Title says it all, this post is a deep dive into the Sonic Adventure 2 OST, specifically all the songs pertaining to Knuckles. This is for a few reasons that I’ll get into in a moment, but from what I’ve seen Knuckles’ and Rouge’s soundtracks tend to get overlooked or written off by fans (More so Knuckles’) unfairly so in my opinion.
This post will serve, not only to analyze the music itself, but also Knuckles’ characterization, as you’ll see the two are basically intrinsically linked.
Just a quick disclaimer, I’m not a musician nor am I that musically inclined, this isn’t an expert’s opinion or analysis, just a listener’s thoughts.
A bit of background of me before we start, I grew up around hip hop when I was young so I can really appreciate Knuckles’ soundtrack probably more so than a lot of other people.
Ever since I was a kid, Knuckles has always been my favorite character, I always found his complicated friendship and rivalry with Sonic to me a much more interesting dichotomy than Sonic and Shadow (I know, fight me).
That and I’ve always just adored his character (Before they forgot how to write him) he can be hot headed and stubborn like Sonic, but he’s got a bit of a Yin and Yang thing going on, with his Chill nature conflicting with his Quick and Explosive temper, as well as his questioning of his purpose in life and duty to the Master Emerald.
Anyway, enough context on myself, let’s strap in and get to the meat of this veeeeeery long post (My bad guys).

BACKGROUND

So for starters, I think it’s best we talk about the style and influences that are quite evident in Knuckles’ Music, that being Hip Hop/Rap, but it goes a bit further than that.
For some historical context, Sonic Adventure 2 came out in 2001, I’m not sure how many hip hop fans hang around the subreddit but by 2001 the Golden Age of Hip Hop had been firmly left behind. Biggie and Pac had been dead for a while, and the stars of yesteryear began to fizzle out as the young blood cropped up onto the scene.
The early 2000s Hip Hop scene was mainly dominated by the East Coast and the Dirty South, lots of stars of this generation of rap included 50 Cent, Ja Rule, Outkast, Ludacris, The Game, Three 6 Mafia and Xzibit, but you also had older legends like Nas and Snoop Dogg who were still culturally relevant.
This modern sound of hip hop differed greatly in sound to the early 90s, everything was a lot more clean and refined, samples were still used but weren’t as common as before and the West Coast sound that characterized the early 90s had been long gone.
It’s important to bring this up, because comparing SA2’s Hip Hop tracks to the climate it was released in, they sound almost out of place. Listening to Get Rich or Die Trying, or Stillmatic and then listening to SA3’s tracks you’d be convinced they were separated by many years.
The Tracks in SA2 are definitely rooted in early 90s hip hop, it’s very clear that those early Gangsta Rap albums like Straight Outta Compton and Black Sunday greatly influenced this part of the soundtrack. And you don’t have to take my word for it, go and listen to the instrumentals of songs like Express Yourself or Insane in the Brain and tell me that they’d sound out of place playing in one of Knuckles’ Stages.
Early 90s Hip Hop makes heavy use of sampling, primarily of the work of Black Artists of the past two decades, because of SA2K’s early 90s hip hop influences, it too has a lot of roots in 70s/80s Black music. Elements of Soul, Funk and Jazz are commonly heard in Knuckles’ Stages, think James Brown or Isaac Hayes.
So what Groups or Artists seem to inspire SA2K’s sound? Well the obvious choice is NWA, though specifically Straight Outta Compton, Elif4zaggin has a much different sound. However I don’t believe that’s entirely the case.
Whether it’s pure coincidence or intentional, Too Short (stylized as Too $hort) was a decently popular artist from Oakland, which is up in the Bay Area of NorCal which is the main inspiration for most of SA2’s urban environments.
Anyway, Too Short was actually quite a pioneer in Hip Hop as he formed the Dangerous Crew, a Hip Hop Band who played actual instruments instead of using samples, it’s because of this that I believe Too Short and the Dangerous Crew to be the main inspiration of SA2K’s sound whether intentional or not, not only are the two defined by their funky beats, but also their use of live instruments. I recommend listening to songs like The Ghetto, Sample The Funk and Just Another Day to get an idea of how his music influences SA2K.

UNKNOWN FROM M.E. (REMIX)

Honestly I find this track to be an improvement over the original, it definitely leans a lot more into the R&B aspect over the rest of the soundtrack but it’s still distinctly hip hop with the record scratches, drums and Hunnid-P rapping over it.
Speaking of, let’s address the Elephant in the room briefly. I know Hunnid-P or Hunnid-Pacent isn’t everybody’s favorite person on this sub, either on the track or behind the scenes, and while his antics aren’t relevant to this post, I don’t necessarily agree that he’s as bad as people say he is on the mic. Is he the world’s greatest emcee? Absolutely not, but he does his job pretty well, he has good flow and a pretty good voice. I think people clown on his lyrics too much, I’m not saying he’s an Inspectah Deck level lyricist but I think the guy has dropped a few bombs and this OST has some gems, but we’ll get into this in a bit.
Getting back to the song, the content of the lyrics is basically Knuckles’ inner voice, this is basically the entire soundtrack, though Unknown From M.E. is more of a general character overview of Knuckles, its standard stuff now but at the time it was a pretty deep dive into the character of Knuckles’ in a decently subtle way.
Most of the song centers around Knuckles’ self imposed isolation on Angel Island, his duty to his people and the world to protect the Master Emerald, but also him yearning for something more and the inner conflict that stems from that.
This song actually has some underrated lines, some standout lyrics include:
“Clench my fists tight, become more redder - I don't wanna hurt her, my passion observed”
The last line is in obvious reference to Rouge and an interesting insight into Knuckles himself. He clearly doesn’t like violence and isn’t interested in hurting anybody, but his duty as a guardian and his quick temper often means he can get a bit too carried away as the line implies, good stuff.
“Been lonely all my life, does it matter? - Here for the mission, whoever want, it bring it”
Here we can clearly see Knuckles trying to reason with himself here, specifically after meeting Sonic and experiencing a life that isn’t just his duty. Here we see the Guardian side of him, he’s always been alone and it’s never been problem before, why should it be now? At least that’s what he tries to tell himself.
“Don't approve of him but gotta trust him - This alliance has a purpose - This partnership is only temporary”
I’ll get more into this when we get to Death Chamber, but these lines are obviously alluding to Sonic and the plot of the game. It’s clear that Knuckles still doesn’t completely like Sonic, however the key here is that he trusts him, he’s gotten to a point now where he knows Sonic is well meaning and their goals align. However, just like real people, he’s accepted the arrangement but he doesn’t have to like it, he still believes Sonic is brash, arrogant and takes far too many risks, it will take more than a few adventures for Knuckles to fully change his opinion on Sonic.
Hunnid-P and Marlon Saunders do a great job of bouncing off each other on this song, their voices and cadences clash with each other nicely almost like how Knuckles’ inner turmoil is split in two.
The beat is tantalizingly funky, for starters that bass line is smooth as butter and the song has a nice tempo, you get the occasional organ flourish and guitar riff that crescendo and just help to enhance the song even further. Overall a really solid track in my opinion, the content of the lyrics is interesting and the delivery is great, all over an extremely funky instrumental.

KICK THE ROCK - WILD CANYON

Probably my favorite song out of all Knuckles’ Stages, this one is definitely the most Jazzy and parallels nicely with Rouge, but has a distinctly Knuckles Twist.
That Sax and Organ combo just cause an absolute eargasm and those drums form such a nice tempo that makes this track such easy listening. Honestly there’s not a whole lot going on with this track and that is not a bad thing at all. Its simplicity is probably its biggest strength and is quite noticeable compared to something like Unknown From M.E.
Some Lyrics I found particularly interesting are:
“I'm feelin her in mysterious ways - That's why I stay on point like every single day - I gotta protect this place, I do it for my race”
Yeah yeah I know everybody finds this line and the play doh line inappropriate and funny, I understand the latter but honestly I could never get the outcry over this one
“I’m feelin her in mysterious ways” honestly, in my opinion, it’s not what you think. I’ve never really seen it as a sexual line “I’m feelin you” is basically another way of saying I get you, it’s basically Knuckles saying he gets Rouge, but he doesn’t know why and that kinda bothers him.
The context matters here and the lines after do give my interpretation some weight. It’s basically Knuckles saying to himself “I get this girl and I kinda fucks with her, but I gotta job to do” Knuckles is intrigued by Rouge, he’s never met anybody like her and he obviously has some feeling towards her, though because of his lack of interaction with others he struggles to understand these feelings and instead of addressing them, he tries to ignore them and remain true to his job as Guardian
“Who could'a did this, that snitch named Rouge! - When I catch her, I'ma get her with these tools”
More obvious than the last one, but it still shows that Knuckles, despite his various different feelings toward Rouge, knows he has a job to do and tries to center himself to stay committed
Honestly it’s hard to choose between this or Unknown From M.E. as my favorite Knuckles track but either way its up there and definitely something I can bop to on the regular

A GHOST’S PUMPKIN SOUP - PUMPKIN HILL

The one everybody knows and honestly I get it, it’s got that smooth piano/guitar I can’t really tell what it is but it definitely slaps. It has that distinct G-Funk whistle which pops up occasionally across SA2K that simulates that stereotypically ghostly sound nicely
It’s definitely in contention with Deeper for the most lowkey Knuckles track and that’s saying something.
Not much content lyrically, but I managed to find a few interesting lines:
“I ain’t gonna let it get to me, I’m just gon creep - Down in Pumpkin Hill I gots to find my lost piece”
Something we don’t actually see a lot from Knuckles, fear! Most of this song is about Knuckles’ fearlessness being tested, if you view this as Knuckles’ internal monologue (Which if you don’t at this point then I’ve been doing something wrong 😂) its less about the song telling us how tough Knuckles is, but Knuckles reassuring himself that he can do this.
He’s obviously trepidatious over being in Pumpkin Hill and he has to take a moment to center himself and reassure himself that “I’m Knuckles, I’m not afraid of anything” again this goes back to how Knuckles uses his job as Guardian and his duty to motivate himself and push forward through situations, regardless of his own fear.
“I’m hearing someone saying “You a chicken, don’t be scared!” - It had to be the wind, cause nobody wasn’t there”
Considering the haunted theming of this level, this very clearly (on the surface) seems to be Knuckles encountering a ghost taunting him, but I might present another angle.
This is just Knuckles’ inner thoughts again, though this time its doubt, he doesn’t believe he can find the pieces of the Master Emerald and he doesn’t think he can make it through Pumpkin Hill, yet he pushes through anyway. This one’s kinda far fetched but it’s a nice idea
I don’t adore this track as much as a lot of other people (ironically) but I can still Jive with it.

DIVE INTO THE MELLOW - AQUATIC MINE

First of all, this track does a great job at just sounding watery, the filtered organ and the echoey bass just make it sound like cave ambience turned into music
Most of this track’s lyrics center around Knuckles’ yearning to be something more than just the Guardian of the Master Emerald and to be his own individual, these are:
“Makes you wanna sit back, enjoy the life - And do things you like doing, get to shine”
Knuckles, if it wasn’t for all the enemies and hazards, obviously enjoys being in Aquatic Mine, so much so that it brings his thoughts of a better life to the front of his mind.
This shows what Knuckles really wants, to be unburdened from the Master Emerald and to just be free to kick it wherever, in a way he’s jealous of the freedom Sonic has and wishes he wasn’t tied down to Angel Island.
“I stay Knuckled up, I’m in a deep cut”
Knuckles, despite his ideals of peace and relaxation is always ready to do what he believes is right, again this whole OST is basically Knuckles reconciling his wants and his duties.
Again Knuckles isn’t really equipped to deal with these feelings and instead of addressing them, he pushes them down and buries them under his duty and tries to keep himself busy, though once he gets to Aquatic Mine where he’s forced to slow down and explore methodically, he’s suddenly unable to distract himself from his true feelings.
“In a maze, and I don't know what to do Guaranteed though, imma find the Emeralds”
Again an obvious allusion to the labyrinthine Aquatic Mine on the surface, though I believe this too has a deeper meaning.
Knuckles is lost and confused emotionally, he’s confronted by these different feelings that conflict with everything he’s ever known. His thoughts on freedom and his feelings for Rouge which he doesn’t quite understand both conflict with his role as Guardian and he can’t reconcile them.
“I don’t know what to do” in a rare moment of vulnerability, Knuckles admits that he has no idea how to manage these feelings and he’s grappling with the monumental task of managing his panicked thoughts.
Then, just as you think Knuckles is gonna start making a breakthrough, what does he do? “Guaranteed though, imma find the Emeralds” That’s right, instead of finally addressing his swirling thoughts, he pushes them down and once again distracts himself with his duty.
Honestly, like Pumpkin Hill, I know it’s a reach but it tracks with what we know Knuckles’ character has been up to this point and it gives him insane depth and really humanizes him.
A funky beat, a nice flow from Hunnid P and some really humanizing characterization of Knuckles, Dive Into The Mellow is definitely a hidden gem of the OST.

DEEPER - DEATH CHAMBER

Sooooooo chill, honestly this song is so calm and smooth, it’s so underrated on this soundtrack it really is another hidden gem like Dive Into the Mellow.
First off I absolutely adore the bass this track has, it sounds like it’s been bit compressed for a Gameboy and honestly I’m all here for it, gives it a nice techno Eggmany twist. The funky guitar and sax just enhances the mood, the song sounds almost echoey like you’re actually standing in a Death Chamber.
Lyrically this song is unique in that it’s basically just a long conversation between Sonic and Knuckles instead of Knuckles’ inner thoughts/monologue.
It’s an interesting dynamic where Sonic is actually the reasonable one, willing to put aside his and Knuckles’ differences aside for the greater good. Knuckles however is initially a bit more standoffish, but Sonic talks him into it by appealing to his guardian nature and calling him out on his stubbornness, basically forcing Knuckles to admit that Sonic is right and that they’ll be much better off working together.
Honestly not much to say, it’s pretty much all spelled out in the song, but interesting nonetheless. An understated and uniquely funky beat make this track stand out among the others nicely, definitely a great listen.

SPACE TRIP STEPS - METEOR HERD

Finally, the last song. In my opinion, Space Trip Steps is probably the weakest track musically. That doesn’t make it bad, far from it, I just can’t groove with it as easily as the others
This song takes a lot more inspirations from G-Funk than the other tracks which does give it quite a unique sound amongst the soundtrack, it wouldn’t sound out of place on The Chronic or Regulate… G Funk Era. The wavy synths and sharp base with the fast tempo give it an almost garage feel too, definitely not a sound for everyone but I think it does a good job at sounding very ethereal and space like
As for lyrics, this seems to be a turning point for Knuckles as a loner:
“Took a shuttle to space and left from our homes At least we're with friends and I'm not all alone”
Knuckles is in a completely foreign environment and feels completely out of his depth, however he feels comforted by the fact that he’s surrounded by the people he’s finally started to call his Friends, the first time he’s admitted such.
He’s forced now to acknowledge that he can’t do everything by himself, and that asking for help from his friends doesn’t make him any less of a man, he finally accepts that he can trust outsiders, but he still has a ways to go.
“Bad thing was that the Emeralds spilled - Gotta search space, man, time to get ill”
Still, Knuckles is bound and almost blinded by his duty, forcing himself to abandon his friends to search for the Master Emerald pieces that were scattered in space.
It’s clear now that Knuckles isn’t too happy to leave his friends, but as we’ve come to know him, he does the typical Knuckles thing of pushing his feelings to the side in the face of doing what he believes is right. This just tells us Knuckles still has a lot to work on before he can really come to terms with who he is.
Again, a pretty unconventional track so it can be an awkward listen and definitely not my favorite on the list, but it does something unique which I can definitely give it props for, Hunnid P even has a completely different flow, dragging out his words like he’s getting further away, hammering home that space theme.

CONCLUSION

And that’s it, if you made it this far through my long winded ramblings, then I’m extremely impressed 😂 I tried to trim the fat as best I could but I ended up getting a bit too attached to most of what I wrote
Honestly I feel like these songs have been unfairly painted as the silly shitty Knuckles rap songs with bad lyrics that are only good because of their instrumentals, and I just can’t agree with that.
I feel like in a lot of ways these songs do a much better job of characterizing Knuckles than SA1 or SA2, I really wish we got see more of his inner turmoil and him butting heads with Sonic in the game itself.
I think it’s a sad thought that for a long time, Knuckles has been a shadow of his former self (Har har) and has just been relegated to the token meathead that’s about as one dimensional as a square. Frontiers is definitely a step in the right direction and I’m excited to see what the new writing team can cook up with for his character.
But what are your thoughts though? Do you agree? Disagree? Did I manage to change your mind or have you always felt this way? Maybe you have a different take or something else to add? I’d love to hear it.
ML

It was requested that I post one of my replies in a new thread so others can learn. I feel like it’s been repeated many times before, but hey, I guess that magnifying glass 🔍 in the top header is harder to use on some. Just know, I’ve learned everything I know just by doing that, searching keywords until it all came together and made sense.
Not to mention, I was motivated AF to get out of the office.
So the original post went something like this: The classic questions…is it illegal, how to go about it undetected, FT or PT, what if deadlines and/or meetings overlap, how do I answer the “why are you leaving J1” questions…yada yada yada.
My reply…that hopefully will calm the nerves of others and maybe shine some light on why we’re crazy to do such an outlandish thing.
ahem (response below)
lol my sweet summer child.
We’ve all been where you are now. And let me just say this: nobody, not even IT, is getting paid enough to investigate you.
Yes, OE = more than 1 FT Job. You’ll quickly find out that PT gigs make you do more for less. It’s a trap. Don’t do PT.
Overlap? I’m assuming you’re referring to Teams meetings - always be on mute. Make sure each set up has their own accessories but nothing that’ll flag IT concerning suspicious downloaded software. (Plug usb’s into an external surge protector thing) My meetings overlap often, and I’ve got myself muted listening to both. If I’m asked anything, I calmly take my time to mute the sound of the opposite meeting, unmute myself to answer whatever they want, go back on mute, and again listen in to both. If anxiety will take the best of you, hop on Amazon and find a mute button with a big a$$ bright light that doesn’t require software to download. To be fair, this actually might be the one device you could explain your way out of to IT about software being downloaded. Idk. Share your experience below.
Deadlines on the same day? Personally, I wouldn’t recommend OE for jobs that require a lot of production. But, being the person I am not taking my own advice, this is quite literally my J1. I’m usually up early in the mornings and can knock out about everything needed for J1 between 4:30am - 8am. I know it sounds crazy, but during this time there isn’t anyone bothering me. Kid is asleep, coworkers from J1 aren’t blasting me on Teams, dead zone quiet. By the time 8am rolls around, I can finish whatever is needed from J1 while focusing on the active Teams activities and whatever for J2. From noon til 5, I’m playing Fortnite while all of my mice are on jigglers to keep them moving and my Teams notifications are on full blast volume.
I actually nailed J2 and convinced them I was leaving J1 due to the promise of working remote, but then they took it back. It wasn’t far from the truth actually. I really was about to leave J1. But, they gave me a test drive to work remote and see how it goes. I used this opportunity to go above and beyond hitting my numbers to where they said “as long as you’re hitting those numbers, we don’t GAF what you do.” So, I never cancelled J2 and onboarded during this time. I’ve now found the perfect routine for myself, which includes those early morning hours. Even though technically, I guess I’m on the clock longer, but it really doesn’t feel like it. I’m blowing off the second half of the day kicking some 10 yo butts online.
Keep in mind, the overall culture for OE is this: Why go above and beyond for an employer who wouldn’t do the same for you - just get by with what you need to maintain your presence at both, be mediocre and average, and make twice the salary by working/stressing less.
*No. It is not illegal.
*Inform yourself on what this link is and put your data on freeze mode just to be sure (I still haven’t done it but that’s because one employer doesn’t even show up on it): https://employees.theworknumber.com/employment-data-report is
*Call your tax lady and get informed on how to fill out your taxes for W-4s, contract, etc. General rule here is to claim nothing and put more in to make sure to get some back. You’re about to be bumped into another tax bracket. Brace yourself. Taxes get tricky when this happens. Have your local HR Block lady on speed dial.
*go all in on aaalllll the bens. Max out 401k, get all the pre-tax deductions your little heart desires, insurances, the works. My J2 has insurance for employees AND THEIR PETS. So, my retriever has his own insurance for medical as does my child and myself.
*click here and study: https://overemployed.com This site will give you the ins and outs of this culture. Many do it for financial freedom: to pay off debts, live frugal, work for enjoyment of extracurricular activities rather than paying to live sorta thing. This site is extremely helpful especially when breaking down what devices to use to help remain undetected.
Use AI to automate as many dumb tasks as possible. My fav is recording, summarizing and organizing meeting notes. I’ve got an app (that I pay monthly for and it’s totally worth it) that does it for me. I just have to push record. It takes down all the nitty gritty details and puts them into categories. Blew everyone away HOW DID YOU DO THAT YOU ARE SO DETAILED OMG I NEED TO LEARN FROM YOU etc etc. *pats phone gently
*Be responsible. Whatever financial goal you have, put stickies all over your monitors to remind you why you’re doing this. Fact check yourself on your spending and don’t go overboard. You just hit the lottery. Act like it. Don’t tell a single soul, don’t make it obvious, don’t make the IRS angry, and for the love of Satan DO NOT OE FOR GOVT EMPLOYERS.
*your J1 or J2 boss might actually be in this sub. Be vague.
*YOUR SOCIAL MEDIA PRESENCE- heaven forbid you land a job that requires you to be active on the socials. For one, I’d say that is NOT the opportunity you want to look for. BUT I get it. Beggars can’t be choosers, so, there’s a hack for that. Your answer needs to be as broad and humiliating as possible to make them feel uncomfortable for asking in the first place..such as “my therapist and case worker have gone to extreme lengths to put my safety first due to a past relationship. If I am to have a social media presence, it has to be vague and limited to past events.” Leave it at that. Girls, this one is your golden ticket. Boys, you make need to tweak it a bit to work better for you…maybe identity theft or something. Sorry I don’t make the rules. It is what it is. MOVING ONNNNN….
Regarding to socials, if you absolutely have to have a LI acct, make multiple. Be careful to upload different occupations, limit your name info, DO NOT USE THE SAME PROFILE PIC LET ALONE AN ACTUAL REAL PIC. Do one of those AI trends and fancy yourself a professional shot. Make each different. Does it look like you compared to Teams calls? Eh, maybe it’s arguable. As long as there is room for doubt, you’re golden.
Any other questions, just ask.
((( Don’t talk about fight club. )))
Please, more seasoned OEs post your experiences. It’s very educational to learn from others.

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Analyzing website content and keywords is an essential step in conducting a comprehensive website audit. It allows us to understand how well the website is optimized for search engines and how effectively it communicates with its target audience. One important keyword to focus on in this analysis is 'healthcare staffing company'. By examining the usage of this keyword throughout the website, we can determine if it is strategically placed in key areas such as page titles, headings, meta descriptions, and body content. Additionally, we can identify opportunities to optimize the website's content by incorporating relevant variations and synonyms of the keyword. By doing so, we can improve the website's visibility in search engine results and attract more targeted traffic. To enhance the user experience, we can also create hyperlinks using short highlights of the keyword, directing users to relevant pages within the website.

Optimizing meta tags and headings

When it comes to optimizing meta tags and headings, email marketing tactics play a crucial role in driving traffic and improving search engine rankings. By strategically incorporating relevant keywords into meta tags and headings, website owners can attract the right audience and increase visibility in search results. Email marketing tactics such as creating compelling subject lines, personalizing email content, and segmenting email lists can greatly impact the effectiveness of meta tags and headings. Additionally, by using hyperlinks with short highlights of email marketing tactics, users can easily navigate to more detailed resources and gain a deeper understanding of how to optimize their website for better performance.

Improving website usability and user experience

Improving website usability and user experience is crucial for any online business. It ensures that visitors have a positive and seamless browsing experience, leading to increased engagement and conversions. When it comes to the home security industry, website usability and user experience play a vital role in gaining the trust and confidence of potential customers. By optimizing the navigation, layout, and functionality of the website, businesses can create a user-friendly interface that allows visitors to easily find the information they need. Additionally, incorporating interactive elements and intuitive design can enhance user experience, making the website more engaging and enjoyable to navigate. To improve website usability and user experience in the home security industry, it is essential to prioritize clear and concise content, intuitive navigation, and responsive design. By doing so, businesses can effectively communicate their offerings and establish themselves as reliable and trustworthy providers in the market.

Off-Page Audit

Evaluating backlink profile and quality

Evaluating the backlink profile and quality is an essential step in conducting a comprehensive website audit. Backlinks play a crucial role in determining the authority and credibility of a website. By analyzing the backlink profile, one can gain insights into the sources of incoming links and assess their relevance and quality. This evaluation helps identify potential issues such as spammy or low-quality links that may negatively impact the website's search engine rankings. Additionally, understanding the backlink profile allows for strategic link building opportunities and the development of an effective SEO strategy. With the help of tools like SEMrush, conducting a thorough evaluation of the backlink profile becomes easier and more efficient, enabling website owners to optimize their link building efforts and improve their overall online presence.

Assessing social media presence and engagement

Assessing social media presence and engagement is crucial for any business looking to establish a strong online presence. In today's digital age, social media platforms play a significant role in connecting businesses with their target audience and driving engagement. When it comes to starting a bar supply business online, it is essential to evaluate the social media presence and engagement strategies. By conducting a comprehensive website audit with SEMrush, you can gain valuable insights into the effectiveness of your social media efforts. This will help you identify areas for improvement and optimize your social media presence to attract and engage potential customers. To start a successful bar supply business online, it is imperative to leverage the power of social media and ensure a strong presence and active engagement with your target audience.

Monitoring online reputation and reviews

Monitoring online reputation and reviews is essential for any business, especially in today's digital age. With the increasing reliance on the internet for information and decision-making, a company's online presence can greatly impact its success. One crucial aspect of monitoring online reputation is tracking the rank on Google. A high rank on Google can significantly increase visibility and drive organic traffic to a car website. Additionally, it is important to monitor and respond to customer reviews. Positive reviews can build trust and credibility, while negative reviews can harm the reputation of a business. By actively managing and addressing online reputation and reviews, businesses can enhance their online presence and attract more potential customers.

Conclusion

Summarizing the findings of the website audit

After conducting a comprehensive website audit using SEMrush, we have gathered valuable insights and findings. Summarizing the findings of the audit, we have identified areas of improvement and opportunities for optimization. The audit revealed areas of the website that require attention, such as broken links, slow page loading speed, and inconsistent metadata. Additionally, we found opportunities to enhance the website's user experience, such as optimizing the navigation structure and improving the overall design. By addressing these findings, we can ensure that the website performs at its best and provides a seamless experience for users. Overall, the website audit with SEMrush has provided us with actionable recommendations to enhance the website's performance and achieve our digital marketing goals.

Recommendations for improving website performance

When it comes to improving website performance, there are several recommendations that can make a significant impact. One important aspect to consider is the mobile experience. With the increasing use of smartphones and tablets, it is crucial for websites to be mobile-friendly. This includes ensuring that the website is responsive and optimized for different screen sizes. Another recommendation is to optimize website loading speed. Slow loading times can lead to high bounce rates and poor user experience. By optimizing images, minimizing code, and leveraging caching techniques, website performance can be greatly improved. Additionally, it is essential to regularly update and maintain the website's content and design. Outdated information and an outdated design can negatively impact user engagement and overall performance. Lastly, incorporating SEO best practices can help improve website visibility and organic traffic. By conducting keyword research, optimizing meta tags, and creating high-quality content, websites can rank higher in search engine results and attract more visitors. Overall, implementing these recommendations can greatly enhance website performance and provide a better user experience.

