WIBTAH to use the coma of my ex’s father in the custody battle
Hi! This story will require quite a bit of context (that can be found here https://www.reddit.com/AmItheAsshole/s/2Vo9S0QKF1). I need to both vent and find some advice, so any input is appreciated. Long story short, my (F26) ex Fitz (M 32) keeps finding reasons to sue me to get full custody of our son Tim (M5). He sued several times in the past, but now everything went too far.
After a previous fierce custody battle we had an iron tight co parenting agreement. It took ages to reach one as he kept trying to include clauses just to make my life miserable. Right after graduating, when Tim was around 1 yo, in the middle of our custody battle, I would take Tim to work with me a lot. I would have long hours at the beginning, trying to make a name for myself, while Fitz was trying to paint me as a negligent mother for leaving Tim with a nanny while studying, back during finals. Hence, every other day after 4:30, when most people would go home, my mom would drop Tim at my lab and he would stay and play next to me in my office until 8 when we would go home. I would offer him plenty of attention as I would mostly run time consuming simulations that would require little involvement from my side.
Knowing this, Fitz fought tooth and nail to stop me from doing this, knowing how much easier this made our life. I work in a lab that focuses on various incurable diseases research. I almost never get in touch with the biological side as I am in the modelling team, doing mostly maths and coding. My office is in a different building than the lab and Tim has only ever been in my own office, far from the biological material. However, in the end, after arguing that my workplace is dangerous, Fitz managed to get a clause that would prevent me from having Tim with me at work. In order not to have it sound personal, the clause stated that Tim was not to be taken in any place with a BR factor greater than 1, unless his safety would be at play.
Where we are from, the BR factor of an establishment measures the risk of getting an infectious disease. Any biological lab has it greater than 1, by default, even if they do not work with any viruses . During the pandemic, all hospitals got their BR increased over 1.
Now, after an emergency, Fitz sued me for breaching our agreement. He has had a private detective in me for the better part of the past two years and kept trying building a case against me for “repeatedly violating our contract “. He kept using petty situations, like Tim being alone with my dad for 2 minutes into the men’s room at the mall while my mom and I are right in front of the door, waiting for them, even though my dad is not on the pre approved list as he has epilepsy. Or me not having an epi pen at my home because I gave it to Fitz as his was about to expire and it was his turn to pick up Tim who has severe allergies, even though our agreement said to have one at all times. (Just to make it clear, I bought a new one before getting Tim back). He also tried to paint me as a danger for having had seen a psychiatrist in highschool and early college. The reason was an eating disorder, nothing that could be any danger, which Fitz was aware of.
Even though all his so said proofs and breaches of contract were silly, with the most serious one described in the linked post, the trial got very intense, with him attacking me on a personal level. While we live in a big city, it quickly became the biggest gossip in our community, being on the lips of all the moms from pre school, most of them siding with me. Unfortunately, as much as I tried and couldn’t keep it all from Tim, since he was asked lots of questions by the kids at pre-school who heard about the situation. He became very stressed and started having night terrors.
I tried to reason with Fitz for Tim’s sake with no luck. 2 days ago, Fitz’s sister, Mia, came to see me. She wanted to give me something that could end all the stress Tim was under.
Almost 3 years ago, Fitz’s dad had a heart attack and almost died, but made a miraculous recovery. While he was in a coma, Fitz and Mia took Tim to the hospital to see his grandfather for what was thought to be the last time. Fitz’s entire family agreed there was no point in telling me, since I was very empathetic about the entire situation and even suggested that Tim and I could go visit him in the hospital once I picked him up from Fitz. They refused, however, since Tim already visited him, but did not mention this to me. She gave me texts to prove everything she was saying, and showing that Fitz knowingly breached our agreement and hid this from me for years on purpose.
My lawyer says that since this event occurred before all the ones he tries to use against me, it could get the entire case dismissed immediately, since it would have voided the parenting agreement we had. He guarantees me a win nonetheless, it would just take longer if we don’t use this. My parents think I should be the bigger person and not use it, as it is cruel and I should be an example for Tim for when he will be older. They insist that I would be in the wrong, especially since I would win nonetheless. I, however, just want to end this nightmare for good, and take care of the emotional health of my son.
I don’t know what I should do or how I should protect Tim at this point as I believe he should have a father and he and Fitz are really close, but at the same time, Fitz does hurt Tim a lot these days.

Hi! This story will require quite a bit of context (that can be found here https://www.reddit.com/AmItheAsshole/s/2Vo9S0QKF1). Long story short, my (F26) ex Fitz (M 32) keeps finding reasons to sue me to get full custody of our son Tim (M5). He sued several times in the past, but now everything went too far.
After a previous fierce custody battle we had an iron tight co parenting agreement. It took ages to reach one as he kept trying to include clauses just to make my life miserable. Right after graduating, when Tim was around 1 yo, in the middle of our custody battle, I would take Tim to work with me a lot. I would have long hours at the beginning, trying to make a name for myself, while Fitz was trying to paint me as a negligent mother for leaving Tim with a nanny while studying, back during finals. Hence, every other day after 4:30, when most people would go home, my mom would drop Tim at my lab and he would stay and play next to me in my office until 8 when we would go home. I would offer him plenty of attention as I would mostly run time consuming simulations that would require little involvement from my side.
Knowing this, Fitz fought tooth and nail to stop me from doing this, knowing how much easier this made our life. I work in a lab that focuses on various incurable diseases research. I almost never get in touch with the biological side as I am in the modelling team, doing mostly maths and coding. My office is in a different building than the lab and Tim has only ever been in my own office, far from the biological material. However, in the end, after arguing that my workplace is dangerous, Fitz managed to get a clause that would prevent me from having Tim with me at work. In order not to have it sound personal, the clause stated that Tim was not to be taken in any place with a BR factor greater than 1, unless his safety would be at play.
Where we are from, the BR factor of an establishment measures the risk of getting an infectious disease. Any biological lab has it greater than 1, by default, even if they do not work with any viruses . During the pandemic, all hospitals got their BR increased over 1.
Now, after an emergency, Fitz sued me for breaching our agreement. He has had a private detective in me for the better part of the past two years and kept trying building a case against me for “repeatedly violating our contract “. He kept using petty situations, like Tim being alone with my dad for 2 minutes into the men’s room at the mall while my mom and I are right in front of the door, waiting for them, even though my dad is not on the pre approved list as he has epilepsy. Or me not having an epi pen at my home because I gave it to Fitz as his was about to expire and it was his turn to pick up Tim who has severe allergies, even though our agreement said to have one at all times. (Just to make it clear, I bought a new one before getting Tim back). He also tried to paint me as a danger for having had seen a psychiatrist in highschool and early college. The reason was an eating disorder, nothing that could be any danger, which Fitz was aware of.
Even though all his so said proofs and breaches of contract were silly, with the most serious one described in the linked post, the trial got very intense, with him attacking me on a personal level. While we live in a big city, it quickly became the biggest gossip in our community, being on the lips of all the moms from pre school, most of them siding with me. Unfortunately, as much as I tried and couldn’t keep it all from Tim, since he was asked lots of questions by the kids at pre-school who heard about the situation. He became very stressed and started having night terrors.
I tried to reason with Fitz for Tim’s sake with no luck. 2 days ago, Fitz’s sister, Mia, came to see me. She wanted to give me something that could end all the stress Tim was under.
Almost 3 years ago, Fitz’s dad had a heart attack and almost died, but made a miraculous recovery. While he was in a coma, Fitz and Mia took Tim to the hospital to see his grandfather for what was thought to be the last time. Fitz’s entire family agreed there was no point in telling me, since I was very empathetic about the entire situation and even suggested that Tim and I could go visit him in the hospital once I picked him up from Fitz. They refused, however, since Tim already visited him, but did not mention this to me. She gave me texts to prove everything she was saying, and showing that Fitz knowingly breached our agreement and hid this from me for years on purpose.
My lawyer says that since this event occurred before all the ones he tries to use against me, it could get the entire case dismissed immediately, since it would have voided the parenting agreement we had. He guarantees me a win nonetheless, it would just take longer if we don’t use this. My parents think I should be the bigger person and not use it, as it is cruel and I should be an example for Tim for when he will be older. They insist that I would be in the wrong, especially since I would win nonetheless. I, however, just want to end this nightmare for good, and take care of the emotional health of my son.
What should I do? Any advice on the matter will be highly appreciated!

My question is this:
Knowing that the universe's gravity, mass, etc. are all the perfect level to sustain human life, and if they erred even the slightest bit from what they are now we would all die, how do you place your faith in there being no intellectual creator?
Because firstly, you cannot prove God does NOT exist, the same way I cannot prove that God DOES exist, the same way nobody can prove anything to a 100% confidence level.
However, based on the perfection of the universe's design, logically I find it more LIKELY that a complex occurrence was created skillfully and intelligently than it just being accident. Because again, accidents are unlikely to yield anything beautiful, while complexities are more easily attributed to someone who designed them with intent.
And I'm sure everyone's heard this, but if a clock washes up on the beach, it's logical to assume that someone designed it, rather than it came like that fully formed from the water.
TLDR: Why do you think that it's more likely that the clock just happened to appear from thin air? I understand that there being an intentional creator doesn't prove a Triune God or that you should live a certain way, but certainly it paints 100% atheism as highly unlikely and therefore illogical.

Hello everyone, I am a beginner in Midjourney.
I don't have an art background, I've learned photography for a while but didn't stick with it, I have a certain IT and data background, and I like beautiful image works.
Midjourney is a very good product, especially the V6 version, the images it generates have shocked me aesthetically, so I decided to learn to create with it.
I have some insights during the learning process of Midjourney, and I have also built some tools to help me understand it and speed up creation. I want to share the process with everyone here, hoping to discuss together how to better and more efficiently play with Midjourney.

My Journey of Learning Midjourney

1. Looking at others' works and prompts
others' works
Seeing others' beautiful digital works on Midjourney online is also a reason for me to seriously learn it. There are many places to learn, such as the Midjourney official website, Facebook interest groups, PromptHero, etc. There are thousands of beautiful pictures, and problems come with them: the prompts behind them are endless, and I don't know where to start learning. At first, I copied these prompts into discord and reproduced them myself, but this method made me feel like I didn't gain anything.
2. Learning keywords
Luckily, I found that keywords are the key. Smart people have summarized many types of keywords, such as artists, artistic styles, camera perspectives, shooting distances, Texure, light, color, etc. This has opened the door to a new world for someone like me who doesn't have much experience in photography and painting. I started to search for related information on Google: who are the artists? What is their style of work? What is the camera perspective? What types are there? etc. Through this path, I learned a lot of photography and painting related knowledge, and of course I am also very grateful to Midjourney, it has inspired my interest in learning this aspect - once I took a SLR camera to learn, the poor early composition plus a pile of boring parameters made me give up quickly. Midjourney also has a bunch of boring parameters, but its composition is stable, which can ensure that I can draw passable pictures even if I don't understand these parameters.
In the process of understanding keywords, I found that even so classified, there are still too many of them. For example, artists, globally and from ancient times to the present, there are so many artists, how can I remember everyone's name and quickly make up their style of work? So I started to think about whether there is any tool that can allow me to select keywords based on representative works or effect pictures. During this period, I found a keyword visualization library with 11.7K stars on GitHub, and some prompt generator websites that can select keywords based on effect pictures. They are really great, and they sort out keyword types more systematically and comprehensively than I do. This is a good place for beginners to start. But I still can't use them very well, for the following reasons:

1. Some trendy keywords may not be included
   
2. Each website cannot exhaust all types of keywords, and some types of keywords are of interest to me, such as decorations.
   

So I started thinking about building my own library. DIY a Studio that meets my personalized needs. I built my idea with Notion.
my KeyWords Visual DataBase
I first built a visual database for keywords, stored keywords by tags and categories, tested the effects of each keyword in Midjourney V6, and imported the most representative photos into the library. Then use Gallery mode to display keyword and corresponding effect pictures. The keyword visualization database can remind me of the effects of each keyword and provide me with inspiration; and I can also continuously add my keyword.
3. Treat learning as a game challenge: find excellent works, try to assemble prompts to reproduce them
After building the keyword visualization database, I feel much more at ease when creating prompts. The new creative process is like this: when I have determined the Subject I want to express, I choose the visible keyword in the keywords library to enhance the artistic effect.
Now start challenging the new goal: find excellent works, guess its prompt, and reproduce it. This is a very interesting learning method, like a game, it can keep my passion for learning.
I found such a reproduction target online:
Target(Other's work)
The Subject of the picture is easy to determine: "Film Venom, a sexy beautiful woman". But its subtlety lies in the fact that the woman painted is sexy but not vulgar, the color is bright, there is a sense of line, and the whole work is very high-end. If there is no blessing of keywords, just enter the Subject into Midjourney, the effect is like this:
prompt：“Film Venom, a sexy beautiful woman”
These photos are more like taking photos of porn stars and lack a sense of high-end. Therefore, I need to try a lot of keywords to enhance the beauty, such as finding some artists and art styles whose works are similar to the target works, then finding color and line description words close to the target, MidJourney allows various art styles to be mixed together, so my keywords There will also be a lot of permutations and combinations, which is a bit like doing an experiment, trying all possibilities.
The difficulties I encountered here are:

1.I have to manually put together each permutation and combination
2.Manual work takes a long time, but inspiration is fleeting
3.I can't remember what combinations I have made, and I may repeat the same combination

So I built a [prompt lab] (because it's too much like an experiment), which includes a prompt generator and a keywords visualization database. The generator uses the key types of keywords as options, selects while referring to the keyword effect pictures, and the function automatically assembles into a complete prompt. Just click the "copy" button and paste it into discord, which is much faster than I slowly put together in discord. It can also record the prompt combinations that I think are more critical according to my own ideas, which is convenient for me to review and summarize.
prompt creation process
Of course, due to the architecture, Notion also has some shortcomings: it cannot make pictures into options. I can only put the keywords library in the sidebar, and use it as a dictionary to flip through when assembling prompts.
Tried 200+ times quickly with prompt LAB
In addition, I also established a visual view, when I passed the more satisfactory effect picture back to the laboratory, I could compare the effect difference of the prompt anytime.
Visual Gallery
Finally, after countless attempts, if there are very satisfactory works, I will want to collect them. And the remaining unsatisfactory ones can be deleted to keep the number of records in the laboratory at a processing level that my brain capacity can accept.
4. Put good works into the collection library
I added a collection library to the lab, classifying and managing my own satisfactory works and other people's excellent works, which is convenient for reference and inspiration.
Collections Database
5. To be continued
In fact, although I have done so much work and tried, I’m still at the beginner stage. Digital art creation is endless. Perhaps with the deepening of cognition, my tools will also evolve.

THE END

Thank you for reading to the end. Here I share my unique learning process, hoping to help some people, and also hope to get everyone's guidance.

Well, Hi all! again! 4Th Wall here, I figured since I just got power back, I might as well play some catch up on both series. Hope you enjoy this episode!!
Yup, I fucked that up. This is a repost with the correct Episode number, LOL! It's been a while since I've done that.
First, Previous, Next (Patreon)
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Benjamin smiled, watching the girls skip ahead of him. Today was a testing day of sorts for him. Unwilling to release firearms into this world haphazardly, yet unwilling to go without them as a backup; he had pulled from one of his sister’s favorite video games. He had “melted down” his bowie knife, repurposing the metal to be used in his latest creation. The final product rode on his hip like a short sword, but Ben was satisfied in the design when the vast majority of the people he passed ignored it as just another adventurer’s blade. Benjamin hoped, that with the existence of Majik, that he would be able to pass off any… peculiarities... as the realm of the supernatural.

The three of them arrived at the tailor’s establishment, and the girls were met with a customary indifference that seemed to present itself when a slave’s “master” was present. The moment Benjamin entered, the seamstress ceased to pay attention to the girls, and instead addressed him directly, “Ah, The Forgemaster’s Protégé. What can I do for you this day.” She said cooly, bowing slightly in welcome. “I’m here commission some clothing for these two, a reward for good service.” Benjamin began. It was technically true; the success of the forge had afforded him much more coin than a mere apprentice could have made. Qort had taken him on as a true partner, and Benjamin earned enough to comfortably afford to cloth his “slaves” in whatever he chose.

Some stigma’s remained however, and the seamstress seemed to glare sideways at the girls as they perused the fabrics adorning the walls. “Is that wise? A slave could lose her place with such gifts.” she asked, her polite tone barely hiding her disapproval. Benjamin sighed internally, ‘oh for fucks sake’ he groaned in his own mind before putting on facad, “I find that proper reward, afforded on the right servant can result in” he paused, projecting a smug expression and blatantly looking the girls up and down. “a profound dedication to their duties” he finished with a satisfied smile as the seamstress covered her mouth with a hand to hide a smile of her own. The gambit worked, and the Seamstress was obviously satisfied that the “Aereesen slave whores” were being properly “used”. “Ah, I understand. What did you have in mind for them.” She practically moaned back at Benjamin. ‘This hag needs a good pounding….’ Benjamin’s inner monologue threatened to crack his facade, “That’s the fun part, my good lady. It’s their choice. The surprise is half the excitement.” He chuckled.

