Written 5/8/2024- updates attached below

I tried posting this on kendrick almost a week ago and it got no response, I messaged the mods to ask about Karma restrictions or account age requirements and they never replied. I made a new account and it was the same issue, but I found out last night I wasn’t fully banned, so I figured I’d throw it up and see if anyone finds it valuable. It’s written for people who have no prior knowledge of the rap game/music business. I don’t have to go as hard on obscuring names this time. One of the influencers I mentioned in my last post is known for doxxing and threatening violence against people who mention the many contradictions in their stories. (Sorry for any typos/mistakes I want to go to bed.)
Origins
I believe the current Drake and Kendrick Lamar beef is either completely or partially fabricated by certain industry leaders or the parties involved in an effort to distract from something bigger going down behind the scenes. If you were an influential label owner facing major accusations, and you needed to deflect media attention from yourself, recreating one of the most defining moments in rap history during the social media era would be a way to do it. It also wouldn’t hurt that two of the biggest rappers in the world were already sending shots at each other in their music for years prior. The public consensus is they are simply two famous rappers who hate each other and fighting over the spot for the top like in the 90’s. Only people who were directly involved could paint a more cohesive picture of the whole story. Even when all the cards drop, there is a good chance the average person won’t be able to find direct sources on their own and will continue to support their favorite artists and dismiss any evidence of their crimes like the drizzy subreddit or Ak fans.

As I said the beef between Kendrick and Drake has been brewing in the background for years, with both rappers sending shots and sneak dissing each other over the course of at least 8 years. The most agreed upon origin story is the first diss was the 2016 Big Sean and Kendrick collaboration, “Control,” and Drake responded with, “The Language”. Things stayed relatively lighthearted for a while and both were intentionally vague for many years. Before I go deep into the Kendrick and Drake stuff, it’s really important to examine some of Drake’s prior beefs because they add a ton of context to my theory. In my opinion Kendrick and Co. started scheming all of this some time around Mid 2020-Mid 2022, well after the whole Pusha T beef had transitioned into the Kanye beef.

What exactly started the beef is debatable, but at the time many attributed it to rumors of Drake pursuing Ye’s ex Amber Rose. Unfortunately the timeline isn’t 100 percent clear, and if I included every detail this would be at least 200+ pages so I’ll stick with the important stuff. The ultimate outcome of the Pusha T battle in 2018 was the revelation of Drake’s son Adidon that he had previously been hiding from the world along with getting Ye directly involved in the beef.

Here are some more examples of Drake antagonizing Ye and of him trying to use women as pawns to get material for his diss tracks. The Drake line, “Yeah, I probably go link to Yeezy, I need me some Jesus, but as soon as I start confessin' my sins, he wouldn't believe us," could be a reference to sleeping with Kim Kardashian, trying to double down on his threats to harm him or his family, or it could be a double entendre. Another example is using the name Kiki in another song, which was apparently one of Kim’s nicknames. Some other possible examples include the theories he may have tried the same thing with Kendrick’s wife Whitney around 2020-2021 in an attempt to use as ammo against Kendrick, which I’ll go into later. I don’t listen to much of either artist's music, but there are probably many of other examples in Drake’s catalogue that I’m leaving out. There is also his song Omerta released in 2019, which I'll go into below.

“Your baby mother call me when she lonely My tailor see me twice a week, he like my homie Forever grateful, forever thankful Diamond necklace, but she wears it on her ankle”

(Probably referring to Kim Kardashian since she had a few pictures with her wearing diamond ankle bracelets and was trying to make it into a trend.

“I plan to buy your most personal belongings when they up for auction”

(There were various rumors floating around for a while that Drake was blackmailing Ye with something and he was fighting to keep it from the public. I thought about it and this line might be referencing a sex tape with Kim or her little sister who me was very touch before she turned 18. In 2022 there was a whole storyline on Kim’s show where Ye flies to LA to prevent her second sex tape from being released.)

West Hollywood, know my presence is menacing
Cosa Nostra, shady dealings
Racketeering, the syndicate got they hand in plenty things The things that we've done to protect the name are unsettling But no regrets, though, the name'll echo Years later, none greater
Death to a coward and a traitor, that's just in my nature, yeah
(Drake and Ye both frequented the Delilah Nightclub located in West Hollywood and lived closeby on the same street for a while.)
"I don't carry cash 'cause the money is digital
It's the American Expresser, the debt collector"

(Sounds a lot more like it could be crypto to launder or send large amounts of ill gotten gains. It started becoming mainstream around them)

"Last year, niggas really feel like they rode on me
Last year, niggas got hot 'cause they told on me
I'm 'bout to call the bluff of anybody the fold on me"

These lines stood out because they could be referring to Ye telling the public about Drake's alleged threats a couple months before the songs release. This happened not long after the release of Sicko mode which was towards the end of 2018 as well. Ye was discussing the incident on Twitter and reached out to Drake and Travis to talk to him in private. In the next set of tweets Kanye publicly accused Drake of threatening him and his family in a major way. Surprisingly Ye seemed genuinely scared and amongst his, “crazy rants,” some of the stuff he said makes a ton of sense in hindsight. This also the beginning of his second serious public struggles with Bipolar disorder after being committed in 2016 shortly after an on stage rant where he calls out Jay Z for selling out and says he's afraid he might kill him.. As someone who shares the same diagnosis, I have a pretty good understanding of mania and psychosis and firmly believe that it's important not to write people off right away due to their mental illness. Some of my most thoughtful, creative, and productive periods were inspired by mania. Industry bigwigs have also been using mental illness to discredit influential black celebrities and visionaries going back decades, but it really picked up in the 80’s.

Dave Chappelle has gone into this a lot in the past and claims he experienced something similar before he quit show business and dipped to Africa. Their stories have a lot of interesting parallels if you’re familiar or curious. I remember he actually visited Ye at his house in Wyoming after he was reported to have had a, "mental breakdown," during his presidential run in 2020 thus marking his third breakown in six years.. The reason I put it in quotes is because it happened right after he publicly accused Kim of cheating and delivered his legendary speech on abortion. Dave went as far as going on live tv and telling the public he wasn’t crazy, he was just really struggling because he was the only one at the time fighting against the narrative, which can often be a suicide mission or a ticket to obscurity. These are three examples of someone speaking up and being deemed crazy, two years later came the nazi stuff and I'm sure we'll have plenty in store for 2024.

This is just the tip of the iceberg when it comes to the very common pattern of artists dying or having their careers destroyed either after they try to leave their label or threaten to reveal industry secrets. A few more interesting industry connections I made in my research include the connections between:

T.U.G. records and J Cole's independent label Dreamville are both managed by Interscope Records, whose parent company is Universal Music Group.

Universal Music Group also hac Drake's label OvO label as well as Ye and Kendrick's old labels on their roster before they left to form their own independent labels in 2022 (around the same time the disses between Kendrick and Drake started escalating). Finally Bad Boy Records, which is owned by Diddy, and Motown Records who own Diddy's other R&B label Love Records, are also both owned by Universal. This means every label I mention is currently or was previously owned by Universal Music Group.

Ye tried for years to get out of his contract with Defjam, which happens to be ran by Jay Z who is known to be a close associate of Diddy. Jay would always used his money and power to fight against it. Ye even spoke out publicly on a few occasions, including when he said Jay Z was trying to kill him during one of his concerts. My theory is after years of getting nowhere and having his reputation skewered, in 2022 Ye finally said, "Fuck it," and dropped all the anti- Semetic stuff intentionally in a successful attempt to force his label to into using their morality clause, which requires labels to drop an artist if they're accused of any major controversy that could hurt the label’s profits. For the fourth time in four years the media reported he was having a breakdown. Even though they tried to punish him by cutting off all of his sources of income and freezing his accounts he still managed to bounce back pretty quickly. It was often reported how much he was losing, but it rarely discussed how he still was filthy rich in spite of the retrictions. His label wanted to discourage other artists from trying the same thing. My theory is he might have bought Kim or Kylie's alleged sex tape and used it for his own leverage. For Kendrick, his transition to his independent label ApLang went a lot smoother, but he had to split ownership of his new label with the previous manager owner Dave Free. Sadly it's still difficult for new or more niche artists to establish themselves without the some help.

He may be a lot of things but Ye isn’t dumb just because he has a mood disorder and the guys at the top know this, which is why I think he has really played up his diagnosis when it benefitted him. He’s still one of the most talented musicians in the game and I really think he sees his bipolar like a superpower as he says. It’s like his own invisibility cloak. He can go off his meds for a little, make an album after staying up for 72 hours, go on a “psychotic” twitter rant dropping facts throughout, then start up again once he makes enough news headlines. I think it’s worth noting the first divorce rumors in 2020 coincided with Ye’s abortion speech during his presidential run and the cheating accusations. that led to him dropping out and moving to Wyoming, and a couple months ago in February 2024 he was committed again.

The point I’m making is bipolar is complex, but pretty manageable especially if you have a ton of money to find meds that work for you and a good doctor and can keep substance abuse and stress at a manageable level. I think Ye is smart enough to know this, but it’s just safer for him to really play up the mental issues in the media. He’s proven he can literally say whatever he wants after getting cancelled and the average person is just going to write it off as psycho babble. While bias in health care is a sad fact of society, if you can use it to your advantage I say go for it. It might’ve just kept the microscope off of him long enough to plan his attack.

Ye v. Drake: Quotes of 2018
(Start of the beef, drake threats, and suspicion towards Kardashian family. )

“ It’s not about rap. It’s about family. We have to be close as a family and never let these people infiltrate just for radio spins”

“We need to show the world that people can talk without people ending up dead or in jail.”

”This is a man speaking to a man that has been placed in the program to fuck with Kanye West head and set me up“

”See when you care about your family you don’t let no man push you to do nothing that could risk your freedom“

These first four tweets by Ye were all in reference to perceived threats made by Drake after their beef escalated circa 2018. He began speaking on the industry and talking more about his psych hospital commitment two years prior and how he thought they were going to kill him. It's pretty obvious how the whole thing was planned by the sketchy doctor who called it in and his physical trainer who has a ton of connections to weird shit involving his celebrity clients.

I found interesting that Ye might not have been the first major league rapper whose life Drake threatened. During a similar period of mental illness the up and coming rapper XXXtentacion accused Drake of stealing his flow and dissed him a few times. Not long after he made a post online saying if he dies, it was Drake who did it. There are tons of conspiracies online, but none of the evidence is strong enough to draw a definitive connection. Also while it maybe be coincidental, Kendrick’s latest album Mr Morale also painted the picture that Kendrick was dealing with some serious personal issues. Some lines throughout the album may have been used to bait Drake into escalating, but it wasn’t until The Weekend, Future, and Metro Booming dropped, “We Don’t Trust You,” then Drake and J. Cole dropped, “First Person Shooter,” which was followed a couple days later with, “Like That,” where Kendrick started the chain of events that has led us to today.

Kanye vs. Drake: Quotes of 2020

Summary: Ye runs for president and gets suppressed for saying what very well could be the truth and was immediately deemed insane by the media. Kim did a couple interviews and everything he said was immediatly false. There is almost guarenteed to be some sketchy shit going down revolving her and her family. Ye was absolutely terrified of her keeping the kids away from him and it seems like there are still efforts being made to this day to paint a certain image of him for ulterior motives.

Below are six more quotes from a fan taking a deep dive into his 2020 tweets courtesy of u/ thehatstore42069 on Yeezy
”NORTHY I AM GOING TO WAR AND PUTTING MY LIFE ON THE LINE AND IF I AM MURDERED DON’T EVER LET WHITE MEDIA TELL YOU I WASNT A GOOD MAN,” West, 43, wrote in the tweet, adding, “WHEN PEOPLE THREATEN TO TAKE YOU OUT OF MY LIFE JUST KNOW I LOVE YOU”

"I need a public apology from J Cole and Drake to start with immediately... I'm Nat Turner... I'm fighting for us."

"the utmost respect for all brothers" and said "we need to link and respect each other... no more dissing each other on labels we don't own"

"Ye is constantly trying to tell people that his family does not have his or his kids best interests at heart. He goes on to list others, linking them together with the thinking emoji. These people include rap artist Drake and Larsa Pippen, wife of Scottie Pippe. Kim K is goddaughter to Pippen's daughter, showing how close the families actually are. All of these families that associate with Ye through Kardashian connections, as well as Drake, have been accused of the same thing Kris has. EVERY SINGLE ONE of these people have mixed race children that are groomed from a young age to fuck around with celebrities so the parents can remain famous. Drake on numerous occasions has been accused of grooming girls and then getting handsy on their 18th birthday.”

“These labels want their artists to make them money and they dont care about anything else. When Kanye says things like this in an attempt to expose him, the first thing they wanna do is drug him up and put him back in the studio.”
“Righteous indignation is typically a reactive emotion of anger over mistreatment, insult, or malice of another. It is akin to what is called the sense of injustice. This is how they keep the black man down. Keep people outraged about trivial things and distract them from the real issues in the world. The real problems in the industry. If you tell people enough times that they are unequal or discriminated against they start to believe it. Drug them when they step out of line and toss them aside when the checks run out. Ye is realizing he is pawn in a bigger game, and now that he has all these roots in the game such as Yeezy or the Gap or his music, too many people cant risk (Afford) a Ye who speaks his mind.”
(End of quotes)

Amongst the twitter rant, Ye warned about the predatory nature of record deals and discussed trying to get out of his own deal, and said again how his life may be in danger if it wasn’t already and was doing anything he could to protect his kids. The most fascinating part to me though is the public call to arms he made to Drake, J Cole, and Kendrick on twitter. After inviting them to all link up, he said, “It’s time to get free, we will not argue amongst each other while some guy we don’t know in Europe is getting paid and putting that money in a hedge fund.” I believe if Ye was able to pull off this meeting, there is an ever so slight chance that all four artists might be working together to take down a greater enemy. Weirdly there have been times throughout the last couple years where these supposed enemies were photographed together being friendly or praise each other in interviews, then out of no where the disses would start flying again.

To wrap things up I want to share my a few of my theories about the Drake/Kanye beef

A. Everything is exactly as it seems and the beef is over. Ye let his mental illness ruin his life and career so Drake simply picked another target after Ye stopped putting out disses. All of these connections are just a coincidence and all of this was choreographed to boost Drake and Kendrick’s music sales and possibly distract people from the Diddy trial and possibly the complicated geopolitical issues currently facing the U.S.

C. There is also the possibility that all four rappers are in cahoots and Drake’s dirt isn’t as extreme as people are theorizing, at least in comparison to the rest of the business. This could explain why everything has played out like a movie and how they were able to predict each other’s moves so well. This could either mean they’re all just trying to boost their sales or they’re all trying to take down the “slave masters,” as Ye calls them, and change the dynamic of the music industry in favor of the artist.

D. They may be trying to help their friends in the industry who are being abused or in shitty contracts. I know a lot of famous rappers have done a lot of collaborations with Jhene Aiko and Anderson Paak, who were both signed to T.U.G. records which I mentioned above in the connections to Universal Music Group. Considering they are both frequent collaborators with all of the artists involved on both sides, it’s not unlikely they may have played some part in influencing the takedown.

T.U.G was started by Chris Stokes with his partner Ketrina Askew. Back in the early to mid 90’s were gaining popularity attracting lots of young up and coming talent. They often collaborated with Diddy and his associates. In the 2000’s Raz B from the boy band B2K claimed he was molested by Stokes and his friend Marques Houston, then quickly retracted his claims. Years later he came forward again and said we was bribed into silence and that the rest of the victims were bribed with hush money and had another singer corroborate his story and they came forward together to level the accusations. After some of his former B2K members made fun of him for his claims and accused it of being a shakedown, Raz B revealed Stokes and Houston had preyed a lot of the children associated with the label including at least one of the former bandmates and paid them off.

I thought it was worth noting that the second whistleblower named Quindon Tarver died young in a car crash after mentioning his abuse again a few years prior. He seems to have left the industry not long after the incidents occurred and has few credits to his name. To this day Raz B is still trying to get his justice, while Stokes and his partner Askew, who was also involved in the abuse are still running the label to this day. Askew also has a ton of lawsuits, accusing her of using shady tactics to try to foreclose on houses. (Don’t quote me if a lawyer wants to take a look just google her full name), and has been tied to a ton of LLCs, similar to Drake. This is a good example of a shitty record deal, but I'm sure they have countless other friends in the industry who have even worse. While they were never convicted even Chris Stokes' wife confirmed it to be true.

E. The theory I personally think fits the narrative best and is the most realistic conspiracy is that Kendrick and possibly J. Cole went to the meeting, but not Drake due to his close relationship with Lucian Grange, the president of Drake’s label. Silence often speaks louder than words and this could explain why Kendrick was so ruthless and put so much effort into finding dirt on Drake. Ye, Cole, and Kendrick co-writing would be like the rap allstar team and if J. Cole wasn’t involved, it would also answer the question of whether or not he baited Drake into the battle by asking him to feature. I don’t think Drake is really their primary target though, which would explain letting him off easy. Compared to his bosses and their bosses he’s a small fish. If you take the big guys down you stand a better chance of landing a bigger blow on their operation.

Another really interesting connection is Kendrick and Ye were both signed under Universal Music Group and they both got out of their deals around couple months apart in 2022. As we speak U.M.G’s CEO Lucian Grange, who is often acccused of giving Drake special treatment, is facing charges related to sex trafficking by no other than P Diddy. This could very well explain the timing of it all. The craziest timeline would be Diddy masterminding all of this and using his connections to get it done and all the allegations are bullshit. The guy does seem pretty confident all things considered and constantly posts himself in his Batman costume which could mean he’s a vigilante.

It seems like there's a slight religious angle as well. (Ye and Diddy are both very vocal advocates of Christianity and Drake and Lucian Grange are both Jewish.) Obviously this is a reach, but they’ve been saying rap music was specifically promoted by mostly white label owners in the 80’s to help in the ongoing effort to expedite the systematic oppression of those living in black neighborhoods and the destruction of their family systems. Apparently it was an intentional decision to heavily promote rappers that promoted the very things that were destroying their neighborhoods. (So people know I'm and atheist and have zero agenda, I just thought it was interesting, please stay away from anything antisemitic. War is wrong on both sides.)

*** If my favorite theory is true, there is a possibility the Kendrick and Ye are going after Drake due to their mutual disdain for him and because he’s got a ton of power to dominate the charts and hog the radio airtime like Meek Mill and OG Maco claimed years ago. Even him dropping a record the same day as you could really fuck your album sales up. I’m also sure some of the many rumors throughout the years have had a least some truth and he will most likely snitch to avoid cell block one. I think that Drake could have been instructed to instigate this whole mess in order to draw attention away from the UMG charges brought about by Diddy. Or on the other hand it could be that Kendrick, Ye, and possibly Cole, may have had intel that Drake was going to be involved in the Diddy trial and are just gonna let the receipts show themselves. It might not have been the original plan, but they’ve already accomplished their mission of humiliating him, assuring he couldn’t use his influence to slide through the cracks, and taking over the throne.

Please take everything I say with a grain of salt I have no connection to this world or lifestyle. Regardless I believe all of the knowledge above does a pretty solid job at painting a picture of what may have let up to this and what may have been the source.
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More details found the last couple days…

Drake and Diddy Connections+Coincidences

Drake- In the P Diddy wig video from 2016 he talks about going to party with Drake, Cash, and The Weeknd in Toronto. Drake is also one of Birdman’s protégées who is known for being a predator and is rumored to have used label artists to lure young women.

Travis Scott- Interview where he comes out and says Diddy tried to lure him. Still has a long history of associating with him, video of him running from Diddy, his connection to Ruby Rose while underage.

Tim Westwood- Diddy had connections with sex offender Tim Westwood who also inspired the Drake song, “Westwood”. They also both were victims of drive by shootings along with The Weekend and they were all facing some type of allegations.

T.I.- Also has been associate with Diddy through the years, in 2021 his kid died and 11 women can forward at the same time to accuse him and his wife of drugging and assaulting them. Clearly someone wanted to fuck his life up. Possibly due to him getting arrested so many times for wild shit and people wondering how he continued to get away with it shining a light on how powerful industry lawyers are. He also had recently talked about having a gynecologist check to see if his daughter is still a Virgin, which sounds like it could have been an industrty secret. Could have been because he worried about someone trying to take advantage of her to get to him? Regardless that shit is fucking insane.

50 Cent- Has been saying pretty much the same thing as Travis Scott and has trolled Diddy for most of his career. It came out that his wife was a sex worker who was possibly recruited Diddy to help ruin his career. It sort of worked, which raises the question if 50 Cent is the only victim.

Ray J- Him and his sister worked with T.U.G. records when they were very young. Chris Stokes in the nineties who had connections with Diddy. He has been involved in a lot of sex scandals and allegedly may have played a part in Whitney Houston's death. (Which is also allegedly connected to Michael Jackson's death and both were deemed suspicious and happened during their final tours when their masters (song rights), became more valuable than their lives. Sony Records and Tommy Motolla, who also abused Mariah Carey when she was trying to start her career. These are just a few of the alleged examples of labels taking out musicians when they were worth more dead, another is the signing of high risk artists and requiring them to get life insurance so they can profit beyond releasing all their posthumous records. Also the ever so common story of the rising star artist that die at 21 after their first album or two.

He also partied with Diddy in Vegas with along Floyd Mayweather and a bunch of other famous industry people and athletes.

Tory Lanez- Tons of blackmail, also was signed by Interscope under UMG. got sent to prison for ten years after trying to leave his label. Also history of SA and and other allegations of violence towards women.

French Montana- On Diddy's label, close with Rick and Khaled, tons of drug and sexual assault allegations, also dated a Kardashian. Generally grimy.

DJ Khaled- Diddy said he could get anything in Miami, either referring to drugs or women, could explain his connections and lack of any notable talent. (New update, he was one of the first to promote Chris Alvarez’s instagram not long after he turned 18).

Rick Ross- Diddy said some weird shit about him and licked his lips and kissed him at a show. Ross is also signed to Bad Boy under Diddy. He ended up getting involved in the current feud and spamming social media nonstop dissing and threatening Drake.

A lot of the back and forth was both of them threatening to release dirt on each other. One strange coincidence I found was Drake recently trolled Ross about the 20 million dollar renovation to his home on Star island, where Diddy is currently residing. It’s rumored back in the day that P Diddy was caught in a room full of rich guys on ecstasy possibly at the beginning stages of a gay orgy. Drake also mentioned in the same tweets about Rick Ross that Birdman owned a house on the island and asked Rick Ross why he didn’t help him out.

Considering Ross is so sketchy and Drake claims the house isn’t that big, that’s a ridiculous amount of money. He may be covering up evidence, or creating tunnels in his house to escape if shit pops off and Drake might know what’s good. Interestingly enough Ross is very close with French Montana and also signed to Bad. He said his beef was related to something involving French, and Drake’s tweet popped up the same day the info came out concerning the Chris Alvarez stuff.

The famous line from U.O.E.N.O.

Meek Mill- “OG Maco called himself defending his friend Quentin Miller by substantiating the ghostwriting claims and agreeing with Meek. He hit up Twitter saying, "Some of us been knew. Meek just put it in the air. Sucks to have to compete with 6 n****s and get compared to”

Meek mill also had a short beef with Drake, some disses included lines referring to TI’s homie pissing on Drake at the movie theater, which is also interesting considering the current case against him. He also dropped a line saying Diddy almost got a domestic charge when he smacked Drake, which could either be saying that Drake is like a woman, or saying he was Drake’s boyfriend/sugar daddy.
( If you made it to the end comment with the number 8)
I thought it was interesting how the beef just kind of disappeared and even Meek said it didn’t seem genuine. Considering the allegations against Meek in the Diddy trial, and his rumored affair with Kim contributing to ending Kanye’s marriage, Meek Mill definitely did some dirt on him.

“Niggas frauds I told the truth, don't ask me shit
All this industry fake enemy and rap shit”

“Money make a sucker that told look trill again”

One of the many chapters in Drake's history in which he is seen paying his way out of trouble and starting beefs randomly.
“Now when that shit went down with Chris, you wrote a check”
This line is referring to Chris brown beef, another beef that was lost to time. All I can remember off the top was someone throwing a champagne bottle at the other’s entourage.

Ty Dolla $ign- Huge feature artist, close with Ye. Grew up in the industry and talks about growing up on the road and being in the studio with his dad and Rick James who was should have already been in prison for life for dragging, torturing, and S assaulting multiple women and children throughout his career and was himself a victim of the industry. May be part of Ye's motivation, considering their recent close working relationship.
The end.
Courtesy of,
The Randomest Moniker

Hello Internet!
I am a teen author, who started writing books at age 9. I invented a story to help me cope with death and my childish fears as I laid my head down to sleep. And, as I've grown, I've wanted to use my stories to help other lost people like me get sleep at night and have something to help them cope with reality too. I owe my story to you people, so, I decided to announce it here, before I finished writing it. This is so I can get your feedback on how you think the story should go as a whole. I have a general skeleton of how it will go, but I would like others to give the story it's flesh, to make it more than my story, but everyone's story.
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Summary/Description/Background of My Current Idea of Dream Reapers:
After the humanoids rip the ground of all of its life and vitality, the mythicals come out of hiding to save them all. They combine their ancient magic to build three portals that entwine the three dimensions on earth. They name them all based on the soil and air of the corresponding lands. The first dimension, the dead, rotten, human infested dimension, was named Dystopia, and was overrun by clockwork creatures and new terrifying wildlife. The next was called Fantasia, that was where most mythicals were from, and where over the next thousands of years they would mingle and merge into one species of many evultimates (creatures mixed over time with other creatures) , the land was fresh and full of life, the air was crisp with clarity, it was named Fantasia after old humanoid text and beliefs about the Mythics. The final dimension was named Everlast, this is where the reaped souls of the other dimensions go to rest before moving on, this is also where the Immortal Reptarians live. All living dimensions (Fantasia and Dystopia) lived without access to Everlast, making it legendary or even mythical.
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Thousands of years into the future, and @#$@! evultimate hatchlings get a mysterious warning from @$$*#U%$ telling them to search for Everlast, because if they don't, the dimensions would (#*$#&%*#@&%. The problem is, none of them can remember anything about their past, and through various missions, therapy sessions, and reunions, they slowly put the pieces together to save the worlds they travelled their entire childhoods.
Things this Story Includes:

• Anthropomorphized Mythological Creatures and Animals
• Multiple POV's or Main Characters
• Daemons and other dark spirits
• Alternate Dimensions
• Many types of LGBTQIA+ Representation and Cultures
• Dystopian/Steampunk worlds
• Time travel(maybe)
• Infected Humanoids(maybe)
• Creative Struggles in a Creative World
• Large amounts of magic
• Famous Fictional Diseases (Zombies, Hanahaki disease)
• Neurodivergent and Mental/Physical Disorder representation
• Prejudice and discourse over freedoms and differences (maybe)
• Found Families
• Runaways/Underdogs
• Nightmares and Suicide/suicidal thoughts
• Alcoholism/substance abuse
• trauma/getting over it
• Escapism/Disassociating from reality
• Loss at a young age
• Finding at least one person who will always love/care for you.
• Intense battle situations (GORE/MURDER)
• Abusive relationships
• Religion (In general I guess: Trying not to spoil everything)
• Open endings :D

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Now, I guess it's time to meet the author, if you're curious! I have no name, so you can all call me by my reddit user. I am genderfluid, bisexual, cupioromantic, abrosexual, polyamorous person. I am the oldest of 5 siblings. I live with 4 other generations. I've been to two funerals before, both people I hardly knew, but felt remorse for either way. I am neurodivergent. I am a lifelong fnaf/Minecraft/Pokémon fan. I am an atheist, but if I wanted to, I'd say I'm a satanist, and if I felt like it, I could say that I admire Judaism and Paganism, but that's all hypotheticals. I am an admirer of cosplay and fur suiting, but for most reasons I sadly don't participate in the costume making/wearing. I come from a big city in "Hicktown" America. I aspire to create a community in which anyone and everyone can join and feel welcome.
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This story is still under development, as I took a long hiatus from it and I kept on reworking it as I aged. I will be posting poles, development updates, as well as character designs (in my art style). I will also link my Discord so we can form a community on there too. On Discord there will be more updates and sneak peaks, but I will try to post equally on both! NOTE: I will be posting usually at around 7:00 p.m. Central Time, except on weekends where I won't do any updates, until late May, due to schooling.
Discord:https://discord.gg/JbZVbfEJ
If you have any questions about me or my work, you can post/comment them here or tag me in a post relative to this one! afterlife AntiLGBTQreal furry Fantasy books fantasybooks genderqueer LGBTQ LGBTQMentalHealth scifi ImaginaryMonsters mythicalcreatures sciencefiction suggestmeabook

I’ve recently played rdr1 and I don’t understand how him Joining the side of the Government makes any sense. So imagine after the events of rdr1 jack is just living a somewhat subtle life (he’s still an outlaw just not committing that many crimes in comparison to the van der linde gang). He’s married with a child and around 1932 she’s been murdered by the same feds who took the life of his father with the help the Italian mafia who have it out for Jack due to being robbed. Jack journeys from the Las Venturas area after an infamous confrontation with the Mob there and discovers that the men in a rockstar fictional Chicago are responsible. On this journey he’s FBIs most wanted so old man Charles has a reservation with a casino where he allows jack to lay low. He warns Jack that “revenge is a fools game” and he tells jack stories of the Van der linde days. High honor Jack heeds his advice raises his child who becomes a famous author of Red Dead and Low honor Jack refuses to stay low and goes to Chicago to rob/kill these men responsible (player choice). Jack is imprisoned in rockstar fictional Alcatraz for life and writes award winning book Red Dead ending the series. (This book theory comes from the book found in GTA V)
Something like this feels more natural to me expressing the tragedy of being a criminal and what it does to family. It seems more interesting and fitting than Jack joining the war and being a good guy knowing what I do now after RdR1. This is my take on how the Jack Marston Lore should play out and though it may not be along these exact lines, I do hope that RDR3 is a Jack Marston game with a storyline of him being a depression era outlaw. What do you think?

