An hour after getting back from the Mason apartment, Bruce Kenner had the distinct misfortune of meeting Bertha Henderson.
A plump, gaudy woman with wrinkles and sun beaten skin only an alligator could love, Bertha Henderson wore bright red lipstick, bright red rouge, and way too much mascara. Her tangled hair was a dull red color and her clothes - pink pants and a white floral top - stretched tight across her bulbous frame. She looked like the kind of woman who lived in a trailer with velvet pictures of Elvis on the wall and pink flamingos in the front yard.
She acted like one too.
From the moment she stormed into his office, she hadn’t shut up once. She scolded, chided, accused, and badgered, sometimes even wagging one fat finger in his face like he was a naughty little boy. Ten minutes into the dressing down and Bruce was beginning to fantasize about police brutality.
It took him another ten minutes to find out what the hell she even wanted.
“It’s my granddaughter,” she shot back, “she’s missing in your town.”
My town? Lady, this is barely my office. I share it with three other people.
“Well, if you’ll calm down, maybe I can help.”
Jesus Christ was that the wrong thing to say. She hit the roof and didn’t come down again until Bruce was this close to arresting her for assault on a police officer. “Young man, I do not appreciate the way you’re talking to me. My tax dollars are the only reason you have a job. If it wasn’t for me, you’d be working at a car wash.”
At least I wouldn’t have to deal with you.
Bruce took a deep breath and held his tongue in check. “How can I help you?” he asked.
“I told you, my granddaughter is missing. If you listened to me, you’d know this already.”
Bertha produced a picture and slid it across the desk. Bruce studied it. A girl, roughly sixteen with black hair, blue eyes, and dimples smiled back at him. “She;’s with that Rossi man, I just know it,” she said bitterly.
“Who?” Bruce asked.
Rolling her eyes like he was stupid, the old woman told him the story. Jessie - the dimple faced girl - had the rotten luck of having to live with Grandma Bertha after her parents went to jail on drug charges. They lived in Sand Lake, a little town in the mountains outside Albany, where Bertha was no doubt loved and admired by all. One day, Jessie, who her grandmother lovingly described as “A little troublemaker”, ran off. Bruce didn’t blame her. He’d known Bertha for half an hour and he wanted to run off. Bertha did some snooping on Jessie’s laptop and found that the “little whore” had been chatting with an older man, Joe Rossi. Rossi, or so Facebook said, lived in Albany and worked at Club Vlad.
“I want him arrested for pedophilia,” Bertha said and crossed her arms defiantly over her chest. “He’s a dog just like all men. She’s probably pregnant already. Another mouth I have to feed.”
Behind the old battle ax, Vanessa appeared in the doorway and lifted her brows as if to say What a piece of work. Knowing her, she’d probably been standing just out of sight this whole time with McKenny, the elderly evidence clerk, and snickering into her hand like a little girl. LOL she called him young man.
Bertha noticed him looking over her shoulder and started to turn. Vanessa’s face went white and she ducked out of the way, narrowly avoiding detection. “I’m glad you think this is funny,” Bertha said to Bruce. “Meanwhile, if I don’t get Jessie back, the state’s going to stop sending me my checks. I need that income. I can’t work, you know. I have gout.”
Too bad being an asshole isn’t a job, you’d be world-famous
“I’ll go talk to him,” Bruce said.
“I want more than talk, young man, I want action.”
“Yes, ma’am.”
When Bertha finally decided to waddle off and ruin someone else’s day, Vanessa came in and sat in the chair the old woman had so recently occupied. “Oh, my God,” she said, “that was intense. I was this close to radioing in a 1015.”
1015 was code for officer down.
“Funny,” Bruce said without a trace of humor. He had kids going missing, a dead guy someone moved around like a goddamn Barbie doll, and now this. What next, hemorrhoids?
“What do you think? Code 1 or code 2?”
Code 1 meant top priority. Code 2 meant not a top priority. Bruce thought for a moment. It didn’t sound like Jessie Henderson was in danger. It sounded like she met a guy - granted, one too old for her - and decided to hide out with him from her psycho grandma. Maybe it could be something more, but he had a gut feeling that it wasn’t…and his gut feelings were usually right. “2,” he finally said. “I got shit to do.”
By shit, he meant “Talk to the families of those missing boys again.” He’d been interviewing them for two days looking for clues, but there was nothing. It’s like they just vanished. Bruce didn’t like this. He didn’t like it at all.
“Well, I’ll leave you to it,” Vanessa said and slapped the desk.
When she was gone, Bruce sighed.
Never a dull moment, he thought.
***
Ed Harris - no relation to the Hollywood actor - had been the medical examiner for the City of Albany since 2002, and in all that time, he had never seen anything quite like this.
It was Wednesday evening and Ed was locked away in the cold, sterile space beneath the city offices that comprised his domain. With its puke green tiles, harsh lights, and cloying smells of disinfectant, the .coroner's office creeped most people out, but not Ed. He was at home here, as comfortable surrounded by toe-tagged bodies as a cactus was surrounded by desert. A thin man in his fifties with curly, steel gray hair thinning in the middle, he wore a white smock, blood stained over his clothes that made him look like a butcher instead of a low level government functionary. He had a dark and dry sense of humor, but then again, so do all people who play with dead bodies for fun and profit.
The coroner’s office was a vast, utilitarian vault segmented into multiple different rooms. Here, where the magic happened, three stainless steel tables stood in a row; a bank of refrigerated drawers kept watch, making sure nothing funny happened. One of the cold fluorescent lights overhead flickered with a hum of electricity, and water dripped rhythmically from a faucet. It was a cold, eerie place, but to Ed, it was home.
On most nights, only one of the tables was occupied, but tonight, two were. On one lay an old lady who died of what appeared to be cyanide poisoning. On the other was Dominick Mason.
Naked save for a white cloth draped over his groin to protect his dignity, Dom was the most corpsy corpse you’d ever hope to see. In fact, if you looked up dead guy in the dictionary, you’d see a picture of him. His body was pale and sunken, one side covered in purple splotches where his blood had pooled, and his eyes were closed. His abdomen was slightly distended with the expected build up of gas, and his flesh stuck fast to the bones beneath. In other words, he was text book. A normal corpse.
Mostly normal.
As men of his trade are wont to do when strange bodies mysteriously appear, Ed had opened Dom up, making a Y shaped incision from his neck to his groin. He hummed to himself as he did so, his hands wielding his sharp and shiny tools with the deft assuredness of a seasoned surgeon. Done cutting, he dipped his gloved hands into the cavity and started removing organs. A spleen here, a liver there, nothing Dom would miss. When he got to the heart, however, he stopped.
There was something…off…about it. At first glance, it was black and withered like an oversized raisin. An odd and putrid odor emanated from it and though he was familiar with the various smells and stenches the human body produced after death, this wasn’t one of them. Try as he might, he couldn’t place it, couldn’t even compare it to anything. Plucking a magnifying glass from the metal cart next to the table, he peeled back part of Dom’s chest and examined the heart closer.
That’s when things got really weird.
Dominick Mason’s heart was, indeed, shriveled, but it was not black. Instead, it was almost entirely covered by an interlacing crisscross of what appeared to be black mold. Here and there, Ed could glimpse flashes of the heart beneath: It was wrinkled and a sickly gray color. “What is this?” Ed asked himself at length. He grabbed a pair of tweezers from the tray and carefully, very carefully, attempted to remove a piece of the mold for analysis. The moment the cold metal tips touched the heart, it gave a violent spasm that sent Ed falling back with a shocked gasp, the tweezers falling from his hand and clinking to the tiled floor.
The heart began to pulse like an alien egg sac, slowly at first, then more rapidly. For a moment, Ed was frozen in place, unable to comprehend what he was seeing. Once you die, your heart ceases beating. That’s that. Only living hearts beat, and Dominick Mason was certainly dead. He was dead from the moment Ed first laid eyes on him earlier that day and he was dead now. Yet there was his heart, beating anyway.
It could be a muscle spasm. They usually aren’t that violent and consistent, but dead bodies sometimes do strange things. As he watched the blackened muscle expanding and contracting, however, Ed had the most eerie feeling. He went to rub the back of his neck, realized he was still wearing blood soaked gloves, and stripped them off. He was spooking himself out; he needed a break and a hot cup of coffee. He’d come back fresh and start over again.
With that mold.
Could you really blame him for being creeped out? That stuff wasn’t normal. He’d never seen anything like that before, not even in textbooks. Dom was scrawny and didn’t get enough vitamins in life, but overall, he was healthy; that mold…or whatever it was…had no business being there.
Going over to the coffee pot, which stood in the same room to save travel time, Ed grabbed a styrofoam cup. When he was done here, he planned to go home and -
A terrible, metallic clatter rang out, and Ed jumped. He turned around, and when he saw Dominick Mason standing next to the table, hunched slightly over and staring at him, an electric burst of fright shot up his spine and exploded in his brain, so strong it made the edges turn gray. Pale, hands hooked into talons, and the flaps of his chest hanging open to reveal the cavity beneath, Dominick Mason looked for all the world like a boy who’d been caught sneaking out to meet his girlfriend. A weak, involuntary, “Oh, God,” slipped from Ed’s trembling lips, and the spell was broken. Dom came alive and ran toward the door leading out to the parking lot. He slammed through it, and the sound of it crashing open and then falling closed again echoed through the empty chamber.
Shaking, panting for air, and soaked in piss, Ed sank to the floor in a sitting position, his eyes wide and staring like those of a soldier returning damaged from the front.
It was a long time before he composed himself enough to call the police.
***
Dazed and caught in a nightmarish twilight realm where nothing made sense, Dominick Mason limped painfully down the sidewalk, a stranger lost in a strange land filled with danger and hostile creatures. Barefoot and shrouded in a white sheet, he trembled with cold and struggled to ignore the dark, threatening shapes looming from the fog in his brain, shapes that would turn into unspeakable truths if he let them.
Passersby openly stared at him, their expressions either morbidly curious, disgusted, or alarmed. A man put his arm protectively around his girlfriend; a woman pulled her little boy to her breast, and another man sneered at him, his nose crinkling. Dom, his glazed eyes narrowed against the harsh glare of the many street lamps, headlights, and storefronts, lumbered headlong toward nowhere, his fear growing until he was shambling. He imagined he could hear every cough, every whisper; smell the odor of every unwashed body. Each car horn was deafening, every whiff of ass or armpits sent his stomach churning. The rustle of a passing pedestrian’s jacket jammed into his ears like icepicks, and the approaching globes of LED headlamps burned his eyes. He gritted his teeth and groaned against the pain.
The dense mist wrapping his brain made it hard to think. Like a frightened animal, he made his way on instinct alone. Home. He needed to get home. Out here, on the street, he was exposed. At home, locked away in his small apartment, he would be safe.
A car passed in the street, bass heavy rap music blaring from its open windows, and Dom’s brain exploded with agony. He threw himself against a street sign and held on for dear life, his legs weak. Dizziness overwhelmed him, and he almost went down. He was also cold.
So, so cold.
People around him quickened their step; they never took their eyes off him, as though he were a venomous snake that would strike at any moment. He needed to get away from them. They were going to hurt him; people always hurt him.
Pushing away from the sign, he began to hobble once more toward home, wherever home was. He looked over his shoulder several times as he made his way down Central Avenue, and each time, he saw that no one was following him as he had feared.
No one, that is, except for the man in sunglasses.
Tall and lank with curly hair, he wore dark Aviators and a leather motorcycle jacket over a button up shirt. His hands were thrust deep into his pockets and his face showed no expression. He was always there, always a few steps closer. Outside Capital Fried Chicken, a group of people openly stared at him, He heard their whispers as he passed. What’s wrong with him? Dude’s straight tweakin. And the one that struck him the most. That guy looks dead.
Dom hobbled faster, as if to outrun the realization that he was, in fact, dead. The man in sunglasses was closer now, his footsteps so loud that Dom winced. He turned around, and the man was impossibly in front of him. Dom ran into him and bounced backward, going ass over tea kettle and landing on the former. They were in front of a church on a darkened corner, the lights here either burned out or shot out - you could never tell in Albany. Even though it was dark, Dom could see everything with crystal clarity. Dom tried to scurry away, but he was too weak to escape. Right there and then, he decided to give up. Come what may, he just wanted this nightmare to be over.
The man stared down at him, emotionless, unspeaking.
Dom squirmed.
“You’re real lucky I came along,” the man said. His tone was flat, even.
Dead.
“Get up,” he said, “I’ll take you home.”
Home?
Yes.
Dom wanted to go home.
The man helped him up, and Dom followed him into the night.
***
Bruce Kenner stood in the middle of the medical examiner’s office at half past nine that evening with his hands on his hips and stared doubtfully down at Ed Harris. The lonely cavern was alive with activity as cops went over everything, all of them looking either bemused or a mused. Bruce was neither. He’d been at home, sitting in his chair and having a beer in front of AEW Dynamite when Vanessa called. “You might wanna get down here,” she said, sounding confused, “something really strange is going on.”
Ed Harris - no relation to that one guy - sat in a straight back chair beside his cluttered desk and gripped a styrofoam cup of coffee in both hands, putting Bruce - for some reason - in mind of a monkey. When Bruce came in, the old man was white as a sheet and shook like a leaf. In the last half hour, little had changed.
“Tell me again,” Bruce said.
He and Ed were pretty good friends. He knew that Ed knew standard police procedure. Cops don’t ask you to repeat your story a thousand times over because they’re forgetful fucks, they do it because telling it again and again helps to jog loose details that you might have forgotten. Ed, therefore, did not protest. “I turned my back,” he said and chopped the chair like Jackie Chan, “and I heard the noise.”
His voice was thick, unsteady, and halting. He sounded as squirrely as he looked…and he looked pretty damn squirrelly right now.
“I turned around…and he was looking at me. He was standing there and he was looking at me.”
This was the fourth time he’d had Ed go through the story, and nothing had changed. Bruce felt something stirring deep inside his gut. It was either disquiet…or he had to fart. He opened his mouth to speak, but sighed.
“You don’t believe me,” Ed said.
“I dunno, Ed. Dead bodies don’t just get up and walk away.”
Ed flashed. “I know that, goddamn it, but this one did.”
Bruce glanced at Vanessa. She looked uncomfortable.
“Are you sure he was dead?” Bruce asked.
Ed opened his mouth, closed it again, and said, “I did the autopsy.” His voice broke on the last word, and he sounded almost like he was pleading. “His fucking liver’s on the floor. He stepped on it. The man has nothing in him. I-I’m telling you, there’s no way he’s alive.”
During the autopsy, Ed had sat Dominick Mason’s organs on the little tray table where he kept his pointy things. Mason knocked it over while getting up. Indeed, there were human organs on the floor, and one of them did look kind of squished. Bare, bloody footprints led to the exit door, up a set of concrete steps, and then disappeared in the alley behind the office.
“You said you left his heart,” Bruce said.
“And his brain,” Vanessa helpfully added.
Ed pinched the bridge of his nose like a put upon professor dealing with two particularly stupid students. “Even with his heart and his brain, he’s dead. You saw the livor mortis. He was cold, he was stiff. His heart wasn’t beating, he wasn’t breathing. He was in one of those drawers for nine hours, not breathing, no blood flow - it’s impossible. It’s just…it’s impossible. I don’t care what you think, he was dead. And even if somehow he wasn’t, I cut out almost everything. I opened his stomach, I took his spleen - you don’t just get up from that. You don’t walk away from that, much less run.”
Bruce chewed the inside of his bottom lip because he didn’t have a Twix. He didn’t look like the smartest man in the world…and he wasn’t…but he knew a dead body when he saw one, and the body they took out of Dominick Mason’s apartment was D.E.A.D. And like Ed said, even if by some freak fluke of nature he wasn’t, he couldn’t just get up and go about his day with no liver, spleen, or kidneys. Hell, Bruce had his gallbladder out and he couldn’t even walk away from that.
“You said there was something funny about his heart,” Vanessa said.
Ed finished off his coffee. “Yeah. It was…moldy. I-I’ve never seen anything like it.”
“Is it possible that…has something to do with it?”
“Unless the rules of biology have changed overnight, no,” Ed stated.
While Ed poured himself another cup of Joe, spilling some because he was still shaking, Vanessa took Bruce aside. “So what do you think?” she asked. “Is he telling the truth?”
For that, Bruce did not have an immediate answer. All else aside, he was a cop. He followed the evidence - and his gut instinct - wherever it led him. Ed was a sober man - he was not a drunk, insane, or stupid - and no man on earth could fake the look of trauma in his eyes. Bruce’s eyes went to the bloody footprints leading away from the exam table and his stomach roiled. It might be cliched, but there had to be a rational explanation. “Yeah,” he finally said. “The kid got up like he said, but there’s no way he was dead. Maybe…I dunno, he had a surge of adrenaline or something. I’m not a doctor.”
“That’ll only get him so far,” Vanessa said. “We’ll probably find him on the street somewhere.”
He went back to the purple splotches on Dom’s face, to his cold stiffness. There’s no way he was dead?
Bruce was confused, and he hated being confused.
“I dunno,” he said, “maybe.”
But he had the gnawing feeling that they wouldn’t. They would never find him…and Bruce would be confused forever.
Goddamn it, Mason, he thought, where are you?

