Travis spoke about the Paris show on their podcast. It wouldn't surprise me if this was the first time he even heard the TTPD songs. Okay, maybe second time. First time was probably when Taylor played it for him and he had to sit there pretending to be interested but quite likely zoned out.

It was fun! It was a blast! I had a blast at Tay’s show. Her new rendition of the Era’s Tour. I suggest everyone go see it - it has her new Tortured Poet’s Department, a few songs, a handful of those songs in the new show. Which means there’s a new segment, and new lights and like new dancing - new everything to the fucking show! So I suggest everyone get out there and see it. It was absolutely unbelievable! I enjoyed every bit of it."
"I don’t know if they’re just getting better or if I just keep forgetting how they are. It was electric in there! And I’ll tell you what: Kansas City showed out, Argentina was unbelievable, Australia they party with the best of them and they celebrate with the best of them, and those 3 were unbelievable. Singapore was so unique and so fun and then Paris was just - it was on a whole other level man. And I’m just, I’m happy for everybody that’s in the Era’s tour, that’s performing: from the dancers to the, you know to the band, and obviously Taylor, that it just looks like they’re having so much fun up there and they’re absolutely killing it! And they’re putting on a show that, you know, you won’t get anywhere else."

This almost sounds like a hostage situation where he knows he's supposed to say nice things for all the squeeing swifties but he can't really come up with any unique or meangingful observations. For someone who probably only knows her radio hits, it must be torture everytime he shows up to one of these where he has to act like he's having a great time.
(You just fucking know Swifties' ovaries explode everytime he calls her Tay)

I was invited by a couple of friends to go camping a few days ago. I'm honestly still exactly not sure if any of it was real, but I wish to share my story nonetheless. It began last Monday, when friend number Six invited friends One through Five to a girls get away. She claims to have found this beautiful spot in the mountain on one of her hikes and she says it’s perfect for seeing the stars at night. I was skeptical at first, to be honest I don't really like being outdoors, but it sounded like an experience worth having, so I thought "why not, this will be a wonderful memory to look back on!". I had just purchased a new camera as well, so I was honestly starting to warm up to the idea. I could take pictures of our excursion into the woods and make cute little picture frames for everyone for their birthdays, it would've been so cute! But things did not go at all as I had envisioned.
So the day of the trip arrives, a bit faster than I would've liked, but honestly I think I was just anxious about… I kept feeling this weight in my chest that made it uncomfortable to breathe, but I was going into the woods, strange things happen to women in movies; Jason Voorhees, Sasquatch, Shia LaBeouf! Who knows what could happen! Not to mention there is always the chance I could fall into a lake and get covered in leeches, or get surrounded by wolves, or chased up a tree by a bear… Hopefully a very soft bear so I'll at least know one pleasure before I die! There are all sorts of fears I had envisioned before the day of the trip, but anxiety just be like that.
I met up with my friends at the trail and learned that friend Six decided to bring her bf along, which I was upset about but I guess he was just going to get a hotel room nearby so he'd be close enough to her to feasibly show up if we needed any help. She later told us that he worries all the time because his father went missing in these woods years ago and he's worried the same might happen to her. This is where I learned that men tend to stay out of those woods because men have been going missing in those woods for years, but according to friend Six, she's been coming to this forest for a while now and hasn't had any bad experiences. Hearing that did oddly put me at ease, but now all I could wonder at the time was what happened to all those poor men.
Deep into the night we're all chit chatting, talking about where we are in our lives, things that are bugging us, what our hopes are, and dancing to the music of nature… but which of course I mean we got shit drunk, smoked some great wee, talked about sex, laughed over silly anime scenes, and twerked to slipknot girly bops!. It was such a fun night at that point that I honestly wish I could go back and never let that night end. It was intoxicating how beautiful the sky looked, and when gazed up it was almost like we could scoop the stars into our hands and sip from the sea of stars. I was worried we'd just be on our phones all night filming tiktoks or something but even with no signal, no one really seemed to be too stressed about it, we all just kind of felt safe… Almost welcomed into the forest, like being embraced by a loving mother. But unfortunately, heaven isn't forever, and men come not but to steal, kill, and destroy.
As we were drinking we decided to tell some scary stories… or well I decided to because I thought "it's so cliché but we have to do it. It feels like tradition almost." plus I would've regretted it if we didn't do it, so fuck it, right? Right. So we go around telling scary stories to one another, and I mention to friend Six that I keep thinking about those poor men that went missing. I then asked if any women had gone missing, and surprisingly she said yes… it was way back in the 1800's but after that there had never been a single missing woman in that forest. The forest was actually named after the first young woman who went missing all those years back, and now there are all these rumors about it but I don't believe in that stuff so I didn't really pay much attention… I kept thinking "I'll just wait for the manga… or the shitty Hollywood cash grab of it…" but I DO vaguely remember the history cause I find dark history lore to be super fascinating. So there was a time when the area had more indigenous citizens living here, before gentrification moved into town. She went on to tell us that indigenous people eventually began to keep to themselves because as more white people moved in, more of their daughters went missing. There are yearly parades to honor the missing daughters and to spread awareness to those living in the town. The police try to shut it down but they still do it every year.
Not long after hearing that we hear something howl in the distance. Friend Three howls back and friend Five falls on her out of her camping chair laughing. I tell them to knock it off because the last thing we need is for her to accidentally attract a wolf during mating season! I don't know if that’s a thing, but it sounds like something that’s a thing… So I'm just going to assume that it is. Don't judge me. She then says "But what if it's Taylor Lautner? Or Joe Manganiello? Personally… I'm more of a Meatloaf guy myself… But you know… RIP… But Joe is pretty fine and my mom did always hope I'd marry a black man to get melanin back in our family… But I don't think a splash of melanin is gonna override this asian/african skin so… Anyways! So these guys come walking past our camp site, and we're all drunk and high so we're already all on edge upon seeing random men this deep into the forest, but friend Four gets up and says "who the fuck are you and what're you doing here!?" One of the men quickly apologizes and tells us they're actually out here camping as well. They said a friend of theirs found this waterfall in the forest that glows because it captures the moon's light. Friend Two hears this and asks if we can go with them, to which we all begrudgingly agree.
At the "mooncuzi" I like to call it, we all sit around this beautiful natural pool lit up by the moon, and we were worried it would be cold but I was surprisingly warm, if I had to guess I'd assume there's a magma vein under there or something? Idk, I'm not a geologist or volcanologist, but something kept it warm and it wasn't my tiny bladder! Everyone was really relaxed and the guys honestly seemed super cool, and guy One honestly seemed really nice. I call him guy One because he's number 1 to me, we're still together now, and we even have another partner now, so yay! We all began talking and some of us were hitting it off, clearly… but we had all been drinking and smoking more which, honestly we had stopped… but we couldn't pass up the opportunity to get cross-faded in a mooncuzi. Nuh. Nope. Not on my watch. But someone clearly didn't get the vibe memo, because friend Two screams out "bro what the fuck I said no!"
The next thing we hear is "You don't have to yell about it like some kind of cunt!" Everyone runs over to try and figure out what's going on. Turns out guy Five didn't like being told no. He and friend Two were playing a drinking game with friends Three and Four and guy Three and Four. We learned that guy Five dared friend Two to take her top off, to which she said politely refused, and the guys didn't seem to like that. They tried to convince her it's part of the game. One of the guys said she was already in her underwear anyway, so she might as well… My guy, One, and guy Two scolded their friends for their behavior, which is why guy Two and friend Two are married now… Guess nice guys don't finish last, huh? Anyways, They scolded their friends for their behavior, I remember my guy yelling "you never speak to a woman like that!" and "If I ever catch you trying to peer pressure a woman again I'll take your testicals in my hand and squeeze on them slowly until I know what it's like to feel one pop in my hand." and it was honestly the hottest thing I've ever heard a man say… a bit violent… but fuck was I glad I was in the water!
Guys One and Two apologized for their friends' actions the whole way back. I asked them why they remained friends with them and guy One had gone off to college while guy Two went into the service, so the two of them had been away for a few years, but they swore their friends never used to be like that. This was actually supposed to be a reunion hike of sorts since they both happened to come back around the same time. After meeting up with guys Three, Four, and Five though, they realized their friends had been warped by these podcasts about alphas and betas and maximizing your sigma or something, and tried to convince him to listen to some pickup artist that claimed to know the secret to unlocking the female brain. Also known as, stupid useless slop grifters make to get rich off young boys with zero confidence and zero bitches. Lastly, he tells me guy Three was actually raised by a single mother alongside his two sisters, so he really wouldn't expect that kind of behavior from him. Guy Four was always sort of sketchy but they thought he was "just being funny", men right? The only thing they felt was weird about him was this one time when they were teens his sister moved away and he got really quiet afterwards, but then he dated a few people that looked almost identical to her, but for some reason he didn't see it, so they started calling him "little sister" (or did they? oooo) or "Lil" for short, joking he had an undiagnosed sister complex… Ew. That’s all I’ll say to that. The last guy, Five, they said always seemed fine to them, they didn't elaborate, so idk what their idea of "fine" is, sorry to disappoint.
Not long after we got back to the camp we heard engines in the distance, and as they got closer and closer we all stared in confusion. No one should be riding vehicles out this way, and friend 6 knows her bf wouldn't come out here without alerting us.
The vehicles stopped after surrounding us with their lights pointing right at us. We heard the familiar voices of guy Three, along with 4 new voices. He whined about how we hyurt his widdle feefees or something obnoxious. I tried to listen but it's just so hard to listen to some overgrown pissbaby go on about their fragile ego. Guys One and Two went to confront guy Three and his posse, asking why they didn’t wait at the car. Guy Three told them they wouldn’t understand because they’ve given themselves over to feminist ideas and allowed themselves to become beta cucks. He told them that simps deserve to die so other men won’t be warped by feminist witch pussy magic like they have… Like we just met these guys and he’s already acting like we had sex… This man's logic was like a runaway train, the cars are all there but they ain’t making it to their destination. Guys One and Two continue to argue with guys Three, Four, and Five, before guys Six and seven come up behind them and put knives to their necks. At this moment I noticed a gleam in guy Three’s eyes. He now thinks he’s invincible… I can see the depravity in his eyes as he looks upon friend Two, stripping her down in his mind, imagining all the sick things he’ll do. And as if to validate my suspicions, he walks up to her and says “You never did complete that dare… How about we start a new game… But this time we won’t have any need for truths.” I watch as fear washes over Two’s face, as she begins to imagine what he is implying, almost as if his depraved thoughts were being projected into her mind, instilling suffering on her before he had even begun to touch her. She catches herself, refusing to give him the satisfaction of fear and spits in his face. She then tells him “you couldn’t even please your hand with a prick that small.” The look of anger on his face was honestly delectable. If I could, I would put it on canvas and call it “Portrait of a Scorned Man” or “Man who just realized being a dick doesn’t make yours bigger”. ANYWAYS, he then began to yell something about "it's up to real men to show women their place in society!" OOO so angwy! They started circling around us like starving wolves. One of them placed themselves against friend Five’s back and said "I always wondered if trans women looked different down there." Which angered friend Five, but not as much as it did friend Four who tends to be a bit of a hot head.
Friend Four may look like a pretty cute petite princess, but she's manlier than most men I know. She's a competitive marksman, as well as being a gymrat who likes to build cars on the weekends. She's also the girlfriend of friend Five, not that that’s important but I feel like it should be important. So anyways, she starts blasting right? And one of these guys yells "what the fuck they’ve got funs!? Who the fuck gave these stupid bitches guns!?" I then hear one of them try to antagonize her by saying "pretty young thang like you shouldn't be carrying such a big piece until she's used to it! AYO!" So she shot a round off at the tree he took shelter behind as if to mock him by letting him know his life is in her hands… She looked like a real boss bitch, like for real! That girl is HIM! She has always been him, she will always be him! While this was taking place, friend Six reached out to her boyfriend now that we could finally use the radio without fear of them taking it. We explained what was happening and asked him to bring help. He told us to tie the button down and to hide it from sight so that he could listen in while he headed to the station to get help. I feel so bad for that man, having to listen to all those screams, feeling completely powerless to do anything in the moment, but we’re so thankful to him for being there in the way that he was.
Gun fire kept ringing out as Four kept firing rounds into the forests yelling “I shoot to maim!” and “You’re not safe here!” hoping to scare the men enough to make them retreat because none of them seemed to have rifles on them… But then we hear it… The first scream… Everyone freezes in their tracks, their heart stilled by this sudden shriek of terror that seemed to only further race towards the all consuming darkness. The moment it stopped nothing remained but the slow encroaching crawl of raindrops and the rapid beating drums of the fear in our hearts. It's then that the rain came down like a closing curtain on the chapter of our innocence, because that’s when we heard the second scream, a scream just as chilling as the first, ascending high into the tree tops before we see something that shocks everyone to their core; the haunting image of a man’s face still screaming, a face still unaware its going to meet, a face that still hopes to be saved but never will. Within unison, as if hell had a chorus, we all screamed in silence as we turned to run. With no other means of safety, my friends, guys One and Two, as well as myself ran for the tent. We don't really know what happened after we got into the tent, but not a second went by that we didn't think we wouldn't be next. We know better now, but in that moment I felt both relief and fear for my life. I just kept thinking how lucky I was that I was fortunate enough to die with my dignity still intact… I kept thinking "at least those man babies didn't get to do whatever depravity they had in mind"
Well by now everyone knows what happened, it's been on the news. Those 3 guys and all of their cronies turned up missing… But what the news won't tell you is that we were saved by Mama Makwa, we call her that due to the sounds we heard, as well as the site we saw afterwards. The bellowing sound of vengeance that came in the form of a bear’s roar was as loud as the mean screaming they saw a 9 ft tall bear with skin dripping off of its bone like fur. We later learned that men referred to it as “Slippy Skin” aka "Wejuk", as it seemed the bear would change appearance depending on who gazed upon its visage, but this was not "Wejuk". One by one, we heard those men scream for their lives, describing a creature with a mouth made of human hands that had palms covered by teeth shaped like hypodermic needles. It had claws that seemed like stone daggers that were etched by native americans. They warned each other "Don't look into its eyes!" before proclaiming how sorry they were for the things they'd done… They complained of the putrid stench suffocating them as they were pulled into its gaping maw. They screamed of the creatures rotting viscous flesh melting into their own, and making their skin a part of it, as if their skins were fuel for the fear this best could instill by its mere dominion over them. But we never saw that creature… Instead, after the screams stopped, we were greeted by this beautiful creature that looked like a bear, only it had this glow about it, and its fur seemed almost like the softest of opalescent feathers. Its eyes looked just like the aurora borealis, and she was mesmerizing. We felt safe, and welcomed, and most of all protected… After everything that happened, I think we will be coming back, because we know Mama Makwa will be there to protect us. We believe Mama Makwa is an avenging spirit born from the fear those women felt, here to make sure no other women ever have to suffer like they did within this forest. We also now understand why those men all went missing. My boyfriend and friend Two's husband weren't attacked by Mama Makwa… Only the men who felt any sort of ill intent toward us women that night saw Mama Makwa in that form, the form they confused for Slippy… But knowing there is a safe haven for women out there, I'm thinking we will have another girls night next year, anybody wanna come?

Tldr; If Audio Cuts out, pressing Tab or Esc causes game to freeze up, unplug and re plug your headphones. It will fix the freeze.
Me and my mate was trying R2D1, during the game the audio suddenly started to glitch, like I was only able to hear my own footsteps and radio talks, other than that nothing else. Then my friend's audio started to glitch in the same way, furthermore whenever I tried to view the map "tab" button started to freeze the game for like 1-2 minutes, after couple of minutes into the game, the sounds were completely gone, and "tab" button was still freezing the game for very long while. Through the end my mate got into an infinite freeze with the ESC, he tried to unplug and re plug his headphone, and it somehow completely solve the freezing issue, I also tried it and it also fixed mine too, freezing was gone, the game was functioning as normal once again, tab and esc was working fine without freezes, however the sounds were still muted. And of course we lost the expedition because of this at the end, couldn't tell where they were coming from because of the no sound. And as the game failed the sounds were back again. Anyway decided to share our story with its fix for the freeze, hope it helps.

