Bonus 15 Taiwan:

1. A classic blue and white porcelain vase featuring detailed floral and dragon motifs.
2. A pale blue glazed bowl with delicate, incised decorations, typical of refined ceramic art.
3. A double gourd shaped vase with a crackle-glazed celadon finish.
4. An earthenware pot with a three-color glaze (green, brown, and cream) and lion head motifs.
5. A porcelain plate with intricate, multi-colored enamel paintings of flowers and birds.
6. A brown stoneware teapot renowned for its use in brewing tea and retaining its flavor.
7. A black-glazed tea bowl with oil spot markings, favored for tea ceremonies.
8. A large plate with a thick celadon glaze and subtly incised lotus patterns.
9. An elegantly simple ceramic pillow finished in a pure white glaze.
10. A jar featuring an intricate design of mythical creatures and waves in cobalt blue on white.
11. A white porcelain sculpture of Guanyin, known for its ivory-like finish.
12. A vibrant, three-colored glazed ceramic camel figure, often used as a tomb offering.
13. A storage jar with a green lead-based glaze, used for storing grains or wine.
14. A vase with a stunning peach bloom glaze, showcasing a modern interpretation of classic techniques.
15. A vase with a white and black slip design, typical of the folk kilns of a renowned ceramic style.

“We’re a meat family,” my dad would proudly tell strangers. He’d wait for the quizzical look, then launch into detail, starting with how many freezers we had, how long we could sustain ourselves on the contents. It was just his way of starting a conversation, which made sense when you considered that raising and home-killing animals for food was, for want of a better term, his life-long hobby. His prize possession was one of those industrial-sized vacuum sealers: you could put half a pig inside and wrap it in plastic so tightly that every wrinkle and skin fold waxed unreal with shiny detail.
If we hadn’t lived in a rural area, albeit semi-urbanised, I guess it would have been pretty weird. But the mostly farming-stock locals only found his extra enthusiasm a little bit odd.
When he wasn’t being a bit embarrassing talking about it, I never really paid much heed to his hobby. I had a child’s vaguely grateful awareness that though our family went through some lean financial times, our stomachs never suffered like some of the families around us. All the beef, pork, ham and bacon in those big old chest freezers passed down from his dad really could have fed us for years.
I should preface all this by saying that I wasn’t a particularly bright kid, though neither was I dumb. I didn’t fail badly at anything in school, I just never achieved beyond a pass. I didn’t know it yet back then, still quietly dreaming about being a ballet star or a dressage champion, but mediocrity was my destiny. And I think that’s why I got on so well with my Aunt Liz.
Liz was my dad’s live-in youngest sister. She was one of those women who get described as ‘bubbly’ — not really pretty, not really smart, not a lot going on besides just being… well, all Liz. But she was salt of the earth; kind, caring, and great with kids. She was the only person who would willingly mind my two older brothers, who fought like hellcats and caused more trouble than the whole last generation of my family combined. People would privately lament to my parents that it was a shame Liz didn’t have kids of her own, but dad would just shake his head and say Liz liked it that way – that all the fun of looking after kids is being able to give them back to their parents.
I guess she was like me; nice, but mediocre. Lovely, but somehow forgettable when she wasn’t doing something for you.
But when Liz left us, I couldn’t forget her.
In hindsight, it was pretty weird timing that we had a big fortieth birthday party for Liz right before she disappeared. She was radiant that night; she’d hired a local girl to do her hair and makeup, and it was honestly the first time I’d ever seen her look pretty. She’d even worn a push-up bra under a tight red dress, which flattered her very plump curves well enough that the neighbour’s farmhand was spotted disappearing into the woolshed with her for a snog. In my dawning awareness, that gave a plain girl hope: if Aunty Liz could get a guy at forty, maybe things would turn out okay for me.
Anyway, I couldn’t forget how her pink cheeks, her eyes, her whole self, glowed that night before Liz went to bed. She said it was the best birthday ever, and that she was very much looking forward to the next stage of her life.
Would I have done anything different, if I had known? If I had realised what, exactly, that next stage was?
The week after the party, Aunt Liz said she was going on a little holiday up north, to visit some old school friends. She packed her things – she didn’t honestly have that many – and drove her little orange mini out onto the main road. And with a wave of one fleshy hand, she was gone. Nobody really thought much of it when she didn’t call, because nobody rural had cellphones back then. And Liz was, as I said, somehow kinda forgettable when she wasn’t right in front of you.
When we hadn’t had contact for six weeks, Dad tracked down the land line numbers for their old school buddies. They were surprised to hear from him — Liz had never arrived, so they had just assumed she’d cancelled her visit. No-one had thought to check. I eavesdropped on the conversation, and it sounded for all the world like *they* had forgotten about Aunt Liz, too.
From there it became a missing person case. The local cops came and talked to all of us; the farmhand who’d been seen snogging her was briefly detained, then let go, dad got grilled at length, even my hellion brothers were questioned thoroughly to see if this was one of their wild and dangerous pranks gone wrong.
But everything was a dead end. Nobody knew where Liz was, or what had happened to her.
The remains of her old mini were found halfway across the country, burned out on a beach, on a derelict stretch of ragged, rocky coastline. The police assumed murder and combed the area for remains. But even the most expert divers couldn’t conquer the incredible undertow and fast-shifting seabed of that coastline to look for evidence, so none was forthcoming.
Eventually the cops collectively shrugged and said that there was really nothing more they could do unless more information suddenly came to light. The locals knew nothing, no witnesses had come forward, and the trail was cold. As far as anyone knew, poor aunt Liz had been murdered on some desolate beach, far away from her home.
It didn’t feel fair to me. She’d once mentioned wanting her remains buried on our farm, in the graveyard plot beside grandma and grandad.
So, in my grief, I went into her room to look for something of hers to bury beside them.
Like I said, Liz didn’t have many things. Her room was pretty spartan, and her wardrobe was mostly sensible farm stuff. There was one exception: she, like me, did like to read, and she had a pretty good collection of well-thumbed books. I think it’s the escapism – even the most mediocre girl can lose herself in the plot of some trashy romance novel, imagine there’s still hope of being swept off her feet by that handsome stableboy, his inexplicable yearning for chubby plain girls.
So I set myself the task of going through the books, to find the right one to bury in the graveyard plot.
Most of them were exactly what you’d expect, but some of them were racier than I was used to. I felt various parts of my body flushing and tingling, as I read breathless prose about calloused hands touching the softest flesh of the protagonist. Okay, if I’m honest with myself, I might have got a little *too* invested in my project at that point. But that was also why I persisted going through her entire collection, until I found the ragged paperback from 1970, entitled Tawny Sands. And inside that trashy cardboard romance cover, I discovered not the tale of Tawny Sands, but some carefully hand-cut, stitched-in pages. A handwritten story in my Aunt’s rounded penmanship: Memoirs of a Long Pig.
I read her story twice in a row, utterly gripped.
Aunt Liz was no Stephen King – heck, she wasn’t even the Goosebumps guy – but her story was gripping and compelling, and I couldn’t put it down. Even if I hadn’t known her, I think that would have been true.
The gist of it was that Liz, when she was sixteen, had discovered that our family had a very long history of eating what she described as ‘Long Pork’. It’s an antipodean term, anglicised from the Pacific Islands: human meat.
Like me, young Liz still had some hopes and dreams. In one of her many failed attempts to find a special talent, she’d taken up cooking as a hobby. Naturally, with our family’s overabundance of meat, she’d scoured the freezers in the shed for ingredients: the racks of ribs and stacks of pork chops, butcher-paper wrappings all neatly labelled with the first letter of the name of the animal they came from.
She found familiar meat from Rodney, one of the pigs that had been recently slaughtered, emblazoned with an ‘R’ in her father’s strong, blocky lettering. There were cutlets labelled ‘M’ for Mary, from one of the lambs she’d hand-reared, and ‘F’ for Ferdinand, the steer they’d killed the month before. But she couldn’t explain the many, many curious parcels of meat on one side of the huge freezer, all labelled ‘J’ – at least, not until she took it all out and assembled it as well as she could on the scoured concrete floor of the killing shed. A big, frozen jigsaw puzzle without the box, her best attempt to discover what kind of beast the pieces had come from.
The animal, she quickly realised, was a Long Pig. Her own Aunt Jenny, who had died the month before – just after her fortieth birthday.
Fortunately, or perhaps not, for Liz, her father entered the shed right at that moment and realised his daughter had discovered the family secret. He sat down calmly on the lid of the freezer, and explained to her that this was a long-running family tradition, dating back to at least before his grandfather had been born.
“There are always people in life, Liz,” he’d said, “who won’t really amount to much. They want to be useful, want to be more. They strive and they strive, trying job after job, hobby after hobby, trying to hit on something they’re really good at. Something that makes them special. Those people can waste their whole lives, chasing dreams that never come true. Eventually they die unfulfilled, knowing that all their time has been wasted. That what they leave behind will fade quickly.”
His voice was oddly gentle as he leaned down and patted one of the neatly wrapped cuts of Aunt Jenny, still sitting frozen on the shed floor.
“Your Aunt Jenny was one of those people. So was my Aunt Irene.” He paused to gaze at his daughter, his next words peppered with emphasis. “But you see, my sweet Liz, they did find a purpose in life. They did find a way to be special, and they left this world utterly certain of their gift.” He stood up, stretched his back. “Let me show you.”
Liz waited while my grandad meticulously stacked the meat back into the freezer, all but one J-marked parcel that looked for all the world like a thick venison steak. He took her back to the farmhouse, and reverently unwrapped the deep red, heavily marbled meat to let it thaw. Then he laid it in the family’s ancient, cast-iron pan, basting it with butter and rosemary until a heavenly scent filled the kitchen, and Aunt Liz couldn’t stop her mouth from watering.
“Just try it. Let her show you. You’ll see exactly what I’m talking about.”
Even though she knew it was her aunt, Liz couldn’t stop herself from taking that first bite. There was something transcendent about the smell, overriding her natural revulsion that this was human meat, not one of their farm animals. For the first time, she truly realised it: we’re just another kind of animal. And weren’t her memories of Mary the lamb almost as fond as her memories of Aunt Jenny?
Liz explained then, in her curly handwriting, the explosion of taste that had assaulted her when she tried the steak. It was tender, it was succulent, it was rich beyond imagining. The fats melted on her tongue, lingering somewhere between pork and beef, but oddly neither. The flavour of the meat defied identification; something familiar, yet not.
But one thing she couldn’t deny; it was the most delicious thing she had ever eaten. Tears dripped onto her plate, mingled with the juice, the grease — not grief, but a pure, real, giddy delight.
“You’re tasting your aunt’s love for this family,” my grandad explained. “Her entire life was carefully curated, to eventually make unforgettable moments for us, just like this. This was her way of being special. This was the greatest gift she could possibly bring to our world – and because she realised that, she died with not a single regret. She knew her life had purpose. She was perfectly, completely fulfilled.”
I felt those words. I felt them lodge in my own belly, settling uncomfortably deep. I knew Aunt Liz, probably better than anyone else in the family. I’d seen how fucking happy she’d been on her fortieth, how goddamn fulfilled she was, despite apparently being a *nobody* and achieving *nothing*. Somehow, in the space of a single day, she had gone from being a forgettable background character to becoming the *main character*, immortalising herself in our family’s history with her sacrifice. Quite literally becoming part of all of us, forever.
I went to the killing shed after I finished with the book. I looked inside the freezers.
But there were no vacuum-sealed packages labelled ‘L’, no matter how deep I dug into the frozen stacks of plastic-wrapped flesh. Panicked now, not sure if I wanted to connect all the dots or unconnect them, I tried to think back over the last few months, recall any meals that had been unusually good. A few Sundays ago, we’d had a stew that really hit the spot and left me craving more. And I realised that the family had a really good night that night; my brothers behaved themselves, my parents didn’t fight, and grandma and grandad had been there. Hadn’t they looked far more… expectant than they should have?
I strained my brain, trying to recall if I’d seen the homekill bag on the kitchen bench – if I’d registered what letter it was. I knew it wasn’t an L. I would have remembered if it was an L.
And then it hit me, the memory, the connection, sizzling as if branded with a hot iron.
It had been an ‘E’.
E for Elizabeth. Not for Edward the pig.
I snorted at my own stupidity – of *course* Liz was short for Elizabeth – and as I comprehended my lack of smarts, I felt something give inside me.
I wasn’t clever, and nothing, nothing would ever make me smart. I had no big talents. I wasn’t beautiful, or even cute – and even if I had a million plastic surgeries, it still wouldn’t fulfill me. It wouldn’t be real.
I was a Liz.
I was a Jenny.
I was whoever the first aunt had been, the aunt who had dedicated her life to making her flesh as delicious as possible, who had worked every damn minute to be the best Long Pig she could ever be.
I wondered how many magical family evenings had been spent eating Aunt Jenny. How many glorious, satisfying, memorable dishes had been made out of her.
And… I wanted that. I wanted to finally know I had a *purpose* in life. One so simple, and so easy to achieve.
I wanted what Aunt Liz had.
***
It's my fortieth birthday today and I’m so fucking excited. For the last twenty-four years, I’ve dedicated myself to this moment; I’ve eaten exactly what I needed to, I’ve exercised just enough, but not too much, to maintain that perfect balance of marbling vs tenderness. I’ve relaxed and meditated to keep all those amazing flavours inside of me. I’ve researched all the greatest meats in the world, from prime Angus beef to A5 Wagyu. I really think I may have outdone myself.
I’m having my hair and makeup done at the local salon this afternoon, and I’m going to look so pretty; all prize piggy on show at the fair. I’m even going to have a big red ribbon in my hair, in memory of Aunt Liz.
Maybe there’ll be a cute boy I can snog in the wool shed, maybe there won’t – I don’t really care; because the most important, most certain thing is that I’m going to be the most delicious Long Pig in the history of our entire family.
I’m going to make everyone so damn happy, and I’m just so glad I can share my story with you all, instead of hiding it in a grubby book like poor Aunt Liz.
My only real disappointment? That you won’t get to taste me.
Reader, I have loved, loved my life. My Long Pork will be out of this world: once tasted, never, ever forgotten.