Importance of regular website audits

Regular website audits are crucial for maintaining a healthy online presence. They help identify any technical issues, performance bottlenecks, or security vulnerabilities that may be impacting the website's performance. By conducting regular audits, businesses can ensure that their website is optimized for search engines, user-friendly, and up-to-date with the latest industry standards. Additionally, website audits provide valuable insights into user behavior and preferences, allowing businesses to make informed decisions about content strategy and website improvements. Overall, the importance of regular website audits cannot be overstated in today's digital landscape, where competition is fierce and user expectations are constantly evolving.
In conclusion, online marketing can be easy and effective with the right tools and strategies. With Semrush, you can turn the algorithm into your friend and make your business visible online. With over 55+ tools for SEO, PPC, content, social media, competitive research, and more, Semrush provides everything you need to get measurable results from your online marketing efforts. Don't miss out on the opportunity to boost your online presence and drive more traffic to your website. Visit Semrush today and start optimizing your online marketing campaigns!

What is a web page audit?

A web page audit is a comprehensive analysis of a website's performance, structure, and content to identify areas for improvement. It involves evaluating various aspects such as page load speed, mobile-friendliness, SEO optimization, and user experience. By conducting a web page audit, businesses can gain valuable insights into their website's strengths and weaknesses, allowing them to make informed decisions on how to optimize their web pages. One of the main goals of a web page audit is to increase sales by enhancing the overall performance and user satisfaction of the website.

Why is a web page audit important?

A web page audit is essential for optimizing every aspect of your website. It allows you to identify any issues or areas for improvement that may be affecting your website's performance and user experience. By conducting a detailed audit using SEMrush, you can gain valuable insights into your website's SEO, technical, and content-related aspects. This information can help you make informed decisions and implement effective strategies to enhance your web page's visibility, rankings, and overall performance. Whether you are a small business owner, a marketer, or a website developer, conducting a web page audit is crucial for ensuring that your website is optimized to its full potential.

Benefits of conducting a web page audit

Conducting a web page audit offers several benefits for website owners and digital marketers. Firstly, it helps identify areas of improvement and optimization opportunities, ensuring that every web page is performing at its best. By analyzing various aspects such as page speed, mobile responsiveness, and user experience, a web page audit enables businesses to enhance their online presence and attract more visitors. Additionally, conducting regular audits allows website owners to stay updated with the latest industry standards and best practices, ensuring that their web pages are in compliance with search engine guidelines. Overall, a detailed web page audit using SEMrush can greatly contribute to the success and performance of a website.

Preparing for the Audit

Defining the audit objectives

When defining the audit objectives, it is important to consider the specific goals and targets that need to be achieved. The audit objectives serve as a roadmap for the entire auditing process, providing a clear direction and focus. In the case of optimizing every web page with a detailed audit using SEMrush, the primary objective is to identify areas of improvement and implement strategies that can enhance the overall performance and visibility of the website. By conducting a comprehensive audit, businesses can gain valuable insights into their website's strengths and weaknesses, allowing them to make informed decisions and take necessary actions to optimize their online presence. Whether it's improving website speed, enhancing user experience, or optimizing content for search engines, the audit objectives play a crucial role in guiding the optimization process and ensuring the desired outcomes are achieved.

Identifying key performance indicators

Key performance indicators (KPIs) play a crucial role in measuring the success of a website's performance. By identifying and tracking specific metrics, website owners can gain valuable insights into how well their web pages are performing and identify areas for improvement. These KPIs can include metrics such as page load time, bounce rate, conversion rate, and organic search traffic. By analyzing these indicators, website owners can make informed decisions on how to optimize their web pages for better performance and user experience. In this article, we will explore how to conduct a detailed audit using SEMrush to identify key performance indicators and optimize every web page accordingly.

Gathering necessary data and tools

To optimize every web page with a detailed audit using SEMrush, the first step is gathering necessary data and tools. This crucial stage involves identifying key metrics, such as organic traffic, backlinks, and keyword rankings, to assess the current performance of the website. Additionally, it is essential to ensure that the necessary tools, such as SEMrush's Site Audit feature, are readily available to conduct a comprehensive analysis. By collecting relevant data and equipping oneself with the right tools, website owners can gain valuable insights and make informed decisions to enhance their web pages' optimization.

Technical Analysis

Checking for crawlability and indexability

When it comes to checking for crawlability and indexability of a web page, there are several important factors to consider. One of these factors is the logo design. The logo design plays a crucial role in creating a strong brand identity and attracting visitors to the website. It is important to ensure that the logo is properly optimized for search engines and is easily crawlable and indexable. By following best practices for logo design, such as using descriptive alt text and optimizing the file size, webmasters can improve the crawlability and indexability of their web pages.

Analyzing page load speed

Analyzing page load speed is crucial for optimizing the performance of a website. It directly impacts user experience and can significantly affect search engine rankings. When it comes to making money with a home security company, ensuring a fast page load speed is even more important. Slow-loading pages can lead to frustrated visitors who may abandon the site and seek services from competitors. By conducting a detailed audit using SEMrush, webmasters can identify and address any issues that may be slowing down their web pages. This includes optimizing images, minifying code, and leveraging browser caching. Implementing these optimizations can not only improve page load speed but also increase the chances of attracting and retaining potential customers. To learn more about how to optimize every web page with a detailed audit using SEMrush, continue reading.

Reviewing URL structure and redirects

Reviewing URL structure and redirects is an essential step in optimizing every web page. It helps ensure that your website is organized and that visitors can easily navigate through your content. One important aspect to consider is the mobile-friendliness of your site, as more and more people are accessing the internet through their smartphones. Additionally, it is crucial to review and optimize the redirects on your website to ensure a seamless user experience. When it comes to optimizing your web page for search engines, paying attention to the URL structure and redirects is key.

On-Page Optimization

Optimizing meta tags and descriptions

When it comes to optimizing meta tags and descriptions, one important aspect to consider is the use of premium WordPress themes. These themes offer a range of benefits, including enhanced design options, improved functionality, and better performance. By utilizing premium WordPress themes, website owners can ensure that their meta tags and descriptions are not only visually appealing but also optimized for search engines. With the ability to customize meta tags and descriptions, website owners can incorporate relevant keywords and create compelling descriptions that entice users to click through to their website. Additionally, premium WordPress themes often come with built-in SEO features, making it easier to optimize meta tags and descriptions without the need for additional plugins or tools. Overall, optimizing meta tags and descriptions with premium WordPress themes is an effective strategy for improving search engine visibility and driving more organic traffic to a website.

Improving keyword usage and density

Improving keyword usage and density is crucial for optimizing web pages. One important aspect of this optimization process is ensuring that the keyword, in this case, Wix, is used effectively throughout the content. By incorporating the keyword naturally and strategically, it helps search engines understand the relevance of the webpage to the user's search query. Additionally, using the keyword in headings, subheadings, and meta tags can further enhance its visibility. To achieve optimal keyword density, it is important to strike a balance between using the keyword enough to rank well in search results, but not overusing it to the point of keyword stuffing. By following these best practices, website owners can improve their web page's visibility and attract more organic traffic.

Enhancing content readability and structure

Enhancing content readability and structure is crucial for optimizing web pages. By following best practices, such as using clear headings, organizing content into paragraphs, and incorporating bullet points, you can improve the overall user experience. Additionally, utilizing appropriate font styles, sizes, and colors can enhance readability. Another important aspect is the use of hyperlinks, which can provide additional information and resources. For example, if you are interested in learning how to start a bar supply business, you can find valuable insights and tips in our comprehensive guide.

Off-Page Factors

Assessing backlink profile

Assessing the backlink profile of a website is a crucial step in optimizing its overall performance. By examining the quality and quantity of backlinks pointing to a site, webmasters can gain valuable insights into its authority and relevance in the online landscape. One important aspect of backlink assessment is analyzing the anchor text used in the links. In the case of a staffing company logo, it is essential to ensure that the logo is properly linked and associated with relevant keywords. By doing so, the website can enhance its visibility and credibility, thereby attracting more potential clients and improving its overall online presence.

Monitoring social signals

Monitoring social signals is an essential aspect of optimizing every web page. By keeping track of social signals such as likes, shares, and comments, website owners can gain valuable insights into the performance and popularity of their content. Additionally, monitoring social signals allows businesses to understand how their target audience is engaging with their web pages and identify areas for improvement. This information can be particularly valuable for individuals who are advancing in their careers, as it provides a clear indication of the impact and reach of their online presence. By leveraging tools like SEMrush, professionals can conduct a detailed audit of their web pages, analyze social signals, and make data-driven decisions to optimize their content and enhance their career prospects.

Analyzing online reputation

Analyzing online reputation is an important aspect of optimizing every web page. It allows businesses to understand how their brand is perceived by the online community and identify areas for improvement. One key factor to consider is the design of a website. A stand out car website design can make a significant impact on the reputation of a business. By incorporating visually appealing elements and user-friendly navigation, a website can attract more visitors and enhance the overall user experience. Additionally, optimizing the website for search engines can increase its visibility and credibility, further improving the online reputation of the business.

Conclusion

Key takeaways from the web page audit

The web page audit conducted using SEMrush provides valuable insights for optimizing every web page. The key takeaways from the audit include understanding the algorithm used by search engines to rank web pages. By analyzing the algorithm, website owners can make informed decisions to improve their page rankings. Additionally, the audit highlights the importance of conducting regular audits to identify and fix any issues that may affect the performance of the web page. With the help of SEMrush, website owners can optimize their web pages and drive more organic traffic to their sites.

Next steps for optimizing web pages

After completing a detailed audit using SEMrush, the next steps for optimizing web pages involve implementing the necessary changes. One important aspect to consider is healthcare staffing agency. By focusing on this keyword, website owners can attract more relevant traffic and improve their overall search engine rankings. To optimize web pages for healthcare staffing agency, it is crucial to create high-quality content that addresses the needs and challenges of the target audience. Additionally, incorporating relevant keywords in the meta tags, headings, and body text can further enhance the page's visibility. By conducting thorough keyword research and regularly monitoring the performance of the optimized pages, website owners can ensure that their web pages are consistently delivering value to users and ranking well in search engine results.

Importance of regular audits for ongoing optimization

Regular audits are an essential part of ongoing optimization for any website. They help identify areas that need improvement and ensure that the website is performing at its best. One important aspect of regular audits is the ability to detect signs that indicate the need for optimization. One such sign is when you notice that your website's design is not visually appealing or lacks professional graphics. In such cases, using a tool like Canva can be a game-changer. Canva provides a user-friendly interface and a wide range of design templates that can help enhance the visual appeal of your web pages. By using Canva, you can create stunning graphics and images that will captivate your audience and improve the overall user experience. So, if you're looking for a sign that you need to optimize your web pages, keep an eye out for any design-related issues and consider using Canva to elevate your website's visual appeal.
In conclusion, online marketing can be easy and effective with the right tools and strategies. With Semrush, you can turn the algorithm into your friend and make your business visible online. With over 55+ tools for SEO, PPC, content, social media, and competitive research, Semrush provides everything you need to achieve measurable results from your online marketing efforts. Don't miss out on the opportunity to boost your online presence and drive more traffic to your website. Visit Semrush today and start maximizing your online marketing potential!

Before going into it, I want to mention how this post was inspired by three things. One was user u/HastyvonFuego2 and their post on going down the rabbit hole on the Kendrick sub last week. It was also inspired by Childish Gambino’s first album release in nearly 6 years where I have been sitting on this idea for a while but he inspired me to finally post this week like he did (never posted on Reddit at all before so be gentle if I am not doing it right)! I was also inspired by an interview Bino gave to GQ about breaking down his most iconic characters. In this interview he says how This is America started out as a Drake diss but then he realized the song was too hard for just Drake so he kept working on it. He also talks in this interview about how all culture is about compression. Which means that yes, This is America is about the gun violence and police issues in America, but compressed in this video is also more about where that culture comes from which he shows is from a small handful of rap moguls, namely Drake, Diddy and Jay-Z (bear with me on this long post, I think/hope it will be worth it). At the end I talk briefly about how Little Foot Big Foot might be in this same vein of cultural compression.
[Intro: Choir]
Yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, go, go away
The beginning of this song has no background music yet, which really gives it an ‘in the beginning’ feel. Then Gambino starts doing his dances with weird facial expressions. I will explain as we go through his video how those expressions and dance moves represent different famous rap moguls. One easy look to pick out right away is Jay-Z’s famous lip curl/growl look that Gambino gives with a head nod repeatedly. The colonial pants have been a hot topic, but since it’s only the pants that are colonial, Gambino is saying the bottom or basis for this violent culture in America is ultimately colonialism. The lyrics ‘Go Away’, are likely foreshadowing the rap moguls wanting other popular rap rivals to ‘go away’ or they will make them (aka murder them) for profit.
[Bridge: Childish Gambino & Young Thug]
We just wanna party
Party just for you
We just want the money
Money just for you (Yeah)
Usually you want money for yourself and to party for yourself, so this is a bit odd. But what Gambino is referring to is similar to these Diddy ‘freakoff parties’ we are hearing about where people who want to be famous are really partying for these rap moguls so they can get close to them. Where they suck up to them saying that they want to earn the mogul money from their songs.
I know you wanna party
Party just for free
Girl, you got me dancin' (Girl, you got me dancin')
Dance and shake the frame (Yeah)
Then this almost feels like the Diddy rebuttal where he’s like ya I know you want to party and you want to do it for free. Like Katt Williams says, “you gotta tell Diddy no”, it is never free to go to those parties. There are always consequences. When you are partying you are dancing, but shaking the frame could refer to how those boundaries/edges are being crossed, lines are blurred, etc.
Then in the video, the fellow who was playing the guitar gets shot and things turn dark from happy music. I believe that this guitar tune is meant to represent 2Pac and Nas’s song Thugz Mansion. It’s one of the original greats from ‘in the beginning’. Nas famously has always had major issues with Jay-Z too (More on why 2Pac and Nas later). It also represents how it was these moguls who murdered 2Pac like Jaguar Wright and Katt Williams keep saying. Where these murders only lead to more money and fame for the killers when the dead artists’ and their music are exploited more easily.
Also note that the gun gets taken away by a school kid after the shooting, more on this later as well.
[Verse 1: Childish Gambino, Young Thug, Blocboy JB & 21 Savage]
This is America (Skrrt, skrrt, woo)
Don't catch you slippin' now (Ayy)
Look how I'm livin' now
Police be trippin' now (Woo)
Yeah, this is America (Woo, ayy)
Guns in my area (Word, my area)
There is a song called Guns in My Area by Lil Weiner and Baby Chapox that paints a vivid picture of the everyday struggles and conflicts faced by those living in communities affected by gun violence. More compression of other songs and the American gun culture.
I got the strap (Ayy, ayy)
I gotta carry 'em
I am almost certain this line is referring to 2Pac’s song Changes. Throughout This is America, Gambino takes lines from Pac’s song: “They get jealous when they see you with your mobile phone” (referred to later in this a Celly, that’s tool) “That's the sound of my tool, you say it ain't cool, My mama didn't raise no fool”
“And as long as I stay black, I gotta stay strapped, And I never get to lay back” It seems like Gambino broke up these lyrics and scattered them throughout his song. This plays into the theme that everyone is using 2Pac and enriching themselves off of his image and music. I show below how this particular section of the video represents Diddy meaning that Diddy himself is exploiting his music (and alleging that Diddy killed Pac?). We could see this exploitation play out at length with how much Diddy milked the death of Biggie like in Every Breath You Take.
Yeah, yeah, I'ma go into this (Ugh)
Yeah, yeah, this is guerilla (Woo)
Yeah, yeah, I'ma go get the bag
The song Gorilla War by $uicideboy$ and Ramirez talks about getting a bag repeatedly in the course. Also in Otis with Kanye and Jay-Z their lyrics talk about going gorilla (I talk about this song more further down), so it could be referring to this as well. It seems like Gambino is trying to pull out lyrics from all across the rap culture and embed them in his song to highlight the ‘cultural compression’.
Yeah, yeah, I'm so cold like, yeah (Yeah)
I'm so dope like, yeah (Woo)
We gon' blow like, yeah (Straight up, uh)
I think that all of the school kids in the video represent all of the rappers that are signed with these big labels. Which is interesting because they are the ones facilitating the guns for the moguls in the video. You can see that the mogul is really focused on the kids and gets agitated and directs them to follow him whenever they stray off a bit like they are his pupils, or like he owns them. Then all of a sudden the camera comes into a scene where you can see more kids shooting a rap video and all shooting money from a Supreme gun. The camera zooms out almost to show you that this is the mogul’s whole rap empire they are looking over, all of their kids in one place (this empire already includes some chaos in the background). It’s subtle but hilarious, Gambino puts fricken chickens on the ground where the kids are filming the rap video. He is directly calling all of these rappers complete chickens for playing up this lifestyle and being the cause of so much chaos rather than coming out and telling somebody what’s really going on. Trying to get their money over everything else.
[Refrain: Choir & Childish Gambino]
Ooh-ooh-ooh-ooh-ooh, tell somebody
You go tell somebody
Grandma told me
Get your money, Black man (Get your— Black man)
This is where things start to get interesting. Gambino is literally saying, go tell somebody about this! We all know what’s happening, why don’t you go let people know how bad it is? But like Jaguar Wright said, who do you tell when these moguls have the cops and feds paid off? This video is literally Gambino putting it all out there in this extremely popular song for everyone to see but yet we still just see the dancing and the violent chaos of people and police in the streets and not the root cause that is hidden in plain sight.
The vast majority of those who reviewed this video until now think this scene represents the tragic church shooting in Charleston in 2015. I think it does, but we also have to look at this from an angle of compression.
The people in the choir are all of the people who are currently singing the rap mogul’s praises and who are focused on going and getting what’s owed to them, get their money (who are also profiting off of the dead fellows music since it goes back to the original tune). You can see that each choir member has a distinct look to them. Think about who you are hearing about now who is about to be implicated in these freak offs and evil deeds. Is that Will Smith in the back left corner!? The short bald fellow in the front left maybe Kevin Hart? Rick Ross or TD Jakes maybe the bigger guy towards the back right? When the camera zooms in on the choir right at first to show their faces, doesn’t the guy in the bottom middle look like an uncanny version of Jordan Peele? Or is that meant to be Cuba Gooding Jr? Then just like the guitar fellow at the beginning, bang. You may be singing Diddy’s praises now, but he will cut you down whenever he suddenly feels like it.
I think almost for sure this initial section of the music video is Gambino acting as Diddy, because right after he shoots the choir, he does the elbow pump/chicken dance. At 3:14 in Diddy’s video for P.E. 2000 he does the chicken dance (he is up first in the video and I think Gambino is trying to say here I first present to you the first public enemy of 3 in this song). That elbow dance signals that it was Diddy and this is the end of his section.
[Chorus: Childish Gambino, Young Thug, Slim Jxmmi & Quavo]
This is America (Woo, ayy)
Don't catch you slippin' now (Woo, woo, don't catch you slippin' now)
Don't catch you slippin' now (Ayy, woah)
Look what I'm whippin' now (Slime!)
There have been many accounts of celebrities being given fancy cars after suffering abuse at the hands of these moguls. So these lyrics are saying that you better not slip up and tell people what’s really going on. And if you don’t look at this sweet carecord deal/movie contract I am going to give you. Beiber told this story about Diddy wanting to give him a luxury car.
Now suddenly, the dance switches from the chicken dance to a sudden bicep flex to signal us that we have now moved on from Gambino representing Diddy to our next mogul.
[Verse 2: Childish Gambino, Quavo, Young Thug, 21 Savage & BlocBoy JB]
This next chunk of the video is all about Jay-Z. I think this is the case because he throws his arms up in a bicep flex just like Jay does in the Otis music video at 2:38. And it makes sense Gambino would pick a dance move from a video with a huge American flag in the background to fit the ‘This is America’ theme. Gambino is mocking him saying, who are you really, the pretty guy or this hard gangster like Gambino shows in his dancing. Also right before they pan to the kids on the balcony, Bino also does Jay-Z’s signature lip curl look a couple times so we know it’s him and to signal the end of his section.
Look how I'm geekin' out (Hey)
I'm so fitted (I'm so fitted, woo)
Jay-Z is famous for making the fitted Yankees cap famous, it’s his signature look. More signs this verse is about Jay.
I'm on Gucci (I'm on Gucci)
Jay-Z has been seen in full wallpaper Gucci sweat suits but could also be referring to Gucci Mane who he hung out with at Beyonce’s tour around the time this song was released.
I'm so pretty (Yeah, yeah, woo)
I'm gon' get it (Ayy, I'm gon' get it)
Watch me move (Blaow)
These lines are probably referring to Jay-Z having a hidden preference for men, especially with the way Gambino flicks his wrist in the video when he says I’m so pretty.
This a celly (Ha)
That's a tool (Yeah)
On my Kodak (Woo) Black
I think that “this a celly, that’s a tool” harkens back to 2Pac’s lyrics in Changes where he sings, “They get jealous when they see ya with your mobile phone” then shortly after that he sings about the sound of his tool, referring to shooting a gun. But Childish flips these lyrics on their head. He is saying that it’s really the phone that’s a tool to be using, not a gun. And pans up and shows (the school kids specifically) on the balcony filming everything going on below. He’s telling the kids/other rappers, use your phone as a tool, you can record these bad deeds when you get blackmailed into being at the freak off. That’s how you can kill them and their career, not with a gun. Go tell somebody! There is also the reference to Kodak which plays into the picture taking theme, but also because Kodak Black has been accused of assaulting a teenage girl in a hotel room. So we have a good idea of what Gambino suggests all the kids start filming and collecting evidence of.
Ooh, know that (Yeah, know that, hold on)
Get it (Woo, get it, get it)
Ooh, work it (21)
Now we are onto Drake’s part. In the video Gambino starts doing the BlocBoy JB dance called Shoot. Drake is known for doing these little viral dance moves like in Hotline Bling. But not only that, this dance is also used in the song that both BlocBoy JB and Drake collaborate on for their video Look Alive. It starts at 2:07 in the Look Alive video. So this is Drake’s dance to signal his part is now starting.
Note this is where the pale horse rides by also potentially saying that Drake is one of the horsemen of the apocalypse. Interestingly, Drake’s collab with BlocBoy JB was pretty much the apocalypse for BlocBoy’s career, who hasn’t had a hit since.
Hunnid bands, hunnid bands, hunnid bands (Hunnid bands)
Contraband, contraband, contraband (Contraband)
I got the plug in Oaxaca (Woah)
They gonna find you like "blocka" (Blaow)
Again, we know this is Drake’s section because his song 10 bands starts out by saying “10 bands, 50 bands, 100 bands” almost identical to Bino’s lyrics here. Also Blocka was famously used by Biggie in his song Gimme the Loot which could be referring to Biggie's demise like Pac’s and making money from his death. Everything in this industry originates from pushing drugs, which has been alleged through the trafficking that Diddy, Jay-Z and Drake do through their private jets likely connected to their bosses, the Clive Davises and Lucian Grainges of the world. This escalates rap beefs and the whole culture to the next level where murder is often a consequence for young rappers in their prime when international drug lord money is involved.
An interesting point is this is the only time where Childish was about to shoot someone in the video, but where he didn’t have a school kid either handing him the gun or taking it away carefully from him. (Maybe also a diss at Drake that even though he acts hard he doesn’t shoot, he gets his horseman of the apocalypse to do his dirty deeds for him instead perhaps?). This is the beginning of the end for the rap mogul as he no longer has his kids doing his bidding for him. A simple message to show how the violence can be stopped, that these shootings can end when the kids stop enabling them. So then as soon as he can’t react in that moment and shoot someone his anger is forced to chill out, as shown by smoking a J, and to go back to exploiting the dead man’s music instead. If you don’t put a gun in someone’s hand when they are heated, those feelings too shall pass - kinda feel.
[Refrain: Choir, Childish Gambino, & Young Thug]
Ooh-ooh-ooh-ooh-ooh, tell somebody
America, I just checked my following list, and
You mothafuckas owe me
Whose voice does that sound like!? It sounds a lot like Diddy to me, public enemy #1. This is basically saying that the moguls are the ones who we all owe it to for all of this glorified gun violence in America. That we owe them way more follows and likes for what a massive influence they have had on the violence and chaos we see in America today.
Grandma told me
Get your money, Black man (Black man)
(1, 2, 3—get down)
In Moneybagg Yo’s song 1, 2, 3, he also has a line that says “1, 2, 3, let’s go!” in a similar vein.
But something interesting I came across was Nas’s song Get Down where they use a sample from James Brown's “The Boss” that sounds extremely similar to the way Gambino screams “Get Down!” Which would fit well if the guitar singer from the beginning is meant to be Nas and Pac doing Thugz Mansion.
Also make sure you check out Nas’s song Get Down so that you can hear how much Jay-Z outright copied this song for The Story of OJ. From the musical structure with the piano and interwoven samples right down to the theme reiterated by the sample at the end of Nas’s song: “If that’s how our people are gonna get down, how are we ever gonna get up?”
SZA
Finally to wrap up the video, I have been stumped for a long time as to why SZA is randomly at the end of this video sitting on one of the cars. But I think I finally know why and it reconfirms that this last scene is all about Drake. If you watch Drake’s music video for Worst Behavior (not very Canadian of him to spell behaviour that way I might add) you will see Drake rapping and dancing with a few cars surrounding him and one of those cars has other rappers making cameos in it. In Gambino’s video SZA represents that car with a famous cameo. I think this is further confirmed when the black edges of the video start closing inwards at the end of This is America, the exact same way that Worst Behavior ends. So why SZA as the cameo then? Cause it reminds people that Drake is a p*do.
This is from an article in the Rolling Stone: In 2020, Drake revealed publicly that he and SZA had dated over a decade ago, well before she was an established artist (her earliest music goes back to around 2012; her critical breakthrough, Ctrl, came in 2017). On 21 Savage’s “Mr. Right Now,” Drake rapped about a newer fling who was a fan of SZA’s: “Yeah, said she wanna fuck to some SZA, wait / ‘Cause I used to date SZA back in ’08 / If you cool with it, baby, she can still play.” A few days later, SZA responded, corroborating Drake’s claim with a slight correction: they dated in 2009, when both would have been over 18. Since SZA would not have turned 18 until late 2008, she wanted to set the record straight. “in this case a year of poetic rap license mattered 🥴lol I think he jus innocently rhymed 08 w wait [sic],” she tweeted. “I just didn’t want anybody thinking anything underage or creepy was happening . Completely innocent . Lifetimes ago . [sic]”
If you have to specifically say something isn’t creepy and distance yourself from it being lifetimes ago, it usually is creepy. Drake would’ve been 22 when she was 17. Metro Boomin also happens to be on the Mr. Right Now track. He is currently in trouble for resurfaced old tweets showing how Metro used to tweet disgusting things about what he wanted to do to underage girls. Interestingly, Metro Boomin is also now beefing with Drake.
Drake doing his dance on the car of the original musician’s music seems to be accusing Drake directly of stealing 2Pac’s music. Orlando Brown recently said the cryptic statement that “Drake is Pac” which likely means he stole 2Pac’s approach/style/audience after his death. Gambino did some good foreshadowing here too with the recent AI release Drake put out of 2Pac.
This dance scene also signals that the Drake section is now over.
[Outro: Young Thug]
You just a black man in this world
You just a barcode, ayy
You just a black man in this world
Drivin' expensive foreigns, ayy
You just a big dawg, yeah
I kenneled him in the backyard
No, probably ain't life to a dog
For a big dog
The outro lyrics speak to how these gatekeepers keep black men down and control them with things like being forced to wear a dress to become famous or to submit to homosexual/p*do acts.. In the video, as I mentioned above, the black edges close in on Drake’s dancing scene in This is America. But they don’t completely close and end things like they do in the Worst Behavior video. Instead, in Gambino’s video, the camera pans to show the mogul running for his life with Young Thug’s lyrics almost like a quiet echo in the background. He isn’t running from the cops though, he’s running from the kids and from the public. When I mentioned earlier that the kids not handing over the last gun before Drake’s scene signalled the beginning of the end for the moguls, this is that conclusion. Where it is showing that if all the kids come together to stop enabling and rather expose the moguls, people will be chasing these bastards down once we realize what has been going on behind the curtain. Then the song that Young Thug is singing can just be a quiet echo of the way things were in the past.
If you don’t think Gambino would be this deep and that I went too far down the rabbit hole, do a Google search on the calculations that he came up with for why he sings about loving until 3005 in his song. He seems to go real deep with his lyrics. So a big question this leaves us with is, what did Childish Gambino witness in the rap industry? His whole rap career plays out like he is trying to avoid industry norms.
Even in Sweatpants, he has lyrics like:
No hands like soccer teams and y'all fuck boys like Socrates
You niggas ain't coppin' these, niggas ain't lookin' like me (Nah)
Nah, I ain't checkin' I.D. (Nah), but I bounce 'em with no problem
Seems like he is trying to make it really clear across his catalogue of music that he isn’t a p*do but that other rappers are. Where he is saying that he doesn’t need to ID his potential partners because he can tell they are obviously too young and that’s not hard to do.
Tell 'em, Problem (Problem!)
I'm winnin', yeah, yeah, I'm winnin' (What?)...
Rich kid, asshole, paint me as a villain
So who was trying to paint him as a villain, Drake? And that’s why the diss was originally meant for him?
Don't be mad 'cause I'm doing me better than you doing you…
Better than you doing you
Fuck it, what you gon' do? (What?!)
He’s taunting the other rappers cause he knows they can’t say shit if they are creeps. He has the same sentiment in Bonfire “It’s a bonfire, turn the lights out, I’m burning everything you mother fuckers talk about.”
Childish Gambino has always refrained from talking about the meaning of This is America whenever he is asked, and I can only assume that all of this is why.
Little Foot Big Foot
Now with his new release, Little Foot Big Foot and applying cultural compression to it, it has me wondering if he is referring to Megan Thee Stallion and the Nicki beef? People like Nicki (calling Megan Big Foot) have been claiming for some time she wasn’t even shot in the foot by Tory Lanez. There were many people laughing and making fun of Megan over getting shot. Which could be an interesting story for Childish to tell to represent how crazy this violent culture has gotten that people just laugh and blame the victim now when you get shot. Also a good metaphor for things like ‘shooting yourself in the foot’ for not having a lawyer look over potentially predatory industry contracts like in the beginning of his video. That you want to get in the cool kids club so bad you overlook it. Not as sure on this one though since the song just came out and I have only heard it a few times.
One last thing that is really interesting, there have been tons of artists on podcasts like Shay Shay talking about the strings these ultra rich moguls can pull. Like buying awards or gatekeeping people from being in the industry at all. There was even a story, I think maybe it was Gene Deal who told it, that when Killer Mike won at the grammys that Jay-Z was so angry he made sure to mess up his night by getting him locked up as soon as he left the awards stage. These moguls are extremely powerful and have an incredible amount of sway in the world/industry. If you check out Gambino’s profile on Youtube, his old music videos keep getting taken down, like Bonfire for example is just gone. Fans have been having to upload the videos themselves. There is a reply to a comment, on one of the fan uploaded vids, from Gambino’s account himself when someone asks why the videos are being taken down. His account just replies “Noone knows why :(“ Seems a bit odd all things considered and like maybe he has been at the mercy of these gatekeepers for going against the system.
I am so curious to know what the rest of you think about all of this!

