The other night my friends and I played one of the new 3 person Combat patrol games and I got wiped before I even got to my first turn.
A lot of that is down to being unlucky and 3rd in turn order, but it’ll also be placement and the CP strength, I expect. They were both running some form of space marine.
Well this has resulted in us deciding to try again but this time using 1000pt army’s on a bigger map.
I find the full rules make the tau much stronger than their CP box so I’m looking forward to it, but need guidance on some tactics.
I’m still new to the game (I’ve won maybe two games) so go easy on me.
I’ll be up against Necrons and Space marines.
Here’s the list I’m looking at, but we’ll be playing on TTs so I can swap units out:
(Sorry about formatting I’m on mobile)
3 way game (975 Points)
T’au Empire Mont’ka Incursion (1000 Points)
CHARACTERS
Cadre Fireblade (70 Points) • 1x Close combat weapon 1x Fireblade pulse rifle 1x Gun Drone 1x Shield Drone • Enhancements: Coordinated Exploitation
Commander in Enforcer Battlesuit (100 Points) • Warlord • 1x Battlesuit Support System 1x Battlesuit fists 1x Burst cannon 1x Cyclic ion blaster 1x Fusion blaster 1x Marker Drone 1x Shield Drone • Enhancements: Exemplar of the Mont’ka
BATTLELINE
Breacher Team (100 Points) • 1x Support turret • 1x Breacher Fire Warrior Shas’ui • 1x Close combat weapon 1x Guardian Drone 1x Marker Drone 1x Pulse blaster 1x Pulse pistol • 9x Breacher Fire Warrior • 9x Close combat weapon 9x Pulse blaster 9x Pulse pistol
Strike Team (80 Points) • 1x Support turret • 1x Fire Warrior Shas’ui • 1x Close combat weapon 1x Guardian Drone 1x Pulse pistol 1x Pulse rifle 1x Shield Drone • 9x Fire Warrior • 9x Close combat weapon 9x Pulse pistol 9x Pulse rifle
DEDICATED TRANSPORTS
Devilfish (85 Points) • 1x Accelerator burst cannon 1x Armoured hull 2x Seeker missile 2x Smart missile system
OTHER DATASHEETS
Crisis Sunforge Battlesuits (170 Points) • 1x Crisis Sunforge Shas’vre • 1x Battlesuit fists 2x Fusion blaster 1x Gun Drone 1x Shield Drone • 2x Crisis Sunforge Shas’ui • 2x Battlesuit fists 4x Fusion blaster 1x Gun Drone 1x Shield Drone
Ghostkeel Battlesuit (160 Points) • 1x Battlesuit Support System 1x Cyclic ion raker 1x Ghostkeel fists 1x Twin fusion blaster
Pathfinder Team (90 Points) • 1x Pathfinder Shas’ui • 1x Close combat weapon 1x Gun Drone 1x Pulse carbine 1x Pulse pistol 1x Recon Drone 1x Semi-automatic grenade launcher 1x Shield Drone • 9x Pathfinder • 9x Close combat weapon 9x Pulse carbine 9x Pulse pistol
Stealth Battlesuits (60 Points) • 1x Stealth Shas’vre • 1x Battlesuit fists 1x Fusion blaster 1x Homing Beacon 1x Marker Drone 1x Shield Drone • 2x Stealth Shas’ui • 1x Battlesuit Support System 2x Battlesuit fists 2x Burst cannon
Stealth Battlesuits (60 Points) • 1x Stealth Shas’vre • 1x Battlesuit fists 1x Fusion blaster 1x Homing Beacon 1x Marker Drone 1x Shield Drone • 2x Stealth Shas’ui • 1x Battlesuit Support System 2x Battlesuit fists 2x Burst cannon

Chapter Two - Part One
Second Half
__________________
Beginning of Entry…
StarDate: Redacted
Perspective: Major Commander Michael Irons
Species: Human, Humanoid Mammalian Species, no tail.
Description: 5 feet 2 inches [1.6 meters] to 6 feet 9 inches [2.1 meters] average height. 185 lbs [84 kilograms] average weight.
Longevity: 70 to 500-year life expectancy with life extension medical tech.
Unique Trait: Resilience and Indomitable Will.
Place: New Paris (Capital City)
Location: New Eden Prime
In the early hours, as the dawn cast a pallid light over New Eden Prime, the situation unfolded with urgent clarity. Major Commander Michael Irons, alongside Captain Adam Richter, adjusted his Raider armor, his eyes scanning the horizon where the silhouettes of enemy ships began to materialize. Both men were seasoned veterans, their faces etched with the lines of many battles, their demeanor calm yet alert. They awaited instructions as they stood amid the bustling rally point filled with soldiers and militia.
Their focus shifted as Colonel Nick Estrada approached, his imposing figure cutting through the morning mist, the tension palpable in the air. The urgency of the situation had drawn commanders and soldiers alike, all responding to the blare of alarms that had roused the colony from sleep and into action. Colonel Nick Estrada approached, his presence commanding immediate attention. His frame was not just physically imposing but carried the authority of a man who had seen countless skirmishes and emerged victorious. The commanders snapped to attention, though the informality of the crisis allowed for a quicker exchange.
Colonel Estrada, known for his strategic acumen, surveyed the gathered officers before speaking. "Gentlemen," he began, his voice carrying over the crowd. "Major Commander Irons, Captain Richter, the enemy fleet is now visible. We're seeing a full spectrum—we're up against a formidable enemy. Reconnaissance has identified a significant fleet composition—strike craft, corvettes, frigates, and troop transports. They're not just probing our defenses; they're here for a full-scale invasion."
Major Commander Irons nodded solemnly, absorbing the gravity of the situation. The enemy's intentions were clear: to overwhelm and conquer. "Do we have any intel on their motivations, sir?" he asked, his mind racing through potential strategies.
Estrada's eyes narrowed as he reviewed the latest data on his tactical pad. "Current assessments suggest their primary objective could be resource acquisition or territory expansion. Given the organized nature of their fleet, we can't rule out the possibility of them establishing a forward operating base," he explained, his finger tracing possible invasion routes on the holographic display before them.
Irons' jaw tightened at the assessment. "Have we identified their point of origin or any specific markings that could tell us who we're dealing with?" he asked, his mind racing through the catalog of known hostile factions and their usual tactics.
Captain Richter, ever the tactician, chimed in, "If we can disrupt their landing operations and take out their troop transports, we might slow their advance and buy us some time to fortify positions."
"Not yet," Estrada replied, turning to gaze at the display screen that showed the advancing ships. "Their configurations are unfamiliar, which suggests they're not from any known hostile group within our usual conflict zones. This could be a new player or a proxy force from a rival colony. But it's clear they want New Eden, as the orbital forces were obliterated in minutes."
Estrada, after careful consideration, turned to face the digital map highlighting strategic points around the colony. 'That's a start, but we need a comprehensive plan,' he declared. 'Irons, your units will be crucial in the eastern sector, where their fleet appears most concentrated. Richter, your teams will be our shield in the orbital defenses; we cannot allow them to establish a foothold there."
Richter chimed in, his voice steady despite the escalating tension. "We need to assess their capabilities and intentions quickly. Are they aiming for strategic locations, or is this an outright attempt to overwhelm and occupy?"
Estrada nodded, his eyes narrowing as he processed the information. "Our immediate objective is to hold them at bay and protect civilian areas. I've already ordered evacuations where necessary. Irons, I need your units to fortify the eastern sector. It's closest to their projected landing sites."
"And I'll take the western approach," Richter added quickly. "It has fewer natural barriers, so I'll set up mobile defenses there."
Estrada approved with a brisk nod. "Good. I'll coordinate the orbital defenses to cover your flanks. We can't let them gain a foothold. Whatever their motive, it ends here."
The officers acknowledged their orders, understanding the critical nature of their tasks. Estrada continued. "We'll use the tram system for rapid redeployment. Keep your communications lines open, and expect dynamic orders. We need to be as adaptable as they are aggressive."
As the meeting drew to a close, Major Commander Irons felt the weight of responsibility settling on his shoulders. The survival of New Eden Prime hinged not only on their military prowess but also on their ability to outmaneuver an enemy whose capabilities remained largely shrouded in mystery.
With a final nod from Estrada, Irons and Richter dispersed to relay orders to execute their assignments; Irons felt the weight of the imminent conflict pressing down. Each step they took was heavy with the resolve to protect their home, knowing the enemy loomed just beyond the horizon, ready to test the mettle of New Eden's defenders. This wasn't just another border skirmish or a pirate raid. The scale of the invasion suggested a well-planned offensive by a formidable enemy.
Returning to his command post, Irons pulled up the tactical displays, which showed live feeds from drones and satellites tracking the enemy's advance. Each ship was marked in red and moved steadily towards New Eden's defensive perimeter.
"Let's show them what New Eden is made of," he muttered to himself, a mix of resolve and anticipation coursing through his veins.
This was his colony, his home, where his family and millions of others lived and dreamed of a peaceful future among the stars. Today, the peace and survival of the colony depended on his actions and those of his comrades.
As the first enemy ships entered range, Irons gave the order. "All units, engage at will. Prioritize frigates and anything making landfall. We hold the line, no matter what."
Back at the rally point, as shells began to crisscross the morning sky and the first explosions blossomed in the distance, Estrada and Richter coordinated their sectors' defenses, adjusting to the flow of battle. Each report, each burst of static on the comms, added to the day's growing chorus—a chorus filled with the sounds of a colony defending its very existence.
Above them, the sky turned from morning gray to the dark of smoke and fire, the battle for New Eden truly underway. As the alien forces made their ground assault on New Paris, Major Commander Michael Irons quickly marshaled his defensive strategies. The invaders had exploited a slight weakness at the equator of the planet's shield, where the northern and southern fields met, allowing a fraction of their invasion force to penetrate. This strategic breach had permitted several enemy corvettes and frigates to support the ground troops as they marched toward the city.
The morning sky, once clear and promising, was now darkened by the presence of enemy ships. Their shadows cast an ominous pall over the city as their engines roared menacingly overhead. Irons, stationed at the command post just on the outskirts of New Paris, observed the advancing enemy through his binoculars, his heart racing with adrenaline and cold determination.
Despite the thinning of their numbers due to the shield's resistance, the invaders pushed forward with relentless determination. Their landing crafts, equipped to penetrate the weakened shield points by slowing their descent, deployed troops directly into the fray. This strategic insertion allowed them to bypass the stronger defenses and land a significant force just outside the protective barrier of New Paris.
Irons, stationed at the command post, monitored the unfolding chaos through live drone feeds. The images displayed a grim tableau: columns of alien soldiers advancing toward the city, their movements methodical and unhurried, supported by the ominous silhouettes of their air support. The enemy's tactical acumen was evident in every maneuver, challenging the defenders of New Eden to adapt swiftly.
"Prepare all air defense units and activate the aerial defense batteries," Irons commanded into the comm, his voice steady despite the escalating threat. The air around him buzzed with the hurried movements of soldiers and the crackling of radio communications. The colony's air defense force, though robust, was significantly outnumbered without the support of their orbital fleet, which had been decimated in earlier skirmishes. "Target their air support first. We cut off the head, and the body will falter."
Acknowledgments crackled through his earpiece as his orders were relayed down the chain of command. New Eden's air defense force, though robust, was not designed for such a multifaceted assault. The absence of fleet support from orbit, a disadvantage painfully felt by every soldier on the ground, meant that each shot from the aerial defense batteries had to count.
On the battlefield, the sounds of warfare escalated. Explosions rippled across the early morning sky, painting it with streaks of fire as the colony's defenses engaged the invading air units. Irons watched as each successful strike brought down an enemy craft, each plummeting vessel a small victory in the shadow of an overwhelming threat.
Yet, even as they held the line against the aerial assault, the ground forces braced for the inevitable confrontation. The alien troops, undeterred by the resistance from above, continued their steady march towards New Paris. Their ranks, though reduced, remained formidable—a sea of figures clad in armor that glinted under the rising sun, their weapons poised for battle.
"The shields are holding, but we can't let them gain any more ground," Irons muttered, analyzing the tactical map that glowed with indicators of enemy movement. The slight gap in the shield at the equator was a glaring risk, one that could not be ignored. "Reroute additional units to the southern sector," he instructed, pointing to the area where the shield's weakness was most pronounced. "Fortify our positions there. I don't want a single invader breaking through."
His focus then shifted to the city's defenses. New Paris, a symbol of human resilience and ingenuity on the frontier, was fortified with multiple layers of defenses designed to repel invaders and protect its citizens. But today, those defenses would face their greatest test.
"We're on our own," Irons acknowledged, his gaze sweeping across the room filled with operators and strategists. "Every soldier, every pilot—we're what stands between them and the city. We hold them here, at the edge, before they can reach the heart of our home."
As the enemy's ground forces drew closer, the clash became imminent. Irons could see the front lines through the drones—human soldiers taking positions, their bodies tense with anticipation, their weapons trained on the approaching threat. The air crackled with the energy of impending combat, a mixture of fear, determination, and the indomitable will to protect their planet.
"Engage at maximum range," Irons commanded. "Use the terrain to our advantage. Make them come to us through the kill zones."
The enemy's corvettes and frigates hovered menacingly, coordinating the ground troops as they continued their relentless march toward the city's defenses. Irons could see the troops adjusting their formations and a tactical maneuver meant to optimize their approach under cover of their aerial support.
"Focus fire on those corvettes flanking to the east," Irons directed, pointing to the screens displaying satellite imagery. The operators quickly relayed his commands, adjusting the colony's firepower towards the threatening vessels.
Despite the heavy onslaught, the morale among Irons' men was resolute. They were well-trained and prepared to defend their home against all odds. The sound of anti-aircraft fire filled the air, a relentless symphony of defiance against the invading forces. Explosions lit up the morning sky as some of the enemy crafts took hits, their debris raining down and igniting small fires upon the rugged terrain of New Eden Prime.
Irons turned his attention back to the ground troops, noting the enemy's attempt to regroup after each barrage. "They're testing our defenses, looking for weak points. Make sure all sectors are covered and reinforce any undermanned positions," he instructed his lieutenants.
The battle was fierce, with every moment critical. The enemy's numerical advantage was evident, but the defenders of New Paris were determined to make every shot count. The city's aerial defense batteries worked in overdrive, targeting the enemy's air support in an attempt to level the playing field. The city's shield generators protected the city from any aerial bombardment from the frigates. Only the ground forces were a threat as long as the city's shield generators held, but with every strike from those frigates, the shield became weaker.
As the enemy advanced, a sudden and intense firefight erupted at the southern barricade. Irons watched through surveillance feeds as his troops engaged the enemy, their laser rifles cutting through the morning mist. The ground shook with the impact of heavy artillery, a relentless exchange that tested the resolve of every soldier under his command.
"Keep the pressure on! Push them back!" Irons shouted over the radio, his voice a beacon of command amidst the chaos. The troops responded with renewed vigor, their shouts and gunfire merging into the cacophony of battle.
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With a crusade against Twitch streams and hearing frustrating things about Jme, I just wanted to make a PSA letting people know there is an official Grand Sumo mobile app (at least on Android and in the USA). You can watch one bout a day for free or for like 5 bucks a month subscription you can watch an unlimited amount. I believe they have in the archive every Juryo and Makuuchi bout since 2010. They also post the top 5 Makushita bouts. Bouts are posted relatively quickly considering (after a fight or 2) but the downside is to watch them you have to see what the result is before watching them. Another downside is there isn't the "ritual" part - not a lot of shiko stomping, salt throwing, no yobidashi singing. Even if you just download it and use the free version, it's relatively useful for following rikishi, heyas, and even fighters from specific regions. You can at least download it and check it out and decide if it's worth the subscription. As far as I am aware, it's official and from the JSA. I usually watch my favorite rikishi's bouts on the app right away when I wake up and then I watch NattoSumo for Juryo and Makuuchi after work. Hope this PSA helps people get access to sumo content they want.
Edit: with smart TVs it's not that hard to screen share to your living room TV to watch them either. I do that for NattoSumo to watch on Telegram. And even though I watch mainly with Natto, I don't mind subscribing directly to the JSA to show them there are sumo fans willing to pay for content in the US. Maybe if there was a large influx of subscriptions they'd push NHK or Abema to have better access to live sumo globally.

