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Not that anyone at this gives a single flying fuck but I did this so I’m posting it. I have included all works from the main 13 albums and singles excluding
The b Side of yellow submarine as no actual beatle plays on it
Those German covers as they really aren’t so different from the original and I didn’t see the point
Unreleased material such as ultra deluxe or whatever the fuck and the l unreleased stuff from anthology (excluding the 3 last Beatles songs)
There’s a couple of unpopular opinions here so don’t go too hard on me I love them all in my own way,
214:WILD HONEY PIE: To be clear I don’t dislike the idea of the song, but I just think it’s a huge middle finger to the album. I can’t help but laugh at it as it is a mockery of Paul McCartney by Paul McCartney. I can’t help but think it’s what John thinks his little jaunty ditties sound like. However I think it’s horrible to have to listen to I’m not angry at it, just disappointed. It really could’ve been a good parody song, as it however. I think it’s a filler interlude.
213: BOYS: The original version is leagues better, and when it comes to the Beatles that’s saying something. I can’t think of anything that justifies the existence of this song. The only redeeming aspect is it’s refreshing to hear ringo sing sometimes, he does a fine job of it.
212: A TASTE OF HONEY Trashy song too sweet and pissy for me (for a great lack of a better term) Paul sounds bad on this, the whole thing sounds trashy. Drivel
211: P.S I LOVE YOU Does nothing for me.
210: SUN KING Oh a hot take. Or is it, I won’t count the medley itself as no one else seems to but if so I respect it way more than it’s placed. It’s a bit trippy but not to an extent of intriguing me. The translation to mr mustard is great but I’m not ranking that. On its own, In My Opinion, bad
209: PLEASE PLEASE ME Has everything that I dislike about the early work, especially the harmonica, fine singing but could’ve been synced better.
208: THIS BOY Forgettable and boring to me
207: SEXY SADIE fascinating song but not particularly good or interesting in my opinion. The stories of who’s it about however are worth looking into.
206: ASK ME WHY Might it have something to do with love. As you might tell I’m not big on please please me. This one blends in with the rest of the album
205: CHAINS Not an awful song but it’s not overly good. George’s vocals haven’t gotten great yet so he still could use some work. Perfectly bland song
204: DO YOU WANT TO KNOW A SECRET I am aware this song has a relatively large fan base but this is not for me at all. Sorry
203: THE END First off the “Oh Yeah! All Right!” Are indeed iconic. Everyone’s playing their heart out. Some of Ringos best work. But I don’t know, it doesn’t punch me like I think it should. I like this, but I should love it, and I don’t.
202: GOLDEN SLUMBERS Too repetitive for me to get into. This is the only Beatles song that could’ve been shorter. That’ll be ironic as I pretty much think every Beatles song is too short except this one.
201: ROLL OVER BEETHOVEN Berry did it better
200: ANOTHER GIRL I didn’t think anything of it at all to be honest.
199: TELL ME WHAT YOU SEE Fine, not that good, but fine
198: YOU KNOW MY NAME (LOOK UP THE NUMBER) They’re taking the absolute piss. I’m glad this exists but I don’t want to listen to it.
197: BIRTHDAY It’s a birthday song, you know, typical white album. Fine.
196: FLYING This is such a fucking vibe, not much after you’ve heard it the once but still, not bad at all for a mostly instrumental song
195: WHEN I GET HOME It wasn’t that bad, and it wasn’t that good
194: I WANNA BE YOUR MAN Eh
193: THINGS WE SAID TODAY Better but we’re not THE BEATLES yet
192: IM HAPPY JUST TO DANCE WITH YOU Somewhat memorable, kinda boring, not shit
191: ITS ONLY LOVE I’ve heard worse
190: I CALL YOUR NAME Not much to say about these particular songs, they aren’t shit but they’re not at that quality of good, these are the awkward songs.
189: REVOLUTION 1 I originally heard it on the white album and thought “wow that was really mid” the I heard the original single and I thought “wow they really fucked that song” still noice lyrics
188: JULIA Calm ass song. A lot of people love this song to bits but I just don’t relate to it that much, with age I expect to like this song more
187: ALL TOGETHER NOW I guess it’s fine
186: DON’T BOTHER ME It’s just meh
185: HOLD ME TIGHT Still meh
184: DIG IT I like this but it’s so short and non sensical I can’t put it any higher
183: I SAW HER STANDING THERE I like this, but it’s still a bit too sappy
182: BLUE JAY WAY This is a weird ass song. Very George. It has those uppy downy lyrics, there’s a lot to like here but also a fair few things that I don’t like, like the lyrics could have been more defined and worked on, and it could use some more power in the vocals
181: I SHOULD HAVE KNOWN BETTER Karmas a bitch
180: THE NIGHT BEFORE This one has better production but the same blandness that culminates in old Beatles music
179: WAIT There’s going to be enough hot takes on this list anyway so I will contain my feelings on rubber soul. Let’s just say the Beatles evolutions had a middle ground from lovey dovey 60s bops to the psychedelic rock they’re know for. That middle ground is rubber soul, not a bad album, but like the stage from a child to an adult, kinda messed up. This album has some re great moments. But it also has wait, which isn’t bad, but it’s not everything you would want from this particular album.
178: CRY BABY CRY It’s good, idk what else to say not Beatles good but I wouldn’t skip it
177: LOVE ME DO This song just makes you feel happy, nothing else
176: KANSAS CITY/HEY-HEY-HEY-HEY It was ok but I can tell this track wasn’t over fixated on
175: I NEED YOU You can tell it’s an older Beatles
174: DIZZY MISS LIZZY I know there’s a recent dislike for this one but it never fails to make me smile. It’s so fucking chaotic I love it, it does have its production flaws but John is singing his heart out. This is what I want from a Beatles cover track
173: IVE JUST SEEN A FACE Charming enough song
172: TICKET TO RIDE A classic I’m sure. Really has a nice groove and what it lacks in lyrics makes up for in sound.
171: ONLY A NORTHERN SONG I agree with the rest of the group that if this was on Sargent peppers it would be the worst track. However that’s not to take away from it. It’s a charming piece, it has all the elements of Harrison but overall it is only a northern song
170: SOMETHING Damn here’s the first one I might not survive. People who were on the fence before will probably switch to the ‘eh, fuck this guy’ field. I don’t dislike the song, it’s a good song, it’s a great love song but it’s a very expected feet. Every line while sung with excellence is very conventional, it’s tropey. Perhaps it’s too far to call it cheesey. And don’t get me wrong I love the simple cheesey songs a lot (just wait till you see where I put silver hammer). But this one just doesn’t strike a nerve for me. I did think the same thing about strawberry fields forever for a while before listening to it more so maybe it’ll crawl up the ranks someday but overall I think it’s a nice love song that has some great production but after that it’s overshadowed by the rest of the album.
169: ALL MY LOVING Yeah, it’s a classic, who couldn’t like it
168: MOTHER NATURES SON This one has a huge fanbase as well. It’s a good song, great use of imagery and metaphors. Doesn’t do much after that in terms of production and the way it’s sang, just a nice song to chill to in my opinion.
167: ALL I’VE GOT TO DO Again, short, sweet song
166: YOU NEVER GIVE ME YOUR MONEY Yeah this one’s interesting. It goes through a fair amount of genres for one song. On one hand its structure is something of a mess, however it still is a good listen, it’s cute in the best sense. The fact that it’s about Allen Kline is also funny if not a little saddening
165: IT WONT BE LONG Wasn’t long, still nice
164: ANY TIME AT ALL Just another comfrey Beatles song
163: YOU’VE GOT TO HIDE YOUR LOVE AWAY Although I think this song is a little overrated not bad
162: DEAR PRUDENCE I know I like this song a lot less than others do. It takes a while to get going but when it hits that euphoric moment you know I’m talking about it’s bliss, but the first half kinda dull
161: BECAUSE A little oddity on the Abby road medley that’s just, I don’t know, conflicting. If it where longer maybe I could decide if I liked it or not but for now it stays here
160: THANK YOU GIRL Sweet little song that gives you a warm feeling
159: LONG LONG LONG At this point in the white album that’s what I was thinking. It’s not bad but it could’ve been longer (no pun intended) and released as a single with the right editing. George Martin could make it work I’m sure
158: I WILL Here’s how I feel. I always like it when I hear it, but forget what it sounds like 2 seconds after.
157: IF I FELL Cheesy but still pretty catchy
156: AND I LOVE HER This is nice also
155: LITTLE CHILD Though the lyrics in 2024 sound a little ‘noncey’ that’s part of the reason why it sticks out to me. It always gives me a chuckle. Little child… the way he says “I’m so sad and LoNeLy” is so cartoony and I like it.
154: ILL GET YOU Yeah, good, fine, acceptable
153: BACK IN THE U.S.S.R This is why the Beatles beat the beach boys for me this. Classic song that probably had America tugging at there collars, just genius
152: ITS ALL TOO MUCH Again this isn’t bad, am I blown away, not necessarily. But this is a bop
151: THERES A PLACE I like this quite nice I think
150: A HARD DAYS NIGHT A lot of people love it, I just think it’s fine, good song I guess
149: ILL CRY INSTEAD These are the songs that are well produced but lyrically forgettable. This is one of ‘em
148: EVERY LITTLE THING I really like Beatles for sale, it’s so fun, it’s a fun album. Every little thing isn’t badly written but I listen for the music. George is good on this, ringos subtly great. Just wholesome
147: EVERYBODY’S TRYING TO BE MY BABY A song of its time, and quite and toe tapper if you ask me
146: WORDS OF LOVE A pleasant song for any day
145: DAY TRIPPER Nice melody, ok lyrics, good enough song
144:BEING FOR THE BENEFIT OF MR KITE When I first heard this song I didn’t listen to the lyrics, the ones I did catch lead me to believe that it was some sort of political song with mr k being some sort of satirical caricature. Upon second listen I realised it’s just a song about a circus performer putting on a show, I can interpret some lyrics as a reference to some political nature but I think it really boils down to a circus song. It’s giving me a sense of stereotypical Halloween music you’d hear with the way the rhythm goes up and down frequently in the same line. Just a fun little jingle. Also I believe if Paul had wrote it John would have hated it, many probably do hate it. What does everyone have against whimsy?
143: CANT BYE ME LOVE Cliché yes, catchy yes, enjoyable yes
142: THINK FOR YOURSELF Fine little song with not much to write about
141: FREE AS A BIRD I am quite conflicted on the 3 last Beatles songs. They are mostly John Lennon demos rather than Beatles mixes. I was of two minds including them but I thought I may as well because they are interesting to talk about. I don’t think these are as cash cow despicable as some would argue. A lot work has clearly been done to preserve them and restore them. It’s hard to look at this song on its own basis. On its own it’s pleasant, but overall I do not really know why they bothered to release it as a Beatles track, it feels very unbeatles to me but as I say I don’t dislike it, I’m just not sure on where I stand on its purpose
140: REAL LOVE I have the exact same opinion on this one I just like the song better
139: MAGGIE MAY I just think love the accents alright. How long is it 50 seconds? For the life of me I’ll never get why they didn’t make their songs longer. I fancy me chances with this one
138: DEVIL IN HER HEART Solid cover of a very good song
137: PIGGIES This one’s kinda weird. We all get the piggies are elite pricks but the way George pronounces dirt just sells me on it. Good effort, could’ve been longer.
136: EIGHT DAYS A WEEK I like it, don’t love it, it’s what you expect but it does deliver in that regard
135: HELP! Iconic, reasonably catchy, just wholesome man
134:IF I NEEDED SOMEONE Rubber soul being kind of quirky comes through softly but noticeably here
133: MEAN MR MUSTARD This song just flows man. I love the lyrics, like the instruments and how they bounce off each other. Just the right amount of absurdity. If only it were longer…
132: HELLO GOODBYE Classic, I do like this one, but you know I always forget how much until I listen to it again
131: LONG TALL SALLY A lot of people hate this one but I think it’s fine
130: TWIST AND SHOUT COMEONCOMEONCOMEONCOMEONCOMEOWWN
129: ILL BE BACK Yeah, not bad, not bad at all, rather good actually
128: TELL ME WHY Classes Beatles getting it right
127: TILL THERE WAS YOU You know, maybe with the Beatles gets too much hate
126: OLD BROWN SHOE Not one of George’s best and the mixing is jarring but the lyrics are very nice
125: FROM ME TO YOU Just a sweet song, nothing wrong with that
124: SHES A WOMAN Not much to unpack, Paul is good in this though
123: MICHELLE Everyone loves Michelle. It’s a dainty song that isn’t that great, but good, it’s just so quaint
122:THE WORD The n word. No love of course. Maximum corniness but still a treat to hear, Lennon sings it believably
121: WHAT GOES ON How eloquent, idfk
120: BAD BOY Now junior, behave yourself! I just needed to hear Lennon say that and I was hooked. Weird to release a cover as a single but I won’t complain
119 : FIXING A HOLE Fun psychedelia, bring the family
118: MATCHBOX Just a song on the struggles of life, Beatles style
117: ONE AFTER 909 Chaotic song that gets the blood flowing. Also regrettably relatable
116: GETTING BETTER The charm is in the McCartney Lennon dynamic. Paul says it’s getting better everyday. John says it can’t get much worse. Doesn’t that sum up those two quiet well. Just so vibrant. This era had so much colour.
115: FOR YOU BLUE Solid song, ain’t bad at all
114: ACT NATURALLY I like this song a lot. Ringo fits well for it, it’s playful, just so pleasing
113: I DONT WANT TO SPOIL THE PARTY Another underrated song from Beatles for sale.
112: BABY ITS YOU This is fun
111: MONEY (THATS WHAT I WANT) Good cover, maybe not as good as the original but you can just feel the mayhem going on through the speakers
110: YOU WONT SEE ME Mmhm, mmhm, yup, that’s some nice music
109: YOU LIKE ME TOO MUCH A playful, goofy ass song that has some great lines and a pretty fine beat
108: YOUR MOTHER SHOULD KNOW Heartwarming, just, heartwarming
107: YOU CANT DO THAT Not perfect but undeniably based
106: NOT A SECOND TIME A great story mixed with some simply beautiful descriptions making up a song that hits different form other songs of the similar nature
105: SLOW DOWN It’s the bluddy beetles mate, whatja expect
104: YOU’RE GOING TO LOOSE THAT GIRL The character in this story is such a dick but I just can’t help vibing with him. He’s such a cnt that he says he gonna steal the guys girl right to the guys face. That’s hilarious and I really like it
103: GOOD MORNING GOOD MORNING Gets too much hate for what it is
102: RAIN I don’t know what it is about rain that grabs me but every time I listen I just get drawn in, it’s very clean
101: MAGICAL MYSTERY TOUR ROLLUP ROLLUP. God I think this is so vibrant, so colourful, just really cool, great harmony, overshadowed by the rest of the album
100: MISERY Misery stuck with me, unexpectedly based for a first album
99: YES IT IS Yeah yeah yeah this one’s pretty good yeah
98: CARRY THAT WEIGHT I just sing this all the time randomly. It’s to the point, honest, fun. I don’t know what accents they’re singing in this time but it’s great. Not much of a lullaby though.
97: WHY DONT WE DO IT IN THE ROAD This one just makes me happy. I know it’s kind of filler but the way Paul increasingly hypes things up in his vocals make me smile. Big fan of this, thing
96:HONEY DONT I liked this a lot the first time I heard it and frankly I still do
95: IN MY LIFE When rubber soul gets it right it can end up like this song. And that’s a good thing
94: NOWHERE MAN Lyrically enchanting, some hot instrumentation. Production ok and a more memorable song from rubber soul
93: I FEEL FINE Yup this is fine
92: YESTERDAY A song you think is overplayed until you listen and it’s just so good. A real highlight from the early years, my favourite from help, a somber melody that is sang flawlessly by Paul
