https://reddit.com/link/1ctf1j0/video/76v6w8bdzs0d1/player
i've got a new class coming up at polyphaseportal.xyz in june, video synthesis in vsynth! will be covering the basics of composition using oscillators, cross modulation, mixing, and feedback in 4 online sessions. schedule for this class and the rest of the may-july polyphase schedule below
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a few foundations of analog video on breadboard

Link to get tickets here
// ticket sales closing fri 24th may to give time for kits to be sent in mail //
design and build your own vga-synthesizer! Beginner friendly and hands on course about making art with electronics - receive a kit with everything you need to build video-synth modules together on breadboard
Monday 24 June at 09:30-11:30 + 20:30-22:30 EDT – week 1: passives
Monday 1 July at 09:30-11:30 + 20:30-22:30 EDT – week 2: comparators
Monday 8 July at 09:30-11:30 + 20:30-22:30 EDT – week 3: oscillators
~ BREAK WEEK ~
Monday 22 July at 09:30-11:30 + 20:30-22:30 EDT – week 4: logic gates
Monday 29 July at 09:30-11:30 + 20:30-22:30 EDT – week 5: multiplexes
Monday 5 August at 09:30-11:30 + 20:30-22:30 EDT – week 6: op-amps

digital video synthesis in Vsynth // tickets on sale 5-13 through 6-1 //

Learn the fundamentals of video synthesis using the Vsynth package for Max/Msp. Led by Andrei Jay
Monday June 3 // 9-1030pm EDT
Monday June 10 // 9-1030pm EDT
Monday June 17 // 9-1030pm EDT
Monday June 24 // 9-1030pm EDT

an introduction to making music in vcv rack 2

This hands-on workshop is a practical introduction to modular sound synthesis and performance using VCV Rack 2, a free, open-source Eurorack simulator for Mac/Windows/Linux. Led by Ryan Smith.
Tues Jun 4th // 9pm to 11pm Eastern
Tues Jun 11th // 9pm to 11pm Eastern
Tues Jun 18th // 9pm to 11pm Eastern

introduction to composite video circuitry – part i

This workshop explores how to process composite video signals with basic electronic circuitry. Starting with components like resistors and capacitors and building up to comparators and operational amplifiers, we will cover techniques for processing camera feeds, VHS tapes, and any other video signal in the composite format. Led by Sean Russell Hallowell.
Tues June 18 // 6:00pm-8:00pm Eastern
Tues June 25 // 6:00pm-8:00pm Eastern
Tues July 2 // 6:00pm-8:00pm Eastern
Tues July 9 // 6:00pm-8:00pm Eastern

making ambient music with ableton live

This workshop will explore the building block techniques to make Ambient and Experimental music, harnessing the common approaches of some of the genres’ iconic composers from the past and present, put into practical use in Ableton Live (10 or 11). Led by Ryan Smith
Tues Jul 9th // 9pm to 11pm Eastern
Tues Jul 16th // 9pm to 11pm Eastern
Tues Jul 23rd // 9pm to 11pm Eastern

Chapter 103 was released in Japanese today! The translators are working hard to translate it! What about the NEXT chapter release?
The raw untranslated Japanese Chapter 104 is expected to release in Square Enix's Young Gangan magazine on June 21st, 2024. The magazine releases online, Midnight in Japan Standard Time (GMT +9). The date and time of release might be different for you, depending on the time zone where you live. Fan Translators work hard to quickly translate the raws into (primarily) English, Portuguese (Brazilian), Indonesian, and Russian - but this can take some time. Please support the official release whenever possible.
The release schedule has changed. Starting with Chapter 96, the manga is releasing monthly until the current arc is completed. Chapters are released on the third Friday of every month during this period.
Why is the release date changing for this arc? The author has said that this arc is more complex and it requires additional pages per chapter to express adequately. The change means she has more time to complete these pages, and in exchange we get longer chapters at the quality we've come to appreciate.
Where can I find the manga? We support MangaDex for fan translations. All current chapters can be found on their website. You can find the latest chapter here. Or, because I know you'll want to, you can start the manga all over from Chapter 1 here.
Where can I find the raws? You can buy them! But the process is a bit involved outside of Japan. Here's a neat guide, made by a community member who wishes to remain anonymous.
Where can I find the raws for free? Sites like MangaDex don't host the raws: it's against their policy because that would attract undue attention and could get their site shut down. The best way to see the raws yourself, for free, is to know someone who has paid for them.
Release Date Source: Awaiting confirmation by RAWs.
Ch 104 Issue Number: 2024, Issue 13

Planning to get the game this week. If I understand it correctly you need register for a basic free PSN account to play it or do i need to pay for the online services if Im only playing it for the story mode and not the legends section. Thanks.

(continuation of part 4)
I already considered this piece the second greatest musical evidence for Clerith after the London Symphony Orchestra’s Final Fantasy VII Symphony’s second movement “Words Drowned by Fireworks” and its guide, but now that I know about the Clerith reunion that was baked into the ending, the gap between the two is narrower. Each time I hear Cloud begin to call out for Aerith in part 3 (3:04), I immediately start crying. It sounds so much to me like Cloud’s voice in the dark saying “Aerith…?”, meek and scared. If you’ve read everything so far, you know how long Cloud has been looking for Aerith, lost without her, searching relentlessly for decades in real-life time. Through FFT, DFF, Advent Children, MFF x FFVII… all of it spent looking for his Promised Land. In OG, Cloud was so tormented by Jenova’s manipulation and so consumed by the chase for Sephiroth that he could not realize what or how much he felt for her until she was taken away forever. The piece we’ve just analyzed tells the story of Cloud and Aerith intertwining and separating against their will, and you can truly feel Cloud’s anxiety as he struggles to wrench Aerith out of fate’s cruel grasp. Perhaps it is because of Aerith’s ultimately fatal responsibility, inherited from her mother, that this iteration of her theme is called “The Cetra”.
Though in part 5, Cloud and Aerith reunite… could this reunion symbolize their meeting again in Remake, or something more permanent? I think it’s meant to leave us wondering.
I’m very sensitive to music, and as I’m typing this, I’m crying a bit. I wanted to share my interpretation of “Aerith’s Theme - The Cetra” with you very badly, because it makes me feel so much and really enhances Clerith’s story. I’m overjoyed to have found out about the reunion at the very end. And it’s all because you guys showed love for my last analysis! You guys are giving me gifts every day.
V. b) i. 3) Combined Analysis
Please listen to and watch the scene of Cloud’s MOTF 6 (4:21-8:46) again, and consider section “V. b) i. 2)”. What is Uematsu telling us? Similarly to how main world theme of FFVII informs us that Jenova is sabotaging Cloud’s identity far before it becomes a plot point in OG, “Aerith’s theme - The Cetra” is telling us what not even Remake Cloud consciously knows at this point: he’s been searching desperately for her, and fears losing her once more.
As if that wasn’t proof enough, the timing of the shots and musical phrases is absolutely damning. Recall that part 3 of “Aerith’s theme - The Cetra” specifically symbolizes Cloud’s anxiety surrounding Aerith’s safety. It is this particular part of the piece that plays for the entirety of Aerith’s allusions to her murderers and her death (7:25-7:54), including the very moment where “Cloud feels his chest constrict tightly” (7:51-7:54). What’s more, part 5 the piece, which specifically Cloud freeing Aerith from the restraints of fate, coincides with the moment Tifa grabs Aerith’s hand and pulls her out from the circle of Whispers closing in on her (8:42-8:45). This moment leads me to believe that the reunion in part 5 of the piece indeed symbolizes Cloud succeeding (perhaps with Tifa’s help) in saving Aerith from her tragic fate and reuniting with her for good.
It’s heart-wrenching and brilliant. Our theory stands strong.
V. b) ii. Credits: Piece Inclusion
I find it very telling that the character themes included in the credits of Remake are Cloud’s “Hollow” (0:00-5:24), an orchestral arrangement of Aerith’s theme (5:24-9:24), and an orchestral arrangement of the main world theme, (9:24-14:27) which of course includes Cloud’s true theme. No other character themes appear during the rest of the credits (14:27-18:09). This is telling: the credits are communicating to us that Remake is about Cloud and Aerith. Our Mission Theory only gets stronger.
V. b) iii. Showing Relationships Through Music: Intermingling Character Themes
This doesn’t have to do with the Mission, but here’s a pretty good anti-Cloti argument while we’re here.
As shown in section “V. a) i.” where we explored the roles of Cloud, Jenova and Sephiroth’s themes within the FFVII world theme, the way character themes interact in a piece can tell you a lot about those characters’ relationships. This is certainly the case in “Aerith’s Theme - The Cetra” as well (see section “V. b. ii. 2)”).
I’d like to mention that in all of my listening to the Remake OST and rewatching playthroughs of Remake, I’ve never encountered a single piece that united Cloud and Tifa’s themes. Not once. Let alone a piece that depicts them as intimately or emotionally as “Aerith’s Theme - The Cetra” depicts Cloud and Aerith. Even the most Cloti cutscenes in Remake aren’t supported by pieces mixing or even juxtaposing Cloud and Tifa’s themes. I can’t find any of Cloud’s motifs anywhere during the orchestral arrangement of Tifa’s theme that plays during her resolution scene in chapter 14. I can’t find either of their motifs in the track the plays when Cloud calls Tifa beautiful at Seventh Heaven in chapter 3. A motif from Tifa’s theme does appear in the track that plays during the childhood promise scene in chapter 4, (0:00-0:25), but it never plays at the same time as or even near Cloud’s motifs (1:23-1:47 and 2:03-2:29). They’re distant or otherwise unaffiliated.
The only exception is that an altered version of Cloud’s theme’s section A phrase 1 appears in the background of Tifa’s theme (1:17-1:23). This symbolizes her connection to Cloud and how much of her attention and worry revolve around him— a reference to how she cares so much that it borders on dependency. Of course, it doesn’t go both ways: Tifa isn’t in Cloud’s theme at all. To me, this lack of reciprocity concerning the inclusion of Cloud’s motif in Tifa’s theme signifies that the only time Cloud and Tifa are together is in her head. She does think about him a lot, which we witness in her chapter of Trace of Two Pasts. Tifa loses sleep over him even two years after he left Nibelheim, despite the fact that she barely knew him at all:

“The moment she heard the word “Soldier”, the few memories she had with Cloud Strife came flooding back. He never contacted her after they parted ways two years ago […]. She tossed and turned all night. When she counted them again, her memories with Cloud were so surprisingly few that others might find it hard to believe that they grew up as next-door neighbors” (Trace of Two Pasts, translated by pekotranslates on Tumblr).

FFVII Remake Ultimania also comments on the superficial nature of Cloud and Tifa’s water tower promise, and how regardless of its naïveté, it became fundamental to Tifa:

“Though rooted in a jejune heroine fantasy of being rescued in a pinch by her hero, this promise is clearly etched in Tifa’s memory” (Tifa’s profile in section 01 of “Character & World”, “An Enduring Childhood Promise” in “Topics of Tifa” page 20).