Before going into it, I want to mention how this post was inspired by three things. One was user u/HastyvonFuego2 and their post on going down the rabbit hole on the Kendrick sub last week. It was also inspired by Childish Gambino’s first album release in nearly 6 years where I have been sitting on this idea for a while but he inspired me to finally post this week like he did (never posted on Reddit at all before so be gentle if I am not doing it right)! I was also inspired by an interview Bino gave to GQ about breaking down his most iconic characters. In this interview he says how This is America started out as a Drake diss but then he realized the song was too hard for just Drake so he kept working on it. He also talks in this interview about how all culture is about compression. Which means that yes, This is America is about the gun violence and police issues in America, but compressed in this video is also more about where that culture comes from which he shows is from a small handful of rap moguls, namely Drake, Diddy and Jay-Z (bear with me on this long post, I think/hope it will be worth it). At the end I talk briefly about how Little Foot Big Foot might be in this same vein of cultural compression.
[Intro: Choir]
Yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, go, go away
The beginning of this song has no background music yet, which really gives it an ‘in the beginning’ feel. Then Gambino starts doing his dances with weird facial expressions. I will explain as we go through his video how those expressions and dance moves represent different famous rap moguls. One easy look to pick out right away is Jay-Z’s famous lip curl/growl look that Gambino gives with a head nod repeatedly. The colonial pants have been a hot topic, but since it’s only the pants that are colonial, Gambino is saying the bottom or basis for this violent culture in America is ultimately colonialism. The lyrics ‘Go Away’, are likely foreshadowing the rap moguls wanting other popular rap rivals to ‘go away’ or they will make them (aka murder them) for profit.
[Bridge: Childish Gambino & Young Thug]
We just wanna party
Party just for you
We just want the money
Money just for you (Yeah)
Usually you want money for yourself and to party for yourself, so this is a bit odd. But what Gambino is referring to is similar to these Diddy ‘freakoff parties’ we are hearing about where people who want to be famous are really partying for these rap moguls so they can get close to them. Where they suck up to them saying that they want to earn the mogul money from their songs.
I know you wanna party
Party just for free
Girl, you got me dancin' (Girl, you got me dancin')
Dance and shake the frame (Yeah)
Then this almost feels like the Diddy rebuttal where he’s like ya I know you want to party and you want to do it for free. Like Katt Williams says, “you gotta tell Diddy no”, it is never free to go to those parties. There are always consequences. When you are partying you are dancing, but shaking the frame could refer to how those boundaries/edges are being crossed, lines are blurred, etc.
Then in the video, the fellow who was playing the guitar gets shot and things turn dark from happy music. I believe that this guitar tune is meant to represent 2Pac and Nas’s song Thugz Mansion. It’s one of the original greats from ‘in the beginning’. Nas famously has always had major issues with Jay-Z too (More on why 2Pac and Nas later). It also represents how it was these moguls who murdered 2Pac like Jaguar Wright and Katt Williams keep saying. Where these murders only lead to more money and fame for the killers when the dead artists’ and their music are exploited more easily.
Also note that the gun gets taken away by a school kid after the shooting, more on this later as well.
[Verse 1: Childish Gambino, Young Thug, Blocboy JB & 21 Savage]
This is America (Skrrt, skrrt, woo)
Don't catch you slippin' now (Ayy)
Look how I'm livin' now
Police be trippin' now (Woo)
Yeah, this is America (Woo, ayy)
Guns in my area (Word, my area)
There is a song called Guns in My Area by Lil Weiner and Baby Chapox that paints a vivid picture of the everyday struggles and conflicts faced by those living in communities affected by gun violence. More compression of other songs and the American gun culture.
I got the strap (Ayy, ayy)
I gotta carry 'em
I am almost certain this line is referring to 2Pac’s song Changes. Throughout This is America, Gambino takes lines from Pac’s song: “They get jealous when they see you with your mobile phone” (referred to later in this a Celly, that’s tool) “That's the sound of my tool, you say it ain't cool, My mama didn't raise no fool”
“And as long as I stay black, I gotta stay strapped, And I never get to lay back” It seems like Gambino broke up these lyrics and scattered them throughout his song. This plays into the theme that everyone is using 2Pac and enriching themselves off of his image and music. I show below how this particular section of the video represents Diddy meaning that Diddy himself is exploiting his music (and alleging that Diddy killed Pac?). We could see this exploitation play out at length with how much Diddy milked the death of Biggie like in Every Breath You Take.
Yeah, yeah, I'ma go into this (Ugh)
Yeah, yeah, this is guerilla (Woo)
Yeah, yeah, I'ma go get the bag
The song Gorilla War by $uicideboy$ and Ramirez talks about getting a bag repeatedly in the course. Also in Otis with Kanye and Jay-Z their lyrics talk about going gorilla (I talk about this song more further down), so it could be referring to this as well. It seems like Gambino is trying to pull out lyrics from all across the rap culture and embed them in his song to highlight the ‘cultural compression’.
Yeah, yeah, I'm so cold like, yeah (Yeah)
I'm so dope like, yeah (Woo)
We gon' blow like, yeah (Straight up, uh)
I think that all of the school kids in the video represent all of the rappers that are signed with these big labels. Which is interesting because they are the ones facilitating the guns for the moguls in the video. You can see that the mogul is really focused on the kids and gets agitated and directs them to follow him whenever they stray off a bit like they are his pupils, or like he owns them. Then all of a sudden the camera comes into a scene where you can see more kids shooting a rap video and all shooting money from a Supreme gun. The camera zooms out almost to show you that this is the mogul’s whole rap empire they are looking over, all of their kids in one place (this empire already includes some chaos in the background). It’s subtle but hilarious, Gambino puts fricken chickens on the ground where the kids are filming the rap video. He is directly calling all of these rappers complete chickens for playing up this lifestyle and being the cause of so much chaos rather than coming out and telling somebody what’s really going on. Trying to get their money over everything else.
[Refrain: Choir & Childish Gambino]
Ooh-ooh-ooh-ooh-ooh, tell somebody
You go tell somebody
Grandma told me
Get your money, Black man (Get your— Black man)
This is where things start to get interesting. Gambino is literally saying, go tell somebody about this! We all know what’s happening, why don’t you go let people know how bad it is? But like Jaguar Wright said, who do you tell when these moguls have the cops and feds paid off? This video is literally Gambino putting it all out there in this extremely popular song for everyone to see but yet we still just see the dancing and the violent chaos of people and police in the streets and not the root cause that is hidden in plain sight.
The vast majority of those who reviewed this video until now think this scene represents the tragic church shooting in Charleston in 2015. I think it does, but we also have to look at this from an angle of compression.
The people in the choir are all of the people who are currently singing the rap mogul’s praises and who are focused on going and getting what’s owed to them, get their money (who are also profiting off of the dead fellows music since it goes back to the original tune). You can see that each choir member has a distinct look to them. Think about who you are hearing about now who is about to be implicated in these freak offs and evil deeds. Is that Will Smith in the back left corner!? The short bald fellow in the front left maybe Kevin Hart? Rick Ross or TD Jakes maybe the bigger guy towards the back right? When the camera zooms in on the choir right at first to show their faces, doesn’t the guy in the bottom middle look like an uncanny version of Jordan Peele? Or is that meant to be Cuba Gooding Jr? Then just like the guitar fellow at the beginning, bang. You may be singing Diddy’s praises now, but he will cut you down whenever he suddenly feels like it.
I think almost for sure this initial section of the music video is Gambino acting as Diddy, because right after he shoots the choir, he does the elbow pump/chicken dance. At 3:14 in Diddy’s video for P.E. 2000 he does the chicken dance (he is up first in the video and I think Gambino is trying to say here I first present to you the first public enemy of 3 in this song). That elbow dance signals that it was Diddy and this is the end of his section.
[Chorus: Childish Gambino, Young Thug, Slim Jxmmi & Quavo]
This is America (Woo, ayy)
Don't catch you slippin' now (Woo, woo, don't catch you slippin' now)
Don't catch you slippin' now (Ayy, woah)
Look what I'm whippin' now (Slime!)
There have been many accounts of celebrities being given fancy cars after suffering abuse at the hands of these moguls. So these lyrics are saying that you better not slip up and tell people what’s really going on. And if you don’t look at this sweet carecord deal/movie contract I am going to give you. Beiber told this story about Diddy wanting to give him a luxury car.
Now suddenly, the dance switches from the chicken dance to a sudden bicep flex to signal us that we have now moved on from Gambino representing Diddy to our next mogul.
[Verse 2: Childish Gambino, Quavo, Young Thug, 21 Savage & BlocBoy JB]
This next chunk of the video is all about Jay-Z. I think this is the case because he throws his arms up in a bicep flex just like Jay does in the Otis music video at 2:38. And it makes sense Gambino would pick a dance move from a video with a huge American flag in the background to fit the ‘This is America’ theme. Gambino is mocking him saying, who are you really, the pretty guy or this hard gangster like Gambino shows in his dancing. Also right before they pan to the kids on the balcony, Bino also does Jay-Z’s signature lip curl look a couple times so we know it’s him and to signal the end of his section.
Look how I'm geekin' out (Hey)
I'm so fitted (I'm so fitted, woo)
Jay-Z is famous for making the fitted Yankees cap famous, it’s his signature look. More signs this verse is about Jay.
I'm on Gucci (I'm on Gucci)
Jay-Z has been seen in full wallpaper Gucci sweat suits but could also be referring to Gucci Mane who he hung out with at Beyonce’s tour around the time this song was released.
I'm so pretty (Yeah, yeah, woo)
I'm gon' get it (Ayy, I'm gon' get it)
Watch me move (Blaow)
These lines are probably referring to Jay-Z having a hidden preference for men, especially with the way Gambino flicks his wrist in the video when he says I’m so pretty.
This a celly (Ha)
That's a tool (Yeah)
On my Kodak (Woo) Black
I think that “this a celly, that’s a tool” harkens back to 2Pac’s lyrics in Changes where he sings, “They get jealous when they see ya with your mobile phone” then shortly after that he sings about the sound of his tool, referring to shooting a gun. But Childish flips these lyrics on their head. He is saying that it’s really the phone that’s a tool to be using, not a gun. And pans up and shows (the school kids specifically) on the balcony filming everything going on below. He’s telling the kids/other rappers, use your phone as a tool, you can record these bad deeds when you get blackmailed into being at the freak off. That’s how you can kill them and their career, not with a gun. Go tell somebody! There is also the reference to Kodak which plays into the picture taking theme, but also because Kodak Black has been accused of assaulting a teenage girl in a hotel room. So we have a good idea of what Gambino suggests all the kids start filming and collecting evidence of.
Ooh, know that (Yeah, know that, hold on)
Get it (Woo, get it, get it)
Ooh, work it (21)
Now we are onto Drake’s part. In the video Gambino starts doing the BlocBoy JB dance called Shoot. Drake is known for doing these little viral dance moves like in Hotline Bling. But not only that, this dance is also used in the song that both BlocBoy JB and Drake collaborate on for their video Look Alive. It starts at 2:07 in the Look Alive video. So this is Drake’s dance to signal his part is now starting.
Note this is where the pale horse rides by also potentially saying that Drake is one of the horsemen of the apocalypse. Interestingly, Drake’s collab with BlocBoy JB was pretty much the apocalypse for BlocBoy’s career, who hasn’t had a hit since.
Hunnid bands, hunnid bands, hunnid bands (Hunnid bands)
Contraband, contraband, contraband (Contraband)
I got the plug in Oaxaca (Woah)
They gonna find you like "blocka" (Blaow)
Again, we know this is Drake’s section because his song 10 bands starts out by saying “10 bands, 50 bands, 100 bands” almost identical to Bino’s lyrics here. Also Blocka was famously used by Biggie in his song Gimme the Loot which could be referring to Biggie's demise like Pac’s and making money from his death. Everything in this industry originates from pushing drugs, which has been alleged through the trafficking that Diddy, Jay-Z and Drake do through their private jets likely connected to their bosses, the Clive Davises and Lucian Grainges of the world. This escalates rap beefs and the whole culture to the next level where murder is often a consequence for young rappers in their prime when international drug lord money is involved.
An interesting point is this is the only time where Childish was about to shoot someone in the video, but where he didn’t have a school kid either handing him the gun or taking it away carefully from him. (Maybe also a diss at Drake that even though he acts hard he doesn’t shoot, he gets his horseman of the apocalypse to do his dirty deeds for him instead perhaps?). This is the beginning of the end for the rap mogul as he no longer has his kids doing his bidding for him. A simple message to show how the violence can be stopped, that these shootings can end when the kids stop enabling them. So then as soon as he can’t react in that moment and shoot someone his anger is forced to chill out, as shown by smoking a J, and to go back to exploiting the dead man’s music instead. If you don’t put a gun in someone’s hand when they are heated, those feelings too shall pass - kinda feel.
[Refrain: Choir, Childish Gambino, & Young Thug]
Ooh-ooh-ooh-ooh-ooh, tell somebody
America, I just checked my following list, and
You mothafuckas owe me
Whose voice does that sound like!? It sounds a lot like Diddy to me, public enemy #1. This is basically saying that the moguls are the ones who we all owe it to for all of this glorified gun violence in America. That we owe them way more follows and likes for what a massive influence they have had on the violence and chaos we see in America today.
Grandma told me
Get your money, Black man (Black man)
(1, 2, 3—get down)
In Moneybagg Yo’s song 1, 2, 3, he also has a line that says “1, 2, 3, let’s go!” in a similar vein.
But something interesting I came across was Nas’s song Get Down where they use a sample from James Brown's “The Boss” that sounds extremely similar to the way Gambino screams “Get Down!” Which would fit well if the guitar singer from the beginning is meant to be Nas and Pac doing Thugz Mansion.
Also make sure you check out Nas’s song Get Down so that you can hear how much Jay-Z outright copied this song for The Story of OJ. From the musical structure with the piano and interwoven samples right down to the theme reiterated by the sample at the end of Nas’s song: “If that’s how our people are gonna get down, how are we ever gonna get up?”
SZA
Finally to wrap up the video, I have been stumped for a long time as to why SZA is randomly at the end of this video sitting on one of the cars. But I think I finally know why and it reconfirms that this last scene is all about Drake. If you watch Drake’s music video for Worst Behavior (not very Canadian of him to spell behaviour that way I might add) you will see Drake rapping and dancing with a few cars surrounding him and one of those cars has other rappers making cameos in it. In Gambino’s video SZA represents that car with a famous cameo. I think this is further confirmed when the black edges of the video start closing inwards at the end of This is America, the exact same way that Worst Behavior ends. So why SZA as the cameo then? Cause it reminds people that Drake is a p*do.
This is from an article in the Rolling Stone: In 2020, Drake revealed publicly that he and SZA had dated over a decade ago, well before she was an established artist (her earliest music goes back to around 2012; her critical breakthrough, Ctrl, came in 2017). On 21 Savage’s “Mr. Right Now,” Drake rapped about a newer fling who was a fan of SZA’s: “Yeah, said she wanna fuck to some SZA, wait / ‘Cause I used to date SZA back in ’08 / If you cool with it, baby, she can still play.” A few days later, SZA responded, corroborating Drake’s claim with a slight correction: they dated in 2009, when both would have been over 18. Since SZA would not have turned 18 until late 2008, she wanted to set the record straight. “in this case a year of poetic rap license mattered 🥴lol I think he jus innocently rhymed 08 w wait [sic],” she tweeted. “I just didn’t want anybody thinking anything underage or creepy was happening . Completely innocent . Lifetimes ago . [sic]”
If you have to specifically say something isn’t creepy and distance yourself from it being lifetimes ago, it usually is creepy. Drake would’ve been 22 when she was 17. Metro Boomin also happens to be on the Mr. Right Now track. He is currently in trouble for resurfaced old tweets showing how Metro used to tweet disgusting things about what he wanted to do to underage girls. Interestingly, Metro Boomin is also now beefing with Drake.
Drake doing his dance on the car of the original musician’s music seems to be accusing Drake directly of stealing 2Pac’s music. Orlando Brown recently said the cryptic statement that “Drake is Pac” which likely means he stole 2Pac’s approach/style/audience after his death. Gambino did some good foreshadowing here too with the recent AI release Drake put out of 2Pac.
This dance scene also signals that the Drake section is now over.
[Outro: Young Thug]
You just a black man in this world
You just a barcode, ayy
You just a black man in this world
Drivin' expensive foreigns, ayy
You just a big dawg, yeah
I kenneled him in the backyard
No, probably ain't life to a dog
For a big dog
The outro lyrics speak to how these gatekeepers keep black men down and control them with things like being forced to wear a dress to become famous or to submit to homosexual/p*do acts.. In the video, as I mentioned above, the black edges close in on Drake’s dancing scene in This is America. But they don’t completely close and end things like they do in the Worst Behavior video. Instead, in Gambino’s video, the camera pans to show the mogul running for his life with Young Thug’s lyrics almost like a quiet echo in the background. He isn’t running from the cops though, he’s running from the kids and from the public. When I mentioned earlier that the kids not handing over the last gun before Drake’s scene signalled the beginning of the end for the moguls, this is that conclusion. Where it is showing that if all the kids come together to stop enabling and rather expose the moguls, people will be chasing these bastards down once we realize what has been going on behind the curtain. Then the song that Young Thug is singing can just be a quiet echo of the way things were in the past.
If you don’t think Gambino would be this deep and that I went too far down the rabbit hole, do a Google search on the calculations that he came up with for why he sings about loving until 3005 in his song. He seems to go real deep with his lyrics. So a big question this leaves us with is, what did Childish Gambino witness in the rap industry? His whole rap career plays out like he is trying to avoid industry norms.
Even in Sweatpants, he has lyrics like:
No hands like soccer teams and y'all fuck boys like Socrates
You niggas ain't coppin' these, niggas ain't lookin' like me (Nah)
Nah, I ain't checkin' I.D. (Nah), but I bounce 'em with no problem
Seems like he is trying to make it really clear across his catalogue of music that he isn’t a p*do but that other rappers are. Where he is saying that he doesn’t need to ID his potential partners because he can tell they are obviously too young and that’s not hard to do.
Tell 'em, Problem (Problem!)
I'm winnin', yeah, yeah, I'm winnin' (What?)...
Rich kid, asshole, paint me as a villain
So who was trying to paint him as a villain, Drake? And that’s why the diss was originally meant for him?
Don't be mad 'cause I'm doing me better than you doing you…
Better than you doing you
Fuck it, what you gon' do? (What?!)
He’s taunting the other rappers cause he knows they can’t say shit if they are creeps. He has the same sentiment in Bonfire “It’s a bonfire, turn the lights out, I’m burning everything you mother fuckers talk about.”
Childish Gambino has always refrained from talking about the meaning of This is America whenever he is asked, and I can only assume that all of this is why.
Little Foot Big Foot
Now with his new release, Little Foot Big Foot and applying cultural compression to it, it has me wondering if he is referring to Megan Thee Stallion and the Nicki beef? People like Nicki (calling Megan Big Foot) have been claiming for some time she wasn’t even shot in the foot by Tory Lanez. There were many people laughing and making fun of Megan over getting shot. Which could be an interesting story for Childish to tell to represent how crazy this violent culture has gotten that people just laugh and blame the victim now when you get shot. Also a good metaphor for things like ‘shooting yourself in the foot’ for not having a lawyer look over potentially predatory industry contracts like in the beginning of his video. That you want to get in the cool kids club so bad you overlook it. Not as sure on this one though since the song just came out and I have only heard it a few times.
One last thing that is really interesting, there have been tons of artists on podcasts like Shay Shay talking about the strings these ultra rich moguls can pull. Like buying awards or gatekeeping people from being in the industry at all. There was even a story, I think maybe it was Gene Deal who told it, that when Killer Mike won at the grammys that Jay-Z was so angry he made sure to mess up his night by getting him locked up as soon as he left the awards stage. These moguls are extremely powerful and have an incredible amount of sway in the world/industry. If you check out Gambino’s profile on Youtube, his old music videos keep getting taken down, like Bonfire for example is just gone. Fans have been having to upload the videos themselves. There is a reply to a comment, on one of the fan uploaded vids, from Gambino’s account himself when someone asks why the videos are being taken down. His account just replies “Noone knows why :(“ Seems a bit odd all things considered and like maybe he has been at the mercy of these gatekeepers for going against the system.
I am so curious to know what the rest of you think about all of this!

