70's Alt Rock -King Crimson-Lark's Tongue In Aspic
80's Alt Rock - Talking Heads-Remain In Light
90's Alt Rock- Nirvana- Never mind
2000's Alt Rock-The Strokes-Is This It
2010's Alt Rock Tame Impala-Lonerism
Alt Country -Wilco-Summerteeth
Alt Hip Hop-MF Doom- Mad villainy
Art Rock-Dark Side Of The Moon-Pink Floyd
Brit Rock- The Clash- London Calling
College Rock-REM-Murmur
Emo Rock-My Chemical Romance-Welcome To The Black Parade
Experimental Rock-Swans-To Be Kind
Goth-The Cure Disintegration
Grunge- Soundgarden-Superunknown
Hardcore Punk- Black Flag- Damaged
Heavy Metal-Black Sabbath-Paranoid
60's Hard Rock-Led Zeppelin I
70's Hard rock-Led Zeppelin-Physical Graffiti
80's Hard Rock- AC/DC-Back In Black
90's Hard Rock-Nirvana-In Utero
2000's Hard Rock-Queens Of The Stone Age-Songs For The Deaf
2010's ˙Hard Rock- Tool-Fear Inoculum
Indie Rock-Joy Division-Unknown Pleasures
Indie Folk-Big Thief-Dragon New Warm Mountain I Believe In You
Lo-Fi-Neutral Milk Hotel-In The Aeroplane Over The Sea
New Wave-Elvis Costello-This Year's Model
Progressive Rock- Tool- Lateralus
Punk- Ramones-Rocket To Russia
pop punk-Green Day-Dookie
Post Punk- Wire- Pink Flag
Shoegaze-My Bloody Valentine-Loveless
Blues-Nina Simone-Sings The Blues
Blues Rock-The Rolling Stones-Sticky Fingers
Avant Garde- Captain Beefheart & His Magic Band-Trout Mask Replica
Baroque Pop-The Beach Boys-Pet Sounds
Symphonic Rock-Moody Blues-Days Of Future Past
Comedy/Novelty album-Adam Sandler-They're All Gonna Laugh At You
Stand Up Comedy-George Carlin-Back In Town
Americana-The Band-The Band
Bakersfield Sound-Buck Owens-Best Of Buck Owens
Bluegrass-Old & In The Way-That High Lonesome Sound
Outlaw Country-Willie Nelson-Redheaded Stranger
Classic Country-Johnny Cash-Live At Folsom Prison
Country Rock- The Flying Burrito Brothers-The Gilded Palace Of Sin
Dance/Club-LCD Soundsystem- This Is Happening
Christmas /Holiday Album-Vince Gauralidi-A Charlie Brown Christmas
EMD/Techno-Burial-Untrue
Ambient-Brian Eno-Music For Airports
Electronic Rock-Radiohead-Kid A
Space Rock- Spiritualized- Ladies And Gentlemen We Are Floating In Space
Synthpop-Depeche Mode-Violator
Synthrock- New Order-Power, Corruption and Lies
Industrial-Nine Inch Nails-The Downward Spiral
Krautrock- Can-Tago Mago
Folk-Bob Dylan-The Freewillin' Bob Dylan
Folk Rock-Bob Dylan-Blood On The Tracks
Southern Rock-The Allman Brothers Band-At Fillmore East
80's Hip Hop-The Beastie Boys-Paul's Boutique
90's- Hip Hop Wu-Tang Clan-Enter The Wu-Tang (36 Chambers)
2000's Hip Hop-Outkast- Stankonia
2010's Hip Hop-Kendrick Lamar-To Pimp A Butterfly
2020's Hip Hop-Run The Jewels-RTJ 4
East Coast Hip Hop- Nas- Illmatic
West Coast Hip Hop-NWA-Straight Outta Compton
Southern Hip Hop-Outkast -Aquemini
Midwest Album-Kanye West-My Dark Twisted Fantasy
Trap-Travis Sott-Rodeo
Instrumental Hip Hop- DJ Shadow- Endtroducing....
Indie Pop-Belle And Sebastian-If You're Feeling Sinister
Noise Rock-Sonic Youth-Daydream Nation
Post-rock- Godspeed! You Black Emperor-Lift Your Skinny Fist Like Antennas To Heaven
Acid Jazz- Medeski ,Martin, and Wood -Shack-Man
Trip Hop -Portishead- Dummy
Gospel -Aretha Franklin-Amazing Grace
Christian- Sufjan Stevens -Illnoise
Jazz-Miles Davis-Kind Of Blue
Avant Garde Jazz-Ornette Coleman-Shape To Jazz To Come
Swing/Bebop-Art Blakey & The Jazz Messengers-Art Blakey's Jazz Messengers w/Thelonious Monk
Jazz/Fusion-Miles Davis-In A Silent Way
Jazz Rock-Miles Davis-Bitches Brew
Jazz/Funk-Herbie Hancock-Head Hunters
Jazz/Rap-A tribe Called Quest-The Low End Theory
Latin- Los Lobos-Kiko
Speed Metal/Thrash- Metallica- Master Of Puppets
Black/Death Metal-Deafheaven-Sunbather
Symphonic Metal-Haken-The Mountain
Glam Rock -T.Rex-Electric Warrior
Hair Metal-Guns N Roses-Appetite For Destruction
New Wave Of British Heavy Metal-Iron Maiden- Number Of The Beast
Sludge-Electric Wizard- Dopethron
Nu Metal-Korn-Korn
New Age-Popol Vuh - Hosianna Mantra
Pop-Prince-Sign O' The Times
60's Pop- The Beatles-Revolver
70's Pop- Carole King-Tapestry
80's Pop- Peter Gabriel-So
90's Pop-Madonna-Ray Of Light
2000's Pop-Madonna-Confessions On A Dance Floor
2010's pop-Robyn-Body Talk
2020's Pop- Perfume Genius-Set My Heart On Fire
Adult Contemporary- Billy Joel-The Stranger
Europop- ABBA- Arrival
Latin Pop-Ruben Y Seis Del Solar-Buscando America
Dance Pop-Dee-Lite-World Clique
Dream Pop- Mazzy Star-So Tonight I Might See
Power Pop- Weezer-Blue Album
R&B- Marvin Gaye-What's Going On
60's R&B-Aretha Franklin-I Never Loved A Man The Way I Loved You
70's R&B- Stevie Wonder- Songs In The Key Of Life
80's R&B- Janet Jackson- Control
90's R&B Album- Lauryn Hill-The Miseducation Of Lauryn Hill
2000's R&B- D'Angelo-Voodoo
2010's-R&B-Beyonce-Lemonade
2020's R&B- SZA-SOS
Disco-Donna Summers-Bad Girls
Doo Wop- The Chantels- We Are The Chantels
Funk-Funkadelic-Maggot Brain
Motown- Marvin Gaye-Let's Get It On
Neo-Soul-Erykah Badu-Baduizm
Psychedelic Soul- Curtis Mayfield-Curtis
Soul-Aretha Franklin-Lady Soul
Reggae-Bob Marley- Exodus
Ska-The Specials-The Specials
Swing Revival-Big Bad Voodoo Daddy-Big Bad Voodoo Daddy
Rock N Roll-The Rolling Stones-Exile On Main Street
Acid Rock- Jimi Hendrix- Are You Experienced
Arena Rock-Boston-Boston
Cock Rock-Van Halen I
Math Rock-Slint-Spiderland
Stoner Rock-Kyuss-Welcome To Sky Valley
Jam Band- Grateful Dead-American Beauty
SingeSongwriter- Neil Young-Harvest
Surf Rock-The Beach Boys-Shut Down Vol II
Soft Rock/Yacht Rock-Steely Dan-Aja
Movie Soundtrack-Singles
Movie Score-The Good, The Bad, And The Ugly

I was shared this while on a thankfully civilized talk. Here's the link, but I'll clean up the original text to be more digestible, maybe alter a few of it.
https://www.reddit.com/AcademicBiblical/comments/1c5ucxj/response_to_sikers_analysis_of_homosexuality_in
Here goes

1. Siker seems to be offering a scholarly version of Matthew Vines' argument
It being "Paul can't be condemning what we think of as committed loving homosexual relationships, because he was thinking of bad things like prostitution or uncontrolled-lust homosexuality."
So, the idea is to claim that Paul's letters can't be enlisted to authorize contemporary homophobia since he wouldn't have known about the kinds of relationships gay Christians want to have now.
I appreciate the contemporary ethics of Siker's approach since homophobia is dehumanizing and harmful, but the idea that this approach inherently reflects "liberal leanings" (Siker's claim) ignores how plenty of liberals reject homophobia without trying to enlist and sanitize the Bible as support.
2. I disagree with the Innocent Paul claim as Vines postulated
It is true that Greek, Roman, and Jewish sources do not often feature something resembling "a committed loving queer sexual relationship," but this is where confusion often sets in; there must be a distinction between

• Whether such queer relationships were really nonexistent in Mediterranean antiquity and if writers were aware and
• Whether what's going on is that the dominant Greco-Roman sexual ideologies that shape our texts have no room for such relationships

According to dominant ideals, powerful men were supposed to actively penetrate those below themselves on the social and gender hierarchy; a man who delighted in being penetrated by another man was by relative definition effeminate, and thus not to be celebrated. Women loving and sexually engaging with other women meant they weren't being used by (the right) men, and thus Greek and Roman writers tended to disparage, ridicule, and reframe female homoeroticism.
But our texts aren't direct sociological data, they reflect and think with dominant sexual ideologies, which by definition erased/reframed divergent sexual and gender expressions. This is why the likes of Amy Richlin,[1] Bernadette Brooten,[2] Deborah Kamen and Sarah Levin-Richardson,[3] and Jimmy Hoke**[4]** have argued that even though our sources erase, reframe, and distort people who liked any non-normative sex and relationships in Mediterranean antiquity, they still existed.
Bottom line: Writers like Paul could certainly have been aware of queer sexualities and relationships that were not enslaved prostitution or pederasty. Folks like Vines and Siker unintentionally reinscribe the association between homoeroticism and pedophilia/sexual violence.
For what it's worth, everyone should read Richlin's article from 30 years ago. Doesn't matter whether you agree with all of her arguments, it's brilliant scholarship.
3. Corpus point of view
There's a related debate about whether our texts even have a category for something like sexual orientation or simply imagine sex via other grids like active vs. passive/penetrator vs. penetrated (e.g., see Craig Williams' excellent sketch of these paradigms in Roman literature**[5]**).
The most common scholarly opinion in terms of Greco-Roman antiquity gender-sex studies is that our sources don't reflect ideas like sexual orientation, so orientational categories aren't historically helpful for reading our texts.
Other scholars like Richlin and Brooten have critiqued these positions, though they still forcefully argue that our sources thought with overtly hierarchical patriarchal ideologies about sex, like penetrator and penetrated. This final point is something on which Richlin is often misrepresented, which is bizarre since she wrote one of the classic books for understanding such dominant sexual ideologies.[6]
4. Paul Romana
Romans 1:18-32's basic point is that Paul discussed the total moral failure of Gentiles by sketching their (feminizing) descent into being dominated by their passions, one of the resultant illustrations of the Gentiles being their domination by their passions through transgressing the gendered order, exemplified by Gentile men losing sexual control of "their women" (i.e., these men are failed men from this angle) and each other in 1:26-27 - an inversion of the normative sexual order.
Paul treated male-male anal penetration as a straight illustration of Gentile corruption and domination by their passions. It's part of his grander point that Gentiles became (effeminately) enslaved by their passions (see Stanley Stowers' classic articulation of this decline-of-civilization reading of Rom 1:18-32**[7]**).
The key issue here is that there's no literary reason to think he only had in mind enslaved prostitution or pederasty, ANY male-male anal penetration upended the normative gender order. If anything, he might have indicated elsewhere that free men penetrating (raping) their slaves (gender irrelevant) was okay since that use of slaves was acceptable within many moral schemes; Paul never objected to it, and some passages potentially align with treating enslaved humans as legitimate non-marriage sexual outlets (e.g., as argued by Jennifer Glancy**[8]** regarding 1 Thess 4:4's εἰδέναι ἕκαστον ὑμῶν τὸ ἑαυτοῦ σκεῦος κτᾶσθαι("that each of you know his own vessel to possess in sanctification and honor")).
5. Linguistic flexibility
There's no reason to limit οὔτε μαλακοὶ οὔτε ἀρσενοκοῖται of 1 Cor 6:9 to prostitution; "malakos" means "soft"/"effeminate." In Greek texts, it often does refer to men who are penetrated sexually - obviously effeminizing - but a man who was unrestrained or excessive in his penetrating of women is likewise an example of "effeminate" in Greek sources.
ἀρσενοκοίτης's meaning remains debated, but the etymological game of making it "man-bedders" is problematic; rather than get bogged down in this lexical discussion, the larger point regarding Siker is, again, that the issue of whether "committed same-sex relationships" are in view is irrelevant.
Paul listed effeminate Gentiles as those who will not inherit the kingdom of God; a male prostitute is by definition effeminate for these discourses, but so would a man in a "committed same-sex relationship" who is anally penetrated.
6. Futility
I don't get why "liberal-leaning" scholars think they can salvage a moral Bible by handwaving Paul's (what we can redescribe as) homophobia, even if all of Siker's claims were true, Paul's logic is entirely premised on reprehensibly misogynist gender ideologies that animate his other arguments, so even trying to save the dude from Those Two Bad Verses leaves you with the steaming animal manure that is said premise.
Hope this helps!
Sources
[1] "Not Before Homosexuality: The Materiality of the Cinaedus and the Roman Law against Love between Men," JHS 3 [1993]: 523-73
[2] Love Between Women: Early Christian Responses to Female Homoeroticism [Chicago: University of Chicago Press, 1996]
[3] "Lusty Ladies in the Roman Literary Imaginary," in Ancient Sex: New Essays, ed R. Blondell and K. Ormand [Columbus: Ohio State University Press, 2015], 231-51
[4] Feminism, Queerness, Affect, and Romans: Under God? [Atlanta: SBL Press, 2021], 27-37
[5] Roman Homosexuality, 2d Ed [New York: Oxford University Press, 2010] [6] The Garden of Priapus: Sexuality and Aggression in Roman Humor, Rev. Ed. (New York: Oxford University Press, 1992)
[7] A Rereading of Romans: Justice, Jews, and Gentiles [New Haven: Yale University Press, 1994]
[8] Slavery in Early Christianity [New York: Oxford University Press, 2002]