You could argue that “Aerith’s Theme - The Cetra” is only one song wherein Cloud and Aerith’s themes interweave, but you’d be proven wrong by the Rebirth OST…
V. c) The Rebirth OST
Unfortunately, the full Rebirth OST isn’t out and available where I can listen to it right now. However, based solely on the incomplete OST that’s available to me right now, I can tell you with certainty that the composers were told to incorporate Clerith into the musical storytelling: Cloud and Aerith’s themes intermingle in multiple pieces. I can’t imagine what else I’ll discover once I listen to the full OST. For now, I checked out what was available on YouTube and listened to cutscene audios. This section would be eternal if I included every time Cloud and Aerith’s motifs interact, especially in chapter 14. Trust me, I’d love to talk about every single one, but this thing is long enough already, so let’s just address what pertains to our Mission Theory specifically rather than stopping at every single Clerith reference in the OST.
V. c) i. Ending Cutscene Music
Ending cutscenes are often used to address the next step the characters will be taking as well as their emotional and mental state. They also open up new questions to make the player curious. Indeed, Rebirth’s ending cutscene (18:56-25:00) gives us an impression of how the party members feel by the end of the game: everyone misses Aerith. Barret looks upset and confused at the mention of her (19:35-19:45), the girls are crying and Nanaki is mourning (19:58-20:35). Additionally, we are shown the empty White Materia and Black Materia in Cloud’s possession (20:40-21:24), foreshadowing that they will come to be important in part 3. Cloud and Aerith share a warm goodbye, and exchange promises: Aerith will send smoke signals if something happens to her so a worried Cloud can remain updated on her well-being and she will stop Meteor, and Cloud will stop Sephiroth (23:00-25:00). The fact that this scene is animated in CGI is enough to tell us that the devs consider it narratively important, just like they do Bugenhagen’s observatory and the party’s advance into the Forgotten Capital CGI cutscenes. What did the composers decide to communicate with us about the end of Rebirth and the plot going forward?
Big surprise: Clerith.
During the entire cutscene, only two themes play: Cloud’s and Aerith’s. The cutscene’s music begins only when Cloud notices Aerith among the party members and begins watching her (19:21). She interacts with the rest of the party without their knowledge, different segments of her theme playing one after another. Her theme only stops when Cloud finally looks away from her and to the empty White Materia in his hand (20:45). The music focuses on the mystery and ominousness of these materia, only returning to Aerith once Cloud hears her voice and repeats her message to the party (21:30).
Cloud’s theme appears when he asserts that Barret needn’t worry about him (section A of Cloud’s true theme, 22:41), though soft and tentative, only swelling when Barret and Tifa climb aboard the Tiny Bronco and Cloud finds himself alone with Aerith again (22:57). As he asks Aerith if “[she’ll] be okay getting back” (23:08), the final phrase of section A of his theme plays, but without its concluding note, the tonic. He waits for her to answer him as his theme waits for hers to complete and answer it, that final note dragging long over the seconds (23:09-23:13). She answers with a teasing remark that references their unwillingness to part from each other back in Remake’s Evergreen Park:

“[Cloud has] a chat with Aerith, from whom he’s reluctant to part” (chapter 9 in section 04 “Scenario”, “Main Story Digest”, “4. Saying Goodbye”, page 275)”.

As soon as Aerith answers Cloud’s question with this romantic callback, her theme answers his too: section C of Aerith’s theme begins with the key’s tonic, resolving Cloud’s incomplete phrase (23:13): she gives him resolution. He chuckles, getting her reference, and the music swells (23:16). The music ebbs and flows thusly, following the rhythms and underlying emotions of their conversation. Finally, the piece ends with phrase 2 of of section A of Cloud’s true theme, following a strong repetition of the first half of Aerith’s theme’s section A. The two make their promises to each other, and “No Promises to Keep” begins, leading us to the credits. This is most definitely a Clerith song, but more on that later.
What this shows us is that Cloud and Aerith’s relationship is fundamental to the plot of Rebirth and will also be fundamental to the plot of part 3: they are isolated one one-on-one in this cutscene, and the music depicts their warm, sweet interaction as well as the strength of Aerith’s character to contrast with Cloud’s somewhat meek personality. The composers are telling us that these two, specifically, together alone, are hugely important to the plot here. This was already true in OG, but no such emphasis was ever placed on their interactions and relationship in its music. Something is different, deeper, more intense now. The Mission Theory explains why. It also suits our theory that the composers are emphasizing the centrality of Clerith in the plot of the Remake trilogy. Cloud’s love for Aerith is the reason for the trilogy’s existence, and it will be the greatest motivator for Cloud in part 3. It’s a grand announcement.
Just like in Remake, I could not find a single instance of Cloud and Tifa’s themes interacting in Rebirth, apart from at the end of the intimate Skywheel date— but every girl receives this treatment in their intimate dates, so each of these instances can be crossed out. Additionally, the Tifa date is not the canon one, but I digress…
V. c) iii. Credits

1. Piece Inclusion

Once more, I find it very telling that of all the pieces included in the credits of Rebirth, the only character themes are Cloud’s and Aerith’s. We start with a song about Aerith’s point of view to mirror *Remake’*s “Hollow”, “No Promises to Keep” (5:18-11:10), followed by the FFVII world theme (11:10-16:12) which of course contains Cloud’s true theme, then we move into a piece whose unofficially translated title is “Parade Battle Ceremony - The Dawn of a New World” as an arrangement of the parade ceremony theme from chapter 4 (16:12-19:03), followed by a theme for the Lifestream springs whose name I don’t have (19:03-21:38), “Junon - Fortified Metropolis” (21:38-24:28), and finally, a gorgeous arrangement of Aerith’s theme (24:28-28:47). No other character is referenced in the credits music: the credits are telling us Rebirth is about Clerith. Our Mission Theory explains why.
V. c) iii. 2) “No Promises to Keep”
At the very end of this song written and performed by Aerith, we’re treated with a sweet little piano conclusion (10:46-11:10): it begins with a variation on Aerith’s theme’s section A (10:46-11:01), and concludes with two ascending arpeggios, each four notes long (11:01-11:10). Each of these ascending arpeggios is a variation of the phrase 1 of Cloud’s true theme’s section A. The differences are minimal. The phrase is usually five notes long rather than four, the first arpeggio ends on the tonic rather than Cloud’s iconic subtonic, and the second arpeggio starts on the subtonic rather than the tonic. The song Aerith wrote concludes with Cloud’s most famous motif. This is also the case in her Gold Saucer performance (3:31-3:41).
V. c) iii. 3) Arrangement of Aerith’s Theme
The final piece in the credits is an arrangement of Aerith’s theme (24:28-28:47) which has noticeably similar elements to the version of her theme that plays during the Jenova Lifeclinger battle in chapter 14 (0:12-3:36), such as the female choirs. Since these female choirs are only heard in the Forgotten City version of Aerith’s theme, and since the credits arrangement of her theme plays at the same time as clips from her chapter 14 pseudo-death roll across the screen, I estimate that this credits arrangement specifically reflects the event of Aerith’s pseudo-death. Recall that composers had access to the credits video as they composed, meaning this piece is specifically written for Aerith’s pseudo-death in Rebirth.
What I find fascinating is that, just like the arrangements of her theme that play during Aerith’s pseudo-death and the Jenova Lifeclinger battle, this credits arrangement contains the sound of Cloud’s pain, rage and protest. Phrase 1 and the first three notes of phrase 2 of Cloud’s true theme section A play on the strings and brass quite loudly and insistently, just as Cloud blocking masamune appears on the credits screen (25:11-25:21). Sephiroth’s dissonant, high and screechy violins appear just as his face comes onto the screen (26:33), and almost as a protective response, phrases 1 and 2 of Cloud’s true theme’s section A return (26:47-27:00). Finally, similarly to what we hear in part 5 of “Aerith’s Theme - The Cetra”, a slightly modified section A phrase 1 of Cloud’s true theme play along with section C phrase 3 of Aerith’s theme (oh wow section A and C section Aerith for Cloud’s theme and section Cloud for Aerith’s theme I just realized that’s such a cute coincidence), though unfortunately they do not meet in the middle like last time since they start two octaves apart (28:20-28:25). I’ve recreated it for you once more here so you can really appreciate it. The fact that their motifs don’t truly reunite like in “Aerith’s Theme - The Cetra” is sad, but the very last thing you see onscreen is Aerith’s goodbye to the Tiny Bronco (27:10-27:42), so it makes sense that this piano conclusion implies that Cloud and Aerith aligned, but not yet reunited for good. That’s exactly what you get from the ending cutscene. It does seem to imply that they will be reunited in part 3, as both the ending cutscene and this piano conclusion read as a “till we see each other again” rather than a “farewell”.
VI. Textual Evidence
Now that the musical evidence is done, let’s compile some textual story evidence that supports our theory!
VI. a) Remake Trilogy (Thus Far) Handholding Explained?
As I’m sure you’ve noticed, handholding is a motif in Cloud and Aerith’s relationship— and an extremely symbolic one at that! When researching for info to validate my theory, I found that this Clerith motif was extremely helpful! Its inclusion in the Remake trilogy, and especially in Rebirth, is hugely significant in my eyes.
VI. a) i. Pre-Remake Trilogy: Aerith’s Initiative
Before examining the significance of Clerith handholding in Remake and Rebirth, we should establish the meaning of this motif in OG and Advent Children.
Cloud and Aerith have reached out to take each other’s hands many times since 1997. Aerith used to literally drag him by the hand a lot, shocking the cold and distant merc, before she left. After her death in OG, Cloud surely longed to be able to feel her hand take his again, cursing himself for not enjoying it while she was alive, and for never being the one to grasp her hand first: he never got to tell her how he feels about her, or to save her. It was always her reaching out for him, saving him.
This is why the scene in OG when Aerith reaches for him from the Lifestream after Cloud defeats Sephiroth in chapter 3 of disk 3 is so touching: Cloud sees her hand and reaches out to take it, so close to finally establishing that mutual connection, but she soon fades, and replaced by Tifa’s hand in the tangible world. He doesn’t get to hold Aerith’s hand again.
That is, not until Advent Children, where near the end of his battle with Bahamut Sin, he sees Aerith reach out to him once again (1:08-1:30). Cloud finally gets to hold her hand for the first time in two years when he lost her. This moment was given extra importance by the devs. In fact, Nojima told us the following:

“The ending scene of the battle with Bahamut, the scene where Aerith reaches out her hand, is an homage to the last scene from a previous production. It was [Nomura]'s idea” (FFVII Reunion Files, “Story Digest”, “Summoned Beast”, page 113).

VI. a) ii. The Remake Trilogy (Thus Far): Cloud’s Initiative
As I’ve said before, if I’m right that Remake is all about Cloud stepping up to be more attentive and active in his relationship with Aerith in order to save her, there should be concrete evidence of this in the Remaketrilogy thus far. If OG Cloud’s memories of and love for Aerith exist somewhere within Remake Cloud’s subconsciousness, then Remake Cloud should be far more active in the Clerith dynamic than OG Cloud was— after all, he’s supposed to know better this time around. Thankfully, the motif of handholding can help us evaluate this. Since we know pre-Remake Cloud was quite passive when it comes to handholding, Cloud initiating handholding in the Remake trilogy would be a strong indication that our theory has validity. Keeping this in mind, let’s see what we can find thus far in the Remake trilogy in relation to handholding, and if Cloud is indeed more active than he was in OG.
VI. a) ii. 1) Hollow Hands
Remake’s theme song “Hollow” makes allusions to the handholding motif: “This time, I will never let you go” is pretty clear. And so is “No Promises to Keep”, wherein Aerith speaks of Cloud “[taking her] hand and never [letting her] go” multiple times. Interestingly, these theme song lyrics seem to suggest that Cloud will be much more active in the Remake trilogy than in OG. “Hollow” even promises that Cloud will come to his senses and take charge of the situation: “this time, [he] will” be the one to offer his hand to Aerith, unlike in OG and Advent Children. This makes a lot of sense with our theory: now that Cloud has lost Aerith once, “this time for sure, [he]’ll” be the one to reach for Aerith’s hand, take initiative and save her the way she saved him.
Even though theme songs are extremely telling of a game’s main themes and intentions, lyrics are still all talk and no proof. What about the game itself? Do Remake and Rebirth deliver on this promise? Let’s see!
VI. a) ii. 2) Resolution Hands
The only significant time Cloud initiates handholding in Remake is during Cloud’s resolution scene in chapter 14 (5:18-5:40), wherein he tries to grab Aerith’s hand but is unable to keep her with him. He fills with determination and tells her in no uncertain terms that he’s coming for her. Just as we predicted, Cloud is the active participant in this iteration of the Clerith handholding motif: he’s even explicitly insisting against Aerith’s wishes that he should “get a say in all this” and that he’s “coming for [her]”. Let’s not forget that Cloud’s resolution is meant to reflect not only Aerith’s kidnapping by Shinra, but also her fated death. Nojima implied this by commenting the following on Aerith’s “Even if you think you have, it’s not real” line:

“Those who know what befalls Aerith later on will find the line really heart-wrenching” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 744).

