Cute cheer up quotes

to calm the troubled mind.

2017.01.31 02:10 to calm the troubled mind.

Relief of anxiety and stress is the goal of this subreddit. Music, gifs, quotes, videos and much more to hopefully help put you at ease. Any relevant content accepted.
[link]


2014.03.15 19:32 Yween Long live Nui!

Subreddit for the planning and preparation of taking over the KLK sub. Message Yween if you are a dedicated and loyal Nui follower! If your history/behavior does not provide suitable proof of your loyalty, we will request of you to write an essay with a randomized title and a word count between 100-400 words.
[link]


2024.05.16 17:22 haygurlhay123 “This Time, I Will Never Let You Go”: Cloud’s Mission and the Hidden Purpose of the Remake Trilogy - Literary and Musical Analysis of FFVII - Part 6

(continuation of part 5)
Post-OG Cloud ruminates on what he could have done to save Aerith. Had he not been so lost in his own mind —distracted by Sephiroth and Jenova, consumed by his need to fulfill the emptiness at the core of his identity—, would he have paid more attention to Aerith’s sadness and anticipated her plan to go to the Forgotten Capital alone? Could she have survived if not for his obsession with what tormented him at the time? Could he have figured it out and kept her by his side? He’s angry with himself in retrospect, drowning in guilt, just like in Advent Children.
Here are the choruses, which usually contain the thesis main message of a song:
“Shine bright once more
Guide me to you
Smile bright once more
This time I will never let you go”
&
“Hear me once more
Show me your smile
This time for sure
I'll see the truth hidden inside your tears
But I, I know
That you're long gone
But I, I will
Go on, howling and hollow”
In these choruses, Cloud asserts that he will get it right this time (“this time” referring to the second chance that is the Remake trilogy). He will make sure he saves Aerith and never lets her go. He knows she’s gone, but he will fight against time to get her back. He longs for her smile and her light again, and he cannot bear the guilt: so he doesn’t. Post-OG Cloud embarks on a new adventure: ”I want to go to a place where everything is new,” said Cloud to Wol and Echo in Eclipse Contact before facing his past and being launched into Remake. “Hollow” makes far more sense now, doesn’t it? It’s a song not only about Cloud’s loss, but also about his determination to save Aerith this time. Given that it’s the theme song of Remake, the fact that “Hollow” fits with our theory perfectly is a very good sign: a theme song is meant to reflect the main plot of a story, indicating as our theory states that Remake is principally, albeit secretly, about Cloud saving Aerith. Because of this hope being set up, I’m confident that they will be together in the end, reunited for good. My dear Clerith friends, this is the hidden purpose of the Remake trilogy. Cloud and Aerith will be reunited.
VI. e) ii. “No Promises to Keep” Lyrics
This is quite obvious. Aerith is resigned to her fate, but still harbors hope that she will meet Cloud again in a permanent reunion:
“Till the day that we meet again
Where or when?
I wish I could say
But believe, know that you'll find me
[…]
Till the day that we meet again
On our street, I want to believe
[…]
Till the day that we meet again
At our place, just let me believe
In the chance that you'll come
Take my hand and never let me go
Take my hand
And believe
We can be
Together evermore
[…]
Still I hope someday you'll come and find me
Still I know someday you'll come and find me”.
VI. f) The Theme of Reunion Explained?
The last point I want to hit on is the concept of reunion. In OG, this theme was pretty much dominated by the Jenova Reunion. To an OG fan back in 1997, “reunion” meant “Sephiroth and Jenova’s evil plan”. However, in the Remake trilogy, the theme is expanded into something more. The first time Cloud meets Aerith in Remake, she gives him a flower and tells him something she didn’t in OG:
“Lovers used to give these when they were reunited...”
In addition, we’ve already talked about how part 5 of “Aerith’s Theme - The Cetra” from the Remake OST tells the story of Cloud and Aerith’s reunion (see section “V. b) ii. 2)”).
Many moments exclusive to the Remake trilogy serve the same purpose: linking the theme of reunion to Aerith. This expansion of the theme is highly significant. Our theory is that the Remake trilogy exists to reunite Cloud and Aerith, so the fact that the trilogy would implement so many Clerith-centric references to reunion is great support for our theory.
VI. g) i. The Leslie-Cloud Parallel
Let’s consider another instance involving the reunion flower in Remake, more precisely, the chapter 14 subplot surrounding Leslie’s lost lover. In case you need a refresher, Leslie is one of Corneo’s lackeys, although he secretly plans to betray him. He once had a fiancée and things were looking up until she was selected as one of Corneo’s brides. The day before she disappeared (presumably taken by Corneo), his fiancée broke up with him with no explanation. It was confusing and left Leslie perplex. As she broke up with him, she returned a necklace to him, one with a flower pendant. Of course, that flower is the very same reunion flower Aerith gives Cloud in chapter 2.
Evidently, Leslie and Cloud are going through parallel situations. At this point in time, Aerith was just kidnapped by Shinra, and Cloud is on his way to get her back. Both their loved ones have been taken by tyrant rulers, one being slumlord Corneo and the other being the Shinra government. In fact, even Leslie and Cloud’s attitudes share similar disillusioned, cold and stoic qualities. Leslie’s fiancée would evidently be paralleled by Aerith.
The most obvious proof of the Leslie-Cloud parallel is written plainly on the list of Remake’s chapter 14 main scenario objectives. Objective 7, called “For the Reunion”, consists of receiving the grappling guns needed to reach topside and save Aerith. The description of the objective reads as follows:
“Leslie gives them grappling guns, and they wish each other luck in reuniting with their respective loved ones. Leslie walks off, and the three prepare to climb the wall.”
The grappling guns are “For the Reunion”, because evidently, the loved one Cloud wants to reunite with is Aerith.
All this is simple and apparent enough. Just the fact that the theme of reunion is linked to Clerith in this way is proof enough, but there’s another layer to the Leslie-Cloud parallel. Not only does Leslie’s situation reinforce the concept of a Clerith reunion, it also mirrors the specifics of our theory: namely that Cloud will save Aerith from specifically Sephiroth (represented in Leslie’s scenario by Corneo) and that Cloud will take the initiative to accomplish this reunion. These two specific aspects of our theory are reflected by Leslie’s circumstances, meaning the Leslie-Cloud parallel not only pushes the theme of reunion, but also supports our specific theory.
VI. g) i. 1) The Separators: Corneo and Sephiroth
I’ll first prove that Leslie’s scenario is not meant to echo Cloud’s separation from Aerith at the hands of Shinra —or at least not exclusively—, but rather Cloud’s separation from Aerith at the hands of Sephiroth. Corneo would therefore be paralleled by Sephiroth rather than the tyrannical Shinra government.
The first piece of proof for the Corneo-Seohiroth parallel lies within the way in which Leslie’s fiancée broke things off: by lying. Aerith also lies to Cloud to create distance between them, but not pertaining to her kidnapping— rather, pertaining to her fated death. Since Sephiroth is Aerith’s killer and not Shinra, Corneo’s role in the Leslie-Cloud parallel is analogous to Sephiroth’s rather than Shinra’s.
There are two pieces of evidence that the Corneo-Sephiroth comparison makes more sense than the Corneo-Shinra one. The first lies in the fact that Leslie’s breakup resembles Cloud’s resolution scene: the topic of Cloud’s resolution scene is Aerith’s fate at the hands of Sephiroth rather than her kidnapping by Shinra, meaning Corneo and Sephiroth are the antagonists of both heartbreaks.
Let’s examine Leslie’s breakup. Here is how his fiancée broke things off, taken from the English script of Remake’s chapter 14, with tone indicators added by me in bold:
“Fiancée: It was all just a dream, wasn't it[?]
Fiancée: (Hopefully) But one day…
(She trails off, then shakes her head and stops herself.)
Fiancée: (Sadly, hopelessly) — no. Time to wake up. And forget.
(She walks away.)”
Now, here is a more literal translation of this quote from the original Japanese (verified by me via DeepL), with tone indicators added by me in bold:
“Fiancée: It was only just a dream we had / We were only dreaming...
Fiancée: (Hopefully, as though as a hail Mary) In the language of the flowers...
(She trails off, then shakes her head and stops herself.)
Fiancée: (Sadly, hopelessly) — no. You should forget about me.
(She walks away.)”
Leslie’s fiancée is clearly breaking up with him to spare him the pain of blaming himself for not being able to protect her from Corneo, as she knows it’s too late for her to escape from the slumlord’s clutches. We know this because we understand that the pendant she gave back to him symbolizes a reunion (especially between lovers, as Aerith told Cloud in chapter 2). In fact, the Japanese version of the script reveals that the fiancée was about to reveal the meaning of the flower, perhaps in the hopes that they would find each other once more, but she lost her nerve at the last second. Notice that she tells Leslie two specific things. One: their love or their future together was only a dream, meaning that it wasn’t real. Two: he should forget about her, because the dream is over now and it’s time to wake up from it.
If you’re finding this familiar, then you might be ahead of me. Let’s take a look at what Aerith says to Cloud in his resolution scene, also in the English script of Remake’s chapter 14, with tone indicators added by me in bold:
“Aerith: […] you can’t fall in love with me. [It]’s not real […]. (With a sigh, as though from sadness or difficulty, but resolutely) It’s almost morning. Time to go.”
Now, here is a more literal translation of this quote from the original Japanese (verified by me via DeepL), with tone indicators added by me in bold:
“Aerith: You can’t let yourself fall in love with me. [It]’s only your imagination […]. (With a sigh, as though from sadness or difficulty, but resolutely) Looks like it’s already morning. Time for me to go.”
Just like Leslie’s fiancée, Aerith is rejecting or denying Cloud’s love for her in order to spare him from the pain of not having been able to be with her before her death, as she believes it is inevitable. Just like the fiancée, Aerith also tells Cloud two things. One: their love is imaginary or isn’t real. Two: it’s morning, and she has to go (she says this right before Cloud wakes from the pseudo-dream).
In both cases, the women know something about their fate that the men don’t and are hiding this impending tragedy from them. Just like Leslie’s fiancée, Aerith uses well-intentioned deception to protect her loved one from the pain that will come from her fate— the lie, of course, is that their love isn’t real. Both women are hopeless, and both men are initially clueless. Aerith’s resolution can’t be about her kidnapping, because Aerith thinks her rescue is anything but hopeless— she’s sure Cloud will come save her from Shinra. She says so herself in OG’s disk 1, chapter 8:
“Cloud: Aeris!? You safe?
Aeris: Yeah, I'm all right. I knew that [you] would come for me.”
What Aerith is so resigned about in Cloud’s resolution scene isn’t her kidnapping, but instead her fated death at the hands of Sephiroth. Nojima hints at this in FFVII Remake Ultimania:
“If you know Aerith’s fate, then this line would really pull at your heart strings […]” (section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Yoshinori Kitase, Kazushige Nojima”, page 744).
Here is what codirector Toriyama had to say on Aerith’s words:
“[While] these words are intended for Cloud, I think Aerith is partly speaking them to herself. The contents of her request may be at odds with how she truly feels inside” (FFVII Remake Material Ultimania Plus, VA Script Notes, “A Dream Shown by Aerith”, “Scenario Staff Q&A - Answered by Motomu Toriyama”).
These two quotes by the devs show that Aerith is trying to protect Cloud from her death. Therefore, the Corneo-Sephiroth parallel is far more apt than the Corneo-Shinra parallel.
The second piece of evidence supporting my belief that Corneo mirrors Sephiroth and not Shinra in the Leslie-Cloud parallel is the inclusion of the theme of revenge that crops up in the following piece of dialogue:
“Tifa: Why did you wanna come down here?
Leslie: Revenge. I know I need to let go, but I can't. I need closure, 'cause without it... I'll never be able to move on” (Remake, chapter 14).
Leslie’s sentiment toward Corneo resembles Cloud’s feelings toward Sephiroth after Aerith’s death. Revenge links Cloud to Sephiroth, not to Shinra. Corneo and Sephiroth reflect each other in that, as a consequence of their actions toward a woman, the man who loves her desires revenge.
Additionally, it looks like Leslie’s obsession with revenge as a means to closure is the reason he didn’t bother trying to understand the message his fiancée left him with: he’s focused on his hate rather than his love, and it’s hindering him. He doesn’t succeed in killing Corneo either: his focus and energy are misplaced. Cloud’s desire for vengeance against Sephiroth is also depicted as an obstacle to accomplishing his goals (see how in section “III. c)” of my previous literary analysis). Once more, the Corneo-Sephiroth parallel fits far better than a Corneo-Shinra perspective.
VI. g) i. 2) The Reunion Seekers: Leslie and Cloud
The other aspect of the Leslie-Cloud parallel that supports our theory is that in both scenarios, they both take charge of the situation and decide to actively seek reunion with their respective lovers. The following dialogue excerpt, supplemented by the VA script notes, shows Leslie’s initiative:
“Tifa: [Your fiancée] could still be out there.
Barret: Can never be sure how much someone means to ya till they're gone. Don't give up on her yet.
Leslie: (Looks at the flower pendant, [recalling his lover’s words) A message in the language of flowers… I wonder what she meant by it.
[…]
Tifa: Reunion.
Leslie: Huh?
Tifa: In the language of flowers, it means ‘reunion.’
(Leslie shifts his gaze from Tifa to the pendant and stares at it for some time. At last he understands the words his lover left him. With that, as if his mind has been made up, he clutches the pendant and hangs it around his neck.)
Leslie: Then I guess I’ll just have to find her first” (FFVII Remake Material Ultimania Plus, VA Script Notes, “Other Notable Stage Directions - Chapters 14-16”).
Take note of Leslie’s final response and the determination with which he speaks: “Then I guess I’ll just have to find her first”. Remember that we’re searching for evidence that Cloud is going to be the one reaching out to Aerith in the Remake trilogy, and that it’s his turn to take his future into his hands. He must be more attentive, more active this time. And Leslie’s words of determination reflect this perfectly. Leslie must find his fiancée first, just like Cloud has to be the one to offer his hand to Aerith in the Remake trilogy and fight for her. This is exactly what our theory is all about.
VI. g) i. 3) Delayed Realizations
Interestingly, not only does Leslie’s determination mirror Cloud’s, but both men are depicted as realizing the truth too late. Just like Leslie only began searching for his fiancée six months after her disappearance, Cloud only realizes he loves Aerith in OG once she’s died. It took him this long to actually get somewhere in his mission to reunite with her— “somewhere” being the Remake trilogy.
Even Barret’s words highlight the lovers’ delay: “Can never be sure how much someone means to ya till they're gone”. Barret would know: he lost his wife Myrna, whom he loved dearly. The devs have Barret comment on the situation as a man whose lover died, mirroring Cloud’s situation in OG. Just as Barret says, Cloud only truly realized the strength of how he felt for Aerith in OG once she was gone. The gunman’s words apply to both Leslie and Cloud’s tardy initiatives. Regardless of this delay, both men are now determined to see their respective reunions through.
The degree to which the Leslie-Cloud parallel fits our theory is a great sign of its validity: even the details are lining up!
VI. g) ii. Reunion in the Theme Songs
Too easy: in our analysis of the lyrics of the theme songs, we covered how both texts include the theme of reunion. “No Promises to Keep” is especially relevant (see section “VI. e) ii.”), as the entire song is Aerith hoping against fate for a reunion with Cloud (even if you believe the song is about all her companions, that still includes Cloud).
On top of these reunion-themed lyrics, during Aerith’s in-game performance of “No Promises to Keep” at the Gold Saucer production of Loveless, her yellow blossoms signifying reunion bloom all around her as Cloud watches her, captivated.
Another great sign for our theory: the highly significant theme songs are on our side!
VI. g) iii. Waking Up Reunited
The thing I want to juxtapose to our theory is a small yet special moment in chapter 2 of Rebirth that stuck out to me like a sore thumb and got me really excited about sharing it with you. This moment occurs after the battle against the Midgardsormr. We’ll be comparing it to two other clips, describing all three in chronological order, and making deductions based on their similarities.
The first clip I want to address occurs in chapter 8 of Remake (1:32-2:12). There are a couple of things I want to point out in this scene. First, Aerith wakes Cloud from unconsciousness with a cute call of “Hello~?”. Second, despite pretending that he doesn’t, he immediately recognizes her. The VA script notes prove it:
“Aerith: Nice to meet you again.
Cloud actually remembers Aerith, but he pretends not to, perhaps wishing to make himself look cool.
Cloud: Again, huh?
Aerith: What? You don’t remember? How about…the flowers?
Cloud looks at the flowers at his feet and pretends as if he’s only just remembered.
Cloud: Oh, the flower seller” (FFVII Remake Material Ultimania Plus, VA script notes, “Reuniting with Aerith”).
So: she wakes him with a cute call, and he recognizes her. Also note that these two elements also apply to the OG church reunion scene.
Now onto the Rebirth chapter 2 scene that stuck out to me. After Cloud is saved from the Midgardsormr by Sephiroth, Cloud wakes from an unconsciousness spell with Aerith calling for him (7:20-7:34).
Once more, Aerith wakes him with a cute call (this time, it’s “Wakey, wakey!”), and Cloud recognizes her. In this Midgardsormr clip, unlike their reunion in the church, Cloud verbalizes that he remembers her. This time, there’s more: next, Aerith tells Cloud “おかえり, クラウド”, or “okaeri, Cloud”, which translates to “welcome back, Cloud”. “Okaeri” is what you say in Japanese when someone has returned home. In the third clip we will analyze, Aerith says “okaeri” to Cloud once more. But first, let’s break down this second clip.
I don’t know about you, but this cutscene felt extremely weird to me when I first encountered it. That is, it would have been, if not for the theory I’d begun formulating at that time.
You see, the devs could have chosen for Aerith to ask Cloud if he remembers his own name or where they are, if he’s okay, or check if he responds to his own name. In fact, asking someone who’s been hit on the head to say their own name is a much more common reaction to them finally waking up than asking them if they remember you. Even stranger is Cloud’s reaction: he could have answered “Yeah, you’re Aerith,” or “I remember everything, I’m fine”. Instead, he says her name with this airy and wonderstruck tone. He sounds like he’s opening his eyes to something mystic rather than his comrade leaning over him, like he’s seeing someone unexpectedly for the first time in a while… or rather like he’s waking from a trance of some kind— a trance in which he did not remember Aerith, and now he does. You may see where I’m going with this.
Let’s examine the third clip, wherein Aerith tells Cloud “okaeri” again. More specifically, in chapter 14, Aerith welcomes Cloud back when he snaps out of his zombified, Sephiroth-controlled state and runs toward her. Of course, it’s the sight of her and his memories of meeting her in chapter 2 of Remake that shake him awake (2:17:43-2:18:02).
For a third time, Aerith wakes Cloud. This time, she’s pulling him out of a trance and back to himself. And for a third time, Cloud remembers her. In fact, it’s remembering her that wakes him up. Cloud calls her name and Aerith says “okaeri” in both the post-Midgardsormr cutscene and this third clip. And in both scenes, not only does Cloud return to himself the way someone returns home (recall that “okaeri” is used to welcome someone back home), but he’s also returning to her, recognizing her as his home.
Now we’ve got three scenes lined up: the church reunion scene (both in OG and Remake), the Midgardsormr scene and the hand-reach scene. All three of these recognition scenes feature Cloud being woken up by Aerith and remembering who she is. The main difference is that, in the scenes among these three that are exclusive to Rebirth, Cloud’s return to Aerith is far more meaningful, as he already knows her name, and knows more about who she is to him. Evidently, in the OG church reunion scene, Cloud only remembers being sold a flower by this girl. In the Remake version, he remembers the same thing, plus the attack of the whispers. So there’s something much more weighty about the Rebirth recognition scenes: he remembers more, and he remembers deeper. These aren’t just recognition scenes, they’re also mini-reunions. Of course, as we’ve already analyzed pertaining to the hand-reaching scene, Cloud remembering Aerith is followed by him being the one to take action and run toward her, eager to save her, because she means the world to him. When you place the Midgardsormr scene between the church reunion scene and the hand-reach scene, an evolution of Cloud waking up and remembering Aerith is formed. Each mini-reunion scene adds a piece to the story: the church scene informs us that Cloud and Aerith are meeting again, the Midgardsormr scene tips us off that something mystic is going on from Cloud’s tone when he says Aerith’s name, and the hand reach scene tells us that as a consequence of remembering who Aerith is, Cloud saves her from falling to her death and saving her. “Meeting again”, “mystic”, and “saving Aerith”: these are the keywords of the mini-reunion scenes. They are also the keywords of our theory on Cloud’s mission to save Aerith. This time around Cloud knows more and is more conscious about how he feels for Aerith, just like he feels more when in the hand-reach scene in Rebirth compared to the church reunion scene in Remake. From the latter scene to the former, Cloud gradually wakes up and remembers his love for and loss of Aerith in the OG more and more. Each mini-reunion brings him closer to saving her when he blocks the masamune. This is why I am certain that in part 3, whether Cloud comes to his full senses or not, whether he remembers the events of OG or not, he will save Aerith this time. The Remake trilogy is centered around Aerith, after all. In fact, don’t take it from me, take it from Nojima:
“Aerith's the most important character in the remake so we paid special attention to her lines” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 744).
I have full confidence in this fact: one way or another, these two will have a happy ending. This is Cloud’s second chance, and as he swore in “Hollow”, he is not losing her again. That is why I don’t think you should fret, and that our Clerith hearts will be very happy to see these two together again for good in part 3.
VI. h) Zooming In
In fact, this zooming-in method of directing players’ attention to important narrative beats is far from new.
VI. h) i. Changing Fate
Let’s divert our attention to Nanaki’s Skywheel date (2:28-3:30). The dialogue goes like this: Nanaki brings us the Whispers and suggests the party might eventually forget about their existence, and Cloud says that frankly, if it’s impossible for them to change fate either way, then it would be better for them to forget to Whispers altogether.
This is a very clear message from the devs: “There would be no point in including the Whispers in the Remaketrilogy if we did not make use of their defeat”. They’re telling us through Cloud’s dialogue that they know it would be foul play and bad writing to introduce the theme of defying fate if it didn’t eventually pay off.
As if it weren’t clear enough what the devs are referring to, Nanaki brings up Aerith’s death directly after Cloud delivers the devs’ message to us. He actually makes Cloud promise to save her. This is pretty on the nose. By promising Nanaki he will protect Aerith, the devs are promising us the same. I’m certain that part 3 will deliver on this promise.
If you still aren’t sold, I’d like to direct your attention to the framing of the shot where Cloud says “If we can’t change [fate]” (2:49-2:51). There’s a zoom-in on his mouth, which is a visual cue that translates to “what this character is saying right now is important to the plot”. It’s very indiscreet in theory: the camera literally hones in on the invisible words as though the script has them highlighted, italicized triple-underlined and in bold.
VI. h) ii. Aerith’s Knowledge
We’ve seen the Remake trilogy use this camera framing at least twice so far. The first time occurs in Remake’s chapter 8, before it becomes clear that Aerith knows things from the OG game that she wouldn’t normally know if this were just a remastered version of the same 1997 plot. I’ll let Remake Ultimania‘s description of this moment speak for itself:
“When Cloud and Aerith return the rescued children to Oates, the man in the tattered black cloak shows up again at the hideout. The moment the man grasps Cloud’s arm, he’s overcome by another violent headache and sees a vision of Sephiroth. Cloud wonders if this man who supposedly died five years ago could possibly still be alive. When he says as much to Aerith, she gives him a vague reply” (FFVII Remake Ultimania, section 04: “Scenario”, “Chapter 8 Main Story Digest”, page 256).
Aerith’s “vague reply” is accentuated by a very deliberate zoom-in on her mouth (1:18:05-1:18:09), and therefore her words.
The framing of this shot indicates to us that what Aerith says provides an important hint as to the plot’s direction. Sure enough, with hindsight, it’s easy to see that’s true.
VI. h) iii. Tifa’s Question
Another time this framing is used is in chapter 1 of Rebirth, after Cloud recounts the Nibelheim incident. Tifa asks the group why Sephiroth is choosing to come back now, after five years (37:55-37:58).
Once more, we are being signaled that the reason Sephiroth chose to return at the moment he did is significant to the plot, but cannot be revealed explicitly yet. The reason why Sephiroth took five years to return is because that’s how long it took for Cloud to get back on his feet after the Nibelheim incident: Sephiroth wants and/or needs to manipulate Cloud in particular rather than all the other people with Jenova cells in them. It took five years for Cloud to not only go through Hojo’s experiments but also escape Shinra and make his way to Seventh Heaven, where Tifa nursed him back to health— therefore, it took five years until Sephiroth’s favorite pawn was available to be used. There are a few reasons why Cloud is the one Sephiroth wants to use, and all of them would be spoilers at this point in Rebirth to players who don’t know the OG plot. The devs can’t reveal any of them yet, but they do indicate via a close-up shot of Tifa’s mouth that her question is important.
VI. h) iv. The Takeaway
As you can see, this framing of characters’ mouths when they speak signals a plot-significant piece of dialogue. This means Cloud’s words on his gondola date with Nanaki can’t be brushed off as a red herring or an unimportant or throwaway line: it has narrative weight.