I plan on ending it in ~30 years, or when I become a burden on my friends and family.
Preface:
I know and understand I am extremely privileged. I’ve always had supportive parents and a safe place/roof over my head. I’ve faced hardships, but they’re a far cry from what others have dealt/are dealing with.
Context dump:
I grew up in a middle class family in England, born of two working class parents that managed to achieve a decent amount of social mobility and provide a comfortable childhood for my siblings and I. We weren’t spoiled in a material sense. We all went to local state schools, never had the latest games consoles, designer clothes, or ate fancy food. My parents chose to spoil us with experiences and travel, getting the opportunity to see the world and have a go at different activities.
I was gifted when it came to academics and flew through school in all the top classes, however choked when I got to my final years. As a result the university I went to wasn’t all that great. This along side other factors such as experimenting with drugs, developing an eating disorder and getting myself into a very toxic relationship (my ‘first love’) started my depression. When covid hit I dropped out and moved back home.
My depression persisted and got worse. I contemplated suicide frequently, however always knew it was never really something I’d go through with, at least not yet. In the meantime I started working in hospitality in my hometown, developing two major passions, music and craft beer. In total I spent 2 years saving money, developing my passions and trying to ignore my depressive thoughts.
Where I am now:
For the last two years I’ve been living in a major city in England. I have a great job working 40 hours a week in a craft beer pub and can pay my own way with a little left over to save each month. In my free time I go and enjoy the music scene and listen to the Djs I love mix live, and (safely/infrequently) taking drugs to enhance the experience. I have a beautiful, kind, hilarious girlfriend that I have a great relationship with. I’m attempting to put myself out there with Djing myself, in the hopes of playing clubs one day. Right know I feel relatively content, proud of myself for striking out on my own and building a life for myself, and living %100 independently.
I’m really not trying to brag, I’ve had a privileged upbringing and I know that. But I would like to make a list of things to help get across this sense that I’ve already lead a full life and would be okay if it ended tomorrow.
I’ve visited 10 different countries in 4 different continents. I’ve tried sailing, skiing, kayaking, rock climbing, horse riding and sky diving. I’ve gone camping in -10 degrees weather. I’ve helped build living facilities (laying bricks) for orphans in South Africa. Performed my own original poetry for a room of 50 people. I’ve felt some of the most intense euphoria it’s possible to feel, in unison with another person I love to the ends of the earth.
I’ve also seen extremely low lows, contemplated suicide and confronted my own mortality. I’ve shoplifted. Hurt peoples feelings. Lied for my own benefit. I’ve felt real heartbreak and mourned close family members. I’ve experienced high levels of self hatred/inadequacy and projected those feelings on my loved ones negatively impacting them. All things I regret, but contribute to my life feeling ‘full’.
The controversial bit:
As a result of all this, coupled with my depression, I plan on killing myself when I start becoming a burden on others. The exact nature of my depression is also crucial to this. I believe that my existence itself is to some extent immoral. To make it actually moral would involve moving somewhere I can live entirely independently, which would sadly involve effectively cutting off my friends and family. The way the modern world is structured means that there is always some from of exploitation involved in the goods I consume, and I as a consumer contribute to this exploitation. I’ve come to terms with it for the meantime. I will only start to really plan the end of my life once my parents are gone. It would cause them too much grief if I were to leave before they do.
I’ve been considering this since I was about 16. Reading moral philosophy since 15. I’m going to strive to improve the lives of those around me, be kind and helpful and do right by people for the next 30 years or so and then seek out the most reasonable way to end my life.
My girlfriend knows about these plans. She is understanding and supportive.
Thanks for reading.

