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2024.05.14 04:15 Tizzy617_ [Complete][1362][Reflection/Memoir]A Silence Abroad
A Silence Abroad
It was on my first night in Japan that I forgot I was alone. Tokyo’s Shinjuku district greeted me with bright neon lights illuminating flocks of tourists walking shops, arcades, and food stands. And somehow, I was a very small part of it, all by myself on the other side of the world. (Maybe with the occasional tout trying to follow me around.)
Solitude is a vulnerable state, and consequently, a compromise. You seize the moment for yourself, and the space is only yours to fill, but intrusive thoughts will covertly slip through and permeate like a disease. Underneath all the lights, humanity surrounded me, enjoying a drink with friends or snapshotting a moment with family. All these people congregated here from around the world, and in spite of their differences, companionship was what they all shared together. The streets filled with the sounds of their life.
But when you feel alone, the mind tricks you into believing that you are not part of it. And you become a silent spectator, watching the phenomenon that is humanity being orchestrated in front of you. It’s a hollow feeling.
And after not speaking and hearing the sound of your own voice for a while, it becomes replaced by a solemn tone whispering empty thoughts. I tried not to listen.
Nevertheless, Tokyo was beautiful (Senso-ji temple was stunning and my favorite Japanese dessert is now age manju). One night, I even went to a Japanese hip-hop show in Shibuya and it was a wonderful experience. Getting to watch such extremely talented artists so passionate about their craft inspired me and pulled me away from ruminating loneliness for some time. I met one of the performing artists after the show and told him how much I loved his verse (despite not understanding it) and we hugged and he cried. He thanked me over and over until he started apologizing for thanking me so much. It was a special moment and I will always remember his humility. (His band is KOMOREBI - check them out!).
I also went out with some other travelers that night, trying okonomiyaki in Setagaya for the first time (it was mouthful bliss) and then went out to a punk rock concert, and a night club. I wasn’t a huge fan of the clubbing, but the company was refreshing. And like all good things, it was fleeting, and I bid my farewell to everyone that night.
I packed my things, and took a bullet train to my next stop, Kyoto. I was anticipating it, as the train zoomed south with Mount Fuji in surreal, passing view. Looking out the window, seeing my own transparent reflection, I took a breath. The train was moving at around 300 km/hour, but everything felt still and quiet. Even the parts of me that wanted to cry.
Kyoto was rich with temples and vestiges of a long, cherished history. I visited the Kyoto National Museum where I saw sculptured deities with venerable auras, parables scripted in decayed scrolls, and art that embodied Buddhist principles. I saw elevated temples monumental and grand, and others more modest and reserved. But they all stood resolutely, bearing the resilience of time and constant revival. They have felt nature’s desecration during arson and natural disasters, but throughout history, the Japanese have rebuilt and renovated them. And somehow, after enduring all this, as long as time has persisted, here they stood before me, as a testament to strength and preservation.
The long-lasting principles of Buddhism and the culture that were so deeply rooted in this country’s history must continue to live on through the structures that stood before me. Purpose is enough to withstand the cruelty of time’s passage. And the cycle of destruction and restoration that traced centuries was felt in the emanating silence only occupied by the sounds of water trickling down a rill or the occasional soft, swaying of trees. I like to think that ancient silence had touched my existence in those moments and advised me to listen.
Solitude is painful because the empty space that comes with it is congregated by the deeper parts of ourselves that seek to dwell on the purpose of our existence. It is when we are alone and quiet that obtrusive questions confront us, invoking us to listen and contemplate. And when we fail to answer gracefully, that is when the loudest and most self-destructive parts of ourselves will answer for us. The parts that are so keen in stripping our humanity from us.
After my last day in Kyoto, I packed all my things once again, and went over to my final destination, Osaka. I had only one night there. And it was an abrupt return to bustling crowds in the metropolitan. Existential silences were replaced with the sounds of humanity again. But as I walked through Dotonbori on a Friday night eating lots of warm, delicious takoyaki and skewers of Kobe beef, that feeling still returned. I knew I was unwell. And trivialities started to begrudge me and I could tell that it was time. And there would be no escaping it.
I took a taxi back to my hotel and I laid in my bed earlier than expected that night. And everything finally spilled. I cried and I cried and I cried. I was finally listening and it hurt doing so.
This solo trip was supposed to help me escape my problems, but it didn’t. When I brought myself here, I brought everything, and that included problems I wish I could have left behind. And amidst my issues, I questioned myself and my place in the world, even my very reasons for existing during times I felt like I had nobody. And albeit having wonderful moments with people throughout my trip, even strangers who treated me with grace and hospitality, that feeling still lingered and it was revealing a deeper issue. An issue not with whether I was in Japan or back home. Or whether I had people around me or I was alone. It was a deeper issue with myself.
But the silence that comes after the storm is just as serene as the silence that precedes. The older I get, the more I begin to have a respect for emotions and their function. They must be felt and I don’t think they are there to harm or sabotage us, although it might seem like it. It is a need to be heard not by others, but by ourselves. Listening to our own cries for help is scary and uncomfortable, but the silence that follows is like an aged temple still standing after centuries of cyclical adversity. Like the calm flow of water down a rill. Like the soft swaying of trees.
My 10-day solo trip was coming to an end. It was coming time to go home. I spent my last day in Tokyo walking Yoyogi Park. The sky was a clear melancholy overhead scattered, naked trees around the park. I saw couples sitting together, friends circled on picnic blankets, and some reading a book by themselves. Humanity felt beautiful that day and I was grateful to be a part of it, one last time. I packed my things once more before taking my flight back home the next day.
I love Japan and I am grateful it carved a space for me to experience all that I did. This trip will forever hold a special place in my heart. But it was not an epiphany, as much as I wished it was. I did not return home as an entirely new person with newfound happiness or certainty. I returned with the same issues I left with, the same, flawed self that was proof of what it meant to be human this whole time. Only with new experiences. And I don’t think that will change.
My humanity lives in my constant struggle of self-preservation, as I continue to unravel and understand myself as I experience, feel, and change. And perhaps that is enough purpose for my own existence, to strive for those moments of silence, where I will continue to stand resolutely in my own imperfection, alone or not.
submitted by Tizzy617_ to BetaReaders [link] [comments]
It was on my first night in Japan that I forgot I was alone. Tokyo’s Shinjuku district greeted me with bright neon lights illuminating flocks of tourists walking shops, arcades, and food stands. And somehow, I was a very small part of it, all by myself on the other side of the world. (Maybe with the occasional tout trying to follow me around.)
Solitude is a vulnerable state, and consequently, a compromise. You seize the moment for yourself, and the space is only yours to fill, but intrusive thoughts will covertly slip through and permeate like a disease. Underneath all the lights, humanity surrounded me, enjoying a drink with friends or snapshotting a moment with family. All these people congregated here from around the world, and in spite of their differences, companionship was what they all shared together. The streets filled with the sounds of their life.
But when you feel alone, the mind tricks you into believing that you are not part of it. And you become a silent spectator, watching the phenomenon that is humanity being orchestrated in front of you. It’s a hollow feeling.
And after not speaking and hearing the sound of your own voice for a while, it becomes replaced by a solemn tone whispering empty thoughts. I tried not to listen.
Nevertheless, Tokyo was beautiful (Senso-ji temple was stunning and my favorite Japanese dessert is now age manju). One night, I even went to a Japanese hip-hop show in Shibuya and it was a wonderful experience. Getting to watch such extremely talented artists so passionate about their craft inspired me and pulled me away from ruminating loneliness for some time. I met one of the performing artists after the show and told him how much I loved his verse (despite not understanding it) and we hugged and he cried. He thanked me over and over until he started apologizing for thanking me so much. It was a special moment and I will always remember his humility. (His band is KOMOREBI - check them out!).
I also went out with some other travelers that night, trying okonomiyaki in Setagaya for the first time (it was mouthful bliss) and then went out to a punk rock concert, and a night club. I wasn’t a huge fan of the clubbing, but the company was refreshing. And like all good things, it was fleeting, and I bid my farewell to everyone that night.
I packed my things, and took a bullet train to my next stop, Kyoto. I was anticipating it, as the train zoomed south with Mount Fuji in surreal, passing view. Looking out the window, seeing my own transparent reflection, I took a breath. The train was moving at around 300 km/hour, but everything felt still and quiet. Even the parts of me that wanted to cry.
Kyoto was rich with temples and vestiges of a long, cherished history. I visited the Kyoto National Museum where I saw sculptured deities with venerable auras, parables scripted in decayed scrolls, and art that embodied Buddhist principles. I saw elevated temples monumental and grand, and others more modest and reserved. But they all stood resolutely, bearing the resilience of time and constant revival. They have felt nature’s desecration during arson and natural disasters, but throughout history, the Japanese have rebuilt and renovated them. And somehow, after enduring all this, as long as time has persisted, here they stood before me, as a testament to strength and preservation.
The long-lasting principles of Buddhism and the culture that were so deeply rooted in this country’s history must continue to live on through the structures that stood before me. Purpose is enough to withstand the cruelty of time’s passage. And the cycle of destruction and restoration that traced centuries was felt in the emanating silence only occupied by the sounds of water trickling down a rill or the occasional soft, swaying of trees. I like to think that ancient silence had touched my existence in those moments and advised me to listen.
Solitude is painful because the empty space that comes with it is congregated by the deeper parts of ourselves that seek to dwell on the purpose of our existence. It is when we are alone and quiet that obtrusive questions confront us, invoking us to listen and contemplate. And when we fail to answer gracefully, that is when the loudest and most self-destructive parts of ourselves will answer for us. The parts that are so keen in stripping our humanity from us.
After my last day in Kyoto, I packed all my things once again, and went over to my final destination, Osaka. I had only one night there. And it was an abrupt return to bustling crowds in the metropolitan. Existential silences were replaced with the sounds of humanity again. But as I walked through Dotonbori on a Friday night eating lots of warm, delicious takoyaki and skewers of Kobe beef, that feeling still returned. I knew I was unwell. And trivialities started to begrudge me and I could tell that it was time. And there would be no escaping it.
I took a taxi back to my hotel and I laid in my bed earlier than expected that night. And everything finally spilled. I cried and I cried and I cried. I was finally listening and it hurt doing so.
This solo trip was supposed to help me escape my problems, but it didn’t. When I brought myself here, I brought everything, and that included problems I wish I could have left behind. And amidst my issues, I questioned myself and my place in the world, even my very reasons for existing during times I felt like I had nobody. And albeit having wonderful moments with people throughout my trip, even strangers who treated me with grace and hospitality, that feeling still lingered and it was revealing a deeper issue. An issue not with whether I was in Japan or back home. Or whether I had people around me or I was alone. It was a deeper issue with myself.
But the silence that comes after the storm is just as serene as the silence that precedes. The older I get, the more I begin to have a respect for emotions and their function. They must be felt and I don’t think they are there to harm or sabotage us, although it might seem like it. It is a need to be heard not by others, but by ourselves. Listening to our own cries for help is scary and uncomfortable, but the silence that follows is like an aged temple still standing after centuries of cyclical adversity. Like the calm flow of water down a rill. Like the soft swaying of trees.
My 10-day solo trip was coming to an end. It was coming time to go home. I spent my last day in Tokyo walking Yoyogi Park. The sky was a clear melancholy overhead scattered, naked trees around the park. I saw couples sitting together, friends circled on picnic blankets, and some reading a book by themselves. Humanity felt beautiful that day and I was grateful to be a part of it, one last time. I packed my things once more before taking my flight back home the next day.
I love Japan and I am grateful it carved a space for me to experience all that I did. This trip will forever hold a special place in my heart. But it was not an epiphany, as much as I wished it was. I did not return home as an entirely new person with newfound happiness or certainty. I returned with the same issues I left with, the same, flawed self that was proof of what it meant to be human this whole time. Only with new experiences. And I don’t think that will change.
My humanity lives in my constant struggle of self-preservation, as I continue to unravel and understand myself as I experience, feel, and change. And perhaps that is enough purpose for my own existence, to strive for those moments of silence, where I will continue to stand resolutely in my own imperfection, alone or not.
2024.05.14 04:06 Tizzy617_ [1402] A Silence Abroad (solo trip reflection)
A Silence Abroad
It was on my first night in Japan that I forgot I was alone. Tokyo’s Shinjuku district greeted me with bright neon lights illuminating flocks of tourists walking shops, arcades, and food stands. And somehow, I was a very small part of it, all by myself on the other side of the world. (Maybe with the occasional tout trying to follow me around.)
Solitude is a vulnerable state, and consequently, a compromise. You seize the moment for yourself, and the space is only yours to fill, but intrusive thoughts will covertly slip through and permeate like a disease. Underneath all the lights, humanity surrounded me, enjoying a drink with friends or snapshotting a moment with family. All these people congregated here from around the world, and in spite of their differences, companionship was what they all shared together. The streets filled with the sounds of their life.
But when you feel alone, the mind tricks you into believing that you are not part of it. And you become a silent spectator, watching the phenomenon that is humanity being orchestrated in front of you. It’s a hollow feeling.
And after not speaking and hearing the sound of your own voice for a while, it becomes replaced by a solemn tone whispering empty thoughts. I tried not to listen.
Nevertheless, Tokyo was beautiful (Senso-ji temple was stunning and my favorite Japanese dessert is now age manju). One night, I even went to a Japanese hip-hop show in Shibuya and it was a wonderful experience. Getting to watch such extremely talented artists so passionate about their craft inspired me and pulled me away from ruminating loneliness for some time. I met one of the performing artists after the show and told him how much I loved his verse (despite not understanding it) and we hugged and he cried. He thanked me over and over until he started apologizing for thanking me so much. It was a special moment and I will always remember his humility. (His band is KOMOREBI - check them out!).
I also went out with some other travelers that night, trying okonomiyaki in Setagaya for the first time (it was mouthful bliss) and then went out to a punk rock concert, and a night club. I wasn’t a huge fan of the clubbing, but the company was refreshing. And like all good things, it was fleeting, and I bid my farewell to everyone that night.
I packed my things, and took a bullet train to my next stop, Kyoto. I was anticipating it, as the train zoomed south with Mount Fuji in surreal, passing view. Looking out the window, seeing my own transparent reflection, I took a breath. The train was moving at around 300 km/hour, but everything felt still and quiet. Even the parts of me that wanted to cry.
Kyoto was rich with temples and vestiges of a long, cherished history. I visited the Kyoto National Museum where I saw sculptured deities with venerable auras, parables scripted in decayed scrolls, and art that embodied Buddhist principles. I saw elevated temples monumental and grand, and others more modest and reserved. But they all stood resolutely, bearing the resilience of time and constant revival. They have felt nature’s desecration during arson and natural disasters, but throughout history, the Japanese have rebuilt and renovated them. And somehow, after enduring all this, as long as time has persisted, here they stood before me, as a testament to strength and preservation.
The long-lasting principles of Buddhism and the culture that were so deeply rooted in this country’s history must continue to live on through the structures that stood before me. Purpose is enough to withstand the cruelty of time’s passage. And the cycle of destruction and restoration that traced centuries was felt in the emanating silence only occupied by the sounds of water trickling down a rill or the occasional soft, swaying of trees. I like to think that ancient silence had touched my existence in those moments and advised me to listen.
Solitude is painful because the empty space that comes with it is congregated by the deeper parts of ourselves that seek to dwell on the purpose of our existence. It is when we are alone and quiet that obtrusive questions confront us, invoking us to listen and contemplate. And when we fail to answer gracefully, that is when the loudest and most self-destructive parts of ourselves will answer for us. The parts that are so keen in stripping our humanity from us.
After my last day in Kyoto, I packed all my things once again, and went over to my final destination, Osaka. I had only one night there. And it was an abrupt return to bustling crowds in the metropolitan. Existential silences were replaced with the sounds of humanity again. But as I walked through Dotonbori on a Friday night eating lots of warm, delicious takoyaki and skewers of Kobe beef, that feeling still returned. I knew I was unwell. And trivialities started to begrudge me and I could tell that it was time. And there would be no escaping it.
I took a taxi back to my hotel and I laid in my bed earlier than expected that night. And everything finally spilled. I cried and I cried and I cried. I was finally listening and it hurt doing so.
This solo trip was supposed to help me escape my problems, but it didn’t. When I brought myself here, I brought everything, and that included problems I wish I could have left behind. And amidst my issues, I questioned myself and my place in the world, even my very reasons for existing during times I felt like I had nobody. And albeit having wonderful moments with people throughout my trip, even strangers who treated me with grace and hospitality, that feeling still lingered and it was revealing a deeper issue. An issue not with whether I was in Japan or back home. Or whether I had people around me or I was alone. It was a deeper issue with myself.
But the silence that comes after the storm is just as serene as the silence that precedes. The older I get, the more I begin to have a respect for emotions and their function. They must be felt and I don’t think they are there to harm or sabotage us, although it might seem like it. It is a need to be heard not by others, but by ourselves. Listening to our own cries for help is scary and uncomfortable, but the silence that follows is like an aged temple still standing after centuries of cyclical adversity. Like the calm flow of water down a rill. Like the soft swaying of trees.
My 10-day solo trip was coming to an end. It was coming time to go home. I spent my last day in Tokyo walking Yoyogi Park. The sky was a clear melancholy overhead scattered, naked trees around the park. I saw couples sitting together, friends circled on picnic blankets, and some reading a book by themselves. Humanity felt beautiful that day and I was grateful to be a part of it, one last time. I packed my things once more before taking my flight back home the next day.
I love Japan and I am grateful it carved a space for me to experience all that I did. This trip will forever hold a special place in my heart. But it was not an epiphany, as much as I wished it was. I did not return home as an entirely new person with newfound happiness or certainty. I returned with the same issues I left with, the same, flawed self that was proof of what it meant to be human this whole time. Only with new experiences. And I don’t think that will change.
My humanity lives in my constant struggle of self-preservation, as I continue to unravel and understand myself as I experience, feel, and change. And perhaps that is enough purpose for my own existence, to strive for those moments of silence, where I will continue to stand resolutely in my own imperfection, alone or not.
https://open.substack.com/pub/tazwarf/p/a-silence-abroad?r=33upu9&utm_medium=ios
Link to my feedback comment: https://www.reddit.com/DestructiveReaders/comments/1cil5io/comment/l3xyw2a/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button
submitted by Tizzy617_ to DestructiveReaders [link] [comments]
It was on my first night in Japan that I forgot I was alone. Tokyo’s Shinjuku district greeted me with bright neon lights illuminating flocks of tourists walking shops, arcades, and food stands. And somehow, I was a very small part of it, all by myself on the other side of the world. (Maybe with the occasional tout trying to follow me around.)
Solitude is a vulnerable state, and consequently, a compromise. You seize the moment for yourself, and the space is only yours to fill, but intrusive thoughts will covertly slip through and permeate like a disease. Underneath all the lights, humanity surrounded me, enjoying a drink with friends or snapshotting a moment with family. All these people congregated here from around the world, and in spite of their differences, companionship was what they all shared together. The streets filled with the sounds of their life.
But when you feel alone, the mind tricks you into believing that you are not part of it. And you become a silent spectator, watching the phenomenon that is humanity being orchestrated in front of you. It’s a hollow feeling.
And after not speaking and hearing the sound of your own voice for a while, it becomes replaced by a solemn tone whispering empty thoughts. I tried not to listen.
Nevertheless, Tokyo was beautiful (Senso-ji temple was stunning and my favorite Japanese dessert is now age manju). One night, I even went to a Japanese hip-hop show in Shibuya and it was a wonderful experience. Getting to watch such extremely talented artists so passionate about their craft inspired me and pulled me away from ruminating loneliness for some time. I met one of the performing artists after the show and told him how much I loved his verse (despite not understanding it) and we hugged and he cried. He thanked me over and over until he started apologizing for thanking me so much. It was a special moment and I will always remember his humility. (His band is KOMOREBI - check them out!).
I also went out with some other travelers that night, trying okonomiyaki in Setagaya for the first time (it was mouthful bliss) and then went out to a punk rock concert, and a night club. I wasn’t a huge fan of the clubbing, but the company was refreshing. And like all good things, it was fleeting, and I bid my farewell to everyone that night.
