T-rex out of keyboard symbols

Closer In Time

2014.02.07 03:23 SaucyFingers Closer In Time

A place to share interesting comparisons of the timing of world events.

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2012.12.29 21:30 Linguistics Humor

Linguistics Humor: a sub for humor relating to linguistics

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2010.03.24 16:48 Everyone deserves a good keyboard

Non-mouse and non-audio input devices for the discerning fingertip.

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2024.05.21 03:11 Wandering_Scarabs "Apep, Apep, Apep," - all together now!

Last week on my podcast, I took a shallow dive into the major problems I see in the Kemetic/Polytheistic communities at large. One of those problems prompted some interesting discussion already, specifically surrounding the superstitious fear of saying/writing the name “Apep,” or an obsessive need to immediately censor the word, in such communities. I wanted to explicitly look at why this completely misunderstands Egyptian religion in favor of contemporary superstition, why it could be considered legitimately dangerous to modern practitioners, and why it sums up the problems I see at large.
EDIT: two more important things have come up, better points than any of mine tbh. If these names had an inherent power of invocation tean anyone who ever wrote about the gods would now be polytheists. One needs the intent to invoke/evoke a god, and you simply shouldn't ever have that when writing Apep. Second, we can see lots of images of Apep drawn and written by the Egyptians in painstaking detail, and compare these to the desecration of gods like Set or hated Pharaohs. Heck by this logic Set is even worse to write than Apep as it was actually removed rather than part of the art.

The name for the force of primordial chaos we now call “Apep” is long lost. “Apep” is an English, best guess transliteration of the long dead hieroglyphic language. A language where we have literally no idea how it was supposed to sound. A language that was far more complex and spiritually charged than our joke of a language will ever be. So writing “Apep” or “Apophis” is not even close to invoking the force, unless you INTENTIONALLY go out of your way to invoke it. This is what matters, intention, which is why calling gods by their names in English still works out for us, we intend to invoke them, it is not the words or letters themselves.
As pointed out by a fellow practitioner (I will leave it to them to decide if they want to jump in), the very fear of the name is itself superstition rather than Kemeticism, indeed the latter had no fear of writing it, which they did often before destruction of the name in ritual. There is a serious superstitious fear in people that if they write the name and don’t cross it out, or write it at all, bad things will happen to them. It is the same paranoid, Christian-inspired, self-induced fear that we see with creeds like “harm ye none” when honestly the problem with Egypt was they were often quick to harm, or the fear that looking into anything outside of monotheism will lead to demon possession. This just is not how it worked, writing the name of a primordial force in a gross modern language is never going to have any impact on that force (nothing will, but more on that below). Further, I doubt this is ever seen through to its conclusion. For instance if you own any books on Egypt, the word Apep or other forms of it, maybe even the hieroglyphics, are already written in your home, oh no! Shall we cross out his name in all our books? Should we avoid websites that mention the name since we cannot desecrate it? Of course not.
Speaking of actual Egyptian practices, one must understand the effort behind ritual, and how that compares to ctrl+v-ing a crossed out name or putting slashes through it. Like if you were going to desecrate a name you'd make a pot, carve the name in, let it dry, smash it, etc. Or make sandals with the name embroidered on them. And note that the desecration would only come later on, it was meant to be desecrated in the future in such contexts, or over time. These are active ritual processes and I'd guess were often in response to something, not just out of habit or social signaling. One act is actual magic, the other is a lazy habit. And when those names were written there was no fear of them, or they would not have been written in the first place, even to be crossed out.
Continuing with historical Egypt, if the point of slashing-out “Apep” is to insult or attack the force, this completely misunderstands how names worked for our ancestors. The actual insult would be to not use the name at all, not even just its name (which again was not in English), but references to it, nicknames, etc., to not even think about it. But again this is not how Egypt saw Apep, they wrote about him, drew him, and SOMETIMES desecrated the name or image in rituals, which were significant events built on great effort, and not a simple keyboard habit. And it is precisely because Apep is weak that we can write about and depict him without fear.
This treatment of the name Apep misunderstands both what that force is, and how much power it has. For instance, as pointed out by my aforementioned peer, it makes us wary of an inaccurate name for the force, but not the force itself. To elaborate…

5a. One way to see Apep is as an always present force no matter how often you desecrate its name. You can see Apep in entropy, or in the chaos of a plagued mind, or a deteriorating body. This will literally never change, and desecrating the name Apep will have no effect on it, this is a symbolic act we as humans do to say “screw you,” not to eliminate some threat. And these are everyday threats that must be watched for, you cannot just cross out the name Apep and think you are good for the day, it remains a threat in this sense. Just take the association between Apep and entropy to its conclusion: do we also need to edit and censor the word “entropy?” Of course not!
5b. The other way to view Apep, what I lean towards, is as nothing. It is not some willful god or entity, it is just a mindless force of material nature (meaning its influence is always limited to the material realm, rather than the spiritual). In billions and billions of years Apep has not destroyed one thing, has not defeated one god (who we really should think more highly of than that they need us to cross out an english word to survive), has not ruined one life. To even suggest it does cause our problems (in my opinion since I pick 5b over 5a) not only gives Apep way more power and fear than it deserves, but takes the blame off of us when we mess things up and don’t feel like owning up to it. Apep is not our devil, is not some malevolent Abrahamic boogeyman, it is just a recognized force of nature with no will and that will never change or be influenced by the acts of humans.

Finally, the very idea of non-existence, of a god or individual returning to a state of primordial chaos, is a complete impossibility. Self-existence, such as that of our own and the gods, is a simple, axiomatic fact. For there to even being Apep, there must also be non-Apep, and it can never be otherwise. The very statement “I do not exist” cannot even be argued or conceived. This means that any fear of Apep, even historically speaking, is misplaced, a lack of understanding about the nature of the soul, a superstition. And that's okay, knowledge grows over time, just like we now know retainer sacrifices were wrong, and mummification/materialism is not needed for life after death. Honestly, not allowing knowledge to evolve in such a way gives Apep more praise than writing its name ever could.

Interestingly in this one topic we can see a lot of the problems I brought up manifested: the influence of Christian-based new ageism and superstition, the lack of objective/academic investigation into Egyptian belief and practices, unfamiliarity with even the basics of Egyptian beliefs and practices, the need for validation (such as a virtual pat on the back for slashing out Apep), and honestly just a plain laziness and desire to be handed everything on a silver platter immediately and without effort. These superstitious fears of Apep grant it more power over our lives than it ever could naturally have.
Edit: I agree with the below discussion that I've overstepped to some extent perhaps, but have chosen to leave this up to see if it spawns further discussion. That's not a recant, mind you lol.

submitted by Wandering_Scarabs to Kemetic [link] [comments]

2024.05.21 03:10 Wandering_Scarabs "Apep, Apep, Apep," - all together now!

The name for the force of primordial chaos we now call “Apep” is long lost. “Apep” is an English, best guess transliteration of the long dead hieroglyphic language. A language where we have literally no idea how it was supposed to sound. A language that was far more complex and spiritually charged than our joke of a language will ever be. So writing “Apep” or “Apophis” is not even close to invoking the force, unless you INTENTIONALLY go out of your way to invoke it. This is what matters, intention, which is why calling gods by their names in English still works out for us, we intend to invoke them, it is not the words or letters themselves.
As pointed out by a fellow practitioner (I will leave it to them to decide if they want to jump in), the very fear of the name is itself superstition rather than Kemeticism, indeed the latter had no fear of writing it, which they did often before destruction of the name in ritual. There is a serious superstitious fear in people that if they write the name and don’t cross it out, or write it at all, bad things will happen to them. It is the same paranoid, Christian-inspired, self-induced fear that we see with creeds like “harm ye none” when honestly the problem with Egypt was they were often quick to harm, or the fear that looking into anything outside of monotheism will lead to demon possession. This just is not how it worked, writing the name of a primordial force in a gross modern language is never going to have any impact on that force (nothing will, but more on that below). Further, I doubt this is ever seen through to its conclusion. For instance if you own any books on Egypt, the word Apep or other forms of it, maybe even the hieroglyphics, are already written in your home, oh no! Shall we cross out his name in all our books? Should we avoid websites that mention the name since we cannot desecrate it? Of course not.
Speaking of actual Egyptian practices, one must understand the effort behind ritual, and how that compares to ctrl+v-ing a crossed out name or putting slashes through it. Like if you were going to desecrate a name you'd make a pot, carve the name in, let it dry, smash it, etc. Or make sandals with the name embroidered on them. And note that the desecration would only come later on, it was meant to be desecrated in the future in such contexts, or over time. These are active ritual processes and I'd guess were often in response to something, not just out of habit or social signaling. One act is actual magic, the other is a lazy habit. And when those names were written there was no fear of them, or they would not have been written in the first place, even to be crossed out.
Continuing with historical Egypt, if the point of slashing-out “Apep” is to insult or attack the force, this completely misunderstands how names worked for our ancestors. The actual insult would be to not use the name at all, not even just its name (which again was not in English), but references to it, nicknames, etc., to not even think about it. But again this is not how Egypt saw Apep, they wrote about him, drew him, and SOMETIMES desecrated the name or image in rituals, which were significant events built on great effort, and not a simple keyboard habit. And it is precisely because Apep is weak that we can write about and depict him without fear.
This treatment of the name Apep misunderstands both what that force is, and how much power it has. For instance, as pointed out by my aforementioned peer, it makes us wary of an inaccurate name for the force, but not the force itself. To elaborate…

Finally, the very idea of non-existence, of a god or individual returning to a state of primordial chaos, is a complete impossibility. Self-existence, such as that of our own and the gods, is a simple, axiomatic fact. For there to even being Apep, there must also be non-Apep, and it can never be otherwise. The very statement “I do not exist” cannot even be argued or conceived. This means that any fear of Apep, even historically speaking, is misplaced, a lack of understanding about the nature of the soul, a superstition. And that's okay, knowledge grows over time, just like we now know retainer sacrifices were wrong, and mummification/materialism is not needed for life after death. Honestly, not allowing knowledge to evolve in such a way gives Apep more praise than writing its name ever could.

submitted by Wandering_Scarabs to Setianism [link] [comments]

2024.05.21 03:09 Wandering_Scarabs "Apep, Apep, Apep," - all together now!

The name for the force of primordial chaos we now call “Apep” is long lost. “Apep” is an English, best guess transliteration of the long dead hieroglyphic language. A language where we have literally no idea how it was supposed to sound. A language that was far more complex and spiritually charged than our joke of a language will ever be. So writing “Apep” or “Apophis” is not even close to invoking the force, unless you INTENTIONALLY go out of your way to invoke it. This is what matters, intention, which is why calling gods by their names in English still works out for us, we intend to invoke them, it is not the words or letters themselves.
As pointed out by a fellow practitioner (I will leave it to them to decide if they want to jump in), the very fear of the name is itself superstition rather than Kemeticism, indeed the latter had no fear of writing it, which they did often before destruction of the name in ritual. There is a serious superstitious fear in people that if they write the name and don’t cross it out, or write it at all, bad things will happen to them. It is the same paranoid, Christian-inspired, self-induced fear that we see with creeds like “harm ye none” when honestly the problem with Egypt was they were often quick to harm, or the fear that looking into anything outside of monotheism will lead to demon possession. This just is not how it worked, writing the name of a primordial force in a gross modern language is never going to have any impact on that force (nothing will, but more on that below). Further, I doubt this is ever seen through to its conclusion. For instance if you own any books on Egypt, the word Apep or other forms of it, maybe even the hieroglyphics, are already written in your home, oh no! Shall we cross out his name in all our books? Should we avoid websites that mention the name since we cannot desecrate it? Of course not.
Speaking of actual Egyptian practices, one must understand the effort behind ritual, and how that compares to ctrl+v-ing a crossed out name or putting slashes through it. Like if you were going to desecrate a name you'd make a pot, carve the name in, let it dry, smash it, etc. Or make sandals with the name embroidered on them. And note that the desecration would only come later on, it was meant to be desecrated in the future in such contexts, or over time. These are active ritual processes and I'd guess were often in response to something, not just out of habit or social signaling. One act is actual magic, the other is a lazy habit. And when those names were written there was no fear of them, or they would not have been written in the first place, even to be crossed out.
Continuing with historical Egypt, if the point of slashing-out “Apep” is to insult or attack the force, this completely misunderstands how names worked for our ancestors. The actual insult would be to not use the name at all, not even just its name (which again was not in English), but references to it, nicknames, etc., to not even think about it. But again this is not how Egypt saw Apep, they wrote about him, drew him, and SOMETIMES desecrated the name or image in rituals, which were significant events built on great effort, and not a simple keyboard habit. And it is precisely because Apep is weak that we can write about and depict him without fear.
This treatment of the name Apep misunderstands both what that force is, and how much power it has. For instance, as pointed out by my aforementioned peer, it makes us wary of an inaccurate name for the force, but not the force itself. To elaborate…

Finally, the very idea of non-existence, of a god or individual returning to a state of primordial chaos, is a complete impossibility. Self-existence, such as that of our own and the gods, is a simple, axiomatic fact. For there to even being Apep, there must also be non-Apep, and it can never be otherwise. The very statement “I do not exist” cannot even be argued or conceived. This means that any fear of Apep, even historically speaking, is misplaced, a lack of understanding about the nature of the soul, a superstition. And that's okay, knowledge grows over time, just like we now know retainer sacrifices were wrong, and mummification/materialism is not needed for life after death. Honestly, not allowing knowledge to evolve in such a way gives Apep more praise than writing its name ever could.

submitted by Wandering_Scarabs to EsotericOccult [link] [comments]

2024.05.21 03:08 Wandering_Scarabs "Apep, Apep, Apep," - all together now!

The name for the force of primordial chaos we now call “Apep” is long lost. “Apep” is an English, best guess transliteration of the long dead hieroglyphic language. A language where we have literally no idea how it was supposed to sound. A language that was far more complex and spiritually charged than our joke of a language will ever be. So writing “Apep” or “Apophis” is not even close to invoking the force, unless you INTENTIONALLY go out of your way to invoke it. This is what matters, intention, which is why calling gods by their names in English still works out for us, we intend to invoke them, it is not the words or letters themselves.
As pointed out by a fellow practitioner (I will leave it to them to decide if they want to jump in), the very fear of the name is itself superstition rather than Kemeticism, indeed the latter had no fear of writing it, which they did often before destruction of the name in ritual. There is a serious superstitious fear in people that if they write the name and don’t cross it out, or write it at all, bad things will happen to them. It is the same paranoid, Christian-inspired, self-induced fear that we see with creeds like “harm ye none” when honestly the problem with Egypt was they were often quick to harm, or the fear that looking into anything outside of monotheism will lead to demon possession. This just is not how it worked, writing the name of a primordial force in a gross modern language is never going to have any impact on that force (nothing will, but more on that below). Further, I doubt this is ever seen through to its conclusion. For instance if you own any books on Egypt, the word Apep or other forms of it, maybe even the hieroglyphics, are already written in your home, oh no! Shall we cross out his name in all our books? Should we avoid websites that mention the name since we cannot desecrate it? Of course not.
Speaking of actual Egyptian practices, one must understand the effort behind ritual, and how that compares to ctrl+v-ing a crossed out name or putting slashes through it. Like if you were going to desecrate a name you'd make a pot, carve the name in, let it dry, smash it, etc. Or make sandals with the name embroidered on them. And note that the desecration would only come later on, it was meant to be desecrated in the future in such contexts, or over time. These are active ritual processes and I'd guess were often in response to something, not just out of habit or social signaling. One act is actual magic, the other is a lazy habit. And when those names were written there was no fear of them, or they would not have been written in the first place, even to be crossed out.
Continuing with historical Egypt, if the point of slashing-out “Apep” is to insult or attack the force, this completely misunderstands how names worked for our ancestors. The actual insult would be to not use the name at all, not even just its name (which again was not in English), but references to it, nicknames, etc., to not even think about it. But again this is not how Egypt saw Apep, they wrote about him, drew him, and SOMETIMES desecrated the name or image in rituals, which were significant events built on great effort, and not a simple keyboard habit. And it is precisely because Apep is weak that we can write about and depict him without fear.
This treatment of the name Apep misunderstands both what that force is, and how much power it has. For instance, as pointed out by my aforementioned peer, it makes us wary of an inaccurate name for the force, but not the force itself. To elaborate…

Finally, the very idea of non-existence, of a god or individual returning to a state of primordial chaos, is a complete impossibility. Self-existence, such as that of our own and the gods, is a simple, axiomatic fact. For there to even being Apep, there must also be non-Apep, and it can never be otherwise. The very statement “I do not exist” cannot even be argued or conceived. This means that any fear of Apep, even historically speaking, is misplaced, a lack of understanding about the nature of the soul, a superstition. And that's okay, knowledge grows over time, just like we now know retainer sacrifices were wrong, and mummification/materialism is not needed for life after death. Honestly, not allowing knowledge to evolve in such a way gives Apep more praise than writing its name ever could.

submitted by Wandering_Scarabs to WanderingInDarkness [link] [comments]

2024.05.20 17:15 BigTex-1836 What are the best ways to make and use marginalia in nonfiction Kindle books?

