In a world draped in veils of distant lore, She awakens to a realm lost in time's sway, A medieval era where tales still endure.
With each new dawn, the echoes reassure, A stranger in lands where empires once held sway, In a world draped in veils of distant lore.
Cast amidst ruins where echoes implore, Seeking solace in remnants of an ancient day, A medieval era where tales still endure.
She navigates mists where mysteries lure, Through shadows of castles where legends replay, In a world draped in veils of distant lore.
With each footfall, the past does assure, Whispers of an age in ruins' display, A medieval era where tales still endure.
In reverie lost, she seeks to secure Threads of history in the realm's array, In a world draped in veils of distant lore, A medieval era where tales still endure.
Amidst the echoes of time's persistent sway, She wanders through lands where legends convene, A world where empires once held their domain, Lost in the echoes of a time long past.
Past the ruins where ancient stories reign, Her steps echo through the silent terrain, In a timeless world where mysteries amass.
Amass the remnants of a forgotten age, A tapestry woven in history's dance, Whispers of tales in each hushed nuance, A world where empires once held their domain.
A domain where secrets of lore still maintain, Echoes reverberate, a silent refrain, In a world where the past and present glance, Past the ruins where ancient stories reign.
In this realm where time has taken its chance, She delves into echoes, seeking romance, Lost in a realm where memories remain, A world where empires once held their domain.
Through the realms where history intertwines, The labyrinth of echoes, a tangled vine, In whispers she seeks the knowledge confined, Past the ruins where ancient stories reign.
Reigning tales within ruins' domain, Her soul entwined in this ancient plane, In a world where time's threads intertwine, Where echoes of empires linger and twine.
🥷🥷🥷🥷🥷🥷🥷🪩🪩🪩🪩🪩🥷🥷🥷🥷 The story of the protagonist waking up in a distant future where civilization has regressed to a medieval era:
Through the veil of time, she walked with steadfast embrace, Her steps echoing in the silence of a forgotten age, Seeking clues in remnants of a world bewildered, A journey through landscapes where stories whispered, The past etched in ruins, where once grand structures stood, In her quest for answers, through the corridors of time.
Time, an ever-turning wheel, weaving tales of time, A world reborn, yet shrouded in a medieval embrace, Legends and myths carved where ancient stones stood, Revealing echoes of a once-vibrant age, In shadows of castles where whispers whispered, A traveler navigated realms bewildered.
Bewildered, yet determined, to unravel the tapestry of time, Seeking threads of truth within echoes whispered, In halls where echoes of the past held steadfast embrace, A chronicle of epochs lost to an enigmatic age, Resilient she stood, deciphering tales where ruins stood.
Where towers stood, now crumbling walls stood, A testament to the passing of civilizations bewildered, In a world transformed by the relentless march of time, A wanderer sought meaning in echoes whispered, Unraveling the fabric woven by the hands of an ancient age, Amidst the echoes, she sought solace in history's embrace.
Through the annals of time, where shadows stood, A traveler embraced the echoes of an age bewildered, Seeking truths in whispers lost to the winds of time.
🦄🦄🦄🦄🦄🦄☄️☄️☄️☄️☄️☄️🦄🦄🦄🦄 In a world draped in veils of distant lore, She awakens to a realm lost in time's sway, A medieval era where tales still endure.
With each new dawn, the echoes reassure, A stranger in lands where empires once held sway, In a world draped in veils of distant lore.
Cast amidst ruins where echoes implore, Seeking solace in remnants of an ancient day, A medieval era where tales still endure.
She navigates mists where mysteries lure, Through shadows of castles where legends replay, In a world draped in veils of distant lore.
With each footfall, the past does assure, Whispers of an age in ruins' display, A medieval era where tales still endure.
In reverie lost, she seeks to secure Threads of history in the realm's array, In a world draped in veils of distant lore, A medieval era where tales still endure.
Amidst the echoes of time's persistent sway, She wanders through lands where legends convene, A world where empires once held their domain, Lost in the echoes of a time long past.
Past the ruins where ancient stories reign, Her steps echo through the silent terrain, In a timeless world where mysteries amass.
Amass the remnants of a forgotten age, A tapestry woven in history's dance, Whispers of tales in each hushed nuance, A world where empires once held their domain.
A domain where secrets of lore still maintain, Echoes reverberate, a silent refrain, In a world where the past and present glance, Past the ruins where ancient stories reign.
In this realm where time has taken its chance, She delves into echoes, seeking romance, Lost in a realm where memories remain, A world where empires once held their domain.
Through the realms where history intertwines, The labyrinth of echoes, a tangled vine, In whispers she seeks the knowledge confined, Past the ruins where ancient stories reign.
Reigning tales within ruins' domain, Her soul entwined in this ancient plane, In a world where time's threads intertwine, Where echoes of empires linger and twine.
🤙🤙🤙🤙🤙🤙🤙🤙🍀🍀🍀🍀🍀🤙🤙🤙🤙
Through the veil of time, she walked with steadfast embrace, Her steps echoing in the silence of a forgotten age, Seeking clues in remnants of a world bewildered, A journey through landscapes where stories whispered, The past etched in ruins, where once grand structures stood, In her quest for answers, through the corridors of time.
Time, an ever-turning wheel, weaving tales of time, A world reborn, yet shrouded in a medieval embrace, Legends and myths carved where ancient stones stood, Revealing echoes of a once-vibrant age, In shadows of castles where whispers whispered, A traveler navigated realms bewildered.
Bewildered, yet determined, to unravel the tapestry of time, Seeking threads of truth within echoes whispered, In halls where echoes of the past held steadfast embrace, A chronicle of epochs lost to an enigmatic age, Resilient she stood, deciphering tales where ruins stood.
Where towers stood, now crumbling walls stood, A testament to the passing of civilizations bewildered, In a world transformed by the relentless march of time, A wanderer sought meaning in echoes whispered, Unraveling the fabric woven by the hands of an ancient age, Amidst the echoes, she sought solace in history's embrace.
Through the annals of time, where shadows stood, A traveler embraced the echoes of an age bewildered, Seeking truths in whispers lost to the winds of time. 🪂🪂🪂🪂🪂🪂🪂🪂🪂🌟🌟🌟🪂🪂🪂🪂
Through the veil of time, she walked with steadfast embrace, Her steps echoing in the silence of a forgotten age, Seeking clues in remnants of a world bewildered, A journey through landscapes where stories whispered, The past etched in ruins, where once grand structures stood, In her quest for answers, through the corridors of time.
Time, an ever-turning wheel, weaving tales of time, A world reborn, yet shrouded in a medieval embrace, Legends and myths carved where ancient stones stood, Revealing echoes of a once-vibrant age, In shadows of castles where whispers whispered, A traveler navigated realms bewildered.
Bewildered, yet determined, to unravel the tapestry of time, Seeking threads of truth within echoes whispered, In halls where echoes of the past held steadfast embrace, A chronicle of epochs lost to an enigmatic age, Resilient she stood, deciphering tales where ruins stood.
Where towers stood, now crumbling walls stood, A testament to the passing of civilizations bewildered, In a world transformed by the relentless march of time, A wanderer sought meaning in echoes whispered, Unraveling the fabric woven by the hands of an ancient age, Amidst the echoes, she sought solace in history's embrace.
Through the annals of time, where shadows stood, A traveler embraced the echoes of an age bewildered, Seeking truths in whispers lost to the winds of time.
In a world veiled by the mists of time's embrace, She woke to skies of amethyst hue, bewildered, An unfamiliar realm where echoes whispered, Her senses awoke to a land lost in time, Civilization regressed, a medieval age, Her heart racing, in a world unknown, she stood.
She stood amidst ruins, once towers proudly stood, Now cloaked in vines, a relic of time's embrace, A testament to bygone days, an ancient age, As she gazed upon the landscape, she felt bewildered, For all she knew had vanished in the sands of time, Leaving behind a world where whispers echoed.
Echoes of a past, in this new world echoed, Stories untold within the stones where they stood, Her mind grasped at remnants lost in time, A yearning to unravel history's embrace, For she, an outsider, felt utterly bewildered, Thrust into an era lost in the annals of age.
An age where knights once roamed, an age Where legends lingered, their tales echoed, In this realm of swords and shields, she stood, A stranger lost in a foreign land's embrace, Navigating mysteries that left her bewildered, Seeking answers shrouded in the veil of time.
Time, an enigmatic force, weaving tales of age, As she wandered through realms where echoes whispered, Lost in the currents of a world bewildered, Adapting to customs of an era's echoes, A stranger amidst an ancient land's embrace, Resilient she stood, in the ebb and flow of time.
In this distant future where echoes of age resonate, She stood, amidst a world bewildered, Seeking solace in a medieval realm's embrace, Navigating mysteries lost in the sands of time.
😁😁😁😁😞😞😞😞😔😔😔😔😁😁😞😁
Lost in the maze of fragmented reveries, she seeks, Traversing corridors where memories loom unthreaded, Each remnant a whisper waiting to be reclaimed, Through the labyrinth of her mind, she roams, In search of the elusive key to solace, A puzzle of emotions yet untold.
In this landscape of recollections, some untold, She pieces together the fragments she seeks, Threads of nostalgia weaving a fabric for solace, Yet, the tapestry remains fragmented, unthreaded, With each step, a narrative within her roams, Yearning for completeness to reclaim.
Whispers of forgotten echoes to reclaim, Untangling the knots of narratives untold, Her spirit wanders, seeking where it roams, A yearning for coherence that she seeks, Yet, the memories remain scattered, unthreaded, A constant quest for tranquility, for solace.
Through the fissures of time, she seeks solace, Gathering remnants of her past to reclaim, The complex web of stories, still unthreaded, Secrets locked within memories yet untold, In the labyrinth of her mind, she seeks, Hoping for clarity as her spirit roams.
In dreams, her essence freely roams, Seeking serenity, a harbor of solace, A yearning to unveil what she seeks, To resurrect fragments of self to reclaim, To stitch together the narrative left untold, To mend the fabric of memories unthreaded.
In the recesses of her mind, stories unthreaded, Her spirit, an intrepid explorer, roams, A tapestry woven with narratives untold, A yearning heart seeking elusive solace, In the fragments, a story to reclaim, A quest for wholeness that she seeks.
In the labyrinth of memories unthreaded, her spirit roams, A tapestry of tales untold, seeking solace to reclaim, As she pieces together fragments, weaving the narrative she seeks.
In a world draped in veils of distant lore, She awakens to a realm lost in time's sway, A medieval era where tales still endure.
With each new dawn, the echoes reassure, A stranger in lands where empires once held sway, In a world draped in veils of distant lore.
Cast amidst ruins where echoes implore, Seeking solace in remnants of an ancient day, A medieval era where tales still endure.
She navigates mists where mysteries lure, Through shadows of castles where legends replay, In a world draped in veils of distant lore.
With each footfall, the past does assure, Whispers of an age in ruins' display, A medieval era where tales still endure.
In reverie lost, she seeks to secure Threads of history in the realm's array, In a world draped in veils of distant lore, A medieval era where tales still endure.
Amidst the echoes of time's persistent sway, She wanders through lands where legends convene, A world where empires once held their domain, Lost in the echoes of a time long past.
Past the ruins where ancient stories reign, Her steps echo through the silent terrain, In a timeless world where mysteries amass.
Amass the remnants of a forgotten age, A tapestry woven in history's dance, Whispers of tales in each hushed nuance, A world where empires once held their domain.
A domain where secrets of lore still maintain, Echoes reverberate, a silent refrain, In a world where the past and present glance, Past the ruins where ancient stories reign.
In this realm where time has taken its chance, She delves into echoes, seeking romance, Lost in a realm where memories remain, A world where empires once held their domain.
Through the realms where history intertwines, The labyrinth of echoes, a tangled vine, In whispers she seeks the knowledge confined, Past the ruins where ancient stories reign.
Reigning tales within ruins' domain, Her soul entwined in this ancient plane, In a world where time's threads intertwine, Where echoes of empires linger and twine.
🗣️🗣️🗣️🗣️🗣️🗣️🐲🐲🐲🐲🐲🗣️🗣️🗣️🗣️
Lost in the maze of fragmented reveries, she seeks, Traversing corridors where memories loom unthreaded, Each remnant a whisper waiting to be reclaimed, Through the labyrinth of her mind, she roams, In search of the elusive key to solace, A puzzle of emotions yet untold.
In this landscape of recollections, some untold, She pieces together the fragments she seeks, Threads of nostalgia weaving a fabric for solace, Yet, the tapestry remains fragmented, unthreaded, With each step, a narrative within her roams, Yearning for completeness to reclaim.
Whispers of forgotten echoes to reclaim, Untangling the knots of narratives untold, Her spirit wanders, seeking where it roams, A yearning for coherence that she seeks, Yet, the memories remain scattered, unthreaded, A constant quest for tranquility, for solace.
Through the fissures of time, she seeks solace, Gathering remnants of her past to reclaim, The complex web of stories, still unthreaded, Secrets locked within memories yet untold, In the labyrinth of her mind, she seeks, Hoping for clarity as her spirit roams.
In dreams, her essence freely roams, Seeking serenity, a harbor of solace, A yearning to unveil what she seeks, To resurrect fragments of self to reclaim, To stitch together the narrative left untold, To mend the fabric of memories unthreaded.
In the recesses of her mind, stories unthreaded, Her spirit, an intrepid explorer, roams, A tapestry woven with narratives untold, A yearning heart seeking elusive solace, In the fragments, a story to reclaim, A quest for wholeness that she seeks.
In the labyrinth of memories unthreaded, her spirit roams, A tapestry of tales untold, seeking solace to reclaim, As she pieces together fragments, weaving the narrative she seeks.
🐣🐣🐣🐣🐣🐣🍒🍒🍒🍒🍒🐣🐣🐣🐣🐣🐣
Whispers of laughter, a canvas painted in hues of forgotten moments. She becomes an archaeologist of her own past, an enigma seeking resonance within the echoes. Her heart throbs with untold stories buried beneath layers of amnesia. A seeker in pursuit of her elusive past, each fragment whispers its secrets in silent echoes. Fragments converge, yearning to weave a narrative thread that binds her existence. She pieces together shards of recollection, connecting fragments like constellations in a vast, starry sky. Amidst chaos, her journey is a symphony of forgotten melodies, a dance in the labyrinth of memories. Each step, an act of defiance against the amnesia that cloaks her history.

