Emotions theme for pre k

Huzzah!

2012.11.21 19:40 DanezTHEManez Huzzah!

opposite of /BritishProblems
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2010.01.27 21:44 tlc Couch to 5K

Anything related to the Couch-to-5K running programs or the like; open to all, noobie to pro.
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2016.06.29 03:03 mostinterestingtroll BLΛƆKPIИK

BLACKPINK / 블랙핑크 (stylized as BLΛƆKPIИK) is a four-member K-pop girl group by YG Entertainment, consisting of members Jisoo, Jennie, Rosé, and Lisa. The group debuted on August 8th, 2016. BLACKPINK is represented by Interscope, Universal and Polydor outside of Asia. ◇ Second subreddit: BeulPing
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2024.05.21 12:09 LavegaPro Ninja Theory Studio Head Shares Heartfelt Message Ahead of Hellblade 2 Release

Ninja Theory Studio Head Shares Heartfelt Message Ahead of Hellblade 2 Release
With the highly anticipated release of "Senua's Saga: Hellblade 2" just around the corner, Ninja Theory studio head Dom Matthews has shared a heartfelt message with fans. In a post on the official Ninja Theory X account, Matthews expressed deep gratitude for the unwavering support from fans and acknowledged the hard work of the development team.
Key Points from Dom Matthews' Message:
  • Gratitude to Fans: Matthews emphasized that from the outset of developing "Senua's Saga: Hellblade 2," the team kept the fans in mind. He hopes the new chapter in Senua's story will resonate with players and attract new fans to her world.
  • Importance of Senua: The message highlighted how many fans have shared their personal connections to Senua and her journey, which has been a significant source of inspiration for Ninja Theory.
  • Praise for the Original Game: The original "Hellblade: Senua's Sacrifice," released in 2017, received acclaim for its stunning visuals, compelling story, and innovative depiction of psychosis. The game's use of audio and visual effects to portray the protagonist's mental struggles was particularly noted for its authenticity and impact.
Context and Anticipation:
  • Development and Announcement: "Senua's Saga: Hellblade 2" was announced at the 2019 Game Awards, generating excitement among fans who were eager for a continuation of Senua's story.
  • Pre-Release Reactions: While there has been immense excitement for the sequel, some fans were disappointed by certain pre-release details, such as the absence of a physical release and the console version being capped at 30 FPS.
Release Information:
"Senua's Saga: Hellblade 2" is set to release tomorrow on PC and Xbox. For those interested in learning more about the game, IGN has provided a preview and an in-depth piece on how Ninja Theory has utilized advanced technology, including Epic Games' MetaHuman animator technology, to enhance the immersive experience of the game.
This heartfelt message from Dom Matthews underscores the strong bond between the developers and the community, as well as the emotional depth and commitment behind the creation of "Senua's Saga: Hellblade 2." Fans and newcomers alike can look forward to experiencing the next chapter in Senua's journey.
https://preview.redd.it/i4eaagrv7r1d1.jpg?width=1116&format=pjpg&auto=webp&s=bbf2508f5d2cbd54fb322ce3e571b1053b91a877

Hellblade2 #NinjaTheory #Senua #VideoGames #GamingCommunity #HeartfeltMessage #GameRelease #EmotionalJourney

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2024.05.21 11:31 Toteldejesus How octogenarian Cecile Guidote-Alvarez rushed to the beauty salon to tackle West Philippine Sea

On a rainy Saturday afternoon not so long ago when internet connection was fluctuating in most homes, the 80-year-old Cecile Guidote-Alvarez, widow of the late Senator Heherson Alvarez, carrying a mini iPad, hurriedly alighted from a three-wheeled pedicab Toktok and stormed her way into a popular coffee shop in a mall in Manila.

A senior citizen in panic mode, she told the stunned baristas she’s looking for a Wi-Fi connection because she was about to interview retired Supreme Court Associate Justice Antonio Carpio via Zoom.
The coffee shop, a known world brand, has Wi-Fi exclusive to its employees, so the old lady was told to try other establishments. She went from one coffee shop to another only to be told the same, until a kind stranger led her to a well-known beauty salon with a free internet connection.
The lady salon attendant was very accommodating to the octogenarian, even typing the password on her IPad. Of course, she needed to avail herself of their salon services. Initially, she opted for a haircut, but since she needed to talk and hear clearly who she was talking to, she settled for a foot spa with pedicure.
“They lowered the volume of the piped-in music, and since there were less customers because it’s been raining all day, I was able to do my interview,” Guidote-Alvarez said.
For the next half-an-hour, the hair dressers and manicurists working with their scissors, nail clippers and cuticle removers on their customers’ hair and fingernails, listened to Carpio and Guidote-Alvarez discussed how Filipino fishermen and the Philippine Navy ships helplessly negotiate their ways in Scarborough Shoal amid the territorial disputes in the West Philippine Sea.
“They were all very nice to me. I was able to finish my interview, with newly pedicured nails,” she told The Diarist.
For those who’ve worked with Guidote-Alvarez, her steadfast, almost stubborn, nature to accomplish a task, is nothing out of the ordinary. She would improvise, find alternatives, call up friends and former students, wake them up from sleep, just to get things done.
But now, in her 80s, legally blind and nearly deaf, she has mellowed down.
Cecile Alvarez with her mentors, National Artist for Literature Alejandro Roces, Jr and Fr. James Reuter. SJ
In her twilight years, Guidote-Alvarez has been solely hosting the 57-year-old Radyo Balintataw on DZRH, one of the oldest radio stations in the Philippines, where she tackles a wide range of topics, from climate change, women’s health, theater, culture, dance, to current issues, apart from playing old recordings of classic radio plays she produced and directed, dating back to the late ‘80s.
She shared with TheDiarist.ph how she started and continues to host one of the longest running advocacy programs on AM Radio.
Theater on TV
After founding the Philippine Educational Theater Association (PETA) on April 7, 1967, or exactly 57 years ago, Guidote-Alvarez thought of the need to expose PETA’s members to television, so she started conceptualizing Balintataw, which in Filipino means the pupil of the eye, but in a larger context has something to do with having wild imagination, or what you might see if you have a third eye.
“I designed Balintataw as a bridge between cinema and the stage, where the youth being trained in theater skills can have a ready-made laboratory experience linked with the film and entertainment industry that would likewise have a natural on-the-job training and orientation regarding the theatrical discipline of working with a literary script, whether dramatic or comic—not the regular improvised script done on taping or copycat scripts from foreign themes,” Guidote-Alvarez wrote in her yet-to-be published Memoir of a Freedom Fighter’s Wife.
“A primary goal when I conceived PETA was to initiate and sustain artistic expression that draws meaning and power from the lives of the people, and sharing the literary gems with a greater number of audiences through a Broadcast Theater-Film Program with Balintataw on Channel 5,” she added.
“No matter how little the pay, at least it provided our local writers with a little honorarium. I sought permission for award-winning pieces of the Palanca Playwriting contest to be fleshed out to reach the masses. The much-awarded playwright Bert Florentino served as our literary manager, assisted by Mauro Avena. Eventually, Isagani Cruz took over when Bert left for the US,” she wrote.
“Writers need exposure and encouragement through a regular TV performance that will give them a sense of achievement and inspire them to keep on writing with some kind of honorarium. I was glad Lupita Aquino (now Kashiwahara) agreed to be TV director and Robert Arevalo as TV host.
She got members of the PETA Kalinangan Ensemble to serve as stage directors. “This is to undertake preliminary preparation with a rehearsal with the actors for character development and memorization and preliminary staging,” she wrote.
Five months after PETA was founded, Balintataw TV premiered on Channel 5 on Aug. 19, 1967, coinciding with the Buwan ng Wika birthdate of President Manuel Luis Quezon.
The first play, whose title escapes her now, featured Armida Siguion-Reyna and Maria Eva “Chingbee” Kalaw. She employed photo journalist and award-winning photographedocumentarist/cinematographer, Romy Vitug, to work with her in filming outdoor scenes for Balintataw.
In the pre-Martial Law Balintataw, among those initiated into television were Lino Brocka, Elwood Perez, Nick Lizaso, Maryo delos Reyes, Mario O’Hara, Joey Gosiengfiao, Behn Cervantes, and Frank Rivera.
Among the stage actors who crossed over to television were Lily Gamboa, Angie Ferro, Lorlie Villanueva, Jonee Gamboa, Joy Soler, Sherry Lara, Gardy Labad, Noel Trinidad.
Like with PETA, Guidote-Alvarez directed and managed Balintataw for five years. Because of Martial Law, she and husband Heherson went on exile in the US to escape a military shoot-to-kill order on Heherson, who was tagged as a subversive.
Post-Martial Law
Internationally acclaimed auteur Lav Diaz mentioned in several interviews how he learned writing radio and TV scripts in Balintataw.
This happened in the late 1980s, when the Alvarez couple returned from exile.
Despite its absence on the air in the Martial Law years, Balintataw was honored by Star Awards as among the 20 unforgettable outstanding broadcast programs in the Philippines.
“This encouraged me to consider reviving Balintataw on TV. Another blessing was a FAMAS award for having an important role in the development of cinema recognizing Balintataw as a bridge for synergizing cinema with the stage, providing a pathway of entry of our PETA artists into film and for movie stars to consider enriching their experience by acting on the legitimate stage,” Guidote-Alvarez wrote.
Though she didn’t return to PETA anymore because it had been surviving well and had its own set of officers led by Brocka, she just tapped some of its members for the return of Balintataw.
For 14 years, the Alvarez couple lived in the US as political exiles, shown here during a Ninoy Aquino Movement meeting. Cecile revived Radyo Balintataw upon their return in the late 1980s.
Channel 4 stint
“I arranged to revive TV Balintataw on Channel 4 in 1989. We began with a drama about a rebel returnee, title escapes me now, but I clearly remember it was written by Lualhati Bautista and directed by Maryo de los Reyes. We also had a good story series on the hazing of Lenny Villa, an Aquila Legis Frat neophyte,” she wrote.
At the time, Heherson had been elected senator after having served as Agrarian Reform Minister and eventually Cabinet Secretary during the first year of the Cory Aquino Administration.
“We were able to unravel the deadly hazing process from a fellow neophyte who broke the code of silence as we revealed graphically, acted the cruel process used. I had Jose Mari Avellana direct it. This presentation won all the awards. Lav Diaz was training with us and he started writing teleplays. We also had Nora Aunor in an adaptation of Bert Florentino’s The World Is An Apple, adapted by Frank Rivera, and I had Nick Lizaso direct.”
Emmy Awards
Balintataw TV was selected as one of five soaps for social change recognized by Emmy Awards. The Philippines was one of five countries cited, with Mexico, India, Brazil and Kenya.
“The nomination was made possible by the wonderful support from David Poindexter. It was a supreme honor for our country to be recognized in the Emmy Awards, to be cited among the five Third World countries using soap opera for social change.”
Poindexter was a Methodist minister and TV producer who founded the Population Communications International.
Surviving on radio
“In spite of the cry about how television can be deadening the minds of the people with copied themes with an eternal favorite love triangle story, there was really no funding for Balintataw,” she wrote.
“Sponsors would go naturally to the commercial stations where big stars were paid highly for the starring role. Balintataw may have substance but we could not afford payment of bankable stars,” she added.
“Financial stress forced me to drop TV and remain on radio because I didn’t want to kill Balintataw per se just because we didn’t have funds.”
Creative classroom
“We have focused on Balintataw as a creative classroom on the air. I was able to talk to Fred J. Elizalde of DZRH and the president of the network, Mr. Jun Nicdao,” she wrote.
In the ‘80s, the HIV/AIDS became a global epidemic and in the Philippines, the general populace was still clueless on how to deal with it.
“In order to get funding, the first series I did was about the explosive news regarding AIDS in Asia. I got the DOH Secretary at the time, Dr. Juan Flavier, to act as himself, providing the data. It was easier to start off with an AIDS radio serial.
They did a minimum of 13 episodes to raise awareness about the disease.
“From then on, some of our television scripts we transformed into a radio version. DZRH provided us with our initial production staff, so we used some from the network and some of its resident artists and drama talents. Our time slots were changing but always coming after the long-running horror drama, Gabi ng Lagim.
“We worked on the themes of overseas workers, the drug problem, corruption, aside from portraying contemporary and literary classics serving as social commentaries,” she wrote.
Women playwrights
“We dramatized the works of noted women writers and playwrights like Estrella Alfon, Genoveva Edroza Matute and Marilou Jacob, who is distinguished in being a founding president of Women’s Playwright International.
“Apart from our PETA staple of writers, we involved young, upcoming and budding university and community theater groups.
“We also had a lot of foreign plays, where we could feature theater festivals beyond borders. We could do Shakespeare, we could do Euripides but also the current playwrights in the Arab region we translated in our language.
“We brought in Chinese contemporary plays, Malaysian, Indonesian and from other women writers from ASEAN member countries.”
Virtual history book
“The significance of Balintataw is portrayed as a virtual history book on audio as it unveiled events in the country. Radio is fresh, instant and up-to date,” she added.
When the COVID-19 pandemic struck, Balintataw became Guidote-Alvarez’s outlet and therapy. Having lost her husband on the second month of the pandemic, a widow cocooned at home, she began hosting it six days a week, learning how to use an iPad and interviewing via Zoom.
The word “Balintataw” has been associated with her name.
Visual artist and editorial cartoonist Benjie Lontoc in casual meeting told us how in his younger days, when AM Radio was a national past-time, he was surprised to hear a Filipino adaptation of No Exit by Jean Paul-Sarte. This was when radio was airing soap, fantasy adventures targeting housewives and children.
Another was the airing of Larawan as a radio play in the 1990s, with Guidote-Alvarez as the voice of Candida Marasigan.
Leopoldo Salcedo (left) as Manolo in a confrontation scene with Dante Rivero as Tony Javier in PETA’s 1968 ‘Larawan’ directed by Cecile Guidote-Alvarez. (Photo from PETA archives)
In the 1960s, she directed Larawan, the first Filipino adaptation of Joaquin’s A Portrait of the Artist as Filipino for PETA’s second season. It ran from December 1968 to January 1969 at the Raha Sulayman Theater at Fort Santiago in Intramural. In the cast were Rita Gomez (Candida), Lolita Rodriguez (Paula), Leopoldo Salcedo (Don Manolo) and Dante Rivero (Tony Javier).
Guidote-Alvarez has a funny recollection of the radio play. It was Nick Joaquin himself who told her years ago how his pedicurist suddenly started a conversation about Larawan.
Joaquin was relaxing on the barber’s chair having a post-haircut pedicure and foot spa when the lady pedicurist asked him how the story would end. Joaquin was stunned because he didn’t want to be known in the barber shop as Nick Joaquin the famous National Artist for Literature, but just a regular customer.
“He told me he almost fell out from the chair. He was a very private person and the pedicurist recognized him as the playwright,” Guidote-Alvarez, laughing, told TheDiarist.ph.
When she was first diagnosed with breast cancer in 2000, she was given only three years to live. It’s been more than two decades since then. She has also conquered COVID-19 twice.
Over and beyond her work in theater and various advocacies, Guidote-Alvarez is among the few surviving practitioners of AM Radio broadcasting.
The beauty salon incident wasn’t a first for the octogenarian radio host. She occasionally went back there to interview guests and record her shows whenever Wi-Fi connections in her home fluctuated.
Despite all setbacks, man-made or otherwise, the steadfast Cecile Guidote-Alvarez’s voice continues to be heard in this mass media platform in an era that knows mainly Spotify. As Joaquin wrote, “to remember and to sing, that is her vocation.”
(Except Saturday, Radyo Balintataw airs daily on DZRH 666 Khz AM radio after ‘Gabi ng Lagim’, and live streamed on radio.org.ph. Some episodes have been uploaded on YouTube.)
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2024.05.21 11:27 ScrumTumescent Name ONE other movie or book that gave you Fight Club vibes

