Girl in taco bell beefy crunch commercial

Movement to Bring Back Taco Bell's Most Popular Item

2015.10.21 00:53 AlexVanderspek94 Movement to Bring Back Taco Bell's Most Popular Item

We are the Beefy Crunch Movement. A group of normal Taco Bell-loving people just like you. We have one mission: bring back Taco Bell's most popular item, the Beefy Crunch Burrito.
[link]


2024.05.13 15:05 nomass39 I found an old recording of the most gruesome TV show ever broadcast

Me and Lila always carved dozens of jack o’ lanterns every October, so they’d absolutely saturate our lawn on Halloween night. It was our thing. But looking back on it, now that I’ve lost her, I just feel bad for the pumpkins. I almost relate to them, somehow. The way they were carved up, had everything of substance inside of them torn out, and left as hollow, rotting shells with forced smiles.
Needless to say, I didn’t cope with her death well. I didn’t want to cope with it. I wanted the world to drown in the black sludge of my grief. I loathed the people I saw going about their lives, unaware that the world had already ended the moment Lila died. The Earth shouldn’t keep spinning. Life shouldn’t go on. Not without her.
Even my relatives bringing me along on a trip to Kauai only made it worse. The most gorgeous place on Earth, and it made me sick with hatred. Nothing that beautiful deserved to exist if Lila wasn’t ever going to get to see it. It wasn’t fair.
I thought I’d never enjoy or care about anything again. Then I discovered media preservation.
It started with taking some of Lila’s old VHS tapes to a video repair place to fix some issues with the footage before it’s digitized. The job fascinated me. In a universe based on entropy, where everything inevitably fades away and is forgotten… restoring something lost is like snatching it from the jaws of death, right? Like flipping the bird to the universe and its so-called ‘natural order’. People die, but information doesn’t have to.
Now, it doesn’t matter how small — be it some god-awful plug-and-play licensed game, or a cereal commercial from 80’s — it’s my mission to recover it in as high a quality as I’m able, and make sure it’s freely available online for as long as possible.
A couple weeks ago, I came across a big haul. Four boxes of old VHS tapes offered up on E-Bay for dirt cheap. Most of the tapes were just recordings of Cheers episodes already preserved in higher qualities, but one Maxell E-240 caught my interest.
First of all, I’d never seen one so melted. Sure, sometimes they were left in an attic too long, and the colors and audio start to degrade. But this one looked like it had survived a house fire. It was covered in soot and the smell of smoke, and had the overall shape of a chocolate bar left out in the sun a little too long.
Second was the label, which read in neat sharpie: ᴇᴘɪꜱᴏᴅᴇ 4,679,329 ᴍᴀʀ 8 2035.
The casing was so disfigured, I had to bust it apart just pull out the tapes and respool them in a fresh cassette. I tried to iron out the creases in the tape as best I could, but I had no illusions about it accomplishing much — the mylar surface had been irreparably warped in places by whatever fire had half-melted the thing.
Imagine my despair at the sight of that dreaded ‘ɴᴏ ꜱɪɢɴᴀʟ’. I could clearly see the tape wasn’t blank, yet no amount of adjusting the tracking or trying different TVs or VCRs accomplished anything. Just as I was about to give up, though, the thing just suddenly started playing properly at the exact instant the clock struck 3 AM, as if it had only now decided to work. My all-nighter had paid off.
I didn’t dwell on the fact that this ‘miracle fix’ had been impossible. If I’d had any sense, I’d have torn the horrid thing out of my VCR and buried it beneath holy ground. Instead, fool I was, I sat down and watched.
At first, the thing seemed unwatchable. The audio was so distorted that the show’s theme song emerged as a low, crackling, staticky wail that made my head throb, and the logo was completely indistinguishable through the flickering and interference. I thought it was a lost cause for a moment. But then a figure appeared and cleared away the static, like Noah parting the Red Sea.
It was the sight of the show’s host that hooked me. He was just… perfect. Perfect in every way. I knew it just looking at him. Infinitely handsome and likable and charismatic, and he always said the exact perfect thing. The only issue is, I don’t remember a single thing about him now, in the same way you can’t remember a dream that seemed so clear to you while you were experiencing it. He just appears in my memory as this abstract blur in a sharp suit. Yet at the time, I was awestruck, even before he said a single word.
I can’t even remember a word he said. It was like he was speaking another language, one I felt as opposed to heard. I’ll try and transcribe it as best I can into words, but know that it’s only a pathetic imitation.
“... for another night of laughs, prizes, and fun for the whole family, with your host, #####!” I noticed that the audio and visual distortion seemed to suddenly intensify the instant he said his name, rendering it completely illegible. Idiot I was, I figured that was a coincidence. “Tonight is a night of celebration, folks, because thanks to the support of loyal viewers like you, we have just been approved for, get this: two hundred thousand more seasons!”
The “live studio audience” went wild with applause. I put that in scare quotes because, as far as I could tell, besides the host, the studio seemed completely empty. As if he was standing on a plain white stage that extended outwards into infinite darkness on all sides.
“For those just joining us, the game here is simple…” He explained that this was some sort of a trivia show. Every time a guest got an answer wrong, it brought them a little closer to some sort of unspecified ‘punishment’. And if they got it right? He smirked. “Well, they get to delay the inevitable.”
I wondered what he meant by ‘inevitable’. I didn’t have to wonder long.
The host gestured to a curtain that hadn’t been there moments ago, which raised to reveal a middle-aged man. You know the type — bushy mustache, gray hair, round-rimmed glasses. Kind of guy you’d have doing your plumbing. He couldn’t look any more out of place stood up and restrained in that — what the hell is that?
I recognized that metal coffin-looking thing from a medieval torture museum I went to once. The iron maiden. The lid hung open, countless long, needle-like blades poking inwards, threaten to poke a million new holes in him if it was shut.
His situation was not lost on him. “Where… where am I? What the hell is this!?”
“Oh, lucky guess!” The host ‘joked’. More canned laughter. “I know you always loved watching those trivia shows, Malcolm? Weren’t you always sitting there, grinding your teeth, seething that it wasn’t fair? That you should be the one up on stage, winning big?”
The man paused. Even he seemed mesmerized by the unreal perfection of the host before him. “I… this is a… game show?”
“All you have to do is answer a few questions! Think you can handle that, Malcolm?” He pulled out a cue card without waiting for an answer. “And our first question! What were you doing the night of February 18th, 1998?”
The man seemed baffled. “Just… sat on my couch watching the NFL, I think? I’m not sure how I’m supposed to remember —“
He let out a startled squeal as a horrid buzzer sounded. On cue, the lid slid a third of the way closed, making him flinch. “Oooh, I’m afraid that’s the wrong answer, Frank! But you know what? I’ll give you one more chance. What were you —“
“Following a girl home!” The man cried out. “F-from the bar. There, are you happy?”
“Cor-rect!” The canned audience began cheering! “Such honesty! Now, our second question: just what were you carrying while you followed her?”
He hesitated for a little too long. And then the buzzer sounded again, and the lid slid so near to closing that its blades began poking uncomfortably against his skin. He tried to press himself against the back of the maiden as well as his restraints would allow. “Jesus! Okay! A knife, a knife!”
“Awww, if only you’d said that just a second earlier!” Another big question. “Our third question: why, Malcolm? Why did you do it?”
That set Malcolm off. He started thrashing, clawing, screaming. “Let me out of this thing, you maniac! You can’t do this to me! Do you know who I am? Is this some sort of sick joke? My lawyers will have your head for this, you—“
And then the buzzer. All of a sudden, the lid slammed shut full-force, and the man was utterly silenced save for an unnatural, drawn-out wheeze. “Another wrong answer, Malcolm! I’m afraid I was looking for: ‘because if I can’t have her, no one can’!”
I admit it. I laughed. Out of shock more than anything. How was this allowed on TV? I took it as some sort of dark comedy show, and it was kind of satisfying to see that freaky character get his comeuppance. Still, there was something unnerving to me, seeing the man’s eyes through the openings in the maiden. Wide and red and terrified. They just looked a little… too real.
But the maiden disappeared as quickly as it came, before I could dwell on it too much. “Oh, envy! Definitely one of my favorite sins.” More laughter. “Stay tuned, folks! We’ve still got a night of fun and games in store for you! But first… how’s about a word from our sponsors?”
Cut to a corporate logo which I again couldn't recognize.
“This segment was made possible by Buer Health, which has recently announced a brilliant new initiative to protect our citizens from skin cancer by removing their skin completely.”
The camera cut to a massive industrial building, resembling a solid concrete cube around 50 meters in width and height. Its surface bore arcane symbols etched using carvings of wailing, tormented faces. The host would occasionally be rendered inaudible by a deafening metallic scraping from within, though he didn’t seem to notice. The only protrusion from the building’s cubic shape was a single smokestack, belching a scarlet red smoke into the atmosphere. A queue of gaunt figures waited at the entrance, herded and coerced by their grim overseers, and there were no words to describe the procession of scarlet ghouls limping out the building’s other end.
“Owing to the nonlinearity of time, the brand new Grand Skinpeeling Machine has spontaneously appeared several years before construction deadlines, and indeed, before it was even conceived of by anyone in our timeline. People have rushed all the way from Malebolge just to try this miracle of technology out on opening day, and so far, the reviews have been stellar!”
He shoved his microphone in the face of a shambling thing that could only scarcely be called a human. Tatters of flesh clung to its exposed musculature, blowing in the wind. Its eyes were the only hint of color in that sea of bloody red, and they were wide, white and terrified. The thing screamed and wailed for as long as it could before the last tendons connecting its jaw to its face snapped, and it was left to choke and gurgle.
“An amazing wail! The results speak for themselves, folks. The Grand Skinpeeling Machine is a hit!”
So far, I was still laughing along and having a good time. The sight of the next ‘guest’, however, started making me nervous.
It was an old lady.
She couldn’t be a day younger than sixty, the sort of sweet elderly woman who in a just world would be cooking chocolate chip cookies for her grandchildren in a comfy cottage somewhere. But here she was, tied to a metal chair, eyes wide, shaking like a leaf. Unlike the last contestant, she seemed to know exactly what was happening.
“In exchange for our loving endorsement, they’ve agreed to loan us one of their star employees. Ladies and gentlemen, put your hands together for: the Liqisma!”
Something slunk from the darkness far behind her — or perhaps it’d be more apt to say that the darkness birthed it whole-cloth. It was like a living shadow, and it took my eyes a moment to register what I was even seeing.
How do I even begin describing this creature? I could say it looked almost human, or at least like something that may have been human long ago. Or I could start with its skin, which was all black and shiny as latex and seemingly smooth on first glance, but if you looked closer you’d realize it was covered in a million tiny reptilian scales, almost like a shark. Its head was a bald man’s, utterly devoid of any distinguishing features, like the basic stock template for a human being. It was notable only for a complete lack of pupils and irises, its eyes a pure white.
Its body defied basic biology in so many key ways, I had to stare it at for what felt like an eternity just to wrap my mind around its physiology. It was at least five or six meters long, by my estimate, composed of multiple human torsos stacked one on top of the other like segments of a centipede, each melding with the ones around it at the waist and shoulders. Each torso sported a pair of short, stubby arms that propelled it with terrifying grace. It ended with a pair of human legs, perpetually bent on their knees, beneath a ‘tail’ that looked more like its coccyx was poking free from its body.
The old last could clearly hear it, and kept futilely trying to turn her head around enough to get a peek at what stood behind her. I mouthed uselessly, don’t. You don’t want to know.
“Glad you could join us again, Miss Wethersby! Judging by our ratings last week, you seemed to have been a fan favorite!”
Her voice was so soft, I could barely hear it below the static. “Oh, God. Please, why won’t you people let me go? I’ve told you, I’ve never done anything, never hurt anybody. There must be some sort of—”
He waved a hand over her, and it seemed to forcefully snap her mouth shut. “Please, Miss Wethersby, save your breath for our questions!” Another cue card. “Your first question, my friend: where did you and your husband buy your first home?”
She had to think about it for a long time. Eventually, she cried out, “Alabama! Tuscaloosa, Alabama!”
“Ding ding ding! Why, you’re already doing better than our first contestant! Next question: what breed of dog was your childhood pet?”
She had a pained look on her face as she thought. Eventually, a timer started ticking down. It wasn’t visible, so it wasn’t clear how much time she had left exactly, but the sound it made got more shrill and high-pitched with every second. “Miss Wethersby, need I remind you that we have a time limit on this show?”
A tear ran down her cheek. “I… I keep telling you people, I don’t know. I have dementia, I can’t remember, please—”
That buzzer again. “I’m afraid that was the wrong answer! Liqisma?” The old lady shuddered at the sounds of hundreds of feet drawing a little closer to her. “Now, your first grandchild. What did he look like? What color were his eyes? His hair?”
She was crying harder now, like it hurt her that she couldn’t remember something so dear to her. “I told you I can’t remember! Why are you doing this to me!?”
“If you don’t remember them, why would they remember you?” The host mocked as the buzzer sounded, and the beast drew a little closer. “Really, do you believe they still even think about you? Or do you think they’re glad that the old bag of bones isn’t there sucking up their inheritance?”
This went on for… God, it could have been an hour. I was glued to the screen all the while, frozen with terror, praying for this nightmare to just end, for her to make it out okay somehow. He poured over every little detail of the life she lived and the people she loved, delighting in how little of it she could still recall.
And the thing grew closer, and closer… until she finally felt multiple pairs of hands resting upon her shoulders. The thing was looming over her now, and a long, black tongue a few feet in length emerged from its mouth and ran trails of dark saliva over the back of her head. She looked broken down, eyes raw from crying, and I could tell by the dampness of her dress that she’d wet herself.
“Now, Miss Wethersby, our time here has been fun, but I do believe it is time for our final question. Tell me, what is the name… of your only son?”
She couldn’t even answer anymore. She just stared ahead, like her mind was a million miles away. He cackled as the buzzer sounded one final time, and threw his cue cards aside. “Thank you for playing, Miss Wethersby. Better luck next time.”
I would say the thing unhinged its jaw like a snake, but that’d be an understatement. The way the thing’s face malformed and wrinkled and stretched as it opened its maw, it no longer looked even remotely human. Its jaws must have parted at least thirty centimeters apart, revealing a second, pharyngeal pair of jaws that lashed out and gripped the woman’s skull, pulling her headlong into that darkness.
I could hear bones crunching and snapping as its throat constricted down around her body, peristaltic muscles compacting her into a meat slurry, bit by bit. Yet she just wouldn’t die. Even as her skull and upper body were already crushed and compacted, organs and muscles pressed into mulch, she still kicked her legs, twitched her fingers, let out a gurgling that must have been some attempt at screaming. She was squirming even as the beast snapped its jaw shut around the last of her, condemning her to whatever torments awaited her inside the creature.
And all the while, that horrible laughter. “Don’t worry, folks! She’ll be back next week! And the next. And the next…”
Needless to say, I wasn’t having fun anymore. In fact, I had to turn away and fight the urge to throw up. I stood, about to turn the TV off and —
“Ah, ah, ah! Don’t touch that dial, now!” I froze. There was something chilling about the way he said that, staring right into the screen as if reacting to what I was doing. I hated that grin on his face. “The real show is just beginning.”
And with the barely restrained excitement of a child on Christmas morning, he yanked back another curtain, and I recognized everything.
I recognized that crappy bootleg knockoff Always Sunny in Philadelphia jacket that was so gaudy and terrible it instantly became her favorite thing in her wardrobe. I recognized those subtle hints of slight acne she disguised as fake freckles. I recognized the way her gray eyes would remind me of those overcast mornings at the beach at Hilton Head and pointing out all the cannonball jellyfish washed up on the sands. I recognized that tattoo of the name ʀᴏᴄᴋʏ, how I’d held her all night long as she cried into my shirt after her childhood cat had died.
It was Lila.
I shuddered, gasped, fell from my seat as if I’d been punched in the stomach and the air had been knocked out of me. I couldn’t breathe. This couldn’t be real. I was dreaming right now. I must be. I just had to wake up.
But I couldn’t wake up. Nothing I could do dispelled the sight of her curled up in that… that thing. That bronze statue of a bull, horns jutting on either side of a head that roaring silently up at the heavens, all while the love of my life was locked in its hollowed out belly, visible only through a pane of glass. I could hear her cry out in shock at where she’d found herself, and every whimper felt like it drove a knife through my chest.
The host soaked in the moment. It was ecstasy for him, the suffering of it all. He stared dead into the camera like he was looking right at me as she called, “What is this? Where am I?”
“Why, I have good news, my dear Lila! You’re exactly where every American dreams of being: you’re on TV.” He pointed to the camera. “And we have a very special guest in the audience tonight. Your very own beloved Jackson!”
I shuddered, hearing my own name ooze from his fetid lips. His façade of perfection was slipping, and there was something so profoundly ugly beneath it. Her eyes snapped to the camera, confused, despairing. “Jackson? Baby? What — what’s happening? What is this?”
I don’t know, I thought, gripping the sides of the TV so hard my knuckles turned white, but I’m going to get you out of there, baby. I’m going to find whoever did this and I’m going to bury them all so far beneath that studio that they’ll never-
“I’m afraid Jackson hasn’t joined us quite yet, my dear. But if you truly love him, surely you’ll give him a show to remember, won’t you?” He taunted her. “All I want, after all, is to ask you a few questions! In fact, I’ll offer you a special deal: get even a single answer right, and I’ll let you go free! But get one wrong and, well…”
On cue, a fire was lit beneath her. Small, smoldering for now, but she whimpered as she noticed the heat. We both realized in that instant what this was. By now, I was screaming things I can’t repeat here, and slamming my hands against the TV screen as if I could reach through and save her.
She bit her lip and acquiesced. Not like she had any room to argue. The host grinned and readied a cue card. “Your first question: where are you, Lila?”
“I… I don’t know. How am I supposed to know?”
“You do know, Lila. You know exactly where you are.” He smirked at her. “Here’s a free hint: what’s the last thing you remember, before you woke up here?
She thought about it… and choked back a sob, visibly shaking as the realization slowly settled in. “But… but why? I… I…”
The horrible wail of the buzzer cut her off. “Oooh, too bad! I’m afraid you’ve run out of time!”
Seemingly as if on its own, the fire doubled in size. Sparks licked the belly of the bronze bull, and began to ever-so-slowly heat the surface. She pawed around in the tight confines, searching for any reprieve from the scalding heat all around her as the metal grew hot like it’d been left out in the sun on a summer’s day. “Please! Oh, God, let me out of this thing! It hurts! It hurts!”
The host seemed to breathe in her pain as if stealing a moment’s indulgence. “Now that there is no doubt about where you are, my dear, let us proceed to the second question.” He switched to his next card. “Did you believe in God, in the end?”
“O-of course!” She pled her case as if she was being tried in court. “My entire life… every day I gave to the poor, helped the sick, did whatever I could to honor Hi-“
“I’m afraid you misunderstood my question. I asked, did you believe in him at the end? The very moment your pitiful little life was snuffed out?”
“I always believed! I’d never forsake Him!”
“Yes, yes, I know. You lived a good and holy life, didn’t you?” He cackled. “But what of the very end? You and your little husband were so excited to deliver your first little baby boy. But o, tragedy! It all went wrong, didn’t it? Your precious little boy didn’t make it through childbirth… and you followed closely behind.”
“That whole business with the botched pregnancy, it was… what do you call it? Ah, yes. A ‘test of faith’. And I’m afraid you failed. In your final moments, you watched the light fade from your child’s eyes, and you assumed — wisely, in my humble opinion — that no ‘kind’ and ‘loving’ God would allow something like that to happen.” He laughed. “Funny how after a lifetime of dutiful service, all it takes is one little mistake at the end… to bring you here. To us.”
I’d never seen such depths of despair in a person’s eyes. Such emptiness. Like with every word, he’d been scooping out another piece of her until she was hollow. And then that buzzer roared again, more shrill than ever, and I could barely see her little window through the smoke and flames. The belly of the bull was turning orange in places, and I could hear her flesh start to sizzle like meat on a grill. There are no words for the noises she made. No words at all.
“And our last, final question,” he continued. “What were your last words to your poor, beloved Jackson?”
“I love you!” I called out the answer. Bloody fingerprints stained the TV screen from my slamming my hands against it, as I screamed the answer over and over. “I love you, I love you, I love you!” At some point, I forgot that there was ever a question. I was just screaming it at her as if hoping that she could hear it, that it could bring her a modicum of comfort in that place.
The buzzer sounded again. I couldn't bring myself to look. All I could hear was the roaring of the bull, and the steam rising from its bronze nostrils.
The curtain fell. Silence drowned the sound. The host dropped all pretense that he hadn’t been speaking directly to me. “Now, Jackson. You just might be one of my new favorite audience members this show had ever had. I know this must have been hard for you. But if you’ll just stay tuned, I have one more show I know you’re certain to love!”
I didn’t bother to touch the remote. After all, nothing could be worse than what I’d just seen, right?
Wrong. Horror wracked me as the curtain rose, and I saw the man chained to a chair. I pulled away like a caveman witnessing fire, cringing and stuttering, face wet with sweat. It was the sort of fear that worked its way into your bones like a bad chill, that left you shaking, teeth chattering.
It was me.
An older me, sure. But not by much. Ten years, maybe. A gaunt and hollow version of me, one twisted by ten years of depression and hard drugs. But it was unmistakable.
His eyes widened as he recognized the host. “Oh — oh God, God please no! It can’t be — oh Christ, let me out of this chair, you —“
“Come, now! We wouldn’t want to use the lord’s name in vain, would we? I mean, that would be a sin!” The host laid a hand on the other me’s shoulder. “It may have been a few years since you watched our program, but I’m sure you remember the rules, don’t you, old friend?”
The other me was wordless, on the verge of hyperventilating, just as I was. The host was giddy with delight. “Now! Our first and only question is one I’m sure our viewer will be very interested in: what sins, exactly, do you think landed you here?”
The other me tried to speak, but the words caught in his throat. I could see it in his eyes. The years of self-destruction, the bitter hopelessness, the whirlpool of nihilism and vice and decay. The suffocating depths of a man. The darkness. How could he put it into words?
The sound of the buzzer was like a pig’s squeal. “Mmm, I’m afraid that our viewer is going to have to figure that out for himself! In the meantime, your punishment? Well, we wouldn’t want to spoil anything…”
The curtains slowly began to fall just as a couple other of those black, grotesque monstrosities emerged from the darkness. The curtain covered them all before I could get a good look at their obscene, twisted, asymmetrical figures. All I could hear was the crunching, the sound of skin tearing like paper, the screaming that went on for longer and louder than a human throat or vocal chords could endure.
The image and audio were beginning to distort, glitch, burn away. The tapes were physically melting as they played. My VCR was starting to overheat, sparks pouring from its front panel. The host voice jumped around in tone, his voice fading into the static blur as the tapes bubbled and boiled and distorted. “But, my friends, I’m afraid that concludes tonight’s episode of our show! So, with a final farewell to our dear, beloved viewer, Jackson…”
Just before the image melted away, the camera seemed to jump forward until his face filled the screen, his eyes piercing into mine as he cackled in that singsong voice.
“See you sooooon~”
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2024.05.13 04:52 ZestycloseDinner1713 I’m having such a hard time this second time around