Given this note by Nojima, it looks like we’re supposed to watch Cloud’s resolution scene with Aerith’s fated death in mind. Considering this, Cloud’s “I’m coming for you” line sure seems like an subconscious promise that he will save Aerith from her tragic fate. This subconscious promise could be the result of post-OG Cloud’s feelings and intentions rising to the surface. Nevertheless, he’s absolutely determined and he’s staying true to the promise he made in “Hollow”. I think it’s fair to say that this instance of the handholding Clerith motif does indeed fit perfectly with our theory. This is only one strong example though, and we need a pattern in order to pat ourselves on the back on this. So, let’s keep looking! There isn’t any handholding initiated by Cloud beyond that point in Remake. At this point in my research, I moved on to Rebirth to go digging for handholding there.
Hoo boy. I was not disappointed.
VI. a) ii. 3) Golden Hands
Let’s begin with the obvious. In their high-affinity gondola date in chapter 12, Cloud bravely interlaces his fingers with Aerith’s: Cloud’s taken charge not only of handholding, but the most intimate kind of handholding. I’m sure you’ve encountered the phrase “こいびとつなぎ” or “koibito tsunagi by now (literally translates to “lovers’ tie” or “lovers’ connection”); this is the term used in Japanese to refer to the type of handholding Cloud initiates with Aerith on the Skywheel. It’s considered the most intimate form of handholding. In Japan, skinship is normally considered quite significant and indicative of the closeness between two people— you could say it’s a big deal. Cloud also offers Aerith his hand when they step off the Shywheel, once more making the first move. Though some might say that the Skywheel dates shouldn’t be counted as canon, I believe Aerith’s date is indeed canon (I have my reasons but this post is long enough). Even if we discount the Skywheel date however, Clerith's use of the koibito tsunagi returns in a non-optional scene we will touch on later.
For what it’s worth, Alfreid offers Rosa his hand in the Loveless play too. I can prove that Aerith is the canon Rosa too, but I’m going to save that for my next analysis! You can take my word for it now, or just wait for that analysis to drop. Take it or leave it!
VI. a) ii. 4) Meta Hands
However, the narrative weight of these Clerith handholding instances doesn’t even come close to my very favorite iteration of the handholding motif in Rebirth. I’m referring to what I consider a severely underrated Clerith moment in chapter 13. First, some context: Sephiroth manipulates Cloud into giving over the Black Materia. Cloud seems to be firmly under Sephiroth’s control. However, the sight of Aerith being swarmed by Black Whispers snaps Cloud back into the driver’s seat: he breaks out of Sephiroth’s grasp to run to her and save her. Aerith gets knocked off into a fatal free-fall by a Black Whisper before Cloud can reach her, but he won’t have it: he lunges forward, hand extended. What results is a beautiful shot of their outstretched hands (56:25-56:27).
Let’s analyze this great shot. Notice how the seconds where Cloud is reaching downwards to grasp Aerith’s hand are treated. This key moment is stretched longer by a slow-mo effect, building up the tension and drawing the audience’s focus to the distance between their hands before Cloud actually catches Aerith’s in his, fulfilling the promise he made in “Hollow”. Their hands take up the whole screen in a deliberate close-up shot. All the ambient noises of the scene go quiet: Aerith’s theme is all we hear as Cloud reaches desperately for her. These are blatant audiovisual cues, signalling to the audience that whatever is happening on screen is especially significant. We should therefore examine this specific instance of the Clerith handholding motif to see what the devs are trying to tell us, and maybe it will fit with our theory!
We should begin by comparing this Clerith hand-reach shot to previous ones. If you compare it to the Advent Children’s hand-reach that occurs during Cloud’s battle against Bahamut Sin, it’s evident that Cloud and Aerith’s roles are reversed: just as our theory states, Cloud gets out from inside his head and reaches for Aerith this time. She saved him and the world in OG, and now it’s his turn to save her. This change becomes especially evident when you juxtapose the two scenes and notice how their hands have switched places, reaching from above and below, from left and right. I think the Rebirth hand-reach was deliberately made to look like the Advent Children one —and even the OG one in disk 3, chapter 3—, just to highlight this role reversal.
This Rebirth hand-reach is my favorite out of all because it shows that Cloud is much more conscious and attentive toward Aerith in Rebirth than he was in OG. At this point in OG (disk 1, chapter 25), Cloud is meant to be beating Aerith up at Sephiroth’s command, to the horror of the rest of the party. In fact, a few minutes before Cloud rushes to save Aerith in Rebirth, he has absolutely no problem violently shoving Tifa to the ground when she gets in Sephiroth’s way (53:27-53:33). This shove and Cloud’s earlier attack on Tifa in Gongaga (Rebirth, chapter 9) proves that Sephiroth is just as capable of making Cloud hurt his party members as he was in OG… though Sephiroth can’t seem to make Cloud hurt Aerith. Why is this? Why is it that Cloud beats Aerith in OG, but doesn’t even lay a finger on her —and snaps out of Sephiroth’s control at the mere sight of her in trouble— in Rebirth?
Our theory provides the answer. In disk 1, chapter 25 of OG, Cloud had not yet realized he loved Aerith. Sephiroth was therefore able to make him hurt her. But things are different in Rebirth. The Cloud we see in the Remake trilogy has gone through the OG timeline and traveled back in time, kicking off Remake as his second try at the OG timeline— and he did this precisely because he loves Aerith. His love for her is clearer and stronger in the Remake trilogy than in OG because Remake Cloud is an amnesiac, post-OG, time-traveler Cloud. He’s been through the OG before, has fallen in love with Aerith and realized it before, so this time around, he can’t even lay a finger on her. This is made evident by how closely the moments where Cloud pushes Tifa and saves Aerith are juxtaposed, separated by mere seconds of gameplay. Merely seeing Aerith in trouble wrenched control from Sephiroth and put it in Cloud’s hands again— Sephiroth probably couldn’t have gotten Cloud to attack Aerith if he tried.
This isn’t the only time we get evidence of this though! As Cloud approaches Aerith’s praying form in the Forgotten City, Sephiroth’s Black Whispers swirl around the buster sword: Sephiroth is trying to kill Aerith with it, while Cloud’s struggle to wrench it away plays out visibly on his face. Interestingly, Cloud is not being controlled by Sephiroth here. We know this because we can quite literally see the Black Whispers trying to move his sword, but also because every time Cloud is being controlled by Sephiroth in Rebirth, he has an empty-eyed, zombie-Cloud look on his face. Either that or he laughs or smiles somewhat maniacally. There is never any resistance on his part. To see an example, simply pay attention to Cloud’s blank face as he attacks Tifa in Gongaga in chapter 9 (19:20-20:30). You’ll see the very same expression on his face if you watch this video of Cloud following Sephiroth’s orders in chapter 13 (53:36-54:15). Additionally, look at how strangely Cloud smiles (41:01) as he grasps the Black Materia. Cloud makes none of these faces as the Black Whispers try to take control of his sword: quite the opposite. Cloud looks like he’s trying his hardest to pull his weapon back down and away from Aerith, a horrified look on his face as he grunts from the effort. Once more, Sephiroth is unable to make Cloud hurt Aerith.
Back to my favorite handholding moment. Think about this devs intention for this shot for a minute. The devs have been teasing us as to whether or not Cloud will succeed in saving Aerith in the Remake trilogy since it was first announced, and this slow-mo shot of Cloud catching Aerith’s hand as she falls to her death is a reflection of this tension. The audience holds their breath during those slow-moed seconds, all that hope and fear hanging in the balance. This instance of the handholding motif is a meta way for the devs to reassure us that Cloud will indeed save Aerith. I firmly believe this.
VI. a) ii. 5) Self-Sacrificing Hands
Alright, alright, enough about my favorite! Let’s move to chapter 14 of Rebirth! There’s evidently a lot going on with Clerith in this chapter. Let’s address the Sector 5 date. The handholding is first initiated by Aerith as she tugs him toward the candy vendor and Cloud reacts with a quiet gasp (4:07-4:17). Soon, it becomes a reciprocal embrace: Cloud holds his hand out for Aerith’s and tightens his fingers around hers, smiling at her before they head to the photographer (7:07-7:17).
Then of course, when Aerith pushes Cloud into a portal in her church, you can see Cloud reach his hand up toward her desperately as he falls (17:38-17:58). What I find particularly emotional about this moment is that Aerith pushing Cloud away from her is kind of the opposite of reaching for his hand: it symbolizes Aerith accepting her fate and giving up on a life where she can be with him. This Aerith seems to be a post-OG Aerith who exists separately from the main world we experience in Rebirth, meaning she knows all too well that her fate is to die. In fact, it looks like she is the very same or a similar Aerith to the one who appeared to Cloud in his resolution scene in Remake. By literally pushing Cloud away, just like she figuratively did in Cloud’s resolution scene, she is sacrificing both herself and the happiness she could share with Cloud. She’s going against her heart’s wishes, just like she did in Cloud’s resolution scene when she would not let Cloud take her hand. Indeed, post-OG Aerith seems to be resigned to her fated death and completely devoid of hope: she only wants to ensure the planet’s survival, because she thinks she knows there is no way she can or should be with Cloud. In contrast, Cloud reaches his hand out toward Aerith as he falls into the portal, and even though he does not know that her push symbolizes her self-sacrifice, his outstretched hand represents his protest. So far, our theory is fitting beautifully.
VI. a) ii. 6) Grieving Hands
Later in chapter 14 of Rebirth, after Aerith’s death/non-death, there is more handholding. As Cloud cradles Aerith’s body close to him at the Forgotten Capital, Aerith places her hand on his cheek. Cloud covers it with his, curling his fingers around it (1:03:33-1:03:53). Before he leaves her lying down on her back to go fight Sephiroth, he squeezes her hand as he tells her “I got this”— or, per the Japanese version, “Wait for me”, meaning he’ll reunite with her once he’s done (1:04:56-1:05:10).
VI. a) ii. 7) Hero-Heroine Hands
Next, the koibito tsunagi returns as Cloud and Aerith interlace fingers back to back in a classic hero-heroine pose, right after their two-versus-one fight against Sephiroth. This time, they both reach for each other simultaneously (7:42-8:18), without even having to look down at their hands or talk to each other, as though perfectly in sync. As you can see, Aerith and Cloud are now on the same page. This is different from post-OG Aerith’s attitude in the Sector 5 church earlier in chapter 14, as well as in Cloud’s resolution scene in Remake— my interpretation of this mutual koibito tsunagi is that both of them are agreeing to hold onto each other now, with neither of them pulling back or being inattentive of the other: their priorities are now the same. It seems now they are aligned, and hopefully this means that Aerith will be working together with Cloud so they can reunite again in part 3. Even if she doesn’t prioritize her life and happiness though, we know for sure Cloud will.
VI. b) Blocking Masamune Explained?
Another piece of evidence that Cloud has been through the events of OG before is the fact that he is able to block masamune. Cloud looks up and sees Sephiroth descending with his blade poised to kill Aerith. Screaming, Cloud instantly rips the buster sword from the Black Whispers’ hold and successfully blocks masamune. Hatred and determination fill his eyes as he rallies his strength and successfully pushes Sephiroth away, saving Aerith’s life (6:00-7:26)— at least, in one reality.
Obviously, something about Cloud is different in Rebirth from in OG, otherwise, the events of Rebirth’s chapter 14 would be the same as the events of OG’s disk 1 chapter 28. In my opinion, what happened here is that upon seeing Sephiroth swoop down with masamune, Cloud remembered Aerith’s death in OG, and the post-OG Cloud’s determination to stop it came surging up from within him. This is frankly the very best proof there is that Cloud is far more ready, stable, determined, and clear-headed about Aerith in the Remake trilogy than in OG. Our theory explains why! In fact, this very moment is what our entire theory banks on: Cloud saves Aerith in one reality, as is shown by the rainbow effect produced by the event, and just like that, the promise made in “Hollow” has been fulfilled! However, now we face the question of how to make sure that Aerith is alive and by Cloud’s side when the multiverse converges again into one protected timeline. I’m sure it will be done; we will see how in part 3.
VI. c) Theme Song Lyrics
What the theme songs’ texts have to say about the trilogy so far is quite important, as they summarize the feelings of the characters they represent: Cloud and Aerith. We can glean a lot from their perspectives that could help support the Mission Theory.
VI. d) i. “Hollow” Lyrics
“Hollow”, Remake’s theme song, was written about Cloud’s feelings and rumination. Nojima confirmed that, when he was given directives for the lyric-writing, “Nomura just gave [Nojima] the keywords: ‘told from Cloud's point of view’ and ‘standing in the rain’. [Nojima] interpreted that as ‘a ballad for a man who lost something/someone important’” (Nojima and Uematsu interview “‘I wanted to put the word ‘empty’ in the theme song of Remake. That was how it started’ - Music-Related Interview Part 6: Kazunari Nojima”, by Famitsu). Our theory is about Cloud’s motivations and mission to save Aerith, so “Hollow” is especially relevant.
Let’s run through the lyrics and analyze, starting with the song’s first verse:

“I would be lost, drifting along
Floating up high, time after time
And there you'd be, shining brightly
Your smiling face to guide my way
Bloody and bruised, brought to my knees
When beaten down, when broken up
You would appear, reach out to me
Heal every wound and make me whole”

Makes sense with our theory in mind, doesn’t it? This is post-OG Cloud remembering Aerith and what she means to him. “Hollow” seems to be told from the perspective of the post-OG Cloud hidden somewhere in Remake Cloud: a suppressed or eroded part of him that remembers Aerith clearly. Or maybe it’s told by Cloud after the events of the MFF x FFVII Remake collaboration and before the start of Remake, asserting his mission to save Aerith.
Next, here are the pre-choruses:

“Was it all, a dream? Will I never know?
Foolish and blind to everything
Had I realized, had I thought it through
Would you be here in my embrace?”

