Human body outline pictures

Body Modification

2008.06.21 05:45 Body Modification

For all things related to modifying the human body. Piercings, tattoos, scarification, implants, and even unusual plastic surgery - all are welcome topics! New here? In the app, tap on "community info" first. On desktop, check the sidebar first
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2014.04.01 02:09 DarkGamanoid DogPeople: More than just man's best friend.

This is a subreddit dedicated to collating all the dogpeople out there in the wild web into a safe and loving home, namely our hearts and mind... mostly our eyes. Bring forth your pics, gifs, and videos of dogs looking like they have a human body! Please no submissions that are just about people who like dogs, stories about dogs and people, or just pictures of dogs. If the post isn't a depiction of a dog with a human body, it'll be removed.
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2011.05.01 07:30 heymamawolf Welcome Intersex Redditors!

/intersex is the place to talk about intersex topics with intersex Redditors. Everything inter* is permitted as long as it plays along our rules! (But remember, we are no substitute for real medical professionals.)
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2024.05.14 18:25 What-did-Mikey-do Every binding vow a character could have made throughout the story

Every binding vow a character could have made throughout the story
I'll be trying my best to source an inspiration for these vows, so that the convo doesn't devolve into baseless "THAT could/can't happen" arguments.
Obligatory misc. that would always be useful:
  1. (Based on Overtime): "For this day (day before major conflict) my CE output is limited to 0%, but tomorrow (day of conflict) it will cap out at 200%."
  2. (In case the vow needs to be permanent): "When I'm not in a fight my CE output is limited to 0%, but when I'm fighting, it caps at 200%."
  3. (Based on Sukuna's DE rules): "When I open my domain this time, I give up the ability to entrap or have it be effective against (type of being I'm not fighting) and in return I get (whatever will win the fight)."
  4. (For Inumaki) (Based on Miwa's "I get __ but I have to be doing __"): "I get to talk without triggering my technique, but in return I activate the technique only when I have my fist clenched."
  5. (Alternatively for Inumaki): "I can only talk in terms that activate my cursed speech, and in return, the technique becomes stronger / harder to block out with CE reinforcement."
  6. (Theoretical for Yuji): "I relinquish Sukuna's soul, and in turn I also lose the buffs I was receiving from it."
  7. (For Megumi) (Based on Sukuna's ability to permanently change how his technique works): "I relinquish control over all other Shikigami, and in turn I master Mahoraga without having to fight him."
  8. (For Gojo and Sukuna since they have the amazing RCT to back it up) (Based on Hakari's vow): "The Cursed Energy used in protecting any of my non-vital body parts will instead be transferred to reinforce any area that would be lethal."
Sister School Exchange event (Based on Overtime) - Gojo: "For 5 seconds my CE output is 0%, and for the 5 seconds that follow, my CE output is 200%."
Allows him to bypass this barrier
https://preview.redd.it/jjbt4fp3ue0d1.png?width=640&format=png&auto=webp&s=93afa29b0193e5b70c23f970741f21a3ad925627
Disaster Curses Playing Life - Any of them: "I give up my ability to draw life tokens, and instead I choose to draw the Doctor job with 100% accuracy."
Allows any of them to win because Life tokens are useless but give the aura of importance
https://preview.redd.it/ysxnqe0yve0d1.png?width=720&format=png&auto=webp&s=c75e21eb8cb681618a5deb05540860d9f8f2a0b2
Shibuya (Same as Barrier bypass before) - Everyone: "0% for a bit, then 200% equally after."
These barriers can no longer keep any of the sorcerers in or out
https://preview.redd.it/uqeb1051ye0d1.png?width=210&format=png&auto=webp&s=4c3cccebfa8e13c1575e04bdddaa27747cae1a74
Gojo vs Disaster Curses (Based on Sukuna's domain fuckery) - Gojo: "My domain cannot affect humans, and in return it does a greater deal of damage to transfigured humans and curses."
Allows him to easily defeat the danger and save everyone, and we know from Sukuna that self-imposed vows on domains are reversible, so this is not a detriment.
https://preview.redd.it/bphwko9fxe0d1.png?width=1000&format=png&auto=webp&s=8357fb4c20ddd2147d195aeca8ad53f56e5caa87
Jogo vs Sukuna: "My maximum meteor loses some of its strength but massively increases its speed."
Allows him to likely at least graze Sukuna and win the bet
https://preview.redd.it/rg359ifr3f0d1.png?width=1800&format=png&auto=webp&s=733e1ab03aa06d75c8a544370db6995f3d833b34
Todo vs Mahito (Based on the Dismantle vow) - Todo: "This once I can activate my CT without clapping, and in return I need to clap twice to use it again."
Allows him to save his technique and other hand
https://preview.redd.it/goninvqbve0d1.png?width=1600&format=png&auto=webp&s=354837113a52700a53ce30a9a845d3e58f45bd29
Pretty much any killing blow in the history of this series (Based on Hakari's vow): "Transfer my defensive CE strength to the part of my body that is about to be hit."
Un-killable as long as you are quick on reactions
https://preview.redd.it/ih4uhd1o0f0d1.png?width=1125&format=png&auto=webp&s=01075df89fd8b66d8c0d80ea0072ba0728e88020
Higurama vs Sukuna (Based on Sukuna's one-time dismantle buff): "The next time I open my domain, I will get a 100% chance of death penalty and CT confiscation, and in return, for the future, people trapped in my domain can call for defense lawyers (or something like that)."
Bypasses the discussion and worry that the domain might not work, and is pretty much a confirmed kill on Sukuna
https://preview.redd.it/dtcrp8m03f0d1.png?width=800&format=png&auto=webp&s=247bcbdc76ea291971dc834c9ff5793ce314ea53
That's about all I can think of while writing this, definitely could ponder for some more. Put your own down in the comments!
submitted by What-did-Mikey-do to Jujutsufolk [link] [comments]


2024.05.14 18:20 Winniehiller ⏰⏳⌚️THE OLDEST EXCUSE IN THE BOOK! It’s the easiest too: “I DON’T HAVE TIME”. It’s often our way of avoiding what we want the most. “If I don’t try, I can’t fail”. So many who long to be actors subconsciously let this stop them from even getting started. Is this you? Read on!⌚️⏳⏰

A couple years ago I woke up in the middle of the night and shared this extremely vivid dream on actingclass. I’m glad I did, or I would have forgotten all about it. I think it’s time to share it again and remind some of you who might have seen it. Here it is. It’s a wild one!
I was working in the Amazon forest with people who were born, first, as tiny little flies, but quickly turned into human beings. But their life cycle was extremely short, and they were aging at an incredibly accelerated speed. And I was there because many of them wanted to learn acting before they died. So I was trying to teach them. Some at their bed side as they turned into very old people. But they still wanted to learn, working until they took their last breath.
One gray old man was about to die and I could see his spirit start to leave his body. I felt so bad that he hadn’t achieved what he hoped. But just as I thought he was gone for good, his spirit returned to him and he opened his eyes and ask me to tell him more.
I don’t know why these people wanted to act. They wouldn’t live long enough to have careers. But it was what they wanted, even on their deathbed, so I was there with them until they couldn’t hang on any longer.
It’s not so hard to interpret this dream. It’s kind of the way I feel now, knowing there are so many of you out there, ignoring what your heart has been telling you for years. If you are 20 years old, 70 seems a long ways away. But I am looking back from 69, and it seems like yesterday I was 20. We do all have a limited time on this earth. If we were more aware of it, we wouldn’t waste the precious time we have. And I think we are all born with our dreams and inclinations planted within us that need to be fulfilled. It may not make sense, but that desire is there and it will never go away. You already know—it hasn’t gone away yet.
If acting is your deepest desire, I do want to help you achieve it in your lifetime. I don’t want you to run out of time. You are blessed with a long life so you CAN achieve so much. But it is only a blink of an eye in reality. You can’t take it for granted. It will be over before you know it. At 69 years old, my desire is to help everyone to be able to fulfill their dreams. That is my passion. I know I don’t have forever to do it. So take advantage of this opportunity while you can—me wanting to help you. In fact, treasure every moment of your life and use your time to do what brings you joy and fulfillment.
What do you really mean when you say “I don’t have time? Plain and simple it’s that you haven’t made acting one of your priorities. If something is important to you, you will find a way to fit it into your schedule. You know, even as busy as you are, you waste time on things that don’t help you to move forward. Think about it! And try some of these alternatives:
1. Wake up Earlier! Set your alarm 15-30 minutes earlier. Read one of my WRITTEN LESSONS. Read them in order. Or watch one of my VIDEO LESSONS and work your way up from the bottom to the top. Leave comments on both so you can go back and remember what you learned. I will respond to you and keep track of what you are learning and give you pointers.
2. Go to bed later. If you’re not a morning person, maybe devoting some time to learning about acting would be better right before bed. It’s the commitment that counts. Do what I described above. I will be there to help.
3. Commit to One of my Weekly classes Check out YESTERDAY’S POST. It describes a step be step plan to become a professional actor. When you become a committed member of my student body you will be in the loop for whatever you should do next. But making yourself answerable to going to class and rehearsing with scene partners is a way to make sure you don’t let time slip away. It will change your life and help you to become “Acting Focused”. When you “don’t have time”, you sometimes need to commit to something in a definite way—like getting a trainer at the gym. I did that so I had to show up at appointment times. It made me find time. It got me in shape. My acting classes are like going to the “Acting Gym”. They will get you in shape for what you need to become a professional actor. A new session of “Intro to Acting” starts tomorrow.
4. Visit actingclass at least once a day! I want to encourage everyone to visit actingclass, every day. It’s almost impossible to take in all the information that is available here, but do a little at a time and get started. And if you want to start putting all those concepts and techniques into practice and you really have no time to join any of my scheduled classes, try taking a couple private lessons. Together we can take you to a whole new level of understanding. HERE is the post that describes all the possibilities and costs of working with me on Zoom.
I know you are busy. But are you too busy to do what your heart desires? Make time. Make a commitment. I’m here to help you every step of the way
submitted by Winniehiller to Actingclass [link] [comments]


2024.05.14 18:19 EverettBurns789i Which is the best college in Ajmer, Rajasthan?

