Nudism drawing gallery

TattooArt

2016.04.28 12:07 un_red TattooArt

Tattoo lifestyle, artworks and tattoo models.
[link]


2010.11.08 22:18 MoonMonstar For artists who want to improve

LearnArt is a free open art learning resource built on the principles of free education and art access to all. Come check us out for feedback, guidance, and discussion!
[link]


2011.04.09 17:27 One_Giant_Nostril Imaginary Landscapes: Scenery born from the minds of gifted artists

This reddit community is for submitting your favourite digital or natural media **pictorial** creations of landscapes or scenery. They must be original creations, not photographs of already-existing places. Overgrown jungles, barren planets, futuristic cityscapes, or interiors, are just some examples of what is expected. Yes, you can submit drawings of your own imaginary landscapes. Please accredit the artist by their real name.
[link]


2024.05.14 20:35 ArtWindsorEssex AWE at Night - May 2024

DATE: Thursday, May 16th, 2024 TIME: 5pm – 9pm LOCATION: Art Windsor-Essex, 401 Riverside Dr. W, Windsor, ON
COST:

Save the date! On May 16th, Art Windsor-Essex is open late for an evening of art activities, community conversations, guided tours, and good vibes.

Art Activity: Creative Ecologies with Garvin Chinnia ⎮ 5pm – 9pm, 2nd floor Education Studio

Join us for the Creative Ecologies Workshop, hosted by the SMArt Communications program at the University of Windsor! This workshop is for students and community members who want to learn about how drawing can connect us with nature. Participants will make circular drawings of plants and materials found on the gallery’s Green Roof Terrace, using small microscopes. Through observational drawing, participants will exemplify the inherent fragility and subjectivity of our local ecology as it relates to the degrees of change in species abundance, composition, and environmental disturbances.
Participants are encouraged to display their drawings as part of a display in the WFCU Eco Lounge on AWE’s Third Floor.

Teen Tour: Waawiiatanong Forever with Jace Pillon ⎮ 5pm – 5:30pm, AWE, 2nd floor galleries

Join co-curator Jace Pillon for a guided tour of Waawiiatanong Forever. Complete a bingo treasure hunt for a chance to win prizes! Waawiiatanong Forever is a photography and postcard project that celebrates the representation of women and two-spirit folks and their families within our vibrant community.
Jace Pillon is AWE’s Indigenous Youth Mentee. Jace is from Thessalon First Nation, and currently attends F.J. Brennan Catholic High School. Ever since a young age, he has been interested in all forms of art from paintings, to literature and music. Other interests are cars, computers, & giving back in any he can. Jace plans to attend St. Clair College for a degree in Indigenous community work.

Guided Tour: Chariots of Fire: A History of Windsor’s Firefighting Equipment⎮ 5:30pm – 6pm, Chimczuk Museum, main floor

Join guest curators Walter McCall and Jeff Topliffe for a guided tour of their exhibit Chariots of Fire: A History of Windsor’s Firefighting Equipment. The exhibit explores the history of the Windsor Fire Department (W.F.D.) through some of the unique and innovative pieces of firefighting equipment and machinery that were used in the past. The exhibition features historical photographs, firefighting equipment, badges, and other unique items rarely seen by the public.

Artist Talk: Tony Mosna ⎮ 6pm – 6:30pm, 3rd floor galleries

Join artist Tony Mosna and Emily McKibbon, Head of Exhibitions and Collections at AWE, for an artist talk. Mosna’s work is currently on display in The Once and Future City, co-curated by Shanthi Senthe and Anneke Smit (Windsor Law’s Centre for Cities) and Emily McKibbon.

Safety in the Downtown Core: A Community Conversation ⎮ 6:30pm – 7pm, 3rd floor galleries

Join us for this month’s community conversation, Safety in the Downtown Core: A Community conversation. A panel of local voices will address the struggles, successes and promised initiatives aimed at revitalizing downtown Windsor. What barriers keep you from visiting downtown? What makes you feel safe in our community? With speakers Sarah Dewar (Maiden Lane Wine & Spirits), Shane Lyon (Culture Shock Bead Co.) and Chris MacLeod (Chair, Downtown Windsor, BIA), moderated by Dan MacDonald.

Art Windsor-Essex App Presentation⎮ 7pm – 7:30pm, 3rd floor galleries

In partnership with St Clair College’s Mobile App Development program, AWE is excited to demonstrate our new interactive app for Look Again! Outside St Clair College. Students Chris Green and Yash Pindiwala created this app to enrich student experience on campus by providing information on the installed reproductions as well as a collaborative platform that invites the campus community to contribute their own creative works!
The project was recently awarded second place at St Clair College’s Ford Innovation Showcase. Hear from the students and St Clair faculty members about the power of partnership and collaboration driving innovation in our region.

Music, food, and drink ⎮ 7pm – 9pm, 3rd floor

Let’s celebrate! Head up to the third floor to join us for music, food and drinks by Windsor Eats, and good vibes.
submitted by ArtWindsorEssex to windsorontario [link] [comments]


2024.05.14 20:31 ArtWindsorEssex AWE at Night - May 2024

DATE: Thursday, May 16th, 2024 TIME: 5pm – 9pm LOCATION: 401 Riverside Dr. W, Windsor, ON
COST:
Accessibility: Accessibility and accommodation requests must be made at least two weeks in advance of the event. Please contact [shinch@artwindsoressex.ca](mailto:shinch@artwindsoressex.ca) for questions.

Save the date! On May 16th, Art Windsor-Essex is open late for an evening of art activities, community conversations, guided tours, and good vibes.

Art Activity: Creative Ecologies with Garvin Chinnia ⎮ 5pm – 9pm, 2nd floor Education Studio

Join us for the Creative Ecologies Workshop, hosted by the SMArt Communications program at the University of Windsor! This workshop is for students and community members who want to learn about how drawing can connect us with nature. Participants will make circular drawings of plants and materials found on the gallery’s Green Roof Terrace, using small microscopes. Through observational drawing, participants will exemplify the inherent fragility and subjectivity of our local ecology as it relates to the degrees of change in species abundance, composition, and environmental disturbances.
Participants are encouraged to display their drawings as part of a display in the WFCU Eco Lounge on AWE’s Third Floor.

Teen Tour: Waawiiatanong Forever with Jace Pillon ⎮ 5pm – 5:30pm, AWE, 2nd floor galleries

Join co-curator Jace Pillon for a guided tour of Waawiiatanong Forever. Complete a bingo treasure hunt for a chance to win prizes! Waawiiatanong Forever is a photography and postcard project that celebrates the representation of women and two-spirit folks and their families within our vibrant community.
Jace Pillon is AWE’s Indigenous Youth Mentee. Jace is from Thessalon First Nation, and currently attends F.J. Brennan Catholic High School. Ever since a young age, he has been interested in all forms of art from paintings, to literature and music. Other interests are cars, computers, & giving back in any he can. Jace plans to attend St. Clair College for a degree in Indigenous community work.

Guided Tour: Chariots of Fire: A History of Windsor’s Firefighting Equipment⎮ 5:30pm – 6pm, Chimczuk Museum, main floor

Join guest curators Walter McCall and Jeff Topliffe for a guided tour of their exhibit Chariots of Fire: A History of Windsor’s Firefighting Equipment. The exhibit explores the history of the Windsor Fire Department (W.F.D.) through some of the unique and innovative pieces of firefighting equipment and machinery that were used in the past. The exhibition features historical photographs, firefighting equipment, badges, and other unique items rarely seen by the public.

Artist Talk: Tony Mosna ⎮ 6pm – 6:30pm, 3rd floor galleries

Join artist Tony Mosna and Emily McKibbon, Head of Exhibitions and Collections at AWE, for an artist talk. Mosna’s work is currently on display in The Once and Future City, co-curated by Shanthi Senthe and Anneke Smit (Windsor Law’s Centre for Cities) and Emily McKibbon.

Safety in the Downtown Core: A Community Conversation ⎮ 6:30pm – 7pm, 3rd floor galleries

Join us for this month’s community conversation, Safety in the Downtown Core: A Community conversation. A panel of local voices will address the struggles, successes and promised initiatives aimed at revitalizing downtown Windsor. What barriers keep you from visiting downtown? What makes you feel safe in our community? With speakers Sarah Dewar (Maiden Lane Wine & Spirits), Shane Lyon (Culture Shock Bead Co.) and Chris MacLeod (Chair, Downtown Windsor, BIA), moderated by Dan MacDonald.

Art Windsor-Essex App Presentation⎮ 7pm – 7:30pm, 3rd floor galleries

In partnership with St Clair College’s Mobile App Development program, AWE is excited to demonstrate our new interactive app for Look Again! Outside St Clair College. Students Chris Green and Yash Pindiwala created this app to enrich student experience on campus by providing information on the installed reproductions as well as a collaborative platform that invites the campus community to contribute their own creative works!
The project was recently awarded second place at St Clair College’s Ford Innovation Showcase. Hear from the students and St Clair faculty members about the power of partnership and collaboration driving innovation in our region.

Music, food, and drink ⎮ 7pm – 9pm, 3rd floor

Let’s celebrate! Head up to the third floor to join us for music, food and drinks by Windsor Eats, and good vibes.
submitted by ArtWindsorEssex to u/ArtWindsorEssex [link] [comments]


2024.05.14 17:23 stuffthingsnthoughts Artists Editions- Those of you who’re into them, can you please recommend some?

Cartoonist Kayfabe introduced me to artist editions. I’d seen them previously but discounted them as being to difficult to handle and store, and I didn’t know how to look at them. CK equipped me with the tools to look and understand these works.
Last year, at a local ComicCon, I spotted the Lone Wolf and Cub artist edition tucked away and forgotten at a vendor, and was able to acquire it. Looking through it I was in love with it. Turns out CK had an amazing episode on it!
So far I’ve got Pretty Deady artist Emma Rios, and really digging going through it. Ed Piskor’s artist edition is on the way. Should be coming in today, as well as League of Extraordinary Gentlemen artist Kevin O’Neill. (Got this one specifically because of the CK episode and their endorsement for it being a great way to read this story. I read the original as it was being published and really liked it.)
Can the community please recommend some other artist editions? I’m not too much into the traditional super hero genre but am not opposed it if the collection is a full story/chapter.
Lastly, let us now get bogged down in publisher nomenclature. Gallery Edition vs Vault Edition vs Artist Edition vs Artisan Edition. For my purposes an artist edition is oversized (preferably close to size of the original drawing/painting), and consists of high quality full color images of the original work.
submitted by stuffthingsnthoughts to Cartoonist_Kayfabers [link] [comments]


2024.05.14 14:01 Zappingsbrew A post talking about 400 words

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night, nine, no, nobody, nod, noise, nomination, nominee, none, nonetheless, nor, normal, normally, north, northern, nose, not, note, nothing, notice, notion, novel, now, nowhere, nuclear, number, numerous, nurse, nut, object, objective, obligation, observation, observe, observer, obtain, obvious, obviously, occasion, occasionally, occupation, occupy, occur, ocean, odd, odds, of, off, offense, offensive, offer, office, officer, official, often, oh, oil, okay, old, Olympic, on, once, one, ongoing, onion, online, only, onto, open, opening, operate, operating, operation, operator, opinion, opponent, opportunity, oppose, opposed, opposite, opposition, option, or, orange, order, ordinary, organic, organization, organize, orientation, origin, original, originally, other, others, otherwise, ought, our, ours, ourselves, out, outcome, outside, oven, over, overall, overcome, overlook, owe, own, owner, pace, pack, package, page, pain, painful, paint, painter, painting, pair, pale, Palestinian, 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submitted by Zappingsbrew to u/Zappingsbrew [link] [comments]


2024.05.14 11:29 TheRealMaMnMu Your Spider-man comics decades ranking

Hello everyone!
I think it would be funny to do a ranking of decades of Spiderman comics, from the 60's to the present.
For my part, I can only give an opinion up until 90's since I'm not interested in Spiderman post-2000's, but you can include it.
  1. 80's: Roger Stern modernized the character and that would work a basis for the following years. He introduced a great villain like the Hobgoblin whose story would continue to be developed by other authors later. Also the black suit was introduced and the subsequent arrival of Venom, which they managed to turn into one of Spidey's most important foes despite having passed 2 decades since its launch, which is not easy. In addition, one of the character's key arcs was launched, Kraven Last Hunt. For all this and more, I would say that it is the best decade of the wall-crawler.
  2. 60's: The origin of Spiderman, this age is iconic since all the characters and bases that would define the character to this day emerged. Yes, it is true that Lee and Ditko's first comics can get a little boring nowadays, but even so, seeing the first appearance of so many characters makes it worth reading. Later, the era of Lee and Romita Sr, keeping in mind that they are stories from the 60's, they manteined a high level and have not aged that much, in addition to that they also presented new iconic characters such as Rhino, Shocker or Kingpin, and great arcs such as the revelation of Norman being the Green Goblin or Peter ceasing to be Spiderman. Without a doubt, if this decade had not had this great level, Spiderman would not have become Marvel's flagship.
  3. 70's: This decade during the first years has a good level until approximately number #150, although then the level of the stories begins to decline a little until the arrival of Stern in the 80's. Even so, in these early years we have memorable moments such as the death of Captain Stacy, the drug trilogy, the introduction of Morbius, the first Clone saga or the first time Harry becomes the Green Goblin, stories that continue to be remembered nowadays. And how can we not talk about the death of Gwen Stacy, probably the key moment in Spidey's entire history, which was a paradigm in the world of comics and which is still remembered 50 years later.
  4. 90's: The decade most criticized in general by Spiderman fans, where it is said that the level of the stories dropped a lot to focus on action and spectacular drawings. I have not yet had the opportunity to read the Clone Saga since it will not be republished in my country until a few years, so although I know what happens during it, I cannot say if it is as bad as people say until reading it. Although personally the first years of the 90's do not seem so bad to me, Carnage is in charge of leading the gallery of rogues those years until reaching Maximum Carnage, which I enjoyed a lot, it is true that it is not a story that marked an era for its plot but even so the drawing and the battles seem very fun to me. Also during this time, we probably had the best stage of the Spectacular Spiderman title thanks to DeMatteis and Buscema with the whole story of Harry Osborn's return as the Green Goblin and his subsequent death, which is curious that they wrote in Spectacular and not in Amazing due to his importance in Peter's life. In conclusion, the absence of reading the Clone saga and although objectively it is probably the worst of these 4 initial decades of Spidey, it doesn't seem as bad to me as people try to make it out to be.
And now after having given my ranking, it is your turn to give your opinions.
Thanks for participating!
submitted by TheRealMaMnMu to Spiderman [link] [comments]


2024.05.14 10:01 JG98 Today I want to cover Sobha Singh, arguably the most famous Panjabi painter in history.