The seamstress openly smiled at him this time before nodding and stepping over to the two girls. Benjamin breathed a sigh of relief as she seemed to treat them at least marginally more warmly. The old racist bag didn’t need to know that Benjamin was secretly building a small nest egg for his girls, or that his sending them out to do errands for him was how he was teaching them about money, value, and the application of Mathematics. She also didn’t need to know that the full Cutlery set that she had purchased last week had been made by Vi’s own hand as her first full solo commission set. Benjamin had stamped his “mark” on them, because slaves were not allowed to own anything, including their own work; but Vi had begun with raw steel and finished with one of the finest cooking knife sets he had seen in this world or his.

Benjamin settled onto a bench outside, using the excuse of wanting to enjoy the morning air to afford his girls some privacy. Now that Viola and Valtrya were eating a healthy diet, and the right calorie amount; they had blossomed into absolute bombshells. Their hair had recovered, and both sported long flowing locks that boasted a silky satin black color and texture that betrayed hints of deep royal purple. The color reminded Benjamin of one of those expensive custom car paints that changed color depending on the lighting.

Their skin recovered almost as quickly as their hair. The sickly, scabbed look was quickly replaced with the same satin quality as their hair to the touch, but with a light grey coloring that almost seemed to tease the edge of hinting at a greyish purple. A dense pattern of Small freckles of the same dark, almost royal, purple as the highlights in their hair frolicked on both girl’s cheeks, and down the sides of their necks. Because of their early lack of understanding on modestly, Ben knew that those freckles traveled much further. The sad truth was that Benjamin understood fully why Aereesen’s were the prize of slavers and brothels, and he silently prayed that he could give them enough self-worth and skill to have a better life than that, once he got them out of the Principality.

A door’s soft creaking broke Benjamin from his thoughts as the two sisters stepped out smiling, “Get everything you need?” he asked standing as the three of them departed the establishment. Val nodded vigorously, and Vi smiled as she spoke, “I think so, but I had to practically beg the woman to stop showing us lingerie… what did you tell her?” Benjamin felt his cheeks heat as he responded, “What I had to. The old hag doesn’t get enough at home. It’s not my fault that your ‘enthusiasm’ is in the forge and your studies, not between the sheets. I didn’t lie to her, I just let her draw her own conclusions, sorry.”

Vi’s eyes twinkled for a second, “Oh,” She smirked, “Thaaat’s why she broke out the silk. Some of her options were..” She blatantly bit her lip at Benjamin. “You didn’t…” He asked in shock, and Vi lifted up on her tippy toes to brush her lips against his ear, “Not telling” she purred, setting Bens senses on fire. She backed up a step, openly smirking at his beet red face. “But your expression is adorable… My Lord” She stated the last two words with a deep sultry tone, knowing that Ben couldn’t scold her in public before taking his hand, “May we visit the bazar next? Val saw some jewelry she wanted to look at.” Benjamin gave her a pointed look, that turned into a smile as she beamed at him, “Ok, sounds good. I need to pick up some food for the week.”

It was later that afternoon when the three of them left the bazar. They found Jukha waiting on the bench in front of their home. “Jukha! How are you!” Benjamin called, clasping the Orc’s hand firmly as the girls rushed inside to put up their purchases. Jukha reciprocated, if somewhat stiffly, to the strange to him gesture. “Benjamin, it is good to see you well.” His tone stopped Ben in his tracks, “What is it. Is your wife, ok?”
Jukha shook his head, “Vilora is well, but I have been tasked with finding you.” He said carefully, “The slaver, the one you dueled for those two,” he nodded to Vi and Val as they stepped back out of the building, “The Heir of The Romoregin house is here. He has lodged an official demand for satisfaction, and he brought a champion.”

Benjamin stiffened, “Another duel? You said an ‘official demand’… what happens if I refuse.” Jukha winced at Ben’s tone, “It is an archaic practice of my people, rarely remembered, and even more rarely demanded. You cannot deny a satisfaction claim, but should you prevail, no further claims can be made upon your person. I am sorry Benjamin, but if you flee or refuse, your life is forfeit; and your property goes to the claimant.” Jukha looked pointedly at Viola and Valtrya. “The young puke has put me in danger as well, if I do not deliver you and them to the duel, I can be detained. If they torture me….” Benjamin’s eyes widened before hardening in understanding. “Jukha…” He turned to find Viola standing next to him, with his musket in one arm and his ammunition bag in the other, and sighed, “Fuck”. He loaded his musket with a single roundball cartridge this time, unwilling to fire buck and ball in the town streets. He pealed the ball out of the paper wading after pouring the poweder, reaching into his haversack to retrieve a small round patch made of pillow ticking. Jukha looked on in mild fascination as Benjamin spit on the cloth patch before wrapping the ball in it and ramming the whole thing down the barrel. It wasn’t much, but it reduce windage, ensuring at least reasonable enough accuracy from the smoothbore to keep from hitting innocent bystanders. It would also virtually eliminate blow-by, upping the chamber pressure and giving him a little more velocity. “I’m ready.”

The four of them entered the small city square to be met with Qort and three Org guards. These soldiers wore different insignia that Benjamin had been taught were the mark of the capital. “Beenjaymen Shayfe” one of them butchered his name, “I am.” Ben nodded firmly, the other guard nodded, “And your two slaves, good. Has Jukha informed you of the proceedings.” Benjamin scowled, “A legalized way to attempt a revenge killing? Yea, I’ve been told.” Ben didn’t bother to hide his vitriol, “So I have to kill a motherfucker for defending myself from his father?”

“Not quite. The Heir has brought a champion. The rules are simple, all forms of combat are allowed” The first guard began as the second one began chaining the wrists of Viola and Valtrya. Benjamin began to move before thinking, only to be held back by Jukha, “Peace albino. They must do this. Fighting them will cause a forfeit.” Benjamin looked at the terrified faces of the two girls. He forced himself to calm down outwardly, but Benjamin could feel the rage building. He had worked so hard to save those two, to get them out.. now some snot nosed brat was going to try to kill him because his father didn’t know when to fuck off. Benjamin stepped out from around the guards. The “heir” was a young Durr. Ben had no frame of reference for age, but the Heir was substantially shorter, and his facial tentacles were almost mere buds. Beside him stood a crimson colossus, the same species as the Hunter he had shot saving Jukha. He was taller than that female, and was wearing plate armor, gilded in silver. He hefted a great sword of some kind and smiled openly at Benjamin. It was not a pleasant expression. “Ah, so You’re the puke I’ll be cleaning from my blade. I am Krastorin. Come here, pale one, I’ll make it quick.”

Benjamin looked him over, subtly shifting into a shooting stance but keeping his musket looking like he was resting the butt of a spear on the ground. “You look accomplished, what makes you do the bidding of the boy.” He asked, blatant scorn on his tone. The Young Durr flinched, his small tentacle buds writhing violently. “H’Dare Yee!” he bellowed, voice cracking with the strain of fury, “Aye’ll ‘ave Yee Head on Me’Wall!!”
Benjamin ignored him, focusing on the Hellirine. The man looked back at the boy with a raised eyebrow, “The young puke promised me one of those.” He pointed at Vi and Val, who had reverted to their former trembling submissive postures that Ben had met them in. “It appears that they are as well kept as claimed. I look forward to sampling them.” He leered. Benjamin looked over at the Young Durr and found his face a mixture of relief and anger. ‘Ah, lied about daddy’s slaves.’ He turned to the soldier standing next to him, “Is the duel on?” he growled.

“Combatants! Begin!” was the Soldiers response, and the crimson mercenary lifted his sword from his shoulders advancing forward with a long confident stride, “at last, let’s get this over wi..” a clap of thunder echo’d through the Feral wood, and most of the crowd cried out in surprise as Benjamin disappeared, seemingly behind a bubble of fire, and brimstone. The single round ball ignored the mercenary’s plate armor. Punching straight through as the soft lead mushroomed out into a ragged disk that measured almost an inch and a half. The mangled projectile, still travelling at almost half the speed of sound, eviscerated the chest cavity of the Mercenary before blowing a one foot wide hole out of the crimson man’s back. The exit wound missed Krastorin’s spine by an inch, but it didn’t matter. The projectile embedded itself into a post, thankfully missing any bystanders by mere inches in some cases. The Young Durr, who was standing just behind and to the side of his champion, was screaming as he pawed at the bits of pale yellow blood, bones, and fragments of internal organs now covering him from head to toe.

Benjamin handed the smoking musket to Jukha, drawing his short sword and walking over to a sputtering, choking, and coughing Krastorin. The Hellirine lay face down on the ground, having fallen that way from the momentum of his initial advance. The back of Benjamins mind was sickly amused as he remembered the old Hollywood trope of bullets throwing people backward, and a pinch of regret sparked in his soul as his opponent death rattled. He stepped up to the Heir, resting the blade against his neck, “Are we done here. Be a better man than your father and learn when to save your own life.” The Young Durr froze, staring up at him in abject terror for several moments as a puddle formed at his feet. Benjamin opened his mouth to speak again when the boy simply passed out, falling into the puddle of his own mess as his mind refused to stay conscious.

Benjamin turned to walk back towards Jukha and the girls. “Unchain them.” Benjamin’s tone could have frozen a raging forge’s inferno. To his surprise, two of the soldiers drew their weapons on him, “You need to come with us. All Touched must be registered with...” Benjamin pointed his short sword at the one talking… and pulled the trigger. The percussion revolver built into the hilt of the short sword was zero’d using a notch Benjamin cut into the crossguard, and the tip of the curved blade as a crude set of open sights. The barrel of the revolver lay along one side of the blade, and was rifled. The speaking soldier orc’s took the smaller pistol round through the forehead, exploding the back of his skull in a cone of dark green and grey mist. The exit wound showered his companion in bits of bone and brains. Benjamin’s thumb found the hammer, and four satisfying clicks echo’d in the stunned silence, “HEAR ME!” He growled, “I, am touched by the Gods. I posses the power to end any life I choose using the power of Hell itself!” ‘if I have to show them a gun, might as well throw them off the trail’ “The violence of the raging volcano obeys my very fingertips.” His revolvesword bucked a second time as another soldier orc made a move to rush him. The smaller pistol round still punched through the orcs armor and out the back, but only left him screaming on the ground. Benjamin re-cocked, and leveled his weapon at the orc holding the chains to Val and Vi. “Now, release them.” This last remaining Orc did as asked, before gathering up his screaming companion as the girls rushed to Benjamin, he pulled them close, whispering, “I’m sorry we wont be able to pick up your dresses.”

The three of them packed up that night. Qort had understood, knowing all too well what the Principality would do to acquire a Touched of Benjamins ability. “Stay safe my friend. I pray our paths cross again.” Jukha snuck them out of the village that night, using his wagon to get them to his home. They stayed a week, laying low while they planned their next move. The girls spent their time learning recipes from Jukha’s wife, and ben took the time to unwind a bit. Jukha and He went on a hunt, and Benjamin was given a run down on the flora and fauna of the Feral wood. The two of them brought back a pair of Stags, and the three women cooked them a feast.

“Dinner’s ready!!” called Viola, setting the last of the sides on the table as the dutch oven roasted meat was brought off of the stove top. It was a simple yet elegant meal. Stag, potatoes, some kind of Kale style vegetable that Benjamin had never seen before. Soon enough, everyone at the table was leaning back, as full as they could make themselves. “So, pinkskin,” Jukha asked, “Where do you plan on going. I wouldn’t mind you staying with me. I could use another hunter, but I suspect that they would notice the extra product I brought to the village.”

Benjamin Hummed, “The Maridian Combine. Qort told me that they banned slavery over a century ago, the girls have learned so much already. It would be easy to find jobs for them.” Vi and Val drooped slightly but hid it well. Jukha noticed it but said nothing. “A good choice, their boarders are well guarded, you would need to free them before you cross, or end up in a dungeon yourself.”

“Good point, I can write up a simple writ of freedom. Something I can sign and give to them.” Benjamin nodded, “I can get started on that to…” he paused as a hand fell on his. He looked to see Viola staring at him, fighting back tears, “Hey, what’s wrong. You will be free…” Jukha nodded slowly and stood. “love,” he said to Vilora, “I need some help with the livestock” The Farie met his eyes in unspoken understanding, fluttering out the front door with Jukha.

“Vi, what’s wrong.” Benjamin asked gently.

“No… go… Val… stay…” Both of them turned to Valtrya in shock. She was trembling, “I wont..leave.”

“You speak?” Benjamin looked in shock, but Viola spoke next, “Benjamin, we don’t want to leave. We want to stay, with you. I…” She paused. Ben sighed, “I want you to stay too.” He said, finally admitting it to himself, “But I can’t own you. It’s killing me that you are my property.” He reached up and wiped a tear from Vi’s eyes, “You are so much more than property. I feel evil, every day that I wake up knowing that I could do anything I wanted to you, or worse, die and have someone else hurt you for the fun of it.” Benjamin bowed his head. Viola reached out, lifting his chin to look into his eyes, “Then come with us.” She whispered as Val stood up and stepped around the table, “yes.. You, come.” She wrapped herself around Ben from the side leaning in until she was resting her head against his shoulder, “I’m… staying.. with you.” she said softly. Viola nodded, “Benjamin, how old do you think we are.”

Ben looked at her in confusion, “I have no idea, I’ve always assumed you were teenagers. 13-14 years old for Val, maybe 16 for you, but that was when you were skin and bones.” He admitted.

Viola’s eyes widened in understanding. “You did not want to bed us because you thought us children.” Benjamin nodded slowly, answering. “And forcing sex on a child is the worst kind of crime on my world”. Viola and Valtrya looked at each other, before Vi spoke. “Ben, my sister will turn one hundred and three in a fortnight. I just had my one hundred and fifteenth birthday last week.” She leaned in, pressing her lips to Bens as she kissed him passionately for a moment. “We are no children,” Viola paused as Valtrya leaned in, kissing Ben lightly on the neck, “You are not forcing us to do anything, but leave.” Viola whispered as she began to close in to a surprised Benjamin for another kiss.

The door to the cabin flew open violently, and the girls pulled back to a more modest distance. Jukha walked in, carrying a panting Vilora. “What happened.” Ben asked hurriedly, hoping he wasn’t blushing as hard as the heat on his cheeks suggested. Vilora waved a hand as Jukha set her down in her chair, “The Vin… My sisters… they reached out… They wish to meet…” The Farie gathered herself, “They also sent a warning. We must leave, tonight… hunters.”
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If you made it this far, I very much appreciate it. I hope you enjoyed the episode! If you believe I have earned it, I have a Patreon that is two episodes ahead of the free releases for this series. I hope you feel taking a look is worth it. Either way, come hang out in the comments. Everyone's welcome! I've discovered Im a bit of a "warts and all" poster, so even critical comments are welcome. Hell, You might even teach me something (it happens more than I'd like to admit).
I have heard people off and on reference Royal road, So I am going to give it another shot. I'll be adding the Royal Road link from now on. If you like reading over there, It is on the same schedule as here. I would greatly appreciate a like/review/comment if you feel so inclined. Thank you again for stopping by.
First, Previous, Next (Patreon) Royal Road

At our 12 month pediatrician’s appointment our baby had a heel-prick capillary blood draw test to check for lead and tested 5.5 μg/dL (3.5 μg/dL is threshold for follow-up). We were naturally really worried; our house was recently renovated but built in 1970 and I immediately went about doing research, grabbing lead test swabs to check any exposed/chipped paint, and generally quietly panicking.
We took him in for a venous blood draw the next day (nurse was a pro and baby handled it like a champ) and just got the results back. Turns out his blood lead level (BLL) was well below 3.5 μg/dL and in line with average. Huge sigh of relief.
My hypothesis- despite the nurse at the pediatrician’s office using an alcohol swab on the baby’s heel prior to the capillary test, the test picked up dust and other contaminants on the baby’s heel (he had been walking barefoot in our house earlier that day) that resulted in an inaccurately high capillary test BLL result.
Just wanted to share this for any parents who get a concerning capillary blood lead test. It certainly needs prompt follow-up, but don’t panic or get too concerned until you have a venous blood draw that can accurately assess BLL. Capillary blood lead tests (heel prick or finger prick) are helpful for screening to determine whether more testing is needed, but far from dispositive.

Written 5/8/2024- updates attached below

I tried posting this on kendrick almost a week ago and it got no response, I messaged the mods to ask about Karma restrictions or account age requirements and they never replied. I made a new account and it was the same issue, but I found out last night I wasn’t fully banned, so I figured I’d throw it up and see if anyone finds it valuable. It’s written for people who have no prior knowledge of the rap game/music business. I don’t have to go as hard on obscuring names this time. One of the influencers I mentioned in my last post is known for doxxing and threatening violence against people who mention the many contradictions in their stories. (Sorry for any typos/mistakes I want to go to bed.)
Origins
I believe the current Drake and Kendrick Lamar beef is either completely or partially fabricated by certain industry leaders or the parties involved in an effort to distract from something bigger going down behind the scenes. If you were an influential label owner facing major accusations, and you needed to deflect media attention from yourself, recreating one of the most defining moments in rap history during the social media era would be a way to do it. It also wouldn’t hurt that two of the biggest rappers in the world were already sending shots at each other in their music for years prior. The public consensus is they are simply two famous rappers who hate each other and fighting over the spot for the top like in the 90’s. Only people who were directly involved could paint a more cohesive picture of the whole story. Even when all the cards drop, there is a good chance the average person won’t be able to find direct sources on their own and will continue to support their favorite artists and dismiss any evidence of their crimes like the drizzy subreddit or Ak fans.