Chapter CC
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Trout's Landing.
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Ruby stretched with a contented sigh. She turned her head over to where Jeb slept beside her. Or where he was when she fell asleep. She sat up and looked around the dark underground room but he wasn't here either.
"Wonder where he went."
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Oh well, she thought as she stretched a few stiff muscles before hopping up and collecting their eggs. As nice as it was to sleep with them, they needed more consistent warmth. So she sat them to the side, bundled up in the still warm blanket, and departed to secure a source of fire for their eggs.
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Which wasn't all that hard, she realized as her dark vision faded as the blue glow from the torches up ahead illuminated the main gathering area for the burrows. She smiled as she saw the tribe return to something familiar that she missed seeing for a while.
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Several tunnels branched off towards the other cabins and already kobolds came and went from them as they began to migrate away from the chill air above for the, still cool but more comfortable, air below. As they did she could see the collections they brought back and forth. Animals, alive and dressed, were being moved down here and out of the elements for better care. As well as an easier time keeping the ever gluttonous salamanders from sneaking another meal. Scraps and salvage collected from around the lodge or while out exploring being brought down and being traded or even used to furnish the space.
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Bits of wood with simple carvings were lodged into the dirt along side scraps of metal or rock with soot, mud, or crushed flower pigment to paint symbols or words on them for decoration or directions. While it wasn't the bustling forum that they once had, it gladdened her to see her tribe returning to normalcy once again.
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She shook away the distracting thoughts and set her sights on some scrap of wood nearby. She darted over to the vendor, deftly avoiding a section of the ground being dug up as the kobolds dug ever deeper as they sought to expand their burrows ever more. It was in their nature to dig and burrow. While they no longer had a draconic master to excavate massive caverns and tunnels for, she wouldn't be surprised if kobold tunnels ended up expanding far past the border of the lodge itself and going far into the wild where they knew nothing about save for what little Jeb has told them.
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Eventually, even this gathering area will be abandoned as the tribe moved deeper down, putting as much dirt and rock between them and whatever threats laid above. The only thing that would remain would be an assortment of traps to keep any invaders wary of going deeper than the kobolds wanted. Even then, many of the tunnels that would lead deeper would be dead-ends meant to slow or hinder any invader. Some would even be traps in and of themselves, collapsing the "tunnel" on top of even the most cautious of invader or even just blocking their escape and leaving them to die before the kobolds eventually dug out their remains and collected their gear with no trouble.
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She stood before the assortment of wood and looked over the scrap. Some of it was processed lumber that looked to be from the buildings above, most was collected bits of wood from the forest though. Which was fine, she didn't need anything too big. No bartering took place. She was a leader of the tribe and it was assumed whatever she wanted was for the good of the tribe.
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Even starting a warming fire for her eggs was good enough for the tribe to skip bartering and simply give her what she needed. So she collected enough wood for a nice fire and returned to her home. She sorted it into the indent in the ground that Jeb had placed their eggs in before. It would be a good place to start a heating fire for them, she thought as she finished arranging them.
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She left and collected some tinder made of dried moss and grass before looking around for some stone or flint to start the fire with. But no such luck. All the stone was deeply imbedded in the dirt or was too large. She once more returned to the gathering area in search of fire. Which she quickly found in the form of the glowing blue fire that Jeb had created for the kobolds.
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She shuffled a little as she stared at the dancing flame. She knew Jeb didn't like the idea of the kobolds using the blue fire. He probably wouldn't like the idea of heating their eggs with it either. She should be worried as well, she thought. But she wasn't. Staring at the flame reminded her of the vision that The Crone showed her. Of her and Jeb within a ring of flaming blue orbs. They were happy. The tribe was happy.
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"He'll understand." She said as she darted and collected a piece of wood to transfer a spark from a nearby torch.
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Ember in hand, she rushed back to her home. She gently eased the flame towards the bundle of wood. She yipped in shock when the flame leapt from her temporary torch and engulfed the pile! Their room burst into dancing shadows as the flames danced from their new home. So pretty, she thought as she stared at the fire. She had seen it when she would come out of their room in the old building for a break. But it seemed so mesmerizing now that it was right in front of her.
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She widened the indent in the ground a little so that the eggs could receive the warmth from the fire without being too close. They might be mildly resistant to fire, but not enough to throw their eggs in a fire! Then again, she thought with worry as she held her claw out at the fire. The warmth from it isn't as strong as a normal fire it seemed. Like it was contained.
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She clicked her claws in worry. She didn't want to push them too close, but they wouldn't get enough heat if they remained where they were. It would only get worse as it got colder and the cold seeped into the ground. Maybe just a little closer, she thought as she nudged the eggs closer to the fire.
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The flames sputtered at the movement of air, but nothing more. She held out her claw to gauge the temperature once again. But it still wasn't enough, she thought as she clicked her claws against a nearby stone in thought. She cast a glance towards the tunnel. She could maybe see if one of the others have something to make a proper fire, she thought.
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She put a claw on the eggs.
"No. That'll take too long."
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She looked worryingly at the tunnel as if Jeb would appear and lambast her for even thinking what she was. She held her breath and pushed the eggs forwards. Then more. Then even more. The flames sputtered and danced as the eggs were pushed closer and closer. She could only just feel the heat as she did so. Why did the fire seem so weak, she thought as she pushed the eggs right up beside the bundle of burning wood.
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Yet the fire seemed to move around the eggs, like they were doing their best to avoid touching them. Even the heat from the fire seemed to be avoiding them! Ruby growled in frustration and pushed the eggs right into the fire!
"Can you just keep them warm?!"
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The fire stilled and froze as the eggs were pushed into it. As if it didn't know what to do. Then the flame roared to life once again. The balefire caressed the onyx shells as it seemed to dance across the smooth black surface of the shells. As if a barrier broke, the heat from the flame radiated outwards now. Ruby could now feel the warmth from the fire where seconds ago she felt nothing.
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Ruby blinked at the eldritch flame and moved her claw to touch her eggs. She instinctively pulled back as a tongue of balefire arced in her direction. She whined in worry at possibly making a terrible mistake. She held her breath and once more reached out to caress her eggs. She bit her tongue and shut her eyes when the fire arced towards her once more.
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But she didn't feel pain. No burning sensation one would get when normally sticking an appendage into a roaring fire. Instead she felt a comforting warmth. Like she felt when close to Jeb as they slept together. She cracked open an eye and found the baleful flame caressing her claw. She experimented a little by pulling her claw back, feeling as the flame seemed to latch on like it didn't want her to leave, before snapping back to its "body". She pushed her claw into the fire, further this time, all the way up to her elbow. The fire latched onto her once again and flooded her with a comforting warmth that shot straight to her core!
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She turned her claw upwards and pulled back once more. She watched as the flame held on as she did so, once more refusing to leave her scales. She watched as the flame snapped once again, but this time, it broke! Instead of snapping back towards its body, she now held a burning ball of balefire in her claw!
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She couldn't do magic. There were few of the tribe that could before they fled to this world. The Chief was the last among them that had any ability to harness it. Yet here she was, holding a magical fire within her claw! She watched as the flame danced and twisted in her grasp. She sucked in a breath when she watched it start to diffuse INTO her scales! The flame lessened and lessened as if it were dying, but instead the fire seeped between the cracks of her scales. She could feel it racing through her body, flooding it once more with a wave of comforting warmth.
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"Den Mother?" A voice asked from the tunnel nearby.
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Ruby yelped in surprise and turned towards the voice. She saw the Chief standing there watching her with a curious and amazed expression on his snout.
"Having fun?"
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"Chief!? I was-"
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"Playing with fire?" The Chief asked playfully as he stared at the blue fire.
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She shuffled nervously as he did so. Eventually he chuckled and she began to relax.
"It's alright Den Mother. You're not the only one that Master Jeb's flame as entranced among the tribe."
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"Why do you think it acts so different from normal fire?" She asked.
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The Chief shrugged.
"Who knows. Perhaps it is how magic works in this world. Perhaps it is something on Master Jeb's part. Perhaps it is because our former- Kortaza, was the Keeper of Flame."
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"But we never had much protection from fire before. And not any way to manipulate it." Ruby said.
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The Chief sighed.
"True. I truly do not know why it is so different than normal fire. Fire is alive, yes. But this one seems almost..."
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"Living?" Ruby suggested.
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"Yes. Like it has a mind of its own. Though I doubt that much, perhaps it merely follows the will of Master Jeb, knowingly or not on his part." The Chief continued as he walked closer and sat down beside Ruby and watched the eggs glimmer and shine within the fire where they remained quiet for some peaceful moments.
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The Chief then perked up.
"Oh! Master Jeb returned!"
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"He did?! Where is he?" Ruby asked and looked around expecting to see him coming down the tunnel.
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"Well, he did return. Rushed around and collected an assortment of food, and then he vanished away again. Something about a trade?" The Chief explained a little unsure.
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She frowned, wonder what he was trading, she thought. Though, with the eggs now taken care of, and Jeb away for a moment. Perhaps now was the time she could see about doing something special for him. She turned to the Chief, he was more knowledgeable when it came to humans and their customs.
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"Chief?" She asked.
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"Yes? What is it?" He asked at the tone of her voice.
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"What do you know of this world's humans?"
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"Oh? What would you like to know?" He asked a little excited in being able to use his collected knowledge.
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"What do humans do with those they care about?" She asked a little uncertainly.
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The Chief hummed in thought and tapped his claws.
"It depends. Humans are as diverse in this world as ours. Many customs I've read about belong to different groups."
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"What about the tribe that Jeb belongs to?"
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The Chief hummed once more in thought and got up before darting away while calling back.
"I will check! I'm sure I have something!"
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While she waited, she continued to play with fire and tend to her eggs. Since they were in the flame, they didn't need quite so studious attention as they did before. She could probably just leave them and go tend to her normal duties and not have to worry about them anymore.
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Who was she fooling, she thought. Even if there was a way to hatch and tend to the eggs completely without her, she'd still want to look after them. She thought she heard Jeb mentioning something about an "electrical egg incubator" once upon a time. Whatever that was.
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The Chief returned, huffing from being out of breath and holding a thickly bound tome with pages of different sizes and colors poking out of the patched bindings. He placed the heavy tome on the ground with a huff.
"This is my collection of this world's customs and knowledge. If there is something that will assist you it will be in here somewhere!"
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Ruby oohed and awed as the Chief flipped open the tome and leafed through page after page of information. Some were pages from magazines, others were snippets and clippings from books, there was a few pages that contained pressed cuttings of local flora as well as a collection of small animal bones among the bindings.
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They stopped on a page that read MODERN COURTING FOR THE MODERN WOMAN in bold letters on a page that felt smooth to the touch. On the cover was a gorgeous human woman wearing a sleek beautiful dress and jewelry. Ruby pointed towards the page.
"Oh this one!"
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They thumbed through the pages looking for information. Most neither one of them got as it talked about stuff like make-up, libido, popular fashion, and other things that they didn't either understand or see the appeal of. Then they found a page that described how a modern woman should act. Though this seemed to confuse the both of them even more.
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"Be 'dem-or' and assertive? What does 'dem-or' mean?" Ruby asked the Chief.
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"I'm not sure. There are many words within that don't seem to fit." He explained.
​
A pattern they soon found to be common among the pages of information, much of the words would make sense but spread out among them were these spots of words that seemed just out of place. What they COULD understand still didn't make any sense either.
​
"Be soft yet firm? How does that work?" The Chief asked.
​
"If you like a potential mate why make him keep trying to win your heart?" Ruby asked equally confused.
​
"Modern" humans were just as confusing to them it seemed. However, among the pages of contradictory information, they were able to get SOMETHING of value! Humans like gifts. Though they both knew that and didn't really feel like these pages of "modern courting" did anything more than confuse them.
​
"What kind of gifts?" The Chief asked as he and Ruby tried to decipher the mess of flowery wording and nonsense.
​
"Jewelry, clothes, food." Ruby read off as they got the general gist of the overly convoluted wording. The pictures helped more though.
​
"Well! At least we found something... I think?" The Chief declared at least with a little uncertainty.
​
"Why did you collect all this?" Ruby asked.
​
"It was in a book, so I thought it was important. But it would seem that not everything in this world's books are worth keeping." The Chief stated before retrieving the tome and departing.
​
"Where are you going?"
​
"To go through my collection. It would seem that some of it is not as important as I first thought." He called out as he left.
​
She could hear him mumbling to himself and heard the occasional tearing as he did. Well, at least they found something, she thought as she turned towards the eggs once more. She placed a claw on the onyx shells and felt the comforting warmth of the fire as well as the warmth of the eggs. They'll be fine for now, she thought as she got up and left.
​
"Jewelry, clothes, and food." Ruby murmured as she went down the tunnel once again.
​
He was getting low on clothes, she thought. But there wasn't much around here to make some with. Though perhaps some animal hides would work? But much of what they've collected was too small for clothes of Jeb's size. Getting him food seemed redundant too. He could make his own food whenever he wished. Which left jewelry.
​
It was the better of the options, but they didn't have much in the way of jewelry either. No raids means no loot and the piles of treasure back in their former home wasn't exactly a priority at the time of their exodus. But then she spied the copper wire the kobolds had collected while scavenging. A copper band would be nice, she thought as she was given the piece of wiring from the scavenger.
​
But what else, she thought as she looked around some more. The pictures in the magazine showed jewelry that glittered with gold and diamonds and so much more that they no longer had. Nothing around here could compare, she thought dejectedly. But then she saw a group of kobolds coming down a tunnel with a collection of shells and waterlogged timber.
​
"What is this?" She asked them.
​
"Salvage from the camps up river." The kobold replied as he and the others began to sift and sort the mess.
​
She watched as they distributed everything they collected to the tribe that came over. Some took the waterlogged wood, others took polished stones, and others took the collection of shells. She eyed the shells. Back home, alot of the fishfolk in the rivers and around the sea collected pearls from the water. Perhaps the ones upriver also had some?
​
She followed after the group of kobolds that had collected the shells and assisted them in opening a few. Mussels were what was mainly here, no surprise though since it seemed they were far from this world's ocean. What was a surprise was how many pearls they actually managed to find among the mussels!
​
It was rare for the kobolds to find one during their fishing trips by the sea. Even among the rivers pearls were not much more common. So it surprised them that several mussels had multiple pearls within them! She was going to actually barter for potentially the single one they found, but with there being so many the shuckers didn't mind at all and gave Ruby a small handful for her project.
​
They weren't all that big, but that was fine by her. They'd do for what she had in mind. She borrowed a small thin metal needle from a scavenger and retreated back to her room. Copper wire and freshwater pearls in claw.
​
-----
​
Well, that's taken care of, Jeb thought as he appeared in the open air of the lodge. He flicked the gold and garnet band into the air and got it with a spring in his step and a tune on his lips as he made his way over to the Trap Master who stood near the river where he received reports from the salvagers.
​
"How's things?" He asked when he got close.
​
"Good. Strange. But good." The Trap Master stated as he dismissed the salvagers.
​
"How so?"
​
"The 'murlocs' you called them? Haven't returned to their former homes." He explained.
​
"And? Wasn't that kinda the point?"
​
"It was. But there isn't any sign of anything else other than birds flocking to the area."
​
"Again, wasn't that the point?"
​
"Only if something worse didn't move in." The Trap Master explained further.
​
Jeb groaned.
"What moved in?"
​
"Nothing."
​
"Nothin'?"
​
"That we can see. No new tracks, no scents, nothing."
​
"So what's the problem?"
​
"The problem is that much carrion should've drawn every scavenger and hungry animal for miles."
​
"But it hasn't." Jeb finished.
​
"No. The birds infest the area but largely leave us alone. Though some get a little territorial over their spots of carrion. But nothing else has moved into the area."
​
Jeb groaned again.
"So what do you wanna do?"
​
"Nothing."
​
"Really?" Jeb asked in surprise.
​
"Yes. If the other animals and creatures nearby are giving the place a wide berth then we'll exploit it as long as we can. We'll send some scouts to keep an eye on the place though."
​
"Perhaps the smell of death is what's doin' it?" Jeb suggested.
​
"Maybe. Would explain the large number of birds. But nothing else?"
​
"Yeah, you're right. Well let me know if you need help with it." Jeb said.
​
"Will do."
​
"Oh! Before I forget, I made a trade agreement with the dwarves."
​
The Trap Master cocked a scaled brow.
"Oh?"
​
"Yeah. Food for tools. We'll need to set aside five crates twice a week, but we'll get some decent tools to help speed up excavation." Jeb explained.
​
The Trap Master tapped his claws against his scales in thought.
"That's doable."
​
"You sure? Cuz I'm more than happy to do it all myself." Jeb said and conjured an apple to make his point.
​
"No. The tools are for us, we should assist. Besides, we gathered more for our former master. Five crates twice a week will be easy enough to do." The Trap Master stated in a relaxed tone.
​
"Alright, if you're certain." Jeb said.
​
"I am. We'll let you know if anything changes." The Trap Master replied.
​
"Alright, have it your way." Jeb returned and departed while tossing the conjured apple towards the lazing salamanders nearby.
​
Jeb ported down to the main gathering area. The place was just as busy as when he left as the kobolds went about their duties and tasks with vigor and joy that he's only really seen when they were staying in his basement. Guess he was the one living in their basement now, he thought with a chuckle.
​
He played with the gold and garnet band as he shuffled nervously. Wasn't sure why he was so nervous, he thought. She already had his kids, kinda, sorta. They were already living together. This would just be the natural progression of things. Kinda, sorta. He heaved in a big gulp of air to steady his nerves.
​
"Alright. Quite procrastinatin' Jeb." He muttered to himself and started down the tunnel towards his home.
​
He stopped when his boot stepped on something different. He looked down and picked up a magazine page.
"Modern courtin' for the modern woman? Where the hell did this come from?"
​
Probably Sammy's, Jeb thought as he tossed aside the girly garbage. Not sure what it was doing out here though. Maybe she brought it for Thanksgiving and forgot it? Or maybe the kobolds swiped it when they raided her hairspray? Or maybe she just left it among his other articles one of the times she and his pa would go over to his place.
​
"Oh well." He said as he continued on.
​
He could hear humming as he got closer, and saw a familiar pale blue light. He walked into his room and saw Ruby humming as she tinkered with something. Nearby was their eggs, sitting in the balefire. He should've panicked. He should've dropped everything and ran over trying to save his kids. That's what a father would do right?
​
But he didn't have that gut wrenching feeling of seeing your kids in danger he thought he would. Still, he walked over beside Ruby. She yelped in surprise and fumbled with what she was working on as Jeb reached out a hand and touched their onyx colored eggs.
​
"Jeb?! I was- They were-" Ruby tried to explain while also trying to gather her things.
​
"It's alright." Jeb said.
​
"It is?" She asked with concern.
​
"Yeah. They're not hot." He said as he stroked the shells through the fire that did nothing to him.
​
"Are you sure?" She asked with worry and concern.
​
"Yeah. Doubt it'll do anythin' more to 'em." Jeb said with a bit more bitterness in his voice than he wanted there to be.
​
He saw Ruby's face fall at his words. Nice job dickhead, Jeb thought to himself. He sighed and turned towards Ruby.
"I'm sorry. I'm just nervous 'bout everythin' happenin'."
​
"I'm nervous too." She stated and leaned into him for a hug, which he eagerly returned.
​
They held each other for a long moment before Ruby perked up and scrambled away.
"Hold on! Don't look!"
​
"Look at what?" Jeb asked with a cocked brow as he did his best to hide his own gift.
​
"I said don't look!" She chided.
​
"Alright!" He said with a laugh.
​
He turned away as he heard her grumbling and fumbling with whatever she was working on when he walked in on her. While he waited, he stretched out his hand and caressed their eggs. Please don't get any weirder, he pleaded mentally while he waited.
​
"Ok! You can look now!" Ruby called at last.
​
Jeb turned back around and saw Ruby holding a ring towards him. It was some braided copper wire with a couple of small pearls threaded on. She held it up to him.
"What do you think?"
​
Wait, was this a gift or was she asking him to marry her, Jeb thought. He had to say something though, the look of confusion on his face was making Ruby sad.
"I love it! What's it for exactly?"
​
"Well, I'm courting you!" She said as Jeb accepted the copper and pearl braided band.
​
"Courtin' me? What does that-" Jeb started when he noticed a rustle from his left boot.
​
He looked down and pulled off a piece of paper that had stuck to it. MODERN COURTING FOR THE MODERN WOMAN, it said in bold on the paper. He turned it around towards Ruby.
"Did you read this?"
​
She shuffled.
"Yes? I wasn't sure how you court a human in this world! But the words were confusing and didn't make any sense and- why are you laughing?"
​
"I'm laughin' because this is trash! None of the stuff in here is how you should court someone!" Jeb said with a laugh.
​
"But it says-" Ruby started when Jeb tossed the magazine paper into the nearby fire, which ate it instantly.
​
"It's just somethin' that girls read to pass the time. Nothin' in there is worth the paper it's printed on." Jeb declared.
​
"Oh. So?" Ruby asked dejectedly as she gestured to the ring she made for Jeb.
​
"This is just fine. Though do you know what it means to get a ring for someone?" Jeb asked.
​
"That they love one another?" Ruby said a little unsure now.
​
"Yeah. I guess it does. But the act of givin' someone you love a ring is a symbol that you want to be together." Jeb explained and produced his own gift for Ruby.
​
Her eyes went wide as she grasped the gold and garnet band.
"But we're already together."
​
"Yeah. We are."
​
"So what does the rings mean?" Ruby asked as she examined the band.
​
"Well, it's more religious really."
​
"Oh?"
​
"Yeah. It's supposed to mean... somethin'." Jeb started as he realized he didn't entirely recall what the meaning of the ring was supposed to mean.
​
"Mean what?" Ruby pressed as she tried to fit the band on her arm and then her tail.
​
"Well. It generally means being together forever."
​
"But why the ring?"
​
"It means a sort of exclusivity for folk." Jeb explained.
​
"Why? What about the rest of the tribe? Does that mean you won't help them?" She asked.
​
"No! I can, or will, or... this is harder than I thought it'd be." Jeb said with a sigh.
​
Ruby cocked a brow as well.
"So what happens?"
​
"Well, we exchange rings and promise to love one another forever. In sickness and health and yada yada. Then we're husband and wife." Jeb explained.
​
"Why? We're already mates and we love one another. What does our health have to do with it? And what is a 'husband and wife'?"
​
"Well... You know what? Forget it. Do you promise to love me?"
​
"Yes! Do you?"
​
"Yup!"
​
"Yay!" Ruby cried and hugged Jeb.
​
"And I now pronounce you man and wife." Jeb muttered as he kissed Ruby.
​
Ruby giggled and pulled away.
"So what happens now?"
​
"Now... I don't know. Usually there would also be paper work, but given... us, it prob'bly wouldn't matter."
​
"So what changes?" Ruby asked as she affixed the gold and garnet band to one of her horns with a smile.
​
"Uhm... nothin'? We're already together, we already live together, we already have kids... kinda." Jeb listed off.
​
"So what's the rings supposed to mean?"
​
"It means... I love you." Jeb replied at last, giving up on trying to explain something he himself wasn't entirely informed of.
​
"I love you too!" Ruby cried and kissed him.
​
He returned the kiss. Not like this would've been an official wedding anyway, Jeb thought. They don't exactly have a licensed priest to officiate it. Or witnesses. He doubt their still shelled eggs would count. He could ask the Chief to oversee it. But he already got a headache trying to explain marriage to Ruby, he didn't really want to explain it to the Chief, or any other kobolds that might be interested.
​
Not like it made anything different, Jeb thought. Ruby was right. They loved one another. They lived together. They had kids together. For all intense and purpose, they were mates. Sure if he was particularly religious he could insist on going to a church and doing things official. But given how things have turned out for them lately, he wouldn't be surprised if he burst into flames stepping inside a church.
​
Well, there was ONE tradition that they could still do, Jeb thought with a smirk as he picked up Ruby bridal style.
"Wanna consummate our marriage?"
​
"What does that mean?" She asked.
​
"Don't worry. You'll like it." Jeb said as he led her over to their moss bed.
​
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Disclaimer: the audience for this post is people who are familiar with Homeworld. I've put hundreds of hours into all the games across the series. I'm going to assume that you're familiar with the basic mechanics, story beats and tone of the original game.
Homeworld 3 has been out a few days now. Critic reviews are largely positive, and fan sentiment seems to be a mixed bag.
Personally, I give it a strong recommend. But I also understand some of the frustration: there are a few gameplay design decisions that I don't agree with that I'll get into later. Here's my detailed breakdown:

positive

graphics: amazing, no notes

• it's pretty. really, really pretty
• ships have lots of details and moving parts
• generally runs well on my mid-range computer, a few notable exceptions

camera: generally easy to control

• orbit camera still works as expected
• you can drive the camera around which gives additional flexibility
• dedicated controls for camera elevation

audio design: fantastic

• radio chatter is well done
• music is amazing (Paul Ruskay is back!)

movement & selection improvements

• right click on a 3d surface to move to a point
• sensors manager has helpful movement zones, similar to HW2
• select all damaged units in a single group with a button
• improved launch manager, easy to launch individual unit types

environmental improvements

• denser environments are tactically interesting

new unit types

• turrets are cool, can stick to most 3d surfaces

story and worldbuilding

• characters are generally well written
• engine cutscenes are nicely coreographed

roguelike mode (War Games)

