Milton nascimento aquarela

Today's additions are:

https://youtu.be/GGmGMEVbTAY?si=5Y1ZV2ud-pDOmYdx
Clássico.

Hello, welcome to the Brazilian Classics Rate! This rate covers five albums released between the years 1968 and 1974, exploring the likes of Tropicália, MPB, Samba, and more. We are excited to enjoy this music with both long time fans, and also welcome newcomers to experience these all-time favorites for the first time.
Note: I am not Brazilian and am not a Portuguese writer / speaker. My apologies if anything is lost in translation through this process.
Hold on: What’s a rate?
About once a month, this subreddit holds games called “rates” where a host selects a collection of songs and people score each song on a scale of 1-10 (with a single 11 & a 0 available as well). Ballots of these scores are submitted, and then over “reveal” weekend, the host takes the averages of the songs and eliminates them from worst to best, giving one song out of all the albums the top spot, the crown, & bragging rights forever.
Our sister subreddit popheads has a Guide to Rates Video that can give you a broad overview of rates (please note our reveal process is thread-based instead of video chatrooms). And here's recent examples of a rate announcement and a rate reveal.
BALLOT Due Date - June 21st, 2024
Reveal Weekend - June 28-30, 2024
Submit Ballot Here
Spotify Playlist
Youtube Playlist
Os Mutantes - Os Mutantes (1968)
Os Mutantes was made up of Rita Lee, and the brothers Arnaldo Baptista and Sérgio Dias. In 1968 Os Mutantes released their debut album, were featured on the Tropicália Ou Panis Et Circenses compilation, and performed as the backing band for Gilberto Gil's self-titled second album. The Tropicália movement embraced taking international ideas and re-interpreting them, combining them to create something Brazilian. Os Mutantes will likely be a favorite for those who love psychedelic rock.

Panis et Circenses
A Minha Menina
O Relógio
Adeus, Maria Fulô
Baby
Senhor F
Bat Macumba
Le premier bonheur du jour
Trem Fantasma
Tempo no Tempo
Ave Gengis Khan

Gal Costa - Gal Costa (1969)
Another featured artist from the Tropicália Ou Panis Et Circenses compilation, Gal Costa released her debut album in 1967, and her follow-up self titled album in 1969. Gal Costa was close friends with both Gilberto Gil and Caetano Veloso as well as their spouses, and Gal Costa's bossa nova debut Domingo was a close collaboration with Veloso. By the release of Gal Costa we hear more of the impact of Tropicália and psychedelia on her sound. This self titled album features more songs from writers besides Veloso, including songs written by Gilberto Gil, Rosil Cavalcanti, Tom Zé, Roberto Carlos, Erasmo Carlos, Jorge Ben, and Torquato Neto.

Não Identificado
Sebastiana
Lost in the Paradise
Namorinho de Portão
Saudosismo
Se Você Pensa
Vou Recomeçar
Divino, Maravilhoso
Que Pena (Ele Já Não Gosta Mais de Mim)
Baby
A Coisa Mais Linda Que Existe
Deus é o Amor

Clube Da Esquina - Clube Da Esquina (1972)
The Clube Da Esquina name (Corner Club) refers to a corner of the street where Lô Borges used to live, and Borges and Milton Nascimento played for fun in the 1960s.
“I hope our young people don’t allow themselves to be swept up in this dictatorship business, because they don’t understand what it was like,” said [Milton Nascimento] who was stalked by agents from the notorious department of political and social order as his career took off in the 1960s. “Whenever we were going to release a song we had to send it to them for them to censor.” Eventually, Nascimento’s manager rented an isolated beach house where the musicians were free to compose the record of their lives. “It was wonderful … just us and the waves rolling up to our front door,” said Borges. “We weren’t thinking about selling millions of records or being the next big summer hit. We just wanted to make art.” Nascimento smiled as he recalled how that legendary album was conceived half a century ago, far from the prying eyes of the dictatorship. “It was a record made just by friends … We’d spend all day composing, from the moment we awoke with the fishermen bringing in their nets to the moment we went to bed.”
The cover of the album features a picture of two boys playing in rural Rio de Janeiro by the photographer Carlos da Silva Assunção Filho (also known as Cafi).

