GDP) has been the standard measure of economic growth since World War II. It is widely believed that accelerating economic growth as measured by the GDP will translate into improved living standards. However, this view is being challenged with the argument that it is better to focus on measures of wellbeing than GDP because, despite robust economic growth over the past several decades, there are still millions of citizens living in poverty.Gross Domestic Product (GDP) has been the standard measure of economic growth since World War II. It is widely believed that accelerating economic growth as measured by the GDP will translate into improved living standards. However, this view is being challenged with the argument that it is better to focus on measures of wellbeing than GDP because, despite robust economic growth over the past several decades, there are still millions of citizens living in poverty.

Besides, GDP measures perpetual growth, which is unattainable. Because GDP is an outdated proxy measure of economic growth, wellbeing, which is a multidimensional approach of measuring the most important aspects of people’s life, is gaining popularity.

Perpetual Growth

Stagflation is simultaneous economic stagnation combined with high inflation. In the long run, economic growth is dependent on two drivers; productivity and labor (Dolar). Productivity is affected by multiple factors. Improvements in many facets of productivity growth have decreased or reversed since the global financial crisis. The foremost factor is the demographic crisis of western countries that threatens the growth of GDP. Developed countries have experienced deceleration of working-age population, stabilization of educational attainment, and expansion into various forms of production. Furthermore, labor reallocation from less productive to more productive sectors has decelerated since the global financial crisis. Besides, radical disruptions to education and income losses are likely to affect human capital negatively. The waning demographics of western countries imply that acceleration of productivity growth is needed. The McKinsey Global Institute projected that 80% productivity growth is required to mitigate the effects of changing demographics (49). This projection is unlikely to be achieved given the dwindling working-age population in western countries. On the contrary, productivity growth is likely to continue decreasing because of the significant changes in the demographics unless the working-age population begins to grow again.

Perpetual Growth

GDP as a measurement is very outdated because it does not measure wellbeing. It is a statistical tool used to measure how well the economy is performing. However, it neglects important factors that determine the wellbeing, such as inequality and environmental services (Gallup). GDP as a proxy measure of economic growth ignores certain aspects that do not involve monetary transactions, does not assess changes in human capital, does not discriminate activities that enhance welfare from activities that reduce welfare, does not account for cultural difference, and omits the environmental costs and rates of depletion of resources (Giannetti et al. 14). The Measure of Economic Welfare is one of the alternatives for a gross domestic product as it measures consumption in the economy as a proxy for economic welfare. It adds up the benefits of goods and services consumption and subtracts the costs associated with the consumption, such as environmental pollution, providing a picture of economic welfare. Other economic welfare measures were developed after the Measure of Economic Welfare, such as the Index of the Economic Aspects of Welfare which incorporates environmental costs in estimating economic welfare (Giannetti et al. 15). Index of Sustainable Economic Welfare is an index developed to account for the current environmental issues while addressing the long-term ecosystem and natural resource sustainable use. More indices were developed with recent ones such as the State of Global Well-Being, the Better Life Index, and the Global Well-Being Index measuring a myriad of aspects of wellbeing. The Gallup Global Well-Being measures the behavioral economics of gross domestic product growth. It estimates the percentage “thriving,” “struggling,” and “suffering” of individuals in different countries and regions (Gallup). The indexes focus on the percent thriving in at least elements of wellbeing such as purpose (liking what they do), social (supportive relationships), physical (good health), community (liking the surrounding community), and financial (managing economic life well) aspects.
One in six adults worldwide are considered thriving – or strong and consistent — in at least three of the five elements of well-being, as measured by the Gallup-Healthways Global Well-Being Index. For example residents of the Singapore score quite low at the 19%, while New Zealand leads in Asia – Pacific with 67%.
The Gallup Global Well-Being measures have opened up new opportunities to study issues that affect people in different communities around the world in ways that GDP would not. For example, life satisfaction aspects of the Gallup World Poll data have been exploited to measure inequality in the distribution of subjective wellbeing (Gluzmann & Gasparini 2). Measuring inequality in subjective wellbeing might be complementary to the various approaches aimed at computing unfairness in a society because it may in some way have benefits over the usual income inequality measurements. Some perceived income inequalities may arise due to personal choices if all constraints are observed thus cannot be considered unfair. A case in point is when two individuals facing similar opportunities make different choices. One choice might lead to a better, healthier lifestyle while the other subjects the individual to poverty. Free choices resulting in socially acceptable income inequality should not be regarded as unfair. The assessment of subjective wellbeing is less likely to be susceptible to such differences. Under evaluation of subjective wellbeing, differences in perceived happiness may better estimate social unfairness rather than income unfairness (Gluzmann & Gasparini 4). Gallup World Poll provides data that can be used to compare wellbeing in different countries. It cures one of the most significant problems associated with compering inequality across countries and regions, namely, the generation of homogenous information. The poll poses the same question across all countries in all areas, which significantly reduces spurious differences in estimating comparisons. This reduces sources of measurement error significantly. It is noteworthy that people may not interpret and answer the standardized questions the same in different countries, leading to additional errors. However, the advantages of estimating subjective wellbeing and its rising popularity imply that improvements in the measurements will yield better results.

Technological Revolution

Usually, information and communication technologies are considered a key driver of economic growth and productivity. Different reviews indicate that technological effects tend to be positive at the organizational level (United Nations Conference on Trade and Development [UNCTAD 34]). However, it has been reported that productivity tends to drop as economies entrench technologies in every sector. In other words, the rapid digitization of economies has not translated into strong productivity. On the contrary, productivity growth appears to have stunted over the past few decades, with the slowdown more pronounced in developed countries and also in developing countries (UNCTAD 34). This is a productivity paradox because as technological advancement and use have increased, productivity growth has decreased, which is contrary to popular expectations (Remes et al.). The digitization of economies into digital economies has thus far not translated into increased productivity. The paradox in the digital economy is attributed to different reasons. A more pessimistic perspective considers the technological effects on productivity as having fewer impacts on productivity growth than the revolutionary technological advances of the past (UNCTAD 34). A more optimistic view links the slow growth of productivity to the time lags between the time the technologies are introduced and the time actual effects are felt (European CEO). As a result, more visible impacts on productivity will occur when technologies are adopted widely within the economy. An additional contributing factor to the productivity paradox is the difficulties associated with measuring the digital economy. The slow growth in productivity might be explained by the lack of proper recording of technological activities in that in overall GDP estimation. Consequently, the proper measurement would be reflected in increased productivity. In developed countries, demographic factors associated with the aging population are also linked to the slow growth in productivity (UNCTAD 34). Therefore, the productivity paradox related to the technological revolution arises from multiple factors.