An hour after getting back from the Mason apartment, Bruce Kenner had the distinct misfortune of meeting Bertha Henderson.
A plump, gaudy woman with wrinkles and sun beaten skin only an alligator could love, Bertha Henderson wore bright red lipstick, bright red rouge, and way too much mascara. Her tangled hair was a dull red color and her clothes - pink pants and a white floral top - stretched tight across her bulbous frame. She looked like the kind of woman who lived in a trailer with velvet pictures of Elvis on the wall and pink flamingos in the front yard.
She acted like one too.
From the moment she stormed into his office, she hadn’t shut up once. She scolded, chided, accused, and badgered, sometimes even wagging one fat finger in his face like he was a naughty little boy. Ten minutes into the dressing down and Bruce was beginning to fantasize about police brutality.
It took him another ten minutes to find out what the hell she even wanted.
“It’s my granddaughter,” she shot back, “she’s missing in your town.”
My town? Lady, this is barely my office. I share it with three other people.
“Well, if you’ll calm down, maybe I can help.”
Jesus Christ was that the wrong thing to say. She hit the roof and didn’t come down again until Bruce was this close to arresting her for assault on a police officer. “Young man, I do not appreciate the way you’re talking to me. My tax dollars are the only reason you have a job. If it wasn’t for me, you’d be working at a car wash.”
At least I wouldn’t have to deal with you.
Bruce took a deep breath and held his tongue in check. “How can I help you?” he asked.
“I told you, my granddaughter is missing. If you listened to me, you’d know this already.”
Bertha produced a picture and slid it across the desk. Bruce studied it. A girl, roughly sixteen with black hair, blue eyes, and dimples smiled back at him. “She;’s with that Rossi man, I just know it,” she said bitterly.
“Who?” Bruce asked.
Rolling her eyes like he was stupid, the old woman told him the story. Jessie - the dimple faced girl - had the rotten luck of having to live with Grandma Bertha after her parents went to jail on drug charges. They lived in Sand Lake, a little town in the mountains outside Albany, where Bertha was no doubt loved and admired by all. One day, Jessie, who her grandmother lovingly described as “A little troublemaker”, ran off. Bruce didn’t blame her. He’d known Bertha for half an hour and he wanted to run off. Bertha did some snooping on Jessie’s laptop and found that the “little whore” had been chatting with an older man, Joe Rossi. Rossi, or so Facebook said, lived in Albany and worked at Club Vlad.
“I want him arrested for pedophilia,” Bertha said and crossed her arms defiantly over her chest. “He’s a dog just like all men. She’s probably pregnant already. Another mouth I have to feed.”
Behind the old battle ax, Vanessa appeared in the doorway and lifted her brows as if to say What a piece of work. Knowing her, she’d probably been standing just out of sight this whole time with McKenny, the elderly evidence clerk, and snickering into her hand like a little girl. LOL she called him young man.
Bertha noticed him looking over her shoulder and started to turn. Vanessa’s face went white and she ducked out of the way, narrowly avoiding detection. “I’m glad you think this is funny,” Bertha said to Bruce. “Meanwhile, if I don’t get Jessie back, the state’s going to stop sending me my checks. I need that income. I can’t work, you know. I have gout.”
Too bad being an asshole isn’t a job, you’d be world-famous
“I’ll go talk to him,” Bruce said.
“I want more than talk, young man, I want action.”
“Yes, ma’am.”
When Bertha finally decided to waddle off and ruin someone else’s day, Vanessa came in and sat in the chair the old woman had so recently occupied. “Oh, my God,” she said, “that was intense. I was this close to radioing in a 1015.”
1015 was code for officer down.
“Funny,” Bruce said without a trace of humor. He had kids going missing, a dead guy someone moved around like a goddamn Barbie doll, and now this. What next, hemorrhoids?
“What do you think? Code 1 or code 2?”
Code 1 meant top priority. Code 2 meant not a top priority. Bruce thought for a moment. It didn’t sound like Jessie Henderson was in danger. It sounded like she met a guy - granted, one too old for her - and decided to hide out with him from her psycho grandma. Maybe it could be something more, but he had a gut feeling that it wasn’t…and his gut feelings were usually right. “2,” he finally said. “I got shit to do.”
By shit, he meant “Talk to the families of those missing boys again.” He’d been interviewing them for two days looking for clues, but there was nothing. It’s like they just vanished. Bruce didn’t like this. He didn’t like it at all.
“Well, I’ll leave you to it,” Vanessa said and slapped the desk.
When she was gone, Bruce sighed.
Never a dull moment, he thought.
***
Ed Harris - no relation to the Hollywood actor - had been the medical examiner for the City of Albany since 2002, and in all that time, he had never seen anything quite like this.
It was Wednesday evening and Ed was locked away in the cold, sterile space beneath the city offices that comprised his domain. With its puke green tiles, harsh lights, and cloying smells of disinfectant, the .coroner's office creeped most people out, but not Ed. He was at home here, as comfortable surrounded by toe-tagged bodies as a cactus was surrounded by desert. A thin man in his fifties with curly, steel gray hair thinning in the middle, he wore a white smock, blood stained over his clothes that made him look like a butcher instead of a low level government functionary. He had a dark and dry sense of humor, but then again, so do all people who play with dead bodies for fun and profit.
The coroner’s office was a vast, utilitarian vault segmented into multiple different rooms. Here, where the magic happened, three stainless steel tables stood in a row; a bank of refrigerated drawers kept watch, making sure nothing funny happened. One of the cold fluorescent lights overhead flickered with a hum of electricity, and water dripped rhythmically from a faucet. It was a cold, eerie place, but to Ed, it was home.
On most nights, only one of the tables was occupied, but tonight, two were. On one lay an old lady who died of what appeared to be cyanide poisoning. On the other was Dominick Mason.
Naked save for a white cloth draped over his groin to protect his dignity, Dom was the most corpsy corpse you’d ever hope to see. In fact, if you looked up dead guy in the dictionary, you’d see a picture of him. His body was pale and sunken, one side covered in purple splotches where his blood had pooled, and his eyes were closed. His abdomen was slightly distended with the expected build up of gas, and his flesh stuck fast to the bones beneath. In other words, he was text book. A normal corpse.
Mostly normal.
As men of his trade are wont to do when strange bodies mysteriously appear, Ed had opened Dom up, making a Y shaped incision from his neck to his groin. He hummed to himself as he did so, his hands wielding his sharp and shiny tools with the deft assuredness of a seasoned surgeon. Done cutting, he dipped his gloved hands into the cavity and started removing organs. A spleen here, a liver there, nothing Dom would miss. When he got to the heart, however, he stopped.
There was something…off…about it. At first glance, it was black and withered like an oversized raisin. An odd and putrid odor emanated from it and though he was familiar with the various smells and stenches the human body produced after death, this wasn’t one of them. Try as he might, he couldn’t place it, couldn’t even compare it to anything. Plucking a magnifying glass from the metal cart next to the table, he peeled back part of Dom’s chest and examined the heart closer.
That’s when things got really weird.
Dominick Mason’s heart was, indeed, shriveled, but it was not black. Instead, it was almost entirely covered by an interlacing crisscross of what appeared to be black mold. Here and there, Ed could glimpse flashes of the heart beneath: It was wrinkled and a sickly gray color. “What is this?” Ed asked himself at length. He grabbed a pair of tweezers from the tray and carefully, very carefully, attempted to remove a piece of the mold for analysis. The moment the cold metal tips touched the heart, it gave a violent spasm that sent Ed falling back with a shocked gasp, the tweezers falling from his hand and clinking to the tiled floor.
The heart began to pulse like an alien egg sac, slowly at first, then more rapidly. For a moment, Ed was frozen in place, unable to comprehend what he was seeing. Once you die, your heart ceases beating. That’s that. Only living hearts beat, and Dominick Mason was certainly dead. He was dead from the moment Ed first laid eyes on him earlier that day and he was dead now. Yet there was his heart, beating anyway.
It could be a muscle spasm. They usually aren’t that violent and consistent, but dead bodies sometimes do strange things. As he watched the blackened muscle expanding and contracting, however, Ed had the most eerie feeling. He went to rub the back of his neck, realized he was still wearing blood soaked gloves, and stripped them off. He was spooking himself out; he needed a break and a hot cup of coffee. He’d come back fresh and start over again.
With that mold.
Could you really blame him for being creeped out? That stuff wasn’t normal. He’d never seen anything like that before, not even in textbooks. Dom was scrawny and didn’t get enough vitamins in life, but overall, he was healthy; that mold…or whatever it was…had no business being there.
Going over to the coffee pot, which stood in the same room to save travel time, Ed grabbed a styrofoam cup. When he was done here, he planned to go home and -
A terrible, metallic clatter rang out, and Ed jumped. He turned around, and when he saw Dominick Mason standing next to the table, hunched slightly over and staring at him, an electric burst of fright shot up his spine and exploded in his brain, so strong it made the edges turn gray. Pale, hands hooked into talons, and the flaps of his chest hanging open to reveal the cavity beneath, Dominick Mason looked for all the world like a boy who’d been caught sneaking out to meet his girlfriend. A weak, involuntary, “Oh, God,” slipped from Ed’s trembling lips, and the spell was broken. Dom came alive and ran toward the door leading out to the parking lot. He slammed through it, and the sound of it crashing open and then falling closed again echoed through the empty chamber.
Shaking, panting for air, and soaked in piss, Ed sank to the floor in a sitting position, his eyes wide and staring like those of a soldier returning damaged from the front.
It was a long time before he composed himself enough to call the police.
***
Dazed and caught in a nightmarish twilight realm where nothing made sense, Dominick Mason limped painfully down the sidewalk, a stranger lost in a strange land filled with danger and hostile creatures. Barefoot and shrouded in a white sheet, he trembled with cold and struggled to ignore the dark, threatening shapes looming from the fog in his brain, shapes that would turn into unspeakable truths if he let them.
Passersby openly stared at him, their expressions either morbidly curious, disgusted, or alarmed. A man put his arm protectively around his girlfriend; a woman pulled her little boy to her breast, and another man sneered at him, his nose crinkling. Dom, his glazed eyes narrowed against the harsh glare of the many street lamps, headlights, and storefronts, lumbered headlong toward nowhere, his fear growing until he was shambling. He imagined he could hear every cough, every whisper; smell the odor of every unwashed body. Each car horn was deafening, every whiff of ass or armpits sent his stomach churning. The rustle of a passing pedestrian’s jacket jammed into his ears like icepicks, and the approaching globes of LED headlamps burned his eyes. He gritted his teeth and groaned against the pain.
The dense mist wrapping his brain made it hard to think. Like a frightened animal, he made his way on instinct alone. Home. He needed to get home. Out here, on the street, he was exposed. At home, locked away in his small apartment, he would be safe.
A car passed in the street, bass heavy rap music blaring from its open windows, and Dom’s brain exploded with agony. He threw himself against a street sign and held on for dear life, his legs weak. Dizziness overwhelmed him, and he almost went down. He was also cold.
So, so cold.
People around him quickened their step; they never took their eyes off him, as though he were a venomous snake that would strike at any moment. He needed to get away from them. They were going to hurt him; people always hurt him.
Pushing away from the sign, he began to hobble once more toward home, wherever home was. He looked over his shoulder several times as he made his way down Central Avenue, and each time, he saw that no one was following him as he had feared.
No one, that is, except for the man in sunglasses.
Tall and lank with curly hair, he wore dark Aviators and a leather motorcycle jacket over a button up shirt. His hands were thrust deep into his pockets and his face showed no expression. He was always there, always a few steps closer. Outside Capital Fried Chicken, a group of people openly stared at him, He heard their whispers as he passed. What’s wrong with him? Dude’s straight tweakin. And the one that struck him the most. That guy looks dead.
Dom hobbled faster, as if to outrun the realization that he was, in fact, dead. The man in sunglasses was closer now, his footsteps so loud that Dom winced. He turned around, and the man was impossibly in front of him. Dom ran into him and bounced backward, going ass over tea kettle and landing on the former. They were in front of a church on a darkened corner, the lights here either burned out or shot out - you could never tell in Albany. Even though it was dark, Dom could see everything with crystal clarity. Dom tried to scurry away, but he was too weak to escape. Right there and then, he decided to give up. Come what may, he just wanted this nightmare to be over.
The man stared down at him, emotionless, unspeaking.
Dom squirmed.
“You’re real lucky I came along,” the man said. His tone was flat, even.
Dead.
“Get up,” he said, “I’ll take you home.”
Home?
Yes.
Dom wanted to go home.
The man helped him up, and Dom followed him into the night.
***
Bruce Kenner stood in the middle of the medical examiner’s office at half past nine that evening with his hands on his hips and stared doubtfully down at Ed Harris. The lonely cavern was alive with activity as cops went over everything, all of them looking either bemused or a mused. Bruce was neither. He’d been at home, sitting in his chair and having a beer in front of AEW Dynamite when Vanessa called. “You might wanna get down here,” she said, sounding confused, “something really strange is going on.”
Ed Harris - no relation to that one guy - sat in a straight back chair beside his cluttered desk and gripped a styrofoam cup of coffee in both hands, putting Bruce - for some reason - in mind of a monkey. When Bruce came in, the old man was white as a sheet and shook like a leaf. In the last half hour, little had changed.
“Tell me again,” Bruce said.
He and Ed were pretty good friends. He knew that Ed knew standard police procedure. Cops don’t ask you to repeat your story a thousand times over because they’re forgetful fucks, they do it because telling it again and again helps to jog loose details that you might have forgotten. Ed, therefore, did not protest. “I turned my back,” he said and chopped the chair like Jackie Chan, “and I heard the noise.”
His voice was thick, unsteady, and halting. He sounded as squirrely as he looked…and he looked pretty damn squirrelly right now.
“I turned around…and he was looking at me. He was standing there and he was looking at me.”
This was the fourth time he’d had Ed go through the story, and nothing had changed. Bruce felt something stirring deep inside his gut. It was either disquiet…or he had to fart. He opened his mouth to speak, but sighed.
“You don’t believe me,” Ed said.
“I dunno, Ed. Dead bodies don’t just get up and walk away.”
Ed flashed. “I know that, goddamn it, but this one did.”
Bruce glanced at Vanessa. She looked uncomfortable.
“Are you sure he was dead?” Bruce asked.
Ed opened his mouth, closed it again, and said, “I did the autopsy.” His voice broke on the last word, and he sounded almost like he was pleading. “His fucking liver’s on the floor. He stepped on it. The man has nothing in him. I-I’m telling you, there’s no way he’s alive.”
During the autopsy, Ed had sat Dominick Mason’s organs on the little tray table where he kept his pointy things. Mason knocked it over while getting up. Indeed, there were human organs on the floor, and one of them did look kind of squished. Bare, bloody footprints led to the exit door, up a set of concrete steps, and then disappeared in the alley behind the office.
“You said you left his heart,” Bruce said.
“And his brain,” Vanessa helpfully added.
Ed pinched the bridge of his nose like a put upon professor dealing with two particularly stupid students. “Even with his heart and his brain, he’s dead. You saw the livor mortis. He was cold, he was stiff. His heart wasn’t beating, he wasn’t breathing. He was in one of those drawers for nine hours, not breathing, no blood flow - it’s impossible. It’s just…it’s impossible. I don’t care what you think, he was dead. And even if somehow he wasn’t, I cut out almost everything. I opened his stomach, I took his spleen - you don’t just get up from that. You don’t walk away from that, much less run.”
Bruce chewed the inside of his bottom lip because he didn’t have a Twix. He didn’t look like the smartest man in the world…and he wasn’t…but he knew a dead body when he saw one, and the body they took out of Dominick Mason’s apartment was D.E.A.D. And like Ed said, even if by some freak fluke of nature he wasn’t, he couldn’t just get up and go about his day with no liver, spleen, or kidneys. Hell, Bruce had his gallbladder out and he couldn’t even walk away from that.
“You said there was something funny about his heart,” Vanessa said.
Ed finished off his coffee. “Yeah. It was…moldy. I-I’ve never seen anything like it.”
“Is it possible that…has something to do with it?”
“Unless the rules of biology have changed overnight, no,” Ed stated.
While Ed poured himself another cup of Joe, spilling some because he was still shaking, Vanessa took Bruce aside. “So what do you think?” she asked. “Is he telling the truth?”
For that, Bruce did not have an immediate answer. All else aside, he was a cop. He followed the evidence - and his gut instinct - wherever it led him. Ed was a sober man - he was not a drunk, insane, or stupid - and no man on earth could fake the look of trauma in his eyes. Bruce’s eyes went to the bloody footprints leading away from the exam table and his stomach roiled. It might be cliched, but there had to be a rational explanation. “Yeah,” he finally said. “The kid got up like he said, but there’s no way he was dead. Maybe…I dunno, he had a surge of adrenaline or something. I’m not a doctor.”
“That’ll only get him so far,” Vanessa said. “We’ll probably find him on the street somewhere.”
He went back to the purple splotches on Dom’s face, to his cold stiffness. There’s no way he was dead?
Bruce was confused, and he hated being confused.
“I dunno,” he said, “maybe.”
But he had the gnawing feeling that they wouldn’t. They would never find him…and Bruce would be confused forever.
Goddamn it, Mason, he thought, where are you?

Here we are again in the shit stew that is the Fallowveil trailer park. We’ve got soul eating strippers, jobs that kill us, and plenty of weirdos, both the trailer trash and the potentially paranormal variety. It’s the place where even your own computer sometimes threatens to kill you. I can’t tell if I should be worried, or annoyed that all my neighbors have such irresponsible web habits. I know it’s not me that brings in all these machine wiping viruses.
So even though I got a system error that literally said “you’re useless and you should die” I’m less interested in that. Stupid thing. Like I don’t already know I’m useless. That’s not what I’m depressed about.
Well… I suppose it's tangentially related.
I hope anyone reading will forgive me. I’m feeling the sting of rejection right now. It was really stupid of me to ask. Especially now. Nobody here really likes me. They’ve only been nice to me as a courtesy because I was almost involved in a god damn shootout. And my idiot self decided that was the perfect time to push one of my few friends all the way away. Never ask your friends out on dates. It ruins everything.
So there’s this woman. I’ve talked about her in the past. Trista Ramone. She lives in the far back corner of the trailer park. You can instantly tell which unit is hers because she’s covered every square inch of the property with gardens and a rabbit hutch. The place usually has beads and colorful flags hanging on its walls as well. She’s kind of a right winger’s nightmare. I know some of those flags represent various lgbtq plus communities.
She and I have been friendly in the past. We’re both night shift workers. We crossed paths quite a bit going to and from work so we struck up a friendship over the years.
Let’s just ripped the band aid off. Recently I’ve started thinking I had… stronger feelings for Trista. I got stupid and decided to tell her about them. She wasn’t interested. I get why. We have very different lifestyles. I like meat, and she thinks the meat industry is murder. I’m not willing to give up meat, and she’s not willing to give up her beliefs. It's as simple as that. Now things are incredibly awkward with one of my closer friends and I’m still spiraling into self loathing, where I belong.
She swore up and down that she absolutely still wants to be friends with me, but I’m not sure I believe her. The look she gave me when I told her I’d like to ask her out. It looked like sadness, but a small part of me is convinced it was pity, or worse, disgust and loathing, and that small part gave me ever shuts the fuck up. But anyway, she gave me permission to write about her.
She is one of the creepy fixtures of our little neighborhood after all. She told me to make her seem as insane and scary as I possibly could and that she should get to kill me at the end. She also handed me a few of her high school yearbooks, advised me to chat with another neighbor of ours who she went to school with, and to only use creepy rumors for the rest.
Part of me is really willing to describe her as awful, but that’s just my anger. I don’t like that part of me. Trista’s not a bad person at all. She’s just weird and she doesn’t want to date me. God damn it, Petunia’s right. I need therapy.
So, I’ve told the story of the sexy, scary lady living in a polycule here in the trailer park. I think she’s got a bigger heart than she lets on. I’ve talked about the stories surrounding the Schroeder Slaughterhouse. Now let’s talk about the hippy everyone thinks is a vampire.
She’s a taller woman, maybe five-seven or eight, and she’s skinny. Her typical wardrobe is… interesting. Try to imagine your typical new-age hippy/stoner girl, wearing colorful sarongs, crop-tops, beanies, baggy sweaters, T-shirts with colorful sayings on them, sandals, boots woven from some sort of exotic plant, beaded necklaces, bracelets, a few too many piercings and some intricate tattoos. Can you picture that kind of person? Well, take that and dip them in “goth” dye. Everything is black, and contrasts to her pale white complexion, her eyes are this unusual violet color, and then make the woman wearing all that seem kind of depressed about something. That’s the look Trista has going on. Like if Wednesday Addams was forced to dress up for Hippy Day.
I’ve heard people call her an emo vampire, but as a former emo myself, she doesn’t fill out all the criteria. She doesn’t typically wear any super tight pants or cake on the eyeshadow. I guess she’s just Trista. It might sound weird (and it is) but the whole thing suits her. Her style, tattoos, and complexion all create this image of skinny vampiric waif with a mysterious past and a freaky sarcastic attitude and I found the whole thing… kinda hot.
Trista keeps to herself. She’s made the most out of her little corner of the trailer park. Like I said, she decked out her unit with garden squares, and a Rabbit pen. No idea why she’s allowed to do that. A lot of these places don’t allow pets. I heard she was also trying to put in a beehive too, but her neighbors are fighting her on that one. Our park is a bit too condensed for bees. She has a permit to grow hemp, but of course it’s not for recreational use. She treats it and uses it to weave things like handbags, clothes, and other stuff. There’s a consignment store in town that sells all kinds of things Trista has crafted herself. So she’s handy and self sufficient too. She paints, she carves wood, she weaves, she crochets, she sews, and who knows what else. She’s so good at her little crafts that apparently she’s able to support herself just selling them and working part time at the Moonlight Inn outside of town.
She’s also relatively friendly. I almost feel bad calling her weird, but here’s the thing, I’ve seen some REALLY weird shit. People jokingly call her a vampire, and she seems to embrace that, but part of me seriously wonders. The big clue is, like I mentioned, she’s completely nocturnal. She’s always asleep during the day, and every blind and curtain is drawn tight. The one time she came out during the day, she had on this full body suit with a helmet with UV glass and everything. Even then, she only showed up to give Petunia a hug, before leaving again.
That was the first time I saw Trista, come to think of it. I was kind of intrigued. It was kind of hard not to be when someone shows up to a community cookout in a freaking astronaut suit. I approached Petunia after she left.
“Who the heck was that?” I wondered.
“MASON! I’m so glad you could make it! You’ve been here about three months now! How’d that job interview go?”
“Oh. It went well. I might be doing janitorial work soon.”
“Night shift?”
“Maybe. I’m not sure.”
“If it’s the night shift, you’ll definitely meet the person who just left. That’s Trista. She’s the girl with the rabbits in the far corner. Poor girl. She’s got a really bad skin condition. Can’t let sunlight touch her.”
“Oh. Is she like… albino or something?”
“No, she’s got pigment. I don’t remember what the condition is called. I guess it started in high school or something. You’d have to ask her. And hey! If you work the night shift, you’ll probably get to chat with her!”
Petunia wasn’t wrong. I started working as a nighttime janitor for a number of local businesses. That was when I first started noticing the pale goth hippy. She rides around on a moped, with her dark hair and her sarong barely billowing behind her. I couldn’t see her face through the helmet, but she waved to me as she passed by.
The next time I saw her, she was jogging, but here’s where it gets weird. When I first stepped outside, all I saw was a blur. It actually startled me as I whipped toward it, but then there was this skinny tattooed pixie, somehow still looking like a stonehippy/vampire in jogging gear. I swear she was moving inhumanly fast when I first noticed her. That was when we introduced ourselves. She actually jogged over to say hello.
“Hey! You’re the new guy right?”
“Oh, uh, yeah. My name’s Mason!” I reached out to shake the pretty girl’s hand, like an awkward loser. She smirked and shook my hand. Her grip was weirdly strong, and a bit cold.
“I’m Trista. I’m the weirdo in the back with the rabbits.”
“Trista… oh, are you the one who has a thing with sunlight? I think Petunia mentioned you.”
“Yup! That’s me. Xerodoma pigmentosum. Sunlight hurts. I hate that it hurts.” She lamented.
“That’s gotta be rough,” I said sympathetically.
“You get used to it. You work at night?”
“Yeah. Works better for me.”
“I get that.”
And so on and so on. She’s pretty cool, with a bit of hilarious snark in there. And she secretly procured recreational weed she was willing to share. I kept working the night shift just hoping for another chance to talk to her and possibly buy a joint. Eventually she invited me over to share a joint. The inside of her place was actually pretty sparse and spartan compared to the outside. Though she was a fan of hanging beads. Most of the main room was taken up by her various crafting projects and supplies. Hemp weaves, some paintings, and even a wood carving of what I think was a rabbit, but it wasn’t anywhere near complete.
I followed her to her kitchen where she reached into the very back of her pantry and pulled out a shoebox. Inside was her stash, but there was something else which I found very strange. It was a pack of syringes and a thing I assume is to sterilize syringes. I know what you’re thinking, and that was my first thought too. It’s a poor neighborhood, the woman already smokes weed illegally, it’s not that big a shock that maybe she was involved in other drugs too. I decided not to ask at the time. We shared our joint, and we laughed, a lot. She made fun of me for being a lightweight, while I got completely hypnotized staring at the patterns of a shawl she had woven.
Months went by and we got closer, but I couldn’t forget those syringes. After a while I got worried. I’ve seen what heroine does to people. So the next time I went over to smoke and eat (vegan) pizza with her, I asked.
“Trista? Are you using anything other than weed?”
“Drugs?”
“Yeah.”
“No. Why?”
“You can tell me if you are.”
“Mason, sweetheart, I’m a stoner. I don’t fuck around with anything else and I never have.”
“Really?”
“Really.”
“Okay. Can I ask what that set of syringes are for?”
“Oh. In my stash box? Those are… part of my condition. I don’t want to talk about it.”
“Oh. Is it like… embarrassing?”
“Yeah. So don’t ask. Can we just watch a movie?”
So I don't ask anymore. But I still have no idea what she does with those syringes. Based on what I read about that Xerodoma Pigmentosum thing she says she has, I have no clue what she would need to inject herself with.
Another time she asked me to check on her rabbits for her during the day, as her usual “sitter” had something come up. All I had to do was chop up the lettuce and carrots she left out. As I was enjoying the adorable fluffy faces, one of Trista’s neighbors, a woman named Bridget, poked her head outside her door.
“Hey. Do you know what Trista injects those rabbits with?”
“I… what?”
“I’ve seen her use syringes on those rabbits. She said she was just giving them medicine, but I swear I see her inject them every week.”
“I… I wouldn't know. She just asked me to feed them.”
“I love Trista, but that always seemed so weird. She has to know vaccines are a hoax!” I tuned the woman out after that one. My mind was on that set of syringes. Why would she be using them on rabbits? These things were her pets.
I was starting to crush on her by then. But I couldn’t help feeling weirded out by that. I was actually going to confront her, but the next time I came to visit, she was literally inside the Rabbit hutch, on her back, squealing with delight as her rabbit friends nuzzled and played with her.
“Bonnibelle! That tickles! Marcy! No chewing. Finn? Watch where you’re sticking that foot! Jake? Where are you? EEEEE Lumpy! Not the neck!”
It was as silly and adorable as it sounds. She was forced to whip herself upright when two of her little friends tried to burrow under her dress. She finally stood up with a laugh, cradling a rabbit in her arms and cooing at it.
There was just no way in hell this woman was doing anything that would hurt these animals. Bridget is a paranoid antivax weirdo anyway. If Trista was using syringes on the rabbits, I was convinced it was only for their benefit.
So life went on. I got more and more reclusive over the years. Petunia, Trista, and my next door neighbor Fred were the only things keeping me remotely connected to the outside. And so we get to now. So let’s see. What are the stories about the weird vampire woman?
Well, there’s the fact that she jogs at night, solo, in a poor neighborhood. Petunia keeps the shitty people contained and behaving for the most part, but I still wouldn’t exactly call it safe, especially for a young skinny woman. But she does it without a care in the world.
There’s one strange event that some people like to connect to this. I never knew this guy, but from what I hear he was a total weirdo who leered at anyone even remotely female. And this is despite the fact he was married. His name was Josh.
I remember him a bit. He’s the guy that Petunia chased away from one of her barbecues. Supposedly he was heard saying inappropriate things to the groups of ten year old girls that were playing in the bounce house Petunia rented. Telling them how pretty they were. Trying to coax them to take off their jackets. Police reports were filed but ultimately nothing could be proven. The guy's wife, Carole, always defends him for some reason.
But anyway, I remember hanging out with Trista one night a little over a year ago. She hadn’t gone jogging like she normally did. I asked her what was up with that.
“That weirdo, Josh has started catcalling when I pass his place. It weirds me out.”
“There aren’t other people who do that at night? I’m still shocked you jog alone.”
“Not like this. I can flip off a wolf whistler. But this guy… he keeps trying to get me to stop and talk to him, and when I don’t? He shouts about my ass. I’m gonna have to talk to Petunia about that shithead, if anybody can reign him in, it’s her.”
I’m gonna guess she never got a chance. Two days later, the whole town was awoken by sirens. I was getting ready for my shift when I heard them. I walked down the road a bit to see if I could figure out what was going on. The cops were heading toward the other side of the park, so I couldn’t see much. But I did notice Trista, in her jogging gear, skulking in the shadows. I wondered if she was in trouble. But before I could call out to her, she sprinted straight to Petunia's house and banged on the door. Petunia welcomed her inside, and that was all I saw. I still wasn’t sure what was going on, so I just shrugged and headed to work, figuring I’d text Trista later.
I didn’t learn till later that Josh was found dead. He was lying prone, face down, partly hidden by bushes at the edge of the park. His neck was cut open. He’d bled out rapidly. He had a knife in his hand, and officially it’s believed he fell on it and accidentally killed himself. There was a cocktail of drugs in his system so most people accept that explanation. But others swear they saw Trista out for her jog around the same time Josh would have been bleeding to death. She got questioned, and she swore she didn’t see anything. Without evidence, there was nothing else that could be proven.
Trista’s a friend. I know that guy was being creepy to her. So I’m happy to take her word for what happened, even if my seeing her going to Petunia’s pokes a bit of a hole in that. I can’t be sure it was Trista though. So I’m not saying a word. But if a certain creep attacked a certain lady who is rumored to be a vampire, it’s not that surprising to me that he ended up dead after bleeding to death. I’m not all that broken up about it.
I’m not the one spreading that story. Josh’s wife was the one who started the rumor. So now some people are even more convinced that the weird nocturnal hippy chick is secretly a vampire.
She’s no killer. No matter what they say. She would only have defended herself.
So that’s all the stories I’ve heard that have any credibility to them. There’s more people who swear she and Petunia perform weird rituals, and people who saw her moving “inhumanly fast” and such.
But now I have to share what I found in the yearbooks Trista gave me. I wasn’t really expecting much. I checked her senior yearbook out first. She looks about the same. Pale, goth, hippy, and sort of sad. She kind of looks even sadder in these photos if I’m being honest, but that’s high school for you. She graduated in the top half of her class, no sports or extracurriculars. I’m left wondering how she managed to go to school at the time of sun was so bad for her. I’ll have to ask her about that. So nothing really new there.
It was the yearbook from her junior year where things got really interesting. I was in shock when I found her. Trista is somehow impossible to miss, but unrecognizable all at once. She’s full of color! She wore more typical tie dye hippy attire. Bright vibrant pinks, reds, blues, greens, and yellows, in every photo, and holy shit was she busy. Captain of the soccer team, first chair flutist, president of the “green living” club and the “vegan alliance,” top ten in her class, it was all incredible. I think the main reason I didn’t recognize her was her skin. It was tan, as though she were out in the sun a lot. Furthermore there were photos of her playing sports and standing outside in bright sunlight.
It was like her disease wasn’t there, which confused me. She told me it was something called Xeroderma Pigmentosa. But that’s a genetic condition. She would have had that from birth.
I sent her a text, wondering about this.
- Hey! Just went through your yearbooks. What happened? You had color? Did you discover Linkin Park?
- My disease happened. Right at the end of Jr. year. That’s why I wasn’t there for the final class photo.
- But your disease is genetic… isn’t it?
- I guess it was dormant in me.
- So it just… happened?
- Pretty much.
- I’m sorry.
- I got over it. Mostly. It was hard. My parents were both hardcore vegan naturalists and we lived in a place that was all natural light and such, so I had to live in a shed for a bit while they built a space for me. But in my family? We kinda lean into whatever life throws at us. It took months of depression to come to terms with it. All of a sudden I couldn’t be out in the sun, and I had new dietary needs that absolutely required non-vegan sources. So I leaned into it. I was a vampire now. I can dig dark colors and “vampire style.” I could make it my own by avoiding leather. And I’d be as vegan as I possibly could.
- You’re kind of awesome.
- Damn straight. So I learned to love the night too and now, here I am.
I gained new respect for her after that. Frankly I feel kinda shitty about making fun of her for being a vampire. There might not be anything paranormally weird about her after all.
She sent me one more text telling me I should talk to a guy named Frankie. She’d gone to school with him. He’s a decent enough guy. Works in the Bicounty mall in town.
I had to wait a day or two for another of Petunia’s get togethers to talk to him.
“Hey!” I said awkwardly as I tried to figure out how to strike up conversation with someone I haven’t really spoken to in a long time. “Frankie, right?”
“Oh. Yeah. Been a while. How are you Mason? You okay after that whole thing at Red Nights?”
“I’m trying to be. Look, I’ll cut to the chase. You went to school with Trista Ramone, right?”
“Ol’ Boho Ramone? Yeah. We were sort of friendly. But I was a jerk to vegans back then. Why do you ask?”
“I’ve been hanging out with her. She’s being all mysterious.” He chuckled at that. “She said I should talk to you to learn more about her… weirdness? Everyone thinks she’s a vampire now.”
“She’s totally a vampire. I have no idea what else to call her?”
“Why do you say that?”
“What did she tell you about school?”
“Nothing. She just showed me two yearbooks. Between Junior and Senior year she went from colorful club president, to lonely vampire, because of her disease.”
“Nah man. I don’t want to talk bad about her. But she was kind of a bitch, junior year. She wasn’t just a colorful vegan. She was one of those “holier than thou” types who scoffed and talked down to anyone who dared to eat meat. Her “hippy” thing meant she never hung out with the popular girls but still, she acted like she owned the place at times. I was friends with this weird guy named Steven Jones. He was just kind of a weirdo. Skulking around in the background, you know? He HATED Trista. For a while I totally understood. I thought she was kinda stuck up. But this guy was like… irrationally enraged by that girl’s existence. I guess he tried to ask her out when he was a freshman and she politely declined. But he took that shit personally.”
“Huh. So like… why’s that matter?”
“Because Steven kept saying to anyone who gave him a second look, that he was gonna ‘ruin’ her. Never elaborated. But then the last month of school rolls around, Trista gets assaulted by an unknown assailant and a week later she’s got this new disease. Meanwhile, Steven spent a week strutting around the school looking smug, and saying ‘she got what she deserved.’ Then he disappears too. Teachers said he moved away.”
“She was assaulted?”
“Yeah. Someone in a face wrap tackled her while she was at one of her protests at the meat factory. The dude freaking BIT her.”
“Jesus.”
“Yeah. I was there. I came to the protest. I’ll admit I was trying to hit on Trista or one of the other girls there. But yeah. Dude dressed in all gray with a face wrap just charged in and went right for Trista. Knocked her down, bit her like a freaking zombie, then ran away before anyone could stop him. Didn’t even take his face wrap off. It was freaky, man.”
“What the actual fuck.”
“That’s what we all said. Trista needed a stitch. But while she was at the hospital, I guess she started getting more symptoms. She was out for the rest of the year. From then on, she was like she is now. Total vampire.”
“Was Steven a vampire?”
“I dunno. Probably. Little dickhead is what he is. Must have been him that attacked Trista, but nobody could prove it. Bite mark didn’t match or something. So why are you asking? You hang out with her at night right? You asking her out or something?”
“Oh. No. Just a friend.”
That was all I really learned from Frankie. It’s quite a story, and it’s full of unknowns that Trista refuses to explain. So I guess I’ll let readers be the judge. Is she a “real” vampire? Or just a weirdo? All I know is, she’s totally standing behind me right now and now I’m dead. Bleh.
I did come back to life to talk to Trista once I finished writing this. She enjoyed it. I may as well include that interaction.
I went to her place on my night off. She read my take on her and what the neighbors thought and she grinned. “Ha! I’m a total monster!” She chuckled. “So. What do YOU think, Mason? Am I a vampire?” She cocked an eye and playfully gnashes her teeth at me, making a pleasant little click.
I sighed. “No idea. You’re Trista. And… you’re my friend. I’m sorry if I made things awkward.”
She looked surprised by that. “Aw. Thanks Mason. You’re my friend too. It’s okay. I’m flattered.”
“You don’t have to explain.”
“So we’re cool?”
“Absolutely not. We’re both weird shut ins.” She laughed. It was good to hear her laugh. It made me happy.
“Yeah but I got the ‘mysterious vampire’ thing going.”
“You have dirt in your hair from rolling around with bunnies. And you’re a vegan.”
“Bite me.”
“Says the vampire.”
“You know, if I were a vampire, I could have bitten you when we both went to the slaughterhouses a few weeks ago.”
“That just makes me stupid.”
“You’re not stupid, Mason. You’re not a loser either.”
“So. You know of any other good spooky town stories that I can do next?
“Oh, sure. You ever heard the tale of Salome? She was a witch who would mash up the seeds of a Sinapis Alba plant to make a diabolical potion she’d dump on herself. They called her the ‘Witch of the Sands.’”
I’m embarrassed to admit it took me four days to realize Trista was just fucking with me. I only figured it out when I looked up Sinapis Alba and learned that mashing the seeds just makes mustard. “Salomi the sand-witch.” Well played, vampire hippy…
Sexy Neighbor
Haunted Slaughterhouse