Which is the best college in Ajmer, Rajasthan?
Sophia College
When it comes to selecting the best college in Ajmer, Rajasthan, there is one clear standout option for young women seeking a world-class education paired with a supportive environment where they can thrive both academically and personally. That college is Sophia Girls College, widely regarded as the top institute for higher learning for female students in the region.
That is why Sophia College Ajmer is, without a doubt the Best college in Ajmer, especially for girls.
With a legacy spanning over 65 years, Sophia Girls College has earned a reputation for academic excellence rooted in a tradition of empowering women. As the only autonomous all women's college in Rajasthan, it attracts top students from across the state who wish to be part of a vibrant community focused on shaping strong female leaders of tomorrow.
Accreditation and Rankings
Sophia Girls College holds a prestigious A+ accreditation with a CGPA of 3.28 out of 4.00 from the National Assessment and Accreditation Council (NAAC), placing it among the very best colleges in India in terms of quality education. It was awarded autonomous status in 2007 in recognition of its high standards.
The college ranks 2nd among all colleges in Rajasthan, a remarkable feat for an institute outside the state capital. Nationally, it stands at an impressive 29th out of 500 autonomous private colleges in India - a testament to its instructional rigor and holistic approach.
For any student, being part of a college with such stellar credentials provides immense value in terms of gaining knowledge, skills, and perspectives prized by employers and universities after graduation. The NAAC grading and tiered rankings reflect the caring, stimulating academic climate that makes Sophia Girls College the leading destination for women's education in Rajasthan.
Proven Legacy of Excellence
With over 65 years of history since its founding in 1955, Sophia Girls College has built up an enviable reputation as the foremost college for women in Ajmer and wider Rajasthan. Generations of alumnae have passed through its halls, going on to become leaders in diverse fields and make vital social contributions.
The college continues to honor its commitment to high-quality teaching and shaping graduates with both intellect and social conscience. Students experience a campus culture steeped in tradition yet forward-thinking in empowering young women as changemakers. They carry on that legacy of excellence for the next 65 years and beyond.
Vibrant Student Community
Currently, Sophia Girls College hosts over 1700 students on its sprawling campus. This large student body allows for abundant opportunities to make friends, connect with like-minded individuals, and be part of a community focused on women supporting women.
The college ambiance provides a safe, nurturing environment where students can find their voice as young scholars. They join active student organizations, committees, and clubs to boost soft skills and chart their own path. With strength in numbers, students build valuable support structures while pursuing individual growth.
Expert Instruction
Students at Sophia Girls College learn from a faculty body of over 90 highly qualified professors and instructors. Teachers take an active interest in each student's progress, providing academic mentoring and life wisdom.
Most faculty hold PhDs and decades of instructional experience, imparting their extensive knowledge. Visiting faculty from prestigious institutions and industry experts deliver guest lectures, giving students exposure to diverse perspectives. Close teacher-student collaboration allows customized guidance so every student can excel.
Cutting-Edge Academic Resources
Sophia takes an innovative approach to education as evidenced in its facilities and resources. The college is equipped with 48 smart classrooms utilizing interactive technology for impactful teaching and learning. Sophia's library holds over 45,000 volumes to support research and self-driven study.
The commerce lab has 100+ computer terminals with essential software, while language labs facilitate robust listening and communication skills. Multiple seminar halls provide vibrant discussion spaces. State-of-the-art amenities give Sophia students every tool needed to unlock their potential.
Broad Range of Programs
Students can select from over 20 diverse undergraduate and postgraduate programs at Sophia Girls College under Arts, Commerce, Computer Science, Home Science, and more. Options include Bachelors, Masters, and Ph.D degrees spanning from English and Sociology to Data Science and Clinical Nutrition.
With such extensive course offerings, students are sure to find an academic path matching their individual strengths, goals, and interests. Exposure to multi-disciplinary electives broadens perspectives beyond core subjects. Sophia empowers students with the knowledge integral to future accomplishment.
Abundant Scholarship Opportunities
Sophia Girls College strives to make quality higher education accessible through an expansive scholarship program. Over 50 different scholarships and awards exist, recognizing academic merit, sports excellence, participation in arts and culture, and social service.
The value of these scholarships runs up to 100% coverage of tuition fees, making the Sophia experience a reality for deserving students regardless of financial constraints. The diverse scholarship domains reaffirm Sophia's multidimensional approach to education.
National and Global Partnerships
The college has signed over 57 national and international Memorandums of Understanding (MOUs), building bonds with leading institutions worldwide. These partnerships facilitate student and faculty exchanges, collaborative research, credit transfers, and more.
Global exposure is a pivotal aspect of Sophia's mission to cultivate world citizens. Students gain an intercultural lens through initiatives like the European Centre of Excellence and the U.S. Study Abroad Program. Partnerships also bring international luminaries to lecture on campus.
Interdisciplinary Learning
Sophia offers 18 multidisciplinary courses blending social sciences, humanities, and hard sciences for comprehensive understanding. Studying connections between fields is the future of education.
Combined degree options include BCBA, Biochemistry with Computer Science, Economics with Public Policy, and Clinical Nutrition with Sports Science. By transcending silos, Sophia empowers students to analyze problems through diverse but interconnected disciplines.
Stellar Placements and Careers
Sophia Girls College has an outstanding track record of student placements at graduation. The dedicated Training & Placement Cell secures students roles at top national and multinational companies, as well as higher education at premier institutions.
By melding academic excellence with skill-based training in communication, analytical thinking, and other essentials, Sophia produces graduates sought after by recruiters. From civil servants to financial analysts to entrepreneurs, alumnae affirm the college's immense role in career success.
Support Systems for Student Wellbeing
Sophia Girls College operates numerous initiatives to safeguard student physical safety, psychosocial health, and overall well-being:
  • Discipline Committee and Code of Conduct
  • Women's Grievance Redressal Cell
  • Anti-Ragging Committee
  • Student Counseling Center
  • Medical Room with a full-time nurse
  • Hostel Wardens for resident students
A spectrum of extracurricular clubs allows students to destress, connect, and express themselves through interests like dance, debate, music, and environmentalism. With robust support structures in place, students can thrive in mind, body, and spirit.
Modern Campus Infrastructure
College ground
Spanning many acres surrounded by mountains, Sophia Girls College's campus provides an inspiring setting to gain knowledge. Modern infrastructure includes:
  • Recognized Green Campus implementing eco-friendly practices
  • Sophisticated science and computer laboratories
  • Amphitheater-style lecture halls equipped with audiovisual tools
  • Indoor sports complex with courts for basketball, badminton, table tennis
  • Girl's common room, reception lounge, and cafeteria
  • Library with audio-visual section and e-resources
  • Hostel with a capacity for 300 resident students
Premium amenities demonstrate the college's commitment to cultivating students holistically through academics coupled with healthy extracurricular engagement.
In sum, with its 65-year legacy of academic distinction, NAAC A+ accreditation, national rankings, diverse programs taught by experts, abundant scholarships, global partnerships, comprehensive support services, and modern campus facilities, Sophia Girls College stands as the undisputed leader among women's institutions of higher learning in Ajmer and greater Rajasthan.
Young women looking to expand their knowledge and shape their futures will find no better college than Sophia to invest in their success and unlock their immense potential.
submitted by EverettBurns789i to u/EverettBurns789i [link] [comments]


2024.05.14 18:17 Konradleijon What are your angsty fan-fiction ideas?

What are your angsty fan-fiction ideas?
JKK spoilers for those that haven’t read the manga. context JJK had a recent arc where a evil sorcerer king who was trapped in the main character’s body transferred over to his friend named Megumi and to “break” his soul he killed Megumi’s sister using Megumi’s body and technique
Also I had a fan fiction idea/AU that instead of killing Tsumki to break Megumi’s spirit, Sukuna makes a binding vow to serve Sukuna in exchange for for sparing his sister’s life and getting her body back.
I’m not sure Sukuna can do that. But what eves.
Sukuna does this because he hates Yuji and having Megumi “willingly” betray Yuji would cause him far greater emotional distress then “just” using Megumi as a hostage/meatsuit.
I’m imagining a scene where when Yuji is doing his “your still in there Megumi” thing just for Megumi to start fronting again and while Yuji rejoices Megumi starts attacking Yuji.
The sheer amount of despair it will cause Yuji is unimaginable
i’m also picturing Sukuna deliberately making a loophole where if Tsmuki is killed then the contract will be nulled, so Yuji would be in a situation where he would be forced to kill his best friends sister
AHEM
submitted by Konradleijon to FanFiction [link] [comments]


2024.05.14 18:14 Alive-Fisherman1526 House plan

Mr. Robinson's House
submitted by Alive-Fisherman1526 to floorplan [link] [comments]


2024.05.14 18:11 Tomallo Telling how old a dog/cat is right away

I'm curious, if you're someone who's working with animals every day, and see a lot of them on a daily basis. Do you develop the skill of being able to approximate the age of the animal like we can do immediately with humans?
I'm asking, because as a cat owner I can only tell easily if for example some cat I see on a picture/ in real life is very young or very old. Anything between something like 2 and 13 would probably look pretty much the same to me. Whereas if we're looking at humans, even from a distance, we can judge the age pretty accurately (between 1-5, 5-10, 10-15, etc. (it would be the hardest between 30-50 though, so perhaps a little bit similarity here.)
TL;DR Does experience with animals improve your ability to tell how old is it right away?
submitted by Tomallo to AskVet [link] [comments]


2024.05.14 18:11 AdInteresting2401 Controversial views and perceptions of the clinical picture of MCAS - Free university of Berlin

2.3.5 Controversial views and perceptions of the clinical picture of MCAS
2.3.5.1 Alternative diagnostic criteria ("Consensus-2")
In 2011, the group of authors led by Gerald Molderings from the Institute for Human Genetics at the University Hospital Bonn and Lawrence Afrin published their own approach to the diagnosis of MCAS (51). In contrast to the diagnostic criteria of Valent et al. (1), the focus here is more on clinical symptoms. In 2016, Afrin et al. published a list of the most common symptoms that could indicate MCAS (52). Furthermore a questionnaire was developed and published on a website (53), after the answers to which the suspected diagnosis of MCAS could be supported or ruled out depending on the scores obtained. In a recently published publication, the working group referred to their diagnostic criteria as "Consensus-2" and compared and discussed them with the criteria of Valent et al. from 2016 (so-called "Consensus-1") (51). An important difference to the criteria Valent et al. 2016, the authors consider the symptoms not only as the main main criterion, but also a much wider range of previously unexplained symptoms (111 unexplained symptoms (111 possible symptoms (44)) as the most important indication of a a mast cell-mediated cause (14 symptoms in Valent et al. (1)). As The diagnosis of MCAS is considered confirmed if the main criterion is present together with a secondary criterion and possible alternative diagnoses have been excluded. The secondary criteria, in turn, are based on observations made at the time of the 500 people with suspected MCAS at the time of the first publication (44). Further differences between the two consensuses can be found in the laboratory parameters to be determined. For example, the researchers from different disciplines, which according to their own statements can draw on a wealth of experience of of over 10,000 MCAS patients (diagnosed according to their own criteria, nota bene), consider CgA to be specific for mast cells in addition to tryptase, among other things (44). The counterargument of the lower specificity compared to serum tryptase is granted a certain validity in the addendum to the "Consensus-2" published in 2020 (44), however the differential diagnoses with elevated CgA values should be easy to rule out and other markers are also never 100% specific. However, another group was already able to show in 2017 that CgA should not be used as a marker for mast cell disease(49). Furthermore the group of authors of the "Consensus-2" counts heparin as an important marker for MCAS, which should be determined after venous congestion using a blood pressure cuff (54). This maneuver was reported to cause irritation of excessively activatable mast cells with release of heparin in the congested area. Interestingly, the following section mentions markers such as IL-6 or tumor necrosis factor (TNF) which, due to their lack of specificity, are not used in diagnostics, but only in the evaluation of a successful therapy. The authors of "Consensus-2" criticize "Consensus-1" for, among other things the lack of definitions for a treatment response, whereby the "Consensus-2 does not provide any concrete proposals for evaluating or monitoring the response to therapy. Another point of criticism is the lack of exclusion of other comorbidities or differential diagnoses, such as CFS, EDS and irritable bowel syndrome, as clinical indications of MCAS. [...] In return, the AAAAI expressly points out that there is no evidence to date of a connection between CFS or EDS and MCAS. Overall, the clinical picture of MCAS is so complex and heterogeneous that a precise definition of a diagnostic algorithm is not possible at the present time. Molderings et al. therefore propose the acceptance of both the "Consensus1" according to Valent et al. and their "Consensus-2" until more precise findings are available through research. The resulting disadvantages, such as the the poorer comparability of patient populations in scientific studies would weigh less heavily than those resulting from the rejection of "Consensus-2" (an underdiagnosis due to criteria that are too restrictive according to the authors). On the other hand, the large number of non-specific complaints that are supposedly associated with MCAS harbors the risk of inflationary diagnosis.
2.3.5.2 Presentation in the lay press
An expansion of the MCAS definition with the use of non-validated clinical and laboratory chemical parameters for diagnosis is frequently found in the lay media, above all on websites, but also in the specialist literature. Increasingly, patients with (suspected) MCAS are organizing themselves with commitment and are increasingly organizing themselves into interest groups such as MCAS Hope e.V., which campaigns for the recognition of MCAS "as an independent disease". In addition They also network those affected and their relatives and carry out public relations work, which aims to make the clinical picture known to a broader public. This expansion of the diagnostic criteria described above increases the risk of a misdiagnosis of MCAS and overlooking the underlying disease, which may be easily treatable. On the other hand, such an erroneous diagnosis can also lead to the use of unnecessary or potentially harmful therapies for MCAS and supposed comorbidities (20). Shortly after publication of the review paper "Doctor, I Think I Am Suffering from MCAS: Differential Diagnosis and Separating Facts from Fiction" by Valent et al. a self claimed affected person started an online petition in which she demands the authors and the publishing Journal of Allergy and Clinical Immunology to remove the article (55). Among other things, they criticize the criterion of the tryptase increase, which is too harsh and would therefore prevent many patients from being diagnosed. The clinic also does not typically manifest as anaphylaxis, contrary to what is described in the paper, since mediator release in anaphylactic degranulation differs from that in piecemeal degranulation. Finally, the author of the petition, who sees herself as a "patient spokesperson", reports on personal experiences of frustration and feelings of frustration and rejection that were conveyed to her by doctors in the course of her medical history. The petition has so far reached just under 3,000 of the targeted 5,000 digital signatures (as of December 2020) and shows in particular how emotional the issue of the topic of MCAS is being observed and discussed not only in professional circles, but also among patients. Apparently, some patients find the diagnosis of MCAS to be the last explanation for their multiple non-specific symptoms and hope for more acceptance in scientific circles.
2.3.5.3 Difficulties in making a diagnosis
In recent years, despite the existence of consensus criteria, a (suspected) diagnosis is often made in practice, even though these criteria are insufficiently fulfilled. In some cases, the MCAS diagnosis is also increasingly used for otherwise inexplicable conditions that cannot otherwise be explained. The evaluation of symptoms without a known direct connection with the release of mast cell mediators, for example from the neurological or psychiatric spectrum, as a manifestation of the disease leads to a further dilution of the MCAS diagnosis (43). In the "Bonn" questionnaire, the vast majority of the items asked are not based on the consensus criteria formulated by Valent et al. for example they see the sonographic evidence of an enlarged liver as an indication of the disease (53). The measurement of a tryptase elevation in acute relapse, as required by the diagnostic criteria is difficult to implement in practice, whether for reasons of time, capacity or billing. Targeted therapy trials with maximum specificity with regard to all possible decisive mediators are not possible without prior measurement of urinary metabolites and, in the absence of criteria or measuring instruments often do not produce satisfactory results (43). Last but not least, the wide range of possible differential diagnoses, such as for example from the endocrinological, neurological, psychiatric or cardiovascular area, further complicates the diagnosis (43).
Translated with deep.l
https://refubium.fu-berlin.de/bitstream/handle/fub188/32749/diss_s.gu.pdf;jsessionid=A575C43E11977D2F576404BF69D6469C?sequence=3
submitted by AdInteresting2401 to MCAS_ [link] [comments]


2024.05.14 18:10 No-Environment8292 Do I have Lyme disease?