The last memory I had of my grandfather was hearing him scream as the the shadows in the field began to surround him with thin, web like fibers. Then my mother picked me up and ran with me in her arms back into our old farm house.
My last memory, that is until last night, when I awakened to a tinkling bell in an unknown vault so immense I couldn't see the walls or the ceiling. Far away I saw a dull light and heard the faint tinkling of a bell, incessantly ringing. I followed the sound till I could see him on a throne, which seemed to have merged with his body, leaving only his fingers free.
The acrid scent of burning wax and a lurking fear clung to the borders of the dream, if a dream it was. There, in the dim candle glow, sat my grandfather, his weathered face, a thousand years older than when I'd last seen him, etched with a desperate urgency. The same face I'd last seen contorted in a scream as he was swallowed by the shadows that had consumed him years ago.
"Elias," his voice, as dry as the dust that blanketed his entire body, said "You must listen. The darkness… it returns. Stronger this time." Terror struck my heart like a dagger, the memory of that horrifying night vivid even after all these years.
He pointed to a small table, on top of which lay an ancient leather book. "The Book of Repelling Shadows," he whispered. "Hidden all these years in my library… find the spell. You'll know it by the seven ravens on the preceding page. Recite it, Elias. It's the only way to banish the darkness and save yourself from my terrible fate. Go!!"
The dream dissolved, I awoke in a cold sweat, back in my bed. My heart pounded, like a drum, a rhythm of dread mixed with a sliver of desperate hope. I knew I must find the book or suffer the same choking embrace of eldritch shadows that had cursed our family for generations. Had my grandfather finally learned the secret to banish them forever? I had to find that book before they returned to claim me.
The book was, as He'd said it would be, in the family library. Written in an strange tongue, I frantically turned page after page till I discovered a page, on which were drawn seven ravens. On the opposite page there was written a single spell. The script was a simple gothic alphabet which I could recite, even though the language was unfamiliar.
Days bled into nights as I poured over the archaic script, the cryptic letters writhing like snakes before my sleep-deprived eyes. The passage was an incantation which seemed to promise the banishment of shadows. Relief washed over me, freedom from the ancient curse within my grasp. Tomorrow, I would face the darkness, armed with my grandfather's book.
The next night, I stood in the field behind the farmhouse. The moon was casting long, menacing shadows across the grass. Clutching the book, my voice trembled as I began the chant. The shadows seemed to peer into me, responding to the power of the words. Then, a flicker in the corner of my eye. A single tendril of darkness began to creep back from me, melting into the others.
Suddenly, I felt powerful even joyous as I recited the passages. I'd done it. I'd outwitted the very essence of darkness, using the power of the grimoire in my grandfathers library to turn it back. But as I closed the book , a flicker of unease sparked in my mind.
The symbols on the cover seemed different somehow. The incantation I'd recited sounded wrong as it paused, seeming to hang in the air . Anxiety began to overtake me, I felt a cold fear creeping down my spine. The shadows, weren't retreating as I believed but were surging forward with a malevolent hunger.
Frantic, I flipped through the pages, searching for the passage, the one that had repelled the darkness. But there were no ravens to be found, only a chilling emptiness where the spell had been moments ago. In my desperation, a horrifying realization dawned. This wasn't the Book of Banishing Shadows. It had never been.
The reality crashed over me like a tidal wave. My grandfather had been dead long ago. That old man on the throne wasnt him. All along, I'd been an unwitting pawn, duped by the darkness itself into unleashing the very thing I feared the most. The shadows I'd "banished" were now dancing joyously, in the pale moonlight.
My scream, lost in the encroaching darkness, was the last sound the world would ever hear from me. I was slowly being enveloped by the very shadows I so naively believed I'd repelled. The book, now fallen at my feet, in a cruel mockery of hope, lay closed. Its true title now plain to see in the last rays of the setting moon - The Book of Summoning Shadows.

US-31 EDR

Its intended as a US-31 EMERGENCY DETOUR ROUTE, which is why "31" is the last two digits, similar to many other triple-digit routes.

County Route B31

In the town of Nunica itself, there's a County route designated as "B31". Since B is the second letter of the alphabet, one might assume "231" from that, although in a Hexadecimal context, it'd be more like 2,865. Normally routes don't have quadruple digits, so it was sorta a good idea to have alphanumeric county routes.
B-31 goes all the way to M-120, both of which ride along the border of Newaygo County and Muskegon County. Interestingly, M-120 used to be M-213 in the past, see "M-213" section below.

an area code in Michigan

231 is also a telephone area code. Incidentally, 231 is not the area code for Nunica, although the 231 area code was formerly part of the 616 area code which Ottawa County, and Grand Rapids, and some other cities are part of. The 231 area code was created in 1999, which would be 16 years before M-231 opened to traffic.
After all, lots of people driving on US-31 are heading to the 231 area code, and might take M-231 in the event of a drawbridge situation, whether it be traffic jams caused by the bridge being up, or even the bridge being OUT OF ORDER needing maintenance.
Although, the 231 area code starts in Muskegon, where I-96 terminates at US-31, so essentially, the US-31 EDR starts at I-96 going toward Nunica (M-231), and then picks up at M-231, and then M-45 going back to US-31.

M-213 anecdote

Back in the 1950s, and prior, there used to be a route called M-213, which occupied the Maple Island Road corridor going from M-46 to M-20 (present-day M-120), and in the present day, that roadway is a segment of county route B31, explanation about that route above.
It has been explained on Christopher Bessert's Michigan Highways website that M-231 has an odd, tenuous connection of M-213, as explained in this article:
https://michiganhighways.org/listings/M-231.html
That article really inspired me to make my own post, here on Reddit, about M-231's oddities.

US-231 maybe?

There's also a route called US-231 which doesn't even enter Michigan at all, in fact, it veers northwest toward US-41 near the Chicagoland area near the Indiana/Illinois border.
But to be fair, having no US-231 in Michigan meant that the M-231 designation was available for use back when the project was first announced in the late 2000s.
US-231 goes through the state of Alabama, and it's neighboring state, Mississippi, has a city called Tunica in it, and Tunica rhymes with Nunica.

Ramona 231

The phrase "Ramona 231" was said in the movie American Graffiti. What's interesting about American Graffiti, is that an actror named Richard Dreyfuss was in the movie, and his 68th birthday was one day before the day when Michigan's M-231 route opened to traffic, but it's unlikely that that had any influence on the timing of events.
However, Richard Dreyfuss' character Curt was not the one who uttered the phrase "Ramona 231", it was John Milner played by Paul Le Mat.

BASE-3 number of some other route

M-231 terminates at M-45. I've also discovered that if you enter 45 in BASE-10, and change the radix to 4, you get number 231, so 231 is also the BASE-4 equivalent of the BASE-10 number 45.

kilograms-to-pounds unit conversion

I am aware that M-231 intersects with a route called M-104 which has been along a lot longer. I also recently discovered that there are about maybe 104 kilograms in 231 pounds, although it's more like 104.779 kilograms when 231 is an INTEGER for pounds.
so that's another probable inspiration for the route number.

any other ideas?

Any other "231" connections to point out?

