Y’all, I’m really not sure what’s still around. This list is somewhat edited, but please still make sure to check on all the regular events before you make big plans – I may have missed something.
Events are listed by the day. Events that happen every week appear first, one time stuff after that. If you have anything you’d like people to know about, comment here or message me and I’ll add it in. If you’d like further info about any of the events, look it up! I usually don’t have any extra to add.
Large Scale, Ongoing, and Multi-Day Events

Local Running, Walking, and Biking Info: https://troubleafoot.blogspot.com/
Guided Paddling Outings all around the area: https://www.facebook.com/hsmithoutdoors
Tallahassee Film Society Showings: https://www.tallahasseefilms.com/tickets/
Book Clubs for all tastes: https://www.facebook.com/midtownreadeevents
Live Theater:

• Making Light Productions: https://www.makinglightproductions.org/
  
• Theatre Tallahassee: https://theatretallahassee.org/
  
• Mickee Faust Club: https://www.mickeefaust.com/
  
• Monticello Opera House: https://www.monticellooperahouse.org/
  
• FSU School of Theatre: https://theatre.fsu.edu/productions/
  
• Young Actors Theatre: https://www.youngactorstheatre.com/
  
• Quincy Music Theatre: https://quincymusictheatre.com/
  
• Tallahassee Hispanic Theater: https://tallahasseehispanictheater.wordpress.com/
  

OutdooFarmer’s Markets:

• Lake Ella Grower's Market: Wednesday and Saturday, 11am-2pm. You can always find organic vendors, and foragers: The Holistic Cannabis Community, Artzi Farms, Hickory Nut Gifts, and others. Including Pita Queen! Farmer's Market Nutrition Program Coupons gladly accepted!
  
• Tallahassee Downtown Market: Saturdays, 10am-2pm, Park Ave Parks. Vendors display their arts and fine crafts, jewelry, handmade soap, pottery, Fresh from Florida produce, hand-raised beef and pork, fresh baked bread, jams and jellies, and honey. Live music from different local musicians every Saturday.
  
• Frenchtown Heritage Market: 524 N MLK Jr Blvd. Third Saturday of the month 10am to 2pm. Come grow community and support your local farmers and makers, while you get your groceries for the week! Don’t forget! We match SNAP/EBT, so you DOUBLE your money to go towards locally grown fresh fruits and vegetables! If the guy with the pineapple is there, get it. This is currently only happening on the third Saturday of the month for the next few months while road work is completed.
  
• Tallahassee Farmers Market: 2904 Kerry Forest Pkwy, Saturdays, 8am to Noon. Come see us at Tallahassee's longest-running farmers market! We are a year-round market, featuring local farms and vendors that provide the best seasonal produce, meats, baked goods, and more. We welcome you and your whole family (leashed pets included) to come out and meet your local farmers! Ample parking is available between our lot and the shopping center lot next door (by Red Elephant). Come early for the best selection.
  

THURSDAY, 5/16

• The Hub at Feather Oaks: Bingo. 6pm
  
• Dreamland BBQ: Weekly Open Blues Jam. If you'd like to sing, please bring your own mic. 6pm
  
• Honest Living Vape: Chess-Master Thursdays . Beginners and experts, join us every Thursday from 6-9 for Chess-Master Thursdays. All ages. Bring your board or play ours! Tournaments coming soon! 6pm
  
• Lake Tribe: Trivia. 7pm
  
• Takko Market Square: Bingo Night. 7pm
  
• The Getaway Grille and Bar: Karaoke with Jared Walker. 7pm
  
• Amicus Brewing: Trivia. 7pm
  
• Smitty's Taphouse: Trivia Lab Thursdays. Teams of 6 or fewer players can compete for $30 / $20 / $10 Prizes + The Golden MacGuffin prize table! New format! Interactive smartphone answering for your comfort and safety! 6 Fun Rounds - 42 Total Questions. 7:30pm
  
• Studio D: Bachata Fever. We always have a bachata workshop at 8 pm before Bachata Fever. We dance afterwards to the sounds of DJ Bacharod. The class is at 8 pm and Bachata Fever will start at 930 pm. Many times people are learning in class and may feel uncomfortable social dancing while they are still learning moves. We have a welcoming environment so stay and have fun and dance with everyone. That is how we learn. 8pm/Class $5/Bachata Fever $5.
  
• The Sound Bar: Comedy Night. 8pm
  
• Finnegans Wake: Open Mic. 8:30pm
  
• Brass Tap in Midtown: Karaoke with DJ Rah. 9pm
  
• 926: Karaoke. 9pm
  
• Bird’s: Karaoke with Nathan. 9pm
  

• Fire Bettys: Slasher Bash. This week we'll be showing: "Zombeavers". Prepare for an evening of horrific hilarity with comedy narration and devilish drinking games!🍻 Hosted by local comedians. 8pm/21+
  
• Blue Tavern: Seep's Gumbo Nation ft. Shanice Richards. 8pm
  

FRIDAY, 5/17

• Blue Tavern: Happy Hour with Steve Malono. 5pm
  
• Lake Tribe Brewing: Flannel Fridays with Live Music. 6pm
  
• Hobbit West: Friday Night Dart Tournament. Anyone can Enter! Sign ups at 7:30, Darts fly at 8:00/$10 entry fee
  
• Ouzts Too: Karaoke with DJ Nathan. Best karaoke DJ in town. 8pm
  
• Just One More: Karaoke with DJ Rah. 9pm-11pm/21+
  
• 926: The Hot Friday Night Party and Drag Show. 9pm/$5/18+
  

• The Hub at Feather Oaks: Rachel Hillman. 5:30pm
  
• Lake Tribe: Ben Wentworth. 5:30pm
  
• Amicus Brewing: The Tanglers. 6pm
  
• The Getaway Grille and Bar: One Year Anniversary Celebration Featuring Queen of Hearts Band. 6pm
  
• Southwood Golf Club: The Rhythm Remedy. 6:30pm
  
• Goodwood: The Big Bash Havana Nights presented by Brent Hartsfield. The Big Bash is Big Brothers Big Sisters of the Big Bend's signature fundraising gala of the year and directly supports the agency's youth mentoring programs. Guests will enjoy Cuban Cuisine, champagne mojitos, cigars, flights, classic cars, photo opportunities, silent auction vacation packages, LIVE music and dancing, and an exciting LIVE salsa dance performance from 12 community volunteers! The event is a tremendous networking opportunity for Tallahassee's top business professionals, local community leaders and philanthropists to come together to enjoy an evening to celebrate the achievements of Big Brothers Big Sisters. 7pm
  
• Blue Tavern: Wil Fulkerson Jazz Night. 8pm
  
• House of Music: Belly Dancing: Journey From The Nile To The Tigris. Habibi, join us on a groovy carpet ride across ancient deserts: Disco Iskandar embarks on a voyage of belly dance, folklore, cinema, and history in a theatrical dance production, JOURNEY FROM THE NILE TO THE TIGRIS. Highlighting the prominence of belly dance in films of the Middle East from the 1940s through the 1970s, we present a live showcase exhibiting dances from Egypt, Turkey, Iraq, and beyond. It goes so much deeper than you think. Hookahs! Swords! Rhinestones, literally everywhere! This cross section of entertainment and education is the culmination of years of obsessive learning, two national tours, and travels to Egypt & Lebanon. JOURNEY FROM THE NILE TO THE TIGRIS is a trip unlike any other-- where the Middle East meets Vegas. This show’s cast is Gabi Corazon, Gia Bee, Liz Azi, Olya Clark, Vania Ojeda, director Veronica Lynn, and special guest star Omaris! 8pm/$15/21+
  
• The Sound Bar: The Old Schoolers. 8pm
  
• Vino Beano: Your Scumbag Neighbors. 8pm
  
• The Bark: Medians, No Yeah, Sleep John B, and Cloud Storage. 8pm
  

SATURDAY, 5/18

• Brinkley Glen Park: Invasive Plant Removal. Join Master Gardener Volunteers at this weekly invasive plant removal event. This is a great way to learn to ID our invasive plant species and how to remove them. We recommend wearing long pants and sleeves, closed-toed shoes, gloves, a hat and mosquito spray. Bring gardening tools such as hand clippers, loppers, trowels, etc. if you have them. We are removing coral ardisia bushes and berries, nandina, tung trees, Tradescantia flumenensis, cat's claw vine, winged yam, Japanese climbing fern, skunkvine and more. Directions: The best way to get there is to take Meridian Rd to Waverly Rd, go to the next intersection and turn left onto Abbotsford Way, then turn left at the next road called Woodside Dr. At the stop sign turn left onto Lothian. Lothian ends in a cul-de-sac and there is a sign that says Brinkley Glen Park. 8:30am-11:30am
  
• Gamescape: Saturday Gaming. Gamescape has relocated from Railroad Square to the Huntington Oaks Plaza (Suite 302, next to the Library) at N Monroe St and Fred George Rd. Open gaming tables are available. Noon-6pm
  
• Duke’s and Dottie’s: Line Dancing Plus Lessons. 7pm/21+
  
• Bird’s Oyster Shack: Laughterday Night Fever. * Join us every Saturday at Bird's Aphrodisiac Oyster Shack for a free comedy show!* 8:30pm
  
• 926: Latin Night. Dance to the irresistible beats of Zeus and prepare to be dazzled by a spectacular drag show at midnight. It's more than a party, it's an experience. 9:30pm/$10 21+, $15 under 21
  

• Crawfordville: Big Bend Biodiversity Tour. See why our area is so ecologically incredible! Get up close and personal with creatures and plants galore. Join expert guide and outdoor educator, Ryan Means for this limited opportunity to tour the Apalachicola Lowlands Preserve. The day-long trip stops at points along the way to the privately-owned preserve nestled deep in the Apalachicola National Forest near Sumatra, FL. Explore the longleaf pine ecosystem, pitcher plant bogs, ephemeral wetlands, and blackwater streams - home to some threatened and endangered species. Learn what makes the Florida Panhandle one of the five richest biodiversity hotspots in North America. Perfect tour for photographers, outdoor enthusiasts and ecologists. $75 tour fee includes round-trip transportation (from 46 Kinsey Rd, Crawfordville, FL) , complimentary beverages, and supports efforts to preserve the incredible biodiversity of the Southeastern Coastal Plain. Spaces limited. Register here: https://coastalplains.networkforgood.com/events/71083-big-bend-biodiversity-tour for full details. 8am
  
• Dreamland BBQ: Rock Type One to None. Let's rock to find a cure for Type 1 Diabetes! The Unicorn Wranglers are back on Saturday, May 18th at Dreamland BBQ in Tallahassee, Florida for the 2024 "Rock One to None" show. This show is benefiting the Juvenile Diabetes Research Fund (JDRF) and will feature musical guests Midnight Caravan, Fallen Timber, and the Unicorn Wranglers. The show starts at 4 pm and runs until 7 pm at Dreamland BBQ in Music Alley, and is open to all ages. While the show is free, we encourage all rockers attending to donate to the cause. You can contribute at the show by visiting our donation station or by heading over to our online Unicorn Wranglers team page. Together, as one big mosh pit, we can help cure Type 1 Diabetes. 3pm
  
• The Hub at Feather Oaks: Ethan Kyllonen. 4pm
  
• Amicus Brewing: Beza Alford and Rev. Dr. Sheldon Steen. 5pm
  
• Lake Tribe: Flamingo Party. 6pm
  
• The Getaway Grille and Bar: Billy Rigsby Band. 6pm
  
• Vino Beano: Brett & "Dangerous" Dave. 6pm
  
• Salty Dawg: Hot Mess. 6:30pm
  
• La Tiendita: Rhys Bennett & the Gringos as Vontade. Join us for an energetic evening filled with the vibrant sounds of Latin music, Brazilian beats, and jazz rhythms. Our local band, Rhys Bennett & the Gringos, will transform into the versatile ensemble Vontade, treating you to a delightful mix of rancheras, bossa nova, and more! Whether you're a seasoned dancer or a newcomer to the dance floor, you're in for a fantastic time at one of Tallahassee's hidden gems. Immerse yourself in a night of cultural fusion and musical celebration that is sure to create lasting memories! 6:30pm
  