I was reading a bug subreddit earlier this week, and someone mentioned getting bitten by a tick, and said something about a bullseye rash. I realized a mysterious rash I got about 3 years ago looks exactly like a bullseye rash associated with Lyme disease.
I don’t think I have been symptomatic? I have some random joint/muscle pain here and there, but mostly attribute it to exercise, since I am pretty active.
I can’t attach pictures of the rash (located back of leg), but it started as a red circle about 5cm in diameter and turned into a bullseye-like shape with a red bump in the middle, and was about 8 cm total diameter. I never saw the tick (if that’s what bit me)…
EDIT: photos in comments
Should I/can I still be tested for Lyme? Is it possible my body fought off infection on its own? I’ve seen so much conflicting info online.
Located in Utah.
Thanks!
submitted by No-Environment8292 to AskDocs [link] [comments]


2024.05.14 18:08 Tuxman85 Any Christian British adult women in this sub? I'm lonely

Once again, I shall request your organs. As a writer I need to know exactly how the human body works so I request you extract one or seven of your organs and cut them up so I can see how they work (as well as taste them, feel them, smell them, peel them). I will provide an adequate payment for doing so please if you fit the criteria of being Christian, a woman, living in the UK and above 18 then please comment below
submitted by Tuxman85 to PsycheOrSike [link] [comments]