First: Why no Boom gun equipped tanks or giant robots? Always seemed odd to me.
2nd: are Glitter Boy Borgs a thing? Becasue I can definitely see Traix and Free Quebec at least trying that out. Also See the Super heavy borgs from Russia
3rd my main point:
I love Shadow boi https://www.deviantart.com/chuckwalton/art/Rifts-Shadow-Boy-Power-Armor-319549584 fixes all the issues with the Glitter boi in return for a much smaller price tag especially for armour and weapon replacement. The normal glitter boi is great at ONE VERY SPECIFIC THING and that’s it. outside that niche it becomes a huge liability. Not that I don’t like the concept of a literal walking artillery gun and the heroic mystique, thats cool.
However the downsides are huge and I understand that’s intentional for game balance and Roleplay opportunities.
it’s armor and Boom Gun is literally not made anymore (depending on when your playing) outside Free Quebec and Triax (good luck getting any from them unless you join them of course) so your utterly screwed if you suffer a lot of damage to either of the two things that make a glitter boy what it is. Also the Admittedly very tough laser reflective armour doesn’t count for much when fighting most things as there so many alternate weapon types and magic etc.
Then there are the severe limitations of the one and ONLy weapon it packs. not being able to move and having to stabilize. Not having a good speed even when not firing really doesn’t help that. Lack of any secondary weapons is a really bad design oversight like not even a small laser or something like that Is frankly silly. Even real life SPGs usually have a pintle HMG for AA and local defence. Given the usual combat ranges your probably facing in rifts Ruins and overgrowth. your also not getting to use the HUGE range advantage of the boom gun anywhere near often enough to make it a big deal.
The ultimate issue is The glitter boi was designed to fight in large combined arms formations that would have other support units cover those weaknesses. But obviously after the rifts that stopped being a thing For quite a while.
The Shadow Boi or as I call it the PRACTICAL BOI unlike the Glitter Boy it has MUCH more options and versatility outside of being a simple giant walking gun That does one single thing very well and is little more than a giant shiny paperweight if you take out its big gun. frankly in the rifts earth environment this thing works much better. It’s mobile, can fight well at any range that isn’t literally ARTILLERY and in Rifts earth good luck finding a nice open field that lets you exploit the Boom Guns full range.
The only real downside for the shadow boy is that it’s much less tough then the Glitter Boy. But cosidering how much more likely the glitter is to get HIT just standing there in the first place it’s a worthy trade off.

MS-ISAC CYBERSECURITY ADVISORY
MS-ISAC ADVISORY NUMBER: 2024-053
DATE(S) ISSUED: 05/14/2024
SUBJECT: Critical Patches Issued for Microsoft Products, May 14, 2024
OVERVIEW: Multiple vulnerabilities have been discovered in Microsoft products, the most severe of which could allow for remote code execution in the context of the logged on user. Depending on the privileges associated with the user, an attacker could then install programs; view, change, or delete data; or create new accounts with full user rights. Users whose accounts are configured to have fewer user rights on the system could be less impacted than those who operate with administrative user rights.
THREAT INTELLIGENCE: Microsoft is aware of CVE-2024-30040 and CVE-2024-30051 being exploited in the wild, as well as functional exploit code being available for CVE-2024-30050.
SYSTEMS AFFECTED:

• .NET and Visual Studio
• Azure Migrate
• Microsoft Bing
• Microsoft Brokering File System
• Microsoft Dynamics 365 Customer Insights
• Microsoft Edge (Chromium-based)
• Microsoft Intune
• Microsoft Office Excel
• Microsoft Office SharePoint
• Microsoft WDAC OLE DB provider for SQL
• Microsoft Windows SCSI Class System File
• Microsoft Windows Search Component
• Power BI
• Visual Studio
• Windows Cloud Files Mini Filter Driver
• Windows CNG Key Isolation Service
• Windows Common Log File System Driver
• Windows Cryptographic Services
• Windows Deployment Services
• Windows DHCP Server
• Windows DWM Core Library
• Windows Hyper-V
• Windows Kernel
• Windows Mark of the Web (MOTW)
• Windows Mobile Broadband
• Windows MSHTML Platform
• Windows NTFS
• Windows Remote Access Connection Manager
• Windows Routing and Remote Access Service (RRAS)
• Windows Task Scheduler
• Windows Win32K - GRFX
• Windows Win32K - ICOMP
• .NET and Visual Studio
• Azure Migrate
• Microsoft Bing
• Microsoft Brokering File System

RISK: Government:

• Large and medium government entities: High
• Small government entities: Medium

Businesses:

• Large and medium business entities: High
• Small business entities: Medium

Home users: Low
TECHNICAL SUMMARY:
Multiple vulnerabilities have been discovered in Microsoft products, the most severe of which could allow for remote code execution.
A full list of all vulnerabilities can be found at the link below:
~https://learn.cisecurity.org/e/799323/ate-guide-releaseNote-2024-May/4tnfnq/2147784747/h/sfkh77CiXNiMcKvLpP2ZecVdYu-zA4BB7DKUmzXfROk~
Successful exploitation of the most severe of these vulnerabilities could result in an attacker gaining the same privileges as the logged-on user. Depending on the privileges associated with the user, an attacker could then install programs; view, change, or delete data; or create new accounts with full user rights. Users whose accounts are configured to have fewer user rights on the system could be less impacted than those who operate with administrative user rights.
RECOMMENDATIONS: We recommend the following actions be taken:

• Apply appropriate patches or appropriate mitigations provided by Microsoft to vulnerable systems immediately after appropriate testing. (~M1051~: Update Software)
  • Safeguard 7.1: Establish and Maintain a Vulnerability Management Process: Establish and maintain a documented vulnerability management process for enterprise assets. Review and update documentation annually, or when significant enterprise changes occur that could impact this Safeguard.
  • Safeguard 7.4: Perform Automated Application Patch Management: Perform application updates on enterprise assets through automated patch management on a monthly, or more frequent, basis.
• Apply the Principle of Least Privilege to all systems and services, and run all software as a non-privileged user (one without administrative rights) to diminish the effects of a successful attack. (~M1026~: Privileged Account Management)
  • Safeguard 4.7: Manage Default Accounts on Enterprise Assets and Software: Manage default accounts on enterprise assets and software, such as root, administrator, and other pre-configured vendor accounts. Example implementations can include: disabling default accounts or making them unusable.
  • Safeguard 5.4: Restrict Administrator Privileges to Dedicated Administrator Accounts: Restrict administrator privileges to dedicated administrator accounts on enterprise assets. Conduct general computing activities, such as internet browsing, email, and productivity suite use, from the user’s primary, non-privileged account.
• Remind all users not to visit untrusted websites or follow links/open files provided by unknown or untrusted sources. (~M1017~: User Training)
  • Safeguard 14.1: Establish and Maintain a Security Awareness Program: Establish and maintain a security awareness program. The purpose of a security awareness program is to educate the enterprise’s workforce on how to interact with enterprise assets and data in a secure manner. Conduct training at hire and, at a minimum, annually. Review and update content annually, or when significant enterprise changes occur that could impact this Safeguard.
  • Safeguard 14.2: Train Workforce Members to Recognize Social Engineering Attacks: Train workforce members to recognize social engineering attacks, such as phishing, pre-texting, and tailgating.
• Use capabilities to prevent suspicious behavior patterns from occurring on endpoint systems. This could include suspicious process, file, API call, etc. behavior. (~M1040~ : Behavior Prevention on Endpoint)
  • Safeguard 13.2 : Deploy a Host-Based Intrusion Detection Solution: Deploy a host-based intrusion detection solution on enterprise assets, where appropriate and/or supported.
  • Safeguard 13.7 : Deploy a Host-Based Intrusion Prevention Solution: Deploy a host-based intrusion prevention solution on enterprise assets, where appropriate and/or supported. Example implementations include use of an Endpoint Detection and Response (EDR) client or host-based IPS agent.

REFERENCES:

Microsoft: https://msrc.microsoft.com/update-guide/ https://msrc.microsoft.com/update-guide/releaseNote/2024-MayMS-ISAC CYBERSECURITY ADVISORY

MS-ISAC ADVISORY NUMBER: 2024-053
DATE(S) ISSUED: 05/14/2024
SUBJECT: Critical Patches Issued for Microsoft Products, May 14, 2024
OVERVIEW: Multiple vulnerabilities have been discovered in Microsoft products, the most severe of which could allow for remote code execution in the context of the logged on user. Depending on the privileges associated with the user, an attacker could then install programs; view, change, or delete data; or create new accounts with full user rights. Users whose accounts are configured to have fewer user rights on the system could be less impacted than those who operate with administrative user rights.
THREAT INTELLIGENCE: Microsoft is aware of CVE-2024-30040 and CVE-2024-30051 being exploited in the wild, as well as functional exploit code being available for CVE-2024-30050.

Edit: If you are going to comment on the length of this post, please don't. This is not a simple snark but rather an actual critical think piece about feminism and Taylor Swift.

Introduction

Pertaining to Taylor Swift, "Female Rage" has deviated from its intended meaning after Swift debuted a new performance of The Tortured Poets Department during the Eras Tour. Now, according to Swift's use of the phrase, female rage is interpreted as public backlash against Swift's dating choices rather than as a response to the broader injustices against women and women's rights. This post examines Taylor Swift's flawed feminism, philanthropy, branding, and the controversial trademark petition for the phrase "Female Rage: The Musical". Swift's background as an entertainer, indeterminate politics, and alignment with capitalism over feminism pervades her legacy, again threatening her public tolerance as not just an individual but as a brand.

Once Upon a Female Rage...

If you were cognizant in the early 2010's, you've heard countless jabs at Taylor Swift in the media. Magazines, radio, or online. Music critics did not take her seriously as a songwriter; parents put a woman on an unrealistic pedestal as the ideal role model for their children; she dated too much and used men as lyrical fodder. No matter the story, it inevitably spread, conjoined with everyone's respective opinions, and you'd be left to wonder, "Why does everyone hate this girl so much?"
Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,

"Becoming friends with Lena – without her preaching to me, but just seeing why she believes what she believes, why she says what she says, why she stands for what she stands for – has made me realize that I’ve been taking a feminist stance without actually saying so."

I suppose the male-centric songwriting subject that permeates Swift's discography contained covert feminism and that we just didn't see that. Perhaps, the "Bad Blood" song and music video were written only in jest and not about poor Katy Perry, for Swift, as a feminist, would "never make it a girl fight" or tear other women down (though all Katy did was date your terrible ex-boyfriend and allegedly steal three backup dancers from your tour). In 2013, Swift said, in response to Tina Fey and Amy Poehler's joke towards her serial dating, "There is a special place in hell for women who don't help other women."
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.

Get Your Fucking Ass Up and Be a Philanthropist, It Seems Like Nobody Wants to Be a Philanthropist These Days

In 2013, Taylor Swift cut the ribbon at the grand opening of the Taylor Swift Education Center at the Country Music Hall of Fame in Nashville, Tennessee. The donation amount - $4 million - was the largest individual artist gift ever donated to the Country Music Hall of Fame, which is, of course, mentioned on Swift's website. The two-story facility features three classrooms, an instrument room, and an interactive children's exhibit gallery. Swift also performed at "All for the Hall" charity shows and has donated numerous artifacts from her career (such as notable guitars, tour costumes, etc) to the museum.
This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.

I Like Some of the Taylor's Songs, But What the Fuck Does She Know About Feminism?

Swift continued with her self-proclaimed feminist campaign, positioning herself as a political activist and LGBTQ+ ally in the Miss Americana documentary. The primary focus of the documentary consists of the sexual assault trial, Andrea Swift's cancer diagnosis, Taylor's ED and body dysmorphia, media scrutiny, and, largely, finally speaking up about her politics publicly, mostly her opposition to the 2018 Tennessee Republican senate candidate, Marsha Blackburn, and Blackburn's beliefs. Swift says, following a scene discussing her experience during the trial,

"I just couldn't really stop thinking about it. And I just thought to myself, next time there is any opportunity to change anything, you had better know what you stand for and what you want to say."

We must ask ourselves, though: when has Swift ever spoken up to change anything? Okay, pulling her entire catalogue from Spotify because they didn't pay their artists enough and similarly pulling her catalogue from Apple Music are changes that she leveraged due to her revenue potential and power, but they are not pertinent to the average woman's rights. Moreover, these are issues that directly impacted Taylor's income, which was enough reason for her to protest in the first place. Swift has sold the most units for a female artist in first week sales, is the first female artist with 100k monthly Spotify listeners, is the first female artist to win the Album of the Year Grammy 4 times, and is the first female artist to do X, Y, and Z, all while being inoffensive and family-friendly to boot. The actual Taylor Swift seems unwilling to compromise the brand of Taylor Swift by contributing in meaningful ways to feminist causes, especially if it is for women outside of America and Hollywood.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.