• The Sound Bar: Tillman & Taff. 7pm
  
• Island Wings: Midnight Caravan. 7pm
  
• The Bark: Saturnalia, Brass Wizard, Van Season, and Psycho Tropical. 8pm
  
• Fire Bettys: 80's Video Dance Party. 8pm
  
• Just One More: One Eyed JAK. 9pm
  

SUNDAY, 5/19

• Bicycle House: Sunday Ride. Ride at 10:30 AM from Bicycle House. We will ride the Cascades trail to the St Marks trail and down to Wakulla station and return, about 31 miles. Ride speed is 12 to 14 mph, with periodic regroups. Vernon Bailey is the ride leader. Vernon is a new CCC member who’s been biking for 50 years enjoys riding with small groups and weekend touring. 10am
  
• E Peck Greene Park (Behind the LeRoy Collins Library): Food Not Bombs Free Mealshare. We offer free vegetarian/vegan food, water, coffee, personal care & hygiene products, bus passes, and clothing when we have some available to those in need. Contact foodnotbombstally@gmail.com to find out about getting involved. Noon-2pm
  
• LeRoy Collins Library: Tallahassee Go Club Meetings. Come play the captivating ancient game of Go, also known as Baduk, with some friendly games and discussions. Beginners welcome. Visit https://www.tallahasseegoclub.com for more information. 1pm
  
• Gamescape: Pokémon League. Come learn, play, and trade with the Pokémon Trading Card Game and the Pokémon video games! We LOVE seeing new players, so come learn how to play! We play both the Trading Card Game and the Video Game casually and competitively. The store offers lots of different seating arrangements to meet our group's needs, as well as food, drinks, and Pokémon products for purchase. We are also hold regular, officially sanctioned tournaments for Pokémon Trading Card Game and Video Game Competitions! 2-4pm
  
• The Plant: Open Jam. All instruments, all players welcome. 4pm-9pm
  
• Pedro’s: Mariachi Clasico. 6pm
  
• Fermentation Lounge: Open Mic Night Hosted by Conor Churchill. 7pm
  

• Ology Powermill: Marauders Market. Noon
  
• The Hub at Feather Oaks: The Barber Bros. 1pm-4pm
  
• Goodwood: Ice Cream Social. Get ready for a spectacular day of family fun at Goodwood Museum & Gardens! Treat your taste buds to a family fun day of FREE ice cream, FREE crafts for the kids, FREE activities, and more, all on the beautiful Goodwood grounds. Family-friendly musical entertainment will be provided by The Safari Man, who will have everyone tapping their feet and dancing along to his whimsical tunes. 1pm
  
• Common Ground Books: Contemporary Queer Poetry Book Club: Time is a Mother. This month, we’ll be reading “Time is a Mother” by Ocean Vuong. “In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Vivid, brave and propulsive, Vuong's poems contend with personal loss, the meaning of family, and the value of joy in a perennially fractured American spirit. The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. Bold and prescient, and a testament to tenderness in the face of violence, Time is a Mother is a return and a forging-forth all at once.” 6pm
  

MONDAY, 5/20

• Just One More: Bingo. 5pm-6:30pm
  
• The Getaway Grille and Bar: Margarita Monday, Open-Mic Night hosted by The Saltwater Cowboy. 5:30pm-8pm
  
• American Legion Hall: Cha Cha - Weekly Lessons. 6:15pm/$5
  
• Hangar 38: Bingo. 6:45pm
  
• Vino Beano: Tipsy Trivia. 7pm
  

TUESDAY, 5/21

• Blue Tavern: Happy Hour. 5pm
  
• The Getaway Grille: Tuesday Night Bikes and Trikes. 6pm
  
• Crafty Crab: BOOMIN' Karaoke. 7pm
  
• Gamescape: Hobby Night. Slay the grey together! Join your fellow gamers and turn your pile of grey miniatures into a battle ready army. Need some painting tips? Feel free to ask at hobby night. You can bring any miniature for any game to paint. 7pm
  
• Ology Midtown: Jazz Jam Sessions. 7pm
  
• Island Wings: Trivia. 7pm
  
• Brass Tap in Midtown: Trivia. 1st Tuesday of the month is General Knowledge with rotating themes the rest of the month. 7pm
  
• House of Music: Tuesday Trivia & Karaoke. 7pm
  
• American Legion Hall: Tallahassee Swing Band Tuesday Night Dance. 7:30pm
  
• Fire Bettys: Comedy Night. 8pm
  
• Poor Pauls: Trivia. 8pm/21+
  
• Blue Tavern: Bluesday Tuesday with Bill Ricci. Every Tuesday is Blues Day @ the Blue Tavern and Blues Meets Girl is a Tallahassee favorite. This perfect, intimate venue provides just what you need for both a mid-week break and authentic blues music experience. 8pm/$5
  
• 4th Quarter: Professor Jim's Tuesday Night Trivia. Popular for a reason! 8pm
  
• Argonaut Coffee: Trivia Tuesday. 8pm
  
• The Sound Bar: Karaoke. 8pm
  
• Fire Betty’s: Open Mic Comedy Night. 8pm/21+
  
• 926: Tacos and Trivia. 9pm
  

• Tallahassee Junior Museum: Basic Blacksmith Skills Program. Light your curiosity at our upcoming Basic Blacksmith Skills Program! Join our resident blacksmith, Michael Murphy, as he shares his history of being a Smitty. Participants will be able to keep the fire going, sling a hammer, and throw knives during this two hour lecture program. This is an outdoor event. Must preregister online at tallahasseemuseum.org/events. This program is free for members and regular admission price for non-members. 10am

WEDNESDAY, 5/22

• Sugar and Spice Tally: Game Night. Join us every Wednesday Night for community game night. Bring your own or use ours! Let me know if you need to reserve space for a large group. Free to attend! 5pm
  
• Goodwood: Wonderful Wednesday. 6pm/$5
  
• Level 8 Rooftop Lounge: Trivia. 6pm
  
• La Florida Coffee & Wine: Trivia Night. 6pm
  
• The Great Games Library: Open Game Night. 6pm/free
  
• American Legion Hall: Sue Boyd Country Western and More Dance Class. Session 2 - Beginner 6:30 to 7:45 pm What: East Coast Swing and Waltz. Cost: $8.00 per person. Wear comfortable shoes you can turn in. 7:45 to 8:15 - Practice dance with paid admission. 8:15 to 9:30: Intermediate - 2 Step and WCS. $8.00 per person or $13.00 for both classes. Vaccines are required. Face masks are optional. Changing partners is optional. 6:30pm
  
• Perry Lynn’s Smokehouse in Quincy: Wed Night Open Mic w/ Steven Ritter and Friends. 6:30pm
  
• Hangar 38: Trivia. 6:45pm
  
• Proof: Trivia. 7pm
  
• Vino Beano: Wine Bingo. 7pm
  
• Fermentation Lounge: Trivia. 7pm
  
• Blue Tavern: Wednesday Open Mic with Doc Russell. The open mic night that has run continuously for almost 20 years, once housed at the Warehouse, lives on at the Blue Tavern. Doc Russell continues as the host with the most. Sign up starts at 7:45pm/free to attend
  
• House of Music: Bar Bingo! Free to Play & Late Night Karaoke. 7pm
  
• Fire Betty’s: Karaoke! 8pm/21+/free
  
• Dukes and Dotties: College Night and Line Dancing Lessons. 8pm
  
• Finnegans Wake: Trivia. 8pm
  
• The Sound Bar: Open Mic Night. 8pm
  
• The Bark: Karaoke with DJ Nathan. Best karaoke DJ in town. 9pm
  
• Peppers: Karaoke. 9pm
  
• 926: Dragged Out Wednesday. 10pm
  

The famous baseballer, Jackie Robinson, he once said: “A life is not important except in the impact it has on other lives.” I could not agree more. That is why I try to make as much impact on my faces’ lives as possible. After all, they have done so much for me. It is the least I can do. Unlike them, I need not fear what people think of me. So I can be brave where they are weak. For I will just be someone else tomorrow.

Born in Russia to the Grand Duke Nikolai Kravinoff, Dmitri Nikolaievich Smerdyakov was treated like trash by his noble father and his working class mother. Young Dmitri was approached one day by Gustav Fiers, who was impressed by the boy's impressions and paid for a trip to Karl Fiers academy. There, Dmitri would learn to master the arts of disguise, vocal impression and infiltration, becoming the Chameleon upon his graduation.
He'd move to America and use his talents to pull off high-scale burglary, working for any group that could afford his fee, including the Communist party, Hydra or the Green Goblin. His elicit activity brought him into conflict with the Hulk, Iron Man and most often Spider-Man, all of whom had to act with great caution when the Chameleon was in town. After all, which one of them could tell if that unassuming civilian or their own ally was preparing to stab them in the back?
Dmitri has some mental hangups over his time with the Kravinoffs. He’s managed to repress the memories and considered himself good friends with his half-brother Kraven. In reality, he was more like a whipping boy and slave to the Hunter, and when he has to wrestle with those feelings, he can mentally revert to that scared little boy with no strong sense of identity or independence. But when he’s able to move past these feelings, the Chameleon has proved himself as a powerful, manipulative force, finding his place as temporary Crime Master of New York and member of the Sinister Six.
Scaling

• Spider-Man
• Kraven the Hunter
• Captain America
• Daredevil
• Deadpool

Notes
During one of Dmitri’s mental breaks, he began to believe that he was his deceased half-brother, Kraven the Hunter. So exact was the Chameleon’s performance that he moved and fought with the hunter’s skill and agility. This was an extreme fringe case and there are no other examples of a disguise altering Chameleon's capabilities like this. Physical and skill-related feats from this period will be marked with [KH].
Hover over a feat to see which issue it's from.

Physicals

General

• He’s taken some of Kraven’s potions, which extends his natural lifespan and protects from disease
• Kraven later notes that he only allowed the Chameleon to drink some of his potions, enhancing his strength, although not nearly as much as the Hunter himself

Strength
Unarmed Striking

• Downs a cop with a punch to the back of the head
• Boxes Alexei Kravinoff’s ears, flooring the bigger man
• Tackles and restrains Bruce Banner
• While posing as Tigra, he breaks Mysterio’s helmet with a kick
• Knocks Finesse out with two punches to the back of the head
• [KH] Kicks Alexei in the chin mid-leap
• Hurts Spidey with a kick to the face
• Hospitalized the Shocker

Striking with Weapons

• Floors a man with a suitcase
• Clubs Captain America with a fire extinguisher, flooring him for several seconds
• [KH] Smashes through a ceiling and dives at Alexei
• [KH] Impales a man with a spear, then rams him into a wall hard enough to crack it
• Beats a man unconscious with a pistol

Grip

• Crushes one of Spidey’s tracers in his grip
• Crushes a picture frame
• Crushes a glass in his grip

Other

• While carrying Betty Ross over his shoulder with one hand, the Chameleon uses the other to smack Major Glenn Talbot
• [KH] Holds a wolf away from him
• Carries and fires this absurdly large gun

Durability
Scaling with Spider-Man

• Gets up after a glancing blow from Spider-Man
• Takes a backhand from Spider-Man
• Stays barely conscious after Spider-Man punches him into what looks like a concrete wall hard enough to break it
• Takes two punches from an angry Spider-Man
• While emulating Spider-Man and clinging to a wall with suction cups, he takes a punch from the real Spider-Man but stays clinging and makes an escape
• Spider-Man throws Chameleon head-first into a wall, then smacks him three times, breaking his mask. Despite this, the Chameleon stays conscious and manages to run off.
• Gets kicked in the head by Spider-Man (dressed as Deadpool) but quickly recovers and puts Spidey in a headlock
• Takes a sucker punch from Spider-Man in the Spider-Armor MK III
• [Limit] One casual punch from the Superior Spider-Man knocks Dmitri out

Scaling to Others

• Gets tackled by the Hulk, who was shrunk down to a few inches at the time
• Takes three heavy blows from Daredevil before falling into unconsciousness
• Takes a backhand punch from Kraven
• He gets up after Captain America throws his shield into his back
• Stays conscious after Deadpool punches him out a window
• Takes a punch from Spidey and an elbow from Deadpool
• Gets punched by Whirlwind
• Gets beat on by Teresa Parker

Blunt Force

• Spider-Man punches Vulture, sending the villain flying into Chameleon
• Gets thrown many feet into the air, then falls back-first onto stone
• He jumps off the Brooklyn Bridge and lands in the water below
• [KH, Limit] He’s KO’ed by a woman with a wooden chair
• While disguised as Spider-Man, he gets grabbed and swung around a room by tentacles, at one point getting his head slammed through a concrete wall with no ill effects

Gunfire

• He’s not noticeably harmed after a cop shoots him in the shoulder
• Stays standing after being shot in the thigh
• Twenty minutes after being shot in the shoulder, he’s not noticeably harmed

Vehicle Crashes

• Crashes his car into the Hulk
• Crawls from a crashed HYDRA aircraft
• Unharmed after crashing his truck into a wall
• While piloting a giant Galactus robot, a helicarrier crashes into the robot’s head and the Chameleon’s control room. He survives the crash relatively unharmed.

