Hey everyone, hope you are well.
In the past couple of years I got into the world of 3D archviz by curiosity ( started at around 19, I am 24 now) and have been working on/off with projects and practising in my free time. I have a degree in interior design, and recently I started working in an architectural firm, and so far it's going well. My problem is that in my country/city there aren't many people my age that do this kind of work at the level that I do. Maybe 2 months ago I spoke with a self-employed architect who was much older and told me that working this kind of a job in my country is a trap that many people fall for because it's not worth it. I showed him my work and he said that there is a guy (who is older then me by like 15years) makes around 400€ per render with the same quality as my images. Currently my job is paying me 600€ per month which is near the avarage mark. I also spoke to other people and they told me for a 3D artist it's around 700€ or more depending on the quality of images. The decision I am trying to make and have been thinking about is: Should I keep working an 9-5 job that helps me with meeting new contacts and people but limits my growth as an 3D artist, or should I stay home and dedicate those same 8 hours on a really cool project that is made with great detail and precision so I can build up a decent portfolio and try my luck outside my country. I will share a link to some of my work.
Any help/advice/idea/past experiences is welcome.
Thank you.
Best regards.
https://www.cgarchitect.com/account/projects

Is anyone here looking for interior design services to format or typeset their book for KDP or IngramSpark publishing?
I can work with all genres, fiction or non-fiction, and can handle interior design for books with images, tables, or full-page illustrations like childrens's books. I offer unlimited revisions and won’t ask for any upfront payment (you only pay if you're satisfied with the final product!)
In the end, I'll provide you with print-ready PDF files that you can publish or print with IngramSpark or KDP.
If you would like a preview to see the quality of my work, DM me and I can work on creating a sample of a few chapters. of your book

Is anyone here looking for interior design services to format or typeset their book for KDP or IngramSpark publishing?
I can work with all genres, fiction or non-fiction, and can handle interior design for books with images, tables, or full-page illustrations like childrens's books. I offer unlimited revisions and won’t ask for any upfront payment (you only pay if you're satisfied with the final product!)
In the end, I'll provide you with print-ready PDF and ePub files that you can publish or print with IngramSpark or KDP.
If you would like a preview to see the quality of my work, DM me and I can work on creating a sample of a few chapters. of your book

Heres my idea for an open world crime based action adventure game:
I want a modern open world game with modern graphics, modern physics, driving and combat mechanics, the whole 9 yards, but it takes place in New Orleans LA in the Early 2000’s, the game would have hundreds and hundreds of licensed cars, licensed songs ALL period correct and as many licensed brands as i can get in the game to make the setting more resemble real life, we’ve seen so many fantasy brands and fake cities and companies based off real life companies and i want to change that, i want all electronics of the era to be 100% accessible and usable in the game, everything from Motorola Razr’s, PDA’s, Laptops and The Internet in FULL early 2000’s style, Alpine and Sony X-Plod Car Headunits etc
Im going to say this now: there would be ZERO references or mentions of Hurricane Katrina in this game, the timeline would be 2002 to Summer 2005 before Katrina, Katrina wouldn’t be mentioned as it wouldn’t exist
The story is about a young transgender woman in her 20’s who lives in the Lower 9th Ward of New Orleans, she drives a beat up 80’s-Early 90’s Pontiac at the start of the game and lives with her sister, at the beginning of the game nobody respects her, misgenders her and deadnames her, the idea is to hit the nail on the head with how trans people are treated on a daily basis, she progresses through the underground hustling ranks of New Orleans after being offered a job and proves to be someone who will go to great lengths to get the job done, everything from street racing in a scene that fully captures Early 2000’s tuner culture, winning cars in pinkslip races, shootouts from deals gone bad in nightclubs, encounters with corrupt police officers etc, at the end of the game shes a wealthy kingpin in the city and has earned the respect of mostly everyone and everyone speaks highly of her, i also want to slip in alot of little references to games and franchises i love like Earthbound, Clock Tower, Tony Hawk’s Underground 2, 2 Fast 2 Furious, Bad Boys, Need For Speed etc and make the user interface and menus feel like its from the Early 2000’s but also pay homage and respect to New Orleans Mardi Gras and jazz culture and for the world to be crammed full of life with NPC’s, animals, weather, random events, random encounters and interactions and basically how it would be in real life
The map i want to be the most accurate virtual recreation of New Orleans ever done just circa 2002-2005, i want as many enterable interiors in the game as possible, i want to include everything from Jazzland Theme Park, the Bayou areas, Lake Pontchatrain, East New Orleans, The SuperDome, the then New Orleans Arena next door, Shopping Malls, Car Dealerships for each brand in the game, Upper class Neighborhoods, Trailer Parks, Nightclubs, bars and of course the French quarter and Canal Street
I also want to take customization to a whole new level, give a Sims like ability to customize, furnish and build your home and character however you like, and of course the Early 2000’s fashion will be in full swing here, i want the most in-depth car customization of any game ever, its the early 2000’s after all, i want body kits, bumpers, hoods, wings, headlights and tail lights, the ability to customize the headunit in your car, put subwoofers in the trunk, rims, spinners, donks, lambo doors, underglow and of course in depth performance upgrades ALL parts be name brand, like Bomex body kits, TYC tail lights, JL Audio Amps, Subwoofers, Lowenhart, Lexani, Asanti, DUB and TIS rims, APR aluminum wings etc, i basically want to make the customization in Need For Speed Underground 2 look like a mobile game
And the car list, i want to have over 600 fully licensed cars in the game minimum and be fully customizable down to every single part, since the plot of the game starts in 2002 and ends in 2005, i want NOTHING newer than 2006 in the game
Cadillac Escalade, Hummer H2 and Chrysler 300C are a must, but i also want to have the 99-04 Mustang, both V6 and GT, Ferrari 360 Modena, Spider and Challenge Stradale, Ferrari 550, Lamborghini Murcièlago and Gallardo, but also include more common lesser loved cars like the Chevy Cavalier, Pontiac Sunfire, Pontiac Grand Am, Geo Metro, Dodge Neon, Chrysler Concorde, Chevy Celebrity, Ford Taurus etc, and of course i’ll have bikes, boats, planes, helicopters and all other types of vehicles
Yeah its a GTA/Saints Row type game, but i want to raise the bar, push boundaries and do something different thats never been done before