Two years ago, Corey Vash got abducted by aliens, and a few months after that, he saved the universe -even if it was mostly on accident. Thanks to the skills of his new bounty hunter friends and no small amount of luck, Corey Vash saved the day, but hero status isn’t all its cracked up to be. The parades and the free drinks are over, leaving the bounty hunters with nothing but the expectations of a frightened universe and the overbearing attention of governments who want picture perfect heroes the only mostly sober crew aren’t cut out to be. With the shadow of another invasion still looming, a murderous new threat starts to stalk their every move, forcing Corey and the crew of the Wild Card Wanderer to move past the mess of bullets, booze, and blind luck that’s kept them alive and become actual heroes -even if they aren’t very good at it.
[First Book][Previous Chapter][Cover Art][Patreon]
Though Kamak did not accept the “job” to attend the new military installation’s unveiling, he still kept an eye on it. The Wild Card Wanderer had taken to the stars, orbiting Centerpoint at a distance, to watch the installation far away from any pomp and ceremony. The massive gun battery drifted into place and was joined to the rest of Centerpoint’s honeycombed platforms, fusing the weapons to the neighboring residential and business districts. The platform full of short-range cluster armaments was an effective deterrent to any Horuk attacks, and a blighted eyesore on the otherwise sleek, modern space station.
Kamak scowled. Centerpoint had been designed as the shining beacon for universal society, the best of everything cooperation could accomplish. Now they’d strapped a gun to it. There had always been outlying defensive stations and security fleets, but seeing a cluster of guns the size of a small city right next to the arts district felt different. It felt wrong.
“I don’t like any of this,” Kamak said. “Smells like they’re up to something.”
Kamak had, naturally, gotten his crew up to speed on everything Ghost had said, to predictably mixed reactions.
“Luckily for us, I think their intent is fairly transparent,” Farsus said. “They see more value in us as propaganda than as bounty hunters.”
“It’s never that simple,” Corey sighed.
“No offense, Corvash, but you’re a little paranoid to begin with,” Tooley said. “And the whole Morrakesh thing probably didn’t help.”
Corey owned a laser sword now, and he still carried a knife in his boot everywhere he went. He’d also insisted on installing an upgraded security system in the Wild Card Wanderer, and, thanks to the fact that Tooley now slept next to him regularly, she knew he was an incredibly light sleeper, frequently waking with a start at even the smallest noise.
“How is some secret Ghost assassin guy showing up to threaten us not something to be worried about?”
“I just think Farsus has a point,” Tooley said. “Now that we’re bigshot heroes they want us retired so we can’t fuck up and get ourselves killed or embarrass ourselves.”
“I’d think you’d be more offended by that,” Corey said.
“I am very offended, but they’re also giving me lots of money,” Tooley said. As boring as the rich people gigs were, they paid well. “It’s creating some very conflicting emotions.”
Tooley had an ego the size of a galaxy, but a love of money that was just as big if not bigger. She had already paid off the sizable cost of the Wild Card Wanderer, and was stocking up savings for the future, and maybe even a new, better ship.
“God, I know,” Kamak said. The money was making it very hard to be as mad as he wanted to be. Having been on the bad side of a conspiracy to make the entire universe hate him, he found it hard to be mad about a conspiracy to keep him famous and successful. “I’d almost rather they were being assholes about it. It’d make it a lot easier to be mad.”
“We keep being stubborn about it, we’ll probably get them there,” Corey said.
“Well I’m real good at being stubborn,” Kamak said. “So I guess we’ll find out.”
“Do we have to?”
All eyes went to Doprel. His massive frame looked hollow and deflated.
“What’s the point?” Doprel asked. “What’s the endgame? Where’s our win condition? Even as a matter of pride, like, to prove we’re not fuckups, isn’t saving the universe enough for that?”
Kamak nodded. That was a pretty big boost to the ego.
“Maybe it is a good idea for us to quit while we’re ahead,” Doprel said. “Even just logistically speaking, it’s going to be fucking hard to top stopping the Invasion, guys.”
“Yeah, well, that’s an easier choice for you guys to make than me,” Kamak said. “Rest of you fuckers are going to be dead in a few decades. I still got the better part of three centuries in me, at least.”
Kamak leaned back in his seat and watched the guns on Centerpoint spring to life, scanning the stars for any sign of an incoming threat. For a moment, one of the colossal guns turned their direction, and Kamak stared right down the barrel. Corey watched the guns turn as they all drifted through empty space.
“Do you guys want to take a vacation?”
“Vacation? Now?”
“Yeah,” Corey said. “We haven’t really taken a breather since we stopped the Invasion. I think maybe we all need to take some time to relax and unpack.”
“I don’t know. Feels like we’d be giving these assholes a taste of what they want.”
“Let them think that,” Corey said. “Let’s take a break. Not think about work for a while, and see how we feel about retiring or not retiring in a week or two.”
“You want to take some time off, I won’t stop you,” Kamak said. “Take your vacation, if you want.”
“If he’s going, I’m going,” Tooley said.
“Ah, of course you are,” Kamak said. “I try to forget you two are shacked up.”
“You can always pay for shuttles,” Tooley said. “I’m not the only pilot in the universe. Even if I am the best.”
“Not ditching me that easily,” Kamak said. “Fine. You kids pick somewhere to go and take your fucking vacation. I’ll get dragged along.”

For the first time since his incarceration, Bankman-Fried described his daily life in a detailed interview with journalist William D. Cohan of Puck:

On a recent Tuesday, I went to the Metropolitan Detention Center in Brooklyn for an intimate chat with America’s most famous prisoner, Sam Bankman-Fried. During our 75-minute conversation, we discussed everything from Caroline Ellison and the travails of his new life, to his regrets about the demise of FTX and his forthcoming appeal.
I got the distinct impression that Sam still doesn’t believe he committed any crimes, only that he was the one responsible for putting FTX in a position where it was vulnerable to a bank run and the devious actions of its competitors

WILLIAM D. COHAN -- May 9, 2024
On Tuesday afternoon, I found myself in the most unusual circumstances—sitting on a small plastic chair at a cramped table in the Metropolitan Detention Center, the federal prison on 29th Street in Sunset Park, in Deep Brooklyn. Outside, it was a gorgeous day, the sort of picturesque and slightly humid one that inevitably reminds longtime New Yorkers of the weather on the morning of September 11th. Inside the prison’s visiting room, however, there was no natural light, no sunshine, only the Hitchcockian buzz of fluorescent bulbs and three vending machines standing in a corner. Posters on the wall attempted to compensate for the bleak atmosphere by buoyantly welcoming visiting families.
I first met Sam Bankman-Fried in December 2021, during the height of his power and influence, when he was the richest person in the world under 30. My friend Anthony Scaramucci, a.k.a. The Mooch, had connected us. On a cold winter night at the One Hotel, on Sixth Avenue, I interviewed him for a documentary I am part of making about Bitcoin and its developer, Satoshi Nakamato. Sam showed up an hour late, in a black t-shirt and cargo shorts, apparently having just flown in via private jet from the Bahamas. A month later, Sam’s cryptocurrency exchange, FTX, would raise its final $400 million round of financing from a group of highfalutin investors—led by Softbank, Temasek, and Paradigm—at a valuation of $32 billion, making the company one of the most valuable in the sector. At that moment, Sam was said to be worth $26 billion.
This week, we reconnected amid very different circumstances. Sam and I arranged for this visit through his Corrlinks email account, at the suggestion of his mother, Barbara Fried, and the family’s prison advisor. We met on Tuesday around 1 p.m. because that was the only day that visiting hours are permitted at MDC, a hangover from the Covid era. Prisoners can have visitors for one of two sessions, either starting at noon or at five in the afternoon.
We were meeting later than noon because of the staffing shortage at the facility. I was allowed to bring in $1 or $5 bills, up to a total of $30, in case I wanted to buy Sam some water, soda, or snacks from the humming vending machines. I was told to put my $20 bill as well as my wallet and iPhone into a locker. Sam was not permitted to buy anything himself.
Following about an hour of bureaucratic snafus (I went to the wrong building at first, and I wasn’t wearing dark pants—although an exception was made for me) and other forms of prison processing (shoes and belt off, metal detection, sticking my hand in a scanner) I was finally allowed inside the prison, without a phone, a watch, a recording device, or even a pad of paper and a pencil. (I knew this in advance, of course, and set about preserving my recollections of our conversation immediately after leaving the facility.)
After a few minutes of waiting, I looked up to see Sam Bankman-Fried, over in the corner, dressed head to toe in a chocolate-brown prison jumpsuit, along with the still-wild frizzy hair that has been his trademark. These days, Sam looks considerably thinner than the last time we met—it appeared he’d lost 25 pounds, at least. But he looked better and fitter than I thought he would, to be honest—less pudgy, less manic, less fidgety, no bags under his eyes.
He was sustaining himself on rice and beans, he said, because the prison food was unsurprisingly inedible, especially the vegan entrées he was served, which his fellow inmates thought literally smelled like shit. He wasn’t complaining, mind you; he noted that he was just trying to make the best of a bad situation. The rice he buys at the prison commissary has become one of the currencies of the realm inside MDC. We joked briefly about how the arbitrage opportunities in jail were better than anything he experienced trading crypto at Jane Street Capital or buying and selling assets at Alameda. He looked me in the eye pretty much the whole time, something he rarely did with people in the old days.
After we shook hands, he sat down in his own plastic chair as a camera watched us from the ceiling. We were surrounded by a couple of other inmates, dressed similarly, facing their visitors. Sam declined my initial offer to buy him some snacks but ultimately agreed to a $4 bottle of water and a small $2 package of Wheat Thins, which he eagerly consumed.
We talked for the next 75 minutes or so, the first in-person interview he has given to a journalist since he was locked up in the MDC last August and then subsequently convicted of two counts of wire fraud, conspiracy to commit wire fraud, securities fraud, commodities fraud, and money-laundering at his federal trial in November. In March, he was sentenced to 25 years in prison. Our chat, under these rather drastic circumstances, was a profoundly jarring and fascinating experience.

Prison Diaries

Sam began by answering my question about his life in prison. According to him, he lives in an area of the jail that was dedicated mostly to incarcerated women, save for the 35 men with whom he shares a dormitory-style existence in a big open room—bunk beds, no privacy, extreme boredom, and four television sets tuned to ESPN, Telemundo, BET, and a news channel. Sam said he could try to persuade his fellow inmates to change up the channel selection, but television bores him, so he has no interest in that challenge. He prefers watching a small selection of movies or playing some inferior video games on a tablet, without an internet connection, that the prison provides him and other inmates.
When I told him he seemed better than I had anticipated, he replied that he’d become good at faking it. So, yes, life inside the MDC is not the Bahamas. But, truly, I had expected to see him coping less well. At the MDC, Sam has mostly been permitted his prescription medications, and the cocktail he’s been allowed has him thinking clearly, he said, and energized for the legal battle he plans to wage soon against the verdict.
In the meantime, he told me, he doesn’t fear for his safety. He can use the bathroom and shower a couple of times a week in peace. He’s always been a light sleeper, and he’s still not sleeping soundly at the MDC, but mostly because people sometimes bug him during the night about those bags of rice, which they intend to use to barter. He has not been touched or abused, and he seemed notably thankful for that.
He acknowledged that he has a unique rap sheet at MDC, and his fellow prisoners indeed recognize him. He estimated that about half of the other 35 men in his unit were murderers who had been turned into cooperating witnesses for the prosecution in exchange for not serving a life sentence. In prison, many inmates consider cooperating witnesses the lowest form of vermin, lower even than child molesters. Sam also told me that some of the other prisoners tried to get close to him, thinking they would benefit financially from the proximity to a former billionaire. He doesn’t play along, he said.
We didn’t talk about his trial strategy or whether he intentionally siphoned off the $8 billion of FTX customer funds into Alameda. Both topics seemed moot at this point. We did discuss his onetime girlfriend, Caroline Ellison, whom he selected to run Alameda after lawyers kept hounding him about the inherent conflicts in him running both FTX and the hedge fund. (He chose to run FTX.) He acknowledged that he had asked a few other people if they would be interested in the role, but they turned him down. Ellison, he said, was a good manager of people and a good administrator but didn’t like making big investments and didn’t like taking risks. (Obviously, this seems like a bizarre aversion for a hedge fund manager, but I didn’t belabor the point.) In any event, Alameda ended up doing both.
He regretted that he had not tried harder to find another executive. He also said he should have ignored the lawyers and just kept running both FTX and Alameda, conflicts be damned, sort of like how Elon Musk oversees his various companies. Wishing he had ignored his lawyers’ advice emerged as a theme of Sam’s during our visit.

Legal Therapy

We did talk a fair amount about his appeal and about how he believed he was set up to be the fall guy—the victim of the old build-’em-up-only-to-tear-’em-down narrative arc. His theory of the case was that by the fall of 2022, it was every man for himself on a boat that looked to be sinking. By early November 2022, FTX was facing a liquidity crunch. Sam first sought a deal with Binance, which quickly fell apart or was never truly real, and was in the process of trying to raise billions in capital when his lawyers advised him to turn the keys of FTX over to John J. Ray III, which he did. Ray quickly filed FTX for bankruptcy and installed Sullivan & Cromwell, the company’s outside counsel, as counsel to the debtor.
Sam became the target of federal prosecutors, he told me, soon after FTX’s outside counsel at Sullivan & Cromwell made a presentation to them, on November 9, 2022, a day or so before the bankruptcy filing, about what they believed Sam may have engineered between FTX and Alameda, which has been described as the theft of $8 billion of customer money. In a sworn declaration about that meeting, S&C attorney Andrew Dietderich said he reported to the D.O.J. only what Ryne Miller, FTX’s U.S. general counsel, told him about a problem of “reconciling digital assets with entitlements” on FTX’s U.S. exchange, and nothing about Sam and his alleged transgressions.
Sam told me that had he not been persuaded by Sullivan & Cromwell and then by his personal attorneys to relinquish his job as C.E.O. to Ray, the company would not have filed for bankruptcy, and it would still be a thriving enterprise, worth $80 billion now. In this alternate reality, he would be worth $40 billion and he certainly wouldn’t be at the MDC. (S&C declined to comment on Sam’s theory of the case. It’s also fair to reiterate here that Sam was sentenced to 25 years in prison after a jury convicted him of the crimes described above.)
I got the distinct impression that Sam still doesn’t believe he committed any crimes, only that he was the one responsible for putting FTX in a position where it was vulnerable to a bank run and the devious actions of its competitors, not unlike how both Bear Stearns and Lehman Brothers failed in 2008. Why, Sam wondered, was he prosecuted when no one at either Bear or Lehman faced criminal prosecution? During our chat, Sam was contrite and certainly chastened, but not exactly apologetic: He was adamant about his innocence, aside from a few degrees of negligence—punishable, in his view, perhaps by civil consequences, not criminal penalties and a quarter-century sentence.
According to Sam’s theory, he isn’t in prison for commingling assets of FTX and Alameda. Instead, he’s an innocent guy who didn’t get a chance to negotiate a deal with the federal prosecutors, and wonders why he was even prosecuted at all for what he believes was a form of a bank run. Instead, they just presented him with his indictment and told him he could eat it— accept it and plead guilty and then get sentenced, or go to trial and try to fight it. Since there was no plea bargain on the table, he said, he fought the charges at trial, and lost. Unlike his fellow inmates, he told me, Sam speaks to his new attorney nearly every weekday for an hour or so, as the focus of his appeal comes into view. He expects to file it this fall. Yes, he will appeal, but most people think he faces long odds of success.
On the day of my visit, Sullivan & Cromwell, still counsel to the debtor-in-possession in FTX’s bankruptcy case, filed a first draft of a plan of reorganization that appears to give its customers and creditors all of their money back, plus a little more—a return of $15 billion on $12 billion of claims—in large part because of the investments Sam made through Alameda. The plan, which still has a long way to go before being confirmed, also gives Sullivan & Cromwell, along with other FTX advisors, “exculpation” from future lawsuits related to its conduct in the matter. This is not unusual in a plan of reorganization. But Sam has exhaustive thoughts on this subject, which I may explore with him in a follow-up conversation.

Go West, Young Man

I’m not sure how much longer Sam will be at the MDC, and neither is he. He has asked to remain in Brooklyn at least until the fall, when his appellate brief will be filed. But that’s not up to him, of course. If he gets moved, which could come at any moment without warning or explanation, I’m told, it would probably be to California, closer to Palo Alto, where he grew up, the son of two Stanford Law professors. At that point, the question will be whether he gets to spend his incarcerated years in a federal penitentiary, which are mostly nasty places filled with hardened criminals, or in more of a minimum security prison, as Mike Milken once did.
If he does get moved out of Brooklyn, his family and legal team worry, he could spend as long as four months on a bus, handcuffed to the seat, making his way, slowly, across the country. Such prison buses make frequent stops—picking up new prisoners, dropping off others—which explains why they take so long to reach their final destinations. There’s also a remote possibility that he could be placed on one of the many planes operated by the U.S. Marshals Service, a.k.a. “Con Air.” But he’s more likely to get the infamous “diesel therapy,” they fear. Either way, during this hypothetical cross-country journey, Sam would be completely incommunicado with both his family and his lawyers until he reaches his new home in California, deprived of the minimal access to the internet and email he now enjoys in Brooklyn.
Just as we were getting ready to discuss some knotty issues, such as his choices during his trial or the fact that many of the people who once worked for him had turned against him to save themselves, our visiting time was up. It was non-negotiable. We quickly shook hands again. Then Sam went back to his dormitory and I went back outside into a glorious spring afternoon.
Credits/Via: https://puck.news/exclusive-prison-chat-with-sam-bankman-fried/

I wasn't planning on watching Thrice Upon A Time. I had not liked the previous films and they seemed like a very inferior product compared to the original anime. However, the good reviews and opinions I saw about it encouraged me to do so. I did it with as open and tolerant a mind as possible, knowing that there was a good chance I wouldn't like the film. "What's the worst that could happen? That I don't like it and continue to prefer the original series? At least I'll be entertained for two and a half hours," I thought. What I did not expect at all is the deep feeling of disgust and repulsion that this film provoked in me, in a way that no other film has provoked in years.
I hated the movie from start to finish. I could spend hours talking about the boring action sequences, about its ugly, excessive CGI that ruins the already ugly mecha, about its disgusting hypersexualization of fucking 14-year-old girls, about how Misato's plans don't make sense, about how Last Kiss almost made me tear my ears off, or its plot full of Deus Ex Machinas with concepts conveniently taken by Hideaki Anno from the place that his last name suggests; but the real reason I'm writing this is because I feel like these movies spit on everything the excellent original work represents.
Not only because as adaptations they fail miserably, but also because they retroactively damage the original work (we'll talk about that later).
Before I begin to explain why the rebuilds are bad adaptations, I want to warn that I am going to do a relatively exhaustive review of the 4 films, so this rant is going to be very long, like staying up late on a winter night with chronic insomnia. That said, let's start to see the reasons:
WHAT IS NEON GENESIS EVANGELION?:
To understand why rebuilds fail as remakes, I must first ask you, dear reader: What does Neon Genesis Evangelion mean to you? (it should at least be familiar to you, unless you've spent your life under a bridge) What do you think about when you read that title, apart from Shinji fucking in front of a comatose Asuka? What comes to mind when you hear the most famous opening in anime history, apart from Shinji strangling the otter against Happy Thursday's throat? (in more ways than one). If your answer is: "It's a mecha anime for emos with a coomer protagonist", that's fine, I respect that; but please press the red "X" in the top right corner of your screen, you can now leave.
Now, I'm going to get serious and explain my definition: Evangelion is a work about the hedgehog's dilemma and the difficulties of forming emotional bonds that human beings have, as well as the consequences of trying to separate from them for fear of rejection. It is not a story about heroes. It's not a story about saving the world. In Evangelion there are neither heroes nor villains, but rather a group of emotionally broken characters trying to be happy in a world just as broken as them. The real enemy of Evangelion is not the angels. It is the lack of communication and empathy.
https://es.wikipedia.org/wiki/Dilema_del_erizo
It is that same lack of communication and empathy that progressively causes everything to go to hell to conclude with a cathartic and bleak ending, but consistent with the themes of the work. It is therefore an existentialist work about human relationships disguised as a mecha anime. This, added to a unique visual style, daring direction, and mechas like never before seen on television, made Evangelion one of the most influential anime in all of history, as well as a true commercial success for Gainax Studio. Success that encouraged other studios to carry out projects such as Cowboy Bebop or Serial Experiment Lain, taking anime towards a new golden age.
Even today you can hear the echoes of that Third Impact of End of Evangelion in 1997. The list of works influenced by Evangelion both inside and outside of Japan is endless. Of course, it is not a perfect work, nor extensive in errors: its target audience is ambiguous, many of the biblical references are more for decoration than anything else, and several aspects of the ending(s) could have been explained better. However, many of these errors can be attributed to a lack of time and budget during the production of the original anime (which was quite chaotic and improvised); therefore, they are understandable and forgivable.
In summary, we can conclude that Evangelion is a dark, introspective, provocative and unique work (at least at its time). This is also combined with a unique visual identity and complex characters whose relationships intertwine and interconnect throughout the work. The sum of all these factors is what led Evangelion to be such a critically acclaimed work that it transcended its own genre and became an icon of popular culture. And this in turn constitutes the biggest mistake of rebuilds; because they commit the biggest sin that an adaptation can commit: denying everything that made the original work great.
ADAPTING WITHOUT A CLEAR PURPOSE:
One of the biggest problems with these remakes (as well as a clear example of what I'm saying) is their total narrative inconsistency. Let me explain: the first rebuilds movie (1.11) is a literal copy-paste of the first 6 chapters of the original anime, with practically the same scenes, dialogues and even music. This makes the film completely redundant and unnecessary (and makes one wonder why it exists); But in any case, the message is being conveyed that the purpose of these remakes is to adapt the original series as faithfully as possible to the cinema with a current animation style.
However, the second movie (2.22) is a... something. A pastiche of new and old things where the plot broadly follows that of the original anime, but with many things changed (of course, for the worse) and a different ending. All this compressing no less than 14 chapters of the original anime into two and a half hours. Here the message that one can infer is that it seeks to adapt the original story (very briefly) by changing and rearranging certain elements, now more in line with what an adaptation is.
However, then we get to 3.33 and... well, after a 14-year because reasons timeskip, we're now in a post-post-apocalyptic world (repetition intended) where ex-Nerv members fight against Nerv itself. Nerv in giant spaceships, there are mechas everywhere, Misato is a sociopath, and Shinji and Asuka still look exactly the same because "DAMN JEBA." Here we can infer that what is sought is to create a totally new story and take it in different directions than the original. The following movie (3.0+1.01) is the only one that is consistent with this purpose.
Whether all these narrative pirouettes were planned in advance or not (clearly not), we can see that there is a clear incongruity between what is intended to be done and what is finally done. All of this generates a strong narrative chaos where the elements and themes of the original anime are mixed with the new ones, creating a total inconsistency. Since also in 3.0+1.01 it is revealed (unfortunately to me) that everything is part of the same universe and this is not really a remake, the excuse of "they are different universes, they don't have to be the same" doesn't work either.
In fact, one thing that you will see me comment a lot throughout this article is the lack of narrative consistency of these remakes, especially in comparison to the original work.
A HEDGEHOG WITHOUT TICKS:
No character in Evangelion better embodies the central theme of the work than Shinji Ikari, its own protagonist. Shinji is not a hero: he is not brave. He is not a genius. He is not charismatic. He is not selfless. He doesn't want to save the world. His reason for piloting the Eva is to gain recognition and appreciation from others; especially from his father, whom he hates, but at the same time admires; He feels that she despises him, but he also wants (and needs) that she loves him. Shinji spends the entire series in the dilemma between escaping from what hurts him (classic avoidance behavior) or accepting it and moving on, even at the risk of being hurt again.
This theme is rock solid throughout the entire original series: from the first to the last chapter of the anime, and from minute one to the very end of End of Evangelion. Even the opening itself makes several visual references to Shinji's hedgehog dilemma. This can make Shinji an infuriating character for audiences accustomed to typical anime protagonists; but it's those same things that make Shinji such a unique and special character. He deconstructs and subverts the hero's journey. And it's not as if this hinders the plot: Shinji is not proactive, but he also does not spend the series crying, as many often claim.
https://files.catbox.moe/eolho0.mp4
https://es.wikipedia.org/wiki/Monomito
And as you may already be imagining, the Shinji of the rebuilds does not have a hedgehog's dilemma. Or rather, he has it, but only during the first movie (copy-paste of the original anime) and part of the second. This is a problem, because it creates a strong narrative inconsistency (again) where it seems that two Shinjis exist at the same time or that this one is bipolar. As of 3.33, Shinji's entire character arc is based on trying to redeem himself for his past mistakes first by unleashing "Almost Third Impact" (what a stupid name) and subsequently preventing Kaworu's death while trying to right said mistake.
Is this a bad thing? Not necessarily. The problem is that I have already seen the arc of the hero who fails to eventually rise up and succeed in 100 trillion works, while the hedgehog's dilemma in none more than in Evangelion (at least in my case). Which makes Shinji a much less interesting character. Some might argue that in 3.0 + 1.01 Shinji does have such a dilemma because he spends half the movie crawling on the ground; but there is not a hedgehog's dilemma, but rather depression for having seen Kaworu's head go KAWOOM (I know, the joke was very bad, but if he didn't do it, I would explode too).
End of Evangelion's Shinji did have such a dilemma because the reason for his depression was having been manipulated and used by someone he had previously opened up to and then forced to kill him, not for failing in his mission (in fact, he was very efficient in her mission to separate Kaworu's head from her body), which in turn brings sexual (and later, deadly) results for Asuka. I insist: narrative consistency. But this is not the worst: the worst thing is that at certain moments in these films, Shinji becomes the typical shonen savior hero, betraying the central point of his character in the original series.
https://youtu.be/E-x-f2OrWeA
A perfect example of this is the ending of 2.22, where the fight in chapter 19 (COINCENTLY from where the original anime starts to get more introspective) is transformed into a ridiculous shipping attempt, with Rei turned into a damsel in distress and Shinji into a savior hero while spouting all the typical cliché lines, topped off with a disgustingly cheesy ending. But of course, how could it end otherwise? With Shinji's Eva practicing cannibalism on Zeruel's corpse (the original scene)? Too disturbing for current times. Shinji and Rei fighting as a team to defeat him? Yes of course. Rei has enough not being in the kitchen. Besides, Asuka already takes care of that, hoping to receive her alpha male's cock as a reward.
https://youtu.be/TPS0Uk0TkP0
Because, like any good modern anime protagonist, Shinji now has a harem.
FETISHING WITHOUT CONTROL:
Of all the characters who are now part of Shinji's harem, the one who is most harmed by this is Rei (Asuka's case is different, and the other character is an infernal creation from Anno's sick mind). Not only because acting like a bitch in heat goes totally against her personality and because of the murky situation, considering that she is a clone of Shinji's mother, but also because her character is reduced to a mere fetish object that does things cute to produce tenderness in the viewer and make coomers buy their figurines.
Rei is an interesting character because he raises numerous existential questions based on the ship of Theseus paradox: the concept of identity, to what extent we can consider ourselves still ourselves, the construction and definition of a "self", etc. But here, her screen time piloting her Unit 00 is minimal (COINCENTLY most of it in 1.11) and her exploits are practically irrelevant or non-existent, also being reduced to a mere damsel in distress at the end of 2.22, as I said before.
https://es.wikipedia.org/wiki/Paradoja_de_Teseo
In 3.0+1.01 he doesn't even get to pilot an Eva. Her role in the film is to cause pity and produce tenderness with her total ignorance (I see that the idiot Anno forgot that all the Reis are born with basic knowledge) while she is seen with different hairstyles, different outfits, working as a farmer, taking care of a baby, etc. In short, a fetish object where she wants the public to value her for how "moe" she is instead of for her abilities or as a character. In Anno's mind, feminism advances in reverse. Ironic, considering that it was precisely Rei who unintentionally started the moe culture.
Of course, it goes without saying that Rei is not the only one who suffers from this extreme fetishization of her character in these films. Under the excuse of paying homage to End of Evangelion, Asuka now always wears an eye patch (needless to say it has nothing to do with having been injured there), a cap with cat ears, in addition to having a very convenient trend for the coomer public of walking naked and semi-naked through other people's houses. She sometimes puts on the plugsuit, but near the end of the movie, it is conveniently torn off, lest we forget that this is made by the Japanese.
One of the best examples of how this hareminication has destroyed the main female characters is in the elevator scene. In the original anime, Rei tries to advise Asuka in a time of particular vulnerability and depression. Rei's limited social skills, coupled with Asuka being Asuka, cause her to misinterpret the attempt to help as mockery and an act of condescension, triggering a slap from her towards Rei and a worsening of her already strained relationship and Asuka's mental state. Rei doesn't fight back because she knows that doing so would only make things even worse.
It is an excellent dramatic scene because it once again brings to the foreground the hedgehog's dilemma and the difficulties between human relationships, very much in line with what Evangelion is. In 2.22, this scene is gratuitously introduced and turned into two horny bitches fighting over which of the two will let their alpha male penetrate first, with a highly OC Rei stopping the assault attempt in a 100% gangsta way to make her see more "cool." The scene doesn't even make plot sense, because Asuka at that moment is not even depressed, and in the original anime this occurs at a much later time under a very different context.
and speaking of asuka...
SOMEONE CALLED ASUKA:
When I started watching these movies, I was afraid that Asuka's character had undergone modifications to make her more "palatable" to new audiences. What took me completely by surprise was how radically different this Asuka is from the original. So different that they can't even be considered the same character. To show it very clearly, we are going to review the personality of both:
Asuka from the original anime: An energetic and outgoing half-German, half-Japanese girl (actually it's 1/4, but who cares) who loves to be the center of attention and have everyone praise her due to the lack of parental love received during her childhood having been abandoned by her father and supplanted by her mother, who suffered from severe mental disorders. She is extremely proud and competitive because she feels that being Eva's pilot is the only thing that gives her an identity and purpose, which makes her tend to become quickly frustrated when things don't go her way and become defensive when she feels like she is being outmaneuvered. . He loves to make fun of others (especially Shinji), to the point of being cruel at times, but he does not do it out of malice, but rather to compensate for his enormous inferiority complex due to the rejection suffered by his mother and having witnessed her. committed suicide (and possibly even tried to kill her) the day she was chosen as Eva's pilot and came running to wish her a Happy Thursday. She admires Kaji and wants to fuck him because she hates her own adolescence, she needs to feel adult and independent due to suffering from a certain Electra complex for having lacked a true father figure during her childhood. She has a sweet and vulnerable nature, but she rarely expresses it to anyone except her best friend Hikari and I better stop this now because too much text.
Rebuild Asuka (hereinafter "Asuka"): A girl soldier created by Nerv as part of a series of clones who has always been alone and thinks she doesn't need anyone, although she secretly wishes to have a family. She hits and insults others for no reason, she yells a lot, never smiles or makes jokes, and hates socializing with others, which doesn't stop her from looking for Shinji's dick within 2 days of meeting him. She always plays video games while someone is talking to her and at night she talks to herself with a doll like an autistic person.
As we can see, these two characters not only look nothing alike: several of their traits directly contradict each other. Because they look alike, they are not even alike in aesthetics: the original Asuka had red hair and dressed in the traditional feminine way, while "Asuka" is light brown and dresses in a tomboy style (which I'm not saying is wrong, I'm just commenting to show the radical difference). It's not that they have changed Asuka: it's that they have directly murdered her to supplant her by someone with whom she only shares her first name (not even her last name). And needless to say, the change has been VERY for the worse.
To describe the first character, I had to spend 15 damn lines, and even then I had to leave out many important facets of his personality, his development in the original series and his entire character arc in EoE, because if I didn't have one endless bible For the second, 6 lines were enough for me, and I could have had more left over if I had been more concise. The first character is a complex and three-dimensional character, with multiple facets, edges and layers. She feels like a real person. The second character is a generic tsundere that you can find in any mecha anime of the week. She is not even comparable to the first; She's not even a good character.
We cannot speak of Flanderization because not even the most basic traits of the character have been respected. Nor can we speak of a deconstruction because that same absence of basic traits means that there is no character construction on which to stand in the first place. Obviously, this change greatly resents the interactions between characters: the original Asuka was a charismatic and fun character with the ability to drive the plot on her own (as soon as she appears in chapter 8 of the original anime she is already changing the entire dynamic between characters) , while "Asuka" is mostly only in the background or to fight; He doesn't even have a character arc as such. In fact, in 2.22 he has even less screen time than several supporting characters.
His chemistry with Shinji is also non-existent (and I'm not just referring to the romantic level) and they barely have any development together. They like each other here because... ehhhh... she likes how he cooks and he thinks she's hot? It's not that the AsuShinji (or ShinSuka, or whatever the hell it's called) here is forced: it's just that it doesn't even make sense. The only reason people still ship them together is because they did it in the 90s. Yūko Miyamura's performance also feels very lackadaisical and lacks passion, which is quite unlike her. Although perhaps this is intentional, since her character always talks as if she has the spear of Longinus permanently stuck up her rectum. In fact, the few times she says her iconic "Anta baka?" This one feels very forced, in addition to not having her characteristic high-pitched tone.
In short, the character has suffered the same fetishization as Rei (gamer girl, tomboy, one-eyed, etc.), but also with the aggravating factor that not even her basic characteristics have been respected here. This is especially disconcerting when we take into account that the rest of the characters have their original personalities more or less intact (albeit simplified). Even more disconcerting if we take into account that Asuka is possibly the most popular character in all of Evangelion, and even more so if we consider that she is Anno's favorite character (in fact, the initial idea was for Asuka to be the protagonist).
https://evaresources.wordpress.com/der-mond/
Given this, the inevitable question arises: "Why?" What was the point of turning Asuka into an inferior and tsundere copy of Rei, even more so when there are already three clones? It has always been rumored that Asuka is not popular in Japan, but that is completely false. The only semi-rational explanation I can think of is that they did it to please the haters. It's no secret that a portion within the Evangelion fandom (and outside of it) hates Asuka with a passion. They see her as someone toxic and cruel who dedicates herself to screwing others for no reason, without understanding that you don't have to like a well-written character.
https://imgur.com/a/KznXE1x
What these people fail to understand is that Asuka's verbal abuse is a defense mechanism to avoid opening up to others, since Asuka constantly says things that do not fit with what she really feels or thinks (clear proof is chapter 16 from the original series). It's not like it matters much, considering they were never more than an extremely vocal minority. That the character is so popular is proof of this. The great irony of all this is that the new "Asuka" is a much more unpleasant and detestable character than the original, since she lacks the redeemable qualities of the original and her moments of comic relief.
And if until now I have been more or less benevolent with this remake, this is something I cannot forgive: because changing a character just because a group of people doesn't like it is one of the most cowardly and pathetic acts in the world. that a writer can fall. The fact that this was also at the expense of one of the best female characters in the history of anime and with a wonderful story arc makes it even more bloody. Any other halfway competent writer would have responded with this.
https://youtu.be/5Js0ea6yPKM
...although if we go by Ockham's razor, the most likely explanation is simply that Hideaki Anno is mentally retarded.
A CHARACTER TO DESTROY A FRANCHISE AND BIND IT TO DARKNESS:
Mari Makinami Illustrious A.K.A María Iskariote (what an appropriate last name) is one of the worst creations ever made by humans. Not since the atomic bombs has humanity created something so horrible. Worse than the holocaust. Worse than fascism. Worse than Facebook memes. Worse than stepping on a lego. I would even dare to say that it is worse than pizza with pineapple. No character better reflects Anno's mental decline or better embodies all the problems of the current anime industry than this trash.
This character contributes absolutely nothing to the plot, he does not contribute at any time to its advancement, he lacks his own development or story, he does absolutely nothing relevant in the 3 films in which he appears, and he does not even have a defined personality. So much so, that all of her scenes could be eliminated or replaced by any other character and she would barely affect the plot, or not affect it at all.
The character is so frighteningly one-dimensional that she doesn't even show different emotions or moods during the three films in which she appears, always being perpetually happy and carefree even in tense situations for literally no reason. This leads to moments as surreal as her starting to sing and hum in scenes that are intended to be serious or dramatic (or so I think; perhaps what they wanted was to turn this into an unintentional comedy), again generating a gigantic narrative dissonance. The last third of 3.33 is the best example of this.
But that's not the worst: this character is clearly made for otaku coomers to masturbate to. She has almost every fetish possible: glasses/lenses (whatever they call it in your country), pigtails, miniskirt, schoolgirl, saying "nya", big tits, obsession with smell and tight outfits, etc. To make matters worse in 3.0 + 1.01 we discover that she is 48 years old, so we can also add the milf fetish. Evidently, her tits always bounce in her plugsuit (she would swear that never happened in the original series) and there are many close-ups of her ass. In addition to constantly making sexual advances towards Shinji, which also turns this piece of shit into a potential pedophile.
If the thing simply ended there, we could say that this character remains a mere annoying and unnecessary secondary character. Unfortunately, the character is also disruptive to the plot, occupying long filler scenes that do nothing more than waste time that is already scarce in a film, and that could have been used on something else more interesting; like Pen Pen watching TV, Pen Pen eating a sardine, etc. Without going any further, both 2.22, 3.33 and 3.0+1.01 begin with a long filler scene of her hitting on her. Well, to be honest, the 3.33 one is more Asuka, but this abortion is still out there fucking and singing.
It would not be an exaggeration to say that discussing why this character exists is much more interesting than any other debate that can be created about these films. I still think about it. However, the ending of 3.0+1.01 gives a good clue: the character was created solely and exclusively to stay with Shinji. I can only imagine that Anno made this tired of the fandom shipping and the arguments over who Shinji should stay with, so he decided to end the matter by creating his own ideal waifu with all the fetishes he likes in a woman to end it. with this. It's disgusting, but considering we're talking about a Japanese, totally possible.
It's surreal coming from the man who harshly criticized the use of anime as escapism and the excessive female objectification and sexualization in it, but it's the only semi-decent explanation I can think of. Basically, he is what is called a mascot character in literature. That would explain why this character never shows doubts, nor any kind of internal conflict, or why he is a better Eva pilot than Asuka and Rei themselves. It is also very revealing about the quality of the Rebuilds: creating a self-insert OC just to be the partner of the protagonist or another main character is the quintessential trait of all bad fanfiction.
However, among all this tsunami of disqualifications, I also have to say something positive: spending three movies giving hope to the shippers only to have Shinji be cuckolded simultaneously by Rei and Asuka in the last one and end up with a character with which had zero development (before 3.0+1.01 I didn't even know its name) is a true trolling masterclass, worthy of the best of ball pumpers. Only a true emperor of evil would have come up with such a twisted and at the same time perfect way to screw over a large part of the fandom. I give you my tens, Anno.
THE ANTI-UNIVERSE OF ANTI-NARRATIVE:
Of all the new concepts that Anno brings up at the last minute from the place named after his last name, none stands out more than the "anti-universe." Or, as I like to call it, the "anti-good writing." Basically because it perfectly represents all the problems of the rebuilds and their script. In the final stretch of 3.0+1.01 we have the last-minute revelation of a quantum plane of existence capable of turning imagined worlds into reality and changing this through Lilith, which cannot be understood by the human mind (wow, WHAT CONVENIENT!) and whose existence has never been mentioned or even hinted at in the entire franchise until CONCIDENTLY the aforementioned last third of the film.
In other words, a gigantic Deus Ex Machina created in an improvised way to avoid repeating End of Evangelion and forcing a happy ending where Shinji creates an ideal universe for each character (although that is questionable, as we will see later). And it is far from being the only one: the spear of Cassius, the Eva of Infinity, the key of Nebuchadnezzar, the Book of Life, and so on. None of these concepts are integrated into the plot in an organic and natural way, but rather they arise spontaneously at its convenience when it needs it. Except for the new "Super Berserker Mode" of the Evas, which is simply a power-up to sell figurines.
As I said before, if at least this were an alternate universe separate from the original anime, all this bombardment of concepts pulled out of the ass would be a little better justified. But the revelation that everything is a cycle and we are in the same universe as the original work only makes it even worse, generating countless inconsistencies about why they never mentioned this or never used that (what's the point of the seeds of life If you can create universes simply by imagining them?). Although without a doubt, the worst of all these new concepts is "the curse of Eve."
Here we have a new concept with very strong repercussions completely launched, which is not even an explanation in itself, it does not answer anything and to make matters worse, the same films contradict each other several times. Needless to say, this is a cheap excuse for the three main characters not to grow up and continue sexualizing 14-year-old girls after the most gratuitous timeskip ever seen. And speaking of timeskip, putting such a long one in the middle of the story is a first-time writing error. If you are writers, never do that: the bigger the time jump, the more things you will be forced to explain, since the less you do it, the more plot holes will form as a result.
And of course, here it explains little to nothing of what happened these 14 years. Like where Nerv got such a tremendous base from, if in 3.33 it seemed that together with Rei and Kaworu it was made up of four people. Or how they have gotten such an army of pseudo-Evas, especially when these are supposed to be extremely expensive (wow, and SEELE with all her unlimited resources was barely 9 in EoE). Or worse yet, how Kaji managed to stop Almost Third Impact (seriously, the name couldn't be stupider). None of these questions are answered at any time. Obviously because they can't do it.
Evangelion has always been characterized by leaving things up to the public's interpretation, but here I feel that they are vilely taking advantage of it so as not to have to give any kind of explanations. And in the case at hand, do not even pay attention to contradictions. Like Touji and Kensuke got on Unit 01 and that doesn't stop them from being 28 after the timeskip. Or that Mari appears to be 14 despite looking like an adult in Gendo's photos and flashbacks, plus the fact that Evas, by simple logic, could not exist back then.
The height of absurdity is when near the end of 3.0+1.01 the "unexpected" revelation occurs (actually we all saw it coming) that everything is a cycle and we are facing a reboot of the original timeline, of which only Kaworu seems to be conscious. He let them guess without giving them any clues how many times Kaworu mentioned or even hinted at such a thing in the original series. Needless to say, nothing is ever explained about it: Who created that cycle? (Adam? Lilith? The First Ancestral Race? Hideaki Anno's last name?) For what purpose? How does it work? How long does it last? Why is Kaworu the only one who remembers him? Do these remakes make sense?
THE DEATH OF A STYLE:
Fortress-cities folding in on themselves. Designs and constructions oscillating between the nineties, the utopian and the cyberpunk. Meshes of flesh and blood animated with the souls of the dead fighting with classical music in the background. A mysterious and ambiguous lore where aliens, technology and conspiracies mix with gnostic, cabalistic elements and the most esoteric aspects of Christianity (did the History Channel predict Evangelion?). Minimalist posters moving quickly between frames. Monochrome backgrounds flashing aggressively (bad luck if you were epileptic). So consistent with its themes that the A.T. fields themselves. They were an allegory of the hedgehog's dilemma (I'm not making this up, Kaworu himself says it in chapter 23).
https://imgur.com/a/2M0eDVK
The sum of all these factors is what allowed Evangelion to build an absolutely unique identity, the one that allowed people to say "hey, that's an Eva!". Starting in 3.33, all that is lost to disappear in 3.0+1.01 in favor of giant spaceships, mechanical mechas made of pure CGI, battles full of colored lights, multiverses and time loops. I'm not saying these elements are bad in and of themselves, but I've already seen a thousand mecha stories with these. For that, I start watching any of the versions of Gundam or Macross. I could also complain about the boring shots without audiovisual language and always using the same color palette, but to be fair, that is an endemic evil of current anime.
And like any bad remake, 3.0+1.01 can't help but pay homage to several scenes from the original work, completely failing to understand the point of said scenes. As an example, we have Ritsuko shooting Gendo for no reason other than to pay homage to End of Evangelion, ignoring that the context between both scenes is very different. Furthermore, here they never explain the relationship that exists between the two, so the scene makes no sense; especially for those who never saw the original series, who will also find mentions of facts that these films have never shown or bothered to explain.
Even worse is when they try to pay homage to the iconic battle between Asuka and the Eva Series. Not only because of the total absence of the graphic violence and choreography of the original, but because what makes that fight so remembered is its emotional component, since it is preceded by a narrative catharsis in which Asuka discovers that the Her mother's soul was always in Unit 02, in addition to being marked by the constant tension of knowing if she will be able to finish the fight before the Eva's energy supply runs out. Here the Evas never run out of energy (why do they need the power supply, then?), so there is no such tension.
In the original fight Asuka may not be shooting 1387945 Evas with a super cannon larger than her as she falls through an... interdimensional hole?; But there you feel every blow, you can appreciate every movement in detail, and the dramatic tension in crescendo only improves the result. If this were a shonen, the logical thing is that Asuka would win. After all, her character arc has been wrapped up in a climactic way. Unfortunately, this is Evangelion. When the Evas Series manage to cause a mortal wound with the pseudo-spear of Longinus and the energy counter reads zero, the outcome is already decided. What happens next is horrific (Asuka's enemies are cruel to her even after she is dead), and just as horrifying are Yūko Miyamura's screams and Miki Nagasawa's performance as Maya announcing that Asuka is dead. In the Rebuilds there are no performances anywhere near that level.
End of Evangelion will be as dark and uncomfortable to watch as you want, but it is a film where all those responsible put their souls into achieving the best possible result, both on a technical and artistic level.
and well, I think that for today I have already downloaded too much, an apology for the large amount of text, I will make a second part at another time because I have so many things to comment on... anyway, I hope you have a good day/afternoon/night or when you read this .