• it's fun! and a great foundation for future content
• different starting loadouts are tactically significant
• semi-random upgrades encourage you to play differently

neutral

missing features from HW2

• no subsystem targeting
• no squadrons

different narrative tone

• CGI cutscenes instead of illustrations and line art
• more character-driven than previous games

tactical changes

• stances (aggressive/defensive/passive) are similar to HW: Remastered
• tactics (evasive/neutral/aggressive) have been removed
• "no formation" seems to fulfill a similar function to evasive tactics

miscellaneous

• some units very finicky to control
• cover system seems underutilized
• too many single-target abilities

negative

pacing & level design issues

• limited time at mission start to build and assign unit groups
• forced hyperspace: no time to collect resources or reconstitute after a mission
• pacing feels needlessly hectic

issues with camera & selection controls

• leaving sensors manager sometimes puts you behind objects
• superstructures can block unit selection
• right clicking on units in the main view does not deselect them
• some controls in hidden menus

discussion

A bit more detail on some of the points above:
neutral: missing features from HW2
I think the general sentiment is that few people liked squadrons in HW2. Subsystems were sort of cool but kind of annoying to target in the heat of battle. I don't really miss either of these features, personally.
neutral: different narrative tone
A lot of people seem to be up in arms about this. I have to say that the character-driven CGI cutscenes do add a bit of texture to the universe, but for me, it comes the expense of the kind of epic feel of the older titles. If you think about it, older games don't really have people as characters: the spaceships themselves are the characters.
Still, the in-engine cutscenes look great, with cool coreography. I wish they would have done more of this, it's more true to the original style.
neutral: too many single-target abilities
Why can't I shoot my charged beams at multiple enemies? Why can't I band-box to capture multiple ships at once? Not only would more multi-select abilies makes sense tactically, it would make things easier to control: it can be hard to pick out a single enemy from a big pile of ships.
neutral: some units finicky to control
I'm thinking of units like bombers. They have a cloaking ability, which doesn't always seem to work (maybe because one of them is still firing?). It's very frustrating when you *think* you enabled the cloaking device, only to have all your units wiped out 10 seconds later because the ability didn't actually trigger.
Movement and target selection can also be an issue. Again with bombers: they have an extremely long range, but will dive heedlessly toward the enemy at close range and get chewed up instead of turning around at a reasonable distance on their attack run. They also don't spread out their targets enough: they might drop two salvos of bombs on a target that would be destroyed by just one. Torpedo frigates are the opposite: they will try and keep a very large distance from the enemy, sometimes making it difficult to get them to go where you want them to go.
neutral: tactical changes from HW1
You can set a "stance" like in HW2, and this generally works better than in that game. Units don't run all over the map in a hyper-agressive way, and will generally stick close to units they're guarding.
However you can't set "tactics" independently like in HW1 or HW: Remastered. For example, you can't set your recon units to "evasive" to have them break formation and tie up enemy units in the same way you could in that game.
You can kind of approximate this with formations, though. If you set "no formation" then strike craft will manuever in an evasive way. It took me a while to figure this out: the game doesn't really teach this to you.
negative: pacing and level design
This is the most frustrating thing about the game, even more so because it's 100% fixable. All you would need to do is give players a little time at the beginning of a mission to build a few units and get their selection groups set up before starting mission timers.
Likewise, it would be really nice to have some cooldown time at the end of missions to collect resources and rebuild your fleet. The "forced hyperspace" is a really questionable gameplay design decision.
There's one mission in particular where you're defending a chokepoint against a large enemy fleet. By the end of the mission, your fleet is battered: I was playing on the hardest difficulty, and had no resources remaining. After the combat, there are wrecked ships everywhere that your resource collectors can salvage, but the mission ends before you can collect anything!
Instead, I had to start the next mission with no resources and a crippled fleet. There didn't seem to be any plot justification for this: it's like it's specifically designed to annoy players.
negative: issues with camera and selection controls
These issues are more minor. The first is that you can't deselect a unit directly by right-clicking. As far as I can tell, you can only do it in the unit overlay in the lower-left corner. But in that view, you can't tell which unit you're delecting, since it's just a box with a pile of ships.
The large environmental objects (superstructures) are also an obstacle to selection. This is a problem, since some levels take place in large hollow structures. You can see the units in sensor mode, but if you try to click on one and there's a solid object in the way, it won't select them. This is annoying, and it forces you to waste time rotating the camera around until the object is no longer in between you and the selection.
The sensors manager can also drop you in weird places when you exit back into the standard view, particularly if you've been zooming around. Sometimes there's a big object blocking your view. Hope they can patch this.
Finally, there are hidden controls that are hard to access. There's a whole context menu that you can only find by holding 'alt' and right clicking: I had to look this up online. The command to retire a ship is hidden in this menu. If you've played these series you know that 'retire' is actually a pretty important command: your population is capped and sometimes you need to retire some ships to make room for better ones.
a note on performance
The game mostly peformed well for my mid-range computer on high settings. A few large, open levels had performance issues: one level in the War Games mode which consists of a bunch of vertical structures and a very large map occasionally slowed to a crawl, and I had to turn down the settings.

Conclusion

The fact that I can strongly recommend this game in spite of the issues listed above is a testament to the quality of the engine that BBI has built. The minute-to-minute gameplay feels very solid and true to the series. With a few tweaks, I think they could really improve the pacing of the single-player game.
I have high hopes for the modding scene, given that the modding tools appear to be based on a customized version of the Unreal Engine. The roguelike mode is actually a blast, and I'd love to see where they go with it. New maps and mission objectives would be welcome. I haven't played it cooperatively but I'm eager to try.
I haven't played the skirmish mode yet, and I never played the older games competitively, so I've got no opinions there. Would love to hear more from others one what they think.
Also happy to clarify any points above, please feel free to ask.

There is an essay by "raver anthropologist" Simon Reynolds that has become a kind of cult thing amongst Hardcore Techno aficionados. It got published in The Wire in 1998; it turned into a cult object not only because it was one of the rare cases where Hardcore music was mentioned in a bigger zine during the late 90s (as opposed to the many badly xeroxed Hardcore-fanzines, with a run of ~50 copies, of which most were destined to end up on soaked squat party toilet room floors), but because it also focused on a very specific person: Marc Acardipane, his releases, and his label family. [1]
In it, he called Marc "the forgotten man of Techno", and followed up with the reasons for that: even though he was right there at the proper beginning of "Techno", was hugely influential, and good friends with many people that are now considered to be true pioneers and legends by vox populi, he fell out of favor when Hardcore itself fell out of favor amongst the Techno folk; because he stayed true to his "core roots" and didn't disown them, like so many other producers did on their way up to the place amongst the stars (and on their way down to the sewers again).
But let's move on from Simon, The Wire, and the year 1998. What happened after that date? First, Marc itself was pulled out from the "shadow zones"; because at least the Hardcore and Gabber scene finally remembered its Techno roots, and kept worshiping those roots again; although under different monikers, such as "oldschool", "oldstyle", "early rave", and so on - I guess "the names have been changed to protect the innocent". This meant that "Technoid Hardcore" could be enjoyed at Hardcore parties and festivals once more (often on separate floors), which led to a lot of gigs and exposure for Marc and his Planet Core Productions sound. [Note: PCP aka Planet Core Productions was a label family run by Marc Acardipane and Thorsten Lambart in the 90s.] It also influenced the Hardcore scene as a whole. A succession of genres such as "newstyle", "millennium" and "mainstyle" came into existence; genres that to 98% were built upon PCP and PCP-adjacent tracks: "Stereo Murder" (produced by Acardipane), "Atmos-Fear" (produced by Acardipane), "Poltergeist" (released on his label), "Flesh is the Fever" (released on Things To Come Records, a label with personal ties to PCP and that was inspired by PCP), plus various others.
This was already a good thing. But then, slowly but steadily, the Techno folk re-gained their interest in Hardcore and harder sounds, too; and now that the "millennial dominance" of the Techno scene, together with their favoring of minimalist and dandy-esque sounds, is slowly fading away, a younger generation is taking over the scene, and that new generation is very, very hardcore.
This led to a renewed interest in the works of Marc Acardipane, his crew, and his output again, coming straight from the heart of the Techno world. Marc himself acknowledged this development in some of his interviews, and added that the Techno people are sometimes even more zealous and knowledgeable about this music than the die-hard old-school gabbers!
A very fine evolution indeed; and we hope Marc gets into the spotlight again because of this, and that he finally reaps the respect that he deserves!
But why is the Techno folk favoring him and his sound specifically - in fact, more than a lot of other "Hardcore" players? I think this is because - and now we cycle back to 1998's "The Wire" essay - his sound is *indeed* heavily connected to Techno. It's not just some ultra-aggressive, ultra-noisy Gabber outing. It's real, true, bona fide Techno music. More than that, it represents a "road not taken" in the history of Techno music. Because, when you go back to the advent of Techno, to Detroit, Chicago, Berlin, London, Frankfurt, there was always a Hardcore contingent. Hardcore was always part of the Techno spirit, it helped to shape and mold the Techno sound. Alas, as mentioned above, it got disowned, and it became almost "forbidden" to speak of this type of music within Techno circles.
A liminal space that always lingered next to the scene as time moved on; a place that people did not dare to enter.
All this is changing now again. And while "every boy and his dog" (i.e. zines, webcasts, music academies) had their own Marc Acardipane feature by now, focusing on his more Hardcore and Gabber output, we decided to do the very opposite here, and showcase the Techno tracks from the past days of the PCP oeuvre, released using a cornucopia of aliases.
Bon appetit!
Oh, and by the way: we very dearly love "I like it loud", too!
(This list is in no particular order)
1. The Mover - Over Land and Sea how can one not love this track? great techno beats, rhythms, groove... and then this cosmic, celestial arrangement in the middle... the beats come back in, and the dancefloor erupts into madness. the flip side ("underwater operations") is also very well worth a listen.
https://www.youtube.com/watch?v=VuYMsR1Cae8
2. Cyborg Unknown - The Year 2001 (Deep in Detroit mix) this is going deep into the history of detroit techno indeed. it's not enough to be friends of the jaguar here, this track channels cybotron just as much as it does metroplex. funky!
https://www.youtube.com/watch?v=c2q4v8_YxbE
3. Trip Commando - Cross The White Line a techno behemoth of the most epic proportions. has probably one of the most elongated build ups in dance history, until the epic cinematic breakdown unfolds. highly recommended!
https://www.youtube.com/watch?v=tGWv1e2hBZk
4. Turbulence - Whurlstorm this was on the second release by Industrial Strength Records - a label that shaped Hardcore history, too. it starts as a nice little nasty techno track, until everything breaks apart in the mid-riff, and turns into a hurricane of bass frequncies.
https://www.youtube.com/watch?v=sngue8baqPs
5. The Mover - Nightflight (Nonstop 2 Kaos) and this was on Industrial Strengh Records number one! As Lenny Dee licensed "We Have Arrived" (a fantastic hardcore track, to say the least) for his label, and put that number on the back side. a cold groove, percussion that almost feels like a breakbeat... lots of bass, cyber-synth.... this is just dancefloor heaven.
https://www.youtube.com/watch?v=snnHspK1QYI
6. Countdown Part V - Untitled (A1) Countdown FFM is another sub-label to go for if one is looking for some technoid gems. stellar electronic intro, then we get into dance grooves, and things become more deviant as acid sounds sneak in.
https://www.youtube.com/watch?v=bfIL6OCtN3o
7. Alien Christ - Of Suns and Moons (Phase II) inspired by "Suburban Knights - The Art of Stalking" (a true classic, originally released on Transmat). Marc made this influence his own, and delivered a very detroit-ish underground rave anthem.
https://www.youtube.com/watch?v=xGmmDrQTyyY
8. The Mover & Lunatic Asylum – Frequency Surfers Lunatic Asylum aka "Dr. Macabre" is another person that was entwined with electronic music history while turning into a global player in the hardcore sector at a later date. this is a joint-venture of these two titans of techno, and the result is a very trippy, very twisted and surreal track.
(Cannot be found on youtube, but here are audio previews: https://www.toolboxrecords.com/en/product/17643/techno-hardtechno/dance-ecstasy-2025/ )
9. The Mover - Astral Demons (Original Mix) you should have realized by now: the mover is a synonym for high quality productions. this is one of my favorite pics from the legendary "frontal sickness" releases; and indeed adds a very demonic vibe to the whole dance thing.
https://www.youtube.com/watch?v=lSMT2KdQt5Q
10. Rave Creator - A New Mind (Thai Acid Mix) "Thai" was a pcp sub that focused specifically on techno, acid, even a bit of trance-ish tracks. despite the alias, this was put out on DE 2001 instead. It's a remix of the famous "A New Mind" track.
starting with pure bass drones. it builds up very slowly, until thunderous, reverberated bass drums come in, and then it goes into full-on acid feeding. similar to "cross the white line", this track could be given the title "cinematic techno soundtrack".
https://www.youtube.com/watch?v=yGpuMbLicZU
Honorable Mentions:
T-Bone Castro - Return 2 Planet E Reincarnated Regulator - Italian Stallion Craig Tayaffo - Reduction (Back For Acid-The Expanded 0,25 Hrs Mix) Barracuda - Braineaters Two Tonys - Organ Bitch Nasty Django - Ey Loco Cold Rush Records Frontal Sickness 1+2 Reincarnated Regulator - Mindeater Climax - Relax Nasty Django - 3 P Rules! SexDrive Entertainment - No.2 T-Bone Castro / Ace The Space - Ace In The Hole Project Æ - Whales Alive Ultra Spaceman - Ultra-Style
Footnotes: 1: The original Wire essay - http://reynoldsretro.blogspot.com/2015/03/marc-acardipane-mover-pcp-dance-ecstasy.html

The Big List

Prices are firm. Please only redeem the portion of a code you are paying for. All codes are for immediate redemption. All Disney & Sony codes include points unless otherwise noted. As of 4/01/2024 all Google Play options have been removed from Disney codes.
I accept Cashapp, Venmo, Zelle & PayPal F&F without any notes. Comment & pm if interested. Thanks!

🦝

MISC

Aquaman & The Lost Kingdom 4K [2023] $6 (MA)
Barbie 4K [2023] $6 (MA)
Batwoman season 1 HD [2019] $6 (Vudu)
Beekeeper, The HD [2024] $7 (Vudu)
Leprechaun 7 Film Collection HD $7 (Vudu)
Supergirl season 5 HD $6 (Vudu)
X-Men Trilogy HD [X-Men, X2 & The Last Stand] $8 (MA)

🦝

$5 4K UHD
Blackkklansman (MA)
John Wick 1-3 (iTunes)
Mean Girls [2024] (iTunes) PENDING

🦝

$4 4K UHD

Big Lebowski, The (iTunes/ports)
Black Panther (MA + 200 points)
Captain Marvel (MA + 200 points)
Despicable Me [2010] (iTunes/ports)
Dredd (Vudu)
Frozen 2 [2019] (MA + 200 points)
Gone Girl [2014] (iTunes/ports)
Guardians Of The Galaxy [2014] (MA + 200 points)
Halloween [2018] (MA)
Jungleland [2020] (iTunes)
Maleficent: Mistress Of Evil (MA + 200 points)
Scream [2022] (Vudu or iTunes)
Silent Night [2023] (Vudu or iTunes)
Sonic The Hedgehog 2 (Vudu or iTunes)
Tangled [2010] (iTunes/ports + 150 points)
Titanic [1997] (iTunes)

🦝

$5 HD

Adventures Of Ichabod & Mr. Toad, The [1949] (MA + 150 points)
Fear The Walking Dead season 2 (Vudu)
Fear The Walking Dead season 4 (Vudu)
Fear The Walking Dead season 5 (Vudu)
Fear The Walking Dead season 6 (Vudu)
Fear The Walking Dead season 7 (Vudu)
Groundhog Day [1993] + Stripes [1981] double feature (MA)
Hannibal season 2 (Vudu)
Hunchback Of Notre Dame, The [1996] (MA + 150 points)
Hunchback Of Notre Dame 2, The [2002] (MA + 150 points)
Lady & The Tramp II: Scamps Adventure [2001] (MA + 150 points)
Marvels, The [2023] (MA + 150 points)
Night Swim [2024] (MA)
Oppenheimer (MA)
Rob Zombie Trilogy [House Of 1,000 Corpses, The Devil's Rejects [Unrated] & 3 From Hell [Unrated] (MA)
Silent Night, Deadly Night 3,4 & 5 (Vudu)
Undoing, The season 1 [2020] (Vudu)

🦝

$4 HD

300 Spartans, The (MA)
BFG, The [2016] (MA + 150 points)
Blue Beetle, The [2023] (MA)
Bridge Of Spies [2015] (MA + 150 points)
Color Purple, The [2023] (MA)
Drop, The [2014] (MA or Google Play/ports)
Fox & The Hound 2, The [2006] (MA + 150 points)
Indiana Jones & The Dial Of Destiny [2023] (MA + 150 points)
Lady & The Tramp [1955] (MA + 150 points)
Nun II, The [2023] (MA)
Priscilla [A24] [2023] (Vudu) PENDING
Ruby Gillman: Teenage Kraken [2023] (MA)
Sound Of Freedom [2023] (Vudu)
Wish [2023] (MA + 150 points)

🦝

$3️⃣ Movies

$3 4K UHD

Aladdin [2019] (iTunes/ports + 150 points)
Baywatch (Vudu)
Birth Of A Nation, The (iTunes/ports)
Bourne Identity, The [2002] (iTunes/ports)
Bourne Ultimatum, The (iTunes/ports)
Cabin In The Woods, The (Vudu)
Doctor Strange (iTunes/ports + 150 points)
Frozen 2 [2019] (iTunes/ports + 150 points)
Guardians Of The Galaxy [2014] (iTunes/ports + 150 points)
Interstellar (iTunes)
Knives Out (Vudu or iTunes)
Logan Lucky [2017] (iTunes/ports)
Moana (iTunes/ports + 150 points)
mother! [2017] (iTunes)
Robin Hood [2018] (Vudu)
Serenity [2005] (iTunes/ports)
Sicario (Vudu)
Spy Who Dumped Me, The (Vudu or iTunes)
Star Wars: The Last Jedi (MA + 200 points)
Thor: The Dark World (iTunes/ports + 150 points)
Top Gun (iTunes)

🦝

$3 HD

Adjustment Bureau, The (iTunes/ports)
Avatar: The Way Of Water (MA + 150 points)
Baby Driver [2017] (MA + Sony points)
Best Exotic Marigold Hotel, The (MA or Google Play/ports)
Bloodshot [2020] (MA + Sony points)
Call Me By Your Name (MA + Sony points)
Candyman: Day Of The Dead (Vudu or Google Play)
Cats & Dogs 3: Paws Unite (MA)
Devotion [2022] (Vudu HD or iTunes 4K)
Exorcist: Believer, The [2023] (MA)
Fruitvale Station (Vudu)
Glass [2019] (MA)
Goosebumps [2018] (MA + Sony points)
Grand Budapest Hotel, The (MA or Google Play/ports)
Grown Ups 2 (MA + Sony points)
Halloween Kills [2021] (MA)
Hocus Pocus (MA + 150 points/no iTunes option)
Holmes & Watson [2018] (MA + Sony points)
Hundred Foot Journey, The [2014] (MA + 150 points)
Insidious: Chapter 3 (MA + Sony points)
Into The Woods [2014] (MA + 150 points)
Kill Bill: Vol. 1 (Vudu)
Killing Gunther (Vudu)
Lion King, The [1994] (MA + 150 points)
Little House On The Prairie season 5 (Vudu)
MIB International [2019] (MA + Sony points)
Midsommar [A24] (Vudu or Google Play)
Mindcage (Vudu or iTunes)
Money Monster [2016] (MA + Sony points)
Nurse Jackie season 7 (Vudu)
Orange Is The New Black season 1 (Vudu)
Percy Jackson: Sea of Monsters (iTunes/ports)
Pete's Dragon [2016] (MA + 150 points)
Phantom Thread [2017] (MA)
Planes: Fire & Rescue [2014] (MA + 150 points)
Predator [1987] (MA or Google Play/ports)
Pride + Prejudice + Zombies [2016] (MA + Sony points)
Public Enemies [2009] (MA or iTunes/ports)
Punisher, The [2004] (Vudu or Google Play)
Queen Of Katwe [2016] (MA + 150 points)
Robin Hood [1973] (MA + 150 points)
Scoob! [2020] (MA)
Secret Life Of Pets 2, The [2019] (MA)
Snow White & The Seven Dwarfs [1937] (MA + 150 points)
Spider-Man: Across The Spiderverse [2023] (MA + Sony points)
Spider-Man: Into The Spiderverse (MA + Sony points)
The Secret: Dare To Dream (Vudu, iTunes or Google Play)
Tyler Perry's Diary Of A Mad Black Woman [2005] (Vudu)
Tyler Perry's Madea Goes To Jail (Vudu or Google Play)
Us [2019] (MA)
Vanishing, The [2019] (Vudu or Google Play)
Venture Bros: Radiant Is The Blood Of The Baboon Heart [2023] (MA)
Violent Night [2022] (MA)
Walking Dead season 9, The (Vudu or Google Play)
Walking Dead season 10, The (Vudu or Google Play)
Way Way Back, The [2013] (MA or Google Play/ports)
Whiplash [2014] (MA + Sony points)