If this is a long read, please forgive me. I don’t really have anyone to talk to about it except my mom.
Around 2019-2020, I was diagnosed with celiac disease. I was scared and took it very seriously. In Girl Scout cookie season with my nieces, I only ate the gf one. I stopped eating free cake and donuts and pizza at work. I had a terrible time on a vacation during covid because many restaurants and stores were closed and gas stations wouldn’t let me inside, so I ate meat and cheese sticks and lays potato chips to survive. Thanksgiving was hard. Gf processed food took a lot of getting used to. But I persevered, lost 40+ pounds, and felt pretty good.
Then around 2023, my doctor didn’t believe I had celiac. She was even kind of mean about it and told me to prove it or she would never chart it. I went back to my gastro doctor and asked for paperwork. The paperwork said inconclusive. I felt betrayed because they said I definitely had it. I spent so much money and gave up so much food and holidays…for nothing?
So for about a year and a half, I made up for lost time. Ate all the free food offered. Burger King came to town and I became a regular. All the southern food like fried chicken and flaky biscuits and mac and cheese I ate again. Gained my weight back. Had months of diarrhea and blamed it on Taco Bell. I felt worse and worse.
I finally decided enough was enough and I had a bunch of tests run to make sure. It cost over 5 grand because my insurance was so so. I was miserable eating gluten on purpose until my tests in September. After a colonoscopy and endoscopy and a bunch of other tests, it was found that I had Celiac, it was definite and much worse, and now I had Barrett’s Esophagus too. My doctor had taken me off prilosec a couple of years ago because she said I could get dementia. That upset the gastrointestinal team who said esophageal cancer would be so much worse.
So I stopped going to my home doctor, started protonix, and have tried my best the past 7 months, but it seems so much harder. I was too easily swayed by people telling me to just get one donut, by fast food being in my work parking lot and close to home, and by all the doctors I had to pay and dwindling gf shelves.
I tried to reward myself with virtual medals I earned miles on every time I ate gf. It helped, but didn’t stop me. I could eat gf breakfast and dinner at home, but I did terrible at work. So I quit Walmart and got me an office job where I have to bring a lunch. But my big family eats up my safe snacks so I end up buying gross tasting, gluteny, expensive food in the lunch room. I still don’t have insurance and I ran out of protonix and famotidine. I was ok until last week. I developed a horrible cough (at a call center, no less) and I started tasting blood and having horrible heartburn. I wasn’t able to eat for a couple of days. Finally my brain cleared up and I remembered that I had Barrett’s Esophagus also. I went back on famotidine and am taking tums until I can afford protonix without insurance. I feel a little better today. But I got depressed when I found out my former coworkers got a huge wage and I was drowning in debt and no insurance, so I went to McDonalds because I have absolutely no willpower and my depression is returning. I don’t know what to do. I want to do better! I want to be healthy and here for my family. I could really use some encouragement right now. Sorry this was so long.
submitted by ZestycloseDinner1713 to Celiac [link] [comments]


2024.05.13 03:06 Aggravating_Team_728 Any tips for when food is really unappealing

I’m at 0.5mg I feel great. Minimal Side effects (some GI stuff but its manageable). The last couple weeks I have zero appetite and food is completely unappealing which is leading to some poor choices. I’m a nurse and switching to the day shift soon which will help bc I won’t have to meal prep for a whole week at a time bc I’ll be home from work at a reasonable hour. Obviously eating the same thing all Week when food is already unappealing having the same thing for lunch every is a problem.
A friend who took Mounjaro said soups seemed to help her so I am going to try that.
What’s worked for all of you?? Cheesy Gordito crunches seem to be the only appetizing thing lately and I have had more Taco Bell in two weeks than I have had in my entire life. 😢😢
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2024.05.13 00:33 JustMeInBigD Things to Do May 13-19

As always, if you know of an event that's not listed here, feel free to share it (with a link) in the comments. Feedback on events you've attended or plan to attend is welcome.
*Free (or no admission/cover)
--Recurring Event
Noteworthy: May 13-19 is American Craft Beer Week. May 16 is National Barbecue Day.
Weekend & Multi-Day Events
May 13-19 Dallas is Lit (Literary Festival) at multiple Oak Cliff venues
May 16-19 DSO: Rachmaninoff Rhapsody on a Theme of Paganini at the Meyerson
May 17-18 Dallas Black Dance Theatre Spring Celebration at Wyly Theatre
May 17-19 Wildflower! Music and Arts Festival at Galatyn Park Urban Center, Richardson
May 17-19 Main Street Fest - A Craft Brew Experience at Historic Downtown Grapevine
May 17-25 Now THAT’s What I Call TV Improv 90s Sitcom at Stomping Ground Comedy
May 18-19 Black Heritage Celebration at the Dallas Arboretum
Through May 27 Scarborough Renaissance Festival, Waxahachie
Through May 18 Fannie: The Music and Life of Fannie Lou Hamer at Bishop Arts Theater Ctr
Through May 25 Echo Theatre: Beyond the Yellow Wallpaper at the Bath House Cultural Center
Through Jun 9 Hamilton at Winspear Opera House
May 17-June 1 Teatro Dallas: Cloud Tectonics at the Latino Cultural Center
*May 11- May 24 Women in Art – A Joyful Journey Exhibition at Art on Main
*Through May 19 The Art of Embroidery from India to the World at NorthPark Center
*Through June 28 Central Library Staff Art Exhibit at Dallas Public Library Central Branch
Monday, May 13
Dallas Mavericks vs. OKC Thunder: Playoffs Round 2 Game 4 at AAC
Dallas Stars vs. Colorado Avalanche Watch Party at Shark Club Sports Bar and Grill
Texas Rangers vs. vs. Cleveland Guardians at Globe Life Field, Arlington
British Film Institute Book Club Presents: Mean Streets at Texas Theatre
“Spider Mondays” The Amazing Spider-Man 2 on 35MM at Texas Theatre
Augustana: Something Beautiful Tour with Valley Boy at Club Dada
*Ryan Glenn at Truck Yard Dallas
*Music Bingo at Guitars and Growlers, Richardson
*Songwriter's Open Mic Hosted by Justin Collins at Dan's Silverleaf, Denton
*Poor David’s Pub Virtual Open Mic on Facebook Live
Tuesday, May 14
Texas Rangers vs. vs. Cleveland Guardians at Globe Life Field, Arlington
*10-Year Destination Master Plan Community Town Hall - West/South Dallas at West Dallas Multipurpose Center
Dallas Winds Concert: In This Circle at the Meyerson Symphony Center
*--Free Rooftop Movie: Easy A at Sundown at Granada
The Variety Show with The Lost Boy Presents at Arts Mission Oak Cliff
Jimmy Gnecco of Ours at Opening Bell Coffee
Qveen Herby at House of Blues
*Book Presentation: An Evening with Andrés Neuman at The Wild Detectives
*Book Signing and Discussion - Jannese Torres: Financially Lit at Interabang Books
*--W.O.W. (Words Over Wine) Poetry Open Mic at Chocolate Secrets
*Just Dance Series - Salsa Lessons at Harwood Park
*Indian Cultural Heritage Foundation Dance performance at Pleasant Grove Branch Library
Wednesday, May 15
Dallas Stars vs. Colorado Avalanche: Round 2 Game 5 At American Airlines Center
Texas Rangers vs. vs. Cleveland Guardians at Globe Life Field, Arlington
Dallas Wings vs. Chicago Sky at College Park Center, Arlington
10-Year Destination Master Plan Community Town Hall - North Dallas at Prism Center
Dallas Architecture Forum Presents: Brian MacKay-Lyons at Dallas Museum of Art
*--Salsa Night/Beginner’s Lessons at Vidorra Dallas
Transformers: 40th Anniversary Event at Texas Theatre
*Nerd Night: Old School Video Games at Celestial Beerworks
*Pat Peterson at The Kitchen Cafe
Swingin' at the Sons at Sons of Hermann Hall
Piano Men: An Elton John & Billy Joel Tribute at Sky Blu Rooftop
Daniel Sloss: Can't at The Majestic
*--Improv Jam at Dallas Comedy Club
Part One Tribe - A $7.77 Show at Deep Ellum Art Co.
3-course Beer Pairing Dinner at Windmills, The Colony
Thursday, May 16
10-Year Destination Master Plan Community Town Hall - East Dallas at Harry Stone Rec Center
Dallas Zoo After Dark Wild Canvas at the Dallas Zoo
*Bombshell Dance Project Performance at Dallas Museum of Art
*Kaleta Doolin in Conversation on Feminist Art History at Dallas Museum of Art
Maifest at the Brewery at Community Beer Co.
Analog Art Show at Flea the Scene
Sip & Paint at Aloft Dallas Downtown
Murder Mystery 3-Course Dinner at Bourbon and Banter
*PNC Patio Sessions - Pretty Boy Aaron at Sammons Park
*Books Signing and Discussion - Noah Gittel, Baseball: The Movie at Interabang Books
The Rhinestone Teardrops Tour at Three Links
Michelle Wolf: It's Great to Be Here at House of Blues
David Slater and Veronica Williams at Sammons Center for the Arts
*Adult Coloring at Mountain Creek Branch Library
HipHop & Healing at Highland Hills Branch Library
Master Gardeners: Taking the Mystery Out of Plant Propagation at Lakewood Branch Library
59th Academy of Country Music Awards at Ford Center at The Star, Frisco
Friday, May 17
Texas Rangers vs. Los Angeles Angels at Globe Life Field
*‘til Midnight at the Nasher Sculpture Center
*--DJ Binosaur at Vector Brewing
Backyard Concert: Meridian Brothers and Elkin Pautt at The Wild Detectives
*Booker T. Washington HSPVA Singer-Songwriters at Opening Bell Coffee
Cinéwilde Presents: The Matrix at Texas Theatre
Larry g(ee) EP Release with Dezi 5 and Cozy Campos at The Kessler
Girls' Night Out Stand-up Comedy Showcase at Dallas Comedy Club
Nimesh Patel: Fast and Loose Tour at the Majestic Theatre
The Reverent Few / Joe Blow / The Brandon Callies Band at The Double Wide
Chap Stick (Cheap Trick Tribute) at Sundown at Granada
*Trey Gonzalez at The Rustic
Dallas Poetry Slam 30th Anniversary Showcase at Oak Cliff Assembly
Aaron Aryanpur Live at the Oak Cliff Cultural Center
Saturday, May 18
Texas Rangers vs. Los Angeles Angels at Globe Life Field
Dallas Wings vs. Chicago Sky at College Park Center, Arlington
Ultimate Frisbee Dallas Legion vs. Houston HAVOC at Jesuit Dallas
*Cycling: Group Ride at Community Beer Co.
Morning Bird Walk at Trinity River Audubon Center
*AAPI Heritage & Dragon Boat Festival at the Bath House Cultural Center
Art Talk: Laure de Margerie at the Nasher Sculpture Center
Discover Downtown Dallas Movie Series: Sweet Home Alabama at Harwood Park
9th Anniversary Brewery Fest at Texas Ale Project
*Pawty on the Patio with Golden Retriever Rescue at On Rotation
*Asian Am., Native Hawaiian, & Pacific Islander Heritage Celebration at AT&T Discovery District
*AAPI Family Weekend at Sammons Park (Dallas Arts District)
Hope Starts Here 5K at Klyde Warren Park
Deep Ellum Wine Walk: Rosé Olé at Discover Deep Ellum
*Conversation and Party: Colombe Schneck and Merrit Tierce at The Wild Detectives
*Art Exhibitions Opening Event at Ro2 Art
*Analog Art Show at Flea the Scene
6th Annual Adult Science Fair at Celestial Beerworks
Andrea Gonzalez Caballero Spanish Guitar Concert at Kalita Humphreys Theater
Pepe Aguilar at American Airlines Center
Sunday, May 19
Texas Rangers vs. Los Angeles Angels at Globe Life Field
Dallas Jackals vs. Seattle Seawolves at Choctaw Stadium, Arlington
State Fair Records: Songwriters Round on The Green at The Kessler
*En Plein Air Painting Demonstration at the Dallas Museum of Art
Dilbeck Architecture Conservancy Homes Tour at University Park
K Pop Music Bingo Brunch at the Sweet Tooth Hotel
Abducted By The 80's at House of Blues
Paint and Sip at Peticolas Brewing
Turtle Creek Chorale: Pages at Northaven United Methodist Church
*Cars for CASA Car Show at Rockwall Courthouse, Rockwall
submitted by JustMeInBigD to Dallas [link] [comments]


2024.05.13 00:12 Trash_Tia A dead boy has been hunting me down my whole life. On my 18th birthday, I finally understand why.