Assuming you're a fan, of course (why else would you be here?). I'm not asking for a recommendation, or looking for something that merely reminds you of Fight Club or shares similar themes executed differently. I'm looking for something that moved you, emotionally or intellectually, in the same way
Fight Club gave me the feeling that I was learning something important, something that was on the tip of my tongue but that I just couldn't articulate. It validated the way I felt about America and masculinity. That Jack was able to integrate his fractured psyche AND that Project Mayhem dealt an actual blow to a culture that made life so miserable for him, left me feeling inspired.
Now, whatever movie or book you pick doesn't have to leave you feeling the exact same way Fight Club did. I've never encountered another story that moved me in exactly the same. I'm looking for something that stirred up similar feelings, even if only to a lesser degree. The same vibe, if you will.
And then talk about why you think it did.
For me it was Dan Gilroy's "Nightcrawler". When I began to realize that it was a satire of "grindset" culture and many other American values/ideologies, I began to smile. Ultimately it's not as triumphant as Fight Club, and I didn't personally relate to Lou Bloom's character, but I appreciated the indictment of the American mind.
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2024.05.21 11:25 The_Way358 Essential Teachings: Understanding the Atonement, the Content of Paul's Gospel Message, and Justification

"Why Did Jesus Die on the Cross?"

The main reason Jesus died on the cross was to defeat Satan and set us free from his oppressive rule. Everything else that Jesus accomplished was to be understood as an aspect and consequence of this victory (e.g., Recapitulation, Moral Influence, etc.).
This understanding of why Jesus had to die is called the Christus Victor (Latin for “Christ is Victorious”) view of the atonement. But, what exactly was Christ victorious from, and why? To find out the answers to these questions, we have to turn to the Old Testament, as that's what the apostles would often allude to in order to properly teach their audience the message they were trying to convey (Rom. 15:4).
The OT is full of conflict between the Father (YHVH) and false gods, between YHVH and cosmic forces of chaos. The Psalms speak of this conflict between YHVH and water monsters of the deeps (an ancient image for chaos) (Psa. 29:3-4; 74:10-14; 77:16, 19; 89:9-10; 104:2-9, etc).
The liberation of Israel from Egypt wasn’t just a conflict between Pharaoh and Moses. It was really between YHVH and the false gods of Egypt.
Regardless of whether you think the aforementioned descriptions are literal or metaphorical, the reality that the Old Testament describes is that humanity lived in a “cosmic war zone.”
The Christus Victor motif is about Christ reigning victorious over wicked principalities and Satan's kingdom, and is strongly emphasized throughout the New Testament. Scripture declares that Jesus came to drive out "the prince of this world” (John 12:31), to “destroy the works of the devil” (1 John 3:8), to “destroy him that had the power of death, that is, the devil” (Heb. 2:14) and to “put all enemies under his feet” (1 Cor 15:25). Jesus came to overpower the “strong man” (Satan) who held the world in bondage and worked with his Church to plunder his "palace" (Luke 11:21-22). He came to end the reign of the cosmic “thief” who seized the world to “steal, and to kill, and to destroy” the life YHVH intended for us (John 10:10). Jesus came and died on the cross to disarm “the principalities and powers” and make a “shew of them openly [i.e., public spectacle]” by “triumphing over them in [the cross]” (Col. 2:15).
Beyond these explicit statements, there are many other passages that express the Christus Victor motif as well. For example, the first prophecy in the Bible foretells that a descendent of Eve (Jesus) would crush the head of the serpent (Gen. 3:15). The first Christian sermon ever preached proclaimed that Jesus in principle conquered all YHVH's enemies (Acts 2:32-36). And the single most frequently quoted Old Testament passage by New Testament authors is Psalm 110:1 which predicts that Christ would conquer all YHVH’s opponents. (Psalm 110 is quoted or alluded to in Matthew 22:41-45; 26:64, Mark 12:35-37; 14:62, Luke 20:41-44; 22:69, Acts 5:31; 7:55-56, Romans 8:34, 1st Corinthians 15:22-25, Ephesians 1:20, Hebrews 1:3; 1:13; 5:6, 10; 6:20; 7:11, 15, 17, 21; 8:1; 10:12-13, 1st Peter 3:22, and Revelation 3:21.) According to New Testament scholar Oscar Cullman, the frequency with which New Testament authors cite this Psalm is the greatest proof that Christ’s “victory over the angel powers stands at the very center of early Christian thought.”
Because of man's rebellion, the Messiah's coming involved a rescue mission that included a strategy for vanquishing the powers of darkness.
Since YHVH is a God of love who gives genuine “say-so” to both angels and humans, YHVH rarely accomplishes His providential plans through coercion. YHVH relies on His infinite wisdom to achieve His goals. Nowhere is YHVH's wisdom put more on display than in the manner in which He outsmarted Satan and the powers of evil, using their own evil to bring about their defeat.
Most readers probably know the famous story from ancient Greece about the Trojan Horse. To recap the story, Troy and Greece had been locked in a ten-year-long vicious war when, according to Homer and Virgil, the Greeks came up with a brilliant idea. They built an enormous wooden horse, hid soldiers inside and offered it to the Trojans as a gift, claiming they were conceding defeat and going home. The delighted Trojans accepted the gift and proceeded to celebrate by drinking themselves into a drunken stupor. When night came and the Trojan warriors were too wasted to fight, the Greeks exited the horse, unlocked the city gates to quietly let all their compatriots in, and easily conquered the city, thus winning the war.
Historians debate whether any of this actually happened. But either way, as military strategies go, it’s brilliant.
Now, there are five clues in the New Testament that suggest YHVH was using something like this Trojan Horse strategy against the powers when he sent Jesus into the world:
1) The Bible tells us that YHVH's victory over the powers of darkness was achieved by the employment of YHVH’s wisdom, and was centered on that wisdom having become reality in Jesus Christ (Rom. 16:25, 1 Cor. 2:7, Eph. 3:9-10, Col. 1:26). It also tells us that, for some reason, this Christ-centered wisdom was kept “secret and hidden” throughout the ages. It’s clear from this that YHVH's strategy was to outsmart and surprise the powers by sending Jesus.
2) While humans don’t generally know Jesus’ true identity during his ministry, demons do. They recognize Jesus as the Son of God, the Messiah, but, interestingly enough, they have no idea what he’s doing (Mark 1:24; 3:11; 5:7, Luke 8:21). Again, the wisdom of YHVH in sending Jesus was hidden from them.
3) We’re told that, while humans certainly share in the responsibility for the crucifixion, Satan and the powers were working behind the scenes to bring it about (John 13:27 cf. 1 Cor. 2:6-8). These forces of evil helped orchestrate the crucifixion.
4) We’re taught that if the “princes of this world [age]” had understood the secret wisdom of YHVH, “they would not have crucified the Lord of glory” (1 Cor 2:8 cf. vss 6-7). Apparently, Satan and the powers regretted orchestrating Christ’s crucifixion once they learned of the wisdom of YHVH that was behind it.
5) Finally, we can begin to understand why the powers came to regret crucifying “the Lord of glory” when we read that it was by means of the crucifixion that the “handwriting of ordinances that was against us, which was contrary to us [i.e., the charge of our legal indebtedness]” was “[taken] out of the way [i.e., canceled]” as the powers were disarmed. In this way Christ “triumph[ed] over” the powers by "his cross” and even “made a shew of them openly” (Col. 2:14-15). Through Christ’s death and resurrection YHVH's enemies were vanquished and placed under his Messiah's feet, and ultimately His own in the end (1 Cor. 15:23-28).
Putting these five clues together, we can discern YHVH's Trojan Horse strategy in sending Jesus.
The powers couldn’t discern why Jesus came because YHVH's wisdom was hidden from them. YHVH's wisdom was motivated by unfathomable love, and since Satan and the other powers were evil, they lacked the capacity to understand it. Their evil hearts prevented them from suspecting what YHVH was up to.
What the powers did understand was that Jesus was mortal. This meant he was killable. Lacking the capacity to understand that this was the means by which YHVH would ultimately bring about the defeat of death (and thus, pave the road for the resurrection itself), they never suspected that making Jesus vulnerable to their evil might actually be part of YHVH's infinitely wise plan.
And so they took the bait (or "ransom"; Matt. 20:28, Mark 10:45, 1 Tim. 2:5-6). Utilizing Judas and other willing human agents, the powers played right into YHVH’s secret plan and orchestrated the crucifixion of the Messiah (Acts 2:22-23; 4:28). YHVH thus brilliantly used the self-inflicted incapacity of evil to understand love against itself. And, like light dispelling darkness, the unfathomably beautiful act of YHVH's love in sending the willing Messiah as a "ransom" to these blood-thirsty powers defeated them. The whole creation was in principle freed and reconciled to YHVH, while everything written against us humans was nailed to the cross, thus robbing the powers of the only legal claim they had on us. They were “spoiled [i.e., disempowered]” (Col. 2:14-15).
As happened to the Trojans in accepting the gift from the Greeks, in seizing on Christ’s vulnerability and orchestrating his crucifixion, the powers unwittingly cooperated with YHVH to unleash the one power in the world that dispels all evil and sets captives free. It’s the power of self-sacrificial love.