Maybe take apart some/all points or even tell me how to cope.
I thought Paul was that based guy for giving credit to those two women (Phoebe and Priscilla) and stated that people regardless of origin or gender or status were one in the big IM

I was shared this while on a thankfully civilized talk. Here's the link, but I'll clean up the original text to be more digestible, maybe alter a few of it.
https://www.reddit.com/AcademicBiblical/comments/1c5ucxj/response_to_sikers_analysis_of_homosexuality_in
Here goes

1. Siker seems to be offering a scholarly version of Matthew Vines' argument
It being "Paul can't be condemning what we think of as committed loving homosexual relationships, because he was thinking of bad things like prostitution or uncontrolled-lust homosexuality."
So, the idea is to claim that Paul's letters can't be enlisted to authorize contemporary homophobia since he wouldn't have known about the kinds of relationships gay Christians want to have now.
I appreciate the contemporary ethics of Siker's approach since homophobia is dehumanizing and harmful, but the idea that this approach inherently reflects "liberal leanings" (Siker's claim) ignores how plenty of liberals reject homophobia without trying to enlist and sanitize the Bible as support.
2. I disagree with the Innocent Paul claim as Vines postulated
It is true that Greek, Roman, and Jewish sources do not often feature something resembling "a committed loving queer sexual relationship," but this is where confusion often sets in; there must be a distinction between

• Whether such queer relationships were really nonexistent in Mediterranean antiquity and if writers were aware and
• Whether what's going on is that the dominant Greco-Roman sexual ideologies that shape our texts have no room for such relationships

According to dominant ideals, powerful men were supposed to actively penetrate those below themselves on the social and gender hierarchy; a man who delighted in being penetrated by another man was by relative definition effeminate, and thus not to be celebrated. Women loving and sexually engaging with other women meant they weren't being used by (the right) men, and thus Greek and Roman writers tended to disparage, ridicule, and reframe female homoeroticism.
But our texts aren't direct sociological data, they reflect and think with dominant sexual ideologies, which by definition erased/reframed divergent sexual and gender expressions. This is why the likes of Amy Richlin,[1] Bernadette Brooten,[2] Deborah Kamen and Sarah Levin-Richardson,[3] and Jimmy Hoke**[4]** have argued that even though our sources erase, reframe, and distort people who liked any non-normative sex and relationships in Mediterranean antiquity, they still existed.
Bottom line: Writers like Paul could certainly have been aware of queer sexualities and relationships that were not enslaved prostitution or pederasty. Folks like Vines and Siker unintentionally reinscribe the association between homoeroticism and pedophilia/sexual violence.
For what it's worth, everyone should read Richlin's article from 30 years ago. Doesn't matter whether you agree with all of her arguments, it's brilliant scholarship.
3. Corpus point of view
There's a related debate about whether our texts even have a category for something like sexual orientation or simply imagine sex via other grids like active vs. passive/penetrator vs. penetrated (e.g., see Craig Williams' excellent sketch of these paradigms in Roman literature**[5]**).
The most common scholarly opinion in terms of Greco-Roman antiquity gender-sex studies is that our sources don't reflect ideas like sexual orientation, so orientational categories aren't historically helpful for reading our texts.
Other scholars like Richlin and Brooten have critiqued these positions, though they still forcefully argue that our sources thought with overtly hierarchical patriarchal ideologies about sex, like penetrator and penetrated. This final point is something on which Richlin is often misrepresented, which is bizarre since she wrote one of the classic books for understanding such dominant sexual ideologies.[6]
4. Paul Romana
Romans 1:18-32's basic point is that Paul discussed the total moral failure of Gentiles by sketching their (feminizing) descent into being dominated by their passions, one of the resultant illustrations of the Gentiles being their domination by their passions through transgressing the gendered order, exemplified by Gentile men losing sexual control of "their women" (i.e., these men are failed men from this angle) and each other in 1:26-27 - an inversion of the normative sexual order.
Paul treated male-male anal penetration as a straight illustration of Gentile corruption and domination by their passions. It's part of his grander point that Gentiles became (effeminately) enslaved by their passions (see Stanley Stowers' classic articulation of this decline-of-civilization reading of Rom 1:18-32**[7]**).
The key issue here is that there's no literary reason to think he only had in mind enslaved prostitution or pederasty, ANY male-male anal penetration upended the normative gender order. If anything, he might have indicated elsewhere that free men penetrating (raping) their slaves (gender irrelevant) was okay since that use of slaves was acceptable within many moral schemes; Paul never objected to it, and some passages potentially align with treating enslaved humans as legitimate non-marriage sexual outlets (e.g., as argued by Jennifer Glancy**[8]** regarding 1 Thess 4:4's εἰδέναι ἕκαστον ὑμῶν τὸ ἑαυτοῦ σκεῦος κτᾶσθαι("that each of you know his own vessel to possess in sanctification and honor")).
5. Linguistic flexibility
There's no reason to limit οὔτε μαλακοὶ οὔτε ἀρσενοκοῖται of 1 Cor 6:9 to prostitution; "malakos" means "soft"/"effeminate." In Greek texts, it often does refer to men who are penetrated sexually - obviously effeminizing - but a man who was unrestrained or excessive in his penetrating of women is likewise an example of "effeminate" in Greek sources.
ἀρσενοκοίτης's meaning remains debated, but the etymological game of making it "man-bedders" is problematic; rather than get bogged down in this lexical discussion, the larger point regarding Siker is, again, that the issue of whether "committed same-sex relationships" are in view is irrelevant.
Paul listed effeminate Gentiles as those who will not inherit the kingdom of God; a male prostitute is by definition effeminate for these discourses, but so would a man in a "committed same-sex relationship" who is anally penetrated.
6. Futility
I don't get why "liberal-leaning" scholars think they can salvage a moral Bible by handwaving Paul's (what we can redescribe as) homophobia, even if all of Siker's claims were true, Paul's logic is entirely premised on reprehensibly misogynist gender ideologies that animate his other arguments, so even trying to save the dude from Those Two Bad Verses leaves you with the steaming animal manure that is said premise.
Hope this helps!
Sources
[1] "Not Before Homosexuality: The Materiality of the Cinaedus and the Roman Law against Love between Men," JHS 3 [1993]: 523-73
[2] Love Between Women: Early Christian Responses to Female Homoeroticism [Chicago: University of Chicago Press, 1996]
[3] "Lusty Ladies in the Roman Literary Imaginary," in Ancient Sex: New Essays, ed R. Blondell and K. Ormand [Columbus: Ohio State University Press, 2015], 231-51
[4] Feminism, Queerness, Affect, and Romans: Under God? [Atlanta: SBL Press, 2021], 27-37
[5] Roman Homosexuality, 2d Ed [New York: Oxford University Press, 2010] [6] The Garden of Priapus: Sexuality and Aggression in Roman Humor, Rev. Ed. (New York: Oxford University Press, 1992)
[7] A Rereading of Romans: Justice, Jews, and Gentiles [New Haven: Yale University Press, 1994]
[8] Slavery in Early Christianity [New York: Oxford University Press, 2002]

Maybe take apart some/all points or even tell me how to cope.
I thought Paul was that based guy for giving credit to those two women (Phoebe and Priscilla) and stated that people regardless of origin or gender or status were one in the big IM

I was shared this while on a thankfully civilized talk. Here's the link, but I'll clean up the original text to be more digestible, maybe alter a few of it.
https://www.reddit.com/AcademicBiblical/comments/1c5ucxj/response_to_sikers_analysis_of_homosexuality_in
Here goes

1. Siker seems to be offering a scholarly version of Matthew Vines' argument
It being "Paul can't be condemning what we think of as committed loving homosexual relationships, because he was thinking of bad things like prostitution or uncontrolled-lust homosexuality."
So, the idea is to claim that Paul's letters can't be enlisted to authorize contemporary homophobia since he wouldn't have known about the kinds of relationships gay Christians want to have now.
I appreciate the contemporary ethics of Siker's approach since homophobia is dehumanizing and harmful, but the idea that this approach inherently reflects "liberal leanings" (Siker's claim) ignores how plenty of liberals reject homophobia without trying to enlist and sanitize the Bible as support.
2. I disagree with the Innocent Paul claim as Vines postulated
It is true that Greek, Roman, and Jewish sources do not often feature something resembling "a committed loving queer sexual relationship," but this is where confusion often sets in; there must be a distinction between

• Whether such queer relationships were really nonexistent in Mediterranean antiquity and if writers were aware and
• Whether what's going on is that the dominant Greco-Roman sexual ideologies that shape our texts have no room for such relationships

