as title says. I’m 19 and still fairly new to stagehanding. Ive done a handful of gigs and have an interview next week at a venue to stagehand there. do I need a resume? and what do I wear? Is this a professional outfit kind of deal or a clean but casual kind of business. I’ve gotten my previous stagehand gigs by word of mouth and I’ve never actually interviewed for anything like this. and any ideas of what to expect? I’m still pretty green and I just want to put my best foot forward 😅

Open to deals!
Prices aren't shipped. Everything comes with what you see, as shown. I tried to mention what thought was missing. Willing to make deals!
Just ask for more pics and for what they include!
Star Wars KOTOR Trio - Malek, Revan, Bastilla - $100
MCU Flashback Winter Soldier w/ Extra Older Heads form 1st release + random guns (couple are custom and flat) - $35
MCU Far From Home Spider-Man Panel-Lined w/ Homecoming Spider-Man head (As you can see panel lining is wearing a bit in some places) - $25
Apoc Wave Sabetooth & 2-Pack Brood Wolverine - $45
ASTV Spider-Man 2099 (have other hands) - $15
Walgreesn Lilandra Head (came w/ Mystique(?) + Staff (been broken before but glued, don't think can tell, definitely can't if painted, have more pics) - $15
Training Suit Wolverine Body (have hands) - $6 if buy something else. Otherwise, $10?
Marvel Select Rocket Raccoon - $15
Ehhh Custom Avalanche - $10?
Arkham Knight Robin - $25
3 Faces of Foley 3-pack - $65?
Diorama Pieces - 2 walls (not cut even), WWE Dumpsters (the 2nd one has lids inside of it, Crates, Chair) - $40? (No idea, dm me and we'll figure something out.)
DC Direct (I think) Green Lantern Alan Scott - $15 ($10 if buy something else.)
Custom body (Maybe NOTA or cheaper version? Really no idea.) as shown with custom clothes. (I guess shirt is supposed to be Robin, Pants too? NOTE: Shirt is bit torn in back, and pants have glue on them on back, shown in 2nd pic.) 2nd pic. 3rd pic. 4th pic. - $15 ($10 if buy something else.)
Mezco Netflix DD Head - $10 ($5 if buy something else.)
Gears of War Cole Head (Not sure if this is from Storm Collectibles figure or just a really good paint job. It looks too good to not be a wide release, but maybe it is a custom?) Pic 2 - $10 ($5 if buy something else.)
Feel free to ask any questions!

So I'm a big smell person, like, I care about how things smell. I've been using traditionally masculine shampoo and body wash for quite some time, though I often switched it up with gender neutral scents like Water Lilly, Jasmine, Green Tea etc.
Today I went shopping with a friend and we went to the drug store and I knew I had to get some new body wash because my old one was running out. So I stood there at the shelf (it was a small shelf, so masculine and feminine products were pretty close) and for the first time had that little thought that said "You know, you could just go for the feminine ones. Doesn't it make more sense for you?"
So long story short I got back from the store and just took a shower. My hair smells floral and fresh, got an energetic kick to it but still feels very soft, silky and flowy. My skin smells floral too, but more in a somber, earthy way with hints of rose, sandalwood and amber. And I feel fucking great in it!! It feels nice to think that this is what people get when they see me. A natural, youthful, earthborne goddess that's always down to chill and maybe smoke a fat blunt lol.
Additionally I got this perfume The Most Wanted by Azzarro which compliments this really well because it got this woody, gingery but also ambery smell to it and I'm so excited to wear it now!
I love that this combo is not so flashy, stereotypically girly but kinda androgynous and still very feminine coded. And most of all: it feels like me!
AAAAAH I just had to get this off of my chest. The next few days are going to be a blast. I want to go out and be noticed. Smell me, world! Smell this trans devil goddess! Lol.

She’s beautiful and very feminine. I feel so “boyish” compared to her. She’s built like a woman, is more into art than sports, wears flowy dresses frequently, has a cute, high-pitched voice, and even has something as trivial as perfect handwriting. I’m built more masculine, was always into sports, dress more “tomboy”, have a lower-pitched voice, and have sloppy handwriting. I also have a very opinionated, abrasive personality while she is light and soft. She has me beat in every aspect I can think of. I wish I was as pretty and girly as her. I have a hard time believing my husband thinks I’m as beautiful as her. She’s everything I wished I was before I met him. Beautiful green eyes and dark hair while I have blue eyes and dirty blonde hair. People say I should be glad we’re so different because then I know he truly wants me, but I honestly feel the opposite. She was a fun, wild, party girl while I was a introverted homebody. She was probably better in bed than me too. She even grew up with a sister while I had a brother. We’re just polar opposites. Why would he want someone so dull when he had someone so exciting? I’m so jealous of everything about her. It kills me.

2020 Nissan Pathfinder 4wd 64k miles
So on highway driving or rather any driving above 40mph, the car will make a grumbling sound/vibration in the brakes when braking. Only on the front drivers side.
Rotors are smooth, no warp and are in the green according to a shop.
New brake pads about a month ago and no uneven wear.
Calipers were sticking but greased them up a bit and now working fine.
tires are at 6/32s with no alignment issue (checked a couple months back)
What could it be? The tire shop I went to said maybe the bearings but what would cause it to fail so soon if it is that?

A long time ago, maybe in the early 2010s, I watched a cartoon about people playing a card game. In this game, they choose a monster card and a world to teleport into and start looking for each other, the game winner is whoever wins the fight. The main character has a black hair, grey shirt and wears jeans. He's in a team with another boy (orange hair,wears glasses, and has a green jacket maybe?) and a girl (Yellow hair, red top and black pants). Does anybody know the name of this cartoon?

Natsume Sakasaki has ruined my fricking life.
Everything was going good in life. I had a good grade in my school, I had recently just gotten myself a new car, it was all amazing. One day as I was cruising down the road towards my home, some butthole cut in front of me, causing me to miss my turn. Oh well, it’s fine, I’ll just take a little detour. Next thing I know, I was on an unfamiliar road near the coast. I was low on gas and getting hungry, so I was looking for places to stop. I passed by a place called “Yumenosaki Private Academy” a little while back, but the security there told me to screw off, so I kept driving. I eventually found a place to stop and got out of my car and read a sign called “Ensemble Square”. “God dammit” I say to myself as I realize I’m at some weird idol kid place and about to run out of gas and starving. Frustrated, I start walking around until it happened.
I laid my sorrowful eyes upon the most absolutely beautiful young man EVER! His beautiful flowing red hair with completely white streaks, his gleaming golden eyes shot right into my heart, the beautiful pentagram necklace hanging from his neck, the light blue uniform with the grey plaid pants…god he was so beautiful. My ugly ass immediately fell in love with him on first sight. Panicked, I tripped over the curb and fell to the ground, scraping my knee up. The pain however was drowned out by the burning love for that beautiful young man. I looked right into his eyes for a second and the pain evaporated. HE THEN APPROACHED ME AS IF IT WAS DIVINE INTERVENTION! His voice was like the sound of an angel, descending from heaven to save my sorry ass and my heap of junk car. “Ohhhhh! That loOKS like a nasty mess of a woUND, let me heal that for yOU~” he said. I was in awe. He twisted his fingers in a magical way and before I knew it, my wound was healed and my car had been refueled. I wanted to smooch him on the cheek right then and there but by the time I looked back up at his truly angelic face he was gone. I quickly yelled thanks and got back into my car.