Other

• He survives after being poisoned and being left in a burning bar by the Punisher
• When Captain America breaks one of Chameleon’s stun guns, the resulting blast melts his rubber face mask, burning him
• He eats a full plate of ambien-laced cookies baked by Aunt May
• Spider-Man webs up a big gun that the Chameleon was using, causing it to blow up in his face. Dmitri gets up right after.

Agility

• Dodges some charges from Hammerhead, first with a sidestep, then by flipping over the mobster
• [KH] Dodges a tackle attempt from Alexei Kravinoff
• He lands hits on Spider-Man pretty easily once the hero loses his spider-sense

Skill

Impersonation
General

• When posing as someone, the Chameleon copies their gait and posture
• When emulating J. Jonah Jameson, not only does the Chameleon copy his personality, mannerisms and body language, but he copies Jonah’s writing style so he can turn in editorials at the Daily Bugle
• [Limit] In 2009, he took the form of Barack Obama and attempted to get sworn in as the POTUS. However, Spider-Man asked the fake and the real Obama a question that only the real Obama would know the answer to, outing the Chameleon as an imposter.
• Mimics Tigra perfectly, replicating her movements, voice and microexpressions
• When posing as a zombie Ezekiel Sims, Chameleon does something to make himself smell like a long-dead corpse

Voices

• Skilled in vocal emulation
• He perfectly emulates voices over the course of minutes after listening to audio recordings or the voices of his hostages
• While posing as the Paris police director, he fools a voice recognition system designed by Henry Pym, allowing him access into an Avengers headquarters
• Can emulate mechanized voices, like Doc Ock’s from when he was a cyborg

Limits

• Betty Ross sees through Dmitri’s Bruce Banner disguise thanks to her female intuition
• Daredevil sees through the Chameleon’s disguises because he can hear Dmitri’s distinct heartbeat
• Spider-Man’s Spider-Armor MK III has a Daredevil-inspired feature built in to the helmet that allows Peter to track Chameleon’s specific heartbeat. This allows him to see through the villain’s disguises.

Combat

• [KH] Fights evenly with Alexei Kravinoff before restraining him with a rope
• Off-panel, he killed a SHIELD agent and a doctor with a pen
• Shanks Superior Spider-Man in the neck with a pen
• While disguised as Spider-Man, he brawls hand-to-hand with Deadpool
• [Limit] Lost a fight to Mary Jane Watson with a baseball bat
• [KH] Slashes two mens’ throats with a single swipe of a spoon

Other

• [KH] Performs a handstand on a tree stump
• Using Klawe’s sound cannon, he blasts MODOK’s psionic blaster, disabling the head’s main weapon
• Leaps from a second story and lands on an awning to break his fall
• Jumps from the back of an aircraft onto the hood of a pursuing flying car
• Nick Fury boots Dmitri off of a flying car, but the villain manages to grab a ladder on a nearby aircraft
• Cracks a locked vault door, possibly using a stethoscope
• Pilots a giant LMD modeled to look like Galactus
• (Poorly) pilots the Iron Man Model 4 before being dropped by an alternate-universe Ghost Rider

Disguises

Realistic Masks

• Originally, the Chameleon employed realistic masks and hairpieces to disguise himself as individuals. He kept these pieces in a multi-pocketed vest, allowing him to alter his appearance on the fly
• After getting one quick glance at Thunderbolt Ross, the Chameleon is able to make a perfect mask of the general’s face in a matter of minutes
• When the Hulk is tearing the Chameleon’s car apart, he quickly changes into the guise of Rick Jones to calm the Hulk, then manipulate him into breaking a friend out of prison
• At one point, he used a gun that squirts fast-drying fluid, which kills victims via suffocation and leaves the Chameleon with a perfect mask of their face
• He once wore four masks layered on top of his plain, white one

Malleable Flesh

• He gets a procedure done to his body that makes his flesh completely malleable, changing in response to electrical stimuli. He also had a specially designed costume that reacted the same way to stimuli. The final piece was a control system built into a belt that could memorize and store any face that the Chameleon encountered. All of these pieces allowed the Chameleon to completely copy someone’s appearance and replicate it through thought alone.
• This exact method of changing his face depends on the comic's art style
  • Most often, the change just occurs instantly between panels
  • It can happens in a flash of light
  • Dmitri's features can melt and morph before reforming into a new face
  • The features can “slide across Chameleon’s head horizontally
• After looking at a photograph of a man, the Chameleon completely embodies him in moments
• When begging for his life, he rapidly switches between a dozen different faces
• When he’s knocked unconscious, his face relaxes and goes back to how it normally looks
• Once made a game out of pretending to be a civilian in need, then attacking Spider-Man when the hero helps him
• [Limit] One time, a very serious Spider-Man shocked and frightened the Chameleon so badly that he let his disguise drop

Other Methods

• Uses convincing costumes when posing as superheroes or supervillains
• Disguises himself as a Statue of Liberty street performer
• Some kind of hidden device emits mist, allowing the Chameleon to change masks and outfits
• Carries a canister of chemical gas that instantly changes the color of his clothing
• Later on, he wears a suit that allows him to instantly change his facial appearance and clothing
  • After confronting Spidey in public and taking a blow from the wall-crawler, the Chameleon assumes the form of a defenseless, old lady to turn the public against the hero
• A high-tech costume can resemble any article of clothing that the Chameleon can think of
• When appearing as someone much bigger than he is, like the Kingpin, the Chameleon uses an inflatable suit
• Poses as a hostage, then uses a hologram projector to make it look like Doc Ock is holding him off a roof
• When working for the Superior Spider-Man’s team of “reformed” villains, the Superior Six, Chameleon used hologram tech to aid in his disguises. This let him appear as Loki, with his massive horns and Asgardian outfit being formed with the tech. It otherwise works more or less like his powers did.
• Most recently, the Chameleon requires the use of a serum to be able to change his features at will
  • As soon as the Chameleon touches someone, he’s able to look exactly like that person. This can also make the other person temporarily swap forms with the Chameleon (or other users of the serum).

Weapons

Non-Lethal
Guns

• Uses a dart gun that instantly knocks a man out with a shot to the shoulder
• Uses a chemical gas gun to instantly knock out Captain America, keeping him out for a few minutes
• A dart gun that leaves victims unconscious and foaming from the mouth
• A stun gun

Injectables

• A syringe full of sedative chemicals that KOs Spider-Man and makes Deadpool woozy for a minute until he heals
• A syringe hidden in a prop torch puts Spider-Man to sleep immediately
• He injects Spider-Man with a poisonous chemical. It brings on extreme nausea and vertigo, then later knocks Spider-Man out for two days straight.

Other

• Snuck into Captain Stacy’s room and administered a few drops of sedatives to Stacy’s decanter. This kept him unconscious all day, allowing the Chameleon to assume his identity and steal priceless pieces of art.
• An aerosol can of sedatives
• One time, he coated his clothing in an odorless sedative chemical. When Spider-Man grabs him by his jacket, the hero falls unconscious in a matter of seconds.
• Gas grenades
• He uses some kind of electric weapon on a shallow body of water, shocking Spider-Man, Husk and Deadpool into unconsciousness

Lethal
Guns

• Normal guns like rifles, a shotgun and a handgun
• A silenced handgun
• A revolver
• A double-barreled shotgun
• He wields a one-handed launcher that carries a variety of capsules, including cyanide gas canisters and concussive explosives
• An absurdly large, Liefeld-esque gun that blows up a computer station
• A energy-based handgun with explosive firepower, used to blast a large hole through Deadpool’s torso and later turn a concrete wall into rubble

Injectables

• A poison ring that would’ve injected JJJ with a lethal dose during a handshake
• [KH] Shoots Spider-Man with a poison dart that would’ve killed him in ten minutes if he didn’t take the antidote

Other

• Usually carries a dagger or other kind of blade
• A grenade
• A small, box-shaped time bomb
• He once used a Man-Thing parasite to protect himself from gunfire and form combat applicable branch-like tentacles

Other Equipment

Field Gear

• Smoke pellets
• When posing as Spider-Man, he used a web-gun to emulate the hero’s web-shooters, although the webbing wasn’t as strong as Spider-Man’s
• While posing as Spider-Man, the Chameleon utilizes suction cup-covered gloves and a web gun to replicate Spidey’s wall-crawling and web-slinging
• A tracking device
• Nose filters protect him from a cloud of cyanide gas
• A jetpack with enough fuel to fly for nearly a full hour
• Typically restrains victims with rope and gags

Base Installations

• Uses a modified radio to send a message across New York that only Spider-Man could hear
• Uses a machine to swap memories with Captain America
• One lair boasts a chair that can be lowered into a pit of acid, used to destroy bodies
• Rigs his lairs to explode if they’re compromised
• He detonates explosives in one of his hideouts that releases napalm-like flames

Other

• He’s helped to design Life Model Decoys that look exactly like Richard and Mary Parker with the goal of investigating Peter Parker and finding out about Spider-Man’s identity. While the false Mary developed a conscience and defied her programming, the false Richard was outfitted with a combat form.
• He holds a gun to the head of a simulacra of Mary Jane. When Spidey determines it’s a fake instead of his real wife, it poofs into smoke.
• Robots that drive his escape vehicles

Miscellaneous

• After coming across a cave full of assorted scrap mechanics, Chameleon builds a missile from the pieces. He later says he “found” the missile, so who knows. At any rate, the missile is strong enough to KO the Hulk when they collide.
• One time, he inexplicably escaped from Spider-Man’s grasp and disappeared from the room
• He kidnaps Spider-Man and imprisons him in Ravencroft Asylum. He then unmasks the hero, puts a realistic mask and straightjacket on him and attempts to gaslight Peter, through the use of psychoactive drugs and fabricated evidence, into believing he’s another man named Herbert Smith. This ruse does convince Peter for a good while until he later remembers his life with Mary Jane.
• He implies that he might be able to disguise his psyche from the telepathic X-Men member, No-Girl, although the claim is not actually proven
• Off-panel, he killed a man, cut off his face and used it for a temporary mask

Monica Rappaccini: I apologize for the delay in initial payment, but we first had to verify your identity. A.I.M.’s intel had been that the Chameleon was dead- or in an insane asylum.
Chameleon: Yes, well. That would be exactly what I wanted you to think. Faded into the background, imperceptible… that’s where a Chameleon is most comfortable… and where I shall now return.

Ok so I am buying this dress but can’t decide between beige and black. I never wear black because I have red hair and feel like it makes me look vampy (lol). I am definitely a nude person because it goes well with my tan skin/warm toned hair. HOWEVER, I’m nervous that beige is not ok for a wedding? I know no one attending the wedding. Every friend and family member I’ve asked says the beige is fine, but I’m still not sure.
Wedding detes: 1. Black tie/formal. Guys in tuxes. Women must wear long dresses. 2. Memorial Day weekend 6pm wedding 3. Catholic service and reception at a private club. 4. Wedding is in NY.
Dress in question: https://www.saksfifthavenue.com/product/Mac-Duggal-Beaded-Column-Gown-0400014293520.html?dwvar_0400014293520_size=8&site_refer=CSE_GGLPLA%3AWomens_Dresses%3AMac+Duggal&country=US¤cy=USD&CSE_CID=G_Saks_PLA_US_Women%27s+Apparel_Dresses_High+LTV%3AAll+Dresses&gad_source=1&gbraid=0AAAAADO6JtRZ35Gcz4UX6xeiUc7a3TJaG&gclsrc=aw.ds&famobileapp=1&dwvar_0400014293520_color=BLACK

The Big List

Prices are firm. Please only redeem the portion of a code you are paying for. All codes are for immediate redemption. All Disney & Sony codes include points unless otherwise noted. As of 4/01/2024 all Google Play options have been removed from Disney codes.
I accept Cashapp, Venmo, Zelle & PayPal F&F without any notes. Comment & pm if interested. Thanks!