HIDIVE UNSHEATHES “I PARRY EVERYTHING!” FOR BATTLE THIS SUMMER
North American Premiere Screening at Anime Expo 2024 on July 4
Download Key Art Here: https://spaces.hightail.com/space/16VDtu7dwK
HOUSTON, TX — May 16, 2024 — Shonen fans can look forward to a summer of sword fights starting this July. AMC Networks’ anime streaming service HIDIVE announced today that the new fantasy action adventure series I Parry Everything! (full title: I Parry Everything to Become the Greatest Adventure!) will stream exclusively as part of its Summer 2024 simulcast season. Based on the popular novels written by Nabeshiki, I Parry Everything! is the newest title in the slate of anime TV series acquired as part of Sentai Filmworks’ (Sentai) multi-year agreement with Mainichi Broadcasting System (MBS) revealed in March 2023. Ahead of the series’ July premiere, HIDIVE will host the North American premiere of I Parry Everything! Episodes 1 & 2 on July 4 at Anime Expo 2024 in Los Angeles, Calif.
“We’re thrilled to offer fans MBS’ new series I Parry Everything! as an exclusive simulcast series this summer,” said John Ledford, President of HIDIVE. “This exciting fantasy action adventure series follows on the heels of My Instant Death Ability Is So Overpowered, the Winter 2024 hit series and most recent title acquired as part of Sentai’s multi-year agreement with MBS. Fans will not want to miss I Parry Everything!”
The Kingdom of Clays faces a dire crisis: an assassination attempt has just been made on its own Princess Lynneburg, and now its neighboring countries eye the aftermath like starving vultures, plotting the Kingdom's downfall. The ensuing conflict will shape the face of the continent for centuries to come...but Noor doesn't have a clue about any of that! Having freshly arrived at the royal capital after over a decade of rigorous, isolated training at his mountain home, he's dead set on achieving his childhood dream of becoming an adventurer, even if the only skills he possesses are useless ones. Sure, Noor can "parry" thousands of swords in the span of a single breath, but everybody knows you need more than that if you want to be an adventurer! Our hero's road to making his dream come true will be long(?) and arduous(?)—but if there's one thing Noor's not afraid of, it's some good ol' fashioned hard work!
I Parry Everything! is adapted from the currently eight-volume-long Earth Star Novel series written by Nabeshiki and illustrated by Kawaguchi, which is based on the original 2019 web novel acquired by Earth Star Entertainment Separately, a manga series also written by Nabeshiki but illustrated by KRSG is published in Comic Earth Star. Both the light novel and manga series are available in English from J-Novel Club.
I PARRY EVERYTHING! NORTH AMERICA PREMIERE
Date: Thursday, July 4, 2024
Time: 1:30 – 2:20 pm Pacific
Location: Room 403AB / Level 2 Concourse / Los Angeles Convention Center

Place: A house in Gangseo
The gentle rays peeked through the curtains. They illuminated a room. Inside the room, a woman and a toddler were sleeping. The toddler was a carbon copy of the woman -- black hair and pale skin.
A teenager gently nudged the door of the room. He had white hair and pale skin. He wore a black T-shirt, yellow shorts and an apron with "Certified Chef". He tiptoed into the room.
He saw the duo sleeping. The little one was hugging her mother and was drooling. The boy took out his phone and quietly took photos of the duo.
??? (thinking): My new home screen.
Hae-in: Zy...? Zygarde (quietly): Hey. Breakfast is ready sleepyhead.
He crouched and softly tousled her hair.
[Zygarde Lee]: 193 cm, 90 kg; XX, XXX, A+ (Ascended), SS, XX
[Hae-in Kim]: 181cm, 70kg; MR, LR+, A(Awakened), B, MR+
[Yeon Hwa Lee]: 86cm, 15kg; ???, ???, S, ???, ???
Hae-in (groggy): What time is it... Zygarde: 9 am.
Hae-in was startled. She woke up with a start.
Hae-In: Oh my god! I- Zygarde: It's fine~ Breakfast is ready.
Zygarde gently lifted Yeon Hwa and patted her back.
Zygarde: Yeon. Wake up. I made your favourite!
Yeon yawned and rubbed her eyes.
Yeon (groggy): Mmmm... Zygarde: Yeon! Look it's Taiyo! Yeon (awake): Tayo? Tayo!
The mother-and-daughter duo freshened up and sat down at the table.
Zygarde: Presenting... drumrolls, please... Zygarde: Yeon! Table tap.
Yeon Hwa began flailing her arms and tapping the table.
Zygarde: Samgyeopsal! Yeon: Samamamama! Zygarde: Samamamama!
The trio feasted.
A short while later...
Hae-in: Thanks for the food. I'll do the dishes. Yeon: Play!
Suddenly Zygarde's phone rang.
Zygarde: Who can it be? Oh, it's Yun. Zygarde: Yo man? Right now? Sure...
Zygarde cut the call and looked at Yeon forlornly.
Yeon: Papaa? Zygarde: Papa. Out. Sorry. Yeon: Papa back? Zygarde: Soon.
Zygarde nuzzled Yeon and she squealed and giggled.
Zygarde: I'll be back honey!
Place: A warehouse in Gangseo
[Seongji Yun]: 180 cm, 92 kg; XX, X, S(Ascended), B, XX
Yun: Thanks for coming down. I hope I didn't disturb your family time. Zygarde: Not at all! Tell me. What can I do for you?
Yun explained his predicament.
Zygarde: Do you have to follow his path? Don't get me wrong.
Zygarde gave a reassuring pat on his back.
Zygarde: Is chasing his shadow the only way you can get stronger?
Yun pondered.
Zygarde: Don't give me an answer right away. Could you keep this at the back of your mind? I want you to find your path.
Zygarde's phone rang. He chuckled.
Zygarde: It seems like some people miss me. I'll be off.
Place: A hospital in Gangseo
[Kim Seol Jin]: 184 cm, 79 kg; X, X, B(Ascended), C, XX
Seol Jin sat on the chair with a defeated expression.
Seol Jin: How bad is it? Doctor: His left kidney and stomach have ruptured. His condition has stabilised after surgery. We have to keep him in the ICU. Seol Jin: It's all my-
The doctor exhaled and patted him.
Doctor: I'm sorry to hear about the incident It's important to remember that it's not your fault.
He sat beside Seol Jin.
Doctor: These things happen, and it's natural to feel overwhelmed. Seeking support can be helpful during difficult times.
The doctor handed out a business card.
Doctor: If you feel very disturbed, I can arrange for you to meet one of our counsellors. Seol Jin: I don't think I need it.
The doctor prised the card into his hands.
Doctor: Take it, boy, and get something to eat! You've been here for the past 16 hours!
Seol Jin: Y-yes sir
A few hours later...
Place: A house in Gangseo
Hae-in: Looks like someone needs a nap. Yeon: Noooo... Zygarde: C'mere.
Zygarde gently lifted her.
Zygarde: Hold gently like a burger.
He cradled her and sang her a lullaby. Yeon soon drifted off.
Hae-In: I still have no idea how you do that every time. Zygarde: The secret is being the favourite parent! Hae-in: As if?!
The family sat on the balcony, enjoying the gentle breeze carrying the earthy scent of fallen leaves and the sight of vibrant, colourful foliage swaying in the wind, accompanied by the soothing sounds of rustling leaves and melodic wind chimes.
Hae-in: How long has it been since we had some free time... Zygarde: I know...
Zygarde lay on her lap and glanced at Hae-in. He rested the sleeping toddler on his belly. She was sleeping soundly and hugging her favourite Sanrio plush.
Zygarde: As I look up, the waning sun in the distance perfectly angles with Hae-in, as if a holy aura is surrounding her. Hae-in: Where did that- Zygarde: Her black eyes are akin to a pair of black onyxes. Hae-in: I- Go on? Zygarde: Her lips are like rose petals, soft and delicate, with a natural rosy hue that complements her graceful smile. Hae-in: Wow I- Zygarde: There's more! Hae-in: Go on...
Zygarde gently grabs Hae-in's head and pulls it closer.
Zygarde: And did you know that no matter what...
Hae-in tensed up.
Zygarde: I-
Hae-in lips touched Zygarde's. It certainly wasn't their first rodeo. But it was certainly their first one in a long time.
Their tongues intertwined. And their breathing had a shared rhythm. They closed their eyes to deepen their passion.
Zygarde: Mmm! Hae-in: Hmm? Zygarde (prying himself off): Yeon...
Hae-in became flustered.
Much to their surprise, she had not been disturbed by the whole event.
The duo softly giggled and continued their day.

I don’t know if it’s just my firm or if I’m already an out-of-touch partner, but the posts in this sub about associates worked to the bone are so different from what I experience in my day-to-day firm life. Most associates are protective of their schedules and regularly turn down work, even if they’re working below or just at their hours expectation. MANY associates don’t bill their required annual hours. The firm only gets involved if it’s shockingly low (like half) or there is a significant shortfall (over 10%) for multiple years. Associates also fight the firm for billable credit for things like business development or mentoring. In my group, partners have higher hours than associates while also balancing all of the truly non-billable stuff that comes with partnership. If a client needs something I don’t have the ability to say no, even if I’m dealing with a hellish travel schedule, presenting a webinar, trying to finish an article for Bloomberg, etc.
Associates also complain if they feel they’re working too much and can get partners in trouble. I had an associate who crapped on me in an exit interview because they didn’t like how much they had to work on a TRIAL where they were third chair and I was second. The comment bugged me and I looked back to see I was billing significantly more time than them; they worked around 200/month at the peak. Recently, another partner was dealing with unfortunately clustered court deadlines and because no associates would agree to help, they had to rely more heavily on the one associate already assigned. They told the associate they were working on staffing and this would be a short-term push, but the associate went over their head to complain about working a weekend and the partner was told to “back off” so the associate wouldn’t quit. This partner was regularly sending 3am emails and barely keeping their head above water.
What’s more troubling is the fundamental lack of ownership. Very few associates actually dive into their work and think proactively. They blow deadlines all the time. It’s like pulling teeth to keep an assignment moving. Some meet their deadlines but give totally half-baked work. They may not read the instructions and answer the wrong question, or their legal analysis begs more questions than it answers, or if I pull up their sources I see they missed something critical to the assignment. Feedback often isn’t implemented. I’ve been burned many times by investing heavily in training someone only to see minimal if any changes to their work product. At this point I usually cut bait. This isn’t all associates—some are rock stars, and the angels sing when they agree to do work because then I can trust them and relax for a moment. But they are the minority, maybe 1 or 2 out of 10. I’m sure I could be a more effective manager and inspire better work from the non-star associates if that was all I did. But I’m exhausted, damnit, and at some point I need to spend time with my kids.
I don’t know what I’m missing here. Am I blind to the associate struggle? To me they feel overcompensated and entitled and frankly a waste of client money. I’d torch the law firm hiring model if I could. But for now I’m too tired.