As I said the beef between Kendrick and Drake has been brewing in the background for years, with both rappers sending shots and sneak dissing each other over the course of at least 8 years. The most agreed upon origin story is the first diss was the 2016 Big Sean and Kendrick collaboration, “Control,” and Drake responded with, “The Language”. Things stayed relatively lighthearted for a while and both were intentionally vague for many years. Before I go deep into the Kendrick and Drake stuff, it’s really important to examine some of Drake’s prior beefs because they add a ton of context to my theory. In my opinion Kendrick and Co. started scheming all of this some time around Mid 2020-Mid 2022, well after the whole Pusha T beef had transitioned into the Kanye beef.

What exactly started the beef is debatable, but at the time many attributed it to rumors of Drake pursuing Ye’s ex Amber Rose. Unfortunately the timeline isn’t 100 percent clear, and if I included every detail this would be at least 200+ pages so I’ll stick with the important stuff. The ultimate outcome of the Pusha T battle in 2018 was the revelation of Drake’s son Adidon that he had previously been hiding from the world along with getting Ye directly involved in the beef.

Here are some more examples of Drake antagonizing Ye and of him trying to use women as pawns to get material for his diss tracks. The Drake line, “Yeah, I probably go link to Yeezy, I need me some Jesus, but as soon as I start confessin' my sins, he wouldn't believe us," could be a reference to sleeping with Kim Kardashian, trying to double down on his threats to harm him or his family, or it could be a double entendre. Another example is using the name Kiki in another song, which was apparently one of Kim’s nicknames. Some other possible examples include the theories he may have tried the same thing with Kendrick’s wife Whitney around 2020-2021 in an attempt to use as ammo against Kendrick, which I’ll go into later. I don’t listen to much of either artist's music, but there are probably many of other examples in Drake’s catalogue that I’m leaving out. There is also his song Omerta released in 2019, which I'll go into below.

“Your baby mother call me when she lonely My tailor see me twice a week, he like my homie Forever grateful, forever thankful Diamond necklace, but she wears it on her ankle”

(Probably referring to Kim Kardashian since she had a few pictures with her wearing diamond ankle bracelets and was trying to make it into a trend.

“I plan to buy your most personal belongings when they up for auction”

(There were various rumors floating around for a while that Drake was blackmailing Ye with something and he was fighting to keep it from the public. I thought about it and this line might be referencing a sex tape with Kim or her little sister who me was very touch before she turned 18. In 2022 there was a whole storyline on Kim’s show where Ye flies to LA to prevent her second sex tape from being released.)

West Hollywood, know my presence is menacing
Cosa Nostra, shady dealings
Racketeering, the syndicate got they hand in plenty things The things that we've done to protect the name are unsettling But no regrets, though, the name'll echo Years later, none greater
Death to a coward and a traitor, that's just in my nature, yeah
(Drake and Ye both frequented the Delilah Nightclub located in West Hollywood and lived closeby on the same street for a while.)
"I don't carry cash 'cause the money is digital
It's the American Expresser, the debt collector"

(Sounds a lot more like it could be crypto to launder or send large amounts of ill gotten gains. It started becoming mainstream around them)

"Last year, niggas really feel like they rode on me
Last year, niggas got hot 'cause they told on me
I'm 'bout to call the bluff of anybody the fold on me"

These lines stood out because they could be referring to Ye telling the public about Drake's alleged threats a couple months before the songs release. This happened not long after the release of Sicko mode which was towards the end of 2018 as well. Ye was discussing the incident on Twitter and reached out to Drake and Travis to talk to him in private. In the next set of tweets Kanye publicly accused Drake of threatening him and his family in a major way. Surprisingly Ye seemed genuinely scared and amongst his, “crazy rants,” some of the stuff he said makes a ton of sense in hindsight. This also the beginning of his second serious public struggles with Bipolar disorder after being committed in 2016 shortly after an on stage rant where he calls out Jay Z for selling out and says he's afraid he might kill him.. As someone who shares the same diagnosis, I have a pretty good understanding of mania and psychosis and firmly believe that it's important not to write people off right away due to their mental illness. Some of my most thoughtful, creative, and productive periods were inspired by mania. Industry bigwigs have also been using mental illness to discredit influential black celebrities and visionaries going back decades, but it really picked up in the 80’s.

Dave Chappelle has gone into this a lot in the past and claims he experienced something similar before he quit show business and dipped to Africa. Their stories have a lot of interesting parallels if you’re familiar or curious. I remember he actually visited Ye at his house in Wyoming after he was reported to have had a, "mental breakdown," during his presidential run in 2020 thus marking his third breakown in six years.. The reason I put it in quotes is because it happened right after he publicly accused Kim of cheating and delivered his legendary speech on abortion. Dave went as far as going on live tv and telling the public he wasn’t crazy, he was just really struggling because he was the only one at the time fighting against the narrative, which can often be a suicide mission or a ticket to obscurity. These are three examples of someone speaking up and being deemed crazy, two years later came the nazi stuff and I'm sure we'll have plenty in store for 2024.

This is just the tip of the iceberg when it comes to the very common pattern of artists dying or having their careers destroyed either after they try to leave their label or threaten to reveal industry secrets. A few more interesting industry connections I made in my research include the connections between:

T.U.G. records and J Cole's independent label Dreamville are both managed by Interscope Records, whose parent company is Universal Music Group.

Universal Music Group also hac Drake's label OvO label as well as Ye and Kendrick's old labels on their roster before they left to form their own independent labels in 2022 (around the same time the disses between Kendrick and Drake started escalating). Finally Bad Boy Records, which is owned by Diddy, and Motown Records who own Diddy's other R&B label Love Records, are also both owned by Universal. This means every label I mention is currently or was previously owned by Universal Music Group.

Ye tried for years to get out of his contract with Defjam, which happens to be ran by Jay Z who is known to be a close associate of Diddy. Jay would always used his money and power to fight against it. Ye even spoke out publicly on a few occasions, including when he said Jay Z was trying to kill him during one of his concerts. My theory is after years of getting nowhere and having his reputation skewered, in 2022 Ye finally said, "Fuck it," and dropped all the anti- Semetic stuff intentionally in a successful attempt to force his label to into using their morality clause, which requires labels to drop an artist if they're accused of any major controversy that could hurt the label’s profits. For the fourth time in four years the media reported he was having a breakdown. Even though they tried to punish him by cutting off all of his sources of income and freezing his accounts he still managed to bounce back pretty quickly. It was often reported how much he was losing, but it rarely discussed how he still was filthy rich in spite of the retrictions. His label wanted to discourage other artists from trying the same thing. My theory is he might have bought Kim or Kylie's alleged sex tape and used it for his own leverage. For Kendrick, his transition to his independent label ApLang went a lot smoother, but he had to split ownership of his new label with the previous manager owner Dave Free. Sadly it's still difficult for new or more niche artists to establish themselves without the some help.

He may be a lot of things but Ye isn’t dumb just because he has a mood disorder and the guys at the top know this, which is why I think he has really played up his diagnosis when it benefitted him. He’s still one of the most talented musicians in the game and I really think he sees his bipolar like a superpower as he says. It’s like his own invisibility cloak. He can go off his meds for a little, make an album after staying up for 72 hours, go on a “psychotic” twitter rant dropping facts throughout, then start up again once he makes enough news headlines. I think it’s worth noting the first divorce rumors in 2020 coincided with Ye’s abortion speech during his presidential run and the cheating accusations. that led to him dropping out and moving to Wyoming, and a couple months ago in February 2024 he was committed again.

The point I’m making is bipolar is complex, but pretty manageable especially if you have a ton of money to find meds that work for you and a good doctor and can keep substance abuse and stress at a manageable level. I think Ye is smart enough to know this, but it’s just safer for him to really play up the mental issues in the media. He’s proven he can literally say whatever he wants after getting cancelled and the average person is just going to write it off as psycho babble. While bias in health care is a sad fact of society, if you can use it to your advantage I say go for it. It might’ve just kept the microscope off of him long enough to plan his attack.

Ye v. Drake: Quotes of 2018
(Start of the beef, drake threats, and suspicion towards Kardashian family. )

“ It’s not about rap. It’s about family. We have to be close as a family and never let these people infiltrate just for radio spins”

“We need to show the world that people can talk without people ending up dead or in jail.”

”This is a man speaking to a man that has been placed in the program to fuck with Kanye West head and set me up“

”See when you care about your family you don’t let no man push you to do nothing that could risk your freedom“

These first four tweets by Ye were all in reference to perceived threats made by Drake after their beef escalated circa 2018. He began speaking on the industry and talking more about his psych hospital commitment two years prior and how he thought they were going to kill him. It's pretty obvious how the whole thing was planned by the sketchy doctor who called it in and his physical trainer who has a ton of connections to weird shit involving his celebrity clients.

I found interesting that Ye might not have been the first major league rapper whose life Drake threatened. During a similar period of mental illness the up and coming rapper XXXtentacion accused Drake of stealing his flow and dissed him a few times. Not long after he made a post online saying if he dies, it was Drake who did it. There are tons of conspiracies online, but none of the evidence is strong enough to draw a definitive connection. Also while it maybe be coincidental, Kendrick’s latest album Mr Morale also painted the picture that Kendrick was dealing with some serious personal issues. Some lines throughout the album may have been used to bait Drake into escalating, but it wasn’t until The Weekend, Future, and Metro Booming dropped, “We Don’t Trust You,” then Drake and J. Cole dropped, “First Person Shooter,” which was followed a couple days later with, “Like That,” where Kendrick started the chain of events that has led us to today.

Kanye vs. Drake: Quotes of 2020

Summary: Ye runs for president and gets suppressed for saying what very well could be the truth and was immediately deemed insane by the media. Kim did a couple interviews and everything he said was immediatly false. There is almost guarenteed to be some sketchy shit going down revolving her and her family. Ye was absolutely terrified of her keeping the kids away from him and it seems like there are still efforts being made to this day to paint a certain image of him for ulterior motives.

Below are six more quotes from a fan taking a deep dive into his 2020 tweets courtesy of u/ thehatstore42069 on Yeezy
”NORTHY I AM GOING TO WAR AND PUTTING MY LIFE ON THE LINE AND IF I AM MURDERED DON’T EVER LET WHITE MEDIA TELL YOU I WASNT A GOOD MAN,” West, 43, wrote in the tweet, adding, “WHEN PEOPLE THREATEN TO TAKE YOU OUT OF MY LIFE JUST KNOW I LOVE YOU”

"I need a public apology from J Cole and Drake to start with immediately... I'm Nat Turner... I'm fighting for us."

"the utmost respect for all brothers" and said "we need to link and respect each other... no more dissing each other on labels we don't own"

"Ye is constantly trying to tell people that his family does not have his or his kids best interests at heart. He goes on to list others, linking them together with the thinking emoji. These people include rap artist Drake and Larsa Pippen, wife of Scottie Pippe. Kim K is goddaughter to Pippen's daughter, showing how close the families actually are. All of these families that associate with Ye through Kardashian connections, as well as Drake, have been accused of the same thing Kris has. EVERY SINGLE ONE of these people have mixed race children that are groomed from a young age to fuck around with celebrities so the parents can remain famous. Drake on numerous occasions has been accused of grooming girls and then getting handsy on their 18th birthday.”

“These labels want their artists to make them money and they dont care about anything else. When Kanye says things like this in an attempt to expose him, the first thing they wanna do is drug him up and put him back in the studio.”
“Righteous indignation is typically a reactive emotion of anger over mistreatment, insult, or malice of another. It is akin to what is called the sense of injustice. This is how they keep the black man down. Keep people outraged about trivial things and distract them from the real issues in the world. The real problems in the industry. If you tell people enough times that they are unequal or discriminated against they start to believe it. Drug them when they step out of line and toss them aside when the checks run out. Ye is realizing he is pawn in a bigger game, and now that he has all these roots in the game such as Yeezy or the Gap or his music, too many people cant risk (Afford) a Ye who speaks his mind.”
(End of quotes)

Amongst the twitter rant, Ye warned about the predatory nature of record deals and discussed trying to get out of his own deal, and said again how his life may be in danger if it wasn’t already and was doing anything he could to protect his kids. The most fascinating part to me though is the public call to arms he made to Drake, J Cole, and Kendrick on twitter. After inviting them to all link up, he said, “It’s time to get free, we will not argue amongst each other while some guy we don’t know in Europe is getting paid and putting that money in a hedge fund.” I believe if Ye was able to pull off this meeting, there is an ever so slight chance that all four artists might be working together to take down a greater enemy. Weirdly there have been times throughout the last couple years where these supposed enemies were photographed together being friendly or praise each other in interviews, then out of no where the disses would start flying again.

To wrap things up I want to share my a few of my theories about the Drake/Kanye beef

A. Everything is exactly as it seems and the beef is over. Ye let his mental illness ruin his life and career so Drake simply picked another target after Ye stopped putting out disses. All of these connections are just a coincidence and all of this was choreographed to boost Drake and Kendrick’s music sales and possibly distract people from the Diddy trial and possibly the complicated geopolitical issues currently facing the U.S.

C. There is also the possibility that all four rappers are in cahoots and Drake’s dirt isn’t as extreme as people are theorizing, at least in comparison to the rest of the business. This could explain why everything has played out like a movie and how they were able to predict each other’s moves so well. This could either mean they’re all just trying to boost their sales or they’re all trying to take down the “slave masters,” as Ye calls them, and change the dynamic of the music industry in favor of the artist.

D. They may be trying to help their friends in the industry who are being abused or in shitty contracts. I know a lot of famous rappers have done a lot of collaborations with Jhene Aiko and Anderson Paak, who were both signed to T.U.G. records which I mentioned above in the connections to Universal Music Group. Considering they are both frequent collaborators with all of the artists involved on both sides, it’s not unlikely they may have played some part in influencing the takedown.

T.U.G was started by Chris Stokes with his partner Ketrina Askew. Back in the early to mid 90’s were gaining popularity attracting lots of young up and coming talent. They often collaborated with Diddy and his associates. In the 2000’s Raz B from the boy band B2K claimed he was molested by Stokes and his friend Marques Houston, then quickly retracted his claims. Years later he came forward again and said we was bribed into silence and that the rest of the victims were bribed with hush money and had another singer corroborate his story and they came forward together to level the accusations. After some of his former B2K members made fun of him for his claims and accused it of being a shakedown, Raz B revealed Stokes and Houston had preyed a lot of the children associated with the label including at least one of the former bandmates and paid them off.

I thought it was worth noting that the second whistleblower named Quindon Tarver died young in a car crash after mentioning his abuse again a few years prior. He seems to have left the industry not long after the incidents occurred and has few credits to his name. To this day Raz B is still trying to get his justice, while Stokes and his partner Askew, who was also involved in the abuse are still running the label to this day. Askew also has a ton of lawsuits, accusing her of using shady tactics to try to foreclose on houses. (Don’t quote me if a lawyer wants to take a look just google her full name), and has been tied to a ton of LLCs, similar to Drake. This is a good example of a shitty record deal, but I'm sure they have countless other friends in the industry who have even worse. While they were never convicted even Chris Stokes' wife confirmed it to be true.

E. The theory I personally think fits the narrative best and is the most realistic conspiracy is that Kendrick and possibly J. Cole went to the meeting, but not Drake due to his close relationship with Lucian Grange, the president of Drake’s label. Silence often speaks louder than words and this could explain why Kendrick was so ruthless and put so much effort into finding dirt on Drake. Ye, Cole, and Kendrick co-writing would be like the rap allstar team and if J. Cole wasn’t involved, it would also answer the question of whether or not he baited Drake into the battle by asking him to feature. I don’t think Drake is really their primary target though, which would explain letting him off easy. Compared to his bosses and their bosses he’s a small fish. If you take the big guys down you stand a better chance of landing a bigger blow on their operation.

Another really interesting connection is Kendrick and Ye were both signed under Universal Music Group and they both got out of their deals around couple months apart in 2022. As we speak U.M.G’s CEO Lucian Grange, who is often acccused of giving Drake special treatment, is facing charges related to sex trafficking by no other than P Diddy. This could very well explain the timing of it all. The craziest timeline would be Diddy masterminding all of this and using his connections to get it done and all the allegations are bullshit. The guy does seem pretty confident all things considered and constantly posts himself in his Batman costume which could mean he’s a vigilante.

It seems like there's a slight religious angle as well. (Ye and Diddy are both very vocal advocates of Christianity and Drake and Lucian Grange are both Jewish.) Obviously this is a reach, but they’ve been saying rap music was specifically promoted by mostly white label owners in the 80’s to help in the ongoing effort to expedite the systematic oppression of those living in black neighborhoods and the destruction of their family systems. Apparently it was an intentional decision to heavily promote rappers that promoted the very things that were destroying their neighborhoods. (So people know I'm and atheist and have zero agenda, I just thought it was interesting, please stay away from anything antisemitic. War is wrong on both sides.)

