(continuation of part 1)

III. Searching for Aerith Beyond FFVII

There were absolutely no answers in Remake or OG (at this point in my research, Rebirth wasn’t released yet), no matter how much I looked; nothing at all hinted at how Cloud could’ve obtained the memories of OG that emerge in Remake as MOTFs. I knew I had to look elsewhere to search for more clues, so I decided to check every piece of media ever released by SE with a mention of Cloud or Aerith in it, digging for hints in the compilation and beyond.
And boy, did I find them.
III. a) Core Worlds and Suspension Worlds
There are a couple of general FF rules that we need to establish before going forward.
It’s important to note that there are multiple realms in which the FF stories take place, each with a different name, history and society. This ensures that all FF stories occur separately, never intercepting or interacting— though they do have creatures like moogles and chocobos in common, as well as concepts like airships, gil, magic and some form of crystal. For simplicity, I will refer to these separate worlds in which the numbered FF games (FFI, FFII, FFIII, etc) occur as “core worlds”.
Characters from different core worlds may appear together in non-numbered FF games, the events of which have no impact on the core world at all: it seems that sometime after a FF character has reached the end of their core world’s plot-line, they may somehow be summoned to far-removed realms where they will face new adventures. I call these far-removed realms “suspension worlds”. One example of a FF game that takes place in a suspension world is Dissidia Final Fantasy, wherein characters from multiple core worlds unite to accomplish a mission as a team.
III. b) Final Fantasy Tactics
First on our list of non-compilation SE games to explore is 1997’s Final Fantasy Tactics (FFT), a game whose plot takes place in the suspension world of Ivalice. Let’s plot out the relevant events, and then analyze!
III. b) i. Fact-Finding
The main character of FFT, Ramza, encounters a brunette flower peddler with Aerith’s iconic, gravity-defying bangs:
\"Aeris\" in FFT's Ivalice
If you choose to buy a flower from her, she express her relief: apparently, business isn’t going well because no one is interested in flowers. The girl wistfully dreams aloud:

“When is my knight in shining armor going to take me away from here...?”

Later, Ramza and his companions encounter a mysterious machine that can summon people from across universes. The machine is activated, and a rather rude young man with spiky blonde hair appears. Cloud claims he used to be in SOLDIER, and says the last thing he remembers is “getting stuck in the current”. He looks to be disoriented and lost, and suffers from piercing headaches. Mere moments after being summoned to Ivalice, Cloud rambles:

“What’s this? My fingers are tingling… My eyes… they’re burning… Stop… stop it [Se]phiroth…”

He dashes out of the room, but not without announcing:

“I must go… must go to that place…”

Outside, Cloud encounters the brunette flower girl Ramza met earlier. She offers Cloud a flower, but he only stares at her wordlessly:

“Flower girl: Buy a flower? Only 1 gil.
Cloud: …
Flower girl: Something wrong? Do I resemble someone?”
Cloud: No… it’s nothing.”

As soon as Cloud leaves, a gang of ruffians surround the flower girl and start harassing her, demanding payment that’s apparently overdue. One of them finally calls her by her name: “Aeris”. He grabs her, insinuating that he might sexually assault her in lieu of payment. Aeris is not strong enough to push him away. That’s when Cloud returns:

“Cloud: Get your hand off her!
Thug: What did you say!?
Cloud: Didn't you hear me? Get your dirty hand off her!
[…]
Cloud, to Aeris: Go… now.”

Aeris heeds Cloud’s advice, fleeing the scene before a fight between Cloud and the thug can break out. After Cloud scares the ruffians off with the help of Ramza and his companions, he speaks once more:

“I lost… something very important… Ever since, I’ve been lost […]. What should I do? What about this pain [?] Must go… to the Promised Land.”

III. b) ii. Fact Analysis
There’s a lot to unpack here, all of which you probably clocked in your head upon reading, but let’s put it down in writing.
While FFT Cloud’s memory is far from perfect, the Aeris he encounters in Ivalice doesn’t recognize him at all. FFVII Ultimania Omega addresses this question without answering it:

“[The flower seller’s] name is Aeris, and she has the same appearance and tone of voice as the Aeris of FFVII. However, when she comes across Cloud, she does not recognize him. Could she really be the same Aerith who appears in FFVII but with memory loss, or is she a completely different character?” (“#4 Proof of Omega”, “FFVII in Other Games”, “Final Fantasy Tactics”, page 560).

Regardless of her unknown identity and inability to recognize Cloud, FFT Aeris’ fantasy of a “knight in shining armor” is quite reminiscent of the flower girl/bodyguard dynamic we’ve come to know and love. Cloud’s armor doesn’t shine, but in my opinion, if you’re looking for the dystopian, corporatocratic equivalent of a knight, you can’t get much closer than a supposed-former-SOLDIER-turned-bodyguard. Additionally, despite his rude and cold attitude toward Ramza’s gang, the urgency with which Cloud swoops in to save the flower girl from the ruffians betrays a softer, warmer side to him: the flower girl/bodyguard dynamic strikes again!
FFT Cloud’s dialogue borrows two lines from the speech OG Cloud makes as Aerith lies dead in his arms (disk 1, chapter 28): “My fingers are tingling. My mouth is dry. My eyes are burning!” and “What are we supposed to do? What about my pain?” You might’ve noticed that this glimpse of grief Cloud experiences in FFT bears a resemblance to the fourth MOTF 4 experienced by Remake Cloud (see section “II. a)”). Could it be that FFT Cloud and Remake Cloud have something in common?
Shortly after being summoned to Ivalice, FFT Cloud declares that he must go to “that place”, a mysterious line that is later elucidated when he tells Ramza that he must go to the Promised Land and find the “very important” thing he’s lost. The Promised Land is the Cetra culture’s afterlife, meaning FFT Cloud is looking for someone who’s died, someone “very important” to him. OG suggests this is none other than Aerith:

“Cait Sith, reading Cloud’s fortune: You will find [what] you pursue. However, you will lose the most precious thing” (disk 1, chapter 16, English translation by Kotaku’s “Let’s Mosey: A Slow Translation of Final Fantasy Seven: Part Eight” by Tim Rogers, 9:42-9:52).

&

“Cloud, after seeing Aerith’s hand reach for him through the Lifestream: … I think I'm beginning to understand.
Tifa: What?
Cloud: An answer from the Planet… the Promised Land... I think I can meet her... there” (disk 3, chapter 3).

Finally, let’s try to understand where on the OG timeline Cloud was summoned to this suspension world from and what he remembers. His comment about getting stuck in a current has to be about the Lifestream; apparently, on top of its atemporal nature, it can act as a conduit to other worlds. One only enters the Lifestream if they’ve somehow fallen into the core of the planet or once they’ve passed away and returned to the planet. Both scenarios merit consideration.
On the one hand, it’s possible that Cloud was summoned to Ivalice after he and Tifa fall into the core of the planet: this point in the FFVII OG timeline occurs after Aerith’s death and shortly before Cloud finds out he was never SOLDIER, which matches the gaps in FFT Cloud’s memory quite well. However, this scenario does not account for the vagueness with which FFT Cloud remembers Aerith and her death. Most importantly, Cloud’s realization that he can find Aerith in the Promised Land occurs much later in the game (FFVII OG, disk 3, chapter 3) than when he falls into the Lifestream with Tifa (FFVII OG, disk 2, chapter 8).
On the other hand, FFT Cloud’s vague yet persistent memories of Aerith suggest that he’s been summoned to Ivalice after his eventual death post-OG, but also that he’s lost quite a large portion of his memories. His incomplete memory loss is likely the result of Cloud’s individuality’s erosion by the Lifestream after death, which we discussed in section “II. a) ii.”. We can therefore surmise that by the time he is summoned to Ivalice from the Lifestream, Cloud has been dead for long enough that the Lifestream eroded a large portion of the memories of his lifetime. This post-death scenario is likelier than the first. The memory of Cloud’s realization that he was never SOLDIER must be gone, which explains why he claims otherwise upon being summoned to Ivalice. Contrastingly, vestiges of Cloud’s OG memories of Aerith cling to his soul, even after others have been wiped clean. Could this be a consequence of their soulmate bond? Could the strength of Cloud’s love and grief for Aerith have made his memories of her stronger and more difficult for the Lifestream to erode? Could it be both?
One thing is clear: Aerith is of fundamental importance to Cloud, even when he can’t quite remember her. In fact, the only other character he remembers and/or mentions in FFT is Sephiroth. It does make sense that the memories of those who have marked one’s soul forevermore would be the most difficult for the Lifestream to erode.
III. c) Dissidia Final Fantasy
The next stop on our travels through suspension worlds is 2008’s Dissidia Final Fantasy! Now strap in, because here’s where things get really serious.
III. c) i. Fact Finding
In the suspension world of Dissidia Final Fantasy (DFF), the goddess of harmony Cosmos and the god of discord Chaos are engaged in a never-ending cycle of conflict. Both deities need warriors to fight on their behalf, so they recruit core world characters into their respective teams by summoning them to DFF. Some of these summoned characters are FFIV’s Cecil, FFVI’s Terra, FFVII’s Sephiroth, FFX’s Tidus, and of course, FFVII’s Cloud. The warriors find themselves in the suspension world of DFF with no memories of their core worlds’ plotlines. However, as the DFF adventure progresses, they are able to recover pieces of their memories here and there. It isn’t clear how much they come to remember. Ultimately, the warriors hope to return home to their core worlds by fighting in this war and seeing to its end.
Cloud is summoned to DFF as a warrior on the side of Chaos, who seeks to destroy all existence. Sephiroth is also on Chaos’ side, meaning the two are teammates despite being enemies in their core world of FFVII. It just so happens that Tifa is a summoned warrior in DFF too, though she’s fighting on Cosmos’ side. Intrigued by her vague familiarity, Sephiroth hypothesizes that killing Tifa will bring back his memories of OG’s plot line: before long, the masamune wielder finds Tifa alone and corners her into a one-on-one fight. Thankfully, Cloud swoops in and saves her before Sephiroth can do any harm. Tifa is thankful for Cloud’s help, though confused that Cloud would elect to assist her and turn against a fellow warrior of Chaos; she doesn’t remember what Sephiroth and Cloud mean to each other in OG. In fact, Tifa doesn’t even remember Cloud’s name or that they share a core world, though Cloud feels somewhat familiar to her. For his part, Cloud at least remembers that Tifa is someone he cares about from his core world. As Tifa thanks Cloud for saving her from Sephiroth, something she says elicits an odd reaction from the warrior of Chaos:

“Tifa: The way you showed up and fought that guy off. It was a pretty cool thing to watch. You were like a hero, charging in to save the girl.
Cloud gasps at her words. She doesn’t notice” (Dissidia 012: Treachery of the Gods, report 5: “Unexpected Fulfillment 2”).

On another note, Cloud knows he will have to fight Tifa once the Cosmos-Chaos conflict comes to a head, as they are on opposing teams. He thinks to himself:

“Once [her] memories return, [she]’ll lose the will to fight just like I have. So... Before that can happen, I have to act...” (Dissidia 012: Treachery of the Gods, report 5: “Unexpected Fulfillment 2”).

In order to end the cycle of the conflict and to avoid fighting Tifa, Cloud decides to try and defeat Chaos himself. Predictably, Cloud is no match for the deity. As he dies, Cloud pleads the following to the goddess Cosmos:

“Cosmos, goddess of harmony. If you can hear me, listen to my plea. I beg you. Save her. Save my friend… Tifa.”

Cosmos hears him and responds immediately:

“Cosmos: An end to this conflict, and a life spared? This is your heart's desire? If your will remains unchanged, I shall bring you here when the battle draws to a close. Cloud. My chosen" (Dissidia 0.13: Treachery of the Gods, report 7: “Unexpected Fulfillment 3”).

Cloud’s wish is granted by Cosmos: the first phase of the conflict ends without Tifa getting hurt, and she is sent away from the suspension world of DFF before the second phase begins. Cloud is saved from death, and Cosmos enlists him into her team of warriors for phase two: this time, Cloud is fighting on the good side.
Now we enter phase two of the war. Cosmos tells her team of ten core world warriors that in order to save the world from Chaos’ destruction, they must collect what she describes as crystals containing the power to persist through darkness. I call these the “DFF crystals”. There are ten DFF crystals in total: one for every warrior in Cosmos’ group to find. To obtain their crystal, each hero must overcome a trial that will confront them with whatever personal struggle they faced in their core world; if they prove themselves worthy, their DFF crystal will appear to them. On one hand, some warriors’ DFF crystals simply take the form of the crystals found in their core world. For example, Onion Knight’s DFF crystal looks to be nothing more than one of FFIII’s elemental crystals, which hold little to no personal significance to him. On the other hand, some warriors’ DFF crystals symbolize something more personal to their respective warriors. For instance, Cecil’s DFF crystal looks to be one of FFIV’s dark crystals, which specifically represent the dichotomy of light and darkness he struggles with in his core world’s plot line. Cosmos describes the quest for the DFF crystals as follows:

“Cosmos: The crystals embody the strength to face despair. With ten gathered, there is hope yet to save the world. The path to your crystal will be perilous... and different for each and every one of you. But you must believe in and follow your own path. Even if you know not where that path leads" (Dissidia 013: Light to All, prologue: “A Final Hope”).

From this exposition, simply keep in mind that: Cloud must find his crystal by overcoming a personal trial, and his crystal may have the appearance of an object in OG that’s important to him.
Once the team is debriefed on their mission, Cloud remains reticent to fight; he doesn’t much like the mysterious nature of this conflict. Not knowing exactly what they’re all fighting for is clearly bothersome to the swordsman, and the idea of thoughtlessly engaging in battles leaves a bad taste in his mouth. Fellow warrior Firion understands that without a reason to fight, Cloud’s heart just isn’t in it. He imparts upon Cloud that he must have a dream he’s fighting to protect, something he wants to see come true, to motivate him to stop Chaos from destroying all existence. Unfortunately, Cloud doesn’t have a dream to preserve, or can’t find one for himself:

“Cloud: I've looked, but I'm still empty-handed. And without a dream, what do you suppose I should do? […] Maybe what I'm looking for... isn't here” (Dissidia 0.13: Light to All, chapter 1: “Beyond Doubt”, “Gateway of Good and Evil”).

Another fellow warrior, Cecil, expresses worry for Cloud, whose response evokes the main theme of FFVII OG:

“Cecil: Everyone's worried, Cloud. But... Do you shoulder a larger concern?
Cloud: Concern... Maybe a sense of loss" (Dissidia 0.13: Light to All, chapter 1: “Beyond Doubt”, “Beyond the Continent”).