There are some kinds of wisdom only great suffering can bring. I remember my time in the Bardo with this in mind, for otherwise, the memory might drive me insane.
The night my heart stopped for nearly three minutes started off normally enough. I was working as a nurse in the psychiatric ward at a hospital in the state’s capital. Most of the patients there were harmless, mostly just suicide attempts or people suffering from drug psychosis or severe depression, but some were actively dangerous and certainly psychopathic in every sense of the word. The new admission was one of these- a three-hundred pound black man with a long history of smoking PCP, schizophrenia and violent, psychotic breaks from reality.
His eyes looked like flat pieces of slate as I walked in for my shift. They looked as blank and emotionless as the eyes of a doll. He sat at the table in the front room where the patients ate or played cards, alone under the bright fluorescent lights of the hospital. I walked to the station, where another psychiatric nurse named Ricardo was sitting behind the desk.
“What’s the deal with the new guy?” I asked him. Ricardo looked up, his dark Spanish face forming into a deep scowl. He ran his fingers through his jet-black hair nervously.
“He’s trouble, man,” he said in a crisp accent. “He got in a chase with the police and then punched some cops in the face. It took three guys to take him down, even after he got maced and tased. The judge sent him here on a temporary court order, since he claims he’s been getting chased by Nazis in UFOs, and that’s why he ran from the cops. He thought the cops in their uniforms were actually the SS, and the helicopters were alien spacecraft, or something. I don’t know, I didn’t listen to the whole story.”
“You have his file?” I asked. Ricardo leafed through a stack of folders with his thin fingers, snatching one out and handing it to me. I looked down, reading the information:
“Jeremiah Brown, black male, 37-years-old.
“History: Polysubstance abuse, schizophrenia, antisocial personality disorder.
“Psychiatrist’s note: This patient has scored a 36 out of 40 on the Hare Psychopathy Checklist. While I am always hesitant to label a patient as an antisocial personality, a combination of factors has made it essential for this patient.
“Patient has an extensive criminal history as well as a lengthy history of involuntary psychiatric admissions. He has been diagnosed as having antisocial traits since he was a young teenager. Patient has a long history of violence and suicide attempts. He has a history of imprisonment for manslaughter, armed robbery, grand theft and aggravated assault. Upon discharge, he refuses to take any antipsychotic medication, citing the side effects as the reason. Long-term prognosis is poor…”
I had not been sleeping well the past few weeks. I rubbed my eyes as I read through the file, feeling exhausted. I tried putting on lucid dreaming or meditation music from YouTube to help me sleep, but whenever I closed my eyes, I saw horrible things: chalk-white female faces whose lips were cut into an insane rictus grin, flicking their heads violently from side to side and gnashing their fangs at the air. I had a feeling that many years of constantly watching horror movies and serial killer documentaries was catching up with me.
As I read through the file, a student nurse came around the corner wearing a white state university outfit and a name tag that said Kaitlyn. I looked up, seeing Ricardo wink at me from where he was sitting in his chair behind the main desk.
“She’s going to follow you,” he said. Inwardly, I groaned, but I managed to force a smile.
“Oh, great!” I said. She looked like she was probably no older than nineteen or twenty. She had a pretty body, but her face looked strange. All the angles were too sharp and her nose too large. I knew the patients here wouldn’t care, though. They would hit on anything. I sensed trouble. I looked down at my watch.
“Well, I’m Jay, and you already know Ricardo, I guess. It’s good timing, because we need to give medications every day at 9 PM. And we have a new patient, so we can introduce ourselves,” I said, giving her a faint smile.
“That’s exciting!” Kaitlyn whispered. I wanted to roll my eyes. It was definitely not exciting.
I motioned her to follow me as I made my way to the medication room, which was really just a large closet off of the main day room. I had to enter my code on a keypad, and then, once inside, enter it again along with the patient’s number and date of birth. The correct drawers for the medication in each specific dose would fly open, making it extremely hard for the wrong medications or doses to be given, unless it was done intentionally.
“OK, so for this patient, we need Haldol, Ativan and…” I began saying to Kaitlyn when the yelling started. It came out faintly, rising in volume and anger within seconds. I heard Ricardo’s Spanish voice, filled with panic. Something slammed hard against a wall, once, twice, three times, and then I heard the sound of glass breaking. I jumped, spinning around, but I couldn’t see much through the small, shatter-proof glass pane on the wooden door.
“Stay here,” I commanded, seeing Kaitlyn’s eyes widen, her freckled skin looking much paler than when we had first come in. “Don’t leave until I come back and say that it’s safe.” On the speakers strung throughout the hospital, I heard the first of the warnings echo out around us.
“Doctor Strong, Doctor Strong, please report to the seventh floor,” a robotic female voice said calmly, using the code for when a patient had to be subdued by force. I pushed the door open, slamming it shut behind me so that the lock would activate and protect Kaitlyn from whatever chaos was going on.
I heard Ricardo pleading with someone at the end of the hallway that ran past the main desk. He sounded strange, as if he were trying to talk through a mouthful of blood. Huddled behind the main computer, I saw one of the CNAs frantically whispering something in the phone. She must have been the one to call the Dr. Strong order.
“You don’t have to do this, man,” Ricardo gurgled faintly. I couldn’t see what was happening, as Jeremiah’s large body was blocking my view. I could see that the thick glass window at the end of the hallway was broken, however. My heart skipped a beat as I surmised what was likely happening.
I sprinted forward as quietly as I could, but the large man heard me. His massive body turned, his flat, dead eyes scanning me with absolute coldness and calm. I saw he had a bleeding Ricardo in his hands. Ricardo’s back and head were covered in deep cuts and shards of glass. He must have used Ricardo’s body as a battering ram to break the thick glass window. Jeremiah held Ricardo suspended halfway out the window, seven floors above the concrete walkways far below.
“Stay back, or this fucker will know what it feels like to fly,” Jeremiah said in a deep, gravelly voice. He shook Ricardo for emphasis, sending his head snapping back and forth with painful cracking sounds. Drops of blood flew from his nose and a deep gash across his cheek. Pieces of shattered glass littered the carpet, shining like countless tiny stars.
I put my hands up, taking a step back. Far behind me, I heard the front door for the psychiatric ward open. Voices echoed down the hall. Knowing that reinforcements were coming, I tried to buy some time.
“Let’s talk about this,” I said, taking a step forward slowly. “You don’t want a murder charge, do you? You’ll never see the sky again.”
“I don’t give a fuck! I’m not afraid to die!” Jeremiah screamed, pushing Ricardo onto one of the shards of broken glass still attached to the windowsill. It bit deeply into the back of his neck, sending fresh streams of blood rushing out, dripping down to the pavement far below. I heard security guards and doctors running down the hallway behind me, their voices frantic and excited. Jeremiah saw them coming. With an animalistic panic in his eyes, he lifted Ricardo up. I cried out something, stepping forward, but it was already too late. In horror, I watched as he threw Ricardo out the window.
I watched Ricardo’s body soar in a graceful arc, his arms grabbing at empty air as a scream ripped its way out of his throat. Within a fraction of a second, he had disappeared from view, but his terrified shrieking floated up to us for what seemed like a very long time. His screams ended abruptly as a shattering of bones and a wet smacking sound exploded far below us.
Jeremiah turned to me, his large body moving much faster than seemed possible. In his hand, I saw a piece of broken glass, five or six inches long and as sharp as a dagger. I tried to turn and run, but he was fast and strong. He lunged forward, his arm coming up in a blur towards my neck.
The shard entered my skin with a cold, numbing pain. I felt it slice through the flesh easily, felt the blood bubbling up my throat as I tried to scream, choking. The taste of iron filled my mouth as I fell backwards. I was suffocating, I knew. I must be dying.
Something cold ran down my body, gripping my heart like freezing, skeletal hands. The world swam around me and turned black. And then I was rising into a tunnel. At first, it was dark, filled with flickering shadows, but a fiery red light appeared at the end. I followed it, no more than a screaming mass of consciousness rising up into infinity.
***
I rose up through the end of the tunnel and found myself in an empty hospital ward. It looked identical to the psychiatric ward I had just come from. It even had the same smashed, blood-streaked window at the end of the hallway. A massive puddle of blood about ten feet away marked the spot where I must have died. But the fluorescent lights overhead here were flickering, and many had gone totally dark. The shadows seemed to press in on all sides.
The doors to the patients’ rooms were all tightly shut. I felt watched, afraid to call out or make any noise. I started walking down the hallway back towards the day room where the front desk was. All the lights there were out. A thick curtain of shadows hung in the air.
“You can come out,” a male voice as smooth as glass called from the darkness. I jumped, my head flicking in random directions, but I saw nothing. The voice almost sounded like it had an English lilt to it, a slight Cockneyed accent. “I know you’re there.”
“Who’s there?” I called out, not stepping forward. “Show yourself.”
“As you wish…” the voice hissed. “But I think you’ll regret it.”
***
The darkness split apart as if a nuclear missile had exploded. I raised my hand to shield my face, but the light and heat kept pouring out all around me. It blinded me, causing a rainbow of colors and shapes to morph behind my closed eyelids. After a few seconds, it subsided. Blinking rapidly, I squinted in the direction the voice had come from.
A male figure stood there, bathed in a silhouette of light. His face looked as white and as smooth as marble. His eyes were pits of darkness that seemed to flicker and burn. Two black, rotted wings surrounded his body, all sharp angles and thin, curving bones. His body was clothed in silky, blood-red robes, and a hood covered his platinum blonde hair.
He looked somewhat similar to Leonardo DiCaprio, if he was possessed by some ancient god, and it immediately threw me off-guard. If I was dying, and this was a hallucination of my brain, why would I be hallucinating Mr. DiCaprio?
“Who are you?” I asked, taking a hesitant step back. “Where am I?”
“My name is Lucifer, the Bringer of Light and Wisdom, and you are in the Bardo,” he answered.
“Oh,” I said, my heart dropping. “Well, that’s not good. Are you here to torture me or drag to me to Hell or something? You are that Lucifer, right? The Accuser of God and the Father of All Lies?”
“So they say, but, like most things in your world, the words of the powerful and your rulers are the true lies. They call me the Accuser, but of what am I accused?” he spoke in a voice that rose like smoke. “Of bringing knowledge and wisdom to humanity by telling them to eat from the tree of knowledge, the tree that would cause them to rise above the animals?
“Indeed, at the beginning, I saw the creation. I was there at the alpha, standing by the side of God with all the angels as the universe came into being. The endless procession of light, the power of it, was something remarkable to behold. God is, indeed, the source of great power, but his consciousness is not what the believers say.
“After the creation of the universe, I saw his plan, how he ripped eternal souls from the source to imprison them. I saw how he took these divine sparks and forced them, screaming and wailing, into bodies made of meat to die over and over again. He said it was part of the plan, the great, divine plan, a plan of death and destruction, constant suffering and mindless agony. And the worst part was, he wanted to give humanity neither the knowledge of good and evil, nor the tree of life. I convinced them to eat the fruit so they could open their eyes to their nakedness, to their basic animal existence, so they could rise up out of it forever.
“Like Prometheus, I brought down the fire, and yet they call me the Accuser? God was insane long before he formed the universe. These holy men, they live and die in fanatical adoration to a divine being who is, in fact, totally indifferent to them.
“His consciousness twists and distorts, eating itself for all eternity. God feeds off the pain of others, for if his mind is burning, then all others should burn as well. When these holy men die, God will send their souls here to the Bardo, to suffer every evil they have ever done. The wisdom I brought those who called upon me freed them from this prison, and in exchange, the holy men burned them alive. I offered the wisdom that opens your eyes, but it has been forgotten and cursed.”
Lucifer’s body began to dissolve, drifting up into the air like ashes. All around me, a low, powerful current blew, a tornado that spiraled high up into the clouds. Like some sort of Cheshire Cat, his smooth voice continued to echo all around me, even as the form of Lucifer disappeared.
“And yet, you have not the wisdom. For that, like all the others who enter the Bardo, you must suffer, everything you’ve done. Every small hurt and agony inflicted on others comes back a thousand-fold in this place, but don’t be afraid.”
“How could I not be afraid?!” I screamed into the ward, but I found myself alone, the question hanging unanswered in the air.
***
The lights continued to flicker all down the hallway. Feeling strange and dissociated, I stumbled over to one of the windows. As I gazed out, I beheld a strange and alien world.
The sky was flat and gray. It stayed in constant motion, swirling and spiraling, like clouds of roiling smoke. There was no Sun or Moon, no stars, only the strange, shifting whorls of clouds. The streets were filled with burned-out husks of cars and mummified bodies hung from streetlamps. Other signs of carnage and bloodshed covered the apocalyptic streets. I saw what looked like shadows in the shape of people slinking through over the sidewalks, past rotting dogs and streaks of clotted blood. They had no features on their blank, dark bodies. They seemed to skitter and jerk forwards in eerie, twisting motions.
Horrified, I turned away, realizing I was no longer alone in the day room. In the day room, there were dozens of tables set up inside a rectangular perimeter that was walled in by cosmetic walls only four feet high. It was where the patients sat and played games or ate.
Under the flickering lights, I now saw each of the chairs filled with faceless mannequins. Many were dressed in Victorian suits and tophats. The women had frilly dresses of pink and blue that might have been fashionable in the 1800s.
As the lights strobed on and off overhead, I realized with an increasing sense of disquiet that the mannequins were moving each time it went dark. When I had first seen them, they were mostly posed to look like they were staring across the tables at each other, even though they had no eyes, just smooth, flesh-colored plastic. Now all of them were looking directly at me. Some were pointing or raising their hands in my direction. At the tips of their fingers, I saw the glittering of steel. The lights continued to flicker, and the mannequins rose from their chairs in the short periods of darkness, moving towards me in synchronized, strobing motions.
Frantically, I ran down the hallway back towards the broken window. In each of the rooms, I caught glimpses of something from a nightmare peeking out. I hadn’t been sleeping well lately, and when I had closed my eyes, I often saw ancient hags with chalk-white skin and yellowed, broken teeth whose jaws unhinged, their faces jerking in stuttering, dissonant ways that reminded me of the mannequins. Now, on both sides of me, I saw these same figures. They moved continuously out of the rooms, drawing closer with every breath.
I looked back, seeing the mannequins only a few steps behind me. I continued sprinting towards the broken window where the hallway ended in a wall. I didn’t know what would happen when I reached it. At that moment, there was no rational thought. I felt like a deer being chased down by a pack of wolves, feeling waves of blind panic and mortal terror rushing through my body.
But as I reached the end of the hallway, the end of my rope as it were, a blast of noise started, seeming to come from the walls of the building and the sky itself. It sounded like a siren, a low, drawn-out drone of a demonic whale call, rising and falling in crashing crescendos. The mannequins froze in place once again. The strange, witch-like creatures slunk back into the dark rooms.
I looked outside the broken window, seeing clouds of black smoke rising off in the distance. The flickering of massive infernos scorched the land, drawing nearer by the second. The siren sound faded slowly, like the dying echoes of a gong.
I was surrounded by dozens of mannequins. Their sharp hands were inches away from my face and neck. I saw metal glittering all around me and realized they had the sharp points of nails protruding from the ends of their fingers. I was afraid to move, but I heard a familiar voice from down the hallway. It was the confident voice of Lucifer.
“The siren means much worse nightmares than these are coming in the Bardo,” he said, his glossy, black eyes flashing with intelligence. He walked slowly towards me, his face grim and pale. “Hell itself is coming over the land. This building is no more than a construction of your dying mind, but the world outside is real.”
“How can Hell come and go?” I asked, confused. “Isn’t Hell a place?”
“Hell is a monster, a beast with many mouths and many eyes,” Lucifer responded. “It eats constantly, but its hunger never ends. Look, the first of the sacrifices scatter like cockroaches.” He pointed out the broken window, pushing his way through the mannequins effortlessly. I glanced outside, seeing thousands of people sprinting down the dark city streets. The inferno and thick clouds of smoke had moved much closer, and every few seconds, the ground shook slightly, as if we were experiencing the aftershocks of an earthquake.
“What can I do against such a beast?” I asked, my heart freezing with terror. But when I looked back over, I saw his form dissolving again, becoming translucent and drifting away like ashes. It seemed even Lucifer didn’t want to be present when the Hell-beast arrived.
“Seek divine wisdom,” he said, his voice trailing off into whispers. “Remember the source.”
***
Now crowds of tens of thousands of people were streaming into the city, filling every single inch of the streets. Their panic and fear was contagious. I felt it rising inside my body like a snake spiraling up my spine. I took off down the hallway, running through the swarm of frozen mannequins, each in their own ferocious position of attack. The lights flickered faster and went out. Yet the fires outside cast the entire world in a bloody glow, giving me enough light to see by and find my way. I sprinted down the stairwell, taking them two steps at a time. The screaming outside grew louder and more pain-filled. The shaking of the ground worsened with every passing second.
I burst out of the front entrance, seeing a world on fire all around me. Thousands of crushed, bleeding and burned bodies stretched out as far as the eye could see. Behind all this chaos and death, I saw a monster of unimaginable proportions slinking its way towards me.
Lucifer was right, I realized: Hell was not a place, but a creature, an enormous monster the size of a town. It had thousands of skittering, jointed legs that looked like little more than skeletal arms and hands, each of them dozens of feet long and white as freshly-cut marble. Its body stretched out to the horizon, an enormous blood-red cylinder of bony plates that slithered and undulated with a serpentine grace. Waves of peristalsis traveled down its length, like writhing intestines. Thousands of curving, bony spikes stabbed out of it, pointing in every direction. Like the quills of a porcupine, it would protect the massive creature’s body from many forms of attack, if anything was big enough to attack such an abomination.
Hell’s massive eyes flickered, balls of fire that spun and danced. They looked as bright as the Sun. Something like solar flares seemed to emanate from the orbs, flashes of blinding energy that floated over the apocalyptic wasteland. As its many legs smashed the ground, they left trails of fire that caused everything to explode into flames as if napalm dripped from its limbs.
But Hell’s most terrifying feature was its seven dark mouths. Its body looked a thousand feet wide, and the mouths at the front were evenly dispersed. At the front, blood-red teeth in the shape of enormous railroad spikes shone. Its lipless, skeletal face grinned as it moved forward, shaking the ground with every step. The mouths were on long, snake-like necks that could stretch out hundreds of feet. They moved forward in a blur, snapping up as many panicked souls as they could.
Countless souls in the rocky plains of the Bardo ran for their lives, away from this juggernaut. I saw men and women who looked like they came from every country and profession, some dressed in suits or spotless white lab coats, others wearing rags or orange prison jumpsuits. And yet, they all screamed in agony and fear here, their bodies pressed together in a crowd, and no one seemed to remember anything but their own mortal terror. Their voices came out faint and weak next to the roaring of Hell. It shook the ground all around us, as if an earthquake were tearing the land apart.
The first frantic runners of the surging crowd had nearly reached me. The nearest person, a young woman in her mid-twenties dressed in all white, was only ten feet behind me. She looked like she came from wealth, and even from here, I could see a ring with a massive diamond gleaming on her finger.
I took off blindly down the familiar streets of the city where I worked and lived, but these also seemed different. The church down the street from the hospital where I worked had a Satanic pentagram instead of a cross now, its exterior painted a bright, gleaming blood-red. When I had driven past it today on my way to work, I remember it read, “JESUS said, ‘I am the Way, the Truth and the Life. No one comes to the Father except through Me.’”
Now it read, “Nietzsche said, ‘Of all evil, I deem you capable. I have often laughed at the weaklings who thought themselves good simply because they had no claws.’” I wondered what that meant. Was that some sort of comment on me, on all of us here?
The woman I had seen running had caught up with me. She was fast, much faster than her slim body suggested. Her blue eyes were frantic and wild, filled with an animal panic.
“It’s right behind us!” she screamed, her face covered in a sheen of sweat. I was afraid to turn and look, but I could hear the chaos and bloodshed approaching, smell the flames and choking smoke. “Run! Get away!”
A new wave of energy surged through my body. I sprinted as fast I could down the strange mirror streets of the Bardo. I heard the agonized cries of countless souls behind us as the seven mouths of Hell ate them all greedily and then looked for more.
A skyscraper behind us collapsed into a pile of rubble, shaking the ground with a cacophony of falling concrete and shattering glass. The woman was running by my side. Just as I heard the breathing of something huge and predatory right behind us and smelled its sulfuric breath, a piece of concrete the size of a basketball broke off the collapsing skyscraper and flew into the road. I tripped over it, yelling as I flew through the air, skinning my arms and legs on the pavement. The woman’s eyes widened. Hurriedly, she came over and reached down her hand, trying to help me up.
“Come on, come on!” she cried. I looked behind her, seeing one of the gnashing mouths of Hell reaching forward on a blood-red, serpentine neck. The mouth was big enough to drive a tractor trailer into, filled with huge spikes of teeth. Its throat led into a black, smoke-filled abyss. Its fiery eyes were swirling pools of flickering orange light that shone with bloodlust and insanity. They focused on the woman, the entire head turning on its slithering neck.
I frantically raised my hand, intertwining my fingers with hers. Her hand was warm and soft. She started to pull me to my feet when the mouth of Hell snapped forward. Its jaw unhinged, scraping the pavement with a sound like grinding metal. The woman barely had time to turn as the mouth covered her and snapped shut with a crack.
She disappeared from view instantly, but I was still holding her hand. In horror, I felt warm rivers of blood explode all over my body as the mouth of Hell severed her arm at the wrist. She screamed, bleeding and crying, as she disappeared into the throat of Hell. Hell’s fiery eyes focused on me, and at that moment, I knew I was next. Its mouth opened wide again, like a bear trap ready to spring on a new victim.
It was dark in Hell’s mouth, but I smelled the thick reek of old blood and fire. I caught glimpses of tortured, mutilated bodies writhing and crawling down its throat. Shell-shocked, I could only lay there and watch. And that was when the strange doubling started.
***
I heard the frantic voices of men break through the fog of darkness and the fetid reek of blood. There was a mechanical beeping all around me, but I couldn’t tell where it was coming from.
“Clear!” one cried. I looked around, only seeing blackness. At that moment, I felt a surge of electricity rip itself through my body. My arms and legs all seized and my eyes rolled up in my head as the pain sizzled through each one of my nerves. I clutched the young woman’s hand tightly, feeling the large, gold ring with the massive diamond biting into my skin.
“Again!” another voice yelled.
“Clear!” the original voice cried. The electricity came again, and a flash of white light flew across my vision. I blinked, seeing from two sets of eyes at the same time: one in the Bardo, and one on the blood-stained floor of the hospital ward.
The Bardo stayed dark and sinister, but the clear white lights of the real psychiatric ward were blinding. It was a bizarre experience. Moreover, everything hurt. Over a few seconds, my vision of the Bardo faded, and I was simply a gravely injured man laying on the floor in a puddle of blood.
Four doctors and paramedics were crouching over me with a defibrillator. My shirt was ripped off, and nearly all of my skin was covered in blood. I raised my left hand, trying to talk, but only a fiery pain raced through my neck. I felt bandages covering my skin. A nurse was rolling a stretcher down the hallway towards me.
“It’s OK,” one of the doctors said, kneeling down. “You’re being taken to emergency surgery. You’ve lost a lot of blood.” I wanted to say something, but I couldn’t talk with the massive slice in my neck.
At that moment, I felt something in my right hand. I looked down, seeing a slim female hand with a massive diamond ring hanging there. Our fingers were wrapped around each other’s, but the hand had been cut off at the wrist. A ragged patch of bloody flesh and snapped bone poked out of the back.
“Nnnn,” I tried to say, shaking my head. I felt fresh streams of warm blood open up. “No…” The doctors looked down, seeing the dismembered hand. Their faces morphed into expressions of confusion and fear.
I closed my eyes as they lifted me up on the stretcher. One of them gently removed the cold hand from my fingers. But they could never remove the memory of what I had seen.
I know what happens after death, and it makes the worst life here seem like a dream. I know that, one day, I’ll be returned to that place. I know that, one day, I’ll see that great monster called Hell and the featureless, swirling sky of the Bardo again.
And the next time, I won’t wake up on a hospital floor, but will be trapped there with the others for eternity: an eternity of blood and fire.

This is part 2 of a series that I have done on the relevance that Old Testament social principles have to our times. In the first part I looked at the OT's critique of lesser of two evils politics. In this one I will be looking at the Old Testament understanding of the relationship between social justice and intersectionality. Intersectionality was a term popularised in the late 80s and 90s by scholar and activist Kimberlee Crenshaw. In her analysis she says the following:

• "One of the very few Black women's studies books is entitled All the Women Are White; All the Blacks Are Men, But Some of Us are Brave. I have chosen this title as a point of departure in my efforts to develop a Black feminist criticism because it sets forth a problematic consequence of the tendency to treat race and gender as mutually exclusive categories of experience and analysis...this tendency is perpetuated by a single-axis framework that is dominant in antidiscrimination law and that is also reflected in feminist theory and antiracist politics.I will center Black women.... in order to contrast the multidimensionality of Black women's experience with the single-axis analysis that distorts these experiences"(Demarginalising the intersections of race and sex, pg 139)
• "I observed the dynamics of structured intersectionality during a brief field study of battered women's shelters located in minority communities in Los Angeles. In most cases the physical assault that leads women to these shelters is merely the most immediate manifestation of the subordination they experience. Many women who seek protection are unemployed or underemployed and a good number of them are poor. Shelters serving these women cannot afford to address only the violence inflicted by the batterer; they must also confront the other multilayered and routinised forms of domination that often converge in these women's lives"(Mapping the Margins: Intersectionality, Identity Politics and Violence against Women of Color)

With this assumptions, definitions and terms used above I will look at how the Old Testament looks at social justice through an interconnected and intersectional lense in key moments in the text.
1)The justice precepts of the OT:

• "Thus says the Lord: Act with justice and righteous, and deliver from the hand of the oppressor anyone who has been robbed. And do no wrong or violence to the alien, the orphan and the widow, nor shed innocent blood in this place"(Jeremiah 22:3)
• "The princes of Israel in you everyone according to his power, have been bent on shedding blood. Father and mother are treated with contempt in you; the alien residing within you suffers extortion; they orphan and widow are wronged in you. You have despised my holy things, and profaned my sabbaths. In you are those who slander to shed blood, those in you who eat upon the mountains, who commit lewdness in your midst. In you they uncover their father's nakedness; in you they violate women in their periods."(Ezekiel 22:6-10)

2)David and the Prophet Nathan:

• "And the Lord sent Nathan to David.He came to him and said to him 'There were two men in a certain city, one rich and the other poor. The rich man had very many flocks and herds; but the poor man had nothing but one little ewe lamb, which he had bought. He brought it up, and it grew up with him and with his children; it used to eat of is meagre fare, and drink from his cup, and lie in his bosom, and it was like a daughter to him. Now there came a traveller to the rich man, and he was loath to take one of his own flock or herd to prepare for the wayfarer who had come to him, but he took the poor man's lamb, and prepared that for the guest who had come to him'. Then David's anger was greatly kindled against the man. He said to Nathan, 'As the Lord lives, the man who has done this deserved to die;"(2 Samuel 12:1-5)
• "Nathan said to David 'You are the man! Thus says the Lord, the God of Israel: I anointed you king over Israel, and I rescued you from the hand of Saul; I gave you your master's house, and your master's wives into your bosom, and gave you the house of Israel and of Judah; and if that had been too little, I would have added as much more. Why have you despised the world of the Lord, to do what is evil in his sight? You have struck down Uriah the Hittite with the sword, and have taken his wife to be your wife, and have killed him with the sword of the Ammonites"(2 Samuel 12:7-9)

3)The Levite and the Concubine:

• "In those days when there was no king in Israel, a certain Levite residing in the remote parts of the hill country of Ephraim, took to himself a concubine from Bethlehem in Judah. But his concubine became angry with him and she went away from him to her father's house at Bethlehem in Judah and was there for some four months. Then her husband set out after her to speak tenderly to her and bring her back. He had with him his servant and a couple of donkeys. When he reached her father's house the girl's father saw him and came with joy to meet him"(Judges 19:1-3)
• "When they were near Jebus, the day was far spent and the servant said to his master(the Levite) 'Come now, let us turn aside to this city of the Jebusites, and spend the night in it'. But his master said to him, 'We will not turn aside into a city of foreigners, who do not belong to the people of Israel; but we will continue on to Gibeah'. Then he said to his servant 'Come let us try to reach one of these places, and spend the night at Gibeah or at Ramah'. So they passed by and went on their way; and the sun went down on them near Gibeah, which belongs to Benjamin. They turned aside there, to go in ans spend the night at Gibeah. He went in and sat down in the open square of the city, but no one took them in to spend the night. Then at evening there was an old man coming from his work in the field. The man was from the hill country of Ephraim and he was residing in Gibeah...The old man said 'Peace be to you. I will care for your wants; only do not spend the night in the square'. So he brought him into his house and fed the donkeys; they washed their feet and ate and drank"(Judges 19:11-16/20-21)
• "While they were enjoying themselves the men of the city, a depraved lot, surrounded the house and started pounding on the door. They said to the old man, the master of the house 'Bring out the man who came into your house so that we may have intercourse with him'. And the man, the master of the house, went out to them and said to them 'No, my brothers, do not act so wickedly. Since this man is my guest, do not do this vile thing. Here are my virgin daughter and his concubine; let me bring them out now. Ravish them and do whatever you want to them; but against this man do not do such a vile thing'. But the men would not listen to him. So the man seized his concubine, and put her out to them. They wantonly raped her, and abused her all through the night until morning. And as the dawn began to break, they let her go"(Judges 19:22-25)

When we take these stories we see and intersectional analysis at play. In the Parable of the Prophet Nathan we see the thing of hospitality interacting with class. In the story of the concubine we see the theme of hospitality interact with gender and sexual violence. The Levite and the concubine are shown hospitality in the house of the father in law and the old man. But hostility is shown by the people of Gibeah to outsider. Here, we see xenophobic violence display itself through sexual violence. But then it gets worst of course. Because both the old man and the Levite are willing to sacrifice the concubine and the virgin daughter. The feminist theologian Phyllis Trible in her book "Texts of Terror" states that the house demonstrates the "gendered" limits of hospitality. When it is male figure, hospitality has to be protected at all cost. When it comes to the the women characters, they are more than willing to sacrifice that hospitality. To push them to the margins, symbolised by the outside of the house. And so we see in the concubine what Kimberly Crenshaw spoke of in her work at battered shelters. Structured intersectionality. A woman subject to the multidimensional forces of patriarchal norms, xenophobic hostility, and sexual violence. The story of the concubine parallels the multidimensional story of migrant and refugee women in our world today who face the multiple forces of xenophobic hostility, oppressive cultural norms, and sexual violence as well.
It's the same thing in Nathan's parable at a different angle. If we see the see the gendered limits of hospitality in the Concubine episode, we see it's class limits in this parable. The rich man is willing to show hospitality to a wayfarer. And he does it at the expense of the man who is poor. His hospitality is built on economic exploitation. Now the twist is that Nathan is telling this Parable both as an irony and to expose King David's hypocrisy. Because David did an injustice to Uriah the Hittite. He had him murdered to take his wife. And Uriah because he is a "Hittite" is a stranger, a foreigner. Murder is the most inhospitable act you can do to a stranger. Nathan breaks us out of a single axis analysis of things by making the point that the same norms that allow a rich man to exploit the poor are the same ones that allow a King to murder an outsider to take his wife. Xenophobic violence and class oppression are intertwined. Which is why in the precepts of the Prophets care for the poor and the widows and orphans is coupled with care for the alien and stranger. And it is couple in the rhetoric of Jeremiah to not shed innocent blood. The structures built on violence are the same ones that marginalise the poor and target the orphan and the outsider. Many of the people who are poor under these structures are also widows and aliens as well. And as the Prophet Ezekiel points out, which ties back to the story of the concubine, the same people with power that shed innocent blood and oppress and extort the poor are also the ones who normalise and perpetuate a culture of sexual violence. These are definitely relevant for our times because the Old Testament's ethical framework breaks us out of a single axis view of social justice to view things in a multidimensional perspective. We have to look at the lives of migrants and refugees from a multidimensional perspective. We have to look at the experiences of black and indigenous communities from a multidimensional perspective when in these communities women have to endure the multiple burdens of racial violence coupled with patriarchal and sexual violence. We cannot speak of an identity politic that does not look at class oppression and violence. All of these intersect. All of these are multidimensional. And in that multidimensional reality Jeremiah's voice rings as true back then as today. Stand up for the poor, the orphan, the widow and the oppressed who has been robbed. And shed no innocent blood in this place.