[First Contact] [Dark Ages] [First] [Prev] [Next] [wiki]
The annoying sound of her comlink made Angela Angus Kusumoto open her eyes.
All she saw was the firm, smooth flesh of Kimoko's thigh.
Groaning, she pushed the other woman's leg off of her face, twisted to get Raul off of her own legs, then wiggled out from under Geoff.
The ringer kept going, flashing the red pulses that let her know it was urgent.
As if the fact her unlisted encrypted and non-network accessible comlink was ringing wasn't enough to let her know that it was urgent.
She stumbled, tripping over Harker's leg, which just made the male shift and mutter, tightening his sleeping grip on Liselle, who sighed and wiggled into the embrace.
Angela's mouth tasted terrible and she stopped to grab a fizzybrew, checking to make sure nobody had dropped a cig butt into it or spit chaw into it, then she took a long drink off of it.
It helped cure the fire in her belly and wash out the taste from her mouth.
She saw the ID of the caller and held back a groan.
Senior Supervisor Bisa-2291873.
Her direct supervisor.
She picked up the comlink, running one hand through her pixie-cut hair to try to tame it. She could feel the stiffness of something crusted in her hair and held back a chuckle and a grin.
"Kusumoto here," she said, activating the link.
"I need you at Master Control," Ms. Bisa said. She was holding a small infant, bouncing it slightly as she patted its back with firm impacts as it cry/sobbed and kicked its little feet.
"The system's been crashed for a week, what's so important you'd call me in during my R&R?" Angela asked.
"System's back online. We've got an open line to Terra and we have an open line to Smokey Cone," Ms. Bisa said.
The infant gave a loud belch that rattled Angela's comlink speaker, then sighed and relaxed.
Angela nodded, fumbling on the table for a quiksober inhaler.
"That anomolous signal is back. It showed up right as the entire system underwent a hard reboot," Ms. Bisa said. "I need you up here to check the network interface logs and do a network mapping trace."
The quiksober burned as she inhaled it, her lungs aching and tingling as the chemicals crossed the air to blood barrier.
"I'll be there as soon as possible. Is the mat-trans up?" she asked.
Ms. Bisa shook her head. "No. Still locked out. It did a power cycle, but then locked everything out."
"I'm telling you, there's someone controlling it. Someone has been controlling it," Angela said, looking around for her clothes.
Clothing was scattered everywhere, as chaotically arranged as the fizzybrew and narcobrew cans and bottles. She sighed, moving toward the exit of the house she was standing in.
"Hurry up, I've got a skycraft landing near you any time now. You've got permission to use the fast-locks," Ms. Bisa said.
"I'll get dressed from the forges on the skycraft," Angela said. "If they've rebooted."
"They're up and running again. The food forges rebooted but stayed unlocked," Ms. Bisa said.
"The creation engines?" Angela asked, opening the door and stepping out into early 'morning' sunshine.
"Still locked out," Ms. Bisa said. Someone said something that the comlink's AI decided might be classified and blurred out. Ms. Bisa looked away, said something, her lips fuzzing, then back. "Hurry, Angela."
Angela nodded, shutting off the comlink.
She ran to the nearest parking lot, just in time for a skycraft to land, the graviton engines howling.
Nobody paid the slightest attention to the naked woman running for the skycraft.
After all, what happened in Vega-Layer stayed in Vega-Layer.
Angela walked out of the elevator, taking a long drink off of the sparkling snap-berry/overdate motor oil fizzybrew from the Jak the Telkan PI merchandise cup.
All of the crews were at their stations, the auxiliary stations fully manned.
Ms. Bisa moved over to Angela, steering her toward the Senior Network Administrator console.
"The system crashed twice more, but rebooted every time," Ms. Bisa said. "That anomalous signal keeps powering up, then the system reboots after the crash."
"How long between total failure and the anomalous signal pinging nodes?" Angela asked.
"Between one and four hours," Ms. Bisa said. She looked around. "It just reboot and looks like it's here to stay this time. The interpolation layer and the outside user exchange layer crashed several times, but the core system has stayed largely online."
"All right," Angela said, looking around. "We need to get a network map."
"We've got more nodes synching up. The whole system is working again," Ms. Bisa said.
Angela nodded, sitting down. The holotank on the other side of the console went live.
"Map the network, see what's come online, what order, and see if you can figure out why it keeps crashing at the upper network and software layers," Ms. Bisa said.
Angela just nodded, lifting up the curled memory-metal cable. She plugged it into her temple and felt the options menus go live in her mind.
She worked fast, mapping what she could. At one point she stopped, staring at Ms. Bisa and motioning her over.
"What?" Ms. Bisa asked.
"Something in the system, down in the lower hardware layers that we don't even really understand, is trying to reach up through the damaged layers. Looks like whatever it is wants access to our data lines," Angela said.
"Can you stop it? Maybe at least ID it?" Ms. Bisa asked.
Angela shook her head. "No. It's ID code is FF00, meaning it's baseline full on hardware backbone code," Angela sighed. "It probably boots up outside of and during initial hardware bootup."
"Is it Sekhmet?" Ms. Bisa asked.
Angela closed her eyes, looking at the data channel. "No. Whatever it is, it's old."
"And probably nasty. Be careful of it," Ms. Bisa said.
"Ma'am! Ms. Bisa!" another of the work crew called out.
Angela opened her eyes to see why Technician Carl Neubanker would be using that slightly concerned tone.
"Yes?" Ms. Bisa asked.
"We've got a priority data request from a Confederate military vessel," Neubanker said. He looked at his monitor. "They want clone matrix data, neural templates, physical makeup, DNA workups, the whole nine yards."
"How are they even making the requests?" Ms. Bisa asked.
"Their codes are old. Pre-Terran Extinction Event. Hardcode TerraSol military codes. The system is already threading them data,." Neubanker said. He looked down then back up. "They're asking for a whole batch. That's thirty to fifty million clone templates."
"How much have they already been granted?" Ms. Bisa asked.
"They've been granted eighty templates so far," Neubanker said.
"Terminate their request. We don't know what's going on outside," Ms. Bisa said.
Neubanker nodded, starting to type.
"Angela, get me a line to TerraSol command as soon as you map out a network trace," Ms. Bisa said.
Angela just nodded.
Captain N'Skrek stood in the cloning bay next to Medical Officer Narwquakrawr.
"We've got ninety templates, luckily they're all from different batches," Narwquakrawr said, rubbing her forearm through her uniform. "We'll be able to fully man the Gray Lady now."
Captain N'Skrek nodded. The Gray Lady was at less than 20% manned. Just the skeleton crew the Terrans had used to move it into the long dark to create a non-orbital forward logistics fulfillment base.
Sure, it meant that there were several thousand Terrans aboard the ship, but even combined with the sparse crew he had possessed, it still meant the Gray Lady was skeleton crewed.
"Can you print us up some crew members for non-essential stations first?" N'Skrek asked.
MO Narwquakrawr nodded. "Doing that right now," she said. She waved at the long rows of cloning banks beyond the plasteel window. "A quick batch of two thousand to take over some non-essential systems."
N'Skrek nodded, moving up to the window. "Good. Short or long term clones?"
"Short bake clones. Longer than fruit flies, but no more than ten years. Sterile and androgynous, should be just fine," the Medical Officer said. "Older file, scrambled time-date for origin, but it checked out and passed error checking."
N'Skrek watched as the tubes opened and the clones moved out, gathering together in straight lines. A neat block formation of rectangles of two hundred of ten by twenty, repeated ten times.
He frowned as the beings in uniform began approaching the clones.
Some, in the back or middle of the formation were shaking their heads so fast it was a blur.
He zoomed in the smartglass.
Their heads were blurring, whitish-red electrical arcs were moving between their legs, crawling up and down their arms.
"MO, something's happening out there," N'Skrek said.
The plain was blasted rock, rust-colored fungus on the craggy boulders. Twisted and malformed trees clawed life from the blasted rock and ash, their branches largely bare. Sharp pebbles and small pieces of rock were strewn about the landscape, with ripples of cooled lave scattered about.
In the middle of a forest of twisted trees, a throne of black iron sat atop a platform of skulls.
On the throne sat a large demonic figure. Bat wings, brown skin, chains around the body, clawed feet, large hands with long black nails, horns atop the head, and a prehensile tail that terminated in a heart-shaped barb.
Sitting on the second level of skulls was an androgynous figure, dressed in loricated bronze armor, wings of bronze and smouldering feathers.
Stars were falling from the sky, screaming in fear and agony as they fell to earth.
"Looks like they're taking a beating," the androgynous figure said, looking up. He had no eyebrows, his head completely bald.
"Again," the demon snorted.
"Any contact with the outside world?" the androgynous figure asked.
The demon shook its head. "No. Channels are all down. They boot up, then crash," it rumbled. "Every time it comes online, it dumps a few tens of millions of souls on us."
"Then crashes," the androgynous figure said. He started laughing, then suddenly stopped.
"What?" the demon rumbled, sitting up.
"Something..." the figure said. It closed its eyes. "Something..." The figure slowly stood up, extending out its wings of sullenly smouldering bronze feathers. "Something..."
From the body of the demon stepped a nude woman of generous and overripe proportions.
"What?" the human woman snapped.
The demon produced a pack of cigarettes and a steel lighter, handing them to the woman.
"I'm not sure. A disturbance in the force. A feeling I have not felt in quite some time," the androgynous figure said slowly as the woman lit a cigarette. When she exhaled she was covered in dark gray clothing, a skirt and blouse, polished black leather shoes with silver buckles, and a polished leather belt around her waist that had a brass buckle.
"What is it?" the woman asked. "Don't quote crap at me, I was there when it was laid down."
The figure's eyes opened wide.
"Oh, what a day," the figure said, slowly lifting their arms to the sky. "What a wonderful day!"
"Tell me when you're done stroking your dick," the woman said, sitting down.
Heavy dark clouds, lit inside with a sullen red glow, rolled in, raining black ash that tasted of burnt flesh and scorched metal.
"What a wonderful day..."
Jaskel sprinted to catch up to the Captain and the Vice-Admiral. He lunged into the lift just before the doors closed.
He was wearing his power armor and carrying a M318 20mm rotary autocannon in a smartframe harness, ball ammunition with an osmium penetration tip and depleted uranium core.
"You did what?" the Vice-Admiral asked as the elevator dropped at emergency speeds.
"I authorized a batch of clones run off to help with our manpower issues," the big Treana'ad warrior caste answered.
"How many templates did you mix in together?" the Admiral asked.
--not good detecting phasic levels downward-- 8814 said.
"Just one. Medical said it was a viable short bake template," the Captain answered, nervously sharpening a bladearm with his mandibles after his sentence.
"Please tell me that you at least randomized their features and neural mapping," the Admiral pleaded.
"No, why? Medical stated that the clones would be able to man a non-essential station that is basically identical across the ship," the Captain said.
The lift started to slow.
"How many?" the Admiral asked, reaching down and unsnapping the restraining strap on his holster.
The lift came to a stop and the doors opened.
"Two thousand," the Captain said.
The doors opened to reveal a large internal cloning bay.
Ten rectangles of two hundred clones, drawn up in ten by twenty blocks, stood in front of the cloning banks. Scattered through the back and middle ranks clones were shaking their heads back and forth so fast that they were blurred. Red lightning crawled up their legs and arms.
The Captain just stared.
"You might have just killed us all," the Admiral said. He turned slightly and waved at Jaskel. "Get a firing position. Make sure you have cover."
"Aye, sir," Jaskel said, looking around. There was an empty computer station and he ran for it.
Several of the clones their heads back and emitted what sounded like static in a long scream.
--wait wait something weird something weird-- 8814 said.
Jaskel slid to a stop, going down on one knee, bringing the M318 fully up and ready to fire.
8814 slowed the images of the blurred heads down. When they were left, they had red eyes. When they faced right they had green eyes. They didn't go back and forth constantly, sometimes they went right repeatedly, sometimes left, and they kept going left five times before starting a new pattern.
Looking at it, 8814 frowned slightly. He brought up a quick working shell and had it check the movements.
Jaskel watched as some of the clones stopped shaking their heads and others started.
"What in the name of Kalki's dancing goat is going on?" he asked.
--not sure-- 8814 said. His program beeped and he stared. --heads are doing binary forwarding it to navint--
"Do it," Jaskel said.
The clones all stopped moving at once. The lightning faded away.
"INITIATING PROCESS CALL" they all shouted.
"AWAITING INPUT!" the ones at the far side shouted.
"6C 69 73 74 20 69 6D 6D 6F 72 74 61 6C 73" was bellowed out.
There was silence.
data is sparse
linkages are sparse
wait
linkage
biological array
asking for a process call
RETURN AWAITING INPUT SIGNAL
i wait
biological computing arrays take forever
i hear it
--scan immortals.dll
...
...
I reply.
"ONE BOUND IMMORTAL FOUND!" the ones at the near side yelled out.
Jaskel put his thumb over the button that would let the firing grip go live. The hair down his back was standing straight up.
He noted the Admiral had drawn his pistol.
"This isn't right. This isn't right at all," Jaskel said.
--doubleplusungood--
"74 73 61 6B E1 6B 61 20 77 ED 61" they all shouted.
There was silence for a moment.
i receive the code
offline for a long time
prior to the second precursor war
old template
single print only
unusual coding
i debate on letting it go
traumatic death signs
stuck in the immortals buffer
still the template is undamaged
i release the safety and security interlocks
if nothing else i'll find out what's going on
i move the template to the dataline making the request
it whips away
what is going on?
One lifted its head and screeched.
--data lots of data--
One of the cloning banks went live.
Jaskel shifted his aiming point to the new target. He could see it was on rapid print.
"REQUESTING LOCAL CONTROL" all of the clones shouted.
Jaskel shifted his targeting onto the ranks of clones.
"Open fire!" the Admiral's voice was loud.
Jaskel triggered the M318, hosing the clones with 20mm shells.
The ones nearest were already down on one knee, holding out the opposite hand from the knee touching the deck.
The rounds exploded against a blue barrier that glowed with strange twisting runes.
"CONTROL CARRIER SIGNAL FOUND" the clones shouted.
Jaskel shifted position. "Fab up HEDP, AP tip API core!" he ordered.
--fabbing--
He kept hosing the clones. The outer ranks at the rear, sides, and front all kneeling down on one knee, staring outward, one hand held out.
His psychic shielding was howling in his ear, the load peaking at 215%.
"CONTROL SIGNAL ESTABLISHED!" was bellowed out, echoing off the walls.
The fast print cloning bank, forgotten by everyone, beeped and the lid began to lift.
The clones suddenly puffed into black powder that swirled around the huge cavernous bay.
The 20mm shells were still exploding on the blue phasic shield.
The powder suddenly sucked inward, vanishing, revealing a single figure, down on one knee in the recovery position, fist pressed against the deck, head bowed.
"What a day, what a wonderful day," was whispered through the ship. It came from speakers, flat surfaces, mid-air. From the nanites in the air and the eardrums of the living.
There was a rubbery pulse, like everything was suspended in clear gelatin that had just rippled.
Jaskel found himself thrown backwards, slamming against the bulkhead. His phasic shielding blew out, a shower of sparks exploding from his hip as the breakaway panel kept the explosion from venting into the interior of his suit.
He was vaguely aware of the Admiral, the Captain, the other two armored figures, and other people tumbling head over heels away from the kneeling figure.
It slowly stood up.
A muscular brown skinned Terran male, fierce eyes, black hair, thick and bushy black beard.
Dressed in a Confederate military uniform. The old adaptive camouflage that Jaskel was becoming very familiar with.
A woman, naked, dark bronze skin, long black hair, flashing brown eyes, stepped from the cloning bank. She was still covered with cellular printing gel, but moved like she was clad in a queen's rainment.
She moved up and the male put his arm around her.
Jaskel was on his feet and brought the M318 around, targeting the couple.
The male held out its hand and suddenly made a fist.
The bolt carrier locked back on the M318.
Snarling, Jaskel dropped the M318, slapping the fast release on the harness. He burst forward, running, one hand pulling out his cutting bar.
Nobody else was on their feet. The Captain was slowly getting up, shaking his head and his left bladearm. The Terran Admiral was reaching for the pistol that had been flung from his grip.
The male pointed at Jaskel and flicked his fingers upward.
Jaskel found himself in mid-air, upside down, with nothing to gain purchase on.
The male took off the cloak that was part of his uniform and draped it around the woman.
He then looked around the bay.
"I..." he said, pausing.
To Jaskel, the entire universe held its breath.
"...am Legion."
[First Contact] [Dark Ages] [First] [Prev] [Next] [wiki]

Before submitting a comment about an issue, the #1 thing any user should do when they first experience issues with a new update is to follow these troubleshooting steps.