The drive home was very euphoric as I had just seen a gift from heaven. The most beautiful man on the whole wide world. I had final exams the next day but I couldn’t sleep at all. I could not stop thinking about him. I went onto the school’s website and found his name. Natsume Sakasaki. I had to find him again. I had to date him. I had to be his.
The next day I failed my final exams because of sleep deprivation. However that did not matter to me anymore. My parents had called me a disappointment since day one so what did it matter? After school that day I got back in my car and parked outside Yumenosaki Private Academy. I waited for him to come out and when he did, my heart shattered into ten-thousand pieces. There was my love from heaven KISSING ANOTHER GUY! He was passionately kissing some dark blue haired glasses wearing motherfudger. My eyes turned red with rage. How could he claim MY gift from heaven?
I went home that night with a plan.
The next day, I set out again, however I didn’t go to school. I immediately drove all the way to the Suou residence. I threw some C4 at the doors and blew them clean off. Once they were gone, I moved in and went to hunt down the leader. After using a tranquilizer dart to make sure he couldn’t defeat me, I immediately stole all the money I could find and left, immediately dashing for the airport. After buying a ticket to Russia, I immediately got on a plane and set off. I came back 3 days later with 80 grams of enriched Uranium-235. Once I secured my funny glowing green ore, I built as many missiles as I could and started looking on the dark web for anyone with the name Tsumugi. Once I had located everyone with the name, I pressed the big red button and launched all my missiles. Explosions were heard all across Japan and the military came after me. I sped back to Yumenosaki Private Academy and saw him. However, instead of kissing me and giving me head pats, he fricking stabbed me. I woke up a few days later in prison where I am writing this from.
Overall conclusion: screw you Natsume thanks for ruining my life. Ilysm<3
[TLDR]: got lost while driving, met a beautiful man, saw him kissing another man instead of me, went crazy, took over a super rich and powerful clan, ended up nuking the whole country and got rejected.

Timestamp: https://imgur.com/gallery/EynJoiL
Hey Swappers!
I have two Protechs for sale to get to 25 flair. ALBUM: https://imgur.com/gallery/kQdtnG4
Massdrop x Protech Mordax Green Al Anodize 20CV - I am the original owner, this knife has been carried, but never sharpened! Has some snail trails and normal wear on the aluminum anodize. SV: 200
Protech Calmigo Tron 154CM - 2nd owner, was brand new when I purchased, I have not carried nor sharpened, has been flipped open a handful of times! SV: 105
Paypal Goods & Services Only!!

I wasn't planning on watching Thrice Upon A Time. I had not liked the previous films and they seemed like a very inferior product compared to the original anime. However, the good reviews and opinions I saw about it encouraged me to do so. I did it with as open and tolerant a mind as possible, knowing that there was a good chance I wouldn't like the film. "What's the worst that could happen? That I don't like it and continue to prefer the original series? At least I'll be entertained for two and a half hours," I thought. What I did not expect at all is the deep feeling of disgust and repulsion that this film provoked in me, in a way that no other film has provoked in years.
I hated the movie from start to finish. I could spend hours talking about the boring action sequences, about its ugly, excessive CGI that ruins the already ugly mecha, about its disgusting hypersexualization of fucking 14-year-old girls, about how Misato's plans don't make sense, about how Last Kiss almost made me tear my ears off, or its plot full of Deus Ex Machinas with concepts conveniently taken by Hideaki Anno from the place that his last name suggests; but the real reason I'm writing this is because I feel like these movies spit on everything the excellent original work represents.
Not only because as adaptations they fail miserably, but also because they retroactively damage the original work (we'll talk about that later).
Before I begin to explain why the rebuilds are bad adaptations, I want to warn that I am going to do a relatively exhaustive review of the 4 films, so this rant is going to be very long, like staying up late on a winter night with chronic insomnia. That said, let's start to see the reasons:
WHAT IS NEON GENESIS EVANGELION?:
To understand why rebuilds fail as remakes, I must first ask you, dear reader: What does Neon Genesis Evangelion mean to you? (it should at least be familiar to you, unless you've spent your life under a bridge) What do you think about when you read that title, apart from Shinji fucking in front of a comatose Asuka? What comes to mind when you hear the most famous opening in anime history, apart from Shinji strangling the otter against Happy Thursday's throat? (in more ways than one). If your answer is: "It's a mecha anime for emos with a coomer protagonist", that's fine, I respect that; but please press the red "X" in the top right corner of your screen, you can now leave.
Now, I'm going to get serious and explain my definition: Evangelion is a work about the hedgehog's dilemma and the difficulties of forming emotional bonds that human beings have, as well as the consequences of trying to separate from them for fear of rejection. It is not a story about heroes. It's not a story about saving the world. In Evangelion there are neither heroes nor villains, but rather a group of emotionally broken characters trying to be happy in a world just as broken as them. The real enemy of Evangelion is not the angels. It is the lack of communication and empathy.
https://es.wikipedia.org/wiki/Dilema_del_erizo
It is that same lack of communication and empathy that progressively causes everything to go to hell to conclude with a cathartic and bleak ending, but consistent with the themes of the work. It is therefore an existentialist work about human relationships disguised as a mecha anime. This, added to a unique visual style, daring direction, and mechas like never before seen on television, made Evangelion one of the most influential anime in all of history, as well as a true commercial success for Gainax Studio. Success that encouraged other studios to carry out projects such as Cowboy Bebop or Serial Experiment Lain, taking anime towards a new golden age.
Even today you can hear the echoes of that Third Impact of End of Evangelion in 1997. The list of works influenced by Evangelion both inside and outside of Japan is endless. Of course, it is not a perfect work, nor extensive in errors: its target audience is ambiguous, many of the biblical references are more for decoration than anything else, and several aspects of the ending(s) could have been explained better. However, many of these errors can be attributed to a lack of time and budget during the production of the original anime (which was quite chaotic and improvised); therefore, they are understandable and forgivable.
In summary, we can conclude that Evangelion is a dark, introspective, provocative and unique work (at least at its time). This is also combined with a unique visual identity and complex characters whose relationships intertwine and interconnect throughout the work. The sum of all these factors is what led Evangelion to be such a critically acclaimed work that it transcended its own genre and became an icon of popular culture. And this in turn constitutes the biggest mistake of rebuilds; because they commit the biggest sin that an adaptation can commit: denying everything that made the original work great.
ADAPTING WITHOUT A CLEAR PURPOSE:
One of the biggest problems with these remakes (as well as a clear example of what I'm saying) is their total narrative inconsistency. Let me explain: the first rebuilds movie (1.11) is a literal copy-paste of the first 6 chapters of the original anime, with practically the same scenes, dialogues and even music. This makes the film completely redundant and unnecessary (and makes one wonder why it exists); But in any case, the message is being conveyed that the purpose of these remakes is to adapt the original series as faithfully as possible to the cinema with a current animation style.