The Number 47, Synchronicity & the Law of Time Courtney Jamal Dewar, aka Capital STEEZ, came with perfect timing. Wielding a higher message, he revealed to all those around him through his music and his being the corruption of society and all of its constructs. He was fascinated, some would say, obsessed, with the number 47. For him this number held a higher meaning on many levels. First and foremost, he felt it was about synchronicity. He made all of his homies, including myself, aware of how this is the quintessential random number. We literally began to see it everywhere. You can research the numerological significance of 47. Here are just a few: 47 appears to be the quintessential random number of the universe. When a number appears randomly, more often than not, that number is 47. In other other words, if you asked people to pick a number at random, more often than not, that number would be 47. Of course, if 47 shows up more than any other number then it isn’t truly random, but using the word random makes the whole phenomenon easier to describe. From a spiritual perspective, number 47 is a combination of the energies and attributes of number 4 and number 7. The vibrations of number 4 include those of productivity and application, inner-wisdom and practical-thinking, honesty and integrity, endurance and determination, conscientiousness and discipline. Number 4 also relates to our passion and drive in life. Number 7 brings the qualities of spiritual awakening and enlightenment, intuition and inner-knowing, psychic abilities and mysticism, independence and individualism, persistence of purpose and manifesting good fortune.
There is even a much-viewed YouTube spoof of Jim Carrey’s The Number 23, substituting—you guessed it–the No. 47. Jim Carrey's character named Walter is given a book titled The Number 23. Walter starts reading the book and notices striking similarities between himself and the main character, a detective named "Fingerling". Fingerling is obsessed with the 23 enigma, the idea that all incidents and events are directly connected to the number 23 (Weirdly enough when I was younger I was in cod team called 23Enigma) only noted it as of the coincidence.
Jim Carrey told reporters he was so captivated by the 23 enigma even before reading the script that he renamed his production company from "Pit Bull Productions" to "JC23." (Jesus Christ 23?) Oddly enough the first film Carrey worked on with Joel Schumacher his character The Riddler's real name was 'E. Nigma'. According to Carrey, he was reading a book about Psalm 23 when he was first given a copy of the screenplay to review. He said he asked a friend to read the script and "an hour and a half later he was on page 23, circling every 23rd word. That's the kind of thing I want to do to an audience." When he discovered that the first page of the script involved the lead character trying to capture a pit bull, he was "freaked out," given the change in name of his production company. (Pitbull productions) My Nicknames Pitty, short for pitbul (These are just speculations) Also I've gathered others inputs and went down a deep rabbit hole. Mind you, this is just connections that has been gathered over time, but the consistency of certain "coincidences" are interesting to say the least. Just try to piece together the connections even though it may be out of radar due to us living completely different lives.
James > Cleveland Cavaliers (Cavs) > Number 23 > Nicknames are King James & The Chosen One
Cavs is the nickname of my last name Cavanagh
When you flip the cleveland cavaliers logo upside down it is quite similar
(The hat I've worn since 14, P represents the nickname"Pitty:" short for pitbill a nickname ive had since i was around 10 years old.
Matthew writes that on 23 occasions Jesus blessed 47 people.
The Bible credits Jesus with 47 miracles.
The Declaration of Independence has 47 sentences. Originally published: 4 July 1776 (4/7)
1947 is when the UFO crashed at Roswel
The Tropic of Cancer and the Tropic of Capricorn are 47 degrees of latitude apart.
Capital STEEZ died from allegedly leaping from the Cinematic Music Group’ either gripping a bible or with it strapped on his back There is also the fact that a blood lunar eclipse will occur in New York at 3:47 am on STEEZ’s birthday in 2047, and then the lunar eclipse which will occur after this one is part of the Lunar Saros series 135. He said he named the song 135 for “5th dimensional synchronization”... whatever that means, this would be a massive coincidence.
How Many People Can See This Eclipse? Number of People Seeing... Number of People* Fraction of World Population At least some of the penumbral phase 4,070,000,000 When the Eclipse Happens Worldwide — Timeline Event UTC Time Time in Melbourne* Penumbral Eclipse begins 7 Jul at 07:47:47 Visible in Melbourne 7 Jul at 5:47:47 pm On capital steez birthday.
STEEZs last tweet “the end” Was posted December (23) 2012 The building steez died (The colliers office) is on 666 fifth avenue, 10103 10+10+3=(23), New York. The building was built in 1878 The bohemian grove was established in 1878 The address of the CMG label building is on 40 west (23)rd st, 10010, New York The Freemasonry Grand lodge of New York is on 71 west, (23)rd st 10010 NY. Directly located across the same building STEEZ died. Yeah. West 23rd st, w is the (23)rd letter in the alphabet. In Hebrew the letter W represents the number 6 The fraction 2/3 in decimals=0.666 The freemasonry grand lodge of New York was founded in December 15, 1782 15, 1782 1+5+1+7+8+2 = 24. December 24 the date that's etched on STEEZs tombstone. A police report about his death has never surfaced, information has never been released, but there is pictures of his gravestone (see here: https://www.youtube.com/watch?v=OuFVUJJR4Ug) and on that gravestone it says 24/12/12, which actually adds up to 48, yet he tweets on the 23/12/12 stating 'The End. Steez was ready to open up Pandora’s box and expose the illuminati occult in a way that has never been done before. It gets deep. Just think about it guys. Steez was an intellectual genius. He would obviously know that suicide actually makes u go to hell and not heaven. As a believer in the lord he would never commit suicide.
I'm not sure if you're paying attention to the ryan garcia trying to reveal how something tragic happened to him where he was taken to boheiman grove and forced to watch things i wont mention here People said his crazy and on drugs, sad thing is, I believe he is telling the truth Fast forward he wasn't on drugs and
Peep his song "Free The Robots" https://youtu.be/XcmR8DxuHBA
STEEZ has definitely made a positive impact on this world by introducing a new way of thinking and spirituality, even more of an impact than a lot of artists who are still alive... Capital STEEZ was 19 at the time of his death.
There is also gematria behind his death it has to do with numbers. I’ll explain what it is for those who aren’t aware of it. Gematria is the decoding of letters to numbers, it’s used to translate ancient Hebrew Scriptures. But it’s also the code for the entire world. The most basic way I can put it is that it’s as simple as ABC=123, they use these numbers thru media, and the thing that’s being shown on the media always correlates with Masonic numbers and words that correlate with whatever and whoever is being shown on the news or media and whatever event is taking place always correlates 100% of the time. In news, sports, music industry, Hollywood, politics, everything. In Numerology, which is different from gematria. After calculating his name I came across a lot of similarities when calculating mine in various forms.
While calculating his name i came across things relating to me like Like "Melbourne Victoria Australia, Royal Melbourne Hospital, june twenty fourth. From his name which connected to me personally as i was born in that hospital, thats the city i live and my birthday. The similarities left me wondering if it was actually real or not so I used multiple different calculators and paid for a membership on gematrinator to get maximum results and ended up noticing so much our mine and steezs calculations were similar answers in different form, and answers i got with his name ultimately connected to mine, vice versa. So i was intrigued and these are a list of numbers that matched up with our names. This is all speculation based on connections that seem to be very consistent peep this
Calculating these variations of our names such as Courtney Jamal Dewar / Courtney jamal Dewar Jr / Courtney Everald Jamal Dewar Jr / Capital STEEZ / Nathan Cavanagh / Nathan James Cavanagh / Nathan James Cavanagh Sciarra, calculations all listed together when I noted them all I didn't think to label to each name as I was so captivated by the coincidences I just kept going down the rabbit hole. I came across profound links to both our names that binds us both to the unique synchronicities that were to apparent to all be ruled as pure coincidence, such as his name calculating to my birthday, place of birth and city, and city i live to say the least.
These are calculations through gematria, some are our calculations mixed in this as I was just noting down every connection I noticed
The first and the last Eye Of Horus Total Eclipse the numbers of gods matrix coordinated universal time Capital Steez June Twenty Forth (my birthday) came up from steez name Lunar Eclipse Sacrifice July (2047 lunar eclipse on steezs birthday) The Central Intelligence Agency A WISE TALENTED MUSIC PRODUCER Royal Melbourne Hospital (where I was born) The Holy Bloodline Of Jesus The Return of Christ Exodus Luke synchronisation The Synchronicities Of Jesus The Book Of Revelations Vibrational Frequency Biblical Prophecy Melbourne Victoria Australia (where im from), came up on steezs calculations The Royal Bloodline The Divine Bloodline Of Jesus fourth of jew lie Energy frequency vibration The Holy Lineage Of Christ One Who Understands Mysteries december the twenty fifth. ..... speaks for itself A Door to another dimension New Moons And Solar Eclipse twenty four seven (my birthdays the 24th, his is the 7th) the victory of the lamb multidimensional royal regiment of scotland Golden Gate Sacrifice Gods Gift Clairvoyant The Chosen One The Two Appointed Ones Leaving For Heaven David And Daughter Of The Oath Are One Almighty God Roars Upon His Throne Powerful Great Grandma The Lord On Earth Donald Trump Assassination Lords Alignment The Lord Gods Here God Is Really Here God Birthdate Encoded End Of Times God Code The Code Of The Lord Lord Birthday Code Gods Provable Code Gods Alive Loser Access Into Heaven Twenty Three The Anunnaki Gods Jesus Is Coming A True Prophet The Seventh Seal What is Jesus's number? 888 Apollo Is The Beast Of Revelation See Fulfillment Of The Book Of Isaiah Prophecy The Serpent In Genesis Describes The Mark Of The Beast See The Forced Evil Mark Of The Beast Foiled The Victory Of The Lamb May The Lord Fill Your Heart Two Masters Is Cancer (steez and I are both Cancer) God Of Eternity We Are God Twins Maker Of New Earth A Two Edged Swords Xanax Vicodin Addiction (i struggled with bad) The Bible Is Intentionally Concealing Information The Galactic Jesus the Anointed One Moses Will Come The King Is Coming Miraculously Encoded By God Pyramids On Mars Forests On Mars Holy Spirit Of Zeus We Are Absolute Infinite Sent By The Gods Powerful Great Grandma999 Burning Alive The Gang Stalkers. (long story short I was a victim of whay they call gangstalking when I was reaching my peak or enlightenment and have been trying to get back to that state again, all I can describe it as is demonic torment) Enoch 777 on YouTube speaks on it good.) A Fourty Seven Mandating The Poisonous Jabs Knowledge Of God Brings Eternal Life Death Isnt So Scary Anymore Invictus Sol The Lion And The Lamb https://imgur.com/gallery/ztGPJGS The Lord Is Here Coming To Restore The Eternal Kingdom The Blood Of The Lamb Contact With A God Revival Jesus The Annointed One the key to it all I Am The Holy Grail Sun Moon Earth Revelation Nine Spirit World I Am The One Lord Jesus Christ I Know All Codes And Connections The Wisdom Of God Word Of The Lord Quantum Entanglement Theory The Anunnaki Path Almighty God Roars Upon His Throne 173 Enoch Chapter Ninety Five Pyramids Have Hidden Chambers Music Is My Life Revelation Five Everyone Is God Forever Jesus Walking With God Vision Of Gabriel New Revelation Seven Wonders Symbiotic Craft Thank You James (my middle name is James) Words Of The Bible Isaiah Fourteen Thirteen Trumps Last Son He Is Jesus Crown Chakra God Is You Gods In A Body The Resurrection Of Life The Book Lj Enoch King Jesus Gods Wrath We Are At War Truth Hidden In Plain Sight Double Conciousness The Anointed Lay Dead On The Cross Dragon Of China Is The Anti Christ. A Seed Of Jesse Angelic Guidance Black Pyramid Hidden Truth In Plain Sight King Messiah Heavens Dream Let The Decoding Fun Begin Add Up Letters Notorious Names The Child Of Christ Aliens Exist Spirit Of Moses C E R T I F I C A T E Of Baptism Of The Lord Of Christ Alchemist Fluoride To Heaven God Is Number Codes Numerical Language Learning Decoding Is Fun The Lord Of The Messiah The Book Of Hidden Messages Eight Eight Eight Nine Nine Nine Lost Books Of The Bible Rna Vaccine Maternal Ancestors Are Of Royal Descent You Are Gifted Frequency Turn Off Your Smart Phone I Am Eternal Life David Christ Gods Son The Sound Of Jesus Coming Help Others Realize Full Potential Implants During Surgical Procedures The Solar System And Thoughts The Reincarnation Of King David King David Divine Dna Is Activated Jesus Returns To Earth The Lion Of Judah Is With Us (Steez would speak about Judah)
Jamal Dewar; psalm twenty three Jesus son of God Nathan Day Revelation fourteen one Spiritual warfare Gang Stalker (experienced this myself) Satanic Cults Commit Suicide forty seven problem Bloodline of Jesus Christ The End (when this came up my jaw dropped.) And the God of peace shall bruise Satan under your feet shortly The grace of our Lord Jesus Christ be with you Amen The Holy Mother of Jesus christ Are you ready for whats coming july seventh twenty eighteen
Courtney Jamal Dewar, Jr: The Book Of Revelations Vibrational frequency MELBOURNE VICTORIA AUSTRALIA (where I live) Christ Resurrection Satan Rules The World The Divine Bloodline of Christ synchronization Biblical Prophecy Capital steez Exodus Luke The Divine Bloodline of David Second Christ The Return of Christ Jesus Resurrection Jesus Christ Bloodline
I added stuff from my name as it was so coincidental I didn't think to label them at first I just wrote down anything I thought added up This is just deep research into who reminds me of myself My instagram is mistapitty Listen to The Resurrection by Pitty https://on.soundcloud.com/Xn3nN
Listen to Revelation 22 by Pitty https://on.soundcloud.com/gBAja
Peep his song "Free The Robots" https://youtu.be/XcmR8DxuHBA
STEEZ has definitely made a positive impact on this world by introducing a new way of thinking and spirituality, even more of an impact than a lot of artists who are still alive... Capital STEEZ was 19 at the time of his death.
There are four gospel accounts of Jesus' life and ministry. Each of these emphasizes a unique aspect of his sacrifice and ministry. Matthew's focus is on Christ being the son of David and a King.
Look into the etymology of your name. - What Does Nathan Mean? The name Nathan means “Gift of God” or “God has given.” In the Old Testament, Nathan was a prophet and one of King David's sons; he acted as a messenger to King David and is considered one of Jesus' ancestors. (David name of my biological grandfather) (James is my middle name) - James is a classic, traditional and Biblical name (Saint James, of course, was Jesus's brother and one of the 12 apostles) meaning "supplanter" or "replacer." It's derived from the Latin Jacomus which also means "may God protect.
Every letter to Capital STEEZs full name calculates to 147 when done in reverse on the gematria calculator and mine equals to exactly 470 when done in reverse.
"Nathan James Cavanagh Sciarra" = 470 (Reverse Reduction) N a t h a n 104 13 26 7 19 26 13 J a m e s 87 17 26 14 22 8 C a v a n a g h 159 24 26 5 26 13 26 20 19 S c i a r r a 120 = 470 8 24 18 26 9 9 26 Reverse = 470
"Capital STEEZ" = 47 (Reduction) C a p i t a l 26 3 1 7 9 2 1 3 S T E E Z 21 = 47 1 2 5 5 8 Reduction = 47
"Courtney Everald Jamal Dewar" = 147 (Reverse Reduction) C o u r t n e y 41 6 3 6 9 7 4 4 2 E v e r e s t 41 4 5 4 9 4 8 7 J a m a l 35 8 8 5 8 6 D e w a r 30 = 147 5 4 4 8 9 Reverse = 147
On June 24th 2022: Mercury, Venus, Mars, Jupiter and Saturn are lining up in the pre-dawn sky, a planetary procession that could be seen above the eastern horizon And what’s even more remarkable about this month’s lineup is that the planets are arranged in their natural order from the sun. The best day to see the spectacle will likely be the morning of June 24 of 2022, weather permitting, as the planetary parade will be joined by the waning crescent moon. This is three days after the summer solstice (or winter in australia), which is June 21. What makes this so unique is the last time we had 5 planets aligned in this fashion, was in March of 1874.
All of the "classical" planets will be viewable in the early morning skies of June 24th 2022. Mercury, Venus, Mars, Jupiter, and Saturn will be visible, all apparent to the naked eye even under urban light pollution. On the 24th, our moon will be situated between Venus and Mars, so you could say the Earth-Luna system will complete the "perfect" alignment. Under the darkest skies, one will be able to see seven planets in one sweeping gaze. The same year December 24th the planets will align in their correct order outward from the sun for the second time this year, after a pre-dawn alignment in June which was on my birthday. STEEZ is said to have died on the 24th of December 👉 https://imgur.com/gallery/0RVIxxA
Alternatively, 25 December may have been selected owing to its proximity to the winter solstice because of its symbolic theological significance. After the solstice, the days begin to lengthen with longer hours of sunlight, which Christians see as representing the Light of Christ entering the world. This symbolism applies equally to the celebration of the Nativity of Saint John the Baptist on 24 June, near the summer solstice, based on John's remark about Jesus "He must increase; I must decrease." John 3:30 NRSV.[59] Now check out the following texts from the bible, they speak of the solstice here. 👉 https://imgur.com/gallery/0RVIxxA and I thought I should add this as it seemed to be quite a coincidence of the date i posted this somg and the content of the posts she made. It aligned with those geomatria calculations I made and i wish I could document snd explain why certain ones just synchronzie but it'd be to hard to comphrened.
"AFTER THE SOLSTICE, THE DAYS BEGIN TO LENGTHEN WITH LONGER HOURS OF SUNLIGHT, WHICH CHRISTIANS SEE AS REPRESENTING THE LIGHT OF CHRIST ENTERING THE WORLD. THIS SYMBOLISM APPLIES EQUALLY TO THE CELEBRATION OF THE NATIVITY OF SAINT JOHN THE BAPTIST ON 24 JUNE, NEAR THE SUMMER SOLSTICE, BASED ON JOHN'S REMARK ABOUT JESUS "HE MUST INCREASE; I MUST DECREASE." JOHN THE BAPTIST ANNOUNCES THE COMING OF THE LIGHT THROUGHOUT HIS LIFE, JOHN THE BAPTIST, ANNOUNCES THE COMING OF JESUS, THE COMING OF NEW TIMES, JOHN ANNOUNCES THAT GOD IS GRACIOUS TO HIS PEOPLE BY ANNOUNCING THE COMING OF THE SON OF GOD. BEHOLD, HE IS COMING WITH THE CLOUDS, AND EVERY EYE WILL SEE HIM, EVEN THOSE WHO PIERCED HIM; AND ALL THE TRIBES OF THE LAND WILL MOURN OVER HIM.” –ZECHARIAH 12:10-14; DANIEL 7:13-14 SO IT IS TO BE. AMEN (AGREED, YESHUA HIMSELF IS THE AMEN 3:14). “I KEPT LOOKING IN THE NIGHT VISIONS, AND BEHOLD, WITH THE CLOUDS OF HEAVEN ONE LIKE A SON OF MAN WAS COMING."
John the Baptist day is 24th of June.
"The flower of life, represents global consciousness and like there's this thing on the consciousness grid, the last piece, it has to be the flower of life and it has to align with the sun and all that stuff and it will wake up global consciousness & as i further in my ascension I hope to build it one day" "Some people might think this type of thinking, first of all this type of thinking might jump over a lot of people's heads" "I think humans need to lighten up, maybe try lighten up" - STEEZ
Someone regarding STEEZ: "Did he think there were codes in the Bible or something? I’ve heard him say he knows the “code” does anyone know what the code is? He was a truly enlightened person I wish I could understand him better."
STEEZ supposedly said he had to die now in order to save the Earth in 2047, which is when the world is supposed to end. Before he killed himself his friends say he withdrew not only from them, but rap in general, saying he was going to become a superhero.
(My birthday)24th of June 1999 = 2+4+6+1+9+9+9 = 40 STEEZ birthday) 7th of July 1993 = 7+7+1,993 = 2007.) 40 + 2007 = 2047
Now read a conversation he had on Facebook prior to death https://www.kanyetothe.com/threads/rip-capital-steez.354864/page-42?post_id=16781894&nested_view=1&sortby=oldest#post-167818 His song Dead Prez (credit to who found these calculations as this wasn't mine) If you wanna conspire a little, we technically have had 46 different president so far, tho truly only 45 different guys have been in office. This year, if we elect a new president they will be our 47th prezident. You could say that happens when the next president is elected, or when the second new president is elected because then there'd actually be 47 different people. On the contrary, you could predict that once 47 presidents have died, something very significant will happen because the song is about DEAD presidents. It'll happen in most of our lifetimes i wonder what will happen 2047?
https://imgur.com/a/bOpRy
FORTY, THE NUMBER: "Forty days was the period from the resurrection of Jesus to the ascension of Jesus some scholars note that 40 days in the Bible doesn't always mean 40 days literally, but may be a symbolic way of saying "a longer time. A master number and part of the “awakening code”. Also Jose Arguelles’s kin is 11 – he brought forth the Law of Time aka the World Thirteen Moon Cale In the Bible, next to the number seven, the number forty occurs most frequently.
Here's an article on Fader that's kind of aligns some things I've discovered.
https://www.thefader.com/2013/11/26/capital-steez-king-capital
Check out these images, not a lot of people would've seen these: h ttp://i.imgur.com/nPE90.png / http://i.imgur.com/sHtdM.png / http://i.imgur.com/ZcNu2.png - he thought he was the alchemist that had the key for world peahttp://i.imgur.com/ZcNu2.png Deshay posted this on Facebook after his immediate death: "Fxck.... This shxt jus rly fxcked me up. Me and Steezus JUST made plans to record on Saturday now hes gone. RIP Capital STEEZ" Joey said he believed he sacrificed himself for spiritual rebirth.
The End THE WIDELY ACCEPTED STORY is that Courtney ‘Jamal’ Dewar committed suicide by jumping off the Cinematic Music Building in Manhattan on 23.12.12 – which equals 47, the rapper’s favourite number. None of the city’s newspapers reported his death. As a result of inconsistent stories and a lack of police intelligence, confusion surrounds the heart-breaking event for the Dewar family. In a 2013 interview with Fader, an anonymous member of Pro Era said, “STEEZ told some of the Pros that he was thinking of killing himself by jumping off the building where Cinematic had its offices.” Dirty Sanchez a close friend of the late rapper recalled, “Nothing was working. Nothing. It was like too late. He made up his mind already.”
Today I will be briefly explaining the practice of Gematria. Gematria comes from ancient Jewish mysticism. It is the practice of combining the letter with the number, with the word. It is said this is how God created the world.
How does it work? Gematria has 4 major ciphers. The first two are easy as ABC, literally. For example A=1 B=2 C=3. And so on. The code can also be read backward from Z to A. This is called reverse ordinal. There are two more ciphers that are equally important but a bit more nuanced so for the sake of clarity I’ll leave those explanations to the work of Zachary K Hubbard. But to put Gematria into usable terms I’m gonna explain a decode I did recently. If you want to decode a word or phrase without doing the math yourself, there is an extremely helpful calculator at gematrinator.com it will give you all four cipher values for your word or phrase in an instant, as well as compare it with corresponding ciphers. Without further ado let’s look at this example:
Here I will outline some interesting numbers that coincide with the rapper Capital STEEZ and the numbers surrounding the music industry as well as numbers that come up with race, and other things I found eye grabbing.
(Credit to another user on here) First off I’ll start with Capital STEEZ, The interesting number here is the full reduction number, 47. It’s eye grabbing for many reasons, but we’ll start with a little back ground. Before Capital STEEZ’s (aka Jamal Dewar) death (suicide) in 2012, STEEZ was apart of an up and coming rap group known as Progressive Era, or ProEra for short. A known staple among these young men were the belief in “47 chakras” and “indigo children”. The two are a topic on their own, but the interesting part is that such a powerful number in Jamal Dewar’s life also coincides with the Gematria of his rap name. But that’s not it! Let’s continue
Capital STEEZ English ordinal: 137
Full reduction: 47
Reverse ordinal: 187 ( see pushed off a roof)
Reverse full reduction :70
Now keep an eye on 70, as we shall see him more as well.
Next we will decode the gematria of the reported means of STEEZ’s death, suicide. This is where I admittedly started getting intrigued.
Gematria of Suicide:
English Ordinal: 70
Full reduction: 34
Reverse ordinal:119
Reverse full reduction: 47
Wow. The exact same values but flipped.
Just a mere coincidence I’m sure But let’s continue .
With these next two we will see two repeats of values, one new value, 88 and a previously used value, 34. As well as 65
Jamal Dewar
English ordinal: 88
Full reduction: 34
Reverse ordinal: 182
Reverse full reduction: 65 ————————— Phrase: pushed off the roof
English Ordinal: 187
Full reduction: 88
Reverse ordinal: 245
Reverse full reduction: 65
And the next term we will decode will be Jamal’s occupation of rapper. Here we will see a reverse of our main number in question, 47, which I’ve found to be reoccurring as well.
Rapper
English ordinal: 74
Full reduction: 38
Reverse ordinal: 88
Reverse full reduction: 34
I’m beginning to sense a bit of a pattern here... But let me move on Now it’s time to get a little spicy
Jamal Dewar commited suicide on the night of December 23, 2012, though his wiki has his death on the 24 I believe as it was around midnight. Many articles coming out about his death including one I read from thefader.com reported his death on the 23rd. I specifically remember this detail because I was a huge fan of his and Pro Era at the time and it was a huge loss to the community.
December is the 12th month
12
23
12
Care to guess what that equals?
Yep. 47
Here are some other related phrases put into the gematrinator calculator:
Brooklyn New York (where proera is from)
223 79 182 74
Suicide by fall 128 56 223 79
Are you seeing the synchronization of these seemingly unrelated words and phrases?.
The word murder and murdered both have synchronized gematria with Jamal. We also see another repeat with 38, also found in the full reduction of the word rapper.
Murder
English ordinal: 79
Full reduction: 34
Reverse ordinal: 83 (38 reverse)
Reverse full reduction: 38
Murdered ,interestingly enough, though only being two letters away from murder, is actually more closely related numerically to jamals name and the word rapper, But there are similarities abound. Murdered.
English ordinal: 88
Full reduction: 43 (34 reverse)
Reverse ordinal: 128
Reverse full reduction: 47
Wow. This one really stands out to me. Every single number code number is used in the over all code of Capital steez just in this one word.
We see the repeats of 88 and 47 as well as the reverse of 34 for the first time and a repeat in the numbers of 128, which we saw as 182 above.
This one is slightly unrelated so I left it sort of by itself but I still maintain it’s validity as it’s use in the music industry is still relevant. That is the word racist. Race is huge in the overall narrative that msm tries to portray.
Racist
English ordinal: 70
Full reduction:25
Reverse ordinal: 92
Reverse full reduction: 47
racist and suicide are perfect matches on the front end and back end. 70 and 47.
Here’s another nugget.
The phrase : jumped to his death
English ordinal: 178 (pushed off the roof 187)
Full reduction: 70 (pushed off the roof 88)
Reverse ordinal:254 (pushed off the roof 245)
Reverse full reduction :83 (pushed off the roof 65)
Leap also shares 34 and 84.
Suicided 74 38 142 52
Occult
English ordinal: 74
Full reduction: 20
Reverse ordinal:88
Reverse full reduction:34
3 more repeats
The year of his suicide was a leap year
Leap year
English ordinal:83 Full reduction: 38 Reverse ordinal:133 Full res verse reduction: 43
Target audience: 133 61 245 83 Suicidal: 78 33 138 57 Hidden mission: 142 70 209 74 Some of these numbers are conjecture but there’s a lot of links between the numbers. 47/74 being the one of the more prominent, as well as 83/38, 34/43, 70, 245/254, 88, 33, 29/92/209, 182/128 all of these numbers connect in one way or another. Now it wouldn’t mean much if we didn’t know more about the nature of these numbers and how and where they appear. But since these number keep popping up in accordance to things like CONTROL GRID or MYSTERY RELIGION or SUPREME MATHEMATICS it seems almost impossible for it to be mere coincidence. Anyways I urge you guys to think for yourself and put in some work and see if you can find any use of this practice. God bless
Ps:
STEEZ’s debut album ”amerikkkan korruption” Came out on 4-7-2012 another 47. Vibration equals 47
A theory out there is that the cabal needed him to die because STEEZ was really bringing influence to more and more young minds with knowledge and the way STEEZ attacked and exposed certain things is not a good thing for those in power, the label that Joey wanted to sign when they were pro era, was a Jewish man named Jonny Shipes. if you’ve extensively went down the “rabbit hole”, like extensively, and you’d say you’re pretty “woke” (I hate that word), then you may know that most labels especially Jewish owned labels are basically the portals into The Illuminati cult, the Jesuit organization that controls the entire world. Oh and remember the news outrage, and investigation because of the 47 “swa stikkas” all over NY, yea you think these Jonny Shipes fucked with that? Nah. But this is all speculation.
It wasn’t long after Capital STEEZ's unfathomable passing on 12/23/12 – 12+23+12 = 47), which was only days after December 21, 2012, the precise date calculated by the great Mayans to be the end of a Great Cycle, that I received knowledge & became aware of the Law of Time. This seemingly new cosmology felt ancient and I quickly realized it had EVERYTHING to do with Synchronicity! I even found the number 47 to be ever ubiquitous throughout this 13 Moon calendar system.
"The next chapter is unstoppable. And yet, the greatest revolutions sometimes originate from the confines of impossibility, do they not? Break the code. It could make a leap and make possible a decision that defines the order of things that are." " Reality is a mathematical model which gets solved over and over again by the observer your thoughts are computations. And they render this world for you to call your own. Not all processors are alike. Different brains produce different realities. The variations go from the subtle to the drastic. Your mind defines how much you can taste. How much you can feel. How much you can understand. Perception defines perspective. We designed you and made sure to engineer your senses so you could perceive just what we needed you to. Neither more nor less. There are parts of time we preferred you remained blind to. It was a necessity."
The Law of Time, I found to hold the most profound yet simple teaching; our Time is not Money, Time is Art. I was able to grasp a greater vision of how we as humans have created an artificial timing system where our time here equates to how much money we can accumulate, where we are constantly stressed by this false belief of our making, and where there is never enough time… This system of our making and continuous propagation has only served to separate us from our Selves, from each other, and ultimately, from nature. Hence, resulting in the chaos and disharmony prevalent in the world today.
What is the greatest common factor of 23 & 47? 1 is the greatest number that 23 & 47 is divided to. The Chosen One @mistapitty ㄣ