91: LOVELY RITA A song of a somewhat unlikely love that is different enough from the Beatles other love songs to stand out
90: WHILE MY GUITAR GENTLY WEEPS Why is it so low I hear you scream. Well to be honest FOR ME the verses while lyrically interesting don’t stand out in my mind. Obviously the chorus is incredible but it’s just as the rest of the verses which mind you are still good that bring it down for me. A song not really my thing till the chorus hits but still the fact that it’s there makes it worth the listen
89: HER MAJESTY Yes, I prefer this over while my guitar gently weeps. Moving on, I think this is a fun, tongue in cheek song that I always thought implied he was talking about money. Think about it, her majesty is on all the bank notes, she certainly doesn’t have a lot to say in that case, price changes from day to day. Paul loves it but to get it he has to get a belly full of wine to make it… think about it.
88: SHE CAME IN THROUGH THE BATHROOM WINDOW Ah, this one. The intrigue of the contrast of the chorus and the verses. One of my favourite from the medley
87: YOU REALLY GOT A HOLD ON ME With the Beatles being underrated again
86: TOMORROW NEVER KNOWS Look, I don’t dislike this song, it’s just a bit messy for me. There’s a lot going on and I like that but ultimately the trippy style is done better in other songs like day in the life. But I do like that George Martin on the piano isn’t half bad, he’s one of twelve fifth Beatles I hear
85: HERE COMES THE SUN I like George I swear. This song is really good and I like it but I just wouldn’t listen to it as much as some higher ones below. The changing of the seasons to describe a relationship isn’t new but it fit’s really well here I think.
84: IM SO TIRED Would be higher if it were longer, good, very good, too short
83: POLYTHENE PAM The fucking accents. Love the weird ass story of the gender ambiguous Pam and her drag persona as in a polythene bag. Just a fun character song
82: DOCTOR ROBERT My least favourite from revolver but still charming enough
81: WHAT YOUR DOING Just good
80: BLACKBIRD I really like this. I want to love it, but it’s so goddamn short man. Oh well what we got is still great
79: DONT PASS ME BY Weird, goofy, sung by ringo. A real gem of a song off the white album.
78: ROCK AND ROLL MUSIC A cover almost better than the original berry’s. Almost is still a hard feet to reach.
77: IM LOOKING THROUGH YOU The loss of a love has been done many times by these guys but this is one of there best
76: WITH A LITTLE HELP FROM MY FRIENDS The lyrics are kinda mid in my opinion but hearing ringo sing always has its perks
75: IVE GOT A FEELING Very good song, production a little iffy but not horrible, I think let it be is given too much shit for that
74: GOOD NIGHT They subverted my expectations with this one. What a way to end such a large album, I think this one is cute and light and just very sweet. Whispering is somewhat creepy though.
73: WITHIN YOU WITHOUT YOU We all know they were on a lot of serious shit during this era but goddamn the lsd vibes mixed with the Indian sitar sound is really fucking unique. And I like it, don’t love it but still
72: IM DOWN V good
71: THE INNER LIGHT V nice
70: BABYS IN BLACK This one strikes a nerve with me, a hood premise, John sings it well. A treat
69: ILL FOLLOW THE SUN Never got why people disliked this one. I had a theory that the guy in it is dead and he’s going away from his girl, you know, towards the Sun
68: RUN FOR YOUR LIFE More than inspired by Elvis but I can’t complain its a banger
67: PLEASE MR POSTMAN This is well suited for John to sing. I prefer this over the original maybe that’s controversial to say I don’t know. It’s great
66 : GLASS ONION The rocking beat is what hooks me at this one to be honest, the references are cool but a bit pointless
65: MARTHA MY DEAR Who doesn’t love dogs, just heartwarming. Just pure joy
64: IM A LOSER God this album doesn’t get enough love
63: MR MOONLIGHT I heard people disliked this one but John is really suited for this one. I do indeed prefer it to its counterpart
62: LOVE YOU TO Weird vibes, good track
61: I WANT TO HOLD YOUR HAND Just gets you grooving. Love it
60: DIG A PONY Nonsense song that sounds good in your ears, typical Lennon
59: DRIVE MY CAR Maybe overrated but still slaps
58: GIRL Love girl
57: SHE LOVES YOU Again one of those dancer songs that never fails to deliver
56: ANNA (GO TO HIM) Way better than the original, such a good cover, ah, bliss
55: NOW AND THEN You see is this the recency bias. I don’t think so I hope not but it feels like it is. Man I don’t know it just sounds like Lennon was going for something different and I get it. There was so much work that went into this I just don’t know. I do really like it.
54: I WANT TO TELL YOU Somewhat forgettable but when I hear it it comes rushing back to me.
53: GOOD DAY SUNSHINE Good vibes, peace and love you know
52: HERE THERE AND EVERYWHERE Somewhat cliché but idk I like it
51: TWO OF US I just love this. I don’t think it’s as badly produced as some claim (the long and winding road is evidently over produced but it still goes absolutely hard)
50: TAXMAN We can all relate to this. More relevant than ever, and will continue to be in the future I’m sure
49: WHEN IM SIXTY FOUR It’s so jaunty that I feel like it would belong in a cartoon but that just makes it better for me. I love whimsy
48: IM ONLY SLEEPING This is great
47: PAPERBACK WRITER Be longer please
46: WE CAN WORK IT OUT Longer be please
45: HEY BULLDOG Kickass bass playing by Paul. Lyrics that were just fucked together by John are somehow incredible. Ringos drumming on this one is really good too. Wow, for a throwaway song it works really well
44: NORWEGIAN WOOD (THIS BIRD HAS FLOWN) You can almost smell the pot off this one. Love Norwegian wood rubber soul at its best.
43: AND YOUR BIRD CAN SING Not much to say great song
42: GOT TO GET YOH INTO MY LIFE Iconic, great again
41: ELANOR RIGBY Maybe you’ll say I put this too low but I still like it to a great extent
40: LADY MADONNA One of their best character songs
39: THE LONG AND WINDING ROAD Epic song, great lyrics, sang fantastically, so good
38: SHE SAID SHE SAID Tripping balls but goddamn amazing
37: LUCY IN THE SKY WITH DIAMONDS Psychedelia on full force with this one. Some of the best imagery from any song. It’s charming and fun and at times mystical but overall Johns way with words really come to the top of the log pill with this track
36: I ME MINE In hindsight a song that highlights the way George felt the world around him was and he was probably right. I like the metaphor and the waltz aspect works more than any other of the Beatles attempts at the style, it’s a fantastic piece
35: THE FOOL ON THE HILL Oh I love this song so very much. The song has the fool as some sort of wise figure many (myself included) take to be god. And I like to think if there is a god he’s like this. Watching over giving the world his wisdom but we’re just to ignorant to hear it. Also the medieval sound is one of my favourite styles (love sunforest if you’ve ever listened to any of their songs) so the flute works just so well for me especially when it mixes with the piano. Oh I just love this song to bits it’s great
34: ALL YOU NEED IS LOVE The cheesiness is undeniable, the magic is unbeatable. This song is just such a good album ender. The chaos and randomness near the climax is such an incarnation of the love message and how it works as an organised mayhem. The anthem of love and joy and passion is overflowing and I really like this song, if you can’t tell
33: NO REPLY Oh the way people overlook this song is not right. Its well written, it’s well sang, everyone’s playing well, it’s delightful
32: HONEY PIE I know people hate this song however for me it brings me back into the 20s. It is a sweet ditty that works really well for me and I love this one
31: FOR NO ONE God I love this. It feels so personal and is reflective, as unbiased as it can be and just beautifully sang with no grit. It’s honest. Paul’s on piano here witch is always great. Ringos drums work well to I think. This one’s just brilliant
30: SARGENT PEPPERS LONELY HEARTS CLUB BAND REPRISE I love this, the best feels like fucking hip hop, it’s a nice way to lead into day in the life it’s just good no real flaws
29: SARGENT PEPPERS LONELY HEARTS CLUB BAND Well this is just a perfect way to start an album. Set up the setting, it explains why the music in this one’s a little different as it’s not the Beatles it’s Sargent peppers and that’s a good concept from the start. You get a real idea if what the world the album takes place in is like and you get a feel for the members of the band itself. Just a class act
28: SAVOY TRUFFLE Controversial one perhaps. I just like the song. The mixing is interesting, the lyrics are fun, I think George outdid himself with it, all just to mock Eric Clapton, hilarious
27: ROCKY RACCOON I know this one’s gonna be a war. Rocky raccoon is so listenable, and fun and encapsulating.Paul is singing it in a great way. I just like it, ok, just my taste. If you hate this song and believe it should be burned than that is perfectly fine, but don’t undermine someone else’s opinion
26 : DONT LET ME DOWN Oh this one’s so powerful, grand, fitting really.
25: YELLOW SUBMARINE I have a fee that I’m not going to survive this list. Can I not like fun, that’s what this is, pure unfiltered fun. This song makes me very happy ok. Ringo singing it just gives it that relaxing feel. Yellow submarine is that kind of happy go lucky song I love
24: REVOLUTION After hearing its bastardisation this is just so refreshing. It’s about a peaceful revolution. It sure as hell doesn’t sound peaceful what with the two electric guitars blowing my speakers out. This one just sounds like a revolution should in a song, and it’s really very good because of it.
23: GET BACK Shit, shit back, shit 1. No I love this. This is such a vibe man it strikes a nerve, it sounds incredible (considering it was recorded outside) and it helps that everyone is clearly giving it there absolute all. Love get back.
22: OB-LA-DI OB-LA-DA I don’t know if this one is as controversial as it used to be but I know there are still some who fucking loath this song. I saw an article where it put this song as the worst the Beatles ever done saying that it was genuinely a horrible experience to listen to. I don’t know this song is just a tonic for a bad day, I will always feel a little bit better after listening to it and that really pulls it up the list. Don’t get the hate
21: A DAY IN THE LIFE Oh boy. This is so good damn it. The Lennon McCartney dynamic is the best it ever will be. Lennon reads the news of suicide and sees a war film while Paul dashes about in his chipper day. The rising orchestra is incredible, Ringos drumming is so different to other approaches in the genre. I can’t tell the scales of the strangeness and the depression aspect mixed with the weird ass ending it’s just an experience instead of a song.
20: OH! DARLING You can’t deny the power in this song, Paul gives it his absolute soul and it works for me, this rejection song is more of an explosion of emotions that gets you invested. Idk I like it
19: REVOLUTION 9 Well I’m dead, there’s no redeeming myself now oh well, however if you would at least hear me out on why I put number nine here then I will do my best. I love things that are different, things that go against the norm and defy expectations. And if we can all agree that revolution 9 is not what you expect when you think Beatles then we have agreed on something. This song (if you can call it a song) is doing for me something interesting. Celebrating the avant-garde while also making fun of it. It sounds impeccable. The mixing is superb, it makes full use of the stereo format. It makes me feel things, picture things, it’s a very interpretive sound that mixes together different instruments and words and phrases forwards and backwards to make something of a trip. This sounds like what a revolution sounds like, points getting muffled over time, being big and grand before shrinking into disarray. You can take what you want from the meaning but when I listen I get completely overwhelmed with feelings. It’s a collage of expression that is most certainly not for everybody but I think is a full on revolution in my head. That’s just how I feel
18: EVERYBODY’S GOT SOMETHING TO HIDE EXCEPT FOR ME AND MY MONKEY There’s some dislike for this one too but I think it’s just a complete rocker, the lyrics also make me chuckle a fair bit
17: THE BALLED OF JOHN AND YOKO I don’t think this one is that hated. I love it. It’s genuinely very funny some highlights being the what you doing in bed interaction and the two gurus in drag. John was highlighting his problems with the media in a way that doesn’t sound bitchy or like he’s talking down to the listeners. Very good song
16: ACROSS THE UNIVERSE God the imagery, similes and lyricism is so beautiful. This is a beautiful song. So elegant
15: SHES LEAVING HOME I was somewhat shocked to find this in some worst of the Beatles lists. The people writing it seeming to miss the point that it isn’t that biased. Sure it shows the hardships of the parents, how broken they are but it realises that fun can simply not manifest in some places and has to be sought out. It’s a real understandable song that is softly sung by Paul in a mystifying way.
14: I WANT YOU (SHES SO HEAVY) Fucking insane song, it’s like a ride at an amusement park it ramps up over time and brings you right to the heights that you wonder how it’s going to end. This song subverts that by giving it no ending, it just gets cut off, which is brilliant. It’s like a ride through hell. A decent into madness of desire in a way making it shockingly relevant.
13: OCTOPUSES GARDEN Kudos to ringo bro just wants to be under the ocean. Calm as fuck. Beautiful expression of the desire to get away from the hassles of life and responsibilities which I’m sure we all relate to. Also bubbles, what’s not to love.
12: HAPPINESS IS A WARM GUN It’s almost perfect, but goddamn it it’s too short. I love this thing but I feel it cuts off before it’s time is up you know
11: THE CONTINUING STORY OF BUNGALOW BILL I don’t get the hate for this one (well maybe I do but still) you got a fire ass spanish guitar. A balled of verses, a sing song chorus that feels like it’s taking the piss in a good way. Even an underlying message of hypocrisy and ignorance. Now I know that yoko is very loud on the song but honestly it just ads to the bizarre feeling that the whole song gives off, I love this.
10: YER BLUES One of the most explosive blues songs I’ve ever heard, incredible
9: STRAWBERRY FEILDS FOREVER You already know it’s fantastic, but that still shouldn’t take away how fantastic it is
8: MAXWELLS SILVER HAMMER … yeah, no joke. Listen it was on of the first Beatles songs I ever heard, if not the first. It has that jaunty Paul feel but then it hits you that it’s about a murderer and it just makes me take a step back and go damn, the Beatles could make anything whimsical. It’s so sing song while being so dark. Yea it is fruity but man I don’t know. The synthesiser near the end is also just really fun to me. It’s fun it’s nostalgic and I will always love it. Sorry not sorry.
7: HELTER SKELTER I applaud you Paul McCartney, you put everything you had into this one and it paid off
6: BABY YOU’RE A RICH MAN I don’t know what it is about this one I love so much, I’m not a huge fan of sitar but it works here. I like the lyrics. There’s a lot of interpretation around them but I always took it as a similar vane of the balled of John and Yoko where it is like a dickhead reporter asking John the questions we here Paul sing in a sense of leading him on and that they’re responding in the sense that these people nagging them about having money when most who were had money themselves. Just a thought.
5: COME TOGETHER Classic, genius rhyming scheme brilliant
4: HEY JUDE 2nd Best uplifting song I’ve ever heard
3: LET IT BE Best uplifting song I’ve ever heard
2: PENNY LANE A fantastic song highlighting the serenity in modern life that often goes unrecognised. It’s penny lane, what’s not to love
1: I AM THE WALRUS It’s I am the walrus. Lyrics are dazzling. The whole mixture of instruments and sounds the distortion making it sound like a dream at points. The way it uses the stereo medium is genius. The Beatles were geniuses. One of the best things ever written.