However, the second movie (2.22) is a... something. A pastiche of new and old things where the plot broadly follows that of the original anime, but with many things changed (of course, for the worse) and a different ending. All this compressing no less than 14 chapters of the original anime into two and a half hours. Here the message that one can infer is that it seeks to adapt the original story (very briefly) by changing and rearranging certain elements, now more in line with what an adaptation is.
However, then we get to 3.33 and... well, after a 14-year because reasons timeskip, we're now in a post-post-apocalyptic world (repetition intended) where ex-Nerv members fight against Nerv itself. Nerv in giant spaceships, there are mechas everywhere, Misato is a sociopath, and Shinji and Asuka still look exactly the same because "DAMN JEBA." Here we can infer that what is sought is to create a totally new story and take it in different directions than the original. The following movie (3.0+1.01) is the only one that is consistent with this purpose.
Whether all these narrative pirouettes were planned in advance or not (clearly not), we can see that there is a clear incongruity between what is intended to be done and what is finally done. All of this generates a strong narrative chaos where the elements and themes of the original anime are mixed with the new ones, creating a total inconsistency. Since also in 3.0+1.01 it is revealed (unfortunately to me) that everything is part of the same universe and this is not really a remake, the excuse of "they are different universes, they don't have to be the same" doesn't work either.
In fact, one thing that you will see me comment a lot throughout this article is the lack of narrative consistency of these remakes, especially in comparison to the original work.
A HEDGEHOG WITHOUT TICKS:
No character in Evangelion better embodies the central theme of the work than Shinji Ikari, its own protagonist. Shinji is not a hero: he is not brave. He is not a genius. He is not charismatic. He is not selfless. He doesn't want to save the world. His reason for piloting the Eva is to gain recognition and appreciation from others; especially from his father, whom he hates, but at the same time admires; He feels that she despises him, but he also wants (and needs) that she loves him. Shinji spends the entire series in the dilemma between escaping from what hurts him (classic avoidance behavior) or accepting it and moving on, even at the risk of being hurt again.
This theme is rock solid throughout the entire original series: from the first to the last chapter of the anime, and from minute one to the very end of End of Evangelion. Even the opening itself makes several visual references to Shinji's hedgehog dilemma. This can make Shinji an infuriating character for audiences accustomed to typical anime protagonists; but it's those same things that make Shinji such a unique and special character. He deconstructs and subverts the hero's journey. And it's not as if this hinders the plot: Shinji is not proactive, but he also does not spend the series crying, as many often claim.
https://files.catbox.moe/eolho0.mp4
https://es.wikipedia.org/wiki/Monomito
And as you may already be imagining, the Shinji of the rebuilds does not have a hedgehog's dilemma. Or rather, he has it, but only during the first movie (copy-paste of the original anime) and part of the second. This is a problem, because it creates a strong narrative inconsistency (again) where it seems that two Shinjis exist at the same time or that this one is bipolar. As of 3.33, Shinji's entire character arc is based on trying to redeem himself for his past mistakes first by unleashing "Almost Third Impact" (what a stupid name) and subsequently preventing Kaworu's death while trying to right said mistake.
Is this a bad thing? Not necessarily. The problem is that I have already seen the arc of the hero who fails to eventually rise up and succeed in 100 trillion works, while the hedgehog's dilemma in none more than in Evangelion (at least in my case). Which makes Shinji a much less interesting character. Some might argue that in 3.0 + 1.01 Shinji does have such a dilemma because he spends half the movie crawling on the ground; but there is not a hedgehog's dilemma, but rather depression for having seen Kaworu's head go KAWOOM (I know, the joke was very bad, but if he didn't do it, I would explode too).
End of Evangelion's Shinji did have such a dilemma because the reason for his depression was having been manipulated and used by someone he had previously opened up to and then forced to kill him, not for failing in his mission (in fact, he was very efficient in her mission to separate Kaworu's head from her body), which in turn brings sexual (and later, deadly) results for Asuka. I insist: narrative consistency. But this is not the worst: the worst thing is that at certain moments in these films, Shinji becomes the typical shonen savior hero, betraying the central point of his character in the original series.
https://youtu.be/E-x-f2OrWeA
A perfect example of this is the ending of 2.22, where the fight in chapter 19 (COINCENTLY from where the original anime starts to get more introspective) is transformed into a ridiculous shipping attempt, with Rei turned into a damsel in distress and Shinji into a savior hero while spouting all the typical cliché lines, topped off with a disgustingly cheesy ending. But of course, how could it end otherwise? With Shinji's Eva practicing cannibalism on Zeruel's corpse (the original scene)? Too disturbing for current times. Shinji and Rei fighting as a team to defeat him? Yes of course. Rei has enough not being in the kitchen. Besides, Asuka already takes care of that, hoping to receive her alpha male's cock as a reward.
https://youtu.be/TPS0Uk0TkP0
Because, like any good modern anime protagonist, Shinji now has a harem.
FETISHING WITHOUT CONTROL:
Of all the characters who are now part of Shinji's harem, the one who is most harmed by this is Rei (Asuka's case is different, and the other character is an infernal creation from Anno's sick mind). Not only because acting like a bitch in heat goes totally against her personality and because of the murky situation, considering that she is a clone of Shinji's mother, but also because her character is reduced to a mere fetish object that does things cute to produce tenderness in the viewer and make coomers buy their figurines.
Rei is an interesting character because he raises numerous existential questions based on the ship of Theseus paradox: the concept of identity, to what extent we can consider ourselves still ourselves, the construction and definition of a "self", etc. But here, her screen time piloting her Unit 00 is minimal (COINCENTLY most of it in 1.11) and her exploits are practically irrelevant or non-existent, also being reduced to a mere damsel in distress at the end of 2.22, as I said before.
https://es.wikipedia.org/wiki/Paradoja_de_Teseo
In 3.0+1.01 he doesn't even get to pilot an Eva. Her role in the film is to cause pity and produce tenderness with her total ignorance (I see that the idiot Anno forgot that all the Reis are born with basic knowledge) while she is seen with different hairstyles, different outfits, working as a farmer, taking care of a baby, etc. In short, a fetish object where she wants the public to value her for how "moe" she is instead of for her abilities or as a character. In Anno's mind, feminism advances in reverse. Ironic, considering that it was precisely Rei who unintentionally started the moe culture.
Of course, it goes without saying that Rei is not the only one who suffers from this extreme fetishization of her character in these films. Under the excuse of paying homage to End of Evangelion, Asuka now always wears an eye patch (needless to say it has nothing to do with having been injured there), a cap with cat ears, in addition to having a very convenient trend for the coomer public of walking naked and semi-naked through other people's houses. She sometimes puts on the plugsuit, but near the end of the movie, it is conveniently torn off, lest we forget that this is made by the Japanese.