To clarify, I now know that there are different definitions of the word “ship”, but for the purposes of this article and to keep things simple I will use the definition of “a relationship that’s rushed and/or forced with no real development.” I hope you can understand as I do not know of any other single word to describe that concept. If you do, perhaps you can tell me. Also, fair warning, this is long form content (some 10 pages), if you like it but can’t read it all at once you can save it and come back to it over a period of time, or you can stop reading whenever you get tired of it and still discuss those parts of it with me that you have read. But keep it civil if you want a civil response.
With that, to qualify the title, no, Ezra and Sabine do NOT absolutely have to be a couple, but if they were to become one, it would NOT be a ship. Ezra and Sabine’s relationship has had years of development. Could they remain as simply friends? Yes, but ironically, it was their “friendship” that felt like more of a ship. It felt like the Ahsoka show, helmed by Dave Filoni, was going out of its way to tell us: “no, they’re not a couple, they’re just friends.”
I believe that Filoni made some very poor writing choices to stress something that didn’t really need to be stressed, such that it almost felt like he was in denial. The line “I love you like a sister” was never in Rebels, Filoni essentially had that retconned in, and like many I was put off by their (largely) emotionless reunion. Even if they were “just friends” I believe there would be a great deal more emotion displayed between two people that hadn’t seen each other in some ten years, especially when one of them was in a precarious situation when they parted. I also believe Ezra would be far more curious about Sabine being Force sensitive, perhaps even offering to help train her when she told him that her training hadn’t gone as well with Ahsoka. He did help to train her with the Darksaber, didn’t he? Why that never came up is another discussion, but for now, let’s focus on shipping.
In case you think I’m desperate to have them as a couple, no I’m not. I’m about the furthest thing from it. Like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers) I DESPISE shipping. Absolutely DESPISE it. With a flaming passion. Perhaps for this reason, and maybe some others, like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers), I’m generally wary of nearly all romance in fiction, and generally avoid it in my own work. The sad reality is that romance is perhaps the most abused genre in all of fiction, all throughout history. It has been so badly abused that many people, including myself for the longest time, have equated romance with shipping, though I’m slowly beginning to see that they are not the same thing, and one does not necessarily have to go with the other.
But sadly, many writers, through time immemorial, have not been able to separate them, going back into ancient times and perhaps even into pre-history, that is before languages were actually written down. Some of what is considered great literature; classics like Romeo and Juliet, are predicated on shipping, though at least the consequences of this “whirlwind romance” are shown to be fairly stark. Star Wars itself is no stranger to shipping, resulting in a very awkward incestuous kiss when Luke was shipped with Leia, then Leia was placed with Han and Lucas made Luke and Leia brother and sister, apparently having forgotten his original ship. Later Lucas essentially shipped Anakin and Padme, resulting in some of the most cringeworthy dialog in the history of film. Many fans of the Prequels even have been somewhat critical of Anakin’s portrayal, particularly in regards to the “romantic” scenes, with many describing them as “creepy”. Some have speculated that this was intentional, though personally I think it was just the result of bad writing on the part of George Lucas, and an impatience on his part for Anakin and Padme to become a couple, hence “shipping”.
One might wonder why this is so prevalent in fiction, and tragically, one does not have to look far. Fiction is merely a reflection of reality, therefore the reason that shipping is so common in our stories is that we fall so easily into it in real life. Indeed, entire cultures may be based around shipping, or at least very heavily wrapped up in it. Throughout history arranged marriages have been the norm, and the idea of marrying for “love” is something relatively new. To be fair, I’ve actually met people in arranged marriages who seemed to be fairly happy, but those same people were very open in telling me that many despise that aspect of their culture, and that it is quite normal for those in an arranged marriage to try to get out.
People might come together for “love” without marrying, but even then it often creates expectations that might turn into a burden. Even when a marriage is voluntary and for “love”, people are often left unsatisfied, such that today in the West the divorce rate is something like 50%. Happy, stable, long term relationships seem to be the exception across cultures and across the breadth and width of time. And yet pursuit of love and some kind of relationship seems to be the highest calling for many people, both in real life and in fiction. And it could be that the accumulated disgust is finally starting to boil over.
To be fair, this may not be the first time in history that the pendulum has shifted. You may recall that in Victorian times attitudes changed drastically, as compared to the previously bawdy Elizabethan times. Looking at a play from Shakespear, if you can understand the language, you’ll see all kinds of vulgar references, as well as what I believe are fairly sappy romances like in the aforementioned Romeo and Juliet, though I can’t say for certain whether Shakespear was actually endorsing that type of attitude towards “love” or presenting it as a cautionary tale, maybe even something to be ridiculed in some of his other plays.
But regardless, Victorians as you may well know had a very conservative attitude towards anything to do with romance, and would often avoid the subject in many places, or tread very carefully around it, as if walking on eggshells. It’s not that people stopped being romantic, in fiction or real life, but it was treated as something very serious and even dangerous, with many urges repressed or even suppressed entirely. This had all kinds of effects on society, both positive and negative. On the positive side, it reinforced the ideal of people being committed to their partners, and of marriage as a sacred institution rather than a “casual hookup” as was more common in Elizabethan times. Likewise it reinforced ideals of modesty and chastity, which may be coming back into vogue, though under different names. But just as there were positive aspects to these attitudes, so were there negative ones.
Just because the urges I described were repressed did not mean that they disappeared. In fact, they often morphed into things that many would consider “unhealthy”. From one statistic that I saw, in Victorian times about one in every 60 houses was a brothel, with the modern rate being closer to one in 6000. Additionally, the rights of women were often repressed, such that they could not fully express themselves and find their own identity, and path in life, as individuals. Just as Elizabethan ideals gave way to Victorian ones, so did the Victorian ideals gradually begin to erode.
Perhaps it began with the Jazz Age of the 1920’s (the “Roaring Twenties”), or with the increased interconnectivity of people traveling to different parts of the world during World War I, not to mention the cynicism that pervaded throughout the West in response to failed old ideals leading to the deadliest war in history up to that point, but many Victorian ideals began to be seen as a joke, and even resented for their “oppression”, which to be fair was not entirely unjustified. But regardless, people gradually, and at times not so gradually, became more and more “liberated” and promiscuous. This culminated in the Sexual Revolution in the late 1960’s, when what had previously been seen as a vice and even a sin was now seen as not only “normal” but as a healthy form of expression, a virtue even. And just as these ideas were embraced in real life, so too were they reflected in our films, TV shows, and other media, often to the consternation of older people and institutions, like the Vatican. The Catholic Church even went so far as to “ban” certain films, that is to declare them immoral for good Catholics to watch. Many of the films that were banned back then, or at least controversial, like The Graduate with Dustin Hoffman, are fairly tame by today’s standards.
It continued through the 70’s, at times warming and at times cooling through the rest of the century, until you could argue it reached a kind of crescendo in the early 21st century with the advent of so-called “dark romance” and the publication of books like Fifty Shades of Grey. (Ironically, many of the themes within this “dark romance” can trace their roots back to the Victorian era, yet another indication that repressing urges without addressing them often doesn’t work out as one might hope.) But as happens all too often, just as something reaches peak popularity is when it begins to go out of style, and that is what we may be experiencing right now. As weird as it may sound, we may actually have come full circle and may be on the cusp of a “New Victorian Age” (complete with “dark romance”, even). Web sites like Porn Hub and OnlyFans, as well as other similar sites, may be the new “brothels”, and what was once openly celebrated may be going underground, to an extent. The effects of this on society have been interesting to say the least, and at times I would even say bizarre.
Whilst many younger people seem content with these changes, many older people are concerned. I’ve seen a number of books, films, and other media receive positive reviews for example based specifically on their lack of romance. Many of these books/films, etc. fall into the “young adult” category, meaning that it is young adults obviously who mostly consume them. At the same time I’ve heard a number of older people, mostly boomers and Gen-Xers, criticize these same books/films for their lack of romance. Even some older millennials seem upset by the changes, as perhaps evidenced by Jennifer Lawrence’s latest film No Hard Feelings (though to be fair that film may be lampooning the older generation’s frustration as well as the younger generation’s frigidity). So just as in the past older people were concerned about the promiscuity of the youth, now it actually appears that many older people are concerned about the youth’s lack of promiscuity.
Who could have seen that coming? But to be fair, the younger generation hasn’t gone completely frigid. As stated earlier, much of the promiscuity has gone “underground”, or online, which many would argue is not very healthy as it might undermine actual relationships, whether they are romantic in nature or simple friendships. And speaking of that, friendships within stories nowadays often aren’t portrayed in a very authentic or compelling manner, perhaps because in ditching romance modern writers haven’t quite yet learned how to replace it with something else. In other words, the “New Victorian Age” may not be an exact repeat of the previous one, but may have its own twists and turns, for better and for worse.
This may all essentially be a manifestation of the Human Condition, in that we just can’t seem to find a happy medium, neither in real life nor in fiction. Thus we keep swinging from one extreme to the other, apparently getting wilder with each swing.
So where does all this leave us? What is it that we really want in our lives, and in our stories? Especially in regards to relationships? I think at some level we all want to see good and healthy relationships between people and/or characters, whether romantic or platonic. I believe at some point we would like to see good examples of both friendship and romance, and I would argue that the best examples of romance have them combined. Even a toxic relationship, if well portrayed or documented, can be instructive and serve as a good example of what to avoid in our lives that we might be happier and relate better to each other. A good relationship, by contrast, can give us something to aspire to and inspire us to not only look for the right kind of person to complement our lives, but to make ourselves worthy of that person. And here I’ll add that I’m perfectly aware that in real life (and thus in fiction) relationships can be very complicated and heavily nuanced, with elements of both “good” and “bad” in them. Just as people change over time so can the relationships between them change, at times getting better and at times worse, sometimes breaking entirely and sometimes growing stronger. Relationships can have just as many layers and dimensions as characters, more even perhaps, and a skilled writer should be able to reflect this complexity. At other times a relationship can be fairly straightforward, simplicity sometimes being the best approach. But regardless, the audience should be able to relate and identify with what they are seeing, such that hopefully they can incorporate the lessons from it in their own lives.
Where can we find good examples of relationships to study? There may be a number of them in the real world, but the trouble with studying real world relationships is that they’re often much more complicated than fictional ones (just as real people are more complicated than fictional characters), and for many of them it is almost impossible to know all the details and nuances because they are often kept private, understandably so, and even if they aren’t it can still be difficult, due to unique circumstances, to see how to relate them to our own lives. Additionally there may be far more disagreement about a real life situation than a fictional one, with many more points of view. To keep things simple, for the purpose of this article I would like to focus on fictional relationships. (And fair warning, there will be some spoilers.)
One of the best places to look, I would argue, would be the films of Hayao Miyazaki. (And this is pretty significant to Star Wars as you will see in a bit.) A film of his that stands out to me the most is Princess Mononoke. Like many of Miyazaki’s films it has elements of romance, and yet subverts them in a way that makes complete sense and feels very genuine, without taking away from any of the accompanying charm. It starts with two young people, San and Ashitaka, and as soon as they encounter each other there is a kind of expectation of romance. This may be inevitable to some degree when you have a man and a woman of about the same age encounter each other in a story, especially if they happen to be adolescents. The expectation may not be inherently bad, and Miyazaki does play with it. Both characters are thrust into dangerous situations, at various points end up saving each other’s lives, and at a certain point I think it is obvious that they have feelings for each other. I was certain that at the end of the film, they would be together, and if things had gone that way, it would make complete sense. Instead, they go in different directions, but remain good friends, and considering their backgrounds and differing worldviews, this ends up making even more sense to the story.
Essentially, Miyazaki could have gone for the more conventional, tried and true “love conquers all” narrative, where the characters’ feelings for each other would negate everything that comes between them, they would somehow find a common ground in spite of their differences, the romance would not only take over the narrative but somehow also solve all the problems in the story, and then the couple would live “happily ever after”. Such an approach is not inherently bad or wrong, and is fairly common in Western media and storytelling. We can see it in films like Fern Gully, and more recently James Cameron’s Avatar, both of which have been compared to Princess Mononoke. As you can probably guess, the problem is that at a certain point such a narrative can become fairly simplistic, and lack nuance.
Miyazaki’s films, by contrast, are very heavily nuanced, and are anything but simplistic. In Princess Mononoke the characters San and Ashitaka don’t help each other simply because they are “in love”, but because it is the right thing to do, regardless of how they might feel about each other. Yes, romantic feelings are certainly alluded to, but they are not essential to the plot, for it could have worked just as well without any romantic allusions. And ironically, this makes those allusions even more valid, even if they are unrequited. How so?
Consider that if love is essential to a given narrative, is it not relegated to being nothing more than a plot device? Again, this is quite common in Western media and storytelling, and is not inherently bad or wrong, but when it becomes a trope or cliche, I believe it is the essence of where shipping comes from. Many storytellers get caught up in this, usually without realizing it, and while a story can still work even with shipping, I believe that it usually works that much better without it.
This extends not only to Miyazaki’s handling of romance but also to other things like environmentalism, the conflict between man and nature, and the contrasting ideals of human progress vs. preserving the natural order. Movies like Fern Gully and Avatar, as already mentioned, handle these themes in a fairly simplistic and I would even say hamfisted manner, whereby all progress and technology is shown as being inherently “bad” and in service to “evil”, while everything that’s “natural” is shown to be inherently “good”. Even our notions of good and evil, and right vs. wrong, are challenged by Miyazaki, with nearly all of his characters having complex motives and multiple dimensions to them, as well as understandable reasons for doing the things that they do. Rarely can any one of his characters be branded as a simple “villain”, and rarely is any one individual the source of conflict in his stories, again in contrast to most Western narratives.
I’ll reiterate once more, a simple, straightforward narrative is not inherently a bad thing, whether the themes being dealt with are romantic or anything else. Sometimes it is in fact the best approach. But the best stories in my opinion are usually the most nuanced, that challenge our notions of what we believe to be true, and that force us to think about what we do with our lives and what we could do differently. To that end Miyazaki introduces all manner of themes and motifs within his films that are familiar to us but shows them in a light most of us might not have considered, thus giving more dimension to our understanding of things.
“How is any of this related to Star Wars?” you might ask. It is quite related, and you don’t even have to look all that closely to see it. A very influential figure within Star Wars was very heavily inspired by the works of Miyazaki, and that figure is Dave Filoni.
This video shows the connections in some detail:
https://youtu.be/Q_4L0BbSpHo?si=04jDo6qFCnZT135w
But to summarize if you’ve seen any of Miyazaki’s films, especially Princess Mononoke, I think the callbacks in Filoni’s work will be all too obvious, especially in Star Wars Rebels. Some of the scenes in Filoni’s work look like they were taken directly from Miyazki’s films, and many of the same themes and motifs often come up. The relationship between San and Ashitaka I would argue is very similar to the relationship between Ezra and Sabine, and not just because both couples rode wolves together.
Incidentally, Dave Filoni was also heavily involved in Avatar: The Last Airbender, which I would also argue was at least to some degree inspired if not by Miyazaki then by Japanese anime in general. The relationship between Aang and Katara was developed with great care and was allowed to build very slowly, as opposed to simply shipping them. Likewise other characters very gradually developed as individuals and in their relationships, at times stumbling as they did so, and making mistakes, before finding their way back to the right path.
All of this is in stark contrast to George Lucas, whose character development is often very rushed at best, and at times some might say almost non-existent. So essentially, even though Lucas has said that Filoni has been “like a son” to him, and I believe referred to Filoni as his “padawan”, I would argue that Filoni is ultimately as much a student of Miyazaki as he is of Lucas.
Again, you might ask, “What does all this mean for Star Wars?” It means a great many things. It means that Dave Filoni has taken Miyazaki’s lessons to heart, and can handle things like romance, as well as other kinds of relationships, quite well most of the time. Like Miyazaki he can play with romance, tease the audience with it at times even, leave the romance unrequited, and yet still have it feel satisfying. A prime example of this is the love triangle that Ahsoka was involved in with the young Separatist Senator, Lux Bonteri, and Steela Gerrera. As wary as I am of romance and as much as I despise shipping, love triangles I normally despise even more, but this one seemed to actually work. It never took over the main story, and even though Ahsoka’s feelings were ultimately not reciprocated, she still learned from the experience, and grew and developed further as a character because of it. The other characters involved in this triangle also grew and developed from their involvement, though unfortunately not all of them made it. All in all it was a good bit of storytelling and gave the audience something to consider.
When a relationship in one of Filoni’s stories does bloom into a full blown romance he also generally handles it quite well. For one Filoni is sparing with actual romance, so that when it does occur, it can be that much more appreciated. And rather than rushing or shipping it, Filoni normally takes his time to build it up. An example of this is the relationship between Kanan and Hera. Some might argue that this is perhaps the best developed romance in all of Star Wars, at least in Canon. Built up over four seasons, at times it wasn’t certain whether it was a romance or a friendship, or perhaps even a professional partnership. Perhaps even the characters themselves were not certain, though it was hinted all throughout the narrative that something was going on. To this day I don’t believe anyone can say definitively when it became an actual romance, and I believe Filoni did this intentionally because he wanted to be subtle, rather than making things too obvious and having the romance take over the narrative, as it usually does. When it finally did become obvious as to what was happening, it felt very much earned, in a way that is seldom accomplished in other works of fiction, including Star Wars.
The relationship between Ezra and Sabine was also fairly well written, for the most part anyway, at least in Star Wars Rebels. Ezra was almost immediately smitten with Sabine, but being a young teenage boy, it was understandable that he would feel that way about an attractive girl. Over time he learned to see her more respectfully, as a colleague and even as part of his adopted family, not just as a pretty face. Sabine for her part found Ezra annoying at first (c’mon, what teenage boy isn’t?), but as he matured and she found out more about him she came to understand and respect him more, and see him as a friend and almost a brother, with there being potential for something more.
There were times when the relationship could have been better written, like in the episode “Blood Sisters”, where Ezra was written to be a bit too immature to make Sabine look wiser. But overall, the bond between them developed fairly well; both saved one another at various times, and took risks and made sacrifices for each other’s sake. Both reassured and comforted the other when they needed it, and it was endearing to hear their banter when they became more familiar and trusting of each other.
So why then was I so disappointed in how they were portrayed in the Ahsoka show? The thing is, after how well their relationship was built up in Rebels, as I’ve already mentioned it was strange to see how lackluster and uninspired their reunion was.
Within the Ahsoka show itself Sabine was shown to be almost obsessed with finding Ezra, living in what used to be his home, watching a recording of him over and over again, and calling out his name as she woke up in the middle of the night. She even risked bringing Thrawn back into the Galaxy, which ultimately happened, just so she could see Ezra again. After all that, when she finally does encounter him, her reaction seems fairly casual, as does his, as if they’ve been apart for no more than a week, rather than 10 years. Not too much happens between them afterwards either. Like I said Ezra does not appear all that curious about what happened with Sabine, how she found him, and how it was that she was now Force sensitive. Sabine likewise did not seem curious about what had happened with Ezra, and how he had gotten away from Thrawn. And with Ezra rescued and returned home, suddenly it didn’t seem as though Sabine was all that interested in him anymore, nor he all that concerned with her, though they were just as far apart as they had been at the start of the show. To be completely honest it made me wonder what the point of the whole show was. Were they just working to set up Thrawn’s return to the Galaxy? As some have said, Ezra felt like nothing more than a Macguffin in the show. Was Sabine and Ahsoka’s search for him just a plot device?
Considering how skillfully Dave Filoni had written his stories in the past, what happened in this latest project of his does not make much sense. Was he so concerned about “shipping” and so desperate to avoid it that he inadvertently “shipped” them in the other direction? Was there some sort of external pressure on him about how to write this story to have more of an appeal to “modern audiences”? Maybe some combination of those factors?
And here I’ll add that when I say “modern audiences” I don’t mean that in a contemptuous sense, though you may think I do. If there is any contempt on my part it is for those in charge of telling our stories, or those in charge of those telling our stories, who do not seem to grasp these basic truths. The truth is that audiences at their core don’t really change throughout the ages, only superficially so. Trends come and go but certain truths and ideals are eternal, and universal. How people relate to each other fundamentally does not change, whether they are friends, or more than friends. And deep down, I believe everyone (or nearly everyone at least) wants the same things. Nearly everyone at some point wants some kind of a connection with another human being, to know that they are not alone in the world, and to know that there is someone else who sees and understands things as they do. While this desire can certainly lead to abuse, and absolutely has, it is still innate to us and is not inherently wrong. Finding ways of connecting and relating to other people is one of the great challenges of life, but many would argue it is the most worthwhile of challenges. It may be the whole point of life if you think about it. As complex as it may be, many would argue it is what makes life worth living, and likewise makes for the best stories. Just as it may be the whole point of life many would say that is what most stories are about at their core: people trying to relate to one another.
Sadly, just as in real life, most stories unfortunately don’t quite get it, and the Ahsoka show in my opinion was an example of this, made all the sadder by the fact that Dave Filoni had done quite well with these characters up to that point. We may never know for certain what exactly went wrong and why, or if it can ever be “fixed” at this point, but I can’t help but feel curious. Maybe in the future Filoni will find a way to make it make sense, but I’m not sure how. And to be completely honest I don’t feel quite as enthusiastic to find out as I used to.
Also for the record I would like to add here that there are other factors that put me off from the show, such as Sabine’s Force sensitivity, that came about without much build up. But in this article I specifically wanted to focus on shipping because there seems to be so much misunderstanding around it.
I hope that I was able to clarify some, if not most of this misunderstanding, so that people could better appreciate what shipping is, where it comes from, as well as what it isn’t. Many people today are understandably sick of shipping characters, myself included. But I hope people realize that in overcompensating for something, we often come back around into the very thing that we are overcompensating for. Or sometimes, into something even worse. This may apply to nearly every facet of life, by the way, not just shipping. Finding a happy medium in how we portray our fictional relationships may help us to better understand relationships in real life, as well as how to navigate them. Neither fictional nor actual relationships can ever be perfect but they can always be better. To this understanding then I hope that I was able to give my own modest contribution, and if nothing else I hope we can connect on that.

This is my attempt at a re-submission due to some misunderstandings on the first attempt. I now know that there are different definitions of the word “ship”, but for the purposes of this article and to keep things simple I will use the definition of “a relationship that’s rushed and/or forced with no real development.” I hope you can understand as I do not know of any other single word to describe that concept. If you do, perhaps you can tell me. Also, fair warning, this is long form content (some 10 pages), if you like it but can’t read it all at once you can save it and come back to it over a period of time, or you can stop reading whenever you get tired of it and still discuss those parts of it with me that you have read. But keep it civil if you want a civil response.
With that, to qualify the title, no, Ezra and Sabine do NOT absolutely have to be a couple, but if they were to become one, it would NOT be a ship. Ezra and Sabine’s relationship has had years of development. Could they remain as simply friends? Yes, but ironically, it was their “friendship” that felt like more of a ship. It felt like the Ahsoka show, helmed by Dave Filoni, was going out of its way to tell us: “no, they’re not a couple, they’re just friends.”
I believe that Filoni made some very poor writing choices to stress something that didn’t really need to be stressed, such that it almost felt like he was in denial. The line “I love you like a sister” was never in Rebels, Filoni essentially had that retconned in, and like many I was put off by their (largely) emotionless reunion. Even if they were “just friends” I believe there would be a great deal more emotion displayed between two people that hadn’t seen each other in some ten years, especially when one of them was in a precarious situation when they parted. I also believe Ezra would be far more curious about Sabine being Force sensitive, perhaps even offering to help train her when she told him that her training hadn’t gone as well with Ahsoka. He did help to train her with the Darksaber, didn’t he? Why that never came up is another discussion, but for now, let’s focus on shipping.
In case you think I’m desperate to have them as a couple, no I’m not. I’m about the furthest thing from it. Like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers) I DESPISE shipping. Absolutely DESPISE it. With a flaming passion. Perhaps for this reason, and maybe some others, like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers), I’m generally wary of nearly all romance in fiction, and generally avoid it in my own work. The sad reality is that romance is perhaps the most abused genre in all of fiction, all throughout history. It has been so badly abused that many people, including myself for the longest time, have equated romance with shipping, though I’m slowly beginning to see that they are not the same thing, and one does not necessarily have to go with the other.
But sadly, many writers, through time immemorial, have not been able to separate them, going back into ancient times and perhaps even into pre-history, that is before languages were actually written down. Some of what is considered great literature; classics like Romeo and Juliet, are predicated on shipping, though at least the consequences of this “whirlwind romance” are shown to be fairly stark. Star Wars itself is no stranger to shipping, resulting in a very awkward incestuous kiss when Luke was shipped with Leia, then Leia was placed with Han and Lucas made Luke and Leia brother and sister, apparently having forgotten his original ship. Later Lucas essentially shipped Anakin and Padme, resulting in some of the most cringeworthy dialog in the history of film. Many fans of the Prequels even have been somewhat critical of Anakin’s portrayal, particularly in regards to the “romantic” scenes, with many describing them as “creepy”. Some have speculated that this was intentional, though personally I think it was just the result of bad writing on the part of George Lucas, and an impatience on his part for Anakin and Padme to become a couple, hence “shipping”.
One might wonder why this is so prevalent in fiction, and tragically, one does not have to look far. Fiction is merely a reflection of reality, therefore the reason that shipping is so common in our stories is that we fall so easily into it in real life. Indeed, entire cultures may be based around shipping, or at least very heavily wrapped up in it. Throughout history arranged marriages have been the norm, and the idea of marrying for “love” is something relatively new. To be fair, I’ve actually met people in arranged marriages who seemed to be fairly happy, but those same people were very open in telling me that many despise that aspect of their culture, and that it is quite normal for those in an arranged marriage to try to get out.
People might come together for “love” without marrying, but even then it often creates expectations that might turn into a burden. Even when a marriage is voluntary and for “love”, people are often left unsatisfied, such that today in the West the divorce rate is something like 50%. Happy, stable, long term relationships seem to be the exception across cultures and across the breadth and width of time. And yet pursuit of love and some kind of relationship seems to be the highest calling for many people, both in real life and in fiction. And it could be that the accumulated disgust is finally starting to boil over.
To be fair, this may not be the first time in history that the pendulum has shifted. You may recall that in Victorian times attitudes changed drastically, as compared to the previously bawdy Elizabethan times. Looking at a play from Shakespear, if you can understand the language, you’ll see all kinds of vulgar references, as well as what I believe are fairly sappy romances like in the aforementioned Romeo and Juliet, though I can’t say for certain whether Shakespear was actually endorsing that type of attitude towards “love” or presenting it as a cautionary tale, maybe even something to be ridiculed in some of his other plays.
But regardless, Victorians as you may well know had a very conservative attitude towards anything to do with romance, and would often avoid the subject in many places, or tread very carefully around it, as if walking on eggshells. It’s not that people stopped being romantic, in fiction or real life, but it was treated as something very serious and even dangerous, with many urges repressed or even suppressed entirely. This had all kinds of effects on society, both positive and negative. On the positive side, it reinforced the ideal of people being committed to their partners, and of marriage as a sacred institution rather than a “casual hookup” as was more common in Elizabethan times. Likewise it reinforced ideals of modesty and chastity, which may be coming back into vogue, though under different names. But just as there were positive aspects to these attitudes, so were there negative ones.
Just because the urges I described were repressed did not mean that they disappeared. In fact, they often morphed into things that many would consider “unhealthy”. From one statistic that I saw, in Victorian times about one in every 60 houses was a brothel, with the modern rate being closer to one in 6000. Additionally, the rights of women were often repressed, such that they could not fully express themselves and find their own identity, and path in life, as individuals. Just as Elizabethan ideals gave way to Victorian ones, so did the Victorian ideals gradually begin to erode.
Perhaps it began with the Jazz Age of the 1920’s (the “Roaring Twenties”), or with the increased interconnectivity of people traveling to different parts of the world during World War I, not to mention the cynicism that pervaded throughout the West in response to failed old ideals leading to the deadliest war in history up to that point, but many Victorian ideals began to be seen as a joke, and even resented for their “oppression”, which to be fair was not entirely unjustified. But regardless, people gradually, and at times not so gradually, became more and more “liberated” and promiscuous. This culminated in the Sexual Revolution in the late 1960’s, when what had previously been seen as a vice and even a sin was now seen as not only “normal” but as a healthy form of expression, a virtue even. And just as these ideas were embraced in real life, so too were they reflected in our films, TV shows, and other media, often to the consternation of older people and institutions, like the Vatican. The Catholic Church even went so far as to “ban” certain films, that is to declare them immoral for good Catholics to watch. Many of the films that were banned back then, or at least controversial, like The Graduate with Dustin Hoffman, are fairly tame by today’s standards.
It continued through the 70’s, at times warming and at times cooling through the rest of the century, until you could argue it reached a kind of crescendo in the early 21st century with the advent of so-called “dark romance” and the publication of books like Fifty Shades of Grey. (Ironically, many of the themes within this “dark romance” can trace their roots back to the Victorian era, yet another indication that repressing urges without addressing them often doesn’t work out as one might hope.) But as happens all too often, just as something reaches peak popularity is when it begins to go out of style, and that is what we may be experiencing right now. As weird as it may sound, we may actually have come full circle and may be on the cusp of a “New Victorian Age” (complete with “dark romance”, even). Web sites like Porn Hub and OnlyFans, as well as other similar sites, may be the new “brothels”, and what was once openly celebrated may be going underground, to an extent. The effects of this on society have been interesting to say the least, and at times I would even say bizarre.
Whilst many younger people seem content with these changes, many older people are concerned. I’ve seen a number of books, films, and other media receive positive reviews for example based specifically on their lack of romance. Many of these books/films, etc. fall into the “young adult” category, meaning that it is young adults obviously who mostly consume them. At the same time I’ve heard a number of older people, mostly boomers and Gen-Xers, criticize these same books/films for their lack of romance. Even some older millennials seem upset by the changes, as perhaps evidenced by Jennifer Lawrence’s latest film No Hard Feelings (though to be fair that film may be lampooning the older generation’s frustration as well as the younger generation’s frigidity). So just as in the past older people were concerned about the promiscuity of the youth, now it actually appears that many older people are concerned about the youth’s lack of promiscuity.
Who could have seen that coming? But to be fair, the younger generation hasn’t gone completely frigid. As stated earlier, much of the promiscuity has gone “underground”, or online, which many would argue is not very healthy as it might undermine actual relationships, whether they are romantic in nature or simple friendships. And speaking of that, friendships within stories nowadays often aren’t portrayed in a very authentic or compelling manner, perhaps because in ditching romance modern writers haven’t quite yet learned how to replace it with something else. In other words, the “New Victorian Age” may not be an exact repeat of the previous one, but may have its own twists and turns, for better and for worse.
This may all essentially be a manifestation of the Human Condition, in that we just can’t seem to find a happy medium, neither in real life nor in fiction. Thus we keep swinging from one extreme to the other, apparently getting wilder with each swing.
So where does all this leave us? What is it that we really want in our lives, and in our stories? Especially in regards to relationships? I think at some level we all want to see good and healthy relationships between people and/or characters, whether romantic or platonic. I believe at some point we would like to see good examples of both friendship and romance, and I would argue that the best examples of romance have them combined. Even a toxic relationship, if well portrayed or documented, can be instructive and serve as a good example of what to avoid in our lives that we might be happier and relate better to each other. A good relationship, by contrast, can give us something to aspire to and inspire us to not only look for the right kind of person to complement our lives, but to make ourselves worthy of that person. And here I’ll add that I’m perfectly aware that in real life (and thus in fiction) relationships can be very complicated and heavily nuanced, with elements of both “good” and “bad” in them. Just as people change over time so can the relationships between them change, at times getting better and at times worse, sometimes breaking entirely and sometimes growing stronger. Relationships can have just as many layers and dimensions as characters, more even perhaps, and a skilled writer should be able to reflect this complexity. At other times a relationship can be fairly straightforward, simplicity sometimes being the best approach. But regardless, the audience should be able to relate and identify with what they are seeing, such that hopefully they can incorporate the lessons from it in their own lives.
Where can we find good examples of relationships to study? There may be a number of them in the real world, but the trouble with studying real world relationships is that they’re often much more complicated than fictional ones (just as real people are more complicated than fictional characters), and for many of them it is almost impossible to know all the details and nuances because they are often kept private, understandably so, and even if they aren’t it can still be difficult, due to unique circumstances, to see how to relate them to our own lives. Additionally there may be far more disagreement about a real life situation than a fictional one, with many more points of view. To keep things simple, for the purpose of this article I would like to focus on fictional relationships. (And fair warning, there will be some spoilers.)
One of the best places to look, I would argue, would be the films of Hayao Miyazaki. (And this is pretty significant to Star Wars as you will see in a bit.) A film of his that stands out to me the most is Princess Mononoke. Like many of Miyazaki’s films it has elements of romance, and yet subverts them in a way that makes complete sense and feels very genuine, without taking away from any of the accompanying charm. It starts with two young people, San and Ashitaka, and as soon as they encounter each other there is a kind of expectation of romance. This may be inevitable to some degree when you have a man and a woman of about the same age encounter each other in a story, especially if they happen to be adolescents. The expectation may not be inherently bad, and Miyazaki does play with it. Both characters are thrust into dangerous situations, at various points end up saving each other’s lives, and at a certain point I think it is obvious that they have feelings for each other. I was certain that at the end of the film, they would be together, and if things had gone that way, it would make complete sense. Instead, they go in different directions, but remain good friends, and considering their backgrounds and differing worldviews, this ends up making even more sense to the story.
Essentially, Miyazaki could have gone for the more conventional, tried and true “love conquers all” narrative, where the characters’ feelings for each other would negate everything that comes between them, they would somehow find a common ground in spite of their differences, the romance would not only take over the narrative but somehow also solve all the problems in the story, and then the couple would live “happily ever after”. Such an approach is not inherently bad or wrong, and is fairly common in Western media and storytelling. We can see it in films like Fern Gully, and more recently James Cameron’s Avatar, both of which have been compared to Princess Mononoke. As you can probably guess, the problem is that at a certain point such a narrative can become fairly simplistic, and lack nuance.
Miyazaki’s films, by contrast, are very heavily nuanced, and are anything but simplistic. In Princess Mononoke the characters San and Ashitaka don’t help each other simply because they are “in love”, but because it is the right thing to do, regardless of how they might feel about each other. Yes, romantic feelings are certainly alluded to, but they are not essential to the plot, for it could have worked just as well without any romantic allusions. And ironically, this makes those allusions even more valid, even if they are unrequited. How so?
Consider that if love is essential to a given narrative, is it not relegated to being nothing more than a plot device? Again, this is quite common in Western media and storytelling, and is not inherently bad or wrong, but when it becomes a trope or cliche, I believe it is the essence of where shipping comes from. Many storytellers get caught up in this, usually without realizing it, and while a story can still work even with shipping, I believe that it usually works that much better without it.
This extends not only to Miyazaki’s handling of romance but also to other things like environmentalism, the conflict between man and nature, and the contrasting ideals of human progress vs. preserving the natural order. Movies like Fern Gully and Avatar, as already mentioned, handle these themes in a fairly simplistic and I would even say hamfisted manner, whereby all progress and technology is shown as being inherently “bad” and in service to “evil”, while everything that’s “natural” is shown to be inherently “good”. Even our notions of good and evil, and right vs. wrong, are challenged by Miyazaki, with nearly all of his characters having complex motives and multiple dimensions to them, as well as understandable reasons for doing the things that they do. Rarely can any one of his characters be branded as a simple “villain”, and rarely is any one individual the source of conflict in his stories, again in contrast to most Western narratives.
I’ll reiterate once more, a simple, straightforward narrative is not inherently a bad thing, whether the themes being dealt with are romantic or anything else. Sometimes it is in fact the best approach. But the best stories in my opinion are usually the most nuanced, that challenge our notions of what we believe to be true, and that force us to think about what we do with our lives and what we could do differently. To that end Miyazaki introduces all manner of themes and motifs within his films that are familiar to us but shows them in a light most of us might not have considered, thus giving more dimension to our understanding of things.
“How is any of this related to Star Wars?” you might ask. It is quite related, and you don’t even have to look all that closely to see it. A very influential figure within Star Wars was very heavily inspired by the works of Miyazaki, and that figure is Dave Filoni.
This video shows the connections in some detail:
https://youtu.be/Q_4L0BbSpHo?si=04jDo6qFCnZT135w
But to summarize if you’ve seen any of Miyazaki’s films, especially Princess Mononoke, I think the callbacks in Filoni’s work will be all too obvious, especially in Star Wars Rebels. Some of the scenes in Filoni’s work look like they were taken directly from Miyazki’s films, and many of the same themes and motifs often come up. The relationship between San and Ashitaka I would argue is very similar to the relationship between Ezra and Sabine, and not just because both couples rode wolves together.
Incidentally, Dave Filoni was also heavily involved in Avatar: The Last Airbender, which I would also argue was at least to some degree inspired if not by Miyazaki then by Japanese anime in general. The relationship between Aang and Katara was developed with great care and was allowed to build very slowly, as opposed to simply shipping them. Likewise other characters very gradually developed as individuals and in their relationships, at times stumbling as they did so, and making mistakes, before finding their way back to the right path.
All of this is in stark contrast to George Lucas, whose character development is often very rushed at best, and at times some might say almost non-existent. So essentially, even though Lucas has said that Filoni has been “like a son” to him, and I believe referred to Filoni as his “padawan”, I would argue that Filoni is ultimately as much a student of Miyazaki as he is of Lucas.
Again, you might ask, “What does all this mean for Star Wars?” It means a great many things. It means that Dave Filoni has taken Miyazaki’s lessons to heart, and can handle things like romance, as well as other kinds of relationships, quite well most of the time. Like Miyazaki he can play with romance, tease the audience with it at times even, leave the romance unrequited, and yet still have it feel satisfying. A prime example of this is the love triangle that Ahsoka was involved in with the young Separatist Senator, Lux Bonteri, and Steela Gerrera. As wary as I am of romance and as much as I despise shipping, love triangles I normally despise even more, but this one seemed to actually work. It never took over the main story, and even though Ahsoka’s feelings were ultimately not reciprocated, she still learned from the experience, and grew and developed further as a character because of it. The other characters involved in this triangle also grew and developed from their involvement, though unfortunately not all of them made it. All in all it was a good bit of storytelling and gave the audience something to consider.
When a relationship in one of Filoni’s stories does bloom into a full blown romance he also generally handles it quite well. For one Filoni is sparing with actual romance, so that when it does occur, it can be that much more appreciated. And rather than rushing or shipping it, Filoni normally takes his time to build it up. An example of this is the relationship between Kanan and Hera. Some might argue that this is perhaps the best developed romance in all of Star Wars, at least in Canon. Built up over four seasons, at times it wasn’t certain whether it was a romance or a friendship, or perhaps even a professional partnership. Perhaps even the characters themselves were not certain, though it was hinted all throughout the narrative that something was going on. To this day I don’t believe anyone can say definitively when it became an actual romance, and I believe Filoni did this intentionally because he wanted to be subtle, rather than making things too obvious and having the romance take over the narrative, as it usually does. When it finally did become obvious as to what was happening, it felt very much earned, in a way that is seldom accomplished in other works of fiction, including Star Wars.
The relationship between Ezra and Sabine was also fairly well written, for the most part anyway, at least in Star Wars Rebels. Ezra was almost immediately smitten with Sabine, but being a young teenage boy, it was understandable that he would feel that way about an attractive girl. Over time he learned to see her more respectfully, as a colleague and even as part of his adopted family, not just as a pretty face. Sabine for her part found Ezra annoying at first (c’mon, what teenage boy isn’t?), but as he matured and she found out more about him she came to understand and respect him more, and see him as a friend and almost a brother, with there being potential for something more.
There were times when the relationship could have been better written, like in the episode “Blood Sisters”, where Ezra was written to be a bit too immature to make Sabine look wiser. But overall, the bond between them developed fairly well; both saved one another at various times, and took risks and made sacrifices for each other’s sake. Both reassured and comforted the other when they needed it, and it was endearing to hear their banter when they became more familiar and trusting of each other.
So why then was I so disappointed in how they were portrayed in the Ahsoka show? The thing is, after how well their relationship was built up in Rebels, as I’ve already mentioned it was strange to see how lackluster and uninspired their reunion was.
Within the Ahsoka show itself Sabine was shown to be almost obsessed with finding Ezra, living in what used to be his home, watching a recording of him over and over again, and calling out his name as she woke up in the middle of the night. She even risked bringing Thrawn back into the Galaxy, which ultimately happened, just so she could see Ezra again. After all that, when she finally does encounter him, her reaction seems fairly casual, as does his, as if they’ve been apart for no more than a week, rather than 10 years. Not too much happens between them afterwards either. Like I said Ezra does not appear all that curious about what happened with Sabine, how she found him, and how it was that she was now Force sensitive. Sabine likewise did not seem curious about what had happened with Ezra, and how he had gotten away from Thrawn. And with Ezra rescued and returned home, suddenly it didn’t seem as though Sabine was all that interested in him anymore, nor he all that concerned with her, though they were just as far apart as they had been at the start of the show. To be completely honest it made me wonder what the point of the whole show was. Were they just working to set up Thrawn’s return to the Galaxy? As some have said, Ezra felt like nothing more than a Macguffin in the show. Was Sabine and Ahsoka’s search for him just a plot device?
Considering how skillfully Dave Filoni had written his stories in the past, what happened in this latest project of his does not make much sense. Was he so concerned about “shipping” and so desperate to avoid it that he inadvertently “shipped” them in the other direction? Was there some sort of external pressure on him about how to write this story to have more of an appeal to “modern audiences”? Maybe some combination of those factors?
And here I’ll add that when I say “modern audiences” I don’t mean that in a contemptuous sense, though you may think I do. If there is any contempt on my part it is for those in charge of telling our stories, or those in charge of those telling our stories, who do not seem to grasp these basic truths. The truth is that audiences at their core don’t really change throughout the ages, only superficially so. Trends come and go but certain truths and ideals are eternal, and universal. How people relate to each other fundamentally does not change, whether they are friends, or more than friends. And deep down, I believe everyone (or nearly everyone at least) wants the same things. Nearly everyone at some point wants some kind of a connection with another human being, to know that they are not alone in the world, and to know that there is someone else who sees and understands things as they do. While this desire can certainly lead to abuse, and absolutely has, it is still innate to us and is not inherently wrong. Finding ways of connecting and relating to other people is one of the great challenges of life, but many would argue it is the most worthwhile of challenges. It may be the whole point of life if you think about it. As complex as it may be, many would argue it is what makes life worth living, and likewise makes for the best stories. Just as it may be the whole point of life many would say that is what most stories are about at their core: people trying to relate to one another.
Sadly, just as in real life, most stories unfortunately don’t quite get it, and the Ahsoka show in my opinion was an example of this, made all the sadder by the fact that Dave Filoni had done quite well with these characters up to that point. We may never know for certain what exactly went wrong and why, or if it can ever be “fixed” at this point, but I can’t help but feel curious. Maybe in the future Filoni will find a way to make it make sense, but I’m not sure how. And to be completely honest I don’t feel quite as enthusiastic to find out as I used to.
Also for the record I would like to add here that there are other factors that put me off from the show, such as Sabine’s Force sensitivity, that came about without much build up. But in this article I specifically wanted to focus on shipping because there seems to be so much misunderstanding around it.
I hope that I was able to clarify some, if not most of this misunderstanding, so that people could better appreciate what shipping is, where it comes from, as well as what it isn’t. Many people today are understandably sick of shipping characters, myself included. But I hope people realize that in overcompensating for something, we often come back around into the very thing that we are overcompensating for. Or sometimes, into something even worse. This may apply to nearly every facet of life, by the way, not just shipping. Finding a happy medium in how we portray our fictional relationships may help us to better understand relationships in real life, as well as how to navigate them. Neither fictional nor actual relationships can ever be perfect but they can always be better. To this understanding then I hope that I was able to give my own modest contribution, and if nothing else I hope we can connect on that.