Next month will be 5 years that I have been a Registered Nurse.
In honor of that, I’d like to share one (of many I have had) career defining moments…my first patient code.
I had been a RN for maybe 6 months and was working overnights from 7pm to 7:30am. I had just come on to shift and received report for my patients when the son of one of them called and asked to speak with me.
He goes on to explain that he’s concerned for his Mom because she hadn’t had much to eat or drink in the couple days she had been a patient with us. He was also concerned about her ability to communicate with staff effectively as she was older and had multiple strokes that left her forgetting a lot of her English. Instead, she tended to mumble in her native language…Polish.
After speaking with him, I immediately looked up key words in Polish I knew I would need if I was going to be able to connect with her the same way I do all my other patients.
I looked up the Polish word for nurse. Pielęgniarka.
Next, I looked up the word for pain. Ból.
Medicine. Medycyna.
Potato. Ziemniak.
Water. Woda.
Potato seems random, but in my conversation with her son, he said her favorite food was mashed potatoes (mine too!) and that’s what she had ordered for dinner earlier that was still sitting on her table to eat.
When the time came and I entered her room, I found her lying in bed, seemingly bored, but curious as to who I was. I introduced myself as her nurse using the word I had just looked up and she greeted me with a smile.
The next 10-15 minutes after had her and I laughing together as I haphazardly tried communicating with her using broken Polish and hand gestures. You could tell there was a language barrier, but it didn’t stop either of us from getting our point across, and the giggling from us both lightened the mood.
I remember feeding her the mashed potatoes and hearing her go, “Mmmmmmm” as she swallowed them.
I remember her declining the “woda” I kept offering.
Then I remember her clutching at her hip and writhing in pain. That wasn’t a shock considering she was there with a broken hip awaiting surgery, but had to be off her regularly prescribed blood thinners for a while first. I asked if she had pain and she nodded yes. I asked if she wanted pain medicine and she said yes. I gave it to her and watched her settle back down until she began itching her arms motioning to me that she was uncomfortable. I massaged lotion into both of her arms as she sighed of relief and said, “Very good! Very good” taking both of my hands into hers to thank me.
I smiled back and said that she was welcome. Knowing she was feeling better, I went to round on other patients, occasionally peeking in to see how she was doing. After an hour or so, I went back in her room and saw that she had fallen asleep. I fixed her nasal cannula as it had fallen down from her ears and I checked her foley to make sure the tubing wasn’t getting kinked. I made sure she was covered with her blanket so she wouldn’t be cold. Hospitals are always so cold…
I went to another patient’s room. 2 minutes later, one my CNA’s came to me saying they just went in her room and she wasn’t breathing.
What? How?
I just came from there and she had been sleeping peacefully. There were no signs of distress.
What do you mean she isn’t breathing?
I ran to her room. I checked for a pulse. No pulse.
Panic set in. I quickly confirm she’s a full code and my staff and I jumped into action.
One of us got the crash cart. One of us paged for a code. One of us started compressions while the other ambu bagged her.
Suddenly a bunch of staff are at my side as we all fall into our assigned roles.
I remember those compressions I did on her. No one ever talks about the trauma that CPR does to a person’s body…
How the ribs crack like uncooked pasta underneath your hands.
After rounds of CPR, we managed to get a pulse back and transferred her straight to the ICU where she coded again.
We resumed our roles. We must have tried for over 30 minutes.
She wasn’t coming back.
The family (her son and daughter) had been contacted and the doctor called it.
The rest of that night was a blur to me. I had other patients to take care of, so I went back to my unit until the family had arrived and asked to speak with me.
I told them everything that happened from the first moment I walked in to her room. I showed them my chicken scratch notes of the polish words I looked up. I explained that I had no explanation for what could have happened as I saw no signs that she was in danger. And then I broke down crying apologizing profusely feeling like I had completely failed her and them.
Suddenly the son hugged me, then the daughter. They both thanked me for doing what I did for their mother, stating that most people wouldn’t have even taken the time to look up Polish words. Then he said something I’ll never forget. He said she knew her time was coming as earlier that day she mentioned to them both that she would be going “home” soon.
To this day I wish I knew what happened. To this day I try to think about what signs I could have missed. To this day I wonder if I could have done anything differently.
I’ll never forget her, and I think of her often hoping her last moments here provided some bit of love and comfort.

I have spent a decent amount of time on various dating apps and have been on many dates over the years. I don’t use them anymore for various reasons but couple of advices here in case someone finds them useful.
A dating app not being able to offer you a date doesn’t say much about you, you viscerally need to start believing that. These platforms are theoretically designed to maximise the number of matches which can keep the platform’s business model up and running.
If you are someone who doesn’t get a lot of matches, trust me, the day you get 50 matches, you won’t know what to do with them. You won’t be able to have one real conversation with an individual and just fidget over all that information overload. Women go through this all the time! She doesn’t know what great things you have going on in your life or how funny you are by looking at your pictures, however great they are, since the 10 guys on your left and on your right will also have some nice pictures.
To get laid or to get a date you need to focus on Activation and Conversion. By activation I mean, maximise the number of matches and by conversion I mean, converting those matches into dates. Conversion is easy: reply fast, be interested, swear not to flirt or talk about sex until you guys meet in person and you know she is very much into you, be or pretend to be confident, and have fun on your first date like you would with your college friend. Never ask her for anything! Not her name, age, how was her day or if she is interested in going out. Just swear to not ask for anything. Just be super interested in them and talk about any random shit you care about. If you guys hit it off, she will tell you her name, address, insta handle, and her bra size. Activation is slightly difficult but try to be very sincere in your bio, experiment with puns, poems, show your artsy side, your dancing skills, avoid group photos and use videos if you can. Here you have to make sure you give out a confident vibe with subtle hints of you having a life. Your photos, your choice of words, your music choices, your dressing sense will all optimize this.
Finally, be more empathetic towards women, try to see them for what they are, standard human beings. Its not a fucking movie and no woman is looking for a kabir singh, they want a normal guy because/if they are normal.
Regardless, dating platforms are taking away the self-respect from men by making them beg, and the personality from women by ensuring they don’t need it.
Bonus tip: Delete your accounts, wait for the next time you are super happy, feeling funny/confident naturally and setup an account then. A likeable you in real life will reflect somehow on your profile too!
Stay proud, happy dating! :)

[I shared this in girls and gays but wanted to share here as well for those of you not in that sub]
With Kendrick Lamar and Drake’s rap feud raging over the last month, I got curious about what their natal charts say about each of them as rappers, and how the astrological synastry between the two has fueled this chart-topping fight. Luckily we have an accurate birth time for both Drake and Kendrick, so we can see exactly how their charts overlap.
Here’s Drake’s chart:
And here’s Kendrick’s chart:
Inconjunct Suns
Kendrick has a Gemini sun, like many of hip hop’s greatest rappers, including Notorious B.I.G., Tupac, Lauryn Hill and Outkast’s Andre 3000. Geminis are well-suited to rap as the wordsmiths of the zodiac, one of the two signs ruled by Mercury, the planet of communication. Virgo, the other sign ruled by Mercury, expresses the analytical, practical, pragmatic side of the mind, the so-called “left brain” which sorts the wheat from the chaff (and, fittingly, Virgo season aligns with the harvest season of late summer).
Gemini expresses the more playful, self-expressive, hyper-curious “right brain” side of the mind - the monkey mind that swings from branch to branch, seeing connections as it goes. “Curious to a fault, Geminis have a finger in every pie. Solar Geminis are flexible and changeable people. Usually quite clever and witty, Geminis enjoy intellectual conversations and they are easily bored if they are not getting enough mental stimulation.”
Drake is a Scorpio sun, bringing a very different energy to the table. Scorpios seek power above all, and they live life intensely. If Gemini is the court jester, taking life lightly and poking fun at it all, Scorpio is the dark knight plotting and positioning himself for a coup. As one of the two signs ruled by Mars, the planet of war and competition, Scorpios don’t back down from competition, and as a fixed modality sign, they can struggle to let go–even of what hurts them. Scorpios are drawn to the darker sides of life - they know that secrets hold power, so they tend toward privacy, as shown in Drake’s last rap beef, when Pusha T revealed that he had secretly fathered a son with a porn star.
Gemini and Scorpio have a tricky inter-dynamic, with an aspect between them known as a quincunx, or an inconjunct. Quincunxes occur when planets are 150 degrees apart, and therefore share neither an element (water, fire, earth, or air) nor a modality (cardinal, fixed, or mutable). They are at odds in a very fundamental way, and though they can teach each other a lot, in order to get along they will have to make some serious adjustments.
“When these signs get together, they just can’t understand each other. They have almost nothing in common, so it’s hard to find common ground. When a quincunx shows up in a synastry or relationship reading, this can make for a tense or difficult relationship.” This natural repelling dynamic is expressed in Kendrick’s diss song Euphoria (“I hate the way that you walk, the way that you talk/I hate the way that you dress/I hate the way you sneak diss, if I catch flight, it's gon' be direct”).
Drake’s ascendant is placed at 29 degrees Leo, exactly conjunct the royal fixed star Regulus. Regulus is one of the luckiest stars in the zodiac, and it is often seen in the charts of celebrities. “On the Ascendant, it will give a courageous and frank character. A splendid and illustrious life; glorious, mighty and commanding nature; fame, busy with many activities, bountiful resources, well known or feared in cities and regions.” But with Regulus on the ascendant, expanding the already narcissistic tendencies of Leo, there is a risk for an over-expansion of the ego and a lack of humility. Drake wants to be the best by all accounts - not just the biggest commercial superstar, which he is, but also the most critically acclaimed rapper, like Pulitzer Prize-winning Kendrick.
Mercury and Mars vs. Mercury and Venus
When it comes to analyzing writers of any sort, I like to look at their Mercuries, and here we see a fascinating contrast. Kendrick’s Mercury is located in intuitive, emotional Cancer (just like Lana del Rey, who I analyzed last week), and it is conjoined with Mars, the planet of war, which is what makes him such a formidable opponent in a rap battle. “Mercury conjunct Mars natal gives a quick mind, rapid reflexes, and a sharp tongue. These attributes are ideal for making quick decisions in the heat of the moment while others hesitate. Excellent debating skills allow you to stand up not only for yourself but for the rights of others. Your enthusiastic, direct and courageous way of expressing yourself can win admiration in politics, business, and the military.”
I think Mercury in combination with Mars is the ideal aspect for the competitive sport of rap, and interestingly enough, Tupac Shakur and Notorious B.I.G., who famously feuded and are considered by many to be the all-time greatest rappers, both had these planets tightly combined (Tupac had Mercury trine Mars with a 1 degree orb, and Biggie had Mercury septile Mars with a 0 degree orb).
Drake, by contrast, has his Mercury conjoined with Mars’ planetary opposite, Venus. Mercury conjoined with creative Venus is a great aspect for a musician, but it lacks the teeth of competitive Mars. “Mercury conjunct Venus natal makes you a lovable, handsome, neat, refined, romantic, and courteous person. You may tend to be passive and submissive, but this is a means by which you achieve peace in your life. You can lovingly communicate things; a melodic, poetic, and relaxing voice often helps this. Mercury rules trade, and Venus rules money, so you could do well in business and enjoy buying and selling.”
Many of Drake’s biggest hits show this melodic Mercury-Venus aspect - like the no-rapping, all-singing “Hold On, We’re Going Home,” “Hotline Bling” and “One Dance,” or the purported feminist anthem “Nice for What.” Many think Drake is best as a pop star rather than a rapper, which Kendrick references in Euphoria (“I like Drake with the melodies, I don't like Drake when he act tough” “Keep makin' me dance, wavin' my hand and it won't be no threat”).
Mercury conjunct Venus should be a very positive aspect for Drake, and in many ways it is – as two of the planets that rule over money (Mercury the marketplace, and Venus the possessions), this aspect is part of why he’s had such incredible financial success. However, a few factors complicate it. For one thing, they are located together in Scorpio, ruled by Mars. His Mercury is expressed in a Venusian way, but it wants to be expressed in a Martian way. I think this is why Drake returns regularly to gangster rap despite his success in pop and R&B. He wants to be a Mercury-Mars rap powerhouse like Kendrick, Biggie, and Tupac, but he’s fundamentally different. From the beginning of his career he’s been taunted as soft, weak, feminine, privileged–all very Venusian adjectives.
Another complicating factor is that Drake’s Venus is doubly challenged - it is both in detriment in Scorpio, as well as retrograde. Venus is in detriment in Scorpio because it rules over Scorpio’s opposite, Taurus, and so the planet is not at ease in suspicious, jealous Scorpio. “Fears of being too vulnerable or of giving up their own power to others is strong. Scorpio is an “all or nothing” energy, and relationships tend to be somewhat of a rollercoaster ride as a result. Disdain for mediocrity and superficiality can compel them to create crises in order to feel alive and vital.”
Venus retrograde in the natal chart “suggests you have some difficulty in giving and receiving love and affection. You may experience sadness in love or have to endure hardship or delay. Natal Venus in retrograde can also show as excessive use of makeup and jewelry or even disfigurement from cosmetic surgery.” It’s interesting how some of the allegations against Drake in Kendrick’s songs have included a nose job and a Brazilian butt lift. After Drake told Metro Boomin to “shut up and make some drums” in his initial Kendrick diss Push Ups, the producer responded with “BBL Drizzy.”
Drake has never been married or had a public long-term relationship. His highest profile one with Rihanna was on-again, off-again, and at times seemed more like unrequited love than true commitment. When interviewed about the relationship, he said “As life takes shape and teaches you#Personal_life) your own lessons, I end up in this situation where I don't have the fairy tale [of] 'Drake started a family with Rihanna, [it's] so perfect.' It looks so good on paper [and] I wanted it too at one time.” Two years ago Drake had jeweler Alex Moss create a necklace worth $12.5 million dollars built from dozens of engagement rings he had made but never used: ““New piece titled ‘Previous Engagements’ for all the times he thought about it but never did it,” Moss wrote over a video showcasing the stunning necklace, which is made up of “42 engagement rings” totaling “351.38 carats in diamonds.”” It’s quite the testament to a challenged natal Venus.
Lilith Synastry
Here is Drake and Kendrick’s synastry (Drake is on the outer circle):
The most interesting thing I found digging into Drake and Kendrick’s charts was the presence of Lilith in their synastry. Lilith is an asteroid associated with the “angry woman” figure as well as female liberation. In some Jewish folklore Lilith was the first wife of Adam, but she was banished from the Garden of Eden for not obeying him and replaced with Eve.
“In the intricacies of a birth chart, Black Moon Lilith symbolizes the raw essence of femininity, the primal urges, and the suppressed parts of our psyche that lie in the shadows. This point, not a planet but a mathematical point, reveals where one might feel estranged, challenged, or empowered to go against the grain of societal norms. It unveils deep-seated desires, innate instincts, and perhaps the areas where one feels the need to challenge established roles or expectations. It's a place of power, mystique, and, occasionally, friction – pinpointing where one's true nature might clash with the conventional, leading to feelings of marginalization or rebellion.”
The allegations Drake and Kendrick threw at each other both had to do with mistreatment of women - Drake said that Kendrick abused his fiancée, and Kendrick said Drake was a pedophile who shouldn’t be trusted around young women.
Both Drake and Kendrick’s Liliths make tight aspects with the other’s chart. “Whenever Lilith is around, you can expect to feel a wild, intense, deep, and sometimes obsessive energy. If you have Lilith aspects in synastry then this energy will show up in your relationship. Whenever your Lilith touches one of your partner’s planets or vice-versa, you can expect to see your deepest fears revealed. You might also see glimpses of things you desire but can’t have. Ultimately, Lilith aspects in synastry give both partners a chance to work on their shadow sides.”
Kendrick’s sun exactly conjoins Drake’s Lilith at 26 degrees Gemini. “Often, the sun person [Kendrick] represents all that the Lilith person [Drake] wants but can never quite “catch.” There is an illusive vibe to this relationship. The Lilith person may feel somewhat less-than or “bad.” Lilith conjunct sun in synastry is a test for the Lilith person because their most taboo qualities such as obsession and anger will be activated, but it’s also a test for the sun person. The lesson is for the sun individual to stand their ground and follow their inner voice. Lilith is neither good nor bad, and the sun person can share in some of the Lilith partner’s activities without merging.”
This resonates with the fact that despite Drake’s huge commercial success, he is deeply jealous of Kendrick’s critical success. In Family Matters Drake took a jab at Kendrick’s acclaim (“Kendrick just opened his mouth, someone go hand him a Grammy right now”), and the beef between them played out similarly, with many rap fans deciding that Kendrick won before even listening to Drake. I think it’s obvious that Kendrick is a stronger rapper, but it’s also clear that Drake wasn’t given a fair shake.
Drake’s Lilith makes a tight trine to Kendrick’s Mercury. “Both the Lilith person and the Mercury person help each other to bring unhealed deeper wounds and unconscious emotion to the surface and articulate deeper, wild instincts. Mercury person [Kendrick] helps Lilith person [Drake] make sense of their inner restlessness and insecurities, sexual passions and unresolved rage. Mercury person may find Lilith person to be highly emotional but is also intrigued by Lilith person’s edgy and unique perspective.” It’s remarkable that both of their Liliths are interlocked with each other’s inner planets, creating a push-pull, love-hate, shadow-enlightening dynamic between the two.
I think the obsession goes both ways, and that part of the reason Kendrick fought back so viciously was because Drake triggers something in him shown through the Lilith synastry. Drake shows Kendrick what he could be–a charismatic playboy enjoying his fame and money to the fullest. And in engaging with the feud he stooped to a lower level, making unsupported claims about Drake’s supposed secret daughter, and writing a rap song (Meet the Grahams) addressed to Drake’s 5 year old son opening with “Dear Adonis, I’m sorry that man is your father.” All is fair in rap battles–or is it? Questlove called it out, saying on Instagram: “Nobody won the war. This wasn’t about skill. This was a wrestling match level mudslinging and takedown by any means necessary — women & children (& actual facts) be damned.”
Kendrick’s latest diss track Not Like Us has just debuted at number one on the Billboard Top 100, and it’s clear this battle has propelled him to another level of stardom. Drake’s Regulus ascendant arrogance and Scorpionic desire to fight to the death drove him to attack the strongest living rapper, and now he’s dealing with the fallout. Kendrick’s streams of his back catalog are up 50%, while Drake’s are down 5% and his reputation has taken a massive knock. But Kendrick has taken a hit as well. Having rap’s two biggest stars accusing each other of heinous crimes might drive up streams in the short run, but it’s a dangerous game. Astrology helps us understand why these two polar opposites are so intertwined, and why their mutual dislike has spurred on such a captivating firestorm.