*** If my favorite theory is true, there is a possibility the Kendrick and Ye are going after Drake due to their mutual disdain for him and because he’s got a ton of power to dominate the charts and hog the radio airtime like Meek Mill and OG Maco claimed years ago. Even him dropping a record the same day as you could really fuck your album sales up. I’m also sure some of the many rumors throughout the years have had a least some truth and he will most likely snitch to avoid cell block one. I think that Drake could have been instructed to instigate this whole mess in order to draw attention away from the UMG charges brought about by Diddy. Or on the other hand it could be that Kendrick, Ye, and possibly Cole, may have had intel that Drake was going to be involved in the Diddy trial and are just gonna let the receipts show themselves. It might not have been the original plan, but they’ve already accomplished their mission of humiliating him, assuring he couldn’t use his influence to slide through the cracks, and taking over the throne.

Please take everything I say with a grain of salt I have no connection to this world or lifestyle. Regardless I believe all of the knowledge above does a pretty solid job at painting a picture of what may have let up to this and what may have been the source.
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More details found the last couple days…

Drake and Diddy Connections+Coincidences

Drake- In the P Diddy wig video from 2016 he talks about going to party with Drake, Cash, and The Weeknd in Toronto. Drake is also one of Birdman’s protégées who is known for being a predator and is rumored to have used label artists to lure young women.

Travis Scott- Interview where he comes out and says Diddy tried to lure him. Still has a long history of associating with him, video of him running from Diddy, his connection to Ruby Rose while underage.

Tim Westwood- Diddy had connections with sex offender Tim Westwood who also inspired the Drake song, “Westwood”. They also both were victims of drive by shootings along with The Weekend and they were all facing some type of allegations.

T.I.- Also has been associate with Diddy through the years, in 2021 his kid died and 11 women can forward at the same time to accuse him and his wife of drugging and assaulting them. Clearly someone wanted to fuck his life up. Possibly due to him getting arrested so many times for wild shit and people wondering how he continued to get away with it shining a light on how powerful industry lawyers are. He also had recently talked about having a gynecologist check to see if his daughter is still a Virgin, which sounds like it could have been an industrty secret. Could have been because he worried about someone trying to take advantage of her to get to him? Regardless that shit is fucking insane.

50 Cent- Has been saying pretty much the same thing as Travis Scott and has trolled Diddy for most of his career. It came out that his wife was a sex worker who was possibly recruited Diddy to help ruin his career. It sort of worked, which raises the question if 50 Cent is the only victim.

Ray J- Him and his sister worked with T.U.G. records when they were very young. Chris Stokes in the nineties who had connections with Diddy. He has been involved in a lot of sex scandals and allegedly may have played a part in Whitney Houston's death. (Which is also allegedly connected to Michael Jackson's death and both were deemed suspicious and happened during their final tours when their masters (song rights), became more valuable than their lives. Sony Records and Tommy Motolla, who also abused Mariah Carey when she was trying to start her career. These are just a few of the alleged examples of labels taking out musicians when they were worth more dead, another is the signing of high risk artists and requiring them to get life insurance so they can profit beyond releasing all their posthumous records. Also the ever so common story of the rising star artist that die at 21 after their first album or two.

He also partied with Diddy in Vegas with along Floyd Mayweather and a bunch of other famous industry people and athletes.

Tory Lanez- Tons of blackmail, also was signed by Interscope under UMG. got sent to prison for ten years after trying to leave his label. Also history of SA and and other allegations of violence towards women.

French Montana- On Diddy's label, close with Rick and Khaled, tons of drug and sexual assault allegations, also dated a Kardashian. Generally grimy.

DJ Khaled- Diddy said he could get anything in Miami, either referring to drugs or women, could explain his connections and lack of any notable talent. (New update, he was one of the first to promote Chris Alvarez’s instagram not long after he turned 18).

Rick Ross- Diddy said some weird shit about him and licked his lips and kissed him at a show. Ross is also signed to Bad Boy under Diddy. He ended up getting involved in the current feud and spamming social media nonstop dissing and threatening Drake.

A lot of the back and forth was both of them threatening to release dirt on each other. One strange coincidence I found was Drake recently trolled Ross about the 20 million dollar renovation to his home on Star island, where Diddy is currently residing. It’s rumored back in the day that P Diddy was caught in a room full of rich guys on ecstasy possibly at the beginning stages of a gay orgy. Drake also mentioned in the same tweets about Rick Ross that Birdman owned a house on the island and asked Rick Ross why he didn’t help him out.

Considering Ross is so sketchy and Drake claims the house isn’t that big, that’s a ridiculous amount of money. He may be covering up evidence, or creating tunnels in his house to escape if shit pops off and Drake might know what’s good. Interestingly enough Ross is very close with French Montana and also signed to Bad. He said his beef was related to something involving French, and Drake’s tweet popped up the same day the info came out concerning the Chris Alvarez stuff.

The famous line from U.O.E.N.O.

Meek Mill- “OG Maco called himself defending his friend Quentin Miller by substantiating the ghostwriting claims and agreeing with Meek. He hit up Twitter saying, "Some of us been knew. Meek just put it in the air. Sucks to have to compete with 6 n****s and get compared to”

Meek mill also had a short beef with Drake, some disses included lines referring to TI’s homie pissing on Drake at the movie theater, which is also interesting considering the current case against him. He also dropped a line saying Diddy almost got a domestic charge when he smacked Drake, which could either be saying that Drake is like a woman, or saying he was Drake’s boyfriend/sugar daddy.
( If you made it to the end comment with the number 8)
I thought it was interesting how the beef just kind of disappeared and even Meek said it didn’t seem genuine. Considering the allegations against Meek in the Diddy trial, and his rumored affair with Kim contributing to ending Kanye’s marriage, Meek Mill definitely did some dirt on him.

“Niggas frauds I told the truth, don't ask me shit
All this industry fake enemy and rap shit”

“Money make a sucker that told look trill again”

One of the many chapters in Drake's history in which he is seen paying his way out of trouble and starting beefs randomly.
“Now when that shit went down with Chris, you wrote a check”
This line is referring to Chris brown beef, another beef that was lost to time. All I can remember off the top was someone throwing a champagne bottle at the other’s entourage.

Ty Dolla $ign- Huge feature artist, close with Ye. Grew up in the industry and talks about growing up on the road and being in the studio with his dad and Rick James who was should have already been in prison for life for dragging, torturing, and S assaulting multiple women and children throughout his career and was himself a victim of the industry. May be part of Ye's motivation, considering their recent close working relationship.
The end.
Courtesy of,
The Randomest Moniker

Here is the audio, video, and transcript. Here is the episode summary:
Benjamin Moser is a Pulitzer Prize-winning writer celebrated for his in-depth studies of literary and cultural figures such as Susan Sontag and Clarice Lispector. His latest book, which details a twenty-year love affair with the Dutch masters, is one of Tyler’s favorite books on art criticism ever.
Benjamin joined Tyler to discuss why Vermeer was almost forgotten, how Rembrandt was so productive, what auctions of the old masters reveals about current approaches to painting, why Dutch art hangs best in houses, what makes the Kunstmuseum in the Hague so special, why Dutch students won’t read older books, Benjamin’s favorite Dutch movie, the tensions within Dutch social tolerance, the joys of living in Utrecht, why Latin Americans make for harder interview subjects, whether Brasilia works as a city, why modernism persisted in Brazil, how to appreciate Clarice Lispector, Susan Sontag’s (waning) influence, V.S. Naipaul’s mentorship, Houston’s intellectual culture, what he’s learning next, and more.
Excerpt:
COWEN: You once wrote about Susan Sontag, and I quote, “So much of Sontag’s best work concerns the ways we try, and fail, to see.” Please explain.
MOSER: This is what On Photography is about. This is what Against Interpretation is about in Sontag’s work. Of course, in my new book, The Upside-Down World, I talk about how I’m not really great at seeing, particularly. I’m not that visual. I’m a reader. I’m a bookworm. Often, when I’ve looked at paintings, I’ve realized how little I actually see. Sometimes I do feel embarrassed by it. You’ll read the label and it’ll be three sentences, and it’ll say like, A Man with a Dog. You’re like, “Oh, I didn’t even see the dog.” You know what I mean?
On these very basic levels, I just think, “Oh, if someone doesn’t point it out to me, I really don’t see.” I think that that was one of the fascinating things about Sontag, that she was not really able to see. She was actually quite terrible at seeing, and this was especially true in her relationships. She was very bad at seeing what other people were thinking and feeling.
I think because she was aware of that, she tried very hard to remedy it, but it’s just not something you can force. You can’t force yourself to like certain music or to like certain tastes that you might not actually like.
COWEN: What was Sontag most right about or most insightful about?
MOSER: I think this question of images — what images do — and photography and how representations, metaphors can pervert things. She had a very deep repulsion to photography. She really hated photography, and this is why a lot of photographers hated _her_ because they felt this, even though she didn’t really say it. She really didn’t trust it. She really thought it was wicked. At the same time, for somebody who had a deficit, I guess you could say, in seeing, she really relied on it to understand the world.
I think that tension is very instructive for us, because now, she already says 50 years ago, “There are all these images. We don’t know what to do with them. We don’t know how to process them.” Forget AI, forget Russian trolls on Twitter. She uses this word I really like, hygiene, a lot. She talks about mental hygiene and how you can clean the rusty pipes in your brain. That’s why I think reading her helped me at least to understand a lot of what I’m seeing in the world.
COWEN: Do you think she will simply end up forgotten?
Again, I am happy to recommend Benjamin’s latest book The Upside-Down World: Meetings with Dutch Masters.
The post My excellent Conversation with Benjamin Moser appeared first on Marginal REVOLUTION.

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Hello I have been eating Brazil nuts, 1-2 a day, taking zinc biglycinate 15mg every other day, 200mg of Magnesium Glycinate every night and 5000ui of D3 every day. I am not sure if I should add K2 100mcg because I am getting conflicting information everywhere as to whether it can cause blood clotting or you need to have a ratio with k1, I just don't know so I haven't touched it yet but anyway after about 1 month of doing this my TPO AB went from 1600 to 1000, and Thyroglobulin AB is still the same at 600. Also found out I have 2 nodules in my parathyroid gland, but I was told they are not going to do anything about it because my PTH levels are normal and calcium at the time it was discovered 1.5 years ago.
Also, can anyone please tell me the best Hashimoto's diet/food they eat that has helped them with severe fatigue, bloating, and 100% inability to poop(I seriously need help on my constipation, the probiotics my gastro suggested caused my constipation to be way worse and it hasn't recovered since stopping them 3 weeks ago, I used to go once a week, now its once every 1.5 weeks. My cat Marley poops at least 8x the amount each week than I do.
Weight gain...Prior to being diagnosed with Lymphocytic Thyroiditis, I never understood how people were unable to lose weight, I was one of those people who really just didn't understand I am 35yr old male 5'9 2 years ago when I was diagnosed I weighed 150lbs I exercised, did kick boxing for fun to stay in shape after all of a sudden getting extremely fatigued and not know what was happening i got the diagnosis. I went from 150lbs to 180lbs in 1 year and the next year(currently now) I weigh 213lbs. I am starting to gain energy back especially after starting Tirosint which after going through generic and 4 brand names its a god send to me on top on my vitamins. I still have chronic fatigue but at least I can walk up 3 steps in my house without having palpitations and being so tired and needing to rest for a few hours to recover or staying in bed for days because no matter how much sleep i got I never felt I slept. I started to believe i had narcolepsy, I would fall asleep everywhere at inappropriate places and times, i could not help it. Okay enough of all that so I paid to see a dietician which ill admit i do not have much money and it was everything I had to see this guy and he gave me the worse advise ever to eat. I should have known while i watched him google hashimoto diets during our appointment. Please if anyone could tell me their diets that has helped them tremendously i would be so thankful, also I can't afford to go see a functional Dr or a motility specialist so please no one tell me that I already know, I am seeking advice here, and if anyone knows how I can cure my leaky gut and bloating. I have a bag of L glutamine, but I haven't tried it yet other than that I would like advice please anyone. thank you, sorry for the long-life story.
sorry one last question does Hashimoto's/constipation cause breathing issues? I have always had mild asthma, but my breathing has become really bad with wheezing and scratchy throat. Im not sure if its hashis or where I live, im renting and the floor is asbestos tiles covered by peel and stick laminate tiles as well as lead paint on the window frames which i will paint over when I have the money for paint(renting from my sister for very cheap and she won't buy the paint, in case anyone says its landlords responsibility, I am saving to move, because i dont trust the asbestos and mold in laundry room), XRAY showed nothing in lungs, my pulmonologist thinks it might have something to do with my vocal cords? My albuterol has no effect on it and I was given Symbicort which does not help at all either, in fact all it does is give me a headache and make my pulse go up to 120bpm i guess because they're both beta-agonist. Please anyone any advice on diet and anything else I asked would highly appreciate it. Thank you

Hello Homeowners! As the weather is warming up, I wanted to send out some friendly reminders to the community:

1. The HOA dues are considered late if received after 15 days from the 1st of the month.
   
2. The 2024 meeting schedule has been set! Please mark your calendars with the following dates so you can participate in the meetings and find out what is going on in your community. All meetings have been posted to the HOA’s website. All meetings are open to the public and homeowners are encouraged to attend.
   
3. Trash day for the association is on Tuesday. Trash service is included in your HOA dues, and the volume based rates apply, so please reach out to your account manager if you would like a different size cart. Asking for a smaller bin if you don't use all of the space you currently have may save the association money. Cart sizes available are 35, 65, and 95 gallons.
   

• Please note that no garbage or trash cans or receptacles shall be maintained in an exposed or unsightly manner (except that a container for such materials may be placed outside at such times as may be necessary to permit garbage or trash pickup.) The HOA's governing documents state that trash may be placed on the street for pickup after 5:00 a.m. on the day that such trash is to be picked up. Trash containers must be properly stored the evening of pickup. Some holidays may delay trash pick-up, please see the schedule enclosed on the last page for details on holiday delays.

1. When parking in driveways, please ensure the vehicle is parked all the way forward and not protruding over the sidewalk for pedestrian safety. Cars may not be parked in the street for longer than 48 hours per city guidelines.
   
2. Pet owners, please ensure you are cleaning up after your pet in the community, including in your fenced yard. Dog feces carry disease that is harmful to humans and other pets so it is important to keep up with this regularly. Dog waste left not picked up can also lead to disturbing odors. Additionally, all pets must be on a leash when in the common areas of the community.
   
3. Any exterior modifications to your lot require board approval. Please ensure you complete the attached ARC request form and submit it through your portal along with any photos, plans, drawings, etc of your project, before you begin a project.
   
4. With warmer weather upon us, most homeowners like to entertain guests and be outdoors more. Please ensure you are being respectful neighbors and keeping noise levels low as not to disturb those around you.
   
5. All lots in the HOA are to be kept in a clean and attractive condition. Please do not dispose of any food or compost items in the common areas as they may attract unwanted pests. Please ensure turf areas are mowed regularly, weeds are mitigated, overgrown shrubs/trees are pruned, ground cover (such as rock and mulch) are in place and tidy, and house repairs and paint are in good shape. Bags, coolers, toys, sports equipment, and other miscellaneous items should not be left outside and visible from the street when not in use.
   
6. Basketball hoops: The HOA's governing documents state that no basketball backboards shall be attached to the garage. Only portable backboards shall be allowed and do not require approval if the following guidelines are met: 1) portable units cannot be placed in the public right of ways, streets, or sidewalks; 2) location must be at least half of the length of the driveway away from the street. This location constitutes proper placement and the unit must be kept in this location. Basketball hoops must be stored out of sight when not in use.
   

For those who have received violations prior to the beginning of May, those are considered to be courtesy notices, and moving forward courtesy notices will be in the form of an email rather than an emailed letter attachment. Warning letters will come after courtesy emails, and then the first and second violation notice will follow given that the violation has not been corrected. We are currently working together with the landscaper on maintaining the common areas.

1. The HOA has a vacant position on the board. If anyone is interested in serving on the board, please let us know by May 24, 2024. The board would like to appoint someone who may be interested in the treasurer position. The term runs until the annual meeting this year, December 4, 2024.

End of letter, effectively.
Everyone knows that property values plummet when basketball hoops are left out overnight, it’s just a fact don’t ask any questions about it.
Fuck HOAs. Anyone who wants this shit is not someone I want to be friends with.