This is my attempt at a re-submission due to some misunderstandings on the first attempt. I now know that there are different definitions of the word “ship”, but for the purposes of this article and to keep things simple I will use the definition of “a relationship that’s rushed and/or forced with no real development.” I hope you can understand as I do not know of any other single word to describe that concept. If you do, perhaps you can tell me. Also, fair warning, this is long form content (some 10 pages), if you like it but can’t read it all at once you can save it and come back to it over a period of time, or you can stop reading whenever you get tired of it and still discuss those parts of it with me that you have read. But keep it civil if you want a civil response.
With that, to qualify the title, no, Ezra and Sabine do NOT absolutely have to be a couple, but if they were to become one, it would NOT be a ship. Ezra and Sabine’s relationship has had years of development. Could they remain as simply friends? Yes, but ironically, it was their “friendship” that felt like more of a ship. It felt like the Ahsoka show, helmed by Dave Filoni, was going out of its way to tell us: “no, they’re not a couple, they’re just friends.”
I believe that Filoni made some very poor writing choices to stress something that didn’t really need to be stressed, such that it almost felt like he was in denial. The line “I love you like a sister” was never in Rebels, Filoni essentially had that retconned in, and like many I was put off by their (largely) emotionless reunion. Even if they were “just friends” I believe there would be a great deal more emotion displayed between two people that hadn’t seen each other in some ten years, especially when one of them was in a precarious situation when they parted. I also believe Ezra would be far more curious about Sabine being Force sensitive, perhaps even offering to help train her when she told him that her training hadn’t gone as well with Ahsoka. He did help to train her with the Darksaber, didn’t he? Why that never came up is another discussion, but for now, let’s focus on shipping.
In case you think I’m desperate to have them as a couple, no I’m not. I’m about the furthest thing from it. Like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers) I DESPISE shipping. Absolutely DESPISE it. With a flaming passion. Perhaps for this reason, and maybe some others, like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers), I’m generally wary of nearly all romance in fiction, and generally avoid it in my own work. The sad reality is that romance is perhaps the most abused genre in all of fiction, all throughout history. It has been so badly abused that many people, including myself for the longest time, have equated romance with shipping, though I’m slowly beginning to see that they are not the same thing, and one does not necessarily have to go with the other.
But sadly, many writers, through time immemorial, have not been able to separate them, going back into ancient times and perhaps even into pre-history, that is before languages were actually written down. Some of what is considered great literature; classics like Romeo and Juliet, are predicated on shipping, though at least the consequences of this “whirlwind romance” are shown to be fairly stark. Star Wars itself is no stranger to shipping, resulting in a very awkward incestuous kiss when Luke was shipped with Leia, then Leia was placed with Han and Lucas made Luke and Leia brother and sister, apparently having forgotten his original ship. Later Lucas essentially shipped Anakin and Padme, resulting in some of the most cringeworthy dialog in the history of film. Many fans of the Prequels even have been somewhat critical of Anakin’s portrayal, particularly in regards to the “romantic” scenes, with many describing them as “creepy”. Some have speculated that this was intentional, though personally I think it was just the result of bad writing on the part of George Lucas, and an impatience on his part for Anakin and Padme to become a couple, hence “shipping”.
One might wonder why this is so prevalent in fiction, and tragically, one does not have to look far. Fiction is merely a reflection of reality, therefore the reason that shipping is so common in our stories is that we fall so easily into it in real life. Indeed, entire cultures may be based around shipping, or at least very heavily wrapped up in it. Throughout history arranged marriages have been the norm, and the idea of marrying for “love” is something relatively new. To be fair, I’ve actually met people in arranged marriages who seemed to be fairly happy, but those same people were very open in telling me that many despise that aspect of their culture, and that it is quite normal for those in an arranged marriage to try to get out.
People might come together for “love” without marrying, but even then it often creates expectations that might turn into a burden. Even when a marriage is voluntary and for “love”, people are often left unsatisfied, such that today in the West the divorce rate is something like 50%. Happy, stable, long term relationships seem to be the exception across cultures and across the breadth and width of time. And yet pursuit of love and some kind of relationship seems to be the highest calling for many people, both in real life and in fiction. And it could be that the accumulated disgust is finally starting to boil over.
To be fair, this may not be the first time in history that the pendulum has shifted. You may recall that in Victorian times attitudes changed drastically, as compared to the previously bawdy Elizabethan times. Looking at a play from Shakespear, if you can understand the language, you’ll see all kinds of vulgar references, as well as what I believe are fairly sappy romances like in the aforementioned Romeo and Juliet, though I can’t say for certain whether Shakespear was actually endorsing that type of attitude towards “love” or presenting it as a cautionary tale, maybe even something to be ridiculed in some of his other plays.
But regardless, Victorians as you may well know had a very conservative attitude towards anything to do with romance, and would often avoid the subject in many places, or tread very carefully around it, as if walking on eggshells. It’s not that people stopped being romantic, in fiction or real life, but it was treated as something very serious and even dangerous, with many urges repressed or even suppressed entirely. This had all kinds of effects on society, both positive and negative. On the positive side, it reinforced the ideal of people being committed to their partners, and of marriage as a sacred institution rather than a “casual hookup” as was more common in Elizabethan times. Likewise it reinforced ideals of modesty and chastity, which may be coming back into vogue, though under different names. But just as there were positive aspects to these attitudes, so were there negative ones.
Just because the urges I described were repressed did not mean that they disappeared. In fact, they often morphed into things that many would consider “unhealthy”. From one statistic that I saw, in Victorian times about one in every 60 houses was a brothel, with the modern rate being closer to one in 6000. Additionally, the rights of women were often repressed, such that they could not fully express themselves and find their own identity, and path in life, as individuals. Just as Elizabethan ideals gave way to Victorian ones, so did the Victorian ideals gradually begin to erode.
Perhaps it began with the Jazz Age of the 1920’s (the “Roaring Twenties”), or with the increased interconnectivity of people traveling to different parts of the world during World War I, not to mention the cynicism that pervaded throughout the West in response to failed old ideals leading to the deadliest war in history up to that point, but many Victorian ideals began to be seen as a joke, and even resented for their “oppression”, which to be fair was not entirely unjustified. But regardless, people gradually, and at times not so gradually, became more and more “liberated” and promiscuous. This culminated in the Sexual Revolution in the late 1960’s, when what had previously been seen as a vice and even a sin was now seen as not only “normal” but as a healthy form of expression, a virtue even. And just as these ideas were embraced in real life, so too were they reflected in our films, TV shows, and other media, often to the consternation of older people and institutions, like the Vatican. The Catholic Church even went so far as to “ban” certain films, that is to declare them immoral for good Catholics to watch. Many of the films that were banned back then, or at least controversial, like The Graduate with Dustin Hoffman, are fairly tame by today’s standards.
It continued through the 70’s, at times warming and at times cooling through the rest of the century, until you could argue it reached a kind of crescendo in the early 21st century with the advent of so-called “dark romance” and the publication of books like Fifty Shades of Grey. (Ironically, many of the themes within this “dark romance” can trace their roots back to the Victorian era, yet another indication that repressing urges without addressing them often doesn’t work out as one might hope.) But as happens all too often, just as something reaches peak popularity is when it begins to go out of style, and that is what we may be experiencing right now. As weird as it may sound, we may actually have come full circle and may be on the cusp of a “New Victorian Age” (complete with “dark romance”, even). Web sites like Porn Hub and OnlyFans, as well as other similar sites, may be the new “brothels”, and what was once openly celebrated may be going underground, to an extent. The effects of this on society have been interesting to say the least, and at times I would even say bizarre.
Whilst many younger people seem content with these changes, many older people are concerned. I’ve seen a number of books, films, and other media receive positive reviews for example based specifically on their lack of romance. Many of these books/films, etc. fall into the “young adult” category, meaning that it is young adults obviously who mostly consume them. At the same time I’ve heard a number of older people, mostly boomers and Gen-Xers, criticize these same books/films for their lack of romance. Even some older millennials seem upset by the changes, as perhaps evidenced by Jennifer Lawrence’s latest film No Hard Feelings (though to be fair that film may be lampooning the older generation’s frustration as well as the younger generation’s frigidity). So just as in the past older people were concerned about the promiscuity of the youth, now it actually appears that many older people are concerned about the youth’s lack of promiscuity.
Who could have seen that coming? But to be fair, the younger generation hasn’t gone completely frigid. As stated earlier, much of the promiscuity has gone “underground”, or online, which many would argue is not very healthy as it might undermine actual relationships, whether they are romantic in nature or simple friendships. And speaking of that, friendships within stories nowadays often aren’t portrayed in a very authentic or compelling manner, perhaps because in ditching romance modern writers haven’t quite yet learned how to replace it with something else. In other words, the “New Victorian Age” may not be an exact repeat of the previous one, but may have its own twists and turns, for better and for worse.
This may all essentially be a manifestation of the Human Condition, in that we just can’t seem to find a happy medium, neither in real life nor in fiction. Thus we keep swinging from one extreme to the other, apparently getting wilder with each swing.
So where does all this leave us? What is it that we really want in our lives, and in our stories? Especially in regards to relationships? I think at some level we all want to see good and healthy relationships between people and/or characters, whether romantic or platonic. I believe at some point we would like to see good examples of both friendship and romance, and I would argue that the best examples of romance have them combined. Even a toxic relationship, if well portrayed or documented, can be instructive and serve as a good example of what to avoid in our lives that we might be happier and relate better to each other. A good relationship, by contrast, can give us something to aspire to and inspire us to not only look for the right kind of person to complement our lives, but to make ourselves worthy of that person. And here I’ll add that I’m perfectly aware that in real life (and thus in fiction) relationships can be very complicated and heavily nuanced, with elements of both “good” and “bad” in them. Just as people change over time so can the relationships between them change, at times getting better and at times worse, sometimes breaking entirely and sometimes growing stronger. Relationships can have just as many layers and dimensions as characters, more even perhaps, and a skilled writer should be able to reflect this complexity. At other times a relationship can be fairly straightforward, simplicity sometimes being the best approach. But regardless, the audience should be able to relate and identify with what they are seeing, such that hopefully they can incorporate the lessons from it in their own lives.
Where can we find good examples of relationships to study? There may be a number of them in the real world, but the trouble with studying real world relationships is that they’re often much more complicated than fictional ones (just as real people are more complicated than fictional characters), and for many of them it is almost impossible to know all the details and nuances because they are often kept private, understandably so, and even if they aren’t it can still be difficult, due to unique circumstances, to see how to relate them to our own lives. Additionally there may be far more disagreement about a real life situation than a fictional one, with many more points of view. To keep things simple, for the purpose of this article I would like to focus on fictional relationships. (And fair warning, there will be some spoilers.)
One of the best places to look, I would argue, would be the films of Hayao Miyazaki. (And this is pretty significant to Star Wars as you will see in a bit.) A film of his that stands out to me the most is Princess Mononoke. Like many of Miyazaki’s films it has elements of romance, and yet subverts them in a way that makes complete sense and feels very genuine, without taking away from any of the accompanying charm. It starts with two young people, San and Ashitaka, and as soon as they encounter each other there is a kind of expectation of romance. This may be inevitable to some degree when you have a man and a woman of about the same age encounter each other in a story, especially if they happen to be adolescents. The expectation may not be inherently bad, and Miyazaki does play with it. Both characters are thrust into dangerous situations, at various points end up saving each other’s lives, and at a certain point I think it is obvious that they have feelings for each other. I was certain that at the end of the film, they would be together, and if things had gone that way, it would make complete sense. Instead, they go in different directions, but remain good friends, and considering their backgrounds and differing worldviews, this ends up making even more sense to the story.
Essentially, Miyazaki could have gone for the more conventional, tried and true “love conquers all” narrative, where the characters’ feelings for each other would negate everything that comes between them, they would somehow find a common ground in spite of their differences, the romance would not only take over the narrative but somehow also solve all the problems in the story, and then the couple would live “happily ever after”. Such an approach is not inherently bad or wrong, and is fairly common in Western media and storytelling. We can see it in films like Fern Gully, and more recently James Cameron’s Avatar, both of which have been compared to Princess Mononoke. As you can probably guess, the problem is that at a certain point such a narrative can become fairly simplistic, and lack nuance.
Miyazaki’s films, by contrast, are very heavily nuanced, and are anything but simplistic. In Princess Mononoke the characters San and Ashitaka don’t help each other simply because they are “in love”, but because it is the right thing to do, regardless of how they might feel about each other. Yes, romantic feelings are certainly alluded to, but they are not essential to the plot, for it could have worked just as well without any romantic allusions. And ironically, this makes those allusions even more valid, even if they are unrequited. How so?
Consider that if love is essential to a given narrative, is it not relegated to being nothing more than a plot device? Again, this is quite common in Western media and storytelling, and is not inherently bad or wrong, but when it becomes a trope or cliche, I believe it is the essence of where shipping comes from. Many storytellers get caught up in this, usually without realizing it, and while a story can still work even with shipping, I believe that it usually works that much better without it.
This extends not only to Miyazaki’s handling of romance but also to other things like environmentalism, the conflict between man and nature, and the contrasting ideals of human progress vs. preserving the natural order. Movies like Fern Gully and Avatar, as already mentioned, handle these themes in a fairly simplistic and I would even say hamfisted manner, whereby all progress and technology is shown as being inherently “bad” and in service to “evil”, while everything that’s “natural” is shown to be inherently “good”. Even our notions of good and evil, and right vs. wrong, are challenged by Miyazaki, with nearly all of his characters having complex motives and multiple dimensions to them, as well as understandable reasons for doing the things that they do. Rarely can any one of his characters be branded as a simple “villain”, and rarely is any one individual the source of conflict in his stories, again in contrast to most Western narratives.
I’ll reiterate once more, a simple, straightforward narrative is not inherently a bad thing, whether the themes being dealt with are romantic or anything else. Sometimes it is in fact the best approach. But the best stories in my opinion are usually the most nuanced, that challenge our notions of what we believe to be true, and that force us to think about what we do with our lives and what we could do differently. To that end Miyazaki introduces all manner of themes and motifs within his films that are familiar to us but shows them in a light most of us might not have considered, thus giving more dimension to our understanding of things.
“How is any of this related to Star Wars?” you might ask. It is quite related, and you don’t even have to look all that closely to see it. A very influential figure within Star Wars was very heavily inspired by the works of Miyazaki, and that figure is Dave Filoni.
This video shows the connections in some detail:
https://youtu.be/Q_4L0BbSpHo?si=04jDo6qFCnZT135w
But to summarize if you’ve seen any of Miyazaki’s films, especially Princess Mononoke, I think the callbacks in Filoni’s work will be all too obvious, especially in Star Wars Rebels. Some of the scenes in Filoni’s work look like they were taken directly from Miyazki’s films, and many of the same themes and motifs often come up. The relationship between San and Ashitaka I would argue is very similar to the relationship between Ezra and Sabine, and not just because both couples rode wolves together.
Incidentally, Dave Filoni was also heavily involved in Avatar: The Last Airbender, which I would also argue was at least to some degree inspired if not by Miyazaki then by Japanese anime in general. The relationship between Aang and Katara was developed with great care and was allowed to build very slowly, as opposed to simply shipping them. Likewise other characters very gradually developed as individuals and in their relationships, at times stumbling as they did so, and making mistakes, before finding their way back to the right path.
All of this is in stark contrast to George Lucas, whose character development is often very rushed at best, and at times some might say almost non-existent. So essentially, even though Lucas has said that Filoni has been “like a son” to him, and I believe referred to Filoni as his “padawan”, I would argue that Filoni is ultimately as much a student of Miyazaki as he is of Lucas.
Again, you might ask, “What does all this mean for Star Wars?” It means a great many things. It means that Dave Filoni has taken Miyazaki’s lessons to heart, and can handle things like romance, as well as other kinds of relationships, quite well most of the time. Like Miyazaki he can play with romance, tease the audience with it at times even, leave the romance unrequited, and yet still have it feel satisfying. A prime example of this is the love triangle that Ahsoka was involved in with the young Separatist Senator, Lux Bonteri, and Steela Gerrera. As wary as I am of romance and as much as I despise shipping, love triangles I normally despise even more, but this one seemed to actually work. It never took over the main story, and even though Ahsoka’s feelings were ultimately not reciprocated, she still learned from the experience, and grew and developed further as a character because of it. The other characters involved in this triangle also grew and developed from their involvement, though unfortunately not all of them made it. All in all it was a good bit of storytelling and gave the audience something to consider.
When a relationship in one of Filoni’s stories does bloom into a full blown romance he also generally handles it quite well. For one Filoni is sparing with actual romance, so that when it does occur, it can be that much more appreciated. And rather than rushing or shipping it, Filoni normally takes his time to build it up. An example of this is the relationship between Kanan and Hera. Some might argue that this is perhaps the best developed romance in all of Star Wars, at least in Canon. Built up over four seasons, at times it wasn’t certain whether it was a romance or a friendship, or perhaps even a professional partnership. Perhaps even the characters themselves were not certain, though it was hinted all throughout the narrative that something was going on. To this day I don’t believe anyone can say definitively when it became an actual romance, and I believe Filoni did this intentionally because he wanted to be subtle, rather than making things too obvious and having the romance take over the narrative, as it usually does. When it finally did become obvious as to what was happening, it felt very much earned, in a way that is seldom accomplished in other works of fiction, including Star Wars.
The relationship between Ezra and Sabine was also fairly well written, for the most part anyway, at least in Star Wars Rebels. Ezra was almost immediately smitten with Sabine, but being a young teenage boy, it was understandable that he would feel that way about an attractive girl. Over time he learned to see her more respectfully, as a colleague and even as part of his adopted family, not just as a pretty face. Sabine for her part found Ezra annoying at first (c’mon, what teenage boy isn’t?), but as he matured and she found out more about him she came to understand and respect him more, and see him as a friend and almost a brother, with there being potential for something more.
There were times when the relationship could have been better written, like in the episode “Blood Sisters”, where Ezra was written to be a bit too immature to make Sabine look wiser. But overall, the bond between them developed fairly well; both saved one another at various times, and took risks and made sacrifices for each other’s sake. Both reassured and comforted the other when they needed it, and it was endearing to hear their banter when they became more familiar and trusting of each other.
So why then was I so disappointed in how they were portrayed in the Ahsoka show? The thing is, after how well their relationship was built up in Rebels, as I’ve already mentioned it was strange to see how lackluster and uninspired their reunion was.
Within the Ahsoka show itself Sabine was shown to be almost obsessed with finding Ezra, living in what used to be his home, watching a recording of him over and over again, and calling out his name as she woke up in the middle of the night. She even risked bringing Thrawn back into the Galaxy, which ultimately happened, just so she could see Ezra again. After all that, when she finally does encounter him, her reaction seems fairly casual, as does his, as if they’ve been apart for no more than a week, rather than 10 years. Not too much happens between them afterwards either. Like I said Ezra does not appear all that curious about what happened with Sabine, how she found him, and how it was that she was now Force sensitive. Sabine likewise did not seem curious about what had happened with Ezra, and how he had gotten away from Thrawn. And with Ezra rescued and returned home, suddenly it didn’t seem as though Sabine was all that interested in him anymore, nor he all that concerned with her, though they were just as far apart as they had been at the start of the show. To be completely honest it made me wonder what the point of the whole show was. Were they just working to set up Thrawn’s return to the Galaxy? As some have said, Ezra felt like nothing more than a Macguffin in the show. Was Sabine and Ahsoka’s search for him just a plot device?
Considering how skillfully Dave Filoni had written his stories in the past, what happened in this latest project of his does not make much sense. Was he so concerned about “shipping” and so desperate to avoid it that he inadvertently “shipped” them in the other direction? Was there some sort of external pressure on him about how to write this story to have more of an appeal to “modern audiences”? Maybe some combination of those factors?
And here I’ll add that when I say “modern audiences” I don’t mean that in a contemptuous sense, though you may think I do. If there is any contempt on my part it is for those in charge of telling our stories, or those in charge of those telling our stories, who do not seem to grasp these basic truths. The truth is that audiences at their core don’t really change throughout the ages, only superficially so. Trends come and go but certain truths and ideals are eternal, and universal. How people relate to each other fundamentally does not change, whether they are friends, or more than friends. And deep down, I believe everyone (or nearly everyone at least) wants the same things. Nearly everyone at some point wants some kind of a connection with another human being, to know that they are not alone in the world, and to know that there is someone else who sees and understands things as they do. While this desire can certainly lead to abuse, and absolutely has, it is still innate to us and is not inherently wrong. Finding ways of connecting and relating to other people is one of the great challenges of life, but many would argue it is the most worthwhile of challenges. It may be the whole point of life if you think about it. As complex as it may be, many would argue it is what makes life worth living, and likewise makes for the best stories. Just as it may be the whole point of life many would say that is what most stories are about at their core: people trying to relate to one another.
Sadly, just as in real life, most stories unfortunately don’t quite get it, and the Ahsoka show in my opinion was an example of this, made all the sadder by the fact that Dave Filoni had done quite well with these characters up to that point. We may never know for certain what exactly went wrong and why, or if it can ever be “fixed” at this point, but I can’t help but feel curious. Maybe in the future Filoni will find a way to make it make sense, but I’m not sure how. And to be completely honest I don’t feel quite as enthusiastic to find out as I used to.
Also for the record I would like to add here that there are other factors that put me off from the show, such as Sabine’s Force sensitivity, that came about without much build up. But in this article I specifically wanted to focus on shipping because there seems to be so much misunderstanding around it.
I hope that I was able to clarify some, if not most of this misunderstanding, so that people could better appreciate what shipping is, where it comes from, as well as what it isn’t. Many people today are understandably sick of shipping characters, myself included. But I hope people realize that in overcompensating for something, we often come back around into the very thing that we are overcompensating for. Or sometimes, into something even worse. This may apply to nearly every facet of life, by the way, not just shipping. Finding a happy medium in how we portray our fictional relationships may help us to better understand relationships in real life, as well as how to navigate them. Neither fictional nor actual relationships can ever be perfect but they can always be better. To this understanding then I hope that I was able to give my own modest contribution, and if nothing else I hope we can connect on that.