[I shared this in girls and gays but wanted to share here as well for those of you not in that sub]
With Kendrick Lamar and Drake’s rap feud raging over the last month, I got curious about what their natal charts say about each of them as rappers, and how the astrological synastry between the two has fueled this chart-topping fight. Luckily we have an accurate birth time for both Drake and Kendrick, so we can see exactly how their charts overlap.
Here’s Drake’s chart:
And here’s Kendrick’s chart:
Inconjunct Suns
Kendrick has a Gemini sun, like many of hip hop’s greatest rappers, including Notorious B.I.G., Tupac, Lauryn Hill and Outkast’s Andre 3000. Geminis are well-suited to rap as the wordsmiths of the zodiac, one of the two signs ruled by Mercury, the planet of communication. Virgo, the other sign ruled by Mercury, expresses the analytical, practical, pragmatic side of the mind, the so-called “left brain” which sorts the wheat from the chaff (and, fittingly, Virgo season aligns with the harvest season of late summer).
Gemini expresses the more playful, self-expressive, hyper-curious “right brain” side of the mind - the monkey mind that swings from branch to branch, seeing connections as it goes. “Curious to a fault, Geminis have a finger in every pie. Solar Geminis are flexible and changeable people. Usually quite clever and witty, Geminis enjoy intellectual conversations and they are easily bored if they are not getting enough mental stimulation.”
Drake is a Scorpio sun, bringing a very different energy to the table. Scorpios seek power above all, and they live life intensely. If Gemini is the court jester, taking life lightly and poking fun at it all, Scorpio is the dark knight plotting and positioning himself for a coup. As one of the two signs ruled by Mars, the planet of war and competition, Scorpios don’t back down from competition, and as a fixed modality sign, they can struggle to let go–even of what hurts them. Scorpios are drawn to the darker sides of life - they know that secrets hold power, so they tend toward privacy, as shown in Drake’s last rap beef, when Pusha T revealed that he had secretly fathered a son with a porn star.
Gemini and Scorpio have a tricky inter-dynamic, with an aspect between them known as a quincunx, or an inconjunct. Quincunxes occur when planets are 150 degrees apart, and therefore share neither an element (water, fire, earth, or air) nor a modality (cardinal, fixed, or mutable). They are at odds in a very fundamental way, and though they can teach each other a lot, in order to get along they will have to make some serious adjustments.
“When these signs get together, they just can’t understand each other. They have almost nothing in common, so it’s hard to find common ground. When a quincunx shows up in a synastry or relationship reading, this can make for a tense or difficult relationship.” This natural repelling dynamic is expressed in Kendrick’s diss song Euphoria (“I hate the way that you walk, the way that you talk/I hate the way that you dress/I hate the way you sneak diss, if I catch flight, it's gon' be direct”).
Drake’s ascendant is placed at 29 degrees Leo, exactly conjunct the royal fixed star Regulus. Regulus is one of the luckiest stars in the zodiac, and it is often seen in the charts of celebrities. “On the Ascendant, it will give a courageous and frank character. A splendid and illustrious life; glorious, mighty and commanding nature; fame, busy with many activities, bountiful resources, well known or feared in cities and regions.” But with Regulus on the ascendant, expanding the already narcissistic tendencies of Leo, there is a risk for an over-expansion of the ego and a lack of humility. Drake wants to be the best by all accounts - not just the biggest commercial superstar, which he is, but also the most critically acclaimed rapper, like Pulitzer Prize-winning Kendrick.
Mercury and Mars vs. Mercury and Venus
When it comes to analyzing writers of any sort, I like to look at their Mercuries, and here we see a fascinating contrast. Kendrick’s Mercury is located in intuitive, emotional Cancer (just like Lana del Rey, who I analyzed last week), and it is conjoined with Mars, the planet of war, which is what makes him such a formidable opponent in a rap battle. “Mercury conjunct Mars natal gives a quick mind, rapid reflexes, and a sharp tongue. These attributes are ideal for making quick decisions in the heat of the moment while others hesitate. Excellent debating skills allow you to stand up not only for yourself but for the rights of others. Your enthusiastic, direct and courageous way of expressing yourself can win admiration in politics, business, and the military.”
I think Mercury in combination with Mars is the ideal aspect for the competitive sport of rap, and interestingly enough, Tupac Shakur and Notorious B.I.G., who famously feuded and are considered by many to be the all-time greatest rappers, both had these planets tightly combined (Tupac had Mercury trine Mars with a 1 degree orb, and Biggie had Mercury septile Mars with a 0 degree orb).
Drake, by contrast, has his Mercury conjoined with Mars’ planetary opposite, Venus. Mercury conjoined with creative Venus is a great aspect for a musician, but it lacks the teeth of competitive Mars. “Mercury conjunct Venus natal makes you a lovable, handsome, neat, refined, romantic, and courteous person. You may tend to be passive and submissive, but this is a means by which you achieve peace in your life. You can lovingly communicate things; a melodic, poetic, and relaxing voice often helps this. Mercury rules trade, and Venus rules money, so you could do well in business and enjoy buying and selling.”
Many of Drake’s biggest hits show this melodic Mercury-Venus aspect - like the no-rapping, all-singing “Hold On, We’re Going Home,” “Hotline Bling” and “One Dance,” or the purported feminist anthem “Nice for What.” Many think Drake is best as a pop star rather than a rapper, which Kendrick references in Euphoria (“I like Drake with the melodies, I don't like Drake when he act tough” “Keep makin' me dance, wavin' my hand and it won't be no threat”).
Mercury conjunct Venus should be a very positive aspect for Drake, and in many ways it is – as two of the planets that rule over money (Mercury the marketplace, and Venus the possessions), this aspect is part of why he’s had such incredible financial success. However, a few factors complicate it. For one thing, they are located together in Scorpio, ruled by Mars. His Mercury is expressed in a Venusian way, but it wants to be expressed in a Martian way. I think this is why Drake returns regularly to gangster rap despite his success in pop and R&B. He wants to be a Mercury-Mars rap powerhouse like Kendrick, Biggie, and Tupac, but he’s fundamentally different. From the beginning of his career he’s been taunted as soft, weak, feminine, privileged–all very Venusian adjectives.
Another complicating factor is that Drake’s Venus is doubly challenged - it is both in detriment in Scorpio, as well as retrograde. Venus is in detriment in Scorpio because it rules over Scorpio’s opposite, Taurus, and so the planet is not at ease in suspicious, jealous Scorpio. “Fears of being too vulnerable or of giving up their own power to others is strong. Scorpio is an “all or nothing” energy, and relationships tend to be somewhat of a rollercoaster ride as a result. Disdain for mediocrity and superficiality can compel them to create crises in order to feel alive and vital.”
Venus retrograde in the natal chart “suggests you have some difficulty in giving and receiving love and affection. You may experience sadness in love or have to endure hardship or delay. Natal Venus in retrograde can also show as excessive use of makeup and jewelry or even disfigurement from cosmetic surgery.” It’s interesting how some of the allegations against Drake in Kendrick’s songs have included a nose job and a Brazilian butt lift. After Drake told Metro Boomin to “shut up and make some drums” in his initial Kendrick diss Push Ups, the producer responded with “BBL Drizzy.”
Drake has never been married or had a public long-term relationship. His highest profile one with Rihanna was on-again, off-again, and at times seemed more like unrequited love than true commitment. When interviewed about the relationship, he said “As life takes shape and teaches you#Personal_life) your own lessons, I end up in this situation where I don't have the fairy tale [of] 'Drake started a family with Rihanna, [it's] so perfect.' It looks so good on paper [and] I wanted it too at one time.” Two years ago Drake had jeweler Alex Moss create a necklace worth $12.5 million dollars built from dozens of engagement rings he had made but never used: ““New piece titled ‘Previous Engagements’ for all the times he thought about it but never did it,” Moss wrote over a video showcasing the stunning necklace, which is made up of “42 engagement rings” totaling “351.38 carats in diamonds.”” It’s quite the testament to a challenged natal Venus.
Lilith Synastry
Here is Drake and Kendrick’s synastry (Drake is on the outer circle):
The most interesting thing I found digging into Drake and Kendrick’s charts was the presence of Lilith in their synastry. Lilith is an asteroid associated with the “angry woman” figure as well as female liberation. In some Jewish folklore Lilith was the first wife of Adam, but she was banished from the Garden of Eden for not obeying him and replaced with Eve.
“In the intricacies of a birth chart, Black Moon Lilith symbolizes the raw essence of femininity, the primal urges, and the suppressed parts of our psyche that lie in the shadows. This point, not a planet but a mathematical point, reveals where one might feel estranged, challenged, or empowered to go against the grain of societal norms. It unveils deep-seated desires, innate instincts, and perhaps the areas where one feels the need to challenge established roles or expectations. It's a place of power, mystique, and, occasionally, friction – pinpointing where one's true nature might clash with the conventional, leading to feelings of marginalization or rebellion.”
The allegations Drake and Kendrick threw at each other both had to do with mistreatment of women - Drake said that Kendrick abused his fiancée, and Kendrick said Drake was a pedophile who shouldn’t be trusted around young women.
Both Drake and Kendrick’s Liliths make tight aspects with the other’s chart. “Whenever Lilith is around, you can expect to feel a wild, intense, deep, and sometimes obsessive energy. If you have Lilith aspects in synastry then this energy will show up in your relationship. Whenever your Lilith touches one of your partner’s planets or vice-versa, you can expect to see your deepest fears revealed. You might also see glimpses of things you desire but can’t have. Ultimately, Lilith aspects in synastry give both partners a chance to work on their shadow sides.”
Kendrick’s sun exactly conjoins Drake’s Lilith at 26 degrees Gemini. “Often, the sun person [Kendrick] represents all that the Lilith person [Drake] wants but can never quite “catch.” There is an illusive vibe to this relationship. The Lilith person may feel somewhat less-than or “bad.” Lilith conjunct sun in synastry is a test for the Lilith person because their most taboo qualities such as obsession and anger will be activated, but it’s also a test for the sun person. The lesson is for the sun individual to stand their ground and follow their inner voice. Lilith is neither good nor bad, and the sun person can share in some of the Lilith partner’s activities without merging.”
This resonates with the fact that despite Drake’s huge commercial success, he is deeply jealous of Kendrick’s critical success. In Family Matters Drake took a jab at Kendrick’s acclaim (“Kendrick just opened his mouth, someone go hand him a Grammy right now”), and the beef between them played out similarly, with many rap fans deciding that Kendrick won before even listening to Drake. I think it’s obvious that Kendrick is a stronger rapper, but it’s also clear that Drake wasn’t given a fair shake.
Drake’s Lilith makes a tight trine to Kendrick’s Mercury. “Both the Lilith person and the Mercury person help each other to bring unhealed deeper wounds and unconscious emotion to the surface and articulate deeper, wild instincts. Mercury person [Kendrick] helps Lilith person [Drake] make sense of their inner restlessness and insecurities, sexual passions and unresolved rage. Mercury person may find Lilith person to be highly emotional but is also intrigued by Lilith person’s edgy and unique perspective.” It’s remarkable that both of their Liliths are interlocked with each other’s inner planets, creating a push-pull, love-hate, shadow-enlightening dynamic between the two.
I think the obsession goes both ways, and that part of the reason Kendrick fought back so viciously was because Drake triggers something in him shown through the Lilith synastry. Drake shows Kendrick what he could be–a charismatic playboy enjoying his fame and money to the fullest. And in engaging with the feud he stooped to a lower level, making unsupported claims about Drake’s supposed secret daughter, and writing a rap song (Meet the Grahams) addressed to Drake’s 5 year old son opening with “Dear Adonis, I’m sorry that man is your father.” All is fair in rap battles–or is it? Questlove called it out, saying on Instagram: “Nobody won the war. This wasn’t about skill. This was a wrestling match level mudslinging and takedown by any means necessary — women & children (& actual facts) be damned.”
Kendrick’s latest diss track Not Like Us has just debuted at number one on the Billboard Top 100, and it’s clear this battle has propelled him to another level of stardom. Drake’s Regulus ascendant arrogance and Scorpionic desire to fight to the death drove him to attack the strongest living rapper, and now he’s dealing with the fallout. Kendrick’s streams of his back catalog are up 50%, while Drake’s are down 5% and his reputation has taken a massive knock. But Kendrick has taken a hit as well. Having rap’s two biggest stars accusing each other of heinous crimes might drive up streams in the short run, but it’s a dangerous game. Astrology helps us understand why these two polar opposites are so intertwined, and why their mutual dislike has spurred on such a captivating firestorm.

Alrightyyy. Some context. It's been two months of this guy and I talking., and I am noticing some red flags. I'm not big on dating, I'm pretty introverted and feel secure in myself, but we met and talked for a bit and we both have a crush on eachother. I can't quite put my finger on it, but he tries to bait me with phrases and it feels as if he is purposefully testing me for my reaction and it's getting old, fast. An example is he kept bringing up another woman he finds attractive. I kinda just brushed it off but then eventually told him I started to feel a tad insecure about it. He acknowledged my feelings respectfully, and then goes back to mentioning how he would make our future relationship poly for her an hour later. Another thing is he tended to rush for the seggual stuff first, which I would set boundaries and he would follow with overstepping those boundaries and then going "I know you like it/I see your body wants it too/You're sending mixed signals." Which is true. I was sending mixed signals, so, I stuck with my values and kept it strictly platonic for now.
Another example is he gave me his hat and I expressed how thankful and happy I am to wear it because we both know we like eachother and I appreciate the hat and take care of it. He takes it back yesterday out of nowhere because I was being corny and goes "The more corny you are, the longer I keep it." And he kept it for a bit. I wasn't bothered by it, it's his hat, but it's the behavior that's odd. He then calls me boasting about having the hat and needing it for his outside work. Later, I was like "Okay, that's good! If you need it more, keep it." And he turns around and hands it back to me and goes "No, you keep it." And I'm like "What? You need it, though. I have other hats." And he goes "No, I didn't need it. Keep it." And I go "You're confusing me." and he goes "No, you're confusing ME. Just keep it. Why are you being so weird about it? I want you to have it." I have on idea what is going on.
One last example would be a conversation him and I had a couple weeks ago about his phrases he says to try and get me to react. I told him it felt like he was playing mind games with me and I did not appreciate it. He denied he was doing that and got mad at me and mentioned all the good things he's done for me recently. I thought that was unfair and ended the conversation there. He then comes back and apologizes and admits to baiting me and trying to get a reaction. I told him to just communicate with me and stop doing this.
He says some odd things like "I know what mood your in all the time, I can analyze you, and if you change behavior, I'll analyze that too." And he often wants to know who I am texting, glances over my shoulder to see my phone, and sometimes just grabs it outright. When I express I'm not okay with these things, he downplays it.
I often feel as if I'm crazy or I'm over reacting to this? Because that's how he treats it, but, something feels off. I don't think this is healthy and I need some advice. Thank you!!!

Please read this with lightheartedness. Sarcasm is how I cope.
I (26F) finally started therapy early this year & it took my therapist (F60) two sessions to diagnose me with CPTSD. I honestly laughed because sure why not? Let’s add to it to my MyChart Profile. After the session, I did a deep dive on CPTSD. I learned that traits, thoughts, opinions & fears I have are not “just my personality,” but are in fact ways my trauma manifested (My personal fav will always be hypochondria). I felt immediate relief. I convinced myself I had inherited BPD from my mother & that’s why I was the way I was (again, the hypochondria realllly got me). Not sure how CPTSD is better than BPD in my brain but all I knew was I didn’t want to be like my mother.
I’ve gone to therapy every week since then. Some sessions are a wash because I’m not in the mood or don’t want to deal with real issues so I just ask her random questions. However, most sessions are really deep, bring up a lot of emotions/triggers & she considers them good progress. Since starting therapy & getting this diagnosis, I struggle even more with maintaining/keeping up with relationships. I don’t have the mental energy to do it. I was already waking up everyday tired but now it’s like x10 (not sure how that’s possible but here we are). I feel awful. I shame myself for being a bad friend. I feel extreme amounts of guilt for not reaching out to people who are going through things & just need a friend. But I can’t get myself to do it. For the first time in my life I’m taking care of myself. I care about myself a little bit. It feels very selfish & I am uncomfortable. I talked to my therapist about this & she validated my feelings. Said I don’t have to be everything for everyone right now, I need to put myself first & real friends will understand. I know that, right? But for one, I can’t the anxious/people pleasing side of my brain to understand that & chill the heck out. & two, my brain still can’t comprehend trust. Sometimes I still just see her as a woman I pay money to complain about my trauma. Of course she’s going to tell me what I want to hear (I refuse to tell her this because I’m scared it would hurt her feelings because she’s tried so hard to form a bond of trust).
Has anyone else had this issue? How did you get it through your brain that it’s okay to be selfish? How do I even give some reasoning for why I’m distant? It sounds simple to just tell people what’s going on, at last at a high level, but I don’t want people knowing this amount of information about me… A part of me wants to keep the mask on. The other part of me wants to let people in. The internal, self inflicted battle & beating keeps me going but I want to find some peace.

Don't get me wrong. Pay is great, work is steady depending on where you work in the facilities, breaks are nice (again depending where you work, i hear horror stories from the cashiers), and generally? not a terrible vibe on third shift which is a god-send from the normal rabble.
What makes the job awful, much like any location, is the management. We've got several managers, much like any store, and of course they have their "favorites" who get away with everything barring murder. Some that walk around doing nothing all day, some that just sit in the wrong departments chatting, leaving the customers without help, some that ignore the customers asking for assistance as a whole, even a few that due the famous "U-turn" where they go back and forth from the bathroom and breakroom all night before clocking out. Everything we say about these individuals; in one ear, out the other. whether it's to HR, CXM, mod, directly to the individual in question or the boss of the store. Due to the crazy loops and mountain of paper-trailing required, the damage is already heavily implemented before anything can be freaking done about them, making the job twenty times harder than it needs to be.
Then you got the workers who bust their butt to make ends meet getting treated worse than the dirt you stand on because of these headaches. This goes on for every shift, but i need to focus on my own experiences through the third shift stress and tension as it has been getting extremely volatile. Between the problems above and a hard-headed manager interested in rushing to complete tasks over the safety of the worker, and the lack of stable workers since only 3 of us are full time + 2 part timers who do, essentially, full time hours, the strain on the night crew is insane. What sent me over the edge though wasn't the work.. oh no. I can handle the work load because whatever we don't get done is still there the next night. It's not hard to pick up where we left off and by the end of the week 99% of the time everything is done.
Below in the spoiler will be a pretty hefty rant of my experience involving what finally made me register my hard work means nothing. That we're simply replaceable fodder, and that our safety, no matter how much they plaster it as their priority, means nothing.

Back in January the area i live in experienced a pretty big storm. Didn't think much of it at the time, i've ridden my E-bike (my only source of transport) in storms before, even in the snow! But, unlike usual this storm had caused flash flooding. I had reached a particular point in the ride where I couldn't progress. The roads that legally allowed my bike to travel out of where I live had become flooded by nearly 6 inches of high speed water, with spots going as deep as a foot and more due to road conditions. Roads surrounding my route were also being slowly closed off as the storm continued and ubers were cancelling in the area (or outright rejecting rides due to the dangerous conditions.), making it progressively harder to get around. It was 10 minutes til work, and i still had 20 minutes to ride, and a 15 minute ride back home if something went wrong.
I pulled over at this intersection that was flooded and checked the news for the area. Local news networks labeled it a "local emergency", so i called it in, told my boss at night i wouldn't be able to make it due to the unsafe driving conditions and progressively worsening weather closing down major roads. He 'understood', told me it would not effect my points as it was a weather situation, and that several others were calling for similar problems. I returned home now soaked and the bike had to be carefully serviced to avoid any lasting damage from the heavy storm. Not a huge issue but annoying none the less.
Fast forward two weeks and i get brought into the office where the CXM and my boss are... and asked the famous line. "Do you know why you're back here?"
I truly had no idea, so i joked it off, I had won a recent raffle for 3 board-games, so I made the comment it was because I hadn't brought those home yet.
The CXM smiled, then said it was because i had received my 4th point for calling out without sick time. Now, mind you, I have no idea what's going on at this point. I knew i had missed 3 days (once in September, 2 times in october from bike issues leaving me on the road without a way in due to the battery dying.). So i asked where this 4th point was coming from. He mentions the day of the flood, my boss, who is keeping his mouth shut, looks away from me when he says this. At this point I sit down, rather miffed at this point because i was assured that it was okay due to it being a safety concern, and that others were calling out with similar issues without a problem.
I'm stunned at this point. Taking a seat at the wall, the night assistant manager closes the door behind me and the cxm begins to lay into me the normal spiel, about how they expect all workers to be punctual and that this was a writeup, and how i "needed to understand what was being said". The whole time he's smiling, I wasn't. I told him what I was told on the phone, that I was cleared due to the weather conditions and that a point wasn't on my record the last time i checked (which i was checking regularly the first week because i truly expected something like this to happen, and stopped checking 4 days prior to the meeting. This happened 2 weeks later on a Wednesday.) -The cxm says it doesn't matter what i'm told on the phone. And that I should have called an uber. -I told him that ubers were cancelling rides due to the roads closing. -He tells me to order a taxi instead then. Now. I'm getting riled up at this point. My leg it tapping, i'm clearly not happy, and the way the cxm is talking to me is actively pushing for a response like this as he continues to smile and REPEATS "do you understand why you're getting this write-up" over, and over, and over again. -The night shift boss is still not making eye contact with me. -So, I stare straight at the cxm and respond to his question. "I understand that I have 3 points, but the 4th point I do not agree with. I was told that I was okay, and that the local news had declared it an emergency. I do not agree with that fourth point." -They both look at me, and I continue to look directly at the cxm. I'm still pretty relaxed at this point even if i'm agitated mentally and tapping my foot. I just want to get back to work at this point because I know the cxm is on a power-trip based on his body language and how much he's smiling. However, it really shown when that smile went away at me saying that comment. The cxm folded his hands, his smile gone and said "look, you want me to be blunt? I don't care what you agree with, you just need to understand you're being written up for 4 points of missed work. I can't let you leave until you agree."
THAT shifted my whole mood. I went from calm, to alert. My foot stopped tapping, I sat back in the chair and I was glaring at the cxm at this point. I was LIVID. The night manager STILL wouldn't look at me, instead he was watching the cxm. So i stayed focused on him as well. I folded my arms, and gave my full attention to him.
He repeated "Do you understand why you're being given this formal write-up?" again, and I, again, said I didn't agree with it. He AGAIN said he didn't care what I agreed or thought was right. and he just needed me to agree with it. So. I said what he wanted me to say. "I understand i'm being written up for a point I don't agree with"
As if MOCKING me, he again repeats "do you understand you can't keep missing days like this?"
I stayed DEAD SILENT at this point, and he leaned forward and looked at me with a big ol' smile. and told me to "stop staring at me with that death-glare, it's not working on me, buddy"
I was fuming. I was NOT going to be treated like a tool like that for taking my own safety into consideration during a local emergency for the job to tell me I was still in the wrong TWO WEEKS AFTER the event happened.
I was forced to agree, because I was sick and tired of staring at him and getting nowhere. So i repeated the comment like a good little drone and left. God i wish i knew i could have commented in that signing page that i signed under protest, course I was so pissed off i doubt i'd have even realized where to write it if i had known. I signed the "admission of guilt" crap, and immediately went to speak to the main boss of the store. Took two more weeks to get ahold of him, and he agreed it sounded very unusual. Main boss went to HR with clarification on how to handle it because even he wasn't too sure on it.
Two weeks after that, i touched base with the main boss. AND HE AGREED THAT I HAD NOT DESERVED THAT POINT OR THE WRITEUP. HR had come back to him about it coming down to the manager who handles the call-out (in my case the night shift boss), and a second manager who confirms the callout. My only assumption is that my boss agreed and acknowledged it as a weather related incident, and the second manager, the cxm in this case, decided to over-rule that decision.
Every other manager I spoke to thought that point was bogus. THE MAIN BOSS said it was bogus, and HR agreed that it was a case-to-case issue due to their system not having anything concrete for localized weather emergencies (they only have it for snow/ice, and state emergencies.) but even our HR contact agreed that safety takes priority! So here I am, 3 months into this crap I didn't even deserve, all because this dude decided to swing his big-boy stick. Taking the proper channels to have it addressed, complaint sent in about the manager in question, and trying to do things by the book did nothing but hit me with a "well you didn't act fast enough so we can't fix it" response, because it took over a month to get it processed. On the plus side, since I explained the entire incident to the main boss of the store (including the response from the manager who was handling the write-up), He gave me his direct line and told me that if i EVER got caught in a major storm like that to let him know, and he'd be sure to clear the incident himself. So while it happened, the store boss pulled through and assured me it won't happen again since it was a situational decision based on whoever got the call-out to handle. The problem is that the one who made this a problem in the first place is still in a position to do said problem. And that, unfortunately, I am unable to address directly like this. It was untouched for almost 2 weeks, sent in as a point right at the end of the 2 week "edit" period, and then I'm written up a week after that, ensuring I had no way to fight it. This was, in all purposes, an abuse of power. But, i'm a drone. I'm only as strong as the voice of the rest of this cacophony, and that's why they keep everyone at eachothers' throats.

Like I said. It's a rant, so only pop it open if you want to see what triggered this message to begin with. It's the biggest frustration I've had in the many years working here that firmly got under my skin due to the way it was handled and how long it took to get properly addressed, for no other reason than to tell me it was too late to do anything about it. We're just numbers in this machine, readily replaceable and easily used to kick around in the name of "fun" for those in a position of power. Where the rules and regulations are waived so long as you're buddies with the other management, and those working hard and keeping to themselves are an easy source to dump the blame and pressure or exercise someone's "authority".

Edit: If you are going to comment on the length of this post, please don't. This is not a simple snark but rather an actual critical think piece about feminism and Taylor Swift.

Introduction

Pertaining to Taylor Swift, "Female Rage" has deviated from its intended meaning after Swift debuted a new performance of The Tortured Poets Department during the Eras Tour. Now, according to Swift's use of the phrase, female rage is interpreted as public backlash against Swift's dating choices rather than as a response to the broader injustices against women and women's rights. This post examines Taylor Swift's flawed feminism, philanthropy, branding, and the controversial trademark petition for the phrase "Female Rage: The Musical". Swift's background as an entertainer, indeterminate politics, and alignment with capitalism over feminism pervades her legacy, again threatening her public tolerance as not just an individual but as a brand.

Once Upon a Female Rage...

If you were cognizant in the early 2010's, you've heard countless jabs at Taylor Swift in the media. Magazines, radio, or online. Music critics did not take her seriously as a songwriter; parents put a woman on an unrealistic pedestal as the ideal role model for their children; she dated too much and used men as lyrical fodder. No matter the story, it inevitably spread, conjoined with everyone's respective opinions, and you'd be left to wonder, "Why does everyone hate this girl so much?"
Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,

"Becoming friends with Lena – without her preaching to me, but just seeing why she believes what she believes, why she says what she says, why she stands for what she stands for – has made me realize that I’ve been taking a feminist stance without actually saying so."

I suppose the male-centric songwriting subject that permeates Swift's discography contained covert feminism and that we just didn't see that. Perhaps, the "Bad Blood" song and music video were written only in jest and not about poor Katy Perry, for Swift, as a feminist, would "never make it a girl fight" or tear other women down (though all Katy did was date your terrible ex-boyfriend and allegedly steal three backup dancers from your tour). In 2013, Swift said, in response to Tina Fey and Amy Poehler's joke towards her serial dating, "There is a special place in hell for women who don't help other women."
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.

Get Your Fucking Ass Up and Be a Philanthropist, It Seems Like Nobody Wants to Be a Philanthropist These Days

In 2013, Taylor Swift cut the ribbon at the grand opening of the Taylor Swift Education Center at the Country Music Hall of Fame in Nashville, Tennessee. The donation amount - $4 million - was the largest individual artist gift ever donated to the Country Music Hall of Fame, which is, of course, mentioned on Swift's website. The two-story facility features three classrooms, an instrument room, and an interactive children's exhibit gallery. Swift also performed at "All for the Hall" charity shows and has donated numerous artifacts from her career (such as notable guitars, tour costumes, etc) to the museum.
This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.

I Like Some of the Taylor's Songs, But What the Fuck Does She Know About Feminism?

Swift continued with her self-proclaimed feminist campaign, positioning herself as a political activist and LGBTQ+ ally in the Miss Americana documentary. The primary focus of the documentary consists of the sexual assault trial, Andrea Swift's cancer diagnosis, Taylor's ED and body dysmorphia, media scrutiny, and, largely, finally speaking up about her politics publicly, mostly her opposition to the 2018 Tennessee Republican senate candidate, Marsha Blackburn, and Blackburn's beliefs. Swift says, following a scene discussing her experience during the trial,

"I just couldn't really stop thinking about it. And I just thought to myself, next time there is any opportunity to change anything, you had better know what you stand for and what you want to say."

We must ask ourselves, though: when has Swift ever spoken up to change anything? Okay, pulling her entire catalogue from Spotify because they didn't pay their artists enough and similarly pulling her catalogue from Apple Music are changes that she leveraged due to her revenue potential and power, but they are not pertinent to the average woman's rights. Moreover, these are issues that directly impacted Taylor's income, which was enough reason for her to protest in the first place. Swift has sold the most units for a female artist in first week sales, is the first female artist with 100k monthly Spotify listeners, is the first female artist to win the Album of the Year Grammy 4 times, and is the first female artist to do X, Y, and Z, all while being inoffensive and family-friendly to boot. The actual Taylor Swift seems unwilling to compromise the brand of Taylor Swift by contributing in meaningful ways to feminist causes, especially if it is for women outside of America and Hollywood.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.

I Can't Pay Those Sweatshop Workers a Livable Wage or Benefits! How Else Would I Make My Billions?

Recently, Taylor's team filed to trademark the phrase "Female Rage: The Musical" after Taylor said during Paris N1 of the Eras Tour,

"So you were the first ones to see The Tortured Poets at the Eras Tour...or as I like to call it, 'Female Rage: The Musical'."

This trademark petition was filed last week on Saturday, and news comes about just as numerous unofficial fan-made merch designs have cropped up with this phrase plastered on Fruit of the Loom basics. I'm of the opinion Swift's team motioned for a trademark so that they can send out cease & desists to all those that make knockoff merch, which disrupts potential sales for Bravado, UMG's choice merchandising company; however, since it was filed earlier, perhaps Swift has bigger plans with the bizarre use of the gendered phrase. One Swiftie referred to the phrase "female rage" as "a funny Eras Tour joke". Could it be a possible fourth version of the Eras Tour Movie? Whatever the reason, the motion to capitalize off of such a concept is disgusting, but not unsurprising, for a woman that profits on her vain feminism.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!

I Am Tortured Poet, Hear Me Whinge

Look - even if Taylor's intention is to characterize TTPD as more "tortured" and "angry", the main thread of the album is "I was ghosted by my decade-long situationship with a controversial indie boy and my fucking stupid fans wrote a 'Speak Up Now' open letter prompting me to drop him" anger, which is adequately expressed in the lyrics and performances. The extent of Taylor's "female rage" on TTPD is on tracks such as "Who's Afraid of Little Old Me?", which contends with relentless media scrutiny; "But Daddy I Love Him", where Swift firmly states she'll date whoever she likes no matter how "Sarahs and Hannahs" may react; and "The Albatross", a track mythologizing her reputation and the consequences of dating her. Of course, these coincide with deep psychological wounds that formed during Swift's early years in the media, and so, from her feminist perspective, these subjects tackle the misogyny and double standards that she faced.
Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.

Sigh Try and Come For My Job, Poors

Out there in the world right now is a 23-year-old woman, a recent college grad, who works as a barista. She has to wake up and get ready to go into a minimum wage job because she cannot get a job in her field. She doesn't have healthcare benefits or sick time, so she has to go into work no matter how she's feeling. All day long she is berated by vicious customers and creepy men, and, exhausted from being on her feet, she knows she has to go home to her shitty roommate that never does the dishes and her roommate's shitty dog. To comfort herself, she considers getting a treat, but thinks against it when she remembers that matcha lattes cost $15 and they taste like milky dirt. She knows that she needs to buy groceries this week, and so the woman resolves to go home, but notices that her gas tank is low. She goes to put gas in the car, but the pump stops at $27.86 because that's all that she has in her checking account. The woman, bereft and reeling, sinks into the driver's seat. "Well," she thinks, her head in her hands, "at least I don't have Taylor Swift's job. I just couldn't imagine."
Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,

"You know you're good when you can even do it with a broken heart...you know you're good...and I'm good, cause I'm miserable, and no one even knows!...try and come for my job."

Yeah, obviously we wouldn't know, you recently passed the billionaire threshold and are the most famous and in-demand performer in the world right now. Taylor Swift makes an estimated $10 to $13 million dollars A NIGHT on the Eras Tour. Furthermore, the Eras Tour movie grossed $261.6 million globally, (which, as the producer, Taylor takes home 57% of the ticket sales) not counting the streaming revenue from Amazon Prime Video and the estimated $75 million deal that Disney paid to have it on Disney+. We're not even considering the income from cheap plastic popcorn buckets and drink cups plastered with colored squares in her Era-specific likeness.
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"

Conclusion/TLDR

Thank you for reading. I would love to hear your critical insights towards this entire ordeal: TTPD, the trademark, the implications of it all.
TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.

