I can absolutely say I have not had the easiest life. From a young age I've learned that the easiest way to exist is to simply close yourself off and not let people in. Overtime I've found a certain twisted joy in not letting people in, knowing that very few people really know the real me and that I project a completely different person to the outside world than what I truly reflect on the inside.
You would think that this would make people reluctant to connect with me, but over the years I have found that I attract certain people who share the same disdain and sarcastic humorous outlook on life as myself, thus giving me a few close friends who I can connect with safely. I've been called cold, a vampire, grumpy Garfield, you name it people have humorously called me it.
Today I realised that I am truly one of the luckiest people alive. I found someone who was willing to look past all my bluster and masks to see the vulnerable person I am. It's moments like this - where I have made some random comments about my hatred of humanity and I am acting all calm and unshakable and I look down to see a missed message telling me that he has left the hallway door open just so he can hear my voice and he loves my voice - I just melted inside, to know that this person loves my dark humor, and that he sees all parts of me and sees my deep need to be loved and cherished, means the absolute world to me.
I never thought I would have this type of love, I didn't think I would be so lucky. To experience someone with the romance and capacity to love like he does is just incredible. He moves me with the things he says and how he treats me. I still get shy letting him see that side of me, it's hard after protecting it for so many years.
I hope he knows how much those words mean to me, that I've waited my while life to have a romance like ours, that I cherish the goofy cards we write each other and the silly cheese and toast dates we have. I love each and every moment and I never want to stop being corn balls together.

Going off birthplaces from Wikipedia:

• George Washington: "Old Popes Creek." 5/5. Rolls off the tongue.
• John Adams: "Old Braintree" 5/5. I bet his enemies would have called him "Old Tree-brain."
• Thomas Jefferson: "Old Shadwell." 3/5. Sounds like the guy who's under the mask in a Scooby Doo episode.
• James Madison: "Old Port Conway." 2/5. Boring.
• James Monroe: "Old Monroe Hall." 1/5. That's not a nickname. Who is this guy, royalty, that he's born in a palace named for his family?
• John Quincy Adams: "Old Braintree." 2/5. Once is funny, twice is lame.
• Andrew Jackson: "Old Waxhaw." 4/5. Sounds pretty tough, but there's literally a town of Hickory, NC that was incorporated in 1870. If they had called it that earlier, he could have kept his nickname.
• MVB: 5/5. OK was also the OG.
• William Henry Harrison: "Old Charles City County." 1/5. How can he be a city and a county? Make up your mind!
• John Tyler: "Old Greenway Plantation." 2/5. Fitting for a guy who ended his life in the Confederacy that he'd have a name that makes you think of slavery.
• James Polk: "Old Pineville." 4/5 Just sounds too much like a town. Just Old Pine would have seemed like he's being more useful than Jackson.
• Zachary Taylor: "Old Barboursville." 3/5. If you've seen his pictures, he needed an old barber. Or a young barber.
• Millard Fillmore: "Old Moravia." 3/5. Sounds like it should be in Eastern Europe.
• Franklin Pierce: "Old Hillsborough" 4/5. Ever since it was used for the town in the movie "Inherit the Wind," it sounds cool.
• James Buchanan: "Old Cove Gap." 5/5. Would just about confirm those rumors.
• Abraham Lincoln: "Old Sinking Spring." 2/5. Seems like an enemy's nickname, playing off his looks.
• Andrew Johnson: "Old Raleigh." 1/5. Everyone knows where that is, and he certainly didn't "rally" the nation.
• Ulysses S. Grant: "Old Point Pleasant." 5/5. For the irony.
• Rutherford B. Hayes: "Old Delaware." 4/5. For how it would confuse people.
• James A. Garfield: "Old Moreland Hills." 2/5. This should have been Jefferson's, what with the Louisiana Purchase.
• Chester A. Arthur: "Old Fairfield." 3/5. Old fair-to-middling is more like it.
• Grover Cleveland: "Old Caldwell." 5/5. This one just fits.
• Benjamin Harrison: "Old North Bend." 4/5. Would have been a good name for an antebellum anti-slavery president.
• Grover Cleveland: "Old Caldwell." 1/5. This one just doesn't fit.
• William McKinley: "Old Niles." 2/5. I didn't like the Frasier reboot.
• Theodore Roosevelt: "Old New York City." 5/5. That's where they set the Matt Groening show "Pastarama" in an alternate universe.
• William Howard Taft: "Old Cincinnati." 3/5. It's no fun when they're born in actual cities that people have heard of.
• Woodrow Wilson: "Old Staunton." 3/5. I guess it does sound like the nickname for a professor.
• Warren G. Harding: "Old Blooming Grove." 2/5. Another enemy nickname, especially if he had had acne.
• Calvin Coolidge: "Old Plymouth Notch." 3/5. I guess you could do something with, "You couldn't ply his mouth open even one notch," but that's just too complicated.
• Herbert Hoover: "Old West Branch." 5/5. For the guy who wrecked the banks, all that was left of them was...you get it.
• Franklin D. Roosevelt: "Old Hyde Park." 5/5. As a guy from Long Island, this one is funny because we have the town of New Hyde Park here.
• Harry S Truman: "Old Lamar." 2/5. If that had been FDR, his enemies could have called him "Old Lamer."
• Dwight D. Eisenhower: "Old Denison." 2/5. "Old denizen of where?"
• John F. Kennedy: "Old Brookline." 1/5. Come on, this guy should have been "Old Intercourse" or something.
• Lyndon B. Johnson: "Old Gillespie County." 4/5. If it didn't have that "county," it could have sounded like a jowly old dog. Which he was.
• Richard M. Nixon: "Old Yorba Linda." 2/5. Just feels wrong for him to have a Spanish nickname.
• Gerald Ford: "Old Omaha." 3/5. He played football, but that's Peyton Manning's nickname.
• Jimmy Carter: "Old Plains." 5/5. Actually sounds like a thing.
• Ronald Reagan: "Old Tampico." 2/5. Sounds like a business that makes feminine hygiene products.
• George H. W. Bush: "Old Milton." 5/5. Paradise Lost indeed.
• Bill Clinton: "Old Hope." 5/5. I think a lot of people actually know this one. "I still believe in a place called Hope."
• George W. Bush: "Old New Haven." 3/5. The "old-new" thing already came up with TR.
• Barack Obama: "Old Nairobi." Kidding! Kidding! "Old Honolulu." Again, not fun if you know where it is. Well, it would have been fun if I could have listed 45's nickname. Go look it up.

The thing about this climate crisis that no one talks about is that economically, this is not new. This is the same sort of shift as any other massive economic shift we've seen in history, whether resulting from technology or environment or society or any combination of the three. It will be rapid; as rapid as the economic expansion of Europe when it discovered just how profitable colonisation and slavery were. But it's not really anything unseen in an economic sense.
How markets work is this: everything is just supply and demand. If there is a known demand for something, in a roundabout way, the market will ensure that demand is supplied. It might melt a few glaciers in the meantime, or be delayed by a war or two, but it's a force akin to that of nature, or evolution, or cause and effect. The markets will balance. Eventually.

A detour through history

The Chinese never developed eye-glasses. They didn't have the need for glass, because their drink of choice was tea, so the materials they worked with were mostly ceramics. In Europe, the cultural drink of refinement was wine. This didn't need to be kept hot, or be brewed and poured perfectly and all that stuff I'm told is important with tea. But it had requirements and qualities of its own, and one of them is that it looks pretty on display -- and that's why Europe developed and refined glass so much faster than China.
Glass is an incredibly old invention. It's fragile, much more fragile than pottery, so we rarely find it in archeological digs. But it's been invented in and/or expanded to many many cultures throughout history since at least 2000 BC in Egypt, Mesopotamia, and Syria, followed by the Greeks, the Romans, the Canaan, and the Persians. Basically anyone with an empire, including the Chinese, was making glass. Unfortunately they'd only just discovered transparent glass by the late Bronze Age, when the Bronze Age collapsed due to a series of environmental, migratory and urban changes.
(A good reminder that historically, periods of mass technological advancement are followed by civilisation collapses and dark ages. Until the present, of course. But that's been true of every present.)
A lot of glass-making technology was lost, but some important things were saved and some new stuff was rediscovered, and most of this discovering happened in Europe because they had, as I mentioned, wine. And rich people wanted to show off their pretty, colourful wine, and that only worked if your glass was transparent. And Italy had access to pure silica quartz, plus soda ash via their trade with the Levant, and so some clever spark there developed the first pair of eyeglasses.
And that's how you have Mecca, Italy and Venice (the latter of whom had been producing the famous Venetian glass, but moved all their glassmakers to Italy because they'd built all their buildings out of wood) all mass producing eye-glasses with consistent standards for Europe and the Middle East by the 14th century.
This might seem like a small development, but gradual loss of sight used to be a disability. Like, it seriously disabled people from doing many things. Far-sightedness meant artisans couldn't create and scholars couldn't read -- I can't even imagine how many people died falling off a horse just because they were short-sighted. For civilisations to have access to devices that got them decades of productivity out of some of the most skilled people in their societies was massive. And that's part of how you get European dominance over Asia, because the Chinese economic powerhouses didn't care about glass as much as Europe did. It's not enough to just invent something. To develop a technology, a society needs both the resources to play with and the need to play with it. That's why we get so much advancement from war. You can thank Germany for your microwave.

How on earth is this relevant to the market or our climate crisis?

Glass will be invented, and then it will be forgotten, and then it will be invented again. But only some economies flourished from it.
We have no control over anything but us. And that's terrifying. The climate change that crippled the Bronze Age wasn't even their fault and they still got thrown back to the Dark Ages.
We are going to see our own change in the market. We are going to live it. And one thing is true, whether National or ACT or BP like it or not: fossil fuels cannot continue to be relied upon as a commodity. Not long-term. It's a dying industry, slowly but surely, and it'll die whether we manage to wean ourselves off petrol or whether we use it all up first.
To a lesser extent, this is true of other non-renewables too. We are not at critical mass yet with our lithium-ion batteries, but we're now at the stage where people in the third world all seem to have cellphones. This is not a sustainable practice for a limited metal we have to mine from the earth. When something is running out, we don't have to stop using that material in the things we build; if we start to use it all up, it will soon get too expensive to build with, and that will stop us.
And that's why we have to stop using it: because if you as a country or industry pour all your energy and resources into developing technology based off that now-scarce resource, you will be left with no usable technology when that resource runs out.

What are National doing?

This is a political sub, so I won't mince words: something's gone wrong with National. Something's always been wrong with ACT, but National's change is recent. Power has been centralised in the board and the candidate selection process is no longer in the hands of the rank and file after Steven Joyce's shakeup, instead dominated by corporate interests. And they have dominated. We have a cabinet of lobbyists, and not just on National's side of the board; Luxon has pulled together the whole industry.
When we attribute "intentions" to things like forces and political parties, it can be easy to forget there's not a concerted, rational mind at play behind their decisions, and their actions are influenced by all of the people and factors and forces that make them up. When I say, "National has been bought by lobbyists", I don't mean every single person in the party is a corporate shill. I just mean that there is enough corporate, business, and big-money influence in the party that they are no longer being governed primarily by their voter base or even their party members.
Nothing makes this more obvious than National's direction in politics. When your LABOUR and GREEN parties are the ones proposing to fix your climate crisis via free-market ingenuity that we can patent, sell on and capitalise off, something has gone wrong. There is money to be made in climate change, and National are off chasing oil down the bottom of a well.
If we don't wean ourselves off fossil fuels, we will find ourselves paying for it the increased price for them when we don't have the green technology to utilise at the end of supply. If we don't put our minds to green tech and science, we won't have the environment-saving and cleaning and reinforcing products and knowledge to sell on when the demand for them peaks through the ceiling -- instead we will be buying from other countries at big prices, paying to ship their experts here to tell us how to manage our estuaries or dump sites or skink habitats or whatever it is we need to fix next. New Zealand got lucky with our green energy; we were already using renewables by sheer coincidence when the climate crisis struck, and it made our transition to this new world very smooth. We will not be that lucky again.
Look at what we produce as a country. We held on far too long to our wool market out of some idea that it was "what we were supposed to be doing", and it nearly wrecked the country. Because it took us so long to change, and because we'd converted all our land into pasture, the most effective market for us to turn to became beef. Now that market is thriving, and we are willfully ignoring the real economic costs that will come with being a beef export country, and that cost is methane. There is not a future where countries will be allowed to emit methane for free. And there are no methane-light cows to switch to. Not until we develop them.
And this is what people talk about when they talk about environmental solutions still to be developed -- as if other people are going to develop them. That is incorrect. WE are the Cow Country. WE are the ones that should be foremost of the cow-fart field. If we do, we will be the ones benefitting by selling our bio-engineered cows and our science that made it happen. But if we don't, if we trail behind, we let other countries get out in front, and then our industry relies on them, and their industry outgrows us.
And these are all individual product or problem examples, but we are dragging our feet across the entire green industry. Why?

Big Oil does not care if your tech is Green

I say big oil, but there are other anti-environment and pro-corporate interests at play here. And again, there's not some big puppetmaster moving his pawn pieces, but there is influence, and companies don't want the world to go green, because when they do, they stop getting money for all the things they're getting money from right now. They don't care about the environment because they don't have the capacity to care; they are not a they. They are a force, a conglomeration, a hivemind of workers breaking their back for the company, until they clock off and become their own person again.
Their only interest is keeping ahold of their incredibly profitable market, and that market needs machines that use oil, and consumers willing to buy those machines, and people who aren't thinking about switching to a non-oil version of their tractor that doesn't exist yet (because no one has found the need to invent it. Or had the right resources.)
Oil cares about oil. Mining cares about mining. Tobacco cares about tobacco. Beef cares about beef. And we get value out of these industries as a country, as a society, so when they say"This thing is bad for me", we do have to listen to that. Otherwise we won't get our beef, or our oil. But "This thing is bad for ME" isn't the same as "This thing is bad for YOU". And companies are relying on consumers to not know the difference.

Back to National

Tobacco lobbyists have bought out Parliament, and are literally drafting our tobacco laws. And they are just one interest around the table. But they have had a huge effect. Imagine what's happening to the interests of your politicians when you have your lobbyists working together. Imagine where the interests of lobbyists for mining and oil might meet. Now imagine fisheries has a guy in there too.
Our oceans should be feeling very nervous right now.
It's the small influences we can't see that make these big decisions later on. The people who select our future MPs. The people who decide, hey, I'm going to try this new glass technique. But it takes an awful lot of decisions to make a glassblowing society.
A lot of what we do, we don't do consciously, like developing eye-glasses. But the benefit of our open democracies, of our information-based societies, of our unprecedented understanding of economies and markets and science and climate, should mean that when we choose to do something consciously, we can do it.
When we don't, something has gone wrong.

A Green Future

To get to the sort of green economy the non-business parties are picturing, you need someone who has the time and acumen to get us there.
That SHOULD be National. There is so much involved in politics; our politicians are running so much. And they're spending most of their time undoing the last guy's policies. Labour's policies sound like the Greens. National doesn't have any except "win". ACT are doing Charter Schools again. And the policies being made are being made in the interests of business people.
Our politicians don't have visions like Hollyoake of a New Zealand forging our own future, or Muldoon's determination to make things better for the average kiwi, or (heaven help me), Roger Douglass's respect for politics. None of the old guard are happy with how politics is shaping up, and certainly not the right, or who eventually became the right, in Douglass's case -- this is what he had to say on the subject: “John Key lived by the polls and it’s very dangerous. If you want to help people, you have to tell them the truth. The problem is that the politicians of today, they want to help themselves. So they poll in order to know what to say and it’s disgusting.”
I think in that one sentence, Douglass sums up everything wrong with the modern National Party. Once upon a time, National were in it to help people. They're not anymore.

Where to now?

It's all just markets.
If National won't change, they'll kill their market and they'll be replaced by a new party, just like the Liberal Party and Reform Party and Social Credit Party before them. National and Labour have always been around, but not always as these parties, or in these forms. The political spectrum will move to meet demand -- even when curtailed by corporate interests.
Or National will change, take control of their candidates and board, and live to fight for another century or so.
Either way, the economy will continue, and so will climate change. We will still need to develop new technologies using our available resources, and direct our technology-developing towards fixing environmental solutions. I hope New Zealand will benefit from this, and not just witness it. But if it's not National making the push, another political party will. We can see that happening right now, with the other parties suggesting their own green business ideas that National should be sweeping up votes for. There is voter and consumer demand for green businesses, and National are distracting us instead with shiny baubles because the corporations influencing them don't want you to see them.
Another thing Douglass was frustratingly right about: all our parties are doing at the moment is undoing each other's policies. It's hard to see New Zealand making any forwards progress at all if that's our direction.

BoxOfficeTheory Presale Tracking
USA Showtimes As of May 17
Presales Data (Google Sheets Link)
BoxOfficeReport Previews
DOMESTIC PRESALES
Furiosa Thursday Comp assuming $5M for keysersoze123: $4.49M

• abracadabra1998 ($5.46M Thursday comp. GxK obviously really propping the average up but for now I could see that settling at around $5 Million, still good pace! (May 12). Really good stuff in this market (May 9). Reallyyyyyy good day 1 here. I want to note that: NO I do NOT think preview numbers will be that high; it's just highlighting the fact that this is likely a movie that will be running hot in my market, as cinephile blockbusters usually do. Next update I will have T-14 comps, which will be a lot lower due to the short release window (May 8).)
  
• AniNate (Encouraging to see the weekend fill out a bit. Been seeing a lot of promotion during the basketball playoffs so general awareness has to be getting there now. (May 15). Skimmed through ThuFri and Valley View (Cleveland vicinity) has sold roughly 60 Furiosa tix so far while Tinseltown (Canton) has sold 40. I'm guessing the upfront audience does lean more toward the urban/cosmopolitan sensibilities (May 9). Presales show there's definitely some hype for this. Regal gonna irritate trackers again, offering no upcharge IMAX for Furiosa (May 8).)
  
• Charlie Jatinder ($3.05M Thursday comp.)
  
• el sid ($5.8M average Thursday comp (without Exorcist 2) (May 12). Furiosa continues its strong performance in "my" theaters. The movie yesterday had already 1.310 sold tickets (for Thursday, May 23). Up 15% in ca. 24 hours which isn't bad at all after the first rush. Already comfortably in front of The Fall Guy's final sales (it had 1.071 counted on Thursday for Thursday) and almost on par with Civil War's final sales (1.357) and also the Apes finally had not more than 1.657 sold tickets in my theaters (May 11). I also can't complain about Furiosa's presales in my theaters, not at all. Already 1,138 sold tickets (in all of "my" 7 theaters) for May 23. 14 days left. Promising start. Civil War on Thursday of the release week for Thursday had 1,357 sold tickets and The Fall Guy finally had 1,071 sold tickets (May 9).)
  
• katnisscinnaplex ($3.94M Thursday comp.)
  
• keysersoze123 (Definitely chugging along. I am feeling good about 5m+ previews (May 15). It has way stronger sales than Garfield and that is expected. I am thinking of 5m previews for now (May 14). I think this is a solid OD presales. With a short PS window its probably looking at 5m+ previews (May 9).)
  
• TheFlatLannister ($4.71M Thursday comp. Second straight day of weak growth. Not a great sign (May 18). First meh day since presales started (May 17). Keeps climbing at a strong pace (May 11). This continues to grow at an excellent rate (May 10). Really strong day 2. The short presales is for sure a factor (May 9). Not seeing much of a breakout. Still pretty solid start to presales (May 8).)
  