Location NW Arkansas, USA USDA zone 7a
The acids and whatnot I’m trying to get more comfortable with. Also am trying to recon if I just need a variety of pest treatments on hand so that I can hit the proper treatment conditions windows. I am working towards the IPM.
I’ve used apivar strips before. I am researching still the other types & what will be best for our hive now.
In the meantime, I want to give the girls a tool of their own w/the powdered sugar (applying per size of box, 3 consecutive weeks). And get some drone frames in there for them.
I’m in my third year of keeping bees, started with two hives, in the second year they multiplied & I had 5 hives. I’d done an emergency split that did well. And I had stupid luck that combined with having equipment set out for a garage sale caught two swarms, they just moved right in. They were called the “driveway hive” and the “garage hive”. My emergency split hive honey bound itself before I knew it happened, and the garage hive was weak going into the winter. The third hive slimed with small hive beetles (beetle blaster traps and swiffer sheets do the trick here, idk about the nematodes, keeping them moist in past years was the difficulty).
For the two hives left this year, I’m back at my aim being to just make strong hives. The driveway hive had EFB & I did a “double shook hive,” they’ve been recovering well, I’m looking to requeen them. The field hive, has a decent mite load but they are currently a strong hive, and I’m considering to split it too, but mites first. Just trying to manage giving them enough supers to be satisfied… we’re on a wildflower farm so these bees have a good swinging chance.
I’m also very interested in raising queens, just trying to get a handle on the IPM. And my local bee club is having a field trip to the botanical gardens next weekend to go through their 8 hives out there.