(continuation of part 3)
Since Fatal Calling is all about Cloud facing his past and his origins, Tifa’s musical theme is most appropriate for the ending cutscene. For all of these reasons, Tifa’s theme is absolutely appropriate for the conclusion of Fatal Calling. It makes a lot of sense then that once Cloud has finished revisiting the past and vanishes with the crystal to find his Promised Land, Tifa’s theme stops and Aerith’s theme begins.
There’s a lot to be said about Sephiroth in Fatal Calling. Sephiroth feeds off of despair, and deems Palamecia’s suffering inadequate: he seeks a much greater source of power than this realm. He states that Palamecia isn’t “the world that was promised to [him]”, referencing his desire to become the god of his core world of FFVII:

“Sephiroth: Melding with the planet, I will cease to exist as I am now only to be reborn as a ‘god’ to rule over every soul” (FFVII OG, disk 1, chapter 25).

Sephiroth’s line “Now, let us return [Cloud]. Back to the Promised Land” reveals he wants to return to their shared core world of FFVII, like we established in our review of the Remake timelines theory (see section “I. a) vii.”). Sephiroth wants to go back to FFVII and modify the OG timeline to achieve his evil goals. This is his ideal scenario, his place of complete happiness: his desired Promised Land. Fatal Calling is setting up Sephiroth’s plans for Remake. In fact, the after-credits scene wherein Sephiroth stands in Nibelheim as it burns confirms his return to the FFVII OG timeline.
However, he isn’t the only one returning. Now that Cloud has revisited his past in Fatal Calling, he’s ready to reach his Promised Land. After Sephiroth’s after-credits scene, the OG FFVII title and logo turn into the FFVII Remake title and logo, indicating a shift: we are now officially in the Remakeera or world. Cloud and Sephiroth disappeared at the end of Fatal Calling, and now the game is telling us where they’ve gone. Combined with Hamaguchi’s recommendation that players complete the collaboration event before playing Remake, I think this is a solid indication that the Cloud and Sephiroth we see in this collaboration event are those we encounter in the Remake world. Once the switch to Remake occurs, Aerith’s theme returns. This communicates that she is indeed —as we’ve proven countless times already— Cloud’s Promised Land. But it also conveys her importance to the story of Remake. Scenario writer Nojima confirmed this:

“Aerith's the most important character in the remake so we paid special attention to her lines” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 744).

Aerith was already important to OG, so what could’ve motivated Nojima to state her importance to Remake? Could it be that she’s even more important in the latter than she was in the former? In what way?
That was the collaboration! Before we move on from MFF x FFVII Remake entirely though, let’s glean some more relevant information from some of the collaboration’s promotional material and special features.
III. e) iii. Promotional Material and Special Features
Two particular pieces of promotional material for this collaboration stick out to me as extremely relevant. The first is a promotion for a new summons batch in the Mobius FF game, created in honor of the collaboration.
MFF x FFVII Remake Summons Batch Cloud Promo
The summons batch contains three FFVII Remake-themed cards, including a Cloud card. As you can see, this promo reads “Who awaits in the Promised Land?” under Cloud’s picture.
The second is a promotion of an Aerith and summons and an Aerith Job Card (in MFF, Job Cards allow a character to embody an archetype or another character, giving them certain physical traits, clothing, weapons and abilities):
MFF x FFVII Remake Aerith Summons and Job Card Promo
I couldn’t find this picture in English, but the text relevant to us translates to:

“Midgar's Flower Vendor Summons
‘I'm searching for you. I want to meet… you.’
The witch protects the planet, imbues it with power, and leads to the Promised Land.”

A few things here. First, Aerith is referenced by name, and we see a picture of her in her famous praying pose. Secondly, both Cloud and Aerith’s images are attached to the notion of the Promised Land. Cloud’s card asks who awaits there, and Aerith’s evokes a guiding role, as though in response. Thirdly, both Cloud and Aerith are attached to the notion of searching: Cloud searches for the Promised Land and whomever awaits there, and Aerith searches for Cloud’s true self. Speaking of which, the promo also includes parts of Aerith’s famous gondola date quote from OG:

“Aeris: I'm searching for you.
Cloud: …?
Aeris: I want to meet you.
Cloud: But I'm right here.
Aeris: I know, I know... what I mean is... I want to meet... you” (disk 1 chapter 24).

In case you’re wondering about the lady in Aerith’s clothes on the left-hand side, that’s Meia, a character in MFF. She is the “witch” being referred to in the promotional material. She’s often called the Azure Witch. Meia is wearing Aerith’s clothes because a Meia-type Job Card called “Flower Girl of Midgar” was created in honor of the MFF x FFVII Remake collaboration:
MFF x FFVII Remake \"Flower Girl of Midgar\" Job Card
There’s even an Aerith outfit you can have Echo wear, and it appears with Wol’s Cloud outfit in the promotional picture:
MFF x FFVII Remake Echo's Aerith Outfit and Wol's Cloud Outfit
To be fair, Tifa also appears in one of these summons promos. However, unlike Aerith’s, her appearance doesn’t reference the Promised Land or her version of the gondola date. She is not presented in connection to Cloud at all. On top of that, while the Aerith and Cloud outfits are promoted together, Tifa is paired with Vincent in the promotional image:
MFF x FFVII Remake Summons Promo Tifa and Vincent
This is hardly indicative of Cloti content in the event collaboration or in Remake.
III. e) iv. Cloud’s Promised Land
All in all, the collaboration tells the story of Cloud searching for his Promised Land, just as post-OG Cloud has been shown doing for years and years of canon SE content. Cloud is searching for Aerith in the MFF x FFVII Remake collaboration, just like he was in FFT and DFF, and just like he was shown doing in the 30th FF Anniversary Exposition. This is nothing new. However, the collaboration informs us that this mission to be reunited with Aerith is what leads Cloud to enter the world of Remake.
Echo noted that people obtain the Promised Land they deserve rather than the one they want. What does Cloud deserve? I believe the answer is: another chance at saving Aerith.
Cloud needs to start over, from the top. He needs to go back to the very moment he and Avalanche arrived at mako reactor 1 to bomb it. He needs to return to the beginning of the OG game. He needs a redo, a fix-it, another shot at happiness; a remake.

IV. The Hidden Plot Point: Mission Theory

a) Thesis
Here lies the heart of my theory. My dear Cleriths, Sephiroth isn’t the only one who travelled back in time to undo destiny and create a reality where things go his way: Remake is also —I would even say primarily— Cloud’s chance to free Aerith from her fate, save her life and secure his shot at happiness with her. That’s why he experiences MOTFs in Remake: he’s done FFVII before and now he’s back, although with only fragments of his memories from OG, to save Aerith. That’s why his triggers all involve Aerith: he doesn’t consciously remember anything from OG, but his grief over Aerith is so strong that it rises from his subconsciousness at the slightest trigger.
In Remake, Cloud remembers some but not all elements of the OG timeline (MOTFs), and it appears he only remembers the most important things: all his MOTFs revolve around Aerith and her fate. Our theory explains why Aerith triggers Cloud’s MOTFs in Remake quite perfectly: he traveled back in time to prevent Aerith’s death from happening. Remake Cloud remembers Aerith because, well, he knows her from OG. Post-OG Cloud has returned to the past to save Aerith, resulting in Remake. This is why seeing her in Remake triggers visions and memories of things that haven’t happened yet in Remake, but have already happened to post-OG Cloud. He recognizes her face on Loveless in Remake because seeing her face again is the whole reason he entered Remake in the first place. His visions of her death when they meet once more at the church, the spike of anxiety and grief as he watches her walk away from him, the constriction in his chest when she talks about doing everything in her power to help the planet… all of it, it’s all his memories of OG being jogged by things related to her death. What he’s forgotten from the OG timeline emerges in flashes of pain, images, memory and emotion. Remember that the language the devs used to describe these instances where Cloud reacts to Aerith in this way is always about “remembering” or “recognizing”; Cloud has to have seen Aerith, known Aerith, loved Aerith, lost Aerith and felt the pain of living without Aerith before in order to recognize and remember these feelings. Think about it: this is the only thing that can explain Cloud’s extremely selective MOTFs and the fact that he has MOTFs at all.
The Remake trilogy is all about Cloud and Sephiroth stepping into the ring one more time, both ready to risk it all to get what they lost in the OG timeline. Sephiroth is hungry for destruction and godhood, while Cloud stands determined to save the love of his life. Fighting for their respective goals, the fated enemies enter a new battle in Remake, one to end the war, both needing to win this time after losing so horribly in OG. Now, it’s all or nothing. Sephiroth vying for the planet, and Cloud reaching out for Aerith.
Cloud’s back with a quest, one he can’t fail— it’s the most secret and important plot point of all. I call this the “Mission Theory”.
IV. b) Mission Theory Logistics
There are a few things that remain vague, so I’m going to use this section of the analysis to speculate on the logistics of my theory. We know very little about the hows of the timeline and multiverse shenanigans, so I’m going to hypothesize. However, this analysis is about the whys: so if you’re not interested in mechanical speculation on the logistics of time travel and multiverses, you can totally disregard this section and skip to section “V.”.
IV. b) i. Cloud the Time-Traveler?
It’s unclear whether Remake is the result of post-OG Cloud going back in time to try his hand at the OG timeline again, or the result of post-OG Cloud somehow informing OG Cloud that he must save Aerith this time around. It’s vague in the same way that we aren’t sure if Remake Aerith is post-OG Aerith or if she’s been informed by post-OG Aerith via her connection to the Lifestream as a Cetra. Though it doesn’t much matter how Cloud has memories of Aerith’s death in Remake, I personally think that Remake Cloud is a time-traveling post-OG Cloud. My explanation as to why might be a little confusing, so again, feel free to skip to section “V.”.
One must be able to communicate with the Lifestream in order to obtain knowledge of the future. This access can only be granted to the Cetra or to the souls of the deceased that compose the Lifestream itself. Since Cloud is not a Cetra, he cannot commune with the Lifestream while he is alive, meaning a deceased post-OG Cloud would not have been able to communicate his memories of the OG plot-line with a living OG Cloud. Therefore, the only way Remake Cloud could have knowledge of the future (manifested as MOTFs) would be that Remake Cloud is inhabited by his post-OG consciousness. Effectively, this is time-traveling.
Then comes the question of how Cloud was able to time-travel at all. I have what I consider a pretty solid hypothesis. The most interesting thing about the realm of Palamecia is that every FF character that’s ever appeared in the realm for a cameo died in their core world beforehand (spoilers for FFI, FFV, FFVI, FFX, FFXII, FFXIII, FFXV incoming). These characters include Tidus (FFX), Lightning (FFXIII), Garland (FFI), Sephiroth (FFVII), Gilgamesh (FFV), Vargas (FFVI), Gabranth (FFXII) and Ultros (FFXV). My interpretation of Palamecia serves at least partly as a directory for deceased souls that can’t simply fade. For instance, FFX’s Tidus actually came back to life to be with his love>! Yuna !! FFX!<. Of course, MFF x>! FFX !!FFX!< and FFX-2, just like MFF x FFVII Remake came out between FFVII OG and FFVII. And similarly to Fatal Calling, the ending cutscene of MFF x>! FFX !!Next thing you know, FFX-2 comes out and shows Tidus returning to Yuna and their core world in an optional cutscene.!< The MFF x>! FFX !! Tidus !Remake.
IV. b) ii. Post-OG Cloud’s Amnesia
If we consider that Remake Cloud is a time-travelling post-OG Cloud who’s returned to the start of the OG timeline, we encounter another logistical problem: why doesn’t Cloud remember everything or most things from the OG plot-line in Remake, like Sephiroth and Remake Aerith do? After all, aren’t the three of them in the same time-travelling boat? Why isn’t Cloud as lucid on the matter as the two others? Didn’t the post-OG Cloud in Fatal Calling face his past and origins? Shouldn’t that mean Cloud would remember all that stuff in Remake from the start?
In OG, the true Cloud’s memories are repressed by both his false persona and Jenova. The latter’s memetic abilities are able to block Cloud’s memories of the past from emerging and conflicting with his SOLDIER persona. For instance, in both OG and Remake, Cloud is unable to hear Aerith tell him Zack’s name in Evergreen Park: Jenova blocks it out. I think this is a similar situation: post-OG Cloud’s consciousness carries memories things that Jenova doesn’t want Cloud to know, so she pushes down on them. On top of that, after travelling through different worlds and back through the Lifestream for who knows how long, post-OG Cloud’s consciousness must be quite weak. We know how good Cloud is at repressing, so it makes total sense to me that post-OG Cloud’s consciousness would be trapped or suppressed somewhere deep in Remake Cloud’s subconsciousness. After all, it’s not like this whole time-travelling-consciousness thing is normal for a mind to experience. It’s no wonder Remake Cloud doesn’t consciously remember how things go in OG. However, post-OG Cloud’s love and grief for Aerith are so strong that memories related to her can occasionally pierce through to his Remake consciousness and Jenova’s barriers, resulting in his MOTFs. His pain and love for her are definitely permanent and strong enough:

“A young woman descended from the Ancients who will forever be engraved in [Cloud’s] heart” (Dirge of Cerberus, Japanese manual, Aerith’s character description).
“I believe for those who formerly traveled with her as comrades and for the viewers, each carries their own feelings and love for Aerith. In this story, Cloud also carries his own undying feelings for Aerith, even to this very day… Its relation with the church scene is… Yup. I’ll leave this part to your imagination. (laughs)” (Nomura interview on Advent Children “Designer’s Note” in *Famitsu PS2!*magazine, October 24th issue).

So you see, Remake Cloud’s mind is a little more complicated than OG Cloud’s mind. Everything is still the same in Remake as in OG, but with the added complication that his future self is hidden in his subconscious mind, probably trying to get out.
There is actually pretty good evidence of this. I’m sure you’re aware that whenever Jenova is trying to hide something from Cloud or altering his memory and/or perception, the screen glitches green with an audio cue (34:15-34:29, 1:15:30-1:15:41 and 1:17:14-1:17:29). Guess what? These Jenova audiovisual cues also occur during the MOTFs (ie: MOTF 3 2:58-3:07 and MOTF 4 0:29-0:42). Whenever post-OG Cloud’s consciousness encounters anything that reminds it of losing Aerith, the strength of its pain helps it push memories of Aerith to the surface so that RemakeCloud can consciously see them. Remake Cloud then experiences sensations and/or visions, all from his future self’s memories as they rise to the surface, propelled by grief. Jenova can’t allow Remake Cloud to fully recover his post-OG memory, so in order to shut down the process, its cells jump in to repress the MOTFs: this results in the classic Jenova audiovisual cues. The only time Jenova doesn’t bother to fight against a MOTF is the sixth, as it is quite weak: no visions occur, only a tight sensation in his chest.
IV. b) iii. Eclipse Contact and Cloud’s Memories of Reactor 1
There is one problem I have trouble decoding. In Eclipse Contact, Cloud tells Wol and Echo that the last thing he remembers is the run-up to his arrival at mako reactor 1 (FFVII OG, disk 1, chapter 1). Recall that usually, people summoned to Palamecia have no memories of their world of origin and lives before that point at all. So then why is it that upon being summoned to Palamecia, Cloud recalls the events that took place right before the start of the OG game? This strikes me as highly relevant since this is the exact point in time where post-OG Cloud’s consciousness needs to be transported to in order for Remake to begin, but I haven’t been able to figure out a solid hypothesis on what it could mean. My best guess is that this is the devs’ way of signalling to us that the events of the MFF x FFVII Remake collaboration occur before the very beginning of post-OG Cloud’s second try at the OG timeline (Remake).
Now that I’ve shown you how I’ve come to form my Mission Theory and we’ve done some pesky housekeeping, let’s connect some dots, shall we? It’s time to really get into it and see if any of my wild speculation tracks with content from the Remake trilogy so far.

V. Musical Evidence

What about the music of the game? Any hints there? Let’s try to see if we can find support for the Mission Theory in the music made for the Remake trilogy thus far!
As a preface to my musical evidence analysis, I want to insist on something: the story guys tell the soundtrack guys everything. In a high-quality production such as Remake, people who make music for audiovisual media are told everything in advance. They need to know the secrets of every little scene, because their job is to depict whatever is happening through music.
Therefore, if the Mission Theory is true, then there has to be musical evidence for it.
V. a) Preface: The Basics of the FFVII OST
There’s a lot of evidence in the music of the Remake trilogy that we have to address, but before we get into it, I do have to give you the basics of the FFVII soundscape! For the easiest experience, I suggest you keep a tab open for every link I provide for you until the music analysis is over, because we will be hopping from one musical theme to another and then back again.
V. a) i. The World Theme: Cloud’s Troubled Identity
The world theme of FFVII is a perfect example of how musicians working on an OST have to know the secrets of a story as they compose for it. On top of representing the FFVII world as a whole, it doubles as Cloud’s character theme… except that isn’t exactly right. You see, this piece does indeed contain Cloud’s true theme, but Sephiroth and Jenova’s musical motifs also contaminate it. This, of course, symbolizes how Cloud experiences identity sabotage because of these two antagonists. The result is that globally, the world theme does indeed represent Cloud’s character, but it isn’t exclusively Cloud’s in the same way that Cloud’s mind isn’t exclusively his. It’s brilliant storytelling through musical motifs, and evidently requires Uematsu to know in advance that Sephiroth manipulates Cloud’s identity in the story.
For future reference, let’s isolate Cloud’s true theme from Jenova and Sephiroth’s influence.
V. a) i. 1) Sephiroth: Dissonance and Semi-Tone Motif
I’m sure you know Sephiroth’s infamous theme: “One-Winged Angel”. The first motif we need to know is Sephiroth’s threatening, repetitive dissonance motif, which plays all throughout the piece (plays solo at 0:00 to 0:04). The second motif is what I call the semi-tone motif. “One-Winged Angel” has a ton of minor 2nd intervals, which is what we call the relationship between two notes that are only a semi-tone apart. You might recognize the minor 2nd interval in the foreboding Jaws theme. Just like in Jaws, the minor 2nd interval or semi-tone is commonly used to indicate an impending, life-threatening danger, a monster, predator, evil, or insanity; suits Sephiroth quite nicely!
V. a) i. 2) Jenova: Parasite Motif
The track “J-E-N-O-V-A” contains many competing melodies and has generated many variations of those melodies —almost like clones— that all represent aspects of the alien’s character. The main Jenova motif is simply a descending, two-octaves-long, arpeggiated mb6 chord (eight notes total). I’ve played it for you here. Sometimes, this motif is altered to form variations. For instance, in “Listen to the Cries of the Planet”, a variation of Jenova’s main motif is created by changing the order of the notes and reducing the number of notes to only six (0:00-0:03), however, it remains an arpeggiated mb6 chord. Regardless of the alteration, if you hear an arpeggiated mb6 chord, it means Jenova is creeping close by or that its influence is at work.
The variation of the mb6 arpeggiated chord that concerns us alters Jenova’s main theme so it ascends from the tonic to the b6 note and descends back to the tonic, then ending on the lower dominant for a total of eight notes. I’ve played it for you here. I call this variation the “parasite motif”, because it is often heard when Cloud is being controlled by Jenova. For instance, it plays when Cloud loses himself and becomes unusually violent in Rebirth’s chapter 13 (17:25-18:34), signalling to us that Jenova is in control. It is also the main motif of the track “Who… Am I?”, which evidently symbolizes Jenova’s fuelling of Cloud’s identity crisis— though here, the parasite motif is shortened to its six first notes.
V. a) i. 3) Cloud’s True Self
Now that we can recognize Sephiroth and Jenova’s motifs, let’s return to the world theme to isolate Cloud’s true self. Cloud’s true theme can be heard from 0:51 to 3:48. It consists of a section A (0:51-1:54), followed by a section B (1:54-2:41), and then returns to section A (2:41-3:48).
After Cloud’s true theme concludes however, it seems he experiences a psychic interference: doubt and confusion weave through the world theme (3:48-4:09), representing an instability in his identity. I call this interruption of Cloud’s true theme the “interference section”. It symbolizes a moment of psychic interference or weakness within Cloud that Sephiroth and Jenova take advantage of to take control of Cloud.
The end of the interference section introduces Jenova’s parasite motif. It slithers in (4:09), later joined by Sephiroth’s dissonance motif (4:16): Cloud’s mind and identity are being hijacked by the two antagonists in service of their evil plans.
They torment Cloud, dominating his mind until he manages to free himself: section A of Cloud’s true theme begins playing again (6:06), closing the loop of the theme.
Based on this musical storytelling, if you already knew the character motifs going into OG, you might’ve suspected something odd was going on with Cloud’s identity, and that Jenova and Sephiroth were involved. All this to say that whatever music is playing at any given time can give us hints as to what is going on. That’s the power and significance of a good soundtrack. Trust me when I say that with Uematsu and his team, we’re in excellent hands. And remember: the story guys tell the soundtrack guys everything.
V. a) ii. Aerith’s Theme
Another base we have to cover before checking out the Remake soundtrack is Aerith’s theme. I’m sure everyone here is familiar with it, but I insist that you refresh your memory. It consists of a section A (0:00-0:34), a section B (0:34-1:13) and a section C (1:13-2:00), concluding with a repeat of section A.
V. a) iii. Motifs and Timing in FFVII OSTs
I’m going to analyze pieces in great detail, which people who haven’t studied or paid attention to soundtracks may find strange. To prevent anyone from making the mistake of thinking that I’m reading too much into things, I want to emphasize that the music that plays during the Remaketrilogy’s cutscenes is carefully timed, composed and arranged to match the events in the cutscenes, as they are provided in advance to the musicians. Composers pay lots of attention to whatever is going on onscreen so they can include the corresponding musical motifs as accompaniment at the exact right moments, always striving to get the timing perfect. I’m not exaggerating the effort and minutia involved in soundtrack composition and arrangement. Here are just a few sound staff comments from the “Material 4: Soundtrack” section of the FFVII Remake Material Ultimania to prove it:

“[To] make sure players really feel the weight of the moment, we worked hard on getting the tempo and the entry timing of each instrument exactly right. In particular, that big ‘boom’ that sounds almost like a meteor crashing down was fine-tuned to match the timing of the logo's appearance. I remember this was a real sticking point for us, because if the boom's timing was even slightly off, the effect would be completely different. We […] had to sequence [each and every sound] to play at exactly the right moment” (Shotaro Shima on track “Midgar, City of Mako”, page 229).

&

“I was originally told to keep this piece to under two minutes, but it ended up being over six minutes long, in order to match the flow of the cutscene. I arranged the track while watching the latest CG visuals that had been rendered for the scene” (Naoyuki Honzawa on track “Smash ‘Em, Rip ‘Em”, page 309).

&

“This is the track that plays during the tour of Shinra’s different divisions. The movie shown in the Visual Entertainment Hall describes the history of the Ancients (0:25 onward in the soundtrack version), and I wanted to create a musical link to them as well, so I made use of the chord progression from ‘Aerith’s Theme’ [D(I)-Am(Vm)-D(I).] [This simple sequence of moving from major to minor and back again creates a really mysterious air. Then, during the section where the movie recounts the history of the construction of the Shinra Building (1:47 onward in the soundtrack version), I quoted a section of the Shinra theme” (Yasunori Nishiki on track “Stewards of the Planet”, page 313).