There is an essay by "raver anthropologist" Simon Reynolds that has become a kind of cult thing amongst Hardcore Techno aficionados. It got published in The Wire in 1998; it turned into a cult object not only because it was one of the rare cases where Hardcore music was mentioned in a bigger zine during the late 90s (as opposed to the many badly xeroxed Hardcore-fanzines, with a run of ~50 copies, of which most were destined to end up on soaked squat party toilet room floors), but because it also focused on a very specific person: Marc Acardipane, his releases, and his label family. [1]
In it, he called Marc "the forgotten man of Techno", and followed up with the reasons for that: even though he was right there at the proper beginning of "Techno", was hugely influential, and good friends with many people that are now considered to be true pioneers and legends by vox populi, he fell out of favor when Hardcore itself fell out of favor amongst the Techno folk; because he stayed true to his "core roots" and didn't disown them, like so many other producers did on their way up to the place amongst the stars (and on their way down to the sewers again).
But let's move on from Simon, The Wire, and the year 1998. What happened after that date? First, Marc itself was pulled out from the "shadow zones"; because at least the Hardcore and Gabber scene finally remembered its Techno roots, and kept worshiping those roots again; although under different monikers, such as "oldschool", "oldstyle", "early rave", and so on - I guess "the names have been changed to protect the innocent". This meant that "Technoid Hardcore" could be enjoyed at Hardcore parties and festivals once more (often on separate floors), which led to a lot of gigs and exposure for Marc and his Planet Core Productions sound. [Note: PCP aka Planet Core Productions was a label family run by Marc Acardipane and Thorsten Lambart in the 90s.] It also influenced the Hardcore scene as a whole. A succession of genres such as "newstyle", "millennium" and "mainstyle" came into existence; genres that to 98% were built upon PCP and PCP-adjacent tracks: "Stereo Murder" (produced by Acardipane), "Atmos-Fear" (produced by Acardipane), "Poltergeist" (released on his label), "Flesh is the Fever" (released on Things To Come Records, a label with personal ties to PCP and that was inspired by PCP), plus various others.
This was already a good thing. But then, slowly but steadily, the Techno folk re-gained their interest in Hardcore and harder sounds, too; and now that the "millennial dominance" of the Techno scene, together with their favoring of minimalist and dandy-esque sounds, is slowly fading away, a younger generation is taking over the scene, and that new generation is very, very hardcore.
This led to a renewed interest in the works of Marc Acardipane, his crew, and his output again, coming straight from the heart of the Techno world. Marc himself acknowledged this development in some of his interviews, and added that the Techno people are sometimes even more zealous and knowledgeable about this music than the die-hard old-school gabbers!
A very fine evolution indeed; and we hope Marc gets into the spotlight again because of this, and that he finally reaps the respect that he deserves!
But why is the Techno folk favoring him and his sound specifically - in fact, more than a lot of other "Hardcore" players? I think this is because - and now we cycle back to 1998's "The Wire" essay - his sound is *indeed* heavily connected to Techno. It's not just some ultra-aggressive, ultra-noisy Gabber outing. It's real, true, bona fide Techno music. More than that, it represents a "road not taken" in the history of Techno music. Because, when you go back to the advent of Techno, to Detroit, Chicago, Berlin, London, Frankfurt, there was always a Hardcore contingent. Hardcore was always part of the Techno spirit, it helped to shape and mold the Techno sound. Alas, as mentioned above, it got disowned, and it became almost "forbidden" to speak of this type of music within Techno circles.
A liminal space that always lingered next to the scene as time moved on; a place that people did not dare to enter.
All this is changing now again. And while "every boy and his dog" (i.e. zines, webcasts, music academies) had their own Marc Acardipane feature by now, focusing on his more Hardcore and Gabber output, we decided to do the very opposite here, and showcase the Techno tracks from the past days of the PCP oeuvre, released using a cornucopia of aliases.
Bon appetit!
Oh, and by the way: we very dearly love "I like it loud", too!
(This list is in no particular order)
1. The Mover - Over Land and Sea how can one not love this track? great techno beats, rhythms, groove... and then this cosmic, celestial arrangement in the middle... the beats come back in, and the dancefloor erupts into madness. the flip side ("underwater operations") is also very well worth a listen.
https://www.youtube.com/watch?v=VuYMsR1Cae8
2. Cyborg Unknown - The Year 2001 (Deep in Detroit mix) this is going deep into the history of detroit techno indeed. it's not enough to be friends of the jaguar here, this track channels cybotron just as much as it does metroplex. funky!
https://www.youtube.com/watch?v=c2q4v8_YxbE
3. Trip Commando - Cross The White Line a techno behemoth of the most epic proportions. has probably one of the most elongated build ups in dance history, until the epic cinematic breakdown unfolds. highly recommended!
https://www.youtube.com/watch?v=tGWv1e2hBZk
4. Turbulence - Whurlstorm this was on the second release by Industrial Strength Records - a label that shaped Hardcore history, too. it starts as a nice little nasty techno track, until everything breaks apart in the mid-riff, and turns into a hurricane of bass frequncies.
https://www.youtube.com/watch?v=sngue8baqPs
5. The Mover - Nightflight (Nonstop 2 Kaos) and this was on Industrial Strengh Records number one! As Lenny Dee licensed "We Have Arrived" (a fantastic hardcore track, to say the least) for his label, and put that number on the back side. a cold groove, percussion that almost feels like a breakbeat... lots of bass, cyber-synth.... this is just dancefloor heaven.
https://www.youtube.com/watch?v=snnHspK1QYI
6. Countdown Part V - Untitled (A1) Countdown FFM is another sub-label to go for if one is looking for some technoid gems. stellar electronic intro, then we get into dance grooves, and things become more deviant as acid sounds sneak in.
https://www.youtube.com/watch?v=bfIL6OCtN3o
7. Alien Christ - Of Suns and Moons (Phase II) inspired by "Suburban Knights - The Art of Stalking" (a true classic, originally released on Transmat). Marc made this influence his own, and delivered a very detroit-ish underground rave anthem.
https://www.youtube.com/watch?v=xGmmDrQTyyY
8. The Mover & Lunatic Asylum – Frequency Surfers Lunatic Asylum aka "Dr. Macabre" is another person that was entwined with electronic music history while turning into a global player in the hardcore sector at a later date. this is a joint-venture of these two titans of techno, and the result is a very trippy, very twisted and surreal track.
(Cannot be found on youtube, but here are audio previews: https://www.toolboxrecords.com/en/product/17643/techno-hardtechno/dance-ecstasy-2025/ )
9. The Mover - Astral Demons (Original Mix) you should have realized by now: the mover is a synonym for high quality productions. this is one of my favorite pics from the legendary "frontal sickness" releases; and indeed adds a very demonic vibe to the whole dance thing.
https://www.youtube.com/watch?v=lSMT2KdQt5Q
10. Rave Creator - A New Mind (Thai Acid Mix) "Thai" was a pcp sub that focused specifically on techno, acid, even a bit of trance-ish tracks. despite the alias, this was put out on DE 2001 instead. It's a remix of the famous "A New Mind" track.
starting with pure bass drones. it builds up very slowly, until thunderous, reverberated bass drums come in, and then it goes into full-on acid feeding. similar to "cross the white line", this track could be given the title "cinematic techno soundtrack".
https://www.youtube.com/watch?v=yGpuMbLicZU
Honorable Mentions:
T-Bone Castro - Return 2 Planet E Reincarnated Regulator - Italian Stallion Craig Tayaffo - Reduction (Back For Acid-The Expanded 0,25 Hrs Mix) Barracuda - Braineaters Two Tonys - Organ Bitch Nasty Django - Ey Loco Cold Rush Records Frontal Sickness 1+2 Reincarnated Regulator - Mindeater Climax - Relax Nasty Django - 3 P Rules! SexDrive Entertainment - No.2 T-Bone Castro / Ace The Space - Ace In The Hole Project Æ - Whales Alive Ultra Spaceman - Ultra-Style
Footnotes: 1: The original Wire essay - http://reynoldsretro.blogspot.com/2015/03/marc-acardipane-mover-pcp-dance-ecstasy.html

In case you missed it, here are my reactions to the previous episodes:
https://www.reddit.com/umineko/s/W3975jzCUM (Episode 1)
https://www.reddit.com/umineko/s/KNSuiUpGTD (Episode 2)
https://www.reddit.com/umineko/s/YD15EZQjJH (Episode 3)
https://www.reddit.com/umineko/s/nVsP81nhAx (Episode 4)
https://www.reddit.com/umineko/s/z5X7WIJbFW (Episode 5)
https://www.reddit.com/umineko/s/rb1AMenQtv (Episode 6)
Impeccable Intuition: Holy shit!!! I have learned something new about myself: I should trust myself. However, I shouldn’t trust my mind, only my heart. My logic told me Battler was the culprit, but my intuition signaled out Shannon, Rudolf, Kyrie, and especially Rudolf as being the most suspicious. The Shannon theory was supplemented by logic, but it still came mostly from intuition. I was onto Rudolf and Kyrie ever since episode fucking one!!! And I was especially onto them during episode two.
Note: All this is based on whether the truth Bernkastel showed us is legitimate or not.
I just knew that there was something fucked up about Rudolf (and Kyrie). Something felt off about this from the very beginning. Now, of course, this might end up not being actually legitimate, but leave me alone right now, I’m currently dancing on cloud nine. I’ve gotta shout it to the sky: I’m not crazy! Maybe a little bit with my Battler theories, but my heart was in the right place.
Godddd, I feel so unbelievably validated right now. Y’all really kept your mouths zipped tightly shut every time I mentioned them, didn’t you? Kudos, most communities would’ve spoiled that kind of twist. I’m honestly feeling incredibly appreciative of this wonderful community right now. Y’all are awesome. Thanks for letting me experience things and not letting the urge to reveal things win over.
Return of the Bestcest: Ahahahahaha. On that note, y’all also suck! One of the things I had heard coming into the series was that there was some sort of incest plotline. But y’all really told me, “Oh? Where’d you hear that?” There’s a term for this: gaslighting. Y’all gaslit me into thinking that I had heard wrong. Evil little buggers, that’s what y’all are. XD.
But Goddamn! There was a lot of incest in this episode. Freaking Kinzo with his own daughter, creating Beatrice (Shannon/Kanon) who then gets with Battler (and George + Jessica). Yeesh. I had been expecting it coming in, but I hadn’t imagined there would be quite that much incest. If Battler and Beatrice/Shannon had a child together, I’m pretty sure its inbreeding coefficient would be 28%, that’s more than the famous Habsburgs who were at only 25%. They’d still lose to the Ptolemies, though; the infamous Cleopatra VII could have had an inbreeding coefficient as high as 45%. And that’s not even the extent of it, Cleopatra was married to her sibling/s, if they had had children together, the resulting child would have had an inbreeding coefficient of about 90%.
And it’s not only incest, it’s incest with his relative who is herself a child of incest. And not only that, but it’s essentially a coterie of cousins trying to figure out which one of them can bang their cousin-aunt the fastest. Are we sure I didn’t get lost and accidentally end up on the crusader kings subreddit?
Smidgen of Beatrice/Metaverse: This is one thing that has really been hurting the story in my opinion. There’s so little Beatrice in it, particularly Beatrice and Battler interacting with one another. I’m still not sure what the relationship of the reborn Beatrice is to the old Beatrice. Did she inherit her memories? If she did, it was never explicit, which is unfortunate, because I would have liked to see it.
Beyond that... c’mon, what’s with her funeral? All that kinda came out of left field. Is this a separate Beatrice, created by Bernkastel to show Featherine the answers. Does that mean that the Battler who appears in this episode is also a piece created by Bernkastel?
Additionally, all of this begs the question: what exactly is the nature of the metaverse? Is it something that has actuality? Or is it something that only exists within the mind (Ange and Featherine’s?), or is the story going to leave this vague and undefined to hone in its thematic messages?
Regardless, the point is that I desire more Beatrice and Battler interactions. I hope that this funeral of hers isn’t the last we see of her. Battler and Beatrice were wed, but I still feel like something’s missing, it hasn’t yet come full circle, not until it is explained what drove Beatrice to the extremity of her cruelty in the first few episodes. That wasn’t simply a hurting heart, it was sadism.
Lion Ushiromiya: So, if I’m understanding it correctly, this is what Shannon/Kanon/Beatrice could have been had Natsuhi not yeeted her off the cliff. Also, does this mean Jessica is lesbian? Lmao. Unless my Kanon = Shannon theory is wrong, that is, then ignore all of this. I’m pretty sure that this is the correct conclusion, though. This comment is my justification of it: https://www.reddit.com/umineko/comments/1co28vs/comment/l3bu6ho/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button
Additionally, it is hella suspicious that when Willard tells Shannon to fetch Kanon so they can talk about it together, Shannon says quite forcefully that she is unable to do so. And the fact that Beatrice told Shannon she would create a friend for her using magic, which is usually key in her language for “I’m about to make some shit up.”
It’s an interesting character, the booty pinching is a nice touch. I don’t have much to say on this subject, it’ll be interesting to see where the character goes in the final episode. Hopefully she (he doesn’t feel right) makes things come full circle in relation to the culprit.
Beatrice Castiglioni: The backstory of Kinzo and the true predecessor Beatrice was fascinating. It certainly makes everything fit together, although it is an outlandish tale that no one would have ever been able to guess. I also guessed that the Beatrice that Rosa met was the daughter of the original Beatrice, but I never imagined that she was Kinzo’s daughter, and I certainly never guessed that Kinzo would force himself upon her in the name of banal batshit love. Or that the Beatrice that Maria meets with was both Kinzo’s daughter and granddaughter.
Clair Vaux Bernardus: I am currently working on the assumption that Claire is simply the veiled version of the culprit, Shannon. Meaning that Yasu = Sayo = Shannon = Beatrice = Kanon = Baby Battler. Hence the title she refers to herself with, “one, yet many.” Or, in layman's terms: batshit crazy. She definitely has dissociative identity disorder. I guessed Shannon may have been the culprit in my previous post, but I think the moment it really nailed home is when I realized that Shannon couldn’t be Yasu’s senior servant. She would’ve been far too old.
Besotted Beatrice: Shannon’s story really is depressing, though. I’m sure most of us have felt the pangs of love. Many of us have probably felt it even worse than Shannon, so we should be able to empathize with what she went through. That all being said, it is not Battler’s fault by any stretch of the imagination. They were kids, it was stupid of him to make a promise like that, but such is life, kids are stupid. What is even more ridiculous, though, is holding onto a spur of the moment childhood promise even after growing up. And no matter how much it might hurt to find out that the one you love doesn’t even remember, it doesn’t justify murder, nor does it wipe away the deserving contempt in the face of such an act.
Next Episode?: I’ve been saying this for a few episodes now, but I do really want to see a big magical showdown happen between Battler’s team and the Bernkastel/Lambdadelta’s team. I was also cheering for Battler to come and rescue Lion and Willard when Bernkastel attacked them. I’m still holding out hope for them to get Gamemaster Battler involved. I trust Battler to sort things out, he hasn’t let me down yet. Long live Meta Battler.
Also, sidenote, but I noticed that in the version of the story that Lion and Ange were shown together, they showed the death of every character except for Battler and Eva. That means that Battler might very well have survived the Rokkenjima massacre in the “real” version of events, assuming that we can trust that classification given by Bernkastel. Which I am going to assume for simplicity’s sake.
Also, what happened to Ange? She got shredded again. Is she dead? Is she dead in the “real world”? Or alive? Or what? It’ll be interesting to see. Regardless, now I’m just happy I can now say without reserve: FUCK DOLFMAN. I’m a simple man, this is all I need to be happy, the knowledge that Rudolf was, in fact, a piece of shit just like my intuition was telling me since episode one. I’ve still got it.

Note:

• All keys are primarily from US/NA region
• My list maybe slightly outdated so I apologize in advance if some of the games mentioned are already traded/Sold.
• I accept XBOX keys as well.
• I accept paypal only via goods and services so all transactions will include fees.
• My Wishlist, I am just interested in these games and mentioned in wants below.