&

“With your every smile, hiding something more
Dark mysteries lurking beneath
But I was consumed with this emptiness
This selfishness, this void to fill”

(continued in

Welcome to Simply Vanilla, the hack-free Minecraft anarchy server you have been looking for! We have been online since 2019 with an ever-growing history guaranteed by not doing any map resets ever. Our current map size of over 10 TB speaks for itself.
• IP : https://simplyvanilla.net/ • Players active : 30 to 70 • Renders : Spawn / Nether / End
Hacking and duping (except TNT, rails & carpet) are strictly forbidden and will be prosecuted with a ban. Vanilla world-borders and accessible Nether-roof will make your game-play as vanilla as possible. With only few rules you are given total freedom. Survive spawn, make your starter base, make allies, and conquer bases.
• Subreddit : SimplyVanilla • Discord : https://discord.com/invite/dP7SqPF • Website : https://simplyvanilla.net/
We are hosted in EU giving all players in Europe an excellent ping while still being very good for North American players.
Join Today!

Welcome to Simply Vanilla, the hack-free Minecraft anarchy server you have been looking for! We have been online since 2019 with an ever-growing history guaranteed by not doing any map resets ever. Our current map size of over 10 TB speaks for itself.
• IP : https://simplyvanilla.net/ • Players active : 30 to 70 • Renders : Spawn / Nether / End
Hacking and duping (except TNT, rails & carpet) are strictly forbidden and will be prosecuted with a ban. Vanilla world-borders and accessible Nether-roof will make your game-play as vanilla as possible. With only few rules you are given total freedom. Survive spawn, make your starter base, make allies, and conquer bases.
• Subreddit : SimplyVanilla • Discord : https://discord.com/invite/dP7SqPF • Website : https://simplyvanilla.net/
We are hosted in EU giving all players in Europe an excellent ping while still being very good for North American players.
Join Today!

Hey! I'm Mei, living in Germany - NOT german, my german sucks :'). I'm just looking to have a nice conversation to help me pass the time. I really really would rather vc than text so please just tell me in your first message whether you're willing to call or not!
I'm a very introverted person but I recently made some decisions that take me way out of my comfort so my default state of being is just stressed out lol and I kinda just want to distract myself for a little while.
I can keep a conversation going just fine so long as you don't mind constant jumping from topic to topic haha so dw if you're shy.
My hobbies are mostly creativity based, like painting and crochet. I also love singing but I haven't been able to in a while as I have roommates. I play some videogames, I like cooking and going on walks and am just overall pretty easygoing.
If anything about me interests you, feel free to message me :)

TLDR: is there a good hearted Stars fan who can help an out of state autistic teenager who LOVES Victor E Green?
Hey, Stars family! I live out of state but my 15 year old son is a huge Stars fan and all he wanted was to see his favorite team play for his birthday this year.
In Feb we flew him to Dallas to see the Stars take on the Oilers! He had the time of his life!!
My son had his eye on Victor R Green mascot baseball cap that was green and fuzzy but at the last minute bought a Stars hockey puck instead.
I haven’t searched everywhere online to find this cap but cannot!
Can any good-hearted Stars fans help me out? I’d love to arrange a way for someone in Dallas to get a hold of it and I can arrange for payment and shipping. Please DM me if you’re willing to hear me out

Yourwebgame is a game website where you can play top games online for free. On this website, you can play all categories of games like- action, Adventure, Arcade, assassin, Cake, Classic, Girl's Game, Hockey, Horror etc.
To know more click on the link: https://www.ted.com/profiles/46894568

I know Drumkits has a ton of free packs, and I greatly appreciate all the effort people put in, but a lot of em do sound kinda shit, unfortunately.
I can't stop thinking about seeing Paradox (https://www.discogs.com/artist/2091-Paradox) do a live set a little while back. It sounded so much better than anyone else playing the same show and better than anything I've heard to-date, really.
I know there's more going on than just the samples he's chosen, but it certainly seemed like they played a huge part. Obviously, he's using a lot of breaks too, which I'm not really interested in.
Anyways, where can one find some decent drum packs? I'm willing to pay a bit, if it's not an insane price. Just seems like a minefield out there.
Any help would be appreciated!

Can you help our family choose a dog? [Breeds]
We are a family of 3 with a 2 year old boy. We are finally settled in our new home and we are ready to add a dog to our family.
Introduction
1) Will this be your first dog? If not, what experience do you have owning/training dogs?

• We grew up with dogs but it will our first time as the primary care givers/ trainers.

2) Do you have a preference for rescuing a dog vs. going through a reputable breeder?

• We would like to buy a puppy.

3) Describe your ideal dog.

• we would like a dog that is good around children and doesn’t bark like a husky. A medium sized dog that could run with me and wouldnt be too challenging to train and well behaved around other dogs.

4) What breeds or types of dogs are you interested in and why?

• my wife is mostly interested in dogs that she considers beautiful such as the Samoyed(example for her idea of beauty in a dog). For myself I always loved Saint Bernards, a giant, calm and friendly dog. But it’s not very practical since my wife is quite small and feels intimidated by the size.

5) What sorts of things would you like to train your dog to do?

• to follow basic commands like stop, wait, leave it. And lie down and follow me while running. (Jogging around 5km)

6) Do you want to compete with your dog in a sport (e.g. agility, obedience, rally) or use your dog for a form of work (e.g. hunting, herding, livestock guarding)? If so, how much experience do you have with this work/sport?

• Not at all

Care Commitments
7) How long do you want to devote to training, playing with, or otherwise interacting with your dog each day?

• I have a few hours per day spare.

8) How long can you exercise your dog each day, on average? What sorts of exercise are you planning to give your dog regularly and does that include using a dog park?

• about 2 hours per day. We will go to dog parks occasionally as well as open land.

9) How much regular brushing are you willing to do? Are you open to trimming hair, cleaning ears, or doing other grooming at home? If not, would you be willing to pay a professional to do it regularly?

• up to 30 mins a day and willing to pay for bi-monthly grooming.

Personal Preferences
10) What size dog are you looking for?

• a medium sized dog maybe around 20 inches. The middle to high end of medium.

11) How much shedding, barking, and slobber can you handle?

• less barking and slobber, a moderate amount of shedding would be ok. I don’t mind cleaning the floor every day but I don’t want to spend 5 minutes with a lint roller every time I leave the house.

12) How important is being able to let your dog off-leash in an unfenced area?

• important

Dog Personality and Behavior
13) Do you want a snuggly dog or one that prefers some personal space?

• somewhere in the middle but definitely snuggly over cat like.

14) Would you prefer a dog that wants to do its own thing or one that’s more eager-to-please?

• eager to please

15) How would you prefer your dog to respond to someone knocking on the door or entering your yard? How would you prefer your dog to greet strangers or visitors?

• friendly to cautious but not aggressive or afraid.

16) Are you willing to manage a dog that is aggressive to other dogs?

• no since we will come across a lot of dogs every day.

17) Are there any other behaviors you can’t deal with or want to avoid?

• just the common things like leash pulling.

Lifestyle
18) How often and how long will the dog be left alone?

• very rarely completely alone, maybe once every 1-2 months we will go out for a day trip late morning to evening. Preferably the dog would be ok with it, but we can easily arrange a visitor or care if not.

19) What are the dog-related preferences of other people in the house and what will be their involvement in caring for the dog?

• no preferences different to those mentioned already. My wife will occasionally feed/ walk the dog, but mostly it will be me with the ‘help’ of my son.

20) Do you have other pets or are you planning on having other pets? What breed or type of animal are they?

• turtle in an aquarium.

21) Will the dog be interacting with children regularly?

• yes all the time since I have a 2 year old.

22) Do you rent or plan to rent in the future? If applicable, what breed or weight restrictions are on your current lease?

• my own house.

23) What city or country do you live in and are you aware of any laws banning certain breeds?

• China, there are only bans on the really big dogs.

24) What is the average temperature of a typical summer and winter day where you live?

• peak summers usually around 35c but can reach 40c at times winter typically sits around 0c give or take a few degrees.

Additional Information and Questions
25) Please provide any additional information you feel may be relevant.

• No additional information.

26) Feel free to ask any questions below.
We really appreciate any guidance! Thank you for your time.

Hi all, my biz just reach a $40m valuation after a tonne of hard work but my click-bait title is designed to outline whats wrong in this Sub-reddit.
Unfortunately, most of the content here doesn't represent true entrepreneurs but rather wantrepreneurs that think you need a crazy idea to make it, you have too many great ideas and can't focus, how you make a tonne of cash without working hard.
In this post, I am just going to lay out some home truths in the hope that maybe one person may not waste their hard earned money on a silly idea, or perhaps stop daydreaming and start doing.
Entrepreneurship is NOT about big ideas
There are 5.6m employer firms in the USA, thats at least 5.6m entrepreneurs in the USA. Most of these entrepreneurs have businesses in existing industries. People today have been poisoned by click bait regarding geniuses like Mr. Zuck or Page. & Brin who have dominated their fields and created wealth beyond anyone's wildest dreams yet their ideas weren't original, Google wasn't the first search engine. It wasn't the second, not even the third.
Successful business is all about execution. A great team with a dull and mundane product are so much more likely to get succeess than a college grad with a big dream.