Why Penal Substitution Is Unbiblical

For the sake of keeping this already lengthy post as short as possible I'm not going to spend too much time on why exactly PSA (Penal Substitutionary Atonement) is inconsistent with Scripture, but I'll go ahead and point out the main reasons why I believe this is so, and let the reader look further into this subject by themselves, being that there are many resources out there which have devoted much more time than I ever could here in supporting this premise.
"Purge out therefore the old leaven, that ye may be a new lump, as ye are unleavened. For even Christ our passover is sacrificed for us:"-1 Corinthians 5:7
The Passover is one of the two most prominent images in the New Testament given as a comparison to Christ's atonement and what it accomplished, (the other most common image being the Day of Atonement sacrifice).
In the Passover, the blood of the lamb on the door posts of the Hebrews in the book of Exodus was meant to mark out those who were YHVH's, not be a symbol of PSA, as the lamb itself was not being punished by God in place of the Hebrews, but rather the kingdom of Egypt (and thus, allegorically speaking, the kingdom of darkness which opposed YHVH) was what was being judged and punished, because those who were not "covered" by the blood of the lamb could be easily identified as not part of God's kingdom/covenant and liberated people.
Looking at the Day of Atonement sacrifice (which, again, Christ's death is repeatedly compared to throughout the New Testament), this ritual required a ram, a bull, and two goats (Lev. 16:3-5). The ram was for a burnt offering intended to please God (Lev. 16:3-4). The bull served as a sin offering for Aaron, the high priest, and his family. In this case, the sin offering restored the priest to ritual purity, allowing him to occupy sacred space and be near YHVH’s presence. Two goats taken from "the congregation” were needed for the single sin offering for the people (Lev. 16:5). So why two goats?
The high priest would cast lots over the two goats, with one chosen as a sacrifice “for the Lord” (Lev. 16:8). The blood of that goat would purify the people. The second goat was not sacrificed or designated “for the Lord.” On the contrary, this goat—the one that symbolically carried the sins away from the camp of Israel into the wilderness—was “for Azazel” (Lev. 16:8-10).
What—or who—is Azazel?
The Hebrew term azazel (עזאזל) occurs four times in Leviticus 16 but nowhere else in most people's canon of the Bible, (and I say "most people's canon," because some people do include 1 Enoch in their canon of Scripture, which of course goes into great detail about this "Azazel" figure). Many translations prefer to translate the term as a phrase, “the goat that goes away,” which is the same idea conveyed in the King James Version’s “scapegoat.” Other translations treat the word as a name: Azazel. The “scapegoat” option is possible, but since the phrase “for Azazel” parallels the phrase “for YHVH” (“for the Lord”), the wording suggests that two divine figures are being contrasted by the two goats.
A strong case can be made for translating the term as the name Azazel. Ancient Jewish texts show that Azazel was understood as a demonic figure associated with the wilderness. The Mishnah (ca. AD 200; Yoma 6:6) records that the goat for Azazel was led to a cliff and pushed over, ensuring it would not return with its death. This association of the wilderness with evil is also evident in the New Testament, as this was where Jesus met the devil (Matt. 4:1). Also, in Leviticus 17:1-7 we learn that some Israelites had been accustomed to sacrificing offerings to "devils" (alternatively translated as “goat demons”). The Day of Atonement replaced this illegitimate practice.
The second goat was not sent into the wilderness as a sacrifice to a foreign god or demon. The act of sending the live goat out into the wilderness, which was unholy ground, was to send the sins of the people where they belonged—to the demonic domain. With one goat sacrificed to bring purification and access to YHVH and one goat sent to carry the people’s sins to the demonic domain, this annual ritual reinforced the identity of the true God and His mercy and holiness.
When Jesus died on the cross for all of humanity’s sins, he was crucified outside the city, paralleling the sins of the people being cast to the wilderness via the goat to Azazel. Jesus died once for all sinners, negating the need for this ritual.
As previously stated, the goat which had all the sin put on it was sent alive off to the wilderness, while the blood of the goat which was blameless was used to purify the temple and the people. Penal substitution would necessitate the killing of the goat which had the sin put on it.
Mind you, this is the only sacrificial ritual of any kind in the Torah in which sins are placed on an animal. The only time it happens is this, and that animal is not sacrificed. Most PSA proponents unwittingly point to this ritual as evidence of their view, despite it actually serving as evidence to the contrary, because most people don't read their Old Testament and don't familiarize themselves with the "boring parts" like Leviticus (when it's actually rather important to do so, since that book explains how exactly animal offerings were to be carried out and why they were done in the first place).
In the New Testament, Christ's blood was not only meant to mark out those who were his, but also expel the presence of sin and ritual uncleanness so as to make the presence of YHVH manifest in the believer's life. Notice how God's wrath isn't poured out on Christ in our stead on this view, but rather His wrath was poured out on those who weren't covered, and the presence of sin and evil were merely removed by that which is pure and blameless (Christ's blood) for the believer.
All this is the difference between expiation and propitiation.

The Content of Paul's Gospel Message

When the New Testament writers talked about “the gospel,” they referred not to the Protestant doctrine of justification sola fide–the proposition that if we will stop trying to win God’s favor and only just believe that God has exchanged our sin for Christ’s perfect righteousness, then in God’s eyes we will have the perfect righteousness required both for salvation and for assuaging our guilty consciences–but rather they referred to the simple but explosive proposition Kyrios Christos, “Christ is Lord.” That is to say, the gospel was, properly speaking, the royal announcement that Jesus of Nazareth was the God of Israel’s promised Messiah, the King of kings and Lord of lords.
The New Testament writers were not writing in a cultural or linguistic vacuum and their language of euangelion (good news) and euangelizomai would have been understood by their audience in fairly specific ways. Namely, in the Greco-Roman world for which the New Testament authors wrote, euangelion/euangelizomai language typically had to do with either A) the announcement of the accession of a ruler, or B) the announcement of a victory in battle, and would probably have been understood along those lines.
Let’s take the announcements of a new ruler first. The classic example of such a language is the Priene Calendar Inscription, dating to circa 9 BC, which celebrates the rule (and birthday) of Caesar Augustus as follows:
"It was seeming to the Greeks in Asia, in the opinion of the high priest Apollonius of Menophilus Azanitus: Since Providence, which has ordered all things of our life and is very much interested in our life, has ordered things in sending Augustus, whom she filled with virtue for the benefit of men, sending him as a savior [soter] both for us and for those after us, him who would end war and order all things, and since Caesar by his appearance [epiphanein] surpassed the hopes of all those who received the good tidings [euangelia], not only those who were benefactors before him, but even the hope among those who will be left afterward, and the birthday of the god [he genethlios tou theou] was for the world the beginning of the good tidings [euangelion] through him; and Asia resolved it in Smyrna."
The association of the term euangelion with the announcement of Augustus’ rule is clear enough and is typical of how this language is used elsewhere. To give another example, Josephus records that at the news of the accession of the new emperor Vespasian (69 AD) “every city kept festival for the good news (euangelia) and offered sacrifices on his behalf.” (The Jewish War, IV.618). Finally, a papyrus dating to ca. 498 AD begins:
"Since I have become aware of the good news (euangeliou) about the proclamation as Caesar (of Gaius Julius Verus Maximus Augustus)…"
This usage occurs also in the Septuagint, the Greek translations of the Jewish Scriptures. For instance LXX Isaiah 52:7 reads, “How beautiful upon the mountains are the feet of him who brings good news (euangelizomenou), who publishes peace, who brings good news (euangelizomenos) of salvation, who says to Zion, ‘Your God reigns.'" Similarly, LXX Isaiah 40:9-10 reads:
"…Go up on a high mountain, you who bring good tidings (ho euangelizomenos) to Sion; lift up your voice with strength, you who bring good tidings (ho euangelizomenos); lift it up, do not fear; say to the cities of Ioudas, “See your God!” Behold, the Lord comes with strength, and his arm with authority (kyrieias)…."-NETS, Esaias 40:9-10
This consistent close connection between euangelion/euangelizomai language and announcements of rule strongly suggests that many of the initial hearers/readers of the early Christians’ evangelical language would likely have understood that language as the announcement of a new ruler (see, e.g., Acts 17:7), and, unless there is strong NT evidence to the contrary, we should presume that the NT writers probably intended their language to be so understood.
However, the other main way in which euangelion/euangelizomai language was used in the Greco-Roman world was with reference to battle reports, announcements of victory in war. A classic example of this sort of usage can be found in LXX 2 Samuel 18:19ff, where David receives word that his traitorous son, Absalom, has been defeated in battle. Euangelion/euangelizomai is used throughout the passage for the communications from the front.
As already shown throughout this post, the NT speaks of Jesus’s death and resurrection as a great victory over the powers that existed at that time and, most importantly, over death itself. Jesus’ conquest of the principalities and powers was the establishment of his rule and comprehensive authority over heaven and earth, that is, of his Lordship over all things (again, at that time).
This was the content of Paul's gospel message...