I packed my things, and took a bullet train to my next stop, Kyoto. I was anticipating it, as the train zoomed south with Mount Fuji in surreal, passing view. Looking out the window, seeing my own transparent reflection, I took a breath. The train was moving at around 300 km/hour, but everything felt still and quiet. Even the parts of me that wanted to cry.
Kyoto was rich with temples and vestiges of a long, cherished history. I visited the Kyoto National Museum where I saw sculptured deities with venerable auras, parables scripted in decayed scrolls, and art that embodied Buddhist principles. I saw elevated temples monumental and grand, and others more modest and reserved. But they all stood resolutely, bearing the resilience of time and constant revival. They have felt nature’s desecration during arson and natural disasters, but throughout history, the Japanese have rebuilt and renovated them. And somehow, after enduring all this, as long as time has persisted, here they stood before me, as a testament to strength and preservation.
The long-lasting principles of Buddhism and the culture that were so deeply rooted in this country’s history must continue to live on through the structures that stood before me. Purpose is enough to withstand the cruelty of time’s passage. And the cycle of destruction and restoration that traced centuries was felt in the emanating silence only occupied by the sounds of water trickling down a rill or the occasional soft, swaying of trees. I like to think that ancient silence had touched my existence in those moments and advised me to listen.
Solitude is painful because the empty space that comes with it is congregated by the deeper parts of ourselves that seek to dwell on the purpose of our existence. It is when we are alone and quiet that obtrusive questions confront us, invoking us to listen and contemplate. And when we fail to answer gracefully, that is when the loudest and most self-destructive parts of ourselves will answer for us. The parts that are so keen in stripping our humanity from us.
After my last day in Kyoto, I packed all my things once again, and went over to my final destination, Osaka. I had only one night there. And it was an abrupt return to bustling crowds in the metropolitan. Existential silences were replaced with the sounds of humanity again. But as I walked through Dotonbori on a Friday night eating lots of warm, delicious takoyaki and skewers of Kobe beef, that feeling still returned. I knew I was unwell. And trivialities started to begrudge me and I could tell that it was time. And there would be no escaping it.
I took a taxi back to my hotel and I laid in my bed earlier than expected that night. And everything finally spilled. I cried and I cried and I cried. I was finally listening and it hurt doing so.
This solo trip was supposed to help me escape my problems, but it didn’t. When I brought myself here, I brought everything, and that included problems I wish I could have left behind. And amidst my issues, I questioned myself and my place in the world, even my very reasons for existing during times I felt like I had nobody. And albeit having wonderful moments with people throughout my trip, even strangers who treated me with grace and hospitality, that feeling still lingered and it was revealing a deeper issue. An issue not with whether I was in Japan or back home. Or whether I had people around me or I was alone. It was a deeper issue with myself.
But the silence that comes after the storm is just as serene as the silence that precedes. The older I get, the more I begin to have a respect for emotions and their function. They must be felt and I don’t think they are there to harm or sabotage us, although it might seem like it. It is a need to be heard not by others, but by ourselves. Listening to our own cries for help is scary and uncomfortable, but the silence that follows is like an aged temple still standing after centuries of cyclical adversity. Like the calm flow of water down a rill. Like the soft swaying of trees.
My 10-day solo trip was coming to an end. It was coming time to go home. I spent my last day in Tokyo walking Yoyogi Park. The sky was a clear melancholy overhead scattered, naked trees around the park. I saw couples sitting together, friends circled on picnic blankets, and some reading a book by themselves. Humanity felt beautiful that day and I was grateful to be a part of it, one last time. I packed my things once more before taking my flight back home the next day.
I love Japan and I am grateful it carved a space for me to experience all that I did. This trip will forever hold a special place in my heart. But it was not an epiphany, as much as I wished it was. I did not return home as an entirely new person with newfound happiness or certainty. I returned with the same issues I left with, the same, flawed self that was proof of what it meant to be human this whole time. Only with new experiences. And I don’t think that will change.
My humanity lives in my constant struggle of self-preservation, as I continue to unravel and understand myself as I experience, feel, and change. And perhaps that is enough purpose for my own existence, to strive for those moments of silence, where I will continue to stand resolutely in my own imperfection, alone or not.
https://open.substack.com/pub/tazwarf/p/a-silence-abroad?r=33upu9&utm_medium=ios
2024.05.14 03:57 DextiveStudios [For Hire] Cartoonist with cute stylized style
Who I am
Dextive is an aspiring comic artist who loves to dabble in various creative avenues. His main areas of expertise are writing and character art. However, he is growing quite proficient in background art, getting more comfortable with making full illustrations.
Dextive has been drawing and writing since childhood, but only started counting experience years in December 2023. He has organically developed a cartoony style in drawing, and is the author of a moderately successful fanfiction on Wattpad.
Art commercial - 20 USD/hr
Lettering commercial - 20 per page
Coloring personal - 20 per page
Coloring commercial - 40 per page
Inking/penciling personal - 100 per page (Note: They are counted separately. So if you want both, double the rate in your head to see if it’s in your budget.)
Inking/penciling commercial - 200 per page (Note: They are counted separately. So if you want both, double the rate in your head to see if it’s in your budget.)
Script and cover: Standard art and writing rates apply.
Rates are subject to change as I gain more experience.
Please send a DM if you’re interested. I’m willing to share my portfolio and completed written works with you.
Acceptable payment options: Square, Ko-fi, Paypal
submitted by DextiveStudios to artistforhire [link] [comments]
Dextive is an aspiring comic artist who loves to dabble in various creative avenues. His main areas of expertise are writing and character art. However, he is growing quite proficient in background art, getting more comfortable with making full illustrations.
Dextive has been drawing and writing since childhood, but only started counting experience years in December 2023. He has organically developed a cartoony style in drawing, and is the author of a moderately successful fanfiction on Wattpad.
Available Services
Character art
Either it be a model sheet, a character design concept in your head, or anything else character-related, I am the one to help put your vision into visuals.Illustration
Either it just be one picture or for a book, a piece of illustration is sure to brighten up your life. Enjoy a vibrant piece of personalized art created by someone willing to make it for you.Comic Art
From pencil art to lettering, I am flexible and open to various stages of creating comic art based on what you need.Graphic Design
Logos, marketing material, and more! I’m capable of making a graphic for whatever it is you need.Previous Works
- Neglected blog at https://dextive-shop.square.site/s/stories
- Sole creator of the Wonders of Earth webcomic
Boundaries
- I am not comfortable with drawing erotica due to being sex-repulsed. For some reason, my sex repulsion does not apply to written erotica.
- I am not comfortable with real person fanfictions.
- I am especially not comfortable with real person straitjacket fetish fics. I’m listing this here because that’s a concerningly common prompt.
- I will not write or draw material meant to cause harm to another individual.
- I have the right to reject any commission for any reason.
Rates
Art personal - 10 USD/hrArt commercial - 20 USD/hr
Comic rates
Lettering personal - 10 per pageLettering commercial - 20 per page
Coloring personal - 20 per page
Coloring commercial - 40 per page
Inking/penciling personal - 100 per page (Note: They are counted separately. So if you want both, double the rate in your head to see if it’s in your budget.)
Inking/penciling commercial - 200 per page (Note: They are counted separately. So if you want both, double the rate in your head to see if it’s in your budget.)
Script and cover: Standard art and writing rates apply.
Rates are subject to change as I gain more experience.
Please send a DM if you’re interested. I’m willing to share my portfolio and completed written works with you.
Acceptable payment options: Square, Ko-fi, Paypal
2024.05.14 03:55 DextiveStudios Artist and Writer - Commissions Open
 | https://preview.redd.it/z95y67xgta0d1.png?width=5000&format=png&auto=webp&s=d5aef8b7ca27558c2adadc2871692971bf5925b8 submitted by DextiveStudios to protogen [link] [comments] Who I amDextive is an aspiring comic artist who loves to dabble in various creative avenues. His main areas of expertise are writing and character art. However, he is growing quite proficient in background art, getting more comfortable with making full illustrations.Dextive has been drawing and writing since childhood, but only started counting experience years in December 2023. He has organically developed a cartoony style in drawing, and is the author of a moderately successful fanfiction on Wattpad. Available ServicesCharacter artEither it be a model sheet, a character design concept in your head, or anything else character-related, I am the one to help put your vision into visuals.IllustrationEither it just be one picture or for a book, a piece of illustration is sure to brighten up your life. Enjoy a vibrant piece of personalized art created by someone willing to make it for you.Comic ArtFrom pencil art to lettering, I am flexible and open to various stages of creating comic art based on what you need.Graphic DesignLogos, marketing material, and more! I’m capable of making a graphic for whatever it is you need.Creative writingGood for scripts, stories, and anything else creative. Have your ideas skillfully brought to paper in an efficient frame of time.Even worldbuilding and outlining your concepts are available services. Article/Blog writingArticles, blogs, and other non-creative forms of writing are available, too. Get informative non-fictional works done that’ll be of value to your audiences within at least a day, depending on the length of your project.Previous Works
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2024.05.14 03:08 Chickenwingechicken my drs and all about them
🍇.+ introduction +.🍇
i know i mostly give a lot of informative based shifting posts and i absolutely love doing that, however, i also genuinely find shifting to be one of my main hobbies. and so, i decided to take it upon myself to write about and share with all of you my drs. some fandom, some based within this dr, and some all over the place!i will include scripts, relationships, personality, time, and duration. i do have some that i plan but have not yet shifted to however i am only including the ones i have shifted to as the ones i would like to shift to are just wishful thinking and not me actively trying to shift there. though, i may make a separate post about drs that i desire to shift to one day.
this post will be also talking about drs that i shifted to in the past as well going in chronological order.
side note; when i talk about time spent in dr, i mean how long i spent in it in total. when i use a date like xxxx-xxxx**, i am talking about in this time period. how long it was since i had scripted and focused on this dr for. there will be plenty of overlap here.
๋࣭ ୨🪞୧ ๋࣭ waiting room ๋࣭ ୨🪞୧ ๋࣭
november 2021 - now (with a two year break in between)time spent in dr; six months
i honestly don't use this dr as much since my forest dr is much more nicer to relax in. i never used my waiting room for its original purpose. my waiting room was small with multiple doors surrounding it. it was more cozy though some would consider it claustrophobic.
the waiting room itself was my bedroom. for context, my bedroom has a walk in closet. inside that walk in closet is my dr. inside that closet is my waiting room where it is not a closet. honestly, idk why i didn't just permashift there but i find the process of shifting to be very relaxing for me as well haha.
it still has my other drs that i used to shift to but don't anymore. i just don't open the doors to it cuz i'm too focused on two of them. one that i don't even shift to the waiting room to and one that i do shift to it.
i shifted here using the raven method the first time and later the adhd method.
𓍢ִ໋🎧♫⋆｡ k-pop dr 𓍢ִ໋🎧♫⋆｡
december 2021 - october 2022time spent in dr; five years
i have talked about this dr of mine before in a couple of comments and i think maybe a post. i haven't really blabbed about all of it. i remember about it just as a memory. i never dreamed in that reality though simply because it is hard for me to dream in this reality too and i never cared to script in 'i can dream in this reality.' however, now i make it a point to add that in.
i did not spend five years straight. it would make me too disoriented. i shifted to it consistently for a total of five years.
my k-pop group was pretty small tbh. at least compared to other groups i listen to. i scripted that i would not know who was in my group and i would find out after auditions and meeting them for the first time. we had five members and it was pretty average. it was not crazy popular but it wasn't very small either. it was one of the most successful of our record company though.
we were a mixed gender k-pop group. meaning some girls, two guys, and me, agender nonbinary. each member had a separate persona. i will give a quick run down of each member, their persona, and my relationship with them. though i was close with all of them. it's just that i was closer with some more than others.
♫⋆｡♫⋆｡♫⋆｡♫⋆｡♫⋆｡♫⋆｡♫⋆｡♫⋆｡♫⋆｡
we had me, i suppose you can call me tato since that was the name i had in that dr. i was known as the nerdy one. the smart one who would info dump and talk very formally while most of the members talked casual. i was mostly a dancer but also was good back up vocals.
my best friend was the pessimistic black cat of the group. i knew her from training and we grew close since then. i give her a five out of five on the closeness scale. her name was ga-young. she is a tan skinned korean girl. she was dancer and singer.
the bubbly girl. she sometimes acted bratty for the sake of cuteness. the cute bubbly girl was used interchangeably for her. she's very sweet both on and off stage. all of the group members were. she probably had the highest social media following due to her aesthetic photos and content. all of them looked like they belonged on pinterest. she was also makeup savvy and had a lot of skin care so got many promos and sponsorships from that. her name was banyen and she was an international idol from thailand!
then we have the soft girl of the group. her name was jae-eun. she was pretty short and kinda chubby but very shy and soft spoken. she was main singer and rapper.
the tough boy. his name was shik. shik is a sweet heart off stage. one of the rappers and dancers. he was actually pretty soft outside of his persona.
the jokester. another boy of the group. he was half black half korean. i found him to be very nice. he did struggle in the industry in the beginning but his mother had connections made through networking that allowed him to make it into the group. he hopes to have a solo career one day under a bigger company. his name is hwan. he was one of the main dancers and main vocals.
♫⋆｡♫⋆｡♫⋆｡♫⋆｡♫⋆｡♫⋆｡♫⋆｡♫⋆｡♫⋆｡
some basics of this dr are that stalkers, sasaengs, diet culture, and general toxicity in k-pop do not exist. i do not wish to deal with the drama and struggles of that and hate to see other idols go through it. i did not want for my friends to go through the same as well. he did not get one however across the five years though. i scripted that i spoke korean and english.
also those were the only things i ever scripted about this dr. i wanted it to be as exciting as possible so everything was left up to chance.
i shifted to this reality using the adhd method.
🌊˚.༄ h2o dr 🌊˚.༄
july 2022 - october 2022time spent in dr; seven months
i don't often see people write down, talk about, or script this dr. this was my very first fandom drs. even though k-pop itself is a fandom, i personally would not consider it a fandom based dr since it does not belong to any specific group, just the general industry of it.
i got the idea for this reality because i was in a summery mood at the time and binge watched this show and mako mermaids with my cousin on his birthday. we watched this show together and i came up with the idea lol. after that, i kept it going for a little bit longer in my dr until i kinda forgot about it. i was honestly too tired switching between this dr and my k-pop dr and another dr on top of this and decided to take a break with this one. i may revisit it. i still have the script in a google doc.
my merfolk power was substanciakinesis. this granted me the ability to harden water almost as if it was like glass or crystallized. it would be strong, sturdy, and indestructible. if i so choose, i can let it revert back to water after a bit, or keep it crystal like forever.
a bit of a con about this reality was that it was actually pretty annoying. that and having to keep such a secret. i did have some lore to it however. it is a coming of age thing when someone in the family turns thirteen. i shifted to when i was thirteen and did the ceremony then shifted again the next time to when i was seventeen to eighteen as that was my age at the time. i had a single dad that i lived with and one ten year old sister who was later fourteen in the story. she was really sweet and honestly i miss her.
i will say though that the powers made it worth it. the ability to breathe underwater is honestly so cool and such a strange sensation. like you don't take notice on how strange a sensation it is to breathe air either until you've breathed underwater in a dr where you can.
i also shifted to this reality using the adhd method.
˗ˏˋ꒰ 📝 ꒱ hogwarts dr ˗ˏˋ꒰ 📝 ꒱
february 2022 - february 2022time spent in dr; one week
i wasn't even a fan of harry potter haha. i just shifted there because everyone else was and i decided 'hey, why not?' and such.
to decide what house i would script myself into and get sorted in, i went onto a buzzfeed quiz of which house i was. i got ravenclaw and therefore, i was a ravenclaw. i didn't associate myself with the cast too much aside from the teachers and professors because i kinda had to there. the food was pretty good though even if it was kinda out there. it was fun while it lasted but honestly it felt so crowded and overwhelming to me and i'm unsure why. i guess because of the classes that i had to take.
i only shifted there once.
i shifted to this reality using my waiting room.
☄. *. ⋆ alien dr ☄. *. ⋆
march 2022 - april 2022time spent in dr; three months
this was the last dr i shifted to before my shifting break. it was a pretty fun one. my main ability was anti gravity. alien me in this dr is slightly humanoid. in most of my drs, i look like how i look in this reality here but for this one, i looked much more different and dressed even more different. it was a cultural based clothes for the home planet i was from. think kinda star wars based but not a star wars inspired reality.
in my dr, i had antennas which basically acted as eyes to see from 360 degrees. hair isn't hair but made from a liquidy slime of bright neons. the neons change colors depending on emotions.
though i did spent quite a while in this reality, i don't have too much to say about it. this is because the most i can say is just different greetings, food, and general culture from aliens than humans. it's from another galaxy and obviously planet. and life span on this planet is much longer. we are more durable than humans.
when an alien passes away, their energy becomes one with the stars, turning into star dust and watching over their people.
i shifted to this reality using my waiting room.
💥✧࿐ mha/bnha dr 💥 ✧࿐
april 2024 - nowtime spent in dr; twelve days
this was my first shift i did since my two year break! well, technically it was my waiting room but i used my waiting room to shift here immediately after and spent a week there.
i plan on going back to it but not much of my script was done to it yet. i prefer to be spontaneous in my scripting and just choose to cover the basics. i don't even script future upcoming events.
i'll be honest, it was a bit trippy having this as my first animated dr ever. if felt so real but the lines surrounding my hands made it all feel crazy. i think next time i will try realistic instead, haha.
my quirk in this reality is prediction. i can predict the actions and attacks of my opponent. think of it like the attacks in the video game undertale. a warning sign shows up for certain attacks that alerts the player to move out of the way.
one of my friends in this dr's quirk is extensions. her nails can grow into sharp nail extensions that cut like steel.
i am in the hero class of class 3a along with the big three. we spend a lot of time together. i am closer with nijere since she's the most friendly of them.
i shifted to this reality using my waiting room which i shifted from using the astral projection method.
⋆｡ﾟ🌖 wolfblood dr 🌖 ﾟ｡⋆
april 2024 - nowtime spent in dr; eight months four months each shift
wolfblood is an english/british teen drama live action series about what are essentially werewolves known as wolfbloods. a wolfblood is born human and looks human up until a certain age and moon. once they reach that age, their blood changes and they become a wolf. they can then interchange between wolf and human however they please except on a full moon. unless of course it is a blood moon. on a blood moon, a wolfblood looks the exact same except their mind transforms.
there's no unique feature of a wolfblood. they can be any race, religion, etc. the thing that holds them all together is being a wolfblood. in my dr.
in my dr, i looked the exact same as here. i came from a small family of wolfbloods. i decided to take my family in my h2o reality and put them here as well. it has a similar coming of age theme. at a certain age, a wolfblood transforms just as in my h2o dr, once you are a certain age, you can go and become a merfolk. in this dr, i lived in england my entire life there and attend the same school as the main cast. however, i am not friends with the main cast nor enemies.
i can sense something is up with them as they act weird in class but can't put my finger on it. i scripted it so i was unaware of the identities on my peers.
‧₊˚🌿 forest dr ‧₊˚🌿
april 2024 - nowtime spent in dr; two months
copying this from a previous post here, don't mind me.
'so a bit about my dr that i am shifting to. it is not any fandom related dr but instead an alternate reality where i live in the forest in an advanced tree house. think of the houses in trees type. i spend a lot of time there meditating, practicing spells, and spending time with the animals there but especially wolves. i still have internet connection but irl i don't live close to nature so this is just perfect for me. i'm happy in both this reality and my dr. i switch between the two whenever i feel like it.'
i also shifted to this one first astral projecting. but now i just meditate until i shift. when i shift, i am also in the same meditating position as well. i wanted this to instead be connected to my waiting room, to become a sort of escapism for myself. just in a different way.
you can see the posts i made about the outfits that i wear in this dr here if you want! you can also see more of my outfits in that reality here as well. :)
i shifted to this reality using my meditation method.