I've always been bound to death.
On my eighth birthday, a shadow strode into my house and shot me and my family dead. I remember it vividly, every detail, every angle, etched and stained and carved into my memory.
I sat very still with my knees to my chest, my gaze glued to my siblings.
Lily and PJ looked like they were sleeping, and I could almost believe it.
I didn't look at the shadow.
From the comfort of my knees, I waited for my brother to lift his head.
But his body was so limp, so still, every part of him faltering. My sister’s head was nestled in his shoulder, thick beads of red running down her face.
They're just sleeping.
I could tell myself they were— as long as I didn't look at the splatter of scarlet staining the back of the couch and pooling at their feet.
BANG.
Mom’s body dropped onto the ground.
I lunged forwards, slamming my hands over my ears.
BANG.
PJ’s head slumped forwards, a teasing smile still frozen on his lips.
BANG.
Lily gently tipped into PJ, like she was going to sleep.
Before she closed her eyes, Mom told me to run.
I can't remember how long I stayed under the shattered remnants of Mom’s favorite table. The shadow was waiting for me to move, to make a noise.
I watched booted feet crunch through glass, getting closer and closer, and slowly, fight or flight began to take over.
Making it halfway across the living room, my palms slick with my mother’s blood, I thought I was going to live.
Cruel fingers wound their way through my hair and shoved me to my knees. I remember the phantom legs of a spider creeping down the back of my neck when the shadow with no face dragged the barrel of his gun down my spine.
“Turn around.”
The shadow had a voice.
When I didn't move, the protruding metal stabbed into my neck.
“Turn around, kid!”
I did, very slowly.
Behind him, my siblings still weren't moving.
They were asleep.
Lily was still smiling, strawberry blonde ringlets stained red.
I couldn't see PJ’S face anymore.
BANG.
I didn't feel the gunshot.
I didn't feel anything.
Looking down, I glimpsed slowly spreading red blossoming like a flower.
It felt like being cut from strings.
I hit the ground, just like my mother, my body felt heavy and wrong.
Paralysed.
I remember being unable to scream, unable to cry, the salty taste of metal filling my mouth. It was like being winded. Rolling onto my side, all I could see was flickering candlelight.
The air was thick, so hard to breathe.
I rolled onto my back trying to suck in air.
The shadow took a step back, opened the front door, and bled into the night.
I don't remember the pain, and I don't remember dying. I couldn't breathe, couldn't conjure words in my mouth.
I felt warm and sticky, lying in my own blood.
I think I tried to move.
But I was so tired.
I’m not sure what death feels like, because it's like going to sleep.
I remember my last shuddering breaths, a lulling darkness beginning to swallow me up. I don't know why I wasn't afraid.
Oblivion almost felt like I was sinking into lukewarm depths on a Summer’s day.
Oblivion wasn't pain, and there was a peaceful inevitability to it.
It was endless nothing, a nothing I found myself gravitating towards. But before I could envelope myself in that darkness, it was spitting me back out.
The next thing I knew, I was in a white room, a slow beeping sound tearing me from slumber. I had a vague memory of slow spreading roses blossoming across my shirt, like summer flowers blooming.
Everything was white.
The walls, the ceiling, and my clothes.
Sensation hit me in slow waves.
Exhaustion.
I felt it tightening its grip around my brain, dragging me back onto a mountain of pillows when I tried to jump up. My Aunt May was sitting next to me on a plastic chair, her warm fingers entangled in mine. Aunt May and Mom were practically twins, with the same thick red hair and pale skin.
Mom wore her hair in a casual ponytail, while May preferred a strict bun.
I had to bite back the urge to yank my hand away.
Aunt May was asleep, used tissues filling her lap.
There was a nurse pottering around, checking my vitals and prodding my arms. My eyes felt heavy. I had to blink several times to keep myself awake.
“Charlie?”
The nurse’s voice was like wind-chimes.
I pretended not to notice her forced lipstick smile, the way she stood with her arms folded, staring at me like I was one of my cousin’s experiments. “You were in an accident, sweetie,” the nurse spoke up. I could see her trembling hands. “Just, um, try and rest, okay?”
I wanted to ask where my family was, but I already knew the answer.
I think she knew that too.
“You died, Charlie.” The nurse’s voice was eerily cold. “You were dead for thirteen minutes.”
She took slow steps towards me, her eyes growing frenzied, like she couldn't understand me, like I was a puzzle she could not solve– and it was driving her crazy. I could see it in her twitching hands, her wobbling lips that were trying and failing to appear stoic.
“In fact, I just pulled you out of the morgue, honey. I opened up your body bag that I had just zipped up, and told your aunt that you were a miracle I just… can’t understand.” The nurse sounded like she was trying to choke down a laugh, or maybe a sob.
“Charlotte, you were pronounced dead at 3:02am from a gunshot wound to the chest.” Taking a slow, sobering breath, the nurse tried to smile. “The bullet went through the right ventricle of your heart and severely damaged your left lung, rendering you unable to breathe. Your heart stopped, and after four attempts to resuscitate, we called it.”
Something slimy wound its way up my throat when she began to pace the room. “I… did all the paperwork. It took me two minutes. Your death certificate was signed, and your body was taken to the morgue to be prepped for transportation. Then I had my lunch. Tuna salad with a protein milkshake. I’m not a fan of the chocolate flavor.”
She shook her head. “Anyway, when I came back to you, you were awake inside your body bag.” Her voice was starting to break. “You were…um, alive, and asked me for apple soda.”
The nurse moved closer, and yet kept her distance.
I could feel myself moving back, panic writhing through me.
“So.” The nurse spoke calmly. “How the fuck are you still alive, Charlie?”
I think I passed out after that.
When I woke up again, my head a lot less heavier, the nurse was gone.
Slowly, my foggy brain began to find itself and connect dots.
My mouth was dry, full of cotton.
There was a sudden tightness, a sharp and cruel sting in my wrists.
Something sharp was protruding into my flesh, and no matter how many times I violently wrenched my arm, it was stuck. It didn't feel right to be able to breathe so easily.
I knew the second I woke that my Mom was dead.
Lily and PJ were dead, and it was like losing them all over again.
As clarity came over me, I found my voice, a strangled cry escaping my lips.
“Get it out.” I whispered in a shrill cry.
Tugging at the IV in my wrist, I tried to yank the needle from my skin.
“Get it out!” I shrieked, my gaze glued to the tiny spots of blood staining the insertion point.
I could see it again.
So much blood.
Mom was curled up on the floor, lying in slow spreading red that wouldn't stop, seeping across her beaded rug.
She was all over me, slick on my skin and caked in my fingernails.
I couldn't wash her off of me.
“You're okay, Charlotte.”
Aunt May’s voice came from my right, stabling me to reality.
The world started to move again, started to make sense again, when she cupped my cheeks and told me to breathe. When I opened my mouth to ask where my family were, she lightly shook her head and I swallowed my words. Aunt May handed me a glass of water, and I drained it in one gulp.
She told me I was a miracle.
Aunt May didn't say much, and when she did, she broke into sobs.
Her eyes were raw from crying, clinging onto me, her shuddery voice reassuring me that I was going to be okay.
She told me I would be living with her from now on, before wrapping me into a hug and leaving to get coffee.
Once my aunt was gone, another nurse came to prod my IV.
I tried to sleep, but the uncomfortable tightness of the needle sticking into my skin and the sterile white lights in my eyes made it impossible. I waited for grief to catch up with me, drowning me in a hollow oblivion I wouldn't be able to claw myself out of. But I didn't feel sad. I didn't feel angry.
I wanted to know why my family were dead.
I wanted to know why I was breathing, and their skin was ice cold.
Rotting.
The sudden image of maggots crawling up my brother’s nose sent me lurching into a sitting position, my stomach heaving. Reaching for my glass of water, it was empty. The sensation of throwing up felt familiar, almost comforting.
Mom was always with me when I was sick, holding my hair back and lulling my hysteria with reassuring murmurs.
I was frowning at the trash can by the door, my cotton candy brain trying to figure out if I would be able to make it in time, when a small voice drifted from the doorway, startling me.
“I don't want you to come live with us.”
My cousin was peeking through the door, hiding behind a shock of dark brown curls. Jude was the only brunette in our family. The rest of us were redheads.
I wasn't sure why he was dressed up like a ghost, draped in a white cloak that was way too big for him. Jude was a weird kid. His mother, and my auntie, had inherited the family house, so in his mind, that made him superior.
Jude made it clear he didn't like his cousins, refusing to let us play with him and banning us from family gatherings.
When the adults were drinking cocktails and losing their awareness, Jude ordered us around. The times we did play with him, our cousin showed us his spider collection, or the raccoon brain he kept in a jar. PJ was convinced our younger cousin was a serial killer. Several months earlier, he'd happily showed us the roadkill he'd been growing bacteria on under his bed.
Jude’s ‘experiments’ were worrying.
He stuffed mushrooms down my brother’s ears while he was sleeping, to, and I quote, “Recreate The Last Of Us.”
When Lily had a nosebleed during Thanksgiving dinner, Jude collected all her bloody tissues and refused to tell us where he'd put them, and what he had done with them. Fast-forward two months, and I found them under a nest of spiders. Jude was trying to adapt the spiders to be able to feed on human blood. I was surprised my cousin hadn't immediately demanded to see my siblings’ dead bodies for autopsy.
Jude stepped into the room, shuffling his feet.
“I'm sorry about Lily, PJ, and Aunt Ivy.” He mumbled, glaring at the floor tiles.
My cousin made no move to offer real sympathy, instead speaking to the floor.
“But I don't want you to come live with us.” Jude lifted his head, looking me dead in the eye. “I don't like you, Charlie. I want you to stay away.”
Before I could reply, he stepped back like I was diseased.
“You should be dead.” Jude grumbled.
He scowled at me, getting my age purposely wrong as usual before running off.
“Happy 68th birthday.”
I was six months older than him.
In Jude’s eyes, I was ready for retirement.
Still, though, my cousin was right.
I was stone cold dead, and then I was somehow alive.
Which was wrong.
Growing up, I realized Death was not so subtly attempting to fix his mistake.
It started small. I'd choke on things I wasn't supposed to choke on.
Chips.
Candy.
Ice cream.
Aunt May had to perform the heimlich manoeuvre when I choked on a piece of chicken. I thought I was just really unlucky, but then I locked myself in a freezer that didn't have a lock, and almost drowned in the local swimming pool, catching my foot in stray netting.
At the summer fair, Jude convinced me to try apple bobbing, only for my head to conveniently get stuck underwater.
It started to make sense.
I was supposed to die with my family that night, and death was out to get me.
Death started to get clever, changing his tactic. Instead of using everyday things to try to kill me, he sent reinforcements.
I turned twelve years old, and my aunt threw me a huge party, inviting all my classmates. Aunt May was rich, rich.
Mom never explained it, but our grandparents left everything to May.
The house was like a palace, a labyrinth of floors I was yet to explore, and two swimming pools.
I was in the kitchen cutting myself a slice of cake, when, out of nowhere, a dead boy came rushing at me with one of my aunt’s favorite kitchen knives.
A dead boy who I immediately recognised.
Wren Oliver.
Several years prior, he'd gone missing from his parents' yard. The town launched a full investigation, only to find his body in a ditch a week later.
So, Death had sent a footsoldier.
Hiding under a hooded sweatshirt, Wren appeared older, like he had grown up with me. But there was a startling vacancy in his expression that drew the breath from my lungs, freezing me in place. Wren’s death was announced as an accident, though his wounds suggested the opposite, dried blood smearing his right temple and a cavernous hole in his chest, his clothes painted, stained, in bright red, glued in sticky mounds clinging to him.
The boy’s eyes were wild, feral, like an animal.
His hair was longer, a mess of reddish curls matted to his forehead.
Lip split into a demented giggle.
I remember taking a slow step back, my gaze glued to the knife.
Wren’s fingers were wrapped around the handle like he knew exactly how to use it, how to plunge it into my heart and kill me for good. He moved like a predator, zero self awareness or recognition, only driven to kill me.
The dead boy prided himself in slow, intimidating steps, shoving me against the wall and dragging the blade of the knife down the curve of my throat.
His eyes confused me, writhing with hatred that was artificial, programmed into him as Death’s official soldier.
He didn't speak, only smiled, revelling in my fear. I could tell it thrilled him, my trembling hands, my sharp, heavy breaths I couldn't control. Squeezing my eyes shut, I waited to finally die.
I waited for the pain, and to lose my breath once again.
But death was playing with me.
When I opened my eyes, the dead boy was gone, and I was on my knees, screaming.
“Wren Oliver is trying to kill me!" I managed to hiss.
My aunt knelt in front of me, her expression crumpling.
*Sweetie,” She spoke softly, squeezing my hands. Aunt May was trying to appear calm for my sake, but I could tell she was scared, her frantic eyes searching mine. “Wren Oliver is dead.”
The kids surrounding me started to giggle, whispering among themselves.
In the corner of my eye, my cousin was leaning against the door, mid eye roll.
When my aunt was ushering kids back to the pool, Jude came to crouch in front of me. Ever since I started living with him, he'd made sure to keep his distance.
This time, though, Jude leaned uncomfortably close, a sparkle in his eyes I had never seen before. Inclining his head, he rocked back and forth on his heels, prodding me in the forehead.
“If you see the dead boy again, can you tell me?” His lips curved into a smile.
“I did see him.” I gritted out. “I’m not lying.”
Jude shrugged. “I never said you didn't,” he lowered his voice into a whisper, “I wanna know when you see him again.”
“Why?”
His lips curved into a smirk.
“So, I can catch him.”
My cousin got closer, his breath tickling my cheek.
“I seeeeeeee dead people.”
After that incident, death left me alone for a while.
I was fifteen, walking through the forest with a friend, catching fireflies in bell jars. Aunt May was lucky to live so close to the forest, the entrance just outside her back door. When we were littles, PJ would drag Lily and I down the trail to escape Jude’s weird experiments.
I decided to invite Jem Littlewood on a summer walk.
Jem was cute, but in a dorky way. He was chronically clumsy, and dressed like he'd been spat out of a John Hughes movie. We hiked all the way to the end of the river and had a picnic, watching the sun set over the horizon. I was having conflicting feelings for this guy.
Jem was obsessed with fireflies.
Though he seemed more interested in photographing them than me.
The guy couldn't seem to sit still, jumping to his feet to marvel at tiny specks of light dancing in the air.
“I'm just going to take photos!” Jem beamed, holding up his camera.
I had to bite back the urge to say, “Don't you have enough photos?”
I nodded, and he turned and sprinted back down the trail.
Before his footsteps ground to a sudden halt.
At first, I thought he was snapping polaroids.
When I got closer, though, blinking in the eerie dark, I caught something.
Bending down, I picked up a bell jar still spilling fireflies.
Further down the trail, Jem was lying crumpled in the dirt, his camera smashed to pieces next to him, blood running in thick rivulets down his temple. There he was. Leaning against a tree, his arms folded, was the ghost boy. Wren Oliver was growing up with me. Now, a teenager, and yet his face was carved into something else entirely, more of a monster, slight points to his ears and too-sharp teeth, eyes ignited.
Wren didn't look like a ghost boy anymore.
Death had dressed him in shackles of ivy, a crown of glass and bone forced onto his head, entangled in his curls. Death was torturing him. Wren’s flesh was its canvas, and every time I got away, he was punished, painting his failures across scarred flesh. I should have been running for my life, but I was mesmerised by each symbol cruelly carved into his neck.
The boy did a slow head incline, like he couldn't believe I was standing in front of him.
His slow spreading smile caught me off guard.
I remembered how to run, stumbling over my feet.
But I couldn't move.
The burning hatred that death had filled him with, was stronger, hollowing him out completely. I managed two shaky steps, before I felt him, an unearthly force winding its way around my spine. This time, he didn't hesitate.
I watched his mouth move, a single curve of his upper lip that wrenched my body from my control, slamming me against a tree. There was something around my throat, choking the breath from my lungs, a thick fog spreading over my eyes. Following his mouth curving into silent letters, I could feel my feet slowly leaving the ground, my legs dangling.
I was floating.
Hovering off of the ground, suspended by his words.
Through half lidded eyes, I caught the glint of a blade between his fist, but I couldn't move, couldn't scream.
He was drowning me, bleeding into my blood, spider webbing and expanding in my brain without moving a muscle.
Instead, the ghost boy stood silently, running his thumb down the teeth of his knife while he ripped my lungs apart.
It was like suffocating, sinking into that peaceful oblivion I met at eight years old.
This time, though, the darkness was starving.
“Charlie?”
My eyes found daylight, a scream clawing out of my mouth.
“Charlie, it's past curfew!”
Wren flinched, his stoic expression crumpling.
The dead boy’s lips moved again, this time in a curse.
Fuck.
“Charlotte!”
Staggering back, Wren’s eyes widened and the suffocating hold on me severed.
His head snapped in the direction my aunt was coming from.
“Charlie, answer me right now.”
He hesitated, his bare feet pivoting in the dirt, like he was considering finishing me off. Wren studied me with lazy eyes, sucking on his bottom lip. When my aunt's footsteps got louder, branches snapping under her shoes, something contorted in the boy’s face.
Fear.
I guessed the boy wasn't expecting other humans to intrude.
Wren fell over himself, shuffling on his hands and knees, before diving to his feet. When he turned and ran, I was released, slipping to the ground, trying and failing to draw in breath. I barely felt the impact, only a dull thudding pain. I could hear the ghost boy’s footsteps, his uneven, shuddery breaths as he catapulted into a run.
Under a late setting sun, I watched his dancing shadow disappear into the trees.
Mission unsuccessful, I guessed.
When I was fully conscious, Aunt May was checking over Jem, helping him sit up.
“Where did he go?” I managed to get out, scanning the darkness for Wren.
“He's okay, just concussed.” May whispered, dialling 911.
My aunt applied a dressing to Jem’s wound, ignoring the boy’s hisses.
“Keep still.” she murmured, smoothing his bandaid. “What happened, Charlotte?”
“She pushed me over.” Jem groaned, shuffling away from me. When my aunt told him to stay calm, he straightened up, leaning against the tree. “The psycho bitch tried to fucking kill me!”
When my aunt's gaze flicked to me, I shook my head.
“It was Wren Oliver.” I gritted, teetering on hysteria. I could tell she didn't believe me, but I couldn't stop myself. I prodded at my throat, clawing for the indentations where his phantom fingers snaked around my neck, squeezing the breath from my lungs.
But there was nothing.
I could feel my mind starting to unravel. I nodded to my disgruntled classmate trying to dodge my aunt’s prodding.
“Ow, ow, ow! That stings!
“He knocked Jem out.” I managed. “Then he tried to kill me.”
Jem surprised me with a scoff. “You're seriously blaming your psychotic break on a dead kid?”
Aunt May pursed her lips, motioning for Jem to be quiet. Judging from her face, however, she agreed with the boy.
May forced a smile, though it didn't quite reach her eyes. “Okay. Can you, uh, describe the boy to me, Charlotte?”
“He was wearing a crown,” I said, “And he looked my age.”
Aunt May cocked her head, and I saw real worry, like she was trying not to freak out. Jem made a snorting noise.
“I'm sorry, he was wearing a crown?”
“Yes!” I insisted, getting progressively more frustrated.
I tried to jump up, only for my aunt to gently lower me back down. “I know it sounds crazy, but death has sent Wren Oliver to kill me, just like my family. He tried to kill me when I was twelve, too!”
Jem let out a bitter laugh. “Your niece is a fucking wackadoodle.”
Aunt May’s eyes darkened. She grabbed my shoulders, her nails stabbing into my skin. “Charlie, I want you to listen to me, okay?” When my eyes found the rapidly darkening sky, my aunt forced me to look at her.
“Charlotte!”
She was as scared as me, her voice shuddering.
“Wren Oliver is dead.” My aunt said firmly, shaking me. Even then, though, I wasn't even looking at her. I was trying to find his ignited eyes lighting up the dark. “Wren died at eight years old in a terrible accident, and you can't keep using him as an excuse for your mental trauma.” There was something twitching in her expression I was trying to make sense of. When I risked a look at Jem, the boy was staring at me dazedly– like I really was crazy.
Aunt May pressed her face into my shoulder, and I could feel her tears soaking into my shirt. She was trying to hold it together, trying to understand.
“Charlie, I know you lost your family,” she whispered. “But you and Wren Oliver are not the same. You survived, and he didn't.” Her voice splintered.
“You need to come to terms with that, okay?”
When I didn't respond, she pinched my chin, forcing me to look at her.
“Charlotte.”
Aunt May’s voice turned cold. “I ignored this when you were a kid, but if you continue to use this poor boy as a coping mechanism, I will have no choice but to send you to a specialist.”
When Jem was taken away by paramedics, Aunt May held my hand, squeezing my fingers for dear life.
I caught her gaze scanning the tree's around us, delving into twisting oblivion. Every little noise sent her twisting around. She was looking for something.
“I'm going to get you help.” Aunt May said in a low murmur when we were back at the house. Jude was sitting on the kitchen counter, legs swinging. I could feel his penetrating gaze burning into the back of my head.
Aunt May set a cup of cocoa on the table.
“No more fairytales.”
By the time I was eighteen, I had bitten three therapists.
They refused to believe that death was coming to reclaim my soul, and was using a dead boy to do his dirty work.
For my 16th birthday, I braced myself to come face to face with Wren Oliver’s ghost.
I wasn't even in town, staying at a friend's house.
But dead boys, and especially dead boys moulded into Death’s personal soldiers, could materialise anywhere.
I locked every door in the house, and taped up my friend’s window.
Nothing happened.
On my seventeenth birthday, I was sick in bed with gastritis.
Still no ghost boy.
Death seemed to have finally left me alone.
On my eighteenth birthday, I was stuffing books in my locker when my cousin popped up out of nowhere, scowling as usual. After an unexpected growth spurt and losing a tonne of baby fat, my cousin had scaled the high school hierarchy, swapping his weird experiments for a varsity jacket and experimenting with his sexuality.
The two of us had come to an unspoken truce.
I kept quiet about his spider collection to his popular friends, and he tolerated my existence until I left for college.
“Your surprise party is cancelled.”
Jude leaned against my locker, running a hand through thick dark hair tucked under a baseball cap. Jude never admitted it, but he was definitely embarrassed of being the odd one out.
My siblings may be dead, but they were still redheads.
I pulled off his cap with a smile, throwing it in his face. “Sure it is.”
My cousin’s eyes widened. He lost his slick bravado, grabbing for his cap.
“Hey!”
According to my cousin, my party was unexpectedly cancelled every year.
I wasn't sure if it was his weird superiority complex, or just plain jealousy, but it was getting exhausting.
Jude followed me down the hallway, matching my stride.
“Can you just not come home tonight?”
I quickened my pace. “It's only a party. I'm having some friends over, and no, we won't go anywhere near your room.”
“No, I mean.” Jude stepped in front of me, and for the first time in a while, he wasn't trying to hide disdain for me.
His dark eyes pinned me in place for a moment, the world around us coming to a halt. Sound bled away, and all I heard were his slow breaths. There was something there, an unexplainable twitch in his eyes and lips, that twisted my gut.
Jude stepped closer, his lip curling. He shoved me back, losing his facade.
“Stay the fuck away from the house tonight.” He said, and his voice, his tone, was enough to send shivers creeping down my spine. Jude had always hid behind a ten foot wall in his mind. It was jarring to see something in him finally start to splinter. Fuck. I thought.
This kid had serious Mommy issues.
I blinked, and the world resumed, kids pushing past us.
Jude seemed to catch himself, slipping back under his mask.
“I'm having friends over,” he rolled his eyes, “Your presence will ruin the vibe.”
“It's my birthday?”
He groaned, tipping his head back. “Yes, I know. But–”
“I think you can deal with the attention off of you for one night, Jude.”
“Will Wren Oliver be there too?” Jem Littlewood hollered.
Jude didn't respond for a moment, his lip curling.
“Shut the fuck up.” He spat at Jem, who immediately backed down. With an audience this time, Jude forced an award winning smile. “Fine.” His lips split into a grin I knew he hated. My cousin clamped his hand on my shoulder, hard enough to hurt. I could feel his fingers pinching the material of my jacket. “Have it your way, dude.”
Jude backed away with a two fingered salute.
“Happy 78th birthday!”
In a sense, I wish I listened to my cousin.
My party was a success, sort of.
Four of us, a crate of beers, and no sign of my cousin.
I was mildly tipsy, sitting on the edge of the pool, dangling my legs in the water when my friend demanded more beers.
I was also hungry for cake, so I stumbled inside in search of the goods.
The house was dark, lit up in dazzling blue from the pool's lights reflecting through the windows. Aunt May was in her office on the ground floor, and Jude was getting high in his room. In my drunken state, I found myself marvelling my aunt's house, and how much of it was left unexplored.
For example, in the foyer, past the spiral staircase she’d had custom made, was an elevator I had never questioned.
There was a girl my age standing on the staircase.
She was frozen, mid run, dressed in ragged jeans and t-shirt.
Everything about her stuck out to me, bringing me to a sobering halt.
The girl reminded me of my sister– or at least, if my sister had ever grown up.
I wasn't sure if I was drunk or hallucinating.
Her flower crown was pretty…
Lily had grown wings.
I was slowly moving towards her, a sudden bang sounding from the kitchen.
The bang of something shattering on the floor.
Twisting around, I found myself gravitating towards warm golden light.
The first thing I saw was the refrigerator door hanging open, and someone, no, something, rooting around inside it.
Glued to the spot, I dazedly watched them grab milk, guzzling it down, and then soda, cracking open each can and sucking them dry, before carving their fingers into my birthday cake. But I wasn't looking at the spillage of food seeping across the floor. Instead, my gaze found a crown of antlers, both human and animal bone entangled with dead flowers and human remains glued to a head of familiar matted brown curls.
There was something sticking from battered and bruised flesh, twin gaping slits sliced through a torn shirt resembling glass wings that were not yet formed, reminding me of a butterfly.
Wings.
But not the wings I dreamed of as a kid. These things were unnatural mounds that both did and didn't make sense on a human boy. I could see the trauma of them slicing through his flesh, monstrous, looming things protruding from what was left of a human spine.
Human, and yet I couldn't call his beautifully grotesque face human.
Wren Oliver had grown up with me, now an adult.
Eighteen years old.
His clothes confused me, a single white shirt and shorts.
Wren’s feet were bare, battered and bruised, blood smearing my aunt's tiles.
Angel.
Death had turned his footsoldier, and my future killer, into an angel.
But there was nothing angelic about the dead boy, his body and mind sculpted and moulded into Death’s own.
The boy no longer resembled a human, feral eyes and a manic smile, choking down pieces of cake. His face had been contorted into a monster, gnashing teeth and sharp points in his ears, a sickly tinge to malnourished skin.
And that's when it hit me, watching him stuff himself with food.
Something slimy inched its way up my throat.
The boy didn't move. I don't even think he'd noticed me, gorging himself on anything he could get his hands on.
Chicken, raw bacon, leftover salad.
When he moved onto cupcakes, licking frosting from his fingers, I glimpsed markings on his arms, a language I didn't understand, carved into him.
His wrists were shackled, bound, in entangled iron and vine, iron that was ingrained into his skin, vines and flowers and ivy entangling his bones, that were part of him, polluting his blood. Slowly, my eyes found stab wounds splitting open his torso.
Raw flesh, where his skin had been torched, melting, and then merging, ripped apart and put back together over and over again.
I found his heart, the gaping cavern in his chest where it should be.
And it was.
Marked, carved, and branded with a symbol resembling an X.
Wren Oliver was not dead.
But, just like me, he should have been.
I remember saying his name, my voice slurred slightly.
I didn't drink that much, but I could barely coerce words, my head spinning.
Wren’s neck snapped towards me, his eyes narrowing with resentment I couldn't understand, hatred that seemed to puppeteer him. Slowly tilting his head, the boy’s lips split into a grin, eyes filled, polluted, with mania. I could see where his lips had been stitched shut, and then ripped open.
“Hi.”
He held up his hand in an awkward wave.
When one of my friends stumbled into the kitchen, Wren reacted on impulse.
He picked up a knife from the counter, throwing it like a dart, straight through the guy’s throat.
Something shattered inside my mind.
Ignoring my friend bleeding out, Wren stumbled over himself, abandoning his feast. He took a single step towards me, backing me against the wall, coming so close, close enough for me to feel his very real breath grazing my cheeks. Just like when he was a kid, he traced the teeth of his blade down my throat. I wasn't expecting him to burst out laughing, trembling with hysteria.
His eyes were wild, feral and wrong, almost euphoric.
With what all I could only recognise as relief.
BANG.
I was barely aware of the gunshot.
The bullet went straight through his head, the winged boy hitting the ground.
Dead.
I saw the blood stemming around him in a halo before the bleeding pool faltered, seeping back inside his head.
Like rewinding a VCR.
Wren was dead, and then he was alive.
Wren’s body contorted, his chest inflating.
His gasp for air was painful, strangled, eyes opening wide.
Terrified.
“You fucking idiot.”
Jude’s voice sent me twisting around.
My cousin stood in the exact same robes he wore as a child.
The world tipped off kilter, and I was on my knees, then my stomach.
I sunk to the floor, my thoughts swimming.
Jude’s murmur followed me, creeping into the dark.
“I told you not to come home.”
I can't remember how long I was unconscious for.
When I woke, I was dressed in an evening gown, a dress that used to be my mother’s.
My vision cleared, and I found myself sitting in an unfamiliar room resembling an abandoned swimming hall.
The pool itself was empty, the bottom stained revealing scarlet.
There were symbols carved into each tile.
Like a game.
“Sit up straight, Charlotte.”
I was sitting at a banquet.
Jude was in front of me, sipping on wine.
He caught my eye for half a second before averting his gaze.
At the far end of the table sat my aunt May.
Kissing the rim of her glass, her smile was twisted.
“I've been waiting so long to give you your birthday presents, Charlotte. Your memories should be returning soon.”
“Mom.” Jude muttered, hiding behind his glass. “Calm down. You're embarrassing yourself.”
Ignoring my cousin, May tapped her glass with a fork, and in walked my birthday presents.
No, dragged.
By their hair.
Wren Oliver, the dead boy, was in fact my aunt's prisoner.
Behind him, was the girl who looked so much like Lily.
I think that's why my aunt chose her.
Aunt May cleared her throat.
“For a long time, our family has lived among creatures who live in the forest you played inside! In exchange for keeping this town safe, they only ask for small favors. Wayward children who disappear into the woods are good enough payment. However, you and your siblings do not share our inheritance. Your mother never wanted fae children. She wanted you to be human.”
Aunt May’s smile faded.
“After losing my sister, and my niece and nephew, I made a deal to give my last surviving niece 100 years of life.”
Her words were white noise, my gaze glued to my birthday presents. I couldn't call them human anymore.
I couldn't call Wren human, when his face was so beautifully grotesque, painfully hypnotising.
The monstrous things sticking from twin slits in his back were supposed to be wings, except they looked wrong, cruelly protruding from his exposed spine. Under the influence of alcohol earlier, the girl made me smile.
Her wings, to me, looked like one of a real fairy.
In reality, they were torn and shredded apart, bigger than the girl herself.
When she dropped onto her stomach, she was dragged back to her feet, her knees buckling under the weight. Her tiara of flowers and bone looked pretty to me when I saw her on the stairs.
Now, though, I could see the pearly white of a human child's skull forced onto her head, dead flowers threaded through cavernous, gaping eye sockets.
The two of them were violently shoved into the empty pool.
“Jude. Please demonstrate, sweetheart.”
Jude stood, pulling out a gun, and aiming it at the winged girl.
BANG.
The girl’s body hit the tiles, her blood seeping across stained white.
“Now, of course, our king did not give you life for free.” May continued.
“The King demanded a debt, as well as two heirs to join him in his court once your hundred years were complete.”
Her lips quirked into a smile.
“The king is smart. If a child cannot be stolen from the human world, they can, however, be made, moulded and shaped from their human forms, skinned of their humanity through their suffering, leaving a hollowed out shell in the child's place.” She was speaking so casually, ignoring Wren’s whimpers.
“The conversion takes a while. 100 years to birth a fully blooded fae heir, who will lose their human memories, in preparation to join their new family.”
Jude shot Wren in the chest, his eyes empty.
This time, he dropped his weapon, using finger-guns instead.
“Bang.” He deadpanned.
Then the neck.
I watched Wren come back to life, and then die.
Over and over again.
I think at one point, he screamed and cried.
But not now.
He was their puppet on display, dancing for their entertainment.
Half lidded eyes drowned in oblivion found mine, and I understood his hatred.
Before he was shot again.
Stabbed.
Branded and burned, and ripped apart.
At some point, I screamed at them to stop. I couldn't breathe, slamming my hands over my ears and begging them.
Aunt May didn't listen, ordering for my hands to be tied down.
“The King required two human sacrifices to suffer in your place.” She concluded. “For one hundred years.”
Aunt May’s smile was suddenly sad, and she lifted her glass in a toast.
I was watching their blood trickle down each tile in the pool, like every death, every time they suffered, my body became progressively less human.
I felt disgusting. I wasn't supposed to be alive. Every single year of my life, every breath I had taken, was stolen.
Aunt May nodded at me, her lips forming a proud smile. She stood up, and was handed a sacrificial knife.
Climbing into the swimming pool herself, she strode over to Wren.
The boy slumped to the floor, trembling, his knees against his chest.
Aunt May grabbed him by the hair, forcing his head up, and sliced the blade across his throat.
His eyes flicked to me, and I swore, he smiled.
Spots of red dotted yellowing tiles, a river trickling under my aunt's heels.
“Happy 78th birthday, Charlotte.”
Last night ended with me being locked in my room.
It's been almost 15 hours, and the door is still locked. Please help me. I'm fucking terrified of what my aunt is planning.
I can't stop shgajing. FycjbfucibFUCK
If she is telling the truth, I shouldn't be here, right??
And I can't stop thinking.
Is Wren Oliver trying to kill me, or himself?
submitted by Trash_Tia to nosleep [link] [comments]


2024.05.12 21:57 Haunting-Band-2763 Hazbin Hotel- E1 S1: Overture (Gender swap)