2024.05.14 18:08 Mophandel Archaeotherium, the King of the White River Badlands

Archaeotherium, the King of the White River Badlands
Art by Bob Nicholls
Nowadays, when we envision the words “prey,” among modern mammalian fauna, few taxa come to mind as quickly as the hoofed mammals, better known as the ungulates. Indeed, for the better part of their entire evolutionary history, the ungulates have become entirely indistinguishable from the term “prey.” Across their two major modern branches, the artiodactyls (the “even-toed ungulates,” such as bovids, pigs, deer, hippos and giraffes) and the perissodactyls (the “odd-toed ungulates,” including horses, rhinos and tapir), the ungulates too have created an empire spanning nearly every continent, establishing themselves as the the dominant herbivores throughout their entire range. However, as a price for such success, their lot as herbivores have forced them into an unenviable position: being the food for the predators. Indeed, throughout the diets of most modern predators, ungulates make up the majority, if not the entirety, of their diet, becoming their counterparts in this evolutionary dance of theirs. They have become the lamb to their wolf, the zebra to their lion, the stag to their tiger. If there is a predator in need of lunch, chances are that there is an ungulate there to provide it. Of course, such a dynamic is not necessarily a recent innovation. For the last 15-20 million years, across much of the world, both new and old, the ungulates have served as prey for these predators through it all. Over the course of whole epochs, these two groups have played into these roles for millions of years, coevolving with each other in an eons-long game of cat-and-mouse. The shoes they fill are not new, but have existed for ages, and within their niches they have cultivated their roles to perfection. Indeed, with such a tenured history, it seems hardly surprising the ungulates are wholly inseparable from the terms “prey,” itself.
However, while this is the case now, as it has been for the last 15-20 million years, go back far enough, and we see that this dynamic is not as set in stone as we would think. Indeed, back during the Eocene and Oligocene, during the very earliest days of age of mammals, things were very different for the ungulates. While today they are considered little more than food for modern predators, during these olden days, the ungulates weren’t quite so benign. In fact, far from being fodder for top predators, the ungulates had turned the tables, instead becoming top predators themselves. Indeed, though nearly unheard of today, throughout much of the Eocene and Oligocene, carnivorous ungulates thrived in abundance, developing specializations for catching large prey and establishing themselves as top predators that competed alongside the more traditional carnivores, and even dominating them in some instances. Given such success, it’s no wonder that multiple such clades had arisen during this time. Such predators included the arctocyonids, a lineage of (ironically) hoof-less ungulates with large jaws and sharp teeth for capturing large prey. There were also the mesonychians, a lineage of dog-like ungulates with massive skulls and jaws that allowed them to reign as the top predator across much of the Eocene.
However, among these various lineages, one stands stands out among the rest, by far. Arising during the Eocene, this lineage, though superficially resembling modern pigs, hailed from one an ancient lineage of artiodactyls far removed from swine or most other ungulates in general, with few close relatives alive today. Through perhaps not the most predatory of the bunch, it was among the most formidable, as their superficially pig-like appearance came with giant predatory jaws and teeth unlike anything from the modern era. And of course, as if all of that wasn’t enough, this lineage also went on to earn arguably one of the most badass nicknames of any lineage of mammals, period. These predators, of course, were the entelodonts, a.k.a the “hell-pigs.” More so than any other predatory ungulate lineage, these formidable ungulates were the ones to turn the current paradigm upside down, becoming some of the largest and most dominant carnivores in their landscape, even with (and often in spite of) the presence of more traditional predators. Through impressive size, fearsome teeth and sheer tenacity, these animals became the top dogs of their time, ruling as behemoth-kings of their Paleogene kingdoms, domineering all comers, and throughout the ranks, one entelodont in particular demonstrated such dominance the best. Though not the largest or most powerful of their kind, it is one of the most iconic, being among the most well-known members of its lineage to date. Moreover, this enteledont also has some of the most complete life histories ever seen out of this clade, with its brutality and predatory prowess being displayed in the fossil record in a way seen in no other member of its kind. More than anything else, however, it was this predator that best turned the notion of “ungulates being prey” on its head, living in an environment that bore some of the largest carnivoran hypercarnivores to date and still reigning as the undisputed top predator of its domain. This fearsome beast was none other than Archaeotherium, icon of the entelodonts, terror of the Oligocene American west and undisputed king of the White River badlands.
The rise of Archaeotherium (and of entelodonts in general) is closely tied to the ascendancy of carnivorous ungulates as a whole, one of the earliest evolutionary success stories of the entire Cenozoic. Having become their own derived clade since the late Cretaceous, the ungulates were remarkably successful during the early Paleogene, as they were among the first mammalian clades to reach large sizes during those early days after the non-avian dinosaurs had gone extinct. As such, it was with incredible swiftness that, as the Paleogene progressed, the ungulates swooped upon the various niches left empty by the K-Pg mass extinction that killed the dinosaurs. This of course included the herbivorous niches we would know them for today, but this also included other, much more carnivore roles. Indeed, early on during the Paleogene, it was the ungulates that first seized the roles of large mammalian predators, becoming some the earliest large mammalian carnivores to ever live, well before even the carnivorans. Such predators included the arctocyonids, a lineage of vaguely dog-like, hoof-less ungulates with robust jaws and sharpened teeth that acted as some of earliest large carnivores of the Paleocene, with genera such as Arctocyon mumak getting up to the size of big cats. Even more prolific were the mesonychids. More so than what pretty much any other lineage of predator, it was the mesonychids that would stand out as the earliest dominant predators of the early Cenozoic. Growing up to the size of bears and with enormous, bone-crushing jaws, the mesonychids were among the most powerful and successful predators on the market at that time, with a near-global range and being capable of subjugating just about any other predator in their environments. Indeed, they, along with other carnivorous ungulates (as well as ungulates in general), were experiencing a golden age during this time, easily being the most prolific predators of the age. Given such prevalence, it should be no surprise that there would be yet another lineage of predatory ungulates would throw their hat into the ring, and by early Eocene, that contender would none other than the entelodonts.
The very first entelodonts had arisen from artiodactyl ancestors during the Eocene epoch, at a time when artiodactyls were far more diverse and bizarre than they are now. Through today known from their modern herbivorous representatives such as bovines, deer, and antelope, during the Paleocene and Eocene, the artiodacyls, as with most ungulates of that time, were stronger and far more predaceous, particularly when it came to one such clade of artiodactyls, the cetacodontamorphs. Only known today from hippos and another group of artiodactyls (one which will become relevant later), the cetacodantomorphs emerged out of Asia around 55 million years ago, at around the same time that artiodactyls themselves had made their debut. These animals included the first truly predatory artiodactyls, with many of them possessing large skulls with powerful jaws and sharp, predatory teeth. Among their ranks included animals as puny as Indohyus, a piscivorous artiodactyl the size of a cat, to as formidable as Andrewsarchus, a giant, bison-sized predator often touted as one of the largest predatory mammals to ever live. Given such a predatory disposition, it wouldn’t be long until this clade produced a lineage of truly diverse, truly successful predators, and by around 40 million years ago, that is exactly what they did, as it was at that time that the entelodonts themselves first emerged. From their Asian homeland, the entelodonts spread across the world, spreading through not only most of Eurasia but also colonizing North America as well, with genera such as Brachyhyops being found across both continents. Here, in this North American frontier, the entelodonts began to diversify further, turning into their most successful and formidable forms yet, and it was around the late Eocene and early Oligocene that Archaeotherium itself had entered the scene.
Just from a passing glance at Archaeotherium, it is clear how exactly it (as well as the other entelodonts) earned the nickname of “hell-pigs.” It was a bruiser for starters; its body bore a robust, pig-like physique, with prominent neural spines and their associated musculature forming a hump around the shoulder region, similar to the hump of a bison. With such a bulky physique came with it impressive size; the average A. mortoni had a head-body length of roughly 1.6-2.0 m (5.3-6.6 ft), a shoulder height of 1.2 m (4 ft) and a body mass of around 180 kg (396 lb) in weight (Boardman & Secord, 2013; Joeckel, 1990). At such sizes, an adult Archaeotherium the size of a large male black bear. However, they had the potential to get even bigger. While most Archaeotherium specimens were around the size described above, a select few specimens, labeled under the synonymous genus “Megachoerus,” are found to be much larger, with skulls getting up to 66% longer than average A. mortoni specimens (Foss, 2001; Joeckel, 1990). At such sizes and using isometric scaling, such massive Archaeotherium specimens would attained body lengths over 2.5 m (8.2 ft) and would have reached weighs well over 500 kg (1100 lb), or as big as a mature male polar bear. Indeed, at such sizes, it is already abundantly evident that Archaeotherium is a force to be recorded with.
However, there was more to these formidable animals than sheer size alone. Behind all that bulk was an astoundingly swift and graceful predator, especially in terms of locomotion. Indeed, the hoofed feet of Archaeotherium, along with other entelodonts, sported several adaptations that gave it incredible locomotive efficiency, essentially turning it into a speed demon of the badlands. Such adaptations include longer distal leg elements (e.g. the radius and tibia) than their proximal counterparts (e.g. the humerus and femur), fusion of the radius and ulna for increased running efficiency, the loss of the clavicle (collar-bone) to allow for greater leg length, the loss of the acromion to enhance leg movement along the fore-and-aft plane, the loss of digits to reduce the mass of the forelimb, the fusion of the ectocuneiform and the mesocuneiform wrist-bones, among many other such traits (Theodore, 1996) . Perhaps most significant of these adaptations is the evolution of the “double-pulley astragalus (ankle-bone),” a specialized modification of the ankle that, while restricting rotation and side-to-side movement at the ankle-joint, allows for greater rotation in the fore-and-aft direction, thus allowing for more more powerful propulsion from the limbs, faster extension and retraction of the limbs and overall greater locomotive efficiency (Foss, 2001). Of course, such a trait was not only found in entelodonts but in artiodactyls as a whole, likely being a response to predatory pressures from incumbent predatory clades arising at the same time as the artiodactyls (Foss, 2001). However, in the case of the entelodonts, such adaptations were not used for merely escaping predators. Rather, they were used to for another, much more lethal effect…
Such notions are further reinforced by the entelodonts most formidable aspect, none either than their fearsome jaws, and in this respect, Archaeotherium excelled. Both for its size and in general, the head of Archaeotherium was massive, measuring 40-50 cm (1.3-1.6 ft) in length among average A. mortoni specimens, to up to 78 cm (~2.6 ft) in the larger “Megachoerus” specimens (Joeckel, 1990). Such massive skulls were supported and supplemented by equally massive neck muscles and ligaments, which attached to massive neural spines on the anterior thoracic vertebrae akin to a bisons hump as well as to the sternum, allowing Archaeotherium to keep its head aloft despite the skulls massive size (Effinger, 1998). Of course, with such a massive skull, it should come as no surprise that such skulls housed exceptionally formidable jaws as well, and indeed, the bite of Archaeotherium was an especially deadly one. Its zygomatic arches (cheek-bones) and its temporal fossa were enlarged and expanded, indicative of massive temporalis muscles that afforded Archaeotherium astoundingly powerful bites (Joeckel, 1990). This is further augmented by Archaeotherium’s massive jugal flanges (bony projections of the cheek), which supported powerful masseter muscles which enhanced chewing and mastication, as well as an enlarged postorbital bar that reinforced the skull against torsional stresses (Foss, 2001). Last but not least, powerful jaws are supplemented by an enlarged gape, facilitated by a low coronoid process and enlarged posterior mandibular tubercles (bony projections originating from the lower jaw), which provided an insertion site for sternum-to-mandible jaw abduction muscles, allowing for a more forceful opening of the jaw (Foss, 2001). All together, such traits suggest a massive and incredibly fearsome bite, perhaps the most formidable of any animal in its environment.
Of course, none of such traits are especially indicative of a predatory lifestyle. Indeed, many modern non-predatory ungulates, like hippos, pigs and peccaries, also possess large, formidable skulls and jaws. However, in peeling back the layers, it is found there was more to the skull of Archaeotherium that lies in store. Indeed, when inspecting the animal closely, a unique mosaic of features is revealed; traits that make it out to be much more lethal than the average artiodactyl. On one hand, Archaeotherium possessed many traits similar to those of herbivores animals, as is expected of ungulates. For instance, its jaw musculature that allowed the lower jaw of Archaeotherium a full side-to-side chewing motion as in herbivores (whereas most carnivores can only move their lower jaw up and down)(Effinger, 1998). On the other hand, Archaeotherium wielded many other traits far more lethal in their morphology, less akin to a herbivore and far more akin to a bonafide predator. For instance, the aforementioned enlarged gape of Archaeotherium is a bizarre trait on a supposed herbivore, as such animals do not need large gapes to eat vegetation and thus have smaller, more restricted gapes. Conversely, many predatory lineages have comparatively large gapes, as larger gapes allow for the the jaws to grab on to more effectively larger objects, namely large prey animals (Joeckel, 1990).
Such a juxtaposition, however, is most evident when discussing the real killing instruments of Archaeotherium — the teeth. More so than any facet of this animal, the teeth of Archaeotherium are the real stars of the show, showing both how alike it was compared to its herbivores counterparts and more importantly, how it couldn’t be more different. For instance, the molars of Archaeotherium were quite similar to modern herbivores ungulates, in that they were robust, bunodont, and were designed for crushing and grinding, similar in form and function to modern ungulates like peccaries (Joeckel, 1990). However, while the molars give the impression that Archaeotherium was a herbivore, the other teeth tell a very different story. The incisors, for example, were enlarged, sharpened, and fully interlocked (as opposed to the flat-topped incisors seen in herbivores ungulates), creating an incisor array that was seemingly ill-suited for cropping vegetation and much more adept at for gripping, puncturing and cutting (Joeckel, 1990). Even more formidable were the canines. Like the modern pigs from which entelodonts derived their nicknames, the canines of Archaeotherium were sharp and enlarged to form prominent tusk-like teeth, but unlike pigs, they were rounded in cross-section (similar to modern carnivores like big cats, indicating more durable canines that can absorb and resist torsional forces, such as those from struggling prey) and were serrated to form a distinct cutting edge (Effinger, 1998; Joeckel, 1990; Ruff & Van Valkenburgh, 1987). These canines, along with the incisors, interlock to stabilize the jaws while biting and dismantling in a carnivore-like fashion. More strikingly, the canines also seem to act as “occlusal guides,” wherein the canines help align the movement and position of the rear teeth as they come together, allowing for a more efficient shearing action by the rear teeth. This function is seen most prevalently modern carnivorous mammals, and is evidenced by the canine tooth-wear, which is also analogous to modern predators like bears and canids (Joeckel, 1990). Indeed, going off such teeth alone, it is clear that Archaeotherium is far more predatory than expected of an ungulate. However, the real stars of the show, the teeth that truly betray the predatory nature of these ungulates, are the premolars. Perhaps the most carnivore-like teeth in the entelodont’s entire tooth row, the premolars of Archaeotherium, particularly the anterior premolars, are laterally compressed, somewhat conical in shape, and are weakly serrated to bear a cutting edge, giving them a somewhat carnivorous form and function of shearing and slicing (Effinger, 1998). Most strikingly of all, the premolars of Archaeotherium bear unique features similar not to modern herbivores, but to durophagous carnivores like hyenas, particularly apical wear patterns, highly thickened enamel, “zigzag-shaped” enamel prism layers (Hunter-Schraeger bands) on the premolars which is also seen in osteophagous animals like hyenas, and an interlocking premolar interface wherein linear objects (such as bones) inserted into jaws from the side would be pinned between the premolars and crushed (Foss, 2001). Taken together, these features do not suggest a diet of grass or vegetation like other ungulates. Rather, they suggest a far more violent diet, one including flesh as well as hard, durable foods, particularly bone. All in all, the evidence is clear. Archaeotherium and other entelodonts, unlike the rest of their artiodactyl kin, were not the passive herbivores as we envision ungulates today. Rather, they were willing, unrepentant meat-eaters that had a taste for flesh as well as foliage.
Of course, even with such lines of evidence, its hard to conclude that Archaeotherium was a true predator. After all, its wide gape and durophagous teeth could have just as easily been used for scavenging or even to eat tough plant matter such as seeds or nuts, as in peccaries and pigs, which themselves share many of the same adaptations as Archaeotherium, include the more carnivorous ones (e.g. the wide gape, using the canines as an occlusal guide, etc.). How exactly do we know that these things were veritable predators and not pretenders to the title. To this end, there is yet one last piece of evidence, one that puts on full display the predatory prowess of Archaeotheriumevidence of a kill itself. Found within oligocene-aged sediment in what is now Wyoming, a collection of various fossil remains was found, each belonging to the ancient sheep-sized camel Poebrotherium, with many of the skeletal remains being disarticulated and even missing whole hindlimbs or even entire rear halves of their body. Tellingly, many of the remains bear extensive bite marks and puncture wounds across their surface. Upon close examination, the spacing and size of the punctures leave only one culprit: Archaeotherium. Of course, such an event could still have been scavenging; the entelodonts were consuming the remains of already dead, decomposed camels, explaining the bite marks. What was far more telling, however, was where the bite marks were found. In addition bite marks being found on the torso and lumbar regions of the camels, various puncture wounds were found on the skull and neck, which were otherwise uneaten. Scavengers rarely feast on the head to begin with; there is very little worthwhile meat on it besides the brain, cheek-muscles and eyes, and even if they did feed on the skull and neck, they would still eat it wholesale, not merely bite it and then leave it otherwise untouched. Indeed, it was clear that this was no mere scavenging event. Rather than merely consuming these camels, Archaeotherium was actively preying upon and killing them, dispatching them via a crushing bite to the skull or neck before dismembering and even bisecting the hapless camels with their powerful jaws to preferentially feast on their hindquarters (likely by swallowing the hindquarters whole, as the pelvis of Poebrotherium was coincidentally the perfect width for Archaeotherium to devour whole), eventually discarding the leftovers in meat caches for later consumption (Sundell, 1999). With this finding, such a feat of brutality leaves no doubt in ones mind as to what the true nature of Archaeotherium was. This was no herbivore, nor was it a simple scavenger. This was an active, rapacious predator, the most powerful in its entire ecosystem.
Indeed, with such brutal evidence of predation frozen in time, combined with various dental, cranial, and post cranial adaptations of this formidable animal, it’s possible to paint a picture of how this formidable creature lived. Though an omnivore by trade, willing and able to feast on plant matter such as grass, roots and tubers, Archaeotherium was also a wanton predator that took just about any prey it wanted. Upon detecting its prey, it approached its vicim from ambush before launching itself at blazing speed. From there, its cursorial, hoofed legs, used by other ungulates for escape predation, were here employed to capture prey, carrying it at great speeds as it caught up to its quarry. Having closed the distance with its target, it was then that the entelodont brought its jaws to bear, grabbing hold of the victim with powerful jaws and gripping teeth to bring it to a screeching halt. If the victim is lucky, Archaeotherium will then kill it quickly with a crushing bite to the skull or neck, puncturing the brain or spinal cord and killing its target instantly. If not, the victim is eaten alive, torn apart while it’s still kicking, as modern boars will do today. In any case, incapacitated prey are subsequently dismantled, with the entelodont using its entire head and heavily-muscled necks to bite into and pull apart its victim in devastating “puncture-and pull’ bites (Foss, 2001). Prey would then finally be consumed starting at the hindquarters, with not even the bones of its prey being spared. Such brutality, though far from clean, drove home a singular truth: that during this time, ungulates were not just prey, that they were not the mere “predator-fodder” we know them as today. rather, they themselves were the predators themselves, dominating as superb hunters within their domain and even suppressing clades we know as predators today, least of all the carnivorans. Indeed, during this point in time, the age of the carnivorous ungulates had hit their stride, and more specifically, the age of entelodonts had begun.
Of course, more so than any other entelodont, Archaeotherium took to this new age with gusto. Archaeotherium lived from 35-28 million years ago during the late Eocene and early Oligocene in a locality known today as the White River Badlands, a fossil locality nestled along the Great Plains and Rocky Mountains. Though a chalky, barren landscape today, during the time of Archaeotherium, the White River Badlands was a swamp-like floodplain crisscrossed with rivers and interspersed with by a mosaic of forests concentrated around waterways, open woodlands and open plains. As with most ecosystems with such a lush disposition, this locale teemed with life, with ancient hornless rhinos, small horse-like hyracodonts and early camels roaming the open habitats while giant brontotheres, small early horses and strange, sheep-like ungulates called merycoidodonts (also known as “oreodonts”) dwelled within the dense forests. Within this locale, Archaeotherium stalked the open woodlands and riparian forests of its domain. Here, it acted as a dominant predator and scavenger across is territory, filling a niche similar to modern grizzly bears but far more predatory. Among its preferred food items would be plant matter such as roots, foliage and nuts, but also meat in the form of carrion or freshly caught prey. In this respect, smaller ungulates such as the fleet-footed camel Poebrotherium, a known prey item of Archaeotherium, would have made a for choice prey, as its small size would make it easy for Archaeotherium to dispatch with its powerful jaws, while the entelodonts swift legs gave it the speed necessary to keep pace with its agile prey.
However, the entelodont didn’t have such a feast all to itself. Just as the badlands teemed with herbivores, so too did it teem with rival predators. Among their ranks included fearsome predators such as Hyaenodon, a powerful, vaguely dog-like predator up to the size of wolves (as in H. horridus) or even lions (as in the Eocene-aged H. megaloides, which was replaced by H. horridus during the Oligocene). Armed with a massive head, fierce jaws and a set of knife-like teeth that could cut down even large prey in seconds, these were some of the most formidable predators on the landscape. There were also the nimravids, cat-like carnivorans that bore saber-teeth to kill large prey in seconds, and included the likes of the lynx-sized Dinictis, the leopard-sized Hoplophoneus and even the jaguar-sized Eusmilus. Furthermore, there were amphicyonids, better known as the bear-dogs. Though known from much larger forms later on in their existence, during the late Eocene and Oligocene, they were much smaller and acted as the “canid-analogues” of the ecosystem, filling a role similar to wolves or coyotes. Last but not least, there were the bathornithid birds, huge cariamiform birds related to modern seriemas but much larger, which filled a niche similar to modern seriemas or secretary birds, albeit on a much larger scale. Given such competition, it would seem that Archaeotherium would have its hands full. However, things are not as they appear. For starters, habitat differences would mitigate high amounts of competition, as both Hyaenodon and the various nimravids occupy more specialized ecological roles (being a plains-specialist and forest-specialist, respectively) than did Archaeotherium, providing a buffer to stave off competition: More importantly, however, none of the aforementioned predators were simply big enough to take Archaeotherium on. During the roughly 7 million years existence of Archaeotherium, the only carnivore that matched it in size was H. megaloides, and even that would have an only applied to average A. mortoni individuals, not to the much larger, bison-sized “Megachoerus” individuals. The next largest predator at that point would be the jaguars-sized Eusmilus (specifically E. adelos) which would have only been a bit more than half the size of even an average A. mortoni. Besides that, virtually every other predator on the landscape was simply outclassed by the much larger entelodont in terms of size and brute strength. As such, within its domain, Archaeotherium had total, unquestioned authority, dominating the other predators in the landscape and likely stealing their kills as well. In fact, just about the only threat Archaeotherium had was other Archaeotherium, as fossil bite marks suggest that this animal regularly and fraglantly engaged in intraspecific combat, usually through face-biting and possibly even jaw-wrestling (Effinger, 1998; Tanke & Currie, 1998). Nevertheless, it was clear that Archaeotherium was the undisputed king of the badlands; in a landscape of hyaenodonts and carnivorans galore, it was a hoofed ungulate that reigned supreme.
However, such a reign would not last. As the Eocene transitioned into the Eocene, the planet underwent an abrupt cooling and drying phase known as Eocene-Oligocene Transition or more simply the Grande Coupure. This change in climate would eliminate the sprawling wetlands and river systems that Archaeotherium had been depending on, gradually replacing it with drier and more open habitats. To its credit, Archaeotherium did manage to hang on, persisting well after the Grand-Coupure had taken place, but in the end the damage had been done; Archaeotherium was a dead-man-walking. Eventually, by around 28 million years ago, Archaeotherium would go extinct, perishing due to this change in global climate (Gillham, 2019). Entelodonts as a whole would persist into the Miocene, producing some of their largest forms ever known in the form of the bison-sized Daeodon (which was itself even more carnivorous than Archaeotherium), however they too would meet the same fate as their earlier cousins. By around 15-20 million years ago, entelodonts as a whole would go extinct. However, while the entelodonts may have perished, this was not the end of carnivorous ungulates as a whole. Recall that the cetacodontamorphs, the lineage of artiodactyls that produced the entelodonts, left behind two living descendants. The first among them were the hippos, themselves fairly frequent herbivores. The second of such lineage, however, was a different story. Emerging out of South Asia, this lineage of piscivorous cetacodontamorphs, in a an attempt to further specialize for the fish-hunting lifestyle, began to delve further and further into the water, becoming more and more aquatic and the millennia passed by. At a certain point, these carnivorous artiodactlys had become something completely unrecognizable from their original hoofed forms. Their skin became hairless and their bodies became streamlined for life in water. Their hoofed limbs grew into giant flippers for steering in the water and their previously tiny tails became massive and sported giant tail flukes for aquatic propulsion. Their noses even moved to the tip of their head, becoming a blowhole that would be signature to this clade as a whole. Indeed, this clade was none other than the modern whales, themselves derived, carnivorous ungulates that had specialized for a life in the water, and in doing so, became the some of the most dominant aquatic predators across the globe for millions of years. Indeed, though long gone, the legacy of the entelodonts and of predatory ungulates as a whole, a legacy Archaeotherium itself had helped foster, lives on in these paragons of predatory prowess, showing that the ungulates are more than just the mere “prey” that they are often made out to be. Moreover, given the success that carnivorous ungulates had enjoyed in the past and given how modern omnivorous ungulates like boar dabble in predation themselves, perhaps, in the distant future, this planet may see the rise of carnivorous ungulates once again, following in the footsteps left behind by Archaeotherium and the other predatory ungulates all those millions of years ago.
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2024.05.14 18:07 TaskasMum Dog communication