I'm an avid reader of nonfiction books that I use for research, teaching, personal development, and leading an organization. I've had every generation of Kindle since the very first one (currently own both a Paperwhite and a Scribe). There is absolutely nothing as convenient as a Kindle when it comes to the convenience of reading. However, I struggle to replicate my system of marginalia and therefore struggle with how to best use Kindle for nonfiction even after all these years of use. This results in a love/hate relationship, as well as numerous attempts to start a book in Kindle only to wind up buying the physical copy a day or two later.
Let me give an example. In a physical book, I typically follow the author's structure by using a pen to put brackets around a sentence like, "Here are three outcomes...." And then I circle the words, "First," "Second," "Third," in the following paragraphs. This allows me to easily flip back later and see structure or the flow of a concept or argument. If the structure follows numerous section headings over multiple pages, I will simply write numbers (1, 2, 3, etc.) next to the section heading so that I can easily see the structure when flipping through the book later. I also like use other symbols such as a star or exclamation points in the margin, and sometimes I draw a line down the page next to a paragraph in order to indicate the whole paragraph is important without underlining every sentence, which allows me to then save underlining for the most important sentences that I want to stick out.
After all these years, I've struggled to really replicate this in a Kindle book. I thought maybe the Scribe would fix this issue, but it provides very little real world value to me in terms of annotation and note taking. It is just as easy to make a note on the keyboard. The Kindle app allows for change of color in highlights as well as for putting a star next to certain highlights (a feature that STILL doesn't exist on the Kindle devices after all these years!). I also am familiar with using Readwise and making heading notes (.h1, .h2, etc.). That is useful to an extent, but still not great.
Maybe I'm asking to much of an ereadeebook. However, I'm also sure it could just be me. I know there are many people here who read lots of nonfiction and likely made a transition at some point from physical books to ereaders and had to adapt in the same way. I value your experience and would appreciate any advice you could give, or insight into your own system for marginalia. Thanks in advance!

submitted by BigTex-1836 to kindle [link] [comments]

2024.05.20 04:35 Battlecode907 D387 Advanced Java Additional Tips

Task A: You already know the drill by getting the Gitlab repository if you've done the past two courses of Java.
Advanced Java Walk through Guide
Advanced Java Additional Tips
Req B1: The Java walkthrough guides help provide you further insight on what you should be doing. Now I'll give a few more details about it. It's important that the html file is edited and it uses the array method or list to display your welcome messages on the main screen. It's best to build a rest controller on the backend, so that you can link it to the frontend for Angular on the app.component.ts file. You can create a second file that implements runnable and this is used to retrieve the two different locale messages from the resource bundle. And then you can use this class on your controller file which can then be used for the Angular front end. Just be sure to start the threads on the SampleCodeApplication if you go down this route. You can look at the Java guide for more details about this part. I believe that this is the hardest part of the entire project.
Req B2: You can use the documentation cited in the Java guide for B2 if you want to learn more about how to do this. You just need to edit the App.component.ts file and the html file. Add in two more prices one being CAD and the other being EUR. They can remain the same and there's no need for currency conversion here as they don't require it, but it's important to simply add these two variables to the room class. And then create a simple forEach loop through these two variables you added for the room class. You then add these beneath the price object that is on the html page and you can follow it exactly how it's done with the first price. Just use windows + . to get the emoji keyboard if you use windows and there's a symbols tab at the top and there's a currency category below. This part is the easiest one for writing code here.
Req B3: You can follow the same route as you did in B1 by creating a rest controller. You need to create three timezones and all three of them are displayed on the page. So the page should show ET, MT, and UTC. You just need the hours and the minutes for the time format. I recommend you to use the resources provided by the Java guide. This should help you out with what you need help with.
Req C1: Right click on the root folder and create a docker file. Click on the target folder and you should see a JAR file in there. You want to copy the file path and just paste it into the docker file's file path. Then just keep target/JAR file because that's all you need. For the entry points, just copy it from the link in this article exactly the same way. Note: there shouldn't be a maintainer because there's no reason to have one for this project.
Req C2: You need to open up the docker desktop app and make sure that the setting "expose daemon" is enabled on the docker desktop app. The okay button is on the top right corner in case you didn't see it. Then you use the command "docker build -t [d387_student id] ." Just remember that this is done on IntelliJ using the terminal which is at the bottom left corner of your screen. It should successfully build it and you can verify this by using "docker images" in the terminal. Then use the command "docker run -p 8080:8080 [name of file]" to run it. It should work fine as long as "expose daemon" is enabled.
Req C3: You can use the Java guide and follow it exactly. You're simply describing how you would deploy your current application to the cloud using AWS or Azure. But Azure is more simplistic and easier to explain if that's what you're looking for.
D: You just need to print pdf the Gitlab branch history, a file for the screenshots and a file for C3 which can be done on Word, and then the Gitlab repository link.
That's all you need for this course right here. I think it's less work than D288 and even D287 once you understand what you must do. However, it takes time to learn new concepts like multithreading. I've completed this course much faster than the previous two courses. You could get this course done in a matter of days if you focus and learn what's needed. You can use ChatGPT to help you understand Angular and Spring Boot concepts as well. It can help you understand the code that you're reading.

submitted by Battlecode907 to wgu_devs [link] [comments]

2024.05.20 04:33 Battlecode907 D387 Advanced Java Additional Tips

submitted by Battlecode907 to WGU [link] [comments]

2024.05.19 22:45 MonkeyBrawler I got F13+ to work on Nobara

Like many of you, i'm just starting my journey on attempting the transition to Linux Gaming. Steam really has made it insanely easy. My biggest struggle recently was just getting F13+ keys to function, and maaaaaaaaaaaaaaaaaan aparently they are a weird concept for long time Linux users. I attempted to paste over the keys in the inet file as commonly recommended as a solution, but no luck. I finally found the answer hidden in a forgotten post by a champion of the deleted.
I really don't know what i'm doing just yet, so forgive me if this is common knowledge to many of you, but my god google has not been very helpfull, and it has been the most frustrating problem. If i understand correctly this primarily became an issue/change when Wayland was release, and X11 no longer used? No idea what those are, but this may be the solution for multiple Fedora/wayland distros. By all means, feel free to explain these like i'm 5.
Keep in mind, i still had to figure out how to map the keys to my Logitech gear via Piper, the guide i followed for that is here. The hard to find fix i'm discussing, is essentially extending the computers understanding of what to do with these inputs. You still need to use piper or some other program to get a key to provide the input.
Copy paste of the heros instructions below, and you're out there, bless you.
I finally figured it out, and got some solutions too. I’ll try to explain first and then tell you what you can do, although you can skip the explanation.

The problem

Basically there are 4 main parts in the Linux input stack relevant in this discussion:
1. At the very low level, the kernel gives keycodes to the keyboard keys and mouse buttons. Defined in /usinclude/linux/input-event-codes.h:

#define KEY_F13183

2. At a higher level, XKB then assigns names to those keycodes (/usshare/X11/xkb/keycodes/evdev) …and proceeds to assign them X11 symbols (/usinclude/X11/keysymdef.h) …in file /usshare/X11/xkb/symbols/inet:

key  { [ XF86Tools ] };

3. Your desktop environment (GNOME in this case) assigns global shortcuts to a combination of symbols, common ones configurable via GNOME settings and some hidden in gsettings schemas by GNOME settings daemon.
4. Finally at the top level you got the applications receiving the keysyms that weren’t designated for global shortcuts.
Here I’m using key-mapper for example, and if it resembles the key remapping utility you’re using, likely assigns the kernel keycodes to your mouse buttons (level 1), but XKB is assigning the “wrong” symbols to those keycodes (level 2). In turn GNOME (level 3) already defines an action for some of those keys to perform an action (toggle microphone and trackpad), and maybe some don’t even reach the application (level 4).
The culprit seems to be exactly in file /usshare/X11/xkb/symbols/inet:

key  { [ XF86TouchpadToggle ] }; key  { [ XF86TouchpadOn ] }; key  { [ XF86TouchpadOff ] }; … key  { [ XF86AudioMicMute ] }; … key  { [ XF86Tools ] }; key  { [ XF86Launch5 ] }; key  { [ XF86Launch6 ] }; key  { [ XF86Launch7 ] }; key  { [ XF86Launch8 ] }; key  { [ XF86Launch9 ] };

Notice how the F19 key is not used though.
We can, of course, assign the keys to their original symbol:

key  { [ F13 ] };

But to do it in /usshare/X11/xkb/symbols/inet is not recommended, as an update to XKB will restore the original definitions. Besides, it’s a pretty important file and if it’s badly configured you could crash your session and prevent you from login. I tried it and it even kept crashing my login manager (gdm), ttys (Ctrl+Alt+Fk) wouldn’t work too, so I had to chroot in a live usb and restore the original file.
What we could do instead is to create a custom XKB option. I believe it’s important that it’s an XKB option in /usshare/X11/xkb/symbols, because I think setxkbmap adds the “inet(evdev)” layout on top of whatever layout we have, so creating a new XKB layout won‘t help here. An option instead is added on top of every layout, even “inet(evdev)”.
I also tried to do it with XKB user-configurable options in Wayland (via ~/.config/xkb) but it seems the user options are added before the ones located in /usshare, so “inet(evdev)” ends up setting the symbols of the function keys.
We have to fix this the old fashioned way.

The solution

1. Create a new file under /usshare/X11/xkb/symbols/ called "myoptions". Paste this in there:

default partial function_keys xkb_symbols "restore_fk" { key { [ F13 ] }; key { [ F14 ] }; key { [ F15 ] }; key { [ F16 ] }; key { [ F17 ] }; key { [ F18 ] }; key { [ F19 ] }; key { [ F20 ] }; key { [ F21 ] }; key { [ F22 ] }; key { [ F23 ] }; key { [ F24 ] }; };

2. Edit the /usshare/X11/xkb/rules/evdev file, find the !option = symbols line and add your symbols filename and option name, like so:

! option = symbols myopts:re_fk = +myoptions(restore_fk)

3. (Optional \*) Edit the rules/evdev.xml (this one is with .xml), find the opening tag and paste this immediately below the tag

  myopts My custom options

Note:
\* Do this if you want GNOME Tweaks to pick up the config file and display it under “Keyboard & Mouse > Additional Layout Options”. If you don’t you can still set the new option via dconf Editor, edit /org/gnome/desktop/input-sources/xkb-options, then add the option as you did in step 2, so ['myopts:re_fk'].
The old method of defining custom options still has its flaws though. As said above, an update to XKB will undo the changes to evdev and evdev.xml files, so you’ll have to redo step 2 and 3 after some time. You could automatize the process with a script file using sed, or apply a patch file, or something else, but since it’s infrequent that XKB updates I think it’s better to just manually edit it yourself.

Aftermath

After enabling the option GNOME settings correctly identified all F13-F24 keys when trying to assign them to global shortcuts. If not used for global shortcuts, the keys function will depend on the app/game that receives the keystrokes, e. g. I can set all SuperTuxKart keybindings to F13-F24 keys and it works perfectly fine, however the settings menu displays an ? for F16-F24, as it didn’t expect users to actually have a keyboard with function keys beyond F15.

submitted by MonkeyBrawler to linux_gaming [link] [comments]

2024.05.19 21:24 totalrewrite [EU-FR] [H] Artisans, CRP R2 Desko, Deskmats, GMK Keysets, SA Handarbeit, Keycult No.1 65 Rev. 0, LZ CLS, LZ MP, LZ PhysiX Red, MerisiWorks Dodici, Syryan Mont Cervin, TGR 910 RE PC, TX-1800 V2, TX-75 V1, TX-84 V1, TX Parts [W] PayPal, Lin EM7, Lin Dolphin

Timestamp
LINK TO PM
Hello, the following items are for sale/trade.
Shipping worldwide with tracking. Estimates for keysets/keyboards:

Europe and UK: 15-20/25-30USD
Anywhere else: 25-35/35-75USD

Items I am looking for:

DSA Deep Space blanks/spacebars (from the OG run only)
HWS Earls (Singles Night "A Green", multishots; wishlist)
Lin Dolinger 2017 (fancy colors: pink, blue/grey)
Lin Dolphin OG (from ~2014)
Lin Dolphin V2 (with alu weight; two-tone with fancy colors and WKL preferred)
Lin Dolphin V3 (WKL only, red bottom or full green)
Lin EM7 OG (from ~2014)
Lin EM7 V2 (with alu weight; two-tone preferred)
OG red alu plate for Lin Dolphin V2 SE
Realforce 87U 10th Anniversary (stock)
Realforce R2 TKL 10th Anniversary (stock)
TX-1800 V1

Please comment here when messaging (NO Reddit chat; regular PMs only). Click here to write me a PM.
Lin Whale 75 F13 alu plate and PCB

Condition: new, unused
50USD + shipping for both

TX-84/87 V1 brushed brass plate

Condition: new, unused; the coating looks/feels uneven on the backside
25USD + shipping

Keycult No.1 65
Album

Rev. 0 from the January 2019 sale; number 8 out of 15
Black case with silver aluminum mid-piece, silver aluminum full plate, Wilba solderable PCB with daugtherboard and JST cable, screws and bumpons
Extra parts: original Wilba solderable PCB, Wilba Graphite hotswap PCB with daughterboard and JST cable, polycarbonate partial plate, white POM full plate
Comes in the original packaging with original accessories
Condition: new, unused; apart from a faint darker line on the top piece noticeable under bright light, everything looks flawless
Trades for OG Dolphin/EM7

LZ CLS
Album

Gray WKL kit (top, bottom, brushed stainless steel weight, brushed stainless steel plate, Leeku TX87 PCB with RGB underglow, acrylic diffuser, screws and bumpons)
Extra Leeku TX87 PCB with RGB underglow and polished brass plate (fixed ANSI layout)
Extra Hineybush h87a PCB with RGB underglow and brushed stainless steel Alps plate (AT101 layout)
Comes in a storage case with two microfiber clothes
Condition: new, unbuilt with some imperfections on the case pictured here (slight top/bottom color mismatch and tiny dent at the seam, anodization banding all around the top piece as well as a couple faint scratches, machining marks/nicks on the weight)
Trades for OG Dolphin/EM7

LZ MP
Album

Silver WKL kit (top, bottom, polished brass plate, brass internal weight, brass side weights, Leeku TX87 PCB, screws, numbered badge and bumpons)
Number 06/50
Extra silver aluminum plate (with ISO support)
The brass plate has a fixed layout (WKL ANSI with support for stepped and regular CapsLock only)
Comes in a storage case with microfiber cloth
Condition: new, unbuilt with minor cosmetic imperfections shown here
Trades for OG Dolphin/EM7

Merisi.Works Dodici
Album

Baby blue kit (top, bottom, brushed stainless steel weight, CF plate, PCB, screws and bumpons)
Extra black aluminum plate
Extra PCB
Polycarbonate wrist rest
Comes in a storage case with microfiber cloth
Condition: new, unbuilt; everything flawless except for those speckles on the weight's chamfered edge
Trades for OG Dolphin/EM7

Syryan Mont Cervin

Tented Alice-style ergo keyboard with integrated wrist rest and variable angle; center bar as well as left and right housings attach to the base using magnets
Full black kit (black base, black angled plate, black left/right housings, black center bar, clear frosted PC and black aluminum switch plates, hotswap PCB, foam sheets, leather left/right wrist pads, various small parts)
Comes with a hard foam-padded carrying case
Extra parts: gray center bar, gray left/right housings with gray aluminum switch plate, two hotswap PCBs, CF switch plate, CF left/right wrist pads
Condition: one PCB and PC switch plate assembled and used for a few weeks, the rest is unused; tiny scratch on the gray housing and black base
Trades for OG Dolphin/EM7

TGR 910 RE
Album

Polycarbonate case, sandblasted brass weight and plate, solderable PCB, screws and bumpons
Extra solderable PCB
Condition: new, unused; all parts are original; the case has few shiny areas/faint scuffs noticeable from a specific angle pictured here
Trades for OG Dolphin/EM7

LZ PhysiX red
Album

Red kit (top, bottom, stainless steel weight plate, CF switch plate, PCB, grommets/screws/bumpons)
White or black acrylic wrist rest
Comes in a storage case with microfiber cloth
Bundle of spare PCB and black or silver aluminum switch plate available for 90USD
In person, the case is not a shiny red and looks like a dark matte red
Condition: new, unbuilt; no blemishes on the case except for a couple faint scratches/marks on the underside; all PCBs have been tested
400USD + shipping

TX-75 V1
Album

Silver top case with original one-off TX polycarbonate bottom
Built with 54g filmed vintage Cherry MX Black switches and GMK/Cherry stabilizers on a polished brass plate
Original Leeku TX75 PCB with RGB underglow; SIP sockets with white LEDs are installed in switches; red, green and blue indidcator LEDs are installed; all keys register and lighting works properly
Spare Leeku TX75 PCB with RGB underglow available for an extra 50USD (not selling separately from this board)
Comes in a TX bag
Condition: used as a daily driver for a while; the top and bottom pieces show a few scuffs and scratches pictured here while the weight has some very faint hairline scratches; the spacebar sounds rattly and would likely benefit from some tuning again
300USD + shipping

TX-84 V1
Album

Silver WKL kit (top, bottom, brushed stainless weight, silver aluminum plate, PCB, small parts)
One extra brushed brass plate
One extra PCB
Condition: new, unused; two tiny dings on chamfered edges and smudge on the backside pictured here
300USD + shipping

TX-1800 V2
Album

Titanium grey kit with brushed stainless steel weight; acrylic and coated stainless steel spacers
Built by Kin25 (TX maker) with filmed/lubed 64g vintage Cherry MX Black switches and GMK/Cherry stabilizers on a brushed stainless steel ANSI plate; the spacebar has a 78g Cherry MX Grey switch
Leeku MX1800 PCB with RGB underglow; SIP sockets with white LEDs installed in switches, warm white indicator LEDs without SIP sockets; all keys register and lighting works properly
Comes in a large TX bag
Condition: slightly used years ago; the case has two minor flaws and there are a few tiny scratches on the weight (pictures here)
Trades for a TX-1800 V1 or 500USD + shipping

GMK 80002

BL00 base set and Addition kit
Condition: new, sealed
100USD + shipping

GMK Awaken

Mainframe base kit 100USD + shipping
Neo-Tokyo base kit 100USD + shipping
Condition: new, sealed

GMK Camping R3

Classic base kit
~~Burgundy base kit, novelties and spacebars~~ SOLD
Condition: new, sealed
~~200USD + shipping~~ 125USD + shipping

GMK Cobalt

Base kit
Condition: new, sealed
100USD + shipping

GMK Cubed

Base kit, novelties, accents and spacebars
Condition: new, sealed
250USD + shipping

GMK Dracula R1

Base kit 165USD
Error kit (without F13) 55USD
Condition: new, sealed

GMK DMG R3

Base, novelties, spacebars, and addition kits
Condition: new, sealed
225USD + shipping

GMK Dots R2

Light base kit
Dark base kit
Condition: new, sealed
100USD each + shipping

GMK Fleuriste

Base kit
Condition: new, sealed
125USD + shipping

GMK Olive R2

Dark base set and spacebars
Condition: new, sealed
150USD + shipping

GMK Prepress

Base kit
Condition: new, sealed
150USD + shipping

GMK Royal Cadet

Base and Symbols kits
Condition: new, sealed
165USD + shipping

GMK Space Cadet R2

Base kit
Condition: new, sealed
125USD + shipping

GMK Striker R2

Base set, spacebars and Salvun keycap
Condition: new, sealed
170USD + shipping

GMK Sumi

Spacebars and extension/40s
Condition: new, sealed
35USD each + shipping

SA Handarbeit

Base, numpad and spacebars
Condition: new, unused
165USD + shipping

Hammer CRP R2 Desko

Kits: Desko base, Numpad, WKL, R5, HHKB mods
Condition: new, unused; being from early CRP rounds, a few keycaps may have slightly crooked stems
65USD + shipping