• If you feel that being an entrepreneur requires a big idea, you are a wantrepreneur
• If you carry a notebook with all yout great ideas, you are a wantrepreneur.
• If you have so many great ideas but just lack focus (also known as as the ability to execute well), you are a wantrepreneur

Every headhunter that starts their own headhunting firm is an entrepreneur and they aren't doing anything massively different, they just back themselves to execute better. Lawyers who make their own practices are entrepreneurs, you don't need to create the next automated legal subscription service to be an entrepreneur.
Either learn a business, get great, save up and then launch a slightly differentiated business or focus on looking for problems in the job you currently are doing.
Stop dreaming, start executing
Successful entrepreneurs spend more time empowering others to build their business
A lot of people lurking around this sub seem to relish the idea of bring their big idea to life. I have news for you; this process is maybe 6-18months of your business. The rest is incremental improvements and empowering others to grow your business further.
Maybe you are working in a 9-5 job and dreaming via this sub is a way to keep you sane but remember when you have 100 people working for you, you have 100 people potentially thinking of ways to move to the next thing. Who doesn't want to be a tech millionaire! Remember, you probably think you are under-paid and under-appreciated but every person you employ will think similar!
Even if you have the experience, drive and ingenuity to build the beginnings of a business, you can only grow it so much before you need to rely on others. If you cannot empower those people, you will not execute and you will not succeed.
A manager who knows how to empower and excite their sub-ordinates is so much more value than someone who wants to create 'strategy' all the time. If you don't have this skill yet, you will need a co-founder does or you will need to get more corporate experience
Businesses aren't built for you
Many posts on this sub talk are variants of get rich quick schemes or figuring out how to 'side hustle'. At the heart of it, many wantrepreneurs think that working for themselves will bring immense freedom and untold riches.
When you employ 100 people, you are responsible for the livelihoods of 100 people. You are priority 2 vs your staff. Businesses need people and people need to believe that their fearless leader can make great outcomes for them!
Think about that for a second. Are you mature enough to be responsible for 100 families rent or mortgage? Do you realize that a silly decision on your side could actually create financial hardship for others?
If your business is not built to make your employees lives better, your great employees will churn out and your business and you will not succeed.
When you look at your spreadsheet imaginging the $100m net income from your online bow-tie emporium, just remember, those 'staff' numbers will become real people. Be prepared to look after them.
Managing your staff well is worth 100x that zany, crazy idea.... soz
Why do you want to be an entrepreneur?
I think that by now I can call myself a successful entrepreneur and while I am a wealthy human on paper, I am grinding and saving like everyone else. In fact, my sister who is a few years younger than me and who works in law earns triple what I do whilst complaining that she doesn't have the work freedom.
If you just want to be wealthy, without the hassle of all the above, try your best to get into those premier industries and make a career out of it. If you aren't fortunate enough to be able to move into Law, medicine, finance etc then excel at what you are currently doing and then do exactly the same thing yourself.
I think that is enough of a rant. Dreaming is great because the thought of being successful can fill that emotional void but unfortunately it isn't real. Furthermore, if you think that being an entrepreneur means being the next Zuck or equivalent, you are essentially trying to replicate 0.01% of successful entrepreneurs as opposed to the 99.99% unsung business owners out there
Good luck to all!

Hello! Firstly: we have seen several veterinarians for this issue and are currently under the care of one and I understand this is not a substitute for care, just seeing if the larger vet community might have some additional insight for this vague/persistent issue.
Info:
• Species: Cat\ • Age: 13ish\ • Sex Neuter status: Female, spayed\ • Breed: Domestic shorthair (calico)\ • Body weight: 12ish lbs\ • History: Intermittent diarrhea outside of litterbox, sometimes with mucus and/or blood (has solid poops in litterbox in between episodes for weeks at a time)\ • Clinical signs: Acts fine otherwise: eats/drinks great, is playful and social. Is physically examined by vet each time there is blood in stool, vet always says she looks great.\ • Duration: About 3 years\ • Your general location: Southeast Texas\ • Links to test results, vet reports, X-rays etc: I have no links but the vet has done a couple of stool sample tests, which have come back normal. Has done bloodwork which was fine. Have not done any X-rays or imaging.
Additional info:
• Vets agree that it is allergies, definite chicken/poultry allergy and maybe something else\ • We have changed diet to chicken/poultry free with minimal ingredients and give probiotic powder daily, both of which seem to help (have tried prescription hydrolized protein diets which seemed to make it worse)\ • She currently gets regular steroid injections about every 8 weeks and has done a couple rounds of antibiotics, which seem to help but are maybe decreasing in efficacy (steroids especially)\ • Was born with about half a tail, kind of like a long bobtail. Read once a while ago (on the internet) that cats with tail mutations can have lower GI issues, not sure how true that is (because internet)\ • Cat tax available upon request (she is very cute)
Mostly posting just to see if there might be something else at play here, or if anyone has suggestions to decrease the number of episodes she has. I hate to think that her stomach is hurting and want to be sure we’re doing everything we can and are chasing the right issue.
Thank you in advance, and thank you all for being veterinarians/techs and doing what you do every day!!
Edited for formatting

Hi all, my biz just reach a $40m valuation after a tonne of hard work but my click-bait title is designed to outline whats wrong in this Sub-reddit.
Unfortunately, most of the content here doesn't represent true entrepreneurs but rather wantrepreneurs that think you need a crazy idea to make it, you have too many great ideas and can't focus, how you make a tonne of cash without working hard.
In this post, I am just going to lay out some home truths in the hope that maybe one person may not waste their hard earned money on a silly idea, or perhaps stop daydreaming and start doing.
Entrepreneurship is NOT about big ideas
There are 5.6m employer firms in the USA, thats at least 5.6m entrepreneurs in the USA. Most of these entrepreneurs have businesses in existing industries. People today have been poisoned by click bait regarding geniuses like Mr. Zuck or Page. & Brin who have dominated their fields and created wealth beyond anyone's wildest dreams yet their ideas weren't original, Google wasn't the first search engine. It wasn't the second, not even the third.
Successful business is all about execution. A great team with a dull and mundane product are so much more likely to get succeess than a college grad with a big dream.

• If you feel that being an entrepreneur requires a big idea, you are a wantrepreneur
• If you carry a notebook with all yout great ideas, you are a wantrepreneur.
• If you have so many great ideas but just lack focus (also known as as the ability to execute well), you are a wantrepreneur

Every headhunter that starts their own headhunting firm is an entrepreneur and they aren't doing anything massively different, they just back themselves to execute better. Lawyers who make their own practices are entrepreneurs, you don't need to create the next automated legal subscription service to be an entrepreneur.
Either learn a business, get great, save up and then launch a slightly differentiated business or focus on looking for problems in the job you currently are doing.
Stop dreaming, start executing
Successful entrepreneurs spend more time empowering others to build their business
A lot of people lurking around this sub seem to relish the idea of bring their big idea to life. I have news for you; this process is maybe 6-18months of your business. The rest is incremental improvements and empowering others to grow your business further.
Maybe you are working in a 9-5 job and dreaming via this sub is a way to keep you sane but remember when you have 100 people working for you, you have 100 people potentially thinking of ways to move to the next thing. Who doesn't want to be a tech millionaire! Remember, you probably think you are under-paid and under-appreciated but every person you employ will think similar!
Even if you have the experience, drive and ingenuity to build the beginnings of a business, you can only grow it so much before you need to rely on others. If you cannot empower those people, you will not execute and you will not succeed.
A manager who knows how to empower and excite their sub-ordinates is so much more value than someone who wants to create 'strategy' all the time. If you don't have this skill yet, you will need a co-founder does or you will need to get more corporate experience
Businesses aren't built for you
Many posts on this sub talk are variants of get rich quick schemes or figuring out how to 'side hustle'. At the heart of it, many wantrepreneurs think that working for themselves will bring immense freedom and untold riches.
When you employ 100 people, you are responsible for the livelihoods of 100 people. You are priority 2 vs your staff. Businesses need people and people need to believe that their fearless leader can make great outcomes for them!
Think about that for a second. Are you mature enough to be responsible for 100 families rent or mortgage? Do you realize that a silly decision on your side could actually create financial hardship for others?
If your business is not built to make your employees lives better, your great employees will churn out and your business and you will not succeed.
When you look at your spreadsheet imaginging the $100m net income from your online bow-tie emporium, just remember, those 'staff' numbers will become real people. Be prepared to look after them.
Managing your staff well is worth 100x that zany, crazy idea.... soz
Why do you want to be an entrepreneur?
I think that by now I can call myself a successful entrepreneur and while I am a wealthy human on paper, I am grinding and saving like everyone else. In fact, my sister who is a few years younger than me and who works in law earns triple what I do whilst complaining that she doesn't have the work freedom.
If you just want to be wealthy, without the hassle of all the above, try your best to get into those premier industries and make a career out of it. If you aren't fortunate enough to be able to move into Law, medicine, finance etc then excel at what you are currently doing and then do exactly the same thing yourself.
I think that is enough of a rant. Dreaming is great because the thought of being successful can fill that emotional void but unfortunately it isn't real. Furthermore, if you think that being an entrepreneur means being the next Zuck or equivalent, you are essentially trying to replicate 0.01% of successful entrepreneurs as opposed to the 99.99% unsung business owners out there
Good luck to all!

I live near BTM Lake. Hundreds of people go near the lake to take a walk, sit in relative silence and click pictures. However, it is almost daily now that I hear someone getting assaulted by dogs. They are not people who are trying to rile up the dogs. They are just taking a walk.
A lot of dogs I see there have a collar on their necks, suggesting they were pets at some point. Several of them mostly mill around the small hut where fishermen live and sell fishes. While just 2 years ago, there weren't more than 2 or 3 dogs that you could find in each of the street near the lake, now there are more than fifty dogs from NGR Layout to BTM Lake.
The place itself is a dump yard for many people, educated people who dump not only their daily garbage, but also the items like sofas, chair and quite literally refrigerators.
There are many issues that needs attention near this place, but the people getting attacked by the dogs should be handled with priority. Earlier I used to see many people feeding the dogs, but that has stopped almost completely in these streets. I feel that this is not only a local issue, but a whole Bengaluru's. I see dogs roaming about in the tech parks as well. While many people are not bothered by it, I am sure their presence is not because people love them, but because people can't do anything about it.
I once saw a Dhruv Rathee video about this issue, but the solutions suggested in the video were, although great, were too idealistic. I think municipality is doing their job, they have caught and neutered most of them, but that doesn't solve the present issue.
Adopting one is not an option for me and I am sure it is not a possible option for many. What else can be done about it and since I am neither capable nor free enough to mobilize people around me, is there something I can do about it?

Figured I’d share my newbie experience for anyone that has had something similar happen with these games and may not have picked it back up yet.
So a few years ago I bought Dark Souls 3, played it for an hour and a half and returned it due to being too hard.
I’m no stranger to difficult and very technique driven games. I mainly play games like Beatmania (10 & 14 key doubles) and Pop’n Music. Two of the most brutally hard rhythm games out there. I’m used to getting my rear end reamed to the moon and back by a game with no apologies other than “get good”.
DS3 absolutely broke me, though. It’s the only game that I have ever dropped for being too hard.
Just the other day I reluctantly picked up DS1 on sale. DS3 left such an impression that the idea of picking up another Souls game has been living rent free in my head since I returned it.
I’ve been loving every second of DS1 and am heavily looking forward to playing the rest of the series. Yes it’s kicking my ass but this time I’m enjoying it. Some of the deaths I’ve had have made me laugh harder than I have in a while and it’s great. I feel like I kind of understand what the game is about now and I regret not buckling down sooner. It’s definitely up there with some of my favorites now.

hiii. Summer break has finally started so I have much time to talk on here! I want to find someone I can be on the phone with while reading or even just watching a show! Big big plus if you are the type of person that I can stay being quiet with. Sometimes I don’t feel like filling everything silence just for the sake of talking. I’d love to keep each other motivated and things like that. I don’t care about age (gotta be 21+) or gender, just be nice. Helps more if you are in the U.S. for time zones sake.
About me: I’m 22F Latina living in the U.S. English is my third language. My major is in something tech related and I study online. I like to paint, cook, read, play chess, swim, etc on my spare time. I’d like to think that I’m funny, responsible, understanding and a very good communicator. I defend and love my people wholeheartedly. I love night walks and the feeling of the summer breeze on my skin.