Hello there!
My assistance dog (Im in the UK) is charity trained. As part of my training with my first assistance dog (12 1/2 years ago) they introduced Canine Calming Signals, and the person who first recognised them, Turid Rugaas.
Turid is a behaviourist and an affirmative, force-free trainer in Norway. She first talked about things most people easily recognise now- like a play bow- and was there at the start of increasing awareness about dogs' awareness of humans, and ability to read humans. You might be asking yourself, tho... what does this matter for a service dog?
Your dog has nothing better to do than watch you, constantly, and try to figure you out... so if you understand what things are especially meaningful to your dog, you can make it easier for them to understand what you want, need, like, or don't like.
For example- a yawn and a look away after licking the lips. This is clear "dog speak" for "Calm down, there is nothing to worry about, and you being all excited is gonna stress me out".
Watch your dog and see how often THEY use the sign!
Dogs (mostly) naturally do everything they can to "keep the peace" with other dogs (and people). The way they approach each other, the way they hold their bodies... it tells you what they are thinking. Each dog varies a bit, so learning *your* dog is important.
When my dog is being silly and over-excited, or conversely, is stressed in a place that might be unfamiliar (for example), I can look at him, lick my lips, yawn, and turn my head away- and he thinks "Oh, she's not worried, and she doesn't want me to be..." and he will calm down. In one of her books, there is a great story where someone moves with their dog to a house that has a commuter rail track at the foot of the garden. Every time the train goes by, the dog gets incredibly stressed and shakes, cries, and tried to hide. They looked at the time tables, and just before the train was to come, the people rewarded the dog, and as the train started to approach they engaged in a positive interaction like playing or cheerful grooming. When the dog starts to show signs of distress, they lick-yawn-turn. Over time, the dog learned "trains don't scare mum and dad, so, they don't train me either" and the dog no longer cared about the train.
You can go anywhere to learn more, and there are some good books- but it's worth it. In time, you learn to read your dog as well as communicate with them- both strengthen and improve both your training and your relationship.
Here are some useful links...
Turid Rugaas website- she also has books and videos http://en.turid-rugaas.no/calming-signals---the-art-of-survival.html
Turid's "on talking terms with dogs" - https://edisciplinas.usp.bpluginfile.php/3873275/mod_resource/content/1/On%20talking%20terms%20with%20dogs_%20Rugaas%202006.pdf
AKC guidance on body language https://www.akc.org/expert-advice/advice/how-to-read-dog-body-language/#:\~:text=Dogs%20with%20their%20tails%20pointing,neutral%20depends%20on%20the%20breed.
Victoria Stilwell - https://positively.com/dog-training/article/communication-canine-body-language
https://www.dogstrust.org.uk/dog-advice/understanding-your-dog/body-language
https://outwardhound.com/furtropolis/pet-parenting/how-to-read-dog-body-language
https://www.pawcommons.com/understanding-canine-body-language-what-your-dog-is-trying-to-tell-you/
Maybe we could discuss it here?
submitted by TaskasMum to service_dogs [link] [comments]


2024.05.14 18:07 Icantlivewithoutchoc D3/K2 supplements

Hello Humans! ✨
I’d like to know your opinions/experiences about D3/K2 supplements!
It’s still not a 100% thing that MS is linked to a low Vitamin D or an imbalance but also many MS patients have low Vitamin D.
My doctor prescribed me 20.000 I.E. with K2 because I basically have 0 vitamin D in my body.
Do you take them and if so have you noticed any differences since you do?
Hope you’re enjoying your day/evening! Stay safe 🫶🏻
submitted by Icantlivewithoutchoc to MultipleSclerosis [link] [comments]


2024.05.14 18:05 Absent-heartless-666 Weekly Young Jump Newcomer Manga Award interview with Ryou Minenami

Found this very interesting interview. Read the tl;dr part if you hate reading longass walls of text.
Note: Page 1 is mostly about Ryou's early days as a struggling novelist, then mangaka assistant and then mangaka and workflows during analog and digital era, the only important part is that Boy's Abyss is... not much of a culmination of her mangaka career, but a work where she can satisfy her ego the most, so i skipped them due to time. Pages 2, 3 and 4 have more info about Abyss.
PART 2: ABOUT BACKGROUND DESCRIPTIONS THAT SUPPORTS THE HUMAN DRAMA
Sauce: https://youngjump.jp/comic_award/interview/2024/05/index2.html
--How do you decide on the locations for your works?
It depends, but I tend to choose places where I have spent time in the past or places that remain in my memory.
--I see. Is there anything important to remember in order to recall the right location for the scene?
You can't open a drawer where there isn't one, so I think it's important to look at various places on a regular basis to increase the number of drawers.
--In "Shounen no Abyss", bridges seem to appear many times in important scenes, including in the first episode. Is this intentional?
Yes, it is. In the first episode, I put the bridge as a kind of borderline between life and death, and I think that the readers came to feel the danger from the bridge. So I may have consciously chosen to use a bridge in decisive scenes. Also, since Reiji is a person who cannot decide for himself whether to live or die, I have him hovering on the bridge, which is between life and death.
(Footnote for a panel from ch. 2: From the second chapter, "Incognito Date". The location of the bridge makes us feel more that Reiji is wandering between life and death.)
--I see. By having them perform on the bridge, you are also conveying the character's condition and humanity.
(Footnote with a page from ch.87: From episode 87, "After the dream". In episode 87, which is set in Tokyo, Reiji's wavering state of mind is expressed in detail using a bridge as a stage.)
--I feel that the timing of the rain is also very well thought out.
Rain is an indispensable element in a gloomy work like this, so I often think about the weather from the plotting stage. Also, when I draw rain, I imagine myself being in the rain. It is cold, my clothes stick to my skin, it gets in my eyes.... I hope that the reader can feel these things.
(Footnote with the page where Akira betrays Shino'oka and gives in to Yuko's temptation in ch102: From Chapter 102, "Amid the Overflowing Water". The texture of the rain effectively shows Nozoe's inclined mind.)
--you have to think about what kind of environment the person is in and what kind of air he/she breathes.
I think it depends on the type of work. For my works, that kind of accumulation is important, but there are also works where other things are important. I think you should think about it according to the kind of work you want to paint.
PART 3: ABOUT THE PICTURE DESIGN THAT SUPPORTS THE WORK
Sauce: https://youngjump.jp/comic_award/interview/2024/05/index3.html
--I assume that it was difficult to learn to draw pictures from a place with no experience in manga.
I learned by trial and error while actually drawing. Even now, I still have a hard time with drawings.
--I see. I (the interviewer) like the pictures in "Shounen no Abyss" very much because they match the content of the story, but it seems to me that you have changed the design of the pictures quite a bit from your past works. How did you decide on the style?
When I started my first serial, "Hoboreru Hanabi", I didn't have time to choose the style yet, so I drew what I could draw at the time. From the next serial, "Himegoto: Juukyuusai no Seifuku," I started to think about "making the eyes a little bigger" or "adding deformation.
--In the next serial work, "Hatsukoi Zombie," you used a much more deformed style of drawing. Why is that?
I think it was because it was serialized in a shounen magazine called "Shounen Sunday. I was conscious of the drawings of Rumiko Takahashi, who I have been a fan of for a long time.
--Did you have the medium of "Weekly Young Jump" in mind when you created the artwork for "Shounen no Abyss"?
If anything, I tried to make the design more in line with the content of the book. Considering the content, for example, it was difficult to use the same body size and eye size as the characters in "Hatsukoi Zombie". However, in the case of "Shounen no Abyss," the reality line differs slightly from character to character, and the way in which deformation is added is different for each character.
--Do you have any advice for new artists who want to improve their drawing?
I think it is important to be aware of the importance of observing what you are drawing. If you just draw from your imagination, you will end up with buildings whose structures you don't know, or wrinkled clothes that don't convey the texture of the wearer's clothing, which is a habit of mine. The result is a worldview that is not convincing. In this age of the Internet and other sources of information, it is important to observe the subject matter carefully and draw it, rather than making rough guesses.
--Do you still search for materials when you draw props, backgrounds, etc.?
Yes, I do. For example, I think about "What kind of room would this person live in?", "What kind of shoes would she wear?", "What kind of car would she drive? I think that the accumulation of such details leads to the sense of daily life that is conveyed in the work.
From episode 19, "seducer". The decor and accessories in Chako's room give us a sense of her life. (there was a page from that chapter i can't put in the post, gomwnnasai, gomennasai, gomennasai....)
End of part 3
PART 4: ABOUT WEEKLY SERIALIZATIONS (this is the important shit)
Sauce: https://youngjump.jp/comic_award/interview/2024/05/index4.html
-I feel that "Shounen no Abyss" has a great live-action feel to it. The characters' actions and the development of the story are unpredictable, and each time I am surprised to see how the story will unfold. Do you have a rough idea of how the story will unfold?
There is a general flow of the story, but basically, I myself draw the story while excitedly thinking, "Well, what will this person say or do on the next page?" In a nutshell, is this a romcom in which Reiji meets a variety of women and decides who he will fall in love (or into the abyss)? It's something like that (T/N: Ryou answered like questioning and answering to herself in the last paragraph of this section)
--I have heard that the starting point of the project for "Shounen no Abyss" was "a story about a double suicide" Do you often draw the story with the theme in mind?
Yes, I decide on the axis to some extent at the beginning. If there is nothing at all, the project itself will not be communicated, and it will be difficult to start a serialization.
--I think that in a weekly serialization, it is necessary to attract the reader intensely in the first episode. What were you conscious of in the first episode of "Shounen no Abyss"?
It's an ensemble piece, so I was conscious of showing all the main characters in the first episode. I also decided to make a memorable appearance of the heroine, Nagi, in the last part of the episode. I also thought about the order of the characters that Reiji meets. First, he meets Shiba-chan, who is outside of his interest, and then he meets and talks with his friend Chako. Then his childhood friend Gen would appear, and things would take a turn for the worse. Then, his family, which is the most painful existence for Reiji, makes an appearance. Then he crosses paths with a mysterious man, and finally a beautiful and bewitching woman appears. In order to make it easier for the reader to enter the world of the work, I made the flow of the story gradually fall into darkness.
--It's like Reiji is going down a flight of stairs one step at a time.
Yes, Nagi is waiting for him when he descends the last step. I changed the background accordingly. When he is with his friend Chako, the sun is out, and when the sun begins to set, he meets his family, and by the time he meets Nagi, it's already nighttime.
--I'm so impressed...! You have built in the backgrounds and elaborated on the details.
(Footnote for 2 pages from the 1st chapter that were shown: Both are from the first episode, "The Boy from That Town". He meets his friend Chako on his way to school in the daylight, but by the time he meets his family, it is dark and shadowy outside. The contrast of the background also depicts Reiji's descent into darkness.)
--What are the most important things outside of your work when working on a weekly series?
Physical strength is important. I also think it is important to keep your mind clear and avoid unnecessary stress. There are many times when I think, "I should have done this better," or "It will be difficult this time because I did that last time," but there is no use in overthinking things, so I try to switch over as soon as possible.
--Finally, do you have any advice for new artists?
I think it is important to have a lot of input while you are young, and to push your luck a little in creating your work.
--Thank you for your valuable talk!
Now, the tl;dr:
-2: Bridges in this manga are used as a gate between life and death.
-1: rain is important in this manga to depict the characters' overflowing emotions.
0: Ryou had to choose carefully the type of atmosphere and air for this manga.
1: Ryou drew Drowning Fireworks on a rush and could define a proper style, she shifts styles according to the tone and magazine shenis doing her works for.
2: She had to study locations and interior plaves to depict characters, their lives and mental states.
3: Boy's Abyss is a romcom on its structure. And the characters were introduced in a way you could instantly get familiarized with from the start, as it's an ensemble work.
4: characters were introduced in a way you can feel Reiji is going downstairs into the abyss. Yuri being the first because she's the character he's the least interested into, Chako next because she's the sun, the light, she's Kana Arima... okno, and Nagi last because she's Chako's thematical opposite and had to have an impactful introduction. and the endgame and endgoal are already decided since day one. Nagi is waiting for Reiji to do the last step
5: a good physical condition, being resourceful and brave enough are the keys for a successful weekly story.
That's it. See ya tomorrow.
submitted by Absent-heartless-666 to boysabysss [link] [comments]


2024.05.14 18:05 lazylittlelady [Discussion] The Divine Comedy by Dante Alighieri- Paradiso Canto 1-7

Congratulations, you and Dante have made it to Paradiso. Top level achieved! Now, let's see what there is to see here.
Canto I: Beatrice Knows It All
Dante calls on Apollo to help him explain what he sees, referencing his flaying alive of Marsyas. In Paradiso, the Greeks are the best use of metaphor and inspiration for Dante, which Beatrice calls him out on! The light of God shines more strongly here in heaven than on Earth. They observe the sun and Dante passes "beyond the human" and has no words. Beatrice explains gravity and revolving spheres. We are somewhere in outer reaches of the Ptolemaic universe.
Canto II: Don't Follow Me!
Dante urges us not to follow in his footsteps unless you already are Heaven-ward inclined. Dante and Beatrice visit the first star. The moon has a dark spot that is Cane. Beatrice points out reason's limitations and suggests an experiment with mirrors. They discusses how internal organs correspond with the different celestial bodies.
Canto III: Love You To The Moon (And Back?)
Beatrice mocks Dante's intellect. They look at the moon-a place of broken vows to God and visit with Piccarda Donati, who was abducted from a convent and forced to marry by one of her brothers, Corso (who was also Dante's opponent). Her other brother, Forese was Dante's friend, so this is a very personal story. Unlike in the other realms we visited, the souls are content to rest where they are, as ordained and ordered by God. Although grace rains unequally in Paradise, it doesn't make it less Paradisical. If you want a rabbit hole to explore, here is the story of the life and times of Empress Constanza.
Canto IV: More Moon
Beatrice reads Dante's mind and answers his questions, and they discuss Plato, Justice, Dante's limitations and how the Bible considers how to manifest God's power in a way that is not too uncomfortable. Beatrice discusses Alcmaeon#/media/File:Alcmaeon_killing_his_mother_Eriphyle.jpg), who killed his mother to please his father-a filial act does not erase his crime. Dante wants to know if broken acts can be redressed. Beatrices blinds him with Love.
Canto V: On To Mercury
Beatrice explains her glow and celestial contracts, including foolish ones in history, which obviously require the sacrifice of a beloved daughter, e.g. Iphigenia. Beatrice glows so much, other shades approach to bask in her light. Dante spots Mercury.
Canto VI: Fame!
Mercury contains the righteous who were motivated by...fame! But we're talking legitimate fame and honor, not that lesser stuff. We discuss eagles, Justinian.jpg), Roman conquests, Charlemagne, etc. Dante gets a swipe at domestic politics, again bringing up the Ghibellines and Emperor Charles and the Guelphs. Dante remembers another exile, Romeo [Romieu] de Villeneuve.
Canto VII: Just Vengeance
Still on Mercury, Dante and Beatrice discuss how just vengeance works. Man's good or just works are not enough without God. The sacrifice of Christ means that not only the soul, but the body, which is made of the four pure elements that lead back to God, will be resurrected. Okay?
____________________________________________________________________________________________________________________
See you next week, when we visit even more of Paradiso in Cantos VIII-XV! Questions below.
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2024.05.14 18:04 Icee__ What should I do?