• vafrow ($3.5M Thursday comp. A bit of a step back today (May 18). It's starting to heat up (May 17). Comps are showing as steady since the last update, but it actually dipped quite a bit this week before rebounding today. Advance ticket buying has been so off in this market recently for some reason. Holding pace with Apes is a good sign (May 16). It had a good day (May 12). Mediocre day 2 (May 10). Not the hottest start. IMAX is the format of choice though, so, ATP will be high (May 9).)
  
• YM! (Southeast Wisconsin: Pretty solid I guess for Furiosa. Seems that most of it's business is in the Marcus Theaters in Mequon/Waukesha so not really expecting much a diverse showing but there seems to be a fanbase around it. Feel good in everyone's 4.5-5M previews range (May 17).)
  

Hit Man

• vafrow (Getting a theatrical release up here in Canada, and early signs are that it might get a pretty decent screen count. Not super wide or anything, but a pretty decent amount for a weekend that has a lot of other releases (May 14).)

The Garfield Movie Thursday / EA+Thursday Comp: $1.22M/$1.97M

• abracadabra1998 ($0.72M EA comp and $1.19M Thursday comp. The two comps that are most helpful, Wish and Trolls (not PLF, EA on a weekend, family movies) are both pointing to a lot lower than average, so I'm inclined to give those a lot more weight. I'm thinking $500-600k for EA (May 18). Still not really accelerating, and the EA is falling against comps (May 12). Good EA numbers, but many of these comps were PLF-only EA, which this is not, so I think the ATP will be quite lower and that should be adjusted for (May 9).)
  
• AniNate (EA screenings are pretty filled to the brim here now for what that's worth. Maybe a surge in family demand will present itself later next week (May 17). EA sales look decent now, but this does feel rather weak compared to the IF presales. Not 100% certain what's going on here but based on this I buy the trades' opening estimates over the forum vibes (May 15). I definitely haven't seen as much of a rush here with Garfield as with IF (May 11).)
  
• el sid (The very even sales are a good sign (May 7). For Sunday, May 19, I can already report that also in my theaters it looks very good for Garfield. They will for sure add shows soon. It has so far only 1 show/theater and the shows are almost sold out, between 1 and 4 seats are still available. So my guess still is that this movie if it's not totally bad (and first reviews here were quite positive) will become a (big) hit. Seems not much on Thursday but it's a step in the right direction (May 6).)
  
• katnisscinnaplex ($0.91M EA comp and $1.11M Thursday comp. Lightyear probably the best comp here size-wise for Early Access, probably ends around 750-800k (May 18).)
  
• keysersoze123 (4 days later. Almost no pace so far. Sunday shows are near sellout and so limited growth. Previews are like 35% of Panda 4 and Friday is under 1/3rd. That said this will under index in MTC1 as Panda also did that. Still struggling to see this as a breakout. Looking at the current state, it looks like half of IF as well !!! Of course that had Reynolds and did not finish that great (May 17). Its definitely weaker than even Elemental. That said these movies tend to finish strong and so I am not writing it off so early. Just that the long PS window is irrelevant for them. They could rather start presales like a week before release and it would be all the same. Meh. We have to wait until next week to gauge where its going to finish. It has very low ATP as well and actual would be even lower as its going to see tons of kids tickets (May 14). Early shows are regular digital shows at 1PM this sunday. So ATP will be very low. I think 500k ish at best. Preview let us see how things go in the final week. Presales at this point are almost non existent (May 13).)
  
• TheFlatLannister ($2.18M Thursday comp. Not much movement at all in the past week. Probably heading to $2M+ (May 17).)
  
• vafrow ($0.4M Thursday comp. Comps don't paint a pretty picture though. EA shows are doing okay (May 11). Still no sales for my core sample for previews. But I did the larger sweep, which shows the interest right now is the Sunday early access shows. Looking at sales patterns, it's mainly blocks of 3/4 tickets, so likely families grabbing some. It's worth noting that the May holiday in Canada is the weekend of May 17-20th, not the weekend after with Memorial Day. I can see families prioritizing getting out the holiday weekend when they have more time (May 4).)
  
• YM! (The combined previews total for Garfield is 35 tickets with 23 tickets coming from EA, which is pretty solid. Still thinking around 2-2.75m previews with EA as while not as widespread, the showings seem like they’re filling up nicely. Think Garfield does about the same as IF though OW as due to the likely lower ATP Keyser hinted at iirc and seemingly little screen space with no PLFs. Meh, kids animation doesn't really make much notion until the Monday for release and Garfield seems indicative of that. Thinking the 1.5-2M Thursday previews range folks were spitting out makes sense. Nothing screams breakout though and the fact it's getting one screen, maybe two at most for previews makes me feel like OW might be similar to IF (May 17).)
  

Bad Boys: Ride or Die Thursday / EA+Thursday comp: $3.64M/$5.30M

• abracadabra1998 ($3.78M Thursday comp. These numbers are from last Thursday, as per my post this morning. This is a more walk-up movie a la Aquaman or Apes so I think it's a pretty good start (May 18). Pretty good start for it honestly (May 16).)
  
• katnisscinnaplex ($5.30M EA+Thursday comp.)
  
• TheFlatLannister ($3.68M Thursday comp. Well, this is a pretty good start (May 17).)
  
• YM! (Again, another solid start-ish. I expect Bad Boys to have the most diverse audience. Can't really predict much on previews but I am feeling confident in the 55-60m OW range for the past few weeks (May 17).)
  
• vafrow ($3.45M Thursday comp. Comps are not the greatest. One, surprisingly hard to find a comparable film with similar start on sales. Plus, I think ticket buying patterns have changed pretty drastically in my market over the last few months. There's very little up front sales compared to late 2023. Dune was the exception (May 17).)
  

The Lord of the Rings Extended Edition Re-Releases (June 8-10)

• BoxOfficePro (Fathom Events has also announced that select Regal Cinemas will present the films in 4DX on June 22/23/24 for Fellowship/Towers/Return respectively (May 14).)
  
• katnisscinnaplex (Up to ~1,400 shows now with new locations picking it up and others adding a second showing. LotR1 has sold 831 seats OD, LotR2 sold 715 seats OD, and LotR3 sold 735 seats OD. For comparison, Phantom Menace didn't break 800 tickets until T-3 and we're still over a month out. JW3 comp is currently around 9m (it was at 1,670 tickets sold at this point!) (May 6).)
  

Inside Out 2 Average Thursday Comp: $7.66M

• abracadabra1998 ($3.67M Thursday comp. Holy numbers of shows and seats! Multiplexes are really expecting a lot here. Sales off the bat not amazing here sadly, but we shall see where it goes (May 15).)
  
• AniNate (It is encouraging that Canton is already giving me something to work with with 12 Thursday preview sales. Same number for Fri-Sun. I do see nine sales for first Thursday at Canton now and I think that's a pretty solid start (May 15).)
  
• charlie Jatinder ($11.37M Thursday comp at MTC2.)
  
• katnisscinnaplex ($6.21M Thursday comp. Early sales just haven't been there lately except for the extreme fans. $12.27M Mario comp (May 18). Already at 180 shows for previews in my areas and still has a few theaters left to post. For comparison, Godzilla x Kong finished with 197, Kingdom of Apes 190, and Kung Fu Panda 205 (May 14).)
  
• keysersoze123 (At least the show counts show Plexes are expecting a big OW. I dont remember when we last had a animation movie start with so many shows. I wont count Mario as that was a fan driven movie. Definitely not great presales but this is not a fan driven movie. Let us see where things are in the final week (May 15). Too early to judge presales as ticket sales just started early this morning. Families dont book tickets on weekday mornings. Wait until evening today to judge it. From a release perspective its way bigger than all animation movies seen recently including Panda 4. Easily the biggest I have seen in a long time. Only movie which is not comparable is Mario but that was not just a family flick (May 14).)
  
• Porthos (VERY BAD COMPS: $8.06M Thursday comp. What a strange pre-sale pattern. Threw in Shazam 2 and Barbie simply due to having nothing suitable at T-27, and I wanted something that was backloaded in pre-sales. Was prepared to make a smart-aleck comment about the unsuitability of the pre-sale pattern of Barbie, but after today's update... Okay, yeah. Still no. But what a weird pattern. Was there some sort of promo that dropped today that I'm not aware of? Either way, just a great day (for this type of movie at this point in pre-sales) (May 17). Fairly strong day today, actually. Was concentrated at a couple of theaters (including a small group sale at one showing), but still, sales are sales (May 16). I really do not have good comps for this movie. Like, at all. Especially for D1. With that in mind, I did some digging and did manage to get the Elemental D1 numbers out of the old Tracking thread: IO2 = 5.45946x Elemental on D1 [13.10m]. Now will Inside Out 2 be as backloaded as Elemental? Well it's tough to literally sell 5.5x times the amount of tickets on the final couple of days that Elemental did, so perhaps not. But it does show how fracking backloaded purely kids animation is. Anyway, this is 30 days out and it isn't a CBM film (like AtSV) or CBM-adjacent film (like Incredibles 2). The Sonic 2 comp is perhaps a little concerning. On the other hand, nearly a weeks more of pre-sales so not exactly a great comp. 3.5% of presales are 3D and 40.1% are PLF (May 15). On the Saturday of release weekend (ie NOT EA) there is a special event screening for IO2: INSIDE OUT 2: FUNKO FAMILY EVENT! (2024) Sat June 15th. Might boost the OW slightly, depending on how wide this event is and how much more these tickets will presumably cost (May 11).)
  
• TheFlatLannister ($8.97M Thursday comp. Definitely the biggest rollout in showings since I've started tracking Florida. Bigger than even Dune 2 and it's only T-26 (May 18). This is a super super strong day 2. Probably just Orlando overindexing, but yeah starting to lean towards something big brewing. Florida presales are somehow even crazier. Sold 2357 seats and is getting a blockbuster rollout in terms of showing allocations. Kung Fu panda comp day 2: gives me $8.50M (May 15). Well, I can't really tell if this is a breakout or not yet. Looks very good especially in the first few hours. These are probably terrible comps, but might as well try something (May 14).)
  
• TwoMisfits (I'm kinda shocked at the opening set from my Cinemarks... 2 screens (1 PLF, 1 not) and 6 showings at my PLF 14 for Thursday (and 11 showings on the same screens once it runs full day - 7 PLF b/c 1 is 3d on the reg screen, 4 not)... 3 screens (.75 3d, 2.25 not) and 9 showings at the non-PLF 12 for Thursday (and 12 showings on 2.25 screens once it runs full day)... So, 2 and 2.25 screens for the weekend presale sets... Disney must be charging a huge % for themselves b/c this is an Elemental opening set at my PLF...a little more generous for Thursday at my non-PLF, but then they too drop to an Elemental opening set after the adult Disney base Thursday rush... (May 14).)
  
• vafrow (No new sales. Whatever glitches in the system on day 1 didn't push sales to day 2. I still think the lack of base ticket options will push families to wait. Cineplex has jacked up the cost of premium formats, plus they're throwing in an increase for opening weekend of major releases. It adds up quickly for families (May 16). With the site glitching yesterday, it might account for the slow start. But, what's interesting is the format breakdown. Nothing is being made available in anything close to a regular showtime. The one non 3D showing in Dolby is a matinee showing. Everything else is carrying a hefty premium. They'll likely release regular showtimes closer to release, but right now, it's priced to get eager fans to pay the premium formats (May 15).)
  
• YM! (Seems IO2 is playing more like a kid's animation than a family event in start of presales. However, it is pretty solid for what it is. Do not have comparisons for anything but I like that Majestic is healthy and it about 66% of Garfield T-6. Thinking anywhere from 75m-100m OW rn but can change as we go along (May 17). In fairness it's only been an hour but yeah sales are softer than I expected. However, it is a month out and will largely skew more towards kids than say TLM/Across so wasn't expecting a blitz like them. Here at Marcus theaters are going all out for IO2 with it having the lion share of PLFs with it getting both screens when there is two PLFs with tentpole like levels of screens (May 14). Was taking a look at Marcus Cinemas to see that they have preloaded Inside Out 2 showtimes which seem to start at 3:00 pm on a Thursday. It seems like Marcus is going all out on it as judging from showtimes it's taking away all of Bad Boys’ PLFs in that theaters that have two+ PLFs are giving all to IO2 (May 11).)
  

Deadpool and Wolverine

• keysersoze123 (Only number that matters is OD presales. after few days it will hit a trough and then it will plod along until social media reactions and reviews hit close to release. I think we can kind of predict its OW after its OD presales (May 18). RESPONSE TO PORTHOS: Captain Marvel had very strong sales on its OD despite early start. So OD is all about fans. It does not matter if you start 2 weeks before or 9 weeks. They will still book. So it would be interesting to compare OD sales not only with CM for @Porthos but also the big openers in 2022/23 period from MTC perspective. 1) DS2 - 230k ish. 2) Thor 4 - 136k ish. 3) Wakanda - 110k. 4) Ant 3 - 88K. 5) Guardians 3 - 70k ish. I wonder where Deadpool 3 will land. Anything is fine as long as it does pull in a Marvels (May 17).)
  
• Porthos (No point of comparison for a movie starting presales this early (60+ days before release). Only MCU entry which comes close was Captain Marvel back in Jan of 2019 (T-58 start date). Aside from that, the only other Disney release would be TROS starting at T-59. This is gonna be the longest pre-sale window for a major Disney release since The Last Jedi all the way back in 2017 (which looks to be around 70 days if a cursory check of when tickets went on sale is correct). Hell, it's gonna be the longest major release of any studio since Fast X's execrable 99 day pre-sale window. Have had some that came close-ish, but probably the most on-point recent comparison will be Jurassic World 3's 43 day pre-sale window, which is still over three weeks shorter than this one. I mention this because the sheer length of the pre-sale window will very likely depress the D1/D2/D3 sales somewhat. Maybe not much, but you can't tell me there'd be no difference between a T-21 launch, a T-29 launch, a T-35 launch and a T-65 launch. Sure, it's a matter of smaller degrees when comparing something like a BP2 (starting at T-38), but that extra month is probably gonna slice some numbers off the top of the pile, especially after the first day (May 17).)
  

Domestic Calendar Dates (last updated May 16):
MAY

• (May 19) Review Embargo Lifts [Garfield 9 PM EST]
  
• (May 20) Presales Start [Deadpool and Wolverine (9 AM EST)]
  
• (May 20) Opening Day [Monday: Spider-Man Homecoming Re-Release]
  
• (May 22) Presales Start [The Watchers]
  
• (May 23) Presales Start [Summer Camp]
  
• (May 23) Thursday Previews [Furiosa: A Mad Max Saga + Hit Man + The Garfield Movie + Sight]
  
• (May 26) Presales Start [Bikeriders]
  
• (May 27) Opening Day [Monday: Spider-Man Far From Home Re-Release]
  
• (May 30) Presales Start [A Quiet Place: Day One]
  
• (May 30) Thursday Previews [Ezra + Haikyu!! The Dumpster Battle + Summer Camp + Robot Dreams]
  

JUNE

• (June 3) Opening Day [Monday: Spider-Man No Way Home Re-Release]
  
• (June 5) Presales Start [Despicable Me 4]
  
• (June 6) Presales Start [Twisters]
  
• (June 6) Thursday Previews [Bad Boys: Ride or Die + The Watchers]
  
• (June 8) 1-Saturday Re-Release (1st day) [The Lord of the Rings: The Fellowship of the Ring Extended Edition]
  
• (June 9) 1-Sunday Re-Release (1st day) [The Lord of the Rings: The Two Towers Extended Edition]
  
• (June 10) 1-Monday Re-Release (1st day) [The Lord of the Rings: Return of the King Extended Edition]
  
• (June 13) Thursday Previews [Inside Out 2]
  
• (June 15) 1-Saturday Re-Release (2nd day) [The Lord of the Rings: The Fellowship of the Ring Extended Edition]
  
• (June 16) 1-Sunday Re-Release (2nd day) [The Lord of the Rings: The Two Towers Extended Edition]
  
• (June 17) 1-Monday Re-Release (2nd day) [The Lord of the Rings: Return of the King Extended Edition]
  
• (June 20) Thursday Previews [The Bikeriders + Janet Planet]
  
• (June 27) Thursday Previews [Blue Lock The Movie -Episode Nagi- + Horizon: An American Saga Chapter 1 + A Quiet Place: Day One]
  

JULY

• (July 1) Presales Start [Longlegs]
  
• (July 2) Opening Day [Wednesday: Despicable Me 4]
  
• (July 4) Opening Day [Thursday: Possum Trot]
  
• (July 4) Thursday Previews [MaXXXine]
  
• (July 11) Thursday Previews [Fly Me to the Moon + Untitled New Line Horror movie]
  
• (July 18) Thursday Previews [Twisters]
  
• (July 25) Thursday Previews [Deadpool and Wolverine + Didi + Fabulous Four]
  
• (July 29) Presales Start [Alien: Romulus]
  

AUGUST

• (August 1) Thursday Previews [Harold and the Purple Crayon]
  
• (August 8) Thursday Previews [Borderlands + Colleen Hoover’s It Ends With Us + Cuckoo + The Fire Inside + Trap]
  
• (August 15) Thursday Previews [Alien: Romulus + Horizon An American Saga Chapter 2 + Ryan’s World the Movie: Titan Universe Adventure]
  
• (August 22) Thursday Previews [Blink Twice + The Crow + The Forge + Slingshot]
  
• (August 29) Thursday Previews [City of Dreams + Reagan + They Listen]
  

Presale Tracking Posts:
April 23
April 25
April 27
April 30
May 2
May 4
May 7
May 9
May 11
May 14
May 16
Note: I have removed most tracking data that has not been updated for 2 weeks. I think there is value in keeping data for a week or two but at a certain point they start to lose their value and should not be treated the same as more recent tracking data.