Shortly before a final paper with pre-assigned topics was due for one of my last courses at Columbia University, our professor sent us an email telling us to forego the previous parameters of the essay, and to instead write about the events that had occurred not even forty-eight hours earlier, as well as our reflections on them, to be done in any manner we chose. Here is a very lightly revised version of what I submitted: read it, ignore it, upvote it, downvote it, hate it, love it.
I am prefacing this essay by stating that it is the culmination of several intense emotions that I have been dealing with over the last few weeks, more specifically, the last several days. It is a free-form expression of the many things occupying my mind, and, as such, it may seem overwhelming or disjointed. Nevertheless, I will do my best to convey my feelings into something representative of my beliefs, and my time at this institution.
My time at Columbia University has been bookended in an almost comically bad way; it started with Zoom classes during the COVID-19 pandemic, and now it ends with Zoom final exams due to the lockdown of Columbia’s campus after protests regarding the Israel – Palestine conflict reached a fever pitch not just within Morningside Campus, but the international stage. My classmates and I missed in-person orientation, and now, given recent developments, we will not have a University Commencement, a fact I found out not from Columbia, but a New York Times alert, somehow lowering my opinion of this administration’s handling of recent events even more. While the circumstances around my time at Columbia have now both begun and finished in the same manner, I am proud to say that I have not. I do not mean that Columbia has simply made me a better writer, a more critical thinker, or more well read, although it certainly has done those things, sometimes forcing me to when I was not particularly in the mood to do so, but those improvements pale in comparison to the maturity and empathy my time at this university has given me.
When the decision to transition to remote learning during the Spring 2020 semester was made, occurring only a short time after I had received my acceptance letter (email), my first thought was how the pandemic would affect my transfer from community college to Columbia in September. Admittedly, this was a selfish perspective, considering the tremendous challenges that many would endure during the ensuing lockdowns and other upheavals of life. My concerns were solely focused on myself because I was on a simple track to graduate, place my degree on my resumé, and continue my trajectory of military service to college to employment, leaving little else to consideration, to include other people who were not in my immediate circle. Sitting here now, two weeks from graduation, with a job at a Fortune 500 company lined up, I should be happy, with the plans I had made years ago coming to fruition. Yet I cannot help feeling a sense of sadness and concern for the school I have spent years of my life at, and for the world as a whole.
James Hatch, a former member of the United States’s elite Naval Special Warfare Development Group, or DEVGRU, for short, more commonly known by its nickname, Seal Team Six, famous for its involvement in the killing of Osama Bin Laden and the rescue of the Maersk Alabama Captain Richard Phillips from pirates, amongst other things, spent over twenty years in the military. After being wounded on a mission to rescue American serviceman sergeant Bowe Bergdahl from enemy forces, he was medically discharged, and would eventually attend Yale University. While there, he wrote a piece titled My Semester with the Snowflakes (please give this a read, it will help people who have never been in the military understand its culture, along with some of the challenges veterans face when transitioning to college), where he details his initial discomfort with being in a vastly different environment than the military, surrounded by individuals who possessed opinions and beliefs contrary to the ones he was accustomed to. He recalls witnessing a student protest the country he spent over two decades serving by coating her hand in red paint, and leaving a palm print on an American flag, and details his shock when a classmate of his explained to him what a “safe space” was, as well as his pride when he began to understand the nuances of life both inside and outside of the nation he dedicated twenty-six years to.
I can relate to Mr. Hatch, (despite my service paling in comparison to his, as well as the fact that Columbia is far superior to Yale), because, like his friends who make fun of him for attending college with a bunch of “snowflakes,” mine do the same. More significantly, however, his personal growth during his time at school is something that I have experienced myself. When I started at Columbia, I did not even know which major I would choose, and was largely lost in a world very different than the one I had come from. Despite this, I made the decision to avoid communities such as MilVets and the students who made it very clear that they came from a military background, with their style of dress and demeanor, not because those organizations and individuals are a detriment; I know for a fact that MilVets has helped countless students succeed at Columbia and beyond, and the veterans that I have relationships with are all phenomenal people, but because I wanted to pressure myself into being exposed to something different. I was uncomfortable at first, but this turned out to be the right decision. I learned as much from simply talking to people whom I would normally never converse with about topics and ideas that I had never encountered as I did during classes about great works of art, polar and Cartesian coordinates, literature, astronomy, the list goes on.
If the protests about the Israel – Palestine conflict had occurred when I first started at Columbia, I would have been frustrated by the students taking up space, forcing us to be funneled on to campus by restricted access points and identification checks. Likely irritated by the disturbance of the quiet during finals season, I would have agreed with the people who called for students to simply focus on their assignments and stop inconveniencing others by shouting about something occurring on the other side of the world. Instead, I decided to learn about the conflict, educating myself about both sides of a war that has roots extending back millennia. While Columbia University did not agree to the demands of the protestors, they achieved something else they surely desired, reaching a goal they did not state to President Shafik and her advisors: they brought attention to their cause by educating at least one additional person about it.
After reading, talking to people, listening to input from students within various classes, and understanding that things such as the intertwined nature of financial workings, as well as conflicts not just in the Middle East, but all over the world, are a level of complexity that baffles some of the most brilliant minds of ours and previous generations, I will leave my thoughts about Israel and Palestine separate from this paper. I recognize that it is important to choose a side, as remaining impartial helps no one. However, when every news agency, group and individual makes their voice heard, satirical sources such as The Onion make these kind of posts, or Adult Swim’s Rick, the nihilistic, narcissistic, psychopathic, misanthropic lead character from the series Rick and Morty, addresses the conflict in this manner, I feel that it is better to relegate myself to a much smaller part of this debate, namely the occurrences on Columbia University’s Morningside Campus.
During basic training for the United States Army, a sense of brotherhood and camaraderie is hammered into recruits’ identities. When you graduate and are assigned to a unit, one where you could be thousands of miles from home on the opposite side of the country, or even in a completely different country, serving on one of the international bases, approaching someone who you have never met before is easy. Talking to them about shared experiences and stories you have in common, and the bonding that occurs, is the product of an indoctrination process and lifestyle that has existed longer than any of us have been alive, and is proof of its effectiveness. This sense of familiarity tends to continue even when one leaves the military. The Veterans of Foreign Wars community is a place for prior servicemembers of all conflicts to share a drink, a laugh, and sometimes a tear. When I go to the Veterans Administration Hospital for periodic check-ups or the occasional injury, men and woman wearing hats commemorating their service during Vietnam waiting for their appointments greet me with a smile and a handshake, as if we have known each other for years. While working at a golf club’s greens department before I transferred to Columbia from community college, a coworker of mine who had served in the Gulf War had heard from our supervisor that I had been in the Army, and he introduced himself to me on my first day, before anyone else, telling me that if I needed anything, I only had to ask. This camaraderie has expanded to encompass not just veterans, but first responders such as firemen, EMT’s, and the police as well.
Underneath the picture on my driver’s license, the word “veteran” is emblazoned next to a star, written in bright red text and all capital letters. I know for a fact that this one-and-a-half-inch indicator has helped me during interactions with law enforcement on multiple occasions. Only earlier this semester, during Presidents’ Day weekend, I went upstate to spend time with my family. While driving back, in an effort to make the seven-hour trip at a reasonable time, I was stopped for going twenty miles-per-hour over the speed limit. The officer who pulled me over, initially reserved, became noticeably more friendly when I handed him my license and registration. Ultimately, he gave me what amounted to a parking ticket for my actions, rather than the point-incurring, heavily fined moving violation he could have charged me with.
The ‘Thin Blue Line,’ as it is known, is a reference to the idea that the police are the barrier between law abiding citizens and criminals, order and chaos. The most common representation of this concept is a black-and-white American flag, with a single blue line in the place where a red or white stripe would normally be. This style has been expanded to include numerous other colors representing other first-responders: green for the military, red and white no longer to be interpreted as the traditional stripes of the American flag, but instead meant to represent the fire department and paramedics, and even grey for corrections officers. Seeing the appropriation of one of the most iconic symbols in the world, one that flies above the White House, schools, homes, national and international events, and even the Moon, I can say, as someone who has been unwillingly entangled within that appropriation, is nothing short of terrifying.
The fact that these entities and their supporters have literally sewn themselves into the fabric of the symbol of our nation makes one think that there is little room for the countless other occupations, aspects and people that make up this country. The idea of the police being the sole protectors of our society is patently absurd, and all one must do is point out the many instances of police brutality occurring over the years to refute it. I find myself thinking of how much power the officer who stopped me just three months ago had over me. Initially, I was happy that I had received a slap on the wrist, but recently I have found myself wondering what if my license did not state that I was a veteran, would he have charged me with a ticket that would have had much more serious implications? What if he was simply having a bad day, and he decided he did not like the look of me, or the color of my car, and I was the one who he ultimately decided to vent his frustrations on? This traffic infraction, an incredibly small incident compared to all the turmoil in the world, one that involves two strangers, supposedly bonded by our professions, on the side of a quiet, New York highway, serves as a metaphor to me, reminding me of the power structures at play on a much larger scale.
On April 22^nd, 2024, I received this email, one of the many Clery Crime Alerts that students are automatically sent. An affiliate of Columbia University had their car stolen at gunpoint by two masked men on Claremont Avenue, not even a five-minute walk from campus. I skimmed the report, and almost immediately forgot about it, recognizing that crime is an inevitability in major cities, and that I needed to start my commute to school. Days later, on the night of April 30^th, 2024, I received another email from Columbia, containing one of the most ominous messages I had ever seen, one that put the kind of fear in my heart that not even the alert of an armed carjacking could. Columbia’s Emergency Management Operations Team, offering no explanations, specifications, or even a greeting or sign-off, wrote in bold letters these three sentences: “Shelter in place for your safety due to heightened activity on the Morningside campus. Non-compliance may result in disciplinary action. Avoid the area until further notice.” Due to the protests on campus during recent weeks, President Shafik testifying before Congress, Columbia’s role as one of the main catalysts for student protests around the country, and the occupation of Hamilton Hall occurring in the earlier hours of that day, it was not hard to figure out what the email was referencing. Over the next several hours, I followed news agencies, remained glued to the Columbia subreddit, and listened to WKCR, in awe of these eighteen- to twenty-two-year-old students putting themselves at risk to deliver on the ground, accurate, unbiased coverage of one of the most significant events in the school’s history.
While tracking the events from multiple perspectives, to include the social media accounts of those near and on campus live streaming them, I held out hope that the university would make good on their promise from several days earlier to not invite the NYPD back, but a frightening picture began to unfold, one that I was intimately familiar with. One WKCR reporter stated that 114^th street had so many officers on it that he could not see the asphalt of the road beneath them, and I knew that the staging area the NYPD had chosen was one of the best routes for moving towards what the military, and presumably law enforcement, would call an ‘objective.’ The officers cleared the smaller ‘objective,’ the largely unoccupied tents in front of Butler, and then moved towards Hamilton Hall, ordering even those not associated with its occupation to disperse, raising my stress levels and likely those of others, as it is rarely a good sign when police do not want their actions recorded and archived. After the initial entry to campus and clearing of areas and people in the immediate vicinity of Hamilton Hall, came the Long-Range Acoustic Device, or LRAD, a device that makes a megaphone sound like a whisper, and one known for its crowd-control potential, capable of producing sounds loud enough to cause damage to ear-drums, nausea, and headaches, ordering individuals to clear away. The NYPD began its execution of tactics in a way that my fellow soldiers and I used to rehearse, tactics I never dreamed that I would witness outside of the military, and certainly not by police officers who vastly outnumbered unarmed students on their own campus. The NYPD created a perimeter, or a ‘second layer of security’ to both provide reinforcements for the officers entering the building, and to prevent the fleeing of what are called ‘squirters,’ or individuals who attempt to escape the building after the raid begins. While the ‘breach’ team moved towards the front doors, using tools from a ‘hooligan kit,’ such as bolt cutters, hand-held battering rams and crowbars, a siege machine was brought in to allow access from a window; when taking over a building, the idea is to enter it from as many different directions as possible to better disorient and overwhelm its occupants. Flash-bang grenades, described as non-lethal, but known to have harmful effects, were thrown inside, presumably before entering any room, hallway, or otherwise enclosed area to minimize the resistance of anyone unfortunate enough to be on the receiving end of what can only be described as an assault on the visual and auditory senses. According to the Manhattan District Attorney, one of the officers inside Hamilton Hall had what is called in the military a “negligent discharge,” meaning his firearm went off unintentionally. While no one was hurt, the question remains why at least one, and more likely, numerous other officers were carrying guns loaded with live ammunition in the first place, when they so drastically outmatched the protestors in numbers and equipment. Additionally, a negligent discharge is an act of incompetence that would result in an active-duty soldier facing serious consequences, and derision from his peers. So far, the officer remains defended by his coworkers, and unpunished by his superiors.
As all this unfolded, I communicated with my friends from the past and present. My friends from the military checked on me to ensure that I was okay, as did my friends from school. The difference in how they viewed these events highlights what I believe is the change in myself that I stated I am most proud of at the beginning of this paper. My friends from the military were commenting that the assertion of order and control by way of militarized tactics was necessary, not concerning themselves with the human toll and destruction of trust that came along with it. Conversely, my schoolmates lamented the brutality and overstepping of boundaries that the NYPD and Columbia’s administration committed, one that turned a place meant to be a beacon of free speech, expression, and ideas, into what is now a police-state with strict control over who enters it.
My education inside and outside the classroom at this institution has challenged, thrilled, and changed me. Sitting here now, at the end of this paper, the end of the semester, and the end of my time at Columbia University, I am left feeling confused and sad regarding recent events, but also hopeful for the future. I know from experience that the students, teachers, and culture of this school have the power to encourage critical thinking and initiate personal growth. If it did those things for me, surely it can do the same for others