According to dominant ideals, powerful men were supposed to actively penetrate those below themselves on the social and gender hierarchy; a man who delighted in being penetrated by another man was by relative definition effeminate, and thus not to be celebrated. Women loving and sexually engaging with other women meant they weren't being used by (the right) men, and thus Greek and Roman writers tended to disparage, ridicule, and reframe female homoeroticism.
But our texts aren't direct sociological data, they reflect and think with dominant sexual ideologies, which by definition erased/reframed divergent sexual and gender expressions. This is why the likes of Amy Richlin,[1] Bernadette Brooten,[2] Deborah Kamen and Sarah Levin-Richardson,[3] and Jimmy Hoke**[4]** have argued that even though our sources erase, reframe, and distort people who liked any non-normative sex and relationships in Mediterranean antiquity, they still existed.
Bottom line: Writers like Paul could certainly have been aware of queer sexualities and relationships that were not enslaved prostitution or pederasty. Folks like Vines and Siker unintentionally reinscribe the association between homoeroticism and pedophilia/sexual violence.
For what it's worth, everyone should read Richlin's article from 30 years ago. Doesn't matter whether you agree with all of her arguments, it's brilliant scholarship.
3. Corpus point of view
There's a related debate about whether our texts even have a category for something like sexual orientation or simply imagine sex via other grids like active vs. passive/penetrator vs. penetrated (e.g., see Craig Williams' excellent sketch of these paradigms in Roman literature**[5]**).
The most common scholarly opinion in terms of Greco-Roman antiquity gender-sex studies is that our sources don't reflect ideas like sexual orientation, so orientational categories aren't historically helpful for reading our texts.
Other scholars like Richlin and Brooten have critiqued these positions, though they still forcefully argue that our sources thought with overtly hierarchical patriarchal ideologies about sex, like penetrator and penetrated. This final point is something on which Richlin is often misrepresented, which is bizarre since she wrote one of the classic books for understanding such dominant sexual ideologies.[6]
4. Paul Romana
Romans 1:18-32's basic point is that Paul discussed the total moral failure of Gentiles by sketching their (feminizing) descent into being dominated by their passions, one of the resultant illustrations of the Gentiles being their domination by their passions through transgressing the gendered order, exemplified by Gentile men losing sexual control of "their women" (i.e., these men are failed men from this angle) and each other in 1:26-27 - an inversion of the normative sexual order.
Paul treated male-male anal penetration as a straight illustration of Gentile corruption and domination by their passions. It's part of his grander point that Gentiles became (effeminately) enslaved by their passions (see Stanley Stowers' classic articulation of this decline-of-civilization reading of Rom 1:18-32**[7]**).
The key issue here is that there's no literary reason to think he only had in mind enslaved prostitution or pederasty, ANY male-male anal penetration upended the normative gender order. If anything, he might have indicated elsewhere that free men penetrating (raping) their slaves (gender irrelevant) was okay since that use of slaves was acceptable within many moral schemes; Paul never objected to it, and some passages potentially align with treating enslaved humans as legitimate non-marriage sexual outlets (e.g., as argued by Jennifer Glancy**[8]** regarding 1 Thess 4:4's εἰδέναι ἕκαστον ὑμῶν τὸ ἑαυτοῦ σκεῦος κτᾶσθαι("that each of you know his own vessel to possess in sanctification and honor")).
5. Linguistic flexibility
There's no reason to limit οὔτε μαλακοὶ οὔτε ἀρσενοκοῖται of 1 Cor 6:9 to prostitution; "malakos" means "soft"/"effeminate." In Greek texts, it often does refer to men who are penetrated sexually - obviously effeminizing - but a man who was unrestrained or excessive in his penetrating of women is likewise an example of "effeminate" in Greek sources.
ἀρσενοκοίτης's meaning remains debated, but the etymological game of making it "man-bedders" is problematic; rather than get bogged down in this lexical discussion, the larger point regarding Siker is, again, that the issue of whether "committed same-sex relationships" are in view is irrelevant.
Paul listed effeminate Gentiles as those who will not inherit the kingdom of God; a male prostitute is by definition effeminate for these discourses, but so would a man in a "committed same-sex relationship" who is anally penetrated.
6. Futility
I don't get why "liberal-leaning" scholars think they can salvage a moral Bible by handwaving Paul's (what we can redescribe as) homophobia, even if all of Siker's claims were true, Paul's logic is entirely premised on reprehensibly misogynist gender ideologies that animate his other arguments, so even trying to save the dude from Those Two Bad Verses leaves you with the steaming animal manure that is said premise.
Hope this helps!
Sources
[1] "Not Before Homosexuality: The Materiality of the Cinaedus and the Roman Law against Love between Men," JHS 3 [1993]: 523-73
[2] Love Between Women: Early Christian Responses to Female Homoeroticism [Chicago: University of Chicago Press, 1996]
[3] "Lusty Ladies in the Roman Literary Imaginary," in Ancient Sex: New Essays, ed R. Blondell and K. Ormand [Columbus: Ohio State University Press, 2015], 231-51
[4] Feminism, Queerness, Affect, and Romans: Under God? [Atlanta: SBL Press, 2021], 27-37
[5] Roman Homosexuality, 2d Ed [New York: Oxford University Press, 2010] [6] The Garden of Priapus: Sexuality and Aggression in Roman Humor, Rev. Ed. (New York: Oxford University Press, 1992)
[7] A Rereading of Romans: Justice, Jews, and Gentiles [New Haven: Yale University Press, 1994]
[8] Slavery in Early Christianity [New York: Oxford University Press, 2002]

Maybe take apart some/all points or even tell me how to cope.
I thought Paul was that based guy for giving credit to those two women (Phoebe and Priscilla) and stated that people regardless of origin or gender or status were one in the big IM
I hope I chose the right tag

Hi all -- I'm the USC spouse seeking to adjust status for my immigrant wife. She is a DACA recipient and has been in removal proceedings. We married in 2020, applied for a standalone I130 per our lawyer's advice. We also petitioned the immigration review board to reopen her case and have a letter from an appellate judge dismissing the removal dated from fall 2022. Our priority date is from November of 2022, so we've been waiting a while. We've used a lawyer the whole time but opted to do the interview ourselves. We had previously petitioned the immigration review board to reopen her case and have a letter from an appellate judge dismissing the removal dated from fall of 2022. I'm going to mix up some info and leave the FO out because I don't want anyone doxed, but our interview went poorly. I've already reached out to our lawyer about it but would like to hear from others if they have any advice or commiserate on how awful uscis is.
The interview took close to an hour and was almost entirely about my spouses issues with immigration in the past. The officer seemed very confused on two points:
1) He essentially didn't believe us when my spouse explained that the reason her adjustment of status was denied years ago (roughly came here around 1992 and was denied around 2010) with her family was that she aged out. He kept maintaining that that was impossible and her age should have been frozen from when her dad applied. We didn't really know what to say except for like "yeah, we wish she had had her status adjusted then." They used lawyers and appealed but it stood and she was issued a deportation order -- only being stopped by DACA and the case being "administratively closed." We eventually moved past this disagreement with the immigration officer conducting the interview, but I'm unsure if he found the reason satisfactory. I'm not sure why this was such a prolonged part of the interview but it took quite a while. He made it seem like he couldn't approve us unless he knew the reason she was denied before but wouldn't accept the reason we provided. Eventually, he made my spouse sign a statement summarizing what happened and we moved on.
2) He said on his end that my spouse's removal proceedings were still showing up as active but that they were also showing up as dismissed. I don't remember the exact language he used though. He made it clear that he didn't know what to do. He said he would check with a more senior immigration officer and call us back that day to let us know if we needed to submit anything else or to let us know we are all good. I gave him my phone number. He didn't call us back.
3) We received a notice of interview results that was handed to us at the end of the interview. It just said that they were going to keep reviewing our case. After we got home, we noticed that it does not have my spouse's name. Instead, it has somebody else's name and A-number. I used the online chat with uscis and they say we should mail it back to the Field Office. A tier 2 officer is supposed to contact us within the next two days but I don't know what else to do. We certainly don't want the interview to "not count" or anything because of the officer's error.
Has anyone encountered anything remotely similar to this? I found my officer on linkedin and it looks like he just started a few months ago. I've emailed a similar summary to our lawyer and will wait for a response before doing anything.

I don't remember a lot of the game but the principal thing i have is that it have an isometric view and the most thing i remember do was place different blocks or something, maybe portals too. There were characters, when i materialize the image of them, i remember a man and a woman, both with some star trek like suit, the man had black hair and the suit maybe was grey. Behind the "isometric" playable map, the background i remember sometimes was black or space and now im remembering that it changes sometimes, for some reason the image of something like a sky with ¿bubbles? in there appears in my mind.
I used to play this in pc in a period when i was a kid (like 2005-2010) and used to play games on an cd emulator so maybe it was between there? i don't know, sry. If it was between those games in the emulator, the emulator had green pxelated letters and black background or something like that but i don't think this is relevant for the game finding.

Platform(s): Windows PC - I believe I played it on XP - specifically accessible through Windows Media Center. At least, that's where I always played it.
Genre: Isometric Action Puzzle Game
Estimated year of release: I believe 2000-2010 Almost certainly wasn't after 2010
Graphics/art style: The whole art direction was very pastel, "cutesy", and cartoony. Every level was made up of a grid of tiles, typically pastel yellow or pink. The camera always centered on your character hopping up and down around the level, with the tiles changing color as your little character hopped on it. I think the score and title was written with big bubble letters. Everything was clearly drawn with pixels but it wasn't 8 or 16-bit. The SFX were also very light cartoony - getting hit by an enemy would make a high pitched "oh" noise
Notable characters: There were many different enemies, but the only character I remember is the main character. You would play a purple little blob with purple ball feet, big black cartoon eyes and a sort of head stalk that ended in a bright yellow star that would swing back and forth.
Notable gameplay mechanics: The game was kind of like Q*bert but flat. Your main character would hop/bounce around on a grid of square tiles that make a sort of level floor - not a pyramid like in Q*bert - and as they hopped on each one it would change color. The goal of each level was to change all the tiles of one color to the other, like from yellow to pink, and avoid whatever enemies there were moving around the stage at the same time. You could play the game with the arrow keys, just pick a direction and your character would hop that way on each tile until you hit an enemy, changed direction, or fell off the stage.
Other details: I always played it through the Windows Media Center application - I would click on that and be able to navigate to a game section to play it. I don't believe it was bundled with it, I can find no information about any WMC bundled games online.

Hi I’m looking for some help. I sold my own car a 2010 vw with 92k on clock with 12 months mot to seller and just over a week later he text me saying that It was leaking fuel and had fragments from fuel pump in fuel filter. Eventually I got form him that the fuel filter had started to leak so his step dad had started to replace it and when he did there was some fragments in fuel filter.
I said to him that it was fine when he bought it and he looked under the bonnet and drove it and was happy when I sold it but that I would be willing to have a look at it if he brought it to me as I can fix it. He refused and just said he wanted his money back he was very rude and insinuating that I knew this and that I had deliberately sold him a car that had a leak.
He kept going on and on then said that there was some oil on top of engine too. Eventually I text him saying that I would not give him a refund and that he could fix it with the money that he had chipped from the price £100. I was so stressed and upset that I didn’t want to look at my phone infact I gave it to my parent for a couple of days. I then blocked his number and didn’t hear anything for a while.
Then yesterday I got a letter from him saying that I can’t ignore him and that the car was not fit for purpose and under consumer rights he demanded his money back he attached and letter for a garage I think it was his step dad garage as he is a mechanic too. Saying that it was no good because of fuel leak and fragments in filter and also that because one of the boost pipes on car was slightly oily it needed a new turbo which is completely wrong btw.
He says I have to reply to his letter he is willing to resolve this or if not he will take me to court over it. I’m stressing over this and it’s not doing my mental health any good please help I would just give him his money back but I’ve seen that people can change parts and then claim car is faulty and try to get you to take it back with faulty bits. Do I reply? And if so what do I say I just want it to be over so I can move on.
The car drove perfect when I sold it to him I wouldn’t have sold it to him if it had something wrong with it it feels like a personal attack

This is taken from and is copyright protected by globalsoup.net, a website that promotes flash Fiction with annual writing contests.
I am reprinting these Flash Fiction Prompts because they are outstanding ways to freewrite and offer plenty to work with for those who want to learn how to write Flash Fiction.
So check out these prompts and the article and work some of them into your journal! Post the best responses!
100 Awesome Flash Fiction Prompts - Plus Bonus Prompts!
We’ve put together 100 flash fiction prompts, each one designed for a very short story. These prompts will probably be best suited to a story of between 300-1,000 words. If you want to write a longer story using these prompts, you can easily expand these ideas to fit a story of any length.
What is flash fiction?
Flash Fiction is defined as a very short story that can be anywhere from just a couple of words to about a thousand in length. The beauty (and difficulty) of writing flash fiction lies in trying to tell a complete story in so few words. Great flash fiction is succinct, emotive, thought-provoking, and impactful.
What’s the difference between flash fiction and a short story?
The only difference between flash fiction and a typical short story is the word count. However, this scarcity of words means that writing flash fiction can feel like a completely new skill. Just like the short story is a different animal to the novel or novella; flash fiction is kind of unique.
When writing flash, you’ll need to use fewer characters, a simpler plot, and you’ll have to make each word count. This is why editing is so important. You have to be brutal. Cut out everything superfluous and really make sure each and every word is performing an important function in the story. If you’re interested in writing very short fiction, why not check out drabbles? Drabbles are stories of exactly 100 words in length, and they can be a great way to practice keeping your stories very, very short.
How to plot a flash fiction story
When you sit down to write flash fiction, you must begin by choosing an appropriate plot. You cannot simply use a short story plot and tell it using fewer words. A typical flash fiction plot is like looking at one part of a story under a microscope.
For example, let’s look at prompt #21 in our list of 100 Flash Fiction Prompts:

1. Two people on a sinking ship must decide who should take the last seat in the last lifeboat. If you were writing a novel about a sinking ship, you’d probably want the actual sinking to be the climax of the story. Of course, there are infinite ways to write a novel about a sinking ship, but this would structurally be the most obvious. You’d use the first part of the novel to introduce your characters and describe the voyage leading up to the sinking and the sinking of the ship would be the dramatic climax, leaving the last part of the book as the resolution.