(An animation shows black and white clouds parting) Charles: (Off-screen) Once upon a time, there was a glowing city protected by golden gates known as Heaven. It was ruled by beings of pure light. Angels that worshipped good and shielded all from evil. Lucy was one of these angels. She was a dreamer with fantastical ideas for all of creation. But she was seen as a troublemaker by the elders of Heaven. For they felt her way of thinking was dangerous to the perder of their world. So she watched as the angels began to expand the universe in their ways. From the dust of Earth, they created Eve (I couldn't think of a female name that looked like Adam) and Lilian. Equals as the first of mankind, but despite this, Eve demanded control and Lilian refused to submit to her will. He fled the garden. Drawn in by his fierce independence, Lucy found him and the two rebellious dreamers fell deeply in love. Together, they wished to share the magic of free will with humanity, offering the fruit of knowledge to Eve's new groom, Adam, who gladly accepted. But this gift came with a curse. For the single act of disobedience, evil finally found its way into Earth. With it, a new realm of darkness and sin. And the order Heaven had worked to maintain was shattered. As punishment for their reckless act, Heaven cast Lucy and her love into the dark pit she had created, never allowing her to see the good that came from humanity, only the cruel and the wicked. Ashamed, Lucy lost her will to dream. But Lilian thrived, empowering demon-kind with his voice and his songs. And as the numbers of Hell grew, so did its power. Threatened by this, Heaven made a truly heartless decision. That every year, they would send down an army, an extermination to ensure Hell and its sinners could never rise against them. But Lilian's hope remained. And his dream was passed down to their precious son, the Prince of Hell. (The prince shuts the "Story Of Hell" book) (On-screen) Don't worry, Dad. I'll make you proud. (He holds a key) Vagner: Charles? Charles: Augh! (The key turns into a cat) Oh, shit. Did you hear all that? Vagner: Uh... Yeah, I was right there. Charles: Sorry. I get worked up after an extermination happens. This story helps. Vagner: (chuckles) I know. Don't worry. I enjoy your theatrics. Are you okay? Charles: I'm fine, just...Thinking, ya know, family stuff. Vagner: Did you hear from your dad yet? (Charles shakes his head saying no) Vagner: Oof. How long has it been now? Charles: Not that long, only...Seven...Years...Off something important, I'm sure. But this kingdom was something he really cared about. Something I care about. Vagner: Well, at least you aren't alone. Charles: I just hope what I'm trying to do here will work. Vagner: It will. I have faith in you. (The cat hopes on Charles) Vagner: All right. Come on. Alice says she has something to show us. (Vagner heads to the door and Charles look out of the window and see Hell on fire and goes) (A commercial plays) Alice: Well, hello there you wayward sinner. Do you like blood, violence and depravity of a sexual nature? Of course you do. That's why you're in Hell! But what would you say there was a place to stay that had none of that? Welcome to the Hazbin Hotel, a misguided path to redemption! Founded five days ago by Lucy's delusional son Charleson Morningstar! Come place your fate in his inexperienced hands as he tries to work through his mommy issues by fixing you! Here, we offer fun thing! Such as somewhat functional staff! And 24 hour Pest Control! Custom rooms, and just look at this tacky parlor! Enjoy riveting conversation with our singular resident. Wow! All this and more at the Hazbin Hotel! You last desperate attempt at salvation starts here. (The tv suits off) Alice: So, what'd ya' think? Vagner: I'm sorry, what the fuck was that?! Charles: Uh, yeah, one note...Alice, I mean...First off, thank you so much for making this, seriously, amazing, but um...maybe the tone is a bit...Off? We want people to want to come here, this makes it look...ummm... Vagner: Bad. The word you're looking for is "bad". Alice: Funny, I was going for hilarious! Vagner: It didn't explain anything about how we're trying to save demons from extermination, which is the whole fucking point. Charles: Vagner is right, Alice. The commercial was to let sinners know we are trying to help them. Alice: Well, my dear, I haven't been active in Hell for some time, and everyone remembers me from my radio show! The proper medium to express oneself! But YOU insisted on this noisy picture box adversiment! So I had a little fun with it. Vagner: Oh, fun? You had a little fun with it? (Stand on the sofa) Well, this is not what we want to represent us. When you showed up here a week ago, you told us you would help run the hotel! Instead, you're mocking us. Nobody's going to want to come to a place that a powerful overlord like you thinks is a waste of time! (A demon on a sofa raises her hand) Vagner: What? Angela: If'n ya filmin' a commercial, can I suggest you take better advantage of the talented celebrity you have right here? Vagner: Angela, you're a porn star. Angela: A famous porn star. I'll have the horniest sinners knockin' these walls down to get in. Vagner: We are not filming a porn as a commercial. Angela: Why not? Sex sells, don't it? I swear if you film me goin' at it with mistress fancy talk-creepy voice here, you'd rollin' in participants willin' to stay at this tacky hotel. Alice: Haha! Never going to happen! Charles: Angela, I appreciate you wanting to use you special skills to, um, attract folks to the hotel, but...I really don't want to exploit you, in that way! Angela: Oh, please, baby. This body was made to be exploited. I got the arms, I got the stamina, I got the legs. I got the lung capacity-- Oh-oh I got the legs! The gag reflex, the holes... (Charles laughs uncomfortably and his phone rings with his mom calling) Angela: The small tits that make everyone think I'm a man... Charle: Uhhh, hold that thought. I'll be right back! (Walks away) Angela: I could keep goin' all night, baby. (Charles breathes and answers the phone) Charles: Hello? Mom? Angela: Hey, I have a question. If freaky face over there is so powerful, then why can't she just make people stay here? Alice: Oh, trust me, (ominously) I can! Hisky: Why the hell do you think I'm here? (The camera goes to Hisky) Hisky: You actually think I'd be cleaning bottles and listening to you fuck's bitches moan all the time if she wasn't forcin' me? Niffter: I like being forced! Hisky: Keep that to yourself, Niff. Angela: What, you don't like being here with me, Whiskers? Hisky: Call me "Whiskers" again and I'll that bottle down your throat. Angela: Kinky. But I like pussies. But keep talkin' dirty. Vagner: Ugh, Angela, let Hisky do her job. And no, we can't force sinners to stay here. They need to choose to. Angela: I'm choosing to be here, and I think is all stupid. We're in Hell, toots. It's kind of the end of the road, ain't it? Vagner: Well, maybe it doesn't have to be. Just because nobody has made it before doesn't mean is not possible. (Angela pust her arm in his shoulder) Angela: Hey, whatever means I can keep crashin' here rent free. Crack is expensive. Charles: (excitedly) Yeah, I acn totally. Yeah, I'll head over there right away...Okay. (Turns off the phone) Hah! YES! YES!!Hahahaha!! Vagner! Holy shit! Vagner: Ahh! What?! Charles: (through closed mouth) Get over here! (Vagner sighs and goes to where Charles is) Vagner: What's going on? Charles: (Inhales) My mom just called. She said that the leader of the Angel Army wants to meet. She asked if I could go instead. (Breathes deeply) Vagner: But... But-- But tbe extermination just happened. What would they want this soon after... Charles: (Singing) I can do this. Somehow, I know it I'll get Heaven behind my plan! Vagner: Charles, hold on. Charles: There's just no way I could blow it. Not this once a lifetime change! Vagner: It's just a meeting. Charles: To change their minds. And touch their hearts. Or whatever angels have. Vagner: This could be bad. Charles: Cheer up, Vagner. This could be swell. Something tells that today will be a happy day in Hell! Vagner: Okay, but just don't... sing to them. Angela: That motherfucker is halfway down the street. Vagner: Is he... Angela: Oh, he's dancin'. Vagner: Ugh, no. Charles: There's a warm fuzzy feeling that wafts through the air! Every street so revealing it's hard not to stare. It's a realm so appealing it beats anywhere! If you don't mind the smell! It's a happy day in Hell! Hi, miss! Demon: Go fuck yourself! Dead Sinner #1: There's a endless trash fire that's burnig my soul! Charles: Hello! Imp: There's a lot of barbed wire to shove in her holes! Charles: Uh, excuse me... Executioner: Doing what is required we all have a role! Dead Sinner #2: I'm not doing well! Ensemble: Another shitty day in Hell! Charles: If I can show them the dream I've dreamed, that any soul can change! Vagner: Those angels minds are hard to change! Charles: Then they know that everyone can be redeemed from the evil to the strange! Vagner: They're bloodthirsty and deranged! Charles: I can hear all their stories, the lost and the displaced! And I know that they're of an acquired taste! But if I open the door and give them a place at my Hazbin Hotel it'll be a happy day in Hell! (Jumps in the back of a truck) From the porn studio where the cinephiles go to watch award winning demon bukkake shows to the Cannibal Town where they don't wear a frown 'cause...Holy shit, ew, my gosh, why?! And I don't give a crow that her brains got in my eye! Cause I know I can spare them from Heaven's genocide! I can do this... Dead Sinner #1: There's an endless trash fire... Charles: I just know it! Dead Sinner #1: That's burnig my soul! Chorus: Ah! Charles: I'll get Heaven behind my plans! There's just no way I could blow it! Demon Sinner #3: I kinda like the barbed wire that's shoved in my hole! Charles: Not this once in a lifetime chance! To change their minds! Trenchcoat Demon: And touch my parts! Charles: Oh...No, thank you. I'm just gonna...Fullfill my destiny! Trenchcoat Demon: Your loss fucker! Charles: I can already tell! Today is gonna be a fucking happy day in Heeeeeeeeeeeeeeeeeeeeeeell! (Charles enters at the lobby) Charles: Hello? (echoes) Hello? Creepy...(He goes to the reception, rings the bell in the table and a paper and a feather pen appear in front of him) Oh, okay! Also creepy. (Signs the paper) (Elevator doors open, Charles goes to them and enters in a dark room) Charles: Hello? Is anyone here? (The lights turn on) Eve: 'Sup? Charles: Holy shit! (Falls in the floor and gets up) Hi, I'm Charles. My mom asked if I could meet you. Eve: Yeah, I know. Charles: Okay, well, it's nice to meet you. (Stands his hand) Eve: Totally. Nice to meet you, too. (Stands her hand) (Charles hand passes through Eve's hand) Charles: Ahh! Eve: Ha! I fucking got you! Did you fuckin' see that? (Luther shaves his head in yes) Eve: Good shit! Charles: Uh, so wait, you aren't here? Eve: No, you think I'd come down there? (Laughs) No. I mean, I love the vibe, totally, I love your tunes. Pretty fuckin' hardcore, don't get me wrong. But, it's such a bummer, man. Everything down there's just so "eugh" ya know? (Chuckles) Ew. Charles: Right. So I'm happy we got this opportunity to meet. There's a project I've been working on that I really want to talk to you about...(Eve puts her finger in his mouth) Eve: Hey, hey, hey, slow down. We got time. How about we get to know each other, mm? How about some lunch? You hungry? I got you! (Shows a plate with ribs) Here's my personal favourite. You'll love it. My husband's receipe. Charles: Uh, thanks! (His arms passes through the plate of ribs) Eve: (Laughing) I got you again, fucker! Haha fuckin' hilarious! Haha! (Back at the Hazbin Hotel, everyone is at the lobby) Vagner: Okay, so Charles is dealing with something very important, so while he's gone, we are making a new commercial. One that representants his vision and what we're doing here. So we need a camera. Alice? (Alice snaps her fingers and an old camera appears in Vagner's hand) Vagner: a video camera. Alice: Hmm? (Snaps her fingers) (A video camera appears in Vagner's hand) Vagner: All right, let's do this! (Vagner films Angela sitting at the bar) Vagner: And...Action! Hisky: "Welcome to the Hazbin Hotel, can I help you with anything?" Angela: "I've been a bad girl. And I need a big strong mommy to put me in my place...On the path to redemption!" Hisky: Ugh! "Well, you come..." Angela: "Oh yes!" Hisky: (boredly) "To the right place!" Vagner: Cut! Okay, Angela, I need you to be less horny, if possible. And Hisky, can you maybe not have a script in front of your face? Hisky: (Angrily) I ain't no actress, I can't memorize this shit! Angela: Well, we could improve this shit, baby cakes! (Purrs seductively and Hisky push her out of the counter) Ahh! Hisky: Whoops. (Drink a bottle) Vagner: Hisky, come on! (Meanwhile, Charles is bored) Eve: So I was playing this gig, and for some fucking reason this virtue boy was digging on the drummer, and it's like, do you know who I am? I'm fucking Eve. I'm the original pussy! All pussies descend from me. You think you drummer pussy? No way, I'm the Pussy-fucking master! (Eats sloppily) So anyway, then we fucked, and it was awesome. What'd you do this weekend? Charles: Wait, your name is Eve? Like the first woman? That means you...Ohhh...(Enlightened) That explains so much. Eve: I know. I fucking rock. Charles: Well, Eve, ma'am. Mrs. Eve, ma'am. Eve: Call me Pussymaster. Charles: Eve, you seem like a smart...well, stand up girl. Eve: (With the finger in her teeth) Uh-huh. Charles: And I know you are the leader of the angels. And you are a bigger, a revolutionary, a...A genius! Eve: I maen, yout words, babe. Charles: Who would really her name on something. Eve: Fucking love putting my name on shit! Shit's the best! Charles: It's a solution to our biggest problem! Eve: Oh, herpes. Yeah, that's a bitch. Charles: No! Our other biggest problem. Eve: Oh, uh...Ugly people? (Looks the camera) Math? Global warming? Nah, wait that's Earth's problem. Umm... (At the hotel, a bug walks in the floor and a needle tries to stab it) Niffter: Hehehe. Stab. Stab. Stab. Vagner: Alright Niffter. Niffter? Niffter! (Stops him) Your line is "We have the cleanest rooms". Okay? Niffter: Got it. I'm ready. Vagner: (Turns on the camera) Action! (Niffter looks at the camera with his pupil constricted and Angela and Vagner look at him confused) Vagner: Uhh...Cut. (Turns off the camera) (Niffter smiles again) Niffter: (Giggles) How was that? Vagner: Well, Niffter, you actually have to say the line. So let's roll again. Niffter: Okay! Vagner: Action. (Niffter stares deeply at the camera) Angela: You're doing great, Vaginer! Vagner: Cut! Alright, um, maybe wr can try to fix it in the post. Angela: Do you even know what that means? Vagner: (Angrily) I'll figure it out! (In lobby, Vagner is watching the video with the camera connected to the tv) Hisky: (On TV) Welcome to the Hazbin Hotel. (Vagner groans, covers his eyes and Alice appears in his side) Alice: Seems like you're having a bit of trouble there, hm? Vagner: Ugh, esta pendeja...Why are you even here? Alice: For the entertainment! I came here because I love seeing wasteful souls struggle to accomplish something meaningful and fail spectacularly. Like you are doing now! Good job! Vagner: (Turns on the camera) And here is Alastor, the egocentric piece pf shit that... (Alice gets static on the camera and it starts to spark and Vagner screams and knocks the camera down) Alice: I wouldn't try that, my darling. (Sinisterly) This face was made for radio. Vagner: (Gets angry) That's it! I don't care who or what you are! If you are staying here you are going to make this work! Beause it won't be so "entertaining" to watch an empty hotel will it, shitass?! (Turns around and walks away) Alice: Fair enough. I'll tell you what. Let's make a deal. Vagner: Pft! You think I'm that stupid? Making a deal with a demon like you. Alice: Not for your soul, just a simple deal. I do this for you, and you never ask me to engage with this frivolous television technology ever again. Or...Charles can come back to absolutely nothing! Your choice. Vagner: (Sighs) Fine. (Gets the video camera and raises in Alice's hand and green ghosted skulls fly around it) Alice: Now then! (Makes the camera disappear and snaps her fingers) (Angela, Hisky and Niffter, a lot of filming materials and a ghost recording team appear in the lobby and everyone gets tailor clothes) Vagner: Alright, everyone! Let's make a fucking commercial. (Meanwhile) Eve:...When you take him out for the fifth time and he still expects you to pay the check, but you're like, (In deep voice) "Hey I thought you wanted equality"! Charles: (Frustrated) No! Our shared problem of overpopulation in Hell! Eve: (Normal) Ohh! Well, that's not a problem! We got that covered! Luther, how many demons did you kill this year? Luther: Got a good 275 this year, ma'am. Eve: 275? Whoa, badass! Awesome job, danger dick! Pound it. (Punch fists with Lute) Charles: Uh, no, not awesome. Those are my people, you know that, right? Eve: Ohhh, yeah...That must suck for you. Pft...Hahahaha! Charles: But these are souls. Human souls, just the same as the ones you have in Heaven. Luther: They're not the same. They had their chance and they earned damnation. Charles: You're wrong. Sinners made mistakes, sure, but everyone makes mistakes. Luther: Angels don't make mistakes. Charles: You really think that? Luther: I know that. Eve: Yeah, I've never made a mistake in my fucking life. Luther: The only reason you're still here is because Mommy gave you and your Hellborn-kind a pardon from an exorcist blade. How does that feel? To know how little you matter. (Charles shrinks back) Eve: Oops, almost out of time. Guess we should get into it... Charles: Oh! Fuck!...(Get up from the chair) Okay. I've a lot to get through and not a lot of time and I feel like you weren't really hearing before, so here goes. (Clears throat) (Singing) I know Hell's population is out of control. It's a bad situation, it's taking a toll. If we rehabe these sinners and cleanse all their souls at my Hazbin Hotel! (Normal) Wait I'm getting ahead of myself! Right! Extermination! (Singing) I know you guys fly down just to kill once a year. And it must be annoying to schlep all the way here. If they join you in Heaven that trip disappears! You can wave that chore farewell! (Deep breath) It'll be a happy day in... Eve: (Singing) Let me stop you right there, save us all precious time! Charles: (Normal) Okay? Eve: If what you're suggesting is letting them climb! Up the ladder. Oh they rather cross the Pearly Gates! Sorry, sweetie, but there's no defying in their fates! 'Cause Hell is forever wheter you like it or not! Had their chance to behave better now they boil in a pot! 'Cause the rules are black and white there's no use in trying to fight it! They're burning for their lives until we kill them again! Charles: Okay, but... Eve: Just try to chillax, babe, you're wasting your breath! Charles: (Nervously) Hehe... Eve: Did I hear you imply that they deserve death? Are they winners? Are they sinners? 'Cause it's cut and dry! Charles: Actually, if you take a look... Eve: Fair is fair, an eye for an eye! And when all's said and done! (Said and done) There's the question of fun! (Fun) And for those of us with divine ordainment, extermination is entertainment! (Imitates guitar) Guitar solo, fuck yeah! (Imitates guitar) Hell is forever wheter you like or not! Had their chance to behave better now they boil in a pot! Charles: Where all this people come from? Eve: 'Cause the rules are black and white, there's no use in trying to fight it! They're burning for their lives until we kill them again! (materializes a guitar and play it) Fucking Hell is forever and it's meant to suck a lot! So give up your dumb endeavor 'cause you don't have a shot! (Charles groans, his paper gets on fire and his hair moves in the air and horns appear in his head) Eve: Long as I've got your attention, I guess In should probably mention that we made a determination (Shows a contract) To move up the next extermination! Charles: Can't wait a whole year to slaughter those little cunts! (Hold Charles' wrist) I know is just been a week, but we'll be back in six months! (Spins Charles out of the room and plays her guitar) Charles: Um, wait, didn't you...(Goes at the door, but it closes) Awh, shit! (Punches the door) (Charles returns sad to the Hazbin Hotel) Vagner: Charles! (Hugs him) How did it go? Did they listen? Charles: Oh, uh...They sure did...hear it! But, um... Vagner: Oh! Come here. We have something exciting to show you! (Holds Charles to the living room) Alice pulled some strings, and it's about to air. Alice: I pulled a few limbs too! Hahaha! Charles: Wait? The commercial? You all made a new one? Angela: Yeah, one of my better performances, if I do can say so myself. Charles: That's...That's amazing. Angela: Shh! It's starting! Vagner: (On TV) Welcome to the Hazbin Hot... (The TV changes to the 666 News channel and everyone complains) Kallie: (On TV) Breaking news in Hell today! We have just received word from the Heaven Embassy that the next extermination is happening sooner than ever before! Do you know what that means, Tomita? Tomita: No. What does that means, Kallie? Kallie: It means we are all royally fucked! (The clock in an hourglass changes to 176 with everyone screaming) Angela: Wait...What? Why?! (A drone laser scans a headless body of an angel laying in Hell and Eve and Luther see then from the ship) Luther: We found the body, ma'am. They've never managed to kill one of us before. We should just go down there now and destroy them! Eve: No, no. We can't risk them catching on. But don't worry, when we come back, there won't be a demon left to pull a stunt like this again. (Breaks the projector and her eyes and mouth glow in the dark) (The end credits start playing)
Sorry, Vivziepop, I had to
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2024.05.12 20:34 WallStreetDope Taco Bell [1970’s]

Taco Bell [1970’s]
Look at those prices!
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2024.05.12 17:38 CorradoVR6SLC 3 Menu Items I wish Taco Bell would bring back and can you remember them??

I worked for Taco Bell from May 1991 to 1994. My first job in high school. 3 of the 4 items below were served while I worked there. Along with the famed .59, .79, .99 cents menu at the same time I worked there.
  1. The ORIGINAL late 80’s-early 90’s “STEAM TABLE” Green Sauce.
Yes, it was actually a hot(not cold) topping on the steam table. It WAS NOT on the cold side with the lettuce and cheese. It also had to be ordered, added to your burrito, Enchirito or Tostada. You would for example order your Bean Burrito minus the Red Sauce, add the Green Sauce. It WAS NOT in condiment packs next to straws and napkins like the Mild or Hot Sauce.
HOWEVER, for a very short time, maybe a year at the longest sometime early 2000’s, they did have it in condiment style packets upon request. Those packets though, were clear and larger in size, equivalent to about 3 packs of the Mild or Hot sauce packets.
NO, it was not the green Verde Sauce that came in the small Mild and Hot sauce size packets.
Wish they would bring this sauce back.
  1. The original Steak Burrito. Late 80’s-early 90’s. This was a 10” tortilla, with the 3oz scope of steak, that steam table green sauce mentioned above, tater tots, sour cream, pico de gallo and cheddar cheese.
Was an amazing burrito, killer flavor.
Wish they would bring this item back.
  1. The original Quad & Triple Steak Burritos. Only around for like 2011-2012. Extra Large tortilla filled with Triple or Quad portions of steak, with seasoned rice, sour cream, fire-roasted salsa and shredded cheddar cheese.
These were $4.99 and $3.99 respectfully and you’d have thought the roof was caving in on all Taco Bell customers. As this price for Taco Bell at that time was kinda viewed as bonkers. I think the most expensive burritos before that was $2.49 for a Burrito Supreme. Nacho Bellgrande and Taco Salad were the only items in the $3 and up range up until that point.
These were amazing at midnight, coming out of the 10pm showing at the local theater on a Friday night. Amazing.
Wish they’d bring one of these big boys back.
BONUS Adding a 4th item…The original Chicken Burrito. Early 90’s. 10” flour tortilla, grilled chicken, steam table Mexican Pizza Sauce, sour cream, onions, lettuce and shredded cheddar cheese.
The best chicken item they ever had, imo.
Wish they would bring this time back.
Anyone else remember any of these items??
Enjoy some commercials below in the comments…
submitted by CorradoVR6SLC to tacobell [link] [comments]


2024.05.12 16:29 Nathan1123 Twilight Zone Integrated Universe (Part 2)

This is the rest of the timeline that I threw together, taking the thought experiment of "what if the Twilight Zone episodes took place in the same universe?" to its logical conclusion. The first part can be found here.