I decided to do it in a summery short version because I don’t want to feel like a tease or keeping you guys waiting I won’t drop names or specific location mostly things that has to do with the recovery and time on mdma pills
How I obtained the bags : me and my friend found a good trustworthy source and decided to buy bulk while the legit pills where around they where a variety of different shapes some basic like angry birds , 1up mushrooms,teslas until the second bag we where planning on both using and selling only during festival season or for summer more party like seasons which we would take a certain amount with us that event to sell
While we did test the top of the bags which was cleared for mdma I won’t lie and say we tested the whole batches but can vouch every pill had the same effect idk
The good : while my time on mdma i had social experiences I never would of had otherwise it helped me understand a lot about my depression and anxiety along with social anxiety in big crowds. Another thing was connecting with people in a deeper level really understanding the full spectrum of deep emotion found alot of new and odd music that I still listen to that I am grateful for completely took away doubt in terms of trying new things or going new places with out those little shapes I don’t think I would’ve had a glimpse of normal life without depression and anxiety.
It sure in hell helped me creatively not that I wasn’t without it because as a hobby I love designing and concepting things such as films ,books , animation even found that I’m pretty decent at rock music well back up vocals but that’s the beauty ig finding some sort of new talent
Where I messed up at is falling I love with the therapeutic aspect of it because I would take it a lot solo and dig with in my self to completely understand every aspect as well as other aspects of people psyche it was so refreshing to connect in this way… non the less good things can’t last for ever.
Lol as for pleasure ehhh I mean yes can be horny but not as it seems in media also for my males out there dude be ready for e dick 🤣 aka the shrivels
What it really helped me with is coming to terms with wounds from exs that never fully healed or suppressed especially with a girl which was my first long term relationship 5 yes
Helped me plan/focus on a way I wanted to be and self improvement I won’t say this for everyone though depends on how you use mdma
Helped alot with ptsd letting shit go and setting rules/boundaries
Had some killer work out sessions and improve my combat sports technique along with performance also actually listening taking in the coaching
The bad
The sweet release and momentum you get from them leads you to taking them everyday for me ig to be more consistent in mental mood (even though this would have the reverse opposite coming off the first year bad )
I found my self building a tolerance leading to dosing 3 times a day or taking a couple half’s max no I’m not a mad man I think I would be dead hell I’m not sure how I’m not dead with the abuse lol but sure I’m hell ain’t the same
I won’t say all the connection but a quarter of them where fake ig or not intense for the person once completely sober it can lead to of alot of truthful moments maybe not ready to be touched on or maybe the person/oneself can’t handle. Can say Boths builds or destroy relationships/friendships
The brain fog on brakes are shit depending on how active your day is can be tolerable what sucks it’s the frequent space outs and irritability
Idk if other hard users have or do experience this but frequent sleep paralysis no audio or visual hallucinations though
Please please I stress stay hydrated with water or the frequent urination will persist took me months after for it to get better still piss like a racing horse more then usual
Ehhhh depending on diet and fitness I found my self bouncing between 150 to 205 male in his 20s it will knock your hunger sometimes not eating half of the day
Some days finding myself wasting the day away hyper focusing on few things and not finishing them getting distracted
Another part where I messed up at was dosing in the morning I feel my not giving my body time to naturally register and then simply rolling to frequent
Leading up to the ugly I did take a month break but one night the night of clarity was when I started back up took 4 in a day idk how I didn’t od but definitely got serotonin syndrome which was hell lasted a couple days well the side effects
The ugly aka after
Dude the first year was hell I won’t lie mostly mental can’t say I suffered to many physical effects besides easier for body temperature to rise and memory
The first year was almost unbearable I’m a way it feels like a chemical lobotomy no emotions just the most intense extreme sadness sometimes not leaving my room
Weaker vision like in terms I can’t focus on things long like I use to before blurring or higher sensitivity to light/sun
Restless leg syndrome for a couple months and a cloud of anxious feelings Ovr your head like say when you’re in highschool and you get called out after school to fight the next day at lunch
Times of just spacing out staring straight forward
Chills and inconsistent body temperature
Robotic emotional responses noooo not even my favorite songs triggered anything it was just like blabbering in the background while I spaced out
Bad short term memory lost this has gotten better now on year two but memory issues still persist like if I want to remember a fun memory I have to really sit and think also not very vivid as it use to be to described in a story
No interest in simple human interaction such as a short convo improved after half a year clean
alot of light headedness through out day to day task with shortness of breath and heart palpitations but these all have dissipated thank god
It was weird for half a week one pupil was dilated
Frequent urination although has gotten way better i still have to piss more then I use to
This is a shitpost summery I will make a cleaner more detailed description of each part separately but feel free to ask questions below I just didn’t want to keep you guys waiting I’m pretty sure I’m missing some stuff but hey I’ll get it in the full individual post.

This is a long 'get it off my chest'. Met A online while they were engaged to and living with Z. A and I hit it off very hard, very fast. The romance was intense, and A would sometimes say things that rubbed me the wrong way: “I want to be with you at the end of the universe” and the like -- things that seemed very “mono-minded”. Z had had a secondary partner for a year at this point, while A had not kept one since they asked Z to open the relationship. A and I met up once IRL during this time. I did not meet Z, nor did I ask to. I said eventually that I may be falling too hard to handle being secondary.
Also… I’ve been around poly enough to be able to tell A’s engagement was failing, and told them so. A insisted that while their love for Z was not intense or sexual anymore, they were still in love and planned to get married. I was not trying to replace Z, but simply saw it as a matter of fact that they were ‘over’, and trying to use poly to fill the cracks or branch off, which A denied. A was desperate to keep me around and said they wanted me to be “co-primary”, which felt ridiculous given the engagement.
Eventually, I left due to the distance making it impossible to get my needs met in the way I wanted with this person, and I was too emotionally invested to find a primary partner if I was seeing them (I generally consider myself more “poly-saturated at one partner” than mono).
Three months later, I get a 15-minute VM: I was right, they were no longer engaged, and they still held a torch for me. A told Z about their unhappiness, and despite attempts to rekindle, it was over. A+Z were now ‘queer platonic’, a phrase I admit I’d only heard a couple of times. I assumed that this was a relationship like mine with my ex — we live together, care for our home together, are best friends, and are part of each other’s families, but we are not ‘together’ and cannot ‘break up’. I was a bit skeptical (my ex and I needed a couple of years at minimum, with lots of discussions, breaks in contact, time living apart, etc. to get to that healthy point), and I felt that A needed to be single: they’d had two nearly back-to-back LTRs (both failed engagements) since their teens, and I didn’t feel that jumping into things with me was the best idea. Being stupid and still in love, of course, I waited barely any time before jumping back. I tried whenever I could to get A to do more for themselves, as they seemed so focused on me. Looking back I would say with certainty they have codependency issues, and I felt like I could “fix” it somehow.
We spent the next few months talking, planning a long-term future together, where they’d move and our general timelines. I asked that, due to our distance and the complications of our history, I’d like us to start off monogamously for a mutually-agreed on period of time. They readily accepted, and I planned to ask them to be my primary this summer.
1st flag: A and Z were still partnered online. When asked, A said “I don’t use the (gay) apps much [not true] and don’t care what my profile says [questionable, given my perception of them]”. I let it pass for months, nothing changed, and then was firm that (1) I knew that they were not being honest, and needed to tell me what wasn’t being shared, and (2) It was important to me that they were publicly single before we coupled. To (1), they admitted that Z had asked A that they not make their breakup public yet. Z had had recent personal problems, and A felt bad pushing the issue, especially after initiating the breakup. To (2), A said they would revisit the question with Z soon. I felt hurt, and they were worried we had escalated too quickly, so we took a month break.
Towards the end of this break, A finally talked with Z, saying they wanted to pursue me. This did not go over well, but A was insistent. I was glad, but days later I still had some discomfort based on things A said, and, taking a wild guess, I asked — “Hey, is Z insisting you keep him as a partner, so he’s your platonic/nesting partner and I’m the ‘romantic’ one?”. A admitted this was true, and that, while they wanted a clear breakup, their life was too enmeshed with Z to risk his reaction. They even worried Z would kick them out of his house and take back his car if they did not stay partnered. They also said I “should have said something sooner” to pre-empt this situation, which seemed… nuts, especially since we talked about mono/being single. I said I would not participate in this arrangement. They said I was making ultimatums, but I felt that ‘surprise poly’ was an exception. I felt completely betrayed by all this. I asked A if this situation would end once they found a way to move out, and they said they ‘didn’t know’. They could not stand hurting him further (this was the refrain over and over) or risking what they had. I ended things then, because:

1. I no longer knew how to trust A after seeing this pattern multiple times
2. They had gone back on our agreement that they be single and we start off mono — without communicating to me beforehand or after, only telling me because I guessed.
3. The poly situation I was being asked to come into exists primarily out of fear of loss.
4. I felt, selfishly, like whatever A+Z had was always going to be chosen above what A might have with me, or that Z and I would be forced to be ‘enemies’ for A’s resources given the bad blood.

I’m feeling very adrift and frustrated right now. I’m a pretty independent person, and pride myself on being honest and upfront now, because that skill took me a LONG time to learn. A is slightly older than me, and I just don’t understand why they couldn’t be clear with me or Z. I’m feeling insecure because I haven’t had a partnership as long as A+Z, and part of me thinks I’m being immature and trying to rush their decoupling… but also, A is the one that reached back out, and I’m not trying to set their life on fire. I just think everyone will move on in a more healthy way with honesty. I worry that I should have been more open to the poly situation, but I also know that I’m free to set my own boundaries — also, I didn’t walk in knowing that A+Z were now basically NPs. I think I was given the runaround. Ugh.

A couple of years ago I tried writing my own version of Stones Abbigale. I never got past the first couple scenes, but I'm considering returning to it. I wanted to basically rewrite and change up a lot of things, mainly focusing on Abbi and Davis and changing some elements. Let me know what you think!

1
It's almost four in the morning and Seth is threatening suicide again. Good. Fuck him. I hope he does it. I don't text him that because I read about this girl who told her boyfriend to kill himself. The irony was that when he actually did it she got charged with second degree murder. My life is fucked as it is I don't need to make it worse. I’m shivering under my comforter because we’re halfway through November. I think about the turkey that won't get made this year and the family I won't see. I think that's swell. Seth is still texting.
Its like u dont even care after everything that happened and after everything we did together i saved ur life and i stayed with u when u cried and i hugged u and i did everything for u but that wasn't enough was it? i try so hard and all u ever are is a bitch to me that's not fair u want me to die and u hate me and u dont even care and im sick of it abbi why is is so hard for u to care about me?
I don't respond. I don't like how I feel about this. This should be easy. He won't actually do it. He won't. He’s too self involved to kill himself. I put my phone face down on my bed. The sheets shake around it as he sends message after message. I was sleeping on a ticking bomb so I got off of it. My feet stick to the floor, I struggle to step. I might as well have been standing barefoot on ice. I trudge to my window so I can see my street at night. Winter is really coming. You can't hear as many birds as you used to. They've all gone. They've all flown away. I can see three streetlights from where I’m standing. If you can from right to left you can see the concrete fracture into the sand. I open my window and brace for the chill. I stick my head outside. The ocean is not far away. I hear it hitting the shore over and over. Waves of water splashing incessantly, almost beating out my text notifications. The street lights flicker. I think of last summer. When Seth and I got really high after the news broke that my Mom was cheating on my Dad. I was making out with that bong. Emptying bowl after bowl, clanking the glass on the road to empty it out. Just thinking about it makes me feel the street pole against my back again. I was laughing and crying. Seth leaned in and hugged me. “I’m a sure thing,” he said. “I love you and I always will.” I caught my reflection in his sunglasses. I looked awful. I shiver at the memory. My phone is still buzzing. I try to catch my breath. I shut my window and start to walk back to my bed. A room always looks different in the dark. Maybe you think you know where you are, but there is always something that can jump out at you on the floor. Like a ghostly paper bag or a vengeful shoe. Objects that seem to move on their own with the sole drive of tripping you. I crawl back into bed. There's the phantom of Dad’s snoring . I know he's not sleeping in his room, he fell asleep on the couch after finishing his seventh fifth. Sometimes my brain fills in the gaps so I can hear it everywhere. Funnily, I haven't actually heard him snore since Mom left. That's the one thing I ever heard them fight about. Before she turned out to be a whore, I guess. BZZT.BZZT.BZZT. I can't bring myself to read any of his messages. They're coming so fast all the paragraphs are lost to motion blur. Seth’s arms wrap around me and I think about the beating of his heart and the warmth of his lips against my skin. I open up the texts, ready to respond.
I love you
I text this over and over until I fall asleep.
Davis was the only senior on the bus. Somehow, everyone else had a car or a ride. It’s all right, though. James would probably give him one if he had a car, but he skated to school every morning. That's why he barely ever rode the bus with him. The bus thumped along the under paved roads. Davis forgot his earbuds at home, so the only music that accompanied him was his racing thoughts. Two sophomore girls popped their heads over. “Ohmigod, Davis!” One of them shrieked.. “As I live and breathe,” he smiled. “Nice,” she said. “I’m so excited to see your finished painting.” Davis took the lower level art class for a requirement. Like most things, he's not taking it very seriously. For their pop art unit, he's painting a portrait of the art teacher with a warthog face. It's one of his funny disruptions. He knows Mrs. Stanley is going to have a real field day with it, but it doesn't matter. Artistic liberties, he’d profess. “She's such a bitch, isn't she?” The sophomore girl turns to her compatriot, who only nods in response. “She's just jealous,” Davis says. “It must be depressing to teach art and see the youth soar above her.” “For sure,” the girl doesn't get it. Class clown is a semi-heavy burden. Davis doesn't really feel like talking to these girls, but his position demands it. Comedy informs everything about him. To the giant thrift store jeans, to the loud Hawaiian shirt. He and James are the ultimate combination, at least he likes to think so. Quiet brooding begs for bright distraction. The girl is still trying to talk to him and Davis is saying his preprogrammed lines. The bus stops in front of James’s street. Surprisingly, James is standing there. “Like I’m this close to just filling my hydroflask with vodka, yaknow?” says the chick. Maybe she's just trying to get a rise out of him. “Better be prepared to give me more than a sip,” Davis is watching James grumble towards the bus. The sun is beating down on the forming ice puddles. James stomps through them with small shattering steps. James turns up the bus aisle and plops in the seat next to Davis. Davis’s smile is genuine now, but he fights it from getting too wide. “Crash your vehicle?” Davis asks. “Something like it,” there's something off with him. Davis doesn't want to push it. “Well damn, hope insurance covers it,” Davis wants James to break and laugh. Is it just another mood or did something actually happen this time? “It won't, I got bad credit,” James grins and it's like heaven. “What's the move for you today?” “Surviving art and physics for me,” says Davis. “Those bastards love to keep me down.” “Who doesn't,” James eyes the girls who have since returned to whatever they were doing before. It's the judgement stare, as Davis calls it. James likes to observe his peers like a zoo-goer. Breaking them down to taxonomic types. Davis likes to think that James doesn't do this to him, but he knows he probably does. “It sucks you decided to be bad at school and take baby art,” James is still dissecting the sophomore girls down to their tropes. “We could have done Art II together.” “I wouldn't want to get between you and Alex. I know how you love it when people piss in jars next to you.” “That's disgusting,” James breaks his glare at the girls. “It's performance art, it's beautiful,” Davis gets up out of his seat to yell. “Everyone witness the wonderful work of Alex Madov! Disengage yourself from the shackles of capitalism by shouting with me: Poopy, pee pee, poop!” Davis gets a few chuckles from the other kids on the bus. “Sit down, fatso,” mumbles the bus driver. “I will not be silenced! I’m a messenger of the good word, sir!” “More of this shit and I’m skipping your stop!” “Fine, but I will make Alex remember on the day of judgement,” Davis sits back down. James is full belly laughing. “You're so retarded,” James wheezes. Davis can't even come back with a response. He's high off of it.
The bus pulls into the school lot with a short stop. The mobs get up and begin to race out. Davis follows James down the line. “You know Abbi?” James asks. Davis feels a little pit form in his stomach, but he doesn't change his expression. “Vaguely, what about her?” “She's in my art class,” James begins. “And I think … well you know, I’m going to talk to her.” He walks down the steps and out the door. “Doesn't she have a boyfr-” before Davis can descend the driver's arm blocks him. “I’ve had enough of your shit, kid,” he says. “If you keep being obnoxious, I’m gonna find a way to make you pay for it.” James looks back, but he can't stay. Davis knows that he's gotta get to class. James does a little wave goodbye and Davis salutes him. “Are you even listening to me?” the bus driver seethes. “Yes, sir. Divine retribution, got it.” Davis ducks underneath his arm and exits the bus. James has already disappeared into the crowd.
I pass the bong to Ashley. She starts another bowl. She’s the transport and I provide the material. The little things that keep our friendship afloat. I look at the clock in her car. “It's 8:45,” I pick a piece of bagel out of my teeth. “So that's it, we officially missed first period,” Ashley tops it off. “They won't mark us, you know. It's a study.” “Yeah, but when's the last time we signed in? I heard they're changing the policy again. Do you still have the lighter?” I toss it to her. I don't get it. It's always her idea to pick me up so we can smoke before school, why now is she suddenly caring about attendance? “We're pretty girls, we can get out of it. I’m next,” I tap on the clock. “Are you sure it's not fast?” She shakes her head as she takes a snap. We're parked in the pond area a block or two from the school. It's our designated smoking spot. I like it, even at the end of fall it's pretty. I’m so engrossed that I don't realize her tip out the bowl and put it back in the cup holder. “I don't know if it's wise to keep up the activity, we should probably get going soon,” she starts up her car again. “Okay,” I say. She reverses and swings out of the lot. We lean into the silence and it's super weird. “Seth texted me last night,” I wait for her reaction. “Oh,” she grimaces. “What did you say?” “That I loved him.” Silence again. Ashley's trying to put together something well-meaning while understanding that I’ll probably ignore whatever she has to say. “Abbi, I’m not trying to tell you how to run your life, but …” Her expression is now quizzical. She's said what she is about to say a number of different ways all ready. She thinks and thinks and decides to say nothing. Good call, I would have screamed at her. Not because what she thinks about my situation isn't true, I’m just in a ‘screaming at people mood’ because of it. “I’m going to dye my hair again,” she changes the subject to avoid conflict. Classic Ash. “Oh yeah? What color this time?” “I don't know,” she checks her reflection in the rear view. “The red has faded out, maybe blue or pink this time.” “You should go with a softer pink,” I say. “Since you're a soft spring.” “Yeah, maybe.” We enter the school lot. “Listen, do you want to get together when I do it? Maybe you can dye your hair too.” “I don't know, I might be busy,” I say. “Seth might want to do something,” I pause for her to protest. “Okay,” she says. She parks and we get out.
I barrel into art class. I don't care if I reek, out of all the teachers I can tell Mrs. Stanley smokes the most. It would be hypocritical of her to care. It looks like I’m the first one. Weird. I check my phone. It's 8:45. Well, fuck. Looks like Ashley needs to fix her clock. Mrs. Stanley is at her desk. She looks at me knowingly. “Eager to create today, Abbi?” I just nod and sit at my desk. I’m really feeling it. I open up my precalc notebook and just start sketching. Birds, eyes, trees, whatever. Kids start coming in. Their chatter echoes around me, I try to focus on what I’m doing. Someone bumps into my table. I look up. It's this lanky blonde kid, I think his name is James. He presses his hands underneath the desk as he leans up to talk to me. “Eww!” He shouts. Some kids turn and laugh. I don't. I just stare at him. James goes red and sits next to the kid who pissed in a jar. Once an adequate amount of students are in the room, Mrs. Stanley starts her lesson slideshow. On the screen is a dirty urinal. “How many of you are familiar with this work by Marcel DuChamp?” she asks. At this point, Jason, the designated meathead jock, enters the room. “Sorry I’m late, Mrs. S,” he booms. He looks at the slide. “We building bathrooms today?” Mrs. Stanley glares at him. “Wouldn't you like that? Considering you spend all of your time in there.” “Whatever,” Jason brushes his mullet behind his ears. “No, not whatever. Would you like me to move you into the sophomore class with Davis? Believe it or not he's getting much better marks than you are getting in here.” Jason rolls his eyes and takes his place in the chair next to me. “Up to a little extra curricular activities before art, Abbi?” he motions a joint in his fingers. I scoff and go on my phone. There's another text from Seth.
sorry about last night
and
im reading it all right now that was fucked im sorry
I start to respond, but before I can Mrs. Stanley outstretches her hand. “Give me your phone, Miss Hagerty. I’m sick of giving you warnings.” I don't have the energy to fight, I just give it to her. “You can pick it up at the end of the day.” My jaw actually drops. Jason must have really set her off, she's not usually such a cunt to me. “Anyways, found art. What is it? Well, found art is the use of everyday objects to convey an altered meaning. It can be something you find on the street or something that once held value to you. For example, My Bed by Tracey Elim.” She pulls up a picture of a messy bed that looks suspiciously like my own. “So for your final unit of the semester, you will be making your own found art. I really want you to take this project a little more seriously than most of you have been taking this class. I’m giving you the privilege of picking your own partners, but I’d like to remind you to be thoughtful with your choice. This will be worth more for your grade.” I look around. I don't have any friends here. I toy around with the idea of asking Jason for convenience and he looks like he's about to pull that move. Behind me there's that James guy. He’s sheepishly looking at me. He seems kind of nice. Okay. I don't feel like getting up so I just turn around in my chair. “Hey James, wanna be partners?” He balks a bit and then smiles at me. “Yeah, totally,” He's beaming and it's somewhat endearing. Alex and I switch seats and now I’m next to him. “I’m gonna be real with you …” I begin. He stops and shifts a little. “I have no idea what we're supposed to be doing for this.” He regards me oddly. Like he's trying to piece me together. It doesn't bother me. “She said we have to bring in an object that's special to us and present it artistically basically,” he rubs his chin. Damn, I must be baked to hell. I didn't hear her saying that at all. “So got any stuffed animals we can cut up and make Lovecraftian monstrosities out of?” “I got a hamster cage, hold the hamster,” I say. It comes out kind of weird and I probably sound stupid, but he doesn't seem to care. “Let's make a fucking zoo.” “Perfect!” He’s kind of cute actually. In a way. Something about this feels fun. I realize the bell will ring soon. “So um,” I rip out a page of my precalc notebook, still fresh with my drawings. I scrawl out my number and push it to him. “Call me so we can figure out the project some more.” I pack up all my stuff and start to head out. I can feel him watching me and it's not that bad. “I sure will,” he says. Everything feels really groovy. There's a lightness now. I’m halfway out the door when I remember my phone. I can't believe that I just forgot about Seth. I think about begging for my phone, but I feel too above that. Still, something shakes the good feeling as the bell rings.