Deskmats
Album
New, unused
15USD each + shipping

RAMA Canvas (small)
GMK Avanguardia
GMK Modern Dolch 2
GMK Red Devils

HIBI/RAMA/Salvun keycaps
New, unused
Prices include worldwide shipping

GMK 80082 (blue): 40USD
GMK 80082 (pink): 40USD
GMK Striker R2: 40USD
GMK Awaken: 50USD
GMK Dots R2 (colorful): 50USD
GMK Fleuriste: 50USD
Keycult (brass with white infill): 65USD
~~Wave Liquid Hydro (stainless steel): 65USD~~ SOLD

Artisans
Timestamp
Prices include worldwide shipping

Fraktal Kaps Aweigh! (Ectoplasm, Henne-SEA, Penny for your thoughts): 30USD each
Deathcaps x HWS Revthulhus (Singles Night: AE green, Analog Dreams pink/yellow, A Violet, Serika, Shoko): 30USD each
HWS Earl Esc (Single Minded BrAF5C37-MT, Singles Night: Nautilus yellow/blue, Cold Cast aluminum): 30USD each
HWS Earl Esc (Exam Glove Love): 50USD
HWS Earl Esc (2019 Commemorative): 50USD
HWS Earl Esc (multishot): April Fooearls 75USD, Prismearl 75USD, Super Sticky Coprophagy 100USD, Labra Do Right 125USD, Princess Treat 125USD, Princess Trick 125USD
HWS Popsi Skull (Why Sobby?): 100USD
HWS Popsi Skull (Taro): 125USD
Vice Caps Dress: Millie 65USD, Nami 80USD

Looking for HWS Earls (wishlist): Singles Night "A Green", and specific multishots
LINK TO PM

submitted by totalrewrite to mechmarket [link] [comments]

2024.05.19 00:40 Joyboy976 If you don’t know fruit values then don't bother offering

Alright so I'm trying to trade a t rex for blizzard spirit rumble and portal. It's an even trade considering I'm gonna have to put paw or more fruits to make the trade possible cause of same value bullcrap with trading in game which is annoying. Anyways I'm getting off topic as I was saying im offering this trade and I don't even know how to describe what this kid was looking on but he was trying to say t rex trade value was 20 mil when it's 25 and when I ask what he was using he said he was using bloxfruitvalues.com on safari which for one u shouldn't use safari use Google like everyone else and when I checked this website it had three options blox fruit values, buy a car and order a pizza. So immediately this site screams inaccurate but I decided to look at the values so I press on the blox fruit button and it brings me to some page saying click this link to go to website and when I did it just kept bringing me to pintrest no matter how many times i tried. So I look at this kids comments cause he seems like a brat cause he just started saying stay mad " I don't need explain why that's annoying and if anyone says that to me in real life I'm punching you in the throat" and it seems normal at first glance I didn't fully deep dive into he's comments. But the first comments I noticed was the typical I hate my mom and her pets which to me says emo this gets supported cause I saw he comments on a lgbtq server "sorry if I spelled that wrong I don't really care for that stuff" which is either him leaving homophobic comments or and I'm not insulting the lgbtq community fo whatever brings toy joy im just going off of past experiences not all lgbtq people are spoiled brats and assholes or he's one of those kids who lives a normal life and he makes drama cause he doesn't get any drama in his life. Before anyone says "he's probably effected by his parents separating" my parents are separated to heck I've been forced to cut out my own mother for mine and my father's well being and guess what I don't use that as an excuse to be a snotty nosed little brat. If you don't know fruit values or you use some wierd website that you know nobody else uses then don't trade just look at fruit values and you don't need to be told what a fruit is worth cause if you just use your brain and realize hey dough is only really good for pvp while something like t rex can be used for more then just pvp maybe just maybe that means it will be more valuable then a one trick pony and also fruit value is not demand dough has high demand cause people just want high bounty and don't want to have learn how to pvp the same goes for portal with both of these fruits you either do incredibly high damage and stun or it allows you to run away because you end up fighting someone who knows how to play and they won't let you use your one hit combo. Value is based off how versatile a fruit can be used like kitsune while yes it can be amazing to spam with especially since your so lazy that you can't even be bothered to press a couple buttons on your keyboard but it can be used for grinding traveling boss fights and whatever else you wanna do. I hope this gave smart people a laugh and a oh good im not the only one who deals with this and I hope it helps someone learn what fruit value actually is and its not just a bunch of random numbers on your screen. Anyways thanks for listening to my rant.

submitted by Joyboy976 to officalbloxfruits [link] [comments]

2024.05.18 20:09 picto Blank screen after KDE login (Sharing my issue and solution)

I had been trying to get past an issue for what seemed like forever and I finally found what the problem was, so I wanted to share my experience in hopes that it might help other users.
The initial catalyst to this was my desktop environment completely freezing and becoming totally unresponsive (not even able to access another tty session). After rebooting, first the fedora loading screen starts acting strangely and refusing to start. This was pretty simple to get past just by removing rhgb from the kernel boot parameters and running fsck (which is what it was complaining about).
Once I was past this, a reboot got me to the graphical login screen. Only now, once I logged in, the screen went completely blank. I was however able to get to another session on tty4 so I could start looking around. What I kept seening via journalctl -xb -r was that there was an initial crash with xdg-desktop-portal followed by a crash with maliit-keyboard. After that almost being started for the session crashed or errored. This is what I would see first https://pastebin.com/iQV4N1sQ. Getting a backtrace via gdb got me this https://pastebin.com/05Qj1YEU.
I searched for reports of similar behavior but couldn't find anything. Next I started uninstalling or disabling things to get the system to a more "minimal" startup, but none of that worked. I realized then I had done all this in haste without first installing debugging symbols so gdb would actually be useful. After that, then the problem was staring me right in the face: https://pastebin.com/x8tD44Db
Specificaly this error message: "No GSettings schemas are installed on the system". That seemed odd to me because checking dnf list installed said I had gsettings-desktop-schemas already installed. I search around for this error message and find a few mentions of running glib-compile-schemas could help but more importantly, it is looking for schemas in $XDG_DATA_DIRS.
I glanced in my ~/.zshenv file and saw I had added this because I was trying to setup flatpak so I could install spotify (which I discovered didn't have an arm compatible build):
export XDG_DATA_DIRS=${XDG_DATA_DIRS}:/valib/flatpak/exports/share:${HOME}/.local/share/flatpak/exports/share
Here's what went wrong: I uninstalled flatpak, but still had this line in my ~/.zshenv file. When I checked what $XDG_DATA_DIRS was set to in my tty4 session, it was only those two directories. I commented out that line, rebooted, and boom working system again.
I checked the value in my terminal now that I was back in KDE and it showed what I would have expected to see: /usshare/kde-settings/kde-profile/default/share:/uslocal/share:/usshare
So, not sure exactly where those things collided with one another, but that's the issue I ran into and how I got past it and back to my working system. Hopefully it might help someone that finds themself in a similar predicament..

submitted by picto to AsahiLinux [link] [comments]

2024.05.17 08:24 redhatcc PC Gaming Macro Pad - What Options Are Out There?

I am flooded with information and links and products only to find out their a bit more than what I was looking for, or didn't solve the problem.
I am looking for a Macro pad (or similar) that I can use for online gaming (Helldivers 2) that is external to a keyboard or a mouse.
I remember some Macro pads like the World of Warcraft one from many years ago created additional keys instead of using the keyboards 1, 2, 3, Alt etc. This would be nice, but not a deal breaker.
What would really make my day and month is to find:

External Macro Pad so I can bind hot keys (up, down, left, right, alt in a seq etc.)
Can label the buttons with small symbols (not a deal breaker, but that would be so perfect).
Can be wired or wireless.
Price is not a factor.

Any help would be so much appreciated!
EDIT: Going with the Stream Deck XL for Helldivers 2. I will update how it goes.

submitted by redhatcc to macro_pads [link] [comments]

2024.05.16 12:30 smcadam Undermountain Session Log 12- Floor 2, Shadows of Vengeance

Perhaps accidentally, the party managed to wrap up a couple of major quests on floor 2 this session. In addition to a very cute dog in attendance irl, we had:
-Freyja, Half Elf Paladin of Mielekee, a gothic woman seeking vengeance on her’s father’s killer.
-Nazar, Goliath Paladin of Tyr, an upright man in exceptional armour, seeking a holy relic.
-Felicity, Aaracockra Bard, a cunning and curious birdfolk with dark musical tastes.
-Archimedes, Gnome Artificer in his owl themed armor, seeking to make magical items.
-Goba, Dwarf-Duergar Fighter-Barbarian, a noble bounty hunter on someone’s trail.
They also have Nanaz, Goba’s manservant, and the vengeful revenant Halleth, as companions.
MIDNA’S SHADOWS
The session began with battle against Halleth’s final murderer, Midna, Cleric of Shar. Her plush chamber was plunged into darkness that especially obscured things to Nazar- except, oddly, the Shrine of Shar which remained unnaturally visible in the black.
Ten shades were conjured alongside two shadow mastiffs to bog down the party, while Midna shot their one light source- a little clockwork flash-walker Archimedes had made. Nazar held the line, barely buffeted by the shades, while Freyja and Archimedes stabbed and zapped her black hounds. Halleth used his new ability, with a cry of “onwards, for Vengeance!” to let him and Goba rush forwards without opportunity attacks to corner her.
Quickly, the shades and hounds fell, and Nazar, able to see only one thing, threw a rock at the shrine of Shar and charged over. This immediately elevated him as Midna’s main target, and she tried to hack at him with a cursed sickle, only for Goba to run her through. Midna died surprisingly peacefully, muttering that it didn’t matter.
In the aftermath, as the light returned, Nazar pulled out his warhammer and set about demolishing the statue of the dark goddess. He felt a brief call, an offer that he could gain the power to see through the darkness like his allies, but he turned it down and smashed the shrine apart. Earning a Curse of Shar.
Curse of Shar- Plagued by the dark goddesses wrath, you are weakened as your memories fade. While cursed you have disadvantage on Saving Throws against Magic, and lose proficiency in one random skill. Each long rest, make a DC 18 Wisdom Saving Throw. On a failure, you lose proficiency in another random skill.
Nazar lost memories of conversations had around campfires, losing a portion of his charm and the Persuasion skill first.
CALL OF VENGEANCE
While others were looted the room for gold, suspecting the feast of poison, and finding nice clothes, Halleth remained animated, stabbing Midna again and again. When Archimedes intervened and removed her holy symbols- offering the undead cleric the symbol of Waukeen, he looked at it with barely any emotion on his bleeding face.
“She never opened her gates to me. Why would that change now?” Halleth growled, “There are more debts to collect. More wrongs to right. So much evil to punish. Can’t you hear the call of vengeance?”
They couldn’t but Halleth grumbled that something- an angel- had reached out to him when he last lay dead, promising to slay the evils of undermountain. And somehow, with this being’s power, the revenant doesn’t die yet. Instead, the party watched uncertainly as he tried to leave, collapsed as his body fell apart, and his soul seemed to sink down into the stonework.
They have completed his quest for vengeance, but something calls him to linger on in the dungeon. Archimedes pocketed the two holy symbols of Waukeen and Shar, and after desecrating the rest of this room, they left.
SPIDER EYES WATCHPOST
Or more like Snake Eyes Watchpost.
With the party still in good shape, they decided to go tick off another notch of a quest, and returned to the northernmost Xanathar Watchpost to take it down. This was a tricky fight, against a dozen bugbears, a handful of human mobsters, a mutant drow, and a corridor full of traps.
Well, it was tricky in theory.
Only Goba and Nazar actually had to face the trapped pressure plates littering the corridor, and their toughness and armour turned aside every dart. Felicity flew over them, Archimedes spider-climbed to run along the ceiling, and Freyja pulled out her bow and sniped from the corridor’s end.
Against terrifying blades and thunderous magic, most of the bugbear runts fell like bowling pins. Shun, the spider-faced drow, commanded his men to try and shoot down the “turkey”, littering Felicity with far more feathers than she was meant to have, and tried to bring down Goba and Nazar with poisoned bolts. He failed. He panicked, and he retreated behind a screen of mobsters and bugbears.
Said goons immediately almost died to Archimedes’ shatter, then were put to Sleep by Felicity, allowing the frontliners to run over them and hack the cowardly drow apart. The rest died quickly in the aftermath, with only a brief tussle where a brawler yanked Felicity out of the air, slammed her onto a pressure plate, and got his mate shot and killed by the dart trap.
Another Outpost clear! Two outta three!
In the chambers beyond, they found a mountainous larder of rations, enough to sustain the party for a hundred days if only they could carry it all. Which they can, using the portable hole. Rex’s body was discarded.
The outpost had a rough map of the floor, some other chests for which they found keys. In one, a crimson eyeball abruptly lurched out, floating into the air with a sinuous tentacle hanging it from it like a malevolent ocular jellyfish.
“SHUN, WHAT’S THE STATU- OH, WHO THE HELL ARE YOU, BOY?”
It’s telepathic voice blared into their skulls, taking in the scene before demanding the Xanathar password- how many eyes does the Xanathar have?
Apparently nine was not the correct answer, and so the eye blasted Nazar with a burst laser blast. Felicity was quick to flit into the air and stab it with a psychic blade, hearing one final thought blare into her mind as it died.
“BRING IT ON, FOOL, I KNOW YOUR FACES, AND MY EYES ARE ALWAYS OPEN.”
Xanathar has seen them.

submitted by smcadam to DungeonoftheMadMage [link] [comments]

2024.05.16 05:45 larki18 [DUMMY MAGAZINE, 2006] "The people who criticise us for being too poppy don't get it. People are afraid to write a song any more, or they can't...The best bands ever have all written great songs. You can still do it and do it intelligently and it can be original."