The Dream was about me in a small family circle , i was the small brother , i had a sister , older mother , not a father tho , anyways the dream went like this: I was in the house playing some old game with my sister all the sudden i heard a knock , i went to open the door and there was a fish , the fish was a sales man and he wanted to sell me an orange juice , i happily accepted the offer and shared it with my sister . but once i drank the juice my sister's heart and lungs were ripped out of her , my mom and i were in shock about this and called the authorities , after this the fish was in the room of the hospital transferring something to my sister , then i was in a horse galloping with my mom and my sister , we went home and she was okay now , after such thing had happened , i tried to talk to her but the sound of my voice was muffled , after that my mom went to cook sideways on the kitchen and then she burned from the inside and had the same thing happened as my sister but this time the heart and lungs were different , a bit deformed , then the fish fixed her again but this time the fish had Volkswagen , she inserted it on my mom and she was okay but once back home i was alone , every time i called them with my voice still muffled the room started to shrink , thus once i screamed for them to come they came burned and deformed , i was just standing there and then the dream cut to third person and just showed a shot of the living room with the two bodies and me standing and the bodies slowly fading away and then i heard a voice talking about the killdozer and woke up and my tv was playing a documentary of things you were lied to about the killdozer that i accidentally left on you tube playing.

The Willow Springs for sale post led me down a rabbit hole...early NASCAR had several instances of same-day Cup races in different parts of the country (and in one instance, counting towards two different seasons). I just thought it was interesting and hope maybe someone else will, too:
Three Cup Races on the Same Day:

• October 14, 1951: Martinsville, Pine Grove Speedway and Oakland Stadium.
  