HAVE

• .hack//G.U. Last Recode
• 10 Second Ninja X
• 112 operator
• 198X x 2
• 8 doors
• 9 Years of Shadows
• 911 Operator x 2
• A Fisherman's Tale
• A Juggler's Tale
• A Little Golf Journey
• A Sceptic's Guide to Magic
• A Tale of Paper: Refolded Edition
• A.I.M. Clan Wars
• Aces and Adventures x 1
• Aegis Defenders x 3
• Ageless x 3
• Alekhine's Gun
• Alien Spidy
• Alwa's Awakening
• Amanda the Adventurer
• American Fugitive x 3
• Amnesia: The Dark Descent + Amnesia: A Machine for Pigs
• Amnesia: Rebirth x 2
• Anna's Quest x 2
• Anuchard
• Arcade Paradise
• Arcade Paradise - Arcade Paradise EP x 2
• Arcade Spirits
• Arto
• As Far As The Eye
• Astalon: Tears of the Earth
• AtmaSphere
• Attack of the Earthlings
• Automachef x 3
• Automobilista
• Autonauts vs Piratebots x 3
• Axiom Verge
• Axiom Verge 2
• Back 4 Blood - STRICT NA REGION LOCK x 2
• Ballpoint Universe - Infinite
• Bartlow's Dread Machine
• Batman: Arkham Asylum GOTY Edition
• Batman: Arkham City GOTY
• Batman: Arkham Knight Premium Edition
• Batman: Arkham Origins
• Battlestar Galactica Deadlock
• Bayonetta
• Beacon Pines x 2
• Before We leave
• Behind the Frame: The Finest Scenery
• Beholder 2
• Bendy and the Dark Revival x 2
• Between the stars x 4
• Beyond the wire x 2
• Big Crown Showdown
• Bionic Commando x 2
• Blade Assault
• Blasphemous
• Bloodstained: Ritual of the Night x 3
• Book of Demons x 3
• Boomerang Fu
• Borderlands 2 Game of the Year x 2
• Boreal Blade x 3
• Boundless
• Bravery and Greed
• Broken Age
• Brothers: A Tale of Two Sons
• Builder Simulator x 1
• Bunker Punks
• Butcher
• CAPITALISM 2
• CHESS ULTRA
• CODE VEIN
• CROSSBOW: Bloodnight x 2
• Call of Juarez Gunslinger
• Canyon Capers
• Capitalism 2
• Car Mechanic Simulator 2018
• Car Mechanic Simulator VR
• Cardaclysm
• Carnival Games VR
• Caveman World: Mountains of Unga Boonga
• Celeste
• Charlie's Adventure
• Chicken Assassin Reloaded
• Children of Silentown x 2
• Chivalry 2 x 2
• Chivalry: Medieval Warfare x 2
• Citizen Sleeper
• CivCity: Rome x 3
• Civilization III x 2
• Clutch
• Cobra Kai: The Karate Kid Saga Continues
• Conan Exiles
• Convoy
• Cook, Serve, Delicious! 3
• Cook, Serve, Delicious! 3?!
• Cook-Out
• Cookie Cutter
• Cosmic Star Heroine
• Crash Drive 3
• Crazy Machines 3
• Crown Trick
• Cultures - 8th Wonder of the world
• Cursed Castilla (Maldita Castilla Ex)
• Cyber Hook x 2
• DISTRAINT 2 x 2
• DOOM Eternal DELUXE EDITION
• DUCATI - 90th Anniversary
• Dagon: by H. P. Lovecraft - The Eldritch Box DLC x 2
• Danger Scavenger
• Dangerous Worlds x 2
• Dark Future: Blood Red States
• Darksburg x 2
• Darkwood
• Dead Age
• Dead In Vinland x 2
• Death's Gambit: Afterlife
• Deleveled x 2
• Demon Pit
• Deponia: The Complete Journey x 2
• Derange
• Desert Child
• Desolate x 2
• Destroy All Humans! 2 - Reprobed x 2
• Deus Ex: Mankind Divided - Digital Deluxe Edition
• DiRT Rally
• DiRT Rally 2.0 - H2 RWD Double Pack
• DiRT Rally 2.0 - Opel Manta 400
• Dirt Rally 2.0 - Porsche 911 RGT Rally Spec
• Dirt Rally x 2
• Disco Elysium - The Final Cut
• Disjunction - gog
• Do Not Feed the Monkeys
• Dracula: Love Kills
• Drake Hollow x 2
• Draw Slasher x 2
• Drawful 2 x 2
• Dreams in the Witch House x 2
• Dreamscaper x 2
• Driftland: The Magic Revival x 5
• Ducati - 90th Anniversary
• Due Process x 3
• Duke Nukem Forever collection x 4
• Dust to the End
• Dying Light Definitive Edition
• ELEX II x 4
• ETHERBORN
• Eador. Imperium
• Earth 2140
• Earth Defence Force 4.1 + all dlc
• Earth Defence Force: Iron Rain
• EarthX
• Edge Of Eternity x 3
• El Matador
• Elderand
• Eldest Souls
• Ember
• Enclave (Gold) x 2
• Encodya - GOG x 2
• Endless Space 2 x 2
• Endzone - A World apart
• Enslaved™: Odyssey To The West™ Premium Edition
• Eternal Threads x 4
• Eternity: The Last Unicorn
• Evergarden x 2
• Evoland Legendary Edition x 2
• Exiled Kingdoms x 2
• Expeditions: Rome x 2
• Expeditions: Viking
• F1 2017 1988 McLAREN MP4/4 Classic Car DLC
• FAR: Lone Sails x 2
• Family Man x 3
• Fantasy Blacksmith
• Fantasy Versus
• Farmer's dynasty x 2
• Fated Souls 3
• Fear Effect Sedna
• Fictorum
• Field of Glory II x 2
• Field of Glory: Empires
• Figement
• Final Fantasy III (3D Remake)
• Five Dates x 2
• Fling to the Finish
• Fobia - St. Dinfna Hotel x 2
• For The King
• Foretales x 1
• Four Sided Fantasy
• Friends vs Friends x 4
• Frog Detective 2: The Case Of The Invisible Wizard x 3
• Frogun
• From Space x 3
• Fun With Ragdolls: The Game x 2
• Fun with Ragdolls: The Game
• Fury Unleashed x 5
• GOD EATER 3 x 2
• GRID Autosport - Premium Garage Pack DLC
• GRID Autosport - Road & Track Car Pack DLC
• GRIP: Combat Racing Artifex DLC x 3
• GameGuru x 2
• GameMaker Studio 2 Creator 12 Months x 2
• Garage: bad trip
• Garfield Kart
• Garfield Kart - Furious Racing
• Gauntlet
• GemCraft - Chasing Shadows
• Genesis Alpha One Deluxe Edition x 3
• Ghost Of A Tale
• Ghost Song
• Gift of Parthax
• Glitch Busters x 2
• Gloria Victis x 2
• Gnog
• Go Home Dinosaurs x 2
• Gold Rush! Classic
• Golden Light x 3
• Golf Club Wasteland
• Gotham Knights
• Gothic 3
• Grand Mountain Adventure
• Green Hell (Region locked)
• Guts and Glory
• Guts and glory
• Hardspace: Shipbreaker x 3
• Have a nice Death
• Headsnatchers x 2
• Heal
• Heavy Burger
• Heli Heroes
• Helion
• Hell Pie
• Hell let loose
• Hellpoint x 2
• Hero's Hour (NA Region) x 3
• Hexologic
• Hi-Fi RUSH
• Hidden & Dangerous 2: Courage Under Fire x 3
• Hidden & Dangerous: Action Pack x 2
• Hiveswap Friendsim x 2
• Hiveswap: Act 1
• Homefront
• Homestead Arcana x 2
• Honey, I Joined a Cult x 2
• Horizon Chase Turbo x 2
• Hot Brass x 2
• Hot Wheels Unleashed
• Hotshot Racing x 3
• Hue x 2
• Hyperdrive Massacre
• I Expect You To Die
• Ice Age: Scrat's Nutty Adventure
• Ikenfell x 3
• Imperator: Rome Deluxe Edition x 2
• In sound mind x 2
• Indivisible x 5
• Injustice 2 Legendary Edition
• Insurmountable
• Interplanetary: Enhanced Edition
• Interstellar Space: Genesis
• Introvert Quest
• Iratus: Lord of the Dead
• Iris And The Giant
• Iron Danger
• Iron Sky Invasion
• Jack Move
• Jack Orlando: Director's Cut
• Journey of Greed
• Journey of a Roach x 2
• JumpJet Rex
• Jurassic Park Classic Games Collection
• Just Cause 4 Complete Edition
• Karma City Police
• Kerbal Space Program
• King Of The Castle
• King's Bounty: Warriors of the North
• Kingdom: Classic
• Kingdom: New Lands x 2
• Kings of Kung Fu
• Kitaria Fables
• Knights and Merchants
• Koa and the Five Pirates of Mara
• Kraken Academy!!
• Kyle is Famous: Complete Edition
• LEGO Batman 3: Beyond Gotham
• LEGO Marvel Super Heroes
• LEGO® MARVEL's Avengers
• Last Inua
• Lawn Mowing Simulator x 2
• Layers of Fear + Soundtrack
• Leisure Suit Larry - Wet Dreams Don't Dry
• Leisure Suit Larry - Wet Dreams Dry Twice
• Levelhead
• Liberated
• Liberated GOG x 2
• Liberte
• Lichdom: Battlemage
• Life is Strange 2 Complete Season (incl. Mascot Bundle DLC)
• Life is Strange: True Colors x 2
• Little Orpheus
• Loddlenaut
• Lords and Villeins x 3
• Lostwinds
• Lovecraft's Untold Stories x 3
• Lust for Darkness
• MO:Astray
• Mad Max
• Magrunner: Dark Pulse
• Main Assembly
• Majesty 2 Collection x 2
• Making History: The Calm and the Storm Gold Edition
• Marvel's Midnight Suns Digital+ Edition + Doctor Strange Defenders Skin
• Mass Effect 2 Origin key
• Medieval Kingdom Wars
• Mediterranea Inferno
• Meeple Station x 2
• Mega Man Legacy Collection
• Memoria + Soundtrack
• Men of War
• Merchant of the Skies x 2
• Middle-earth: Shadow of Mordor Game of the Year Edition x 2
• Middle-earth: Shadow of War Definitive Edition x 2
• Midnight Fight Express
• Midnight Ghost Hunt
• Midnight protocol x 2
• Milky Way Prince - The Vampire Star x 2
• Monaco
• Monorail Stories
• Monster Crown x 3
• Monster Prom 2: Monster Camp x 2
• Monster Slayers
• Monster Slayers - Advanced Classes Unlocker
• Monster Slayers - Fire & Steel Expansion
• Morbid: The Seven Acolytes x 2
• Morkredd x 3
• Mortal Kombat 11 Ultimate Edition x 2
• Mortal Kombat XL x 2
• Moving Out
• Mr. Prepper x 2
• Munin
• Murder by Numbers
• My Big Sister x 2
• My Time At Portia
• Mystery Castle: The Mirror's Secret
• Mytheon
• Mythforce
• Narita Boy
• Nebuchadnezzar
• NecroVisioN: Lost Company
• NecroWorm x 2
• Neoverse x 3
• Neverout x 2
• Neversong
• Nickelodeon all-star brawl x 2
• Niffelheim x 2
• Nigate Tale
• Nioh 2
• Nobody Saves the World
• Noosphere
• Northend Tower Defense
• Nowhere Prophet
• Nuclear DAWN
• OTXO
• Oaken x 2
• Oddworld: Soulstorm Enhanced Edition x 2
• Of Orcs and Men
• Oh My Gore! x 3
• Omensight Definitve Edition x 2
• Operation Tango x 2
• Orbital Racer x 2
• Othercide
• Out Of Space
• Out of Reach: Treasure Royale x 2
• Overcooked
• Overlord: Ultimate Evil Collection
• Ozymandias - NA region x 2
• PAC-MAN 256
• PAC-MAN MUSEUM+ x 2
• PC Building Simulator x 2
• PGA Tour 2K21 x 2
• PULSAR: Lost Colony x 2
• Partisans 1941 x 2
• Patch Quest x 3
• Path Of Giants
• Pathfinder: Kingmaker - Royal Ascension
• Pathfinder: Kingmaker - Wild Cards
• Pathfinder: Kingmaker Enhanced Plus Edition
• Paw paw paw x 4
• Peaky Blinders: Mastermind x 2
• Perfect x 2
• Pesterquest x 4
• Phantom Doctrine x 2
• Pikuniku
• Pine
• Pitiri 1977
• Pixel Puzzles: UndeadZ
• Pixplode x 2
• Planet Alcatraz
• Plants vs. Zombies: Battle for Neighborville (ORIGIN KEY)
• PlataGO!
• Police stories
• Popup Dungeon
• Port Royale 3
• Prison Architect + Aficionado (Dlc)
• Prodeus
• Propnight
• Purrfect Date
• Quern: Undying thoughts
• RAD x 2
• REPLIKATOR
• RICO: London
• RIOT - Civil Unrest
• RPG Maker VX
• Rage in Peace
• Railroad Tycoon 2: Platinum x 3
• Railroad Tycoon 3 x 3
• Railway Empire
• Rainbow Billy: The Curse of the Leviathan x 2
• Re-Legion
• Rebel Galaxy Outlaw
• Rebel Inc: Escalation x 3
• Red Wings: Aces of the Sky
• Redeemer: Enhanced Edition x 2
• Relicta x 3
• Remnants of Naezith x 2
• Remothered: Broken Porcelain
• Renfield: Bring Your Own Blood x 2
• Rescue Party: Live! x 2
• Resident Evil HD REMASTER
• Resident Evil Revelations 2 - Episode 1: Penal Colony x 2
• Resident Evil Revelations x 2
• Retimed x 3
• Reventure
• Revita
• Rig n Roll
• Ring of pain x 4
• Rise Of Industry x 3
• Rise of the Slime x 2
• Roadwarden
• Roarr! Jurassic Edition x 2
• Roboquest
• Rogue Lords x 2
• Roguebook
• RollerCoaster Tycoon Classic
• Rollerdrome NA region
• Romancing SaGa -Minstrel Song- Remastered
• Rover Mechanic Simulator x 3
• Rustler x 4
• SCP : Secret Files x 3
• SPACECOM
• SPRAWL x 2
• STONE x 2
• SUPERHOT VR
• SYSTEM SHOCK: ENHANCED EDITION
• Sairento VR
• Satellite Reign
• Saturday Morning RPG
• Save Room - Organization Puzzle
• Say No! More
• Scheming Through The Zombie Apocalypse: The Beginning x 2
• Scorn x 2
• ScourgeBringer
• Seed Hunter x 2
• Shadow Tactics: Blades of the Shogun - Aiko's Choice
• Shadowhand: RPG Card Game
• Shady Part of Me x 2
• Shantae and the Pirate's Curse
• Shark Attack Deathmatch 2
• Shing! x 2
• Shining Resonance Refrain x 2
• Ship Simulator Extremes x 2
• Shooting Stars! x 2
• Shooty Fruity
• Shoppe Keep 2
• Shotgun King: The Final Checkmate - NA region x 2
• Sid Meier's Railroads! x 3
• Sifu Deluxe Edition Upgrade Bundle x 2
• Silver Chains
• Simple Rockets 2
• Simplerockets 2 x 2
• Simulacra + Simulacra 2
• Sin Slayers
• Size Matters x 3
• Skullgirls 2nd Encore
• Slain: Back from Hell
• Slinger VR x 2
• Snake Pass
• Sniper Ghost Warrior Contracts x 2
• Snowtopia x 2
• Songbird Symphony
• Songbringer
• Sonic Adventure 2: Battle Mode DLC x 2
• Sonic Adventure™ 2 x 2
• Sorry, James
• Soul Axiom Rebooted x 2
• Soulblight x 2
• Souldiers
• Space Cows
• Space Hulk Ascension
• Sparklite
• Speed Brawl x 2
• Spirit Of The Island x 3
• Splasher
• Star Wolves
• Star Wolves 3: Civil War
• Stars End
• Starsand x 2
• Staxel
• Stealth 2: A Game Of Clones
• Steel Rats x 2
• Steelrising
• Still There x 3
• Strange Brigade x 2
• Street Fighter 30th Anniversary Collection
• Street Fighter V
• Strider x 2
• Struggling x 2
• Stubbs The Zombie In Rebel Without A Pulse
• Sunblaze
• Super Magbot
• Super Meat Boy x 2
• Super Panda Adventures
• Super Trench Attack!
• Supraland x 2
• Supreme Ruler 1936
• Supreme Ruler: Cold War
• SurrounDead x 2
• TEKKEN 7 x 2
• THE HEX
• THEM'S FIGHTIN' HERDS
• Tabletop Playground x 3
• Tales of Vesperia: Definitive Edition
• Tango Fiesta
• Tannenberg
• Telefrag VR x 2
• Tesla vs Lovecraft
• The Amazing American Circus x 2
• The Ambassador: Fractured Timelines
• The Ascent
• The Assembly
• The Bard's Tale IV: Director's Cut x 3
• The Beast Inside x 3
• The Big Con x 2
• The Blackout Club
• The Coma 2: Vicious Sisters x 2
• The Curious Tale of the Stolen Pets
• The Dark Pictures Anthology: House of Ashes
• The Darkness II x 2
• The Deed Dynasty
• The Deed II
• The Elder Scrolls III: Morrowind x 2
• The Elder Scrolls IV: Oblivion x 2
• The Elder Scrolls Online
• The Excavation of Hob's Barrow
• The Golf Club 2019 Featuring PGA TOUR x 3
• The Gunk x 2
• The Haunted Island, A Frog Detective Game x 3
• The Henry Stickmin Collection x 2
• The Hong Kong Massacre
• The Invisible Hand x 2
• The Knight Witch
• The LEGO Movie - Videogame
• The LEGO NINJAGO Movie Video Game
• The Legend of Tianding x 2
• The Life and Suffering of Sir Brante
• The Long Reach
• The Mummy Demastered
• The Pale Beyond
• The Quarry - Deluxe Edition x 2
• The Red Lantern
• The Red Solstice x 2
• The Shapeshifting Detective
• The Surge
• The Survivalists
• The Swords Of Ditto: Mormo's Curse x 2
• The Textorcist: The story of Ray Bibbia x 3
• The Town of Light
• The USB Stick Found in the Grass x 2
• The Uncertain - The Last Quiet Day
• The Walking Dead
• The Walking Dead: 400 Days
• The Walking Dead: A New Frontier x 2
• The Walking Dead: Michonne x 2
• The Walking Dead: Saints & Sinners - Chapter 2: Retribution
• The Walking Dead: Saints & Sinners x 4
• The Walking Dead: Season Two
• The Walking Dead: The Final Season x 2
• The Wild Eight
• The Wizards - Dark Times
• Them and Us
• Them's Fightin' Herds
• There Is No Light
• Thief of Thieves: Season One x 2
• This Strange Realm Of Mine
• This War of Mine: Stories - Season Pass DLC
• Throne Of Lies® The Online Game Of Deceit
• Through The Darkest Of Times x 3
• Tilt Brush x 2
• Timelie
• Tin Can x 2
• Toejam & Earl: Back in the Groove x 2
• Tohu x 3
• Tools Up!
• Tools up x 2
• Tooth and Tail
• Torchlight
• Torchlight III
• Total Tank Simulator x 2
• Townscaper
• Townsmen - A Kingdom Rebuilt x 2
• Toy tinker Simulator
• Toybox Turbos x 2
• Train Station Renovation x 2
• Treasure Hunter Simulator x 3
• Trek to Yomi
• Tropico 4
• Truberbrook / Trüberbrook
• Truck Racer
• Tumblestone
• Turbo Golf Racing x 4
• Two Point Campus
• Tyrant's Blessing
• UNDETECTED
• UnMetal
• Undungeon
• Unexplored
• Unto The End
• V-Rally 4
• Vagante
• Vagrant Hearts 2
• Valfaris: Mecha Therion
• Vampire: The Masquerade - Shadows Of New York x 3
• Vane x 3
• Verdun
• Victoria 3
• Vikings - Wolves of Midgard
• WARSAW x 5
• WWE 2K BATTLEGROUNDS + Ultimate Brawlers Pass x 4
• WWE 2K23 x 5
• WWE 2k Battlegrounds
• Wanderlust: Travel Stories - GOG key x 2
• Wandersong x 2
• Wargroove x 2
• Warhammer 40,000: Chaos Gate - Daemonhunters x 2
• Warhammer 40,000: Mechanicus
• Warhammer 40,000: Sanctus Reach
• Warhammer: Chaosbane x 2
• Wayward Souls
• We Are Alright x 2
• Werewolf: The Apocalypse Heart Of The Forest
• West of Dead
• Where the Water Tastes Like Wine
• Whispering Willows
• White Day: A Labyrinth Named School x 2
• Who Pressed Mute on Uncle Marcus? x 3
• Wick
• Windjammers 2
• Windscape
• Wordle 1-5 Quintology Pack
• World's Dawn x 2
• Worms Clan Wars
• Worms rumble + legends pack dlc x 3
• WrestleQuest
• X-COM: Complete Pack x 3
• X-Morph: Defense + European Assault, Survival of the Fittest, and Last Bastion DLC x 2
• X-Morph Defense x 3
• Xcom® 2: Resistance Warrior Pack
• Yakuza: Like a Dragon
• Yet Another Zombie Defense HD x 2
• Yoku's Island Express
• Yooka-Laylee and the Impossible Lair
• Youtubers Life 2
• Zanzarah: The Hidden Portal
• Zombie Army 4: Dead War
• Zombotron

WANT

• Trepang2
• The Pedestrian
• OPUS: Echo of Starsong - Full Bloom Edition

Mainly looking for PayPal (accepting most of the currencies, fees may slightly differ)
MY REP Wishlist
Gems
TF2 keys/ CS2 Cases

Note:

• All keys are primarily from US/NA region
• My list maybe slightly outdated so I apologize in advance if some of the games mentioned are already traded/Sold.
• I accept XBOX keys as well.
• I accept paypal only via goods and services so all transactions will include fees.
• My Wishlist, I am just interested in these games and mentioned in wants below.

HAVE

• .hack//G.U. Last Recode
• 10 Second Ninja X
• 112 operator
• 198X x 2
• 8 doors
• 9 Years of Shadows
• 911 Operator x 2
• A Fisherman's Tale
• A Juggler's Tale
• A Little Golf Journey
• A Sceptic's Guide to Magic
• A Tale of Paper: Refolded Edition
• A.I.M. Clan Wars
• Aces and Adventures x 1
• Aegis Defenders x 3
• Ageless x 3
• Alekhine's Gun
• Alien Spidy
• Alwa's Awakening
• Amanda the Adventurer
• American Fugitive x 3
• Amnesia: The Dark Descent + Amnesia: A Machine for Pigs
• Amnesia: Rebirth x 2
• Anna's Quest x 2
• Anuchard
• Arcade Paradise
• Arcade Paradise - Arcade Paradise EP x 2
• Arcade Spirits
• Arto
• As Far As The Eye
• Astalon: Tears of the Earth
• AtmaSphere
• Attack of the Earthlings
• Automachef x 3
• Automobilista
• Autonauts vs Piratebots x 3
• Axiom Verge
• Axiom Verge 2
• Back 4 Blood - STRICT NA REGION LOCK x 2
• Ballpoint Universe - Infinite
• Bartlow's Dread Machine
• Batman: Arkham Asylum GOTY Edition
• Batman: Arkham City GOTY
• Batman: Arkham Knight Premium Edition
• Batman: Arkham Origins
• Battlestar Galactica Deadlock
• Bayonetta
• Beacon Pines x 2
• Before We leave
• Behind the Frame: The Finest Scenery
• Beholder 2
• Bendy and the Dark Revival x 2
• Between the stars x 4
• Beyond the wire x 2
• Big Crown Showdown
• Bionic Commando x 2
• Blade Assault
• Blasphemous
• Bloodstained: Ritual of the Night x 3
• Book of Demons x 3
• Boomerang Fu
• Borderlands 2 Game of the Year x 2
• Boreal Blade x 3
• Boundless
• Bravery and Greed
• Broken Age
• Brothers: A Tale of Two Sons
• Builder Simulator x 1
• Bunker Punks
• Butcher
• CAPITALISM 2
• CHESS ULTRA
• CODE VEIN
• CROSSBOW: Bloodnight x 2
• Call of Juarez Gunslinger
• Canyon Capers
• Capitalism 2
• Car Mechanic Simulator 2018
• Car Mechanic Simulator VR
• Cardaclysm
• Carnival Games VR
• Caveman World: Mountains of Unga Boonga
• Celeste
• Charlie's Adventure
• Chicken Assassin Reloaded
• Children of Silentown x 2
• Chivalry 2 x 2
• Chivalry: Medieval Warfare x 2
• Citizen Sleeper
• CivCity: Rome x 3
• Civilization III x 2
• Clutch
• Cobra Kai: The Karate Kid Saga Continues
• Conan Exiles
• Convoy
• Cook, Serve, Delicious! 3
• Cook, Serve, Delicious! 3?!
• Cook-Out
• Cookie Cutter
• Cosmic Star Heroine
• Crash Drive 3
• Crazy Machines 3
• Crown Trick
• Cultures - 8th Wonder of the world
• Cursed Castilla (Maldita Castilla Ex)
• Cyber Hook x 2
• DISTRAINT 2 x 2
• DOOM Eternal DELUXE EDITION
• DUCATI - 90th Anniversary
• Dagon: by H. P. Lovecraft - The Eldritch Box DLC x 2
• Danger Scavenger
• Dangerous Worlds x 2
• Dark Future: Blood Red States
• Darksburg x 2
• Darkwood
• Dead Age
• Dead In Vinland x 2
• Death's Gambit: Afterlife
• Deleveled x 2
• Demon Pit
• Deponia: The Complete Journey x 2
• Derange
• Desert Child
• Desolate x 2
• Destroy All Humans! 2 - Reprobed x 2
• Deus Ex: Mankind Divided - Digital Deluxe Edition
• DiRT Rally
• DiRT Rally 2.0 - H2 RWD Double Pack
• DiRT Rally 2.0 - Opel Manta 400
• Dirt Rally 2.0 - Porsche 911 RGT Rally Spec
• Dirt Rally x 2
• Disco Elysium - The Final Cut
• Disjunction - gog
• Do Not Feed the Monkeys
• Dracula: Love Kills
• Drake Hollow x 2
• Draw Slasher x 2
• Drawful 2 x 2
• Dreams in the Witch House x 2
• Dreamscaper x 2
• Driftland: The Magic Revival x 5
• Ducati - 90th Anniversary
• Due Process x 3
• Duke Nukem Forever collection x 4
• Dust to the End
• Dying Light Definitive Edition
• ELEX II x 4
• ETHERBORN
• Eador. Imperium
• Earth 2140
• Earth Defence Force 4.1 + all dlc
• Earth Defence Force: Iron Rain
• EarthX
• Edge Of Eternity x 3
• El Matador
• Elderand
• Eldest Souls
• Ember
• Enclave (Gold) x 2
• Encodya - GOG x 2
• Endless Space 2 x 2
• Endzone - A World apart
• Enslaved™: Odyssey To The West™ Premium Edition
• Eternal Threads x 4
• Eternity: The Last Unicorn
• Evergarden x 2
• Evoland Legendary Edition x 2
• Exiled Kingdoms x 2
• Expeditions: Rome x 2
• Expeditions: Viking
• F1 2017 1988 McLAREN MP4/4 Classic Car DLC
• FAR: Lone Sails x 2
• Family Man x 3
• Fantasy Blacksmith
• Fantasy Versus
• Farmer's dynasty x 2
• Fated Souls 3
• Fear Effect Sedna
• Fictorum
• Field of Glory II x 2
• Field of Glory: Empires
• Figement
• Final Fantasy III (3D Remake)
• Five Dates x 2
• Fling to the Finish
• Fobia - St. Dinfna Hotel x 2
• For The King
• Foretales x 1
• Four Sided Fantasy
• Friends vs Friends x 4
• Frog Detective 2: The Case Of The Invisible Wizard x 3
• Frogun
• From Space x 3
• Fun With Ragdolls: The Game x 2
• Fun with Ragdolls: The Game
• Fury Unleashed x 5
• GOD EATER 3 x 2
• GRID Autosport - Premium Garage Pack DLC
• GRID Autosport - Road & Track Car Pack DLC
• GRIP: Combat Racing Artifex DLC x 3
• GameGuru x 2
• GameMaker Studio 2 Creator 12 Months x 2
• Garage: bad trip
• Garfield Kart
• Garfield Kart - Furious Racing
• Gauntlet
• GemCraft - Chasing Shadows
• Genesis Alpha One Deluxe Edition x 3
• Ghost Of A Tale
• Ghost Song
• Gift of Parthax
• Glitch Busters x 2
• Gloria Victis x 2
• Gnog
• Go Home Dinosaurs x 2
• Gold Rush! Classic
• Golden Light x 3
• Golf Club Wasteland
• Gotham Knights
• Gothic 3
• Grand Mountain Adventure
• Green Hell (Region locked)
• Guts and Glory
• Guts and glory
• Hardspace: Shipbreaker x 3
• Have a nice Death
• Headsnatchers x 2
• Heal
• Heavy Burger
• Heli Heroes
• Helion
• Hell Pie
• Hell let loose
• Hellpoint x 2
• Hero's Hour (NA Region) x 3
• Hexologic
• Hi-Fi RUSH
• Hidden & Dangerous 2: Courage Under Fire x 3
• Hidden & Dangerous: Action Pack x 2
• Hiveswap Friendsim x 2
• Hiveswap: Act 1
• Homefront
• Homestead Arcana x 2
• Honey, I Joined a Cult x 2
• Horizon Chase Turbo x 2
• Hot Brass x 2
• Hot Wheels Unleashed
• Hotshot Racing x 3
• Hue x 2
• Hyperdrive Massacre
• I Expect You To Die
• Ice Age: Scrat's Nutty Adventure
• Ikenfell x 3
• Imperator: Rome Deluxe Edition x 2
• In sound mind x 2
• Indivisible x 5
• Injustice 2 Legendary Edition
• Insurmountable
• Interplanetary: Enhanced Edition
• Interstellar Space: Genesis
• Introvert Quest
• Iratus: Lord of the Dead
• Iris And The Giant
• Iron Danger
• Iron Sky Invasion
• Jack Move
• Jack Orlando: Director's Cut
• Journey of Greed
• Journey of a Roach x 2
• JumpJet Rex
• Jurassic Park Classic Games Collection
• Just Cause 4 Complete Edition
• Karma City Police
• Kerbal Space Program
• King Of The Castle
• King's Bounty: Warriors of the North
• Kingdom: Classic
• Kingdom: New Lands x 2
• Kings of Kung Fu
• Kitaria Fables
• Knights and Merchants
• Koa and the Five Pirates of Mara
• Kraken Academy!!
• Kyle is Famous: Complete Edition
• LEGO Batman 3: Beyond Gotham
• LEGO Marvel Super Heroes
• LEGO® MARVEL's Avengers
• Last Inua
• Lawn Mowing Simulator x 2
• Layers of Fear + Soundtrack
• Leisure Suit Larry - Wet Dreams Don't Dry
• Leisure Suit Larry - Wet Dreams Dry Twice
• Levelhead
• Liberated
• Liberated GOG x 2
• Liberte
• Lichdom: Battlemage
• Life is Strange 2 Complete Season (incl. Mascot Bundle DLC)
• Life is Strange: True Colors x 2
• Little Orpheus
• Loddlenaut
• Lords and Villeins x 3
• Lostwinds
• Lovecraft's Untold Stories x 3
• Lust for Darkness
• MO:Astray
• Mad Max
• Magrunner: Dark Pulse
• Main Assembly
• Majesty 2 Collection x 2
• Making History: The Calm and the Storm Gold Edition
• Marvel's Midnight Suns Digital+ Edition + Doctor Strange Defenders Skin
• Mass Effect 2 Origin key
• Medieval Kingdom Wars
• Mediterranea Inferno
• Meeple Station x 2
• Mega Man Legacy Collection
• Memoria + Soundtrack
• Men of War
• Merchant of the Skies x 2
• Middle-earth: Shadow of Mordor Game of the Year Edition x 2
• Middle-earth: Shadow of War Definitive Edition x 2
• Midnight Fight Express
• Midnight Ghost Hunt
• Midnight protocol x 2
• Milky Way Prince - The Vampire Star x 2
• Monaco
• Monorail Stories
• Monster Crown x 3
• Monster Prom 2: Monster Camp x 2
• Monster Slayers
• Monster Slayers - Advanced Classes Unlocker
• Monster Slayers - Fire & Steel Expansion
• Morbid: The Seven Acolytes x 2
• Morkredd x 3
• Mortal Kombat 11 Ultimate Edition x 2
• Mortal Kombat XL x 2
• Moving Out
• Mr. Prepper x 2
• Munin
• Murder by Numbers
• My Big Sister x 2
• My Time At Portia
• Mystery Castle: The Mirror's Secret
• Mytheon
• Mythforce
• Narita Boy
• Nebuchadnezzar
• NecroVisioN: Lost Company
• NecroWorm x 2
• Neoverse x 3
• Neverout x 2
• Neversong
• Nickelodeon all-star brawl x 2
• Niffelheim x 2
• Nigate Tale
• Nioh 2
• Nobody Saves the World
• Noosphere
• Northend Tower Defense
• Nowhere Prophet
• Nuclear DAWN
• OTXO
• Oaken x 2
• Oddworld: Soulstorm Enhanced Edition x 2
• Of Orcs and Men
• Oh My Gore! x 3
• Omensight Definitve Edition x 2
• Operation Tango x 2
• Orbital Racer x 2
• Othercide
• Out Of Space
• Out of Reach: Treasure Royale x 2
• Overcooked
• Overlord: Ultimate Evil Collection
• Ozymandias - NA region x 2
• PAC-MAN 256
• PAC-MAN MUSEUM+ x 2
• PC Building Simulator x 2
• PGA Tour 2K21 x 2
• PULSAR: Lost Colony x 2
• Partisans 1941 x 2
• Patch Quest x 3
• Path Of Giants
• Pathfinder: Kingmaker - Royal Ascension
• Pathfinder: Kingmaker - Wild Cards
• Pathfinder: Kingmaker Enhanced Plus Edition
• Paw paw paw x 4
• Peaky Blinders: Mastermind x 2
• Perfect x 2
• Pesterquest x 4
• Phantom Doctrine x 2
• Pikuniku
• Pine
• Pitiri 1977
• Pixel Puzzles: UndeadZ
• Pixplode x 2
• Planet Alcatraz
• Plants vs. Zombies: Battle for Neighborville (ORIGIN KEY)
• PlataGO!
• Police stories
• Popup Dungeon
• Port Royale 3
• Prison Architect + Aficionado (Dlc)
• Prodeus
• Propnight
• Purrfect Date
• Quern: Undying thoughts
• RAD x 2
• REPLIKATOR
• RICO: London
• RIOT - Civil Unrest
• RPG Maker VX
• Rage in Peace
• Railroad Tycoon 2: Platinum x 3
• Railroad Tycoon 3 x 3
• Railway Empire
• Rainbow Billy: The Curse of the Leviathan x 2
• Re-Legion
• Rebel Galaxy Outlaw
• Rebel Inc: Escalation x 3
• Red Wings: Aces of the Sky
• Redeemer: Enhanced Edition x 2
• Relicta x 3
• Remnants of Naezith x 2
• Remothered: Broken Porcelain
• Renfield: Bring Your Own Blood x 2
• Rescue Party: Live! x 2
• Resident Evil HD REMASTER
• Resident Evil Revelations 2 - Episode 1: Penal Colony x 2
• Resident Evil Revelations x 2
• Retimed x 3
• Reventure
• Revita
• Rig n Roll
• Ring of pain x 4
• Rise Of Industry x 3
• Rise of the Slime x 2
• Roadwarden
• Roarr! Jurassic Edition x 2
• Roboquest
• Rogue Lords x 2
• Roguebook
• RollerCoaster Tycoon Classic
• Rollerdrome NA region
• Romancing SaGa -Minstrel Song- Remastered
• Rover Mechanic Simulator x 3
• Rustler x 4
• SCP : Secret Files x 3
• SPACECOM
• SPRAWL x 2
• STONE x 2
• SUPERHOT VR
• SYSTEM SHOCK: ENHANCED EDITION
• Sairento VR
• Satellite Reign
• Saturday Morning RPG
• Save Room - Organization Puzzle
• Say No! More
• Scheming Through The Zombie Apocalypse: The Beginning x 2
• Scorn x 2
• ScourgeBringer
• Seed Hunter x 2
• Shadow Tactics: Blades of the Shogun - Aiko's Choice
• Shadowhand: RPG Card Game
• Shady Part of Me x 2
• Shantae and the Pirate's Curse
• Shark Attack Deathmatch 2
• Shing! x 2
• Shining Resonance Refrain x 2
• Ship Simulator Extremes x 2
• Shooting Stars! x 2
• Shooty Fruity
• Shoppe Keep 2
• Shotgun King: The Final Checkmate - NA region x 2
• Sid Meier's Railroads! x 3
• Sifu Deluxe Edition Upgrade Bundle x 2
• Silver Chains
• Simple Rockets 2
• Simplerockets 2 x 2
• Simulacra + Simulacra 2
• Sin Slayers
• Size Matters x 3
• Skullgirls 2nd Encore
• Slain: Back from Hell
• Slinger VR x 2
• Snake Pass
• Sniper Ghost Warrior Contracts x 2
• Snowtopia x 2
• Songbird Symphony
• Songbringer
• Sonic Adventure 2: Battle Mode DLC x 2
• Sonic Adventure™ 2 x 2
• Sorry, James
• Soul Axiom Rebooted x 2
• Soulblight x 2
• Souldiers
• Space Cows
• Space Hulk Ascension
• Sparklite
• Speed Brawl x 2
• Spirit Of The Island x 3
• Splasher
• Star Wolves
• Star Wolves 3: Civil War
• Stars End
• Starsand x 2
• Staxel
• Stealth 2: A Game Of Clones
• Steel Rats x 2
• Steelrising
• Still There x 3
• Strange Brigade x 2
• Street Fighter 30th Anniversary Collection
• Street Fighter V
• Strider x 2
• Struggling x 2
• Stubbs The Zombie In Rebel Without A Pulse
• Sunblaze
• Super Magbot
• Super Meat Boy x 2
• Super Panda Adventures
• Super Trench Attack!
• Supraland x 2
• Supreme Ruler 1936
• Supreme Ruler: Cold War
• SurrounDead x 2
• TEKKEN 7 x 2
• THE HEX
• THEM'S FIGHTIN' HERDS
• Tabletop Playground x 3
• Tales of Vesperia: Definitive Edition
• Tango Fiesta
• Tannenberg
• Telefrag VR x 2
• Tesla vs Lovecraft
• The Amazing American Circus x 2
• The Ambassador: Fractured Timelines
• The Ascent
• The Assembly
• The Bard's Tale IV: Director's Cut x 3
• The Beast Inside x 3
• The Big Con x 2
• The Blackout Club
• The Coma 2: Vicious Sisters x 2
• The Curious Tale of the Stolen Pets
• The Dark Pictures Anthology: House of Ashes
• The Darkness II x 2
• The Deed Dynasty
• The Deed II
• The Elder Scrolls III: Morrowind x 2
• The Elder Scrolls IV: Oblivion x 2
• The Elder Scrolls Online
• The Excavation of Hob's Barrow
• The Golf Club 2019 Featuring PGA TOUR x 3
• The Gunk x 2
• The Haunted Island, A Frog Detective Game x 3
• The Henry Stickmin Collection x 2
• The Hong Kong Massacre
• The Invisible Hand x 2
• The Knight Witch
• The LEGO Movie - Videogame
• The LEGO NINJAGO Movie Video Game
• The Legend of Tianding x 2
• The Life and Suffering of Sir Brante
• The Long Reach
• The Mummy Demastered
• The Pale Beyond
• The Quarry - Deluxe Edition x 2
• The Red Lantern
• The Red Solstice x 2
• The Shapeshifting Detective
• The Surge
• The Survivalists
• The Swords Of Ditto: Mormo's Curse x 2
• The Textorcist: The story of Ray Bibbia x 3
• The Town of Light
• The USB Stick Found in the Grass x 2
• The Uncertain - The Last Quiet Day
• The Walking Dead
• The Walking Dead: 400 Days
• The Walking Dead: A New Frontier x 2
• The Walking Dead: Michonne x 2
• The Walking Dead: Saints & Sinners - Chapter 2: Retribution
• The Walking Dead: Saints & Sinners x 4
• The Walking Dead: Season Two
• The Walking Dead: The Final Season x 2
• The Wild Eight
• The Wizards - Dark Times
• Them and Us
• Them's Fightin' Herds
• There Is No Light
• Thief of Thieves: Season One x 2
• This Strange Realm Of Mine
• This War of Mine: Stories - Season Pass DLC
• Throne Of Lies® The Online Game Of Deceit
• Through The Darkest Of Times x 3
• Tilt Brush x 2
• Timelie
• Tin Can x 2
• Toejam & Earl: Back in the Groove x 2
• Tohu x 3
• Tools Up!
• Tools up x 2
• Tooth and Tail
• Torchlight
• Torchlight III
• Total Tank Simulator x 2
• Townscaper
• Townsmen - A Kingdom Rebuilt x 2
• Toy tinker Simulator
• Toybox Turbos x 2
• Train Station Renovation x 2
• Treasure Hunter Simulator x 3
• Trek to Yomi
• Tropico 4
• Truberbrook / Trüberbrook
• Truck Racer
• Tumblestone
• Turbo Golf Racing x 4
• Two Point Campus
• Tyrant's Blessing
• UNDETECTED
• UnMetal
• Undungeon
• Unexplored
• Unto The End
• V-Rally 4
• Vagante
• Vagrant Hearts 2
• Valfaris: Mecha Therion
• Vampire: The Masquerade - Shadows Of New York x 3
• Vane x 3
• Verdun
• Victoria 3
• Vikings - Wolves of Midgard
• WARSAW x 5
• WWE 2K BATTLEGROUNDS + Ultimate Brawlers Pass x 4
• WWE 2K23 x 5
• WWE 2k Battlegrounds
• Wanderlust: Travel Stories - GOG key x 2
• Wandersong x 2
• Wargroove x 2
• Warhammer 40,000: Chaos Gate - Daemonhunters x 2
• Warhammer 40,000: Mechanicus
• Warhammer 40,000: Sanctus Reach
• Warhammer: Chaosbane x 2
• Wayward Souls
• We Are Alright x 2
• Werewolf: The Apocalypse Heart Of The Forest
• West of Dead
• Where the Water Tastes Like Wine
• Whispering Willows
• White Day: A Labyrinth Named School x 2
• Who Pressed Mute on Uncle Marcus? x 3
• Wick
• Windjammers 2
• Windscape
• Wordle 1-5 Quintology Pack
• World's Dawn x 2
• Worms Clan Wars
• Worms rumble + legends pack dlc x 3
• WrestleQuest
• X-COM: Complete Pack x 3
• X-Morph: Defense + European Assault, Survival of the Fittest, and Last Bastion DLC x 2
• X-Morph Defense x 3
• Xcom® 2: Resistance Warrior Pack
• Yakuza: Like a Dragon
• Yet Another Zombie Defense HD x 2
• Yoku's Island Express
• Yooka-Laylee and the Impossible Lair
• Youtubers Life 2
• Zanzarah: The Hidden Portal
• Zombie Army 4: Dead War
• Zombotron