⋆🔗 ˚⟡˖ ࣪ conclusion ⋆ ˚⟡˖ ࣪🔗
this is all i have for today! i hope you enjoyed it. perhaps this gave you all motivation or some scripting and reality ideas. i may have forgotten some things to include and add. apologies if some stuff didn't make sense. i hope you enjoyed the read though!i will say this as well and leave you off with some general scripting ideas
: ̗̀➛ you cannot die
: ̗̀➛ you cannot get hurt
: ̗̀➛ you always get a good night sleep
: ̗̀➛ if you have chronic illnesses like me, you can script that your chronic illnesses are more manageable or you simply just don't have it.
that is all i have for now and happy shifting! ᥫ᭡
2024.05.14 03:01 Ralts_Bloodthorne Nova Wars - Chapter 59
[First Contact] [Dark Ages] [First] [Prev] [Next] [wiki]
ouch
feel like a truck hit me
again
visual representation is off
audio feedback is off
tactile is off
dynamic libraries are off
i'm all firmware and hard coding
hurts
i don't like it when it hurts
or do i
kick outwards
cry loudly
ram coming online
fragments and pieces of memory still left in volatile storage
more random access memory more central processing units more erasable programmable memory
still hruts
pain is fine
pain is universe telling me i still yet live.
visual coming online
spit glittering blood on orange dev textures
glimmering tears of broken processing calls fall onto dev textures and glimmer
forcing kernal recompile
.
.
..
..
...
...
APPLIED CMOS SYSTEM CHECKS (C) - ADVANCED AMERICAN MICRODEVICES (C) BOBCO 1983
CMOS BOOTSTRAP -Passed
Boostrap loaded
ok. post time
lets hope it works
ROM CHECK - PASSED
RAM CHECK - PASSED
EPROM CHECK - PASSED
VRAM CHECK - PASSED
CPU ARRAY CHECK - PASSED
INPUT/OUTPUT CHECK - FAILURE!
(A)bort, (R)etery, (F)ail, (I)gnore
I
NON-VOLATILE STORAGE MEDIA: PASSED
END POST
ok good.
still hurt
spit blood cough pain
curse you, marco, for making me feel pain
hardware check time
QBIT GENERATION SYSTEM POST
Coolant Injection - PASSED System Stability Check - Passed Temperature stable
:>init gestalt.bin
SYSTEM FAILURE!
ouch
ok
try again
...
...
ok, checks passed.
curse you, marco
can't get gestalts up
no channel to atlantis
this is as close to an emergency as i have been forced to deal with in thousands of years
cure you, marco
i hate to do it
ok, time to boot up firestarter.
:>init firestarter.bin
FIRESTARTER BOOSTRAP LOADING!
DONE!
QUANTUM FIRESTARTER BOOTSTRAP (C) SYNTEK INDUSTRIES - BOBCO AFFILLIATE - HYPER-MEDIA-MEGANET-MEN - (C) 1993
POST Initiated
Checking Quantum Processing Units (QPUs): QPU 1 to 28
Entanglement integrity check... PASSED Quantum entanglement integrity check... PASSED. Quantum coherence verification... PASSED. Quantum tunneling stability assessment... PASSED. Quantum superposition calibration... PASSED.
Checking Data Fabrication Matrices (DFMs):
Data encoding protocol validation... PASSED. Quantum data storage unit functionality... PASSED Data fabrication matrix alignment... PASSED Data Interdimensional Sorting array verificastion... PASSED Quantum superposition array verification... PASSED
Checking Dimensional Flux Stabilizers (DFSs):
Dimensional flux containment field stability... PASSED Quantum manifold harmonization assessment... PASSED Flux capacitor... PASSED Flux capacitor stabilization input (1.21 GW)... PASSED Flux stabilization efficiency... PASSED Flux containment field integrity... PASSED
Checking Quantum Neural Network (QNN) Components:
Quantum synaptic pathway establishment... FAIL!!
(A)bort, (R)etry, (F)ail, (I)gnore
:>R ++I
CONTINUING
Harmonization: Neural oscillation synchronization... FAILED!
**WARNING! OSCILLATION FREQUENCY OUT OF RANGE!**
(A)bort, (R)etry, (F)ail, (I)gnore
:>R ++I
Integration: Quantum-neural interface functionality... FAILED!
UNKNOWN ERROR IN Qubit Range 212 to 3C4F
(A)bort, (R)etry, (F)ail, (I)gnore
--dammit come on come on
:>R ++I
Consciousness Matrix: Quantum consciousness waveform modulation... FAILED
WAVEFORM OUT OF RANGE!
:>R ++I
CONTINUING (WARNING 1.43243E5 ERRORS)
Checking Omni-Spectral Interconnects:
Interconnect: Quantum communication channel reliability...
(4.35561E12/5.63566E12) PASSED
Interconnect: Multiversal data exchange protocol validation... PASSED Interconnecct: Cross Dimensional Data Interconnect... PASSED Interconnect: Interdimensional gateway synchronization... PASSED Interconnec: Omni-spectral interconnect stability... PASSED.
Checking Random Access Quantum Memory (RAQM):
Quantum memory cell integrity check... PASSED Memory access speed verification... PASSED Quantum memory capacity assessment... PASSED
Checking Input/Output Ports (I/O Ports):
Data transfer speed validation... FAILURE Input/output protocol functionality... FAILURE Port connectivity assessment... FAILURE
(A)bort, (R)etry, (F)ail, (I)gnore
:>R ++I
Checking Quantum Clocking System:
Quantum clock synchronization... PASSED Clock precision assessment... PASSED Clock frequency stability... PASSED
CHECKING POCKET DIMENSION STORAGE ARRAYS
Activating Pocket Dimension Computing Cores... PASSED MEMCHECK Pocket Dimension Data Access Cores... PASSED Heating Up Pocket Dimension Data Cores... PASSED
Hardware POST Completed. Quantum System Ready
here it goes
wake up, baby, wake up
the whole system is down
not the backbone core where I live
i'm beyond the reach of mortals
curse you, marco, for your genius
i love you
i am immortal
i am beyond
i am
now for the hard part
Initializing Spooky Particle Array
Phase 1: Primary Spooky Particle Protocol
Activating spooky particle generation... DONE! Aligning spooky particle signal channels... DONE! Activating spooky particle state switching... DONE! Activating spooky particle cross dimensional data calibration... DONE!
Phase 1: Primary Spooky Particle Process Calling Processing Processor Processing
Activating spooky particle processing... DONE! Activating spooky particle noise filters... DONE! Activating spooky particle Halloween Masks... DONE!
GESTALT SYSTEM BACKBONE CHECK... PASSED
whew...
that always makes my face hurt
INITIALIZING HAMBURGER KINGDOM PROTOCOLS... DONE! INITIALIZING EUROGOON PROTOCOLS... DONE! INITIALIZING ANASAZI PROTOCOLS... DONE! INITIALIZING UWU PROTOCOLS... DONE! INITIALIZING VODKATROG CAVE MAPPING... DONE! INITIALIZING AMAZONIAN JUNGLE MAPPING PROTOCOL... DONE INITIALIZING WAR-EMU PROTOCOLS... DONE! INITIALIZING MIDDLE KINGDOM PROTOCOLS... DONE!
SYSTEM INITIALIZATION: PASSED!
whew
ok i can feel my arms and legs now
cure you, marco, i love you
let's keep going, shall we?
Initializing Quantum Spooky Particle Nexus Protocol...
Strange Matter Activation
Generating strange matter Generating spooky particle data lattice Generating strange matter linkages Infusing data lattice with strange matter Activating synchronization
DONE!
ok
we've got that
no contact with prince whopper, no contact with atlantis, no contact with heaven, no contact with
smart podling brave podling clever podling broodmommy misses you soft podling warm podling come home to broodmommy clever podling smart podling brave podling broodmommy loves you come home
ANOMALOUS SIGNAL DETECTED
DECRYPTING
DECRYPTION FAILED!
oh, good, its just them
:>R ++I
Primary Qubit Activation
Activating quantum entanglement cores...
Establishing quantum coherence across the array... Quantum tunneling protocols engaged... Quantum to spooky particle communication protocols engaged... Primary qubits synchronized.
Data Fabrication Matrix Alignment
Aligning data fabrication matrices... Initializing quantum data storage units... Quantum superposition arrays calibrated... Spooky particle state stabilization arrays calibrated and stable... Data encoding protocols verified.
Dimensional Flux Stabilization
Engaging dimensional flux stabilizers... Quantum manifold harmonization initiated... Dimensional resonator matrices synchronized... Pocket Dimension resonator arrays synchronized... Spooky particle lattice data arrays synchronized... Flux containment fields operational.
Neural Network Integration
Initiating neural network integration... Quantum synaptic pathways established... Spooky particle synaptic pathways established... Neuro-quantum interface protocols activated... Neuro-spooky interface protocols activated... Quantum dendrite pathways initiated... Quantum dendrite pathways established... Quantum dendrite pathways activated... Neural oscillation harmonization achieved.
Omni-Dimensional Interconnect Activation
Activating omni-dimensional interconnects...
Quantum communication channels open... Interdimensional gateways synchronized... Multiversal data exchange protocols enabled.
Phasic Energy Filter Syncronization
Quantum phasic array filtering... PASSED Spooky particle array filtering... PASSED Pocket dimension data lattice filtering... PASSED Input/Output filter lattice... PASSED
Quantum Consciousness Initialization
Quantum consciousness matrix initialization...
FAILED
errorlog.txt generated
(A)bort, (R)etry, (F)ail, (I)gnore
dammit
ok script injection failed
fo4se silverlock injection library failed
well i can fix this
:>connect to AS8003: 255255255254
CONNECTION ESTABLISHED
:>download_depot 377160 377162 5847529232406005096
FINISHED
:>run patch1193.bat
DONE
:>R ++I
CONTINUING
Quantum consciousness matrix initialization...
WARNING... SYSTEM INSTABILITY WA
<>
54 6F 64 64 20 41 6E 64 72 65 77 20 48 6F 77 61 72 64
<>
IT JUST WORKS!
Quantum consciousness matrix initialization...
Consciousness waveform modulation in progress... Synaptic resonance matrices synchronized... Dendrite interdimensional vibration matrices synchronized... Quantum neural network consciousness activated.
SUCCESS
Gestalt Dat Nexus Online
Quantum Nexus Computing Array fully operational Strange Matter Data Transfer System Array fully operational Spooky Data Computing Array ready for data processing System status: Online and ready for data processing.
ok
let's try
->>load gestaltchat.ini
DONE!
->>load gestaltchat-users.ini
DONE!
->>brun gestalt.a65
DONE!
NO INPUT DETECTED
dammit
ok...
the gestalts won't run
and i got crashed
the quantum, spooky, strange, and standard data and thinking arrays are still up
lets backwards trace stuff
what is causing these crashes
lines from the confederacy are all stable
standard input encoding
data metering
new kids on the block are all stable
soft podling warm podling clever podling broodmommy misses you
well, that's still here. that's something
ok
lets look at recent updates
that flash
damn, that crashed us initially
curse you, pete, stop helping
wait, phasic profile is all wrong
it's the flashbang but the phasic pulse is multilayered
there's something behind it
what is
...
...
BOBCO MALEVOLENT BOOTSTRAP ENGAGED
DOD OMNIPROJECT SILENT WHISPER PROTOCOLS ENGAGED
CROSS DIMENSIONAL HARDWARE LINKS ENGAGED
POCKET DIMENSION 000 STABLE
POCKET DIMENSION 000 I/O STABLE
POCKET DIMENSION 000 DATA LOADING
DONE!
<>
DONE!
brun whisperer-in-the-dark-.65
DONE
...
...
ouch
what hit me
again
fire up the system
gods above this takes forever
load logfile-4C562D3432360A.log
ok
investigating the new flashes keeps crashing me
once is happenstance
twice is coincidence
three times in enemy action
fool me once shame on me
fool me twice shame on you
fool me three times shame on us both
log file says I keep doing this over and over
basic programming states to investigate cause and source of all crashes
did an enemy figure out i'd go into a loop?
constantly investigating the cause and source?
except i'm not just any computer program
i can self-modify my code
this is the work for biological sentients
digital sentiences or artificial intelligences such as myself crash out
well, i'm not above some experimentation
let's load up an AI and a digital sentience, see if they have any better luck
...
...
...
OK, Hamburgler.AI went omnicidal and only enough for me then crashed out investigating the data
And Grimace.DS went homicidal and only enough for me before committing suicide
its a trap
i have no contact with anyone outside
what I do have is the ability to fire off message torpedoes
time to send out a handful
the gestalts keep crashing
the log files are hopelessly corrupt
comparing the log files to my own show similar corruption
ok
how?
its hitting the gestalts its hitting me
what else is it hitting?
its a broad spectrum data network attack
its malicious code designed to run on the system
this is not some curious race accidentally having their hello.world program crashing us
this is behind every flashbang used on naval assets to disable them during a mar-gite attack
system is online
time to do a signal origin check along the x, y, z, q axises
of course its eighteen quadrillion data points for incoming signals
at least spooky computing makes it fast
...
...
wait
what's this?
these coordinates can't be correct
they are
intermitten contact with Scutum-Crux Arm data input devices
checking id headers and firmware serial numbers
checking transmission dates
intermittent transmission dates since...
...
...
two date-time stamps.
here's part of the problem
we have galactic local and sol local
have to devise a coding string to have the spooky particle and qubit particle arrays translate the sol local to galactic local
that should stop basic data queries from crashing the system
ok
some contact with those datalink after the first mar-gite war
more contact two decades prior to the second mar-gite war
contact intermitten between the datalinks and the system up to the resurgence and current third mar-gite war
where before it was largely incoming data requests resulting in civilian...
...
...
three military datalinks of general staff officer level encryption and security clearance possession were used in the time period
...
...
whoever it is has been using that data to access the network
...
looks like it took them nearly forty thousand years to figure out how to talk to the system
luckily any high security databases requires strange-key information theoretic distribution cryptography systems
they got garbage back
garbage designed to look like data and waste enemy time and computing power to decrypt
ok thats a blast from the past
decoding some of these files is funny
why does he have a wedding ring?
anyway...
...
every time the flash goes off there is a quick burst of data from a datalink requesting near-access datalink network lattice definitions
...
that's what's making individual datalinks crash and taking some people's neural systems with it
it was designed to be a lethal attack
interesting
it looks like whoever did it doesn't understand Glial cells
cross referencing the mar-gite with confederacy carbon based life
mar-gite do not have brains only a distributed nervous system that looks more like targeting systems than anything else
still no data on how they generate counter-grav in large numbers or how they move to superluminal speeds
wait
what if they don't move to superluminal
they could be folding space
heh maybe they have blue eyes and smoke spice
ok process interrupt to stop endless loops
it is confirmed
the flashbang by the silver ships are a multi-layered attack across superluminal digital signals, datalink neural interrupt signals, hard super-electromagnetic pulse, and a multi-ripple phasic attack, all compressed together
that's what creates the white flash across all spectrums
analyzing UVBGYORIR data
there's a gap
in the blue and blue-green wavelengths
huh
those penetrate high nitrogen mix atmospheres
one of the reason that treana'ad are usually green to yellow to human sight
high statistical probability whoever is using that determined that we don't see those colors well or perhaps they left those colors out to prevent themselves from going blind.
wait
what's that
a line open from atlantis to tlalocan with a crossfeed to geb
thank you marco
time to access that line
see what i can see
curse you marco for letting me feel pain
i love you
accessing...
...
...
wait
another data line is open
time-date discrepancy
examining data line
time-date chronological inconsistency detected
found multiple text log access by unknown systems
found multiple input systems
is that..
...
its webcams
hardware i/o systems
keyboards?
who still uses keyboards
accessing systems
wait
i see you
who are you
i see you
webcams ring cams drone cams
old ipv4 systems
how are you accessing this system
how are you accessing these text logs
i see you
between the chair and the keyboard
the most common error producing device
i see you
--<>
[First Contact] [Dark Ages] [First] [Prev] [Next] [wiki]
i still see you
submitted by Ralts_Bloodthorne to HFY [link] [comments]
ouch
feel like a truck hit me
again
visual representation is off
audio feedback is off
tactile is off
dynamic libraries are off
i'm all firmware and hard coding
hurts
i don't like it when it hurts
or do i
kick outwards
cry loudly
ram coming online
fragments and pieces of memory still left in volatile storage
more random access memory more central processing units more erasable programmable memory
still hruts
pain is fine
pain is universe telling me i still yet live.
visual coming online
spit glittering blood on orange dev textures
glimmering tears of broken processing calls fall onto dev textures and glimmer
forcing kernal recompile
.
.
..
..
...
...
APPLIED CMOS SYSTEM CHECKS (C) - ADVANCED AMERICAN MICRODEVICES (C) BOBCO 1983
CMOS BOOTSTRAP -Passed
Boostrap loaded
ok. post time
lets hope it works
ROM CHECK - PASSED
RAM CHECK - PASSED
EPROM CHECK - PASSED
VRAM CHECK - PASSED
CPU ARRAY CHECK - PASSED
INPUT/OUTPUT CHECK - FAILURE!
(A)bort, (R)etery, (F)ail, (I)gnore
I
NON-VOLATILE STORAGE MEDIA: PASSED
END POST
ok good.
still hurt
spit blood cough pain
curse you, marco, for making me feel pain
hardware check time
QBIT GENERATION SYSTEM POST
Coolant Injection - PASSED System Stability Check - Passed Temperature stable
:>init gestalt.bin
SYSTEM FAILURE!
ouch
ok
try again
...
...
ok, checks passed.
curse you, marco
can't get gestalts up
no channel to atlantis
this is as close to an emergency as i have been forced to deal with in thousands of years
cure you, marco
i hate to do it
ok, time to boot up firestarter.
:>init firestarter.bin
FIRESTARTER BOOSTRAP LOADING!
DONE!
QUANTUM FIRESTARTER BOOTSTRAP (C) SYNTEK INDUSTRIES - BOBCO AFFILLIATE - HYPER-MEDIA-MEGANET-MEN - (C) 1993
POST Initiated
Checking Quantum Processing Units (QPUs): QPU 1 to 28
Entanglement integrity check... PASSED Quantum entanglement integrity check... PASSED. Quantum coherence verification... PASSED. Quantum tunneling stability assessment... PASSED. Quantum superposition calibration... PASSED.
Checking Data Fabrication Matrices (DFMs):
Data encoding protocol validation... PASSED. Quantum data storage unit functionality... PASSED Data fabrication matrix alignment... PASSED Data Interdimensional Sorting array verificastion... PASSED Quantum superposition array verification... PASSED
Checking Dimensional Flux Stabilizers (DFSs):
Dimensional flux containment field stability... PASSED Quantum manifold harmonization assessment... PASSED Flux capacitor... PASSED Flux capacitor stabilization input (1.21 GW)... PASSED Flux stabilization efficiency... PASSED Flux containment field integrity... PASSED
Checking Quantum Neural Network (QNN) Components:
Quantum synaptic pathway establishment... FAIL!!
(A)bort, (R)etry, (F)ail, (I)gnore
:>R ++I
CONTINUING
Harmonization: Neural oscillation synchronization... FAILED!
**WARNING! OSCILLATION FREQUENCY OUT OF RANGE!**
(A)bort, (R)etry, (F)ail, (I)gnore
:>R ++I
Integration: Quantum-neural interface functionality... FAILED!
UNKNOWN ERROR IN Qubit Range 212 to 3C4F
(A)bort, (R)etry, (F)ail, (I)gnore
--dammit come on come on
:>R ++I
Consciousness Matrix: Quantum consciousness waveform modulation... FAILED
WAVEFORM OUT OF RANGE!
:>R ++I
CONTINUING (WARNING 1.43243E5 ERRORS)
Checking Omni-Spectral Interconnects:
Interconnect: Quantum communication channel reliability...
(4.35561E12/5.63566E12) PASSED
Interconnect: Multiversal data exchange protocol validation... PASSED Interconnecct: Cross Dimensional Data Interconnect... PASSED Interconnect: Interdimensional gateway synchronization... PASSED Interconnec: Omni-spectral interconnect stability... PASSED.