VII. The Devs

I think it’s important to remember the devs and their commitment to the world of FFVII. They know best for this story, and they’ve proven it to be true many times over. There are many things about the devs’ intentions that the fandom don’t seem to know that I think would give you confidence to find out.
VII. a) Shifting Themes
Good storytellers don’t introduce themes as a way to pull the rug from under audiences’ feet by later rendering them completely irrelevant to the plot.
In other words, the devs would not have introduced the notion of fate as an antagonistic force in Remake, nor allowed the players to defeat it in chapter 18, had they planned for these themes not to pay off at all. Think of how good FFVII OG and FF stories in general are, how strong the writing is from a narrative point of view. Nothing is included for no reason or for a cheap reaction— especially not a central theme of a story. Fate and defeating it is a huge point of Remake, and not for no reason.
I mean, think about a storyline all about defying fate ending with a shrug and a “Oh well, we tried.” It would be ridiculous! The devs are better than that.
VII. b) What the Devs Want
The devs are well aware that fans of FFVII have been begging for Aerith’s resurrection since 1997. All those petitions, all those myths of a revival hack… SE knows about them all too well. They were even referenced by FF’s 30th anniversary expo, which partly promoted Remake:
“No one expected [Aerith’s death] in the middle of the story. Rumors of a secret way to revive Aerith spread, and it was clear players were having a hard time saying goodbye to her too. Even now, twenty years later, it still feels like a shocking turn of events” (Final Fantasy 30th Anniversary Exposition Pamphlet, page 36).
Hamaguchi, codirector of the Remake project, commented on these rumors:
“Interviewer: Do you have a favorite fake rumor about the original FFVII?

Hamaguchi: I hear a lot about Aerith coming back to life and that's something that's very interesting to hear” (Hamaguchi interview: “129 Rapid-Fire Questions Answered About Final Fantasy VII Rebirth”, by Game Informer).
The devs are also aware of how beloved Clerith is to the FFVII fandom, especially in Japan— in fact, the only FFVII ship name that is an official iOS search term on the Japanese Apple Store is Clerith’s (“クラエア” or “kuraea” in Japanese). Aerith herself is a widely beloved character, particularly, once more, in Japan. For instance, Famitsu and NHK’s recent polls on the best FF heroine and on the best FF character in general both resulted in Aerith ranking number 3, beaten only in the latter poll by Cloud at number 1 and FFX’s Yuna at number 2.
The devs know how well-loved both Clerith and Aerith are. And in fact, they love Aerith at least as much as we do:
“Cloud's feelings [of guilt] cannot be resolved by anyone other than Aerith. I tried to convey [that Aerith is saying to Cloud] ‘I'm still here for you’” (FFVII Reunion Files, Nojima’s note on Aerith’s character file, page 58).
&
“When I saw the finished product of [Aerith’s face in] CG, I thought, "Oh, isn’t she so cute?” (FFVII Reunion Files, Nomura’s note on Aerith’s character file, page 58).
&
"The idea of having Aeris die during the story had a great impact on all the dev staff," Toriyama explained, "and personally I decided to dedicate my efforts to depicting Aeris in as appealing a way as possible, so that she would become an irreplaceable character to the player in preparation for that moment" (Toriyama interview “Final Fantasy anniversary interview: Toriyama speaks” by VG247).
The devs care about Aerith, and they’re fully aware we do too.
I think a lot of people have it in their heads that the devs don’t want anything to change from the OG story, but there’s a lot of evidence that says otherwise. Codirector Toriyama spoke on this, stating the following about the production process of Remake:
“[…] there were times the original version became a hindrance. Specifically, staff members with a strong attachment to Final Fantasy VII would often hold themselves back for fear of deviating too much from the original. When we created the original game, we obviously didn’t feel bound in that way. We were passionate about creating a brand new Final Fantasy title, and so we dove in and embraced whatever seemed most interesting to us. We wanted to take that approach this time as well, so we made a special effort to liberate ourselves whenever we held back, remembering that it was okay to do the things we wanted to do” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 1: Motomu Toriyama, Naoki Hamaguchi, Teruki Endo”, page 737).
Codirector Nomura said the following:
“When I asked Nojima if he’d write the scenario, I was clear about my demands up front. I said, ‘If we're going to remake Final Fantasy VII, I want it to be done like this.’ At that point, I was intent on making something more than just a remake. [Similarly to how] the battle system this time incorporates elements of the original game’s ATB mechanics [while] also been reborn using a real-time approach […], I wanted to make a story that players would feel is fundamentally Final Fantasy VII but also something new” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 745).
Clearly, the devs don’t want to be bogged down by the OG, and are making efforts to do things the way they want to rather than the way they were previously done. The newer generation of developers such as codirector Hamaguchi is also involved in these story changes:
“Interviewer: There are also drastically more scenes with Sephiroth than there were in the original game.
Nojima: We weren't planning on having him appear so much at first— the idea was only to hint at his presence. But we changed our approach partway through and became more proactive with having him appear, after which the number of scenes he features in rapidly increased.
Nomura: Hamaguchi [codirector Naoki Hamaguchi] came up to me one day and said in a mysterious tone, ‘I'd like to talk to you about something.’ He asked me about having there be a battle with Sephiroth in Midgar. In the original game, Sephiroth’s true body is located elsewhere, so he didn’t think I'd give in to the idea so easily. I think he even prepared materials to persuade me. But in the end I agreed readily [laughs]” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 746).
Kitase, the producer of the Remake trilogy, even says that after working on this project for so long, and after spending almost 30 years on the FFVII project and getting to know the characters, he has realized that:
“The more [he works] on it, the more [he wants] to make all these characters happy. [He wants] to give them a happy ending. The rest of the team’s opinions [obviously] also have to be taken into consideration, so it won't be all happiness and rainbows. But [he] just [wants] to make [the characters of FFVII] happy” (Kitase and Hamaguchi’s interview “Final Fantasy VII Rebirth’s Producer Just Wants 'the Characters to End Up Happy'”, by Vandal, translated by me).
Kitase is indeed only one developer, but he’s the producer of this project: that’s the very top position. He oversees everything and nothing goes without his approval. That counts for something. Of course, Kitase is fair and values the input of all the devs, so of course it won’t be “all happiness and rainbows”— but I sincerely believe there’s a big chance that Cloud and Aerith are heading toward their happy ending. Even if this theory is completely bogus, I want to have faith that the devs would not sacrifice good storytelling for nostalgia and a conservative attitude toward preserving the OG story, as that would be cheap of them, and we have not known them to be cheap. This game truly matters to them, so I think they deserve our faith.
(conclusion in
submitted by haygurlhay123 to cloudxaerith [link] [comments]


2024.05.16 16:15 Krishnas_lill_girl Help you Non-Tech Girly out to make a switch into the tech world! (Long Read Alert, TLDR at top)

Hey folks,
Looking for some friendly advice from the techy folks here!
YOE: ~6
Studies: Btech CSE from a tier 3 college
Working as: Presales/Delivery
Monthly Salary: 1.5L
Mode: Working from office
TLDR; Wanting to switch to a tech role to meet my long-term career and financial goals and want some guidance to kick-start my learning journey. 6 YOE in Presales/Delivery and Product Management and now rethinking career choices. Need help to select the next career path, should I think about becoming a full stack developer, cloud engineer or something else.
So, here's the scoop: I've been cruising through the semi-tech world for about 6 years now after getting my B.Tech in CS from a not-so-glamorous college in MP. My college was more about CS theory than actual coding and I was also interested in semi-tech roles like presales/ customer success etc.
Started off as a Presales engineer (semi-tech role) in a big shot Storage MNC in Bengaluru, doing all sorts of fancy(haha !) stuff like quoting, sizing, and drawing data of data centres. Got a few certifications along the way like ISM, but I soon realized I was stuck in a bubble of boredom and no learning. So, I took a leap into a startup, hoping for some SaaS/Cloud action. Turned out, it was more like a secret society with a proprietary solution – cue the NDA! Which I did not sign as my role didn’t require knowing the core solution.

Fast forward I asked to be moved into product management (where I was pretty much self-taught) and boy was it a roller coaster ride, I delivered multiple products from scratch which are now live in the market. My ride stopped after one day a new director of products came and wanted to bring his old PM pals with him.

and now I'm back in the presales/delivery support grind. It's not exactly thrilling, and I can't help but envy my friends who started with tech roles while I was busy preaching against the likes of CTS and TCS (Karma!). They all are settled in their roles and have solid skills whereas all I have is a bunch of soft skills like client communication, project management etc :P

Now, with the company hitting financial potholes, it's time for me to dust off the ol' resume and start hunting. But here's the kicker: I'm terrified of interviews! I feel like I'm still living under a rock, clueless about what's happening outside my bubble.
If I make a switch now, I will get in to similar role and this story above might repeat again.

So, here I am, seeking your wisdom. Where do I even begin? I want to transition in to a tech role to have better freedom and flexibility like a hybrid working model and freelancing.
What can I look into, Full-stack developer? Cloud engineer? Or is there something else out there that's worth looking into?
Hit me up with your best advice, or just a virtual high-five if you have reached till here.
Thanks and Cheers!

submitted by Krishnas_lill_girl to developersIndia [link] [comments]


2024.05.16 16:00 Intelligent_Dirt8208 broke up with him 2 days ago and just need to rant

2 days ago I (20F) broke up with my bf (20M) and I'm not even sure if I made the right decision.
I met him on a video game back in September of 2023 and since that day we've been talking all of the time, playing games, watching shows etc. In February 2024 I met him in person as well as his whole family who instantly accepted me. I felt super comfortable and things were going well.
After my visit, we started planning on what we're going to do this upcoming summer: I'm going to focus on my finals, while he tries to get a job so he can fund my visit to him. It would be his first time looking for one, also very difficult as he dropped out of high school and is just your typical gamer and introvert.
Our arguments started getting worse and worse each week after that. Just some silly things where an argument is completely unnecessary. We were aware of that, we tried to find a way to stop the arguments but they would never stop. Every other night I'd be going to bed sad or crying. But he always had a way to cheer me up later, he sent me long sweet messages every night, he only wanted me, he only cared for me, he spent all of his time with me, he supported and accepted me, he showed me how I deserve to be loved but nearing the end it wasn't enough for me. Am I being selfish? I loved how he tried to fix things with me, I did too, but at some point it just became too much, I lost faith in us, but he didn't.
As these arguments continued, I thought to myself: Do I even see a future with this person? I mean yea, I love him dearly and care about him, but the fact that in the future my dream is to try a bunch of different restaurants in different countries n just expand my pallete with different foods, but he only eats pizza and fried chicken with fries, that wouldn't work. I want to have a cute big dog with my future partner, but he's terrified of them, he doesn't want one. I love watching anime, it was a big part of my life when I was younger and it still holds a dear place in my heart, but he hates it. I love all different types of music and would love to share them with him, but he only likes rap and doesn't enjoy anything else. I love dressing up, I love baggy clothes and jewelry and would love to match w my partner all of the time, but he doesn't like that, he only wants to wear tracksuits. I love when a man takes the initiative and does something without me having to ask him, he didn't do that, he is too shy, he wants me to pick all of the time, he wants me to be the man in the relationship. The list goes on.
These seem to be pretty minimal things yet they mean a lot to me and that's what I look for in a partner. When I got with him I didn't really think about it or consider the future up until a few weeks ago. The arguments slowly started getting to me and even though I promised him we will fix it soon enough I just couldn't anymore. A relationship consisting of only arguments on the daily is not healthy. Many of the things he does are icks to me and unattractive,
but I still love him so much. I miss his presence all of the time. I heard from a friend that he seems to be doing fine after the break up. It's been only 2 days and I'm so broken I cannot open up my 2 favorite games because I would only play them with him. He taught me how to improve and treated me so well. I've got nobody to talk to and my friends are tired of me being sad over him and I've tried to just suck it up and move on but it's so difficult when I know in the back of my mind he did so much to make me happy but it just wasn't enough for me. I miss him so bad, I want to hug him and apologize for everything. He didn't deserve to get his heart broken like this.
My sweet boy I wish you all the best in life I know how capable you are of achieving your dreams and I'm sorry I won't be there with you to experience your accomplishments. I didn't expect it to end so soon but I'm mentally drained from everything I just needed a break. I'm always thinking of you and I hope you head a yummy meal today and have fun time chatting with your friends every night.
submitted by Intelligent_Dirt8208 to BreakUps [link] [comments]


2024.05.16 15:31 altermwim2 Reacting to random show #40! 01/10/2015 Jam Cruise! This show: let’s play 5 whole Similar Skin tracks. Also this show: let’s invite the ENTIRE BOAT to guest!

Reacting to random show #40! 01/10/2015 Jam Cruise! This show: let’s play 5 whole Similar Skin tracks. Also this show: let’s invite the ENTIRE BOAT to guest!
I mean just look at those notes! We have Jason Hann several times, Skerik, IVAN FUCKING NEVILLE, Jen Hartswick….the list goes on. Had to have been an absolute blast! I hope I get an opportunity to join a Jam Cruise after discovering this show. Atmosphere was palpable through the recording!
[you know the drill:] 20 years, random shows, lots of fun. Let’s dive in!

40

  • Puppet String to start us off. Song opens up directly after the first hard riff. Stasik holding the low end down while everyone tries to figure it out what they’re about to do. Jake eventually matches Pony’s bassline, but takes it in a heavier direction, and now the jam changes mood. Someone sounds like they’re down tuned or maybe an extra string on the guitar? They ride this downtune theme through a pretty evil sounding little jam.
  • Drops right into The Linear. They’re trying to catch hold of something in this jam that happens after the main part of the song, nobody has really settled on an idea.
  • We are randomly right back into Puppet String! Kind of nice to have just a little sandwich there to start the party.
  • It’s a Similar Skin bonanza here with the title track! Three tracks in a row? Album standard version here.
  • After a short, short break, Ringo! The first improv section is brief, but has great energy. After greasy animals, everyone drops out leaving Stasik and Myers to lay a groundwork. Once the groove is solidified, Joel and Jake are trying to outdo each other with little outside fills. There’s even a bongo breakdown! The rest of the guys start up a cool polymeter thing to lead back into Ringo to finish out.
  • Sounds like there were a couple guest stars on percussion for that one. Joel also greets the Jam Cruise crowd during the break here.
  • No Diablo at bat. SS wasn’t super new at this point, they must have just been feelin’ it! Standard, but Jake takes some tasteful liberties.
  • During the break now Brendan invites up Jen Hartswick: “My favorite person on the boat.”
  • Oh shit, they start up Ain’t No Sunshine! Perfect song for her voice, and she’s slaying! Seems like Joel is welcoming someone else on stage to play piano, but I didn’t catch the name.
  • Brendan: “it’s been a while since we’ve been on the boat, forgot how fucking awesome it is to be on the boat. Thanks to you crazy people for making it all happen.”
  • Bad Friday! Song stretches out after the main section, Joel way out front. Seriously - tearing shit down! And I am mistaken! Someone was guesting on keys there, according to the shout out.
  • End set
  • Educated Guess set two opener. One of my favorites on SS. I’ve said it before but this one is a victim a little bit of the very close vocal harmonies. Lots to rely on.
  • “This next song is about, uh, getting fucked up with your friends.”
  • Plunger, WAIT, 40s Theme! That was a truly bizarre, yet bizarrely graceful gaffe there. The recovery was so smooth that I’m doubting what I just heard. Haha. I’m really digging this early groove Pony has going, it’s very simple and in the pocket, but allows BB to do some really cool stuff as the others dig in. “You know what would sound really good right now? I think some Skerik.” Lots of cheering. Somebody starts teasing California Love. Now there’s some sexy-phone in the mix. Now monster snarling? Sax starts quoting California Love as well. After some wailing, pace picks up and we drop back into Jake’s portion of the solo. Fast as he can possibly go.
  • During the break, Brendan goads the audience for one more round of applause for Skerik. And one more round of applause “for yourselves, people.”
  • Plunger! The earlier confusion makes more sense now, someone got lost on the setlist. They play the song completely through, standard, and then things finally start to open up after they extend the outro. They bring the dynamics real real low before Kris starts a nice beat. Another fire shift on keyboard here, is this actually Joel this time? Things get real funky with dissonant chords, but Pony is keeping the low end smooth and buttery. “Ivan Neville everybody, give it up!” Daaaang he was KILLIN’ IT too, fantastic guest spot!
  • Jake starts Ocean Billy. I think the latter-day “All probably happened befoooooo” with Kris harmonizing is a damn fine addition. The energy has a real place to ramp up from here. Then afterwards drums drop out, quiets down, I think Bayliss says “We’re gonna be weird with this one” but I’m not sure. Stasik absolutely holding it down, sounds like Jake making very atmospheric noises, before all drops away leaving Andy by his lonesome. When everyone comes back in the vibe is drastically different. Dialed in. Things definitely do get weird though. Any other guests here? Now Jake returns to OB.
  • During the break, Joel introduces someone from Snarky Puppy joining on drums.
  • Jake starts Tribute to the Spinal Shaft! Drums definitely standing out - my God!! With a Regulate tease in the bottom half of the song. Another keys feature. Another guest?? This set is madness.
  • Drops In the Kitchen with no warning. Another bass-led jam starts up mid-song. Doesn’t sound like Pony. Whether it is or not, it’s a great job building the jam here. Back to Kitchen. Ahh it was Brownstein!
  • Live and Let Die! Is this the GnR version? kidding
  • End set! “We love you guys, thanks so much!” Joel comes back out after several minutes and asks the crowd “Can you believe we’re just floating around the Caribbean right now, it’s pretty badass.” Somebody starts playing Pipeline, because of surfing… ?I’m not following that train of thought. Joel: “We’re gonna play a couple more tunes if that’s okay with you guys”
  • Wappy Sprayberry! Joel starts making it real dirty on synth, Jake does the same rhythmically. Stasik and Myers in lock step. A simple but effective secondary theme starts up before things reach cut-time heaviness. Back to Wappy to end it.
  • Doesn’t end, more like crashes roughly into 1348! Even this song opens up mid-song. They are not relinquishing this stage! Not super long there but something! Back to 1348.
  • Another big thank you to the crowd. Although this recording hasn’t stopped…is there more???
  • Joel says Jam Cruise is the best party in the world, probably. Even more guests announced for this final track, several I didn’t catch all the names.
  • It’s About That Time! And it’s about time too! What? ENERGY ENERGY at the end, Kris is absolutely burning shit down. Ha the end of this song is so bizarrely incongruous after all that.
  • Jeeeeeeebus that was some shit right there. I may need to set my sights on Jam Cruise if it’s still a thing….
Man that was incredible! UMtil next time!
submitted by altermwim2 to Umphreys [link] [comments]


2024.05.16 13:47 forest-of-ewood Roaring Kitty tweet roundup 15th May - A humble apes opinion