Tudo Que Você Podia Ser
Cais
O Trem Azul
Saídas e Bandeiras Nº 1
Nuvem Cigana
Cravo e Canela
Dos Cruces
Um Girassol Da Cor De Seu Cabelo
San Vicente
Estrelas
Clube da Esquina Nº 2
Paisagem Da Janela
Me Deixa Em Paz
Os Povos
Saídas e Bandeiras Nº 2
Um Gosto De Sol
Pelo Amor De Deus
Lilia
Trem De Doido
Nada Será Como Antes
Ao Que Vai Nascer

Novos Baianos - Acabou Chorare (1972)
By popular demand, Novos Baianos has been added to the rate mix! As suggested by their name, Novos Baianos were founded in the state of Bahia in 1969. During the making of Acabou Chorare, they were mentored by the "Father of Bossa Nova", João Gilberto. The album's title (translated as No More Crying) also came from a story about Gilberto's daughter.
Note: the album has two versions of Preta Pretinha, track 2 which is the full version and track 10 which seems to have been a radio edit. We are only rating the full version of the song.

Brasil Pandeiro
Preta Pretinha
Tinindo, Trincando
Swing de Campo Grande
Acabou Chorare
Mistério do Planeta
A Menina Dança
Besta É Tu
Um Bilhete Pra Didi

Jorge Ben Jor - A Tábua de Esmeralda (1974)
"I’m not in any movement, no. I think movements adopted me."
Jorge Ben Jor is the first recorded artist of the five here, but A Tábua De Esmeralda is chronologically our latest recorded album of the rate. This one is arguably a concept album; influenced by the Hermetic text "The Emerald Tablet" as well as Jorge's interest in alchemy, and features songs focused on Afro-Brazilian identity such as "Zumbi".

Os alquimistas estão chegando os alquimistas
O homem da gravata florida
Errare humanum est
Menina mulher da pele preta
Eu vou torcer
Magnólia
Minha teimosia, uma arma pra te conquistar
Zumbi
Brother
O namorado da viúva
Hermes Trismegisto e sua celeste tábua de esmeralda
Cinco minutos

Rules - PLEASE READ ALL OF THESE BEFORE SUBMITTING YOUR SCORES
Listen to each song and assign each a score between 1 and 10. Decimals are fine, but please refrain from giving decimal scores with more than 1 spot. This is because I'm using a computer program to parse the votes and print everything out (more on that later).
You have to listen to and score every song in the main rate. Otherwise, I will not accept your ballot as it will crash the program (more on that later).
Your scores should NOT be considered confidential as they aren’t. Feel free to shitpost about them in the general discussion threads whenever you feel like it - users over at popheads usually just talk about their averages of the albums and what 11 and 0 they gave (which I will explain on the next bullet point!)
You may give ONE song a 0 and ONE song an 11 in the main rate. Please reserve these for your least favorite and most favorite tracks; excessive sabotage ruins rate results and generally makes things less fun.
You can change your scores at any time! Feel free to PM me at any point after submission before the deadline and I'll be happy to revise them for you.
I am using a computer program that fellow rater letsallpoo designed in order to parse these votes! While this will make things a lot more efficient and reduces errors on my part, this does mean that scores need to be sent in a very specific way. The easiest way to make sure your scores follow the necessary format is to use the pre-prepared link at the top & bottom of this post. PLEASE USE THAT. You can copy and paste it to a notepad file or something and fill in your scores there, but PLEASE use that format to send in your scores.
DO NOT SABOTAGE the rate by giving outrageously low/high scores for the sole purpose of skewing the results, we reserve the right to exclude any ballot we suspect of this. If you're worried your scores could be mistakenly perceived as such, all you need to do is leave comments explaining the reasoning behind them.
Did a lot of copy and pasting here (including the following list of users), so thank you to all the raters of old: vapourlomo; roseisonlineagain; DolphLundgrensArms; R_E_S_I_G_N_E_D; stansymash; ClocktowerMaria; aerocom; themilkeyedmender; greencaptain; Crankeedoo; dirdbub; ThatParanoidPenguin; tedcruzcontrol; kappyko; FuckUpSomeCommasYeah; LazyDayLullaby; SRTViper; Whatsanillinois; NFLFreak98; freav; freeofblasphemy; kvothetyron, RatesNorman; aPenumbra; idontreallycare4; p-u-n-k_girl; luigijon3; WaneLietoc; dream_fighter2018; darjeelingdarkroast; smuckles; PiperIBarelyKnowHer; welcome2thejam; imrlynotonreddit; kvothetyrion; thedoctordances1940; b_o_g_o (of the BogoLomo Rate Collective); MCK_OH; TiltControls; u/chug-a-lug-donna; u/TakeOnMeByA-ha; u/indie_fan_; u/bilbodabag, zenits, saison_Marguerite, and tons of people on popheads.
Formatting
Songs - This is correct (single space after colon):
Brother: 7
You may also and are generally encouraged to leave comments with your scores!
This is correct (single space after score):
Brother: 7 I am having fun listening to this song!
These are incorrect:
Brother7 I am having fun listening to this song!
Brother: 7: I am having fun listening to this song!
Brother: (7) I am having fun listening to this song!
Brother: I am having fun listening to this song! 7
Brother - 7 I am having fun listening to this song!
Albums: You can also comment on the complete albums by adding a colon after the album name and then your comment, like so:
Album: Acabou Chorare I am having fun listening to this album!
Looking forward to all of your submissions!