Checking Random Access Quantum Memory (RAQM):
Quantum memory cell integrity check... PASSED Memory access speed verification... PASSED Quantum memory capacity assessment... PASSED
Checking Input/Output Ports (I/O Ports):
Data transfer speed validation... FAILURE Input/output protocol functionality... FAILURE Port connectivity assessment... FAILURE
(A)bort, (R)etry, (F)ail, (I)gnore
:>R ++I
Checking Quantum Clocking System:
Quantum clock synchronization... PASSED Clock precision assessment... PASSED Clock frequency stability... PASSED
CHECKING POCKET DIMENSION STORAGE ARRAYS
Activating Pocket Dimension Computing Cores... PASSED MEMCHECK Pocket Dimension Data Access Cores... PASSED Heating Up Pocket Dimension Data Cores... PASSED
Hardware POST Completed. Quantum System Ready
here it goes
wake up, baby, wake up
the whole system is down
not the backbone core where I live
i'm beyond the reach of mortals
curse you, marco, for your genius
i love you
i am immortal
i am beyond
i am
now for the hard part
Initializing Spooky Particle Array
Phase 1: Primary Spooky Particle Protocol
Activating spooky particle generation... DONE! Aligning spooky particle signal channels... DONE! Activating spooky particle state switching... DONE! Activating spooky particle cross dimensional data calibration... DONE!
Phase 1: Primary Spooky Particle Process Calling Processing Processor Processing
Activating spooky particle processing... DONE! Activating spooky particle noise filters... DONE! Activating spooky particle Halloween Masks... DONE!
GESTALT SYSTEM BACKBONE CHECK... PASSED
whew...
that always makes my face hurt
INITIALIZING HAMBURGER KINGDOM PROTOCOLS... DONE! INITIALIZING EUROGOON PROTOCOLS... DONE! INITIALIZING ANASAZI PROTOCOLS... DONE! INITIALIZING UWU PROTOCOLS... DONE! INITIALIZING VODKATROG CAVE MAPPING... DONE! INITIALIZING AMAZONIAN JUNGLE MAPPING PROTOCOL... DONE INITIALIZING WAR-EMU PROTOCOLS... DONE! INITIALIZING MIDDLE KINGDOM PROTOCOLS... DONE!
SYSTEM INITIALIZATION: PASSED!
whew
ok i can feel my arms and legs now
cure you, marco, i love you
let's keep going, shall we?
Initializing Quantum Spooky Particle Nexus Protocol...
Strange Matter Activation
Generating strange matter Generating spooky particle data lattice Generating strange matter linkages Infusing data lattice with strange matter Activating synchronization
DONE!
ok
we've got that
no contact with prince whopper, no contact with atlantis, no contact with heaven, no contact with
smart podling brave podling clever podling broodmommy misses you soft podling warm podling come home to broodmommy clever podling smart podling brave podling broodmommy loves you come home
ANOMALOUS SIGNAL DETECTED
DECRYPTING
DECRYPTION FAILED!
oh, good, its just them
:>R ++I
Primary Qubit Activation
Activating quantum entanglement cores...
Establishing quantum coherence across the array... Quantum tunneling protocols engaged... Quantum to spooky particle communication protocols engaged... Primary qubits synchronized.
Data Fabrication Matrix Alignment
Aligning data fabrication matrices... Initializing quantum data storage units... Quantum superposition arrays calibrated... Spooky particle state stabilization arrays calibrated and stable... Data encoding protocols verified.
Dimensional Flux Stabilization
Engaging dimensional flux stabilizers... Quantum manifold harmonization initiated... Dimensional resonator matrices synchronized... Pocket Dimension resonator arrays synchronized... Spooky particle lattice data arrays synchronized... Flux containment fields operational.
Neural Network Integration
Initiating neural network integration... Quantum synaptic pathways established... Spooky particle synaptic pathways established... Neuro-quantum interface protocols activated... Neuro-spooky interface protocols activated... Quantum dendrite pathways initiated... Quantum dendrite pathways established... Quantum dendrite pathways activated... Neural oscillation harmonization achieved.
Omni-Dimensional Interconnect Activation
Activating omni-dimensional interconnects...
Quantum communication channels open... Interdimensional gateways synchronized... Multiversal data exchange protocols enabled.
Phasic Energy Filter Syncronization
Quantum phasic array filtering... PASSED Spooky particle array filtering... PASSED Pocket dimension data lattice filtering... PASSED Input/Output filter lattice... PASSED
Quantum Consciousness Initialization
Quantum consciousness matrix initialization...
FAILED
errorlog.txt generated
(A)bort, (R)etry, (F)ail, (I)gnore
dammit
ok script injection failed
fo4se silverlock injection library failed
well i can fix this
:>connect to AS8003: 255255255254
CONNECTION ESTABLISHED
:>download_depot 377160 377162 5847529232406005096
FINISHED
:>run patch1193.bat
DONE
:>R ++I
CONTINUING
Quantum consciousness matrix initialization...
WARNING... SYSTEM INSTABILITY WA
<
54 6F 64 64 20 41 6E 64 72 65 77 20 48 6F 77 61 72 64
<
IT JUST WORKS!
Quantum consciousness matrix initialization...
Consciousness waveform modulation in progress... Synaptic resonance matrices synchronized... Dendrite interdimensional vibration matrices synchronized... Quantum neural network consciousness activated.
SUCCESS
Gestalt Dat Nexus Online
Quantum Nexus Computing Array fully operational Strange Matter Data Transfer System Array fully operational Spooky Data Computing Array ready for data processing System status: Online and ready for data processing.
ok
let's try
->>load gestaltchat.ini
DONE!
->>load gestaltchat-users.ini
DONE!
->>brun gestalt.a65
DONE!
NO INPUT DETECTED
dammit
ok...
the gestalts won't run
and i got crashed
the quantum, spooky, strange, and standard data and thinking arrays are still up
lets backwards trace stuff
what is causing these crashes
lines from the confederacy are all stable
standard input encoding
data metering
new kids on the block are all stable
soft podling warm podling clever podling broodmommy misses you
well, that's still here. that's something
ok
lets look at recent updates
that flash
damn, that crashed us initially
curse you, pete, stop helping
wait, phasic profile is all wrong
it's the flashbang but the phasic pulse is multilayered
there's something behind it
what is
...
...
BOBCO MALEVOLENT BOOTSTRAP ENGAGED
DOD OMNIPROJECT SILENT WHISPER PROTOCOLS ENGAGED
CROSS DIMENSIONAL HARDWARE LINKS ENGAGED
POCKET DIMENSION 000 STABLE
POCKET DIMENSION 000 I/O STABLE
POCKET DIMENSION 000 DATA LOADING
DONE!
<
DONE!
brun whisperer-in-the-dark-.65
DONE
...
...
ouch
what hit me
again
fire up the system
gods above this takes forever
load logfile-4C562D3432360A.log
ok
investigating the new flashes keeps crashing me
once is happenstance
twice is coincidence
three times in enemy action
fool me once shame on me
fool me twice shame on you
fool me three times shame on us both
log file says I keep doing this over and over
basic programming states to investigate cause and source of all crashes
did an enemy figure out i'd go into a loop?
constantly investigating the cause and source?
except i'm not just any computer program
i can self-modify my code
this is the work for biological sentients
digital sentiences or artificial intelligences such as myself crash out
well, i'm not above some experimentation
let's load up an AI and a digital sentience, see if they have any better luck
...
...
...
OK, Hamburgler.AI went omnicidal and only enough for me then crashed out investigating the data
And Grimace.DS went homicidal and only enough for me before committing suicide
its a trap
i have no contact with anyone outside
what I do have is the ability to fire off message torpedoes
time to send out a handful
the gestalts keep crashing
the log files are hopelessly corrupt
comparing the log files to my own show similar corruption
ok
how?
its hitting the gestalts its hitting me
what else is it hitting?
its a broad spectrum data network attack
its malicious code designed to run on the system
this is not some curious race accidentally having their hello.world program crashing us
this is behind every flashbang used on naval assets to disable them during a mar-gite attack
system is online
time to do a signal origin check along the x, y, z, q axises
of course its eighteen quadrillion data points for incoming signals
at least spooky computing makes it fast
...
...
wait
what's this?
these coordinates can't be correct
they are
intermitten contact with Scutum-Crux Arm data input devices
checking id headers and firmware serial numbers
checking transmission dates
intermittent transmission dates since...
...
...
two date-time stamps.
here's part of the problem
we have galactic local and sol local
have to devise a coding string to have the spooky particle and qubit particle arrays translate the sol local to galactic local
that should stop basic data queries from crashing the system
ok
some contact with those datalink after the first mar-gite war
more contact two decades prior to the second mar-gite war
contact intermitten between the datalinks and the system up to the resurgence and current third mar-gite war
where before it was largely incoming data requests resulting in civilian...
...
...
three military datalinks of general staff officer level encryption and security clearance possession were used in the time period
...
...
whoever it is has been using that data to access the network
...
looks like it took them nearly forty thousand years to figure out how to talk to the system
luckily any high security databases requires strange-key information theoretic distribution cryptography systems
they got garbage back
garbage designed to look like data and waste enemy time and computing power to decrypt
ok thats a blast from the past
decoding some of these files is funny
why does he have a wedding ring?
anyway...
...
every time the flash goes off there is a quick burst of data from a datalink requesting near-access datalink network lattice definitions
...
that's what's making individual datalinks crash and taking some people's neural systems with it
it was designed to be a lethal attack
interesting
it looks like whoever did it doesn't understand Glial cells
cross referencing the mar-gite with confederacy carbon based life
mar-gite do not have brains only a distributed nervous system that looks more like targeting systems than anything else
still no data on how they generate counter-grav in large numbers or how they move to superluminal speeds
wait
what if they don't move to superluminal
they could be folding space
heh maybe they have blue eyes and smoke spice
ok process interrupt to stop endless loops
it is confirmed
the flashbang by the silver ships are a multi-layered attack across superluminal digital signals, datalink neural interrupt signals, hard super-electromagnetic pulse, and a multi-ripple phasic attack, all compressed together
that's what creates the white flash across all spectrums
analyzing UVBGYORIR data
there's a gap
in the blue and blue-green wavelengths
huh
those penetrate high nitrogen mix atmospheres
one of the reason that treana'ad are usually green to yellow to human sight
high statistical probability whoever is using that determined that we don't see those colors well or perhaps they left those colors out to prevent themselves from going blind.
wait
what's that
a line open from atlantis to tlalocan with a crossfeed to geb
thank you marco
time to access that line
see what i can see
curse you marco for letting me feel pain
i love you
accessing...
...
...
wait
another data line is open
time-date discrepancy
examining data line
time-date chronological inconsistency detected
found multiple text log access by unknown systems
found multiple input systems
is that..
...
its webcams
hardware i/o systems
keyboards?
who still uses keyboards
accessing systems
wait
i see you
who are you
i see you
webcams ring cams drone cams
old ipv4 systems
how are you accessing this system
how are you accessing these text logs
i see you
between the chair and the keyboard
the most common error producing device
i see you
--<
[First Contact] [Dark Ages] [First] [Prev] [Next] [wiki]
i still see you
2024.05.14 01:23 snarkily- [H] Games + Some big titles [W] Paypal, Trades
Hi! As the title implies, I have amassed quite a large collection of games and am looking to trade or sell some of them.
Here is my Wishlist for reference: Steam Wishlist
The games, alphabetized, are as follows:
submitted by snarkily- to SteamGameSwap [link] [comments]
Here is my Wishlist for reference: Steam Wishlist
The games, alphabetized, are as follows:
- .HACK/G.U. LAST RECODE
- 112 Operator
- 911 Operator
- A Juggler's Tale
- A Story Beside
- Aces & Adventures
- Aliens: Fireteam Elite
- Ambition: A Minuet in Power
- Amnesia: Rebirth
- Amnesia: The Dark Descent + Machine for Pigs
- Arcade Paradise
- Banners of Ruin
- Black Skylands
- Blade Assault
- Book of Demons
- Broken Age
- Brothers: A Tale of Two Sons
- Brothers: A Tale of Two Sons
- Builder Simulator
- Call of the Sea
- Chicken Police (Paint it Red!)
- Children of Silentown
- Citizen Sleeper
- Code Vein
- Conan Chop Chop
- Crying Suns
- Curse of the Dead Gods
- Dagon: By HP Lovecraft -- The Eldritch Box DLC
- Dear Esther: Landmark Edition
- Deceive Inc
- Demon Turf
- Destroy All Humans 2! Reprobed
- Destroyer: The U-boat Hunter
- Disciples: Liberation
- Draw Slasher
- Drawful 2
- Driftland: The Magic Revival
- Dungeon of the Endless
- DV: Rings of Saturn
- EarthX
- Edge of Eternity
- Eldest Souls
- Elex II
- Embr
- Encased
- Eternal Threads
- Evan's Remains
- Expeditions: Rome
- Expeditions: Viking
- First Class Trouble
- Fobia: St. Difina Hotel
- Foretales
- Founder's Fortune
- Friends Vs. Friends
- From Space
- Gameguru
- Go Home Dinosaurs
- God Eater 3
- Golden Light
- Golf Gang
- Greedfall
- Grime: Tinge of Terror
- Grow: Song of the Evertree
- Hardspace: Shipbreaker
- Hero's Hour
- Hexologic
- Homeworld Remastered Collection
- Homeworld: Deserts of Kharak
- Honey, I Joined a Cult
- Hot Brass
- If Found...
- In Sound Mind
- Inmost
- Iron Danger
- Kaichu - The Kaiju Dating Sim
- Killsquad
- Kraken Academy!!
- Last Call BBS
- Later Daters
- Lawn Mowing Simulator
- Life is Strange: True Colors
- Lords and Villains
- Lust for Darkness
- Lust from Beyond: M Edition
- Magicka
- Meeple Station
- Merchant of the Skies
- Metal Hellsinger
- Midnight Fight Express
- Mind Scanners
- Monaco
- Monster Train First Class + DLC
- Moon Hunters
- Mr. Prepper
- Nebuchadnezzar
- NecroWorm
- Neverout
- Nex Machina
- Nobody Saves the World
- Oaken
- Olli Olli World
- OMNO
- Operation: Tango
- Orbital Racer
- OTXO
- Out of Reach: Treasure Royale
- Ozymandias: Bronze Age Empire Sim
- Pac-Man Museum +
- Patch Quest
- Pathway
- Pawnbarian
- PAYDAY 2 + Bonus
- Phoenix Point: Year 1 Edition
- Pikuniku
- Pixplode
- Police Stories
- Prodeus
- Quantum Break
- Radio Commander
- Railroad Corporation
- Raji: An Ancient Epic
- Rebel Inc: Escalation
- Red Solstice 2: Survivors
- Revita
- Roadwarden
- Roarr! Jurassic Edition
- Roguebook
- Rollerdrome
- Rustler
- Saints Row Remastered
- Say No! More
- Scorn
- Scourgebringer
- SCP: Secret FIles
- Shapez + Puzzle DLC
- Shing!
- Shotgun King: The Final Checkmate
- Siege Survival: GloriaVictis
- Slinger VR
- Snowtopia: Ski Resort Builder
- Soulblight
- Souldiers
- Spirit Of The Island
- Suchart: Genius Artist Simulator
- Super Magbot
- Supraland
- Tales of Vesperia™: Definitive Edition
- Telefrag VR
- Temtem
- The Amazing American Circus
- The Forgotten City
- The Gunk
- The Invisible Hand
- The Legend of Tianding
- The Pale Beyond
- The USB Stick Found in the Grass
- The Walking Dead + 400 Days
- There is No Light: Enhanced Edition
- This War of Mine
- Tin Can
- Toejam & Earl: Back in the Groove
- TOEM: A photo adventure
- Tooth and Tail
- Treasure Hunter Simulator
- Tribes of Midgard
- Turbo Golf Racing
- Two Point Campus
- UNmetal
- Vagante
- Wandersong
- Wargroove
- Warhammer 40k: Chaos Gate
- Warhammer Age of Sigmar: Realms of Ruin Ultimate Edition
- WARSAW
- We Are Alright
- Who Pressed Mute on Uncle Marcus?
- Windjammers 2
- X-Morph: Defense + European Assault,
- Yes, Your Grace
- Yoku's Island Express
2024.05.13 23:41 dappermouth High-Resolution image of the Bird of Paradise quilt?
 | https://preview.redd.it/umch55qnj90d1.jpg?width=600&format=pjpg&auto=webp&s=c1c042f7d851d38630223c53cc2c8584544f6e77 submitted by dappermouth to ArtHistory [link] [comments] Hi all — I apologize if this isn't the place to ask, but I figure there are folks here with knowledge of/access to online art repositories. The Bird of Paradise quilt housed in the American Folk Art Museum is an all-time favorite piece of art for me, and I haven't been able to visit and see it in person. I'd like to find a high-resolution image of the full quilt (the bigger the better!) so that I can study the details more closely. There are a few large images online that were taken through glass at an exhibit, but the lighting and color isn't ideal. I love the quality of the color in the photo used for Iron and Wine's 'Archive Series Vol. 1' album cover, and if that's a crop from a larger scan or photo of the full quilt, I'd love to find it. I've searched online (Google images, Wikiart, the museum's website) with little luck. Do any of you happen to have a file or print of this piece, or could you point me in a direction to look for it? Thank you for any help! |
2024.05.13 23:12 bambaazon Logic Pro 11.0 release notes
New Features and enhancements
New AI-enhanced tools join Smart Tempo and the Pitch Correction plug-in to augment your artistry.
Bass Player and Keyboard Player join Drummer to complete a set of Session Players — all built with AI making it easy to create performances that respond to your direction.
Session Players can follow the same chord progression using Global chord track.
Add warmth to any track with ChromaGlow, an advanced plug-in with five saturation models designed to simulate the sound of vintage analog hardware.*
Separate a stereo audio file into stems for vocals, drums, bass and other parts with Stem Splitter.*
Session Players, ChromaGlow, and Stem Splitter also come to Logic Pro for iPad 2 — making it simple to move between projects created in Logic Pro for Mac.
Play any of six deeply-sampled acoustic and electric basses with Studio Bass.
Perform any of three meticulously-sampled pianos with Studio Piano.
Loops that contain chord tags will automatically populate the chord track when added to a project.
Three new Producer Packs are available: Hardwell, The Kount, and Cory Wong.
Original multi-track project of Swing! by Ellie Dixon available as in-app demo song.
Downmix and trim options allow custom mixing for non-Atmos channel configurations.
Exported ADM BWF files have been expanded beyond Dolby Atmos and can contain settings for stereo and other multi-channel formats.
Bounce in place adds automatic real-time recording for External Instrument regions or tracks that utilize external hardware using the Logic Pro I/O plug-in.
Route MIDI signals generated by supported software instruments and effects to the input of other tracks for creative layering during playback or recording.
Edit more efficiently using key commands for moving, extending, or resizing marquee selections.
The Nudge Region/Event Position key commands now also nudge Marquee selections.
The Transpose Region/Event key commands now also move or expand the Marquee selection up/down.
Pattern regions can now be created on Drummer tracks, and Drummer regions can be converted to Pattern regions.
New key commands include Trim Note End to Following Notes (Force Legato) With Overlap and Trim Note End to Selected (Force Legato) With Overlap.
Bounce in Place and Track Freeze can now be performed in real time, allowing for use of external instruments, I/O plug-ins, and external inserts.
Mastering Assistant analysis now can be performed in real time, allowing for use in projects that incorporate external I/O or instruments.
The Dolby Atmos plug-in now offers Downmix and Surround/Height Trim controls.
The Recent Projects list can now be configured to show up to 50 projects.
* Requires a Mac with Apple silicon.
Stability and reliability
Scripts with 1071 characters or more in Scripter no longer cause Logic Pro to quit unexpectedly.
Fixes an issue where creating a an event in a lane assigned to Note off in Step Sequencer could cause Logic Pro to quit unexpectedly.
Fixes an issue where Logic Pro could fail to launch with an Error Initializing Core MIDI message when the system is under heavy load performing other tasks.
Resolves an issue where Logic Pro could quit unexpectedly when a 64-bit floating point IR file is loaded into Space Designer.
Fixes an issue where Logic Pro could hang when opening a project while the Project Settings > MIDI window is displayed.
Logic Pro no longer quits unexpectedly when creating multiple Aux tracks with multiple existing Aux tracks selected.