• May 21, 1961: Charlotte (two World 600 Qualifiers which were official) and Riverside
  

Two Cup Races on the Same Day but Different Seasons:

• November 11, 1956: Hickory (1956) and Willow Springs (1957)

Two Cup Races on the Same Day:

• October 15, 1950: Winchester and Martinsville
  
• April 18, 1951: Lakeview (AL) and Carrell (CA)
  
• September 23, 1951: Charlotte and Dayton
  
• November 11, 1951: Lakewood (GA) and Carrell
  
• June 1, 1952: Hayloft (GA) and Fort Miami (OH)
  
• May 30, 1954: Charlotte and Carrell
  
• May 15, 1955: Tucson Rodeo Grounds and Martinsville
  
• October 16, 1955: Martinsville and Las Vegas Park
  
• November 20, 1955: Charlotte and Willow Springs
  
• May 27, 1956: Charlotte and Portland
  
• May 30, 1956: Eureka and New York State Fairgrounds
  
• September 23, 1956: Langhorne and Portland
  
• April 28, 1957: Greensboro and Portland
  
• May 30, 1957: Eureka and Lincoln (PA)
  
• July 14, 1957: Memphis-Arkansas Speedway and Portland
  
• August 4, 1957: Watkins Glen and Kitsap County Airport (WA)
  
• September 8, 1957: Asheville-Weaverville and California State Fairgrounds
  
• September 15, 1957: Santa Clara Fairgrounds (CA) and Langhorne
  
• September 7, 1958: Birmingham Fairgrounds and California State Fairgrounds
  
• September 13, 1959: Richmond and California State Fairgrounds
  
• February 12, 1960: Daytona (Qualifying races were briefly considered official)
  