Whatever Cloud is looking for “isn’t [there]”, and he feels “a sense of loss”: Cloud’s motivating dream has been lost to him. This is later reasserted in a conversation with Terra, another warrior of Cosmos:

“Terra: And you, Cloud... What's your dream?
Cloud: I've lost mine" (Dissidia 0.13: Light to All, chapter 3: “The Chosen Battle”, “Gateway of True Intent”).

Later, Cloud encounters and fights Sephiroth, who is still a part of Chaos’ team. Sephiroth is defeated, but not before he’s taunted Cloud with his habitual puppet talk. However, Cloud remains strong and refutes Sephiroth’s manipulation, asserting that only he can determine his own path. This must’ve been Cloud’s personal trial, because his crystal appears at that very moment: it is a small, light green orb that looks like materia from his core world. Having pocketed his crystal, Cloud decides he must find his own reason to fight. Interestingly, his search is depicted as intertwined with Fate:

“Cloud: Even if I have my doubts... I have to find my own answer […] Until then, I'll keep fighting.
Narration: The warrior has vowed to keep fighting— and keep fighting he will […]. Etched in destiny, his quest for answers continues on” (Dissidia 0.13: Light to All, chapter 1: “Beyond Doubt”, “Gulg Gateway”).

Later, the nemeses meet again in a segment called “Recurring Tragedy”. Their interactions here are particularly interesting. Sephiroth speaks of making Cloud suffer through despair and pain as though referencing their history together:

"Sephiroth: This disease called hope is eating you alive. The world of suffering was born out of such half-baked ideals.
Cloud: If that's the case, I have to endure the suffering. There's no moving on if I run from it.
Sephiroth: If that is what you wish for, you shall drown in the pain. I'll lead you to true despair. [My] shadow is burned into your heart. We'll meet again, Cloud. I'll keep coming back— as long as you are who you are."
Sephiroth disappears. Cloud looks out into the distance before the scene ends.
“Cloud: No thanks. The one I really want to meet is…” (Dissidia 013: Light to All, epilogue: “Conclusion of a Cycle”, “Recurring Tragedy”).

This final line suggests Cloud has finally found a reason to fight: he wants to meet someone unspecified.
Finally, after the war has ended, we arrive at the final cutscene of DFF. I will let you read the full script, with notes added by me in bold behind the spoiler censors. Please do not read my notes if you do not wish to encounter spoilers for FFI, FFII, FFIII, FFIV, FFV, FFVI, FFVIII, FFIX or FFX:

“[The] heroes are all standing together in a grassy field with a forest behind them. Birds are chirping, the sun is shining brightly, and the wind is blowing gently. The heroes look around them in awe. They're all holding their crystals.
WoL: The battle has come to an end...
Tidus notices that his crystal has begun to emanate a blue glow.>! His crystal is a movie sphere from his core world of FFX: a capsule containing sounds and images that people record for later viewing. Tidus’ crystal likely represents the specific movie sphere recorded by his love interest Yuna, which revealed that she’d loved him from the beginning.!<
Tidus: Gotta go, huh...
The blue glow transfers to him as well. He turns to look at the others
[…] Tidus grins at the others, then turns and runs toward a nearby lake. He leaps into it in a manner reminiscent of [the events] of FFX. He vanishes as he descends toward the lake.
Zidane: We're not vanishing. We're returning—
Zidane is sitting on a tree limb as he says this. His crystal begins to glow gold, as does he. His crystal is shaped like a highly important ‘progenitor of all life’ crystal from his core world of FFIX.
Zidane: — to where we're supposed to be.
Zidane spins around the tree limb with the use of his tail and launches toward the sun. He's lost to view.
A white feather then drifts down from that direction and Squall catches it. The feather is reminiscent of his love Rinoa Heartilly, whose character symbol is a white feather. In fact, Squall’s crystal looks like a mix of his revolver gunblade from FFVIII and Rinoa’s feather motif. [Squall glows blue.]
Squall: Perhaps we can go on a mission together again.
Squall vanishes.
Cloud is then visible, standing in [a] flower field. The flowers are white and yellow. Cloud has his crystal, a light green materia from his core world of FFVII, in hand.
Cloud: [(Chuckles shortly, like a scoff)] Not interested.
Cloud walks off into the flower field, gaining a green glow. He vanishes.
A snowflake then falls into Terra's right hand as her crystal begins to glow pink. The flames drawn on her crystal represent her power, which is connected to the element of fire: her character arc in FFVI.
Terra: I think I've learned how to keep going. Thank you— and take care.
Terra glows pink and then vanishes. Bartz throws a stick. He's glowing pink as well.
Bartz: When you're having the most fun, that's when time always flies. His crystal is the Adamantite from his core world of FFV.
Bartz vanishes.
Cecil: It's mine to pass on—
A moon appears behind Cecil and goes through its phases as he begins to glow blue. His crystal has shadowed and illuminated parts, representing the duality of his character, which is central to his personal arc in his core world of FFIV. It also represents his brother Golbez, who has chosen the darkness. Cecil considers his familial bond with Golbez his guiding light and hopes to be with him someday.
Cecil: — this strength I've gained from everyone.
Cecil vanishes.
Onion Knight hugs his crystal and looks up toward the sky. His crystal is shaped like those found in his core world of FFIII.
Onion Knight: Everyone... thank you!
OK briefly glows blue and then vanishes.
There are wild roses at Firion's feet. He and WoL are looking toward the sky. WoL suddenly begins walking away while Firion looks down and sees the roses.
Firion: This isn't the end. Another dream is waiting to begin.
His crystal is the color of the wild roses that were at the center of his dream and of his motivation to fight Chaos. The roses are also the emblem of the Rebel Army he was a part of in his core world of FFII. His crystal is shaped like Pandaemonium, the final dungeon of his core world story. Firion gains a violet glow and then vanishes.
WoL is walking through the field and then comes to a stop. He's looking at something.
WoL: May the light forever shine upon us.”

As you can see, everyone’s crystal is very important to the story of their core world, and in the cases of at least Tidus, Squall, Terra and Cecil, the crystals represent something very personal. What about Cloud and his crystal, then? What about the dream he lost and the person he wants to meet? Let’s begin analyzing to answer these questions.
III. c) ii. Fact Analysis
Firstly, it’s clear to me that the Cloud that appears in DFF is a post-OG Cloud, given how many plot points from OG he interacts with. I’m reticent to say whether or not this post-OG Cloud is dead like in FFT, as he recovers many of his memories of OG during DFF and there is no evidence of him having passed away and joined the Lifestream.
The second thing I’d like to point out is Cloud’s strange reaction when Tifa compares him to a hero who swoops in and saves the girl from the bad guy. Cloud gasps, indicating that her words mean something to him; the trope Tifa references must therefore be included somewhere in the FFVII OG plot-line. Some of you are surely ahead of me by now, having realized that only the tragic antithesis of this trope appears in OG: Cloud is unable to save Aerith from Sephiroth (disk 1, chapter 28). Whether or not DFF Cloud remembers Aerith herself at this point, it’s clear he recalls the pain and guilt of losing Aerith to Sephiroth.
Next, let’s address Cloud’s lost dream: to meet an unspecified person. It seems Cloud is aware at this point that in OG, he was eternally separated from the person he dreams of meeting. So, who was he separated from in his core world? Who can he never meet again, even if his team of warriors defeats Chaos and Cloud returns to the realm of FFVII? There are a few options —his mother, his father, Zack, Jessie, Biggs, Wedge, and any other person he knew who died—, but the sheer narrative weight that Aerith’s untimely death carries makes it clear who he truly wants to meet. This is corroborated by Cloud’s “I think I can meet her… there” line in OG (disk 3 chapter 3), by FFT Cloud’s search for Aerith during his appearance in Ivalice, and by Cloud’s strange reaction to Tifa’s comparing him to a hero who swoops in and saves the girl from the bad guy. All the available evidence suggests that Cloud’s dream is indeed to reunite with Aerith, and that this dream is “lost” to him because she was killed by Sephiroth (disk 1, chapter 28). This would also explain the title of the DFF segment “Recurring Tragedy”, since as we all know, the ultimate tragedy of FFVII OG is Aerith’s death. Considering Sephiroth was the one to take Aerith away from Cloud, Sephiroth’s threats of drowning him in despair in “Recurring Tragedy” only solidify this interpretation of Cloud’s lost dream.
Finally, we arrive at the ending cutscene. Cosmos’ warriors return to where they belong to try and accomplish whatever dream they held as motivation during the Cosmos-Chaos conflict, each carrying their DFF crystal. Cloud is shown standing in a field of white and yellow flowers and walking deeper into it with a light green materia in hand. Why was a white and yellow flower field chosen to represent DFF Cloud’s dream? The answer is obvious. White and yellow flowers symbolize Aerith: she sold Cloud a yellow blossom upon first meeting him in OG (disk 1, chapter 1), and her yellow and white flowerbed cushioned Cloud’s fall when the two reunited in the Sector 5 church (disk 1, chapter 4). What’s more, we have the iconic credits video of the original cut of Advent Children to refer to, wherein Cloud is seen driving near flower fields. Aerith stands there (3:20), seemingly waiting for him. Here’s what Nomura had to say about this credits scene:

"[...] we filmed the video for the ending credits in Hawaii. There are fields of flowers on both sides of the road, and the colors —yellow and white— are the same as the flowers in Aerith's church […]. With Aerith, 'flowers' have been her image throughout the series” (FFVII Reunion Files, “Countdown to Reunion”, “Stories from CG Production”, page 87).

Even in the Advent Children Complete cut of the film, where Aerith is not shown standing in the field, the flowers and their symbolism of Aerith remain. That being so, it’s more than fair to say that the white and yellow flowers in DFF’s ending cutscene serve as yet another confirmation that Cloud’s dream is to be with Aerith.
With all of this established, we can address the nature of Cloud’s DFF crystal. As we established, every core world has its own version of a crystal, each possessing a distinct appearance, function and meaning. Materia are the crystals of FFVII, so one could be satisfied by the proposition that Cloud’s DFF crystal is simply meant to represent a random materia. However, I think Cloud’s crystal is specifically the White Materia, as it represents Aerith’s sacrifice, her importance to the plot and what she died fighting for. If any one object symbolizes her death, it’s the White Materia; it’s even given closeups during the event (2:33-3:02). Besides, unlike any other materia in FFVII, the White Materia is known to glow a light green when Holy has been activated:

“Bugenhagen: If [the prayer] reaches the planet, the White Materia will begin to glow a pale green” (FFVII OG, disk 2, chapter 15).

Here are pictures of the White Materia in OG and Advent Children, and two pictures of Cloud's DFF crystal (in order) so you can compare for yourself:
https://preview.redd.it/0qtumfeyfq0d1.jpg?width=386&format=pjpg&auto=webp&s=3995f010738c83fca0c5842a0564d0a9ad206dfd
https://preview.redd.it/0kj525tzfq0d1.jpg?width=1144&format=pjpg&auto=webp&s=575573ef1d2c937635cf569d4a376886a24b384c
Cloud's DFF Crystal
Cloud’s DFF crystal
So far, in both suspension world games we’ve examined (FFT and DFF), Cloud is searching for Aerith. As a final note on DFF, it may interest you to know that codirector of the Remake trilogy Toriyama was actually a writer for DFF: he may have carried some themes from DFF to Remake…
III. d) Detour: The Final Fantasy 30th Anniversary Farewell Exposition
Before we hop onto the next suspension world, let’s return to ours for a quick detour: the 2018 Final Fantasy 30th Anniversary Expo. Themed with farewells and tragedy, this expo showcased the heartbreaking goodbyes featured in different FF games. Artwork, clips, quotes and images aplenty here! As the highly anticipated Remake was going to be coming out approximately a year and a half later, the FFVII section of the expo featured a few sneak peek Remake designs. This means the expo was at least partly curated with the Remake trilogy in mind; there could be interesting material in the FFVII section of the expo related to Remake. Let’s dive in!
Unsurprisingly, the focus of the FFVII section is Cloud and Aerith, since she is the loved one he lost in OG. Zack is also given a mention, however Aerith was the glaringly central star of the show. To showcase how important Aerith’s farewell in particular was to the expo, the FFVII portion was introduced by a photo of Cloud lowering Aerith into her watery grave and a video of her tragic death:
Final Fantasy 30th Anniversary Farewell Exposition, FFVII Introduction
The description under the video screen reads:

“She was gone in the blink of an eye. But the pain never went away.
Aerith awoke the ultimate magic to protect the planet and the people she loved. Yet her life came to a sudden end at the hands of Sephiroth, a man bent on seeing the world destroyed. Even the usually stoic Cloud couldn’t hide his grief at the unexpected death of an irreplaceable companion. ‘My fingers are tingling. My mouth is dry. My eyes are burning.’ True words, revealing Cloud’s deep sorrow” (Final Fantasy 30th Anniversary Exposition).

Conveniently enough for us, the expo’s tagline is “Who is the person you want to meet again?” Given that Aerith holds the spotlight in the FFVII section of the expo, it’s clear who SE is telling us Cloud wants to reunite with. Recall Cloud’s unfinished line in DFF: “The one I really want to meet is..." (Dissidia 013: Light to All, epilogue: “Conclusion of a Cycle”, “Recurring Tragedy”). We theorized that he must be referring to Aerith, and now, we are certain.
The expo also had pamphlet descriptions of the farewells depicted. Here is the general summary of FFVII‘s farewell story according to that pamphlet:

“The story follows the lead character Cloud, but it is the heroine, Aerith, who opens Cloud’s eyes and helps bring him closer to understanding the mystery that is his past. Through her, we draw closer to the truth of the story.
This scene, in which the heroine Aerith is lost, is easily the most shocking and tragic in the story. No one expected to say goodbye to such a major character in the middle of the story. Rumors of a secret way to revive Aerith spread, and it was clear players were having a hard time saying goodbye to her too. Even now, twenty years later, it still feels like a shocking turn of events” (Final Fantasy 30th Anniversary Exposition Pamphlet, page 36).

It’s interesting that SE would mention the rumors of Aerith’s revival circulated by players back in 1997, especially as fans were awaiting Remake’s release…
In light of everything we’ve analyzed so far, it can be said that between FFT (1997) and this farewell expo (2018), SE has consistently demonstrated that reuniting with Aerith is post-OG Cloud’s goal. That’s a period of over two decades— two decades of wishing, seeking, longing in real-world time for this character. This is a huge long-term commitment for SE to make, and you can bet the devs don’t take it lightly. Again and again, once the events of the OG game have ended, Cloud is shown to desire a reunion with Aerith. This ever-present and ever-insistent theme will become very important to us later in this analysis.