One of the best examples of how this hareminication has destroyed the main female characters is in the elevator scene. In the original anime, Rei tries to advise Asuka in a time of particular vulnerability and depression. Rei's limited social skills, coupled with Asuka being Asuka, cause her to misinterpret the attempt to help as mockery and an act of condescension, triggering a slap from her towards Rei and a worsening of her already strained relationship and Asuka's mental state. Rei doesn't fight back because she knows that doing so would only make things even worse.
It is an excellent dramatic scene because it once again brings to the foreground the hedgehog's dilemma and the difficulties between human relationships, very much in line with what Evangelion is. In 2.22, this scene is gratuitously introduced and turned into two horny bitches fighting over which of the two will let their alpha male penetrate first, with a highly OC Rei stopping the assault attempt in a 100% gangsta way to make her see more "cool." The scene doesn't even make plot sense, because Asuka at that moment is not even depressed, and in the original anime this occurs at a much later time under a very different context.
and speaking of asuka...
SOMEONE CALLED ASUKA:
When I started watching these movies, I was afraid that Asuka's character had undergone modifications to make her more "palatable" to new audiences. What took me completely by surprise was how radically different this Asuka is from the original. So different that they can't even be considered the same character. To show it very clearly, we are going to review the personality of both:
Asuka from the original anime: An energetic and outgoing half-German, half-Japanese girl (actually it's 1/4, but who cares) who loves to be the center of attention and have everyone praise her due to the lack of parental love received during her childhood having been abandoned by her father and supplanted by her mother, who suffered from severe mental disorders. She is extremely proud and competitive because she feels that being Eva's pilot is the only thing that gives her an identity and purpose, which makes her tend to become quickly frustrated when things don't go her way and become defensive when she feels like she is being outmaneuvered. . He loves to make fun of others (especially Shinji), to the point of being cruel at times, but he does not do it out of malice, but rather to compensate for his enormous inferiority complex due to the rejection suffered by his mother and having witnessed her. committed suicide (and possibly even tried to kill her) the day she was chosen as Eva's pilot and came running to wish her a Happy Thursday. She admires Kaji and wants to fuck him because she hates her own adolescence, she needs to feel adult and independent due to suffering from a certain Electra complex for having lacked a true father figure during her childhood. She has a sweet and vulnerable nature, but she rarely expresses it to anyone except her best friend Hikari and I better stop this now because too much text.
Rebuild Asuka (hereinafter "Asuka"): A girl soldier created by Nerv as part of a series of clones who has always been alone and thinks she doesn't need anyone, although she secretly wishes to have a family. She hits and insults others for no reason, she yells a lot, never smiles or makes jokes, and hates socializing with others, which doesn't stop her from looking for Shinji's dick within 2 days of meeting him. She always plays video games while someone is talking to her and at night she talks to herself with a doll like an autistic person.
As we can see, these two characters not only look nothing alike: several of their traits directly contradict each other. Because they look alike, they are not even alike in aesthetics: the original Asuka had red hair and dressed in the traditional feminine way, while "Asuka" is light brown and dresses in a tomboy style (which I'm not saying is wrong, I'm just commenting to show the radical difference). It's not that they have changed Asuka: it's that they have directly murdered her to supplant her by someone with whom she only shares her first name (not even her last name). And needless to say, the change has been VERY for the worse.
To describe the first character, I had to spend 15 damn lines, and even then I had to leave out many important facets of his personality, his development in the original series and his entire character arc in EoE, because if I didn't have one endless bible For the second, 6 lines were enough for me, and I could have had more left over if I had been more concise. The first character is a complex and three-dimensional character, with multiple facets, edges and layers. She feels like a real person. The second character is a generic tsundere that you can find in any mecha anime of the week. She is not even comparable to the first; She's not even a good character.
We cannot speak of Flanderization because not even the most basic traits of the character have been respected. Nor can we speak of a deconstruction because that same absence of basic traits means that there is no character construction on which to stand in the first place. Obviously, this change greatly resents the interactions between characters: the original Asuka was a charismatic and fun character with the ability to drive the plot on her own (as soon as she appears in chapter 8 of the original anime she is already changing the entire dynamic between characters) , while "Asuka" is mostly only in the background or to fight; He doesn't even have a character arc as such. In fact, in 2.22 he has even less screen time than several supporting characters.
His chemistry with Shinji is also non-existent (and I'm not just referring to the romantic level) and they barely have any development together. They like each other here because... ehhhh... she likes how he cooks and he thinks she's hot? It's not that the AsuShinji (or ShinSuka, or whatever the hell it's called) here is forced: it's just that it doesn't even make sense. The only reason people still ship them together is because they did it in the 90s. Yūko Miyamura's performance also feels very lackadaisical and lacks passion, which is quite unlike her. Although perhaps this is intentional, since her character always talks as if she has the spear of Longinus permanently stuck up her rectum. In fact, the few times she says her iconic "Anta baka?" This one feels very forced, in addition to not having her characteristic high-pitched tone.
In short, the character has suffered the same fetishization as Rei (gamer girl, tomboy, one-eyed, etc.), but also with the aggravating factor that not even her basic characteristics have been respected here. This is especially disconcerting when we take into account that the rest of the characters have their original personalities more or less intact (albeit simplified). Even more disconcerting if we take into account that Asuka is possibly the most popular character in all of Evangelion, and even more so if we consider that she is Anno's favorite character (in fact, the initial idea was for Asuka to be the protagonist).
https://evaresources.wordpress.com/der-mond/
Given this, the inevitable question arises: "Why?" What was the point of turning Asuka into an inferior and tsundere copy of Rei, even more so when there are already three clones? It has always been rumored that Asuka is not popular in Japan, but that is completely false. The only semi-rational explanation I can think of is that they did it to please the haters. It's no secret that a portion within the Evangelion fandom (and outside of it) hates Asuka with a passion. They see her as someone toxic and cruel who dedicates herself to screwing others for no reason, without understanding that you don't have to like a well-written character.
https://imgur.com/a/KznXE1x
What these people fail to understand is that Asuka's verbal abuse is a defense mechanism to avoid opening up to others, since Asuka constantly says things that do not fit with what she really feels or thinks (clear proof is chapter 16 from the original series). It's not like it matters much, considering they were never more than an extremely vocal minority. That the character is so popular is proof of this. The great irony of all this is that the new "Asuka" is a much more unpleasant and detestable character than the original, since she lacks the redeemable qualities of the original and her moments of comic relief.
And if until now I have been more or less benevolent with this remake, this is something I cannot forgive: because changing a character just because a group of people doesn't like it is one of the most cowardly and pathetic acts in the world. that a writer can fall. The fact that this was also at the expense of one of the best female characters in the history of anime and with a wonderful story arc makes it even more bloody. Any other halfway competent writer would have responded with this.
https://youtu.be/5Js0ea6yPKM
...although if we go by Ockham's razor, the most likely explanation is simply that Hideaki Anno is mentally retarded.