Homenagem Brasileira with Special Guests! - Friday, May 10, 2024 at The Sound Room, Oakland
Homage to Brazil embraces the diversity of Brazil's musical traditions, rather than simply focusing on Brazilian standards that have already crossed over into the jazz world. While many an American jazz singer flirts with the Brazilian Songbook, San Francisco vocalist Sandy Cressman made a name for herself as a true devotee of the country’s greatest contemporary composers, interpreting songs by post-bossa masters like Milton Nascimento, Hermeto Pascoal, Gilberto Gil, and Filó Machado in Rio-accented Portuguese. The friendships forged with Brazilian musicians during her musical travels course through her music.
This show will highlight music from a kaleidescope of Brazilian composers, classic and contemporary, and will celebrate Mother’s Day a few days early. The show will include some special surprise guests who will be sure to delight anyone who loves vocal harmony….
Sandy Cressman, voice/percussion
Murray Low, piano
David Belove, bass
Dillan Vado, drums
Sheldon Brown, saxophone
Tickets - https://www.eventbrite.com/e/893979174777?aff=oddtdtcreator

Hello, welcome to the Brazilian Classics Rate! This rate covers five albums released between the years 1968 and 1974, exploring the likes of Tropicália, MPB, Samba, and more. We are excited to enjoy this music with both long time fans, and also welcome newcomers to experience these all-time favorites for the first time.
Note: I am not Brazilian and am not a Portuguese writer / speaker. My apologies if anything is lost in translation through this process.
Hold on: What’s a rate?
About once a month, this subreddit holds games called “rates” where a host selects a collection of songs and people score each song on a scale of 1-10 (with a single 11 & a 0 available as well). Ballots of these scores are submitted, and then over “reveal” weekend, the host takes the averages of the songs and eliminates them from worst to best, giving one song out of all the albums the top spot, the crown, & bragging rights forever.
Our sister subreddit popheads has a Guide to Rates Video that can give you a broad overview of rates (please note our reveal process is thread-based instead of video chatrooms). And here's recent examples of a rate announcement and a rate reveal.
BALLOT Due Date - June 21st, 2024
Reveal Weekend - June 28-30, 2024
Submit Ballot Here
Spotify Playlist
Youtube Playlist
Os Mutantes - Os Mutantes (1968)
Os Mutantes was made up of Rita Lee, and the brothers Arnaldo Baptista and Sérgio Dias. In 1968 Os Mutantes released their debut album, were featured on the Tropicália Ou Panis Et Circenses compilation, and performed as the backing band for Gilberto Gil's self-titled second album. The Tropicália movement embraced taking international ideas and re-interpreting them, combining them to create something Brazilian. Os Mutantes will likely be a favorite for those who love psychedelic rock.

Panis et Circenses
A Minha Menina
O Relógio
Adeus, Maria Fulô
Baby
Senhor F
Bat Macumba
Le premier bonheur du jour
Trem Fantasma
Tempo no Tempo
Ave Gengis Khan

Gal Costa - Gal Costa (1969)
Another featured artist from the Tropicália Ou Panis Et Circenses compilation, Gal Costa released her debut album in 1967, and her follow-up self titled album in 1969. Gal Costa was close friends with both Gilberto Gil and Caetano Veloso as well as their spouses, and Gal Costa's bossa nova debut Domingo was a close collaboration with Veloso. By the release of Gal Costa we hear more of the impact of Tropicália and psychedelia on her sound. This self titled album features more songs from writers besides Veloso, including songs written by Gilberto Gil, Rosil Cavalcanti, Tom Zé, Roberto Carlos, Erasmo Carlos, Jorge Ben, and Torquato Neto.