🦝

💲2️⃣ HD

13 Hours: The Secret Soldiers Of Benghazi (iTunes 4K)
2 Guns [2013] (iTunes/ports 4K)
31 [2016] (Vudu)
3 From Hell [Unrated] (Vudu 4K or iTunes 4K)
About Last Night [2014] (MA + Sony points)
Abraham Lincoln: Vampire Hunter (MA)
Action Point [2018] (iTunes 4K)
Admission [2013] (iTunes/ports)
Adventures Of Tintin, The (Vudu or iTunes)
After Earth [2013] (MA + Sony points)
Age Of Adaline, The (Vudu, iTunes or Google Play)
Alien Covenant (iTunes/ports 4K or HD MA/GP)
Allied [2016] (iTunes 4K or Vudu HD)
Aloha [2015] (MA + Sony points)
Alpha [2018] (MA + Sony points)
Alpha & Omega 2: A Howl-lday Adventure (Vudu)
Alvin & The Chipmunks: The Road Chip (iTunes/ports 4K or HD MA)
Amazing Spider-Man, The [2012] (MA)
Amazing Spider-Man 2, The [2014] (MA + Sony points)
American Girl: Isabelle Dances Into The Spotlight (MA)
American Hustle [2013] (MA + Sony points)
American Reunion [Unrated] (MA or iTunes/ports)
Anchorman 2: The Legend Continues (Vudu or iTunes)
Annie [2014] (MA + Sony points)
Arrival [2016] (Vudu)
Art Of Self-Defense, The [2019] (MA)
Assassin's Creed (iTunes/ports 4K or HD MA)
Atomic Blonde (MA)
Avengers: Infinity War (MA + 150 points/no iTunes option)
Baywatch (iTunes 4K)
Beauty & The Beast [2017] (MA + 150 points/iTunes option is expired)
Beguiled, The [2017] (MA or iTunes/ports)
Beirut [2018] (MA)
Ben-Hur [2016] (Vudu)
Best Man Holiday, The [2013] (MA or iTunes/ports)
Blackhat [2015] (iTunes/ports)
Black Panther [2018] (MA + 150 points/no iTunes option)
Bohemian Rhapsody (MA or Google Play/ports)
Book Club [2018] (iTunes 4K)
Boss Baby, The [2017] (MA)
Bourne Legacy, The (iTunes/ports 4K)
Boy, The [2016] (MA or iTunes/ports)
Boyhood [2014] (iTunes)
Boy Next Door, The [2015] (iTunes/ports)
Breakthrough [2019] (MA or Google Play/ports)
Bridesmaids [Theatrical] (iTunes/ports)
Broken City [2013] (MA)
Bumblebee (iTunes 4K or Vudu HD)
Cabin In The Woods, The (Vudu/GP HD or iTunes 4K)
Captain America: Civil War (MA only/no points or iTunes option)
Captain Phillips [2013] (MA + Sony points)
Captain Underpants: The First Epic Movie (MA)
Case For Christ, The [2017] (MA)
Celebrating Mickey (MA/ no points)
Choice, The [2016] (Vudu or iTunes)
Company Of Heroes [2013] (MA)
Concussion [2015] (MA + Sony points)
Contraband (iTunes/ports)
Cowboys & Aliens [Theatrical] (iTunes/ports)
Curse Of Chucky [2013] [Unrated] (MA or iTunes/ports)
Daddy's Home (iTunes 4K)
Dark Tower, The [2017] (MA + Sony points)
Dead Again In Tombstone [2017] (MA or iTunes/ports)
Dead In Tombstone [Unrated] (MA or iTunes/ports)
Dead Man Down [2013] (MA)
Deepwater Horizon (iTunes 4K or Vudu/GP HD)
Despicable Me 2 (iTunes/ports 4K)
Despicable Me 3 (iTunes/ports 4K or HD MA)
Devil's Due [2014] (MA or Google Play/ports)
Diary Of A Wimpy Kid: Dog Days (MA, iTunes or Google Play/ports)
Diary Of A Wimpy Kid: The Long Haul (MA, iTunes or Google Play/ports)
Divergent Series: Allegiant, The (iTunes 4K)
Django Unchained (Vudu)
Downsizing (iTunes 4K)
Downton Abbey [2019] (MA)
Dracula Untold (iTunes/ports 4K)
Dragonheart 3: The Sorcerer's Curse (iTunes/ports)
Dredd [2012] (Vudu)
Dr. Seuss’ How The Grinch Stole Christmas [2000] (MA)
Duff, The (iTunes or Google Play)
Edward Scissorhands (MA or Google Play/ports)
Emoji Movie, The [2017] (MA + Sony points)
Empire State [2013] (Vudu or Google Play)
Ender's Game (iTunes 4K or Vudu/GP HD)
Epic [2013] (MA)
Equalizer, The [2014] (MA + Sony points)
Equalizer 2, The (MA + Sony points)
Escape From Planet Earth (Vudu)
Everest [2015] (iTunes/ports 4K)
Ex Machina (Vudu)
Exodus: Gods & Kings (iTunes/ports 4K or HD MA)
Exposed [2016] (Vudu)
F9: The Fast Saga [2021] [Theatrical & Extended] (MA + Universal Rewards points)
Fast & Furious [2009] (iTunes/ports 4K)
Fast & The Furious, The [2001] (iTunes/ports 4K)
Fast & The Furious: Tokyo Drift, The (iTunes/ports 4K)
Fate Of The Furious [F8] [Theatrical] (MA 4K)
Fences [2016] (iTunes 4K or Vudu HD)
Fifty Shades Darker [2017] [Unrated] (MA 4K)
Fifty Shades Of Grey (iTunes/ports 4K)
Finding Dory (iTunes/ports 4K or HD MA + 150 points)
First Purge, The [2018] (MA)
Flight [2012] (Vudu or iTunes)
Footloose [2011] (Vudu)
Fortress [2021] (Vudu or Google Play)
Frozen [2013] (iTunes/ports 4K+ 150 points)
Fury [2014] (MA + Sony points)
Game Of Thrones season 3 (iTunes)
Game Of Thrones season 4 (iTunes)
Get Out [2017] (MA)
Ghostbusters [2016] [Theatrical & Extended] (MA + Sony points)
Ghost Team One [2013] (Vudu or iTunes)
Gifted [2017] (MA or Google Play/ports, iTunes option is expired)
G.I. Joe: Retaliation (iTunes 4K)
God Bless The Broken Road (Vudu or Google Play)
Gods Not Dead 2 [2016] (MA or iTunes/ports)
Gods Of Egypt (Vudu/GP HD or iTunes 4K)
Greatest Showman, The [2017] (MA or Google Play/ports)
Great Wall, The [2017] (MA)
Grey, The [2012] (MA or iTunes/ports)
Guardians Of The Galaxy Vol.2 (MA + 150 points/no iTunes option)
Guilt Trip, The [2012] (Vudu)
Hacksaw Ridge (Vudu or Google Play/iTunes option expired)
Hail, Caesar [2016] (MA or iTunes/ports)
Hansel & Gretel: Witch Hunters [Unrated] (Vudu or iTunes)
Hateful Eight, The (Vudu or Google Play)
Heat, The [2013] [Theatrical] (MA or Google Play/ports)
Hell Or High Water (Vudu or Google Play)
Hercules [2014] (iTunes 4K or Vudu HD)
Hitman's Bodyguard, The (Vudu or Google Play/iTunes option is expired)
Hobbs & Shaw [2019] (MA)
Home [2015] [DreamWorks] (MA)
Home Alone [1990] (iTunes/ports 4K or HD MA)
Homefront [2013] (MA or iTunes/ports)
Honey 2 [2011] (MA or iTunes/ports)
Hotel Transylvania 2 [2015] (MA + Sony points)
How To Train Your Dragon 2 (MA)
Hunger Games: Mockingjay Part 1, The (iTunes 4K or Google Play HD)
Hunger Games: Mockingjay Part 2, The (Vudu)
Huntsman: Winter's War, The [2016] [Extended] (iTunes/ports 4K)
I Am Wrath (Vudu)
Instant Family (iTunes 4K or Vudu HD)
Internship, The [2013] (MA or Google Play/ports)
Interview, The [2014] (MA + Sony points)
Invisible Man, The [1933] (MA)
I Still Believe [2020] (iTunes 4K or Vudu/GP HD)
It Follows [2015] (Vudu)
Jackass 3 [Theatrical] (Vudu or iTunes)
Jack Reacher (Vudu)
Jack Reacher: Never Go Back (Vudu)
Jack Ryan: Shadow Recruit (iTunes 4K)
Jason Bourne [2016] (iTunes/ports 4K)
John Henry [2020] (Vudu)
John Wick (iTunes 4K)
John Wick 1 & 2 (Vudu or Google Play)
John Wick: Chapter 2 (iTunes 4K)
John Wick Chapter 3: Parabellum (iTunes 4K) or all 3 for $5
Joy [2015] (iTunes/ports 4K or HD MA)
Jumanji: Welcome To The Jungle (MA + Sony points)
Jurassic World (iTunes/ports 4K)
Jurassic World: Fallen Kingdom (MA)
Justice [2017] (MA or iTunes/ports)
Kick-Ass 2 [2013] (MA)
Kidnap [2017] (iTunes/ports)
Killer Elite (iTunes/ports)
Kingsman: The Golden Circle (iTunes/ports 4K or HD MA)
Kingsman: The Secret Service (iTunes/ports 4K or HD MA)
Last Knights [2015] (Vudu)
Last Vegas [2013] (MA + Sony points)
Last Witch Hunter, The [2015] (iTunes 4K or Google Play)
Leprechaun: Origins (Vudu)
Leprechaun Returns (Vudu or Google Play) or both for $3
Let's Be Cops [2014] (iTunes/ports 4K)
Life [2017] (MA + Sony points)
Life Of Pi (iTunes/ports 4K)
Lockout [2012] [Unrated] (MA + Sony points)
Logan [2017] (iTunes/ports 4K or HD MA)
Lone Survivor [2013] (iTunes/ports 4K)
Longest Ride, The (iTunes/ports 4K or HD MA)
Lorax, The [2012] (MA or iTunes/ports)
Love, Simon [2018] (MA)
Lucy [2014] (iTunes/ports 4K)
Maleficent (iTunes/ports 4K + 150 points)
Mamma Mia! Here We Go Again [2018] (MA)
Mandela: Long Walk To Freedom (Vudu)
Marauders (Vudu)
Martian, The [2015] [Theatrical] (iTunes/ports 4K)
Mary Poppins [1964] (MA + 150 points)
Mechanic: Resurrection (Vudu/GP HD or iTunes 4K)
Men In Black 3 (MA + Sony points)
MI-5 [2015] (Vudu)
Mile 22 (iTunes 4K)
Mindgamers [2017] (MA or iTunes/ports)
Minions [2015] (iTunes/ports 4K)
Miracles From Heaven (MA + Sony points)
Mission Impossible: Fallout (iTunes 4K)
Mission Impossible: Rogue Nation (iTunes 4K)
Miss Peregrine's Home For Peculiar Children (iTunes/ports 4K or HD MA)
Moms’ Night Out [2014] (MA)
Monuments Men, The [2014] (MA + Sony points)
Mortal Engines [2018] (MA)
Mortal Instruments: The City Of Bones, The [2014] (MA + Sony points)
Mother's Day [2016] (MA or iTunes/ports)
Mountain Between Us, The [2017] (iTunes/ports 4K or HD MA)
Mummy, The [2017] (iTunes/ports 4K)
Murder On The Orient Express [2017] (MA or Google Play/ports)
My Big Fat Greek Wedding 2 (iTunes/ports)
Neighbors [2014] (iTunes/ports)
Night At The Museum: Secret Of The Tomb (iTunes/ports 4K or HD MA)
Noah [2014] (Vudu)
Non-Stop [2014] (MA or iTunes/ports)
Norm Of The North (Vudu or iTunes)
Now You See Me 2 (iTunes 4K or Vudu/GP HD)
Nut Job, The [2014] (MA or iTunes/ports)
Oblivion [2013] (iTunes/ports 4K)
Ouija [2014] (MA)
Overlord [2018] (Vudu)
Oz: The Great & Powerful (MA + 100 points)
Pain & Gain [2013] (Vudu or iTunes)
Paranormal Activity [2009] [Theatrical] (Vudu or iTunes)
Paranormal Activity 2 [Unrated Director's Cut] (Vudu or iTunes)
Paranormal Activity 3 [Extended] (Vudu or iTunes)
Paranormal Activity 4 [Unrated] (Vudu or iTunes)
Paranormal Activity: The Marked Ones [Theatrical] (iTunes)
Passengers [2016] (MA + Sony points)
Penguins Of Madagascar (MA)
Percy Jackson: Sea Of Monsters (MA or Google Play/ports)
Pet Sematary [2019] (iTunes 4K or Vudu HD)
Philomena (Vudu)
Pitch Perfect (iTunes/ports 4K)
Planes: Fire & Rescue (MA without points)
Playing With Fire (iTunes 4K or Vudu HD)
Predator, The [2018] (MA or Google Play/ports)
Project Almanac (iTunes)
Prometheus (MA or Google Play/ports, no iTunes option)
Proud Mary [2018] (MA)
Purge: Anarchy, The (iTunes/ports 4K)
Quiet Place, A [2018] (iTunes 4K)
Ralph Breaks The Internet (MA + 150 points/no iTunes option)
Red Dawn [2012] (Vudu or Google Play)
Redemption [2013] (Vudu)
Replicas [2019] (iTunes 4K or Vudu/GP HD)
Resident Evil: The Final Chapter [2016] (MA + Sony points)
Riddick [Unrated] (MA or iTunes/ports)
Rings [2017] (Vudu)
R.I.P.D. Rest In Peace Department (iTunes/ports 4K)
Rise Of The Guardians [2011] (MA)
Risen [2016] (MA + Sony points)
Robin Hood [2018] (iTunes 4K or Vudu/GP HD)
Rock Dog (iTunes)
Rogue One: A Star Wars Story (iTunes/ports 4K + 150 points)
Roman J. Israel, Esq [2017] (MA + Sony points)
Rush [2013] (MA)
Saban's Power Rangers (iTunes 4K or Vudu/GP HD)
Safe House [2012] (MA or iTunes/ports)
Savages [2012] [Theatrical] (iTunes/ports)
Scorpion King 3: Battle For Redemption (iTunes/ports)
Secret Life Of Pets, The (MA 4K or iTunes/ports 4K)
Secret Life Of Walter Mitty, The (MA or Google Play/ports, iTunes option is expired)
Seventh Son [2015] (iTunes/ports)
Sex Tape [2014] (MA + Sony points)
Shack, The [2017] (Vudu, iTunes or Google Play)
Show Dogs [2018] (MA)
Silver Linings Playbook (Vudu or Google Play)
Sing [2016] (iTunes/ports 4K)
Sinister (Vudu, iTunes or Google Play)
Sisters [2015] [Unrated] (MA or iTunes/ports)
Skyscraper [2018] (MA)
Sleepless [2017] (iTunes/ports)
Snow White & The Huntsman [Extended] (iTunes/ports 4K)
Sparkle [2012] (MA)
Spider-Man 2 [2004] [Theatrical & Extended] (MA + Sony points)
Spider-Man: Homecoming [2017] (MA + Sony points)
Spider-Man: No Way Home [2021] (MA + Sony points)
Split [2017] (iTunes/ports 4K or MA HD)
Spy [2015] [Unrated] (MA, iTunes or Google Play/ports)
Star Trek [2009] (iTunes 4K)
Star Trek: Beyond (iTunes 4K)
Star Wars: The Force Awakens (iTunes/ports 4K or HD MA + 150 points)
Step Up All In [2014] (Vudu)
Step Up Revolution (Vudu or Google Play)
Straight Outta Compton [Unrated] (iTunes/ports 4K)
Super 8 (Vudu)
Super Buddies (MA without points)
Taken 3 [Unrated] (MA, iTunes or Google Play/ports)
Teenage Mutant Ninja Turtles [2014] (iTunes 4K or Vudu HD)
Terminator: Genisys (iTunes 4K)
The Night Before [2015] (MA + Sony points)
This Is The End [2013] (MA + Sony points)
Top Five [2014] (iTunes)
Top Gun (Vudu)
Total Recall [2012] [Theatrical & Director's Cut] (MA + Sony points)
Tower Heist [Theatrical] (iTunes/ports)
Tremors: A Cold Day In Hell (MA)
True Grit [2010] (Vudu or iTunes)
Tyler Perry's Acrimony (Vudu, iTunes or Google Play)
Tyler Perry's A Madea Family Funeral (Vudu, iTunes or Google Play)
Twilight: Breaking Dawn Part 1 (iTunes 4K)
Uncle Drew [2018] (iTunes 4K or Vudu/GP HD)
Underworld: Blood Wars (MA + Sony points)
Vendetta [2016] (Vudu)
Venom [2018] (MA + Sony points)
Walk Among The Tombstones, A (iTunes/ports)
Walking With Dinosaurs: The Movie (MA, iTunes or Google Play/ports)
War Room [2015] (MA + Sony points)
Why Him? [2016] (iTunes/ports 4K or HD MA)
Wolf Of Wall Street, The (iTunes 4K or Vudu HD)
Woman In Black, The [2012] (MA)
Wonder [2017] (Vudu/GP HD or iTunes 4K)
Wonder Park [2019] (iTunes 4K or Vudu HD)
Woodlawn [2015] (MA or iTunes/ports)
X-Men: Apocalypse (iTunes/ports 4K or HD MA)
X-Men: Days Of Future Past (iTunes/ports 4K or HD MA)
Your Highness [2011] [Unrated] (iTunes/ports)
Zootopia (MA without points)

🦝

💲2️⃣ SD

12 Rounds [2009] [Extreme Cut] (iTunes/ports)
Aliens In The Attic (iTunes/ports)
Amelia (iTunes/ports)
Beasts Of The Southern Wild (iTunes/ports)
Black Swan (iTunes/ports)
Date Night [Unrated Extended Edition] (iTunes/ports)
Dr. Seuss’ Horton Hears A Who! (ITunes/ports)
In Time [2011] (iTunes/ports)
Percy Jackson double feature [Lightning Thief & Sea of Monsters] (MA)
Ramona & Beezus (iTunes/ports)
Street Kings (iTunes/ports)
Three Stooges: The Movie, The [2012] (iTunes/ports)

🦝

$1 Codes

💲1️⃣ HD

13 Hours: The Secret Soldiers Of Benghazi (Vudu)
2 Guns (MA)
Alex Cross (Vudu)
Bad Grandpa [Theatrical] (Vudu or iTunes)
Bad Moms (iTunes/ports)
Battleship [2012] (MA)
Big Hero 6 (Google Play/ports)
Book Club (Vudu)
Bourne Legacy, The (MA)
Bring It On: Worldwide Cheersmack [2017] (MA or iTunes/ports)
Deadpool (iTunes/ports 4K or HD MA/GP)
Divergent (iTunes 4K or Vudu/GP HD)
Divergent Series: Insurgent, The (iTunes 4K or Vudu/GP HD)
Duff, The [2015] (Vudu)
Dying Of The Light (Vudu)
Everest [2015] (MA)
Expendables 2, The (iTunes 4K or Vudu/GP HD)
Expendables 3, The [Theatrical] (iTunes 4K or Google Play HD)
Fast & Furious [2009] (MA)
Fast & Furious 6, The [Extended] (iTunes/ports 4K)
Fast & The Furious, The [2001] (MA)
Fast & The Furious: Tokyo Drift, The (MA)
Fast Five [Extended] (MA)
Fate Of The Furious, The [8] [Theatrical or Extended] (MA)
Fault In Our Stars, The [2014] (iTunes/ports 4K or HD MA/GP)
Frozen: Sing Along Edition (MA without points)
Furious 7 [Extended] (iTunes/ports 4K)
Ghost In The Shell [2017] (Vudu)
G.I. Joe: Retaliation (Vudu)
Girls Trip [2017] (MA)
Good Day To Die Hard, A [2012] [Extended] (MA or Google Play/ports)
Hidden Figures [2017] (iTunes/ports 4K or HD MA)
Hillsong: Let Hope Rise [2016] (MA or iTunes/ports)
Hugo (Vudu)
Hunger Games, The [2012] (iTunes 4K)
Hunger Games: Catching Fire, The (iTunes 4K)
Hunger Games: Mockingjay Part 1, The (Vudu)
Huntsman: Winter's War, The [2016] [Extended] (MA)
Identity Thief [2013] [Theatrical] (iTunes/ports)
I, Frankenstein (Vudu, iTunes or Google Play)
Inside Out [2015] (Google Play/ports)
Jack Ryan: Shadow Recruit (Vudu)
Jason Bourne (MA)
Kevin Hart: Let Me Explain (Vudu)
Les Misérables [2012] (MA)
Let's Be Cops [2014] (MA only/no iTunes option)
Lucy (MA)
Mission Impossible: Fallout (Vudu)
Mission Impossible: Ghost Protocol (Vudu)
Mission Impossible: Rogue Nation (Vudu) or both for $2.50
Now You See Me [Extended] (Vudu or iTunes)
Parental Guidance [2012] (MA)
Perks Of Being A Wallflower, The (Vudu or Google Play)
Pitch Perfect (MA)
Purge, The [2013] (MA)
Quiet Place, A [2018] (Vudu)
Red 2 (Vudu)
Ride Along [2014] (MA)
Ride Along 2 (MA)
RIPD Rest In Peace Department (MA)
Safe [2012] (Vudu or Google Play)
Secret Life Of Pets, The (MA)
Selma (iTunes)
Skyfall (Vudu or Google Play)
Snitch (iTunes 4K or Vudu/Google Play HD)
Star Trek: Beyond (Vudu)
Star Trek: Into Darkness (iTunes 4K)
Taken 2 (MA or Google Play/ports)
Ted [Unrated] (MA) or [Theatrical] (iTunes/ports)
Terminator: Genisys (Vudu)
Transformers: Age Of Extinction (iTunes 4K)
Transformers: Dark Of The Moon (Vudu)
Trolls [2017] (MA)
Twilight: Breaking Dawn Part 2 (iTunes 4K)
Tyler Perry's Madea's Witness Protection (iTunes)
Tyler Perry's Temptation: Confessions Of A Marriage Counselor (Vudu or Google Play)
Unbroken [2014] (MA or iTunes/ports)
Warm Bodies (Vudu)
What To Expect When You're Expecting (iTunes)
World War Z (Vudu)
Zootopia (Google Play/ports)