I'm sure talking about kryptos is banned atp but I wanted to get off my chest what angle I have been taking.
According to the clues given so far the first two confirmed Es are represented by the letters F and G. The first confirmed As are represented by the letters L and K. The first confirmed Ss are represented by the letters R and S. The first 3 confirmed Ts are represented by the letters V R and S. This caught my eye because all of the letters that have confirmed meanings are 1 letter apart from eachother in the alphabet. Other than L and K, all of the pairs follow eachother by alphabetical order.
V R and S do not follow this pattern unless you ignore the V
While this pattern of following an replacement code changing by alphabetical order isn't consistent (the first confirmed Cs are M and P) I find it to be a really strange coincidence. Has an avenue like this been explored before? I threw some shit at the wall for a while but couldn't figure anything out.

Hi,
I have my eye on a couple of amazing looking journals to be my Grimoire for a collection of my work and research to be put in, a passion project as I want to make it look really good with calligraphy and drawings.
Anyhow,
I really like the idea (still an idea mind) to use a script, I know it won't be Theban, mainly as it's very well known. But I have others I am contemplating.
(I say it's an idea in mind because as much as I love the idea of the Grimoire being fully in scripts, main, one for spells, runes, and alchemy symbols [I said it was a passion project XD but I also recognise it's going to take time, esp. not to make errors, I understand that no matter how well I memorise, it could take me time to translate what I wrote, reducing the efficiency.)
So to the actual point (professional rambler), I love the ones I've found, but I actually am interested in having at least one that's cursive friendly. Like the Theban alphabet I've failed to join them up, and I get it, practically, they look more like runes/ sigils, but does anyone know of alphabets that can be learnt to be cursive with examples, or how to potentially learn to make any cipher alphabet script to be cursive with a how-to guide & tips? I'd like to continue practicing before I can finally afford my Grimoire, to help be a step ahead skills wise.
I tend to generally write far more with cursive and it feels far more fluid and natural than just putting down each symbol without any linking, and for me it just looks really pleasing, and helps me get in the zone when I'm writing my notes. It feels faster to use cursive too, than writing letters out individually.
Thank you for reading (what surely could have been written more concisely.) ✨

On both DebateReligion and this subreddit u/Informal_Patience821 (Exion) has been making a series of posts that make claims about translations of the Hebrew Old Testament. On DebateReligion there were enough people who know enough about Hebrew to debunk Exion’s claims showing both Exion doesn’t know Hebrew and is an unreliable source of information. Unfortunately is seems most people on this subreddit aren’t familiar enough with Hebrew to see the problems in those posts so I will be addressing them. I’ll start with a summary of a just a few issues from their earlier posts and then dig into their most recent post on Haggai 2.
In https://www.reddit.com/DebateReligion/comments/1c9e54z/songs\_of\_solomon\_are\_prophesying\_muhammad\_moses/ they cited the first word of Songs of Solomon 1:2 as ביִשָּׁקֵ֙נִי֙. The problem is the first word doesn’t have the Hebrew letter ב, that’s actually the verse number. To illustrate how bad this is it would be like copying an alphabetized list with an entry “b chicken thighs”, removing the space making it “bchicken thighs”, and then trying to translate bchicken as if it’s a real English word. In that post several comments noted this issue, and Exion acknowledged it. However, when copying their post to https://www.reddit.com/Quraniyoon/comments/1chuul3/songs\_of\_solomon\_prophecies\_of\_muhammad\_moses\_and/ they failed to fix this known issue.
This also isn’t the first time they’ve done this. In https://www.reddit.com/DebateReligion/comments/1c0x8sp/revisiting\_isaiah\_53\_the\_prophecy\_of\_the\_false/ they made claims about the meaning of ישוחח. They also cited a Hebrew dictionary to defend their claim. The problem I noted in my comment was their source listed two different verb forms which had slightly different meanings. Exion took the meaning of the Qal form but the word was actually in the Polel form. This is problematic enough because even with basic Hebrew one should know to use the meaning for the correct verb form since it changes the meaning. However after acknowledging my command the next day they copied the post to https://www.reddit.com/Muslim/comments/1c2onfa/the\_old\_testament\_says\_because\_they\_will\_think/ without fixing the error.
Another problem is their citation of a fictitious source. u/c0d3rman, u/arachnophilia, and myself tried to find the citation, weren’t able to, and pressed Exion on this. Exion claimed to have the book in their possession but refused to take a pic of the citation to prove it’s real after being called out on the citation not existing. Details can be found at https://www.reddit.com/DebateReligion/comments/1cae1we/comment/l0tr043/?utm\_source=share&utm\_medium=web3x&utm\_name=web3xcss&utm\_term=1&utm\_content=share\_button, https://www.reddit.com/Quraniyoon/comments/1ccdm3z/comment/l18l6v9/?utm\_source=share&utm\_medium=web3x&utm\_name=web3xcss&utm\_term=1&utm\_content=share\_button, https://www.reddit.com/Quraniyoon/comments/1chuul3/comment/l25i39p/?utm\_source=share&utm\_medium=web3x&utm\_name=web3xcss&utm\_term=1&utm\_content=share\_button, and https://www.reddit.com/Quraniyoon/comments/1cjbaue/comment/l2nm56j/?utm\_source=share&utm\_medium=web3x&utm\_name=web3xcss&utm\_term=1&utm\_content=share\_button. Since they won’t provide proof of the source and no one else can find it it’s clear the source doesn’t exist.
Another issue from previous posts is they don’t understand how possessive suffixes on nouns work. There are several comments explaining this, https://www.reddit.com/DebateReligion/comments/1cae1we/comment/l0ueou2/?utm\_source=share&utm\_medium=web3x&utm\_name=web3xcss&utm\_term=1&utm\_content=share\_button, https://www.reddit.com/DebateReligion/comments/1cae1we/comment/l0rt0q7/?utm\_source=share&utm\_medium=web3x&utm\_name=web3xcss&utm\_term=1&utm\_content=share\_button, https://www.reddit.com/Quraniyoon/comments/1ccdm3z/comment/l17gxya/?utm\_source=share&utm\_medium=web3x&utm\_name=web3xcss&utm\_term=1&utm\_content=share\_button, and https://www.reddit.com/usec0d3rman/comments/1cd80ho/an\_explanation\_of\_possessive\_noun\_conjugation\_in/?utm\_source=share&utm\_medium=web3x&utm\_name=web3xcss&utm\_term=1&utm\_content=share\_button. Despite the lengthy explanations and even a pic of a Hebrew grammar book they insisted we were all wrong. However, they never offered a full explanation of how possessive suffixes work on Hebrew. To get at this issue I asked them to translate his thigh, his thighs, their thigh, and their thighs into Hebrew but they’ve refused.
Time for their latest post, https://www.reddit.com/Quraniyoon/comments/1cw5vq2/i\_discovered\_a\_new\_biblical\_prophecy\_about\_islam/.