Não Identificado
Sebastiana
Lost in the Paradise
Namorinho de Portão
Saudosismo
Se Você Pensa
Vou Recomeçar
Divino, Maravilhoso
Que Pena (Ele Já Não Gosta Mais de Mim)
Baby
A Coisa Mais Linda Que Existe
Deus é o Amor

Clube Da Esquina - Clube Da Esquina (1972)
The Clube Da Esquina name (Corner Club) refers to a corner of the street where Lô Borges used to live, and Borges and Milton Nascimento played for fun in the 1960s.
“I hope our young people don’t allow themselves to be swept up in this dictatorship business, because they don’t understand what it was like,” said [Milton Nascimento] who was stalked by agents from the notorious department of political and social order as his career took off in the 1960s. “Whenever we were going to release a song we had to send it to them for them to censor.” Eventually, Nascimento’s manager rented an isolated beach house where the musicians were free to compose the record of their lives. “It was wonderful … just us and the waves rolling up to our front door,” said Borges. “We weren’t thinking about selling millions of records or being the next big summer hit. We just wanted to make art.” Nascimento smiled as he recalled how that legendary album was conceived half a century ago, far from the prying eyes of the dictatorship. “It was a record made just by friends … We’d spend all day composing, from the moment we awoke with the fishermen bringing in their nets to the moment we went to bed.”
The cover of the album features a picture of two boys playing in rural Rio de Janeiro by the photographer Carlos da Silva Assunção Filho (also known as Cafi).

Tudo Que Você Podia Ser
Cais
O Trem Azul
Saídas e Bandeiras Nº 1
Nuvem Cigana
Cravo e Canela
Dos Cruces
Um Girassol Da Cor De Seu Cabelo
San Vicente
Estrelas
Clube da Esquina Nº 2
Paisagem Da Janela
Me Deixa Em Paz
Os Povos
Saídas e Bandeiras Nº 2
Um Gosto De Sol
Pelo Amor De Deus
Lilia
Trem De Doido
Nada Será Como Antes
Ao Que Vai Nascer

Novos Baianos - Acabou Chorare (1972)
By popular demand, Novos Baianos has been added to the rate mix! As suggested by their name, Novos Baianos were founded in the state of Bahia in 1969. During the making of Acabou Chorare, they were mentored by the "Father of Bossa Nova", João Gilberto. The album's title (translated as No More Crying) also came from a story about Gilberto's daughter.
Note: the album has two versions of Preta Pretinha, track 2 which is the full version and track 10 which seems to have been a radio edit. We are only rating the full version of the song.

Brasil Pandeiro
Preta Pretinha
Tinindo, Trincando
Swing de Campo Grande
Acabou Chorare
Mistério do Planeta
A Menina Dança
Besta É Tu
Um Bilhete Pra Didi

Jorge Ben Jor - A Tábua de Esmeralda (1974)
"I’m not in any movement, no. I think movements adopted me."
Jorge Ben Jor is the first recorded artist of the five here, but A Tábua De Esmeralda is chronologically our latest recorded album of the rate. This one is arguably a concept album; influenced by the Hermetic text "The Emerald Tablet" as well as Jorge's interest in alchemy, and features songs focused on Afro-Brazilian identity such as "Zumbi".

Os alquimistas estão chegando os alquimistas
O homem da gravata florida
Errare humanum est
Menina mulher da pele preta
Eu vou torcer
Magnólia
Minha teimosia, uma arma pra te conquistar
Zumbi
Brother
O namorado da viúva
Hermes Trismegisto e sua celeste tábua de esmeralda
Cinco minutos

