Hi guys, I've recently started music production and am currently trying to see if its possible to create a bright guitar tone with slight distortion (like this video here: https://www.youtube.com/watch?v=d0lgkKnVY3I) using free VSTS (I'm currently using FLEX guitars + the free version of Guitar Amp 7).
I've done some research and tried boosting mids and adding a bit of overdrive + compression but I feel the tone is very thin and not as crunchy as the one in the video.
I know that it might be impossible to recreate this kind of tone with the free VSTS I'm using, but I'm testing this out as a way to learn more about different guitar effects as I'm looking to invest in a guitar soon. I'm mainly wondering if the main reason for why I can't recreate this sound is my lack of understanding of guitar effects, or if its just the quality of the VSTS and Amps.
Any hep is much appreciated :)

Is there a way to set aside 'junk' that I want to keep, collect, and maybe use as decoration or display in my camp? When I look it up, I see a lot of discussion about how to set something as a decoration, but not about the mechanics of scrapping or saving junk. I'm forever collecting something I want to keep, like robot models, forgetting about them, and selecting 'scrap all junk'.
Is there a way to recreate such items, or at least designate them NOT junk? I'm sure just manually scrapping everything is not the answer...

Hello,
I am looking to commission a piece of art that will capture a special family moment from a current image / video (will be provided) in the Ukiyo-e style. The image will be of a person who is healing another person sick in bed, with a religious figure (Jesus) present.
The work would involve translating modern faces / figures into a historical medium & setting while still keeping the essence of what's happening intact.
See examples of the style I am after:

• https://gaijinpot.scdn3.secure.raxcdn.com/app/uploads/sites/6/2017/11/Takiyasha_the_Witch_and_the_Skeleton_Spectre.jpg
• https://laststandonzombieisland.com/wp-content/uploads/2015/03/the-battle-of-go-san-nen.jpg

I'm willing to pay up to $1500 for an original large painting (depending on size you are able to manage and medium you are using). I'm not necessarily looking for the creation of an actual woodcut block to create the art because that is too time intensive & expensive, but I am looking for a finished product that recreates this style.
I'm looking for artists who are experienced in this style of art (not trying it for the first time), so please don't post if you don't have prior examples of this type of work.
Also, my DMs and chats are off, please respond in this thread. And if you've read the post, please put SANDWICH somewhere in your response.

Hi,
In a recent post I described how playing a half curated draft chaff cube of old cards was the best mtg experience I have had in a long time. The constant pressure of having to update my powered vintage cube with every new set was too much for me. It started to get ridiculous, I sometimes updated it three times before I could get together with my friends to play with it (we are all adults with newly born kids).
That is why I created the Nostalgia Cube: a limited environment that just recreates the cards I most recall using when playing as a kid in kitchen table mtg (low power, janky and gimmicky). I tried to keep things low power and synergistic. The mana fix is intentionally kept simple to disencourage 5 color good stuff decks except for slivers, which have their own mana fix. Some new cards such as combat tricks, changelings and blue artifact synergy cards where exceptionaly added to support some archetypes.
The number of cards is 375 to allow a 8 player draft and still have 15 cards left to use [[Booster Tutor]]. All white auras such as [[Shackles]] have "Rebel" added to their type with a sharpie in order to be able to tutor them with rebel creatures like [[Lin Sivvi, Defiant Hero]].
This is the link to the cube, all feedback and comments are welcomed.

Hi,
Edit: Sorry, I meant Void Pyrimid B, not A.
I've been trying to use more reference tracks lately to take my production skill to the next level. I'm really fan of fat funky basslines. I decided to use Void Pyrimid - B as a reference and try to replicate the sound design, but this bassline actually seems a bit tricky. It almost sounds like its made out of a tom or something, could be a plucked bass too but the attack sounds almost like a drum hit.
I'm using Massive to try and recreate this but I'm not at all sure how to get this sound out of it. I'm not that skilled at using Massive so maybe that's the main issue. I could use some pointers on what types of bassline tutorials I should be looking for.
https://www.youtube.com/watch?v=5PfuIcpnrcw

I’m currently in a bit of a dilemma and could use some advice. I’m debating between getting a hardtail or a full-suspension mountain bike (MTB), and I’m hoping to gather some insights from the community. I mainly ride on light trails or roads in the city for almost daily recreational rides. Occasionally, I like to tackle difficult trails, (Buffalo Pound) although I don’t get out to these trails very often, maybe like 1-3 times per month, but would like to get out to them more often. I currently have a 2016 Kona Mahuna (XC bike) and would like to upgrade to something nicer, like with at least a dropper post, and just generally upgraded parts. Im not incredibly experienced, like im not sending it off of 10 foot drops, i would say i may be just above a beginner. You can kind of tell my skill level from my bike (Kona Mahuna). I got into mountain biking a few years ago. but I don’t know if I should go for a hardtail or full suspension. I’ve noticed that with a hardtail, I can get better components since I don’t have to pay for a rear shock. This is appealing from a budget standpoint, as I could invest in upgrades like a better drivetrain, brakes, or wheelset. On one hand, a hardtail with upgraded components seems practical and versatile for my riding needs, including city commuting and occasional difficult trails. On the other hand, the plush feel of the rear suspension on a full-suspension bike enhances the riding experience, particularly on rough trails, despite the higher upfront cost and potential maintenance. I have a budget of about 3k (CANADIAN) give or take a few hundred. I have looked and found the Rocky Mountain Growler 50, and the Rocky Mountain Instinct A30, those are kind of my main bikes I have found. So anyone please help me decide between hardtail and full suspension, also some bike recommendations of either full suspension or hardtail would be greatly appreciated, as I haven’t looked around a lot.

The history of tarot is a fascinating journey that spans centuries and traverses various cultures. The origins of tarot cards can be traced back to 15th-century Italy, where they emerged as playing cards. The initial purpose of these decks was purely recreational, serving as a game known as "tarocchi" or "triumphi."

1. Early Playing Cards (15th Century):
   
   • Origin: Tarot cards likely originated in northern Italy in the early 15th century. The oldest surviving complete deck is the "Visconti-Sforza" deck, dating back to the 1440s.
   • Function: Originally used for games, tarot decks were adorned with symbolic imagery, including allegorical illustrations and trump cards.
2. Tarot in France (Late 15th Century):
   
   • Migration: Tarot cards crossed into France in the late 15th century, and the game evolved with the addition of the 22 trump cards, known as the Major Arcana.
   • Symbolism: The Major Arcana introduced iconic characters and archetypal symbols, enhancing the cards' allegorical significance.
3. Occult Associations (18th Century):
   
   • Esoteric Interest: In the 18th century, interest in the occult and mystical arts surged in Europe. Tarot cards gained esoteric significance, with scholars attributing hidden meanings to the cards beyond their gaming purpose.
   • Etteilla: The French occultist Etteilla published influential tarot interpretations, contributing to the transformation of tarot into a tool for divination and self-discovery.
4. The Rider-Waite-Smith Deck (Early 20th Century):
   