WANT

• Trepang2
• The Pedestrian
• OPUS: Echo of Starsong - Full Bloom Edition

Mainly looking for PayPal (accepting most of the currencies, fees may slightly differ)
MY REP Wishlist MY IGS REP
Gems
TF2 keys/ CS2 Cases

Hello Apes.
Back with another review of all the tweets sent from memelord and cat inspiration, Roaring Kitty.
If you missed my first review for 13th May, you can find it here.
To reiterate, the description of each tweet is to the best of my knowledge the references made and the speculation is pure speculation on my part, this is just for fun and shouldn't be taken as any financial advice, make your own decisions, I just like the stock. If you have anything to add feel free to in the comments and I'll do my best to update the post.
11am - https://x.com/TheRoaringKitty/status/1790396654971224430
Description: The infamous scene from the movie Troy where Achilles rather reluctantly at first, comes forward to fight the mighty Boagrius. Achilles runs at him, defending against a few spear throws then with one epic jump and slide, stabs Boagrius with this blade killing him in one clean strike. The music dubbed on this clip is Counting Bodies Like Sheep To The Rhythm of the War Drums by A Perfect Circle.
Speculation: Chosen warrior blessed by the gods comes forward in front of the masses and takes out the big baddie. You could make the speculation that the song could reference something to do with DRS (A Perfect Circle) and SHFs bleeding out (counting bodies like sheep).
11.30am - https://x.com/TheRoaringKitty/status/1790404203715887238
Description: First of all we have a cat talking to itself in the mirror stating the words, "Don't be the bigger person today, be the person that helps them understand that sometimes when you f**k around, we find out...". We then cut to arrested development where Buster who is portrayed as a bear has something to say, "i wanna shoot down everything you say, so i feel good about myself. cause i'm an uptight [insert copious amounts of swearing].
Speculation: First part DFV knows they (Shorts) have messed around again and have been doing it dirty. The gig is up again, time to close and pay up. The second part is a funny scene from arrested development where Buster, a character who just cannot fit in properly goes AWAL to try and show he has a nasty side, it just comes across as way too far. DFV just poking fun at bears here no doubt.
12:00pm - https://x.com/TheRoaringKitty/status/1790411757120561628
Description: First we have a scene from The Town where Doug says to James, "I need your help. I can't tell you what it is, you can never ask me about it later, and we're gonna hurt some people." and James replies, "Who's car are we going to take?" Then it cuts to Mad Max where there are a load of sand buggy cars going nuts with flame throwers and all sorts of chaos with the song Du Hast by Rammstein playing in the background.
Speculation: I haven't seen the Town but from reading online this scene showed the amazing friendship between Doug and James when James simply replies, who's car are we going to take? in response to what sounds like a risky ask for help from Doug. Then with Mad Max: Fury Road we have a film about a post apocalyptic survivor in Max Rockatansky who eventually brings down a warlords Citadel (hmmm).
12:30pm - https://x.com/TheRoaringKitty/status/1790419301976903884
Description: First we have the whistling of Omar from The Wire, then we have a scene from the Kingsmen where they are locked in a pub with Galahad and the quote "Manners maketh man" and finally we have a scene from Oldboy with a big fight scene cut alongside some anime which is from demon slayer
Speculation: The whistling is synonymous with Omar and is to the tune of a nursery rhyme, "the farmer in the dell", anyone that watched The Wire would know instantly that this means Omar is coming and this means you best get out the way as he is coming with his double-barreled shotgun and he certainly won't hesitate to use it. The Kingsmen scene where they are locked in the pub is a particularly violent scene and it's an interesting film to reference, the plot *Film spoiler here* is essentially about a boy named Eggsy from a lower-class neighbourhood who's father dies and he finds out that his father was part of an elite inner circle of upper class. After trying to be part of this group, Eggsy discovers their secret plot to take over the world and takes it into his own hands to save the day. u/ ThePhenomNoku talks about the last 2 referenced films; "So the anime is demon slayer. It’s about a kid who has everything taken from him and trains to learn how to fight demons. Though as a sidenote he kind of carries one around with him. It’s complicated.The other movie with the guy holding the person, & the fight scene is the original Oldboy, and without giving too much of the plot away it’s about a dude who is falsely imprisoned for a couple of years or so, and then enacts his revenge."
Edit\* As u/ omegs points out: whistle is "The farmer in the dell, Hi-ho, the derry-o" reference to the circle. The movie Kingsmens: The Golden Circle as well
1:00pm - https://x.com/TheRoaringKitty/status/1790426851409817615
Description: Firstly we have the scene from Oceans 11 where Danny Ocean is chatting to Rusty Ryan right in the initial stage of their plan to heist the casino. He talks about how it's never been done before, will need planning and a large crew and Ryan asks if they are going to use guns, he replies "not exactly, there's lots of security" and finally Ryan asks "what's the target?". We then cut to a film i'm not aware (anyone help here?) of where an older gentleman shows a calculator to a young woman and the calculator says "Just up" on it then the woman says "yes that looks correct"
Speculation: In Oceans 11 there was a lot of planning and variables that had to happen for everything to work. It was a high risk high reward plan with a lot set up to go against but it's possible. The target has always been "just up", DFV just reiterating what he said in the first place.
1:30pm - https://x.com/TheRoaringKitty/status/1790434400494116873
Description: First we have a scene from Old School where he states, "A loophole?" "Yes. Well, it's interesting, sir. As stupid as they appear, they're actually very good at paperwork. It's quite an anomaly." then it cuts to a scene from the same film with the C&C factory everybody dance now song and a cheerleading dance attempt
Speculation: Of course with the loophole stuff it could be about all of the DD that has been done on what has gone on over the years but it could equally be about SHFs finding loopholes to get out of the mess they are in with the stock. The second part the judges clearly don't feel the attempt of the cheerleading or gymnastics piece they are portraying is any good but they are giving it a go and it's suppose to a comedy. Note the school is the cougars, cat links again of course.
Edit\* As u/ omegs points out: Loophole is reference to circle. Notice how the mascot is similar to a cat that does backflips into the center of the circle
2:00pm - https://x.com/TheRoaringKitty/status/1790441953659687421
Description: The first part is taken from The Batman and has Batman's monologue running and when the Batman signal is fired into the sky, a kitty shadow is shown instead of the Batman logo. It ends with an emphasis on "Fear is a Tool".
Speculation: Batman was of course a good hero who would rid the streets of criminals, they would scare just at the sight of the batman signal being fired knowing that they were about to get wrecked. In this clip, two years has been replaced with three years in the monologue and the kitty signal is of course a nice touch.
2:30pm - https://x.com/TheRoaringKitty/status/1790449499506192405
Description: This clip is taken from Mr Robot and is where Elliot plays eXit, a text based computer game that requires him to answer a series of questions in a text based game.
Speculation: I think it's best just to give the description of what happens in this scene taken from the fandom page. Elliot chooses to sit down with the friend in the dungeon. He lights a match and reads the note "Don't leave me here." Elliot chooses to stay. The alarm shuts off. An explosion happens nearby. Robot opens the door to find a fire raging outside. He concludes it's too late. Both of them sit down. They each say "I love you." Explosions rage around the room. "It's an exciting time in the world," Elliot says. Fade to red. Take from that what you will.
3:00pm - https://x.com/TheRoaringKitty/status/1790457051115847720
Description: This scene is taken from the movie Scream (2022), a direct sequel to Scream 4. A lot of the text has been changed but to summarize, one person states "he is making a requel" then there is some talk about the squeeze movie that came out last year and how most people in the actual know hated it and how "squeeze mid" pissed on their "covidhood", how the main character is a mary sue? Then a few cuts of Scream and how real squeeze movies have meta slasher whodunnits and that to some people the original is their favorite thing in the world
Speculation: A requel is A movie which revisits the subject matter of an earlier film but is not a remake or a linear continuation of its plot (i.e. a sequel or prequel). So essentially what is happening right now with the stock is not exactly the same of what has happened before but it is essentially a revisit of the same subject regarding squeezes. A mid squeeze implies that it wasn't as high as the squeeze could have gone and the theme of slashers and murdered people really suggests heads will roll (SHFs hopefully).
3:30pm - https://x.com/TheRoaringKitty/status/1790464599575167004
Description: This is a scene from Candyman where he has come for the woman. There is some cat flashes and images going on and the Woman in this is tagged as a bear (that is someone who is down on a stock or market, usually would short). Candyman talks about how there is no need for the bear to leave yet and that he was obliged to come then he says "be my victim" and a bumble bee comes out of the word be.
Speculation: Time is running out for the bear, they can hang around for a while longer but they will be the victim. This is more of the DFV is coming for you as he dresses himself up as a rampaging murderer targeting the bear in this case. Not sure on the bee, whether that is DFV just having some fun or if it's that a sting is coming in some sense.
4:00pm - https://x.com/TheRoaringKitty/status/1790472153470759217
Description: Taken from No Country for Old Men, Carson states he is a day trader and that Anton doesn't have to do this (Anton is going to kill him) tell him he could just go home. Carson continues that Anton could have 14 grand out of an ATM and just walk away before finally stating "do you have any idea how crazy you are?". Anton replies, "you mean the nature of these memes?" to which Carson says "I mean the nature of you!" The scene ends with the phone ringing.
Speculation: DFV putting himself into the mode of Anton from No Country for Old Men is quite the statement. For those who haven't seen this movie, Anton is a wrecking ball of a killer and adheres by his rulebook to seek out different people through the movie to take out. Carson being the desperate short seller here who is not understanding why DFV isn't just playing by the usual financial rules and taking his gains and going. The phone ringing at end could be an implication of margin calls ringing for the desperate short seller.
Edit\* As u/ omegs points out: I think the ATM might be a double meaning "At The Money"
8:00pm - https://x.com/TheRoaringKitty/status/1790532552828289526
Description: This is taken from Braveheart and the prisoner (William Wallace) is asked to say a word in a famous scene where WW shouts "FREEEEDOM" only in this clip its "GAMESTOOOOOOOP".
Speculation: This is the first direct reference to Gamestop word for word and it should be noted that this is the scene where William Wallace is about to be executed. Could mean that DFV is willing to risk it all for Gamestop like William Wallace martyring himself for the freedom of Scotland.
Hope you enjoyed.
Love ya DFV

Introduction

In this post, we'll be discussing something called "Virtue Ethics." This is a normative theory of ethics that's most associated with Aristotle, though has in recent times experienced a resurgence of sorts from modern philosophers, some of whom have tweaked and modified it, and in doing so have created different branches on this tree of moral theory. We will be comparing these different flavors of Virtue Ethics to that of the New Testament's, pointing out where they're similar, as well as highlighting where the NT differs (and is actually superior) from the heathens' views.
I want to preface all this with a verse and a warning:

"Beware lest any man spoil you through philosophy and vain deceit, after the tradition of men, after the rudiments of the world, and not after Christ."-Colossians 2:8

The entire Bible, over and over again, warns against syncretism. It's a running theme throughout to condemn the practice, with this verse being one of the more explicit ones to do so.
Mapping the ideas of Pagans (and especially Greek philosophers) onto the Scriptures has always resulted in people severely misinterpreting the Bible, as looking at the Word of God through a Hellenistic lens is and always has been extremely innapropiate to the author's original intent.
Whenever Greek philosophy or ideas are referenced, they're always portrayed in a bad light or otherwise used to make a point. Examples of the latter could be found in the apostle Paul's writings, as he was a fully educated Roman citizen of his day, and so he made use of known Hellenestic philosophy and literature (that he would have been familiar with) by redefining their terms and ideas in a way that would be consistent with the theology of his own religion. The apostle Peter did the same within his own epistles whenever he mentioned "Tartarus," the abyss/prison for certain disobedient angels that rebelled against God, despite the fact that the word has its roots in Greek mythology and not Hebrew religion (though, the belief that there were a group of spiritual beings that rebelled against the highest authority in the heavens was one technically shared between the two ancient cultures; even if the parties involved were vastly different, as well as the contexts of the rebellion itself).
The affect Hellenstic philosophy has had on the way people think (even subconsciously) can still be felt to this day, and can be seen in the confusion modern "Christianity" has brought on through its adoption of Gnostic teachings such as Dualism or the inherently fatalistic views that many unknowingly hold due to the error of Classical Theism.
While yes, I will be commending the heathen (unbeliever) whenever they are right with their ideas as pertaining to this subject, I will also show where they are wrong.
Let's begin.

"What Is Virtue Ethics?"

First, we need to define some terms and point out the differences between this view and others within the larger debate of normative ethics.
There are three major approaches in normative ethics, those being: Consequentalism, Deontology, and Virtue Ethics. The following are definitions of the terms:
Consequentialism – a class of normative, teleological ethical theories that holds that the consequences of one's conduct are the ultimate basis for judgement about the rightness or wrongness of that conduct.
Deontology – theories where an action is considered morally good because of some characteristic of the action itself, not because the product of the action is good. Deontological ethics holds that at least some acts are morally obligatory regardless of their consequences for human welfare.
Virtue Ethics – theories that emphasize the role of character and virtue in moral philosophy rather than either doing one’s duty or acting in order to bring about good consequences. The virtue ethicist would argue that actions themselves, while important, aren't as important as the character behind them. To the virtue ethicist, consequences are also important, but they would say that good consequences ultimately flow from a virtuous character who has made virtuous decisions. Theories of virtue ethics do not aim primarily to identify universal principles that can be applied in any moral situation, instead teaching that the best decisions can vary based on context, and that there are only some actions that would be universally evil, only because those actions could never flow from a virtuous character in the first place (e.g., rape).
Aristotle's idea of ethics is in an important respect different from most people's, especially today. Heirs as we are to Kant’s idea of duty – there is a right thing that one ought to do, as rational beings who respect other persons – and to Mill’s idea of utility – the right thing to do is that which produces the greatest good for the greatest number – most of us see ethics as concerned with actions. "The function of ethics is to help me see what I ought to do in a given situation," the modern says. Aristotle’s approach was different. His ethic is not so much concerned about helping us to see what we ought to do, as about what sort of person we ought to be.
Aristotle was concerned with character, and with the things that go to make up good and bad character; virtues and vices. His sort of ethic does not look at our action to see if it fulfils our duty, or produces a certain outcome, such as the greatest good of the greatest number, and therefore merits approval. Instead, it looks at us; at the character behind the actions, to see whether we merit approval.
Comparing Virtue Ethics with philosophies such as Deontology and Consequentialism, we are able to divide ethical theories into two kinds; act-centered theories and agent-centered theories. Kant’s (Deontological) and Mill’s (Utilitarian) approaches are act-centered, because they concern themselves with our actions, whilst Aristotle’s is agent-centered because it concerns itself with the character of a person, which in his view was ourselves and our own dispositions that prompt our actions.
Both approaches have ardent present-day advocates, and so both are alive and well. Virtue Ethicists are dissatisfied with the answers ‘modern’ act-centered philosophy offers, and look for a more flexible, person-centered approach that takes more account of the subtle varieties of human motivation. Those in this camp see ethics as being about people – moral agents – rather than merely about actions. Of course, your actions matter. But, for Aristotle and his present day advocates alike, they matter as expressions of the kind of person you are. They indicate such qualities as kindness, fairness, compassion, and so on, and it is these qualities and their corresponding vices that it is the business of ethics to approve or disapprove.
All this seems simple and uncontroversial; there are two ways of looking at an action to evaluate it morally. You can take the action in isolation and judge it, or take the agent and judge him or her.
Virtue ethicists argue that act-centered ethics are narrow and bloodless. What is needed is a richer moral vocabulary than just ‘right and wrong’. There are subtle but important differences between actions that are good because they are kind and those that are good because they are generous, and those that are good because they are just. Likewise, there are subtle but important differences between actions that are bad because they are selfish and those that are bad because they are cruel and those that are bad because they are unfair. These, and many other, distinctions are lost when we talk simply about doing one’s duty, or promoting utility. Questions of motive and of character are lost, in these asceptic terms. Modern moral philosophy won’t do: it is cold, technical and insensitive to the many kinds and degrees of value expressed in human actions. Ethics is more than just thought experiments and hypotheticals about what would be the right course of action to take in any given situation we might conjure up from the comfort of our armchair. Ethics is about doing, and about context and character.

The Different Kinds of "Virtue Ethics"

Virtue Ethics has has been developed in two main directions: Eudaimonism, and agent-based theories.
Eudaimonism (Aristotle's view) bases virtues in human flourishing, where flourishing is equated with performing one’s distinctive function well. In the case of humans, Aristotle argued that our distinctive function is reasoning, and so the life “worth living” is one which we reason well. He also believed that only free men in the upper classes of society (i.e., the aristocrats) could excel in virtue and eschew vice, being that such men had greater access to the means in accomplishing this task as they had the wealth and resources to better perform their distinctive function of 'reasoning,' and thus "live well." For the Eudaimonian, inner dispositions are what one ought to focus on in order to cultivate virtuous traits, and thus a virtuous character.
In contrast, an agent-based theory emphasizes that virtues are determined by common-sense intuitions that we as observers judge to be admirable traits in other people. There are a variety of human traits that we find admirable, such as benevolence, kindness, compassion, etc., and we can identify these by looking at the people we admire, our moral exemplars. Agent-based theories also state that the motivations and intentions behind an action are ultimately what determine whether or not said action is actually virtuous. Whereas Eudaimonism understands the moral life in terms of inner dispositions or proclivities to act in certain ways (whether righteous or wicked, just or unjust, kind or cruel, etc.), agent-based theories are more radical in that their evaluation of actions is dependent on ethical judgments about the inner life of the agents who perform those actions, that is, what the motivations and intents are of a person.
[Note: While both Eudaimonism and agent-based theories are both agent-centered, Eudaimonism is not to be confused with an agent-based theory. Both branches concern themselves more with agents rather than acts themselves, but Eudamonism focuses on the self to improve whereas the agent-based theory focuses on others to improve.]

Common Critcisims Toward Secular Forms of Virtue Ethics

Firstly, Eudaimonism provides a self-centered conception of ethics because "human flourishing" (here defined as simply fulfilling our base function as humans, which is "reason" according to this view) is seen as an end in itself and does not sufficiently consider the extent to which our actions affect other people. Morality requires us to consider others for their own sake and not because they may benefit us. There seems to be something wrong with aiming to behave compassionately, kindly, and honestly merely because this will make oneself happier or "reason well."
Secondly, both Eudaimonism and agent-based theories also don't provide guidance on how we should act, as there are no clear principles for guiding action other than “act as a virtuous person would act given the situation.” Who is a virtuous person? Who is the first or universal exemplar?
Lastly, the ability to cultivate the right virtues will be affected by a number of different factors beyond a person’s control due to education, society, friends and family. If moral character is so reliant on luck, what role does this leave for appropriate praise and blame of the person? For the Eudaimonian, one ought to be born into a status of privilege if they wish to excel in being virtuous. For the proponent of an agent-based theory, one ought to be born into a society or family with good role models and preferably be raised by such, else they have no moral exemplars to emulate.