A CHARACTER TO DESTROY A FRANCHISE AND BIND IT TO DARKNESS:
Mari Makinami Illustrious A.K.A María Iskariote (what an appropriate last name) is one of the worst creations ever made by humans. Not since the atomic bombs has humanity created something so horrible. Worse than the holocaust. Worse than fascism. Worse than Facebook memes. Worse than stepping on a lego. I would even dare to say that it is worse than pizza with pineapple. No character better reflects Anno's mental decline or better embodies all the problems of the current anime industry than this trash.
This character contributes absolutely nothing to the plot, he does not contribute at any time to its advancement, he lacks his own development or story, he does absolutely nothing relevant in the 3 films in which he appears, and he does not even have a defined personality. So much so, that all of her scenes could be eliminated or replaced by any other character and she would barely affect the plot, or not affect it at all.
The character is so frighteningly one-dimensional that she doesn't even show different emotions or moods during the three films in which she appears, always being perpetually happy and carefree even in tense situations for literally no reason. This leads to moments as surreal as her starting to sing and hum in scenes that are intended to be serious or dramatic (or so I think; perhaps what they wanted was to turn this into an unintentional comedy), again generating a gigantic narrative dissonance. The last third of 3.33 is the best example of this.
But that's not the worst: this character is clearly made for otaku coomers to masturbate to. She has almost every fetish possible: glasses/lenses (whatever they call it in your country), pigtails, miniskirt, schoolgirl, saying "nya", big tits, obsession with smell and tight outfits, etc. To make matters worse in 3.0 + 1.01 we discover that she is 48 years old, so we can also add the milf fetish. Evidently, her tits always bounce in her plugsuit (she would swear that never happened in the original series) and there are many close-ups of her ass. In addition to constantly making sexual advances towards Shinji, which also turns this piece of shit into a potential pedophile.
If the thing simply ended there, we could say that this character remains a mere annoying and unnecessary secondary character. Unfortunately, the character is also disruptive to the plot, occupying long filler scenes that do nothing more than waste time that is already scarce in a film, and that could have been used on something else more interesting; like Pen Pen watching TV, Pen Pen eating a sardine, etc. Without going any further, both 2.22, 3.33 and 3.0+1.01 begin with a long filler scene of her hitting on her. Well, to be honest, the 3.33 one is more Asuka, but this abortion is still out there fucking and singing.
It would not be an exaggeration to say that discussing why this character exists is much more interesting than any other debate that can be created about these films. I still think about it. However, the ending of 3.0+1.01 gives a good clue: the character was created solely and exclusively to stay with Shinji. I can only imagine that Anno made this tired of the fandom shipping and the arguments over who Shinji should stay with, so he decided to end the matter by creating his own ideal waifu with all the fetishes he likes in a woman to end it. with this. It's disgusting, but considering we're talking about a Japanese, totally possible.
It's surreal coming from the man who harshly criticized the use of anime as escapism and the excessive female objectification and sexualization in it, but it's the only semi-decent explanation I can think of. Basically, he is what is called a mascot character in literature. That would explain why this character never shows doubts, nor any kind of internal conflict, or why he is a better Eva pilot than Asuka and Rei themselves. It is also very revealing about the quality of the Rebuilds: creating a self-insert OC just to be the partner of the protagonist or another main character is the quintessential trait of all bad fanfiction.
However, among all this tsunami of disqualifications, I also have to say something positive: spending three movies giving hope to the shippers only to have Shinji be cuckolded simultaneously by Rei and Asuka in the last one and end up with a character with which had zero development (before 3.0+1.01 I didn't even know its name) is a true trolling masterclass, worthy of the best of ball pumpers. Only a true emperor of evil would have come up with such a twisted and at the same time perfect way to screw over a large part of the fandom. I give you my tens, Anno.
THE ANTI-UNIVERSE OF ANTI-NARRATIVE:
Of all the new concepts that Anno brings up at the last minute from the place named after his last name, none stands out more than the "anti-universe." Or, as I like to call it, the "anti-good writing." Basically because it perfectly represents all the problems of the rebuilds and their script. In the final stretch of 3.0+1.01 we have the last-minute revelation of a quantum plane of existence capable of turning imagined worlds into reality and changing this through Lilith, which cannot be understood by the human mind (wow, WHAT CONVENIENT!) and whose existence has never been mentioned or even hinted at in the entire franchise until CONCIDENTLY the aforementioned last third of the film.
In other words, a gigantic Deus Ex Machina created in an improvised way to avoid repeating End of Evangelion and forcing a happy ending where Shinji creates an ideal universe for each character (although that is questionable, as we will see later). And it is far from being the only one: the spear of Cassius, the Eva of Infinity, the key of Nebuchadnezzar, the Book of Life, and so on. None of these concepts are integrated into the plot in an organic and natural way, but rather they arise spontaneously at its convenience when it needs it. Except for the new "Super Berserker Mode" of the Evas, which is simply a power-up to sell figurines.
As I said before, if at least this were an alternate universe separate from the original anime, all this bombardment of concepts pulled out of the ass would be a little better justified. But the revelation that everything is a cycle and we are in the same universe as the original work only makes it even worse, generating countless inconsistencies about why they never mentioned this or never used that (what's the point of the seeds of life If you can create universes simply by imagining them?). Although without a doubt, the worst of all these new concepts is "the curse of Eve."
Here we have a new concept with very strong repercussions completely launched, which is not even an explanation in itself, it does not answer anything and to make matters worse, the same films contradict each other several times. Needless to say, this is a cheap excuse for the three main characters not to grow up and continue sexualizing 14-year-old girls after the most gratuitous timeskip ever seen. And speaking of timeskip, putting such a long one in the middle of the story is a first-time writing error. If you are writers, never do that: the bigger the time jump, the more things you will be forced to explain, since the less you do it, the more plot holes will form as a result.
And of course, here it explains little to nothing of what happened these 14 years. Like where Nerv got such a tremendous base from, if in 3.33 it seemed that together with Rei and Kaworu it was made up of four people. Or how they have gotten such an army of pseudo-Evas, especially when these are supposed to be extremely expensive (wow, and SEELE with all her unlimited resources was barely 9 in EoE). Or worse yet, how Kaji managed to stop Almost Third Impact (seriously, the name couldn't be stupider). None of these questions are answered at any time. Obviously because they can't do it.
Evangelion has always been characterized by leaving things up to the public's interpretation, but here I feel that they are vilely taking advantage of it so as not to have to give any kind of explanations. And in the case at hand, do not even pay attention to contradictions. Like Touji and Kensuke got on Unit 01 and that doesn't stop them from being 28 after the timeskip. Or that Mari appears to be 14 despite looking like an adult in Gendo's photos and flashbacks, plus the fact that Evas, by simple logic, could not exist back then.
The height of absurdity is when near the end of 3.0+1.01 the "unexpected" revelation occurs (actually we all saw it coming) that everything is a cycle and we are facing a reboot of the original timeline, of which only Kaworu seems to be conscious. He let them guess without giving them any clues how many times Kaworu mentioned or even hinted at such a thing in the original series. Needless to say, nothing is ever explained about it: Who created that cycle? (Adam? Lilith? The First Ancestral Race? Hideaki Anno's last name?) For what purpose? How does it work? How long does it last? Why is Kaworu the only one who remembers him? Do these remakes make sense?