   • Revolutionary Design: In 1909, A.E. Waite and Pamela Colman Smith collaborated on the Rider-Waite-Smith deck, featuring vivid illustrations and intricate symbolism. This deck became immensely popular and served as the foundation for many modern tarot decks.
   • Divinatory Focus: The Rider-Waite-Smith deck emphasized the mystical and divinatory aspects of tarot, influencing the widespread adoption of tarot for spiritual and introspective purposes.
5. Tarot in the New Age Movement (20th Century Onward):
   
   • Popularization: The mid-20th century witnessed a surge in interest in mysticism, the occult, and alternative spiritual practices. Tarot cards gained popularity within the New Age movement, becoming a tool for self-reflection, divination, and personal growth.
   • Diverse Decks: The latter half of the 20th century saw the creation of diverse tarot decks, each with unique themes and interpretations, catering to different spiritual traditions and personal preferences.
6. Modern Tarot Practices (21st Century):
   
   • Global Appeal: Tarot has transcended cultural boundaries and gained a global following. The internet has played a significant role in disseminating tarot knowledge, making it accessible to a diverse audience.
   • Integration with Psychology: Many practitioners view tarot through a psychological lens, using the cards as a tool for introspection, therapy, and personal development.

The historical evolution of tarot reflects its transformation from a simple deck of playing cards to a versatile tool for divination, self-exploration, and spiritual guidance. Today, tarot continues to captivate individuals worldwide, offering a unique blend of ancient symbolism and contemporary relevance.

1. Diverse Tarot Systems and Cultural Influences:
   
   • Cultural Adaptations: Tarot has adapted to various cultural contexts, leading to the creation of decks that draw inspiration from different mythologies, traditions, and artistic styles.
   • Themed Decks: Modern tarot enthusiasts can explore decks inspired by Norse mythology, Celtic traditions, Eastern philosophies, and more, allowing for a rich diversity of interpretations and connections.
2. Tarot and Popular Culture:
   
   • Media Exposure: Tarot has found its way into mainstream media, with references in literature, movies, and television series. This exposure has contributed to its widespread recognition and acceptance.
   • Creative Interpretations: Popular culture has inspired artists and creators to produce tarot decks with themes ranging from fantasy and science fiction to contemporary pop culture references, showcasing the adaptability of tarot symbolism.
3. Tarot in Digital Age:
   
   • Online Platforms: The digital age has transformed tarot readings, making them accessible through online platforms and mobile apps. Virtual tarot readings and communities provide a global forum for discussion and learning.
   • Digital Decks: Tarot decks are now available in digital formats, enabling users to explore and engage with the cards through virtual platforms, expanding the reach of tarot practices.
4. Tarot as a Personalized Tool:
   
   • Self-Expression: Many individuals now create their own tarot decks, infusing personal symbols, experiences, and artistic styles into the cards. This personalized approach enhances the connection between the user and the cards.
   • Intuitive Reading: Modern tarot practices often emphasize intuitive reading, encouraging users to trust their instincts and personal interpretations rather than relying strictly on traditional meanings.
5. Scientific and Skeptical Perspectives:
   
   • Psychology and Tarot: Some psychologists view tarot as a projective tool that can tap into the unconscious mind, offering insights into one's thoughts and emotions.
   • Skepticism and Tarot: Skeptics often approach tarot from a psychological or statistical standpoint, exploring the phenomenon through the lens of cognitive biases and the placebo effect.
6. Tarot Communities and Education:
   
   • Learning Resources: The availability of books, online courses, and workshops has contributed to the education and skill development of tarot practitioners. This has empowered individuals to deepen their understanding of tarot symbolism and interpretation.
   • Community Engagement: Tarot communities, both online and offline, provide platforms for sharing experiences, seeking guidance, and fostering a sense of community among practitioners.

As tarot continues to evolve, its rich history merges with contemporary influences, shaping a dynamic and diverse landscape. Whether embraced for spiritual guidance, artistic expression, or personal insight, tarot remains a versatile and enduring tool that resonates with individuals on their unique journeys of self-discovery.

1. Tarot Ethics and Professionalization:
   
   • Code of Ethics: In modern tarot practices, professional readers often adhere to ethical guidelines. These guidelines emphasize confidentiality, client empowerment, and responsible use of divination tools.
   • Certification and Training: Some tarot practitioners pursue formal training and certification programs to enhance their skills and professionalism, contributing to the recognition of tarot reading as a legitimate and ethical practice.
2. Scientific Research on Tarot:
   
   • Psychological Studies: While scientific research on tarot is limited, some studies explore the psychological aspects of tarot reading. Research has investigated how individuals interpret symbols, engage in reflective thinking, and experience a sense of empowerment through tarot readings.
   • Cognitive Science Perspectives: Tarot's intersection with cognitive science has led to examinations of how the mind processes symbolic information and the impact of belief systems on perception.
3. Tarot and Intersectionality:
   
   • Inclusivity: Tarot communities increasingly emphasize inclusivity, recognizing the importance of diverse perspectives, cultures, and identities. Decks that reflect a broader range of experiences and backgrounds contribute to a more inclusive tarot landscape.
   • Intersectional Readings: Practitioners may integrate intersectionality into their readings, acknowledging the complexity of individual identities and experiences within a broader social context.
4. Tarot's Influence on Art and Literature:
   
   • Literary Works: Tarot symbolism has inspired numerous works of literature, poetry, and art. Authors and artists often incorporate tarot themes to explore psychological, spiritual, and philosophical concepts.
   • Tarot in Visual Arts: Tarot continues to be a muse for visual artists, with contemporary artworks reimagining and interpreting the traditional tarot archetypes in new and innovative ways.
5. Tarot and Holistic Wellness:
   
   • Mind-Body-Spirit Connection: Tarot is increasingly integrated into holistic wellness practices that emphasize the interconnectedness of mind, body, and spirit. It complements approaches like meditation, mindfulness, and energy healing.
   • Wellness Retreats and Workshops: Wellness retreats and workshops may incorporate tarot as a tool for self-reflection, personal growth, and stress reduction, aligning with the broader holistic wellness movement.
6. Tarot and Technology Integration:
   
   • Mobile Apps and Online Platforms: Technology has facilitated the accessibility of tarot through mobile apps and online platforms, offering virtual readings, digital decks, and interactive tarot experiences.
   • Augmented Reality and Virtual Reality: Emerging technologies like augmented reality (AR) and virtual reality (VR) have the potential to transform tarot experiences, providing immersive and interactive readings.

The ongoing evolution of tarot reflects its adaptability to societal changes, technological advancements, and a growing understanding of its psychological and symbolic dimensions. As it continues to weave through various aspects of contemporary life, tarot remains a dynamic and versatile tool with enduring relevance.

