Which one is better? and it will be ok withouth a cooler? Its better to have 2×8GB or 1×16GB?

Llevo unas semanas pensando en comprarme el "Set Introductorio" por ser la que parece tener mayor cantidad de figuras y pinturas a un menor precio. El caso es que no estoy satisfecho con la cantidad de botes de pintura que vienen para tener que pintar figuras de dos facciones diferentes. Por lo que he visto, con este paquete solo voy a poder pintar a los tiránidos con 2 colores y a los marines con 3. Esto me echa para atrás porque el resultado que puedo obtener con estas pocas pinturas me parece bastante malo para lo que busco y sí o sí me tocaría comprarme un paquete de pinturas extra. Además, ya poseo herramientas para cortar las piezas y pintarlas y no estoy interesado en el juego de mesa, sino solo en pintar, por lo que la mitad del Set me aporta entre 0 y nada.
Por tanto, me gustaría saber si dadas mis circunstancias y teniendo en cuenta que es mi primera vez pintando figuritas, me pueda interesar más comprarme algún otro set y un paquete de pinturas aparte (y cuáles recomendáis en ese caso). No me disgustaba la idea de pintar marines y tiránidos para empezar (o incluso necrones) pero el ejército que más ganas tengo de pintar es el T'au (específicamente el Equipo de Rastreadores), aunque prefiero dejarlo para más adelante, cuando sepa manejarme con el pincel y las pinturas.
Dicho esto:
PREGUNTA - ¿Cuál sería la mejor compra para empezar a pintar con la mayor cantidad de figuras y pinturas por un precio muy similar al del Set Introductorio (45-55€)?

• no me importa pasarme de los 55€ siempre y cuando no supere los 70€ y la mayor parte del precio sea en figuras.
• figuras y pinturas no tienen por qué venir en el mismo producto.
• no me importa la marca de pinturas.
• también me quiero comprar un spray de imprimación y un shade o un contrast negro, pero NO lo incluyo en la pregunta porque entiendo que complicaría mucho más encajar el precio con lo que pido.

Muchas gracias a todos :)

Timestamp

SPR $400 obo

Upper is built from:

• 18" Ballistic Advantage SPR Barrel 223 Wylde
• Aero Precision Atlas S-one handguard 15"
• Unknown Upper Receiver. Maybe Del-ton idk.
• Chad A2 Flash hider

All components have 350 rounds through them. Not planning on splitting unless I have a buyer for each component. Charging handle and BCG NOT included.

Texas Weapon System Dogleg Yugo $115 obo

Lock up is good. Did not need to file or grind down any material to get it to fit my M70. Is missing the "e-ring" or locking ring for the forward pin. That same locking ring can be found at any hardware store though. Will throw in a free recoil buffer for the trouble.
Paypal F&F no note. Thank you for looking

First Previous
Tools.
A hammer in the hands of a novice can be used to drive a nail fastening two or more boards together with some degree of skill. In the hands of a master carpenter, that same hammer can be used to carefully wedge together several pieces of wood to form furniture and structures without the need of a nail. Therefore the tool is only as useful as the person wielding it.
In the hands of the novice, a sword may be more dangerous to the wielder than to the opponent. In the hands of a master, the sword becomes legend along side its wielder as exemplified by Crocea Mors and Julius Ceasar.
The novice and the master can have little difference in status and appearance, only to become apparent by their use of their tools. Where the novice hand slips and their strike is not true, the years of practice and training undertaken by the master is easily observed by the blood on his sword and the dead in his wake.
"Breathe in," Sergeant Weaver instructed, "choose your target."
Private Aubrey did as instructed, taking a deep breath and focusing on the white speck 500 meters away.
"Don't hold it, let it out slowly." Sergeant Weaver instructed.
Aubrey exhaled and watched as his sights rose up to meet the silhouette downrange.
"When the last of your breath leaves your lungs, but before you inhale, squeeze the trigger."
The hammer fell forward, forcing the firing pin to strike the primer creating the ignition necessary for a discharge of gas and energy to send the ballistic round downrange striking a tree beyond the intended target.
"DON'T CLOSE YOUR FUCKING EYES!" Sergeant Weaver yelled, slamming the data pad into the dirt.
Aubrey allowed his head to rest on the butt of his weapon. He was the last one to qualify while everyone else was behind the line fucking off in various ways.
Robert felt a headache coming on as he heard Major Stone click his tongue for the nth time today. Things had been worse until recently. Training had taken place on the moor for three weeks straight, rain or shine, and the repetitive drilling and mud had taken their toll on either unit. Conventional vehicles couldn't traverse the moors to their isolated range, constantly getting stuck in the soaked earth under wheel and foot alike. After two weeks of toil, a suggestion had been made by an unlikely source, a shepherd out looking for lost sheep.
"Why ain't you using some hobbies?" A shepherd had ask, slapping the side of his air skimmer proudly.
The vehicle was mass produced on planet to prevent the farmer, rancher, or anyone else from having to slog through the moors. Robert wanted to kick himself for not considering it earlier, but that was in the past. A license to operate them was not necessary, but a test had to be taken before purchase. The 449th and 3/13th had made a game of the tests, seeing who could score higher and now raced them around with abandon. If only the rest of their education were as easy.
"TOOK YOU LONG ENOUGH!" Sergeant Weaver roared happily. "Now do it again until I'm tired."
Aubrey looked down range trying to see the hole he had just drilled through the target, smiling triumphantly before excitedly making a second attempt and missing completely.
"DO I HAVE TO WALK YOU THROUGH IT EVERY FUCKING TIME!?!?" Sergeant Weaver yelled.
Major Stone clicked his tongue and Robert had had enough.
"Okay, we're not regulars." Robert said to the Major.
"That was obvious a few weeks ago." Major Stone retorted.
"They've improved a lot!" Robert defended.
"I didn't say they haven't." Major Stone replied.
"Then what's with the God damn clicking Larry?" Robert demanded.
Sergeant Major Del Gato began to chuckle and Major Stone shot him a warning glare.
"Most are doing fine and right on schedule Colonel," Major Stone replied. "It's the last few who are lacking."
"My headquarters company." Robert admitted annoyed.
"I understand your reasoning behind it Sir, and I know it made sense at the time, but everyone needs to know how to use their weapons." Major Stone explained.
"I get it." Robert said. "I fucked up and it will take time to fix the problem."
"Time we don't have." Sergeant Major Del Gato commented.
"It's not just that and its not just your troops." Major Stone interjected, indicating an impromptu race Hobbs and Jaccob had just started. "There's other issues that I wish we had time to address properly."
"They get along well enough." Robert commented.
The racing hobbies sped past, Hobbs in the lead followed by Jacob and men of the 3/13th close behind.
"Getting along isn't the problem," Sergeant Major Del Gato interjected, "Your men are a bad influence."
"Coming from the Heathans..." Robert began to say.
"Thank you for the validation." Major Stone interrupted. "Neither of us are model soldiers and nobody expected us to be until now."
"But now it's expected." Robert said, reading Major Stone's thoughts.
"Good work kid, get the fuck off my firing line." Sergeant Weaver said.
Aubrey had finally passed, the last of headquarters to do so. Soon both units would test out and conduct their mock battle before the 3/13th's colors were sent back to Gothenburg and the Gallóglaigh would be whole. Two halves of different expendable units, forced together under Robert's command, standing defiantly alone to face the Dexian war machine. If they didn't release the pressure somehow it would destroy them faster than any enemy unit could.
"Fuck expectations." Robert spat. "If the Terran Armed Forces wanted a regular unit, they should have fucking sent one. You know as well as I do that it ain'tcoming which leaves us. Both of our men are tired and scared right now and as long as nobody gets hurt, what's the problem?"
"ROB! LOOKOUT!" Hobbs roared as the Hobbie he had been racing shot between Robert and Major Stone, narrowly avoiding both while heading towards the target downrange, a pulse rifle in one hand and the other trying desperately to steer.
"Like that?" Major Stone objected.
Robert watched as Hobbs banked the Air Skimmer at the last moment while firing the pulse rifle at the target. The whole maneuver was dangerous and probably instigated by a stupid bet. Robert opened his mouth, about to reconsider his words....
"He fucking nailed it!" Sergeant Weaver said surprised.
Hobbs came around and brought the Hobbie to a halt next to Major Stone.
"Sorry Sir, I should have been watching where I was going." Hobbs said sheepishly.
Major Stone stood slackjawed unaware of what Hobbs had just said while Sergeant Major Del Gato remained hushed. 500 meters away all that remained of the target was a burning stick.
"Exactly like that." Robert answered before addressing Hobbs.
"Do that again." He ordered.

tried trouble shooting for hours but i couldn't find anything. Everything works fine, lights and fans on gpu are working.
Here's what i tried: -check cable connection and reconnect them -reset cmos battery -switch ram port, try 1 ram stick and dual channel -uninstall gpu from the pc and try to use igpu in my cpu -unplugging everything from motherboard except for 24pin and cpu cables. -plug my hdmi into mobo and gpu - checked if pins on my motherboard are not bend(they're not) -unplugged my screen and the red light still remains
My pc specs are Cpu ryzen 7 7800x3d Gpu gigabye 4070 supwr gaming oc Psu corsair rm850x Motherboard gigabyte b650 aourus elite AX ice Ram 32gb xpg blade lancer
EDIT FIXED FIRST DVI DO HDMI CONVERTER WAS BAD THEN HAD TO USE 1 RAM STICK AND PRESS DEL THEN N WHEN BOOTING AND MANAGED TO ENTER BIOS

Timestamp: https://imgur.com/a/rT6jkeb
Serial for Steiner: https://imgur.com/a/YrxXAps
Need to offload these items to save up for some trips. All prices are shipped to the lower 48; anything worth over $100 ships with insurance! Only taking Venmo and Zelle at this time.

1. Steiner P4Xi with P3TR reticle - $475 SOLD

Catch and release. Realizing I have no idea what I personally want in an optic, so back to irons for now. Nice and lightweight, and awesome glass - CDoes has a great video on it.

1. KAC 99051 and KAC 97082 (300m Big Knob) - $205 $105

Note: KAC 99051 was sold. The 300m rear is still available!
Salty but functional. 300m is missing the plastic aperture, but they can be ordered from KAC here
3. DD MK18 RIS II (Black) with Classified Defense's DD RIS Wrench - $319 SOLD
Rail has some scuffs but nothing major - rail was only ever mocked up. Zero use. Barrel nut is clean. Comes with an unused Classified Defense wrench, which is superior to the one DD provides.

1. Nonthreaded Del-ton LW 20" Barrel with DD .750 Clamp on Gas Block - $90

This was a Del-ton light weight 20" barrel, that I had D.Wilson Mfg pin an FSB and remove the threads with an 11-degree crown. Has had two owners (myself and another) but it's never been fired at all - just kept in our respective parts bins. Perfect for the ban state bois (I'm now thinking no one would buy this to get it rethreaded...). Comes with a DD clamp on gas block because of the pinning.

1. Bundle - $45

Includes surplus A2 handguards from Numrich (I cleaned up all the dirt), ERGO grip (no screw), Aero carbine buffer spring (~200 rounds), NBS rifle spring (installed but zero use), Esstac 5-round shotgun card in OD green, Magpul Trigger Guard, x2 Magpul 7-slot Mlok-Picatinny sections, 1/2" Truglo Riser, and a mil-spec endplate (Aero).
Have a Happy Memorial Day weekend!