The golden rule of writing short stories is to begin as close to end as you can. So, to turn the same story from novel to short story, you’d probably want to begin with the ship sinking. You haven’t got time to introduce the characters before the action begins, so you’d need to feed in exposition and backstory here and there during the events.
All stories need a good climax. So, you would find the most dramatic moment in the story and build up to it. Perhaps your climax would be the two main characters having to decide who will take the remaining seat on the last lifeboat.
Finally, you need a resolution. In a longer short story you do have time to bring in some kind of satisfying resolution at the end.
But, if you’re writing flash fiction and your story is only a few hundred words, you really need to zoom in on one tiny moment in that story.
You don’t have time to tell the entire story of a sinking ship, but you can turn one moment into a story.
We’ve chosen the lifeboat situation as the key moment in this hypothetical story. Two characters must decide which one of them will take the last seat on the last lifeboat. This is an appropriate plot for flash fiction because it’s simple, high-stakes, dramatic, and thought provoking.
Not all flash fiction will have a plot quite this dramatic, but all great flash fiction will have a plot that can be expressed in just one or two sentences.
If you have a plot in mind, but it seems more suitable for a longer story, you can sometimes find several flash fiction plots hidden within it. Just look for little stories within the story, like the lifeboat moment in our hypothetical tale of the sinking ship.
This brings us to our top tip for coming up with ideas for flash fiction stories:
if you’re ever stuck for ideas, you can find little stories within the story in books, movies, and TV shows. A full length feature film might have as many as 20 little incidents in it that could easily be flash fiction.
Don’t directly write a story based on the film, though. Just carefully pick out those little moments, write down what’s happening as a one or two sentence plot, and then use it to inspire your own, completely original flash fiction story.
One of our 100 Flash Fiction Prompts was actually taken from the movie Pulp Fiction!
How to write very short flash fiction
There are several reasons writers might start writing flash fiction. Of course, it could be that they just love and enjoy the form, but sometimes they’ll be a more strategic and practical reason at play.
Perhaps they want to practise the process of writing stories within the confines of a certain word limit. Maybe they are trying to develop a daily writing routine and they don’t have a lot of free time. It could be that they’re trying to break a habit of not finishing writing projects, or perhaps they are entering a flash fiction competition.
Whatever the reason, very often when we sit down to write flash, we must work under an imposed or self-imposed word restraint. We’ve set ourselves (or been set) the task of keeping the story under a particular number of words.
So, how do you plot a flash fiction story when you have to keep your story very, very short.
We’re not going to discuss stories of 100 words or fewer here. Technically, those stories are still flash, however, we prefer to categorise 100 word stories as drabbles and anything under 100 words as micro fiction.
But what if you have to keep your flash fiction story under, let’s say, 300 words? How do you write a flash fiction story that short?
The answer is: get your microscope out again. Remember earlier when we said writing flash fiction is like looking at part of a story under a microscope? If you have to write very short flash fiction, you’ll need to zoom in even further.
Let’s look at a couple of examples from our 100 Flash Fiction Prompts:

1. During a match, a young boxer must decide whether to throw the fight.

If you had 1,000 words to devote to the story, you could have time to tell the story of the entire fight. With only 300 words, it might be better to zoom in on the very moment when the boxer must choose whether or not to go down.
In a longer flash fiction story you might have time to go into detail about why he’s in this situation and why he’s so conflicted. In a 300 word story, you might only devote one or two sentences to his gambling debt and the large sum of money waiting for him if he goes down in the third round, as instructed.

1. A family must decide what to take and what to leave behind as a wildfire approaches their home.

If you had 1,000 words to devote to this story, you might be able to write about the whole process of choosing what to take and what to leave behind. You might be able to mention many different choices and have the whole family participate in the story. You’d be able to go into some details about certain choices and the stories behind individual objects or mementos, as well as the implications of choosing certain things over others.
With only 300 words, it would be advisable to zoom in on one member of the family and to focus on one profound and important choice.
How to write a flash fiction story
Now you have your mini plot, you still need to make sure your flash fiction feels like a complete story. It should still have a beginning, middle, and an end.
Just like a short story, you may need to bring in a little exposition here and there to give texture, context, backstory, and to bring some depth to the characters. But, unlike a short story, you won’t necessarily need to end with a full, detailed resolution. It’s quite common for a flash fiction story to end with a quick twist or plenty of ambiguity.
Flash Fiction is much more about eliciting emotions and provoking thought, than setting up and resolving a complex story.
100 Awesome Flash Fiction Prompts
A young ballet dancer chooses not to tell the other dancers in her troop about a loose paving stone outside their dance studio.
Two sisters realise they’ve both been on a perfect first date … with the same man.
On the car journey home, two parents realise they’ve left their child’s favourite teddy on a park bench several hours away.
A writer suffering from writers’ block looks for inspiration in a strange place.
Set 200 years in the future, a young man realises he’s too emotionally dependent on his robot assistant.
A young woman discovers she’s taken the wrong suitcase home from the airport. The contents of the case make her question her own life choices.
A murderer realises he has only 10 minutes to dispose of a body.
A child decides to walk home by themselves after their parent forgets to pick them up from school … again.
Your protagonist manages to talk the grim reaper out of collecting their soul.
Your protagonist suddenly realises they’ve been living in a simulation.
A young couple has chosen to spend the night in a haunted house to fix their marriage. Your story starts just as things get very weird.
Your protagonist finds a letter they wrote to themselves when they were a teenager.
Your protagonist must decide whether or not to drink from a fountain that erases all painful memories from the mind.
Your protagonist comes across a street called ‘Memory Lane’. They quickly realise the name is eerily apt.
A bride finds out something startling about her future husband an hour before the wedding.
Your protagonist finds an advertisement for a company that promises everlasting youth.
A youngest sibling shows up at a family reunion they weren’t actually invited to.
Your protagonist finds a piece of paper with a spell on it. If they say the words out loud they aren't sure if something terrible or wonderful will happen.
Your protagonist is watching a jazz band play when they realise they know the drummer from somewhere — but where? It takes a whole song for them to figure it out.
Your protagonist must meet their ex for lunch to tell them they’re now engaged. It’s been just a few weeks since they split up.
Two people on a sinking ship must decide who should take the last seat in the last lifeboat.
During a match, a young boxer must decide whether to throw the fight.
Your protagonist must pack their belongings before moving to a new colony on mars.
A pilot realises they have lost control of their aircraft.
Your protagonist doesn’t want to attend their 100th birthday party — and for good reason!
Your protagonist gets stuck in a lift with their ex … 5 minutes after breaking up with them.
A child says goodbye to the fairies in his garden before moving to a new home.
Your protagonist saves someone’s life … and then wishes they hadn’t.
Your protagonist arrives at a blind date. They’ve been set up with someone they actually know a little too well.
Set in a dystopian future in which public displays of affection are banned, your protagonist faces an agonising choice.
An agoraphobic must face their fear in order to save something important.
Your protagonist must make her partner fall out of love with them. Both their lives depend on it.
Your protagonist is hiking with her small children, they come face to face with a grizzly bear and her cubs.
Cinderella and Prince Charming realise they got married too quickly.
A message written in graffiti on a bathroom wall has serious implications for your protagonist.
Your protagonist finds a bag, looks inside, and realises the owner might just be their soulmate.
Your protagonist has been seeing the same stranger everywhere they go for months. They finally decide to confront them.
A couple realise their relationship is over during the trip of a lifetime. They’ve been saving up for the trip for years.
A public debate sees two previously married people letting their private grievances come into their arguments.
Your protagonist plans their escape from a retirement home.
A couple realise their fundamental beliefs are at odds with each other.
An artist develops an obsession with drawing a next-door neighbour.
Your protagonist finds themselves trapped in a cabin with a group of hikers during a heavy snowfall.
An ice skater must face going back on the ice after a dangerous fall.
A couple must decide their plan for New Year’ Eve. They both have secret reasons for their choice.
A family must decide what to take and what to leave behind as a wildfire approaches their home.
Your protagonist is waiting for someone important at the airport. They begin to think that person isn’t going to show up … and then they realise why.
Your protagonist must find their way through a maze. What they find in the middle of the maze is the last thing they were expecting.
An actor waiting in the wings has forgotten his first line.
Your protagonist is wrongly identified as a hero. Do they come clean?
Your protagonist realises their past is catching up with them.
Your protagonist overhears something that has serious implications for them while trying on clothes in a changing room.
Your protagonist is in a costume shop trying to decide what to dress up as for Halloween.
Your protagonist realises they’ve slipped into an alternate dimension.
A surgeon must make an impossible choice on the operating table.
A pregnant journalist interviews the mother of a missing child.
Your protagonist must ask his girlfriend’s father for his blessing, only to discover the father knows his deepest secret.
Your protagonist sees something on social media that will change their life forever.
Two work colleagues realise they’ve been dreaming the same dreams for weeks.
A reluctant daughter comes to terms with having to carry on the family business.
Your protagonist realises she must go on the run.
Two bank robbers disagree on their plan to rob a bank. This leads to a disastrous consequence.
A strange case of deja vous leaves your protagonist convinced of supernatural interference.
A sceptic begins to question their beliefs during a psychic reading.
Your protagonist uncovers a scandal at their workplace.
A hapless cook tries to recreate her late father’s favourite recipes in an effort to feel connected to him.
Your protagonist has a premonition that makes them certain they can’t visit their mother-in-law for Christmas. Now he must convince his husband.
A young backpacker discovers something unexpected in a cave.
An impulsive character and an indecisive character are brought together by chance. They must make an important choice.
Two characters cleaning up after a party discover an object that sheds light on something strange that happened earlier.
Two strangers are trapped together during a blackout.
Your protagonist must take a leap of faith in order to save something important to them.
Your protagonist discovers a huge part of their life has been a lie.
Your protagonist has set up an elaborate way to propose. Inexplicably, everything goes wrong.
Your protagonist must buy a dress for her mother’s funeral.
Your protagonist goes back to her favourite city in the world, only to find it has completely changed.
While stargazing, your protagonist realises the stars are forming secret messages in the sky.
Your protagonist hears a news story on the radio that will mean the world changes forever. However, she seems to be the only person who heard it.
Your protagonist is crossing a frozen lake. They see something under the ice that definitely shouldn’t be there.
A workaholic must come to terms with retirement.
An Olympic athlete must decide whether or not to report their teammate for doping.
A young mother feels isolated from her childless friends.
Your protagonist is about to realise their greatest ambition. Will it be everything they were hoping for?
Onboard a spaceship, a couple prepare to go into stasis for hundreds of years.
Your protagonist has an obsession with thinking about the past.
Set in a post-apocalyptic future, your protagonist meets an unlikely love interest.
Your protagonist visits a place from their childhood and realises their memories of that time might not be accurate at all.
A small child has decided to run away from home. Her parents watch on with amusement as she decides what to put in her backpack.
On a whim, a bus driver decides to radically change his route, much to the chagrin of his passengers.
Dystopian. A couple in love are only allowed to spend time with each other one day a year.
A shapeshifter begins to realise their powers are fading. They must decide what form will be the last one they take before they cannot change again.
The devil visits your protagonist with an offer on her soul.
Your protagonist suddenly has the ability to read minds. There’s only one place they want to go now!
Your very wealthy protagonist has designed a simple test to see who will inherit her estate.
An archaeologist discovers something that will change how we see the history of the world. It could be dangerous. Does he keep it to himself?
Your protagonist must clear out their late mother’s house. She discovers an incredible family secret.
Your protagonist is meeting his brother. They haven’t seen each other for 20 years.
Your protagonist develops the ability to see the world literally through someone else’s eyes.
Your protagonist starts to believe their partner might be a spy.
Your protagonist discovers a hidden camera in their living room.
Looking for a flash fiction competition? Check out our ‘Big List of International Writing Competitions!’ Looking for inspiration? Why not check out our list of the 20 Greatest Short Story Writers of All Time! Just received another short story rejection? Here’s our post about ‘How to Deal With Story Rejections’ Bonus Prompts! Two characters waiting by the side of the road realise they are both meeting the same person.
A woman loses her young niece in a busy shopping mall.
Three strangers must solve a riddle in order to gain entry to a secret club.
A poor woman must borrow ingredients from her neighbours to bake her husband a birthday cake.
A waiter finally finds out why an old man has been coming to the restaurant where he works every day at exactly the same time.
Two work colleagues must decide which of them is to take the blame for a terrible mistake at work.
Your disgruntled protagonist goes to confront the couple next door about the strange noises they’ve been hearing at night.
A family dinner party sees three characters make three very surprising announcements.
Two women argue over who should get to buy the last dress available in a store. How do they decide who should get it?
A young couple find out they knew (and disliked) each other vehemently as children.
Love writing stories? Register now for our free 7 Day Story Writing Challenges. Write a short story in a week, get extensive feedback on your entry, and compete for a prize of £500 in each round of the challenge. Register today!
Mastered the art of flash fiction? Now you can try submitting your stories to literary magazines! We’ve compiled a list of the best literary magazines that don’t charge a reading fee! Check out our Big List of No-Fee Literary Magazines.