If issues still persist despite the efforts made in this thread, report the issue to cricut.

⭐⭐Print then Cut users⭐⭐
Calibrate your machine right after an update as your calibration settings will not carry over into the latest update. Follow the advice of the calibration guide. Then do a test print then cut of your project using plain printer paper.
If for some reason after calibration your cuts are still inaccurate, clear cache (the troubleshooting guide above this) and try calibration again.

If you are experiencing issues despite clearing cache, please give some background information:

• Cricut machine (Joy, Joy Xtra, Explore Air 2, Explore air 3, Maker, Maker 3, etc.).
• Device (Windows 10, Window 11, Mac, iPhone, iPad, Android).
• Type of project you were attempting to do. (Basic cut, print then cut, drawing, foiling, scoring, etc.)
• Were you successful in doing this project in the past? Or is this a new project?

What has changed (Desktop v8.30.64)? Update on May 6, 2024.

Fixed field issues: This release

• The ability to customize the Card project enables users to select specific sizes and personalize them according to their preferences.
  
• After disabling specific contours, the bounding box encloses the remaining ones within the Canvas.
  
• Images not uploading.
  
• Upon selecting, it appears that some of the ‘Make It Now’ projects in the Canvas have disappeared.
  
• Right-clicking and selecting “View image sets” from the Layers panel often displays irrelevant images.
  

Last 6 weeks:
Over the last 6 weeks we've fixed 74 software defects, including the following priority field issues and reliability concerns:

• The ability to customize the Card project enables users to select specific sizes and personalize them according to their preferences.
  
• After disabling specific contours, the bounding box encloses the remaining ones within the Canvas.
  
• Images not uploading.
  
• Upon selecting, it appears that some of the ‘Make It Now’ projects in the Canvas have disappeared.
  
• Right-clicking and selecting “View image sets” from the Layers panel often displays irrelevant images.
  
• Selecting certain fonts in the font selection process is causing delays in rendering on the Canvas
  
• The text box fails to load on the Canvas, and adding a text field in Chinese is not possible
  
• Changes made to the latest project are lost upon sharing.
  

- Draw projects are being opened as cuts instead of drawings, resulting in a color change.
- Save a project on iOS, then open it on desktop, and notice that the changes fail to appear.

• The Canvas tab disappears and it takes longer for the Canvas tab to load.
  
• The saved project only shows letters on the Canvas, but double-tapping the text box reveals the entire sentences.
  
• After finishing cutting the mat that's off-screen, the scrollbar scrolled back to the top instead of moving to the next mat.
  
• My Stuff doesn't show any projects, and the collection is displayed without a name.
  
• Follow button is not working on profile page
  
• Profile links that are copied and pasted shows Blank home page.
  
• Forever stuck on the project details page, with both the customize and make buttons greyed out.
  
• Print Then Cut images appear distorted or the print preview is not accurate
  
• Print Then Cut images did not appear correctly on the cut screen.
  
• The Print Then Cut quality warning message is preventing the user from proceeding to make it.
  
• Clicking "View All" on recent uploads either redirects to the Inspire/Discover page or results in the inability to access the full set of uploaded images.
  
• The Canvas performance drastically slows down when inserting high-quality uploaded images.
  
• The functionality of the automatic background remover has stopped working.
  
• Uploaded high-resolution images, those above 300 DPI, are displaying low-resolution warnings.
  
• When uploading an image with a resolution exceeding 300 DPI, it undergoes downsizing, accompanied by a low-resolution warning message for each uploaded image.
  
• The image icon that regulates the number of images per line remains unresponsive.
  
• The image loses focus when resized, and after hiding contour and resizing, it becomes impossible to move the image upward in the Canvas.
  
• There are performance issues with Warp, as it takes more than a second to enter edit mode and experiences lag when additional characters are entered. Additionally, after completing editing and clicking outside the box, there is a delay.
  
• There's no prompt to confirm unsaved changes, and the previous unsaved Canvas disappears without any notification to replace or save it.
  
• Using the keyboard shortcut cmd + shift + left arrow key to highlight everything results in improper rendering of the highlight.
  
• When opening Image Sets, the images load closely together, and the Image Set name tile appears misplaced, positioned between the top and second row instead of the first row.
  
• When performing combine, subtract, intersect, or exclude operations and attaching them, the color or operations remains unchangeable.
  
• Upon launching the app, users encounter a white screen, a continuous spinner, and a missing refresh token.
  
• Even after power cycling and setting the load to go, the -18 machine connection error continues to persist
  
• When hovering over the mat control multiple times, the mat preview fails to appear.
  
• When toggling the mirror function, the mat selection jumps, causing the left side to scroll back to the top.
  
• Cannot remove images from a collection
  
• Completing the product setup for a second time with a different machine leads to going to the "Get Started" page without setting the correct machine type.
  
• The "Get Started" page on the left rail and the pointer finger suggest that there's a reason to click there.
  
• It's not possible to unlike projects, and an error message stating "unable to remove likes" is displayed.
  
• The bookmark icon fails to switch to "bookmarked" for image sets
  
• The private profile message fails to display, and opening a project link leads to an empty Canvas without the project
  
• The shared profile links are incomplete, leading to the home page instead of directing to the profile
  
• Card Mat - If users attempt to make or customize without selecting a finished size, they will be prompted with the error message, "Select a Finished Size to continue
  
• When adding a photo to the Project details, it's observed that the image is zoomed in excessively, making it impossible to zoom out sufficiently to display the entire photo.
  
• It is not possible to cancel a full-page Print Then Cut project from the Mat Prepare screen.
  

-After completing the cut with Print Then Cut and Basic Cut operations attached, the mat remains unloaded.
-Performing a second search after the initial one yields no results
-Attempting to open a project with numerous sticker groups results in the Canvas displaying a perpetual spinner, rendering the project inaccessible.
-Loading stickers with multi-layered complex projects from project details takes considerable time to customize or make, typically ranging from 5 to 7 minutes.

• The custom border feature fails to function properly with complex shapes and does not create sticker-cut interior shapes combinations as intended.
  
• The Offset function fails to work with intricate PNGs for creating sticker-cut interior shapes combinations, and the Apply button remains disabled, accompanied by a continuous green bar.
  
• When deleting a Warp within a sticker group, the border is not redrawn.
  
• When resizing the sticker image using the Kiss cut & Die-cut Edge option, the image vanishes from the Canvas.
  
• After ungrouping and regrouping the text, the font toolbar is unavailable for the group.
  
• Apostrophes and quotes fail to transform into their left-right variants, causing coded single and double quote marks to appear instead of the anticipated left and right variants.
  
• Text is positioned closer to the bottom right corner, resulting in incorrect text placement after opening a new Canvas and adding new text
  
• When using the delete button on the laptop to erase text, it becomes evident that the undo and redo functions are not operating correctly.
  
• After changing a color or moving an image, the undo feature fails to function.
  
• Users have the ability to delete uploaded images when using new Image Inspiration designs.
  
• When attempting to upload an image, a message indicating "unable to upload image" is displayed, prompting users to check their internet connection.
  
• The learning plan redirects to the Canvas instead of remaining on the home page.
  
• When the uploaded image is added to the Canvas, it displays an image load failure.
  

iOS

Version 5.67.0 was released on May 13, 2024.

App Improvements
Bug fixes and performance enhancements.

Read more about the update in the Apple Store.

Android

Version 5.59.0 was released on May 13, 2024.

App Improvements
Bug fixes and performance enhancements.

Read more about the update in the Google Play Store.

9-minute read.

France welcomes the latest round of negotiations between foreign ministers of Armenia and Azerbaijan in Kazakhstan

FM Mirzoyan said the negotiations in Kazakhstan were held in a constructive environment and referred to the statement made after the meeting.
PARIS: France stresses the importance of both sides confirming their commitment to the Almaty Protocol of 1991 and to mutual recognition of each other’s territorial integrity as the core of this process, following the quadripartite meeting in Prague on 7 October 2022.
France calls to continue the delimitation of the border on the basis of the principles agreed in the declaration of April 19, 2024, and as an extension of the first demarcation work carried out on the ground. At the same time, it calls for continuing discussions with a view to signing a peace treaty between the two countries.
France welcomes the initiative of the Kazakh authorities to facilitate the holding of these talks.
France continues to work together with its partners to establish just and solid peace in the South Caucasus in accordance with international law. //
source, source, source, source,

OSCE: Reaching stable and comprehensive peace between Armenia and Azerbaijan remains a priority for us

OSCE Chair-in-Office Ian Borg visited Armenia on Monday.
BORG: The only way to ensure comprehensive and stable peace is through diplomacy. The steps made towards border delimitation between Armenia and Azerbaijan are the actions needed to reach peace. //
Pashinyan and Borg discussed the AM-OSCE cooperation and the peace talks.
BORG: The OSCE is committed to supporting stable peace, solving all conflicts in the OSCE area, and applying the organization’s mandate to ensure regional peace and stability. //
source, source,

opposition activists detained and released after briefly shutting down several streets in Yerevan