I Can't Pay Those Sweatshop Workers a Livable Wage or Benefits! How Else Would I Make My Billions?

Recently, Taylor's team filed to trademark the phrase "Female Rage: The Musical" after Taylor said during Paris N1 of the Eras Tour,

"So you were the first ones to see The Tortured Poets at the Eras Tour...or as I like to call it, 'Female Rage: The Musical'."

This trademark petition was filed last week on Saturday, and news comes about just as numerous unofficial fan-made merch designs have cropped up with this phrase plastered on Fruit of the Loom basics. I'm of the opinion Swift's team motioned for a trademark so that they can send out cease & desists to all those that make knockoff merch, which disrupts potential sales for Bravado, UMG's choice merchandising company; however, since it was filed earlier, perhaps Swift has bigger plans with the bizarre use of the gendered phrase. One Swiftie referred to the phrase "female rage" as "a funny Eras Tour joke". Could it be a possible fourth version of the Eras Tour Movie? Whatever the reason, the motion to capitalize off of such a concept is disgusting, but not unsurprising, for a woman that profits on her vain feminism.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!

I Am Tortured Poet, Hear Me Whinge

Look - even if Taylor's intention is to characterize TTPD as more "tortured" and "angry", the main thread of the album is "I was ghosted by my decade-long situationship with a controversial indie boy and my fucking stupid fans wrote a 'Speak Up Now' open letter prompting me to drop him" anger, which is adequately expressed in the lyrics and performances. The extent of Taylor's "female rage" on TTPD is on tracks such as "Who's Afraid of Little Old Me?", which contends with relentless media scrutiny; "But Daddy I Love Him", where Swift firmly states she'll date whoever she likes no matter how "Sarahs and Hannahs" may react; and "The Albatross", a track mythologizing her reputation and the consequences of dating her. Of course, these coincide with deep psychological wounds that formed during Swift's early years in the media, and so, from her feminist perspective, these subjects tackle the misogyny and double standards that she faced.
Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.

Sigh Try and Come For My Job, Poors

Out there in the world right now is a 23-year-old woman, a recent college grad, who works as a barista. She has to wake up and get ready to go into a minimum wage job because she cannot get a job in her field. She doesn't have healthcare benefits or sick time, so she has to go into work no matter how she's feeling. All day long she is berated by vicious customers and creepy men, and, exhausted from being on her feet, she knows she has to go home to her shitty roommate that never does the dishes and her roommate's shitty dog. To comfort herself, she considers getting a treat, but thinks against it when she remembers that matcha lattes cost $15 and they taste like milky dirt. She knows that she needs to buy groceries this week, and so the woman resolves to go home, but notices that her gas tank is low. She goes to put gas in the car, but the pump stops at $27.86 because that's all that she has in her checking account. The woman, bereft and reeling, sinks into the driver's seat. "Well," she thinks, her head in her hands, "at least I don't have Taylor Swift's job. I just couldn't imagine."
Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,

"You know you're good when you can even do it with a broken heart...you know you're good...and I'm good, cause I'm miserable, and no one even knows!...try and come for my job."

Yeah, obviously we wouldn't know, you recently passed the billionaire threshold and are the most famous and in-demand performer in the world right now. Taylor Swift makes an estimated $10 to $13 million dollars A NIGHT on the Eras Tour. Furthermore, the Eras Tour movie grossed $261.6 million globally, (which, as the producer, Taylor takes home 57% of the ticket sales) not counting the streaming revenue from Amazon Prime Video and the estimated $75 million deal that Disney paid to have it on Disney+. We're not even considering the income from cheap plastic popcorn buckets and drink cups plastered with colored squares in her Era-specific likeness.
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"

Conclusion/TLDR

Thank you for reading. I would love to hear your critical insights towards this entire ordeal: TTPD, the trademark, the implications of it all.
TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.

Today, I visited the VITEEE website to pay my 6000 Rs counselling fee, only to find no UPI option. Deciding on an alternative, I was shocked to see hefty service charges and an ADDITIONAL 18% GST!!!, on net banking payments.Why tax educational expenses? It's unjust and exploitative. We should demand immediate action to end this exploitation of students. Guys ,help me in raising our voices against such unfair practices. Let's stand together and urge VIT and relevant authorities to address this issue. Together, lets bring a difference!!!
I URGE EVERYONE TO GO TO THIS TWEET AND UPTOVE/RETWEET TO BRING IT TO RESPONSIBLE AUTHORITIES.
https://x.com/MobileUsef27094/status/1790430458804605038

So the special forces doctrine "combat interdiction" makes them very nice for breaking tiles, but even without combat interdiction they are so so so powerful because of their mobility.
They are straight up the best division for exploiting momentary gaps in lines! I use 10w paratroopers with support artillery. When I look like I am about to win a battle, I drop paratroopers to the tiles that the enemy divisions could retreat to. Sometimes, I get an overrun, and even when there is no overrun it is easy for the paratrooper to win against an already chewed up division.
And while I'm dropping into the tiles that enemy divisions are retreating into, I paradrop everything I've got to hog as many tiles as possible behind enemy lines. You can get huge encirclements in this way - these things move way faster than motorized divisions while simultaneously being way cheaper to produce.
You might worry: what if in trying to drop a huge cloud of paratroopers behind enemy lines, some of them land in tiles that are occupied? Then I've lost several whole divisions! Well no - as long as you have also paradropped into any adjacent tiles that is uncontested, it will just retreat into the adjacent tile instead of dying. And even if they do die, they are so cheap to produce!
You might worry that then you've got some enemy divisions scattered between your paratroopers that will ruin the whole operation - that might be true if you are dropping 2w paratroopers, but 10w with support artillery can hold their own against scattered encircled enemy units. At least they can slow the enemy down for long enough that your normal divisions will filter in.
You might think: paratroopers are balanced by the fact that you have to win the air war to use them. Yeah well not really because you have to win the air war to win anyway. I would never try to advance in red air, so the fact that this tactic only works in green air is no cost at all.
I played a game as Poland recently, with the Sanation Left path. I refused to give up Danzig and the Nazis invaded Using just paratroopers, fighters, and infantry, I was able to get some small single-tile breakthroughs that (thanks to the strategies outlined above) basically snowballed into me rolling up the entire Baltic coast in about a year, and encircling huge amounts of divisions. Germany had such a hard time with me that France didn't even fall!
Then, with the whole Baltic coast rolled up and Germany low on divisions, I paradropped onto their victory points in the south and they capitulated! Easy peasy!
Anyway - if you don't mind the micro, paratroopers are tactically powerful, cheap, and so much fun.

Background
The Dunmer population of Windhelm is composed primarily of refugees (or born of refugees) who escaped Vvardenfel’s disastrous living conditions after the eruption of the Red Mountain in 4E 5, known as the Red Year. The migration of most of these refugees likely took place in the years following the disaster. In the roughly 200 years since, they’ve built a sizable community within Windhelm’s ghetto, formerly known as the Snow Quarter. The squalor they live in during the present time (4E 201) is indicative of their long struggle to integrate with the Nord majority. Now, why has there been such a struggle?
According to a variety of non-Dunmer NPC dialogue, the common sentiment is that the Dunmer keep to themselves, they do not try to integrate, they do not work hard, and they do not get involved with the war effort. The in-game book Scourge of the Gray Quarter by Frilgeth Horse-Breaker makes many complaints on the Dunmer’s existence in Windhelm, reiterating such sentiments and claiming they do not contribute to the city. That the book makes reference to Ulfric as jarl, it can be assumed that these are at the very least the sentiments of the present time.
The Struggle
The book notably compares the Dunmer of Windhelm to the Dunmer of Riften, claiming the Dunmer of Riften are able to integrate because they are more hard working and engage in honest labor. In this explanation the writer (quite obviously) shows their bias in they neglect the crucial detail of describing the cities themselves. The people of Riften do not have the same level of xenophobia that those in Windhelm do. They do not have a jarl whose actions encourage the separation of multiple “outsider” groups and Nords. The people of Riften engage with the Dunmer like they would anyone else, contrasted with Windhelm where a Dunmer is more often than not labeled as an “outsider”.
The treatment of Dunmer refugees in Riften also differ in that they were not relegated to a ghetto. This is not to say that Windhelm explicitly forbids Dunmer from buying homes outside of the Gray Quarter (although dialogue of Aval Atheron might suggest so), but rather they are not afforded social mobility as a whole. According to Malthyr Elenil ‘s dialogue, the Quarter “wasn't always so bad”. Judging by the architecture relative to the rest of the city, I’d argue that this Quarter was a slum prior to the Dunmer arrival. In essence, it was a slum before they got there and it remains a slum today (if not worse), but is it the fault of the Dunmer? According to the dialogue of Scouts-Many-Marshes, an Argonian living on the Windhelm docks, it is implied that an Argonian working in Windhelm makes 8 septims per day plus lodging, presumably a tenth the wage of a “proper Nord worker”. Whether or not this “tenth” is an exaggeration or not, Scouts refers to this level of pay as akin to slave labor. Comparing the squalor of the Argonians and the Dunmer, and taking into account the kind of jobs available to them in this city, it can be fairly assumed that the Dunmer do not make much more money than the Argonians when working for the Windhelm Nords. Contrasted again with Riften, where no such race based pay gap seems to exist. How can the Dunmer be expected then, to adequately maintain their neighborhoods on a pay that is a mere fraction of a Nords?
Trying to make a comparison of “work ethic” between the Dunmer of Riften and Windhelm is inherently unfair when you ignore the near diametric social conditions of the two cities. This is also indicative of the Windhelm Nord’s refusal to acknowledge the roots of Dunmer issues. The old jarls of Windhelm may have accepted the refugees, but the Nord citizens have clearly endeavored to keep them at an arm’s length, leading to the segregation of the Windhelm Dunmer we see today.
The “Good Ones” and the Model Minority
Many might look upon Beylyn Hlaalu as proof that any Dunmer can work their way out of poverty. He is the only Dunmer land owner in Windhelm, a proud man who credits his success to his hard work and resents the poorer Dunmer for complaining. But what many fail to consider is that he is a descendent of House Hlaalu, a former Great House of Morrowind. Although House Hlaalu at this point has lost all major political power, they’re still a family of considerable wealth and influence in Raven Rock, albeit under a fake name. I find it rather likely then, in a culture who so values clanship, that Beylyn Hlaalu has had monetary support from his wealthy relatives in order to at the very least kickstart his farm. And although there are no explicit pieces of lore that support this, one must wonder if it is truly coincidence that the shining example of Dunmer success is one born from a not too distantly historically powerful family.
The successes of the Altmer residents in Windhelm are also cited as proof of Dunmer failings. They are Nurelion, Niranye, Ulundil, and his wife Arivanya. Niranye is presumably the newest Altmer migrant to the city, saying she's only just arrived from the Summerset Isles. She is the only one of the Altmer to make references to mistreatment by Nords, claiming that it was difficult at first but she'd eventually proved her usefulness. Clearly she has been able to integrate with Nord society, and once again it is credited as her own hard work. But is that completely true? There are three factors for her ease of integration that are being ignored here: Unlike the Dunmer, the Altmer arrived as business minded merchants and not as refugees, There were already well established and respected Altmer living in the city prior to her arrival, and her business is unfairly propped up by her dealings with crime guilds. Her business directly competes with that of Ravyn Sadri, a Dunmer general goods merchant. By acquiring her goods through her criminal connections and selling at absurdly low prices, she is able to quite easily undercut Ravyn’s business, who operates honestly.
Referencing Scourge of the Gray Quarter again, the writing finishes by claiming that Windhelm Argonians should be the model for Dunmer behavior and acceptance. They write that the Argonian “has learned how to best contribute to their new home…toiling with utmost efficiency and bright smiles”. Once again this text omits crucial details. The Argonians are forbidden, by decree of Ulfric Stormcloak, from entering the city. And make no mistake, this segregation is not because of the racial tensions between Dunmer and Argonian. According to dialogue from Brunwulf Free-Winter it was primarily due to Ulfric’s distrust of foreigners and Nord stubbornness. They are only permitted to reside on the docks and, as stated before, make a mere fraction of the pay of a Nord worker because of the explicit reason of not being a Nord. This is the proposed model for acceptance? Exploitation, racial hierarchy, and wage slavery? Who reads Scourge of the Gray Quarter, looks at the Argonians, and genuinely thinks they’ve successfully integrated?
When holding these so-called examples of Dunmer failures to light, it’s clear to see that they hold little water. The successes of the “good ones” are not wholly the result of pulling themselves up by their bootstraps, but likely by benefitting from pre existing privileges that gave them an advantage over the Dunmer as a whole. And the proposed solution for those without such privileges? Becoming servile and catering to the Nords at the Dunmer’s own expense. In the face of mistreatment and mistrust by the majority group, an administration that refuses to listen to them, racially biased pay gaps, a competition that cheats them, and wage slavery: how rational is it to say all they need to do is “work harder”?
Another Man’s War
A common criticism of the Windhelm Dunmer is that they refuse to join Ulfric Stormcloak’s war effort. Many claim that it is their duty as residents of Windhelm, that they owe a debt to the city for taking them in as refugees 200 years ago. But I ask you this, why should they fight on behalf of a system that harms them? It should first be said that the Stormcloak Rebellion’s primary function is to release Skyrim from the rule of the Empire, so that Skyrim’s people may solely be governed by those who live in Skyrim (Ignoring for a moment that Ulfric’s rebellion was set in motion by the Thalmor to weaken the Empire, according to the Thalmor Dossier). An admirable sentiment, but it has manifested itself as highly xenophobic and oftentimes hostile (most commonly verbally) to those who are not Nords. In the case of the Windhelm Dunmer, it has led to the local Nords being more distrustful than ever before. More dialogue from Brunwulf indicates the escalation of racial tension in the city is primarily the result of Ulfric’s “Skyrim for the Nords” rhetoric. This paired with Ulfric’s complete apathy towards the issues faced by non-Nords in his hold communicates a hatred towards them and systematically harms them.
Many players are under the impression that the Dunmer received free housing and live tax free due to what is written in the Decree of Monument."untithed to any thane or hold, and self-governed, with free worship, with no compensation to Skyrim or the Empire”. I’d argue the text is referring to taxes rather than housing, and no other in-game source makes reference to the housing situation either. But does that mean it is true that the Dunmer don’t pay taxes? One of the outcomes of Revyn Sadri’s quest results in him having to pay “increased taxes” to the city of Windhelm, implying that yes, the Dunmer are currently paying taxes. I do not think it is likely that only Revyn or only some Dunmer are paying taxes. It can be fairly assumed then that at some point between 4E 20 (when the monument was placed) and the present time of 4E 201, the Dunmer were made to pay taxes like any other citizen. As for housing, I find it unlikely the Dunmer received the Gray Quarter for free. As stated earlier, it was likely a slum to begin with, meaning it would’ve been considerably cheap to move in. Perhaps offered to them at a reduced price. It is important to note that the Dunmer being refugees at the beginning does not automatically mean they were penniless upon arrival, likely poor, but it would be unrealistic to assume all of them had nothing at all. Realizing now that the Dunmer of Windhelm are tax paying citizens who are continually ignored and othered by their ruler, it surely must be understandable then why they would refuse to fight on behalf of a system that at this point only takes from them. They owe the Nordic administration no loyalty
Conclusion
With a ruling majority that will more often than not shun, insult, or exploit them, It is no wonder then how the Dunmer of Windhelm as a whole have not been able to integrate, that they “keep to themselves”, that they “don’t contribute to the city”. For how can one integrate with those who refuse to ever fully accept them? If you wonder why they do not leave, with what funds could they start anew? If you wonder why they dont help the Nords in their war, why would they fight for a cause that harms them? The system is as the system does, and that system is racism.
Author’s Note
Idk what I wrote all this for lmao. Ive been playing skyrim for over a decade so I guess I thought it would be interesting to engage with the game in another way that's new to me. It was only recently that I got more interested in actually talking to NPCs, learning more about the game world, not just in it for the cool fights and jiggle physics mods (tho i do love em). There's a good degree of guess work here, which I suppose is to be expected with what few pieces that are available we can put together. But I tried to cite as much from official lore as I can. Was def fun trying to take a more nuanced lens to this fantastical game world.
But what do you think? Do you think my analysis is accurate? I'd love to see your opinions on the topic!
SOURCES
https://elderscrolls.fandom.com/wiki/Red_Year
https://elderscrolls.fandom.com/wiki/Scourge_of_the_Gray_Quarter
https://elderscrolls.fandom.com/wiki/Malthyr_Elenil
https://elderscrolls.fandom.com/wiki/Aval_Atheron
https://elderscrolls.fandom.com/wiki/Scouts-Many-Marshes
https://elderscrolls.fandom.com/wiki/Belyn_Hlaalu#Conversations
https://elderscrolls.fandom.com/wiki/House_Hlaalu#Fourth_Era
https://elderscrolls.fandom.com/wiki/Vendil_Severin
https://elderscrolls.fandom.com/wiki/Niranye
https://elderscrolls.fandom.com/wiki/Revyn_Sadri
https://elderscrolls.fandom.com/wiki/Brunwulf_Free-Winter
https://elderscrolls.fandom.com/wiki/Thalmor_Dossier:_Ulfric_Stormcloak
https://en.m.uesp.net/wiki/Skyrim:Decree_of_Monument