Cigarettes and rebellion have always gone hand-in-hand, and in an age of cigarette packet-sized health warnings, now more than ever, smoking a fag says: 'I do not give a fuck.' But if Brandon Flowers is hoping to strike a seditious pose by sparking up at the start of the interview, it's not going according to plan. The Killers' frontman is on all fours rooting through the junk that carpets the anteroom at the band's rehearsal space. "Has anyone seen my lighter?" he asks, rocking back on his heels. The question hangs in the air while Brandon cocks his head, waiting for an answer like a meerkat listening for a predator. Twenty-five years old and with a delicate bone structure, there's something almost dainty about him. Receiving no response, he returns to his search. "Oh, Jeez," he sighs. "I had it just a minute ago."
It's a scene that emphatically does not suggest a rebel without a cause. The mess isn't helping. The Killers' HQ - an industrial unit sandwiched between a construction supplier and the offices of a housing development just off Dean Martin Drive in West Las Vegas - is ankle-deep in designer clothing. A Dior Homme suit lies crumpled by the door; there's a pile of shoes topped like a sundae by a pair of Marc Jacobs trainers; and anyone wishing to enter the shoebox room the band use as an office must negotiate a mountain of discarded jeans. Many items are identifiable as coming from the wardrobe of Hot Fuss, The Killers' hugely successful 2004 debut album - triple platinum in the UK with two weeks at Number One and five million sold worldwide. Look! There are the shirts, ties and suit jackets they wore when they thrilled Glastonbury 2005 with indie rock anthems Mr Brightside and Somebody Told Me. That was the crowning moment of a two-and-a-half year tour that finally concluded in October of last year. It seems that after playing that final date in Miami, they returned to Vegas and shrugged off their image onto the floor of this bland white box.
Now a fine layer of dust covers the dead clothes. The Killers have no further use for white tuxedos on their second album, Sam's Town. Today, Brandon wears a black polo shirt, black pin-stripe waistcoat, black jeans and black boots. Where there used to be a layer of foundation, there is now a beard - an untrimmed beard at that. Dave Keuning (30, guitar), Mark Stoermer (29, bass) and Ronnie Vannucci (29, drums) all echo Brandon's black ensemble. Ronnie has added Aviator shades and a handlebar moustache for a dash of motorcycle cop, Dave's frizzy bubble of hair gives him a Marc Bolan-ish air, and there's something very teenage about Mark's scuffed Vans.
Short of walking around wearing sandwich boards saying, "Our new record is a bit heavier than the last one," The Killers couldn't hope to communicate that message more effectively. And they have gained some musical girth on Sam's Town. The pop hooks that made Hot Fuss so irresistible survive intact - see the ringing guitar riffs on first single When You Were Young - but there's a newfound punchiness, coupled with an epic sweep. The minor-to-major uplifts on Bones are fabulously dramatic, the coda to Why Do I Keep Counting? thrillingly intense. Comparisons to Bruce Springsteen have been made. If they overstate the case a little, they are at leaset qualitatively accurate. The Killers are back and this time it's serious - they've got the bootlace ties to prove it.
"Hey, it says here that Springsteen's headlining Glastonbury next year," shouts Ronnie, who's flicking through the NME. He nods sagely at the page without looking up.
"Really?" asks Dave, nicknamed Crazy Dave on account of his alledgedly volatile nature.
"The Boss is headlining one night, we're playing second on the bill the next night and Kylie's headlining the Sunday," says Brandon, charging like a bull through Michael Eavis' as-yet-unannounced line-up with what subsequently proves to be a characteristic gaucheness.
But that lighter is proving elusive. This being America, none of the people hurrying to-and-fro prepping the world for the release of Sam's Town smokes. Manager Robert Reynolds - Bobby Rey to the band - barks into his mobile, booking his band onto eye-wateringly demanding tours. "We're going to make a lot of money," he cackles to himself before switching calls to make a series of stern pronouncements on legal matters. Dave, Mark and Ronnie disappear for a jam session. Artwork is approved, B-sides are decided on and schedules are hammered out.
"I can't find it," Brandon says, finally. But he's not going to be denied the opportunity to underline The Killers reinvention with a puff of smoke. "Let's go to the gas station. I'll have to buy one. It's too busy to talk here anyway."
+
Brandon's black (of course) Volkswagen Touraeg four-wheel drive is barrelling down West Flamingo Road into town. "I was a bell boy there," he says, pointing out of the driver's window at the stucco facade of the Gold Coast casino. "I was working there when we were signed."
Coming from Las Vegas, it is perhaps inevitable that casinos play a big part in The Killers' story; not only is Sam's Town named after one, it was recorded in one, too.
The band began writing songs while on the road with Hot Fuss, turning up early for soundchecks to run through new ideas. On a trip home to Vegas, George Maloof, a hotelier known for cultivating famous friends, invited them to record the album in the new studio he'd built at The Palms, his flagship hotel-cum-gambling den. When the tour finished in October 2005, they returned to Vegas and spent five month finessing the songs they'd sketched out on the road. Then, in February, they decampled to the third floor studio at The Palms and recorded Sam's Town over 11 weeks.
Producer Flood (U2, Depeche Mode) encouraged them to experiment. They overdubbed, fiddled with synthesizers and played with new equipment. It took them five weeks to get the backing vocals right. The band sang the harmonies, then double-tracked them four times. The end result recalls Queen wondering, "Is this is the real life? Is this just fantasy?" When Ronnie, a trained classical percussionist, brought some kettledrums down, eyebrows were raised; but the fabulously bombastic coda on Why Do I Keep Counting? vindicates his indulgence.
"That's kind of the Ben Hur of the album," he says. He's not wrong. Sam's Town is a record on an epic scale. "Yeah, it has drama," he continues. "But, at the same time, I think it's a little more exposed than Hot Fuss. It's a little more naked. Last time it was about a lot of fictional things." By "fictional", Ronnie means that Hot Fuss wore its predominantly British influences for all to see. Brandon's taste in music is rabidly Anglophile - he constantly references The Smiths, The Cure and Joy Division - and it showed. By contrast, Sam's Town is an unequivocally American record. The lyrical imagery is pure American dream - cars, girls, wide-open spaces and escaping to a better life. "We're burning down the highway skyline/On the back of a hurricane that started turning/When you were young," sings Brandon on When You Were Young. That's the basis of the Springsteen comparisons then, though the lack of pathos more closely recalls another blue-collar rocker from New Jersey - Jon Bon Jovi.
The phrase "this town" recurs throughout the album, and it's always receding into the distance as The Killers escape to a new life. "This town was made for passing through/I never did get along with everybody else," sings Brandon on This River Is Wild. On Read My Mind he "never really gave up on breaking out of this two-star town", while on the title track he offers something of an explanation: "Nobody ever had a dream round here."
"With the first record, there was this feeling that there was this world out there that we didn't know," says Mark later in the day. Before The Killers, he studied philosophy: now he's their quiet one. "We wanted to get out and away from this and be somewhere else. We hadn't had a lot of experience - hadn't travelled much - then we were gone for three years. We didn't sit down and say that we wanted to make a record about how we're glad to be home, but that's what happened naturally."
It's not an angsty record. The Killers have already escaped with Hot Fuss, and, having done so, they view the experience fondly now they're back. There's a mistiness to Brandon's eyes as he explains how the album got it's name.
"Sam's Town is a casino on the edge of Vegas," he says. "I grew up in Henderson, which is out on the way to the Hoover Dam. My mom and dad lived in a trailer park, and my dad used to hitchhike up and down Boulder Highway, which is the only way you could get to Vegas. Sam's Town was the first thing you saw on your way in to town. So, when you're driving down Boulder Highway from Henderson, I always thought you finally knew you were getting somewhere when you saw Sam's Town. It was kind of like a beacon."
"It's not a completely American album," contines Brandon. "We still have our English influence, but we're also from the Wild West. Somehow we've managed to unify all that on this album. it's just such a perfect resemblence of what we are."
At the petrol station, Brandon rummages through the glove box looking for change to buy a lighter. "This is a great album," he says, pointing at Highway Companion, the latest from iconic American rocker Tom Petty. "I've always been a big fan of his. He's such a great American artist."
Yes, Brandon: we get the point.
+
When Brandon finally lights his cigarette, he smokes it awkwardly, like a child mimicking something he's seen the grown-ups doing. However, when he cheerfully admits that, "I feel the same mentally as I did when I was 12," it's not a knowing nod to the fact that he sometimes behaves like a loveably precocious child, but a reference to an unusually comprehensive grounding in pop music at an early age.
When Brandon sings about "this town", he doesn't mean Las Vegas. He means Nephi, Utah or Henderson, Nevada, where he spent his childhood. His parents are Mormon and he is the youngest of six children. "I was a surprise," he says. "I've got a 42-year-old sister." If he was issues about his "surprise" status, he chooses to gloss over them. "It turned out perfect because my brother was a teenager when I was a kid," he says. "He would bring home things like Rattle And Hum by U2 and I would watch it. I remember he bought Live In Dallas by Morrissey. It was always him watching these things, or his door was shut and you'd hear The Head On The Door by The Cure blasting through the house and rattling the walls."
The Killers were formed when Brandon answered an advert Dave had placed in a local paper in late 2002. Dave cited Oasis as a big influence; Brandon had seen them play recently and responded; and, as Dave has said in previous interviews: "He was the only person to reply to my ad who wasn't a complete freak." However, the band was born in Brandon's brothers bedroom.
"His room was like a shrine," enthuses Brandon. "It was a holy place. I wish I could show you a picture of it. It was covered in posters. There'd be a big picture of Elvis wearing a bow tie that just said 'The Smiths' [the artwork for The Smiths 1987 single Shoplifters Of The World Unite]. You had The Cure wearing face paint [the artwork to The Cure's 1985 single In Between Days] - all that kind of stuff. I remember Morrissey being on the cover of the NME, with the halo [from 1985] - stuff like that. You just wanted to know about these people 'cause they were so cool. My brother seemed like such a cool person. But he was a teenager, so he wasn't going to be that nice to me, a kid."
Brandon was fascinated by his brother's collection of music, magazines and posters, but he was denied access to them - officially, at least. "I would sneak in," he says. "I knew he'd be angry if he found out, but I would go in as soon as he left the house." For a long time Brandon was too scared to actually play anything. "That didn't come 'til later. I just used to go in there because I liked it. Then I got to the point where I'd actually take a tape out and put it in. It took more guts to do that."
It was a life-changing moment. "I was ten and the first song I played was Sing Your Life by Morrissey. I remember dancing about to it."
The lyrics to Sing Your Life include the lines, "Sing your life/Just walk right up to the microphone/And name all the things that you love/All the things that you loathe." It's intriguing to wonder what Morrissey makes of the neophyte he inspired with these lines.
Eventually, Brandon inherited his brother's tape collection. "It was around the same time CDs started coming out in a big way. He started buying CDs and gave me his tapes. And that was it: it took off from there. I got a hundred of the best albums - all the New Order, all the Morrissey, all The Smiths, The Beatles. I started buying posters. I went to see The Cure in concert. It was just kind of a continuation of my brother. And it was nice because, though my parents were strict, they were already used to it from him. There was no, 'My dad doesn't understand me,' or any of that kind of stuff. My mum likes The Smiths."
Brandon was 13 and his favourite band was late-'70s/early-'80s American new wavers The Cars, and particularly their jaw-droppingly catchy 1979 single Just What I Needed.
"I wouldn't exist without that song," he says. "That was the one. I remember driving around with my mum when I was 13, and we're living in Nephi - a really small town - and I felt so cool when I put that song on. Like: 'I have something that none of these kids I'm going to middle school with tomorrow have.' That excitement is what music's about, isn't it? That's why I understand the mentality of people that don't like us because we've sold so many records. I used to like it when no one else knew about a band. So I get that - I do."
+
Brandon's first band was called Blush Response. It was never going to work out. Not because he refused to move to Los Angeles with them, but because he is utterly - comically - shameless. He's given to making outrageously boastful statements like: "It's not like the '60s, '70s and '80s now. There are only a few bands around that are really good, that just do it. I mean, there's what, five or six of us?"
For the record, in Brandon's estimation, those bands are Franz Ferdinand, Razorlight, The Strokes, The White Stripes, Yeah Yeah Yeahs and, of course, The Killers.
"I don't want people to think I'm lumping myself with other people just to make us sound cool," he says. Really? It sort of sounds like you are. But he just steamrolls through it. "Yeah, but you know what I mean," he says, grinning at his own cheekiness. He's so disgracefully forward you can't help but laugh along with him - Oh you are awful, Brandon! But joking aside, The Killers are the most commercially successful of all the bands he mentions.
Later, back at the rehearsal space, the band run through Sam's Town at deafening volume in preparation for the forthcoming tour - first the US, then the world. The infectious, almost contagious, chorus of When You Were Young sounds fabulous, as do the U2-like guitars and Twin Peaks synths of Read My Mind. Meanwhile, Smile Like You Mean It and Somebody Told Me benefit from the newfound harder edge.
They somewhat heavy-handedly underline the new direction by playing Paranoid by Black Sabbath and Get It On by T Rex. That's the thing: The Killers are not a subtle band. Their songs are like a wet kiss from a girl who's a bit too drunk. They are big and brash, and not everyone loves them for it. Mr Brightside and Somebody Told Me might go down as well at hip nightclubs as they do on the festival circuit, but the DJs play them with the same guilty look they wear when playing a pop record.
"I hate that," says Brandon. "Like writing a song you can hum somehow cheapens it? It makes me think of this quote by Morrissey. Everybody knows how he read Oscar Wilde, Keats and Yates when he was growing up and that he wanted to be a writer. He was talking to this journalist who asked why he hadn't become a writer, and Morrissey said: 'What I do is more powerful than what you do because I can write down these words and you get it to a melody. How can you beat that?' I'm of the same opinion. I don't understand why a good melody that's memorable is a bad thing."
Being dismissed as pop particular aggrieves Ronnie. "When we first came out we got compared to Duran Duran all the time. Jesus Christ! We got a keyboard player now all of a sudden he's Nick Rhodes! Come on!"
"The people who criticise us for being too poppy don't get it," agrees Mark. "I think that's the problem with a lot of rock music. People are afraid to write a song any more. Either that or they can't. And that attitude hurts music in general. The best bands ever have all written great songs. You can still do it and do it intelligently and it can be original. This isn't a studio creation with a producer writing these songs for us. We're not Avril Lavigne, or something like that. We're a real band writing real songs, just like a punk band would do, except that we write pop songs."
You get the impression that The Killers knack for showboating pop hooks that border on vulgar is inextricably tied up with the brazen side of Brandon's personality. But while his ebullient charisma, not to mention the songs themselves, mitigates his outrageousness, there is a less attractive side to his ego. He has a combative streak. He can't resist taking pot shots at emo bands, notably Fall Out Boy, whith whom The Killers share an A&R man.
Has he heard how many emo kids it takes to change a light bulb? "No." None. They just sit in the dark and cry. It's a full 30 seconds before he stops laughing. When he does he admits: "Yeah, we've had problems with other bands. You know, when you walk in the room it's like..." He whistles the theme to The Good, The Bad And The Ugly. "We're like gangs."
And while the other members of the band are diplomatic on the subject of Brandon, you don't have to read too deeply between the lines to conclude that there have been internal issues, too.
"Some people will think Brandon's the big genius," says Dave, visibly bridling. "There are songs, such as Why Do I Keep Counting?, where he's written every note. But there are others, like When You Were Young, that were more of a collaboration - like Mr Brightside, where I had some of the music and Brandon came up with the lyrics. We always have arguments about who wrote what. The truth is that we all help in that process."
When asked how success affected them, Ronnie says: "There were certain things that needed adjusting. When you're on tour for two years, people can get a little needy. It doesn't help that you're surrounded by yes men and everybody's working for you. At times we've had to say, 'Who do you think you are?' to people. No one wears the trousers, but some people would like to. I think if it wasn't for the people in the band kicking each other in the ass... Let's just say there was some ass-kickin'."
It doesn't take a genius to work out whose ass needed kicking most often.
+
It's the following day and The Killers are back at their rehearsal space. The topic of discussion is what to wear in the video for Bones, the second single. It's a big deal: the director is Tim Burton. "I feel like Frank Sinatra when I sing it," announces Brandon. "With maybe a little bit of Morrissey and a little bit of Elvis, too."
Of course he does. But if securing the services of Tim Burton tells you one thing, it's that The Killers are about to get even bigger, perhaps even make the leap to the same level as Coldplay et al. Already stars, they are about to become superstars. Brandon can hardly wait.
"Do you know that Rolling Stone didn't want to put us on the cover last time," he says indignantly. "They didn't think we were stars. We sold five million albums! What more do they want from a band?"
Whatever was required, Brandon would be happy to do most things. "I'll do stuff that some people don't want to do, 'cause I want people to hear the music," he says. However, even he has limits. "The Rolling Stone thing made the record label think: 'What can we do to make them stars?' If I go on vacation with my wife, do they have to send somebody to be there to take pictures of me? Is that how you become a star? I don't want that. I walked down the red carpet one time and I realised I don't like it. But you don't have to walk down the red carpet for people to hear your music. We do still have some of that indie blood running through our veins."
He heads off at a tangent: "When you walk around Liverpool, you think of The Beatles, or you go to Manchester and you think of The Smiths or Oasis. I want you to come to Las Vegas and think of Sam's Town. And I think we've started to capture that, which is a truer version of The Killers, 'cause that's where we're from."
He pauses.
"I used to live across the street from Sam's Town. Maybe it'll be like our Abbey Road where people go to take pictures."
Is that what he'd like?
"I wouldn't mind it," he says, desperately hoping it will come true.
He puts a cigarette between his lips, looks down at his trouser pockets and pats them in search of the lighter he bought yesterday.
"Hey, I don't suppose you've got one?"

Hi,
I'm new to Local 7 and the Hiring Hall. I sent in a pretty bare bones resume because they fast tracked my hiring before a job, and I had to put it together in like 30 min, so it ended up being SO vague. Literally lists the shows I've done, and under it I put things like "Scenic painting, Carpentry, Rigging" no detail or indication of level of ability. I'm very prepared as a painter-- but as a carpenter, and especially as a rigger I am not someone who can be /thrown/ into a job and just know what to do, I have some experience, but its very very basic. How do I know, since they put you on jobs based on the resume, that I won't be put onto something that is outside my expertise or capabilities? I just want to make sure that I don't show up for a job and feel like a total ass/fraud because I didn't make my experience level clear. And just in general, anyone have helpful tips for someone new to this?
let me know, thanks!

I want to get into the industry at an entry level job sometimes in the future, but I can't find good sites to find job openings on.
A lot of the sites I use are either filled with unrelated jobs or are only showing a handful.
I'd like to at least try before I get sucked into my current career forever.
I haven't finished my portfolio, so I just wanted to know good sites for the future for if I do finish it. Though a lot of my works are fan art; so I'd need to step up my ability to paint, create original works and learn certain programs that are industry standard like Adobe.

** BOTH FRI 5/17 AND SAT 5/18 *\*
Motorcycle Safety Foundation Ride Day New Mexico Motorcycle Safety Program, 3401 Pan American Fwy Take Your First Ride: Ride a motorcycle in 30 min or less for free. MOTO Intro provides the motorcycle, helmet, gloves, and coaching. Free Riding Skills Test: Take the challenge of an advanced MSF course! SKILL Check participants, bring your motorcycle and gear! Please wear over-the-ankle footwear, long pants and long sleeves

• Fri: 2 - 4 PM Skills Check, 4 - 6 PM Moto Intro
• Sat: 2 - 4:30 PM Moto Intro, 4:30 - 6:30 PM Skills Check

Niños and Teeños: Flamenco para todos Carlisle Gymnasium (Elizabeth Waters Center for Dance), UNM, 301 Yale Blvd. NE National Institute of Flamenco presents Niños y Teeños Flamencos in FUTUROS FLAMENCOS. Come see the high-energy flamenco of the National Institute of Flamenco's Student Companies. Don't miss this special showcase by talented youth in our community! (tickets)