Justification, and the "New" Perspective on Paul

The following quotation is from The Gospel Coalition, and I believe it to be a decently accurate summary of the NPP (New Perspective on Paul), despite it being from a source which is in opposition to it:
The New Perspective on Paul, a major scholarly shift that began in the 1980s, argues that the Jewish context of the New Testament has been wrongly understood and that this misunderstand[ing] has led to errors in the traditional-Protestant understanding of justification. According to the New Perspective, the Jewish systems of salvation were not based on works-righteousness but rather on covenantal nomism, the belief that one enters the people of God by grace and stays in through obedience to the covenant. This means that Paul could not have been referring to works-righteousness by his phrase “works of the law”; instead, he was referring to Jewish boundary markers that made clear who was or was not within the people of God. For the New Perspective, this is the issue that Paul opposes in the NT. Thus, justification takes on two aspects for the New Perspective rather than one; initial justification is by faith (grace) and recognizes covenant status (ecclesiology), while final justification is partially by works, albeit works produced by the Spirit.
I believe what's called the "new perspective" is actually rather old, and that the Reformers' view of Paul is what is truly new, being that the Lutheran understanding of Paul is simply not Biblical.
The Reformation perspective understands Paul to be arguing against a legalistic Jewish culture that seeks to earn their salvation through works. However, supporters of the NPP argue that Paul has been misread. We contend he was actually combating Jews who were boasting because they were God's people, the "elect" or the "chosen ones." Their "works," so to speak, were done to show they were God's covenant people and not to earn their salvation.
The key questions involve Paul’s view(s) of the law and the meaning of the controversy in which Paul was engaged. Paul strongly argued that we are “justified by the faith of Christ, and not by the works of the law” (Gal. 2:16b). Since the time of Martin Luther, this has been understood as an indictment of legalistic efforts to merit favor before God. Judaism was cast in the role of the medieval "church," and so Paul’s protests became very Lutheran, with traditional-Protestant theology reinforced in all its particulars (along with its limitations) as a result. In hermeneutical terms, then, the historical context of Paul’s debate will answer the questions we have about what exactly the apostle meant by the phrase "works of the law," along with other phrases often used as support by the Reformers for their doctrine of Sola Fide (justification by faith alone), like when Paul mentions "the righteousness of God."
Obviously an in-depth analysis of the Pauline corpus and its place in the context of first-century Judaism would take us far beyond the scope of this brief post. We can, however, quickly survey the topography of Paul’s thought in context, particularly as it has emerged through the efforts of recent scholarship, and note some salient points which may be used as the basis of a refurbished soteriology.
[Note: The more popular scholars associated with the NPP are E.P. Sanders, James Dunn, and N.T. Wright. Dunn was the first to coin the term "The New Perspective" in a 1983 Manson Memorial Lecture, The New Perspective on Paul and the Law.]
Varying authors since the early 1900's have brought up the charge that Paul was misread by those in the tradition of Martin Luther and other Protestant Reformers. Yet, it wasn't until E.P. Sanders' 1977 book, Paul and Palestinian Judaism, that scholars began to pay much attention to the issue. In his book, Sanders argues that the Judaism of Paul's day has been wrongly criticized as a religion of "works-salvation" by those in the Protestant tradition.
A fundamental premise in the NPP is that Judaism was actually a religion of grace. Sander's puts it clearly:
"On the point at which many have found the decisive contrast between Paul and Judaism - grace and works - Paul is in agreement with Palestinian Judaism... Salvation is by grace but judgment is according to works'...God saves by grace, but... within the framework established by grace he rewards good deeds and punishes transgression." (Paul and Palestinian Judaism, p. 543)
N.T. Wright adds that, "we have misjudged early Judaism, especially Pharisaism, if we have thought of it as an early version of Pelagianism," (Wright, What Saint Paul Really Said, p. 32).
Sanders has coined a now well-known phrase to describe the character of first-century Palestinian Judaism: “covenantal nomism.” The meaning of “covenantal nomism” is that human obedience is not construed as the means of entering into God’s covenant. That cannot be earned; inclusion within the covenant body is by the grace of God. Rather, obedience is the means of maintaining one’s status within the covenant. And with its emphasis on divine grace and forgiveness, Judaism was never a religion of legalism.
If covenantal nomism was operating as the primary category under which Jews understood the Law, then when Jews spoke of obeying commandments, or when they required strict obedience of themselves and fellow Jews, it was because they were "keeping the covenant," rather than out of legalism.
More recently, N.T. Wright has made a significant contribution in his little book, What Saint Paul Really Said. Wright’s focus is the gospel and the doctrine of justification. With incisive clarity he demonstrates that the core of Paul’s gospel was not justification by faith, but the death and resurrection of Christ and his exaltation as Lord. The proclamation of the gospel was the proclamation of Jesus as Lord, the Messiah who fulfilled Israel’s expectations. Romans 1:3-4, not 1:16-17, is the gospel, contrary to traditional thinking. Justification is not the center of Paul’s thought, but an outworking of it:
"[T]he doctrine of justification by faith is not what Paul means by ‘the gospel’. It is implied by the gospel; when the gospel is proclaimed, people come to faith and so are regarded by God as members of his people. But ‘the gospel’ is not an account of how people get saved. It is, as we saw in an earlier chapter, the proclamation of the lordship of Jesus Christ….Let us be quite clear. ‘The gospel’ is the announcement of Jesus’ lordship, which works with power to bring people into the family of Abraham, now redefined around Jesus Christ and characterized solely by faith in him. ‘Justification’ is the doctrine which insists that all those who have this faith belong as full members of this family, on this basis and no other." (pp. 132, 133)
Wright brings us to this point by showing what “justification” would have meant in Paul’s Jewish context, bound up as it was in law-court terminology, eschatology, and God’s faithfulness to God’s covenant.
Specifically, Wright explodes the myth that the pre-Christian Saul was a pious, proto-Pelagian moralist seeking to earn his individual passage into heaven. Wright capitalizes on Paul’s autobiographical confessions to paint rather a picture of a zealous Jewish nationalist whose driving concern was to cleanse Israel of Gentiles as well as Jews who had lax attitudes toward the Torah. Running the risk of anachronism, Wright points to a contemporary version of the pre-Christian Saul: Yigal Amir, the zealous Torah-loyal Jew who assassinated Prime Minister Yitzhak Rabin for exchanging Israel’s land for peace. Wright writes:
"Jews like Saul of Tarsus were not interested in an abstract, ahistorical system of salvation... They were interested in the salvation which, they believed, the one true God had promised to his people Israel." (pp. 32, 33)
Wright maintains that as a Christian, Paul continued to challenge paganism by taking the moral high ground of the creational monotheist. The doctrine of justification was not what Paul preached to the Gentiles as the main thrust of his gospel message; it was rather “the thing his converts most needed to know in order to be assured that they really were part of God’s people” after they had responded to the gospel message.
Even while taking the gospel to the Gentiles, however, Paul continued to criticize Judaism “from within” even as he had as a zealous Pharisee. But whereas his mission before was to root out those with lax attitudes toward the Torah, now his mission was to demonstrate that God’s covenant faithfulness (righteousness) has already been revealed in Jesus Christ.
At this point Wright carefully documents Paul’s use of the controversial phrase “God’s righteousness” and draws out the implications of his meaning against the background of a Jewish concept of justification. The righteousness of God and the righteousness of the party who is “justified” cannot be confused because the term bears different connotations for the judge than for the plaintiff or defendant. The judge is “righteous” if his or her judgment is fair and impartial; the plaintiff or defendant is “righteous” if the judge rules in his or her favor. Hence:
"If we use the language of the law court, it makes no sense whatsoever to say that the judge imputes, imparts, bequeaths, conveys or otherwise transfers his righteousness to either the plaintiff or the defendant. Righteousness is not an object, a substance or a gas which can be passed across the courtroom. For the judge to be righteous does not mean that the court has found in his favor. For the plaintiff or defendant to be righteous does not mean that he or she has tried the case properly or impartially. To imagine the defendant somehow receiving the judge’s righteousness is simply a category mistake. That is not how the language works." (p. 98)
However, Wright makes the important observation that even with the forensic metaphor, Paul’s theology is not so much about the courtroom as it is about God’s love.
Righteousness is not an impersonal, abstract standard, a measuring-stick or a balancing scale. That was, and still is, a Greek view. Righteousness, Biblically speaking, grows out of covenant relationship. We forgive because we have been forgiven (Matt. 18:21-35); “we love" because God “first loved us” (1 John 4:19). Love is the fulfillment of the law (Rom. 13:8, 10, Gal 5:14, Jam. 2:8). Paul even looked forward to a day when “we must all appear before the judgment seat of Christ; that every one may receive the things done in his body, according to that he hath done, whether it be good or bad” (2 Cor. 5:10), and he acknowledged that his clear conscience did not necessarily ensure this verdict (1 Cor. 4:4), but he was confident nevertheless. Paul did in fact testify of his clear conscience: “For our rejoicing is this, the testimony of our conscience, that in simplicity and godly sincerity, not with fleshly wisdom, but by the grace of God, we have had our conversation [i.e., behavior] in the world, and more abundantly to you-ward” (2 Cor. 1:12). He was aware that he had not yet “attained” (Phil. 3:12-14), that he still struggled with the flesh, yet he was confident of the value of his performance (1 Cor. 9:27). These are hardly the convictions of someone who intends to rest entirely on the merits of an alien righteousness imputed to his or her account.
Wright went on to flesh out the doctrine of justification in Galatians, Philippians, and Romans. The “works of the law” are not proto-Pelagian efforts to earn salvation, but rather “sabbath [keeping], food-laws, circumcision” (p. 132). Considering the controversy in Galatia, Wright writes:
"Despite a long tradition to the contrary, the problem Paul addresses in Galatians is not the question of how precisely someone becomes a Christian, or attains to a relationship with God….The problem he addresses is: should his ex-pagan converts be circumcised or not? Now this question is by no means obviously to do with the questions faced by Augustine and Pelagius, or by Luther and Erasmus. On anyone’s reading, but especially within its first-century context, it has to do quite obviously with the question of how you define the people of God: are they to be defined by the badges of Jewish race, or in some other way? Circumcision is not a ‘moral’ issue; it does not have to do with moral effort, or earning salvation by good deeds. Nor can we simply treat it as a religious ritual, then designate all religious ritual as crypto-Pelagian good works, and so smuggle Pelagius into Galatia as the arch-opponent after all. First-century thought, both Jewish and Christian, simply doesn’t work like that…. [T]he polemic against the Torah in Galatians simply will not work if we ‘translate’ it into polemic either against straightforward self-help moralism or against the more subtle snare of ‘legalism’, as some have suggested. The passages about the law only work — and by ‘work’ I mean they will only make full sense in their contexts, which is what counts in the last analysis — when we take them as references to the Jewish law, the Torah, seen as the national charter of the Jewish race." (pp. 120-122)
The debate about justification, then, “wasn’t so much about soteriology as about ecclesiology; not so much about salvation as about the church.” (p. 119)
To summarize the theology of Paul in his epistles, the apostle mainly spent time arguing to those whom he were sending letters that salvation in Christ was available to all men without distinction. Jews and Gentiles alike may accept the free gift; it was not limited to any one group. Paul was vehement about this, especially in his letter to the Romans. As such, I will finish this post off by summarizing the letter itself, so as to provide Biblical support for the premises of the NPP and for what the scholars I referenced have thus far argued.
After his introduction in the epistle to an already believing and mostly Gentile audience (who would've already been familiar with the gospel proclaimed in verses 3-4), Paul makes a thematic statement in 1:16: “For I am not ashamed of the gospel of Christ: for it is the power of God unto salvation to every one that believeth; to the Jew first, and also to the Greek.” This statement is just one of many key statements littered throughout the book of Romans that give us proper understanding of the point Paul wished to make to the interlocutors of his day, namely, salvation is available to all, whether Jew or Gentile.
In 1:16 Paul sets out a basic theme of his message in the letter to the Romans. All who believed, whether they be Jew or Gentile, were saved by the power of the gospel. The universal nature of salvation was explicitly stated. The gospel saved all without distinction, whether Jew or Greek; salvation was through the gospel of Jesus Christ. Immediately after this thematic declaration, Paul undertakes to show the universal nature of sin and guilt. In 1:18-32 Paul shows how the Gentile is guilty before God. Despite evidence of God and his attributes, which is readily available to all, they have failed to honor YHVH as God and have exchanged His glory for idolatrous worship and self-promotion. As a consequence, God handed them over in judgment (1:18-32). Paul moves to denunciation of those who would judge others while themselves being guilty of the very same offenses (2:1-5) and argues that all will be judged according to their deeds (2:6). This judgment applies to all, namely, Jew and Greek (2:9-10). This section serves as somewhat of a transition in Paul’s argument. He has highlighted the guilt of the Gentiles (1:18ff) and will shortly outline the guilt of the Jew (2:17-24). The universal statement of 2:1-11 sets the stage for Paul’s rebuke of Jewish presumption. It was not possession of the Law which delivered; it was faithful obedience. It is better to have no Law and yet to obey the essence of the Law (2:12-16) than to have the Law and not obey (2:17-3:4). Paul then defends the justice of God’s judgment (3:5-8), which leads to the conclusion that all (Jew and Gentile) are guilty before God (3:9).
Paul argues that it was a mistaken notion to think that salvation was the prerogative of the Jew only. This presumption is wrong for two reasons. First, it leads to the mistaken assumption that only Jews were eligible for this vindication (Paul deals with this misunderstanding in chapter 4 where he demonstrates that Abraham was justified by faith independently of the Law and is therefore the father of all who believe, Jew and Gentile alike). Second, it leads to the equally mistaken conclusion that all who were Jews are guaranteed of vindication. Paul demonstrates how this perspective, which would call God’s integrity into question since Paul was assuming many Jews would not experience this vindication, was misguided. He did this by demonstrating that it was never the case that all physical descendants of Israel (Jacob) were likewise recipients of the promise. In the past (9:6-33) as in the present (at that time; 11:1-10), only a remnant was preserved and only a remnant would experience vindication. Paul also argued that the unbelief of national Israel (the non-remnant) had the purpose of extending the compass of salvation. The unbelief of one group made the universal scope of the gospel possible. This universalism was itself intended to bring about the vindication of the unbelieving group (11:11-16). As a result of faith, all (Jew and Gentile) could be branches of the olive tree (11:17-24). Since faith in Christ was necessary to remain grafted into the tree, no one could boast of his position. All, Jew and Gentile alike, were dependent upon the mercy and grace of God. As a result of God’s mysterious plan, He would bring about the vindication of His people (11:25-27). [Note: It is this author's belief that this vindication occurred around 66-70 AD, with the Parousia of Christ's Church; this author is Full-Preterist in their Eschatology.]
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2024.05.21 11:09 ilovenapes 240521 Current Status of Award Votings

Hi Eevies/EvTers/Evers!
Wanna vote but don't have time to watch ads? Not a problem!👌 Just participate in our Donation Drive and let the voting team handle the rest! 😎
However, if you do have time to spare, kindly help us with a few taps on your phone and vote! 😁
Here is a list of on-going voting campaigns and their current status:

Winnable Purely by Fan Votes 🤳

UPICK (Rookie Artist of May):

Deadline: May 23, 2024
App Name Current Place Opponent
UPICK 1st - 9,968,207 votes 2nd - 9,683,050 votes
We are currently on a 3-month winning streak for this award.
The first 3 months were Elisia, Gehlee, and Yunha (in order).
It's Seowon's turn this month.