Alien visits and invasions (c.1955-1959)

The end of World War II marks the end of the "historical" episodes of the Twilight Zone, meaning that the rest of the episodes either takes place near the "present day" (1950s-1960s) or in the future (after 1964). The first category of episodes I want to address are those that involve alien visitations or invasions, and offer an explanation for why there are so many alien encounters over a relatively brief period of time.
Old Ben had been hiding on Earth for a while, possibly thousands of years, before he was suddenly discovered in the episode The Fugitive. This episode probably took place in the mid-1950s. This single discovery may have triggered a kind of "awakening" where Earth's existence suddenly became known to many alien races at once. Just like the discovery of a new continent in Earth's history, these alien races reacted to the discovery of Earth in different ways. Some visited for scientific curiosity (Stopover in a Quiet Town or Mr. Dingle, the Strong), some offered peaceful diplomacy (The Gift, The Fear), some planned conquest or commercial exploitation (To Serve Man or The Monsters are Due on Maple Street), and so forth. A critical analysis of these episodes gets a general sense of what order they probably took place in, all of which happened between the mid-to-late 1950s:
The episodes Will the Real Martian Please Stand Up? and Mr. Dingle, the Strong both make reference to an arms race between Mars and Venus, placing them around the same time. The secret experiments of the Martians were probably responsible for other individuals inexplicably receiving superpowers (The Prime Mover, The Four of Us Are Dying, and What You Need). This places all of these episodes around the late 1950s, or c.1958.
Even though no aliens actually visit during the episode, I Dream of Genie technically falls into the third category listed above, i.e. humanity being paranoid of an impending alien invasion. The genie here may be the same one who encountered Arthur Castle (The Man in the Bottle). This places both of these episodes in c.1959.

Space and Interdimensional Travel (1959-1963)

As mentioned earlier, the first phase of episodes involving space travel are limited to short distances between Earth and the Moon. There are four episodes that fall into that category: Where is Everyone?, I Shot an Arrow into the Air, And When the Sky Was Opened, and The Parallel, all of which can be solidly dated between 1959-1963.
Where is Everyone? explicitly gives the date as 1959, but it's mentioned that they are making preparations to land on the Moon. With the advanced space traveling technology stolen from the Kanamites, it's possible that the Moon landing was a full ten years earlier than in our timeline. As mentioned in a previous Reddit post, I Shot an Arrow into the Air is a very strange episode astronomically speaking: how could the astronauts not realize they traveled too short a distance to be on any other planet but Earth? Maybe because the humans didn't actually build this hyperspace engine, but they are still struggling to reverse-engineer the Kanamite technology, whose navigation equipment may still be a mystery. These kind of inferences is chiefly the reason why I pushed the alien invasions to the 1950s.
And When the Sky Was Opened mentions the astronauts rode in a X-20 Dyna-Soar, which is a real spaceship built in 1963 by the Boeing corporation. In our timeline, the project was canceled and the spaceship was never actually used, but this raises multiple questions. On the one hand, we could say that the project was successfully completed in the Twilight Zone universe. But on the other hand, at the end of the episode some unseen force erased the space craft from existence.
The Parallel specifically mentions that John F. Kennedy is President, dating the episode to 1963. But this tangentially opens up a related category of Twilight Zone episodes, regarding Earth's relationship with parallel universes. Just as was the case with extraterrestrial contact, the episodes regarding parallel universes can be arranged in a logical order:

The Cold War, and the Devil's influence (1961-1964)

The Whole Truth is dated to 1961, and this has some fascinating implications for the rest of the timeline. In this episode, a used car salesman possesses a car that causes its owner to always tell the truth. At the end of the episode, he convinces a Soviet correspondent to gift the car to Premier Nikita Khrushchev, during his meeting with President John F. Kennedy (which historically took place in 1961). But what geopolitical implications could there be if the premier of the Soviet Union was compelled to always tell the truth? Historically, Khrushchev already had a tenuous control over his regime, so a disaster like this could easily cause him to become deposed or even assassinated (not unlike the alternate timeline in the 1980s Twilight Zone episode Profile in Silver, but that's a story for another time). It may be the sudden shift in leadership of the Soviet Union that sets events in motion that leads to the nuclear war later in the timeline.
Knowing that the Devil is always active during times of political crisis, then it may be around this same time that the epilogue of The Howling Man takes place, when the Devil is released once again. The Devil appears in a female form in the episode Of Late I Think of Cliffordville, which is explicitly dated to 1963. Thus, other episodes that feature the Devil operating in the present day can be dated between 1961-1963 (Escape Clause, Printer's Devil, A Nice Place to Visit, and The Hunt). There are, of course, other episodes that involve demons or witchcraft (such as The Chaser, The Jungle, or Jesse-Belle) but not the Devil himself.

Robots and Sentient AI (1965-1974)

There are quite a lot of Twilight Zone episodes that involve sentient artificial intelligence in some way, or otherwise-inanimate objects that possess some intelligence (like The Dummy). Just as the case with developing space travel technology, the development of robotic technology evolves over multiple stages, which allows us to place these episodes in chronological order:
Note that this category does NOT include episodes objects that are possessed by ghosts or demons, as that obviously doesn't count as AI (for example, Long Distance Call).

Space Colonies and Nuclear War (c.1970-1997)

Having finished the 1960s, the next phase of the timeline returns to the subject of spaceflight technology, specifically interplanetary travel within our Solar System. The episode People are Alike All Over depicts the first landing on Mars, and while it doesn't give a date for this event we can estimate it from other information. The episode Elegy mentions that the human outpost "Happy Glades" was built in 1973, located on an asteroid 655 million miles from Earth. This distance is not enough to be outside the Solar System, but it is far enough to be located in the asteroid belt. Because the asteroid belt is farther away from Earth than Mars, then the first landing on Mars must have already happened by that point. Thus, this episode must take place in the early 1970s at the latest. With the acceleration of space travel technology, it's possible that the iconic Moon landing in 1969 was actually on Mars in this timeline.
There are two episodes that involve space travel to planets in other solar systems, supposedly close by to ours (The Invaders and The Little People). Both of these races had visited Earth years ago (Stopover in a Quiet Town and The Fear). These most likely take place in the late 1970s or early 1980s. At this stage, humanity is just exploring other planets and not attempting to establish colonies yet.
The episode Elegy establishes that nuclear war broke out in 1985, and a few other episodes take place around this same time. The growth of technology and social development since the Kanamite invasion did nothing to dissuade the political rivalry between the United States and Soviet Union, or if anything accelerated it. The USSR was probably taken over by a more radical faction after Khrushchev was deposed from power (The Whole Truth).
Two episodes mention the impending expectation of nuclear war, but in both of these cases the war turned out to be a false alarm (The Shelter and One More Pallbearer). The only episode to actually depict the war itself is Time Enough, At Last. The episode Two takes place five years after the war began, placing it in the year 1990. The episode The Old Man in the Cave takes place ten years after the war, dating it to 1995. By that point, the US government had already been re-established, and was slowly pulling itself back together by making contact with each isolated pocket of survivors. The United States continues to exist as a nation into the far future (The Long Morrow), but there is no indication that the Soviet Union survived the war.
As a result of interstellar travel being developed before the nuclear war broke out, there was a mass exodus of human refugees that set up colonies in distant star systems. The episode On Thursday We Leave for Home says that the V-9 Gamma colony was established in 1991, and they specifically mention that it was made by people fleeing Earth due to the outbreak of a global war. The episode Death Ship takes place in 1997, which mentions they are looking for planets suitable for colonization. The episode The Long Morrow initially takes place in 1987, in which Douglas Stansfield is sent to a star system 141 light years away from Earth (the longest distance ever given in a Twilight Zone episode).

The farther future (c.2000-2185)

By the 2020s, Earth (specifically the United States) is now re-establishing contact with the distant colonies that had previously been lost. On Thursday We Leave for Home takes place in 2021 and The Long Morrow takes place in 2027. In both of these cases, there is a specific point made on how rapidly Earth's technology has advanced since the colonists left in the late 20th century. One wonders how this is possible, considering the dismal state of civilization in the aftermath of the nuclear war (The Old Man in the Cave).
One possible explanation for this is the advanced alien technology left over in Peaceful Valley (Valley of the Shadow). Originally, the town was keeping their technology hidden out of fear of humanity using it for weapons of mass destruction. But having seen Earth go through a nuclear conflict, they can now feel confident that humanity has learned its lesson and is matured to the point of using the advanced technology properly. Thus, civilization fully recovered roughly around the year 2000.
A few episodes take place in the distant future beyond the 2020s. The Lonely takes place in the year 2046, at which point humans are using asteroids as penal colonies. The Rip Van Winkel Caper takes place in the year 2061, as four criminals put themselves in suspended animation since 1961. It's remarkable to think how much the world has changed since they fell asleep, as this is one of the most futuristic dates of any Twilight Zone episode. At this point, the human race is transitioning to a post-scarcity society as gold itself can be synthesized. Finally, the episode Elegy takes place in the year 2185, which mentions that even now civilization is still feeling the effects of the nuclear war.

Conformist Dystopia (date unknown)

There are a few other episodes that take place in some unspecified distant future, most likely further than any of the other episodes so far. When arranged in the right order, these episodes depict the gradual degeneration of humanity into a fascist dystopia obsessed with conformity, as the result of introducing a technology that can completely remodel or replace people's bodies.
This technology is first introduced in the episode The Trade-Ins. At this point, the process of replacing people's bodies are still voluntary and reversible. In fact, people have to pay an exorbitant amount of money for the privilege of getting remodeled. At some point later on, the technology becomes so widely ubiquitous that it no longer is an option, but mandatory (Number 12 Looks Just Like You). This episode and The Obsolete Man have an interesting relationship with each other, which suggests they may happen around the same era. In Number 12 Looks Just Like You, it is revealed that the remodeling process has a side-effect of removing people's empathy and individuality, which could explain the rise of fascism and public executions see in The Obsolete Man. Marilyn also mentions that her radical beliefs came as the result of reading "banned books" kept by her father, which is exactly the same reason why Romney Wordsworth was judged as obsolete.
The episode Eye of the Beholder also fits into this conformist dystopia very naturally. At this point, people have been using the body-replacement technology for so long (possibly centuries or millennia) that their very concept of what even is beauty has completely degenerated and warped. Of course, there is an alternate possibility that this episode takes place on another planet instead of the distant future, which would make it the only episode to never make reference to Earth at all.
As previously mentioned, I tend to assume that The Midnight Sun is the last chronological episode, as there is no way humanity would survive leaving the Sun's orbit. One could argue that it doesn't make sense for this episode to take place so far in the future, even later than Eye of the Beholder, as technology and society seems to have been completely restored to the way it was in the 1960s. But of course, we must remember that the majority of this episode is a fever dream, and we only see a brief glimpse at what the world looks like in the real world.

Other Observations

So much for all the episodes that I could fit into a single chronology. There are other episodes that are ambiguous on their time period, but nonetheless has some interesting implications if we assume they take place in the same universe:
The episode Mute says that all humans have an innate ability to be telepathic, but requires special training since infancy in order to use it. This could explain why Hector Poole randomly develops telepathic abilities in the episode Penny for your Thoughts: he accidentally unlocked his innate ability, with the upright penny acting as a kind of placebo. Unlike the other random superpowers, it is unlikely that the invisible Martians would have granted someone telepathy, because they would have immediately read the Martians' thoughts and reveal their existence.
In the episode A Short Drink from a Certain Fountain, it is revealed that Dr. Raymond Gordon has developed a serum that can reverse the aging process. This may be the same method that Charles Whitley used to reverse his aging, and the whole claim of "acting young" was a distraction (Kick the Can).
There are several episodes in which dreams have developed some kind of sentience on their own, and have some greater insight to the outside world. In almost all of these cases, these dreams have malicious intentions that deliberately tries to kill their host (Perchance to Dream, A Stop At Willoughby, Shadow Play, and Twenty-Two). This might be the result of some kind of trans-dimensional being that is able to enter people's minds for some reason. The Last Night of a Jockey also features a powerful being that lives in his head, which may be the same creature.
In the episode The Mind and the Matter, Archibald Beechcroft has developed a method of reshaping reality with his mind. Other episodes involve people being able to reshape reality at will, who may have stumbled across the same method (A World of His Own and It's a Good Life). While none of these episodes give a date, the sequel episode It's Still a Good Life says that it took place in 1963. I also put The Self-Improvement of Salvadore Ross in this same category, even though he technically doesn't have complete control over reality, his powers are so versatile he might as well be (able to exchange literally anything for anything). Again, these superpowers can't be explained by the same invisible Martians in Mr. Dingle, the Strong because reality control is simply too much for an alien to just hand out. There are a few other episodes that involve people having limited reality control, but they only ever end up making one wish with it (Four O'Clock, Sounds and Silences, and The Big Tall Wish). In terms of chronology, we know the last of these episodes must take place before 1968, since boxing with humans was made illegal (Steel).
In miscellaneous categories, there are two episodes that feature guardian angels (Cavender is Coming and Mr. Bevis). There are four episodes that feature the personification of death (One For the Angels, The Hitch-Hiker, Nothing in the Dark, and A Passage for Trumpet). There are five episodes that feature witches and sorcery (The Chaser, The Jungle, Jesse-Belle, The Bard, and The Masks). Aside from demons and angels, it seems that Rod Serling was rather reluctant to make use of any established mythological creatures, probably because they would be too distracting from the parable-like messages he was giving. The only exceptions to this are Santa Claus in Night of the Meek and Gremlins in Nightmare at 20,000 Feet.
By far and away, the biggest category of Twilight Zone episodes are those that feature karmic judgement from ghosts, a total of 21 episodes according to my count. Typically, these ghosts come back to seek punishment or justice against the person who did them wrong (Death's Head Revisited, The Thirty-Fathom Grave, Dead Man's Shoes, etc.). Sometimes they are just haunting images of a past trauma (Nightmare as a Child, The Arrival, or King Nine Will Not Return). But sometimes, the ghosts instead are coming back to give congratulations or some kind of catharsis (Changing of the Guard, The Trouble with Templeton, or The Sixteen Millimeter Shrine). Sometimes it's a case of the ghost themselves seeking catharsis (Night Call or Long Distance Call). And sometimes they are ghosts of famous historical figures with unfinished business (He's Alive, Showdown With Rance McGraw, or A Game of Pool).
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2024.05.12 06:52 Flashy_Library_8310 Worst diarrhea ever!!!

Worst diarrhea ever!!! submitted by Flashy_Library_8310 to WeirdOffensiveMemes [link] [comments]


2024.05.12 05:17 Ihruoan My former Soldier lost his CAB paperwork and it never made it into iPerms before the IPPS-A transition

Went to Afghanistan in '19-- got our CABs back in late 2020 in a batch. I personally saw to it that our HQ processed those badbois. It was five of us. Love the guy, but he didn't download his badge orders and they never made it into his iPerms.
He has records of it being populated on his ERB/SRB at one point or another.
Kind of concerned because he is on his way out soon, and there's a bit of latitude/benefit of the doubt the VA gives dudes with CIBs/CABs/CMBs/CARs.
My dipshits idea is to aggregate the badge orders from the other guys to try to triangulate the order number. We also have approved foreign decorations from the same incident (Foreign equivalent of one, but I know there isn't international reciprocity with this kinda shit)
What do now?
I'll have a beefy 5-layer, four soft tacos, and a crunch wrap. Thanks.
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2024.05.11 09:01 C39J Taco Bell Shortland Street - A review

Taco Bell Shortland Street - A review
https://preview.redd.it/a9ld5rt6uqzc1.jpg?width=1600&format=pjpg&auto=webp&s=99d9985ec76a39a850941da9f10cb72d0c7dd17f
There was a lot of shitting on Taco Bell (haha get it) on my last post about the new one opening, so I thought, hey, might do a food review as well.
My partner and I stopped past Shortland Street this evening around 6 - really quiet, so the food came out fast. We got the Crispy Chicken Taco, Fiesta Nachos, Crunchwrap Supreme, Beef Crunchy Taco, Mexican Fries and a Sprite (the last 4 items were a "Big Crunch Box" combo).
We spent $27.28 which is pretty good value for 2 people for dinner.
  • Crispy Chicken Taco
Soft taco with nice, proper chicken breast and spicy sauce. Good mix of flavour in the salsa. Surprisingly, had fresh Tomatoes in fast food
  • Fiesta Nachos
Chips were well seasoned, nice amount of guacamole (doesn't say anywhere that comes with guac so nice surprise). Real fresh and better than we've had at some of the higher end Mexican places. Really good value at $4.50, could have probably had it as a main for 1 person if we weren't sharing. Neither of us like the cheese sauce so would take that off if it was an option
  • Crunchwrap Supreme
This one is my go-to. Once again, not a fan of the cheese sauce - real cheese would be way better, but I survived. Nice and hot, good crunch from the taco shell (?) inside. Vegetables were nice, fresh and it was nice and full.
  • Beef Crunchy Taco
This might be the taco supreme on their website? Not sure. It's pretty small for me, but 2 (maybe 3) of these would have been a good main. Meat was good, not cold, not burnt, just right, and pretty good generic taco. Definitely appreciated the real cheese over the cheese sauce.
  • Mexican Fries
We like these, but they're always a tad too soggy, could be done for a bit longer to give them a bit of crisp.
All in all, it's a great quick, cheap takeaway food. We are more "takeaway people" than "fine dining people" so our review may be different to those who want to dine at Frida Cocina. I'd take Taco Bell over places like Zambrero and most other fast food any day. It's obviously not authentic Mexican, so you won't be screaming ¡Nos encanta la comida mexicana! when you leave, but it's absolutely not the dog food people seem to think.
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2024.05.11 08:42 Trick_Minimum3190 About Her Voice: A conversation on Mariah Carey with author and critic Andrew Chan