Friends, I did the first two nights from different sections. I was second row in 207 the first night, and then second row of 307 the second night. (I'll be doing third night in the 100s for a floor comparison and can update this later with a third experience.)
Note: I turned on the spoiler tag because of the level of detail, but have tried to not give anything away other than as needed to report.
(Edited to add details.)
Yes, it's worth it. It is incredible. Bob sings Standing on the Moon but the Sphere makes you believe that you are. It is like getting an entire second show visually on top of the music. They have put something really special together. No reason to be on the fence: if you can make it, you should.
Section comparison. I don't think there is a bad seat in the Sphere, and everyone I talked to enjoyed it wherever they were (though I didn't talk to anyone with an obstructed view).
That said, there are some tradeoffs. Down on the floor seemed to be the die hard fans and best energy. Several people said they thought the overall view in the 300s was probably the best for taking everything in with the height and that little extra distance. I found the 300s a little bit less immersive and little more chill--a great night 2 seat for me. The 200s are a balance between the Sphere and the Band and best of both worlds. I definitely felt more "in it" in the 200s.
I do think that being towards a center section of the Sphere is more important than being down a level or a few rows closer. On the wings it seems like the visuals would be less immersive because you have a stronger sense of where the wall is in your vision field.
I didn't find the 200s to be steep, but the 300s were a bit as you're getting in and out. It took a few minutes to adjust, but I had no issues. This does seem to be a bigger concern in the 400s, so consider moving down if you don't care for heights and if that will impact your experience.
Compared to other venues (especially baseball stadiums) that are a bit cramped, I found the seats themselves comfortable and had plenty of space. The incline also makes it easy to see the band from anywhere.
I really liked seeing shows from different seats the last two nights and encourage that if it's an option for you. It's a different view and experience each time and keeps it fresh.
Visuals. I don't know who dreamed this up but it is surreal. It fills your vision, like wearing a VR headset with 15k other fans. It feels at times like you're in a space ship, or on a roller coaster. It's a ride-- Photos and video cannot capture it because of the sheer scale.
The opening visuals for the first song are chill, then they blow the doors off the place with the second song. Because of that, I think opening set songs will lean a little more warm up, and the second song in the first set will start the energy. The closing visuals appear to also be the same night to night.
In between, they do repeat many of the visuals night to night, but several of them are generic enough where they can be used for many different songs (and still fun to watch and impressive). Some of those are more "static" than the headline videos that are circulating, and that puts the emphasis back on the music for stretches.
There were some new visuals on Night 2, maybe 20% or so of them. We'll see in time as they continue to roll new ones out and mix and match what songs they play to what.
The visuals can be a little disorienting. Even when you know it's a screen, it is so big it tricks you. Night 1 I found myself needing to sit down for a minute. Two things that helped me: One, turn around and look back at the seating, especially where the screen ends at the top. That helped my brain remember where we were. Second, looking at it through my phone when I took a few videos also grounded me. Overall, this was minor for me, I bounced back in a minute or so, and I loved it.
Sound. I found it plenty loud, but saw some comments that it wasn't enough for some others liking. I think if you are acclimated to the outdoor tour amphitheater experience, that tends to be louder because they push volume out further outdoors. In the Sphere they don't need to do that. What you get in exchange is a more balanced sound. No complaints here.
They did seem to dial it in a bit and got more bass second night. I didn't notice it so much, but a few folks around me commented. Making some minor adjustments as they learn by playing the venue and getting fan feedback is to be expected, and I'm glad to see it.
Haptics. Night one there were a few songs where they turned on the seat haptics, but it did not feel sync'd to the music until D&S. Night 2 they were only used for drums and space, and somehow Mickey controls them or they are sync'd to certain of his kit. I thought it was very cool N2 and how I hope it goes. They are amazing for D&S and I highly recommend sitting for that and not treating it like a second intermission. The seats and the visuals make it a totally different experience.
Encore. They will do an encore-type song, but they don't leave the stage. Without spoiling, there is a short visual presentation (about a minute) after set 2 closer and then they play one more. This was consistent both nights.
Intermission. The bathroom lines really did get long. I guess that's always true at intermissions, but this felt longer than other venues, though they did keep it moving. This was the only minor complaint I had.
If the line on your floor is long, it moved faster and was less crowded on the lower levels. Sphere staff was excellent, and were telling fans they could go down a level for a shorter line.
Food and drinks at the Sphere. They have a bit of both, but a lot more barstands than food. I didn't eat there, but they had decent cocktails. There are bars on each level, and for beer and seltzers they had some wall coolers grab-and-go style. Other than intermission, the lines were never too bad. Stadium pricing hurts, but is to be expected.
Comfort. The best decision I made all weekend was to just wear my Brooks running shoes. It is a lot of walking even just around, to, and from The Venetian.
One difference I have not seen mentioned elsewhere is that I caught a bit of a draft in the 300s. I was fine, but consider bringing a layer if you're up higher.
Dead Experience at the Venetian. This was cool to see and is easy to check out while you're around. You can do it all in 30-60 minutes. It is on the lower level where Palazzo starts by the LOVE sign, near the restaurants and shopping. There are some fun photo ops, and staff to help take pictures.
Be sure to go upstairs: the photo collection exhibit and Mickey's artwork are up there and both neat. There was no line when I went. They do sell tour posters, but were already selling out morning of Day 2.
Merch. The merch at the Dead Experience at the Venetian during the day is different than what they have at the Sphere during shows. There is overlap, but there were some of the same styles in different colors. So far, none of it is available online.
Posters. Yes, there is a different poster each night. They also have weekend posters (with all three nights on them) and full tour posters. Tour posters had a limited run in foil, and then regular matte posters.
Security. They did not seem to be checking or care about vapes. It looked like every third person in line held theirs up in their hand with their phone as they walked through.
Getting in and out of the Venue. This overall ran really smoothly. I am not staying at the Venetian, so the first night I took a cab from the south end of the strip for about $20. Some traffic getting in, but once I was dropped off it was really quick getting into general entrance. Second night I got dinner at Venetian and took their sky bridge. That was a longer line, but still got through in about 15 minutes.
So if you're having dinner at the Venetian, I'd plan to walk over by about 645. It was about a fifteen minute walk, then a bit of line at security, but you'll get in with no stress and should have time to grab a drink. A 5pm reservation somewhere should give you plenty of time if you tell your server.
Shows get out around 11.30, and then it's either a walk back to Venetian or to the cab line. I was getting back to my hotel around midnight. If you started with dinner at 5 before the show, it's a long night.
Pace Yourself. Three days is a lot anywhere, but in Vegas you're on your feet during the day, it's hot, and the Sphere is an intense experience. It'll add up. Take it easy where you can.
Travel safe, and may the four winds blow you all safely home.

Looking to see if anyone can point me in the right direction, but there's something about stayed gone that I just can't put my finger on.
It's the charismatic not-quite singing, but rhythmic rapping over the jazz. I don't quite know how to describe it, or how to put it into search terms to find more. I'm especially referring to the second section of the music, after the slow bit at the start, where Vox begins the broadcast, and he goes off frantic and mayhem-like.
It's a rap battle, but not quite "rap". It reminds me of Hamilton, but the entire style and the way they perform the lyrics is different somehow. The most comparable bit of hamilton is in non-stop, where Aaron burr just starts rambling sorta out of the songs rhythm but still keeps in time, as he's marvelling at Hamiltons accomplishments, or the almost rap-battle style conversation they have about the constitition. Though, this song comes off as way more fluid and conversational than in Hamilton, which has tighter rhythms and attention (don't get me wrong, I love Hamilton, but it's different somehow to this) So it's like rap but not.
It also reminds me of the kind of arrogant (in a good way) American Big band personalities, with a very blatant American accent (again in a good way) as they tell a story, or engage the audience, or read out soloists names. Where it isn't quite singing, not quite rapping, and fairly detached from the music beneath it. But the music doesn't stop, and it isn't silence. The band keeps going doing their own thing, while the "personality" rambles.
Other examples that give me similar vibes are the musicals Hairspray (or mamma Mia, but that's much less jazz...and also less good imo) For example, in the song welcome to the 60's, the music quietens down for a moment while they negotiate a deal, and then comes back in. The deal happens over the music, not quite detached, but still doing its own thing.
Honestly, the best comparison I can draw for the kinda thing I'm after is the Mr hippo speeches from fnaf ultimate. Imagine if Mr Hippo were a character in a musical, and was performing one of his death speeches quickly over a big band.
Kinda like spoken poetry ig + lots of background music.
(Edit because I just thought of another cool example) tick tick boom. I've never seen the original but I've seen the Andrew Garfield version. The half-frantic narration he does is quite similar to what I'm after.
Can anyone direct me towards this oddly specific type of music? I wanna listen to much more of it (I'm also working on my own album — just a teenager so just having fun messing around on musescore and my keyboard — and I REALLY wanna harness this kinda spoken rap poetry big band personality mesh into it) Defo could've just said "anyone got more music like this" but I wanna try to be specific about what aspect of the music I'm looking for — I've got tonnes of jazz I listen to but it doesn't quite scratch the itch this song does. So does anyone have any cool songs or albums specifically in this style I've (tried to 💀) convey here?
Mega thanks in advance.

Hi there,
We will finally be in Las Vegas again in August after a very long time. I'm currently planning and organizing and two questions have come up:

1. from my last trip I knew that you got free drinks in the casinos. Is this still the case and how much tip is currently appropriate?
   
2. How much tip would be appropriate for room cleaning? (Venetian)
   

Sorry for the questions that may be a given. But here in Germany the rules are completely different.
And if you have any other tips and tricks, please let me know.
Many thanks and best regards

Holy shit this place is cool! Hands down the best show I’ve ever been to!
That being said, I did want to tell everyone about how steep the sphere is. I sat in 405, heights always make me uncomfortable, I’ve sat in big arenas and stadiums before, but I’ve never experienced something that intense.
The way the seats are built make it feel like you’re moving when you’re sitting down. There was someone behind me that had to leave because the view from the seat sent them into a panic attack. If you are sensitive to heights or have a fear of falling, maybe try to sit lower than the 400 section. There are plenty of tickets, some for cheaper than face value on stubhub and such if you are having trouble up there and wish to move during the show.
My mom went with me and she was having a hard time making it up the escalators because of how tall they are with minimal surroundings. There are elevators and stairways on every floor though and we just used those for the rest of the night.
Prices for food and drinks were expensive. But I have yet to go to a big concert and see cheap prices. You can bring in empty plastic water bottles to refill which is nice.
Security was very cool, no troubles walking in with joints and dab pens or smoking them in my seat. I did hear security tell someone to put their cigarette out during set break but said it was cool to light it again once the music started up.
“Shakedown” is cool to walk around and look at everything once, but that’s it.
The dead forever experience at the Venetian is super cool. I highly recommend checking it out, even if you can’t make into the show, especially because it’s free.
I had so much fucking fun and I can’t wait to go back tonight. I just wanted to share my experience so that the rest of you can plan accordingly.
Stay safe, stay hydrated, and stay heady✌️❤️

I wanted to start a discussion on a topic that really grinds my gears: when studios meddle with movies and end up ruining what could have been great films. Two prime examples that come to mind are "The Amazing Spider-Man 2" and Sam Raimi's "Spider-Man 3." Both of these films had so much potential but were ultimately bogged down by studio interference.

The Amazing Spider-Man 2 (TASM 2)

TASM 2 had a lot going for it. Andrew Garfield was an excellent Spider-Man, and the chemistry between him and Emma Stone was electric. But instead of focusing on a coherent storyline, the studio decided to cram in multiple villains and set up future movies. Electro, Green Goblin, and the half-baked Rhino all in one movie? It was too much, too fast. The result was a jumbled mess that failed to do justice to any of the characters.

Spider-Man 3

Sam Raimi’s "Spider-Man 3" is another classic case of studio interference gone wrong. Raimi wanted to focus on Sandman and Harry Osborn’s storyline, but the studio insisted on including Venom to appeal to fans. The result was an overstuffed plot that couldn’t give any of the storylines the attention they deserved. The forced inclusion of Venom felt out of place and led to a disjointed narrative that disappointed many fans, including myself.

The Amazing Spider-Man (TASM) Franchise

And let's not forget the whole TASM franchise. "The Amazing Spider-Man" had set such a promising tone. It was grittier and more grounded, which I personally loved
. The first TASM movie is actually my favorite Spider-Man film. However, the franchise was cut short not just because of poor critical reception but also due to the studio's incessant meddling. They were so focused on setting up a cinematic universe to compete with the MCU that they forgot to create a solid standalone sequel. TASM 2's failure was a huge letdown and eventually led to the character's reboot in the MCU.

Other Notable Mentions

While these Spider-Man films are clear examples, they’re not alone. Studio interference has plagued many other movies:

• Justice League (2017): The theatrical cut suffered from a jarring shift in tone and incomplete story arcs due to the studio’s decision to replace Zack Snyder with Joss Whedon and impose a strict runtime.
• Fantastic Four (2015): Behind-the-scenes clashes and last-minute changes resulted in a disjointed and poorly received movie that didn’t do the iconic team justice.
• Suicide Squad (2016): The final product felt like a mismatched medley of reshoots and edits aimed at making the film more lighthearted and marketable, straying from David Ayer’s original, darker vision.

Conclusion

It’s frustrating to see how potential blockbusters can be derailed by studio decisions aimed at maximizing profits or establishing franchise potential. Often, these decisions lead to convoluted plots and underdeveloped characters, alienating fans and critics alike. I’d love to hear your thoughts and other examples of movies that were ruined by studio meddling.
What are some films you think suffered the most from studio interference? Let’s discuss!

Taking 8 year old for a dance competition. Was originally scheduled at the Mirage. We will be there 1 night (have a place to stay the rest of the time) at the end of June and we have tickets to Love. We were planning on checking in, using the pool for a couple hours, getting dinner, doing the show, and then need to be at the competition start a bit before 7am the next morning.
We were just notified the competition will be moving to Cesar's forum and the new hotels are the Linq or Harrah's (they are automatically moving everyone who booked at the Mirage under the convention room block. we did not because I had a unity rate to use that was better than what the room block had, so my reservation will stay at Mirage unless I change it on my own).
Given the closure announcement and that our stay would be approximately 2 weeks before the closing, I'm concerned about what would remain open, how it would be, and how much staff would be available (and that those staff who are still there would not, fairly understandably, care all that much). However, the Linq and Harrah's don't seem all that great, especially for kids, according to the comments on this forum (we can't use pool at Linq and the Harrah's pool seems....unable to handle that kind of volume).
If we move, and want to stay close to cesar's forum, it looks like the other options would be the Flamingo or the Paris to stay close to Cesar's forum or we can stay at Marriott Grand Chateau on points. Venetian and Cesar's are above budget.
Should we stay at Mirage or change to somewhere else? Am I missing any other potential good options or is one of the 3 options we have already identified (Paris, Flamingo Marriott) substantially better than the other two?
Priorities for a hotel are - ability to quickly and safely get to Cesar's forum around 6:30am, access to coffee without a huge line around 6am, kid-friendly (bonus would be limited indoor smokiness), good pool, not too far from Mirage since we do still have the show tickets.
TIA!

BoxOfficeTheory Presale Tracking
USA Showtimes As of May 10
Presales Data (Google Sheets Link)
BoxOfficeReport Previews
DOMESTIC PRESALES
Back to Black Thursday Comps/Predictions: $0.35M/$0.37M

• abracadabra1998 ($0.35M Thursday comp. Probably looking at EA around $100k from these numbers, it's limited to Dolby only though so it's quite tiny (May 15). Yikes bikes (May 12).)
  
• crazymoviekid ($0.39M Thursday and $1.21M Friday comp. We're back up to $.3M-$.5M Thursday while Friday is pretty consistent, still around $1.15M-$1.4M. Estimated OW: $4.5M-$5.5M (May 16). Knocking this down to $.25M Thursday. Despite relatively strong sales, comps are low around $1.25M for Friday (May 15). Not great. Let's say $.3M (May 14).)
  
• el sid ($0.38M Thursday comp. Average tomorrow will probably be around 400k (May 15).)
  
• filmlover (Looking at the sales even for the early shows on Wednesday it's on the anemic side (and nothing that's likely to boost it over the next days). Feels like we're about to see how low a biopic about a famous musician can go (May 10).)
  
• katnisscinnaplex ($0.38M Thursday comp.)
  
• Relevation ($0.26M Thursday comp. And for how shitty IF did, Back to Black cratered even harder, and likely would've been the worst selling movie I've ever tracked had I not run numbers a little late. Sub-$300K THU and a $2.5-4M OW (May 15).)
  
• Rorschach (Zero tickets sold on Thursday and only four on Friday. I don't think I'll be missing much (May 13).)
  

IF Thursday Comps/Predictions: $1.72M/$1.80M

• abracadabra1998 ($1.5M Thursday comp. Really good update here, FINALLY! Been waiting for this. This is encouraging for sure. With this growth now maybe shooting for a finish near 1.75 or maybe even approach 2. Eek. Zero sales day only a few days before previews, when you're dealing with a very low baseline. I'm not sure what's happening here (May 15). Most comps did move the right direction. If it keeps trending up perhaps I can see a finish around $1.5M Thursday. One thing to peep at: the MTC1 ratio (59%) is unusually large compared to other family releases. At T-2, other releases' MTC1 % was at: KFP4: 51%, Migration: 34%, Wonka: 59%, Wish: 35%, Trolls: 24%. So much more comparable to Wonka and KFP4; maybe something to think about when looking at keyser's numbers and thinking of the ratio there (May 14). My model has been pretty good for animated/family releases in the past, hence why every comp is so eerily similar. Still, looking at others' numbers and how much lower mine are, I am wondering if summer break might be something to consider here; from what I am aware, here in Minnesota most school districts don't start break until June (May 13). Hoping for some real acceleration this last week but not looking good (May 12). One week out, not impressed in the slightest (May 9). Rising against comps as expected, due to the short release window, but I am still failing to see anything that suggests the numbers given by some other outlets (May 5).)
  
• AniNate (All I can say is if you look at Tinseltown Canton presales the IF projections ($30M+) seem pretty reasonable. I will grant they might've booked more screens than necessary for it (May 16). I'm gonna guess that Nick IP spot for IF this morning ratcheted up interest, Fri-Sun sales at Canton now close to 200. Also of those 200 about 50 were for XD. Not the usual overwhelming presale split but not insignificant for a kids movie also playing on two standard screens (May 13). 45 sold at the five nearest Cinemarks for Thursday previews so far, so yeah there's evidently some kind of regional variation (May 13). I definitely haven't seen as much of a rush here with Garfield as with IF (May 11). I dunno, I have no comps but I feel like local presales is a pretty sizable haul a week in advance for an original non-Disney kids movie (May 9).)
  
• crazymoviekid ($2.43M Thursday and $8.49M Friday comp. Not a great day. Back down to $1.75M-$2M Thursday but pretty good day for Friday, bumping up to $7M-$7.5M. Estimate OW: $27M-$29M (May 16). Comps mostly are up. Adjusting up to around $2M-$2.25M Thursday. Unless this plays like Elemental, we're aiming around $6.5M-$7M Friday. Estimated OW: $25M-$27M (May 15). Definitely looking around $1.75M Thursday for now (May 14).
  
• DAJK (Selling pretty well so far here (May 4).)
  
• el sid ($2.4M Thursday comp. Friday up so-so 116% since last Monday. I chose Jungle Cruise, Dolittle, Elemental, Minions 2 and Sonic 2 as comps (always counted on Monday of the release week for Friday) and the true Friday number for IF would be 6.6M at the moment. In this case the comparison numbers were very similar, around 6-7M. Overall it was a boring counting today which lasted too long for so few action. And judging from some random samples Garfield also saw no significant jumps (I also didn't expect much, it's still too early IMO). Thursday up 92% since last Monday. I hoped for a bit better jump till today :( but it's also not too bad. So for Friday no big numbers but up 75% since last Monday (and the jump must have happened pretty recently) (May 13). Up 73.5% since Monday (where it had 143 sold tickets). Best sales in California, not doing too bad between the coasts. The number today is ok to me (May 12). Not really signs for a breakout for Friday so far, but very solid. It will not really get 4-6M Thursday e.g. compared to Migration but from most comps the number could be pretty decent (May 7). Looked good for the film, both on Thursday and on Friday (May 6).)
  
• jeffthehat ($1.90M Thursday comp. Slipped a little vs. comps. Sub-20% growth seems bad at this stage and opening size for a family film. But maybe walkups are better than presales suggest. Thinking $1.8m +/- $0.2m tomorrow (May 15).)
  
• katnisscinnaplex ($1.62M Combined SizeAdjusted+GrowthModel Thursday comp. $1.50M Santikos Thursday comp. Sticking to the 1.5m - 1.75m range. I'm looking for a +40% final day that would finish at 1.8m avg comps and 1.62m growth forecast. I'm not ruling out 2m, but it would need to have a very good day (May 16). Raising my expectations to 1.5 - 1.75m range. I don't really have a good feel for what age this is playing to (May 15). Thinking somewhere in the 1.2m-1.5m Thursday range despite a couple of higher comps (May 14).)
  