KGMA Trend of the Year: Kpop Group (Monthly Voting - May):

Deadline: May 19, 2024 (just ended the other day)
In case you missed it, we won! 🥳
Based on the info given on the Fancast app, there is a chance that a monthly trophy will be awarded to UNIS.
Since I'm not sure 100% sure how this works, I suggest we wait for the official announcement from KGMA.👍
Overall current status (as per Fancast app):
  1. Pre-voting (April) - 10% we lost 😢
  2. Monthly voting (May-August) - 40%
  3. May - 10% we won! 🥳
  4. June - 10% save votes for this one!
  5. July - 10%
  6. August - 10%
  7. Main voting (November?) - 50%
Great job, everyone! 😃👍

Includes Other Criteria 📊

34th SMA Rookie Award (Monthly Voting - May):

Deadline: May 31, 2024
App Name Current Place Opponent
PODOAL 1st - 326,200 votes 2nd - 77,700 votes
my1pick 1st - 49.26% 2nd - 40.45%
K-POP SEOUL 1st - 2,687 votes 2nd - 851 votes
Judging Criteria (as per last year's): 1. Professional judges and SMA Organizing Committee (50%) 2. Album sales (25%) 3. Mobile voting worldwide (25%) - monthly voting contributes to the main voting as per SMA's current front page notice.
As per F&F CEO, an extension of two more years will be considered if UNIS wins the "Rookie of the Year" award.
I have a feeling this is not the only one with an award of this kind though. Please comment below if you have information regarding other "Rookie of the Year" awards.

KM Chart (ROOKIE of May):

Deadline: May 24, 2024
App Name Current Place Opponent
Idol Champ 5th - 3.01% 1st - 58.97%
my1pick 5th - 19 votes 1st - 849 votes
Judging Criteria (according to KM Chart's website): 1. Voting (50%) - 25% on Idol Champ, 25% on my1pick. 2. KM chart data (50%)
This is a quarterly award, but it does give a physical trophy to the winner. It can motivate the girls if they get one.
Fan votes contribute as much as the chart data, but it's almost the deadline, so this may not be something we can win. Unless... 👀
Did I miss something?
If yes, kindly mention them in the comments so I can include them on my next update 👍. Thanks!
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2024.05.21 11:00 Rebochan Some musings about what the new video shows about Disney's perception of Star Wars as a product

So I was flying most of Sunday from Zurich to Helsinki and I re-upped my YouTube Premium sub for a month just to download this to my phone and partake on two flights that inexplicably had no WiFi.
There was something really fascinating about this video, Jenny hasn't talked a lot about Disney on her main channel in awhile but I always liked her Disney content because she had an insider's take. What surprised me during this video was like... how much I was seeing shades of Evermore Park in where the corners were cut on the Starcruiser. But it's *Disney* cutting the costs, why even do that?
And then I found myself thinking a lot about the current state of Star Wars as a Disney "product." Because that's what anything they buy out is - a product. And the reason so many of the shows and the sequel films end up being bad is that the purpose of making a Star Wars film or show has completely changed. Its not that Star Wars hasn't been a *brand* in the past, but it was at least something made because *the people making it liked Star Wars.* Nobody thought the prequels were bad because Lucas was doing them just for the money or the toy sales. It wasn't run into the ground to force the brand awareness to stay high enough to continue to generate interest in luxury vacations.
But like... think about why Rise of Skywalker was so awful and look at when Batuu opened. They started plans to build that expansion to their theme park in 2013, before Force Awakens was even released. Yea, those films weren't made because someone really wanted to make a new Star Wars, and that's why they just farmed three movies out to three directors and told them to have fun since the movies just needed to sell Disney theme park tickets. They expected certain characters like Kylo Ren to be a big deal and got caught off guard by things like the popularity of Rey. You notice how the sequel trilogy's first film spends a lot of time on Finn and by the last film he's barely in it? And then think about how Rise of Skywalker felt like a corporation attempting to appease the angry YouTubers who were mad about "Woke Star Wars" to the point they kicked an actress to the side and seemingly sided with racist harassment against her. Or how they suddenly slammed in the revival of a very dead and unmentioned franchise villain to try to appease fan boys. Or even how they seemed aware of a popular fan ship of two men and then suddenly we never saw them together again? Because oh man, we can't have Star Wars getting banned in the Middle East for the gay or they won't see the movie and won't want to come visit Star Wars Land!
Jenny's anger at the end is pretty well justified. This one hotel is the end state of one corporation attempting to take something people had a strong emotional attachment to and transfer that attachment to their version of it, a version that costs way more money but cuts all the corners they can.
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2024.05.21 10:30 Adventurous-Power666 Black Sabbath references in video games/ anime

I was playing Pokemon TCG GB and couldn't help notice the similarities between the intro riff of Children of the Grave and the Club Master theme - albeit a cheerful theme.
Pokemon TCG GB - Club Master Theme
Dio, Ozzy, and Tony also appeared in Shaman King 2001.
Tony looking like Hendrix lol
What other anime (other than JJBA for obvious reasons)/ video games referenced Black Sabbath one way or another?
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2024.05.21 10:28 jessyyy315 PhD study: dyslexia stigma and stigma related coping survey.

Hi all, I am currently recruiting Higher Education Dyslexic Students to take part in an online survey regarding dyslexia stigma and stigma-related coping mechanisms. This research is being conducted as part of my PhD at Nottingham Trent university. The aim of the survey is to construct a reliable and valid scale that will measure the prevalence of dyslexia stigma and stigma-related coping within higher education. We are looking for people: Over the age of 18. With a dyslexia diagnosis that pre-dates attendance at University. Who are currently in university or have left in the last 5 years
Taking part will involve: An online survey which should take around 25 minutes to complete. Questions will focus on your experiences of stigma and stigma-related coping whilst in Higher education.
You can complete the survey at the following link: https://ntupsychology.eu.qualtrics.com/jfe/form/SV_bQx3GSo9MfV4HaK
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2024.05.21 10:20 jessyyy315 Dyslexia Stigma and Stigma-related coping online survey

Dyslexia Stigma and Stigma-related coping online survey
Hi all, I am currently recruiting Higher Education Dyslexic Students to take part in an online survey regarding dyslexia stigma and stigma-related coping mechanisms. This research is being conducted as part of my PhD at Nottingham Trent university. The aim of the survey is to construct a reliable and valid scale that will measure the prevalence of dyslexia stigma and stigma-related coping within higher education. We are looking for people: Over the age of 18. With a dyslexia diagnosis that pre-dates attendance at University. Who are currently in university or have left in the last 5 years
Taking part will involve: An online survey which should take around 25 minutes to complete. Questions will focus on your experiences of stigma and stigma-related coping whilst in Higher education.
You can complete the survey at the following link: https://ntupsychology.eu.qualtrics.com/jfe/form/SV_bQx3GSo9MfV4HaK
submitted by jessyyy315 to Dyslexiameme [link] [comments]


2024.05.21 10:18 jessyyy315 Dyslexia Stigma and stigma related coping research!

Dyslexia Stigma and stigma related coping research!
Hi all, I am currently recruiting Higher Education Dyslexic Students to take part in an online survey regarding dyslexia stigma and stigma-related coping mechanisms. This research is being conducted as part of my PhD at Nottingham Trent university. The aim of the survey is to construct a reliable and valid scale that will measure the prevalence of dyslexia stigma and stigma-related coping within higher education. We are looking for people: Over the age of 18. With a dyslexia diagnosis that pre-dates attendance at University. Who are currently in university or have left in the last 5 years
Taking part will involve: An online survey which should take around 25 minutes to complete. Questions will focus on your experiences of stigma and stigma-related coping whilst in Higher education.
You can complete the survey at the following link: https://ntupsychology.eu.qualtrics.com/jfe/form/SV_bQx3GSo9MfV4HaK
submitted by jessyyy315 to Dyslexia_Awareness [link] [comments]


2024.05.21 10:16 jessyyy315 🌟 Call for Participants for Dyslexia Stigma and Stigma-related Coping Mechanism Scale🌟

🌟 Call for Participants for Dyslexia Stigma and Stigma-related Coping Mechanism Scale🌟
Hi all, I am currently recruiting Higher Education Dyslexic Students to take part in an online survey regarding dyslexia stigma and stigma-related coping mechanisms. This research is being conducted as part of my PhD at Nottingham Trent university. The aim of the survey is to construct a reliable and valid scale that will measure the prevalence of dyslexia stigma and stigma-related coping within higher education. We are looking for people: Over the age of 18. With a dyslexia diagnosis that pre-dates attendance at University. Who are currently in university or have left in the last 5 years
Taking part will involve: An online survey which should take around 25 minutes to complete. Questions will focus on your experiences of stigma and stigma-related coping whilst in Higher education.
You can complete the survey at the following link: https://ntupsychology.eu.qualtrics.com/jfe/form/SV_bQx3GSo9MfV4HaK
submitted by jessyyy315 to Dyslexia [link] [comments]


2024.05.21 10:10 ThrowRA-seeker55 I am 27M and currently dating a 22F How do I speak with my partner in regards to boundaries on how she interacts her gay male friends?

Im Seeking advice in regards my relationship of a year and a couple of months. I while i do love her and think she loves me too I don't feel happy in this relationship. There are several factors contributing to this:
1.Most of the time she yells at me even when the issue at hand is small, this is the opposite of how she reacts when her male friends do the same thing ive noticed this a few times.
  1. She calls her gay friends babe and honey which she also calls me and I've only heard her use it in this situations and not with anyone else. I don't know if this is common however this makes me uncomfortable but I don't know how to explain it to her. I feel like it shouldn't matter because they are gay however I don't think she would be happy if I were giving pet names to my female friends because she gets sassy when I speak to them or even if we coincidentally run into them while out and about.
  2. Her and her two gay friends(who are currently dating) are constantly talking about how they want to fuck or are going to fuck with more explicit jokes in that manner and they do it in front of me as well and it just unsettles me that she is OK saying such things when she has a boyfriend.
  3. I once saw her and one of the above mentioned friends kiss at a club. We spoke about this that night I told her I didn't like what I saw we've moved on since. I consider this cheating and I know she does as well because. Her friends once thought they saw me kiss another woman while we were at a club and she was distraught about that even though we were together at the time and it didn't happen.
  4. l've also heard her say to her sisters while we were all drinking together" If he wasn't gay we would have been dating" this was painful to hear. This and no. 4 have made me feel some insecurities and I don't feel I can fully trust her to be faithful.
  5. While out on nights out she goes into toilets with her friends this has even happened while we were having pre drinks at home( we live together) and they'll use the toilets together this is also a bit weird to me as I don't understand why this is necessary we have 2 toilets in the house.
Now I'm not very good at confrontation and in my previous relationships whenever something rubbed me the wrong way I'd always end it before it got too serious however weve been together for a while and l've introduced her to some of my family and this is by far the longest relationship l've been in. I'm not very good at handling my emotions and ran everytime something I didn't like happened I need advice on how to proceed and to see if I can have a conversation to establish boundaries on how she interacts with her male friends or if that's not right approach what would be the best way to approach this?
TLDR : Should I be concerned with how my girlfriend talks and interacts with her gay friends?
submitted by ThrowRA-seeker55 to relationship_advice [link] [comments]


2024.05.21 10:07 Artist-in-Residence- True love or transcranial ultrasound stimulation?