THE DEATH OF A STYLE:
Fortress-cities folding in on themselves. Designs and constructions oscillating between the nineties, the utopian and the cyberpunk. Meshes of flesh and blood animated with the souls of the dead fighting with classical music in the background. A mysterious and ambiguous lore where aliens, technology and conspiracies mix with gnostic, cabalistic elements and the most esoteric aspects of Christianity (did the History Channel predict Evangelion?). Minimalist posters moving quickly between frames. Monochrome backgrounds flashing aggressively (bad luck if you were epileptic). So consistent with its themes that the A.T. fields themselves. They were an allegory of the hedgehog's dilemma (I'm not making this up, Kaworu himself says it in chapter 23).
https://imgur.com/a/2M0eDVK
The sum of all these factors is what allowed Evangelion to build an absolutely unique identity, the one that allowed people to say "hey, that's an Eva!". Starting in 3.33, all that is lost to disappear in 3.0+1.01 in favor of giant spaceships, mechanical mechas made of pure CGI, battles full of colored lights, multiverses and time loops. I'm not saying these elements are bad in and of themselves, but I've already seen a thousand mecha stories with these. For that, I start watching any of the versions of Gundam or Macross. I could also complain about the boring shots without audiovisual language and always using the same color palette, but to be fair, that is an endemic evil of current anime.
And like any bad remake, 3.0+1.01 can't help but pay homage to several scenes from the original work, completely failing to understand the point of said scenes. As an example, we have Ritsuko shooting Gendo for no reason other than to pay homage to End of Evangelion, ignoring that the context between both scenes is very different. Furthermore, here they never explain the relationship that exists between the two, so the scene makes no sense; especially for those who never saw the original series, who will also find mentions of facts that these films have never shown or bothered to explain.
Even worse is when they try to pay homage to the iconic battle between Asuka and the Eva Series. Not only because of the total absence of the graphic violence and choreography of the original, but because what makes that fight so remembered is its emotional component, since it is preceded by a narrative catharsis in which Asuka discovers that the Her mother's soul was always in Unit 02, in addition to being marked by the constant tension of knowing if she will be able to finish the fight before the Eva's energy supply runs out. Here the Evas never run out of energy (why do they need the power supply, then?), so there is no such tension.
In the original fight Asuka may not be shooting 1387945 Evas with a super cannon larger than her as she falls through an... interdimensional hole?; But there you feel every blow, you can appreciate every movement in detail, and the dramatic tension in crescendo only improves the result. If this were a shonen, the logical thing is that Asuka would win. After all, her character arc has been wrapped up in a climactic way. Unfortunately, this is Evangelion. When the Evas Series manage to cause a mortal wound with the pseudo-spear of Longinus and the energy counter reads zero, the outcome is already decided. What happens next is horrific (Asuka's enemies are cruel to her even after she is dead), and just as horrifying are Yūko Miyamura's screams and Miki Nagasawa's performance as Maya announcing that Asuka is dead. In the Rebuilds there are no performances anywhere near that level.
End of Evangelion will be as dark and uncomfortable to watch as you want, but it is a film where all those responsible put their souls into achieving the best possible result, both on a technical and artistic level.
and well, I think that for today I have already downloaded too much, an apology for the large amount of text, I will make a second part at another time because I have so many things to comment on... anyway, I hope you have a good day/afternoon/night or when you read this .

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A knock came at the door while Saphira was washing her hands in the basin.
“One moment!” she cried as she dried her hands on a nearby towel. She brushed her palms against her apron and made for the front door. Two familiar faces greeted her on the other side. “Espada! Goose! Come on in!”
Espada offered a curt nod and procured a bottle of dark wine from behind her back. “I know you’re avoiding the stuff, but Goose and I want to have a couple of glasses if you don’t mind.”
Saphira shook her head. “Not at all!”
“Thank you, thank you,” Goose sang as she skipped into Saphira’s home.
Saphira shut the door once they were all inside, then briskly returned to the kitchen, where two pots of stew cooked over her stove. She grabbed a mitten and cupped it over the knob beneath the pot, and pulled open the door. The fire was still going strong, so she nodded and shut it before setting the mitten back to the side.
“It smells delicious,” Espada said, taking a seat on the sofa.
“Thank you. It’s an old recipe of my grandmother’s. I hope you like it.”
“I’m sure it’s amazing.”
Saphira swung open a cabinet above her and plucked two glasses from within, holding them upside down with one hand. Years spent farming meant she had practiced hands, and she took great pride in her ability to accommodate friends and family. Grabbing a wine opener from a nearby drawer, thoughts of the last time she’d shared a glass with Matt pricked her tail. She strolled over to where Espada and Goose were sitting, cheerily humming as she gestured for the bottle of wine in Espada’s hand.
“It feels like it’s been forever since I’ve been here,” Espada commented, surrendering the bottle. “Keepin’ busy?”
“Every day is busy,” Saphira giggled as she set the glasses down. “Not that I mind it. I have excellent company.” She gestured to the crib against the back wall that Espada and Goose had built. Marie was happily playing with a few blocks that Goose had as a kitten. It baffled Saphira that Marie could already walk. Not that Marie could walk well just yet, but the fact that she’d picked it up so quickly and easily had Saphira wondering if she’d learned anything that early. “What about you?”
“Things are quiet lately, what with Matt and his Party gone. Demand for weapons and armor is low without ‘em. So I’ve been working the irrigation and home repairs lately.” Espada shrugged.
“Where’s Tabitha?” Saphira asked. Tabitha was a rambunctious woman, obsessed with dirt and everything beneath it. She had her heart set on being the one responsible for Junonia’s irrigation, and she worked as the village’s carpenter in her off time.
“We’re not sure, but she did mention checking out the other towns on Ni Island. Maybe she just got tired of this place.” Goose shrugged.
“It feels strange to take up her post,” Espada continued. “Not exactly my field of expertise. But it’s a living, and it’s oddly satisfying work. Besides, Goose is makin’ sure I don’t lose my touch.”
Saphira uncorked the bottle and set the opener to the side, blinking. “What does that mean?”
“It means you’re looking at a [Fighter],” Goose said with a toothy grin. “Been hearing all about Matt and his Party from Espada and the other girls, so I thought I’d make my own waves out there.” She emphasized the point by imitating an ocean’s current with her hands.
Saphira smiled. Ni Island wasn’t known for its plethora of adventurers. Most of them ended up calling it quits before Second Class—choosing quieter lives in tending to children, farming, cooking, or living off the land. She couldn’t think of the last time she heard of someone leaving Junonia. Well, except for Matt and his group. “Are you thinking of exploring outside the island?”
Goose shook her head. “Not yet. I’m thinking of hunting some small-time Encroachers for a few Bells. Espada’s been helping me.” She nudged Espada playfully.
Espada chuckled. “She has a good sword arm, so I’ve been teaching her in my off time.”
“Espada, you’re the best I’ve ever seen! You must’ve trained on Nyarlothep,” Goose said.