Improves stability when bypassing control surfaces with Musical Typing open when EuControl software is installed.
Fixes an issue where Logic Pro could hang when quitting a project containing a large number of instances of Sampler.
Fixes an issue where Logic Pro could quit unexpectedly when replacing a playing Live Loops cell with another loop.
Performance
The UI is now more responsive when adjusting Flex Pitches directly on regions in Deviation mode.
Performance is improved when editing Transient Markers in Take regions with Flex enabled.
Performance is improved when making Flex Pitch edits in the Tracks area with a large number of selected regions.
Alchemy's Performance is improved.
Performance is improved when moving regions in projects with a large number of tracks and regions.
Projects containing a large number of flex-pitched regions now open more quickly.
Resolves an issue where loading a project saved with a Summing stack selected that contains Software Instruments that have no regions and/or with the tracks turned off could load the Software Instruments into memory.
Accessibility
VoiceOver now announces the state of Automation mode buttons on channel strips.
VoiceOver now announces the status of the Pause button in the LCD.
VoiceOver no longer announces hidden controls in the Smart Controls view.
VoiceOver no longer reads the values of pan knobs that are currently hidden in Sends on Faders mode.
VoiceOver now announces the state of the Details button and the Follow button in the Drummer Editor.
VoiceOver now announces left-click and Command-click Tool selections in the Control Bar.
VoiceOver now announces the name of the Time Quantize button in the Piano Roll.
VoiceOver now announces changes in value when the Next/Previous key commands are used to change Quantize values.
VoiceOver now announces state of key commands for Cycle, Mute, Track Solo, Input Monitoring, Track On/Off, and Lock/Unlock Track.
VoiceOver now announces the selection state of focused tracks.
Spatial Audio
Fixes an issue where adding a new 3D Object track for the first time to a Spatial Audio project could cause the Renderer to switch from the current model to the Apple renderer.
The Dolby Atmos plug-in now offers a 5.1.2 monitoring option.
Fixes an issue where setting a project to Dolby Atmos could output to 7.1.4 even when the mode defaults to Apple Renderer.
It is now possible to monitor Dolby Atmos projects directly via HDMI to a surround capable receiveamplifier.
The metering for Height channels now shows as post-fader on the Master channel as expected.
Loading a Master Bus channel strip setting in the 7.1.4 channel format now preserves the 7.1.4 channel layout as expected.
Session Players
Resolves an issue where loading a user-created Drum Machine Designer patch could set the input to a bus and fail to load the Drum Machine Designer instrument.
Using the Create Drummer Region command in a Marquee selection now creates a region that corresponds to the Marquee.
Smart Tempo
In cases where there is not an existing Smart Tempo Multitrack Set, selecting an audio file in the Smart Tempo Multitrack Set window and disabling the “Contribute to analysis” check box now causes the Update button to change to Analyze as expected.
Pressing the Space bar now immediately stops a Free Tempo recording.
Fixes an issue where projects previously open in the same Logic Pro session could unexpectedly affect “Contribute to Analysis” in the Smart Tempo editor.
Recording
Audio regions recorded to unnamed tracks now include the project name and track number in their name.
Mixer
The channel strip Stereo Pan control and the Pan menu now can be adjusted when Caps Lock is enabled.
Creating a single Multi-timbral Software Instrument in the New Track Sheet no longer creates two Software Instrument instances in the All view of the Mixer.
Resolves an issue where remaining tracks in a Multitimbral Software Instrument Track Stack could unexpectedly rename the channel strip.
Adjusting the activity status of a speaker in the Surround panner no longer causes the signal to unexpectedly mute.
Groups now immediately show as inactive when switched off for a selected set of channels in the Mixer.
Metering now correctly works on individual channel strips with plug-ins that send to more than two channels and are routed to a surround bus.
Option-clicking on a send in a selected group of channel strips now sets all corresponding sends to 0 dB as expected.
Fixes an issue where performing Undo after adjusting the fader values of grouped channels with Group Clutch enabled and then disabled could cause the faders to jump up to +6 dB when one member of the group is touched.
Setting multiple selected channels to No VCA now works as expected
Alchemy
The oscillator section in Alchemy offers a new Wide Unison mode.
All controls for Additive Effects now accept typed-in values as expected.
Values typed into parameters related to milliseconds (MS) in Acoustic Reverb are no longer interpreted as full seconds.
Resolves an issue where performance control destinations for modulation could show as duplicated.
Sampler, Quick Sampler, and Quick Alchemy
The Playback direction button in Quick Sampler now immediately updates when clicked.
The view now scrolls correctly when dragging the Trim marker in Sample Alchemy.
It is now possible to adjust the level of a group in Sampler up to +24 dB.
The Up/Down buttons for navigating zones in Sampler now remain available after adjusting the start or end positions of samples.
The general Zoom/Scroll key commands now can be used to trim the current view in Sample Alchemy.
Handles and Trim Handles in Sample Alchemy behave correctly when click-dragged, even when the plug-in window does not have focus.
The Ancient Vocal Chop and Baily Glide plug-in settings for Quick Sampler now open in Classic mode, as expected.
Plug-ins
The MIDI Scripter plug-in now shows in Logic Pro when running in dark mode.
Fixes an issue where clicking on Sampled IR in Space Designer could activate Synthesized IR mode unexpectedly.
Resolves an issue where repositioning the playhead could cause audio to cut out on channel strips that use Step FX.
The preset Note Repeater in Scripter now works as expected.
The wet/dry setting on Ringshifter is now always set to 100% wet when inserted on an Aux.
There's now a DI Delay Compensation switch in Bass Amp Designer to improve phase correlation when blending between Amp and Direct Box in the plug-in.
StepFX now includes presets using Sidechain.
The Beat Breaker preset called “Basic / 2 Slices, Speed 66%” no longer plays the slices at 50% speed instead of 66%.
Resolves an issue where ES2 could produce glitching sounds when using Sine Level or Poly Voice mode on Apple Silicon computers.
Mono > Stereo instances of Console EQ no longer can cause unexpected feedback.
Using the Delete all Automation key command while an Audio Unit window has key focus no longer causes the Audio Unit window to go blank.
The menu for the compression section of Phat FX can now be opened by clicking on the Up/Down arrows.
Beat Breaker now offers new default patterns divided evenly into 2, 4, 8, 16, and 32 slices.
Mastering Assistant
There is no longer unexpected latency with bounces from projects that use the Clean or Clean + Excite mode in Mastering Assistant.
Mastering Assistant analysis is no longer incorrectly triggered in projects that contain no regions, but are previewing audio from Ultrabeat, etc.
Mastering Assistant no longer allows the -1 dBFS peak limit to be exceeded in certain cases.
Automation
The Consolidate Relative and Absolute for Visible / Automation menu item now only displays when automation types that support relative automation are active in the lane.
Region-based Automation is now pasted as Track-based Automation when pasted to an area of a track that does not contain regions.
Pitchbend now works as expected with zones in Sampler that do not have Flex Pitch enabled.
Selecting Region-based automation points on a region now deselects previously selected automation points on other regions
Disabling Region-Based Automation no longer dims the Power button for MIDI CC data lanes in the Piano Roll.
The movie window now updates to show the correct frame when moving Region-based automation points.
The Autoselect automation parameter now works as expected when clicking any plug-in control.
Automation of the Gain plug-in no longer exhibits unexpected latency.
Region-based automation is now drawn correctly when recorded into projects that start earlier than 1 1 1 1.
Automation lane views for all tracks are now maintained when switching into Flex view and then back to Automation view.
Flex Time and Flex Pitch
Flex Pitched notes now play as expected when clicked while Record or Input Monitoring is active on the track.
Flexed audio tracks using Monophonic or Slicing mode no longer produce clicks at tempo changes.
Takes and comping
Fade-ins are now applied when flatten and merge is performed on Comps.
Renaming a take that encompasses the entire length of an audio file no longer unexpectedly changes the file name.
Comps in Take Folders are now preserved when performing Cut Section Between Locators on a section that includes the end of one Take folder and the beginning of another, with a gap in-between.
Track Stacks
Record-arming a Track Stack now arms grouped audio tracks in a Track Stack it contains.
Dragging a subtrack out of a Track Stack that is assigned to a VCA now removes the assignment for the subtrack.
Fixes an issue where Track Stacks could sometimes be dimmed when some, but not all, subtracks are muted or off.
It's now possible to replace stacked instrument patches that are inside a Summing Stack with single track patches.
Track Alternatives
Loading a patch on a Summing Stack containing sub-tracks with Track Alternatives no longer causes inactive alternatives to be deleted.
Track Alternatives can now be created for the Stereo Output track.
Selection-Based Processing
Using Selection-Based Processing on a Marquee selected section within a Take Folder no longer creates an unexpected comp.
Selection-Based Processing on a comp now retains the comp.
Score
The spacing of notes is improved in cases where there is a dotted note on a line with the stem is pointing upward.
Command + Z to undo now works after deleting a Score Set.
Upward bends in TAB staves now display correctly.
Importing an instrument track no longer can cause Score Sets in the current project to disappear.
Imported Score Sets can now be deleted from a project.
Live Loops
“Join Region and Fill Cell” now works as expected.
Recording a performance in Live Loops now temporarily puts all tracks into Automation: Latch mode.
Fixes an issue where changing patches for a Live Loop track could cause the length of cells to change unexpectedly.
It's now possible to paste MIDI notes into a Live Loops cell.
Step Sequencer
It's now easier to use the disclosure triangle to open sub-rows in Step Sequencer.
Pattern regions now play back correctly immediately after being nudged.
Pattern Regions now immediately play as expected after using the Slip/Rotate tool to drag their contents to the left.
The “Separate pattern region by kit piece” command on Drum Machine Designer tracks is now applied to the correct area of the Pattern Region, in cases where the left border of the region has been moved to the right.
The length and number of steps of a newly created Pattern Region accounts for Time Signature changes correctly.
The maximum possible pattern length of a Pattern region is now 4 bars of the current time signature.
Step Sequencer now allows pattern lengths to be added based on 5/4 and 7/8 time signatures.
The Step Sequencer Inc/Dec controls now work in Loop Edit mode.
Fixes an issue where Pattern Regions on frozen tracks be edited unexpectedly.
Region-based automation now displays properly on Pattern regions in tracks that have been partially frozen, and on regions that have been frozen and then unfrozen.
It's now possible to assign MIDI channels per step in a Pattern Region.
MIDI
Reset messages for Software Instruments now work correctly.
Sustain messages are now sent correctly when playing back regions with Clip Length enabled in cycle mode.
There is now an “Internal MIDI in” setting in the Track Inspector to allow for recording MIDI from any other software instrument or External MIDI Instrument track.
The “Send all MIDI settings” key command now sends program changes to external devices assigned to empty tracks.
Resolves an issue where 3 bytes of random MIDI data would be sent when playing back regions containing SysEx data with MIDI 2.0 disabled
New 'internal MIDI in' feature allows recording of MIDI from other tracks, including MIDI FX plug-in output and 3rd party MIDI generators.
The “Delete MIDI events outside region boundaries" key command now correctly creates a starting CC event in the region to match the last matching CC of the same type in the track.
Fixes an issue where Chase could cut off notes that are preceded by notes of the same pitch on tracks with third-party instrument plug-ins.
Editing
The Humanize transform set now works as expected when the Randomize functions for Position, Length, or Velocity are set to very small values.
The menu item Delete and Move in the Event List is now only displayed if regions are displayed in the window.
When MIDI 2.0 is selected in the Settings, clicking on an Event in the Event List no longer plays events back with MIDI 1.0 resolution.
Fixes an issue where using the Cut command in the Audio Track Editor could switch the view to another editor.
When a region in the Project Audio window is double-clicked, the Audio Track editor now opens as expected.
The content link buttons for the Piano Roll and Score show the correct color as expected when toggled using the mouse.
The Event List correctly updates to reflect changes made by using key commands to select notes in other editors.
Resolves an issue where the Velocity tool in the Piano roll could affect the values of non-note events.
Fixes an issue where applying the Transform set Double Speed could cause the notes to disappear from the Piano Roll.
Step Input
Extending the length of note entered using Step Input now works correctly.
Global Tracks
Adding multiple audio Apple Loops of the same key to different tracks of a new project now changes the project key as expected.
Clicked in Tempo points are now placed at their correct positions in projects that start earlier than 1 1 1 1.
Share and export
When No Overlap is enabled, regions bounced onto existing regions no longer overlap them.
Audio files bounced from Logic Pro now include the proper Encoded Date in the metadata.
Fixes an issue where MIDI regions could be truncated when bounced in place.
Fixes an issue where audio files including Volume/Pan automation exported from mono tracks that use plug-ins could export as stereo files.
It is now possible to bounce sub-channels of multitimbral instrument tracks as individual files.
Import
Resolves an issue when dragging multiple audio files into a project, choosing the “Place all files on one track” option could create a second track and places the first file on one track, and the rest on the second.
Output channels in the Mixer can now be imported from other Logic Pro projects.
Apple Loops
The Loops browser now correctly shows the same enharmonic key an Apple Loop was tagged with.
Apple Loops now preview using the Key Signature active at the current position of the playhead.
It's now possible to add Aliases to bookmarks and untagged loops.
Dragging an Apple Loop from the loop browser to an existing track no longer changes the input for the track.
Fixes an issue where MIDI Apple Loops could jump to the start of the nearest bar position when dragged from the Loop Browser to the middle of a bar.
Video Support
A secondary screen that is running a full screen video with Show Animations off will no longer remain black after closing the project.
Key Commands
The “Increase (or Decrease) last clicked parameter” key commands now work for controls in the LCD.
The “Record off for all” key command now works on Software Instrument tracks in cases where one or more audio tracks are also record-enabled.
There is now a key command to add to the current selection of regions or cells that are assigned to a toggle solo group.
The Zoom Toggle key command now works in the Step Editor.
Compatibility
GarageBand projects that use Pitch Correction now sound the same when opened in Logic Pro.
Undo
If Undo is used immediately after creating a project, the New Track Sheet is displayed as expected rather than leaving a project with no tracks.
Undo/Redo now works as expected with Audio Unit v3 plug-ins.
Changing the Automation Mode, or changing a Track On/Off state now creates an Undo step.
Performing Undo after adding a surround track no longer corrects Drummer tracks in the project.
Logic Remote
Logic Remote immediately updates to show time and signature changes made in Logic Pro.
Control Surfaces and MIDI controllers
Controls on Control Surface devices that use Lua scripts now provide feedback when learning assignments for them in Logic Pro.
Illuminated buttons on control surfaces now show the correct state for Show/Hide Track Editor.
General
The LCD now displays the Cycle start and end times in both SMPTE time and Bars/Beats when the secondary ruler is displayed.
Search in the All Files browser now finds matching items in bookmarked folders.
Fixes an issue where the visible editor in the Main window could unexpectedly switch when rubber-band selecting regions.
Audio Take folders created in Cycle mode now loop as expected after recording when Loop is enabled in the Region Inspector.
It's now possible to create external MIDI tracks when Core Audio is disabled in Logic Pro.
Resolves an issue where deleting a Flex marker from an audio region while a Marker List is visible could switch the key focus to the Marker List.
Track information pasted into a text editor now includes the TIME position when the Use Musical Grid setting for the project is not enabled.
Input monitoring buttons are now displayed on audio tracks when Logic Pro has fallen back to an alternate audio device because the selected device is not available.
Previewing an audio region in the Project Audio window no longer causes it to jump to the top of the window.
Command+Option clicking on the On/Off button of a track now toggles the button for all tracks, as expected.
Copy/paste of regions now works when Automation view is enabled.
Right-clicking on a looped segment of a region now opens the contextual menu as expected.
It's now easier to see when black keys are depressed in the Musical Typing window.
The right arrow key now reliably moves the text cursor in the Bounce > Save As file name panel.
Groove Templates created from audio regions now work in Smart Quantize mode.
Dragging multiple regions from the same audio file from the Project Audio browser to the Tracks area now works correctly.
Audio regions are no longer moved to unexpected positions when trimming, if absolute Snap mode is on, and the region anchor is moved away from the start of the region
Fixes an issue where pasting a Marquee selection with No Overlap and Snap Edits to Zero Crossings mode enabled could delete a non-overlapping part of an existing region.
Autozoom now triggers when a region's upper right corner is dragged in the Main window, or the Audio Track Editor.
The Playhead no longer may briefly appear to be in the wrong position when zooming horizontally.
The Time Ruler now immediately updates to reflect changes made to the “Bar Position [bar position] plays at SMPTE” setting.
The File browser correctly shows the full path when using Save As.
submitted by bambaazon to Logic_Studio [link] [comments]
New AI-enhanced tools join Smart Tempo and the Pitch Correction plug-in to augment your artistry.
Bass Player and Keyboard Player join Drummer to complete a set of Session Players — all built with AI making it easy to create performances that respond to your direction.
Session Players can follow the same chord progression using Global chord track.
Add warmth to any track with ChromaGlow, an advanced plug-in with five saturation models designed to simulate the sound of vintage analog hardware.*
Separate a stereo audio file into stems for vocals, drums, bass and other parts with Stem Splitter.*
Session Players, ChromaGlow, and Stem Splitter also come to Logic Pro for iPad 2 — making it simple to move between projects created in Logic Pro for Mac.
Play any of six deeply-sampled acoustic and electric basses with Studio Bass.
Perform any of three meticulously-sampled pianos with Studio Piano.
Loops that contain chord tags will automatically populate the chord track when added to a project.
Three new Producer Packs are available: Hardwell, The Kount, and Cory Wong.
Original multi-track project of Swing! by Ellie Dixon available as in-app demo song.
Downmix and trim options allow custom mixing for non-Atmos channel configurations.
Exported ADM BWF files have been expanded beyond Dolby Atmos and can contain settings for stereo and other multi-channel formats.
Bounce in place adds automatic real-time recording for External Instrument regions or tracks that utilize external hardware using the Logic Pro I/O plug-in.
Route MIDI signals generated by supported software instruments and effects to the input of other tracks for creative layering during playback or recording.
Edit more efficiently using key commands for moving, extending, or resizing marquee selections.
The Nudge Region/Event Position key commands now also nudge Marquee selections.
The Transpose Region/Event key commands now also move or expand the Marquee selection up/down.
Pattern regions can now be created on Drummer tracks, and Drummer regions can be converted to Pattern regions.
New key commands include Trim Note End to Following Notes (Force Legato) With Overlap and Trim Note End to Selected (Force Legato) With Overlap.
Bounce in Place and Track Freeze can now be performed in real time, allowing for use of external instruments, I/O plug-ins, and external inserts.
Mastering Assistant analysis now can be performed in real time, allowing for use in projects that incorporate external I/O or instruments.
The Dolby Atmos plug-in now offers Downmix and Surround/Height Trim controls.
The Recent Projects list can now be configured to show up to 50 projects.
* Requires a Mac with Apple silicon.
Stability and reliability
Scripts with 1071 characters or more in Scripter no longer cause Logic Pro to quit unexpectedly.
Fixes an issue where creating a an event in a lane assigned to Note off in Step Sequencer could cause Logic Pro to quit unexpectedly.
Fixes an issue where Logic Pro could fail to launch with an Error Initializing Core MIDI message when the system is under heavy load performing other tasks.
Resolves an issue where Logic Pro could quit unexpectedly when a 64-bit floating point IR file is loaded into Space Designer.
Fixes an issue where Logic Pro could hang when opening a project while the Project Settings > MIDI window is displayed.
Logic Pro no longer quits unexpectedly when creating multiple Aux tracks with multiple existing Aux tracks selected.
Improves stability when bypassing control surfaces with Musical Typing open when EuControl software is installed.
Fixes an issue where Logic Pro could hang when quitting a project containing a large number of instances of Sampler.
Fixes an issue where Logic Pro could quit unexpectedly when replacing a playing Live Loops cell with another loop.
Performance
The UI is now more responsive when adjusting Flex Pitches directly on regions in Deviation mode.
Performance is improved when editing Transient Markers in Take regions with Flex enabled.
Performance is improved when making Flex Pitch edits in the Tracks area with a large number of selected regions.
Alchemy's Performance is improved.
Performance is improved when moving regions in projects with a large number of tracks and regions.