Dex only Variant Whirling Axes Barbarian Guide – Season 12 (Shungite)
Introduction
People call me Kiki. Coming at ya with another experimental bad barb guide
Purpose
Just another Guide to fit the new season
Why
People have been asking me and this is just 1 variant you can make, and then create your own variation if you desire. I wont judge but I will judge if you don’t use grimward.
Base Skills
20 Grim Ward (pre-reqs find potion, find items)
20 Whirling Axes
20 War Cry (pre-reqs howl, taunt, shout, battle cry, battle order)
20 Double swing
1 point wonders,
Choice of mastery, Edge weapon, Pole arm, Blunt
increase stamina
Increase speed
Counter attack
Puncture
Iron Skin
Natural resistance
Frenzy
Leap (optional)
Cleave
Stun
Bash
Whirlwind
** if you don’t know Critical hit doesn’t reduce while Whirlwind-ing , however deadly strike, and Crushing blow reduce to 1/3. and chance to cast things.
Stats
STR – depends on your gear. Or your choice of build. or none strengthless
DEX – Synergy to Whirling Axes. As much as you want. I have 500 with gear.
VITALITY – As much as you want
ENERGY – Ain’t nobody worried about that
Gear
Helm
3 socketed Arreat’s Face with 3 Ber runes , (or 2xBer, 1 cham for cannot be frozen if preferred)
or Phys facets.
Or at least 2 ias speed Jewels to hit higher break point for dual-wielding frenzy,
Body
Fortitude runeword in a Sacred Armor base, but it can also be in any base you like visually.
For Dex only option: Enigma runeword makes it possible to not need str with Anni and torch
Belt
String of Ears, PDR life leech
Verdungo’s Heart Cord
Immortal king belt,
Gloves
Steelrend, the new meta! Melee Splash and Crushing blow and damage. preferably with Life on Hit corruption
Laying of Hand, preferably with Life on Hit corruption
Immortal king glove, Str and Dex, IAS if paired with IK belt
Boots
Gore Rider
Optional: Shadow Dancer for the 30% Faster Hit Recovery and dex
Weapon
2-handed option
Breath of the Dying runeword in either a War Pike base or a Thunder Maul base. Thunder Maul benefits from extra damage and undead damage
Dual-wield option
2x Breath of the Dying runeword in a Berserker Axe base, or whatever base you think looks cool
On swap
Heart of the Oak x2
Or paired with Radament’s Sphere for Desecrate skill
Budget option: + 3 Warcry stick x2
Or paired with Radament’s Sphere for Desecrate skill
+7 Battle Order option: Heart of the Oak and at least +3 Battle Order roll on Call to Arms (or +3 BO stick bought from NPCs)
* Battle Order on CTA caps at +3 for Barbarian class. Even if the roll is +4, +5 or +6, the Barb does not benefit from the extra points. Also dual CTA doesn’t work.
*Its possible to get more skills from synthesized item,
**optional swap 2 Oath RW to cast lvl +20 Heart of the wolverine Spirit. but you must have a Wisp ring or the spirit will vanish. it is huge buff to damage and ar.
Amulet and Ring combos
Angelic Wings amulet with +1 skill corruption with Angelic Halo ring x2 or substitute one with Raven Frost
*All rings should, if possible, benefit from having physical damage reduction or faster cast rate corruptions.
WW benefits more with Angelic set
Attack rating is king, Prove me wrong.
**optional swap 2 Oath RW to cast a lvl +20 Heart of the wolverine Spirit. but you must have a Wisp ring or the spirit will vanish. the combo is Angelic set with Wisp
Charms
Annihilus
Hellfire Torch
9 Barb Masteries grand charms
+Res, +Life small charms (whatever you need to cap/fill in)
Mercenary
Act 3 Precision Aura, My personal choice
Buff AR, and Critical hit**
** if you don’t know Critical hit doesn’t reduce while Whirlwind-ing only deadly strike reduces
Act 2 Blessed Aim aura
Buff to AR
Gear
Helm
3 socketed Vampire Gaze
Steelshade, life on hit is pretty good.
Budget option: 3 socketed Tal Rasha’s
In sockets: 1 melee splash damage + 15% increase attack speed jewel and 1-2 15% increase attack speed jewels
Armor
Eth Fortitude runeword
Gladiator’s Bane Socket it with whatever you want (Ethereal Gladiator’s Bane is also a thing)
Gbane has always work for me and I don’t know how.
Eth Stone runeword
Weapon
A2 Pride runeword for more AR and a huge one and damage
A3 Last wish, Expensive but give Damage and other perk nice to have.
Lawbringer RW for decrepify is decent option. Ive had good use with that.
Gear Comments
The gear is common Barb stuff. There are a lot of options, but I will elaborate briefly on my personal choices:
Helm: Having 3 Ber runes instead of two + a splash damage jewel in the helm will drastically increase your survivability, in my opinion. It is an expensive option, but it’s worth the value for any Whirlwind users as there aren’t many places where you can get a good source of physical damage reduction without Stormshield. Phys Facet are an option but there getting expensive even for non perfects, a high grimward does the same job, but Facet arent penalized when breaking immunes. Example when -100% grimward break its reduce to -20%, then -% from facet would kick in without a penalty so what the -% is at. or you can cast howl on phy immune and they run away then bash them one at a time.
at least 2 ias speed jewel can help hit max break point with 2 Berserker axe using frenzy.
Armor: Fortitude is BIS for the ED, as well as its defensive mods (chilling armor when struck, all res, etc.).
Enigma is also a great option for the faster run/walk, and of course, the Warp (nerfed Teleport) skill for mobility. And more skill points for Whirling Axes Chances, and keep merc buff near by for his buff.
Gloves: Steelrend is the new meta now that it has melee splash over Laying of Hands for the increased attack speed, the extra damage to demons. But steelrend lack attack speed to help break point. Ik gloves too when paired with ik belt
Belt: String of ears, Verdungo’s both good. Ik belt too when paired with ik gloves
Boots: Gore Rider boots are the standard option for the deadly strike, crushing blow and open wounds mods. Shadow Dancers are another option for the extra DEX and massive 30% faster hit recovery.
Jewelry: Angelic Halo (ring) and Angelic Wing (amulet) as a set give a huge increase in attack rating, and more attack rating is always great with Whirlwind, as the skill halves your attack rating when active. Try to prove me wrong trying to use something else, and then you don’t have as much attack rating.
Its not that big of a deal to have Cannot be frozen you can live without it; WW it would do more damage being slower.
Weapon: In Diablo 2, physical damage-based builds are lacking in damage and are very weapon-based for damage. The Breath of the Dying runeword seems to be the only decent damage dealing weapon of all the weapon. You can try anything you find, but the BOTD will dominate. I’ve tried it all. For bases, War Pike seems to be the most useful with range. Thunder Maul does have more damage, but ultimately, with either base, every monster dies within 1 WW.
Dual wielding BTOD, just having extra 30 all attributes, give Whirling axes more damage but lessen your main damage. But now you can frenzy form more Whirling axes chances and then mix WhirlWind.
On swap: Buffs, or Desecrate for grimward.
Merc gear: Pride runeword increases your attack rating substantially so that you don’t really need the Angelics.
Playstyle
The playstyle is very straightforward, not too different from other melee builds: you start by buffing yourself with Battle Command, then Battle Orders and finally Shout. If you got dual oath on swap and wisp ring. buff the spirit. Then, you go on attacking with Whirldwind, while occasionally casting Grim Ward to increase you and your party’s physical damage potential. If you have Enigma, you can Warp (nerfed Teleport) to a mob, Whirlwind, Warp to another mob and to keep merc next to you. Dual wielding BTOD, just having extra 30 all attributes, give Whirling axes more damage but lessen your main damage. But now you can build frenzy charges for more Whirling axes chances and then mix WhirlWind. And plus you get to run super fast!
Some numbers if your still reading, so I hit about 5k+ Whirling axes with 78% proc and 92% with frenzy charges. And about 2-3k max damage dual wielding on WW. 8-10k damage on tmaul WW. Is it good? Its clearing faster than non-Whirling axes barb. That all I can see. Grimward op and AR is king prove me wrong.
Leveling
aint that kind of guide. Check my Path of diablo 2 General purpose tips and trick leveling Guide (coming soon). Maybe that can help. ik set op.
Summery
If there anything to take away and you’ve shat on this build and disagree with everything and claim it does not have enough damage or AR. The TLDR just max Grim Ward and then figure the rest out. Its great extra damage for you and your party. BOTD and angelic set is plenty of damage and AR without any skills points and going naked with it. Again Grim ward op. and AR is king prove me wrong.
Videos coming soon

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Introduction: The Power of “But God” in Your Life

Have you ever felt cornered by circumstances, with seemingly no way out? Have you been on the brink of giving up hope, only to experience an unexpected turn of events? In the narratives of the Bible, two words repeatedly signal such dramatic turns: “But God”. These simple words signify God’s mighty interventions on behalf of His people. Today, let’s explore how these two words can change everything in your life, offering hope, providing guidance, and demonstrating God’s unfailing love and power.

Understanding the Impact of “But God” in the Bible

The phrase “But God” appears numerous times throughout the Bible, each instance highlighting a pivotal moment where God’s intervention radically alters the outcome of a situation. Here are a few powerful examples:

• Genesis 50:20: Joseph speaks to his brothers after they sold him into slavery. What was meant for evil against him, “But God” used for good, to save many people.
• Acts 2:24: Describes the crucifixion of Jesus, mentioning that though He was killed, “But God” raised Him from the dead, freeing Him from the agony of death because it was impossible for death to keep its hold on Him.
• Ephesians 2:4-5: While we were dead in our trespasses, made alive together with Christ — by grace you have been saved. The “But God” here emphasizes the transition from death to life, highlighting God’s mercy and love.

Each “But God” moment in the Bible showcases a divine reversal, turning despair into hope, death into life, and defeat into victory. These powerful interventions remind us of the sovereignty and the loving nature of God.

Applying “But God” Principles in Your Life

So, how can we apply the principles of “But God” in our daily lives? Here are a few ways:

• Embrace Hope: Even when situations seem dire, remember the “But God” moments in the Bible. They teach us that no matter the circumstances, God has the power to change our situations.
• Trust in Divine Intervention: Lean not on your own understanding but trust that God can intervene in ways you cannot fathom. He has done it before, and He can do it again in your life.
• Seek Wisdom and Guidance: Whenever you find yourself at a crossroads, remember the “But God” principle. Seek God’s wisdom and guidance through prayer and His Word.

By incorporating these principles into our lives, we remind ourselves that we are not alone. God is always ready to intervene on our behalf, turning our trials into testimonies.

Conclusion: Transform Your Life with “But God”

The phrase “But God” is a beacon of hope, a reminder that no matter how challenging the situation, God’s presence and power can change everything. Let these words encourage you today. Whenever you feel overwhelmed, remember the countless “But God” moments in the Bible and know that He is with you, ready to turn your situation around for good. Embrace the hope, trust in His divine intervention, and seek His guidance. Let “But God” transform your life.
Ready to experience the transformative power of “But God” in your life? Begin by diving deeper into His Word and watch as He turns your trials into triumphs. Share your story, engage with a community of believers, and witness how “But God” can change everything. The journey is yours to begin.
If you want to want to research more Bible Answers on your own, please try our Bible Answers GPT. It’s easy to get lost in the interesting responses you’ll find… every search is like a new treasure hunt 🙂
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10 practical tips for designing a motivating Hero Image that always works

The Hero Image is the first thing people see when they open your page. It’s your unique chance to win them over — or lose them forever.
It takes mere seconds for the user to process the first screen. But behind the scenes, there’s a lot of painstaking work by marketers, designers, and developers. How can you quickly find the right solution and pick the perfect image?
I have compiled the best practices for creating an effective Hero Image to share with you. Let us learn from the best.

1. Don’t lose sight of Hero Section goals

The goal of a Hero Section is to make the user want to learn more and perform the next action. It serves as an introduction and invites further communicat

2. Don’t lose sight of user goals

In an attempt to surprise and keep the viewer on the first screen, some designers unwittingly replace the user’s goal with their own: to make an awesome design. But the user’s goal is not design.
The user’s goal is to get something he or she needs: a thing, a service, or particular information. The design should facilitate this task rather than hamper it.
Smart design doesn’t draw attention to itself, or distract users from their goals, or make them gape in amazement, forgetting why they came. This is especially true for the hero section.
Here’s a typical case. The key points presented to the user are:

• what the company is offering;
• advantages of this offer;
• reasons to trust the company;
• actions to be performed by the user.

The message is obvious: our company is great and the user should hurry up and press that button. Alas, that’s not how it works.
User goals have nothing to do with the goals of website owners, marketers, or designers.
Any info that has no immediate value for the user must be held back. Messages like “We Are the Best,” “Celebrating Ten Years of Success,” “Why People Trust Us,” etc. belong at the bottom of the visual hierarchy.

Hero Section visuals must prioritize user goals.

Show the users what they want to see, and make it look really good. That’s your number one priority. All the rest — reliability, trust, guarantees — only serves to cement the user’s conviction that they’ve come to the right place.ion.
At first glance, what users want to see are benefits and problem solutions, not how great the company is or how cool the design looks. :) That stuff stays in the background!
A Hero Image is a visual stimulus. It promises benefits, improvements, and positive changes.
The user will be willing to take a step forward if:

• they intuitively and immediately like the visuals;
• they see a solution to their problem;
• they’re motivated by the image;
• they’re motivated by the heading;
• they understand what to do next.

3. Remember: no clutter

The home screen must be crystal clear and easily navigable for the user. This is where you showcase the very essence of your offer. Do your utmost to maximize readability. This includes:

• clean, uncluttered design;
• clear page structure;
• plenty of “air”;
• no distractions;
• hierarchy of highlights;
• motivating, concise heading and subheading;
• hero image that matches the message and copy;
• understandable and predictable navigation panel.

Keep it simple and concise!

4. Turn the user’s goal into a visual magnet

The designer’s task is to visualize the user’s goal, making it look attractive, lively, and catchy. Do a comprehensive study and analysis of your users, product, and competitor sites. This will help you find inspiring images and motivating messages for your audience.
Customers often arrive at the page with a specific image of their goal in mind. It’s important to take this into account and meet their expectations. Predictability is what people expect from you. This applies to both visuals and user experience.
Follow the “one idea, one image” rule. Let your heading resonate with, reinforce, and enhance the image. The image and text must stimulate the user’s desire and willingness to take a step toward gratification.

5. Look for specific triggers

As you work on a Hero Image from concept to final design, remember: you are creating a motivational trigger. Feel free to use any and all marketing, design, and psychology tricks to influence user perception.
Every audience has its own motivation. Get to know your users and find the best way to engage them, both emotionally and rationally. (An emotional reaction is followed by a rational assessment of the information.)

User emotions need to be designed and incorporated into the project at the concept stage.