Rebooking WrestleMania 30 through 40
Disclaimers; I can't ignore real life situations such as injuries, releases, or even worse deaths. These bookings are done specifically with what was realistically at disposal at the time of the shows taking place
However. I can change the holder of titles heading into the show and/or Royal Rumble winners/MITB holders
Anyway.
Part One: WrestleMania XXX
Preshow
1p.) Cesaro(c) vs Jack Swagger for the WWE United States Championship
At Elimination Chamber 2014, Cesaro is in a Battle Royal for the US title as well as Jack Swagger. The two team up for the most part and eliminate Kofi Kingston, Zack Ryder, Mark Henry etc but Swagger attempts to eliminate Cesaro when Cesaro reverses and tosses him out. Later in the match a Wyatt Family distraction allows Cesaro to eliminate Dean Ambrose and win the title for the second time. Following his title win Jack Swagger and Zeb Colter turn on Cesaro and proclaim that he's not a “Real American” and he's a disgrace to the title. Cesaro accepts Swaggers challenge for a title match at WM.
Cesaro(c) wins in 12:49 to retain the US Title
2p.) Andre The Giant Memorial Battle Royal
The first ever AGMBR is announced for WrestleMania XXX and the winner will be granted a championship match(US or IC title) at the next PPV. Some of the contestants are; Alberto Del Rio, The Miz, Zack Ryder, Brodus Clay, Big Show, Kane, and Tyson Kidd with some extras sprinkled in.
The match is won by the debuting Bo Dallas who sneaks back into the ring and surprise eliminates Zack Ryder to secure his shot at a US/IC Title match at the next PPV
Main Card:
1.)The Shield vs The Wyatt Family
This feud begins similarly to how it started in real life. The Shield are in a match on Raw vs the team of John Cena, Dolph Ziggler and Big E where the winning team will enter the Elimination Chamber match. The Wyatts this time, purposely target The Shield and cost them the match. The following week, Wyatt explains the reason for the Wyatt Family costing The Shield the chamber spot was because The Shield were “corrupt hypocrites who stand on a foundation of lies” he calls them out for being the “Hounds of Justice” when all they've done is be the muscle for the injustice of the world (The Authority). The Shield attempt to hunt the Wyatt Family down but the mental mind games and the cracks in the group lead to the Wyatt Family always having the Shields number. At the Elimination Chamber ppv, they cost Dean Ambrose the US Title and Ambrose begins to snap. He demands that the Wyatts face the Shield straight up, no games. The Wyatts accept and the match is made official for Mania 30.
The Wyatts defeat the Shield in 15:32
2.) Triple H vs Daniel Bryan(If HHH wins, he's inserted into the main event)
Daniel Bryan overcomes all the odds and wins the 2014 Royal Rumble match to earn his shot at the WWE World Heavyweight Championship at WM. The Authority are absolutely irate and can't believe this, so they start to try to stack the odds against Bryan. First they make him defend his world title match opportunity at Elimination Chamber against Batista and multiple run ins from Kane and the New Age Outlaws have people convinced Bryan is going to lose but Brock Lesnar returns and costs Batista the match(more on that later) and Bryan keeps his spot in the main event. Over the next few weeks Randy Orton has drawn the ire of The Authority, and they're not confident in him being able to do the job and keep the title off Bryan so Triple H announces he will also face Bryan at WrestleMania and if he wins he's in the main event. The seeds of dissension are planted, The Authority don't trust Orton to get the job done and Orton doesn't trust The Authority to keep the title on him.
Triple H defeats Daniel Bryan in 23:56
3.) Big E(c) vs Dolph Ziggler for the Intercontinental Championship
After Dolph's short reign as WHC in 2013 that was cut short by injury, we see the rise of Big E. He becomes IC Champ and goes on a reign of dominance while Dolph slowly slips down the card from the main event. Following the Elimination Chamber where Big E came very close to becoming double champ and Dolph performed poorly, Dolph states that he and Big E are going for the tag titles. The next week they face off against the teams of Rybaxel, The Rhodes Brothers, and Rey Mysterio and Sin Cara where the winner will face The Usos at WrestleMania. Due to Dolph coming up short again, they lose. Immediately afterwards, Big E annihilates Dolph. He destroys him and leaves in a fit of rage. The next week, Big E explains that he's been consistently held back by Dolph and that he's had enough. He's had a dominant Intercontinental Title reign and he refuses to be associated with a loser like Dolph. The next week, after a victory over Jinder Mahal, Big E is jumped by the returning Dolph. Dolph gets the upper hand and Big E retreats. Dolph lays down the challenge for a match at WM and vows to start a fresh new chapter where he proves he's the same man who was once WHC.
Dolph Ziggler defeats Big E(c) in 12:43 to win the Intercontinental Champion
4.) Brock Lesnar vs Batista
The match that should've been. How WWE didn't do this will always boggle my mind. At the Royal Rumble Batista returns at number 30 and nearly wins but is eliminated last by Daniel Bryan. The next night, The Authority state they saved the 30th entrant for Batista in the hopes that he'd win and go on to main event WrestleMania against the WWE Champion Randy Orton and have the massive blockbuster main event that will make a lot of money(because that's exactly what WWE wanted IRL so lean into it) they tell Batista they'll give him 1 more chance to make that wrong right and put him against Bryan at EC with the WWE title number 1 contender shot on the line. Batista looks to have the match won after numerous run ins, when Brock Lesnar returns and destroys everyone at ringside. He stares down Batista who turns around into a running knee by Bryan and loses. The next night Heyman and Lesnar come out and Heyman states that in reality Lesnar should've been given the 30th spot at the Rumble because he would've won and he would've main evented WrestleMania and won the WWE title but he was screwed over. He says that maybe HHH is still bitter over Lesnar breaking his arm and that's why he's been casted aside. Lesnar vows to destroy anyone and everyone until he gets what he wants. Recognition and respect. Later we see The Authority backstage in a panic and stressed, Lesnar is running rampant over Raw, and Bryan is in the main event of WrestleMania. Batista walks in and says to let him handle the Lesnar issue. The Authority are hesitant at first but agree and say they'll contact Heyman to let them know the match is set. At the contract signing, Batista jumps Lesnar and a brawl ensues. Lesnar gets the upper hand but when going for an F5 he's attacked by some Authority goons and is able to fight them off with germans for everyone but turns around and Batista hits a spear and Batista Bomb through the table to have the edge heading into the match.
Brock Lesnar defeats Batista in 13:29
5.) The Usos(c) vs The Rhodes Brothers vs Rey Mysterio and Sin Cara for the WWE Tag Team Titles
During the match between the Rhodes, Rybaxel, Mysterio/Sin Cara and ZiggleBig E Cody Rhodes pins Ziggler at the same time Mysterio pins Axel. There's confusion over who actually won the match as both teams stake claim to the win. The next week both teams face off for the right to face The Usos at WrestleMania, with The Usos at ringside. Late in the match, Sin Cara goes for a tope to Cody who side steps and Sin Cara crashes into the Usos. The Usos in frustration hit the ring and attack Rey and Goldust at the same time causing a no contest. A brawl breaks out between the 6 men and they have to be separated by officials. It's then announced that at WrestleMania it'll be a Triple Threat match between all 3 teams for the WWE Tag Team Titles.
The Rhodes Brothers defeat The Usos(c) and Sin Cara and Rey Mysterio in 13:32 to win the WWE Tag Team Championships
6.) AJ Lee(c) vs Page for the WWE Divas Championship
Instead of a shitty thrown together “Invitational” were going to have a real match. On Raw, Stephanie announces that there will be a Battle Royale taking place where the winner will receive a shot at the Divas title at WrestleMania, and any female member of the roster can enter the match. The next week, right before the match is about to start, Pages music hits, and the announcers make a big deal about this because she's the NXT Women's Champion. The match comes down to Natalya and Page and Page is able to counter a clothesline into the Rampage and tosses Natalya out to get the shock win to face AJ at WrestleMania. Over the next few weeks AJ berates Page for thinking she can come straight from “developmental” and win the title from an established star like herself. I know that this was a huge Raw after WrestleMania moment but I think the Women's division deserves a little more respect than a forgotten clusterfuck match at the biggest show of the year.
Page defeats AJ Lee(c) in 13:27 to win the WWE Divas Championship
7.) John Cena vs The Undertaker
At the Royal Rumble John Cena comes up short against Randy Orton in the WWE Title match due to Authority shenanigans but earns his spot in the Elimination Chamber match like previously mentioned. The match comes down to Cena, Orton, and Big E. Cena hits Orton with an AA, counters a Big Ending and hits an AA, and just as he gets to his feet, lights go out and gong. When they come back on, Undertaker is behind Cena. The crowd is losing their shit, and Undertaker spikes Cena with a Tombstone. Lights go back out and when they come on Taker is gone and Big E pins Cena to eliminate him. The next night Cena comes out and demands The Undertaker explain himself but The Undertaker never shows. The next week the same thing happens and Cena is beginning to get a little pissed. After a match between Kane(Demon Kane btw not that bullshit corporate Kane) and Zack Ryder, Cena hits the ring and AA's Kane through the announce desk. He looks into the camera and says “Do I have your attention now?”. The next week, Cena faces Kane and when he goes for the 5 Knuckle Shuffle, lights go out and when they come back on Kane is gone and Taker is standing there. Cena immediately goes to swing on Taker who gets the upper hand and Tombstones Cena again. The next week Taker finally speaks, he says he knows he on the last bit of time he has and before he goes out he wants to beat the one guy everyone says he was ducking. He makes if clear he was never ducking Cena he just never felt he was worthy until now. He mentions how Cena has held down the fort for the last decade and now he wants to face him to see if he truly is “The Guy”. Cena comes out and simply nods his head at Taker and the match is made official. The next week Cena speaks and says that Undertaker said “he wasn't worthy” of his attention until now but all Undertaker has done is sneak attack him so maybe he really was “ducking” Cena. He promises that at WrestleMania not only will Cena show Undertaker he was more than worthy, he'll make him regret ever calling him out when takes what is most precious to him, his streak. Lights go out and when they come back on there's a coffin at ringside with Cena name on it, the lid slowly creeps open and Cena walks towards it. The coffin is empty and behind Cena is the Undertaker. Cena turns and ducks a right hand from Undertaker and starts to unload with rights and lefts, Cena goes for the running shoulder tackle and eats a big boot, Taker hoists Cena up for a Tombstone but Cena slips out and hits an AA. Lights go out again and Taker is gone. The coffin engulfs in flames. And on the titantron the words “REST IN PEACE 22-0” flash on the screen.
The Undertaker defeats John Cena in 25:37 (I know I know perfect time to turn Cena heel but the streak really should be going to a younger guy)
8.) Randy Orton(c) vs Triple H vs Daniel Bryan for the WWE World Heavyweight Championship
Randy Orton unifies the WWE Title and WHC at TLC like he did in real life and is able to defeat Cena at the Royal Rumble as well as escape the Elimination Chamber with his title but not without a lot of help from The Authority along the way. This starts to grow seeds of doubt in the mind of Triple H who is starting to doubt whether or not Orton can do enough to keep Daniel Bryan from winning the title so he makes the match between Bryan and himself(mentioned earlier) which irritates Orton who claims he can beat Bryan himself and now he is paranoid Triple H might try to take the title for himself, Triple H makes it clear to Orton he's only there to make sure Bryan doesn't win the title and through some more Authority bullshit Triple H is able to defeat Bryan and insert himself into the match. Throughout the match there's a lot of tension between Orton and Triple H over who should be the one to win as Triple H starts to show some greed and try to win the match for himself. Orton hits Bryan with an RKO and Triple H tries to steal the pin and as the two are arguing Bryan hits dueling running knees and as he covers Orton and is seemingly going to win Triple H pulls him from the ring and Spine busters him through the desk. Triple H attempts to Pedigree Orton who reverses it around into an RKO, finally snapping and having enough of The Authoritys bullshit he lines up for a punt on Triple H despite Stephanie's pleas but before he can hit it Bryan nails him with the knee taking Orton out, Bryan turns around and ducks a sledgehammer shot by Triple H rebounds off the ropes and hits a running knee and pins Triple H.
Daniel Bryan defeats Triple H and Randy Orton(c) in 28:29 to win the WWE World Heavyweight Championship

Both are such great games

Eso, que voy a ir por primera vez al SOFA y la verdad llevo años sin salir de mi ciudad. La última vez que fui a Bogotá fue por eso del 2013 y pues no conozco la zona.
Tengo planeado irme un día antes para asentarme e irme posiblemente un día después de terminado el evento (del 9 de octubre al 15) no solo para ir al evento, sino para encontrarme con algunas personas con las que me hablo en línea y pasarla rico haciendo otras actividades.
¿Con cuánto dinero debería ir? Entre aviones (es que no me quiero mamar 9 horas en un bus), la estadía cerca a Corferias, y el tiquete full pass veo que se va más o menos millón y medio. Y pues depronto quiera comprar algo allá que me llame la atención como algún manga, figurita o vueltas así y salir a tomarme algo fuera del evento. ¿Será que con 2 millones se puede?
¿Dede cuándo debería empezar a comprar todo?

Il giorno 21/05/2024 ho subito una frode dalla mia carta Revolut. . Autori ignoti hanno eseguito 8 pagamenti da me completamente disconosciuti, poiché da me non voluti e appunto per questo, da me non materialmente eseguiti. I pagamenti risultano fatti in Giappone x delle carte Suica Mobile ed Mobile Icoca. Io mi trovavo in Italia. A tale proposito dischiaro che il titolo effettivo è sempre stato nella mia materiale esclusiva disponibilità, non è mai stato oggetto di furto e/o smarrimento e non ho mai riferito ad alcuno il relativo codice PIN. Sottolineo inoltre che, nei giorni riscontrati nell'estratto dei movimenti, non mi trovavo nel luogo indicato. Alla luce di tali risultanze ho bloccato la carta. La somma sottratta ammonta a euro 532,62. Ho fatto la denuncia dai carabinieri. Ho contattato l'assistenza Revolution appena mi sono resa conto del accaduto, praticamente dopo 3 ore dal accaduto. M'hanno negato qualsiasi supporto, motivando che le transazioni sono stati fatti tramite Apple Pay, quindi autorizzati da me stessa. Ho contattato Apple Pay che m'ha confermato che le transazioni non sono stati fatti tramite Apple Pay. La REVOLUT, una delusione totale. Non mi sento sicura e non mi sento protetta da parte della banca. Andrò avanti con il reclamo ma non userò mai più REVOLUT. Non sono interessati a recuperare il cliente, ad aiutarlo in questi casi. Indifferenza totale. Volevo condividere la mia esperienza che magari può essere di aiuto a proteggere qualcuno.

"Fear me… if you dare!"

Puss in Boots

♫ Theme ♫
This thread would not be possible without the help of kalebsantos, seoila, and InverseFlash. Thank you for your resource submissions!

Background

Orphaned as a kitten, the legend known as Puss in Boots aquired his namesake through an act of heroism in stopping a bull from running over a frail woman at a town square, being awarded by his adoptive mother with a pair of boots. This would set Puss on the path to heroics and adventure, however the unsavory company he kept in Humpty Dumpty eventually resulted in a betrayal that left him as a jaded rogue that acted towards his own self-interests.
It wouldn't be until he was shown kindness by a particular green ogre that Puss would fall back to the virtuous path, although he still treated his lives with carelessness due to having nine of them. It was only when Puss was down to his last life that he'd undergo a journey with old and new allies that would teach him of the value of it, and give him the proper will to fight for it.

Source Guide

Feats I find notable are bolded. Feat sources are listed at the end of each feat as a superscript.
Note that, while the Shrek movies and 2011 Puss in Boots movie all seem to be canon to The Last Wish and Adventures respectively, it's not very clear if The Last Wish and Adventures are canon to each other. So take conflicting feats from the two with a grain of salt. That said, the end of the show had Puss time travel to undo the events of the entire show sans keeping his memories, so take that what you will
If anyone knows where to find the interactive Netflix special, shoot me a DM. Peacock appears to have just left it to become lost media instead of finding a way to host it.