• February 24, 1961: Daytona
  
• September 10, 1961: Richmond and California State Fairgrounds
  
• February 16, 1962: Daytona
  
• February 22, 1963: Daytona
  
• February 21, 1964: Daytona
  
• February 12, 1965: Daytona
  
• February 25, 1966: Daytona
  
• February 27, 1967: Daytona
  
• February 20, 1969: Daytona
  
• February 19, 1970: Daytona
  
• February 11, 1971: Daytona
  

“This geriatric bunch in cold sleep?”
“Affirmative. But their records show that they have been in cold sleep multiple times. They should respond quickly to the resuscitation procedure.”
“But, why? Wouldn’t it be more merciful to leave them in stasis while the Jaxorians intercept us?”
“Yes, but Allyson says that these individuals are the ones who might get us out of this situation.”
“The Terran engineer? You’re trusting her?”
“In a zero-sum analysis, her suggestions have net positive outcomes.”
“Just for the record, I think this is a bad idea.” A pause. “Resuscitation sequence activated.”
“Duly noted. Alert me when they are awake.”
-=-=-=-=-=-
William Exeter hated the feeling of coming to after cold sleep. While the modern systems were better than those he first encountered, he still felt like his muscles were infused with lead and that he was suffering from a hangover that he never got the enjoyment of deserving. But hopefully this would be one of the last times he would ever have to use the procedure, and he could finally settle down.
As the capsule’s lid slid back, harsh light assaulted William’s eyes, and he squinted in an attempt to lessen the pain. The silhouette of a triangular head above him let William know that a Dravitian was checking on him. He swallowed and got his voice working so he could croak out, “I’m up, I’m up.”
“Ah, Mr. Exeter, yes? I am…” The insectoid started to come into better view to the Terran’s adjusting eyes. “Captain? Yes, Captain of this ship. I am… We all are in need of assistance.”
“Uh, what?” William’s croaking voice hid some of his annoyance. “Yeah, I’m Exeter. But if you’re going to get my help, you’re going to have to get me a Jolt. I’m still half asleep from the drugs.”
The Dravitian’s head tilted to the side in an obvious gesture of confusion, “You require an electrical discharge?”
And this was why William hated waking up among aliens. He had to explain everything to them. “A drink. ‘All the sugar and twice the caffeine.’ Bah!” He started to force his muscles into action and pushed up on his elbows, “Just get me a goddamned stimulant, okay?”
“Oh, yes. Yes. Of course!” The Dravitian’s head disappeared as the insectoid moved over to a wall-mounted workstation.
William turned his head and saw several other cold-sleep capsules with their lids open. He cleared his throat and then called out, “Venture crew, sound off...”
“Here!”
"I hear you, Bill.”
From a nearby capsule there was a dry coughing, but a hand in a ‘thumbs-up’ gesture rose in response.
“Well, good, I won’t have to suffer alone.” William turned his head again and looked over the other closed capsules, “But they didn’t wake everyone, so something’s up. Try to shake this shit off and get ready, okay?”
There were murmurs of ascent and more dry coughs from the other capsules.
The Dravitian come back from the workspace and addressed William, “Stimulant beverages and some cakes are on their way, Mr. Exeter. While I know that you are still under the effects of the stasis pharmaceuticals, I do need to apprise you of our need. You know of the Jaxorians, yes?”
William’s brow furrowed, “What, those crab-guys who go around in those water-suits? Didn’t we beat them in that big war?”
The Dravitian pulled back a little, “It was a negotiated settlement, I believe, but yes, your descriptive words adequately fit the Jaxorian physiology.” He paused, “Well, the Jaxorians, and their rulers the Drasalites, are once again at war, and we are now targets. I would not have woken you , but our Terran engineer was sure that you could help.”
William frowned and shook his head, “We should have finished them once and for all when we had the chance, but we have to let the Soviets fail as Soviets, don’t we?” He sighed, “And we’re humans, dammit. Homo sapiens sapiens by fuckin’ scientific classification. We once lived on Terra, but our genus and species doesn’t change when we move to another-” He noticed the paling colors on the edges of the Captain’s chitinous facial plates and stopped his Duckman-esque rant, “Look, nevermind. How much time do we have?”
The insectoid paused, as if surprised be the direct question. “We estimate a cycle, if our engineer’s modifications to the engines hold. Our speed has been dramatically increased, but the Jaxorian ships still gain slowly. We will eventually be within the effective range of their weapons. Please, direct us.”
-=-=-=-=-=-
After some of the greasy-spoon diner-ish coffee and the supermarket quality yeast-raised, honey-glazed donuts, the four Terrans looked and felt better. William glanced at his colleagues, noting the wear of time on their bodies. He chuckled as the slightly altered movie quote of ’It’s not the years, it’s the light-years’ ran through his mind. But they’d been together ‘asleep’ much longer than they’d been awake, and they’d spent more of their ‘awake’ lives together than apart.
Tony Scarpetti’s pudgy fingers tipped his cup almost upside down as he tried to get the last drops of the coffee and granulated sugar sludge into his mouth. His once black hair was now mostly white, and his tough physique that ran circles around them on the soccer field had shrunk a bit, though he was still stocky.
Peter Hoffman had finally gotten control of his coughing, and was munching on ‘just one more’ donut, and William once again wondered where Peter fit all the food he ate in that short, diminutive frame. His signature mohawk had been fluffed up with fingers, but lacking styling gel and a razor to clean up the stubble that had grown out in cold sleep, it ended up looking more like a peaked mound than the sharp style that Peter would have usually rocked.
Alex (AJ) Johnson’s hair had finally receded so much that his braid only held back reddish hair from behind his ears, though his scraggly beard was long enough that he could probably have braided it as well. Always tall and gangly, his frame seemed a little more gaunt than William remembered, though it had been almost a decade of cold-sleep travel since they had last seen each other.
“Hey, Doctor Exeter?”
William turned his head toward the voice, and looked at the young woman with blonde hair striding toward the table where the four sat around their coffee and donuts. Her utilitarian grey coveralls had scorch-marks and grime all over, and there was some of the same on her exposed hands and face, but bright teeth were visible in her smile.
William nodded, “You must be the plucky human engineer who got us woken up before our alarm went off, huh?”
The woman nodded, still smiling widely and, as she got over to the table, thrust out her hand toward William in the manner of one who just remembered something. “Yeah, sorry about that, Doctor. I’m Allyson, and I’m the only Terran on the ship. Besides you guys, that is.”
William took the extended hand and shook it, being a little more gentle than he usually would have been, given the way that the woman’s grip and lack of fluid motion showed that she wasn’t experienced in shaking hands as a greeting ritual. But she had looked it up, and that counted for something. “Well, us humans have to stick together, right? You sure you want us geezers to help you out? Don’t you have some flashy alien tech to get away from these crab guys?”
Allyson grinned as the handshake seemed to go correctly and shook her head, “Well, if you had been four guys who weren’t from the Space Venture, I would have let you sleep and hoped that I could come up with some way to escape, but well… you are, and well…” She looked at the men around the table, “You guys solve problems, right?”
“Troubleshoot.” AJ corrected, his voice still a little rough. “We’re Troubleshooters. So we’re likely to be able to fix problems on the ship, but not necessarily the situation. It gives us an out on some problems…”
Allyson’s brow furrowed, but before she could say anything, William offered, “But we’ll try and get you out of this alive, okay?” He looked over toward AJ, “No need to haze the newb, ‘kay?”
AJ chuckled and nodded, going for another sip of his coffee.
Allyson looked between the two old men and shook her head. Weren’t these guys the stuff of legends? Why didn’t they act like it? But they were what she had. What the whole ship had. Oh, the ship, right. “And we don’t really have any xenotech. This is an old decommissioned TA vessel, a combat freighter, so it’s kind of structurally overbuilt for a freighter. It was the TAV Thuban, but after being bought up by a Dravitian company it’s now the CCV K’gara B’rak. That translates to something like ‘Ugly Worker Beetle’.”
William raised an eyebrow, “I thought those bugs didn’t like old ships?”
Allyson grinned, “They couldn’t build a new ship to these durability specs at anywhere near the sale price. I think that it vexes the Captain to no end.”
Tony finally set his cup down on the table, finished fighting with the sludge, and looked at at the woman with a playful grin, “Likely to be really upset once we get going, then…”
William grinned as well, “Well, we’ll get there as we get there. So, is Skynet running things here?”
The engineer blinked and cocked her head a little in her confusion, “Skynet? Um…” Her words trailed off as she tried to decipher the meaning.
William sighed, “Artificial intelligence. Is there one running the ship?”
Allyson shook off her confusion, “Oh, uh, no. Of course there are still core hook-ups, but the company didn’t recruit one. There are some smart systems, but they don’t come up to AI levels.”
William nodded, slowly and resignedly. He looked at the other older men, “Okay, so I guess I’ll be spending my time hacking while you guys get to have some actual fun.” He looked back to the engineer and started to get up out of his chair, feeling the ache in his lower back. “Well, let’s get me to a terminal, and rummage up some walkies so we can keep in contact.”
-=-=-=-=-=-
William glowered at the large touchscreen that sat angled on its adjustable armature, and muttered, “What fresh hell is this operating system?”
The Dravitian Captain at the nearby navigation station on the ship’s bridge looked over, “Sir, this is the newest release of the Efficient Interface. While you are viewing it in Terran Standard, it is optimized for the Dravitian language.”
William shook his head, “So other than these cosmetic changes that I can get to in settings, where can I actually get to control configurations?”
The Captain pulled back its head in surprise, “What? You can’t change the control configurations! They are all optimized!”
William sighed and shook his head, “You jammed the ‘economy’ button down, so we can’t get to the ‘power’ button. Right…” He tapped open the program that accessed the file storage and began examining what was there.
After a few minutes of the bridge crew watching the Terran scroll and tap and curse in a low voice, William let out a exuberant, “Got you, you bastard!” On the touchscreen, a simple text box came up, indicating that it was a Root Command Shell, with a blinking block cursor.
William’s fingers flew over the virtual keyboard on the angled touchscreen, and another window bloomed on the screen. He slid it off to the side, then continued to tap and another window popped up. He slid it off to the top corner of the screen. In each of the windows, progress bars slid slowly from one side to another, character strings rolling down past the bottom of the window, the screen indicator on the scroll bar on the side getting smaller and smaller as the list grew and grew.
The Captain leaned over from its workstation and observed the workings on the Terran’s screen, “What is all that? I’ve never seen this option in the interface.”
William chuckled, still typing commands in the first window, “Oh, it’s a command line interface. They just slapped your interface over the military OS, and that still had lots of useful modules and programs in archive. I can bypass the ‘pretty’ GUI you guys use and actually get to controls.” He paused, “Holy hell! They left a media archive in here. Let’s get that unpacked right now!”
A new window popped up on the touchscreen, with another progress bar. William brought up yet another window, and worked inside it, and the progress bars started to move across their respective windows faster.
The Captain cocked its head, “Sir, I find fault in your judgement that what we need in this situation is media. The Jaxorians are not known for their imaginative capabilities.” It paused, “And I think your tasks are slowing down the computational processors, which again, I find fault with in these circumstances.”
William chuckled, “Well, sure it will seem slower. I made all my operations high priorities for the processors. And you can’t expect us to do our best work in silence. We’ll need a good jam.”
-=-=-=-=-=-
Allyson led the three older men through the hatch into the huge engineering bay where the three reactors were lined up with the longitudinal axis of the ship. Aft of those, the floor fell away beyond a safety railing, so that the bulk of the four huge engines could be accessed by a network of ladders, platforms, and gantries. Most of the floor was clear, but here and there hatches, tools, and parts lay askew on the deck, and wires and tube of various sizes and colors snaked between components in a way that belied the hasty, jury-rigged engineering tasks that had been recently undertaken. A couple of insectoid engineers were working on maintaining parts of the unstable system.
“And this is the playground,” offered Allyson as she spread her arms to indicate the whole open area. “We’ve got four Hammond LS-V-3400 ion drives backed by three of the Niagara-class fusion reactors. I’ve, uh, removed some of the safeties on the engines and tweaked the safety specs on the reactors, so we’re making just over five percent above rated maximum speed.”
Tony walked away from the others to lean against the safety railing and take in the sight of the engines.
Peter glanced around the area, then noticed the machining and fabrication tools and sauntered over to inspect them, hands tucked in his pockets and his boots scuffing the floor.
The two Dravitian technicians looked up from their work momentarily, apraising the Terrans, but staying quiet.
AJ made his way over to the reactors, and frowned as he looked at the readouts showing that the reactors were running hot, right on the edge of red-line. “Cutting these pretty fine.”
Allyson nodded as she looked over toward the tall man and started slowly walking toward him, “Um, yeah. I couldn’t figure out a good way to get more output from the engines, so I was just trying to route more power through them. These are still safe, but they’ll be burning up the plating faster than they should.”
AJ nodded and continued perusing, leaning down to look into an open hatch and seeing how one of the patched in high-energy line had been connected.
Tony continued to watch the engines and called, “Hey, Allyson, these still work with Cherenkov dispersal for additional thrust?”
Allyson quickly changed her trajectory to veer away from reactors and back toward the engines, “Uh, yeah, they do. There are controllers in there that help to make the emissions more directional.” She got to the railing and pointed at an orange ring that was visible on each engine right near the aft bulkhead. “Those big electromags help control the dispersal. I have plans and simulations on the computer if you want to see how they work.”
Tony peered in the indicated direction, then nodded and turned toward Allyson, “Yeah, get me to a terminal with some VR goggles and I’ll take a lo-” His voice cut off at the sudden sound from the engineering bay’s speakers.
A syncopated drum beat sounded over the hum of the machinery, then came an almost gravelly yell-singing voice. ”Come on, feel the noise. Girls, rock your boys. We’ll get wild, wild, wild.”
Allyson’s surprised gaze swept up to the big speakers mounted in the corners of the room by the ceiling.
Grins and smiles grew on the faces of the three older men, and they all joined in with the words as an electric guitar sawed into being and the rest of the band added their voices to the lead singer on a response answer of “Wild, wild, wild!” And then the drums picked up and the rest of the instruments kicked in, bringing the song fully into swing.
The singer continued as Peter’s hands played air-drums over a CNC machine’s working space, ”So you think I got an evil mind. I tell you, honey, I don’t know why. I don’t know why.”
Allyson had never heard the song, but the beat was compelling, and it somehow invigorated the men in a way she hadn’t expected. Just out of cold sleep, in the midst of an inevitable chase, with such limited resources, they were singing along with smiles on their faces. AJ was tapping on a reactor interface, and Peter was almost dancing as he poked about her workbench storage space, going over her tools, a screwdriver and electric ratchet stem in his hands as drumsticks for his air-drums.
The Dravitian technicians huddled in a fearful pose at the sudden noise.
Tony grinned widely at Allyson’s surprise, and said loudly over the music, “William’s got good taste for montage music… Show me that terminal.”
-=-=-=-=-=-
The Captain looked over to the Terran’s workspace which was now exhorting somebeing to ‘get wild, wild, wild’ over and over again. It seemed to have some detrimental affect on the older Terran, as its head was bobbing up and down as it continued to work with the code. The insectoid in command just had to say something. “Excuse me, sir. Are you sure that the distracting audio stimulation is beneficial for you? It does not seem to be related to your current task …”
William glanced over at the Dravitian, “Look, bug-boy, the music keeps my endorphins up, and tricks me into thinking I still have all the energy of a teenager. You’re just lucky that I know what my crew likes, and that this archive is low on industrial music.” He pauses and types intensely, then continues, “So no, it’s not related, but if you really want a chance to get away from those crab-guys, this music tips the scales in our favor, okay?”
The Captain abruptly looked back to its console. “Affirmative answer, sir.”
William nodded to himself, and cocked his head as he read something off the screen. “So, a bunch of the cargo is plasma generators for terraforming?” He looked over to the insectoid who was pointedly not looking at him. “Are those things as dangerous as they sound?”
-=-=-=-=-=-
“Hey guys!” William’s voice echoed from the big loudspeakers in the engineering bay as the song came to an end.
“Yo boss!” Peter called up toward the ceiling from the tool bench where he had accumulated a selection of choice tools.
“I got control of the control code up here. Some of it’s military code under all this glossy shit. What have you guys got back there?”
Tony stood amidst a holographic simulation of an engine, and called out, “We got some damped down ion engines. The design is like the old McPherson Mark Five, and I think I can flare ‘em up the same way. Gimme six hours or so.”
AJ looked up toward the ceiling after Tony finished, “These fusion reactors are running flat out, Bill. I’m thinking about patching up a capacitor bank so we can push things farther, or at least have some extra power when we need it. Three or four hours, depending on how easy I can find the parts.” he paused, “And I’m officially putting in a request for you to put something dance-able on your wheel of steel.”
Peter called out, “And I’m just waiting for these slackers to tell me what they need. But I’m all tooled up for just about anything they want.” He grinned playfully at the other two.
William’s chuckle came over the speaker, “Gotcha. Those sound like good projects. We get a powerful flare, we’ve got a chance to run.” He paused, “Allyson, you there too?”
Allyson, still near the holographic engine display, had been turning her head this way and that to try and follow the conversation and understand what the forming plan of the ‘troubleshooters’ was. She forced herself to call out, “Yes, Dr. Exeter.”
William’s voice came from the speakers, “Okay, Allyson, I need you to take Pete down to Cargo Bay Three and help him uncrate all of the plasma terraforming engines you can find there. Pete, I want those things sky-side against the outer wall of Bay Two and fastened in place. If we need power for them, I want you to run a line back to AJ’s source, and it will need to be vacuum sealed. We’re likely to depressurize that bay so try not to make too many unnecessary holes, okay?” He paused, “And don’t worry, that bay has some speakers too. I won’t leave you silent …”
Peter grinned and nodded, then started to load tools onto a nearby hovercart. As he worked, he called out, “On it, boss! Do they have any Ramones or Dead Kennedys or anything with more energy in that jukebox? That’s my request, Mr. DJ.”
William’s voice carried his chuckle, “I’m on it, guys. I’ll keep you updated, you guys let me know the word. Out.”
As the beats of New Order’s Blue Monday started to bounce around the engineering bay, Peter looked over at Allyson, “Hey, give me a hand with some of this. We need to bounce!”
Allyson registered the words and jogged across the bay to the hovercart, “Sorry, sir, we have to ‘bounce’?”
Peter chuckled, still pulling tools from the bench to add to the load. “We have to get moving. Can we bring that welder and thermal lance, or is there a better option?”
Allyson let out a quiet ‘oh’, then shook her head, “There’s a backpack unit that can cut and weld. Much easier to move.” She pulled open a a nearby locker.
Peter grinned, “Oh, sweet! Are there two?”
Part 2