1. Tarot and Social Media:
   
   • Online Communities: Social media platforms, such as Instagram, TikTok, and YouTube, have become hubs for tarot enthusiasts. Tarot readers share daily card pulls, interpretations, and create educational content, fostering a vibrant online community.
   • Global Connections: Social media has facilitated global connections among tarot practitioners, allowing for the exchange of diverse perspectives, interpretations, and deck recommendations.
2. Tarot in Mental Health Practices:
   
   • Therapeutic Applications: Some mental health professionals incorporate tarot into therapeutic practices, using it as a tool for self-reflection, exploration of emotions, and promoting therapeutic dialogue.
   • Mindfulness and Coping: Tarot readings can be used as a mindfulness practice, helping individuals cultivate self-awareness and coping strategies for managing stress, anxiety, and mental health challenges.
3. Tarot's Evolving Symbolism:
   
   • Living Symbolism: Tarot symbolism is not static; it evolves over time. Modern tarot decks often reinterpret traditional symbols to reflect contemporary values, ensuring that the cards remain relevant and resonant with current cultural contexts.
   • Innovative Decks: Artists continue to create innovative tarot decks that explore diverse themes, introducing new symbols and archetypes that speak to a wide range of experiences.
4. Tarot and Ritual Practices:
   
   • Ritualistic Use: Tarot is incorporated into various ritual practices, from simple daily card pulls to more elaborate ceremonies. These rituals can serve as a form of meditation, intention-setting, or connection with spiritual energies.
   • Seasonal Celebrations: Some practitioners align tarot practices with seasonal changes, using specific spreads or decks to explore themes associated with the solstices, equinoxes, and other significant astrological events.
5. Tarot and Gender Representation:
   
   • Expanding Archetypes: Modern tarot decks often challenge traditional gender roles and expand archetypal representations. Decks may feature diverse gender identities and expressions, offering a more inclusive and fluid understanding of the archetypal energies within the cards.
   • Feminist Tarot: Some decks explicitly adopt feminist perspectives, reimagining traditional tarot symbolism to empower and celebrate the diverse experiences of individuals across the gender spectrum.
6. Tarot as Literary Inspiration:
   
   • Literary Works and Tarot: Tarot continues to inspire literary works, with novels, poems, and plays incorporating tarot themes and archetypes. Authors explore the psychological and symbolic depths of tarot, infusing their narratives with mystical and esoteric elements.
   • Narrative Exploration: Tarot's narrative potential serves as a source of inspiration for storytellers, offering a structure that mirrors the hero's journey or provides a framework for exploring characters' internal and external conflicts.

The dynamic interplay between tarot and contemporary culture reveals its enduring appeal and adaptability. From social media platforms to therapeutic practices, tarot remains a versatile tool that resonates with individuals seeking insight, connection, and personal growth in an ever-changing world.
In conclusion, the history and evolution of tarot reflect its remarkable journey from humble playing cards to a multifaceted tool deeply embedded in modern culture. As tarot continues to weave its way through diverse aspects of society, from online communities to therapeutic practices, its enduring relevance lies in its adaptability, symbolism, and capacity to inspire self-discovery.
From the mysterious origins of the 15th century to its current role as a global phenomenon, tarot has transcended cultural and historical boundaries. As it integrates with technology, influences art and literature, and finds new applications in mental health and wellness, tarot remains a dynamic force that resonates with those seeking spiritual insights, artistic expression, and personal transformation.
Whether approached through a psychological lens, as a form of self-reflection, or as part of broader cultural movements, tarot's journey reflects the human quest for meaning, connection, and the exploration of the inner self. Its rich tapestry of symbolism continues to captivate individuals across the globe, making tarot a timeless and ever-evolving companion on the diverse paths of human experience.

Anything I should change/remove from the order? I’m doing a survival immersion playthrough and I’m trying to get the best possible list.
Master Files:

1. AWKCR
2. USO
3. IC
4. PAWA
5. SEO
6. BETTER SEO
7. USO AWKCR Patch Fast Starts and Frameworks:

INVASIVE WORLD EDITS: * Faction and AI Overhauls Enemy level lists, faction level lists, AI packages:

1. Liberty Reborn
2. Enemy Scaling Revamped
3. BOS Overhaul

• New World-Spaces/Landmasses Quests:

1. The Calvin Coolidge Institute
2. Onset Travels
3. Nordic Europa Research Facility

• New Factions and enemy lists:

1. Mythic Creatures
2. Northern Star Pirates
3. Mythic Monsters
4. Zombie Walkers
5. Exotic Enemies
6. Tribals of Commonwealth

• Bug Fixes, Unofficial Patches or Vanilla Quests Modifications:

1. Freefall - 4
2. Freefall - 4 Automatron
3. Freefall - 4 Nuka World
4. Freefall - 4 Far Harbor
5. Better Dialogue

WORKSHOP (Settlement Objects) * Settlement Building Mods: * Settlement Building Mods (Powered Objects) * Settlement Building Mods (Workshop Assignable) * Settlement Building Mods (Decorations) * Settlement Building Mods (Furniture) * Settlement Building Mods Scripts * Settlement Building Mods Overhauls
GAME-PLAY * Game-Play Changes and Tweaks These include: Perks, Settings, Movement, Animations:

1. P.L.U.N.D.E.R
2. Immersive Fallout (DLC)
3. Charles Overhaul
4. Charles Overhaul Nuka World
5. Charles Overhaul Automatron
6. Charles Overhaul Far Harbor
7. Simple Combat Grabs
8. Simple Attack Death & Reactions
9. Dismemberment Overhaul Original
10. Search and Destroy Extended
11. Immersive Looting

COMPANIONS * New Companion Mods:

1. Madame Curie

• NPC and Companion Changes NPC overhauls:

1. Companion Combat Overhaul
2. Faster Positive Affinity
3. Stronger Dogmeat
4. Dogs not Brahmin
5. NPC Accuracy Adjustment
6. Settlers Extended (Extreme)
7. Restored Content

AUDIO and VISUAL * Radio and Audio Mods:

1. Reverb And Ambiance Overhaul

• Visual, Texture, Atmospheric Improvements:

1. Enhanced Flickering Fire
2. Weather Redux
3. Insignificant Object Remover
4. Improved Lighting Ballistics

• Lighting Water Changes Water mods:

1. Water Redux

WORKSHOP BENCH/SORTING/ITEMS * Vanilla Settlement Changes and Tweaks Mods:

1. OCDecorator
2. Colored Workshop Lights
3. Unlimited Resources Shipment

• Sorting and Menu Changes:

1. Eli’s Tweaks & Fixes

HUD * HUD and DEF_UI Mods The load order for HUDFramework; add-ons then framework and DEF_UI; Framework then Add-ons:
CHARACTER - PIP-BOY/WEARABLES/CLOTHING/ARMOCRAFTING * Character Model Replacers/Enhancers:

1. VaultGirl2077 Recreations - Fallout Tv Show

• Pip-boy and Map Mods Pipboy Maps:

1. All Map Markers Visible

• New Weapons, Armor, Clothing, etc. (non-craftable) Weapon, clothing, armor Level lists additions that do not require AWKCR to function:

1. Aliens of the Commonwealth
2. Spec Ops Supply Drop
3. Navy Stealth Suit

• Crafting (AWKCR-dependent mods) Adds craft-able items to a Chemistry Station or other Workbench - Doesn't add to the level lists:

1. UCO Base
2. UCO Season Pass
3. Simole Camping 2.0
4. Wasteland Counterfeiter
5. Makeshift Weapon Pack
6. Craftable Ammo Chemistry Workbench

• Crafting: New Wearable Items:
  
• Crafting: Robot All Robot Workbench mods require Automatron:
  
• Crafting: Power Armor MODS.
  