Cigarettes and rebellion have always gone hand-in-hand, and in an age of cigarette packet-sized health warnings, now more than ever, smoking a fag says: 'I do not give a fuck.' But if Brandon Flowers is hoping to strike a seditious pose by sparking up at the start of the interview, it's not going according to plan. The Killers' frontman is on all fours rooting through the junk that carpets the anteroom at the band's rehearsal space. "Has anyone seen my lighter?" he asks, rocking back on his heels. The question hangs in the air while Brandon cocks his head, waiting for an answer like a meerkat listening for a predator. Twenty-five years old and with a delicate bone structure, there's something almost dainty about him. Receiving no response, he returns to his search. "Oh, Jeez," he sighs. "I had it just a minute ago."
It's a scene that emphatically does not suggest a rebel without a cause. The mess isn't helping. The Killers' HQ - an industrial unit sandwiched between a construction supplier and the offices of a housing development just off Dean Martin Drive in West Las Vegas - is ankle-deep in designer clothing. A Dior Homme suit lies crumpled by the door; there's a pile of shoes topped like a sundae by a pair of Marc Jacobs trainers; and anyone wishing to enter the shoebox room the band use as an office must negotiate a mountain of discarded jeans. Many items are identifiable as coming from the wardrobe of Hot Fuss, The Killers' hugely successful 2004 debut album - triple platinum in the UK with two weeks at Number One and five million sold worldwide. Look! There are the shirts, ties and suit jackets they wore when they thrilled Glastonbury 2005 with indie rock anthems Mr Brightside and Somebody Told Me. That was the crowning moment of a two-and-a-half year tour that finally concluded in October of last year. It seems that after playing that final date in Miami, they returned to Vegas and shrugged off their image onto the floor of this bland white box.
Now a fine layer of dust covers the dead clothes. The Killers have no further use for white tuxedos on their second album, Sam's Town. Today, Brandon wears a black polo shirt, black pin-stripe waistcoat, black jeans and black boots. Where there used to be a layer of foundation, there is now a beard - an untrimmed beard at that. Dave Keuning (30, guitar), Mark Stoermer (29, bass) and Ronnie Vannucci (29, drums) all echo Brandon's black ensemble. Ronnie has added Aviator shades and a handlebar moustache for a dash of motorcycle cop, Dave's frizzy bubble of hair gives him a Marc Bolan-ish air, and there's something very teenage about Mark's scuffed Vans.
Short of walking around wearing sandwich boards saying, "Our new record is a bit heavier than the last one," The Killers couldn't hope to communicate that message more effectively. And they have gained some musical girth on Sam's Town. The pop hooks that made Hot Fuss so irresistible survive intact - see the ringing guitar riffs on first single When You Were Young - but there's a newfound punchiness, coupled with an epic sweep. The minor-to-major uplifts on Bones are fabulously dramatic, the coda to Why Do I Keep Counting? thrillingly intense. Comparisons to Bruce Springsteen have been made. If they overstate the case a little, they are at leaset qualitatively accurate. The Killers are back and this time it's serious - they've got the bootlace ties to prove it.
"Hey, it says here that Springsteen's headlining Glastonbury next year," shouts Ronnie, who's flicking through the NME. He nods sagely at the page without looking up.
"Really?" asks Dave, nicknamed Crazy Dave on account of his alledgedly volatile nature.
"The Boss is headlining one night, we're playing second on the bill the next night and Kylie's headlining the Sunday," says Brandon, charging like a bull through Michael Eavis' as-yet-unannounced line-up with what subsequently proves to be a characteristic gaucheness.
But that lighter is proving elusive. This being America, none of the people hurrying to-and-fro prepping the world for the release of Sam's Town smokes. Manager Robert Reynolds - Bobby Rey to the band - barks into his mobile, booking his band onto eye-wateringly demanding tours. "We're going to make a lot of money," he cackles to himself before switching calls to make a series of stern pronouncements on legal matters. Dave, Mark and Ronnie disappear for a jam session. Artwork is approved, B-sides are decided on and schedules are hammered out.
"I can't find it," Brandon says, finally. But he's not going to be denied the opportunity to underline The Killers reinvention with a puff of smoke. "Let's go to the gas station. I'll have to buy one. It's too busy to talk here anyway."
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Brandon's black (of course) Volkswagen Touraeg four-wheel drive is barrelling down West Flamingo Road into town. "I was a bell boy there," he says, pointing out of the driver's window at the stucco facade of the Gold Coast casino. "I was working there when we were signed."
Coming from Las Vegas, it is perhaps inevitable that casinos play a big part in The Killers' story; not only is Sam's Town named after one, it was recorded in one, too.
The band began writing songs while on the road with Hot Fuss, turning up early for soundchecks to run through new ideas. On a trip home to Vegas, George Maloof, a hotelier known for cultivating famous friends, invited them to record the album in the new studio he'd built at The Palms, his flagship hotel-cum-gambling den. When the tour finished in October 2005, they returned to Vegas and spent five month finessing the songs they'd sketched out on the road. Then, in February, they decampled to the third floor studio at The Palms and recorded Sam's Town over 11 weeks.
Producer Flood (U2, Depeche Mode) encouraged them to experiment. They overdubbed, fiddled with synthesizers and played with new equipment. It took them five weeks to get the backing vocals right. The band sang the harmonies, then double-tracked them four times. The end result recalls Queen wondering, "Is this is the real life? Is this just fantasy?" When Ronnie, a trained classical percussionist, brought some kettledrums down, eyebrows were raised; but the fabulously bombastic coda on Why Do I Keep Counting? vindicates his indulgence.
"That's kind of the Ben Hur of the album," he says. He's not wrong. Sam's Town is a record on an epic scale. "Yeah, it has drama," he continues. "But, at the same time, I think it's a little more exposed than Hot Fuss. It's a little more naked. Last time it was about a lot of fictional things." By "fictional", Ronnie means that Hot Fuss wore its predominantly British influences for all to see. Brandon's taste in music is rabidly Anglophile - he constantly references The Smiths, The Cure and Joy Division - and it showed. By contrast, Sam's Town is an unequivocally American record. The lyrical imagery is pure American dream - cars, girls, wide-open spaces and escaping to a better life. "We're burning down the highway skyline/On the back of a hurricane that started turning/When you were young," sings Brandon on When You Were Young. That's the basis of the Springsteen comparisons then, though the lack of pathos more closely recalls another blue-collar rocker from New Jersey - Jon Bon Jovi.
The phrase "this town" recurs throughout the album, and it's always receding into the distance as The Killers escape to a new life. "This town was made for passing through/I never did get along with everybody else," sings Brandon on This River Is Wild. On Read My Mind he "never really gave up on breaking out of this two-star town", while on the title track he offers something of an explanation: "Nobody ever had a dream round here."
"With the first record, there was this feeling that there was this world out there that we didn't know," says Mark later in the day. Before The Killers, he studied philosophy: now he's their quiet one. "We wanted to get out and away from this and be somewhere else. We hadn't had a lot of experience - hadn't travelled much - then we were gone for three years. We didn't sit down and say that we wanted to make a record about how we're glad to be home, but that's what happened naturally."
It's not an angsty record. The Killers have already escaped with Hot Fuss, and, having done so, they view the experience fondly now they're back. There's a mistiness to Brandon's eyes as he explains how the album got it's name.
"Sam's Town is a casino on the edge of Vegas," he says. "I grew up in Henderson, which is out on the way to the Hoover Dam. My mom and dad lived in a trailer park, and my dad used to hitchhike up and down Boulder Highway, which is the only way you could get to Vegas. Sam's Town was the first thing you saw on your way in to town. So, when you're driving down Boulder Highway from Henderson, I always thought you finally knew you were getting somewhere when you saw Sam's Town. It was kind of like a beacon."
"It's not a completely American album," contines Brandon. "We still have our English influence, but we're also from the Wild West. Somehow we've managed to unify all that on this album. it's just such a perfect resemblence of what we are."
At the petrol station, Brandon rummages through the glove box looking for change to buy a lighter. "This is a great album," he says, pointing at Highway Companion, the latest from iconic American rocker Tom Petty. "I've always been a big fan of his. He's such a great American artist."
Yes, Brandon: we get the point.
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When Brandon finally lights his cigarette, he smokes it awkwardly, like a child mimicking something he's seen the grown-ups doing. However, when he cheerfully admits that, "I feel the same mentally as I did when I was 12," it's not a knowing nod to the fact that he sometimes behaves like a loveably precocious child, but a reference to an unusually comprehensive grounding in pop music at an early age.
When Brandon sings about "this town", he doesn't mean Las Vegas. He means Nephi, Utah or Henderson, Nevada, where he spent his childhood. His parents are Mormon and he is the youngest of six children. "I was a surprise," he says. "I've got a 42-year-old sister." If he was issues about his "surprise" status, he chooses to gloss over them. "It turned out perfect because my brother was a teenager when I was a kid," he says. "He would bring home things like Rattle And Hum by U2 and I would watch it. I remember he bought Live In Dallas by Morrissey. It was always him watching these things, or his door was shut and you'd hear The Head On The Door by The Cure blasting through the house and rattling the walls."
The Killers were formed when Brandon answered an advert Dave had placed in a local paper in late 2002. Dave cited Oasis as a big influence; Brandon had seen them play recently and responded; and, as Dave has said in previous interviews: "He was the only person to reply to my ad who wasn't a complete freak." However, the band was born in Brandon's brothers bedroom.
"His room was like a shrine," enthuses Brandon. "It was a holy place. I wish I could show you a picture of it. It was covered in posters. There'd be a big picture of Elvis wearing a bow tie that just said 'The Smiths' [the artwork for The Smiths 1987 single Shoplifters Of The World Unite]. You had The Cure wearing face paint [the artwork to The Cure's 1985 single In Between Days] - all that kind of stuff. I remember Morrissey being on the cover of the NME, with the halo [from 1985] - stuff like that. You just wanted to know about these people 'cause they were so cool. My brother seemed like such a cool person. But he was a teenager, so he wasn't going to be that nice to me, a kid."
Brandon was fascinated by his brother's collection of music, magazines and posters, but he was denied access to them - officially, at least. "I would sneak in," he says. "I knew he'd be angry if he found out, but I would go in as soon as he left the house." For a long time Brandon was too scared to actually play anything. "That didn't come 'til later. I just used to go in there because I liked it. Then I got to the point where I'd actually take a tape out and put it in. It took more guts to do that."
It was a life-changing moment. "I was ten and the first song I played was Sing Your Life by Morrissey. I remember dancing about to it."
The lyrics to Sing Your Life include the lines, "Sing your life/Just walk right up to the microphone/And name all the things that you love/All the things that you loathe." It's intriguing to wonder what Morrissey makes of the neophyte he inspired with these lines.
Eventually, Brandon inherited his brother's tape collection. "It was around the same time CDs started coming out in a big way. He started buying CDs and gave me his tapes. And that was it: it took off from there. I got a hundred of the best albums - all the New Order, all the Morrissey, all The Smiths, The Beatles. I started buying posters. I went to see The Cure in concert. It was just kind of a continuation of my brother. And it was nice because, though my parents were strict, they were already used to it from him. There was no, 'My dad doesn't understand me,' or any of that kind of stuff. My mum likes The Smiths."
Brandon was 13 and his favourite band was late-'70s/early-'80s American new wavers The Cars, and particularly their jaw-droppingly catchy 1979 single Just What I Needed.
"I wouldn't exist without that song," he says. "That was the one. I remember driving around with my mum when I was 13, and we're living in Nephi - a really small town - and I felt so cool when I put that song on. Like: 'I have something that none of these kids I'm going to middle school with tomorrow have.' That excitement is what music's about, isn't it? That's why I understand the mentality of people that don't like us because we've sold so many records. I used to like it when no one else knew about a band. So I get that - I do."
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Brandon's first band was called Blush Response. It was never going to work out. Not because he refused to move to Los Angeles with them, but because he is utterly - comically - shameless. He's given to making outrageously boastful statements like: "It's not like the '60s, '70s and '80s now. There are only a few bands around that are really good, that just do it. I mean, there's what, five or six of us?"
For the record, in Brandon's estimation, those bands are Franz Ferdinand, Razorlight, The Strokes, The White Stripes, Yeah Yeah Yeahs and, of course, The Killers.
"I don't want people to think I'm lumping myself with other people just to make us sound cool," he says. Really? It sort of sounds like you are. But he just steamrolls through it. "Yeah, but you know what I mean," he says, grinning at his own cheekiness. He's so disgracefully forward you can't help but laugh along with him - Oh you are awful, Brandon! But joking aside, The Killers are the most commercially successful of all the bands he mentions.
Later, back at the rehearsal space, the band run through Sam's Town at deafening volume in preparation for the forthcoming tour - first the US, then the world. The infectious, almost contagious, chorus of When You Were Young sounds fabulous, as do the U2-like guitars and Twin Peaks synths of Read My Mind. Meanwhile, Smile Like You Mean It and Somebody Told Me benefit from the newfound harder edge.
They somewhat heavy-handedly underline the new direction by playing Paranoid by Black Sabbath and Get It On by T Rex. That's the thing: The Killers are not a subtle band. Their songs are like a wet kiss from a girl who's a bit too drunk. They are big and brash, and not everyone loves them for it. Mr Brightside and Somebody Told Me might go down as well at hip nightclubs as they do on the festival circuit, but the DJs play them with the same guilty look they wear when playing a pop record.
"I hate that," says Brandon. "Like writing a song you can hum somehow cheapens it? It makes me think of this quote by Morrissey. Everybody knows how he read Oscar Wilde, Keats and Yates when he was growing up and that he wanted to be a writer. He was talking to this journalist who asked why he hadn't become a writer, and Morrissey said: 'What I do is more powerful than what you do because I can write down these words and you get it to a melody. How can you beat that?' I'm of the same opinion. I don't understand why a good melody that's memorable is a bad thing."
Being dismissed as pop particular aggrieves Ronnie. "When we first came out we got compared to Duran Duran all the time. Jesus Christ! We got a keyboard player now all of a sudden he's Nick Rhodes! Come on!"
"The people who criticise us for being too poppy don't get it," agrees Mark. "I think that's the problem with a lot of rock music. People are afraid to write a song any more. Either that or they can't. And that attitude hurts music in general. The best bands ever have all written great songs. You can still do it and do it intelligently and it can be original. This isn't a studio creation with a producer writing these songs for us. We're not Avril Lavigne, or something like that. We're a real band writing real songs, just like a punk band would do, except that we write pop songs."
You get the impression that The Killers knack for showboating pop hooks that border on vulgar is inextricably tied up with the brazen side of Brandon's personality. But while his ebullient charisma, not to mention the songs themselves, mitigates his outrageousness, there is a less attractive side to his ego. He has a combative streak. He can't resist taking pot shots at emo bands, notably Fall Out Boy, whith whom The Killers share an A&R man.
Has he heard how many emo kids it takes to change a light bulb? "No." None. They just sit in the dark and cry. It's a full 30 seconds before he stops laughing. When he does he admits: "Yeah, we've had problems with other bands. You know, when you walk in the room it's like..." He whistles the theme to The Good, The Bad And The Ugly. "We're like gangs."
And while the other members of the band are diplomatic on the subject of Brandon, you don't have to read too deeply between the lines to conclude that there have been internal issues, too.
"Some people will think Brandon's the big genius," says Dave, visibly bridling. "There are songs, such as Why Do I Keep Counting?, where he's written every note. But there are others, like When You Were Young, that were more of a collaboration - like Mr Brightside, where I had some of the music and Brandon came up with the lyrics. We always have arguments about who wrote what. The truth is that we all help in that process."
When asked how success affected them, Ronnie says: "There were certain things that needed adjusting. When you're on tour for two years, people can get a little needy. It doesn't help that you're surrounded by yes men and everybody's working for you. At times we've had to say, 'Who do you think you are?' to people. No one wears the trousers, but some people would like to. I think if it wasn't for the people in the band kicking each other in the ass... Let's just say there was some ass-kickin'."
It doesn't take a genius to work out whose ass needed kicking most often.
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It's the following day and The Killers are back at their rehearsal space. The topic of discussion is what to wear in the video for Bones, the second single. It's a big deal: the director is Tim Burton. "I feel like Frank Sinatra when I sing it," announces Brandon. "With maybe a little bit of Morrissey and a little bit of Elvis, too."
Of course he does. But if securing the services of Tim Burton tells you one thing, it's that The Killers are about to get even bigger, perhaps even make the leap to the same level as Coldplay et al. Already stars, they are about to become superstars. Brandon can hardly wait.
"Do you know that Rolling Stone didn't want to put us on the cover last time," he says indignantly. "They didn't think we were stars. We sold five million albums! What more do they want from a band?"
Whatever was required, Brandon would be happy to do most things. "I'll do stuff that some people don't want to do, 'cause I want people to hear the music," he says. However, even he has limits. "The Rolling Stone thing made the record label think: 'What can we do to make them stars?' If I go on vacation with my wife, do they have to send somebody to be there to take pictures of me? Is that how you become a star? I don't want that. I walked down the red carpet one time and I realised I don't like it. But you don't have to walk down the red carpet for people to hear your music. We do still have some of that indie blood running through our veins."
He heads off at a tangent: "When you walk around Liverpool, you think of The Beatles, or you go to Manchester and you think of The Smiths or Oasis. I want you to come to Las Vegas and think of Sam's Town. And I think we've started to capture that, which is a truer version of The Killers, 'cause that's where we're from."
He pauses.
"I used to live across the street from Sam's Town. Maybe it'll be like our Abbey Road where people go to take pictures."
Is that what he'd like?
"I wouldn't mind it," he says, desperately hoping it will come true.
He puts a cigarette between his lips, looks down at his trouser pockets and pats them in search of the lighter he bought yesterday.
"Hey, I don't suppose you've got one?"

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2024.05.16 04:26 Sweet-Count2557 15 Secret Orlando Spots Kids Will Love