Today I want to cover Sobha Singh, arguably the most famous Panjabi painter in history.
Sobha Singh (November 29 1901 - August 22 1986), born in Sri Hargobindpur (Gurdaspur), was a renowned Panjabi artist who left a lasting mark on the world of art. Despite facing challenges early on, his passion for art shone through, making him a revered figure, particularly for his evocative portraits of the Sikh Gurus.
Sobha Singh's childhood was marked by loss. He lost his mother at a young age and his father, a cavalry soldier, when he was around 16. Despite his father's disapproval of art as a profession, Sobha Singh's artistic inclination was evident. He honed his skills independently, learning to draw and sculpt on his own. At the age of 15, he enrolled in a one-year art and craft course at the Industrial School in Amritsar. This brief formal training provided him with a foundation, but his artistic spirit craved more.
In 1919, influenced by his father, Sobha Singh joined the British Indian Army as a draftsman, serving in Baghdad. This experience, though not directly related to art, exposed him to diverse cultures and landscapes, potentially influencing his artistic vision later. However, his artistic spirit prevailed. Some accounts suggest he might have even witnessed the horrific events of the Jallianwala Bagh massacre while stationed in Amritsar. This experience, if true, could have further shaped his artistic sensibilities.
Sobha Singh returned to Panjab in 1923 to pursue his passion for painting full-time. In the same year he would marry Bibi Inder Kaur on Vaisakhi day and opened his first studio in Amritsar. It was now that began to develop his signature art style, experimenting with various mediums that included commercial art and film.
In 1926, hoping for wider recognition, Sobha Singh relocated his art studio to Lahore. Here he would even venture into filmmaking, establishing a film company and directing a film titled 'But-Tarash'. Despite these forays, his heart remained in painting which led him to reopen a painting studio.
Without achieving the wider recognition he desired, in 1931 Sobha Singh relocated his stuido to Delhi where he found success creating commercial art for the Indian Railways and the Post & Telegraph Department. This period also saw him develop a network of patrons, including Col. GD Tata, who appreciated and encouraged his work. However, the artistic pull of Lahore proved strong, and Sobha Singh eventually returned to the city in 1946, drawn by the vibrant intellectual and artistic community.
The partition of Panjab in 1947 forced Sobha Singh to leave Lahore once again. Eventually in 1949 he settled in Andretta (Himachal Pradesh), which was a known haven for artists. This period marked a prolific time in his career, and he produced some of his most acclaimed works, including portraits of the Sikh Gurus.
From 1949 to his passing in 1986, Sobha Singh spent the rest of his life based in Andretta. He leaft behind a rich artistic legacy. This 37-year stretch, from 1949 to 1986, saw him create hundreds of paintings.
A defining theme emerged during this time: the Sikh Gurus. Sobha Singh's portrayal of these spiritual leaders became so influential that it shaped public perception, particularly regarding Guru Nanak Dev Ji and Guru Gobind Singh Ji. His now-iconic portrait of Guru Nanak, created for the Guru's 500th birth anniversary in 1969, is widely considered the definitive image of the founder of Sikhism. However, Sobha Singh's artistic repertoire wasn't limited to the Gurus. He also created paintings depicting other prominent figures from Sikh history, such as Guru Amar Das, Guru Tegh Bahadur, and Guru Har Krishan.
Beyond religious figures, Sobha Singh explored a range of subjects. His paintings featuring the legendary lovers Sohni Mahiwal and Heer Ranjha were also well-received. He further expanded his scope by creating portraits of national heroes and leaders like Bhagat Singh, Kartar Singh Sarabha, Mahatma Gandhi, and Lal Bahadur Shastri.
Sobha Singh's artistic reach extended beyond paintings. Murals by him adorn the art gallery of the Indian Parliament House in New Delhi. Notably, one panel depicts the evolution of Sikh history, showcasing Guru Nanak with his companions Bala and Mardana on one side, and Guru Gobind Singh in meditation on the other.
His artistic talents weren't limited to two dimensions. Sobha Singh also dabbled in sculpture, crafting busts of prominent Punjabis such as M.S. Randhawa, Prithviraj Kapoor, and Nirmal Chandra. He even undertook an unfinished head-study of the renowned Punjabi poet Amrita Pritam.
Sobha Singh's legacy continues to live on in Andretta. The Sobha Singh Art Gallery, showcasing the originals of his works, attracts visitors and art enthusiasts from all over the world. His studio in Andretta is also open to the public, offering a glimpse into the artist's creative space. Sobha Singh passed away in Chandigarh in 1986, but his artistic contributions remain a vital part of Andretta's identity. The town's popularity is significantly tied to the Sobha Singh Art Gallery, a testament to the enduring impact of this remarkable artist.
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2024.05.14 09:43 Thenn_Applicant Dorian Merryweather, Lord of Longtable + AC