I had a pull-back car when I was younger. It was sold at one of my parents' many garage sales. I am just looking for some info on it.
It looked like a Volkswagen Beetle, but not exactly. It was a decent size and very heavy. The one I had was green. What really set it apart from my other cars was that it had a yellow button on the top that would make it go very fast.
I would be very grateful if anyone could provide any information on what I am describing.

Happy Hunting
Comprehensive Movie Sale List (6/7)
HD $1.99 Indie Kids & Family Credit to omi3000 from SD
Anyboy Revenge of the Red Fury Around The World in 80 Days Double Trouble Emily and the Magical Journey Fantastica: A Boonie Bears Adventure Ginger's Tale Just Super Mission to the Moon Monster Family 2 My Giraffe My Pet Dinosaur Oskar's America Pil's Adventures The Falcons The Incredible Story of the Giant Pear The Little Alien Valley of the Lanterns
FernGully Double Feature $7.99
HD $1.99 Indie Films
Alanis Asleep in My Palm A Syrian Love Story Bloody Marie Breath Daughter Nocturna Side A Our Evil Pencil VS Pixels Potato Dreams of America Ricordi? Skies of Lebanon
HD $4.99
48 Hours All The President's Men Alone Together A Night At The Roxbury Beavis and Butthead Do America Bio-Dome Bonnie and Clyde 1967 Bride Wars Clerks Compulsion Corrective Measures Date Night Desert Dancer Diabolique Dirty Rotten Scoundrels Dr. Bird's Advice For Sad Poets Fight Club For Greater Glory Friends With Benefits Good Burger Harold & Kumar Escape From Guantanamo Bay Harold & Kumar Go to White Castle House At The End of the Street House Party I Love You, Man Jay and Silent Rob Reboot Judy Moody and the NoT Bummer Summer Mallrats Midnight Cowboy My Cousin Vinny Nothing To Lose Rush Hour 2 Savage Salvation Shanghai Knights Shanghai Noon Sideways Sister Act 2 Skyline Stir Crazy Swingers Ted The Campaign The Endless Night The Family The Green Hornet The Heat The Interview Thelma & Louise Turner & Hooch Twins Two if by Sea Unplugging Up In Smoke Wayne's World Wedding Crashers White Men Can't Jump Wrong Place
4K $4.99
21 Jump Street Barb & Star go to vista del mar Bill & Ted Excellent Adventure Bill & Ted Face the Music Butch Cassidy and the Sundance Kid Dumb Money Harold and Maude Let's Be Cops Pineapple Express Rain Man Run Lola Run Sherlock Holmes Swiss Army Man The Blues Brothers The Disaster Artist The Forgiven The Hitman's Bodyguard The House The Hustle The Lost City The Other Guy The Spy Who Dumped Me

Hello, looking for some input. We bought land about a year ago (MI). I thought I did all my background checks, etc. It is 6 acres of agricultural land. Fast forward to today, we are about to close on a construction loan and find out there is a restriction deed on the land. It lists an architectural committee with vague requirements, minimum sqft of 2800, no commercial use, no animals outside of pets, no business, no discharge of guns... That's about the extent. The biggest annoyance to me is the architectural committee, since I may want to build a pole barn, ground mount solar, all the things I bought 6 acres in the countryside for.
All that said - I do not believe this was disclosed to me at the sale. I for sure did not see it because I avoided architecture committees when I was land shopping and our original house design was 2000sqft. I reviewed all my documents and can't find a reference to it. In fact - our deed even says that we have permission to make all divisions in accordance with the Land Division Act of 1967. While our deed restriction says the property can never be split again. I believe this was undisclosed by the sellers and not found by the title company. I don't know if this is worth consulting a lawyer because I don't know that I have lost any value (except it is rather valuable land in a greatly expanding area). I just am not particularly happy about it.

Hi everyone. I have a bit of variety I'd like to offer up for sale. Trying to clean up my stack a bit and I would appreciate these to go to a new home. Thanks for looking and stay safe, be smart and 2 factor authenticate your account like me and many members in this amazing pms community! 🤙
Proof: https://imgur.com/a/UUtvzT9
Gallery:
90% Lot of $10fv for $215 (Melt is $227) Get it for under Melt!
5oz Scottsdale Stacker $160
(2)2023 Libertad 3 coin set $~~
(1)2023 Proof Libertad $ 80
2009 ASE BU $ 34
2023 Tokelau Gemini 1oz $32
1921 Morgan (2) $ 27 each pending
1922 Peace Dollar $27 pending
$3.75 Proof ATB Quarters $25 per fv
(20)Valcambi 1 gram pamp bars $ each
1 gram Prospector round $
1gram Morgan round and 2 silver bars $ each
(10) 1/10th oz Bufallo Proof rounds $4 each
1/4oz Brittania $
1/4oz Aztec Round $
1oz Buffalo bar in package $33
NIU BURTON MORRIS Gorrilla Shaped Coin $65 "Very low mintage of 2,500"
(100) 1957 - 1967 Un Peso Mexican Silver $3 each. Take the whole lot for $!
2023 Cook Islands .5gram Sparta Platinum Coin in capsule $35 pending
I pack and ship everything securely. I provide tracking # along with photos of receipts when dropped off. Everything is sigma verified so shop confidently. 😉
Shipping is $5.50 for under 9oz and $10 for over 9oz. I can also risky ship for $2 for single oz shipments.
All forms of payment accepted : Zelle, Venmo, Cashapp, Paypal, Crypto.
Also accepting trades for gold.