1. Power Armor Frame Crafting & Moving

• Crafting: New Workbenches New crafting benches (NOT AWKCR) that are built in the settlement menu and add your armors/weapons:
  
• Crafting: New Armor and Weapons (Chemistry Station) Purely craftable armor
  
• Crafting: Armor and Weapons AWKCR MODS Require AWKCR in order to function:
  

1. Unlock Ballistic Weave

• Crafting: Workbench and New Recipe MODS Includes mods that add categories to the crafting stations, adjust recipes, and add new recipes:

NON-INVASIVE WORLD EDITS * New Settlements and Other Buildings Changes and Tweaks. Player homes; New Settlements; Single cell edits. Some of these may need to go below scrapping MODS:

1. Rsiyos Location Pack
2. Antidotes Better Goodneighbor
3. Stumble Upon Interiors
4. Plenty O Exploration
5. Minuteman Watchtowers
6. Lexington Interiors
7. The Beantown Interiors Project
8. Nuka World Glory
9. Daylights End
10. Mirelurks Nest
11. Chestnut Hill
12. Red Rocket Revamped
13. The Castle Revamped
14. USS Quincy
15. Maple Manor
16. Featherfall House

• New Quests Quests that add new NPCs and edits to vanilla quests but don't add new worlds:

1. CaptainNoobs Improved CR-74L
2. Limited Minuteman Quests
3. The Bounty Hunter

• Weapon and Armor Modifications "New barrels; New weapon and footstep sounds; Any patches to the above weapons and armors:

1. See Through Scopes
2. 1st Person Animation Tweaks
3. TLS Sound Overhaul

• Scrapping Mods and Placement Mods Use caution with scrapping mods, STC and STS are safe. Place anywhere goes above.

1. STS AIO

THE BOTTOM * Miscellaneous:

1. Busty Mod
2. Snarky Loading Screens
3. Rain of Brass
4. Esk No Survival Bs
5. Saving Survival Mode
6. Pip Boy Flashlight (Brighter)
7. Sunlight Alignment Tweak
8. Enhanced Lights and FX

Apologies if it looks messy, I appreciate the help though!

Hi all, I’m sorry if this is a stupid question or has been asked many times before. I just graduated this past semester and am thrilled to be done with college. I do however, have leftover funds from my student loan refunds that I’m not sure what to do with. The refunds were deposited into a bank account after my tuition expenses were covered. I have used my student loan refund to help pay for food/necessities while in school, because I had to work fewer hours. I have a good chunk of it leftover and now that I’m graduated I’m not sure how I’m technically allowed to handle this leftover money. I’m not sure if I am required to pay all of it back to my loan because I’m done with school, or if I can save some of the remaining money. It would be really nice if I could keep part of it for an emergency fund, which will allow me to save money and give myself a bit of a safety net, while making a payment on my loans with the remainder. I’m not sure if I am allowed to do so since I understand that student loans should be used for education related expenses, and now that I’m graduated I’m not sure if this is an option for me. Ideally I would pay all of it back, but I am in a financial position where a small bit of it could really make me more secure. I would not be spending the money on recreational things, but just putting it in savings. To clarify, these are federal student loans. Advice is greatly appreciated, thanks!!

I am a 69-year-old male 4.0 USTA recreational player who plays one pick-up doubles match and has one practice session per week.
Limiting my court time to twice per week accommodates my bad back and soreness from being older. As a personal preference, I am not a big fan of taking drill classes.
I’ve learned at my age that using the other days for weight training, band work for the rotator cuff and shoulder ligaments, and cardio benefits me vs just playing two matches per week.
If most of my strokes are reliable, I hit with a partner and practice ground strokes, serves, volleys, and overheads.
But if a facet of my game is weak, I’ll use the ball machine to improve. This regimen works well for overheads, groundstrokes, lobs, and drop shots. Do others intersperse their tennis practice with the ball machine?

UNDERSTANDING CARBON FIBER T-GRADES

The "T" in T-grades denotes a classification system utilized by Toray Composite Materials America, Inc., a leading manufacturer of carbon fiber materials. As the first commercial producer of carbon fibers since 1971, Toray manufactures various types of carbon fibers, including standard modulus, intermediate modulus, and high modulus fibers.
T-grades primarily indicate the tensile modulus, or stiffness, of the fiber. Higher grades correspond to a greater tensile modulus and increased fiber stiffness, as well as higher costs. Standard modulus carbon fibers, which are the most economical, have a tensile modulus of 33-34 Msi or higher. Intermediate modulus fibers have a tensile modulus of 42 Msi, while high modulus fibers have nearly double the tensile modulus of intermediate ones, making them the highest quality.
Although tensile modulus is the main criterion, T-grades also encompass other material properties such as tensile strength, density, electrical conductivity, and specific heat capacity.

Fiber Type	Tensile Strength* (ksi)	Tensile Strength* (MPa)	Tensile Modulus* (MSi)	Tensile Modulus* (GPa)	Common Applications
T300	512	3,530	33.4	230	Various including weaving and prepreg, especially for drapability
T700S	711	4,900	33.4	230	Various including filament winding and pultrusion
T700G	711	4,900	34.8	240	Various including weaving and prepreg with enhanced fiberesin adhesion

T300 VS. T700 CARBON FIBER PICKLEBALL PADDLES

Both T300 and T700 are recognized industry standards and belong to the standard modulus carbon fiber category due to their similar tensile modulus. They offer excellent tensile strength and stiffness, making them suitable for manufacturing pickleball paddles. Despite this similarity, T300 and T700 pickleball paddles differ significantly in terms of composition, performance, durability, and cost.

• Composition and Manufacturing

T300 and T700 carbon fibers differ in carbon content. T700 contains about 95.58% carbon, giving it a more crystalline structure and superior bonding compared to T300, which has approximately 92.5% carbon. T300 has a higher nitrogen content at around 6.96%, while T700 contains about 4.24%. This lower nitrogen content makes T700 stiffer, whereas T300 is slightly less rigid.
The manufacturing processes for these fibers also vary. T700 is produced using a dry-jet wet spinning technique, while T300 is made through a wet spinning process. This difference in manufacturing methods significantly affects their physical properties, resulting in T700 pickleball paddles having a smoother surface compared to those made with T300.

• Performance

T700 carbon fiber paddles are generally considered superior due to their 40% higher tensile strength and better strength-to-weight ratio compared to T300. They also offer greater resistance to stress per unit cost. Consequently, T700 paddles are favored by professionals or aggressive, high-energy pickleball players who prioritize power over precision.

• Control

While T700 pickleball paddles allow players to hit the ball with more force, they are more challenging to control. In contrast, T300 paddles are often lighter and easier to control, making it simpler to keep the ball within the court boundaries.

• Spin

Both T300 and T700 paddles can generate good spin due to their rough surfaces, which can be adjusted or enhanced during manufacturing. However, T300 paddles naturally provide slightly better spin because their surface is rougher than that of T700 paddles.