• keysersoze123 (Friday pace is promising (May 16). Dont think even if it doubles the gross, 2m is locked. But even if it does, it would barely do that much. Let us see how walkups go tomorrow. Pace is really meh for T-2. $1.75m ish for previews. OW should be similar to what I saw yesterday for now (May 15). I would say it should hit 2m previews or even more if walkups are strong. OW probably in mid to high 20s for now. Its Friday sales are not that much higher than thursday for crazy IM like say Panda 4 (May 14).)
  
• Relevation ($1.18M Thursday comp. IF completely tanked here, brutal comp average with no good comparisons at all. $1.2-1.5M THU and something in the ballpark of an $18-24M OW? (May 15).)
  
• RichWS (15 screen theater near me is giving IF peak Marvel number of showings. I know it's short and the market is quiet, but damn (May 14).)
  
• Rorschach (Good growth for IF, especially after Tuesday's abysmal sales (May 15). Even with no comps to go off, this growth seems pretty weaksauce. I guess we'll see how it goes tomorrow (May 14).)
  
• Shawn Robbins (The pre-sales I'm seeing in multiple markets are little better than I think some expect here. I wouldn't be shocked with a number between 2 and 2.5 for Thursday, as well as big jumps on Friday and Saturday. The flip side of that coin is the reviews... although kids won't care. Could see 40 happening if this plays super strong in family markets and outside coastal cities like I suspect it could, but I'm surprised the studio didn't low ball it a little more to be safe... especially since we had been very publicly keeping our range in the high 20s/low 30s from the bottom end (May 15).)
  
• TheFlatLannister ($2.39M Thursday comp. Really not much going on. Don't think walkups will be super strong either (May 13). Not much growth (May 10). Pace is collapsing a bit. Continues its downward trend (May 7). After a strong start, this has cooled off quite a bit (May 4).)
  
• Tinalera (Pretty quiet Vancouver and Calgary area (May 13).)
  
• vafrow ($0.6M Thursday comp. Well, we finally got something. It still lags behind comps, and if I could be bothered to track walk ups, I'm guessing this will do okay. But it's still lagging some very reasonable comps by a large margin here (May 16). It's going up, but slowly. The thing that hit me looking at the numbers is that the most popular format so far is the VIP theatres, which are 19+. With such low sales, you can't read too much into anything, but it kind of speaks to how this isn't grabbing the family crowd (May 14). Some marginal movement, but we're running out of time for this. At this stage, I expect my market is an anomaly, but I still hope and expect it will close the gap in the final few days (May 13). Still nothing (May 12). Still nothing happening. I did check Friday sales, and it was a lot stronger with 51 tickets sold. That's better, but still not tremendous. I also checked the wider radius, where it's pretty much exactly where Haunted Mansion was, which hit $3.1M opening (May 11). Still nothing really happening here (May 10). Since the last update, they released full showtime sets, and it actually lost two showtimes rather than gain. From the sound of it, it might be doing better in other Canadian markets, particularly BC (May 8). Numbers are still really low, making the standard track fairly useless. I did do a larger 100km radius track, encompassing the broader southern Ontaro market (~8M population, MTC4 being about 70-80% of the market). Even against Haunted Mansion, which underindexed here, it's not doing well (May 4).)
  
• YM! (So far in the four Wisconsin theaters I’ve tracked, IF is at about 45% of where Wish was at in the two theaters I’ve tracked 30 minutes before previews. Think it could get to something similar before preview time (May 16).)
  

The Strangers: Chapter 1 Thursday Comps/Predictions: $1.49M/$1.37M

• abracadabra1998 ($1M Thursday comp. Perhaps this will follow the Nun and the Exorcist comps, but I am not fully convinced. I'll just go with the average here and call it a day with my prediction: $1 Million, +/- 0.2. Not much movement here (May 15). Not a good update at all but I am wondering about the summer break deal here as well. For Back to Black it shouldn't affect it much I would think (May 13).)
  
• crazymoviekid ($1.24M Thursday and $4.35M Friday comp. Decent day. Feeling an inch past $1.25M Thursday but much better comps for Friday, aiming now between $4M-$5M. Estimated OW: $14M-$17M (May 16). Comps leveling off. Adjusting up to $1M Thursday and wouldn't trust Friday comp ($10.05M) (May 15). Weird comps. Let's go for $.5M-$.75M Thursday comp.)
  
• el sid ($1.9M Thursday comp. Nice surprise. Up very nice 67.5% since Monday (May 15). From what I saw, it had an ok jump till today but the jump till Wednesday will be way more important. But so far, decent presales (May 14).)
  
• katnisscinnaplex ($1.54M Combined SizeAdjusted+GrowthModel Thursday comp. $1.82M Santikos Thursday comp. Keeping on track to match IF tonight (May 16). We could have a preview battle on our hands! (May 14).)
  
• Relevation ($1.85M Thursday comp. The Strangers: Chapter One sold surprisingly well here, even somehow knocking IF for best selling movie of the weekend. Comps are hovering in the $1.5-2.2M range and I don't have a clue how walkups play here, but I suppose the $1.85M THU average my comps spit out sounds pretty right, combined with a $15Mish OW (May 15).)
  
• Rorschach ($1.09M/$4.68M/$5.23M Thursday/Friday/Thursday+Friday comp. Decent day for Strangers. Didn't quite continue off yesterday's big bump, but still holding well against the Tarot comp (May 15). More than double from yesterday's count. Curious to see if it keeps up the momentum going forward (May 14). Tarot had more tickets sold for Thursday compared to its Friday showings when I checked the Monday before it came out; hence, why the comps are so all over the place at the moment. The Thurs + Fri comp does appear to be a reasonable middle ground (May 13).)
  
• TwoMisfits (TMobile deal for May - $5 ticket to The Strangers Chapter 1 next Tuesday (May 9).)
  

Furiosa Thursday Comp: $4.31M

• abracadabra1998 ($5.46M Thursday comp. GxK obviously really propping the average up but for now I could see that settling at around $5 Million, still good pace! (May 12). Really good stuff in this market (May 9). Reallyyyyyy good day 1 here. I want to note that: NO I do NOT think preview numbers will be that high; it's just highlighting the fact that this is likely a movie that will be running hot in my market, as cinephile blockbusters usually do. Next update I will have T-14 comps, which will be a lot lower due to the short release window (May 8).)
  
• AniNate (Encouraging to see the weekend fill out a bit. Been seeing a lot of promotion during the basketball playoffs so general awareness has to be getting there now. (May 15). Skimmed through ThuFri and Valley View (Cleveland vicinity) has sold roughly 60 Furiosa tix so far while Tinseltown (Canton) has sold 40. I'm guessing the upfront audience does lean more toward the urban/cosmopolitan sensibilities (May 9). Presales show there's definitely some hype for this. Regal gonna irritate trackers again, offering no upcharge IMAX for Furiosa (May 8).)
  
• Charlie Jatinder ($3.05M Thursday comp.)
  
• el sid ($5.8M average Thursday comp (without Exorcist 2) (May 12). Furiosa continues its strong performance in "my" theaters. The movie yesterday had already 1.310 sold tickets (for Thursday, May 23). Up 15% in ca. 24 hours which isn't bad at all after the first rush. Already comfortably in front of The Fall Guy's final sales (it had 1.071 counted on Thursday for Thursday) and almost on par with Civil War's final sales (1.357) and also the Apes finally had not more than 1.657 sold tickets in my theaters (May 11). I also can't complain about Furiosa's presales in my theaters, not at all. Already 1,138 sold tickets (in all of "my" 7 theaters) for May 23. 14 days left. Promising start. Civil War on Thursday of the release week for Thursday had 1,357 sold tickets and The Fall Guy finally had 1,071 sold tickets (May 9).)
  
• katnisscinnaplex ($3.51M Thursday comp.)
  
• keysersoze123 (Definitely chugging along. I am feeling good about 5m+ previews (May 15). It has way stronger sales than Garfield and that is expected. I am thinking of 5m previews for now (May 14). I think this is a solid OD presales. With a short PS window its probably looking at 5m+ previews (May 9).)
  
• TheFlatLannister ($4.44M Thursday comp. Keeps climbing at a strong pace (May 11). This continues to grow at an excellent rate (May 10). Really strong day 2. The short presales is for sure a factor (May 9). Not seeing much of a breakout. Still pretty solid start to presales (May 8).)
  
• vafrow ($2.9M Thursday comp. Comps are showing as steady since the last update, but it actually dipped quite a bit this week before rebounding today. Advance ticket buying has been so off in this market recently for some reason. Holding pace with Apes is a good sign (May 16). It had a good day (May 12). Mediocre day 2 (May 10). Not the hottest start. IMAX is the format of choice though, so, ATP will be high (May 9).)
  

Hit Man

• vafrow (Getting a theatrical release up here in Canada, and early signs are that it might get a pretty decent screen count. Not super wide or anything, but a pretty decent amount for a weekend that has a lot of other releases (May 14).)

The Garfield Movie EA+Thursday Comp: $2.24M

• abracadabra1998 ($0.76M EA comp and $1.19M Thursday comp. Still not really accelerating, and the EA is falling against comps (May 12). Good EA numbers, but many of these comps were PLF-only EA, which this is not, so I think the ATP will be quite lower and that should be adjusted for (May 9).)
  
• AniNate (EA sales look decent now, but this does feel rather weak compared to the IF presales. Not 100% certain what's going on here but based on this I buy the trades' opening estimates over the forum vibes (May 15). I definitely haven't seen as much of a rush here with Garfield as with IF (May 11).)
  
• el sid (The very even sales are a good sign (May 7). For Sunday, May 19, I can already report that also in my theaters it looks very good for Garfield. They will for sure add shows soon. It has so far only 1 show/theater and the shows are almost sold out, between 1 and 4 seats are still available. So my guess still is that this movie if it's not totally bad (and first reviews here were quite positive) will become a (big) hit. Seems not much on Thursday but it's a step in the right direction (May 6).)
  
• katnisscinnaplex ($2.52M EA+Thursday comp.)
  
• keysersoze123 (Its definitely weaker than even Elemental. That said these movies tend to finish strong and so I am not writing it off so early. Just that the long PS window is irrelevant for them. They could rather start presales like a week before release and it would be all the same. Meh. We have to wait until next week to gauge where its going to finish. It has very low ATP as well and actual would be even lower as its going to see tons of kids tickets (May 14). Early shows are regular digital shows at 1PM this sunday. So ATP will be very low. I think 500k ish at best. Preview let us see how things go in the final week. Presales at this point are almost non existent (May 13).)
  
• TheFlatLannister ($2.14M Thursday comp.)
  
• vafrow ($0.4M Thursday comp. Comps don't paint a pretty picture though. EA shows are doing okay (May 11). Still no sales for my core sample for previews. But I did the larger sweep, which shows the interest right now is the Sunday early access shows. Looking at sales patterns, it's mainly blocks of 3/4 tickets, so likely families grabbing some. It's worth noting that the May holiday in Canada is the weekend of May 17-20th, not the weekend after with Memorial Day. I can see families prioritizing getting out the holiday weekend when they have more time (May 4).)
  

The Lord of the Rings Extended Edition Re-Releases (June 8-10)

• BoxOfficePro (Fathom Events has also announced that select Regal Cinemas will present the films in 4DX on June 22/23/24 for Fellowship/Towers/Return respectively (May 14).)
  
• katnisscinnaplex (Up to ~1,400 shows now with new locations picking it up and others adding a second showing. LotR1 has sold 831 seats OD, LotR2 sold 715 seats OD, and LotR3 sold 735 seats OD. For comparison, Phantom Menace didn't break 800 tickets until T-3 and we're still over a month out. JW3 comp is currently around 9m (it was at 1,670 tickets sold at this point!) (May 6).)
  

Inside Out 2 Average Thursday Comp: $8.14M

• abracadabra1998 ($3.67M Thursday comp. Holy numbers of shows and seats! Multiplexes are really expecting a lot here. Sales off the bat not amazing here sadly, but we shall see where it goes (May 15).)
  
• AniNate (It is encouraging that Canton is already giving me something to work with with 12 Thursday preview sales. Same number for Fri-Sun. I do see nine sales for first Thursday at Canton now and I think that's a pretty solid start (May 15). I do see a few 1-2 spots for Inside Out on Saturday. Think some M-F workweek adult fans might be putting down money for that (May 14).)
  
• charlie Jatinder ($11.84M Thursday comp at MTC2. $16M Thursday comp for Kung Fu Panda 4 (May 15).)
  
• katnisscinnaplex (Already at 180 shows for previews in my areas and still has a few theaters left to post. For comparison, Godzilla x Kong finished with 197, Kingdom of Apes 190, and Kung Fu Panda 205 (May 14).)
  
• keysersoze123 (At least the show counts show Plexes are expecting a big OW. I dont remember when we last had a animation movie start with so many shows. I wont count Mario as that was a fan driven movie. Definitely not great presales but this is not a fan driven movie. Let us see where things are in the final week (May 15). Too early to judge presales as ticket sales just started early this morning. Families dont book tickets on weekday mornings. Wait until evening today to judge it. From a release perspective its way bigger than all animation movies seen recently including Panda 4. Easily the biggest I have seen in a long time. Only movie which is not comparable is Mario but that was not just a family flick (May 14).)
  
• Porthos (VERY BAD COMPS: $8.83M Thursday comp. I really do not have good comps for this movie. Like, at all. Especially for D1. With that in mind, I did some digging and did manage to get the Elemental D1 numbers out of the old Tracking thread: IO2 = 5.45946x Elemental on D1 [13.10m]. Now will Inside Out 2 be as backloaded as Elemental? Well it's tough to literally sell 5.5x times the amount of tickets on the final couple of days that Elemental did, so perhaps not. But it does show how fracking backloaded purely kids animation is. Anyway, this is 30 days out and it isn't a CBM film (like AtSV) or CBM-adjacent film (like Incredibles 2). The Sonic 2 comp is perhaps a little concerning. On the other hand, nearly a weeks more of pre-sales so not exactly a great comp. 3.5% of presales are 3D and 40.1% are PLF (May 15). On the Saturday of release weekend (ie NOT EA) there is a special event screening for IO2: INSIDE OUT 2: FUNKO FAMILY EVENT! (2024) Sat June 15th. Might boost the OW slightly, depending on how wide this event is and how much more these tickets will presumably cost (May 11).)
  
• TheFlatLannister ($8.20M Thursday comp. This is a super super strong day 2. Probably just Orlando overindexing, but yeah starting to lean towards something big brewing. Florida presales are somehow even crazier. Sold 2357 seats and is getting a blockbuster rollout in terms of showing allocations. Kung Fu panda comp day 2: gives me $8.50M (May 15). Well, I can't really tell if this is a breakout or not yet. Looks very good especially in the first few hours. These are probably terrible comps, but might as well try something (May 14).)
  
• TwoMisfits (I'm kinda shocked at the opening set from my Cinemarks... 2 screens (1 PLF, 1 not) and 6 showings at my PLF 14 for Thursday (and 11 showings on the same screens once it runs full day - 7 PLF b/c 1 is 3d on the reg screen, 4 not)... 3 screens (.75 3d, 2.25 not) and 9 showings at the non-PLF 12 for Thursday (and 12 showings on 2.25 screens once it runs full day)... So, 2 and 2.25 screens for the weekend presale sets... Disney must be charging a huge % for themselves b/c this is an Elemental opening set at my PLF...a little more generous for Thursday at my non-PLF, but then they too drop to an Elemental opening set after the adult Disney base Thursday rush... (May 14).)
  
• vafrow (No new sales. Whatever glitches in the system on day 1 didn't push sales to day 2. I still think the lack of base ticket options will push families to wait. Cineplex has jacked up the cost of premium formats, plus they're throwing in an increase for opening weekend of major releases. It adds up quickly for families (May 16). With the site glitching yesterday, it might account for the slow start. But, what's interesting is the format breakdown. Nothing is being made available in anything close to a regular showtime. The one non 3D showing in Dolby is a matinee showing. Everything else is carrying a hefty premium. They'll likely release regular showtimes closer to release, but right now, it's priced to get eager fans to pay the premium formats (May 15).)
  
• YM! (In fairness it's only been an hour but yeah sales are softer than I expected. However, it is a month out and will largely skew more towards kids than say TLM/Across so wasn't expecting a blitz like them. Here at Marcus theaters are going all out for IO2 with it having the lion share of PLFs with it getting both screens when there is two PLFs with tentpole like levels of screens (May 14). Was taking a look at Marcus Cinemas to see that they have preloaded Inside Out 2 showtimes which seem to start at 3:00 pm on a Thursday. It seems like Marcus is going all out on it as judging from showtimes it's taking away all of Bad Boys’ PLFs in that theaters that have two+ PLFs are giving all to IO2 (May 11).)
  

Domestic Calendar Dates (last updated May 3):
MAY

• (May 16) Presales Start [Bad Boys Ride or Die]
  
• (May 16) Thursday Previews [Babes + Back to Black + If + The Strangers: Chapter 1 + The Blue Angels IMAX]
  
• (May 17) Presales Start [Ezra]
  
• (May 19) Review Embargo Lifts [Garfield 9 PM EST]
  
• (May 20) Opening Day [Monday: Spider-Man Homecoming Re-Release]
  
• (May 22) Presales Start [The Watchers]
  
• (May 23) Thursday Previews [Furiosa: A Mad Max Saga + Hit Man + The Garfield Movie + Sight]
  
• (May 26) Presales Start [Bikeriders]
  
• (May 27) Opening Day [Monday: Spider-Man Far From Home Re-Release]
  
• (May 30) Thursday Previews [Ezra + Haikyu!! The Dumpster Battle + Robot Dreams + The Young Woman and the Sea]
  

JUNE

• (June 3) Opening Day [Monday: Spider-Man No Way Home Re-Release]
  
• (June 5) Presales Start [Despicable Me 4]
  
• (June 6) Thursday Previews [Bad Boys: Ride or Die + The Watchers]
  
• (June 8) 1-Saturday Re-Release (1st day) [The Lord of the Rings: The Fellowship of the Ring Extended Edition]
  
• (June 9) 1-Sunday Re-Release (1st day) [The Lord of the Rings: The Two Towers Extended Edition]
  
• (June 10) 1-Monday Re-Release (1st day) [The Lord of the Rings: Return of the King Extended Edition]
  
• (June 13) Thursday Previews [Inside Out 2]
  
• (June 15) 1-Saturday Re-Release (2nd day) [The Lord of the Rings: The Fellowship of the Ring Extended Edition]
  
• (June 16) 1-Sunday Re-Release (2nd day) [The Lord of the Rings: The Two Towers Extended Edition]
  
• (June 17) 1-Monday Re-Release (2nd day) [The Lord of the Rings: Return of the King Extended Edition]
  
• (June 20) Thursday Previews [The Bikeriders + Janet Planet]
  
• (June 27) Thursday Previews [Blue Lock The Movie -Episode Nagi- + Horizon: An American Saga Chapter 1 + A Quiet Place: Day One]
  

JULY

• (July 2) Opening Day [Wednesday: Despicable Me 4]
  
• (July 4) Opening Day [Thursday: Possum Trot]
  
• (July 4) Thursday Previews [MaXXXine]
  
• (July 11) Thursday Previews [Fly Me to the Moon + Untitled New Line Horror movie]
  
• (July 18) Thursday Previews [Twisters]
  
• (July 25) Thursday Previews [Deadpool and Wolverine + Didi + Fabulous Four]
  

AUGUST

• (August 1) Thursday Previews [Harold and the Purple Crayon]
  
• (August 8) Thursday Previews [Borderlands + Colleen Hoover’s It Ends With Us + Cuckoo + The Fire Inside + Trap]
  
• (August 15) Thursday Previews [Alien: Romulus + Horizon An American Saga Chapter 2 + Ryan’s World the Movie: Titan Universe Adventure]
  
• (August 22) Thursday Previews [Blink Twice + The Crow + The Forge + Slingshot]
  
• (August 29) Thursday Previews [City of Dreams + Reagan + They Listen]
  

Presale Tracking Posts:
April 23
April 25
April 27
April 30
May 2
May 4
May 7
May 9
May 11
May 14
Note: I have removed most tracking data that has not been updated for 2 weeks. I think there is value in keeping data for a week or two but at a certain point they start to lose their value and should not be treated the same as more recent tracking data.