• Shrek = Shrek #
  
• Puss in Boots (2011) = PB
  
• Puss in Boots: The Three Diablos = TD
  
• Puss in Boots: The Last Wish = LW
  
• The Adventures of Puss in Boots = S#E#
  

Physical Feats

Strength

Sword

Piercing

• Cuts his symbol into cloth^PB
• With help from Humpty and Kitty Softpaws, cuts the beanstalk down^PB
  • Some more shots of it for scale
• Cut a P into tree bark^S2
  • Does the same to Pinocchio's wooden posterior^S3
• Carves his symbol into a rock^TD
• Slices through a thick vine with one slice and stabs into the giant's stony body, causing it to scream in pain^LW
• Quickly removes three corks from the kegs while doing a flip^LW
• Cuts Death's staff in two^LW
• Stabs between a giant Big Jack Horner's nail and finger after being thrown by Goldilocks^LW
• Revealed to have cut off the Duchess' leg^S1E4
• In a flashback, shown to defeat monsters far larger than himself with increasingly mundane equipment^S1E5
• Rams a sentient sword into a boulder to trap it there^S3E5
• When both he and another swordfighter have their swords struck out of their hands in a clash, both embed into a nearby stone fountain^S4E9
• Stabs into the belly of a gargoyle, which he describes as having stonelike skin^S5E6
• "Pops" a monster filled with gas^S5E9

Striking

• As a kitten, Knocks out little boy blue with a wooden spoon^PB
• Sent people flying as he disarmed them^LW
• Destroys a giant hourglass, sprinkling its magical contents over a group of sick children to cure them^S1E2
• Blocks and engages in a swordfight with a cursed sword weilder who could launch Dulcinea across a plaza^S1E10
• Him and Dulcinea together overpower this swordmaster, launching his sword out of his hands hard enough to embed it in stone^S1E10
• Launches a bunch of gold plates, cups, and vases at an enemy, knocking them into a treasure chest^S2E1
• Knocks out Jacque in one hit with a pommel strike^S2E2
• Disarms a spear wielder, sending her weapon flying off hard enough to pierce through a crystal ball^S3E2

Unarmed

Striking

• Kicks a Soldier into another Soldier, knocking them both out^PB
• Stepped on Donkey's hoof so hard he shed a tear^S2
• Breaks a glass case by trying to pull a beaker out of a hole that was to small for it^S2
• With Donkey, pushes Merlin into a wall^S3
• Floored a guy causing him to tip over a nearby table when he kicked a cup at him^LW
• Made Death do a flip with a kick to the face^LW
• Floored Death with another^LW
• Claws at a bandit's face to disorient him, before knocking him out with a kick^S1E1
• His strikes are generally powerful enough to knock out bandits in single hits^S3E8
• Punches and swings his sword at bandits so hard they're sent flying dozens of feet across a plaza and into the air^S4E6
• Disarms a demon of its cursed sword with a kick that embeds the sword into cobblestone^S5E4
• [Limit] Cannot meaningfully damage a giant boulder^S5E12
• Knocks out El Moco's tooth with an uppercut^S6E6

Claws

• Quickly cuts a silhouette shaped like himself into a window^PB
• Draws blood from a soldier with a claw scratch making him flinch and stop grabbing Puss^PB
• Easily picks several padlocks with his claw^PB
  • Again^LW
  • Does so while bound himself^S3E2
• Slides down a tapestry using his claws^PB
• Unsheathes his claws resulting in a guards pants falling down^PB
  • For context^PB
• Crawled all around Shrek attacking him with his claws^S2
• Cuts out a hole in glass^S2
• Is able to cause pain to Shrek by clawing him^S3
• [Limit] Didn't immediately cut through some rope with his claw^S3
• Destroys a large portrait by scratching it as he slowly moves down^LW
• Briefly digs into the bark of a tree^LW
• Tears into an armored soldier's leg, causing him pain^S1E1
• Uses his claws to grind himself to a halt on vertical and horizontal surfaces^S4E1,7

Lifting

• Quickly swings in saving a woman from being stomped on, lifting her in the process^PB
• Tackled a charging bull to the ground by pulling it down by its horns^PB
• Easily lifts a large golden egg with one arm^PB
  • He was initially surprised by its weight when he first tried to lift one^PB
• Holds up the weight of the golden goose and Humpty with each of his arms in an awkward position^PB
  • Humpty is solid gold beneath his shell^PB
• Reins in the Great Terror^PB
• Opens a relatively large door^TD
• Lifts the weight of a guy by his belt as he dangling from a cliff edge^TD
• Buried alive, manages to excavate himself^TD
• Carries a section of brick wall with a drawing of him on it^S1E1
• Lifts a horse and runs across a country, crossing a desert, forest, and kingdom entirely pitch dark before reaching a sphinx's temple^S1E2
• Hefts a giant hourglass for a moment, but is overwhelmed by how heavy it is^S1E2
• Pulls away a giant monster mid-tackle before it could hit a group of children^S1E5
  • Somehow flips over this same monster while being pinned to a wall^S1E5
• Steers a large dragon around San Lorenzo by lifting its head^S2E1
  • Later directly lifts its jaw open as it tries to eat him^S2E1
• Drags a giant jar of lard larger than himself^S2E1
• Lifts a rock the same size as himself^S2E7
• Drags around increasingly larger boulders by a rope tied around his waist^S3E4
• Flexes out of a cocoon made of spiderwebs^S4E2
• Tips over a giant boulder, although he couldn't do this without leveraging the pommel of his sword^S4E13
• [Limit] Cannot lift a giant boulder^S5E12
• Rescues a man with a thrown rope. Although he struggles to pull him up, gets into a tug of war with an ogre that repeatedly smashes the man against the hull of a flying ship^S6E9
• Pins a flying enemy that could hold up a giant metal spiked ball, positioning her so that it would fall and break down a door^S6E11

Speed

VS. Projectiles

Arrows

• Ducks under an incoming arrow while having an argument with Kitty Softpaws^LW
• Catches an arrow in his teeth^S1E1
  • Does it again, this time noticing the arrow after it was fired^S4E4
  • Does it while in the air^S4E6
• Ducks an arrow, before cartwheeling across a plaza and running while dodging more arrows^S1E1
• Weaves through an arrow trap in a temple, only getting one on his hat^S1E5
• Twists his body out of the way of an arrow as he's falling^S4E4
• [Limit] Dozens of arrows fired at him at once is too much for him to dodge^S4E4
• Leaps across a bandit market, has arrows fired after him, and reaches his target before the arrows do^S5E6

Other

• Seemingly gets away from a gunshot from Jack's big flintlock cannonball gun thing. If you slow the gif down you can see a projectile exit the window after puss escapes (after the flash)^PB
• Dodged the unicorn horn Jack Horner shot at him with a crossbow^LW
• Leaps from stone pillar to stone pillar to dodge blasts from a power gauntlet, before landing on and kicking the person using it^S1E3
• Jumps out of the way off a fire spell cast by the Dutchess^S1E4
• Flips and leaps over steel darts fired from the Dutchess' mechanical leg, then parries several with his sword^S1E4
  • Again. Overwhelmed by them when cornered^S1E4
• Does the same with pendulum blades^S1E5
• Dodges lightning fired by a wizard at him^S1E8
• Tackles Dulcinea out of the way of the path of a falling flaming rock^S1E10
• Leaps out of the way of projectile electricity at the very last moment^S1E12
• Dodges and deflects thrown spears midair, later deflects three thrown at him at the same time^S2E9
• Dodges and parries dozens of thrown knives in the span of a fight, but eventually one clips his sword^S3E3
• Parries a series of telekinetically thrown objects^S4E2

VS. People

• Dodges a weapon swing from Jill^PB
• Unsheathes his claws resulting in a guard's pants falling down. Arguably this is FTE speed^PB
  • For context^PB
• Outspeeds a man's weapon swing^PB
• Dodged Donkey's kick, causing him to kick Shrek in the nuts instead^S2
• Jumps between two soldiers' sword swings^LW
• Avoids several soldiers attempting to dogpile him^LW
• Slices the governor's wig in half, cut his frill, cut a P into his shirt, and cut his pants causing them to fall all FTE^LW
• Dodges an attack from Death^LW
• Dodged an attack from one of the Baker's Dozen^LW
• Disarms and dis-clothes three opponents before they could retaliate^S1E1
• Dodges strikes from a sphinx, then slips away from her grasp after she seemingly landed on him, leaving just his hat^S1E2
• Tackles Toby out of the way before the Golem could punch him, then dodges a variety of hits after^S1E8
• Has literally struck the pants off of a fly^S1E9
• Leverages his small size to slide under larger opponents to dodge^S2E1
• Rapidly deflects spear thrusts from two enemies at once^S2E9
• Repeatedly dodges strikes from giant spider legs, before crushing one of them^S4E2
• Punches a bandit's head like it's one of those small hanging punching bags^S4E6

Mobility

Jumping

• Jumps through a hole his exact size^PB
• Launched himself and Kitty Softpaws by spinning each other around and around^PB
• Gets good air-time from spinning on a pole^PB
• Polevaults over a Group of Soldiers using a polearm^PB
• Grabs the golden goose as it is falling, sticks his sword in the wall and uses it to swing around and both thrown the golden goose up to the bridge and jump up back to the bridge^PB
• Jumped off of Shrek and did a cartwheel in mid-air, landing in his boots^S2
• Nimbly jumps and climbs up a large set of shelves^S2
• Jumps from knight to knight as he fights them^S2
• Jumps from rooftop to rooftop as a giant swings a giant bell at him eventually running on the rope and athletically jumping through the air landing on his satchel^LW
• Jumps several feet through the air while dueling with Death^LW
• Easily traverses around a city through rooftops and using household items to fling himself around^S1E1
• Uses his sword to flip multiple times while hanging it on the side of a building, before nailing a perfect landing, and having the sword drop on cue^S1E1
• Jumps dozens of feet and nails two bandits with a double kick^S1E1
• His typical maneuvering can backfire on him if his opponents can also perform some of the same feats^S2E5
• Maneuvers to the top of a stone pillar, jumping over three spear users trying to stab him^S2E9
• Jumps to the top of a larger enemy by bouncing between its arms^S2E10
• Jumps between guards at a rapid pace before launching himself dozens of feet in the air, although having to dodge a spear last minute sends him off-course^S2E2
• Jumps around the heads of his enemies before leaping over ten feet to a nearby pillar where he swings between embedded spears^S3E6
• Leaps and quickly climbs around trees while carrying a coconut on a stick^S4E4
• Leaps so far in the air that he's barely visible, before dropkicking an opponent from that height^S6E4

Running

• Throws a dagger and moves from the bar to a table fast enough that nobody sees him^PB
• Runs up an arc^PB
• Uses his partners synchronized feet as a dance floor while falling slowly^PB
• Runs up a bit of a wall^PB
• While being chased in the clouds, disappears into the environment, sets up a decoy and pounces on Kitty Softpaws while she's distracted by the decoy^PB
• Runs up a wall and into a quarter upside down loop^TD
• Grabbed his hat before a closing door could separate him from it Indiana Jones style^S2
• Runs nearly vertically up a cave wall, then clings to a stalactite^S1E5
• Climbs to the top of a golem to swiftly swap out the commands written for him in his mouth^S1E8
• Crawls around a stone pillar while dodging lightning blasts from the Dutchess^S1E12
• Completely disappears from view after a short conversation between the black cats and goblins^S1E15
• Maneuvers above a group of guards after turning a corner in front of them, vanishing from view^S2E2
• Runs visibly fast while racing a duck, but gets full of himself and loses due to trying to run backwards^S3E3
• Runs out of a building and to the center of a plaza shortly after Dulcinea cries for his help^S4E6
• Runs vertically up a nearby rock formation to get behind an enemy, then jumps around him to avoid and land hits repeatedly after^S6E4

Durability

Collateral

• While on a rope, swings into a wooden box creating a cat-shaped hole in it and is fine^PB
• Was thrown into a sign so hard it broke free of its chains and was launched through several walls^LW
• [Limit] Dies after being crushed by a giant bell^LW
• [Limit] He also dies after being trampled by bulls, being torn apart by a group of dogs, falling off a tall tower while drunk with milk, being crushed by a heavy barbell, getting shot out of a cannon, eating shellfish (which he is allergic) and being consumed by fire after putting too much heat in an oven^LW
• Papa Bear throws him through a window^LW
• Survives getting tackled into a wall hard enough to damage it, although we don't see how well he took the hit^S1E3
• Thrown into a barrel hard enough to shatter it and jumps out of the way of the next attack^S1E4
• Has the Seven League Boots uncontrollably fling him into a wall hard enough to crack it^S1E9
• Has a giant section of San Lorenzo's stone archway fall on him. While he's pinned under it, he's not immediately knocked out^S6E9

Distance

• Not harmed by a ship crash which launches everyone in to sea^S3
• Is hit off a seat a by Donkey, is fine^SH
• Death drags him across a bar and throws him at a chair^LW
• Gets kicked out of a boarded up window and falls from the height of a building and survived^S1E1
• Gets decked by a bandit, sending him flying across a plaza, and then knocking over a set of crates, which dazes him but is still able to continue fighting^S1E1
• Impacted by a high speed horse multiple times and is fine^S1E2
• Has a giant stone pillar fall over him and many others and is later shown to be unharmed^S1E3
• Hit by an explosion of gold coins hard enough to send him flying across a plaza^S1E4
• Hit across a plaza by a projectile tongue^S1E5
• Flung from the middle of a desert to San Lorenzo^S1E9
• Kicked across a cave and gets up dazed^S2E1
• Recovers after being flung around by a giant bird house^S2E6
• High-fived by a god so hard he's sent flying for miles out of San Lorenzo^S4E8
• Punched off of the top of the mountain San Lorenzo sits on, then falls down the rest of the way^S4E13
• Kicked across a bandit market and into a pile of crates, gets up shortly after^S5E6
• Repeatedly throws himself off of larger and larger heights and gets back to it^S5E12
• Recovers immediately after being punched several meters away^S6E6

Other

• Doesn't seem to mind a boar biting into his boots^PB
• Relatively fine standing on a rock while surfing on lava^S1E1
• Jumps through a flame trap^S1E5
• Trains for Dulcinea for around 12 hours^S1E9
• Resists the mind controlling powers of an evil sword^S1E10
• Has a stick of dynamite explode while in the same barrel as him, coughing out smoke after running away^S2E3
• Struck by lightning^S4E8
• When against an enemy's power that could summon the worst fears of his victims, Puss was unaffected due to his only fear being the loss of Dulcinea, which he thought had happened already^S4E13
• Makes himself immune to a noxious gas by exposing it to himself so much that he didn't smell it anymore^S5E9

Scaling

Also see:

• Death

Blocking and Parrying Attacks

• Parries the Whisperer's flail attacks with his sword^TD
  • The Whisperer was able to embed his mace into stone with a swing^TD
• [Limit] Gets dominated by Death^LW
  • Does a lot better in their next fight^LW
• Parries and blocks sword strikes from Dulcinea while she was wielding a cursed sword that could cleave rocks in half and crack the ground^S2E7
  • Takes a direct hit from the sword, but is knocked out in the process^S2E7
  • Does the same when the sword is wielded by a demon who can crack portions of cobblestone with his downwards swings^S5E4
• Parries and blocks attacks from a queen who could crack stone pillars and embed her weapon slightly into stone^S3E2
• Blocks strikes from an evil clone of himself^S5E5