edit: let's try this again I messed up the title on the first try sorry for the confusion!
70's Alt Rock -King Crimson-Lark's Tongue In Aspic
80's Alt Rock - Talking Heads-Remain In Light
90's Alt Rock- Nirvana- Never mind
2000's Alt Rock-The Strokes-Is This It
2010's Alt Rock Tame Impala-Lonerism
Alt Country -Wilco-Summerteeth
Alt Hip Hop-MF Doom- Mad villainy
Art Rock-Dark Side Of The Moon-Pink Floyd
Brit Rock- The Clash- London Calling
College Rock-REM-Murmur
Emo Rock-My Chemical Romance-Welcome To The Black Parade
Experimental Rock-Swans-To Be Kind
Goth-The Cure Disintegration
Grunge- Soundgarden-Superunknown
Hardcore Punk- Black Flag- Damaged
Heavy Metal-Black Sabbath-Paranoid
60's Hard Rock-Led Zeppelin I
70's Hard rock-Led Zeppelin-Physical Graffiti
80's Hard Rock- AC/DC-Back In Black
90's Hard Rock-Nirvana-In Utero
2000's Hard Rock-Queens Of The Stone Age-Songs For The Deaf
2010's ˙Hard Rock- Tool-Fear Inoculum
Indie Rock-Joy Division-Unknown Pleasures
Indie Folk-Big Thief-Dragon New Warm Mountain I Believe In You
Lo-Fi-Neutral Milk Hotel-In The Aeroplane Over The Sea
New Wave-Elvis Costello-This Year's Model
Progressive Rock- Tool- Lateralus
Punk- Ramones-Rocket To Russia
pop punk-Green Day-Dookie
Post Punk- Wire- Pink Flag
Shoegaze-My Bloody Valentine-Loveless
Blues-Nina Simone-Sings The Blues
Blues Rock-The Rolling Stones-Sticky Fingers
Avant Garde- Captain Beefheart & His Magic Band-Trout Mask Replica
Baroque Pop-The Beach Boys-Pet Sounds
Symphonic Rock-Moody Blues-Days Of Future Past
Comedy/Novelty album-Adam Sandler-They're All Gonna Laugh At You
Stand Up Comedy-George Carlin-Back In Town
Americana-The Band-The Band
Bakersfield Sound-Buck Owens-Best Of Buck Owens
Bluegrass-Old & In The Way-That High Lonesome Sound
Outlaw Country-Willie Nelson-Redheaded Stranger
Classic Country-Johnny Cash-Live At Folsom Prison
Country Rock- The Flying Burrito Brothers-The Gilded Palace Of Sin
Dance/Club-LCD Soundsystem- This Is Happening
Christmas /Holiday Album-Vince Gauralidi-A Charlie Brown Christmas
EMD/Techno-Burial-Untrue
Ambient-Brian Eno-Music For Airports
Electronic Rock-Radiohead-Kid A
Space Rock- Spiritualized- Ladies And Gentlemen We Are Floating In Space
Synthpop-Depeche Mode-Violator
Synthrock- New Order-Power, Corruption and Lies
Industrial-Nine Inch Nails-The Downward Spiral
Krautrock- Can-Tago Mago
Folk-Bob Dylan-The Freewillin' Bob Dylan
Folk Rock-Bob Dylan-Blood On The Tracks
Southern Rock-The Allman Brothers Band-At Fillmore East
80's Hip Hop-The Beastie Boys-Paul's Boutique
90's- Hip Hop Wu-Tang Clan-Enter The Wu-Tang (36 Chambers)
2000's Hip Hop-Outkast- Stankonia
2010's Hip Hop-Kendrick Lamar-To Pimp A Butterfly
2020's Hip Hop-Run The Jewels-RTJ 4
East Coast Hip Hop- Nas- Illmatic
West Coast Hip Hop-NWA-Straight Outta Compton
Southern Hip Hop-Outkast -Aquemini
Midwest Album-Kanye West-My Dark Twisted Fantasy
Trap-Travis Sott-Rodeo
Instrumental Hip Hop- DJ Shadow- Endtroducing....
Indie Pop-Belle And Sebastian-If You're Feeling Sinister
Noise Rock-Sonic Youth-Daydream Nation
Post-rock- Godspeed! You Black Emperor-Lift Your Skinny Fist Like Antennas To Heaven
Acid Jazz- Medeski ,Martin, and Wood -Shack-Man
Trip Hop -Portishead- Dummy
Gospel -Aretha Franklin-Amazing Grace
Christian- Sufjan Stevens -Illnoise
Jazz-Miles Davis-Kind Of Blue
Avant Garde Jazz-Ornette Coleman-Shape To Jazz To Come
Swing/Bebop-Art Blakey & The Jazz Messengers-Art Blakey's Jazz Messengers w/Thelonious Monk
Jazz/Fusion-Miles Davis-In A Silent Way
Jazz Rock-Miles Davis-Bitches Brew
Jazz/Funk-Herbie Hancock-Head Hunters
Jazz/Rap-A tribe Called Quest-The Low End Theory
Latin- Los Lobos-Kiko
Speed Metal/Thrash- Metallica- Master Of Puppets
Black/Death Metal-Deafheaven-Sunbather
Symphonic Metal-Haken-The Mountain
Glam Rock -T.Rex-Electric Warrior
Hair Metal-Guns N Roses-Appetite For Destruction
New Wave Of British Heavy Metal-Iron Maiden- Number Of The Beast
Sludge-Electric Wizard- Dopethron
Nu Metal-Korn-Korn
New Age-Popol Vuh - Hosianna Mantra
Pop-Prince-Sign O' The Times
60's Pop- The Beatles-Revolver
70's Pop- Carole King-Tapestry
80's Pop- Peter Gabriel-So
90's Pop-Madonna-Ray Of Light
2000's Pop-Madonna-Confessions On A Dance Floor
2010's pop-Robyn-Body Talk
2020's Pop- Perfume Genius-Set My Heart On Fire
Adult Contemporary- Billy Joel-The Stranger
Europop- ABBA- Arrival
Latin Pop-Ruben Y Seis Del Solar-Buscando America
Dance Pop-Dee-Lite-World Clique
Dream Pop- Mazzy Star-So Tonight I Might See
Power Pop- Weezer-Blue Album
R&B- Marvin Gaye-What's Going On
60's R&B-Aretha Franklin-I Never Loved A Man The Way I Loved You
70's R&B- Stevie Wonder- Songs In The Key Of Life
80's R&B- Janet Jackson- Control
90's R&B Album- Lauryn Hill-The Miseducation Of Lauryn Hill
2000's R&B- D'Angelo-Voodoo
2010's-R&B-Beyonce-Lemonade
2020's R&B- SZA-SOS
Disco-Donna Summers-Bad Girls
Doo Wop- The Chantels- We Are The Chantels
Funk-Funkadelic-Maggot Brain
Motown- Marvin Gaye-Let's Get It On
Neo-Soul-Erykah Badu-Baduizm
Psychedelic Soul- Curtis Mayfield-Curtis
Soul-Aretha Franklin-Lady Soul
Reggae-Bob Marley- Exodus
Ska-The Specials-The Specials
Swing Revival-Big Bad Voodoo Daddy-Big Bad Voodoo Daddy
Rock N Roll-The Rolling Stones-Exile On Main Street
Acid Rock- Jimi Hendrix- Are You Experienced
Arena Rock-Boston-Boston
Cock Rock-Van Halen I
Math Rock-Slint-Spiderland
Stoner Rock-Kyuss-Welcome To Sky Valley
Jam Band- Grateful Dead-American Beauty
SingeSongwriter- Neil Young-Harvest
Surf Rock-The Beach Boys-Shut Down Vol II
Soft Rock/Yacht Rock-Steely Dan-Aja
Movie Soundtrack-Singles

Bit of a weird one so bear with me.
In Aug 2010 my husband temporarily separated from his ex, he was sofa surfing, they agreed to give a month to see if the relationship would work out. During this month they still received joint tax credits, they paid bills and had joint liability for rent/ctax/utilities.
In Sept 2010 they decided the relationship would no longer be feasible. My husband rang tax credits and informed them they’d separated officially that day and they closed down the joint claim. His ex then contacts tax credits a few days later and claims they separated in Aug 2010 instead.
Over the past few years he receives a letter chasing him for ~£300 in tax credits overpayment. When he points out his ex gave a different separation date to the one he gave (and that he submitted his first) they agree and say he shouldn’t be responsible for someone else’s fraud.
He’s just received another today, how do we get this to stop permanently? We’d be happy to pay if this was a genuine overpayment but it feels like he’s being made responsible for someone else’s fraud (yes she intentionally gave the wrong date).

Here are the posts from the last week still marked as "Unknown." Please help identify them if you can!

Date	Title	Author
2024-05-08	[African> English] Flo me lah	u/Carl_is_Llama
2024-05-08	unknown to english	u/deon-vv
2024-05-08	[Unknown > English] looking to translate what is on this small piece of metal, possibly coin	u/Emergency-Fix1915
2024-05-08	Unknown > English	u/Delirious_solace
2024-05-08	[Unknown>English] Can someone translate this writing for me? Might be Arabic	u/Logical-Rise-1268
2024-05-09	[Unknown > English] Strange writing in my town. Bengali? Reddit please help!	u/Designer_Ad7620
2024-05-09	[unknown>english] pendant that was gifted	u/pizzamaje
2024-05-10	[Multiple languages > English] Can someone please translate this sentence? "tá an дайн on pakko tamat"	u/The_Dub_v
2024-05-10	[unknown>english]	u/Full_Mousse_8082
2024-05-10	Unknown > English Someone Yelled at me in a game	u/Optimal-Historian961
2024-05-10	[Unknown> English] Graffiti in Lithuania.	u/alaa2basi
2024-05-11	Unknown languages> English	u/Fit-Attention-1047
2024-05-11	Unknown > English	u/diogorocha_
2024-05-11	[Unknown > English] Looks like hindi or sanskrit to me, probably a mantra, but i couldn't find anything with a brief search(might be upside down)	u/Dezilious
2024-05-11	(Unknown > English) looking for some help identifying these 2 letters or numerals on this silver sugar bowl.	u/Sasquatchmess
2024-05-12	[Unknown > English] Google Translate Won't Read It	u/KiriChan02
2024-05-12	[Unknown > English] Found some paintings with those (manufacturer?) markings. Would appreciate to know what it says	u/THCheshko
2024-05-12	Unknown>English Ring w/ characters	u/Optimal_Ask_1066
2024-05-14	[ (Partially) Unknown > English ] Cabala from 1880's.	u/PerformanceVirtual64
2024-05-14	[Unknown > English] Something written on a car in what is perhaps a South Indian language	u/OldSeat7658
2024-05-14	Unknown > English	u/Big_Elephant_579
2024-05-15	[?>english]	u/Available-District47

Please make any identifications on the individual request pages.

Noticed a few things since bombshell games came out .... apparently way back in mid 2000s we were supposed to get a duke isometric game since then that game turned into bombshell... but there are some interesting things that I wondered about. and then became or scrapped it because of the lawsuit. but got me wondering are they connected at all? Citing the game's announcement in February 2014, an unnamed publishing company immediately canceled a second Duke Nukem game that was being developed by gearbox Software. The second game was canceled on the grounds that it would be legally and financially risky to publish a Duke Nukem game unless the publishers could be assured that Gearbox Software, not 3D Realms, owned the legal rights to the Duke Nukem intellectual property (IP). As a result, Gearbox Software filed a lawsuit against 3D Realms, arguing 3D Realms had privately sold the Duke Nukem IP to Gearbox Software in 2010 and did not have the legal rights to license Duke Nukem: Mass Destruction.
the image of duke nukem mass destruction which was taken down..
General Graves looks like holloway from… ion fury. https://bombshell.fandom.com/wiki/James_Holloway
EDF become or changed to GDF???
Dr heskell from ion fury/bombshell essentially is…. or was at one point changed from Dr proton. both are cybernetically altered robots. hmmm?
Apparently Duke Nukem was a member of the EDF (Earth Defense Force) & After Gearbox bought Duke, Bombshell became a GDF agent, changing 1 letter?
both fight aliens and save the day?
Are these 2 characters even connected lore-wise at all or was it just a fluke?🤔
is duke still alive or is he the president maybe he retired and shelly took over?
share your thoughts?