Rules - PLEASE READ ALL OF THESE BEFORE SUBMITTING YOUR SCORES
Listen to each song and assign each a score between 1 and 10. Decimals are fine, but please refrain from giving decimal scores with more than 1 spot. This is because I'm using a computer program to parse the votes and print everything out (more on that later).
You have to listen to and score every song in the main rate. Otherwise, I will not accept your ballot as it will crash the program (more on that later).
Your scores should NOT be considered confidential as they aren’t. Feel free to shitpost about them in the general discussion threads whenever you feel like it - users over at popheads usually just talk about their averages of the albums and what 11 and 0 they gave (which I will explain on the next bullet point!)
You may give ONE song a 0 and ONE song an 11 in the main rate. Please reserve these for your least favorite and most favorite tracks; excessive sabotage ruins rate results and generally makes things less fun.
You can change your scores at any time! Feel free to PM me at any point after submission before the deadline and I'll be happy to revise them for you.
I am using a computer program that fellow rater letsallpoo designed in order to parse these votes! While this will make things a lot more efficient and reduces errors on my part, this does mean that scores need to be sent in a very specific way. The easiest way to make sure your scores follow the necessary format is to use the pre-prepared link at the top & bottom of this post. PLEASE USE THAT. You can copy and paste it to a notepad file or something and fill in your scores there, but PLEASE use that format to send in your scores.
DO NOT SABOTAGE the rate by giving outrageously low/high scores for the sole purpose of skewing the results, we reserve the right to exclude any ballot we suspect of this. If you're worried your scores could be mistakenly perceived as such, all you need to do is leave comments explaining the reasoning behind them.
Did a lot of copy and pasting here (including the following list of users), so thank you to all the raters of old: vapourlomo; roseisonlineagain; DolphLundgrensArms; R_E_S_I_G_N_E_D; stansymash; ClocktowerMaria; aerocom; themilkeyedmender; greencaptain; Crankeedoo; dirdbub; ThatParanoidPenguin; tedcruzcontrol; kappyko; FuckUpSomeCommasYeah; LazyDayLullaby; SRTViper; Whatsanillinois; NFLFreak98; freav; freeofblasphemy; kvothetyron, RatesNorman; aPenumbra; idontreallycare4; p-u-n-k_girl; luigijon3; WaneLietoc; dream_fighter2018; darjeelingdarkroast; smuckles; PiperIBarelyKnowHer; welcome2thejam; imrlynotonreddit; kvothetyrion; thedoctordances1940; b_o_g_o (of the BogoLomo Rate Collective); MCK_OH; TiltControls; u/chug-a-lug-donna; u/TakeOnMeByA-ha; u/indie_fan_; u/bilbodabag, zenits, saison_Marguerite, and tons of people on popheads.
Formatting
Songs - This is correct (single space after colon):
Brother: 7
You may also and are generally encouraged to leave comments with your scores!
This is correct (single space after score):
Brother: 7 I am having fun listening to this song!
These are incorrect:
Brother7 I am having fun listening to this song!
Brother: 7: I am having fun listening to this song!
Brother: (7) I am having fun listening to this song!
Brother: I am having fun listening to this song! 7
Brother - 7 I am having fun listening to this song!
Albums: You can also comment on the complete albums by adding a colon after the album name and then your comment, like so:
Album: Acabou Chorare I am having fun listening to this album!
Looking forward to all of your submissions!

Link to the song: https://www.youtube.com/watch?v=jCpkTT0ihc4&ab_channel=JustoaM%C3%BAsicacomAndreAlmeida
https://www.youtube.com/watch?v=fFg7VHJ4bh8&t=88s&ab_channel=LearningBrazilianGuitar-RenatoCandro
I wanna be able to play it like those guys. It is possible to pay for month subscription on this site: https://learningbrazilianguitar.com/ and access the tab there, but I feel like 25 dollars is a bit too much just for a tab. If anyone could help me out it would be the best thing ever. Thanks!

Have you ever got to the point of crying while listening to music, but not because the music is melancholic, but because what you are listening to is simply wonderful? Well, this happened to me when I was listening to Minas, by Milton Nascimento, an album that, in my humble opinion, everybody should listen to at least once in their life. I could say which song made me cry, but if I do, most people will skip the entire album and go straight to it, thus considerably killing, since there's a whole sequence throughout the album that culminates precisely in it. So put on some good headphones, lie in bed in the dark, listen to the album, then come back here and thank me. That's it.