Specific triggers, such as images and/or text, are especially good for engaging emotions.
To find the best trigger, ask yourself:

• What should the user feel when he/she sees your offer?
• What memories should it evoke?
• What associations should it create?

Finding an emotional trigger often requires a good brainstorming session. Make a list of emotions and their possible visualizations, such as engaging images, illustrations, or videos. Test the best ideas.
This is the key to your future conversions and audience love.
The emotions don’t necessarily have to be positive. Apple once successfully exploited fear by designing a blood-red AIDS awareness website with an invitation to become a blood donor. It looked impressive. I don’t know about donations, but a lot of people bought red iPhones. :)

6. Show explicit or implicit benefits

An effective trigger is always associated with user benefits. The trigger pushes users to perform actions that will let them reap these benefits.
Popular Hero Images are focused on:

• the product;
• action;
• advantages;
• the context;
• the process (behind the scenes);
• the company’s owner.

Any type of the Hero Image must convey benefits.

Explicit benefits: highlighting the apparent advantages of using the product or service.
Implicit benefits: visually and psychologically highlighting the user’s improved status, importance, success, skills, and opportunities.
User analysis will help you decide what should be made explicit or kept implicit on a case-by-case basis. Showcasing an implicit benefit is always a win-win. A website that sells nails, for example, will fare much better if its hero section features an image of a thrifty, smart, and neat worker than if it simply has a photo of a house or a bunch of nails. Customers will enjoy feeling like handy homeowners.

7. Manage the user’s attention

Be clear about where you want the viewer’s eyes to go. What will they see first? What next? Where should their gaze linger? Everything depends on the goals of your website and product. The hierarchy of highlights needs to be planned in advance and then tested to make sure it looks like you need it to.
The user’s gaze is controlled by dominance and focal points. Dominant elements are the largest and most attractive ones. Focal points are icons, buttons, and other elements that the user sees after the dominant element. They are responsible for the user’s interest zones and hold his or her attention. They’re typically located at the edges of the screen.
Lifehack #1: Blur your design layout and show it to an average person (not a designer). What’s the first thing they see? What merits more or less attention? It’s a good way to rectify failed ideas before it’s too late.
Lifehack #2: Use eye-tracking software. Even a simple freeware app will help you check if the highlights are in the right places.
If you find that the user’s gaze doesn’t linger long enough on any given element, get to work. Perhaps it’s worth highlighting this element further by making it larger or brighter, adding animation, increasing the font size, and so on. (Test everything!)
Note: Place the main highlight on the emotional trigger, not the CTA button.
All visual composition tricks and instruments must be hierarchically ordered. Shape, color, shade, contrast, size, balance, movement, typography — everything must follow the principle of priority.
Note: Remove distractions. Everything that’s not a first impression priority must have reduced visibility, hidden, or moved elsewhere.

8. Use relevant images

Images are relevant when they match the website’s purpose, idea, and content. Any mismatch between the idea and its visual representation leads to misunderstanding and mistrust. It’s not just out-of-context imagery. A website dedicated to innovation using outdated designs is also an example of irrelevance. Unnecessary wow effects that distract from the message are likewise irrelevant.

The Hero Image must visually convey the essence of the content.

9. Use a short, powerful tagline

Use a short, powerful tagline to engage the user. Coming up with it isn’t as easy as it seems. It’s a creative process. Again, I recommend brainstorming. You have limited character space, yet you need to succinctly convey your values, explain some benefit or problem solution, or ask a related question that will pique the user’s interest. Brainstorming is a great way to find an original idea.

10. Be subtle with your СТА

You may have a great hero image with a good conversion potential, but it will be worthless without a CTA. However, CTA should be approached with caution.

Never use CTA to exert pressure.

Design your CTA to be friendly and non-aggressive rather than demanding. Do not pressure the user into learning everything at once, making purchases, or subscribing. CTA is a logical step on the user’s path toward their goal. If you failed to pique their interest with your tagline and visualization, no CTA button or text will work.
CTA is an organic continuation of your design and business idea. Your visitors are welcome. That’s the point of a CTA button or message: it invites the user to join the action.

Focus your UI and UX on making the user’s goal attractive.

Only then will your CTA be effective. A button motivates no one. People are motivated by ideas and images of the future.
Thanks for reading. Don't forget to follow analyzeoptimize for more such insightful content to grow your online busines.

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Introduction: Harnessing Biblical Wisdom for a Positive Life

Positive thinking and visualization are not modern inventions; they are deeply rooted in ancient wisdom, including the teachings found in the Bible. This age-old book is not only a source of spiritual guidance but also a treasure trove of insights on leading a hopeful and optimistic life. Through exploring biblical characters, stories, and verses, we can uncover powerful principles that encourage us to visualize a blessed future and foster positive thinking. Ready to embark on this transformative journey? Let’s dive into the world of the Bible and discover how its timeless wisdom can propel us toward a life filled with faith, hope, and positive action.

The Biblical Foundation of Positive Thinking and Visualization

The Bible is replete with stories and teachings that lay the groundwork for positive thinking and visualization. From the faith of Abraham to the wisdom of Solomon, the scriptures offer ample evidence that visualizing positive outcomes and maintaining an optimistic outlook is central to leading a God-pleasing life. Let’s explore some examples:

• Philippians 4:8 – “Finally, brethren, whatever is true, whatever is honorable, whatever is right, whatever is pure, whatever is lovely, whatever is of good repute, if there is any excellence and if anything worthy of praise, dwell on these things.” This verse encapsulates the essence of positive thinking by instructing believers to focus their minds on what is uplifting and praiseworthy.
• Hebrews 11:1 – “Now faith is the assurance of things hoped for, the conviction of things not seen.” Here, the Bible stresses the importance of visualization and faith — visualizing what we cannot yet see and trusting God to bring those visions to fruition.
• Proverbs 23:7 – “For as he thinks in his heart, so is he.” This proverb highlights how our thoughts can shape our reality and underscores the power of maintaining a positive, God-centered mindset.

These verses are just the tip of the iceberg, revealing how deeply the Bible embraces the concepts of positive thinking and visualization.

Applying Biblical Principles to Foster Positivity

Embracing positive thinking and visualization in our daily lives can be incredibly empowering. Here are practical ways to apply biblical principles to nurture a positive outlook:

1. Start Your Day with Scripture: Begin each morning by reading and meditating on uplifting Bible verses. Let God’s word set a positive tone for your day.
2. Practice Gratitude: Follow the biblical tradition of giving thanks to God. Keeping a gratitude journal can help shift your focus from what you lack to the abundance of blessings in your life.
3. Visualize Your Faith: Like Abraham, who visualized the stars in the sky as a representation of his future descendants, envision God’s promises coming true in your life. This act of faith can strengthen your trust in God’s plan.
4. Embody Positivity: Reflect God’s love and positivity in your interactions. Encourage others with words of hope and affirmations, just as the apostles uplifted the early Christians through their letters.

Conclusion: Manifesting a Life of Hope and Positivity

The Bible not only encourages us to think positively but also shows us how to visualize and manifest a life aligned with God’s goodness and promises. By integrating biblical wisdom into our daily routines, we can cultivate a mindset that not only benefits us but also blesses those around us. As we reflect on the teachings and stories found in the scriptures, let them inspire us to hold onto faith, to dream boldly, and to walk confidently in the assurance of things hoped for, the conviction of things not seen.
Ready to embrace the power of positive thinking and visualization in your life? Start today by immersing yourself in biblical wisdom, and watch how it transforms your mindset and your life. Remember, with God, all things are possible to those who believe. Share this journey with others, encouraging them to discover the life-changing power of positive thinking according to the Bible.
If you want to want to research more Bible Answers on your own, please try our Bible Answers GPT. It’s easy to get lost in the interesting responses you’ll find… every search is like a new treasure hunt 🙂
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Edit: If you are going to comment on the length of this post, please don't. This is not a simple snark but rather an actual critical think piece about feminism and Taylor Swift.

Introduction

Pertaining to Taylor Swift, "Female Rage" has deviated from its intended meaning after Swift debuted a new performance of The Tortured Poets Department during the Eras Tour. Now, according to Swift's use of the phrase, female rage is interpreted as public backlash against Swift's dating choices rather than as a response to the broader injustices against women and women's rights. This post examines Taylor Swift's flawed feminism, philanthropy, branding, and the controversial trademark petition for the phrase "Female Rage: The Musical". Swift's background as an entertainer, indeterminate politics, and alignment with capitalism over feminism pervades her legacy, again threatening her public tolerance as not just an individual but as a brand.

Once Upon a Female Rage...

If you were cognizant in the early 2010's, you've heard countless jabs at Taylor Swift in the media. Magazines, radio, or online. Music critics did not take her seriously as a songwriter; parents put a woman on an unrealistic pedestal as the ideal role model for their children; she dated too much and used men as lyrical fodder. No matter the story, it inevitably spread, conjoined with everyone's respective opinions, and you'd be left to wonder, "Why does everyone hate this girl so much?"
Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,

"Becoming friends with Lena – without her preaching to me, but just seeing why she believes what she believes, why she says what she says, why she stands for what she stands for – has made me realize that I’ve been taking a feminist stance without actually saying so."

I suppose the male-centric songwriting subject that permeates Swift's discography contained covert feminism and that we just didn't see that. Perhaps, the "Bad Blood" song and music video were written only in jest and not about poor Katy Perry, for Swift, as a feminist, would "never make it a girl fight" or tear other women down (though all Katy did was date your terrible ex-boyfriend and allegedly steal three backup dancers from your tour). In 2013, Swift said, in response to Tina Fey and Amy Poehler's joke towards her serial dating, "There is a special place in hell for women who don't help other women."
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.

Get Your Fucking Ass Up and Be a Philanthropist, It Seems Like Nobody Wants to Be a Philanthropist These Days

In 2013, Taylor Swift cut the ribbon at the grand opening of the Taylor Swift Education Center at the Country Music Hall of Fame in Nashville, Tennessee. The donation amount - $4 million - was the largest individual artist gift ever donated to the Country Music Hall of Fame, which is, of course, mentioned on Swift's website. The two-story facility features three classrooms, an instrument room, and an interactive children's exhibit gallery. Swift also performed at "All for the Hall" charity shows and has donated numerous artifacts from her career (such as notable guitars, tour costumes, etc) to the museum.
This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.

I Like Some of the Taylor's Songs, But What the Fuck Does She Know About Feminism?

Swift continued with her self-proclaimed feminist campaign, positioning herself as a political activist and LGBTQ+ ally in the Miss Americana documentary. The primary focus of the documentary consists of the sexual assault trial, Andrea Swift's cancer diagnosis, Taylor's ED and body dysmorphia, media scrutiny, and, largely, finally speaking up about her politics publicly, mostly her opposition to the 2018 Tennessee Republican senate candidate, Marsha Blackburn, and Blackburn's beliefs. Swift says, following a scene discussing her experience during the trial,

"I just couldn't really stop thinking about it. And I just thought to myself, next time there is any opportunity to change anything, you had better know what you stand for and what you want to say."

We must ask ourselves, though: when has Swift ever spoken up to change anything? Okay, pulling her entire catalogue from Spotify because they didn't pay their artists enough and similarly pulling her catalogue from Apple Music are changes that she leveraged due to her revenue potential and power, but they are not pertinent to the average woman's rights. Moreover, these are issues that directly impacted Taylor's income, which was enough reason for her to protest in the first place. Swift has sold the most units for a female artist in first week sales, is the first female artist with 100k monthly Spotify listeners, is the first female artist to win the Album of the Year Grammy 4 times, and is the first female artist to do X, Y, and Z, all while being inoffensive and family-friendly to boot. The actual Taylor Swift seems unwilling to compromise the brand of Taylor Swift by contributing in meaningful ways to feminist causes, especially if it is for women outside of America and Hollywood.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.

I Can't Pay Those Sweatshop Workers a Livable Wage or Benefits! How Else Would I Make My Billions?

Recently, Taylor's team filed to trademark the phrase "Female Rage: The Musical" after Taylor said during Paris N1 of the Eras Tour,

"So you were the first ones to see The Tortured Poets at the Eras Tour...or as I like to call it, 'Female Rage: The Musical'."

This trademark petition was filed last week on Saturday, and news comes about just as numerous unofficial fan-made merch designs have cropped up with this phrase plastered on Fruit of the Loom basics. I'm of the opinion Swift's team motioned for a trademark so that they can send out cease & desists to all those that make knockoff merch, which disrupts potential sales for Bravado, UMG's choice merchandising company; however, since it was filed earlier, perhaps Swift has bigger plans with the bizarre use of the gendered phrase. One Swiftie referred to the phrase "female rage" as "a funny Eras Tour joke". Could it be a possible fourth version of the Eras Tour Movie? Whatever the reason, the motion to capitalize off of such a concept is disgusting, but not unsurprising, for a woman that profits on her vain feminism.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!

I Am Tortured Poet, Hear Me Whinge

Look - even if Taylor's intention is to characterize TTPD as more "tortured" and "angry", the main thread of the album is "I was ghosted by my decade-long situationship with a controversial indie boy and my fucking stupid fans wrote a 'Speak Up Now' open letter prompting me to drop him" anger, which is adequately expressed in the lyrics and performances. The extent of Taylor's "female rage" on TTPD is on tracks such as "Who's Afraid of Little Old Me?", which contends with relentless media scrutiny; "But Daddy I Love Him", where Swift firmly states she'll date whoever she likes no matter how "Sarahs and Hannahs" may react; and "The Albatross", a track mythologizing her reputation and the consequences of dating her. Of course, these coincide with deep psychological wounds that formed during Swift's early years in the media, and so, from her feminist perspective, these subjects tackle the misogyny and double standards that she faced.
Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.

Sigh Try and Come For My Job, Poors

Out there in the world right now is a 23-year-old woman, a recent college grad, who works as a barista. She has to wake up and get ready to go into a minimum wage job because she cannot get a job in her field. She doesn't have healthcare benefits or sick time, so she has to go into work no matter how she's feeling. All day long she is berated by vicious customers and creepy men, and, exhausted from being on her feet, she knows she has to go home to her shitty roommate that never does the dishes and her roommate's shitty dog. To comfort herself, she considers getting a treat, but thinks against it when she remembers that matcha lattes cost $15 and they taste like milky dirt. She knows that she needs to buy groceries this week, and so the woman resolves to go home, but notices that her gas tank is low. She goes to put gas in the car, but the pump stops at $27.86 because that's all that she has in her checking account. The woman, bereft and reeling, sinks into the driver's seat. "Well," she thinks, her head in her hands, "at least I don't have Taylor Swift's job. I just couldn't imagine."
Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,

"You know you're good when you can even do it with a broken heart...you know you're good...and I'm good, cause I'm miserable, and no one even knows!...try and come for my job."