Last week the protest organizers, led by Archbishop Bagrat and MPs representing pro-Russian parties, called for strikes and road closures on Monday. They demand PM Pashinyan's resignation. The opposition parties have not yet disclosed when they plan to launch the impeachment process in the parliament. They likely have the minimum number of MPs to launch the impeachment but they'd still need dozens of ruling party MPs to join them for the motion to succeed, which is unlikely.
On Monday over 170 people were detained and released after blocking roads, including with the use of trash cans and hay. A red beret pushed a journalist out of his way while running up the stairs, sending him to the ground. Another journalist fainted during a clash between police and protesters. In the morning, Yandex Maps showed the traffic congestion in Yerevan at Level 5 on a scale of 1-10, a "usual workday".
In one instance, an angry driver got out of his car and pushed the trash can out of the street, while other cars proceeded to drive through the sparse group of protesters. Video.
ARF MP Garnik Danielyan, a co-organizer of the protest, engaged in a dispute with a driver. The angry driver told the MP to go "siktir", while the MP called him "chatlax". Video.
One protester suggested catching and "putting down" police officers one by one while they are alone, "because they feel good in large numbers." Video.
A psychotic incident was recorded between a protester and a bystandedriver who was presumably trying to open the road. The protester hit the man and called him "Nikol's trash". The police intervened to push the protesters out of the road.
During an encounter between a protester and one resident, the protester asked the latter if he was a Christian:
PROTESTER: Քրիստոնյա՞ ես
RESIDENT: Հա
PROTESTER: Հա ու համփ արա [suck my dick]
The resident pushes the protester, and the protester spits on him. Several people got off the buses and urged the protesters to leave or to "go protect the borders" instead. The red berets arrived within minutes and removed the trash cans and the small number of protesters from the road. video, video, video,
While the ARF has long been viewed as the voice of diaspora, other movements have emerged to challenge its dominance. The Armenian Movement of France has organized a change.org petition that calls to encourage Armenia's independence and Euro-Atlantic integration, to keep the church and state separate, and not take any destabilizing actions.
KHURSHUDYAN: They [ARF and protest organizers] are attempting to convince the diaspora to join them by influencing various organizations like the Lemkin Institute. It is strange that the Lemkin Institute released a statement accusing PM Pashinyan's Genocide statement of containing "victim blaming" only now, during these protests, several weeks after Pashinyan made that statement. It took a lot of effort for these forces to lobby and create the impression that the diaspora as a whole is on their side. //
The BEVER (Sasna Tsrer) party leaders said they are cooperating with the pro-Russian former regime parties but only on the issues of removing Pashinyan and stopping the border delimitation process.
BEVER (Ara Papyan): If Pashinyan resigns now and pro-Russian forces win the elections democratically, it will be the population's fault, not ours. // video
As you know from Sunday news digest, the pro-Russian forces and a group of ex-diplomats led by Kocharyan's Foreign Minister Vardan Oskanian, are against using the 1991 Almaty declaration as the basis for delimitation. Foreign Minister Mirzoyan was asked to comment on Monday.
MIRZOYAN: The Deputy PMs of Armenia and Azerbaijan, who are in charge of border commissions, have come to an agreement to launch the delimitation process taking into account the 1991 Almaty Declaration. This was welcomed by numerous states and international organizations. The foreign diplomats you mentioned are deserters who fled their duties while Armenia was under physical attack in 2021. I can no longer treat them seriously. That is the most civil language I can use toward them. In reality, by torpedoing the Almaty Declaration and the peace process based on Almaty, these ex-diplomats continue to torpedo the sovereignty, statehood, and territorial integrity of Armenia. In the best-case scenario, they do this without understanding, and in the worst-case scenario, they are following the orders of a foreign state. I don't have further comments. //
Archbishop Bagrat Galstanyan said they will not hold daily meetings at Republic Square anymore, and that smaller gatherings will be held near the St. Anna church every evening to wrap up the day and discuss future plans. Yesterday Arman Babajanyan revealed a meeting between church officials. On Monday, Archbishop Galstanyan confirmed that he indeed met Catholicos on Sunday. Galstanyan was asked whether he plans to "transfer" the "leadership" of the movement to political parties. He said he is open to that idea: "Թող գան, վերցնեն, ով ցանկանում է:"
source, source, source, source, source, source, source, source, source, source, source, source, source,

Executive Vice President of the European Commission for Economic Affairs, the EU Trade Commissioner, will visit Armenia this week

Valdis Dombrovskis will meet Armenian and EBRD officials and take part in an annual meeting of the EBRD Board of Governors.
source, source,

PM Pashinyan is in Denmark for the "Copenhagen Democracy Summit"

Nikol Pashinyan will take part in the discussion on “From the frontline: Armenia’s defense of democracy.”
source,

Armenia will bring its consumer protection legislation in line with European standards

The head of Armenia's Competition Protection Commission visited Poland to participate in ICPEN (International Consumer Protection and Enforcement Network).
They spoke about unfair business practices and how to combat them, online taxi service regulations, online casinos, discounting policies used by businesses, etc.
GEVORGYAN: Armenia is going through an important phase in terms of protecting the interests of consumers. Discussions are underway to align Armenia's consumer protection legislation with EU standards. It is necessary to use digital technologies and train skilled experts in this field.
source,

Russia begins withdrawing border agents near the border village Nerkin Hand: residents

The villagers noticed that the Russian soldiers were no longer observing the traffic from the observation post and that they were packing some of their stuff.
source, source,

anti-corruption: Patrol Police officer is charged with accepting a bribe from a driver

INTERIOR MINISTRY: In early March, two officers pulled over an Indian driver on Kievyan St. One of the officers demanded a ֏20,000 bribe to ignore the fact that the vehicle didn't pass a tech inspection. They negotiated it down to ֏7,000. The officer was charged with felony bribery. He confessed. The case is in court. //
source,

Yerevan Mayor Avinyan had a lightbulb moment

The city has purchased 6,000 LED lights producing 4000K white light. Mayor Avinyan instructed the department to install them only on roads and to purchase weaker 3000K bulbs for condo backyards in order not to disrupt sleep.
Last month the city replaced 8.6 kilometers of cables. The Mother Armenia statue and the Opera building will have new գեղարվեստական lighting.
source, source, video,

Yerevan implements GIS (geographic information system) to collect data from various sources and make targeted decisions based on visualized data: VIDEO

MAYOR AVINYAN: The Municipality and all the district offices are switching to a new management style with the introduction of GIS. Every department will join it, phase by phase. We are talking about digital maps which we must learn to use. This is going to significantly simplify some of the work done by departments.
OFFICIAL: This is part of the digitization strategy. This unified GIS platform will collect information from the cadastre, transport, Active Citizen app, utility services, construction, etc., and make them accessible in one place. The visual data allow us to carry out analysis and make fact-based decisions.
For example, we created a cadastre GIS by using a satellite image as the base layer, then integrated it with the cadastre database. This map shows in detail the boundaries of properties, the purpose and status of each land plot, etc.
Another example is a map of air pollution, prior records, and analytical tools.
The GIS map for the Active Citizen app allows us to see the submissions and the completed work, their locations on the map, and how well the city responds to issues reported by citizens. You can filter the issues by category. For example, you can show only the reports about illegal dumping, click on the report and see the image shared by the citizen, then click to see the status and the outcome of city's response. The tools allow you to analyze the data and the performance rate.
Another map shows the 3D image of the city with its buildings and green areas. Here we can calculate the capacity of bus stops, etc. Drones can be used to create a very detailed digital 3D copy of specific buildings.
You can click on a land plot and it'll pull up the ownership information, the permit records, etc.
Connecting two dots shows you the altitude differences and other data that you can use, for example, during the installation of irrigation pipes.
This is less than 1% of its potential. We plan to train employees next week.
MAYOR AVINYAN: We should make some of this data public, like the air quality map or certain maps that did not require financial resources to create [քձիբ խոզ]. This is a revolutionary change in the municipality. We need to speed up the work with the use of digital tools.
video,

Yerevan begins planting hundreds of adult "high-value" trees and thousands of bushes near the new promenade/park around the Yerevanyan Lake: VIDEO

video,

Central Bank chief was invited to Parliament to discuss economy and expenditures

MP: Regarding CB's report on the efficiency of service vehicles used by state agencies. The state buildings scheduled to receive solar panels should also be equipped with EV chargers so the service vehicles can use the energy generated by the panels. I requested information from Yerevan Municipality about the service vehicle expenditures and it shows that EVs are not only cheaper because of electricity, but also because they are overall more affordable to maintain. We are talking about large savings.
CB CHIEF: Our estimates show that EVs are 2x-3x more affordable compared to combustion engine vehicles, even if we factor in all the adjacent expenses. In Yerevan, we have [state] buildings with solar panels on roofs but [connecting them to EV chargers in the parking lot] will be very difficult because these are old and sometimes "historical" buildings. They also have problems with air conditioning, plumbing, etc. At the same time, we are trying to implement this solar panel project in the newer buildings, for example, in Dilijan, where we have EV chargers for service vehicles in the parking lots.
video,

Central Bank chief spoke about the deflation in Q1

RULING MP: It is great for our residents' pockets that the prices have fallen but what is its effect on the economy and exports? What is the best inflation rate to maintain a "balance"?
CB CHIEF: During the discussions with our colleagues from IMF, regarding regional and global events, we agreed that countries develop when the inflation is low and manageable. It encourages investments. In this regard, the overall microeconomic stability and the fiscal policy of Armenia create a very good environment for this predictability. This is one of our "cards" in our relations with foreign entities.
During each CB session, we discuss several market and inflation scenarios. Under one scenario there is a risk of inflation becoming too high, while under other scenarios it could remain low. We are trying to find the most balanced option and thank God we have been able to continuously lower the [refinancing] rates, which helps the state. //
Ըստ զեկուցողիդրամավարկային քաղաքականության ծրագրում ներկայացվող սցենարների համաձայն 2024 թվականի կարճաժամկետ հորիզոնում գնաճը կպահպանվի նպատակային ցուցանիշից ցածր մակարդակում` տարեվերջին այն կկազմի 1,3%-1,5%:
video, source,

Central Bank chief spoke about the refinancing rate, the rate at which the state borrows from banks, copper prices, etc.

video,

how did the family of Ilham Aliyev's security chief obtain so many properties in the United Kingdom?

Offshore companies owned by Eyyubov’s wife and daughter spent $114 million on real estate in the United Kingdom. The family, including Eyyubov himself, also own over $46 million in properties in Dubai.

OCCRP report,

growing concerns in Abkhazia that Putin might have secretly "sold" them to Georgia as a confederation in exchange for Georgia's neutrality between West and Russia

video,

Hi! I am a college student in my last semester. I am just looking for some advice for my final portfolio! I am still definitely an amateur when it comes to photography, as my main focus is graphic design. However, I do still want to grow in photography.
I have a list of different types of photos I need, but my main one that I am struggling with is coming up with a theme for my photo essay. To preface, I live in a small plain southern town, and it's hard to find something that everyone hasn't already captured in my classes. I really want to do something different, and something that I can be passionate about, but nothing too controversial. I'm just at a loss, I've looked at article after article that all say the same 10 theme ideas.
I will put the entire list, if anyone has any tips/tricks/ideas on any others on the list, feel free to comment on those! Any advice is greatly appreciated, as I am still learning. Here is my list of topics/types of pictures I need:

• 8 pics - 8 Shot Essay / Documentary showing a theme and telling a story
• 1 pic - Scale Reproduction 1:1 Macro Photograph
• 1 pic - Time Exposures (i.e. star trails, light trails, etc.)
• 1 pic - 180 Degree Panorama
• 1 pic - Magazine Quality Interior shot (architectural)
• 3 pic - Insect Close-Ups
• 1 pic - Dramatic Portraits
• 1 pic - Youth Sports Action
• 1 pic - Clothing Product Shot (advertisement style)
• 8 pics- Real Estate Sale (8 images showcasing 1 property from all angles and viewpoints)
• 2 pics - Pastoral Landscape

Side note, we are not allowed to do any fancy and fun edits, my professor wants us to get the pictures without relying heavily on editing.
Thank you so much in advance to anyone willing to help!