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To be honest, I wasn't sure that the Advice sub would let me post this there so I'm posting it here because it's so fucked up. And it didn't seem right for Let's Not Meet, either. But I do need advice, because I feel I'm losing my fucking mind.
So I (30F) have always been very close to my cousin (30F), let's call her Angela. Because we're the same age, our parents (my mom and her father are siblings) went through all the same stages with us and as such, we were more or less raised like siblings due to how much time our families spent together.
We even had homes in the country in the same township, which is where I think this happened. And I can't really tell my family this because it will make me sound legitimately crazy. And some part of me even doubts this memory, but at the same time I know in my heart that it's true. It's a complicated feeling, and this memory was brought to light last week when my suspicion I've had for years was more or less confirmed.
One winter, sixteen years ago, when Angela and I were both fourteen, both of our families were at our cottages, a twenty minute drive from each other. Angela and her little brother (my cousin, let's call him James) parents (my aunt and uncle) were going skiing one morning, and I wanted to go too. So I spent the night at their cottage, like I often did when we all went up north.
Angela's bedroom had two single beds in it, and James' room was down the hall. The whole house was open concept, so the hall from Angela's room to James' room did not have walls, but rather was bordered by two railings over which you could see down into the main floor, the open concept living and dining rooms.
James is four years younger than us, and when he was 10, he was such a typical little boy/little brother, it's almost cartoonish to look back on. Like, I'm talking *constantly* bothering us, putting a stink bomb on a remote control car that he would sneak into our rooms, trying to read Angela's diary when we weren't in her bedroom, just all the stuff. But never anything cruel or out of the ordinary or sinister, just a massive handful.
The basement of James and Angela's cottage was filled with storage and old toys, and sometimes (on the rare occasion) that we'd willingly play with James, we'd all go down to the basement and try to freak each other out. Anyway, one of the toys in the basement was your typical Raggedy-Ann doll from the 60s or something. I think it belonged to my uncle when he was a kid and then Angela when she was a baby. Her name was Trilly. I forget who named it. Anyway, I have vague memories of playing with it when we were much younger and pretending it was our third cousin or our little daughter. But since then she'd sat in storage in the basement.
But, what great nightmare material! Right?! A creepy, limp, smiling doll. So the night I stayed over, before we went skiing in the morning, James, Angela and I were up to our playing in the basement, and I remember we tried to freak James out by pretending Trilly was alive or something like that. Whatever. Game over, we all had dinner with the parents, then watched a movie as a family and went to bed. James to his room and Angela and me to Angela's room.
Now this is the thing. Angela and I still joke about this night, and she remembers it just like I do, which is why I sort of wrote off my hypothesis until last week. That night, in the middle of the night, I started tossing and turning. I woke up and could tell that Angela was stirring as well. One of us said to the other, "are you awake?" and the other said "yes," and we realized that we both couldn't sleep or were woken up by the same thing or were both just feeling restless. But then, at the other end of her room, Trilly was sitting in the fucking desk chair.
I think it was Angela who pointed it out. We saw a shadow, thinking it was a person, freaked out, and then relaxed briefly when we saw it was just the doll. But then we got freaked out all over again and were like, "why the FUCK is this FUCKING doll in your room!?!?", murderously standing up and going over to it to pick it up and throw it in James' room and pound the living Christ out of him.
We turn on all the lights, turn on the hall light, stomp down the hall into his room and turn on his lights, and see he's not in his bed. We then go downstairs (my aunt and uncle's room was on the main floor), Trilly still in Angela's hands, and hear my aunt and James in the washroom. Turns out James had been sick for the last few hours and my aunt had been up all night with him as he was throwing up in the washroom. And when we saw the scene we immediately could tell that James had nothing to do with Trilly. Like, it was just one of those really believable situations where we could tell James truly had no idea what was going on. We even felt bad for him. And, to top it off, when we told him the story in the morning it scared him so much that he didn't go into the basement for like a year. Anyway, it just seemed really sincere.
So Angela and I went back up to her room and we were like, "are we *sure* we didn't bring this up here last night? Are we sure? We must have." Anyway, while we were really freaked, we figured that it was explainable. We knew the doll obviously didn't walk itself upstairs like it was some horror movie. But, because we were fourteen and all for the drama (and I remember us having the "better safe than sorry" mindset) we called her dog upstairs (Bella, a poorly behaved black poodle). We started playing tug-of-war with Bella, using Trilly as the toy, and eventually Bella ripped her to shreds.
Anyway, funny memory, making the dog rip up the doll, we laughed and thought we were tough and cool, then we went back to bed.
The next morning, instead of all of us going skiing, it was just Me, Angela, and my Uncle, because James stayed home with my aunt on account of his stomach flu. But when we woke up, Angela was acting weird. Nothing too noteable, just really bizarrely quiet as she moved around her room to get her clothes out of her drawers and get changed. She didn't, like, acknowledge me in her room. I said something like "morning" when she didn't acknowledge me, and she looked at me and then turned back to her drawers and kept getting changed.
And she was looking around weirdly, I remember that too. Almost like she'd misplaced something, but a little more dazed than that. Just moving strangely. Then she went downstairs without saying anything to me at all. I thought maybe she was just super groggy... but it still felt really weird.
When I went downstairs, she was standing at the island in the kitchen buttering toast that my uncle had put in for us. I distinctly remember walking up beside her and the toaster, pulling a piece of toast out of it, putting it on the plate that had been set out for me, and when I dipped the knife into the container of butter, Angela smacked my hand away, hard, and looked at me and snapped, "what are you doing? Don't take things that aren't yours". I was shocked. It honestly felt like being struck in the face. She'd never spoken to me like that before, and even though we were like siblings, I still felt that kind of mortifying embarrassment you feel when someone calls you out on misbehaving, even though I wasn't doing anything wrong; but it *was* her family's butter and bread? I don't know. That's what I remember thinking. But it was awkward and weird and I just said, "um, what?" and then she didn't say anything, just kept buttering her toast, and I mumbled some apology.
The three of us then drove to the ski hill and, I kid you not, Angela and I didn't speak the whole way there. I had no idea what was up, but I didn't want to ask with her dad in the car.
Then when we got to the ski hill, we went skiing just the two of us and on the chairlift during the first run I mustered up the courage to say "Hey, did I do something wrong? I feel like you're really mad at me or something". And she turned to look at me and was confused. Not friendly, not warm, not reassuring, but confused. It was almost as if I was a stranger and she looked at me as if to say, "sorry, who are you? why are you talking to me?"
And she responded in a formal way: "Sorry, I have no idea what you're talking about". The distance in her voice was really eerie, and I started to think maybe this had to do with the doll incident the night before and either she was trying to extend the prank, and she was the one who had put the doll on the chair, OR she felt guilty that we ruined this family doll and she resented me for being a part of it. Anyway, when we got to the top of the hill, she skied down quickly and didn't wait for me to go back up again, and we ended up skiing separately.
I felt awkward and embarrassed like I'd done something wrong. I ended up skiing with my uncle who asked me what was up with us, and I just said I didn't know. Then after our day of skiing, he dropped me off at my family's cottage and continued on home with Angela.
For the rest of that whole school year (we were in ninth grade), Angela and I didn't really speak. It was really sad. We were like sisters before, but better because we weren't actually sisters, but cousins, and so we were like best friends that were related. Seriously, we were really close. And it really messed me up, I felt like she just ghosted me. I would text her and call her house but she was always "fine" or "with Jessica" (her best friend). I chalked it up to her just outgrowing me, and it really fucking sucked. But, to be honest, it was so jarring and such a stark shift that I was more confused than hurt. I talked to my mom about it and she explained to me how rough it can be to be a teenage girl.
But that following summer, we were up at our cottages again, and our family had a barbecue and invited over my aunt and uncle and Angela and James. I had seen Angela at family things a couple of times since and she would just kind of ignore me and spend the whole time texting, which is what I expected this time.
Sure enough, that's what happened for the first bit of the barbecue. But then when the food was ready, she came up beside me as we were dressing our hamburgers at the condiment table and said, "oh my god, remember that night we got Bella to ruin Trilly?" and I was so shocked by her friendly tone, by her acting as though she were picking up a conversation we just were having, that I just stared at her and said, "yeah, that was crazy". And she said, "yeah, so funny. Anyway, how've you been?" again, really different and formal. I almost couldn't get past how altered her tone was, like we'd never even met. In fact she seemed so sprightly and kind that I thought she was mocking me.
And our relationship since that barbecue carried on just like that. She started talking to me more, but I'd reference inside jokes or ways we used to be or things we used to do and she never really latched on to any of them. I was caught between thinking she'd outgrown me and thinking she was like embarrassed of our closeness before or something and was trying to move on. I talked to my mom about this, and again got the speech about how teenage girls can be really cruel/strange sometimes.
So until we were about 22, we were like that. Nice to each other, talking sometimes, not that close, and I learned to not try and act like we were all close or that we had been close. I talked to my friends about it too and they said it was normal for friendships to change like that. But something felt off about this. I started to honestly feel crazy for hanging on to this "before" memory of Angela so much.
Then when we were 22, we grew apart. This time, it was mutual and natural. I moved cities, and she got engaged and became a real estate agent and we just had nothing to talk about. It was gradual and I didn't notice it much. Which brings us to eight years later, just last week.
I was travelling in Iceland. I had to be there (very randomly) for a conference/workshop I was leading for work, and turned it into a vacation. Rented a car, decided I was going to drive across the island after the conference was over and stay on the east part and explore a bit.
Day four of my seven-day long road trip. It's mid-afternoon, I'm hungry. I've been driving for three hours and have come across no sign of civilization at all, and it was fifty miles to the next town. But then, voila! A little gas station/general store/cafe! Perfect!
Ah, fuck. I literally can't believe I'm writing this. It makes me sound fucking crazy. But here I go.
I park in the little three-car parking lot. I get out of my car, step onto the gravel, the sky is white, expansive, there are mountains everywhere around me, fields, sheep. The air is fresh. Seriously middle of nowhere. I walk up the wooden rickety steps and push open the door and hear the door chimes go. A man walks out from the back room and greets me, and the place is cute. There's a little handwritten menu above the cash register and I asked him in my pathetic Icelandic/English mix if I could have the gravlax toast. He's very friendly and kind and says yes, asks if I want a coffee, I say yes please, blah blah, he rings me up at the cash register, and I go and sit at the one table they have and wait for my food.
I look around - it's mostly a fishing supplies store with some general groceries. The man opens the door to the room from which he came, the kitchen I suppose, and says the order to the lady in the back who looks like she's doing some prep cooking. Immediately I stop. It's freaking Angela!!!! Or I thought it was.
Now, remember, I hadn't seen Angela in about eight years. Since her dad passed away when we were twenty-three, and because I'd moved cities, we just had no reason to really see each other especially after growing so far apart.
So, like, OH MY GOD, it's Angela! She's working at a random little general store in middle-of-nowhere Iceland! But wait, I thought. No. This is obviously not-fucking-Angela. Angela is a real estate agent in my hometown. I'd obviously know if she lived in Iceland lol. Right? I don't really use social media but the odd time I do, she'll pop up here and there. But I guess not enough for me to *confirm* she still lived in my hometown.
But anyway, she looked enough like Angela that I went right up to the cash register and rang the little bell and the guy came back out and when he opened the door I was able to get another look at her, and my heart skidded. A chill spread across my crown. It was one hundred percent Angela. Like, my full-on cousin. So, looking over the guys' shoulder, RIGHT AT ANGELA, I smile and say, "Angela!! Oh my god!!" and before she could respond, the door shut again.
And the guy at the cash smiled really big, a nice, friendly, smile and he looked surprised as well, and pointed back over his shoulder and then at me, as if to say, "you two know each other?!" which confirmed for me that her name was Angela, because he seemed really delighted at the coincidence. Expecting her to emerge from the kitchen, I walked around to behind the cash register (the invitation was implied by the guy) and he put his arm back to open the door for me, or for Angela, whom we both expected to be making her way over to me, too.
When he opened the door, she was head-down again, chopping vegetables. I walked through the door and said, "Angela? Angela!" smiling, thinking she hadn't seen me yet or realized who I was, all context considered. She looked up at me, and then quickly, as though avoiding my eyes, looked down. "Hey", she said, quietly, at the cutting board.
WHAT THE FUCK WAS GOING ON? Before I could ask anything, she said, "I'm really sorry, okay?"
What?
She repeated herself and then continued: "I'm really sorry okay? But we can't talk".
I actually, like, had no clue what was happening. I was looking into the eyes of my cousin whom I hadn't seen in forever in some random fucking shack in Iceland and she was acting skittish and afraid. I opened my mouth to protest and she said, "I need you to leave," then she called the guy's name and said something to him in Icelandic. She can speak Icelandic??!
The guy came in, his demeanour totally different. Almost like he was a bouncer. He gestured to my coffee and toast that were ready to go, took them in his hands and ushered me out of the kitchen and I could tell I no longer was welcome. Either I wasn't welcome or I was in danger, or both. It felt more like the former. And I don't think the guy had any idea what was going on, either. I think she must have said something to him like "I don't know this person, this person is crazy" or something. That's how he was acting toward me.
I got in my car, I drove five minutes down the road, and pulled over. I miraculously had service and I called my mom and told her everything. She kind of just laughed at me and was like "Many-Patient2894, that obviously wasn't Angela". And joked about me making some poor Icelandic woman feel extremely weird. But based off the guy's reaction when I said her name, her name was Angela, and the way she spoke to me and said sorry and said we couldn't talk, like, she knew me too. I told my mom all of this and I sounded fucking crazy and she just was basically like, "Haha, yeah, weird". I think she thinks I was making up the part about the apology.
I told all of my friends this, when I was still in Iceland, and they all reacted like my mom did. At this point, I had four days left in the country, and I kept wanting to return to the cafe/general store. But I didn't. I started to think maybe the woman thought I was someone else. But then I kept coming back to, but wait, this person was Angela. Her name, her body, her face, like I just didn't know what to do.
This brings me to two days ago, the day before yesterday, when I returned to Canada, where I live. It's eight o'clock in the morning and I'm on my way to work. In my car. Just picked up a coffee. Exhausted. Not thinking about Angela at all. Thinking about my laundry, my bills, what I'm going to make for dinner. The traffic is bad and it's a miserable day outside.
My phone dings. It's a random number. The text reads: "Hey! It's Angela! How was your trip?"
Haven't heard from her in eight years (except for our run-in in Iceland, if indeed it was one). No "how have you been??", no "I miss you!!" no "long time no talk/see!". I also hadn't posted anything about my trip on social media. Unless you were a friend of mine, you didn't know I was there.
I immediately call my mom, who follows Angela on Instagram, and ask her to look at her profile. Sure enough, Angela (not at all to my mother's surprise), is posting stories of the bachelorette party she's at in Miami. She's, like, not at all in Iceland.
I have no idea what's going on. And the way Angela/the woman spoke to me in the cafe had the cadence and softness that Angela had, and in my memory, lost, starting the morning of the skiing after the incident with Trilly and the dog. For some reason I'm fully back there in my memory now, realizing that that was the first morning of "the new Angela", the one that seemed to have no emotional memory of me at all. Like, the Iceland Angela seemed more like the "before" Angela.
I haven't replied to the text. I have no idea if it was bachelorette party Miami Angela or Iceland Angela that sent me the message, the area code is from neither Angela's hometown or Iceland.
I need advice, I have no idea what to do or who to talk to. Do I reply to the text? What do I say? I feel like the real Angela is fucking trapped in Iceland or something and has been for a long time. Or I don't even know. I have no idea what to do.

Introduction

ASIAN KUNG-FU GENERATION, Zepp Tokyo for \"Quarter-Century Tour\"

^(\This article is an updated version of my "Sound Like" article from 2021. I have reposted this article due to difficulties editing the original version*, and have included additional information and recommendations based on the increased popularity of amp simulator pedals*)*

Hello fellow musicians and Ajikan fans!
I have been a fan of ASIAN KUNG-FU GENERATION for roughly 16 years and as a guitarist was greatly inspired by the band's alt rock sound.
After a few years of research I have written a series of "sound like" articles for ASIAN KUNG-FU GENERATION. The purpose of these articles is to provide context on how the band create their signature sound, and to support beginning musicians or tribute acts who may wish to replicate it.
At the end of each article I have drafted a Budget Rig, which you could use for both at home and in a live environment. I have also provided some general amp settings to tweak and try, which are based on the band's live sound and be can used to help replicate their tones.
This is a 3-part series and if you enjoy this article I would recommend checking out the other articles:
Sound Like ASIAN KUNG-FU GENERATION Pt.2: Kensuke Kita (2024 version) : AsianKungFuGeneration (reddit.com)
ASIAN KUNG-FU GENERATION Sound Like Part 3: Yamada : AsianKungFuGeneration (reddit.com)

^{Please note that the article focuses on the band's live sound, which will be different to the albums and can vary depending on the venue. Also (and is a cliché} every musician and instrument will have small differences, so bear that in mind!)

To help you recognise the individual guitar tones, Gotch's guitar parts are normally panned to the left earphone and Kita's are panned to the right earphone on the band's albums. (On 2016's Sol-Fa, Hometown and some of the Planet Folks singles the panning was swapped, with Gotch instead in the right ear and Kita on the left)

Masafumi Gotoh

Gotch live at the 02 Islington, London, 2013
Let's start off with lead singer and rhythm guitarist Masafumi Gotoh, or "Gotch" for short. Gotch's was massively influenced by the 90's alternative rock, Power Pop and the Britpop scene, and has previously highlighted Oasis, Weezer and Number Girl as key inspirations.
As Ajikan's main songwriter, Gotch follows the principle of "less is more" - keeping the arrangements simple for listeners, but combining pop hooks & traditional Asian melodies with the band's punk rock and indie influences.
Gotch's playing style follows this principle, as he primarily uses chord shapes, bar chords or repeated phrases to anchor the band. (The simple approach also makes it easier for Gotch to sing while performing)
Occasionally, Gotch will use "octave chords" (more on octave chords below) or play riffs with open strings notes, to add further depth. A good example of this is the opening riffs to Easter, where he plays an open D string while also playing the 3rd and 5th fret of the A string.

^{Octave Chords: Octave chords is famously used in punk rock and alt rock riffs, and is when you play the same note in two different octaves. Try play a bar chord on the 4th fret of the A string, and lifting your ring finger off the D string. You should get a "C# octave chord" and will recognise it from the intro of Haruka Kanata. Octave chords are used in many Ajikan songs and by many bands, so they are good to practice!}

In more recent albums, Gotch has also experimented with moving chord shapes across the fretboard. For good examples, check out the opening of Caterpillar or the bridge section of Kouya Wo Aruke.
Gotch's guitar tends to be lower in the overall mix, with Kita acting as the band's lead guitarist and Gotch as the anchor for each song. However, Gotch tends to improvise with ambient sounds during live performances and occasionally will take on the lead role in songs like Hold Me Tight.

GUITARS:

When it comes to guitars Gotch almost exclusively plays Gibson Les Paul Jr's with P-90 pickups, and has been his preferred guitar since 2004. The P-90 pickups have a bright midrange sound in comparison to the muddier humbucker sound, which makes them better suited for Gotch's focus on chords.
Gotch main guitar is the 1959 Gibson Les Paul Special
The Les Paul Jr is also lighter and have less sustain and power compared to a normal Les Paul, which leaves space for the other instruments to stand out in the mix.
Gotch's main guitar is a 1959 Gibson Les Paul Special, which he plays in E Standard tuning and uses for both recording and live performances. Gotch also uses a 1961 Gibson Les Paul Jr (with the pickguard missing) or a 2000 Gibson Les Paul DC (with a gloss yellow finish) for songs in Eb/D# tuning, such as After Dark or Soredewa, Mata Ashita.
Gotch's is also famous for using a 1975 Gibson Marauder during the band's early years. Gotch has mostly retired the guitar (due to the "lack of volume" for larger venues), but it regularly appears in MV's, band merchandise and occasionally during special events, such as the 10th anniversary shows in Yokohama.
Gotch's Gibson Marauder
Gotch occasionally uses a few rarer guitars live, such as the Gibson Custom Les Paul Junior John Lennon model (Gotch has number 54 of 300 such guitars made), and is normally played with a capo for songs such as Maigo Inu To Ame No Beat.
Gotch has also used a Gibson Hummingbird for acoustic numbers, and can be seen used in Eizo Sakushin Shu Vol.6 for the band's performance of Kaigan Doori. Gotch likes to use Tortex Flex .88mm & Tortex Flex Triangle .88mm guitar picks, which he swaps between depending on the song.
If you are looking to sound like Gotch, the best place to start would be a Les Paul Jr guitar with P-90 pickups.

AMPLIFIERS:

After originally touring with a Roland JC-22, Gotch has almost exclusively played Fender amplifiers since 2004. Gotch uses two amps when playing live, one for his "clean" sound and the other for his "heavy" sound.
The band's often implement a "quiet/loud" dynamic into their song writing, so Gotch will often switch between his amps during live performances, using a custom made footswitch on his pedalboard. (A good example of this is Mustang or Solanin)
For his clean tone, Gotch uses a Fender 65' Twin Custom Twin 15. It can be heard on Korogaru Iwa, Kimi ni Asa Ga Furu, Solanin and Wonder Future. Occasionally, Gotch will combine the Twin Reverb with a boost pedal or overdrive pedal for more clarity, with Wonder Future a good examples of this.
(1) Fender '65 Twin Custom 15 (clean tone), (2) Fender Vibro-King Custom, (3) Fender Super-Sonic 60 Head (which uses the Vibro-King as a speaker), (4) Fender '63 Spring Reverb (which runs in between the pedal board and the Super-Sonic 60, and is toggled on or off by a switch)
For his heavier tone, Gotch primarily uses a Fender Vibro-King Custom for recording and appears in most of the band's MV's. The Vibro-King/Twin Reverb was Gotch's main setup during the 2000's and can be seen together on Eizo Sakushin Shu Vol. 6.
In 2009 Gotch started to use a Fender Super-Sonic 60 Amp Head and still uses it now. Until 2022, Gotch would use Vibro-King as a "cabinet", acting as the speaker unit for the Super-Sonic. Gotch now uses a Shinos & L Rocket Head for live shows, but has kept the Vibro-king for recording sessions and MVs.
Since 2022 Gotch has used Shinos & L Rocket amp & cabinet instead of the Fender Vibro-King
Gotch "heavy" amps for songs such as Re:Re:, Haruka Kanata and Rewrite. It is important to note that Gotch prefers to use his amps to create his distorted tone, but will occasionally add an overdrive pedal for heavier tracks such as Blood Circulator & Easter.
Alongside the Twin Reverb and Super-Sonic, Gotch is known to use a Fender 63' Spring Reverb Unit. This unit only runs into the Super-Sonic and is used for additional reverb to "thicken the sound". Gotch can control the 63' Reverb with a on/off switch on his pedal board.
Other notable amps that Gotch has used are the Matchless C30 & Bad Cat 30R Head. Both have been used exclusively for recording, most notably on Wonder Future. Gotch is also known to use VOX AC15 amps for recording.
Gotch's '63 Spring Reverb Unit, along with a selection of Vortex Flex .88m picks

In terms of mics, Gotch seems to use a Shure SM57 for his Fender Twin Reverb and a Shure SM58 on his Vibro-King or Shinos Rocket. When you are trying to emulate his sound with modelling or profiling amps, it is worth experimenting with mic positioning and different mics.

If you want to replicate Gotch's amp sound then you should look to replicate his Fender amps. However the Vibro-King is a key component and are unfortunately rare, notoriously loud and expensive. For that reason, I have put together some alternatives that should get you close.

PEDALS & EFFECTS:

During Ajikan's early years, Gotch combined a Roland JC-22 with a ProCo RAT to create the "quiet/loud" dynamic of the band's early records. After buying the Fender Vibro-King in 2004, Gotch no longer required the RAT, but kept a simplified pedalboard to achieve certain tones for live performances.
Gotch's 2004 pedalboard, which includes the ProCo RAT and Ibanez TS9 Tube Screamer
We will cover two different pedalboards that Gotch has used during the band's career. Regardless of which pedal board you look at, Gotch's has always included an overdrive or boost pedal, a phase pedal and a delay pedal.
The boost/overdrive is used to "lift" his clean sound during ballads (Solanin, Wonder Future) or to thicken his sound for heavier tracks. (Senseless, Dororo) Gotch will normally set the drive or gain low and the volume high.
The phaser is a more sparingly used pedal to add texture and colour, but can be heard on Shinkokyū, Blue Train and Rewrite. I will include more detail on Gotch's use of delay in the sections below.
Gotch's "Classic" Pedalboard
Gotch \"classic\" pedalboard, used between 2006-2013, with Gotch's custom made footswitch on the bottom left to control the amps
Gotch started to use this "classic" board during the Fanclub tour and continued to do so until the 10th Anniversary shows in 2013. This would be the easier and more affordable board to replicate for newcomers.
Gotch's setup started with a BOSS TU-3 tuner, which he also used as a "mute" pedal in between songs. From there, his chain would run into the Ibanez TS808 Tube Screamer, the BOSS PH-2 Super Phaser and the BOSS DD-20 Giga Delay. During the Magic Disk tour, Gotch also added a Custom Audio Tremolo.

^{The BOSS DD-20} *^{has been Gotch's main delay pedal for twenty years and is set to "warp". On the warp setting, Gotch can keep his foot on the pedal to create swells of delays. Gotch's standard setting is 173-179bpm (beats per minute} on 1/4 notes and then he has 4 presets. These are 137bpm on 1/4 (for) ^Blackout, 154bpm on 1/4 (for) ^{Kakato de Ai o Uchinarase}, 177 on 1/2 (for) ^{Solanin and the intro of Siren} and 177bpm on 1/4 (for the 2nd half of) ^Siren)

Gotch also included two footswitches for his board; The first one was a handmade footswitch, which he used to swap between the Twin Reverb and the Vibro-King/Super-Sonic. The other footswitch was a BOSS FS-5L, which he used to control the '63 Spring Reverb Unit.
Gotch's "Modern" Pedalboard
Gotch's \"modern\" pedal board.【Pedal List】(1) api/TranZformer GT (compressoequalizer) (2) BOSS/TU-3 (tuner) (3) Spaceman Effects/Atlas III (preamp) (4) BOSS/DD-6 (delay) (5) Spaceman Effects/Voyager I (tremolo) (6) EarthQuaker Devices/Avalanche Run (delay/reverb) (7) Mu-Tron/Mu-FX Phasor 2X (phaser) (8) Caroline Guitar Company/KILOBYTE (9) BOSS/DD-20 (delay) (10) Handmade/Line Selector (11) FAT/514.D (booster)(12) strymon/Zuma R300 (power supply) (13)BOSS/EV-30 (Expression Pedal) (14) BOSS/FS-5L (foot switch)
During the recording of Wonder Future and his first solo album (Can't Be Forever Young), Gotch began to experiment more with boutique pedals, and has resulted in a more complex board since 2014, allowing more ambient experiments on the band's records and during live performances.
Gotch has added a API Tranzformer GT to the start of his chain, only using the E.Q. section and tweaking the settings for each venue.
Gotch's "Modern" board now includes a variety of delay and reverb pedals, such as the Earthquaker Device Avalanche Run and the Caroline Kilobyte Lo-Fi Delay. These are combined with his DD-20 to create the ambient sounds heard on Empathy & the outro of Demachiyanagi Parallel Universe.
The BOSS DD-6 Digital Delay is set to the "reverse" mode and is used during the intro of Re:Re: and the bridge of Rewrite. Gotch has removed the Tube-Screamer from his board and has experimented with multiple alternative pedals, which includes the Xotic Effects AC Plus and JHS Superbolt.
He currently uses the Atlas III Preamp Booster and the FAT 514.D for his overdrive sounds. The 514.D only runs to the Super-Sonic to help "thicken" the distorted tone of the Super-Sonic.
Gotch has also replaced the Super Phaser with the MU-FX Phasor 2x and is using a Voyager I Spaceman for his tremolo. (UCLA & No Name are good references for the tremolo) Finally, Gotch has added an BOSS EV-30 expression pedal, which he uses to control the delay of the Avalanche Run.
If you are looking to replicate Gotch's pedalboard, the best place to start would be a phaser, delay and a boost/overdrive pedal, which would cover most of Ajikan's Discography.

Sound Like Gotch...On a Budget

Now that you are up to speed on what Gotch uses for his guitar rig, we can start to look at replicating his sound. The idea of this section is to offer affordable suggestions to replicate Gotch's tone that can be used for home use and for small live venues.
I would like to highlight that I am just writing as a fan and the equipment I recommend are purely my own recommendations. I do not have any sponsors (I wish I did sometimes) and if you find alternatives that work for you, go for it!
Gotch performing in 2022, during the Quarter Century shows in Yokohama
To buy Gotch's current pedal board alone would cost roughly £2,500 and would be unrealistic for most readers to purchase, however there are options that can get us close to Gotch's tone without breaking the bank.
The key elements to this rig are:

• A Gibson style guitar with P-90 pickups
• A Fender amp with decent distortion
• A Tube-Screamer style overdrive
• A flexible Delay pedal

Let's start with the guitar, which is both important for the P-90 tone. You should always feel comfortable when playing the guitar you pick, so I recommend trying out the guitar when possible before buying.
GUITARS
As an affordable guitar, I would suggest looking at the Epiphone Les Paul Jr. It is the entry level price for Gibson guitars (Epiphone would be the equivalent to "Squier" for Fender) and includes P-90 pickups as the standard setup. You can buy one for around £380 and should also be fairly easy to modify & similar to Gotch's sound.
Epiphone Les Paul Junior
If you do have a higher budget to work with, I would recommend the Gibson Les Paul Special Tribute DC. These were released in 2019 and you can normally find a 2nd hand version for roughly £650 - £800. (It is also the guitar I currently use!) Failing that, you can also look at the Gibson Les Paul Special for around £800.
Gibson Les Paul Special Tribute DC
AMPLIFIERS
We are looking to replicate Gotch's Fender amps, so the affordable option to start with would be the Fender Mustang GTX. The newer Mustang amps are an improvement on the original and have simulations of the Twin Reverb, the Vibro-King and the Super-Sonic.
The GTX 50 (which has a smaller speaker) is roughly £390 and the GTX 100 (which includes a footswitch) is about £510, but you should be able to find both versions for a reduced cost second hand.
Fender Mustang GTX 100
If you do have a higher budget or prefer to use a tube amp, I would recommend going for the Fender Super-Sonic Combo or the Fender Hot Rod Deluxe for a solid distorted Fender tone.
Alternatively, you could consider the Fender Blues Junior, Fender Tone Master Twin-Reverb or Roland JC, and combine them with a ProCo RAT to replicate the tones from Houkai Amplifier and Kimi Tsunagi Five M.
PEDALS
To keep the list of suggestions short and simple, we will use Gotch's "classic" board as a reference and will cover most of the band's discography.
For a budget rig, I would recommend the Ibanez Tube-Screamer Mini, which is a miniature version of the standard Ibanez Tube-Screamer and sound great for the price. You could pair this up with a Boss Phase Shifter and a BOSS DD-6 Delay for around £309 brand new to get a very similar Gotch board. (You could buy them for as low as £110 combined on the 2nd hand market)
The Tube Screamer Mini is a cheap, effective overdrive pedal based on the classic TS808
For a more expensive pedalboard, the JHS Superbolt V2 was used by Gotch extensively between 2015-2019 and was once described by Gotch as "the Ajikan sound" on his blog. You could also buy the TS808 Tube Screamer that Gotch actually used for many years or the JHS Bonsai 9 which emulates multiple tube screamers.
For modulation sounds (phase, tremolo) the AmpliTube X-Vibe is one of many great multi-effect pedal on the market. If you have the money for it, you could buy a BOSS DD-20 second hand or the BOSS DD-200 to emulate Gotch's delay sound.
If you decided to go with the Mustang GTX, you would also have a selection of effects built into the amp.
THE TONE MASTER PRO? (and amp simulators)
As a final recommendation, Fender have recently released the Tone Master Pro (TMP), which is a multi effects and amp simulator.
It can be used as a device for home recording, but also as multi effects pedal in front of a standard amp or as your main amplifier when played through a IR cabinet. (I'll go into more detail in a bit!) The TMP are not cheap at £1400, so I would only advise buying one if you plan to use it as your main amp and effects board.
If you have the budget and was starting your rig from scratch I would consider checking it out, as it includes great simulations of the Twin Reverb and Vibro-King. They are also easy to transport & the Fender IR cabinets only weigh 12.5kg. (For comparison, my VOX AC15 weighs 30kg and is a nightmare to transport for shows)
The TMP is Fender's first amp simulator pedal and from what I understand the Quad Cortex DSP, the Line 6 Helix series and the Headrush Pedalboard are more popular choices. However, for the purpose of "sounding like Gotch", I would start with the TMP for its Fender selection and simplicity
The Fender Tone Master Pro can be used to simulate multiple amps & as a pedalboard for live performances

^{If you decide to buy a Amp Simulator Pedal, there are 3 common ways to use it for band practices & live settings. (Outside of just using headphones or running straight to front of house at a venue:
Option 1: Only use the effects on the Amp Simulator and run it into a standard amp. (Make sure to not use the cabinets settings within the pedal when doing this. You could still use the amp settings, however they may clash with the physical amps and do not always sound great
Option 2: Use the Amp Simulator as your main amp and combining with a standard guitar cabinet. In order to do this, you will need to buy a separate power amp pedal to run in between the amp simulator and the guitar cabinet. (Otherwise you will not have any volume or oomph when you play through the cabinet}\*)*
^{Option 3: Buy a IR Cabinet. The difference between this and Option 2 is that you would not need to buy a separate power amp pedal to run into the speaker. The Fender FR-10/12 & Line 6 Powercab are good examples.}

Recommended Amp Settings

The following amp settings are based on photos gathered from live performances or from photos of Gotch's social media. Every amp will slightly differ based on your guitar or playing style, so you may need to tweak with your settings to find the right blend.
My personal advice is to not put the gain too high and to start with getting the treble and bass settings where you feel comfortable, before tweaking the mids. The P-90s have a strong midrange attack, so bear that in mind as well.
Gotch's Vibro-King and Super-Sonic
Fender '65 Twin Custom 15:
(Plugged into Vibrato 1) Vol: 3, Treble: 3.5-4, Mid: 6.5, Bass: 3.5
Fender Super-Sonic 60 Head:
Channel 1: Vol: 3.5, Treble: 4-4.5, Bass: 5
Channel 2: Vintage setting ON, Gain 1: 4, Gain 2: 0, Treble: 5-5.5, Bass: 4.5-5, Mid: 5.5, Vol: 5.5-6
Fender Vibro-King Custom (as cabinet):
Plug into the speaker input at the back of the amp, with FAT switch on.
Fender Vibro-King Custom (as amplifier):
(FAT ON) Vol: 3, Treble: 4.5, Bass: 4, Mid: 5.5 (Based on Eizo Sakushin Shu Vol.6 settings)
OR
(FAT ON) Vol: 4.5 Treble: 4 Bass: 5 Mid: 4.5
Shinos & L Rocket Head:
Gain: 7, Treble: 8, Bass: 3, Reverb: 0, Master: 7

Conclusion

I hope this has been helpful for you guys, as it has been on my bucket list for some time! Please provide some feedback as it is always appreciated and if you would like more details about the effect settings let me know.