15 Secret Orlando Spots Kids Will Love Imagine a tapestry of hidden wonders, woven into the vibrant fabric of Orlando. Amidst the towering theme park attractions and bustling tourist hotspots, lie 15 secret spots that hold the key to unforgettable adventures for kids.These hidden gems, like buried treasure waiting to be discovered, offer a world beyond the ordinary. From exploring the wonders of nature to embarking on whimsical fairy trails, each spot holds its own enchanting story.As we unravel the secrets of Orlando, join us on a journey that will ignite your child's imagination and leave them yearning for more.Key TakeawaysOrlando offers a variety of secret spots that are perfect for families with kids.These hidden gems provide unique experiences and off-the-beaten-path attractions.Families can create lasting memories by exploring these secret spots in Orlando.There are activities available for all ages, ensuring that everyone in the family can have fun.Lake Apopka Wildlife DriveLet's buckle up and embark on a wild adventure at Lake Apopka Wildlife Drive! Are you ready to discover a secret spot in Orlando that's perfect for nature lovers? Well, look no further because Lake Apopka Wildlife Drive is the place to be! This hidden gem offers an incredible opportunity to explore the natural beauty of Florida while enjoying some freedom in the great outdoors.One of the highlights of Lake Apopka Wildlife Drive is the wildlife photography opportunities it provides. As you drive through the park, keep your camera ready because you never know what you might encounter. From majestic birds soaring through the sky to adorable animals roaming around, there are plenty of chances to capture stunning photographs. So, bring your camera and let your creativity soar!Bird watching and nature exploration are also popular activities at Lake Apopka Wildlife Drive. With over 360 species of birds in the area, it's a bird lover's paradise. Grab a pair of binoculars and get ready to spot some feathered friends. From colorful songbirds to graceful wading birds, there's always something exciting to see. Don't forget to bring a field guide to help you identify the different species you come across.Showcase of CitrusAfter our wild adventure at Lake Apopka Wildlife Drive, we're ready to explore another hidden gem in Orlando: the Showcase of Citrus! At this family-friendly destination, you can enjoy a variety of citrus activities and explore enchanted gardens.Here are some of the highlights:Take a citrus tour: Hop aboard a monster truck and embark on a guided tour through the groves of citrus trees. Learn about different types of citrus fruits and even pick your own oranges straight from the trees! It's a hands-on experience that will leave you with a newfound appreciation for these delicious fruits.Feed the animals: The Showcase of Citrus isn't just about citrus trees; it's also home to a wide range of animals. From friendly goats and llamas to exotic birds and emus, you can get up close and personal with these fascinating creatures. Don't forget to bring some animal feed along – they'll love you for it!Explore the gardens: Wander through the enchanted gardens and discover a hidden oasis filled with vibrant flowers and lush greenery. Let your imagination run wild as you explore secret pathways, uncover hidden nooks, and marvel at the natural beauty around you. It's the perfect place to relax and soak in the peaceful atmosphere.Enjoy a picnic: After all the exploring, find a cozy spot in the shade and enjoy a picnic with your family. Bring along your favorite snacks and beverages, spread out a blanket, and savor the fresh air and beautiful surroundings. It's a great way to recharge and make lasting memories.The Showcase of Citrus is a truly magical place where you can have fun, learn something new, and connect with nature. So, grab your family and embark on a citrus-filled adventure in Orlando!Winter Park Scenic Boat TourThe Winter Park Scenic Boat Tour is a must-do activity for families visiting Orlando. It's a fantastic way to explore the beautiful lakes and canals of Winter Park and learn about the local wildlife and history. Hop aboard one of the charming pontoon boats and prepare for an adventure!Boat tour highlights include cruising through the tranquil lakes, gliding under picturesque bridges, and marveling at the stunning mansions that line the shores. As you glide along, keep your eyes peeled for various wildlife like turtles, birds, and even alligators. Your knowledgeable tour guide will provide interesting facts and stories about the area, making the experience both educational and fun.The best time to visit the Winter Park Scenic Boat Tour is during the cooler months when the weather is pleasant and wildlife is more active. Spring and fall are particularly great seasons to enjoy the tour, as the temperatures are mild and the scenery is vibrant.Don't forget to bring your camera to capture the breathtaking views and adorable wildlife you'll encounter along the way. And if you're lucky, you might even spot a playful otter or a graceful swan!Cassadaga Fairy TrailExploring the Cassadaga Fairy Trail is like stepping into a magical world filled with enchanting creatures and whimsical surprises. As we wandered along the trail, we discovered so many hidden wonders that delighted our imaginations.Here are a few things we loved about the Cassadaga Fairy Trail:Fairy Houses: Throughout the trail, we encountered tiny houses built for fairies. These adorable little homes were made from natural materials like twigs, leaves, and moss. Each one was unique and seemed to have its own special charm.Fairy Doors: As we continued our adventure, we noticed tiny doors scattered along the trail. These doors were so small that only fairies could fit through them. We couldn't help but wonder what magical worlds lay behind those doors.Fairy Gardens: The Cassadaga Fairy Trail is also home to beautiful fairy gardens. These miniature landscapes were filled with colorful flowers, tiny bridges, and even miniature ponds. It was like stepping into a world where fairies tended to their own little gardens.Nature's Magic: The trail itself is nestled in a lush forest, adding to the enchantment. The sunlight filtering through the trees created a dreamy atmosphere, and we felt like we were truly in a fairy tale.If you're looking for even more adventure, make sure to visit the nearby Lake Apopka Wildlife Drive. This scenic drive takes you through a stunning landscape where you can spot various birds, alligators, and other wildlife. It's a great opportunity to learn about nature and see animals in their natural habitat.Kraft Azalea GardenAs we entered Kraft Azalea Garden, a magical oasis awaited us, filled with vibrant colors and breathtaking scenery. The Kraft Azalea Garden is located in Winter Park, Florida, and it's a hidden gem that both kids and adults will love. This enchanting garden is the perfect place to escape from the hustle and bustle of the city and immerse yourself in nature's beauty.One of the best ways to explore Kraft Azalea Garden is by taking a Winter Park Scenic Boat Tour. These tours allow you to see the garden from a different perspective as you cruise along the tranquil waters of Lake Maitland. You'll be able to admire the azalea bushes in full bloom, as well as other native plants and wildlife that call this garden home.The highlight of the Kraft Azalea Garden is the towering cypress trees that line the shores of the lake. These majestic trees create a sense of wonder and provide shade on hot sunny days. You can take a leisurely stroll along the pathways, or find a cozy spot to have a picnic with your family. Don't forget to bring a blanket and your favorite snacks!If you're feeling adventurous, you can also rent a kayak or paddleboard and explore the lake at your own pace. This is a great way to get up close and personal with nature while enjoying some fun water activities. Just make sure to follow all safety guidelines and wear a life jacket.Whether you're a nature enthusiast or just looking for a peaceful place to relax, Kraft Azalea Garden is a must-visit spot in Orlando. So grab your family and embark on a magical adventure in this hidden oasis of beauty and tranquility.Wekiva IslandAfter our enchanting visit to Kraft Azalea Garden, we were eager to continue our exploration of secret spots in Orlando, and we couldn't wait to discover the wonders of Wekiva Island.Located in Longwood, Wekiva Island is a hidden gem that offers a wide range of outdoor activities for kids to enjoy.Here are four reasons why Wekiva Island is a must-visit destination:Outdoor activities at Wekiva Island: Whether your child loves swimming, canoeing, or paddleboarding, they'll find plenty of opportunities to have fun in the sun at Wekiva Island. The crystal clear waters of the Wekiva River are perfect for cooling off on a hot day, and the sandy beach is ideal for building sandcastles and playing games.Nature and wildlife at Wekiva Island: One of the highlights of Wekiva Island is its abundant wildlife. Kids can spot various species of birds, turtles, and even alligators as they explore the island. They can also learn about the importance of conservation and protecting the natural environment.Picnic spots and playgrounds: Wekiva Island provides several picnic areas where families can enjoy a delicious outdoor meal surrounded by nature. There are also playgrounds where kids can climb, slide, and swing to their heart's content.Outdoor movies and live music: In the evenings, Wekiva Island transforms into a magical place where families can watch movies under the stars or listen to live music performances. It's the perfect way to end a day of adventure and create lasting memories.At Wekiva Island, kids can embrace the freedom of being outdoors, connect with nature, and make unforgettable experiences. So pack your sunscreen, grab your swimsuits, and get ready for an unforgettable day at Wekiva Island!Nunan Butterfly GardenNunan Butterfly Garden is a magical place filled with colorful butterflies fluttering through lush gardens and enchanting pathways. It's a place where you can learn about the amazing world of butterflies while enjoying the beauty of nature. At Nunan Butterfly Garden, they're dedicated to conservation efforts and have educational programs that teach kids about the importance of protecting these delicate creatures.One of the highlights of Nunan Butterfly Garden is the native butterfly species that you can see up close. From the striking Monarch butterflies to the vibrant Swallowtails, there are so many different types of butterflies to discover. You can watch them as they land on flowers, sip nectar, and gracefully take flight. It's an experience that will leave you in awe of these incredible creatures.If you're interested in creating your own butterfly garden at home, Nunan Butterfly Garden also offers butterfly gardening tips. They can teach you which plants to choose to attract butterflies and provide them with a habitat. You'll learn how to create a welcoming environment for these beautiful insects and help support their populations.Inflatable Water ParksOne of the most exciting and fun-filled attractions for kids in Orlando are the inflatable water parks. These outdoor water play areas are a blast for children of all ages.Here are four reasons why inflatable water parks are a must-visit when you're in Orlando:Endless Water Fun: Inflatable water parks offer a wide variety of water activities that will keep kids entertained for hours. From giant water slides to obstacle courses and splash pads, there's never a dull moment at these parks. Kids can slide down slippery slides, jump on trampolines, and dive into pools of refreshing water.Safe and Supervised: Inflatable water parks prioritize safety and provide a supervised environment for kids to play. Trained lifeguards are always on duty, ensuring that children can enjoy their time in the water without any worries. Parents can relax knowing that their little ones are in good hands.Perfect for Hot Days: Orlando can get pretty hot, especially during the summer months. Inflatable water parks provide the perfect escape from the heat. Kids can cool off and have a splashing good time while enjoying the refreshing water. It's the ultimate way to beat the Florida heat!Active Outdoor Fun: Inflatable water parks offer a unique opportunity for kids to engage in active outdoor play. Instead of being cooped up indoors, children can run, jump, and slide in the great outdoors. It's a fantastic way to promote physical activity and keep kids active and healthy.Citrus TowerIf you're looking for a unique and exciting adventure in Orlando, make sure to visit the Citrus Tower. This iconic landmark offers breathtaking views of the surrounding area and is a must-see attraction for both kids and adults alike. The Citrus Tower stands tall at 226 feet and provides a panoramic view of the beautiful citrus groves, lakes, and rolling hills of Central Florida. It's a sight that you won't want to miss!To help you plan your visit to the Citrus Tower, here is a table with some important information:Citrus TowerLocationClermont, FLHeight226 feetBest Time to Visit Citrus TowerClear, sunny daysAdmission$10 for adults, $6 for childrenActivitiesObservation deck, gift shopThe best time to visit the Citrus Tower is on clear, sunny days when you can fully appreciate the breathtaking views from the observation deck. You'll be able to see for miles and take in the natural beauty of the surrounding landscape. Don't forget to bring your camera to capture the memories!In addition to the observation deck, the Citrus Tower also has a gift shop where you can find unique souvenirs to remember your visit. From citrus-themed merchandise to locally made crafts, there's something for everyone to enjoy.The Wizard of Oz MuseumThe Wizard of Oz Museum in Cape Canaveral is a magical and enchanting destination that will transport you and your kids into the whimsical world of Dorothy, Toto, and their friends. This hidden gem is filled with unique experiences that will surely delight both young and old. Here are four reasons why you should visit the Wizard of Oz Museum:Immerse Yourself in the Story: As you step inside the museum, you'll be greeted by life-sized statues of your favorite characters from the iconic movie. From the yellow brick road to the Emerald City, every corner of the museum is designed to make you feel like you've entered the Land of Oz.Explore Memorabilia: The museum houses an impressive collection of memorabilia, including costumes, props, and even Judy Garland's original ruby slippers. Kids will love seeing these iconic items up close and personal, and adults will appreciate the opportunity to relive the magic of the movie.Interactive Exhibits: The museum offers interactive exhibits that allow visitors to engage with the story of The Wizard of Oz. From a tornado simulator to a chance to try on different character costumes, there's something for everyone to enjoy.Educational Opportunities: The Wizard of Oz Museum also provides educational programs for schools and groups. Kids can learn about the history of the movie, the making of the film, and the impact it has had on popular culture.Dinosaur WorldGet ready to travel back in time and walk among the dinosaurs at Dinosaur World in Plant City, a prehistoric paradise that will ignite your kids' imagination and fascination with these magnificent creatures. Dinosaur World is an outdoor adventure park where you can experience the thrill of being surrounded by life-sized dinosaurs. As you explore the park, you'll encounter over 200 life-sized replicas of dinosaurs, from the towering T-Rex to the gentle Brachiosaurus.At Dinosaur World, there are plenty of activities to keep your little adventurers entertained. Check out the interactive fossil dig site, where kids can dig for their own fossils and learn about ancient fossils. Take a walk on the Dino Trail and discover interesting facts about different dinosaur species. Don't forget to bring your camera to capture the awe-inspiring moments!Here is a table to give you a better idea of what Dinosaur World has to offer:Outdoor Adventure ActivitiesAge RangeDescriptionFossil Dig Site3 and upExcavate fossils like a real paleontologist!Dino Trail5 and upLearn about different dinosaur species.Dino Playground2 and upClimb, slide, and play on dinosaur-themed equipment.Fossil Museum6 and upExplore a collection of real dinosaur fossils.Jurassic River Ride8 and upTake a thrilling rafting adventure through the Jurassic period.Dinosaur World is not only educational but also a whole lot of fun. So grab your hat, put on your explorer boots, and get ready for an unforgettable adventure at Dinosaur World!Bok Tower GardensBok Tower Gardens is a magical place where nature and music come together to create a truly enchanting experience for visitors of all ages. As you step into the gardens, you'll be surrounded by breathtaking botanical wonders that will leave you in awe. But Bok Tower Gardens is more than just a beautiful place to visit. It's also a hub of conservation efforts, working tirelessly to protect and preserve the natural world.Here are four reasons why Bok Tower Gardens is a must-visit spot in Orlando:Conservation efforts: Bok Tower Gardens is committed to protecting the environment and promoting sustainability. They've implemented various initiatives like water conservation, recycling, and wildlife habitat restoration. By visiting the gardens, you're supporting their mission and contributing to the preservation of our planet.Botanical wonders: The gardens are home to an incredible variety of plants and flowers from all around the world. From vibrant orchids to towering palm trees, you'll be amazed by the diversity of botanical wonders that thrive in this serene setting. Take a leisurely stroll through the gardens and discover the beauty of nature up close.Musical melodies: As you explore the gardens, you'll be serenaded by the melodious tones of the Singing Tower. This iconic landmark houses one of the world's finest carillons, a musical instrument comprised of bells played by a keyboard. Don't miss the opportunity to attend a live carillon concert and let the music transport you to another world.Family-friendly activities: Bok Tower Gardens offers a range of activities that are perfect for families. Kids can participate in nature-themed scavenger hunts, interactive workshops, and educational programs. They can also unleash their creativity at the Children's Garden, where they can play, explore, and learn about the wonders of nature.Bok Tower Gardens is a hidden gem that combines conservation efforts, botanical wonders, and musical melodies to create an unforgettable experience for everyone. So, pack your sense of adventure and get ready to embark on a journey into the heart of nature at Bok Tower Gardens.Old Sugar Mill Pancake HouseLocated in De Leon Springs, the Old Sugar Mill Pancake House is a delightful breakfast spot that will satisfy your cravings for delicious pancakes in a unique and historic setting. When you step inside this hidden treasure, you'll feel like you've traveled back in time. The restaurant is housed in a building that was once a sugar mill, with its rustic charm and cozy atmosphere.Now, let's talk about the star of the show: the pancakes! The Old Sugar Mill Pancake House serves up some of the most mouthwatering pancakes you'll ever taste. From classic buttermilk pancakes to creative flavors like chocolate chip and blueberry, there's something for everyone. And don't forget to try their famous apple pancakes, made with fresh apples and sprinkled with cinnamon. They're simply divine!But it's not just the pancakes that make this place special. The Old Sugar Mill Pancake House also offers toppings galore, from whipped cream and syrup to fresh fruit and nuts. You can truly customize your pancake masterpiece and make it your own.And let's not forget about the setting. The Old Sugar Mill Pancake House is surrounded by beautiful gardens and a bubbling spring, making it the perfect spot for a leisurely breakfast with your family. After you've enjoyed your pancakes, take a stroll around the grounds and discover the beauty of De Leon Springs.The Disney Collection at Orlando Public LibraryAfter indulging in a delightful breakfast at the Old Sugar Mill Pancake House, our next hidden gem in Orlando takes us to the magical world of Disney at the Orlando Public Library. This library isn't your ordinary library - it houses a special collection dedicated to all things Disney!Here are four reasons why visiting The Disney Collection at Orlando Public Library is a must for kids:Education and Entertainment: Libraries are known for their vast collection of books, and The Disney Collection is no exception. Kids can dive into the world of Disney through books, magazines, and DVDs, expanding their knowledge and imagination. They can also enjoy interactive exhibits and storytimes that bring their favorite Disney characters to life.Disney's Impact on Popular Culture: Disney has had a huge impact on popular culture, and this collection allows kids to explore the history and influence of Disney in a fun and engaging way. They can learn about the creation of beloved characters like Mickey Mouse, the making of iconic Disney movies, and the evolution of Disney theme parks.Creative Inspiration: The Disney Collection at Orlando Public Library is a treasure trove of inspiration for young artists and writers. Kids can browse through concept art, storyboards, and behind-the-scenes materials to see how Disney movies are made. This can spark their creativity and encourage them to create their own stories and artwork.Community and Connection: Libraries aren't just about books, they're also about building a sense of community. The Disney Collection at Orlando Public Library is a place where Disney fans of all ages can come together, share their love for Disney, and connect with like-minded individuals. It's a place where friendships can be formed and memories can be made.Alaska Farms Goat YogaIf you're looking for a unique and fun activity in Orlando, look no further than Alaska Farms Goat Yoga. Imagine doing yoga poses while adorable goats roam around you. It's a fantastic way to spend time with your family and enjoy the benefits of yoga. Goat yoga is becoming increasingly popular because it combines the relaxation of yoga with the joy of interacting with animals. Here are some reasons why you should give goat yoga a try:Goat Yoga BenefitsGoat Yoga LocationsFun FactsRelieves StressAlaska FarmsGoats areImproves FlexibilityOrlandonatural climbersBoosts Moodand love to exploreEnhances Concentrationtheir surroundingsConnects with Natureand interact with peopleAlaska Farms in Orlando is one of the best places to experience goat yoga. They offer classes for all ages and skill levels, so everyone can join in on the fun. The farm is a beautiful and peaceful setting, perfect for a relaxing yoga session. As you practice your poses, the goats will wander around, curiously observing and sometimes even joining in on the action. It's guaranteed to make you smile and laugh throughout the entire session.Not only is goat yoga a great way to exercise and connect with animals, but it also has many health benefits. It can help relieve stress, improve flexibility, boost your mood, enhance concentration, and create a deeper connection with nature. Plus, goats are naturally curious and fun-loving creatures, making them the perfect companions for a yoga session.Frequently Asked QuestionsHow Can I Access Lake Apopka Wildlife Drive?To access Lake Apopka Wildlife Drive, you can easily find parking at the entrance.Once you're there, get ready for an exciting adventure! This hidden gem in Orlando is a paradise for nature lovers.You'll have the chance to see a variety of wildlife, including birds, alligators, and more. Take your time driving along the scenic route and keep your eyes peeled for amazing sightings.Don't forget to bring your camera to capture the magic of Lake Apopka Wildlife Drive!What Can I Expect to See at the Showcase of Citrus?At the Showcase of Citrus, you can expect to see a vibrant citrus grove with rows and rows of juicy oranges and grapefruits. The smell of the citrus fills the air as you explore the farm.Kids can enjoy activities like picking their own fruit, taking a ride on a monster truck, or even feeding the friendly animals on the farm. It's a fun and interactive experience that the whole family will enjoy.Is the Winter Park Scenic Boat Tour Suitable for Young Children?The Winter Park boat tour is a great option for young children to enjoy in Orlando. It offers a scenic and relaxing experience on the water, where kids can learn about the local wildlife and history of the area.However, if you're looking for alternatives, there are plenty of other kid-friendly spots in Orlando, such as the Lake Eola Swan Boats or the Stanley Pond Adventure Farm. These places offer fun and interactive activities that cater to all ages.Are There Any Age Restrictions for the Cassadaga Fairy Trail?Are there any age restrictions for the Cassadaga Fairy Trail?Well, let me tell you, it's a magical place that kids of all ages will adore! There are no specific age restrictions, so everyone can enjoy the enchanting walk through the fairy-filled woods.And speaking of kid-friendly adventures, the Winter Park Scenic Boat Tour is perfect for young children. They'll love cruising along the beautiful canals and spotting wildlife.What Is the Best Time to Visit Kraft Azalea Garden?The best time to visit Kraft Azalea Garden for the popular photo spots is during the spring when the azaleas are in full bloom.The garden is a beautiful and serene place to capture stunning photos with your family. With its picturesque pathways, vibrant flowers, and scenic lake views, it's no wonder why Kraft Azalea Garden is a favorite spot for photographers and nature lovers alike.Don't forget to bring your camera and capture lasting memories in this hidden gem of Orlando.ConclusionIn conclusion, Orlando is a treasure trove of hidden gems for kids to explore. From the majestic wildlife at Lake Apopka to the enchanting Fairy Trail in Cassadaga, there are endless adventures waiting to be discovered.So, gather your family, embrace the excitement, and embark on a journey that will leave you with unforgettable memories. Orlando's secret spots are ready to be explored, so let's go on an extraordinary expedition of fun and fascination!

submitted by Sweet-Count2557 to worldkidstravel [link] [comments]

2024.05.15 04:29 EccentricSage81 usb4 type C worse than cheap usb ethernet lan landline1900s phones? (rj11/45/cat8e whatevs)