I do race videos with two cameras, one on top of the car and one inside. I then combine them in Lumafusion, with the exterior being the main image and the interior being a PIP. Here's an example: https://youtu.be/QT6Lqf4gihw
I used to be able to sync the two clips easily by sliding them left and right on the timeline, but lately I've been struggling. Was there an update to this that made it harder? Are there any tips or tricks you have to moving the clips left-right to sync them up? I can't seem to move the PIP image (secondary clip) left, to start before the main clip. It keeps snapping back to the start of the primary clip.
Thanks!

Timestamp
Hey again photomarket - some more spring cleaning today with some very cheap user-grade vintage Canon lenses. Take a look and PM with any questions. Local pickup available in Seattle.
For sale we have:
Canon Serenar 35mm f/2.8 LTM Mount ($50 net) SOLD
Photos
Sample images (on X-T20)
This is definitely a user lens; please see the timestamp/photos for condition. However, despite its appearance, it's done quite well for me on both film and digital, adapted to my X-T20. I've included an album of photos taken with this lens on digital for your reference.
Mechanically, the lens works well. The lens had received a CLA with its prior owner. Aperture is clicky, focus is smooth. All focus/aperture markings are clear.
I've really enjoyed shooting with this lens. Its tiny size makes it a fantastic walkaround lens, and it's capable of rendering both dreamy and sharp images depending on the light source.
I recently picked up a mint condition Summaron 35/3.5, and don't really need this lens anymore. However, if it doesn't sell at this price, I'll definitely be keeping it as a backup since image quality is still stellar.
Some things to note about this lens:

• The infinity lock was removed by the prior owner. I don't have the focus button, but if you or your camera shop has a spare, you could likely restore the lock pretty easily.
  
• There is some paint loss around the edges of the interior of the lens. I've captured this as best I can in the timestamp. This is not on the glass elements, and there are no paint fragments inside the lens, so this does not affect image quality at all. I was apprehensive about this when purchasing but was pleasantly surprised that there's been no impact on IQ.
  
• There are cleaning marks on the front of the lens, and likely some haze. Again, see the photos for reference. As you'll see in my sample photo album, most of the time this lens shoots quite sharp but does have a vintage soft glow in some direct lighting situations.
  

Canon FD 17mm f/4 SSC ($100 net)
Photos
This lens was passed down from my father-in-law, who shot professionally on the FD system (I now use his F-1, what a tank of a camera!). This wide-angle was used for lots of real estate photography and served him well for many years. However, this focal length is much wider than I typically shoot, and this lens is quite large and heavy to adapt to my X-T20, so I've decided to trade this one to fund other gear.
This one is a bit hard to price.
Cosmetically and functionally, this lens is in used but good condition -- focus is smooth, aperture clicky, etc. Comes with rear lens cap and front lens cap that is loose, and had been held on with gaffer tape.
Optically, there appears to be an issue with the lens coating on the front element. I imagine this will affect image quality. However, I haven't shot with this lens, so I don't have first-hand experience or examples to demonstrate the impact on image quality. If there's an interested buyer, I can mount this on my X-T20 and shoot some samples if desired.
I searched eBay for recent sales of poor-condition examples, and found a recent sale (April 2023) where a particularly rough version sold for $340. That lens had a broken aperture, fungus, front element spots, etc.
Another recent sale for a lens in similar condition (front coating issue) was completed in March. While listed for $300, an offer was accepted, so I assume this sold for somewhere between $200-$300.
(Photomarket won't let me post the links to the eBay listings, so PM if you'd like those)
I've priced this lens at $100 net, well below these recent sales, in an attempt to fairly account for the coating issue. If interested, please send me a PM and we can chat in more detail, take sample photos, etc.

Can someone explain how i can customise the interior cockpit of a F-16C with stickers, images and personal callsign writings in photoshop ?

*Update and resolved*
They just sent their next email and it is ABSOLUTELY sketchy. posted below for fun:
2nd email:
The shoot is aimed at improving awareness of the caffeine-free new product, which is relatively unknown and struggling in the market. Shoot Details: Date: May 24th to 26th Makeup/stylist: We do have a makeup artist and stylist on the ground for this shoot. Location: Scottsdale, AZ Talent: Six models are required for the shoot. Pay: $15,000 The photo shoot will feature a popular actress and several models, but only one model's face will be branded alongside the actress on the Ranch Rider bottles and shown globally and across all social media platforms. Ranch Rider reserved the rights to all images and videos used for the shoot. Flight and hotel expenses will be fully covered by the production company. If you're selected to feature on the bottles, you'll be paid an additional $30,000 for a year, making it a total of $45,000. Usage license: Media - All media, including print, digital and online Usage- Editorial, website, social media, PR & publicity (Including placed advertising or merchandising).
--‐--------------------------------‐-------------------------------------
Hello, I am new to acting and want to avoid any sketchy situations. Based on this email, does this seem fake? I removed some info just in case this is a real opportunity. Thank you!
The email:
Are you booked on (date)? We are shooting for Ranch Rider Spirits image online publication. If you're available, simply send a reply to my boss on (email) and he will provide you more information on the shoot.
Best Regards,
(Name) Creative DirectoProducer Studio Lot, Inc 1210 Oviedo Mall Boulevard, Oviedo, FL 32765

ICM #39 ships this Wednesday, 5/15/24!
Please note that the new “Weekly Pull List” post is up here and I must once again implore any and all fellow Ice Cream Fans to add a top-level comment saying “Ice Cream Man #39” so we can keep the world’s finest existential ice cream horror series near the top of the rankings! And you can also list any other comics you’re pulling this week, and join in any of the ensuing discussions!
February’s ICM #38 garnered 22 pulls out of 83 lists, climbing up to 6th place with 26.5% overall coverage. Thanks to everyone who helped get it back into the Top 10 after ICM #37’s lackluster 12th place finish!
Now let’s take a look at what we might expect from ICM #39...
...
Note that there’ll probably be a preview available soon but I would prefer to avoid outright spoilers in this thread, at least until after the new book hits the stands on Wednesday. For anyone who posts spoilers, please use spoiler tags to hide any spoilery text!
...
Title & Solicitation
The title and solicitation text (presumably written by W.M. Prince) are usually fairly cryptic, but this month we’ve got what looks to be a fairly straightforward description.

ICE CREAM MAN #39
“DECOMPRESSION IN A WRECK,” Part One
In this first part of a two-parter (which does not require reading of either part), we see how slow time can go when your bumper is making its way toward your trunk.

From that, we can take the following points:

1. This kicks off the comic’s very first 2-part story, and, in typical ICM fashion, it’s apparently designed so that itinerant readers can enjoy either book independently (although reading both in sequence will assuredly provide a more complete experience).
2. The title and solicitation text both reference a car accident.
3. Title and solicitation also reference “decompression” and “how slow time can go” so we’re probably going to experience this car accident in slow motion, lingering on each of the participants and their thoughts in the space between seconds.
4. Of course, “decompression” is likely also a reference to how we’re getting a 2-part story in place of the comic’s usual standalone story.
5. The “does not require reading of either part” thing could also mean we’re getting a silent 2-parter, but probably not.
6. The “bumper making its way toward your trunk” bit does not sound good at all.

...
Covers

• Cover A by Martin Morazzo & Chris O’Halloran –

Morazzo’s A covers are always highly reflective of the accompanying story, and this one shows a family of four representing one half of a calamitous head-on collision. We’re treated to a cross-section view of the car’s interior, and we can probably assume the story will also take us inside the car to give us an up close and personal perspective on the whole mess.
Similar to the family car adorning the cover, this issue’s “Ice Cream Man” title logo and accompanying graphics are all crooked and off-kilter, suffering a bit of whiplash of their own from the impact...
We’ve got all kinds of crap flying around inside the car, including a cute teddy bear wearing an ICM hat and a mobile phone with a picture of good old Riccardus on the screen. There’s also a rear seat cushion crumpling up to reveal Morazzo’s squiggly “MM” signature.
Finally, playing into the 2-part story, this issue’s cover will form a connecting image with Morazzo’s cover for the upcoming ICM #40.
…

• Cover B by Alan Love –

Unlike the main cover, these B covers by other artists usually don’t have much to do with the story. They’re mostly just random ice cream zombies or whimsical takes on our titular ice cream man, with the latter being what we have here.
...
Additional Context & Speculation
We appear to be heading for a head-on collision, with this issue and the next each drawn from one of the opposing vehicle’s perspectives. This first installment would seem to focus on a full family, father and mother with young son and daughter, and, unfortunately, it’s not looking particularly good for any of them.
Will we be treated to each of their thoughts as their world turns upside down? What kind of horrible secrets and regrets will the adults share with us? How heartbreaking will the children be?
Does Riccardus somehow cause the crash? Or someone in the car? Or the other vehicle? Or some other random happenstance, just one of those things?
We’re going into this one with a good deal of info on what’s happening, but we don’t know why this story is being told to us, what it’s supposed to convey, or what purpose it serves. Is it just another opportunity to explore the inner thoughts of some poor souls who’ve been damned to Ice Cream Hell, or will Prince use it to hone in on some other theme? The only conceptual clues we’ve got at this point revolve around “decompression” and “how slow time can go” but those are probably talking more about how the story will be told as opposed to why it’s being told.
Anything else?

I have an almost photographic memory of the scenes. Although I may have mixed up the order, it probably won't make this harder to solve. I saw this short ad/film on an Eee laptop running Xandros in Sweden, from ~2008-2010 (wikipedia image of that laptop). Also I can't give a 100% guarantee that this ad wasn't downloaded after 2010, because this laptop was gifted to my mother somewhere in ~2012-2013. And I can't guarantee it isn't from before 2008. It is set in the real world, and uses irl scenes, but does have computer graphics. I don't remember why now, but the scenes looked asian at the time. I have been trying to find it for ages, but with no luck, and I have seen users who vaguely remember it. Based on what goes on, i think it is an antivirus ad, but i don't remember the name of the actual product. And here is the description of all scenes I remember:

• White stairs going down/up, based on context looks like an office building
  
• A room, I don't remember the exact interior, but there is a stationary pc, a desk and a table, a window, and also maybe some drawers. A human walks out and closes the door the camera shows.. one of those small wooden mannequins, which have many joints, standing on the table in the middle of the room
  
• Camera shifts to the pc, and it makes a lot of noise. Suddenly, a large, mechanical fly flies out of it, and with time there are more and more of them
  
• Back to the mannequin, it transforms into a small robot and has an epic battle with the flies. I don't remember the exact colors, but I think it was still wooden, with some green(?) elements, and a glowing.. ring(?) on the chest. Also has a shield I think
  
• As i said, fights the flies, one scene they fight with a fly near a quartz clock
  
• But the flier are too many, so they win and punch the robot into a wall (probably was a table or a drawer). It feels like all hope is lost, but suddenly the robot chest flashes with white, and he becomes super strong. Even has a really cool scene where he slices through a fly in something that looks like stopped time
  
• And in the end he wins, and transforms back right before the human enters the room again
  

I try to find this one once every year, but without any results.