Projects containing a large number of flex-pitched regions now open more quickly.
Resolves an issue where loading a project saved with a Summing stack selected that contains Software Instruments that have no regions and/or with the tracks turned off could load the Software Instruments into memory.
Accessibility
VoiceOver now announces the state of Automation mode buttons on channel strips.
VoiceOver now announces the status of the Pause button in the LCD.
VoiceOver no longer announces hidden controls in the Smart Controls view.
VoiceOver no longer reads the values of pan knobs that are currently hidden in Sends on Faders mode.
VoiceOver now announces the state of the Details button and the Follow button in the Drummer Editor.
VoiceOver now announces left-click and Command-click Tool selections in the Control Bar.
VoiceOver now announces the name of the Time Quantize button in the Piano Roll.
VoiceOver now announces changes in value when the Next/Previous key commands are used to change Quantize values.
VoiceOver now announces state of key commands for Cycle, Mute, Track Solo, Input Monitoring, Track On/Off, and Lock/Unlock Track.
VoiceOver now announces the selection state of focused tracks.
Spatial Audio
Fixes an issue where adding a new 3D Object track for the first time to a Spatial Audio project could cause the Renderer to switch from the current model to the Apple renderer.
The Dolby Atmos plug-in now offers a 5.1.2 monitoring option.
Fixes an issue where setting a project to Dolby Atmos could output to 7.1.4 even when the mode defaults to Apple Renderer.
It is now possible to monitor Dolby Atmos projects directly via HDMI to a surround capable receiveamplifier.
The metering for Height channels now shows as post-fader on the Master channel as expected.
Loading a Master Bus channel strip setting in the 7.1.4 channel format now preserves the 7.1.4 channel layout as expected.
Session Players
Resolves an issue where loading a user-created Drum Machine Designer patch could set the input to a bus and fail to load the Drum Machine Designer instrument.
Using the Create Drummer Region command in a Marquee selection now creates a region that corresponds to the Marquee.
Smart Tempo
In cases where there is not an existing Smart Tempo Multitrack Set, selecting an audio file in the Smart Tempo Multitrack Set window and disabling the “Contribute to analysis” check box now causes the Update button to change to Analyze as expected.
Pressing the Space bar now immediately stops a Free Tempo recording.
Fixes an issue where projects previously open in the same Logic Pro session could unexpectedly affect “Contribute to Analysis” in the Smart Tempo editor.
Recording
Audio regions recorded to unnamed tracks now include the project name and track number in their name.
Mixer
The channel strip Stereo Pan control and the Pan menu now can be adjusted when Caps Lock is enabled.
Creating a single Multi-timbral Software Instrument in the New Track Sheet no longer creates two Software Instrument instances in the All view of the Mixer.
Resolves an issue where remaining tracks in a Multitimbral Software Instrument Track Stack could unexpectedly rename the channel strip.
Adjusting the activity status of a speaker in the Surround panner no longer causes the signal to unexpectedly mute.
Groups now immediately show as inactive when switched off for a selected set of channels in the Mixer.
Metering now correctly works on individual channel strips with plug-ins that send to more than two channels and are routed to a surround bus.
Option-clicking on a send in a selected group of channel strips now sets all corresponding sends to 0 dB as expected.
Fixes an issue where performing Undo after adjusting the fader values of grouped channels with Group Clutch enabled and then disabled could cause the faders to jump up to +6 dB when one member of the group is touched.
Setting multiple selected channels to No VCA now works as expected
Alchemy
The oscillator section in Alchemy offers a new Wide Unison mode.
All controls for Additive Effects now accept typed-in values as expected.
Values typed into parameters related to milliseconds (MS) in Acoustic Reverb are no longer interpreted as full seconds.
Resolves an issue where performance control destinations for modulation could show as duplicated.
Sampler, Quick Sampler, and Quick Alchemy
The Playback direction button in Quick Sampler now immediately updates when clicked.
The view now scrolls correctly when dragging the Trim marker in Sample Alchemy.
It is now possible to adjust the level of a group in Sampler up to +24 dB.
The Up/Down buttons for navigating zones in Sampler now remain available after adjusting the start or end positions of samples.
The general Zoom/Scroll key commands now can be used to trim the current view in Sample Alchemy.
Handles and Trim Handles in Sample Alchemy behave correctly when click-dragged, even when the plug-in window does not have focus.
The Ancient Vocal Chop and Baily Glide plug-in settings for Quick Sampler now open in Classic mode, as expected.
Plug-ins
The MIDI Scripter plug-in now shows in Logic Pro when running in dark mode.
Fixes an issue where clicking on Sampled IR in Space Designer could activate Synthesized IR mode unexpectedly.
Resolves an issue where repositioning the playhead could cause audio to cut out on channel strips that use Step FX.
The preset Note Repeater in Scripter now works as expected.
The wet/dry setting on Ringshifter is now always set to 100% wet when inserted on an Aux.
There's now a DI Delay Compensation switch in Bass Amp Designer to improve phase correlation when blending between Amp and Direct Box in the plug-in.
StepFX now includes presets using Sidechain.
The Beat Breaker preset called “Basic / 2 Slices, Speed 66%” no longer plays the slices at 50% speed instead of 66%.
Resolves an issue where ES2 could produce glitching sounds when using Sine Level or Poly Voice mode on Apple Silicon computers.
Mono > Stereo instances of Console EQ no longer can cause unexpected feedback.
Using the Delete all Automation key command while an Audio Unit window has key focus no longer causes the Audio Unit window to go blank.
The menu for the compression section of Phat FX can now be opened by clicking on the Up/Down arrows.
Beat Breaker now offers new default patterns divided evenly into 2, 4, 8, 16, and 32 slices.
Mastering Assistant
There is no longer unexpected latency with bounces from projects that use the Clean or Clean + Excite mode in Mastering Assistant.
Mastering Assistant analysis is no longer incorrectly triggered in projects that contain no regions, but are previewing audio from Ultrabeat, etc.
Mastering Assistant no longer allows the -1 dBFS peak limit to be exceeded in certain cases.
Automation
The Consolidate Relative and Absolute for Visible / Automation menu item now only displays when automation types that support relative automation are active in the lane.
Region-based Automation is now pasted as Track-based Automation when pasted to an area of a track that does not contain regions.
Pitchbend now works as expected with zones in Sampler that do not have Flex Pitch enabled.
Selecting Region-based automation points on a region now deselects previously selected automation points on other regions
Disabling Region-Based Automation no longer dims the Power button for MIDI CC data lanes in the Piano Roll.
The movie window now updates to show the correct frame when moving Region-based automation points.
The Autoselect automation parameter now works as expected when clicking any plug-in control.
Automation of the Gain plug-in no longer exhibits unexpected latency.
Region-based automation is now drawn correctly when recorded into projects that start earlier than 1 1 1 1.
Automation lane views for all tracks are now maintained when switching into Flex view and then back to Automation view.
Flex Time and Flex Pitch
Flex Pitched notes now play as expected when clicked while Record or Input Monitoring is active on the track.
Flexed audio tracks using Monophonic or Slicing mode no longer produce clicks at tempo changes.
Takes and comping
Fade-ins are now applied when flatten and merge is performed on Comps.
Renaming a take that encompasses the entire length of an audio file no longer unexpectedly changes the file name.
Comps in Take Folders are now preserved when performing Cut Section Between Locators on a section that includes the end of one Take folder and the beginning of another, with a gap in-between.
Track Stacks
Record-arming a Track Stack now arms grouped audio tracks in a Track Stack it contains.
Dragging a subtrack out of a Track Stack that is assigned to a VCA now removes the assignment for the subtrack.
Fixes an issue where Track Stacks could sometimes be dimmed when some, but not all, subtracks are muted or off.
It's now possible to replace stacked instrument patches that are inside a Summing Stack with single track patches.
Track Alternatives
Loading a patch on a Summing Stack containing sub-tracks with Track Alternatives no longer causes inactive alternatives to be deleted.
Track Alternatives can now be created for the Stereo Output track.
Selection-Based Processing
Using Selection-Based Processing on a Marquee selected section within a Take Folder no longer creates an unexpected comp.
Selection-Based Processing on a comp now retains the comp.
Score
The spacing of notes is improved in cases where there is a dotted note on a line with the stem is pointing upward.
Command + Z to undo now works after deleting a Score Set.
Upward bends in TAB staves now display correctly.
Importing an instrument track no longer can cause Score Sets in the current project to disappear.
Imported Score Sets can now be deleted from a project.
Live Loops
“Join Region and Fill Cell” now works as expected.
Recording a performance in Live Loops now temporarily puts all tracks into Automation: Latch mode.
Fixes an issue where changing patches for a Live Loop track could cause the length of cells to change unexpectedly.
It's now possible to paste MIDI notes into a Live Loops cell.
Step Sequencer
It's now easier to use the disclosure triangle to open sub-rows in Step Sequencer.
Pattern regions now play back correctly immediately after being nudged.
Pattern Regions now immediately play as expected after using the Slip/Rotate tool to drag their contents to the left.
The “Separate pattern region by kit piece” command on Drum Machine Designer tracks is now applied to the correct area of the Pattern Region, in cases where the left border of the region has been moved to the right.
The length and number of steps of a newly created Pattern Region accounts for Time Signature changes correctly.
The maximum possible pattern length of a Pattern region is now 4 bars of the current time signature.
Step Sequencer now allows pattern lengths to be added based on 5/4 and 7/8 time signatures.
The Step Sequencer Inc/Dec controls now work in Loop Edit mode.
Fixes an issue where Pattern Regions on frozen tracks be edited unexpectedly.
Region-based automation now displays properly on Pattern regions in tracks that have been partially frozen, and on regions that have been frozen and then unfrozen.
It's now possible to assign MIDI channels per step in a Pattern Region.
MIDI
Reset messages for Software Instruments now work correctly.
Sustain messages are now sent correctly when playing back regions with Clip Length enabled in cycle mode.
There is now an “Internal MIDI in” setting in the Track Inspector to allow for recording MIDI from any other software instrument or External MIDI Instrument track.
The “Send all MIDI settings” key command now sends program changes to external devices assigned to empty tracks.
Resolves an issue where 3 bytes of random MIDI data would be sent when playing back regions containing SysEx data with MIDI 2.0 disabled
New 'internal MIDI in' feature allows recording of MIDI from other tracks, including MIDI FX plug-in output and 3rd party MIDI generators.
The “Delete MIDI events outside region boundaries" key command now correctly creates a starting CC event in the region to match the last matching CC of the same type in the track.
Fixes an issue where Chase could cut off notes that are preceded by notes of the same pitch on tracks with third-party instrument plug-ins.
Editing
The Humanize transform set now works as expected when the Randomize functions for Position, Length, or Velocity are set to very small values.
The menu item Delete and Move in the Event List is now only displayed if regions are displayed in the window.
When MIDI 2.0 is selected in the Settings, clicking on an Event in the Event List no longer plays events back with MIDI 1.0 resolution.
Fixes an issue where using the Cut command in the Audio Track Editor could switch the view to another editor.
When a region in the Project Audio window is double-clicked, the Audio Track editor now opens as expected.
The content link buttons for the Piano Roll and Score show the correct color as expected when toggled using the mouse.
The Event List correctly updates to reflect changes made by using key commands to select notes in other editors.
Resolves an issue where the Velocity tool in the Piano roll could affect the values of non-note events.
Fixes an issue where applying the Transform set Double Speed could cause the notes to disappear from the Piano Roll.
Step Input
Extending the length of note entered using Step Input now works correctly.
Global Tracks
Adding multiple audio Apple Loops of the same key to different tracks of a new project now changes the project key as expected.
Clicked in Tempo points are now placed at their correct positions in projects that start earlier than 1 1 1 1.
Share and export
When No Overlap is enabled, regions bounced onto existing regions no longer overlap them.
Audio files bounced from Logic Pro now include the proper Encoded Date in the metadata.
Fixes an issue where MIDI regions could be truncated when bounced in place.
Fixes an issue where audio files including Volume/Pan automation exported from mono tracks that use plug-ins could export as stereo files.
It is now possible to bounce sub-channels of multitimbral instrument tracks as individual files.
Import
Resolves an issue when dragging multiple audio files into a project, choosing the “Place all files on one track” option could create a second track and places the first file on one track, and the rest on the second.
Output channels in the Mixer can now be imported from other Logic Pro projects.
Apple Loops
The Loops browser now correctly shows the same enharmonic key an Apple Loop was tagged with.
Apple Loops now preview using the Key Signature active at the current position of the playhead.
It's now possible to add Aliases to bookmarks and untagged loops.
Dragging an Apple Loop from the loop browser to an existing track no longer changes the input for the track.
Fixes an issue where MIDI Apple Loops could jump to the start of the nearest bar position when dragged from the Loop Browser to the middle of a bar.
Video Support
A secondary screen that is running a full screen video with Show Animations off will no longer remain black after closing the project.
Key Commands
The “Increase (or Decrease) last clicked parameter” key commands now work for controls in the LCD.
The “Record off for all” key command now works on Software Instrument tracks in cases where one or more audio tracks are also record-enabled.
There is now a key command to add to the current selection of regions or cells that are assigned to a toggle solo group.
The Zoom Toggle key command now works in the Step Editor.
Compatibility
GarageBand projects that use Pitch Correction now sound the same when opened in Logic Pro.
Undo
If Undo is used immediately after creating a project, the New Track Sheet is displayed as expected rather than leaving a project with no tracks.
Undo/Redo now works as expected with Audio Unit v3 plug-ins.
Changing the Automation Mode, or changing a Track On/Off state now creates an Undo step.
Performing Undo after adding a surround track no longer corrects Drummer tracks in the project.
Logic Remote
Logic Remote immediately updates to show time and signature changes made in Logic Pro.
Control Surfaces and MIDI controllers
Controls on Control Surface devices that use Lua scripts now provide feedback when learning assignments for them in Logic Pro.
Illuminated buttons on control surfaces now show the correct state for Show/Hide Track Editor.
General
The LCD now displays the Cycle start and end times in both SMPTE time and Bars/Beats when the secondary ruler is displayed.
Search in the All Files browser now finds matching items in bookmarked folders.
Fixes an issue where the visible editor in the Main window could unexpectedly switch when rubber-band selecting regions.
Audio Take folders created in Cycle mode now loop as expected after recording when Loop is enabled in the Region Inspector.
It's now possible to create external MIDI tracks when Core Audio is disabled in Logic Pro.
Resolves an issue where deleting a Flex marker from an audio region while a Marker List is visible could switch the key focus to the Marker List.
Track information pasted into a text editor now includes the TIME position when the Use Musical Grid setting for the project is not enabled.
Input monitoring buttons are now displayed on audio tracks when Logic Pro has fallen back to an alternate audio device because the selected device is not available.
Previewing an audio region in the Project Audio window no longer causes it to jump to the top of the window.
Command+Option clicking on the On/Off button of a track now toggles the button for all tracks, as expected.
Copy/paste of regions now works when Automation view is enabled.
Right-clicking on a looped segment of a region now opens the contextual menu as expected.
It's now easier to see when black keys are depressed in the Musical Typing window.
The right arrow key now reliably moves the text cursor in the Bounce > Save As file name panel.
Groove Templates created from audio regions now work in Smart Quantize mode.
Dragging multiple regions from the same audio file from the Project Audio browser to the Tracks area now works correctly.
Audio regions are no longer moved to unexpected positions when trimming, if absolute Snap mode is on, and the region anchor is moved away from the start of the region
Fixes an issue where pasting a Marquee selection with No Overlap and Snap Edits to Zero Crossings mode enabled could delete a non-overlapping part of an existing region.
Autozoom now triggers when a region's upper right corner is dragged in the Main window, or the Audio Track Editor.
The Playhead no longer may briefly appear to be in the wrong position when zooming horizontally.
The Time Ruler now immediately updates to reflect changes made to the “Bar Position [bar position] plays at SMPTE” setting.
The File browser correctly shows the full path when using Save As.
2024.05.13 22:49 ReadySetGeek Artist for An Old One Shot. Writer feedback appreciated.
Hey been lurking on here forever and finally just deciding to bite the bullet and see if I can finally get at least one of the comics I've written some love and do a small print run that I would probably distribute here in Pittsburgh at some of the cons and stores I have connections at.
I went to school as a playwright, have written and staged several at various sized companies and colleges. I've published a few things, written some short films and hell we even created and staged our live game show for awhile.
Life happens, kids, steady income beckons, time erodes but I really miss having a creative outlet.
Right now though, I have dusted off a one-shot that I wrote that really was meant to be sort of a highlight of the era of Rob Leifeld style 90s comics into the more modern realistic but violent and darker era.
It's very action focused but still some Bendis heavy dialogue minus talking head panels.
It's called The Last Stand. If an artist wants to check out the script, I've included the link. If any writers want offer feedback, I more than welcome it. Always room to grow better.
Willing to discuss pay rates but realistically I'm looking in the 50-70 range for pencils and ink. More if you color and letter. I will of course cover printing and distribution costs.
So...here's The Last Stand.
https://acrobat.adobe.com/id/urn:aaid:sc:US:5b9c8280-7c90-4427-8a90-c8e62fb35273
submitted by ReadySetGeek to ComicBookCollabs [link] [comments]
I went to school as a playwright, have written and staged several at various sized companies and colleges. I've published a few things, written some short films and hell we even created and staged our live game show for awhile.
Life happens, kids, steady income beckons, time erodes but I really miss having a creative outlet.
Right now though, I have dusted off a one-shot that I wrote that really was meant to be sort of a highlight of the era of Rob Leifeld style 90s comics into the more modern realistic but violent and darker era.
It's very action focused but still some Bendis heavy dialogue minus talking head panels.
It's called The Last Stand. If an artist wants to check out the script, I've included the link. If any writers want offer feedback, I more than welcome it. Always room to grow better.
Willing to discuss pay rates but realistically I'm looking in the 50-70 range for pencils and ink. More if you color and letter. I will of course cover printing and distribution costs.
So...here's The Last Stand.
https://acrobat.adobe.com/id/urn:aaid:sc:US:5b9c8280-7c90-4427-8a90-c8e62fb35273
2024.05.13 22:42 newyork0120 The Met Gaia Is The Latest Casualty As Leftist Protesters Turn On Their Masters
Every year I’m confronted with the decision of whether to talk about the Met Gala. And it can be a tough decision if I’m being totally honest - on one hand, it’s always easy to point and laugh at rich Leftists wearing weird costumes and making fools out of themselves; on the other hand, it’s gotten way too easy to do that, and as far as celebrity freak shows go, the Met Gala is sort of like the Oscars at this point: its supposed “unpredictability” is now cliche, its zaniness is now boring. Unless mayhem breaks out—say, like an actor slaps the presenter live on-stage or something like that—then the truth is that no one really cares about any of these events anymore - in fact, I’m still not even sure what the Met Gala is. All I know is that the celebrities dress strangely and then go into I guess a big museum. What do they do inside the museum? Is there some kind of award ceremony? Is it a dance? Is it like celebrity prom or something? Do they sacrifice a live goat and drink its blood while chanting satanic curses? Is it some combination of these things? Nobody knows for sure. And most of all, nobody cares.
But fortunately, something interesting did happen at the Met Gala last week, or at least outside of it. Mobs of pro-Palestine demonstrators, apparently bored of their tent cities on college campuses, slowly marched through Manhattan towards the Met, and when they arrived, they tore down the police barricades and flooded the street.
Just for fun, here’s Lizzo dressed like something that you might find inside an unflushed toilet at Panda Express, and that’s what she wore to the Met Gala while riots raged outside in a clash of poor commies versus rich commies, as Peachy Keenan put it. These riots should also bring to mind I think some immediate logistical considerations that the Democratic Party now has to think about - for one thing, it’s safe to say that planning for the Democratic National Convention is going through some last-minute revisions right about now. Just imagine being in charge of security for the DNC; you’re gonna need bigger barricades than they had at the Met, and probably a lot more cops.
But more barricades and cops aren’t gonna fix the underlying problem that the Democratic Party has created here. There’s now a full-on uprising on the Left against the elitism that Democrats have long embraced - and the media is getting involved, too. Yahoo, for example, has already turned on the Met Gala; they just published a piece declaring, “The Met Gala’s Opulence Is Always Gross. This Year, It’s Obscene.”