Direct Hits

• [Limit] Fares pretty poorly against hits from Jill and Jack^PB
• Pummeled and attacked by the three Diablos^TD
• Gets kicked twice by Kitty^LW
• Gets the breath knocked out of him by a giant rose^LW
• Gets backhanded by Papa Bear^LW
• Gets knocked around by Death ^LW
• Repeatedly hit by luck blasts from Black Cats^S1E15
• Flicked by Dutchess' mechanical suit, this cracked the street with punches previously^S2E10
• Hit by a skeleton's mace while it was clawing its way out of the ground and gets back into the fight^S2E11
  • These skeletons could shatter wooden crates and barrels with their strikes^S2E11
• Hit by an ice elemental, and deflects his projectile icicles, which embed into cobblestone and crack cobblestone^S5E7
• Punched around by a monster that could shatter barrels^S5E9
• Gets into a swordfight where he appears to get hit by Dulcinea after she was compelled to kill him, for reference earlier Dulcinea could crack large sections of stone flooring by accident^S6E12

Senses

• Detects a man with a dagger sneaking up on him. Steals the dagger and shaves half the facial hair off two men sitting at a nearby table, then returns to his seat in about a second^PB
  • Reference of the distance the two were apart^PB
• Catches a sword strike from behind^S1E1
• His sense of smell is good enough to pick up the smell of cinnamon from a two hour walking distance away^S1E8
• Discerns what a woman ate previously in the day by drinking her milk^S1E11
• Sniffs out Jacque from across San Lorenzo^S2E2

Skill

General

• Puss is generally a highly skilled swordfighter^PB
• Steals Kitty Softpaws as a dance partner from Humpty without him noticing somehow^PB
• Is undetected hiding in a man's hat (even by the man). The has is lost by the wind and is carried normally, then puss makes his exit^PB
• When his rapier is lodged in the ceiling, taps his foot on the ground causing it to fall into his sword holster on his belt^PB
• Lights several sparklers as he skids by them^S4
• Pogosticks his sword between a man's fingers^LW
• According to him, as of Last Wish, he's never been touched by a blade^LW
  • Obviously this is exaggerated, if Adventures is taken to be canon.
• Can use his sword in either hand, training with both^S1E5
• Swordfights two thungs while not even looking at them^S1E5
• Traps a faster opponent by prepping the field with glue^S1E9
• Skewers a mosquito with a rapier^S2E1
• Somehow escaped while falling to his death to a variety of spinning gears^S2E5
• Fishes out a coin from a coin slot with the tip of his rapier^S2E10
• Taught a kid hundreds of pressure points in the hand alone, one of which makes a bandit she applied it on scream in pain^S1E2
• Breakdances out of rope restraints^S2E9
• Can fight surprisingly well underwater^S3E11
• Uses trees as cover to sneak around an enemy and disarm them of their arrows^S4E4
• Beats a group of armed bandits with a toy baby^S4E5
• Is notably worse in a fight without his boots, losing his footing more easily and failing to land hits that otherwise send the same opponent flying with them^S6E4
• Can lockpick with his sword^S6E11

Disarming/Parrying

• Kicks Kitty Softpaws' rapier into a barrel lodging it there and disarms her^PB
• Fights off a pirate with a sword^S3
• Defeats the Governor and his men with ease^LW
• Disarms three bandits before they could retaliate against him^S1E1
• Accurately throws his sword to knock a set of toy owls on rope out of his hands and pins it to a wall, then disarms two bandits and catches the sword on cue^S1E1
• Easily dodges the blows of one bandit, disarms him, then causes another bandit to knock himself out^S1E1
• Disarms one bandit, sending his sword flying into another bandit's sword to disarm a second time^S2E2
• Kicks an opponent so that his weapon goes flying in the air, then lands on his head to knock him out^S2E2
• Disarms a mole man guard without him realizing it after a downwards slam of his weapon^S2E2
• Isn't hit once while getting attacked at three different sides by bandits^S4E6
• Parries a sword strike while distracted in a conversation^S5E5
• Deflects attacks from two badits without realizing it^S5E7
• Bounces back from being thrown across a plaza by launching himself at an enemy, ducks under their midair attack, and positions himself to disarm her of her magical ankle bracelet^S5E10
• Parries attacks from three bandits simultaneously, although he reaches his limit when a crowd of dozens begins to gang up on him^S6E1
• Predicts the aim of a crossbowman before disarming him with a kick^S6E6
• Sends a bandit's sword out of his hand, then catches it midair and uses it to best them^S6E6

Throwing

• Throws his sword into a lever, activating it^PB
• Does a variety of sword tricks that involve pulling up vegetables and slicing them midair^S2E1
• Launches his sword into the air with just his tail, before leaping across buildings and catching it^S2E5
• Slips an enemy's necromantic ring off their finger, catches it with his sword after its sent flying, then flings it out of San Lorenzo^S2E11
• Kicks a variety of mugs into the hands of bar-goers without looking at them, although he knocks out one guy by accident^S1E1
• Ricochets a guitar off of multiple different guards to knock each out before jumping to catch its return^S3E2
• Repeatedly nails Dutchess in the head with kicked desk objects^S3E5
• Catches a ball of webbing in a bowl, then chucks it back right into the open mouth of the woman who shot it at him^S4E2
• While leaping around a monster, throws apples into the holes in its body that release gas, nailing every hit^S5E9
• Clips a fuse at a large distance with a thrown rapier point, although this could be a lucky shot^S6E1
• Nails an ogre in the head with a thrown bucket^S6E9

Maneuvering

Melee Weapon Fights

• Defeated the Sleeping Giant of Del Mar through many acrobatic maneuvers that covered the entire city, making it knock itself out at the end of the fight^LW
• Manipulates one opponent's sword to block the hits of another opponent attacking him behind, causing the second to bind himself by accident with a set of rope he had on him^S1E1
• Uses his small size to jump around and disarm two bandits^S1E7
• Overwhelms and leaps over three swordfighters attacking him at once after being backed into a wall, but a fourth is able to take advantage of his leap as an opening^S1E15
• Plugs an opponent's weapon to make it backfire^S2E2
• Throws his sword into cobblestone from across a plaza^S2E3
• Even after being disarmed, leverages his own enemies' tactics and weapons to get back to his sword^S2E9
• Embeds his sword into the ground, then uses it to spin and kick multiple goons at once before jumping between them and grappling them to the ground^S2E4
  • Does a similar maneuver while using a guitar as a weapon^S3E2
• Surfs on a guitar while repeatedly throwing and catching it as a weapon^S3E2
• Repeatedly jumps onto and moves with spear strikes to disadvantage and even make his enemies attack one another^S3E2
• Ducks out of his hat right in time for it to get skewered in the place of him^S5E5
• Leaps onto an enemy's weapon without them realizing it^S6E6

Hand to Hand

• Headbutts a bandit in a way that makes him pass out on cue when Puss snapped^S1E1
• Uses an opponent's rope to quickly bind his legs and trip him over^S1E1
• Rolls with a grapple to kick an opponent off of him, sending them flying dozens of feet into a rock and knocking them out^S1E3
• Slides under one bandit, before stomping on his head and dancing on another's^S1E12
• Causes a bandit to knock out every one of his allies by jumping between them while dodging punches^S2E2
• Clings to a skeleton's shield to make another skeleton mistakenly hit it^S2E11
• Times a bicycle kick to knock out a bandit to also dodge the bandit's sword swing^S4E5
• Uses the dust generated by his fighting to leap between bandits and take them out individually while they're unable to see^S4E5
• Despite being under a magical curse that compels him to dance, outmaneuvers and takes out a group of bandits^S4E10
• Uses tent poles to swing around while dropkicking bandits^S5E6
• Somehow propels himself midair after one punch to punch again without any sort of leverage^S5E7
• Leaps to each of two bandit's heads to take them out, and still has time to eat an apple on his way there^S5E9
• Uses his small size to get under an kick out an opponent's legs^S6E4
• Grapples an ogre to make him smack himself in the head, briefly knocking him out^S6E9

Cat-Related Abilities and Weaknesses

Cuteness

• Gets a guard to open a door and drop his weapon. However he resists at the end and does refuses to move aside^PB
• Convinces Shrek to let him tag along on his adventure despite him previously having none of it^S2
• Distracts several knights before dueling them^S2
• Sometimes the cute eyes do not work^S3
• Has a cute-off with the Three Diablos. When sand gets into his eyes, is able to use his eyes to put them in a cute-induced trance^TD
• Made a sphinx who had guarded an hourglass for hundreds of years abandon her post instead of killing him, since he was too cute^S1E2
• Out-cutes a baby dragon^S2E1
• So cute that a golem that was being magically compelled to attack him froze in place^S3E4

Other

• As a cat he has nine lives, having died many times previously. As of Last Wish, he's down to his last one^LW
• Incapacitated by a hairball^S2
• Like many cats, easily distracted by string^S1E1
  • Drops everything to chase runaway balls of it^S1E13
• His cat instincts make him uncontrollably attack a mouse on sight even after being confronted about it and trying to hold himself back^S1E11
• Lands on his feet after falling down a massive chasm^S2E2
• Distracted by laser-like reflections from shields^S2E9
• Hates getting wet on a causal level. Another example
  • However in more serious circumstances where there are actual stakes, will push past this fear with no effort and can actually swim well although was startled when a water spray bottle was used on him

"Pick it up. I know I can never defeat you Lobo, but I will never stop fighting for this life!"