Hello Apes,
Here's another review of Roaring Kitty tweets, if you wanna check out previous days then links are below:
13th May
14th May
To reiterate, the description of each tweet is to the best of my knowledge the references made to allow you to make your own view in context and the speculation is pure speculation on my part, this is just for fun and shouldn't be taken as any financial advice, make your own decisions, I just like the stock. If you have anything to add feel free to in the comments and I'll do my best to update the post but given the amount of tweets now i don't have lots of time.
8:00am - https://x.com/TheRoaringKitty/status/1790713748866371690
Description: This is taken from the film Easy-A and shows Emma Stone walking through school catching a lot of attention looking fine and what was an A sticker in the original clip has been replaced with the Gamestop play logo. The song is Sexy Silk by Jessie J
Speculation: The stock is sexy, particularly among the younger people. What was Easy-A is now Easy-Gamestop. Looking really great in the black.
8.15am - https://x.com/TheRoaringKitty/status/1790717515523658119
Description: First we have a scene from the movie Prestige, with a Michael Caine voiceover about a magicians magic trick of making something disappear. The quote is "The magician takes the ordinary something and makes it do something extraordinary. Now you're looking for the secret... but you won't find it, because of course you're not really looking. You don't really want to know. You want to be fooled. But you wouldn't clap yet. Because making something disappear isn't enough; you have to bring it back." Meanwhile a person with a gamestop logo is being electrocuted to life a little frankenstein like and then a Gamestop logo bursts through an explosion. We then go to a fight scene with the song "back in the saddle again" by Aerosmith playing.
Speculation: The quote from the Prestige in full talks about the different parts of making something disappear. In full " Every great magic trick consists of three parts or acts. The first part is called "The Pledge". The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But of course... it probably isn't. The second act is called "The Turn". The magician takes the ordinary something and makes it do something extraordinary. Now you're looking for the secret... but you won't find it, because of course you're not really looking. You don't really want to know. You want to be fooled. But you wouldn't clap yet. Because making something disappear isn't enough; you have to bring it back. That's why every magic trick has a third act, the hardest part, the part we call "The Prestige"." The Aerosmith song also has some interesting lyrics, "Ridin' into town alone by the light of the moon" "I'm ridin', I'm loadin' up my pistol, I'm ridin', I really got a fistful, I'm ridin', I'm shinin' up my saddle, I'm ridin', this snake is gonna rattle"
8.30am - https://twitter.com/TheRoaringKitty/status/1790721293089964126
Description: Not sure what film this is from but essentially we have a group of people looking for someone who is messing with them, they come across the infamous meme of death looking for Gamestop and then they track down Roaring Kitty alongside 893489 CHIMP located in Boston. We then get a message of Prep mode and arm ready for transport, hold pattern until further notice and a message again on a watch saying the same with a Gamestop logo
Speculation: WS looking for DFV and just coming across more memes, not really understanding it. As pointed out by many, 893489 is the hexcode for purple https://www.colorhexa.com/893489 which could be a direct reference to people DRSing. Final message suggests it's a hold until further notice, potentially a gamestop announcement who knows?
8.45am - https://x.com/TheRoaringKitty/status/1790725065585439065
Description: We have a scene from Ozark where the wife of the money laundering family is alone in her bedroom reflecting to the sound of The Daily Mail by Radiohead. Some Gamestop logos on the wall which i think replace a picture of her family in the original clip. More reflection.
Speculation: Not sure about this one other than the family in Ozark were right on the line of legality when it came to what they were doing, essentially they were money laundering and in the end it cost them their family. SHFs messing with Gamestop to the point of legality could be what costs them their family of investors?
9.00am - https://twitter.com/TheRoaringKitty/status/1790728848226521547
Description: This is a famous scene from Star Wars where Han Solo takes them through the asteroid field despite C3-PO's cry that the odds are so greatly stacked against them, approximately 3720-1 to be exact! "Never tell me the odds" says Hans Solo. The Song Come Along by Cosmo Sheldrake comes on as the ship navigates it's way through.
Speculation: This play is a high risk play as we all know but DFV doesn't care about the odds, so many people have told him how crazy he is but that doesn't stop him absolutely nailing it. The song has some interesting lyrics to pick a few, "Don't let moments pass along, And waste before your eyes", "We'll be here when the world slows down, And the sunbeams fade away, Keeping time by a pendulum, As the fabric starts to fray" Full lyrics here
9.15am - https://twitter.com/TheRoaringKitty/status/1790732615022195139
Description: This is taken from The Chappelle Show "when keeping it real goes wrong". In this sketch Kitty replaces a lot of the words to relate to him and the scene ends with Wu-Tang being brought up.
Speculation: Really i think this is just DFV having some fun with this sketch, replacing the woofs for meows, it brings up Wu-Tang as well which was a talking point way back in the NFT marketplace chat.
9.30am - https://x.com/TheRoaringKitty/status/1790736391124774975
Description: We have a clip of Moon Knight from Fortnite alongside the song Day and Night by Kid Cudi. This is the official fortnite music video.
Speculation: The Moon Knight in fortnite is considered a rare character. In fact the last time the Moon Knight was in the fortnite shop was Nov29, 2023. With that, it's a very valuable and sort after skin. Also worth noting about the Moon Knight, "For a quick run-down: Moon Knight is actually a former mercenary named Marc Spector. One day, when he's left for dead in the desert, the ancient Egyptian moon god Khonsu revives him. Along with a new lease on life, Khonsu gifts Marc with god-like powers to fight evil". Take from that what you will.
9.45am - https://twitter.com/TheRoaringKitty/status/1790740164848861227
Description: Not 100% sure on the cartoon being shown but the rap is Mr. Niceguy by Will Smith.
Speculation: I don't think DFV is liking the public dissing he is getting from various media outlets but really he doesn't care that much as he can just nail some memes he has lined up like this. If you want the full lyrics to the song, you can find it here
10am - https://twitter.com/TheRoaringKitty/status/1790743946764644659
Description: This is the epic reveal in fight club and DFV has replaced a lot of the words. In the original scene, if you haven't watched fight club, the main protagonist has put the pieces together to realise that he himself is actually the same person as the other protagonist in the film and it was him alone that accidentally setup a sort of movement against the financial elite. In this clip DFV plays off the two characters between DFV and Roaring Kitty.
Speculation: Roaring Kitty was the twitter handle and Youtube profile for Keith Gill where he would speculate on the stock because he just loved doing it. DFV was the reddit handle where he is associated to that other sub i can't mention here but you know where i mean. I think that DFV is saying that what started as a fun speculation of the stock became something bigger than himself with his other channel in DFV on reddit. Now the wheels have moved and in the film it ends with the financial institutions being blown up, perhaps something similar metaphorically is already in place right now. It's actually a great analogy from DFV about his situation.
10.15am - https://x.com/TheRoaringKitty/status/1790747714440892825
Description: This is the scene in Breaking Bad where Walter comes clean to his wife Skylar about all the money he has made selling meth. Skylar sees him for who he really is in this scene and really it's the beginning of when Walter begins to really lose himself. There is a funny insert of Methamphetameme and a mention of Caroline who i believe is his wife in real life.
Speculation: I think this is just DFV having some fun and giving an idea of how nuts it probably was for him to talk to his wife about everything that has happened/is happening. I know to us DFV seems like some sort of oracle but to many people he would just seem like some of stock bro who is nuts, even his wife.
10.30am - https://x.com/TheRoaringKitty/status/1790751492451754012
Description: This is from the oceans 11 film again where the gang are discussing about what they are and how they have come to be. DFV inserts "the Cohen crunch" as what everything could be called and also says "One could make the argument that because it was in fact Cohen joining the board that seemed to kick things off maybe it should be...". DFV then has a big reveal of the reddit user u/ avocado-in-my-anus.
Speculation: Is this all about Ryan Cohen? Is it about DFV? Is it about the Squeeze? Or is it about Avocado in my anus!? - If you follow to that reddit user you will see 3 posts, all on October 29th of each of the last 3 years, all saying Happy Cat Day posted to 3 different subreddits, "never tell me the odds", "next fucking level" and "woah dude". Why is october 29th so significant? See for yourself here
10.45am - https://twitter.com/TheRoaringKitty/status/1790755264733626879
Description: First we have a clip taken from CNBC where they say "is Roaring Kitty the one running this company?". It then cuts to a classic superbad scene of lots of dicks being drawn.
Speculation: I would imagine CNBC's angle here is that in their opinion Roaring Kitty is the one helping the stock so much with his influence that he might as well be running the company. Judging by the fact we go to a load of dicks after that I don't think DFV agrees with that opinion...
11am - https://x.com/TheRoaringKitty/status/1790759048985612468
Description: This is taken from The Avengers Endgame and it's where Peter Quill and Thor are told they should fight one another for the honour of the leadership of the Guardians of the Galaxy. They reply they don't want to go against each other and then there is a little humored ambigurity over who is in charge.
Speculation: This could be about DFV and RC. Not 100% which one is which but DFV is saying they are on the same side and respect each other in their view on what is best for Gamestop. DFV conceding he isn't in charge here and sort of plays into the last meme.
11.15am - https://x.com/TheRoaringKitty/status/1790762813868175516
Description: This is a scene taken from Love Actually and you will most likely recognize Rick from The Walking Dead. In the original clip he is filming his best friend (and it turns out he actually is in love with his best friends wife in this film). It then cuts to some memes of Ryan Cohen and a clip from his stream about updating thesis regularly.
Speculation: I think this is summed up pretty well by u/ starhammer4billion. "In 2021, DFV was mad, that R.C. did not push the button/do the buyback and told us clearly that he did not like R.C. anymore with this meme. Now in 2024, he rewinds that meme and tells us, that he thought that at the time in 2021, but that the investment thesis evolved over time and he now sees R.C. as a supermodel. So basically he saw what R.C. was doing in 2024, which he did not in 2021 and he likes R.C. again now. Probably because R.C. pushed the button and also did some plan with loopholes and stuff that DFV may not have thought about."
11.30am - https://x.com/TheRoaringKitty/status/1790766591526735887
Description: Here we have a clip from the music video Gossip Folks by Missy Elliot. Some of the lyrics have been replaced by Roaring Kitty. It tells the story of DFV and then there is a ton of emojis that read 😳💩😿🥜🐸🍦🤢👍👊💀🥸👀🤩⚡️🎮🚀🍄💥🍏🤨😵‍💫💜🫂👌🤝⛺️😼🎯👀🐶🇺🇸🎤👀🔥💥🍻
Speculation: DFV is saying this is going to go down again 3 years later after it all went down last time. The emojis i think tell the story so far too and maybe what's to come. I'll try my best to elaborate - it's really tinfoil but why not.
Edit\* As pointed out by u/ mmilad https://www.reddit.com/Superstonk/comments/1ctc9g2/dfvs_tweet_yesterday_with_emojis_are_all_rcs/ - they emojis do run in a sort of chronological order to a lot of RC's tweets, if you go to his twitter page and scroll through from his first tweet you can begin to tick off the emojis one by one.
11.45am - https://twitter.com/TheRoaringKitty/status/1790770363627921776
Description: We have a pizza being cut in too more and more slices and dubbed onto the pizza are reddit awards along with DFV's last position update post.
Speculation: The amount of awards that were constantly being given to this post got so out of hand i can't even think how many notifications and reddit coins DFV must have got back in the day. Definitely a joke on DFV's part and just a reminder to how funny it was the amount of awards he was getting.
12pm - https://x.com/TheRoaringKitty/status/1790774146994966570
Description: This clip is taken from Spiderman i think the one where Spiderman goes dark but i can't remember exactly. The music is The Black Swan taken from Swan lake and it cuts to the movie of Swan Lake with Natalie Portman as the Black Swan and Kitty being dubbed on her face as she transforms.
Speculation: Black swan events are defined as "A black swan is an unpredictable event that is beyond what is normally expected from a situation and that has potentially severe consequences". When GME does squeeze, it's going to have severe and brutal consequences for the market.
12:15pm - https://x.com/TheRoaringKitty/status/1790777913245421806
Description: First we have Snoop Dogg in his music video for Gin and Juice talking about drama in the GME then we cut to Scarlet Envy saying "is it me, am i the drama", "am i the villain?"
Speculation: Just DFV having fun with all the drama that is being caused through GME, through his memes and everything in a fun light hearted DFV meme of way.
12:30pm - https://x.com/TheRoaringKitty/status/1790781688848450012
Description: The first clip is taken from Oceans 12 where Ryan is bring the gang back together for an even bigger heist of casinos. Then we have part of the heist where he is stuck waiting in the dining cabinet and cannot escape until they let him out, then we cut to 2 people talking, "waiting", "for what?", "for this". Finally we cut to Batman, i think in the Dark Knight where the Joker is in the hospital and plans to blow it up.
Speculation: Bigger squeeze than last time, band back together, GME holders for the last 3 years could be like the guy in the box just let out in time by DFV, we say "where the fck you been?", he has been waiting, waiting for this.
12.45pm - https://twitter.com/TheRoaringKitty/status/1790785463118348420
Description: This is taken from The Dark Knight rises where Bane states "it doesn't matter who we are, what matters is our plan", "no one cared who i was until I put on the mask", "was getting caught part of your plan?" "of course"
Speculation: This is taken online about Bane in this movie, "Everything that Bane did was never for himself, not really, we find out his real loyalty later and I think that is a big reason why he said who he is wasn’t important. He wasn’t there to impress the masses, he was there to execute a plan, to be the playmaker for a person he cared for. He wasn’t one who liked distractions and the concern over who he was, I took it as he saw as unimportant to what the plan was itself" DFV doesn't matter, the whole thing is bigger than him now, similar to the fight club tweet reference.
1pm - https://twitter.com/TheRoaringKitty/status/1790789242513433071
Description: This clip is the big reveal in The Usual Suspects. BIG SPOILER HERE TO THE FILM - The police chief realizes in the film that he has just been completely done by the person who actually committed the crime and he was right there all along in the station . In this clip the drawn sketch of the suspect is replaced with the 'ill do it again' meme.
Speculation: The mug has roaring kitty on it so I wonder if this really is DFV noticing a similar pattern to what is happening with the stock as to what happened before and has made that realization that it's time to come back and this is all on again. HF's digging the same hole for themselves.
1.15pm - https://x.com/TheRoaringKitty/status/1790793012936851665
Description: This is a clip showing Keith Gill and a narrator saying that investors were looking for someone to blame for losing big on Gamestop. Then it cuts to "shut up bitch" from The Rock in WWF.
Speculation: This is a lol meme and basically DFV saying people invest themselves it's not his problem. People did try to sue him if i remember so it's a bit of a fuck you to them.
1:30pm - https://x.com/TheRoaringKitty/status/1790796790360363016
Description: This is taken from Seinfeld and is about how George goes so far just to zing a guy. DFV replaces some words and makes this about the previous tweet, some more fun on his part.
Speculation: The episode i believe this takes place is called "The Money" and the episode in which George actually flies out is called "The Comeback", jokes aside that's some interesting references...
1:45pm - https://twitter.com/TheRoaringKitty/status/1790800562654691686
Description: This is taken from the Saturday Night Live sketch 'old friend'. It's about two old friends reconnecting, DFV expertly chooses this and only has to change the last name of the Keith in the sketch.
Speculation: Everyone thinks DFV is nuts, i mean the guy is posting a lot of memes and taking away my work mornings trying to understand them. Maybe he just loves memes, who knows?
2pm - https://twitter.com/TheRoaringKitty/status/1790804340673789978
Description: This is a video of beat saber to the song freaks by timmy trumpet and savage. "The bass and the tweeters make the speakers go to war", "the mighty trumpet brings the freaks out to the floor", "where the freaks at?". Big tune and then the vibing cat makes an appearance.
Speculation: Hard to say much about this other than it's a fun song and makes you vibe just like the cat. People are coming to twitter to see his memes and we are all vibing out off of it.
2.15pm - https://x.com/TheRoaringKitty/status/1790808112741630320
Description: Shows a man being followed around by a man in a suit with a red right hand. I'm not sure what this is taken from but the song is definitely Red Right Hand by Nick Cave and the Bad seeds. For me personally this song is most associated with The Peeky Blinders.
Speculation: The man could be anyone short on GME and the man following him making him scared could be DFV or whatever else is going to pound on those shorts. If you want the lyrics to the song then you can find them here
2.31pm - https://x.com/TheRoaringKitty/status/1790812277530034448
Description: Shows a bear on a pink recliner with a kitty sneaking in the background.
Speculation: This was a direct response to a Jim Cramer tweet who was essentially poking fun at DFV by saying he should make more memes as it's not working on helping GME. Worth noting that this doesn't look like a scheduled tweet and was probably not planned.
2:45pm - https://x.com/TheRoaringKitty/status/1790815662203617755
Description: Shows Jim Carrey not 100% which movie it is though i recognize it with a red graph overlayed showing the stock price going down. His smile deteriorates but he seems to have some sort of demented plan in a weird way.
Speculation: Stock might be going down and that might initially take the smile off but the creepy smile at the end shows that it doesn't really matter in the grand scheme of things, they are going to get it by the end.
3:00pm - https://x.com/TheRoaringKitty/status/1790819440617033914
Description: This is taken from the Truman show where Jim Carrey plays a character who's whole life is a television show for everyone else to watch. He is unaware of this but starts to become more aware as the film goes on. This particular clip is where he is trying to get to the edge of the world to see behind the curtain and the director is trying to stop him with lightning strikes and storms and whatever else he can throw.
Speculation: They are doing everything they can to keep a lid on GME. Firing as many shots as they can but it's not working. Is this the best they have?
3.15pm - https://x.com/TheRoaringKitty/status/1790823211745063394
Description: This is a clip from Dunkey's best games of 2017 and here we see a game where it's just boss fight after boss fight and is really fun.
Speculation: This is a game for us, they can hammer down the stock and do what they want but GME holders just keep buying more and moving to the next level
3.30pm - https://x.com/TheRoaringKitty/status/1790826988019528035
Description: This is taken from Tenet and is about inverted bullets. It talks about being able to drop bullets and bring bullets back up and move bullets without touching them.
Speculation: I certainly don't understand even a little of what is going on with the stock, but you can still have a feel for what is happening with the stock and it feels good right now even with the dip. Could be something to do with inverse hedging but don't know enough about that to speculate.
3.45pm - https://x.com/TheRoaringKitty/status/1790830761542664192
Description: Firstly we have the Matrix where Neo is about to fight Morpheus and then we have Alice in Wonderland with Alice going down into the rabbit hole. (The rabbit hole is mentioned in the Matrix too when Neo is given the pill option).
Speculation: The scene where Neo fights Morpheus is really the first time we start to see Neo believe in his ability to be the chosen one but also understand the power being able to beat the matrix. With the Alice in Wonderland it's about seeing how far the rabbit hole goes, things will get more crazy for sure and we are going to find out just how deep this goes.
4:00pm - https://x.com/TheRoaringKitty/status/1790834536403574936
Description: Here we have the music video for Karma police by Radiohead. A man is running from a car at a hobble speed and then stops turns around and there is a trail of fuel heading towards the car that has stopped. He pulls out a box of matches from his back pocket and is just before to set the car alight by dropping a lit match on the fuel.
Speculation: Another Radiohead song, you can find the full lyrics here but to pick a line out "this is what you get when you mess with us". Whilst being slowly chased down, there is going to be a flip reverse based on the trail left by the shorts only to blow it all up.
8:00pm - https://twitter.com/TheRoaringKitty/status/1790894938277695671
Description: This is taken from the Shawshank redemption where the main protagonist has escaped from the prison after being wrongly imprisoned for many years. DFV has changed some of the narrators (Red) words in showcase his story of being wrongly accused in 2021 and having the flee out of the spotlight. He talks about pressure and time, he presents a lot of memes he has created over the years and then shows a particular screenshot of one of his streams.
Speculation: This tells DFVs story but also has some juicy parts. I think Red in this is a bit like the reddit crew (us) keeping tabs on his story but DFV is saying to escape like him it takes pressure and time (could be gamma squeeze, could be LEAPS, could be DRS, could be holding and buying, could be ALL of it) but all it takes is time and pressure. The memes he posted i wonder if some of those have found their way into various subs over the last 3 years without any of us knowing it came from DFV. The steam he screenshot has been spoken about a lot this morning but it seems to come from one of his youtube streams when GME last broke $30.
Hope you enjoyed these takes.
Love ya DFV
submitted by forest-of-ewood to Superstonk [link] [comments]


2024.05.16 11:24 Writteninsanity Splitting Seconds: Chapter 1 - Blind Dates (The Superpower Soulmates Story)

It candidly sucked being surrounded by constant reminders that you’d lost the genetic lottery. Sure, it was easier than some people thought to get around the world without powers; it wasn’t like the government expected everyone to be a speedster or to be able to fly. Hell, a hundred years ago, nobody even had powers. The infrastructure was there. Life went on.
That said, staying cheery about the hand I’d been dealt was difficult. Enhanced perception was useful for a lot of things, from party tricks to always reading the fine print, but next to flight? Next to teleportation?
I’d gotten hung up on movement powers because I’d taken the bus to the bar, and the only superpower buses had was being late.
I was specifically at the bar for the sake of a blind date set up by my best friend; Todd was about two times my size and could throw a car across the street. His powers did nothing to help me with his current obsession with my dating life, but here we were. I supposed it was a fair obsession. I hadn’t been trying.
It honestly made sense that Todd had been keenly aware of romance since he’d met his soul mate. See, a strange thing with powers was that when you were around your soulmate, they were inexplicably stronger. Todd had met Soo-jung when she’d been on vacation in Crescent three years ago. They’d been inseparable since, and he’d been able to throw a car down three blocks instead of across the street.
Or so he claimed. Nobody was eager to volunteer their car for a demonstration, or anything else heavy and expensive, for that matter.
For my part, I hadn’t spent a lot of time guessing what would happen if I met my soulmate. It was a common train of thought for some, but I never found that it stopped at any fun stations. Instead, I indulged Todd’s meddling because he was my friend and bad dates at least made good stories.
“Gimme a sec, I’ll grab us another round,” Todd announced as he pushed out from our table. “Emma said she’s going to be here soon.”
“You bought the last one.”
“Yeah, now you can buy two in a row once Emma gets here and look generous. Think about it, man.”
“Sure,” I answered, but Todd was already walking away from the table and toward the bar.
Soo-jung leaned in. “You know he’s trying, right?”
“I know, maybe a little too much.”
“You don’t hear the half of it.”
“Oh, good.”
“I had to tell him to calm down when it came to buttering you up to Emma,” Soo-jung explained as she took a sip from her drink. “Sometimes I wonder about him.”
“I’m surprised he says anything nice about me.”
“He’d never say it to your face.” She watched Todd at the bar instead of looking at me during our conversation.
“Does that mean you’ll do it for him?”
“He trusts me to keep his secrets.”
“How about I suggest things and read your reaction?” I asked.
Soo-jung frowned in response before she pointedly rolled her eyes. She knew that reading reactions was one of my party tricks. If you couldn’t be powerful, you could at least read a room.
“Okay, fine. What do you know about Emma?”
“Her last name’s Tavish.”
“That’s it?”
“She works with Todd.”
“I knew that. He kept telling me she was a co-worker.”
“Todd thinks she’s cute.”
“He told you that?”
“No, but he has high standards for you.”
“That’s all the detail you have?”
“Todd’s not allowed to talk about work at hom- Hey, honey.”
Todd was back at the table holding all three pints in one arm; he passed one to each of us despite Soo being less than halfway finished with her current drink. Once he’d finished distributing, he turned to Soo-jung and asked her a question in broken Korean.
He’d been trying to learn, and he was still struggling. Not that I knew the language.
“Yes,” Soo-jung responded in English, “we were talking about Emma; no Korean around Toby. It’s rude.”
“I thought you wanted me to practice?”
“You can practice at home.”
“So we were talking about Emma,” Todd jumped back to the previous topic instead of discussing his inconsistent study of Korean. “Awesome woman, perfect for you, man.”
“What makes you say that?” I asked.
“Oh, she sucks too.”
“Ah, thanks.”
“He means powers-wise,” Soo-jung stepped in.
“So you do know something about her,” I pointed out.
“Something? I’ve been telling Soo everything since we got in the car to come here.” Just as Todd finished, he flinched. Soo had kicked him under the table. “But it wasn’t much, really.”
“What do I get to know?”
“I don’t want to taint your expectations.” He pushed his empty glass away, swapping it with the new one. “But can I be serious for a second?”
I considered it. “Sure.”
“She’s like my boss’, boss’ boss. So best behavior.”
“Wait. Seriously?” I leaned in. Todd worked for the CPRU, which meant that she had to be a heavy hitter if she was high ranked in the city’s power regulation department. “She’s—”
“Not quite.” He backpedaled. “We share a building. She’s straight DPR.”
I blinked twice at that. “Way to set me up to fail.”
“You should believe in yourself,” Soo cut in.
“Todd I w—”
“And she’s here.” Todd had turned his attention away from me and toward his phone. “Hope you’re ready to meet your soulmate.”
“Honey, don’t set that expectation.”
The bar’s front door opened, and I was the only one who could hear it over the atmosphere. I glanced over, and there she was.
She was stunning by any definition, but especially mine. Maybe it was a strange way to describe someone, but she looked beautifully meticulous, from brunette hair to olive skin, to her light blue jacket; everything was in place, and everything about her was gorgeous. Assuming that was Emma, I owed Todd big time.
“Okay, that can’t be her, right?” I asked Todd. After a second, without a response, I checked to see if he was waving at her, but he was stock still, a stupid grin plastered over his face. “Todd?”
Holy shit. The DPR had some crazy people on their roster, but this- I waved a hand in front of Todd’s face and snapped my fingers, then caught the sound of a single cautious heel clicking against the floor.
I stood up from the table and looked back at the door. She’d taken one step into the bar but had gotten caught in the same shock I had. “Emma?” I asked.
She snapped her attention to me -god, her eyes were- but she just looked confused.
“Toby,” I explained, “I’m Todd’s friend.” I motioned over to Todd’s still body and took the first steps to say hello. “This is really impressive. I didn’t think this was possible. It’s cool to meet someone wh—”
“I’m not doing this,” she said. “This is impossible. How are yo—”
“Trust me, this isn’t in my…” We stared at each other for a moment. Somehow, time stopped more than it already was.
“Holy shit.” We both said it at once.
“So this isn’t you?” she asked. Her eyes were still meandering around the frozen bar instead of staying in the conversation with me.
“No, it’s not,” I walked along her gaze and ended up against the bar counter, “did Todd tell you what my power was?”
“He just told me you wouldn’t mind having me around,” Emma answered, which somehow just brought up more questions.
“Enhanced perception,” I grabbed a drink off of the bar to see if I could; As soon as I touched it, it seemed to animate back to life. “What do you mean, ‘mind having you around’?”
“I dampen powers,” she explained, a little quieter than anything else she’d said, “make them weaker, hard to use. The technical definition is long and wordy so…” She sighed as she watched me slosh the beer around. “It’s a lot of trouble, really.”
“Probably good for work,” I offered.
“Pretty much the whole reason I have my job, but Callum wouldn’t admit that.” She approached, but there wasn’t an open seat near where I was standing, nor could we ask for someone to move. “Callum is—”
“Callum Rehsman, head of the D.P.R for the past six years,” I stepped in, “sorry, comes with the perception thing.”
“Honestly, I’m just glad I don’t have to explain it,” Emma took to leaning against the bar instead of walking over to a seat. She undid the top button of her shirt, which was probably too high for a date, anyway. “Emma Terish. Ring any bells up there?”
“No.”
“And you’re?”
“Toby Vander,” I put down the beer to offer my hand, and it froze as soon as I let go. We both paid attention to that instead of the potential formal hello.
“So this isn’t you.” Emma reached for the glass and picked it up; once she did, it animated just like it had with me. “And it isn’t me…”
I swallowed nothing. We’d both said holy shit for a reason, but it felt impossible to admit it. Wasn’t there supposed to be a — Well, something? Anything?
Then again, we were stopping time, and what else could you ask for?
“Do you want a drink, Toby?” Emma asked. She vaulted herself over the bar with a frankly shocking amount of grace for someone in a pantsuit.
“Uh, sure.”
“I’d ask what you were drinking, but we might have limited options,” she was considering her new vantage point from behind the counter.
I took the opportunity to grab the drink I’d left behind on the table. “I’ll use the one I had.” I tapped Todd’s hand for posterity, and nothing happened to him. “Any idea what this might—”
“No idea,” she answered without letting me finish, “but my job involves dealing with unknown powers, so…” She tried to use the soda-gun and swore when it didn’t work. “You learn to roll with it until people cooperate.”
“You still think I’m doing this?”
“I know it’s not me, and there aren’t many options here with us,” she said as she ducked behind the bar and came back up with a lemonade cooler, “but I came here for a date, and I plan to have one. Been a long week.”
I returned to the bar, finding a seat now that she was on the other side. “I just need to establish that this isn’t me. I’m not trying to—”
“If it isn’t you and it’s not me stopping time around us, then someone is giving us a very private venue for our first date.”
“Isn’t that nice?”
“It really is.” She took a sip of her drink, then pulled it away before she had time to swallow. “Shit. Do you have cash?”
“I’ll cover you.” She frowned at that; clearly she wasn’t satisfied with someone else paying for everything. “Plus, you’re serving me tonight. So…” That seemed to be enough plausible deniability to satisfy her. “Cheers?”
“Cheers.”
Throughout drink one, we were casting nervous glances around the paused bar; by drink five, we were laughing, just the two of us. Hours dripped by with the free beer… or they didn’t… It was hard to tell.
Emma added her sixth can to her pyramid and composed herself. “Okay, okay, okay. One second.” She took a deep breath. “This has been so much fun, but I told Todd I’d tell him when I got here so” — she needed another second to find her verbal footing — “can you stop this now?”
“Stop what?” I was halfway through a sip.
“This is the coolest power I’ve seen but—”
“It’s not me, I promise,” my insistence ended up sounding more like a drunk debate. The drunk part was accurate.
“So your power really is enhanced perception.”
“Yes.”
“Okay. Okay. You’re not lying.”
“What makes you say that?”
“Because that’s lame and—” She stopped herself. “Shit, sorry.”
“I am so used to it.”
“You wouldn’t say that drunk if you could stop time is my point,” she almost ducked down to grab another drink but thought better of it. “So, that makes us…”
We’d reached this impasse several times in the last hours. I scanned her. The lines on her face. The size of her irises. She was worried. Apprehensive.
So I said it first.
“We’re soul mates.”
She looked down and to the left, considering instead of answering.
“Why else would one of us display a power we’d never seen before? Unless you’re right and someone was stopping time for everyone but me and—”
“And the woman who’s immune to powers,” she cut in. “Maybe we are soul mates, but turn it off.”
“It’s not—”
“Toby, please.”
“I don’t—” I stopped short and instead tried even though I didn’t know how. My perception was passive. I didn’t get to choose whether I used it. Was there supposed to be a switch somewhere inside my head? Was I—
How long had it been at this point? Six, seven hours? We’d planned to meet pretty late and it would almost be light out by now. She was right. We had to get—
“I don’t know how,” I admitted, “if it’s me.”
Emma opened her mouth to say something, then reconsidered. Her perfectly manicured nails were digging into the vinyl of the bar top.
“Okay. It’s been lovely, but if you getting here started this then,” I said as I stood up, “maybe I just need to leave, and that will turn it off so we can figure out what’s going on.” I took the first steps toward the door.
“That’s a good plan,” she nodded along with what she was saying, like she was convincing herself, “I’ll reach out to you. It was an excellent date.”
“Let Todd know for me,” I added as I reached the door; a second later, I stepped into the chilled early-fall air. The door didn’t shut behind me, so I kept walking until I would have been out of eyesight.
Then I stopped.
Should I have turned around? What were the chances that she was my soul mate? What was I leaving behind if I didn’t see her again? It was a dumb thought, but the idea of walking away started gnawing at me.
But what choice did I have? In front of me, a couple was frozen in the middle of a quiet conversation on the way to the bar. Soul mates only affected one another when they were close by. I took a few more steps and started to sprint.
I was three blocks away when the world stuttered around me. My vision blurred, and the moonlight was shattered by the sun. I stumbled, almost crashing into a woman dressed like she was on her way to brunch.
Shit. I’d left my jacket at the bar, but—
I checked my watch; 8:06 AM.