Yeah, obviously we wouldn't know, you recently passed the billionaire threshold and are the most famous and in-demand performer in the world right now. Taylor Swift makes an estimated $10 to $13 million dollars A NIGHT on the Eras Tour. Furthermore, the Eras Tour movie grossed $261.6 million globally, (which, as the producer, Taylor takes home 57% of the ticket sales) not counting the streaming revenue from Amazon Prime Video and the estimated $75 million deal that Disney paid to have it on Disney+. We're not even considering the income from cheap plastic popcorn buckets and drink cups plastered with colored squares in her Era-specific likeness.
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"

Conclusion/TLDR

Thank you for reading. I would love to hear your critical insights towards this entire ordeal: TTPD, the trademark, the implications of it all.
TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.

Pitch
Recruiting 4 Sorcerers (Magic not from entity or study) Only;

• Willing to deeply homebrew characters
• Three sessions -> Campaign for good fit
• Su@12p-4p EST

Thou were not born of thy own choosing
Whence you grieve, cry, or laugh
Tis as if you bring tragedy, rain or sunlight
Unexplained happenings follow you
And if anyone knows what you really are
They will kill you ..
Hide yourself, and silence your heart
Hunters seek those like you for in this world
.. You are monsters
Our story begins with the plights of your characters and how they were able to overcome them .. Or how they were succumbed to
You discover the nature of your afflictions .. And now you must survive
The world hunts sorcerers like dogs hunt confused and lost birds
But if a lost bird lives long enough to be found. It may spread it's wings and fly
Good luck
Introduction
Hello, my name is Inkh-Su (인수). I have been roleplaying since 2009 and started playing D&D 2018. I am hoping that you will be interested in my homebrew world of Myhrr. It is a work of consistent passion. I have passed 50 pages of content and have handcrafted over 30 explorable cities, tile-by-tile.
Myhrr is a living world developed by the DM, and a story lead by the players.
I prefer players who want to emotionally invest in NPCs, their party members, and their own characters. My aim is to naturally draw characters together into an interweaving story of relationships, action, and heroism.
My five main inspirations are The Books of Magic, Berserk, Merlin, Odin Sphere & The Last Unicorn.
I adhere to rules that maximize your exploration and sense of curiosity. I don't try to predict players, I just adapt to their actions. I study player strengths & weaknesses to spotlight them and write a balanced story. Depending on backstory, I grant geographical, social, and historical information.
Much of the world is a medieval, war-torn, feudalist place that has just found a respite from war. Power wavers with uncertainty, under the constant threat that war will return. Nobles attempt to secure peace alongside bloodstained battlegrounds. Royalty seizes power by sword, flame, accusation and subterfuge.
Whilst the faith in currency is unshaken, Trade is unstable. Promises are rare. The hunt of witches, warlocks, wizards and druids is ceaseless in a war against the unholy forces of magic and devilry.
Myhrr is plagued with economic inequality and xenophobia. Whilst half-orcs, tieflings, and goblins are capable of citizenship they are treated as second class citizens. Faced with the constant truths of their loathsome origins, demonic history, and biological differences they find little respite among other races.
Where half/elves are constantly bombarded with opportunity, these marginalized races find none.
Dungeons in the world are difficult to find. One requires research of the hundreds of books in the world, or a quick tongue and a fast blade, to take such information. Yet there are riches, power, and secrets hidden away behind the abominations of the deep and the traps that lay within. Those who seek answers in the hidden places of the world are at true risk of death or worse.
Think fast or die, traps don't wait and neither do monsters.
The core of every event lies a mystery. A quandary of history, social intrigue and chasing after evidence. Ancient secrets, political dealings, and criminal ones. The world's history is extensive but only a player who wishes to know the lore of the world will discover it.
One of the things I'm proud of in my game are its people. I've been roleplaying for over a decade and believe that every NPC will have more depth than any player will care about. Ingrained into the world and its culture; they have fears, desires and interact with an intelligence befitting of their environment.
Magic comes with a constant emotional and social contract. Only four classes are considered magical. Sorcerer, Druid, Warlock, and Wizard. All other classes use non-magical flavored versions of their spells. Each class uses magic uniquely, yet none of it is as reliable as sword or bow. Magic, no matter it's origin, has a will of its own.
Most cultures believe sorcery, druidry, and wizardry to be witchcraft.
Sorcerers do not have control over their innate power without having control over their own hearts. Druids must build a true relationship with nature and balance. Warlocks are required to debate and negotiate with cruel devils. Wizards are mysterious and grow in power as they follow a path of wonder.
The world has several holidays and I'd love to watch your character celebrate too.
Finally, the game is played with a flowing system of time. Time moves regardless of what your character is or isn't doing. Players who act quickly, describe their actions, act their dialogue and invest their hearts will quickly find themselves escaping the arm of mere RAW rules and mechanics.
I am rewarded by players who will sit after a game and theorize about NPCs, History and Intentions and have plans on how they want to act on the world. Reactive players are alright, but players who develop a judgment and work to act on that judgment are rewarded.
I am also rewarded by characters who act on and with emotionality to NPCs and with each other. My favorite moments are listening to the building moment of character clashes and support when they make discoveries that reveal pieces of themselves and each other.
World:

• Five Deities are confirmed fact
• One gold crown can buy a farm
• Literacy is rare and valuable
• Magic is feared, for it is fearful
• Xenophobia is alive and strong
• Guilty until proven popular is justice
• Evil is real, Orcs, Warlocks and Devils are Evil
• Printing Press is not yet invented

Game:

• Low Fantasy, a medieval setting with few magical elements
• Start Lv1
• LGBTQQIP2SAA friendly
• Session 0 required
• 4hr minimum sessions
• Available Races: Human, Elf, Half-Elf, Dwarf, Half-Dwarf, Dragonborn, Half-Orc, Halfling, Tiefling, Kenku, Goblin, Leonin, Minotaur
• Available Classes: Sorcerer
• VTT: Web-based
• Required: Chrome/Firefox + Discord + DNDBeyond + Microphone + Headphones
• Schedule: Su@12p-4p EST
• Game Start: As players are ready
• DM calls DCs && Open rolls

Table Culture:

• Roleplay & immersion heavy
• Mature, supportive & collaborative play is required to join

If you're interested:
Send me a chat with

• Age / Pronouns / Timezone
• A general character personality & motivation pitch
• An activity your character would initiate with a party
• In your opinion, what makes a good/bad playeDM
• What is your opinion of Magic in a setting where it’s demonized ?
• What does Magic mean to you ?
• Describe when you’ve connected with another party member
• Describe an example of environmental creative problem solving
• Does your character create ? If so, how are they creative ?
• What emotional state does your character often find themselves ?
• Discord handle

Looking forward to hearing from you : ]

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If you have questions feel free to ask 😊
So I'll preface this with I don't want to engage in political debates about Taiwan, mainland China and Hong Kong/Macau. I am treating them as seperate only because they have different visa requirements. I have my own views on the matter but my opinion doesn't matter.
So I am a 27M white european and this was my experience. 5th time solo.
Taiwan (14days) Taipei - north coast - Puli/sun moons lake - Tianan - kaohsiung - Yuli - hualien (taroko gorge)
Opinion Taiwan is incredibly beautiful, the level of English in the north especially is very high. Most people will be able to speak a few words which makes travel around easy. The highlights for me were Taipei/sun moon lake/taroko gorge.
You'll want to get an easy card for general travel. This can be picked up at the airport and reloaded at any station.
The food, like the rest is quite limited in either being big American brands like McDonald's or local noodle shops. If you have dietary requirements please have these translated and saved on your phone beforehand. As a vegetarian I found that people would often just give me fish regardless of how persistent I was. This was common throughout.
The people are very respectful and friendly, but unless you get someone who wants to have a conversation you're interaction will be very surface level. They are happy to just let foreigners be alone.
I would highly recommend anyone who wants to try this culture to go via Taiwan as it is a much more gentle introduction.
Things to be wary of Getting around by walking is quite frankly a nightmare. Every pavement outside of Taipei is covered in bikes and if you are disabled this will be a serious issue without a car.
Everything is ticketed so be sure to carry cash. You can use the easy card but cash is just much simpler for attractions.
There are multiple different train types and they enforce ticketing strictly. The local train can use the easy card as well as the metro. Regional trains are more fancy and require a purchased ticket. Highspeed is treated similarly to flying and you should show up 30minutes before to ensure you get there in time.
Hong Kong/Macau (4days)
Hong Kong city - main island - Macau
Opinion Honestly I was disappointed, Hong Kong just felt very boring in comparison to Taipei. It's very multicultural and due to this I found it hard to see a unique identity for Hong Kong. Macau felt unique but just a bit irrelevant.
The highlight was certainly the hike up Victoria peak and watching the city move in seclusion. When I got to the top people were camping there I had never been so jealous. It's truly an amazing view. Be sure to go past the mall and take the small mountain path. It's well lit and fairly easy incline if you are in relatively good fitness.
Mainland china (48 days) Guangzhou - hengyang - Changsha - Zhangjiajie - Chongqing - Emei Shan - Chengdu - Xian - huashan - luoyang - pingyao - Datong - erlian (visa reset) - Nanjing - Qingdao - Jinan - Beijing
The main part to my trip, there's no pretending. China is difficult. Mostly because of the restrictions and the unwillingness of china to accommodate for foreigners. You need WeChat, you need trip.com and you need to use A map. The people do not speak English. I would go days or weeks without haveing a real conversation. I was often cut off from the outside world due to my VPN struggling to get past the firewall. (Surfshark)
If the above scares you avoid china for any long trips. If like me you see a challenge then you will adore china. It's frustrating, but I've never been in a country that gave me the same kind of highs. The mountains of Huashan rival the dolomites and they are much more accessable for everyone.
This is a large bonus for China, once you adapt everything is very easy to do. And nothing feels off limits. Except that sectioned off my armed police. China is so safe I never once felt in danger of theft or being attacked which I can't say about my own home. There is a reason for this. Anyone who breaks the law will be delt with due to the survalance.
The negatives Be prepared to take a lot of screenshots to translate via WeChat. Menus, metro stations, hotel check in. Anytime you need information you need to translate it yourself. This gets exhausting.
People will stare at you, I always took this as curiosity. Especially in the west and south as there are very few foreigners. Many of the people are very racist however. The things said to me about black people, Japanese and Koreans genuinely upset me. But I want to experience and understand so I would listen. If you speak up in defence you are often ignored. It's ingrained sadly. And it makes me question how many felt similarly towards me.
Banned websites, pretty much all our sites are blocked. It makes it hard as your only option for a search engine is Bing. And who wants to use bing. A VPN is an option but can be spotty and it is illegal so becareful where you use this.
As someone from a country with 8million. There's just so many Chinese people for me to be comfortable with. Everything is packed. All the tourist sites are full. Metro full. Bus full. The worst case for me was the terracotta army which I visited on a normal day and it was hard to just walk around.
Getting searched going into any metro or trainstation. You basically have to go through airport security everytime. It's a real pain when you have a 15kg backpack.
The spitting, it's gross.
The pros China is so cheap, my hotel in Zhangjiajie for example was only 5€ a night. And it was a decent little double bed and bathroom, tv and toiletries supplied. Easy 70€ back home.
Food (for me when I got it) was incredible and very cheap. Average was about 15 yuan or 2€ a meal. Drinks are also very cheap 3yuan for a bottle of coke and 2yuan for a water.
The trains, man did the chinese build an excellent train network. You need to use WeChat or tripmcom to book these. But they are well priced and very efficient.
The apps, there's an app for everything. Want to read a menu? It's a WeChat app, metro line app! Book tickets for the summer palace app! Sometimes you'll need to look up the qr code in advance, especially around high tourist season.
Cashless, you can totally use cash. But you don't need to. If you have wifi or data which is cheap and easy to get (30days unlimited 150yuan China mobile) you just scan your WeChat Code and pay. Similar to contactless but not as convenient.
Overview China is a real solo travelers challenge I think, it's a great way to test how good you are at making split decisions. For short trips I recommend Nanjing, Chengdu, huashan, Chongqing and Zhangjiajie.
Conclusion. (Tldr) I will be going back to both Taiwan and mainland china. Both have got a hold on me. I'm hooked and I'm hoping to get you all hooked too. Taiwan is better if you want a chill holiday to explore Chinese culture. I recommend the north. Mainland is best for the experienced traveler as they will be able to get so much love from this unappreciated country. And my fellow Europeans take advantage of those visa free 15 days.
If you have any questions feel free to ask 😊

(FOR WIKI VERSION CLICK HERE: https://whig.miraheze.org/wiki/Property_%26_Land)
Views on property by whigs varied, but one strain of thought put forth something like the follow. First, we should respect other people's (some might say creatures') autonomy and equal status as ends onto themselves, and we should try to not lessen or hurt each other. Second, if someone adds to themself without lessening another, they probably have not wronged anyone. Third, because of the first and second points, it follows that we can mix our labor with natural resources and have a property claim to the result, so long as we have not lessened, hurt, or restricted another in the process, by, for example, taking more than a fair share of land and thereby depriving others of a home or means to feed themselves.
Contrary to this thinking, there is a common thread running a thousand years through history. It starts with the Norman Invasion which imposed feudalism on the English people in the 11th century, it then runs to 12th century complaints about Normans hogging up land, it then runs to the Peasants' Revolt of the 14th century, then to the enclosure of the commons and depopulation of some villages to make way for wool production in the 16th century, then to English republicans denouncing this theft of the people's land in the 17th century, then to land reform efforts by whigs in the 18th and 19th centuries (including during the Anti-Rent War of New York), then to the housing crisis of the 21st century.
This is the common thread: the general public has suffered an unnecessary and unjust burden ever since a small class of people declared that the earth belonged to them alone, and imposed themselves on the villages, towns, and cities of England (later on the settlements in the colonies), by supposed right of the king, by supposed right of heaven. This insane system has largely survived until today by disguising itself as part of republicanism, but it is a remnant of feudalism. It is presented as the ideology of private land rights, when it is only the feudal theory of private land rights, and is in opposition to the classical republican theory which holds that land is a natural thing like the air, not the creation of humans, and that we all have an equal right to the land, to shelter ourselves in homes, to feed ourselves with produce, and to come together in a republican manner to decide the particulars of this equitable arrangement, like by imposing land value tax on those granted the privilege of holding more or better land than average.
QUOTES

"The same law of nature, that does by this means give us property, does also bound that property too. . . As much as any one can make use of to any advantage of life before it spoils, so much he may by his labour fix a property in: whatever is beyond this, is more than his share, and belongs to others. . . But the chief matter of property being now not the fruits of the earth, and the beasts that subsist on it, but the earth itself; as that which takes in and carries with it all the rest; I think it is plain, that property in that too is acquired as the former. As much land as a man tills, plants, improves, cultivates, and can use the product of, so much is his property. . . Nor was this appropriation of any parcel of land, by improving it, any prejudice to any other man, since there was still enough, and as good left; and more than the yet unprovided could use. So that, in effect, there was never the less left for others because of his enclosure for himself: for he that leaves as much as another can make use of, does as good as take nothing at all. No body could think himself injured by the drinking of another man, though he took a good draught, who had a whole river of the same water left him to quench his thirst: and the case of land and water, where there is enough of both, is perfectly the same."