(Swifties, this is your first and final warning. You will not enjoy reading what I've written. Please remind yourselves that you've had since 2006 to crop-dust all creation with your unchecked Taylor-related dickriding. Meanwhile, it's taken me a year and a half to lose enough of my fucks in the crowd to venture the following opinions. Deal with it, or git)
TL;DR: the Taylor Swift social experiment, like all cults of personality, scares the living shit out of me. Relatability should not be an arbiter of artistic merit; everything can be criticized; no-one should have this much money/ in-your-face ubiquity/ power over the media; she needs to stop trying to be a musical one-stop shop and let other artists breathe.
I’m going to use my opening statement to assure the masses that I mean neither Taylor Swift nor her fandom any harm. I don’t know any of you; I only know the brand and the brand ideals, of which a character named Taylor Swift, represented by a person named Taylor Swift, is the central figure. This is a rant, these are my feelings; I merely ask that you extend me the same grace you would your favourite singer-songwriter. And though I can’t promise that all of my points will be made in good faith, because many of them were prompted by genuine psychological triggers, I will do my best to keep the character and the person separate, along with the platforms and the users within the fandom, even if they are guilty of the same misdeeds. No matter how butthurt and snarky I get while organizing these vagrant thoughts - because this exercise is intended to permanently close down my internal TS thoughtschool - all said and done, I just want everyone to be good people and live good lives.
Cool? Cool.
For the sake of full disclosure: her music is fine. I mean…it’s fine. I’ve yet to hear anything that made me want to manually arrest the earth’s orbit, but that comes down to my own personal taste.
And I’ve been obsessed with music for a good goddamn 43 years; I remember trampolining on the furniture to Queen, Prince, and Blondie when I was barely out of diapers, getting my first period at a New Kids on the Block concert (for real), and clawing the shredded fishnets of every early-90s riot grrrl while my 9th grade social capital continued its neverending nosedive. As someone stuck right slap-ass in the Bible Belt - where my love for the INXS song “Devil Inside” was publicly demonized due to the metaphorical conceit - music is the closest I’ve ever come to religious rapture.
But I just can’t seem to acquire a taste for the holy Taylor Swift host.
Once in a while, drifting through her sea of beige melodies and hand me down instrumentals, she will hork up a half-decent turn of phrase (the bridge of “Marjorie” really is a knockout). But I don’t think her specific command of the English language deserves this level of perpetual global veneration. And even when I’m impressed by the way she clicks words together, I don’t feel moved to take them apart and examine them for hidden depths or synesthetic value. To me, her writing is only marginally better than the Star Wars/ Mortal Kombat/ Jem & the Holograms fanfics I used to write while procrastinating between shifts at Starbucks. (Not me ending a letter to Stormer from Kimber with, “I miss you like January misses Christmas.”) To paraphrase the MechaStreisand episode of South Park: “Ya ain’t Fiona Apple. And if ya ain’t Fiona Apple, I don’t give a rat’s ass.”
But it goes beyond me staying stubbornly put as the approximate rest of the world is shaken to the core by her musical LiveJournal. I’m not here to yuck anybody’s yum. If Taylor Swift is to you what Stephen King (an inconsistent but effective storyteller who unknowingly taught me how to express my own macabre thoughts) is to me, that’s fabulous. Everyone deserves to feel that way about something; everyone deserves to experience a piece of art or media that makes them sit more comfortably amongst the serrated edges of the world.
The difference is, when someone tells me that Stephen King sucks all ass, my reaction tends to be, “Fair enough. Let’s talk about the writers you LIKE.” Not, “How absolute DARE?! You must be a Yankees fan if you don’t like Stephen King! I mean, it’s right there in the name! In this thesis I will…”
So let’s break it down, shall we?
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FIG 1. ENSHRINING MEDIOCRITY
Taylor Swift has a way with words. Sometimes. More often than the average American dickhead who gave up on the Cliff’s Notes to Animal Farm. But a good 9 times out of 10, reading her lyrics - especially since Folkmore went to her head - feels less like a peerless, cathartic demonstration of wordplay and more like an Intro to Creative Writing student spraying and praying with one hand on a thesaurus. (“I’m only cryptic and Machiavellian cause I care…” Miss Ma’am. Put the fountain pen on the floor and kick it over to me.)
Sure, everybody loves a good literary reference. “In Liverpool”, where Suzanne Vega alludes to Victor Hugo’s The Hunchback of Notre Dame while pondering unrequited (and possibly gay) love, is my Roman Empire. But Swift doesn’t explore or utilize literary devices. She drops them, like boldfaced names on TMZ. She feels so Gatsby tonight. Her good-for-nothing boyfriend = Peter Pan. Wordsworth was an English Romantic poet who liked to bum around the Lake District, so let’s shoehorn him into “The Lakes” as a ramshackle pun about HER writing prowess (thank fuck she left Beatrix Potter alone). She knows these works exist, but she’s TELLING us she does, rather than SHOWING us.
Her lyricism is inconsistent, her references are anti-dimensional, her instrumentals sound like AI versions of previous artists, her “genre-hops” are formulaic, her singing is meh, and she dances like a preschooler clomping around in mommy’s heels. But at least she plays piano and guitar at a low-intermediate level. This is the only person holding 4 Album of the Year Grammys? Out of every other band and artist living, dead, or undead? Fuck that for a laugh.
(Short break to remind myself that Can’t Slow Down beat Purple Rain, Born in the USA, She’s So Unusual, and Private Dancer in 1985. Same as it ever was, really.)
My intention is not to discredit who she is or “what she’s been through” [dismissive wanking gesture]. I just don’t consider “...you hang from my lips like the gardens of Babylon…” a simile that necessitates a whole-ass branded tunic on Christ the Redeemer. Hell, I wouldn’t even project a salute to the aforementioned Suzanne Vega on a national landmark, and I think her lyricism absolutely BODIES Ms. Swift’s.
To more modern, mainstream effect, there's something so sharp and satisfying about Olivia Rodrigo's music. While not compulsively polysyllabic, her lyrics captivate me with their seething wit and disheveled beauty. Her emotions are dysfunctional without giving you narcissistic whiplash; they create an almost kintsugi effect within the thru-line of the songs, fusing the tragedy, setbacks, and self-deprecation whole with golden veins. I love laughing my ass off to “get him back!’, sprinting through a sunsoaked Appalachian meadow in my head to ‘Can’t Catch Me Now’, and reliving the outset of my romance with my husband to “so American”. Her 90s pop-punk sonic homage is a breath of fresh air, too.
I've yet to hear a Taylor Swift song where she isn't WHINING about something, and I’ve choked down a LOT of her songs just to be informed. Her entire discography reminds me of the final scene from Interview With the Vampire 1994. “Still WHINING, Louis! Have you heard enough? I've had to listen to that for centuries.”
On and on the pity party drones until eventually, no matter how many ornate literary devices she springs on us, Swift outs herself as no deeper than a damp floor. If she learned to economize the bells and whistles and reach beyond her own experience, she might be onto something. There’s a reason Toni Morrison is a legend and VC Andrews is a hack.
This doesn’t mean TS shouldn’t have a successful music career. Or that glitter gel-pen media with a predominantly female audience deserves to be dragged through the cesspool where society once stood. (Ask me how many times I listen to Debbie Gibson’s first two albums inside a calendar year - hint, more than zero.) But I swear to fuck, if I see the word ‘relatable’ used as quality control ONE MORE TIME, I will vomit the entire Nicholas Sparks bibliography. Are we so collectively insecure and empathetically bankrupt nowadays that we can’t engage with an artist unless we want to wear their skin? Does every performer or character need to function as an all-purpose self-insert? Does the winning formula absolutely have to be ‘Literally Me”? This has to be why Black excellence keeps falling by the wayside so the human Barbie doll - complete with interchangeable identities she dons and sheds like fashion plates - can placate her ego with another trophy. Yeah, I’m still sore about SOS and TPAB losing AOTY. (If you don’t recognise those acronyms, ask Google.) The connective tissue between ‘I’d rather have a beer with Donald Trump than Hillary Clinton’ and ‘Taylor Swift is a better mirrorball than Janelle Monae’ is thicker than the volumes of literature TS skimmed while ditching Tom Hiddleston to snoop around Joe Alwyn’s flat.
Don’t get it twisted; I’m all for sisterhood in song, finding parallels of my own experience in a woman’s work. But MUST my inner voice belong to Taylor Swift? Can’t I prefer Tori Amos or TLC or even Olivia Rodrigo? Because I’m not a skinny Aryan poster girl whose rich parents Veruca Salted (the character, not the band) and Tonya Hardinged my way out of every first-world problem and into a stupidly successful career where my only setbacks are breakups and one-sided beefs.
Also, what’s with this theory that lyrics and the ability to write your own are the end-all-be-all of music? Are compositions a joke to you? When you get a moment, listen to my all-time favourite symphony, The Planets by Gustav Holst. Bitchin, huh? Don’t mention it.
Hot take, but as a public figure, Swift has a lot more in common with her archnemesis Kim Kardashian than her idol Lana Del Rey, and I suspect that’s chief among reasons she keeps disturbing the Kimye grave.
(Oh, hey, if you’re that dweeb I’ve seen on YouTube spamming every other comment with your essay on why Taylor Swift is the best singer, songwriter, and multi-instrumentalist due to the units she’s sold and the records she holds…I wish a motherfucker would.)
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FIG 2. WE DON’T NEED NO GENTRIFIED FEMINISM
Okay. I have a complexion like a fresh stick of chalk, resulting from a family tree full of Scottish libertines and southern Appalachian hill trash. Therefore, I don’t want to get too deep in the weeds of a topic that concerns the experiences of marginalized people. So instead of running my mouth on the meaning of ‘white feminism’ and its insidious cause/ effect process, I’ll urge you to seek out books and essays by more qualified people.
“Hood Feminism” by Mikki Kendall is a great place to start. See also “White Tears/ Brown Scars” by Ruby Hamad, and “Why I’m No Longer Talking to White People About Race” by Reni Eddo-Lodge.
One of the most frustrating things about the inescapable Taylor Swift phenomenon is how her brand and her disciples have perverted feminism. It's now a whitewashed, focus-grouped shadow of itself, used only to shield Swift, and Swift alone, from criticism and her own mediocrity.
Swift really is the perfect symbol of white supremacy, whether or not she wishes to be. Her virtues are blown way out of proportion, and her wrongdoings are swept under the rug with a litany of excuses. Coddled and deified by the same entities that condemn and demonize her Black peers for the same shit. I’m reminded of how, in my home country (USA), a white gunman is a product of a broken home or untreated mental illness, while a Black or brown one represents the corruption of a whole community. Concurrently, when a white woman plays by the patriarchy’s rules and wins, or donates pocket change from her net worth to a few non-partisan causes like staff bonuses or soup kitchens, she’s held up as a paragon of righteousness. But when her stan club harasses one of her presumed nemeses to the brink of a nervous breakdown, or when a concertgoer at one of her Latin American shows dies of dehydration (RIP Ana Clara Benevides), everyone runs to console and absolve HER. It wasn't her fault, she had no power, how could she have known?
“Profoundly unsympathetic underdog”, as I read somewhere, is probably the best way to put it. Has she suffered from the slings and arrows of misogyny? Well, duh. She’s a woman at the top of an industry right slap-ass in the middle of a capitalist hellscape that, to this day, is still dominated by men. Men with a lot more dough and behind-the-scenes influence than she could ever dream of. But she doesn’t want to dismantle the system. She wants to bend it to her will and win it - even if that means cheating. Which is all well and good for her, but at the end of the day, she’s another fuckass oligarch. She’s a dragon in woman form like a reject from Earthsea, gorging on numbers to fill the empty howling void in her soul, tossing crumbs and scraps down to the masses.
She’s not a feminist so much as a Swiftist.
Ironically, Swift’s “feminism” revolves around men, because it’s feminism as interpreted by men. Powerful women using the patriarchy against itself, rather than bulldozing it for the good of humanity.
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FIG 3. PROFESSIONAL CHARACTER ASSASSIN
Do I consider Taylor Swift an actual Batman villain of a person? Nah. I'm sure she's perfectly nice if you don't look too closely or set off any tripwires. In general, she’s probably not half the psychological sadist her father is or her disciples can be. She's got a long way to go before catching up to the likes of Donald Trump, Rupert Murdoch, or Andrew Tate. But that's just it - everyone outside the fold recognises the minions of that dark triad as pathetic at best and actively dangerous at worst.
The systemic coddling and infantilization of white women refuses to acknowledge the harm they can cause by gathering a mob with a common assigned enemy. And, having stuffed her cult’s heads full of subliminal tabloid fodder, Taylor has ensured that every time she performs an Invasion of the Bodysnatchers point-and-screech in a rival’s direction, that person’s about to have a bad week. Doesn’t matter if the vitriol is one-sided.
When I consider the full front to back of Taylor’s “lore”, what forms in my mind is the story of a victim, or self-proclaimed victim, who considers a villain arc aspirational. You know, a surly ninth-grader’s idea of justice. Enabled by her fans, who’ve declared Swift’s lyrics gospel, her easter eggs a call to arms against anyone who’s earned so much as a side-eye from her.
And does she call them off? Does she fuck.
Joe Alwyn’s reputation went to hell on an inside track for (checks notes) possibly mismanaging his depression? (Also, everyone involved in the mass unfollowing stunt is tacky and I hate them. That includes you, Ryan Reynolds. You're closer to 50 than 25, with four kids at home, acting like a second string shortstop trying to impress the head cheerleader. Knock it off.)
Katy Perry found herself soaked with pig blood in a public square for either rehiring a couple of dancers after they quit Taylor's tour, or briefly dating John Mayer. Depending on who you ask.
Jake Gyllenhaal was the target of a harassment campaign perpetuated by Swifties, fellow celebrities, and even goddamn CONSUMER BRANDS for, I dunno, acting kinda like a fuckboy eleven years prior? Realizing, perhaps too late, that he and Taylor were incompatible as romantic partners? Either way, I'm more freaked out by the gratuitous shots fired at his sister, girlfriend, godmother, and teenage niece. Let's put a pin in that for now, though.
Antonia Gentry, a biracial actress known for her role in Netflix’s Ginny and Georgia, took a heaping helping of abuse, garnished with a generous dollop of racial slurs. All because Swift got bent out of shape over a throwaway line delivered by Gentry’s character because it painted Swift’s dating habits in a bad light. It must needs be said that Gentry did not write or improvise this line of dialogue, she merely read it. We'll put a pin in that, too.
Scooter Braun can kick rocks in glass socks, but he was right about one thing. Taylor should have faced him down her damn self, instead of siccing her stan club on him…and his family. Put a pin in it.
Kim Kardashian - well, shit. The last thing I ever thought I’d do is defend a Jennerdashian, and my stance on Snakegate has been ESH from jump street. But after all Taylor’s posturing about her nemeses defeating themselves before she can take a swing, she didn’t hesitate to directly name and shame Kim in a recent song. Or use Kim’s daughter as an insult to her lyrical injury. Put a pin in it.
Look, no-one enjoys a failed or toxic relationship. Or waking up with a target on their back. I spent nearly a decade with an authentic psychopath who at one point (I kid you not) accused me of cheating on him WITH A FICTIONAL CHARACTER. So fuck his dreams, but even with the worst of what he did to me in play - and rest assured, it was some Ari Aster shit - I wouldn't want to see him at the bottom of a John Mayer dogpile. Mostly because he has loved ones who shouldn't end up as collateral damage.
Back in 1988, the late Oscar-winning SFX titan Stan Winston (Terminator, Jurassic Park) made his directorial debut with a cult classic supernatural folk-horror called Pumpkinhead. The plot centres around a father named Ed Harley (B-movie legend Lance Henriksen) summoning a demon to avenge his son against a group of “cityfolk”.
Why bring up that old VHS throwback? Well. Revenge films have been a staple since the medium began, but Pumpkinhead is one of the few that shows the dark side of vigilante justice. People love a settled score. But most stories only show the boomerang effect from the offender to the avenger. Pumpkinhead broadens that viewfinder to show the pyrrhic nature of revenge, especially revenge served scalding hot, using familiar genre devices to demonstrate the victim’s torment, the cyclical trap of it all, and - most importantly - the innocent bystanders catching strays. You think you’re wishing on a star, when you’re really wishing on a monkey’s paw.
That’s why I said to put a pin in that list of Taylor’s Undesirables. It’s never just the person who (sometimes debatably) did her dirty. There’s plenty of ‘female rage’ for their associates, too - sometimes with those associates, ex. Antonia Gentry, taking the force of the blow. But unlike poor Ed Harley, Taylor has accumulated too much money and power to face any real consequences.
It’s much easier to contain a narrative in art than it is in real life.
(PS: That sidelong smirk she does gives me the willies. Just me? Possibly. BEC? Totally.)
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FIG 4. FUNDAMENTALIST SWIFTISM (THIS ONE’S PERSONAL)
I was born in southern Appalachia, in one of North Carolina’s most objectively beautiful cities. Unfortunately, I grew up in a rural, redneck town of just over 1,000, where the locals shared two cinema screens and maybe seven surnames.
And though mine was a mostly secular (Methodist) household full of Jimmy Carter Democrats, I couldn’t go a day without someone on the outside telling me that something I loved was a sin. I was the unwilling congregation for cautionary sermons about everything from Stephen King to Dirty Dancing to a fucking side ponytail in my hair (apparently it evoked Madonna, and that was a Bad Thing). Politically, it was standing water trash. My social studies education consisted mostly of Confederate-apologist kitsch and Red Scare Sovietcore. One of my fifth grade teachers spewed anti-choice rhetoric in class, and two years later, another one literally said, ‘Adam and Eve, not Adam and Steve’.
For context, like I said: raised by liberals, if not full-tilt leftists. My maternal grandfather was a hometown civil rights activist who ran an integrated workplace and campaigned for JFK. My mother’s friend confided to her (and only her), at the peak of HIV stigma, that her son was dying of AIDS. I remember asking Mom when I was 5 why movies only showed ladies kissing men and not men kissing men or ladies kissing ladies. Her answer: “I don’t know, baby, because it happens all the time in real life.” One of my paternal uncles was a drag performer in his 20s (which would have been between 1966-1976), and once my cycle kicked in, I was lectured THOROUGHLY about birth control and reproductive rights. I was lucky - at home. Outside, it was an ideological wasteland, fire to the left of me, brimstone to the right of me, God, guns, and “guts” waiting to nudge anyone who strayed from the formula back in line. So traumatized for merely wanting to wear fun makeup and clothes, watch A Nightmare on Elm Street, listen to Prince, and walk among neon lights with an urban skyline looming overhead like an enchanted forest, I became rebellious as fuck in my adolescence. I had a witch phase, a zen phase, and a militant agnostic phase. I’d overhear myself saying controversial shit (controversial by local standards) in a neverending campaign to push the born-against as far away from me as possible. Please don’t pray for me, I’d silently plead. Please think I’m a lost cause.
But it’s cool. I moved back to my birthplace in 1999, and clear across the Atlantic in 2016. (Plus the 9 years I spent in New England, but we don’t talk about that.) And I’m seeing a therapist about my psychological dysfunction - PTSD, depression, severe social anxiety, the usual.
Thanks to nearly two decades in this Gilead-coded environment, though, I have a near-phobic aversion to groupthink. I especially despise blind hero worship (due, I suspect, to the evangelical code of honouring God with every choice), and when matters of opinion are presented as fact. It pisses me off when Trumpnecks uproot the goalposts and plant them right in their eye sockets at their messiah's every misstep, and it pissed me off when the BernieBros tried to wreck my shit for backing a different Democrat (no shade to Bernie - he's probably one of the best social navigators America could ask for).
Taylor’s press is sounding less like journalism, even popcorn tabloid “journalism” in inverted commas, and more like nationalist propaganda. She stimulates economies (all sold-out stadium events do)! She’s broken another record (by rigging a broken system)! She eats ranch dressing (bitch, my BFF wrote a SONNET about ranch dressing when we were in junior high - that ain’t special)! She’s single-handedly carrying the music industry on her back (by toying with her fans and weaponizing FOMO)! ALL HAIL! It’s giving Straight Out of North Korea.
But as soon as you dare mention that some of this doesn’t sit right in your soul…chaos. You’re just looking for shit to be mad about because you hate “fun music” and “successful women”. Prison. Solitary confinement. Electric chair.
I have experienced no-shit panic attacks thinking about all the cults of personality that have cropped up over the past decade, okay? Whether Donald Trump, Nigel Farage, Elon Musk, or Taylor Swift…they are all symptoms of a terrifying social disorder. Once we were drowning in information while thirsting for knowledge; now combine that with a riptide of tinfoil milliners and hyperpartisan news outlets. Communities have deteriorated, so we create them online using public figures and their open-ended manifestos, our capacity for independent and nuanced thought shriveling into a MAGA-hat shaped echo chamber screaming into a billionaire-branded, corporate-sponsored void.
Is this what Beatlemania was like? I can’t say for sure; I wasn’t there. But much as I appreciate The Beatles (while acknowledging the shady shit still stinking up certain corners of their empire), I can absolutely sympathize with people who maybe didn’t want the music crammed down their throats and the lore shoved up their asses.
“Let people enjoy things.” Let them be skeptical about things, too, and you’ve got a deal.
What frustrates me isn't that I don't like her, or that others do, but that so many of them won't allow anyone to dislike her in peace.
That's how I ended up here, at this desktop, downloading backlogged grievances to a Google.doc file.
I have no mouth, and I must scream.
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FIG 5. ELEVENTH HOUR TRAILBLAZER (WITH A SIZE 500 CARBON FOOTPRINT)
Let's get serious. Most of our faves are problematic. I love HP Lovecraft's literary universe; he's a racist wad of dick. I love the way Margaret Atwood dissects her characters and serves them up on a silver platter with a parsley garnish; she's a bleach-white feminist and probably a goddamn TERF. I'd probably loathe Frank Zappa if he were alive today, even though I know passages from his autobiography by heart.
You don't have to steamroll your TS merch on Main to accept the fact that as an activist, she has all the conviction of Boy George checking the resale value of a contradiction before the Karma Chameleon gets home.
And that's fine, or it would be, if her aforementioned propaganda team hadn't successfully executed a Jedi mind trick to make the media go, “Taylor Swift - Joan Baez literally wishes.”
Anyone can tweet “Black Lives Matter” a few times, and I'm pretty sure my Boomer mother posted “Why be mad, when you can be GLAAD?” on Facebook circa June 2013. The only appreciable difference between Taylor Swift’s low-effort, low-stakes activism and some rando in Eugene, Oregon tweeting (I refuse to call it X) a picture of their brand new rainbow Stanley cup is the whole world keeps waiting for Tay Tay and her money to talk over the stamping onstage power-walk of her bullshit. And if she's got nothing to say, then by god we'll put the words in her mouth. Because with her unthreatening good looks and Disney princess energy, she makes a perfect false idol for neoliberals and a perfect boogeyman for the unhinged right.
So it goes. Over and over again. Once you win capitalism, you can make people believe whatever you want them to. Championing LGBTQ+ rights in the glossiest, most favourable environment possible makes TS a hero right up there with Captain America, but her manic zigzags across the planet in her private jet(s) are NBD.
Dolly Parton gets away with being politically milquetoast because (I’m inclined to think) she genuinely wants to provide a seat at the table for everyone. Not so the whole world will spend a weekend in Pigeon Forge - though I'm sure that's a strong incentive - but because she was raised with that as a guiding principle. Taylor's only principle seems to be waving her distended bank account under our faces and barking, ‘Fill ‘er up!” Also if you talk shit about her, you're not a girl's girl. Girl's girls push their successors down the stairs while buying and selling the rights to female rage. Because as a wise YouTuber one said, “My problems, my problems, my problems, MY PAIN!”
Sometimes I get the impression that Taylor Swift doesn’t want to BE an activist so much as she wants us to THINK she’s an activist. The public perception of HER matters more than urging that public to help her leave the world a better place than when she found it.
Not everyone is, or wants to be, an activist. Not everyone has that fire in their belly. I can dig it. But activism should not be a cosplay you wear to WokeCon for a single album cycle; it's a bit to which you need to commit.
Especially if you have no problem bringing a ruckus to protect your sanctified public image.
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FIG 6. SHE DRINKS YOUR MILKSHAKE
“Billboard gamer
Qu'est-ce que c'est?
Fu-fu-fu-fuck off, fu-fu-fuck off…”
But for real, some of y'all need to stop approaching music stats like the NBA playoffs. Because I'm telling you straight up and down, if Taylor Swift were on the NY Liberty, she'd be what's known as a ball hog.
“She is the music industry” is not a flex. It's an indictment and manifesto of our own cynical capitalist dystopia. It's the mission statement of an ‘artist’ who can't seem to create without the intent of destruction. It's a slap in the face to musicians who match Swift's work ethic and far exceed her talent, but lack her bloodthirsty cult and cutthroat PR machine. It’s the language of monopoly - doesn’t matter if Swift dominates 90% of the musical market, charts, and records, so long as that wayward 10 is still out there.
Every time Taylor Swift copies another artist’s homework and makes their reality impossible to disentangle from her image, I feel the same sense of weary dread as when Disney buys up another movie studio. Except worse, because a lot of those studios are multinational corporations in their own right, probably direct beneficiaries of Citizens United living off the crops planted by Reaganomics. It’s easy to be facetious and say they had it coming.
But given everything she’s come to symbolize in the public eye, it’s hard to unsee TS as a huge multinational corporation gobbling up rising artists and their chosen niches like a deranged Ms. Pac-Man who keeps doubling back in the maze when she should go forward.
It's almost as if she's trying to create an environment where there's no need to listen to any other artist, because she can do it all. Even be “The Man™”! (Though she mostly targets younger women.) And if you don’t like the current era, where are you going? Pay no attention to that small indie artist - just wait for her to jack their style! Sad Girl Synth/ Witch in the Woodscore/ Bell Jar Chic coming right up!