This is my attempt at a re-submission due to some misunderstandings on the first attempt. I now know that there are different definitions of the word “ship”, but for the purposes of this article and to keep things simple I will use the definition of “a relationship that’s rushed and/or forced with no real development.” I hope you can understand as I do not know of any other single word to describe that concept. If you do, perhaps you can tell me. Also, fair warning, this is long form content (some 10 pages), if you like it but can’t read it all at once you can save it and come back to it over a period of time, or you can stop reading whenever you get tired of it and still discuss those parts of it with me that you have read. But keep it civil if you want a civil response.
With that, to qualify the title, no, Ezra and Sabine do NOT absolutely have to be a couple, but if they were to become one, it would NOT be a ship. Ezra and Sabine’s relationship has had years of development. Could they remain as simply friends? Yes, but ironically, it was their “friendship” that felt like more of a ship. It felt like the Ahsoka show, helmed by Dave Filoni, was going out of its way to tell us: “no, they’re not a couple, they’re just friends.”
I believe that Filoni made some very poor writing choices to stress something that didn’t really need to be stressed, such that it almost felt like he was in denial. The line “I love you like a sister” was never in Rebels, Filoni essentially had that retconned in, and like many I was put off by their (largely) emotionless reunion. Even if they were “just friends” I believe there would be a great deal more emotion displayed between two people that hadn’t seen each other in some ten years, especially when one of them was in a precarious situation when they parted. I also believe Ezra would be far more curious about Sabine being Force sensitive, perhaps even offering to help train her when she told him that her training hadn’t gone as well with Ahsoka. He did help to train her with the Darksaber, didn’t he? Why that never came up is another discussion, but for now, let’s focus on shipping.
In case you think I’m desperate to have them as a couple, no I’m not. I’m about the furthest thing from it. Like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers) I DESPISE shipping. Absolutely DESPISE it. With a flaming passion. Perhaps for this reason, and maybe some others, like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers), I’m generally wary of nearly all romance in fiction, and generally avoid it in my own work. The sad reality is that romance is perhaps the most abused genre in all of fiction, all throughout history. It has been so badly abused that many people, including myself for the longest time, have equated romance with shipping, though I’m slowly beginning to see that they are not the same thing, and one does not necessarily have to go with the other.
But sadly, many writers, through time immemorial, have not been able to separate them, going back into ancient times and perhaps even into pre-history, that is before languages were actually written down. Some of what is considered great literature; classics like Romeo and Juliet, are predicated on shipping, though at least the consequences of this “whirlwind romance” are shown to be fairly stark. Star Wars itself is no stranger to shipping, resulting in a very awkward incestuous kiss when Luke was shipped with Leia, then Leia was placed with Han and Lucas made Luke and Leia brother and sister, apparently having forgotten his original ship. Later Lucas essentially shipped Anakin and Padme, resulting in some of the most cringeworthy dialog in the history of film. Many fans of the Prequels even have been somewhat critical of Anakin’s portrayal, particularly in regards to the “romantic” scenes, with many describing them as “creepy”. Some have speculated that this was intentional, though personally I think it was just the result of bad writing on the part of George Lucas, and an impatience on his part for Anakin and Padme to become a couple, hence “shipping”.
One might wonder why this is so prevalent in fiction, and tragically, one does not have to look far. Fiction is merely a reflection of reality, therefore the reason that shipping is so common in our stories is that we fall so easily into it in real life. Indeed, entire cultures may be based around shipping, or at least very heavily wrapped up in it. Throughout history arranged marriages have been the norm, and the idea of marrying for “love” is something relatively new. To be fair, I’ve actually met people in arranged marriages who seemed to be fairly happy, but those same people were very open in telling me that many despise that aspect of their culture, and that it is quite normal for those in an arranged marriage to try to get out.
People might come together for “love” without marrying, but even then it often creates expectations that might turn into a burden. Even when a marriage is voluntary and for “love”, people are often left unsatisfied, such that today in the West the divorce rate is something like 50%. Happy, stable, long term relationships seem to be the exception across cultures and across the breadth and width of time. And yet pursuit of love and some kind of relationship seems to be the highest calling for many people, both in real life and in fiction. And it could be that the accumulated disgust is finally starting to boil over.
To be fair, this may not be the first time in history that the pendulum has shifted. You may recall that in Victorian times attitudes changed drastically, as compared to the previously bawdy Elizabethan times. Looking at a play from Shakespear, if you can understand the language, you’ll see all kinds of vulgar references, as well as what I believe are fairly sappy romances like in the aforementioned Romeo and Juliet, though I can’t say for certain whether Shakespear was actually endorsing that type of attitude towards “love” or presenting it as a cautionary tale, maybe even something to be ridiculed in some of his other plays.
But regardless, Victorians as you may well know had a very conservative attitude towards anything to do with romance, and would often avoid the subject in many places, or tread very carefully around it, as if walking on eggshells. It’s not that people stopped being romantic, in fiction or real life, but it was treated as something very serious and even dangerous, with many urges repressed or even suppressed entirely. This had all kinds of effects on society, both positive and negative. On the positive side, it reinforced the ideal of people being committed to their partners, and of marriage as a sacred institution rather than a “casual hookup” as was more common in Elizabethan times. Likewise it reinforced ideals of modesty and chastity, which may be coming back into vogue, though under different names. But just as there were positive aspects to these attitudes, so were there negative ones.
Just because the urges I described were repressed did not mean that they disappeared. In fact, they often morphed into things that many would consider “unhealthy”. From one statistic that I saw, in Victorian times about one in every 60 houses was a brothel, with the modern rate being closer to one in 6000. Additionally, the rights of women were often repressed, such that they could not fully express themselves and find their own identity, and path in life, as individuals. Just as Elizabethan ideals gave way to Victorian ones, so did the Victorian ideals gradually begin to erode.
Perhaps it began with the Jazz Age of the 1920’s (the “Roaring Twenties”), or with the increased interconnectivity of people traveling to different parts of the world during World War I, not to mention the cynicism that pervaded throughout the West in response to failed old ideals leading to the deadliest war in history up to that point, but many Victorian ideals began to be seen as a joke, and even resented for their “oppression”, which to be fair was not entirely unjustified. But regardless, people gradually, and at times not so gradually, became more and more “liberated” and promiscuous. This culminated in the Sexual Revolution in the late 1960’s, when what had previously been seen as a vice and even a sin was now seen as not only “normal” but as a healthy form of expression, a virtue even. And just as these ideas were embraced in real life, so too were they reflected in our films, TV shows, and other media, often to the consternation of older people and institutions, like the Vatican. The Catholic Church even went so far as to “ban” certain films, that is to declare them immoral for good Catholics to watch. Many of the films that were banned back then, or at least controversial, like The Graduate with Dustin Hoffman, are fairly tame by today’s standards.
It continued through the 70’s, at times warming and at times cooling through the rest of the century, until you could argue it reached a kind of crescendo in the early 21st century with the advent of so-called “dark romance” and the publication of books like Fifty Shades of Grey. (Ironically, many of the themes within this “dark romance” can trace their roots back to the Victorian era, yet another indication that repressing urges without addressing them often doesn’t work out as one might hope.) But as happens all too often, just as something reaches peak popularity is when it begins to go out of style, and that is what we may be experiencing right now. As weird as it may sound, we may actually have come full circle and may be on the cusp of a “New Victorian Age” (complete with “dark romance”, even). Web sites like Porn Hub and OnlyFans, as well as other similar sites, may be the new “brothels”, and what was once openly celebrated may be going underground, to an extent. The effects of this on society have been interesting to say the least, and at times I would even say bizarre.
Whilst many younger people seem content with these changes, many older people are concerned. I’ve seen a number of books, films, and other media receive positive reviews for example based specifically on their lack of romance. Many of these books/films, etc. fall into the “young adult” category, meaning that it is young adults obviously who mostly consume them. At the same time I’ve heard a number of older people, mostly boomers and Gen-Xers, criticize these same books/films for their lack of romance. Even some older millennials seem upset by the changes, as perhaps evidenced by Jennifer Lawrence’s latest film No Hard Feelings (though to be fair that film may be lampooning the older generation’s frustration as well as the younger generation’s frigidity). So just as in the past older people were concerned about the promiscuity of the youth, now it actually appears that many older people are concerned about the youth’s lack of promiscuity.
Who could have seen that coming? But to be fair, the younger generation hasn’t gone completely frigid. As stated earlier, much of the promiscuity has gone “underground”, or online, which many would argue is not very healthy as it might undermine actual relationships, whether they are romantic in nature or simple friendships. And speaking of that, friendships within stories nowadays often aren’t portrayed in a very authentic or compelling manner, perhaps because in ditching romance modern writers haven’t quite yet learned how to replace it with something else. In other words, the “New Victorian Age” may not be an exact repeat of the previous one, but may have its own twists and turns, for better and for worse.
This may all essentially be a manifestation of the Human Condition, in that we just can’t seem to find a happy medium, neither in real life nor in fiction. Thus we keep swinging from one extreme to the other, apparently getting wilder with each swing.
So where does all this leave us? What is it that we really want in our lives, and in our stories? Especially in regards to relationships? I think at some level we all want to see good and healthy relationships between people and/or characters, whether romantic or platonic. I believe at some point we would like to see good examples of both friendship and romance, and I would argue that the best examples of romance have them combined. Even a toxic relationship, if well portrayed or documented, can be instructive and serve as a good example of what to avoid in our lives that we might be happier and relate better to each other. A good relationship, by contrast, can give us something to aspire to and inspire us to not only look for the right kind of person to complement our lives, but to make ourselves worthy of that person. And here I’ll add that I’m perfectly aware that in real life (and thus in fiction) relationships can be very complicated and heavily nuanced, with elements of both “good” and “bad” in them. Just as people change over time so can the relationships between them change, at times getting better and at times worse, sometimes breaking entirely and sometimes growing stronger. Relationships can have just as many layers and dimensions as characters, more even perhaps, and a skilled writer should be able to reflect this complexity. At other times a relationship can be fairly straightforward, simplicity sometimes being the best approach. But regardless, the audience should be able to relate and identify with what they are seeing, such that hopefully they can incorporate the lessons from it in their own lives.
Where can we find good examples of relationships to study? There may be a number of them in the real world, but the trouble with studying real world relationships is that they’re often much more complicated than fictional ones (just as real people are more complicated than fictional characters), and for many of them it is almost impossible to know all the details and nuances because they are often kept private, understandably so, and even if they aren’t it can still be difficult, due to unique circumstances, to see how to relate them to our own lives. Additionally there may be far more disagreement about a real life situation than a fictional one, with many more points of view. To keep things simple, for the purpose of this article I would like to focus on fictional relationships. (And fair warning, there will be some spoilers.)
One of the best places to look, I would argue, would be the films of Hayao Miyazaki. (And this is pretty significant to Star Wars as you will see in a bit.) A film of his that stands out to me the most is Princess Mononoke. Like many of Miyazaki’s films it has elements of romance, and yet subverts them in a way that makes complete sense and feels very genuine, without taking away from any of the accompanying charm. It starts with two young people, San and Ashitaka, and as soon as they encounter each other there is a kind of expectation of romance. This may be inevitable to some degree when you have a man and a woman of about the same age encounter each other in a story, especially if they happen to be adolescents. The expectation may not be inherently bad, and Miyazaki does play with it. Both characters are thrust into dangerous situations, at various points end up saving each other’s lives, and at a certain point I think it is obvious that they have feelings for each other. I was certain that at the end of the film, they would be together, and if things had gone that way, it would make complete sense. Instead, they go in different directions, but remain good friends, and considering their backgrounds and differing worldviews, this ends up making even more sense to the story.
Essentially, Miyazaki could have gone for the more conventional, tried and true “love conquers all” narrative, where the characters’ feelings for each other would negate everything that comes between them, they would somehow find a common ground in spite of their differences, the romance would not only take over the narrative but somehow also solve all the problems in the story, and then the couple would live “happily ever after”. Such an approach is not inherently bad or wrong, and is fairly common in Western media and storytelling. We can see it in films like Fern Gully, and more recently James Cameron’s Avatar, both of which have been compared to Princess Mononoke. As you can probably guess, the problem is that at a certain point such a narrative can become fairly simplistic, and lack nuance.
Miyazaki’s films, by contrast, are very heavily nuanced, and are anything but simplistic. In Princess Mononoke the characters San and Ashitaka don’t help each other simply because they are “in love”, but because it is the right thing to do, regardless of how they might feel about each other. Yes, romantic feelings are certainly alluded to, but they are not essential to the plot, for it could have worked just as well without any romantic allusions. And ironically, this makes those allusions even more valid, even if they are unrequited. How so?
Consider that if love is essential to a given narrative, is it not relegated to being nothing more than a plot device? Again, this is quite common in Western media and storytelling, and is not inherently bad or wrong, but when it becomes a trope or cliche, I believe it is the essence of where shipping comes from. Many storytellers get caught up in this, usually without realizing it, and while a story can still work even with shipping, I believe that it usually works that much better without it.
This extends not only to Miyazaki’s handling of romance but also to other things like environmentalism, the conflict between man and nature, and the contrasting ideals of human progress vs. preserving the natural order. Movies like Fern Gully and Avatar, as already mentioned, handle these themes in a fairly simplistic and I would even say hamfisted manner, whereby all progress and technology is shown as being inherently “bad” and in service to “evil”, while everything that’s “natural” is shown to be inherently “good”. Even our notions of good and evil, and right vs. wrong, are challenged by Miyazaki, with nearly all of his characters having complex motives and multiple dimensions to them, as well as understandable reasons for doing the things that they do. Rarely can any one of his characters be branded as a simple “villain”, and rarely is any one individual the source of conflict in his stories, again in contrast to most Western narratives.
I’ll reiterate once more, a simple, straightforward narrative is not inherently a bad thing, whether the themes being dealt with are romantic or anything else. Sometimes it is in fact the best approach. But the best stories in my opinion are usually the most nuanced, that challenge our notions of what we believe to be true, and that force us to think about what we do with our lives and what we could do differently. To that end Miyazaki introduces all manner of themes and motifs within his films that are familiar to us but shows them in a light most of us might not have considered, thus giving more dimension to our understanding of things.
“How is any of this related to Star Wars?” you might ask. It is quite related, and you don’t even have to look all that closely to see it. A very influential figure within Star Wars was very heavily inspired by the works of Miyazaki, and that figure is Dave Filoni.
This video shows the connections in some detail:
https://youtu.be/Q_4L0BbSpHo?si=04jDo6qFCnZT135w
But to summarize if you’ve seen any of Miyazaki’s films, especially Princess Mononoke, I think the callbacks in Filoni’s work will be all too obvious, especially in Star Wars Rebels. Some of the scenes in Filoni’s work look like they were taken directly from Miyazki’s films, and many of the same themes and motifs often come up. The relationship between San and Ashitaka I would argue is very similar to the relationship between Ezra and Sabine, and not just because both couples rode wolves together.
Incidentally, Dave Filoni was also heavily involved in Avatar: The Last Airbender, which I would also argue was at least to some degree inspired if not by Miyazaki then by Japanese anime in general. The relationship between Aang and Katara was developed with great care and was allowed to build very slowly, as opposed to simply shipping them. Likewise other characters very gradually developed as individuals and in their relationships, at times stumbling as they did so, and making mistakes, before finding their way back to the right path.
All of this is in stark contrast to George Lucas, whose character development is often very rushed at best, and at times some might say almost non-existent. So essentially, even though Lucas has said that Filoni has been “like a son” to him, and I believe referred to Filoni as his “padawan”, I would argue that Filoni is ultimately as much a student of Miyazaki as he is of Lucas.
Again, you might ask, “What does all this mean for Star Wars?” It means a great many things. It means that Dave Filoni has taken Miyazaki’s lessons to heart, and can handle things like romance, as well as other kinds of relationships, quite well most of the time. Like Miyazaki he can play with romance, tease the audience with it at times even, leave the romance unrequited, and yet still have it feel satisfying. A prime example of this is the love triangle that Ahsoka was involved in with the young Separatist Senator, Lux Bonteri, and Steela Gerrera. As wary as I am of romance and as much as I despise shipping, love triangles I normally despise even more, but this one seemed to actually work. It never took over the main story, and even though Ahsoka’s feelings were ultimately not reciprocated, she still learned from the experience, and grew and developed further as a character because of it. The other characters involved in this triangle also grew and developed from their involvement, though unfortunately not all of them made it. All in all it was a good bit of storytelling and gave the audience something to consider.
When a relationship in one of Filoni’s stories does bloom into a full blown romance he also generally handles it quite well. For one Filoni is sparing with actual romance, so that when it does occur, it can be that much more appreciated. And rather than rushing or shipping it, Filoni normally takes his time to build it up. An example of this is the relationship between Kanan and Hera. Some might argue that this is perhaps the best developed romance in all of Star Wars, at least in Canon. Built up over four seasons, at times it wasn’t certain whether it was a romance or a friendship, or perhaps even a professional partnership. Perhaps even the characters themselves were not certain, though it was hinted all throughout the narrative that something was going on. To this day I don’t believe anyone can say definitively when it became an actual romance, and I believe Filoni did this intentionally because he wanted to be subtle, rather than making things too obvious and having the romance take over the narrative, as it usually does. When it finally did become obvious as to what was happening, it felt very much earned, in a way that is seldom accomplished in other works of fiction, including Star Wars.
The relationship between Ezra and Sabine was also fairly well written, for the most part anyway, at least in Star Wars Rebels. Ezra was almost immediately smitten with Sabine, but being a young teenage boy, it was understandable that he would feel that way about an attractive girl. Over time he learned to see her more respectfully, as a colleague and even as part of his adopted family, not just as a pretty face. Sabine for her part found Ezra annoying at first (c’mon, what teenage boy isn’t?), but as he matured and she found out more about him she came to understand and respect him more, and see him as a friend and almost a brother, with there being potential for something more.
There were times when the relationship could have been better written, like in the episode “Blood Sisters”, where Ezra was written to be a bit too immature to make Sabine look wiser. But overall, the bond between them developed fairly well; both saved one another at various times, and took risks and made sacrifices for each other’s sake. Both reassured and comforted the other when they needed it, and it was endearing to hear their banter when they became more familiar and trusting of each other.
So why then was I so disappointed in how they were portrayed in the Ahsoka show? The thing is, after how well their relationship was built up in Rebels, as I’ve already mentioned it was strange to see how lackluster and uninspired their reunion was.
Within the Ahsoka show itself Sabine was shown to be almost obsessed with finding Ezra, living in what used to be his home, watching a recording of him over and over again, and calling out his name as she woke up in the middle of the night. She even risked bringing Thrawn back into the Galaxy, which ultimately happened, just so she could see Ezra again. After all that, when she finally does encounter him, her reaction seems fairly casual, as does his, as if they’ve been apart for no more than a week, rather than 10 years. Not too much happens between them afterwards either. Like I said Ezra does not appear all that curious about what happened with Sabine, how she found him, and how it was that she was now Force sensitive. Sabine likewise did not seem curious about what had happened with Ezra, and how he had gotten away from Thrawn. And with Ezra rescued and returned home, suddenly it didn’t seem as though Sabine was all that interested in him anymore, nor he all that concerned with her, though they were just as far apart as they had been at the start of the show. To be completely honest it made me wonder what the point of the whole show was. Were they just working to set up Thrawn’s return to the Galaxy? As some have said, Ezra felt like nothing more than a Macguffin in the show. Was Sabine and Ahsoka’s search for him just a plot device?
Considering how skillfully Dave Filoni had written his stories in the past, what happened in this latest project of his does not make much sense. Was he so concerned about “shipping” and so desperate to avoid it that he inadvertently “shipped” them in the other direction? Was there some sort of external pressure on him about how to write this story to have more of an appeal to “modern audiences”? Maybe some combination of those factors?
And here I’ll add that when I say “modern audiences” I don’t mean that in a contemptuous sense, though you may think I do. If there is any contempt on my part it is for those in charge of telling our stories, or those in charge of those telling our stories, who do not seem to grasp these basic truths. The truth is that audiences at their core don’t really change throughout the ages, only superficially so. Trends come and go but certain truths and ideals are eternal, and universal. How people relate to each other fundamentally does not change, whether they are friends, or more than friends. And deep down, I believe everyone (or nearly everyone at least) wants the same things. Nearly everyone at some point wants some kind of a connection with another human being, to know that they are not alone in the world, and to know that there is someone else who sees and understands things as they do. While this desire can certainly lead to abuse, and absolutely has, it is still innate to us and is not inherently wrong. Finding ways of connecting and relating to other people is one of the great challenges of life, but many would argue it is the most worthwhile of challenges. It may be the whole point of life if you think about it. As complex as it may be, many would argue it is what makes life worth living, and likewise makes for the best stories. Just as it may be the whole point of life many would say that is what most stories are about at their core: people trying to relate to one another.
Sadly, just as in real life, most stories unfortunately don’t quite get it, and the Ahsoka show in my opinion was an example of this, made all the sadder by the fact that Dave Filoni had done quite well with these characters up to that point. We may never know for certain what exactly went wrong and why, or if it can ever be “fixed” at this point, but I can’t help but feel curious. Maybe in the future Filoni will find a way to make it make sense, but I’m not sure how. And to be completely honest I don’t feel quite as enthusiastic to find out as I used to.
Also for the record I would like to add here that there are other factors that put me off from the show, such as Sabine’s Force sensitivity, that came about without much build up. But in this article I specifically wanted to focus on shipping because there seems to be so much misunderstanding around it.
I hope that I was able to clarify some, if not most of this misunderstanding, so that people could better appreciate what shipping is, where it comes from, as well as what it isn’t. Many people today are understandably sick of shipping characters, myself included. But I hope people realize that in overcompensating for something, we often come back around into the very thing that we are overcompensating for. Or sometimes, into something even worse. This may apply to nearly every facet of life, by the way, not just shipping. Finding a happy medium in how we portray our fictional relationships may help us to better understand relationships in real life, as well as how to navigate them. Neither fictional nor actual relationships can ever be perfect but they can always be better. To this understanding then I hope that I was able to give my own modest contribution, and if nothing else I hope we can connect on that.