Some ideas for a city campaign in Helldivers II. This during the massive Automaton push after surprise massive fleet show up.
Setting
A city of that used to be a thriving human home inhabited by 30 million citizens but the war turned it into a battlefield as Automaton’s relentless offensive since the surprise attack few weeks ago. SEAF desperately held on the city as it is a the center of political capital of the region, not to mention the node of economy and culture too. Sharp fight erupts over a control of an apartment block or sewer system, showing how intense the battle is for weeks. The Helldivers are assigned as tip of the spearhead to attack critical points that can turn the tide of the battle.
Imagine Fallujah 2003, Berlin 1945 or Hue 1968 as sample templates.

Parkour hell

Automatons are pushing hard but still unable to breakthrough due to resilience of the SEAF so far. However this new development worries the High Command enough to merit a Helldiver mission.
Intel assessed and believes that enemy is deploying an artillery system that we never seen before to this sector. What we do know that they break it up to few components that is transported on heavy haulers, about 20 of them and has to go through this no-man zone. You have a limited time window of 15 minutes once deployed.
Once they passed this point, it will be detrimental as they have sufficient parts to assemble into a huge artillery system that might cause problem for the regular troops holding the frontline.
The intel also believes that the only way these haulers can be taken out is their relatively weak top armor. Realistically, you Helldivers have to do parkour on the building roofs and set up ambush points to effect a destruction of these haulers. So every Helldiver must have Jump Pack as a mandatory Strategm, as any street level battle will be suicidal. Do lookout for crumbling building that might go down if you landed wrongly. We have reason to believe that Automatons have rapid response team if the convoy got attacked in mere minutes too. Destroy the haulers before get overwhelmed.
You must at least destroy 60% of the convoy to be considered as successful.
Good luck and give them hell.
Based on the exploits of Chechen's Tiger unit in Battle of Grozny 1994.

Rattenkrieg – War of the Rats

We believe that Automatons are hiding their crucial ammo and fuel stockpiles in the middle of the city blocks around this sector but we can’t detect accurately from the orbit because they using a stealth net that obscures our Super-Destroyer’s optic and detection systems. We believe by destroying these forward caches, their push will at least slacken to buy SEAF precious time to regroup and rebuild their line.
This is where you coming in.
Unfortunately, we can’t insert Helldivers near to the combat zone since we are not sure the exact locations so you have these deployment zones here and here. So, you have to deploy, get stocked with ammo and equipment then enter the vast sewer system to access target areas from below. That means the Super Destroyers or CAS (Close Air Support) will not able to assist you since you will be cut off underground.
Luckily, there are few gaps via big blasted holes that we can send help shall you need it in middle of the fight. Use those precious window wisely. Also if any reinforcements has to start from beginning zone all over again unless there are hole gaps nearby. Needless to say, the terrain is cramped and very close quarter prone so choose your loadout accordingly. Do note to try destroy the access holes once you completed the target to prevent pursuit by the enemy in the sewers.
We also knew there are caches from the wiped out defenders hiding inside the sewer systems so you can resupply from their stocks. These are approximate locations.
You must destroy at least 5 caches quickly and exit in 30 minutes.
Inspired by Battle of Stalingrad 1942-43.

The Vault

A group of prominent citizens trapped in a big bank vault, hiding from marauding Automaton patrols after unable to evacuate in time during the retreat. It is up to you, Helldivers, to approach the bank from above in your typical fashion or go stealth via underground sewer system. Reach the bank, decommission any resistance, secure the citizens and escort them to a waiting shuttle before the Automaton find their hiding spot.
The bank itself, used to be an architectural marvel during peaceful days has turned into a massive rubble that makes a nightmarish urban combat scenario.
You also must secure data from the bank server while rescuing the citizens at the same time. Also, power up the backup generator underground before you can open the vault and the booting up the server too while fighting the Automatons. This is your speciality, hence the command needs you do it. You have a small window of action about 12 minutes before the enemy begin to send in reinforcements or rapid response force, so act quick.
Here’s the blueprint of the bank. Good luck.

The Towers

The Automaton set up few massive signal jamming tower units that causing troubles for SEAF. What’s worse, we can’t really pinpoint the exact location of the towers since they keep rotating spots to avoid detection by our forces. Therefore, it is your task to drop in and corner these mobile jammer units, render it destroyed. Without doubt, the enemy sentry will be considerable and expect a massive fight shall it turn into a shooting match.
Best way is to use AM rifle to destroy the jammers from far and quickly scoot to the next place.
You have 40 minutes to disable their EW units and evacuate from the combat zone. Good luck.