• Fri: 7 PM
• Sat: 4 PM

** Fri 5/17 *\*
Fri 4:30 PM Bike to Wherever Day Canteen Brewhouse, 2381 Aztec Rd. NE Learn about exciting bike routes in Albuquerque and grab some cool giveaways to kickstart your cycling adventures. Whether you’re a seasoned cyclist or just starting out, there’s something for EVERYONE at our pop-up table! We'll have Canteen will be volunteering at a table from 6:30-9am and then again at 4:30-6:30am. Receive $1 off your beer if you arrive on your bike
Fri 5 PM Pistachio Cream Ale Release Tractor Brewing, ALL locations We're bringing back this seasonal favorite for American Craft Beer Week! Inspired by pistachios produced right here in New Mexico this brew is as smooth as silk and as tasty and a fresh roasted pistachio. This is a very limited one off for us, so come and get you a pint or growler while supplies last
Fri 5 – 7 PM May Babies Birthday Celebration Rio Bravo Brewing, 1912 2nd St. NW Starting at 5pm, the first 25 people with May birthdays to show Ryan proof of their birthday month will score a $5 Rio Bravo Brewing Gift Card...oh, and Beers are on special for birthday kids for just $5! But you spend your gift card however you want! Thanks to Cake Fetish...we'll have cupcakes for the May Birthday Kids (while supplies last) We'll have prizes JUST for the May Babies! We'll also have drawings for all you non-birthday folks too If you want to get their before us...All drinks are $1 Off for May Birthdays the whole day!
Fri 5:45 – 7:15 PM 22 Veterans Suicide Awareness WOD BFit505, 11500 Menaul Blvd. NE Each month, Team Bravo & Bfit505 team up to bring awareness to veteran suicide. Before our events, we will take a moment and talk about the issue. Then we will begin with our 22 reps WOD followed by a 2.2 mile ruck/walk/run. Afterwards, we will be going out to eat for social time with friends and family. This event is for all levels
Fri 6 PM Sandia Social - May Hangout Dawn Patrol Coffee Shop, 3619 Copper Ave NE We will be hanging out around the patio and inside starting at 6pm! Bring your friends and come hang out!
Fri 6 PM Pink Therapy, A Latin Dance Fundraiser for Breast Cancer Sobremesa, 3421 Coors Blvd. NW On The One and Pachanga Productions' "Salsa Therapy" night has made its mark in the Latin Dance community, now we are using the symbolism of "Therapy" under "Pink Therapy" but this time it is to fundraise in partnership with the Pink Warrior House Foundation in order to provide outreach and increase resources for those warriors battling against breast cancer. On The One and Pachanga productions will be involved in community outreach and utilizing our resources to help those in need. Cover charge is a SUGGESTED $20 donation (ALL PROCEEDS GO TO Pink Warrior House Foundation). Cocktail hour from 6-7 PM (purchases go to PWH on selected drinks). Dance lesson from 7-8 PM. Open dance floor 8-12 AM. Be aware of Media/News coverage. We need everyone's assistance with this, PLEASE SHARE FAR AND WIDE, those warriors battling breast cancer need our help. Let's do our part. We are asking for the entire Latin dance community to come out and support. This will be one of many fundraisers that we do for organizations like PWH. Lets use our dance skills to help those in need!
Fri 6 – 8 PM May Flowers Stampin' Bingo (in person) Hip Stitch, 2320 Wisconsin St. NE Cost is $35 for 6 rounds of bingo, prizes, and make n' takes! Message for more info or to register
Fri 6 – 8:30 PM Los Domingueros Live El Vado, 2500 Central Ave SW Prepare for an unforgettable fusion of Latin dance beats and rock energy as Friday Night Live at El Vado proudly presents New Mexico's premier menudo-based band, Los Domingueros! Few bands can match the infectious joy and vibrant rhythms that they bring to the stage. A multi-talented group of musicians, they take listeners on a musical journey like no other. From the pulsating rhythms of salsa, bachata, and cumbia to the high-energy vibes of ska and reggae, sprinkled with a dash of punk and thrash, their eclectic repertoire promises an exhilarating experience for all. As always, treat your taste buds to a delightful selection of culinary delights from our diverse food pods. From savory stir-fries to tantalizing Latin flavors and heavenly desserts, there's something to satisfy every craving. And don't overlook the opportunity to quench your thirst with a crisp craft beer from Ponderosa Brewing Company, conveniently available at the El Vado Tap Room
Fri 6 – 10 PM Fork Cancer Gala FUSION ABQ, 700-708 1st St. NW The American Cancer Society is hosting Albuquerque's second #ForkCancerAbq fundraising event. VIP 6pm - 7pm. Gala 7pm - 10pm. Dress Code: Gala Attire. #ForkCancerNM is a foodie's dream, with local restaurants and bars bringing out their best to truly showcase the Taste of Albuquerque while raising money for the American Cancer Society's life-saving mission in New Mexico supporting Access to Care like patient transportation, patient lodging and 24/7 support. Along with life saving research and grants. With great opportunities to raise money, we will also have live entertainment! (tickets)
Fri 6:30 – 10 PM Community Movie Night South Valley Multipurpose Center, 2008 Larrazolo Rd. SW Feature of the night: In The Heights. Bring your dinner, blankets and chairs. Please no glass containers
Fri 7 PM Movie In The Park ABQ Food Park, 6901-B San Antonio Dr. NE ABQ Food Park is bringing back Movies In The Park, starting off the summer with a screening of The Sandlot. Arrive early to get your face painted by Local Locas Facepainting before settling in with your blankets, chairs, and appetite for a delightful evening at the park with loved ones. Indulge in delicious fare from our food trucks while enjoying this timeless film under the stars. Please do not bring outside food as we have a variety of food options at the park. Please support our local food vendors. Entry is free! Reserve your tickets
Fri 7 – 10 PM Emerald Ball Holiday Dance Studio, 5200 Eubank Blvd. NE, Ste D Celebrate the enchanting month of May by donning your finest emerald attire. Bring in the vibrant spring season by joining us in elegant semi-formal wear of rich verdant colors and dance the night away! A Foxtrot lesson will begin the evening at 7pm followed by open dancing. Call 505-508-4020 for more information. $30 non-members
Fri 8 PM – 2 AM Sucia EDC Gogo Takeover Sidewinders Bar and Grill, 4200 Central Ave SE Sucia Productions is bringing the Electric Sky to Sidewinders! No need to have EDC FOMO because Papa Sucia is ready to bring the party to you! Come join your Sucia Family for a Night of PLUR! Featuring the Sucia Gogos on multiple boxes and individual dances available in the Cabaret Room! Hosted by Papa Sucia and Sucia Gogo Madam Sativa Rico-Stratton. DJ Unzipped will be bringing the you the best EDM set for you to dance the night away!
Fri 9 PM – 1:30 AM Callaita Fridays Salt Yard West, 3700 Ellison Rd. NW DJ Soiree will be spinning under the stars in the Salt Yard, promising a night of electrifying Latin music. This 21+ event guarantees an atmosphere where you can fully embrace the rhythm without inhibition. Whether you're a die-hard fan of Reggaeton or simply seeking a night of unparalleled fun, "Callaita Fridays" is the place to be
Fri 10:30 PM – 12:15 AM FACELESS AFTER DARK - new meta horror starring Jenna Kanell of "Terrifier"! The Guild Cinema, 3405 Central Ave NE All Seats $8. Check out the trailer. Dir. Raymond Wood - 2023 - 82m. Following her breakout success as the star of a killer clown horror flick, Bowie (Jenna Kanell, TERRIFIER) now finds herself struggling to capitalize on its success. But when she is suddenly held hostage by an unhinged fan posing as that same killer clown, horror becomes her reality as she fights to survive the night and escape before he completes his sinister plan to recreate the film's fatal plot (tickets)
** Sat 5/18 *\*
Sat 8 – 10 AM Planting Corn Seeds Lynn Garden, 176 Manierre Rd., Corrales We will be planting corn seeds; a new crop for Seed2Need this year!
Sat 8 – 10 AM Run for Mercy 5K Sagebrush Community Church, 6440 Coors Blvd. NW Join our team to run with us to support Mercy Multiplied, which exists to provide opportunities for all to experience God's unconditional love, forgiveness, and life-transforming power. Mercy offers free-of-charge Residential and Outpatient Counseling Programs, as well as Outreach Services that include workshops and trainings, our Keys to Freedom discipleship study, and Keys to Freedom Retreat (register)
Sat 8 AM – 12 PM Downtown Growers' Market Robinson Park, 810 Copper Ave NW Every Saturday from 8 am - NOON! This vibrant community event connects local farmers, growers, artisans, wellness makers, and hot food vendors with the local community from mid-April to early-November. Bring friends / family or come solo to enjoy fresh food made on sight, a variety of seasonal produce, unique arts and crafts, live music, and special programming all in the heart of downtown
Sat 8 AM – 2 PM Rio Rancho's Biggest Yard Sale Cabezon Park and Community Center, 2307 Cabezon Blvd. SE, Rio Rancho FREE Admission! Clean out your garage, spare bedroom, attic and shed. Come join us to sell all of those items that were collecting dust, find a treasure that you didn’t know you needed, and enjoy a day in the park! Vendor space $35 for a 15’ x 15’ space (Tables and chairs are not provided) Must register online, NO Drop-Ins Accepted. Please call the Cabezon Community Center at 505-892-4499 for more info
Sat 9 AM Send Haley to Spain Sand Volleyball Tournament Charlie’s Sandbox, 4335 Paseo del Norte NE All proceeds go to Haley and her trip to Spain in July! $20/per player. All Skill levels! Prizes for 1st & 2nd place. 4-6 players Coed with 1 female on team. Check in @ 8:30am. More info: Jillian (505) 322-7228, Haley (505) 331-4788, Charlie (505) 239-2461
Sat 9 AM Invisible Heroes Run Believers Center of Albuquerque, 320 Waterfall Dr. SE Join Runfit and the American Society of Radiologic Technologists for the inaugural Invisible Heroes 5K Run/Walk. It is a community event being held to recognize the vital role that medical imaging professionals and radiation therapists play on the health care team and to introduce the public to these vital health care professionals. You are invited to run and walk to celebrate the important work done by invisible heroes. At packet pick-up, you will have an opportunity to tour the ASRT Museum and Archives. Age group, overall, and team awards, including a great t-shirt and finisher medals for all participants (register)
Sat 9 AM - 4 PM 16th Annual CTC Vintage Tractor & Car Show Corrales Recreation Center, 500 Jones Rd., Corrales Join us for a fun day in the Corrales Park. There will be music, food, hot rods, tractor, stationary engines and more. Proceeds Raised will benefit Corrales 4H and Historical Society. Free admission. $10 for show participants
Sat 10 AM – 12 PM Foraging for Fun(ds) Los Poblanos Open Space, 1800 Tierra Viva Pl. NW Join Rev. Ryan Tate on a foraging excursion! Rev. Tate, of the African American spiritual tradition and an IPL board member, wants to bring their loving knowledge of NM edibles and herbs to you. Discover the food right under your nose and how easy it is to enjoy! We’ll meet to explore and harvest native and edible plants. Enter the Open Space area from west bound Montano Boulevard. After foraging, we’ll gather to taste our harvest and other locally sourced treats. Sign up today to participate - space is limited. This is a fundraiser for our work for climate justice: Please give generously (Suggested minimum donation $10)
Sat 10 AM – 3 PM Homebrewer's Happy Hour Southwest Grape & Grain, 3401 Candelaria Blvd. NE Homebrewer's Happy Hour is the perfect chance for all homebrewers, wine makers, distillers, or anyone interested in learning, to connect with others, share a drink, and learn about a new subject each month! $1 off beers from 10am to 3pm. Presentation on monthly subject at 1pm with open forum to discuss after. Food truck on site for lunch! May 18th - Barley
Sat 10:30 – 11:30 AM Animal Tales with the ABQ BioPark Ernie Pyle Library, 900 Girard Blvd. SE Dive into the captivating world of animals with "Animal Tales" presented by the ABQ BioPark! Join us for a delightful reading session featuring an animal-themed book. Experience the magic as the BioPark brings along real animals and biofacts that connect to the story, giving kids an exciting opportunity to meet these creatures up close! Don't miss this engaging and educational adventure for young animal enthusiasts!
Sat 10:30 AM – 12:30 PM FolkMADS Third Saturday Family Dance Albuquerque Square Dance Center, 4915 Hawkins St. NE Dancing, song, and live music for kids of all ages. No experience needed to have fun! Children must be accompanied by an adult. Children dance free, Adults $10
Sat 11 AM – 1 PM Annual Summer Kick-Off Event! Matheson Park Elementary, 10809 Lexington Ave NE Join us as we kick off the summer with fun, a food truck, face painting, dunk tank, and more! Bring your family and your pets for a Blessing of the Pets. There is no cost to attend and all are welcome!
Sat 11 AM – 3 PM Wine + Art Afternoons Gruet Winery, 8400 Pan American East Fwy NE Prism Arts presents a new public art and social series with a special one-day multi-artist event. Join us inside the Gruet Winery with a selection of fine art, prints, paintings, jewelry, and ceramics from local artists Vanessa Alvarado, Eric Romero, Margarita Paz-Pedro, & Aaron Richardson. Enjoy unique art, amazing fine, food, and a social environment with the artists and the public. *All art purchases receive a complimentary bottle of Gruet Wine*
Sat 11 AM – 3 PM Bernalillo Family Fun Festival! Calvary Church, 4001 Osuna Rd. NE Get connected to community and enjoy a Fun Family Day!
Sat 11:30 AM – 4 PM Imaginary Friends Fest Flix Brewhouse, 3200 La Orilla Rd. NW Let your imagination run wild! Join us in the lobby to celebrate the opening of IF! Enjoy photo ops, freebies, an in-theater giveaway, and activities for the whole family. All ages are welcome!
Sat 12 PM BBQ n' Crawl Supper Rock Park, 598 Monte Alto Pl. NE Mini Crawlers 505 and Duke City RC are throwing a BBQ and crawl sesh! All rigs welcome! Please mark going if you are, so we can get enough food!
Sat 12 PM May Brew Tour - Farewell Tour Rio Bravo Brewing, 1912 2nd St. NW This is the last NM Brew Ha-Ha Beer tour for the season. The 24-25 season will start in June 2025 so stay tuned for the season lineup release. Rio Bravo Brewing, Ponderosa Brewing, Bow & Arrow Brewing, Juno Brewery. At Rio Bravo, a DD will be selected, then we’ll head to the other breweries in the order listed. T-shirts, if ordered will be delivered. For safety, a breathalyzer is available, a DD will be established and a liability waiver will be signed by all participants. Safety is of utmost importance. We want everyone to enjoy their tour and arrive home safely
Sat 12 PM Drag Bingo & Brunch! All Ages Welcome! Sidewinders Bar and Grill, 4200 Central Ave SE Join us for a Drag Queen Bingo and Brunch benefitting The Albuquerque Roadrunner Tournament 2024 (coming up in September). Hosted by Priscilla Bouvier. Doors 12pm. Show 1pm. Bingo, Prizes, Giveaways, Raffles, Cocktails, Mocktails and Fun!
Sat 12 PM Empire's 9th Anniversary - FREE PLAY ALL DAY Empire Board Game Library, 3503 Central Ave NE It's Empire's 9th Anniversary celebration and you're invited! We've been here 9 years and it's all thanks to the support we get from you, so to show our appreciation, this Saturday's celebration is our gift to you: Come in and play for free all day! Every game is on sale all weekend! We're holding raffles over the course of the day to give away some great games! So come on down and let us thank you!
Sat 12 – 3 PM STOODIS!: An AIDS/LifeCycle Fundraising Event Soo Bak Seoul Bowl, 111 Hermosa Dr. SE Help Vanessa Bowen cross the finish line – the fundraising finish line, that is! Vanessa is on a mission to raise $3,500 to participate in the 2024 AIDS/LifeCycle, a 545-mile charity bike ride from San Francisco to Los Angeles from June 2nd to 8th, 2024. Join this special fundraising event and send-off party for an afternoon of entertainment, vendors, bike tune-ups, raffle, and food and drink specials. Come prepared to support our local vendors and find out how you can win our selected giveaways. AIDS/LifeCycle benefits, and is jointly produced by, San Francisco AIDS Foundation (Tax ID # 94-2927405) and Los Angeles LGBT Center (Tax ID # 95-3567895), each of which is a nonprofit, public benefit corporation recognized as tax exempt under IRS Code Section 501(c)(3). Donations to AIDS/LifeCycle are deductible for income tax purposes, to the extent permitted by law. Vanessa Bowen (They/Them) is a Diné (Navajo) product designer and cyclist. Their work gravitates toward the intersection of design and social equity. Bowen is a former Outride Ambassador, current Chamois Butt’r and Kuat Racks Ambassador, founder of Get Native Kids on Bikes, and a supporter of AIDS/LifeCycle. If not creating in their studio in Albuquerque, they are training for a cycling event or community building for a just, equitable future (more info)
Sat 12 – 5 PM Day Camp - A Festival for Families Tin Can Alley, 6013 Signal Ave NE Day Camp is where adventure meets education, creativity, and community in a fair-like environment where a variety of youth development organizations are excited to share their programs. In partnership with Warehouse 505, and featuring organizations such as Explora, there will be workshops ands expos for kids to discover new passions across music, art, science, and more. Supporting Youth Security & Education, all dedicated funds raised will be going to New Mexico non-profit organizations
Sat 12 – 5 PM Monthly Pinball Tournament Sister, 407 Central Ave NW All skill levels and players welcome! 21+ Sign up starts at 12 pm; tournament play starts at 1 p.m. Entry fee is $5 + coin drop
Sat 1 – 5 PM United in Beer Collaboration Festival Ex Novo Brewing, 4895 Corrales Rd., Corrales United in Beer is a New Mexico statewide collaborative beer festival that benefits the Somos Unidos Foundation with 26 participating breweries, which were randomly partnered through a live draft and then together selected the beer style they would collaborate on. All beers will be showcased at the festival. Tickets are limited. Portions of ticket sales will donated to Somos Unidos Foundation, a 501(c)(3) dedicated to creating positive outcomes for New Mexicans through art, sport, community, and unity. This will be a 21+ Event. Food trucks will be on site. Included with ticket purchase is: Festival access, 8 drink tokens, and a United In Beer glass! We recommend bringing: Sunscreen, your friends, and good vibes
Sat 1 – 10 PM Boots In The Park Presents Thomas Rhett, Chris Young & Friends! Balloon Fiesta Park, 5000 Balloon Fiesta Pkwy Dust off your boots and get ready to holler, because Boots In The Park is making it's way to Albuquerque, y'all! Join us for a rootin', tootin', two-steppin' good time with none other than Thomas Rhett, Chris Young, Chris Janson, Kameron Marlowe, Dylan Schneider, Leaving Austin and beats by Luwiss Lux. We're talking about an evening filled to the brim with live tunes, finger-lickin' craft food, and the smoothest cocktails. We'll be kicking up dust with some good ol' line dancing and a whole heap more, as Balloon Fiesta Park is transformed into Albuquerque's best country music party! Past folks to grace the Boots In The Park stage are Carrie Underwood, Blake Shelton, Tim McGraw, Cody Johnson, Jon Pardi and a bunch of other country legends. But this day is gonna be one for the record books, a show that will leave y'all talking for years to come (tickets)
Sat 2 PM Annual Castro Concerto Competition Albuquerque Youth Symphony, 4407 Menaul Blvd. NE Join us to hear talented high school juniors compete for the privilege of performing with the Youth Symphony during the Albuquerque Youth Symphony Program's 2024-2025 concert season! This event is free and open to the public. We also plan to stream this event live on Facebook for anyone not able to attend in person
Sat 2 PM "Greatest Moments" - a fundraising concert for Opera On Tap New Mexico Central United Methodist Church, 201 University Blvd. NE Join us for an afternoon of music to help raise money for Opera on Tap - New Mexico! Featuring some faculty and students of University of New Mexico, along with other local professionals, we have put a program together highlighting some of the show-stopping, beautiful moments of opera and musical theater! Suggested donation $10
Sat 2 – 7 PM Rawking: An Afternoon Metal + Art + Comedy Extravaganza Juno, 1501 1st St. NW Featured performers include Light Thief, Destroy to Recreate, Guvtika, Abandoned Saviors. outdoors on the patio with Four Bands, Comedians, Artists, Vendors. Produced by Metal World Radio. 21+. $10 at the door or presales online
Sat 3 – 8 PM Albuquerque Roller Derby presents: Sandia Slammers vs. Bosque Bruisers! Expo New Mexico - Manuel Lujan Jr Exhibit Complex, 300 San Pedro Dr. NE Albuquerque Roller Derby has gotten SO big we’ve split into two teams! Sandia Slammers & Bosque Bruisers! Get your tickets for our first Home Game of the 2024 season
Sat 3:45 – 5:45 PM AND 7 - 9 PM The Twilight Saga: Breaking Dawn - Part 1 Flix Brewhouse, 3236 La Orilla Rd. NW Experience the Twilight saga's epic romance and thrilling fantasy BREAKING DAWN - PART 1 on the big screen! Bella and Edward, plus those they love, must deal with the chain of consequences brought on by a marriage, honeymoon, and the tumultuous birth of a child, which brings about unforeseen and shocking developments for Jacob Black (tickets)
Sat 4 – 8 PM Drink Local Downtown ABQ - May Step into the heart of Albuquerque with our thrilling, free monthly bar crawl event! Immerse yourself in the local charm as we celebrate community, culture, and creativity right in the heart of ABQ. In partnership with ABQCore Neighborhood Association, a locally organized and hosted event, we're bringing you a bar crawl experience like no other. This isn't just a crawl; it's a vibrant celebration of local businesses, a showcase of community talent, and a monthly escape into the unique flavors that make ABQ special
Sat 4 – 9 PM Summer Market ABQ Food Park, 6951 San Antonio Dr. NE Dive into the magic of summer evenings at ABQ Food Park with our captivating Summer Market! Join us for a delightful evening, where you can browse an enchanting array of offerings from local artisans and support our vibrant community businesses. Discover unique treasures crafted with love and passion by talented artisans, from handcrafted jewelry to exquisite home decor. Every purchase you make supports local creators and contributes to the thriving arts scene in our city
Sat 5 – 8 PM National Astronomy Day! Rainbow Park Observatory, 301 Southern Blvd SE, Rio Rancho The Rio Rancho Astronomical Society will host National Astronomy Day at Rainbow Park Observatory. There will be food for a donation, family activities and safe solar viewing. Dr. Tony Hull will appeal at 7 pm about his work on the James Webb Space Telescope. He will also have some info on light pollution
Sat 5 – 11 PM Beer & Jazz on the Hill Tractor Brewing, 122 Tulane Dr. SE We're bringing you a full night of brews and Jazz with the very talented Rona & Meli opening things up at 5pm and our house Jazz band Basilaris Trio closing things down at 8!
Sat 6 PM Bear Affair 4: Spanish Tapas Beer Pairing Dinner Boxing Bear Brewing, 8420 Firestone Ln. NE Join us on our patio for an ALMOST summer night paired with a variety of our seasonal beers, chef-crafted Spanish tapas, and flamenco. Featuring chef Christopher Midyette And the artist dance group Spanish Broom. Tickets are $65 per person and include a welcome beer, three course tapas style meal with beer pairings and entertainment for the evening
Sat 6 PM One Year Anniversary Celebration Urbanmama505 Kombucha, 1014 Central Ave SW, Ste A Celebrating one year of love, abundance, and sharing wellness. Right after Open Mic 4-6pm, we will be graced with a jazz concert by Davis Nelson-Hooker, an amazing local musician. Elixirs and small plates for purchase
Sat 6 – 9 PM Gone Country Saturdays with DJ Soiree Ponderosa Brewing, 1761 Bellamah Ave NW It's Gone Country Saturdays featuring the amazing DJ Soiree! Start your evening with free dance lessons at 5 pm, followed by family-friendly entertainment
Sat 7:30 – 9 PM Saturday Night Stand-Up Bosque Brewing Co - Nob Hill, 106 Girard Blvd. SE Live from ABQ, it’s… Saturday Night Stand-Up Hosted by Nax Davis! Every third Saturday of the month! Seating at 7:30 - Comedy at 8. Featured line-up of local comics includes: MEG FINN, BRYAN LAMBE, SARINA OCHOA, MARY BYRD, ROBERT EYSTER
Sat 8 PM – 1:15 AM Apparition Goth Night Historic El Rey Theater, 622 Central Ave SW A hauntingly dark, classic goth night featuring the Apparition team: DJ Ren, DJ Batboy, DJ Moonside. Doors at 8. $10 all night. 21+ Tickets at the door. Expect goth, darkwave, death rock, synthpop, dark post punk, ebm, dark dance, industrial, witch house, horror punk and more
Sat 8:30 PM – 1 AM SABOR Latin Night - SATURDAYS Bama's 1865, 6007 Osuna Rd. NE May 11th - SPECIAL GUEST DJ ITALIA! DJ Gabriel Goza & DJ Pedro will be serving you the saucy Salsa, Bachata, Cumbia, Merengue y Mas! Ample Parking, Safe Environment, Beautiful Venue, Good Food, Good Music, Good Vibes. 21+ / $10 cover
Sat 9 PM – 1 AM Cumbia + Rock en Espanol Juno, 1501 1st St. NW Grupo Super Verza with Ave. 69 and Lot Beat and DJ Tony. Baila! 21+, $15 at the door or online
** Sun 5/19 *\*
Sun 9 – 11 AM Elevated Roller Derby May Training Scrimmage Heights Community Center, 823 Buena Vista Dr. SE Officials' huddle 9:00AM. Captains' meeting at 9:20AM. First whistle 9:30AM. This is simply a black/white scrimmage. It will be used as an educational opportunity. NSO paperwork will be used as appropriate. You are encouraged to stretch your skills. Hospitality: This is a low/no production scrimmage, bring beverages and snacks for your own use. Bathrooms: The community center may not be open during the scrimmage. (That's the trade-off for a free space). You can stop at the nearby Starbucks before the event. Expectations: Skaters and Skating and Non-skating Officials are expected to follow all WFTDA Risk Management Guidelines. The venue is a designated alcohol, drug, and smoke-free space by the city of Albuquerque (sign up)
Sun 10 AM – 2 PM The Great Burque Bake On Rail Yards Market, 777 1st St. SW Get ready to whisk it all at the "Great Burque Bake-on," a special fundraiser for the non-profit Rail Yards Market: One dozen of Albuquerque's most talented bakers will dough head-to-head in a crusty competition for the ultimate bakery glory! Bakers brawl... You vote for the winners! This sugar-dusted showdown promises a blend of flour-fueled drama and buttery bravado, making it the yeast you can do to support your local confectionery champions. As these culinary wizards knead their way to the top, we guarantee you'll find their efforts both batter and sweeter than anything you've tasted before. Join us for a day of laughter, pastry, and a chance to see who rises as the crème de la crème of Burque's baking scene! 1) ORDER > Claim your Bake-on Box & exclusive market swag by ordering online May 10-16th, 2024. 2) LEARN > Follow our social media to learn about each contestant & their offering. 3) PICKUP > Grab your box of baked goodies & swag at the info booth Sunday May 19th. 4) ENJOY > Eat all the delectable goodies, savor the flavor, and read about all the contestants 5) VOTE >> Submit your votes online to choose the winners! (tickets) The Farmers' Market event is going down simultaneously with 175+ local vendors to explore, and is still FREE to enter and welcome to all. This funky fundraiser is going down during the FREE Rail Yards Farmers' Market. So you can peruse 150+ small businesses and enjoy the historic architecture while you enjoy your Great Burque Bake-on Box of goodies! All proceeds will benefit the Rail Yards Market. The Rail Yards market of Albuquerque is a certified 501(c)3 non-profit focused on building a resilient, sustainable, local economy where the surrounding historic communities thrive, all can participate, and everyone is enriched and inspired. Through food, art, education, and music, we invite the community together in an inclusive and festive atmosphere
Sun 11:30 AM The Addams Family Historic Lobo Theater, 3013 Central Ave NE THE HISTORIC LOBO THEATER is excited to bring The Addams Family to the big screen! Showing Starts at 11:30 am Tickets are ONLY $10 for General Admission $25 Brunch and a Movie Ticket $21 Brunch Only ticket
Sun 12:30 PM Annual Spring Tea Asbury UMC, 10000 Candelaria Rd. NE All are welcome to attend our Annual Spring Tea! This year's theme is "The Tapestries of Our Lives." Life can be like a tapestry; our quilt, with events, feelings, accomplishments, and even disappointments "stitched" in. Join us, for tea, while Cindy Kurey, AQS-certified quilted textiles appraiser, shares how quilting and her faith have helped her navigate life. She will also show her collection of antique, vintage, and modern quilts! There is no cost to attend, though RSVPs are required. Please call the church office 505-299-0643 or message us on Facebook to RSVP