The New Testament's Virtue Ethic

The New Testament authors didn’t sit down and do a self-consciously philosophical exercise, for this was not what they were concerned with. They were concerned with giving practical instruction to disciples of the faith, and merely trying to express the ethical implications of their spiritual experience. That being said, we know the apostle Paul was familiar with the writings of Aristotle. We can actually identify places where Paul displays knowledge of Aristotle and incorporates some of the philosopher's ideas into his own epistles. Before we do this, however, it's important we refute common misnomers about what the Bible teaches concerning ethics in general.
You probably have heard many attack the ethics of the New Testament as being primitive and simplistic. "God dictates universal commands to follow: 'do not lie,' do 'not divorce,' 'do not insult.' And the only motivating factor is escaping hellfire and obtaining the reward of eternal pleasure." But in reality, this is a gross misrepresentation of the ethics laid out in the NT. I will argue the NT advocates for a form of virtue ethics, instead of claiming the NT contains a form of deontic ethics, as it is so often assumed.
Elizabeth Anscombe was one of the most influential virtue ethicists of the 20th century. Her work helped to revive virtue ethics in the modern era, however she also criticized the ethics of the Bible for promoting a form of ethics different than what Aristotle promoted:
"...between aristotle and us came Christianity, with its law conception of ethics. For Christianity derived its ethical notions from the Torah. (One might be inclined to think that a law conception of ethics could arise only among people who accepted an allegedly divine positive law..." (Modern Moral Philosophy, vol. 33, no. 124, 1-19)
We've already dealt with the issue of the Torah in another post. The Torah is not laying down moral laws, but describing justice in the form of ancient Near Eastern wisdom literature. But does the New Testament teach a deontic form of ethics? Anscombe might appear justified in her claim, as some "Christian" theologians have explicitly taught the ethics of the NT is deontic.
However, other theologians have argued the ethics of the NT is best characterized as a form of virtue ethics. In a study of the NT, we'll support this notion. As noted earlier, one of the central features of this approach to ethics is that the aim of ethics should be on living a virtuous life. Other forms of ethics focus on directing actions when confronted with a moral dilemma, but for virtue ethics every action is a moral or immoral action because all of our actions contribute or do not contribute to living a virtuous life. In other words, for a virtue ethicist, everything we do will contribute to living a fulfilled life. Now, the NT promotes a similar idea with a slight modification. The NT changes the distinctictive function and purpose for man in Eudaimonism from "reasoning" to loving God and others instead, and thus "living well" is changed from self-centered 'flourshing' (as defined by Aristotle) to glorifying God instead. The apostles taught everything we do contributes to living a life that glorifies God:

"Whether therefore ye eat, or drink, or whatsoever ye do, do all to the glory of God."-1 Corinthians 10:31
"And whatsoever ye do in word or deed, do all in the name of the Lord Jesus, giving thanks to God and the Father by him."-Colossians 3:17

So we see the same idea in Paul, that everything we do can be seen as a moral or immoral action. Everything we do should be seen as contributing to living a life that glorifies god or not. As a believer, the aim is not just doing good actions to avoid punishments, but to see everything we do as glorifying God. On secular virtue ethics, all our actions are either advancing a good life or not: nourishing your body contributes to living a good life. In a Biblical context: taking the time to properly dress contributes to living a good life, and not giving into the sin of sloth. So all our actions can be moral actions in this context, and so likewise for Paul and Jesus, all we do can contribute to living a life that glorifies God.
Since God made our bodies to thrive and enjoy life, we should nourish our bodies so we can thrive as God intended for our bodies to do, thus ultimately glorifying Him. Since we were created to experience and feel enjoyment, laughing and enjoying things throughout life glorifies God as well since we're experiencing emotions that God created to be experienced. Everything we do should be to glorify God, and often all that is is living our lives in the way that they were intended to be lived. Biblical ethics is very much more than merely performing right actions, but living a virtuous life that brings glory to God.
As Jesus said:

"Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind."-Matthew 22:37b

It is also important to focus on what it means to love, which is an important aspect of what it means to be a believer. Paul makes the radical claim that to love is the entirety of the law of God:

"For all the law is fulfilled in one word, even in this; Thou shalt love thy neighbour as thyself."-Galatians 5:14

Jesus also taught that to love God and love others were the two greatest commandments (Mark 12:28-31, Matt. 22:34-40). He also extends the commandment to love beyond one's brethren, and to love our enemies (Matt. 5:44). Loving those around us is central to what it means to be a believer (John 13:34; 15:12-17, Rom. 12:10; 13:8, 1 Cor. 13:1-8; 16:14, 2 Cor. 8:8, Eph. 4:2; 5:2, Phili. 1:9, Heb. 10:24, Jam. 2:8, 1 Pet. 1:22, 1 John 2:10; 3:23).
One might suggest this is no different than the Golden Rule: "Do unto others as you would have them do to you," or a Kantian rule: "I ought never to act except in such a way that I could also will that my maxim should become a universal law." In other words, "to live well is to perform good deeds or actions and nothing more." But an important point about loving someone is it cannot be done through actions alone. For example, one could buy a gift for their spouse to cheer them up. However, one could perform this action merely because they value performing right actions without any love for the person. One could donate to charity because it is the right thing to do, and not because she cares for the people who would benefit. In such scenarios, they can be seen as idolizing moral laws, not necessarily caring about helping others.
But to love someone requires more than merely performing right actions. You cannot love someone and not care about who they are as a person and where they are heading in life. To love is to will the good of the other. Jesus chastised the Pharisees of his day for only performing right actions, but not loving their brethren in their hearts. His criticism follows Matthew chapter 22, where Jesus says the greatest commandments are to love. The implication is the Pharisees perform proper actions, but have the wrong motivations for doing so. James Keenan puts it like this:
"Essential to understanding this command is that we love our neighbors not as objects of our devotion, but rather as subjects; that is, as persons. Thus, we cannot love others only because God wants us to do so, since then we would love them as means or as objects and not as persons. We can only love one another as subjects, just as God loves us." (Jesus and Virtue Ethics: Building Bridges Between New Testament Studies and Moral Theology, pg. 86)
A critic may bring up that verses of the NT are still phrased as commands, and therefore the structure implies duties were the central aspect of Christian ethics. But the importance of duties is not foreign to Virtue Ethics. Instead of being central to the ethical framework, duties flow from a virtuous character. Virtues are active and have certain demands for which a person must fulfill in their active behavior.
According to Aristotle, knowledge of the virtues gives us practical wisdom in how to properly act. Duties flow from the understanding of the demands of virtues. To put it another way, for virtues to manifest in persons, they have certain demands that must be fulfilled. For the believer, the command of love flows from being virtuous and aligning oneself with the character of God. Commitment to the character of Christ, who perfectly carried out the will of the Father, allows us to perform right and proper actions.
The NT also contains lists of virtues the believer ought to emulate, the most famous of these is in Galatians chapter 5:
"But the fruit of the Spirit is love, joy, peace, longsuffering, gentleness, goodness, faith, Meekness, temperance: against such there is no law." (vss. 22-23)
Now, the connection with Aristotle cannot be more pronounced. The Greek phrase "against such there is no law" is almost identical to what we find in Aristotle's politics (3.13.1284a). It seems clear Paul is teaching a similar ethical framework to what Aristotle advocated for. Paul is teaching that the believing community ought to be persons who display key virtues, and that their conduct would not need to be regulated by a law. Instead, their character should be the standard others can measure themselves by. Romans chapter 2 is also a place we see references to Aristotle, where Paul notes that when Gentiles do what the law requires, they are "a law unto themselves" (vss. 14-15). In other words, they do not need to be told to act a certain way. They have the proper virtuous character that directs their actions, to do the good the law requires. Paul is advocating in Galatians that believers should think in a similar way.
So in Galatians 5, we have affinity with the teachings of Aristotle, and in other lists of virtues throughout the NT we see a similar idea, which is that Christians were meant to display virtues primarily (Rom. 5:3-5, 1 Cor. 13:1-8, Col. 3:12-17, 1 Tim. 3:2-3; 4:7-8, Jam. 3:17-18, 2 Pet. 1:5-8). From that, good deeds will properly manifest in our actions.
Anscombe made a great point on what the focus of ethics should be:
"It would be a great improvement if, instead of 'morally wrong', one always named a genus such as 'untruthful', 'unchaste', 'unjust'. We should no longer ask whether doing something was 'wrong', passing directly from some description of an action to this notion; we should ask whether, e.g., it was unjust; and the answer would sometimes be clear at once." (Modern Moral Philosophy, vol. 33, no. 124, 1-19)
Interestingly enough, Paul lays out a similar idea in explaining Christian ethics:

"Finally, brethren, whatsoever things are true, whatsoever things are honest, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue, and if there be any praise, think on these things. Those things, which ye have both learned, and received, and heard, and seen in me, do: and the God of peace shall be with you."-Philippians 4:8-9

In other words, the central aspect on living a Christian life was on what is virtuous, not on what is lawfully right or wrong. Right actions flow from whatever is honorable, true, and pure. Correlating with this is how Paul responds to the Corinthians who claimed that "all was lawful." Paul reminded them the emphasis is not on what is lawful, but on what is good for building a virtuous character:

"All things are lawful for me, but all things are not expedient: all things are lawful for me, but all things edify not."-1 Corinthians 10:23

One's main focus ought to be on what is good, not on laws that dictate behavior.
One of the key aspects of Virtue Ethics is the idea we ought to learn from virtuous teachers and imitate them. A virtuous character is obtained by imitating what a virtuous person does. This parallels a key aspect of Christian ethics. Imitating Christ was (and still is) crucial to living a virtuous life:

"For even hereunto were ye called: because Christ also suffered for us, leaving us an example, that ye should follow his steps:"-1 Peter 2:21

Paul says in Romans 8:29 that Christians were predestined "to be conformed to the image of his Son." Jesus often taught his followers to do as he does (Matt. 16:24, Mark 8:34, Luke 6:40; 9:23, John 13:15, 34). Paul says in 1st Corinthians 11: Be ye followers [i.e., imitators] of me, even as I also am of Christ" (vs. 1). Hebrews 13:7 says to imitate the faith of the patriarchs. 1st Thessalonians 2:14 says to imitate each other. And jesus taught to imitate the good Samaritan from his parable (Luke 10:37). Imitating virtuous teachers was key for Christian ethics.
Aristotle tended to compare acquiring virtues with that of learning a practical skill, like playing an instrument or learning how to become a builder. Such practical skills are best picked up when trained by a master of that particular skill, because a teacher can always provide more insight through lessons they learn from experience. For example, an expert salesman can provide examples from his experience of what works with specific customers that a sales textbook could never provide. Many professions today require on-the-job training or experience before even hiring an applicant. The reason is: experience is key to learning a profession. Merely acquiring knowledge from a textbook or an instruction manual is often insufficient to master a skill, so why would mastering the skill of virtue be any different?
In the NT, a believer is to see the world through the eyes of Christ and to love as he loved. One cannot learn how to be a virtuous person without knowing what that life would look like. A key component of Christian theology is that the Messiah perfectly represented the Father and His will on earth, to show us how to properly live as God intended for man. This central tenet of the NT aligns well with agent-based theories of Virtue Ethics, and modifies it so that the person of Jesus Christ is the universal exemplar that one is meant to emulate. We are called to imitate him through our actions, thoughts, and desires, and to conform ourselves to the way he lived. As Paul said:

"I am crucified with Christ: nevertheless I live; yet not I, but Christ liveth in me: and the life which I now live in the flesh I live by the faith of the Son of God, who loved me, and gave himself for me."-Galatians 2:20

If learning from Christ is key, we should briefly take a look at the Sermon on the Mount, which is said to be one of Jesus' most important series of teachings. Daniel Harrington notes:
"The sermon begins with nine 'beatitudes' (see 5:3–12) in which Jesus declares as 'happy' or 'blessed' those who practice certain virtues, and promises them an eternal reward and the fullness of God's kingdom." (Jesus and Virtue Ethics: Building Bridges Between New Testament Studies and Moral Theology, pg. 62)
Jesus laid out what a life for those that follow him look like in detail. One ought to be merciful, pure in heart, a peacemaker, thirst for righteousness, etcetera (Matt. 5:2-10). The Sermon does not merely include what right actions are, but includes sections on proper desires. Not only is it wrong to murder, but it is wrong to desire to murder or wish ill on someone (Matt. 5:22). Avoiding adultery is good, but one also should not covet after another man's woman in their heart (Matt. 5:28). In other words, merely avoiding immoral actions is not enough. One must also not desire vices. A believer is called to desire what is good.
The Sermon is not necessarily laying down universal moral commands. For example, Matthew 5:9 says, "Blessed are the peacemakers," but this doesn't imply absolute Pacifism, as it would contradict passages in the Old Testament where it explicitly says there is a time for war (Ecc. 3:8). The point of the Sermon is to teach what a virtuous life ought to look like. A follower of Christ ought to use reason to know what is proper to do in various circumstances. For example, in Matthew chapter 6, Jesus offers guidance on how one ought to pray by presenting the Lord's prayer (vss. 9-15). This is a model of how to pray. It's not a command for followers to always pray in this exact way.
In reality, the Sermon on the Mount mixes in exhortations, parables, hyperbole, declarations, commands, etc. It is best understood as displaying what a virtuous life ought to look like. It's not a law code. Building on this, it's important to understand a proper action is context sensitive. Under Virtue Ethics, one should not necessarily apply a universal maxim to every situation. Sometimes the proper action will depend on what is at stake, who is involved, what is the background, etc. Aristotle advocated against the idea there were fixed universal laws that dictate actions, and instead he argued the right action would depend on the circumstances one finds themselves in. Although the ethics of the NT may be a bit more strict, it still places an emphasis on being sensitive to the context of situations.
In 1st Corinthians chapter 8, Paul lays out instructions on how to deal with meat that has been sacrificed to Pagan idols. Instead of stating an absolute prohibition against meat sacrificed to idols, Paul instructed Christians to use reason to come to the proper ethical decision based on context. In other words, the right action is not determined only by a law. Instead, the Christian had to make the proper decision based on the context: if eating caused another to stumble, then you ought to abstain; if not, then there's no harm done. The value of the action depends on the context.
A Deontologist might reply that there's still a universal law given here: that one should always abstain if it's going to cause another to stumble. This objection can be addressed by asking: how are we to know if eating the meat will cause another believer to stumble? To answer such a question, one must be sensitive to the context, which in this case would be knowledge of the fellow believer and your relation to him. It is the context that determines the right action, not a universal law. Moreover, Paul states that the primary goal for the believer should be to love (1 Cor. 13). The first consideration is once again not the rightness of action, but having love for one another. From this, knowledge of the proper action will follow.
Paul often explains that living a proper life as a believer will take work and practice. He reminded Timothy to attend readings, practice what these things mean, and keep a close watch on himself (1 Tim. 4:13-14). Elsewhere, he directs that all believers must work on their faith (Phili. 2:12). Beyond this, he also noted that not all Christians would have the same gifts, and to accept that this was normal (1 Cor. 12). For some, certain things may be a hindrance, whereas for others it is acceptable (Rom. 14:2-4). What matters is that we love and build one another up (1 Thess. 5:11). Right actions flow from love and knowledge of virtue. Rules are not the primary motives that dictate our actions; rules are secondary in this regard.
An interesting case can be studied with regards to divorce in the Gospels. Jesus preaches against divorce (Mark 10:7-9) and it is often interpreted to mean "divorce is always wrong, regardless of circumstances." However, it should be noted the prohibition on divorce is not a universal law. The context can affect whether or not a divorce is permissible. Jesus says that one can divorce over sexual immorality. Paul also has a situation where divorce is permissible, namely if one spouse is an unbeliever and wishes to leave (1 Cor. 7:15). The implication one can derive is divorce is not ideal, but there are circumstances where it may be the proper action to take. Given the other features of Christian Virtue Ethics we already covered, the proper action to take will depend on the circumstances and what the virtuous agent thinks is the most loving thing to do. A universal prohibition on divorce is not a Christian ethic. Instead, one ought to discern the proper action from circumstances. However, it's clear in most cases divorce would not be the virtuous thing to do.
Building on this, it's important to note that within NT ethics, certain acts are always wrong. For example, idolatry and sexual immorality are always wrong (1 Cor. 10:14, Col. 3:15, 1 Pet. 4:13). There are no possible scenarios where it would be okay to rape, because such an act would never flow from a virtuous character. But this concept is not foreign to theories of Virtue Ethics. Aristotle noted that for some actions, no qualifications could make them virtuous. Actions such as rape or murder are always wrong, because they would never flow from a virtuous character. So it's not as if a Virtue Ethicist cannot claim that some actions are always wrong. They simply are qualified as being unable to flow from virtue, whereas actions like lying or waging war could be considered virtuous for the right reason.
Now, despite Christian Virtue Ethics having many similarities with Eudaimonism (Aristotelian ethics), there are also numerous differences beyond what we've already noted. One of the deficiencies of how Aristotle lays out his ethical theory is that it is essentially an all-boys club. Aristotle writes mainly to aristocratic men, excluding women and slaves. In his view, women were inferior to men and slaves lacked the necessary rational faculty. But the Christians rejected this mentality, as the teachings of Christ and the apostles were available to all (Matt. 28:19). Paul said, "There is neither Jew nor Greek, there is neither bond nor free, there is neither male nor female: for ye are all one in Christ Jesus" (Gal. 3:28). Peter wrote that all Christians were part of the priesthood of Christ (1 Pet. 2:5). Jesus had women followers (Luke 8:2-3), and they were entrusted with delivering revelation (Mark 15:40–16:8). What we find throughout the NT is a radical change to how women were viewed in the ancient world. Paul is also likely building on Aristotle's household structure and refining it. David deSilva says the household codes of the NT are "...following the pairs laid out as early as Aristotle to such a degree as to suggest that these were standard topics in ethical instruction" (Honor, Patronage, Kinship & Purity, pg. 231). But Paul adds an important preface: submitting to one another out of reverence for Christ (Eph. 5:20-21). DeSilva says:
"...husbands, we cannot then ignore the distinctively Christian addition they bring to this arrangement; husbands are to be subject to their wives as well." (Honor, Patronage, Kinship & Purity, pg. 233)
Thus Paul doesn't break down the traditional perspective on the structure of the family, but he does add the idea that we all must submit to each other in reverence, love, unity, and cooperation because all are equal before God. There is no explicit mention in the NT calling for the abolishment of slavery, but it should be noted that Paul taught that slaves should be seen as equals. In the letter to Philemon, Paul is clear that his slave is no longer "as a servant, but above a servant, a brother beloved" (vs. 16). Thus, within Christian ethics class distinctions were supposed to evaporate. All were brothers and sisters of one family.
An important aspect of Christian ethics is that it wasn't a standalone ethical theory. It's embedded in the larger Christian worldview. The ethical framework is dependent on Christian doctrines. For Aristotle, his ethical theory is for men who were raised well. This is why these specific men desire to be virtuous and perform right actions. As for why the believer does good and desires to be virtuous, it's not because one was raised well, but because they have been activated by the power of God's Spirit (John 3:6, 1 Cor. 12:13). For believers, the reason as to why we desire to be good and virtuous is because the Spirit of God has regenerated us. He loves us so we can love others (1 John 4:19). One is meant to look to the life of Christ and what he has done by dying on the cross, to know that we are loved and forgiven. This in turn is meant to activate a good life, having seen what we have gained and been forgiven of. He calls and activates us to do similar to those around us. This is a more open system for people of all groups and classes. One only has to call upon the name of the Lord to be included. It does not require a specific gender or to be raised a certain way.
The goal of Aristotelian ethics is to achieve 'eudaimonia.' However, within the Bible the goal is as the Westminster Shorter Catechism puts it: "Man's chief end is to glorify God, and enjoy Him forever." Since the central aspect of Biblical Eschatology is that humans will continue on forever in resurrected bodies, the aim of ethics is more than living a good life presently. Living a good life now is important, but it was only one aspect in the Christian worldview. Humans are meant to live beyond this life, so the aim is also about building virtuous souls that will continue on. The importance of this is more crucial than it may seem at first. Paul said that we must all appear before judgment, so that "every one may receive the things done in his body, according to that he hath done, whether it be good or bad" (2 Cor. 15:10).
Being a virtuous person requires integrity, because one will still have to answer to God after death. If one can commit an evil act and no one finds out, then from the outside perspective he or she may still appear virtuous. Culturally speaking, the ancient world was very different from our own. All wrongdoings centered around public honor and shame. One did good to receive public honor, and one did not do what was bad to receive public shame. Right and wrong were connected to one's public honor and shame in the ancient Greco-Roman world. Thus good and evil were public ideas, not personal ideas. Ethical demands were grounded in the community in one's public appearance
The Biblical idea of an omniscient God who cared about our ethical status laid a foundation for integrity and personal guilt to emerge. Now one ought to do good because he is beholden to God, not just the community. Believers are to remain focused on God's approval and on the actions that lead them, regardless of the world's response. This lays down fertile ground for integrity to emerge. So the Biblical worldview has another important element built in that encourages ethical behavior, regardless of the honor it brings. One ought to do good because of a commitment to God not, because it might bring honor to one's name publicly.

Implications for Preterists

Paul believed that the Second Coming would happen in his generation, and prescribed certain things in the NT on the basis of that belief. An example of an exhortation that would no longer apppy to us today would be 1st Corinthians 7:24-29, where Paul argues that the times him and his fellow Christians were in called for celibacy, being that the Lord was fast approaching. It wasn't a sin if you did get married, of course; it was just harder to serve the Lord in this context if you had a family to worry about. Thus, Paul encouraged being single.
So, we need to be careful when reading the NT and determining what prohibitions or exhortations are still applicable to us today. Context is key.

The opposite of a wrongful conviction or accusation. I want to check out some cases with blatent wrongful not guilty other than the famous ones, OJ, Casey Anthony, the preppy murder etc. cases where there is blatent guilt and still get the not guilty. Wondering if there's lesser known cases like that ?