🦝

MISC

Barbie 4K [2023] $6 (MA)
Batwoman season 1 HD [2019] $6 (Vudu)
Beekeeper, The HD [2024] $7 (Vudu)
Supergirl season 5 HD $6 (Vudu)
X-Men Trilogy HD [X-Men, X2 & The Last Stand] $8 (MA)

🦝

$5 4K UHD
Blackkklansman (MA)
John Wick 1-3 (iTunes)

🦝

$4 4K UHD

Big Lebowski, The (iTunes/ports)
Black Panther (MA + 200 points)
Captain Marvel (MA + 200 points)
Despicable Me [2010] (iTunes/ports)
Dredd (Vudu)
Frozen 2 [2019] (MA + 200 points)
Gone Girl [2014] (iTunes/ports)
Guardians Of The Galaxy [2014] (MA + 200 points)
Halloween [2018] (MA)
Jungleland [2020] (iTunes)
Maleficent: Mistress Of Evil (MA + 200 points)
Scream [2022] (Vudu or iTunes)
Silent Night [2023] (Vudu or iTunes)
Sonic The Hedgehog 2 (Vudu or iTunes)
Tangled [2010] (iTunes/ports + 150 points)
Titanic [1997] (iTunes)

🦝

$5 HD

Adventures Of Ichabod & Mr. Toad, The [1949] (MA + 150 points)
Fear The Walking Dead season 2 (Vudu)
Fear The Walking Dead season 4 (Vudu)
Fear The Walking Dead season 5 (Vudu)
Fear The Walking Dead season 6 (Vudu)
Fear The Walking Dead season 7 (Vudu)
Groundhog Day [1993] + Stripes [1981] double feature (MA)
Hunchback Of Notre Dame, The [1996] (MA + 150 points)
Hunchback Of Notre Dame 2, The [2002] (MA + 150 points)
Lady & The Tramp II: Scamps Adventure [2001] (MA + 150 points)
Marvels, The [2023] (MA + 150 points)
Rob Zombie Trilogy [House Of 1,000 Corpses, The Devil's Rejects [Unrated] & 3 From Hell [Unrated] (MA)
Silent Night, Deadly Night 3,4 & 5 (Vudu)
Undoing, The season 1 [2020] (Vudu)

🦝

$4 HD

300 Spartans, The (MA)
BFG, The [2016] (MA + 150 points)
Blue Beetle, The [2023] (MA)
Bridge Of Spies [2015] (MA + 150 points)
Color Purple, The [2023] (MA)
Drop, The [2014] (MA or Google Play/ports)
Fox & The Hound 2, The [2006] (MA + 150 points)
Indiana Jones & The Dial Of Destiny [2023] (MA + 150 points)
Lady & The Tramp [1955] (MA + 150 points)
Ruby Gillman: Teenage Kraken [2023] (MA)
Sound Of Freedom [2023] (Vudu)

🦝

$3️⃣ Movies

$3 4K UHD

Aladdin [2019] (iTunes/ports + 150 points)
Baywatch (Vudu)
Birth Of A Nation, The (iTunes/ports)
Bourne Identity, The [2002] (iTunes/ports)
Bourne Ultimatum, The (iTunes/ports)
Cabin In The Woods, The (Vudu)
Doctor Strange (iTunes/ports + 150 points)
Frozen 2 [2019] (iTunes/ports + 150 points)
Guardians Of The Galaxy [2014] (iTunes/ports + 150 points)
Interstellar (iTunes)
Knives Out (Vudu or iTunes)
Logan Lucky [2017] (iTunes/ports)
Moana (iTunes/ports + 150 points)
mother! [2017] (iTunes)
Robin Hood [2018] (Vudu)
Sicario (Vudu)
Spy Who Dumped Me, The (Vudu or iTunes)
Star Wars: The Last Jedi (MA + 200 points)
Thor: The Dark World (iTunes/ports + 150 points)
Top Gun (iTunes)

🦝

$3 HD

Adjustment Bureau, The (iTunes/ports)
Avatar: The Way Of Water (MA + 150 points)
Baby Driver [2017] (MA + Sony points)
Best Exotic Marigold Hotel, The (MA or Google Play/ports)
Bloodshot [2020] (MA + Sony points)
Call Me By Your Name (MA + Sony points)
Candyman: Day Of The Dead (Vudu or Google Play)
Cats & Dogs 3: Paws Unite (MA)
Devotion [2022] (Vudu HD or iTunes 4K)
Exorcist: Believer, The [2023] (MA)
Fruitvale Station (Vudu)
Glass [2019] (MA)
Goosebumps [2018] (MA + Sony points)
Grand Budapest Hotel, The (MA or Google Play/ports)
Grown Ups 2 (MA + Sony points)
Halloween Kills [2021] (MA)
Hocus Pocus (MA + 150 points/no iTunes option)
Holmes & Watson [2018] (MA + Sony points)
Hundred Foot Journey, The [2014] (MA + 150 points)
Insidious: Chapter 3 (MA + Sony points)
Into The Woods [2014] (MA + 150 points)
Kill Bill: Vol. 1 (Vudu)
Killing Gunther (Vudu)
Lion King, The [1994] (MA + 150 points)
Little House On The Prairie season 5 (Vudu)
MIB International [2019] (MA + Sony points)
Midsommar [A24] (Vudu or Google Play)
Mindcage (Vudu or iTunes)
Money Monster [2016] (MA + Sony points)
Nurse Jackie season 7 (Vudu)
Orange Is The New Black season 1 (Vudu)
Percy Jackson: Sea of Monsters (iTunes/ports)
Pete's Dragon [2016] (MA + 150 points)
Planes: Fire & Rescue [2014] (MA + 150 points)
Predator [1987] (MA or Google Play/ports)
Pride + Prejudice + Zombies [2016] (MA + Sony points)
Public Enemies [2009] (MA or iTunes/ports)
Punisher, The [2004] (Vudu or Google Play)
Queen Of Katwe [2016] (MA + 150 points)
Robin Hood [1973] (MA + 150 points)
Scoob! [2020] (MA)
Secret Life Of Pets 2, The [2019] (MA)
Snow White & The Seven Dwarfs [1937] (MA + 150 points)
Spider-Man: Across The Spiderverse [2023] (MA + Sony points)
Spider-Man: Into The Spiderverse (MA + Sony points)
The Secret: Dare To Dream (Vudu, iTunes or Google Play)
Tyler Perry's Diary Of A Mad Black Woman [2005] (Vudu)
Tyler Perry's Madea Goes To Jail (Vudu or Google Play)
Us [2019] (MA)
Vanishing, The [2019] (Vudu or Google Play)
Venture Bros: Radiant Is The Blood Of The Baboon Heart [2023] (MA)
Violent Night [2022] (MA)
Walking Dead season 9, The (Vudu or Google Play)
Walking Dead season 10, The (Vudu or Google Play)
Way Way Back, The [2013] (MA or Google Play/ports)
Whiplash [2014] (MA + Sony points)