Quality of the GDP

Measuring economic growth in purely quantitative categories diminishes the significance of “high-quality growth.” High-quality growth encompasses increased technological self-reliance, significant production and welfare transformation, the establishment of a comprehensive safety net for the citizens, enhancement of quality healthcare, education, and employment, and reduction of inequality across regions and various demographic characteristics (Wärtsilä). It reflects a policy change that focuses on investment areas that guarantee increased productivity, such as production, consumption, healthcare, and education (Pfeffer). The concept of high-quality growth is being advanced by China to reorganize the economy in a way that focus on increased domestic consumption and investing in productive sectors to drive the overall economic growth. For example, after decades of heavy investments in infrastructural projects and the manufacturing sector, the country realizes that roads and bridges are not productive but rather facilitates productivity. Policy change to shift investment into more productive sectors of the economy might bring sustainable economic growth and wellbeing. At the sectorial level, administrative job control is one of the main factors impacting the health of the employees (Pfeffer). The return of line of sight to the work, workplace flexibility, autonomous fusion teams, fluidity in work practices, and organizational health can elevate the personal wellbeing of the employees. The functional organization provides an environment with less stress caused by micromanagement demands from the employees. Therefore, wellbeing is a product of economic policy at the national level and the contribution of the private sector in nurturing the wellbeing of employees.

Conclusion

The failure of GDP as a measurement proxy of economic growth is less effective in contemporary society. It assumes that an economy will experience perpetual growth, which is a difficult achievement. Even where economies have experienced phenomenal growth over the years, the economic expansion failed to transform the lives of millions of citizens. The technological revolution also has been unable to expand the GDP as it was initially believed despite the fact that the significant impacts technology has had on society. It led to the conclusion that GDP has limitations as a measure of economic growth because it does not account for the non-monetary aspects that matter to people. As a result, new indexes such as the Gallup Global Wellbeing have been developed and are experiencing rising popularity due to their ability to compute wellbeing. In particular, the estimation of subjective wellbeing creates opportunities for improved measurement of social inequality. Furthermore, the realization that wellbeing is important to citizens is supporting new ideas of measuring national economic growth. China’s shift to the assessment of the quality of economic growth indicates a paradigm shift where countries focus on national statistics that reflect their economic realities.

References

Dolar, Veronika. “Why stagflation is an economic nightmare – and could become a real headache for Biden and the Fed if it emerges in the US.” The Conversation (2022). https://theconversation.com/why-stagflation-is-an-economic-nightmare-and-could-become-a-real-headache-for-biden-and-the-fed-if-it-emerges-in-the-us-179036. Accessed 21 Mar. 2022.
European CEO. “Giving a voice to the digital revolution’s silent majority.” (2019). https://www.europeanceo.com/industry-outlook/giving-a-voice-to-the-digital-revolutions-silent-majority/. Accessed 21 Mar. 2022.
Gallup. “2014 Country Well-Being Rankings.”
Giannetti, Biagio F., et al. “A review of limitations of GDP and alternative indices to monitor human wellbeing and to manage ecosystem functionality.” Journal of cleaner production 87 (2015): 11-25.
Gluzmann, Pablo, and Leonardo Gasparini. “International inequality in subjective well‐being: An exploration with the Gallup World Poll.” Review of Development Economics 22.2 (2018): 610-631.
McKinsey Global Institute – “Global growth: Can productivity save the day in an aging world?” page 49
Pfeffer, Jeffrey. “The overlooked essentials of employee wellbeing.” McKinsey Global Institute (2018). https://www.mckinsey.com/business-functions/people-and-organizational-performance/our-insights/the-overlooked-essentials-of-employee-well-being. Accessed 21 Mar. 2022.
Remes, Jaana et al. “Solving the productivity puzzle.” McKinsey Global Institute (2018). https://www.mckinsey.com/featured-insights/regions-in-focus/solving-the-productivity-puzzle. Accessed 21 Mar. 2022.
Wärtsilä. “Going beyond GDP: China targets a new path to growth.” (2021). https://www.wartsila.com/insights/article/going-beyond-gdp-china-targets-a-new-path-to-growth. Accessed 21 Mar. 2022.
Authors

Paul Lalovich

Organizational Effectiveness and Strategy Execution Practice

Tesha Teshanovich

Organizational Effectiveness and Strategy Execution Practice

Innovation is the lifeblood of business growth and development. Without it, your organization will fall behind its competition and eventually die out. However, innovation is expensive, and many small and medium-sized organizations can’t afford to innovate unless they get financial help from external sources.

Investments in bio-engineering can be risky, as many startups and early-stage companies may face regulatory hurdles, intellectual property challenges, or other barriers to success. However, for investors with a long-term outlook and a strong appetite for innovation, bio-engineering can offer significant opportunities for growth and returns.
Venture capital is one of the most common sources of financing for organizations that want to invest in innovation. Venture capital is a type of dedicated financial help that funds businesses to make a capital gain until publicizing them or even selling them outright. A distinguishing feature of venture capital involves screening, monitoring, and advising on a portfolio of its businesses. These non-financial services enable venture capitalists to choose businesses with high growth potential and make them succeed. The three distinctive features discussed before add to the venture capital’s edge over other types of financing that are not as dedicated (Sorensen, 2007).
Venture capitalists normally select companies that they can exit fast enough. This means that they select innovative organizations whose ROI is expectedly high. Therefore, such organizations are those that use knowledge to generate innovative capabilities to create profit in the short term.
Innovation is a process of continuous improvement and growth. It leads to the creation of new value or business ideas, which in turn contributes to the growth of any organization. The ability to innovate helps in increasing the revenue and profit margins of an organization by making it competitive in its industry.
Venture capitalists are interested in investing in innovative startups because they believe this will help them achieve their financial goals faster compared to the companies that do not invest in innovation. Venture capitalists want their investment to grow fast so they can exit quickly after making their money back at a higher rate than what they invested initially into it.
In the age of the knowledge economy, innovation is a main source of competitiveness (Daghfous, 2004). Based on what is known as the knowledge-based vision, the performance of the organization lies in its capacity to create, blend, recombine, and make use of knowledge (Grant, 1996). Therefore unstated, knowledge is indispensable to the capacity of an organization to innovate and favorably compete with others, causing it to be a strategic resource (Ibarra-Cisneros et al., 2021). The knowledge inside a firm is normally formed internally or by the outward acquisition of information and know-how. Accordingly, the knowledge absorptive capacity (AC) of a firm is vital for the creation of value inside a firm (Xie et al., 2018).
According to Davenport and Prusak (1998), knowledge cannot be completely dispersed without the backing of absorptive capacity. At the same time, the transfer of knowledge within a firm will come up as a main hindrance without the backing of absorptive capacity, inserting value on the significance of absorptive capacity within firms (Wuryaningrat, 2013).
Absorptive capacity has been described as the capacity of an organization to acknowledge the value of fresh outward information, integrate it, and implement it for business goals. Besides, it has become amongst the most dominant research scopes in business management. Huang et al. (2015) also note that absorptive capacity refers to a group of organizational practices that need to recognize and use knowledge, stressing the significance of absorptive capacity in the process of managing knowledge.
Most studies back the idea of absorptive capacity directly or indirectly prompting innovation and organizational financial outcomes (Tseng et al., 2011). The procedures of absorption of outward knowledge have grown into key aspects for innovation in organizations, making them to better adjust to transformations within the competitive atmosphere. Because of this, there are still many opportunities for research within the scopes of relational learning, absorptive capacity, as well as the attainment of a competitive edge (Tseng et al., 2011).
According to Xie et al. (2018), two vital gaps restrict deep hypothetical and empirical progresses in the management of absorptive capacity. Foremost, some programs of research have considered diverse proportions of absorptive capacity, while this dimensional separation of the construct and its function is not clear, conceptually and practically. Nonetheless, some studies have concentrated on the relationship between the diverse measures of absorptive capability and the innovation performance of a firm (Yaseen, 2020). Absorptive capacity is a tacit and intricate concept, making it challenging to measure. Learning the connection between venture financing and absorptive capacity can hence enhance our comprehension concerning how the source of financing impacts the innovation tactic of entrepreneurial organizations.