• Durability

T700 paddles are stronger and more durable overall. However, they are more prone to breakage due to their use by players who favor power play. T300 paddles, with a similar tensile modulus, are generally more suitable for their intended play style and tend to last longer.

• Cost

T300 paddles are significantly cheaper than T700 paddles, making them a popular choice for beginners or recreational players. As players improve and seek to enhance their game, switching to T700 paddles can provide better performance and range.

CONCLUSION

Both T300 and T700 carbon fiber pickleball paddles have their advantages and disadvantages. In performance and durability, the latter steals the show, while the former is cost-friendly and preferred for players new to the game. Selet according to your needs.

I was recently diagnosed with ADHD at age 27 and started on Focalin XR about a month ago. I have been diagnosed with generalized anxiety disorder since middle school and have been on antidepressants for about as long.
My experience with Focalin has been pretty negative so far. At 10mg I experienced all the side effects that I had heard that I might - headaches, tunnel vision, bouts of fatigue, irritability, initial euphoria, etc. Now that I've been on 20mg XR for about a week, I'm not having those side effects but things just... aren't what I was expecting. The euphoric, energetic, motivational effect that I get 45 minutes after taking it is great, but that lasts for only 2-4 hours. After that I crash and often have to take a nap. Even while I am having the positive effects, I don't get much done, it just feels like a mood booster more than anything, and I really don't want to feel like I'm using a drug recreationally. I very much want to feel what I've heard people talk about - The peaceful, quieted thought process, the clear thinking, the focus, and an easier path to achieve things that I've never felt like I could...
Anyway, all this is to say, my response to the medication makes me think that maybe I don't have ADHD after all. Has anyone had this experience? What did you do?

OOC: co-written with NotTooSunny
It was an ordinary day at the New York City Library. People wandered in and out of the building, unaware of the monster that lurked among them.
The only people who seemed to know the danger these mortals were in were Harper and Amon, who entered the building with glowing bronze swords at their hips. The bulky weapons seemed to have escaped the notice of the other library patrons, which was a good thing. The job description had made it clear that they were meant to remain inconspicuous in completing their task.
Harper had traded her usual bright orange camp shirt for a more discrete cropped black t-shirt and pleated pants. She had been insistent on coming up with a persona for them on the train ride from Montauk Station into New York City. They were meant to act as high school students researching for a World History paper on Ancient Greece. Now that they were inside the library, she had stopped her incessant rambling to peruse a riddle book, in what she had insisted was preparation for their job.
As they wandered through the bookshelves, she remained absorbed in the dog-eared children’s book, thumbing through the pages to find a riddle that would be fitting of a sphinx.
“Here’s one, Amon,” she said, narrowly avoiding a collision with another library patron as she read, “What is something that runs but never walks, has a mouth but never talks, has a head but never weeps, has a bed but never sleeps?”
The dark-haired son of Apollo glanced over from a shelf of dusty atlases, the corners of his mouth lifting slightly. “That is an easy one,” he replied simply. "River. Try me with something more challenging next time around." He adjusted the collar of his striped button down, which he had layered with a navy blue sweater in preparation for the chill of the air-conditioned interior.
“The real riddle is where we can find this sphinx,” Amon glanced around the spacious reading area, eyeing the dark wooden staircase with its ornate railings. “The boyfriend and girlfriend who tried this last time, they found her by a bookcase.”
“A bookcase,” Harper repeated derisively, closing her book to theatrically scan their surroundings. “That narrows it down.”
Ignoring Harper’s mockery, the son of Apollo paused suddenly, his dark eyes glazing over with concentration. His hearing dulled, the surrounding footsteps and rustling pages fading into the background as if muffled by a thick curtain. Amon searched for the energy signature of the monster he knew lurked among the mortals. It was a subtle shift, like trying to discern a whisper in a crowded room, but he felt a faint, abnormal energy hanging somewhere up above.
“I say we try the second floor,” he said as he snapped out of the tracking trance, offering no other explanation to Harper.
“We could do that, sure,” Harper said, words laced with blatant doubt at his sudden certainty. “I say we try asking the Visitor’s Center. I know she's supposed to be disguised by the Mist, but the librarians have to have noticed something.”
“You can go ahead and do that.” The small smirk from earlier was now spreading across his face. “But you can’t be upset if I find the sphinx and solve her riddle before you even get there.”
Harper rolled her eyes, but she made no attempt to stop Amon from walking towards the staircase. After a moment she set off after him, footsteps even against the wooden steps.
Up on the second floor, Amon moved quietly, his dark eyes scanning the hallway for anything out of the ordinary.
I know you’re up here.
He stopped at every heavy-looking mahogany door, peering through each muted glass insert. He felt the air grow thicker with ominous energy at every step, so he knew the monster must be near.
One of the doors was slightly ajar, a suspiciously open invitation. Or a trap. The dark-haired boy caught sight of a cat-shaped figure on the other side before ducking down and motioning sharply for Harper’s attention. He unsheathed his kopis from his belt, bracing himself for confrontation.
Harper crouched against the wall, hand on the hilt of her sword as she tried to peek through the frosted glass pane. She held her breath, ready to move at Amon’s signal. He held out three fingers and then put them down one by one. When he hit zero, they stood in unison, flinging the door open together.
When Amon and Harper stepped inside, the body of the sphinx lay motionless on the floor.
The rest of the room was in disarray, littered with disheveled chairs and broken bits of chalk. A window on the other side of the room had been forced open, the curtain fluttering in the wind.
“No way,” Harper said. The door clicked shut behind her as she pushed past Amon into the room and kneeled to study the monster’s limp figure.
The sphinx had the large body of a lion and the eerily human face of a middle-aged woman, hair tied back in a severe bun and foundation caked onto her high cheekbones. Fangs jutted out of her red-painted lips, and eagle wings sprouted out of the space between her shoulder blades, folded tight against her back.
“Monsters dissolve into dust when they die,” Amon remarked, keeping his distance as he watched the subtle rise and fall of the monster’s ribs. “She must have been knocked unconscious.”
“Right,” Harper agreed, “The real question is who. And why.”
She hovered a hand over the cat's shoulder, set on rousing her. Before she made contact, the sphinx's eyes snapped open, round irises surrounded by shocking yellow sclera.
"Slain!" she wailed. Harper staggered backwards. Amon’s arms instinctively reached out to catch her, but she didn’t stumble near enough to make contact. "I am slain!"
With feline grace, the sphinx rose to her feet. A white tape outline marked the placement of her previously prone body on the floor. The muscles in her legs rippled as she paced in front of Harper and Amon, massive velvet paws silent against the carpet.
"And you, my dear heroes," she roared, eyes narrowed in an accusatory glare, "were too late to save me!"
The sphinx sniffed, composing herself. She leapt onto a wooden table. The table legs creaked underneath her weight. "Fear not," she tutted, "Fear not. For you can still avenge me. If you are able to determine the murderer and their weapon, then I will obtain justice, and all will be right with the world.”
“Your riddle is a murder mystery,” Harper said, confusion written across her face. Amon raised an eyebrow. The sphinx chuffed, a low rumbling sound reminiscent of laughter.
“You sought that hackneyed question about man? The Sphinx that the storytellers remember is far less adaptive than I am. I am not interested in your ability to regurgitate the information you have read. Nor am I interested in taking advantage of the nonsensical rules of your English language.”
“I am here to satisfy my own curiosity: does modern mankind still possess the ability to engage in deductive reasoning, or do they only seek to make themselves appear intelligent? Do not speak,” the sphinx said, a pointed look at Harper, who had opened her mouth to interject, “You will answer my questions when you play my game.”
“The potential murder weapons are scattered throughout this room,” she continued, leaping off the table. “And the suspects have already provided their testimonies for your review. Rest assured, I have made certain that their statements contain no lies.”
A shimmering, translucent energy began to swirl around Harper and Amon’s feet, beginning to take shape as holograms with a flickering, ephemeral quality.
A projection of Cerberus materialized first, his three massive heads snarling and snapping in unison. A ribbon of text appeared by his paws to translate his growling: "I was guarding the entrance, my duty unbroken."
Next came the Minotaur, his towering form pacing within the labyrinth on Crete. He snorted and pawed at the ground, the holographic maze shifting behind him in the background. The translation text appeared: "Confined within these walls, no escape for me."
Lamia's projection flickered into view, her serpentine lower half coiled around her as she wept in her cave. She glanced mournfully at the holographic images of her lost children: "My grief consumes me, innocent of this crime."
A shimmering Hydra emerged next, its nine heads snapping at invisible foes. Each one moved independently, showcasing its ability to act on its own. The translation for the hissing head at the center read: "Engaged in battle, I could not have killed."
Typhon materialized with a thunderous roar, his colossal form fighting against restraints under Mount Etna. His immense size and power were palpable, even in scaled down holographic form: "Bound by chains of the earth, I could not have roamed free."
Echidna’s hologram appeared last, her form a mix of human and serpent, lounging in a dimly lit cave. She looked directly at the viewers, her expression both defiant and amused. The translation text by her side read: “I dwell in my lair, uninvolved in such petty affairs.”
The sphinx swiped at the last projection as it faded, deeming her handiwork satisfactory. “There is not enough information to deduce the killer using evidence alone. Because I am fair, I will provide you with three hints before your final guess. Be forewarned: if you fail to provide a correct answer, you will both perish. Is this understood?”
Harper spoke. “If we answer correctly, you will leave this library for good.”
“If you answer correctly, I will permanently relocate. It is a preferable option in comparison to another death. Now, do you agree to the terms and conditions?” the sphinx said primly, regarding Harper and Amon with casual disdain. The pair nodded. “Very well.”
The sphinx dropped onto the floor and let her head loll back, pretending to be dead once more.
Hint #1