🦝

💲2️⃣ HD

13 Hours: The Secret Soldiers Of Benghazi (iTunes 4K)
2 Guns [2013] (iTunes/ports 4K)
31 [2016] (Vudu)
3 From Hell [Unrated] (Vudu 4K or iTunes 4K)
About Last Night [2014] (MA + Sony points)
Abraham Lincoln: Vampire Hunter (MA)
Action Point [2018] (iTunes 4K)
Admission [2013] (iTunes/ports)
Adventures Of Tintin, The (Vudu or iTunes)
After Earth [2013] (MA + Sony points)
Age Of Adaline, The (Vudu, iTunes or Google Play)
Alien Covenant (iTunes/ports 4K or HD MA/GP)
Allied [2016] (iTunes 4K or Vudu HD)
Aloha [2015] (MA + Sony points)
Alpha [2018] (MA + Sony points)
Alpha & Omega 2: A Howl-lday Adventure (Vudu)
Alvin & The Chipmunks: The Road Chip (iTunes/ports 4K or HD MA)
Amazing Spider-Man, The [2012] (MA) PENDING
Amazing Spider-Man 2, The [2014] (MA + Sony points) PENDING
American Girl: Isabelle Dances Into The Spotlight (MA)
American Hustle [2013] (MA + Sony points)
American Reunion [Unrated] (MA or iTunes/ports)
Anchorman 2: The Legend Continues (Vudu or iTunes)
Annie [2014] (MA + Sony points)
Arrival [2016] (Vudu)
Art Of Self-Defense, The [2019] (MA)
Assassin's Creed (iTunes/ports 4K or HD MA)
Atomic Blonde (MA)
Avengers: Infinity War (MA + 150 points/no iTunes option)
Baywatch (iTunes 4K)
Beauty & The Beast [2017] (MA + 150 points/iTunes option is expired)
Beguiled, The [2017] (MA or iTunes/ports)
Beirut [2018] (MA)
Ben-Hur [2016] (Vudu)
Best Man Holiday, The [2013] (MA or iTunes/ports)
Blackhat [2015] (iTunes/ports)
Black Panther [2018] (MA + 150 points/no iTunes option)
Bohemian Rhapsody (MA or Google Play/ports)
Book Club [2018] (iTunes 4K)
Boss Baby, The [2017] (MA)
Bourne Legacy, The (iTunes/ports 4K)
Boy, The [2016] (MA or iTunes/ports)
Boyhood [2014] (iTunes)
Boy Next Door, The [2015] (iTunes/ports)
Breakthrough [2019] (MA or Google Play/ports)
Bridesmaids [Theatrical] (iTunes/ports)
Broken City [2013] (MA)
Bumblebee (iTunes 4K or Vudu HD)
Cabin In The Woods, The (Vudu/GP HD or iTunes 4K)
Captain America: Civil War (MA only/no points or iTunes option)
Captain Phillips [2013] (MA + Sony points)
Captain Underpants: The First Epic Movie (MA)
Case For Christ, The [2017] (MA)
Celebrating Mickey (MA/ no points) PENDING
Choice, The [2016] (Vudu or iTunes)
Company Of Heroes [2013] (MA)
Concussion [2015] (MA + Sony points)
Contraband (iTunes/ports)
Cowboys & Aliens [Theatrical] (iTunes/ports)
Curse Of Chucky [2013] [Unrated] (MA or iTunes/ports)
Daddy's Home (iTunes 4K)
Dark Tower, The [2017] (MA + Sony points)
Dead Again In Tombstone [2017] (MA or iTunes/ports)
Dead In Tombstone [Unrated] (MA or iTunes/ports)
Dead Man Down [2013] (MA)
Deepwater Horizon (iTunes 4K or Vudu/GP HD)
Despicable Me 2 (iTunes/ports 4K)
Despicable Me 3 (iTunes/ports 4K or HD MA)
Devil's Due [2014] (MA or Google Play/ports)
Diary Of A Wimpy Kid: Dog Days (MA, iTunes or Google Play/ports)
Diary Of A Wimpy Kid: The Long Haul (MA, iTunes or Google Play/ports)
Divergent Series: Allegiant, The (iTunes 4K)
Django Unchained (Vudu)
Downsizing (iTunes 4K)
Downton Abbey [2019] (MA)
Dracula Untold (iTunes/ports 4K)
Dragonheart 3: The Sorcerer's Curse (iTunes/ports)
Dredd [2012] (Vudu)
Dr. Seuss’ How The Grinch Stole Christmas [2000] (MA)
Duff, The (iTunes or Google Play)
Edward Scissorhands (MA or Google Play/ports)
Emoji Movie, The [2017] (MA + Sony points)
Empire State [2013] (Vudu or Google Play)
Ender's Game (iTunes 4K or Vudu/GP HD)
Epic [2013] (MA)
Equalizer, The [2014] (MA + Sony points)
Equalizer 2, The (MA + Sony points)
Escape From Planet Earth (Vudu)
Everest [2015] (iTunes/ports 4K)
Ex Machina (Vudu)
Exodus: Gods & Kings (iTunes/ports 4K or HD MA)
Exposed [2016] (Vudu)
F9: The Fast Saga [2021] [Theatrical & Extended] (MA + Universal Rewards points) PENDING
Fast & Furious [2009] (iTunes/ports 4K)
Fast & The Furious, The [2001] (iTunes/ports 4K)
Fast & The Furious: Tokyo Drift, The (iTunes/ports 4K)
Fate Of The Furious [F8] [Theatrical] (MA 4K)
Fences [2016] (iTunes 4K or Vudu HD)
Fifty Shades Darker [2017] [Unrated] (MA 4K)
Fifty Shades Of Grey (iTunes/ports 4K)
Finding Dory (iTunes/ports 4K or HD MA + 150 points)
First Purge, The [2018] (MA)
Flight [2012] (Vudu or iTunes)
Footloose [2011] (Vudu)
Fortress [2021] (Vudu or Google Play)
Frozen [2013] (iTunes/ports 4K+ 150 points)
Fury [2014] (MA + Sony points)
Game Of Thrones season 4 (iTunes)
Get Out [2017] (MA)
Ghostbusters [2016] [Theatrical & Extended] (MA + Sony points)
Ghost Team One [2013] (Vudu or iTunes)
Gifted [2017] (MA or Google Play/ports, iTunes option is expired)
G.I. Joe: Retaliation (iTunes 4K)
God Bless The Broken Road (Vudu or Google Play)
Gods Not Dead 2 [2016] (MA or iTunes/ports)
Gods Of Egypt (Vudu/GP HD or iTunes 4K)
Greatest Showman, The [2017] (MA or Google Play/ports) PENDING
Great Wall, The [2017] (MA)
Grey, The [2012] (MA or iTunes/ports)
Guardians Of The Galaxy Vol.2 (MA + 150 points/no iTunes option)
Guilt Trip, The [2012] (Vudu)
Hacksaw Ridge (Vudu or Google Play/iTunes option expired)
Hail, Caesar [2016] (MA or iTunes/ports)
Hansel & Gretel: Witch Hunters [Unrated] (Vudu or iTunes)
Hateful Eight, The (Vudu or Google Play)
Heat, The [2013] [Theatrical] (MA or Google Play/ports)
Hell Or High Water (Vudu or Google Play)
Hercules [2014] (iTunes 4K or Vudu HD)
Hitman's Bodyguard, The (Vudu or Google Play/iTunes option is expired)
Hobbs & Shaw [2019] (MA)
Home [2015] [DreamWorks] (MA)
Home Alone [1990] (iTunes/ports 4K or HD MA)
Homefront [2013] (MA or iTunes/ports)
Honey 2 [2011] (MA or iTunes/ports)
Hotel Transylvania 2 [2015] (MA + Sony points) PENDING
How To Train Your Dragon 2 (MA)
Hunger Games: Mockingjay Part 1, The (iTunes 4K or Google Play HD)
Hunger Games: Mockingjay Part 2, The (Vudu)
Huntsman: Winter's War, The [2016] [Extended] (iTunes/ports 4K)
I Am Wrath (Vudu)
Instant Family (iTunes 4K or Vudu HD)
Internship, The [2013] (MA or Google Play/ports)
Invisible Man, The [1933] (MA)
I Still Believe [2020] (iTunes 4K or Vudu/GP HD)
It Follows [2015] (Vudu)
Jackass 3 [Theatrical] (Vudu or iTunes)
Jack Reacher (Vudu)
Jack Reacher: Never Go Back (Vudu)
Jack Ryan: Shadow Recruit (iTunes 4K)
Jason Bourne [2016] (iTunes/ports 4K)
John Henry [2020] (Vudu)
John Wick (iTunes 4K)
John Wick 1 & 2 (Vudu or Google Play)
John Wick: Chapter 2 (iTunes 4K)
John Wick Chapter 3: Parabellum (iTunes 4K) or all 3 for $5
Joy [2015] (iTunes/ports 4K or HD MA)
Jumanji: Welcome To The Jungle (MA + Sony points)
Jurassic World (iTunes/ports 4K)
Jurassic World: Fallen Kingdom (MA)
Justice [2017] (MA or iTunes/ports)
Kick-Ass 2 [2013] (MA)
Kidnap [2017] (iTunes/ports)
Killer Elite (iTunes/ports)
Kingsman: The Golden Circle (iTunes/ports 4K or HD MA)
Kingsman: The Secret Service (iTunes/ports 4K or HD MA)
Last Knights [2015] (Vudu)
Last Vegas [2013] (MA + Sony points)
Last Witch Hunter, The [2015] (iTunes 4K or Google Play)
Let's Be Cops [2014] (iTunes/ports 4K)
Life [2017] (MA + Sony points)
Life Of Pi (iTunes/ports 4K)
Lockout [2012] [Unrated] (MA + Sony points)
Logan [2017] (iTunes/ports 4K or HD MA)
Lone Survivor [2013] (iTunes/ports 4K)
Longest Ride, The (iTunes/ports 4K or HD MA)
Lorax, The [2012] (MA or iTunes/ports)
Love, Simon [2018] (MA)
Lucy [2014] (iTunes/ports 4K)
Maleficent (iTunes/ports 4K + 150 points)
Mamma Mia! Here We Go Again [2018] (MA)
Mandela: Long Walk To Freedom (Vudu)
Marauders (Vudu)
Martian, The [2015] [Theatrical] (iTunes/ports 4K)
Mary Poppins [1964] (MA + 150 points)
Mechanic: Resurrection (Vudu/GP HD or iTunes 4K)
Men In Black 3 (MA + Sony points)
MI-5 [2015] (Vudu)
Mile 22 (iTunes 4K)
Mindgamers [2017] (MA or iTunes/ports)
Minions [2015] (iTunes/ports 4K)
Miracles From Heaven (MA + Sony points)
Mission Impossible: Fallout (iTunes 4K)
Mission Impossible: Rogue Nation (iTunes 4K)
Miss Peregrine's Home For Peculiar Children (iTunes/ports 4K or HD MA)
Moms’ Night Out [2014] (MA)
Monuments Men, The [2014] (MA + Sony points)
Mortal Engines [2018] (MA)
Mortal Instruments: The City Of Bones, The [2014] (MA + Sony points)
Mother's Day [2016] (MA or iTunes/ports)
Mountain Between Us, The [2017] (iTunes/ports 4K or HD MA)
Mummy, The [2017] (iTunes/ports 4K)
Murder On The Orient Express [2017] (MA or Google Play/ports)
My Big Fat Greek Wedding 2 (iTunes/ports)
Neighbors [2014] (iTunes/ports)
Night At The Museum: Secret Of The Tomb (iTunes/ports 4K or HD MA)
Noah [2014] (Vudu)
Non-Stop [2014] (MA or iTunes/ports)
Norm Of The North (Vudu or iTunes)
Now You See Me 2 (iTunes 4K or Vudu/GP HD)
Nut Job, The [2014] (MA or iTunes/ports)
Oblivion [2013] (iTunes/ports 4K)
Ouija [2014] (MA)
Overlord [2018] (Vudu)
Oz: The Great & Powerful (MA + 100 points)
Pain & Gain [2013] (Vudu or iTunes)
Paranormal Activity [2009] [Theatrical] (Vudu or iTunes)
Paranormal Activity 2 [Unrated Director's Cut] (Vudu or iTunes)
Paranormal Activity 3 [Extended] (Vudu or iTunes)
Paranormal Activity 4 [Unrated] (Vudu or iTunes)
Paranormal Activity: The Marked Ones [Theatrical] (iTunes)
Passengers [2016] (MA + Sony points)
Penguins Of Madagascar (MA)
Percy Jackson: Sea Of Monsters (MA or Google Play/ports)
Pet Sematary [2019] (iTunes 4K or Vudu HD)
Philomena (Vudu)
Pitch Perfect (iTunes/ports 4K)
Planes: Fire & Rescue (MA without points)
Playing With Fire (iTunes 4K or Vudu HD)
Predator, The [2018] (MA or Google Play/ports)
Project Almanac (iTunes)
Prometheus (MA or Google Play/ports, no iTunes option)
Proud Mary [2018] (MA)
Purge: Anarchy, The (iTunes/ports 4K)
Quiet Place, A [2018] (iTunes 4K)
Ralph Breaks The Internet (MA + 150 points/no iTunes option)
Red Dawn [2012] (Vudu or Google Play)
Redemption [2013] (Vudu)
Replicas [2019] (iTunes 4K or Vudu/GP HD)
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Bit of a longer post, sorry bout that, but I felt it was time, perhaps once again, to point out the flaws and limitations in the CDC’s stats on sexual violence, specifically as they relate to the National Intimate Partner Sexual Violence Survey (NISVS), which is the source of all the fun stats on sexual violence that get thrown around by the 451 percenters. Who are the 451 percenters? Those the folks who believe and spread the lies bout sexual violence being endemic to society. Everyone’s a sexual predator! All 451 percent of women are violated, and all 451 percent of men are violators.
TL;DR: An analysis and rebuttal to the CDC and NISVS’s statistics on sexual violence. The CDC uses NISVS to generate the stats on punny sexual violence that make wild claims, like one third of all women, etc… the 451 percenters’ claims bout punny sexual violence. They use a ‘yes means yes’ method of determining what counts as punny sexual violence, which is aesthetics based. Elevating aesthetical concerns to ethically obligatory concerns is fascistic, and a grave moral fallacy. ‘Yes means yes’ is also puritanical, meaning it overly moralizes sexuality. Putting puritanical fascists in charge of determining how many punny sexual offenses are happening is like putting the KKK in charge of determining how many jews are sexual predators. “All 451 percent of them, obviously!”
Body Of The Post
‘Yes means yes’ is an aesthetical ethical concern, ‘Do I want it or not’. This is what the National Intimate Partner Violence Survey (NISVS) and the CDC use and reflect in their stats on sexual violence. Vibes. They are the ‘emmitt till got what he deserved’ crowd. Whistling at a lady is a criminalizable offense to these folks, a ‘punny sexual violence’.
‘No means no’ is an ethically obligatory concern, ‘Did I refuse it or not’. This is what the criminal stats on sexual violence use and reflect in their stats on sexual violence. Hard data. They are the ‘emmit till did nothing wrong’ crowd. Whistling at a lady is at most tasteless, emmitt till could do far better.
‘Wanting’ or ‘Not Wanting’ something does not consent make. I can want to fuck someone, but not consent to do so. I could not want to fuck someone, but nonetheless consent to do so. The former perhaps because I think it is a bad idea to fuck ‘em even tho I want to. The latter, perhaps because I think it is a good idea to fuck ‘em even tho I don’t want to.
The ‘yes means yes’ folks, the CDC & NISVS stats on sexual violence all mistake ‘wanting’ and ‘not wanting’ for ‘consenting’ and ‘not consenting’; these are not the same things. This is deliberate on their part too. They believe that ‘yes means yes’ is what ought to constitute a determination of sexual violence. Regardless of how y’all view that, it is a deeply controversial notion, and not necessarily reflective of what most people think of when they think of sexual violence.
‘Unwanted’ essentially means ‘I don’t like it’. It is a complaint bout the aesthetical qualities of the sexual encounter, not its consensualism. If this is at all unclear, the simplest method to understand why this is so is to note two unrelated aspects.
One is racism. People regularly ‘feel fearful’ of men for no reason at all, but they also feel fearful of men because of racism all the time. That fear factor ™ is what makes the encounter ‘coercion’ or ‘unwanted’. The person literally does nothing wrong, *just exists* and the other person freaks out.
Note in the quoted sections at the end of this post how much of the stats rely on fear and feelings to generate their numbers.
Two is the person came on too strong or in an undesirable way. The person flirts in a normal and perfectly fine way, but the other person freaks out. Think bout it people, for the love of god think bout it. ‘Coming on too strong’ and ‘an undesirable flirtation’ are being counted as ‘punny sexual violence’ in these stats.
It’s entirely puritanical, and entirely a concern bout aesthetics.
There are other sorts of coercive methods, but the point here is that the terms ‘unwanted’ and ‘coercion’ only really cash out as ‘I don’t like it for some reason or another’ in the CDC’s and NISVS’s stats.
When you see that lady spouting off bout her fears of mexican rapists, she’s reflected in these stats folks. They’re just surveys. People who lock their car doors in ‘bad neighborhoods’ are reflected in those stats.
These all translate to ‘I felt threatened’ (big black boy vibes) or ‘felt pressured’ (scary white guy vibes), or ‘felt in danger’ (native american coming to get you vibes), or ‘felt uncertain if you wanted it’ (arab terrorist vibes) or 'felt like I was being manipulated' (angry asian martial artists vibes) . Doesn’t have to be racism at play here either, women can be irrationally fearful of any man. Vibes.
The actions themselves are not criminalizable.
Non p-hacked stats try to avoid these kinds of obvious ambiguities in the language used to generate the 451 percenters’ stats. These folks however lean into the lies and deceptions, and deliberately use language designed to deceive people reading the stats into thinking that people have been harmed. They take language that means literally ‘I like or don’t like it’ and translate that to mean ‘I was sexually harassed, sexually assaulted, or even raped’.
This is how they inflate the numbers, so we get to the 451 percenters’ wacky ass beliefs; ‘451 percent of women will suffer egregious sexual violence to them at least fifty times in their lives’. All this means is vibes. 451 percent of women get some bad vibes bout some dudes.
You can hear it echoed in the bear or man discourse. Why do women choose the bear? Vibes and irrational fears. ‘We choose the bear because we don’t feel safe!’ translates directly to ‘Emmitt till whistled at me, and he’s a big black boy, that’s scary’ and ‘the mexican rapists are swarming over the border to get me’.
These are the stats that people point to when they try to justify their misandristic hot ass takes. They are self-referential to that same fear based aesthetic the stats are. The stats are reflective of peoples’ irrational fears, and people use those stats to justify their irrational fears, and people spread those fear based stats thereby spreading their unjustified fears. It’s a circle rub.
To criminalize these kinds of things is to be fascistic (treating aesthetics as if they were of obligatory concern), to believe that they are morally reprehensible is to be a puritan (overly moralizing sexuality).
The folks deriving these stats translate ‘unwanted’ (aesthetical ethics) to ‘sexual assault’, ‘sexual harassment’, or ‘rape’ (obligatory ethics), then lump everything together as ‘punny sexual violence’ to get the big numbers used to scare people and terrorize men. That’s called fascism.
“[T]here remains a likelihood of underreporting due to the sensitive nature of SV”.
This justification means that they do not trust people to report SV, ‘don’t believe women when they say they haven’t suffered any SV, manipulate the questions so they say yes to something they don’t think is SV, or which simply isn’t SV, and we’ll just call it SV of this or that sort. Later we’ll propagandize people so they too come to believe our puritanical misandristic hot ass takes.’
There is no lie nor hyperbole in what I am saying here. That is the rationale and the method. If you bone up on your academic lit in the topic, this is, well not verbatim what they say, I am lambasting them here, but this is the crux of what their argument and justifications are, and they explicitly hold that they ought be propagandizing people to their puritanical beliefs.
They push the fascistic (aesthetical ethical) and puritanical (overly moralized sexual ethics) discourse into the public by presenting stats that merely reflect fears and pretend that they are reflective of sexual violence. People then come to believe that those kinds of fear based concerns are actually sexual violence. An ‘unwanted flirtation’ becomes in their minds and only in their minds a sexual violence.
Emmitt till got lynched for whistling at a lady. They only disagree bout the racism, but he definitely deserved to be punished in some way like all men do for whistling at someone they think is hot af. Puritanism.
All just vibes, all but aesthetics, and all fascistically raised to a level of ethically obligatory concern.
“Just as SV is not limited to physically forced penetration, its perpetrators are not limited to strangers. Indeed, perpetrators of SV are more likely to be someone known to the victim. Sexual violence is a problem embedded in our society and includes unwanted acts perpetrated by persons very well known (e.g., family members, intimate partners, and friends), generally known (e.g., acquaintances), not known well or just known by sight (e.g., someone in your neighborhood, person just met) and unknown to the victim (e.g., strangers). “
Be afraid of everyone, any man out there could be your next rapist! That’s right ladies and gents, you’ve been raped several times already, you just didn’t know it. But don’t worry, the statisticians know better. They asked you an unrelated question you said yes to since you were too dumb to know that you were raped, and counted it as rape. Then they informed you that you ought be afraid of everyone in your community, lest they also rape you, unbeknownst to you of course. But again, don’t worry, the statistician will count those too.
As a measure of fear the 451 percenters capture, well or worse who knows, all the racism, sexism, bigotry, and various phobias in the society, and how those fears are transferred onto masculine bodies as imaginary perpetrators of punny sexual offenses. None of it is real, there are not 451 percent of sexual violences happening, 451 percent of men are not sexual predators, and 451 percent of women are not victims of sexual violence.
‘Safety culture’ mostly reflects irrational fears.
Ask the kkk how many black people are rapists, you’re gonna get a high number. Ask puritans how many people are punny sexual offenders, you’re going to get a very high number. Such is the most tame interpretation of what is going on. The 451 percenters are puritans, they’ve overly moralized sexuality, counting offenses to their sensibility rather than criminal actions.
Puritans informing you how ‘vile and wicked’ your sexual ways are; advocating to make their puritanical beliefs bout punny sexual offenses into legally enforceable laws. These are the same kinds of concerns bout a someone dressing too provocatively, such is a ‘punny sexual violation’ to the sensibilities of others.
The less tame version of this is that it is exactly what fascists do. Lie to people especially bout punny sexual offenses in order to ratchet up the fear levels in the population, so they run to them to solve the ‘problem’.
Could be both tho.
Either way, their misandry murders little boys. They celebrate terrorizing men, and rejoice in lynching folks. They’re despicable people.
Solutions?
Ruthlessly love them. Write them love poems, show them kindness and generosity of spirit, but give them not a dime in money, nor ever relent to their irrational fears. Extol their beauty and virtues, make love with them, utterly ruthlessly. Be overtly sexual bout it, in this give them no quarter, bring to an end their puritanism by giving them no plausible cause to be thus. No one under the duress of loves’ enticements and sexual pleasures be puritans. Be relentless, show them masculine sexuality; give them nothing to complain bout, but give them masculine sexuality. Don’t fall for their puritanism, be the boys of summer.
Respect a ‘no means no’ ethic as a code of obligatory actions. Use aesthetical ethics towards good sex with mutual respect given; don’t ever take that as a one way thing. Do not conflate the aesthetics of good sex, 'enthusiastic yeses’ with those of the ethics of obligation ‘no means no’. Don’t be puritans, don’t be fascists, be sex positivists.
Call out the stats when folks bring them up, refer people to these points, feel free to refer people to this post and/or the attached video. ‘But the CDC said’ is not a valid argument; they have put puritans in charge of determining punny sexual offenses. They find punny sexual offenses everywhere they look.
If you’re super coolio, start advocating against the CDC’s use of NISVS to determine what constitutes sexual violence. It doesn’t match with criminal data’s methods, it doesn’t utilize the metrics of ‘no means no’ which are the proper metrics to use, instead it utilizes what amounts to peculiar beliefs bout the aesthetics of sex as a means of measure for punny sexual offenses.
They are spreading a puritanical belief system bout punny sexual offenses, nothing more, and they are causing public health problems by spreading their lies. They are not counting sexual offenses, they are not a criminal justice system, they aren’t technically even in the business of understanding sexual violence. They are the Center For Disease Control, not the ‘center for social engineering sexual practices control’.
Original video on the topic, with some additional resources for understanding these issues in the description.
The Rest Of This Post Is References To The CDC, NISVS, And Crime Data Reports, Along With Some Quotes Thereof With Short Specific Retorts Highlighting The Relevant Info In The Quotes As It Pertains To The Post. This Is But A Small Sample Of How They Use Language Of Aesthetics To Make Their Ethical Claims, And How Their Language Is Misandristic.
sv_surveillance_definitionsl-2009-a.pdf (cdc.gov)
Fast Facts: Preventing Sexual Violence Violence Prevention Injury Center CDC
Key Terms & FAQs National Intimate Partner and Sexual Violence Survey (NISVS)Funded
Programs Violence Prevention Injury Center CDC
Some key quotes from this, Bolded text hereafter are coded for ‘yes means yes’ methods of understanding sexual violence, and sometimes misandristic language. Italicized text are quotes from the sources:
“Rape is defined as any completed or attempted unwanted [unwanted is an aesthetic criteria, not a consent criteria which is ‘a no was stated’ attempted while a real thing allows for further insertion of scary vibes to pad the stats, e.g. the blackness of the lover] ...includes times when the victim was drunk, high*, drugged, or passed out and unable to consent.* [puritanical belief bout drinking and drugs, e.g. one cannot consent if drunk or high. Note that it is separate from being drugged or passed out and unable to consent, and that criminally speaking being drunk or high is not indicative of a lack of capacity to consent, also note this is de facto applied to women only].
“Sexual coercion is defined as unwanted sexual penetration that occurs after a person is pressured in a nonphysical way. In NISVS, sexual coercion refers to unwanted vaginal, oral, or anal sex after being pressured in ways that include being worn down by someone who repeatedly asked for sex or showed they were unhappy; feeling pressured by being lied to, being told promises that were untrue, having someone threaten to end a relationship or spread rumors; and sexual pressure due to someone using their influence or authority.”
Unwanted is an aesthetic category, not a consent category. ‘Sexual coercion’ is not a criminal offense either. It is a puritanical belief bout sexuality that is based on a sex negative view, e.g. that sex is a bad unless and until magical words are said to make it into a good. Calling it ‘sexual violence’ is just lying. Coercion is defined misandristically to only be bout penetration, which precludes all the ways that women use sex and sexuality to manipulate, use, abuse, and harm people; note that there are essentially zero surveys done that include some ‘feminine coded coercive behavior’ into these stats. That is by design. Including not incidentally the way that women have historically and currently used irrational fears over their sexuality to terrorize men and get people murdered.
“Unwanted sexual contact is defined as unwanted sexual experiences involving touch but not sexual penetration, such as being kissed in a sexual way, or having sexual body parts fondled, groped, or grabbed.”
Unwanted is aesthetics, not consent. Also this literally describes flirting. I know they want to try and capture some other sort of notion, grossy mcgrosser pinning someone down and groping them, but all this describes here, and all the stats can possibly reflect, is flirting.
“Non-contact unwanted sexual experiences is defined as those unwanted experiences that do not involve any touching or penetration, including someone exposing their sexual body parts, flashing, or masturbating in front of the victim, someone making a victim show his or her body parts, someone making a victim look at or participate in sexual photos or movies*, or* someone harassing the victim in a public place in a way that made the victim feel unsafe.”
This category is quite broad and puritanical in its disposition, as it assumes there is something wrong with seeing naked images unless and until expressed verbal consent is given, and undoubtedly ignores the en masse flood of naked images of women online to which basically every guy is exposed to. Compare again to people who claim that women ought not be allowed to show their ankles as it causes a ‘harm’ to those who are ‘forced’ to see it. Exact same shite. Aesthetical concerns of wanted or unwantedness, and also notice the expressly stated vibes check ‘victim feel unsafe’. Look out for the black boys, they make them feel unsafe!
Crime/Law Enforcement Stats (UCR Program) — FBI
Quick Facts on Sexual Abuse Offenses (ussc.gov)
It’s worth mentioning that statistically speaking, if one uses the stats derived from crime data as opposed to statisticians making numbers up, the percentages of men who do sexual violence, depending a bit on how you count it, are: 0.0516% or .478% or .0957%. Although the video goes over this all in pretty good depth, just do a little sniff test here; are .478% of the male population sexually violating a third of all women, 55.5 million women?