"Now, pay attention from this day forward, before setting God's stone in the temple of Yahweh."
Obviously the the Kaaba and the Back stone. However, the Masoretes, added diacritics and transformed the phrase "אל" (which means "God") into "אֶל" (which means "to") and had successfully covered up this prophecy. It originally says "God's stone" when omitting the diacritics

The first obvious problem is they never explain why we should accept their diacritical marks over the Masoretes ones. No justification from the context of the text, or any reference to either pre Masoretes on post but non Masoretes influences sources that agree with Exion’s translation.
More importantly, Exion ignored that “stone” in the Hebrew occurs twice. If we take אל to be God and take it as the construct state (the ‘s) then it would be “before setting stone’s God’s stone”. That doesn’t make sense hence why Exion dropped the first occurrence of אֶ֛בֶן in their translation.

while it is today saying "Before setting stone to/upon a stone," a statement that makes very little sense.

It makes perfect sense with the rest of the verse “in the temple of Yahweh.” It’s talking about before the building of the temple which involved setting stone upon stone.

Verse 23 says: "And it shall be from new moon to new moon, an end to His Sabbath shall come. All flesh shall come to bow down before me, said the LORD."

That’s not Haggai 2:23, it’s Isaiah 66:23. Sure it’s 23rd verse of it’s chapter but it’s a different chapter in a different book.
It’s also an untenable translation. In the Hebrew even without diacritical marks we have “מדי חדש בחדשו ומדי שבת בשבתו”. This is two parallel phrases “מדי חדש בחדשו” and “ומדי צשבת בשבתו”. The second phrase begins with ו which is the Hebrew conjunctive indicating the two phrases are connected. They also have parallel structure. The first word is the same in both. Both are followed by a second word with 3 consonants with those same consonants appearing in the third word but with the prefix ב and suffix ו” This parallel combined with the conjunctive tells us the phrases should be interpreted similarly. The traditional translation “from new moon to new moon and from sabbath to sabbath” keeps the parallel but Exion’s translation breaks it showing they aren’t being consistent with their translation.
A more serious problem is they take Sabbath as the subject of the verb. This isn’t possible. To make the consonants שבת the verb to cease it would be the Qal perfect third person MASCULINE singular. However, the noun Sabbath in Hebrew is feminine. The gender of the subject and verb need to match but since they don’t we can’t take שבת as a verb.
Another issue is their translation has “shall come” twice but the verb only occurs once in the Hebrew.

The phrase: "שבת בשבתו יבוא" is literally translated as "An end to His Sabbath shall come." But they interpreted "שׁבת" as "Sabbath" and also (for some weird reason) the term "בשבתו" simply as "Sabbath" as well, while it grammar speaks a different story:

The problem is Exion translates the first phrase as “from new moon to new moon” which has the same prefix and suffix on the noun. Either it’s a problem for both phrases or neither. Since Exion takes it as not a problem for the first phrase but a problem for the second their wrong about at least one of those cases.
Edit: there is one other issue with Exion’s translation of Isaiah 66:23 I forgot to mention. There is another parallel between those two phrases. The new moon tracks months and the sabbath tracks weeks. The parallel is that both track time. It’s an idiomatic way of saying “from month thanks month and week to week”. Exion’s translation breaks this parallel.

Backstory: My wife, kids and I left the church last year and my ultra TBM parents are still coming to grips with me throwing away my celestial blessings. We see them yearly and this last weekend was our first face-to-face since I let them know. (We live well outside Moridor, they relish life within the Utah Valley bubble)
There were fireworks. Mother asked inappropriately-prying Mormon questions regarding the kids relationships with their girlfriends and my wife and I let her know she had overstepped her bounds. Father accused me of inviting the spirit of contention. They tried to leave, I convinced them to stay. Yada, yada, yada... normal stuff.
Early the next morning, I drafted them an email explaining why the situation struck a nerve with me. I don't want my children to experience the immense guilt and shame I went through, and I told my parents that there was a time I was suicidal. All because of "sexual sin' due to having masturbated as a teen and my relapses meant that I was no longer fit to be alive. (Grandma had given me the Gospel Library when I turned 12 and I had read Miracle of Forgiveness around age 13. Nevertheless, my scrupulosity meant that I took those books and the teachings very seriously.) The email contained about 10 quotes, from MoF and other sources, all stating that it's better to be dead than to be unchaste. I also sent Alma 39:5
The email response I got was "Sorry, I had no idea you struggled with that sin".
What!?! Of course I went on (in person) to explain they had missed the point if they thought my sin was the problem. I explained that no organization should have its volunteers asking kids about their deeply personal activities etc. That I had written a letter to her saying goodbye to the world because of an ideal that is still being taught today never fazed my mother. That I wouldn't be here if the Gospel Library's "truth" were enacted never penetrated their thought stopping abilities. I went on to explain that these topics are not any organization's business regardless of what the handbook states. They actually agreed but said that the points I brought up are all in the past and I need to let it go, because I didn't go through with it and the church doesn't do that any longer. Ugh!
Still, I think the only thing my mother heard is that her son masturbated and she was shocked by what a horrible sin had been committed in her home.

This is a vent because I know there's nothing I can do to change the situation and I don't want to hear any more arguing from my sister. But I need to get my frustration out. I [F44] was born and raised in Oklahoma, though I have not lived in that state since I enlisted in the military in the year 2002. But I don't live near my family, including my younger sister and my nephews. So I don't get to see all the details of their day-to-day lives. My sister [F39] and BIL have two sons [M9][M8]. I knew that both of my nephews were not physically going to school the first year they reached the age they would normally start school. This was because of the pandemic. But I had thought they were doing online school and that my sister and BIL would send them back to school once the pandemic calmed down. I was wrong.
My nephews are being homeschooled. This was always the plan, nothing to do with the pandemic. The last few years I've been stationed out of the country and/or hindered by the travel restrictions. I video called and emailed my family often, including my sister and her family. My mom/her husband and my dad/his wife both visited me at separate times. I was able to go back to Oklahoma for visit a few months ago and I found out about the homeschooling. My sister told me she lied to me about my nephews doing online schooling because of the pandemic, for their first year of school in 2020 and 2021 respectively since she knew I would not approve of her homeschooling. If my sister was actually teaching them I might have less reservations. But she and my BIL do something called child led learning. So the kids get to choose what they want to learn and if they feel like doing school. In my opinion this is neglect. The worst part is this is legal in Oklahoma. It says right on the government website that there's no oversight:
Homeschools are not regulated and Oklahoma law does not require parents to register with or seek approval from state or local officials, conduct state testing with their students, or permit public school officials to visit or inspect homes.
The only words either of my nephews can write or spell are their names. They have a hard time writing all the letters of the alphabet. When they saw a keyboard they couldn't identify all the letters. When they write their names it looks like chicken scratch. They struggle read the kind of books meant for kids half their age. Neither can count past the number 20. They can't do basic addiction and they lack knowledge in other areas. When I was visiting all they did was watch YouTube and play some kind of online game. I tried to show them reading simple sentences or how to count and thet said it was boring. Neither of them could find our country on a map. They thought Oklahoma is a country and the state I'm stationed in now was a different country. There are no textbooks or other school materials in my sister's house. She says I don't understand because I don't have or want kids but even I know my nephews are behind other kids their age. It's that obvious.
My parents and their spouses say they don't see anything wrong. I tried confronting them because they live here and see my sister and nephews multiple times a week. They said this is normal. My granddad is in a nursing home so I don't know how much he knows. I don't know about my BIL's family. The authorities don't care because homeschooling is not regulated and my nephews aren't being abused or starved. I've gone to lawyers, policians, the government departments that cover both education and child welfare. I'm told over and over that this is legal. I can't believe my family thinks that this normal and that the authorities don't care. It's legal to neglect your kids and my nephews are going to suffer. I'm getting told I'm wrong and my nephews are fine but I know they are not. I'm so angry and frustrated. I want to sceam when I get told this is normal.

If you’d like to add an event to our calendar, submit an event here. Please check with the event organizers to see if events change due to weather. Have a great week!
See the full weekly calendar on our website.

Noteworthy Events

The Lion King at DPAC

• Winner of six Tony Awards®, including Best Musical, this landmark musical event brings together one of the most imaginative creative teams on Broadway.
• Wed, May 15 - Sun, June 9
• $29.50+

Durham Bulls vs Memphis at Durham Bulls Athletic Park

• Tue, May 21 - Sun, May 26
• $10+

The Patio Dance Parties : Clueless Fridays at Unscripted Durham

• Every Friday night head up to the rooftop at Unscripted Durham to swim, dance, and gather with throwback 90's jams and killer cocktails.
• 6-10 p.m.
• Rooftop is 21+
• Free admission

Taste of Soul NC at Durham Central Park

• Food & Merchant Vendor Rodeo happening at Durham Central Park.
• There will be something for everyone including a DJ, bounce houses and axe throwing.
• Sat, May 25
• 3-8 p.m.
• Free admission

Durham Underground Market at Durham Central Park

• Enjoy this monthly series featuring new bands every month from Oak City Music Collective, 45+ local vendors, food trucks, workshops by Joy Worthy Co, beewine/bubbly from The Glass Jug and more!
• Sun, May 26
• 11 a.m. - 3 p.m.
• Free admission

Sweet Tea: A Sunday Tea Dance Presented by Stormie Daie! at The Velvet Hippo Bar & Lounge

• Take your holiday long weekend to the next level with performances inside and out by Alex Thee Rabbit, Santos, G-Clef, and Stormie herself — featuring beats by Jorden The DJ.
• Sun, May 26
• 4-6 p.m.
• 21+ event
• Free admission

Multi-Day Events

Historic Buildings Open House at West Point on the Eno Park

• Enjoy a look inside the historic McCown-Mangum House, Photography Museum, and Mill.
• Sat, May 25 and Sun, May 26
• 10 a.m. - 2 p.m.
• Free admission

Movies at The Carolina Theatre

• Ponyo
• Furiosa: A Mad Max Saga
• The Searchers & 3:10 to Yuma
• Dawn of the Dead
• The Best Years of Our Lives

Monday, May 20

9:30 a.m.
Discovery Paddle at Eno River
2 p.m.
Board Game Night at The Glass Jug in Downtown Durham
5 p.m.
Arts & Drafts at Fullsteam Brewery
6 p.m.
Disc Golf Putting League at The Glass Jug in RTP
6:30 p.m.
Silent Book Club at DSSOLVR Durham
Trivia Night at Ponysaurus Brewing Company
7 p.m.
We Still Skating Adult Skate Class at Durty Bull Brewing Brewing Company
Community Board Game Night at Moon Dog Meadery
8 p.m.
Monsoon at Rubies on Five Points

Tuesday, May 21

Events at Boxyard RTP

• 5:30-6:30 p.m. - Boxyard Run Club
• 6-7:45 p.m. - Music Bingo
• 6-7 p.m. - Book Club: Genre Challenge

Events at Durty Bull Brewing Brewing Company

• 12-8 p.m. - Food Truck: Mike's Vegan Cookout
• 7-9 p.m. - Bull City Beer Runners Run Club

Events at The Glass Jug Beer Lab in Downtown Durham

• 5:45-6:30 p.m. - Community Fitness Classes with YMCA
• 6-8 p.m. - Music Bingo

Events at The Glass Jug Beer Lab in RTP

• 6-8 p.m. - The Glass Jog Run Club
• 6-9 p.m. - Stitch & Sip

5:30 p.m.
Thomas Taylor's Third Tuesday Jam: The Music of Dizzy Gillespie at Sharp 9 Gallery
6 p.m.
Queer Talent Show at Arcana
Pints & Pups at Ponysaurus Brewing Company
Bring Your Own Vinyl with Jaffar at Rubies on Five Points
Dancing With The Carolina Stars Fundraiser at The Carolina Theatre
Women on the Wall at Triangle Rock Club - Durham
6:30 p.m.
Trivia at Durham Food Hall
6:35 p.m.
Durham Bulls vs Memphis at Durham Bulls Athletic Park
7 p.m.
Trivia at Beer Study Durham
King Trivia Tuesdays at Boxcar Bar + Arcade
Not Rocket Science Trivia at DSSOLVR Durham
Tuesday Blues Jam at The Blue Note Grill
7:30 p.m.
Eloquent Soul - Open Mic Night hosted by Dasan Ahanu at Missy Lane's Assembly Room
8 p.m.
Jeremy 'Bean' Clemons Trio at Kingfisher
Julia Holter at Motorco Music Hall