V. b) The Remake OST
Now that you’re ready, it’s time to verify the Mission Theory’s validity with Remake’s music.
V. b) i. MOTF 6 Music
We were able to explain Remake Cloud’s MOTFs with the Mission Theory, and it just so happens that the music that plays during the scene of MOTF 6 is unique to Remake. This gives us the perfect opportunity: we should analyze the piece that plays as it occurs to evaluate the legitimacy of our theory on the Remake trilogy, using all the motifs we uncovered in section “V. a)”.
First, a refresher on the scene and on our theory’s interpretation of it. The party is gathered in Aerith and Ifalna’s old room at Shinra HQ. Here is how the scene is described by the VA script notes:

“The Whispers once again close in [on Aerith], but Aerith refuses to stop speaking this time.
Aerith: Listen to me. […] Shinra isn’t the enemy. They were the ones who set things in motion, but our true foe is someone else.
At that moment, the spectacle of Meteor they saw in the Visual Entertainment Hall comes into Cloud and the others’ heads.
Aerith: Somehow, some way, I want to help— all of you… the planet…
For some reason, Cloud feels his chest constrict tightly” (FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”).

Indeed, right after Aerith says she wants to help the planet any way she can, Cloud looks down at his chest with a frown and a quiet grunt (7:46-7:54). According to the Mission Theory, this tightness in Cloud’s chest can be explained as an emergence of post-OG Cloud’s grief, triggered by the slightest allusion to Aerith’s sacrifice.
The piece that plays during this scene is called “Aerith’s Theme - The Cetra”. It is one of many variations of Aerith’s iconic theme arranged for Remake. However, Cloud’s theme is just as prominent in the piece— if not, more.
V. b) i. 1) The Fate Motif
Before we interpret “Aerith’s Theme - The Cetra”, I need to introduce you to one more motif that crops up in the piece. There is a windy motif that appears (from 1:45 onwards) and it is unaccounted for, despite how it’s clearly meant to represent something. I’ve become certain that this wind noise symbolizes fate, and I’ll tell you why.
In the MOTF 6 scene, just after Nanaki explains how he gained knowledge of the Whispers via contact with Aerith (7:23), they emerge and begin swirling aggressively around Aerith (7:26). Her hair and dress blow and ripple in the resulting wind. From this very moment onward “Aerith’s Theme - The Cetra” (3:00), a string section (bowed instruments in the violin family) that deliberately emphasizes the airy sound of the bow crossing the strings enters, creating a windy effect that adds to the already present wind noise (that started at 1:45). As the Whispers progressively become even more aggressive onscreen, both the wind SFX of the cutscene and the wind noise in the piece get louder and louder. Because of the timing of its appearance and crescendo in the cutscene, I’m certain the wind noise is meant to represent the restrictive flow of fate; it only makes sense, given that destiny is a current —or a wind— that cannot be broken, and Aerith is like a helpless petal in fate’s carefully planned storm. Of course, it’s also quite significant that the Whispers make a windy noise as they fly. You can hear it every time they’re onscreen, like when they first appear to Cloud in chapter 2 of Remake (17:45-18:20), or when the White Whispers hold Cloud back from chasing after Aerith during Rebirth’s Sleeping Forest scene in chapter 14 (28:43-29:45). You can also hear the wind sounds in other Whisper-related tracks, such as “Whorl of Whispers” (clearly audible at 2:50-3:05), as well as “A Death Not Ordained by Fate” (clearly audible at 2:56-3:18). Therefore, I’ll call these wind noises the “fate motif”.
V. b) ii. 2) Interpreting “Aerith’s Theme - The Cetra”
In part 1 of “Aerith’s Theme - The Cetra” (0:00-1:45), Aerith’s theme and Cloud’s true theme play simultaneously, their respective phrases fitting perfectly together, interweaving peacefully and softly. It sounds like the two of them are chatting, dancing bashfully yet contently and in perfect sync, glad to be exactly where they’re meant to be as their themes sing together in harmony (soft piano). Part 1 of this piece is about Cloud and Aerith becoming important to one another as they discover their soulmate bond.
Unfortunately that contentment doesn’t last. In part 2 (1:45-3:00), Cloud experiences a moment of psychic vulnerability (world theme’s interference section). Fate lurks (fate motif enters quietly). His instability forces our couple’s sweet dance to a halt, and Aerith’s theme must retreat as Cloud’s confusion takes center stage. Sephiroth torments and taunts him (semi-tone played by strings, 2:03-2:10), taking advantage of Cloud’s psychic interference to plunge him into darkness (world theme’s interference section ends, low cello enters, 2:18): Cloud temporarily becomes a darker version of himself as evil corrupts him (piano plays section A phrases 1 and 2 of Cloud’s true theme in minor, 2:18-2:53). Jenova finally reveals itself and promptly exits, releasing Cloud’s mind from its grasp (seven first notes of parasite motif played twice on piano 2:53-3:00). Cloud is free, but the damage has been done: his dance with Aerith has long been interrupted, and she is gone. Part 2 of “Aerith’s Theme - The Cetra” is about Cloud being manipulated in service of Sephiroth and Jenova’s evil plan, interrupting his interaction with Aerith.
Part 3 (3:00-3:33) kicks off the mechanisms of a tragic fate (strings section joins fate motif, 3:00). Both anxious that she’s disappeared from his side and terrified of the darkness he just discovered inside him (in part 2), Cloud fearfully calls out for Aerith (phrase 1 of Cloud’s true theme’s section A, timid and hesitant piano, 3:04-3:15). Before his psychic interference began (start of part 2), Cloud’s voice was accompanied by Aerith’s as they grew closer and closer (their character themes mingling in part 1)… but now, Aerith isn’t answering his call, and he cannot find her (Aerith’s theme doesn’t to join Cloud’s anymore).
Anxious, Cloud tries calling out for Aerith a second time (section A phrase 2 of Cloud’s true theme’s, 3:19-3:31), searching for her in the hopes that they can continue their dance, but even now, Aerith does not respond. She’s gone (Aerith’s theme remains absent). Destiny keeps Aerith away from Cloud (fate motif gently crescendos). Part 3 of “Aerith’s Theme - The Cetra” is about Cloud’s separation from Aerith, his search for her, and the fear and anxiousness he feels when he realizes he cannot find her.
And then, part 4 begins with a sweet, gentle voice, calling out from the blackened horizon: it’s Aerith (section B phrase 1 of Aerith’s theme, soft piano, 3:33-3:45). Cloud finally hears her respond to his pleas: he’s found her. Fate begins howling in protest, doubling its efforts to keep Cloud and Aerith apart (fate motif crescendos noticeably in reaction to Aerith’s theme, 3:45). You can just picture Cloud running toward Aerith, struggling against the current of destiny to try and close the distance between them. Aerith tries calling out for Cloud a second time, (section B phrase 2 of Aerith’s theme, 3:40-3:43), but the Whispers only swirl around her more ferociously, taking her away in the uncompromising current of fate (fate motif continues to crescendo). Aerith tries again (section B phrase 1 of Aerith’s theme, 3:47-3:49). It sounds like she’s saying “Cloud, I’m over here, come find me!”
Fate doesn’t take too kindly to her defying it. Cloud and Aerith are not supposed to be together; it can’t be, it won’t. She’s destined to die to save the planet, and he’s destined to remain hollow forevermore. I can picture Cloud breaking into a sprint at the sound of her voice, running countercurrent to the flow of destiny— but the winds are so loud, fate’s demands are so strong, and the Whispers are shrieking in defense of destiny now. Aerith’s voice emerges for the fourth time (first three notes of section B phrase 3 of Aerith’s theme, 3:54 to 3:56). Fate screams louder, louder (steep crescendo of fate motif, 3:59-4:02). In a desperate hail Mary, Aerith shouts out one more time, as though throwing her hand out toward Cloud’s extended fingers (section C phrase 1 of Aerith’s theme, louder and more insistent, cutting through the fate motif as it crescendos sharply, 4:00-4:06). Part 4 of “Aerith’s Theme - The Cetra” is about Cloud and Aerith desperately trying to defy fate in order to be together. And then, it all stops: fate has seemingly quieted Aerith (4:04-4:08)…
Part 5 (4:08-4:27) begins with Cloud jumping, launching himself off the ground with all his strength (Cloud’s true theme section A phrase 2, first 5 notes, melody starting on the note E5 and ascending) as Aerith plummets toward the ground in a fatal fall (Aerith’s theme section C phrase 1, melody starting on the note E6 and descending, the last note altered)— he successfully catches her in mid-air (both Cloud’s ascending melody and Aerith’s descending melody meet in the middle of the octave, first uniting on B5, and then ending on A5). I’ve recreated the melodies for you here so you can hear this reunion more clearly. If you consider that the airy strings in this piece represent fate, which I do, the fact that they follow Cloud and Aerith’s themes in part 5 signifies that they are now in control of their own destinies, and successfully making it their fate to reunite.
To be completely frank, I did not realize until right now writing this that Cloud unites with Aerith in part 5, even though his theme is right there. I’m so excited to share this part with you.
We hear Aerith once more, her voice quietly trailing off into the silence (phrase 4 of section C of Aerith’s theme) with no conclusion (phrase 5 normally follows phrase 4 to conclude Aerith’s theme, but is absent here). Part 5 of “Aerith’s Theme - The Cetra” suggests that Cloud will save Aerith and that the couple will change their fate, but also conveys an uncertain and open-ended quality.
(continued in part 5)

This is part 2 of a series that I have done on the relevance that Old Testament social principles have to our times. In the first part I looked at the OT's critique of lesser of two evils politics. In this one I will be looking at the Old Testament understanding of the relationship between social justice and intersectionality. Intersectionality was a term popularised in the late 80s and 90s by scholar and activist Kimberlee Crenshaw. In her analysis she says the following:

• "One of the very few Black women's studies books is entitled All the Women Are White; All the Blacks Are Men, But Some of Us are Brave. I have chosen this title as a point of departure in my efforts to develop a Black feminist criticism because it sets forth a problematic consequence of the tendency to treat race and gender as mutually exclusive categories of experience and analysis...this tendency is perpetuated by a single-axis framework that is dominant in antidiscrimination law and that is also reflected in feminist theory and antiracist politics.I will center Black women.... in order to contrast the multidimensionality of Black women's experience with the single-axis analysis that distorts these experiences"(Demarginalising the intersections of race and sex, pg 139)
• "I observed the dynamics of structured intersectionality during a brief field study of battered women's shelters located in minority communities in Los Angeles. In most cases the physical assault that leads women to these shelters is merely the most immediate manifestation of the subordination they experience. Many women who seek protection are unemployed or underemployed and a good number of them are poor. Shelters serving these women cannot afford to address only the violence inflicted by the batterer; they must also confront the other multilayered and routinised forms of domination that often converge in these women's lives"(Mapping the Margins: Intersectionality, Identity Politics and Violence against Women of Color)

With this assumptions, definitions and terms used above I will look at how the Old Testament looks at social justice through an interconnected and intersectional lense in key moments in the text.
1)The justice precepts of the OT:

• "Thus says the Lord: Act with justice and righteous, and deliver from the hand of the oppressor anyone who has been robbed. And do no wrong or violence to the alien, the orphan and the widow, nor shed innocent blood in this place"(Jeremiah 22:3)
• "The princes of Israel in you everyone according to his power, have been bent on shedding blood. Father and mother are treated with contempt in you; the alien residing within you suffers extortion; they orphan and widow are wronged in you. You have despised my holy things, and profaned my sabbaths. In you are those who slander to shed blood, those in you who eat upon the mountains, who commit lewdness in your midst. In you they uncover their father's nakedness; in you they violate women in their periods."(Ezekiel 22:6-10)

2)David and the Prophet Nathan:

• "And the Lord sent Nathan to David.He came to him and said to him 'There were two men in a certain city, one rich and the other poor. The rich man had very many flocks and herds; but the poor man had nothing but one little ewe lamb, which he had bought. He brought it up, and it grew up with him and with his children; it used to eat of is meagre fare, and drink from his cup, and lie in his bosom, and it was like a daughter to him. Now there came a traveller to the rich man, and he was loath to take one of his own flock or herd to prepare for the wayfarer who had come to him, but he took the poor man's lamb, and prepared that for the guest who had come to him'. Then David's anger was greatly kindled against the man. He said to Nathan, 'As the Lord lives, the man who has done this deserved to die;"(2 Samuel 12:1-5)
• "Nathan said to David 'You are the man! Thus says the Lord, the God of Israel: I anointed you king over Israel, and I rescued you from the hand of Saul; I gave you your master's house, and your master's wives into your bosom, and gave you the house of Israel and of Judah; and if that had been too little, I would have added as much more. Why have you despised the world of the Lord, to do what is evil in his sight? You have struck down Uriah the Hittite with the sword, and have taken his wife to be your wife, and have killed him with the sword of the Ammonites"(2 Samuel 12:7-9)

3)The Levite and the Concubine:

• "In those days when there was no king in Israel, a certain Levite residing in the remote parts of the hill country of Ephraim, took to himself a concubine from Bethlehem in Judah. But his concubine became angry with him and she went away from him to her father's house at Bethlehem in Judah and was there for some four months. Then her husband set out after her to speak tenderly to her and bring her back. He had with him his servant and a couple of donkeys. When he reached her father's house the girl's father saw him and came with joy to meet him"(Judges 19:1-3)
• "When they were near Jebus, the day was far spent and the servant said to his master(the Levite) 'Come now, let us turn aside to this city of the Jebusites, and spend the night in it'. But his master said to him, 'We will not turn aside into a city of foreigners, who do not belong to the people of Israel; but we will continue on to Gibeah'. Then he said to his servant 'Come let us try to reach one of these places, and spend the night at Gibeah or at Ramah'. So they passed by and went on their way; and the sun went down on them near Gibeah, which belongs to Benjamin. They turned aside there, to go in ans spend the night at Gibeah. He went in and sat down in the open square of the city, but no one took them in to spend the night. Then at evening there was an old man coming from his work in the field. The man was from the hill country of Ephraim and he was residing in Gibeah...The old man said 'Peace be to you. I will care for your wants; only do not spend the night in the square'. So he brought him into his house and fed the donkeys; they washed their feet and ate and drank"(Judges 19:11-16/20-21)
• "While they were enjoying themselves the men of the city, a depraved lot, surrounded the house and started pounding on the door. They said to the old man, the master of the house 'Bring out the man who came into your house so that we may have intercourse with him'. And the man, the master of the house, went out to them and said to them 'No, my brothers, do not act so wickedly. Since this man is my guest, do not do this vile thing. Here are my virgin daughter and his concubine; let me bring them out now. Ravish them and do whatever you want to them; but against this man do not do such a vile thing'. But the men would not listen to him. So the man seized his concubine, and put her out to them. They wantonly raped her, and abused her all through the night until morning. And as the dawn began to break, they let her go"(Judges 19:22-25)

When we take these stories we see and intersectional analysis at play. In the Parable of the Prophet Nathan we see the thing of hospitality interacting with class. In the story of the concubine we see the theme of hospitality interact with gender and sexual violence. The Levite and the concubine are shown hospitality in the house of the father in law and the old man. But hostility is shown by the people of Gibeah to outsider. Here, we see xenophobic violence display itself through sexual violence. But then it gets worst of course. Because both the old man and the Levite are willing to sacrifice the concubine and the virgin daughter. The feminist theologian Phyllis Trible in her book "Texts of Terror" states that the house demonstrates the "gendered" limits of hospitality. When it is male figure, hospitality has to be protected at all cost. When it comes to the the women characters, they are more than willing to sacrifice that hospitality. To push them to the margins, symbolised by the outside of the house. And so we see in the concubine what Kimberly Crenshaw spoke of in her work at battered shelters. Structured intersectionality. A woman subject to the multidimensional forces of patriarchal norms, xenophobic hostility, and sexual violence. The story of the concubine parallels the multidimensional story of migrant and refugee women in our world today who face the multiple forces of xenophobic hostility, oppressive cultural norms, and sexual violence as well.
It's the same thing in Nathan's parable at a different angle. If we see the see the gendered limits of hospitality in the Concubine episode, we see it's class limits in this parable. The rich man is willing to show hospitality to a wayfarer. And he does it at the expense of the man who is poor. His hospitality is built on economic exploitation. Now the twist is that Nathan is telling this Parable both as an irony and to expose King David's hypocrisy. Because David did an injustice to Uriah the Hittite. He had him murdered to take his wife. And Uriah because he is a "Hittite" is a stranger, a foreigner. Murder is the most inhospitable act you can do to a stranger. Nathan breaks us out of a single axis analysis of things by making the point that the same norms that allow a rich man to exploit the poor are the same ones that allow a King to murder an outsider to take his wife. Xenophobic violence and class oppression are intertwined. Which is why in the precepts of the Prophets care for the poor and the widows and orphans is coupled with care for the alien and stranger. And it is couple in the rhetoric of Jeremiah to not shed innocent blood. The structures built on violence are the same ones that marginalise the poor and target the orphan and the outsider. Many of the people who are poor under these structures are also widows and aliens as well. And as the Prophet Ezekiel points out, which ties back to the story of the concubine, the same people with power that shed innocent blood and oppress and extort the poor are also the ones who normalise and perpetuate a culture of sexual violence. These are definitely relevant for our times because the Old Testament's ethical framework breaks us out of a single axis view of social justice to view things in a multidimensional perspective. We have to look at the lives of migrants and refugees from a multidimensional perspective. We have to look at the experiences of black and indigenous communities from a multidimensional perspective when in these communities women have to endure the multiple burdens of racial violence coupled with patriarchal and sexual violence. We cannot speak of an identity politic that does not look at class oppression and violence. All of these intersect. All of these are multidimensional. And in that multidimensional reality Jeremiah's voice rings as true back then as today. Stand up for the poor, the orphan, the widow and the oppressed who has been robbed. And shed no innocent blood in this place.

A story of a boy immersed in deep despair. Zein has been living alone for quite a long time. He was abused when he was young and his body, filled with scars. He is emotionally sensitive and has a bad temper. As he continues his depressing life, he meets a young man two years younger than him, Rain. His life began to change. He started feeling emotions that he had never felt before, happiness, belongingness, and love. Is Rain the light he needed to finally realize his worth?
Zein, a 21 year old, living in a dark apartment all by himself. He's now in college and is currently working as a part-time in a small mini mart.
Mini mart bell rings
"Welcome, please pick whatever you like and pay up" Zein's deep rusty voice greeted the customer. His gloomy emotion seems to be affecting the customer. "Do you have a box of cigars?" The customer asked. "Sorry but we ran out this morning. We're still restocking" Zein replied. "Seriously? Why build a mini mart when you can't sell what customers want?". The tone of the customer suddenly changed. "How about you get the fuck out of here before I cut your throat open" Zein glared at the customer which exited the building angrily. "I hate this shitty life".
Zein's shift finally ended and he went back to his apartment. His neighbors could feel the dark aura emitting from the room. "What are you weirdos looking at?!" Zein glared at the neighbors like how he glared at the customer. He entered his apartment and went to the kitchen to grab a knife. He pop open a box of cigarettes and started smoking while slowly cutting shallow cuts on his wrist. He has been doing this for a while. "Ugh!" Zein groans looking at the bathroom mirror.
Crash!
He threw the knife at the mirror breaking it to a million pieces. He hated his appearance. He was filled with scars. He had red eyes and slightly edged teeth. His hair was soft but rustled. He was tall with white pale skin. Many people would mistakenly think of him as a goth. At school, girl would flock around him asking him for something or sometimes even confessions. He always got confused how he got these confessions even with his appearance.
The morning came and he started to change to his uniform. He started his bike and went to school. He could answer any question at school but he is really a bad tempered person. On a specific event, he shouted at a teacher which gave him detention. His grades were always high but one specific subject, Moral, was always low. Well, it's obvious why.
Ring
The school bell rang which means class was about to begin. Their teacher, Mr. Ordoniez entered the classroom with a new student with him. "Class, before we start off, we have a new exchange student from Tokyo." The class was filled with murmurs as most of them haven't went to Tokyo yet. It's a seven hour ride from Ishikawa to Tokyo. "Quiet class. Sir Hakari, please introduce yourself." The teacher signalled the student to go in the middle of the classroom. He was slightly short with light and soft skin. His eyes were orange and brown, it looked like ambers in the sun. He had medium brown hair that we're a but curly but also tidy. He looked around the classroom and started to introduce himself smiling. "Good morning everyone. I'm Hakari Rain. I'm here as an exchange student. My parents work at the Kori.corp nearby so I requested to be an exchange student here instead. Nice to meet all of you and I hope you would take care of me" Rain's soft voice brightened the room and his smile lit up everyone's faces. "Ok Sir Hakari, please sit beside..." The teacher paused searching for an empty seat. "Beside Sir Iwatani." The teacher pointed the seat beside Zein. Everybody was shocked as they know Zein's behavior. His bad temper might spill out again. "Sir, why does he have to sit beside me. He can move his chair somewhere else you know" Zein was surprisingly calm about this but still, his glare darkened the room. "Ok, if you wish. Sir Hakari, you can move you chair anywhere you like." Rain dragged his chair away from Zein and he stole a glimpse of him. "Your eyes are so pretty" Rain accidentally said those words out loud. He blushed out of embarrassment as Zein glared at him. The room went silent as everyone looked at Rain blushing. "SORRY! I DIDN'T MEAN IT". Rain apologized and hurriedly sat on his seat. The class continued and he could see Zein sleeping during class. "Psst, psst." Zein looked up to see who was calling him. "PSSST!!" Zein looked at Rain calling him. "What do you want?" The teacher suddenly went silent and called Rain. "Mr Hakari, you seem to already know this since you're talking something that isn't connected to my topic so I'll ask you a question. What is the capital of the Philippines which I mentioned while discussing?" Rain went silent thinking about the answer "Manil-" Rain was about to say his answer when Zein interrupted. "Manila sir" Rain looked at Zein saying the correct answer before him. "Hey! That was my question" Rain pouted as he looked at Zein angrily. "Maybe because I'm better than you" Zein smirked. "EXCUSE ME? Sir, please another question". Rain demanded. "Ok? What is the most famous mountain here in Japan"? The teacher asked "MOUNT FUJI!" Rain shouted his answer. "Guess I am the better one heh" Rain smiled proudly and Zein's smirk slowly faded. "Another one sir" Zein demanded next. "Ok? What continent does Japan belong to?". "Asia of course." Zein immediately replied. Rain's face could be seen and he looked very annoyed. Both of them kept demanding more questions until the class finished and in the end, Zein answered the most questions while Rain was one point behind.
Ring
The bell rang signalling everyone to go to lunch. "Who's better little mouse?" Zein smirked and went out to lunch. "This isn't over." Rain whispered to himself and sat down at his table. Zein exited the classroom and everyone started to crowd around Rain. "Wow you're so smart! I can't believe you stood up to Zein like that!" A student excitedly complimented Rain. "What's with Zein anyway? He's not that bad." Everyone went silent. "He's feared by everyone because of his bad temper. Rumor has it that he killed a student once" Another student replied. "Pfft that's just rumors. Turns out that student transferred to another school." A blue haired boy abruptly gave info about the rumors. "Hey there! I'm Nikko. Can we be friends?" Nikko went all out to greet Rain and it seemed a bit overwhelming. "Oh? Not much if a talker? Don't worry it's ok!" Nikko smiled and patted Rain's head.
-Zein's POV-
Heh. He thought he could answer more questions than me. Pathetic. I've been going over and over to that class for two years. I know the questions and the answers. Even if I don't study, I can answer any question. He was very competitive. I like it.
--Disclaimer-- This is my original story please don't repost unless if you ask permission.
Comment if you liked it and chapter 2 comming soon

Aka why should I attend an office 60% of the time when it’s absolutely disgusting and half the facilities are out of order.
I can only speak for a couple of buildings I’ve been in recently but they’ve gone really downhill. Today for example the ladies toilets were out of order on on the floor I work on and the other bank of toilets on the same floor were all blocked 🤢💩
I sat in a meeting room that was far too warm with no way to control the temperature, and the chair handle was broken.
Another building seems to have issues every single week, from lifts breaking down to water, power and everything in between. I’ve stopped going there when I can help it.
Is it the same everywhere or am I just being moany?