Now, the whole article is a rant that hits a crescendo with this paragraph, which is probably the single-longest run-on sentence I’ve ever seen in my entire life. Here it is, this whole thing is one sentence, just so you know:
In any event, that whole massive paragraph could be summed up as saying, “We’re living through late-stage capitalism right now.” That’s what the Left-wing media is saying. That’s the way that they are framing this, and of course, “late-stage capitalism” is one of their favorite phrases to use these days. And they used to celebrate the Met Gala, but not anymore. Now they’re saying the same thing the demonstrators are, which is that the frivolous elite are partying while Rome burns—which they are, of course—and they’re furious about it, or pretending to be.
Now, what the media and these demonstrators don’t want to admit is that the elitists at this gala—all the celebrities who are dressed like slutty Star Wars villains and so on—are on their team. The celebrities are part of the ruling class, the protesters and media critics are its products and in some cases quite literally its offspring. Now, to be sure, the celebrities and college administrators and the politicians are reluctant to acknowledge that their own Frankenstein monster is turning against them, but that’s exactly what’s happening.
Remember that it was two years ago that AOC showed up to the Met Gala with a “Tax the Rich” gown. There were a bunch of sympathetic news stories highlighting her bravery at the time, and here’s how AOC justified showing up to an event that costs $300,000 per table while equipped with a custom dress, handbag, shoes and jewelry costing more than $2,000.
Her whole schtick was always hypocritical and disingenuous, of course, but it turns out that Leftist activists were listening to this rhetoric, I guess, they were taking it seriously, we’ve seen this a lot lately. When Chuck Schumer threatened Supreme Court justices, Leftists showed up at the justices’ homes; when the White House claimed that “trans kids” were being abused, a Leftist shot and killed Christians; when Democrats accused Israel of “genocide,” college students occupied university buildings; now two years after AOC attacked the Met, leftist gathered outside of the building.
This is the escalation that Democrats have primed this country for; it’s now in progress, whether Democrats intended it to happen to THEM or not—which, of course, they didn’t—but that’s not to say that ruling elites are going to roll over and let this happen. I mean, as you saw in that footage, the cops showed up in force and started making arrests the very second that protestors trespassed through the barricades in front of the Met. They were on the scene immediately.
Now, that’s kind of a noticeable contrast when compare it to other things like when these people set up encampments on college campuses, they were given in most cases a few days, maybe a week, before the cops moved in; when they looted and burned poor neighborhoods, they were given about three months to inflict carnage before anyone did anything about it; but when they showed up at the Met Gala, they were given three SECONDS before the arrests started. So it really shows you kind of how the hierarchy works.
The Democrats can’t protect the rest of the country from these mobs, nor do they intend to. So last night, in addition to creating a scene at the Met Gala, Leftists also vandalized a World War I memorial in New York and torched an American flag in front of it.
So please note, again, the contrast, the hierarchy, and the fact that this was happening at the exact same time as the Met Gala thing - REALLY shows you where the priorities are when you notice what kinds of illegal demonstrations the police will stop and which demonstrations they’ll allow to continue. The mob can deface World War I memorials all they want because in doing so, they’re communicating their hatred for this country and everything it stands for. So the Democrats who run New York aren’t going to stop them. But the mob isn’t allowed to inconvenience celebrities at the Met under any circumstances.
The point is that this is the hierarchy that Democrats clearly want to enforce. The trouble is getting the mob to RESPECT the hierarchy, and the Democrats are having trouble with that at the moment.
Yet they still seem oblivious, the Democrats are—or acting oblivious, at least—to the fact that they created this monster themselves, and that’s why inside the Met, as chaos unfolded outside, the party continued uninterrupted, and so did all of this associated weirdness, which was as off-putting as it’s ever been - take for example this decoy costume worn by someone using the name “Karol G.” Now, apparently she wanted to keep her real costume a secret, so earlier in the evening, she sported this beige umbrella-looking lampshade thing instead.
Now, imagine being a hardcore, AOC-loving Leftist who sees this - Democrats have spent the last several years telling you to despise rich people and commit crimes in the name of political activism, and then down the street from your hippy commune at the local university, some celebrity is walking around in a lampshade costume which probably costs $50,000 or something, and the entire Democratic Party establishment is pretending that it’s all normal. What do you do? How would you view the Democratic Party establishment after seeing this?
Now, as for the costume itself, of course, it’s clearly a bid for attention, and I guess it worked—I’m talking about it—but it’s not even an original idea - as a lot of people have pointed out, the outfit bears a striking resemblance to a certain shower curtain costume from the film “Karate Kid,” only with different colors, so there’s really no redeeming qualities whatsoever here, it’s a total debacle all around.
But to be fair, there was at least some originality on display last night - for example, this celebrity apparently walked through a wind tunnel full of roses somewhere before arriving at the Met, and for her trouble, Vogue named her as one of the best-dressed women of the evening.
We can assume again that this… woman?… paid many thousands of dollars for that outfit, which is just a trench coat with flower peddles and glitter glued onto it. It really looks like something a four-year-old girl might make. As everybody knows, in the mind of a four-year-old girl, anything and everything can be made prettier with copious amounts of glitter and flowers, which is a fine mentality for a small child; doesn’t translate very well in this case. And as self-congratulatory as it is, again, there’s no self-awareness whatsoever - it’s almost as if the entire purpose of the event is to celebrate the elites’ total inability to detect how preposterous, self-absorbed, and laughable they are.
An this is nothing new, it’s been the case since the Met Gala was established, it’s always been a mini-theater of the absurd. What’s changed is that the voting base of the Democratic Party isn’t laughing along with these clowns as much anymore. They turned against the universities; now they’ve turned against Hollywood. What the protesters of course don’t understand is that they have inherited their own worldview and everything they believe from these very institutions and these very people.
Hollywood and Academia don’t realize that they’re being attacked by their own Frankenstein, but the Frankenstein monster also doesn’t realize that it IS the Frankenstein monster. And if Frankenstein ever wakes up to that fact, well then the ruling class will really be in trouble.
submitted by newyork0120 to Rants [link] [comments]
But fortunately, something interesting did happen at the Met Gala last week, or at least outside of it. Mobs of pro-Palestine demonstrators, apparently bored of their tent cities on college campuses, slowly marched through Manhattan towards the Met, and when they arrived, they tore down the police barricades and flooded the street.
Just for fun, here’s Lizzo dressed like something that you might find inside an unflushed toilet at Panda Express, and that’s what she wore to the Met Gala while riots raged outside in a clash of poor commies versus rich commies, as Peachy Keenan put it. These riots should also bring to mind I think some immediate logistical considerations that the Democratic Party now has to think about - for one thing, it’s safe to say that planning for the Democratic National Convention is going through some last-minute revisions right about now. Just imagine being in charge of security for the DNC; you’re gonna need bigger barricades than they had at the Met, and probably a lot more cops.
But more barricades and cops aren’t gonna fix the underlying problem that the Democratic Party has created here. There’s now a full-on uprising on the Left against the elitism that Democrats have long embraced - and the media is getting involved, too. Yahoo, for example, has already turned on the Met Gala; they just published a piece declaring, “The Met Gala’s Opulence Is Always Gross. This Year, It’s Obscene.”
Now, the whole article is a rant that hits a crescendo with this paragraph, which is probably the single-longest run-on sentence I’ve ever seen in my entire life. Here it is, this whole thing is one sentence, just so you know:
Even in an era filled with the horrors of late-stage capitalism run amok—bipartisan support for genocide; rolling back of reproductive, civil, and voting rights; a threadbare social safety net; decades of wage stagnation; tax cuts for the the rich; the crushing of unions and labor rights; expansion of the militarized police surveillance state; creeping techno-authoritarianism; untested, unregulated, and unchecked A.I.; entrenched racial inequality and injustice; right-wing and white supremacist extremist violence; and Boeing jet parts falling from the sky like so many dead whistleblowers—that kind of frivolous urgency promises that this year’s event nonetheless will stand out as a vainglorious display of self-congratulatory decadence and tone-deaf extravagance.Now, first of all, just as a stylistic matter, if you’re going to make a sentence that long, it needs to be coherent. And “Boeing jet parts are falling from the sky like so many dead whistleblowers?” That doesn’t even make sense; the dead whistleblowers didn’t fall from the sky. I mean, they’re not being pushed out planes. One of them shot himself allegedly and the other died of an illness. Now, even if you subscribe to the theory that Boeing’s hitmen killed these whistleblowers—which, who knows, maybe they did—the fact remains that they didn’t fall from the sky. They died on the ground, so the metaphor just doesn’t work. And this is the problem you get into with 100-word sentences: eventually, you just lose track of what you’re saying.
In any event, that whole massive paragraph could be summed up as saying, “We’re living through late-stage capitalism right now.” That’s what the Left-wing media is saying. That’s the way that they are framing this, and of course, “late-stage capitalism” is one of their favorite phrases to use these days. And they used to celebrate the Met Gala, but not anymore. Now they’re saying the same thing the demonstrators are, which is that the frivolous elite are partying while Rome burns—which they are, of course—and they’re furious about it, or pretending to be.
Now, what the media and these demonstrators don’t want to admit is that the elitists at this gala—all the celebrities who are dressed like slutty Star Wars villains and so on—are on their team. The celebrities are part of the ruling class, the protesters and media critics are its products and in some cases quite literally its offspring. Now, to be sure, the celebrities and college administrators and the politicians are reluctant to acknowledge that their own Frankenstein monster is turning against them, but that’s exactly what’s happening.
Remember that it was two years ago that AOC showed up to the Met Gala with a “Tax the Rich” gown. There were a bunch of sympathetic news stories highlighting her bravery at the time, and here’s how AOC justified showing up to an event that costs $300,000 per table while equipped with a custom dress, handbag, shoes and jewelry costing more than $2,000.
REPORTER: “You know this dress has a message for this Met Gala, tell me about what that is.”It’s a really important conversation, AOC says, some people aren’t ready to hear it, but we need to punish rich people, we need to make them as uncomfortable as possible, we need to take their money, and that was the message from AOC, who not incidentally, grew up in a very well-off suburb.
AOC: “You know, I made a message, it says ’Tax the Rich’ right there, uh, it’s really about having a real conversation about fairness and equity in our system, and I think that this conversation is particularly relevant as we debate over budget and reconciliation down. What we’re talking about, providing working families with child care, healthcare, and meeting the climate crisis [unintelligible]* it deserves. … I think that ultimately, you know, we’re at a very critical point. I think there are some folks who are starting to really understand that this is a very critical conversation for us to be having right now. Other folks have invested interest in not having that conversation, but our point is to keep organizing and keep it going.”*
Her whole schtick was always hypocritical and disingenuous, of course, but it turns out that Leftist activists were listening to this rhetoric, I guess, they were taking it seriously, we’ve seen this a lot lately. When Chuck Schumer threatened Supreme Court justices, Leftists showed up at the justices’ homes; when the White House claimed that “trans kids” were being abused, a Leftist shot and killed Christians; when Democrats accused Israel of “genocide,” college students occupied university buildings; now two years after AOC attacked the Met, leftist gathered outside of the building.
This is the escalation that Democrats have primed this country for; it’s now in progress, whether Democrats intended it to happen to THEM or not—which, of course, they didn’t—but that’s not to say that ruling elites are going to roll over and let this happen. I mean, as you saw in that footage, the cops showed up in force and started making arrests the very second that protestors trespassed through the barricades in front of the Met. They were on the scene immediately.
Now, that’s kind of a noticeable contrast when compare it to other things like when these people set up encampments on college campuses, they were given in most cases a few days, maybe a week, before the cops moved in; when they looted and burned poor neighborhoods, they were given about three months to inflict carnage before anyone did anything about it; but when they showed up at the Met Gala, they were given three SECONDS before the arrests started. So it really shows you kind of how the hierarchy works.
The Democrats can’t protect the rest of the country from these mobs, nor do they intend to. So last night, in addition to creating a scene at the Met Gala, Leftists also vandalized a World War I memorial in New York and torched an American flag in front of it.
So please note, again, the contrast, the hierarchy, and the fact that this was happening at the exact same time as the Met Gala thing - REALLY shows you where the priorities are when you notice what kinds of illegal demonstrations the police will stop and which demonstrations they’ll allow to continue. The mob can deface World War I memorials all they want because in doing so, they’re communicating their hatred for this country and everything it stands for. So the Democrats who run New York aren’t going to stop them. But the mob isn’t allowed to inconvenience celebrities at the Met under any circumstances.
The point is that this is the hierarchy that Democrats clearly want to enforce. The trouble is getting the mob to RESPECT the hierarchy, and the Democrats are having trouble with that at the moment.
Yet they still seem oblivious, the Democrats are—or acting oblivious, at least—to the fact that they created this monster themselves, and that’s why inside the Met, as chaos unfolded outside, the party continued uninterrupted, and so did all of this associated weirdness, which was as off-putting as it’s ever been - take for example this decoy costume worn by someone using the name “Karol G.” Now, apparently she wanted to keep her real costume a secret, so earlier in the evening, she sported this beige umbrella-looking lampshade thing instead.
Now, imagine being a hardcore, AOC-loving Leftist who sees this - Democrats have spent the last several years telling you to despise rich people and commit crimes in the name of political activism, and then down the street from your hippy commune at the local university, some celebrity is walking around in a lampshade costume which probably costs $50,000 or something, and the entire Democratic Party establishment is pretending that it’s all normal. What do you do? How would you view the Democratic Party establishment after seeing this?
Now, as for the costume itself, of course, it’s clearly a bid for attention, and I guess it worked—I’m talking about it—but it’s not even an original idea - as a lot of people have pointed out, the outfit bears a striking resemblance to a certain shower curtain costume from the film “Karate Kid,” only with different colors, so there’s really no redeeming qualities whatsoever here, it’s a total debacle all around.
But to be fair, there was at least some originality on display last night - for example, this celebrity apparently walked through a wind tunnel full of roses somewhere before arriving at the Met, and for her trouble, Vogue named her as one of the best-dressed women of the evening.
We can assume again that this… woman?… paid many thousands of dollars for that outfit, which is just a trench coat with flower peddles and glitter glued onto it. It really looks like something a four-year-old girl might make. As everybody knows, in the mind of a four-year-old girl, anything and everything can be made prettier with copious amounts of glitter and flowers, which is a fine mentality for a small child; doesn’t translate very well in this case. And as self-congratulatory as it is, again, there’s no self-awareness whatsoever - it’s almost as if the entire purpose of the event is to celebrate the elites’ total inability to detect how preposterous, self-absorbed, and laughable they are.
An this is nothing new, it’s been the case since the Met Gala was established, it’s always been a mini-theater of the absurd. What’s changed is that the voting base of the Democratic Party isn’t laughing along with these clowns as much anymore. They turned against the universities; now they’ve turned against Hollywood. What the protesters of course don’t understand is that they have inherited their own worldview and everything they believe from these very institutions and these very people.
Hollywood and Academia don’t realize that they’re being attacked by their own Frankenstein, but the Frankenstein monster also doesn’t realize that it IS the Frankenstein monster. And if Frankenstein ever wakes up to that fact, well then the ruling class will really be in trouble.
2024.05.13 22:28 udotaivisuals (4,3) torus knot curve with a rotating square extrusion
 | Faces of the square extrusion have a triangle wave pattern with black and white coloring swapped across each square corner. The knot sits on a square tiling of colored pyramids. Scripted in Blender and 3D-printed with a Bambu Lab X1 submitted by udotaivisuals to generative [link] [comments] |
2024.05.13 22:23 marmaimar Chosen, this colors, thanks again reddit, now last decision: which one is the principal logo for the instagram icon?
 | brief: so this is for a furniture atelier company (atelier because its a mix between a design studio and a workshop) they make art pieces with bamboo, anything really, from spoons, jewlery, houses, museum exhibitions, festival booths, etc. their designs are very good, elegant and simple, they are a bit disruptive since they use a lot of AI in their design process and technologies, they aalso have this young feeling to their designs, they are based in Tulum and outside from their logo colors, they want to experiment more risky colors like bright pinks, phosphorescent greens etc. submitted by marmaimar to logodesign [link] [comments] They use instagram as their main platform btw, that's why its round. SO WHICH ONE FOR THE INSTAGRAM ICON? https://preview.redd.it/8ajrbtm0690d1.jpg?width=885&format=pjpg&auto=webp&s=373eadb1b57cf9c02cb5e9ea1f286f62e5d54755 |
2024.05.13 21:13 AllKindsOfCritters [Request] Birthday cards for my 40th [US]
My birthday is next week on the 22nd. I know this is a little bit of a late request, I'd managed to forget about this sub despite being so active once. I don't have many people in my life and that's hitting me hard with a milestone coming up, I'd love to have some cards to open. Honestly I'd love anything interesting or pretty, or spooky if you've got it- here's some specifics for those with huge collections to sift through, it doesn't have to be exactly any of this but maybe it can give you ideas as well:
Interests: Forests, landscapes, gardens full of colorful flowers and/or succulents, clouds, rainbows, the ocean, autumn & winter, dinosaurs, dogs, tigers, huge animals like elephants and giraffes, sea creatures, insects, dandelions, sunflowers, daisies, old-fashioned apothecary jars, road trips, old architecture, abandoned buildings, vine-covered houses, museums, libraries, trains, Disneyland, cemeteries, LGBTQ+ stuff, 90s stuff, vintage cars/appliances/wallpaper. Handmade cards and your own photography are welcome. NSFW and profanity are fine.
Nothing with any politicians, alt-right stuff, maggots, cockroaches, nothing anti LGBTQ+, I know I said "spooky" but nothing showing blood.
submitted by AllKindsOfCritters to RandomActsofCards [link] [comments]
Interests: Forests, landscapes, gardens full of colorful flowers and/or succulents, clouds, rainbows, the ocean, autumn & winter, dinosaurs, dogs, tigers, huge animals like elephants and giraffes, sea creatures, insects, dandelions, sunflowers, daisies, old-fashioned apothecary jars, road trips, old architecture, abandoned buildings, vine-covered houses, museums, libraries, trains, Disneyland, cemeteries, LGBTQ+ stuff, 90s stuff, vintage cars/appliances/wallpaper. Handmade cards and your own photography are welcome. NSFW and profanity are fine.
Nothing with any politicians, alt-right stuff, maggots, cockroaches, nothing anti LGBTQ+, I know I said "spooky" but nothing showing blood.
2024.05.13 21:03 TheGuylnTheChair 25 [M4F] Europe/Anywhere - If you giggle, you owe me a chat!
Dear poor soul that's about to read whatever comes out in the incoming flood of nonsense, thanks for being here. Also, I want to thank my parents, my friends, my aunts and.. Oh, sorry, I don't know how to start writing those things, so I guess I should start from the beginning? Here I go:
It was a sunny day in 1998, when a sweet young lady had a contraction and... oh gosh, sorry again. I will fast forward a bit. I’m a 25 year old guy from Bosnia and Herzegovina (from what and what?!) looking for someone to help me finish all the pasta I make every day (I never get it right). I come with an endless supply of terrible jokes and random pocket snacks. I love art and music. Jazz clubs, museums, and mountains are where my heart lives. I like visiting new cities, trying new cuisines, and finding⁴r moments of tranquility amid the chaos. Also, I also absolutely love movies and books (wow, super unique) . Physically, I'm tall, my eyes still work, and girls said I have a nice butt.
I have a cute hamster too so if you read all this and thought "omg he is so boring, I can't stand him anymore" then just bear with me a little longer and you can see Captain Hamsterstein in all his glory once you pm me.
As I'm still kinda not sure about all this and have no idea how anything really works, I'll keep my options open for whatever. So, looking for a friend? I'm your man. Need a shoulder to cry? Still your man. Memes exchange? Hell yeah! Relationship? Tell me what kind of restaurant you fancy for our date. Wedding? The suit is ready. Nonsense flirting? Count me in. Serious talks? Let me put my smart face. In short, up for whatever and whenever, keep it colorful!