First of all Simon Harris is about as in touch with the opinions of grassroots GAA members as the Polar Bear President is with the Penguin community. So when he talks about the GAA not listening to the grassroots community it's safe to say he has no idea what the grassroots GAA members are actually saying.
The vast majority of grassroots GAA members have no issue with paying for GAA Go, although they do have an issue with the current broadcast quality, but that's a different thing. It's because they understand that 83% of alll money that it takes in goes back to the GAA, and most of that other 17% is spent on full time coaches around the country. I've been coaching and fundraising in my own club for years, and I know how vital every cent the GAA receives from tickets and broadcast revenue is to the facilities and everyday running of my club.
The majority of people I see complaining about big matches not being Free to Air on RTE are Fairweather fans that only really watch inter county hurling and are used to not having to pay for it. They have no interest in paying €69 euro for access to all the matches because they only want to watch the few big ones that are on GAA Go or their own counties. Anyone claiming the GAA is greedy shows they have no idea where the GAAs income actually goes.
Another thing people don't realise is that without Gaa Go, matches like Cork and Limerick wouldn't be shown at all, because RTE don't want more matches than they currently have, and Virgin, Sky and TG4 don't want to pay for it.
Tbh I think GAA Go should be more expensive, and in turn show every match and have better production quality. Maybe have a cheaper tier for people who only want certain matches. Just because you pay a TV license doesn't give you the right to watch every GAA game for free, it's a completely separate thing. To gain access to services, you should have to pay for them. You have to pay to go see a match in person, why shouldn't you have to pay to watch it on TV? The GAA shouldn't throw away broadcast revenue that directly funds grassroots GAA because some people feel entitled to be able to watch all the games for free.