------
If you enjoyed this: You can pre-order a signed copy now here
Also, comment here and I'll remind you on release day to pick up a copy!
Let me know if you have any questions!
submitted by Writteninsanity to JacksonWrites [link] [comments]


2024.05.16 09:30 Ambitious-Swing8686 Need Career Advice in Australian Construction/Property Development

Hey Reddit! Long-time lurker, first-time poster here, so bear with me!
I’m reaching out to see if anyone here has experience in the Australian construction industry, particularly those who have moved into property development. I'm wrapping up my final year at a G08 Uni in Sydney, studying construction management and property, and I’ve got just one term left before graduation. My current average WAM is sitting at around 89 including one subject where I received 100/100.
A bit about me: I'm in my late 20s and a mature-age student with a previous five-year career in data analytics and related fields in the corporate world. I migrated to Australia alone about ten years ago with basic English skills and got a late start in my professional career. Despite these challenges, I've always been driven to advance and make the most of my circumstances.
So, I’ve shifted gears to construction and have been working as a cadet with a well-known tier 2 builder since last year. I've had rotations in site management and site engineering and received great feedback. Now, I'm in contracts admin, which I thought was my ultimate career path I wanted to focus on , but it’s been rough.
The guy above me in contracts admin is making life tough—constantly criticising me in front of the team, keeping me out of important emails, and just generally blocking my growth. It's got to the point where coming to work is a drag. Plus, the work itself isn’t as fulfilling as I hoped. I miss the networking, the meetings, the kind of work where I can produce a report, build spreadsheets and give presentations—more my style than the daily grind of quotes and contracts.
So, I’m thinking of moving into property development. I like the idea of handling a project from start to finish, from land acquisition to OC and it seems like it could be a better fit for my skills and interests. There are a bunch of grad roles opening up in July with some top-tier developers, and I’m gearing up to apply—doing my research, prepping for interviews, even taking some elocution lessons to sharpen my interview skills.
Here’s where I need your advice:
  1. Quitting the Cadetship: Is it a bad idea to leave my current cadetship in July to focus on landing a development role? I’m pretty burned out and could use a break before jumping back in. My only concern is when(if) I make it to the final stage of the in-person interview, it may show I did not show commitment to the cadetship.
  2. Sticking it Out: Should I just stick it out until at least September(when the final interview stage is expected to take place) to show I can commit, even though the toxicity is really wearing on me?
  3. Fit for Development: Given my background and skills, do you think I’d do well in a development role at a major company? It’s likely to be a competitive and high-pressure environment, but I’m ready for the challenge.
Thanks for reading through my novel here! I usually keep to myself about work stuff, but this situation has been increasingly tough to handle. Any advice or insights would be massively appreciated!
Cheers and have a good one!
submitted by Ambitious-Swing8686 to careeradvice [link] [comments]


2024.05.16 08:37 baller_78 I think something is attached to my family.

I am a 19 yr old female and I have always had a fear of the dark. It’s ridiculous i know but when the lights are off the mind wanders. And mine often makes me see things that freak me out. When i was younger it was small things like seeing a face on a chair, and when the lights turned on it was just a pile of clothes. Over active imagination, i know. But we recently moved out of an old house and there a lot of things happened. My first time ever experiencing sleep paralysis when i was 14. I was laying in bed and i was at the end of the hall. We all know how sleep paralysis works but as i couldn’t move my body, my eyes wandered, and in the side of my view, i thought i saw someone in my closet. I could hear creaking and noises but it broke when i blinked. That was the first time i’ve ever felt that true fear of the super natural.
Around a year ago, we moved into a new house. A cute place but the neighborhood is terrifying. In the past year there were 3 murders just blocks from my home. It’s not a good area. Whole living in this house, I’ve been things move from my peripheral vision and at night i hear foot steps in my room, when i know everyone is asleep and no one else sleeps in here with me. I’ll hear whispers in my ear that will cause me to wake up and i have been experiencing nightmares that wake me up in a sweat. Nightmares are common for me but these ones have become more gruesome.
The other day I was talking to my mother about my feelings of this house and she said she also experienced something. She had woken up in the middle of the night to use the restroom. when she got out of bed, she said and i quote, “A tall black figure hovering over my father.” She said she turned on her lamp and it was immediately gone. When she told me this the lights above the kitchen bar flickered. It was chilling but we shrugged it off.
There are also some times when i feel like i see someone looking like a member in my family and I’ll follow calling their name but when i turn the corner they are gone.
Is this just my imagination? Please give input on what I should do.
submitted by baller_78 to Ghoststories [link] [comments]


2024.05.16 08:05 Prog132487 Why I believe ERC-20 Ethereum memecoins will melt faces this market cycle

Why I believe ERC-20 Ethereum memecoins will melt faces this market cycle
Hey everyone,
I thought I'd share my thesis on why I think memecoins will be huge this market cycle.

Memecoins are establised now

It's clear to me that memecoins are much more established now than previously. Doge and Shib became mainsteam last cycle, both hitting above 40B+ marketcaps.
People now know that it's possible to make insane amounts of money with these memecoins, and they'll be much more interested in buying a cute dog, a cute cat, or a good meme, rather than some crypto token with 'interesting tech' they don't understand when the crypto market starts to rally significantly.

A growing sector of the market

According to chat GPT, memecoins represent 5% of the total marketcap of crypto.
Chat GPT
This percentage could increase as memecoins are becoming increasingly popular on ecosystems like Base and Solana.
Quoting a comment I made from the daily:
Let's say the total crypto market cap hits 7.5T at the peak of this market cycle, and memecoins end up being worth 5% of the total crypto market, we are likely to see many memecoins hit over 1B+, with a total memecoin market cap of 375B.
Now let's imagine memecoins end up representing 10%. That would mean the total marketcap of memecoins would be 750B!
Obviously, those are wild estimates, but it's definitely a possible scenario.
Thanks for coming to my TED Talk.
submitted by Prog132487 to ethtrader [link] [comments]


2024.05.16 06:00 Aloha_LV Am I the only person experiencing this?

Am I the only person experiencing this?
I am moving out of state and have been posting on Facebook marketplace, Craigslist, OfferUp- and I’ll have people ask me if an item is available and then just completely ghost me. Or they’ll say they will meet up and never show. I honestly feel so disheartened and feel like crying :/ it’s such a stressful process and the thing that sucks is I have such good quality stuff, it would just cost way too much to ship it.
I’m going to try here, if anything interests you let me know and I will work out a good deal for you. It only allows me to post so many pictures so if anything interests you ask me and I will send you pictures of it. Good and genuine Vegas locals please come through.
BRAND NEW TV STAND‼️ Still in box, never got a chance to use: Selling for $250 (picture is what it looks like when put together) 🌺CURRENTLY AVAILABLE🌺
Outdoor backyard table set with 4 chairs, just got this for 770, selling it for $550- shoot me a message and I’ll give you a better price or send me your best offer. 🌺CURRENTLY AVAILABLE🌺
(PRICE LOWERED‼️)✨Cherry wood desk / top quality wood Bought this for around 2000, selling for just $650 but will give you a better price- or send me your best offer. Willing to work with you 🌺CURRENTLY AVAILABLE🌺
(PRICE LOWERED‼️) ✨65 inch Sony Bravia $550 + $75 Klipsch subwoofers and speaker: AVAILABLE ⭐️ and we made it a better deal for all of you so someone can enjoy. Must be bought together as a set to get this deal 🌺CURRENTLY AVAILABLE🌺
3 piece wood set, living room Table, side table, table holding TV (can also be used for other things like putting pictures flowers etc) $300 for all 3 🌺CURRENTLY AVAILABLE🌺
I have 1 great blender available: High, strong, speedy, quiet, works great. $25 🌺CURRENTLY AVAILABLE🌺
BRAND NEW ‼️ still in case, never used : Floating shelf home decoration. This is your sign to beautify your home. You can put pictures on there, plants, vases, anything and it gives it more of a home like feel. Selling for $25 🌺CURRENTLY AVAILABLE 🌺
Crystal home decor: $15 🌺CURRENTLY AVAILABLE🌺
Food Processor: works great! $15 🌺CURRENTLY AVAILABLE🌺
Portable stove: perfect for having shabu shabu, or hot pot, or bbq at home together at the table to enjoy together. Great to enjoy outdoors for parks & camping as well $15 🌺CURRENTLY AVAILABLE 🌺
1Strong sturdy Iron Board used twice $20 🌺CURRENTLY AVAILABLE🌺
Tripod can be used small on the table and extends huge up to 75 inches. Has a holder for camera or phone: $20 🌺 CURRENTLY AVAILABLE 🌺
BRAND NEW: YAHTZEE Board game still in wrapper with price tag on it bought for 20, selling for $10 🌺CURRENTLY AVAILABLE 🌺
Tower fan, just got this for 70 bucks, selling for 50 but I’ll give it to you for a better price. Just shoot me a message with your best offer🌺CURRENTLY AVAILABLE🌺
MARBLE BOARD: $20 🌺CURRENTLY AVAILABLE 🌺
5 pound weights : $6 each both for $10 🌺CURRENTLY AVAILABLE🌺
Wi-Fi extenders: 45 each or 75 for both 🌺CURRENTLY AVAILABLE🌺
Waffle maker: $10 🌺CURRENTLY AVAILABLE🌺
Skewer grill brand new still in box, never used : $20 🌺CURRENTLY AVAILABLE🌺
ceramic big vase: bought for 70, selling for 30- send me your best offer we will work something out 🌺CURRENTLY AVAILABLE 🌺
Electric hand mixer: works great and makes baking a breeze!! A must for baking $15 🌺CURRENTLY AVAILABLE🌺
Super cute weighted soap holder brand new: $5 🌺CURRENTLY AVAILABLE🌺
Couch is from Jubilee LV luxury modern couch purchased at 3,150. Selling it for 1000 shoot me a message and I’ll give you a better price or send me your best offer. We work something out. 🌺CURRENTLY AVAILABLE 🌺
lamp: $15 🌺CURRENTLY AVAILABLE🌺
Air fryer, used a few times. $20 🌺CURRENTLY AVAILABLE🌺
realistic faux plant decoration $10 🌺CURRENTLY AVAILABLE 🌺
This couch is the comfiest couch. It is stuffed with goose feathers so you just melt into the couch. needs to be lightly cleaned (was quoted $50 for a cleaning but I have no time so just selling the couch for super cheap) but this is the most comfortable couch, best naps on it ever! I just got these covers for 120 (they’re removable super easy no worries) lolll but you can have them for free with this couch. Probably should take it off and let the couch shine $200 🌺CURRENTLY AVAILABLE🌺
small dresser: Has a little chip on it but nothing too noticeable $10 🌺CURRENTLY AVAILABLE 🌺
(PRICE LOWERED‼️)✨Round table with Tempered glass with 4 chairs and cherry wood stand- this is a 2000 tempered glass table imported from Italy- selling for $600 but shoot me a message and we can work something out or send me your best offer. 🌺CURRENTLY AVAILABLE🌺
okay hear me out I know Christmas is a little ways away but it sneaks up every year and this year you’re going to be like man when that Asian girl was selling the Christmas stuff I should have gotten it for cheap lol ✨pine cone ribbon lamp battery operated: $5 🌺currently available🌺 ✨nutcracker: $5 🌺currently available🌺 ✨gnomes there’s 2 $5 each 🌺currently available🌺 ✨light up wreath: $5 🌺currently available🌺 ✨Christmas table decor: $5 ✨currently available✨ ✨Christmas towel: $2 🌺currently available🌺 Christmas plate/tray: $5 🌺currently available🌺 Or take all the Christmas stuff for $20 total
submitted by Aloha_LV to vegaslocals [link] [comments]


2024.05.16 05:45 larki18 [DUMMY MAGAZINE, 2006] "The people who criticise us for being too poppy don't get it. People are afraid to write a song any more, or they can't...The best bands ever have all written great songs. You can still do it and do it intelligently and it can be original."

Cigarettes and rebellion have always gone hand-in-hand, and in an age of cigarette packet-sized health warnings, now more than ever, smoking a fag says: 'I do not give a fuck.' But if Brandon Flowers is hoping to strike a seditious pose by sparking up at the start of the interview, it's not going according to plan. The Killers' frontman is on all fours rooting through the junk that carpets the anteroom at the band's rehearsal space. "Has anyone seen my lighter?" he asks, rocking back on his heels. The question hangs in the air while Brandon cocks his head, waiting for an answer like a meerkat listening for a predator. Twenty-five years old and with a delicate bone structure, there's something almost dainty about him. Receiving no response, he returns to his search. "Oh, Jeez," he sighs. "I had it just a minute ago."
It's a scene that emphatically does not suggest a rebel without a cause. The mess isn't helping. The Killers' HQ - an industrial unit sandwiched between a construction supplier and the offices of a housing development just off Dean Martin Drive in West Las Vegas - is ankle-deep in designer clothing. A Dior Homme suit lies crumpled by the door; there's a pile of shoes topped like a sundae by a pair of Marc Jacobs trainers; and anyone wishing to enter the shoebox room the band use as an office must negotiate a mountain of discarded jeans. Many items are identifiable as coming from the wardrobe of Hot Fuss, The Killers' hugely successful 2004 debut album - triple platinum in the UK with two weeks at Number One and five million sold worldwide. Look! There are the shirts, ties and suit jackets they wore when they thrilled Glastonbury 2005 with indie rock anthems Mr Brightside and Somebody Told Me. That was the crowning moment of a two-and-a-half year tour that finally concluded in October of last year. It seems that after playing that final date in Miami, they returned to Vegas and shrugged off their image onto the floor of this bland white box.
Now a fine layer of dust covers the dead clothes. The Killers have no further use for white tuxedos on their second album, Sam's Town. Today, Brandon wears a black polo shirt, black pin-stripe waistcoat, black jeans and black boots. Where there used to be a layer of foundation, there is now a beard - an untrimmed beard at that. Dave Keuning (30, guitar), Mark Stoermer (29, bass) and Ronnie Vannucci (29, drums) all echo Brandon's black ensemble. Ronnie has added Aviator shades and a handlebar moustache for a dash of motorcycle cop, Dave's frizzy bubble of hair gives him a Marc Bolan-ish air, and there's something very teenage about Mark's scuffed Vans.
Short of walking around wearing sandwich boards saying, "Our new record is a bit heavier than the last one," The Killers couldn't hope to communicate that message more effectively. And they have gained some musical girth on Sam's Town. The pop hooks that made Hot Fuss so irresistible survive intact - see the ringing guitar riffs on first single When You Were Young - but there's a newfound punchiness, coupled with an epic sweep. The minor-to-major uplifts on Bones are fabulously dramatic, the coda to Why Do I Keep Counting? thrillingly intense. Comparisons to Bruce Springsteen have been made. If they overstate the case a little, they are at leaset qualitatively accurate. The Killers are back and this time it's serious - they've got the bootlace ties to prove it.
"Hey, it says here that Springsteen's headlining Glastonbury next year," shouts Ronnie, who's flicking through the NME. He nods sagely at the page without looking up.
"Really?" asks Dave, nicknamed Crazy Dave on account of his alledgedly volatile nature.
"The Boss is headlining one night, we're playing second on the bill the next night and Kylie's headlining the Sunday," says Brandon, charging like a bull through Michael Eavis' as-yet-unannounced line-up with what subsequently proves to be a characteristic gaucheness.
But that lighter is proving elusive. This being America, none of the people hurrying to-and-fro prepping the world for the release of Sam's Town smokes. Manager Robert Reynolds - Bobby Rey to the band - barks into his mobile, booking his band onto eye-wateringly demanding tours. "We're going to make a lot of money," he cackles to himself before switching calls to make a series of stern pronouncements on legal matters. Dave, Mark and Ronnie disappear for a jam session. Artwork is approved, B-sides are decided on and schedules are hammered out.
"I can't find it," Brandon says, finally. But he's not going to be denied the opportunity to underline The Killers reinvention with a puff of smoke. "Let's go to the gas station. I'll have to buy one. It's too busy to talk here anyway."
+
Brandon's black (of course) Volkswagen Touraeg four-wheel drive is barrelling down West Flamingo Road into town. "I was a bell boy there," he says, pointing out of the driver's window at the stucco facade of the Gold Coast casino. "I was working there when we were signed."
Coming from Las Vegas, it is perhaps inevitable that casinos play a big part in The Killers' story; not only is Sam's Town named after one, it was recorded in one, too.
The band began writing songs while on the road with Hot Fuss, turning up early for soundchecks to run through new ideas. On a trip home to Vegas, George Maloof, a hotelier known for cultivating famous friends, invited them to record the album in the new studio he'd built at The Palms, his flagship hotel-cum-gambling den. When the tour finished in October 2005, they returned to Vegas and spent five month finessing the songs they'd sketched out on the road. Then, in February, they decampled to the third floor studio at The Palms and recorded Sam's Town over 11 weeks.
Producer Flood (U2, Depeche Mode) encouraged them to experiment. They overdubbed, fiddled with synthesizers and played with new equipment. It took them five weeks to get the backing vocals right. The band sang the harmonies, then double-tracked them four times. The end result recalls Queen wondering, "Is this is the real life? Is this just fantasy?" When Ronnie, a trained classical percussionist, brought some kettledrums down, eyebrows were raised; but the fabulously bombastic coda on Why Do I Keep Counting? vindicates his indulgence.
"That's kind of the Ben Hur of the album," he says. He's not wrong. Sam's Town is a record on an epic scale. "Yeah, it has drama," he continues. "But, at the same time, I think it's a little more exposed than Hot Fuss. It's a little more naked. Last time it was about a lot of fictional things." By "fictional", Ronnie means that Hot Fuss wore its predominantly British influences for all to see. Brandon's taste in music is rabidly Anglophile - he constantly references The Smiths, The Cure and Joy Division - and it showed. By contrast, Sam's Town is an unequivocally American record. The lyrical imagery is pure American dream - cars, girls, wide-open spaces and escaping to a better life. "We're burning down the highway skyline/On the back of a hurricane that started turning/When you were young," sings Brandon on When You Were Young. That's the basis of the Springsteen comparisons then, though the lack of pathos more closely recalls another blue-collar rocker from New Jersey - Jon Bon Jovi.
The phrase "this town" recurs throughout the album, and it's always receding into the distance as The Killers escape to a new life. "This town was made for passing through/I never did get along with everybody else," sings Brandon on This River Is Wild. On Read My Mind he "never really gave up on breaking out of this two-star town", while on the title track he offers something of an explanation: "Nobody ever had a dream round here."
"With the first record, there was this feeling that there was this world out there that we didn't know," says Mark later in the day. Before The Killers, he studied philosophy: now he's their quiet one. "We wanted to get out and away from this and be somewhere else. We hadn't had a lot of experience - hadn't travelled much - then we were gone for three years. We didn't sit down and say that we wanted to make a record about how we're glad to be home, but that's what happened naturally."
It's not an angsty record. The Killers have already escaped with Hot Fuss, and, having done so, they view the experience fondly now they're back. There's a mistiness to Brandon's eyes as he explains how the album got it's name.
"Sam's Town is a casino on the edge of Vegas," he says. "I grew up in Henderson, which is out on the way to the Hoover Dam. My mom and dad lived in a trailer park, and my dad used to hitchhike up and down Boulder Highway, which is the only way you could get to Vegas. Sam's Town was the first thing you saw on your way in to town. So, when you're driving down Boulder Highway from Henderson, I always thought you finally knew you were getting somewhere when you saw Sam's Town. It was kind of like a beacon."
"It's not a completely American album," contines Brandon. "We still have our English influence, but we're also from the Wild West. Somehow we've managed to unify all that on this album. it's just such a perfect resemblence of what we are."
At the petrol station, Brandon rummages through the glove box looking for change to buy a lighter. "This is a great album," he says, pointing at Highway Companion, the latest from iconic American rocker Tom Petty. "I've always been a big fan of his. He's such a great American artist."
Yes, Brandon: we get the point.
+
When Brandon finally lights his cigarette, he smokes it awkwardly, like a child mimicking something he's seen the grown-ups doing. However, when he cheerfully admits that, "I feel the same mentally as I did when I was 12," it's not a knowing nod to the fact that he sometimes behaves like a loveably precocious child, but a reference to an unusually comprehensive grounding in pop music at an early age.
When Brandon sings about "this town", he doesn't mean Las Vegas. He means Nephi, Utah or Henderson, Nevada, where he spent his childhood. His parents are Mormon and he is the youngest of six children. "I was a surprise," he says. "I've got a 42-year-old sister." If he was issues about his "surprise" status, he chooses to gloss over them. "It turned out perfect because my brother was a teenager when I was a kid," he says. "He would bring home things like Rattle And Hum by U2 and I would watch it. I remember he bought Live In Dallas by Morrissey. It was always him watching these things, or his door was shut and you'd hear The Head On The Door by The Cure blasting through the house and rattling the walls."
The Killers were formed when Brandon answered an advert Dave had placed in a local paper in late 2002. Dave cited Oasis as a big influence; Brandon had seen them play recently and responded; and, as Dave has said in previous interviews: "He was the only person to reply to my ad who wasn't a complete freak." However, the band was born in Brandon's brothers bedroom.
"His room was like a shrine," enthuses Brandon. "It was a holy place. I wish I could show you a picture of it. It was covered in posters. There'd be a big picture of Elvis wearing a bow tie that just said 'The Smiths' [the artwork for The Smiths 1987 single Shoplifters Of The World Unite]. You had The Cure wearing face paint [the artwork to The Cure's 1985 single In Between Days] - all that kind of stuff. I remember Morrissey being on the cover of the NME, with the halo [from 1985] - stuff like that. You just wanted to know about these people 'cause they were so cool. My brother seemed like such a cool person. But he was a teenager, so he wasn't going to be that nice to me, a kid."
Brandon was fascinated by his brother's collection of music, magazines and posters, but he was denied access to them - officially, at least. "I would sneak in," he says. "I knew he'd be angry if he found out, but I would go in as soon as he left the house." For a long time Brandon was too scared to actually play anything. "That didn't come 'til later. I just used to go in there because I liked it. Then I got to the point where I'd actually take a tape out and put it in. It took more guts to do that."
It was a life-changing moment. "I was ten and the first song I played was Sing Your Life by Morrissey. I remember dancing about to it."
The lyrics to Sing Your Life include the lines, "Sing your life/Just walk right up to the microphone/And name all the things that you love/All the things that you loathe." It's intriguing to wonder what Morrissey makes of the neophyte he inspired with these lines.
Eventually, Brandon inherited his brother's tape collection. "It was around the same time CDs started coming out in a big way. He started buying CDs and gave me his tapes. And that was it: it took off from there. I got a hundred of the best albums - all the New Order, all the Morrissey, all The Smiths, The Beatles. I started buying posters. I went to see The Cure in concert. It was just kind of a continuation of my brother. And it was nice because, though my parents were strict, they were already used to it from him. There was no, 'My dad doesn't understand me,' or any of that kind of stuff. My mum likes The Smiths."
Brandon was 13 and his favourite band was late-'70s/early-'80s American new wavers The Cars, and particularly their jaw-droppingly catchy 1979 single Just What I Needed.
"I wouldn't exist without that song," he says. "That was the one. I remember driving around with my mum when I was 13, and we're living in Nephi - a really small town - and I felt so cool when I put that song on. Like: 'I have something that none of these kids I'm going to middle school with tomorrow have.' That excitement is what music's about, isn't it? That's why I understand the mentality of people that don't like us because we've sold so many records. I used to like it when no one else knew about a band. So I get that - I do."
+
Brandon's first band was called Blush Response. It was never going to work out. Not because he refused to move to Los Angeles with them, but because he is utterly - comically - shameless. He's given to making outrageously boastful statements like: "It's not like the '60s, '70s and '80s now. There are only a few bands around that are really good, that just do it. I mean, there's what, five or six of us?"
For the record, in Brandon's estimation, those bands are Franz Ferdinand, Razorlight, The Strokes, The White Stripes, Yeah Yeah Yeahs and, of course, The Killers.
"I don't want people to think I'm lumping myself with other people just to make us sound cool," he says. Really? It sort of sounds like you are. But he just steamrolls through it. "Yeah, but you know what I mean," he says, grinning at his own cheekiness. He's so disgracefully forward you can't help but laugh along with him - Oh you are awful, Brandon! But joking aside, The Killers are the most commercially successful of all the bands he mentions.
Later, back at the rehearsal space, the band run through Sam's Town at deafening volume in preparation for the forthcoming tour - first the US, then the world. The infectious, almost contagious, chorus of When You Were Young sounds fabulous, as do the U2-like guitars and Twin Peaks synths of Read My Mind. Meanwhile, Smile Like You Mean It and Somebody Told Me benefit from the newfound harder edge.
They somewhat heavy-handedly underline the new direction by playing Paranoid by Black Sabbath and Get It On by T Rex. That's the thing: The Killers are not a subtle band. Their songs are like a wet kiss from a girl who's a bit too drunk. They are big and brash, and not everyone loves them for it. Mr Brightside and Somebody Told Me might go down as well at hip nightclubs as they do on the festival circuit, but the DJs play them with the same guilty look they wear when playing a pop record.
"I hate that," says Brandon. "Like writing a song you can hum somehow cheapens it? It makes me think of this quote by Morrissey. Everybody knows how he read Oscar Wilde, Keats and Yates when he was growing up and that he wanted to be a writer. He was talking to this journalist who asked why he hadn't become a writer, and Morrissey said: 'What I do is more powerful than what you do because I can write down these words and you get it to a melody. How can you beat that?' I'm of the same opinion. I don't understand why a good melody that's memorable is a bad thing."
Being dismissed as pop particular aggrieves Ronnie. "When we first came out we got compared to Duran Duran all the time. Jesus Christ! We got a keyboard player now all of a sudden he's Nick Rhodes! Come on!"
"The people who criticise us for being too poppy don't get it," agrees Mark. "I think that's the problem with a lot of rock music. People are afraid to write a song any more. Either that or they can't. And that attitude hurts music in general. The best bands ever have all written great songs. You can still do it and do it intelligently and it can be original. This isn't a studio creation with a producer writing these songs for us. We're not Avril Lavigne, or something like that. We're a real band writing real songs, just like a punk band would do, except that we write pop songs."
You get the impression that The Killers knack for showboating pop hooks that border on vulgar is inextricably tied up with the brazen side of Brandon's personality. But while his ebullient charisma, not to mention the songs themselves, mitigates his outrageousness, there is a less attractive side to his ego. He has a combative streak. He can't resist taking pot shots at emo bands, notably Fall Out Boy, whith whom The Killers share an A&R man.
Has he heard how many emo kids it takes to change a light bulb? "No." None. They just sit in the dark and cry. It's a full 30 seconds before he stops laughing. When he does he admits: "Yeah, we've had problems with other bands. You know, when you walk in the room it's like..." He whistles the theme to The Good, The Bad And The Ugly. "We're like gangs."
And while the other members of the band are diplomatic on the subject of Brandon, you don't have to read too deeply between the lines to conclude that there have been internal issues, too.
"Some people will think Brandon's the big genius," says Dave, visibly bridling. "There are songs, such as Why Do I Keep Counting?, where he's written every note. But there are others, like When You Were Young, that were more of a collaboration - like Mr Brightside, where I had some of the music and Brandon came up with the lyrics. We always have arguments about who wrote what. The truth is that we all help in that process."
When asked how success affected them, Ronnie says: "There were certain things that needed adjusting. When you're on tour for two years, people can get a little needy. It doesn't help that you're surrounded by yes men and everybody's working for you. At times we've had to say, 'Who do you think you are?' to people. No one wears the trousers, but some people would like to. I think if it wasn't for the people in the band kicking each other in the ass... Let's just say there was some ass-kickin'."
It doesn't take a genius to work out whose ass needed kicking most often.
+
It's the following day and The Killers are back at their rehearsal space. The topic of discussion is what to wear in the video for Bones, the second single. It's a big deal: the director is Tim Burton. "I feel like Frank Sinatra when I sing it," announces Brandon. "With maybe a little bit of Morrissey and a little bit of Elvis, too."
Of course he does. But if securing the services of Tim Burton tells you one thing, it's that The Killers are about to get even bigger, perhaps even make the leap to the same level as Coldplay et al. Already stars, they are about to become superstars. Brandon can hardly wait.
"Do you know that Rolling Stone didn't want to put us on the cover last time," he says indignantly. "They didn't think we were stars. We sold five million albums! What more do they want from a band?"
Whatever was required, Brandon would be happy to do most things. "I'll do stuff that some people don't want to do, 'cause I want people to hear the music," he says. However, even he has limits. "The Rolling Stone thing made the record label think: 'What can we do to make them stars?' If I go on vacation with my wife, do they have to send somebody to be there to take pictures of me? Is that how you become a star? I don't want that. I walked down the red carpet one time and I realised I don't like it. But you don't have to walk down the red carpet for people to hear your music. We do still have some of that indie blood running through our veins."
He heads off at a tangent: "When you walk around Liverpool, you think of The Beatles, or you go to Manchester and you think of The Smiths or Oasis. I want you to come to Las Vegas and think of Sam's Town. And I think we've started to capture that, which is a truer version of The Killers, 'cause that's where we're from."
He pauses.
"I used to live across the street from Sam's Town. Maybe it'll be like our Abbey Road where people go to take pictures."
Is that what he'd like?
"I wouldn't mind it," he says, desperately hoping it will come true.
He puts a cigarette between his lips, looks down at his trouser pockets and pats them in search of the lighter he bought yesterday.
"Hey, I don't suppose you've got one?"
submitted by larki18 to TheKillers [link] [comments]