I’ve been working customer service jobs all my life and hate it! I’m over answering dumb questions, not having a set schedule, and being under a management team that would rather have bodies than people doing their job. I’m currently going to school for Business Administration but I’m not sure what to pursue with this degree. I’m an introvert and when too many people come up to me when I’m trying to get my work done, I become a bit irritable and overwhelmed. Once my work is finished, I’m pretty cool and don’t mind sparking up a conversation. I’m really just looking for balance in my life. It might sound dumb I watched my mother as a billing agent (probably not the right title but you know what I mean) and I thought having your own office, work on the computer with my headphone in seemed so cool. You order takeout and complain about your boss with your coworkers and everyone goes their separate ways after lunch is over. I want to be successful and have a career where I am financially stable and can move around.
Here are some things I found interesting:
HR: Has the organizations skills, consistent schedule, aligns with my degree, and a split between human interaction and office work. Downfall is that I’ve watched my last 3 HR managers leave because the company cared more about themselves than the workers. They also overworked and blamed them for everything that went wrong.
Accounting: Quiet and flexible but math is my least favorite subject and I’d hate to feel like a failure going into something new.
Project Management: Probably where I’m heading. Has opportunities to grow, a set schedule and a possibility to become remote. I don’t mind going to meetings, writing emails and doing office work. My only fear is that I’m currently a manager and found that I’m better at being in charge of a project than a team.
Possible side hustles:
Blogger: Writing has always been my go to when I can’t find the words to say. I was thinking about starting my own blog but I know money isn’t guaranteed
Entrepreneurship: It’s why I went back to college to begin with. I thought about starting my own business but money is tight and you’ll see a loss before you’ll see a profit. I plan on selling small items on Etsy and eventually work my way up
Do you all have any suggestions or advice? I appreciate all the help I can get.
submitted by Icee__ to careerguidance [link] [comments]


2024.05.14 18:04 Past_Horror2090 Prisoner

I was thinking of a fan-fic character that could make a callback to the Fearsome Womb Arc:
An inmate who witnessed the Cursed Womb (The uterus-like evolutionary stage of an immature cursed spirit) floating above the exercise yard.
Being one of the few who escaped during the commotion. Who starts to subconsciously generate more Cursed Energy due to this traumatic experience and the lingering negative emotions.
Now on the run from the law. He witnesses on the news, how the atrocious Shibuya Incident unfolds. Kenjaku who is in the midst of this chaos, ends up targeting and transfiguring the runaway who was born with enough innate talent to be able to see curses, but his brain was not meant to be a sorcerer. Just like Higuruma and Junpei
Now from being in a detention center, to running from the law; does the man find himself an involuntarily participant in the culling games.
He refuses to kill humans whether they are sorcerers or non-sorcerer, but has no qualms killing Cursed Spirit participants.
Perhaps his hesitation towards taking a human life is in part due to being remorseful over his past actions. Ultimately seeking renewal and redemption.
When Rule. 11 was added by Megumi Fushiguro that states “Players can leave the game by expending 100 points to invite a substitute into their colony.”
The man found his hope reignited, and would slaughter in total, twenty curses. Finally escaping the Culling Games.
Now as the story moves forward, there is a former prisoner who could turn over a new leaf and/or become an antihero.
Either as a sorcerer or lawful curse user.
Now as for his Cursed Techniques, there are a couple suggestions:
  1. Barrier generation/manipulation
  2. Cloning Technique similar to Bag Mask Curse User
  3. A technique similar to Kamui (Naruto)
Cursed Technique description:
  1. Think of Jester Garandros from BlackClover. Obviously he might not show as extreme feats as Jester, but principally have the same abilities.
How it could interact with the Culling Games barriers, what him trying to get out prematurely to the 11th rule would look like and how his CT could interact with DE I leave ambiguous. Some suggestions would help 🙏🏻
I think it could align with his personality and feeling of imprisonment. Both as a former inmate or philosophically as a person.
It would also allow for him to have a deep understanding of barrriers, reverse engineer barrier techniques and quickly learn fundamentals in Jujutsu as well as Anti-Domain techniques, akin to Hiromi Higuruma.
  1. A CT that works exactly like the Bag Mask Curse User from Hidden Inventory, but is explored to it’s full potential.
An extension technique could let the user clone things such as their mouths and arms, manifesting it on their body. The clones would share their vision and accumulated experiences. Allowing reconnaissance utility as well as enhanced learning. Several clones can boost and enhance one singular clone’s Jujutsu via hand signs and chants performed in tandem.
The CTR lets the user clone things other than themselves. It’s Maximum technique:
Maximum: Coalescence
combines his clones to form a more powerful version of himself. The more clones he combines, the stronger and more arrogant the created version of himself will be.
Not only to explore the cloning ability further would this be a good hypothetical CT
I also think that this could fit with the personality of a person who’s always been a loner. Doesn’t like relying on anyone but himself. Who recognizes that more of himself would allow him to fulfill his ambitions and that while in the detention center. He observed how prison in and of itself wasn’t so bad, but that the other inmates made life hellish. Often fantasizing of a prison where all the inmates was just him.
  1. An ability much like Kamui (Naruto), that has three functions:
It gives the user intangibility, can suck things into it’s pocket dimension as well as eject things out from his pocket dimension.
Turning intangible like Obito would have the same Cursed Energy expenditure as Todo’s Boogie Woogie. But Sucking and ejecting things from his Pocket Dimension would be heavily draining on his CE reserves.
This ability could reflect the inmates desire to traverse the walls and leave the detention center as well as align with a person who fells like a void. Unseen and empty.
Leave your thoughts below and thank you to anyone that read this far :3
Please help expand where you can.
Note:
For the techniques I’ve listed, I am not saying that he would achieve all possibilities listed such as CTR or a Maximum Technique. That is simply the potential applications of the CT itself.
Cheers!
submitted by Past_Horror2090 to JuJutsuKaisen [link] [comments]


2024.05.14 18:01 Live-Salamander8645 Grounding technique.

Close your eyes. Imagine a symbol in front of you. Whatever it is, it’s only for you. Imagine the color of the symbol wrapping around your arm. Your body. Your legs. Your head. Your feet. Like an energy field. Imagine roots on the bottom of your feet. Connecting to the earth. Breathe into the grounding. You got this. Your third eye is blasting. You need to remember to be in your body. Practicing mindfulness helps. It’s okay to be human too. Your soul has a purpose but it won’t get to it if you’re not inside your body. Focus on what your body does enjoy on this planet. (Food, nature, sensory experiences that is not harmful to you or others, Himalayan salt caves, sound baths
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2024.05.14 17:58 MattanaMinistry Mattana Ministry - Weekly Bible Study - 14 May 2024

Mattana Ministry Welcomes You To: Weekly Bible Study: 14 May 2024 Theme: Bible Basics Explained/Faith Scripture: Heb. 10:35-39 & Heb. 11:1-2 Message: God Exists
Faith may seem a small thing, but it can lead people to some extraordinary actions. Consider this story from Romania. The year was 1989, and the Communist government ruled. The Communism that ruled much of Eastern Europe in the 20th century was built on atheistic ideology and philosophy. Though the government allowed church, it kept a tight grip, and often jailed and tortured pastors and believers who defied their rule.
In the town of Timisoara, a local pastor named Tokes, who was teaching the Bible faithfully, was commanded to leave his home and church because he had criticized the government for human rights violations. On the day the police were to evict their pastor, local Christians surrounded the home to stop them. A crowd grew quickly, and the army was called in to stop them. Shots fired. Many wounded, many killed. But then something incredible occurred. The people didn’t fight back. Instead they knelt and prayed. Can we picture that? Prayer against bullets.
Yet the sight was too much for the soldiers. They refused to shoot any more. By this time, the whole town was there. Another pastor named Dugulescu climbed to the balcony of the local opera house and addressed the crowd. He recited something, only a few lines, and two simple words struck deep in the hearts of the people. They began chanting. Then shouting. Two words in defiance of oppression. Two words that cried out for freedom, equality, and dignity. Again and again, they shouted in unison: God exists.
We’ll come back to that story. For now, those same two words are at the very heart of this little thing called faith. So what is faith? Is it just another word for belief? I believe in God - so that’s faith. Right? Well, James reminds us that demons believe in God, and they tremble over that belief. So faith is more than that.
So what is it then? Is it an action of the heart or a conviction of the mind? Or maybe it’s just a feeling in our gut of what we know is true.
To find some answers, we’re turning to the book of Hebrews, and a chapter known as the Hall of Faith. Hebrews 11. The chapter reads like an Old Testament hall of heroes. It’s a highlight reel from every prophet and warrior who ever made it onto a Sunday School flannel board. If we grew up with Bible heroes, we’ll recognize these names. And even if we missed out on all that, there’s something about these heroes - something they all have in common. Many epic stories, countless grand adventures, one shared attribute. And it’s not just courage, or compassion, or integrity. All of those are beautiful and necessary. But this one, this one changes them all. Faith transforms all of our virtues because it gives them direction and purpose. It points everything about us back to God.
So what is faith? Hebrews 11 verse 1:
“Now faith is confidence in what we hope for and assurance about what we do not see” (Hebrews 11:1). Faith is confidence. The Greek word here can also be translated substance. Faith gives substance to the things that we hope for. Hope is about the future anticipation of good things coming. But hope alone is ephemeral a dream with nothing tangible to grab hold of. It takes faith to give hope substance, and confidently grab ahold of it here in the present. And back in verse 1, faith is also assurance about what we do not see.
Now not seen is not the same as not real. The Greek words here carry a sense that means not yet seen. Just because we don’t see it yet doesn’t mean it isn’t real. That’s where hope comes in. Hebrews 6 calls hope an “anchor for our souls.” It keeps us grounded, stops us from drifting.
See hope without faith is just wishful thinking. Like a lottery ticket - I hope this one changes my life, but it probably won’t. But hope with faith is like a bus ticket. Sure, the road might be rough and my fellow passengers can occasionally get on my nerves, but my ticket says home, and I know that my bus driver will get me there.
And verse 2 tells us:
“This is what the ancients were commended for” (Hebrews 11:2). The ancients here refer to Old Testament heroes, and the rest of the chapter reminds us of their stories. Fantastic stories. But they’re not just here to tell a good story. This chapter was written to encourage us. Chapter 10 ended with a powerful call to stand strong to persevere in the face of trial. Back in 10:35,
“Do not throw away your confidence; it will be richly rewarded. You need to persevere so that when you have done the will of God, you will receive what he has promised”(Hebrews 10:35b-36). And chapter 10 ends with one essential Old Testament quote from Habakkuk:
“The righteous shall live by faith” (Hebrews 10:38). Remember, righteous means right with God. And in the Bible it’s the only way to Heaven. And Hebrews reminds us that when we’re right with God, faith is how we live. That short verse is quoted throughout the New Testament.
MM
Please feel free to leave a review of this message.
https://www.soulcenters.org/directory/mattana-ministry/#listing-reviews
submitted by MattanaMinistry to Christianity [link] [comments]


2024.05.14 17:56 ClaimSalt1697 A MASTER LIST of real world tie-ins to ACOTAR: Part 1—Characters & Courts ✨🌙

⚠️ WARNING: Maasverse Spoilers—Proceed with Caution ⚠️

-----------------
Part 1: Characters and Courts - YOU ARE HERE
Part 2: World Map, Items, Terms & Other
-----------------

Well, here we go. A master list of all things ACOTAR + the "real" world.