“Something like that.” Espada had always been tight-lipped about where she came from before she settled on Ni Island. Whenever she was asked, she’d shake her head and change the subject. If anyone pushed too hard, then she’d suggest they go on their way.
Saphira didn’t mind it so much, but she’d be lying if she said she wasn’t curious. Still, it wasn’t her place. She offered her own change of topic as she began to fill Espada and Goose’s glasses. “That’s so exciting, Goose!”
“It feels so good to train and Level. Don’t you think, Saphira?” Goose asked, leaning forward with eager eyes. She watched Saphira pour the wine, gripping the glass’ neck using her first two fingers and her thumb.
Saphira could hardly remember how long she’d dabbled in her Class after her choosing. Every catgirl selected a Class when they came of age, but it was a distant memory to her now. “A-ah… I admittedly don’t remember much.” She giggled and poured Espada’s drink next. “I know that I selected [Scout], though.”
“Huh. I would’ve figured you for a [Chemist] or a [Mage],” Goose said.
“I’d heard from Keke that [Scout]s were good at finding Encroacher parts, so I figured that I might become a leatherworker at some point,” Saphira said. She shook her head. “I’m not one for combat, though. I only ever reached Level 2.”
Goose nodded as she swirled her glass. “That’s our Saphira. Pure to the core.”
Saphira flushed and curled a lock of her hair around her finger. “Hardly.”
“You could charm the evil out of the Defiled,” Espada laughed before draining nearly half her glass.
Saphira wondered if Espada knew that wine was a bit different than ale. “That’s kind of you to say.” She could feel her cheeks growing hotter by the second. “I’m going to finish up dinner.”
By the time the food was ready to be served, Espada and Goose were laughing up a storm. Saphira set three hearty plates on the table, then strolled over to her daughter’s crib. Marie cooed and reached for Saphira’s finger, gripping it tight so as not to fall over.
“You’re so smart!” Saphira said in a high-pitched timbre. “It’s time for dinner!” She reached down and picked Marie up, cradling her in her arms as she approached the table in the living room. It was perfect for the occasion. She’d tried to share dinner with her daughter at the dinner table, but it had proven difficult with its height.
“Thank you for the meal,” Espada said with a nod. She’d finished her wine before dinner and didn’t seem any worse for wear. The same amount would’ve seen Saphira sleeping on the floor within minutes.
“Yeah, thanks!” Goose said.
“You’re welcome,” Saphira smiled as she took a seat across from Espada and Goose. Bouncing Marie on her knee, she plucked a fork from the table, skewered the steamed meozuna greens, and hovered the vegetable over Marie’s head. “Oh, look what I got you!” The kitten batted the air for her mother’s food, grabbing hold of Saphira’s wrist after the third attempt. Marie guided the fork to her mouth, nibbling on the soft veggie, and her tiny ears perked straight up. “Oh, what a good girl! Mommy’s little kitten is so smart!”
Goose and Espada watched with smiles on their faces as they picked at their food. Saphira continued to spoon and fork her food, sharing every other bite with Marie. To her relief, Marie was not a picky eater—Saphira’s mother had always liked to tease her about how fussy she was as a kitten.
“I can’t believe how fast she’s growing,” Goose commented while she wiped at her mouth with a handkerchief.
“I know, isn’t she beautiful?” Saphira glowed. “I love her with all of my heart and soul.” She and Marie touched foreheads, eliciting an excited coo from the kitten.
“It’s still so weird to me that Matt left,” Goose continued. “He’s such a…unique man.”
That was the perfect word for Matt. Saphira had never heard of a man traveling the other islands so quickly, nor had she ever heard of one working with the neighboring islands. It wasn’t unheard of, but she pined for Matt’s smile, his laugh, and his embrace. His presence brought so much hope and life to Junonia, and his absence was sorely felt.
Every day spent without him was another day Saphira spent worrying for his safety. As strong as he was, she feared that his kindness and consideration could bring him harm.
I hope you’re okay, Matt.
Espada snorted. “I can think of a few other words for him.”
Saphira guided another spoonful of potatoes into Marie’s mouth. “What do you mean?”
“We got off to a rough start.” She pushed her empty plate forward and leaned back against the sofa. “I was already pis—” She hesitated, glanced at Marie, then coughed into her fist. “I was in a bad mood that day. So I told him off when he tried to barter.”
Saphira gasped. “Espada!”
In a rare moment, Espada looked uncomfortable. “I work hard on my craft, and I wasn’t about to let him take advantage of me just because he was a man.”
“But they’re here to protect us.”
“I get that,” Espada said, her tone lowering, “I’ve just seen others who flaunt their influence, and I’m not okay with that.”
“I hope you apologized later.”
Espada blinked. “Sure. Yeah, I did.”
Saphira wasn’t quite sure if Espada was telling the truth, but she decided not to pry. “Well, it sounds like you’re on good terms now, then.”
Espada shrugged. “I think so. I gave him a few pointers when I had time.”
“You mean when it was convenient,” Goose jabbed Espada between the ribs playfully. “I know what those words really mean.”
Espada shook her head and rolled her eyes. “Sure you do.”
Marie grabbed one of Saphira’s bangs and pulled her closer. “Aauuooo?”
“Sweetie, you’re hurting Mommy,” Saphira said as she unhooked her daughter’s hand from her hair. She giggled and used her free hand to fix her hair. “You know, I’ve always wondered, Espada.”
“Hm?”
“What brought you to Ni Island? You know so much about weapons and armor, and you learn things so much faster than I would.” She tilted her head inquisitively. “Where did you learn?”
Espada didn’t answer immediately. “I used to work in Nyarlothep as a smith.”
“I knew it!” Goose cried.
A warning glance escaped the corner of Espada’s eyes. Goose quieted, and she continued, “I got tired of my work there and decided to come here instead.”
“A fresh start?”
“You could say that,” she said quickly. Her tone was flat and snappy. “I guess I just got tired of the politics and making weapons and armor for those who didn’t deserve them.”
“Well, I’m glad you decided to come to Ni Island,” Saphira smiled. This was a sensitive topic for Espada, that much she could tell. It was time to let the matter drop. What did it matter, anyway? “It wouldn’t be the same without you.”
Espada’s easy smile returned. “Thanks.”
The room was warm and comforting. As the conversation continued, Saphira eventually let Marie walk around under the condition that Goose sat on the floor with her. It was much easier to keep an eye on a curious kitten with multiple people. The three of them played with Marie, and when it was her bedtime, Saphira placed her daughter back in her crib and kissed her forehead.
“Thank you again for dinner,” Espada said. “It’s been a while since I had such a nice home-cooked meal.”
“You’re so welcome!” Saphira clapped her hands together. “We should do this again sometime.”
“I agree! Maybe next time I’ll bring the meat,” Goose said. “Fresh kill and all that.”
“As long as I don’t have to, well, prepare it.” Saphira swallowed hard. She couldn’t imagine being the one responsible for skinning and bisecting an Encroacher for food. She always left that to the butchers.
“Don’t worry. I could never ask you to do that.”
“Then it’s a plan!”