Reddit Account: u/Thenn_Applicant
Discord Tag: Garin
Name and House: Dorian Merryweather
Age: 49
Cultural Group: Reachman
Appearance: Dorian's chestnut brown hair has been greying for quite a while, however is short beard retains more color, including a few stray red hairs peppered throughout it. While his features have softened and gained some pudge as he aged past his prime, he remains in overall good shape. This is partly due to his great love of gardening and crop cultivation, which have left his hands and nails rather rough.
Trait: Numerate
Skills: Avaricious (e), Architect, Administrator, Investor
Talents: Language (High Valyrian) Cooking, Gardening
Negative Trait: N/A
Starting Title: Lord of Longtable
Starting Location: Opening Event
Biography:
It has been said; men grow tired of sleep, love, singing and dancing, sooner than war. As such, it begs the question, what does a man have left when he finally tires of war? In pursuit of an answer, of any answer, one half of Dorian Merryweather’s life was spent. He was the second son of Lord Arthor Merryweather of Longtable. Like many others born in a place of natural abundance, he longed for more, for something greater than a mere provincial estate. The tourneys of Highgarden, the hunts of Horn Hill and the books of Oldtown all called to him, and so he could never ride past his father’s mild and verdant fields fast enough. Dorian counted himself lucky not to be the heir, for that meant he could pick where his future lay, unchained from the uninspiring home of his childhood. Instead it was his older brother, Bennard, who envied his free-flying lifestyle, contriving any excuse to join him on his escapades and agurk lessons and ceremonies he ought to have attended.
Lord Arthor was fairly permissive of this deriliction of duties, as the friendships forced on such journeys were worth more than lessons that could be repeated later, or tasks that could be handed off to lowborn stewards. The boys attended tourneys, balls, hunts and feasts, living the life the bards extolled as the height of reachman’s chivalry. The one time they did not shirk their duties was when their father had the honor of hosting King Mern and his court for a tourney on the Warrior’s day. The Merryweather sons would present the king and his family with silver bowls of dilligrout, a most exquisite stew of capons, white wine and almond milk. They had the joy of tasting it once the Gardeners had their fill, a taste they would never forget. On the tournament field three days later, Mern knighted them both, though Dorian was only sixteen at the time, green as a knight could ever be.
Five years later, as news of Aegon Targaryen and his early conquests spread, the lords of the Reach were summoned to Goldengrove, where they found a veritable forest of Westermen’s banners being planted beside their own. The fall of the Storm Kings had led to a whirlwind of diplomacy between the houses of Gardener and Lannister. The plan was presented to the lords with the two kings sitting beside one another on the dais as though they were brothers. They held up Aegon’s letter of demands, scornfully reading it aloud and then proceeded to tear it up to a roaring acclamation from the hall. Standing there before the hall, Mern could hardly be called the Warrior incarnate. There stood a man well past his prime, old enough to be a grandfather and with no great victories to his name, in battle or on the tourney field. All the same, this man, whom they called their king, always seemed to know exactly what to say to win someone over. If he’d declared war on hell itself that evening, the Merryweather brothers would probably still have marched off with him when the next morning dawned. Bennard and Dorian shouted as loud as anyone, death to the foreign upstart. That evening were betrothed to westerwomen they’d never met before, made plans for a real battle, which they had never fought in before, and drank, ate and sang as though the night would last forever. House Merryweather was not able to secure a command, yet King Mern remembered his stay at Longtable fondly. He gave Bennard and Dorian a place in the vanguard, and even adorned Bennard with a brooch of the order of the green hand the morning before the army Goldengrove, a momentous honor which Bennard would cherish for the remainder of his days. He did not have many left, as it turned out. The Field of Fire began like a dream, as the two brothers rode off at the break of dawn, two out of five thousand sets of gleaming armor atop proud warhorses. By the end of the day it had become a nightmare. Caught up in the maelstrom of battle, Dorian did not see the moment when their loss was assured, but the Gods know he could hear it, the creeping, hungry flames that descended on the reachmen like an army of its own. As hundreds were broiled inside their steel plate and thousands more choked on the inferno’s horrible vanguard of black smoke, Bennard and Dorian broke and fled. They were not far behind the retreating Loren Lannister in their escape, but half a minute made all the difference. The lines of fire fanned out, hunting more living things to devour, and engulfed the two brothers. Dorian could feel how the flames spread from his surcoat to his undershirt, all the way down to the hairs on his chest, beginning to sear his skin. In a desperate act he threw himself in the Blackwater, and would have perished if not for the shoddy work of his squire that morning, which left him able to tear off his plate before he could sink. With bloodied, burn-marked fingers, he clung to the roots of a tree by the riverside, water up to his chest. He was retrieved after some time, how long he could not say. For the next two moons his mind was adrift, distracted from his pains by milk of the poppy. The next two were far worse, as he grew more lucid and realized the extent of the damage. A burn-mark stretched from his right thigh, all the way up his chest and left bicep to the apple of his neck. Many times over, flakes of dead or dying skin had to be peeled off by the maester as the scabs kept bursting with blood and clear liquid. By the end of that year he was able to walk again, though the burn mark would leave a feverish red mark across the front of his body, his new skin settling into twisted lines.
Bennard was far worse for wear, alive yet burned all the way to his face and crippled from a fall off his horse. His nose and ear-lobes had to be cut off, too burned to save, and even his eyelids were permanently scarred, unable to sprout new lashes. The more lucid Bennard became, the deeper his sorrow. Eventually he began refusing food. The new lord of Longtable would not eat anything his cooks set in front of him. In spite of his ever present pains, Dorian began going to the kitchens, reprimanding the cooks for their failings. He knew his brother well and knew his palette, and began ordering them to make his brother’s favorites. When he felt they were making mistakes, he interrupted their work himself. He was a stranger to the kitchen, yet would criticize how things were cut too roughly, spiced too little or too much. He was a terror to the cooks, yet they could not refuse him.
His attempts to intervene were however hampered by a newfound aversion to heat. The sound of the hearth, of boiling and searing, the general sense of warmth around him made him nauseous and caused his movements to seize up. Still, he went to his brother’s bedside every day, and afterwards he forced himself back to the kitchens. His sister, Lydia, tried to stop him at first, but soon found her protes fell on deaf ears, and so joined him, if only to leash him in when he went too far. Finally, there was only one dish they hadn’t tried; the dilligrout they’d once served to the late King Mern. Every time it was made, it came out wrong. It soon turned out the cook who had served them that evening six years ago had since retired, and his exact method had never been recorded or taught to anyone else. Dorian would first invite the man to Longtable, then summon him with armed knights when invitations were refused.
Theomar, the man who appeared before him, was a sorry sight, looking frightened and confused as he was taken to his old workplace. It was explained by his sons that he’d been growing senile even six years ago, often snapping at the kitchen maids under him when his memory failed him. Since then he’d gotten worse, seldom eating, let alone cooking. Something in the old man’s eyes did seem to brighten for a moment when the sounds and smells of his old kitchen surrounded him, and Dorian ordered him to make dilligrout. Before long that faint spark had been drowned out by tears. He would start boiling capon or crushing almonds, only to leave the job half-done whenever he had to fetch something new. Serving maids were put at his disposal to bring him ingredients, yet an ingredient ordered would be met with a reprimand as he seemed to forget which dish he was making every few minutes. Finally Dorian snapped at the man, grabbing him by his collar and shouting accusations of treason against House Merryweather. By the time Lydia could restrain him and try to apologize, the man was a wreck on the floor. After watching it for a while, waiting for the man to get up and continue his work, even Dorian was overcome by pity and shame for what he’d done. The old cook was praying to the gods, begging forgiveness for his failings. Dorian began to realize he’d broken a great man down and would himself beg forgiveness. He offered the man his old cook’s quarters back for the rest of his life, and promised his sons that his maester would tend to the man in his old age, that he would be fed from Longtable’s stores.
At this point, he resolved to make the dilligrout himself. Through it all, Bennard was barely clinging to life, or rather being tethered to it by the will of others. He could only be fed when drugged down by the milk of the poppy, and the more often it was used, the less effective it became. Every day Dorian braved the kitchens, yet he could not recreate the flavor of that wonderful night. It was by the grace of the gods, perhaps with Theomar as their vessel, that Dorian would even come close. The old man could no longer cook, but over time he began to wander into the kitchens and sit down on a chair. At first Dorian thought the man only sought the warmth of the hearth for his weary bones, yet he discovered it to be more than that. Theomar’s eyes were like clouded glass, yet they brightened every now and then, hearing almonds being ground, smelling capons searing in fat, as though it was stirring the kitchenmaster of yore back to life. Eventually Dorian began to walk up to the old cook with his ingredients, bidding him to smell or taste small portions. Sometimes he got simple instructions out of it, ‘too coarse’, ‘too sour’, ‘underdone’. Som times a mere nod or frown was all Theomar managed. Over the course of a couple of days, Dorian put together one final attempt to get the dish made rightWhen he arrived in Bennard’s chamber, he was met with a look which brought forth discomfort that no flame could produce in Dorian. Plainly, raspingly, his brother asked him why he wouldn’t let him die. It was easy, Bennard reasoned. All Dorian needed to do was wait and become lord. The words almost made Dorian throw the dilligrout on the floor. Almost. He placed two bowls on Bennard’s table, the dilligrout and one brimming with milk of the poppy. Dorian told his brother to make his choice. If he sought death, Dorian would let him, but he would not hear that it was an easy thing, watching his brother die. That evening, the milk of the poppy was carried away by the maester, the empty bowl of stew taken to be washed in the kitchens. From then on, Bennard ate what his brother brought him without complaint. He lasted just into the new year, dying on its tenth day. In the predawn gloom of the twelfth, Theomar died in his sleep
Dorian took up his lordly task joylessly. His old wanderlust returned, spurred by the horrible memories that now stained Longtable and the reach itself in his mind. The final straw came when their new Tyrell overlords, insisted on him marrying a lady from a dornish house. His previous betrothal had fallen through, as the parents of his western bride had not wished to draw the ire of the Targaryens by maintaining an old alliance meant to oppose them. Instead of obliging, he boarded a ship from Oldtown going east. It stopped only briefly in Planky Town before going to Tyrosh. Noting him to be a nobleman, a few of the city’s wealthy men would host him for a while, though they quickly lost interest when his lack of knowledge of trade became apparent. After that, he spent time in the markets and squares where the common people lived. His old curiosity was piqued, and he decided to embark on a quest of learning, fashioning himself another Lomas Longstrider. He moved on to Myr, and the experience was much the same in broad strokes, a few rich men showed interest and quickly lost it. As he’d visited the dye markets he went to see the city’s famous artisans at work. One thing was notably different, he met a Tyroshi woman with green-dyed hair, going by the name Maryah. She was a trader, and the two had taken the same ship to Myr. She had been to Myr before and showed him many of its secrets. They spent an entire day in one of the vast delicacy markets so she could show him the many tastes of the city. Having no plans in advance, he asked where she was headed next.
Without a second thought he would join her on a journey to Lys. He soon understood it to be a test. It was not long before she teased him, speculating he’d only joined her for a chance to see the famous pleasure houses. Evening after evening they stayed in the city and Maryah would tease and test him over the matter. Finally he told her he’d renounce his betrothal for her, that there was no one else in his eye. She laughed, replying he would not have to. The next morning, Dorian awoke to find that she was already up, the green washed from her black curls. Maryah had in fact been Joanna Dayne, his dornish bride to be, having traveled the same route as him ever since his ship stopped at Planky Town to refill its food and water. She was already quite familiar with the three closest free cities, having served as a dornish envoy on behalf of its spice traders. As they planned their return to Westeros, Joanna asked him what else in the world he wanted to see. Within a few moons of being wed, they left Westeros, not to return for three years.The journey was what his mind needed, away from the Reach, its knights and tapestries, hunts and tourneys. Ultimately, the lords and knights of his homeland, for all their songs and poetry, lived every day in preparation for war, frivolous though the preparations were. Joanna showed him a different world, the remnants of Old Valyria. War was to be sure inescapable. Wherever they went, there were soldiers, tapestries, contests of arms, and yet the cities housed something else as well, a boundless potential for creation, commerce and growth.
Thanks to Joanna Dayne’s knowledge their stays became far better planned, and they could enjoy the hospitality of wealthy locals far longer. She knew how to talk about the spice trade and similar matters, and Dorian began to pick up on it. On their second stay in Myr, he procured a great deal of fine parchment and began taking notes, everything from negotiation tactics and the prices of cloves or red peppers to court customs, as well as more eclectic pieces of knowledge, details of running an eastern estate, descriptions of technological marvels he had never seen in Westeros, and ingredients in the local food. By the time they neared Qarth he had quite the list of recipes, among other things. There he was even able to learn a few all the way from Yi Ti, as some local cooks catered to merchants from the Golden Empire. On their journey home they’d end up taking the opportunity to see the newly made port of King’s Landing. By that time, a third member had joined their journey, their infant daughter Florys. Having left Longtable in the care of his sister and steward for three years, Dorian finally accepted the responsibility of running his ancestral home.
Longtable was considered to rule over some of the best lands in the Reach, ideally situated along the river with abundant soil which could provide two grain harvests in a year. Having seen the estates which supplied the great cities of the east, Dorian was all too aware of its comparative shortcomings. He found that the abundance of the land had a counterproductive effect, breeding complacency and carelessness. From his grandiose tour of the east, he went on a painstaking tour of his own lands, trying to get an overview of everything he ruled over. He paid the citadel a fee to send him half a dozen maesters in training for a season. These young men, literate and numerate, would serve his own maester in conducting a survey of the land, giving Dorian account of all resources at his disposal as lord. The results were quite varied.
Some peasants were found to have remarkable agricultural insights which they had no way of writing down, entirely reliant on passing the knowledge to their children. Knowing the risks of such a method of transferring knowledge, Dorian ordered such insights recorded. In other places there were farmers and communities who were unwittingly exhausting their soil. Instances of lack of fallow land, excessive grazing by cows and lack of crop rotation were also made note of, followed by edicts against such heedless practices. Septons, sheriffs and tax collectors were given written copies and were obliged to read them to the peasantry wherever it was deemed necessary. It also became part of the obligations of farmers to plant a set amount of clover in their fields and pastures, a practice some had taken up on their own but which had already become a standardized law among the estates belonging to Myr and Volantis. Irrigation was expanded and land inheritance was reformed to prevent the splitting of fields past a certain threshold.
Lord Dorian was not always successful. Some eastern ideas had been useful innovations which improved conditions across the board. In time he learned that the peculiarities of the westerosi system were sometimes necessary for the sake of stability, not merely the misshapen fruits of ignorance. His attempt to enclose part of the common lands proved abortive, as it nearly caused a peasant rebellion. A procession of aggrieved smallfolk headed for Longtable had to be dispersed by knights, armed with wooden clubs to prevent needless bloodshed.Two men were hanged and five sent to the wall, but the reform was thereafter abandoned, leading the populace to calm down. Dorian was not much of a military leader and had not wielded weapons since the Field of Fire. He became aware of his need to bolster his forces, a notion reinforced by the establishment of the Black Roses not long after his return, and again with the Kingswood Catastrophe
In the meantime, he and Joanna raised a family together. Three more daughters would be born healthy, with a couple of miscarriages and a stillbirth in between, also a daughter. Their travels did not entirely come to an end. In 13 AC they would tour the northern free cities of Norvos, Qohor, Pentos, Braavos and Lorath, which they had missed on their original journey. The lion’s share of 17 AC was spent on a journey to the Summer Islands. At other times they would make shorter journeys around the Seven Kingdoms, where they felt more secure in bringing their older children along. Whether it was visiting Joanna’s family in Dorne, tourneys and feasts in the Reach and West or even one trip to see the wall, a nameday wish by Florys, they were often on the move. Like most of their peers, they frequented Oldtown and Highgarden
The growing rift between the two queens and their children was a situation Dorian would watch with dread in his heart, remembering keenly how a generation of young men had been brought to the field of fire. To his mind, the Targaryen rule ought not go to waste. Like Valyria of old, it had begun with fire and blood, yet similarly peace and prosperity had followed in its wake. If only the dragons could stand united, perhaps another long peace like the one the Freehold once enjoyed could again be established. If not, another century of blood was upon them. Under Dorian, Longtable became a place where he sought to bring together people from across the kingdoms and forge unity over the dinner table, an attitude which somewhat vexed and confounded his more militaristic daughter and heiress, Lady Florys. Even amid her questioning of the viability of his peaceful ways when surrounded by those who would make war, a terrible sight would steel his resolve, watching the Mander burning green, every bit as terrible as the flames from twenty one years prior. That night he made a simple vow, never again.
The League of the Cornucopia, he would name his little group, a gallery of lords and ladies whose acquaintances he’d made over the years. With these fellow gourmets he would share the culinary knowledge he’d gleaned from his journeys in the east and west. Most unusual for a lord of his rank, Dorian came to spend a great deal of time in his kitchens, testing out recipes himself. On occasion, the dishes he served to his guests for these small, intimate gatherings would be the work of his own hands. The membership did vary from time to time, both based on who could make it and who he sought to bring together. Rather than a fully closed circle, the League is more like a form of feasting, only it’s done for a much smaller crowd, without the public spectacle. Such occasions allowed for more refined foods which did not need to be served to hundreds and kept constantly warm over the course of hours like some common tavern stew. It also opened up an arena of more intimate diplomacy and negotiation for those who sought it, hosted on neutral ground by a lordly mediator, free from prying eyes.
Timeline:
25BC: Dorian is born, second in line to Longtable
24BC: His sister Lydia is born
9BC: House Merryweather hosts House Gardener for a tourney and feast. Dorian and his older brother Bennard serve the dish of honor to King Mern Gardener and his family. During the subsequent tourney, Mern knights both boys, despite their inexperience and lack of victory in the tourney
9BC-2BC: Dorian spends much time travelling the reach, attending events
1BC: Dorian and Bennard fight in the vanguard at the Field of Fire. Both are burned, Bennard far more severely than Dorian. Lord Merryweather is killed. Traumatized by the battle and his new maimed body, Bennard starts refusing food. Dorian desperately tries to re-create the dish they served King Mern eight years ago. The cook who made it has since gone senile, but eventually manages to help Dorian re-create it. He is given a place at court as apology for his mistreatment at Dorian's hands before this occurred.
1AC: Lord Bennard dies at the beginning of the year, leaving Dorian as lord of Longtable. His sister Lydia fulfills her betrothal to House Tarly, becoming lady of Horn Hill. At the prospect of marrying a Dornishwoman on the King's orders, Dorian decides to leave Westeros to put off his marriage. In Myr, he meets a woman calling herself Maryah, claiming to be a Tyroshi merchant. They fall in love and travel to Lys together. There Dorian promises to set aside his betrothal for her, whereupon she reveals herself as Joanna Dayne, his dornish betrothed.
1AC-4AC: Dorian and Joanna wed at Longtable, then depart on a new journey of the east. They reach as far as Qarth before turning back home. In 3AC, on the way back, their first child, Florys, is born while the couple are in Volantis, on the way home. They return via the newly built port of King's Landing.
4AC-8AC: Using knowledge from the east, Lord Dorian embarks on a project of rationalizing the agriculture of Longtable
5AC: Dorian and Joanna have their second child, a girl named Ellyn
8AC: Their third daughter, Desmera, is born
13AC: Dorian and Joanna spend a year travelling the northern free cities
14AC: Their fourth and final daughter, Gwin, is born
17AC: Dorian and Joanna undertake a journey to the Summer Islands with their children
23AC: The aftermath of the battle of Stonebridge brings back memories of the Field of Fire, as the Merryweathers watch burning slag run down the Mander
25AC: The Merryweathers travel to the celebration of the maturity of Aegon's sons
Family Tree:
Arthor Merryweather (father, d.1BC)
Cerelle Merryweather (pending family connection) (mother, d.20AC)
Rhea Merryweather (sister b.27BC)
Bennard Merryweather (brother, d.1AC)
Lydia Merryweather (sister, b.24BC)
Glendon Merryweather (uncle, d.1BC)
Myrcella Pommingham (aunt, d.22AC)
Leo Merryweather (cousin, b.13AC)
Joanna Dayne (wife, b.26AC)
Florys Merryweather (daughter, b.3AC)
Ellyn Merryweather (daughter, b.5AC)
Desmera Merryweather (daughter, b.8AC)
Gwin Merryweather (daughter, b.13AC)
_____________________________________________________________________________________
Auxiliary Character:
Name and House: Florys Merryweather
Age: 23
Cultural Group: Reachman
Appearance: [A short, muscular woman with wavy black hair, normally worn in a bun. She has high cheekbones and a proud demeanor. Her rigid strength stands in contrast to the more relaxed nature of the Merryweather court, one she finds overly lax and casual](0_0.png (896×1344) (discordapp.com))
Trait: Hale
Skills: Swords (e), Essosi Blademaster
Talents: Dancing, Fishing, Cooking
Negative Traits: N/A
Starting Title: Heir to Longtable
Starting Location: Opening Event
Timeline:
3AC: Florys is born in Volantis, while her parents are on their way home from Essos
10AC: Florys starts training under Saathos Trevelyan, her father's Master at Arms
13 AC: She joins her parents on a tour of Pentos, Braavos, Norvos and Qohor
17AC: She travels with her parents to the Summer Islands
19AC-23AC: As she comes of age, Florys becomes more critical of her father's desire for peace, viewing it as increasingly far-fetched amid the increasingly controversial regency and the impending succession dispute. She resolves to make the kinds of connections her father seems unwilling to, in case of war
25AC: She accompanies her family to the celebrations
NPCS:
Ser Leo Merryweather (Age: 37, Archetype: Magnate) Lord Merryweather's first cousin, he has become an indispensable agent in the daily running of Longtable. Despite his foppish demeanor and aparent laziness, he is highly capable and loyal in his task of increasing his family's fortune. He remains happily unwed
Saathos Tevelyan: (Age:48, Archetype: Master at Arms) The son of a Lysene father and a Myrish mother, Saathos initially sought a career in amongst Myr's military officers, however his family's relatively low status proved an impediment to further promotion, later compounded by a dispute with a superior. He met Lord Merryweather in 3AC and eventually travelled West to offer his services five years later, finding his career progress stonewalled in his home city. Well into middle age, he still looks firm and imposing as profesisonal a soldier ought to
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2024.05.14 09:05 eza2510 Drawings of Vapor Trails - The Sky is My Canvas [2024.05.13]