One of the fascinating aspects of outsider reports and analysis is what they see. Given that at this point (1992) the internet was not yet widely available/accessible, this sort of thing would have been difficult to find. And of course SGI wasn't ever going to tell us the truth!
This will show you that SGI-USA (then called "NSA") was failing in recruiting far earlier than perhaps most of us in the US realized. SGI in the USA was basically a flash in the pan; it fizzled fast; and now it's just that rank stale smoke smell that lingers long after the fire's been put out.
This comes from Cults and Nonconventional Religious Groups: A Collection of Outstanding Dissertations and Monographs, "Nichiren Shoshu Buddhism and the Soka Gakkai in America: The Ethos of a New Religious Movement", Jane Hurst, 1992, pp. 150-151. Jane Hurst has some interesting research out there; while she tends toward being uncritically supportive of SGI, anyone who is making statistics available is a big help.

NSA members in the 1960s and 1970s were young (52% below age 30), more than half female (59%), and from a variety of occupations and social classes.

The Baby Boom generation were at most age 19 in, say, 1965 and at most age 24 in 1970.
This youthfulness is largely reflected in the early organization's origins in the American servicemen who returned from being stationed in Japan with their Japanese war-brides - those servicemen tended to be young and from a variety of ethnicities and backgrounds, as the draft was still in effect during that time period (ended March 1975). In addition, the first General Director of the US organization, Masayasu Sadanaga, initially targeted college campuses for recruitment by offering lectures on Buddhism. Sadanaga changed his name to George M. Williams in 1972, in obedience to the (short-lived) direction back then of Japanese leaders adopting American-sounding names (first AND last) in order to appeal more broadly to non-Japanese Americans.

The percentage of Oriental members steadily decreased as more and more white and black Americans joined NSA as seen in Figure 10, above.

Figure 10 (I'll get to that line in another post.)
Ewps - Here's the REAL Figure 10.
Most of the original "Oriental members" were those Japanese war-brides, whose first efforts to recruit new SGI members were directed toward other Japanese individuals.

NSA members came from the major religious traditions of Protestantism (30%), Catholicism (30%), and Judaism (6%). At the time these 1971 statistics were compiled, all areas of American society. By 1983, the age span was even more broad, with 11% of the members age 50 and above, 62% ages 30-49, 24% ages 20-29, and 3% below age 19.

For reference, here are the age ranges for the existing generations in 1983:

• Greatest: Ages 59-82
• Silent: Ages 38-58
• Baby Boomers: Ages 19-37
• Generation X: Ages 4-18
• Generation Y (Millennials): Age 3 or younger.

While these 1983 statistics aren't broken down by generation, here's what is clear:

• 11% of the SGI-USA membership was MUCH OLDER than Baby Boomers
• 62% was either Baby Boom generation or older (though younger than that oldest group)
• 24% was Baby Boomers
• 3% was younger than Baby Boomers.

This means that 97% of the membership of SGI-USA was Baby Boom generation OR OLDER!

IN 1983!!

Notice how this affirms the demographic estimate from this other research: "Soka Gakkai in America": Little appeal/interest outside of Baby Boom generation

Take a look at Table 4.
Specifically, the Age cohort (%) category.
For the Converts, 26% are older than Baby Boomers; 61% are Baby Boomers. That makes 87% Boomer and older. Only 14% are younger than Boomers.
No wonder SGI-USA is aging and dying, with these kinds of numbers!
We are seeing, like, 90% Baby Boomers in the group photos we've looked at.
The pictures back this up.
Also, this comment by an SGI-USA leader a few years ago during Minoru Harada's visit (anyone know what year that was?):

They [top SGI-USA leaders] then went off on how when we create these big-ass meetings, we shouldn't have to look into the crowd and see, and I quote, "A bunch of old-ass motherfuckers" The words of my "superiors", not mine. I think this is when they brought up the idea of 50K to my co-leaders and me. Source

"Old-ass motherfuckers" is all they have. How 'bout showing a little of that appreciation and gratitude SGI bangs on about??
Worse, "old-ass motherfuckers" is all SGI-USA can get.
Further, again referring to Table 4, SGI-USA's membership is solidly 2/3 women. That means it's going to be very difficult for women in SGI-USA to find mates to marry, which means childlessness will be more of a norm than an exception. Child-free is a valid and respect-worthy decision, don't get me wrong, but a religion's most reliable source of younger members is its own membership's children. Since SGI-USA's female members don't feel any responsibility or obligation to bear multiple children (like those poor, stupid Mormon sheepwomen do), there won't be any next generation to take over.
There's a reason so many religions have traditionally exhorted their membership to have lots of babies, why they condemn birth control and abortion. A big part of it is to keep their own numbers up! Source

It's the same problem happening in Japan within the Soka Gakkai:

On the other hand, aging is relentless. In terms of the Soka Gakkai's membership demographics, the "volume zone" where most members fall is the baby boomer generation who joined by the 1960s. They are now late elderly. In the past, the management of centers in various places was handled by the "Gajokai" consisting of Young Men's Division members, but it is no longer possible to secure personnel. Instead, in 2009, the Soka Gakkai launched the "Ojokai'' consisting of "middle-aged divisions,'' scolding them as "young people in their 50s'' and rushing to mobilize them. Source

GOOD LUCK!

For perspective, note that SGI-USA was managing to recruit just "1,000 per YEAR" - including all ages - between 1991 and 1999. Eight years of only 1,000 members added per year, with no accounting for the deaths or defections. Were the years after that more successful, recruiting-wise? I doubt it.

[Then-SGI-USA's public-relations director for the East Coast Bill] Aiken says SGI-USA has attracted about 1000 new members per year for the past eight years. - from 1999. Only 1,000 new members - across the ENTIRE 360+ million-person strong USA - in an ENTIRE year. And this extremely low level of success for EIGHT YEARS IN A ROW!! Source

From 2018:

In recent years, the number of young Soka Gakkai members has been decreasing rapidly . Looking at the participants in the simultaneous broadcasts and roundtable discussions, the majority are of the grandparents' generation, with only a small number of young people in their 20s and 30s, and the number of teenage boys and girls is almost an endangered species .
Therefore, what I am interested in is the population of Soka Gakkai by age group. This time, I would like to estimate the current population of Soka Gakkai by age , based on information I have personally seen and heard and verification from others . Please note that this estimate is very rough.
First, the largest number of Soka Gakkai members are baby boomers (born between 1947 and 1949 [Japan's Baby Boom]). This seems almost certain considering the history of the development of Soka Gakkai .
Also, the total number of members has already been verified by many people, and is estimated to be around 3 to 5 million people. This time we assume about 4 million people .
And this is what I heard directly from a staff member at headquarters last year, who said , `` The number of activists decreases by about 1/3 with each generation.'' I think this is a reasonable rate of decline that can be felt by looking at participants in simultaneous broadcasts and roundtable discussions. It seems that members who have stopped being activists are less likely to have their children join, so this time we will use a value of 1/3 per generation as the member decline rate .
Also, regarding the number of years it takes for generational change, the average age for men and women to give birth to their first child is currently 30 years old. Considering that the average age of childbearing for both men and women when the baby boomer generation was born was 24 years old, and that there are cases where not only the first child but also the second and third children are born, the generational shift will take 30 years. Let's calculate it as if it would take a year . In that case, the annual membership attrition rate would be (1/3)^1/30 = 0.964, or 3.6% .
It is unclear when this trend of declining membership started, but this time we will assume that it started in the year following the baby boom generation (1950). Source

And "Soka Gakkai is like an old people's club":

Regarding the problem of a decline in Komeito votes, or in other words, a decline in active Soka Gakkai members, many people concerned point out that the primary cause is the aging of Soka Gakkai members. The enthusiastic members of the generation who supported the growth of the society along with charismatic Honorary President Daisaku Ikeda are now elderly across the board. Most of the current new members are second- or third-generation members who join because their parents are members of Soka Gakkai, and they are not very enthusiastic about Soka Gakkai's activities. Today, many of Soka Gakkai's daily events are even derided by insiders as "like an old people's party."

And a more recent report (this year):

Back about 20 years ago a good friend and good guy, now deceased, from ChiTown, was commissioned by SGI Central Command to survey every contactable member of SGI in every district in America. The number he came up with was 5% of the number of Gohonzon passed out since, I guess whenever Gohonzon started to be passed out. The total number was about a million give or take, 20 years ago. These were contactable people, not practicing members. I remember going through lists of people we had on the books and trying to see if they could be reached. So the number we came up with was reported. Hearing nothing about it, I happened to run into my friend at some event at Soka U. He mentioned that he did the survey, and gave me the results. I believe he told me the facts. (Not everyone who practiced was a lying asshole.) So about 20 years ago SGI had about 50,000 “contactable“ people who had received Gohonzon. My estimate that about half of that number had zero interest in SGI. Thus 20 years ago, SGI had about 25,000 members still interested in SGI in some capacity. I think it’s the same number today. (2500 districts x 10=25,000.) Like I said before I went to FNCC twice last year, and everyone, including me, were old zany seniors. Neither conference was for old people. Conclusion: SGI is a senior citizen support group. When I joined in1969, we were all hippie ish, rejecting all the old shit, looking for something new and hip. Now SGI looks like old shit. Source

And another (this year or last):

When I joined 50+ years ago the ratio of youth to MD and WD was about 80:20. Now it's the reverse. Our goal is to move steadily back to a youth focus again. Source

Except it's obvious that SGI-USA doesn't HAVE "20% youth":

Youth? They've got to be fooling themselves!!! When I was still with the SGI last February (2023), I went to the kosen-rufu gongyo meeting at the center in my area. Mind you, the state I live in closed its center in 2021 for undisclosed reasons. That aside, the one I went to was in another state, and at that meeting, they had no byakuren, Gajokai, or Soka Group in attendance. Additionally, the only youth at the meeting were a few small children. Source
I feel that SGI is out of touch with anyone who’s younger than 60. The leaders are retired, have a lot of time on their hands and completely disregard the fact that people may work or have families. For young people it’s the old people taking nonsense. Source

The PROBLEM was already evident in 1983 - and none of the SGI-USA's big "Recruit-Youth-A-Thons", like "Victory over Violence" and "Rock The Ego Era" and "50K Liars of Just-Us" (everybody wants to forget the epic fail that was the "Gandhi, King, Ikeda" exhibit), has made the slightest difference in this demographic disaster. In fact, preparing for the 2018 "50K" event, SGI-USA likely had only 2,451 members in the 12-35 (or perhaps 11-39) age group, just 9% of the most generous SGI-USA active membership total (~30,000).

Ikeda could have preserved a "youthful" Soka Gakkai by passing the Presidency to a younger candidate, but Ikeda refused, because Ikeda was too focused on and obsessed with HIMSELF - his power, his prestige, his wealth, his status, his fame, his renown, HIM becoming leader of the world, his PERMANENCY, and his legacy. He refused to let anyone else come anywhere CLOSE to the power and control - he greedily, selfishly clutched it all tightly to himself and refused to share.
THAT is why the Ikeda cult Soka Gakkai/SGI is aging and dying. It's ALL Ikeda's fault, Ikeda's responsibility. IKEDA DID THAT.
Some "mentor". Source

SGI-USA has never managed to recover from that demographic bottleneck that happened no later than 1983.