Plus, when she’s not coal-mining her peers for ‘aesthetics’ to add to her brand once it’s safe to do so, she’s barging in on their album releases with new variants, surprise releases, ANYTHING to prevent our attention from diverting from her for the length of ten or fifteen songs.
And it’s happened too often and with too much synchronicity to be a coincidence. Restoring her catalog to Spotify on the release date of Katy Perry’s Witness. Dropping new variants of Midnights to block SZA from the top spot. And now trying to open the same expired can of whoopass on Billie Eilish, an artist as renowned by her industry peers as Taylor is by the mouth-breathing masses.
Even her “supportive dancing” at awards shows…it’s cute at first, until you realize it’s blatant camera-pan bait to bring attention back to her.
This is not “good business”. It’s a hostile work environment.
Obviously, high-profile artists siphoning trends from more obscure ones has been how the music industry establishes hierarchy and ratfucks the vanguard for decades. You - rightfully - can’t bring up Elvis Presley nowadays without mentioning Big Mama Thornton (and you owe it to yourself to listen to her original version of “Hound Dog”, because whoa, nelly). But Taylor Swift is hiding her chicanery in plain sight, ripping her peers off and shutting them down brazen as anything, and it’s hard not to wonder how much time will transpire before we can call her on it without being branded heretics.
No-one really talks about it, but IMO, one of her most grimdark acts of sabotage was releasing “Cruel Summer”, a five-year old song that wasn’t even a re-record, on the same day Olivia Rodrigo dropped “Vampire”, the debut single for her sophomore album. “Cruel Summer”, in case you haven’t seen a Taylor Swift evidence board lately, is the reason Olivia is now stuck paying a substantial chunk of “deja vu”’s royalties to TS and her cronies. I’m not saying Taylor’s team chose that song on purpose, to intimidate a (former) fangirl literally 13 years her junior, but I put nothing past no-one.
Success is so much more rewarding when it's not a zero-sum game. Call me a musical Marxist, but I want to celebrate a motley crew of talented artists rising in and out of the top 10 like melodic fireworks, not one grifting normie shithead perched indefinitely at the summit, yanking up Jacob’s ladder rung by rung.
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FIG 7. IN THIS ECONOMY?
One album, one deluxe edition. That's a god's plenty, especially vis a vis physical media. If you release more than that, you're an asshole, and if you buy more than that, you're a sucker. I will not be taking questions at this time.
No, it isn't just a Taylor Swift problem - far from it. But she is currently the head of a rabid and venomous kaiju run amok across a mortally wounded planet.
And the merch, my esteemed chaotic neutrals, is just too ass to mention.
While we're at it, eat the rich. Most of them. At least leave the bones of billionaires on the lawns of multimillionaires as a warning.
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And where - apart from the hate campaigns - do her hapless paramours fit in all of this? Beats me. The truth is, I don’t give a single solitary fuck about celebrities in the wild, unless they do something incredibly wholesome (Pedro Pascal celebrating his trans sister) or remarkably stupid (Puff Daddy). And despite all the pictures I’ve seen against my will, I wouldn’t recognize Travis Kelce or Matty Healy if they walked right up to me. First of all, I despise the NFL; I’m a baseball/ basketball/ hockey fan. And The 1975’s music, to me, just sounds like yacht rock if the yacht were caked in cocaine and bodily fluids. I know that Matty Healy once mentioned shucking his corn to a certain racist sex-trafficking website. And whether or not he meant it as a joke, it was gross and WoC have every right to have a bone to pick with him - and with Taylor.
For real, though, I look at her body count and all I see is a succession of nondescript white dudes. The only one who stands out to me is Gyllenhaal, and that’s because I’ve been a fan of him and his sister as actors for 20+ years. So her dating history has never been a point of contention or even interest for me.
The long and the short of it is, I'd have no quarrel with Taylor Swift if she were just taking up space as a successful singer-songwriter processing her emotions through her music. We could peacefully co-exist if LITERALLY EVERYBODY were not expected to not only give a fuck about her, but forsake all others unto her and her sanctified narrative. Sorry, my sister in Christ, but I'm an atheist.
And yes, I'd say every syllable of this with my whole chest and my pussy facing the world if Blandie were A MAN. So don't even get on that tip.
Go forth and have the day you deserve, from the depths of my last nerve.

Hi there,
32 y/o male planning his 3rd solo travel expedition to South America, for September 2024 - May 2025.
These start/end dates are fixed so I've tried to create an order which gives me the best average weather conditions overall. I'm therefore starting in Bolivia in September, and then doing Chile/Argentina/Uruguay in October-December, before moving on to Paraguay/Brazil for January & February.
I had a few questions which I've struggled to find the answers to in my research so far, and this seems like a very knowledgable community, so maybe you can help:

1. Is mid October - mid November optimal weather conditions for Patagonia (both Chilean and Argentinian)? I've seen it suggested that it will still be pretty cold and wet in October, but I know some people exaggerate Is it therefore worth trying to delay it a bit to November, or even mid November - mid December, and going Northern Argentina first? I feel this will complicate my route/order, so would only want to make this adjustment if it's really worth it for the improved weather in Patagonia.
2. Are the Patagonian border crossings easy to do? Any suggested route I have seen online suggests doing all of Chile in one go, from North to South, then crossing into Argentina down on Tierra del Fuego, and then going back up to Argentinian Patagonia. To me this seems a but illogical given that the highlights of both Chilean & Argentinian Patagonia (the lake districts) are right next to each other (Puerto Montt, Bariloche). Would it not make more sense to do that district in one go, crossing back and forth between the border, then head down to the South, and then fly from Ushuaia to Buenos Aires province directly? Aka instead of doing a V shape route, do a pin-ball route across the border right down the Andes spine and then fly from bottom to top.
3. Is Chile really that much more expensive than Argentina? What % more expensive is it on average for typical travel expenses? Given that a lot of the sights of Chilean Patagonia look pretty similar to Argentinian Patagonia; I've already flagged it as a potential duplication of views/vibes that could be cut to instead allow me more time and money to see more varied landscapes elsewhere. Reading that Chile is a lot more expensive than pretty much every other country in South America, I'm considering trying to reduce my time there anyway to allow my budget to stretch for longer. If Chile is in fact 50% more expensive then that'd be a push for me to cut a lot of Chilean Patagonia destinations from my route and instead do more similar but significantly cheaper Argentinian Patagonia destinations.

Thanks in advance!