Drawings of Vapor Trails - The Sky is My Canvas [2024.05.13]

Drawings of Vapor Trails
Sometimes, if you happen to look up at the right moment, you’ll catch a glimpse of a plane leaving streaks in the sky. These long vapor trails (also known as contrails) against the stark blue sky create a beautiful contrast, and it’s almost as if someone used the sky as a canvas to paint white stripes on.
Say hello to the gorgeous skies below, and see if you can spot a plane the next time you go outside on a bright sunny day!

帰り道 by 千晴

帰り道 by 千晴

東雲絵名 by ムレ

東雲絵名 by ムレ

🍨 by 𝗘:𝗡𝗲 / えね

🍨 by 𝗘:𝗡𝗲 / えね

サマーカジュアル by きのたけ

サマーカジュアル by きのたけ

私だけの景色 by 夕子

私だけの景色 by 夕子
Please feel free to check the original article over at pixivision to view the rest of the artworks for this gallery.
submitted by eza2510 to Pixivision [link] [comments]


2024.05.14 06:53 Intrepid-Eagle-4872 Trying to locate a half-remembered illustration from 1st edition

Friends, old head here. I'm inspired to run this one shot of an old black and white line drawing from ADnD 1st edition that I can't seem to find online.
It was of a horseback wizard gleefully casting Magic Missile(?) down an alley maybe (?) in front of or near the Green Dragon Inn(?) in a fantasy towne setting.
It couldve been one of the basic or expert sets or a supplement like Rogues Gallery. It wasn't Dee but it was clean like that
submitted by Intrepid-Eagle-4872 to adnd [link] [comments]


2024.05.14 06:36 _Golurk_ Android Sticker Making Feature Changes. I Want To Go Back To The Old One.

So, this is in regard to the Android Gallery. Under the old system before it updated to UI 6.1, I could edit photos in the gallery, and it would allow me to make stickers using other photos I had. I could go in and manually draw the stickers around the aspect of a photo I wanted cut out.
For example, if I wanted a persons face cut out, I could draw a shape around the face of the person, and the sticker maker in gallery would align the sticker perfectly, line it knew exactly what I wanted to trace.
But since the update, now it just auto selects an aspect of a photo from the image I choose to customize a sticker from. Like, if it is the photo of a person, I can't draw my sticker anymore, it will simply auto cut out the person's whole body, which isn't want a want. I don't know how to go back to the older gallery sticker editor, but I want to if that's possible.
Or just know how to adjust the settings. I could be missing something. Any advice is appreciated.
submitted by _Golurk_ to AndroidQuestions [link] [comments]


2024.05.14 05:43 raisintoasted Screencap Redraw - Before The Beginning

Screencap Redraw - Before The Beginning
Angel Crowley hearing about Earth for the first time, ostensibly for Ineffable May.
I’m still getting used to posting my art and I wouldn’t even be drawing this if I hadn’t found this subreddit, so thanks y’all.
Available as a print here! And process video up on my Ko-fi for free More of my art: Instagram Tumblr
submitted by raisintoasted to GoodOmensAfterDark [link] [comments]