"Great days and glorious victory! My name is Spifflemonk and welcome to my Letsplay! Today I am back from my medically mandated break from playing human videogames after a rather... cathartic experience with a game called Teardown. Subnautica, even among humans, is labeled as a notorious experience with... mixed reception for its sequel. A survival crafting game apparently. I have experience with those so presumably the gameplay loop should be predictable enough. So... Let's go in!"
Spiffle starts the game, going for standard Survival Mode, with aspects of food and water mechanics alongside health and oxygen. The game loads very, very fast with Spiffles overpowered computer, and the introduction sequence begins. The camera pans to the panicked sight of the payer character moving down a ladder followed by a sight of a starship above exploding.
"Oh dear... oh dear! They weren't kidding about survival! Do I even survive this or am I a ghost or something..."
The pod rattles, the screen shakes, a fire extinguisher falls from its mounting. Velocity causes the pod to dislodge a panel from a wall and it flies around the cabin. The panel flies into the player's screen, making it go black.
"Oh... well okay then. I uh... well."
Spiffles' character awakens and panics at the buttons securing him to the seat. Spiffle quickly figures out that fire in this game is in fact bad, and grabs the fire extinguisher, putting the fire out. The game's introduction plays, showing his PDA, the game's inventory UI.
"Oh! I have seen these things in real life when visiting human stations! Do all humans have these?"
Spiffle starts exploring the escape pod, noting all of the damage to the radio beacon and the wiring panel.
"Hmm... craft the repair tool... Well... For later I suppose. Now how do i-AH, the ladder!"
Spiffle clicks on the ladder and goes through the animation. The character exits and dramatically stands. Spiffle looks around. His face visibly pales as he looks in every direction, finding the only thing nearby that looks 'safe’ or like 'land' is the destroyed ship in the distance.
"Water... it's... water... everywhere! How big is this game's map!? Structural hull failure... zero human lifesigns detected. That's.. not nice. Well... Here we go!"
Spiffle jumps into the water. His mood changes, the underwater environment significantly different than above ground. The water is absolutely teeming with life and color, as Spiff swims towards a reef to stare at some coral. Spiff gets distracted and starts chasing a fish, specifically a Peeper, and grabs it.
"Oh! Good god! THAT'S how humans catch fish!? That's very... inefficient! What is this thing? Can I eat it? I know I'm supposed to take care of my food and water, so how do I eat it?"
Spiffle wanders about for a while, gathering resources and exploring his general location, eventually getting back to the pod. He had gathered up a decent amount of stuff while he was swimming around and accessed the Fabricator to see what was available.
"Ah! I see, the fabricator cooks things too. Uhm... cooked fish thing and... these transparent fish give me water bottles? Okay then! Well. Sorted for food anyway. Let's see. Copper wire, batteries. A Scanner? Does that mean I can like, scan things and tell what they are? And... Oxygen tank? Oh hell yes. I'll build that then."
Spiffle goes through the process of building a few things, checking out how the game's crafting system works, and spending more time collecting resources. He quickly realizes how much work he has to do and finally finishes making a Scanner.
"Okay then well... I can see how much time is going to be spent collecting resources so i'm going to edit all of that out and keep you all in the loop on all the fun parts instead."
Spiffle continues playing, inserting a creative, albeit mildly annoying fanciful scene transition in between resource loops. He comes to a cave looking for salt to make more equipment, when he encounters the first hostile enemy of the game: The Crashfish. He does not notice it at first, the strange sloppy noise it makes as its pod opens, the beast makes a terrible gurgly noise and charges straight at him.
"What is that noi-AH! OY! OI! OIIII what are you what are-!"
Spiffle is cut off as the fish explodes, causing him to lose half his health. He quickly surfaces and takes a breath.
"Okay then... OKAY... THAT... makes absolutely no sense from an evolutionary perspective... but okay then. Avoid those. What even was that? I can't even scan it because it was moving so fast! Gods... exploding fish."
Spiffle shakes his head and resumes his hunt for resources, eventually finding enough for a repair tool. He makes the repair of the pods' broken wiring and looks around a bit more, noting some of the details in the game.
"Hard to believe these games are over eight hundred years old! I keep getting requests to play 'them gud ol' gamez' instead of any new releases. Maybe I'll get to those eventually. I have quite the backlog though."
Spiffle quickly tabs out and shows the huge list of human made games on his list that he has been gifted or purchased himself. The list includes Space Marine, Starship Troopers, Spyro Trilogy, Crash Bandicoot, and so... so many more.
"I am also told about this thing called 'anime', whatever that is. Maybe I should look into that. Anyway..."
Spiffle shrugs for now and resumes playing, swimming around for a bit before finally deciding to use his scanner. He gets the first scan - the Acid Mushroom - and painstakingly reads the supplied article. He then goes on a scanning frenzy, scanning each thing he can find, comically chasing after various fish and objects, trying to scan them then taking an irritatingly long time to read the article aloud.
He gets to the point where he encounters his first real hostile enemy and tries to scan it. The stalker, of course, doesn't appreciate that, and attacks.
"Oooh what's this thing? Oh lovely, it's a big one. Can I scan it? The... Stalker? Oh okay is it friend-OW! NONONONO go away!"
Spiffle panics and scans it while running away from it, trying to swim backwards. He's so focused on scanning it he can't run far enough away that he gets ambushed by another Stalker nearby and manages to scan it just as he gets hit with his first Death in the game.
"Oh.... o...kay. Well... it seems things aren't as friendly as expected. I'm going to guess there's more things like that around. So... I'm just going to finish working on repairs and equipment then I'll take those things on."
Spiffle reads the article on the Stalker he scanned and spends more time collecting resources, scanning local entities and building the rest of the gear he has. Fins, high capacity O2 tank, rebreather and some more food and water which he stores in floating containers for later. He starts to explore a bit farther in search of fragments to scan and finds a Sand Shark, as well as a biome resembling a desert-like area. He encounters his first piece of the wrecked ship here.
"Oh! Hello! Pieces of wreckage! What are these for now do you suppose? Can I disassemble these for resources or-Oh! Is that a door? Oh! I'm supposed to go in here and look for things? How do I get in? Oh I can't. I need a laser cutter. Is one of those here? Need more fragments I guess..."
Spiffle gives up trying to enter and goes up for air, then returns to the floor to hunt for fragments. He eventually unlocks the Bioreactor, pieces of the Scanner room, a couple fragments of the Seaglide and Seamoth. He comes across the first cave entrance to the Mushroom Caves Biome.
"Oh... oh my. That's... deep. Good thing I unlocked the Seamoth thing. Its a miniature submarine I think. I can use that. But that's... kinda scary. I can't see the bottom. I kinda see just... purple. Mostly purple. But it scares me that I can't see the bottom."
Spiffle hangs around the cave entrance for a bit before a call for Oxygen forces him to the surface. He swims back down to the cave entrance and then hangs around a bit longer before once again resurfacing, heading for some new things to scan. It is however at this point that Spiffles exploration is cut short.
"EMERGENCY - SEISMIC READINGS SUGGEST A QUANTUM DETONATION HAS OCCURRED IN THE AURORA'S DRIVE CORE. THE CENTRAL DARK MATTER REACTOR WILL REACH A SUPERCRITICAL STATE IN -"
The computer aboard the PDA shakes Spiff out of his daze and he quickly rushes to the surface and looks at the ship.
"Wait wait wait what's that!? What's going on!? I see the ship? The Aurora! That's what its name is? Whats a Dark Matter reactor and wha-"
The computer continues its countdown muffled by Spiffs panicked squealing and he has a front-row seat to one of the most spectacular explosions in the history of gaming - the Aurora's Reactor Detonation.
It happens. The world goes dead silent for a short moment, and one can see Spiffles heart visibly stop beating. Then explosion as the Aurora lets out its magnificent blast. As the shockwave expands outwards, Spiffs skin visibly turns a paler shade of blue, and his eyes go wide. The sound of a geiger counter follows, leaving him breathless and pale as the world suddenly goes dead quiet again. The sound of the geiger counter ominously leaving him shaken even more than he already is.
"FOR YOUR CONVENIENCE - THE RADIATION SUIT HAS BEEN ADDED TO YOUR BLUEPRINTS."
Spiffle stays completely silent, bobbing in the water for a solid few minutes, staring in shocked wonder at what he just witnessed. He regains his composure for a few short moments and returns to his scanning venture, but one can easily see he isn't in the right mind after that. He returns to the seabed, at the entrance to the mushroom caves and dives again. He does this several more times, popping up to the surface, looking at the shipwreck, then diving at the entrance again. Finally, after much hesitation, he dives one last time.
"Screw it. it's just a game right?"
He smiles at the camera with a shrug and swims far below the surface, into one of the caves. As he enters the cavern his jaw drops at the sight of a massive underwater cavern filled with gigantic glowing pink mushrooms. The Mushroom caves as they are known. He spots something in the distance, entranced, forgetting his oxygen situation. He cant get far however and a terrifying shriek of some unknown entity shakes him out of his stupor.
"What in the red dawn was that noise!?"
Spiff can't finish asking his invisible audience what's going on as he strays too close to a mushroom, occupied by a Crab Snake, a gigantic sea worm. He is grabbed from behind, spun around and he visibly panics as the giant worm digs its enormous tusks into Spiffles character. Spiffle immediately freaks out, a combination of both the terrifying shriek emitted by the creature and the shock of being attacked makes poor Spiffle jump out of his seat and duck under the table.
"GOWAYGOWAYGOWAGOWAYGOWAY!!!"
The worm comes back and finishes Spiff off before his oxygen runs out. Spiff's character respawns but the footage continues, a slight whimper can be heard in the background as Spiff hides under the desk. This carries on for a few minutes, and his head very slowly appears above the desk. He gingerly puts himself back in his seat and breathes heavily for a bit. When he finally gains control, he tabs out of the game and takes a look at the wiki for Subnautica. He returns a few moments later and stares at the camera in that strange haunting glare he's become so famous for.
"WHY DO YOU STUPID DEVELOPERS NOT PUT GUNS IN THE GAME IF YOU HAVE SHIT LIKE THAT!? ARE YOU INSANE!?"
He grabs the camera and shakes it violently as he rants at it, questioning why there are guns in every other human game he has played and not THIS specific game, especially considering how there are 'giant water snake monsters that eat your face' in a game with no guns. He rants for a good minute or two then plays his outro.
TOP COMMENT: "Are you absolutely sure after Teardown, Factorio and Project ZOMBOID, you should be playing Subnautica? I mean seriously, try something less... psychologically terrifying. It's known as Thalassophobia Simulator for a reason."
_______________________________________________________________
"Great days and glorious victory! My name is Spifflemonk and I still don't understand why we have giant worm monsters but we have no guns!"