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5 Pins - Echo Of Madness [ECHO Recordings] / Key Em, BPM 130, 6:24, MP3 16.19 Mb
5 Pins - Ecstatic Euphoria [ECHO Recordings] / Key Cm, BPM 128, 7:15, MP3 18.23 Mb
5 Pins - Father [ECHO Recordings] / Key Cm, BPM 135, 4:16, MP3 11.07 Mb
5 Pins - Rain [ECHO Recordings] / Key Am, BPM 130, 5:55, MP3 15.01 Mb
A503X - Anarchy [A503X Records] / Key Bbm, BPM 127, 5:18, MP3 12.86 Mb
A503X - Club [A503X Records] / Key Am, BPM 124, 5:10, MP3 12.54 Mb
A503X - Dominguero [A503X Records] / Key Gm, BPM 128, 5:30, MP3 13.35 Mb
A503X - Extra Loser [A503X Records] / Key Em, BPM 125, 6:08, MP3 14.87 Mb
A503X - Genocide [A503X Records] / Key Dbm, BPM 125, 4:23, MP3 10.66 Mb
A503X - Gin & Soda [A503X Records] / Key Cm, BPM 127, 5:48, MP3 14.06 Mb
A503X - Infected [A503X Records] / Key Cm, BPM 123, 6:42, MP3 16.22 Mb
A503X - Logic [A503X Records] / Key F#m, BPM 127, 5:18, MP3 12.85 Mb
A503X - Sir Master [A503X Records] / Key Gm, BPM 124, 5:41, MP3 13.78 Mb
A503X - Spatial Dream [A503X Records] / Key Bm, BPM 127, 5:33, MP3 13.46 Mb
ALEX ACEA - I'm Sorry [Mark Music Records] / Key Cm, BPM 100, 3:10, MP3 7.74 Mb
Acidbot - Acid Test [No model music] / Key Fm, BPM 145, 4:12, MP3 10.45 Mb
Acidbot - Bass Line [No model music] / Key Abm, BPM 145, 4:16, MP3 10.60 Mb
Acidbot - pH Shift [No model music] / Key F#m, BPM 145, 4:15, MP3 10.57 Mb
Alejandro Flores (VE) - Beautiful [Draxler Records] / Key Gm, BPM 128, 7:15, MP3 17.56 Mb
Alex Norman - Flight to Pandora (Original Mix 2020) [Different Styles Music] / Key Em, BPM 124, 5:15, MP3 12.83 Mb
All Atomic - Atomic Motorcycle (A) (Remix) [All Atomic Tunes] / Key Bm, BPM 135, 5:36, MP3 13.65 Mb
All Atomic - Atomic Motorcycle (B) (Remaster 2024) [All Atomic Tunes] / Key Am, BPM 135, 6:16, MP3 15.27 Mb
All Atomic - Atomic Motorcycle (C) (Remix) [All Atomic Tunes] / Key Bm, BPM 135, 5:09, MP3 12.57 Mb
Amx - Your Body [Tresor Records] / Key Bbm, BPM 135, 5:20, MP3 12.95 Mb
Andrew De la Foix, Juliet Ighodaro - Desire feat. Juliet Ighodaro (Original mix) [Irma Cafe] / Key Bbm, BPM 120, 4:39, MP3 11.36 Mb
Antiteston Corporation - Incognito (Acid Flavor Remix) [Stereofly Records] / Key Cm, BPM 125, 5:26, MP3 13.20 Mb
Antiteston Corporation - Incognito [Stereofly Records] / Key C, BPM 125, 5:26, MP3 13.20 Mb
Artem Mone - Work [Different Styles Music] / Key Gm, BPM 110, 7:25, MP3 18.02 Mb
Arzadous - Chupamatracas3000 [GRIT rec.] / Key Ebm, BPM 150, 5:12, MP3 12.99 Mb
Audio Bullys, Smokey Bubblin' B - Dilate (Extended) [Higher Ground] / Key Am, BPM 125, 4:56, MP3 12.04 Mb
Azzecca - It's Strange [DGTL] / Key F#m, BPM 128, 4:47, MP3 11.84 Mb
Ba2la - Good Keys [Club Session] / Key Gm, BPM 123, 6:42, MP3 16.52 Mb
Bassel Darwish - Just Saying [BINARY] / Key Gm, BPM 128, 6:01, MP3 14.79 Mb
Ben Gerrans - CO2 [Shelter] / Key F#m, BPM 145, 3:25, MP3 8.64 Mb
Bidoben - Cobalt [Truncate] / Key Ebm, BPM 140, 5:49, MP3 14.01 Mb
Bidoben - Goner [Truncate] / Key F#m, BPM 140, 5:38, MP3 13.57 Mb
Bidoben - Seek & Receive [Truncate] / Key Abm, BPM 142, 5:47, MP3 13.94 Mb
Bidoben - Torch [Truncate] / Key Abm, BPM 140, 5:27, MP3 13.13 Mb
Boros - Animales [SAMBA] / Key Bm, BPM 129, 6:33, MP3 15.81 Mb
Boros - Athor [SAMBA] / Key Dbm, BPM 130, 5:26, MP3 13.14 Mb
Boros - Gaza [SAMBA] / Key Gm, BPM 128, 6:59, MP3 16.87 Mb
Brownie - Breathe Me In [HighFiveMusic Records] / Key Ab, BPM 128, 2:11, MP3 5.53 Mb
Brownie - Breathe Me In (Slowed & Reverbed) [HighFiveMusic Records] / Key Ab, BPM 113, 2:28, MP3 6.21 Mb
Brownie - Breathe Me In (Sped Up) [HighFiveMusic Records] / Key Ab, BPM 153, 1:49, MP3 4.65 Mb
Cafe De Anatolia, Xyafter - Dreamscape [Cafe De Anatolia LAB] / Key Am, BPM 122, 5:22, MP3 13.09 Mb
Chanknous - La Estación [Overnights Records] / Key Em, BPM 120, 6:25, MP3 15.50 Mb
Chris.L, ZMBRI - Fasten Belts [Dark Mountain Recordings] / Key Dbm, BPM 127, 3:44, MP3 9.10 Mb
Clio - Golden Glow [Booshu Records] / Key Bm, BPM 124, 2:57, MP3 7.30 Mb
Conrad Product - Arucci Turobriga [Krad Records] / Key Am, BPM 128, 6:02, MP3 14.97 Mb
Conrad Product - Fantasy [Krad Records] / Key Em, BPM 126, 6:07, MP3 15.17 Mb
Cumbiafrica - Aire [Producciones Alé Kumá] / Key Gm, BPM 125, 3:38, MP3 8.94 Mb
Cumbiafrica - Aire [Producciones Alé Kumá] / Key Gm, BPM 125, 2:41, MP3 6.65 Mb
D.S.D. - Elemental [Club Session] / Key Em, BPM 120, 6:28, MP3 15.98 Mb
DJ Kristelle - Journey To Rotterdam [Kiffe Records] / Key Ab, BPM 112, 5:15, MP3 12.75 Mb
DJ Lava - Through Life with You [Different Styles Music] / Key Dm, BPM 164, 6:15, MP3 15.20 Mb
DJ Lava - Towards Destiny [Different Styles Music] / Key Gm, BPM 125, 6:28, MP3 15.73 Mb
DJ Stingray 313 - Dynamic Instability [Tresor Records] / Key Ebm, BPM 150, 4:14, MP3 10.29 Mb
DJ Unprotected - Do It All Again [Black Turtle Deep] / Key Ebm, BPM 128, 3:02, MP3 7.43 Mb
Deeper Than L - Decisions [Club Session] / Key Am, BPM 123, 8:08, MP3 19.96 Mb
Dew (FR) - Late Night [Voltaire Music] / Key Fm, BPM 127, 5:34, MP3 13.55 Mb
Dj Athan' - Costes Del Sol (Cástel Órizo Deep Mix) [Disguise Tribe] / Key Cm, BPM 120, 7:04, MP3 17.18 Mb
Dj Athan' - Costes Del Sol (George North Remix) [Disguise Tribe] / Key Cm, BPM 123, 6:11, MP3 15.05 Mb
Dj Athan' - Costes Del Sol (Original Instrumental Mix) [Disguise Tribe] / Key Cm, BPM 120, 6:32, MP3 15.90 Mb
Dj Athan' - Costes Del Sol [Disguise Tribe] / Key Cm, BPM 120, 6:32, MP3 15.90 Mb
Dreamers Inc. - Apache 2.0 [The Hubsters] / Key Am, BPM 126, 3:24, MP3 8.40 Mb
Dylan Debut - La Foundation [DREAMODE] / Key Cm, BPM 130, 6:24, MP3 15.62 Mb
Ectomorph - Searching (Live at Globus) [Tresor Records] / Key F#m, BPM 135, 4:54, MP3 11.89 Mb
Edwards Arabu - Bad Bitch [Draxler Records] / Key Am, BPM 128, 6:00, MP3 14.79 Mb
Edwards Arabu - Can You Feel It [Draxler Records] / Key Em, BPM 128, 6:07, MP3 15.05 Mb
Edwards Arabu - Let's Go [Draxler Records] / Key Gm, BPM 128, 6:00, MP3 14.79 Mb
Edwards Arabu - Omi Tuto [Draxler Records] / Key Bbm, BPM 128, 6:00, MP3 14.79 Mb
Eleghanty - Grooving House [G-Mafia Records] / Key Gm, BPM 128, 4:30, MP3 10.89 Mb
Erik Jabari - Screamore [Tresor Records] / Key Fm, BPM 140, 4:47, MP3 11.61 Mb
Essential Bond - Give Me the Answer [LAQUERED] / Key Fm, BPM 120, 2:37, MP3 6.38 Mb
Farouki - Thurr [Voltaire Music] / Key Abm, BPM 128, 5:32, MP3 13.49 Mb
Fer BR - Trickitic (DJ Fronter Remix) [Voltaire Music] / Key Fm, BPM 127, 7:03, MP3 17.13 Mb
Filippo Perbellini - Our Love Story (T-Groove Remix) [Irma Cafe] / Key Bbm, BPM 110, 4:10, MP3 10.19 Mb
Fracktion - Crisis [CLX] / Key Bbm, BPM 125, 7:58, MP3 19.18 Mb
Fracktion - Help The Gremble [CLX] / Key Dbm, BPM 125, 7:45, MP3 18.67 Mb
Fracktion - Lost Prophet [CLX] / Key Dbm, BPM 125, 8:00, MP3 19.26 Mb
Fracktion - Ruinas [CLX] / Key Bbm, BPM 125, 7:44, MP3 18.60 Mb
Gabriele Ranucci - Get Your Love [Voltaire Music] / Key Gm, BPM 127, 5:50, MP3 14.19 Mb
Gazzara, Wendy D. Lewis - It's Not Over (Belladonna Remix) [Irma Cafe] / Key Fm, BPM 117, 3:42, MP3 9.08 Mb
GoMouse - Against [Ipologica] / Key G, BPM 96, 2:22, MP3 5.92 Mb
GoMouse - Banal Love Song [Ipologica] / Key C, BPM 129, 2:40, MP3 6.65 Mb
GoMouse - Everything Is Gone [Ipologica] / Key Em, BPM 160, 2:38, MP3 6.56 Mb
GoMouse - Song for Tiki [Ipologica] / Key C, BPM 180, 3:10, MP3 7.86 Mb
GoMouse - The Way [Ipologica] / Key D, BPM 180, 3:27, MP3 8.51 Mb
GoMouse - Think With Your Brain [Ipologica] / Key C, BPM 90, 2:50, MP3 7.04 Mb
GoMouse - To you [Ipologica] / Key Em, BPM 100, 3:45, MP3 9.23 Mb
GoMouse - Visions [Ipologica] / Key Gm, BPM 130, 2:58, MP3 7.38 Mb
GoMouse - Who Just Wants To Live [Ipologica] / Key G, BPM 160, 3:05, MP3 7.65 Mb
GruuvElement's - Early Mornings [Voltaire Music] / Key Abm, BPM 127, 7:03, MP3 17.13 Mb
Gus One, Mant Deep - Girl Gone Wild [Epic Tones Records] / Key Gm, BPM 124, 5:14, MP3 12.81 Mb
Gus One, Mant Deep - Girl Gone Wild [Epic Tones Records] / Key Gm, BPM 124, 2:55, MP3 7.26 Mb
Henrik Stelter - Glitter (Deep Mix) [Drehe Drehe] / Key Dm, BPM 127, 5:33, MP3 13.48 Mb
Henrik Stelter - Glitter [Drehe Drehe] / Key Dm, BPM 127, 8:39, MP3 20.92 Mb
Henrik Stelter - The Rising Sun (Celestial Body Mix) [Drehe Drehe] / Key Dm, BPM 125, 6:42, MP3 16.24 Mb
Henrik Stelter - The Rising Sun [Drehe Drehe] / Key Dm, BPM 125, 5:09, MP3 12.52 Mb
Herks - Dark Bass [Lyon Records] / Key Em, BPM 125, 7:29, MP3 18.14 Mb
Hey Jack - Flex Virus [Club Session] / Key Cm, BPM 123, 8:05, MP3 19.85 Mb
Hot Oasis, Yazan Rousan - Alek Shway (Paax Tulum Remix) [MDLBEAST Records] / Key Em, BPM 118, 7:46, MP3 18.92 Mb
I.S.O.T.M. - Where Are You? [Different Styles Music] / Key C, BPM 90, 3:45, MP3 9.20 Mb
IOAN MILLER - Cool Dance [Natural Deep] / Key Am, BPM 126, 2:27, MP3 6.05 Mb
Inward Universe - Residues Lives (Pete Bellis Remix) [Different Styles Music] / Key Ebm, BPM 121, 6:10, MP3 15.02 Mb
JBOA, Johann Peters - Lost Innocence [Club Session] / Key Abm, BPM 124, 5:42, MP3 14.11 Mb
JakoJako - Metal Goat [Tresor Records] / Key Gm, BPM 142, 5:05, MP3 12.35 Mb
Jem K - Got Myself Together [Club Session] / Key Gm, BPM 125, 7:14, MP3 17.78 Mb
Jim & I - Chordz [Astraudio] / Key F, BPM 152, 3:35, MP3 8.81 Mb
John Steel - In The Earth, In The Universe [Club Session] / Key Bm, BPM 124, 5:25, MP3 13.45 Mb
Jonas Skyler - Happy [Andelara Music] / Key C, BPM 126, 3:40, MP3 9.08 Mb
Juan Kordoba, Fabi Hernandez, Fabio Kuisi - El Cerro (feat. Fabio Kuisi) [Soave Dusk] / Key Am, BPM 126, 4:41, MP3 11.57 Mb
Juan Kordoba, Fabi Hernandez, Fabio Kuisi - El Cerro (feat. Fabio Kuisi) [Soave Dusk] / Key Am, BPM 126, 3:41, MP3 9.21 Mb
Junior Souza - Tropa feat. Nt Dogg [Voltaire Music] / Key Dm, BPM 130, 5:54, MP3 14.37 Mb
Justin Beatz - All Night [Hierro Records] / Key F#m, BPM 126, 5:39, MP3 13.87 Mb