Absorptive Capacity and Innovation

Companies are working within a very competitive setting and need great measures of knowledge, which has turned into one of their most vital resources (Lian and Wu, 2010). To compete favorably, organizations cannot depend only on their external knowledge web but must progress their absorptive capacities to dynamically source new knowledge (Sancho-Zamora et al., 2021). This imposes methods that enable learning, allowing them to disperse and use the knowledge that will offer them fresh organizational innovations. Furthermore, the merging of this acquired knowledge is decided by an organization’s absorptive capacity. Hence, firms are required to possess and create, internal absorptive capacity to enhance innovation performance. This is vital since this form of capacity can impact the efficiency of innovation actions.
The first parties to describe absorptive capacity as the ability of an organization to assess fresh knowledge from outside, integrate it, and use it for commercial reasons were Cohen and Levingthal in 1990 (Wuryaningrat, 2013). A firm can obtain and efficiently utilize external and internal knowledge that will impact its innovation. This style looks at absorptive capacity as an outcome of not just research and development activities but similarly the variety or depth of the knowledge base of an organization, its former learning encounter, a mutual language, the presence of cross-functional points, and the mental frameworks, as well as problem-solving capability of the members in an organization (Camison and Fores, 2010). In this manner, absorptive capacity is vital for organizations to utilize outward knowledge and hence trigger inner innovation (Dutse, 2013).
Knowledge has become the most vital resource for organizations; outward knowledge concerning markets and technologies is thought to be key for generating inner knowledge in research and development units. Using absorptive capacity, organizations can change outward knowledge into innovative capabilities. Originally, absorptive capacity begins with gaining knowledge from the environment and it culminates by getting the best out of it (Saebi and Foss, 2015). This dynamic ability enables organizations to be in a better place to grow any form of innovation. Organizational learning theory recommends that an organization’s innovation actions are an outcome of its knowledge base.
Earlier research discovered that organizations having a greater absorptive capacity were more predisposed to undertake product, process, organizational, or even marketing innovations. In the same way, Calero-Medina and Noyons (2008) mapped programs of research connected to absorptive capacity and its connection to diverse domains, identifying substantial relations between absorptive capacity and innovation within the organization.
More current work, like the one by Chen and Chang (2012) discovered that the more the level of absorptive capacity of the organization, the more the level of innovativeness within the organization. They also discovered within their systematized literature review that most prevailing research concerning innovation literature accentuates the capacity to use outward knowledge. Moreover, this relation with fresh external knowledge enhances the absorptive capacity.
According to a research program undertaken by Liao et al (2007), empirical proof was given that innovation stems from the necessity for sharing knowledge, instigated by its absorptive capacity. When absorptive capacity progresses, it becomes very simple for anyone to form a noteworthy innovation grounded on acquired knowledge. Indarti (2010) similarly notes that absorptive capacity can be observed as a procedure by which a certain entity establishes innovative business goals (Wuryaningrat, 2013).
Notwithstanding the proof connecting absorptive capacity to innovation, this notion has developed in due course. The most comprehensive reconceptualization was suggested by Indarti (2010). They connected the idea to a set of company-wide routines and strategic procedures by which organizations acquire, change, and utilize knowledge to establish an active organizational capacity.

Dimensions of Innovation Capacity

Innovation is a vital element of the research enterprise, is very developed, and exists in all business procedures (Alshanty and Emeagwali, 2019). Nonetheless, the function of innovations, a main driver concerning a venture’s performance, has transformed in the latest years because of globalization and improved foreign competition (Pustorvrh et al., 2017). As a result, we comprehend innovation as the capacity of a firm to use knowledge and create novel products, services, and processes. Nonetheless, innovation typically encompasses some level of risk, which explains why outcomes are not always satisfying.
Various studies have demonstrated that innovativeness allows organizations to attain results, for instance, enhancement of the organization’s performance; growing exports; making a competitive edge; and or adding to the growth of the business. Generally, innovation assists organizations to react to competitive difficulties in globalized settings.
Innovativeness is an intricate capacity through which fresh knowledge and ideas are constantly used to attain excellent business performance using the integration of new offertories, product innovation, and the development of new processes for creating and distributing those novel offerings, and process innovation. These improve or sustain their efficiency and competitiveness. Process innovation concentrates on enhancing the efficiency and inner operations of an organization’s procedures to produce, bring together, or deliver the product. In this manner, another process can lessen the expenses or bring about extra production ability for an organization. Product innovation, conversely, is where an organization can present improved, distinguished, or even new products to the market to satisfy the needs of the consumers. Product innovation concentrates on the market and depends on robust abilities like quality, efficiency, speed, and flexibility, whereas process innovation has its place within the space of technical innovation. Both forms of innovation are closely connected and make up intricate procedures that normally encompass all functional sections of the organization.