About Her Voice: A conversation on Mariah Carey with author and critic Andrew Chan
About Her Voice A conversation on Mariah Carey with author and critic Andrew Chan BY DANIELLE AMIR JACKSON DECEMBER 21, 2023
Photo by Raph_PH via Flickr. Artistic rendering by Oxford American. Courtesy Wikimedia Commons This exclusive feature is an online extension of the OA’s annual music issue. Order the Ballads Issue and companion CD here.
Singing is “the most enigmatic of performing arts,” the author, editor, critic, and self-professed “diva lover” Andrew Chan writes. It’s a simple matter of air and anatomy: breath moves through closed vocal folds which then vibrate and resound throughout the throat, chest, head, or sinuses. But when we listen intently, transcendence is available to us. Raised hairs on the upper arm, a tingle on the back of the neck. The irrepressible urge to tap one’s toes. Transcendence is something we can feel–a physical sensation that unleashes the emotions and connects us to the divine. That’s why a host of spiritual traditions embrace the human voice as a conduit for worship, and in secular music, many of the most popular traditions–r&b and its variants, country, even rap—foreground some sort of vocal virtuosity. A skilled vocalist can “seduce us, haunt us, heal us regardless of the text they’re delivering or even the culture that surrounds them,” Chan writes.
In his first book, published just this past fall, Chan highlights the thirty-plus year career of Mariah Carey, whose five-octave vocal range; agile, multisyllabic melisma; and well-honed aptitude for catchy hooks and witty wordplay turned her into one of the most successful pop singer-songwriters of all time. Carey has earned five Grammys and nineteen number ones on the Billboard pop chart—the highest of any act besides the Beatles, surpassing Elvis. Two of her fifteen full-length albums are certified diamond, with sales of ten million or more in the United States alone. Why Mariah Carey Matters, part of the University of Texas Press’s Music Matters series, is the first book-length critical assessment of the artist’s wide-ranging career.
Chan makes the case that from the beginning, Carey’s vocal dexterity and range set her apart—her mastery at blending piercing whistle tones, fluttery, feminine whispers, muscular belts, and “leathery low” notes, often within the same song. “There’s something irrational, bizarre, and hazardous-sounding about the way Mariah hopscotches over and across vocal registers without warning or transition,” Chan writes. She also blended and mixed styles of singing, infusing both big, sentimental ballads and buoyant, weightless bops alike with gospel fervor; in the ’90s, alongside artists like Mary J. Blige and Jodeci, she contributed to the creation and commercial dominance of “hip-hop soul.” In her house remixes, often painstakingly re-recorded versions of her mainstream pop hits, she frequently scatted and improvised in the tradition of Ella Fitzgerald or Sarah Vaughan. Equally impressive, and critical in understanding Carey, Chan says, is her “artistry outside the vocal booth.” She wrote or co-wrote all of her most enduring hits, including “Vision of Love,” “We Belong Together,” and “All I Want for Christmas Is You.” She’s produced herself and other artists, and is one of few women nominated for the Grammy Award for Producer of the Year (Non-Classical). It was an early honor, from 1992, for work on her second LP, Emotions.
Chan is one of my favorite writers and an important voice in contemporary music and film criticism. He’s vivid in his assessment of Carey’s musical gifts. He layers in details of his own upbringing to help us understand why certain songs and singers turned him into a student of the art. I love the way he brings the reader along with him—we’re watching and listening together as Carey delivers her gospel-drenched rendition of “America the Beautiful” on the NBA Finals in 1990, hearing her sing the climactic sea-ahhh as she “evokes rolling vistas and open water.” He acknowledges the blemishes on Carey’s career and the unpredictability of her voice, which he insists is not a recent phenomenon. He situates Carey in refreshing context: with Black singers of the ’80s who influenced her sound, and with other female songwriter-producers like Patrice Rushen, Teena Marie, and Angela Winbush, who don’t often receive credit for their prowess behind the boards.
“So much of the culture and money created during this era is the product of Black female creative energy,” writes Danyel Smith, another of my favorite music writers, in Shine Bright, her sweeping history of Black women in American pop. She’s talking about the middle of the twentieth century, when recordings like the Dixie Cups’ “Chapel of Love” achieved mammoth success that the performers—who came up with the arrangement we all know and love—were not credited for. Carey has received commercial rewards, and, as of late, critical adoration from outlets such as Pitchfork and Rolling Stone.
But Chan suggests we still haven’t absorbed the magnitude of Carey’s genius, that our cultural blinders have hindered our ability to understand the breadth of her labor and mastery. Carey’s upbringing as a biracial daughter of a white mom who raised her largely on her own; her sense of not fully belonging among Black or white people; her insistence on femininity in an industry that privileges masculine presentation when it doles out points for credibility. She used it all in her art—especially in her ballads. Over a long and wide-ranging conversation, Chan and I discussed Carey’s melancholy, artistic lineage, the feeling of singing, r&b, gospel, and transcendence.
Courtesy University of Texas Press Danielle Amir Jackson: Can we start with your background? I know you grew up in some American suburbs and in Malaysia. When did you begin to pay so much attention to Mariah Carey?
Andrew Chan: I moved around quite a bit as a kid. I was born in Minneapolis, in a great music city, but I didn’t live there long. My family moved to Tampa, Florida and then to Malaysia. After moving back to the States, I lived in Atlanta, Georgia and Charlotte, North Carolina—the metropolitan New South.
In the nineties.
In the nineties. I moved to Atlanta… I think in ’97. I remember Butterfly had just come out. And I remember Usher was number one on the charts with “You Make Me Wanna…” Living in Atlanta and Charlotte in the nineties, I was one of the few Chinese Americans in school. For much of middle school and early high school, half of my friends were Black. So, there was a lot of exposure to the music that they were listening to. Hip-hop and r&b were becoming mainstream and dominating the charts. Having friends who were Black exposed me to more than just what was crossing over.
I also felt connected emotionally to Malaysian culture. My parents exposed me to some of the great Asian divas of the eighties and nineties. Mandarin and Cantonese pop were important for me until, maybe, first grade. So, I was listening to people like Anita Mui, Priscilla Chan, and Teresa Teng and was completely obsessed with them before I had much knowledge of American pop music. Even then my ear was attuned to how different they sounded. Anita Mui had this beautiful contralto voice. Teresa Teng was more of a mezzo soprano. And they had different vocal approaches. Even if I didn’t have the language to analyze that or express that at that age, I was really drawn to the variety of women’s singing. That fascination carried over to the period when I started becoming obsessed with American pop music and American divas, mainly through Whitney and Mariah. When I heard “I Will Always Love You” and the whole Bodyguard era, I’d never heard something like that before. That drew me to the soul tradition of American singing.
I don’t often hear people discuss Carey in the lineage of great American interpreters of ballads like Ella Fitzgerald or Frank Sinatra, and I really appreciate that it’s the note you lead with in your book—which parallels the way that Carey started her career. The OA’s annual music issue is a dive into ballads and the elasticity of the form. What’s special about ballads? Why might an artist like Carey launch her career with ballads?
Even though she became frustrated with Tommy Mottola molding her into an adult contemporary ballad singer, the demo was full of ballads. She co-wrote all those songs. She found different ways of making the ballad fresh and interesting for herself.
The ballad has always meant different things across time. If you were to compare Sinatra, singing an old jazz standard ballad like “Angel Eyes” or “In the Wee Small Hours of the Morning,” what does that have in common with Mariah Carey’s “Can’t Let Go?” They’re slow. They’re about passionate love. This does a couple of things for a singer: It gives you space to really milk every note and moment; the listener is drawn into the space of the ballad and is invited to listen very closely in a way that you just aren’t if you’re competing with an up-tempo beat behind you or if you’re singing fast. The feat is more about rhythm than it is about holding out long notes. The ballad accentuates the tone of the singer’s voice. It creates an intimate connection with the listener. It also puts the singer at risk of being uncool because ballads are kind of forbidden. And that is why we love them. They can be uncool. They almost feel like something that we shouldn’t admit we listen to or respect because they, especially the sad ones allow us to wallow, which we’re not supposed to do if we’re grownups and we want to be serious and mature. We’re not supposed to sink into our feelings of longing and despair. But this is one of the places in our culture where we get access to that intensity of emotion, and the slowness of the music mimics the infatuated person’s inability to let go of love or inability to stop thinking about the beloved.
Mariah is an unabashedly sentimental singer, and that’s why it took so long for her to garner any kind of critical respect. She is in that tradition of musical wallowers. She loves her heartache. She loves to long and pine. She’s a bit of a masochist.
Many interesting people are.
Yeah. Ballads can be transportive to sing. The tempos are slower; you can really get your mouth around the words and feel each one of them. Because the song isn’t whizzing by at a crazy pace, you can build to a satisfying climax. You can go from low to high in this drawn-out, dramatic way. That shows the full capabilities of your voice.
When you say ballads are transportive, are you talking about a transcendent experience? The Holy Ghost?
A little bit. It’s to the point where you’re moving with your own performance, which is why singers sometimes get choked up when they’re singing their ballads, because it is such a vulnerable place to be. In karaoke, which most people don’t take seriously, if I’m singing a particular song and I’m really feeling it, I can get so lost in it.
“She loves her heartache. She loves to long and pine. She’s a bit of a masochist.”
ANDREW CHAN
I like what you said about ballads being almost contraband. I remember when people realized Beyoncé was starting the Renaissance tour with slow songs. It seemed almost like an anachronism.
Yeah, for her big house record. She’s a great ballad girl too. In terms of them being contraband, back in the Maoist era in China, love ballads were banned because they were seen as counterrevolutionary. If you were part of the revolution, you wouldn’t indulge in these individualistic displays of your own personal emotions. I do get into that a little bit in the book where I even had a moment in my teenage years where I was just like, These are pathetic. They’re a distraction from the real business of politics and liberation and revolution, you know?
We include a song by Fannie Lou Hamer on our compilation accompanying the issue. You made me think of Elaine Brown, who was chair of the Black Panther party and recorded songs and some of them are balladlike. They’re propagandist, one-note songs.
There is the political ballad too. I think there’s something about love ballads where it’s like surrendering and succumbing to feelings of longing, loss, yearning, desire. Of course, there’s misogyny involved in that too, because these are “feminized” emotions. Ideas about feminine hysteria are built into this hyperbolic style of singing as well. People forget that Whitney was booed and disrespected for much of her career. It’s funny that she and Mariah had a reappraisal where they’re legends now, but at the beginning of their careers, they were criticized for over-singing and being excessive.
I wonder why people didn’t say that about Luther Vandross. He’s super indulgent.
He’s so indulgent. “A House is Not a Home” or “Superstar”—those songs are seven minutes long or something. He had some pop crossover appeal, but he never hit it as big as Whitney and Mariah. But also, there’s a bit of misogyny in that, the difference between women doing it and men doing it. I mean, Al Green is a show-off. They’re all show-offs.
Let’s talk about the eighties. You say that “Can’t Let Go,” is a revision of “Make It Last Forever” by Keith Sweat and Jacci McGhee and compare Carey’s work as a songwriter-singer-producer to Teena Marie and Angela Winbush. And you go into quite a bit of depth into all her references and homages in Glitter: Indeep, Zapp, Cherrelle. I’m having a moment right now—perhaps I’m where Mariah was back in ’99 and 2000—but I’m so obsessed with the sounds and sights of the Black ’80s. Miki Howard, whom you also mention, has been heavy on my mind, alongside Anita Baker, Patrice Rushen, Regina Belle. In your opinion, what was special about that era in music, particularly in Black pop, and how was it connected to Carey’s debut?
I didn’t come into writing this book as an expert in eighties Black music. That is one of the areas where I felt a bit insecure because I felt I knew sixties and seventies r&b and nineties onward in terms of r&b, but for some reason the eighties were an area that I hadn’t explored sufficiently. I knew the major names and their works, but it is a decade that, when it comes to Black popular music, it’s so defined by one-hit wonders. Aside from the Whitneys and the Michael and Janet Jacksons and Lionel Richies, there weren’t a lot of a long-lasting careers that crossed over to non-Black audiences in a major way. Sometimes, DeBarge would have a pop hit, but for most of their significant catalog, mostly Black listeners were listening. I had to do a lot of catching up to get those sounds into my ears and really hear how they influenced Mariah. I think part of it is because eighties r&b is less canonized than the seventies and nineties. Even the nineties have experienced this resurgence of critical interest, but the eighties are almost like a blip. Part of it is where it came in the history of popular music—after the demise of disco, which really was a shaming of Black music by the white rock establishment. I’m sure it’s more complex than that, but that was certainly a dimension to that whole culture war. In the eighties, you have r&b coming out of the ashes of disco and utilizing the electronic elements that disco had been criticized or seen as superficial for. You get a lot of experimentation like Zapp—so kooky and goofy. The use of the talk box to manipulate vocals. You get club music, like Cherrelle, a sort of post-disco dance music, people having a lot of fun. Just like really deep grooves that went on for like six minutes. Gap Band, all that kind of stuff.
There’s the kind of fun side of eighties r&b, but then on the other side you have this luxuriousness, the plush textures of Quiet Storm, which began in the seventies, but really came into its own commercially in the eighties with people like Luther, Anita Baker—who sort of took the slow-roasted, slow-jam, boudoir sound of Isaac Hayes and Al Green and Smokey Robinson—and pushed it to a whole new level. Even when they were singing at the tops of their lungs, it was still smooth.
I hesitate to just generalize all eighties r&b, but I see those as the two parallel tracks. I think they both deeply informed Mariah’s aesthetic. I think Aretha is a huge influence on pretty much all r&b women singers. I think Mariah would cite her as the ultimate female influence, but I think when it comes to sonics, the luxuriousness, the Quiet Storm sound is so evident in songs like “Underneath the Stars” and “Fourth of July.” Those are what you would think of as Quiet-Storm Mariah, but you [also] hear it in the stuff that’s more hip-hop like “The Roof.” The way she’s stacking her vocals, the way she’s creating texture with her voice. It’s very Luther. The way she is manipulating her voice, the way she’s showing it off but not for its own sake, but to create an environment that you sort of wrap yourself in. When I think of Luther showcases like “Superstar” or “Forever, for Always, for Love,” it’s very much like some kind of texture that you can wrap yourself.
This is quite different from the approach of the belters of the sixties and seventies, like Aretha or even Gladys or Chaka, powerful singers who really prioritized the belt. Mariah is a phenomenal belter—one of the greatest. Where she really distinguishes herself from other divas of her time is the subtler parts of her voice. I think a lot of that is influenced by Quiet Storm. When it comes to the zanier side of eighties r&b, you hear it in her sense of humor, her effervescence, especially as she became more of a jokester lyrically in her later years. You can sort of hear the lyrical experimentation and the kind of devil-may-care attitude of eighties Black music.
One of my favorite live performances of Carey’s is where she sings “Somewhere Over the Rainbow” and “If Only You Knew,” her Patti Labelle homage. I love that era in her voice where there is that level of rasp.
That performance—it’s very eighties Patti. “If Only You Knew” is so eighties. I think Mariah’s samples, too, are so interesting and root her in the time of her youth. She’s such a radio-head, the way she talks about listening to the radio in her memoir and her devotion to soaking up all those sounds. That was before streaming, where you really had to be glued to the radio. I don’t know if she had MTV back in the day, but the radio was the thing. And she wasn’t just listening to r&b. She was listening to Pat Benatar. The range of her musical references is so fascinating.
I’d love to discuss Carey’s gospel moments. You spend a great deal of time on her rendition of Dottie Peoples’ “Jesus, Oh What a Wonderful Child” and note that while Carey didn’t grow up in the Black church, she joined one as an adult. What’s Mariah’s connection to the gospel of the ’90s? I’m thinking of artists like BeBe and CeCe Winans or Commissioned?
I love gospel music, but I would never claim to know it. I love gospel music because that’s where r&b comes from. R&b is my portal into gospel music. It remains the source of so much great singing, even today. Le’Andria Johnson is one of my favorite singers alive. In terms of Mariah and gospel, I think it is so interesting to me that she didn’t grow up in a Black church and yet was so committed to singing in a gospel style, even from the beginning. There may not be songs that feel explicitly gospel on the debut album, but you do have moments. “There’s Got to Be a Way” has a gospel choir that feels kind of in the style of BeBe and CeCe Winans. That pop, commercial gospel that was happening in the late eighties and nineties—the kind of gospel that you would hear in Sister Act 2. Then she employs background singers like Kelly Price and Melonie Daniels—virtuosos of that sound.
In the book, you note that Kelly Price had been trained by Mattie Moss Clark.
Yes, I found that in a video of Kelly Price. She talked about doing some kind of workshop with Mattie Moss Clark when she was younger. [Carey’s] commitment to surrounding herself with not just skilled r&b background vocalists, who could do a commercial sound, but vocalists like Kelly Price and Melonie Daniels, who could bring a church sound, specifically a COGIC sound to her music is completely fascinating to me. The Clark Sisters were playing on r&b radio back in the seventies. Gospel had been having these kinds of crossover moments, but Mariah’s knowledge of the music surpasses just knowing “Oh, Happy Day” or “You Brought the Sunshine.” She was listening to Vanessa Bell Armstrong. From the very first album in interviews, she is citing Vanessa Bell Armstrong and the Clark Sisters as influences.
I have to think that in her teens, she had been exposed to gospel music. I’m fascinated that she came to the music and absorbed its influence without having a longstanding background in the Black church. I bring this up, not so much as a point about appropriation, but more as another example of Mariah being someone obsessed with records and listening to music and soaking up any influence she could find, whether it was Journey—when she covers “Open Arms”—or gospel or hip-hop or what have you.
To go back to gospel and “Jesus, Oh What a Wonderful Child,” she has moments where she wears her gospel influence on her sleeve even before that. “Anytime You Need a Friend” was one of the most significant gospel moments; she’s singing with a choir behind her and doing a lot of riffing and running and belting in the way of the great COGIC singers. “Jesus, Oh What a Wonderful Child” is significant because it sounds live. I read somewhere that it was recorded live in a church. The vamp is unlike anything that had come in her discography before. It is a gesture toward a kind of gospel authenticity. It’s no longer just gospel-pop. It’s going there and trying to recreate the spirit and the atmosphere and the feeling of a live gospel setting.
I’m interested in her study of gospel as an example of her being a constant and abiding student of different forms of Black music. I love her later gospel songs like “Fly like a Bird,” “I Wish You Well,” and “Heavenly” where she combines a James Cleveland song with a Mary Mary song. There is a song called “I Understand” that’s one of those multi-megastar performances. There’s Rance Allen, Kim Burrell, and Mariah does just whistle at the very end.
Do you think Mariah is fundamentally an r&b artist?
We first have to acknowledge that genres are constructs. These terms have historical origins that are usually rooted in marketing and promotion. Most people track [r&b] to the 1940s. It replaced race music as the designation or the category for whatever African Americans listened to that was popular music. It’s a shifting signifier. The idea that there is a commonality between the music of Ray Charles and Lavern Baker and Fats Domino and Mariah and SZA—all these artists sound so different. I think there is something a little bit unhelpful about these genre markers.
That being said, constructs take on their own reality for people who engage with them. For Mariah, and her listeners who gravitate to the r&b side of her catalog, r&b represents something. It’s as different as the music has become over the decades. There are still certain stylistic and sonic continuities. It’s very improvisational. There is melisma, runs. In classical music, you perform it as its notated. Melisma defies notation. You can sing so many notes so fast that you can’t really even transcribe it. It’s rooted in gospel. It’s rooted in a certain passion for delivery, a centrality of the voice and individual expression. An idea about struggle and transcendence, because it’s rooted in the Black experience and an acknowledgement that life is sometimes totally unbearable, and music is a vehicle to help you get over, to get through. People who gravitate to r&b are connecting with that.
Of course, not every r&b song is about that. But even in a slow jam, you can hear that whining, that struggle, that tension. You hear all these elements in Mariah’s discography. For her, r&b became, at a certain point in her life, a way of expressing her Black identity, which had been dismissed or misrepresented or misunderstood. She was constantly asked about her race in interviews, constantly having to remind people of what she had said from the very beginning, that her father was Black and Venezuelan, and her mother was Irish American. Embracing r&b as her heritage was an important part of her owning her identity as a Black woman. R&b is so interesting as a cultural and political marker, because now we’re in an age where white artists like Justin Bieber or Justin Timberlake, or whoever, say that they’re r&b. I’m less interested in saying, “This person’s not r&b; this person is,” and more interested in what is it that makes people so desperate to align themselves with this genre. I think it’s the historical lineage—the gravity of the heritage. It’s the connection to the idea of soul, which is a spiritual idea.
I’m not sure if any artist can be definitively anything when it comes to genre. But I think certainly Mariah perceives herself as an r&b artist and has conducted her artistic life in a way that shows that she’s committed to a certain ideal of what r&b is—passionate, soulful singing; a connection to music as a form of spirituality.
“Even in a slow jam, you can hear that whining, that struggle, that tension.”
ANDREW CHAN
You have this part of the book where you’re talking about her covers of power rock anthems. You don’t say that she’s reappropriating, but you say she’s showing how permeable rock and r&b boundaries are. They have a shared origin, and they come together in her choices of what to cover and what to sing and how to sing them and her arrangements.
For sure. If you think about Foreigner’s “I Want to Know What Love Is” that she covers, that’s an instance of a white band bringing gospel influence into a rock song. These boundaries are always permeable. Rock at one point was called r&b when it was sung by Black artists. What she demonstrates with her music is the variety within r&b and that the music is not a monolith. She’s giving you quiet storm. She’s giving you girl-group songs. She’s giving you New Jack Swing. She’s giving you hip-hop soul. She’s giving you power ballads. She’s giving you deep soul, in the tradition of Aretha with “Mine Again.” She is committed to a vision of herself as an r&b artist, but for her it is many things.
All the things you were saying about the struggle and resilience r&b signifies—I think that’s also reflective of the queerness that many sense in a lot of Mariah’s songs.
Absolutely. One song I want to write about is “Ain’t No Way.” Carolyn Franklin wrote that. I don’t know if we know definitively if she was queer, but I think all the history kind of shows that she was. There’s definitely a [queer] reading of that song. You have Luther as a queer artist and Sylvester, so many of the pioneers of the r&b. Little Richard. It makes sense because gospel was pioneered by queer people. Otherness and survival, the longing for transcendence is something so baked into the music. That’s certainly what I was responding to as a young closeted gay child, who’s experiencing racial otherness in the American South as well. Obviously, my experience is very different from Mariah’s, but I think there’s a longing to transcend the arbitrariness of what oppresses us through sound.
And she does transcend and break through.
She achieves it. What is beautiful about a Mariah Carey ballad is that she takes you into the depths of despair, sorrow, but through the sheer beauty and power and mastery of her voice, she is carrying us over. No matter how sorrowful or despairing it gets—and some of them really are quite dark and fatalistic—there’s something about the voice. The voice can be the vehicle that carries you over.
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2024.05.10 19:08 RealisticAd9612 The Deer Witch- A Evil Lives Near.

hello readers, my name is Chase, and I have a story from the perry state forest and my home that neither me nor my friends will ever forget, but before that, here is some backstory. We lived bordering the perry state forest, on a large hill. My entire immediate family lived on this hill, my grandfather, aunt, uncle, cousins, my mother, father, and me. My aunt and uncle had a medium sized farm and raised many goats and had free roam chickens. It was extremely common for the animals to go missing. We honestly just chocked it up to the coyotes, until we caught a mountain lion on one of our trail cams. Mind you, we live in southern Ohio, we aren’t supposed to have mountain lions here, yet there was one, with its own den in our woods. Our.. “wild” woods.
we always had odd things happen at night, Seeing shadows, hear loud knocks, whispers, screams, footsteps, even hearing drums in the woods every year around Halloween. Pretty creepy. But moving forward, let’s get into the meat of this story. My first encounter that I can remember is when I was maybe 8 years old and fell asleep late in my living room. We had a very large window with a tv to the left of it, in the corner of the room. I woke up and looked at the clock, and it was about 3:00AM and the tv was buzzing static, I looked out the window from the couch and there it was. A tall man, wearing a brown cloak (likely made of deer skins) and a deer head coving his face. Standing in the window with a little Indian girl in braids to his right. He stood there and stared at me for a long time, then waved to me in a way that said “come out side, it’s okay, just come on out”. After I freaked and just sat there in shock, they both walked out of view of the window. I had a sudden urge to follow but I stayed put and cried out of fright. I then ran to my room and eventually fell asleep.
The next morning I explained what had happened to me earlier that night and My mother told me it was a friendly Indian chief who was just paying a visit, meaning no harm. I had since then blocked the experience from my memory And pretty much forgot that it even happened until years later my mom sat me down and told me the truth. That “cheif” has been around for a very long time and terrorized everyone on the hill and staring at them from a distance since they first moved in, around 1999. She told me, according to her knowledge that he was from the Adena tribe and during his time, he would collect kids from the surrounding tribes and take them away, for human sacrifices. She then further explained that He wasn’t waving me hello, he was waving me on, to follow him outside with the Indian girl, To do god knows what with me once I was alone in the woods. She said He is evil, and my mother doesn’t use that word often. But she said “whatever that thing is, it’s evil” and “don’t ever go out there in the woods alone at night. Don’t even go with friends. Stay as far away from the deep woods. A evil lives there.”
And so of course, I didn’t listen. And me and my friends quickly learned our lesson. Me and my two friends, we will call them Andy and Jeremy, decide to have some spooky fun after a long and boring night. we where all 17 to 18 years old, so we hatched the plan to go into the woods, and into the Perry State Forest to try to scare ourselves and just mess around and have a fun time. After all, there where roads in the forest that was only a couple of miles long, for example in a twenty minute drive you could easily make it right into the city, it was a straight shot, one single road, with no turns. We decided to drive, because hoofing it out there was just a little too ballsy for our Taste. In all honesty we just loved the rush of being spooked. Andy and Jeremy are, or at least where, the furthest thing from superstitious, for they didn’t believe in anything unless they could see it or feel it themselves. And that’s exactly what they got. We was in my father’s car, a manual bmw, it was a fast car and we felt oh-so cool driving it around. The time was approaching 2:30AM when we slowly drove into the forest, after turning off of the main road.
Upon entering the forest had a wave of… something come crashing into us, it felt as if we were fazing through a wall that wasn’t there. The air felt heavy and thick. and we felt extreme pressure on our chests. this made our eyes tear up, and it was hard to breathe. There was no pain, just an overwhelming feeling of sadness, anger, guilt, dread, regret and emotional distress. it honestly felt like every bad feeling you could possibly feel all together at once. We felt like we needed to turn around and just say “forget it” but we wanted this, we wanted to feel scared. It’s what we came here for in the first place.
So We continue driving through the weird wall of bad feelings and we all just thought we got that weird feeling because we were in the woods at night and it was late and dark out. And I mean really dark out, it was a new moon so we really didn’t have any light. It made sense at the time, yet the headlights were only able to see about a yard in front of us, which was not normal for the LED lights my dad had installed. We talked amongst ourselves about how weird that feeling we got was when we entered the forest. Then out of nowhere we saw a large black figure standing at the left side of the road, and just watched us drive by, and by the time we passed it, it was gone. And when I say black, it wasn’t just black, it was darker than anything I’ve ever seen before, the darkness of the forest behind it almost looked bright in comparison. We checked in the rear view mirrors, and it had just vanished, poof, gone. Like it was never there in the first place. We said some obscenity’s to each other completely stunned and aghast at what we just witnessed.
We drove for about a whole minute in silence, until Andy said “Did y’all see that shit?” We all agreed with a simple “uh-huh”. We continued to drive. After a little while Andy looks up at the sky and says “uh guys, the sky looks kinda.. off”. Me and Jeremy looked up, and The sky wasn’t just “off” it was blood red, yet it was so dark in the forest that you couldn’t see your hand in-front of your face. We thought maybe it was starting to get daylight out but it was only 2:32AM. We were perplexed at how little time passed since we entered And at how on earth the sky could be light up in such a dark red. At first, we thought it could possibly be a blood moon, yet there was no moon to be seen. We continued on our journey for what felt like a half an hour in a straight line. Then suddenly Andy yelped and said “no.. no, no, no we just seen that tree, I just seen that tree, it’s like we are going in a circle! You didn’t take any turns did you chase?” I denied with a simple “no, why would I? It’s a straight line through here, I don’t want to get lost, especially out here.” and so we continued to pass the same trees, the same guard rail, the same lake, the same signs, the same exact everything over and over and over again. Everything kept repeating, as if we where driving in a big circle, but that’s impossible since the road is only a straight line through, there are many turns that we could have taken but we never turned, not once.
“Dang man this feels like some blare witch shit” Jerermy murmured. As we continued to drive through the endless loop we where now apparently stuck in, over time we slowly started to see dark figures in the woods, shadows, things staring at us in the trees and and scariest of all, deer that didn’t look right. Something was off about them. They would all just stand there and stare at the car, and sway back and forth. yet unlike how normal deer eyes glow when lights hit them, there was no glow, like a black, empty void within each eyeball. then one spontaneously jumped in-front of the car, making us all physically recoil, and brace for the impact of a deer entering my front grill, but it never happened. It disappeared just as quickly as it had jumped in front of us. “No man this isn’t right we need to turn around that can’t happen, this isn’t real” Jerermy said to me, I told him that we couldn’t be far from the exit after all we’ve been driving for what We felt like was hours. So we continued driving down the dirt road We then noticed the dark figures in the woods to slowly transform into a more.. human figure. We also started seeing disembodied eyes staring at us and heard odd distorted animal noises, screams and whimpers. we suddenly all had something in our heads telling us to “just stop the car. Stop the car and get out and everything will stop” We all shook off the eerie feeling that came over us. We then heard whispers, but these where no ordinary whispers, they sounded like they where coming from INSIDE the car. Again, we continued to drive. While driving we would also sporadically get a glimpse of the.. thing we seen at the very beginning when we entered.
Then, abruptly all the visions and sounds stopped. We then heard a girl scream, not a coyote or a bobcat, a girl, and it wasn’t in the woods, it was Right in all of our ears, it was loud enough to make our ears ring. then the car shut off. Dead. No lights on, no nothing. Just off. Pitch black darkness. I tried to start it and nothing. While trying to start the car we heard a train in the distance and it sounded like we were on the tracks ourselves, hell we could feel the ground rumbling. But the odd thing was, there was not a railroad anywhere near the park. Not for many miles. So how is it that we could hear the chug of the engine, the whistle and the screeching of the wheels? We had absolutely no idea. it got closer and closer until it sounded like the train was in the car, passing right through us. while the train was going through the car, that car came back to life, all the lights on, just like normal. So I started it. Tried to take off, and killed it. (It was a manual and I was scared, it was my own error but it still scared me when the car lurched to a stop) I then started it again and took off.
We were fleeing for our lives at this point so we were easily hitting 50 mph on a shitty gravel road. We continued to pass the same everything over and over again, I then abruptly slammed on my breaks. “Damn dude!” “What the hell man?!” Andy and Jeremy both yelled as they face planted into the front seats. Guys, look. They look up in awe to see car two car headlights coming right at us, growing bigger by the second. I was stopped and i panicked and instead of driving out of the way, which there wasn’t any real “out-of-the-way” since we were on a very narrow Road, I started to flash my lights at them, hoping they would see and stop. But they didn’t. They continue to get closer and closer, so we all just accepted our fates and put our heads down to protect us from the collision. We waited and waited, and nothing happened. We all looked up and it had just vanished, just like the deers had previously. no car, no tread marks, no dust cloud, nothing. It was just all in our heads.
At this point we knew something was in our heads, warping reality and making us perceive whatever it wanted us to see. We continued down the road. After about 15 minutes of relative peace, other than the screams and human figures and other horrific things happening, the radio randomly switched on and we heard people talking on the radio through static but they weren’t just radio hosts, it was people, so many people talking at once it was defining. We heard loud knocking and banging on the doors and windows, enough to shake the car. The voices in our heads were now scream at us to stop driving, to roll down the windows. to get out of the car. To do anything to let them in. Everything was deafening, it was so insanely loud and we all started weeping, we just gave up, we couldn’t handle it anymore.
then, In the blink of an eye we appeared on the new reservoir road, right before the city. We all looked to each other, completely stunned on how the hell we just teleported to the end of the dirt road, out of the forest. the radio was still blaring static so reached and turned it down so we could talk amongst ourselves. I looked and seen The time was now 3:00AM. How did such little time pass? How did we get here? We had no clue, and we still don’t. We were just glad it was over. We drove away, to the city. The sky slowly faded from red to black. We stopped at the 24 hour Taco Bell and got some food, and sat in the parking lot talking about what we all had just experienced. We then drove back to my dads, and waked up to the front door, exhausted. Then right before walking in, there it was. The figure we seen at the very beginning, standing right on the edge of the property line. Staring directly at us. But now we could see it in finite detail.
It was about 7 feet tall with broad shoulders and the stature Akeem to a man. wearing a blacker than black cloak and a deer skull on its head with piercing red glowing eyes. It then raised its hand to its chest and waved a single wave, from its chest to its hip, then it vanished into the woods behind it. We then went inside, and all fell asleep immediately, after vowing to never, ever go out there again.
But funnily enough, years later we have all agreed to go camping in thoes very woods, next week. If anything happens, I will write again. This was my first time ever writing something like this and if it wasn’t for my friends experiencing all of it along with me, I would simply think I am bat shit insane. It was their idea for me to even write this in the first place, so I hope it was easy to read. And thank you, for reading our story. And also, heed my mother’s warning and don’t ever go into the Perry State Forest at night, because an evil really does live there.
submitted by RealisticAd9612 to boozeandboos [link] [comments]