🦝

💲1️⃣ SD

21 Jump Street (MA + Sony points)
22 Jump Street (MA + Sony points)
Act Of Valor (iTunes)
After Earth [2013] (MA + Sony points)
Alpha [2018] (MA + Sony points)
Amazing Spider-Man 2, The [2014] (MA + Sony points)
American Hustle [2013] (MA + Sony points)
Bad Boys For Life [2020] (MA + Sony points)
Big Mommas Like Father, Like Son (iTunes/ports)
Captain Phillips (MA + Sony points)
Charlie's Angels [2019] (MA + Sony points)
Cloudy With A Chance Of Meatballs 2 [2013] (MA + Sony points)
Concussion [2015] (MA + Sony points)
Diary Of A Wimpy Kid [2010] (iTunes/ports)
Dirty 30 (Vudu)
Dog's Way Home, A [2019] (MA + Sony points)
Equalizer, The [2014] (MA + Sony points)
Equalizer 2, The (MA + Sony points)
Evil Dead [2013] (MA + Sony points)
Family, The [2013] (iTunes)
Family Guy: Blue Harvest (iTunes)
Family Guy: It's A Trap (iTunes)
Forbidden Kingdom, The (iTunes)
Glee: The Concert (iTunes/ports)
Goosebumps 2 [2018] (MA + Sony points)
Grown Ups 2 (MA + Sony points)
Hangover, The [2009] [Theatrical] (iTunes/ports)
Haywire (iTunes)
Heat, The [2013] (iTunes/ports SD)
Hereafter [2010] (iTunes/ports)
Here Comes The Boom [2012] (MA + Sony points)
Hitchcock [2012] (iTunes/ports)
Hotel Transylvania 3 (MA + Sony points)
Hours [2013] (Vudu)
Ice Age: Dawn Of The Dinosaurs (iTunes/ports)
Immortals [2011] (iTunes)
Insidious: Chapter 3 (MA + Sony points)
Insidious: The Last Key (MA + Sony points)
Interview, The [2014] (MA + Sony points)
Journey To Bethlehem [2023] (MA + Sony points)
Jumanji: The Next Level (MA + Sony points)
Knight & Day (iTunes/ports)
Life As We Know It (iTunes/ports)
Looper (MA + Sony points)
Men In Black III [2012] (MA + Sony points)
MIB International [2019] (MA + Sony points)
Mirror Mirror [2012] (iTunes)
Mortal Instruments: The City Of Bones (MA + Sony points)
Night At The Museum: Battle Of The Smithsonian (iTunes/ports)
Once Upon A Time In Hollywood [2019] (MA + Sony points)
Olympus Has Fallen (MA + Sony points)
Orange Is The New Black season 1 (Vudu)
Overcomer [2019] (MA + Sony points)
Parker [2013] (MA + Sony points)
Passengers [2016] (MA + Sony points)
Percy Jackson & The Olympians: The Lightning Thief (iTunes/ports)
Perfect Guy, The [2015] (MA + Sony points)
Perks Of Being A Wallflower, The (iTunes SD only)
Peter Rabbit [2018] (MA + Sony points)
Pixels [2015] (MA + Sony points)
Pope's Exorcist, The [2023] (MA)
Predators [2010] (iTunes/ports)
Public Enemies [2009] (iTunes/ports)
Rise Of The Planet Of The Apes (iTunes/ports)
Robin Hood [2010] [Unrated] (iTunes/ports)
Safe Haven (iTunes)
Scoob [2020] (MA)
Shallows, The [2016] (MA + 150 points)
Sicario: Day Of The Soldado (MA + Sony points)
Sparkle [2012] (MA)
Spider-Man: Far From Home [2019] (MA + Sony points)
Spider-Man: Into The Spiderverse (MA + Sony points)
Spider-Man: No Way Home [2021] (MA + Sony points)
Star, The [2017] (MA + Sony points)
Still Alice [2015] (MA + Sony points)
Taken [2009] [Extended Cut] (iTunes/ports)
Thousand Words, A [2012] (Vudu)
Twilight: Breaking Dawn Part 1 (Vudu SD only or iTunes SD only)
Tyler Perry's Madea's Tough Love (Vudu)
Underworld: Awakening (MA + Sony points)
Venom (MA + Sony points)
Venom: Let There Be Carnage (MA + Sony points)
Vow, The [2012] (MA + Sony points)
Water For Elephants (iTunes/ports)
When The Bough Breaks (MA + Sony points)
Zombieland: Double Tap (MA + Sony points)

🦝

Super Cheap SD & HD Codes

All movies are 3 for $1 each/must spend at least $1 on total order.
Cabin In The Woods, The (Vudu SD only)
Croods, The (iTunes/ports SD)
Diary Of A Wimpy Kid: Dog Days (iTunes/ports SD)
Expendables 2, The (Vudu SD only or iTunes SD only)
Expendables 3, The [Unrated] (iTunes HD only)
Fast & Furious 6 [Extended] (MA ports HD)
Fast Five [Extended] (iTunes/ports HD)
Furious 7 [Extended] (MA ports HD)
Heat, The [2013] (iTunes/ports SD)
Hunger Games, The (Vudu SD or iTunes SD only)
Hunger Games: Catching Fire, The (Vudu HD only)
Internship, The [2013] (iTunes/ports SD)
John Wick 3 (Google Play HD only)
Jurassic World (MA ports HD)
Last Witch Hunter, The (Vudu SD only)
Life Of Pi (iTunes/ports SD)
Mechanic: Resurrection (Vudu SD only)
Now You See Me 2 (Vudu SD only)
Star Trek: Into Darkness (Vudu HD only)
Star Wars: The Force Awakens (Google Play/ports HD)
Transformers: Age Of Extinction (Vudu HD only)
Twilight: Breaking Dawn Part 1 (Vudu SD only or iTunes SD only)
Twilight: Breaking Dawn Part 2 (Vudu SD only)
Warm Bodies (iTunes SD only)

as a black person, even when i was a huge fan of ariana i always hated how other black fans speak about her. generally black people tend to do way too much when a white person can sing but ariana’s history of blackfishing just made it extra weird. and patti labelle saying ariana should “sing like the little black white girl she is” was just so cringe to me but her black fans ate it up. do you know how crazy it is for me to see my people tap dancing for a white girl who can sing a little tune and do a poor mariah carey impersonation?😭 claiming she’s one of us and needs to go back to tanning and laughing at her using aave. it’s just so weird and for a while it made me think i was overreacting and like i was the only fan who had a problem with her black era. you’d think the stark difference between how she acted then and how white she is now would make them (not just black fans tbh) realise how weird her behaviour was but some of them genuinely miss it and are convinced that it’s her “true self”…

So I currently work as a Product Manager for a legacy radio company and work in managing the radio/podcasting app they provide publicly for our listener. The app has about roughly 140k yearly active users so there is a dedicated userbase that is accustomed to the features of the app. Another important point is that we only publish content produced by our radio organization, it's NOT a distribution platform like iHeart. There's been discussion within my organization of moving into the video space by publishing video podcast and video content from our regular radio/podcasting content.
Some of the higher ups think it would be a good idea to implement video on the app, however I feel very strongly against doing so. The reason being that more or less that it would not be in the best interest for growth in exposure and monetization for the organization. It would not be a good user experience due to the nature of the complexity of developing a competent video consumption app that our mobile app developers have very little experience in doing so. If you look at the top podcasting apps almost all of them do NOT offer video (aside from Spotify for a very select few like Joe Rogan). I think the reasoning is that YouTube functions as a far more monetizable (Spotify being 0.003 cents per viewer and YouTube being 0.02 cents per viewer) and scalable platform for video distribution with all of the stability and intuitiveness that users expect of a industry leading video consumption app.
Users are not going to Spotify to consume video, they are going to consume audio content. Also, constricting or forcing users to watch video content on your app inhibits the growth that you're organizations YouTube channel(s) could have in the algorithm by utilizing user engagement to get the channel more exposure and growth to new users.
Another great example of this choice is the "BBC Sounds" app, which actually beats Spotify, Apple Podcasts, and YouTube in terms of podcast consumption in the UK market (the BBC Sounds app is the only app to have done this in any market source). The NPR app also chooses not to force video content on it's users.
What do you guys think? Would love to hear all of y'alls thoughts and opinions on this matter.

Wonder Woman #78: Eclipse

<< < [>]
Author: Predaplant
Books: Wonder Woman
Arc: Season 3: Darkness
Set: 96
Diana stared out at the horizon. She flew high above the ground. Isolated. Alone.
She watched the land below her, as far as she could see, looking for any signs of conflict, of combat. Of anything that looked abnormal at all, really. She couldn’t be too sure.
The land was crowded, busy. People had travelled halfway across the world to see what was about to happen in the sky above Diana.
But that just made it all the more dangerous.
Diana steeled herself, focused even more strongly.
The sky started to go dark.
“Seems like nothing yet,” came a voice through Diana’s earpiece, from back home in Gateway City.
Diana’s wife Chloe watched each of her displays, waiting. One thing she had gotten better at over her time as the Justice League’s coordinator was minimizing the amount of typing, clicking, and dragging that she had to do. Learning how to let the information come to her, rather than make her have to go to it, really helped her have time to process major events and effectively co-ordinate the team.
But those physical motions helped to stave away the fear, in a way. Helped her feel like she could control something, even in the times where there wasn’t much for her to actually do. Now, she sat in front of her computer, completely focused on the screen to leap into action as soon as she did start to receive reports that seemed to indicate an issue.
It felt like she was on a roller coaster, climbing the first hill, blindfolded.
As much as she had tempered her mind, had learned to quell that fear, it still poked and prodded at the back of her mind.
“Totality starts in five minutes,” Chloe called out to everybody listening. The Justice League, the Titans, Cassie’s squad, and a number of other heroes who Chloe had gotten into contact with all formed a slim band across the continent, watching the line of the eclipse.
Chloe knew that there was a chance the Dark Gods would completely overwhelm them all. They had a lot of power on their side, sure, but they couldn’t be everywhere at once. At the same time, she knew there was a chance this would all be for nothing, and there wasn’t even going to be an attack.
Hard to say for sure.
She crossed her fingers as she continued to watch for notifications.
The timer ticked down, slowly, second by second.
“Totality starts now, everybody! Keep an eye open!”
In the skies above Mexico, Diana kept her head on a swivel. The sky around her had gone dark, light swallowed up by the eclipse, but Diana’s eyes were still sharp enough to make out fine details on ground level below her. She scanned all the people looking up at the sky, but none seemed to be swept up in anything supernatural or unseemly.
Chloe’s voice came through her earpiece again. “Anybody see anything, let us know ASAP.”
But there was nothing.
Chloe knew that she couldn’t let herself get complacent, as difficult as it was to keep her focus up. There were so many little details that she had to keep an eye on. Social media activity was a big one that she usually tried to watch, but it was already elevated with the eclipse... which meant that she had to sort by region within the line of the eclipse, to see if there was any part of the line with a spike relative to the others.
She also kept watch on power grids, earthquakes, wind and weather patterns... all the sorts of things that might get triggered when an army of the gods bursts through onto the mortal plane. Her monitors were all alight with data.
But nothing indicated a target.
They had gone through so much effort to get heroes ready to spring into action... and there was nothing so far. She was almost disappointed, as much as she truly hoped against disaster.
Then something popped up on her stream that made Chloe raise an eyebrow. A trend correlated along the eclipse line that shouldn’t have anything to do with the eclipse.
She clicked on it, and it expanded to fill one of her monitors. She scrolled through posts, narrowing her eyes. This was definitely out of the ordinary.
In front of her eyes were an array of what almost looked like zombies. People who had died, but who appeared pallid, ghoulish.
Their eyes recessed into their sockets, and their mouths hung open in grotesque poses. Chloe couldn’t tell if they were smiles of delight or screams of terror. She turned away, opening up the comm link as she did so.
“Hey everybody? Think we found the problem. It’s not a physical attack, it never was. They’re attacking death.”
“Attacking death? I’m sorry, how’s that even possible?” came a voice Chloe didn’t recognize. She pressed on.
“I don’t know how they did it, but people who are dying are really weird. I’m sorry, I know this is a lot to ask, but do we happen to have any doctors here today?”
“I’m a doctor,” came a reply. “Where do you need me to go?”
WWWWW
Doctor Mid-Nite examined his patient closely. He was in a small hospital in Ohio, where an old woman had recently passed away. Mid-Nite was told that the patient was a hundred and two years old. It really hurt to see somebody who had been through so much, who deserved a peaceful death after such a long life, contorted and defaced.
But so she was.
By the time he got there, the doctors were already starting to perform an autopsy. Mid-Nite conferred with the team; they hadn’t found anything yet that would indicate why she was in such a condition. He radioed Watchtower to let her know, and joined in on the autopsy.
Back in Gateway City, Watchtower tapped her foot impatiently. She knew that autopsies took time, but the eclipse would be over fairly soon, and she wanted to be able to minimize the damage, if at all possible.
The worst part was, she knew that it wasn’t that likely that the autopsy would turn up with much at all. If this was truly magical or cosmological in nature, that change wouldn’t likely have a medical component to it. It would just... happen.
Maybe they could get somebody with more of a magical background in on this? But who was there, even? Zatanna had asked to not be contacted for heroic activities after her short stay in Gateway, and they had respected that. Maybe that British magician guy, Constantine, would show up. He always seemed to show up when he was needed... but he was a tricky one to contact. And unfortunately, she couldn’t spare the time it would take to go to Olympus and plead for help.
Maybe Diana could, though? She wasn’t a god anymore, but she was still Wonder Woman.
Chloe froze. Her brain put together the pieces.
The Wonder. The thing that had given Diana her codename in the first place. The place where the newly dead passed through on the way to their final destination, protected by the Amazons.
She immediately slammed the button to open the comm line.
“Wonder Woman! Do you think they could have gained access to the Wonder?”
Diana’s voice came back over the line, in a tenor that Chloe had so rarely heard her use. Diana was furious, and she sounded like a storm rumbling over the horizon, unstoppable, tearing the landscape apart as it growled. “That would be possible.”
“Let me know what you need to get in there and fight them back.”
Diana’s response was simple, but chilling. “I need to die.”
The line was filled with a handful of objections, from heroes across the continent. Chloe swiftly muted anybody talking for ten seconds, and continued the conversation. “Do what you need to do. We can’t let them win.”
“There would be a way to get me back. The Well of Souls on Themyscira is meant as an escape hatch back into the outside world from the Wonder. It’s protected by monsters in order to prevent us from attempting to circumvent our role as the Wonder’s protectors unless the need is dire.”
“I... I think we do still need you, Wonder Woman,” Chloe said quietly. She took her finger off the button.
“At least, I do,” Chloe muttered under her breath. Summoning her courage, she put her finger back on the button and continued.
“We’ll send a team to the Well. Do what you need to do to join the fight on that side.” She glanced at the clock. The eclipse was rapidly approaching its end. “Everybody else... if you have something important to do, feel free to go. I’d appreciate you sticking around until the end of the eclipse, but I doubt we’ll be having the fight we anticipated.”
WWWWW
It was very hard to kill an Amazon. Diana debated the best way to do it, the way she could join the fight the fastest. A number of options ran through her head. It was so hard to choose, to even consider the unpleasantness of death... but she could think of one that she might be able to handle.
She turned on her earpiece, flicking the button that would let her communicate directly with Chloe, and only her.
“I love you.”
“I love you, too,” Chloe replied. Diana could hear that she was crying. “Diana... come back.”
Diana sucked in a lungful of air. “I will.”
She took off upwards, accelerating as she did so. She thought about Chloe, Donna, Cassie, and all the other bonds she had made since coming to Man’s World. About how devastated they’d be if she didn’t return.
So she knew that one thing was true: she would have to return. Fight through the Dark Gods’ hordes, save the dead, and save the day.
She knew that one day, she would take her rest in the Wonder amongst her fallen comrades, but she knew her story still had more pages remaining. It was not the end. Not yet.
She flew higher and higher still. The air around her grew colder and thinner. She struggled to pull in a breath.
She closed her eyes and focused. She needed to keep going. Higher, and higher.
Her powerful lungs heaved, but there was barely any oxygen for her to pull on. She opened her eyes. She had made it to the stratosphere.
Diana tried to fly higher, but it felt like she was treading water. She struggled to produce force greater than that pulling her back down to Earth... but slowly, still, she pushed her way upwards.
She could feel herself fading away. She did her best to accept it. Seeing what laid beyond life was daunting... but she knew she had to do it. This was her role in this moment. Nobody else’s.
She let go, at peace with herself.
And she plummeted thirty-five kilometres downwards into the Gulf of Mexico.
WWWWW
Cassie gathered her team together as Chloe signed off. They were stationed in downtown Dallas, and the sky was cloudy enough that it was hard to watch the eclipse. There was even a warning for a storm coming in later that night.
Shame, really.
“So Wonder Woman’s dying?” Peony asked Cassie.
“Yeah,” Cassie said dourly. “I guess so.”
“We can’t let that lie,” Tora said, determination in her eyes. “Can we help her out?”
“There was that Well of Souls team, right?” Kiran asked. “Maybe we could be a part of that?”
“Not a lot of men on the Justice League,” Dolphin observed wryly. “They’re gonna need us if they want to be allowed on Themyscira.”
Cassie took a deep breath. “Yeah, sure. We can do that.”
“What’s wrong?” Kiran asked.
“It’s hard to describe,” Cassie started to say, pushing her hair back behind her ear as she did so. “But it’s kind of scary to see somebody you care about so much stare down death so bravely.”
She balled her hands up into fists. “Guess that just means those of us who are left need to fight that much harder to get her out of the Well of Souls. I’ll go tell Watchtower that we want to help out with this. Sorry, Peony, but I think you’re going to have to stay home with this one.”
Peony nodded. “Yeah… I get it. Kick Urzkartaga’s butt for me, will you?”
“We will,” Dolphin chuckled. “Or, well, Wonder Woman will.”
“Good enough,” Peony replied with her own laugh.
WWWWW
Diana opened her eyes. She was in a place that was very difficult to describe. It was dark… or, that was how she would describe it at first glance. But despite there being no sources of light, she found that she understood the geography that surrounded her perfectly, as if she were walking around her house in the dark, despite never having seen any of it before.
She could hear sounds of battle. She put a hand on her Lasso, and rushed forwards towards the fighting.
She might not have been able to see them, but she knew that there were a group of Amazons ahead, fighting off an army. That army was harder to discern; it felt like Diana’s knowledge of this place was almost repelled by them, and yet the Amazons themselves shone bright. She could see one of them getting pushed back by some sort of plant creature, and she lashed out her lasso, restraining the creature long enough for the Amazon to slice her sword clean through it, killing it.
The Amazon smiled at Diana. It was a smile Diana recognized well.
It was Sable, Diana’s former lover, lost in combat in Diana’s first few days within Man’s World.
“Diana. Glad to see you finally made it!”
The two women flew into the fight together, ready to put an end to the threat of the Dark Gods, once and for all.
<< < [>]

Sorry in advanced for the long post. TL;DR at the end.
I’m currently a software engineering sub-contractor for a staffing agency, so I get paid on a hourly basis but am exclusively employed by them (they expect me to be available full-time to work on their client projects). For the past year I was working on a client project but the client unexpectedly canceled the entire effort which led to them having to let go of all of the contractors on the team. After that, I asked the VP of Engineering and CEO what the next steps were asked them how I should bill my hours since I wasn’t on that project anymore (we submit timesheets weekly). The CEO told me to not bill to the client and that he was working on figuring that out (e.g. he was making flights out to meet with the client). I’m assuming these meetings were about billing, premature contract cancellation, etc. but I wasn’t in those meetings, so I can’t say for sure but that’s what I was led to believe. For the next week I didn’t hear anything about who I should bill my hours to, so I followed up with the CEO and he told me he’d get back to me by COB that day. Two days go by and still no response from him. In the mean time, I’ve been catching up on various topics, staying up to date with technologies I hadn’t used much while working on the client project, and talking with my co-worker who I was on the client project with. I come to find out that the CEO put that co-worker on an internal project right after the client contract fell through (so he’s been working on this project for about a week and a half at this point). All the while, I’ve gotten radio silence from both the CEO and VP of Engineering about next steps. So I followed up again with the CEO asking about who I should bill for the hours I’ve been working and available. No response. I message him every day after that for the next week with no response. After another week, they put me on the same project as my aforementioned co-worker, so for the final two-ish weeks of the month I’m working on a project. The end of the month comes and I still have no idea who to bill for the first half of the month. I message the CEO again saying that I’m going to bill the client for the first two and a half weeks and then bill him/the agency for the internal project work. No response, so I submit my invoice as such.
Fast forward to pay-day and I see that I was only compensated for the hours I worked on the internal project. Effectively only getting paid for a little under half of the hours for that month. So I’m not sure if I’m over reacting or in the wrong for feeling like I should be getting compensated for the entire month given that I was available, talking with my co-worker and actively prepping for whatever project that may come up. If I knew I wasn’t going to get paid, I would’ve taken a vacation instead. Or is this standard practice with agencies in general? I was wondering if anyone has been in a similar situation and how they were able to resolve it.
Some details that aren’t relevant to this specifically, but emotions have been higher than usual because there have been a few things that have been rubbing me the wrong way leading up to this such as:

1. Avoiding a conversation around raising my rate despite being told “everyone gets an evaluation and pay bump after a year”. I haven’t received either and it’ll be a year and a half in June.
2. The CEO giving preferential treatment to his friends he hired (almost all of the senior devs and people higher up worked with him for years in the past including the co-worker I mentioned).
3. The CEO gaslighting me about the rate I charge (that’s a whole other long post).