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• Brothers: A Tale of Two Sons
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• BUILDER SIMULATOR
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• HOT WHEELS UNLEASHED ™
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• Konung 2
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• LEGION TD 2 - MULTIPLAYER TOWER DEFENSE.
• Leisure Suit Larry - Wet Dreams Don't Dry
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• MEEPLE STATION
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• Middle-earth: Shadow of Mordor GOTY
• Middle-earth: Shadow of Mordor GOTY
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• MIDNIGHT PROTOCOL
• Mighty Switch Force! Collection
• MIND SCANNERS
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• Monstrum
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• MORDHAU
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• MORTAL KOMBAT XL
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• Motorcycle Mechanic Simulator 2021
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• My Big Sister
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• N++ (NPLUSPLUS)
• Napoleon: Total War - Definitive Edition
• Narcos: Rise of the Cartels
• NARUTO TO BORUTO: SHINOBI STRIKER
• NECROMUNDA: HIRED GUN
• Necronator: Dead Wrong
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• Neon Space
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• Nostradamus: The Last Prophecy
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• Nurse Love Addiction
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• Nusakana
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• Observer: System Redux
• Occultus - Mediterranean Cabal
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• Oddworld: New 'n' Tasty
• One Finger Death Punch 2
• One Hand Clapping
• One More Island
• One Step From Eden
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• Orbital Racer
• OTXO
• Out of Reach: Treasure Royale
• Out of Space
• Overclocked: A History of Violence
• Overlord: Ultimate Evil Collection
• Overpass
• Overruled
• OZYMANDIAS: BRONZE AGE EMPIRE SIM
• Pac-Man Museum +
• Pan'Orama
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• PARADISE LOST
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• PARTISANS 1941
• Passpartout 2: The Lost Artist
• Pathfinder: Wrath of the Righteous
• Patron
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• PAYDAY 2
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• PER ASPERA
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• Poker Pretty Girls Battle: Texas Hold'em
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• Prey
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• Princess Kaguya: Legend of the Moon Warrior
• Pro Cycling Manager 2020
• Prodeus
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• PROJECT WINTER
• Propnight
• PULSAR: The Lost Colony
• qomp
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• RAGE
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• RAILROAD CORPORATION
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• Re: Legend
• REBEL COPS
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• Regular Human Basketball
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• REMNANT: FROM THE ASHES - COMPLETE EDITION
• Republique
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• Resident Evil 0 HD REMASTER
• Resident Evil 4
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• RETROWAVE
• rFactor 2
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• River City Girls
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• ROGUE HEROES: RUINS OF TASOS
• ROGUE LORDS
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• rollercoaster tycoon 2
• ROTASTIC
• Roundguard
• ROUNDS
• RUNNING WITH RIFLES
• Rustler
• Ryse: Son of Rome
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• Sailing Era
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• SAMUDRA
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• Saturday Morning RPG
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• SCP: 5K
• SCUM
• SEARCH PARTY: Director's Cut
• Second Extinction
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• Serious Sam 3 Bonus Content DLC, Serious Sam 3: Jewel of the Nile, and Serious Sam 3: BFE
• SEUM speedrunners from hell
• SEUM: Speedrunners from Hell
• Severed Steel
• Shadow Tactics: Aiko's Choice
• Shadowgate
• SHADOWS: AWAKENING
• Shape of the World
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• Shenmue I & II
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• Shoppe Keep 2 - Business and Agriculture RPG Simulation
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• Sifu Deluxe Edition Upgrade Bundle (EPIC)
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• SINNER: Sacrifice for Redemption
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• Smoke and Sacrifice
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• Songs of Conquest
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• Spartan Fist
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• STRANGER
• Strategic Command: World War I
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• Strategy & Tactics: Wargame Collection
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• SuchArt
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• Synthwave Dream '85
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• TEKKEN 7
• TEMTEM
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• The Amazing American Circus
• The Anacrusis
• The Ascent
• The Battle of Polytopia
• The Battle of Polytopia *DLC1. Cymanti Tribe *DLC2. ∑∫ỹriȱŋ Tribe *DLC3. Aquarion Tribe *DLC4. Polaris Tribe
• The Blackout Club
• The Chess Variants Club
• The Citadel
• The Dark Pictures Anthology: House of Ashes
• THE DARK PICTURES ANTHOLOGY: LITTLE HOPE
• The Darkest Tales
• The Dungeon Beneath
• The Dungeon of Naheulbeuk: The Amulet of Chaos
• The Elder Scrolls Adventures: Redguard
• The Elder Scrolls III: Morrowind® Game of the Year Edition
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• The Elder Scrolls Online
• The Escapists 2
• THE GAME OF LIFE 2
• The Golf Club™ 2019 featuring PGA TOUR
• THE GUNK
• The Haunted Island, a Frog Detective Game
• The Hong Kong Massacre
• The Horror Of Salazar House
• The Indie Mixtape
• The Innsmouth Case
• The Invisible Hours
• The Jackbox Party Pack 9
• The Last Campfire
• The LEGO Movie 2 Videogame
• The Letter - Horror Visual Novel
• The Long Dark
• The Manhole: Masterpiece Edition
• The Mortuary Assistant
• The Mummy Demastered
• The Outer Worlds
• THE OUTER WORLDS: SPACER'S CHOICE EDITION
• THE PALE BEYOND
• The Quarry
• The Quarry deluxe
• The Ramp
• The Red Lantern
• The Rewinder
• The Sacred Tears TRUE
• The Sexy Brutale
• The Smurfs - Mission Vileaf
• The Tarnishing of Juxtia
• The Tenants
• The Uncertain - The Last Quiet Day
• THE UNCERTAIN: LAST QUIET DAY
• The Uncertain: Light At The End
• The USB Stick Found in the Grass
• The Walking Dead
• The Walking Dead - 400 Days
• The Walking Dead Saints and Sinners
• The Walking Dead: A New Frontier
• The Walking Dead: Final Season
• The Walking Dead: Michonne - A Telltale Miniseries
• The Walking Dead: Saints & Sinners
• The Walking Dead: Season 1
• The Walking Dead: Season Two
• The Way
• The Wild At Heart
• The Wild Eight
• The Witness
• Them and Us
• They Bleed Pixels
• Thief of Thieves
• This War of Mine
• This Way Madness Lies
• Three Kingdom: The Journey
• Time on Frog Island
• Tinkertown
• Tiny Tina’s Wonderland(EU)
• TINY TINA'S WONDERLANDS CHAOTIC GREAT EDITION
• Tiny Troopers
• Tinykin
• Tinytopia
• TIS-100
• Titan Quest
• Tokyo Xanadu eX+
• Tools up
• Tooth and Tail
• Torchlight
• Total Tank Simulator
• Tour de France 2020
• Tower Unite
• Trailblazers
• Train Sim World 3: Standard Edition
• Train Simulator Classic
• Train Valley 1
• Transport INC
• Treasure Hunter Simulator
• TRIBES OF MIDGARD
• Trine 4
• Trinity Fusion
• Trombone Champ
• Tropico 5 - Complete Collection
• Trover Saves the Universe
• Tunche
• Turmoil
• Turok 2: Seeds of Evil
• Twin Mirror
• Two Point Campus
• Two Point Hospital
• TYPECAST
• Tyrant's Blessing
• Ultimate Chicken Horse
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• Ultra Space Battle Brawl
• Unavowed
• Undead Horde
• Unexplored 2: The Wayfarer's Legacy
• Unity of Command: Stalingrad Campaign
• Universim
• UNLOVED
• Unpacking
• Until I have you
• Unto The End
• Upside Down
• URU: Complete Chronicles
• Vagante
• Valfaris
• Valfaris: Mecha Therion
• Valkryia Chronicles 4 Complete Edition
• Valkyria Chronicles 4 Complete Edition
• Valkyria Chronicles 4: Complete Edition
• Vambrace: Cold Soul
• Vampire Survivors
• Vectronom
• Velocity Noodle
• Venba
• Verne: The Shape of Fantasy
• Victoria 3
• Victoria II
• Viking: Battle For Asgard
• Virgo Versus The Zodiac
• VirtuaVerse
• Visage
• Viscerafest
• Void Bastards
• VOIDIGO
• Volcanoids
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• V-Rally 4
• Wanderlust: Travel Stories (GOG)
• Wargroove
• Warhammer 40,000 Sanctus Reach - Complete Edition
• Warhammer 40,000: Armageddon - Imperium Complete
• Warhammer 40,000: Battlesector
• Warhammer 40,000: Gladius - Relics of War
• Warhammer 40,000: Mechanicus
• Warhammer 40,000: Space Wolf Special Edition
• WARHAMMER AGE OF SIGMAR: REALMS OF RUIN – ULTIMATE EDITION
• Warhammer vermintide collector's edition
• Warhammer: End Times - Vermintide
• Warhammer: Vermintide 2
• Warman
• Wasteland 3
• Wayward
• WE NEED TO GO DEEPER
• We should talk.
• We Were Here Together
• We Were Here Too
• Webbed
• What Lies in the Multiverse
• When Ski Lifts Go Wrong
• while True: learn()
• Whos Your daddy
• Wick
• Will You Snail?
• Windward
• Witch It
• Witchy Life Story
• wizard of legends
• Wolfenstein 3D
• Worms Rumble
• WRC 6 FIA World Rally Championship
• WRC 7 FIA World Rally Championship
• WWE 2K Battlegrounds
• WWE 2K23
• WWZ Aftermath
• Wytchwood
• X-COM: COMPLETE PACK
• XCOM: ULTIMATE COLLECTION
• XIII - Classic
• X-Morph: Defense + European Assault, Survival of the Fittest, and Last Bastion DLC
• X-Morph: Defense Complete Pack
• Yakuza Kiwami
• Yumeutsutsu Re:After
• Yumeutsutsu Re:Master
• Zen Chess: Mate in One, Mate in 2 , Mate in 3 , Mate in 4 , Champion's Moves (5 games)
• Ziggurat
• Zombie Army 4
• Zombie Army Trilogy
• Zool Redimensioned

DLCs and Softwares:

• For The King: Lost Civilization Adventure Pack
• Train Simulator: Isle of Wight Route Add-On
• Train Simulator: Woodhead Electric Railway in Blue Route Add-On
• Train Simulator: North Somerset Railway Route Add-On
• Train Simulator: Union Pacific Heritage SD70ACes Loco Add-On
• Train Simulator: London to Brighton Route Add-On
• BR Class 170 'Turbostar' DMU Add-On
• DB BR 648 Loco Add-On
• Europa Universalis IV: Wealth of Nations
• Expansion - Europa Universalis IV: Conquest of Paradise
• Expansion - Europa Universalis IV: Res Publica
• Grand Central Class 180 'Adelante' DMU Add-On
• Peninsula Corridor: San Francisco - Gilroy Route Add-On
• SONIC ADVENTURE 2: BATTLE
• Small World - A Spider's Web
• Small World - Cursed
• Small World - Royal Bonus
• The Dungeon Of Naheulbeuk: The Amulet Of Chaos - Goodies Pack
• The Dungeon Of Naheulbeuk: The Amulet Of Chaos - OST
• Thompson Class B1 Loco Add-On
• Total War: Shogun 2 - Rise of the Samurai
• Train Sim World® 3: Birmingham Cross-city line
• Train Sim World®: BR Class 20 'Chopper' Loco
• Train Sim World®: Brighton Main Line: London Victoria - Brighton
• Train Sim World®: Caltrain MP36PH-3C 'Baby Bullet'
• Train Sim World®: Cathcart Circle Line: Glasgow - Newton & Neilston
• Train Sim World®: Clinchfield Railroad: Elkhorn - Dante
• Train Sim World®: Great Western Express
• Train Sim World®: Hauptstrecke Hamburg - Lubeck
• Train Sim World®: LIRR M3 EMU
• Train Sim World®: Long Island Rail Road: New York - Hicksville
• Train Sim World®: Nahverkehr Dresden - Riesa
• Train Sim World®: Northern Trans-Pennine: Manchester - Leeds
• Train Sim World®: Peninsula Corridor: San Francisco - San Jose
• Train Sim World®: Rhein-Ruhr Osten: Wuppertal - Hagen
• Train Sim World®: Tees Valley Line: Darlington - Saltburn-by-the-sea
• Worms Rumble - Armageddon Weapon Skin Pack
• Worms Rumble - Captain & Shark Double Pack
• Worms Rumble - Legends Pack
• Worms Rumble - New Challengers Pack
• Ashampoo Photo Optimizer 7
• Dagon: by H. P. Lovecraft - The Eldritch Box DLC
• Duke Nukem Forever Hail to the Icons
• Duke Nukem Forever The Doctor Who Cloned Me
• GRIP: Combat Racing - Cygon Garage Kit
• GRIP: Combat Racing - Nyvoss Garage Kit
• GRIP: Combat Racing - Terra Garage Kit
• GRIP: Combat Racing - Vintek Garage Kit
• GameGuru
• GameMaker Studio 2 Creator 12 Months
• Intro to Game Development with Unity
• Music Maker EDM Edition
• Neverwinter Nights: Darkness Over Daggerford
• Neverwinter Nights: Enhanced Edition Dark Dreams of Furiae
• Neverwinter Nights: Enhanced Edition Tyrants of the Moonsea
• Neverwinter Nights: Enhanced Edition
• Neverwinter Nights: Infinite Dungeons
• Neverwinter Nights: Pirates of the Sword Coast
• Neverwinter Nights: Wyvern Crown of Cormyr
• PDF-Suite 1 Year License
• Pathfinder Second Edition Core Rulebook and Starfinder Core Rulebook
• RPG Maker VX
• WWE 2K BATTLEGROUNDS - Ultimate Brawlers Pass
• We Are Alright
• The Outer Worlds Expansion Pass
• A Hat in Time - Seal the Deal DLC
• City Skylines:mass transit
• A Game Of Thrones - A Dance With Dragons
• A Game Of Thrones - A Feast For Crows
• Blood Rage: Digital Edition - Gods of Asgard
• Blood Rage: Digital Edition - Mythical Monsters
• Blood Rage: Digital Edition - Mystics of Midgard
• Carcassonne - The Princess and The Dragon DLC
• Carcassonne - Traders & Builders DLC
• Carcassonne - Winter & Gingerbread Man DLC
• Carcassonne - Inns & Cathedrals
• Carcassonne - The River
• Splendor: The Trading Posts DLC
• Splendor: The Strongholds DLC
• Splendor: The Cities DLC
• Small World - Be Not Afraid... DLC
• Small World - Grand Dames DLC
• Small World - Cursed!
• Sands of Salzaar - The Ember Saga
• Sands of Salzaar - The Tournament
• Monster Train: The Last Divinity DLC
• WARSAW

https://www.reddit.com/IGSRep/comments/pikmri/calvin324hks_igs_rep_page/
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Wishlist
Region: NA (Canada)
Fees on buyer if any, currency is USD unless specified
CTRL + F to find your games in terms of name