Now, do I believe every single name and location on this list was chosen by SJM with a specific real-world allusion in mind? Of course not. But when you look at the similarities, you'd be hard pressed to deny some of their very probable relations.
As far as this list goes, I've provided what was within my ability to find—coupling each with that which made the most sense relationally—though several definitions would appear to have zero connection to the story at large.
I can't promise perfection. Heck, I can't even promise 100% accuracy (though I did cross-reference the more obscure sources). And I will gladly welcome any missing pieces and/or additional insight you may have.
\Note: If a character or place/item is minor enough, I've included a reminder of their book roles.*

So come on, friends. Let's dive on in.


https://preview.redd.it/6wts6t7iwd0d1.png?width=832&format=png&auto=webp&s=9f0abc281511431ad28cd76819c77b1907b49432

UK + IRELAND

PRYTHIAN
A combination of Prydain, the old Welsh name for Britain, and Brython, which translates to “Ancient Britons” from Welsh.
HYBERN
A riff of Hibernia, the Classical Latin name for Ireland.

Artist of Prythian map: P-dulcis on redbubble

*A continuing list of world map related locations is provided in Part 2 of this post (see link above)


https://preview.redd.it/0r8gk0ptwd0d1.png?width=840&format=png&auto=webp&s=f82b8e420140957e0aa7c13ee334d4f9b8cdd032

MAIN CHARACTERS

RHYSAND
Rhys (also Rhŷs) is Welsh in origin and means "ardent, enthusiasm." It has deep roots in Welsh culture and is the name of several famous Welsh kings and noblemen, including Rhys ap Thomas, a solider who rose to prominence during the Wars of the Roses.
FEYRE ARCHERON
Feyre is a variant of Feyre and is Old English in origin. It means "fair, beautiful." A similar name in Old Norse is Freyja (also spelled Freya), meaning "Lady," denotes a woman of nobility. In Norse mythology, Freyja is a goddess associated with love, beauty, fertility, sex, and war.
In Greek mythology, the Archeron is one of the five rivers of the Underworld and is often the principal river through which the ferryman Charon transports the dead. It said to be the River of Woe or the River of Misery.
CASSIAN
Cassian is Latin in origin, means "son of Cassius," and denotes one of the oldest families in Rome. Arguably the most well known Cassius was one of the leading instigators of Julius Caesar's assassination plot.
AZRIEL
Azriel is Hebrew in origin meaning "God is my help." In some religions, Azrael is the benevolent angel of death who carries souls of the deceased to the afterlife.
MORRIGAN
The Morrígan is a Celtic goddess associated with war and fate and is seen as a guardian of the earth and its people. Her name means "great queen" or "phantom queen."
AMREN
Amram is of Hebrew origin and means "exalted people." It is the Biblical name of Moses' father.
Note: This tracks with Amren being able to interpret The Book of Breathings which is a play on the very real The Books of Breathing, a collection of ancient Egyptian funerary texts.
NESTA
Nesta is the Welsh version of Agnes meaning "pure, holy." May also have potential connections to Nestor, a legendary Greek king who was known as a great warrior and for the sage advice he offered younger soldiers.
ELAIN
Elain is Welsh in origin and means "fawn." Elaine is associated with the Greek name Helen meaning "light, bright one."
Fun fact: Elain is an anagram of Aelin.
NYX
Nyx is the Greek mythological goddess and personification of the Night. She is the mother of Day (Hemera) and Darkness (Erebus). She often appears alongside other celestial deities such as Selene, Helios, and Eos.

ILLYRIANS

EMERIE
Emerie has Old German origins and means "home strength, brave, powerful."
ENALIUS
In Greek mythology Enyalius is a son of Ares but is also a byname for the god of war. He is often seen as the god of soldiers and warriors from the Ares cult.
DEVLON
Devlon is Gaelic in origin and related to the name Devlin meaning "fierce courage."
BALTHAZAR
Balthazar is Akkadian in origin meaning "God protects the King." It is a name commonly attributed to the wise man who gifted myrrh to the Christ child (the myrrh symbolizing the future death of a king). It is an alternate form of King Belshazzar who played a pivotal role in a coup d'état that overthrew a Neo-Babylonian king.
ACOTAR role: Balthazar helped Nesta during the Blood Rite.
PROTEUS
Proteus is a prophetic sea god in Greek mythology and means "versatile, mutable, capable of assuming many forms."
ACOTAR role: Proteus is Emerie's father and was killed in the war with Hybern.
BELLIUS
May refer to Belus, the Babylonian god of war.
ACOTAR role: Bellius is Emerie's cousin and was slain by Cassian during the Blood Rite.
KALLON
No clear references found, but kalon in Ancient Greek translates to "ideal perfect beauty."
ACOTAR role: Kallon incited the Illyrians against the Night Court leaders and was ultimately slain during the Blood Rite.

HEWN CITY

KEIR
Keir is Gaelic, meaning "dark," and is related to the Irish name Ciarán. In Greek mythology, the Keres (singular being Ker) were female death spirits who personified violent death. There is a suggested connection between the Keres and the Valkyries of Norse mythology, each representing opposite ideals; the Valkyries being benevolent deities in death, versus the Keres representing feasting destruction.
THANATOS
In Greek mythology, Thanatos is the personification of death. He is a minor figure, often referred to but rarely appearing in person (I see what you did there, SJM).
ACOTAR role: Thanatos is mentioned briefly by Keir during the alliance meeting with Eris.

THE LIBRARY

CLOTHO
In ancient Greek mythology, Clotho is the youngest goddess of the Three Fates and spins the thread of human life. Her name means "spinner."
MERRILL
Merrill is of British origin meaning "sparkling sea, sea-bright."
GWYNETH BERDARA
Gwyneth is Welsh in origin and means "blessed, happiness." In Irish mythology, the Lady Gwyn is a headless woman (cough, Catrin, cough) who chases wanderers at night. In Arthurian mythology, Guinevere has an evil half-sister—"False" Guinevere—who bewitches Arthur.
ANANKE
Ananke means "necessity, fate personified." In Greek mythology she is one of the primordial deities and is the personification of necessity and inevitability.
ACOTAR role: A Priestess who joins in the training to become a Valkyrie.
DEIRDRE
Deirdre is Gaelic in origin and means "broken-hearted, wanderer." The name is associated with a tragic heroine in Irish mythology.
ACOTAR role: A Priestess who joins in the training to become a Valkyrie.
ILANA
Illana is Hebrew in origin nd means "tree, bright light." It stems from the name Elena and is potentially related to the name Ileana, a beautiful young female fairy in various myths.
ACOTAR role: A Priestess who joins in the training to become a Valkyrie.
LORELEI
Lorelei in German in origin and means "alluring, temptress." In German folklore, she is a siren-like seductress.
ACOTAR role: A Priestess who joins in the training to become a Valkyrie.
ROSLIN
Roslin is Scottish in origin and means "rose, red-haired."
ACOTAR role: A Priestess who joins in the training to become a Valkyrie.
RIVEN
Riven derives from Old Norse meaning "to split, tear asunder."
ACOTAR role: A Priestess who avoids contact with strangers and whose background is unknown.

SIDE CHARACTERS

MADJA
Madja is Slavic in origin and may mean "splendid, noble one." In Arabic it means "the women with glory." It is related to the name Madeleine meaning "from Magdala."
NUALA
Nuala is Irish in origin and means "fair shouldered one." In modern Irish storytelling it means "born of the sea." It is considered a diminutive form of the name Fionnuala, a mythological figure who was the daughter of a sea god.
CERRIDWEN
Cerridwen is an enchantress in Welsh mythology. She is said to possess the cauldron of poetic inspiration and is regarded by many as the Celtic goddess of rebirth, transformation, and inspiration.
RITA
Rita stems from the name Margarita and comes from the Greek word meaning "pearl." The Greeks promoted pearls as a symbol of honesty and integrity.
ACOTAR role: Rita owns the "how does the IC not know the clientele is gay" bar.
SEVENDA
No clear connection found, though venda in Latin means "sell" while sev means "strew, spread" and enda means "end." Could also potentially be related to the number seven.
ACOTAR role: Owns a restaurant the IC frequents.
NEVE
Neve is of Latin origin and means "snow."
ACOTAR role: The jeweler from whom Rhys buys jewelry for Amren in ACOFAS.
POLINA
Polina has Latin origins and derives from Apollo, though it could also be seen as a variant of Paulina/Paul meaning "little, the younger."
ACOTAR role: The faerie who owned Feyre's art studio before her untimely death.
RESSINA
Resina means "resin of the pine." Plants secret resin as a protective response, guarding them from insects and pathogens.
ACOTAR role: Ressina opens the art studio with Feyre. She has green skin and stood outside her shop in response to Hybern's attack on Velaris, protecting the terrified faeries inside.
ARANEA
Aranea is Greek in origin and denotes a genus of orb-weaving spiders.
ACOTAR role: Aranea is the weaver who created the Void cloth.

https://preview.redd.it/9hs15ll5xd0d1.png?width=838&format=png&auto=webp&s=ddc4210db47367b3ef75b06909decc6f3f5c1e70

MAIN CHARACTERS

TAMLIN
From the "Ballad of Tam Lin," a legendary ballad from the borderlands of Scotland. Reminiscent of the fairytale Beauty & the Beast where a mortal woman plucks a rose and encounters a man in the forest, later learning he is captive to faeries. She must hold onto him as he is transformed into various beasts and upon his rescue, the faerie Queen muses that she should have taken out his eyes (Lucien, anyone?) or capture his heart (Tamlin's stone heart) to prevent his escape.
LUCIEN
Lucien is French in origin and means "light." Lucian was also the name of a Hellenized Syrian satirist who was known for his tongue-in-cheek style is said to be the inventor of comic dialogue.
ALIS
Alis is a variant of Alice and translates to "noble, exalted."

SIDE CHARACTERS

IANTHE
Ianthe is Greek in origin and means "she who delights." In Greek mythology she is a water-nymph daughter of Oceanus and a companion to Persephone when she was abducted by Hades.
ANDRAS
Andras has Welsh origins and means "manly, brave."
BRON
Bron is Old English and means "brown."
HART
Hart has Irish origins and means "hero, brave, firm." A hart is also the term for a male deer and in Celtic mythology, the white hart is said to appear when one is transgressing a taboo (Tamlin's whipping of his other sentry comes to mind).

https://preview.redd.it/peja6s1pfe0d1.png?width=922&format=png&auto=webp&s=aa094c879ffc1ebabdc76045d8f316a3ea14f6c4

MAIN CHARACTERS

BERON VANSERRA
Beron is French in origin and is a pet form of the name Bero meaning "bear."
Vanserra is a combination of the prefix van meaning "from, of" and serra meaning "saw, view from a high place" or "mountain range." Vanserra can be said to mean "of the mountains."
ERIS
In ancient Greek mythology, Eris is the Greek goddess of strife and discord. Her Roman equivalent, Discord, is the goddess of chaos. She is associated with the war goddess Enyo who is frequently associated with the war god Ares.

SIDE CHARACTERS

JESMINDA
Jesminder is Indian in origin meaning "flower queen."

https://preview.redd.it/aa0ryh03he0d1.png?width=834&format=png&auto=webp&s=2c979ef80546b8a636c7bd4533511d919697c82a

MAIN CHARACTERS

TARQUIN
Tarquin is of Latin origin and means "ruler, strong soldier." Two of the seven kings of Rome bore the name.
VARIAN
Varian is of Latin origin and means "variable."
CRESSEIDA
Cressida derives from Chryseis and means "golden." She is a character associated with the Trojan War and is the archetype of a faithless lover.

SIDE CHARACTERS

NOSTRUS
Nostrum comes from the Latin noster meaning "our, ours." Nostos is an Ancient Greek literary theme concerning an epic hero returning home, often by sea. It is deemed a high level of heroism or greatness and focuses on the hero retaining or elevating their identity while often resisting temptation.
ACOTAR role: The High Lord prior to Tarquin who was slain by Amarantha after participating in a rebellion Under the Mountain.
BRUTIUS
May refer to the Latin name Brutus meaning "heavy, dull."
ACOTAR role: Mercifully slain by Rhys Under the Mountain after his attempted escape.

https://preview.redd.it/aft8e9y1ie0d1.png?width=838&format=png&auto=webp&s=460ecde2541a23a25848a7daea628a85fca79a98

MAIN CHARACTERS

HELION
Helios is the Ancient Greek god personifying the sun. He is often depicted with a solar crown and drives a horse-drawn chariot through the sky. He played a significant role in ancient magic and spells and is the son of the Titan Theia and brother to Selene.

https://preview.redd.it/ywtvubx9ie0d1.png?width=840&format=png&auto=webp&s=45553035c0facda120488d250e45bb39cd662397

MAIN CHARACTERS

KALLIAS
Callias is Greek in origin and means "beauty, beautiful voice." He is a diplomatic and wealthy figure in Ancient Greece.
VIVIANNE
From the Latin word vivianus meaning "alive." Commonly associated with the Irish name Bébinn meaning "beautiful, fair one" and is the name of an underworld goddess in both Irish and Welsh mythology.

https://preview.redd.it/9f3di0y1je0d1.png?width=842&format=png&auto=webp&s=22f9e85462f5c78cc2a864fcc6274bfbcafb1cbd
THESAN
Thesan is the Etruscan goddess of the dawn. Greeks identified her with Eos, the goddess and personification of the dawn. She is sometimes depicted with wings.
NUAN
Nuan is Mandarin and means "warm, genial."
THE PEREGRYN
The peregrine is a falcon renowned for its speed.
Fun fact: The peregrine is the fastest member of the animal kingdom and can reach speeds of over 200mph.

https://preview.redd.it/c1oiwenije0d1.png?width=828&format=png&auto=webp&s=064884b4749d4179ef4eb2d3f1605f8cf0d77d83
AMARANTHA
Amaranths is Greek in origin and means "unfading." The amaranthus flower, often deep red in color, is said to symbolize immortality as it blooms for so long.
BRANNAGH
Brannagh is of Irish origin and denotes a "beautiful female with hair dark as a raven."
DAGDAN
In Irish mythology, the Dagda is considered the chief god of the Tuatha Dé Danaan. His name means "the good god, the great god."
CLYTHIA
In Greek mythology, Clytia is a water nymph who loved the sun god Helios. Helios left her for another woman after coming under the influence of Aphrodite. Clytia exposed the affair to the other woman's father, but eventually lost herself in mourning for Helios's love. Her name means "glorious, renowned."
ACOTAR role: Amarantha's sister.

https://preview.redd.it/u7ro7e96me0d1.png?width=834&format=png&auto=webp&s=9b1aef74acd4c09a8026c10fbbab0ed4804ebb4f

HISTORICAL FIGURES

THEIA
Theia is a Titan and is the Ancient Greek goddess of sight and vision. She is the parent of Helios, Selene, and Eos. She is most known not for her own role, but for that of her childrens'. Her name means "goddess, godly."
SILENE
Selene is the Ancient Greek goddess and personification of the moon. She is the daughter of Hyperion and Theia and sister to Helios and Eos.
HELENA
Comes from the Green name Helen meaning "shining light." There are various Helens in Greek mythology: Helen of Troy, Helen a friend to Aphrodite, and Helene the Amazonian who fought Achilles.
FIONN
Fionn is of Irish origin and means "fair-haired." In Irish folklore, Fionn Mac Cumhaill was a leader of a band of young hunter-warriors.
PELIAS
Pelias is Greek in origin and means "rock pigeon." Pelias was the king of Ioclus while Peleus was the king of Phthia. Peleus was husband to Thetis, father to Achilles, and left several (men and women) dead in his wake, both through means of accident and betrayal, fleeing more than once to escape punishment.
OLEANNA
Oleanna derives from the Greek name Helene meaning "sun ray, shining light."
ACOTAR role: The High Priestess who dipped Gwydion in the Cauldron.