Ethernet has landline 1900s phones two pairs wires reserved in the spec sheet its 8 or so wires when crimping the ends uses like two with one for ground and one seemingly empty and then has two for phone and some unused, with old 10/100 baseT coax with terminating ends exactly like optical or coax 90s cable TV with optical fiber 99% of the way just your block has coax to the rest which uses the 'same'DOCSIS data over cable standards as fibre optic.. just slightly worse latency and bandwidth is calculated by latency things like wifi lan has like 11 channels or 15 channels of frequency which optical calls wavelengths of light. A 2015 or around there linus tech tips video of him going to a swedish lan party called dreamhack had a bunch of multiple redundant 8Terabit or was it bytes of fibre optic internet they explained with light having 7 colors but having 8terabytes of bandwidth with different wavelengths of light called frequencys or a better term for optics is known as LASER ARRAYS of light at fixed frequencys that often plugs into the PC via ethernet cables or whatever for a gamer lan party or home/residential or small businesses at realistically within budget of anything with enough users to require that bandwidth or 'web hosting or web servers' you dont need to be an undersea cable or international link with 200terabits plus for an internet exchange to your main CBD or the fastest like the netherlands IX...
So the problem im trying to solve is, here in australia we got our undersea cables done wrong they kept breaking and we didnt have a navy or defense force securing our countrys communications to prevent war crimes and keep us connected to the global banking systems or whatever.. and then when our biggest telcos cable or fibre all had dialup speeds for around 2 weeks in the early years 2000s to force us to pay other countrys to connect to their links and be ' end of the line' maybe paywalled or proxied off the internet randsomewared to connect to and borrow bandwidth from other countries satellites and other countries undersea link cables which truly were indestructible to any cruise liner ships anchors whatever being flexible giant steel braided cables big as a CAR when australia finally paid to lay small sections of that stuff to link up to others and not pay randsome to internet butt bandits or have private businesses and multi nationals run their own links and ignore the public our lack of a defense force actually let somalian pirates literally somehow pick up and walk off with our expensive undersea car sized cables filled with a few arms thick of hair thin fibre optics which is cheapest clear resin enamels plastics about $3 not sure if USD per kilometer and resembles modern glass/glazing. How does anybody steal that stuff without people noticing like you cant just load it onto a truck and drive away? or a boat? if only satellites and some sort of defense organization existed to prevent us from being impersonated or whatever.. So now in australia ANYTHING with words like gigabit costs a fortune for a mainboard or switch or ethernet hub.. but the ancient 1900s 10/100 telephone land line wires of ethernet 10/100 clock in at a whopping 13 or so mhz sometimes 27.. and 60 or more mhz for like gigabits and whatever it increases shockingly fast with each mhz clock cycle as its units of work over time in nano seconds or zeptoseconds you see billionths of a second nano second RAM and PC with windows realtime kernel actually uses like ryzen hardware negative latency faster than reality freely syncing with any device in the universe and fixed mhz frequency bus can drive like 50 to 100 or thousands of GPU's and HDDs and monitors or whatever from the one modern multicore PC or whatever.. 90s AMD business server still holds world records for most connected devices though it had stackable CPUs opteron and would have used infinity cache type stuff probably software 3dnow and evolving game worlds tech of 80s and 90s AMD gaming evolved advertising.
So in australia anything gigabits costs hundreds of dollars for a switch router some thousands for lots of ports.. but its the shittiest weakest bandwidth ever with mhz and performance miles short of a raspberry pie or whatever. I had to pay a fortune for a mainboard with 10gigabit LAN port and everytime i got a high speed LAN port its been broken or missing so some pricks can sell ebay routers or switches for thousands here.. not knowing why its so expensive is youre paying fortunes for any real bandwidth because australia has to pay literal somalian pirates for their internet connections or privately owned businesses like telstra for access to their private links and glares at countries like new zealand and hawaii for being super technologically superior.. a cheap USB ethernet adaptor costs under 10 bucks on ebay or whatever and is maybe gigabit and your switches and routers 90% of the time you want the cheapest UNMANAGED switch possible. Yet the mainboard i recently purchased ASUS pro art creator x670E i recall had an issue with some asshats trying to steal pathetic measly 40gigabit USB4 chips from all the boards at the computer store to sell on EBay as other junk, when anything in the universe with an M.2 ULTRA slot does 40gigabits since PCI express 3.0/4.0 as PCI express 3.0 SSD drives famously use a specific I/O controller chip which gives them 38gigabits 550MEGABYTES PER SECOND for just about every SSD in the universe minimum constant fixed performance clock frequency of operation no moving parts all day everyday always 550megabytes per second. 550MB of the ultra M.2 slots 40gigabits of bandwidth in that one slot each PCI express lane or channel has a total of.. well google it yourself for an AMD pciexpress board x270 x470 or x570 board or a threadripper gen 1 or ryzen gen 1 board and its 120 pci express lanes controller or whatever. But for a couple years when AMD had pci express 4.0 and better than M.2 ultra intel was playing catch up on PCI express 3.0 and still had regular m.2 in all their boards until AMD was ready for pci express 5.0 my friend on intel bought the same NVME drives and complained they had corruption errors or issues i later learned his board wasnt fast enough and he was maybe trying to use the samsung magician RAM disk and enable NVME features and functions intel maybe did not yet support.
So.. why is USB 4 so many years late and why is it so dang expensive when terabits of ethernet or anything optical is like the cheapest stuff ever and comes with every internet connection since the 90s at the lowest cheapest mhz and 1900s land line wire telephones ever, remember digital isnt a physical thing and everythings literally analog with a sensor or multimeter whatever mathematically translating it to a graph or algebra equation mapping it into different values digitally +10 -10 whatever using microphones or camera sensor whatever. the gigabits tax and uhh LAN port taxes for dumb gay australians being literally see it via satellite outerspace levels dumb and gay astrogaylian should not apply to the cheapest of raspberry pie free 3d print or laser CNC yourself something computery like risc V for the cheapest of USB flash drives or memory cards etc.
I get intel pretends to have invented court ordered USB to probe their hardware after it was proven to have used other peoples code and chips by the chip makers and them selling computers with keyboard and mouse hardwired in so you bought a whole new computer when a key broke on the keyboard couldnt replace them.. and every other device had USB but theirs didnt free open standard and it kinda being the only way to connect any device in the universe and freely sync with it (mics/phones whatever).
why is 1900s phone tech ethernet so dang expensive to go from 20mhz ranges to 80 or whatever mhz ranges or use something very similar to 90s optical audio SPDIF output or anything remotely like a laser in australia? and who would be dumb and gay enough to be so financially retarded as to think that USB 4 was expensive or special as to steal it? am i... missing something?
also before you complain, but ethernets not the same as USB you cant power over ethernet or use your houses electrical wires as ethernet. You also cant use ethernet for monitors or displays, and its not like you can extend HDMI range limit of a about 10 to 15 meters by swapping its ethernet wires with optical ones for it to maintain its HDMI 0 latency spec or type C USB 0 latency spec. USB lets you connect heaps of devices you cant do that with an internet or ethernet for things like keyboard and mice or monitors or whatever. I understand what you mean power over ethernet or PPOE standards suck theres no way those are a thing. using devices over the internet and not the intranet who does that? thats so dumb. remote administration, theres no such thing youre mistaking malware or rootkits im sure. you cant connect a heap of devices up or entire computers to a ethernet port thats the dumbest gayest thing i've ever heard in my entire life! My gaydar is going off and it looks like the wifi symbol.
when trying to use anything ethernet with lame awful bandwidth thats limited, on my AMD board where the website images show AMD ethernet lists as marvel yukon controller i cannot use as its maybe broken there no light on the back, in devices managers advanced tab you can see the send receive or transmit buffer sizes and countless other ethernet settings are MISSING or a blank space. and are limited to 128 on send and 256 on receive up to 4096 or whatever max. But low latency 128 or 256 is maybe best but not all are an option and most networking features on the intel LAN adapters are missing countless advanced ethernet properties and settings because they're fake and lousy and the worst latency ever and they literally seem to swap your windows kernel out with something not realtime so you cannot ever hope to record or playback audio or video or anything close to a video game in hopes of slowly selling it back to you. Linux distros did this too its the dumbest thing ever that to hear or record or playback or play games you must patch in a realtime kernel for free to game like its the 80s and 90s or DOS or whatever. most 90s PCs were CAS 1 or lower nanoseconds. DDR 3 1600mhz depending the maker might be CAS1-4 latency. How can we verify our kernels are correct? and our ethernet and I/O bandwidth is correct? the youtube video about linus tech tips dream hack lan party of gamers in sweden was edited and reuploaded by illiterate asshat buttpirates maybe from somalia or the ones randsoming us some of their internet connections as a proxy piggy back on the international links as we dont have a defense force or army or whatever and dont know what war crimes are or why they are or what the heck a bank is and sure as shit dont know the cost of anything cheap USB or LAN. The dreamhack linus video falsely shows as 6TERABIT. they wanna steal 2TERABITS of EVERY optical or ethernet devices which isnt the government doing it if they wanna see whats in your computer they can document their reasons of why which is what a warrant is they dont need one if they believe a crime is occuring and literally take the computer by law to inspect it then give it back when nothings wrong they leave you a claim ticket and have you document it at the nearest policing station or whatever fill out forms sign 'they are taking my PC and i can get it back when it wasnt used for crimes." when australia doesnt technically have an internet and doesnt technically have RAID arrays which is required to use USB or SSD or NVME or storage tech with no moving parts and multicore a 2TB SSD is twice as fast and often has 2x 1TB wafer chips in there figure it out the IO controller chip supports many and you can buy the cheapest USB sticks with like 16terabytes of storage space i just see a $extend folder or uhh file format header thingy in the partition in my mainboard bios on that particular drive and using any cheap SSD or USB devices makes linux cry about the partition managers cant write or read extending past the storage limit. it doesnt take a genius to figure out what dumb gay fags the whole internet is.
infinitybitdepthinfinitygraphicsinfinitypixelsinfinityresolution.7z ~ pixeldrain

submitted by EccentricSage81 to Troubleshooting [link] [comments]

2024.05.14 23:04 smcadam Undermountain Session Log 11- Floor 2, Dead Gaze

Tracking down the Xanathar Guild Outposts and the traitors of Halleth through Floor 2, this week the party had Goba, the Dwarven fighter barbarian, Archimedes, the Gnome artificer, Freyja, the half Elf paladin, and Nazar, the Goliath paladin.
Alongside them came Nanaz, Goba’s grouchy duergar uncle and manservant, and Halleth Garke, revenant adventurer currently dead in their portable hole.
DEAD EYES WATCH POST
Faced with an undead Beholder, the party at first found the Xanathar Guild Outpost to be quite tame. Archimedes shot it well with his magical gauntlets, but Nazar, Goba and Freyja have only basic ranged weapons. In turn, the two paladins protective auras prevented the vile magic from taking effect.
Up until doors slammed open, and a cohort of mobsters and orcs poured in, having heard the ruckus. The humans, led by a barbaric greataxe wielding woman, Nadia the Unbent, seemed to be in competition with garotter orcs led by a well armoured Boss Grox, with the orcs wearing symbols of an upside down tree.
Too little melee turned into too much melee very quickly. Goba heroically engaged in a barbarian duel with Nadia, Freyja battled an orc strangler, and Nazar unleashed a divine spiritual weapon upon the undead beholder. Who looked over them and unleashed a black bolt of energy directly at Archimedes. The gnome shook with deadly energy, quaking him to the very core, and was unsettled to realise he had almost been disintegrated.
It was a very close battle, swung by Goba slaying Nadia and the paladins slaying the orcs. They intimidated the human mobsters into standing down, while the Beholder was finally smited by Freyja, and Boss Grox retreated, ranting of traitorous Guildmen.
FLOOR TWO DAY TWO
Said treacherous Xanathar Guild men immediately legged it into the tunnels- the orc had another squad of orc mercs exploring nearby, and they didn’t fancy sticking around to face them all. The party was beaten and battered already so they hotfooted it back to the Goblin Bazaar, taking note of where the mobsters ran as another likely outpost.
After returning to the Rustbones Goblin Bazaar, they had the safe territory to rest up and heal up, reflecting on a wild day- on their first excursion through floor two, they’d allied with Queen Yenk, encountered Torbrand, slain the Stormskull, killed two targets of Halleth’s vengeance, defeated the Nothics, Demons, and Nadia the Unbent. Now quite bent.
Which is code for, boom, several of the party levelled up to level 7 quite early on in the floor, being Nazar and Goba who make sessions most regularly.
Over the night, Freyja dreamt of her father, an elven paladin named Jan. With him she had sworn before the shrine of Mielekee, Goddess of the Forest, to always be brave, strong, just. And she had seen him die, choked out on poison from a Green Dragon, Bullfang.
The dragon who lurks deeper down in the dungeon.
Come morning, with some encouragement from Queen Yenk, they ventured out once more.
DIPLOMACY???
They discovered Boss Grox along with another six orc mercenaries, eating breakfast with full packs back at the outpost. The orc debated if they wanted to attack him and die- or if they wanted to hire him. He and his crew were mercenaries, not truly loyal to Xanathar, up from the orcish tribe of the Hanging Tree that dwells on Floor Three.
The party elected to not fight or hire them, and poked around the rooms to find the orcs had thoroughly looted them, including of a magical dwarven hammer. But since the orcs are leaving and noone is loyal to Xanathar here, the outpost is wiped! Success! They also discovered another of Halastur’s Gateway portals here, marked with dwarven statues, grindstones, and a symbol for Floor Six.
Heading off to scout elsewhere, Halleth was revived and arose, delighted and furious that he had missed the chance to kill Rex the Hammer himself, so much so that he was bleeding from the eyes. He again croaked angrily that none had even attempted to give him funeral rites, and was hungry to search for his final target, Midna, somewhere nearby.
In the farthest north of the dungeon, they discovered a corridor trapped with dart shooters, and two Xanathar Guild Bugbear Guards. On Goba remembering a pass phrase from earlier, but saying it at the wrong time, they got a brief, stand off meeting with the outposts leader- a spider faced Drow named Shun.
Shun was impressed they’d taken down Nadia, a rival of his, and offered a simple challenge- they bring back a stone key from ratfolk stole from him, and he’ll put in a good word for them to join the guild. Otherwise, he’ll call on his men and start shooting them down a trapped corridor if they want to fight.
Another quest acquired? Maybe?
The party decided not to fight him for now, avoided some tunnels that stank of slime, and followed Halleth’s vengeance sense eastwards. There, beyond some grand old double doors, they found an oddly plush comfortable shrine with a fully laden feast table, bright magical fires illuminating the place, and a statue of Shar, Goddess of Night, Loss and Darkness.
Tending to the black-and-gold stonework was a woman clad in dark robes, smiling features and scarred flesh. Midna invited them to turn on Halleth, simply claiming that he was too troublesome to be kept alive. When they refused, Midna quietly elected to offer them to Shar, and the chamber plunged into darkness as long shadows sp

submitted by smcadam to DungeonoftheMadMage [link] [comments]

2024.05.14 17:57 Amphibian_Basic Firs impressions feedback

I love the idea of Kosmik but the execution isnt quite there yet. I plan on trying it out further but theres a couple of things that get in the way. This is my first impressions review and what i intend as constructive feedback
Usability (testing on windows 10)
Smaller stuff easy to improve (but are creating attrition for me constantly)

(BUG) For me right-click -> create if i dont navigate correctly to the desired option the sub-menu with the options disapear while the main right-click menu still shows. I need to close the menu and re-open it to try again
Lack of basic keyboard functionality like shift+arrows for selecting text
Wich is very weird- on one hand things like text editing are telling me 'this is mouse first', meanwhile i cant drag the canvas with the mouse, only by pressing space...?
Im constantly confused by the delete key not working, instead only the backspace deletes cards
Cards can only be resized on their corners
I expected dragging urls would add then to the canvas and bookmarking being some sort of traditional bookmarks. Took me awhile to figure it out
Theres a Tag button on the browser, but applying tags to the open browser and later closing the browser dont make that url appear anywhere searching for that tag
'Bookmarks'(urls on canvas) for me are failing to show any image or preview beyond the default space station illustration (except for kosmik own website)...
...and then the app prevents me from resizing the cards RATIO- i can make the card smaller but i cant make it more of a rectangle or very small, im forced to have a big square repeated ilustration for each, and with no alternative like folding then
Absent settings for the overall app and smaller features or options- like ui size, custom keyboard shortcuts, dark mode

At least on windows feels a bit undercooked. I dont know wether some of those are design choices or features still missing but i feel the design a bit at odds- in some parts it conveys 'use mouse only/first' in others it demands keyboard, and in the mean time some of the common design patterns both for mouse and keyboard arent used or use some non-tradional choice- making it harder to learn, creating some confusion or wrong expectations.
For example the bookmark icon is a vey tradional and ubiqutuous skeumorphic symbol for a very common feature that saves urls or files in a list, tradionally urls. Some apps get away using then for favorite files, photos or other things given their context so the user can imagine the equivalent in a given context... but here it shows alongside the in-app browser, next to an url... Maybe a different icon, like a card with a Plus sign and a tip 'add to canvas'?
I dont understand why tags are in the browser if apparently they only work with cards added on the canvas. If the intent was treating the open browser as a canvas element then said browser should be like a card (for example being able to open multiple browser windows in different universes) as if they were cards. Right now the browser is like a temporary tool...
If the intention (im trying to deduce here) was to apply tags before bookmarking so the bookmark already apply said tags then both operations would work better together- 1 button, the add-site to canvas, and that button opening up a prompt to add tags before confirming if desired.
Overall- Service, app, marketing
I was a bit misled regarding expectations because of a video/moto 'best browser for research' - so i installed it expecting more of a Browser with a canvas then a canvas with a very limited in-app browser. So i came expecting multiple tabs or adding extensions...
I dont mean to say the app should be like a browser BUT it is a interesting area to improve and turn into its differential, given some of the competition and how most people would be using it alongside a browser anyway
In a general sense my impressions:
From the 'best browser for research' perspective:

Some missing browser features creates attrition, like quickly switching between 2 sites (tabs or some alternative) or having common used urls quickly acessible (like favorites/bookmarks in a traditional sense)
For example if i have a site i commonly use or search and wanted to quickly open the app requires we add then to a universe. If i make a universe of 'favorites' they will only open those sites on that particular universe... if i want those common shortcuts elsewhere id have to add then to each and every universe...?
Given the research goal, existing features like tags and search i was expecting things like bookmarks could have descriptions. I can add a bookmark to a universe then create a text/note explaining it on 1 universe...
...but then i cant add that same bookmark and that text and its tags in another universe, unless i made a new repeated bookmark and written the same thing again
Therefore 2 feature suggestions: (1)some bookmark list or browser, where the bookmarks can also have tags even if they exist globally (2)optional description for bookmarks, that would be acessible if/when theyre added from bookmarks to a canvas
Some useful features from some browsers or famous extensions are great for research, like saving and reopening sessions...
...or searching through your history
Theres complete obscurity how the app handles logins, cookies... or options for different profiles. We can make different universes, but i see no way of having different profiles/spaces (with different universes each) where one im logged in with my work mail and the other my personal one.