I've already started tapping into my network for other opportunities as I've experienced the endless cycle of false promises and toxic workplace behaviors before at past companies. I'm really just waiting it out here to get paid until something else comes up. The only saving grace is that I'm 100% remote, so I don't have to see or talk to anyone outside of our regularly scheduled meetings.
TL;DR
I didn’t get paid for time I was available and ready to work and the CEO ignored my messages about who I should bill for 2.5 weeks while I wasn’t on a project. Is this typical when hired exclusively as a sub-contractor for an agency? Or should I have gotten paid for those 2.5 weeks? What are the next steps?

TLDR: Listen to your favorite music while watching videos on any video app like YouTube or the Photos app.
How To Use: There is no TLDR for the "How To Use" section of this shortcut, unlike my other shortcut posts that have one. Please read the full How To Use section to ensure you don't encounter any inconvenience while using the shortcut.
Download it here (version 1.2):
https://routinehub.co/shortcut/14947/
Credit: TechyDudeYT (from GitHub & RoutineHub). I only provided some support to make the shortcut.
COMPLETE DOCUMENTATION

I. INTRODUCTION

Music While Watching can do the impossible: play your favorite songs while watching videos on any video-supported apps like YouTube, Instagram, or the iOS Photos app. It can play and automatically loop:

• A song (an audio file)
  
• A playlist of multiple chosen songs (multiple audio files)
  

The default number of looping times is 100, but you can open the content of this shortcut and edit the number of looping times in the text box to 200, 1000, or any number you want. But repeating the music 100 times is usually more than enough.

II. HOW TO USE

For Older iPhones (Without Dynamic Island):

Setting Up:
1/ Add this shortcut to the Home Screen as a widget so that the shortcut banner will not be displayed when the music is playing. If you don’t know how to add this shortcut as a widget on the Home Screen, here is the video tutorial: How to add a shortcut as a widget on the Home Screen
2/ Run the shortcut for the first time. It will prompt you to download the necessary resource (the music player content from GitHub). Proceed with the download. After the download is complete, you will see a notification to relaunch the shortcut.
Using the Shortcut:
3/ Tap on the widget on the Home Screen to run the shortcut. Choose one (or multiple) audio files from the Files app.
4/ Open any video-supported app like YouTube, Instagram, or the iOS Photos app and enjoy the music.
5/ To stop the music, tap on the shortcut widget on the Home Screen, which will stop the shortcut and end the music playback.
You only need to complete the setup steps (1 and 2) once. For all subsequent uses, just follow the usage steps (3, 4, and 5).
Note: The video linked in step 1 refers to "Gaming Music Player" because initially, this shortcut was focused on allowing music playback while playing games. Now, as most games support playing music in the background, this shortcut is more focused on watching videos on any apps where playing music simultaneously is not allowed. Therefore, the shortcut has been renamed to "Music While Watching".

For Newer iPhones (With Dynamic Island):

Setting Up:
1/ Run the shortcut for the first time in any way you prefer (e.g., from the Home Screen icon). It will prompt you to download the necessary resource (the music player content from GitHub). Proceed with the download. After the download is complete, you will see a notification to relaunch the shortcut.
Using the Shortcut:
2/ Run the shortcut in any way you prefer. Choose one (or multiple) audio files from the Files app.
3/ Open any video-supported app like YouTube, Instagram, or the iOS Photos app and enjoy the music.
4/ To stop the music, stop the shortcut in the Dynamic Island. Note: In some apps, when watching videos in full screen, the Dynamic Island turns black. You will need to minimize the video or close the app to reveal the shortcut in the Dynamic Island to stop it and end the music playback.
You only need to complete the setup step once. For all subsequent uses, just follow the usage steps (2, 3, and 4).
Credit: BIG CREDIT to TechyDudeYT (from GitHub & RoutineHub). He is the one who originally make this shortcut, but his original version cannot play multiple songs and cannot loop the music. I asked him to upgrade his shortcut with the requested features but he said he is too busy, so I added the requested features by myself. I also removed unnecessary features such as the banner appearing when playing music. Since TechyDudeYT is too busy, he gave me permission to post this shortcut to RoutineHub under my name (with his name in the credit section).

The only part I remember is the start of the chorus where the lady sings something like "Can't you seee" x2. There's an oscillating whir throughout (tuned) and it's about 120bpm.
I know it's vague but I'd know it as soon as I heard it. Has sort of a techno dance vibe but still very pop for the time. I don't recall it from any movies but definitely the radio.

As painful as it may be Ain't nothing like piece of mind Ain't nothing like being free Rather than doing or wasting time!
Let's be clear About this 143yr old charade The end is not, nor has it ever been near We all got played!!
The governing bowel Carved your brain with a rusted obsidian knife But it's time to throw in the towel And move on with real life!
After five long decades, it's really time to go The organization is null The bleeding will eventually slow And the pain will gradually dull.
You wanna know how I know It's because I was a victim, too I tried to tap dance for the show I repeatedly tried to see it through!
But there is nothing there It's just a dead-end road A heavy cross to bear A heavy, heartless man-made load!
And don't think I don't care As my heart wants to explode I suffer silently in my despair Longing for the org to implode!
They screwed me up as a person I don't blame you for being mad But I was so deeply hurting Jusr so debilitatingly sad.
Mere men behind the curtain Stole my mother, my dad and everything else I could have had From there, it all worsened It messed me up really bad!
But at nearly 52, my light has gotten brighter The cult is no longer winning My grip on reality has gotten tighter My world is no longer spinning!
I can see everything so clear... The misogyny, the gaslighting, the emotional manipulation and blackmail- It was all someone else's brokenness and bullshit! There is absolutely nothing to fear... There is only freedom to think, feel, live authentically, laugh and love unconditionally and there ain't nothing like it!!🙌🏾
To my beloved child who were taken from me physically, mentally and emotionally long before I even had half the chance or fortitude to defend myself, I say this,
I'm so sorry for any pain I've caused you. Most has been unintentional or done out of being hurt. I know I can't make up for 5 decades of damage and cult dynamics but organization aside, I love you with all my being and I wish I hadn't been a victim (damn near born in) of this soul sucking cult! Things would have been so different. I could have been a better mother, more mentally and emotionally mature and stable, so we could have had a normal, healthy, loving relationship. But I was emotionally neglected and abused. I was existing in a fog and I didn't know any better and even when I did, I was outnumbered, (bullied) penalized and ostracized and absolutely discouraged from trying to establish and pursue a relationship with you. These are not excuses, only factors that contribute to who I am and how I messed up so badly. As is evident, I can't beat them but I now know the truth about "the truth" and I certainly will not join them, participate in or condone their self sabotaging delusions which destroy lives and families on sooo many levels! But that has nothing to do with my love for you or anyone else I love. I just wanted you to know this as you move forward in life. I'm not the monster you think I am, nor do you know the full sordid story. You only know one version, which is an ugly distorted portrait of me. I hope one day you wake up and see EVERYTHING and EVERYONE for what it really is. I did not leave my family or God. I left the organization and stopped following corporate, corrupt MEN. As the 2nd president, Joseph Rutherford, of the WTBTS, states, "Religion is a racket and a snare." There should be no mediator between a person and God except for Jesus Christ. DO NOT BE MISLEAD, I have always loved you and I always will.
With unconditional love,
The misguided and broken girl that gave birth to you💔😭
Do you guys think I should give them this, change, or add anything to it?🤷🏾

I'll just be blunt. I honestly don't know what people mean when they complain about Disney Night being "showtunes". Technically speaking, I'm fairly certain that just means songs that were written for musicals, contrasted with jukebox musicals using existing music, which is so vague as to be useless. For example, if it's just flashy, over-the-top numbers you don't like, I can think of scenes from jukebox musicals, like Dancing Queen in Mamma Mia, which fit the bill better than some songs that were written for musicals, such as Reflection from Mulan. Basically, there can be all sorts of musical styles used within a musical. Joseph and the Amazing Technicolor Dreamcoat is an amazing example of this, because basically every song is its own style. It's also what makes Joseph such a difficult role to perform, because you need to be both convincingly arrogant, such as in Joseph's Dreams, and convincingly humble, such as in Close Every Door. (Which is also just amazingly performed. I don't think I've ever heard so many stops actually be released) But perhaps my favorite example is Happy Ending from Twisted. For context, Starkid did a parody of Aladdin, where they retold the story from Jafar's perspective, similarly to how Wicked retells the Wizard of Oz from the Wicked Witch's perspective. Its soundtrack is interesting, because the three lead characters - Aladdin, Jafar, and the princess who had to go unnamed because she wasn't named in the original story - each have their own musical styles. Aladdin has a rock style, Jafar has a classic Broadway style, and Jasmine the Princess has a classic Disney style. Happy Ending is the act 1 closer, where each character sings, and apart from Jafar getting a very Wicked-themed part at the middle, they each use their own styles, switching fairly seamlessly. (Try to tell me the middle doesn't sound like the Wizard and I)
Yeah, Disney's the same. Remember that even just counting the official animated canon, they've already made 62 movies, which doesn't even count all the sequels from the 90s and 2000s, other musicals they've made like Nightmare Before Christmas, all the Pixar movies with their own original songs, all the DCOM musicals... There are a lot of songs out there, in a massive variety of styles.
For example, a lot of movies from the Experimental Era didn't have that many original songs, and just used existing songs, such as most of the songs in Lilo and Stitch just being Elvis. Tarzan actually uses music the same way. Because of the focus on Tarzan learning English, they wanted to take a vaguely more grounded approach to talking animals, and specifically avoided having the animals sing any songs. So apart from Trashin' the Camp, you'll notice that all of the songs are voiceovers by Phil Collins. And, well, a lot of them just wind up feeling like pop songs as a result. For example, you could probably take Son of Man from Tarzan, show just a soundtrack version to someone who's never seen the movie, and convince them it was an existing pop song.
Or Disney kept trying to turn their female stars into the next Miley Cyrus, so surprisingly many DCOMs have songs just feel like pop songs. (As opposed to how they normally need to specifically make a pop version of a song for the credits) As a few examples of this, there's This Is Me from Camp Rock, Determinate from Lemonade Mouth, or, yes, the Climb from Hannah Montana the Movie. And just to demonstrate my point, Gabby even performed the Climb as just... a normal song in the top 14 week of season 16 (season 1 on ABC).
Then there's the category of lesser-known songs. For example, I feel like everyone recognizes the Start of Something New as High School Musical. But would you recognize a song like Can I Have This Dance as being from High School Musical 3? Sure, that was one of the only DCOMs to get a theatrical release, but it's not one of the songs to have its own Wikipedia page. Or as a closely-related category, there's also all the sequels and spin-offs. For example, unless you're a massive Disney nerd, you probably didn't even know that they made an entire spin-off TV show for Tangled, and even brought Alan Menken back to write songs. And while the more popular songs from the show tend to be very plot-related, like Crossing the Line (WARNING: Major spoilers for the end of season 2), there are also songs like Waiting in the Wings.
There's also a whole category of songs which don't actually have all that much to do with the plot. Or more precisely, songs that reference the plot in oblique enough ways that you could remove them from the movie and still have them make sense. Sometimes, you need a credits version of the song for this to work. For example, the movie version of Can You Feel the Love Tonight wouldn't work, because it very much includes Timon, Pumbaa, Simba, and Nala singing, but Elton John's version removes that. But Go the Distance is one where both the movie version and the credits version work. Other examples include Reflection from Mulan and the credits version of God Help the Outcasts from the Hunchback of Notre Dame.
Related to that category, there's also an entire category of songs that aren't actually from musicals. (Which tends to mean from Pixar) For example, Real Gone and Our Town from Cars, Carried Me With You from Onward, When She Loved Me from Toy Story 2. Or going through the list of songs people have sung on past Disney Nights, even something like You Can't Stop the Girl would meet my minimum definition of "A song that was specifically written for a Disney movie".
If we're already counting things by studios that were purchased by Disney, you can also tap into Fox and LucasFilms. For example, I honestly don't know if At the Beginning from Anastasia would count. Or, and apologies for reminding everyone that the Star Wars Holiday Special exists, I'm fairly certain that Goodnight But Not Goodbye was written for that accursed thing.
Or even if you want to sing just a classic Disney song and embrace the Disney, there's variety there as well. For example, it feels practically required at this point for the country singer to do You've Got a Friend in Me. If you want something campier, Poor Unfortunate Souls was literally inspired by drag, so it's more or less impossible to be too campy. If you want to show off your lack of media literacy, you can sing Remember Me from Coco. (I hope that by using the clip where Ernesto de la Cruz dies, I got across my disdain for anyone who saw that movie and decided it would be the perfect song to sing for Idol) If you want a peppier I Want song, there's How Far I'll Go from Moana. If you want a more pensive I Want song, there's Part of Your World from the Little Mermaid...
Also, if you notice, almost every single one of the songs I just mentioned is either a solo or a duet that could easily be modified to be a solo. The Start of Something New and Crossing the Line are the only two that aren't, and they weren't even meant as examples of songs you could sing. But I hope this post illustrated how much variety there is within the broader concept of Disney songs, and how it's not all just "showtunes".

I'm studying for the technician license, and I have a question for y'all kind folk. This strays a little outside ham radio specifically, so if there is a better place to ask this please let me know.
I have a "system" that I would like to control via DTMF tones, and optionally receive feedback via voice prompts, within a small coverage area (no more than an acre). The system is a complex audio/control system that is already designed to accept DTMF commands, hence the motivation. I am curious if there is a way to use an FM HT to do this, particularly what band(s) I could use.
Basically, I'd like to use an NFM transceiver to send DTMF commands to a fixed, unmanned, receiver (probably a cheap SDR) and pipe the audio to the control system. As far as I can tell, there is no provision in Part 97 for this (as this system is not a "model craft"). With that in mind, is there another band I could use? ISM bands (with power limit)? FRS (with type-approved HT)?
Can I transmit DTMF tones on FRS? Are there any type-approved FRS radios that can do DTMF?
Per 47 CFR 15.231, it seems like I can only use 433 MHz for less than 2s / hr? Does this also apply to the 915 MHz band?
Thanks for any input!

This is taken from and is copyright protected by globalsoup.net, a website that promotes flash Fiction with annual writing contests.
I am reprinting these Flash Fiction Prompts because they are outstanding ways to freewrite and offer plenty to work with for those who want to learn how to write Flash Fiction.
So check out these prompts and the article and work some of them into your journal! Post the best responses!
100 Awesome Flash Fiction Prompts - Plus Bonus Prompts!
We’ve put together 100 flash fiction prompts, each one designed for a very short story. These prompts will probably be best suited to a story of between 300-1,000 words. If you want to write a longer story using these prompts, you can easily expand these ideas to fit a story of any length.
What is flash fiction?
Flash Fiction is defined as a very short story that can be anywhere from just a couple of words to about a thousand in length. The beauty (and difficulty) of writing flash fiction lies in trying to tell a complete story in so few words. Great flash fiction is succinct, emotive, thought-provoking, and impactful.
What’s the difference between flash fiction and a short story?
The only difference between flash fiction and a typical short story is the word count. However, this scarcity of words means that writing flash fiction can feel like a completely new skill. Just like the short story is a different animal to the novel or novella; flash fiction is kind of unique.
When writing flash, you’ll need to use fewer characters, a simpler plot, and you’ll have to make each word count. This is why editing is so important. You have to be brutal. Cut out everything superfluous and really make sure each and every word is performing an important function in the story. If you’re interested in writing very short fiction, why not check out drabbles? Drabbles are stories of exactly 100 words in length, and they can be a great way to practice keeping your stories very, very short.
How to plot a flash fiction story
When you sit down to write flash fiction, you must begin by choosing an appropriate plot. You cannot simply use a short story plot and tell it using fewer words. A typical flash fiction plot is like looking at one part of a story under a microscope.
For example, let’s look at prompt #21 in our list of 100 Flash Fiction Prompts:

1. Two people on a sinking ship must decide who should take the last seat in the last lifeboat. If you were writing a novel about a sinking ship, you’d probably want the actual sinking to be the climax of the story. Of course, there are infinite ways to write a novel about a sinking ship, but this would structurally be the most obvious. You’d use the first part of the novel to introduce your characters and describe the voyage leading up to the sinking and the sinking of the ship would be the dramatic climax, leaving the last part of the book as the resolution.

The golden rule of writing short stories is to begin as close to end as you can. So, to turn the same story from novel to short story, you’d probably want to begin with the ship sinking. You haven’t got time to introduce the characters before the action begins, so you’d need to feed in exposition and backstory here and there during the events.
All stories need a good climax. So, you would find the most dramatic moment in the story and build up to it. Perhaps your climax would be the two main characters having to decide who will take the remaining seat on the last lifeboat.
Finally, you need a resolution. In a longer short story you do have time to bring in some kind of satisfying resolution at the end.
But, if you’re writing flash fiction and your story is only a few hundred words, you really need to zoom in on one tiny moment in that story.
You don’t have time to tell the entire story of a sinking ship, but you can turn one moment into a story.
We’ve chosen the lifeboat situation as the key moment in this hypothetical story. Two characters must decide which one of them will take the last seat on the last lifeboat. This is an appropriate plot for flash fiction because it’s simple, high-stakes, dramatic, and thought provoking.
Not all flash fiction will have a plot quite this dramatic, but all great flash fiction will have a plot that can be expressed in just one or two sentences.
If you have a plot in mind, but it seems more suitable for a longer story, you can sometimes find several flash fiction plots hidden within it. Just look for little stories within the story, like the lifeboat moment in our hypothetical tale of the sinking ship.
This brings us to our top tip for coming up with ideas for flash fiction stories:
if you’re ever stuck for ideas, you can find little stories within the story in books, movies, and TV shows. A full length feature film might have as many as 20 little incidents in it that could easily be flash fiction.
Don’t directly write a story based on the film, though. Just carefully pick out those little moments, write down what’s happening as a one or two sentence plot, and then use it to inspire your own, completely original flash fiction story.
One of our 100 Flash Fiction Prompts was actually taken from the movie Pulp Fiction!
How to write very short flash fiction
There are several reasons writers might start writing flash fiction. Of course, it could be that they just love and enjoy the form, but sometimes they’ll be a more strategic and practical reason at play.
Perhaps they want to practise the process of writing stories within the confines of a certain word limit. Maybe they are trying to develop a daily writing routine and they don’t have a lot of free time. It could be that they’re trying to break a habit of not finishing writing projects, or perhaps they are entering a flash fiction competition.
Whatever the reason, very often when we sit down to write flash, we must work under an imposed or self-imposed word restraint. We’ve set ourselves (or been set) the task of keeping the story under a particular number of words.
So, how do you plot a flash fiction story when you have to keep your story very, very short.
We’re not going to discuss stories of 100 words or fewer here. Technically, those stories are still flash, however, we prefer to categorise 100 word stories as drabbles and anything under 100 words as micro fiction.
But what if you have to keep your flash fiction story under, let’s say, 300 words? How do you write a flash fiction story that short?
The answer is: get your microscope out again. Remember earlier when we said writing flash fiction is like looking at part of a story under a microscope? If you have to write very short flash fiction, you’ll need to zoom in even further.
Let’s look at a couple of examples from our 100 Flash Fiction Prompts:

1. During a match, a young boxer must decide whether to throw the fight.

If you had 1,000 words to devote to the story, you could have time to tell the story of the entire fight. With only 300 words, it might be better to zoom in on the very moment when the boxer must choose whether or not to go down.
In a longer flash fiction story you might have time to go into detail about why he’s in this situation and why he’s so conflicted. In a 300 word story, you might only devote one or two sentences to his gambling debt and the large sum of money waiting for him if he goes down in the third round, as instructed.