Suspects	Weapons
Cerberus	The Shirt of Nessus
The Minotaur	Siren Song
Lamia	Harpy Talon
The Hydra	Celestial Bronze Sword
Typhon	A-C Encyclopedia
Echidna	Cerberus Fang

Soon after the Sphinx had laid back down, Harper and Amon began to scour the room. A small pile of prospective murder weapons formed on a nearby table.
“We can easily eliminate the siren song,” Amon rushed to speak over Harper, eyeing the small glass vial of swirling gray matter that they had found nestled behind a row of books on metalworking. “It is a luring mechanism, not a murder weapon.”
“We could rule out Cerberus’ fang too,” he pointed at the enormous yellowing tooth, about the size of the small baseball bat Amon used to have when he played in the little league. “If we take the hologram as ground truth, all of his teeth were intact there.”
Harper used her kopis to prod at the stained tunic that had been hidden in a desk drawer, being careful not to touch it with bare skin. “The Shirt of Nessus is a viable option. It would be easy for any of the suspects to lay it down and wait for the hydra venom to kick in.”
“I am not ready to rule out the bronze sword either,” Amon noted. “Monsters have access to heroes and the weapons they leave behind.”
“Most of these monsters don’t even have opposable thumbs,” Harper argued, running a hand over the sword they had found by a power outlet. ”They don’t have the dexterity to wield a sword.”
“I do not imagine that the technicality would be that granular.”
Harper laughed. “Oh, the number of teeth in the Cerberus hologram tell all, but we’re drawing the line at opposable thumbs.”
“I suppose that that logic would also rule out the harpy talon and the encyclopedia easily as well,” Amon admitted. “Which would be too easy.”
“I’m just that good at logical deduction.” Harper said proudly. “If my assumption is correct, then the poisoned shirt is the only one that makes sense.”
Amon scoffed, folding his arms across his chest as his dark eyes bored into Harper. “It would not necessarily matter what our first guess would be anyway.”
“Can you provide an argument for any other weapon? Or are you intent on purposely making an illogical guess?” she countered cooly.
“Fine,” Amon acquiesced. “Since you are so adamant about the shirt, we can guess the shirt, and be incorrect. It does not matter. What about the suspects themselves?” He clasped his hands behind his back, his steps measured as he started to pace across the plush red carpet of the room.
Harper smiled, smugly accepting her victory. She strode towards a chalkboard at the side of the study room, inscribing the list of weapons and suspects with a fresh piece of white chalk.
“All of them have alibis,“ she began. “I think that-”
“Some make more sense than others,” Amon spoke over Harper, irritated by her minor triumph. “Cerberus, for example, is under the service of Hades. He says he did not leave his post, and he could not have done so without permission or dire consequences on the process of the dead.”
Harper silently seethed as Amon spoke, meeting his rationale with reluctant acceptance before starting again in a louder, exaggerated tone. “I think that the ones with the shakiest alibis are Lamia, the Minotaur, Typhon, and Echidna. No witnesses can confirm their locations. In fact, Lamia provides no location at all.” Harper circled those names. She looked at Amon with a forced smile, allowing him a moment to provide more commentary.
“Lamia? Well,” there was a hint of mockery in the sneer that tugged on the corner of Amon’s lips. “I would imagine her emotions rendered her… Too fragile and unstable to carry out such an act.”
“You’re kidding,” Harper scoffed, searching Amon's face for the slightest hint that he was joking. “Her grief is what moved her to kill children in the first place. I doubt it would suddenly be incapacitating. She’s just appealing to your sense of superiority, and I can’t believe that you’re falling for it.”
"It is not about superiority. It is about logic," Amon retorted, bristling in defense. “You cannot deny that emotions cloud judgment. Maybe the sphinx wants us to leverage our knowledge about her past crimes to reason that she was not thinking clearly in this case either.” Amon had no other evidence that pointed towards Lamia as the top suspect, but he had dug deep enough where he was now ready to stand firm in his reasoning.
“Murder,” Harper countered, eyes narrowed in a venomous stare, “-does not require you to think clearly. Haven’t you heard of a crime of passion? If anyone’s judgment is clouded right now, Amon, it’s yours.”
The son of Apollo squared his shoulders, his expression hardening. "I understand the concept of crimes of passion, thank you.” His dark-eyed stare returned Harper's gaze, unflinching at the intensity. “But our investigation must be rooted in facts, not assumptions based on emotions. And the facts are,” he resumed his pacing once more, “that Lamia cannot be the culprit, as she is the only suspect that openly admits to being innocent of this crime.”
Amon had considered this from the very start, but provoking Harper like this had proved to be far more amusing.
Harper crossed Lamia’s name off of the board. She swallowed down her anger, fighting the urge to continue pressing the issue in favor of returning to their list of suspects. She pointed her piece of chalk at the next names on the list. “The Minotaur and Typhon are trapped, or so they say. How could they have done anything?”
“Their alibis revolve around their inability to escape,” Amon pointed out. “Not that they were unable to commit murder. The Labyrinth, in fact,” he raised a dramatic finger, “has several moving passages that could have permitted the Minotaur to move and commit murder without an official escape.”
Harper considered his words for a long moment, trying to find the flaw in his reasoning. Seeing none, she placed a dot next to the Minotaurs's name.
“Typhon escaped his prison in the Second Titanomachy. He could do it again,” Harper said thoughtfully. “Though I don’t understand why he would do something like this. He’s the Sphinx's father. The same goes for Echidna.”
Amon, who had been nodding at Harper’s assessment of Typhon’s abilities, pursed his lips at her observation of parentage. “I do not see how this could possibly be relevant to the logical puzzle at hand.”
Harper spoke slowly, as if the answer was obvious. “What motive would they have to kill their own daughter?”
“Harper,” Amon began curtly, folding his arms across his chest. “Half of the Greek myths revolve around immortals killing their own children.”
“Then we should pick one of them,” Harper declared, pivoting her argument instead of admitting her logical blunder. “They would have more of a motive than the rest of the suspects, if anything.”
“The Minotaur can escape much more easily than Typhon can. Motive aside, it is the most logical guess,” Amon concluded, adjusting his collar haughtily. “I will remind you that we picked your choice of weapon. It is only fair that I select the monster.”
“Fine.” Harper agreed, her gaze stormy as she turned back towards the sphinx. “We accuse the Minotaur of killing the sphinx with the Shirt of Nessus.”
The sphinx opened one eye. “None of these are correct!”
Hint #2