—John Locke (Two Treatises of Government, book 2 chapter 5)

". . . a right to property is founded in our natural wants, in the means with which we are endowed to satisfy these wants, and the right to what we acquire by those means without violating the similar rights of other sensible beings; that no one has a right to obstruct another, exercising his faculties innocently for the relief of sensibilities made a part of his nature. . ."

—Thomas Jefferson (a letter to Pierre Samuel Du Pont de Nemours, 1816)

"Another means of silently lessening the inequality of property is to exempt all from taxation below a certain point, & to tax the higher portions of property in geometrical progression as they rise. Whenever there is in any country, uncultivated lands and unemployed poor, it is clear that the laws of property have been so far extended as to violate natural right. The earth is given as a common stock for man to labour & live on. If, for the encouragement of industry we allow it to be appropriated, we must take care that other employment be furnished to those excluded from the appropriation. If we do not the fundamental right to labour the earth returns to the unemployed. It is too soon yet in our country to say that every man who can not find employment but who can find uncultivated land, shall be at liberty to cultivate it, paying a moderate rent. But it is not too soon to provide by every possible means that as few as possible shall be without a little portion of land. The small landholders are the most precious part of a state."

—Thomas Jefferson (a letter to James Madison, 1785)

"It has been pretended by some (and in England especially) that inventors have a natural and exclusive right to their inventions; & not merely for their own lives, but inheritable to their heirs. but while it is a moot question whether the origin of any kind of property is derived from nature at all, it would be singular to admit a natural, and even an hereditary right to inventions. it is agreed by those who have seriously considered the subject, that no individual has, of natural right, a separate property in an acre of land, for instance. by an universal law indeed, whatever, whether fixed or moveable, belongs to all men equally and in common, is the property, for the moment, of him who occupies it; but when he relinquishes the occupation the property goes with it. stable ownership is the gift of social law, and is given late in the progress of society. it would be curious then if an idea, the fugitive fermentation of an individual brain, could, of natural right, be claimed in exclusive and stable property. if nature has made any one thing less susceptible, than all others, of exclusive property, it is the action of the thinking power called an Idea; which an individual may exclusively possess as long as he keeps it to himself; but the moment it is divulged, it forces itself into the possession of every one, and the reciever cannot dispossess himself of it. it’s peculiar character too is that no one possesses the less, because every other possesses the whole of it. he who recieves an idea from me, recieves instruction himself, without lessening mine; as he who lights his taper at mine, recieves light without darkening me. that ideas should freely spread from one to another over the globe, for the moral and mutual instruction of man, and improvement of his condition, seems to have been peculiarly and benvolently designed by nature, when she made them, like fire, expansible over all space, without lessening their density in any point; and like the air in which we breathe, move, and have our physical being, incapable of confinement, or exclusive appropriation. inventions then cannot in nature be a subject of property. society may give an exclusive right to the profits arising from them as an encouragement to men to pursue ideas which may produce utility. but this may, or may not be done, according to the will and convenience of the society, without claim or complaint from any body."

—Thomas Jefferson (a letter to Isaac McPherson, 1813)

"Establish the principle also in the new law to be passed for protecting copyrights & new inventions, by securing the exclusive right for 19 [years]."

—Thomas Jefferson (a letter to James Madison, 1789)

"Consequently there is as yet no such thing as a street except adjacent to the lots actually sold or divided; the erection of a house in any part of the ground cannot as yet be a nuisance in law. Mr. Carrol is tenant in common of the soil, with the public, and the erection of a house by a tenant in common on the common property is no nuisance. Mr. Carrol has acted imprudently, intemperately, foolishly; but he has not acted illegally. There must be an establishment of the streets before his house can become a nuisance in the eye of the law. Therefore till that establishment neither Majr. Lenfant, nor the Commissioners would have had a right to demolish his house without his consent."

—Thomas Jefferson (Enclosure: Observations on L'Enfant's Letter, 1791)

"It is a position not to be controverted that the earth, in its natural, uncultivated state was, and ever would have continued to be, the common property of the human race. In that state every man would have been born to property. He would have been a joint life proprietor with rest in the property of the soil, and in all its natural productions, vegetable and animal. But the earth in its natural state, as before said, is capable of supporting but a small number of inhabitants compared with what it is capable of doing in a cultivated state. And as it is impossible to separate the improvement made by cultivation from the earth itself, upon which that improvement is made, the idea of landed property arose from that parable connection; but it is nevertheless true, that it is the value of the improvement, only, and not the earth itself, that is individual property. Every proprietor, therefore, of cultivated lands, owes to the community a ground-rent (for I know of no better term to express the idea) for the land which he holds. . . There could be no such thing as landed property originally. Man did not make the earth, and, though he had a natural right to occupy it, he had no right to locate as his property in perpetuity any part of it; neither did the Creator of the earth open a land-office, from whence the first title-deeds should issue. Whence then, arose the idea of landed property? I answer as before, that when cultivation began the idea of landed property began with it, from the impossibility of separating the improvement made by cultivation from the earth itself, upon which that improvement was made. The value of the improvement so far exceeded the value of the natural earth, at that time, as to absorb it; till, in the end, the common right of all became confounded into the cultivated right of the individual. But there are, nevertheless, distinct species of rights, and will continue to be, so long as the earth endures. It is only by tracing things to their origin that we can gain rightful ideas of them, and it is by gaining such ideas that we, discover the boundary that divides right from wrong, and teaches every man to know his own. . . While, therefore, I advocate the right, and interest myself in the hard case of all those who have been thrown out of their natural inheritance by the introduction of the system of landed property, I equally defend the right of the possessor to the part which is his. Cultivation is at least one of the greatest natural improvements ever made by human invention. It has given to created earth a tenfold value. But the landed monopoly that began with it has produced the greatest evil. It has dispossessed more than half the inhabitants of every nation of their natural inheritance, without providing for them, as ought to have been done, an indemnification for that loss, and has thereby created a species of poverty and wretchedness that did not exist before. . . It is not charity but a right, not bounty but justice, that I am pleading for. The present state of civilization is as odious as it is unjust. It is absolutely the opposite of what it should be, and it is necessary that a revolution should be made in it. . . It is the practice of what has unjustly obtained the name of civilization. . . to make some provision for persons becoming poor and wretched only at the time they become so. Would it not, even as a matter of economy, be far better to adopt means to prevent their becoming poor?. . ."

—Thomas Paine (Agrarian Justice)

"I care not how affluent some may be, provided that none be miserable in consequence of it."

—Thomas Paine (Agrarian Justice)

"Separate an individual from society, and give him an island or a continent to possess, and he cannot acquire personal property. He cannot be rich. So inseparably are the means connected with the end, in all cases, that where the former do not exist the latter cannot be obtained. All accumulation, therefore, of personal property, beyond what a man's own hands produce, is derived to him by living in society; and he owes on every principle of justice, of gratitude, and of civilization, a part of that accumulation back again to society from whence the whole came."

—Thomas Paine (Agrarian Justice)

"The law which prohibited people's having two inheritances was extremely well adapted for a democracy. It derived its origin from the equal distribution of lands and portions made to each citizen. The law would not permit a single man to possess more than a single portion. . . It is not sufficient in a well regulated democracy that the divisions of land be equal; they ought also to be small, as was customary among the Romans. 'God forbid, said Curius to his soldiers, that a citizen should look upon that as a small piece of land, which is sufficient to support a man.'"

—Charles Montesquieu (The Spirit of Laws, book 5)

"The first man who, having enclosed a piece of ground, bethought himself of saying This is mine, and found people simple enough to believe him, was the real founder of civil society. From how many crimes, wars, and murders, from how many horrors and misfortunes might not any one have saved mankind, by pulling up the stakes, or filling up the ditch, and crying to his fellows: Beware of listening to this impostor; you are undone if you once forget that the fruits of the earth belong to us all, and the earth itself to nobody."

—Jean-Jacques Rousseau (Discourse on the Origin and Basis of Inequality Among Men, part 2)

"In general, to establish the right of the first occupier over a plot of ground, the following conditions are necessary: first, the land must not yet be inhabited; secondly, a man must occupy only the amount he needs for his subsistence; and, in the third place, possession must be taken, not by an empty ceremony, but by labour and cultivation, the only sign of proprietorship that should be respected by others, in default of a legal title."

—Jean-Jacques Rousseau (The Social Contract, book 1 section 9)

"In granting the right of first occupancy to necessity and labour, are we not really stretching it as far as it can go? Is it possible to leave such a right unlimited? Is it to be enough to set foot on a plot of common ground, in order to be able to call yourself at once the master of it? Is it to be enough that a man has the strength to expel others for a moment, in order to establish his right to prevent them from ever returning? How can a man or a people seize an immense territory and keep it from the rest of the world except by a punishable usurpation, since all others are being robbed, by such an act, of the place of habitation and the means of subsistence which nature gave them in common? When Nunez Balboa, standing on the sea-shore, took possession of the South Seas and the whole of South America in the name of the crown of Castile, was that enough to dispossess all their actual inhabitants, and to shut out from them all the princes of the world? On such a showing, these ceremonies are idly multiplied, and the Catholic King need only take possession all at once, from his apartment, of the whole universe, merely making a subsequent reservation about what was already in the possession of other princes."

—Jean-Jacques Rousseau (The Social Contract, book 1 section 9)

"The like may be said in relation to my house, land, or estate; I may do what I please with them, if I bring no damage upon others. But I must not set fire to my house, by which my neighbour’s house may be burnt. I may not erect forts upon my own lands, or deliver them to a foreign enemy, who may by that means infest my country. I may not cut the banks of the sea, or those of a river, lest my neighbour’s ground be overflown, because the society into which I am incorporated, would by such means receive prejudice. My land is not simply my own, but upon condition that I shall not thereby bring damage upon the publick, by which I am protected in the peaceable enjoyment and innocent use of what I possess."

—Algernon Sidney (Discourses Concerning Government, chapter 3 section 41)

"The like continued amongst Jacob’s sons; no jurisdiction was given to one above the rest: an equal division of land was made amongst them: Their judges and magistrates were of several tribes and families, without any other preference of one before another, than what did arise from the advantages God had given to any particular person. This I take to be a proof of the utmost extent and certainty, that the equality amongst mankind was then perfect. . ."

—Algernon Sidney (Discourses Concerning Government, chapter 1 section 12)

"Men can hardly at once foresee all that may happen in many ages, and the changes that accompany them ought to be provided for. Rome in its foundation was subject to these defects, and the inconveniences arising from them were by degrees discover’d and remedi’d. They did not think of regulating usury, till they saw the mischiefs proceeding from the cruelty of usurers; or setting limits to the proportion of land that one man might enjoy, till the avarice of a few had so far succeeded, that their riches were grown formidable, and many by the poverty to which they were reduced became useless to the city."

—Algernon Sidney (Discourses Concerning Government, chapter 2 section 13)

"That the too long continued shame of this Nation, viz. permission of any to suffer such poverty as to beg their bread, may be forthwith effectually remedied; and to that purpose, that the poor be enabled to chuse their Trustees to discover all Stocks, Houses, Lands, &c. which of right belong to them and their use, that they may speedily receive the benefit thereof, and that some good improvement may be made of waste Grounds for their use. . ."

—John Lilburne (An Impeachment of High Treason against Oliver Cromwel)

"As soon as the land of any country has all become private property, the landlords, like all other men, love to reap where they never sowed, and demand a rent even for its natural produce."

—Adam Smith (The Wealth of Nations, book 1 chapter 6)

"The thirteenth ORDER. . . every man who is at present possest, or shall hereafter be possest of an estate in land exceeding the revenue of two thousand pounds a year, and having more than one son, shall leave his lands either equally divided among them, in case the lands amount to above 2000 l. a year to each; or so near equally in case they com under, that the greater part or portion of the same remaining to the eldest, excede not the value of two thousand pounds revenue. And no man, not in present possession of lands above the value of two thousand pounds by the year, shall receive, enjoy (except by lawful inheritance) acquire, or purchase to himself lands within the said territorys, amounting, with those already in his possession, above the said revenue."

—James Harrington (Oceana)

"All Property indeed, except the Savage’s temporary Cabin, his Bow, his Matchcoat, and other little Acquisitions absolutely necessary for his Subsistence, seems to me to be the Creature of public Convention. Hence the Public has the Right of Regulating Descents & all other Conveyances of Property, and even of limiting the Quantity & the Uses of it. All the Property that is necessary to a Man for the Conservation of the Individual & the Propagation of the Species, is his natural Right which none can justly deprive him of: But all Property superfluous to such purposes is the Property of the Publick, who by their Laws have created it, and who may therefore by other Laws dispose of it, whenever the Welfare of the Publick shall demand such Disposition. He that does not like civil Society on these Terms, let him retire & live among Savages.— He can have no right to the Benefits of Society who will not pay his Club towards the Support of it."

—Benjamin Franklin (a letter to Robert Morris, 1783)

"I think it could never be, that the best of the Proprietaries located uncultivated Lands should be taxed no higher than the worst of those of the People; that being so manifestly unjust. Nor that a Medium Rate should be fix’d on for all that kind of Lands, as this would be too high for some, and too low for others. Nor that the common Rate should be taken from the worst kind; for this would lay the Burthen chiefly on that kind, which is unjust and oppressive to the poorer People."

—Benjamin Franklin (a letter to Richard Jackson, 1764)

"It gives me Pain my Lord! to observe that the prevailing monopoly of Lands in this Colony has become a Grievance to the lower Class of People in it; and confines the Bounty of our gracious Sovereign to mercenary Land-Jobbers, and Gentlemen who have already shared very largely in the royal Munificence."

—John Jay (a letter to the Earl of Dartmouth, 1773)

"That the right of the Poor, in their Commons, may be preserved, and freed from the Usurpations, Enclosures, and Encroachments of all manner of Projectors, Undertakers, &c. and that all servile Tenures of Lands, as by Copy-holds, or the like, be abolished and holden for naught."

—Leveller tract (The Fundamental Lawes and Liberties of England claimed, asserted, and agreed unto, by severall Peaceable Persons of the City of London, Westminster, Southwark, Hamblets, and Places adjacent; commonly called Levellers.)