KORIA - Ça dépend de toi (Dub mix) [ELECTRIC FRIENDS MUSIC] / Key Cm, BPM 118, 7:19, MP3 17.85 Mb
KORIA - Ça dépend de toi [ELECTRIC FRIENDS MUSIC] / Key Cm, BPM 118, 7:19, MP3 17.88 Mb
Kareem Shabazz, SLAMTWISTED - Love Will Find A Way feat. Kareem Shabazz (SoulfulHouse) [Irma Cafe] / Key Dbm, BPM 120, 6:49, MP3 16.54 Mb
Kenny - Autogestion [Octava Music] / Key Am, BPM 128, 7:00, MP3 16.84 Mb
Kenny - Ya Foe [Octava Music] / Key Am, BPM 128, 6:15, MP3 15.04 Mb
LUĐØ - Ciclo Caótico [Enux Records] / Key Am, BPM 141, 6:00, MP3 14.72 Mb
LUĐØ - Ciclo Envolvente [Enux Records] / Key Abm, BPM 139, 6:00, MP3 14.72 Mb
LUĐØ - Ciclo Solar [Enux Records] / Key Dm, BPM 144, 5:42, MP3 14.00 Mb
Last Heroes, ERV ELLO - Anchor [Ophelia] / Key D, BPM 100, 3:18, MP3 8.07 Mb
Late Replies - Orbit [Voltaire Music] / Key Fm, BPM 128, 6:01, MP3 14.61 Mb
Lostinwhite - The Week (TFL & MUS Nyc Sweety Mix) [Irma Cafe] / Key F#m, BPM 121, 5:22, MP3 13.08 Mb
Lunar Station - Don't Say Goodbye To Me [Digital Record] / Key D, BPM 104, 3:27, MP3 8.57 Mb
MENDA - Faith [Mark Music] / Key Bm, BPM 105, 3:07, MP3 7.62 Mb
Martin Eyerer, Markus Homm - Springlane (Ryan Crosson Remix) [Voltaire Music] / Key Dm, BPM 125, 9:13, MP3 22.31 Mb
Mate Terracini - Florencial [Club Session] / Key Gm, BPM 120, 6:46, MP3 16.66 Mb
Matechno - Emphasis [LETS TECHNO records] / Key C, BPM 130, 6:26, MP3 15.68 Mb
Matechno - Uma [LETS TECHNO records] / Key Am, BPM 133, 6:19, MP3 15.41 Mb
Matiarre - Art of Base [Different Styles Music] / Key Fm, BPM 126, 2:12, MP3 5.49 Mb
Matters - I Am Iron Man [Audio Bitch Records] / Key Fm, BPM 128, 4:51, MP3 11.87 Mb
Melodeep - Just You [Baijan Records] / Key Bb, BPM 90, 2:13, MP3 5.49 Mb
Mendo - Ella Dice Que Si [Voltaire Music] / Key Gm, BPM 128, 6:31, MP3 15.81 Mb
Micah Baxter, David Lowe - Want Ur Body [Voltaire Music] / Key Dbm, BPM 129, 5:59, MP3 14.56 Mb
Model 500 - I.D.L.E. [Tresor Records] / Key Ebm, BPM 140, 5:39, MP3 13.69 Mb
Monsters At Work - Deep Question [Erva Doce Records] / Key Am, BPM 125, 7:25, MP3 18.05 Mb
NPFT - NIENDORFS [Club Session] / Key Am, BPM 120, 4:53, MP3 12.16 Mb
Napsoul - Trip To Sutherland [Club Session] / Key Dm, BPM 117, 6:05, MP3 15.04 Mb
Nausica - Ella Dice [Voltaire Music] / Key Dbm, BPM 128, 5:02, MP3 12.27 Mb
Neemo - Body Ready [Mustache Crew Records] / Key Dm, BPM 127, 3:18, MP3 8.32 Mb
Nolie - BS [Lowly (CMG)] / Key Ab, BPM 120, 1:39, MP3 4.12 Mb
Nolie - FU [Lowly (CMG)] / Key G, BPM 150, 1:42, MP3 4.28 Mb
Nutritious - Prince Shoes [Club Session] / Key Bm, BPM 113, 4:42, MP3 11.71 Mb
Offparr - Forgotten [Mustache Crew Records] / Key Fm, BPM 126, 5:07, MP3 12.64 Mb
Paolo Faz - Coffee Break (Short Mix) [Irma Cafe] / Key Bm, BPM 124, 3:48, MP3 9.30 Mb
Papik, Frankie Lovecchio, The Soultrend Orchestra - It's Gonna Be Alright feat. Frankie Lovecchio (Ricky Birickyno Classic Remix Edit) [Irma Cafe] / Key Dm, BPM 120, 4:38, MP3 11.30 Mb
Pashaa - As It Takes (Breaks Mix) [Different Styles Music] / Key Bbm, BPM 123, 6:28, MP3 15.75 Mb
Pashaa - Perfume [Different Styles Music] / Key Cm, BPM 120, 7:38, MP3 18.54 Mb
Peter Ivanov - How Things Really Are [Different Styles Music] / Key Gm, BPM 160, 4:18, MP3 10.55 Mb
Pietro Morello - Get In To The Groove [Disco Freak Records] / Key Fm, BPM 124, 4:32, MP3 11.14 Mb
Pink Blooming - Breakpoint [LAQUERED] / Key Gm, BPM 120, 2:40, MP3 6.51 Mb
Pip Blom - Again (Darek & Tibor) [Heavenly Recordings / Co-op] / Key Am, BPM 135, 5:47, MP3 13.97 Mb
Pip Blom - Fantasies (Tender Remix) [Heavenly Recordings / Co-op] / Key Dm, BPM 120, 3:08, MP3 7.61 Mb
Pip Blom - Get Back (Maximum Security Remix) [Heavenly Recordings / Co-op] / Key Dm, BPM 124, 5:08, MP3 12.38 Mb
Pip Blom - Is This Love? (Anna Prior Remix) [Heavenly Recordings / Co-op] / Key Gm, BPM 120, 5:05, MP3 12.29 Mb
Pip Blom - Is This Love? (Ludwig A.F. Come Back To Me Mix) [Heavenly Recordings / Co-op] / Key Gm, BPM 137, 3:52, MP3 9.38 Mb
Pip Blom - Tiger (Coloray Remix) [Heavenly Recordings / Co-op] / Key Fm, BPM 135, 4:52, MP3 11.76 Mb
RILEY (UK) - Be You [range.] / Key Cm, BPM 127, 6:37, MP3 16.13 Mb
RILEY (UK) - Cruisin' Down Crenshaw [range.] / Key Gm, BPM 128, 7:04, MP3 17.21 Mb
Raär - Breathing Glitch [Electromenager] / Key Gm, BPM 113, 5:56, MP3 14.42 Mb
Raär - Comfort Zone [Electromenager] / Key Gm, BPM 158, 5:05, MP3 12.35 Mb
Raär - Sword Eater [Electromenager] / Key Cm, BPM 125, 5:34, MP3 13.54 Mb
Rewend - Hyper Freaky Sound [Scourge] / Key F#m, BPM 150, 5:49, MP3 14.51 Mb
Rewend - Master P [Scourge] / Key Ab, BPM 150, 4:46, MP3 12.02 Mb
Rewend - My Day [Scourge] / Key Em, BPM 150, 5:22, MP3 13.43 Mb
Rewend - Never Bill [Scourge] / Key Bbm, BPM 79, 5:07, MP3 12.84 Mb
Robert Gutierrez, Luis Vargas - For The World [Blackside] / Key Ab, BPM 126, 4:58, MP3 12.32 Mb
Roland Clark, Todd Terry, William Kiss - House Machine [Gudu Records] / Key Abm, BPM 130, 5:45, MP3 14.12 Mb
Roller Coaster - More Protein (Ken@Work Mix) [Irma Cafe] / Key F#m, BPM 110, 5:03, MP3 12.33 Mb
Rupert Harvey - Pumpin [Voltaire Music] / Key Em, BPM 128, 6:01, MP3 14.61 Mb
SHKHR, Waves_On_Waves - Bottom Line [Gahara] / Key Am, BPM 115, 3:14, MP3 8.21 Mb
ScottyB - Dreaming [HOUSE VIEWS] / Key Fm, BPM 126, 4:50, MP3 11.88 Mb
Sevatec - Early In The Mornin' [Club Session] / Key Bbm, BPM 124, 6:13, MP3 15.36 Mb
Silky, Tom Zanetti - Flight Mode 2 [Silky] / Key Gm, BPM 126, 2:29, MP3 6.11 Mb
Silver Eye - Rythme [Club Session] / Key F#m, BPM 110, 3:25, MP3 8.66 Mb
Sinty Trippy - Fail Msg [Alveda Subject] / Key Fm, BPM 122, 3:48, MP3 9.19 Mb
Sisc - All Mine (Nu Ground Foundation Club Cut) [RSI] / Key Gm, BPM 130, 2:07, MP3 5.55 Mb
Sisc - All Mine (Nu Ground Foundation Speed Deep Mix) [RSI] / Key Gm, BPM 130, 4:50, MP3 12.06 Mb
Sisc - Give It Back (Nu Ground Foundation Club Cut) [RSI] / Key Gm, BPM 130, 2:30, MP3 6.46 Mb
Sisc - Give It Back (Nu Ground Foundation Underground Mix) [RSI] / Key Gm, BPM 130, 4:15, MP3 10.65 Mb
Spacefunk Dub - Flying [Marba Records] / Key Bm, BPM 127, 6:06, MP3 14.89 Mb
Spacefunk Dub - Flying [Marba Records] / Key Em, BPM 127, 2:47, MP3 6.96 Mb
Sven Tasnadi - Donna Drummer [Voltaire Music] / Key Gm, BPM 126, 5:53, MP3 14.33 Mb
Synth Hiacynt - Wordless [Club Session] / Key Em, BPM 105, 3:44, MP3 9.40 Mb
Teris Vibes - Athenian Walking [Corpus Black] / Key F#m, BPM 139, 7:11, MP3 17.34 Mb
Teris Vibes - Night without Moon [Corpus Black] / Key Fm, BPM 142, 5:09, MP3 12.49 Mb
Teris Vibes - Night without Moon (Stanislav Lavskyy Remix) [Corpus Black] / Key Fm, BPM 145, 5:27, MP3 13.21 Mb
Teris Vibes - Nocture Dance [Corpus Black] / Key Dm, BPM 142, 5:03, MP3 12.24 Mb
The Other You - Advanced Messages (Jo Kazan Remix) [Cabana Libre Records] / Key Bbm, BPM 127, 5:52, MP3 14.26 Mb
The Other You - Advanced Messages [Cabana Libre Records] / Key Bb, BPM 125, 5:26, MP3 13.25 Mb
The Other You - Don't Stop (Boost Ya High) [Cabana Libre Records] / Key Dbm, BPM 130, 7:11, MP3 17.43 Mb
The Other You - Raindrops [Cabana Libre Records] / Key Am, BPM 129, 6:20, MP3 15.40 Mb
Tom Sawyer - Sexy Back [Voltaire Music] / Key Am, BPM 124, 5:11, MP3 12.65 Mb
Total Ape - Hard Work (Acapella) [etcetc AU] / Key Dm, BPM 104, 2:35, MP3 6.52 Mb
Total Ape - Hard Work (Apotech Extended Remix) [etcetc AU] / Key Dm, BPM 130, 3:05, MP3 7.71 Mb
Total Ape - Hard Work (Instrumental) [etcetc AU] / Key Gm, BPM 93, 2:34, MP3 6.49 Mb
Total Ape - Hard Work (Luke Million Remix) [etcetc AU] / Key Gm, BPM 116, 4:14, MP3 10.50 Mb
TotallyWykd - Is It You [SOULTRIBE MUSIC LTD] / Key Dbm, BPM 130, 6:13, MP3 15.12 Mb
Twinsbourg - A Peace Armed [LAQUERED] / Key Gm, BPM 115, 3:10, MP3 7.70 Mb
Tyler Hill - I Can't Wait (Chris Larsen (CA) Remix) [Wiggle Room Records] / Key Am, BPM 128, 5:34, MP3 13.72 Mb
Tyler Hill - I Can't Wait (Gettoblaster Remix) [Wiggle Room Records] / Key Bm, BPM 126, 6:13, MP3 15.28 Mb
Tyler Hill - I Can't Wait (Original mix) [Wiggle Room Records] / Key Em, BPM 126, 6:13, MP3 15.27 Mb
Tyler Hill - I Can't Wait (The Incredible Melting Man Remix) [Wiggle Room Records] / Key Bm, BPM 126, 5:03, MP3 12.47 Mb
Unknownfunction - Flicker [LIMIT records] / Key Gm, BPM 139, 5:00, MP3 12.24 Mb
VelcroCompanion - Get Hype [Mustache Crew Records] / Key Dm, BPM 127, 5:18, MP3 13.01 Mb
Viktor Runx - Strings [Different Styles Music] / Key Cm, BPM 125, 3:39, MP3 8.97 Mb
Vortex - Backwards [Progress Recordings] / Key Dm, BPM 123, 6:46, MP3 16.48 Mb
Vortex - Confuse [Progress Recordings] / Key Ebm, BPM 125, 6:55, MP3 16.84 Mb
Vortex - Cranium [Progress Recordings] / Key Ebm, BPM 125, 8:12, MP3 19.91 Mb
Vortex - Expansion Groove [Progress Recordings] / Key Fm, BPM 123, 7:17, MP3 17.73 Mb
W. H. Lung, Pip Blom - Get Back (feat. W. H. Lung) (Tom Sharkett Remix) [Heavenly Recordings / Co-op] / Key Abm, BPM 124, 5:26, MP3 13.12 Mb
Walter Vooys - Out Of Time [Club Session] / Key Cm, BPM 124, 5:33, MP3 13.76 Mb
Whylie - Hyperlost [Electromenager] / Key F#m, BPM 160, 5:52, MP3 14.25 Mb
Whylie - Only Midnight [Electromenager] / Key F#m, BPM 160, 4:52, MP3 11.83 Mb
Whylie - Searching Angels [Electromenager] / Key Am, BPM 147, 5:32, MP3 13.44 Mb
William Kiss - The Healer [Gudu Records] / Key F#m, BPM 132, 7:02, MP3 17.19 Mb
William Kiss - Two Step [Gudu Records] / Key Abm, BPM 131, 5:25, MP3 13.31 Mb
Wiskim - Walk Away [Different Styles Music] / Key F#m, BPM 134, 5:19, MP3 12.97 Mb
Wolfstax - Feels So Good [Uniting Souls Music] / Key Gm, BPM 124, 5:00, MP3 12.47 Mb
Wolfstax, Rachel Vick - Around The Sun [Uniting Souls Music] / Key F, BPM 124, 5:10, MP3 12.86 Mb
?PAN - Imperfect Poetry [Transgressive Records / Co-op] / Key Abm, BPM 121, 3:51, MP3 9.39 Mb
vimise - Riot Rush [Different Styles Music] / Key G, BPM 120, 7:46, MP3 18.86 Mb
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