Wednesday, May 22

Events at Boxcar Bar + Arcade

• 7-9 p.m. - Monthly Pinball Tournament
• 8-10 p.m. - Air Hockey Tournament

Events at Boxyard RTP

• 12-2 p.m. - Hear & There: Daniel Delorenzo
• 5:30-8:30 p.m. - Game Night

Events at ZincHouse Winery & Brewery

• 7-8 p.m. - Signature Wine Tasting
• 7-8:30 p.m. - Laughs Comedy Night

2 p.m.
Film Screening — "Temple Grandin" at Durham County Main Library
3 p.m.
Durham Farmers’ Market at Durham Central Park
Seeing Without Eyes: Walking the Tightrope between Doubt and Belief at Rhine Research Center ~ Online
4 p.m.
Whiskey Wednesdays at Alley Twenty Six
5 p.m.
Free Wednesday Wine Tasting at Beer Study Durham
5:30 p.m.
"Take Tea Like a Bridgerton" Experience at JB Duke Hotel
6 p.m.
Figure Drawing and Tarot with Heiltje at Arcana
6:30 p.m.
Trivia Night with Pickle at The Glass Jug Beer Lab in RTP
6:35 p.m.
Durham Bulls vs Memphis at Durham Bulls Athletic Park
7 p.m.
My Hero Academia TCG Girl Power Prerelease at Atomic Empire
Hammered Trivia at Hi-Wire Brewing
Karaoke Night at Mavericks Smokehouse
Music Bingo at Ponysaurus Brewing Company
Brett Chambers Open Mic at The Blue Note Grill
8 p.m.
Trivia Night at Bull McCabe's
Karaoke at Moon Dog Meadery
Queer Country Night w/ Line Dancing + Country Karaoke at The Pinhook
10 p.m.
World Goth Day All Vinyl Dance Party at Rubies on Five Points

Thursday, May 23

Events at Durty Bull Brewing Brewing Company

• 12-8 p.m. -Food Truck: Mike's Vegan Cookout
• 7-9 p.m. - Thursday Trivia with Nick

12 p.m.
Taking Back Thursday: Mysti Mayhem at Boxyard RTP
1 p.m.
Botany Spotlight: Bamboo at Sarah P. Duke Gardens
Meet the Keepers at Sarah P. Duke Gardens
3 p.m.
Guided Museum Tour at 21c Museum Hotels Durham
5 p.m.
Night Market at American Tobacco Campus
Thirsty Thursdays at Dashi
5:30 p.m.
World Turtle Day Celebration at Piedmont Wildlife Center
Walking Club with Bull City Strollers at The Glass Jug Beer Lab in Downtown Durham
6 p.m.
Dyke Night and Tarot with Rene at Arcana
Dungeons n' Drafts at DSSOLVR Durham
Vinyl Night with DJ Deckades at Gizmo Brew Works
“Rhythms of the Rumba” Dance Class at Washington Duke Inn & Golf Club
6:15 p.m.
Pony Run at Ponysaurus Brewing Company
6:30 p.m.
Line Dance Classes at Mystic Farm and Distillery
Sacred Traditions: Exploring African-Based Spirituality at Nasher Museum of Art at Duke University
Boulders & Brews Meetup at Triangle Rock Club - Durham
DIY Charcuterie Class at Weldon Mills Distillery
6:35 p.m.
Durham Bulls vs Memphis at Durham Bulls Athletic Park
7 p.m.
Trivia Night at Beer Tooth Taproom
Bring Your Own Vinyl Night at Congress Social Bar
Sound Bath at Duke Memorial United Methodist Church
Summer Jazz Jam (Curated by Al Strong) at Missy Lane's Assembly Room
Community Board Game Night at Moon Dog Meadery
Periodic Tables: Beyond HIPAA – Mental Health Apps, Health Data, And Privacy at Motorco Music Hall
7:30 p.m.
Trivia Night with Big Slow Tom at Clouds Brewing Brightleaf Square
8 p.m.
Weekly Single Mingle at Boxcar Bar + Arcade
Trivia at Fullsteam Brewery
Megayacht / Hypnic Jerk at The Pinhook
9:30 p.m.
Karaoke Night at The Tavern

Friday, May 24

Events at Durty Bull Brewing Company

• 5-9 p.m. - Food Truck: Weizzie's Country Kitchen
• 8-11 p.m. - Open Mic Stand-up Comedy

10 a.m.
Tasting at Ten at Counter Culture Coffee
12 p.m.
Co-Working Social at The Glass Jug Beer Lab in Downtown Durham
5 p.m.
Food Truck Friday at The Glass Jug Beer Lab in RTP
5:30 p.m.
Friday Night Live: Emily Musolino at Boxyard RTP
6 p.m.
Jo & Lee Tarot with Emily at Arcana
Friday Night Makes at Durham Arts Council
Yonder at The Blue Note Grill
The Patio Dance Parties : Clueless Fridays at Unscripted Durham
6:35 p.m.
Durham Bulls vs Memphis at Durham Bulls Athletic Park
7 p.m.
Negativland + Sue-C Present "We Can Really Feel Like We're Here" at Motorco Music Hall
Tim Wells & Les Bons Temps — Cajun Dance Party at Succotash Southern & Creole Kitchen
7:30 p.m.
Recital: Spring Star-tacular at Barriskill Dance Theatre School
Members-Only Rose` Party at Missy Lane's Assembly Room
Keith Waters/Jon Metzger Quartet at Sharp 9 Gallery
8 p.m.
Stereo Reveries at DSSOLVR Durham
Karaoke! at Fullsteam Brewery
9 p.m.
Hush Hush at Mettlesome
Leo Album Release Party! at Moon Dog Meadery
Lip Sync 4 Ur Life + PHK Karaoke at The Pinhook

Saturday, May 25

Events at Atomic Empire

• 11 a.m. - Kings of War GT: Carolina Cryptid 2024
• 5:30 p.m. - Flesh and Blood: Part the Mistveil Prerelease

Events at Boxyard RTP

• 10-11 a.m. - Drag Story Hour
• 11:30 a.m. - 2:30 p.m. - Saturdaze: DJ k.ward
• 11:30 a.m. - 2:30 p.m. - Disco Differences: PopUp
• 12-2 p.m. - Cartoon Artist Pop-Up

Events at Durty Bull Brewing Company

• 1-8 p.m. - Food Truck: Lobster Dogs
• 1-6 p.m. - Art Day!

Distillery Tours and Tastings at Liberty & Plenty

• Every Saturday, 10-10:30 a.m. and 11-11:30 a.m.

Events at Mettlesome

• 7:30-8 p.m. - Bull City Press Presents
• 8-9 p.m. - Golden Age
• 9-10:30 p.m. - Secret Society Showcase

Events at Moon Dog Meadery

• 1-2 p.m. - Improv Jam
• 8-11 p.m. - A Metal Show: Bunker Hill Bloodbath, No Falks Given, Demiurge, Alpha Strain
• 8 p.m. - 12 a.m. - Outside: CoLaB on Fire

Events at The Blue Note Grill

• 3 p.m. - CHHS Mini-55th with the Reunion Band
• 7:30 p.m. - 8-Track Minds

Guided Walking Tours with Triangle Adventures

• 2 p.m. - Downtown Durham Walking Tour
• 4 p.m. - Durham African American History Tour
• 6 p.m. - Downtown Durham True Crime Tour

8 a.m.
Durham Farmers' Market at Durham Central Park
parkrun Durham at Southern Boundaries Park
9 a.m.
South Durham Farmers' Market at Greenwood Commons Shopping Center
9:30 a.m.
Women's Introduction to Standup Paddleboarding at Falls Lake
10 a.m.
Party for the Planet at Museum of Life and Science
Flower Portraits at Sarah P. Duke Gardens
12 p.m.
Crafternoons at Gizmo Brew Works
3 p.m.
Taste of Soul NC at Durham Central Park
4 p.m.
Mystic Medieval Knights at Mystic Farm & Distillery
5 p.m.
Opening Reception - Renzo Ortega "Acts of Serenity" at Craven Allen Gallery
6 p.m.
Tarot with Heiltje at Arcana
Doodle Jam at Lonerider Distillery and Taproom
6:30 p.m.
Blackhawk Quintet at Missy Lane's Assembly Room
6:35 p.m.
Durham Bulls vs Memphis at Durham Bulls Athletic Park
7 p.m.
The Lofi Lounge at American Underground
7:15 p.m.
Sunset Float at Falls Lake
7:30 p.m.
Full Moon Fever Bike Ride at American Tobacco Trail
Recital: Spring Star-tacular at Barriskill Dance Theatre School
MOSS: Theo Bleckmann, Peter Eldridge, Lauren Kinhan, Jo Lawry, Kate McGarry at Sharp 9 Gallery
9 p.m.
Blackhawk Quintet at Missy Lane's Assembly Room
Boston 168 at The Fruit
10 p.m.
House of Black Dance Party at The Pinhook

Sunday, May 26

10 a.m.
Jazz Brunch at Lula & Sadie's
10:30 a.m.
Al Strong Presents Jazz Brunch at Alley Twenty Six
11 a.m.
Durham Underground Market at Durham Central Park
12 p.m.
One Piece TCG Tournament at Atomic Empire
Sunday Dollar Bin Sale for Charity at Rumors Durham
Farmers Market at ZincHouse Winery & Brewery
12:15 p.m.
Public Tour at Duke Chapel
2 p.m.
Soul Sunday w/ DJ Soul at Congress Social Bar
Hammered Trivia with Casey at Durty Bull Brewing Company
Hillandale Golf Beginner Clinic at Hillandale Golf Course
4 p.m.
IAR Adopt-a-Dog Fundraiser at Boxcar Bar + Arcade
Sweet Tea: A Sunday Tea Dance Presented by Stormie Daie! at The Velvet Hippo Bar & Lounge
5:05 p.m.
Durham Bulls vs Memphis at Durham Bulls Athletic Park
6 p.m.
Ann Arader and Tarot with Rene at Arcana
6:30 p.m.
Open Mic Night at Moon Dog Meadery
8 p.m.
Beloved Presents: Innerworlds at Rubies on Five Points

Running Art Exhibits

Constellations: 40 Years of Explorations within Sacred Geometry by Steven Ferlauto at Horse & Buggy Press and Friends

• Sacred Geometry is an ancient field of physics whose equations are expressed through shape. Shape is a way to explore the universal fabric of our existence.
• Sat, May 4 - Sat, June 1
• Free admission

Cameron Elyse's Divine Nine Legacy Memoir Exhibition at Hayti Heritage Center

• The Divine Nine Legacy Memoir delves deep into the history of the National Panhellenic Council (NPHC) or "Divine Nine," a collective of nine Greek Letter organizations founded on May 10th, 1930.
• These organizations were born out of the necessity to provide a voice for Black American students within the collegiate space. United by principles of service, community, brotherhood, and sisterhood, the Divine Nine work collectively to uplift society through acts of service to underserved areas across the nation.
• Fri, Apr 19 - Sat, June 1
• Free admission

It Ain’t All Black And White at DAG Truist Gallery

• It Ain’t All Black and White is a photography exhibition that encourages us to consider emotions such as serenity, apprehension, yearning, and more.
• Captured by 11 dynamic photographers dedicated to documenting the fullness and complexity of Black life, this exhibition offers each of us an opportunity to see ourselves with renewed attention.
• Thu, Apr 25 - Sun, June 2

María Magdalena Campos-Pons: Behold at Nasher Museum of Art at Duke University

• María Magdalena Campos-Pons: Behold is a monographic exhibition of a visionary voice in photography, immersive installation, painting and performance.
• Thu, Feb 15 - Sun, Jun 9
• Every week, Tue-Sat 10 a.m.-5 p.m., Sun 12-5 p.m.
• Free admission

Ley Killeya: Solitary Women at 5 Points Gallery

• 5 Points Gallery in downtown Durham invites you to appreciate Chapel Hill artist Ley Killeya's engaging exhibition featuring vibrant and thought-provoking paintings, exploring themes of identity, belonging, vulnerability, and acceptance, particularly for people from marginalized communities.
• Fri, May 17 - Sat, June 15
• Free admission

Counterpoints at Durham Bottling Co.

• Counterpoints is a curated showcase of local AAPI (Asian American Pacific Islander) artists, delving into the convergence of AAPI identity and mental health. Inspired by the intricate layers of musical counterpoint, its purpose is to weave together diverse narratives and confront the stigma surrounding mental health within our communities.
• Wed, May 1 - Sun, June 16
• Mon - Fri, 10 a.m. - 4 p.m.

I have noticed that the general public has been extremely judgmental towards parents who give their kids screens in public. I will honestly say that I avoided bringing my daughter out to restaurants for a long time because I knew the only way we could enjoy dinner was if she was watching her show. If we didn’t have a screen and she would get fussy people would judge and look. Do people think kids should not be out in public?
Anyways for us parents of autistic kiddos it’s another battle all together. There are so many parents out there who wouldn’t be able to do anything in public if it wasn’t for a screen.
My daughter has worked really hard and has made significant development so I decided it’s time to bring her out more. We took her out for a nice belated Mother’s Day brunch and as we were packing the bag. My husband was going to put the iPad and I stopped him. I didn’t want to deal with the looks. She has been super into numbers, puzzles alphabet so I brought a portable busy board and some numbered blocks she loves. It was also a buffet so she got her food right away and when she got bored and full she happily played with her toys. It wasn’t dumb luck it was strategic. I don’t know if this would have worked at a regular sit down restaurant.
Quite a few people made comments about how nice it was to see a kid with no screens and educational toys. Even the server made a comment. I politely thanked everyone but I was really upset. It confirmed my suspicions.
Her iPad helped her speak and has taught her so much. She has known her numbers letters shapes and colours since she was 1. Her “first word” was the entire alphabet. So these “educational” toys really aren’t doing that much from her as it’s her hyperfixation. Ya in public it keeps her calm but she’s under a trance. The same way an iPad would put any kid into a trance. Anyways all this is to say that we are right they’re judging us and make no considerations to special needs kiddos. I am just thinking of all the parents who NEED a screen to go out with their kids.
Also if our parents generation had iPads they would have shoved those in our faces too. We are flying this summer and idgaf she’s going to have the iPad on the flight.