2024.05.13 22:33 Tigra21 Hunter or Huntress Chapter 189: Reporting In

As the world faded away into nothing but a dark void, Tom felt the only mildly familiar sensation of magic flowing like a gentle stream. It wasn’t much of a draw, but it was certainly noticeable.
“Right, best make this quick then,” he tried thinking to himself, feeling the flow peak as he did.
“Who is this? Make what quick?” an ethereal sounding female voice replied. It did sound a bit like how he remembered Joelina sounding. Though she did not exactly sound calm.
“Uhm… Hello? Anyone there?”
“Yes hello. Who is this? What must be done quick? Answer me at once!”
“It’s Tom… Is that you, Joelina?”
“Yes of course it is! Stupid dragons taking ages, I have questions for you! So many questiiioooonssss...”
“Yeah I figured that… Fire away I suppose.” Tom replied a little uncertainly as to just what he might be in for.
“Firstly! Did you read the letters?”
“I did yeah…”
“Disregard them, I have learned much since they were written! So much more yes, cursed blessed knowledge…”
“So you do know we have gone to space then?”
“What? No, I re-experienced the memory you had of the movie about the moon mission. It was evident on the second watching that it was trickery of the eye! Spaceflight is but a myth!”
“Riiight.”
“Then how have your kind visited space? And what of the gods above!? it was evident that the woman with the crystals was but a fraud!” Joelina explained with all the calm and restraint of a shoppingmall Karen
“Well the rockets to the moon, that did happen.” Tom attempted, doing his best to remain calm and diplomatic. “The movie you saw was probably a recreation… Tell me, did things go wrong on that trip but they made it home anyway?”
“Yes, do you know of what I speak? Ahr what am I proclaiming! of course you do it is your own memories, how could I forget.”
“Yea…, you watched a movie about Apollo 13 I think. Good movie, and that all happened too. Like for real happened”
“I see…” Joelina replied, sounding rather unstable. “And what of the gods?”
“We ain’t got any. Well not in space at least.”
“Impossible!”
“No, quite possible. Many still believe in gods though, but let’s not get into that too much. It’s a right old mess.”
“No, you must tell me what happened to the gods? Have they left you?”
“Well some think so, but no. I just think it all works a bit different for us. They might be a little more hands off.”
“But the churches… and these religious warriors you did battle with,” the inquisitor all but muttered to herself, sounding like she was struggling to put pieces together. “Do Jesus and Islam fight for power then? no no, they would have long since lost the battles to the ancient gods of war the teachers spoke of… though why they were always naked eludes me yeeees…”
“No, again we don’t really have gods just floating around... Could we please talk about something else? Or is that all you wanted to know?” Tom tried, hoping he really didn’t have to dive deeper into that particular subject.
“No no don’t you dare cut me off! I have seen what you talked of, nuclear fire and missiles, ships of the oceans and planes soaring in the skies. But is it not all fake? Surely it must be! It must be? It must be…”
“I don’t know what you saw… but we have ships sailing around. If you’ve ever seen flying ships like you have here then that’s fake I can assure you of that. We do have airships, but they look more like really big long balloons.”
“But we could make such vessels, or someone could from times past. If you can visit the moon then surely you can make a ship for the skies!”
“No no, we ain’t got grav oil. Or dragon essence as I guess it’s called. That means no anti gravity, and that means weight is a very very big problem for anything you wanna make fly. Planes and helicopters are how we fly. Remember how I flew to Afghanistan on a big ass plane? Or when I learned to parachute later?”
“What is parachute? is it the ham from your times doing, vacationing? what has dried meat products got to do with flying machines of battle!”
“Wooo easy now easy. I guess you didn’t get that far yet. Uhm. It’s a cloth kite you dangle from and then glide to the ground. Very good fun.”
“A cloth kite used to fly?... such strange inventions. Wait was there not a movie of with something of that nature? yeeee… there was a song. I liked that song… something something brains upon his chute. Yeesss…”
“Yeah… You’ll know it when you see it. I have one actually.” Tom clarified trying not to get too weirded out.
“You must demonstrate on a suitable occasion.”
“Yeah… I do have a question too though,” Tom replied, letting silence reign for a short time. “...Your last letter was in Danish.”
“Oh, uhm yes. I- I was having some difficulty separating what was real and what was not… I still am. Do not tell Glazz, she musten know the truth yet. She seeks to limit my excursions.”
“You’ve ended up like I did, have you?”
“No no no, the effects do indeed recede as expected, everything is in good order… But I had to know more. So so much moooore.”
“Maybe you should cool it a bit. You never know when a brain snaps. Or how,” Tom tried, confident his advice would be ignored.
“There is not time!”
“And why is that? How is it going in our beloved Inquisition?”
“Mind your tongue, human! Things are progressing, but so are our enemies. Infiltrators have been caught, traitors within our ranks are making their moves. The reemergence of Rashan, attacks on mines, keeps and a daring heist attempt at a Royal Guard fortress! The game is afoot, we cannot delay.”
“You can’t overreach yourself either. Weren’t you supposed to be winning over the rest of the inquisition right about now? Can’t do that as a gibbering mess.”
There was silence for a while more after that. “Glazz sent you a letter? What did it say?! You may not keep secrets from me- wait not… I should confiscate her arm… she cannot write with her left. Yes far better plan, avoid upsetting him. And fill her pen with invisible ink. Yes very good.”
“No, it’s just obvious to any idiot. But what about winter, won’t things slow down?”
“They should, yet as autumn progresses it has only been picking up. I hope they too are running out of time… But time for what? I must know what they are planning. They might be behind schedule. But what SCHEDULE! sorry…”
“Well you’re not gonna find the answer to that in my memories, now are you?”
“You were sent by someone. You are here for a purpose. I must know this purpose. It will help me understand. The puzzle is large and much of the box kept from me.”
“As far as I’m concerned, I’m here to help you guys get in gear. That’s a decades to centuries long sorta problem, not a couple of years. Sounds like this war will be in the couple of years category.”
“Then why now? Why did you arrive now?!”
“Shitty luck? Sounds like 10 years ago would have been a lot better… Oh on that note, did you hear? We found something down below.”
“No, Paulin would have told me.”Joelina dismissed, he could almost feel her turning her snout up and away from him.
“Well we opened the vault like 3 days ago,” Tom replied, quite surprised Paulin hadn’t said anything. “Wait yeah she can send you messages, no? She sent the message about what we wanted to buy too, didn’t she?... How did she do that by the way? Why didn’t you just have her ask me questions?”
“That is not for you to know, and this is not for her.”
“Really? More secrets still? Come on, tell me or I’ll let you think flying whales exist.”
“I know those are not real. If they were, you would have harvested them long ago! likely for some deranged snack… or facial decoration.”
“True, but you get the idea,” Tom persisted, feeling like this was something worth pushing for. Why would Paulin not have let her precious Joelina know?
“Very well. This does not leave your mind… In the name of, what was it called… camaraderie. Paulin is in possession of joined paper. Messages may be written down and read by anyone with similarly joined paper. Unsecured. Originally believed to be fore love letters… dastardly studs and wenches using perfectly good magic for such trivialness… simply tie the message to a rock and throw it though the window. Most peasants cannot even afford glass” Joelina trailed off, seemingly zoning out once more.
“You have magical paper that can relay written information… and you don’t fucking use it!?” Tom explaimed, not quite believing what he was hearing.
“No, we do not know how to make freshly bonded paper… only more linked to all other paper in existence…” Joelina agreed. He could almost feel her looking at the floor in shame. “But it is not as if you are infallible, why did you not bring one of these radios?”
“I uhm…”
“Why didn’t you?!”
“I forgot,” Tom admitted, thinking back to his packing days. Of all the things that could have proven useful, that one might have been his biggest blunder.
“For the love of all that is holy! You are our saviour?!” Joelina scolded, understandably so, but still.
“Hey I never claimed to be smart!”
“I have lived your dreams. That is a lie! You very much claim to be smart!”
“Fuck off, I know you are just a scared little insecure girl.”
“She died 30 years ago!”
“Well I haven’t gotten to that bit yet!”
“What in the devils do you mean?” Joelina questioned calming right down in a fraction of a second.
“I’ve only had like three proper dreams about you… wait no, not like that,” Tom blurted out as it clicked just how wrong that sounded. Joelina didn’t seem to care in the slightest though.
“Three? That is it!?” going right back to outrage.
“Yeah… Wait, how many have you had?” Tom questioned. He rather wanted to know just how much she might know about him in addition to the memories she had already picked through when inside his head.
“Several a day!” the inquisitor exclaimed in reply.
“Okay, I can see how that would drive someone a bit mad.”
“I am not going mad!”
“Did Glazz say the same thing?” Tom questioned, quite certain he was striking a nerve.
There was no reply for quite some time, Tom feeling the headache growing as things grew tranquil once more. He could feel his breath. It was rapid, and his heart was pounding. He probably shouldn’t do this for much longer. Thus he endeavored to break the silence.
“You probably should listen to her you know.”
“No! These matters are above her station!”
“Hasn’t she been in the Inquisition longer than you?”
“She has yes. But she is no inquisitor. She is a body guard.”
“Seems like she is a wee bit more than that,” Tom pushed on. He didn’t yet know how those two came to stick together, but it was clear they had been working together for decades by now. All the way since she was assigned to Harvik
“Mind your own matters, human.”
“Very well, don’t think I can keep this up anyway.”
“We have barely been chatting! Where do the dogs come from?!”
“Selective breeding for thousands of years. But I’m gonna go. Take a break, do what Glazz says… even if Jacky hates her.”
Yet more silence followed that, though it was brief and Joelina was the first to speak again.
“Fine! In the interest of cooperation I shall let you rest. Wear the earring at all times, I shall be contacting you again soon.”
“I think I’m gonna be the judge of that. I’ll put it on when I feel like it.”
“You will do as I say!”
“You need a nap and a bit to calm down. I’ll give you three days. Around noon. See yah… How do I get this thing off?”
“I’m not telling you,” Joelina grumped like a little girl. She really didn’t seem quite like herself at all today. She had been the spitting image of restraint and arrogance before. The arrogance was still there, but the restraint had certainly gone.
“Come on, do I just try to cut off the magic or is that a bad idea?”
“If you answer a question I might answer.”
“Right then… Gimme gimme gimme aaaa-”
“JUST CUT IT! Farewell!” she called out loud enough Tom’s head pulsed and then there was blissful silence once more.
“Hehe. That did the trick, right concentrate on that funny feeling aaan-”
__________________________________________________________________________________
After dinner had been rounded up, Dakota had given a brief address as to some of the news received. There wasn’t much that hadn’t already made the rounds at the tables during the dinner itself. The war had been expanding, recruitment had started in full in the cities, and if not for the rather special situation at Bizmati they could have expected their banners to get called by spring.
Rumors had it that the kingdom was preparing itself for counterstrikes the following spring, which meant training through the winter for many volunteers.
“And a lot of not so volunteers,” Fengi muttered as Dakota carried on with the address.
“You can say that twice. At least the street rats might get something to eat and a place to sleep,” Tirox the trader escort added.
“I suppose that is true. Not a bad deal in winter time… I might even have taken it.”
“But we must instead keep our minds on our home,” Dakota carried on, talking to the whole hall. “There can be no mistake, we will be a target. We will be ready. They are getting bolder by the day it seems. It is not impossible they may attempt to take our keep before the winter comes. Or perhaps they will be waiting for spring. It is equally clear their forces are spread thin. We will weather such assaults, I have no doubt. But we must keep training. We must keep vigil. We cannot afford to be surprised or outmatched. I know you will all do your best. And tonight, we have no less than 4 dragons here. So breathe easy, have your snacks and your drinks. If the weather holds soon we will be finished with the warehouse and then we may make final preparations for winter. It is sure to be an interesting one for once.”
The hall replied with a half-discordant cheer, not overly enthusiastic unlike what Dakota had likely envisioned. The talk of them possibly getting attacked even before the snow came wasn’t really that encouraging. But Dakota tended to speak her mind, and she was probably right. Bizmati keep would be a damn tough nut to crack. And to Dakota’s credit she did seem to recognize she hadn’t really managed to rile them up.
“Didn’t you hear me?” she tried again in a slightly more humorous tone. “Eat, drink, and have fun! And put those tables together, don’t want you brooding in your corners.”
That did get a bit more of a reaction, as well as some good humored chuckles. People started getting up and set about moving the tables closer together.
It was a little rude to split up their guests in the same way as they normally did. Saph carried one of the benches over to the new spot, glancing around for any sign of Maiko, but there was no sign of him anywhere.
Feeling a little miffed, she sat down with the others as Ray came back with one of the small kegs of cider looking very excited. “We should have a taste, right?”
“Oh yes please!” Pho called out, Essy giving her a slight slap on the wrist.
“This one is only for those who paid for it. You will have to do with whatever you bought. Or the ale I’m sure they intend to serve.”
“Aww man. Not even a sip?”
“Okay, maybe a sip,” Essy relented. “Oh, I should get Koko his gift.”
“You got him a gift?” Saph questioned with mirth in her voice.
“Of course, that is what people do for each other… you did get Maiko something, right?”
Saph felt her expression slip a little as she prepared to disappoint their chief people person. “No, not really…”
“All that money and you didn’t get him shit? That’s cold girl,” Pho laughed, clearly finding it hilarious.
“Oh shut up, not as if I got something for Unkai either,” Fengi added, springing to Sapphire’s defence, though it seemed like the delivery had Fengi second guessing herself as well.
Esmeralda did look a little saddened by the news, but she was far too nice to say anything. Tirox however had no such filter.
“Oh don’t worry about it, just gotta go with a different sort of gift.” The diminutive guard laughed heartily at his joke. Udanti found it quite funny as well, and Pho certainly loved it. Bo just shook her head a little and went back to a small puzzle of some sort she had been working on, on and off, for most of the dinner by now.
“So uhm… One mug each?” Ray questioned, having been left hanging at the keg.
“Oh yes sorry, just the one, this stuff is expensive,” Saph replied, holding out her mug, Ray pushing it back down.
“One moment.” And she produced a wooden mallet and one of the metal taps. It looked like one of Raulf’s, so it was probably old as faded dragonscales.
Ray gingerly placed it against the cork and raised the mallet as the table fell silent in anticipation.
With a whack the tap went in clean with hardly a drop spilled, and Ray breathed a visible sigh of relief. “Right there we go.”
There was a quick round of cheers from the table, and Ray started pouring servings.
“Oh got yours open, have you?” the voice of Balethon came as the guard came walking up to the table, mug in hand and lizard on shoulder. “You all know we are gonna have to work out who got the better stuff, right?”
“Oh does it always have to be a competition with you, Balethon?” Saph questioned. She had just wanted to enjoy the cider.
“Look who is talking… And yeah of course we do! Just think of the bragging rights.”
Ray didn’t look too thrilled, nor did any of the girls who had actually paid for the keg. The rest of the table seemed to think it was a brilliant idea, even as Balethon’s voice carried and heads started to turn as people started to mingle between the now closely together tables.
“I’ll be the independent adjudicator!” Tirox declared, not receiving much attention as the full mugs started to get passed around. “Oh come on. I’ll be fair!”
“Shut it pipsqueak, you’ll end up taking 10 rounds of tastings before you make up your mind,” Udanti scolded, though in good humor.
“I might…” the guy relented, looking to Balethon. “Ey, by the way. Did you teach the brainlet any tricks?”
“Sure, Skitters can do a few things.”
“Aside from chasing the food?”
“You know what I think he might yeah,” Balethon replied sarcastically, gently tapping the static lizard twice on the head. The lizard didn’t do much save skitter about on his shoulder to face Balethon’s head, one eye pointing in whichever direction.
‘That thing just looks so dumb,’ Saph thought to herself as Ray handed her a mug. “Oh thank you.”
“Okay, Skitters. Up,” Balethon went, raising a claw into the air as if he wanted the lizard to jump. Or perhaps stand up. “Up… come on.”
There was no reaction from the lizard aside from it jerking to the left a bit, possibly having spotted a fly or something.
“Weeeell obedience might need some work,” Udanti chuckled. “Have you tried with some food in your hand?”
“Sure, then he just tries to eat the hand. Come on, Skitters. Up!” Balethon tried again, doing the gesture once more. And this time the little lizard jumped into the air. The little legs stretched out, taking its pitiful excuse for wings with it, and it half-fell half-glided to the floor where it hit with all the grace of a 6 year old on his first lesson. The slightly fat lizard bounced once, then rolled over twice before coming to a stop, looking around confused.
“Aaayyy! That’s a good boi,” Balethon went, going to pick it up again before someone stepped on it or it ran off under the tables. “And now you get a treat.” True to his word Skitters was fed a small piece of something or other which it seemed quite happy to snap up.
Fengi leaned in to whisper to Saph. “Was that the trick or did it just get sick of staying there?”
“I have no idea,” Saph replied, holding up her mug. “Cheers though.”
“Cheers,” Fengi replied as they clinked mugs.
“Oh hang on now, wait for me,” Essy protested as Ray finished pouring her mug and started on her own, looking to the girls as she questioned “Oh, also what about Jacky? Should we wait for her?”
“Who knows how long that will take?” Fengi replied, holding her mug impatiently.
“I’m sure she won’t mind. She is with Tom. We’ll let him have a mug as well,” Essy added with a reassuring nod, looking up to the high table. “Oh but we are missing Lin!”
“Oh right yeah she paid too… I can’t remember, did Edita chip in?”
“I don’t think so,” Sapphire replied, shaking her head as Essy got up to go fetch Linkosta. Balethon decided to take her place, a big grin on his face.
“So what else is going on over here?”
“Oh not much, hellooo little guy,” Pho went, trying to give skitters a scritching. In exchange he tried to eat her finger. “Oh… I mean I guess it doesn’t hurt.”
“Oh yeah, he can’t hurt a fly… well he can, but nothing more.”
“Shame he won’t get any bigger either,” Udanti added, nodding sagely. “Would have made a good rat hunter.”
“Nah… toe hunter though. Also where is the ale at?”
“Oh Raulf and Wiperna are getting ale and some of the bubble beer.”
“What is bubble beer?” Udanti questioned, tilting her head.
“Oh you’ll love it,” Saph interjected, waiting patiently as she saw Essy and Linkosta returning to the table out of the corner of her eye. “It’s an ale but it’s all fizzy.”
“Riiight… I’ve heard of fizzy beers before.”
“Oh yes, but this one is so much more fizzy.”
“It’s light and almost springlike.”
“Light ale? You mean for kids?”
“No no no. Just trust us it’s good.”
“Right right, I trust you,” the archer replied, looking to Essy and Linkosta, who seemed to be looking for a place to sit. “Should we not just put two end to end rather than this scrunching up business?”
“Yeah we should… Right get the craftsman table over here then. We don’t wanna have to smell the guards,” Saph called out, holding up her mug.
“Hey! That was uncalled for,” Balethon protested as Ray passed a mug to Linkosta. The girls all raised their mugs and had a sip, not willing to wait any longer. They all smacked their chops a little, looking down at the golden liquid. It was slightly fizzy too… and it tasted like the brew of the gods themselves. Ray was looking at them all visibly tense with anticipation and perhaps a twinge of fear.
“Ray… You have not disappointed,” Saph declared, nodding her approval, a smile creeping onto her face once more.
“Oh this is the best drink I think I’ve ever had,” Fengi added, taking another gentle sip.
Ray looked visibly relieved, her expression changing to one of ecstasy as she too took a sip herself. “Oh it’s even better than I remember. I’m glad you liked it.”
“Like it?! I love it!” Fengi cheers, Essy giving an appreciative nod to Ray before looking to Lin.
“Sooo?”
“It’s very good… Do you think we could try and cool it down a little? Imagine this cold.”
“It is often served cold, yes,” Ray confirmed, nodding her assent.
“I’ll go get the powder!” Saph called out, getting up. “I have got to try that.”
__________________________________________________________________________________
The strange ethereal world that had seemed so all-consuming started to quickly fade. Holes grew as light and reality started seeping in, sounds and noise starting to build around him. “Oom-Tom… Tom, are you okay?” came the familiar voice of Jacky as his eyes shot open and he blinked a few times as he returned to reality proper.
“Yeah yeah, I’m here… That is trippy, but hey, I think it worked.”
“How many fingers?” Jacky questioned, holding up her hand.
“4. Clear as day.”
“Pheeew. Okay look around, anything strange?”
Tom obeyed, sitting up a bit straighter and glancing about the room. “Nnnnn, nope all good. Just like last time I used one of these.”
“Right, good. Now what did she say?”
“Oh a bunch of stuff… mostly we chatted a bit about how she’s going a touch mad. Even Glazz thinks she’s falling apart at the seams apparently. She was also not happy I wanted a break.”
“Oh don’t tell me you have to do this every day from now on?”
“I said she had 3 days to get ready to try again. Hopefully she’ll have her case worked out by then.”
“Here’s to hoping… also how is your head? Does it hurt?”
“A bit, it’ll go away I’m sure.”
“Right,” Jacky replied, looking at him skeptically. “If it gets worse, tell me. But dinner was served a while ago I think. And I’m hungry.”
“Me too, let’s go.”
__________________________________________________________________________________
Well then, Joelina got her chat. She seems fine... I am sure she will continue to be a steadfast ally, within the walls of the inquisition for many weeks to co- I mean years, definetly years.
As always I hope you enjoyed the chapter, if not you know who to blame. I promise I won't cry to much if you tell me what was wrong... I promise.
Not really any news, other than fuck me I'm a busy boi, luckily I found the time to keep up with the writing yet, hopefully things will quet down soon so I can get back to begin a bit further ahead.
Untill next time, take care
Wiki and Art Gallery If you can't remember who someone is, want to read any of the side stories of fanfiction, or you just wanna watch some of the cool art that's been made for the story. Patreon If you want to help get more cool shit made consider joining the Patreon, you also get chapters two weeks ahead of time. HoH Subreddit if you want more stories from the HoH universe or are interested in writing something for this funny little world. Discord if you wanna have a chat about the story or just hang out First Previous
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2024.05.13 19:44 FridgeKidReddit what happened to the publishing options

what happened to the publishing options
so deviantart updated their upload gallery & stuff recently and they kinda got rid of the most important option for me does someone know what happened to the publishing options do we get it back ?? because I don't want my Bases to be uploaded on another webside & my art uploaded on another webside form people without an DA account
https://preview.redd.it/gu5hxuntd80d1.png?width=2780&format=png&auto=webp&s=f40f0c8902ab4c0f58d894b1abd13904d7e97019
submitted by FridgeKidReddit to DeviantArt [link] [comments]