I dreamt that Tony Stark has a time machine and he has it in every universe (idk how) And this time, they (Tony and Pepper Potts maybe) had a mission so they teleported Andrew Garfield (spider-man) and his Uncle Ben in a universe. Andrew became emotional and sobbingly hug Uncle Ben. But uncle Ben didn't know why is Andrew hugging him in tears, so he ended the hug and told him to get home as he is going home too and uncle Ben left. Now Andrew was trying to process what happened and why is uncle Ben alive, just as he was thinking about all this, he checked his pocket and there was a visiting card of a dentist. So Andrew thought he should go there, maybe there he might come to know about one two things. When he got there, the name of dentist is revealed from the name plate on the door. It was Wilbur Wonka (Father of Willy Wonka) Andrew didn't thought much and got inside where he saw the dentist. U might think it was Wilbur Wonka as it was his clinic. But it was Willy Wonka. And idk why but he was wearing a mask of himself with a big teeth showing smile. Andrew was creeped about it (as anyone would be) but he sat in the checkup chair (where the patient sits to get check his teeths problems). He saw that the Wonka had a lot of penguin figures in his office about a foot size (1 ft). And when he asked Wonka "why have u got so many stupid penguin figures and that too in ur office". Just as he asked this, Wonka punched Andrew in the face resulting in nosebleed and he grabbed Andrew's collar and threw him out of the clinic handing Andrew a penguin figure.
So that was all bcz I woke up and just as I woke I was like "I will forget this dream" cz I always do, so I wrote it right away in my phone's notes.

I dreamt that Tony Stark has a time machine and he has it in every universe (idk how) And this time, they (Tony and Pepper Potts maybe) had a mission so they teleported Andrew Garfield (spider-man) and his Uncle Ben in a universe. Andrew became emotional and sobbingly hug Uncle Ben. But uncle Ben didn't know why is Andrew hugging him in tears, so he ended the hug and told him to get home as he is going home too and uncle Ben left. Now Andrew was trying to process what happened and why is uncle Ben alive, just as he was thinking about all this, he checked his pocket and there was a visiting card of a dentist. So Andrew thought he should go there, maybe there he might come to know about one two things. When he got there, the name of dentist is revealed from the name plate on the door. It was Wilbur Wonka (Father of Willy Wonka) Andrew didn't thought much and got inside where he saw the dentist. U might think it was Wilbur Wonka as it was his clinic. But it was Willy Wonka. And idk why but he was wearing a mask of himself with a big teeth showing smile. Andrew was creeped about it (as anyone would be) but he sat in the checkup chair (where the patient sits to get check his teeths problems). He saw that the Wonka had a lot of penguin figures in his office about a foot size (1 ft). And when he asked Wonka "why have u got so many stupid penguin figures and that too in ur office". Just as he asked this, Wonka punched Andrew in the face resulting in nosebleed and he grabbed Andrew's collar and threw him out of the clinic handing Andrew a penguin figure.
So that was all bcz I woke up and just as I woke I was like "I will forget this dream" cz I always do, so I wrote it right away in my phone's notes.

I dreamt that Tony Stark has a time machine and he has it in every universe (idk how) And this time, they (Tony and Pepper Potts maybe) had a mission so they teleported Andrew Garfield (spider-man) and his Uncle Ben in a universe. Andrew became emotional and sobbingly hug Uncle Ben. But uncle Ben didn't know why is Andrew hugging him in tears, so he ended the hug and told him to get home as he is going home too and uncle Ben left. Now Andrew was trying to process what happened and why is uncle Ben alive, just as he was thinking about all this, he checked his pocket and there was a visiting card of a dentist. So Andrew thought he should go there, maybe there he might come to know about one two things. When he got there, the name of dentist is revealed from the name plate on the door. It was Wilbur Wonka (Father of Willy Wonka) Andrew didn't thought much and got inside where he saw the dentist. U might think it was Wilbur Wonka as it was his clinic. But it was Willy Wonka. And idk why but he was wearing a mask of himself with a big teeth showing smile. Andrew was creeped about it (as anyone would be) but he sat in the checkup chair (where the patient sits to get check his teeths problems). He saw that the Wonka had a lot of penguin figures in his office about a foot size (1 ft). And when he asked Wonka "why have u got so many stupid penguin figures and that too in ur office". Just as he asked this, Wonka punched Andrew in the face resulting in nosebleed and he grabbed Andrew's collar and threw him out of the clinic handing Andrew a penguin figure.
So that was all bcz I woke up and just as I woke I was like "I will forget this dream" cz I always do, so I wrote it right away in my phone's notes.

Updated with autopsy results.
Morphew Case Map - Google My Maps - Barry's iPhone Data - Google My Maps - Barry's Truck Events - Google My Maps
August 5, 1994 – Suzanne Moorman marries Barry Morphew The Alexandria Times-Tribune Alexandria, Indiana 05 Jan 1994, Wed • Page 4
December 1999 – Barry and Suzanne Purchase 26040 Cal Carson Rd, Arcadia, IN This is the house where he dug a hole in the yard and buried everything he didn't want to move to Colorado. (AA ft 55 page 53)
November 2013 – Suzanne Inherits $208,000 upon the Passing of her Mother. MB provided documents that Suzanne inherited approximately $208,000 in 2013 at the passing of her mother.
August 2016 – Suzanne inherits $217,000 upon the death of a grandmother. Suzanne’s grievance list included multiple references to Barry controlling the finances.
April 12, 2018 – The Morphew’s Purchase 19057 Puma Path Barry and Suzanne Morphew purchase 19057 Puma Path for $1,575,000.
June 1, 2018 – The Morphews move to Colorado. (PH – Harris) SA Harris: Yeah, they moved in 2018. I believe they left around June 1st, 2018. to move to Colorado. So roughly a year and a half of the time is what Sheila originally said in that.
September 2018 – Suzanne sends “Howdy stranger” message to JL First contact since high school.
Fall 2018 – Libler’s daughter sees messages from Suzanne on his phone. Libler breaks it off.
Thanksgiving 2018 – Barry obsessive/possessive. While Suzanne was at the Oliver’s house, she had stepped away from her cell phone to use the restroom, and Barry tried calling her several times within a few minutes, then tried calling Sheila, then tried calling Darin.
Holidays 2018 – Suzanne finds Libler’s LinkedIn Page. Relationship Rekindled
January 2019 – The Mexico trip where Barry took Suzanne’s phone Mexico trip mentioned in the grievances list where Barry took Suzanne's phone.
February 11 – 14, 2019 – Suzanne in New Orleans with Libler Barry admitted to questioning Suzanne about the New Orleans trip, further evidence he suspected the affair.
April 2019 – Suzanne meets up with Libler in Indiana She does not see SO on this trip.
July 2019 – Suzanne and Libler meet up in Michigan Barry called SO while Suzanne was in MI visiting her fatheJL, wanting to know why Suzanne wasn't returning his calls.
September 2019 – Barry stalks Suzanne and Shelia Oliver, creeping through woods. Barry stalked Suzanne and Sheila at the Puma Path house in September 2019. This is upon his early return from a trip to Arizona.
October 2019 – Libler and Suzanne in Dallas Suzanne and Libler spend two nights at the Galleria.
September – November 2019 – Barry aggressively pursues KW around Salida. From the first time KW met Barry, she said it felt like "he was putting his tentacles out."
Holidays 2019 – Suzanne and Libler stop talking on the phone because she is afraid Barry will find out. They shift to more covert ways to communicate. Barry's second device makes its first appearance.
January/February 2020 – Suzanne in Florida, gets spy pen, sees Libler Suzanne in Florida, SO gives her the spy pen during this trip. Suzanne records a conversation with Libler on this trip.
Late February 2020 – Suzanne in Florida, sees father and Libler. Suzanne skips out on time with her father to see Libler. Barry goes to Florida.
March 2020 – Spy pen records argument between Suzanne and Barry. “It’s money. It’s about money.” “… I have lived for years being told how I should feel, how I should act, how I should look, what I should drink, what I shouldn’t drink, what I should put in my body, what I shouldn’t put in my body … ”
March 20, 2020 – Jekyll and Hyde text exchange between Suzanne and SO, MM2 suggests restraining order. "It’s Jekyl and Hyde again … Pretty much told him I can’t be healthy and stay in this."
March 22, 2020 – Spy pen records Barry listening to Forensic Files episodes, call with Suzanne on drive to Pueblo Coincidentally one of the episodes involved a woman "disappearing" after a bike ride.
April 21, 2020 – Messages between Suzanne and Libler “I want to be with you,” “I can only be me with you,” I love you,” “I need you.” “You know I was born to love you.”
May 4, 2020 16:05 – Barry makes 3 second outgoing call to Suzanne This was the first logged call in Barry’s phone to or from Suzanne since February 7, 2020.
May 5, 2020 – Suzanne drives MM2 to Gunnison Suzanne drives Macy to Gunnison, CO to meet MM1 for a road/camping trip through Utah and Idaho with MM1's best friend.
May 6, 08:44 – Suzanne sends MM2 a text “Good morning! I miss you already!”
May 6, 10:13 – Suzanne: “I’m done. I could care less what you’re up to and have been for years.” From 14:43 to 17:00 Barry replied, “When I’m dead,” “Going to see my savior,” and “This life on earth is a mear (sic) grain of sand compared to eternity.”
May 6, 2020 – 14:43 – From Barry to Suzanne: “I’m sorry if things went the way they did. I have a problem dealing with the way you accused me of hiding checks. If you think I’m as terrible of a person to hide our accounts and have ones you don’t know about you don’t know me. All I do is for you and the girls. All. When I'm dead, which won't be long, you guys will be taken care of. Please stop being angry. If I can control my hurt heart I think I can overcome your distant unlovingness toward me. Honey, I swear it's the hardest thing I've had to do. I love you I always will.”
May 6, 2020 – 15:51 – Barry to Suzanne: “I promise you were wrong about all the crazy thoughts about me. I have always been faithful. Always. Why would I ever want another when I'm married to the most beautiful, sweet, kind, loving, woman as you? Only a fool would stray from an angel like you.”
May 07, 2020 – Suzanne messages Libler about how magical past days had been. Barry wants a new truck. 16:43 - “Been studying all afternoon. I’m gonna bike now. I’ve got veggie soup on for supper.”
May 7, 2020 – SB puts new tires on Suzanne’s bike Bike mechanic was interviewed by law enforcement.
May 7, 17:13:52 – Barry Works Out at GD’s House Truck log files place Barry at GD's home at 5:13 pm.
May 7, 2020 23:00 – “I finally got the job” text from MM1 goes unanswered. Q (Lindsey): Anything on May 6th that didn’t seem normal? Was there a text from Mallory to Mr. Morphew? A (Grusing): I believe that’s the night of May 7th. Mallory, Macy, and their friend Holly are out on a trip towards Utah and Mallory is sending pictures to both Suzanne and Barry but I was ... Read more
May 08, 07:03 – The Grievance List: Suzanne’s phone backs up a list of 50 reasons why she wanted to leave marriage on “Notes” Not safe alone with you. Can’t be trusted - Oppressive - Slam on brakes when angry - Threaten to jump out of car - Gun ...
May 08, 08:43 – “I will continue to do your invoicing when you need to.” "When FBI Agents showed Barry these texts during interviews in 2021, he said he did not think Suzanne was serious."
May 08, 09:28 – Suzanne texts sister about Barry’s abuse. “It’s hard dealing with the harsh abrasiveness and having to show respect. He’s also been abusive, emotionally and physically. There’s so much … I went thru a period of acceptance and I feel more angry now. Anger at what I’ve allowed.”
May 08, 10:55 Barry: “I Love You, Suzanne.” “But, in the afternoon, it (the text fight) was like it never happened. She texted me back and it was just like, ‘Hey, what time are you coming home? Hey, this or that. Just pick this up or pick that up.'”
May 08, 13:18 – Barry texts Salida Stove and Spa about getting the hot tub fixed. "Asking when he could come out to the home."
May 08, 15:43 – Barry’s iPhone receives an SMS message associated with the unknown device This second device was first used on November 30,2019 and was associated with Barry’s iPhone 91 times since then, compared to 1,701 associations with the primary User ID since November 2019.
May 8, 19:06 – Moonlight Pizza and Phone Calls Barry convinces Suzanne to meet him at the Tailwinds site before going to pick up Moonlight Pizza together.
May 08, 21:04 – 20 Facebook friend requests, 3 men named “Jeff.” Barry’s lurking at the River. Barry was asked about his phone pinging down by the river during the Facebook posts on Friday night and asked if he was outside. Barry said, “I could have been. I don’t remember. I chase critters around the house all the time.”
May 09, 00:02 – Incoming call on Suzanne’s phone (PH CAST) Incoming call on Suzanne’s phone (PH CAST)
May 09, 02:07 – Outgoing call on Suzanne’s phone (PH CAST) 02:07 am outgoing call on SM’s phone (PH CAST)
May 09, 06:00 – Barry’s phone received call (PH CAST) 06:00 am BM’s phone received call (PH CAST)
May 09, 06:46 – Barry’s phone registered “Power On” Comes out of Airplane mode.
May 09, 07:19 – Barry’s cell received signal (PH) Barry’s cell received signal (PH)
May 09, 07:22 – 07:39 – Barry at “Tailwinds” worksite Barry’s phone registered locations at his “Tailwinds” work site near Poncha Springs.
May 09, 07:35 – Suzanne texting SO Discussing Sheila's daughters wedding on Sunday.
May 09, 08:00 – MG was with Barry working on the rock beach site until 10am(?). Gentile: “He said that he had to go make the wife happy – do some hiking or biking.”
May 9 – Morning – Suzanne messaging Jeff “He’s still wanting Arizona.”
May 09, 09:50 – Barry to Suzanne: Want to go on hike? *Text Exchange\* Barry to Suzanne: Want to go on hike?
May 9, 2020 – 11:14 – Suzanne received a second password reset message from Facebook Previous reset was while Barry was down by the river on the evening of the 8th.
May 09, 11:15 est. – Barry tells Morgan Gentile he could “bury a body” and it “would never be found.” Gentile: “He seemed stressed. He definitely seemed weird on Saturday.”
May 09, 11:55 – Dead Turkey Hunt or Barry Takes Down His Trail Cameras Barry said he was looking for a turkey that Mallory had shot previously with a bow, but they had never found.
May 09, 13:35 – Barry leaves home again. Checked on job at Kim Gyms
May 9, 13:40(?) – Suzanne texts Libler Guess who is alone again?
May 09, 13:46 – Barry and the backhoe After texting, Barry drove by TK's house to see the backhoe, but did not get back in touch to buy it. In 2018, Barry used a backhoe to dig a large hole in his front yard, fill it with items to include furniture, and cover it over, planting alfalfa on top.
May 09, 13:51 – 14:13 – Barry at DSI, replacing Bobcat blade He was wearing a blue t-shirt and khaki shorts.
May 09, 14:03 – Suzanne sends sunbathing pic to Libler, last proof of life. “Well, look at her. She’s obviously drunk. Look at her eyes. Do you know what drunk eyes look like?
May 09, 14:11 – Suzanne sends last LinkedIn message to Libler: “I’m on wa.” Libler sent response messages at 2:39PM, 2:46PM and 2:47PM that Suzanne did not answer.
May 09, 14:26 – Barry texts Suzanne, “Done headed back.” He texted Suzanne that he was done and was headed home.
May 09, 14:31 – Barry texted Suzanne, “Did you leave.” At 2:31 PM, Barry texted Suzanne, “Did you leave.”
May 09, 14:39 – Libler messages Suzanne, she does not respond. First unread. Messages from LinkedIn show they were talking about how Suzanne is in love with Jeff before she went missing.
May 09, 14:43 – Barry’s phone and F-350, per telematics, arrive at the Morphew residence. "The photo is shown in the courtroom, Suzanne smiling. Truck GPS coordinates show Barry’s truck goes into park at 2:43:59. Phone coordinates show he walks around the house. You can hear a pin drop in the courtroom as tension is high." - Carol McKinley, PH Tweet
May 09, 14:44 – Shooting Chipmunks? Barry had a .22 in the moments when Suzanne ceased the communicate with everyone she loved in the world. Shooting Chipmunks? Barry had a .22 in the moments when Suzanne ceased the communicate with everyone she loved in the world. (See: https://www.reddit.com/SuzanneMorphew/comments/17lfboz/barry_and_the_chipmunks_aa_excerpts/ )
May 09, 14:46 – Libler messages: “Hey … your weather looks great” Second unread. No response from Suzanne.
May 09, 14:47 – Jeff sends another messages to Suzanne with no response. Third unread. Jeff sends last message if the day to Suzanne with no response.
May 09, 16:00 – 17:30 – Defense says Barry was at Salida Stove and Spa Salida Stove and Spa's posted hours have the store closing at 2pm on Saturday. Telematics show Barry's truck in his garage during the time he was supposedly at Salida Stove and Spa.
May 09, 16:44 – Barry parks his truck in the garage. Barry claims to have been loading his truck and cleaning off his workbench. (See: https://www.google.com/maps/d/edit?hl=en&mid=1FSqlFRrywR8FkytAYkNM-bdSxvKVK5MP&ll=39.173623131314%2C-105.63244&z=8)
May 09, 17:33 – Barry’s truck system manually rebooted Barry attempted to disable the trucks GPS and SYNC features.
May 09, 18:40, 18:46 – SO sends two Snapchats to Suzanne that were never opened SO sends two Snapchats to Suzanne that were never opened
May 09, 21:25 – Barry’s truck goes into reverse, backs 96.8 feet down driveway Barry backs 96 feet out of the garage.
May 09, 22:17 – Barry’s Phone Exits out of Airplane Mode Barry's phone comes out of airplane mode at the Morphew residence.
May 10, 02:53 – Outgoing call on Suzanne’s phone Possible glitch.
May 10, 03:25 – 03:48 – Barry’s truck door opened and closed "SA Hoyland noted over eighty events involving the F350 during this timeframe."
May 10, 03:58 – Barry’s phone moves from home to near where Suzanne’s bike found 3:58 am BM cell moves from home to near 225/50 where bike found Carol McKinley PH Tweets (read from bottom tweet up): 431 am 5/10 Barry’s phone goes back into airplane mode at the his home. 5:37 am – morphew turns into buena vista & heads towards broomfield. 538 he texts his mom “happy ... Read more
May 10, 04:10 – 04:23 – Last Activity from Suzanne’s iPhone Sergeant Mullenax asked dispatch to ping the number given for Suzanne’s cell phone. Dispatch informed Mullenax that the cell phone appeared to be off and last known activity was at 4:23AM on the present date, with a general location about 11.5 miles west of a cell tower in Poncha Springs, CO.
May 10, 04:32 – Barry’s Phone Goes Back into Airplane Mode Barry's Phone Goes Back into Airplane Mode
May 10, 04:32 – 05:14 – Chasing Elk, or Staging Evidence? Barry's trip to Garfield adds an approximate five miles each way to his morning trip, and places Barry and his vehicle in the direction the helmet was discarded - west from the bicycle.
May 10, 05:00 – Morgan Gentile Hears Barry’s Truck on Hwy 50 Gentile stated she did not see the truck but that his truck has a very distinctive exhaust.
May 10, 05:14 – 06:56 – Barry on the road to Broomfield. Barry phone exits airplane mode while heading towards Buena Vista, CO.
May 10, 08:10 – Trash Dump #1 – RTD Bus Stop Hwy 36 Agent Grusing: "Yes. He would have time -- with the passenger door opening and closing -- like it would say passenger door opened at 8:10:36 am and then passenger door closed at 8:12:13 am. So it took about a minute and a half and that trash can is only 10 to 15 steps away from where the truck was parked."
May 10, 08:14 – 08:20 Holiday Inn Express, Broomfield. Trash Dump #2 Grusing: "He said he parked there because he hoped someone would come out and he could go in the hotel before checking in and get a free breakfast." (Note: It was mid-COVID lockdown, building capacities were down to single digits.)
May 10, 08:41 – 08:46 – “I made it to Broomfield call me when you get a chance” Barry texts Suzanne.
May 10, 08:46 – Barry carries items into the Holiday Inn Express “If there’s clothes in my truck, there was probably old clothes I threw away.”
May 10, 10:06 – Barry exits hotel room. He's carrying a charcoal long-sleeved shirt, two white bags, and a pair of boots.
May 10, 10:20 – 10:41 – McDonald’s – Trash Dump #3 SA Grusing said Barry had a small item in his hand and used one arm to push it down, then both to push it further down as Barry was shown the photos.
May 10, 10:47 – 11:18 – Men’s Wearhouse Trash Dump #4 Barry was told he was there for about 40 minutes and asked if he remembered what he was doing there. Barry said, “I think I was still cleaning my truck, umm, yeah, yeah I mean, like I said, I just uh, I would, I was probably getting crap out of my truck like I said, which I’ve done my whole entire life.”
May 10, 11:18 – Barry calls MG "Barry called he was out of breathe (sic) panting but fatigue, kind a like hungover but he doesn’t drink, honestly when I hung up I thought to myself he sounded like he had the worst night of his life.” - MG
May 10, 11:23 – 11:36 – Barry back at the HIE Barry carries in disorganized papers in a binder. Carries out an organized binder.
May 10, 11:57 – 12:25 – Barry at the worksite Barry spent 28 minutes removing a few blocks from the wall.
May 10, 12:28 – 12:41 – HIE Trash Dump #5 A camera recorded Barry throwing away: a small item, one white trash bag, larger in size than the previous bags in one hand, a black container, along with a piece of clothing, possibly a camouflage coat.
May 10, 12:42 – 18:03 – Barry remains in his HIE room. ”At 3:30PM, Barry sent an outgoing message to Suzanne 'Call me'"
May 10, 2020 (Time Unknown) – Libler wishes Suzanne a Happy Mother’s Day Commented that it would be a hard day because she missed her own mother.
May 10, 2020 – 15:30 – Barry texts Suzanne from his hotel room. At 3:30PM, Barry sent an outgoing message to Suzanne “Call me”
May 10, 15:50 – 17:45 – Suzanne is discovered “missing” “I’m just so sad and REDCATED and I texted mom for Mother’s Day and she still hasn’t answered and I’m scared her and dad probably got in a big fight and I don’t even know it just made me want to be gone even more because I don’t want to be around them it hurts me and I know if REDACTED is working I might have to be home a lot more and it’ll probably be the worst summer of my life.”- MM2 text.
May 10, 17:55 – 19:10 – Barry leaving Broomfield 6:10 pm - Barry entered the lobby carrying two shovels and placed them beside the front desk. He made subsequent trips, placing more tools in the same spot.
May 10, 19:31 – Chaffee County finds the bike “Something is up with the front tire,” Deputy Brown
May 10, 20:42 – Barry arrives at CR 255 & US 50 "Barry is heard asking if deputies saw any “cats” on the road and a deputy says not recently."
May 10, 21:37 – CCSO Commander Avila brings Barry into the house for scent items. Barry does not call out or look for his wife in the home.
May 10, After 21:47 – Barefoot prints in the Bobcat Bucket Deputy Brown was walking in the driveway when Deputy Defurio told him that there were barefoot marks inside of the bucket on the Bobcat. Deputy Brown went with him to examine and found that the cutting blade on the bucket of the Bobcat appeared to be newly replaced, along with the nuts and bolts.
May 10, 22:00 – MG and JP smell chlorine and have the wrong tools in Broomfield. “It looked like Barry had removed top caps that was it. We also did not have the tools we need like a packer or gravel.”
May 11, 2020 – First Interviews, Puma Path Searched "On May 11, 2020, at about 7:00AM, Barry called Morgan and said that Suzanne was missing and he thought a mountain lion may have attacked her. Morgan explained that Barry was initially crying but then abruptly shifted to the specifics about the Broomfield job."
May 11, 2020 – 14:47 – Libler sends last message to Suzanne. Wishing her well for her scheduled final cancer treatment that day.
May 12, 2020 – 20:00 – Barry found digging in the trash at Poncha Market “He went to write down a description of maybe what she was wearing,” Butala said. “I just thought it was weird because he didn’t explain what the color of her eyes were or her hair or anything about her, like how tall she was or anything.”
May 13, 2020 – Deputy Carricato took photos of scratches on Barry’s left arm and hands. These injuries appeared to be healing, several days old scratches.
May 13, 2020 – Fundraiser created $33,552 raised
May 17, 2020 – 11:13 – Barry’s “plea” video is released on Facebook. “Oh Suzanne, if anyone is out there and can hear this, that has you, please, we’ll do whatever it takes to bring you back. We love you, we miss you, your girls need you. No questions asked, however much they want – I will do whatever it takes to get you back. Honey, I love you, I want you back so bad.”
May 19, 2020 – Interviews, Pneu-Darts, Range Rovers "CCSO Deputy Scott Himschoot was present during the search at 19057 Puma Path, in the laundry room, and was asked to collect a “pneu-dart box, empty,” one plastic hypodermic cover, one Pneu-dart book from safe in garage, one dart from box under bench in garage, among other items. The plastic cover was located by evidence search teams in the dryer, inside of the sheets belonging to REDACTED bed." (At some point we had confirmation of a to-do list Suzanne left including MM1s bedding in hopes that the older girls would spend the night. Cannot remember the source.)
May 20, 2020 – Spy Pen found. "The pen was located in a cloth bin amongst women’s bras. The cloth bin and pen were inside the walk-in closet in the master bedroom, located on the ground level of the residence. Detective Hysjulien located, with the pen, the controller and headphones for playback and a USB cable."
June 1, 2020 – Barry files for guardianship. Within a month of Suzanne’s disappearance, Barry began to liquidate assets.
June 1, 2020 – TD interviews Barry on camera. "So, uh -- we uh --. We had two daughters that were coming home from a trip. And I got a job in Denver that I wanted to get started on on Sunday. Set it up for my work because my rookies are coming in Sunday night. (Unintelligible) Monday but I, being the owner, I wanted to get everything lined up so that (Unintelligible).
June 6, 2020 – Barry closes on IN home. Pockets $750,000
June 25, 2020 – Barry purchases the Longhorn Ranch property for $165,000 Property Address 8366 LONGHORN DR
July 13, 2020 – Barry sells Suzanne’s Range Rover. Leaves Suzanne's sunglasses in the car.
Aug 20, 2020 – Lauren Scharf Interviews Barry “People don’t know the truth, so they’re gonna think what they’re gonna think.”
October 05, 2020 – Barry lists Puma Path home for sale. Originally listed for $1,759,000.
November 2020 – Barry Commits Voter Fraud Barry filled out Suzanne's ballot and mailed it in.
February 17, 2021 – Barry Sells Longhorn Ranch property for $150,000 A $15,000 loss. Same property sold on 04/21/2021 for $175,000, indicating Barry needed the money fast.
March 3, 2021 – 19057 Puma Path sells for $1,625,000. Barry and Suzanne Morphew purchased the home on April 12, 2018 for $1,575,000.
May 4, 2021 – Warrant Issued for the Arrest of Barry Lee Morphew CRS/CHARGE: 18-3-102 (1), (a) Murder in the First Degree, a class 1 Felony, 18-8-610. Tampering with Physical Evidence, a class 6 felony, 18-8-306, Attempt to Influence a Public Servant, a class 4 Felony.
May 5, 2021 – 09:15 – Barry Lee Morphew Arrested for the murder of Suzanne Renee Moorman Morphew "Morphew was arrested around 9:15 a.m. on Wednesday, May 5 near his home in Poncha Springs. FOX31 News has obtained video of the arrest, which shows his truck stopped on the side of the road near several police vehicles. He can be seen standing just off the road with an officer." AA: https://www.documentcloud.org/documents/21065843-21cr78-morphew-redacted-affidavit
August 9-12, 2021 – Preliminary Hearing. Day One: https://docs.google.com/document/d/15wZ86C3zQ6kh9VGOUCJcr0ipCoFeaXkdowmwyaruiIQ/edit?usp=drive_link
Day Two: https://docs.google.com/document/d/1QKa1jcH2dAqe9Wezew-KbLCDuicrm1HgfwC4oGwM8Dg/edit?usp=drive_link
Day Three got corrupted so it's gone.
People's exhibit images: https://imgur.com/a/hgvlBUt Defense exhibit images: https://imgur.com/a/VC3ZfUZ
April 19, 2022 - Case against Barry Morphew Dismissed Without Prejudice. Prosecution asked for the case to be dismissed.
May 2, 2023 – Barry files $15,000,000 lawsuit against Chaffee County, et.al. https://www.9news.com/article/news/local/barry-morphew-lawsuit/73-3cea50c2-cdae-4338-8de9-9e113d33db6c
May 8, 2023 – Fraud Lawsuit filed against Barry in Indiana. Property dispute. https://denvergazette.com/news/courts/barry-morphew-sued-fraud-allegations-land-dispute/article_1c7cd90e-f4f5-11ed-9778-47c9c303d16d.html
September 22, 2023 – Suzanne's Remains Found Near Moffat in Saguache County While SCSO was searching for another (unrelated) missing woman. https://www.cbsnews.com/colorado/news/suzanne-morphew-remains-found-colorado-missing-mother-barry-chaffee-county-disappearance/
Sept. 27, 2023 – Autopsy Completed. Awaiting Toxicology. https://cbi.colorado.gov/news-article/suzanne-morphew-autopsy-results-cbi-update-0https://www.cbsnews.com/colorado/news/autopsy-complete-remains-missing-colorado-mom-suzanne-morphew/
April 29, 2024 – Toxicology finds BAM in Suzanne's bone marrow. “Homicide by undetermined means in the setting of butorphanol, azaperone, and medetomidine intoxication.” https://www.scribd.com/document/727780041/Suzanne-Morphew-autopsy-results https://www.cpr.org/2024/04/29/suzanne-morphew-died-by-homicide-with-tranquilizer-chemicals-present-in-body-according-to-autopsy-report/
Complete Case Overview (Official News Reports and Documents)
What Suzanne Left Behind (PH Exhibits)
Suzanne's Texts with SO Sept 2019
Barry's Unstableness: Suzanne's Text Conversion with SO September 1 (PH Exhibits)
Where was Barry on the 9th - Preliminary Hearing Exhibits
Barry and the Chipmunks (AA Excerpts)
Barry's dirty truck and poorly maintained rifle. PH Exhibits
Suzanne's Last Days - Timeline - May 4th - May 9th, 2020
Barry Buries a Body - May 10th, 2020 - Timeline
Barry Busy in Broomfield Part One (Preliminary Hearing Exhibits)
Barry Busy in Broomfield Part Two (PH Exhibits)