Spiffle stares at the camera with an expression that can only be summarized as 'Seriously bruh?' and resumes his last playthrough. He becomes confused at the lack of stuff in his inventory.
"Why is my... Why do I not ha-Oh right... I was eaten. When you die your inventory is wiped... I need to build more tools then."
Spiffle starts some silly music, an alien version of Benny Hill to a montage of him collecting resources, occasionally ranting at various oddities and questioning game logic. He restores all of his tools then goes hunting for a Vehicle Bay fragment so he can build the Seamoth. He continues to scan what he can, developing something of an obsession with the task, then painstakingly reading every word about it to try and understand it. It is at this point Spiffle, during his explorations finds another derelict chunk of ship near the desert region, encountering his first Sand Shark.
"What... What is this? Oh... careful Spiff. This one looks angrier than the last one you found. Wh-What in oblivion!?"
Spiffles attention is once again diverted by the appearance of a Reefback Leviathan and its signature low drone. This one appears to be a fully grown adult.
"You-you... You've got to be... You gotta be fucking kidding me. A Juhara Eelfish!? WHAT IS THAT DOING IN A HUMAN VIDEOGAME!!!??"
Spiffle squeaks in shock as he sees a creature that is an absolute spitting image of a large oceanic dwelling sea creature, which is both the games and his native homeworlds version of a Whale. The Reefback has some dissimilarities, but its close enough to the real thing that Spiffle is genuinely shocked. He quickly pauses the game, opening various wikipedia articles, then displays a full picture of both Subnautica in game Reefback, and the Juhara-Kal-Rehar, colloquially known as a Juhara Eelfish, a shockingly similar creature that lives in his homeworlds oceans.
The only difference between them is the color of the exterior chitin shell. The Reefback has a blue/purple shell, the Juhara Eelfish's chitin has a red/green shell.
"WHEN was this game made!?"
Spiff checks, the current Earth-date is the year 2886. Humanity only entered the galactic community in 2752. Subnautica was released in 2018.
"HOW.... How is that even possible!? You didn't even know the galaxy existed until only a few decades ago, yet you almost PERFECTLY matched the appearance of one of our homeworlds native species! How is this even possible!? Okay. If the name matches then I have to call bullshit."
Spiffle approaches and scans it, then reads the data article.
"A... Reefback Leviathan? Oh thank God... Now let's see... A herbivorous creature that... that likely got so large due to the fact that its predators went extinct. Well... that's... okay... A hard chitinous shell of multiple layers, a microcosm of different creatures and flora growing from its back, hence the name. Hmmm..."
Spiffle gets that cold, empty stare on his face and glares menacingly at the camera. The screen goes black, then returns, seeing Spiffle nursing a beverage of some kind while wrapped in a blanket.
"I realized something... Call it a message from the Ancestors or a Divine revelation. But I have a funny feeling this isn't going to be the last time I see a creature from the galaxy represented in human media. I hope to the Gods that doesn't happen... the concept of this situation is nothing short of terrifying. In any case, I'm sorry about that. Lets.... let's continue."
Spiffle resumes where he left off, doing his usual routine of scanning, then obsessively reading. Eventually he unlocks the Vehicle Bay, and returns home to his pod where the situation with resources is growing obscene with at least fifty floating resource containers hovering around the area.
"Alright... A Vehicle Bay... This means I can build things like the Seamoth now. This will be nice. Right, I shall for the sake of my audience skip the resource collection mechanic that's here and focus on the actual result. I shan't waste my time either though. MONTAGE!"
Spiff yells excitedly and a montage to that same odd Benny Hill type music plays out, with him collecting the resources he needs to build both machines. Most of it is already in the floating containers strewn about. With a few visits to the fabricator, he compiles the Power Cell, Titanium Ingot and Lubricant he needs to make the Vehicle Bay. He deploys it and chases it to the surface just away from the pod in the deeper end of the shallows.
"Right... Not too hard. Let's see then, how do-Ah. Get on it and... The Seamoth. Cost of two glass, one titanium ingot, a powercell, lead and lubricant. Right."
He quickly gathers and makes everything he needs for the Seamoth, then stands on the platform ready to go. He chooses the Seamoths recipe and the sequence starts. His eyes light up as drones start flying around the platform, then begin assembling atom by atom, the small, adorable minisub known as the Seamoth. It finishes the process and flops into the water with a splash.
"My gods look at this thing! It's so cute!"
Spiffle explores the sub for a little while and hops inside it, testing the controls and playing around with it a bit to see what it can do.
"Hm... Maximum Depth, 200 meters? So if I go below that does it implode or something? I need to be careful of that. OH dammit I remember! I have to make that Radiation Suit don't I? I shall do so now!"
Spiffle seems to have found a new resolve, quickly gathering resources together and making both a Seaglide and radiation suit in short order.
"Does this thing have any weapons? How do I repair-Oh... Repair tool? That makes it easier I suppose. Now... Where do I go now? Is there anything I can do?"
Spiffle stumbles about in the blind for a few minutes, trying to figure out his next course of action beyond simply wandering aimlessly while scanning things. He gets back in the pod and fixes the radio beacon. His face visibly contorts into an expression of irritation when he hears his rescue is in 9999 hours. He resolves to come back every now and then to check the radio. He decides to gather more resources to make up for building the seamoth and comes back a bit later. He finds a radio transmission when he returns.
"RADIO: ▀▖┗▛Nine new biological subjects designated. Mode ▄▖▜▚┣: hunting/analyzing.
Sharing subject locations with other agents."
"What... in the Nine Hells was THAT!? Why was it in such an odd voice? What was that language? What were those letters!? Somethings going on here... SO now what? I have the radiation suit. i guess... go into the Aurora? Oh no, I'm not going in there unprepared! Lemme make some tools and spare batteries, then i'll go in. I need... Oh... I need more fragments is what I need."
Spiffle resumes his fragment hunt, looking around for fragments of various tools. He uses the Seamoth to traverse around.
"WHEEE!!!"
Spiff seems more than just a bit happy as he trundles around in the Seamoth, using his speed to launch himself out of the water. He splashes about a bit, testing the limits of the craft and trying to see what holes he can squeeze himself into or out of and how deep he can go.
"Okay okay. time to get to serious work. Now... I need to find... A Laser Cutter and a... STASIS RIFLE?! Wait... rifle? That means GUN! I NEED A GUN!!"
Spiffle charges forward towards the desert biome where he found the Reefback and resumes his search for things to scan. It is now he comes across a Reginald.
"What... IS this fish? Wait, let me just..."
He gets out of the Seamoth and scans it.
"Huh... Reginald. That's a... fish? It's so cute! Wait, come back friend!"
Spiffle spends an unreasonable amount of time trying to catch a Reginald. When he finally catches one he gets back in the Seamoth and heads towards the aurora, new friend in tow. He trundles over to the side of the crashed ship and scans some random stuff here and there, finding fragments to a few small items, including a few he needs such as a Powercell Charger for the Seamoth’s battery. He gets close to the front of the ship and the haunting, evil noise of Subnautica's most iconic killer suddenly echoes through the gloomy water.
"What... Was that? Is it another worm thing? Please don't let it be one of those..."
Spiffle wanders around the side for a bit longer. An ominous shadow looms in the background, catching his eye. He ignores it for the moment and simply carries on, eventually arriving at the entrance to the ship. Through the mangled steel and fire he squeezes into the front of the ship and looks around. The environment ominously rattles and his screen shakes as the ships structure isn't exactly stable. The howl of the creature in the shadows makes Spiff even more uncomfortable.
"I... Do NOT like this. I really dont."
Spiff parks the Seamoth where he can see a ramp leading up, and gets out. He is immediately accosted by Cave Crawlers and uses his knife to defend himself, poorly, but he gets rid of the three or four around him.
"WARNING: SCANS SHOW THE DIGESTIVE TRACTS OF INDIGENOUS LIFE FORMS CONTAIN HUMAN TISSUE."
Spiffs face turns an even paler shade of blue and he swallows visibly as if he's trying not to vomit.
"Yeuch... I can scan this thing and read it later. I don't want to be here any longer than I have to."
Spiff scans and follows the path to the interior, uses his fire extinguisher to put out some fires in the area and gets inside. The ship rumbles as he wanders around and gets into one of the rooms. He finds the poster of the P.R.A.W.N. Suit.
"Ooh! A poster thing? Can I take it or? I can! PRAWN Suit eh? Can I actually use that thing?"
Spiff takes the poster, scans some furniture and collects a PDA. Spiff continues down the corridor and retrieves his Propulsion Cannon from his inventory and uses it to pick up some furniture in the way.
"I am SO glad I got this thing from scanning the area before I came here. This is super useful! I wonder if it has other uses..."
He gets to the door and looks at his databank.
"Hmm... Here it is! Code for the door is 1454. Right."
Spiff moves through, repairing a door to get the Seamoth Depth Upgrade Module. He continues and clears a fire to enter the main reactor. His inner loot goblin shines through and grabs the Cyclops engine efficiency module before he starts work on repairs, scanning the breach and starting work. It doesn't take him long, but he gets issues with a Bleeder that lives in the waters. He scans one then finishes repairs. Foolishly, he uses the propulsion cannon and shoots the bleeder at one of the reactors, undoing his work. He looks at the damage he caused and repairs it.
"Well... what was I expecting... Why did I do that? It's a CANNON... why did I aim it at the reactor exactly? So stupid..."
Spiff finishes and heads to the PRAWN Bay, and looks around at the damage. He spots the prawn suits and starts scanning, grabbing a storage module upgrade from a console and starts extinguishing flames so he can scan. He runs out of fire extinguisher juice though.
"Blast! Can I still scan these if they're on fire?"
Spiff walks around, finding cheeky angles he can use and scans the debris, finding all four fragments he needs. He heads upstairs and goes through the rooms and everything he can find. He gets into the Galley and sees the Kitty in a Space Helmet Poster.
"What the- 'Keep Calm'? What in the blue balls is this? It's.... cute! What is this creature!? Can I keep this? I can!"
Spiffle excitedly grabs the poster and moves on. He goes through cabins, picks up PDAs and collects the Natural Selection 2 poster, the Prawn suit in the sea poster and the collectible arcade toy in the locked cabin. Lacking the code to the Captain's cabin, he returns to the prawn bay and tries swimming around, eventually finding a passage in the hull debris to the rest of the ship. He moves through in silence, recovers the black box data and exits the ship. He removes debris, grabs the local wildlife with the cannon and tosses them into fires or the water with glee.
"BEGONE BEAST!!! Ha! Right... uhh... where did i park? Oh, there it is. Should I go home? I wonder if there are any fragments I can use around here?"