I got to thinking about the powers of a Meruem who survived the Rose poison and went on to rule the world. This also assumes he is aware of the Dark Continent and that there are creatures there who could pose a threat to him. These Hatsu will be seperated into categories, since there's a lot of them.
Mostly, this was a chance to go absolutely wild with the pinnacle of Nen. I hope you enjoy reading busted abilities.
Foundational:
Aura Synthesis (Emission): By consuming the aura of another individual, Meruem permanently adds their aura to his reserves. This also allows him to reverse engineer any Hatsu they possessed perfectly, and improve them using his own Nen skill.
En Photons (Emission): By emitting individual particles of Nen, Meruem can gain the effects of En with effectively zero effort or aura investiture. More importantly, En Photons in contact with an individual with aura can become laden in the targets aura, returning to Meruem and activating Aura Synthesis. This means that, just by being in the same area as someone, Meruem can copy their Hatsu, and take as much of their aura reserves for himself as he pleases, though this is obviously massively faster the closer Meruem is to the target.
Specialization Access: By absorbing Aura from many specialists, Meruem gained the ability to use Specialization as if it were a normal Nen type, with 60% efficiency.
Combat:
Unshackle (Specialization): Meruem can only use this ability in a situation where he feels harm could come upon him from a source other than himself. To activate it, he must cut himself, and he cannot use Nen (including Enhancement healing) to heal it, or allow another to heal it for him. Once activated, Meruem gains 100% efficiency in all Nen categories while Unshackled. When Meruem ends this ability, 99% of his Aura pool is sealed away from him for ten times as long as he maintained Unshackle.
Transformation (Transmutation): A mix of Youpi's shapeshifting and Beelzebub, this ability allows Meruem to freely alter his form for mobility, combat, healing, and more. This is so potent that, as long as Meruem can maintain a a core the size of an ant, he can reform from nearly anything that doesn't destroy him on a cellular level. Unshackled, this ability allows Meruem to manipulate his body at the molecular level, though reconstituting large numbers of destroyed cells requires immense focus.
Spiritual Message (Emission, Manipulation): Meruem can read the mental, emotional, and aura makeup of anyone in contact with his En photons. This is so detailed that he can read minds and determine the Hatsu of targets instantly. This works on Dark Continent entities, though their complexity and uniqueness means that Meruem needs a few moments to derive useful conclusions, which is greatly reduced when Unshackled.
Mirror Clone (Emission, Manipulation): An emitted copy of himself, mirror clones do not have real substance and can be destroyed if their physical form is disrupted. They can use most of his Hatsu, and any aura granted to them is returned to Meruem if they are destroyed or are dismissed, as well as memories of everything they experienced. Although Mirror clones can move independently, they lack their own consciousness, and generally act on the last order given to them by Meruem.
Perfect Clone (Conjuration, Manipulation): Can only be activated when Unshackled. A true flesh and blood copy of Meruem. Instead of being granted a sum of Aura on creation, a Perfect Clone is instead granted a percentage of Meruem's pool, which it can recover on its own if expended, potentially even growing with Aura Synthesis. Perfect Clone is fully independent, and acts as an exact copy of Meruem's consciousness, meaning that personality drift is a real danger. Meruem considers this ability undignified, but holds it in reserve for creatures like Ai that can instantly kill anything at any range. If either the copy or original dies, the remainder receives the full Aura pool.
False Form (Conjuration): By using replacement-type conjuration to create a copy of his own body, Meruem can sustain bodily harm without it affecting his actual body. This ability normally has a latency of half a second to re-create a destroyed body part, but this is removed when Unshackled.
Executioner's Sword (Conjuration): Only usable Unshackled. Anything living pierced by this blade dies. Only one can be conjured at a time, even between clones.
Domain:
Heart of the Emperor (Conjuration): Meruem conjures an onyx shard. Any creature with this shard embedded in their heart is protected against the majority of the negative effects of Meruem's domains. Anyone else with a shard is treated as Meruem for the purpose of the domains effects.
Domain Activation (Emission): Can only be used Unshackled. Meruem emits a Nen space and teleports himself and any number of other targets into it. Each domain can only be activated if all previous domains were unsucessful in defeating one or more targets inside, and were active for at least 30 seconds on that target. Although each domain has a unique ability, all of them teleport En Photons directly between Meruem and the target, causing Aura drain to happen at a ludicrous rate.
Dimensional Anchor (Emission): Anything struck by the ray fired by this ability finds themselves unable to teleport by any means. This also foils any attempts to escape emitted spaces.
Domain I - Fields of Mourning (Manipulation): A seemingly infinite, listless field, this domain exploits the emotional vulnerabilities of the target, forcing victims to relive trauma, become overwhelmed with regret, or simply have all motivation drained away from them. Meruem can skip this domain against opponents that do not have emotions.
Domain 2 - Chains of Tartarus (Manipulation, Conjuration, Specialization): Worked stone and metal chains fill this domain. Targets inside of this domain have their body, mind, and aura seperated, unable to interact with each other. The body is paralyzed, the mind filled with pain and chaotic thoughts, and the aura rendered inert. Chans and manacles are conjured onto the target that interfere their ability to act in any way.
Domain 3 - Pits of Asphodel (Emission, Transmutation, Manipulation, Conjuration, Enhancement, Specialization): Pools of magma and gouts of flames fill this domain. This domain attempts to physically destroy the target by as many means as possible simultaneously. Heat, cold, vibration, ionization, entropy, and many more methods are used to destroy the target at an atomic, or sometimes subatomic level.
Domain 4 - Weight of Chronos (Specialization): A massive clock as the floor, with an endless abyss in every direction. This domain stops time, freezes space, and calcifies reality. Even Meruem is able to only observe and think, though he has near omniescense in this state within the domain. The purpose of this domain is to give Meruem the chance to observe, calculate, and formulate against a target that was able to resist the first three domains.
Domain 5 - Personalized Tapestry of Fate (Specialization + More?); The exact parameters of this domain are created while Weight of Chronos is active. Its purpose is to exploit weaknesses of the target in a way that allows them to be destroyed in ways that were not possible with the previous domains. If this is not possible with something standard, this serves simply to delay the target until the sixth domain unlocks.
Domain 6 - Unraveling (Specialization, Manipulation): Reality itself begins to unravel as this domain activates. This domain does not attack the target's body, mind, or aura. Instead, it attacks them as a concept, unraveling their very being at such a foundational level that there is little opportunity to resist.
Domain 7 - Colosseum (Enhancement): A large, roman colosseum. If all else fails, wearing the target down may be the only choice. When this domain activates, Meruem may take the opportunity to create a Perfect Clone outside the domain. While the domain is active, Meruem becomes five times more potent in every regard, and targets become five times weaker. Meruem also has his Aura efficiency massively increased, with expended aura mostly trickling back into his Aura pool, making him limitlessly enduring, while targets become massively inefficient, expending many times what they would even in a non weakened state. Note that this applies to unusual abilities like Ai's wishes as well.
Utility:
Teleportation (Emission): Meruem or something he targets teleports. This is instantaneous up to 100 meters (1 kilometer Unshackled), but requires concentration proportional to distance for longer teleports. In his Emitted spaces, Meruem can freely teleport anywhere within or between them. Can be used to escape Conjured or Emitted spaces.
Reactive Instincts (Manipulation, Specialization): Meruem is constantly self-manipulated with this ability, which reacts to danger or unusual situations. It can intuit danger that Meruem would have no way of percieving, and can activate any of his Hatsu autonomously. If someone wished for Alluka to kill Meruem, Reactive Instincts would Unshackle and create a Perfect Clone immediately before he died, allowing him to escape unscathed.
Hideaway (Emission, Conjuration): Meruem creates a new space, 'layered' slightly off from regular reality, and tucks himself or something else there. Although he can still percieve his surroundings with En Photons, very few methods can locate or target something that doesn't exist within regular spacetime.
Sacrificial Exorcism (Emission, Specialization): If Meruem is affected with a Nen curse or similar affliction, he may transfer it to a willing target in the form of a disease. Although powerful curses may result in afflictions on the same level as what Gon suffered, they will never be fatal (though survival may become nearly impossible with something on that level). If the target retains the curse for at leas ten years, and is still loyal to Meruem, their death causes the curse to die with them.
Exotic Matter Manipulation (Transmutation, Manipulation): Although technically many hatsu, I decided to group these together. Using his knowledge of physics, Meruem can create unusual states of matter to perform incredible feats, like creating black holes to form stable wormholes, to using transmuted antimatter to convert matter into energy. Physicists could probably suggest more weird stuff. Many of these must be Unshackled to come into effect properly.
Identity Safeguard (Specialization, Emission): Tucked away in an emitted space is a copy of the concept that makes Meruem what he is. If this is damaged somehow, he can use his backup.
Matter Reconstruction (Manipulation, Transmutation, Emission): Meruem can manipulate matter he infuses his aura into, reconfiguring it into any form he desires. Unshackled, this can manipulate atoms, changing the elements of the matter he is working with.
Timestream Shift (Specialization): If multiple streams of time are occurring simultaneously, he can enter whichever he pleases. Against Netero, he could use this ability to match Netero's time compression.

Platform(s): Mobile, presumably Android.
Genre: Racing.
Estimated year of release: Early 2010's, probably before 2017.
Graphics/art style: Pretty stylized. Not sure if semi-real or cartoonish. Industrial sci-fi aesthetics.
Notable characters: A cheerful robot companion with a driving helmet and a mustache who helped the player through the tutorial and gave helpful hints about every level.
Notable gameplay mechanics:

• Go from point A to Point B type tracks mostly.
• No opponents. It was only you vs. the treacherous tracks and the clock.
• There were blue laser "barriers" that gave you a speed boost whenever you crossed them. As well as some obstacles to avoid.
• Don't fall from the track! The tracks had holes in them and oftentimes there were no barriers on the sides.

Other details:
Player's vehicle was a mix between a dune buggy and a SUV, painted orange with dark grey. I think that was the only vehicle you had.
Tracks were beige-colored metal and concrete structures mysteriously suspended in the air, surrounded by a slightly surrealistic city landscape.
The player car always started in a small sloped platform at the start of the level.
I remember once I was struggling with a particularly hard level, and the robo-buddy's tip was: "Steering (or drifting) with the rear!" No effing idea what he meant. AFAIK my vehicle steered only with the front wheels like most cars do.
It may seem my description resembles Jet Car Stunts, but I've played that one as well and no, it definitely isn't. The player vehicle doesn't have a jet engine strapped on it's back. And definitely didn't look very aerodynamic. Oh, and JCS didn't have a robot buddy.

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How does it impact investors?
As for Investors, they are usually not huge fans of inflation since high inflation shrinks the buying power of savings and assets. Your house and real estate holdings become less valuable. The bonds you’re holding are less favorable. As high inflation continues, wealth preservation is a real thing and investors should take it seriously. Without proper management, pensions and long-term savings plans also face inflation risk. That’s why finding investments that outpace inflation has become critical for protecting your wealth.
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Yes, I had a lot of time. I originally played this game when it launched during the pandemic and stopped at 1k trophies, and picked it up again ~3 years later. I want to share my thoughts about the last ~15 days while it's still fresh and answer any questions people might have.
I have a 43% win rate in 3600 BR games, and 300+ games with each of the following heroes: Angel, Bastion, Blizzard, Blot, Cyclops, Ghost, Levi, Lynx, Ramsay, Raven, Sparkle, Vi. I have the most fun with Angel, Raven, Ramsay, and Lynx.
I've unlocked every hero except Alice, paid for Blizzard and Vi.

Trophy Tiers

Broadly speaking, the percentage of poor players decreases as you gain higher trophies. Being completely honest, I saw a bunch of mistakes made by enemies, teammates, and myself at 9k trophies. At 10k+ trophies, most of the mistakes I see are my own.

Low Tier: <3k

I have a second account on an old phone at this tier that I use to play under powered / rarely used heroes in casual games. It's mostly bots and occasional humans with rudimentary gameplay.

Mid Tier: 3-7k

People are still misplaying all the time, but in general are improving and trying to coordinate as a team. Pickup teams are pretty easy to create and people are generally friendly. Honestly, I probably had the most fun at this tier since I enjoy playing the game casually with a variety of heroes and different team compositions (vs trying to win all the time).
There's still plenty of bots in offpeak hours.

High Tier: >7k

This is the first tier where it starts to get competitive. Relatedly, this is also the first tier I started seeing bad manners and griefing.
Early on when I was around 2k, I teamed up with some high trophy players and played in 10k games. That's when I learned first hand how much faster and aggressive the game was. On certain maps (Bank, Village, Hotel), fights will often initiate after picking up ~2 items.
As for bad manners, I'm used to it from playing plenty of other online games but enjoyed the fact that Bullet Echo largely doesn't have it. However at 7k+, now you get a lot of people bm'ing when they kill you, if two people fight over an item, etc. It most commonly manifests as sprays/stickers, but also a lot of head shaking and the occasional teamkill grenade for taking "their" item.
Pickup teams are a lot more mercenary. People join up, and if the team loses most will leave; there's little to no chat banter anymore. If someone misplays a few times, they often get kicked from the team, the team is disbanded, and/or they get defriended. This, uhh, has totally never happened to me.

10k

The "end game." Heroes' power typically ranges 1650 - 2200 (Ultimate level 70 to Immortal), with the occasional Divine player. There's relatively few bots during peak times.
The games are fast and brutal, and any small mistake is quickly exploited. My winrate has dropped significantly even when playing my better characters, but I'm learning. Pre-10k, I'd typically open 3x battle and skull chests under 30 minutes. Now, opening battle/skull chests and winning contracts has become significantly harder.

Bravery Road

I don't have any experience with this tier since I lack Divine heroes. Others have shared that it's mostly full of bots.

Heroes

Tier List

This is based on 9k+ trophy BR in the hands of a good player:

• S: Vi, Lynx, Mirage, Arnie
• A: Blizzard, Ramsay, Raven, Dragoon, Angel, Freddie
• B: Firefly, Shenji, Ghost, Alice, Leviathan, Hurricane, Satoshi, Sparkle, Tess, Levi
• C: Blot, Bertha, Doc, Cyclops, Slayer
• D: Bastion, Stalker, Smog

Hero Investment

First off, invest in heroes that you enjoy playing regardless of tier lists. If you want recommendations for <7k gameplay, here's my list:

• Vi, Lynx: A class in most game modes and high tier effectiveness.
• Levi: she is A class for koth (camp and use ability in the final 1v1), and a solid B class in multiple modes: farming bots, sabo, low-mid tier BR. Satoshi is a good alternative.
• Bastion: he is A class for low-mid tier Bsabo/bot farming, and B class for low-mid koth. Don't get too attached though because his effectiveness drops off a cliff at 7k+ (more below).
• Hurricane: shotgunner with a shield and high tier effectiveness.
• Firefly/Blot: Blot's easier to learn snipers and farm bots/sabo in a more campy store, while Firefly has a higher skill ceiling and a more aggressive sniper.
• Ghost: He's probably the easiest SMG to learn with his cloak ability. Angel is better for long term usability and bot farming, but requires better map awareness and teammate coordination.

That's at least one hero per class (for contracts and gameplay variety), but a heavy bias towards Skytech faction because of all the shields.

Bastion

Bastion is great for bot farming and low / mid tier gameplay, but is easily outplayed in 7k+ games. I had a bunch of mid tier Bastion friends that I invited to 7k+ games and they've always left after a few games due to being outplayed.
Outplaying Bastion is usually done through kiting or baiting and flanking with teammates since their range is too short and movement speed is too slow. Bastion (and Blot to an extent) is outclassed by more mobile shield heroes: Angel, Hurricane, Satoshi.
Leviathan gets a special call out since his turret is great for zoning and has extended spray that can be abused to hit behind walls.

Grenade Users (Firefly/Shenji/Sparkles/Freddie)

Pre-10k, most of these are terrible nade spammers hoping to get an easy kill. I've seen so many Firefly users use more nades than bullets in a round, adding little value chucking nades into thin air. Shenji users, please use your nades to zone the enemies and less about trying to kill them. Also stop burning the grass because you can, especially when you're up against snipers.

Vi

My win rate with Vi is significantly higher than the rest of the field, which shows how broken she is. I think she needs to be nerfed, and she's my most played and highest leveled character (Stellar).
I also have some bad experiences after teaming up with a bunch of Vi-only tryhards (about 6-8 different teammates for 5+ games each). They're generally incredibly aggressive and good at racking up a high kill count, but often lack map awareness or team dynamics besides spamming, "Let's go!"

Tips

League

Climb as fast as you can, as high as you can since you get more loot per chest depending on your league level, and streaking gets harder the higher you climb in trophies. Bot farming (read below) is the easiest way to streak games and hit the next league level.
I think there is an argument to be made about staying in purple 1. I found it significantly easier to win most of the contracts at purple 1, but I was grouped with all the other grinders once I hit purple 2. This might be a red herring though.

Resources

• Long term the limitations are: nuts, drone resources, personal gear copies
• Gold, batteries, and 💵 currency (to an extent) is relatively abundant.
• There is a limit to watching ads per 8-12 hr period. If you're going to grind, save the ad watching for 2x battle/skull chests.
• Hero cards are distributed evenly over obtained heroes. My Supreme Shenji, Mythic Levitation, and a dozen Rare and Epic heroes all have enough cards to upgrade to Ultimate level 70 (my average level across all heroes). Recently obtained characters will appear more often in battle/skull chests until they reach the average number of cards across all heroes. My most recently unlocked hero—Mirage—is already at Ultimate level 70 in less than a week despite giving her 0 jokers. This probably means we're going to see a lot more Vi's in low/mid tier games.