Preface: This is for Vedic, Sidereal Astrology.
This took a super long time to finish, but I've finally reached a point where I think I'm done trying to improve it. This part will focus more on how Purva Bhadrapada manifests for individuals.
Reminder that Purva Bhadrapada spans from 20° sidereal Aquarius to 3°20’ sidereal Pisces.
Nature
Purva Bhadrapada reminds me a lot of Kali Yuga. In Hindu cosmology, Kali is the final of the four ages that the world goes through as part of a continuous cycle of creation, maintenance, and dissolution. It is the final stage before the onset of a new cycle, promising the destruction of the old order and the eventual merging of all into a unified whole. It signifies a time of dual balance before dissolution of individual identities and the reunification of all existence with the divine source. This can be viewed as being similar to the process of individual death, but it is on a universal scale. Kali Yuga is considered the age of darkness and moral decline, where spiritual values deteriorate and materialism prevails. According to Hindu scriptures, Kali Yuga is characterized by widespread social, political, and moral corruption, as well as a decline in virtue and Dharma (righteousness). It is believed that, during this age, human beings face numerous challenges and spiritual tests, and the pursuit of higher consciousness becomes increasingly more difficult compared to the previous Yugas. Just as Kali Yuga tests individuals with challenges to their spiritual resolve amidst the prevailing degeneration of values, Purva Bhadrapada is a cosmic stage where one's truest nature is tested through the weakening separation of the spiritual and the material. Here, individuals are made to confront their deepest fears and desires, burdened with the challenge of facing their true nature and purifying their souls. The emphasis of this nakshatra lies in releasing attachments amidst the seduction of outer freedom and power, mirroring the spiritual trials inherent to Kali Yuga. Yet, despite challenges of degeneration, there exists a unique opportunity during the stages of both Kali and Purva Bhadrapada. Kali is believed to be the best time for spiritual progress and true liberation because individuals can attain spiritual growth more rapidly due to the intensity of the challenges they face during this period, and the same is true of Purva Bhadrapada nakshatra. Both Kali and Purva Bhadrapada emphasize the importance of transcending mundane concerns and dedicatedly seeking spiritual truth amidst the backdrop of pervading ignorance.
The primary nature of Purva Bhadrapada is that of penance and disequilibrium. Purva Bhadrapada is the stage of evolution where individuals are made to undergo intense internal transformation and dissolution, shedding layers of their being in preparation for spiritual renewal and divine return. This process of metamorphosis can be seen as a type of penance, whether embraced willingly or thrust upon them. It offers eventual rewards as they journey towards enlightenment. As the primary nature of Purva Bhadrapada revolves around penance and transformation, individuals heavily influenced by this Nakshatra are oriented towards personal introspection and societal purification, viewing their lives as both a personal quest for growth and an opportunity to contribute to something greater. Individually, they seek to cleanse themselves of past transgressions and strive for spiritual redemption, and they feel personally responsible for their impact on others. At a broader societal level, they are driven by a strong sense of justice and a duty to rectify societal wrongs of the past and present in order to contribute to the collective upliftment and purification of their community. As such, they often subject themselves and others to extreme physical, mental, and spiritual challenges. They are presented with a kind of spiritual trial of sacrifice: either they can willingly embrace self-denial and endure while remaining detached, or they can create so much desire and fear that it causes them to lose the direction of their souls in the process. While the primary manifestation of Purva Bhadrapada energy is inwardly focused on cultivating self-discipline and perfection, oftentimes to an unhealthy degree, sometimes the focus can instead shift outward. This is where Purva Bhadrapada gains a lot of its infamy; Purva Bhadrapada is revered as one of the most "difficult" and "intense" nakshatras among Vedic astrologers. It is an asterism that gets approached with trepidation due to its somber imagery and associations with themes of violence, debauchery, and malevolence. The negative traits linked to Purva Bhadrapada, such as paranoia, pessimism, and hedonism, contribute to its daunting reputation. And for the most part, the fear of this nakshatra is justified. Not only are these individuals capable of doling out punishment themselves through various means like violence, manipulation, curses, etc., but they can also inadvertently bring out the self-destructive or uncontrolled nature of others. They are the types to cause deep introspection and confrontation with one's own shortcomings and fears, often acting as catalysts for irreversible transformation of character.
In terms of Purva Bhadrapada's inherently unbalanced nature, the trajectory is quite clear. These natives are not the type to do anything in moderation and often have an unstable demeanor and sense of self. They will always be pulled towards the polar extremes of anything, but they can flip on their values rapidly following any transformative event. They may occupy the deepest levels of material saturation, completely lost in chasing fame, drugs, sex, and uncontained immoral activities. Yet, paradoxically, they can also find themselves drawn to the heights of spiritual austerity, sometimes even at the same time they are trying to maximize their material standing. This innate propensity for extremes and contradiction manifests in every aspect of their lives, from their relationships, to their goals, to their beliefs, and to their actions. They are esteemed for their amiable disposition, characterized by warmth, thoughtfulness, and a selfless inclination to assist others without seeking acknowledgment. Yet, concurrently, they are often perceived as self-serving, prone to bouts of ill temper, and housing a proclivity towards ego-centricity. Despite appearing outwardly normal a lot of the time, they can be very eccentric. They are the types to lead clandestine lives, harboring secrets and maintaining hidden facets of their personalities and activities, even to those closest to them. This can make them seem nefarious and untrustworthy. Sometimes this is the case, but despite having a reputation for deceit, many of them are known to be sincere and honorable. Yet, underlying however they are being perceived is a deeper struggle to fully identify with anything. This challenge leads to inner conflicts and uncertainties, as they grapple with their sense of self and their place in the world. They are up and down, left and right, constantly in a state of internal conflict that leaves them questioning who they really are. They can feel like they don't know themselves while still being hyper-individualistic and defensive over whatever their current sense of identity is, even though it is likely to change. These contradictions reveal the complexity of their psyche, where outer appearances often mask inner conflicts and contradictory emotions and experiences. Purva Bhadrapada natives navigate the space where boundaries are starting to blur, reflecting the burgeoning singularity of existence in their minds. Due to this, sometimes they can seem like walking contradictions, embodying multiple clashing characteristics at once. For example, while they may harbor a sense of superiority over others, they can also experience deep-seated insecurity and jealousy. They can like to be critical, but cannot handle criticism. Additionally, they might demonstrate a strong desire for independence and self-reliance, yet simultaneously crave validation and approval from those around them. These conflicting traits contribute to their complex and enigmatic nature, making them intriguing yet challenging individuals to understand to others and themselves.
Purva Bhadrapada's inclination towards extremes extends to their pursuit of goals, as they approach certain tasks with unwavering ambition and dedication. They set high standards and are willing to push themselves to extreme limits to get what they want. This relentless drive for perfection and attainment can sometimes lead them to engage in behaviors that are harmful to the well-being of themselves or others, as they struggle to find balance and moderation. At this point, you may be asking, "how is that penance if they are only striving to selfishly get what they want?" Well, the painful truth about this is that they do not really want these things. They are told by others ignorant to their situation that they will be happy when they achieve some kind of abstruse goal set forth for them by society, and they are sent on a goose-chase of material ambition to achieve happiness, but this inevitably only leads to further dissatisfaction. They are met with pain, humiliation, and harsh transformation, but they keep pushing towards their aspiration of material fulfillment. It is only when they get that job, marry that partner, become famous, etc. that they realize it does not bring them happiness or fill them with the sense of purpose they crave. In fact, this realization often leads to intense anger as they confront the worthlessness of what they spent all their time chasing. The journey through Purva Bhadrapada is undeniably arduous, but that is to be expected with such a potent force. They are called to transcend their attachments, lest they be forcefully ripped away. They begin to grapple with an inescapable emptiness they feel when interacting with the world, and this can often lead them to deep feelings of nihilism. Purva Bhadrapada natives are predisposed to being unhappy, and this is not a shallow kind of unhappiness that fades based on external circumstances. Rather, it is a deeply existential depression– a feeling of confused worthlessness and dissatisfaction they often battle with for the duration of their lives. Their experiences and attachments become increasingly burdensome as they grow more aware of the fleeting nature of life. These natives will openly acknowledge the impermanence of worldly intentions, and while this can be both good or bad, it ultimately makes their minds unpredictable and unstable. With the recognition that nothing lasts forever, a new philosophy can be used to justify any action according to moral relativism. If nothing matters in the grand scheme – where whatever you do will eventually fade into obscurity, wiped away with the start of a new cycle – then anything you do doesn’t really matter in the end. This gives these natives a sense of untouchability, a feeling to do whatever they please at their most uninhibited. And it is in this stage of recognizing one’s freedom to do whatever they want is that the test to discern their one’s nature begins. When there is total freedom, the only real concern becomes about what one chooses to do with their freedom. After all, the only harm that can come from doing what you want is ultimately the result of wanting to do something harmful. Sadly, the reality is that most people are not strong enough to fully resist the temptation of evil and would fail this test. It is for this reason that this trial is exclusively administered to individuals who possess a high level of spiritual advancement found under Purva Bhadrapda. Regardless of the difficulties they face, those governed by Purva Bhadrapada have tremendous inner strength and personal resilience, which often manifests in worldly and spiritual achievement and prosperity in various facets of their lives.
Individuals born under the influence of the Purva Bhadrapada Nakshatra are inherently inclined towards detachment from external influences. This detachment often leads them down two distinct paths. Some choose to embrace a life unbound by societal norms, driven solely by their inner convictions. These individuals seek to experience life to the fullest, embracing both its joys and challenges. However, if they feel unfulfilled, they may turn to darker pursuits in search of excitement. Conversely, others utilize their detachment for spiritual advancement, renouncing materialism in favor of a disciplined quest for higher truths. In both cases, detachment becomes a defining trait, shaping their lives in divergent yet meaningful ways. Whether they become revolutionary leaders or appear lazy due to their selective motivation, their actions are stirred only by what truly invigorates their souls. Their inner character often changes with time. They can start out seeming quite innocent and fragile, and a lot of the time they will have something about them that invites torment, be it their big and eccentric personalities, their height, their weight, their looks, etc. This often leads people to perceive them as different and vulnerable. Unfortunately, this vulnerability often attracts individuals who seek to exploit, victimize, or corrupt them. There's a noticeable pattern of others attempting to take advantage of their perceived weakness, whether it be through just trying to make them feel bad, manipulating them, coercing them to do things they do not want to, or forcing them to be alone by treating them as outcasts. This predatory behavior can leave these individuals feeling isolated, betrayed, and miserable, further fueling their inner turmoil and sense of disillusionment with the world around them. However, this also serves to strengthen them. During the course of their lives, they will experience a series of external transformations that will change who they are. While their soft and innocent demeanor may still be present in some ways, there will be a new darker side to their nature. The inner transformations that Purva Bhadrapada natives undergo change them into stronger, more hardened versions of themselves. This alteration can manifest in tendencies towards violence, aggression, deceit, manipulation, etc., yet at the same time, it also equips them with the strength and capability to protect others when needed. As they navigate the complexities of life, they become formidable forces, possessing the resilience and detachment to confront challenges head-on along with the capacity to wield their strength for both good and evil.
Purva Bhadrapada natives exhibit a curious mix of flippancy and seriousness, often displaying a casual attitude towards many topics yet simultaneously exuding an air of solemnity in regards to topics concerning things like philosophical and existential inquiries. They possess a keen intellect characterized by innovation and depth of gnosis, which lends to their excellence in fields like science and research. Additionally, they are known to have an insatiable thirst for knowledge and information gathering brought about by a powerful yearning for deeper truth. While they may have a religious inclination, their focus lies more on unraveling the essence of spirituality rather than adhering rigidly to dogma. As a result of their approach to religion, they can sometimes be critical of conventional religious practices, which rely heavily on dogmatic rules and rituals. These natives are generally liberal and disdain hypocrisy as well as superficiality, valuing authenticity and depth in both thought and action, regardless of how much it clashes with anything else. Despite their show of outward confidence, they often wrestle with inner self-doubt and a crippling fear of failure, which leaves little room for optimism when they are faced with setbacks. While they typically prefer to be alone, they may inadvertently rely on others when seeking to escape the monotony of their everyday lives. This can make them seem unreliable or inconsistent when it comes to their relationships. They are driven by an innate desire to transcend mediocrity and to be perceived as exceptional. This drive for superior distinction stems from underlying feelings of insecurity and a fear of judgment, compelling them to constantly push the boundaries and strive for success through originality in all aspects of their lives. In their personal relationships, Purva Bhadrapada natives may struggle to balance their need for independence with their desire for connection. Generally, in their interactions with others, Purva Bhadrapada natives are intense yet detached. Despite their desire for authenticity and closeness in relationships, they may struggle to express their openly, fearing rejection or misunderstanding. This internal conflict between their need for connection and their fear of vulnerability can create barriers to intimacy, causing them to retreat through self-imposed isolation. Additionally, their critical nature and high standards can sometimes alienate others, as they can come across as overly judgmental or demanding of their fitness, partners, colleagues, etc. They value depth and sincerity in relationships, but sometimes it can be too much to where they end up pushing others away with their intensity. Despite these challenges, they are still often very empathetic and understanding, and they can offer support to people when needed.
Before I get into the padas, I want to give some examples. I do not want to go into much detail or take up too much time with this, but given the very complicated nature of this nakshatra, I feel that it is necessary to provide media representations for people to look into if they are interested in knowing more about how it manifests: Martin Scorsese PB Moon and Andrew Garfield PB ASC (Silence Official Trailer (2016) - Paramount Pictures), Billie Eilish PB ASC (Billie Eilish - bury a friend (Official Music Video)), Jack Black PB Moon (School of Rock (2003) Trailer #1 Movieclips Classic Trailers), Dylan O'brien PB Moon (AMERICAN ASSASSIN - Official Trailer - HD (Dylan O'Brien, Michael Keaton), Logan-Marshall Green (Upgrade Trailer #1 (2018) Movieclips Trailers), Paul Walker PB Moon (Hours TRAILER (2013) - Paul Walker Movie HD), Bill Skarsgard PB Moon (The Crow - Official Trailer (2024) Bill Skarsgård, FKA twigs, Danny Huston), Olivia Wilde PB Sun (A VIGILANTE Official HD International Trailer Starring Olivia Wilde) & (The Lazarus Effect Official Trailer #1 (2015) - Olivia Wilde, Mark Duplass Movie HD), John Stamos PB ASC (John Stamos Stars in "Secrets of Eden" Lifetime), Hozier PB Sun (the lyrics and imagery of this video are extremely Purva Bhadrapada) Hozier - Take Me To Church), Kaya Scoledario PB Sun (Spinning Out Official Trailer Netflix), Ryan Gosling PB ASC (THE FALL GUY Official Trailer 2 (Universal Studios) - HD), Camila Mendes PB Moon (Do Revenge Official Trailer Netflix), Bryan Cranston PB Sun (Breaking Bad Trailer), Sabrina Carpenter PB Moon and Milo Manheim PB Sun (Sabrina Carpenter - Feather (Official Video) Alexandra Daddario PB Sun (Anne Rice's Mayfair Witches Trailer: Starring Alexandra Daddario AMC+), Jacob Elordi PB Moon (2 HEARTS Official Trailer (2020) Jacob Elordi, Tiera Skovbye), Tom Blyth PB Moon (Billy The Kid (EPIX 2022 Series) Official Trailer), Daniel Gillies PB Sun (COMING HOME IN THE DARK Trailer (2021) Daniel Gillies Suspense Thriller Movie), Matthew Gray Gubler PB Sun (KING KNIGHT Trailer (2022) Angela Sarafyan, Matthew Gray Gubler), Jon Hamm (Corner Office (2023) Official Trailer - Jon Hamm, Danny Pudi, Sarah Gadon), Rachel Weisz PB Sun + Moon and Sam Claflin PB Moon (MY COUSIN RACHEL Official Trailer FOX Searchlight), Chris Pine PB Moon (Jack Reacher Movie Trailer), Madison Beer PB Sun (Madison Beer - Make You Mine (Official Music Video), Sharon Stone PB Sun (Basic Instinct - Trailer (1080p)), Michael Jackson PB Moon (Michael Jackson - Thriller (Official 4K Video), and Jenna Ortega PB Ascendant (most of her depictions in media emphasize her Rohini Moon, but this movie in particular was very emphatic of her Purva Bhadrapada rising: https://youtu.be/_fZXEMNG8Zg?si=hW8mPhAvXIqYxOQU).
Padas
(mostly for Moon) They all tend to be skinny to middle weight until they get older, where they either become more muscular or plump/curvy.
1st – The first pada of Purva Bhadrapada, falling in the Aries Navamsa, signifies a stage of primal energy and raw ambition. With Mars as their guiding force, they exhibit a relentless drive to achieve their goals, refusing to be deterred by obstacles or setbacks. However, being the initial pada of the nakshatra just leaving the stage of Shatabhisha, this quarter is the least spiritually developed. While they may possess great worldly ambition and the capacity for success, they may also be prone to ego-driven actions and an overly narrow focus on material pursuits. They can get into occultism or spirituality, but it is usually an attempt to further themselves in the material realm. Natives born under this pada possess a combative nature, always ready to engage in confrontations to defend their beliefs or assert their dominance. They tend to be more mentally aggressive than physically, but nonetheless their volatile temperament can lead to physical disputes as well when they are provoked enough. They know they can be very damaging when they lose control, so they will do everything in their power to prevent escalation. Ironically, this can make them seem passive. They typically exhibit anxious tendencies while attempting to conceal or downplay their feelings of worry. Natives of this pada are extremely passionate, but they have a tendency to constantly compare themselves to others, which ultimately can lead them to disregard their efforts to focus on surpassing someone else's. This propensity of theirs for aggression, envy, and competitiveness can strain relationships and hinder their personal growth, as they become consumed by their own desires for dominance and validation. They are usually medium tall with a wide forehead and low eyebrows.
2nd – The second pada of Purva Bhadrapada, ruled by Venus in the Taurus Navamsa, embodies a stage of sensual indulgence and creative expression. Individuals born under this pada are drawn to the occult and mysteries of the unseen, often delving into practices such as astrology and black magic. There is a bit of detachment from the mysticism of it at this stage though. They may prefer to look at it through a scientific or philosophical perspective as opposed to one that embraces faith in the divine. While their interest in these esoteric realms may lead to proficiency in such arts, it also heightens their propensity to lose track of their life's direction, becoming absorbed in the pursuit of hidden knowledge and power. Natives of this pada are characterized by their attractive physique, with beautiful broad teeth and strikingly captivating eyes that draw others to them. They possess an innate charm that makes them highly appealing to the opposite sex, and they are not hesitant to indulge in their darker desires and fantasies. Their creativity knows no bounds, as they constantly innovate and explore new avenues of expression. However, despite their magnetic allure and creative flair, individuals of this pada are prone to indulgence and excess, particularly when it comes to satisfying their sensual appetites. Their pursuit of pleasure and gratification can sometimes lead them astray, causing them to lose sight of their responsibilities and priorities. This stage of Purva Bhadrapada is more spiritually evolved than the prior, but it is still in the accumulation phase of Aquarius and the 11th house. Despite their outward charm, they may struggle to find stability and balance in their lives. They are prone to accidents.
3rd – The third pada of Purva Bhadrapada falls in the Gemini Navamsa and is ruled by Mercury. Natives born under this pada embody the mental side of Purva Bhadrapada, which is very focused on cultivating critical reasoning and gathering information, emphasizing communication, learning, and adaptability. Individuals born under this pada are intellectually inclined, constantly seeking to expand their knowledge and understanding of the world around them. They are playful and curious by nature, approaching life with a sense of wonder and exploration. Their energy is expressed through communication and expression, as they excel in articulating their thoughts and ideas. They have a natural gift for language and may find success in fields such as writing, teaching, or public speaking. Despite their playful demeanor, they are still very serious about their pursuits, driven by a deep-seated desire for personal growth and self-improvement. Natives of this pada tend to be peaceful and honorable, seeking harmony and balance in their interactions with others. However, their mercurial nature can sometimes manifest as manipulation or deceit, particularly when they perceive it necessary to achieve their goals. Nonetheless, they are skilled at navigating social situations and may possess a knack for making money through their cleverness and resourcefulness. In terms of appearance, individuals of this pada may have gaunt lower cheeks, high cheekbones, a narrow and defined jawline, and a medium stature. These physical characteristics complement their sharp wit and agile minds, making them engaging in social settings.
4th – The fourth pada of Purva Bhadrapada is ruled by the Moon in Cancer Navamsa. This is the most spiritually advanced of all the padas and tends to be among the most intense. At this stage, individuals born under this pada have either undergone profound inner transformation, shedding their attachment to worldly desires and material gains for the sake of aligning with the cosmic order, or they have fallen for the empty temptations of material life, leading them to a deeper state of moral decay. This pada in the sequence of this nakshatra symbolizes the finalization of death, and just like when we die, the impact of our lives can no longer be altered. You are called to surrender all you have acquired to the purifying flames of the spiritual fire, relinquishing personal benefit for the greater good, and if you fail, your soul will be lost to another cycle of rebirth. This represents the height of the nakshatra's power to manifest, it can come to be either an uplifting force for individuals and humanity as a whole, or as a potentially dangerous influence. Those born under this pada are deeply engaged in their own spiritual pursuits, usually guided by a sense of purpose and higher calling. They possess an innate magnetism and power that exerts influence over others and the world around them. Despite the intensity of their spiritual journey, individuals of this pada tend to enjoy good longevity and robust health, thanks to their deep connection with the cosmic energies. They are often perceived charismatic individuals, drawing others to them with their presence. However, their innate power comes with a responsibility to wield it wisely, as they hold the potential to bring about significant positive change or destruction, depending on how they choose to channel it.
Caste
Purva Bhadrapada belongs to the Brahmin or priestly/scholarly caste. This classification is based on the inherent qualities and tendencies of individuals born under this nakshatra, rather than their family lineage, as seen in contemporary caste systems. In Vedic astrology and Hindu tradition, each nakshatra is associated with as caste, thereby linking them to specific attributes, occupations, and societal roles. Brahmin is positioned as the highest caste and is given the most power and responsibility, both socially and spiritually. In classical texts, the Brahmin caste is exalted for its dedication to scholarship, spirituality, and moral rectitude. Brahmins are depicted as the keepers of sacred knowledge, entrusted with the preservation and dissemination of ancient scriptures and teachings. They are revered for their intellectual prowess, philosophical insights, and commitment to upholding the highest ethical standards. Brahmins are expected to lead lives of austerity, simplicity, and self-discipline, setting examples of virtue and righteousness for society. Additionally, they play important roles in leading religious rituals, ceremonies, and spiritual practices, acting as intermediaries between individuals and the divine. Their contributions also extend beyond religious and intellectual realms though, as they also provide guidance, counseling, and healing to individuals and communities. Overall, Brahmins are portrayed as paragons of virtue, wisdom, and enlightenment, embodying the highest ideals of human excellence and divine knowledge as described in classical texts, acting as oases of wisdom by guiding society not only in matters of spirituality but also in areas such as literature, philosophy, and science. Their primary occupations are mostly associated with administration of all sectors of society, teaching, healing, and providing spiritual guidance. Its intersection with Aquarius Rashi on the ecliptic plane may also relate it to Kshatriya and Shudra.
Gunas
The nakshatras each represent the different gunas at different levels of functioning. For this asterism, it might be confusing to find out that, despite all of its negative connotations, it is associated primarily with Sattva or purity/balance. This mainly stems from this Nakshatra's capacity for penance, spiritualism, and generosity. Overall, Purva Bhadrapada is associated with two levels of Sattva and one of Rajas. Sattva prevails at the physical and mental levels, while Rajas predominates at the spiritual level. At the physical level, individuals born under Purva Bhadrapada exhibit qualities of purity, harmony, and balance. They are often composed, grounded, and possess a sense of stability in their physical endeavors. Mentally, they tend to exhibit clarity, wisdom, and a penchant for introspection when they are only focused on engaging their rational mind. This can get muddy when they try to incorporate less tangible aspects into their thinking though. At the spiritual level, the influence of Rajas emerges, driving them towards spiritual growth and evolution but also threatening them with the struggle of inner turmoil. With Rajas at the most personal level of the spirit, this can cause a onstant seeking pf external validation and gratification, which leads to things such as constantly chasing after fleeting desires and pleasures from their lack of contentment. Additionally, the intense drive associated with Rajas may result in overexertion, burnout, and a disregard for self-care. It can lead to an inflated ego, arrogance, and a tendency towards manipulative or self-serving behavior. Therefore, while Rajas can propel individuals towards spiritual evolution, it also poses challenges that need to be navigated with mindfulness and self-awareness. Together with the heavy influence of Sattva, Rajas in this nakshatra creates a spiritual restlessness that works to propel these natives to actively engage in spiritual practices, seeking to transcend worldly limitations and attain spiritual liberation. It comes with risk, but this is a necessary trial.
Gana
Purva Bhadrapada Nakshatra falls under the category of Manushya Gana, or "human species." This designation speaks to the inherent qualities and tendencies of individuals born under this nakshatra, aligning them with human characteristics and behaviors. People belonging to the Manushya Gana Nakshatras, including Purva Bhadrapada, place value on their self-worth and esteem. They often enjoy good physical attributes and are blessed with fortune, leading comfortable lives. With warm and friendly personalities, they exhibit care and affection towards their family, friends, and loved ones, readily offering assistance to those in need. However, they also prioritize their own interests and benefits. They are known for their warm and caring nature. The path of those born under Manushya Gana nakshatras is undefined because they determine their own morality. They possess the potential to exhibit both positive and negative qualities, akin to the diverse nature of humanity itself. They have the potential to be even more evil than the Rakshas and even more good than the Devas. While some may lean towards acts of kindness and generosity, others may display tendencies that are less altruistic. This blend of qualities makes them a complex combination qualities you might see for the Deva and Rakshasa Ganas. Keep in mind that you should look at the dominant Gana in your chart to gain a better understanding of how this may apply to you.
Thank you for taking the time to read this if you did. I will have to continue this in a third part because I'm out of room on this post. Afterwards, I will be starting on Shravana Nakshatra soon, and then later on Anuradha.