I found a 2021 Volkswagen Atlas with 36,000 for sale for $19,000 near me that on the surface looks really nice. The guy selling it says it’s an R-title, and that it had undercarriage damage and needed a subframe and front bumper with no airbag deployment. Should I buy it?

The 130 SC (also called 130 Cabriolet), commonly known as the "147 Convertible", was a customization made by Sulam. Already well recognized for making exclusive adaptations to the bodywork of brazilian models (since imports were prohibited from the 1970s to the 1990s), such as transforming medium sedans into limousines, some personalized body kits, remodeled interiors and, of course, convertible versions of cars from our Brazilian land. Sulam started with the Beetle in 1978 and two years later expanded its line to the Fiat 147.
Unlike some artisanal cars, Sulam made sure that its convertibles received the necessary safety, through structural reinforcements, right-hand rear view mirror (keep in mind that at that time this was not common nor mandatory in Brazil), and were even approved by the IPT (Portuguese acronym for: Technological Research Institute). Another detail that shows the competence in professionalism and regulation of the car is that the original examples are registered in the Detran document as "Sulam 130 Convertible" and not as "Fiat 147 Pickup" like most artisanal projects.
The 130 SC was actually built on the body of the Fiat 147 Pickup, which had extra space in the truck bed, where it was easier to adapt a rear seat. Despite having a Fiat body, the 130 used its great rival Volkswagen to inspire the customization lines, in the Golf Mk1 Cabriolet model, such as round headlights, new grille, anti-torsion bar on the B column, bumpers in the color of the car. remodeled with integrated turn signals, Jolly LeMans wheels, fog lights, leather seats, sports steering wheel, carpets and retractable roof located at the very rear end which, when armed, had the shape close to a hatch body. As it was an almost complete conversion, the body color could be chosen according to the owner's taste, but the most publicized color was yellow, which was found in the promotional folders.

Hey Guys, I have been looking at some of them and I need some opinions to see if it’s worth it or not and how much is the car worth! 170k miles btw

Someone on GTPlanet compiled this list. All credit to them.
(Names, model trims and year models may not be entirely accurate.). 78 cars so far. Total car list is supposed to be ~100.
Abarth:

1. Abarth 500 esseesse ’08

Alfa Romeo:

1. Alfa Romeo 4C Launch Edition '13
2. Alfa Romeo 4C Spider '13
3. Alfa Romeo 8C Competizione ’08
4. Alfa Romeo 8C Spider ’10
5. Alfa Romeo MiTo 1.4 T Sport ’09

Alpine:

1. Alpine A110 1600S ’72
2. Alpine A110 Legendé ’18

Apollo:

1. Apollo Intensa Emozione ’18

Aston Martin:

1. Aston Martin DB11 ’16
2. Aston Martin Vantage ’18

Audi:

1. Audi Q7 V12 TDI ’09
2. Audi R8 Coupe V10 plus ’16
3. Audi R8 Spyder V10 RWS ’18 (Silver Sharps Edition & Gold Edition)
4. Audi TT RS ’18

BMW:

1. BMW i8 Roadster ’18
2. BMW M4 Competition ’21

Bugatti:

1. Bugatti Chiron ’16
2. Bugatti Chiron Sport 110 Ans Bugatti ’19
3. Bugatti Veyron 16.4 ’13
4. Bugatti Veyron Super Sport ’11

Chevrolet:

1. Chevrolet Camaro ZL1 1LE Package ’18 (Gold Edition)
2. Chevrolet Corvette (C1) ’58
3. Chevrolet Corvette ZR1 (C7) ’19

Citroen:

1. Citroen 2CV ’70

Dodge:

1. Dodge Challenger SRT Hellcat Redeye ’18
2. Dodge Viper GTS ’13

Fantasy vehicles:

1. Sientero Reinita

Ferrari:

1. Ferrari 308 GTS ’82
2. Ferrari 430 Scuderia Spider 16M ’09
3. Ferrari 812 Superfast ’19
4. Ferrari California ’08
5. Ferrari Enzo Ferrari ’02
6. Ferrari F40 ’92
7. Ferrari FXX K EVO ’18
8. Ferrari Portofino ’18

Ford:

1. Ford F-150 Raptor ’17
2. Ford GT ’06 (Pre-Order Bonus)
3. Ford GT ’17
4. Ford GT40 Mark II Le Mans ’66
5. Ford Mustang GT ’18
6. Ford Mustang GT 2+2 Fastback ’68
7. Ford Shelby GT500 ’10

Jaguar:

1. Jaguar E-type Coupe ’61
2. Jaguar F-type SVR ’20 (Silver Sharps Edition & Gold Edition)

Koenigsegg:

1. Koenigsegg Agera RS ’17
2. Koenigsegg Regera ’16

Lamborghini:

1. Lamborghini Aventador LP 770-4 SVJ ’18
2. Lamborghini Centenario LP 770-4 ’16
3. Lamborghini Diablo Super Veloce ’97
4. Lamborghini Huracan LP 640-4 Performante ’18
5. Lamborghini Miura P400 Bertone Prototype ’67
6. Lamborghini Urus ’18

Lancia:

1. Lancia Delta HF Integrale Evoluzione ’91
2. Lancia Stratos ’73

Land Rover:

1. Land Rover Range Rover Sport SVR ’18 (Silver Streets Edition & Gold Edition)

Lotus:

1. Lotus Evora GT430 Sport ’17
2. Lotus Exige Cup 380 ’17

Maserati:

1. Maserati MC20 ’20 (Gold Edition)

McLaren:

1. McLaren 720S Coupe ’18

Mercedes-AMG:

1. Mercedes-AMG GT R ’17

Mercedes-Benz:

1. Mercedes-Benz G 65 AMG Final Edition ’18
2. Mercedes-Benz SL 65 AMG Black Series (R230) ’09
3. Mercedes-Benz SLK 55 AMG ’10
4. Mercedes-Benz SLS AMG ’10 (Silver Streets Edition & Gold Edition)

Nissan:

1. Nissan Fairlady Z (Z34) ’08
2. Nissan GT-R Black Edition ’12

Porsche:

1. Porsche 911 R (991) ’16
2. Porsche 911 SC (901) ’78
3. Porsche 918 Spyder ’13
4. Porsche Cayenne Turbo ’18
5. Porsche Taycan Turbo S Cross Turismo ’20

Shelby:

1. Shelby Cobra 427 ’66
2. Shelby Cobra Daytona Coupe ’64

Toyota:

1. Toyota GR Supra RZ ’19 (possible, likely)

Volkswagen:

1. Volkswagen Beetle 1303 S '73
2. Volkswagen Class 5/1600 Baja Bug ’69

W Motors:

1. W Motors Fenyr SuperSport ’18

Manufacturers represented:

1. Abarth (ITA)
2. Alfa Romeo (ITA)
3. Alpine (FRA)
4. Apollo (GER)
5. Aston Martin (GBR)
6. Audi (GER)
7. BMW (GER)
8. Bugatti (FRA)
9. Chevrolet (USA)
10. Citroen (FRA)
11. Dodge (USA)
12. Fantasy vehicles
13. Ferrari (ITA)
14. Ford (USA)
15. Jaguar (GBR)
16. Koenigsegg (SWE)
17. Lamborghini (ITA)
18. Lancia (ITA)
19. Land Rover (GBR)
20. Lotus (GBR)
21. McLaren (GBR)
22. Mercedes-AMG (GER)
23. Mercedes-Benz (GER)
24. Nissan (JPN)
25. Porsche (GER)
26. Shelby (USA)
27. Toyota (JPN)
28. Volkswagen (GER)
29. W Motors (UAE)

Bentley, Caterham and Hummer rumored for inclusion.

For sale:
https://imgur.com/a/0WShQ08
1967 OGH Kennedy MS67 SMS $50 sold
1853 F12 PCGS seated quarter: $70
1958 Franklin toned CAC MS66 pcgs $80
1902-O barber half dollar bent f detail nice circ cam which is why I graded it. Note, should look at side profiles more lol. $65
Shipping is $5. All payments are ok.

For sale:
https://imgur.com/a/0WShQ08
1967 OGH Kennedy MS67 SMS $50 sold
1853 F12 PCGS seated quarter: $70
1958 Franklin toned CAC MS66 pcgs $80
1902-O barber half dollar bent f detail nice circ cam which is why I graded it. Note, should look at side profiles more lol. $65
Shipping is $5. All payments are ok.