References

Alshanty, A. M., and Emeagwali, O. L. (2019). Market-sensing capability, knowledge creation and innovation: the moderating role of entrepreneurial-orientation. J. Innov. Knowl. 4, 171–178. doi: 10.1016/j.jik.2019.02.002
Calero-Medina, C., and Noyons, E. C. (2008). Combining mapping and citation network analysis for a better understanding of the scientific development: the case of the absorptive capacity field. J. Informetr. 2, 272–279. doi: 10.1016/j.joi.2008.09.005
Camisón, C., and Forés, B. (2010). Knowledge absorptive capacity: new insights for its conceptualization and measurement. J. Bus. Res. 63, 707–715. doi: 10.1016/j.jbusres.2009.04.022
Chen, S. T., and Chang, B. G. (2012). The effects of absorptive capacity and decision speed on organizational innovation: a study of organizational structure as an antecedent variable. Contemp. Manag. Res. 8:7996. doi: 10.7903/cmr.7996
Daghfous, A. (2004). Absorptive capacity and the implementation of knowledge-intensive best practices. S.A.M. Adv. Manag. J. 69, 21–27.
Davenport, T. H., and Prusak, L. (1998). Working Knowledge: How Organizations Manage What They Know. Boston, MA: Harvard Business School Press.
Dutse, A. Y. (2013). Linking absorptive capacity with innovative capabilities: a survey of manufacturing firms in Nigeria. Int. J. Technol. Manag. 12, 167–183. doi: 10.1386/tmsd.12.2.167_1
Grant, R. M. (1996). Toward a knowledge based theory of frim. Strategic Management Journal, 17, 109–122. https://doi.org/10.2307/2486994
Huang, K. F., Lin, K. H., Wu, L. Y., and Yu, P. H. (2015). Absorptive capacity and autonomous R&D climate roles in firm innovation. J. Bus. Res. 68, 87–94. doi: 10.1016/j.jbusres.2014.05.002
Ibarra-Cisneros, M., Demuner-Flores, M. R., and Hernández-Perlines, F. (2021). Strategic orientations, firm performance, and the moderating effect of absorptive capacity. J. Strateg. Manag. doi: 10.1108/JSMA-05-2020-0121, [Epub ahead of print].
Indarti, N. (2010). The Effect of Knowledge Stickiness and Interaction on Absorptive Capacity. Groningen, The Netherlands: University of Groningen.
Liao, S. H., and Wu, C. C. (2010). System perspective of knowledge management, organizational learning, and organizational innovation. Expert Syst. Appl. 37, 1096–1103. doi: 10.1016/j.eswa.2009.06.109
Pustovrh, A., Jaklič, M., Martin, S. A., and Rašković, M. (2017). Antecedents and determinants of high-tech SMEs’ commercialisation enablers: opening the black box of open innovation practices. Econ. Res. 30, 1033–1056. doi: 10.1080/1331677X.2017.1305795
Saebi, T., and Foss, N. J. (2015). Business model for open innovation: matching heterogeneous open innovation strategies with business model dimensions. Eur. Manag. J. 33, 201–213. doi: 10.1016/j.emj.2014.11.002
Sancho-Zamora, R., Peña-García, I., Gutiérrez-Broncano, S., and Hernández-Perlines, F. (2021). Moderating effect of proactivity on firm absorptive capacity and performance: empirical evidence from Spanish firms. Mathematics 9:2099. doi: 10.3390/math9172099
Sørensen, Morten (2007) ‘How Smart is Smart Money: An Empirical Two-Sided Matching Model of Venture Capital,’ Journal of Finance, 62 (6), 2725–2762.
Tseng, C. Y., Chang Pai, D., and Hung, C. H. (2011). Knowledge absorptive capacity and innovation performance in KIBS. J. Knowl. Manag. 15, 971–983. doi: 10.1108/13673271111179316
Wuryaningrat, N. F. (2013). Knowledge sharing, absorptive capacity and innovation capabilities: an empirical study on small and medium enterprises in North Sulawesi. Indonesia. Gadjah Mada Int. J. Bus. 15, 61–77. doi: 10.22146/gamaijb.5402
Xie, X., Zoub, H., and Quick, G. (2018). Knowledge absorptive capacity and innovation performance in high-tech companies: a multi-mediating analysis. J. Bus. Res. 88, 289–297. doi: 10.1016/j.jbusres.2018.01.019
Yaseen, S. G. (2020). “Potential absorptive capacity, realized absorptive capacity and innovation performance,” in International Conference on Human Interaction and Emerging Technologies 2019, AISC 1018. ed. Ahram (Cham: Springer), 863–870.
Authors

Emilija Vukovic

Business Architecture Practice

Paul Lalovich

Organizational Effectiveness and Strategy Execution Practice

My 2009 nissan sentra has a no crank no start issue.
It has had the issue for a while but I haven't done anything cuz in the past, every time it would not start, the issue would solve itself after like 30 minutes of waiting, or sometimes I'd open the hood, jenk around with the connection to the starter like I know what I'm doing (I dont), and it would literally start right then. That happened multiple times.
Well the issue has not solved itself this time. I wanna say it's not the starter cuz we replaced that in the past year. I don't think it's the battery cuz when I turn the key all the accessories in the car turn on, dash turns on, wipers turn on. When I turn the key there is a small clicking sound, but it does not sound like it is coming from the fuse/relay box.
I located the starter relay and wanna buy a new one cuz it seems like it may be the issue and if it was that would be an easy fix. I am having a hard time finding a starter relay that matches my car though. All the parts stores around say they don't have a starter relay for a 2009 nissan sentra. Called the nissan dealership and they want me to get it diagnosed. They don't even sell a starter relay, they want me to buy a whole goddamn fusebox for a shit ton more than what one damn relay costs. Even the parts stores online have some relays that look like they match but when I put my car into the website it says no matches.
Appreciate any help with this.