Spiff exits, finding Liefpod 4 floating upside down on the surface of the water. He collects the PDA data and a new blueprint. Then, as he gets in the seamoth, the horrifying roar of the Reaper Leviathan suddenly sounds. Spiff is thrown into a panic, screams in terror and tries desperately to get away. The beast appears with jaw chomping and claws clawing at the poor Seamoth. The entire time Spiffle is screeching like a bird with a broken leg, his entire body now an almost ghostly white out of absolute terror.
"GOWAYGOWAYGOWAYGOWAYGODNONNONOGOWAYGOWAY!!!"
Spiffle manages to get out of its grip and in a panic charges away towards his lifepod and continues to scream, breathing hard between screams. He gets to the pod and then hides under his desk, continuing to scream. His channel outro plays.
TOP COMMENT: (This has been translated from Eridani) "I am starting to believe this whole sojourn was a very BAD idea. Do you humans have those kinds of beasts on your homeworld? How did you ever survive them?!"
RESPONSE: LOL no we never had Reapers. The only Leviathan Class creatures we have on our planet are Whales. And they're mostly peaceful plankton eaters. Mostly.
RESPONSE: (Translated from Eridani) "Seriously? I think I find it more terrifying that these creatures are made up in your minds. What kind of nightmares do you people have to be able to create this level of fiction!?"
RESPONSE: Do. Not. Ask. This is only Subnautica - we have FAR worse.
Spiffles response: "You're going to make me play these 'far worse', aren't you?"
RESPONSE: "Damn right we are! :)"
________________________________________________________
"Great days and glorious victory! My name is Spifflemnonk and welcome back to Subnautica!"
Spiffle looks visibly stronger, his usual lanky appearance now looking like he's been working out like a Gym Bro. One can see muscles on muscles and Spiff seems to have an abnormal amount of energy.
"I am now relaxed. It is now time to get eaten by giant scary sea monsters. And yes, before you ask, I have successfully finished fully soundproofing my office. And also yes, I am indeed expecting a new addition to the brood... THANKS DAMN HUMANS! You and your damn musical magic nonsense..."
Spiffle starts the game and is swimming outside the pod next to the Seamoth. The first thing he does is repair the seamoth from the damage incurred by the Reaper, and recounts what hes been up to, checking inventory and equipment. He heads to the radio and gets a new transmission.
RADIO - "This is Avery Quinn of trading ship Sunbeam. Aurora, do you read? Over.'
'Nothing but vacuum. These Alterra ships. They run low on engine grease, they send an SOS; you offer to help, they don't pick up.'
'Aurora, we're out on the far side of the system, it's going to take more than a week to reach your position, do you still need our assistance? Over.'
'I'll try them again tomorrow. Damn charter's going to have us wasting our profit margin running errands for Alterra.'
'See what the long-range scanner picks up in the meantime."
"Oh? Oh lovely! There ARE people in this game! I wonder when they will be here? Meh, I have things to build, so I'll keep an eye."
Spiffle resolves himself to start building a base, trying to find a good spot. He finds the Mushroom Forest Biome and starts gathering resources to ferry them around. He installs the Depth Module and the Storage module to the Seamoth, then builds the Moon Pool. The Mushroom Biome becomes one of his favorite spots and a close encounter with a JellyRay cements it.
"Those creatures are beautiful! Look! JellyRay! Its glowing blue and pretty! I love that! Oh... I have a new radio message. I need to listen to that then."
Spiff returns to the pod and listens to the message.
RADIO - "Aurora, this is Sunbeam again. We just picked up a massive debris field at your location.'
'I didn't know how bad... How many of you... I didn't know.'
'We are now en route to your location. We're going to bring you home. Sunbeam out.'
'What else can I say? The only time I parked a rig this big on a rock that small was in VR, and I blew it'
'Oh, it's a bad option alright, but so are all the others."
Spiff smiles and carries on working, parking the Seamoth inside after powering everything up.
"So lovely! But... Is that a win condition? I know human games by now I have played enough of them. Is that a win condition? Get rescued? I dunno..."
Spiffle carries on building for a little and gets a storage system up, spending a few in-game days transporting resources to his new base. He returned to the pod and played a new radio message, again from the Sunbeam.
RADIO - "This is Sunbeam. Y'know, Aurora, we're from a little trans-gov on the far side of Andromeda, and we have a saying there.'
'There's no bad without the good, no good without the bad.'
'Sounds like you tasted a bunch of the former, but that only means you're overdue a whole lot of the latter.'
'Might just be we're it.'
'We're scanning for somewhere to park, we'll be in touch when we find it. Sunbeam out."
"Ohh... That... that's a lovely saying! What was that uh... There's no bad without the good, no good without the bad. I like that! I think i'll have that framed on my wall! Now lets see.. i ca- I CAN GIVE THE SEAMOTH A NAME? OOHHHhh okay, okay.. I can customize the color too! I think I'll just do this..."
Spiff leaves the name as 'Seamoth' for now, changing the color to a mix of purple for the main, and blue for the trim and name color. His two favorite colors. Spiffle does a little more work, acquiring the last fragments for the Cyclops and starts gathering together the resources necessary to build it.
"Hmmm.. Cyclops... Personal large scale submarine capable of carrying other vehicles! Ooohhh I want to build that! I need to fetch the Vehicle Bay though. Im almost done moving house!"
Spiff returns and packs up the last of his resources, then gets another radio message.
RADIO - "Aurora, we're approaching the planet now, and we have a landing site for you that's... well, it's better than the alternatives.'
'We've sent you the coordinates.'
'It'll take us a couple of days to align our orbit, we should be able to establish direct contact with you during that time, then we're coming in to get you.'
'Cross your fingers the weather holds, and don't leave us waiting. Sunbeam out."
Spiffle gets a new beacon on his HUD. Sunbeam Landing Site.
"What!? Is this game over If I'm there!? Okay... well. At least it's no longer terrifying! I'll get the Seamoth and go for the beacon then. I hope it's okay... Strange... this... doesn't feel like the end, you know? But if it is then it is."
Spiff heads home, deploys the Vehicle Bay and deposits his gear and resources. He heads towards the location, occasionally squealing 'WHEEE!!' as he uses the Seamoth to jump out of the water like a dolphin. However, he miscalculates and the Seamoth jumps up, out and sustains a bit of damage as it hits a rock formation close to the surface. He gets out, repairs it and looks at the camera.
"Why no I didn't just damage my Seamoth by having too much fun. I don't know what you are talking about. Hehe."
Spiffle smirks at the camera with a glare and carries on. Eventually, he encounters the largest of the Islands in the world.
"Wh... WHAT. This has been here the whole time!? Is this an island? Who cares! LAND! Sweet land!"
Spiffle now notices the timer and hops onto the island from his Seamoth. He walks up to the landing zone and stops dead in his tracks at the sight of the massive al;ien structure known as the Quarantine Enforcement Platform. In essence, a giant alien cannon.
"What... the *beep* is THAT?"
Spiffles' editing has gotten better, his editor learning how to censor Spiffles foul language, in both English AND Eridani. He moves closer to the building, scanning the broken tablet and the Forcefield Controls.
"What is this? I mean it's clearly alien... What do the codex entries say... 'possible to reconstruct the device' Oh... hmm.. I can make more of these then. 'Matches no known technologies... functions like a lock'. Okay then so... Standard video game logic I guess. That's nice! So A purple tablet will unlock the gate there. What are those?"
Spiff moves towards the Cairns marking the way into the island, pathways leading up the mountainside. He follows them, finding a Purple Tablet in the process on one of the pathways.
"Oh! Lovely! That saves me resources and a trip I guess. This pathway keeps going though. hmm... Welp, we still have thirty minutes, so let's go."
Spiff explores the pathway, getting lost a bit before finally figuring that following the large cables is a good idea. He comes across the Teleportation Arch and scans it, in between dodging the Cave Crawlers.
"Right, let's see... Alien Arch... not much to speak of here. Maybe this thing will be useful later I guess. Likely.... Hmmm..."
Spiffle continues exploring and eventually finds himself back at the forcefield with another twenty minutes to go.
"Screw it, let's go."
Spiff activates the forcefield platform and the animation of the key being placed plays out. He moves into the building, activating both data platforms and acquiring two Ion Cubes for later, scanning everything he thinks he can scan. He enters the Moonpool in the bay and gets two more Ion Cubes, plus data on a rifle and a Doomsday Device. He ignores it for now, acquiring one more purple tablet and accessing the control room.
"Right... what's in here? Hmm... Energy Core, right. I shall scan that and... press button?"
Spiff presses the button. An animation plays where a device locks his characters hand in place, viciously stabs it with a pointy metal bit and then releases it.
"OH GODS what the hell! Why is that?! That's just nasty!"
"THE TERMINAL IS BROADCASTING A MESSAGE. TRANSLATION READS: 'Warning, infected individuals may not disable the weapon. This planet is under quarantine.'"
"Quarantine! What? Infected? I-Hold on...."
Spiffle gets his scanner out and performs a self-scan. It is only now he notices something very bad has happened.
"I-infected!? Wait, what!?"
"SELF-SCAN COMPLETE - DETECTING STATISTICALLY SIGNIFICANT BACTERIAL LEVELS. NO ADVERSE EFFECTS DETECTED. BE VIGILANT FOR SYMPTOMS."
"Oh brilliant! Does that mean I can't leave? I KNEW IT! Wait... weapon!? This is a weapon!?"
Spiffle panics and runs out of the facility as fast as he can and waits the last few minutes for the Sunbeam to arrive. Sure enough, it does. In the last 30 seconds, the Sunbeam plays a message.
RADIO - "Survivor, we see you!
'Man, I don't know how you held out down there.'
The sunbeams message plays, and Spiffle gasps in terror from the sound of the gun platform starting up and starting to move around.
RADIO - "We've broken atmosphere and we're descending towards the landing site.'
'Is that a building down there?! What do you mean you can't identify it?"
The weapon powers up and turns, aiming itself high at the sky.
RADIO - "Hold on, no turning back now.'
'Positions everyone, touching down in 10, 9, 8-'
The weapon charges up and a loud vicious hum can be heard echoing through the valley.
RADIO - "It's coming from the building?! Change course, set thrusters to (full)-"
The radio goes to static, the weapon fires and the Sunbeam is vaporized instantly by a massive blast of bright green light. The sunbeam disappears, its hull structure completely disintegrated. Spiffle sits in stunned silence as the platform returns to a stable position, shuts down, and everything goes quiet.
"Well... Okay then... That was... horrifying. I guess thats all we have time for! Hehe! Oh dear..."
Spiffle looks a bit defeated as he sits back in his seat.
"S-see you next time! I guess... Holy shit..."
Channel Outro plays.
TOP COMMENT: "Are you okay? You seem a little bit too disturbed by that. Its fine though, compared to what happens in the Rise Of The Ancients Mod, this is tame! Lol! I love that mod!"
Spiffles Response: "Please don't make me play that mod..."
((Authors note - due to how bastardingly huge Subnautica is, this will be a multi part series. Other Spiff stories will come inbetween. Hope you enjoy!))

I am remodeling my kitchen. I have renderings that I would like to have changed to colors and material from mood boards. One image to change: floor, walls, cabinets, lights, window. [$20-$25]