Homenagem Brasileira - Friday, May 10, 2024 at The Sound Room, Oakland
Homage to Brazil embraces the diversity of Brazil's musical traditions, rather than simply focusing on Brazilian standards that have already crossed over into the jazz world. While many an American jazz singer flirts with the Brazilian Songbook, San Francisco vocalist Sandy Cressman made a name for herself as a true devotee of the country’s greatest contemporary composers, interpreting songs by post-bossa masters like Milton Nascimento, Hermeto Pascoal, Gilberto Gil, and Filó Machado in Rio-accented Portuguese. The friendships forged with Brazilian musicians during her musical travels course through her music.
Fo this special event, they will be spotlighting new arrangements from the Milton Nascimento project.
Sandy Cressman, voice/percussion
Murray Low, piano
David Belove, bass
Dillan Vado, drums
Sheldon Brown, saxophone
Tickets - https://www.eventbrite.com/e/874543602457?aff=oddtdtcreator

Hoje a noite eu estou com um sentimento um tanto quanto desagradável. Estava ouvindo algumas músicas antigas e depois fui ouvir Caetano Veloso e Milton Nascimento e esse sentimento ficou mais forte. Lembrei constantemente da música do Lulu Santos e de fato as coisas só são o que são no momento em que se dão, no momento em que ocorre. É extremamente fugaz, desaparece no ar, você só consegue pegar por um pouco de tempo.
Senti que em algum momento de nossas vidas, o que ficou para trás terá sido o melhor já vivido e que o novo, mesmo o bom, não será igual. Eu sempre coloquei em minha cabeça a ideia de que o melhor está por vir e, de certa forma, isso não é algo errado, pois sou jovem e ainda quero conquistar muitas coisas.
Porém a cada momento que me coloco em minhas jornadas para conquistar esse mundo que idealizei, eu percebo que não sou mais o mesmo. Perdi minha inocência, minha ingenuidade, o romantismo com a vida. Me vejo a cada dia que passa alguém mais político, maquiavélico em alguns pontos.
E tudo está tão diferente. As pessoas de hoje são tão diferentes em seus gostos, seus modos de falar, seus afetos e pensamentos. Eu me sinto um estrangeiro, eu me sinto preso entre duas épocas, pois não sei como me identificar com certas coisas.
A vida só faz sentido quando compartilhada, com amigos, com família, com um amor. Todos nós temos nosso tempo e devemos aproveitá-lo ao máximo.
Eu hoje estou triste, mas vai passar.

I like when power metal bands makes a collaboration with a musician from another genre, how they mix the two influences or use the different vouce to a powerful effect. I was listening And We Run with XZibit and was very nice the rap part. And i like how Angra, from Brazil, likes to invite brazilian singers like Milton Nascimento and Lenine, both incredible local artists, to sing Late Redemption and Vida Seca.
What are your favorite collaborations on power metal?

Ivan Lins 07-21-2024 @ 3:00 PM - Miner Auditorium at SFJAZZ, San Francisco
78-year-old Ivan Lins reigns as the preeminent Brazilian composer of his generation, on par with icons including Caetano Veloso, Milton Nascimento, Gilberto Gil and Antonio Carlos Jobim. He returns for his first SFJAZZ performance in over four years with music from his new Resonance Records release, My Heart Speaks — his first in six years. Though Lins didn’t release an album in the U.S. until 1986, his tunes had already made a huge impact on American music. After Quincy Jones scored a GRAMMY with his version of the pianist’s “Velas” on his 1981 album The Dude, the floodgates opened. Jazz giants including Sarah Vaughan, Joe Pass, Blossom Dearie, Carmen McRae and Ella Fitzgerald began recording Ivan’s songs, as did pop stylists Barbra Streisand, Take 6 and Sting.In 1986, jazz singer Mark Murphy recorded an entire album of Lins compositions, Night Mood, and SFJAZZ Executive Artistic Director Terence Blanchard’s 1996 collaboration with Lins produced a gorgeous GRAMMY-nominated Columbia session, The Heart Speaks.A marvelously inventive pianist and captivating singer, Lins is one of the best interpreters of his own songbook. On My Heart Speaks, Lins revisits many of his greatest compositions in revelatory new versions backed by a sterling quartet, the 91-member Tblisi Symphony Orchestra, and guests including Randy Brecker, Dianne Reeves, and Jane Monheit.
Tickets - https://www.sfjazz.org/tickets/productions/2024-summer-sessions/ivan-lins/

Milton Nascimento & Lo Borges - Cravo É Canela

Sobre o Rio de Janeiro