Tonight is ACTUALLY 100% a perfect example of “painting a target” on someone.
For so much of this game, Charlie has been completely underestimated by EVERYONE except Maria. Time and time again we see him laughed off, compared to a dog, and Kenzie and Liz didn’t even entertain him as a vote off. however, with Maria as everyone’s perceived largest strategy threat, her voting Charlie MAY (hopefully if they want to win) wake everyone so they can see his threat level. The PERFECT example of painting a target on someone’s back.

This is the basment. That wall is the primary issue and really the only one that leaks. The bottom of those windows is ground level. On the other side/outside is a concrete driveway. The list of things I thought of doing are first clean the gutters, however I don't have a 30+foot ladder to reach them, they do need done, and badly. I think JUST that would do wonders as 90% of the water is just gushing out of the gutters.
Next I was thinking of resealing the edge along the house where driveway meets wall (it's literally concrete then wall nothing in between) however the driveway itself isn't in the best of conditions either...
Then on the inside I was thinking, scrape the walls, get rid of the Efflorescence, old paint etc, then spread a layer of mortar up from floor to ground level (like this:max_bytes(150000):strip_icc()/GettyImages-939232484-5b452c1146e0fb0037a8d48b.jpg), but i don't know the term) then painting with drylock. OR would it be better to clean the wall, just fill any joints that need it then painting with drylock? I mean the water is coming in at floor level all the way up on most of the wall.
I know there are gutter systems for in the basement floor along the wall, but unfortunately I don't have much in the way of funds and this is for my parents house. I am just trying to do my best with what little I have. The house is 110(ish) years old.
I have heard of hydraulic cement, but that's new to me so I don't know how it works. Way back in my teens I used to labor for a mason so I know a bit about concrete work, footers etc. I'm also sure this issue has gone on for a long time and I think it's washing out the underside of the basement as there are parts of the floor that sound very hollow.

Excerpt from the Broad Recordings of Baizahng
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歸不愛取。依住不愛取將為是。今初善是住調伏心。是聲聞人。是戀筏不捨人。是二乘道。是禪那果。

• Reverting to non-craving and non-grasping, dependently abiding in non-craving and non-grasping and regarding it as correct, this now is the initial good which abides in the pacified mind. [But] these are sravaka people. These are people infatuated with and can’t bear to abandon the raft. It is [only] the two vehicles’ way. It is [only] a dhyana-fruit.

歸不愛取。亦莫依住不愛取。是中善是半字教。猶是無色界。免墮二乘道。免墮魔民道。猶是禪那病。是菩薩縛。

• Reverting to non-craving and non-grasping, yet not dependent also [on any form] to abide in non-craving and non-grasping, this is the middle good. This is the teaching of the half-word. But this is still in the formless realm. Although falling into the two vehicles’ way is avoided, and falling into the demons’ way is avoided, it is still a dhyana-disease. A bodhisattva-fetter.

歸不依住不愛取。亦不作不依住知解。是後善。是滿字教。免墮無色界。免墮禪那執。免墮菩薩乘。免墮魔王位。

• Reverting to the dependent-less abiding of non-craving and non-grasping, yet also not making any interpretive knowing of this dependent-less abiding, this is the final good. This is the teaching of the full-word. Falling into formless realm is avoided. Falling into dhyana-attachment is avoided. Falling into bodhisattva’s vehicle is avoided. Falling into the Mara/demon-king’s seat is avoided.

為智障地障行障故。見自已佛性。如夜見色。如云佛地斷二愚。一微細所知愚。二極微細所知愚。故云有大智人。破塵出經卷。

• It is because of jneya-hindrance or bhumi-hindrance or practice-hindrance that seeing one’s own Buddha-nature becomes like seeing thing/form/colour in the night . As said, the Buddha-bhumi can sever these two foolishness – that of fine subtle known and that of extremely fine subtle known. There is therefore the saying that a person of great jnana/wisdom, penetrating dust to reveal scrolls of sutra1 .

.

1. This is a quote from Huayan Sutra where it’s mentioned that, within each speck of dust, is contained a fabled collection of sutras whose size equals that of three thousand world-systems (universes).

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Comparison
Might be interesting to compare Baizhang's three levels of good with Rujing's verse on sitting meditation (zazen).
https://www.reddit.com/zenbuddhism/comments/1cohepv/zen_teacher_rujing_on_sitting_meditation_%E5%9D%90%E7%A6%85_zazen/
If we look at Rujing's verse, perhaps can break up the sequence into three parts too to see if it somehow matches with the three goods:
.

• So first and foremost proceed directly with fiery vigour. Until suddenly, a bursting explosion of the painted barrel. A vast clearing/clarity, like the cloudless autumn sky.
  
• (initial good?)
  

.

• It’s with back-splitting staff strikes and chest-breaking fist punches. That through day-and-night one doesn't sleep. As empty space, perishing, and further perishing.
  
• (middle good?)
  

.

• Penetrate through before Mighty-Sound emperoBuddha. Spiky chestnuts and vajra rings freely hand over their ins-and-outs. Victory songs resound high across the top of the wind.
  
• (final good?)
  

.

I don't know if I tagged this right since technically it isn't troubleshooting the car. It is "accessories" for the car.
So as the title says I am looking for opinions on what the the level would be for a pretty much stock WRX. I want to print the Forza stickers for my 2019. (For the windows, no paint stickers here).
I was thinking maybe like C 523 or something similar.
Opinions?
*Also if anyone reading this has experience in 3D printing parts for the car let me know. I want to fix the mess up I did on the stock lights by printing a new part so I can make the lights how I wanted them to be originally. Pretty sure it's going to come down to me measing stuff on stock lights.

Hey (: , I’m posting here in hopes of meeting someone cool, I’d love to get to know you and hear about the things that make you who you you lol.
So I want to be upfront and say that I know that realistically I’m not going to be very available for someone in person due to my schedule with work and studying, and I’m hoping that’s okay, maybe someone else is in the same situation and looking for the same thing?
But yeah anyway, I’ll say a little about myself, so I’m from the us and I’m Korean so I’ll give u a crazy ramyun recipe if u want lol, i’m a huge music nerd and I’m way into goth and alternative culture, I’m big into shoegaze stuff like Wisp or slowdive but I looove 80s post punk like the cure and the smiths lol, but also I’m the type of person that will for sure send u song recs at any time if u want them (rose garden funeral party, pls listen), but really I’m into all genres.
Besides music though I like to workout, and I live for art and seeing peoples work. if you paint pls let me see it lol. I don’t have a ton of art skill myself but I like to write poetry and make songs with my guitar every now and then if that counts lmao. Also I’m into fashion (y2k, tradgoth, visual kei etc) and films! (Fallen angels is my favorite movie but I’d love to hear yours :) )
My favorite thing is just learning about people and getting to know them more than a surface level, if you want to have deep chats but also be incredibly unhinged and have fun too I’d love to chat with you and see where things go <3.
Also forgot to mention Ive dealt with mental health stuff on and off throughout my life and I would never judge anyone for that kind of thing and I’m more than happy to listen to you vent or just do what I can to make life a little less hard :)