2024.05.13 19:31 ACertainArtifact Week 20 Introduction Thread - Wrapping

wrapped; wrapping (transitive verb):
Wrapped in vegetables: ssambap, banana leaf, bamboo leaf, chard and collard greens, bossam, endive, inarizushi (tofu), tamales and uchepos
Wrapped in meat: prosciutto, rouladen, caul fat, negimaki, porchetta (also wrapped in inedible stuff unless you like twine), devils on horseback, smoked salmon
Wrapped in fruit: mango, fruit leather
Wrapped in carbs (yay): shawarma or doner kebab, kathi (paratha) rolls, dosa, taquitos or flautas, rugelach, crepes and blintzes, lavash, en croute and wellington
Wrapped in dairy (good luck): cheese shell tacos
Wrapped in inedible items: lomo al trapo, compound butter, en papillote, deli-style sandwiches, bouquet garni
Wrapped in rapping: mom's spaghetti (again)
This list is abbreviated! Wrapped foods can be found across the globe. We all apparently like to walk with our food and bulk it up with extra structure. Props to u/ubiquitons and u/unthunktheglunk for the suggestion!
submitted by ACertainArtifact to 52weeksofcooking [link] [comments]


2024.05.13 15:52 Tallmoose78 Been at the drawing board since April 1st

Been at the drawing board since April 1st
On April 1st I left my job as a tattoo artist Tragically I jumped on Instagram and found out What also happened on April 1st
During the Covid lockdown and 2 quarantine’s I was a hardcore voyeur of Cartoonist Kayfabe I was sucked back in to the comic world CK literally saved my life
Ed Piskor published one of my drawings in his gore gallery 👆🏻 I felt the universe was definitely telling me what my path should be
Here’s my new instagram I’m finally at a point to start showing that I’ve been following the marching orders “ MAKE MORE COMICS “
https://www.instagram.com/tallmoosedesign?igsh=MWFsaWtxaDJ1YWQz&utm_source=qr
submitted by Tallmoose78 to Cartoonist_Kayfabers [link] [comments]


2024.05.13 15:07 pauses-then-says Anyone feel like helping me design a gallery wall?

Anyone feel like helping me design a gallery wall?
I’m trying to design a gallery wall around a frame tv. It’s a half wall bc there’s chair rail. The bottom right squares I’m planning to be vinyl records and the TV is already mounted, otherwise I was just drawing. Random sizes to see what might look good.
I’m think an ascending kind of style going diagonally up to the right. Maybe spilling over into the tiny corner wall?
Any ideas would be appreciated! Never did a gallery wall before
submitted by pauses-then-says to decoration [link] [comments]


2024.05.13 13:51 xtremexavier15 TMA 6

The logo's 'D' transitioned the scene back to the studio, the shot showing all the former cast members on stage – the six losers on the right, the three guests on the left, and the two hosts in the center.
"Welcome back to the Aftermath show!" Damien said happily to the audience as they gave their applause. "We're currently talking with Izzy about herself and her time on the show!" The crowd cheered.
"Now it's time for Izzy to play Truth or Hammer!" Priya announced and turned to the quirky guest. "Season two started off so well for you. Where did things go wrong?"
“I think it was when I turned down that secret alliance with Chef,” Izzy dropped, causing everyone to gasp.
Damien looked up at the hammer and saw that it didn't lower down at all. “Chef actually tried to form a secret alliance with you?”
“Uh-huh. He said he'd help me win this thing if I shared the money with him,” Izzy answered.
“Whoa,” Geoff spoke out in surprise.
“Totally did not expect that,” Eva added.
Damien then heard something in his earpiece. “Hey, I think we've got a never-before-seen clip!” he mentioned as the camera panned up to the television.
After the static played out, the footage featured Chef and Izzy standing next to a trailer on the film lot. “I'll help you man up and win this thing. We split the prize money fifty-fifty,” Chef negotiated.
Chef held out his hand for a handshake, prompting Izzy to karate kick him out of view as an intern holding a clipboard watched from the background.
“Oh, I don't think so!” Izzy declined the offer, the intern becoming scared as the clip ended.
The shot focused on the hosts shocked by what they saw. “Wow!” Priya said.
“I can't believe Chef did that!” Damien commented.
“The impact was big though!” Priya mentioned as the part of Izzy kicking Chef in the chest was zoomed in and a circle was drawn around Izzy's foot. “Check that out!”
The clip now moved in slow motion as Chef flew away while Izzy bounced away from her impact, causing the camera to focus on the scared-looking intern.
“I'd advise that intern to run away!” Damien said while the intern's head was circled on, earning laughter from the audience.
“I would never hurt that intern,” Izzy claimed, and she back flipped in order to avoid the swinging hammer. “Whoa! Nearly got me that time.” The next shot showed the same intern watching from afar dropping his clipboard and running away due to what Izzy said.
“So then what happened after?” Priya asked Izzy.
“My guess is Chef went and made a demon deal with Brick,” Izzy theorized. “Yeah, I think Chef threw the acting challenge with Justin so Brick's team won and I lost. But, hey, what do I know?”
"Apparently, a lot," Priya remarked.
"How about we hear from another viewer now?" Damien looked down at the display in front of him. "Gluepunks350 asks, "Do you think Brick will get busted?"”
“Well, I don't know about Brick, but I busted my arm once. Yeah, look, now I'm double jointed.” Izzy bent her left arm backwards. “I'm doing it! Backwards!”
Damien felt weirded out. "I think we should move on to our next guest."
"Correct," Priya nodded as the camera panned back up to the hanging television. "Trent being here is quite surprising," she said as footage began to play of Trent talking to Geoff about the latter's tooth and him talking about the sleeping arrangements. "He is a Season 1 fan favorite after all."
"I agree with that," Damien said as the footage moved on to the guitarist offering Sky his toast. "Although he did start to slip up around episode two after seeing Sky and Chase become friends," he continued over Sky picking Chase for her team and Trent looking shocked.
"Not wanting to lose his girlfriend and the game, Trent tried depending on luck, and when that didn't work, he opted to throw the challenges in order to let Sky win thanks to Justin's advice on making her happy," Priya said over Trent attempting to put nine flags on his team's sandcastle, and then purposely tripping over a stick and being talked to by Justin.
“Luckily, Sky was not blind to Trent's subtle attempts to lose deliberately,” Damien spoke as the footage showed Sky getting annoyed over Trent's compliments and him throwing the rope to the ground and then the two of them talking to each other after bathing in a barrel, “and after a much needed talk, the two were able to resolve their problems.”
"Despite all this, Justin was able to gather enough votes to target Trent, and in the end, Trent's time on the show was over!" Priya finished, the clips of Justin talking to the girls about Trent's actions and the guitarist walking into the limo being played.
"Our next guest took down a serial killer and once got poisoned by a blowfish,” Damien recapped. “Please welcome Trent!"
The Aftermath theme played and applause issued from the audience as Trent walked onstage with a smile and his guitar in hand.
“We're live on the TDA Aftermath with Trent, everyone!” Priya announced while Trent waved for the camera and sat down next to Izzy.
“So what happened, Trent?” Damien got the interview started.
“At the start of the season, things were going great until Sky and I were split on different teams,” Trent delved in. “Then she and Chase started hanging out.”
“Jealousy can be quite common,” Topher muttered.
“True,” Sam agreed.
“Then the competition set in,” Trent resumed.
“We know there's something else,” Damien reminded.
“You mean, how stressful things got?” Trent answered.
“Yeah, and no. It mostly applies to you,” Priya stated. “Be careful how you answer this, because a humongous hammer can come down and knock you out of that couch!”
The musician was intrigued by this news before continuing. “Uh, I guess somewhere I decided Sky was more important than the money,” Trent said, and the hammer not coming down proved his honesty.
“I'm surprised you're being really cool with losing out on a million dollars,” Priya said.
“It's Trent. What else did you expect?” Damien told his girlfriend.
“I guess I just lost my game,” Trent sighed. “Really let my team down. Sorry, Grips,” he apologized to the camera, making the audience aww.
“I have to ask you about the number nine thing. Check it out,” Damien pointed up at the television, which was in static before fading to the clips.
“That's right. Nine turrets, nine doors,” Trent instructed as Brick and Jasmine poured more sand.
“Remember, nine of everything!” Trent added in, much to his teammates’ bother.
Sky's attention was caught by the number of sticks he carried. "Not to interrupt," she started to say, "but you're carrying nine sticks."
The focus was now back on Trent. “Dudes, there's a lot more to my number than it being luck!” he protested.
“You did depend on it for challenges because you wanted to win,” Gwen brought up.
“The number nine thing has nothing to do with Sky or the competition,” Trent debunked. “I had this toy train my granddad gave me as a kid. Right before he died. One of the wheels fell off, so there were only nine. I was devastated. So my mom told me nine was now my lucky number.”
After Trent finished his story, the camera showed shots of the hosts, the other guests, and the Peanut Gallery all reacting with sadness.
“Have you ever told Sky about this?” Katie asked.
“She is still your girlfriend,” Sadie pointed out.
“I haven't had time to, but I'll make good on my word,” Trent promised, and the audience applauded for him.
“We've got a lot of emails here,” Priya checked the display. “Snowgirl writes, "Trent, what kind of girl are you not into?"”
“Simple. They'd either have to be stalkers or the kind of girls that'd do anything to humiliate people for no reason,” Trent claimed.
"How about we check in on our web cams?" Damien suggested, leaning over to check the display in front of him. "We've got Ginger from Sudbury," he said before the camera pulled out enough to show the monitor, which flashed from static to a feed of a geeky young white girl with large glasses and her red hair in pigtails. "Hey Ginger!" Damien greeted as the young girl waved.
"Trent, I'd love it if you went psycho crazy over me!" the girl squealed.
“Side note, you've been getting a lot of admirers ever since you got eliminated,” Damien told Trent.
"Uh, yeah," Trent said uneasily.
"Thanks, Ginger," Priya said as Ginger waved once more and her feed cut to static. "We also have Steve," she looked at her display, "the...Yeti? From Vancouver!"
The static on the monitor cut away to show none other than Sasquatchanakwa, or at least something that looked very much like it. "Uh, how's it going?" Priya asked awkwardly.
"Chris McLean," the yeti began to say in a deep and growling voice before it faded into something much more familiar, "is the best host ever! How'd you get your own show?" He leaned towards the camera angrily, his long white teeth bared. "You stink!"
"Yo Chris," Chef's voice said from the yeti's end. "If I wanted to take a hot tub by myself, I-" The yeti smiled sheepishly. "Oh! You on the webcam?"
"Chris?" the two hosts asked in bewilderment as the audience roared in laughter.
Chef then got next to Chris. “Don't believe a word Izzy says,” he advised. “Girl's crazy.”
Priya and Damien looked at each other before the former spoke. "Now it's time for a segment that we like to call, 'That's Gonna Leave a Mark!'"
The crowd cheered as a short introduction was played with clips of various contestants getting hurt throughout the seasons scrolling across a sunburst pattern in a manner similar to part of the Gilded Chris ceremony introduction, albeit with a different theme tune.
Damien sighed happily as the shot cut back to him and Priya. "I do not miss getting humiliated."
"Here's what all of you didn't get to see on the show!" Priya looked back up as the television descended, and cut to the first in a series of clips set to a campy tune comprised primarily of a tuba, drums, and whistling.
The first clip showed Justin and Izzy walking backstage in their costumes during the acting challenge. Just then, a headlight fell and clubbed Justin on the head. "Looks like it's lights out for Justin," Damien said as the crowd laughed and a circle was drawn around the impact.
A bout of static heralded the second clip, in which Eva and Geoff were running through the beach set during the monster movie challenge. "This is a good one," Priya said as the monster stomped across the screen and left Eva and Geoff shaped holes on the ground, earning more laughter.
The third clip focused on Millie patting the sand castle for support until something bit her. She pulled her hand out and saw a crab pinched to her finger. "Ooh!" the hosts winced as a circle was drawn around the crab.
Next was a shot of Anne Maria twirling her lasso around. She threw it forward, but it got wrapped around her legs and pulled her down. "I don't even know what to draw for this," Priya laughed.
The next clip began to play. It consisted of nothing more than Mama Alien Chef walking forward with determination only to slip and fall on a pile of his own slime, his gun flying off-screen before a few shots rained back down on the fallen cook.
"Now that's gonna leave a mark," Damien said as Chef was circled and the scene cut back to the set. "With what's been happening," he said after a bit more laughing, "I am so glad I'm not competing."
“Do you guys think I could sing a song?” Trent asked Damien and Priya and held his guitar. “It's something I wrote after I left the show.”
“I'm not going to stop you,” Priya shrugged.
Trent strummed a beat to start his song, and the Peanut Gallery, Damien, Priya, Izzy, Geoff, and Eva listened attentively.
“We'll be separated for a couple of days,
And I know inside our heads our love stays.
I know I'll be okay, but I also know I'll be in a bad mood…
If I didn't show how much I love you…
And you love me too.”
When the song ended, the audience applauded and cheered heavily for Trent. “Sky, I want you to know that I'll be watching and rooting for you here,” he gave a shout out to his girlfriend, earning an 'Aww' from the audience.
"Now that is true love if I do say so myself," Priya gushed heavily with her arm on Damien's shoulder.
"Don't forget that ours is just as strong, if not more," Damien teased before he leaned in and kissed Priya, the audience oohing as the beginnings of a familiar tune began to play in the background.
“Could we get that hammer out here?” Izzy asked playfully and spoke to the camera. “I guess that's a wrap. Priya and Damien will see you next time!”
"You've got that right," Damien said as the kiss was broken and the Aftermath theme began to play.
"We've got a huge season coming up!" Priya added.
"And we'll be joining you again for another Aftermath!" Damien continued.
"Don't forget to follow Chris next time," Priya said with a smile, "for the next dramatically thrilling episode of Total! Drama! Action!" The audience cheered wildly, and another quick jingle played as the scene cut to the show's title card, the block letters gleaming one last time before fading to black.
(Roll the Credits)
(Bonus Clip)
The scene showed Izzy and Trent inside of the green room. Trent was in the middle of playing on his guitar and Izzy was helping herself to more food.
“So I gotta ask,” Trent said suddenly. “How come you didn't mind being called by your real name instead of “E-Scope”?”
Izzy stopped stuffing herself with crackers as soon as the question was asked. “Say what?”
“I'm talking about how the whole time you were competing, you'd act bratty because you weren't called by the name you wanted to be referred to as,” Trent pointed out.
“Well, I was repeatedly told that it was getting old and grating,” Izzy explained. “That kinda bummed me out cause I just wanted everyone to find it funny.”
“And they didn't,” Trent responded. “No offense.”
“None taken,” Izzy shrugged. “I'm not going to change my personality entirely, but the alter-egos should be taken down a notch. So about those secret admirers...”
“I don't even want to delve into those when I already have a loving girlfriend thank you very much,” Trent finished their conversation.
“Right,” Izzy nodded and returned back to her binge eating.
Eva - 14th
Geoff - 14th
Izzy - 12th
Trent - 11th
Killer Grips: Anne Maria, Brick, Jasmine, Justin, Millie
Screaming Gaffers: Chase, MK, Ripper, Scott, Sky
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2024.05.13 11:57 ThickyThick4u Am I slow 🐌!!