1. A family must decide what to take and what to leave behind as a wildfire approaches their home.

If you had 1,000 words to devote to this story, you might be able to write about the whole process of choosing what to take and what to leave behind. You might be able to mention many different choices and have the whole family participate in the story. You’d be able to go into some details about certain choices and the stories behind individual objects or mementos, as well as the implications of choosing certain things over others.
With only 300 words, it would be advisable to zoom in on one member of the family and to focus on one profound and important choice.
How to write a flash fiction story
Now you have your mini plot, you still need to make sure your flash fiction feels like a complete story. It should still have a beginning, middle, and an end.
Just like a short story, you may need to bring in a little exposition here and there to give texture, context, backstory, and to bring some depth to the characters. But, unlike a short story, you won’t necessarily need to end with a full, detailed resolution. It’s quite common for a flash fiction story to end with a quick twist or plenty of ambiguity.
Flash Fiction is much more about eliciting emotions and provoking thought, than setting up and resolving a complex story.
100 Awesome Flash Fiction Prompts
A young ballet dancer chooses not to tell the other dancers in her troop about a loose paving stone outside their dance studio.
Two sisters realise they’ve both been on a perfect first date … with the same man.
On the car journey home, two parents realise they’ve left their child’s favourite teddy on a park bench several hours away.
A writer suffering from writers’ block looks for inspiration in a strange place.
Set 200 years in the future, a young man realises he’s too emotionally dependent on his robot assistant.
A young woman discovers she’s taken the wrong suitcase home from the airport. The contents of the case make her question her own life choices.
A murderer realises he has only 10 minutes to dispose of a body.
A child decides to walk home by themselves after their parent forgets to pick them up from school … again.
Your protagonist manages to talk the grim reaper out of collecting their soul.
Your protagonist suddenly realises they’ve been living in a simulation.
A young couple has chosen to spend the night in a haunted house to fix their marriage. Your story starts just as things get very weird.
Your protagonist finds a letter they wrote to themselves when they were a teenager.
Your protagonist must decide whether or not to drink from a fountain that erases all painful memories from the mind.
Your protagonist comes across a street called ‘Memory Lane’. They quickly realise the name is eerily apt.
A bride finds out something startling about her future husband an hour before the wedding.
Your protagonist finds an advertisement for a company that promises everlasting youth.
A youngest sibling shows up at a family reunion they weren’t actually invited to.
Your protagonist finds a piece of paper with a spell on it. If they say the words out loud they aren't sure if something terrible or wonderful will happen.
Your protagonist is watching a jazz band play when they realise they know the drummer from somewhere — but where? It takes a whole song for them to figure it out.
Your protagonist must meet their ex for lunch to tell them they’re now engaged. It’s been just a few weeks since they split up.
Two people on a sinking ship must decide who should take the last seat in the last lifeboat.
During a match, a young boxer must decide whether to throw the fight.
Your protagonist must pack their belongings before moving to a new colony on mars.
A pilot realises they have lost control of their aircraft.
Your protagonist doesn’t want to attend their 100th birthday party — and for good reason!
Your protagonist gets stuck in a lift with their ex … 5 minutes after breaking up with them.
A child says goodbye to the fairies in his garden before moving to a new home.
Your protagonist saves someone’s life … and then wishes they hadn’t.
Your protagonist arrives at a blind date. They’ve been set up with someone they actually know a little too well.
Set in a dystopian future in which public displays of affection are banned, your protagonist faces an agonising choice.
An agoraphobic must face their fear in order to save something important.
Your protagonist must make her partner fall out of love with them. Both their lives depend on it.
Your protagonist is hiking with her small children, they come face to face with a grizzly bear and her cubs.
Cinderella and Prince Charming realise they got married too quickly.
A message written in graffiti on a bathroom wall has serious implications for your protagonist.
Your protagonist finds a bag, looks inside, and realises the owner might just be their soulmate.
Your protagonist has been seeing the same stranger everywhere they go for months. They finally decide to confront them.
A couple realise their relationship is over during the trip of a lifetime. They’ve been saving up for the trip for years.
A public debate sees two previously married people letting their private grievances come into their arguments.
Your protagonist plans their escape from a retirement home.
A couple realise their fundamental beliefs are at odds with each other.
An artist develops an obsession with drawing a next-door neighbour.
Your protagonist finds themselves trapped in a cabin with a group of hikers during a heavy snowfall.
An ice skater must face going back on the ice after a dangerous fall.
A couple must decide their plan for New Year’ Eve. They both have secret reasons for their choice.
A family must decide what to take and what to leave behind as a wildfire approaches their home.
Your protagonist is waiting for someone important at the airport. They begin to think that person isn’t going to show up … and then they realise why.
Your protagonist must find their way through a maze. What they find in the middle of the maze is the last thing they were expecting.
An actor waiting in the wings has forgotten his first line.
Your protagonist is wrongly identified as a hero. Do they come clean?
Your protagonist realises their past is catching up with them.
Your protagonist overhears something that has serious implications for them while trying on clothes in a changing room.
Your protagonist is in a costume shop trying to decide what to dress up as for Halloween.
Your protagonist realises they’ve slipped into an alternate dimension.
A surgeon must make an impossible choice on the operating table.
A pregnant journalist interviews the mother of a missing child.
Your protagonist must ask his girlfriend’s father for his blessing, only to discover the father knows his deepest secret.
Your protagonist sees something on social media that will change their life forever.
Two work colleagues realise they’ve been dreaming the same dreams for weeks.
A reluctant daughter comes to terms with having to carry on the family business.
Your protagonist realises she must go on the run.
Two bank robbers disagree on their plan to rob a bank. This leads to a disastrous consequence.
A strange case of deja vous leaves your protagonist convinced of supernatural interference.
A sceptic begins to question their beliefs during a psychic reading.
Your protagonist uncovers a scandal at their workplace.
A hapless cook tries to recreate her late father’s favourite recipes in an effort to feel connected to him.
Your protagonist has a premonition that makes them certain they can’t visit their mother-in-law for Christmas. Now he must convince his husband.
A young backpacker discovers something unexpected in a cave.
An impulsive character and an indecisive character are brought together by chance. They must make an important choice.
Two characters cleaning up after a party discover an object that sheds light on something strange that happened earlier.
Two strangers are trapped together during a blackout.
Your protagonist must take a leap of faith in order to save something important to them.
Your protagonist discovers a huge part of their life has been a lie.
Your protagonist has set up an elaborate way to propose. Inexplicably, everything goes wrong.
Your protagonist must buy a dress for her mother’s funeral.
Your protagonist goes back to her favourite city in the world, only to find it has completely changed.
While stargazing, your protagonist realises the stars are forming secret messages in the sky.
Your protagonist hears a news story on the radio that will mean the world changes forever. However, she seems to be the only person who heard it.
Your protagonist is crossing a frozen lake. They see something under the ice that definitely shouldn’t be there.
A workaholic must come to terms with retirement.
An Olympic athlete must decide whether or not to report their teammate for doping.
A young mother feels isolated from her childless friends.
Your protagonist is about to realise their greatest ambition. Will it be everything they were hoping for?
Onboard a spaceship, a couple prepare to go into stasis for hundreds of years.
Your protagonist has an obsession with thinking about the past.
Set in a post-apocalyptic future, your protagonist meets an unlikely love interest.
Your protagonist visits a place from their childhood and realises their memories of that time might not be accurate at all.
A small child has decided to run away from home. Her parents watch on with amusement as she decides what to put in her backpack.
On a whim, a bus driver decides to radically change his route, much to the chagrin of his passengers.
Dystopian. A couple in love are only allowed to spend time with each other one day a year.
A shapeshifter begins to realise their powers are fading. They must decide what form will be the last one they take before they cannot change again.
The devil visits your protagonist with an offer on her soul.
Your protagonist suddenly has the ability to read minds. There’s only one place they want to go now!
Your very wealthy protagonist has designed a simple test to see who will inherit her estate.
An archaeologist discovers something that will change how we see the history of the world. It could be dangerous. Does he keep it to himself?
Your protagonist must clear out their late mother’s house. She discovers an incredible family secret.
Your protagonist is meeting his brother. They haven’t seen each other for 20 years.
Your protagonist develops the ability to see the world literally through someone else’s eyes.
Your protagonist starts to believe their partner might be a spy.
Your protagonist discovers a hidden camera in their living room.
Looking for a flash fiction competition? Check out our ‘Big List of International Writing Competitions!’ Looking for inspiration? Why not check out our list of the 20 Greatest Short Story Writers of All Time! Just received another short story rejection? Here’s our post about ‘How to Deal With Story Rejections’ Bonus Prompts! Two characters waiting by the side of the road realise they are both meeting the same person.
A woman loses her young niece in a busy shopping mall.
Three strangers must solve a riddle in order to gain entry to a secret club.
A poor woman must borrow ingredients from her neighbours to bake her husband a birthday cake.
A waiter finally finds out why an old man has been coming to the restaurant where he works every day at exactly the same time.
Two work colleagues must decide which of them is to take the blame for a terrible mistake at work.
Your disgruntled protagonist goes to confront the couple next door about the strange noises they’ve been hearing at night.
A family dinner party sees three characters make three very surprising announcements.
Two women argue over who should get to buy the last dress available in a store. How do they decide who should get it?
A young couple find out they knew (and disliked) each other vehemently as children.
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https://www.halowaypoint.com/news/canon-fodder-in-zane-in-the-membrane
Header Image ^[Imgur]
It’s not a Cypress Hill song, it’s a new issue of Canon Fodder!
By now, you’ll no doubt have made headway through the latest Operation in Halo Infinite —titled “Banished Honor”—which was accompanied by a new Waypoint Chronicle based around a simple question: “What would the story of a Spartan who joined the Banished be?”
We had the perfect character lined up to tell that story, one who hasn’t been seen since the end of Hunt the Truth's second season all the way back in 2015.
Welcome back, Ilsa Zane.

THE THIRD LIFE

Our ninth Waypoint Chronicle has arrived, which follows on from the concluding events of Hunt the Truth where a Guardian awakens on the colony world Laika III. Broadly, these events are concurrent with the story that unfolds in Halo 5 as Cortana lays claim to the Mantle, rallies AIs to her cause, and sets about imposing an imperial peace upon the galaxy.
Where Hunt the Truth saw the mantle of narrator pass from journalist Benjamin Giraud to undercover ONI agent Maya “FERO” Sankar in its second season, that torch is once again passed on to a character who made her presence felt in this story... the rogue Spartan known as Ilsa Zane.
Halo: The Third Life is available here on Halo Waypoint, as a free PDF, and in audiobook format on YouTube.
“October 2558. After being taken prisoner by the Banished as chaos erupts across the galaxy, Ilsa Zane’s hunt for the truth leads her to a new stage of life she never expected...”

EMPTY THRONE

Last issue, we gave you a totally legitimate look at the cover art of Halo: Empty Throne. Art is in the eye of the beholder, and unfortunately the powers that be decided that we could do better than a screenshot made in Halo 3's Forge mode in ten minutes with some crudely edited-in elements... it was a close call, really, but we ultimately pivoted towards something with the vibe of it having come from an incredibly talented and brilliant artist—namely, Will Staehle, whose other work you can check out here.
So, here you go. Here’s the official cover art for Halo: Empty Throne, coming later this year.
Pre-order your copy of Halo: Empty Throne here!
Cover art of Halo: Empty Throne illustrated by Will Staehle depicting a young girl and a Spartan emerging from a blue explosion coming from a Forerunner structure
“2559. It has been a year since the rogue artificial intelligence Cortana seized control of the Domain, an otherworldly dimension housing a vast information network. With an array of Forerunner weapons at her disposal, Cortana set out to enforce an authoritarian peace on the civilizations of the galaxy. But as the United Nations Space Command flagship Infinity prepares to strike against Cortana at Zeta Halo, another plan has also been set in motion.
An ancient access point hidden on a seemingly insignificant human colony has become the focus of a parallel effort to claim the Domain and its immeasurable capabilities. The UNSC, however, needs a key: a living, forsaken product of an old war. As a new generation of heroes rise to meet this challenge and Cortana's pursuit of control reaches a desperate and sudden crescendo, a cunning, ruthless warrior emerges from the shadows of the Banished, who has vowed to fill the new power vacuum by any means necessary....”

THE BANISHED SPARTAN

ILSA ZANE
Cropped profile image depicting Ilsa Zane surrounded by fire and Banished banners ^[Imgur]
RANK: Bloodstar BIRTH WORLD: Kholo DATE OF BIRTH: June 11, 2528 APPEARED IN: Halo: Initiation, Hunt the Truth, Halo: The Third Life
Born on the Outer Colony world Kholo, Ilsa Zane was just eleven years old when she lost her parents and everyone she had ever known as the Covenant descended upon her home and reduced its surface to glass. Taken to the remote colony Asphodel as a ward of the state, Zane remained largely silent and solitary until coming of age in 2547, where she was conscripted into UNSC military service.
In 2550, Zane was selected as a candidate for the prototype phase of the SPARTAN-IV program. Though she survived the augmentation process, additional experimental cocktails caused severe neurological damage to Zane. After escaping the facility, she was recovered by Admiral Mattius Drake and integrated into the rebel group known as the New Colonial Alliance.
In the immediate aftermath of the Covenant War, Zane led a group of operatives who attempted to commandeer the UNSC Infinity —securing it as the flagship of the New Colonial Alliance and to prevent the UNSC from deploying it to police independent colonies. This plan was thwarted by Spartan Sarah Palmer, who ejected Zane into space where the rogue Spartan was once more rescued by Drake, who was on standby in a nearby Prowler.
Following this, Zane served as an acquisitions specialist for weapons and materiel, as well as a ruthless instructor for mercenary and rebel groups that joined the New Colonial Alliance, forging them into a veritable fighting force in preparation for a large-scale strike against the UNSC. However, the awakening of the Guardians in 2558 waylaid these plans, leaving Zane as a prisoner of the Banished—with whom she ultimately came to find both common cause and brotherhood.

BANISH THY HONOR

Halo: Tales From Slipspace - Hunting Party
Image ^[Imgur]
What does it mean to be Banished?
To be Banished is to seek to liberate oneself, to pledge loyalty not to false promises of divine ascension but to the fearsome might and will exemplified by Atriox.
Service is welcome from any species, of any previous affiliation or loyalty—from the lowliest Unggoy thrall to the mightiest Sangheili warrior, and all between and beyond.
Power is its own end. In the wake of the Covenant War, opportunity is rife to carve up the remnants of the fallen empire’s vast resources and obtain technology that furthers the prime directive of the Banished: to never bow again, a “reclamation” all their own of freedom.
Following decades of calamitous conflict that has left even the most capable commanders war-weary, it is the Banished that are energized and fortified in purpose and will. Payment for those who share common cause with Atriox comes in blood and sport and spoils.
But those who would choose this path must unshackle themselves from ties to the past—unbind themselves from old masters, cast off their piety, and banish their sentimental devotion to honor.
Only then can one become a true vessel for victory.
Only then is one truly Banished.

THIEVING MITTENS

Halo: Escalation Issue #3 page depicting a showdown between Spartan Scruggs, who has taken Admiral Hood hostage, and Spartan Palmer, Chieftain Lydus, and Arbiter Thel 'Vadam ^[Imgur]
Why would a Spartan go rogue?
It’s an apt question. After all, Spartans are meant to represent paragons of humanity in both strength and spirit. But across the generations of Spartans, there have been traitors, rebels, or those who simply wanted to leave the UNSC behind to live on their own terms.
For the Spartan-IIs, these examples came as a result of their training—of recognizing and rebelling against the horrific context of their situation.
In the “Homecoming” episode of Halo Legends, Daisy-023 and several of her fellow candidates sought to escape the program following the augmentation procedures that killed or maimed many of their brothers and sisters, but were ultimately brought back into the fold.
Likewise, in the Halo: Evolutions short story “Pariah,” Soren-066 was left disfigured by the augmentations and was gradually radicalized by a technician named Partch, eventually attempting to escape Reach and join the Insurrection. Indeed, the Spartan who sought to apprehend Soren was Randall-037, who later appeared in Halo: Nightfall where we learned that he had evaded the UNSC after the Battle of Vodin in 2532, even starting a family before ONI eventually caught up to him over a decade later, "reversing" many of his augmentations in exchange for release from UNSC service.
Looking to the Spartan Field Manual, originally released back in 2018, we can gain further insight into the risk of rogue Spartans as it applies to the SPARTAN-IV program:
STOLEN GAUNTLET
Nevertheless, the SPARTAN-IV selection process is not foolproof. Spartan-IVs are soldiers with preexisting philosophies and loyalties, and even the most carefully screened candidate can react to their augmentation and training in unexpected ways. Individual Spartans represent a strategically significant level of combat power and pose a major security threat if their loyalty is compromised.
The STOLEN GAUNTLET fail-safe protocol has been created to provide training and permissive rules of engagement for special agents tasked with tracking down and swiftly neutralizing rogue Spartans.
~ Halo: Official Spartan Field Manual, p. 86
Rogue Spartans
Halo Mythos artwork by Isaac Hannaford depicting Mickey's betrayal of Buck and Romeo in Halo: New Blood ^[Imgur]
Ilsa Zane represents the earliest example of this manifesting as a critical issue for the Spartan-IV program, and she is far from a singular example.
In Halo: Escalation, we see Spartan Vladimir Scruggs—another New Colonial Alliance defector—attempt to sabotage the peace talks between Arbiter Thel ‘Vadam and Chieftain Lydus.
Another prominent example is Michael Crespo in Halo: New Blood, who became disillusioned with being sent to kill other humans in the wake of the Covenant War and defected to the United Rebel Front with fellow Spartan Rudolf Schein.
Of course, defecting is one thing, but what is it about the Banished that would be attractive to a rogue Spartan? That is something wholly contingent upon the individual, and at present there is a specific example we can examine: Ilsa Zane.
Having been discarded by the UNSC after falling victim to experimental augmentation cocktails that ravaged her body and mind, she was eventually left for dead by Admiral Drake as well—she was herself “banished” from the places she had sought to belong. This, in combination with her proclivity for violence and a ruthless mindset, led her to discover a certain kinship with the Jiralhanae on Laika III, leading her to willingly pledge herself and the New Colonial Alliance to the Banished.
In the words of Spartan Scruggs: "I am a Spartan. But what you fight for isn't always the same as who you fight for."

ARMORY INFINITUM

The Ravager was a new weapon introduced to the sandbox in Halo Infinite, though it made its fictional debut in Halo: Shadows of Reach.
“The cacophony of gunfire was replaced by the sizzle of shock rifles and the thump-hiss of ravagers.”
~ Halo: Shadows of Reach, Chapter 21
Featuring a semi-automatic, three-round burst and a charge ability that can create a burning pool for area-of-effect damage, the Ravager quickly became a favorite tool of Jiralhanae warlords for its capacity to flush out garrisoned infantry.
A unique version of the weapon, the Rebound Ravager, can be found in the possession of Captain Arthoc—a high value target the Master Chief encountered on Zeta Halo. Rounds fired by this weapon have the ability to bounce, to which the words of Agent Washington from Red vs. Blue may come to mind: “It bounces? Who designs a gun that bounces?!”
Halo Infinite screenshot of Arthoc ^[Imgur]
ARMORY OF RECKONING CAPT ARTHOC FWD: RAVAGER
The Armory of Reckoning—it is a fitting name for the tools of conquest and destruction birthed from its forges.
When we advanced on the human remnants that had sought shelter within their crashed ship, I requested of Commander Bannix an augmented version of the plasma tossers produced by the Forge of Torograd.
Where we have mastered both spike and spear in our weaponry since before the Immolation, infusion matter remains an object of study for our alchemists. I was informed by the Screecleaver that there is a great savant stationed on Oth Liqattu who has sought to unlock further secrets of this fetid power, applying it to our own troops and many of our vehicles.
It is said that prolonged exposure to this corrosive bile can addle the mind and rot the body... that is good, for there are many small spaces in human ships. The capacity for this weapon to launch projectiles that bounce before erupting into toxic piles was of great use in flushing our foes from cover. How they flailed and danced to our battle song!
It is my understanding that pure infusion matter is pumped throughout Forerunner facilities, so we must dedicate resources to finding these wellsprings within the substructures of this ring. I shall bring this to Tremonius once he has returned from investigating a disturbance at his outpost.