2024.05.16 03:46 jetta_man I have a 'stable' job, car and my money. But I still find myself in a loop. I can't do it anymore.

(Long AF, please be patient)
Hey people, just found this community and I really need some place to talk with people that understand me (hopefully). Don't worry, I'm not going to end myself or anything (despite the title).
22 M living with my parents. I'm brazilian so the whole "get out when you are 18" isn't a thing around here. My parents are both from the 60's so old fashioned would be an understatement.
Do you people also stay locked in your room form majority of the day? Because I do. I work fully home office in a company so I have the "best" excuse.
My mother ALWAYS was very very controlling. While in school, always wanting to know what I did in class, how was my day, the name of my friends, etc. But ok, that wasn't that bad. When I started college (2020 🤡) she wanted to know everything also. I studied in the morning, they would pick me up because I still didn't had a car license and getting the bus was a "little" dangerous because of, well, 🇧🇷. And they would always say "why you need to stay on the campus?? We are not going to get you in the middle of the afternoon because of traffic" or some BS. Then came the pandemic, only got worse. My father on the political side, denying the vaccines, my mother completely paranoid with the virus (kinda of understandable) and my sister who married and got out of the house a few years back debating 24/7 with my dad because she is from the health area.
Always that I do something out of the ordinary she just makes as I've killed a person. Such drama. Now I just said to her I'm traveling with my GF to a nearby city and she went "OMG We can't catch a break, when we think everything is OK you do this" and just shut her face off as someone in the family just died or something. And yes, she refers to herself as "we". No, she isn't non binary or anything, I just think she has such a weak mind that can't say "I don't like it".
Why? Because she says the road is dangerous to there (it isn't). Bro I have my license for almost 3 years now, and rode about 30.000Km and a few trips with different cars. I know how to handle myself. She doesn't trust me. She doesn't like if I do anything that she doesn't agree or think "is right". She asks me constantly about my GF and her family, my friends, my coworkers, EVERYTHING. You know why? Because if I say to her "Xavier likes coffee". If I ever say something "Xavier brought his tea bottle today" MONTHS later she will say "what, I was thinking Xavier only liked coffe?"
I have the feeling she wants to know where single thing so she always has something to spit on my face and tell me I'm wrong. Bro, on her BIRTHDAY, we went to a restaurant and I ordered some fried shrimp (the price of regular two plates) because we like as a family but my parents love sea food. I paid it. I'm not kidding, she went about 3 weeks saying stuff like "...I have a rich son that work's at ____" because I bought some shrimp.Just because one time I got my GF to some nice restaurants she does the same. As if I was paying 1000$ per plate. And she talks with so much irony that honestly, doesn't even make me mad anymore. Just sad.
The problem is: I can't go out. I can't get out of my house. The car is mine but if I wanted to sell it to have some cash to start financing a home (don't want to because the car is one of the only forms of freedom I have) I can't. Because the car "is mine". The documents are on my name but you know how it is. They paid for it, it's theirs. Even if legally speaking isn't. Housing is so fucking expensive. Even the first payment (we call it here "Entrada") generally speaking is 20% of the total value of the house, then you finance it for 15,20,30 years depending on your situation). And yes, you can pay that years and years before 30.
The thing is, 20% for a house nowadays in my city in around 50K (300K apartment). My wage is 2,5K/month. How on earth can I do this? Simple, I can't. The only cheaper alternatives are on another cities which is a problem because of my university and job (hybrid).
So here I am, wanting love from my parents, wanting to love them but I can't. My dad is awesome for fixing my car, fixing things around the house, helping me with cosplays. My mom cooks like a chef, I'm little sick now and she went to the market I bought the ingredients that I like for today. But man, that emotional hole, hurts so much.
Yes, their love language is acts of service (both) towards me and my sister but you know, that doesn't compensate. I would rather have a "less loving family" for a more compressible and engaged. In the pandemic I wanted a drumkit, a distant dream. My father built a fucking soundproof studio inside my bedroom and bought me a used drumkit. Best dad ever right?
Yeah, but he also complains about the noise to the neighbors every time that I played and said I could only play until 6pm. Bro the studio is literally SOUNDPROOF. You can only hear a faint sound in the kitchen (right below) because the floor isn't as well isolated. The problem isn't the neighbour. The problem is that they know I'm playing so that troubles them.
My mom said to me "Why won't you sell this drum? You don't even play anymore" well because I'm fucking depressed that's why. She could so much say to me "look, you look sad, why won't you go and play a little? Might cheer you up" or something. Boy I would kill to get this type of love from them.
Everything became "formal". You know, I don't think they love me anymore. They treat me as I was an enemy that wants to spend all my money on futile shit and think the world is all sugar and rainbows. I can't even fake an I love you.
I saw a very pretty quote on Instagram about being a dad, a nice text to send to your old man. But I simply can't. I can't. I want so much because I know they'll be gone "soon" and I want to have pictures. Learn recipes, more about cars and motorcycles. But everything I do is wrong, I'm a dumbass, I'm spending money just on wrong things.
Bro, I wanted freedom. They stared giving me guilt trips.
I didn't want no contact with them, just wanted "go traveling son, go search the unknown, if it ever goes south, you have where to return". No. All they do is shame me for it.
I wanted to do my birthday with my friends in my house. My mom said no. Bro??? But she says going out is "expensive" so How the fuck am I supposed to act?
Sorry for the venting guys, I used the support flair because I hope someone reads this and can identify, and teach me something.
submitted by jetta_man to raisedbynarcissists [link] [comments]


2024.05.16 03:05 o0TG0o Checking Some Localization - Cold Steel III: Chapter 3 (1/2)

Once again, my next post concerning the localized script of Cold Steel III. With this, I'll tackle the first part of Chapter 3. The points shown here are based on my sensibilities as to what lines cause issues for the dialogue, from being outright wrong to being awkward. My previous posts are listed below:

Chapter 3

The localization has Jusis word this an absolute. "当主" should refer to the actual head of the house. Jusis could've said: [I take it this means House Hyarms will be the only one of the Four Great Houses in with it's head attendance?]
The phrasing choice of "earlier" in the localization makes this reference to a moment in Chapter 1, pretty much two months ago, strange. It feels like way too much like a direct translation of "この前," without the context. Millium could've said: [Every bit as tasty as the pancakes Tilly and I had (anything that'd make more sense) before/in Leeves/a couple months ago.]
Random moment in the localization where refering to the jaeger corp in question as just "the dragons"/"竜" is omitted. There were no issues in any other instance. Shirley could've said: [I figured the dragons would be good, but the other guys are no slouches themselves.]
The original has it as "changed"/"変わり," not outright lost. Gareth could've said: [The dragon changed its head, and as for the other group, well...]
The localization phrases this in a different way than it should. It's denoted that "the dragons and these jaegers in purple" are emphasized as the "two strongest jager corps"; however, the original is listing the four in the scene. Sara could've said: [We've got two of the strongest jaeger corps--Zephyr and the Red Constelation--the dragons and these jaegers in purple, battling it out.]
The localization changes the clear question about the actual term she read about, just to make it sillier. Besides the fact that it even chooses to swap "council" for "conference." Juna could've said: [What's this Provincial Council thing about?]
The localization omits the time held captive, "one week"/"一週間." Old Man Rod could've said: [One time, some bandits captured me and held me in a stone prison for a whole week...]
「I heard that they sealed it up so that the Noble Alliance wouldn't get their hands on it.」 / 「貴族勢力に使われないよう厳重に封印したって聞いたけど……」
Very weird way to phrase this line by the localization. Especially considering that it is also said "they sealed it" in the next line. The original already mentions the "military"/"軍." Celine could've said: [Speaking of which, was/wasn't the Azure Knight ever retrieved by the military?]
The localization lumps the meaning of reaching the "pinnacle" or "heights"/"極み" and "enlightenment"/"理" to be the same thing as "mastering"/"奥伝" the 7th form. That's simply wrong. Yun Ka-Fai's letter could've said: [Reaching the pinnacle of this form is more difficult than any other. I do not know if you are even capable of attaining "enlightenment", yet...]
The localization adds what I assume is meant to be a "threesome" joke. Sharon could've said: [Not to mention, I can't imagine you'd like me to intrude on your private time♡]
The localization saw fit to omit the specifications of the district. Elise could've said: [My school/St. Astraia/the Girl's School and the cathedral are both in the Sankt District, in case you were wondering.]
Actually, it's completely wrong. When questioned, by Rean, that she's never been to Armorica Village before, she's not supposed to have "studied in the village." Elise should've said: [Yes, I haven't. However, when I was accompanying the inspection team in Crossbell, I did some studying/read all *about it.]
「What is it that the Nord people worship?」 / 「ノルドの民が、空の女神と同じくらい大切にしているものは?」
There isn't supposed to be a comparison that reads as if the Nord people worship "something else" instead of Aidios. Rean could've said: [They also have the Goddess of the Sky, but they worship something else equally.]
「With such an amazing faculty member, Thors must really be an excellent school.」 / 「あんなに優秀な職員さんが いるなんて、トールズってやっぱり名門校なのねぇ。」
「Hahaha...(That doesn't quite seem like Celestin, but...)」 / 「ははは……(セレスタンさんはちょっと特別な気もするが……)」
The localization got this one completely wrong. How is describing Celestin as "knowledgeable about cooking" and "helpful" not like him? That response makes no sense. First, the second line should read more generalizing the compliments to the whole staff; Cattleya could've said: [With such an amazing faculty member/members Thors must really be an excellent school.] Second, the meaning is that "Celestin is a unique case among the faculty" (in regards to being so amazing.) Rean could've said: [Hahaha... (That doesn't quite seem like anyone but Celestin...)]
The localization also got this one wrong. The Japanese don't come across as completely unaware. The assumption of this scene is that to Wayne is standing outside the training hall. Rean could've said: [Huh...? (Wait, the one outside would be...)]
The localization omits the time spent traveling, "半年." Rean could've said: [She also said she apprenticed under a female martial artist and traveled around Erebonia for six months...]
The localization simplifies the explanation. Rean could've said: [Yeah, thanks to this pendant Emma imbued with her magic.)
「What a nightmarish beast that cryptid was...」 / 「はぁ、まさかあんな恐ろしい魔物がいるなんて……」
The localization mistranslated "fiend"/"魔物" for "cryptid"/"幻獣." Kurt could've said: [A monster? Wait that's some kind of fiend!] Musse could've said: [What a nightmarish beast that fiend was...]
The localization removes the direction of the city. The narration could've said: [After paying a visit to Professor Schmidt, Rean walked George to the station, where his train back to Roer, in the northeast, was waiting.]
The localization removes the remark about the duration of the last stand. Aurelia could've said: [I considered making a last stand there for a year, but news of the Northern War reached me.]
The localization changes, addressing Towa by her surname. Munk could've said: [You'll be just fine, Herschel. Now let's get this show on the road!]
The localization omits taking social classes into account. Munk could've said: [Not to mention, as the student council president, you were highly regarded by many of your fellow students--nobles and commoners alike.]
The localization omits the mention of the brand. Musse could've said: [Heehee. No elegant young maiden can resist the call of Mariage Cross beautiful lace/Mariage Cross' beautiful lace.]
The localization completely changes, from specifically teasing Elise to just be more of a general tease. Musse could've said: [I've heard that the princess has gifted you many such lace.]
The localization chooses to translate the general term for "ammunition"/"弾薬" to be specifically gunpowder. Marcus could've said: [Although, I was shocked when she tried to pay for it with ammunition/ammo/(maybe) bullets.]
The localization randomly chooses to translate "yokan"/"羊羹" as just generic "eastern sweets", after having no problem doing it correctly in all other instances. Rean could've said: [How about some assorted yokan?]
The localization phrases the arrangement weirdly. Juna could've said: [Well, we've (Elise, Musse and Juna) basically just decided on the menu together with the Cooking Club.]
「I'm also worried about the 'true story' that Vita mentioned.」 / 「クロチルダさんが言っていた“真なる物語”というのもあったな。」
Again, it's made to use "Vita" instead of "Clotilde." I've already explained in previous posts how these changes can affect the dynamics of characters negatively. Rean could've said: [I'm also worried about the 'true story' that Clotilde mentioned.]
The localization removes what Roselia told Emma. Celine could've said: [From the day the Elder said 'forget all about heVita', Emma began training and studying as hard as she could with one goal...)
The localization swaps "used" or "piloted"/"使っていた" for "mentioned." Rean could've said: [That's the golden Spiegel the principal used/piloted!]
The localization omits the joke. The narration could've said: [And so, Aurelia finished (gently) training the members of Class VIII...]
The localization chose to phrase this as there's supposed to be reservation against these events being held at the same time. That wasn't particularly present originally. Tatiana could've said: [The Summer Festival is going to be held at the same time as Pronvicial Council...]; or: [I hear that the Provincial Council will be held together with the Summer Festival...]
The localization puts this as if it's a 'known regular hobby'. Tita could've said: [From what I heard, Olivier played his lute under it *once.]
「I hope our boss is doing well.」 / 「それにしても──女将さん、元気だといいんだが。」
The localization creates an awkward confusion for these lines. What would be expected is that "boss" would be the fleet's boss, but it's actually talking about the owner of the sailor bar, Miranda, by using "owner" or "landlady"/"女将さん." Leonora could've said: [I hope Miranda/the owner is doing well.]
「I think it'll be an eye-opening experience for everyone, yeah?」 / 「坊ちゃんやらジャジャ馬にだっていい社会勉強になるんじゃねえか?」
「Though I might consider doing something after we're done with the field exercises.」 / 「せめて演習が終わった最終日なら引率込みで考えなくもないが。」
「Huh...? Well, aren't you a stingy one?」 / 「ハァ……?チッ、ケチくせえ野郎だな。」
The point of the line doesn't really come across that well in the localization. It sounds like the punchline to responding to Ash's proposal to allow Class VII to go out in the nightlife of Raquel is that "I'll consider doing that by myself." That couldn't be more wrong. Rena could've said: [Though I might consider chaperoning you guys after we're done with the field exercises.]
Literally mistranslates "current"/"現." Altina could've said: [The current Duke Cayenne is still under arrest and no replacement has been named.]
Ash's line originally ends at the first clause.
The localization omits tthe fact that the snipers are from the army. Maya could've said: [I hear there are some snipers in the Imperial Army who chose the Hector... but I suppose it all comes down to feeling.]
The localization removes the previous remark. Rean could've said: [This way leads to Raquel--We need to focus on getting to Ordis.]
The choice of "used" makes the sentence read as a characteristic beyond the single event the Japanese refers to. Ash could've said: [Damn. So that monster locked herself/cozied up in there with fifty-thousand soldiers.]
「It's fully equipped with multiple Panzer Soldats, large-class airships, and enough supplies and anti-aircraft cannons to last three years.」/ 「多数の機甲兵に大型飛行艇、3年は継戦できるだけの物資、対空砲も完備していましたから。」
In the context of "the Noble Alliance forces, after the civil war ended, barricaded themselves in Juno Naval Fortress," the localization wrongly chooses to put it as "during the war." Much the same, the second line is supposed to be talking about that single past event. Altina could've said: [It was equipped with multiple Panzer Soldats, large-class airships, and enough supplies amd anti-aircraft cannons to last three years.]
The localization translated this line very wrongly. The situation being "shifted" isn't the Northern War. Rean could've said: [To resolve that situation (Aurelia's barricade in Juno), the deal to set out for the Northern War was struck.]
The localization omits the mention of the Main Battle Tanks. Ash could've said: [I don't see any Main Battle Tanks/MBTs/Achtzenhs or Goliath Soldats. Do you?]
「Activity that's led us to believe they're planning something for the Imperial Provincial Council in Lamare.」 / 「ール州で開かれる領邦会議に合わ・せるように。」
「Over the past six months, there haven't been any confirmed reports of jaeger corps activity within the Empire.」 / 「──ここ半月、帝国各地で 活動していた複数の猟兵団の動きが確認できなくなっている模様。」
By virtue of omitting information, the localization causes this line to have the wrong information. In the first line. Wallace could've said: [But over the past half a month/two weeks, we've not seen activity from the multiple jaeger corps which, until then, had been moving suspiciously in the Empire starting six months ago.] Consequentially, it's the lack of movement so close to the Provincial Council that makes them wary. The third line straight up mistranslated "half a month"/"半月." Wallace could've said: [Over the past half a month/two weeks, there haven't been any confirmed reports of jaeger corps activity within the Empire.]
The localization outright mistranslates "tomorrow"/"明日." The Provincial Army Soldier could've said: [Ordis will hold the Imperial Provincial Council starting tomorrow. Immediately after that's done is the Summer Festival.]
「The Port City, Ordis.」 / 「《紺碧の海都》オルディスへ。」
The localization refuses to establish a term for this other name that Rean and Musse call Ordis. Given some uses of the Japanese term, it could be "Saphirl Port City"; given the name of a food item in the city, perhaps "Aquamarine Port City"; even if not the same kanji, maybe "Azure Port City." As long as it's not entirely omitted from the game.
The localization omits mentioning the location of the monster. Ash could've said: [Yeah, but once we're done sightseein', we've got a monster to kill on the beach to the south/southern beach/beach south of the city.]
The localization singles out Luna. Lord Quinn could've said: [I hope Luna and Eclair aren't too bored.]
The localization messes up the timeframe a little. The Provincial Army Soldier could've said: [You're in luck. With the Summer Festival happening soon, the town is really buzzing with activity.]
Just like in Chapter 2, a maid is made to call her "master"/"lord" her husband by virtue of the fact that the Japanese term can be used for both. Pamela could've said: [My Master/Lord doesn't like things that come from the capital.]
It's not meant to be "households "in plural; the context here is that the glass workshop is used by the Cayenne estate. Musse could've said: [In addition to the taverns, there's an orbment store, and a glass workshop that is popular with the duke household/Cayenne/duke's estate*.]
「My big brother is coming back tomorrow!」 / 「今日は兄ちゃんが帰ってくるんだよ!」
Straight up mistranslating "today"/"今日" in the localization. Luka could've said: [Guess what! My big brother is coming back today!]; And: [My big brother is coming back today!]
The localization omits the line also havimg mention of the fact that the emperor is the award giver. Luther could've said: [Gramps is the ultimate craftsman. He even received the Golden Emblem from His Majesty himself.]
「We get all our seafood from Rossel.」 / 「ちなみに魚介はそこのロッセルさんが卸してくれるんだ。」
The localization got this line wrong. It's not about drinking a lot, even the owner of the inn says the same, "卸して." Just as mentioned in the second line, by the tavern owner, Edmond. Old Man Rossel should've said: [Though, all I do nowadays is sell my catches here!]
The localization chose to have the guy who's emamored with his new boat, and gave it it's own name, ultimately call it a "this." The Cheerful Man could've said: [I need to make sure it doesn't compromise Radiance's beauty.]
The original isn't really about being or not being "self-made." Lord Beckford could've said: [I had to rid myself of some of the merchant ships my grandfather passed down to me as if they were worthless!]
The localization makes up the logic that the count would somehow still be in doubt of the participation of Great Houses with one day to go. Count Florald should've said: [I mean, will all four of the Great Houses' thoughts even be in alignment? This truly is mindboggling.]
The whole point of the quest is to make "decorations"/"飾り" for the Summer Festival, and the localization decides it should be "accessory." Kurt should've said: [So this is a jade shell...It'd make for quite the decorarion.]
The original doesn't make it sound like the Purple Jaegers already lost men against Rean and Class VII. The Purple Jaeger should've said: [There's no point in us losing our forces here today.]
The localization mistranslated this line and also makes it sound silly. None of the characters put any doubt that there are jaegers around or that the Purple Jaegers are jaegers; needing to confirm that just comes across as awkward. Patrick should've said: [It would have been great if we had actually captured those jaegers roaming the area.]
The original is about "accepting the government's reform plan"/"政府の改革案を受け入れる. Lord Beckford should've said: [This is a travesty! Does Marquis Ballad truly intend to accept the reforms of the government like this?!]
The original is about the lovers being in Ordis "every year"/"毎年" during the Provincial Council. Hearhcliff could've said: [We both come to town every year while the council is underway.]
The localizations not only mistranslate "current"/"現" but also "sentenced"/"判決が出される." Reins should've said: [The current Duke Cayenne is about to be sentenced.]
「You can enjoy the night life without worrying about the time.」 / 「鉄道のお時間を気にせず歓楽街を楽しむ事ができますよ。」
The first localized line gives the wrong idea. That would cause the second line to likely be interpreted as "Ordis' night life" when it's actually about in "Raquel"/"ラクウェル". Receptionis Harold should've said: [Our hotel offers a taxi service jto and from Raquel*.]
The localization singles out Juna, when it's her and Class VII. Louise could've said: [Juna and everyone/Everyone/Class VII, see you later.]
The localization leaves to the imagination, for better or for worse to some, that she got a "nosebleed"/"鼻血." Angelica could've said: [Haha. Well, the three girls were so cute that I got a nosebleed--ahem, excuse me.]
The localization mistranslated "町" as "school," which doesn't have anything to do with it. Sister Olfa should've said: [There was a shooting near the city the other day...]
submitted by o0TG0o to Falcom [link] [comments]