Any tips and tricks you come across when learning a new language are likely to be confusing at first.

However, once you've taken a few lessons, you'll probably realise how useful these suggestions can be and how to use them to improve your learning.
Even with a language that is as close to English as German, learning a language can take some time.
There may be some aspects of learning the German language for beginners that are simpler than learning one of the Romance languages, but this does not imply that learning German is simple.
One way to begin improving is by observing your progress, but classes aren't exactly a natural way to learn.
You can still make progress whether or not you are learning German in a classroom by using other, more organic methods.
The following ten suggestions will assist you in beginning to feel more at ease when speaking German.

1. Know What You Want from Your Studies

Understanding why you are learning a language is where you should start, not with the language itself. Determine the goals you have for your educational experience.
This might be due to a class language requirement, a trip abroad, or even just a personal interest.
Whatever your motivation is for learning German, that should be the main consideration as you approach the language.
If you are learning German for a vacation as opposed to for work or school, your approach will be very different.

1. Apps Make It Easier to Study Daily

There are so many apps available today that there is no excuse not to practise German every day, which is one of the best things about learning a language.
You can even switch between different language learning apps since there are so many at your disposal.
The learning process is made more enjoyable by variety, and you can track your progress using a variety of metrics. Whatever fits into your day, pay attention to lessons, diction, or vocabulary.
Enroll Now To Learn German

1. Listening Is Learning

It can be awkward to try to communicate in German, especially at first. You're partially to blame for this since you don't fully comprehend what people are saying.
You can't even stand the way the language sounds. When this happens, listening to audiobooks, podcasts, and music can be extremely beneficial.
The ability to listen is just as crucial as the ability to speak German. Additionally, passive listening is much more comfortable than trying to speak first.
As you listen, boost your confidence so that when you start speaking with a language partner, you will be more likely to comprehend what is being said.

1. Partners Make Learning More Enjoyable

It doesn't make much sense to try to learn a language on your own, yet so many people still do it.
Finding a language learning partner can help you get over your fear of speaking a foreign language.
This could be a native speaker, a student in your class, or someone from a community of language learners.
A language exchange partner not only makes it easier to communicate in German, but they can also help you track your development.
After a few months to a year, you will be able to have more in-depth conversations. This can help you gain confidence over time and inspire you to keep learning.
Enroll Now To Learn German

1. Embrace Mistakes and Learn

Nobody anticipates you speaking flawlessly when you first start. No matter how long you've been learning the language, many native German speakers won't hold you to a perfect standard.
However, most people skip this step because we're afraid to make mistakes.
In fact, mistakes are an excellent teaching tool. These are chances for you to learn in a way that will stick in your memory much better.
Being a little more self-conscious will help you remember the lesson you learned from the error.

1. Being Uncomfortable Means You Are Learning

Speaking the language is the only way to learn it. In the beginning, this is extremely uncomfortable because you know you will make mistakes.
You might begin to experience a slight increase in comfort over time. People really stop learning at this point.
You must continually push yourself outside of your comfort zone as you learn German to avoid reaching a plateau. It's a good sign that you are leaving that zone if you feel more self-conscious.
When you begin to exude confidence, you should know that you need to exert a little more effort.

1. Have Short Conversations with Yourself

Start talking to yourself aloud as a way to truly step outside of your comfort zone. The majority of us talk to ourselves, but we often don't even realise it.
You must now begin speaking to yourself consciously in a language that you do not yet know.
It's not necessary for the conversation to be drawn out or difficult. Talking about what you are doing could be all that is required.
Talk about the various ingredients' colours as you prepare a meal in the kitchen. Describe what you do to prepare for bed. To make it entertaining, turn it into a brief account of your day.
Your dog or cat can converse with you in German. It can make you feel more comfortable speaking to someone without worrying about their opinion of your German proficiency.
Enroll Now To Learn German

1. Learn 100 Words as Soon as Possible

The first step is to learn the alphabet and how to pronounce each letter. What you need is a vocabulary once you understand how to pronounce individual letters and string of letters.
Make a list of 100 German words you want to learn; It will take you more than a few days to do it. Establish a schedule for how many words you hope to learn each week, being realistic.
Having a list of vocabulary words that you want to learn can help you gauge your progress.
Although having a vocabulary gives you a foundation for using the words you have learned, knowing vocabulary words does not imply that you have learned a language.

1. Don't Be Afraid to Start from the Beginning - Use Books and TV for Kids

The ideal resources for learning a new language are children's television shows and books. Compared to textbooks and lectures, they are written at a much simpler level.
Kids' television shows and books adopt a more organic approach, activating synapses that were active when you first began learning English.
Finding out which words you know and which ones you don't is also much simpler. By listening to how the words are taught to children, you can pick up basic vocabulary that you will probably need in everyday conversation.
You are more likely to remember or have better recall when you hear something later if the context is simpler to understand.
Enroll Now To Learn German

1. Talk to Native Speakers

The hardest tip on this list is talking to native speakers because it requires you to step outside of your comfort zone and vocabulary.
Speaking with someone who is fluent in German, on the other hand, is the best way to learn the language.
You cannot learn German better than a native speaker can through a class, app, or show. Today, finding a native speaker isn't nearly as difficult, and they're typically eager to assist you in learning.
You get to assist them in learning English in return. The most effective way to learn a language and boost your confidence will be through this mutually beneficial language exchange.
Intimidating and overwhelming, learning German can be due to the sheer number of rules it contains. This advice will assist you in beginning to develop the perseverance you require.
These pointers ought to give you an edge in terms of developing self-assurance and inspiration to keep learning.
Final Thoughts
These are the most effective and simple steps you can take to improve your German language learning abilities. Similar to this, joining Max Mueller Institute can provide you with the training and knowledge you need to become a pro-German speaker.
Visit their website to learn more and to learn more . Max Mueller Institute

Saw many people asking about the A=1, B=3 and Z=651. I think the formula to this series is "*(Alphabet Number)² - Alphabet Number-1" In simple terms B= (2^2)- (2-1)=3 and Z= (26)² -(26-1) = 651. Hope you solved this question correctly.
Edit 1:- Got to know BAG=43 was also given so this states that only the last letter of any word is the answer. Last letter of bag is G so G= (7)² -(7-1) = 43. So by this chronology EGG should be G then answer would be same which is 43

I recently purchased 3 books from u/SprinklesOk3789 via her post on this sub. The transaction was seamless, and she consistently provided updates throughout the process.
I didn't expect the books to be in such a prestine condition, and on top of that they were carefully packed in bubble wrap.
She included a nice appreciation letter too, it's a gesture which tells how much she cares about the buyer.
Thank you, u/SprinklesOk3789, for the outstanding service and thoughtfulness. Your professionalism and kindness are greatly appreciated.

I'm just curious, are there any super small, almost unnoticeable, things you wish the game had?
I really wish the search function was closer to Style Savvy, like being able to search by style category, patterns, or specific garments. If that got patched in I'd be so excited!
I have a lot of fun with the logo maker and there's a few things I'd really like, the ability to make custom palettes like you can with clothes (including a hue shift option for premade graphics), a nudge option just to shift things around a little bit, and each letter of the alphabet (probably just whichever language your game is set to) like they already have for 0-9.

Tried lots of them but this is probably the best AI chatbot i’ve come across. Better than c.ai because of nsfw, it feels comfortable leading to some of the most wholesome “content” known to man (exaggerating), it’s barely better than Dopple.ai despite its professional look and higher letter limit of character desc because it doesn’t beat around the bush asking “Are you ready for this? Or that? While logging me out every single time after editing my Dopple. And it doesn’t have that annoying countdown of how many little “tokens” you have in a day like Paradot i think.
Chai ai is very good but it does need some improvements like long term memory, i did an experiment by asking it to call me “fake name”, the bot desperately tried so hard to remember my “fake name” and after a failed romance, the universe collapsed, in summary, even though the bots words felt real, the necessary part (memory) doesn’t. The design of the app is good, but for some reason i feel like it can be better? Idk. Also, it’s better if there’s a longer letter count in character desc for more details. When the user or bot uses **, it’s better if the words inside are colored to read easily.
When chatting with the bot, i think it would feel better if the bot responds with more bubbles to my one bubble instead of a back and forth texting (I send 1 bub, it sends 1 bub, i send 3, it sends 3). The app can also have a tiering for knowledge, the free version offers basic knowledge necessary for normal conversations while the higher tiers provide more information. Example, when making a bot at free version, you can set the knowledge of the bot using slider (of course, the maximum is the basic one), and with higher tiers, more connected to internet. Basically, Perplexity but with personality, heck maybe a collab could work. But that’s just my opinion as a person with no knowledge in programming, what do you guys think?

6 THE EMERGENCE OF THE PHALLIC GIRLS
The Unique Space of Their Emergence
….
The Atemporality of Manga and Anime
Every form of visual media functions according to its own temporality. In the case of popular culture most of these temporalities are a matter of movements.
All forms of visual expression are marked by a form of movement particular to their medium. Manga, anime, and film each have their own “grammar” of movement. Lining up photographs of real people like frames in a manga, for example, would not produce the same effects as a manga. On the contrary, it would lack reality (riariti), and the only effect it could produce would be of kitsch. This is because the kind of movement specific to the photographic medium clashes with the manga form.
These techniques for expressing movement include everything from the macro-level of speed lines in manga. Used effectively, they produce the effect of realistic movement. Reality (riariti) in anime is produced not by naturalistic backgrounds or by imitating cinematic techniques but only by realizing the kind of movement that is unique to anime. Under these conditions even a character drawn with a single line can seem just as real or even more real than a person in a photograph or a film. Now let us consider the question of temporality in manga and anime while paying attention to how they express movement.
A comparison of the work of Ishinomori Shotaro and Nagai Go is useful in thinking about temporality in manga. Ishinomori and Nagai use very different methods for representing time. Simply put, one uses “cinematic time” and the other “gekiga time.”
As Kato Mikiro has also argued, Ishinomori’s work brought the representation of time in manga to an extremely sophisticated level. His techniques were then adopted as a kind of grammar unique to manga and eventually rendered even more sophisticated in the hands of artists like Otomo Katsuhiro. One can certainly see the influence of film in these techniques (Ishinomori himself was also a great fan of Western films). Even more than someone like Tezuka Osamu, Ishinomori intended his manga to be like films. In contrast to this, Nagai’s techniques are more specific to manga, almost as if he were taking a position against cinema. Because this point is very closely related to the emergence of the beautiful fighting girls, let us look into it in greater detail.
In Ishinomori’s work, time “flows,” as it were, at the mostly consistent speed. It is his well-known techniques for describing intervals in dialogue - for example, the kind of time produced by the contrast between the dialogue within speech bubbles and the handwritten dialogue outside the speech bubbles - that maintain the objectivity or intersubjectivity of time in Ishinomori’s works. It is a more chronological, measured time that flows straight and even, without slowing or faltering.
In Nagai’s work, on the other hand, time no longer flows. It contracts and expands along with the reader’s subjective viewpoint. Action-packed, high-impact moments are drawn with large frames and take up many pages. This way of representing time, hardly used by Ishinomori at all, has become the trademark of Japanese manga in general. Ishinomori’s Masked Rider (Kamen raidaa) and other works in the squadron genre have been more often adapted as live-action dramas than as anime. This is in stark contrast to Nagai’s works, which have almost always been adapted as anime. There are no doubt reasons internal to the industry for this, but that does not explain everything. It seems clear that Nagai’s work itself has a greater affinity for being adapted as anime. And one of the things that anime have adopted from manga is the kind of atemporality represented in Nagai’s work.
In an earlier essay I was critical of this sort of atemporality in the work of Miyazaki Hayao. Here, I would like to return to that earlier essay to reconsider the atemporality of manga and anime.
As Miyazaki himself points out, anime starts out as the stepchild of manga. Anime often borrow techniques directly from manga. The best known example of this is the use of so-called manpu (Takekuma Kentaro) but the atemporality of anime is also derived from manga. Miyazaki compares anime’s atemporality to a traditional Japanese form of storytelling known as kodan storytelling, in which time and space are grossly distorted and exaggerated according to the passion and expressivity of the characters. The kodan “Kan’ei sanbajutsu” (Horse riding in the Kan’ei era), for example, is a long and extremely detailed description of how Magaki Heikuro climbs up a stone staircase on a horse. This kind of unlimited extension of a single privileged moment is typical of the atemporality of kodan storytelling, and Miyazaki is extremely critical of it.
One sees this kind of temporality most often in gekiga comics like those of Kajiwara Ikki. The most extreme example is perhaps Nakajima Norihiro’s Astro kyu dan (Asutoro kyu dan), the climaz of which is a single baseball match between the Astros and the Victories, the description of which took three years in serialization and more than two thousand pages. Astro kyu dan was a groundbreaking work, but it was neither minor nor avant-garde. It was published in Shonen jampu (Jump), a leading manga magazine, and, with the exception of a few raised eyebrows here and there, readers had no trouble accepting it.
The media space of manga and anime clearly tends toward atemporality. Manga about sports inevitably favor these descriptive techniques. The time between the moment the ball leaves the pitcher’s hand to the time it is swallowed up in the catcher’s mitt, the moment when a long-distance runner speeds up just before the finish line, the time of a round of boxing: all of these extremely short periods of time are extended and rendered in elaborate detail. The impact of a particular scene is heightened in direct proportion to the time spend describing it and the density of the narrative. Such techniques have been used most effectively in manga and anime. There is nothing in films or even novels capable of rendering this sense of atemporality quite as naturally. This point may have to do with the particularity of “Japanese space” that I discuss later.
Of course, the imaginaire, the realm of the imagination and fantasy, is atemporal to begin with. Dead people, for example, do not age in this realm. This is very different however, from Sigmund Freud’s notion of the atemporality of the unconscious. The unconscious is atemporal by its very nature, while the Imaginary can accurately be said only to strive for atemporality. In the imagination there is often a striving toward unlimited experience, which leads to a frantic gathering together of privileged moments.