Disclaimer: I am not a lawyer, and the following is not legal advice.
I see a lot of posts here trying to find works in the public domain that were not previously identified as such, often trying to parse the labyrinthine world of the last century's worth of changes to U.S. copyright law.
I've been researching, as a layperson and not a a lawyer, the public domain and how copyright law affects it for the past twenty years. One of the biggest takeaways of that time is that when it comes to the public domain and copyright, the law favors copyright. The public domain has been increasingly diminished and stripped repeatedly over the course of the past century. In very few ways does the law ever protect the public domain.
In practice this means that aside from works from 1928 and earlier (or 1923 and earlier for sound recordings), it's difficult to have confidence in determining that a work is in the public domain. Many if not most here probably know the story of "It's a Wonderful Life," of how it was assumed to be public domain for many years, released on unauthorized home video and broadcast without payment of licensing fees on many TV networks, only for a workaround to be achieved based on the short story the film was based on still being under copyright, as well as due to copyrights related to the film's soundtrack.
The end result is that you nearly always have to assume a work is copyrighted; it's the default. The laws are designed to keep as much work copyrighted for as long as possible. Large corporations with a lot of money and lobbying power have seen to this.
Trying to find and "reclaim" works for the public is very tempting. Once in a while, something seems to bear out, like the revelation that a proto-Garfield is seemingly in the public domain. There's an urge to take our collective public and pop culture back from private interests.
But the deck is stacked against us in doing this and ultimately we take risks thinking we've identified a work's public domain status and then trying to sell or adapting it into new work. It's all an uphill battle, a series of them.
Here is a thought: the energy spent on trying to find and prove the (in some cases almost impossible to prove) public domain status of individual works would be better spent trying to push for copyright law reforms in ways that actually enshrine and protect the public domain.
This could mean organizing, contacting elected officials, and bolstering one's grasp of arguments for the value of the public domain and the reform of copyright laws.
There is more awareness of the value of the public domain now than ever in the twenty years I've studied these things. It's a different world now than it was in 1998 when copyright terms were extended in the U.S. for twenty years and the public domain was frozen. So many people share media, and produce media, online, and they've gotten familiar with what a copyright strike is. It's not just something for TV stations and movie studios to think about now that so many more people are producing work online. If there's ever been a time for the public to take back the public domain, it's now. And there's a lot more to be gained than just a few obscure titles whose copyright holders might, or might not, have failed to maintain their copyright status.
Just my two cents, food for thought.