Guys, I'm bored so I want to talk about something aside from porn addiction and masturbation, which seems to a common theme on this sub from the men posting here.
To the mods: sorry if this doesn't fit here, but I am discussing things of a scientific nature. 😊
Let's say that you, as a research scientist have developed technology in which you can remotely stimulate parts of the brain of an individual through transcranial ultrasound stimulation. (1,2,3)
Ultrasound happens in low frequencies, and undetectable to human hearing. It is a powerful weapon that can be used on multiple people, groups of people, or target a specific individual. (4,5,6)
Now, the parts of the brain that needs to be stimulated for erotic arousal are: the hippocampus, hypothalamus, amygdala and the nucleus accumbens. (7,8)
Sources: see below in reply
This next part is completely hypothetical in nature:
Let's say you're a somewhat powerful figure of authority. You majorly fucked up in your career, and was complicit in something that caused the loss of life in thousands of innocent children. I won't specify what this action was. However, you're monitoring a woman who is an influential figure and writer and she can completely destroy your reputation if she writes about this incident and your complicit action in this event. Moreover, you had somewhat of a romantic relationship with this target in question, but not in a physical way. This woman is sympathetic to you but she has got opposite political views than you do.
2024 is a pivotal year for many reasons. If this woman writes favourably about you, this would increase your popularity. You're in general, a deeply unpopular person whom the public does not trust. However, you have access to this technology because you've got a high security clearance. Do you use the ultrasound weapon on the target to stimulate erotic desire in her so that she may artificially feel like she was falling in love with you?
You also cannot get caught doing this as there is no oversight to utilising this technology on unsuspecting civilian members of the population. The vast majority of the public are not even aware that this technology exists.
Metaethical and Epistemological Questions as relating to neuroscience and philosophy:
  1. What would you do? What is the "right" thing to do? Are selfish actions "good" if they do not harm the target? You are not harming the target by eliciting erotic desires in her. You rationalise that you want to make her "feel good".
  2. If you utilise the ultrasound weapon on the target, would it be true love since it stimulates the feeling of being in love? Feeling is believing, according to most people. The vast majority of people make decisions based on their emotions. If the target starts feeling like she loves you, then she probably does love you? Why or why not?
  3. Other thoughts?
submitted by Artist-in-Residence- to HubermanLab [link] [comments]


2024.05.21 10:04 BryggerHeise Numerological day analysis of 21-5–2024 16/7 Perseverance, Persistence/ Self-awareness

Numerological day analysis of 21-5–2024 16/7 Perseverance, Persistence/ Self-awareness
Inspired by Insight, your inner rising Sun, you want to Persevere in whatever you are doing, in order to reach a higher level of Self-Awareness.
21-5–2024 16/7 Perseverance, Persistence/ Self-awareness
Spirit: 21 Insight; inner rising Sun
Soul: 5 Expansion; Fullness; Inner Motivation; Adventure; Freedom; Order
Body: 24 Day and Night; Light and Darkness
The sum total of today is 16: Perseverance. You want to express your perseverance through your spirit’s inner rising Sun of Insight, your soul’s Expansion, Order, Adventure and Freedom and your physical Ability to go through the Night to see the Light of a new day.

Day of the \"Worldly King\" Archetype Pentagram
Themes
Two major themes for this day of perseverance: the axis of ‘Awakening and Leadership’ and the axis of ‘Focus-Fate’.
Blue 1 - Red 22: Axis of Awakening and Leadership: 1(7)-(6)2
The expansion of your self-awareness drives your awakening and your leadership. The better you know WHO you are, the deeper and the more effective your leadership will be.The two opposing principles are ‘Goodness, Benevolence, Humility and Beauty’ coming from the “God” realm to join with ‘God realization’ coming from the “Ego” realm.
17: ’Goodness, Benevolence, Humility and Beauty’ is about respecting the beauty of Creation- the divine Creation which is a loving and benevolent one. The humility is not to make you small, but the humility is the courage to understand that everything is part of the Wholeness of the Universe and therefore equally important.
62: ’God-realization’ or “I begin to understand” Here we realize that the Divine or God may only be experienced in our earthly Power. Everything physical is governed by its divine origin. Through intuition you may start to understand or become aware of this very important principle. Should you doubt your divine origin, then it will destroy your life energy- your Power.
The balance of these two principles lies in manifesting the ‘Ruler, Judge’ in you. Depending on how deep you are willing to dig into WHO you are and WHY you are (Expansion of Self-Awareness) , or how deeply you are able to connect with Goodness and how deeply the Divine works in you- you may turn into a benign Ruler or Judge or a very harsh, judging and demanding Ruler or Judge. The benign one acts out of his core of Unconditional Love and is very flexible and transformative. The harsh, judging and demanding one acts out of a “Cry for Love” (negative unconditional love), needs his subordinates to love him and is very inflexible.
Blue 4- Red 5: The axis of Fate, Focus and Concentration: 4(0)-(9)5
Change-Transformation drives your Focus-Concentration. Change brings you to decide what you need to hold on to and what to let go of in order to reach your full potential. If you refuse the change or the transformation, Fate will fall upon you.
The two opposing principles are 40: Gate to manifestation, Keeper of the Threshold coming from the emotional level to join with 95: Descending Prophet coming from the mental level. Mentally you have the prophetic gifts for the world, emotionally you stand on the brink of manifestation of those prophecies…
40: ’Gate to manifestation’, ‘Keeper of the Threshold’ means that you are crossing the line of the immaterial world into the material world. The material world literally lies at your feet with all its possibilities. Now it is of the greatest importance to consider carefully if you are ready and able to finish what you want to start. It does not allow you to stop half-way and reconsider, because you just don’t like it anymore. Whatever you start must be carried through to the bitter end. Hence the name: Keeper of the Threshold. Reflect deeply on what prophecy you want to materialize.
95: The ‘Descending Prophet’ is the person who volunteered to incarnate again, to share his knowledge with mankind in the language of the people so that they will understand it. The focus you are looking for, has you mentally standing as the prophet who want to share his wisdom whilst emotionally you are standing on the brink of manifestation, not knowing what the end result will be. Should you choose the wrong path based on your prophecies, a deep burden of Fate will be upon you.
The balance of these two principles lies in their sum by taking the conscious decision to focus on your family and your tribe, by expanding your spiritual insight and by creating balance and cross-fertilize through wisdom and intelligence.
Levels of awareness
Emotional awareness is very high today. It is obtained through Keeper of the Threshold and the Test of Karma, World Karma. The goal of this level is to Intuitively ‘know’ God and to manifest Divine Guidance (The fulfilling Power of God).
Triangle
Your emotional awareness is further enhanced today with the connection to the 1st and the 6th principle.
The emotional triangle with the 1st principle encourages you to take the conscious decision to obtain insights from your emotional and your physical karma. If you do it opens the gates to the so called ‘Luck Monogram’
The emotional triangle with the 6th principle, gives you the Intuition for the ‘Zeitgeist’ , the willingness to take a Conscious Decision to ‘Know’ God and a very powerful Divine Connection.
Tricolon: Intermediary
The number combination of the tricolon of the intermediary is active today, emphasizing your abilities to mediate, to bring forward a project or to be the go-between. It gives you the power to be wide awake in the here and now, even with a divine aspect to it.
Note: If your birthday is today, the topics described above are your topics for 2024. Should a baby be born on this day, then today’s themes are the baby’s life-themes.
See you (virtually) :
(D) Arbeitskreis: 7. Juni Hybrid Zoom - Köln
For a full explanation of the numbers and how to read the Pentagram have a look at my website: www.pentalogie.com
submitted by BryggerHeise to numerology [link] [comments]


2024.05.21 10:03 BryggerHeise Numerological day analysis of 21-5–2024 16/7 Perseverance, Persistence/ Self-awareness

Numerological day analysis of 21-5–2024 16/7 Perseverance, Persistence/ Self-awareness
Inspired by Insight, your inner rising Sun, you want to Persevere in whatever you are doing, in order to reach a higher level of Self-Awareness.
21-5–2024 16/7 Perseverance, Persistence/ Self-awareness
Spirit: 21 Insight; inner rising Sun
Soul: 5 Expansion; Fullness; Inner Motivation; Adventure; Freedom; Order
Body: 24 Day and Night; Light and Darkness
The sum total of today is 16: Perseverance. You want to express your perseverance through your spirit’s inner rising Sun of Insight, your soul’s Expansion, Order, Adventure and Freedom and your physical Ability to go through the Night to see the Light of a new day.

Day of the \"Worldly King\" Archetype Pentagram
Themes
Two major themes for this day of perseverance: the axis of ‘Awakening and Leadership’ and the axis of ‘Focus-Fate’.
Blue 1 - Red 22: Axis of Awakening and Leadership: 1(7)-(6)2
The expansion of your self-awareness drives your awakening and your leadership. The better you know WHO you are, the deeper and the more effective your leadership will be.The two opposing principles are ‘Goodness, Benevolence, Humility and Beauty’ coming from the “God” realm to join with ‘God realization’ coming from the “Ego” realm.
17: ’Goodness, Benevolence, Humility and Beauty’ is about respecting the beauty of Creation- the divine Creation which is a loving and benevolent one. The humility is not to make you small, but the humility is the courage to understand that everything is part of the Wholeness of the Universe and therefore equally important.
62: ’God-realization’ or “I begin to understand” Here we realize that the Divine or God may only be experienced in our earthly Power. Everything physical is governed by its divine origin. Through intuition you may start to understand or become aware of this very important principle. Should you doubt your divine origin, then it will destroy your life energy- your Power.
The balance of these two principles lies in manifesting the ‘Ruler, Judge’ in you. Depending on how deep you are willing to dig into WHO you are and WHY you are (Expansion of Self-Awareness) , or how deeply you are able to connect with Goodness and how deeply the Divine works in you- you may turn into a benign Ruler or Judge or a very harsh, judging and demanding Ruler or Judge. The benign one acts out of his core of Unconditional Love and is very flexible and transformative. The harsh, judging and demanding one acts out of a “Cry for Love” (negative unconditional love), needs his subordinates to love him and is very inflexible.
Blue 4- Red 5: The axis of Fate, Focus and Concentration: 4(0)-(9)5
Change-Transformation drives your Focus-Concentration. Change brings you to decide what you need to hold on to and what to let go of in order to reach your full potential. If you refuse the change or the transformation, Fate will fall upon you.
The two opposing principles are 40: Gate to manifestation, Keeper of the Threshold coming from the emotional level to join with 95: Descending Prophet coming from the mental level. Mentally you have the prophetic gifts for the world, emotionally you stand on the brink of manifestation of those prophecies…
40: ’Gate to manifestation’, ‘Keeper of the Threshold’ means that you are crossing the line of the immaterial world into the material world. The material world literally lies at your feet with all its possibilities. Now it is of the greatest importance to consider carefully if you are ready and able to finish what you want to start. It does not allow you to stop half-way and reconsider, because you just don’t like it anymore. Whatever you start must be carried through to the bitter end. Hence the name: Keeper of the Threshold. Reflect deeply on what prophecy you want to materialize.
95: The ‘Descending Prophet’ is the person who volunteered to incarnate again, to share his knowledge with mankind in the language of the people so that they will understand it. The focus you are looking for, has you mentally standing as the prophet who want to share his wisdom whilst emotionally you are standing on the brink of manifestation, not knowing what the end result will be. Should you choose the wrong path based on your prophecies, a deep burden of Fate will be upon you.
The balance of these two principles lies in their sum by taking the conscious decision to focus on your family and your tribe, by expanding your spiritual insight and by creating balance and cross-fertilize through wisdom and intelligence.
Levels of awareness
Emotional awareness is very high today. It is obtained through Keeper of the Threshold and the Test of Karma, World Karma. The goal of this level is to Intuitively ‘know’ God and to manifest Divine Guidance (The fulfilling Power of God).
Triangle
Your emotional awareness is further enhanced today with the connection to the 1st and the 6th principle.
The emotional triangle with the 1st principle encourages you to take the conscious decision to obtain insights from your emotional and your physical karma. If you do it opens the gates to the so called ‘Luck Monogram’
The emotional triangle with the 6th principle, gives you the Intuition for the ‘Zeitgeist’ , the willingness to take a Conscious Decision to ‘Know’ God and a very powerful Divine Connection.
Tricolon: Intermediary
The number combination of the tricolon of the intermediary is active today, emphasizing your abilities to mediate, to bring forward a project or to be the go-between. It gives you the power to be wide awake in the here and now, even with a divine aspect to it.
Note: If your birthday is today, the topics described above are your topics for 2024. Should a baby be born on this day, then today’s themes are the baby’s life-themes.
See you (virtually) :
(D) Arbeitskreis: 7. Juni Hybrid Zoom - Köln
For a full explanation of the numbers and how to read the Pentagram have a look at my website: www.pentalogie.com
submitted by BryggerHeise to NumerologyPentagram [link] [comments]