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This won't actually go into specifics of the plot or characters, so no real spoilers, but I've been re-watching the entire series for the first time- I made it through season 3 or so when it debuted, abandoned it forever, came back to it like a month ago and I am now on Season 10 Episode 18 and counting....
There's been a lot of debate around here about if/when the series jumps the shark, is at its best or it worst, etc. and although it has some stronger moments and some weaker moments- occasionally some awkward dialogue or some poorly justified and basically incomprehensible changes in an otherwise consistent character, etc. I thought the quality of it remained basically steady from Pilot through Season 10 Episode 16- and then COVID hit and they added 6 extra episodes to Season 10 and tried to bridge it to the final season to properly conclude the whole story.... and you can tell they're filler episodes and you can tell its a COVID Protocol Production.
I've read up on it and I am unclear why they added six episodes when Episode 16 was supposed to effectively be the season finale, if not potentially the Series Finale? And then COVID hits, they add six episodes and... again, you can tell they're shot for COVID protocols, you can tell they're spinning their wheels- ultimately as a viewer I don't mind. The crew got money, which is always a good thing.
But yeah- seems like it'll pick up decently enough in Season 11 and conclude on an alright note?
Anybody else feel this way? I keep reading that people think Seasons 9 post-Rick and beyond are considered the weakest by many fans, but I felt like the quality remained the same and I personally didn't miss Rick. I felt like Michonne and Daryl, etc. picked it up nicely as the leads and even after Michonne took her leave, Daryl and Carol and Co did a good job of picking up the Lead Character Energy and providing a solid core/anchor for the show's abundant supporting cast.
I am still 5 episodes away from the conclusion of Season 10 and 24 episodes away from the conclusion of Season 11/the entire series, so I have no idea how it goes from here, but it seems like apart from unplanned 'bonus' episodes/COVID restriction era episodes, I imagine the series will regain form and I'd consider it successfully consistent through its entire run, even as it gained and lost characters.

Mass literacy was a mistake. Just imagine how much richer the internet would be had midwits been barred access. Instead we get a noise-filled internet, junkyard instead of a library. All this bandwidth wasted to produce nothing but the most appalling “content” as they like to call it, where the content is precisely the void of content. To produce content is to produce the sign of content-- the sign of being a “content producer”-- God forbid I one day reach such a lowly level of sub-humanity. What do these “content producers” do? Reproduce themselves. Release content so as to be recognized as content-producer. The content is merely a bait, a hook for something else, it is besides the point for them. The point is to get the hook out there, and to keep producing. By continuous production and growth their efforts within certain communities will get recognized, which will open to them new avenues for business. So in essence the content creator is merely a business developer for his own product, for himself. The content creator seeks to become a "success story", but is it really a success to be someone subservient to the whims of stakeholders? Whatever happened to the self-sufficient artist, to the philosopher as hermit? Whatever happened to integrity and autonomy? There have never been so much "content" produced per second in history than there is today, yet none of it even comes close to the depth and breadth of artists and thinkers from eras gone by. I would even wager that a great deal of content today merely recycles their creations, barely adding to it in any sort of way. So we have the content creator as parasite, a phenomenon not too unheard of. In the end, the wheel of production must keep turning at all costs.

timestamp: https://imgur.com/a/7L7HJtO
additional photos from previous listing: https://imgur.com/a/urwLv0k
paypal FF, zelle, venmo. More pics upon request. Not looking for trades unless TV is skewed in my favor!!! Please be patient with shipping as I work 12's so need to hit USPS on an off day. All items include complimentary golden retriever fur

• Kac skyscraper mount - shows some signs of use but in good shape overall $230
  
• MK12 MOD H URX4 upper - "cloneish" build of this - will probably regret getting rid of this but don't see myself buying a can for it in the near future. Received in trade, previous owner said the barrel has ~200 rounds through, all other parts were either new or low salt. I never put rounds through it, details are as follows
  
  • Cerro Forge Keyhole upper
  • KAC URX 4 13”
  • Bison Armory 16” SPR, bead blasted, bedded/shimmed by D.Wilson
  • MK12 gas block, Allen Engineering CollaBrake
  • Work done by D.Wilson: assembly and URX install, brake timed and installed with Rocksett, added knurled gas block screws, receiver face lapped, barrel feedramps polished, barrel shimmed and bedded to receiver, totaling ~$180 (not to mention the time/hassle spent hunting down parts). Asking what it was originally listed for - $945
• looking to sell locally in the south FL Palm Beach County area.
  
  • LBT wheeled load-out bag. Really sick bomb-proof bag, it is BIG, measures approx 31x23x14. NSW issued, older model (back from LBT's golden era). Easily fits several rifles, helmets, plate carriers, etc. Similar newest revision from LBT retails for around $500-600. Shows some signs of use and has dog hair etc but good shape overall. $70, $50 if you are willing to meet within 10 mins of me because I'm lazy. I've gotten a few quotes for users from the previous listing and they were all $60-110 - if you are willing to cover fees and have this shipped wrapped in heavy duty trashbags we can work something out
• magpul stock (i think this is the sl-k please see pics) - takeoff, never used $35
  

29, female. Basically, I hate myself. I have a 4 year old son, and I feel like he will grow up hating his childhood because he had a depressed mom.

1. I hate driving. I'm convinced I will die or my son will die any time I'm behind the wheel. This has caused me to not really be able to drive him anywhere without my boyfriend. I'm afraid he will think that his step-dad was the only one who cared
   
2. I hate the way I look. I'm constantly chasing this "unapproachable" look. Bleaching my hair, saving up for lip filler, spray tans, etc. Like, I want to look like a mean girl. I don't know how to explain it.
   
3. Even when I'm "excited" about something, I still dread going when the day comes. I have eras tour tickets for May 19th, and I'm dreading it. I've been excited up until now. Now I'm just nervous.
   
4. I can't live in the moment. I am 24/7 living in the past or being afraid of the future.
   

I'm on medication and in therapy, but it doesn't help. I've tried 14 different psych meds, and nothing helps. I've made a lot of mistakes in my life. I haven't touched hard drugs in 5 years, but the shame from using in the past kills me. I've dated horrible men, been used and abused, beaten, etc.
How do I get out of my head, and start living life again?? I have a beautiful family, health & love to give-- but I feel trapped in my mind. It causes me physical pain & nausea every day.

https://www.reddit.com/IGSRep/comments/pikmri/calvin324hks_igs_rep_page/
https://www.reddit.com/sgsflaicomments/of2wzu/flair_profile_ucalvin324hk/
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• 10 Second Ninja X
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• Haegemonia: Legions of Iron
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• Hero of the Kingdom III
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• Holy Potatoes! A Spy Story?!
• Home Sweet Home
• Home Sweet Home EP2
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• Hood: Outlaws & Legends
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• Hot Tin Roof: The Cat That Wore A Fedora
• HOT WHEELS UNLEASHED ™
• Hotshot Racing
• House Flipper
• How to Survive 2
• Hue
• Human: Fall Flat
• HUMANKIND DEFINITIVE EDITION
• Hungry Flame
• Hyper Knights
• I am Bread
• I Am Fish
• I am not a Monster: First Contact
• I Hate Running Backwards
• ibb & obb Double Pack
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• Ice Age Scrat's Nutty Adventure
• Ice Lakes
• Impostor Factory
• IN SOUND MIND
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• INDUSTRIA
• Infectonator 3: Apocalypse
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• Internet Cafe Simulator
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• Ittle Dew
• Ittle Dew 2+
• Jack Move
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• Jotun: Valhalla Edition
• Journey For Elysium
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• JUMANJI: The Video Game
• JumpJet Rex
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• Jupiter Hell
• Jurassic Park: The Game
• Jurassic World Evolution
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• JUST CAUSE 4: COMPLETE EDITION
• Just Die Already
• Kardboard Kings: Card Shop Simulator
• Keep Talking and Nobody Explodes
• Ken Follett's The Pillars of the Earth
• Kentucky Route Zero - Season Pass Edition
• Kerbal Space Program
• Killing Floor 2 Digital Deluxe Edition
• Killing Room
• Kingdom Two Crowns
• Kingdom: New Lands
• King's Bounty: Crossworlds
• Knights of Pen & Paper 2
• Knock-knock
• Koi-Koi Japan [Hanafuda playing cards] *Koi-Koi Japan : UKIYOE tours Vol.1 DLC *Koi-Koi Japan : UKIYOE tours Vol.2 DLC *Koi-Koi Japan : UKIYOE tours Vol.3 DLC
• Konung 2
• KungFu Kickball
• Labyrinthine
• Lair of the Clockwork God
• Laserlife
• LAST OASIS
• Lawn Mowing Simulator
• Layers of Fear: Masterpiece Edition
• Lead and Gold: Gangs of the Wild West
• Learn Japanese To Survive! Hiragana Battle
• Learn Japanese To Survive! Katakana War
• Learn Japanese to Survive! Trilogy
• Legend of Keepers
• LEGION TD 2 - MULTIPLAYER TOWER DEFENSE
• LEGION TD 2 - MULTIPLAYER TOWER DEFENSE.
• Leisure Suit Larry - Wet Dreams Don't Dry
• Leisure Suit Larry 1-7
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• lethal league blaze
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• Liberated (GOG)
• Life is Strange Complete Season (Episodes 1-5)
• Light Fairytale Episode 1
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• LIGHTMATTER
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• My Friend Peppa Pig
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• Neon Space
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• Neurodeck : Psychological Deckbuilder
• Never Alone Arctic Collection (w/ Foxtales DLC and FREE Soundtrack)
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• No Straight Roads: Encore Edition
• No Time to Relax
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• not the robots
• Nurse Love Addiction
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• Occultus - Mediterranean Cabal
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• One Finger Death Punch 2
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• One More Island
• One Step From Eden
• One Step From Eden (Region locked)
• Orbital Racer
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• Out of Reach: Treasure Royale
• Out of Space
• Overclocked: A History of Violence
• Overlord: Ultimate Evil Collection
• Overpass
• Overruled
• OZYMANDIAS: BRONZE AGE EMPIRE SIM
• Pac-Man Museum +
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• PARADISE LOST
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• PARTISANS 1941
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• Poker Pretty Girls Battle: Texas Hold'em
• Police Stories
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• Princess Kaguya: Legend of the Moon Warrior
• Pro Cycling Manager 2020
• Prodeus
• Project CARS - GOTY Edition
• Project Warlock
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• PROJECT WINTER
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• qomp
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• Quake II
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• Quern - Undying Thoughts
• Radio Commander
• RAGE
• Rage in Peace
• RAILROAD CORPORATION
• Railroad Tycoon 3
• Railroad Tycoon II Platinum
• Railway Empire
• Rain World
• Rayon Riddles - Rise of the Goblin King
• Re: Legend
• REBEL COPS
• Rebel Galaxy
• Rebel Galaxy Outlaw
• Red Faction Guerrilla Re-Mars-tered
• Red Riding Hood - Star Crossed Lovers
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• RED SOLSTICE 2: SURVIVORS
• Redout Complete Bundle
• Redout: Enhanced Edition
• Redout: Enhanced Edition + DLC pack
• Regular Human Basketball
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• REMNANT: FROM THE ASHES - COMPLETE EDITION
• Republique
• Rescue Party: Live!
• Resident Evil 0 HD REMASTER
• Resident Evil 4
• Resident Evil 5 Gold Edition
• Resident Evil 7 Biohazard
• Resident Evil Revelations
• Resort Boss: Golf
• RETROWAVE
• rFactor 2
• RiME
• Ring of Pain
• Rise of Industry + 2130 DLC
• Rise of the Slime
• Rising Storm 2: Vietnam + 2 DLCs
• Riven: The Sequel to MYST
• River City Girls
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• Roarr! Jurassic Edition
• Roboquest
• Robot Squad Simulator 2017
• Rogue : Genesia
• ROGUE HEROES: RUINS OF TASOS
• ROGUE LORDS
• Rogue Stormers
• rollercoaster tycoon 2
• ROTASTIC
• Roundguard
• ROUNDS
• RUNNING WITH RIFLES
• Rustler
• Ryse: Son of Rome
• S.W.I.N.E. HD Remaster
• Sailing Era
• Saint Row
• Sam and Max Devil's Playhouse
• SAMUDRA
• Sands of Aura
• Sands of Salzaar
• Saturday Morning RPG
• Save Room - Organization Puzzle
• Scarlet Tower
• Scorn
• SCP: 5K
• SCUM
• SEARCH PARTY: Director's Cut
• Second Extinction
• Secret Government
• Serious Sam 3 Bonus Content DLC, Serious Sam 3: Jewel of the Nile, and Serious Sam 3: BFE
• SEUM speedrunners from hell
• SEUM: Speedrunners from Hell
• Severed Steel
• Shadow Tactics: Aiko's Choice
• Shadowgate
• SHADOWS: AWAKENING
• Shape of the World
• She Sees Red - Interactive Movie
• Shenmue I & II
• SHENZHEN I/O
• Shift Happens
• Shing!
• Shoppe Keep 2 - Business and Agriculture RPG Simulation
• Shotgun King: The Final Checkmate
• Sid Meier's Civilization VI
• Sid Meier's Railroads!
• Sifu Deluxe Edition Upgrade Bundle (EPIC)
• Silver Chains
• SimCity 4 Deluxe Edition
• Sinking Island
• SINNER: Sacrifice for Redemption
• Skautfold Chapters 1-4
• Skullgirls 2nd Encore
• Slain: Back from Hell
• Slap City
• Slash It
• Slash It 2
• Slash It Ultimate
• Slay the Spire
• Slaycation Paradise
• Small World
• Smart Factory Tycoon
• Smile For Me
• Smoke and Sacrifice
• Smoke and Sacrifice
• Smushi Come Home
• Snail bob 2 tiny troubles
• Sniper Elite 3
• Sniper Elite 3 + Season Pass DLC
• Sniper Elite 4 Deluxe Edition
• Sniper Ghost Warrior 3 - Season Pass Edition
• Sniper Ghost Warrior Contracts
• Snooker 19
• SONG OF HORROR COMPLETE EDITION
• Songs of Conquest
• Sonic Adventure 2
• Sonic Adventure DX
• Sonic and SEGA All Stars Racing
• Sonic Generations Collection
• Soulblight
• Souldiers
• SOULSTICE
• Soundfall
• Source of Madness
• Spartan Fist
• Spec Ops
• Speed Limit
• Spelunx and the Caves of Mr. Seudo
• Spidersaurs
• Spin Rush
• Spirit Hunter: Death Mark
• Spirit of the Island
• Spirit of the North
• Spring Bonus
• Stairs
• STAR WARS - Knights of the Old Republic
• STAR WARS - The Force Unleashed Ultimate Sith Edition
• STAR WARS Jedi Knight II - Jedi Outcast
• Star Wolves
• Starsand
• STASIS: Bone Totem
• State of Decay 2: Juggernaut Edition
• Steel Rats™
• Stick Fight: The Game
• Still Life
• Still Life 2
• Stirring Abyss
• STONE
• Strange Brigade
• Strange Brigade Deluxe Edition
• STRANGER
• Strategic Command: World War I
• Strategic Mind: Blitzkrieg
• Strategic Mind: Fight for Freedom
• Strategic Mind: Spectre of Communism
• Strategic Mind: Spirit of Liberty
• Strategy & Tactics: Wargame Collection
• Streamer Life Simulator
• Street Fighter V
• Street of fury ex
• Strider
• Strikey Sisters
• Stygian: Reign of the Old Ones
• Styx: Master of Shadows
• Styx: Shards of Darkness
• SuchArt
• Sudden Strike Gold
• Suite 776
• Sumoman
• Sunblaze
• SUNLESS BUNDLE
• Sunset Overdrive
• Super Buff HD
• Super Mag Bot
• Superbugs: Awaken
• Superhot
• Surgeon Simulator 2
• Survive the Nights
• Surviving Mars
• Surviving The Aftermath
• Swag and Sorcery
• Sword Legacy Omen
• Sword of the Necromancer
• Swords and Soldiers 2 Shawarmageddon
• Syberia 3
• Symphonic Rain
• Symphony of War: The Nephilim Saga
• Synthwave Dream '85
• Tacoma
• Take Off - The Flight Simulator
• Tales
• Tales from the Borderlands
• Tales of Vesperia™: Definitive Edition
• Talk to Strangers
• Tallowmere
• Tangledeep
• Tank Mechanic Simulator
• Tannenberg
• Team Sonic Racing
• TEKKEN 7
• TEMTEM
• Terminus: Zombie Survivors
• Terror of Hemasaurus
• Textorcist
• Tharsis
• The Adventure Pals
• The Amazing American Circus
• The Anacrusis
• The Ascent
• The Battle of Polytopia
• The Battle of Polytopia *DLC1. Cymanti Tribe *DLC2. ∑∫ỹriȱŋ Tribe *DLC3. Aquarion Tribe *DLC4. Polaris Tribe
• The Blackout Club
• The Chess Variants Club
• The Citadel
• The Dark Pictures Anthology: House of Ashes
• THE DARK PICTURES ANTHOLOGY: LITTLE HOPE
• The Darkest Tales
• The Dungeon Beneath
• The Dungeon of Naheulbeuk: The Amulet of Chaos
• The Elder Scrolls Adventures: Redguard
• The Elder Scrolls III: Morrowind® Game of the Year Edition
• The Elder Scrolls IV: Oblivion® Game of the Year Edition
• The Elder Scrolls Online
• The Escapists 2
• THE GAME OF LIFE 2
• The Golf Club™ 2019 featuring PGA TOUR
• THE GUNK
• The Haunted Island, a Frog Detective Game
• The Hong Kong Massacre
• The Horror Of Salazar House
• The Indie Mixtape
• The Innsmouth Case
• The Invisible Hours
• The Jackbox Party Pack 9
• The Last Campfire
• The LEGO Movie 2 Videogame
• The Letter - Horror Visual Novel
• The Long Dark
• The Manhole: Masterpiece Edition
• The Mortuary Assistant
• The Mummy Demastered
• The Outer Worlds
• THE OUTER WORLDS: SPACER'S CHOICE EDITION
• THE PALE BEYOND
• The Quarry
• The Quarry deluxe
• The Ramp
• The Red Lantern
• The Rewinder
• The Sacred Tears TRUE
• The Sexy Brutale
• The Smurfs - Mission Vileaf
• The Tarnishing of Juxtia
• The Tenants
• The Uncertain - The Last Quiet Day
• THE UNCERTAIN: LAST QUIET DAY
• The Uncertain: Light At The End
• The USB Stick Found in the Grass
• The Walking Dead
• The Walking Dead - 400 Days
• The Walking Dead Saints and Sinners
• The Walking Dead: A New Frontier
• The Walking Dead: Final Season
• The Walking Dead: Michonne - A Telltale Miniseries
• The Walking Dead: Saints & Sinners
• The Walking Dead: Season 1
• The Walking Dead: Season Two
• The Way
• The Wild At Heart
• The Wild Eight
• The Witness
• Them and Us
• They Bleed Pixels
• Thief of Thieves
• This War of Mine
• This Way Madness Lies
• Three Kingdom: The Journey
• Time on Frog Island
• Tinkertown
• Tiny Tina’s Wonderland(EU)
• TINY TINA'S WONDERLANDS CHAOTIC GREAT EDITION
• Tiny Troopers
• Tinykin
• Tinytopia
• TIS-100
• Titan Quest
• Tokyo Xanadu eX+
• Tools up
• Tooth and Tail
• Torchlight
• Total Tank Simulator
• Tour de France 2020
• Tower Unite
• Trailblazers
• Train Sim World 3: Standard Edition
• Train Simulator Classic
• Train Valley 1
• Transport INC
• Treasure Hunter Simulator
• TRIBES OF MIDGARD
• Trine 4
• Trinity Fusion
• Trombone Champ
• Tropico 5 - Complete Collection
• Trover Saves the Universe
• Tunche
• Turmoil
• Turok 2: Seeds of Evil
• Twin Mirror
• Two Point Campus
• Two Point Hospital
• TYPECAST
• Tyrant's Blessing
• Ultimate Chicken Horse
• Ultimate Zombie Defense
• Ultra Space Battle Brawl
• Unavowed
• Undead Horde
• Unexplored 2: The Wayfarer's Legacy
• Unity of Command: Stalingrad Campaign
• Universim
• UNLOVED
• Unpacking
• Until I have you
• Unto The End
• Upside Down
• URU: Complete Chronicles
• Vagante
• Valfaris
• Valfaris: Mecha Therion
• Valkryia Chronicles 4 Complete Edition
• Valkyria Chronicles 4 Complete Edition
• Valkyria Chronicles 4: Complete Edition
• Vambrace: Cold Soul
• Vampire Survivors
• Vectronom
• Velocity Noodle
• Venba
• Verne: The Shape of Fantasy
• Victoria 3
• Victoria II
• Viking: Battle For Asgard
• Virgo Versus The Zodiac
• VirtuaVerse
• Visage
• Viscerafest
• Void Bastards
• VOIDIGO
• Volcanoids
• Voltage High Society
• V-Rally 4
• Wanderlust: Travel Stories (GOG)
• Wargroove
• Warhammer 40,000 Sanctus Reach - Complete Edition
• Warhammer 40,000: Armageddon - Imperium Complete
• Warhammer 40,000: Battlesector
• Warhammer 40,000: Gladius - Relics of War
• Warhammer 40,000: Mechanicus
• Warhammer 40,000: Space Wolf Special Edition
• WARHAMMER AGE OF SIGMAR: REALMS OF RUIN – ULTIMATE EDITION
• Warhammer vermintide collector's edition
• Warhammer: End Times - Vermintide
• Warhammer: Vermintide 2
• Warman
• Wasteland 3
• Wayward
• WE NEED TO GO DEEPER
• We should talk.
• We Were Here Together
• We Were Here Too
• Webbed
• What Lies in the Multiverse
• When Ski Lifts Go Wrong
• while True: learn()
• Whos Your daddy
• Wick
• Will You Snail?
• Windward
• Witch It
• Witchy Life Story
• wizard of legends
• Wolfenstein 3D
• Worms Rumble
• WRC 6 FIA World Rally Championship
• WRC 7 FIA World Rally Championship
• WWE 2K Battlegrounds
• WWE 2K23
• WWZ Aftermath
• Wytchwood
• X-COM: COMPLETE PACK
• XCOM: ULTIMATE COLLECTION
• XIII - Classic
• X-Morph: Defense + European Assault, Survival of the Fittest, and Last Bastion DLC
• X-Morph: Defense Complete Pack
• Yakuza Kiwami
• Yumeutsutsu Re:After
• Yumeutsutsu Re:Master
• Zen Chess: Mate in One, Mate in 2 , Mate in 3 , Mate in 4 , Champion's Moves (5 games)
• Ziggurat
• Zombie Army 4
• Zombie Army Trilogy
• Zool Redimensioned