FIRST CHAPTER
PREVIOUS CHAPTER
This product is a fanfic of the Sexy Space Babes/Between Worlds product of u/Bluefishcake and one I highly suggest you read. It was created with permission, but give the OG works some love.
Imgr gallery of Comissioned and Fan Artworks
I'm Back Bitches! Again!
//////////
Junior Systems Engineer First Class Che’keero knelt before a semi-sparking control panel and sighed. She, and a large band of her fellow Engineers with Marine support, had boarded the pirate frigate with the singular goal of ensuring that the pirates didn’t scuttle their floating hulk and doom the slaves aboard to a, if they were lucky, a swift death in space.
The problem, of course, came with the pirate’s maintenance schedules and decisions to forgo certain… safety measures when it came to repair.
Like the panel before her. Usually a perfectly functional control system for the reverse-magnetic bulkhead doors that ensured void seals in power outages, some pirate at some point in their dumb, dumb life decided to fix the panel blowing a fuse… by ripping the fuse out and replacing it with a high density power cable. Which meant the entire thing was one massive shock hazard and actively sparking as the reactors deep in the ship flickered and surged due to damage.
Che’keero swore as an arc of electricity flashed towards her face after a tool that was not supposed to be magnetized, cheap dick WaDepth requisitions, caught a magnetic field, fusing the entire system shut and turning the formerly barely functional control system into nothing but pretty, decorative wiring and cheap solder. She punched the now utterly unfunctional control box and toggled on her radio. “Three-Two to Three-Lead, this door’s fried. You’ll need to bring in the cutters if we want to get to the rest of the ship. Might as well also bring in an inflatable airlock, I’m not liking how some of the metal strain sensors are flashing at me.”
A semi-synthetic voice replied back to Che’keero, “Three-Lead copies. I’ll be over there shortly with the stuff. Double check those sensors, I’m not getting the same readings, so let’s make sure something isn’t blocking errors from reaching me.”
“Copy that Three-Lead, Three-Two ou-” Something tapped against the back of her helmet and Junior Systems Engineer First Class Che’keero mentally swore.
“Now, now, lassie, how about you sit right there and don’t move.” A nasally, unfamiliar voice called out to her while tapping what a camera she set up to watch her back revealed to be a laser pistol to Che’keero’s helmet. “I think that you’re going to be our new best friend and way off this dead end ship.”
Che’keero paused, letting the situation settle in her mind, “Wait, what? Are… are you taking me hostage?”
“Yes!” The pirate replied.
“Why?”
“Why what?”
“Why are you taking me hostage? This won’t work, none of the shuttles are jump capable and if you try anything, you’ll just end up jumped by marines. They specifically train to deal with pirates taking their engineers hostage. If you want to survive, you should just surrender and take the penal colony when it’s offered.” Che’keero mentioned, shrugging and continuing her inspection of the door.
The pirate seemed baffled at the sheer nonchalance of this response, the pistol slowly falling to merely point at her upper back instead of her head, “You… you really aren’t taking this seriously. I’m a pirate! I’ve killed people! I’ve killed boys, and you’re just sitting there like this doesn’t mean anything!”
“I mean… I wouldn’t say that.” Che’keero replied.
“THEN WHAT DO YOU MEAN!” The pirate screamed, the pistol moving away from Che’keero’s body by a fraction of an inch during an angry gesture.
It was at that point, a ceramic alloyed, carbon steel blade punched clean through the back of the pirate’s suit, slicing through their central nervous system and striking with enough force to shatter the faceplate of said pirate’s helmet on the way out. Muscles twitching, the laser pistol fired off randomly, missing Che’keero and slagging a chunk of bulkhead.
“I’m just buying time,” Che’keero replied cheekily.
“You really need to remember to check your cameras,” The semi-synthetic voice of Ventures Forth Bravely Into Great Unknowns commented as the ex-pirate fell to the ground and blue blood dripped from the long blade sprouting from her right arm and a toolbox hanging from her left hand. “This isn’t the first time you have been flanked, and this one wasn’t during training.”
“Look, I’m sorry. It won’t happen again.” Che’keero replied a bit testily.
“I’m sorry…” Ventures Forth prodded.
“I’m sorry, Ma’am.”
“Much better. Right, now what do we see in this- yeah you were right on it being fried.” Ventures Forth gently shoved the Junior Systems Engineer aside and took her place at the control panel. “Do a sweep of the strain systems. I don’t want this section of the ship breaking apart. Feel free to call up our hull patches. We’ve got plenty to share and this might have to be a lifeboat.”
“Aye, ma’am aye,” Che’keero replied with a crisp salute before rushing off to her duty.
Deeper inside the ship, Ventures Forth could hear laser fire, clashing of metal on metal, and cries for help.
The pirate ship was doomed, it was shattered and broken, but it was not destroyed. Not yet. \
And if she had her way, Ventures Forth Bravely Into Great Unknowns would keep it that way.
//////////
Roshal stood still as her steward continued to clean the dark blue and rapidly congealing blood off her armored form. “Comms,” She called out, “Do we have any contact with the shuttle we sent to the station?”
“Negative, ma’am.” The comm officer replied. She wasn’t the same one that was present when Roshal left to fend off the boarders. At the unspoken question, the woman continued “Communication’s Mate Second Class Lev’tal, ma’am. My superior got a concussion when the pirate ship rocked our ship during boarding. Strap snapped, prior damage. I took over.”
Roshal nodded approvingly, “Good initiative. Send a message to the station, see if we can’t rai-”
“Ma’am! Contact!” One of her sensor techs called out, “Belay that, two contacts. First contact, nav point 782 spinward, possible bogey, cruiser weight. Unknown movements. Second contact, nav point 102 coreward, aerospace assets inbound. Small flight. Hard to determine numbers due to damage. No less than two, no more than five.”
“Focus on getting a hard contact on that possible cruiser. Weapons, what is the status of our anti-aerospace.” Roshal demanded, holding her sword arm out for the steward to scrub at a particularly clotted chunk of blood splattered over her wrist.
The weapons officer shook her head, “If we’re lucky, then we’ve got 20% coverage on half our sides. If we’re very lucky, I might be able to bump that number up to 35%. Not going to quote doctrine, but that’s not nearly enough to fend off a flight of Aerospace assets on a strike run, and that’s assuming they don’t hit us on an unprotected flank.”
Roshal nodded once more, “Sound general quarters and get weapons and tactical back online. Tell the damage control parties to not be distracted and focus on critical systems first. Engine room, report. Can you give me maneuvering thrust?”
The nearby ship phone chimed in with a staticy hiss, “Negative, ma’am. The shot we made with the spinal mount tripped breakers up and down the reactor room. This isn’t an engine problem, we need to make sure our reactor doesn’t blow up when we siphon power. Before you ask, emergency power is still flowing and none of their circuits tripped, but that means we’re down to life support, basic systems, and dockyard thrusters. It will take at least 20 to get the reactor in a safe state. If you want 10, send the chaplain down so we have someone praying for good luck. The fact most of our structural engineers are doing an EVA boarding to ensure the pirate ship next to us doesn’t go critical and render the entire exercise moot isn’t helping matters at all.” The engine room replied Roshal bit down a bit of annoyance at the snark, but engineers were always a finicky sort with authority. They were the first to remind uptight officers that while the Captain’s word may be iron law, it was their work that truly moved the ship.
“Confirmed, engine room.” Roshal instead replied. “Chaplains will be arriving shortly. Do what you can and inform me when you’re three minutes out from full power.”
The engine room didn’t even bother replying, just sending over the affirmative light as they got to work. Roshal approved of that. Sometimes, you just had to insult someone in order to get it working right.
“Captain, we have confirmation on contact. He’s an Alliance Karcharidon class Heavy Cruiser on intercept course. Energy readings are spiking… they’re charging their guns, ma’am!”
“Issue a hostile challenge and give me a firing solution with any gun still functional.”
“No response, ma’am. Hostile Karcharidon is increasing speed. Hard contact in 15 minutes.”
Roshal snarled, emotion breaking through her mask. “Of course, the pirates had one more vessel. Helm, fire our maneuvering thrusters, use the pirate hulk as cover. Weapons, get whoever’s left of our Interceptor flight to engage the enemy. Comms, get me in contact with the merchant fleet, tell them to evacuate. We’ll provide cover.”
“Aye ma’am.” The Communications Mate Second Class said with a shiver in her voice. “Sending-”
“Update on Aerospace assets!” Her sensor tech called out.
“Deliver!” Roshal demanded, cutting off the comms officer with a slice of her hand.
“Weapons fire. Definitely less than four contacts. Seems to be two grou- negative, only two contacts remaining- weaponsfire- one contac- IFF received, oh goddesses, IT’S RUNOFF THREE! FRIENDLY AEROSPACE INBOUND!”
//////////
Milk gripped her crash harness hard as Cookie slammed the Interceptor’s fusion torch clean past its safe thrust marker and into the red as g forces crushed her chest. “Last target down.” She reported after Cookie’s final laser burst hit something critical inside the final Aerospace fighter’s frame. “That’s 20 for 20. All enemy bogeys down. All standard munitions are in the black. Static drive is 48%, dump core ejected. All we’ve got left is our ASM and front laser.”
Cookie flashed back an affirmative signal.
“We going for that cruiser?”
Another affirmative.
“Well, I’m braced and ready on the release. Ready.”
“Ready.” Cookie spoke, his voice horse.
It’s funny what people think when their lives are on the line. Because charging towards a fresh enemy Heavy Cruiser, nothing but a single anti-shipping missile worth a damn, no allied support but the faint glimmer in IFF screens of their fellow flight doing the same… all Aoibhinn McDermott could think of was a poem she had read at least a decade ago or more at the Naval Academy.
Half a league, half a league,
Half a league onward,
All in the Valley of Death
Rode the six hundred.
//////////
Ventures Forth Bravely Into Great Unknowns could do nothing but furiously swear as the basic sensor system her engineering team had restored on the thoroughly ventilated secondary command bridge of the pirate hulk revealed an enemy Heavy Cruiser bearing down upon their homeship.
“Weapons are trashed. We cored their reactor, anyway.” One of the tangential engineers reported, “Other teams are calling in. Things are worse where they are. We’ve found the slaves, though, luckily it was one of the few airtight bays. Also, have some more captives, but that really doesn’t matter right now.”
“No shit.” Ventures Forth replied, “Can we do anything?”
The engineer looked back to her, visor depolarizing so the Gearschilde can look into the black and yellow eyes of her Shil coworker.
“Pray.” The woman replied simply.
Ventures Forth Bravely Into Great Unknowns did just that.
//////////
Low chanting filled the engine bay as a small group of priests stood around the engine praying to whichever god that would listen to allow them one more shot. One more fight.
Around them, black handed engineers scurried, ripping out blown fuses and replacing them with soldered in high strength wire. A final measure of desperation. Sparks flew as engineers swore and chaplains prayed, power still remaining in circuits needing to be bled out before bypasses could be installed, turning every bit of solder and every ripped out fuse into a deadly gamble.
Already, someone was lying on the ground, no longer twitching.
They didn’t have time to check on their fallen comrade, the work was too important.
A clock ticked down. Four minutes elapsed.
//////////
Lieutenant Commander Cenywyn swore as she watched Runoff 2 die.
Their single Interceptor had mistimed a maneuver and had been caught dead in the middle of an Anti-Aerospace array, shredded in an instant. The only consolation she could take was that, seeing as the first shot went clean through the cockpit, they didn’t even notice they died.
“Runoff 4, stay in formation.” She ordered over the radio, “We’ll lead you in for the run.”
“Yes ma’am.” The hesitant voice of Junior Flight Lieutenant Griogill replied. She swallowed, “We’re- we’re ready when you are.”
“No fear, Lieutenant,” Cenywyn called back to the child she was leading to her death. “We’re pilots in the Imperial Patrol. We do our duty. No fear.”
A clock ticked down. Six minutes elapsed.
//////////
“Talk to me!” The last remaining senior engineer in the reactor bay called out to anyone who was able to reply.
Someone, she didn’t even bother looking to see who, called back “We’ve bypassed 60% of the fuses. Should be able to give ourselves a burst of combat power. No more than 10 minutes of it before the entire system overheats and we either die, or the reactor shuts off.”
“Any chance we can get more than 10 minutes?”
“Not before that Heavy Cruiser delivers us straight to the stars.”
“Fuck it, good enough.” She slammed her fist on the ship phone’s dialing button resting near the console the engineer had just ripped the last safety override out of. “Captain. We’ve got your power. You give us the word, and we’ll give you ten minutes.”
//////////
Roshal breathed in, breathed out, and nodded. 10 minutes of combat power before the entire ship shut down into uselessness. She’d done more with less. She couldn’t remember when, but she had. Luckily, this was a Patrol Carrier instead of a standard ship, so it was more than capable of combat maneuvers with nothing but RCS thrusters. That should give her some time.
Movement, movement was going to be the key.
“Comms, tell the engineering crews on the hulk that they are ordered to figure out anything that could draw the attention of the Heavy Cruiser,” She began, “Systems, break our mooring lines. We’re going to have to split from the hulk. Helm, prepare for maneuvers. RCS only. We are going to have to do this carefully. Engineroom, prepare for power activation, but hold until my command.”
This needs to be perfect, Roshal thought, A single mistimed action ruins it all.
A clock ticked down. Ten minutes elapsed. The Karcharidon had entered maximum weapon’s range.
//////////
He of Slender Tail shivered where he stood. The secondary command bridge was silent as Roshal began giving orders to fight. This was… this was insane.
They were in a ruined ship with nothing but a merchant fleet beginning to flee and a three thirds dead pirate hulk on their side against a fresh Karcharidon class Heavy Cruiser.
They couldn’t win.
This was suicide.
They would die here.
\ So why didn’t He of Slender Tail feel afraid?
He stood at his post, a secondary bridge console where he would relay orders to other departments, freeing up the other Watchkeeper to collate those orders, there was nothing he could do to help win this impossible battle, and yet…
And yet he felt heat blossoming inside his chest with every single order delivered.
“Mooring teamsss, you are to cut your linesss immediately.” He relayed to a crew of Shil scurrying around the ruined bulkheads, “Damage control, prepare for electrical firesss and arcsss.” He commanded, switching between teams instantly.
He didn’t feel fear. He could see his Watchkeeper shiver every time the sensors reported the enemy contact was still closing, but he didn’t feel the same.
What he felt… was indignation.
How dare this pirate scum threaten his vessel, his crew. How dare they ambush this valiant ship after they had fought so hard to win. How dare they.
He let his fangs fold out as he spat the next order, “Anti-Aerossspace teamsss, prepare your batteriesss for grouped fire. Gunnery calculationsss are on their way.”
How dare they stand up to him.
A clock ticked down. 12 minutes elapsed. Weapons fire.
//////////
Roshal swayed slightly as she could feel the ship beneath her feet move. Movement is life in naval warfare, movement is death. “Right RCS fire, bring us clear of the hulk. Bow thrusters, up twenty.”
“Aye, ma’am, aye, right standard and bow up twenty.” The Helmswoman replied.
“Confirmed. Next maneuver, give us rear thrust-”
“Torpedo!” The sensor operator called out in a shrill voice, “Two marks on intercept course! Range, twelve K and closing fast!”
“Decorum!” Roshal snapped at the panicking sensor technician. “Comms, order Runoff flight to divert and intercept those torpedoes. Rear RCS to full, give us momentum.”
Roshal turned away from the bridge as affirmations were shouted, and the ship began to move, “Engineering, prepare to activate combat power on my mark and prepare for hard maneuvers. Mark in five.”
//////////
Griogill swallowed bile and tried not to feel too thankful that the enemy vessel had fired torpedoes at their home ship. Being diverted from an attack run had a much higher chance of survival than striking through an AA bubble.
“Runoff 4 engaging far torpedo. Moving in for intercept. Bre’kas, give me lock.”
Griogill’s backseater muttered something, and a target lock appeared on the far torpedo as Runoff 1, their previous Drill Sergeants, dashed by in a hard burn and blazed away at their own target.
“Right. We can do this. We can do this. No fear.” The rookie muttered as the sight of her friends in Runoff 3 being turned to vapor echoed in her mind. “I can do this.”
The target locked. She fired. The torpedo detonated.
A clock ticked down.
//////////
“Mark in four.”
//////////
The Heavy Cruiser loomed closer as the comparatively tiny Patrol Carrier spat its defiance in the form of two Interceptors dancing between the stars.
As a pair of torpedoes detonated, four more were launched, the anti-shipping weapons built for this specific purpose. Destroying disabled vessels.
And so the last two remaining Interceptors on CAP dove into the fray, risking themselves against an ever approaching AA bubble in order to save their ship.
A clock ticked down.
//////////
“Mark in three.”
//////////
All Cookie could do was stare and push his meager aerospace fighter further on its nuclear thrusters as shimmering dots of torpedoes lanced out from the Heavy Cruiser attacking his new home.
He pushed his hand forward and felt the throttle once more push back against him, the lever pushed all the way past safe thrust and into the further setting on his console.
The Interceptor was fast. It didn’t feel fast enough.
And so he spoke the words he spoke once before, back when he’d had to listen to his backseater’s screams of pain and the rush of wind after shrapnel pierced his fuselage, and the hospital was so, so far away.
Father, I pray that you will not hide your face from me. Whenever I pray, Lord please hear me and answer me speedily in Jesus' name. God, I pray that you will grant me speed through your help.
A clock ticked down.
//////////
“Mark in two.”
//////////
The Heavy Cruiser shifted, engine flaring and it began to close the range. A single disabled ship on emergency RCS thrusters and a pair of Aerospace fighters was nothing it would have to deal with.
It fired a third spread of torpedoes.
A clock ticked down.
//////////
They took the bait. Roshal thought with a vicious grin.
“Mark in one.” She paused, “Execute.”
In an instant, power flowed through the ship, emergency lights flickered off as the burning red boarding lights returned their fiery glow. The entire ship shook as the main thruster came back online, and capacitors began to charge for maneuvers.
“Hard burn, full thrusters, right, on my mark.” Roshal watched as the Heavy Cruiser began to react to her movements, the enemy ship was alive, you needed to roll to broadsides to begin bombardment, come on come on…
Roshal watched as a torpedo flickered out of existence, Runoff 4 gaining another kill.
Come on, dammit, you don’t get put in charge of a Heavy Cruiser without- THERE!
The Heavy Cruiser flinched, turning her bow away from the no longer stricken vessel, preparing for broadside.
The Captain’s grin showed more teeth than smile. “Execute! Full right thrust!”
“Full right thrust! Aye ma’am aye!” Her helmswoman called out as maneuvering thrusters dead cold roared to life and physically threw the vessel to the side, causing everyone not strapped in on the bridge to rock as a barrage of fire flew past their former location, manual targeting systems in play since the automatic systems would still be getting warmed up.
“Full thrust forward, prepare to divert all power to secondary weapons. Weapons, give me a firing solution.” Roshal commanded, hand raised and pointed at the enemy’s display as if she were commanding from a tall ship.
A chant of “Aye ma’am aye” flowed out across the bridge as the weaponsmistress was silent before calling out. “Port side is up to 45% secondary fires and 32% point defense. That’ll be our best bet.”
Roshal nodded. “Make it so. Target their main weapons. Helm, get us that facing.”
“Ma’am. We’re getting a call from Runoff 3. They are entering the AO and are asking for a target.”
Roshal smiled, “Weapons, shift target. Aim for the anti-aerospace systems. Let’s give Runoff 3 the opening they need.”
A clock ticked down.
//////////
“Cookie, we’ve got a targeting path.” Milk called forward. “Putting it up on your HUD.”
“One second… I’ve got it. Moving to comply. Did the Captain give us a plan?” her front seater replied, causing her stomach to do funny things as the Aerospace Fighter maneuvered while under high thrust.
“Something like that. She asked for a munitions report and specifically about our anti-shipping weapon.”
Cookie paused.
“Ah.” He finally said.
“Yeah.” She replied.
“Well, let’s hope they’re able to open us up to a window of opportunity. Or this will be a short charge.”
“Not our place to question why.”
“Just our place to do and die.”
Time to target… three minutes.
Into the valley of Death, rode the six hundred.
A clock ticked down.
//////////
Two vessels, three Aerospace fighters, one chance.
Six minutes of power remained. All actors took their places on the stage.
One hundred kilometers, close enough to check the weld quality of hull seams, the two ships danced across from each other. Maneuvering.
Five minutes of power remained.
The Karcharidon Heavy Cruiser rolled itself trying to keep the vulnerable top deck away from the Patrol Carrier’s presumably still working main gun as Roshal’s vessel jumped to the side. Thrusters roared.
Four minutes of power remained.
Runoff 1 and 4 shot towards their formerly separated comrade, forming up behind them in a wedge. The trio climbed towards the sun as their captain continued to chase and harass the Karcharidon.
Three minutes of power remained.
Roshal spoke. The lances of her vessel fired. Laser blasts carved across the hull of the enemy ship as it rolled.
The rolling ceased. A helmswoman swore as a full broadside caught the Patrol Carrier in the flank. The port hangar pod was ruined, armor shattered and all inside exposed to hard vacuum. Those who could scream died the fastest. The Interceptors had their opening.
Two minutes of power remained.
Silent wings swept through vacuum as three Interceptors began their dive, their formerly speedy arrowhead shape giving way to an inverted t as their wings swept out for stability, the ASF dove and dove and dove.
Five Kilometers away.
The range was too wide. They had one shot. It had to be perfect.
One minute of power remained.
The Into Harm’s Way spat its defiance into the world, limited power drained to give her pilots a seconds more of time.
30 seconds of power remained.
Three Kilometers.
Hard Lock! Milk shouted from the back seat of Runoff 3. Cookie was silent. The range was still too wide.
15 seconds of power remained.
Two Kilometers.
The Karcharidon seemingly began to roll before the Patrol Carrier once more fired, its last remaining weapons spouting their defiance against the world. Deep in engineering, systems began to blow, wires that replaced fuses sparked power and delicate circuit boards shorted out into useless scrap.
The lights went out.
No power remained.
Roshal, in her head, began to count down as lances of light began to sweep across her ship. Damage control did what they could, but the beams began to cut like an overly enthusiastic shipbreaker.
Five.
One Kilometer.
Four.
Cookie’s thumb depressed the firing stud as the Interceptor screamed at him.
Three.
The ASF launched its deadly payload.
Two.
Three Interceptors pulled back hard on their sticks to avoid colliding with the deck.
One.
The thruster of the anti-shipping missile roared as it rocketed the point blank aerospace distance to target.
Impact.
The armor piercing tip of the missile punched into the upper deck plating of the Heavy Cruiser, classified alloys allowing it to pierce into the armored plating just enough to allow the shaped charge to open up a hole as momentum kept the weapon moving.
Within the frame of a single second, the warhead of the missile had entered the ship and, before the alarms even had time to sound, detonated.
A new sun appeared in the void for a split second as a plasma-fusion warhead detonated inside the Karcharidon heavy cruiser’s hull.
//////////
Roshal allowed herself to breathe a sigh of relief inside her head as the emergency power lights flickered overhead and the gravity ever so slightly lightened. What was left of their sensor arrays showed the enemy vessel powering down. “Engineering. Good work, your 10 minutes were just what she needed.” She called out, picking up the ship phone.
There was no answer from engineering.
She signed externally before pointing at one of the marines guarding the bridge, “Find a crewmate in a void suit. I have need of runners.” The marine clasped a fist to her chest before leaving to execute her captain’s commands. “Comms, do we have any contact with the engineering teams on the pirate hulk?”
The Comms officer held up a hand, Roshal waited, “No, ma’am. We aren’t getting- wait. We’ve got visual on flashing lights from the hull. Apparently, something shorted, so they’re having to rebuild broadcast arrays. They can receive just fine, though.”
“Good, once we can maneuver, bring us broadside of them. What’s the status of the merchant fleet?”
Navigation spoke up now, “Still heading for the Jump Point. Should we send the recall order?”
“Not yet, we are still unsure if the area is safe. If we have any sensors remaining, begin sca-”
The mentioned sensor technician interrupted Captain Roshal, “Ma’am, new contact, signature unknown. Just jumped in from outside the starlane!”
“Give me details. Course, range, and speed?” She demanded.
“Signal confused, can’t get a lock!” Navigation called out, “Can’t tell if confusion’s from them or us.”
Not another one… Roshal sighed, “All forces prepa-”
“Ma’am, we’re being hailed.” Communications called out.
“On squawk.”
“This is Captain Al’yosha Cal’rada of Her Imperial Majesty’s Ship Spear of the Knyaginya, responding to Merchant vessel distress calls. Imperial Patrol Carrier, are you in need of assistance at this time?”
Roshal recognized the voice. A junior officer from her days in the Navy and a fellow Sevastutavan. The memory of the fresh faced girl when she’d joined her as an Ensign straight of the Naval Academy flashed before her eyes. “Captain Cal’rada. Your timing is impeccable as always.”
“Admiral?” Roshal could hear the shock in her old protege’s voice.
“That’s Captain, now, Al’yosha. I require your aid in ensuring the disabled vessel still glowing from an ASM strike remains disabled along with Search and Rescue teams for our sister Carrier.
“Whatever you want, you’ll have it, Admiral_… Helm! All ahead flank and plot course to intercept. Launch gunships and prepare to deploy Bluejackets. We’ll test our _Orcas’ teeth today!”
The line cut out a moment later than it should have, and Roshal nodded in approval.
“Captain, I still don’t have a read on new contact. What is it?” Sensors asked.
“A Drep’na inspired vision, come to life.” Roshal watched, feeling an odd sort of parental pride as Al’yosha’s experimental warship began closing the distance towards the Karcharidon at breakneck speeds. “A swift sailing vessel and ten carriage guns…” Roshal murmured the line from an old Vaasconian poem from the ancient Age of Sail. She had heard Cal’rada had succeeded in petitioning the Navy to build her dream-ship, burning every favor and passing out favors to any and everyone to see the program through. Now, there she was, standing on the bridge bearing down on a ship twice her size, but if the rumors were true, only half her guns.
“Ma’am, contact is still not resolving, but IFF confirms Imperial Navy designation. An Akula Class Attack Transport. I’ve… I’ve never even heard of this class.”
“Perhaps we shall hear of them more in the future. Fortune favors the active.”
“Contact is disgorging multiple signals, moving at speeds consistent with aerospace assets.”
“That is our signal we may disengage. Comms, inform the merchant fleet that the area is secure and to begin refueling procedures. Helm, get us alongside the pirate hulk, we have people to recover. Marine, get me a runner to the MP’s, we shall need the port hangar prepared for an old tradition the Navy has regarding pirate prisoners…” Roshal commanded. The fight was over, it was time to begin the cleanup.
//////////
So… that took a while. Sorry about that.
Turns out when a combination of writer’s block, decision paralysis and LIFE hits you over the head, it becomes a touch difficult to get your shit together long enough to write something down.
On the plus side, we are out of the “unplanned bits” and right back into the parts I have brainstormed, so I won’t be staring at a screen trying to think how to make things connect as much anymore. On the other hand, that means we are now entering the epilogue of book 1 of Top Lasgun.
Don’t worry, the story isn’t ending, I’ve got “three” books plotted out in my head, so we’ll see how that shakes out, but for the most part, this is where I start wrapping up plot threads, laying down threads for what comes next, and all that other good stuff.
So yeah, next chapter is going to involve everyone wrapping up what happened here, some fun little Military Justice, and potentially a bunch of plot. Also, I’m planning on starting a “rewrite”/edited version of this to go up on AO3, so keep an eye out for that. Early installment weirdness is a bitch and I’m not proud of what the older stuff looked like.
Well, I hope you have a wonderful morning, afternoon or evening whenever you read this and I will see you next chapter.
[NEXT CHAPTER]