REPORTED DECEASED

CATRIN BERDARA
Catrin is Greek in origin and means "clear, pure." It's commonly used in Wales and is connected with the ancient goddess Hecate, who is the goddess of witchcraft, sorcery, and necromancy.

MINOR CHARACTERS

TANWYN
Tanwan is of Welsh origin and means "white fire."
ACOTAR role: Tanwyn was a Valkyrie and Cassian's former lover.
OSIAN
Osian is Welsh meaning "young deer" and derives from the Irish legendary poet and warrior Oisín, who was regarded as the greatest poet of Ireland and a warrior of the Fianna (small warrior-hunter bands). He was a demigod son of Fionn Mac Cumhaill and Sadhbh.
ACOTAR role: The author of A Brief History of the Great Sieges
RABATH
Rabath is an anagram of Bharat, one of the names of India. Derived from the Sanskrit word bharata, meaning "to bear, be maintained" it can also mean "one who is engaged in search of knowledge."
ACOTAR role: Lord of the Western Wind and ancestor to Merrill.

https://preview.redd.it/7um6ifo4me0d1.png?width=848&format=png&auto=webp&s=c4d3829695878258de311ec34d4043500d3bbd1a
JURIAN
Jurian is Greek in origin and means "farmer, earthworker."
GRAYSEN
Graysen is of English origin and translates to "son of the steward/gray-haired man."
NOLAN
Nolan is Irish in origin and denotes a "child of nobility, champion."
ACOTAR role: Nolan is Graysen's father.
ISAAC HALE
Isaac is Hebrew in origin and means "one who laughs or rejoices." Hale is Old English in origin and means "nook, recess" and denoted someone who lived in a nook or hollow.
TOMAS MANDRAY
Thomas is Hebrew in origin and means "twin." No clear reference to Mandray, though Mandrew is Greek and means "man, warrior."
ACOTAR role: Tomas was Nesta's former betrothed.
CLARE BEDDOR
Clare is French in origin and means "bright, clear." No reference found for Beddor.
AUNT RIPLEIGH
Ripleigh is Old English and means "shouting man's meadow." It is connected to the name Ripley meaning "strip of clearing in the woods."
ACOTAR role: Aunt Ripleigh is the feigned aunt Feyre takes care of.
Ms. Laurent
Laurent is French in origin and means "from Laurentum" and "bay laurel."
ACOTAR role: Ms. Laurent is the mortal caretaker of the Archeron estate.
BRIAR
Briar is of British origin and means "thorny bush of wild roses, brambles."
ACOTAR role: Briar is the mortal woman rescued by Feyre and Azriel.

https://preview.redd.it/h47d07ssne0d1.png?width=832&format=png&auto=webp&s=3b686d7736a763fed07d5ce248f0603a46081e0e

HUMAN QUEENS

VASSA
Vasilissa is Greek in origin and means "queen, empress." It is also the name of a Christian child martyr who was left unharmed during her capture, but after her release was slain in a field as she prayed.
BRIALLYN
Briallen is a Welsh name meaning "primrose." Primrose comes from the Latin word meaning "first" and the primrose flower often represents youth and renewal (SJM, you dog—this may be my favorite tongue-in-cheek naming thing you did).
ACOTAR role: Briallyn is the first queen who enters the Cauldron and is rewarded with immortality as a withered old hag.
DEMETRA
Demeter was the mother of Persephone, an Ancient Greek goddess of the harvest and an emblem of growth.
ACOTAR role: Demetra was the golden queen who provided the mortal half of The Book of Breathings to the Night Court and was subsequently slain by the Attor.
ANDROMACHE
Andromache means "fighter of men." In Greek mythology, she was representative of the suffering of Trojan women during the war and was famous for her virtue and fidelity. Andromache was also the name of a famous Greek Amazonian who fell at Troy.
ACOTAR role: Andromache was the former mortal lover of Mor.

FAE CHARACTERS

DRAKON
Drakon is of Greek origin and means "dragon."
NEPHELLE
In Greek mythology Nephele, meaning "cloud," is a cloud nymph who is considered the goddess of loyalty, generosity, peace, and shyness.
THE SERAPHIM
A seraph is a celestial being regarded as belonging to the highest order of angels in Christian angelology.

HUMAN CHARACTERS

MIRYAM
Miriam of of Hebrew origin and means "sea of sorrow." She is the Biblical daughter of Amram and Jochebed and sister to Aaron and Moses.
URSTIN
No plausible connections found. Potentially an anagram for Rustin, an English name meaning "Rust's estate" or Surtin, a Middle English name meaning "reliable, trustworthy."
ACOTAR role: Urstin is a cousin of the Archerons via their mother.

https://preview.redd.it/7d6podf5pe0d1.png?width=836&format=png&auto=webp&s=8e99a04d45c3b0f1f46232c7ebef16aeef659c8e

MAIN CHARACTERS

THE SURIEL
Suriel is a Hebrew name meaning "God's prince, divine authority." May also reference Sariel, an angel from Judais tradition, one of the seven holy angels. He is considered to be a primordial power invoked for his protective powers.
ATTOR
Possibly an altered form of the German tatter meaning "goblin, puppet." Likely inspired by the Ahool, a bat or primate-like winged cryptid said to live in the jungles of Indonesia.

DEATH GODS

THE BONE CARVER
Self-explanatory.
STRYGA AKA THE WEAVER
Stryzga is a female demon in Slavic mythology similar to a vampire. Stryzga stems from the mythological Strix of Ancient Greece, referring to birds of ill omen (and also witches) who fed on human flesh and blood.
KOSCHEI
Koschei is a common villain in East Slavic tales. He is often given the epithet of "the Immortal, the Deathless" and is said to hide his death inside nested objects for protection. He often takes the role of a malevolent rival figure who competes or entraps a male hero's love interest.
Fun note: The love interest trapping tidbit has interesting connotations for both Lucien (regarding Vassa) and Azriel (regarding Eris). For a breakdown of the Azriel x Koschei scene in ACOSF, see HERE.

PRISON INMATES

BRYAXIS
Bryaxis was a famous Ancient Greek sculptor. His name may mean "delight, lust."
LANTHYS
No information or connections found (and it is KILLING me).
LUBIA
In Albanian mythology, the lubia is a multi-headed, serpentine-like, female watestorm demon-dragon. Her irresistible taste of flesh leans toward that of young girls.
ACOTAR role: Also called Seven-Headed Lubia, imprisoned for preying on girls on the western coast of Prythian.
ANNIS
The Black Annis is a bogeyman in English folklore, depicted as a blue-faced witch with iron claws who has a taste for human flesh, especially that of children.
ACOTAR role: Also called Blue Annis, imprisoned for her craving of female flesh.
VESPERUS
In Greek mythology, Hesperus is the Evening Star. Her Roman equivalent is named Vesper.
ACOTAR role: Vesperus is the Asteri found beneath the Prison.

MINOR CHARACTERS

MIDDENGARD WYRM
Midgard is the realm of human beings in Norse mythology, ie Earth. Wrym is an Old Norse word and refers to a wingless and limbless dragon.
THE BOGGE
Bogge is a Middle English word meaning "frightening specter" from which the term bogeyman originated. Bogeyman have no specific appearance and conceptions vary drastically by culture.
Fun fact: A boggart is a supernatural being from English folklore and also derives from the term bogge (Harry Potter facts, yo).
NAGA
Throughout various Asian religious traditions, Angus are a divine or semi-divine race of half-human, half-serpent beings residing in the netherworld.
Fun fact: A female naga is called a Nagi or a Nagini (more HP facts, yo).
MARTAX
A manticore is a Persian mythological creature similar to the Egyptian sphinx. The martax describe in ACOTAR has a head like a lion's and three rows of teeth. A manticore has the body of a lion and eats its victims whole with its three rows of teeth. The term manticore stems from Latin and Ancient Greek.
PUCA
Púca is Irish for "spirit, ghost" while puca is Old English for "goblin." They were said to be shape-changers.

https://preview.redd.it/kjbnychpse0d1.png?width=840&format=png&auto=webp&s=0cbc744820cea4c2fa5e16ec64c127001ba0de10
MEALLAN
Meallán is Irish in origin meaning "small pleasant one."
ACOTAR role: Helion's pegasus.
ELLIA
Ellia is of various origins and can translate to "beautiful fairy maiden" with hints to the "Otherworld."
ACOTAR role: Mor's horse.
-----------------
For Part 2: World Map, Items, Terms & Other, click HERE
submitted by ClaimSalt1697 to acotar [link] [comments]


2024.05.14 17:55 dreamingirl7 Thank you to my fellow pro-lifers.

Thank you to my fellow pro-lifers.
You guys are the salt of the earth. You’re willing to speak up and be called all sorts of ridiculous things because you believe killing little innocent humans is wrong. Because of you women have an alternative. They don’t have to feel pressured to abort because of their looser boyfriends. They don’t have to be alone. I just want to say thank you. Because of you there are people alive today that wouldn’t be otherwise. This small dependent human in the picture is my beautiful niece. I hope you all are encouraged. Keep spreading the love. Have a beautiful day! 🌷❤️🙏🏼
submitted by dreamingirl7 to prolife [link] [comments]


2024.05.14 17:55 Due-Lychee-1510 Is this a convincing SAP Appeal Letter?

I am not meeting the SAP for my term because I have too many credits. I have passed all my courses so I feel limited in explaining or giving a convincing appeal letter of my situation. The letter is below.
Hello. I am writing to explain the current situation of me not meeting my Standard of Academic Progress (SAP) for this summer term because I have exceeded the number of credits I can take for my program of study. I am pursuing my second associate degree in nursing, which explains the excess credits. After obtaining an associate in arts degree, my interest in nursing grew, seeing its dire importance in the healthcare field and how much I saw myself as a fit. The compassion nurses must put into ensuring patients' care and optimal recovery correlates with my health-conscious, constantly outgoing personality. Since transferring my program of study to Nursing, I have never been so sure of a decision. I have gained much confidence and pertinent knowledge applicable to the real world, such as initiating intravenous lines, knowing when and how to perform cardiopulmonary resuscitation (CPR), or recognizing warning signs such as a deep vein thrombosis and preventing further harm. I have learned more, and I am eager to learn more about the human body and the most effective ways of providing care for recovery.
Nurses are not just in demand; they are urgently needed. In Florida, the nursing shortage has been a continuing issue, with some areas not fully recovering. A recent article by the Florida Health Association (FHA) discusses the critical need for nurses. According to the study conducted in 2021, Advent Health in central Florida was hit with a "...23% turnover rate largely due to high demands of the COVID-19 pandemic. Now, that number is down to 16%." While this is a positive trend, FHA warns, "To address projected shortages by the year of 2035, an additional 2,300 RNs and 1700 LPNs would need to enter the workforce each year." This article emphasizes the urgency of the situation and the crucial role that current nursing students, such as myself, play in filling these gaps.
Not meeting my SAP for this semester was unexpected and has placed me in a challenging financial situation. Despite this, I am on the verge of completing my associate in science in my nursing program. I have consistently excelled in all my courses, and I am confident I can continue this success in my two remaining semesters. My goal is to make the most out of this degree by studying hard beyond school and throughout my career. I respectfully ask the person or people reading this letter to consider my situation.
submitted by Due-Lychee-1510 to financialaid [link] [comments]


2024.05.14 17:53 MorbidCuriosity716 Orderly requires follow up pictures now

Got a text to order next shipment from Orderly. They are now requiring a full body picture to submit to the prescribing medical professional
submitted by MorbidCuriosity716 to compoundedtirzepatide [link] [comments]


http://rodzice.org/