DLCs and Softwares:

• For The King: Lost Civilization Adventure Pack
• Train Simulator: Isle of Wight Route Add-On
• Train Simulator: Woodhead Electric Railway in Blue Route Add-On
• Train Simulator: North Somerset Railway Route Add-On
• Train Simulator: Union Pacific Heritage SD70ACes Loco Add-On
• Train Simulator: London to Brighton Route Add-On
• BR Class 170 'Turbostar' DMU Add-On
• DB BR 648 Loco Add-On
• Europa Universalis IV: Wealth of Nations
• Expansion - Europa Universalis IV: Conquest of Paradise
• Expansion - Europa Universalis IV: Res Publica
• Grand Central Class 180 'Adelante' DMU Add-On
• Peninsula Corridor: San Francisco - Gilroy Route Add-On
• SONIC ADVENTURE 2: BATTLE
• Small World - A Spider's Web
• Small World - Cursed
• Small World - Royal Bonus
• The Dungeon Of Naheulbeuk: The Amulet Of Chaos - Goodies Pack
• The Dungeon Of Naheulbeuk: The Amulet Of Chaos - OST
• Thompson Class B1 Loco Add-On
• Total War: Shogun 2 - Rise of the Samurai
• Train Sim World® 3: Birmingham Cross-city line
• Train Sim World®: BR Class 20 'Chopper' Loco
• Train Sim World®: Brighton Main Line: London Victoria - Brighton
• Train Sim World®: Caltrain MP36PH-3C 'Baby Bullet'
• Train Sim World®: Cathcart Circle Line: Glasgow - Newton & Neilston
• Train Sim World®: Clinchfield Railroad: Elkhorn - Dante
• Train Sim World®: Great Western Express
• Train Sim World®: Hauptstrecke Hamburg - Lubeck
• Train Sim World®: LIRR M3 EMU
• Train Sim World®: Long Island Rail Road: New York - Hicksville
• Train Sim World®: Nahverkehr Dresden - Riesa
• Train Sim World®: Northern Trans-Pennine: Manchester - Leeds
• Train Sim World®: Peninsula Corridor: San Francisco - San Jose
• Train Sim World®: Rhein-Ruhr Osten: Wuppertal - Hagen
• Train Sim World®: Tees Valley Line: Darlington - Saltburn-by-the-sea
• Worms Rumble - Armageddon Weapon Skin Pack
• Worms Rumble - Captain & Shark Double Pack
• Worms Rumble - Legends Pack
• Worms Rumble - New Challengers Pack
• Ashampoo Photo Optimizer 7
• Dagon: by H. P. Lovecraft - The Eldritch Box DLC
• Duke Nukem Forever Hail to the Icons
• Duke Nukem Forever The Doctor Who Cloned Me
• GRIP: Combat Racing - Cygon Garage Kit
• GRIP: Combat Racing - Nyvoss Garage Kit
• GRIP: Combat Racing - Terra Garage Kit
• GRIP: Combat Racing - Vintek Garage Kit
• GameGuru
• GameMaker Studio 2 Creator 12 Months
• Intro to Game Development with Unity
• Music Maker EDM Edition
• Neverwinter Nights: Darkness Over Daggerford
• Neverwinter Nights: Enhanced Edition Dark Dreams of Furiae
• Neverwinter Nights: Enhanced Edition Tyrants of the Moonsea
• Neverwinter Nights: Enhanced Edition
• Neverwinter Nights: Infinite Dungeons
• Neverwinter Nights: Pirates of the Sword Coast
• Neverwinter Nights: Wyvern Crown of Cormyr
• PDF-Suite 1 Year License
• Pathfinder Second Edition Core Rulebook and Starfinder Core Rulebook
• RPG Maker VX
• WWE 2K BATTLEGROUNDS - Ultimate Brawlers Pass
• We Are Alright
• The Outer Worlds Expansion Pass
• A Hat in Time - Seal the Deal DLC
• City Skylines:mass transit
• A Game Of Thrones - A Dance With Dragons
• A Game Of Thrones - A Feast For Crows
• Blood Rage: Digital Edition - Gods of Asgard
• Blood Rage: Digital Edition - Mythical Monsters
• Blood Rage: Digital Edition - Mystics of Midgard
• Carcassonne - The Princess and The Dragon DLC
• Carcassonne - Traders & Builders DLC
• Carcassonne - Winter & Gingerbread Man DLC
• Carcassonne - Inns & Cathedrals
• Carcassonne - The River
• Splendor: The Trading Posts DLC
• Splendor: The Strongholds DLC
• Splendor: The Cities DLC
• Small World - Be Not Afraid... DLC
• Small World - Grand Dames DLC
• Small World - Cursed!
• Sands of Salzaar - The Ember Saga
• Sands of Salzaar - The Tournament
• Monster Train: The Last Divinity DLC
• WARSAW

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Wishlist
Region: NA (Canada)
Fees on buyer if any, currency is USD unless specified
CTRL + F to find your games in terms of name