"The right to property being inviolable and sacred, no one ought to be deprived of it, except in cases of evident public necessity, legally ascertained, and on condition of a previous just indemnity."

—National Assembly of France (Declaration of the Rights of Man and of Citizens)

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Introduce yourself in 15-20 lines. Write clearly and avoid using emojis. Instead, use ASCII bullets to list items.

Straight to the point—let’s drop the time-consuming tasks that hinder your business growth! • Social Media Automation: Streamline your posting and audience engagement effortlessly. • Content Creation: Craft impactful posts and videos that truly represent your brand. • Social Media Campaigns: Launch and manage promotional campaigns on platforms like Facebook, Instagram, and Twitter. • Audience Engagement: Boost interactions with strategic communication and engaging content. • Analytics and Reporting: Leverage tools to monitor, analyze, and enhance your strategies for optimal results. Let's keep this simple. I’m here to support you; just share your vision, and I’ll take care of the execution! 

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• Social Media Campaigns: Launch and manage promotional campaigns on platforms like Facebook, Instagram, and Twitter.
• Audience Engagement: Boost interactions with strategic communication and engaging content.

Technical Skills

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1. Epic Fantasy
2. Crown Prince: Book One of New Blood
3. New Blood Saga: Book 1
4. W.D. Kilpack III
5. Full Cover
6. 2021 International Firebird Book Award Winner • 2022 The BookFest Award Winner • 2023 Finalist, Best Mentor Character, Indie Ink Awards • 2024 International Impact Book Award Winner • 2020 Runner-Up Sci-Fi/Fantasy Book of the Year, OnlineBookClub.org • Quarter Finalist Screencraft Cinematic Book Competition
7. www.Kilpack.net
8. Available in Paperback/eBook/KU/NOOK/Kobo/Smashwords
9. "The future of all men relies on the Guardian of Maarihk. Will his Sight be true? Or will his impure Firstblood prove the ruin of us all?"
10. Natharr is Guardian of Maarihk, one of a long line of protectors dating back to the Firstborn Age, before the Aa Conquest. Natharr's is an ancient role, rooted in his Firstblood, giving him Sight to see what is yet to be. He adheres to his sacred duties even in the centuries since the Firstborn were forced to the brink of extinction by the Aa. Natharr still stands guard over all men, Aa or Firstborn, Seeing what will come to pass, deciding what is unavoidable and what is not. He spends decades planning how to save the life of the newborn Crown Prince Vikari so he may one day reclaim the throne of the land where Mankind was created, back in the time when the Olde Gods still walked.
11. • "I've been won over by Crown Prince! The world is deeply conceived. The prose is well crafted. The solemn, almost-inhuman Guardian/seer standing guard during a deadly siege as the young queen gives birth makes for a hell of a great start! That weightiness to his character was a key point of interest to me that comes across right from the opening pages, plunging right into the thick of it for a wonderful change of pace. Crown Prince is intriguing, grand, strange, and shadowed by ill-omens. It is Shakespearean." — Tom Mock, author of The Long Nights • "A very good book ... [and] a very great read! Natharr is very much tested as he strives to save the life of newborn Crown Prince Vikari. This book reads wonderfully, and I am grateful to have had the opportunity to get to know the story. It is full of pulse-pounding adventure and also features great, extensive world-building! Definitely a recommend from me!” — Philip Chase, Ph.D., medievalist and author of The Way of Edan • 5/5 Stars — "Author W.D. Kilpack III presents an atmospheric and immersive journey into a richly crafted fantasy world, balancing a strong character-led adventure with a wider web of plots, setting up a highly complex and enjoyable fantasy saga to follow. There’s a clear flair for character, dialogue, and attitude from the start, with Natharr's intense presence affecting all who encounter him and making for some really dynamic clashes. The weightiness of his responsibilities and the depth of the world-building immediately gripped my attention and, as the story unfolded, the way the characters’ attitudes and actions were shaped by the realism of the worldbuilding was totally compelling. This book delivers on every promise of pulse-pounding adventure — thanks to the swift pacing of the plot, coupled with dark storytelling, strong descriptive skills, and captivating character development that balances emotion with duty well. Overall, I would certainly recommend Crown Prince as an incredible opener to an exciting new fantasy series, and I’m all the more eager to continue exploring this fantastical realm." — K.C. Finn, USA Today best-selling author of The Book of Shade for Reader's Favorite • 5/5 Stars — "The literary creator in his act of creationism. Such is W. D. Kilpack III in his intriguing invention of Crown Prince: Book One of New Blood. Intermingling real world matters of both realm and state, and legendary phenomena of ancient times, Kilpack builds a mythical epic of worlds within worlds, all suspended in time and universal fantastical realism. He has crafted an imaginative tale perfect for lovers of mysticism, magic, ancient battles, romance, and supernatural fantasy. Natharr, the Guardian of Maarihk, is one of the Firstbborn [with] abilities like the gift of prophetic Sight, and he [is] charged with protecting and preparing the newly born prince of the realm, Vikari, until he is ready to take his rightful place as heir to his father’s throne. Set in a richly imagined and described enigmatic world, the story explores themes of family, love, friendship, destiny, time, and power. Adventure and action keep the reader quickly turning the pages ... deliver[ing] a strong narrative of structure, character development, and world building, which smoothly paves the way for the next book in the series, Order Of Light, which I cannot wait to read. Crown Prince is a masterful example of original storytelling, a phenomenal literary creation!" — K.L. Davidson, author of Ten Thousand Fields (British Columbia, Canada) • 4/4 Stars — "Crown Prince stands out with amazing descriptions, complex characters, and intriguing supernatural elements. Book one in the New Blood [Saga], the storyline is incredibly promising. The author has a flair for setting the scene and creating memorable characters. I absolutely loved the descriptive prowess of this author, the thing I enjoyed most about the book ... W. D. Kilpack III genuinely takes the time to help us immerse in the fantasy world, no matter if he describes a battle scene, a peaceful moment, or a mythological creature like a Hamadryad or a Manticore, he always manages to conjure the best images in our minds. The author does a great job of incorporating the supernatural elements in a general atmosphere of myth and legend ... there was nothing I disliked about this novel. I am rating Crown Prince 4 out of 4 stars ... fans of sword-and-sorcery fantasy will definitely find this novel a delightful read ... the series has the potential to acquire epic dimensions ... I am looking forward to reading the sequel, Order of Light." — OnlineBookClub.org • 5/5 Stars — "I absolutely love Crown Prince! It is a very dark epic-fantasy story following a very intimate cast of characters. The way things unfold, you’re thrown into the thick of the action right from the beginning that sinks you in right. The way events unfold to the way characters come together, you cannot help but keep flipping the pages. By the end, I was so invested, I felt so intimate with these characters, that I had to find out what happens next, so I immediately ordered book two, Order of Light! It’s such a good story! It’s such a dark-but-good story, with very good character work, you get really close with these characters, and you can’t help but want to know what happens next!" — Usman, host of Bards and Books YouTube channel (British Columbia, Canada) • 5/5 Stars — With the maps and appendix, "the characters' names, titles, and the names of fascinating places all conjured up by the mind of W. D. Kilpack III [helped] me better understand the intricate facets of this novel. Creating worlds and characters is not a easy, but the author did an excellent job. Crown Prince has everything you want: intertwining sword scenes, the battles of a war, kings, queens, knights, magic, fairies, love, sex, great beasts, and unthinkable dangers thatNatharr has to endure. Kilpack puts you in the middle as Vikari starts to grow and learn. So does Natharr for he begins to love the child as his own. Kilpack's ability to crystally describe a scene [was] like I was taking part in a meal or a sword fight. Crown Prince flowed smoothly and any fan of fantasy will rejoice [and] if you have never read a fantasy novel (like me), this one will get you hooked into the genre." — Jose F. Nodar, author of Books, Pens & Larceny (South Wales, Australia) • 5/5 Stars — "Crown Prince is one of the most brilliant fantasy novels that I have ever had the pleasure of reading and a book I am now obsessed with! Crown Prince is an incredible, thrilling and memorable story that will take its readers on a journey like no other. Crown Prince captivated me from the first page thanks to the book's sharp literature and strong opening ... [the author] is not only a phenomenal writer for his flawless ability to capture his reader's attention, but he is also a great writer for his descriptive powers and characterization of characters which will hook his readers! Crown Prince is a sensational, thrilling and addictive story that will thrill you as well as entertain you." — RedHeadedBookLover.com • 5/5 Butterflies — "Crown Prince was such a delight to read! Normally, we don't see the child growing up ... or really get a chance to get attached to whoever raised him. This author took that trope, shook it up and turned it into something amazing! We get to see the heir as a baby, to see him grow up [and] develop that close bond a son has with his father. It's a really beautiful thing ... normally glazed over in this type of story ... but you get to see how strong their bond is. I'm so grateful! Something else I really enjoyed is how well Darshelle and Natharr played off each other. Often, they have deep conversations that involve a culture clash, where they may not agree with each other's perspective, but they are willing to try to understand. I [also] loved this author's world building, especially the magic forest and all the interesting creatures that live in it! The village of the cat-people was such a fun scene and so interesting showing the cat-people society and how it was different. It was really fun! If you don't grab yourself a copy of Crown Prince, you're doing yourself a huge disservice! It's a wonderful story and such a fun read!" — Madam Crystal Butterfly • 5/5 Stars — "Kilpack delivers a stunning blow to the belief that Indie-Fantasy is worth any less that its salt. Crown Prince is a well-crafted epic with unique plot mechanisms, well-developed and believable characters, and a world grounded in the visceral and the real. I could not recommend this series any higher!" — Clay Vermulm, co-host of Sinister Soup Podcast • 5/5 Stars — "A fantastic world of swords and magic! A very strong start to the series! W.D. Kilpack III does know how to draw a reader into a world of swords and magic. I found myself unable to put the book down, diving deeper into the fantastic world. I can say, that I am a fan of his work and will soon be reading Order of Light, the second book from the New Blood [Saga]." — BooksShelf.com • 5/5 Stars — Crown Prince is "a great mix of fantasy and action and adventure! It kept me on my toes the whole time and I was completely hooked! The world building in this book is amazing. I could read 20 books in this world. The fight scenes and characters are amazing. They pull you in so deeply ... that I didn't want to stop reading way past when I should have!" — Jay.Rae.Reads • 5/5 Stars — Crown Prince illustrates "the burden of knowledge and the responsibilities involved in being able to see the future. Natharr is a great hero: think Aragorn/Alanon/Teddy Roosevelt. He bears the burden of being Guardian of Maarihk with dignity but, at the same time, is human and has flaws, like having a bit of a temper. Darshelle is conflicted and a walking contradiction, being proud and strong, while still insecure and flawed. I love the world, where magic is more subtle, while there is another element that reminded me of Greek mythology, because the gods are real and took direct action in history. There is some violence, which seems to fit well within the framework of this world where epic fantasy and realism are intertwined." — Critic, Salt Lake City, UT • 5/5 Stars — Crown Prince is "a fantastic tale filled with all things beautiful, dark, and magical! Filled with adventure and drama! The author's world is absolutely stunning, and I can't wait to read the next installment in the story!" — Cherumanalil (Bangalore, India) • 4/4 Stars — Crown Prince is "an adventure full of thrilling moments [that] hook you right from page one. Each page has a new secret to unfold. This book made a mark on my mind and now I cam curious to read the other books in the series. I loved reading it and have rated it four stars. Books like these deserve the hype!" — Read With Emilee • 5/5 Stars — "From the start you are drawn into a world of fantasy. With each page, you want more. The author gives the feel you are the character fighting for your life and those you defend. A great read, with the power to keep you from putting it down. I highly recommend this book to anyone interested in something new, with a twist and feel of a classic fantasy!" — Tom Carr, author of Talking to Yourself in the Dark • 4/4 Stars — Crown Prince is "an absolutely brilliant fantasy read ... [Kilpack created] a master introduction. The plot building was incredible. The journey sucks you in so much that you immediately want to carry on with the series. I'll definitely complete this series." — Twilight Reader (Wales) • 4/4 Stars — "If you're looking for something new with a a twist of classic fantasy, this is for you. It amazes me that someone can create an entire world from scratch with everything that this involes. Character building is wonderful and the descriptions of what happens are good. It is very detailed, so you get immersed in the story. Lots of things happen in this book. [Crown Prince] is a good and strong start for a new series!" — June.Reads (London, England) • 4/4 Stars — Crown Prince is "a lovely fantasy. Great read! Great characters! Writing style amazing! I loved this world. A new author I discovered and hope to read more from this author in the future!" — Rhianny DD Morris (South Wales, Australia) • 4.7/5 Stars — Crown Prince "transported me into a world where life-and-death situations were commonplace and everyone had a cause to fight for! The distinction between the Firstborn and the Aa was fascinating [and] really got me hooked! The characters are fantastic, descriptions of battles draw in you and there's a shock in every chapter! I love fantasy books and I'll add this to my pile of highly recommended sagas!" — Books with Gina (England) • 4.5/5 Stars — Crown Prince is like "watching a movie. The author has narrated ... in a very fluent and visual way. It is an adventurous and twisted novel that will always keep the reader wanting more. Every page is a new unfolding and a new mystery. The plot is exquisite and emphasizes important values like willpower, determination, and truth. A captivating read [especially] those in search of something abnormally smart!" — Reads.Nancy • 4.5/5 Stars — "Crown Prince is one of the most fantastic fantasy books that I have read so far! The book is a blend of thrills, mystery, fun, excitement, and drama! It has got everything that a good book should have. The plot is unpredictable and twisted. So much is happening all at once, but the smooth narration takes care of it all." — Just Pratibha (India) • 4/5 Stars — "A fantastic read! What a grand story in Crown Prince. I am very impressed with the writing and storytelling. Kilpack does a great job of building a world filled with princes, pasts that dictate the future. Kilpack details the scenes, filled with action, and brings the creatures to life! Crown Prince is filled with swords and sorcery, magic, myths and legends, that really bring it as believable. This author is a great storyteller. The story brings the reader on a superb journey. Who could ask for more when it's filled with magical/fantastical creatures and other interesting beings?" — Amy's Bookshelf • "Once I got into [Crown Prince], I struggled to put it down! The world Kilpack has created is so detailed and imaginative you can't help but be drawn in. This book is a fantasy that give you war, knights, romance and hidden dangers. It covers it all! As the first in the series, it sets the scene brilliantly ... I would recommend this book to anyone who likes fantasy books and fairytales!" — Kat Books Teas Cakes (UK) • "I had the pleasure of reading Crown Prince and Kilpack — he makes maps, folks! — emphasizes detail. The characters are living real lives, even though it's a fantasy. It was well done! He built his world with great care and precision." — Ken Weene, Ph.D., co-host of the Let's Talk It Over videocast
12. Warnings: Violence, Sexual Content, Mature Themes; suitable for older teens and adults.
13. Amazon NOOK Kobo Smashwords