Hello, I have been a new resident in a foreign country for less than 2 years and my language skills are still quite basic, though I can mostly understand everything.
I have this one friend that I met when I arrived and that I never quit though we already had some big arguments and he made me mad and/or cry a few times. We basically meet a few times every week, sometimes every day and we’ve lived big moments together, we also traveled together to another continent, he stayed with my family...
The relationship has evolved from a situation where I would give and do everything for him without him doing much for me, to a situation where he proved on some occasions to help me and support me too. But I had to make him realize that.
When I meet him alone, everything is usually very great and makes me love this relationship and admire my friend more every time. We chose English as our normal conversation language as he wants to progress in English and it’s still more convenient for me.
When I meet him with any of his friends or family members, which most often I learn at the last minute, and didn’t choose, it can be a different story. Sometimes I feel totally excluded and I wonder what I’m doing here. I don’t know if I’m 100% at fault or if his behavior makes me an introvert. My most recent exemple is yesterday. He invited me to go pick him up and his cousin. From the beginning, he ignored me and didn’t do anything to include me and seemed to reject any of my attempts to get into whatever they where talking about. He would show funny pictures to his cousin, I’d try to take a look too but I would remain ignored. Conversations which are 100% in English between him and me, are only hold in his native language whenever there is anyone else. Whenever, I try to say something in his language, he doesn’t seem much interested in whatever I have to say. One of the worst moment I had to live yesterday was when he started playing online chess on his phone with his cousin as if I wasn’t even there. Later in the night, I decided to imitate their behavior and started playing UNO alone on my phone. Only for my friend to notice it and say to his cousin: let’s play chess again. As if everything was perfectly normal.
Much later, after hours, he started to notice that something seemed to be wrong and said: « oh you’re so silent tonight ». To which I replied: « you’re talking one to another about your topics, you’re playing together, what can I even say ». After this, he started chit-chatting with me and the night ended like this. But after everything that had happened before it seemed so fake.
So I know myself and I know that some situations can easily make me an introvert. But I don’t believe his behavior when other people are around, help me.
Something else that he often does is to shut me up to silence whenever I say something that’s about the future. For example, a few nights ago, we were talking about travel plans and hotel reservations, other guys were even looking on their phone for options and hotels. The minute I believed to have myself found something interesting, I didn’t even have time to say my full sentence that he shut me up and said: « oh it’s okay we have time hahaha ». A few days ago too, he was talking about going back with me to a pasta restaurant that he really liked and he was talking about maybe going there on Sunday. I replied: « maybe Monday would be better because you already need to go to this city for your appointment there ». He instantly replied to me: « maaaaan we have time, it’s not yet come on ». I couldn’t keep myself from replying: « I talked about this because you talked about this otherwise I wouldn’t have said anything » Even his cousin told him: « yes it’s true you talked about this first ».
So now I’m trying to understand what all of this is, because when im alone with him he’s acting in such a lovely manner but when other people around, it’s so different. It constantly makes me upset