• 10 Second Ninja X
• 11-11 Memories Retold
• 112 Operator
• 12 is Better Than 6
• 198X
• 1993 Space Machine
• 60 Parsecs
• 7 Billion Humans
• 8 DOORS
• 8-bit Adventure Anthology: Volume I
• 9 Years of Shadows
• 911 Operator
• A Game of Thrones: The Board Game
• A Hat in Time
• A Hole New World
• A JUGGLER'S TALE
• A Long Way Down
• A PLAGUE TALE: INNOCENCE
• A Robot Named Fight!
• A Tale for Anna
• A.I.M.2 Clan Wars
• Ace Combat Assault Horizon Enhanced Edition
• Adore
• Aeterna Noctis
• AETHERIS
• Agatha Christie Hercule Poirot The First Cases
• AIdol
• Airborne Kingdom
• Alba: A Wildlife Adventure
• Alder's Blood: Definitive Edition
• Alfred Hitchcock - Vertigo
• Alien Breed Trilogy
• Aliens vs. Predator™ Collection
• All-Star Fruit Racing
• Almost There: The Platformer
• American Fugitive
• American Truck Simulator
• Amerzone: The Explorer’s Legacy
• AMID EVIL
• Amnesia rebirth
• Amnesia: The Dark Descent + Amnesia: A Machine for Pigs
• Anomalous
• Another World – 20th Anniversary Edition
• Antigraviator
• Anuchard
• APICO
• APICO
• Aragami
• Aragami 2
• Arboria
• Arcade Paradise
• Arcade Paradise - Arcade Paradise EP
• Arcade Spirits
• Arkham Horror: Mother's Embrace
• Armada 2526 Gold Edition
• Army Men RTS
• army of ruin
• Arto
• Ary and the Secret of Seasons
• As Far as the Eye
• Ascension to the Throne
• Assemble With Care
• Assetto Corsa Competizione
• Assetto Corsa Ultimate Edition
• Astebreed Definitive Edition
• Astronarch
• Attack of the Earthlings
• Automachef
• Automobilista
• Automobilista 2
• AUTONAUTS
• AUTONAUTS VS PIRATEBOTS
• Avatar: Frontiers of Pandora™ - Ubisoft Connect
• AVICII Invector: Encore Edition
• Awesomenauts All Nauts pack
• Baba is you
• Back 4 Blood
• Back 4 blood (EU)
• Backbone
• Baldur's Gate II: Enhanced Edition
• Baldur's Gate: Enhanced Edition
• Banners of Ruin
• Bartlow's Dread Machine
• BASEMENT
• Batbarian: Testament of the Primordials
• Batman: Arkham Asylum Game of the Year Edition
• Batman: Arkham Origins
• Battle Royale Tycoon
• Battlecruisers
• Battlestar Galactica Deadlock
• BATTLESTAR GALACTICA DEADLOCK SEASON ONE
• Battlestar Galactica Deadlock: Complete
• BATTLETECH MERCENARY COLLECTION
• BATTLETECH Shadow Hawk Pack
• BEAUTIFUL DESOLATION
• BEFORE WE LEAVE
• Beholder 2
• Ben 10
• Ben 10: Power Trip
• Bendy and the Ink Machine™
• Between the Stars
• Beyond a Steel Sky
• Beyond The Edge Of Owlsgard
• Beyond the Long Night
• BEYOND THE WIRE
• Beyond: Two Souls
• BIOMUTANT
• Bionic Commando
• Bionic Commando Rearmed
• BioShock: The Collection
• BLACK BOOK
• Black Moon Chronicles
• Black Paradox
• BLACK SKYLANDS
• BLACKHOLE: Complete Edition
• Blacksad: Under the Skin
• Blade of Darkness
• Blasphemous
• Blazing Chrome
• Blightbound
• Blood And Zombies
• Blood Rage: Digital Edition
• Bloodstained: Ritual of the Night
• Bomber Crew
• Boneless Zombie
• Boomerang Fu
• Borderlands 3
• Borderlands 3 Super Deluxe
• Borderlands 3 Super Deluxe Edition
• Borderlands: The Handsome Collection
• Bot Vice
• Bounty of One
• Brawlout
• Breakout: Recharged
• Breathedge
• bridge constructor
• Bridge constructor medieval
• bridge constructor stunts
• Broken Lines
• Brothers: A Tale of Two Sons
• Brutal Legend
• Bug Fables: The Everlasting Sapling
• BUILDER SIMULATOR
• calico
• Call of Duty® Modern Warfare 3™ (2011)
• Call of Juarez: Gunslinger
• Car Mechanic 2018
• Car Mechanic Simulator 2015
• Car Mechanic Simulator 2018
• Castle Morihisa
• Castle on the Coast
• castle storm
• CastleStorm
• Cat Cafe Manager
• Caveblazers
• Celeste
• Centipede: Recharged
• CHANGE: A Homeless Survival Experience
• Charlie's Adventure
• Chenso Club
• Chernobylite: Enhanced Edition
• Chess Ultra
• Chicago 1930 : The Prohibition
• Chivalry 2
• Chop Goblins
• Chorus
• Cities Skylines + After Dark
• Cities: Skylines
• City of Beats
• CivCity: Rome
• Click and Slay
• Cloud Gardens
• Cloudpunk
• Code Vein
• Coffee Talk
• Comedy Night
• Command & Conquer Remastered (Origin)
• Complete Dread X Collection
• Conarium
• Construction Simulator (2015) Deluxe Edition
• Constructor Plus
• Control
• Cook, Serve, Delicious! 3?!
• cornucopia
• Corridor Z
• Cosmic Osmo and the Worlds Beyond the Mackerel
• Cosmonautica
• Crash Drive 2
• Crash Drive 3
• Creaks
• Creepy Tale
• Crookz the big heist
• CROSSBOW: Bloodnight
• Crush Your Enemies
• Cube Runner
• Cultist Simulator: Anthology Edition
• Curse: The Eye of Isis
• Cyber Ops
• Cybercube
• Danger Scavenger
• Dark Deity
• DARK PICTURES ANTHOLOGY: HOUSE OF ASHES
• Darksiders Warmastered
• Darkwood
• DARQ: Complete Edition
• Day of the Tentacle Remastered
• days of war definitive edition
• Dead by Daylight
• Dead Estate
• Dead Rising 2
• Dear Esther: Landmark Edition
• Death Stranding Directors Cut
• DEATH STRANDING DIRECTOR'S CUT
• Deceased
• DECEIVE INC.
• Degrees of Separation
• Delicious! Pretty Girls Mahjong Solitaire
• Deliver Us The Moon
• Demetrios - Deluxe Edition
• Depraved
• DESCENDERS
• DESOLATE
• Destiny 2: Beyond Light
• DESTROYER: THE U-BOAT HUNTER
• Detention
• Devil May Cry HD Collection
• Devilated
• Dicey Dungeons
• Dirt 5
• dirt rally
• Dirt Rally 2.0
• Disaster Band
• Disciples III: Reincarnation
• Discolored
• DISTRAINT 2
• Distrust
• DmC: Devil May Cry
• Do Not Feed the Monkeys
• Don't Be Afraid
• Doomed Lands
• Door Kickers: Action Squad
• Doorways: Prelude
• Downfall
• Dragons Dogma Dark Arisen
• Dragon's Dogma: Dark Arisen
• Draugen
• Draw Slasher
• Drawful 2
• Dreams in the Witch House
• Dreamscaper
• DreamWorks Dragons: Dawn of New Riders
• DRIFT21
• Driftland: The Magic Revival
• drive!drive!drive!
• Drone Swarm
• Due Process
• Duke Nukem: Manhattan Project
• Duke of Alpha Centauri
• Dungeon Rushers
• Dungeons 2
• Dungeons 3
• DUSK
• Dusk Diver
• Dust to the End
• DV: Rings of Saturn
• Dynopunk
• Earth Defense Force 4.1 The Shadow of New Despair
• Eastern Exorcist
• Eiyuden Chronicle: Rising
• El Matador
• Elderand
• ELDEST SOULS
• Electrician Simulator
• Elemental Survivors
• Elex
• Elex II
• Elite Dangerous
• Embr
• Empire: Total War - Definitive Edition
• Empyrion - Galactic Survival
• ENCASED: A SCI-FI POST-APOCALYPTIC RPG
• Endless Space 2
• Endless Space 2 - Digital Deluxe Edition
• Endless Space® 2 - Digital Deluxe Edition
• Endzone - A World Apart
• EPIC CHEF
• Epistory - Typing Chronicles
• Escape the backrooms
• Eternal Threads
• Europa Universalis IV
• European Ship Simulator
• Everdream Valley
• Evil Genius 2: World Domination
• Exorder
• EXPEDITIONS: ROME
• Expeditions: Viking
• Explosionade
• F1 2018
• F1 2019 Anniversary Edition
• F1 2020
• F1 RACE STARS Complete Edition Include DLC
• Fable Anniversary
• Factory Town
• Fallback uprising
• Fallback: Uprising
• FALLOUT 1
• Family Mysteries 3: Criminal Mindset
• FANTASY BLACKSMITH
• FARMER'S DYNASTY
• Farming Simulator 17
• Farming Simulator 19
• Fictorum
• Field of Glory II
• Fights in Tight Spaces
• Filthy Animals Heist Simulator
• Firefighting Simulator - The Squad
• Fishing Adventure
• Flashback
• FLATLAND Vol.2
• FlatOut
• FLING TO THE FINISH
• Floppy Knights
• Fluffy Horde
• FOBIA - ST. DINFNA HOTEL
• For the King
• Forgive me Father
• Forts
• Fred3ric
• Fresh Start Cleaning Simulator
• Friends vs Friends
• Frogun
• From Space
• Frostpunk: Game of the Year Edition
• Frozenheim
• Fun with Ragdolls: The Game
• Funtasia
• Gamedec
• Gamedec - Definitive Edition
• Gang Beasts
• GARAGE bad trip
• Garden Story
• Garfield Kart
• GAS STATION SIMULATOR
• Gelly Break Deluxe
• Genesis Alpha One Deluxe Edition
• Gevaudan
• Ghostrunner
• Giana Sisters 2D
• GIGA WRECKER
• Gigantosaurus: Dino Kart
• Glitch Busters: Stuck On You
• Gloria Victis
• Go Home Dinosaurs
• GOAT OF DUTY
• GOD EATER 3
• Godlike Burger
• Godstrike
• Going Under
• Golf Gang
• Golf It!
• Gone Home + Original Soundtrack
• Good Knight
• Gotham Knights
• GREAK: MEMORIES OF AZUR
• GREEDFALL
• Gremlins, inc
• grey goo
• GRID - 2019
• grid ultimate
• GRIP: Combat Racing
• Gungrave G.O.R.E
• Guppy
• Guts and glory
• GYLT
• Hacknet
• Haegemonia: Legions of Iron
• Hamilton's Great Adventure
• Hammerwatch
• Hands of Necromancy
• Havsala: Into the Soul Palace
• Headsnatchers
• Heartwood Heroes
• Heat Signature
• Helheim Hassle
• Hell Let Loose
• Hellblade: Senua's Sacrifice
• Hellbound
• Hellstuck: Rage With Your Friends
• Hero of the Kingdom III
• Hero of the Kingdom: The Lost Tales 2
• Heroes of Hammerwatch
• Heros hour
• Hexologic
• Hidden & Dangerous 2: Courage Under Fire
• Hidden & Dangerous: Action Pack
• Hidden Deep
• High On Life
• Hitman (2016) Game of the Year Edition
• HITMAN 2 - Gold Edition
• Hoa
• Hob
• Hollow Knight
• Holy Potatoes! A Spy Story?!
• Home Sweet Home
• Home Sweet Home EP2
• Homestead Arcana
• Hood: Outlaws & Legends
• Hoplegs
• Hot Tin Roof: The Cat That Wore A Fedora
• HOT WHEELS UNLEASHED ™
• Hotshot Racing
• House Flipper
• How to Survive 2
• Hue
• Human: Fall Flat
• HUMANKIND DEFINITIVE EDITION
• Hungry Flame
• Hyper Knights
• I am Bread
• I Am Fish
• I am not a Monster: First Contact
• I Hate Running Backwards
• ibb & obb Double Pack
• ICBM
• Ice Age Scrat's Nutty Adventure
• Ice Lakes
• Impostor Factory
• IN SOUND MIND
• Indivisible
• INDUSTRIA
• Infectonator 3: Apocalypse
• Infinite Beyond The Mind
• Injustice 2 Legendary Edition
• Insane 2
• INSOMNIA: The Ark
• Internet Cafe Simulator
• Internet Cafe Simulator 2
• Interstellar Space: Genesis
• Iron Fisticle
• Iron Harvest
• Ittle Dew
• Ittle Dew 2+
• Jack Move
• Jackbox party pack 2
• Jackbox party pack 5
• JANITOR BLEEDS
• Joint Task Force
• Jotun: Valhalla Edition
• Journey For Elysium
• Journey to the Savage Planet
• JUMANJI: The Video Game
• JumpJet Rex
• Juno: New Origins
• Jupiter Hell
• Jurassic Park: The Game
• Jurassic World Evolution
• Jurassic World Evolution 2
• JUST CAUSE 4: COMPLETE EDITION
• Just Die Already
• Kardboard Kings: Card Shop Simulator
• Keep Talking and Nobody Explodes
• Ken Follett's The Pillars of the Earth
• Kentucky Route Zero - Season Pass Edition
• Kerbal Space Program
• Killing Floor 2 Digital Deluxe Edition
• Killing Room
• Kingdom Two Crowns
• Kingdom: New Lands
• King's Bounty: Crossworlds
• Knights of Pen & Paper 2
• Knock-knock
• Koi-Koi Japan [Hanafuda playing cards] *Koi-Koi Japan : UKIYOE tours Vol.1 DLC *Koi-Koi Japan : UKIYOE tours Vol.2 DLC *Koi-Koi Japan : UKIYOE tours Vol.3 DLC
• Konung 2
• KungFu Kickball
• Labyrinthine
• Lair of the Clockwork God
• Laserlife
• LAST OASIS
• Lawn Mowing Simulator
• Layers of Fear: Masterpiece Edition
• Lead and Gold: Gangs of the Wild West
• Learn Japanese To Survive! Hiragana Battle
• Learn Japanese To Survive! Katakana War
• Learn Japanese to Survive! Trilogy
• Legend of Keepers
• LEGION TD 2 - MULTIPLAYER TOWER DEFENSE
• LEGION TD 2 - MULTIPLAYER TOWER DEFENSE.
• Leisure Suit Larry - Wet Dreams Don't Dry
• Leisure Suit Larry 1-7
• Lemnis Gate
• Lemon Cake
• lethal league blaze
• Let's School
• Levelhead
• Liberated (GOG)
• Life is Strange Complete Season (Episodes 1-5)
• Light Fairytale Episode 1
• Light Fairytale Episode 2
• LIGHTMATTER
• Little dragons cafe
• Little Hope
• Little Inner Monsters - Card Game
• Little Nightmares
• Little Nightmares Complete Edition
• Livelock
• Loop Hero
• Loot River
• Looterkings
• Lornsword Winter Chronicle
• Lost Castle
• Love Letter
• Lovecraft's Untold Stories
• Lovely planet arcade
• Lucius2
• Lucius3
• Ludus
• Lumberhill
• LunarLux
• Lust for Darkness
• Lust from Beyond: M Edition
• Mad Experiments: Escape Room
• Mad Max
• Mafia Definitive Edition
• Mafia: Definitive Edition
• Magenta Horizon
• Mahjong Pretty Girls Battle
• Mahjong Pretty Girls Battle : School Girls Edition
• Mail Time
• Maize
• Maneater
• Marooners
• MARSUPILAMI - HOOBADVENTURE
• Marvel's Avengers - The Definitive Edition
• Mato Anomalies
• Max Payne 3
• Mechs & Mercs: Black Talons
• Medieval II: Total War - Definitive Edition
• Medieval: Total War Collection
• MEEPLE STATION
• Men of War
• MERCHANT OF THE SKIES
• METAL HELLSINGER
• Metal Hellsinger
• Metro Exodus
• Metro last light
• Metro: Last Light Redux
• Middle-earth: Shadow of Mordor GOTY
• Middle-earth: Shadow of Mordor GOTY
• Middle-Earth: Shadow of War Definitive Edition
• MIDNIGHT PROTOCOL
• Mighty Switch Force! Collection
• MIND SCANNERS
• Ministry of Broadcast
• Minute of Islands
• Miscreated
• Mists of Noyah
• MKXL
• Mob Rule Classic
• Monaco
• Monster Slayers - Complete Edition
• Monster Train
• MONSTER TRAIN (FIRST CLASS - COLLECTORS EDITION)
• Monstrum
• Monstrum 2
• Moon Hunters
• Moons of Madness
• MORDHAU
• Mordheim: City of the Damned
• Mortal Kombat 11 Ultimate Edition
• MORTAL KOMBAT XL
• Mortal Shell
• Motorcycle Mechanic Simulator 2021
• Mr. Run and Jump
• Murder Mystery Machine
• My Big Sister
• My Friend Peppa Pig
• My Lovely Wife
• My Summer Adventure: Memories of Another Life
• My Time At Portia
• N++ (NPLUSPLUS)
• Napoleon: Total War - Definitive Edition
• Narcos: Rise of the Cartels
• NARUTO TO BORUTO: SHINOBI STRIKER
• NECROMUNDA: HIRED GUN
• Necronator: Dead Wrong
• NecroVisioN: Lost Company
• NecroWorm
• Neighbours back From Hell
• Nelly Cootalot: Spoonbeaks Ahoy! HD
• Neon Space
• Neon Space 2
• Neon Sundown
• Nephise: Ascension
• Neurodeck : Psychological Deckbuilder
• Never Alone Arctic Collection (w/ Foxtales DLC and FREE Soundtrack)
• Neverinth
• Neverout
• Neverwinter Nights: Complete Adventures
• Newt One
• Nexomon: Extinction
• Nigate Tale
• Nine Parchments
• Nine Witches: Family Disruption
• No Straight Roads: Encore Edition
• No Time to Relax
• Nomad Survival
• Nongunz: Doppelganger Edition
• Noosphere
• Northgard
• Northmark: Hour of the Wolf
• Nostradamus: The Last Prophecy
• not the robots
• Nurse Love Addiction
• Nurse Love Syndrome
• Nusakana
• Obduction
• Obey Me
• Observer: System Redux
• Occultus - Mediterranean Cabal
• Odallus: The Dark Call
• Oddworld: New 'n' Tasty
• One Finger Death Punch 2
• One Hand Clapping
• One More Island
• One Step From Eden
• One Step From Eden (Region locked)
• Orbital Racer
• OTXO
• Out of Reach: Treasure Royale
• Out of Space
• Overclocked: A History of Violence
• Overlord: Ultimate Evil Collection
• Overpass
• Overruled
• OZYMANDIAS: BRONZE AGE EMPIRE SIM
• Pac-Man Museum +
• Pan'Orama
• Panty Party
• Panzer Corps 2
• Papo & Yo
• PARADISE LOST
• Parkan 2
• PARTISANS 1941
• Passpartout 2: The Lost Artist
• Pathfinder: Wrath of the Righteous
• Patron
• Paw Patrol: On A Roll!
• Paws of Coal
• Payday 2
• PAYDAY 2
• Peaky Blinders: Mastermind
• PER ASPERA
• Perfect
• PGA 2K21
• PGA Tour 2K21
• Pharaonic
• Pixplode
• Pizza Connection 3
• Plague tale
• Planescape: Torment Enhanced Edition
• Planet Alcatraz
• PLANET ZOO
• PlateUp!
• Pogostuck: Rage With Your Friends
• Poker Pretty Girls Battle: Texas Hold'em
• Police Stories
• Poly Island
• Post Void
• Power Rangers: Battle for the Grid
• Prank Call
• Prehistoric Kingdom
• Pretty Girls Mahjong Solitaire
• Pretty Girls Panic!
• Prey
• Primal Carnage: Extinction
• Princess Kaguya: Legend of the Moon Warrior
• Pro Cycling Manager 2020
• Prodeus
• Project CARS - GOTY Edition
• Project Warlock
• Project Wingman (EU)
• PROJECT WINTER
• Propnight
• PULSAR: The Lost Colony
• qomp
• Quadrilateral Cowboy
• Quake II
• Quantum Break
• Quern - Undying Thoughts
• Radio Commander
• RAGE
• Rage in Peace
• RAILROAD CORPORATION
• Railroad Tycoon 3
• Railroad Tycoon II Platinum
• Railway Empire
• Rain World
• Rayon Riddles - Rise of the Goblin King
• Re: Legend
• REBEL COPS
• Rebel Galaxy
• Rebel Galaxy Outlaw
• Red Faction Guerrilla Re-Mars-tered
• Red Riding Hood - Star Crossed Lovers
• Red Ronin
• RED SOLSTICE 2: SURVIVORS
• Redout Complete Bundle
• Redout: Enhanced Edition
• Redout: Enhanced Edition + DLC pack
• Regular Human Basketball
• REKT! High Octane Stunts
• Relicta
• REMNANT: FROM THE ASHES - COMPLETE EDITION
• Republique
• Rescue Party: Live!
• Resident Evil 0 HD REMASTER
• Resident Evil 4
• Resident Evil 5 Gold Edition
• Resident Evil 7 Biohazard
• Resident Evil Revelations
• Resort Boss: Golf
• RETROWAVE
• rFactor 2
• RiME
• Ring of Pain
• Rise of Industry + 2130 DLC
• Rise of the Slime
• Rising Storm 2: Vietnam + 2 DLCs
• Riven: The Sequel to MYST
• River City Girls
• River City Ransom: Underground
• Roarr! Jurassic Edition
• Roboquest
• Robot Squad Simulator 2017
• Rogue : Genesia
• ROGUE HEROES: RUINS OF TASOS
• ROGUE LORDS
• Rogue Stormers
• rollercoaster tycoon 2
• ROTASTIC
• Roundguard
• ROUNDS
• RUNNING WITH RIFLES
• Rustler
• Ryse: Son of Rome
• S.W.I.N.E. HD Remaster
• Sailing Era
• Saint Row
• Sam and Max Devil's Playhouse
• SAMUDRA
• Sands of Aura
• Sands of Salzaar
• Saturday Morning RPG
• Save Room - Organization Puzzle
• Scarlet Tower
• Scorn
• SCP: 5K
• SCUM
• SEARCH PARTY: Director's Cut
• Second Extinction
• Secret Government
• Serious Sam 3 Bonus Content DLC, Serious Sam 3: Jewel of the Nile, and Serious Sam 3: BFE
• SEUM speedrunners from hell
• SEUM: Speedrunners from Hell
• Severed Steel
• Shadow Tactics: Aiko's Choice
• Shadowgate
• SHADOWS: AWAKENING
• Shape of the World
• She Sees Red - Interactive Movie
• Shenmue I & II
• SHENZHEN I/O
• Shift Happens
• Shing!
• Shoppe Keep 2 - Business and Agriculture RPG Simulation
• Shotgun King: The Final Checkmate
• Sid Meier's Civilization VI
• Sid Meier's Railroads!
• Sifu Deluxe Edition Upgrade Bundle (EPIC)
• Silver Chains
• SimCity 4 Deluxe Edition
• Sinking Island
• SINNER: Sacrifice for Redemption
• Skautfold Chapters 1-4
• Skullgirls 2nd Encore
• Slain: Back from Hell
• Slap City
• Slash It
• Slash It 2
• Slash It Ultimate
• Slay the Spire
• Slaycation Paradise
• Small World
• Smart Factory Tycoon
• Smile For Me
• Smoke and Sacrifice
• Smoke and Sacrifice
• Smushi Come Home
• Snail bob 2 tiny troubles
• Sniper Elite 3
• Sniper Elite 3 + Season Pass DLC
• Sniper Elite 4 Deluxe Edition
• Sniper Ghost Warrior 3 - Season Pass Edition
• Sniper Ghost Warrior Contracts
• Snooker 19
• SONG OF HORROR COMPLETE EDITION
• Songs of Conquest
• Sonic Adventure 2
• Sonic Adventure DX
• Sonic and SEGA All Stars Racing
• Sonic Generations Collection
• Soulblight
• Souldiers
• SOULSTICE
• Soundfall
• Source of Madness
• Spartan Fist
• Spec Ops
• Speed Limit
• Spelunx and the Caves of Mr. Seudo
• Spidersaurs
• Spin Rush
• Spirit Hunter: Death Mark
• Spirit of the Island
• Spirit of the North
• Spring Bonus
• Stairs
• STAR WARS - Knights of the Old Republic
• STAR WARS - The Force Unleashed Ultimate Sith Edition
• STAR WARS Jedi Knight II - Jedi Outcast
• Star Wolves
• Starsand
• STASIS: Bone Totem
• State of Decay 2: Juggernaut Edition
• Steel Rats™
• Stick Fight: The Game
• Still Life
• Still Life 2
• Stirring Abyss
• STONE
• Strange Brigade
• Strange Brigade Deluxe Edition
• STRANGER
• Strategic Command: World War I
• Strategic Mind: Blitzkrieg
• Strategic Mind: Fight for Freedom
• Strategic Mind: Spectre of Communism
• Strategic Mind: Spirit of Liberty
• Strategy & Tactics: Wargame Collection
• Streamer Life Simulator
• Street Fighter V
• Street of fury ex
• Strider
• Strikey Sisters
• Stygian: Reign of the Old Ones
• Styx: Master of Shadows
• Styx: Shards of Darkness
• SuchArt
• Sudden Strike Gold
• Suite 776
• Sumoman
• Sunblaze
• SUNLESS BUNDLE
• Sunset Overdrive
• Super Buff HD
• Super Mag Bot
• Superbugs: Awaken
• Superhot
• Surgeon Simulator 2
• Survive the Nights
• Surviving Mars
• Surviving The Aftermath
• Swag and Sorcery
• Sword Legacy Omen
• Sword of the Necromancer
• Swords and Soldiers 2 Shawarmageddon
• Syberia 3
• Symphonic Rain
• Symphony of War: The Nephilim Saga
• Synthwave Dream '85
• Tacoma
• Take Off - The Flight Simulator
• Tales
• Tales from the Borderlands
• Tales of Vesperia™: Definitive Edition
• Talk to Strangers
• Tallowmere
• Tangledeep
• Tank Mechanic Simulator
• Tannenberg
• Team Sonic Racing
• TEKKEN 7
• TEMTEM
• Terminus: Zombie Survivors
• Terror of Hemasaurus
• Textorcist
• Tharsis
• The Adventure Pals
• The Amazing American Circus
• The Anacrusis
• The Ascent
• The Battle of Polytopia
• The Battle of Polytopia *DLC1. Cymanti Tribe *DLC2. ∑∫ỹriȱŋ Tribe *DLC3. Aquarion Tribe *DLC4. Polaris Tribe
• The Blackout Club
• The Chess Variants Club
• The Citadel
• The Dark Pictures Anthology: House of Ashes
• THE DARK PICTURES ANTHOLOGY: LITTLE HOPE
• The Darkest Tales
• The Dungeon Beneath
• The Dungeon of Naheulbeuk: The Amulet of Chaos
• The Elder Scrolls Adventures: Redguard
• The Elder Scrolls III: Morrowind® Game of the Year Edition
• The Elder Scrolls IV: Oblivion® Game of the Year Edition
• The Elder Scrolls Online
• The Escapists 2
• THE GAME OF LIFE 2
• The Golf Club™ 2019 featuring PGA TOUR
• THE GUNK
• The Haunted Island, a Frog Detective Game
• The Hong Kong Massacre
• The Horror Of Salazar House
• The Indie Mixtape
• The Innsmouth Case
• The Invisible Hours
• The Jackbox Party Pack 9
• The Last Campfire
• The LEGO Movie 2 Videogame
• The Letter - Horror Visual Novel
• The Long Dark
• The Manhole: Masterpiece Edition
• The Mortuary Assistant
• The Mummy Demastered
• The Outer Worlds
• THE OUTER WORLDS: SPACER'S CHOICE EDITION
• THE PALE BEYOND
• The Quarry
• The Quarry deluxe
• The Ramp
• The Red Lantern
• The Rewinder
• The Sacred Tears TRUE
• The Sexy Brutale
• The Smurfs - Mission Vileaf
• The Tarnishing of Juxtia
• The Tenants
• The Uncertain - The Last Quiet Day
• THE UNCERTAIN: LAST QUIET DAY
• The Uncertain: Light At The End
• The USB Stick Found in the Grass
• The Walking Dead
• The Walking Dead - 400 Days
• The Walking Dead Saints and Sinners
• The Walking Dead: A New Frontier
• The Walking Dead: Final Season
• The Walking Dead: Michonne - A Telltale Miniseries
• The Walking Dead: Saints & Sinners
• The Walking Dead: Season 1
• The Walking Dead: Season Two
• The Way
• The Wild At Heart
• The Wild Eight
• The Witness
• Them and Us
• They Bleed Pixels
• Thief of Thieves
• This War of Mine
• This Way Madness Lies
• Three Kingdom: The Journey
• Time on Frog Island
• Tinkertown
• Tiny Tina’s Wonderland(EU)
• TINY TINA'S WONDERLANDS CHAOTIC GREAT EDITION
• Tiny Troopers
• Tinykin
• Tinytopia
• TIS-100
• Titan Quest
• Tokyo Xanadu eX+
• Tools up
• Tooth and Tail
• Torchlight
• Total Tank Simulator
• Tour de France 2020
• Tower Unite
• Trailblazers
• Train Sim World 3: Standard Edition
• Train Simulator Classic
• Train Valley 1
• Transport INC
• Treasure Hunter Simulator
• TRIBES OF MIDGARD
• Trine 4
• Trinity Fusion
• Trombone Champ
• Tropico 5 - Complete Collection
• Trover Saves the Universe
• Tunche
• Turmoil
• Turok 2: Seeds of Evil
• Twin Mirror
• Two Point Campus
• Two Point Hospital
• TYPECAST
• Tyrant's Blessing
• Ultimate Chicken Horse
• Ultimate Zombie Defense
• Ultra Space Battle Brawl
• Unavowed
• Undead Horde
• Unexplored 2: The Wayfarer's Legacy
• Unity of Command: Stalingrad Campaign
• Universim
• UNLOVED
• Unpacking
• Until I have you
• Unto The End
• Upside Down
• URU: Complete Chronicles
• Vagante
• Valfaris
• Valfaris: Mecha Therion
• Valkryia Chronicles 4 Complete Edition
• Valkyria Chronicles 4 Complete Edition
• Valkyria Chronicles 4: Complete Edition
• Vambrace: Cold Soul
• Vampire Survivors
• Vectronom
• Velocity Noodle
• Venba
• Verne: The Shape of Fantasy
• Victoria 3
• Victoria II
• Viking: Battle For Asgard
• Virgo Versus The Zodiac
• VirtuaVerse
• Visage
• Viscerafest
• Void Bastards
• VOIDIGO
• Volcanoids
• Voltage High Society
• V-Rally 4
• Wanderlust: Travel Stories (GOG)
• Wargroove
• Warhammer 40,000 Sanctus Reach - Complete Edition
• Warhammer 40,000: Armageddon - Imperium Complete
• Warhammer 40,000: Battlesector
• Warhammer 40,000: Gladius - Relics of War
• Warhammer 40,000: Mechanicus
• Warhammer 40,000: Space Wolf Special Edition
• WARHAMMER AGE OF SIGMAR: REALMS OF RUIN – ULTIMATE EDITION
• Warhammer vermintide collector's edition
• Warhammer: End Times - Vermintide
• Warhammer: Vermintide 2
• Warman
• Wasteland 3
• Wayward
• WE NEED TO GO DEEPER
• We should talk.
• We Were Here Together
• We Were Here Too
• Webbed
• What Lies in the Multiverse
• When Ski Lifts Go Wrong
• while True: learn()
• Whos Your daddy
• Wick
• Will You Snail?
• Windward
• Witch It
• Witchy Life Story
• wizard of legends
• Wolfenstein 3D
• Worms Rumble
• WRC 6 FIA World Rally Championship
• WRC 7 FIA World Rally Championship
• WWE 2K Battlegrounds
• WWE 2K23
• WWZ Aftermath
• Wytchwood
• X-COM: COMPLETE PACK
• XCOM: ULTIMATE COLLECTION
• XIII - Classic
• X-Morph: Defense + European Assault, Survival of the Fittest, and Last Bastion DLC
• X-Morph: Defense Complete Pack
• Yakuza Kiwami
• Yumeutsutsu Re:After
• Yumeutsutsu Re:Master
• Zen Chess: Mate in One, Mate in 2 , Mate in 3 , Mate in 4 , Champion's Moves (5 games)
• Ziggurat
• Zombie Army 4
• Zombie Army Trilogy
• Zool Redimensioned

DLCs and Softwares:

• For The King: Lost Civilization Adventure Pack
• Train Simulator: Isle of Wight Route Add-On
• Train Simulator: Woodhead Electric Railway in Blue Route Add-On
• Train Simulator: North Somerset Railway Route Add-On
• Train Simulator: Union Pacific Heritage SD70ACes Loco Add-On
• Train Simulator: London to Brighton Route Add-On
• BR Class 170 'Turbostar' DMU Add-On
• DB BR 648 Loco Add-On
• Europa Universalis IV: Wealth of Nations
• Expansion - Europa Universalis IV: Conquest of Paradise
• Expansion - Europa Universalis IV: Res Publica
• Grand Central Class 180 'Adelante' DMU Add-On
• Peninsula Corridor: San Francisco - Gilroy Route Add-On
• SONIC ADVENTURE 2: BATTLE
• Small World - A Spider's Web
• Small World - Cursed
• Small World - Royal Bonus
• The Dungeon Of Naheulbeuk: The Amulet Of Chaos - Goodies Pack
• The Dungeon Of Naheulbeuk: The Amulet Of Chaos - OST
• Thompson Class B1 Loco Add-On
• Total War: Shogun 2 - Rise of the Samurai
• Train Sim World® 3: Birmingham Cross-city line
• Train Sim World®: BR Class 20 'Chopper' Loco
• Train Sim World®: Brighton Main Line: London Victoria - Brighton
• Train Sim World®: Caltrain MP36PH-3C 'Baby Bullet'
• Train Sim World®: Cathcart Circle Line: Glasgow - Newton & Neilston
• Train Sim World®: Clinchfield Railroad: Elkhorn - Dante
• Train Sim World®: Great Western Express
• Train Sim World®: Hauptstrecke Hamburg - Lubeck
• Train Sim World®: LIRR M3 EMU
• Train Sim World®: Long Island Rail Road: New York - Hicksville
• Train Sim World®: Nahverkehr Dresden - Riesa
• Train Sim World®: Northern Trans-Pennine: Manchester - Leeds
• Train Sim World®: Peninsula Corridor: San Francisco - San Jose
• Train Sim World®: Rhein-Ruhr Osten: Wuppertal - Hagen
• Train Sim World®: Tees Valley Line: Darlington - Saltburn-by-the-sea
• Worms Rumble - Armageddon Weapon Skin Pack
• Worms Rumble - Captain & Shark Double Pack
• Worms Rumble - Legends Pack
• Worms Rumble - New Challengers Pack
• Ashampoo Photo Optimizer 7
• Dagon: by H. P. Lovecraft - The Eldritch Box DLC
• Duke Nukem Forever Hail to the Icons
• Duke Nukem Forever The Doctor Who Cloned Me
• GRIP: Combat Racing - Cygon Garage Kit
• GRIP: Combat Racing - Nyvoss Garage Kit
• GRIP: Combat Racing - Terra Garage Kit
• GRIP: Combat Racing - Vintek Garage Kit
• GameGuru
• GameMaker Studio 2 Creator 12 Months
• Intro to Game Development with Unity
• Music Maker EDM Edition
• Neverwinter Nights: Darkness Over Daggerford
• Neverwinter Nights: Enhanced Edition Dark Dreams of Furiae
• Neverwinter Nights: Enhanced Edition Tyrants of the Moonsea
• Neverwinter Nights: Enhanced Edition
• Neverwinter Nights: Infinite Dungeons
• Neverwinter Nights: Pirates of the Sword Coast
• Neverwinter Nights: Wyvern Crown of Cormyr
• PDF-Suite 1 Year License
• Pathfinder Second Edition Core Rulebook and Starfinder Core Rulebook
• RPG Maker VX
• WWE 2K BATTLEGROUNDS - Ultimate Brawlers Pass
• We Are Alright
• The Outer Worlds Expansion Pass
• A Hat in Time - Seal the Deal DLC
• City Skylines:mass transit
• A Game Of Thrones - A Dance With Dragons
• A Game Of Thrones - A Feast For Crows
• Blood Rage: Digital Edition - Gods of Asgard
• Blood Rage: Digital Edition - Mythical Monsters
• Blood Rage: Digital Edition - Mystics of Midgard
• Carcassonne - The Princess and The Dragon DLC
• Carcassonne - Traders & Builders DLC
• Carcassonne - Winter & Gingerbread Man DLC
• Carcassonne - Inns & Cathedrals
• Carcassonne - The River
• Splendor: The Trading Posts DLC
• Splendor: The Strongholds DLC
• Splendor: The Cities DLC
• Small World - Be Not Afraid... DLC
• Small World - Grand Dames DLC
• Small World - Cursed!
• Sands of Salzaar - The Ember Saga
• Sands of Salzaar - The Tournament
• Monster Train: The Last Divinity DLC
• WARSAW

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satisfy, sauce, save, saving, say, scale, scandal, scare, scatter, scenario, scene, schedule, scheme, scholar, scholarship, school, science, scientific, scientist, scope, score, scream, screen, script, sea, search, season, seat, second, secondary, secret, secretary, section, sector, secure, security, see, seed, seek, seem, segment, seize, select, selection, self, sell, Senate, senator, send, senior, sense, sensitive, sentence, separate, sequence, series, serious, seriously, servant, serve, service, session, set, setting, settle, settlement, seven, several, severe, sex, sexual, shade, shadow, shake, shall, shallow, shape, share, sharp, she, sheet, shelf, shell, shelter, shift, shine, ship, shirt, shock, shoe, shoot, shooting, shop, shopping, short, shortly, shot, should, shoulder, shout, show, shower, shrug, shut, shy, sibling, sick, side, sigh, sight, sign, signal, significant, significantly, silence, silent, silver, similar, similarly, simple, simply, sin, since, sing, singer, single, sink, sir, sister, sit, site, situation, six, size, ski, skill, skin, skirt, sky, slave, sleep, slice, slide, slight, slightly, slip, slow, slowly, small, smart, smell, smile, smoke, smooth, snap, snow, so, so-called, soccer, social, society, soft, software, soil, solar, soldier, sole, solid, solution, solve, some, somebody, somehow, someone, something, sometimes, somewhat, somewhere, son, song, soon, sophisticated, sorry, sort, soul, sound, soup, source, south, southern, Soviet, space, Spanish, speak, speaker, special, specialist, species, specific, specifically, specify, speech, speed, spend, spending, spin, spirit, spiritual, split, spoil, sponsor, sport, spot, spray, spread, spring, square, squeeze, stability, stable, staff, stage, stain, stair, stake, stand, standard, standing, star, stare, start, state, statement, station, statistical, status, stay, steady, steal, steel, steep, stem, step, stick, still, stimulate, stimulus, stir, stock, stomach, stone, stop, storage, store, storm, story, straight, strange, stranger, strategic, strategy, stream, street, strength, strengthen, stress, stretch, strike, string, strip, stroke, strong, strongly, structural, structure, struggle, student, studio, study, stuff, stupid, style, subject, submit, subsequent, substance, substantial, substitute, succeed, success, successful, successfully, such, sudden, suddenly, sue, suffer, sufficient, sugar, suggest, suggestion, suicide, suit, summer, summit, sun, super, supply, support, supporter, suppose, supposed, Supreme, sure, surely, surface, surgery, surprise, surprised, surprising, surprisingly, surround, survey, survival, survive, survivor, suspect, sustain, swear, sweep, sweet, swim, swing, switch, symbol, symptom, system, table, tactic, tail, take, tale, talent, talk, tall, tank, tap, tape, target, task, taste, tax, taxi, tea, teach, teacher, teaching, team, tear, technical, technique, technology, teen, teenager, telephone, telescope, television, tell, temperature, temporary, ten, tend, tendency, tennis, tension, tent, term, terms, terrible, territory, terror, terrorist, test, testimony, testing, text, than, thank, thanks, that, the, theater, their, them, theme, themselves, then, theory, therapy, there, therefore, these, they, thick, thin, thing, think, thinking, third, thirty, this, those, though, thought, thousand, threat, threaten, three, throat, through, throughout, throw, thus, ticket, tie, tight, time, tiny, tip, tire, tissue, title, to, tobacco, today, toe, together, toilet, token, tolerate, tomato, tomorrow, tone, tongue, tonight, too, tool, tooth, top, topic, toss, total, totally, touch, tough, tour, tourist, tournament, toward, towards, tower, town, toy, trace, track, trade, tradition, traditional, traffic, tragedy, trail, train, training, transfer, transform, transformation, transition, translate, translation, transmission, transmit, transport, transportation, travel, treat, treatment, treaty, tree, tremendous, trend, trial, tribe, 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weather, web, website, wedding, week, weekend, weekly, weigh, weight, welcome, welfare, well, west, western, wet, what, whatever, wheel, when, whenever, where, whereas, whether, which, while, whisper, white, who, whole, whom, whose, why, wide, widely, widespread, wife, wild, wildlife, will, willing, win, wind, window, wine, wing, winner, winter, wipe, wire, wisdom, wise, wish, with, withdraw, within, without, witness, woman, wonder, wonderful, wood, wooden, word, work, worker, working, workout, workplace, works, workshop, world, worried, worry, worth, would, wound, wrap, write, writer, writing, wrong, yard, yeah, year, yell, yellow, yes, yesterday, yet, yield, you, young, your, yours, yourself, youth, zone.