2024.05.16 01:59 Successful_Skin5493 Buyer threatening to terminate, dealing with tough buyer

Hello!
My wife and I are selling our home. It is a 1935 brick house, 1400sqft, 3bd 1 bath. It’s a cute house! We are in North Carolina.
We have a buyer who offered $15k over asking with $1000 DD, and a $7.5k appraisal gap. We countered the $1000 DD and asked for $2000. She is a contingent buyer and we were looking to make sure she was serious.
She got offended that we asked for more due diligence, so she lowered her offer to 5K over with 5K appraisal gap.
Whatever, no big deal, unless at our house high, knowing we may get less so the fact that we were still above, we were happy .
Our home inspection came back well with only 25 items. Mostly cosmetic. However, there was one or two piers in the crawlspace that was slightly detached from the brick foundation (when I say slightly, I mean slightly, and a few floor joists needed either a pier or joist hanger..
She gave us a repair request for 17 items. We did fix and repair most of the things on the list, and the crawlspace we got a quote for a contractor to remedy of $500. We were goingto credit the amount at closing. Our contractor is unavailable to do the work before close.
Well, that wasn’t good enough and they want us to put $5000 in an escrow account because buyer does not believe it will only be $500.
Buyer is now threatening to terminate if we dont do their demand. Any funds remaining after work completed would be refunded to us. But since our quote is $500, that’s all we’re willing to put towards the repair.
Buyer has also made no effort to get their own quote or own contractor to do an inspection.
We will probably tell them to pound sand, call their bluff of terminating, tell them to take the $500 credit since they have no quote of their own.
I am currently asking our contractor for a favor to squeeze us in before close. If he can, this all may be resolved. But I am worried about nit picking and them claiming the work “wasn’t done right”.
If buyer backs out, there’s a good chance we will back out of the home we are buying.
I wanted to open it up for discussion.
submitted by Successful_Skin5493 to RealEstate [link] [comments]


2024.05.16 01:54 ebi_hime Cute yuri VN Clear Skye Thinking has been released \o/

Cute yuri VN Clear Skye Thinking has been released \o/
Hi everyone!
I've not posted here before (I'm not that active on Reddit in general haha) but I'm ebi! I've written a few yuri VNs in the past, including Blackberry Honey and It gets so lonely here, and I'm here to say I've released a brand new cute yuri VN!
How romantic >///<
This VN is called Clear Skye Thinking, and it's set on the Scottish Isle of Skye. It's a wholesome, relaxing story about a young lolita girl called Alice who goes on holiday to Skye (unwillingly) with her father, certain that she'll have a miserable time. Things start looking up, however, when she meets and befriends the cheerful tomboy Piper, whose family are showing Alice and her father around Skye.
Clear Skye Thinking is a relatively short story (it's around 50k words) and I imagine it'll take most people around 3 hours to read. It has no choices or branches, so it's purely linear, but there's a lot of pretty artwork. The heroine, Alice, has five different outfits, and there's a lot of nice background art of Skye (plus some info in the story about various tourist locations on the island, including Dunscaith Castle and Neist Point lighthouse).
They're holding hands!
You can check it out on Steam here or Itchio here if you're interested. If you want a cute, fluffy, relatively short yuri story then you might enjoy it!
And I hope you don't mind the self-promo. The moderator of this Subreddit messaged me asking if I'd like to mention the VN here, so I think it should be OK 💦 💦 Feel free to ask me any questions if you like, and I'll try to answer them ASAP 🙏
submitted by ebi_hime to yurivisualnovels [link] [comments]


2024.05.15 23:31 Discreet_Ranting I am in love with one of my friends and I feel awful about it.

I started having a crush on a friend of mine a year ago. It started really small at first. I just thought he was cute and I liked his personality. We are not super close, but spend enough time together in a mutual friend group that I would call him a friend.
However, some recent events occurred and now it's a full blown 'I can't look at you in the eye anymore' crush. He makes my heart skip beats. Being in his presence cheers me up instantly. He compliments me and I have to take a moment to recover. I am not a physical touch person but I want him to hug me all the time. I am trying hard to not come off as creepy but I just really like the guy.
However, I am really scared to express my feelings. Anytime I have had this feeling about someone, the truth causes a cosmic backlash that has ruined my life. I have never been in a relationship because of it. I fall for someone, and whoops, no more friends. The first time was after I confessed to a friend and after he rejected me (in a real cruel way mind you), the rest of my friend group found out and started treating me really poorly. The other time cause my whole friend group to abandon me for just having a crush on a friend, I didn't even confess to him. They all just stopping inviting me to things and stopped talking to me. So my experience is.....not good.
I don't want that to happening again. I don't think I could mentally survive that. Plus, I also have the worst self esteem so I don't even have a clue if he has any sort of feeling towards me. I feel so bad because I want to be with him. He is single, and to my knowledge, no pursuing anyone. He even stated he thinks that he will be single forever. I could fix that!
I made up my mind to confess to him next Wednesday. I won't see him for another month and a half after this weekend, so I figured it would give me a chance to recover from whatever result before seeing him again. But I am starting to chicken out. So maybe some strangers on the internet can give me some courage?
submitted by Discreet_Ranting to offmychest [link] [comments]


2024.05.15 21:04 littlelamb87 BWT, what are our chic staples by the pool this summer?

Hello Chic Bitches. I am pregnant as hell, so my daily summer routine will be consisting of gym sesh + pool day. I would love to know your favorite recommendations to maximize my pool bag variety.
Please drop your favorite poolside books, spf, body oils, poolside cocktails & white wines & rosés, (I can have one, okay, Let me liiiiiiiive), handy gear like fans or umbrellas, visors, any actually cute bikinis that don’t scream “THIS IS FROM THE MATERNITY SECTION”, anything that is a summer favorite!
Here’s my vibes.
Book: Authors like Rebecca Serle & Elin Hildebrand (or a juicy thrillememoir like American Kingpin). I cannot do Colleen Hoover or YA. It will make me twitchy.
SPF: Vacation Super Spritz for face, Vacation Whip for body
Body Oils: Agent Nateur body serum, Vacation Chardonnay oil
Cocktails: Aperol Spritz, French 75 over ice, Summer in a Bottle rosé
Random gear: Big Ass Visors.
In Need Of: a good hair masque for dunking my head bc I sweat on my hair line like a bro; a way to somehow be able to lay out on my stomach?
Swimsuit: sized up in a Vetchy Laguna Bikini & it did not cause me mental anguish in the mirror, so I will take the W.
Cheers! 🥂
submitted by littlelamb87 to bitcheswithtaste [link] [comments]


2024.05.15 21:00 Sola_Sista_94 Cookies 'n' Dreams: Parts Nine and Ten (Fanfic)

"Snoozydoodles! Get your Snoozydoodles here!" Himiko announced. Some students smiled kindly at her, but continued to walk. Other students scoffed or snorted at her, ignoring her completely. Himiko sighed. "It's no use." Three went up to her.
"Don't give up, Himiko!" she said. "Um...maybe it would help if you gave them a reason to want your cookies."
"What do you mean?" Himiko asked.

"Instead of waiting for customers to buy your cookies, do something to lure them in!" Three suggested. Three spied Kaito and Maki walking towards the school. "Ooo! There's some people! You know them?"
"Yeah, that's Kaito and Maki," Himiko said.
"Maybe there's a way for you to draw them in," Three said. Himiko took a glance at her glittery snickerdoodles, and thought the perfect way to convince one of them. She jumped right in front of Kaito and Maki.
"'Space...the final frontier!'" she announced dramatically. "'These are the travels of the starship, Booby Prize! Its continuing mission to explore strange new galaxies! To look for new life and new civilizations! To boldly go where no one has gone before!'" Kaito's mouth hung agape in amazement.
"Hey! You know the opening sequence to Cosmic Quest! " he exclaimed. "That was pretty good, Himiko!"
"Nyeh...if you liked that, then I think you'd like my Snoozydoodles!" Himiko said, gesturing to her cookies.
"Snoozydoodles?" Maki repeated, raising an eyebrow.
"You made space cookies?!" Kaito shouted excitedly.
"Come see for yourself," Himiko said with a sly grin. Kaito hurried over, pulling Maki along. Maki noticed Three standing next to Himiko's table.
"Who are you?" she asked.
"Just a friend," Three simply answered.
"Whooaaaa!! Maki Roll, look at these cookies, Maki Roll!!!" Kaito shouted, holding up a cookie with both hands. "They look like stars, or somethin!'"
"But, why are they called Snoozydoodles?" Maki asked Himiko.
"Nyeh...I made those cookies special," Himiko explained. "You hafta eat them right before you go to sleep."
"What'll happen then?" Kaito asked.
"You'll have to wait and see," Himiko replied, grinning mysteriously.
"This sounds like a prank Kokichi made up," Maki mumbled skeptically.
"No, it's not a prank, I promise," Himiko assured.
"Ha! I believe her!" Kaito said as Three handed him a small baggie to put his Snoozydoodle in.
"What else is new?" Maki muttered. "But...if Kaito will believe you, I guess I'll be an idiot, too." She and Kaito both paid Himiko ¥500.
"Hey! Did you just call me an idiot?" Kaito said with a frown. Maki merely smiled and rolled her eyes. The two started walking away. "I'm serious, Maki! Is that what you meant?" Himiko turned to Three excitedly.
"Wow! I had customers who weren't my friends!" she squealed.
"Eeee! Yay!" Three said. "You really knew how to handle that guy!"
"It's not hard, really," Himiko shrugged. "All you gotta do is talk about space."
"Well, space is pretty cool," Three admitted, nodding her head. "But, in this case, it's good that that guy's so obsessed with it."
"Nyeh...I think I'm ready to try someone else now!" Himiko said, now feeling energized.
"Look! Here comes a girl! And, wow! She looks really cool!" Three said, pointing to Ibuki, who was skipping her way to the school.
"That's Ibuki," Himiko said. She thought she'd try matching Ibuki's energy. "Nyeh...hiiii, Ibukiiii!!" Ibuki noticed Himiko and went over to her with a big grin.
"Hellooooo, Himikooooo!!" she shouted.
"I hope you like lotsa color and sparkles!!" Himiko said. She was already feeling tired from talking like Ibuki, but she forced herself to keep smiling and talking in Ibuki's overly-cheerful manner.
"Of course! Color and sparkles make the world go 'round!" Ibuki cried.
"Then, how about you try my Snoozydoodles?" Himiko suggested, gesturing to her cookies. Ibuki gasped.
"GAAAASSSSP!!! THESE LOOK SO AMAZING!!!" she cried.
"You want one?" Himiko asked.
"Yeah! Can I have a pink one and a blue one to match?" Ibuki asked, pointing to her arms and hair.
"Nyeh...sure! That'll be ¥1000," Himiko said. Ibuki paid for her cookies, and opened her mouth to take a bite of the pink one. "Wait, Ibuki!!" Ibuki stopped.
"Huh? What's wrong?" she asked.
"Uh...b-before you eat that, you should know that they're called Snoozydoodles because you're supposed to eat them right before you go to sleep," Himiko said. Ibuki's eyes widened.
"Really?!" she exclaimed.
"That's right!" Himiko handed her two baggies. "There you go!"
"Yeee-haw!! I can't wait!!" Ibuki shouted. "Ibuki's so excited to eat these that she might not even be able to sleep!"
That's what you think, Himiko thought to herself.
"Well, thanks, Himiko! Good luck selling your Snoozydoodles!" Ibuki skipped away, leaving Himiko to sigh deeply.
"Hee-hee...she was a ball of energy," Three giggled.
"I know. I don't know how she can stand it," Himiko muttered tiredly.
"Hey, look! More people!" Three said. Himiko turned and spied Fuyuhiko and Peko. She rubbed her palms together.
"Nyeh...I think I know how to get them," she said. "I've always wanted to do this." She sat down on the flat end of school's front entrance's brick banister. She sat up straight, crossed her legs, and stared ahead, stone-faced while curving the corners of her lips downward. Fuyuhiko raised a brow, but smiled curiously as he and Peko slowly approached Himiko.
"Uhh...Himiko? What are you doing?" he asked.
"Fuyuhiko, my boy, thank you for coming here on this very...very important day," Himiko said in a raspy voice as she reached out to straighten Fuyuhiko's suit. Fuyuhiko uttered a small chuckle, realizing that Himiko was trying to imitate Vito Corleone from The Godfather. "Now, listen...I'm gonna make you an offer you can't refuse."
"Okay, dork, show me what'cha got," Fuyuhiko said, chuckling. Himiko hopped up off the banister. Using her two fingers, she gestured to Fuyuhiko and Peko to follow her.
"Come," she said, still putting on a voice. She gestured grandly to her cookies. "These are the greatest cookies ever known to man. If you were a dope, you'd leave right now. But, you're not a dope, are ya, Fuyuhiko?" Still smiling, Fuyuhiko shook his head in awe.
"No, Himiko, I guess not," he replied. Himiko picked up a cookie.
"Then, here, take a Snoozydoodle," she said before nodding to Peko. "And one for the dame, too." Fuyuhiko handed Peko the cookie, and took one for himself.
"I'll pay for the both of us, Peko," Fuyuhiko offered, and paid ¥1000.
"There's only a minor thing about the cookies," Himiko continued. "You're supposed to eat them right before getting conked." Fuyuhiko smiled quizzically at her.
"Getting conked?! " he repeated.
"Yeah...y'know, in other 'woids,' before youse guys go to sleep," Himiko explained. Fuyuhiko laughed and shook his head.
"Got it," he replied. Himiko handed him and Peko a couple of baggies for their Snoozydoodles. "Thanks, Himiko. Y'know, I can see why Kokichi digs you. You are pretty cute." Himiko blushed.
"Oh, stoooop," she said bashfully, breaking character. "Oh! Um, I mean...Don't call me cute, or it'll be 'coitans' for you, punk." Fuyuhiko laughed again.
"If you say so, Himiko," he said before waving goodbye to Himiko.
Part Ten
Two hours had passed, and Himiko earned a total of ¥9500. She wished she had made more, but it was much better than the day before.
"Nyeh...thanks for helping me out, Keiko," Himiko said with a grateful smile.
"Nooo problemooo!" Three replied. "That was fun! Maybe I can come by next weekend and help out again!"
"Heeey, that's a pretty swell idea for someone who's slacking on the job!" came Kokichi's voice. Himiko and Three turned to see him peering at them from over the brick banister. He walked down the steps and joined them. Himiko and Three glanced at each other frantically.
"B-Boss! I was, um...I-I..." Three stammered. "It's not what it looks like! I was just...dropping by, and I-"
"Yeah, Kokichi! She wasn't helping me, honest!" Himiko chimed in, coming to Three's defense.
"I was just giving her moral support, and maybe some advice," Three said. "But, I promise, I'll go right back to-" Kokichi held up his hand to silence her.
"Very well," he said. "Return to headquarters, Three."
"Okay, boss," Three said, pouting. She dashed off, waving goodbye to Himiko, who waved back. Then, Himiko turned to Kokichi.
"Kokichi? Are you mad at her?" she asked in a small voice. "Are you mad at me, too?"
"I'm not mad at either of you," Kokichi said. Himiko stared back in uncertain silence. "It's not a lie, Himiko. I'm really not mad."
"Oh, but...why do you seem...not happy?" Himiko asked.
"Because Three has business elsewhere," Kokichi replied. "She wasn't supposed to come here."
"Oh..." Himiko said quietly. Kokichi sighed and nonchalantly shrugged his shoulders.
"Seeing as she was assisting the Supreme Lady, though, I'll let it slide this time," he said. "But, I need to have a talk with her about shirking her responsibilities."
"Oh, but...with her support, I made ¥9500," Himiko said, showing Kokichi her earnings. Kokichi's eyes lit up.
"Really?! Way to go, Monkey Buns!" he said, nodding with respect.
"How much did you make?" Himiko asked, afraid to find out.
"Not as much as yesterday," Kokichi said. "Just ¥25000."
"Oh..." Himiko muttered disappointedly. Kokichi held her shoulders firmly.
"Don't be so down, Himiko," he said. "What you earned...it's a start. I'm sure you'll get better later."
"Well, it's just that...I don't understand how you make so much when nearly everybody hates you," Himiko sighed. "And, no matter how much they hate you, they'd still rather buy from you than me."
"Well, even though I'm annoying to most people, I'm always confident in my abilities," Kokichi said. "I know how to give people just the right amount of intrigue. You can do that, too, Monkey Buns! You did make ¥9500 after all! By the way, what advice did Three give you?"
"Well, she said that I should find a way to lure customers in," Himiko said, remembering Three's words. "That I should give them a reason to buy my cookies, rather than waiting around for someone to."
"She's right," Kokichi nodded. "And, how did you do that?" Himiko smiled modestly.
"Well...all I did was recite the Cosmic Quest opening to Kaito, hoping it would interest him enough to try one of my cookies, which kinda looked like outer space," Himiko answered. "Then, I imitated Ibuki as a form of flattery, and then I pretended to be that guy from The Godfather to appeal to Fuyuhiko's 'yakuz-y' nature. Nyeh...he even said I was cute for that."
"Ooo, so you have a crush on Fuyuhiko, now?" Kokichi teased.
"No!!" Himiko cried. "You're already my boyfriend!"
"That's right!" Kokichi said dramatically, wrapping his arms around Himiko protectively and kissing her cheek. "Mwah! You're my Supreme Lady. Mwah! And I love you. Mwah! So very much. Mwah!" Himiko giggled.
"Gross! You're getting your slobber all over me!" she exclaimed. Kokichi blew on her cheek, making a rumbly sound. Himiko laughed even harder. "KOKICHI!!" Kokichi chuckled and kissed her lips.
"I'm proud of you, Himiko," he said, patting her shoulder. "Were they the only customers you had, though?"
"No, Tenko, Angie, and Tsumugi also bought some cookies," Himiko said. "And after Fuyuhiko was Ryoma, Sonia, Celeste, Makoto, Mikan, Miu, and Gonta bought some, as well."
"Heeeey, look at you, being a salesgirl!" Kokichi said, giving Himiko a high five. Himiko blushed bashfully. "Sooo...ready to go?" Kokichi asked her, casually sticking his hands in his pockets.
"Nyeh...yeah," Himiko replied. "I've had enough funny business for one day." Kokichi's smile faded, and frowned.
"Did Three teach you that, too?" he asked. Himiko stood still like a deer in headlights.
"Y-Yeah...why? What's wrong?" she stammered. Kokichi sighed deeply shook his head.
"Three knows better than that. That should only be said to official members of the organization," Kokichi explained.
"Oh! But...I'm the Supreme Lady, I thought," Himiko said.
"Not officially," Kokichi pointed out.
"But...I don't understand," Himiko said, genuinely confused. "You tell me stuff about your organization all the time."
"Only the basic things you need to know," Kokichi said. "But, if you wanna know all the secrets in how we operate, you have to be an official member."
"Oh..." Himiko mumbled. "Nyeh...you really do take your job as Supreme Leader seriously, huh, Kokichi?"
"I do...which is kinda ironic, considering what we do," Kokichi said thoughtfully. "But, if I let everyone act all willy-nilly, the organization would go to pieces. What kind of Supreme Leader would I be if I let that happen?"
"Well, I guess you're right," Himiko said. "But, please, don't be mad at Three, Kokichi. She really helped me!"
"Alright, alright..." Kokichi sighed, holding up his hands in surrender. "But, I do need to have a serious talk with her. Aaaanyhoo, let's get ready to go back home." Himiko nodded, and the two cleaned up Himiko's area.
"Nyeh...I hope they end up liking my cookies," Himiko said on the way home. "Or even bothered to remember not to eat them until right before going to sleep."
"Well...you sold them a pretty interesting cookie, HimiCocoa Bean," Kokichi said. "I'm sure you've intrigued them enough form them to remember. We'll have to wait tomorrow to find out what they thought of them."
submitted by Sola_Sista_94 to danganronpa [link] [comments]


2024.05.15 19:39 RestlessDreamer32 How to date again after having my reputation destroyed?

I'm honestly at a loss of what to do. Until half a year ago I was engaged and had everything I never thought I would have until she decided she was no longer happy. It's been more than a few years since I was in the dating market, but things have drastically changed for me due to a horrible incident that occurred a while back. A bit of backstory, and I'll included a TlDr at the end.
Several years back there was a hobby group I used to regularly attend, and one day this woman who had only started showing up recently took an interest in me. I'd just gotten out of a pretty bad relationship a few months before that, so when she made a move on me, I took her up on it to see where things would go. I wasn't use to a woman actually making the first move, so I took it as a good sign. We saw each other for the next few weeks and in that time we had gotten physical a few times, with her making the first move on that as well. Fast forward to the end of our time together when I found out she had a boyfriend the entire time and was cheating on him with me. I broke it off with her because I didn't want to be "the other guy" to some poor sap, and she wasn't pleased with me for finding out. Her boyfriend had nearly caught her cheating, so what did she do? She threw me under the bus and told him I was "just some creep who wouldn't leave her alone". Hilarious, because I had chat logs that showed nothing but positive interactions between us and call logs showing we would spend several hours a week on the phone together. I block her on everything and move on with my life.
Fast forward several years later, I'm engaged and in a happy relationship, and a gal pal of mine DM's me to tell me she saw a post about me in a group on FB. She sent me live updates on the post as well. I guess these groups called "Are We Dating The Same Guy" popped up seemingly everywhere, and our local group had nearly 50,000 local women in it at that time. Considering I live in what's generally called a "small city", this was extremely concerning. The poster was the woman from the hobby shop, and she uploaded my full name and multiple photos of me. In the post she said that I "violently rxped" her, was a "woman beater", and called me a "dangerous predator". I felt sick to my stomach. Worse than that, at least 15 different women were commenting on the post verifying it was "all true". Only 1 woman tried to defend me, a woman I used to work with, and within minutes her comments were deleted and she was banned from the group. As for all the other women commenting, half of them were women I hadn't seen since literally high school and never spoke to because I was a quiet nerdy kid who stuck to his friends. One of them even said she had "first hand experience", but I had never even spoken one word to her in my life. The other women commenting, I didn't recognize their names or faces at all and was certain I'd never met or spoken to any of them. Comments ranged from saying things like I "stalked them home", "assaulted them at a club" (I don't drink or go to bars), and one even said that I "forcefully penetrated her" in her own home, despite not even knowing who she is.
I spent that entire day having a panic attack and was on the phone with the mental health crisis line for a good while. When I went to work the next day, female co-workers who were normally friendly and cheerful towards me looked at me with disgust or walked in the other direction when they saw me coming. I went home early that day after taking another panic attack in the bathroom. Later that night I had a missed phone call from our local police. Called back, hoping it was just a prank call, but it wasn't. An officer actually wanted to speak with me about some grave accusations that were brought to him. It turns out the hobby shop woman and other she knew collectively called in "anonymous tips" about me, but in those tips I wasn't a "violent rxpist". Instead, these tips included where I worked and told the police I was "dangerous to children". I remember nearly passing out on the phone from panicking again. Turns out the officer I was spoking to already suspected it was BS, because these groups were generating hundreds of "anonymous tips" a day for them. The investigation was closed and branded as "malicious gossip" and I never heard from the police again.
Despite that, my reputation was ruined forever. My partner at the time actually had my back and was a huge pillar of support, but I was still a wreck. I became a recluse and started going to therapy every couple of weeks. In our local group, old posts of guys are "bumped" all the time whenever a guy is found on a dating site or women remember he exists. The group has nearly doubled in size since then too. Posts aren't even about dangerous people, but I'll see posts all the time like "This guy just matched with me and hasn't messaged me yet, any tea??" and even random creep shots of guys at the gym saying things like "This guy is super cute, any tea or red flags??" I see nothing to do with "safety" and actual dangerous dudes I've known over the years haven't appeared there at all. Old classmate kidnapped and nearly beat his partner to death? No post. Dude admits to mxlesting his partners toddler? No post. Guy doesn't buy a gal a gift after a date? He's a monster and must be posted about. It was easy enough to get in there with a dummy account to make sure I wasn't caught off guard again.
---Fast forward to today. I unfortunately find myself single when I never thought I would be again. I'm still somewhat of a recluse, don't keep any photos of my name on social media, nor do I use my real name. I've disappeared as much as possible. I'm still terrified that someone there will remember I exist and post about me again, as I see happen to other men daily. Dating websites are just asking for trouble, as most posts in this group are screenshots of guys profiles. If I dare take a photo of myself and put it in a dating website, odds are very good I'd be posted and would have to suffer through the same ordeal yet again. I can't afford (nor could I back then) the several thousands of dollars to take someone to court for slandelibel, and Facebook says these posts aren't against their "community standards". Even then, that's like cutting a single head off of a hydra knowing that more will take it's place. Meeting people IRL just doesn't happen anymore and it's frowned upon to try to meet women in public settings as opposed to online dating where they can screen everyone beforehand. Online dating is no longer safe for me. How am I to ever be with someone again if OLD is off the table and I have a destroyed reputation?
**TlDr: Woman cheated on boyfriend with me several years ago and didn't like me finding out. Woman in question decides to publicly slander me to nearly 50,000 local women several years later. Slander works and my reputation has been destroyed and people think I'm some kind of monster. I delete all presence of my name and face online that I can, but now that I'm single again, I have no idea how to ever date again with OLD being off the table and having a tarnished reputation.**
submitted by RestlessDreamer32 to SupportForTheAccused [link] [comments]