Noticed a few things since bombshell games came out .... apparently way back in mid 2000s we were supposed to get a duke isometric game since then that game turned into bombshell... but there are some interesting things that had wondered about, and they scrapped it because of the lawsuit. but got me wondering are they connected at all? Citing the game's announcement in February 2014, an unnamed publishing company immediately canceled a second Duke Nukem game that was being developed by gearbox Software. The second game was canceled on the grounds that it would be legally and financially risky to publish a Duke Nukem game unless the publishers could be assured that Gearbox Software, not 3D Realms, owned the legal rights to the Duke Nukem intellectual property (IP). As a result, Gearbox Software filed a lawsuit against 3D Realms, arguing 3D Realms had privately sold the Duke Nukem IP to Gearbox Software in 2010 and did not have the legal rights to license Duke Nukem: Mass Destruction.
the image of duke nukem mass destruction which was taken down..
General Graves looks like holloway from… ion fury. https://bombshell.fandom.com/wiki/James_Holloway
EDF became or changed to GDF???
Dr heskell from ion fury/bombshell essentially is…. or was at one point changed from Dr proton. both are cybernetically altered robots. hmmm?
Apparently Duke Nukem was a member of the EDF (Earth Defense Force) & After Gearbox bought Duke, Bombshell became a GDF agent, changing 1 letter?
Are these 2 characters even connected lore-wise at all or was it just a fluke?🤔
Does duke still live in this universe? is he allowed to fight or maybe duke is retired because hes the president now?
share your thoughts?

Late 2000's early 2010's. Indie/elextro. Guy or two in a hoodie standing against a white brick wall. Prob subway. Artist album title might be written in black graffiti. Please help. This has been gnawing at me. Once I get this it will unlock a vein of music I was super into.