2024.05.10 05:12 RealisticAd9612 The Deer Witch- An evil Lives Beside Us.

hello readers, my name is Chase and I have a story from the perry state forest and my home that neither me nor my friends will ever forget, but before that, here is some backstory. We lived bordering the perry state forest, on a large hill. My entire immediate family lived on this hill, my grandfather, aunt, uncle, cousins, my mother, father, and me. My aunt and uncle had a medium sized farm and raised many goats and had free roam chickens. It was extremely common for the animals to go missing. We honestly just chocked it up to the coyotes, until we caught a mountain lion on one of our trail cams. Mind you, we live in southern Ohio, we aren’t supposed to have mountain lions here, yet there was one, with its own den in our woods. Our.. “wild” woods.
we always had odd things happen at night, Seeing shadows, hear loud knocks, whispers, screams, footsteps, even hearing drums in the woods every year around Halloween. Pretty creepy. But moving forward, let’s get into the meat of this story. My first encounter that I can remember is when I was maybe 8 years old and fell asleep late in my living room. We had a very large window with a tv to the left of it, in the corner of the room. I woke up and looked at the clock, and it was about 3:00AM and the tv was buzzing static, I looked out the window from the couch and there it was. A tall man, wearing a brown cloak (likely made of deer skins) and a deer head coving his face. Standing in the window with a little Indian girl in braids to his right. He stood there and stared at me for a long time, then waved to me in a way that said “come out side, it’s okay, just come on out”. After I freaked and just sat there in shock, they both walked out of view of the window. I had a sudden urge to follow but I stayed put and cried out of fright. I then ran to my room and eventually fell asleep.
The next morning I explained what had happened to me earlier that night and My mother told me it was a friendly Indian chief who was just paying a visit, meaning no harm. I had since then blocked the experience from my memory And pretty much forgot that it even happened until years later my mom sat me down and told me the truth. That “cheif” has been around for a very long time and terrorized everyone on the hill and staring at them from a distance since they first moved in, around 1999. She told me, according to her knowledge that he was from the Adena tribe and during his time, he would collect kids from the surrounding tribes and take them away, for human sacrifices. She then further explained that He wasn’t waving me hello, he was waving me on, to follow him outside with the Indian girl, To do god knows what with me once I was alone in the woods. She said He is evil, and my mother doesn’t use that word often. But she said “whatever that thing is, it’s evil” and “don’t ever go out there in the woods alone at night. Don’t even go with friends. Stay as far away from the deep woods. A evil lives there.”
And so of course, I didn’t listen. And me and my friends quickly learned our lesson. Me and my two friends, we will call them Andy and Jeremy, decide to have some spooky fun after a long and boring night. we where all 17 to 18 years old, so we hatched the plan to go into the woods, and into the Perry State Forest to try to scare ourselves and just mess around and have a fun time. After all, there where roads in the forest that was only a couple of miles long, for example in a twenty minute drive you could easily make it right into the city, it was a straight shot, one single road, with no turns. We decided to drive, because hoofing it out there was just a little too ballsy for our Taste. In all honesty we just loved the rush of being spooked. Andy and Jeremy are, or at least where, the furthest thing from superstitious, for they didn’t believe in anything unless they could see it or feel it themselves. And that’s exactly what they got. We was in my father’s car, a manual bmw, it was a fast car and we felt oh-so cool driving it around. The time was approaching 2:30AM when we slowly drove into the forest, after turning off of the main road.
Upon entering the forest had a wave of… something come crashing into us, it felt as if we were fazing through a wall that wasn’t there. The air felt heavy and thick. and we felt extreme pressure on our chests. this made our eyes tear up, and it was hard to breathe. There was no pain, just an overwhelming feeling of sadness, anger, guilt, dread, regret and emotional distress. it honestly felt like every bad feeling you could possibly feel all together at once. We felt like we needed to turn around and just say “forget it” but we wanted this, we wanted to feel scared. It’s what we came here for in the first place.
So We continue driving through the weird wall of bad feelings and we all just thought we got that weird feeling because we were in the woods at night and it was late and dark out. And I mean really dark out, it was a new moon so we really didn’t have any light. It made sense at the time, yet the headlights were only able to see about a yard in front of us, which was not normal for the LED lights my dad had installed. We talked amongst ourselves about how weird that feeling we got was when we entered the forest. Then out of nowhere we saw a large black figure standing at the left side of the road, and just watched us drive by, and by the time we passed it, it was gone. And when I say black, it wasn’t just black, it was darker than anything I’ve ever seen before, the darkness of the forest behind it almost looked bright in comparison. We checked in the rear view mirrors, and it had just vanished, poof, gone. Like it was never there in the first place. We said some obscenity’s to each other completely stunned and aghast at what we just witnessed.
We drove for about a whole minute in silence, until Andy said “Did y’all see that shit?” We all agreed with a simple “uh-huh”. We continued to drive. After a little while Andy looks up at the sky and says “uh guys, the sky looks kinda.. off”. Me and Jeremy looked up, and The sky wasn’t just “off” it was blood red, yet it was so dark in the forest that you couldn’t see your hand in-front of your face. We thought maybe it was starting to get daylight out but it was only 2:32AM. We were perplexed at how little time passed since we entered And at how on earth the sky could be light up in such a dark red. At first, we thought it could possibly be a blood moon, yet there was no moon to be seen. We continued on our journey for what felt like a half an hour in a straight line. Then suddenly Andy yelped and said “no.. no, no, no we just seen that tree, I just seen that tree, it’s like we are going in a circle! You didn’t take any turns did you chase?” I denied with a simple “no, why would I? It’s a straight line through here, I don’t want to get lost, especially out here.” and so we continued to pass the same trees, the same guard rail, the same lake, the same signs, the same exact everything over and over and over again. Everything kept repeating, as if we where driving in a big circle, but that’s impossible since the road is only a straight line through, there are many turns that we could have taken but we never turned, not once.
“Dang man this feels like some blare witch shit” Jerermy murmured. As we continued to drive through the endless loop we where now apparently stuck in, over time we slowly started to see dark figures in the woods, shadows, things staring at us in the trees and and scariest of all, deer that didn’t look right. Something was off about them. They would all just stand there and stare at the car, and sway back and forth. yet unlike how normal deer eyes glow when lights hit them, there was no glow, like a black, empty void within each eyeball. then one spontaneously jumped in-front of the car, making us all physically recoil, and brace for the impact of a deer entering my front grill, but it never happened. It disappeared just as quickly as it had jumped in front of us. “No man this isn’t right we need to turn around that can’t happen, this isn’t real” Jerermy said to me, I told him that we couldn’t be far from the exit after all we’ve been driving for what We felt like was hours. So we continued driving down the dirt road We then noticed the dark figures in the woods to slowly transform into a more.. human figure. We also started seeing disembodied eyes staring at us and heard odd distorted animal noises, screams and whimpers. we suddenly all had something in our heads telling us to “just stop the car. Stop the car and get out and everything will stop” We all shook off the eerie feeling that came over us. We then heard whispers, but these where no ordinary whispers, they sounded like they where coming from INSIDE the car. Again, we continued to drive. While driving we would also sporadically get a glimpse of the.. thing we seen at the very beginning when we entered.
Then, abruptly all the visions and sounds stopped. We then heard a girl scream, not a coyote or a bobcat, a girl, and it wasn’t in the woods, it was Right in all of our ears, it was loud enough to make our ears ring. then the car shut off. Dead. No lights on, no nothing. Just off. Pitch black darkness. I tried to start it and nothing. While trying to start the car we heard a train in the distance and it sounded like we were on the tracks ourselves, hell we could feel the ground rumbling. But the odd thing was, there was not a railroad anywhere near the park. Not for many miles. So how is it that we could hear the chug of the engine, the whistle and the screeching of the wheels? We had absolutely no idea. it got closer and closer until it sounded like the train was in the car, passing right through us. while the train was going through the car, that car came back to life, all the lights on, just like normal. So I started it. Tried to take off, and killed it. (It was a manual and I was scared, it was my own error but it still scared me when the car lurched to a stop) I then started it again and took off.
We were fleeing for our lives at this point so we were easily hitting 50 mph on a shitty gravel road. We continued to pass the same everything over and over again, I then abruptly slammed on my breaks. “Damn dude!” “What the hell man?!” Andy and Jeremy both yelled as they face planted into the front seats. Guys, look. They look up in awe to see car two car headlights coming right at us, growing bigger by the second. I was stopped and i panicked and instead of driving out of the way, which there wasn’t any real “out-of-the-way” since we were on a very narrow Road, I started to flash my lights at them, hoping they would see and stop. But they didn’t. They continue to get closer and closer, so we all just accepted our fates and put our heads down to protect us from the collision. We waited and waited, and nothing happened. We all looked up and it had just vanished, just like the deers had previously. no car, no tread marks, no dust cloud, nothing. It was just all in our heads.
At this point we knew something was in our heads, warping reality and making us perceive whatever it wanted us to see. We continued down the road. After about 15 minutes of relative peace, other than the screams and human figures and other horrific things happening, the radio randomly switched on and we heard people talking on the radio through static but they weren’t just radio hosts, it was people, so many people talking at once it was defining. We heard loud knocking and banging on the doors and windows, enough to shake the car. The voices in our heads were now scream at us to stop driving, to roll down the windows. to get out of the car. To do anything to let them in. Everything was deafening, it was so insanely loud and we all started weeping, we just gave up, we couldn’t handle it anymore.
then, In the blink of an eye we appeared on the new reservoir road, right before the city. We all looked to each other, completely stunned on how the hell we just teleported to the end of the dirt road, out of the forest. the radio was still blaring static so reached and turned it down so we could talk amongst ourselves. I looked and seen The time was now 3:00AM. How did such little time pass? How did we get here? We had no clue, and we still don’t. We were just glad it was over. We drove away, to the city. The sky slowly faded from red to black. We stopped at the 24 hour Taco Bell and got some food, and sat in the parking lot talking about what we all had just experienced. We then drove back to my dads, and waked up to the front door, exhausted. Then right before walking in, there it was. The figure we seen at the very beginning, standing right on the edge of the property line. Staring directly at us. But now we could see it in finite detail.
It was about 7 feet tall with broad shoulders and the stature Akeem to a man. wearing a blacker than black cloak and a deer skull on its head with piercing red glowing eyes. It then raised its hand to its chest and waved a single wave, from its chest to its hip, then it vanished into the woods behind it. We then went inside, and all fell asleep immediately, after vowing to never, ever go out there again.
But funnily enough, years later we have all agreed to go camping in thoes very woods, next week. If anything happens, I will write again. This was my first time ever writing something like this and if it wasn’t for my friends experiencing all of it along with me, I would simply think I am bat shit insane. It was their idea for me to even write this in the first place, so I hope it was easy to read. And thank you, for reading our story. And also, heed my mother’s warning and don’t ever go into the Perry State Forest at night, because an evil really does live there.
submitted by RealisticAd9612 to DeepWoodsCreepy [link] [comments]


2024.05.10 04:05 Formal_Guarantee2612 Does Taylor still have an eating disorder or is she at least anti-fat?

So, if you know enough about Taylor you know that she has an eating disorder in the past since about the 1989 era, however I believe it actually started about her debut era so when she was about 16. Young girls aspiring to be pop stars or actresses tend to want to be thinner based on society's pressure for women to be stick thin. There was even a rumor going around that Taylor's guitar teacher I think said her mom told her she cannot get taco bell because "no one wants to see a fat popstar." This is why I believe her eating disorder voices started, around her teen years. It is awful Taylor had to go through this at a young age though. However, since her debut era she as been relatively skinny. In the red era I noticed a huge weight difference and by 2014 she was extremely skinny. She claimed she "recovered" during the reputation era so 2017 and she said she was size 6, but that is still small especially regarding her height!! She was with joe during this time and some part of me believes joe helped her "recover" from her eating disorder. Maybe encouraging her to eat! However, she was still slender.
And during when Midnights came out she had a "fat" scale in her bathroom during the anti-hero MV which proves she still somewhat struggles with eating today. However, she removed the scene due to the backlash. Which I thought was kinda cowardly, like she could have explained why she put it there in a press piece. I noticed in 2023, she started to lose weight again especially during April-July, which may have been due to the breakup stress and moving to matty from joe super fast. And during 2023, she was datiing matty healy for about 2 months and he is super skinny and maybe that pressured her to lose weight since she didn't want to be the fat significant other.
In the present, she looks healthy to me but eating disorders do not have a look. You can still be struggling with one and your family or friends may never know. Finally, is she anti-fat, I never seen her with one fat friend, if you look at the circle she is in all her friends are relatively skinny or supermodels: Gigi Hadid, Lily Aldridge, Haim sisters, lana, blake, keleigh teller. What do you guys think?
submitted by Formal_Guarantee2612 to travisandtaylor [link] [comments]


2024.05.10 03:22 RealisticAd9612 The Deer Witch

Hello readers, my name is Chase, and I have a story from the perry state forest and my home that neither me nor my friends will ever forget, but before that, here is some backstory. We lived bordering the perry state forest, on a large hill. My entire immediate family lived on this hill, my grandfather, aunt, uncle, cousins, my mother, father, and me. My aunt and uncle had a medium sized farm and raised many goats and had free roam chickens. It was extremely common for the animals to go missing. We honestly just chocked it up to the coyotes, until we caught a mountain lion on one of our trail cams. Mind you, we live in southern Ohio, we aren’t supposed to have mountain lions here, yet there was one, with its own den in our woods. Our.. “wild” woods. we always had odd things happen at night, Seeing shadows, hear loud knocks, whispers, screams, footsteps, even hearing drums in the woods every year around Halloween. Pretty creepy. But moving forward, let’s get into the meat of this story. My first encounter that I can remember is when I was maybe 8 years old and fell asleep late in my living room. We had a very large window with a tv to the left of it, in the corner of the room. I woke up and looked at the clock, and it was about 3:00AM and the tv was buzzing static, I looked out the window from the couch and there it was. A tall man, wearing a brown cloak (likely made of deer skins) and a deer head coving his face. Standing in the window with a little Indian girl in braids to his right. He stood there and stared at me for a long time, then waved to me in a way that said “come out side, it’s okay, just come on out”. After I freaked and just sat there in shock, they both walked out of view of the window. I had a sudden urge to follow but I stayed put and cried out of fright. I then ran to my room and eventually fell asleep. The next morning I explained what had happened to me earlier that night and My mother told me it was a friendly Indian chief who was just paying a visit, meaning no harm. I had since then blocked the experience from my memory And pretty much forgot that it even happened until years later my mom sat me down and told me the truth. That “chef” has been around for a very long time and terrorized everyone on the hill and staring at them from a distance since they first moved in, around 1999. She told me, according to her knowledge that he was from the Adena tribe and during his time, he would collect kids from the surrounding tribes and take them away, for human sacrifices. She then further explained that He wasn’t waving me hello, he was waving me on, to follow him outside with the Indian girl, To do god knows what with me once I was alone in the woods. She said He is evil, and my mother doesn’t use that word often. But she said “whatever that thing is, it’s evil” and “don’t ever go out there in the woods alone at night. Don’t even go with friends. Stay as far away from the deep woods. A evil lives there.” And so of course, I didn’t listen. And me and my friends quickly learned our lesson. Me and my two friends, we will call them Andy and Jeremy, decide to have some spooky fun after a long and boring night. we where all 17 to 18 years old, so we hatched the plan to go into the woods, and into the Perry State Forest to try to scare ourselves and just mess around and have a fun time. After all, there where roads in the forest that was only a couple of miles long, for example in a twenty minute drive you could easily make it right into the city, it was a straight shot, one single road, with no turns. We decided to drive, because hoofing it out there was just a little too ballsy for our Taste. In all honesty we just loved the rush of being spooked. Andy and Jeremy are, or at least where, the furthest thing from superstitious, for they didn’t believe in anything unless they could see it or feel it themselves. And that’s exactly what they got. We was in my father’s car, a manual bmw, it was a fast car and we felt oh-so cool driving it around. The time was approaching 2:30AM when we slowly drove into the forest, after turning off of the main road. Upon entering the forest had a wave of… something come crashing into us, it felt as if we were fazing through a wall that wasn’t there. The air felt heavy and thick. and we felt extreme pressure on our chests. this made our eyes tear up, and it was hard to breathe. There was no pain, just an overwhelming feeling of sadness, anger, guilt, dread, regret and emotional distress. it honestly felt like every bad feeling you could possibly feel all together at once. We felt like we needed to turn around and just say “forget it” but we wanted this, we wanted to feel scared. It’s what we came here for in the first place. So We continue driving through the weird wall of bad feelings and we all just thought we got that weird feeling because we were in the woods at night and it was late and dark out. And I mean really dark out, it was a new moon so we really didn’t have any light. It made sense at the time, yet the headlights were only able to see about a yard in front of us, which was not normal for the LED lights my dad had installed. We talked amongst ourselves about how weird that feeling we got was when we entered the forest. Then out of nowhere we saw a large black figure standing at the left side of the road, and just watched us drive by, and by the time we passed it, it was gone. And when I say black, it wasn’t just black, it was darker than anything I’ve ever seen before, the darkness of the forest behind it almost looked bright in comparison. We checked in the rear view mirrors, and it had just vanished, poof, gone. Like it was never there in the first place. We said some obscenity’s to each other completely stunned and aghast at what we just witnessed. We drove for about a whole minute in silence, until Andy said “Did y’all see that shit?” We all agreed with a simple “uh-huh”. We continued to drive. After a little while Andy looks up at the sky and says “uh guys, the sky looks kinda.. off”. Me and Jeremy looked up, and The sky wasn’t just “off” it was blood red, yet it was so dark in the forest that you couldn’t see your hand in-front of your face. We thought maybe it was starting to get daylight out but it was only 2:32AM. We were perplexed at how little time passed since we entered And at how on earth the sky could be light up in such a dark red. At first, we thought it could possibly be a blood moon, yet there was no moon to be seen. We continued on our journey for what felt like a half an hour in a straight line. Then suddenly Andy yelped and said “no.. no, no, no we just seen that tree, I just seen that tree, it’s like we are going in a circle! You didn’t take any turns did you chase?” I denied with a simple “no, why would I? It’s a straight line through here, I don’t want to get lost, especially out here.” and so we continued to pass the same trees, the same guard rail, the same lake, the same signs, the same exact everything over and over and over again. Everything kept repeating, as if we where driving in a big circle, but that’s impossible since the road is only a straight line through, there are many turns that we could have taken but we never turned, not once. “Dang man this feels like some blare witch shit” Jerermy murmured. As we continued to drive through the endless loop we where now apparently stuck in, over time we slowly started to see dark figures in the woods, shadows, things staring at us in the trees and and scariest of all, deer that didn’t look right. Something was off about them. They would all just stand there and stare at the car, and sway back and forth. yet unlike how normal deer eyes glow when lights hit them, there was no glow, like a black, empty void within each eyeball. then one spontaneously jumped in-front of the car, making us all physically recoil, and brace for the impact of a deer entering my front grill, but it never happened. It disappeared just as quickly as it had jumped in front of us. “No man this isn’t right we need to turn around that can’t happen, this isn’t real” Jerermy said to me, I told him that we couldn’t be far from the exit after all we’ve been driving for what We felt like was hours. So we continued driving down the dirt road We then noticed the dark figures in the woods to slowly transform into a more.. human figure. We also started seeing disembodied eyes staring at us and heard odd distorted animal noises, screams and whimpers. we suddenly all had something in our heads telling us to “just stop the car. Stop the car and get out and everything will stop” We all shook off the eerie feeling that came over us. We then heard whispers, but these where no ordinary whispers, they sounded like they where coming from INSIDE the car. Again, we continued to drive. While driving we would also sporadically get a glimpse of the.. thing we seen at the very beginning when we entered. Then, abruptly all the visions and sounds stopped. We then heard a girl scream, not a coyote or a bobcat, a girl, and it wasn’t in the woods, it was Right in all of our ears, it was loud enough to make our ears ring. then the car shut off. Dead. No lights on, no nothing. Just off. Pitch black darkness. I tried to start it and nothing. While trying to start the car we heard a train in the distance and it sounded like we were on the tracks ourselves, hell we could feel the ground rumbling. But the odd thing was, there was not a railroad anywhere near the park. Not for many miles. So how is it that we could hear the chug of the engine, the whistle and the screeching of the wheels? We had absolutely no idea. it got closer and closer until it sounded like the train was in the car, passing right through us. while the train was going through the car, that car came back to life, all the lights on, just like normal. So I started it. Tried to take off, and killed it. (It was a manual and I was scared, it was my own error but it still scared me when the car lurched to a stop) I then started it again and took off. We were fleeing for our lives at this point so we were easily hitting 50 mph on a shitty gravel road. We continued to pass the same everything over and over again, I then abruptly slammed on my breaks. “Damn dude!” “What the hell man?!” Andy and Jeremy both yelled as they face planted into the front seats. Guys, look. They look up in awe to see car two car headlights coming right at us, growing bigger by the second. I was stopped and i panicked and instead of driving out of the way, which there wasn’t any real “out-of-the-way” since we were on a very narrow Road, I started to flash my lights at them, hoping they would see and stop. But they didn’t. They continue to get closer and closer, so we all just accepted our fates and put our heads down to protect us from the collision. We waited and waited, and nothing happened. We all looked up and it had just vanished, just like the deers had previously. no car,no tread marks, no dust cloud, nothing. It was just all in our heads. At this point we knew something was in our heads, warping reality and making us perceive whatever it wanted us to see. We continued down the road. After about 15 minutes of relative peace, other than the screams and human figures and other horrific things happening, the radio randomly switched on and we heard people talking on the radio through static but they weren’t just radio hosts, it was people, so many people talking at once it was defining. We heard loud knocking and banging on the doors and windows, enough to shake the car. The voices in our heads were now scream at us to stop driving, to roll down the windows. to get out of the car. To do anything to let them in. Everything was deafening, it was so insanely loud and we all started weeping, we just gave up, we couldn’t handle it anymore. then, In the blink of an eye we appeared on the new reservoir road, right before the city. We all looked to each other, completely stunned on how the hell we just teleported to the end of the dirt road, out of the forest. the radio was still blaring static so reached and turned it down so we could talk amongst ourselves. I looked and seen The time was now 3:00AM. How did such little time pass? How did we get here? We had no clue, and we still don’t. We were just glad it was over. We drove away, to the city. The sky slowly faded from red to black. We stopped at the 24 hour Taco Bell and got some food, and sat in the parking lot talking about what we all had just experienced. We then drove back to my dads, and waked up to the front door, exhausted. Then right before walking in, there it was. The figure we seen at the very beginning, standing right on the edge of the property line. Staring directly at us. But now we could see it in finite detail. It was about 7 feet tall with broad shoulders and the stature Akeem to a man. wearing a blacker than black cloak and a deer skull on its head with piercing red glowing eyes. It then raised its hand to its chest and waved a single wave, from its chest to its hip, then it vanished into the woods behind it. We then went inside, and all fell asleep immediately, after vowing to never, ever go out there again. But funnily enough, years later we have all agreed to go camping in thoes very woods, next week. If anything happens, I will write again. This was my first time ever writing something like this and if it wasn’t for my friends experiencing all of it along with me, I would simply think I am bat shit insane. It was their idea for me to even write this in the first place, so I hope it was easy to read. And thank you, for reading our story. And also, heed my mother’s warning and don’t ever go into the Perry State Forest at night, because an evil really does live there.
submitted by RealisticAd9612 to LetsReadOfficial [link] [comments]