2024.05.21 10:01 PelotonMod [Race Thread] 2024 Giro d'Italia - Stage 16 (2.UWT)

Date Stage Route Length Type Time
Tue. May 21 16 Livigno>Monte Pana 202 km Hard ca. 17:15 CET
Information Official Site / Startlist / Roadbook / Inrng overview stage profiles
Social Media Twitter / Facebook / Instagram
Overall Previews INRNG / CyclingNews / GCN
/peloton content Pre-Race thread / Cheat Notes / RFL / SRFL / SWL / GTP / TFTPT
Live Trackers Official / Cycling News
TV Eurosport/GCN+ / Check your local broadcaster here / Race Coverage starts at 12:45 [CEST](http://www.timebie.com/std/centraleuropeansummer.php?q=XX12
submitted by PelotonMod to peloton [link] [comments]


2024.05.21 09:59 Birdycheep [Complete] [70,000] [Adult Fiction] Alone (Onzegellig working title)

This is the story of a woman who has always longed to be alone so she can do whatever she wants, whenever she wants.
Mei has always done the right thing by her family. She got married, had two kids and lives a quiet existence doing what is expected of her in country Western Australia. One day, her overbearing parents and siblings die in an unexpected accident. Mei and her husband decide to take a year to themselves to travel the world, leaving their sons behind. Based in Amsterdam, they lean into a debaucherous, hedonistic lifestyle of sex, drugs and partying. Making many mistakes and discovering who they are without familial expectations. A secondary tragedy and a secret revealed post mortem throws her life in disarray. But what happens when we make selfish decisions at the expense of those we love? And what happens when we are left truly alone, do we actually do the things that we have always wanted?
Content warning: offensive language, sex scenes, drug use, self-harm & suicidal themes.
First chapter link
This is the first novel that I have ever written, I have read and reviewed it countless times, put it aside for weeks and then gone through the editing process again. I am looking for feedback on my general writing style and the plot of the book. I am interested to hear about any pacing issues, if the story gets boring in any areas. I am also looking for feedback on any events being too explicit or inappropriate.
Most of the stories told are heavily based on my own life and travels during my 20’s so I am reluctant to ask friends or family to read my work as it is semi-autobiographical. Any general feedback in regards to the story and/or my writing would be much appreciated!
Thank you for your assistance!
submitted by Birdycheep to BetaReaders [link] [comments]


2024.05.21 09:56 Cananna The Prince

I just watched The Prince, a play by trans actress and youtuber Abigail Thorn. It's a weird and absurd remix of Shakespeare, and it talks about people trapped inside their roles. The trans experience takes center stage of course, but never dominates the fact that everyone is trapped in a role. Plus the comedic moments hit as hard as the emotional ones, and there is a really good balance between levity and gravitas.
I really really liked it. The writing is sharp, the theming is excellent, the music is fire, and the cast has incredible chemistry. For being Abigail's first work is really impressive.
Has anyone else seen it? I would love to talk about what you liked and disliked about it
submitted by Cananna to trans [link] [comments]


2024.05.21 09:30 Xbox-Moderator Senua's Saga: Hellblade II - Review Thread

Senua's Saga: Hellblade II - Review Thread
https://preview.redd.it/u3urhr93wq1d1.png?width=1600&format=png&auto=webp&s=660b5dcea8ee3166e6bf212391aaa40d20cdc8c5
Game Title: Senua's Saga: Hellblade II
Platforms:
  • Xbox Series X/S (May 21, 2024)
  • PC (May 21, 2024)
Trailers:
Developer: Ninja Theory
Publisher: Xbox Game Studios
Review Aggregator:
OpenCritic - 83 average - 85% recommended - 65 reviews

Critic Reviews

AltChar - Asmir Kovacevic - 95 / 100
Few games in recent times have been able to do what Senua's Saga: Hellblade 2 has done: make me feel so engaged and immersed that I wish the feeling would never stop. It is a game that will keep you in constant awe throughout the playtime with its fantastic and mysterious story, incredible graphic and sound presentation and realistic and brutal combat that will keep you on the edge of your seat the entire time.
But Why Tho? - Mick Abrahamson - 7.5 / 10
Senua’s Saga: Hellblade II won’t be for everyone. But if you are looking for a brutal continuation of a fantastic story that feels like you’re actually playing a movie, you’ll have a great time here.
CGMagazine - Justin Wood - 7 / 10
Senua's Saga: Hellblade 2 starts incredibly strong in the first half, but after certain revelations, the story speeds up to a point where the conclusion feels rushed and half-baked.
COGconnected - Mark Steighner - 95 / 100
It has been a very long time since I played a game as assured, polished, and emotionally affecting as Senua’s Saga: Hellblade 2.
Cerealkillerz - Steve Brieller - German - 7.9 / 10
If you expect an immersive but not so interactive “game”, Senua’s Saga Hellblade II delivers a short yet intense experience. Ninja Theory has once again skillfully created an impressive atmosphere, as they did in Senua’s Sacrifice. Unfortunately, the issues remain as well: Puzzles and combat are too easy and there is no variety in either. So please keep in mind, that this is more a Hellblade 1.5 than a true sequel.
Checkpoint Gaming - Charlie Kelly - 10 / 10
Senua's Saga: Hellblade II is well worth the wait and is a serious game of the year contender. Senua's follow-up journey is the best exploration of mental health that we've seen in games to date, using incredibly striking visual imagery, metaphors and immersive soundscapes to have you feel right there next to her. In what has to be the most photo-realistic game of all time, you're guaranteed to be constantly taken by the hero's adventure as you take in the beautiful and often haunting Viking Iceland. Through mud and dirt, blood and bones, Senua and Ninja Theory in turn bare all to you, the player. A masterpiece, benchmark and magnum opus, Hellblade II is crucial storytelling you won't soon forget.
Console Creatures - Patrick Tremblay - Recommended
With Senua's Saga: Hellblade 2, Ninja Theory shows that video games can be more than simple entertainment: they can be profound artistic and emotional explorations, capable of touching and transforming those who play them. This is an unforgettable journey into the heart of Iceland's darkness, where every step of Senua is a step towards self-discovery.
Digital Trends - Tomas Franzese - 4 / 5
Senua's Saga: Hellblade 2 is a visual stunner for Xbox even if its gameplay isn't too creative.
Eurogamer - Johnny Chiodini - 5 / 5
Hellblade 2 continues Senua's story with grace, confidence, surprising brutality and thundering conviction.
Game Informer - Marcus Stewart - 9 / 10
Senua’s Saga: Hellblade II’s conclusion ends on another strong note, and despite my initial reservations about continuing Senua’s story, I walked away happy to see her conquer new monsters, both literal and metaphorical.
Game Rant - Anthony Taormina - 4 / 5
There is simply nothing else like Hellblade 2 on the market and that alone kept me enthralled the whole way through. Its pared-down elements might not be mechanically complex, but they give the story a momentum that makes it hard to put down. Ninja Theory tackles themes that are challenging and not often seen in games, with a backdrop that vacillates between the epic and the intimate. It's approach doesn't have widespread appeal, but Senua’s Saga: Hellblade 2 is as close to an interactive movie as we’ve seen yet.
GameSpot - Jess Cogswell - 6 / 10
Hellblade 2 is perhaps the most visually remarkable Xbox title to date, but is ultimately undermined by its emphasis on fidelity over story and gameplay.
GamingTrend - Cassie Peterson - 95 / 100
Senua's Saga: Hellblade II is a stunning and immersive storytelling experience that really puts the player into the mind of its titular character. It's even more narratively-focused than the first game (not to its detriment), with a bigger emphasis on how Senua sees and interacts with the world around her. The whole experience from start to finish has been beyond memorable.
Generación Xbox - Pedro del Pozo - Spanish - 9.3 / 10
Ninja Theory manages to place Senua in the Olympus of videogames with the most visually and sonorously powerful game we have seen so far. A spectacular, stunning and awe-inspiring journey.
IGN - Tristan Ogilvie - 8 / 10
Senua’s Saga: Hellblade II is another Viking-worthy feast for the senses that meets the high bar set by its predecessor, even if it never really manages to clear it.
Kotaku - Claire Jackson - Unscored
A spellbinding meditation on anguish and compassion, Hellblade II delivers one of the most gripping interactive and sensory experiences of 2024
MondoXbox - Giuseppe Genga - Italian - 9.5 / 10
Senua's Saga: Hellblade II is a true masterpiece: a deep and highly immersive narrative experience that manages to make us feel all the protagonist's torment within an impressively realistic world. Ninja Theory reveals itself to be one of the most valuable studios in the Xbox stable here, reaching levels of absolute excellence in graphics, audio, narration, and acting. A must-play.
New Game Network - Alex Varankou - 70 / 100
Senua's Saga: Hellblade II keeps the basics intact, and while a strong lead character, great animations, and simple but enjoyable combat continue to deliver, the poor pacing and performance issues prevent this sequel from breaking free of its past.
Nexus Hub - Sam Aberdeen - 8 / 10
Senua's Saga: Hellblade II is the best-looking game we've ever played - a true visual powerhouse backed by an emotionally charged story and gripping dark fantasy setting, if you can look past some of its shortcomings.
PC Gamer - Robin Valentine - 58 / 100
Despite its greater scale and visual splendour, this sequel fails to escape the shadow of its predecessor with a muddled tale that Senua herself feels out of place in.
PCGamesN - Cheri Faulkner - 9 / 10
Senua's Saga: Hellblade 2 is an impeccable story of coming to terms with trauma and making difficult decisions, punctuated by moments of outstanding beauty and strength.
Pixel Arts - Danial Dehghani - Persian - 9 / 10
Hellblade 2 is a stellar example of a sequel done right, building on the elements that made the original a landmark in gaming. It stays true to its roots, prioritizing depth and atmosphere over broad appeal. Fans of the first game will find much to love here, as it remains a unique and compelling experience. However, if the original didn't resonate with you, Hellblade 2 follows a similar path and might not change your mind.
Polygon - Yussef Cole - Unscored
Where the first game felt like a journey of self-discovery, both for Senua and for the player, Hellblade 2 feels more invested in creating the myth of Senua: Senua as legendary giant slayer, as mystical seer touched by the underworld.
Press Start - Brodie Gibbons - 9 / 10
Senua's Saga: Hellblade II is yet another arresting, artful chapter in an adventure now two games long. Though it might approach iteration with a very safe hand, only going so far as to correct the original's shortcomings, Ninja Theory's clear strengths in story craft, audiovisual design, as well as their care for the dark subject matter manage to shine through brighter than ever before.
Rectify Gaming - Tyler Nienburg - 10 / 10
Senua's Saga: Hellblade II emerges as a visual and storytelling masterpiece, and is unquestionably the best-looking game I've witnessed on Xbox Series X since its launch.
Rock, Paper, Shotgun - Rick Lane - Unscored
A more uncompromising version of the first game, Hellblade 2 offers a well told story and immaculate presentation. But it's also even simpler, to the point where it treats interaction like an inconvenience.
SECTOR.sk - Matúš Štrba - Slovak - 9.5 / 10
Senua's Saga: Hellblade II is, at its core, a short game, but an excellent one. But it's not for everyone. It's a bloody and often disgusting experience based on strong emotions and immersion in a character that just won't let you go. It's more of an artistic experience than a traditional game.
Saudi Gamer - Arabic - 10 / 10
An exceptionally well realized portrayal of Senua's struggle both real and praying on her fears, with brutal and satisfying combat and puzzles that require you to appreciate the world. It successfully continues what the first game started and improves upon almost every aspect.
Seasoned Gaming - Ainsley Bowden - 9 / 10
Senua's Saga is a journey unlike any other. It's fantastical, evocative, and demonstrative of Ninja Theory being masters of their craft.
Shacknews - TJ Denzer - 9 / 10
Hellblade 2 still does incredibly well. The new story is weighty, the audio is exceptional, the scenery is ridiculously dense and rich, and the combat feels intense and impactful in new and interesting ways.
Slant Magazine - Justin Clark - 3.5 / 5
The newest chapter in Senua’s story is powerfully told but feels like it’s missing a few pages.
Spaziogames - Gianluca Arena - Italian - 7.6 / 10
Senua's Saga is as strong as its predecessor, if not more, and delivers both in its storytelling and on the technical side. The gameplay, however, has still a lot of room for improvements and boils down to almost-QTE combat and boring puzzles. An experience more than an actual and so-called video game, but an experience worth living nonetheless.
Stevivor - Jay Ball - 9.5 / 10
Senua’s Saga Hellblade 2 is a video game only on its surface. Scratch that away and you’ll see that it’s a deep, thought-provoking, interactive experience proving games are an art form that demands skill and talent. Ninja Theory should be very proud.
TechRaptor - Robert Scarpinito - 7.5 / 10
Senua’s Saga: Hellblade II features intense audio, beautiful graphics, and wonderful camera work, creating a powerful presentation that’s worth experiencing. However, the narrative doesn’t quite stick the landing.
TheSixthAxis - Dominic Leighton - Unscored
Just like its forbear, Senua’s Saga: Hellblade II is an oppressive, powerful and haunting example of the power of video games, and one that sets its own parameters for what a digital experience can be. It is a game that must be experienced, not least because, there’s nothing else quite like it.
Tom's Hardware Italia - Andrea Riviera - Italian - 10 / 10
What Ninja Theory has achieved transcends reality, creating a work that is practically perfect for what it aimed to be: an audiovisual adventure with a strong narrative component. Beyond state-of-the-art graphics and sound that will undoubtedly set a standard in the coming years, what truly astonishes is the maturity with which the team has taken an excellent game like the first Hellblade and molded it into something so qualitatively impressive that it becomes difficult to even describe. This elevates the medium to a new communicative level, capable of evoking emotions and surprising players from start to finish. Experiences like Hellblade 2, which leave a lasting impression on the soul, are few and far between in a generation, and we can only rejoice in seeing how the beautiful artistic vision of the Ninja Theory team has become a reality.
Too Much Gaming - Carlos Hernandez - 5 / 5
Hellblade 2 feels like a living, breathing shapeshifter, manipulating its surroundings around the player with precision and consistency, making it one of the most visually stunning video games of this generation. This is an amazing title that carefully balances its artistic and gaming ambitions, a masterpiece that I encourage any gamer to experience.
TrueAchievements - Sean Carey - 9 / 10
Ninja Theory has created an outstanding sequel with Senua's Saga: Hellblade 2. An unforgettable narrative adventure that is brought to life through impeccable sound design, fantastic visuals, and a story that will stick with you long after the final credits roll. Hellblade 2 is one of the best games Xbox has to offer.
TrueGaming - عمر العمودي - Arabic - 8 / 10
Senua's Saga: Hellblade II is a technical achievement for the gaming industry, the visuals are impressive and realistic in a way we haven't seen before and the audio design is very impressive. The game itself though, we think it could've offered more as puzzles are repetitive and combat is quite limited. However, the storytelling is strong in this chapter of Senua's journey, though it feels heavy and depressing.
WellPlayed - James Wood - 6 / 10
Senua's Saga: Hellblade II is an achievement in visual fidelity but fails to define itself amid clumsy retreads and unengaging new ideas.
Windows Central - Zachary Boddy - 4.5 / 5
A game like Senua's Saga: Hellblade II can only be the result of years of passion and talent, captivating you with its unbelievable visuals, impeccable audio design, and powerful thought-provoking narrative. It's a veritable masterpiece, but it's just shy of perfection thanks to an average PC port and some minor criticisms.
Worth Playing - Chris "Atom" DeAngelus - 7 / 10
Senua's Saga: Hellblade II is a beautiful but ultimately hollow game. The fantastic presentation props up a story that is less personal and engaging than in the first game, and the gameplay feels like an afterthought. It was great to see Senua again and to see her outside of the grief-misery she was enveloped in during the first game, but beyond that, there's not much to Hellblade II. It's a short and less memorable experience that shows off Ninja Theory's visual craft to its fullest - but it achieves little else.
Xbox Achievements - Dan Webb - 90%
While Senua’s Saga: Hellblade 2 might not set any new standards with its simplistic gameplay mechanics, from an audio-visual experience standpoint, it's frankly quite a stunning experience. Hellblade 2 is as close to playing the leading role in a big budget movie as you’re likely to get, and Ninja Theory’s continued coverage on the complexities of severe mental health issues deserves to be commended once more. Bravo, Ninja Theory. Bravo.
XboxEra - Jon Clarke - 10 / 10
Despite the backing of a company as large and as well-funded as Microsoft, Ninja Theory have, in my opinion, nurtured their independent spirit and kept it well and truly alive in every facet of Senua's Saga: Hellblade II. It's brutal. It's breath-taking. It's brilliant. If this is “Independent AAA”?
submitted by Xbox-Moderator to xbox [link] [comments]