• 10 Second Ninja X
• 11-11 Memories Retold
• 112 Operator
• 12 is Better Than 6
• 198X
• 1993 Space Machine
• 60 Parsecs
• 7 Billion Humans
• 8 DOORS
• 8-bit Adventure Anthology: Volume I
• 9 Years of Shadows
• 911 Operator
• A Game of Thrones: The Board Game
• A Hat in Time
• A Hole New World
• A JUGGLER'S TALE
• A Long Way Down
• A PLAGUE TALE: INNOCENCE
• A Robot Named Fight!
• A Tale for Anna
• A.I.M.2 Clan Wars
• Ace Combat Assault Horizon Enhanced Edition
• Adore
• Aeterna Noctis
• AETHERIS
• Agatha Christie Hercule Poirot The First Cases
• AIdol
• Airborne Kingdom
• Alba: A Wildlife Adventure
• Alder's Blood: Definitive Edition
• Alfred Hitchcock - Vertigo
• Alien Breed Trilogy
• Aliens vs. Predator™ Collection
• All-Star Fruit Racing
• Almost There: The Platformer
• American Fugitive
• American Truck Simulator
• Amerzone: The Explorer’s Legacy
• AMID EVIL
• Amnesia rebirth
• Amnesia: The Dark Descent + Amnesia: A Machine for Pigs
• Anomalous
• Another World – 20th Anniversary Edition
• Antigraviator
• Anuchard
• APICO
• APICO
• Aragami
• Aragami 2
• Arboria
• Arcade Paradise
• Arcade Paradise - Arcade Paradise EP
• Arcade Spirits
• Arkham Horror: Mother's Embrace
• Armada 2526 Gold Edition
• Army Men RTS
• army of ruin
• Arto
• Ary and the Secret of Seasons
• As Far as the Eye
• Ascension to the Throne
• Assemble With Care
• Assetto Corsa Competizione
• Assetto Corsa Ultimate Edition
• Astebreed Definitive Edition
• Astronarch
• Attack of the Earthlings
• Automachef
• Automobilista
• Automobilista 2
• AUTONAUTS
• AUTONAUTS VS PIRATEBOTS
• Avatar: Frontiers of Pandora™ - Ubisoft Connect
• AVICII Invector: Encore Edition
• Awesomenauts All Nauts pack
• Baba is you
• Back 4 Blood
• Back 4 blood (EU)
• Backbone
• Baldur's Gate II: Enhanced Edition
• Baldur's Gate: Enhanced Edition
• Banners of Ruin
• Bartlow's Dread Machine
• BASEMENT
• Batbarian: Testament of the Primordials
• Batman: Arkham Asylum Game of the Year Edition
• Batman: Arkham Origins
• Battle Royale Tycoon
• Battlecruisers
• Battlestar Galactica Deadlock
• BATTLESTAR GALACTICA DEADLOCK SEASON ONE
• Battlestar Galactica Deadlock: Complete
• BATTLETECH MERCENARY COLLECTION
• BATTLETECH Shadow Hawk Pack
• BEAUTIFUL DESOLATION
• BEFORE WE LEAVE
• Beholder 2
• Ben 10
• Ben 10: Power Trip
• Bendy and the Ink Machine™
• Between the Stars
• Beyond a Steel Sky
• Beyond The Edge Of Owlsgard
• Beyond the Long Night
• BEYOND THE WIRE
• Beyond: Two Souls
• BIOMUTANT
• Bionic Commando
• Bionic Commando Rearmed
• BioShock: The Collection
• BLACK BOOK
• Black Moon Chronicles
• Black Paradox
• BLACK SKYLANDS
• BLACKHOLE: Complete Edition
• Blacksad: Under the Skin
• Blade of Darkness
• Blasphemous
• Blazing Chrome
• Blightbound
• Blood And Zombies
• Blood Rage: Digital Edition
• Bloodstained: Ritual of the Night
• Bomber Crew
• Boneless Zombie
• Boomerang Fu
• Borderlands 3
• Borderlands 3 Super Deluxe
• Borderlands 3 Super Deluxe Edition
• Borderlands: The Handsome Collection
• Bot Vice
• Bounty of One
• Brawlout
• Breakout: Recharged
• Breathedge
• bridge constructor
• Bridge constructor medieval
• bridge constructor stunts
• Broken Lines
• Brothers: A Tale of Two Sons
• Brutal Legend
• Bug Fables: The Everlasting Sapling
• BUILDER SIMULATOR
• calico
• Call of Duty® Modern Warfare 3™ (2011)
• Call of Juarez: Gunslinger
• Car Mechanic 2018
• Car Mechanic Simulator 2015
• Car Mechanic Simulator 2018
• Castle Morihisa
• Castle on the Coast
• castle storm
• CastleStorm
• Cat Cafe Manager
• Caveblazers
• Celeste
• Centipede: Recharged
• CHANGE: A Homeless Survival Experience
• Charlie's Adventure
• Chenso Club
• Chernobylite: Enhanced Edition
• Chess Ultra
• Chicago 1930 : The Prohibition
• Chivalry 2
• Chop Goblins
• Chorus
• Cities Skylines + After Dark
• Cities: Skylines
• City of Beats
• CivCity: Rome
• Click and Slay
• Cloud Gardens
• Cloudpunk
• Code Vein
• Coffee Talk
• Comedy Night
• Command & Conquer Remastered (Origin)
• Complete Dread X Collection
• Conarium
• Construction Simulator (2015) Deluxe Edition
• Constructor Plus
• Control
• Cook, Serve, Delicious! 3?!
• cornucopia
• Corridor Z
• Cosmic Osmo and the Worlds Beyond the Mackerel
• Cosmonautica
• Crash Drive 2
• Crash Drive 3
• Creaks
• Creepy Tale
• Crookz the big heist
• CROSSBOW: Bloodnight
• Crush Your Enemies
• Cube Runner
• Cultist Simulator: Anthology Edition
• Curse: The Eye of Isis
• Cyber Ops
• Cybercube
• Danger Scavenger
• Dark Deity
• DARK PICTURES ANTHOLOGY: HOUSE OF ASHES
• Darksiders Warmastered
• Darkwood
• DARQ: Complete Edition
• Day of the Tentacle Remastered
• days of war definitive edition
• Dead by Daylight
• Dead Estate
• Dead Rising 2
• Dear Esther: Landmark Edition
• Death Stranding Directors Cut
• DEATH STRANDING DIRECTOR'S CUT
• Deceased
• DECEIVE INC.
• Degrees of Separation
• Delicious! Pretty Girls Mahjong Solitaire
• Deliver Us The Moon
• Demetrios - Deluxe Edition
• Depraved
• DESCENDERS
• DESOLATE
• Destiny 2: Beyond Light
• DESTROYER: THE U-BOAT HUNTER
• Detention
• Devil May Cry HD Collection
• Devilated
• Dicey Dungeons
• Dirt 5
• dirt rally
• Dirt Rally 2.0
• Disaster Band
• Disciples III: Reincarnation
• Discolored
• DISTRAINT 2
• Distrust
• DmC: Devil May Cry
• Do Not Feed the Monkeys
• Don't Be Afraid
• Doomed Lands
• Door Kickers: Action Squad
• Doorways: Prelude
• Downfall
• Dragons Dogma Dark Arisen
• Dragon's Dogma: Dark Arisen
• Draugen
• Draw Slasher
• Drawful 2
• Dreams in the Witch House
• Dreamscaper
• DreamWorks Dragons: Dawn of New Riders
• DRIFT21
• Driftland: The Magic Revival
• drive!drive!drive!
• Drone Swarm
• Due Process
• Duke Nukem: Manhattan Project
• Duke of Alpha Centauri
• Dungeon Rushers
• Dungeons 2
• Dungeons 3
• DUSK
• Dusk Diver
• Dust to the End
• DV: Rings of Saturn
• Dynopunk
• Earth Defense Force 4.1 The Shadow of New Despair
• Eastern Exorcist
• Eiyuden Chronicle: Rising
• El Matador
• Elderand
• ELDEST SOULS
• Electrician Simulator
• Elemental Survivors
• Elex
• Elex II
• Elite Dangerous
• Embr
• Empire: Total War - Definitive Edition
• Empyrion - Galactic Survival
• ENCASED: A SCI-FI POST-APOCALYPTIC RPG
• Endless Space 2
• Endless Space 2 - Digital Deluxe Edition
• Endless Space® 2 - Digital Deluxe Edition
• Endzone - A World Apart
• EPIC CHEF
• Epistory - Typing Chronicles
• Escape the backrooms
• Eternal Threads
• Europa Universalis IV
• European Ship Simulator
• Everdream Valley
• Evil Genius 2: World Domination
• Exorder
• EXPEDITIONS: ROME
• Expeditions: Viking
• Explosionade
• F1 2018
• F1 2019 Anniversary Edition
• F1 2020
• F1 RACE STARS Complete Edition Include DLC
• Fable Anniversary
• Factory Town
• Fallback uprising
• Fallback: Uprising
• FALLOUT 1
• Family Mysteries 3: Criminal Mindset
• FANTASY BLACKSMITH
• FARMER'S DYNASTY
• Farming Simulator 17
• Farming Simulator 19
• Fictorum
• Field of Glory II
• Fights in Tight Spaces
• Filthy Animals Heist Simulator
• Firefighting Simulator - The Squad
• Fishing Adventure
• Flashback
• FLATLAND Vol.2
• FlatOut
• FLING TO THE FINISH
• Floppy Knights
• Fluffy Horde
• FOBIA - ST. DINFNA HOTEL
• For the King
• Forgive me Father
• Forts
• Fred3ric
• Fresh Start Cleaning Simulator
• Friends vs Friends
• Frogun
• From Space
• Frostpunk: Game of the Year Edition
• Frozenheim
• Fun with Ragdolls: The Game
• Funtasia
• Gamedec
• Gamedec - Definitive Edition
• Gang Beasts
• GARAGE bad trip
• Garden Story
• Garfield Kart
• GAS STATION SIMULATOR
• Gelly Break Deluxe
• Genesis Alpha One Deluxe Edition
• Gevaudan
• Ghostrunner
• Giana Sisters 2D
• GIGA WRECKER
• Gigantosaurus: Dino Kart
• Glitch Busters: Stuck On You
• Gloria Victis
• Go Home Dinosaurs
• GOAT OF DUTY
• GOD EATER 3
• Godlike Burger
• Godstrike
• Going Under
• Golf Gang
• Golf It!
• Gone Home + Original Soundtrack
• Good Knight
• Gotham Knights
• GREAK: MEMORIES OF AZUR
• GREEDFALL
• Gremlins, inc
• grey goo
• GRID - 2019
• grid ultimate
• GRIP: Combat Racing
• Gungrave G.O.R.E
• Guppy
• Guts and glory
• GYLT
• Hacknet
• Haegemonia: Legions of Iron
• Hamilton's Great Adventure
• Hammerwatch
• Hands of Necromancy
• Havsala: Into the Soul Palace
• Headsnatchers
• Heartwood Heroes
• Heat Signature
• Helheim Hassle
• Hell Let Loose
• Hellblade: Senua's Sacrifice
• Hellbound
• Hellstuck: Rage With Your Friends
• Hero of the Kingdom III
• Hero of the Kingdom: The Lost Tales 2
• Heroes of Hammerwatch
• Heros hour
• Hexologic
• Hidden & Dangerous 2: Courage Under Fire
• Hidden & Dangerous: Action Pack
• Hidden Deep
• High On Life
• Hitman (2016) Game of the Year Edition
• HITMAN 2 - Gold Edition
• Hoa
• Hob
• Hollow Knight
• Holy Potatoes! A Spy Story?!
• Home Sweet Home
• Home Sweet Home EP2
• Homestead Arcana
• Hood: Outlaws & Legends
• Hoplegs
• Hot Tin Roof: The Cat That Wore A Fedora
• HOT WHEELS UNLEASHED ™
• Hotshot Racing
• House Flipper
• How to Survive 2
• Hue
• Human: Fall Flat
• HUMANKIND DEFINITIVE EDITION
• Hungry Flame
• Hyper Knights
• I am Bread
• I Am Fish
• I am not a Monster: First Contact
• I Hate Running Backwards
• ibb & obb Double Pack
• ICBM
• Ice Age Scrat's Nutty Adventure
• Ice Lakes
• Impostor Factory
• IN SOUND MIND
• Indivisible
• INDUSTRIA
• Infectonator 3: Apocalypse
• Infinite Beyond The Mind
• Injustice 2 Legendary Edition
• Insane 2
• INSOMNIA: The Ark
• Internet Cafe Simulator
• Internet Cafe Simulator 2
• Interstellar Space: Genesis
• Iron Fisticle
• Iron Harvest
• Ittle Dew
• Ittle Dew 2+
• Jack Move
• Jackbox party pack 2
• Jackbox party pack 5
• JANITOR BLEEDS
• Joint Task Force
• Jotun: Valhalla Edition
• Journey For Elysium
• Journey to the Savage Planet
• JUMANJI: The Video Game
• JumpJet Rex
• Juno: New Origins
• Jupiter Hell
• Jurassic Park: The Game
• Jurassic World Evolution
• Jurassic World Evolution 2
• JUST CAUSE 4: COMPLETE EDITION
• Just Die Already
• Kardboard Kings: Card Shop Simulator
• Keep Talking and Nobody Explodes
• Ken Follett's The Pillars of the Earth
• Kentucky Route Zero - Season Pass Edition
• Kerbal Space Program
• Killing Floor 2 Digital Deluxe Edition
• Killing Room
• Kingdom Two Crowns
• Kingdom: New Lands
• King's Bounty: Crossworlds
• Knights of Pen & Paper 2
• Knock-knock
• Koi-Koi Japan [Hanafuda playing cards] *Koi-Koi Japan : UKIYOE tours Vol.1 DLC *Koi-Koi Japan : UKIYOE tours Vol.2 DLC *Koi-Koi Japan : UKIYOE tours Vol.3 DLC
• Konung 2
• KungFu Kickball
• Labyrinthine
• Lair of the Clockwork God
• Laserlife
• LAST OASIS
• Lawn Mowing Simulator
• Layers of Fear: Masterpiece Edition
• Lead and Gold: Gangs of the Wild West
• Learn Japanese To Survive! Hiragana Battle
• Learn Japanese To Survive! Katakana War
• Learn Japanese to Survive! Trilogy
• Legend of Keepers
• LEGION TD 2 - MULTIPLAYER TOWER DEFENSE
• LEGION TD 2 - MULTIPLAYER TOWER DEFENSE.
• Leisure Suit Larry - Wet Dreams Don't Dry
• Leisure Suit Larry 1-7
• Lemnis Gate
• Lemon Cake
• lethal league blaze
• Let's School
• Levelhead
• Liberated (GOG)
• Life is Strange Complete Season (Episodes 1-5)
• Light Fairytale Episode 1
• Light Fairytale Episode 2
• LIGHTMATTER
• Little dragons cafe
• Little Hope
• Little Inner Monsters - Card Game
• Little Nightmares
• Little Nightmares Complete Edition
• Livelock
• Loop Hero
• Loot River
• Looterkings
• Lornsword Winter Chronicle
• Lost Castle
• Love Letter
• Lovecraft's Untold Stories
• Lovely planet arcade
• Lucius2
• Lucius3
• Ludus
• Lumberhill
• LunarLux
• Lust for Darkness
• Lust from Beyond: M Edition
• Mad Experiments: Escape Room
• Mad Max
• Mafia Definitive Edition
• Mafia: Definitive Edition
• Magenta Horizon
• Mahjong Pretty Girls Battle
• Mahjong Pretty Girls Battle : School Girls Edition
• Mail Time
• Maize
• Maneater
• Marooners
• MARSUPILAMI - HOOBADVENTURE
• Marvel's Avengers - The Definitive Edition
• Mato Anomalies
• Max Payne 3
• Mechs & Mercs: Black Talons
• Medieval II: Total War - Definitive Edition
• Medieval: Total War Collection
• MEEPLE STATION
• Men of War
• MERCHANT OF THE SKIES
• METAL HELLSINGER
• Metal Hellsinger
• Metro Exodus
• Metro last light
• Metro: Last Light Redux
• Middle-earth: Shadow of Mordor GOTY
• Middle-earth: Shadow of Mordor GOTY
• Middle-Earth: Shadow of War Definitive Edition
• MIDNIGHT PROTOCOL
• Mighty Switch Force! Collection
• MIND SCANNERS
• Ministry of Broadcast
• Minute of Islands
• Miscreated
• Mists of Noyah
• MKXL
• Mob Rule Classic
• Monaco
• Monster Slayers - Complete Edition
• Monster Train
• MONSTER TRAIN (FIRST CLASS - COLLECTORS EDITION)
• Monstrum
• Monstrum 2
• Moon Hunters
• Moons of Madness
• MORDHAU
• Mordheim: City of the Damned
• Mortal Kombat 11 Ultimate Edition
• MORTAL KOMBAT XL
• Mortal Shell
• Motorcycle Mechanic Simulator 2021
• Mr. Run and Jump
• Murder Mystery Machine
• My Big Sister
• My Friend Peppa Pig
• My Lovely Wife
• My Summer Adventure: Memories of Another Life
• My Time At Portia
• N++ (NPLUSPLUS)
• Napoleon: Total War - Definitive Edition
• Narcos: Rise of the Cartels
• NARUTO TO BORUTO: SHINOBI STRIKER
• NECROMUNDA: HIRED GUN
• Necronator: Dead Wrong
• NecroVisioN: Lost Company
• NecroWorm
• Neighbours back From Hell
• Nelly Cootalot: Spoonbeaks Ahoy! HD
• Neon Space
• Neon Space 2
• Neon Sundown
• Nephise: Ascension
• Neurodeck : Psychological Deckbuilder
• Never Alone Arctic Collection (w/ Foxtales DLC and FREE Soundtrack)
• Neverinth
• Neverout
• Neverwinter Nights: Complete Adventures
• Newt One
• Nexomon: Extinction
• Nigate Tale
• Nine Parchments
• Nine Witches: Family Disruption
• No Straight Roads: Encore Edition
• No Time to Relax
• Nomad Survival
• Nongunz: Doppelganger Edition
• Noosphere
• Northgard
• Northmark: Hour of the Wolf
• Nostradamus: The Last Prophecy
• not the robots
• Nurse Love Addiction
• Nurse Love Syndrome
• Nusakana
• Obduction
• Obey Me
• Observer: System Redux
• Occultus - Mediterranean Cabal
• Odallus: The Dark Call
• Oddworld: New 'n' Tasty
• One Finger Death Punch 2
• One Hand Clapping
• One More Island
• One Step From Eden
• One Step From Eden (Region locked)
• Orbital Racer
• OTXO
• Out of Reach: Treasure Royale
• Out of Space
• Overclocked: A History of Violence
• Overlord: Ultimate Evil Collection
• Overpass
• Overruled
• OZYMANDIAS: BRONZE AGE EMPIRE SIM
• Pac-Man Museum +
• Pan'Orama
• Panty Party
• Panzer Corps 2
• Papo & Yo
• PARADISE LOST
• Parkan 2
• PARTISANS 1941
• Passpartout 2: The Lost Artist
• Pathfinder: Wrath of the Righteous
• Patron
• Paw Patrol: On A Roll!
• Paws of Coal
• Payday 2
• PAYDAY 2
• Peaky Blinders: Mastermind
• PER ASPERA
• Perfect
• PGA 2K21
• PGA Tour 2K21
• Pharaonic
• Pixplode
• Pizza Connection 3
• Plague tale
• Planescape: Torment Enhanced Edition
• Planet Alcatraz
• PLANET ZOO
• PlateUp!
• Pogostuck: Rage With Your Friends
• Poker Pretty Girls Battle: Texas Hold'em
• Police Stories
• Poly Island
• Post Void
• Power Rangers: Battle for the Grid
• Prank Call
• Prehistoric Kingdom
• Pretty Girls Mahjong Solitaire
• Pretty Girls Panic!
• Prey
• Primal Carnage: Extinction
• Princess Kaguya: Legend of the Moon Warrior
• Pro Cycling Manager 2020
• Prodeus
• Project CARS - GOTY Edition
• Project Warlock
• Project Wingman (EU)
• PROJECT WINTER
• Propnight
• PULSAR: The Lost Colony
• qomp
• Quadrilateral Cowboy
• Quake II
• Quantum Break
• Quern - Undying Thoughts
• Radio Commander
• RAGE
• Rage in Peace
• RAILROAD CORPORATION
• Railroad Tycoon 3
• Railroad Tycoon II Platinum
• Railway Empire
• Rain World
• Rayon Riddles - Rise of the Goblin King
• Re: Legend
• REBEL COPS
• Rebel Galaxy
• Rebel Galaxy Outlaw
• Red Faction Guerrilla Re-Mars-tered
• Red Riding Hood - Star Crossed Lovers
• Red Ronin
• RED SOLSTICE 2: SURVIVORS
• Redout Complete Bundle
• Redout: Enhanced Edition
• Redout: Enhanced Edition + DLC pack
• Regular Human Basketball
• REKT! High Octane Stunts
• Relicta
• REMNANT: FROM THE ASHES - COMPLETE EDITION
• Republique
• Rescue Party: Live!
• Resident Evil 0 HD REMASTER
• Resident Evil 4
• Resident Evil 5 Gold Edition
• Resident Evil 7 Biohazard
• Resident Evil Revelations
• Resort Boss: Golf
• RETROWAVE
• rFactor 2
• RiME
• Ring of Pain
• Rise of Industry + 2130 DLC
• Rise of the Slime
• Rising Storm 2: Vietnam + 2 DLCs
• Riven: The Sequel to MYST
• River City Girls
• River City Ransom: Underground
• Roarr! Jurassic Edition
• Roboquest
• Robot Squad Simulator 2017
• Rogue : Genesia
• ROGUE HEROES: RUINS OF TASOS
• ROGUE LORDS
• Rogue Stormers
• rollercoaster tycoon 2
• ROTASTIC
• Roundguard
• ROUNDS
• RUNNING WITH RIFLES
• Rustler
• Ryse: Son of Rome
• S.W.I.N.E. HD Remaster
• Sailing Era
• Saint Row
• Sam and Max Devil's Playhouse
• SAMUDRA
• Sands of Aura
• Sands of Salzaar
• Saturday Morning RPG
• Save Room - Organization Puzzle
• Scarlet Tower
• Scorn
• SCP: 5K
• SCUM
• SEARCH PARTY: Director's Cut
• Second Extinction
• Secret Government
• Serious Sam 3 Bonus Content DLC, Serious Sam 3: Jewel of the Nile, and Serious Sam 3: BFE
• SEUM speedrunners from hell
• SEUM: Speedrunners from Hell
• Severed Steel
• Shadow Tactics: Aiko's Choice
• Shadowgate
• SHADOWS: AWAKENING
• Shape of the World
• She Sees Red - Interactive Movie
• Shenmue I & II
• SHENZHEN I/O
• Shift Happens
• Shing!
• Shoppe Keep 2 - Business and Agriculture RPG Simulation
• Shotgun King: The Final Checkmate
• Sid Meier's Civilization VI
• Sid Meier's Railroads!
• Sifu Deluxe Edition Upgrade Bundle (EPIC)
• Silver Chains
• SimCity 4 Deluxe Edition
• Sinking Island
• SINNER: Sacrifice for Redemption
• Skautfold Chapters 1-4
• Skullgirls 2nd Encore
• Slain: Back from Hell
• Slap City
• Slash It
• Slash It 2
• Slash It Ultimate
• Slay the Spire
• Slaycation Paradise
• Small World
• Smart Factory Tycoon
• Smile For Me
• Smoke and Sacrifice
• Smoke and Sacrifice
• Smushi Come Home
• Snail bob 2 tiny troubles
• Sniper Elite 3
• Sniper Elite 3 + Season Pass DLC
• Sniper Elite 4 Deluxe Edition
• Sniper Ghost Warrior 3 - Season Pass Edition
• Sniper Ghost Warrior Contracts
• Snooker 19
• SONG OF HORROR COMPLETE EDITION
• Songs of Conquest
• Sonic Adventure 2
• Sonic Adventure DX
• Sonic and SEGA All Stars Racing
• Sonic Generations Collection
• Soulblight
• Souldiers
• SOULSTICE
• Soundfall
• Source of Madness
• Spartan Fist
• Spec Ops
• Speed Limit
• Spelunx and the Caves of Mr. Seudo
• Spidersaurs
• Spin Rush
• Spirit Hunter: Death Mark
• Spirit of the Island
• Spirit of the North
• Spring Bonus
• Stairs
• STAR WARS - Knights of the Old Republic
• STAR WARS - The Force Unleashed Ultimate Sith Edition
• STAR WARS Jedi Knight II - Jedi Outcast
• Star Wolves
• Starsand
• STASIS: Bone Totem
• State of Decay 2: Juggernaut Edition
• Steel Rats™
• Stick Fight: The Game
• Still Life
• Still Life 2
• Stirring Abyss
• STONE
• Strange Brigade
• Strange Brigade Deluxe Edition
• STRANGER
• Strategic Command: World War I
• Strategic Mind: Blitzkrieg
• Strategic Mind: Fight for Freedom
• Strategic Mind: Spectre of Communism
• Strategic Mind: Spirit of Liberty
• Strategy & Tactics: Wargame Collection
• Streamer Life Simulator
• Street Fighter V
• Street of fury ex
• Strider
• Strikey Sisters
• Stygian: Reign of the Old Ones
• Styx: Master of Shadows
• Styx: Shards of Darkness
• SuchArt
• Sudden Strike Gold
• Suite 776
• Sumoman
• Sunblaze
• SUNLESS BUNDLE
• Sunset Overdrive
• Super Buff HD
• Super Mag Bot
• Superbugs: Awaken
• Superhot
• Surgeon Simulator 2
• Survive the Nights
• Surviving Mars
• Surviving The Aftermath
• Swag and Sorcery
• Sword Legacy Omen
• Sword of the Necromancer
• Swords and Soldiers 2 Shawarmageddon
• Syberia 3
• Symphonic Rain
• Symphony of War: The Nephilim Saga
• Synthwave Dream '85
• Tacoma
• Take Off - The Flight Simulator
• Tales
• Tales from the Borderlands
• Tales of Vesperia™: Definitive Edition
• Talk to Strangers
• Tallowmere
• Tangledeep
• Tank Mechanic Simulator
• Tannenberg
• Team Sonic Racing
• TEKKEN 7
• TEMTEM
• Terminus: Zombie Survivors
• Terror of Hemasaurus
• Textorcist
• Tharsis
• The Adventure Pals
• The Amazing American Circus
• The Anacrusis
• The Ascent
• The Battle of Polytopia
• The Battle of Polytopia *DLC1. Cymanti Tribe *DLC2. ∑∫ỹriȱŋ Tribe *DLC3. Aquarion Tribe *DLC4. Polaris Tribe
• The Blackout Club
• The Chess Variants Club
• The Citadel
• The Dark Pictures Anthology: House of Ashes
• THE DARK PICTURES ANTHOLOGY: LITTLE HOPE
• The Darkest Tales
• The Dungeon Beneath
• The Dungeon of Naheulbeuk: The Amulet of Chaos
• The Elder Scrolls Adventures: Redguard
• The Elder Scrolls III: Morrowind® Game of the Year Edition
• The Elder Scrolls IV: Oblivion® Game of the Year Edition
• The Elder Scrolls Online
• The Escapists 2
• THE GAME OF LIFE 2
• The Golf Club™ 2019 featuring PGA TOUR
• THE GUNK
• The Haunted Island, a Frog Detective Game
• The Hong Kong Massacre
• The Horror Of Salazar House
• The Indie Mixtape
• The Innsmouth Case
• The Invisible Hours
• The Jackbox Party Pack 9
• The Last Campfire
• The LEGO Movie 2 Videogame
• The Letter - Horror Visual Novel
• The Long Dark
• The Manhole: Masterpiece Edition
• The Mortuary Assistant
• The Mummy Demastered
• The Outer Worlds
• THE OUTER WORLDS: SPACER'S CHOICE EDITION
• THE PALE BEYOND
• The Quarry
• The Quarry deluxe
• The Ramp
• The Red Lantern
• The Rewinder
• The Sacred Tears TRUE
• The Sexy Brutale
• The Smurfs - Mission Vileaf
• The Tarnishing of Juxtia
• The Tenants
• The Uncertain - The Last Quiet Day
• THE UNCERTAIN: LAST QUIET DAY
• The Uncertain: Light At The End
• The USB Stick Found in the Grass
• The Walking Dead
• The Walking Dead - 400 Days
• The Walking Dead Saints and Sinners
• The Walking Dead: A New Frontier
• The Walking Dead: Final Season
• The Walking Dead: Michonne - A Telltale Miniseries
• The Walking Dead: Saints & Sinners
• The Walking Dead: Season 1
• The Walking Dead: Season Two
• The Way
• The Wild At Heart
• The Wild Eight
• The Witness
• Them and Us
• They Bleed Pixels
• Thief of Thieves
• This War of Mine
• This Way Madness Lies
• Three Kingdom: The Journey
• Time on Frog Island
• Tinkertown
• Tiny Tina’s Wonderland(EU)
• TINY TINA'S WONDERLANDS CHAOTIC GREAT EDITION
• Tiny Troopers
• Tinykin
• Tinytopia
• TIS-100
• Titan Quest
• Tokyo Xanadu eX+
• Tools up
• Tooth and Tail
• Torchlight
• Total Tank Simulator
• Tour de France 2020
• Tower Unite
• Trailblazers
• Train Sim World 3: Standard Edition
• Train Simulator Classic
• Train Valley 1
• Transport INC
• Treasure Hunter Simulator
• TRIBES OF MIDGARD
• Trine 4
• Trinity Fusion
• Trombone Champ
• Tropico 5 - Complete Collection
• Trover Saves the Universe
• Tunche
• Turmoil
• Turok 2: Seeds of Evil
• Twin Mirror
• Two Point Campus
• Two Point Hospital
• TYPECAST
• Tyrant's Blessing
• Ultimate Chicken Horse
• Ultimate Zombie Defense
• Ultra Space Battle Brawl
• Unavowed
• Undead Horde
• Unexplored 2: The Wayfarer's Legacy
• Unity of Command: Stalingrad Campaign
• Universim
• UNLOVED
• Unpacking
• Until I have you
• Unto The End
• Upside Down
• URU: Complete Chronicles
• Vagante
• Valfaris
• Valfaris: Mecha Therion
• Valkryia Chronicles 4 Complete Edition
• Valkyria Chronicles 4 Complete Edition
• Valkyria Chronicles 4: Complete Edition
• Vambrace: Cold Soul
• Vampire Survivors
• Vectronom
• Velocity Noodle
• Venba
• Verne: The Shape of Fantasy
• Victoria 3
• Victoria II
• Viking: Battle For Asgard
• Virgo Versus The Zodiac
• VirtuaVerse
• Visage
• Viscerafest
• Void Bastards
• VOIDIGO
• Volcanoids
• Voltage High Society
• V-Rally 4
• Wanderlust: Travel Stories (GOG)
• Wargroove
• Warhammer 40,000 Sanctus Reach - Complete Edition
• Warhammer 40,000: Armageddon - Imperium Complete
• Warhammer 40,000: Battlesector
• Warhammer 40,000: Gladius - Relics of War
• Warhammer 40,000: Mechanicus
• Warhammer 40,000: Space Wolf Special Edition
• WARHAMMER AGE OF SIGMAR: REALMS OF RUIN – ULTIMATE EDITION
• Warhammer vermintide collector's edition
• Warhammer: End Times - Vermintide
• Warhammer: Vermintide 2
• Warman
• Wasteland 3
• Wayward
• WE NEED TO GO DEEPER
• We should talk.
• We Were Here Together
• We Were Here Too
• Webbed
• What Lies in the Multiverse
• When Ski Lifts Go Wrong
• while True: learn()
• Whos Your daddy
• Wick
• Will You Snail?
• Windward
• Witch It
• Witchy Life Story
• wizard of legends
• Wolfenstein 3D
• Worms Rumble
• WRC 6 FIA World Rally Championship
• WRC 7 FIA World Rally Championship
• WWE 2K Battlegrounds
• WWE 2K23
• WWZ Aftermath
• Wytchwood
• X-COM: COMPLETE PACK
• XCOM: ULTIMATE COLLECTION
• XIII - Classic
• X-Morph: Defense + European Assault, Survival of the Fittest, and Last Bastion DLC
• X-Morph: Defense Complete Pack
• Yakuza Kiwami
• Yumeutsutsu Re:After
• Yumeutsutsu Re:Master
• Zen Chess: Mate in One, Mate in 2 , Mate in 3 , Mate in 4 , Champion's Moves (5 games)
• Ziggurat
• Zombie Army 4
• Zombie Army Trilogy
• Zool Redimensioned

DLCs and Softwares:

• For The King: Lost Civilization Adventure Pack
• Train Simulator: Isle of Wight Route Add-On
• Train Simulator: Woodhead Electric Railway in Blue Route Add-On
• Train Simulator: North Somerset Railway Route Add-On
• Train Simulator: Union Pacific Heritage SD70ACes Loco Add-On
• Train Simulator: London to Brighton Route Add-On
• BR Class 170 'Turbostar' DMU Add-On
• DB BR 648 Loco Add-On
• Europa Universalis IV: Wealth of Nations
• Expansion - Europa Universalis IV: Conquest of Paradise
• Expansion - Europa Universalis IV: Res Publica
• Grand Central Class 180 'Adelante' DMU Add-On
• Peninsula Corridor: San Francisco - Gilroy Route Add-On
• SONIC ADVENTURE 2: BATTLE
• Small World - A Spider's Web
• Small World - Cursed
• Small World - Royal Bonus
• The Dungeon Of Naheulbeuk: The Amulet Of Chaos - Goodies Pack
• The Dungeon Of Naheulbeuk: The Amulet Of Chaos - OST
• Thompson Class B1 Loco Add-On
• Total War: Shogun 2 - Rise of the Samurai
• Train Sim World® 3: Birmingham Cross-city line
• Train Sim World®: BR Class 20 'Chopper' Loco
• Train Sim World®: Brighton Main Line: London Victoria - Brighton
• Train Sim World®: Caltrain MP36PH-3C 'Baby Bullet'
• Train Sim World®: Cathcart Circle Line: Glasgow - Newton & Neilston
• Train Sim World®: Clinchfield Railroad: Elkhorn - Dante
• Train Sim World®: Great Western Express
• Train Sim World®: Hauptstrecke Hamburg - Lubeck
• Train Sim World®: LIRR M3 EMU
• Train Sim World®: Long Island Rail Road: New York - Hicksville
• Train Sim World®: Nahverkehr Dresden - Riesa
• Train Sim World®: Northern Trans-Pennine: Manchester - Leeds
• Train Sim World®: Peninsula Corridor: San Francisco - San Jose
• Train Sim World®: Rhein-Ruhr Osten: Wuppertal - Hagen
• Train Sim World®: Tees Valley Line: Darlington - Saltburn-by-the-sea
• Worms Rumble - Armageddon Weapon Skin Pack
• Worms Rumble - Captain & Shark Double Pack
• Worms Rumble - Legends Pack
• Worms Rumble - New Challengers Pack
• Ashampoo Photo Optimizer 7
• Dagon: by H. P. Lovecraft - The Eldritch Box DLC
• Duke Nukem Forever Hail to the Icons
• Duke Nukem Forever The Doctor Who Cloned Me
• GRIP: Combat Racing - Cygon Garage Kit
• GRIP: Combat Racing - Nyvoss Garage Kit
• GRIP: Combat Racing - Terra Garage Kit
• GRIP: Combat Racing - Vintek Garage Kit
• GameGuru
• GameMaker Studio 2 Creator 12 Months
• Intro to Game Development with Unity
• Music Maker EDM Edition
• Neverwinter Nights: Darkness Over Daggerford
• Neverwinter Nights: Enhanced Edition Dark Dreams of Furiae
• Neverwinter Nights: Enhanced Edition Tyrants of the Moonsea
• Neverwinter Nights: Enhanced Edition
• Neverwinter Nights: Infinite Dungeons
• Neverwinter Nights: Pirates of the Sword Coast
• Neverwinter Nights: Wyvern Crown of Cormyr
• PDF-Suite 1 Year License
• Pathfinder Second Edition Core Rulebook and Starfinder Core Rulebook
• RPG Maker VX
• WWE 2K BATTLEGROUNDS - Ultimate Brawlers Pass
• We Are Alright
• The Outer Worlds Expansion Pass
• A Hat in Time - Seal the Deal DLC
• City Skylines:mass transit
• A Game Of Thrones - A Dance With Dragons
• A Game Of Thrones - A Feast For Crows
• Blood Rage: Digital Edition - Gods of Asgard
• Blood Rage: Digital Edition - Mythical Monsters
• Blood Rage: Digital Edition - Mystics of Midgard
• Carcassonne - The Princess and The Dragon DLC
• Carcassonne - Traders & Builders DLC
• Carcassonne - Winter & Gingerbread Man DLC
• Carcassonne - Inns & Cathedrals
• Carcassonne - The River
• Splendor: The Trading Posts DLC
• Splendor: The Strongholds DLC
• Splendor: The Cities DLC
• Small World - Be Not Afraid... DLC
• Small World - Grand Dames DLC
• Small World - Cursed!
• Sands of Salzaar - The Ember Saga
• Sands of Salzaar - The Tournament
• Monster Train: The Last Divinity DLC
• WARSAW