By popular demand, I guess...
I was kinda just being a smart-ass, but some of you wanted more so here it is: epilogues for every NPC as if they didn't continue to travel with Gorion's Ward and instead just decided to live their own life. Obviously, there are some implied alignment changes here.
This turned out to be longer than I expected and I kinda just threw it all together while I was working. Please excuse any typos or sloppy writing.
I want to apologize for one thing, though. Viconia's epilogue really only works if GW is a male, so I had to make that assumption for the sake of her story. If it matters any, I easily play just as many female GWs as I do male GWs. In fact, I probably play more female GWs because I don't care for the romances, frequently play the canon party, and want to nip the lame Jah romance in the bud.
But, to have them all in one place, I included my original smart-ass epilogues with the additional ones I created. Now, every character from BG1 and BG2 has an epilogue. I don't have the EE characters, though, because I play the original games and don't really know them.
So, just for funsies, which one is your favorite and why?
"Anomen continued to wait at the Copper Coronet for a party of adventurers willing to travel with him. Maybe it was the grating sound of his voice, or perhaps the way he leered at women, but he continued to remain alone. Eventually, he needed to find work to make ends meet. With Gorion's Ward having disbanded the slave traders and pit fights, Hendak had to find a new form of entertainment for the patrons. As such, he invented an all male review ladies night, and Anomen found work as a 'dancer'. He left the Most Noble Order of the Radiant Heart to join the less noble order of the pole. He also renounced his faith to Helm and instead allied himself with Waukeen because if you wanna see some groin, you gotta have some coin."
"Despite Gorion's Ward clearing the trolls from her keep, Nalia was not able to reclaim her lands and instead lost her estate to Lord Roenall. The lord offered to let her retain residence in her family's ancestral home, but only in exchange for her hand in marriage. Nalia found the proposition to be repugnant. Instead, she salvaged whatever wealth she could from her family's keep and moved to Athkatla to start a new life. She no longer helped the less fortunate, as she was now among their numbers and had her own problems. Nalia's lack of any practical skills combined with her sense of entitlement sent her into a life of failure followed by drinking and debauchery. She now spends more time back at the Copper Coronet than anywhere else. It is hard to say where she squanders her wealth more, the alcohol, or on the dancers during Ladies Night."
"After the incident with the Planar Sphere, Valygar was finally free of his past, could retire to his cabin, and pursue his true passion: writing. Ironically, the only inspiration he found ended up stemming from his family's checkered past. Valygar's only works that even had middling success were 'Tuesdays with Lavok' and 'Dude, Where's My Planar Sphere', with the latter being made into a production at the Five Flagoons Theater."
"Haer'Dalis continued to work as a performer at the Five Flagoons Theater. Unfortunately, it struggled due to poor management. It might have turned out better if an outside agent with fresh ideas had stepped in, but Gorion's Ward had better things to do than be a bard. While the work was generally steady, the returns were not great and the material was a little low-brow for Haer'Dalis' liking. The tiefling realized he reached rock bottom when he was cast as the lead in a play about a buffoon who apparently lost a plane-shifting apparatus the size of a small castle and had to find it before his parents returned from Neverwinter. After the opening night, he took his own life in his dressing room. His body was found the next morning with a note saying, 'Art is dead and I am art, so I shall join art in death.' Biff the Understudy stepped in for Haer'Dalis despite never having an opportunity to read the script. Nevertheless, the production was a resounding success and launched Biff's career to new heights."
“A heartbroken Garrick found work as a character actor at the Five Flagoons Theater, but eventually gained more success as a writer and director. He found it to be a mostly agreeable situation, aside from a tiefling primadonna who would constantly belittle his work and call it ”trite" and “drivel”. Fortunately, that situation worked itself out in time and Garrick found Biff to be much easier to direct. With the tiefling gone, his ideas had room to grow. He invented a new kind of love story, one where the protagonist doesn't always get the girl at the end but the journey to that ending would be quite amusing. He labeled this genre “the Comedy of Romance” and the works were mostly based on his own life. His plays were quite popular among the commoners, with his top selling shows being 'Sleepless in Saradush', 'Silverymoon Linings Playbook', and 'Crazy Rich Aasimars'. He eventually fully transitioned off the stage into the director's chair. By the peak of his fame, he was married to none other than Queen Ellesime."
“Aerie continued to work at the circus and WOULD NOT SHUT UP ABOUT HER DAMN WINGS. Even Quayle eventually grew sick of hearing about it. This put strain on their relationship. Things took a turn for the better when Ribald Barterman acquired a new curiosity for his shop. It was a magical ring which he sold to Quayle at a reduced rate out of sympathy. This ”treasure" was actually a cursed Ring of Deafness, which Quayle found to be anything but a curse and wore it for the rest of his days."
“Xzar and Montaron were both slain at the hands of the Athkatla Harpers, but this is actually where their story begins. Xzar, as he had done so many times before, had a backup plan of an arcane nature should death befall either he or the halfling. Their mortal essences were pulled to a pocket plane he created. There they could be channeled into restored bodies cloned at his estate. With this particular round of ritual, Xzar had incidentally made a slight error in the incantation and the two found themselves in a time suspended state in Xzar's pocket plane. It was only five minutes for the rest of the world, but it was fifty years for them. This turned out to be a pivot point in their relationship. Having only each other's company in this shadowy void, they were finally able to work out their feelings for each other. When they had returned to the prime material plane, they discovered their mutual animosity was replaced with love. Rather than pick up their life where they left off with the Zhentarim, they decided to pack it all in, moved to Bryn Shander, and start a bed and breakfast. Montaron rediscovered his halfling roots and love for the culinary arts while Xzar would perform seances to connect guests with their late loved ones. Scones and Bones became an overnight success and was consistently listed as a “must see” in Volo's travel guides. In their golden years, the couple co-wrote a memoir of their journey, ‘Brokeback Montaron’, which is sold in bookstores everywhere."
“After briefly crossing paths with Gorion's Ward, Mazzy Fentan continued her crusade as a de facto halfling paladin. She eventually found herself petitioning for membership at the Most Noble Order of the Radiant Heart in Athkatla after she had singlehandedly saved a village from an ancient dracolich. Despite the extent of her virtue and accomplishment, her petition was denied on the basis that halflings could not possibly be real paladins. This inspired her next crusade, one to break down vocational barriers for all demihuman races. Why couldn't halflings be paladins or dwarves be wizards? And why did gnomes always have to be illusionists? It simply made no goddamn sense. She began to get traction with her quest when she attended lectures by the wizards of the (sword) coast in Candlekeep. With their help, she ushered Faerun into a new edition era where there would be no vocational barriers for adventurers based on their race. Soon, the world began to see roguish halflings that also venerated Helm, while tending to the wilds as a druid. Half-orc bards also studied as wizards while manifesting natural arcane abilities as sorcerers. Tiefling paladins took their crusades to the wilderness and served as rangers, while sidelining as clergy to Mystra. The world was now a liberated place, free to not make any goddamn sense in a myriad of new ways. At one point, Lady Mazzy Fentan of Trademeet (now formally a paladin) crossed paths with a dwarven shadowdancebard and in that moment she regretted everything. Seriously, just take a moment and picture that. It would look fucking ridiculous.”
“Yeslick's clanhome was flooded once again. Despondent and without options, he took work at a smithy in Baldur's Gate but never stopped dreaming of finding both a clan and a home. He found a way to bring this dream to life after a courageous halfling paladin broke down the barriers for, among other things, dwarves to be wizards. Yeslick had an idea. He studied magic diligently until he was able to cast two spells of great importance: Water Breathing and Permanence. He then searched the lands for other clanless dwarves who would be willing to try something new. With the new clan he formed, Yeslick permanently gave all his fellow clansman the ability to breath underwater. They then moved into the flooded Cloakwood Mines and built the first underwater dwarven stronghold. Using his arcane powers, Yeslick also developed the ability to speak with the marine life that shared this stronghold. And, with that, the clan Aquadwarf was born. At one point, Valygar visited and wrote a play based on Yeslick's story. However, he couldn't even get it to stage at the Five Flagoons Theater. The illustrious director Garrick was quoted as saying, “A hero that can breath underwater and talk to fish? Nobody would go for that!"
“Keldorn finally retired from the Most Noble Order of the Radiant Heart and looked forward to a much simpler life. He rekindled his marriage with Lady Maria and life seemed to improve. It was rather early on when the couple discovered that Maria had become pregnant again. It was also not long after that when Peony, the housekeeper, also became pregnant. Maria started to ask Keldorn about this, but Keldorn started to get defensive and asked, ”Hey, who's the Inquisitor here?" Then Keldorn started to do the math with her to track the conception of Maria's pregnancy. She certainly did not want him to get to the end of that equation, so she quickly changed the subject. She suggested getting a new maid, but Keldorn chastised her for abandoning someone in their time of need who had been like family for years. He forbade Peony's departure claiming that his god, Torm, would not stand for it. Maria then made a passive aggressive comment about Torm being the god of loyalty, but she was mostly just muttering under her breath to get the last word in. Eventually, both children were born and had probably the most awkward upbringing of anyone in Faerun."
“After Gorion's Ward helped Coran take down a wyvern, the rogue brought the beast's head back to the mayor of Beregost for the reward and accolades. He thought this put him in a position to be a hero of great renown and perhaps, just maybe, people would stop mocking him for his flashy attire and completely superfluous eye mask. They didn't. He only gained acceptance when he crossed paths with a ranger who seemed indifferent towards Coran's keen fashion sense. Coran traveled the Sword Coast with his ranger sidekick, righting the wrongs against the ‘little guy’ and taking the law into their own hands when needed. This partnership dissolved when he discovered that the ranger thought Coran was the sidekick. As if! Coran tried to correct the ranger, whose argument was, 'Really, man, if that outfit doesn't scream sidekick then I'm Elminster's twin brother.' The ranger was not related to Elminster and shared no resemblance.
“Kivan never was able to get his revenge on Tazok. Unbeknownst to him, that honor was taken by Gorion's Ward. His thirst for vengeance continued to eat away at him until he found himself in a bat infested cave in the wilderness. It was then he snapped. He turned the cave into his secret hideaway, put together a disguise and started wandering the sword coast looking for evil-doers to punish. He would leave his calling card wherever he saved the day, a token of a bat with longer ears like an elf. And bats already had rather long ears so these bat ears were almost comically obtrusive. Nevertheless, his deeds were generally appreciated and the people stared calling him Bat-elf. For a short spell, another elf tagged along with him and tried to help, but he was so flamboyantly dressed that one could pick his sidekick out of the shadows blindfolded. Kivan eventually had to send him on his way. Unfortunately, his vigilante crusade abruptly ended after receiving a cease and decist order from DC Comics. Kivan could fight both monster and marauder all day, but his 14 Constitution wouldn't hold up against a lawsuit for trademark infringement.”
“Skie was deeply affected by both the death of her brother and the assassination of her father. And yes, her father was actually murdered and didn't lol-jk back to life in some crappy DLC. In any event, through these traumas, she came to realize the puerility of what she thought was her brilliant criminal masterminding. Instead, she decided to settle down and live a more responsible life as an upstanding citizen of Baldur's Gate. She took the reins of her father's estate after his death and rose to prominence as one of the Grand Dukes of the city. She maintained her relationship with Eldoth for quite some time, inexplicably, as he refused to get a job because he didn't want to take attention from his band which he swore was going to make it. However, the bard spent most of the day either lounging at Skie’s estate or gambling away his allowance with games of three-dragon-ante at the Helm and Cloak. Eventually, inspired by the book “Men Are From Menzoberranzan, Women Are From Immilmar," she decided to call it quits with Eldoth and sent him packing. Shortly thereafter, she met a man who was nothing like Eldoth and they settled down together to start a family."
“Eldoth's dreams of being a world-famous musician fronting the greatest band in Faerun never reached fruition. This was partly because he didn't actually have a band and partly because he didn't have the talent to write music. Instead, he just had a lute he purchased at Lucky Aello's Discount Store that only had one A-string and was missing the E-string. Also, Eldoth could only play power chords and he couldn't really sing and play at the same time. Most of the time he would just strum a chord or two and then talk about what the song would do next, often describing a solo and half playing it on an ”air lute" (while he was still holding an actual lute, mind you) to give people the idea as to how the song would sound when it was finally written. Yeah, he was one of those guys. After Skie kicked him to the curb, he bounced between various barmaids who clearly had low self-esteem, but not low enough to keep him around for long. Eventually, he got one of them pregnant and was forced into a shotgun wedding by the barmaid's father. He now works in the kitchen at the same inn as his barmaid wife. She helps the customers up front and he cooks eggs in the back. Eldoth continues to tell himself that this experience will just provide inspiration for his music and that someday he was going to get the band back together."
“After being rescued by Gorion's Ward, Xan made his way to Baldur's Gate to regroup. He spent an inordinate amount of time beating himself up over his failures and trying to muster the gumption to continue his quest to unravel the political turmoil of the region. However, it took him months to get to this point, and by that time, Gorion's Ward already sorted out the problems in the region. Discovering this, he deemed himself a failure yet again and sunk into a deeper depression. He pulled himself out of it when he met a woman who lost most of her family to violent deaths during the iron crisis, yet she still kept herself together and became a local success in a few short years. Xan immediately fell in love with the recently single Skie Silvershield and began to court her. They eventually married and started a family. At Xan's insistence, and inspired by his wife's name, their two daughters were named Sunshine and Rainbow. Xan was a staunch supporter of his wife's career and stayed home to raise the kids. When they were older and needed less attending, he followed a new dream and became a motivational speaker.”
“Korgan had his revenge against his backstabbing crew and employer, but he felt...empty. It was done, but he felt no satisfaction. Disgruntled and disappointed, he decided to lose himself in his cups at the Copper Coronet. Even this did nothing to alleviate his malaise. One night, having passed out drunk in a peasant room at the Copper Coronet, he dreamt of that final fight but something was different. In the background of the battle, there was a glow coming from the door of a shack and he heard the whispering of a language that sounded like it was from Kara-Tur. When he woke the next morning, Korgan returned to the rooftop and found the shack from his dream. He knocked and was greeted by a priest of Illmater. Korgan told the priest of his dream and he was led into the backroom where he found a man from Kara-Tur infirm and huddled over a cup of tea. The priest explained that he had just reincarnated this man of the faith using a heart delivered by a passing adventurer. Korgan took this as a sign, converted to the faith, and the two paired up to help those in suffering as a result of the schemes of others. The tales of Korgan and Yoshimo were not only told in many of a tavern by the bards, but also collected in graphic serials that were popular among the children of Athkatla.”
“Ajantis' death sent him into an afterlife at Everwatch, the realm of Helm. For his honor and diligence, the devout knight was granted an audience with his patron. Ajantis then told Helm what utter bullshit the god was. I mean, c'mon, he's the god of protection, the Vigilant One, and he couldn't protect a group of knights from a dragon's cheap illusion spell that a mage even tried to dispel with True Sight? It was like Helm wasn't even trying. Helm was stunned by the confrontation but also had no valid defense. Ajantis called Helm to a trial that was mediated by Tyr. After careful deliberation, Tyr determined that Helm was sleeping on the job and the judgment was to demote him to a lesser deity. Now, Helm was the patron of guards, but not actual guards that ever see action, just the ceremonial ones whose weapons and armor are super shiny and probably not even real. Ajantis was then granted Helm's old portfolio and became a god that truly protected his followers.”
“Viconia left Athkatla's government district perplexed. She was rescued from burning at the stake by Gorion's Ward and then immediately dismissed. She found this to be unusual behavior for a male. She was accustomed to men either trying to bed her or kill her, but this casual indifference was completely new. Viconia came to be obsessed with Gorion's Ward from a distance. She spiraled into a fantasy where the two of them had a future together. It was pretty bad. There were some extremely embarrassing vision boards involved and that wasn't even the worst of it. When her mania reached critical mass, her obsession actually collapsed and she had an epiphany. She came to realize that she did not need this man, or any for that matter. She started on a journey of self discovery and took a moral inventory of her past relationships. She wrote about it in the book, “Men Are From Menzoberranzan, Women Are From Immilmar”. She then used the revenue from the book sales to open Athkatla's first feminist bookstore. In Her Words became a mecca for women, particularly those who felt trapped in bad relationships. The community that emerged here created the group, Friends of Galia, which strove to free women from abusive relationships. Eventually, the bookstore expanded to include an apartment block above that became a shelter for such women. Occasionally, the partners of these victims would come around to In Her Words in an attempt to drag their partners back home. You can probably guess how a confrontation between a drunken 0-level commoner and a Drow priestess of Shar ends."
“Faldorn was defeated by Jaheira in Trademeet and lost her title of Arch-Druid. In truth, she was relieved to be relieved of the position. Years of pushing forward the Shadow Druid agenda led Faldorn to realize that she had lost touch with the real Faldorn along the way. After some soul-searching, she reinvented herself as a lifestyle guru and developed an entire line of organic health and beauty products under the name, She-Wolf. Both her products and seminars were all the rage in Athkatla, specifically among noblewomen who clearly had too much free time. Faldorn eventually gave up her residence in natural environs for a lavish estate in Athkatla's government district. Her following soon pressured her to petition to join the Council of Six after the fall of the Cowled Wizards left the position open (aside from a short-term replacement). Her petition was a success and she soon found herself on the Council of Six. Under her leadership, she created created the FDAA, the Food and Drink Association of Athkatla. Now, instead of draconian rules governing magic in the city, equally restrictive rules and standards were applied to the food and drink that the people consumed.”
“Barely surviving being gravely wounded by Irenicus, Tiax left Spellhold for Athkatla where he intended to do what he did best: rule. Learning from his past campaign mistakes in Baldur's Gate, he changed his slogan from ”Tiax Rules!" to “Make Athkatla Great Again”. Of course, what he thought would make Athkatla great was putting himself in charge as a despotic leader. But, he toned down that aspect of his platform and instead focused on the history of scheming and backroom dealing of the Cowled Wizards (as if he was any less evil or scheming) and promised the people he would be different than all the other corrupt politicians. Miraculously, despite his obviously apparent character flaws, he succeeded in replacing the Cowled Wizards' representative on the Council of Six. He decided to take their stance on restrictive magic to the next level and banned magic entirely. Since he didn't study the arcane himself, it was no skin of his nose. This move undermined his support base leaving him with only the most backwards and ignorant followers. He was ultimately removed from his position when he insisted the city build a wall around the planar sphere and was expecting that the city's wizards would be the ones to pay for it. After his removal, his few remaining extreme supporters organized an invasion of the main government building under the guise of freedom of assembly. All nine of these “rebels” were rounded up, tried, and sent to prison. Tiax was convicted of treason and reincarnated in Spellhold, which was now just a common prison. After his eventual release, he was prohibited from seeking any position of power in Amn."
"Edwin Odesseiron continued to lay low with the Shadow Thieves for a while. The Cowled Wizards suffered a crippling blow as a side effect of the conflict between Gorion's Ward and Irenicus. Edwin decided to step in and finish the job. His thought was that he could wipe out the Cowled Wizard remnants and then take credit for their defeat, thereby gaining him more clout among the Red Wizards of Thay. After many conspicuous mage battles in the streets of Athkatla, he succeeded. However, the people who noticed his efforts the most were actually the people of Athkatla. They were tired of living under the Cowled Wizards' iron fist and Edwin was lauded as a liberator and hero. He even had a statue in his image raised in Waukeen's Promenade. Edwin was initially nonplussed over people finally giving him the credit he always felt he so rightfully deserved. But, he quickly came to accept their praise and bought in to being a champion for the people. Edwin continued his agenda of liberation when a clearly insane gnome who found his way on the Council of Six tried to ban magic entirely in the city. Edwin and his followers were primarily responsible for having the madman removed from his seat.
“Shar-Teel, Safana, Branwen, and Alora all happened to cross paths with each other at Elfsong one evening. Shar-Teel was looking to fight a man, Safana was looking to shag a man, Branwen was recently petrified by a man, and Alora was just excited to be somewhere new. The four got to talking with each other and, despite having wildly different personalities, seemed to hit it off. Shar-Teel was sarcastic and aggressive, Safana was self-absorbed and man-hungry, Alora was kind and sweet, and Branwen was the matriarch of the group. You wouldn't think this lot would get along, but they actually did, and their differences merely become the fuel for innocuous hi-jinks week after week.”
"With Gorion's Ward's help, Cernd was able to rescue his child that he then abandoned again at the druid grove near Trademeet. He promised that he would return to raise the child, he just needed to run to the general shop in Trademeet for some pipeweed. He never returned, but that was pretty obvious since he didn’t even smoke. Cernd continued to wander Faerun. It came to light in Cormyr that Cernd had actually married, and had children, with numerous women in Cormyr, Amn, the Sword Coast, Tethyr, Calimshan, Turmish, Halruaa, Icewind Dale, Chondath, Sembia, Impiltur, the Silver Marches, and even the Troll Hills (don't ask). Furthermore, it was discovered that Cernd was not actually a druid, just a werewolf that had a Ring of Goodberries. The druid con was so that he could have a reason to abandon his wives and children and move on to a new situation. You would be surprised at how many women could fall for a guy that can conjure an impromptu picnic in the park. Unfortunately for Cernd, Cormyr was not the kind of place to run afoul of the legal system. For the crime of bigamy, he was sentenced to life in prison. He never set foot near a druid grove again, but he was allowed to participate in a work-release program tending to the gardens of nobles.
“Kagain returned to his shop and grew even more bitter, but not over what the death of Entar Silvershield's son had done to his reputation and business. Instead, he resented that even the Enhanced Edition of the game didn't give him a remotely decent companion quest. By Moradin's hammer, Cernd even had a pretty involved companion quest and the story there both starts and ends with a deadbeat dad! Also, Kagain can regenerate! Korgan can't even do that. And another thing! He was sick of people confusing the two of them as if all dwarves look alike or something. Ok, granted, they're both old dwarves with greying beards, but Korgan's beard is tied while Kagain's beard is brushed out. Of course, none of this made sense to anyone, even to Kagain who never actually crossed paths with Cernd or Korgan. However, the dwarf had nothing to do with his time except stand in his shop, isolated and alone, until he was done in by insanity and plantar fasciitis.”
“The death of Khalid shook Jaheira to the core. She convinced herself that she could never love again, certainly not so soon after his death nor with anyone that would be a child in her eyes. That would be absurd and rather tacky. After her escape from Irenicus' prison and deposing Faldorn from the druid grove, she took over as Arch-Druid. Being a Harper just wouldn't be the same without Khalid. However, the grove would allow her to explore a new, but comfortingly familiar, phase of life. She had barely been installed as the Arch-Druid when Cernd dropped off his child and disappeared again. He did not even stay long enough to tell Jaheira the child's name. Knowing he would likely not return, she named the child Khalid after her lost love. Realizing there were other children our there without families to care for them, Jahaeira would send her subordinates to wander nearby lands and bring them to the grove for a better life. Perhaps not surprisingly, many of these children happened to be Cernd's. She eventually renamed the grove to Kinder Garden in honor of the grove's new purpose of giving these children a kinder upbringing. Jaheira's headstrong personality served her well with these lost children, who all loved her as they would any mother. The Kinder Garden became the most thriving druid grove in all of Faerun. Jaheira eventually died in 1547 DR, with hundreds of children haven been rescued in her lifetime, and a memorial was erected in her honor at the grove. The inscription read, 'Nature's Servant Awaits.'"
“After being freed from Irenicus' dungeon, Minsc put his boots on the ground at the Copper Coronet. Being the simple man that he was, he found himself unwittingly recruited into fighting in the gladiator pits (before Gorion's Ward was able to free the slaves). Yet again, Minsc took a blow to the head. But this time, its effects were something completely new. No longer was he the slow-witted evil-slaying ranger, armed to the teeth and packing a hamster. Instead, his intelligence and wisdom started to blossom and he explored, through dissertation, the impact of modern civilization on the overall ecosystem of Faerun. Indeed, before Minsc started his work, the people of Faerun didn't even have the concept of an ”ecosystem". He left Athkatla to pursue a residency at Jaheira's grove where he could study and work in peace. He published works like, “The Intersection of Geopolitics and Biodiversity: Living More but Dying Sooner”, “The Essential Symbiosis Between the Savage and Civilization”, and “Moral Urbanization: Seeking a More Comprehensive Prosperity”. Minsc continued his studies and writing and ultimately produced enough groundbreaking works to have his own annex in Candlekeep. It was shortly after the dedication of this annex that Minsc disappeared from Faerun, never to be seen again."
“Jan Jansen's fate was the most impressive of all as his endeavors shaped the very fabric of Faerun for centuries to come. His story truly serves as a moral lesson for everyone and we should heed its virtue quite seriously. Helping Lissa and Jaella planted a seed of regret in Lissa with regards to her marriage to Vaelag. Speaking of seeds, this reminds Jan of a time when he was helping his Uncle Scratchy with his turnip farm. However, Uncle Scratchy was hoodwinked and the seeds he received were actually purple carrot seeds. You can imagine Uncle Scratchy's surprise when they sprouted and he suddenly had a field of purple carrots. Well, as you probably know, you can't make turnip stew, or turnip casserole, or turnip pie with purple carrots. But it just so happened there was a mage tower nearby and the resident mage needed a vast number of carrots. Apparently, her plan was to animate them as a kind of vegetable army to combat a myconid infestation in cave system rather close to her tower. Of course, animated carrots are quite self-assured and were immune to myconoid's confusion spores. Anyway, Jan had a once-removed cousin, Bobil, that was lost in those caves when he was a young gnome. He had wandered so deep that he found himself in the den of a solitary xvart who was obsessed with a magic ring. Bobil happened to purloin that ring but it turned out to not be magic at all. However, it was still worth enough for Bobil to buy himself a nice cottage in Trademeet. He then started his own turnip farm and had better luck than Uncle Scratchy. Wait, what were we talking about, again?”
“Boo continued his mission to study the sentient life forms of Faerun and determine their potential impact on the metaverse. He preferred the continued company of Minsc due to the ranger's kindness and protectiveness. Boo found this to be quite valuable in his current miniaturized state. Even after Minsc's accident, where his intellect began to expand, Minsc never lost his good heart and inherent kindness and the two remained the best of friends. It was a number of years later that the term of Boo's mission was complete. A team of his fellow people arrived on a spelljammer to collect the giant miniaturized space hamster. Minsc (and Boo) were on a retreat in a remote part of the Neverwinter Wood when a vessel shaped like a giant acorn landed in a nearby clearing. A number of human-sized anthropomorphic hamster-like beings, who called themselves the Ysoki, emerged and met with Boo. One had a strange crystalline device which it used to restore Boo to his proper size. Minsc naturally remained composed while all this was happening. He and Boo talked often and he knew this day would be coming. Boo returned to the spelljammer with his brethren to debrief on the mission. The Ysoki wanted to bring a sample back to their homeworld for further learning and study. Boo offered Minsc for the task, as the exemplar human would fit in nicely with the Ysoki's advanced culture and society. Everyone was in agreement and made the offer to the ranger. Minsc felt like he had made every contribution he could to the people of Faerun, so he accepted and boarded the ship. Boo, excited to finally be on a spelljammer again, took the helm and plotted a course for his homeworld. At his side sat his friend and faithful companion, Minsc.”

O.J. Simpson is gone-dead from cancer earlier this year. Rewind back to the 90's. O.J, or not O.J. depending on who you ask, stabbed his ex-wife and her boyfriend to death in Los Angeles. The whole country was subsequently held hostage with round the clock O.J. coverage in the wake of the murders*. Its all anyone talked about and there was no way to escape it. There weren't thousands of channels to flick to, or dozens of streaming services available to seek refuge-in far away from the insanity.
However, after his acquittal he seemed to simply fade from public view-absorbed back into the stained fabric of American society. That was of course before he was locked up for nine years in 2008 for attempting to rob his own memorabilia at gunpoint. So what was he doing with his freedom in the years prior?
Nothing. Well, almost nothing. In 2006, executive producer Rick Mahr, famous for the highly-cerebral Backyard Wrestling series, decided it would be a good idea to tap into the reality show boom with an MTV Punk'd themed prank show featuring O.J. Simpson.
It was a one-hour special that featured O.J. himself engaging in a series of pranks ranging from dressing in rags while selling oranges on the side of a highway, to him serving and insulting fat customers in a fast-food drive thru. At the end of the gig, he'd come clean and tell the victim with a smile "you just got Juiced!" Most of the pranks fell flat on their face: people sometimes didn't recognize O.J. or didn't understand the prank, or the whole idea was just too damn stupid.
But the icing on the cake was the skit where O.J. attempted to sell a replica of his white Ford Bronco, which incidentally was discontinued for years after the murders (but that's another story, you can see below for a few more details). The Bronco even sported a real bullet hole, which The Juice himself signed right above it.
O.J. seems to reflect on the whole Bronco chase as simply comical. Is this some dark type of new-age therapy? "It has great escapability!" he keeps informing customers. Does he admit that there was a dead body in the car? Was it him who placed it there? I have never heard O.J speak so candidly about details from the aftermath of the murders.
Here are some exchanges between O.J. and potential 'customers' as reported in the NPR This American Life episode 564-Too Soon?:

Man: Is there $10,000 in here?
O.J: Nope, Nope. No $10,000,
Man: ...You were carrying it, you know?
O.J: Naw, naw. They say that, I was carrying about $3.
Man: $3?
O.J: Yeah, that's why they never brought it up in court.

In another exchange:

O.J: It was good for me.
Man: Yeah?
O.J: Got me out of harm's way.
Man: ...Ok, I'll sit in it...there was a dead body in there.
O.J: Yeah. Well, um, hopefully there's no bodies in this thing. And I can guarantee you, the car has escape-ability. I mean, if you're ever getting into some trouble, and you've got to get away, it has escape-ability.
Man: (Laughing)

He'd be locked up soon after this aired. Apparently only about 100 DVDs ever sold, and there are no other details about the profits made from the pay per view event, or O.J.'s fee for appearing in the special.
All in all, it was a completely ill-conceived idea with even worse execution that somehow was spewed into existence. It reeks of a desperation for money from all parties involved, none of whom seemed capable of creating any well-written gags for the camera. However, it is memorable in the shock-value of seeing an accused murderer making light of the truck he rode in after he supposedly stabbed his wife and her boyfriend to death.
Most humans will live a rich, full life never knowing this even exists. For the woeful few who do see it, you can't help but leave with an overwhelming feeling that O.J. was a twisted and broken man at this point, straining to grasp at even the the slightest hint of his former celebrity and adoration.
\To most people born post 1980s, OJ Simpson was a famous athlete accused, then acquitted of murder who'd later serve time for a completely unrelated crime.*
But to the rest of us, OJ is the single most infamous athlete name of our lifetimes--the shockwave that was sent through the country when it was announced that his ex-wife and her boyfriend had been murdered in Los Angeles, was unprecedented.
Its impossible to recreate the magnitude of this mono-cultural event that was the OJ Trial, and words don't begin to describe the fall from grace of one of the most beloved sports stars ever.
We'll never be able to forget the image of the low-speed white Ford Bronco chase with dozens of police cars in not so hot pursuit, or the inhumanly long trial that fractured the country along racial lines, or the glove that don't fit (so you must acquit!).
To the younger generation: try to imagine waking up to read that one of the Manning brothers had been accused of bumping off their significant other. Maybe that serves to illustrate the disbelief that we were all hit with that one night in June, 1994.
After the 8 month murder trial (yeah, how many of you had forgotten it lasted that long?), OJ was a free man. Images of him happily golfing sent waves of anger through white America, who felt like justice was cheated by a slick defense team that highlighted the racist tactics of the LA police department. On the heels of the Rodney King video and subsequent riots, this was not only a brilliant strategy, but one rooted in a great deal of truth.
A civil lawsuit followed in which OJ was found responsible for the death of Ron Goldman and ordered to pay his family $33 million. To my knowledge, they never received a cent.
https://www.youtube.com/watch?v=uOEcsIghRpg

Seven ravens go with Arianne Martell to be Doran's eyes and ears to Aegon and the Golden Company in the Stormlands. And while Arianne's journey progresses she will likely need to make a choice... will she send the word 'dragon' home in a letter, the coded word asking for Dorne to call their spears and join Aegon's cause? Or will the word be 'war'? (...in this case 'war' means 'wait')... I'll let you decide - I assume most people's minds are pretty set on this point, and mine own is not really standard canon, so I will only say the last raven seems an ill omened thing as the seventh of a set is often linked to The Stranger, Westeros' god of death.
The topic I hoped to brainstorm today is not actually about what Arianne decides... but rather what happens next. Because I notice with a lot of theories the assumption is that the Dornish houses waiting on Arianne's response will march in lockstep with whatever her and Doran's order is... but... will they? Some of the Dornish houses seem pretty independent-minded and I feel there's been some fairly significant foreshadowing emerging that Doran's hold over the the kingdom is only tentative at best. That's worth discussing... In particular three houses seem to repeatedly stand out as possibilities to challenge the peace regardless of the Martells' wishes: Houses Yronwood, Fowler, and Uller....

House Fowler 🪶

The Fowlers make their home at Skyreach, a castle with a lofty perch and soaring stone towers carved into the stone slopes of the Red Mountains overlooking the Prince's Pass, one of two major overland routes into Dorne, and the easier to traverse of the two (the other being the steep and treacherous Boneway). The House is led by Lord Franklyn Fowler 'the Old Hawk', who has two twin daughters - Jeyne and Jennelyn. What could cause House Fowler to rebel against the Martells' orders?
Sign #1 - The Fowlers closeness with Lady Nym
Oberyn's death was a rallying cry for a lot of Dorne desiring vengeance against the Lannisters, and in particular the news greatly effected the Sand Snakes - Nymeria Sand is said to be 'famously' close with the Fowler twins, she was actually with them the moment she learned of Oberyn's death, and it follows they likely sympathize with her position. In fact when Lady Nym first pitches Doran her plan to assassinate key Lannisters in King's Landing she does so by pleading the Fowler house words to him: "You know the Fowler words? Let Me Soar! That is all I ask of you. Let me soar, Uncle. I need no mighty host, only one sweet sister." And Doran would later tell Arianne that Nym is 'too close to the Fowler twins' (and thus unable to keep secrets from them). I imagine the Fowlers did not take the news well when they learned of Nymeria's imprisonment afterwards...
Sign #2 - Arianne's plea to Lord Fowler
Then when Arianne Martell is imprisoned herself after her Queenmaker plot she attempts to send out a secret message with one of her attendants to plead for help to free her from her father's grasp. She considers different options to address this letter to, someone ideally receptive to the idea of rebelling against Doran (which is no small thing to ask!) but also powerful enough to do so. Her first thoughts drift to Yronwood, but decides against them only because they fostered Quentyn and she believes he and Anders are conspiring against her, then goes through a few of the houses of her friends before finally deciding "that she had but two real hopes: Harmen Uller, Lord of Hellholt, and Franklyn Fowler, Lord of Skyreach and Warden of the Prince's Pass."
She ultimately decides to pen the letter to Lord Fowler because she thinks the Ullers as half-mad to the point of having a dangerous response. After that the attendant Cedra is presumably caught by Doran's men as she never reappears and Areo tells us that she was sent to the Water Gardens. But even without the letter actually going out the fact that she chose Lord Fowler to send this plea to probably says a lot about their overall relationship with Doran.
Sign #3 - A Toast to Tommen
In the Watcher chapter during the presentation of The Mountain's skull a toast to Tommen is made, and those who choose to drink or to refuse it give us another indication of the sentiments around Dorne... this is not subtly implied as much as it is directly pointed out by Areo:

The white knight did drink, as was only courteous. His companions likewise. So did the Princess Arianne, Lady Jordayne, the Lord of Godsgrace, the Knight of Lemonwood, the Lady of Ghost Hill … even Ellaria Sand, Prince Oberyn's beloved paramour, who had been with him in King's Landing when he died. Hotah paid more note to those who did not drink: Ser Daemon Sand, Lord Tremond Gargalen, the Fowler twins, Dagos Manwoody, the Ullers of the Hellholt, the Wyls of the Boneway. If there is trouble, it could start with one of them. Dorne was an angry and divided land, and Prince Doran's hold on it was not as firm as it might be. Many of his own lords thought him weak and would have welcomed open war with the Lannisters and the boy king on the Iron Throne.

Again the Fowler twins and Ullers show us that they still hold a lot of resentment. Daemon Sand makes sense too - he was part of Oberyn's retinue in King's Landing (sometimes rumored to have had a relationship with him) and watched him die, and after the Sand Snakes were imprisoned he went to Sunspear to demand their release and was imprisoned himself for the trouble. I'd keep an eye on him in Arianne's plot.
The Yronwoods weren't in attendance for the toast, however the Wyls were and refused it - I get the sense they are pretty close with the Yronwoods, both of which have their houses on the Boneway where they've joined forces. Another party that refused the toast, the Manwoodys, are stationed in the Prince's Pass and likely close allies with the Fowlers - lending more weight to the idea that this area is rebellious. House Gargelene is the one that's most difficult to place, being located in a fairly isolated spot in the south of Dorne at Salt Shore.
Sign #4 - The Troops in the Passes
By Arianne's TWOW excerpts we also hear that the troops in the Prince's Pass and the Boneway are becoming restless:

In the Boneway and the Prince’s Pass, two Dornish hosts had massed, and there they sat, sharpening their spears, polishing their armor, dicing, drinking, quarreling, their numbers dwindling by the day, waiting, waiting, waiting for the Prince of Dorne to loose them on the enemies of House Martell.

Darkstar's Plot
So how might the Fowlers act out? Outside of Arianne's raven being sent (and depending on the result), I think we should be keeping an eye on the Darkstar plot. Darkstar, per his own words and actions, seems to want to start a war against the crown and has presumably fled back to his home of High Hermitage in the Red Mountains where its implied he has support. He will probably pass by Starfall on the way up the Torrentine's rushing waters, but the Prince's Pass and Skyreach are both not that far from his location and in fitting with the prior indications of the Fowlers' intentions and Darkstar's overall goals he may try to incite the already anxious troops there to raid the Dornish Marches. These houses have a long history of animosity towards the Reach and Marcher Lords whose defenses will be exposed with Euron's attacks. Such an assault could parallel prior rogue leaders the Vulture Kings.

House Uller 🏜️

We've already seen that the Ullers play out somewhat similarly to the Fowlers - they were one of the major considerations for Arianne to send her plea for help to, and they were one of the parties notably refusing Tommen's toast. Lord Harmen Uller is the current Lord of the Hellholt, "a grim, stinking seat beside the sulfurous yellow waters of the Brimstone" located near the deep sands in the centesouth of Dorne.
There is a saying in Dorne we are told: 'half the Ullers are 'half-mad and the other half are worse.' And as Ellaria Sand is Lord Harmen's natural daughter when she and her little ones (Elia, Obella, Dorea, and Loreza) were locked away with the rest of the Sand Snakes Arianne thinks this would 'have made Lord Harmen wroth, and the Ullers were dangerous when wroth.' Its worth noting that in Arianne's Queenmaker plot her end goal was to get to Hellholt to officially crown Myrcella and raise her banners there...
What's interesting about Uller is that while they have a lot of reason to rebel there is at least one pacifying force headed their way - Ellaria Sand (who is also bringing Loreza with her). Ellaria sand accepted the toast to Tommen and despite having been Oberyn's paramour and closer to him than anyone as well as being there for his death, she is actually one of the strongest voices arguing for peace.

"A start?" said Ellaria Sand, incredulous. "Gods forbid. I would it were a finish. Tywin Lannister is dead. So are Robert Baratheon, Amory Lorch, and now Gregor Clegane, all those who had a hand in murdering Elia and her children. Even Joffrey, who was not yet born when Elia died. I saw the boy perish with mine own eyes, clawing at his throat as he tried to draw a breath. Who else is there to kill? Do Myrcella and Tommen need to die so the shades of Rhaenys and Aegon can be at rest? Where does it end?"

A Hidden Hellholt Chapter?
Given the Hellholts relative isolation you might be thinking how this could factor further into the plot.... maybe some news of Ellaria's daughters? Or later on if there is an invading force (as Ellaria and Doran fear is coming)? But I've actually been thinking that before Areo Hotah shows up in the Red Mountains we may get to see a chapter with him and Obara and Balon Swann at the Hellholt with Ellaria and Lord Harmen Uller, it would be rewarding to catch up with these characters and see their clashing perspectives on vengeance and Areo on the trail of Darkstar. Per some recent analysis of GRRM's chapter hints we can also kind of conclude there may be a few Areo chapters in varying locations. Another interesting thing pointing me in that direction is the soon to be released 2025 calendar which will be featuring artwork of the Hellholt... that's a strange inclusion for a castle with few mentions (the most relevant of which being Rhaenys' mysterious death long ago), and a lot of the other locations on the calendar do suspiciously have relevant plots nearing them in Winds (so if we haven't seen them already we may do so soon).
The logistics work out pretty well as Hellholt is practically a necessary stop on the way westward to the Red Mountains by land. Even though Arianne herself knows the desert well....

Beyond Vaith the deep sands waited. They would need help from Sandstone and the Hellholt to make that crossing, but she did not doubt that it would be forthcoming.

...Even she fears to tread the deep sands alone... and for Obara it may be the same despite her experience. You really should have a desert guide to locate water sources and navigate the terrain ("In the deep sands a man must hoard his water."). And one of the last safe stops for water and guides is the Hellholt making it invaluable for travelers crossing the sands. The sandstorms seem especially dangerous:

[...]beyond Vaith, western Dorne is naught but a vast sea of restless dunes where the sun beats down relentlessly, giving rise from time to time to savage sandstorms that can strip the flesh from a man's bones within minutes.

House Yronwood ⛓️

The Yronwoods are Dorne's second strongest house and their seat is located up in the high meadows of the Red Mountains near the Boneway where the air is always crisp and cool after dark, no matter how hot the day had been. Anders Yronwood, the Bloodroyal, is the leader here.
Even though previously we've seen a few signs that the Yronwoods may rebel given their brief consideration for Arianne's letter for help, and the Wyls' refusal of Tommen's toast, the biggest reason for them to strike out on their own might be their uniquely fractious relationship with the Martells (they also have a long rivalry with the Fowlers). In fact, we were told Yronwood was only just recently on the verge of rebellion after Oberyn allegedly poisoned Lord Edgar Yronwood in a duel after he was found abed with Edgar's paramour, and it was only Doran's quick thinking that avoided it.

Blood feud and rebellion would surely have followed Lord Edgar's death, had not her father acted at once. The Red Viper went to Oldtown, thence across to the narrow sea to Lys, though none dared call it exile. And in due time, Quentyn was given to Lord Anders to foster as a sign of trust. That helped to heal the breach between Sunspear and the Yronwoods, but it had opened new ones between Quentyn and the Sand Snakes...