Spending Money

Contracts

• 7 day contract hacks (and assuming you have enough time to grind) is the most effective use of money.
• Consistently winning the 21 hr contract for 300 jokers is critical.
• 3 hr contract (particularly in off hours) can be pretty easy to win for 20 jokers.
• Read the contracts carefully. Often you can use a hero to progress against 2 or more contracts simultaneously.
• Bot farming and SvS is usually the easiest way to quickly get contract points.
• Ghost in koth is a great way to grind "The Collector" contract.
• A lot of people in the top 3 will try to snipe the contract in the final hours. You can check their profile to see if they're online and contract leaderboard if their scores are increasing. I've lost a lot of sleep defending my #1 spot in the 2 day and 1 week contracts.
• I've given up on winning contracts and buying contract hacks anymore since the 10k games are significantly harder and I'm burnt out.

Star Pass

• I don't mind spending $15 to get the new hero via the base pass, but I don't think the premium pass is worth it.
• I didn't get tiers 2 and 3 for Vi but still got her to Stellar with a lot of grinding via contract hacks and jokers.

Technology

It's $10/mo. You get a random hero motivated and 8 drone plugins (2 of each color) per week, and 10 tech tokens/day. 70 tech tokens/week is enough to get drone blueprints, 2xpersonal gears boxes, some squad gear, 500 nuts, and 5 costume tokens. Also your name is highlighted in gold.
I think it's great for the first month or two for the personal gear and drone parts, but not sure if it's worth keeping afterwards.

Bots

Recognizing bots means you can adapt your strategy when playing with and against them.

Identification

Pre-game

• bot syndicates: RedSuns, CCCP, BoDammit, BIOS, Psychonauts, MotherOfBot, Botsavethequeen, 486DX, etc
• listed after human players
• don't have drones
• never play as the newer characters: Blizzard, Vi, Shenji, Ramsay, Lynx, Tess

In game

• immediately opens chests
• goes in a straight line while swinging their flashlight, humans tend to run with their flashlight facing forward except when checking corners
• doesn't use any abilities

Farming (BR, SvS, sabo, koth)

Bot farming is a great way to hit the streak for a league jump or grind for festival tokens.
I find sabo, SvS, and sometimes arcade in offpeak hours (or other region's servers) the easiest modes for bot farming.
Generally bots will collect a few items and start roaming looking for enemies. If a firefight ensues, the bots will start swarming towards noise like zombies.
The best characters to farm bots are those that can do a lot of damage without taking any themselves. Since bots will run in a straight line towards you, assault rifles and snipers excel at bot farming.

• Recommended heroes: Bastion, Satoshi, Blot, Hurricane, Levi, Firefly, Blizzard, Cyclops
• Not recommended: Ghost/Stalker (bots are unaffected by cloak), Slayer (fire rate is too slow), SMG users (can't reload fast enough when swarmed)

As teammates

It sucks to get bots as teammates, but if you understand their behavior you can take advantage of it to try and win the round.

• don't get sucked into unnecessary fights, let them die and don't bother reviving
• use them as dumb scouts to flank the enemy
• treat the round as a training exercise on how to win one-vs-many fights. It'll happen more and more often as you climb trophies

Drones

• medpro is great for tanks, assault rifles, and attacking SMGs (Angel, Alice, Freddie, Ghost)
• zenith is great for snipers, Raven/Ghost, 10k+ games
• guard is useless except for the occasional ability to zone enemies

Zenith gets increasingly valuable in 7k+ games as you never have time to revive and/or enemies will camp dead bodies. Zenith's ability to revive through walls can also be exploited.

In game tactics

This is already a long post, so I'll brain dump common improvements / mistakes that I come across. Feel free to ask questions in the comments.

• Don't be greedy and go after risky upgrades/chests. More often than not you're going to get sucked into an early fight. Even if you win that one, you'll quickly get swarmed by bots and/or other teams. It's not worth losing a round because you might get a purple upgrade. Even if you win the fight with only one downed teammate, they're unlikely to be revived in 7k+ games because everyone nades/camps the drones/bodies so you end up permanently hampered being down a teammate or flanked and wiped trying to revive.
• Don't be greedy for early ammo and upgrades. In 7k+ games, fights can/will happen by the time you've picked up 1-2 items. Taking multiple ammo means losing an effective teammate that can shoot a weapon. If you're a low ammo user (e.g. Vi, Slayer, Bastion), opt for a 2x or 3x ammo pack and leave the 4x ammo pack for high ammo users (e.g. SMGs, assault rifles). Leave and ping optimal upgrades for teammates. This means reserving scopes for snipers, armor for machine gunners, extended magazine for SMG/shotgunners, explosive ammo for DPS.
• Shotgun users should heal at spawn and save the armor pickup for others.
• Generally stick together as a team.
• Don't follow suiciders (bots/humans) and get sucked into unnecessary fights, preferring to fight 2v3v3v3. Yes this conflicts with the above bullet point.
• Learn the map. This means knowing where are the spawns, purple chests, hot zones, and choke points. This means you can anticipate where you'll need to slow down and prepare for a fight (e.g. early game near purple chests between two spawns). In low/mid tiers, human teammates often run straight for a neighboring spawn while completely ignoring the safe purple chest right behind them because they run straight ahead in the direction they were facing when spawned. I find it easiest to familiarize myself with maps by using heroes with high vision like snipers (particularly Lynx) and Raven.
• Develop map awareness. You can tell who is left based on the gun sounds and the weapon in kill notifications. Generally avoid fights with many teams remaining, and go after the last two teams as they're fighting. If machine gunners are remaining, try to find open spaces. If snipers are remaining, try to initiate fights near corners and obstacles. In low/mid tiers, human teammates will often emulate bots and run straight towards the fight with a complete lack of map awareness.
• Good Shenji users use grenades to zone enemies rather than outright damage. Bad Shenji users kill their teammates / prevent them from being useful. If you're playing with a Shenji teammate, expect that they're going to nade everything and act accordingly.
• Tess users should try to use the lightning ball judiciously against enemy shields or to zone, and not disable their teammates' shields and abilities.
• Cyclops/Raven users should not spam their skill early game, and used selectively late game. It gives away your position and in high tier games only invites unwanted attention (weak teams run away and strong teams run/dash/jump towards the scan). Learn to use scan offensively and defensively when appropriate. At higher trophies, it can be used as a feint for an invasion or to lure enemies into a trap.
• Deployed drones can be used as a ward to protect blind spots.
• SMG users should use stimpacks offensively rather than only to heal.
• Be careful about any teammate or enemy that jiggles constantly or spams the jump ability/sound. It's usually a skilled, high apm player with Mirage/Arnie/Dragoon. Your blind spots are not safe.
• There is a time to initiate and time to fall back. In early/mid tiers, people need to learn to retreat more often (and communicate it to their teammates). Don't attack that unsuspecting enemy just because you can, but attack if it's the right time to do so (e.g. the team is in the right place, the enemy team is caught off guard/still recovering from their last fight).

tldr

I thoroughly enjoyed playing Bullet Echo, bots and all.

Genre: Space ShooteShoot ‘em up.
Estimated year of release: 2000s-Early 2010.
Graphics/art style: 3D and neither realistic nor cartoony for the most part.
Notable characters: A pilot or pilots that resemble(s) a hamster and probably is/are (an) anthropomorphic ones. An anthropomorphic bear that is a commander for said pilot. Five bosses. The first one is a large geometrically shaped ship, and the second one is a giant spider-like monster. I can’t remember the designs of the third and fourth ones. The fifth one is multiple blue and purple fleshy alien ships.
Notable gameplay mechanics: You manually fire your main laser gun with your finger on the screen, move ships with finger swipes/dragging finger, shop to upgrade ship stats, enemies to fight in each level, bosses at the end of each level, and increasing enemy variety and types of objects when replaying levels.
Other details: The first level only had asteroids, and no actual enemies even on replays, with more explosive asteroids added on replays, with a boss at the end that kind of resembled an octagon or a boss from Astro Avenger 2. The rest of the levels had aliens and ships to fight. The second one featured a cyclops-spider-like boss at the end with destroyable parts, and I think the boss was an orange-to-brown color. I don't remember what the other two levels or their respective bosses looked like. The fifth level also had colored aliens as enemies. The final boss battle had identical flying bosses with the color scheme of the Resident Evil 6 “6” logo/symbol, being blue, bluish-purple, and purple.
Pic related, Space Hamster in Turmoil:
And yes, the actual game I'm referring to also had Boss Health displayed at the end of each level and had Ship HP shown.

From this video
I'll list some main points from this video. Please try not to read too deep into meanings behind the words. Also note that not everything is translated. Just things I thought were interesting.

• 1:10 In terms of being consistent or not, (GnW is) in the middle or leaning on not being consistent
• In general, I don't think any character is inherently consistent or not, but if I had to say, then I think (GnW is) on the side of inconsistent

He then talks about why characters are called inconsistent

• 1:30 Characters like Cloud and Aegis are strong offensively, which is overlooked in talking about consistency. In return, they are weak defensively off the stage.
• They are inconsistent because if they get edge guarded, then they will have a hard time with that game.

Wraps it back around to Game and Watch

• 2:00 Game and Watch has an easy time recovering, so he will not lose a stock early from recovering.
• However, he is the 3rd lightest in the game next to Pichu and Jigglypuff. Realistically, he's about the same as Pichu because his air dodge is frame 3, so he cannot get out of combos like Pichu can on frame 2.
• What makes him different from characters such as Jigglypuff and Olimar is that Game and Watch has a hard time killing
• Everyone says you can get others to 150% easily, but if you get your opponent to 150%, then they will get rage. Shows 150% Ryu Shoryuken killing Game and Watch at 60%
• Game and Watch has an easier time getting out of combos against characters that try to maintain advantage, but a really hard time against characters that have true combos
• 3:30 Also, his hit animation is terrible. He spreads his hands and arms outwards in all directions.
• Him having slow fall speed can lead to him getting hit too. Being light should make getting out of combos easier but Game and Watch doesn't.
• There are many situations where I get the opponent to 150, cannot get a ledge trap read, get one combo'd to 50, and then die.

Game and Watch Neutral

• 4:15 Game and Watch is not good at going in, so his neutral gameplan tends to be more basic/clean
• GnW can't hold forward.
• Hard to make a comeback, especially characters that can time you out
• Game and Watch has a hard time killing, but is strong defensively
• I think consistency ultimately comes down to the person

Burst Options

• 5:00 Characters that can skip ledge are really difficult. They often get to 150%.
• Characters that have a hard time at ledge are easier, so if those are the only characters you face in bracket, then he is more consistent, but if you can't read their ledge option, then GnW gets blown up, so its hard to say he is consistent.
• GnW has to read the opponent's habits at ledge to reliably kill, so it's easier against opponents you know. This is why I am consistent in Japan.
• Overseas, maybe I wasn't playing well, but I don't really know the players.
• I think given more time, I can get up to a 50% win rate against Sparg0 and Sonix, even though they've beaten me a lot
• Ledge trapping is just reading habits at the end of the day.
• I used to lose a lot to Tsubaki and Jogibu, but after I studied them, I stopped losing. I lost to Toriguri like 7 times in a row on Tamisuma(Online tournament), and I've won twice at Maesuma now.

"Do top players not change their habits?"

• 6:55 They can change, but I tend to adapt during the set
• I hope I can win against Zackray with this same thought process

Also

• 7:10 Two characters I tried really hard to deal with but couldn't were Yoshi and Rosa
• I can win sometimes, but not consistently, so I started using Steve against them
• I'm starting to think Sonic is also not possible, so I've been studying Steve vs Sonic. I've been watching KEN, Onin, and Sonix's matches a lot.
• Oh yeah also Metaknight. That character will kill you off one hit at any percent, so it's very inconsistent.
• More than half the reason I'm consistent is because I have secondaries. Solo GnW won't get you consistent results.
• I used to not care about character weight that much. I even thought it was normal, but people started preparing for the matchup by killing GnW early, so good players would instantly take stocks over and over and it was really difficult
• Characters with bad mobility are easy, but characters with good mobility are hard to deal with. Neutral is hard, and they can catch your landing and Up B OOS. I lost Umebura SP9 to DIO upairing my up B.
• GnW is actually exploitable. It's just his recovery.
• I still think this character is probably in the top 5. Also great as a secondary.
• I think at the end of the day, it comes down to the person

Tldr; any ideas on what to do with this hardware haul?? Thanks in advance! https://ibb.co/Hgv68Zx
I have no clue what this really is or what i should do with it (other than not connect it to my network yet).A guy in my area posted this for free, said its been taking up space in his garage. He purchased it around 2010 to do some testing/learning for Cisco network certifications and I was lucky enough to be first in line. I dont know a damn thing about this level of hardware or professional networking in general.
So now what do i do? I dont think i can foot the power bill for running all of this - especially if im not even sure what it's for. Is there a used market for this sort of hardware? I imagine there is but then again the guy gave it all away so maybe not?
Anyway thanks for reading this, and thanks in advance for any advice. Sorry for any poor formatting, im on mobile.