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Walking Dead season 9, The (Vudu or Google Play)
Walking Dead season 10, The (Vudu or Google Play)
Way Way Back, The [2013] (MA or Google Play/ports)
Whiplash [2014] (MA + Sony points)

🦝

$2 Codes

💲2 HD

13 Hours: The Secret Soldiers Of Benghazi (iTunes 4K)
2 Guns [2013] (iTunes/ports 4K) PENDING
31 [2016] (Vudu)
3 From Hell [Unrated] (Vudu 4K or iTunes 4K)
About Last Night [2014] (MA + Sony points)
Abraham Lincoln: Vampire Hunter (MA)
Action Point [2018] (iTunes 4K)
Admission [2013] (iTunes/ports)
Adventures Of Tintin, The (Vudu or iTunes)
After Earth [2013] (MA + Sony points)
Age Of Adaline, The (Vudu, iTunes or Google Play)
Alien Covenant (iTunes/ports 4K or HD MA/GP)
Allied [2016] (iTunes 4K or Vudu HD)
Aloha [2015] (MA + Sony points)
Alpha [2018] (MA + Sony points)
Alpha & Omega 2: A Howl-lday Adventure (Vudu)
Alvin & The Chipmunks: The Road Chip (iTunes/ports 4K or HD MA)
American Girl: Isabelle Dances Into The Spotlight (MA)
American Hustle [2013] (MA + Sony points)
American Reunion [Unrated] (MA or iTunes/ports)
Anchorman 2: The Legend Continues (Vudu or iTunes)
Annie [2014] (MA + Sony points)
Arrival [2016] (Vudu)
Art Of Self-Defense, The [2019] (MA)
Assassin's Creed (iTunes/ports 4K or HD MA)
Atomic Blonde (MA)
Avengers: Infinity War (MA + 150 points/no iTunes option)
Battleship [2012] (iTunes/ports 4K)
Baywatch (iTunes 4K)
Beauty & The Beast [2017] (MA + 150 points/iTunes option is expired)
Beguiled, The [2017] (MA or iTunes/ports)
Beirut [2018] (MA)
Ben-Hur [2016] (Vudu)
Best Man Holiday, The [2013] (MA or iTunes/ports)
Blackhat [2015] (iTunes/ports)
Black Panther [2018] (MA + 150 points/no iTunes option)
Bohemian Rhapsody (MA or Google Play/ports)
Book Club [2018] (iTunes 4K)
Boss Baby, The [2017] (MA)
Bourne Legacy, The (iTunes/ports 4K)
Boy, The [2016] (MA or iTunes/ports)
Boyhood [2014] (iTunes)
Boy Next Door, The [2015] (iTunes/ports)
Breakthrough [2019] (MA or Google Play/ports)
Bridesmaids [Theatrical] (iTunes/ports)
Broken City [2013] (MA)
Bumblebee (iTunes 4K or Vudu HD)
Cabin In The Woods, The (Vudu/GP HD or iTunes 4K)
Captain America: Civil War (MA only/no points or iTunes option)
Captain Phillips [2013] (MA + Sony points)
Captain Underpants: The First Epic Movie (MA)
Case For Christ, The [2017] (MA)
Choice, The [2016] (Vudu or iTunes)
Company Of Heroes [2013] (MA)
Contraband (iTunes/ports)
Cowboys & Aliens [Theatrical] (iTunes/ports) PENDING
Curse Of Chucky [2013] [Unrated] (MA or iTunes/ports)
Daddy's Home (iTunes 4K)
Dark Tower, The [2017] (MA + Sony points)
Dead Again In Tombstone [2017] (MA)
Dead In Tombstone [Unrated] (MA or iTunes/ports)
Dead Man Down [2013] (MA)
Deepwater Horizon (iTunes 4K or Vudu/GP HD)
Despicable Me 2 (iTunes/ports 4K)
Despicable Me 3 (iTunes/ports 4K or HD MA)
Devil's Due [2014] (MA or Google Play/ports)
Diary Of A Wimpy Kid: Dog Days (MA, iTunes or Google Play/ports)
Diary Of A Wimpy Kid: The Long Haul (MA, iTunes or Google Play/ports)
Django Unchained (Vudu)
Downsizing (iTunes 4K)
Downton Abbey [2019] (MA)
Dracula Untold (iTunes/ports 4K)
Dragonheart 3: The Sorcerer's Curse (iTunes/ports)
Dredd [2012] (Vudu)
Dr. Seuss’ How The Grinch Stole Christmas [2000] (MA)
Duff, The (iTunes or Google Play)
Emoji Movie, The [2017] (MA + Sony points)
Ender's Game (iTunes 4K or Vudu/GP HD)
Epic [2013] (MA)
Equalizer, The [2014] (MA + Sony points)
Equalizer 2, The (MA + Sony points)
Escape From Planet Earth (Vudu)
Everest [2015] (iTunes/ports 4K)
Ex Machina (Vudu)
Exodus: Gods & Kings (iTunes/ports 4K or HD MA)
F9: The Fast Saga [2021] [Theatrical & Extended] (MA + Universal Rewards points) PENDING
Fast & Furious [2009] (iTunes/ports 4K)
Fast & The Furious, The [2001] (iTunes/ports 4K)
Fast & The Furious: Tokyo Drift, The (iTunes/ports 4K)
Fate Of The Furious [F8] [Theatrical] (MA 4K)
Fences [2016] (iTunes 4K or Vudu HD)
Fifty Shades Darker [2017] [Unrated] (MA 4K)
Fifty Shades Of Grey (iTunes/ports 4K)
Finding Dory (iTunes/ports 4K or HD MA + 150 points)
Flight [2012] (Vudu or iTunes)
Fortress [2021] (Vudu or Google Play)
Frozen [2013] (iTunes/ports 4K+ 150 points)
Fury [2014] (MA + Sony points)
Get Out [2017] (MA)
Ghost Team One [2013] (Vudu or iTunes)
Gifted [2017] (MA or Google Play/ports, iTunes option is expired)
God Bless The Broken Road (Vudu or Google Play)
Gods Not Dead 2 [2016] (MA or iTunes/ports)
Gods Of Egypt (Vudu/GP HD or iTunes 4K)
Great Wall, The [2017] (MA)
Grey, The [2012] (MA or iTunes/ports)
Guardians Of The Galaxy Vol.2 (MA + 150 points/no iTunes option)
Guilt Trip, The [2012] (Vudu)
Hacksaw Ridge (Vudu or Google Play/iTunes option expired)
Hail, Caesar [2016] (MA or iTunes/ports)
Halloween [2018] (MA)
Hansel & Gretel: Witch Hunters [Unrated] (Vudu or iTunes)
Hateful Eight, The (Vudu or Google Play)
Heat, The [2013] [Theatrical] (MA or Google Play/ports)
Hell Or High Water (Vudu or Google Play)
Hercules [2014] (iTunes 4K or Vudu HD)
Hitman's Bodyguard, The (Vudu or Google Play/iTunes option is expired)
Home [2015] [DreamWorks] (MA)
Homefront [2013] (iTunes/ports)
Honey 2 [2011] (MA or iTunes/ports)
How To Train Your Dragon 2 (MA)
Hunger Games: Mockingjay Part 1, The (iTunes 4K or Google Play HD)
Hunger Games: Mockingjay Part 2, The (Vudu)
Instant Family (iTunes 4K or Vudu HD)
Internship, The [2013] (MA or Google Play/ports)
Invisible Man, The [1933] (MA)
It Follows [2015] (Vudu)
Jackass 3 [Theatrical] (Vudu or iTunes)
Jack Reacher (Vudu)
Jack Reacher: Never Go Back (Vudu)
Jack Ryan: Shadow Recruit (iTunes 4K)
Jason Bourne [2016] (iTunes/ports 4K)
John Henry [2020] (Vudu)
John Wick (iTunes 4K)
John Wick 1 & 2 (Vudu or Google Play)
John Wick: Chapter 2 (iTunes 4K)
John Wick Chapter 3: Parabellum (iTunes 4K) or all 3 for $5
Joy [2015] (iTunes/ports 4K or HD MA)
Jumanji: Welcome To The Jungle (MA + Sony points)
Jurassic World (iTunes/ports 4K)