I wonder if the app allowed for pages inside cards (not previews, rendered pages) would be a good alternative for things like tabs
From a general canvas-notation perspective

Universes even tough created/saved locally are always in sync with the cloud - im one of those people that dont like having sensitive data on clouds because leaks and data theft by hackers exist (and do hit even huge companies). I wouldnt create some of the universes/notes i naturally would take in Kosmik, only more general browsing links and quick notes- unless it had an option for optional local-only universes
A lot isnt covered in the FAQ and i couldnt find the answers, such as:
I see no options for exporting universes or its notes in any way
I could have no sense if images copy-pasted/dragged from the browser are like urls the canvas render (so no file size) or copy-pasted files that hit the cloud space quota- im under the impression theyre all copy-pasted (and i feel like they shouldnt, the app should consider every url as that and render the url)
I can see nowhere how much space been used, left, etc

I have used waaay too many notes and canvas apps in my search for the apps that filled that niche for me like id like, and heck for years a good app with canvas was my most wanted feature that almost no one was doing save for few clunky flowchart apps.
Im glad that now theres been a boom of options and ive been giving everyone a chance- but still not one have all the things id like (i could pinpoint a frankenstein of features from different apps id wish into one)... Kosmik is already ahead of half of the competition (imo) just by having both a native app and web view options, and by the apps having the files locally+sync instead of rendering from the cloud only all the time (much faster and snappiers wich is a big deal for me) - and the web/browsing+canvas angle is a very interesting proposition
But that is where i got disapointed- the web-browsing in app alongside canvas is still very limited to hit the potential of that proposition. As it is right now, for example, i feel more confortable having any browser in a smaller window and copy-pasting urls into Kosmik then relying fully on the internal browser, save for quick search queries
I focus so much on the browser aspect not only because it was how i first found about kosmik but also because without that angle it falls short on some alternatives. Not completely btw, drawing tools and pdf handling seem to be great and ahead of some alternatives (some are good at drawing but barely beyond that, others better as notes but with terrible or no drawing)...
But i still feel like the 'best app for research' (browser+canvas/notes+pdf), emphasis on the browsing is the best angle, best bet for Kosmik to grow above alternatives... but extra emphasis on potential- i dont feel like its hitting that note quite yet, at least not on windows.
I will try to stick with Kosmik for awhile despite the clunkiness and attriction i feel, but not as id like to use it and more like a buffer between traditional browsing/searching and taking my notes- im planing on inserting Kosmik in between as quick notes for links before later refering to then on notes elsewhere... but i confess im sort of forcing this workflow just to keep using kosmik and keep tabs on updates- im sticking around in the hopes of what may come and not for what it currently is.
I have high hopes for the app and in my case (i lean more towards power user then casual) even if i use other apps a good better version of Kosmik in this niche would fit for me even alongside other apps. Heck i currently use 2 similars in tandem (similar in notes/canvas) for their different strengths and niches- and neither have carved web browsing research as their niche
Anyway, those were my very long 2cents. I hope the feedback is taken positively

submitted by Amphibian_Basic to kosmik_app [link] [comments]

2024.05.14 03:48 gloreeuhboregeh Will I have to buy a new keyboard for a keycap set? recommendations?

I'm not too educated on keyboards, I just bought whatever when I got my PC a year ago as I don't have the budget to spend on nicer mechanical keyboards or to collect keycap sets. However, I won a set of limited edition keycaps and I'm looking forward to putting some use to them as I was actually recently looking at keyboards with the same style of putting the symbols on the side of the keys. I was checking out my current keyboard to see if it'll be compatible but I'm not entirely sure if there's anything I'm missing, like for example how the set says it has MX style switch support and it seems my keyboard is a membrane type. I'm assuming this means I'd have to buy the switches, or an entire new keyboard? If so, does anyone have any recommendations? I do have a $50 Best Buy gift card tucked away if anybody can show me a nice one from there, but I'm open to other purchase locations/sites as well.

submitted by gloreeuhboregeh to keyboards [link] [comments]

2024.05.13 22:17 TheDeanster79 My PC does this weird thing a lot

So I had gotten this ROG Strix G10dk when it was on sale about 1 and a half to 2 years ago and never had issues, the out of nowhere it starts doing this weird thing where it doesn't wanna boot past the Logo with the "Press F1 or Del to open Bios" or whatever, but it'll load right after that screen and then my Mouse and Keyboard will stop lighting up like it usually does when it starts up but then they flash and stay off, there's never a picture after the loading symbol. I haven't changed any settings in Bios (because I don't really know what I'm doing in it anyways) and thought changing the SSD would fix it but it didn't and i still don't know what it is causing it. I've searched on everything looking for some solution if temporary but couldn't ever find anything so I just never turn my PC off I always put it in sleep mode and then restart it every 2-3 days (which I don't fully understand why it only does this when I shut it off and then turn it back on and Rarely when I restart it).

submitted by TheDeanster79 to pchelp [link] [comments]

2024.05.13 14:26 sonofabutch No game today, so let's remember a forgotten Yankee: Horace Clarke

"I played major league baseball for parts of 10 years, and I played in the magnificent city of New York, and as a child in St. Croix that was beyond dreams. Yes, I am a happy man." -- Horace Clarke
The worst stretch of Yankee baseball since the Highlander days, the mid 60s to the mid 70s, is remembered by those who lived through it as the Horace Clarke Era. Unfairly or not, the bespectacled switch-hitting middle infielder from the U.S. Virgin Islands came to symbolize all that was wrong with the Yankees in those sad years.
Horace Meredith Clarke grew up on the island of St. Croix in the U.S. Virgin Islands. He was just the fifth player from the U.S. Virgin Islands to play in the majors, and the first Yankee. His father had grown up playing cricket, and because there were no youth baseball leagues on the island, young Horace played softball. He said he didn't see his first baseball game until around age 13, when he saw some U.S. Navy sailors playing.

“We were poor kids in St. Croix. We played on a field which was right on the ocean and had no fences. We couldn’t afford baseballs. So the coach made the lefthanded batters hit righthanded and the righthanded batters hit lefthanded. This was so they couldn’t hit the ball so far. It saved us from losing the baseballs in the ocean.”

Clarke was spotted by a Yankee scout in the Caribbean and assigned to the lowest run of the Yankee farm system -- the Kearney Yankees in Class D ball. Imagine being an 18-year-old kid from St. Croix in the Caribbean, and arriving in Kearney, Nebraska in the spring of 1958. The culture shock must have been overwhelming. Maybe not surprisingly, Clarke hit a disappointing .225/.322/.283 in 187 at-bats. He said the biggest adjustment wasn't the cold weather, but night games played under the lights, something he'd never done before.
The following year Horace was in the Florida State League, and he thrived in the warmer weather, hitting .293/.375/.366 in 571 at-bats. He also stole 34 bases that year. The year after that, he was back up north, playing for Fargo in the Northern League, and hit .307/.389/.369 in 537 at-bats. The following year was Amarillo in the Texas League, where he hit .300/.364/.429.
Then the next three years in the International League, where he hit .281/.345/.352 in 1,494 at-bats while playing shortstop and second base.
But despite Clarke's promise, he was blocked by Bobby Richardson. By the time Clarke had reached Triple-A at age 24 in 1963, the 27-year-old Richardson had already been a four-time All-Star, a two-time Gold Glove winner, and had won three World Series rings... plus the MVP for the 1960 World Series, the only time in baseball history a player for the losing team won the award!
But the Yankees knew Richardson was planning on retiring, so they kept Clarke waiting in the wings. He opened the year with the Toledo Mud Hens, then the Yankees' Triple-A team, and then after a month he finally got the call to the show.
Fifty-nine years ago today, on May 13, 1965, Clarke was sent up to the plate in the 7th inning as a pinch hitter to make his major league debut in a game the Yankees were losing, 4-1, to the Boston Red Sox in Fenway Park.
Clarke, facing Dave Morehead, beat out an infield single. It was a promising beginning. But, as if scripted to be symbolic of his career, Clarke's success was short-lived as the next batter bounced into a fielder's choice. Forced out at second base, Clarke watched the rest of the game from the dugout. The next day he'd get the start and go 0-for-4.
Hitting .250/.298/.269 at the end of June as a utility infielder, Clarke was sent back down to Toledo for two months to get more regular playing time. It helped. When he returned on September 3 -- coincidentally, also against the Red Sox -- he went 3-for-5 with an RBI. Overall that month, Clarke hit .273/.298/.327, and for the season, .262/.298/.299 in 115 plate appearances. But the Yankees, the reigning A.L. champions for the past five seasons, finished a shocking 77-85, all the way in sixth place.
That off-season, Phil Linz -- the harmonica playing utility infielder -- was traded to the Phillies, opening up a roster spot for Clarke. Richardson, though only 31, had told the Yankees he would retire at the end of the 1966 season, and the Yankees wanted him to mentor Clarke as his successor.
Clarke started just seven games over the first half, but a series of injuries forced him into regular service. Over the second half, he played almost every day, hitting .276/.334/.404 in 300 plate appearances. He was mostly used at shortstop, where his defense wasn't great, but in 16 games at second base he looked good enough that the Yankees were confident he could be a regular there. Yankee fans were no doubt a little sad when Richardson officially announced to the press on August 31 that it was his last season, but at least we knew who would be playing second base the following year.
Indeed, second base was the least of the Yankees' problems. New York finished dead last at 70-89 in 1966, the team's worst performance since 1925, as injuries fell Mickey Mantle, Roger Maris, Elston Howard, and Whitey Ford.
Entering 1967 as the starting second baseman, Clarke hit a solid .272/.321/.316 (94 OPS+) in 633 plate appearances while leading the league in fielding percentage, assists, and range factor as a second baseman. He also stole 21 bases in 25 tries, a second-best .840 SB%. His 3.7 bWAR that year was better than any season Richardson ever had -- his career high was 3.2 bWAR in 1962.
The following year, the Yankees finished 83-79 -- above .500 for the first time in four seasons -- but a whopping 34.5 games out. Clarke had one of the worst years of his career, hitting .230/.258/.254 (60 OPS+) as he played through injuries all year.
He rebounded in 1969 to .285/.339/.467 (101 OPS+), with 33 stolen bases. It was, statistically, the best season of his career (3.9 bWAR). But once again the Yankees were terrible -- 28.5 games out.
In 1970, Clarke again disappointed, hitting .251/.286/.309 (68 OPS+). The Yankees won 93 games that year, but it amounted to naught as the Orioles ran away with the pennant, going 108-54 to win it by 15 games. In fact, it was pretty much over by July, with the Yankees 7 games out at the All-Star break.
It was around this time that Yankee fans began focusing their frustration on Clarke. One New York sportswriter routinely referred to him as "Horrible Horace". Miscast as a leadoff man -- he had a career .308 OBP -- and criticized for "bailing out" on double plays, manager Ralph Houk years later offered a tepid defense of his second baseman:

“I know I got a lot of criticism for playing Horace Clarke as much as I did, but he was a lot better ballplayer than anyone gave him credit for. He did a lot of things good but nothing great, and that was his problem. Besides, I didn’t have anyone else.”

The lack of a replacement was certainly an issue. In 1971, there was talk in The Sporting News about a prospect named Fred Frazier being the heir apparent to Clarke at second base. That year, Frazier hit a disappointing .261/.316/.313 in Triple-A; the next year, .216/.302/.281. The year after that, he was in the Orioles organization. He never made it out of the minors.
In fact, Clarke was the only constant in the Yankee infield in the late 1960s and early 1970s. The Yankees during the, ahem, Horace Clarke Era had holes everywhere, with a revolving door at first base, third base, and shortstop. For five years, from 1967 to 1971, Clarke was the Opening Day starter at second base; during that same stretch, there were five different third basemen, five different third basemen, and three different shortstops. Between 1967 and 1973, he started 1,017 games at second base, or 90% of all Yankee games.
But that, explained Yankees PR man Marty Appel, was kind of the problem. "Fans especially didn’t like the second baseman, the beleaguered Horace Clarke, whose major flaw seemed to be longevity. It wasn’t his fault that no one better came along, and he was a better player than the fans gave him credit for. But because he was out there, year after year, he came to stand for this disappointing run by the club."

"I always did my best. I always played as hard as I could. I never was concerned about how the fans reacted to me." -- Horace Clarke

The following year Clarke hit .250/.321/.318 in 696 plate appearances, but the Yankees again were out of it, finishing 82-80 in 1971.
Yankee fans had been miserable since 1965, but frustration with the team in general -- and Clarke in particular -- reached a boiling point in 1972. It had been seven years since the Yankees had been in the post-season, and 1972 was the first year the Yankees had the playoffs within our grasp since winning the pennant in 1964. (The "closest and latest" the Yankees had been since the 1965 season was 9 games out of 1st place on September 8, 1970.)
On September 12, 1972, the Yankees were a half-game out of 1st place at 74-64, with 17 games left to go in the season. The Red Sox were in 1st at 73-62, the Orioles tied with New York at 74-64, and the Tigers a half-game behind at 73-64. Over the rest of the season, the Yankees went a heartbreaking 5-12, while the Tigers won 13 out of 19 to win the A.L. East.
There was plenty of blame to go around for that collapse, but Yankee fans were particularly irate at Clarke, who hit .225/.267/.296 during those final 17 games.
To his credit, Clarke never complained about the boos from fans or the criticism in the press. As quoted by Dick Young in the New York Daily News in 1972:

"Sure, I would feel bad when I saw in the papers that, 'the Yankees can never win the pennant with that guy at second base.' But why get mad. I figure that's his opinion, and he's entitled to it. I must have been able to do something. Don't tell me a ballplayer can fool a manager for seven years."

Years later, Thurman Munson said his adversarial relationship with the media was based on how Horace Clarke was treated.
In 1973, the 34-year-old Clarke hit .263/.317/.308 (80 OPS+), his defense was no longer among the league leaders, and the Yankees were once again double-digit games behind by Labor Day.
It was finally time to move on. That off season, the Yankees acquired 23-year-old utility infielder Jim Mason from the Texas Rangers and installed him as the starting shortstop for the upcoming 1974 season; Gene Michael, the Yankees' on-again, off-again shortstop since 1968, was moved to second base; and Clarke to the bench. It wasn't exactly an earth-shattering move -- Mason was coming off a season in which he hit .206/.273/.290, and Michael .225/.270/.278. If anything, the two represented a substantial downgrade from Clarke's numbers. (By bWAR the previous season, Clarke was still the best option of the three, 0.6 compared to Mason's -0.7 and Michael's -0.9.)
After hitting .234/.294/.255 in 53 plate appearances as a pinch hitter and spot starter, on May 31, 1974, the Yankees finally ended the Horace Clarke Era by selling his contract to the San Diego Padres along with minor league pitcher Lowell Palmer for $25,000. At the time of the deal, Clarke was still the Yankees' best option at second base as Mason was hitting .214/.287/.307 and Michael a putrid .134/.224/.179!
Six weeks later, the Yankees tried to address their second base problem again by acquiring former All-Star Sandy Alomar from the Angels. Alomar, who fathered major leaguers Sandy Jr. and Roberto, played for the Yankees for the next two and a half seasons, hitting .248/.287/.302... again, worse than Horace's career average of .256/.308/.313.
And yet getting rid of Horace Clarke immediately turned around the Yankees' fortunes. With Horace, the Yankees were 23-27, the worst record in the American League; without him, a second-best 66-46. New York finished 89-73, just two games behind the Baltimore Orioles.
The Yankees finally found a solution to the second base problem on December 11, 1975, trading previously forgotten Yankee Doc Medich to the Pirates for Dock Ellis, Ken Brett, and a 20-year-old prospect named Willie Randolph.
Meanwhile, Clarke went to San Diego and hit .189/.255/.200 in 99 plate appearances. He was released at the end of the season and retired. He was a frequent attendee at Yankee Old Timers' Games, and promoted baseball in the U.S. Virgin Islands. He died at age 81 on August 5, 2020, from complications due to Alzheimer's disease.
The Clarke Side