MERIDIAN SLOANCOMING

Last month saw the arrival of Halo: Battle Born's rerelease, featuring two new short story “adjuncts” which we took a closer look at in our previous issue.
On April 30, the rerelease of Halo: Meridian Divide hit the shelves and—as folks have noticed—there's another adjunct in this one as well!
MERIDIAN HOMECOMING
Halo 5 screenshot of a Promethean Knight on Meridian ^[Imgur]
Completing the trifecta of new adjuncts in these rereleases is “Meridian Homecoming,” which is set in the immediate aftermath of Cortana’s final sacrifice on Zeta Halo in December 2559.
With the leader of the Created dead, the future of this fledgling faction has been thrown into doubt. High Auxiliary Sloan has returned to Meridian where he occupies a Promethean Knight’s carapace and wanders the vast glasslands of his home to find his own fate.
Of course, fans who followed the Precipice short story series last year (which accompanied Halo Infinite's recurring FIREWALL events) know that Sloan has emerged as a new leader within the Created and set into motion the creation of the Executors. “Meridian Homecoming” gives us a small moment in time with Sloan as he contemplates what the concept of home means to him, Cortana’s unfulfilled promise of salvation, his regrets over how he departed from Meridian, and the memories held within a Promethean Knight that set him on a new path.

COMMUNITY LORE CORNER

For this month’s Community Lore Corner, we kick things off with GammaCompanyMark who has put together a media order for the Halo series if you really, really want to experience it in some form of “timeline order.”
The fine folks at JumperScape have been adapting some of the lore and stories we’ve put out for Halo Infinite, beginning with the Intel drops we did for Season 2: Lone Wolves. (If you can believe it, it’s just passed the two-year mark for when this season launched!)
We recently discovered Lore VoidCat while checking out the latest Halo lore content on YouTube, and he has put together a fantastic series of videos about various expanded universe aspects—from every blade of the Covenant, to recounting the stories of various games and books, and more. Here’s one of his latest!
Would it be surprising if you learned that Covenant Canon has put out a new video featuring some... you guessed it, Covenant canon? In his latest release, we take a look at every known Arbiter throughout the Halo universe’s history.
Every now and then, the nostalgic longing for those halcyon days of 2007 return, which is exactly what you will feel when watching Meaning In-Between and Frogarchist's exploration of how mystery was a core thematic pillar of Halo 3.
And finally, David and Ian of Podcast Evolved have done a new “book club” episode on one of our previous Waypoint Chronicles: Saturn Devouring His Son.
With that, it’s time to sign off for this month’s issue.
If you haven’t already checked out Halo: The Third Life, be sure to do so—and if you have, well, go and read or listen to it again! Let the gears of speculation turn for what is depicted on the cover art for Halo: Empty Throne (don’t forget to secure your pre-order), and you can get your in-game Ilsa Zane cosplay sorted by completing the Banished Honor Operation Pass!
We depart with our favorite Ilsa Zane comic panel for your entertainment.
Halo: Initiation panel of Ilsa Zane shutting of the UNSC Infinity's original AI, Aine, saying "Quiet you." ^[Imgur]
This post was made by a script written and maintained by the Halo mod team to automatically post blogs from Halo Waypoint. If you notice any issues with the text output or think this was posted by mistake, please message the mods.

Link for all the chapters available for free here: Engines of Arachnea on Royal Road
Deep in the groaning halls of sinew and bone he awaited his audience with the god. At a wave of his hand the ribs which held up the ceiling contracted, tendons shifting within the pink walls of the chamber as the jagged, calcareous spurs that composed the doorway sank back into the spongy masses of tissue, revealing a passage curving down and out of sight.
Menash stood before the yawning portal and considered eternity. This was no an idle thought: here in the Dawning Chamber, the concept was very real. His father, Yulan, had stood in this exact spot times beyond count. When he was struck down in his prime by the Night Weaver and her Leaper offspring, torn limb from limb as he fought to defend Chthonis from a raiding party, Menash’s uncle, Aqavarr, had carried his broken remains over that grinning threshold to join the hosts of the dead, never to return.
A hot and heavy exhalation rattled up out of the depths, wafting in the acrid scent of the bonding pools and the wet slithering sound of the rebirthing canals. Menash felt a crackle of static in the corners of his mind before the signal sharpened and he heard It whisper distinctly:
“Enter…”
The familiar dread crept its way up the small of his back, and he gave a little shiver. No matter how many times he had communed with the Vitalus, he’d never been able to shake the feeling of his utter insignificance. But he persevered, walking bravely down the slurping passage, past the rows of broad antechambers lining either side of the hallway. Each one held a slumbering shape immersed in a cryogenic bath, towering hulks of muscle encased in ribbed and riveted plates of chitin. No two were alike in size or physiology, but all seemed to emanate the same primeval aura of dread that tickled Menash’s fight-or-flight-instinct, skewing it very much towards the latter response. These were the Hollowores, soulless avatars of the Vitalus, each one a tool capable of eradicating an entire species. As Menash approached, one of the living weapons stirred to life. A pronged, anvil-shaped head emerged from the bath, umbilical feeder tubes detaching from its armored flanks as the rest of its bulk followed, its mauve exoskeleton as sleek and shiny as amethyst. The Hollowore extended legs as thick as grown pine trees and lifted itself above him, its pairs of crushing pincers dripping amniotic fluids as it herded him towards the central room.
Bundles of white gossamer filaments spread all across the floor, encircling steaming pools of pus and acid. He saw arms and legs, sensory organs and entire exoskeletons being knitted before his very eyes, the amino acid chains being stitched on a layer at a time, the weeping pus evidence of microphages fighting off possible infections as the Vitalus did Its work.
These were the next generation of exomorphs, yet to be assigned to their hosts. It was here that Vitalus constantly improved the only thing that could ensure the continued survival of Menash’s subspecies. Exomorphs were bonded to Gallivants at birth, the organisms supplying their hosts with the means to breathe an atmosphere they was never meant to endure, and the strength to fight in a world that was red in tooth and claw. They were as swift as the summer wind and could multiply their host’s muscular power by up to twelve times their natural output.
But for all their God-given might, Gallivants were still mortal. They could and often did perish in the endless struggle for existence that the Vitalus called the Great Game. But even in death they could still commit their essence to posterity, passing down their defining traits through the malleable genetic code of the gilt helix. It was the Vitalus’ greatest boon; through the gilt helix a single individual could become a progenitor of an entire generation, becoming at one stroke the father of whole nations and peoples.
One day he too would prove worthy of the honor that Yulan had earned with his life. But he was not alone in that ambition. Menash was annoyed to find the crimson-clad Vezda and the cowardly Racek waiting for him inside, standing next to a large ball of filaments that hung from a tonsil-like growth hanging from the walls.
This node pulsed, emitting a small storm of bioelectric activity, networks of fungi conveying commands in the form of oscillating voltages to their communities of symbiotic bacteria, the latter containing greigite mineral crystals aligned in the shape of electromagnetic coils. Other networks hidden in the walls modulated and amplified the signals, and the three Gallivants steeled themselves for the onrushing flood of information as the Vitalus tapped into their minds.
He was a candle before the raging heart of the thunderstorm. For an instant Menash touched a fraction of Its intelligence, the divisions of time and space rolling back as they joined the ocean of shared consciousness, becoming one with the living systems of Arachnea. From the tiniest aeroplankton floating above the waves of the golden coastlines, to the herds of ultrapods munching their way through swathes of trees in the savannahs. Menash felt himself pushing up out of the soil, longing and lusting and reaching for the sunlight with a trillion green fingers uncurling, alive with the furious movement of life.
But what was that flicker of orange to the east? That searing heat, that prickling pain spreading like a cancer down his side?
The Vitalus scooped them up and hurled them headlong into hell itself. A roaring wildfire was sweeping into the heart of the eastern rainforests. Menash tasted ash and ruin, felt pieces of himself wither and burn, his branches tongues of fire, wood cracking from the intense blaze, sap boiling instantaneously upon contact and rupturing, splitting him right down the grain. He fled in terror, running, slithering, digging, swimming, flying away in crazed panic from the walls of red death closing in on him. As his skin flaked off in clumps of charcoal he looked back and saw it towering over the treetops, the epicenter of this howling vortex of destruction: the grey behemoth. Its burnished metal hide gleamed like copper, reflecting the fury of the conflagration burning well into the night.
Menash pulled his mind away before it was lost forever in the storm of electric potentials. He saw Racek and Vezda swaying on their feet, breathing hard and fast.
“Heart of the World,” he managed to gasp, “What is your bidding?”
The Hollowore maneuvered itself until it was facing him directly. Tiny beady eyes fixed him in their blank gaze. The node emitted a blue pulse and the creature shuddered as it received the signal. It opened a maw powerful enough to chew boulders into gravel and rumbled:
“This one is the alpha which survived first contact with anomalous variable. It will tell Us what occurred, and from whence this threat emerged.”
“It came from the karst mountain range, where the yellowjacket Amit live,” Menash replied, “It was destroying the largest mound in that area, massacring its inhabitants. It brought the mountain down on them—we’ve never seen anything like it. Zildiz was the first on the scene. She warned us not to approach, and that it was dangerous, but some of us,” here he cast an angry look at Vezda, “Some of us went ahead and tried to scavenge from the bodies of the dying. Then the behemoth ignited the air and burned scores of us to cinders.”
“Irrational. Why did you do this?”
“W-we thought that you had spawned the grey behemoth,” Menash stammered, embarrassed to say the least, “That it was the newest addition to the Great Game, another species of ultrafauna that would help perfect Arachnea.”
“Not so. It was made by an evil far older than the All-In-One,” replied the Vitalus, “It is called a Divine Engine. In cycles past, this evil sought to undo this world and all that inhabit it. In that, it almost succeeded.”
Menash felt his blood run cold at those words.
“Is it the only one of its kind?” Racek piped up. Menash and Vezda both bristled at his interruption; subordinates were only supposed to speak when spoken to.
“There were several deployed here in Our infancy. We had thought them all destroyed in the War of Creation.”
“Your Munificence,” Racek went on, heedless of the venomous looks he was getting from the other two, “Most of us survived because Zildiz persuaded us to dive into the river. She saved all our lives! But as I washed up on the riverbank, I saw the behemoth casting a seedpod into the skies. I did not see where it landed, but it was travelling in a high arc due east. Is this the behemoth’s method of reproducing? If so, then how many offspring can it generate from this one seed?”
The Vitalus met his questions with a minute of silence. Menash had never known It to take so long to respond to a query, and felt another stab of unease in his gut. Unless he was imagining things, the Vitalus seemed genuinely disturbed by the scenario that Racek has raised, enough to convince Menash that the danger was far from hypothetical.
“That is a distant possibility,” It said somewhat cryptically, “Regardless, We cannot allow the Engine’s continued existence.”
“Then it must be destroyed,” Vezda said, her barbed tail eagerly perking up.
“We are not certain that it can be,” the Vitalus said, and Menash heard Racek audibly gulp at the admission.
“But Your Omniscience, you alone are the arbiter of growth and decay,” Vezda said in disbelief, “Surely you can unmake this monster as well?”
“Perhaps. The Divine Engines were built to withstand the extremes of temperature, gravity, atmospheric pressure, acidity and irradiation found on semi-inhabitable exoplanets. Worlds of bareness and desolation, glassed by thermonuclear bombardment or infested with alien microorganisms. In the wars of Our youth, the Betrayers used tungsten-alloy warheads fired from space platforms to crack their bulkheads. Not even Our vessels, the Hollowores, could damage them in any significant way. We will need time to gather the raw materials and fabricate the weapons needed to end this threat.”
“What must we do?” Menash asked.
“If this variable is not dealt with, it could upset the delicate balance We have sacrificed so much to achieve. Already the wildfire it has caused will release close to 400 million metric tons of carbon dioxide into the atmosphere and destroy 2.3 million acres of forest before Our countermeasures can stop it. Time is our limiting factor. If the Engine cannot be destroyed now, it must be restrained.”
“It hasn’t moved an inch since we last saw it,” Vezda said brightly, “Maybe it has already died?”
“Yes, and maybe your mother was a horka toad,” Racek said snidely. Vezda scowled and took a step towards him, then stopped as she remembered that she trod on hallowed ground.
“Not so. It has merely gone dormant. Having expended its fuel, it is now running on the bare minimum of its reserves. My children, you must ensure that it does not wake again. Establish a quarantine zone around the Engine and let none approach, on pain of death. The Leaper kindreds will secure the ground while the Gallivants patrol the skies.”
Vezda and Menash exchanged troubled looks. Nobody wanted Leapers establishing a foothold in what was essentially a buffer zone between their subspecies. Once allowed to settle in a habitat, it would not take long for them to adapt and become masters of their new territory. Ousting them would become a battle of attrition, and given the lower birthrates of Gallivants, it was not one they could long afford.
“Respectfully, we do not require assistance from our brother kindred,” Menash ventured, “We are more than capable of safeguarding the area ourselves.”
The node throbbed again, the bioelectric flashes taking on an angry purple hue. With a sound like the grinding of a millstone the Hollowore clashed its claws together impatiently. All three of the mortals took a hasty step back.
“The alpha will obey, or another will be found that can,” the Vitalus growled at them, “All subspecies will observe a general truce during this period. This is a temporary addition to the Great Game. Those that serve Us well shall be rewarded. We shall also enlist the aid of your terrestrial cousins, as well as the Cataphract clans to replenish the soil, and lone Saints who shall rove beyond the quarantine zone.”
Menash’s unease deepened. The Vitalus was bringing together four different kindreds, some of which killed each other on sight, in a move that reeked of desperation. The kindreds had worked together before, of course, on complex projects such as altering rainfall patterns and husbanding struggling species, but never so many at once. This was bound to end in bloodshed.
“Those that break the truce shall be chemically neutered, and their gilt helix purged from the existing gene pool,” the Vitalus continued, “You will maintain this quarantine until We have dealt with the Engine.”
“It is understood!” Menash and Vezda said at once.
“But what about Zildiz?” Racek blurted out, again risking his entire lineage by speaking out of turn, “She might still be alive out there!”
“He’s right,” Menash found himself agreeing despite his dislike for Racek, “She’s our alpha, after all. It would be a shame to lose her helix. Do we have your leave to send out a party to recover her?”
The Vitalus pondered the request for a moment, then crushed his hopes when it said:
“Regrettable, the loss of the female. Valuable stock for the breeding program. But it has not responded to Our signals—it is unlikely to have survived. The female Vezda shall take up its duties as alpha.”
“But Your Benevolence—” both men cried out in unison.
“It is decided. She has risked the Great Game, and must abide by its outcome. To speak more on this would risk Our displeasure,” the god warned.
“We can’t spare the manpower anyway,” Vezda pointed out, trying not to look too pleased at Its decision. She darted a quick look at Menash, long enough for him to see the selfish desire festering in her heart. He turned away from her in disgust, baring his blades by the slightest of margins to let her know what he thought of her, then asked the Vitalus:
“But what of the Engine’s seedpod? Should we search for it?”
“Negative!” the Vitalus boomed, its node reinforcing the word with a spike of activity that sent needles of pain spearing into their heads, “We shall complete this task. It is dangerous and can be entrusted to no other.”
The Hollowore angled its massive head towards the cavernous ceiling, armored flaps on its back sliding aside as it unfurled sets of rigid sixty-meter wings. A wide sphincter on the roof gaped open and Menash saw the evening sky awash with the stars in their milky multitudes. The Hollowore took a deep breath through the spiracles lining its thorax and abdomen, pumping air through a pair of hollow tube-like protuberances under either of its wings. Menash and the others quickly scampered to a safe distance. Seconds later there was a scream of chemical combustion and the Hollowore rose into the evening skies, leaving behind a long trail of superheated gases, the backwash almost knocking Menash off his feet. They watched as the Hollowore gained altitude, making straight for the columns of billowing smoke on the horizon, a sweeping shadow blotting out the light of the heavens.
The Vitalus’ mental presence receded with it. When it did not return, they took it to mean that they were dismissed and likewise took flight and headed for Chthonis. They were hardly out of the Dawning Chamber when Vezda seized the scrawny Racek by his wings and anchored her feet right up against his back.
“Funny little man, are you? Crack jokes at my expense again, and I’ll see to it that you’ll never fly again!” she snarled, yanking hard. Racek yelled as his wings threatened to pop out of their sockets.
“Stop!” Menash said, ramming his shoulder into her and knocking the smaller male out of her grip. Vezda rounded on him, blades out and her tail aquiver with rage.
“As for you! No one should speak to the Vitalus like that!” she shrieked, “Much less gainsay It! Are you trying to get us all killed? It is the source and continuance of life itself—”
“But the Vitalus doesn’t always consider the individual scale of things,” Menash reasoned, controlling his rising anger as he tried to defuse the situation, “Its scope of thought is beyond ours. Therefore it is up to us to look after each other. None of us can win the Great Game alone. We need people like Zildiz for the species to prosper.”
“Your logic is flawed,” Vezda spat, “Empathy is a sham devised by the selfish action of the gene, which seeks only to preserve itself. At least I am honest enough to look after my own interests. Your obsession with that whore is misplaced. Heed my words, Menash. What happened today marks a change in the Great Game. Only the ruthless will reap the rewards of this era. Think on that, and act accordingly.”
The female darted off in another direction, leaving the two behind.
“Thanks,” Racek said, rubbing at his sore shoulders, “My, my. She’s really taking her promotion very seriously, isn’t she?”
“This doesn’t make us friends,” Menash said shortly, “We share a common interest, that’s all.”
The two flew together in silence for a time, the dark canopy unrolling below their feet. Racek had always been a bitter rival for Zildiz’s affections. In the mating seasons he and Menash had flown the damsel-dance against each other countless times, racing and dogfighting at top speed through the dense bamboo thickets in an effort to impress her.
But each time she had always chosen Menash. Naturally. He was the stronger, the braver, the son of the Scourge who had slain hundreds on his lightning raids into Leaper territory. Their pairings had been brief and passionate, yet she had always laughed at the end and gone on her merry way, a rose petal borne on a scented breeze, the dalliance as meaningless to her as other concerns like eating or breathing.
But not to him. Right now, all that mattered was her. And Racek was the only one in the whole wide world who knew exactly how he felt. Did that mean he could be trusted? Menash considered the enormity of what he was about to do, and wavered. Then he saw her face in the darkness of his home, the face she wore when they were all alone together, and he took a deep breath before breaking the silence, saying:
“I’ll be in charge of the quarantine. I can arrange for you to disappear for a few days. I can have one of the younglings mimic your magnetosynaptic signal, make it seem like you’re with the rest of us.”
“You’d do that? For me?” Racek said in astonishment.
“Hah. Not for you,” Menash laughed softly. He looked Racek straight in the eyes and continued: “What’ll it be, then?”
If he so much as hesitates, I’ll have to kill him here and now, Menash told himself.
“Why, yes. Yes, of course!” the little brown male said vigorously.
“Good,” Menash sighed with relief, “She’ll be very grateful to whoever brings her home. I’d do it myself, but as an alpha I can’t risk being seen as disobedient.”
“Then why give me this chance? After all that’s passed between us?”
“I should have thought that was obvious,” Menash replied. Racek digested that for a bit, then out of nowhere said:
“If I find her—when I find her—I’ll tell her exactly who it was that sent me.”
“That won’t be necessary.”
“Bah! Just so we’re even, that’s all,” Racek grinned, his mouthparts slanting askew.
“Thanks, I guess. I’d…I’d appreciate that. You do understand what we’re risking here, right?”
“Sure. We’ll be total genetic write-offs if we’re caught. But it’s not like I wanted to see tiny ugly Raceks running around the house anyway. What about you, though? Why are you putting your neck on the chopping block?”
“You know why,” Menash said quietly, his thoughts still lingering on her face.
“Yes,” Racek agreed with a wistful air, “Yes, I suppose I do.”
And the pair spoke no more until they reached Chthonis.
Link for all the chapters available for free here: Engines of Arachnea on Royal Road