Jurassic World: Fallen Kingdom (MA)
Justice [2017] (MA or iTunes/ports)
Kick-Ass 2 [2013] (MA)
Kidnap [2017] (iTunes/ports)
Killer Elite (iTunes/ports)
Kingsman: The Golden Circle (iTunes/ports 4K or HD MA)
Kingsman: The Secret Service (iTunes/ports 4K or HD MA)
Last Knights [2015] (Vudu)
Last Vegas [2013] (MA + Sony points)
Last Witch Hunter, The [2015] (iTunes 4K or Google Play)
Let's Be Cops [2014] (iTunes/ports 4K)
Life Of Pi (iTunes/ports 4K)
Lockout [2012] [Unrated] (MA + Sony points)
Logan [2017] (iTunes/ports 4K or HD MA) PENDING
Lone Survivor [2013] (iTunes/ports 4K)
Longest Ride, The (iTunes/ports 4K or HD MA)
Lorax, The [2012] (MA or iTunes/ports)
Love, Simon [2018] (MA)
Lucy [2014] (iTunes/ports 4K)
Maleficent (iTunes/ports 4K + 150 points)
Mamma Mia! Here We Go Again [2018] (MA)
Man With The Iron Fists, The [2012] [Theatrical] (iTunes/ports)
Marauders (Vudu)
Martian, The [2015] [Theatrical] (iTunes/ports 4K)
Mary Poppins [1964] (MA + 150 points)
Maze Runner, The [2014] (iTunes/ports 4K or HD MA)
Maze Runner: The Scorch Trials (iTunes/ports 4K or HD MA)
Mechanic: Resurrection (Vudu/GP HD or iTunes 4K)
Men In Black 3 (MA + Sony points)
MI-5 [2015] (Vudu)
Mile 22 (iTunes 4K)
Mindgamers [2017] (MA or iTunes/ports)
Miracles From Heaven (MA + Sony points)
Mission Impossible: Fallout (iTunes 4K)
Mission Impossible: Rogue Nation (iTunes 4K)
Miss Peregrine's Home For Peculiar Children (iTunes/ports 4K or HD MA)
Moms’ Night Out [2014] (MA)
Monuments Men, The [2014] (MA + Sony points)
Mortal Engines [2018] (MA) PENDING
Mortal Instruments: The City Of Bones, The [2014] (MA + Sony points)
Mother's Day [2016] (MA or iTunes/ports)
Mountain Between Us, The [2017] (iTunes/ports 4K or HD MA)
Mummy, The [2017] (iTunes/ports 4K)
Murder On The Orient Express [2017] (MA or Google Play/ports)
My Big Fat Greek Wedding 2 (iTunes/ports)
Neighbors [2014] (iTunes/ports)
Night At The Museum: Secret Of The Tomb (iTunes/ports 4K or HD MA)
Noah [2014] (Vudu)
Non-Stop [2014] (MA or iTunes/ports)
Norm Of The North (Vudu or iTunes)
Now You See Me 2 (iTunes 4K or Vudu/GP HD)
Nut Job, The [2014] (MA or iTunes/ports)
Oblivion [2013] (iTunes/ports 4K)
Ouija [2014] (MA)
Overlord [2018] (Vudu)
Oz: The Great & Powerful (MA + 100 points)
Paddington (Vudu)
Paranormal Activity [2009] [Theatrical] (iTunes)
Paranormal Activity 2 [Unrated Director's Cut] (Vudu or iTunes)
Paranormal Activity 3 [Extended] (Vudu or iTunes)
Paranormal Activity 4 [Unrated] (iTunes)
Paranormal Activity: The Marked Ones [Theatrical] (iTunes)
Passengers [2016] (MA + Sony points)
Percy Jackson: Sea Of Monsters (MA or Google Play/ports)
Pet Sematary [2019] (iTunes 4K or Vudu HD)
Philomena (Vudu)
Pitch Perfect (iTunes/ports 4K)
Playing With Fire (iTunes 4K or Vudu HD)
Predator, The [2018] (MA or Google Play/ports)
Project Almanac (iTunes)
Prometheus (MA or Google Play/ports, no iTunes option)
Proud Mary [2018] (MA)
Purge: Anarchy, The (iTunes/ports 4K) PENDING
Quiet Place, A [2018] (iTunes 4K)
Ralph Breaks The Internet (MA + 150 points/no iTunes option)
Red Dawn [2012] (Vudu or Google Play)
Redemption [2013] (Vudu)
Replicas [2019] (iTunes 4K or Vudu/GP HD)
Riddick [Unrated] (MA)
Rings [2017] (Vudu)
R.I.P.D. Rest In Peace Department (iTunes/ports 4K)
Rise Of The Guardians [2011] (MA)
Risen [2016] (MA + Sony points)
Robin Hood [2018] (iTunes 4K or Vudu/GP HD)
Rock Dog (iTunes)
Rogue One: A Star Wars Story (iTunes/ports 4K + 150 points)
Roman J. Israel, Esq [2017] (MA + Sony points)
Rush [2013] (MA) PENDING
Saban's Power Rangers (iTunes 4K or Vudu/GP HD)
Safe House [2012] (MA or iTunes/ports)
Savages [2012] [Theatrical] (iTunes/ports)
Scorpion King 3: Battle For Redemption (iTunes/ports)
Secret Life Of Pets, The (MA 4K or iTunes/ports 4K)
Seventh Son [2015] (iTunes/ports)
Sex Tape [2014] (MA + Sony points)
Show Dogs [2018] (MA)
Silver Linings Playbook (Vudu or Google Play)
Sing [2016] (iTunes/ports 4K)
Sinister (Vudu, iTunes or Google Play)
Sisters [2015] [Unrated] (MA or iTunes/ports)
Skyscraper [2018] (MA)
Sleepless [2017] (iTunes/ports)
Sparkle [2012] (MA)
Spider-Man: Homecoming [2017] (MA + Sony points)
Spider-Man: No Way Home [2021] (MA + Sony points)
Split [2017] (iTunes/ports 4K or MA HD)
Spy [2015] [Unrated] (MA, iTunes or Google Play/ports)
Star Trek [2009] (iTunes 4K)
Star Wars: The Force Awakens (iTunes/ports 4K or HD MA + 150 points)
Step Up All In [2014] (Vudu)
Step Up Revolution (Vudu or Google Play)
Straight Outta Compton [Unrated] (iTunes/ports 4K)
Super 8 (Vudu)
Super Buddies (MA without points)
Taken 3 [Unrated] (MA, iTunes or Google Play/ports)
Teenage Mutant Ninja Turtles [2014] (iTunes 4K or Vudu HD)
Terminator: Genisys (iTunes 4K)
The Night Before [2015] (MA + Sony points)
This Is The End [2013] (MA + Sony points)
Top Five [2014] (iTunes)
Top Gun (Vudu)
Total Recall [2012] [Theatrical & Director's Cut] (MA + Sony points)
Tower Heist [Theatrical] (iTunes/ports)
Tremors: A Cold Day In Hell (MA)
True Blood season 4 (iTunes)
True Grit [2010] (Vudu or iTunes)
Tyler Perry's Acrimony (Vudu, iTunes or Google Play)
Tyler Perry's A Madea Family Funeral (Vudu, iTunes or Google Play)
Twilight: Breaking Dawn Part 1 (iTunes 4K)
Uncle Drew [2018] (iTunes 4K or Vudu/GP HD)
Underworld: Blood Wars (MA + Sony points)
Vendetta [2016] (Vudu)
Venom [2018] (MA + Sony points)
Walk Among The Tombstones, A (iTunes/ports)
Walking With Dinosaurs: The Movie (MA, iTunes or Google Play/ports)
War Room [2015] (MA + Sony points)
Why Him? [2016] (iTunes/ports 4K or HD MA)
Wolf Of Wall Street, The (iTunes 4K or Vudu HD)
Woman In Black, The [2012] (MA)
Wonder [2017] (Vudu/GP HD or iTunes 4K)
Wonder Park [2019] (iTunes 4K or Vudu HD)
Woodlawn [2015] (MA or iTunes/ports)
X-Men: Apocalypse (iTunes/ports 4K or HD MA)
X-Men: Days Of Future Past (iTunes/ports 4K or HD MA)
Your Highness [2011] [Unrated] (iTunes/ports)
Zootopia (MA without points)