2024.05.15 18:44 TheGentleman300 Conquest Chapter 18: the worst chapter in the series imo, and rewriting it (part 1)

A friend of mine started playing Fates for the first time, so once again I got bitten by the “complaining about Fates” bug. In particular, watching chapter 18 of Conquest again after so many years really got me going, and while the general consensus I’ve seen online about this chapters writing was negative, I wasn’t that satisfied by any of the overviews of it I read. I decided to give it a shot myself.
Dissecting why something doesn’t work is fun and all, but I think it’s also important to be constructive which is why I wanted to rewrite this chapter alongside my criticisms. I really do think there’s a lot of potential here that could have been the highlight of the entire story, and so I’d love to try my hand rewriting this chapter to be what it could have been rather than what we got. I have most of it done already, but Reddit only has so many characters before it cuts you off and this post is plenty long enough as is, so I’ll save that for another part coming up soon. This will be part 1, explaining what the chapter is and elaborating on my issues with it, while part 2 will be rewriting it along with my thought process and explanations.
Recap: https://fireemblem.fandom.com/wiki/Black_%26_White/Script
Corrin and Co are traveling when they decide to rest for the night at the nation of Izumo. They are greeted by Izana, the archduke of the kingdom, who seems to be a real goofball. After introducing himself, the levity is ended when it’s revealed the entire Hoshidan family has been invited here as well! Before any swords can be undrawn, Izana tells both parties that the kingdom has a strict neutrality pact neither of them can violate.
The scene cuts to later, where Ryoma enters Corrin and Xanders room to talk with them. Xander and Ryoma’s argument is cut short when Ryoma is dragged off by Nohrians. Turns out “Izana” is actually a Nohrian mage named Zola, who disguised himself to trick the Hoshidan royal family into a trap. Corrin and Xander don’t approve of such dishonorable methods to win, however, and fight to rescue their captives with Xander saying “we’ll win this war with honor or die trying”. After Leo kills Zola, the game cuts to later where we see Nohrians and Hoshidans alike having a meal, much to the delight of the real Izuma, who turns out is exactly as bizarre as the fake impression. Xander and Ryoma confirm with eachother that their fight will continue as usual, but Corrin states that no matter what happens they’re grateful they got to see both families eating together even if it’s not under the best circumstances, and the chapter ends with them saying they’ll revel in this feeling.
So on paper, I think this chapter is a great idea. Despite being at war, when one family is at the total mercy of the other, they lend a hand instead of kicking them while they’re down. This highlights how the two nations could accomplish so much together if only they weren’t at war with eachother. If utilized well, this could have been a great “eye of the tornado scene” emphasizing how tragic it is that these two families who share so much in common are forced by fate to fight eachother, making it all the more sorrowful when that’s brought to it’s conclusion through bloodshed. This would also encourage Conquest players to buy Birthright in a natural and subtle way as well now that they’ve had a nice sample of the other side. Of course, I don’t think this chapter was utilized well, and after reading the script again I believe it boils down to three major problems.
-Problem 1: The Lack of Worldbuilding Causes the Conflict to be Driven by Contrivances.
This is one of the many instances where the lack of fleshing out the world and it’s rules out really hampers the weight of the scenes. Unlike Awakening where there was a general cause-and-effect outlining the level structure, all of the Fates routes are much more individual and self-contained when it comes to chapters. This means the game has to really stretch itself to justify this elaborate setup being brought up and solved in one single chapter of regular length, and it’s very apparent when you write out the summary of events here.
Corrin and his army are just walking by when they happen upon the capital of the country. Corrin decides this would be a great place to rest for the night at and are instantly welcomed by its leader, who is also the only person in the game of that country. The entire Hoshidan family also just happen to bump into us because they coincidently came here at roughly the same time, with somehow neither party noticing the other until they were staring at eachother in the same room.
The only thing we know about this new nation we’ve never seen or heard about before is that it’s a peace-loving land with some sort of neutrality pact which means the two nations can’t fight here. What is the importance of this place that would entice all the Hoshidan royals to come over for a banquet in the middle of their country being invaded? Never explained. What exactly is this pact and what power does Izuno have to enforce it, if any? Never explained. Xander, prince of a nation at war and frontline general, has never heard of it. How does Garon or Iago never figure out or look into what happened here, considering the royals walked through their trap unharmed and everybody in charge of the trap vanished? Never brought up.
How many times here was this supposedly major event dependent on coincidences, seemingly important details left completely unexplained, and characters not knowing things that should be basic information of the world they live in? Things like all this quickly build up and make the world feel small scale and artificial, as if nothing truly exists until it’s in the peripheral vision of main characters. In a vacuum, this could all be excusable if the main meat of the chapter was just so dense and important that they just want a convenient excuse to delve into it. But about that…
-Problem 2: Nothing happens, either character-wise or plot-wise.
This is the only scene in both Birthright and Conquest where all eight of the royal families are together in one spot, and they’re unable to fight eachother. What a brilliant idea! How many great scenes could you come up with from this setup alone? How many directions could this move towards?
-The families bonding over their memories with Corrin (X)
-Calling eachother out for uncool actions, like Ryoma refusing to help Elise or Nohr siccing monsters on farming villages (X)
-Working together to defeat some threat they’d have trouble taking down on their own (X)
-Some cultural exchange (X)
-Some melancholy scene where, even if there’s a lot of resentment, they acknowledge how this may be the last time they ever get to have a meal with Corrin. (Somewhat?)
-Corrin sits down and has a mature conversation with his birth family elaborating on their choice to stay with Nohr (X)
-Some negotiation or debate between the two families about the future of their countries relationship, successful or not (X)
-Corrin being formally declared by the Hoshidan royals as a Nohrian, officially cutting them out of the family (X)
So what does Conquest do with this prompt? It does the unexpected route where all of them but Ryoma are shuffled out as soon as they’re introduced, captured offscreen, rescued offscreen, most of their dinner is offscreen, finishing their meal and leaving is offscreen, all of them sans Ryoma have barely any dialog, and none of them are even present in any of the CG’s.
We actually start off strong, Ryoma and Xander naturally puff out their chest and don’t get along when they’re in the same room, but seem to calm down when Corrin elaborates on how similar they are to eachother. But the game is so eager to get to fighting that it drags Ryoma away kicking and screaming before he even gets to share what he had to say to Corrin, let alone explore what having common ground means to the two of them.
1) I understand this is the Nohrian route so it makes sense the focus is mostly on them, but Takumi only gets three lines here, one of which is “…” Hinoka also only gets three lines, which I think is still more than she got in Birthright, and two of those lines are “You!” and “What are you doing here?”. Sakura lucks out as she’s the only sibling on either side who has anything to say whatsoever when Corrin says they’re grateful they could share another meal with the Hoshidans. That’s a start, but the fact remains Ryoma is the only sibling in the chapter whose remotely relevant, the rest could be omitted and nothing would change. They are only here to be damsels in distress heightening the stakes of defeating the local bad guy rather than providing any character development, checking up on how they are doing without Corrin and Azura, comparing and contrasting their differences between their counterparts, sharing any new information about them, foreshadowing Takumi’s possession, any notable interactions with their counterparts, etc. But no, nothing happens.
2) I also understand this is a video game and they don’t have all the time in the world before the next fight has to happen, yet Conquest is oddly completely uninterested in it’s own set-up. Zola, a minor chapter boss introduced and killed in this chapter, has more screentime and relevance here than any of the siblings, something you’d think would be the actual meat of the chapter they’d want to delve into.
The implications and weight of two dueling nations and families obligated to pause their fighting and dine with eachother could easily take up two or even three chapters as a pivotal arc, yet it’s completely blazed through as if the game considered it a cute novelty rather than a potential life-changing or history-changing moment. Simply put, it’s wasted potential, as if to say “Oh both of the two families meeting in a game about choosing between mutually exclusive families? Eh whatever.”
I wanna stick with just this chapter and not rewrite a good chunk of the entire story, but I can’t stress enough that in any other game this chapter would be the plot-defining moment paving the new way forward rather than chapter 15’s “we’ll expose Garon as a monster by helping him invade an innocent people.”
Neither of the two families are fighting because they outright want to, this isn’t a war about irreconcilable differences or mutually exclusive goals, the only reason for any conflict whatsoever as far as the game has shown us is that the guy in charge of Nohr is a sociopath who threatens to kill his own children at the drop of a hat. Sure, they probably won’t hold hands singing kumbaya after one extended conversation with eachother, but when all of them are in a truce far away from Garon’s authority having a meal together, nothing significant comes out of it plot-wise?
In fact, at the end of the day what significance happened here at all?
If there’s no juicy character interactions or exploration, and no setting up future events, then presumably the point of this big moment of Corrin and Xander leaping to save their enemies was made to show off that despite working in the same army, our heroes are indeed better than the swarms of war criminals under Nohr’s name we’ve seen and would never tolerate such things under normal circumstances. They’ve talked the talk about disagreeing with their father’s cruel methods, now here’s proof they’ll walk the walk, aren’t they such noble people? The way this is done however, opens up another can of worms…
-Problem 3: Protags come off as dicks
While our heroes are indeed more likeable and moral than blatant monsters like Garon and Hans, liking peace and disliking war crimes is not enough of a reason for a pat on the back. Our protags might not be burning villages for fun, but it’s difficult to take their proclaimed goal of peace seriously considering both the context of working for people who DO burn villages for fun and they way they handle themselves when presented with an opportunity to work on this supposed goal.
Corrin and Azura
Azura in particular is problematic here. During Odovakar 's excellent overview of the problems with Fates writing, he goes into detail about how Azura’s line about “this is all quite heartwarming. We're like one big family...albeit, a dysfunctional one.” in particular comes off as incredibly tone deaf and tasteless given the circumstances of Azura and Corrin marching on one family’s homeland for the sake of the other family. What I think was also worth noting is the context leading up to that line…
Sakura: I was just, um...th-thinking...it's really nice to finally see you again. I'm glad you... I'm glad you f-found a way to be happy... Corrin: Sakura... I'm happy to see you too. Sakura: R-really? You mean it?! Oh, Corrin! Elise: HMPH! Back off, you! He/She's my brothesister! MINE! Sakura: Ah! I'm s-sorry! Corrin: Elise! Mind your manners, little one. Elise: But she's trying to take you away from me... She's my archnemesis
Whether intentional or not, this is actually a very clever microcosm of the family’s conflict acted out by the youngest and most innocent among them who probably weren’t even born when the conflict started. The Hoshidan loves their sibling, but their time with Corrin is interrupted by the Nohrian shoving them away and declaring Corrin for themselves. This is a great way to challenge our protags to some introspection about themselves.
Azura: Heehee! Corrin: Azura? Did you just...giggle?
Instead, Azura just finds this a real knee-slapper. I understand maybe this is just meant to be a cute image of imoutos fighting over oni-chan Corrin and nothing more, but the context makes it very hard to swallow the narrative’s insistence that all this is “heartwarming” as Azura puts it. Keep in mind that all the Hoshidan nobles are sitting at the same table watching all this. Do you think Ryoma also finds it funny that his little sister is scared off and declared an archnemesis by the daughter of the man who killed his father in cold blood? Do you think Hinoka also thinks it's like one big dysfunctional family when Corrin is preparing to march on her homeland with an army?
I get it, I totally know what they were going for, and in a vacuum it could be a great line making for a properly bittersweet moment. “Even if the two are at eachothers throats and the future is bleak, me and Azura are grateful we get to have at least one big normal dinner together like a real family.”
But the future is bleak because of Corrin and Azura participating in an invasion, the families are at eachothers throats partially because Corrin and Azura haven’t accomplished anything to reform Nohr. If anything, Corrin should feel great shame here. Elise just unintentionally reenacted the history between the nations where Nohr was clearly in the wrong, and Corrin is sitting directly across and staring at the family who’ve done nothing wrong to him yet are going to be hurt because of Corrin’s decision. Grateful they could spend time with them again? Maybe. But cheerful and laughing?
ProZD: D-did an alien write this game? blows gently
But at least Corrin doesn’t show outright contempt for the family they’re screwing over…
Xander and Leo
Xander: Corrin! There's no need to insult me like that. I could not possibly be anything like this sorry excuse for a prince. … Xander: We will win with honor or die trying. Come, Corrin. Let us go set free our sworn enemy. … Corrin: Heh, sorry... It's just that you and Ryoma really are so much alike. If you weren't on opposite sides of a war, I think you could have been great friends. Xander: Yeesh... Do me a favor and keep that nonsense in your head where it belongs. … Xander (to Ryoma): We only acted as Nohrian royals should. When we leave this place, you'll be nothing but an enemy to be defeated once more.
Okay, but why? Ryoma is not the one Xander overheard laughing to himself about how much he’s going to make Corrin suffer. How are the Hoshidan royals “nothing but enemies to be defeated” here when they’re just trying to defend their homeland from somebody who assassinated their king at a peace meeting? Where is all this contempt from Xander coming from?
It’s perfectly understandable he doesn’t get along super well with Ryoma because of the tensions between their nations, that makes sense, but I see no reason for why Xander is making several petty insults to his face unprompted, let alone so nonchalant and even somewhat eager to get back to waging a war Xander himself calls “a senseless war of greed and madness” in the epilogue.
He doesn’t treat his own people much better this chapter, declaring Zola and his henchmen as “traitors” to be “dealt with” for their dishonorable methods when ironically Zola taking over the country by disguising himself as the archduke is actually one of the least evil and self-destructive things we’ve seen the kingdom do so far. It must be emphasized that every sibling was in the same room watching Garon demand Xander kill Corrin if he interferes with killing POWs for his amusement, and half of them were in the same room when Garon ordered his henchmen to murder every singer they can find in a neutral country. So a few hundred or thousand innocent people, most of whom would presumably be young woman, murdered to snuff out potential assassins. Or Garon directly ordering the deaths of unarmed civilians in chapter 13 with Hans relaying “Villagers are just soldiers who haven’t picked up a sword yet.”
Xander talks a big game in this chapter about how “we’ll win this war with honor or die trying”, but how do you honorably win a war when your nation is constantly and openly rushing to pointless overkill brutality like this at every turn? What moral high ground does this country have that Xander is so determined to preserve he kills loyal soldiers over what he sees as sullying it, when at no point in the game does the influence of Nohr ever do anything but make life significantly worse? His sudden fervor towards doing the right thing is completely contrasted later on when Xander is the one telling Corrin there’s no justice to be found in war and you just gotta do what you gotta do rather than what’s morally right, in response to Corrin being upset the Nohrian army is killing woman and children who looked at them funny.
“Justice is an illusion, a fairy tale…Letting innocents die is a tragedy, but so is letting the chance for peace slip away. This is war. There is no such thing as a clean win when lives are on the line.”
“Justice is just a fairy tale, innocent people getting screwed over is something we have to accept in war because there’s no such thing as a clean win! But also we better win this senseless war of greed and madness with honor or die trying!”
I understand one might get the impression I’m going off topic or selectively picking and choosing quotes here from all over the game, but no matter how you look at it Xanders beliefs, morality, and priorities are just all over the place depending on what the plot needs him to do. This means not only is his motivation for helping his enemies here faulty no matter how you look at it, but it also makes the extreme lengths he goes to do so, killing his own subjects who won him victory on a silver platter because it wasn’t a “proper” victory, come off as baselessly self-righteous at best and outright cruel at worst.
I’m sure the game would assure us Zola and all his mooks are terrible people who had it coming, but the issue is no matter how virtuous you portray Xander and creepy you portray Zola, Xander is still directly managing the war for a megalomaniac and helping him achieve his goals in spite of his long history of open sadism and public crimes that make Zola look like a saint. By ignoring the clear root cause of Nohr's dishonor while going this hard against random goon's participating in dishonor, instead of being a gallant preserver of morals, he comes off like a bully who selectively picks and choices punishment.
On the topic of punishment, it particularly rubs me the wrong way how Leo just casually mercs Zola at the end, keep in mind Birthright confirms for all his faults he actually isn’t a complete monster like Garon and dies trying to help the protag.
Leo (smiling portrait): You’d probably rather die than live with the shame, correct? In that case…
Zola: Eek! No, please! M-m-milord... I was wrong! S-so wrong! I have seen the error of my ways! P-please...spare my unworthy life!!
Leo (still smiling): Make peace with it, Zola. Perhaps on the other side you will find forgiveness.
Leo makes a fair argument that the stakes are too high and Zola can’t be trusted not to snitch, but this is bit sadistic, no? One of the most powerful people in the country is smug and sarcastic as he’s getting ready to execute somebody whose bleeding on the ground begging for his life and genuinely confused as to why we’re upset with him. I know the intent of “I was wrong! I have the seen the error of my ways!” is supposed to be him saying whatever Leo wants to hear to weasel out of punishment, but that’s exactly the thing, he’s fully cooperating and doing everything he can to appease this guy. And then he’s just killed like a dog without trial or final words, presumably using the spell that skewers you with tree branches.
Didn’t the game use killing defeated foes like this to establish Garon as a bloodthirsty monster? Why is Corrin just standing there watching this happen? This exact same scenario in Birthright has them jump to spare Zola, but here their disapproval is very meek and only voiced after the deed is already done. It’s still apparently too much for Leo though, who chastises Corrin for being “too soft…I envy your innocence.” And then he declares the matter settled on their behalf.
I’m sure this scene was meant to show off Leo’s pragmatism and strategy skills, but it just makes him look like a sociopath and Corrin look spineless. And that’s the biggest issue with this chapter to me, more than the plot being driven by contrivances that aren’t explained or the lack of any character development or interesting scenes taking advantage of the setup, the actions and dialog of our protags don’t match the noble heroes the narrative insists they are:
These are not the actions of heroic characters.
Summary: Overall, this is a very bizarre chapter. It feels like something meaningful happens here at first glance, your brain sees what’s going on and knows that this is supposed to be a huge moment. Peaceful music playing, a very well-drawn CG of dozens of individual units, liberating a country from Nohrian control, Corrin and Azura are happy and say some lines that sound like they should be deep and impactful.
But when you step back and analyze the bigger picture and context, you find that more or less embodies all of Fates writing, both good and bad. It has a brilliant premise that gets your mind going, excellent presentation to accompany it, and some individual scenes or dialogue in a vacuum are very welcome. If you’re a casual player who just wants context for your favorite characters fighting, it’s easy to feel satisfied at first glance and move on thanks to those factors, especially since the gameplay and MyCastle are very fun. At the same time, there’s no denying the severe flaws that hamper the experience.
Despite being the hyped-up main draw of the chapter, our exciting premise that opens so many doors is almost completely neglected in favor of (once again) exposition on meaningless settings and characters that aren’t relevant anywhere else and also reminding us how evil Nohr is, to the point the chapter title is Black and White. The context makes it very difficult to take the plight of our heroes seriously due to their lack of action (both before and in the present) to achieve their proclaimed goal despite ample opportunity, the proaction they do have being unnecessarily extreme and self-serving, and a narrative that insists they are in the right at every turn despite the results clearly showing us otherwise. There’s definitely bits and pieces of something great buried in all this teasing us, otherwise I wouldn’t be interested enough to write this much all these years later, but as is it’s just a mess. An enjoyable mess, but a mess all the same.

But what do you guys think of Conquest Chapter 18: Black and White? Do you also consider it a wreck, or was there something positive here you believed I missed? What would you like to see in a potential rewrite of it?
submitted by TheGentleman300 to fireemblem [link] [comments]


2024.05.15 18:28 GrimaIsBestWaifu The Nature of Freyja's Feelings for Freyr (English + Japanese)