Quentyn Aftermath & The Blackfyres
And the biggest thing that may reopen that wound is, not surprisingly, news of Quentyn's voyage. Anders Yronwood has lost two sons on what could be seen as a pretty foolish attempt to court Daenerys including his son and heir Cletus Yronwood, who was sent along on the voyage and died from a corsair attack off the coast of the Disputed Lands. The other son? Quentyn Martell himself.... despite him being a Martell, he is really more Yronwood at heart. He grew up in Yronwood with Anders, his best friend was Cletus, he became smitten with his eldest daughter Ynys (who is now heir to Yronwood), and then later fell in love with Gwyneth, the youngest daughter of Anders.... All of Quentyn's memories are with the Yronwood really and Arianne even notes he is somewhat a stranger to her and Sunspear. Doran himself is forced to admit that "Anders Yronwood has been more a father to him than I have".
Anders hasn't heard anything yet from Meereen, information moves slowly in Essos (which has no messenger ravens so it needs to be carried by hand) and most of the people who can pass on that message, like Arch and Drink, are still caught up in the Battle of Fire (and hoping that the Tattered Prince will be merciful to them for their previous desertion). Any news that might get back could end up with a distorted and unflattering picture of Daenerys too (and some of that fallout may carryover to Aegon who seeks to ally with her).
But even before it does the troops commanded by the Yronwoods in the Boneway are conveniently close to the events happening in the Stormlands with the Golden Company. And the Yronwoods have been suspiciously consistent partners of the Golden Company and Blackfyres in the past (which often drew in second houses with a lot to gain), which is all the more interesting given the rumors around Aegon ("Lords of Yronwood rode for the black dragon in no less than three of the five Blackfyre Rebellions.") So if Arianne seeks to side with Aegon and JonCon the Yronwoods might be the first to throw in with that cause... especially if its also a way to oppose Mace Tyrell given his hatred of all things Dorne. However, it might also be interesting if she takes after her father's advice to be cautious and tries to hold back her forces, leading to the Yronwoods ignorning her and Doran's commands and striking out on their own anyways. And it will be interesting how these events may combine with the x-factor of news of Quentyn and Cletus arriving at some point (whatever the timing of that might be in relation to the Battle of Steel).

So what do you think of Houses Fowler, Uller, and Yronwood... will we see them act out in Winds or play loyal bannermen to Doran?
~Thank you for Reading!~
TLDR This post explores the ample foreshadowing that Houses Fowler, Uller, and Yronwood may be unreliable allies of Doran when pressed, and their reaction may not follow what we'd expect when Arianne sends out her last raven either calling Dorne's spears to side with the Golden Company or holding off and keeping to the passes (taking after her father's more prudent advice). Could the Fowlers join with Darkstar and raid the Dornish Marches? Will we have a chapter at the Hellholt before Areo's party travels the deep sands where we see Lord Harmen Uller's rebellious nature collide with Ellaria Sand's attempts at peace? And will the Yronwood troops in the Boneway join their historic allies in the Golden Company, or have a divisive reaction to news of Quentyn and Cletus' deaths?

• Lesson video

INTRO

Your server is now running two services: the sshd (Secure Shell Daemon) service that you use to login; and the Apache2 web server. Both of these services are generating logs as you and others access your server - and these are text files which we can analyse using some simple tools.
Plain text files are a key part of "the Unix way" and there are many small "tools" to allow you to easily edit, sort, search and otherwise manipulate them. Today we’ll use grep, cat, more, less, cut, awk and tail to slice and dice your logs.
The grep command is famous for being extremely powerful and handy, but also because its "nerdy" name is typical of Unix/Linux conventions.

YOUR TASKS TODAY

• Dump out the complete contents of a file with cat like this: cat /valog/apache2/access.log
• Use less to open the same file, like this: less /valog/apache2/access.log - and move up and down through the file with your arrow keys, then use “q” to quit.
• Again using less, look at a file, but practice confidently moving around using gg, GG and /, n and N (to go to the top of the file, bottom of the file, to search for something and to hop to the next "hit" or back to the previous one)
• View recent logins and sudo usage by viewing /valog/auth.log with less
• Look at just the tail end of the file with tail /valog/apache2/access.log (yes, there's also a head command!)
• Follow a log in real-time with: tail -f /valog/apache2/access.log (while accessing your server’s web page in a browser)
• You can take the output of one command and "pipe" it in as the input to another by using the (pipe) symbol
• So, dump out a file with cat, but pipe that output to grep with a search term - like this: cat /valog/auth.log grep "authenticating"
• Simplify this to: grep "authenticating" /valog/auth.log
• Piping allows you to narrow your search, e.g. grep "authenticating" /valog/auth.log grep "root"
• Use the cut command to select out most interesting portions of each line by specifying "-d" (delimiter) and "-f" (field) - like: grep "authenticating" /valog/auth.log grep "root" cut -f 10- -d" " (field 10 onwards, where the delimiter between field is the " " character). This approach can be very useful in extracting useful information from log data.
• Use the -v option to invert the selection and find attempts to login with other users: grep "authenticating" /valog/auth.log grep -v "root" cut -f 10- -d" "

The output of any command can be "redirected" to a file with the ">" operator. The command: ls -ltr > listing.txt wouldn't list the directory contents to your screen, but instead redirect into the file "listing.txt" (creating that file if it didn't exist, or overwriting the contents if it did).

WHERE'S MY /VALOG/AUTH.LOG?

If you didn't find the file /valog/auth.log you're probably using a minimal version of Ubuntu (it can be your own local VM or a version in one of the VPS). That minimal image is, well... minimal. It only has the systemd journal available and it didn't come with the old syslog system by default.
But don't worry! To get that back, sudo apt install rsyslog and the file will be created. Just give it a few minutes to populate before working on the lesson.
It also be missing a few of the other programs we use in the challenge, but you can always install them.

POSTING YOUR PROGRESS

Re-run the command to list all the IP's that have unsuccessfully tried to login to your server as root - but this time, use the the ">" operator to redirect it to the file: ~/attackers.txt. You might like to share and compare with others doing the course how heavily you're "under attack"!

EXTENSION

• See if you can extend your filtering of auth.log to select just the IP addresses, then pipe this to sort, and then further to uniq to get a list of all those IP addresses that have been "auditing" your server security for you.
• Investigate the awk and sed commands. When you're having difficulty figuring out how to do something with grep and cut, then you may need to step up to using these. Googling for "linux sed tricks" or "awk one liners" will get you many examples.
• Aim to learn at least one simple useful trick with both awk and sed

RESOURCES

• Text processing commands
• OSTechNix grep tutorial
• Where GREP came from
• SED onliners
• RegExr - a tool to learn, build and test Regular Expressions
• explainshell.com - write down a command-line to see the help text that matches each argument

TROUBLESHOOT AND MAKE A SAD SERVER HAPPY!

Practice what you've learned with some challenges at SadServers.com:

• "Saskatoon": counting IPs.
• "Santiago": Find the secret combination
• "The Command Line Murders"

PREVIOUS DAY'S LESSON

• Day 7 - The server and its services

Some rights reserved. Check the license terms here

Before going into it, I want to mention how this post was inspired by three things. One was user u/HastyvonFuego2 and their post on going down the rabbit hole on the Kendrick sub last week. It was also inspired by Childish Gambino’s first album release in nearly 6 years where I have been sitting on this idea for a while but he inspired me to finally post this week like he did (never posted on Reddit at all before so be gentle if I am not doing it right)! I was also inspired by an interview Bino gave to GQ about breaking down his most iconic characters. In this interview he says how This is America started out as a Drake diss but then he realized the song was too hard for just Drake so he kept working on it. He also talks in this interview about how all culture is about compression. Which means that yes, This is America is about the gun violence and police issues in America, but compressed in this video is also more about where that culture comes from which he shows is from a small handful of rap moguls, namely Drake, Diddy and Jay-Z (bear with me on this long post, I think/hope it will be worth it). At the end I talk briefly about how Little Foot Big Foot might be in this same vein of cultural compression.
[Intro: Choir]
Yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, go, go away
The beginning of this song has no background music yet, which really gives it an ‘in the beginning’ feel. Then Gambino starts doing his dances with weird facial expressions. I will explain as we go through his video how those expressions and dance moves represent different famous rap moguls. One easy look to pick out right away is Jay-Z’s famous lip curl/growl look that Gambino gives with a head nod repeatedly. The colonial pants have been a hot topic, but since it’s only the pants that are colonial, Gambino is saying the bottom or basis for this violent culture in America is ultimately colonialism. The lyrics ‘Go Away’, are likely foreshadowing the rap moguls wanting other popular rap rivals to ‘go away’ or they will make them (aka murder them) for profit.
[Bridge: Childish Gambino & Young Thug]
We just wanna party
Party just for you
We just want the money
Money just for you (Yeah)
Usually you want money for yourself and to party for yourself, so this is a bit odd. But what Gambino is referring to is similar to these Diddy ‘freakoff parties’ we are hearing about where people who want to be famous are really partying for these rap moguls so they can get close to them. Where they suck up to them saying that they want to earn the mogul money from their songs.
I know you wanna party
Party just for free
Girl, you got me dancin' (Girl, you got me dancin')
Dance and shake the frame (Yeah)
Then this almost feels like the Diddy rebuttal where he’s like ya I know you want to party and you want to do it for free. Like Katt Williams says, “you gotta tell Diddy no”, it is never free to go to those parties. There are always consequences. When you are partying you are dancing, but shaking the frame could refer to how those boundaries/edges are being crossed, lines are blurred, etc.
Then in the video, the fellow who was playing the guitar gets shot and things turn dark from happy music. I believe that this guitar tune is meant to represent 2Pac and Nas’s song Thugz Mansion. It’s one of the original greats from ‘in the beginning’. Nas famously has always had major issues with Jay-Z too (More on why 2Pac and Nas later). It also represents how it was these moguls who murdered 2Pac like Jaguar Wright and Katt Williams keep saying. Where these murders only lead to more money and fame for the killers when the dead artists’ and their music are exploited more easily.
Also note that the gun gets taken away by a school kid after the shooting, more on this later as well.
[Verse 1: Childish Gambino, Young Thug, Blocboy JB & 21 Savage]
This is America (Skrrt, skrrt, woo)
Don't catch you slippin' now (Ayy)
Look how I'm livin' now
Police be trippin' now (Woo)
Yeah, this is America (Woo, ayy)
Guns in my area (Word, my area)
There is a song called Guns in My Area by Lil Weiner and Baby Chapox that paints a vivid picture of the everyday struggles and conflicts faced by those living in communities affected by gun violence. More compression of other songs and the American gun culture.
I got the strap (Ayy, ayy)
I gotta carry 'em
I am almost certain this line is referring to 2Pac’s song Changes. Throughout This is America, Gambino takes lines from Pac’s song: “They get jealous when they see you with your mobile phone” (referred to later in this a Celly, that’s tool) “That's the sound of my tool, you say it ain't cool, My mama didn't raise no fool”
“And as long as I stay black, I gotta stay strapped, And I never get to lay back” It seems like Gambino broke up these lyrics and scattered them throughout his song. This plays into the theme that everyone is using 2Pac and enriching themselves off of his image and music. I show below how this particular section of the video represents Diddy meaning that Diddy himself is exploiting his music (and alleging that Diddy killed Pac?). We could see this exploitation play out at length with how much Diddy milked the death of Biggie like in Every Breath You Take.
Yeah, yeah, I'ma go into this (Ugh)
Yeah, yeah, this is guerilla (Woo)
Yeah, yeah, I'ma go get the bag
The song Gorilla War by $uicideboy$ and Ramirez talks about getting a bag repeatedly in the course. Also in Otis with Kanye and Jay-Z their lyrics talk about going gorilla (I talk about this song more further down), so it could be referring to this as well. It seems like Gambino is trying to pull out lyrics from all across the rap culture and embed them in his song to highlight the ‘cultural compression’.
Yeah, yeah, I'm so cold like, yeah (Yeah)
I'm so dope like, yeah (Woo)
We gon' blow like, yeah (Straight up, uh)
I think that all of the school kids in the video represent all of the rappers that are signed with these big labels. Which is interesting because they are the ones facilitating the guns for the moguls in the video. You can see that the mogul is really focused on the kids and gets agitated and directs them to follow him whenever they stray off a bit like they are his pupils, or like he owns them. Then all of a sudden the camera comes into a scene where you can see more kids shooting a rap video and all shooting money from a Supreme gun. The camera zooms out almost to show you that this is the mogul’s whole rap empire they are looking over, all of their kids in one place (this empire already includes some chaos in the background). It’s subtle but hilarious, Gambino puts fricken chickens on the ground where the kids are filming the rap video. He is directly calling all of these rappers complete chickens for playing up this lifestyle and being the cause of so much chaos rather than coming out and telling somebody what’s really going on. Trying to get their money over everything else.
[Refrain: Choir & Childish Gambino]
Ooh-ooh-ooh-ooh-ooh, tell somebody
You go tell somebody
Grandma told me
Get your money, Black man (Get your— Black man)
This is where things start to get interesting. Gambino is literally saying, go tell somebody about this! We all know what’s happening, why don’t you go let people know how bad it is? But like Jaguar Wright said, who do you tell when these moguls have the cops and feds paid off? This video is literally Gambino putting it all out there in this extremely popular song for everyone to see but yet we still just see the dancing and the violent chaos of people and police in the streets and not the root cause that is hidden in plain sight.
The vast majority of those who reviewed this video until now think this scene represents the tragic church shooting in Charleston in 2015. I think it does, but we also have to look at this from an angle of compression.
The people in the choir are all of the people who are currently singing the rap mogul’s praises and who are focused on going and getting what’s owed to them, get their money (who are also profiting off of the dead fellows music since it goes back to the original tune). You can see that each choir member has a distinct look to them. Think about who you are hearing about now who is about to be implicated in these freak offs and evil deeds. Is that Will Smith in the back left corner!? The short bald fellow in the front left maybe Kevin Hart? Rick Ross or TD Jakes maybe the bigger guy towards the back right? When the camera zooms in on the choir right at first to show their faces, doesn’t the guy in the bottom middle look like an uncanny version of Jordan Peele? Or is that meant to be Cuba Gooding Jr? Then just like the guitar fellow at the beginning, bang. You may be singing Diddy’s praises now, but he will cut you down whenever he suddenly feels like it.
I think almost for sure this initial section of the music video is Gambino acting as Diddy, because right after he shoots the choir, he does the elbow pump/chicken dance. At 3:14 in Diddy’s video for P.E. 2000 he does the chicken dance (he is up first in the video and I think Gambino is trying to say here I first present to you the first public enemy of 3 in this song). That elbow dance signals that it was Diddy and this is the end of his section.
[Chorus: Childish Gambino, Young Thug, Slim Jxmmi & Quavo]
This is America (Woo, ayy)
Don't catch you slippin' now (Woo, woo, don't catch you slippin' now)
Don't catch you slippin' now (Ayy, woah)
Look what I'm whippin' now (Slime!)
There have been many accounts of celebrities being given fancy cars after suffering abuse at the hands of these moguls. So these lyrics are saying that you better not slip up and tell people what’s really going on. And if you don’t look at this sweet carecord deal/movie contract I am going to give you. Beiber told this story about Diddy wanting to give him a luxury car.
Now suddenly, the dance switches from the chicken dance to a sudden bicep flex to signal us that we have now moved on from Gambino representing Diddy to our next mogul.
[Verse 2: Childish Gambino, Quavo, Young Thug, 21 Savage & BlocBoy JB]
This next chunk of the video is all about Jay-Z. I think this is the case because he throws his arms up in a bicep flex just like Jay does in the Otis music video at 2:38. And it makes sense Gambino would pick a dance move from a video with a huge American flag in the background to fit the ‘This is America’ theme. Gambino is mocking him saying, who are you really, the pretty guy or this hard gangster like Gambino shows in his dancing. Also right before they pan to the kids on the balcony, Bino also does Jay-Z’s signature lip curl look a couple times so we know it’s him and to signal the end of his section.
Look how I'm geekin' out (Hey)
I'm so fitted (I'm so fitted, woo)
Jay-Z is famous for making the fitted Yankees cap famous, it’s his signature look. More signs this verse is about Jay.
I'm on Gucci (I'm on Gucci)
Jay-Z has been seen in full wallpaper Gucci sweat suits but could also be referring to Gucci Mane who he hung out with at Beyonce’s tour around the time this song was released.
I'm so pretty (Yeah, yeah, woo)
I'm gon' get it (Ayy, I'm gon' get it)
Watch me move (Blaow)
These lines are probably referring to Jay-Z having a hidden preference for men, especially with the way Gambino flicks his wrist in the video when he says I’m so pretty.
This a celly (Ha)
That's a tool (Yeah)
On my Kodak (Woo) Black
I think that “this a celly, that’s a tool” harkens back to 2Pac’s lyrics in Changes where he sings, “They get jealous when they see ya with your mobile phone” then shortly after that he sings about the sound of his tool, referring to shooting a gun. But Childish flips these lyrics on their head. He is saying that it’s really the phone that’s a tool to be using, not a gun. And pans up and shows (the school kids specifically) on the balcony filming everything going on below. He’s telling the kids/other rappers, use your phone as a tool, you can record these bad deeds when you get blackmailed into being at the freak off. That’s how you can kill them and their career, not with a gun. Go tell somebody! There is also the reference to Kodak which plays into the picture taking theme, but also because Kodak Black has been accused of assaulting a teenage girl in a hotel room. So we have a good idea of what Gambino suggests all the kids start filming and collecting evidence of.
Ooh, know that (Yeah, know that, hold on)
Get it (Woo, get it, get it)
Ooh, work it (21)
Now we are onto Drake’s part. In the video Gambino starts doing the BlocBoy JB dance called Shoot. Drake is known for doing these little viral dance moves like in Hotline Bling. But not only that, this dance is also used in the song that both BlocBoy JB and Drake collaborate on for their video Look Alive. It starts at 2:07 in the Look Alive video. So this is Drake’s dance to signal his part is now starting.
Note this is where the pale horse rides by also potentially saying that Drake is one of the horsemen of the apocalypse. Interestingly, Drake’s collab with BlocBoy JB was pretty much the apocalypse for BlocBoy’s career, who hasn’t had a hit since.
Hunnid bands, hunnid bands, hunnid bands (Hunnid bands)
Contraband, contraband, contraband (Contraband)
I got the plug in Oaxaca (Woah)
They gonna find you like "blocka" (Blaow)
Again, we know this is Drake’s section because his song 10 bands starts out by saying “10 bands, 50 bands, 100 bands” almost identical to Bino’s lyrics here. Also Blocka was famously used by Biggie in his song Gimme the Loot which could be referring to Biggie's demise like Pac’s and making money from his death. Everything in this industry originates from pushing drugs, which has been alleged through the trafficking that Diddy, Jay-Z and Drake do through their private jets likely connected to their bosses, the Clive Davises and Lucian Grainges of the world. This escalates rap beefs and the whole culture to the next level where murder is often a consequence for young rappers in their prime when international drug lord money is involved.
An interesting point is this is the only time where Childish was about to shoot someone in the video, but where he didn’t have a school kid either handing him the gun or taking it away carefully from him. (Maybe also a diss at Drake that even though he acts hard he doesn’t shoot, he gets his horseman of the apocalypse to do his dirty deeds for him instead perhaps?). This is the beginning of the end for the rap mogul as he no longer has his kids doing his bidding for him. A simple message to show how the violence can be stopped, that these shootings can end when the kids stop enabling them. So then as soon as he can’t react in that moment and shoot someone his anger is forced to chill out, as shown by smoking a J, and to go back to exploiting the dead man’s music instead. If you don’t put a gun in someone’s hand when they are heated, those feelings too shall pass - kinda feel.
[Refrain: Choir, Childish Gambino, & Young Thug]
Ooh-ooh-ooh-ooh-ooh, tell somebody
America, I just checked my following list, and
You mothafuckas owe me
Whose voice does that sound like!? It sounds a lot like Diddy to me, public enemy #1. This is basically saying that the moguls are the ones who we all owe it to for all of this glorified gun violence in America. That we owe them way more follows and likes for what a massive influence they have had on the violence and chaos we see in America today.
Grandma told me
Get your money, Black man (Black man)
(1, 2, 3—get down)
In Moneybagg Yo’s song 1, 2, 3, he also has a line that says “1, 2, 3, let’s go!” in a similar vein.
But something interesting I came across was Nas’s song Get Down where they use a sample from James Brown's “The Boss” that sounds extremely similar to the way Gambino screams “Get Down!” Which would fit well if the guitar singer from the beginning is meant to be Nas and Pac doing Thugz Mansion.
Also make sure you check out Nas’s song Get Down so that you can hear how much Jay-Z outright copied this song for The Story of OJ. From the musical structure with the piano and interwoven samples right down to the theme reiterated by the sample at the end of Nas’s song: “If that’s how our people are gonna get down, how are we ever gonna get up?”
SZA
Finally to wrap up the video, I have been stumped for a long time as to why SZA is randomly at the end of this video sitting on one of the cars. But I think I finally know why and it reconfirms that this last scene is all about Drake. If you watch Drake’s music video for Worst Behavior (not very Canadian of him to spell behaviour that way I might add) you will see Drake rapping and dancing with a few cars surrounding him and one of those cars has other rappers making cameos in it. In Gambino’s video SZA represents that car with a famous cameo. I think this is further confirmed when the black edges of the video start closing inwards at the end of This is America, the exact same way that Worst Behavior ends. So why SZA as the cameo then? Cause it reminds people that Drake is a p*do.
This is from an article in the Rolling Stone: In 2020, Drake revealed publicly that he and SZA had dated over a decade ago, well before she was an established artist (her earliest music goes back to around 2012; her critical breakthrough, Ctrl, came in 2017). On 21 Savage’s “Mr. Right Now,” Drake rapped about a newer fling who was a fan of SZA’s: “Yeah, said she wanna fuck to some SZA, wait / ‘Cause I used to date SZA back in ’08 / If you cool with it, baby, she can still play.” A few days later, SZA responded, corroborating Drake’s claim with a slight correction: they dated in 2009, when both would have been over 18. Since SZA would not have turned 18 until late 2008, she wanted to set the record straight. “in this case a year of poetic rap license mattered 🥴lol I think he jus innocently rhymed 08 w wait [sic],” she tweeted. “I just didn’t want anybody thinking anything underage or creepy was happening . Completely innocent . Lifetimes ago . [sic]”
If you have to specifically say something isn’t creepy and distance yourself from it being lifetimes ago, it usually is creepy. Drake would’ve been 22 when she was 17. Metro Boomin also happens to be on the Mr. Right Now track. He is currently in trouble for resurfaced old tweets showing how Metro used to tweet disgusting things about what he wanted to do to underage girls. Interestingly, Metro Boomin is also now beefing with Drake.
Drake doing his dance on the car of the original musician’s music seems to be accusing Drake directly of stealing 2Pac’s music. Orlando Brown recently said the cryptic statement that “Drake is Pac” which likely means he stole 2Pac’s approach/style/audience after his death. Gambino did some good foreshadowing here too with the recent AI release Drake put out of 2Pac.
This dance scene also signals that the Drake section is now over.
[Outro: Young Thug]
You just a black man in this world
You just a barcode, ayy
You just a black man in this world
Drivin' expensive foreigns, ayy
You just a big dawg, yeah
I kenneled him in the backyard
No, probably ain't life to a dog
For a big dog
The outro lyrics speak to how these gatekeepers keep black men down and control them with things like being forced to wear a dress to become famous or to submit to homosexual/p*do acts.. In the video, as I mentioned above, the black edges close in on Drake’s dancing scene in This is America. But they don’t completely close and end things like they do in the Worst Behavior video. Instead, in Gambino’s video, the camera pans to show the mogul running for his life with Young Thug’s lyrics almost like a quiet echo in the background. He isn’t running from the cops though, he’s running from the kids and from the public. When I mentioned earlier that the kids not handing over the last gun before Drake’s scene signalled the beginning of the end for the moguls, this is that conclusion. Where it is showing that if all the kids come together to stop enabling and rather expose the moguls, people will be chasing these bastards down once we realize what has been going on behind the curtain. Then the song that Young Thug is singing can just be a quiet echo of the way things were in the past.
If you don’t think Gambino would be this deep and that I went too far down the rabbit hole, do a Google search on the calculations that he came up with for why he sings about loving until 3005 in his song. He seems to go real deep with his lyrics. So a big question this leaves us with is, what did Childish Gambino witness in the rap industry? His whole rap career plays out like he is trying to avoid industry norms.
Even in Sweatpants, he has lyrics like:
No hands like soccer teams and y'all fuck boys like Socrates
You niggas ain't coppin' these, niggas ain't lookin' like me (Nah)
Nah, I ain't checkin' I.D. (Nah), but I bounce 'em with no problem
Seems like he is trying to make it really clear across his catalogue of music that he isn’t a p*do but that other rappers are. Where he is saying that he doesn’t need to ID his potential partners because he can tell they are obviously too young and that’s not hard to do.
Tell 'em, Problem (Problem!)
I'm winnin', yeah, yeah, I'm winnin' (What?)...
Rich kid, asshole, paint me as a villain
So who was trying to paint him as a villain, Drake? And that’s why the diss was originally meant for him?
Don't be mad 'cause I'm doing me better than you doing you…
Better than you doing you
Fuck it, what you gon' do? (What?!)
He’s taunting the other rappers cause he knows they can’t say shit if they are creeps. He has the same sentiment in Bonfire “It’s a bonfire, turn the lights out, I’m burning everything you mother fuckers talk about.”
Childish Gambino has always refrained from talking about the meaning of This is America whenever he is asked, and I can only assume that all of this is why.
Little Foot Big Foot
Now with his new release, Little Foot Big Foot and applying cultural compression to it, it has me wondering if he is referring to Megan Thee Stallion and the Nicki beef? People like Nicki (calling Megan Big Foot) have been claiming for some time she wasn’t even shot in the foot by Tory Lanez. There were many people laughing and making fun of Megan over getting shot. Which could be an interesting story for Childish to tell to represent how crazy this violent culture has gotten that people just laugh and blame the victim now when you get shot. Also a good metaphor for things like ‘shooting yourself in the foot’ for not having a lawyer look over potentially predatory industry contracts like in the beginning of his video. That you want to get in the cool kids club so bad you overlook it. Not as sure on this one though since the song just came out and I have only heard it a few times.
One last thing that is really interesting, there have been tons of artists on podcasts like Shay Shay talking about the strings these ultra rich moguls can pull. Like buying awards or gatekeeping people from being in the industry at all. There was even a story, I think maybe it was Gene Deal who told it, that when Killer Mike won at the grammys that Jay-Z was so angry he made sure to mess up his night by getting him locked up as soon as he left the awards stage. These moguls are extremely powerful and have an incredible amount of sway in the world/industry. If you check out Gambino’s profile on Youtube, his old music videos keep getting taken down, like Bonfire for example is just gone. Fans have been having to upload the videos themselves. There is a reply to a comment, on one of the fan uploaded vids, from Gambino’s account himself when someone asks why the videos are being taken down. His account just replies “Noone knows why :(“ Seems a bit odd all things considered and like maybe he has been at the mercy of these gatekeepers for going against the system.
I am so curious to know what the rest of you think about all of this!

I really felt the need to talk about the episode of Batman: The Animated Series I just watched, and my family does not care, so I will subject reddit to my rants! Put this in urbanplanning and it was getting plenty of upvotes and good conversation but then the mods deleted it for some reason, so hopefully this is appropriate for fuckcars since urban renewal and car dependency go hand in hand!
I recently finished reading The Death and Life of Great American Cities by Jane Jacobs,* which is of course in large part a response to the "urban renewal" and slum clearing that occurred on a large scale in the mid 20th century that we are still dealing with today. I am also watching Batman: The Animated series for the first time since I was a child, and I was not expecting an episode to ALSO be a response to "urban renewal" and slum clearing!
For those who may not be familiar, Batman: TAS is an animated "kids'" television show that aired in the mid 90s. I put "kids'" in quotation marks, because many episodes feel very little like children's programing with their dark aesthetic, complex plots/character motivations, and mature themes. Case in point, my 7 year old daughter got through a couple episodes with me, but at the conclusion of the body-horror filled Clayface-starring 2-parter, she bravely said "Daddy, I don't think I can watch this anymore," which I agreed with and felt bad for subjecting her to it!
An actor transforming into a giant shape-shifting poop monster (Clayface) might be frightening to a 7 year old, but government bureaucracy is what's scary to adults, and a zoning board's denial of a massive "slum clearing" operation and subsequent redevelopment is the subject of the episode "Appointment in Crime Alley," loosely based on Detective Comics #457. Here, ruthless real estate developer Roland Daggett plans to secretly blow up a section of a crime-ridden but formerly upscale neighborhood, taking matters into his own hands after his board appeal to demolish and "revitalize" the neighborhood through legal means is rejected.
This neighborhood, formerly known as Park Row but now as the titular "Crime Alley," has its issues with crime and decay (and is in fact where Bruce Wayne's parents were murdered). But the writers make it clear that it is its diverse citizens' home, and is worth fighting for, especially through Park Row resident Leslie Thompkins (who was Wayne's mentor after his parents' death) and others who hold signs reading "Save Our Homes." Thompkins' support for her community as a longtime neighborhood resident mirrors Jacobs' for Greenwich Village in the face of its redevelopment threats.
Daggett is championed by the business community, being called a "force for progress." He gives a speech to the community prior to the planned explosion of the block where he says, "we cannot allow the underclass to hinder us from building a better tomorrow," which strikes me as one of those "quiet part out loud" moments. Batman senses his greedy intentions early, and accuses him of "running the people in the neighborhood out of their homes." He later comforts his mentor, Thompkins, at the end of the episode as she is expressing her disappointment in the state of her neighborhood as they walk down its streets, with Batman responding to her remark that "Good people used to live [in Crime Alley] once" with "Good people still live in Crime Alley," even as he lays a rose at the spot of his parent's death.
Ultimately, Daggett is successful in blowing up the neighborhood and in his cover-up (though Batman prevents the loss of life), and attempts to blame the neighborhood residents for the crime, saying to a news reporter, "you have to expect violence in Crime Alley. These people don't value human life like we do," which was an especially chilling line that rings true to the dehumanization that has occurred against minorities and marginalized communities in the US. Will Batman take him down later in the series? I guess we'll see!
I was just really impressed with the compassion that this episode showed towards the people of this run-down neighborhood, all while still being honest about the poor state of things and the need for improvement. Jacobs' chapter on "Slumming and Unslumming" felt very relevant here, as the neighborhood still had potential that needed to be gradually coaxed out and nourished, rather than taking it to the extreme of demolishing the neighborhood and displacing its people. TL;DR, watch this show, it's good!
*Wow it's incredible, I also desperately feel the need to talk about it book club style, because I know this is a very famous book but I don't see many people talking about it past "Jacobs was very important and she rallied against Robert Moses." I can't imagine reading this book in the 60's and seeing over and over again for decades that she was right about so much, as we continue to dig deeper into the hole. Also, the people that say her theories lead to gentrification clearly didn't read the chapter "Self-destruction of Diversity."