🦝

💲2 SD

127 Hours (iTunes/ports)
12 Rounds [2009] [Extreme Cut] (iTunes/ports)
Aliens In The Attic (iTunes/ports)
Amelia (iTunes/ports)
Beasts Of The Southern Wild (iTunes/ports)
Black Swan (iTunes/ports)
Date Night [Unrated Extended Edition] (iTunes/ports)
Dr. Seuss’ Horton Hears A Who! (ITunes/ports)
In Time [2011] (iTunes/ports)
Jumper [2008] (iTunes/ports)
Percy Jackson double feature [Lightning Thief & Sea of Monsters] (MA)
Ramona & Beezus (iTunes/ports)
Street Kings (iTunes/ports)
Three Stooges: The Movie, The [2012] (iTunes/ports)

🦝

$1 Codes

💲1 HD

13 Hours: The Secret Soldiers Of Benghazi (Vudu)
Alex Cross (Vudu)
Bad Grandpa [Theatrical] (Vudu or iTunes)
Bad Moms (iTunes/ports)
Battleship [2012] (MA)
Big Hero 6 (Google Play/ports)
Book Club (Vudu)
Bourne Legacy, The (MA)
Bring It On: Worldwide Cheersmack [2017] (MA or iTunes/ports)
Deadpool (iTunes/ports 4K or HD MA/GP)
Divergent (iTunes 4K or Vudu/GP HD)
Divergent Series: Insurgent, The (iTunes 4K or Vudu/GP HD)
Duff, The [2015] (Vudu)
Dying Of The Light (Vudu)
Expendables 2, The (iTunes 4K or Vudu/GP HD)
Expendables 3, The [Theatrical] (iTunes 4K or Google Play HD)
Fast & Furious 6, The [Extended] (iTunes/ports 4K)
Fast & The Furious, The [2001] (MA)
Fast & The Furious: Tokyo Drift, The (MA)
Fast Five [Extended] (MA)
Fate Of The Furious, The [8] [Theatrical or Extended] (MA)
Fault In Our Stars, The [2014] (iTunes/ports 4K or HD MA/GP)
Frozen: Sing Along Edition (MA without points)
Furious 7 [Extended] (iTunes/ports 4K)
Ghost In The Shell [2017] (Vudu)
G.I. Joe: Retaliation (Vudu)
Girls Trip [2017] (MA)
Good Day To Die Hard, A [2012] [Extended] (MA or Google Play/ports)
Hidden Figures [2017] (iTunes/ports 4K or HD MA)
Hillsong: Let Hope Rise [2016] (MA or iTunes/ports)
Hugo (Vudu)
Hunger Games, The [2012] (iTunes 4K)
Hunger Games: Mockingjay Part 1, The (Vudu)
Huntsman: Winter's War, The [2016] [Extended] (MA)
Identity Thief [2013] [Theatrical] (iTunes/ports)
I, Frankenstein (Vudu, iTunes or Google Play)
Inside Out [2015] (Google Play/ports)
Jack Ryan: Shadow Recruit (Vudu)
Jason Bourne (MA)
Kevin Hart: Let Me Explain (Vudu)
Leprechaun: Origins (Vudu)
Les Misérables [2012] (MA)
Let's Be Cops [2014] (MA only/no iTunes option)
Lucy (MA)
Minions [2015] (MA)
Mission Impossible: Fallout (Vudu)
Mission Impossible: Ghost Protocol (Vudu)
Mission Impossible: Rogue Nation (Vudu) or both for $2.50
Now You See Me [Extended] (Vudu or iTunes)
Parental Guidance [2012] (MA)
Perks Of Being A Wallflower, The (Vudu or Google Play)
Pitch Perfect (MA)
Red 2 (Vudu)
Ride Along 2 (MA)
RIPD Rest In Peace Department (MA)
Safe [2012] (Vudu or Google Play)
Secret Life Of Pets, The (MA)
Selma (iTunes)
Shack, The [2017] (iTunes)
Skyfall (Vudu or Google Play)
Snitch (iTunes 4K or Vudu/Google Play HD)
Star Trek: Beyond (Vudu)
Taken 2 (MA or Google Play/ports)
Ted [Unrated] (MA) or [Theatrical] (iTunes/ports)
Terminator: Genisys (Vudu)
Transformers: Age Of Extinction (iTunes 4K)
Transformers: Dark Of The Moon (Vudu)
Trolls [2017] (MA)
Twilight: Breaking Dawn Part 2 (iTunes 4K)
Tyler Perry's Madea's Witness Protection (iTunes)
Tyler Perry's Temptation: Confessions Of A Marriage Counselor (Vudu or Google Play)
Unbroken [2014] (MA)
Warm Bodies (Vudu)
What To Expect When You're Expecting (iTunes)
World War Z (Vudu)
Zootopia (Google Play/ports)