Updated with autopsy results.
Morphew Case Map - Google My Maps - Barry's iPhone Data - Google My Maps - Barry's Truck Events - Google My Maps
August 5, 1994 – Suzanne Moorman marries Barry Morphew The Alexandria Times-Tribune Alexandria, Indiana 05 Jan 1994, Wed • Page 4
December 1999 – Barry and Suzanne Purchase 26040 Cal Carson Rd, Arcadia, IN This is the house where he dug a hole in the yard and buried everything he didn't want to move to Colorado. (AA ft 55 page 53)
November 2013 – Suzanne Inherits $208,000 upon the Passing of her Mother. MB provided documents that Suzanne inherited approximately $208,000 in 2013 at the passing of her mother.
August 2016 – Suzanne inherits $217,000 upon the death of a grandmother. Suzanne’s grievance list included multiple references to Barry controlling the finances.
April 12, 2018 – The Morphew’s Purchase 19057 Puma Path Barry and Suzanne Morphew purchase 19057 Puma Path for $1,575,000.
June 1, 2018 – The Morphews move to Colorado. (PH – Harris) SA Harris: Yeah, they moved in 2018. I believe they left around June 1st, 2018. to move to Colorado. So roughly a year and a half of the time is what Sheila originally said in that.
September 2018 – Suzanne sends “Howdy stranger” message to JL First contact since high school.
Fall 2018 – Libler’s daughter sees messages from Suzanne on his phone. Libler breaks it off.
Thanksgiving 2018 – Barry obsessive/possessive. While Suzanne was at the Oliver’s house, she had stepped away from her cell phone to use the restroom, and Barry tried calling her several times within a few minutes, then tried calling Sheila, then tried calling Darin.
Holidays 2018 – Suzanne finds Libler’s LinkedIn Page. Relationship Rekindled
January 2019 – The Mexico trip where Barry took Suzanne’s phone Mexico trip mentioned in the grievances list where Barry took Suzanne's phone.
February 11 – 14, 2019 – Suzanne in New Orleans with Libler Barry admitted to questioning Suzanne about the New Orleans trip, further evidence he suspected the affair.
April 2019 – Suzanne meets up with Libler in Indiana She does not see SO on this trip.
July 2019 – Suzanne and Libler meet up in Michigan Barry called SO while Suzanne was in MI visiting her fatheJL, wanting to know why Suzanne wasn't returning his calls.
September 2019 – Barry stalks Suzanne and Shelia Oliver, creeping through woods. Barry stalked Suzanne and Sheila at the Puma Path house in September 2019. This is upon his early return from a trip to Arizona.
October 2019 – Libler and Suzanne in Dallas Suzanne and Libler spend two nights at the Galleria.
September – November 2019 – Barry aggressively pursues KW around Salida. From the first time KW met Barry, she said it felt like "he was putting his tentacles out."
Holidays 2019 – Suzanne and Libler stop talking on the phone because she is afraid Barry will find out. They shift to more covert ways to communicate. Barry's second device makes its first appearance.
January/February 2020 – Suzanne in Florida, gets spy pen, sees Libler Suzanne in Florida, SO gives her the spy pen during this trip. Suzanne records a conversation with Libler on this trip.
Late February 2020 – Suzanne in Florida, sees father and Libler. Suzanne skips out on time with her father to see Libler. Barry goes to Florida.
March 2020 – Spy pen records argument between Suzanne and Barry. “It’s money. It’s about money.” “… I have lived for years being told how I should feel, how I should act, how I should look, what I should drink, what I shouldn’t drink, what I should put in my body, what I shouldn’t put in my body … ”
March 20, 2020 – Jekyll and Hyde text exchange between Suzanne and SO, MM2 suggests restraining order. "It’s Jekyl and Hyde again … Pretty much told him I can’t be healthy and stay in this."
March 22, 2020 – Spy pen records Barry listening to Forensic Files episodes, call with Suzanne on drive to Pueblo Coincidentally one of the episodes involved a woman "disappearing" after a bike ride.
April 21, 2020 – Messages between Suzanne and Libler “I want to be with you,” “I can only be me with you,” I love you,” “I need you.” “You know I was born to love you.”
May 4, 2020 16:05 – Barry makes 3 second outgoing call to Suzanne This was the first logged call in Barry’s phone to or from Suzanne since February 7, 2020.
May 5, 2020 – Suzanne drives MM2 to Gunnison Suzanne drives Macy to Gunnison, CO to meet MM1 for a road/camping trip through Utah and Idaho with MM1's best friend.
May 6, 08:44 – Suzanne sends MM2 a text “Good morning! I miss you already!”
May 6, 10:13 – Suzanne: “I’m done. I could care less what you’re up to and have been for years.” From 14:43 to 17:00 Barry replied, “When I’m dead,” “Going to see my savior,” and “This life on earth is a mear (sic) grain of sand compared to eternity.”
May 6, 2020 – 14:43 – From Barry to Suzanne: “I’m sorry if things went the way they did. I have a problem dealing with the way you accused me of hiding checks. If you think I’m as terrible of a person to hide our accounts and have ones you don’t know about you don’t know me. All I do is for you and the girls. All. When I'm dead, which won't be long, you guys will be taken care of. Please stop being angry. If I can control my hurt heart I think I can overcome your distant unlovingness toward me. Honey, I swear it's the hardest thing I've had to do. I love you I always will.”
May 6, 2020 – 15:51 – Barry to Suzanne: “I promise you were wrong about all the crazy thoughts about me. I have always been faithful. Always. Why would I ever want another when I'm married to the most beautiful, sweet, kind, loving, woman as you? Only a fool would stray from an angel like you.”
May 07, 2020 – Suzanne messages Libler about how magical past days had been. Barry wants a new truck. 16:43 - “Been studying all afternoon. I’m gonna bike now. I’ve got veggie soup on for supper.”
May 7, 2020 – SB puts new tires on Suzanne’s bike Bike mechanic was interviewed by law enforcement.
May 7, 17:13:52 – Barry Works Out at GD’s House Truck log files place Barry at GD's home at 5:13 pm.
May 7, 2020 23:00 – “I finally got the job” text from MM1 goes unanswered. Q (Lindsey): Anything on May 6th that didn’t seem normal? Was there a text from Mallory to Mr. Morphew? A (Grusing): I believe that’s the night of May 7th. Mallory, Macy, and their friend Holly are out on a trip towards Utah and Mallory is sending pictures to both Suzanne and Barry but I was ... Read more
May 08, 07:03 – The Grievance List: Suzanne’s phone backs up a list of 50 reasons why she wanted to leave marriage on “Notes” Not safe alone with you. Can’t be trusted - Oppressive - Slam on brakes when angry - Threaten to jump out of car - Gun ...
May 08, 08:43 – “I will continue to do your invoicing when you need to.” "When FBI Agents showed Barry these texts during interviews in 2021, he said he did not think Suzanne was serious."
May 08, 09:28 – Suzanne texts sister about Barry’s abuse. “It’s hard dealing with the harsh abrasiveness and having to show respect. He’s also been abusive, emotionally and physically. There’s so much … I went thru a period of acceptance and I feel more angry now. Anger at what I’ve allowed.”
May 08, 10:55 Barry: “I Love You, Suzanne.” “But, in the afternoon, it (the text fight) was like it never happened. She texted me back and it was just like, ‘Hey, what time are you coming home? Hey, this or that. Just pick this up or pick that up.'”
May 08, 13:18 – Barry texts Salida Stove and Spa about getting the hot tub fixed. "Asking when he could come out to the home."
May 08, 15:43 – Barry’s iPhone receives an SMS message associated with the unknown device This second device was first used on November 30,2019 and was associated with Barry’s iPhone 91 times since then, compared to 1,701 associations with the primary User ID since November 2019.
May 8, 19:06 – Moonlight Pizza and Phone Calls Barry convinces Suzanne to meet him at the Tailwinds site before going to pick up Moonlight Pizza together.
May 08, 21:04 – 20 Facebook friend requests, 3 men named “Jeff.” Barry’s lurking at the River. Barry was asked about his phone pinging down by the river during the Facebook posts on Friday night and asked if he was outside. Barry said, “I could have been. I don’t remember. I chase critters around the house all the time.”
May 09, 00:02 – Incoming call on Suzanne’s phone (PH CAST) Incoming call on Suzanne’s phone (PH CAST)
May 09, 02:07 – Outgoing call on Suzanne’s phone (PH CAST) 02:07 am outgoing call on SM’s phone (PH CAST)
May 09, 06:00 – Barry’s phone received call (PH CAST) 06:00 am BM’s phone received call (PH CAST)
May 09, 06:46 – Barry’s phone registered “Power On” Comes out of Airplane mode.
May 09, 07:19 – Barry’s cell received signal (PH) Barry’s cell received signal (PH)
May 09, 07:22 – 07:39 – Barry at “Tailwinds” worksite Barry’s phone registered locations at his “Tailwinds” work site near Poncha Springs.
May 09, 07:35 – Suzanne texting SO Discussing Sheila's daughters wedding on Sunday.
May 09, 08:00 – MG was with Barry working on the rock beach site until 10am(?). Gentile: “He said that he had to go make the wife happy – do some hiking or biking.”
May 9 – Morning – Suzanne messaging Jeff “He’s still wanting Arizona.”
May 09, 09:50 – Barry to Suzanne: Want to go on hike? *Text Exchange\* Barry to Suzanne: Want to go on hike?
May 9, 2020 – 11:14 – Suzanne received a second password reset message from Facebook Previous reset was while Barry was down by the river on the evening of the 8th.
May 09, 11:15 est. – Barry tells Morgan Gentile he could “bury a body” and it “would never be found.” Gentile: “He seemed stressed. He definitely seemed weird on Saturday.”
May 09, 11:55 – Dead Turkey Hunt or Barry Takes Down His Trail Cameras Barry said he was looking for a turkey that Mallory had shot previously with a bow, but they had never found.
May 09, 13:35 – Barry leaves home again. Checked on job at Kim Gyms
May 9, 13:40(?) – Suzanne texts Libler Guess who is alone again?
May 09, 13:46 – Barry and the backhoe After texting, Barry drove by TK's house to see the backhoe, but did not get back in touch to buy it. In 2018, Barry used a backhoe to dig a large hole in his front yard, fill it with items to include furniture, and cover it over, planting alfalfa on top.
May 09, 13:51 – 14:13 – Barry at DSI, replacing Bobcat blade He was wearing a blue t-shirt and khaki shorts.
May 09, 14:03 – Suzanne sends sunbathing pic to Libler, last proof of life. “Well, look at her. She’s obviously drunk. Look at her eyes. Do you know what drunk eyes look like?
May 09, 14:11 – Suzanne sends last LinkedIn message to Libler: “I’m on wa.” Libler sent response messages at 2:39PM, 2:46PM and 2:47PM that Suzanne did not answer.
May 09, 14:26 – Barry texts Suzanne, “Done headed back.” He texted Suzanne that he was done and was headed home.
May 09, 14:31 – Barry texted Suzanne, “Did you leave.” At 2:31 PM, Barry texted Suzanne, “Did you leave.”
May 09, 14:39 – Libler messages Suzanne, she does not respond. First unread. Messages from LinkedIn show they were talking about how Suzanne is in love with Jeff before she went missing.
May 09, 14:43 – Barry’s phone and F-350, per telematics, arrive at the Morphew residence. "The photo is shown in the courtroom, Suzanne smiling. Truck GPS coordinates show Barry’s truck goes into park at 2:43:59. Phone coordinates show he walks around the house. You can hear a pin drop in the courtroom as tension is high." - Carol McKinley, PH Tweet
May 09, 14:44 – Shooting Chipmunks? Barry had a .22 in the moments when Suzanne ceased the communicate with everyone she loved in the world. Shooting Chipmunks? Barry had a .22 in the moments when Suzanne ceased the communicate with everyone she loved in the world. (See: https://www.reddit.com/SuzanneMorphew/comments/17lfboz/barry_and_the_chipmunks_aa_excerpts/ )
May 09, 14:46 – Libler messages: “Hey … your weather looks great” Second unread. No response from Suzanne.
May 09, 14:47 – Jeff sends another messages to Suzanne with no response. Third unread. Jeff sends last message if the day to Suzanne with no response.
May 09, 16:00 – 17:30 – Defense says Barry was at Salida Stove and Spa Salida Stove and Spa's posted hours have the store closing at 2pm on Saturday. Telematics show Barry's truck in his garage during the time he was supposedly at Salida Stove and Spa.
May 09, 16:44 – Barry parks his truck in the garage. Barry claims to have been loading his truck and cleaning off his workbench. (See: https://www.google.com/maps/d/edit?hl=en&mid=1FSqlFRrywR8FkytAYkNM-bdSxvKVK5MP&ll=39.173623131314%2C-105.63244&z=8)
May 09, 17:33 – Barry’s truck system manually rebooted Barry attempted to disable the trucks GPS and SYNC features.
May 09, 18:40, 18:46 – SO sends two Snapchats to Suzanne that were never opened SO sends two Snapchats to Suzanne that were never opened
May 09, 21:25 – Barry’s truck goes into reverse, backs 96.8 feet down driveway Barry backs 96 feet out of the garage.
May 09, 22:17 – Barry’s Phone Exits out of Airplane Mode Barry's phone comes out of airplane mode at the Morphew residence.
May 10, 02:53 – Outgoing call on Suzanne’s phone Possible glitch.
May 10, 03:25 – 03:48 – Barry’s truck door opened and closed "SA Hoyland noted over eighty events involving the F350 during this timeframe."
May 10, 03:58 – Barry’s phone moves from home to near where Suzanne’s bike found 3:58 am BM cell moves from home to near 225/50 where bike found Carol McKinley PH Tweets (read from bottom tweet up): 431 am 5/10 Barry’s phone goes back into airplane mode at the his home. 5:37 am – morphew turns into buena vista & heads towards broomfield. 538 he texts his mom “happy ... Read more
May 10, 04:10 – 04:23 – Last Activity from Suzanne’s iPhone Sergeant Mullenax asked dispatch to ping the number given for Suzanne’s cell phone. Dispatch informed Mullenax that the cell phone appeared to be off and last known activity was at 4:23AM on the present date, with a general location about 11.5 miles west of a cell tower in Poncha Springs, CO.
May 10, 04:32 – Barry’s Phone Goes Back into Airplane Mode Barry's Phone Goes Back into Airplane Mode
May 10, 04:32 – 05:14 – Chasing Elk, or Staging Evidence? Barry's trip to Garfield adds an approximate five miles each way to his morning trip, and places Barry and his vehicle in the direction the helmet was discarded - west from the bicycle.
May 10, 05:00 – Morgan Gentile Hears Barry’s Truck on Hwy 50 Gentile stated she did not see the truck but that his truck has a very distinctive exhaust.
May 10, 05:14 – 06:56 – Barry on the road to Broomfield. Barry phone exits airplane mode while heading towards Buena Vista, CO.
May 10, 08:10 – Trash Dump #1 – RTD Bus Stop Hwy 36 Agent Grusing: "Yes. He would have time -- with the passenger door opening and closing -- like it would say passenger door opened at 8:10:36 am and then passenger door closed at 8:12:13 am. So it took about a minute and a half and that trash can is only 10 to 15 steps away from where the truck was parked."
May 10, 08:14 – 08:20 Holiday Inn Express, Broomfield. Trash Dump #2 Grusing: "He said he parked there because he hoped someone would come out and he could go in the hotel before checking in and get a free breakfast." (Note: It was mid-COVID lockdown, building capacities were down to single digits.)
May 10, 08:41 – 08:46 – “I made it to Broomfield call me when you get a chance” Barry texts Suzanne.
May 10, 08:46 – Barry carries items into the Holiday Inn Express “If there’s clothes in my truck, there was probably old clothes I threw away.”
May 10, 10:06 – Barry exits hotel room. He's carrying a charcoal long-sleeved shirt, two white bags, and a pair of boots.
May 10, 10:20 – 10:41 – McDonald’s – Trash Dump #3 SA Grusing said Barry had a small item in his hand and used one arm to push it down, then both to push it further down as Barry was shown the photos.
May 10, 10:47 – 11:18 – Men’s Wearhouse Trash Dump #4 Barry was told he was there for about 40 minutes and asked if he remembered what he was doing there. Barry said, “I think I was still cleaning my truck, umm, yeah, yeah I mean, like I said, I just uh, I would, I was probably getting crap out of my truck like I said, which I’ve done my whole entire life.”
May 10, 11:18 – Barry calls MG "Barry called he was out of breathe (sic) panting but fatigue, kind a like hungover but he doesn’t drink, honestly when I hung up I thought to myself he sounded like he had the worst night of his life.” - MG
May 10, 11:23 – 11:36 – Barry back at the HIE Barry carries in disorganized papers in a binder. Carries out an organized binder.
May 10, 11:57 – 12:25 – Barry at the worksite Barry spent 28 minutes removing a few blocks from the wall.
May 10, 12:28 – 12:41 – HIE Trash Dump #5 A camera recorded Barry throwing away: a small item, one white trash bag, larger in size than the previous bags in one hand, a black container, along with a piece of clothing, possibly a camouflage coat.
May 10, 12:42 – 18:03 – Barry remains in his HIE room. ”At 3:30PM, Barry sent an outgoing message to Suzanne 'Call me'"
May 10, 2020 (Time Unknown) – Libler wishes Suzanne a Happy Mother’s Day Commented that it would be a hard day because she missed her own mother.
May 10, 2020 – 15:30 – Barry texts Suzanne from his hotel room. At 3:30PM, Barry sent an outgoing message to Suzanne “Call me”
May 10, 15:50 – 17:45 – Suzanne is discovered “missing” “I’m just so sad and REDCATED and I texted mom for Mother’s Day and she still hasn’t answered and I’m scared her and dad probably got in a big fight and I don’t even know it just made me want to be gone even more because I don’t want to be around them it hurts me and I know if REDACTED is working I might have to be home a lot more and it’ll probably be the worst summer of my life.”- MM2 text.
May 10, 17:55 – 19:10 – Barry leaving Broomfield 6:10 pm - Barry entered the lobby carrying two shovels and placed them beside the front desk. He made subsequent trips, placing more tools in the same spot.
May 10, 19:31 – Chaffee County finds the bike “Something is up with the front tire,” Deputy Brown
May 10, 20:42 – Barry arrives at CR 255 & US 50 "Barry is heard asking if deputies saw any “cats” on the road and a deputy says not recently."
May 10, 21:37 – CCSO Commander Avila brings Barry into the house for scent items. Barry does not call out or look for his wife in the home.
May 10, After 21:47 – Barefoot prints in the Bobcat Bucket Deputy Brown was walking in the driveway when Deputy Defurio told him that there were barefoot marks inside of the bucket on the Bobcat. Deputy Brown went with him to examine and found that the cutting blade on the bucket of the Bobcat appeared to be newly replaced, along with the nuts and bolts.
May 10, 22:00 – MG and JP smell chlorine and have the wrong tools in Broomfield. “It looked like Barry had removed top caps that was it. We also did not have the tools we need like a packer or gravel.”
May 11, 2020 – First Interviews, Puma Path Searched "On May 11, 2020, at about 7:00AM, Barry called Morgan and said that Suzanne was missing and he thought a mountain lion may have attacked her. Morgan explained that Barry was initially crying but then abruptly shifted to the specifics about the Broomfield job."
May 11, 2020 – 14:47 – Libler sends last message to Suzanne. Wishing her well for her scheduled final cancer treatment that day.
May 12, 2020 – 20:00 – Barry found digging in the trash at Poncha Market “He went to write down a description of maybe what she was wearing,” Butala said. “I just thought it was weird because he didn’t explain what the color of her eyes were or her hair or anything about her, like how tall she was or anything.”
May 13, 2020 – Deputy Carricato took photos of scratches on Barry’s left arm and hands. These injuries appeared to be healing, several days old scratches.
May 13, 2020 – Fundraiser created $33,552 raised
May 17, 2020 – 11:13 – Barry’s “plea” video is released on Facebook. “Oh Suzanne, if anyone is out there and can hear this, that has you, please, we’ll do whatever it takes to bring you back. We love you, we miss you, your girls need you. No questions asked, however much they want – I will do whatever it takes to get you back. Honey, I love you, I want you back so bad.”
May 19, 2020 – Interviews, Pneu-Darts, Range Rovers "CCSO Deputy Scott Himschoot was present during the search at 19057 Puma Path, in the laundry room, and was asked to collect a “pneu-dart box, empty,” one plastic hypodermic cover, one Pneu-dart book from safe in garage, one dart from box under bench in garage, among other items. The plastic cover was located by evidence search teams in the dryer, inside of the sheets belonging to REDACTED bed." (At some point we had confirmation of a to-do list Suzanne left including MM1s bedding in hopes that the older girls would spend the night. Cannot remember the source.)
May 20, 2020 – Spy Pen found. "The pen was located in a cloth bin amongst women’s bras. The cloth bin and pen were inside the walk-in closet in the master bedroom, located on the ground level of the residence. Detective Hysjulien located, with the pen, the controller and headphones for playback and a USB cable."
June 1, 2020 – Barry files for guardianship. Within a month of Suzanne’s disappearance, Barry began to liquidate assets.
June 1, 2020 – TD interviews Barry on camera. "So, uh -- we uh --. We had two daughters that were coming home from a trip. And I got a job in Denver that I wanted to get started on on Sunday. Set it up for my work because my rookies are coming in Sunday night. (Unintelligible) Monday but I, being the owner, I wanted to get everything lined up so that (Unintelligible).
June 6, 2020 – Barry closes on IN home. Pockets $750,000
June 25, 2020 – Barry purchases the Longhorn Ranch property for $165,000 Property Address 8366 LONGHORN DR
July 13, 2020 – Barry sells Suzanne’s Range Rover. Leaves Suzanne's sunglasses in the car.
Aug 20, 2020 – Lauren Scharf Interviews Barry “People don’t know the truth, so they’re gonna think what they’re gonna think.”
October 05, 2020 – Barry lists Puma Path home for sale. Originally listed for $1,759,000.
November 2020 – Barry Commits Voter Fraud Barry filled out Suzanne's ballot and mailed it in.
February 17, 2021 – Barry Sells Longhorn Ranch property for $150,000 A $15,000 loss. Same property sold on 04/21/2021 for $175,000, indicating Barry needed the money fast.
March 3, 2021 – 19057 Puma Path sells for $1,625,000. Barry and Suzanne Morphew purchased the home on April 12, 2018 for $1,575,000.
May 4, 2021 – Warrant Issued for the Arrest of Barry Lee Morphew CRS/CHARGE: 18-3-102 (1), (a) Murder in the First Degree, a class 1 Felony, 18-8-610. Tampering with Physical Evidence, a class 6 felony, 18-8-306, Attempt to Influence a Public Servant, a class 4 Felony.
May 5, 2021 – 09:15 – Barry Lee Morphew Arrested for the murder of Suzanne Renee Moorman Morphew "Morphew was arrested around 9:15 a.m. on Wednesday, May 5 near his home in Poncha Springs. FOX31 News has obtained video of the arrest, which shows his truck stopped on the side of the road near several police vehicles. He can be seen standing just off the road with an officer." AA: https://www.documentcloud.org/documents/21065843-21cr78-morphew-redacted-affidavit
August 9-12, 2021 – Preliminary Hearing. Day One: https://docs.google.com/document/d/15wZ86C3zQ6kh9VGOUCJcr0ipCoFeaXkdowmwyaruiIQ/edit?usp=drive_link
Day Two: https://docs.google.com/document/d/1QKa1jcH2dAqe9Wezew-KbLCDuicrm1HgfwC4oGwM8Dg/edit?usp=drive_link
Day Three got corrupted so it's gone.
People's exhibit images: https://imgur.com/a/hgvlBUt Defense exhibit images: https://imgur.com/a/VC3ZfUZ
April 19, 2022 - Case against Barry Morphew Dismissed Without Prejudice. Prosecution asked for the case to be dismissed.
May 2, 2023 – Barry files $15,000,000 lawsuit against Chaffee County, et.al. https://www.9news.com/article/news/local/barry-morphew-lawsuit/73-3cea50c2-cdae-4338-8de9-9e113d33db6c
May 8, 2023 – Fraud Lawsuit filed against Barry in Indiana. Property dispute. https://denvergazette.com/news/courts/barry-morphew-sued-fraud-allegations-land-dispute/article_1c7cd90e-f4f5-11ed-9778-47c9c303d16d.html
September 22, 2023 – Suzanne's Remains Found Near Moffat in Saguache County While SCSO was searching for another (unrelated) missing woman. https://www.cbsnews.com/colorado/news/suzanne-morphew-remains-found-colorado-missing-mother-barry-chaffee-county-disappearance/
Sept. 27, 2023 – Autopsy Completed. Awaiting Toxicology. https://cbi.colorado.gov/news-article/suzanne-morphew-autopsy-results-cbi-update-0https://www.cbsnews.com/colorado/news/autopsy-complete-remains-missing-colorado-mom-suzanne-morphew/
April 29, 2024 – Toxicology finds BAM in Suzanne's bone marrow. “Homicide by undetermined means in the setting of butorphanol, azaperone, and medetomidine intoxication.” https://www.scribd.com/document/727780041/Suzanne-Morphew-autopsy-results https://www.cpr.org/2024/04/29/suzanne-morphew-died-by-homicide-with-tranquilizer-chemicals-present-in-body-according-to-autopsy-report/
Complete Case Overview (Official News Reports and Documents)
What Suzanne Left Behind (PH Exhibits)
Suzanne's Texts with SO Sept 2019
Barry's Unstableness: Suzanne's Text Conversion with SO September 1 (PH Exhibits)
Where was Barry on the 9th - Preliminary Hearing Exhibits
Barry and the Chipmunks (AA Excerpts)
Barry's dirty truck and poorly maintained rifle. PH Exhibits
Suzanne's Last Days - Timeline - May 4th - May 9th, 2020
Barry Buries a Body - May 10th, 2020 - Timeline
Barry Busy in Broomfield Part One (Preliminary Hearing Exhibits)
Barry Busy in Broomfield Part Two (PH Exhibits)