BoxOfficeTheory Presale Tracking
USA Showtimes As of May 10
Presales Data (Google Sheets Link)
BoxOfficeReport Previews
DOMESTIC PRESALES
Back to Black EA+Thursday Comp: $0.34M

• abracadabra1998 ($0.29M EA+Thursday comp. Yikes bikes (May 12).)
  
• crazymoviekid ($0.28M Thursday comp. Not great. Let's say $.3M (May 14).)
  
• filmlover (Looking at the sales even for the early shows on Wednesday it's on the anemic side (and nothing that's likely to boost it over the next days). Feels like we're about to see how low a biopic about a famous musician can go (May 10).)
  
• katnisscinnaplex ($0.45M EA+Thursday comp.)
  
• Rorschach (Zero tickets sold on Thursday and only four on Friday. I don't think I'll be missing much (May 13).)
  

IF Thursday comp assuming $2M for keysersoze123: $1.82M

• abracadabra1998 ($1.23M Thursday comp. My model has been pretty good for animated/family releases in the past, hence why every comp is so eerily similar. Still, looking at others' numbers and how much lower mine are, I am wondering if summer break might be something to consider here; from what I am aware, here in Minnesota most school districts don't start break until June (May 13). Hoping for some real acceleration this last week but not looking good (May 12). One week out, not impressed in the slightest (May 9). Rising against comps as expected, due to the short release window, but I am still failing to see anything that suggests the numbers given by some other outlets (May 5). The release window for this is way shorter than all these comps so those numbers will naturally go up. Decent growth in the last three days (May 2).)
  
• AniNate (I'm gonna guess that Nick IP spot for IF this morning ratcheted up interest, Fri-Sun sales at Canton now close to 200. Also of those 200 about 50 were for XD. Not the usual overwhelming presale split but not insignificant for a kids movie also playing on two standard screens (May 13). 45 sold at the five nearest Cinemarks for Thursday previews so far, so yeah there's evidently some kind of regional variation (May 13). I definitely haven't seen as much of a rush here with Garfield as with IF (May 11). I dunno, I have no comps but I feel like local presales is a pretty sizable haul a week in advance for an original non-Disney kids movie (May 9). I did see a surprising amount of single sales looking at IF charts (May 1).)
  
• charlie Jatinder (Hmm. So no real Regal impact it seems at katnisscinnaplex's theaters (April 30).)
  
• crazymoviekid ($1.95M Thursday comp. Definitely looking around $1.75M Thursday for now (May 14).
  
• DAJK (Selling pretty well so far here (May 4).)
  
• el sid ($2.4M Thursday comp. Friday up so-so 116% since last Monday. I chose Jungle Cruise, Dolittle, Elemental, Minions 2 and Sonic 2 as comps (always counted on Monday of the release week for Friday) and the true Friday number for IF would be 6.6M at the moment. In this case the comparison numbers were very similar, around 6-7M. Overall it was a boring counting today which lasted too long for so few action. And judging from some random samples Garfield also saw no significant jumps (I also didn't expect much, it's still too early IMO). Thursday up 92% since last Monday. I hoped for a bit better jump till today :( but it's also not too bad. So for Friday no big numbers but up 75% since last Monday (and the jump must have happened pretty recently) (May 13). Up 73.5% since Monday (where it had 143 sold tickets). Best sales in California, not doing too bad between the coasts. The number today is ok to me (May 12). Not really signs for a breakout for Friday so far, but very solid. It will not really get 4-6M Thursday e.g. compared to Migration but from most comps the number could be pretty decent (May 7). Looked good for the film, both on Thursday and on Friday (May 6).)
  
• jeffthehat ($2.07M Thursday comp.)
  
• katnisscinnaplex ($1.98M Thursday comp. Thinking somewhere in the 1.2m-1.5m Thursday range despite a couple of higher comps (May 14).)
  
• keysersoze123 (I would say it should hit 2m previews or even more if walkups are strong. OW probably in mid to high 20s for now. Its Friday sales are not that much higher than thursday for crazy IM like say Panda 4 (May 14).)
  
• RichWS (15 screen theater near me is giving IF peak Marvel number of showings. I know it's short and the market is quiet, but damn (May 14).)
  
• TheFlatLannister ($2.39M Thursday comp. Really not much going on. Don't think walkups will be super strong either (May 13). Not much growth (May 10). Pace is collapsing a bit. Continues its downward trend (May 7). After a strong start, this has cooled off quite a bit (May 4).)
  
• Tinalera (Pretty quiet Vancouver and Calgary area (May 13).)
  
• vafrow ($0.5M Thursday comp. It's going up, but slowly. The thing that hit me looking at the numbers is that the most popular format so far is the VIP theatres, which are 19+. With such low sales, you can't read too much into anything, but it kind of speaks to how this isn't grabbing the family crowd (May 14). Some marginal movement, but we're running out of time for this. At this stage, I expect my market is an anomaly, but I still hope and expect it will close the gap in the final few days (May 13). Still nothing (May 12). Still nothing happening. I did check Friday sales, and it was a lot stronger with 51 tickets sold. That's better, but still not tremendous. I also checked the wider radius, where it's pretty much exactly where Haunted Mansion was, which hit $3.1M opening (May 11). Still nothing really happening here (May 10). Since the last update, they released full showtime sets, and it actually lost two showtimes rather than gain. From the sound of it, it might be doing better in other Canadian markets, particularly BC (May 8). Numbers are still really low, making the standard track fairly useless. I did do a larger 100km radius track, encompassing the broader southern Ontaro market (~8M population, MTC4 being about 70-80% of the market). Even against Haunted Mansion, which underindexed here, it's not doing well (May 4).)
  

The Strangers: Chapter 1 Thursday Comp: $1.12M

• abracadabra1998 ($0.88M Thursday comp. Not a good update at all but I am wondering about the summer break deal here as well. For Back to Black it shouldn't affect it much I would think (May 13).)
  
• crazymoviekid ($1.23M Thursday comp. Weird comps. Let's go for $.5M-$.75M Thursday comp.)
  
• el sid ($1.6M Thursday comp. From what I saw, it had an ok jump till today but the jump till Wednesday will be way more important. But so far, decent presales (May 14).)
  
• katnisscinnaplex ($1.4M Thursday comp. We could have a preview battle on our hands! (May 14).)
  
• Rorschach ($0.48M/$6.03M/$4.16M Thursday/Friday/Thursday+Friday comp. Tarot had more tickets sold for Thursday compared to its Friday showings when I checked the Monday before it came out; hence, why the comps are so all over the place at the moment. The Thurs + Fri comp does appear to be a reasonable middle ground (May 13).)
  
• TwoMisfits (TMobile deal for May - $5 ticket to The Strangers Chapter 1 next Tuesday (May 9).)
  

Furiosa Thursday Comp assuming $5M For keysersoze123: $4.31M

• abracadabra1998 ($5.46M Thursday comp. GxK obviously really propping the average up but for now I could see that settling at around $5 Million, still good pace! (May 12). Really good stuff in this market (May 9). Reallyyyyyy good day 1 here. I want to note that: NO I do NOT think preview numbers will be that high; it's just highlighting the fact that this is likely a movie that will be running hot in my market, as cinephile blockbusters usually do. Next update I will have T-14 comps, which will be a lot lower due to the short release window (May 8).)
  
• AniNate (Skimmed through ThuFri and Valley View (Cleveland vicinity) has sold roughly 60 Furiosa tix so far while Tinseltown (Canton) has sold 40. I'm guessing the upfront audience does lean more toward the urban/cosmopolitan sensibilities (May 9). Presales show there's definitely some hype for this. Regal gonna irritate trackers again, offering no upcharge IMAX for Furiosa (May 8).)
  
• Charlie Jatinder ($3.05M Thursday comp.)
  
• el sid ($5.8M average Thursday comp (without Exorcist 2) (May 12). Furiosa continues its strong performance in "my" theaters. The movie yesterday had already 1.310 sold tickets (for Thursday, May 23). Up 15% in ca. 24 hours which isn't bad at all after the first rush. Already comfortably in front of The Fall Guy's final sales (it had 1.071 counted on Thursday for Thursday) and almost on par with Civil War's final sales (1.357) and also the Apes finally had not more than 1.657 sold tickets in my theaters (May 11). I also can't complain about Furiosa's presales in my theaters, not at all. Already 1,138 sold tickets (in all of "my" 7 theaters) for May 23. 14 days left. Promising start. Civil War on Thursday of the release week for Thursday had 1,357 sold tickets and The Fall Guy finally had 1,071 sold tickets (May 9).)
  
• katnisscinnaplex ($3.51M Thursday comp.)
  
• keysersoze123 (It has way stronger sales than Garfield and that is expected. I am thinking of 5m previews for now (May 14). I think this is a solid OD presales. With a short PS window its probably looking at 5m+ previews (May 9).)
  
• TheFlatLannister ($4.44M Thursday comp. Keeps climbing at a strong pace (May 11). This continues to grow at an excellent rate (May 10). Really strong day 2. The short presales is for sure a factor (May 9). Not seeing much of a breakout. Still pretty solid start to presales (May 8).)
  
• vafrow ($2.9M Thursday comp. It had a good day (May 12). Mediocre day 2 (May 10). Not the hottest start. IMAX is the format of choice though, so, ATP will be high (May 9).)
  

Hit Man

• vafrow (Getting a theatrical release up here in Canada, and early signs are that it might get a pretty decent screen count. Not super wide or anything, but a pretty decent amount for a weekend that has a lot of other releases (May 14).)

The Garfield Movie EA+Thursday Comp: $2.24M

• abracadabra1998 ($0.76M EA comp and $1.19M Thursday comp. Still not really accelerating, and the EA is falling against comps (May 12). Good EA numbers, but many of these comps were PLF-only EA, which this is not, so I think the ATP will be quite lower and that should be adjusted for (May 9).)
  
• AniNate (I definitely haven't seen as much of a rush here with Garfield as with IF (May 11).)
  
• el sid (The very even sales are a good sign (May 7). For Sunday, May 19, I can already report that also in my theaters it looks very good for Garfield. They will for sure add shows soon. It has so far only 1 show/theater and the shows are almost sold out, between 1 and 4 seats are still available. So my guess still is that this movie if it's not totally bad (and first reviews here were quite positive) will become a (big) hit. Seems not much on Thursday but it's a step in the right direction (May 6).)
  
• katnisscinnaplex ($2.52M EA+Thursday comp.)
  
• keysersoze123 (Its definitely weaker than even Elemental. That said these movies tend to finish strong and so I am not writing it off so early. Just that the long PS window is irrelevant for them. They could rather start presales like a week before release and it would be all the same. Meh. We have to wait until next week to gauge where its going to finish. It has very low ATP as well and actual would be even lower as its going to see tons of kids tickets (May 14). Early shows are regular digital shows at 1PM this sunday. So ATP will be very low. I think 500k ish at best. Preview let us see how things go in the final week. Presales at this point are almost non existent (May 13).)
  
• TheFlatLannister ($2.14M Thursday comp.)
  
• vafrow ($0.4M Thursday comp. Comps don't paint a pretty picture though. EA shows are doing okay (May 11). Still no sales for my core sample for previews. But I did the larger sweep, which shows the interest right now is the Sunday early access shows. Looking at sales patterns, it's mainly blocks of 3/4 tickets, so likely families grabbing some. It's worth noting that the May holiday in Canada is the weekend of May 17-20th, not the weekend after with Memorial Day. I can see families prioritizing getting out the holiday weekend when they have more time (May 4).)
  

The Lord of the Rings Extended Edition Re-Releases (June 8-10)

• BoxOfficePro (Fathom Events has also announced that select Regal Cinemas will present the films in 4DX on June 22/23/24 for Fellowship/Towers/Return respectively (May 14).)
  
• katnisscinnaplex (Up to ~1,400 shows now with new locations picking it up and others adding a second showing. LotR1 has sold 831 seats OD, LotR2 sold 715 seats OD, and LotR3 sold 735 seats OD. For comparison, Phantom Menace didn't break 800 tickets until T-3 and we're still over a month out. JW3 comp is currently around 9m (it was at 1,670 tickets sold at this point!) (May 6).)
  

Inside Out 2 Average Thursday Comp: $7.22M

• AniNate (I do see a few 1-2 spots for Inside Out on Saturday. Think some M-F workweek adult fans might be putting down money for that (May 14).)
  
• katnisscinnaplex (Already at 180 shows for previews in my areas and still has a few theaters left to post. For comparison, Godzilla x Kong finished with 197, Kingdom of Apes 190, and Kung Fu Panda 205 (May 14).)
  
• keysersoze123 (Too early to judge presales as ticket sales just started early this morning. Families dont book tickets on weekday mornings. Wait until evening today to judge it. From a release perspective its way bigger than all animation movies seen recently including Panda 4. Easily the biggest I have seen in a long time. Only movie which is not comparable is Mario but that was not just a family flick (May 14).)
  
• Porthos (On the Saturday of release weekend (ie NOT EA) there is a special event screening for IO2: INSIDE OUT 2: FUNKO FAMILY EVENT! (2024) Sat June 15th. Might boost the OW slightly, depending on how wide this event is and how much more these tickets will presumably cost (May 11).)
  
• TheFlatLannister ($7.22M Thursday comp. Well, I can't really tell if this is a breakout or not yet. Looks very good especially in the first few hours. These are probably terrible comps, but might as well try something (May 14).)
  
• TwoMisfits (I'm kinda shocked at the opening set from my Cinemarks... 2 screens (1 PLF, 1 not) and 6 showings at my PLF 14 for Thursday (and 11 showings on the same screens once it runs full day - 7 PLF b/c 1 is 3d on the reg screen, 4 not)... 3 screens (.75 3d, 2.25 not) and 9 showings at the non-PLF 12 for Thursday (and 12 showings on 2.25 screens once it runs full day)... So, 2 and 2.25 screens for the weekend presale sets... Disney must be charging a huge % for themselves b/c this is an Elemental opening set at my PLF...a little more generous for Thursday at my non-PLF, but then they too drop to an Elemental opening set after the adult Disney base Thursday rush... (May 14).)
  
• YM! (n fairness it's only been an hour but yeah sales are softer than I expected. However, it is a month out and will largely skew more towards kids than say TLM/Across so wasn't expecting a blitz like them. Here at Marcus theaters are going all out for IO2 with it having the lion share of PLFs with it getting both screens when there is two PLFs with tentpole like levels of screens (May 14). Was taking a look at Marcus Cinemas to see that they have preloaded Inside Out 2 showtimes which seem to start at 3:00 pm on a Thursday. It seems like Marcus is going all out on it as judging from showtimes it's taking away all of Bad Boys’ PLFs in that theaters that have two+ PLFs are giving all to IO2 (May 11).)
  

Domestic Calendar Dates (last updated May 3):
MAY

• (May 14) Presales Start [Inside Out 2]
  
• (May 16) Presales Start [Bad Boys Ride or Die]
  
• (May 16) Thursday Previews [Babes + Back to Black + If + The Strangers: Chapter 1 + The Blue Angels IMAX]
  
• (May 17) Presales Start [Ezra]
  
• (May 19) Review Embargo Lifts [Garfield 9 PM EST]
  
• (May 20) Opening Day [Monday: Spider-Man Homecoming Re-Release]
  
• (May 23) Thursday Previews [Furiosa: A Mad Max Saga + Hit Man + The Garfield Movie + Sight]
  
• (May 26) Presales Start [Bikeriders]
  
• (May 27) Opening Day [Monday: Spider-Man Far From Home Re-Release]
  
• (May 30) Thursday Previews [Ezra + Haikyu!! The Dumpster Battle + Robot Dreams + The Young Woman and the Sea]
  

JUNE

• (June 3) Opening Day [Monday: Spider-Man No Way Home Re-Release]
  
• (June 5) Presales Start [Despicable Me 4]
  
• (June 6) Thursday Previews [Bad Boys: Ride or Die + The Watchers]
  
• (June 8) 1-Saturday Re-Release (1st day) [The Lord of the Rings: The Fellowship of the Ring Extended Edition]
  
• (June 9) 1-Sunday Re-Release (1st day) [The Lord of the Rings: The Two Towers Extended Edition]
  
• (June 10) 1-Monday Re-Release (1st day) [The Lord of the Rings: Return of the King Extended Edition]
  
• (June 13) Thursday Previews [Inside Out 2]
  
• (June 15) 1-Saturday Re-Release (2nd day) [The Lord of the Rings: The Fellowship of the Ring Extended Edition]
  
• (June 16) 1-Sunday Re-Release (2nd day) [The Lord of the Rings: The Two Towers Extended Edition]
  
• (June 17) 1-Monday Re-Release (2nd day) [The Lord of the Rings: Return of the King Extended Edition]
  
• (June 20) Thursday Previews [The Bikeriders + Janet Planet]
  
• (June 27) Thursday Previews [Blue Lock The Movie -Episode Nagi- + Horizon: An American Saga Chapter 1 + A Quiet Place: Day One]
  

JULY

• (July 2) Opening Day [Wednesday: Despicable Me 4]
  
• (July 4) Opening Day [Thursday: Possum Trot]
  
• (July 4) Thursday Previews [MaXXXine]
  
• (July 11) Thursday Previews [Fly Me to the Moon + Untitled New Line Horror movie]
  
• (July 18) Thursday Previews [Twisters]
  
• (July 25) Thursday Previews [Deadpool and Wolverine + Didi + Fabulous Four]
  

AUGUST

• (August 1) Thursday Previews [Harold and the Purple Crayon]
  
• (August 8) Thursday Previews [Borderlands + Colleen Hoover’s It Ends With Us + Cuckoo + The Fire Inside + Trap]
  
• (August 15) Thursday Previews [Alien: Romulus + Horizon An American Saga Chapter 2 + Ryan’s World the Movie: Titan Universe Adventure]
  
• (August 22) Thursday Previews [Blink Twice + The Crow + The Forge + Slingshot]
  
• (August 29) Thursday Previews [City of Dreams + Reagan + They Listen]
  

Presale Tracking Posts:
April 23
April 25
April 27
April 30
May 2
May 4
May 7
May 9
May 11
Note: I have removed most tracking data that has not been updated for 2 weeks. I think there is value in keeping data for a week or two but at a certain point they start to lose their value and should not be treated the same as more recent tracking data.