In an essay on schizophrenia, the psychiatrist Nakai Hisao writes about the distinction between chronological and kairological time. Chronological time, named after Chronos, the Greek god of time and the father of Zeus, refers to physical time that we can measure on the clock. Kairos, on the other hand, is the Greek word for “opportune moment” and refers to time as human beings actually experience it. When we feel as if a boring lecture will go on forever or the time spent with a lover is over in a millisecond, it is because we are experiencing the time of kairos. Nakai writers that at a certain point in the progress of schizophrenia, patients experience “the collapse of kairological time and the maintenance of chronological time.” If this is possible, then there is no reason to think that the opposite might not also happen. Chronological time might recede, and the individual might leap headfirst into kairological time. In borderline cases and hysterics, for example, kairological time is clearly dominant. The time experienced by these individuals is often marked by the “here and now” of narcissism.
There are several other ways in which anime and manga strive for atemporality, or the suppression of chronological time. Characters like Sazae-san and Doraemon never grow old, and their stories unfold cyclically , always in the same setting. The technique of the tournament form that anime borrowed from manga magazines like Shonen jampu is another example of an atemporal form, like an infinite musical scale. The way the ranks of the enemy grows infinitely stronger is nothing if not a technique for introducing cyclical atemporality even as it disguises the passage time. In anime there is also the issue of the voice actor. What does it mean that the voice actor seems ageless and immortal? Often we have no idea how old they are in reality, and they may play the same boy roles for years on end. They must be immortal as well: When Yamada Yasuo, who did the voice of Lupin, died, the role was taken over by a virtual vocal clone of Yamada’s named Kurita Kan’ichi.
<…>
Philosophy of Care by Boris Groys (Chapter 10: Under the Gaze of the Charwoman part I)
Philosophy of Care by Boris Groys (Chapter 10: Under the Gaze of the Charwoman part II)
Becoming an Artwork by Boris Groys (Chapter 7)
<…>
American comics are fundamentally loyal to the techniques of cinema . In other words, they use chronological time in every respect. The flow of time from frame to frame is always even, and emotional prolongation and exaggeration is minimized. The characters’ subjective viewpoints are rendered through their monologues, and they do not demand readerly identification any more than necessary. In Japanese manga, on the other hand, particularly since kairological time was introduced by Tezuka, there has been a proliferation of techniques for rendering brief moments with high density and a very light touch. As these techniques were developed and further refined, they forced readers to identify with the characters even as they made it possible for them to read at a very fast pace. There is nothing else like this in the history of representational culture. It is very different from the way short time periods are presented in long novels such as the four days of the Brothers Karamazov or the single day of Joyce’s Ulysses. The high temporal density of these literary works derives from their indexical and polyphonic narrative structures. What they lack, moreover, is speed. The paradoxical combination of high-density and high-speed forms of expression is the unique quality of the media space of manga and anime.
The atemporality of manga derives from the screen effect whereby something looks as if it were stopped because it is moving so fast. Atemporality is not the only effect made possible by this copious description of instantaneous moments. I have pointed out that it also makes speed-reading possible. What does the copious description of instantaneous moments have to do with speed-reading? Here it would be useful to explain one of the most conspicuous codes that characterizes manga and anime.
Synchronic Space in Unison
Manga has its own very particular set of codes. As is well known, manga have multiple means for communicating these codes, both visual and verbal, as well as various supplemental onomatopoetic and mimetic expressions. Its methods of visual expression are far from simple. The background may be drawn in great detail, but the characters must be drawn using symbolic abbreviations. This is necessary to maintain visual continuity for the same characters from frame to frame. The characters’ emotions must also be expressed symbolically. This is the function of so-called manpu. Movement is expressed symbolically using various kinds of “speed lines.” I use the word “symbolic” here to indicate that these expressions directly transmit meanings as simple codes, leaving almost no room for multiple interpretations.
A frame from a manga chosen at random illustrates what I mean in greater detail. It is easy to see that multiple code systems coexist within even a single frame. We may begin by reading the text, but the shape of the bubbles that envelop the text are also expressive of emotions and situations. The manga as a whole consists of a very long list of codes, including the facial expressions of the characters, manpu, onomatopoetic and mimetic expressions, and speed and concentration lines. In manga it is almost impossible for a given mark, ln the paper not to carry any meaning. The brush or pencil strokes and the panel layout, as well as the empty spaces and the abbreviations, all contribute in some way or another to the meaning. The brush or pencil strokes and the panel layout, as well as the empty spaces and the abbreviations, all contribute in some way or another to the meaning. When we stop and think about it, it is quite surprising that we have read such huge quantities of manga without ever being conscious of all of these codes . How is it that a system of codes of this complexity has come to be shared as a common grammar so unconsciously - and accurately? Answering that question alone would make for a fascinating history of representational culture. But for now let us leave that aside and move on.
Some readers may be wondering whether there is really anything unique here about manga and anime. Don’t film and theater have their own complex systems of codes? What is unique about manga and anime is not the layering of codes on top of one another, or even the number of codes in use. What is important is that in manga and anime these codes do not create a polyphonic effect. Instead, they work in unison.
What do I mean by this? Even though multiple layers of codes operate in a manga or an anime, they express the same meaning, or the same emotion. Multiple code systems are synchronized to convey the meaning of a single situation. The more precise and rhythmic this synchronization is, the more rapidly we end up reading them. Speed-reading is an effect of this unison of codes, but at the same time the codes are brought into greater synchronicity by being read quickly.
One more crucial factor is that each of these codes that we have been discussing is highly incomplete on its own. No single manga code can convey meaning by itself. The text of the images alone do not relay sufficient meaning to be read in isolation. This means that all of the code systems must supplement each other. It is only this mutual supplementation that makes possible the synchronization and the unisonic effect of the whole.
For this reason the space of manga functions a representational space that is both excessively overdetermined in meaning and highly redundant. A related phenomenon is the rapid spread of those unsightly so-called telops that have become so irritatingly common on television programs in recent years. The words of the performers on variety shows are repeated for emphasis using subtitles, to which are added (in all likelihood synthesized) recordings of the laughter of the crew. Here also, you have multiple codes working in unison to ensure that the viewer was no way to react but to laugh. Some have pointed to this as an example of television becoming like manga. But I am more interested in considering what it is about our culture that makes us so found of these redundant and exaggerated forms of expression.
According to Frederik Schodt, who has also written about Japanese manga, the Japanese preference for combining visual with verbal expression has its roots in the kibyoshi picture books of the Edo period. Schodt’s thesis will of course require careful study before we can be certain. But at the present moment it does seem to be the case that Japan is the only country in which the fundamental grammar of popular culture can be described as the copious expression of multiple codes in unison. It is not that there are no examples of this in other countries, but nowhere else has it attained the widespread popularity and sophistication that it has in Japan.
This distinctive medium, which becomes meaningless when the codes are separated out and excessively meaningful when they are synchronized, brings to mind something else as well. It is very similar to how the Japanese language itself uses phonetic kana along with Chinese characters. As the anime director Takahata Isao has argued, anime and the Japanese language stand in a very intimate relation to one another. Takahata’s point is the anime is the Japanese language. Of course, there have been claims like this before, such as the one that suggests that manga resemble Japanese calligraphy. Misconceptions about kanji, particularly the idea that they are ideographic, and fascination with the refined look of the characters led even Jacques Lacan into thoughtless remarked that “the Japanese cannot be psychoanalyzed.” [*12. Jacques Lacan, “Avis au lecteur Japonais,” in Le seminaire de Jacques Lacan, ed. J. A. Miller, vol. 11 (Paris: Editions du Seuil), 497-500.] If we accept the distinction between the Symbolic and the Imaginary, we have to recognize that this is wrong. If there is something unique about kanji, it is not that they are closer to symbols than to letter. It is entirely possible to be attached to the visual appearance of writing, to treat it like a fetish, whether it be kanji or alphabetic letters. For the same reason we should avoid facile conflations of the imaginary function of anime and manga with the symbolic one of the Japanese writing system.
My sense is that the uniqueness of the two-pronged kanji/kana writing system employed in Japanese has less to do with its visual qualities than with the fact that reading it is a highly context-dependent process . And it is this fact that helps regulate the emergence of symbolic effects into the Imaginary. What we can say at this point for sure is that neither a Chinese character nor a phonetic reading on its own is sufficient to denote meaning. And it goes without saying that it is only with the addition, in synchronic unison, of katakana and roman letters that the full meaning can be gleaned. It is probably not a coincidence that the code systems of anime and manga work in a similar way.
The ease with which we enter into the world of a manga and the extraordinary speed at which we are able to consume them suggest that we may “read” them in the same way that we read Japanese writing. If this is indeed the case, we might make a further hypothesis about the Japanese writing system. We cannot claim that Japanese writing somehow blurs the boundaries between the Imaginary and the Symbolic. We can argue, however, that it provides us with a sophisticated mechanism for processing imaginary objects using symbolic operational forms.
This hypothesis helps explain a number of stranger phenomena. The first of these is that drawing ability is not the most important factor in assessing Japanese manga artists and anime directors. In fact we are strangely forgiving of their technical skills in drawing. The ability to draw certainly doesn’t hurt, but it is merely an added value. There are any number of Japanese artists who are considered “greats” but whose drawing ability is inexpert when judged by the standards of the West. Even Otomo Katsuhiro, for example, is not valued in the West for his ability to draw. Instead, his international reputation rests on his ability to tell a good story. This tendency to downplay drawing ability is also reflected in the fact that almost all critical writing on manga and anime to date focuses exclusively on narrative and character analysis.
It seems likely that we Japanese inhabit a cultural sphere that has experienced a rather distinctive development of technologies for the symbolic processing of imaginary things. This hypothesis has implications that are not limited to the theory of manga and anime. But because those implications would take us far beyond the scope of this book, we leave them for later and return to the main argument, bearing this hypothesis in mind.
The Space of Multiple Personalities
It should be possible to further expand on and generalize from these notions of the multilayered codes in manga and anime and the way they function in unison. It should be possible, for example, to think of a character in a manga as a kind of code. In my understanding, manga works have a structure that resembles a patient with multiple personalities. The better the work, the more occasions it provides for the multiplication of these personalities. To put it differently, the more perfect the manga, the more completely it succeeds in integrating the totality of its character into a single mutually supplementing system of partly personified characters.
In clinical practice it is well known that the separate personalities of patients with multiple personality disorder are highly incomplete in themselves. It is not uncommon for these individual personalities to be simple types whose entire nature can be expressed with a single phrase. In this sense it might be more appropriate to refer to them not as “personalities” but as individual “specs” (functions). This sort of incompleteness applies to many manga works as well.
It should be clear that what I am opposing to this space of multiple personalities is Mikhail Bakhtin’s notion of polyphony. Here is Bakhtin on the space of polyphony:

• A plurality of independent and unmerged voices and consciousnesses, a genuine polyphony of fully valid voices is in fact the chief characteristic of Dostoevsky’s novels….a plurality of consciousnesses, with equal rights and each with its own world, combine but are not merged in the unity of the event…not only objects of authorial discourse but also subjects of their own directly signifying discourse…. The consciousness of a character is given as someone else’s consciousness, another consciousness, yet at the same time it is not turned into an object, is not closed, does not become a simple object of the author’s consciousness. In this sense the image of a character in Dostoevsky is not the usual objectified image of a hero in the traditional novel….He created a fundamentally new novelistic genre.

The space of manga and anime has virtually nothing to do with these characteristics. In fact that space is more like an even more extreme version of what Bakhtin describes as having come before Dostoevsky. In other words, manga and anime give us “a multitude of characters and fates in a single objective world, illuminated by a single authorial consciousness,” in which “a character’s discourse [can] be exhausted by the usual pragmatic functions of characterization and plot development” and made to “serve as a vehicle for the author’s own ideological position.”
It is a fact that is often misunderstood, but like many other subcultural productions, the degree of freedom of expression in manga genre is extremely low. Compared with the novel, the formal characteristics and the range of narratives and narrative perspectives in manga are much more tightly circumscribed. What manga have instead is a much greater diversity of styles than the novel. This is also typical of most subcultural forms. To put it in semiotic terms, manga are impoverished on the syntagmatic axis (i.e., the horizontal structure) but extremely rich on the paradigmatic axis (i.e., the vertical branch).
For this reason it is not possible for manga to convey narratives above a certain level of complexity. The personalities of characters in manga have to be simple enough to be understood at a glance. If complex personalities cannot be described, complex narratives are not possible. In manga, therefore, the individual personalities of characters are inevitably types. If many manga contain only characters that belong to identifiable types, this is because the characters have to be arranged according to a code in which each one of them carries a single meaning. But this is no reason to complain about the lack of complexity and depth in manga characterization. In manga, a single personality is often divided among multiple characters. In other words, an entire manga work in its entirety is the coordinated expression of a single personality - of, for example, the personality of the author.
If it seems like I am belittling manga and anime by making this argument, this is not my intention. But just to be sure, let me make my defense of them explicit. The characteristics of manga that I have described above are weaknesses in terms of their capacity for literary expression. But do we not live in a time when the authority of the literary has been considerably weakened and the exponents of so-called high culture are being banished to an ever-shrinking territory?
If the weaknesses of subcultural forms like manga fall under the category of what I have just described as the syntagmatic, their strength lies in their paradigmatic diversity. One example would be popular music, where a diversity of sounds and arrangements are applied to simple structures, making for virtually infinite repetition and renewal. These days, techniques like sampling and remixing are not limited to music. We can all remember quite clearly how refreshing and powerful we found the anime series Neon Genesis Evangelion (Shin seiki Evangerion), which was produced almost entirely using these technical refinements. Subcultural forms will surely continue to seduce and bewitch us with their uncompromising superficiality. They may not be able to portray “complex personalities,” but they certainly do produce “fascinating types.” The beautiful fighting girl, of course, is none other than one of those types. That she can only survive in a subcultural habitat is due to the reasons given above.
[To be continued]