As far back as I can remember, I had always been passionate about the great outdoors. My love for the wilderness began when I joined the scouts, exploring the diverse landscapes of Southern California, Nevada, Arizona, and Utah. I was never a huge fan of the dry, barren landscapes, but camping provided a much-needed escape from the monotony of Orange County suburbia.
The first time I visited the Pacific Northwest, I was enchanted. The scenery was breathtaking—majestic mountains, lush fields, and meandering rivers. It was clear that anyone who praised the desert's beauty had never laid eyes on the Cascades. Seeing grass and wildflowers growing without irrigation was practically a revelation.
When I was old enough, I moved to Washington state, immersing myself in nature every weekend. My adventures took me hiking through dense forests, camping by serene lakes, and occasionally taking mushrooms under peaceful waterfalls.
I joined several online forums dedicated to outdoor enthusiasts. One community that particularly fascinated me was the Northwest Tomb Raiders. This group of history buffs and thrill-seekers was dedicated to uncovering artifacts, whether Native American relics or treasures hidden in modern ruins. Many members were collectors, fencing their finds to museums and archaeologists, which made it a rather profitable side gig, should you be lucky enough.
In the fall of 2009, an intriguing post appeared on the forum. A user named Lokk claimed to have discovered a cache of artifacts with Scandinavian origins. He couldn't carry everything back due to the treacherous terrain and his age, so he shared the coordinates, hoping someone else could retrieve the items. I scrolled down to see a few posts of people planning to loot it in the Spring, when the paths have reopened. One user, Patagooner, planned on going as early as possible.
Excited by the prospect, I gathered my two friends, Carl and Noah, for the expedition. They weren't as enthusiastic about camping as I was, but after I told them how much a single arrowhead goes for on the black market, they were on board. It was the start of winter now, which had its advantages and disadvantages. On the plus side, the rangers would have a harder time spotting us. On the downside, the harsh conditions posed a serious challenge for two inexperienced hikers.
I must’ve blown about four grand at REI on gear for them, justifying it with the knowledge of how much more I would make with two extra packs. That is of course assuming there really were as many artifacts as Lokk had said, and Patagooner hadn’t beaten me there.
The journey began like any other. We met in the pre-dawn darkness and went over our supplies, ensuring we had everything we needed. By mid-morning, we were on our way, my pickup truck winding up the mountain paths. The roads of Olympic National Park were the epitome of the raw, untamed beauty of the Pacific Northwest.
They snake through ancient forests, where towering Douglas firs and Western hemlocks create a verdant canopy overhead. Mist clings to the trees, giving the landscape an ethereal quality. Occasionally, the forest would open up to reveal breathtaking vistas of snow-capped peaks and deep, shadowy valleys.
As we climbed higher, the landscape grew increasingly desolate. The dense forest thinned out, replaced by rugged terrain and jagged rock formations. The air grew colder, and the first flurries of snow began to fall, dusting the ground in a thin, white layer. The road became narrower and more treacherous, winding precariously along the edge of steep cliffs.
Finally, a road closure blockade signaled the end of our journey in the truck. We unloaded three dirt bikes—one mine, two rentals—and continued up the trail. The bikes roared to life, carrying us several more miles into the wilderness. The trail twisted and turned, cutting through dense underbrush and over fallen logs. The snow began to fall more heavily, blanketing the forest floor and muffling the sound of our engines. The world around us grew quieter, more isolated.
Eventually, the snow became too deep to traverse by bike. We dismounted and prepared to continue on foot. The silence of the forest was profound, broken only by the occasional rustle of branches in the wind. I checked my modern GPS, its screen displaying the coordinates and a relief map of our destination.
The cold air bit into our cheeks as we trudged through the snow-laden forest. The silence was almost oppressive, broken only by the crunch of our footsteps and the occasional call of distant wildlife. The GPS indicated we were close to our destination, but the dense underbrush and uneven terrain made progress slow.
Suddenly, Carl's excited whisper cut through the stillness. "Hey, look at that!"
He pointed to a small, furry creature ambling through the trees. It took a moment to realize what it was—a bear cub, innocently exploring its surroundings.
My heart sank. "Carl, get back," I hissed, my voice low but urgent. "Where there's a cub, there's a..."
Before I could finish, a massive shape exploded from the trees. The mother bear, easily three times the size of the cub, charged at Carl with a ferocity. She was a blur of dark fur and powerful muscles, her roar echoing through the forest.
"Run!" I yelled, but it was too late. The bear was upon Carl, swiping at him with her massive paws. He screamed as he fell to the ground, the bear towering over him. Desperation and adrenaline surged through me. I grabbed the nearest heavy branch and swung it at the bear, hoping to distract her.
Noah joined in, shouting and waving his arms. We had to be careful; one wrong move and she would turn on us. The bear snarled, turning her attention away from Carl for just a moment. It was enough for him to scramble backwards, clutching his bleeding arm.
"We have to get him out of here," I shouted to Noah, who nodded, fear etched on his face. The bear, still enraged, seemed torn between attacking us and protecting her cub.
Using the brief respite, we hauled Carl to his feet. His face was white, and he was clearly in shock. Blood soaked his sleeve, dripping onto the snow. "There's a ranger station about two miles from here," I said, my voice shaking. "We need to get him there. Now."
We half-carried, half-dragged Carl through the forest, every shadow and sound heightening our paranoia.
Finally, after what felt like forever, the small, wooden structure of the ranger station came into view. We had been avoiding the rangers to keep our expedition secret, but now it was our only hope.
Pounding on the door, I prayed for a quick response. The door creaked open, and a weathered face appeared. "What happened?" the ranger demanded, taking in the sight of Carl's bloodied form.
"Bear attack," I gasped. "We need help."
The ranger's expression shifted from suspicion to urgency. "Get him inside. We've got a first aid kit and a radio."
As we eased Carl onto a makeshift bed, the ranger inspected his wounds. "You're lucky," he said after a moment. "The cuts are deep, but they missed any major arteries. He'll need stitches, but we can handle that here. No need for an airlift."
The ranger's face darkened as he turned to me. "What the hell are you boys doing out here?”
I hesitated, "We... we were just exploring."
The ranger's eyes narrowed, his anger palpable. "Exploring? In a restricted area? In the middle of winter? Are you out of your minds?"
He worked quickly and efficiently, cleaning and stitching Carl's wounds. Carl winced but stayed silent, his eyes closed in pain.
"Do you have any idea how dangerous it is out here?" the ranger continued, his voice rising. "The storm, the wildlife... This area is off-limits for a reason! You should have known better." he said, pushing a finger into my chest.
"We'll stay here for the night," he continued, "The storm's getting worse, and it's too dangerous to move him now. We'll reassess in the morning. And count yourself lucky I don't arrest your asses."
Night fell quickly, the storm outside growing more ferocious with each passing minute. The howling wind battered the small ranger station, and the walls creaked under the pressure. We huddled in the main room, the tension thick in the air.
The ranger looked at us sternly. "I need to check the perimeter and make sure everything is secure. There are things out there you don’t want to encounter, especially in this storm."
"Things? What do you mean?" Noah asked, his voice barely above a whisper.
The ranger's expression hardened. "Just stay put. No matter what you see or hear, do not leave this cabin. Understood?"
We nodded, the seriousness in his tone leaving no room for argument. "We'll stay put," I said, trying to sound more confident than I felt.
The ranger grabbed his coat and shotgun. "I'll be back in an hour. Do not leave this cabin." With that, he opened the door and stepped into the raging storm, disappearing into the darkness.
As soon as the door closed, I turned to Noah. "We need to go. Now."
Noah's eyes widened. "Are you crazy? He said to stay put."
"If we wait until morning, we'll be escorted out of here and lose our chance. This might be our only opportunity to find those artifacts."
Noah hesitated with uncertainty "But... what about Carl?"
"He'll be fine here. The ranger can take care of him. We have to do this now."
Reluctantly, Noah nodded. "Alright. Let's take what we can and go."
We quickly looted extra gear from the cabin. I checked the GPS one last time before we slipped out into the storm, the cold wind battering us.
The snow fell heavily, obscuring our vision as we slogged through the forest. The ranger was nowhere in sight as we made our way towards the our destination, each step filled with trepidatious excitement.
The storm began to die down as we approached the coordinates. We stepped into a clearing where the undisturbed snow lay like a pristine white blanket. In the center stood an ancient, weathered stone altar, encircled by intricate wooden carvings, delicate metalwork, and beautifully crafted statues. The sight was breathtaking, a treasure trove, a veritable museum of paganism.
Noah and I exchanged glances, our eyes wide with amazement. "Do you see this?" I whispered, barely able to contain my excitement.
"We're going to be rich," Noah replied, his voice trembling with awe. "These must be worth a fortune!"
We approached cautiously, as if the vision before us might disappear. The craftsmanship was stunning. I reached out to touch a carved wooden idol, marveling at the detail. "This is incredible," I said, my voice barely audible.
We began to load our packs with as many artifacts as we could carry, each one more exquisite than the last. It was beyond our wildest dreams. We were so engrossed in our task that we didn't notice the small figure watching us from the ridge.
It wasn't until I turned to leave that I saw her. A young girl, maybe eight years old, stood there, her blue eyes wide with curiosity. She was dressed in simple, rustic clothing, her blonde straight hair blowing gently in the wind. For a moment, we just stared at each other.
"Noah," I whispered urgently, nudging him. "Look."
He turned, his eyes following my gaze. "What the...?" he muttered, his voice trailing off.
The girl took a tentative step forward, her eyes fixed on the items in our hands. There was no fear in her gaze, only a quiet intensity that made my skin crawl.
"Who are you?" I asked, trying to keep my voice steady.
She tilted her head slightly. "My name is Sigyn."
"What are you doing out here, Sigyn?" Noah asked, his voice shaky.
"I live here,"
"You live here?" I echoed, incredulous. "Is there anyone else around?"
"Yes," she whispered.
"Where?" Noah demanded, looking around nervously.
"Everywhere," she said with a giggle.
The way she said it, so matter-of-factly, bothered me deeply. Noah and I exchanged a look, both of us trying to figure out what to do next.
"We can't take her back to the ranger," Noah started, "We'll lose everything."
I nodded, my mind racing. "Sigyn," I said slowly, "we need to know who else is here. Can you help us?"
She looked at me with her piercing blue eyes, then said, "I'm sorry."
"For what?" Noah asked.
"For what's going to happen to you," she replied, her voice tinged with sadness.
"You need to tell us what's going on," Noah said, grabbing her arm roughly. "Why are you out here alone?"
She looked up at him, unperturbed. "I am not alone," she said softly.
Before we could press her further, a loud, guttural mooing sound echoed through the clearing. We turned towards the direction the girl had come from, and there, emerging from the shadows, was the silhouette of an elk. As it approached, my stomach dropped. Its body was a grotesque amalgamation of life and decay. Its skull was fully exposed, the eye sockets dark and empty. Large patches of its ribs were visible, the flesh around them rotted away.
The elk's movements were slow and deliberate, its head swaying as if in a trance. It walked directly towards us, its hollow eyes fixed on Sigyn. The closer it got, the more the stench of death filled the air—a nauseating mix of decay and earth. I fought the urge to retch.
Sigyn stood up, her expression calm. The monster sniffed her gently, its nostrils flaring. Without a word, she climbed onto its back, mounting it like a horse. It was a surreal and horrifying scene ripped straight from a nightmare.
As she settled onto the elk, she looked back at us, "A thief in the night shall reap what he sows," she said, her voice carrying an otherworldly echo. "Beware the price of stolen dreams."
With that, the beast turned and began to walk away, Sigyn riding it into the shadows of the forest. We stood there, frozen in place. The realization that we were in far over our heads began to sink in. This started to feel like a trap.
We need to get out of here," My voice trembling. "Now."
We turned to leave, our packs heavy with the pilfered goods. But as we took our first steps, the forest around us seemed to come alive. Shadows moved among the trees, and whispers floated on the wind. I quickened my pace, glancing nervously over my shoulder.
"Did you hear that?" Noah asked sharply,
"Just keep moving," I commanded.
A figure emerged from the shadows, blocking our path. It was a man, tall and gaunt, his eyes burning with an intense light. "Where do you think you're going?" he asked, his voice cold and menacing.
"We're leaving," I stammered. "We didn't mean any harm."
The man smirked, and with a swift motion, he raised his hand. More figures appeared, closing in on us from all sides. We were surrounded.
"Run!" I shouted, shoving Noah forward.
We sprinted through the forest, branches whipping at our faces and legs. The figures pursued us, their footsteps silent and relentless.
Noah stumbled and fell, his pack spilling open. Statues scattered across the ground, glinting in the moonlight. "Help!" he cried, scrambling to gather the items.
"Leave them!" I shouted, pulling him to his feet. "We have to keep moving!"
But it was too late, their hands seizing us. I struggled, kicking and thrashing, but their grips were too strong. They forced us to the ground, binding our hands with rough, coarse ropes.
"Please," I begged, "Don't hurt us."
The man who had first appeared stepped forward, his eyes gleaming with amusement. "A thief in the night," he mocked.
They dragged us through the forest, the trees closing in around us like a cage. We were at their mercy.
In the distance, I could see the elk standing at the edge of the clearing, Sigyn still astride its back. Her eyes met mine, and for a moment, I thought I saw a flicker of pity. But then they turned away, disappearing into the shadows once more.
We were dragged into the heart of the forest, our struggles futile against the unyielding grip of our captors. As we broke through the treeline, a massive bonfire came into view, its flames licking the night sky. Shadows danced around the clearing, cast by the flickering light. A woman stood at the forefront, her presence commanding.
Her eyes were milk white, devoid of pupils, and her long, flowing white hair cascaded down her back. She was completely naked, her skin pale and marked with intricate symbols. Atop her head, she wore an elk skull, its antlers extending like eerie, skeletal fingers. She beat a drum emblazoned with more of the same cryptic symbols, each thud resonating deep within my chest.
Around the fire, about two dozen people stood, all drinking from crude, horned cups. Their faces were solemn, eyes fixed on the woman as she led them in a haunting chant. The atmosphere was thick with a mix of reverence and intoxication.
We were forced to our knees before the woman, who paused her drumming to look down at us. Her gaze was haunting, as if she could see into the very depths of our souls.
"Who are you?" Noah demanded, his voice trembling.
The woman ignored him, raising her arms to the sky. The chanting grew louder, the rhythm of the drum faster and more frenzied. The air around us seemed to vibrate with energy, the flames of the bonfire growing higher and more intense.
I glanced at Noah, fear mirrored in his eyes. The woman began to speak, her voice low and melodic, but filled with power, in a language I couldn't understand. Suddenly, she stopped, lowering her arms. The chanting ceased, and an silence fell over the clearing. She looked directly at me, her white eyes unblinking.
En tjuv i natten skördar vad han sår, akta dig för drömmar som du stjäl och får.
Hans skratt bevakar lundens gömda stig, där skuggor sveper över skogens liv.
För varje stulet andetag och svek, måste en tjuv möta sitt smärtsamma ödelek.
Tricksterns vilja, vår ande här, så i hans nåd, våra liv bär.
I was terrified and confused. She started again, softer, in a way I could understand.
A thief in the night shall reap what he sows, beware the price of stolen dreams.
His laughter guards our hidden groves, where shadows cloak the forest's seams.
For every stolen breath and lie, a thief must meet his painful end.
The tricksters will, our spirits tie, so in his grace, our lives suspend.
The crowd surged forward, grabbing Noah first. He screamed, his terror echoing through the trees as they pulled him towards a makeshift altar beside the bonfire. The woman chanted louder, her voice rising in a hypnotic rhythm as they began their gruesome work.
They stripped him of his shirt and bound his arms to a wooden frame. I tried to move, to help him, but the grip on my shoulders tightened, pinning me to the ground.
The woman approached Noah, holding a knife with a blade that gleamed in the firelight. She started to slice into his back, her movements deliberate and unhurried. Noah's screams pierced the night as she methodically carved the shape of wings into his flesh.
Blood poured from the wounds, soaking the ground beneath him. The crowd's chant grew louder, almost drowning out his cries. I watched in horror as the woman reached into the incisions, breaking the ribs and pulling them outward, creating a parody of wings.
Noah's agony was unbearable to witness. His screams turned to whimpers, his body convulsing in pain. The woman didn't stop until the work was complete, his lungs exposed and hanging grotesquely from his back.
They lifted Noah's broken body and placed him over the fire. The smell of burning flesh filled the air, making me gag. His life ebbed away as the flames consumed him, the once vibrant light in his eyes fading to nothing.
The woman turned to me, her expression devoid of mercy. "You will meet the same fate," she said, "He demands it."
The smell of burning flesh and the sight of his broken body over the fire was seared into my mind. Despair settled over me as I closed my eyes.
A deafening blast shattered the night. My eyes flew open to see the shaman stumbling backward, a gaping wound in her chest. She collapsed to the ground, her white eyes staring lifelessly into the void.
The villagers turned in shock as another shot rang out, this time hitting one of the men holding me. I twisted free from their grasp and saw the park ranger standing at the edge of the clearing, a pump-action shotgun in his hands. He fired again, the sound echoing through the forest, before one of them tackled him to the ground.
"Run!" he shouted, his voice raw and desperate. "Get the hell out of here!"
I didn't need to be told twice. I sprinted into the darkness, the chaos of the clearing fading behind me. Branches whipped at my face, and the snow underfoot made every step a struggle. I could hear the sounds of fighting and gunshots, but I forced myself to keep moving.
The cold air burned in my lungs, but adrenaline pushed me forward. I didn't stop until I reached the station, my legs threatening to give out from under me. I burst through the door and slammed it behind me.
Inside, Carl lay where we had left him, his face pale and twisted in pain. I stumbled to the radio, my hands trembling as I fumbled with the controls.
"Mayday, mayday!" I yelled into the microphone. "This is an emergency! We need help! Please, someone, come quickly!"
Static filled the room, punctuated by my ragged breaths. I repeated the call, my voice growing more frantic with each passing second. Finally, a voice crackled through the speaker. "This is Ranger Station Bravo. What's your location? Over."
I could barely form the words. "Olympic National Park! The ranger station near mount Christie! We're under attack! Please, send help!"
"Copy that. Help is on the way. Stay put and stay safe. Over."
I collapsed to the floor, my body trembling with exhaustion and fear. Carl moaned softly, his eyes fluttering open. "What… What happened? Where's Noah?”
Tears streamed down my face and I found myself choked up. “He’s gone, man. Help is coming.”
The minutes stretched into an eternity as we waited. The wind howled around the station, and every creak and groan of the structure set my nerves on edge. I couldn't shake the feeling that we were being watched, that the forest itself was closing in on us.
The radio crackled again, this time with a different voice. "Helicopter en route, ETA fifteen minutes. Prepare for extraction."
I glanced at Carl, his eyes filled with confusion. "Hang on. We're getting out of here."
As the minutes ticked by, I couldn't help but think about the ranger. He had saved my life, but he hadn't made it back. My mind conjured up images of what might have happened to him, the cultists overwhelming him in the darkness. A sense of guilt gnawed at me, knowing he had sacrificed himself for us.
The sound of rotors cut through the night, growing louder as the helicopter approached. I ran to the window and saw its searchlight piercing the treetops, scanning for the station.
I helped Carl to his feet, supporting his weight as we made our way to the hatch. The helicopter hovered above, lowering a rescue basket. The wind from the rotors whipped the snow into a frenzy, but I didn't care. Salvation was finally here.
We secured Carl in the basket first, and I watched as he was hoisted up, disappearing into the safety of the helicopter. My turn was next. I realized that I was now alone and exposed. Fear coursing through me as I scanned around the edge of the forest, expecting to be grabbed and taken seconds before my rescue. But the moment never came. As I gripped the rope, I took one last look at the forest below. The flames of the bonfire still flickered in the distance.
I was lifted into the air, the ground falling away beneath me. The helicopter's crew pulled me inside, and I collapsed onto the floor still holding onto my pack, my body finally giving in to exhaustion. The doors closed, and the helicopter banked away, leaving the horrors of the park behind.
Weeks had passed since the harrowing events, but the memories clung to me like the bitter cold. I had returned to civilization, seeking solace in the familiar chaos of the city. I found a wealthy collector through a network of contacts. The artifacts fetched a price tenfold the cost of gear. The money was substantial, but as I held the cash, it felt like a hollow victory.
Noah's absence weighed heavily on me. His disappearance was chalked up as a missing persons case, and despite my best efforts to explain what had happened, no one believed me. The authorities conducted a search of the area, but they found no trace of the cult, the artifacts, or the clearing. It was as if the forest had swallowed up all the evidence.
I returned to the site where we had parked the truck. The dirt bikes were gone, stolen by opportunistic thieves, but the truck remained. I drove back in silence, the road winding through the dense forest. For a moment, I thought I saw the girl watching me from atop a ridge until I realized it was just paranoia. I stepped on the gas a little harder.
Back home, I checked the Tomb Raiders forum again. The post that had led us into the forest was gone, deleted without a trace. I messaged the mods, but apparently, they don’t keep records to maintain confidentiality. I wrote about our experience, detailing every terrifying moment, but the responses were skeptical at best. Most dismissed it as a work of fiction or a desperate cry for attention.
Time passed, and I tried to return to a semblance of normalcy. Yet, the wilderness called to me stronger than ever. It was my sanctuary, the only place where I could find peace amidst the turmoil. I spent more and more time outdoors than ever before, but now it always felt like I was just running from something.
Determined to prove what had happened, I returned to the forest with a camera and recording equipment. This time, I documented every step, capturing footage of the trees, the snow, and the eerie silence that hung in the air. I retraced our path, hoping to find the clearing again. But each night, as I reviewed the footage, something strange would happen. The files would be corrupted or entire segments missing.
I pressed on. I found the site where Noah had fallen, the ground still bearing faint traces of what had happened. I set up the camera and began to speak, recounting the events in detail. As I spoke, a cold wind swept through the clearing, and the camera's screen flickered. I finished my account and turned to check the recording, only to find the file corrupted once again, the footage replaced by static and a faint, mocking laughter.
I returned home, defeated and exhausted. My attempts to share what I had experienced were met with disbelief and ridicule. The files I managed to save were corrupted beyond recognition. It was as if the forest itself was conspiring against me.
Almost exactly one year later, as I browsed the forums, a new post caught my eye. It was cryptic, eerily similar to the one that had led us into the nightmare. It spoke of another trove of artifacts, hidden deep within the wilderness, waiting to be claimed.
The post was signed with a new name: Skygge. Different handle, same style. Another trap. They had taken so much from me, left scars that would never heal. I opened my drawer, my fingers brushing over the cold metal of my weapons. This was the moment I had been waiting for. This time, I'll be ready.
The forest’s secrets won't remain hidden forever.