Am I slow 🐌!!
Whenever I start reading these , I lose my concentration in between and then I have to read it again and again 🥲 ...Boom Time' Gone !!! Any suggestions to improve !
submitted by ThickyThick4u to Chat_SAT [link] [comments]


2024.05.13 07:25 Willy_Fisher Count Magnus.

By what means the papers out of which I have made a connected story came into my hands is the last point which the reader will learn from these pages. But it is necessary to prefix to my extracts from them a statement of the form in which I possess them. They consist, then, partly of a series of collections for a book of travels, such a volume as was a common product of the forties and fifties. Horace Marryat's Journal of a Residence in Jutland and the Danish Isles is a fair specimen of the class to which I allude. These books usually treated of some unfamiliar district on the Continent. They were illustrated with woodcuts or steel plates. They gave details of hotel accommodation, and of means of communication, such as we now expect to find in any well-regulated guide-book, and they dealt largely in reported conversations with intelligent foreigners, racy innkeepers and garrulous peasants. In a word, they were chatty. Begun with the idea of furnishing material for such a book, my papers as they progressed assumed the character of a record of one single personal experience, and this record was continued up to the very eve, almost, of its termination. The writer was a Mr. Wraxall. For my knowledge of him I have to depend entirely on the evidence his writings afford, and from these I deduce that he was a man past middle age, possessed of some private means, and very much alone in the world. He had, it seems, no settled abode in England, but was a denizen of hotels and boarding-houses. It is probable that he entertained the idea of settling down at some future time which never came; and I think it also likely that the Pantechnicon fire in the early seventies must have destroyed a great deal that would have thrown light on his antecedents, for he refers once or twice to property of his that was warehoused at that establishment. It is further apparent that Mr. Wraxall had published a book, and that it treated of a holiday he had once taken in Brittany. More than this I cannot say about his work, because a diligent search in bibliographical works has convinced me that it must have appeared either anonymously or under a pseudonym. As to his character, it is not difficult to form some superficial opinion. He must have been an intelligent and cultivated man. It seems that he was near being a Fellow of his college at Oxford—Brasenose, as I judge from the Calendar. His besetting fault was pretty clearly that of over-inquisitiveness, possibly a good fault in a traveller, certainly a fault for which this traveller paid dearly enough in the end. On what proved to be his last expedition, he was plotting another book. Scandinavia, a region not widely known to Englishmen forty years ago, had struck him as an interesting field. He must have lighted on some old books of Swedish history or memoirs, and the idea had struck him that there was room for a book descriptive of travel in Sweden, interspersed with episodes from the history of some of the great Swedish families. He procured letters of introduction, therefore, to some persons of quality in Sweden, and set out thither in the early summer of 1863. Of his travels in the North there is no need to speak, nor of his residence of some weeks in Stockholm. I need only mention that some savant resident there put him on the track of an important collection of family papers belonging to the proprietors of an ancient manor-house in Vestergothland, and obtained for him permission to examine them. The manor-house, or herrgård, in question is to be called Råbäck (pronounced something like Roebeck), though that is not its name. It is one of the best buildings of its kind in all the country, and the picture of it in Dablenberg's Suecia antiqua et moderna, engraved in 1694, shows it very much as the tourist may see it to-day. It was built soon after 1600, and is, roughly speaking, very much like an English house of that period in respect of material—red-brick with stone facings—and style. The man who built it was a scion of the great house of De la Gardie, and his descendants possess it still. De la Gardie is the name by which I will designate them when mention of them becomes necessary. They received Mr. Wraxall with great kindness and courtesy, and pressed him to stay in the house as long as his researches lasted. But, preferring to be independent, and mistrusting his powers of conversing in Swedish, he settled himself at the village inn, which turned out quite sufficiently comfortable, at any rate during the summer months. This arrangement would entail a short walk daily to and from the manor-house of something under a mile. The house itself stood in a park, and was protected—we should say grown up—with large old timber. Near it you found the walled garden, and then entered a close wood fringing one of the small lakes with which the whole country is pitted. Then came the wall of the demesne, and you climbed a steep knoll—a knob of rock lightly covered with soil—and on the top of this stood the church, fenced in with tall dark trees. It was a curious building to English eyes. The nave and aisles were low, and filled with pews and galleries. In the western gallery stood the handsome old organ, gaily painted, and with silver pipes. The ceiling was flat, and had been adorned by a seventeenth-century artist with a strange and hideous "Last Judgment," full of lurid flames, falling cities, burning ships, crying souls, and brown and smiling demons. Handsome brass coronæ hung from the roof; the pulpit was like a doll's-house, covered with little painted wooden cherubs and saints; a stand with three hour-glasses was hinged to the preacher's desk. Such sights as these may be seen in many a church in Sweden now, but what distinguished this one was an addition to the original building. At the eastern end of the north aisle the builder of the manor-house had erected a mausoleum for himself and his family. It was a largish eight-sided building, lighted by a series of oval windows, and it had a domed roof, topped by a kind of pumpkin-shaped object rising into a spire, a form in which Swedish architects greatly delighted. The roof was of copper externally, and was painted black, while the walls, in common with those of the church, were staringly white. To this mausoleum there was no access from the church. It had a portal and steps of its own on the northern side. Past the churchyard the path to the village goes, and not more than three or four minutes bring you to the inn door. On the first day of his stay at Råbäck Mr. Wraxall found the church door open, and made those notes of the interior which I have epitomized. Into the mausoleum, however, he could not make his way. He could by looking through the keyhole just descry that there were fine marble effigies and sarcophagi of copper, and a wealth of armorial ornament, which made him very anxious to spend some time in investigation. The papers he had come to examine at the manor-house proved to be of just the kind he wanted for his book. There were family correspondence, journals, and account-books of the earliest owners of the estate, very carefully kept and clearly written, full of amusing and picturesque detail. The first De la Gardie appeared in them as a strong and capable man. Shortly after the building of the mansion there had been a period of distress in the district, and the peasants had risen and attacked several châteaux and done some damage. The owner of Råbäck took a leading part in suppressing the trouble, and there was reference to executions of ringleaders and severe punishments inflicted with no sparing hand. The portrait of this Magnus de la Gardie was one of the best in the house, and Mr. Wraxall studied it with no little interest after his day's work. He gives no detailed description of it, but I gather that the face impressed him rather by its power than by its beauty or goodness; in fact, he writes that Count Magnus was an almost phenomenally ugly man. On this day Mr. Wraxall took his supper with the family, and walked back in the late but still bright evening. "I must remember," he writes, "to ask the sexton if he can let me into the mausoleum at the church. He evidently has access to it himself, for I saw him to-night standing on the steps, and, as I thought, locking or unlocking the door." I find that early on the following day Mr. Wraxall had some conversation with his landlord. His setting it down at such length as he does surprised me at first; but I soon realized that the papers I was reading were, at least in their beginning, the materials for the book he was meditating, and that it was to have been one of those quasi-journalistic productions which admit of the introduction of an admixture of conversational matter. His object, he says, was to find out whether any traditions of Count Magnus de la Gardie lingered on in the scenes of that gentleman's activity, and whether the popular estimate of him were favourable or not. He found that the Count was decidedly not a favourite. If his tenants came late to their work on the days which they owed to him as Lord of the Manor, they were set on the wooden horse, or flogged and branded in the manor-house yard. One or two cases there were of men who had occupied lands which encroached on the lord's domain, and whose houses had been mysteriously burnt on a winter's night, with the whole family inside. But what seemed to dwell on the innkeeper's mind most—for he returned to the subject more than once—was that the Count had been on the Black Pilgrimage, and had brought something or someone back with him.
You will naturally inquire, as Mr. Wraxall did, what the Black Pilgrimage may have been. But your curiosity on the point must remain unsatisfied for the time being, just as his did. The landlord was evidently unwilling to give a full answer, or indeed any answer, on the point, and, being called out for a moment, trotted off with obvious alacrity, only putting his head in at the door a few minutes afterwards to say that he was called away to Skara, and should not be back till evening. So Mr. Wraxall had to go unsatisfied to his day's work at the manor-house. The papers on which he was just then engaged soon put his thoughts into another channel, for he had to occupy himself with glancing over the correspondence between Sophia Albertina in Stockholm and her married cousin Ulrica Leonora at Råbäck in the years 1705-1710. The letters were of exceptional interest from the light they threw upon the culture of that period in Sweden, as anyone can testify who has read the full edition of them in the publications of the Swedish Historical Manuscripts Commission. In the afternoon he had done with these, and after returning the boxes in which they were kept to their places on the shelf, he proceeded, very naturally, to take down some of the volumes nearest to them, in order to determine which of them had best be his principal subject of investigation next day. The shelf he had hit upon was occupied mostly by a collection of account-books in the writing of the first Count Magnus. But one among them was not an account-book, but a book of alchemical and other tracts in another sixteenth-century hand. Not being very familiar with alchemical literature, Mr. Wraxall spends much space which he might have spared in setting out the names and beginnings of the various treatises: The book of the Phœnix, book of the Thirty Words, book of the Toad, book of Miriam, Turba philosophorum, and so forth; and then he announces with a good deal of circumstance his delight at finding, on a leaf originally left blank near the middle of the book, some writing of Count Magnus himself headed "Liber nigræ peregrinationis." It is true that only a few lines were written, but there was quite enough to show that the landlord had that morning been referring to a belief at least as old as the time of Count Magnus, and probably shared by him. This is the English of what was written: "If any man desires to obtain a long life, if he would obtain a faithful messenger and see the blood of his enemies, it is necessary that he should first go into the city of Chorazin, and there salute the prince...." Here there was an erasure of one word, not very thoroughly done, so that Mr. Wraxall felt pretty sure that he was right in reading it as aëris ("of the air"). But there was no more of the text copied, only a line in Latin: "Quære reliqua hujus materiei inter secretiora" (See the rest of this matter among the more private things). It could not be denied that this threw a rather lurid light upon the tastes and beliefs of the Count; but to Mr. Wraxall, separated from him by nearly three centuries, the thought that he might have added to his general forcefulness alchemy, and to alchemy something like magic, only made him a more picturesque figure; and when, after a rather prolonged contemplation of his picture in the hall, Mr. Wraxall set out on his homeward way, his mind was full of the thought of Count Magnus. He had no eyes for his surroundings, no perception of the evening scents of the woods or the evening light on the lake; and when all of a sudden he pulled up short, he was astonished to find himself already at the gate of the churchyard, and within a few minutes of his dinner. His eyes fell on the mausoleum. "Ah," he said, "Count Magnus, there you are. I should dearly like to see you." "Like many solitary men," he writes, "I have a habit of talking to myself aloud; and, unlike some of the Greek and Latin particles, I do not expect an answer. Certainly, and perhaps fortunately in this case, there was neither voice nor any that regarded: only the woman who, I suppose, was cleaning up the church, dropped some metallic object on the floor, whose clang startled me. Count Magnus, I think, sleeps sound enough." That same evening the landlord of the inn, who had heard Mr. Wraxall say that he wished to see the clerk or deacon (as he would be called in Sweden) of the parish, introduced him to that official in the inn parlour. A visit to the De la Gardie tomb-house was soon arranged for the next day, and a little general conversation ensued. Mr. Wraxall, remembering that one function of Scandinavian deacons is to teach candidates for Confirmation, thought he would refresh his own memory on a Biblical point. "Can you tell me," he said, "anything about Chorazin?" The deacon seemed startled, but readily reminded him how that village had once been denounced. "To be sure," said Mr. Wraxall; "it is, I suppose, quite a ruin now?" "So I expect," replied the deacon. "I have heard some of our old priests say that Antichrist is to be born there; and there are tales——" "Ah! what tales are those?" Mr. Wraxall put in. "Tales, I was going to say, which I have forgotten," said the deacon; and