This is a follow-up post to my Two Year Update and One Year Update. For those who haven’t read it here’s a short summary of my first 2 Years

• First Month: Learning Kana with Apps like Duolingo and some basic vocab/grammar and figuring out if I actually like learning Japanese
• Month 2-3: Doing RRTK and watching Cure Dolly for Grammar on the Side
• Month 3-4: Core Anki Decks for Basic Vocab (Tango N5, Core Anime Deck)
• Month 4-6: Reading and Sentence Mining Satori Reader with extra cards from Anime via Morphman
• Month 6-9: Finished Satori Reader and moved on to Anime with Japanese Subtitles + Sentence Mining
• Month 9-12: Added Reading Novels to my Routine for about 1h a day. Continued with Anime for the rest of the time
• Month 13-24: Continued my Routine of reading books + watching Anime and doing Sentence Mining with Anki. I increased my reading to about 2-3h a day for a while and cut back on Anime

Stats

• 2646 Anime Episodes Watched (Year 1: 715, Year 2: 1428, Year 3: 503)
• 68 Movies Watched (Year 1: 19, Year 2: 28, Year 3: 21)
• 115 Novels Read (Year 1: 6, Year 2: 64, Year 3: 45)
• 20000 Anki Vocab Cards (Year 1: 6517 , Year 2: 8664, Year 3: 4819)
• 27520 Morphs (Year 1: 8204 , Year 2: 13650, Year 3: 5666)

I am not as diligent with tracking anymore, so some of it might be missing. My Anime watched and Books read has gone down quite a bit from last year, but I also played some Games in Japanese this year and watched a lot more Youtube/Variety Content. Although I didn’t track it, generally my daily time spent has gone down from 3-4h daily to around 2-3h nowadays.

Current Daily Routine

My Routine has not changed much from my second year, but I tried exploring more genres and media. With better comprehension and less reliance on lookups (thanks to Anki), I am able to enjoy media without subtitles or games where lookups are a bit more annoying, much more than before. I still aim for 2-3 hours of immersion daily, with books remaining the backbone of my immersion since I enjoy them the most. Recently, I’ve replaced my before-bed anime watching with reading books accompanied by audiobooks, thanks to tools like Jidoujisho and Kanjieaters’s SubsPlease tool for syncing audiobooks with books. I’ve also played more games in Japanese, a big highlight being the Metal Gear Solid Series. I’ve also watched more Youtube and Variety Shows as filler content.
In terms of Anki usage, my daily time has tapered off to around 10-15 minutes, primarily because I don’t find many new words anymore. Nowadays, around 90% of my new cards come from reading. When I’m reading challenging books, this number can jump up to around ~20 new cards, but on average, it hovers around 6.
Very recently I’ve also added about 5-10 mins of Minimal Pairs Pitch Training on the コツ Site to my Routine. I’ve only been doing this for about 2 Weeks, and I’m already noticing a big improvement in my Pitch perception. I still don’t have any ambitions regarding Output, but feel like being able to recognize Pitch unlocks a new way of perceiving the language, which I find fascinating.

What my Comprehension feels like

Reading Books

While my reading speed hasn't changed drastically, improving from about 12k chars/hour to around 13-14k chars/hour, the range of variation has decreased significantly. A year ago, my speed could drop to 9k chars/hour with difficult books; now, 12k chars/hour is more of a baseline for me. But my comprehension is where I feel the most improvement, I don’t need to check DeepL at all anymore, if I don’t understand a sentence, I can most of the time understand it when I read it again. And there are a lot more nuances, I now notice which I didn’t before. I noticed this the most in my reread of また同じ夢を見ていた which was my first book I read in Japanese, after rereading it, ~100 books later, I noticed a lot of new nuances, subtext and word play.
I also started using more Audiobooks, in combination with SubsPlease and Jidoujisho to get a synced Subtitle file with the Audiobook. I read along while listening, and my comprehension got fast enough that I generally can just let it play, only occasionally needing to relisten to a line. Even for more difficult books, like 鹿の王 which I recently read. I also read a physical Book this year. If the book is not too hard, I’m now comfortable reading it without a dictionary. The one I read had about 20 words I didn't know, but I only felt the need to look up 2-3. I was able to get the meaning from the others based on context and kanji.

Watching Content with Japanese Subtitles

I felt pretty strong in this area a year ago already, but it has definitely improved a lot also. I noticed this the most when I played the Metal Gear Solid Series. All dialogue does have subtitles, but the content is quite difficult both on a vocabulary level and also on a meaning level, since they are dealing with deep themes a lot of the time. But I was able to play it mostly free flow, only needing to look up a word here or there, getting most of the meaning from the kanji if I didn’t know a word.

Watching Content without Japanese Subtitles

Ironically even though I never intentionally did pure listening practice, always using Japanese subtitles if they were available, I’m noticing the most progress in this area. A year ago, I was not comfortable with most non-subtitled content. Nowadays I would say, easier content like most youtube videos or variety shows, I’m quite comfortable with, although I definitely still miss much more compared to using subtitles. But with Anime or Movies in general, where I’m also much more picky in my comprehension, since I don’t want to miss anything, I’m still not comfortable watching without subtitles I feel like in scripted content people are more likely to use rare words, and even if I technically “know” them, it's still often hard for me to recall them without seeing the characters. But as with all things, that will work itself out with more input. I’m glad my theory from my 1 Year Update, that doing pure listening practice is not needed and using subtitles does not impede progress in listening, turned out true for me.

Closing Thoughts

Although I was able to do all the things I can do now a year ago, I feel like I can do them much more effortlessly. Consuming Japanese is now much closer to English or my native language German, although it’s still not quite there. Both in terms of listening, I usually listen to Youtube videos in English at 2.5x speed, that's not possible for me in Japanese at the moment. Similarly, despite doing a lot of reading, there’s still a lot of room to improve to reach native-level speed.
But it doesn’t feel like learning anymore; it’s more about enjoying the exploration of a new culture through its media. I still love learning new things, which is why I started focusing more on pitch, even though I still have no plans for output.
Adding to my Closing Thoughts from my 2 Year Update, I still feel like this hobby has been the most enriching thing I’ve ever done. Being able to get better at something, feeling the progress gradually, while exploring new ways of thinking, not just through the language itself, but also the vastly different media compared to western media, really broadened my horizon. I feel like learning to appreciate and understand what the media is trying to say is also in a way like learning a language. It got me to read books or try out new genres I probably would have never considered otherwise. For example the Metal Gear Series got me interested in history, which I didn't think I liked before. I also learned a lot about learning new things. I think I can apply all the techniques I discovered learning Japanese to any other skill I want to learn in the future. Being consistent on a daily basis and always practising the same way you would in a real scenario would be the biggest factors for me. (For example, no JLPT grammar questions, rather seeing, looking up and understanding the grammar in native content)
I very much look forward to how my Journey will continue in my 4th year. Thank you for reading!