Espada and Goose waved their farewells, and Saphira shut the door behind them, leaning against its surface when they were gone. The room was quiet now, with only the crackling of the hearth and her daughter’s snores to keep her company. For a few moments, she couldn’t wipe the smile off of her face. She had the family she always dreamed of. Marie was every bit the blessing from Saoirse she imagined.
But the longer she stared, the longer she listened, the more empty the room started to feel. Her hands clenched into fists behind her, and her longing for Marie’s father heightened.
I wish you could see your daughter right now, Matt.
Espada Pro Tip: It was good to see you, Saphira. Don't be a stranger, okay? Let me know if your tools need maintenance.
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For a world inspired by medieval History with knights and vows and honor it has recently struck me as odd that there are no real chivalric orders. Sure, we have the Night's Watch whose men take vows of celibecy and swear oaths to protect the realm and we had The Warrior's Sons which was the Faith's own army
The Order of the Green Hand is the only one that I can think of which comes close to our real world examples of the Knight's Templers, the Hospitallers, the Teutonic Knights. Even so, these orders were religious ones that protected the Holy Land and Pilgrims so we also have examples of king-sponsored orders (some more honorary, some more militaristic) like the Order of the Fleece in France and the Order of the Garder in England
It's weird that the southern lords aren't members of knightly orders to improve ties, forge alliances and train

19A (left as O3) 2 years Ft Irwin
My mind often returns to Fort Irwin. Such stressful and exhilarating experiences are tied up there, that part of my mind will always be there.
11ACR had good people and bad. Lots of odd birds: i stay in for the insurance, my wife left me so my spouse is the big green weenie, im not disciplined enough for civilian life etc.... lots of broken emotional people.
I experienced the beginning of COVID at the base and it was amusing how little it affected regular operations... especially compared to the outside world.
Got out relatively unscathed, and am grateful for it. Never looking back to military life or the Army. Hopefully, we don't have a draft which pulls us to die E Europe or some the ME Sand Dunes/Mountains.
Anybody else from Fort Irwin or want to sound off?
Here's a joke: can't spell incompetent without NCO ^_, can't spell lost without LT.

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According to the manufacturer, taking Flexafen on a regular basis will help you achieve the following health benefits:-

• General leak prevention: Flexafen treats bone problems and increases collagen production to help prevent joint leaks. One of the most common issues that the elderly face is leaky joints, which cause friction between bones and create clicking noises during movement. It happens when the cartilage is deformed for some reason or when the bone has less synovial fluid. A variety of diseases and medical conditions can cause synovial fluid loss. Inflammation caused by a chronic bacterial infection can deplete synovial fluid. It protects the body from viral or bacterial infections.
• Improve immune cells: The formula contains a powerful soothing protein that aids in the maintenance of a healthy and disease-free body. An autoimmune disease is a type of medical condition that affects the body. When this happens, the bone cells in the joint become targeted and destroyed by the body's own cells. Immune cells and defence mechanisms must protect the body from any foreign invaders or infections. In this case, the immune system begins to attack and target the body's cells rather than protecting them, resulting in rapid bone cell loss.
• Promote joint health: Flexafen's natural vitamins and minerals aid in the production of synovial fluid, which is necessary for joint mobility and lubrication. Synovial fluid, in addition to maintaining a healthy environment, protects joints from infection. The joint becomes painful and uncomfortable as a result of the irritation and friction caused by the loss of synovial fluid. When two bones come together during movement, the synovial fluid between them maintains energy and protects against friction. Thus, this supplement keeps enough fluid between the bones to keep them from rubbing against each other as they move.
• Control inflammation: This blend contains potent antioxidants and anti-inflammatory properties, both of which are necessary for successfully controlling the body's inflammatory response. As a result, it aids in the reduction of discomfort and pain that is frequently caused by inflammation caused by movement. Furthermore, this wonderful treatment significantly reduces stiffness and edoema, effectively solving problems associated with limited flexibility.
• Reduce stiffness and joint pain: Numerous clinical studies have shown that Flexafen ingredients such as glucosamine, chondroitin, turmeric, and Boswellia are effective at reducing pain and stiffness. In a meta-analysis of randomised controlled trials, for example, glucosamine sulphate reduced pain and stiffness by 28% and 21%, respectively, when compared to placebo (23). Similar reductions in other important components were observed.
• Improves joint mobility and performance: Flexafen also aims to improve range of motion and flexibility while reducing pain. Lubricants such as glucosamine and chondroitin aid in the movement of joints. This benefit is supported by clinical evidence. After three years of research, researchers discovered that taking 1500 mg of glucosamine sulphate per day improved joint function and walking distance significantly.

Does anyone have any “forbidden similarities” between popular fragrances today and cheap fragrances they’d wear when they were younger? For me, some very popular fragrances I have smell like some Axe body sprays I’d wear in my early teens.
•Valentino Uomo Born in Roma Intense = Axe body spray Excite (purple/pink bottle)
•M. Micaleff GN Tonic = Axe body spray Twist (green/yellow bottle)

I'm looking for a Snape Centric fanfiction where a young snape ends up looking into the Mirror of Erised and sees himself looking handsome in a suit and Lily Evans looking radiantly beautiful in a white wedding dress underneath the moonlight,
Seeing his hearts most deepest desire Snape decides he wants to become a better person for Lily and engages the help of Narcissa Black and Regulus Black in creating a list of his faults so he can begin correcting them by ticking them off one by one. He ends up calling this ridiculously long list something stupidly long and corny like "Severus Snape's Most Amazing Transformation Plan Operation Moonlight Metamorphosis"
Two other things I remember about this Fic is that Lucius Malfoy and Narcissa Black are actually in love and trying to get a marriage contract put in place but Narcissa's Parents Cygnus and Druella Black (neé Rosier) don't really see the benefits of their marriage and want Narcissa to try courting Evan Rosier who's basically a chauvinistic pig and a 2nd or 3rd cousin.
Because of this Lucius ends up convincing Severus who is genuinely his friend to pretend to date Narcissa where they essentially are force to hold hands and kiss on the cheek in public as they pretend to court while Lucius Slowly wears down Cygnus for a love marriage contract. Severus agrees to scare Evan Rosier off with his magical prowess while Narcissa pretends to be his girlfriend all the while helping him fix his faults so he can win over Lily Evans.
The other thing that I remember about this Fic is that during one of the summers when Severus is at home in Cokeworth his drunken bum of a father finds him working out rather pathetically and essentially decides to train him army boot camp style by helping him work out and forcing him to eat more to gain muscle mass. Turns out Tobias Snape was a war veteran from Vietnam who suffers from PTSD and survivors guilt and that's why he drinks.
Another Scene involving Severus and I think Lily later on Severus gets poisoned I think and Lily not knowing what to do subconsciously apparates them to Tobias who is drunk but still puts together a homemade kitchen table blood transfusion. This is where he makes a remark about trying to keep them alive and surviving his haunted past.
PLEASE HELP ME I'M DYING TO READ THIS FIC AGAIN IT WAS ON AO3 PLEASE LINK IT IF YOU KNOW IT.