[OC Intro: The game is modded to increase basic jobs cost, seasonal events are disabled. Much of the crash details are based on NASA/SP-2008-565 Columbia Crew Survival Investigation Report recommendations especially Chapter 3 "Occupant Protection".]
The ship is without power, and Tightniks can't run the radar much without draining the batteries. He has only a few minutes of APU power left, goes over the best clearing he can find, and radars it. It varies by only a few feet from the aerodynamic glideslope there. He spots it out on the cameras and circles to go after that spot. He's only at two hundred feet now. With one hand on the stick, he uses the other to open the pressure equalization valve on the side hatch, then at one hundred feet, gets it undogged. Depending on how much damage he's going to get, it's less likely to be stuck closed and trap him. The dynamic vacuum this pulls in the cockpit rips most of the survival pack data cards from that rack and scatters them across the landscape. Crap, I'm gonna need those! Refocusing on surviving the next few seconds, he turns on the radar for the final approach, takes a last look around, then straight ahead at his forward camera and PFD, he clicks his HANS and shoulder strap locks in; after that, he can barely move, but that now is better than dying in this crash with a broken neck. He's a decent pilot and brings up the flare gently. Bringing up the alpha on this delta-winged ship, he balloons a little, but keeps the nose going up and restores a zero aerodynamic sink rate just above the highest terrain indicated by the radar altimeter. The ship bumps a little in the ground effect, and he can see the radar altitude cycling irregularly up and down about five feet at a time. Rougher than it looked from higher up! The body flap protecting the dead engines hits first, and the nose comes rapidly down. It hits, the screens go blank, and Tightniks is surrounded by airbags, some lifting his feet from the rudder petals and his hand from the control stick. It's blinding, it's disorienting, it's noisy, and, to his relief, it's long! It takes several seconds before the crashing cockpit stops moving. How many times did he flip over? Did he go sideways and roll? Am I rightside up? Are we really stopped on the ground? The airbags deflate, and he can move his arms. He gets his restraints loose and inspects himself. "Uck!" he says out loud (without the 'f'). No broken bones. His pressure suit can take his blood pressure. 116/81, pulse 112, blood oxygen 99 reads off on his left arm, I'll friggin' take it!
The ship is amazingly intact from what he can tell. He can't get any readings. The systems test meter seems to be working, but can't find any voltages anywhere. The ship seems to be completely dead. Behind him, 10 passenger seats are all surrounded by airbags and the back of the cabin ends in some sort of dirt-and-gravel and there's a bit of daylight seeping in around the edges. He was the only one on board, though, so their deployment was mostly academic (they might have stiffened the structure a little during the crash, but that's probably trivial.) Tightniks gets out of his spacesuit. The air on this planet is actually breathable. He gets the hatch open, steps outside and-
"A green shimmer erupts then disappears, and you hit the ground."
The human emerges from the glowing green mist and hits the ground. Groans. Pushes against that ground, trying to get back up. Where am I? What's my name? I remember nothing. Aren't babies born naked? He's got a dark blue button-down shirt on. A uniform? A shoulder patch. Gets up, looks around. I feel really heavy. I'm not that fat, am I? He picks up a small stone from the ground, this also feels heavier than it should. He rises to his feet and holds it out somewhat (he's unable to fully extend his arm) and lets it go. The stone hits the ground near his feet quickly and with remarkable speed. It's the gravity, it's greater than it is on- ...where am I from? This is- ...not my home planet? "Oooh..."
"Ka?" it says.
What is that? It's cute, at least.
It is not tame. He has no hope of catching it on foot. The creature seems to like the berries. Maybe if I gather some of those into one place and set some kind of trap...
33s: First trap.
I got one! The human lumbers up to the trap and gets the catch open. Do you bite? It doesn't matter much to me; I'm so friggin' screwed.
It doesn't. It looks at the human with a sense of wonder, actually. A blink and tilt of the head. Seems almost to be asking, Is it you? My purpose? My savior? Once out of the trap, which is totally wrecked, he has to make a new one from scratch, it follows him around like a imprinted hatchling bird.
Wiry little fella, you are. You're going to need some bulking up to do anything useful. The- ...'trimp', I guess... The trimp seems just barely able to feed itself. The human lets him into the broken ship's intact cabin, and it curls up comfortably in a passenger seat for a nap.
1m03s: Second trap.
"Apparently the Trimps breed if they're not working. Doesn't look pleasant."
What are they doing?
The trimps appear to be androgynous, and these two have paired off in the back of the ship. They're holding something carefully within a few hours, feeding it berries, grass, and- ...corundum.
Corundum?? Whatever that is, it isn't a baby.
1m35s: Third trap.
Only it IS a baby! The third trimp he trapped immediately joined the other two in raising it. They have a strange diet of food the human has found compatible with his own body, but they also eat rocks! They're careful to crush and sort aluminate minerals from silcate ones and only eat aluminate. Actually, they don't eat aluminate, they're only feeding it to the baby.
2m06s: Fourth trap.
All four are raising the same child, who is just starting to toddle. It seems these fellas have alumina or maybe even aluminum bones. The human takes a nap and wakes to find the first child grown up and they're starting to raise a second child, all five of them.
2m46s: Huts.
The human found a working bit of electronics. He calls it a pad, but maybe it's more like a smartphone. It has plans for two residential structures. The first, the smaller one, he can build right away, but the second one needs something called "drywall", and he has to figure out how to make that before he can build it. Huts and houses, apparently.
3m13s: 10 pop, full, first farmer.
The trimp he trained to farm and make paper took an incredible 50 units of food to get bulked up to do the work, and now it's not participating in rearing the child. But less than an hour after the trimp started farming and pulping, the child was out on its own, and the trimps did not start another. The ten seats on the ship were all full. Well, eleven counting the one up front that the human sleeps in. The pilot starts exploring the area.
3m28s: Battle.
Wait, what are you do-
The hostile roars and charges at the human, but one of his trimps jumps in front of him with a stick and they fight. It started right when the human got far enough away from the ship that the hostile non-trimps away from the ship began to regard him as leaving his own territory. After the trimp defeats the first enemy, it continues after other hostiles.
3m53s: Shield I in Z1c5.
The human is easily able to recover the loot in the territory cleared by the fighting trimp. Then he sees something glinting in the- That can't be! What the heck is that? It's a data card that fits his pad. It quite clearly regards trimp combat. He gets it loaded into his pad and studies it. I can do this, it just takes some wood. He returns to the ship to discover that they had already started on a new child before the fighter had even expired in battle. The human concentrates on his research.
4m38s: Mskel in Z1c11 defeated.
The remains of this one seem rather white and shiny. It's titanium! This enemy had titanium bones! He'll store them away. They'll be useful someday, I'm sure.
5m52s: Dagger I in Z1c20.
Where are these data cards coming from? The human wonders as he loads this one into his pad, It's for a weapon it calls a dagger. He blinks. I don't know what a dagger is. I'll take your word for it, data card. Needs metal. He has gathered some, but ore is plentiful. He can just dig and smelt it whenever he wants. For now, I'll continue researching.
6m18s: Arable in Z1c21.
It's an old cave that trimps like to live in. Why weren't they able to live there before? How could these friendly critters be confined to only the exact spot where THAT thing, he looks back where he came from, not remembering that he piloted the wrecked ship to its current resting place, crashed? This is really strange. I'll let them fill up this cave before advancing further. Wait, what about defenses? The hostiles never try to reclaim territory that they've lost, so he stops worrying about that fairly quickly.
8m22s: First hut is 0.3% first ever AP.
The trimps seem fairly easy to please in terms of living quarters. Two move into his first hut and start raising a child. The human has his tent, uniform, and the heater pilfered from his space suit. Not much of a mud fan.
9m59s: Miners in Z1c30.
Oh, what's on this data card? Sl3niw? Oh, I'm holding the pad upside down. Miners. I can teach trimps how to mine ores and smelt met- 200 units of food? Each job is getting more expensive to train a trimp for. He puts his bee nickels to his eyes and spots another data card probably 10 enemies away. "Sc"? Does that means science? I can teach trimps to do science??
13m57s: Scientists in Z1c40.
Due to the expense of training trimps, the human couldn't afford to build them shields until now, he's got Sh1-3 made for the fighter to capture the science training data card. 14m02s: One head went into that turtlimp shell, that of his fighter, but two came out: his fighter still has his head on, and he managed to get the turtlimp's head off. It rushes off after the deadly penguimp in the next cell. The shields are not doing all that much good, actually, but they're better than nothing. The human picks up and loads the science data card and- Holy runny sugar-free fudge crap! 1000 food units, but it'll endow them with the ability to speak. Good. I'm getting bored with no one to talk to.
14m28s: Bloodlust purchased and AutoFight enabled (that delay after getting it is an effect of jacking up the job cost.)
As the human buries this expired little trimp warrior, he comes to the sobering realization that he has more trimp graves in his growing trimp colony than he does live trimps. And yet they seem more hopeful now than before I got to know any of them. They seem to think I'm the solution to all their problems or- Those two look east somberly, then notice that he's watching them and smile back and wave at him. ...one problem that is specific, but very, very huge for them. [The only reason I say 'east' is because that's right on a map, and the game advances right across a row, then up. I might say 'northeast' on occasion for that reason.]
20m47s: Z1c73, Miners taken.
Are you my new mining foreman? The trimp who took to the mining training has dark brown fur that lays flat on its head. It's unusual in not having any bits that stick out from its head, ahoge or whatever. This one is relatively quiet, and while it has assimilated the mining and smelting knowledge, it needs to bulk up to do any mining. Smelting is relatively easy, and getting a strong natural draft going in a furnace is almost trivial with the increased gravity. This trimp builds furnaces like nothing. And likes to nap in holes it digs right on the spot; it's weird that way. [Puchim@s Yukipo, and furnaces are not explicit in Trimps.]
21m58s: Farming in Z1c80.
The resourcing "books" are not data cards but paper scrolls, apparently lost to the trimps. It seems that they were civilized in the recent past and some calamity swept over the planet to reduce them to this. Did I have something to do with it? Amnesia sucks harder than a Dyson- ...what's a Dyson? Whatever, it sucks. This disaster happening just before I crash in the only spot with trimps still alive would be a seriously crazy coincidence! Something is really, really wrong about all this. [The author has not sought or received product placement permission or fee from Dyson Technology Ltd. or any resellers of their stuff, just they literally suck balls and made my favorite vacuum cleaner.]
23m50s: Builder in Z1c90.
They've rescued an, I dunno, gelding trimp? It just started to build a shed around the piled lumber I left to build one. It's really slow compared to me, and just banged its thumb, but it is super cute with that long reddish head fur. That particular trimp is also fascinated with pink ribbons and likes to decorate its head fur with them. Because of its inherent inability to participate in rearing children, it isn't counted in the population. [Puchim@s Io, builder on the basis of Iori seen building in 1x10.]
26m02s: Zone 2, 44 pop, 5.5s RC with Z0/1.
It's some sort of tactical manual - tactical coordination. Coordination! He's starting to sort out some trimpese on the research he has done so far. It needs a lot of metal, so they won't be able to implement it for some time. Hopefully, they're still good one at a time, but these enemies seem to be getting bigger as we go along. Uh oh!
27m33s: Gym in Z2c5.
It's some sort of training dojo or sporting arena. The human examines the ruins, I think I can back-engineer drawings for this, get one built, and see what happens.
29m02s: 1g, 47 pop, 10.8s RC with Z1/2.
The two fighting trimps now with their gym and coordination are dodging and blocking enthusiastically, and making much faster ground against the bad guys then a little while ago when it was just one trimp fighting at a time and unable to avoid the enemy hitting back.
40m46s: Fresh turkimp in Z2c74, 63 pop, 7.9s RC, Sh1-10, Da1-5, Bo1-3, Ma1-3, Hm1-3, 6g.
Oh, wow, the laborers seem really hot after this turkimp. He cooks it up and tries a slice. It's really awesome! I have to work alongside his laboring trimps to share it, but I'm getting used to the gravity now. That scroll we found back in Z2c10 really helped. Trimps' techniques and appliances for handicapped individuals, and I'm really handicapped in this higher gravity. He joins the woodcutters with the turkimp; they're the most numerous resource laborer right now, building more gyms, enough that the block/dodge ability of the fighting trimps is almost caught up to the enemy's ability to cause damage.
43m15s: Zone 3, 63 pop, 7.9s RC with Z1/2.
I'm neglecting my science and trimp scientists are really expensive. Curiously, that grey-haired one can't speak all that well, only says "Tai" and "Shijou", but it can write and draw like nobody's business. It's the only scientist so far. [Puchim@s Takanya: Online references probably still claim that she can utter the first two syllables of any word, but she can actually utter only the first two kana syllables of someone's name, most often the given name of basis human Takane Shijou, who also has that habit. (All the utterances of the puchidoru are based on the speech foibles of their basis humans except maybe Piyopiyo, where I haven't seen anything match up so far.)]
47m32s: Finally, we can make drywall and houses. 59m30s: Z3c77, 94 pop, 7.8s RC.
Oh, those poor things are really struggling up at the front. These trimps are enthusiastic and know no fear, but I still feel like telling them to stop for a while. I don't have the heart to keep them from trying while they're still doing some damage.
1h05m24s: Zone 4, 107 pop, 9.3s RC with Z3/4. 1h15m26s: Zone 5, 120 pop, 8.2s RC with Z3/4.
"What is that?" the human asks. He has three scientists. His first does all the writing, but the other two can actually speak. One of them hops up on a rock spire beside the human to reach his eye level.
At the next ridge line, over the lowest and most passable gap in the terrain, this really mean looking hovering sausage monster.
"I dunno," the scientist trimp shrugs, "But it's making me hungry. Looks like a perfectly cooked frankfurter from here." [John Morell's dubious dirigibles.]
"Oh, yeah," the human nods, "that's a blimp."
"A blimp?" the trimp tilts its head quizzically at the human, "How could you know?"
"I wish I could tell you, little buddy," the human extends his arm braces to descend the pass on the side of the zone boundary in the boss enemy's direction, then grunts, "Let's go kill it."
1h16m11s: Z1c9, 120 pop, 10.3s RC with Z4/5. 1h33m34s: Zone 6, 151 pop, 7.4s RC with Z4/5.
1h33m54s: TP in Z1c3.
"What's this?" the human asks, having picked up the little square document with the curling corners.
"Oh," the hungry scientist looks at it, "It's a garden path, follow me."
"You want to lead me down the garden path?" the human says.
"Yeah," the scientist says.
"Are you kidding?" the human asks.
"No," says the other scientist, "We don't get human humor. Listen, these fighters can't go, let them wear themselves out here, then we'll take the next group through this garden."
"Okay," the human nods, watching two more trimps join the fray as he issues the Z5 coordination orders, "they're doing pretty well after all that block training research we just wrapped up." [That's a common artifact, even in normal games, Z5 Traintacular combines with many gyms, enough population to add several trainers, affording Blockmaster, which is expensive on a run zero, plus a break on Tion Z5, a 40% all-stat increase. I don't think Zach designed it into the game on purpose, it just worked out this way.]
1h34m07s: 151 pop, 10.5s RC with Z5/7. 1h37m44s: Drop from Z6c39, TP for 3.
"Now we have these access map frags we can use to route through the old trimpopoli," the scientist explains, "Atlimpis for food, Morimpa for gems, Everimp for metal, and Impazon for wood."
"What about the garden?" the human asks.
"Well, we got lucky with Tricky Paradise," the scientist says, "but you can randomize the route and maybe get lucky. What's with that look?"
"Somehow, I'm remembering 'frag' as something that blew up with deadly pieces," the human says. [Different video games - ones with better graphics and worse gameplay Ｏ(>▽<)Ｏ]
1h39m59s: Blues back up to the top on series I...
"Tai, Tai!" the first ever trimp scientist stops the human just before he upgrades the mace and dagger to Mk.6 and Mk. 8 respectively. It has a note for him.
"Why do you keep calling me that?" the human asks, "Do you think that's my name?"
"Shijou, Shijou," it nods as though to indicate, I KNOW it is. Then it proffers its note again. The human takes it and reads, "Don't upgrade the first row equipment right now."
"Why not?" the human asks.
"Shijou," it points at the end of the mapped route, where there's a scroll sticking out of the thistles.
2h24m07s: Zone 8, 224 pop, 12.2s RC with Z7/12.
"Your settlement is getting crowded, there's Trimps in the streets, and you're taking heat. You feel a sudden strong desire to create a map, though you're not quite sure how that would help."
2h49m10s: Zone 9, 357 pop, 9.5s RC with Z8/15.
"You can't shake the feeling that you've been here before. Déjà-vu?"
The trimps really seem to like the new high capacity mansions, and the village has rapidly expanded since they started building them.
"There's something familiar about this," the human says.
"Tai," the grey one that writes clings to his arm and shows him a note that says, "Don't give up now."
"We must persist," says the yellow one has found a foothold it can grab onto and grabs the human's shoulder gently, "If you give up to early, we'll never solve this. You'll be stuck here forever."
The human puts his hand over the trimp's paw on his shoulders, then looks at him, "I can die, too."
"No, you can't," the trimp says quietly, "Please don't test that, tall one."
"Death is just another path..." he remembers.
"Gan," the grey one squeaks. [That's the first two kana syllables of "Gandalf"]
"...one that we all must take," the human continues, "The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it-"
"A green mist," the yellow trimp interrupts, "flash of fire, we're all gone and our progress forgotten. The wandering stars return to that day, and you again crash that ship- ...a little better every time."
"Wait," the human looks around, "have I been here before?"
"I-" the yellow trimp tries in futility to share what little it knows, "...or... somebody got just a little coolant into the-"
"Into the what?"
"This side up," the grey one's note says.
"Into the that," the yellow one points at the note, "It really helped. You- ...I don't think we've ever had mansions before."
Well, of course they didn't have mansions before. That was one of my ship's data cards. How did it get way out here? Will anything start to make sense?
3h02m13s: Zone 10, 387 pop, 8.7s RC with Z8/15; '28s: 11.1s RC with Z9/19. 3h16m41s: Tough snimp after food book, L10 rand dept from lo-hi-med 118/25/96, 4 Items.
"That's twice our frags led us to gem-rich Moria," the human says.
"Morimpa," the new red trimp scientist corrects, there now being 5 scientists. [There'd be more if there were more turkimp.]
"The question is how do we use all these gems?" the human looks at the village zoning plans again, "I like those mansions and all, but they use hardly any gems compared to, well-" he gestures at the pile of over two dozen thousand gems they've gathered, "-that! And still a lot of wood and lumber."
"I think there's something," the yellow one sighs, "I wish I knew more."
Quite some time later, after they're done looting that route for equipment plans, the trimps are again advancing through Zone 10, and he hears it.
"Tai?" the grey one wonders.
"Where are you going?" the yellow one asks.
"To the farm," the human answers.
"Whatever for?" the red one seems exasperated.
"Shijou?" the grey one sighs, then looks at the fighting front. It's been around long enough to remember, "Shijou!"
"You guys already get so much to eat this doesn't do you much good," the human explains.
3h32m33s: L11 112/35/78 rand sea, dropped from Z11c6 with disband, 4.
"What's wrong?" the red one asks.
The human comforts one of the wounded. Once trimps start into a zone fight, they have to finish before they bleed out. He's really bothered making them desert in front of that second turkimp. "They had a lot left in them," he sighs, rubbing his eyes, "but we can't keep that much dead turkimp at once, we have to leave it alive to use up all of this one."
"Shijou," the grey one presents a note, "We need this map right away, anyway. Don't worry about it, Tightniks."
"Tightniks?" he looks at the grey one, "Is that me? How do you know?"
"Tai," the grey one points at the top of the human's left breast pocket.
"Ah, crud," the yellow one curls its tail around in front of itself as trimps do when they're embarrassed, "Is that really a name tag?"
The human hadn't even noticed it since the green flash blew up his memory as he was stepping out of the ship.
4h04m22s: Block (sub-8h AP is only 0.3%), taking it, 504 pop, 9.8s RC with Z10/24.
It's a pretty thick book about using shields for block instead of hit points. The pad has the stats analysis. Sh3-1 is only giving us 9% of our hit points. Turning to his trimp scientists, he says, "It seems to me to be worth it."
"Let's," the yellow one nods.
"Shijou," it hands him a note, "It scales badly, but that won't matter for a long time. I think there's a way to undo it before it matters."
"Doing it." The human takes out his pad and starts scanning.
4h29m05s: L14 rand moun 137/26/80 is really good for a lo-hi-med. 4h30m52s: Hotels.
"Ah," the yellow one says, "I knew there was something. That must be it."
5h08m09s: L15 lo-hi-hi rand gard 129/28/82 (just got explorers). 5h09m32s: Picked up Wall.
"Dam," the human says.
"Damn?" the red one chuckles.
"No," the human says, "Earthen wall dam; it's a thing that makes artificial lakes by holding rivers back."
"Lakes?" the yellow one asks, "Rivers?"
"Oh yeah," the human says, "This planet doesn't have enough rain for those..."
5h48m21: Leaving Wall from about c70 to fetch Tion Z15.
"You can't resume the map from the same point if you start another," the human reads the grey one's note.
"We can go back to the same point on that route if we hold there and finish Zone 15, right?" Tightniks asks.
"Shijou!" it seems to be saying yes.
"Yes," the yellow one adds, "but we're out of Series III upgrades, and you need a fresh map route to start up Series IV."
"We should be okay," Tightniks says, "but if we have to start it over, I don't see that being a big deal." As they advance through the rest of Zone 15, Tightniks resumes his usual duties at the research desk instead building and running traps like he was before.
The trimps seem hopeful at this decision.
5h49m10s: Fresh turkimp. 5h50m16s: Zone 16, 1071 pop, 13.4s RC with Z15/75, 13m43s turkimp (skel in c1.)
"Z:16 Seriously? Another Blimp so soon?"
"So," Tightniks lowers his bee nickels and looks at the red one, "is it going to be boss fights at the end of every zone from now on?"
"Hmm," the red trimp looks up past the human at some random rock spire or cloud.
"Well?" the human persists.
"Yup," he says.
"Hmph," Tightniks grabs a Sw3-1 of the rack and advances towards the front, "Before then, we have another Mister Titanium."
"What does he like about skeletimps?" the red one asks the grey one as the human marches off.
"Shijou?" the grey one seems just as confused by that.
"He's not going back to the ship, and he's not getting himself killed," the yellow one smiles, "so I'll take it."
5h58m32s...
"Hey guys, go for the mortar!" the human suggests to his 75 fighting trimps in the Wall's boss fight.
"I can tell from your bedtime stories that you're used to the artillery in that other place," the yellow one gripes, "but fighting works differently here, there's no artillery."
And the human instantly collapses laughing, the scientists a little worried he might have injured himself in the planet's severe gravity. But he's okay, at least physically, "Mortar is the stuff between the bricks, fellas. That's is a brickimp, right?"
5h59m18s: Wall, 1076 pop, 13.3s RC, 1% AP for sub-8h finish, first L16 roll good 156/35/84 moun, 10 for the metal.
Beyond the Wall was a more edenic section of the trimpolis ruins, doubling the production of the lumberjacks. The trimps are actually really happy with the mode of all of the laborers moving between the three big jobs, along with the turkimp, except for the foremen specialized at leading the job. It isn't enough to boost their productivity, but the human goes to them with trays of sandwiches.
6h06m52s: 50 map run 0.3% AP...
6h19m13s: Zone 17, 1141 pop, 16.0s RC with Z16/94, no turkimp.
"Z:17 You climb a large cliff and look out over the new Zone. Red dirt, scorched ground, and devastation. Is that a Dragimp flying around out there?!"
"Hmm," the human surveys the new zone with his bee nickels, "Looks like crap. Any ideas?"
"You're the idea man," the yellow one groans.
"Set the map flag," he puts his bee nickels away, "We'll run a depth for practice and to load up on gems for more hotels."
"Righto," the red one gets to work.
6h44m34s: First DCP. (Draglimp Care Package; I refuse to call it a tribute.)
"Oh," the human says, "It's tame now, so it brings back gems in exchange for food?" He looks at his gaping scientists, "That's what it looks like, huh? Guys? Yo!"
"Tai..." the grey one sighs.
Draglimp, the dragimp imprinted on Tightniks, lands beside the human, drops some gems at his feet, and accepts some scratching behind its horns before diving into the food bowl.
"You tamed a dragimp???" Grey's note says.
"Well," the yellow one huffs, "I guess that happened."
8h18m53s: L20 depth of 154/27/79.
"Mapping up here?" the red one half closes one eye and tilts his head.
"Yeah," the human says while fitting together the depth map fragments, "With the coordination book not right at the end, we have an extra mark of coordination to take advantage of. Let's take our housing up to 2000 or so, shall we?"
"Okay," the yellow one says from a pile of logs, "What's all the wood for?" They had been collecting it for days now.
"The series upgrades follow a rather specific pattern," Tightniks explains, "Just on the other side of this blimp is Zone 21, where we should be able to find the Shield series V, right?"
"Shijou!" the grey one nods.
8h56m17s: 1% AP for 100 map runs, leaving it, 1751 pop, 24.8s RC with Z20/232. 8h56m54s: Zone 21...
"Ooooookay," Tightniks growls, "There is something off about this thing."
"Shijou?" the grey one looks at the yellow one with concern about their human starship pilot friend.
The human stoops, picks up the little green gem on the ridge between Zone 20 and 21, looks at it, huffs, and asks, "Any idea where this comes from?"
"Err..." the red one seems hesitant to say, "I think you made it."
"Really?" the human huffs, "How could that be?" Then he tosses it at Red, "See if anything reacts to it. It might be radioactive, so we should take turns to minimize exposure."
"Really?" Red's holding it now, "What makes you say that?"
"Because I'm pissed off for no reason I can figure out," the human says, "I think it's coming from that."
"Frags," the red one says quickly, "I think it's arranging a route. You're good with maps," it tosses the gem to the grey scientist.
"Shijou," the grey one says hopefully, and has a map drawn within a few minutes. [Whether it looks like the one in Puchim@s 1x61 is anyone's guess. That one annoyed me as well as Chihya.]
9h02m37s: L21 moun first roll was a decent 160/26/84. 9h21m00s: Starting run 5 of that map...
Tightniks had taken his anger out on some food and wood to build about 8000 traps. Now he's leaning against a rock spire in his increasingly tattered uniform. A nap begins, perhaps unintentionally.
Wild trimps are examining the pile, finding it unwelcoming, and also finding no place in the town, just mill about. It looks like they want to help.
"Ku?" it's a blue trimp, probably a farmer waiting for stuff to grow, climbs up on the rock spire the human is leaning against, starts patting him on the head, "Ku. Ku ku." [Puchim@s Chihya.]
9h23m09s: Still working that lap...
Tightniks wakes up from that nap, and the grey one is standing there. "Shijou," it says with a note of concern, although not much of one. The note it holds says, "It wasn't me."
"Oh, what wasn't you, buddy?" He stretches out a bit, feeling somewhat refreshed. It feels like somebody washed his face and hair while he was sleeping.
The grey one is also holding a small mirror, apparently broken off from a larger mirror and with the sharp edges filed down to make the edges safe.
The human takes it from the grey trimp and holds it in front of his face to discover that somebody has bound up all his hair into about twenty little pigtails. He touches them with his other hand to confirm. "Eh, whatever." He hands the mirror back and goes back to sleep. [Puchim@s Koamimami.]
9h30m08s: The following run...
"He's not throwing stuff every which way yet," the yellow one whispers to the red one, watching the human snoozing with his pad on his knee.
"You remember that, too?" the red one asks.
"'Remember'?" the yellow one turns to face the red one, "I s'pose that's better than imagining it."
"I remember it, too," the grey one says via a playing card sized note.
"If we're stuck in a time loop," the yellow one sighs, "maybe this cycle will be different."
"Tai..." the grey one admires him for a moment. Then thumbs in the direction of the mountain, "Heh, Shijou!" it laughs.
9h35m58s: Run 8, c9 of that map.
The scientists nap and take notes, and meditate and take notes, and draw stuff. The grey one often storyboards for the other nine because it's the best at drawing stuff. They have come up with a list, and most probably "order" (they're debating whether their ranking means "order" (sequence of things happening over the various loops) or "frequency" (what proportion of previous loops they have happened in). But they've come up with this, from first (or perhaps most often) to most recent (or perhaps least often):
- The ship crashes (they're pretty sure that happens every loop) - The human builds huts - The human teaches some of his trimps to speak and do science - The human builds houses - The human makes maps - The human builds mansions - The human blows up and gets himself killed somewhere around Z17 to Z21, often on a dragimp - The human only recently/occasionally builds hotels - The human only recently/rarely tamed a dragimp - The human only recently/rarely maps the Dimension of Anger
They're all agreed that that they have never finished the Dimension of Anger. What they are not all agreed on is that they've never done this conference to figure out whether they're in a time loop or what that might mean. [See also Star Trek: The Next Generation episode "Cause and Effect" ...which was sort of a time loop but they weren't going back in time. It's very interesting, but its meta makes no sense - no one ever went looking for the Bozeman in 80 years? No one who went looking for the Bozeman also got stuck? No one noticed the passage of time outside the little area of space where the not-quite-a-time-loop was happening? Errr... sci-fi writers, don't be half-assed about your time loops, lmao! Be like Harold Ramis- ...what am I saying?? (That would be Groundhog Day, which grafted a time loop into a romcom; there are no other sci-fi elements. But it was a full-blown time loop and not half-assed like "Cause and Effect".)]
9h54m06s: Dropped from Z21c95...
I think it would be a bad idea to bypass that green area, as much as I'd rather not face it. Both his domesticated trimps, which are breeding up a new group of fighters, and the wild trimps he has decided just now not to open the traps for, stare at him and point in that direction. He shoulders a huge Shield V-3 and grabs an Mace IV-2 as well and announces, "We're doing it." Thus equipped, he marches off into the Dimension of Anger.
10h27m53s: Taking Pi4-2; recently had taken Pa4-2...
The group at the front had expired, and the snimp in DoAc95 glares at the advancing colony of trimps, which had halted only because of it. It refuses to counterattack the vulnerable colony and its human, instead snorting and huffing, waiting for the next bunch of 232 fighting trimps to come in range.
Tightniks runs along the line of traps, releasing the recently tamed trimps, singing a song that he doesn't remember the meaning of, that he doesn't remember was crafted by an ethnically Chinese guy out of an African language, and later mastered by two caucasians over the internet before they ever met in person. "Baba yetu yetu uliye, mbinguni yetu yetu amina..." because it just happened to be stuck in his head. [Because the Doylian author decided on a whim to. Christopher Tin got it into Civilization IV and at the time (2010 July), I made the best video for it on YouTube, which got subsequently blown to shreds when Peter Hollens and Malukah re-recorded the song from scratch in their own voices and instruments in 2014, pity with no English translation, the purpose of my video.]
Noticing the last batch of metal he needs coming out of the furnace, he waves the waiting grey scientist to fire up the forge [to use the term properly and not as the game does], for it was time to wrap up the forging dies for the Spetum IV, Mark 2 pike heads.
"Shijou!" the grey one cheers, setting aside a snack that looks like maybe ramen, and starts jumping up and down on the bellows handle.
It takes a while for the human to chip out the tip in the two halves of the forging die, and then polish it, and then heat it up in the forge, and then quench it, inspect it, and put it into service crafting thousands of new pike heads for the fighting trimps.
But only one second passed on the map frame clock (10h27m54s) four cells behind that snimp, in the case being brooded over by this huge, and if it's honest, rather concerned megablimp.
10h35m45: Portal PB, 45 He, 4.247 He/hr, 1891 pop, 22.7s RC with Z20/232, no turkimp.
The last head of the map's boss monster goes limp as one of the fighting trimps' mace heads bounces of it, and the huge thing settles on its tail, resting on the package that seems to be the prize of this map. And there's a popping sound, and then something mechanical.
Is that a scroll compressor? Tightniks looks at the package. The deflating monster's lifting envelope material drapes over everything underneath it. "Red, Shijou!" he snaps and points, "roll up that side of it. Keep this part from sucking down on the extractor nozzle!"
All ten of the scientists jump in, literally, pushing the gas in the bag towards the compressor. Tightniks as well, rolling up the front.
Until he kicks, and nearly trips over, a smaller package that might be the explanation for the reason why the center of the monster's defense seemed to be a little away from the big package he could see. It's in the right place, he realizes. He gets it uncovered and reads stenciled-and-sprayed block letters on it:
"DT TIME PORTAL / THIS SIDE DOWN"
Perhaps the Dimension of Anger is so named because of the rage suddenly rising up in Tightniks' throat. It isn't so much as the free-floating aggression suddenly has an answer, there is definitely a fresh batch of rage and anger as he grips the nearest Mace IV, Mark 3 with both hands and gets it over his shoulder, its target obviously this object, anger at the realization he screams at the top of his lungs, "We are stuck in a mutha FAH-king time loop!!" His swing begins. [Tightniks almost never cusses, unlike Snugniks.]