The Nature of Freyja's Feelings for Freyr (English + Japanese)
(Very long post...)
People have told me that they enjoy these sorts of comparisons between the English and Japanese versions of FEH's story and character writing, so I thought to make a post about Freyr and Freyja, who are some of my favourite characters from this game. This was sparked by discussions I've had with friends about how Freyja really feels about her brother. Though she's well known for her love for him, it seems some people adamantly contest whether her feelings are romantic and/or sexual in nature.
It may seem arbitrary, but I quite like taking a closer look at FEH OCs, who are commonly brushed off as shallow and inferior to "main series characters". This doubled with an interest in localization changes, which I enjoy sharing with those who may be unfamiliar with the original Japanese version of media like FEH, inspired me to investigate this topic. It's not rare for FEH's English version to change or tone things down, after all (and from what I can tell, Book IV was hit the hardest), so I wanted to really look into how differently the ENG and JP versions handle Freyja's infamous brother-loving tendencies.
While in my eyes, it's rather apparent that Freyja is yet another case of a long-held Fire Emblem tradition, this post is not intended for me to preach my own perspective. I will instead attempt to provide a balanced perspective and just do my best to compile anything that might provide insight into Freyja's feelings toward him, along with their relationship in general, and compare it with the Japanese version, especially if there are differences. Is it more explicit, confirmed, refuted, or otherwise? Without further ado, let us see.
(Disclaimer: I am not a native Japanese speaker, nor am I fluent in the language. Japanese and English are very different languages, so when translating, I will attempt to do so as faithfully as I can while making it flow more naturally in English.)
From Book IV's Story
(For the sake of efficiency, only the relevant parts of each interaction will be included.)
Freyja's first appearance (albeit without art) in the main story is in Book IV Chapter 4 - 5, where it is immediately established that she holds very strong feelings for her brother, wishing to have his affection and attention all to herself and being envious of mortals for receiving it instead of her.
[ENG] Freyja: It has been so long, Brother...and this is how you greet me, your beloved sister? Freyr: I will ask once more, Freyja... What are you doing here? Freyja: The world is just so dull without you, Brother. You should come to my world... Come with me, to Dökkálfheimr. [...] Freyr: Stop this, Freyja. Mortals should be given pleasant things... All living things deserve so much. Freyja: It's sickening how highly you think of them. Unfortunate such adoration only strengthens my resolve. [...] I alone am worthy of your love, your admiration...your gifts...ANY of it! I will not be made a FOOL by some pitiful beast that can barely manage to control its most base impulses! [...] I can think of no gift more suitable for those who would steal from me my brother's attentions... Suffering!
[JP Translated] Freyja: ...Long time no see, Brother. Freyr: Freyja... Why have you come here? Freyja: Because a world without you is dull, Brother. I will have you come to my world...to Dökkálfheimr. [...] Freyr: Stop this, Freyja. Mortals should live happy lives... Freyja: ...As always, you think of mortals. I am envious. [...] Aah, unforgivable. Unforgivable... To think my brother's love lies with humans... [...] It is time you receive your comeuppance for stealing my brother's heart, mortals...
She's a lot more animated in the English version, eh. The next relevant story segment is Chapter 9 - 3, where they speak with each other once more, and again Freyja expresses her jealousy:
[ENG] Freyja: Ever the stubborn one, Brother. Always concerned with the mortals, but never with me... But this necklace will surely change your mind...isn't that right?
[JP Translated] Freyja: ...You never change, Brother. Always [thinking about] mortals, and never me... Aah...aaah... But, if you wear this necklace...surely you will look at me... Right?
Minimal difference here. Next up is Chapter 9 - 5, which presents nothing we don't already know, but I thought to include it regardless.
[ENG] Freyja: Where is the fun in allowing you such an easy, painless end. Surely thieves who sought to steal my brother's heart deserve a proper amount of punishment...
[JP Translated] Freyja: But, hey. I won't allow you have such an easy ending. Not until after I tease the thieves who stole my brother's heart plenty more...
Next, we get to hear crucial information from Freyr in Chapter 10 - 1:
[ENG] Freyr: I comforted her... But soon she smiled for me alone. Then...having grown, she began to speak of never parting...of wanting to be ever in my gentle presence... [...] Before long, Freyja's beauty blossomed... Many sought to court her, but she allowed none to woo her... For this, too, I am no doubt to blame.
[JP Translated] Freyr: After I gave her words of consolation...my sister began to only show her smile to me. And then...she said that one day, when she grew up, she would like to [marry] someone who is compassionate like me... [...] Eventually, Freyja grew so beautiful that she could steal anyone's heart... Many people asked for her hand in marriage, but she didn't accept anyone's affections... I suppose that is also my sin...
This is one of the most damning pieces of evidence against Freyja's love for Freyr being non-romantic. However, for the sake of the argument, Freyr's words can be interpreted in two ways. On the one hand, Occam's Razor suggests that Freyja refusing courtship from others indicates that she's only interested in Freyr and no one else. On the other hand, it could be that because she was rejected by everyone except Freyr in her childhood, that trauma bred enough resentment within her to where she in turn rejects everyone but her brother, who always stood by her. They're not mutually exclusive by any means, but the first interpretation outright affirms the romantic nature of Freyja's love for Freyr, whereas the second focuses on how Freyja views people besides Freyr and leaves how she feels about him more vague.
As for Freyr's last line about it being his fault, it can also be read in two ways. Applying Occam's Razor again, Freyr could be saying that Freyja rejected everyone who sought to marry her because she wished to be with him instead. However, taking into consideration what we know about Freyr, he has a tendency to feel immense guilt, regretting turning children into álfar and apologizing for Freyja's antics on her behalf. One might see this as just another instance of him placing too much blame on himself. He is also merely speaking from his perspective and may very well not have a complete grasp on what Freyja thinks, so compared to evidence straight from the horse's (well, goat's) mouth, his words might not hold as much weight.
At the end of the same chapter, we get another important scene in the form of Freyr's death. In their final moments together, they exchange these words:
[ENG] Freyja: Brother, no! If you die, I— Are they...truly so dear to you as this? Freyr: Nothing has ever been more important...than you, Freyja. But as long as I am with you, the mortals will suffer...until you finally destroy them. I could not bear to see you become that... So, for your sake... Goodbye...Sister... Freyja: Brother... NOOOOO! [...] ...UuuuaaaAAAGGGHHH!! No... Not like this... This is not... This is not what I wanted... I just...wanted you to smile at me again, Brother... I just wanted to feel loved again... And now... All my hopes...all my...rrrraaaAAAGGGHHH!
[JP Translation] Freyja: Stop it, Brother! Without you, I...! Are mortals truly so...so important to you...? Freyr: To me...you, Freyja, are more important than anything. Perhaps because of what we work as gods...so long as I exist, you will bring calamity upon mortals...until you eventually destroy them all... I love you... And because I do, I do not wish to see you become that... So...for your sake...it is better that I disappear. Goodbye, Sister... ... Freyja: NOOOOO! Brother...Bro...ther... [...] Ah...aah...aaaaah... I didn't... I didn't...wish for this... I just...wanted you to look at me... I just wanted you to love me... And yet...aah...aaah...AAAAAAAAAAAH!
Both versions convey similar things, and it again doesn't establish anything we didn't know already. The next relevant moment comes in Chapter 11 - 3, after Freyja sends Plumeria to stop us:
[ENG] Freyja: Fight, little álfar... Fight to the death. Feel the pain of lost love—the pain I felt when my brother was taken from me...
[JP Translation] Freyja: Kill each other, álfar... You shall also feel the pain, the sorrow...that I felt when I lost my brother.
The word 'love' is only present in the English version here. Next comes before we fight her at the end of the chapter:
[ENG] Freyja: Do not worry. I will not end your lives right away. If I did, the pain...the loss...of my brother would— RrrraaaAAAGGGHHH! Brother! Why?! How could you! After everything! ...AAAHHH!
[JP Translated] Freyja: It's alright, I won't kill you right away. If I don't do that, the pain and grief...of losing my brother would... Aah...aah...AAAAH! Brother...why...AAAAAH!
Another scene with minimal differences between languages, though she's once again more dramatic in the English version. It isn't until Chapter 13 - 3 that Freyja's feelings toward Freyr are addressed again:
[ENG] Freyja: Triandra, tell m— ... ...Isn't that something. With my life, Triandra and Plumeria could... No. None of that matters. The only thing that matters is my brother. Him and him alone. None of that matters...
[JP Translated] Freyja: Triandra, wh... ... ...That's right. Because of my orders, Triandra...and Plumeria...are also... ...That doesn't matter. My brother is all that is precious to me, after all. ...Yes. That doesn't matter...
Yet again, they say functionally the same thing. Now, why did I include the bit about Triandra and Plumeria when they aren't relevant to this topic? Please humour me as I momentarily derail this dissertation to have a nerd moment. See how in the ENG version, Freyja mentions her life, whereas in the JP version, she talks about the commands she gave them. The Japanese word for 'order' is '命令' and the word for 'life' is '命'. Notice how the latter is present in the former? I believe this may have been an oversight by the translators who didn't see the second character of 'order' and thought Freyja said 'life', leading to the discrepancy between versions.
As some have noted, a similar mistake likely occurred in the translation of Book VII's Chapter 7 - 3, where the ENG version initially stated that Nerþuz is Freyr and Freyja's mother when she is supposed to be their aunt. The Japanese word for 'aunt' is '叔母', which incorporates the word for 'mother', '母', so the error could have sprung from overlooking the '叔'. As you may know, this was rectified in a later patch. However, the discrepancy in Freyja's aforementioned line remains untouched, likely because it still works (and serves as a healthy amount of foreshadowing for the finale).
Speaking of which, let's get back on track. At the end of Book IV, Freyja has these words to offer about her brother as she is about to enter her vegetative coma:
[ENG] Freyja: Triandra. Plumeria... I loved my brother—and only him. He was everything to me. I never loved you, because only my brother meant anything to me. [...] I never understood my brother, why he loved humans, why he would throw his life away... [...] I will never understand this. My brother alone meant anything to me, and yet, even still...with you two, here...now... You've made me...smile.
[JP Translated] Freyja: Hey, Triandra...Plumeria... I loved my brother...him alone. [He] was everything to me. I never loved you... Because to me, nothing but my brother held any value. [...] I was never able to understand my brother's heart... Why he cherished mortals... Why he would throw his life away for someone else... [...] ... ...I don't understand. Even though... Even though nothing matters to me besides my brother... ...I am glad...
Negligible difference here. And so ends what we can glean from Book IV of the main story.
From Paralogue 61: Summer's Dream
As far as I can recall, this is the only Paralogue with anything remotely relevant to this debate. Even then, it's only about Freyja's personal growth and not so much about their relationship:
[ENG] Freyja: [...] Perhaps if I wear the clothing of mortals, and learn more about their ways... There's a chance I will learn to understand my brother and his love for such creatures.
[JP Translated] Freyja: [...] If I wear the clothing of mortals, and learn about their ways...perhaps I will be able to understand my brother's heart.
Indeed, post-Book IV Freyja (story-wise) is much more mellow and open-minded due to her world no longer being limited to just her brother. She doesn't, to my knowledge, even talk about Freyr at all in Paralogue 83: Spring Eternal, or the entire Nihility & Dream Tempest Trials+ story. Seeing as no new insight can be gathered from supplementary story segments, let's just end this short section off with their little conversation at the end of the summer Paralogue for curiosity's sake:
[ENG] Plumeria: Dream-King Freyr, what do you think of Lady Freyja's new flower? It suits her well, don't you think? Freyr: Yes... It is...truly beautiful. Freyja: Oh, Brother, you are too kind...
[JP Translated] Plumeria: Lord Freyr, please look at Lady Freyja. Her flower ornament really suits her. Freyr: Yes, it's beautiful. Freyja: Brother...
The English version is a tad 'fluffier', so to speak. Nothing notable, but this is Freyja's last canon interaction with Freyr, so it may be remiss to exclude it.
From Unit Dialogue and Descriptions
Now let's see what information our playable units can provide us with. The amount of dialogue other characters have commenting on Freyr and Freyja's relationship is quite sparse, so this will nearly all be from Freyr and Freyja's various playable iterations. I will tackle all relevant lines starting with Base Freyja's voice lines:
[ENG] "Ah! Unforgivable! You're not Freyr."
[JP Translated] "Ah?! U-unacceptable... Only my brother is permitted to touch me."
Japanese is more on the nose with this one, but it's nothing compared to this next line:
[ENG] "The love my brother and I feel is deeper than most siblings..."
[JP Translated] "My brother and I require a deeper love between us, different than that of a sibling bond."
It's a pretty clunky line to translate, but I tried to retain as much detail and nuance as possible. The most literal translation I can come up with is "For me and my brother, not the bond between siblings, but a deeper love, is needed." This is another pretty incriminating line, so to speak, since she specifies that what she feels they require is not the love between brother and sister. As for what she could possibly be referring to...come to what conclusions you will.
Now let's quickly run through her remaining relevant voice lines:
[ENG] "Since the day Freyr rebuffed me, I have made the realm of nightmares my home." "Why, Freyr? My love for you... Why?" "You resemble him not one iota. So tell me...why do I care?"
[JP Translated] "Since the day my brother rejected me...I have resided in the realm of nightmares." "Aah, Brother...even though I love you so..." "You are someone who is nothing like my brother... Yet, why..."
Nothing much of note. Next, Base Freyja's castle quotes:
[ENG] "I detest mortals... If not for them, I would still be at my brother's side." "When I was young, I was tormented for the way I looked. Only my brother was ever kind to me... Only he showed me love." "You've interrupted my reminiscence. What is it that you want?"
[JP Translated] "I hate humans... They stole my brother's heart, after all..." "When I was young, unsightly as a pig...only my brother treated me kindly... Back then, I..." "What business do you have with me? I am preoccupied with being immersed in memories of my brother."
Quite a few liberties were taken with the ENG lines, but it's not as if much new information is revealed in them either way.
Now then, Base Freyja is the only Freyja alt that has Freyr referenced in her unit description. And lo and behold, she actually has two of them! ...In the English version, at least. It curiously differs between her enemy incarnation in the main story maps and her playable form, while the Japanese description remains consistent:
[ENG] "Queen of Dökkálfheimr, realm of nightmares. Loves her older brother Freyr dearly, raging with bitter jealousy at his care for lesser mortal creatures." (Enemy) "The queen of Dökkálfheimr, the nightmare realm. Her love for her brother Freyr drives her to wish she could stay with him no matter the cost." (Playable)
[JP Translated] "Queen of Dökkálfheimr, the realm of nightmares. Loves her brother Freyr and wishes to have all of him to herself."
It's cool how all three address different aspects of her feelings: her desire to be by his side, her possessiveness of him, and the jealousy she feels toward others. All of it stems from her love for him which, incestuous in nature or not, is evidently very unhealthy. Now let's move onto Summer Freyja's voice lines:
[ENG] "You brought me to the beach alongside my dear brother... So, you can be sensible." "I hope to enjoy the sun and sea here with my brother. *sigh* It has been so long since we've had such time together..."
[JP Translated] "[You brought] me and my brother to the sea...how considerate of you." "I want to have innocent fun with my brother again, just like when we were young..."
Like Base Freyja's castle lines, while the lines are slightly distinct between languages, they don't really provide additional insight. Freyja is being sincere and just wants to spend time with Freyr at the beach, absent any untoward intentions she may or may not have in other scenarios, so I'd say at best it's not proving anything in either direction. Next are her castle lines:
[ENG] "The steady rhythm of the waves reminds me of my gentle brother's comforting voice." "The summer sunlight glittering over the water's surface brings visions of my brother's smile to my mind..."
[JP Translated] "The gentle sound of the waves somehow reminds me of my brother's voice." "The sparkling rays of the summer sun... They surely befit my brother's smile."
Another instance where the ENG version is a bit 'fluffier', but still nothing noteworthy. Now, this is only barely relevant and also not helpful, but I'll include this line at the end of her 5 Star Lvl. 40 conversation for good measure:
[ENG] "[...] But for now, in this moment...let me sink into a dream of summer love and reflect on those days now long past."
[JP Translated] "[...] Right now, in this moment...I shall immerse myself in a dream of summer love, while recalling my brother's voice..."
She only directly references Freyr in the JP version. Now, to take a look at Spring Karla, for whom Freyja acts as a backpack and thereby gains additional dialogue. Here are the only voiced lines related to Freyr:
[ENG] Karla: Lady Freyja, did something also happen between you and your brother? Freyja: Yes. Though my experience is not one you could comprehend. Because no matter if decades or even centuries pass...the distance between us can grow no smaller.
[JP Translated] Karla: Lady Freyja, did something also happen between you and your brother? Freyja: It's not something a human like you can understand. Even if decades or centuries pass...the distance between me and my brother grows no smaller.
Nothing of note. Then there's this castle line, which doesn't offer any new information, but it's the only other line about Freyr:
[ENG] Freyja: I cannot forgive the mortals that took my brother from me. However...I will not hold it against the children enjoying this festival.
[JP Translated] Freyja: I will not forgive the mortals that stole my brother from me. However...I will not have the children enjoying the festival shoulder the blame.
That's all from Spring Karla. Now, Eitr's a tricky case, since she 1. has laser-guided amnesia, and 2. may be a manifestation of Freyja from a time before she would have developed her unhealthy obsession with her brother (seeing as she has the nose mark, she's still on the younger side). However, for completeness' sake, I'll at least include the one time where she does reference Freyr (albeit indirectly):
[ENG] "I...had a dream I...wanted to tell you about. It was a scary one, but... someone was there to save me. I don't remember their face, but they were very kind..."
[JP Translated] "[...] You see, I...had a dream. It was a very scary dream...but someone saved me. I don't remember their face, but they were a very kind person..."
As expected, it's exceedingly unhelpful and probably not admissible in court to boot, but there it is. Now then, let's turn our attention to the other party in this relationship. Here is Base Freyr's only relevant voiced line:
[ENG] "Oh, Freyja... Though I love you, I...I cannot..."
[JP Translated] "Freyja...I love you. But, that is..."
You cannot what, Freyr? That is what, Freyr? Alas, the man trails off before giving any possibly useful information. Perhaps these are the words he spoke back when he rebuffed her, but due to not finishing his sentence, we have been deprived of crucial evidence. His only other Freyja-related line is this castle quote:
[ENG] "My sister, Freyja, is...precious to me. It is my love for her that drives me to stop her from harming mortals..."
[JP Translated] "My sister Freyja is irreplaceable to me. That is precisely why I do not with to see her subject mortals to disaster..."
It's similar to what he says on his deathbed, so it's nothing we've never heard before. Moving on, besides commenting on her presence at the beach, his Summer alt only really addresses Freyja once in this voice line:
[ENG] "How long has it been since you were so untroubled, Freyja..."
[JP Translated] "Freyja... How long has it been since I last saw you smile so innocently..."
This is not to mean that Freyja now smiles at him non-innocently... In this context, it seems to me that he's talking about how unburdened and carefree Freyja is while at the beach, like a child, and he's reminiscing about how she used to be when she was young and not weighed down by as much baggage. Nothing to see here. To end off this section, Attuned Peony is, to my knowledge, the only other unit who comments on Freyr and Freyja's relationship, and even then she doesn't have much to say:
[ENG] "If anything can happen in dreams, then King Freyr and Lady Freyja may still one day find peace once more..."
[JP Translated] "If it's in a dream...surely Lord Freyr and Lady Freyja will be able to make amends (get along again).
Sometimes I wonder just how much or little the fairies know about their lieges' relationship, seeing how they barely address it, if at all. Plumeria especially I imagine would feel quite conflicted if she knew the master she served and adored held untoward desires for her brother, being the game's resident prude extraordinaire, yet she offers no input on the matter. Some take this as an indication that Freyja's feelings aren't romantic/sexual in nature, because surely Plumeria would have much to say if it indeed was, but I'm not certain that suffices as evidence, per se.
From Meet the Heroes
Now comes time to look at the Meet the Heroes entries of the sibling duo's playable versions. Starting with Base Freyja's, which by far goes into the most depth:
[ENG] "[...] Freyja was once a compassionate goddess who treasured love in all its forms. However, a childhood of ridicule left her heartbroken, making her brother Freyr her only source of affection. When Freyr chose to put the mortal world before her whims, Freyja was inconsolable, so she took to living in the realm of nightmares. Envious of Freyr’s love for the mortals, she used her own love to control them, all so Freyr’s smile would be for her alone. And that’s how Freyja came to be the queen of the realm of nightmares. Do you think that things between her and Freyr can ever be the same again?"
[JP Translated] "[...] Freyja was once the Goddess of Love who enjoyed loving and being loved by others. However, she loves her brother Freyr to the point where it exceeds the feelings siblings hold towards one another. Heartbroken after Freyr rejected those feelings, she came to live in the nightmare realm. She began to control the mortals her brother loved using her own love, wanting him to look at her... That's how Freyja came to reign as queen over the realm of nightmares. Please make amends with Freyr someday!"
Unsurprisingly (to me, at least), the Japanese version emphasizes the fact that Freyja's love for Freyr goes beyond sibling affection once again while the English version dances around it. The straightforward reading of this excerpt would be that Freyr didn't reciprocate that kind of love, which led to their falling out and long-time separation. Makes a lot of sense to me, but do share alternative interpretations if you have them. Let's see this section of Summer Freyja's entry now:
[ENG] "She also brought a really cute goat-shaped floatie along with her! Is it just me, or do I see a bit of Freyr in it? Those two really are inseparable!"
[JP Translated] "Her cute goat-shaped floatie seems to be modelled after her brother Freyr. Fitting for Freyja as a big brother's girl (like a daddy's girl or mama's boy)!"
If anything, the fact that the accompanying art for this segment depicts her kissing the floatie is more noteworthy, but it feels kind of disingenuous to use that as evidence of anything, haha. The only other entry with even vaguely useful content is Summer Freyr's:
[ENG] "[...] And what’s that in his hand? Why, it’s a cool, refreshing pineapple juice! I see it has two straws, so he must be meaning to share it with his sister, Freyja! Freyr typically looks calm and serene, but I think I can see a little smile on his face. I hope he and Freyja have a wonderful time at the beach!"
[JP Translated] "[...] The pineapple juice he holds in his hand looks delicious! I hear it has two straws so he can drink it together with his sister Freyja! Freyr is always calm, but he seems to be having more fun than usual. Please enjoy the summer sea to the fullest with Freyja!"
Just like with the floatie kiss, I don't think the fact they intend to share the same drink by using two straws is indicative of one thing or another. Merely a fun little detail.
From the Illustrations Book
Last but not least comes the currently Japanese-exclusive art book, namely the second volume, which covers Book IV (and V, but we're not talking about that right now). Naturally, as a resident Book IV fanatic, I am in possession of a copy. While it's called an illustrations book, it in fact includes things like plot and character summaries and valuable extra lore that you cannot find anywhere else. In the future, I intend to translate the notable parts of the Book IV-dedicated section for those who don't have the art book and/or cannot read Japanese, But for now, all I will include is this excerpt from the overview of the plot line "Freyja's reckless behaviour and jealousy towards humans because she desperately wanted her brother":
https://preview.redd.it/ccqtny1gnh0d1.png?width=657&format=png&auto=webp&s=43387c435f5cedcdcf537e86152a6a920537ef90
The underlined text (フレイヤは兄フロージに対して血縁者以上の感情を抱き) restates that "Freyja holds feelings for Freyr that exceed [what one feels toward] blood relatives". Once more the Japanese version is very eager to highlight this fact. Whether this art book will eventually be translated into English remains to be seen, but I wouldn't be surprised if it ends up being slightly sanitized and less forward with the incestuous undertones (or overtones, depending on your view).
And thus concludes what I have for you all today. I hope this was informative and enjoyable for those who have taken the time to read. Thank you, and please keep things civil in the comments!
submitted by GrimaIsBestWaifu to FireEmblemHeroes [link] [comments]


2024.05.15 16:57 KingnBanter [Thank you] Another act that we are doing together. Enjoy!

Good Morning Everyone, Evening to some, afternoon to most.
We got home to lots of letters and my fiancee loved them all, and she's sitting next to me while we take the time to thank each and every one of you for taking the time to bring joy here in TN.
Thank you u/onebadjoke The Edible favours is a great idea, I'm going with twix, she's going with Riesen and for the both of us, Swedish Fish, gotten love hand fishing in a bag over waiting by the pond.
Thank you u/jemst0ne Amanda absolutely loves the post card, she's drawn to it immediately, and your card prompted a story. So, fun fact both of us proposed to each other to let each other know we were ready to be serious and jump into husband and wife roles, well the night that Amanda decided she wanted to make her jump, she received a fortunate cookie following a really nice meal at the casino, and the fortunate cookie said "Don't panic," lol, and nobody but her knew that that was. Second fun fact, mine that night said something about, "Don't miss the opportunity of the day, tomorrow it will be lost."
Thank you u/snerdboff We will definitely take funny pictures and thank you for the marriage licenses multiple copies, either of us thought of that, that's a great idea. Love that you had the largest card/envelope package. Love the sticker of the house as the envelope closer.
Thank you u/danigeek That's a great idea about the consignment store for the dresses. So far she has gone with her mom and sister to look at dresses. So far our idea for the colors of our wedding will be purple, blue, and silver. We have yet to try any cakes for the wedding, but my favorite is polish honey cake and her favorite is black forest (which no bakery seems to make anymore). Daisies are Amanda's favorite flower. Great card. Thank you.
Thank you, u/littlemermaidxx Thank you for the Love post card, it's nice, Amanda loves it, will take a pin to the love corner that we've got going. Thank you for the Congrats!
Thank you u/blacksmithequivalent You sent two cards :). Thank you so much. San Diego is such a beautiful area. We love that there is rarely a day below 60 degrees. The ring card is so pretty. Since she calls me her galaxy, I decided that blue sandstone would be a great pick for both her engagement and wedding ring. The actual stone looks like stars in a dark night sky. We also appreciate you saying that as long as we are happy together, no other opinions matter. True relationships are based on trust, great communication, and respect.
Thank you u/ez330 Absolutely beautiful card with the hearts as leaves in the tree. Congrats on your upcoming 12 year anniversary with your husband. I am sorry that you had those stressors during your wedding day. At this point, I feel that my fiancee and I are the least worried about things right now. That may not be a good thing when the time gets closer haha. Either way, as long as we are together and nothing drastic happens it'll be a great day for us as well. I am also a project manager so nothing can be as bad as some of the violent days at work lol.
Thank you, u/uknighinthesky Love the card. We are both very thankful to have several family members that are doing so much research for us and planning parts of the wedding. I think one of our main concerns is getting some family members from out of town to the wedding. The comic snips were very funny and a great touch to the card.
Thank you, u/uaepeyc. I absolutely adore this card. My mom is huge into mermaids and when I showed her this card, she went cray cray. You gave great advice saying that family research is helpful, but that in the end it is our day. Through all the planning, I think that our day will be as amazing as our relationship. She says that our relationship will be made with great memories for the next 55 years.
Thank you, u/ninajyang. The front of the card is so pretty. I wish you and your partner the best. We both have a similar budget in mind. We don't want to spend too much, but just enough to make things as memorable as possible. This will be both of our first and last marriages so we figure we would splurge just a little. Thank you for the cute stamps as well.
Thank you, u/mediocre_radish_7216 Thank you so much for the cute cared. I liked the skateboard with the word love on it. Since she has moved in, we have been enjoying every little moment together. Even domesticated, simple ones can be enjoyable together. As we are writing these, we are doing household chores. Last night we cooked dinner and had a glass of wine together. We both plan to flourish this relationship for the next 55 years.
Thank you, u/notsomini. Not going into debt for a single day is a great piece of advice. Thank you. We have been looking at wedding venues and seeing which one is the most cost effective, but yet flexible. A few places that we have looked at have been so strict with what is allowed in and what is not. One place that we checked out, no outside food was permitted. This place that we plan to check out tomorrow is not strict as we can bring in whatever food and other accommodations we choose. Thank you so much for the awesome stickers too.
Thank you, u/inkyfingerspgs Thank you so much for the card. Amanda loved it as the purple that was on the card is one of our wedding colors. We plan to continue making good memories from the wedding day and 55 years into the future.
Thank you, u/daeneryswon. The card is adorable. We both love it. The quote, "to a love that grows more beautiful every year," should be a goal for all couples. We hope that on our wedding day there is not too many hiccups, but both of us are pretty easy going that we will just continue on. We plan to make each other happy for the next 55 years.
Thank you so much u/keqani. All of the details that you put into your card is appreciated. Amanda adored the snips of paper that you included with your card. She said that those will be amazing to write little love notes to me to leave in my truck for me to discover. We both concur with you that we need to be there for each other no matter what. Loyalty in a relationship is very important. So far we have had great communication. Before we moved in together, we talked multiple times a day for at least 20 minutes or longer. We also promised each other that if anything is bothering either of us that we should just talk it out rather than holding it in. Amanda says that for the next 55 years we will be together through all the ups and downs that life can bring.
submitted by KingnBanter to RandomActsofCards [link] [comments]


http://swiebodzin.info