I was reading Exodus 35: 31-35 this morning.
I was left feeling stunned because God actually filled a person with power and then gave him the ability to execute a certain skill.
I’m very new on this platform and what I have come to realise is that Christian Marriages are not always easy or pleasant within this subreddit. I’m here because I’m married too. It’s been 9 years.
May God grant us power and supernatural ability to nurture, keep and maintain our marriages in a godly way. And when the going gets really rough and tough, may we gain the ABILITY TO ALLOW God to take the wheel when we have exhausted our own efforts in sorting difficult matters out. Once He’s taken the wheel, may we also develop the ability to let Him drive us to deliverance, without disturbing the process once the terrain starts to feel smooth again. May we live in our “ask and you shall receive” era as we navigate the hard times in our marriages. May we fully rely on God, because marriage is not our own design - but His.
Even when we feel like our situations are ABSOLUTELY WILD, I pray for all of us to hold on to our kindness towards each other in our marriage, while we wait on God to show us the way out of that wilderness.
Felt lead to share this here today. I hope it encourages someone in dire need for God’s intervention. 🫶🏾

Manufacturing is a highly competitive industry where operational efficiency plays a pivotal role in determining success. In an era of rapidly evolving technology and environmental concerns, manufacturers are constantly seeking ways to optimize their processes while minimizing environmental impact. Corrosion, machine failures, and other harmful elements can cause production line delays. Caltex’s specially formulated diesel fuels and lubricants can help ensure that your manufacturing equipment operates at its optimum performance amidst extreme conditions. In this blog, we will explore how Caltex can help meet your manufacturing needs.
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Circulating oilsLubricants called circulating oils are made for systems that require constant oil circulation for proper lubrication. These oils are typically used in large machinery, such as industrial pumps, turbines, compressors, and hydraulic systems. Caltex’s advanced circulating range helps to meet the demands of various industries such as manufacturing, steel, and construction. You can choose from products such as Texatherm.

Gear oilsGear oils are specialized lubricants designed to provide essential protection and efficient operation for gearboxes, transmissions, and differentials in a wide range of machinery and vehicles. Caltex's specially designed lubricants protect against wear and reduce friction loss. There are products such as the Meropa range of gear oils.

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Hydraulic oilsHydraulic oils are specialized fluids designed to transmit power in hydraulic systems, which are commonly used in heavy machinery, industrial equipment, and even in some automotive applications. Caltex answers the challenge with hydraulic oils that perform under the harshest conditions to help meet or extend the expected life of the equipment such as Rando HD.

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Tags:[Industrial](),[Equipment](),[Manufacturing](),[Product matters](),[Equipment performance]()

This article was written by Chevron technologists in collaboration with industry experts and global thought leaders. 

https://preview.redd.it/868wv05xyb0d1.jpg?width=1200&format=pjpg&auto=webp&s=1a1d4417debcff4d7caaf5909e2fea523206f4ef

This article was written by Chevron technologists in collaboration with industry experts and global thought leaders. 

In the ever-evolving landscape of dental care, one name has been making waves – ProDentim. This revolutionary approach to oral health has left many in awe, challenging the norms and setting new standards. Let's delve into what makes ProDentim stand out and why it's causing a stir in the dental industry!

Unraveling the Innovation

ProDentim's uniqueness lies in its innovative approach to dental care. Unlike conventional methods, it adopts a holistic perspective, considering not only the teeth but the overall well-being of the individual. The integration of cutting-edge technology and a comprehensive understanding of oral health sets ProDentim apart. It's not just a dental solution; it's a lifestyle shift towards complete oral wellness!

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Traditional dental practices often focus on reactive measures, addressing issues as they arise. ProDentim, on the other hand, emphasizes preventive strategies. By encouraging regular check-ups, personalized dental plans, and a commitment to education, ProDentim challenges the status quo. It's not merely a quick fix; it's a paradigm shift towards long-term oral health.

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One of the striking aspects of ProDentim is its community-centric approach. In a world where healthcare can feel impersonal, this innovative dental solution brings back the human touch. From educational workshops to local outreach programs, ProDentim is not just about treating individuals; it's about fostering a community committed to better oral health.

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ProDentim is not just a dental service; it's a glimpse into the future of oral care. The seamless integration of technology, community engagement, and a proactive stance towards health positions ProDentim as a trailblazer. As we navigate the evolving landscape of healthcare, ProDentim stands as a beacon of change, urging us to reconsider our approach to oral well-being.

Embracing a New Era of Dental Care

In a world saturated with dental options, ProDentim emerges as a refreshing departure from the norm. It's not about reinventing the wheel but rather about redefining our relationship with oral health. The future of dental care is here, and its name is ProDentim – an experience unlike anything you've ever encountered in your life before!
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Is there any other free digital archive on the other significant eras namely Elizabethan, Romantic, Modern and Neo-classical

Please know that I don't really believe this 100%, but after seeing people here read deeper into songs that seem so obviously about Matty and relate them to past suspected gaylor relationships instead AND Taylor mention how she started working on TTPD 2 years ago- the wheels started turning in my mind. WHAT IF she had pretty much the whole album written and purposely picked Matty for either a real or fake fling because he would perfectly fit the songs to cover the real muses. They were linked before back in the 1989 era, either had an actual relationship or just friends, so it could be that it wasn't that hard to spark up a real fling and/or convince him to commit to the bit. Even if it was just a PR thing, he still could've bailed when he started getting ruthlessly dragged by swifties. Like maybe he agreed to it thinking it would boost his exposure and fanbase if he was seen as her next muse, but it ended up backfiring horribly. Again I know this is a stretch, I just couldn't stop thinking about it lol

My hands are shaking as I write this, I have to document my story incase something happens to me in the next few days. I'm not sure where to begin but I suppose here is better than anywhere.
I've always had this weird feeling, this sensation inside of me that I was older than I actually was. By the time I was twelve, my soul felt as though it was forty. By the time I reached twenty, I felt like an old woman. I would watch people around my age acting foolish, and I always thought, "What a bunch of children." So it was no surprise to anyone that when I turned twenty-one, I left my hometown and college and decided to spend the summer alone by renting an old farmhouse in an insignificant town on the edge of an even more insignificant border.
When I told my mother, she had a veritable fit, unable to find the words. She spluttered and raged around me for days before I finally left early one morning to avoid her guilt and frustration with my choices. I was not sure why I craved solitude at such a young age, why I found solace in being alone and removed from society.
In high school, I had changed unexpectedly, cutting my long blonde hair short and dying it black, getting piercings that my mother loathed and claimed no young lady should have. You see, my mother was raised proper, as she called it. Good family, good husband, and finally a good life. She despised her perfect life being squashed by my alternative looks and feelings of the same world. She just didn't understand me or the world as it changed around her. I felt like I was just a trophy to her and my father, her perfect angel who had been tainted by my own demented thoughts.
I never told my parents where I was staying, one last rebellious mission before leaving for a few months, and it took me only a few hours to arrive at the farmhouse where I would be staying for the next few months. The land around the farm was dead or dying, old crops rose out of the dry dusty earth and had turned black and forgotten, as if this land was the example of dreams long forgotten and empty. A single dreary lane connected this desolate farmhouse to the rest of the world. On the outside, it was drab and looked as though it would fall apart. It had two stories but still seemed cramped and small, as if it were a single floor tied to the ground.
Across from the house, bordering the tall weeds that had reclaimed much of the farmland, stood a maudlin-looking faded red barn, one door propped open in a dejected manner revealing naught to me but shadows, dust, and a little mystery.
Next to the barn, staked into the ground on an old-looking cross, was a ragged scarecrow. It had drab brown clothing, but its face was oddly realistic, like it was watching me with a disapproving manner. Straw poked through its joints at odd angles like they were trying to break free from their confines. The scarecrow obviously didn't do its job as it was covered in no less than three crows.
I parked my car next to the barn and stepped out into the dusty yard before the farmhouse that I would make my home for the next few months. I checked under the front mat for the key and put it in the lock.
With a satisfying click, the door fell inward into the farmhouse. Surprisingly, the inside of the farmhouse was modern, clean, and looked quite inviting. I could smell the fresh paint on the walls, and everything was so white. The realtor had told me she would stop by tomorrow to collect the rent, and she had tried to chat my ear off on the phone about all the renovations she and her son were doing on the place.
I sighed with contentment and tossed my bags beside the door. I dug around in my bag and removed my camera, my father's old film shooter as he called it. I had taken up the hobby years ago for what I called capturing the oddity in the world.
I explored the small house a little more; the ground floor consisted of a single room and small bathroom with a shower. The bedroom was upstairs and was the only room, the stairs connected directly to the white and pink monstrosity that was the master bedroom. The pillows had laces on them and almost made me gag from the cuteness. There was even cute white lace curtains on the window with little flowers stitched onto them.
Out of the only window of the room, I could see the barn and the scarecrow. I aimed my camera at the pair and snapped a photo. From this angle, the scarecrow appeared to be staring straight at me. It stood next to the left side of the barn in a dejected manner like a chastised child.
A shudder involuntarily ran through me at the sight, but I moved on back downstairs. It was getting close to dinner time now, and I had brought some food with me.
After a few minutes, I had my dinner on the stove cooking and the crickets chirping outside the open window. As I sat down to eat next to the window, I felt at peace for one of the first times in years. The solitude of this old farm was exactly what I needed. The window supplied a nice breeze that wafted through the place, it smelled of grass and warm summer nights, made me feel at peace. The simple dish of spaghetti with tomato sauce and a glass of wine was all that I needed right here, right now in this moment.
That night I climbed into the frilly laced bed and sunk into the claustrophobic mattress. I felt like Goldilocks in the mama bear's bed as it was altogether too soft. From my perfumed bed, I had a good view out the window. I had left the porch light on, and it cast an eerie glow across the yard. The barn loomed ominously, stalwart against the light of the porch, like it was protecting the shadows from the battering ram of light. The somber scarecrow leaned against the left side of the barn.
With a small jump, I thought I saw its arm move slightly. I peered through my camera using the zoom to get a better view of the scarecrow. It was completely still in the night, and I laughed quietly to myself at my silliness. I had always enjoyed horror movies, but there was no chance I was living in one. I settled back into bed and put my camera down. Within a few minutes, I fell into sleep's warm embrace.
What felt like only a few minutes later, I sat up in bed. It was still dark out, I could hear crickets chirping through the open window, and I strained my ears for a moment.
I thought something had woken me up. I felt a cold shiver run down my spine as a cold breeze wafted in through the window. I pulled the frilly blanket up around myself when I heard it. A thud sounded below me, shaking the whole world into silence. The crickets stopped chirping, and my heart felt like it had stopped beating. Someone was in the house. I hadn't locked the door or closed the kitchen window, and now someone was downstairs. A second thud sounded like a boot on the staircase. Then another and another as something was slowly moving up the stairs towards the room.
I don't know why I did it, but something came over me. I wasn't big or especially brave, but my normal cowardice in social situations changed instantly. With a dash, I tore across the room, flicking on the lights, ready to face my attacker, to defend myself against male or female. I would fight, and I would win.
But as the lights turned on, ready to strike with my foot, nothing was there. The staircase was empty, and upon further inspection, the entire house was empty. The kitchen window was open, and I shut and locked it securely before checking the door. Nothing. I sat down on the couch, my heart pounding out of my chest, as I tried to make sense of what had just happened.
"I must have still been half-asleep," I said aloud to the room in a thinly veiled attempt to calm my nerves. It failed horribly, but I went with it. What else could you do in a situation like that?
After locking up the house, I went back up to that frilly four-poster bed in the bedroom and stared out the window. Nothing was in the yard except my car, the barn, and the same old sad-looking scarecrow staring across the yard.
Day 2
The next morning, I woke up to the soft light filtering through the lace curtains. Despite the strange events of the previous night, I felt strangely refreshed, as if the morning sun had chased away the shadows that lingered in my mind.
I descended the stairs, the wooden steps creaking softly under my weight, and headed to the kitchen. As I brewed a pot of coffee, my mind wandered back to the events of last night. Was it just a figment of my imagination, or was there really someone in the house?
Shaking off the unease, I decided to explore the farmhouse in the daylight. I wandered through the room, admiring the modern renovations that clashed with the rustic exterior. The farmhouse had a charm to it, despite its eerie surroundings.
As I made my way outside, the cool morning air greeted me, and I took a deep breath, letting the serenity of the countryside wash over me. The barn stood tall against the backdrop of the morning sky, and the scarecrow seemed to watch me as I crossed the yard.
I approached the barn, curiosity getting the better of me. Pushing open the creaky door, I stepped inside, the musty scent of hay filling my nostrils. The interior was dimly lit, the sunlight filtering through the cracks in the wooden walls.
I explored every nook and cranny of the barn, but found nothing out of the ordinary. As I turned to leave, something caught my eye. In the corner of the barn, hidden beneath a pile of old blankets, was a small wooden chest.
My heart racing with anticipation, I lifted the lid of the trunk and peered inside. What I found took my breath away. It was a collection of old photographs, yellowed with age, depicting scenes from a bygone era. They were of a man with his family, two young kids, and a beautiful young wife. The man had yellow blonde hair, almost like straw in texture, but he smiled so happily with his family.
I sifted through the photographs, my fingers trembling with excitement. Who had left these behind, and why? Each photograph seemed to tell a story, a glimpse into the past of this forgotten farmhouse.
As I sat there, lost in thought, a sudden noise jolted me back to reality. It was the sound of footsteps coming from outside the barn.
"Hello?" The dreamy voice of a woman called to me from the entrance to the barn.
I slammed the lid of the trunk shut, closing the memories up in a flurry as I spun around to be greeted by a quite pretty woman with blonde hair and a pink suit skirt combo. She had bright pink lipstick, that seemed to be a permanent fixture on her face, and quite shiny and sparkly blue eye shadow on her lids. I myself only wore black eyeliner. This woman was like Barbie in her proportions, thin waist, long hair, and large tracts of land, as my father would have said.
"Oh, hello," I said simply, always awkward in normal social situations.
If she noticed anything odd about me, she breezed over it in an easy manner. Taking me by the shoulders, she led me out of the dusty barn and into the yard.
"You must be Polly. We have been waiting a while for you to come. I simply must know what you think of the renovations to the house. Aren’t they just to die for?" The lady said all in one breath, as if she didn’t need air to speak.
"Yes, they are quite nice..." I started before she cut me off, not in a rude manner but instead in one that she would have continued on even if I had just told her I was not Polly and instead I was a mass murderer looking for my next victim.
"You see, me and my son Eli—yes, Eli, you stop lurking in the shadows over there," she said, continuing on as I noticed a younger man leaning up against the barn. He wore simple clothes of jeans and a white t-shirt but had a handsome face. His hair was brown and hung slightly over his eyes.
"I hope you don’t mind if my son here continues working on some renovations while you stay here? Strictly on the outside of the house, mind you. A fresh coat of white paint would make this little beauty shine. We would have finished by now if not for the accidents," she continued, completely unabashed by my silence.
"Sorry. But you are the realtor?" I said, trying to regain my feet under me.
"Oh my god, I am so sorry, dear!" she said with an affable cackle.
"Yes, yes, I am Barbara, but all my friends call me Barb. That over there is Eli. Eli, come say hi," Barb said while her painted talons rested firmly on my shoulder.
Eli stomped over, keeping his eyes low, in a sort of moody way that actually intrigued me, sort of.
When he glanced up at me, I noticed he drank in me from head to toe, and for the first time, I realized what I was wearing. An old rock t-shirt of one of my favorite bands and, of all things, my black pajama bottoms with cartoon bats on them that said "happy halloween."
I felt my face blush crimson as he made eye contact with me. He had very mysterious eyes of blue that seemed to cut right through my soul.
"Nice shirt," he said while gesturing to me. His voice was quiet and uncertain, as if he didn’t get much practice with the art. Knowing his mother, it seemed highly accurate.
"Thanks. Do you like them?" I asked.
"Oh, he likes all sorts of things, don’t you, Eli? Honestly, you two can gab on forever. But miss, I believe we have a small matter of payment," Barb said, drawing the conversation back to herself.
"Of course. Let me go get it," I said as I went back into the house and retrieved the envelope with the rent money in it.
Barb grabbed the envelope in her bright pink talons and snapped a piece of bubblegum between her teeth. With quick fingers, she leafed through the cash, counting it. As she counted, her normal bubbly personality seemed to disappear, giving way to what I gleaned was her true thoughts and feelings before the facade slipped on once again.
"Mmkay, perfect honey, this is the right amount. Now you have my number, so you call if you need anything. Like I said earlier, Eli will stop by from time to time to work on painting the house. I promise you he won’t be an imposition, just pay him no mind," Barb said in a sweet voice as she popped her gum in between each word.
"Eli, come on, please, I have an appointment in town," Barb said to her son, and they both climbed into a garish pink convertible with jewels hanging from the mirror wrapped in a gold chain.
Barb waved one last time as she sped off out of the driveway, covering me in dust as she spun the wheel around.
With their departure, I went inside and retrieved my camera. I spent a few minutes shooting a few pictures I thought were worthy. I re-entered the barn and pulled the old trunk out into the sunshine. Inside was only a handful of photos, some old clothes, and what looked like some old heirlooms. A beautifully old candlestick and a few leather-bound books lay at the bottom, covered by an old tablecloth. The tablecloth was a nice white with intricate swirling patterns inlaid around the edges.
Why would these things be packed away in here? They were so beautiful. I decided to bring the stuff inside for further inspection. As I lifted the trunk, out of the corner of my eye, I thought I saw something move in the tall grass at the edge of the property. I stared for a minute, but nothing moved again. I must be getting jumpy being alone like this. After last night and then this, I was just imagining things.
I brought the items inside and spread them out. I put the tablecloth on the table, and it hung low to the ground. I placed the candlestick by the window and took out the photos again, spreading them out.
The photos told me a story of a loving family that obviously lived in the farmhouse before me. They had a photo next to the barn, with a brand new looking scarecrow in the back. The man even had his arm around it; it looked so much cleaner and proper in this photo. I stared outside at the sad-looking scarecrow.
I took my camera and the photo and went outside to stand next to the scarecrow. His post hung kind of crooked in the earth like it was weighed down by the scarecrow.
I snapped a photo of the scarecrow as it was, then examined the original photo. I began resettling the post in the ground, but it kept sagging. I decided to pull him out of the ground and move him while I added more dirt to his hole. With some effort, I reseated him into his original hole. He already looked better, but I straightened his clothes and pulled out the last bits of straw that stuck out of his clothes. When I was finished, I looked back at him and took a photo, smiling while I did so at my work.
I then spent some time sweeping the front porch and banging the dust out of the cushions before I curled up on a wicker chair with plump cushions for a few hours reading a book I had brought with me.
I felt quite content at this place. The sounds of the crickets began again, putting me at ease as the sun began to descend. I had spent the entire day just relaxing, and it was perfect. I sat sprawled out in the chair, too lazy to go and make dinner or even move. My bladder was full, but I waited until the last moment before dashing inside and relieving myself.
That's when I noticed it, out in the yard. It seemed as if the scarecrow had moved closer. Once shrouded by the barn slightly, it now had moved a few steps into the light from the porch. My heart dropped at the sight. Not again, I must be asleep on the porch in the chair. I pinched myself, trying to wake up, but all I received was a sore arm.
I closed my eyes, then rubbed them, hoping to dispel whatever plagued my mind, but when I opened my eyes, I noticed the scarecrow was even closer. Halfway across the yard now, it sat menacingly, hanging crooked in the dirt. The scarecrow seemed to be staring at me with an intense gaze. The slits in its face were open now, and in the porch light, I swear I could see human eyes underneath the mask.
I moved towards the front door, locking it in a swift motion. I was shaking now, and it took me a minute to relax. I never took my eyes off the scarecrow for fear of it moving again.
My cellphone was upstairs, so I couldn't flee without the scarecrow moving again. I breathed out slightly and unlocked the door, letting it swing in with a creak. The night outside was silent, as if everything was holding its breath. The usual crickets that plagued me with their song day and night had fallen quiet. I stepped out onto the porch; I needed to go confront this demonic entity. Something about this still made me think this was a prank.
"Eli, is that you?" I called out to the scarecrow.
No response, of course. I steeled myself and put one foot off the porch, never taking my eyes off the scarecrow before me. Something seemed to be dripping from its head as I approached, a dark slime that seemed to be melting from its joints as it stood there silently, except for the constant drip of the liquid on the dry dirt before me.
I walked around the scarecrow, determined to figure out what was going on. As I circled it, my vision darkened for a moment as I faced towards the light of the house. I jumped as the scarecrow's head turned to face me as I looked away. The black liquid drained faster from the being, forming a shallow pool at its feet.
I'm not proud of what I did next, but I fled, taking my eyes off the scarecrow. I made a mad dash for the farmhouse. Behind me, I could hear the pounding of feet. I screamed as loud as my lungs would let me. My voice rang through the silence as I grabbed the door handle and wrenched open the door as I felt a strong grip fall on my shoulder.
I turned to defend myself, but nothing was there. The scarecrow was gone, the wooden cross had vanished, as had the pool of dark liquid in the dirt. The world sprung back to life; the crickets began chirping loudly, and my heart restarted. I slammed the door, and the air from my force scattered the photographs on the table. I ran upstairs, leaving the lights on in the house, and dove onto the bed, wrapping myself in the frilly blanket like a set of frilly armor.
I snatched my camera from the bedside table and held it close, determined to document the rest of the night. I held it in shaking hands as the noise downstairs began—the sound of boots crossing the floor to the stairs and the careful but heavy steps of ascension as they climbed closer and closer to me.
This time, I didn't lunge forward as the light was already on. I glanced out the window, but the scarecrow was still gone. I focused my camera on the stairs and waited as the steps came closer and closer. A shape began to form as the head of whatever was coming up the stairs crested the floor. Then a plain brown mask with slits where the eyes would be. It froze for a moment, then slowly turned its head towards me. Inside the slits were human eyes that seemed to be leaking dark red blood.
In the light, I could see it now. I snapped a photo of the beast, the flash setting off a reaction in the beast. The scarecrow moved so fast up the stairs it was a blur. My scream echoed throughout the house as it lunged at me. Filthy hands pinned me down, and the deep crimson liquid began pouring out of every joint of the scarecrow. It began covering my face, my eyes, and getting into my open mouth. I spluttered and kicked at the beast, but my blows had no purchase, as if the scarecrow on top of me had no substance to itself.
I coughed and spluttered on the liquid as it began to fill my mouth faster and faster. I tried not to swallow any, but it tried to find purchase as I was held down.
"Polly?" A nervous voice called from below.
Suddenly, as if the angels had called, the pressure dissipated, and I crashed to the floor in a heap, trying to spit the blood out, but nothing came—it was gone. Footsteps pounded up the stairs again, and I flew back in fear, closing my eyes.
"Oh my god. Polly, are you okay?" A voice said, and gentle hands grabbed my arm.
My eyes shot open at the human touch, and I grabbed Eli into a tight hug, where I promptly began sobbing in fear, my whole body shaking as Eli awkwardly hugged me.
"Don't worry, it's going to be okay," Eli said patiently to me as he hugged me back gently and began stroking my back.
I shivered in a choking sob and fell into his arms, desperately wanting to believe him, and for some reason, I did.