Bit of a silly rant but it's been driving me NUTS the past few weeks.
Someone in my neighbourhood graffitied the suburb sign by randomly crossing out some of the letters with white spray paint.
I drive past the sign every day, and I keep looking for the pattern.
The letters left over spell OER The letters crossed out spell RSBY
The letters crossed out aren't in a pattern like x.x.x.x. or xx..xx.. or x..xx..x
There's no tag of someone's name, or a "bob waz ere" or a "Susan is a slut"
It is on a busy road and would have taken planning, buying the spray paint from a hardware store (closest one is 2 suburbs away), it's directly across from a grocery store so they would have had to do it at 2am or 3am and avoid the frequent police patrolling.
I know I'm perseverating here.
But I NEED it to MAKE SENSE and if doesn't make sense and my brain can't stop thinking about it trying to solve the puzzle..

I've looked through the USA guide but the prices and all the different numbers/letters get overwhelming for someone who has very little knowledge of TVs. I've used the same 50inch, 60hz, 1080p Emerson TV which I run at 1920x1080p since ~2010 and really want to upgrade to something that's a HUGE leap from what I have now. The 1920x1080p really seems super nice looking but I'm assuming that upgrading would be a night and day difference. I've sat 1ft away from this tv for all the time I've had it so a monitor would probably give instant buyers regret, I've gotten use to and prefer my giant screen. I would love to experience 4k and a higher refresh rate, however my motherboard (z390 phantom gaming 4s-ib) does not have HDMI 2.1 it has HDMI 1.4, would that be a problem/a barrier to jump into true 4k? When I see those TVs in best buy I wonder if my eyes have ever worked right they look so amazing and vivid. The TV will be used with a PC and only a PC, so gaming and YouTube is basically all it will be used for 24/7. The room is a bedroom with no direct sunlight hitting it period, mostly kept dark due to personal and cooling reasons. The price point of all the recommended TVs all are around ~$1700 that I was looking at, with that kind of price point I just really want to be sure I get something that I will be blown away with. Do these high end TVs get sales on Black Friday, should I wait for some special event or something along those lines? What would you get yourself to treat yourself with a massive upgrade with a range of around ~$1500? Thank you in advance and have a great day and night.