Horace's nickname was "Hoss". Yankee play-by-play man Bill White loved to draw out the "s" sound.
Clarke had a reputation of being timid on double plays -- the team's pitchers thought he was apt to hold onto the ball and hop aside rather than try to get off a throw if it meant getting barreled over by the runner. (And in those days, runners came in hard -- just ask Willie Randolph!) Yankee pitchers complained to the press about it, and fans started watching for such plays. Any time the 175-pound Clarke didn't complete a double play, the boo birds came out. To be fair, despite his reputation as being afraid of contact, Clarke led the league in double plays turned as a second baseman in 1969 and again in 1971, and finished in the top five every year he was a regular.
Clarke was the last Yankee to live within walking distance of Yankee Stadium, at the Grand Concourse Hotel. His commute to work was a three-block walk... which could be a problem sometimes. Sportswriter Dick Young reported Clarke had an awkward moment when a fan, "this kid, maybe 11 or 12," walked up and asked: "Hey Hoss, how come you can't make the double play?" Clarke replied: "Well, we can't all be stars. I guess I'm just a lousy ballplayer."
Clarke had an unusual batting stance, a throwback to the Deadball Era. He stood with his legs far apart and he choked up high on the bat. Not surprisingly, he had just 27 home runs in 5,243 career plate appearances... but apparently all of them were of the over-the-fence variety.
The first of those 27 home runs was a grand slam! It was off Floyd Weaver of the Cleveland Indians on September 21, 1965. The two-out grand slam in the 4th inning helped power the Yankees to a 9-4 win.
And Clarke's second career home run? Another grand slam! It came on July 16, 1966. Clarke came up with the bases loaded and one out in the top of the 10th of a 5-5 game. Clarke crushed Jack Aker's offering to deep right to clear the bases and give the Yankees a 9-5 lead; Pedro Ramos pitched a perfect 9th to preserve the victory. Whitey Ford, who had entered the game in the 9th inning in relief, got the win. Clarke's first and second home runs were the only grand slams of his career!
Aker was later Clarke's teammate with the Yankees from 1969 to 1972, and the sinkerballing reliever was one of the pitchers who criticized Horace about bailing out on double plays.
Long before John Olerud made it cool, Horace sometimes wore a batting helmet while playing the field. He never explained why; some speculated it was because he'd once been hit in the head by a thrown ball.
Clarke said he grew up listening to Yankee games on the radio, and Phil Rizzuto -- a similarly undersized infielder -- was his favorite player. Horace was 11 years old when the Scooter won the A.L. MVP in 1950.
Mickey Mantle, his knees shot, moved to first base for the final two years of his career. Clarke, the regular second baseman both of those seasons, said that Mantle told him to get every ball he could. Horace led the league in range factor as a second baseman both of those seasons.
The Sporting News reported on March 14, 1970, that Clarke had a "novel twist" during salary negotiations for the upcoming 1970 season. He told the Yankees he'd take less money in salary if they helped him secure a $1 million loan for a construction project in the Virgin Islands. Sportswriter Dick Young speculated: "It's a very simple gimmick. First you get the Yankees to lend you $1 million for an investment. You bank it at seven percent. That brings in $70,000 a year. Then you negotiate your contract with the independent feeling that you don't have to play baseball for a living." Clarke and the Yankees eventually agreed on a more conventional contract at $32,000 -- and no loan.
Check out Horace Clarke's leadoff single on Opening Day in 1970, called by Phil Rizzuto! #23 playing first base for the Yankees is not Don Mattingly, but previously forgotten Yankee John Ellis.
Clarke set the major league career record -- since tied by Joe Mauer -- of most no-hitters broken up in the 9th inning. Both players did it three times in their career... but Clarke did it three times in the same season! He had 9th inning singles to break up no-no's by Kansas City's Jim Rooker on June 4, 1970, Boston's Sonny Siebert on June 19, 1970, and Detroit's Joe Niekro on July 2, 1970. No other hitter has broken up more than two no-hitters in the 9th inning in his career, according to the book Baseball's No-Hit Wonders by Dirk Lammers, but Clarke amazingly did it three times in 24 games spread over 28 days. Mauer's 9th inning heartbreakers came over a six-year stretch.
Clarke went 5-for-6 with an RBI in the second game of a doubleheader on April 19, 1970 -- and had 11 other games where he had four hits. In terms of fantasy scoring, his best day was either May 21, 1969, when he went 4-for-6 with three runs scored and three stolen bases, or July 22, 1971, when he was 4-for-5 with three runs scored and three RBIs.
Clarke was involved in one of the most surreal moments of baseball history on the final day of the 1971 season. The Yankees were playing the Washington Senators -- not the original Senators, who had moved to Minnesota to become the Twins in 1961, but the expansion team founded that same year to replace them. Rangers owner Bob Short, who had bought the team three years earlier, announced he was moving the team to Arlington, Texas, to become the Rangers. (Coincidentally, in 1957, Short had bought the Minneapolis Lakers and, three years later, moved them to Los Angeles.) The final home game of the Senators at RFK Stadium in Washington, D.C., was on September 30, 1971 against the Yankees. The game was tied, 5-5, but the soon-to-be Rangers scored a pair in the bottom of the 8th to take a 7-5 lead. In the top of the 9th, Felipe Alou and Bobby Murcer grounded out to bring up Horace Clarke. Before he could get to the plate, however, a fan ran onto the field and pulled up first base, prompting hundreds more fans to run onto the field in search of their own souvenirs. Clarke and the Senators ran off the field and the umpires called it a forfeit in favor of the Yankees.
Horace wore #20 all 10 seasons he was with the Yankees. It was never a particularly popular number before him, as the only player who wore it more than a few seasons was Tiny Bonham (1940-1946). Bucky Dent wore #20 from 1977 to 1982, and previously forgotten Yankee Bobby Meacham from 1983 to 1988. Another previously forgotten Yankee, Mike Stanley, wore it from 1992 to 1995, then Jorge Posada had it until Stanley returned in 1997 and reclaimed it. After Stanley left the Yankees, he asked Posada to take it back, saying that number should belong to a catcher. And now it always will, as it was retired for Posada in 2015.
His obituary in The New York Times noted that among major leaguers from the Virgin Islands -- "a relatively small roster" -- Clarke still holds the records for games played, hits, runs, RBIs, and stolen bases.
After he retired, Clarke helped promote youth baseball in the U.S. Virgin Islands. One of the players he mentored was Jerry Browne, who played 10 years in the majors between 1986 and 1995 with the Rangers, Indians, A's, and Marlins. In his SABR biography, Browne credits Clarke with teaching him baseball fundamentals.
According to the book Where Have All Our Yankees Gone? by Brian Jensen, Clarke played a uniquely Caribbean instrument called "the vibes." "The vibes is like a xylophone, marimba-related type sound. It's a keyboard-type related instrument." Clarke said he played the instrument during his Yankee days, but -- unlike Bernie Williams, who frequently strummed on his guitar in the clubhouse -- only during the off-season. "When I was with the Yankees, ya know, the instrument that I had, the vibes, I was doing it, ya know, but never in the clubhouse, though. Once you are in the clubhouse, it is all work, ya know. That was never so much allowed. I had the instrument all the years that I was a Yankee but I was involved with baseball. That was my full time and I didn't have full time to play music but, ya know, in the off-season I would have a vibe and try to learn a song by hearing from a tape or a record and that's what it was." After retiring, Clarke played the instrument with a local band called Out of Nowhere.
Of the 15 major leaguers to have been born in the U.S. Virgin Islands, the only other Yankee was Elrod Hendricks, a backup catcher for the Bombers from 1976 to 1977. Jabari Blash, born in St. Thomas, gets an honorable mention for the three months he spent as a Yankee during the 2017-2018 off-season. Blash was acquired from the Padres for Chase Headley on December 12, then traded to the Angels for a PTBNL or cash considerations. I guess we got the cash, because apparently no player was ever named.
There's a Horace Clarke High School in Jamaica, but it's not named after the Yankee. It's named after the Horace Clarke who was a member of parliament in Jamaica from 1972 to 2002.
Also not him: Horace Clarke, a teenager shot and seriously wounded by a Blackfeet Indian named Owl Child on August 17, 1869. Clarke's father, Malcolm, was killed in the same attack, which was purportedly revenge for Malcolm Clarke having attacked him two years earlier... which Malcolm claimed he'd done because Owl Child had stolen horses from him... which Owl Child said he'd done in revenge for yet an earlier dispute. The pursuit of Owl Child resulted in a massacre of at least 170 people, mostly elderly men, women, and children. As for Owl Child, he escaped to Canada and was never seen again.

"I remember the first game I played in Yankee Stadium in 1965. There were more than 40,000 people in the stands. I had just come from my country where there are 30,000 people in the entire country. That was some adjustment." -- Horace Clarke

Overall, Horace Clarke hit .257/.309/.315 in 5,144 plate appearances as a Yankee. His numbers aren't quite as bad as they appear, as he played during one of the lowest offense eras since deadball... an 84 OPS+. That ranks him ahead of fondly-remembered Yankees like Shelley Duncan (81 OPS+), Rick Cerone (80 OPS+), Miguel Cairo (80 OPS+), Bucky Dent (72 OPS+), and... Bobby Richardson (77 OPS+). And while many complained about his defense, his defensive metrics -- such as we have for his era -- indicate he was at least an average defender. He led the league in range factor three times, in fielding percentage once, in assists six times, and in double plays twice.
People tend to think about Clarke -- if they think about him at all -- as either a terrible player, representative of the teams he played on, or a good player who was wasted on bad teams. The truth is somewhere in the middle. As sportswriter Maury Allen said, he was "an average big-leaguer on below-average Yankee teams."
And in fact, Clarke's 16.0 career bWAR as a Yankee is twice as much value as the player he replaced, Bobby Richardson (8.0 bWAR). But Richardson was a fan favorite, while Clarke was scorned. But of course... Richardson won three rings. And Yankee fans love a winner!

"New York is New York. You don’t win, you’re going to hear about it. I was in the middle." -- Horace Clarke

Had Clarke come along a few years earlier and been part of the early 1960s dynasty, he might be remembered fondly as a scrappy infielder, a Tony Kubek or a Bucky Dent or a Scott Brosius -- a good but not great player who had some memorable moments.
Instead, Horace Clarke defines an era of futility.

submitted by sonofabutch to NYYankees [link] [comments]

2024.05.13 10:57 totalrewrite [EU-FR] [H] Artisans, CRP R2 Desko, Deskmats, GMK Keysets, SA Handarbeit, Keycult No.1 65 Rev. 0, LZ CLS, LZ MP, LZ PhysiX Red, MerisiWorks Dodici, Syryan Mont Cervin, TGR 910 RE PC, TX-1800 V2, TX-75 V1, TX-84 V1, TX Parts [W] PayPal, Lin EM7, Lin Dolphin

Timestamp
LINK TO PM
Hello, the following items are for sale/trade.
Shipping worldwide with tracking. Estimates for keysets/keyboards:

Europe and UK: 15-20/25-30USD
Anywhere else: 25-35/35-75USD

Items I am looking for:

DSA Deep Space blanks/spacebars (from the OG run only)
HWS Earls (Singles Night "A Green", multishots; wishlist)
Lin Dolinger 2017 (fancy colors: pink, blue/grey)
Lin Dolphin OG (from ~2014)
Lin Dolphin V2 (with alu weight; two-tone with fancy colors and WKL preferred)
Lin Dolphin V3 (WKL only, red bottom or full green)
Lin EM7 OG (from ~2014)
Lin EM7 V2 (with alu weight; two-tone preferred)
OG red alu plate for Lin Dolphin V2 SE
Realforce 87U 10th Anniversary (stock)
Realforce R2 TKL 10th Anniversary (stock)
TX-1800 V1

Please comment here when messaging (NO Reddit chat; regular PMs only). Click here to write me a PM.
Lin Whale 75 F13 alu plate and PCB

Condition: new, unused
50USD + shipping for both

TX-84/87 V1 brushed brass plate

Condition: new, unused; the coating looks/feels uneven on the backside
25USD + shipping

Keycult No.1 65
Album

Rev. 0 from the January 2019 sale; number 8 out of 15
Black case with silver aluminum mid-piece, silver aluminum full plate, Wilba solderable PCB with daugtherboard and JST cable, screws and bumpons
Extra parts: original Wilba solderable PCB, Wilba Graphite hotswap PCB with daughterboard and JST cable, polycarbonate partial plate, white POM full plate
Comes in the original packaging with original accessories
Condition: new, unused; apart from a faint darker line on the top piece noticeable under bright light, everything looks flawless
Trades for OG Dolphin/EM7

LZ CLS
Album

Gray WKL kit (top, bottom, brushed stainless steel weight, brushed stainless steel plate, Leeku TX87 PCB with RGB underglow, acrylic diffuser, screws and bumpons)
Extra Leeku TX87 PCB with RGB underglow and polished brass plate (fixed ANSI layout)
Extra Hineybush h87a PCB with RGB underglow and brushed stainless steel Alps plate (AT101 layout)
Comes in a storage case with two microfiber clothes
Condition: new, unbuilt with some imperfections on the case pictured here (slight top/bottom color mismatch and tiny dent at the seam, anodization banding all around the top piece as well as a couple faint scratches, machining marks/nicks on the weight)
Trades for OG Dolphin/EM7

LZ MP
Album

Silver WKL kit (top, bottom, polished brass plate, brass internal weight, brass side weights, Leeku TX87 PCB, screws, numbered badge and bumpons)
Number 06/50
Extra silver aluminum plate (with ISO support)
The brass plate has a fixed layout (WKL ANSI with support for stepped and regular CapsLock only)
Comes in a storage case with microfiber cloth
Condition: new, unbuilt with minor cosmetic imperfections shown here
Trades for OG Dolphin/EM7

Merisi.Works Dodici
Album

Baby blue kit (top, bottom, brushed stainless steel weight, CF plate, PCB, screws and bumpons)
Extra black aluminum plate
Extra PCB
Polycarbonate wrist rest
Comes in a storage case with microfiber cloth
Condition: new, unbuilt; everything flawless except for those speckles on the weight's chamfered edge
Trades for OG Dolphin/EM7

Syryan Mont Cervin

Tented Alice-style ergo keyboard with integrated wrist rest and variable angle; center bar as well as left and right housings attach to the base using magnets
Full black kit (black base, black angled plate, black left/right housings, black center bar, clear frosted PC and black aluminum switch plates, hotswap PCB, foam sheets, leather left/right wrist pads, various small parts)
Comes with a hard foam-padded carrying case
Extra parts: gray center bar, gray left/right housings with gray aluminum switch plate, two hotswap PCBs, CF switch plate, CF left/right wrist pads
Condition: one PCB and PC switch plate assembled and used for a few weeks, the rest is unused; tiny scratch on the gray housing and black base
Trades for OG Dolphin/EM7

TGR 910 RE
Album

Polycarbonate case, sandblasted brass weight and plate, solderable PCB, screws and bumpons
Extra solderable PCB
Condition: new, unused; all parts are original; the case has few shiny areas/faint scuffs noticeable from a specific angle pictured here
Trades for OG Dolphin/EM7

LZ PhysiX red
Album

Red kit (top, bottom, stainless steel weight plate, CF switch plate, PCB, grommets/screws/bumpons)
White or black acrylic wrist rest
Comes in a storage case with microfiber cloth
Bundle of spare PCB and black or silver aluminum switch plate available for 90USD
In person, the case is not a shiny red and looks like a dark matte red
Condition: new, unbuilt; no blemishes on the case except for a couple faint scratches/marks on the underside; all PCBs have been tested
400USD + shipping

TX-75 V1
Album

Silver top case with original one-off TX polycarbonate bottom
Built with 54g filmed vintage Cherry MX Black switches and GMK/Cherry stabilizers on a polished brass plate
Original Leeku TX75 PCB with RGB underglow; SIP sockets with white LEDs are installed in switches; red, green and blue indidcator LEDs are installed; all keys register and lighting works properly
Spare Leeku TX75 PCB with RGB underglow available for an extra 50USD (not selling separately from this board)
Comes in a TX bag
Condition: used as a daily driver for a while; the top and bottom pieces show a few scuffs and scratches pictured here while the weight has some very faint hairline scratches; the spacebar sounds rattly and would likely benefit from some tuning again
300USD + shipping

TX-84 V1
Album

Silver WKL kit (top, bottom, brushed stainless weight, silver aluminum plate, PCB, small parts)
One extra brushed brass plate
One extra PCB
Condition: new, unused; two tiny dings on chamfered edges and smudge on the backside pictured here
300USD + shipping

TX-1800 V2
Album

Titanium grey kit with brushed stainless steel weight; acrylic and coated stainless steel spacers
Built by Kin25 (TX maker) with filmed/lubed 64g vintage Cherry MX Black switches and GMK/Cherry stabilizers on a brushed stainless steel ANSI plate; the spacebar has a 78g Cherry MX Grey switch
Leeku MX1800 PCB with RGB underglow; SIP sockets with white LEDs installed in switches, warm white indicator LEDs without SIP sockets; all keys register and lighting works properly
Comes in a large TX bag
Condition: slightly used years ago; the case has two minor flaws and there are a few tiny scratches on the weight (pictures here)
Trades for a TX-1800 V1 or 575USD + shipping

GMK 80002

BL00 base set and Addition kit
Condition: new, sealed
100USD + shipping

GMK Awaken

Mainframe base kit 100USD + shipping
Neo-Tokyo base kit 100USD + shipping
Condition: new, sealed

GMK Camping R3

Base kit, novelties and spacebars
Classic base kit or Burgundy base kit available
Condition: new, sealed
200USD + shipping

GMK Cobalt

Base kit
Condition: new, sealed
125USD + shipping

GMK Cubed

Base kit, novelties, accents and spacebars
Condition: new, sealed
265USD + shipping

GMK Dracula R1

Base kit 165USD
Error kit (without F13) 55USD
Condition: new, sealed

GMK DMG R3

Base, novelties, spacebars, and addition kits
Condition: new, sealed
225USD + shipping

GMK Dots R2

Light base kit
Dark base kit
Condition: new, sealed
100USD each + shipping

GMK Fleuriste

Base kit
Condition: new, sealed
125USD + shipping

GMK Olive R2

Dark base set and spacebars
Condition: new, sealed
150USD + shipping

GMK Prepress

Base kit
Condition: new, sealed
150USD + shipping

GMK Royal Cadet

Base and Symbols kits
Condition: new, sealed
175USD + shipping

GMK Space Cadet R2

Base kit
Condition: new, sealed
125USD + shipping

GMK Striker R2

Base set, spacebars and Salvun keycap
Condition: new, sealed
170USD + shipping

GMK Sumi

Spacebars and extension/40s
Condition: new, sealed
35USD each + shipping

SA Handarbeit

Base, numpad and spacebars
Condition: new, unused
165USD + shipping

Hammer CRP R2 Desko

Kits: Desko base, Numpad, WKL, R5, HHKB mods
Condition: new, unused; being from early CRP rounds, a few keycaps may have slightly crooked stems
65USD + shipping

Deskmats
Album
New, unused
15USD each + shipping

RAMA Canvas (small)
GMK Avanguardia
GMK Modern Dolch 2
GMK Red Devils

HIBI/RAMA/Salvun keycaps
New, unused
Prices include worldwide shipping

GMK 80082 (blue): 40USD
GMK 80082 (pink): 40USD
GMK Striker R2: 40USD
GMK Awaken: 50USD
GMK Dots R2 (colorful): 50USD
GMK Fleuriste: 50USD
Keycult (brass with white infill): 65USD
Wave Liquid Hydro (stainless steel): 65USD

Artisans
Timestamp
Prices include worldwide shipping

Fraktal Kaps Aweigh! (Ectoplasm, Henne-SEA, Penny for your thoughts): 30USD each
Deathcaps x HWS Revthulhus (Singles Night: AE green, Analog Dreams pink/yellow, A Violet, Serika, Shoko): 30USD each
HWS Earl Esc (Single Minded BrAF5C37-MT, Singles Night: Nautilus yellow/blue, Cold Cast aluminum): 30USD each
HWS Earl Esc (Exam Glove Love): 50USD
HWS Earl Esc (2019 Commemorative): 50USD
HWS Earl Esc (multishot): April Fooearls 75USD, Prismearl 75USD, Super Sticky Coprophagy 100USD, Labra Do Right 125USD, Princess Treat 125USD, Princess Trick 125USD
HWS Popsi Skull (Why Sobby?): 100USD
HWS Popsi Skull (Taro): 125USD
Vice Caps Dress: Millie 65USD, Nami 80USD

Looking for HWS Earls (wishlist): Singles Night "A Green", and specific multishots
LINK TO PM

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http://activeproperty.pl/