2024.05.21 09:26 One-Habit-1933 Is it my place or not my place to say anything? Not a teacher

I have a 3 & 4 year old in Pre-K, I am on policy Council for the school. It's a small school only 2 class rooms- here is where I need advice.
Braxton & Landon - I guess they would be like principle/ Counselor.. I don't see them doing much other than greeting people at the door.
Classroom A - 1 lead teacher 1 assistant (both have worked there since my kids have went there) great teachers 👍 ( My daughter is here) 8 kids.
Classroom B- (sons class) Started out last year I believe August was the first day, 1 lead teacher (Amy) 1 assistant (Kayla) 17 kids! So already started off rocky, depending how many kids showed up they would switch kids into the other classroom to keep ratio. 1 month in Kayla quits. Amy is on her own, Landon helps her occasionally but you can tell the vibe is off he doesn't want to be there. Couple weeks of this Amy walks out. Landon and Braxton are now taking over. (Again you can tell they don't wanna be there) . 1 week passes. Callie - assistant teacher hired , left on her own rather quickly but she is a ABSOLUTE doll. As a parent I could sense her being overwhelmed but yet she was always so gentle and kind to the kiddos. Another lead was hired 2 weeks after Callie. I'm assuming she felt such a relief. That didn't last, lead quit. You get the hint. Callie has stayed and done LEAD TEACHER WORK. My son comes home and tells me "Mom I love Callie, she will just let me talk to her whenever I need too" this warmed my heart SO much I have never seen my 3 year old show so much compassion. Daily compliments about Callie. All while everyday at drop-off I can tell she's overwhelmed. The other day high schoolers in my area had a 2 hour delay. Callies (oldest) daughter was at preschool with her mom, I didn't ask but I can almost Guarantee Braxton and Landon said just bring her with you. It really makes me sick because like I said I'm on policy Council. I know what they all get paid and Callie DESERVES more than all of them. She carries that whole school I feel like.
Me and my husband are sooooo grateful for her I can't even express it. I had made a slick comment in front of Braxton the other day to her, I said you honestly should get lead pay considering you've been in lead for how long? And I walked away.
I'm wondering what she would need Qualification wise to become lead? Me and my husband are at that point that we will PAY for her schooling or whatever needs to be done. Her car has seen better days, we thought about buying her a car. Literally just wanna hand her a check for $5000 and tell her to breath for just a second.
God I know this probably sounds silly, but I am very serious. How do we show our appreciation to her?
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2024.05.21 09:20 aniworldtv The Most Anticipated Anime of 2024: A Must-Watch List

The Most Anticipated Anime of 2024: A Must-Watch List
Are you ready for the most exciting anime releases of 2024? Here’s a list of highly anticipated anime that fans are eagerly waiting for. This list can also be considered as the best anime of 2024. Let’s dive in!
  1. **Monsters 103: Mercies Dragon Damnation**This anime showcases one of the best samurai and swordsmen from One Piece—Ryuma. Created by Eiichiro Oda, its manga was published in 1994, and the anime adaptation is set for 2024. After the epic fight between Zoro and Ryuma, every One Piece fan has been eager to see Ryuma in his prime.
https://preview.redd.it/yaowahmldq1d1.png?width=1920&format=png&auto=webp&s=89902f9d2bd509c8c7ea46422feb181b30681ee2
  1. **Classroom of the Elite Season 3**If you enjoy thriller and suspense anime, Classroom of the Elite is a must-watch. Season 3 continues the story of the highly intelligent main character, Ayanokoji. Make sure to watch the first two seasons to fully appreciate the plot and character development.
https://preview.redd.it/vd5y2axmdq1d1.png?width=1920&format=png&auto=webp&s=ffe64f642eb381346031577d974d0658a6c7df20
  1. **Frieren: Beyond Journey's End Part 2**This anime explores the curse of immortality through its main character, Frieren, who outlives her human companions. If you’re into deep, emotional stories, this anime is for you. For a similar theme, check out "To Your Eternity."
https://preview.redd.it/2oho97lodq1d1.png?width=1920&format=png&auto=webp&s=7b5c3d9da22a98fab87b3801d3be9a3199cd0f82
  1. **Blue Exorcist: Shimane Illuminati Saga**After a long wait, Blue Exorcist is back with a new season. If you’re a fan of supernatural anime, don’t miss this one. The series has excellent animation and a compelling storyline.
https://preview.redd.it/zaq6ekppdq1d1.png?width=1920&format=png&auto=webp&s=1850d98642b9130b65657d998a557c25ed870d72
  1. **Solo Leveling**The renowned Korean manhwa is finally getting an anime adaptation. Solo Leveling has a massive global fanbase, and the anticipation for its anime is sky-high. If you haven’t read the manhwa yet, hold off and experience the anime first for maximum excitement.
https://preview.redd.it/9t8v0yiqdq1d1.png?width=1920&format=png&auto=webp&s=d165afbdc30a23e08a73f507c3ab0ec536bea86e
Read More...
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2024.05.21 09:20 igotoschoolbytaxi How would you manage limited pre-order quantities for two different countries?

Hi all, what would you advise in this situation?
Looking to do pre-sales in limited quantities for two locations. 100 items for US, 100 items for AU, 200 total. Will have a warehouse in each location to eventually ship the products to. I've set them up under Locations in the Shopify store.
Once the US warehouse has pre-sold 100 items, I do not want to let US customers be able to purchase from the AU warehouse. But I want to allow AU customers to continue place pre-orders until AU has reached the 100 pre-order quantity as well.
Which then I can easily turn it into "Sold out" status.
From my testing, Shopify will continue to show purchase is available for both locations as long as it detects one warehouse still has stock. Then it'll try to ship from the warehouse that has stock instead of the nearest location.
I've found other potential workarounds, but they involve creating a separate product, installing inventory routing apps, or editing the theme's code. None of them are ideal.
Does Shopify not support this natively? Is this why other Shopify stores I've seen, are either out-of-stock across both US and AU, or in-stock for both?
Would love to hear your experience managing this - be it pre-orders, back orders, or just regular orders.
Thanks!
submitted by igotoschoolbytaxi to shopify [link] [comments]


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