2024.05.09 18:19 callistified restaurant employees

anyone else notice restaurant employees are being more and more rude these days? panera doesn't bother starting the order until i come in and give the name, so i keep my phone charging in my car, and they give me crap for only stating the name. had this dude go on a power trip and refuse to give me the food when i came back with my phone. and when i have the AUDACITY to patiently wait at taco bell for them to put the food on the pick up rack, instead of bothering the employees trying to crank through all the orders, this lady gives me attitude for just sitting there?? like, girl. calm down lmao. the popeyes near me just flat out ignores me, skipping over to the other people waiting in line (and often to other dashers who just shove their phones in their faces!!) i ended up standing in one place at mcdonald's for 15 minutes waiting for someone to acknowledge me, only for them to just reach behind the counter for the order. there's this local chain that has recently updated the instructions on doordash, telling me to go inside instead of waiting in my car, but only half of the restaurants actually follow it! this one place in my hometown actually yelled at me for "disturbing" her employees by standing in the lobby. idk I've started leaving bad reviews on google for particularly egregious behavior.
submitted by callistified to doordash_drivers [link] [comments]


2024.05.09 17:51 wiklr Drake's dad was accused of mishandling of funds, yet it was the tv production cost cutting on the cast and crew

The main events in the documentary revolved around The Amanda show, where the female writers Jenny & Christy, child victims Brandi & Drake and perpetrators Jason & Brian all worked on.
2007 New York Times Article mentioning how The Amanda Show was conceived:
But the turning point in his relationship with the network came after Schneider added to the evolving cast of “All That” a girl named Amanda Bynes. Everyone recognized her as a nascent star, and so the network set about creating a show just for her — without consulting Schneider. The pilot that was shot for this new Bynes vehicle, though, was so poor that the network shelved it and scrapped plans for the series entirely — at which point Schneider felt he had to speak up. “I went to the Nickelodeon executives, and I said: ‘Look, you can’t blame Amanda for that; it was just the wrong project for her. Amanda is such a rangy little actress — she’s like a little Dana Carvey or a little Carol Burnett. What I would have done, if you had come to me, is I would have created a show where she could have played a lot of different characters. More of a sketch-type show.’ So I talked to them for a while and they said O.K., go ahead; and I created ‘The Amanda Show,’ which is one of the most successful shows Nickelodeon has ever had.” (
Quotes from the Quiet on Set Documentary
Joe Bell
He found an attorney to find out about Drake's financial situation. There was never any mishandling of any funds.
Christy Stratton
I remember speaking to the line producer and she said that I was going to have to split a salary with a writer that I did not know. So they were getting two for the price of one. They were going to hire two women and have them share a salary. And I never saw it happen to any of the men.
Jenny Kilgen
I went down to the studio to meet with Dan about Season two. He said, "Here's the deal. We're bringing you back for Season 2, staff writer. We're offering you a 16-week contract, but you need to work the whole season." Which was, I believe, 27 weeks. He was telling me I had to work 11 weeks for free.
Karyn Finley Thompson
One day, I keeled over, and I ended up having to go to the hospital. And, as I'm leaving and curled over, I could hear someone say... "How is the show going to get finished?" And I just remember saying, "I'll be right back!" "I'll be right back." And then, he promised me a job and didn't give it to me. Not only was this job that Dan promised me given to someone else, it was a younger man who had no experience.
Jason Handy
"You and all the kids are why I work for free half the week"
Also remember how Brian Peck was described as being "generous with his time." Did he also take a pay cut like Handy?
___
Also according to Jenny on twitter:
The female writers were only there for season one and there were no predators there at that time. And we were in a separate building. The predators seem to have arrived when production was moved to NICK on SUNSET.
(Brian Peck appeared on the Amanda Show in the later seasons. IMDB credits him on the "Face & Zawyer " episode. And this reddit post said he appeared on Season 3)
___
The payment scheme allegedly carried over to other Nick shows, according to an actress in this video:
I remember working for 4 days, and there was some deal with the contract that I would only be paid for 2 of them, which was shitty but I had the most lines and I knew the other girls were being paid worse.
From the 2022 Business Insider article:
In his memoir, Josh Peck wrote that he made about $450,000 over five years of filming "Drake & Josh." Backstage reported in 2012 that most child-star series regulars earned just $5,000 to $7,000 a week before taxes and expenses, which a parent of three child actors said could reduce weekly take-home pay to a mere $500.
And Drake Bell has talked about not getting residuals during his interview on The Sarah Fraser Show :
... at my age I didn't know that 50% of my money was going to taxes. And that 10% comes out for my agents and 15% for managers. I mean I knew but you can't calculate in your head. So he was putting in my brain, "you know Drake you should be rich like you did a commercial that you should have had $250,000 from that. And that your dad's stealing your money. I mean look how much it happens in Hollywood ... on The Amanda Show I mean we weren't making after taxes, management, agents. You know we weren't making crazy amounts of money. We didn't get residuals on Drake and Josh. And we didn't get residuals on the Amanda Show. So we're really hung out to dry.
submitted by wiklr to QuietOnSetDocumentary [link] [comments]


2024.05.09 04:16 SuccessfulHawk503 Isn't there a class act lawsuit against taco bell for these subpar crunch wraps? Yet 2 posts in 24 hours of people expecting more than what they are being sued for?

Discuss
submitted by SuccessfulHawk503 to tacobell [link] [comments]


2024.05.09 03:57 kworkymiss ALR's video "What I ate today off track takeout edition" recap

Sorry gorls I don't see a megathread for this video yet so I will just post my recap here. Will try to keep all opinions in parentheses!
(Thumbnail is looking extra hexagonlynn today <3)
Goodbye.
submitted by kworkymiss to Amberverse_Freedom [link] [comments]


2024.05.09 02:47 Born-Beach I AM HAPPY

I say it into the mirror, brows furrowed and mouth pulled into a tight smile.
“I am happy.” My fingers clutch the edge of the bathroom sink, and a muscle twitches near my eye. Something tugs at the corner of my mind. A thought, maybe. It’s tempting me to peek at it, begging me to acknowledge it and push it out into the light of day, but I can't.
I won't.
My mother calls me from the kitchen. “Are you ready for school?”
“Yes,” I call back. “I am.”
I take another few moments to stare at myself. I burn the image of how happy I am into my memory, just in case I start to forget.
It’s a big day, after all.
The car chokes and sputters as it makes its way to school. I’m in tenth grade and I have no idea what I want to do with my life, but I know that’s okay. It’s normal. Nobody does.
Except for Maggie Taller, and Suhky Raj, and David Cho, and Adam Wallace. They’re going to be doctors and engineers and carpenters and drug dealers. They’re going to be happy.
We pull into the school parking lot. The van spits out a plume of smoke the size of Jupiter. Once the pollution clears, I open the door and look out over a sea of faces. Some of them are staring back at me. Some of them are snickering. One of them is Maggie Taller, and she’s waving—all red curls and dimples, so I wave back. My stomach does a frontflip.
“Have a good day,” my mother says. I look her way, and her face lights up with an expression that resembles a smile, but it’s not. There’s not enough play in her cheeks. She forgets to engage her eyes.
“I will,” I reply. I use the same smile that I practiced earlier. It’s much better. When I look back to the steps, Maggie is gone, and my stomach settles.
I lurch out of the car. “Honey…” my mother says. She reaches a hand toward me but stops short, almost as if she's worried I might snap at her or bite it off. She stares at me. "Things will get better for us, you know."
I close the door. The car leaves, backfiring as my mother runs the stop sign and nearly collides with an oncoming pick-up truck. It’s okay, though. Nobody is hurt.
I am happy.
The mutters follow me to my first-period English class. The voices are hushed, but loud enough that I can hear them. It’s intentional. It’s by design.
“... walks like a goof.”
“... saw him staring at Maggie’s ass.”
“... smells like a dead animal.”
“... we’ll get him after school.”
I listen to Mr. Yu discuss the significance of metaphor in literature. He spends the hour comparing Animal Farm to Twilight, and demanding why we waste our time reading the latter. He says it’s dumbing us down. He says it’s a problem. I’ve never read Twilight, but I smile and nod all the same.
He asks me to define the word ‘metaphor,’ and I do my best, but I get the answer wrong. Somebody laughs. Why wasn’t I listening earlier, I wonder. What’s wrong with me?
“... what a dumbass.”
I am happy.
At lunch, I get a table to myself. It’s good because it means I have personal space to come up with ten different metaphors for Mr. Yu.
The cafeteria is loud. Too loud. I try to focus on my paper and pen, and I scratch down my favorite metaphor to get started: It’s raining cats and dogs. I look at it and smile. It makes me think of my sister before the horror took her.
I wonder if it will take my mother too.
The other examples don’t come easily for me. My eyes scan the definition of 'metaphor' over and over, but my mind draws a blank. I can’t think. I can’t focus. I wonder where Maggie is sitting today.
A folded piece of paper lands on the table in front of me. I look up to see where it came from– to see who dropped it, but I can’t tell. There are too many people moving around, too many faces swimming, and too many voices drowning my concentration.
I unfold it.
There’s something written on the inside, hastily-scribbled and messy. It says, “YOUR DEAD,” in pencil-gray. A stickman is lying beneath the words, surrounded by three other stickmen. They’re stepping on him. Kicking him. Red pen strokes paint the page haphazardly, trailing from the crying man on the ground. I look closer. The other stickmen are smiling. They’re happy.
Something pulls at the edge of my thoughts. I ignore it.
The bell rings, and school is over. I gather my things and pull my backpack up and over my shoulder. It’s heavy and awkward. It takes me three tries to get it right.
Today is a big day.
I make my way from the school grounds, over the hill that leads to the forest path that runs along the little creek. I make my way home. My arms are tired by the time I get over the hill, but that’s okay. It just means I’m getting stronger. All the work I’ve been doing in the forest is going to pay off.
Voices follow me. I recognize some of them.
“... pervert is gonna get what’s coming to him.”
"... believe it when I see it."
"... heard Maggie moaning about wanting what's inside of him."
"... fuck you."
The forest is full of people. There are joggers and people walking dogs. A homeless man asks me if I have any change, and I say that I’m sorry, but I don’t. He tries to spit on me but misses.
“... a liar. Gimps like you make bank off disability checks.”
My arms get sore by the time I’m halfway through the forest. I take the same shortcut I usually do, the one that runs by the creek, and there are fewer joggers and dog-walkers. I get nervous, but the babbling sound of the water helps me relax. Today is a big day.
“... I’ll kill him. Watch me.”
“... yeah, right. He’ll be fucking Maggie before you ever get the balls to.”
“... we’ve only been dating two weeks. I’ll fuck her.”
“... not before him.”
Footsteps approach from behind. It sounds like three people and one more in the distance. I don’t see them, but I know them. I know their smiles. I know they’re happy.
A fist connects with the back of my head, and I fall forward, losing control of my crutches. My face smashes against the pavement and my vision swims as pain explodes across my cheek. I taste something in my mouth. Blood. I try to push myself up but my legs aren't cooperating. They're hardly moving. They're useless.
“Crippled fuck!” a voice shouts. It’s Adam Wallace. He's working himself up. “You thought I'd let you get away with staring holes into my girlfriend’s ass?"
I try to say something, but a foot steps on my backpack, and I’m pressed to the ground. The wind’s knocked out of me. I can’t breathe. Shoes connect with my face, one after the other. There’s laughter in the air. A sneaker finds my nose and there’s a crunching sound, and suddenly I can’t stop screaming as warm fluid spills down my face, cascading over my lips. I sputter and whimper. My eyes well up.
“... somebody will see us.”
Hands grab my limp legs. I’m being dragged backward, off of the cement path, and deeper into the forest. I call out, and somebody stuffs a ball of cloth into my mouth. It reeks. It tastes like sweat and filth.
“... bet you wish that was Maggie’s panties, you perverted shitstain.”
I close my eyes. I try to smile. I am happy. I am happy. Tears slip down my cheeks, and something tugs at the edge of my thoughts. I ignore it. I have to.
It takes ten minutes to get to where we’re going. The skin on my elbows is split and torn, caught on too many rocks and roots. They let my limp legs drop with a dull thud. I’m hyperventilating. It’s hard to breathe with the jockstrap in my mouth and a broken nose. There’s death in the air.
I’m rolled onto my back, and I feel my backpack shift against my spine. It’s uncomfortable, but not half as uncomfortable as Adam Wallace wrapping his hands around my neck and strangling me.
“... he’s actually doing it.”
“... I thought he was just fucking around.”
The trees above me fade with the air in my lungs. I gasp and sputter, but there’s no air to breathe and I’m not strong enough to pry his hands from my throat. He leans in close, his lips pressed to my ear. “You think I'm gonna let you cuck me?” he asks, and his voice is dipped in cyanide. “I warned you to stay the hell away from her.”
“... taking too long.”
“... use this.”
I hear the sound of a switchblade opening. The hands around my neck let go, and I take in a lungful of air. My heart hammers in my chest. I try to move, instinctively, and crawl away, but somebody grabs me by my backpack and drags me back.
“... there’s something in there.”
“... open it.”
Four arms wrestle the backpack off of me, and I groan in agony as somebody presses my broken nose into the dirt. I protest but it’s muffled by soil. Nobody hears it. Nobody cares. I hear my knapsack’s zipper being undone, and my pain is washed away and replaced with terror. My body seizes. I forget to breathe.
The moment lasts a lifetime. I know their words before they ever speak them.
What the fuck?
I hear the sound of a backpack hitting the forest floor, and things spilling out of it. I hear gagging. Retching. I hear footsteps stumbling backward. Soon, their shock will be replaced with anger. Rage. Something tears at my mind. It’s crashing against it. Demanding it’s time in the light and roaring at me to stop being such a coward and do something about this. I slam my eyes shut. I can’t. I won’t.
I am happy.
“... filled with dead animals.”
“... he’s a fucking psychopath!”
Hands grip the front of my t-shirt and pull me up from the ground. They’re shouting about the dead squirrel and the dead rat and the dead bird in my bag. A fist connects with my face. Blood hits the ground. Another fist. More blood.
“... what kinda freak collects dead animals?”
“... I'm gonna hurl.”
I open my mouth, and I don’t care anymore. The words come out like a broken dam. It feels good. It feels overdue. “Offerings,” I sputter. “They’re offerings.”
“... he’s lost it.”
“... offerings for what?”
I smile, and my teeth are slick with my own blood. “Offerings to cure me.”
Adam Wallace raises the switchblade, pressing the cold steel against my throat. I close my eyes. Something riots inside of me, throbbing against my skull. I push it back. Death is in the air. Rough hands grip my hair, and I wince as they lurch my head roughly to the side. Adam’s voice is beside me. It's up against my ear. “Offerings, huh? You think you’re some kinda fuckin’ witch, Hermione Granger?”
“No,” I say.
Something shifts in the trees behind Adam and his friends, and a figure steps out from the brush. I recognize them. They've been following us since we left the school.
Suhky recognizes them too. He tries to step in front of Adam and me, to block us from view. Words fall out of his mouth. He's giving them an explanation, maybe. A reason things aren't as bad they seem. He's interrupted by a horrible, wet-sounding jab. Then another. There’s a series of four slick rips, like a pen tearing through paper, or a knife cutting into skin. A gasp.
“... Jesus, Maggie!”
Adam clambers off of me.
“... what’s wrong with you?”
“... she fucking killed him, Adam!"
Suhky falls to the ground. I close my eyes. I am happy. Warm piss soaks the dirt beneath me, and my limbs tremor with anxiety. I am happy.
There’s the sound of panicked feet, but it’s going in the wrong direction. It’s running away from me. The person’s muttering and whimpering, and I think it sounds like Adam Wallace but I can’t be sure.
Somebody else is struggling now. Two voices dance together on my left, just past my vision. A boy and a girl. It's David Cho and Maggie. They’re grunting a symphony of dying breaths. I hear dirt shift and leaves crack beneath stirring footsteps, and the smack of limbs grasping limbs.
There’s another wet jab, and a body drops. David asks, why? Another slick rip. The knife's tearing into him over and over, and he keeps asking why. Why are you doing this? Why me, Maggie? I hear his skin split twice more, and the questions stop.
A girl steps into view, standing above me. Her hair is a wild red, and her face is speckled crimson, just like the knife in her hand. She reaches down, and I think she might help me up, but instead, she starts placing the dead animals back into my bag, one by one.
“You forgot the rabbit,” she says, and her voice is colder than winter. Her eyes appraise me but they're missing something. They're empty. “That demon will kill you, you know. Just like it killed your sister, and just like it'll kill your mother, too. You’re running out of time."
"I know," I say.
“Then give it to me.”
"I'm trying to."
She pouts her lips. Folds her arms. A doll hangs from her neck, and it's dressed in pins and needles and it looks like me. "I told you three offerings, didn't I?" She looks around. "I count two and a bag of roadkill."
Adam.
I have to roll over so I don’t choke on the blood spilling into my throat from my broken nose. “I can’t,” I cough. “I can’t catch him on crutches.”
“Then don’t,” she says with a sneer.
Something tugs at my mind. I close my eyes. I clench my fists. I want to scream and lose control, but I can’t because if that happens, then I’m not happy anymore. People I love will die. They always do. “Can’t you get him?”
“He’s too fast. Besides, the spell is specific. The final offering dies by your hand, or the demon can’t change hosts. Your nightmare doesn't end." Her mouth splits into a wide smile. "You don't have to kill him alone, though."
I stare at her, and I don’t have any words to fight back. She kneels next to me and runs a hand through my tangle of hair, gripping it painfully. She’s smiling, but she’s not. There’s not enough play in her cheeks. She forgets to engage her eyes.
"... now or never."
"... I can't."
"... sure you can."
I whimper as the knife plunges into me, again and again. There’s a ripping sound, followed by another, and another. I clench my eyes. I ball my fists. I am happy. I am happy.
The knife sinks into me once more, and this time Maggie fishes it around my stomach. It twists, and I scream. I thrash and roar. Something escapes. It pulls itself over my bones, wraps itself around my mind, and extinguishes my thoughts before whispering madness into my ears.
I am not happy.
And neither is it.
submitted by Born-Beach to Odd_directions [link] [comments]


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