I answered an odd question about personal trainers someone asked who was a personal trainer. When it came out how I answered it, I didn't even expect that it to be probably the best introduction to who I am or why I'm even here. The question I seen was almost like are there any other interests you have outside of doing the gym.
If you look at me, I'm not super jacked or huge. I'm 122lbs. I've stopped working out for 10 years. Before that, and even still right now what I force myself to do intentionally is think nothing but working out growing stronger and building muscle, it's like all I think about, it's the exact reason why I'm here. I started a new profile on reddit just to talk about nothing except fitness. Before I stopped working out, I was the most athletic and overall strongest in high school. Like believe it or not my peck machine or jammer press was actually 285lb and 265lbs. I was able to do 132 pushups straight. I started working out when I was 7. 5 years were serious with weights.
Being skinny, however, yeah, after so long, when it's all you're putting your effort and thought into, I started to learn way more than normal people would about exercise, I'm not a personal trainer, but I always thought this is kind of like a gift you can't simply throw away, like the kind of knowledge that you have to acknowledge about yourself even if you try not to, I'm actually thinking even now I can still turn this into my career right here.
I just have to acknowledge something, I didn't have this in me when I stopped working out, it's not that I fell out of love with working out, I literally couldn't run from it even if I tried and I have, I just keep getting dragged back in, however, the one thing I didn't have back then is that a better reason to pursue it, you can love working out and it be all you know, but that doesn't mean you're going to be the next top bodybuilder of the industry, it takes more than that, and I knew that, that's why I had to force myself to walk away from it. Now I have the determination, now I have the knowledge, now I have the a reason.
That reason is to fuck shit up in the fitness industry until I make everyone understand there's a right way or wrong way to understand the human body. My motivation is purely simple, if I become the strongest person ever, I won't have to give a shit about what anyone else thinks anymore, Lol.
I started working out because I loved it because, I could do it for myself, until it was everyone else came along and started telling me how to work out and be what they wanted me to be by using everyone else as the best example to make their point, I hate that, it was never in my mind to be like everybody else, it's not why I started working out. But, if I'm going to have to do something about it, the solution is very simple, if I have to prove people wrong just to make them think correctly about the human body, I'm the one that's going to do it, and that happens to mean proving myself wrong, which also happens to fall right in line with why I work out for myself.
That's my only reason for working out not just my motivation, fuck all those other people telling me what the human body is supposed to be like. That's why I do what I do. I don't even give a shit, it's just my life.
But, apparently, of course, I guess everyone has to be just a little crazy even to just work in this industry, too. That's okay with me, I get it, the very definition of a person who becomes the best at something is specifically that it's someone who doesn't change their mind once it's made up. I literally had to take a break from fitness even knowing that, just for me to understand it.

I answered an odd question about personal trainers someone asked who was a personal trainer. When it came out how I answered it, I didn't even expect that it to be probably the best introduction to who I am or why I'm even here. The question I seen was almost like are there any other interests you have outside of doing the gym.
If you look at me, I'm not super jacked or huge. I'm 122lbs. I've stopped working out for 10 years. Before that, and even still right now what I force myself to do intentionally is think nothing but working out growing stronger and building muscle, it's like all I think about, it's the exact reason why I'm here. I started a new profile on reddit just to talk about nothing except fitness. Before I stopped working out, I was the most athletic and overall strongest in high school. Like believe it or not my peck machine or jammer press was actually 285lb and 265lbs. I was able to do 132 pushups straight. I started working out when I was 7. 5 years were serious with weights.
Being skinny, however, yeah, after so long, when it's all you're putting your effort and thought into, I started to learn way more than normal people would about exercise, I'm not a personal trainer, but I always thought this is kind of like a gift you can't simply throw away, like the kind of knowledge that you have to acknowledge about yourself even if you try not to, I'm actually thinking even now I can still turn this into my career right here.
I just have to acknowledge something, I didn't have this in me when I stopped working out, it's not that I fell out of love with working out, I literally couldn't run from it even if I tried and I have, I just keep getting dragged back in, however, the one thing I didn't have back then is that a better reason to pursue it, you can love working out and it be all you know, but that doesn't mean you're going to be the next top bodybuilder of the industry, it takes more than that, and I knew that, that's why I had to force myself to walk away from it. Now I have the determination, now I have the knowledge, now I have the a reason.
That reason is to fuck shit up in the fitness industry until I make everyone understand there's a right way or wrong way to understand the human body. My motivation is purely simple, if I become the strongest person ever, I won't have to give a shit about what anyone else thinks anymore, Lol.
I started working out because I loved it because, I could do it for myself, until it was everyone else came along and started telling me how to work out and be what they wanted me to be by using everyone else as the best example to make their point, I hate that, it was never in my mind to be like everybody else, it's not why I started working out. But, if I'm going to have to do something about it, the solution is very simple, if I have to prove people wrong just to make them think correctly about the human body, I'm the one that's going to do it, and that happens to mean proving myself wrong, which also happens to fall right in line with why I work out for myself.
That's my only reason for working out not just my motivation, fuck all those other people telling me what the human body is supposed to be like. That's why I do what I do. I don't even give a shit, it's just my life.
But, apparently, of course, I guess everyone has to be just a little crazy even to just work in this industry, too. That's okay with me, I get it, the very definition of a person who becomes the best at something is specifically that it's someone who doesn't change their mind once it's made up. I literally had to take a break from fitness even knowing that, just for me to understand it.

Hello,
In the last couple of weeks I have gotten 100+ signups for my SaaS launchcopy.co and decided to write this post on how I did it

Introduction

Despite its reputation, Reddit is a goldmine.
Reddit has been gaining ground with a recent IPO and now has over 850M monthly active users.
Reddit organically ranks Its traffic, so the number of followers you have means nothing. If you know how to write a good post, you can make it to the top.
But there are also some pitfalls you need to avoid. Reddit can be a tricky and frustrating place. Your posts will get banned, and chances are you will also get banned. But if you stay consistent and learn the culture, you are nearly guaranteed success.
In the last month alone, I have generated over 200k impressions, which has driven tons of traffic to my personal brand and startup, launchcopy.co.

The 5 step strategy I use when it comes to Reddit

1. Learn the culture

Reddit has its own culture and each subreddit, has its own subculture…
It’s important to understand how the game works before you play yourself. Take a topic like entrepreneurship where there are tons of subreddits that fall under its umbrella:

• Entrepreneur
• Side hustle
• Saas
• etc

Although they each relate to entrepreneurship, they are very different. Here is the same post in multiple subreddits, but it only does well in 2.
To learn about a subreddit, filter by “top of this year” and read what kind of posts do best. In the Entrepreneur subreddit, normally success stories do well because they inspire people.
Look at what posts do well in your niche and try to replicate the same style for your situation.

2. Don’t just post once, and don’t post in only one place.

Out of my last 20 posts, 15/20 generated 5% of my traffic, whereas the other 5 did 95%. Don’t be discouraged if you don’t get attention in one sub, this is normal and part of the process.
Remember you only need to get lucky once, so stay consistent.
After generating roughly 80k views from 19 posts, my 20th post did 120k. This proves how important consistency is when it comes to marketing in general.

3. Hook’em In

The singular most important part of any post is its title. You must have an engaging title without being too clickbaity. Here are my top 3 favourite examples from SaaS

1. Software devs don’t realize the magic they wield.
2. Making $190,000 per month with an AI dating assistant
3. My SaaS startup went from an idea to $600M valuation in 3 months: ask me anything!

The key thing to note here is none of them starts with “I built [insert your idea] blah blah”. That’s because no one cares, they want to know if they read your post will they unlock knowledge that will help them achieve their own goals.
Never forget basic human psychology…

4. Tell a story

When it comes to writing the post you want to tell a story. Admittedly, storytelling is a skill that is harder to learn than programming!
Reading different books, understanding human psychology and learning the mechanics of a good story help a lot. Ultimately it comes down to practice.
If you are looking for a good place to start I recommend this Ted Talk: https://www.youtube.com/watch?v=Nj hdQMa3uA&ab_channel=TEDxTalks

5. DO NOT make an Ad

The number 1 mistake to avoid is making an Ad. Not only are they boring and no one cares, but it will also likely get you banned.
This is a surprisingly easy mistake to make because you feel your idea is more important than it is, so you try and share how it works.
But it quickly turns into an ad that no one wants to read. Go back to storytelling and instead choose a singular angle that makes you or your product unique and interesting.
Thanks for reading the full post and make sure to sign up for the newsletter for weekly content.

Hello,
In the last couple of weeks I have gotten 100+ signups for my SaaS launchcopy.co and decided to write this post on how I did it

Introduction

Despite its reputation, Reddit is a goldmine.
Reddit has been gaining ground with a recent IPO and now has over 850M monthly active users.
Reddit organically ranks Its traffic, so the number of followers you have means nothing. If you know how to write a good post, you can make it to the top.
But there are also some pitfalls you need to avoid. Reddit can be a tricky and frustrating place. Your posts will get banned, and chances are you will also get banned. But if you stay consistent and learn the culture, you are nearly guaranteed success.
In the last month alone, I have generated over 200k impressions, which has driven tons of traffic to my personal brand and startup, launchcopy.co.

The 5 step strategy I use when it comes to Reddit

1. Learn the culture

Reddit has its own culture and each subreddit, has its own subculture…
It’s important to understand how the game works before you play yourself. Take a topic like entrepreneurship where there are tons of subreddits that fall under its umbrella:

• Entrepreneur
• Side hustle
• Saas
• etc

Although they each relate to entrepreneurship, they are very different. Here is the same post in multiple subreddits, but it only does well in 2.
To learn about a subreddit, filter by “top of this year” and read what kind of posts do best. In the Entrepreneur subreddit, normally success stories do well because they inspire people.
Look at what posts do well in your niche and try to replicate the same style for your situation.

2. Don’t just post once, and don’t post in only one place.

Out of my last 20 posts, 15/20 generated 5% of my traffic, whereas the other 5 did 95%. Don’t be discouraged if you don’t get attention in one sub, this is normal and part of the process.
Remember you only need to get lucky once, so stay consistent.
After generating roughly 80k views from 19 posts, my 20th post did 120k. This proves how important consistency is when it comes to marketing in general.

3. Hook’em In

The singular most important part of any post is its title. You must have an engaging title without being too clickbaity. Here are my top 3 favourite examples from SaaS

1. Software devs don’t realize the magic they wield.
2. Making $190,000 per month with an AI dating assistant
3. My SaaS startup went from an idea to $600M valuation in 3 months: ask me anything!

The key thing to note here is none of them starts with “I built [insert your idea] blah blah”. That’s because no one cares, they want to know if they read your post will they unlock knowledge that will help them achieve their own goals.
Never forget basic human psychology…

4. Tell a story

When it comes to writing the post you want to tell a story. Admittedly, storytelling is a skill that is harder to learn than programming!
Reading different books, understanding human psychology and learning the mechanics of a good story help a lot. Ultimately it comes down to practice.
If you are looking for a good place to start I recommend this Ted Talk: https://www.youtube.com/watch?v=Nj hdQMa3uA&ab_channel=TEDxTalks

5. DO NOT make an Ad

The number 1 mistake to avoid is making an Ad. Not only are they boring and no one cares, but it will also likely get you banned.
This is a surprisingly easy mistake to make because you feel your idea is more important than it is, so you try and share how it works.
But it quickly turns into an ad that no one wants to read. Go back to storytelling and instead choose a singular angle that makes you or your product unique and interesting.
Thanks for reading the full post and make sure to sign up for the newsletter for weekly content.

Hello,
In the last couple of weeks I have gotten 100+ signups for my SaaS launchcopy.co and decided to write this post on how I did it

Introduction

Despite its reputation, Reddit is a goldmine.
Reddit has been gaining ground with a recent IPO and now has over 850M monthly active users.
Reddit organically ranks Its traffic, so the number of followers you have means nothing. If you know how to write a good post, you can make it to the top.
But there are also some pitfalls you need to avoid. Reddit can be a tricky and frustrating place. Your posts will get banned, and chances are you will also get banned. But if you stay consistent and learn the culture, you are nearly guaranteed success.
In the last month alone, I have generated over 200k impressions, which has driven tons of traffic to my personal brand and startup, launchcopy.co.

The 5 step strategy I use when it comes to Reddit

1. Learn the culture

Reddit has its own culture and each subreddit, has its own subculture…
It’s important to understand how the game works before you play yourself. Take a topic like entrepreneurship where there are tons of subreddits that fall under its umbrella:

• Entrepreneur
• Side hustle
• Saas
• etc

Although they each relate to entrepreneurship, they are very different. Here is the same post in multiple subreddits, but it only does well in 2.
To learn about a subreddit, filter by “top of this year” and read what kind of posts do best. In the Entrepreneur subreddit, normally success stories do well because they inspire people.
Look at what posts do well in your niche and try to replicate the same style for your situation.

2. Don’t just post once, and don’t post in only one place.

Out of my last 20 posts, 15/20 generated 5% of my traffic, whereas the other 5 did 95%. Don’t be discouraged if you don’t get attention in one sub, this is normal and part of the process.
Remember you only need to get lucky once, so stay consistent.
After generating roughly 80k views from 19 posts, my 20th post did 120k. This proves how important consistency is when it comes to marketing in general.

3. Hook’em In

The singular most important part of any post is its title. You must have an engaging title without being too clickbaity. Here are my top 3 favourite examples from SaaS

1. Software devs don’t realize the magic they wield.
2. Making $190,000 per month with an AI dating assistant
3. My SaaS startup went from an idea to $600M valuation in 3 months: ask me anything!

The key thing to note here is none of them starts with “I built [insert your idea] blah blah”. That’s because no one cares, they want to know if they read your post will they unlock knowledge that will help them achieve their own goals.
Never forget basic human psychology…

4. Tell a story

When it comes to writing the post you want to tell a story. Admittedly, storytelling is a skill that is harder to learn than programming!
Reading different books, understanding human psychology and learning the mechanics of a good story help a lot. Ultimately it comes down to practice.
If you are looking for a good place to start I recommend this Ted Talk: https://www.youtube.com/watch?v=Nj hdQMa3uA&ab_channel=TEDxTalks

5. DO NOT make an Ad

The number 1 mistake to avoid is making an Ad. Not only are they boring and no one cares, but it will also likely get you banned.
This is a surprisingly easy mistake to make because you feel your idea is more important than it is, so you try and share how it works.
But it quickly turns into an ad that no one wants to read. Go back to storytelling and instead choose a singular angle that makes you or your product unique and interesting.
Thanks for reading the full post and make sure to sign up for the newsletter for weekly content.