Suspects	Weapons
Cerberus	The Shirt of Nessus
The Minotaur	Siren Song
Lamia	Harpy Talon
The Hydra	Celestial Bronze Sword
Typhon	A-C Encyclopedia
Echidna	Cerberus Fang

“Two more hints left.” Harper announced, crossing off the Minotaur’s name and the poisoned shirt on the chalkboard with a flourish. It was not ideal that her initial logical deductions had been incorrect, but at least Amon had also been wrong. She couldn't resist a snide comment. “I knew it wasn’t the Minotaur.”
“So you still think it’s Typhon.” Choosing to ignore Harper’s taunting, Amon rested his hand on a nearby desk, studying the lists on the chalkboard before him. He had taken the Minotaur error as a personal failure, and was determined to get the suspect right this time.
“I do.”
“Why not Echidna?”
“She’s too emotional to kill someone, obviously.” Harper said sarcastically. “Her frail female arms are probably too weak to even hold a weapon.”
The dark-haired boy rolled his eyes. “Objectively,” he began, ignoring her quip once more, “Typhon could not have lied about his inability to roam free. A natural disaster freed him from Mount Etna during the Second Titanomachy, but he could not recreate those conditions on his own.” Though his tone remained aloof, it was clear that Amon was relishing in the opportunity to flaunt his mythology knowledge.
“Maybe,” Harper argued, stubborn. “But Echidna’s statement was less ambiguous than his. Typhon just explains his predicament; he doesn't provide a real claim. Echidna explicitly says she was not involved.” She thought for a few more moments, rolling the piece of chalk in her hands. “Echidna could have released him? They would be accomplices.”
Amon shook his head. “There was a single murderer. Not two. The sphinx would not lie about the premise of the game.”
Harper stared at him coldly, but could offer no rebuttal. She turned her attention to the board. “Typhon is a giant. He’s capable of using the sword.”
“But the specificity of Echidna’s denial is still incredibly suspicious. ‘Petty affairs’ is a strange way to phrase a murder. But,” Amon added reluctantly, “I understand the logic behind Typhon. I suppose it is your turn to choose the monster, and we will still have another guess to work with.”
“As for the weapon,” he continued, “I still think the sword is the most viable option, given that the siren song and the fang can be ruled out and the shirt with the venom was, well,” Amon pursed his lips, fighting the urge to smile, “incorrect.”
Before Harper could interject, Amon turned towards the sphinx at the front of the room. “We accuse Typhon of killing the sphinx with a Celestial Bronze Sword.”
“One of these is correct!”
Hint #3

Suspects	Weapons
Cerberus	The Shirt of Nessus
The Minotaur	Siren Song
Lamia	Harpy Talon
The Hydra	Celestial Bronze Sword
Typhon	A-C Encyclopedia
Echidna	Cerberus Fang

“Aha!” Amon raised a triumphant finger before pointing it at Harper. “I told you,” he gloated, “Typhon had no escape route.”
“You were right,” Harper admitted, staring down at the carpet so that she would not have to look at his smug expression.
“Let’s get this over with,” she muttered, and turned back towards the lioness with crossed arms. “We accuse Echidna of killing the sphinx with a Celestial Bronze Sword”
“One of these is correct,” the sphinx announced. Her mouth twisted in amusement, fangs bared in a menacing smile.
READ PART 2 HERE

This example is clearly an IMG2IMG processing. It can be done by AI or maybe just Photoshop, who knows.
AI cannot replicate anyone's work so precisely.
Hell, this artist is not even as famous as DaVinci, and AI cannot even recreate Monalisa.
This person just used IMG2IMG process and copied the art.
THIS IS WHAT STEALING IS AND IS ALREADY PROTECTED BY COPYRIGHT LAWS.
but nope.
I can just download an image of Monalisa and claim AI generated it and these people will believe that as well.

Ali Baba: The Ali Baba is a type of amusement ride consisting of a stationary horizontal gondola with a 360 degree swinging pendulum.
Alpine Slide: A summer toboggan is an amusement or recreational ride which uses a bobsled-like sled or cart to run down a track usually built on the side of a hill.
Booster (Fabbri): Booster in an amusement ride made by Fabbri.
Bumper Cars: Bumper cars or dodgems are the generic names for a type of flat amusement ride consisting of multiple small electrically powered cars which draw power from the floor or ceiling, and which are turned on and off remotely by an operator.
Condor: The Condor is the trade name of an amusement ride sold by HUSS of Bremen, Germany. It was debuted at the 1984 New Orleans World's Fair, under the name "Cyclo Tower".
Hayride: A hayride, also known as a hayrack ride, is a traditional American and Canadian activity consisting of a recreational ride in a wagon or cart pulled by a tractor, horses or a truck, which has been loaded with hay straw for comfortable seating.
Motion Simulator (like The Simpson Ride)
Rotor: The ride was first demonstrated at Oktoberfest 1949 and still appears in numerous amusement parks. The Rotor is a large, upright barrel, rotated to create an inward acting centripetal force supplied by the wall's support force.
Zipper: Most models of the Zipper follow a similar basic format: A long, rotating, oblong boom with a cable around its edge that pulls 12 cars around the ride.