🦝

💲1 SD

21 Jump Street (MA + Sony points)
Act Of Valor (iTunes)
After Earth [2013] (MA + Sony points)
Alpha [2018] (MA + Sony points)
Amazing Spider-Man 2, The [2014] (MA + Sony points)
American Hustle [2013] (MA + Sony points)
Bad Boys For Life [2020] (MA + Sony points)
Big Mommas Like Father, Like Son (iTunes/ports)
Captain Phillips (MA + Sony points)
Charlie's Angels [2019] (MA + Sony points)
Cloudy With A Chance Of Meatballs 2 [2013] (MA + Sony points)
Concussion [2015] (MA + Sony points)
Dirty 30 (Vudu)
Dog's Way Home, A [2019] (MA + Sony points)
Equalizer, The [2014] (MA + Sony points)
Equalizer 2, The (MA + Sony points)
Evil Dead [2013] (MA + Sony points)
Family, The [2013] (iTunes)
Forbidden Kingdom, The (iTunes)
Glee: The Concert (iTunes/ports)
Goosebumps 2 [2018] (MA + Sony points)
Grown Ups 2 (MA + Sony points)
Hangover, The [2009] [Theatrical] (iTunes/ports)
Haywire (iTunes)
Heat, The [2013] (iTunes/ports SD)
Here Comes The Boom [2012] (MA + Sony points)
Hotel Transylvania 3 (MA + Sony points)
Hours [2013] (Vudu)
Ice Age: Dawn Of The Dinosaurs (iTunes/ports)
Immortals [2011] (iTunes)
Insidious: Chapter 3 (MA + Sony points)
Insidious: The Last Key (MA + Sony points)
Insidious: The Red Door [2023] (MA + Sony points)
Interview, The [2014] (MA + Sony points)
Journey To Bethlehem [2023] (MA + Sony points)
Jumanji: The Next Level (MA + Sony points)
Knight & Day (iTunes/ports)
Looper (MA + Sony points)
Men In Black III [2012] (MA + Sony points)
Mirror Mirror [2012] (iTunes)
Mortal Instruments: The City Of Bones (MA + Sony points)
Night At The Museum: Battle Of The Smithsonian (iTunes/ports)
Once Upon A Time In Hollywood [2019] (MA + Sony points)
Olympus Has Fallen (MA + Sony points)
Overcomer [2019] (MA + Sony points)
Parker [2013] (MA + Sony points)
Percy Jackson & The Olympians: The Lightning Thief (iTunes/ports)
Perfect Guy, The [2015] (MA + Sony points)
Perks Of Being A Wallflower, The (iTunes SD only)
Peter Rabbit [2018] (MA + Sony points)
Pixels [2015] (MA + Sony points)
Predators [2010] (iTunes/ports)
Public Enemies [2009] (iTunes/ports)
Rise Of The Planet Of The Apes (iTunes/ports)
Robin Hood [2010] [Unrated] (iTunes/ports)
Safe Haven (iTunes)
Scoob [2020] (MA)
Shallows, The [2016] (MA + 150 points)
Sicario: Day Of The Soldado (MA + Sony points)
Sparkle [2012] (MA)
Spider-Man: Far From Home [2019] (MA + Sony points)
Spider-Man: Into The Spiderverse (MA + Sony points)
Spider-Man: No Way Home [2021] (MA + Sony points)
Star, The [2017] (MA + Sony points)
Still Alice [2015] (MA + Sony points)
Taken [2009] [Extended Cut] (iTunes/ports)
Thousand Words, A [2012] (Vudu)
Twilight: Breaking Dawn Part 1 (Vudu SD only or iTunes SD only)
Tyler Perry's Madea's Tough Love (Vudu)
Underworld: Awakening (MA + Sony points)
Venom: Let There Be Carnage (MA + Sony points) PENDING
Vow, The [2012] (MA + Sony points)
When The Bough Breaks (MA + Sony points)
Zombieland: Double Tap (MA + Sony points)

🦝

Super Cheap SD & HD Codes

All movies are 3 for $1 each/must spend at least $1 on total order.
Cabin In The Woods, The (Vudu SD only)
Croods, The (iTunes/ports SD)
Diary Of A Wimpy Kid: Dog Days (iTunes/ports SD)
Expendables 2, The (Vudu SD only or iTunes SD only)
Expendables 3, The [Unrated] (iTunes HD only)
Fast & Furious 6 [Extended] (MA ports HD)
Fast Five [Extended] (iTunes/ports HD)
Furious 7 [Extended] (MA ports HD)
Hunger Games, The (Vudu SD or iTunes SD only)
Hunger Games: Catching Fire, The (Vudu HD only)
John Wick 3 (Google Play HD only)
Jurassic World (MA ports HD)
Life Of Pi (iTunes/ports SD)
Mechanic: Resurrection (Vudu SD only)
Now You See Me 2 (Vudu SD only)
Star Trek: Into Darkness (Vudu HD only)
Star Wars: The Force Awakens (Google Play/ports HD)
Transformers: Age Of Extinction (Vudu HD only)
Twilight: Breaking Dawn Part 1 (Vudu SD only)
Twilight: Breaking Dawn Part 2 (Vudu SD only)