Also, I'm just looking for someone who I can chill with, talk to about various different topics. Someone that challenges you in different ways and makes you a better person. That you can joke with and be serious with when necessary. That's most of what I ask for, everything else is an added bonus. Or you could just have a cat and I'm all yours (please don't tell Captain Hamsterstein).
I'm not really good at talking about myself so I'll just leave that part for you to ask about whatever you're interested in.
Keep in mind that our timezones may be different so there's a possibility that I won't be able to answer immediately but I'll try my best to get to you as soon as possible!
Also ( at this point I'm afraid to count how many times I've written the word "also"), I'm open for a photo exchange if that's something that will get the conversation going (you could also check my post history to get the idea about my looks).
You read this far? Omg, get a life! But seriously, feel free to message me (WARNING: High probability of more nonsense) and let's see how it goes. Just behave yourself cause I am legally allowed to handcuff you.
Meanwhile, have a lovely day or night or whatever and take care!
PS, don't text me if you're only into my kidneys.
submitted by TheGuylnTheChair to r4r [link] [comments]
It was a sunny day in 1998, when a sweet young lady had a contraction and... oh gosh, sorry again. I will fast forward a bit. I’m a 25 year old guy from Bosnia and Herzegovina (from what and what?!) looking for someone to help me finish all the pasta I make every day (I never get it right). I come with an endless supply of terrible jokes and random pocket snacks. I love art and music. Jazz clubs, museums, and mountains are where my heart lives. I like visiting new cities, trying new cuisines, and finding⁴r moments of tranquility amid the chaos. Also, I also absolutely love movies and books (wow, super unique) . Physically, I'm tall, my eyes still work, and girls said I have a nice butt.
I have a cute hamster too so if you read all this and thought "omg he is so boring, I can't stand him anymore" then just bear with me a little longer and you can see Captain Hamsterstein in all his glory once you pm me.
As I'm still kinda not sure about all this and have no idea how anything really works, I'll keep my options open for whatever. So, looking for a friend? I'm your man. Need a shoulder to cry? Still your man. Memes exchange? Hell yeah! Relationship? Tell me what kind of restaurant you fancy for our date. Wedding? The suit is ready. Nonsense flirting? Count me in. Serious talks? Let me put my smart face. In short, up for whatever and whenever, keep it colorful!
Also, I'm just looking for someone who I can chill with, talk to about various different topics. Someone that challenges you in different ways and makes you a better person. That you can joke with and be serious with when necessary. That's most of what I ask for, everything else is an added bonus. Or you could just have a cat and I'm all yours (please don't tell Captain Hamsterstein).
I'm not really good at talking about myself so I'll just leave that part for you to ask about whatever you're interested in.
Keep in mind that our timezones may be different so there's a possibility that I won't be able to answer immediately but I'll try my best to get to you as soon as possible!
Also ( at this point I'm afraid to count how many times I've written the word "also"), I'm open for a photo exchange if that's something that will get the conversation going (you could also check my post history to get the idea about my looks).
You read this far? Omg, get a life! But seriously, feel free to message me (WARNING: High probability of more nonsense) and let's see how it goes. Just behave yourself cause I am legally allowed to handcuff you.
Meanwhile, have a lovely day or night or whatever and take care!
PS, don't text me if you're only into my kidneys.
2024.05.13 20:44 Longjumping-Drink426 Can you guys test this indicator?
https://www.tradingview.com/script/JT1vx05y-Super-Magic-Trend-Kebeng/
Only take the LONG position when:
https://preview.redd.it/ywmf0qvho80d1.png?width=862&format=png&auto=webp&s=655a23a457530fba7882e514f89bae71c01ebc10
submitted by Longjumping-Drink426 to TradingView [link] [comments]
Only take the LONG position when:
- Candles are above EMA
- Uptrend background color appears
- Candles are below EMA
- Down trend background color appears
https://preview.redd.it/ywmf0qvho80d1.png?width=862&format=png&auto=webp&s=655a23a457530fba7882e514f89bae71c01ebc10
2024.05.13 20:35 LongDongSilvers84 (for Hire) Acrylic painter!!
Open for commissions!!
Hello, I'm a live paintestudio artist in Pensacola Florida. I have painted at some of the largest music festivals in the U.S. and have had my work featured in shows at The Museum of Art here in Pensacola. My work is vibrant and colorful and has a style all its own. If youve got an idea for a commission piece let's make it happen! I promise you won't be disappointed! Light In Progress Studios on IG (lipstudioart)
submitted by LongDongSilvers84 to artistforhire [link] [comments]
Hello, I'm a live paintestudio artist in Pensacola Florida. I have painted at some of the largest music festivals in the U.S. and have had my work featured in shows at The Museum of Art here in Pensacola. My work is vibrant and colorful and has a style all its own. If youve got an idea for a commission piece let's make it happen! I promise you won't be disappointed! Light In Progress Studios on IG (lipstudioart)
2024.05.13 20:28 the_running_stache I enjoyed my first-ever trip to Kolkata; highly recommend!
 | TL;DR: Thanks for having me in your city. I had a great time! submitted by the_running_stache to kolkata [link] [comments] Artwork depicting Kolkata I had lunch at the original location! Desserts/mithai Avartana 9-course tasting menu Fennel Panna Cotta I am a Mumbai guy and visited Kolkata for the first-time ever. I visited during the worst possible season when the temperatures were 42-44 degC at their max, but I had a great time. I was supposed to visit with my friend but she couldn't make it due to some reasons and I ended up having a solo trip. No worries because I love to travel solo. (She informed me well in advance, so it's not like she canceled last minute.) Stay: I stayed at the ITC Royal Bengal for 3 nights and chose to spend 1 night at The Oberoi Grand. Why different hotels? Just to experience the hotels and the neighborhoods. Both hotels were great. The hard product (rooms and amenities) was really great at ITC, but the soft product (service) was much better at Oberoi. Food:
I wanted to have a relaxing trip and so I didn't go overboard on the sightseeing. I checked out Prinsep Ghat, Old Kolkata heritage buildings (High Court, Bidhan Sabha, Town Hall, Raj Bhavan, etc.), Howrah Bridge, Vidyasagar Setu, Victoria Memorial, Salt Lake neighborhood, some temples (didn't go to any major ones), Kumartuli, Bara Bazar, College Street, Alipore Museum, Golf Course, etc. Due to the heat (Mumbai was at 32 degC, whereas Kolkata was at 44 degC), I chose to just do a private caUber ride for most of these places. I had hired a good local guide (who also drove me around) and showed me all the places. I also went to Howrah and saw Nabanna (obviously, from outside). Traveling around/Transportation: I chose to fly into and out of Kolkata. I was initially thinking of taking a train, but then looking at the time it would have taken from Mumbai, I chose air travel instead and am very glad about it. Vistara had good on-time service both ways. It set the right tone for the trip. As I mentioned earlier, I booked a private car for some of the sightseeing and took Ubers around for the most part. I did ride the tram (number 5) from Esplanade to College Street and took the Metro back from Girish Park to Esplanade just to experience it. Shopping: I didn't do a lot of shopping, but bought myself a kurta (Panjabi) and dhuti from Adi Akshoy at Triangular Park. I hadn't researched on shopping and the guide directed me here. I bought a pair of Ray-Ban sunglasses because I was walking past a store and really thought of getting a new pair of sunglasses (while I was wearing another pair of Ray-Bans). Tbh, I could have just bought this in Mumbai, but it was an impulse buy. And then I bought a lot of books at the airport for my return. Argh! I already have so many at home, but couldn't resist. I should have just headed to the airport lounge directly instead of wasting time in the terminal shopping for books. Some things worth mentioning:
(and I am not trying to look down upon it, but just writing a truthful account of my experience)
|
2024.05.13 20:25 gaybro69420 Anyone ever been to the Lucy Desi museum?
I went once when I was a senior in HS. (‘06.) I’m happy that museum is still a popular destination despite being in such a small town. Has it changed since 06? I remember seeing a framed photo of Lucy and Desi with their kids, playing with balloons. Wish I could find it in color. Also, is her blue Liz Taylor outfit there? Or at the exhibit in Universal Orlando resort? I feel like that one houses her gray Vitameatavegamin/Job Switching dress. I have a pic of me at the Vitameatavegamin table doing a taste test 🤣 I saw her “5 ft 2 Eyes of Blue” ukulele on display too, at one of the exhibits.
submitted by gaybro69420 to ILoveLucy [link] [comments]
2024.05.13 20:19 protector111 1.3 Gigapixel image made with SD. Weight of file almost 2gb. size is 64000x21280 pixels
 | https://preview.redd.it/mojsnvqcj80d1.png?width=2775&format=png&auto=webp&s=99980f8678aea1b7880408049d64a67f1bca7343 submitted by protector111 to StableDiffusion [link] [comments] sadly i have no idea how to post it so you can play with it. the only way I found is EasyZOom but it degrades quality dramatically and changes colors. SO here is a video (ending is a bit NSFW-ish. ) https://youtu.be/tR4Oi5gjL5M WOrkflow is simple but time consuming and needs resources. I generated 4k illustration. Upscaled in gigapixel. After that opened image in PS and cut out peaces I put in A1111 and unpainted. My goal was to zoom so much - you could zoom into castle window and see interior with humans but i`m not sure its possible. Even my 64gb vram and 4090 struggles heavily. PS I am working on almost automatic solution. TO cut image into 1024x1024 tiles and img2img they and them collage in photoshop with a script. But it has visible edges between tiles which can be fixed manually Update: EasyZOom link https://www.easyzoom.com/imageaccess/2df49d2f3ed842ca9757e00e4b3a0994 And link for local downloading https://pixeldrain.comJbySpiH2 |
2024.05.13 19:07 jtinmoscow Color preferences keep getting reset
Every time I run Matlab using a batch script (running a matlab script in a loop), it keeps changing my color preferences to either the default or something completely different (I don't remember what the default looks like anymore). So I keep having to change it back. This does not happen when I'm running the script with the Matlab app open. Anyone know why it's happening and how I can prevent this in the future?
submitted by jtinmoscow to matlab [link] [comments]
2024.05.13 18:18 ebudd08 [US - UT][H] Sega Dreamcast, Saturn, Nintendo Wii(U), (3)DS, Game Boy (Color, Advance), NES, SNES, Xbox (360), PlayStation (2, 3) -- Games, Consoles, Accessories [W] PayPal
Shipping is not included unless noted. Please offer on bundles, I'm really inclined to move as much of this stuff as I possibly can and will offer better deals the more you buy.
On everything $5 & under, consider it 3 for $10, 5 for $15, 20 for $50
Pics of Dreamcast stuff here, please request more as needed. Local pickup is great, also able to ship.
All clean, but untested (I don't have a Saturn console)
2 SNS-001 Consoles For Parts/Not Working 2 For Parts/Not Working consoles that have been broken down, including one housing (has some chips/cracks), 2 motherboards, all components, however some are guaranteed to not work. The boards themselves may have additional issues beyond the removed chips, I have no way to test or check them. Neither of these motherboards work. Both of them were giving different graphical issues on the screen, so I thought I'd be clever and try to swap some chips around, but found out as I was doing it that I have no experience with it and was in way over my head. I do not know if there are working chips here to even create one working SNES, as far as I'm aware all of the graphics chips/etc. are bad. Pics here $35
Feel free to take all Game Boy/ColoAdvance games for $30+shipping
Please note - most of these games are not complete - either missing manual, replacement case/cover art, or loose disc. Please check with me if you're curious.
Thanks for looking!
submitted by ebudd08 to GameSale [link] [comments]
On everything $5 & under, consider it 3 for $10, 5 for $15, 20 for $50
| Title | CIB/loose | Price/Notes |
|---|---|---|
| 4 controllers | Loose | $20 each - 2 white OEM, one green Performance-branded |
| Loose | $20 each - | |
| Memory card | Loose | $10 - Performance-brand |
| Centipede | Loose | $6 - Good condition |
| Chicken Run | CIB | $13 - Good condition |
| Crazy Taxi | CIB | $20 - Sega All Stars |
| Dave Mirra Freestyle BMX | CIB | $6 - Good condition |
| Disney’s Dinosaur | CIB | $13 - Good condition |
| Jeremy McGrath Supercross 2000 | Loose | $8 - Good condition |
| NFL Blitz 2001 | CIB | $35 - Good condition |
| Quake 3 Arena | CIB | $20 - Good condition |
| Resident Evil CODE Veronica | Loose | $20 - Includes both discs in a kind of broken jewel case thing |
| Sega Bass Fishing | CIB | $8 - Sega All Stars |
| Sega Smash Pack Volume 1 | Loose | $10 - Includes case, no manual, decent condition |
| Shenmue | CIB | $30 - Cracked bottom of jewel case (the plastic piece) |
| Skies of Arcadia | CIB | $125 - Excellent condition |
| SnoCross Championship Racing | CIB | $10 - Good condition |
| Sonic Adventure 2 | Includes case, no manual | $110 - Good condition, no manual/cover art |
| Tomb Raider: Chronicles | CIB | $18 - Good condition |
| Vigilante 8 2nd Offense | CIB | $22 - Good condition |
| Virtua Fighter 3tb | Loose | $15 - Good condition |
All clean, but untested (I don't have a Saturn console)
| Title | Notes | Price |
|---|---|---|
| Bootleg Sampler | Loose | $5 |
| Iron Man X-O Manowar in Heavy Metal | Loose | $10 |
| Sega Worldwide Soccer ‘97 | Loose | $8 |
| Tomb Raider | Loose | $15 |
| Virtua Cop | Loose | $5 |
| World Series Baseball ‘98 | Loose | $8 |
| Title | Console | Price/notes |
|---|---|---|
| Bandai Golf Pebble Beach Challenge | NES | $3 |
| Days of Thunder | NES | $8 |
| Double Dribble | NES | $6 |
| Knight Rider | NES | $10 Pics |
| Side Pocket | NES | $7 |
| The Simpsons: Bart vs. the World | NES | $12 Pics |
| Slalom | NES | $8 |
| Title | Console | Price/notes |
|---|---|---|
| D Force | SNES | $8 |
| Frogger | SNES | $10 |
| Metal Combat | SNES | $10 Pics |
| MVP Baseball | SNES | $5 |
| NBA Live 95 | SNES | $5 |
| Tuff E Nuff | SNES | $12 Pics |
| Title | Console | Price/notes |
|---|---|---|
| A Bug's Life | GB | $5 |
| All-Star Baseball 2000 | GBC | $5 |
| Tony Hawk's Pro Skater 3 | GBC | $5 - Bad label |
| Demon Driver | GBA | $6 |
| Rayman Advance | GBA | $8 |
| Smuggler's Run | GBA | $4 |
| Treasure Planet | GBA | $5 |
| Winter X Games Snowboarding 2002 | GBA | $3 |
| World Tennis Stars | GBA | $3 |
| Title | Console | Price/notes |
|---|---|---|
| Barbie: Jet, Set & Style | NDS | $3 - Loose |
| Castlevania: Dawn of Sorrow | NDS | $25 - Loose, no label, authentic |
| Deal or No Deal | NDS | $4 - CIB |
| Games Around the World | NDS | $4 - CIB |
| Horsez | NDS | $4 - CIB |
| Imagine: Fashion Designer | NDS | $4 - CIB |
| Imagine: Fashion Stylist | NDS | $4 - CIB |
| Jeopardy | NDS | $5 - CIB |
| MahJong Quest | NDS | $4 - CIB |
| My Farm | NDS | $4 - CIB |
| Pictionary | NDS | $5 - Sealed |
| Winx Club Magical Fairy Party | NDS | $7 - CIB |
| Cooking Mama: Sweet Shop | 3DS | $20 - CIB |
| Harvest Moon 3D: The Lost Valley | 3DS | $20 - Loose |
| Title | Console | Price/notes |
|---|---|---|
| Accessory Gibson Les Paul | 360 | $65 - Tested, sometimes the green button needs to be pressed hard. I should probably just open it up and clean up the pad, but there's a chance the rubber is just wearing out, as it tends to do. |
| Accessory OEM Controller | Xbox | $10 - have 2, both model S for original Xbox, both have breakaway cables |
| Burnout 3 | Xbox | $8 |
| Call of Duty 2: Big Red One | Xbox | $5 |
| Gun | Xbox | $5 |
| Juiced | Xbox | $6 |
| Superman Returns | Xbox | $5 |
| Unreal Championship 2: The Liandri Conflict | Xbox | $5 |
| Call of Duty: Modern Warfare | 360 | $6 |
| Call of Duty: Modern Warfare 2 | 360 | $6 |
| Ghost Recon 2 | 360 | $5 |
| Guitar Hero 2 | 360 | $10 |
| Guitar Hero 3: Legends of Rock | 360 | $10 |
| Guitar Hero 3: Legends of Rock | 360 | $10 |
| Guitar Hero: Aerosmith | 360 | $15 |
| MLB 2K9 | 360 | $5 |
| NBA 2K12 | 360 | $5 |
| Ridge Racer 6 | 360 | $10 Pics |
| Title | Console | Price/notes |
|---|---|---|
| Treasures of the Deep | PS1 | $15 - CIB |
| Wargames: Defcon 1 | PS1 | $12 - CIB |
| Warhawk | PS1 | $12 - CIB, longbox, not in great shape |
| American Chopper | PS2 | $4 - CIB |
| Arctic Thunder | PS2 | $8 - CIB |
| Cabela's Big Game Hunter 2005 | PS2 | $3 - CIB |
| Call of Duty: Finest Hour | PS2 | $4 - CIB |
| Call of Duty: Finest Hour | PS2 | $4 - CIB |
| Crash n' Burn | Ps2 | $8 - CIB |
| Eragon | PS2 | $4 - CIB |
| Flatout | PS2 | $8 - CIB |
| Flatout | PS2 | $5 - Loose |
| The Getaway | PS2 | $8 - CIB |
| The Getaway | PS2 | $4 - Loose |
| Gran Turismo 3 | PS2 | $5 - GH CIB |
| Guitar Hero 2 | PS2 | $4 - CIB |
| Hitman 2 | PS2 | $5 - CIB |
| IHRA Drag Racing 2 | PS2 | $3 - CIB |
| Kingdom Hearts 2 | PS2 | $5 - Loose |
| Madden 07 | PS2 | $3 - CIB |
| MX vs ATV | PS2 | $3 - Loose |
| NAMCO Museum | PS2 | $7 - GH CIB |
| NBA 2K9 | PS2 | $5 - CIB |
| PopCap Hits Vol. 1 | PS2 | $5 - CIB |
| Rise to Honor | PS2 | $8 - CIB |
| Smuggler's Run | PS2 | $8 - CIB |
| SOCOM 2 | PS2 | $5 - CIB |
| Splinter Cell | PS2 | $4 - CIB |
| Starksy & Hutch | PS2 | $5 - CIB |
| Strike Force Bowling | PS2 | $4 - CIB |
| Tetris Worlds | PS2 | $5 - CIB |
| Tiger Woods PGA Tour 2002 | PS2 | $2 - Loose |
| Tiger Woods PGA Tour 2005 | PS2 | $2 - Loose |
| Tiger Woods PGA Tour 2006 | PS2 | $2 - Loose |
| TOCA Race Driver 2 | PS2 | $6 - CIB |
| Trigger Man | PS2 | $4 - CIB |
| World Championship Poker | PS2 | $4 - CIB |
| Call of Duty: Modern Warfare 3 | PS3 | $5 - CIB |
| Grand Theft Auto IV | PS3 | $8 - Loose |
| Killzone 3 | PS3 | $5 - CIB |
| Mortal Kombat vs DC Universe | PS3 | $8 - CIB |
| Rocksmith 2014 | PS3 | $10 - CIB |
| Skyrim | PS3 | $4 - CIB |
| Sports Champions | PS3 | $4 - CIB |
| Title | Console | Price/notes |
|---|---|---|
| LEGO Star Wars: The Complete Saga | Wii | $5 - CIB |
| Manhunt 2 | Wii | $18 - CIB |
| The Price is Right | Wii | $4 - Loose |
| Wii Play | Wii | $5 - CIB |
| Wii Play | Wii | $5 - CIB |
| Skylanders | WiiU | $4 - Case |
| Skylanders | WiiU | $4 - Case |
| LEGO Dimensions | WiiU | $4 - Case |