Okay so. Hi. I’ve posted on these types of subreddits on and off for a minute and the results have been pretty good. Truth be told I’ve met some of my bestest pals online and I love knowing I’m like a click away from someone I can chat with. I love sending and receiving snail mail but maybe we can start with some chats and see how that goes and maybe move to Snapchat or something idk.
Anyways. Me. Well, I’m 38, from BC, Canada close to Vancouver. I work as a clinician in healthcare and have worked in healthcare for 14 years. Previous to that I got my BA in English. I’m a published writer and poet - nothing crazy like novels but a few short stories and articles here and there. I’m also an avid photographer and got my start on the high school yearbook where I was free to be the weird girl dressed in all black lugging around a camera.
On the subject of black clothes, I consider myself a recovering goth. I’d probably fit in with an alternative label but I don’t truthfully see myself that way anymore. I’ve got tattoos but so does just about everyone now a days so whatever - I don’t feel they’re particularly interesting. Same thing with piercings etc
I’ve had people say I’m death obsessed and maybe that’s true. I’ve seen a lotta people die and I think about it a lot. I’m very interested in antiques and vintage items and consider a hobby of mine to be thrifting and I’m on a first name basis with the ladies at a few thrift shops. I’m definitely an aesthete. I love home decor and fashion. I make a lot of clothing and other items. I definitely have a “how hard can it be attitude?”
I’m into animals and have two cats who are useless shitbags who probably should get jobs but they haven’t yet so I’m stuck paying the bills.
I own my own home, I don’t drink any alcohol and haven’t for something like 12 years now. I don’t use any substances recreational or otherwise. If I’m feeling wild and out of control I might share a menthol cigarette with a friend outside a dive bar just for the drama of it all.
I’m an Aquarius, INTJ, if any of that is meaningful to you.
I go through phases and hyperfixations, and some current ones are:

1. High altitude mountaineering. Not that I’d ever do this myself but I love reading about and listening to information about Mt Everest.
   
2. The Chris Watts murder case
   
3. Tudor England
   
4. 1700s France
   
5. Olive Oatman
   
6. How dementia is addressed across cultures
   
7. Why Tom Hiddleston looks like a sickly Victorian chimney sweep
   

Anyways there’s probably more but this post is plenty long. If any of this seems interesting please send me a message.
On and btw, I’m attaching a selfie idk
me on some Flannery o‘Connor shit

Okay so. Hi. I’ve posted on these types of subreddits on and off for a minute and the results have been pretty good. Truth be told I’ve met some of my bestest pals online and I love knowing I’m like a click away from someone I can chat with. I love sending and receiving snail mail but maybe we can start with some chats and see how that goes and maybe move to Snapchat or something idk.
Anyways. Me. Well, I’m 38, from BC, Canada close to Vancouver. I work as a clinician in healthcare and have worked in healthcare for 14 years. Previous to that I got my BA in English. I’m a published writer and poet - nothing crazy like novels but a few short stories and articles here and there. I’m also an avid photographer and got my start on the high school yearbook where I was free to be the weird girl dressed in all black lugging around a camera.
On the subject of black clothes, I consider myself a recovering goth. I’d probably fit in with an alternative label but I don’t truthfully see myself that way anymore. I’ve got tattoos but so does just about everyone now a days so whatever - I don’t feel they’re particularly interesting. Same thing with piercings etc
I’ve had people say I’m death obsessed and maybe that’s true. I’ve seen a lotta people die and I think about it a lot. I’m very interested in antiques and vintage items and consider a hobby of mine to be thrifting and I’m on a first name basis with the ladies at a few thrift shops. I’m definitely an aesthete. I love home decor and fashion. I make a lot of clothing and other items. I definitely have a “how hard can it be attitude?”
I’m into animals and have two cats who are useless shitbags who probably should get jobs but they haven’t yet so I’m stuck paying the bills.
I own my own home, I don’t drink any alcohol and haven’t for something like 12 years now. I don’t use any substances recreational or otherwise. If I’m feeling wild and out of control I might share a menthol cigarette with a friend outside a dive bar just for the drama of it all.
I’m an Aquarius, INTJ, if any of that is meaningful to you.
I go through phases and hyperfixations, and some current ones are:

1. High altitude mountaineering. Not that I’d ever do this myself but I love reading about and listening to information about Mt Everest.
   
2. The Chris Watts murder case
   
3. Tudor England
   
4. 1700s France
   
5. Olive Oatman
   
6. How dementia is addressed across cultures
   
7. Why Tom Hiddleston looks like a sickly Victorian chimney sweep
   

Anyways there’s probably more but this post is plenty long. If any of this seems interesting please send me a message.
On and btw, I’m attaching a selfie idk
me on some Flannery o‘Connor shit

I've spoken to my Dr about reacting to detergents (amongst many other things). So at home I use a plant based hypoallergenic soap meant for children as my body wash, clothes wash, and dish soap. But just being in close quarters with someone who has used clothes detergent sets off vestibular migraines, panic, the right side of my face down to my right breast get tingly and numb feeling, runny nose and eyes, a scratchy throat and eventually bronchitis and eczema. My Dr has essentially said "diagnosing this is very difficult". I find avoiding triggers + loratadine + low dose naltrexone to have been helpful. However it effects me so much, I would very much like a formal diagnosis, so as not to just appear like I am a whacko who is difficult to deal with. Like, I WISH this was all in my head. But it doesn't seem to be. I have an appointment with a psychiatrist coming up. Aside from this, who else can help me with a formal diagnosis?

Hot take but I don’t think Replacements or new team members made the show bad or less interesting. I think what didn’t work is when they brought in replacements that didn’t make sense or didn’t last long enough to get attached to. The show got really bleak, old, and less interesting when Abby would bring a new dancer every week or every other week. You’d meet a mom for maybe 20% of an episode, watch a solo from the kid, and then boom they’re gone. Ally, Jade, Sarah, Chloe (non Lukasiak… They were all practically in one episode or showcased in one episode, no one was ever gonna like them from that. Then there’s replacements like Payton or Sophia. But they just didn’t even make sense. Payton always DID look too big for the team, and while Sophia got a good edit, she was never going to be as likeable to fans as the recreational studio friendship of girls.
But then you see girls like Kalani and Brynn and I feel they have a pretty big fan following in the fandom, and I think it’s really only because they were given the time to get adjusted, get a role, and we were able to connect with them as the audience. I think Kalani and Kira were perfect replacements for the Hylands. Of course , I would have rather watched the Hylands, but after weeks and weeks of Kalani just being part of the team, it makes it easier to not miss former cast members. Similar with Brynn, she was a really good Maddie replacement, and Melissa was always the mom with the familial drama and favoritism drama. Ashlee checked both these boxes so it felt familiar, and making Brynn a permanent member made you want to get invested in her, because now you knew she wasn’t going anywhere.
It was too hard to ever get invested in one episode appearing cast members, and the constant rotating door of it gets old. Even in later seasons, I think the show does a good job of feeling how it used to when the team is Brynn, Kalani, Kendall, Nia, and Jojo. But then they started the random bring in’s again and those moments and episodes are always my least favorite kinds.