soon after that he said good night. The landlord was now alone, and at Mr. Wraxall's mercy; and that inquirer was not inclined to spare him. "Herr Nielsen," he said, "I have found out something about the Black Pilgrimage. You may as well tell me what you know. What did the Count bring back with him?" Swedes are habitually slow, perhaps, in answering, or perhaps the landlord was an exception. I am not sure; but Mr. Wraxall notes that the landlord spent at least one minute in looking at him before he said anything at all. Then he came close up to his guest, and with a good deal of effort he spoke: "Mr. Wraxall, I can tell you this one little tale, and no more—not any more. You must not ask anything when I have done. In my grandfather's time—that is, ninety-two years ago—there were two men who said: 'The Count is dead; we do not care for him. We will go to-night and have a free hunt in his wood'—the long wood on the hill that you have seen behind Råbäck. Well, those that heard them say this, they said: 'No, do not go; we are sure you will meet with persons walking who should not be walking. They should be resting, not walking.' These men laughed. There were no forest-men to keep the wood, because no one wished to hunt there. The family were not here at the house. These men could do what they wished. "Very well, they go to the wood that night. My grandfather was sitting here in this room. It was the summer, and a light night. With the window open, he could see out to the wood, and hear. "So he sat there, and two or three men with him, and they listened. At first they hear nothing at all; then they hear someone—you know how far away it is—they hear someone scream, just as if the most inside part of his soul was twisted out of him. All of them in the room caught hold of each other, and they sat so for three-quarters of an hour. Then they hear someone else, only about three hundred ells off. They hear him laugh out loud: it was not one of those two men that laughed, and, indeed, they have all of them said that it was not any man at all. After that they hear a great door shut. "Then, when it was just light with the sun, they all went to the priest. They said to him: "'Father, put on your gown and your ruff, and come to bury these men, Anders Bjornsen and Hans Thorbjorn.' "You understand that they were sure these men were dead. So they went to the wood—my grandfather never forgot this. He said they were all like so many dead men themselves. The priest, too, he was in a white fear. He said when they came to him: "'I heard one cry in the night, and I heard one laugh afterwards. If I cannot forget that, I shall not be able to sleep again.' "So they went to the wood, and they found these men on the edge of the wood. Hans Thorbjorn was standing with his back against a tree, and all the time he was pushing with his hands—pushing something away from him which was not there. So he was not dead. And they led him away, and took him to the house at Nykjoping, and he died before the winter; but he went on pushing with his hands. Also Anders Bjornsen was there; but he was dead. And I tell you this about Anders Bjornsen, that he was once a beautiful man, but now his face was not there, because the flesh of it was sucked away off the bones. You understand that? My grandfather did not forget that. And they laid him on the bier which they brought, and they put a cloth over his head, and the priest walked before; and they began to sing the psalm for the dead as well as they could. So, as they were singing the end of the first verse, one fell down, who was carrying the head of the bier, and the others looked back, and they saw that the cloth had fallen off, and the eyes of Anders Bjornsen were looking up, because there was nothing to close over them. And this they could not bear. Therefore the priest laid the cloth upon him, and sent for a spade, and they buried him in that place." The next day Mr. Wraxall records that the deacon called for him soon after his breakfast, and took him to the church and mausoleum. He noticed that the key of the latter was hung on a nail just by the pulpit, and it occurred to him that, as the church door seemed to be left unlocked as a rule, it would not be difficult for him to pay a second and more private visit to the monuments if there proved to be more of interest among them than could be digested at first. The building, when he entered it, he found not unimposing. The monuments, mostly large erections of the seventeenth and eighteenth centuries, were dignified if luxuriant, and the epitaphs and heraldry were copious. The central space of the domed room was occupied by three copper sarcophagi, covered with finely-engraved ornament. Two of them had, as is commonly the case in Denmark and Sweden, a large metal crucifix on the lid. The third, that of Count Magnus, as it appeared, had, instead of that, a full-length effigy engraved upon it, and round the edge were several bands of similar ornament representing various scenes. One was a battle, with cannon belching out smoke, and walled towns, and troops of pikemen. Another showed an execution. In a third, among trees, was a man running at full speed, with flying hair and outstretched hands. After him followed a strange form; it would be hard to say whether the artist had intended it for a man, and was unable to give the requisite similitude, or whether it was intentionally made as monstrous as it looked. In view of the skill with which the rest of the drawing was done, Mr. Wraxall felt inclined to adopt the latter idea. The figure was unduly short, and was for the most part muffled in a hooded garment which swept the ground. The only part of the form which projected from that shelter was not shaped like any hand or arm. Mr. Wraxall compares it to the tentacle of a devil-fish, and continues: "On seeing this, I said to myself, 'This, then, which is evidently an allegorical representation of some kind—a fiend pursuing a hunted soul—may be the origin of the story of Count Magnus and his mysterious companion. Let us see how the huntsman is pictured: doubtless it will be a demon blowing his horn.'" But, as it turned out, there was no such sensational figure, only the semblance of a cloaked man on a hillock, who stood leaning on a stick, and watching the hunt with an interest which the engraver had tried to express in his attitude. Mr. Wraxall noted the finely-worked and massive steel padlocks—three in number—which secured the sarcophagus. One of them, he saw, was detached, and lay on the pavement. And then, unwilling to delay the deacon longer or to waste his own working-time, he made his way onward to the manor-house. It is curious," he notes, "how on retracing a familiar path one's thoughts engross one to the absolute exclusion of surrounding objects. To-night, for the second time, I had entirely failed to notice where I was going (I had planned a private visit to the tomb-house to copy the epitaphs), when I suddenly, as it were, awoke to consciousness, and found myself (as before) turning in at the churchyard gate, and, I believe, singing or chanting some such words as, 'Are you awake, Count Magnus? Are you asleep, Count Magnus?' and then something more which I have failed to recollect. It seemed to me that I must have been behaving in this nonsensical way for some time." He found the key of the mausoleum where he had expected to find it, and copied the greater part of what he wanted; in fact, he stayed until the light began to fail him. "I must have been wrong," he writes, "in saying that one of the padlocks of my Count's sarcophagus was unfastened; I see to-night that two are loose. I picked both up, and laid them carefully on the window-ledge, after trying unsuccessfully to close them. The remaining one is still firm, and, though I take it to be a spring lock, I cannot guess how it is opened. Had I succeeded in undoing it, I am almost afraid I should have taken the liberty of opening the sarcophagus. It is strange, the interest I feel in the personality of this, I fear, somewhat ferocious and grim old noble." The day following was, as it turned out, the last of Mr. Wraxall's stay at Råbäck. He received letters connected with certain investments which made it desirable that he should return to England; his work among the papers was practically done, and travelling was slow. He decided, therefore, to make his farewells, put some finishing touches to his notes, and be off. These finishing touches and farewells, as it turned out, took more time than he had expected. The hospitable family insisted on his staying to dine with them—they dined at three—and it was verging on half-past six before he was outside the iron gates of Råbäck. He dwelt on every step of his walk by the lake, determined to saturate himself, now that he trod it for the last time, in the sentiment of the place and hour. And when he reached the summit of the churchyard knoll, he lingered for many minutes, gazing at the limitless prospect of woods near and distant, all dark beneath a sky of liquid green. When at last he turned to go, the thought struck him that surely he must bid farewell to Count Magnus as well as the rest of the De la Gardies. The church was but twenty yards away, and he knew where the key of the mausoleum hung. It was not long before he was standing over the great copper coffin, and, as usual, talking to himself aloud. "You may have been a bit of a rascal in your time, Magnus," he was saying, "but for all that I should like to see you, or, rather——" "Just at that instant," he says, "I felt a blow on my foot. Hastily enough I drew it back, and something fell on the pavement with a clash. It was the third, the last of the three padlocks which had fastened the sarcophagus. I stooped to pick it up, and—Heaven is my witness that I am writing only the bare truth—before I had raised myself there was a sound of metal hinges creaking, and I distinctly saw the lid shifting upwards. I may have behaved like a coward, but I could not for my life stay for one moment. I was outside that dreadful building in less time than I can write—almost as quickly as I could have said—the words; and what frightens me yet more, I could not turn the key in the lock. As I sit here in my room noting these facts, I ask myself (it was not twenty minutes ago) whether that noise of creaking metal continued, and I cannot tell whether it did or not. I only know that there was something more than I have written that alarmed me, but whether it was sound or sight I am not able to remember. What is this that I have done?" Poor Mr. Wraxall! He set out on his journey to England on the next day, as he had planned, and he reached England in safety; and yet, as I gather from his changed hand and inconsequent jottings, a broken man. One of several small notebooks that have come to me with his papers gives, not a key to, but a kind of inkling of, his experiences. Much of his journey was made by canal-boat, and I find not less than six painful attempts to enumerate and describe his fellow-passengers. The entries are of this kind: "24. Pastor of village in Skåne. Usual black coat and soft black hat. "25. Commercial traveller from Stockholm going to Trollhättan. Black cloak, brown hat. "26. Man in long black cloak, broad-leafed hat, very old-fashioned." This entry is lined out, and a note added: "Perhaps identical with No. 13. Have not yet seen his face." On referring to No. 13, I find that he is a Roman priest in a cassock. The net result of the reckoning is always the same. Twenty-eight people appear in the enumeration, one being always a man in a long black cloak and broad hat, and the other a "short figure in dark cloak and hood." On the other hand, it is always noted that only twenty-six passengers appear at meals, and that the man in the cloak is perhaps absent, and the short figure is certainly absent. On reaching England, it appears that Mr. Wraxall landed at Harwich, and that he resolved at once to put himself out of the reach of some person or persons whom he never specifies, but whom he had evidently come to regard as his pursuers. Accordingly he took a vehicle—it was a closed fly—not trusting the railway, and drove across country to the village of Belchamp St. Paul. It was about nine o'clock on a moonlight August night when he neared the place. He was sitting forward, and looking out of the window at the fields and thickets—there was little else to be seen—racing past him. Suddenly he came to a cross-road. At the corner two figures were standing motionless; both were in dark cloaks; the taller one wore a hat, the shorter a hood. He had no time to see their faces, nor did they make any motion that he could discern. Yet the horse shied violently and broke into a gallop, and Mr. Wraxall sank back into his seat in something like desperation. He had seen them before. Arrived at Belchamp St. Paul, he was fortunate enough to find a decent furnished lodging, and for the next twenty-four hours he lived, comparatively speaking, in peace. His last notes were written on this day. They are too disjointed and ejaculatory to be given here in full, but the substance of them is clear enough. He is expecting a visit from his pursuers—how or when he knows not—and his constant cry is "What has he done?" and "Is there no hope?" Doctors, he knows, would call him mad, policemen would laugh at him. The parson is away. What can he do but lock his door and cry to God? People still remembered last year at Belchamp St. Paul how a strange gentleman came one evening in August years back; and how the next morning but one he was found dead, and there was an inquest; and the jury that viewed the body fainted, seven of 'em did, and none of 'em wouldn't speak to what they see, and the verdict was visitation of God; and how the people as kep' the 'ouse moved out that same week, and went away from that part. But they do not, I think, know that any glimmer of light has ever been thrown, or could be thrown, on the mystery. It so happened that last year the little house came into my hands as part of a legacy. It had stood empty since 1863, and there seemed no prospect of letting it; so I had it pulled down, and the papers of which I have given you an abstract were found in a forgotten cupboard under the window in the best bedroom.
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2024.05.13 07:15 graphixbylex Art Call ! @ Rise Up Gallery SF / deadline MAY 25

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2024.05.13 06:17 za_1991 [WTS] T.Rex Sidecar (Sig M18)

Timestamp: https://imgur.com/gallery/YyCLEGh
Trex side car holster for Sig M18 with Streamlight TLR-1. LEFT HAND DRAW. Comes with mag holster attachment as well as the standard 2nd clip attachment.
Asking $90 which includes shipping. Will ship via USPS Priority. Dibs and PM
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2024.05.13 05:27 TotalSoccerProject Photo gallery: Pacific FC held to home draw by Forge FC – Total Soccer News

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