Before going into it, I want to mention how this post was inspired by three things. One was user u/HastyvonFuego2 and their post on going down the rabbit hole on the Kendrick sub last week. It was also inspired by Childish Gambino’s first album release in nearly 6 years where I have been sitting on this idea for a while but he inspired me to finally post this week like he did (never posted on Reddit at all before so be gentle if I am not doing it right)! I was also inspired by an interview Bino gave to GQ about breaking down his most iconic characters. In this interview he says how This is America started out as a Drake diss but then he realized the song was too hard for just Drake so he kept working on it. He also talks in this interview about how all culture is about compression. Which means that yes, This is America is about the gun violence and police issues in America, but compressed in this video is also more about where that culture comes from which he shows is from a small handful of rap moguls, namely Drake, Diddy and Jay-Z (bear with me on this long post, I think/hope it will be worth it). At the end I talk briefly about how Little Foot Big Foot might be in this same vein of cultural compression.
[Intro: Choir]
Yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, go, go away
The beginning of this song has no background music yet, which really gives it an ‘in the beginning’ feel. Then Gambino starts doing his dances with weird facial expressions. I will explain as we go through his video how those expressions and dance moves represent different famous rap moguls. One easy look to pick out right away is Jay-Z’s famous lip curl/growl look that Gambino gives with a head nod repeatedly. The colonial pants have been a hot topic, but since it’s only the pants that are colonial, Gambino is saying the bottom or basis for this violent culture in America is ultimately colonialism. The lyrics ‘Go Away’, are likely foreshadowing the rap moguls wanting other popular rap rivals to ‘go away’ or they will make them (aka murder them) for profit.
[Bridge: Childish Gambino & Young Thug]
We just wanna party
Party just for you
We just want the money
Money just for you (Yeah)
Usually you want money for yourself and to party for yourself, so this is a bit odd. But what Gambino is referring to is similar to these Diddy ‘freakoff parties’ we are hearing about where people who want to be famous are really partying for these rap moguls so they can get close to them. Where they suck up to them saying that they want to earn the mogul money from their songs.
I know you wanna party
Party just for free
Girl, you got me dancin' (Girl, you got me dancin')
Dance and shake the frame (Yeah)
Then this almost feels like the Diddy rebuttal where he’s like ya I know you want to party and you want to do it for free. Like Katt Williams says, “you gotta tell Diddy no”, it is never free to go to those parties. There are always consequences. When you are partying you are dancing, but shaking the frame could refer to how those boundaries/edges are being crossed, lines are blurred, etc.
Then in the video, the fellow who was playing the guitar gets shot and things turn dark from happy music. I believe that this guitar tune is meant to represent 2Pac and Nas’s song Thugz Mansion. It’s one of the original greats from ‘in the beginning’. Nas famously has always had major issues with Jay-Z too (More on why 2Pac and Nas later). It also represents how it was these moguls who murdered 2Pac like Jaguar Wright and Katt Williams keep saying. Where these murders only lead to more money and fame for the killers when the dead artists’ and their music are exploited more easily.
Also note that the gun gets taken away by a school kid after the shooting, more on this later as well.
[Verse 1: Childish Gambino, Young Thug, Blocboy JB & 21 Savage]
This is America (Skrrt, skrrt, woo)
Don't catch you slippin' now (Ayy)
Look how I'm livin' now
Police be trippin' now (Woo)
Yeah, this is America (Woo, ayy)
Guns in my area (Word, my area)
There is a song called Guns in My Area by Lil Weiner and Baby Chapox that paints a vivid picture of the everyday struggles and conflicts faced by those living in communities affected by gun violence. More compression of other songs and the American gun culture.
I got the strap (Ayy, ayy)
I gotta carry 'em
I am almost certain this line is referring to 2Pac’s song Changes. Throughout This is America, Gambino takes lines from Pac’s song: “They get jealous when they see you with your mobile phone” (referred to later in this a Celly, that’s tool) “That's the sound of my tool, you say it ain't cool, My mama didn't raise no fool”
“And as long as I stay black, I gotta stay strapped, And I never get to lay back” It seems like Gambino broke up these lyrics and scattered them throughout his song. This plays into the theme that everyone is using 2Pac and enriching themselves off of his image and music. I show below how this particular section of the video represents Diddy meaning that Diddy himself is exploiting his music (and alleging that Diddy killed Pac?). We could see this exploitation play out at length with how much Diddy milked the death of Biggie like in Every Breath You Take.
Yeah, yeah, I'ma go into this (Ugh)
Yeah, yeah, this is guerilla (Woo)
Yeah, yeah, I'ma go get the bag
The song Gorilla War by $uicideboy$ and Ramirez talks about getting a bag repeatedly in the course. Also in Otis with Kanye and Jay-Z their lyrics talk about going gorilla (I talk about this song more further down), so it could be referring to this as well. It seems like Gambino is trying to pull out lyrics from all across the rap culture and embed them in his song to highlight the ‘cultural compression’.
Yeah, yeah, I'm so cold like, yeah (Yeah)
I'm so dope like, yeah (Woo)
We gon' blow like, yeah (Straight up, uh)
I think that all of the school kids in the video represent all of the rappers that are signed with these big labels. Which is interesting because they are the ones facilitating the guns for the moguls in the video. You can see that the mogul is really focused on the kids and gets agitated and directs them to follow him whenever they stray off a bit like they are his pupils, or like he owns them. Then all of a sudden the camera comes into a scene where you can see more kids shooting a rap video and all shooting money from a Supreme gun. The camera zooms out almost to show you that this is the mogul’s whole rap empire they are looking over, all of their kids in one place (this empire already includes some chaos in the background). It’s subtle but hilarious, Gambino puts fricken chickens on the ground where the kids are filming the rap video. He is directly calling all of these rappers complete chickens for playing up this lifestyle and being the cause of so much chaos rather than coming out and telling somebody what’s really going on. Trying to get their money over everything else.
[Refrain: Choir & Childish Gambino]
Ooh-ooh-ooh-ooh-ooh, tell somebody
You go tell somebody
Grandma told me
Get your money, Black man (Get your— Black man)
This is where things start to get interesting. Gambino is literally saying, go tell somebody about this! We all know what’s happening, why don’t you go let people know how bad it is? But like Jaguar Wright said, who do you tell when these moguls have the cops and feds paid off? This video is literally Gambino putting it all out there in this extremely popular song for everyone to see but yet we still just see the dancing and the violent chaos of people and police in the streets and not the root cause that is hidden in plain sight.
The vast majority of those who reviewed this video until now think this scene represents the tragic church shooting in Charleston in 2015. I think it does, but we also have to look at this from an angle of compression.
The people in the choir are all of the people who are currently singing the rap mogul’s praises and who are focused on going and getting what’s owed to them, get their money (who are also profiting off of the dead fellows music since it goes back to the original tune). You can see that each choir member has a distinct look to them. Think about who you are hearing about now who is about to be implicated in these freak offs and evil deeds. Is that Will Smith in the back left corner!? The short bald fellow in the front left maybe Kevin Hart? Rick Ross or TD Jakes maybe the bigger guy towards the back right? When the camera zooms in on the choir right at first to show their faces, doesn’t the guy in the bottom middle look like an uncanny version of Jordan Peele? Or is that meant to be Cuba Gooding Jr? Then just like the guitar fellow at the beginning, bang. You may be singing Diddy’s praises now, but he will cut you down whenever he suddenly feels like it.
I think almost for sure this initial section of the music video is Gambino acting as Diddy, because right after he shoots the choir, he does the elbow pump/chicken dance. At 3:14 in Diddy’s video for P.E. 2000 he does the chicken dance (he is up first in the video and I think Gambino is trying to say here I first present to you the first public enemy of 3 in this song). That elbow dance signals that it was Diddy and this is the end of his section.
[Chorus: Childish Gambino, Young Thug, Slim Jxmmi & Quavo]
This is America (Woo, ayy)
Don't catch you slippin' now (Woo, woo, don't catch you slippin' now)
Don't catch you slippin' now (Ayy, woah)
Look what I'm whippin' now (Slime!)
There have been many accounts of celebrities being given fancy cars after suffering abuse at the hands of these moguls. So these lyrics are saying that you better not slip up and tell people what’s really going on. And if you don’t look at this sweet carecord deal/movie contract I am going to give you. Beiber told this story about Diddy wanting to give him a luxury car.
Now suddenly, the dance switches from the chicken dance to a sudden bicep flex to signal us that we have now moved on from Gambino representing Diddy to our next mogul.
[Verse 2: Childish Gambino, Quavo, Young Thug, 21 Savage & BlocBoy JB]
This next chunk of the video is all about Jay-Z. I think this is the case because he throws his arms up in a bicep flex just like Jay does in the Otis music video at 2:38. And it makes sense Gambino would pick a dance move from a video with a huge American flag in the background to fit the ‘This is America’ theme. Gambino is mocking him saying, who are you really, the pretty guy or this hard gangster like Gambino shows in his dancing. Also right before they pan to the kids on the balcony, Bino also does Jay-Z’s signature lip curl look a couple times so we know it’s him and to signal the end of his section.
Look how I'm geekin' out (Hey)
I'm so fitted (I'm so fitted, woo)
Jay-Z is famous for making the fitted Yankees cap famous, it’s his signature look. More signs this verse is about Jay.
I'm on Gucci (I'm on Gucci)
Jay-Z has been seen in full wallpaper Gucci sweat suits but could also be referring to Gucci Mane who he hung out with at Beyonce’s tour around the time this song was released.
I'm so pretty (Yeah, yeah, woo)
I'm gon' get it (Ayy, I'm gon' get it)
Watch me move (Blaow)
These lines are probably referring to Jay-Z having a hidden preference for men, especially with the way Gambino flicks his wrist in the video when he says I’m so pretty.
This a celly (Ha)
That's a tool (Yeah)
On my Kodak (Woo) Black
I think that “this a celly, that’s a tool” harkens back to 2Pac’s lyrics in Changes where he sings, “They get jealous when they see ya with your mobile phone” then shortly after that he sings about the sound of his tool, referring to shooting a gun. But Childish flips these lyrics on their head. He is saying that it’s really the phone that’s a tool to be using, not a gun. And pans up and shows (the school kids specifically) on the balcony filming everything going on below. He’s telling the kids/other rappers, use your phone as a tool, you can record these bad deeds when you get blackmailed into being at the freak off. That’s how you can kill them and their career, not with a gun. Go tell somebody! There is also the reference to Kodak which plays into the picture taking theme, but also because Kodak Black has been accused of assaulting a teenage girl in a hotel room. So we have a good idea of what Gambino suggests all the kids start filming and collecting evidence of.
Ooh, know that (Yeah, know that, hold on)
Get it (Woo, get it, get it)
Ooh, work it (21)
Now we are onto Drake’s part. In the video Gambino starts doing the BlocBoy JB dance called Shoot. Drake is known for doing these little viral dance moves like in Hotline Bling. But not only that, this dance is also used in the song that both BlocBoy JB and Drake collaborate on for their video Look Alive. It starts at 2:07 in the Look Alive video. So this is Drake’s dance to signal his part is now starting.
Note this is where the pale horse rides by also potentially saying that Drake is one of the horsemen of the apocalypse. Interestingly, Drake’s collab with BlocBoy JB was pretty much the apocalypse for BlocBoy’s career, who hasn’t had a hit since.
Hunnid bands, hunnid bands, hunnid bands (Hunnid bands)
Contraband, contraband, contraband (Contraband)
I got the plug in Oaxaca (Woah)
They gonna find you like "blocka" (Blaow)
Again, we know this is Drake’s section because his song 10 bands starts out by saying “10 bands, 50 bands, 100 bands” almost identical to Bino’s lyrics here. Also Blocka was famously used by Biggie in his song Gimme the Loot which could be referring to Biggie's demise like Pac’s and making money from his death. Everything in this industry originates from pushing drugs, which has been alleged through the trafficking that Diddy, Jay-Z and Drake do through their private jets likely connected to their bosses, the Clive Davises and Lucian Grainges of the world. This escalates rap beefs and the whole culture to the next level where murder is often a consequence for young rappers in their prime when international drug lord money is involved.
An interesting point is this is the only time where Childish was about to shoot someone in the video, but where he didn’t have a school kid either handing him the gun or taking it away carefully from him. (Maybe also a diss at Drake that even though he acts hard he doesn’t shoot, he gets his horseman of the apocalypse to do his dirty deeds for him instead perhaps?). This is the beginning of the end for the rap mogul as he no longer has his kids doing his bidding for him. A simple message to show how the violence can be stopped, that these shootings can end when the kids stop enabling them. So then as soon as he can’t react in that moment and shoot someone his anger is forced to chill out, as shown by smoking a J, and to go back to exploiting the dead man’s music instead. If you don’t put a gun in someone’s hand when they are heated, those feelings too shall pass - kinda feel.
[Refrain: Choir, Childish Gambino, & Young Thug]
Ooh-ooh-ooh-ooh-ooh, tell somebody
America, I just checked my following list, and
You mothafuckas owe me
Whose voice does that sound like!? It sounds a lot like Diddy to me, public enemy #1. This is basically saying that the moguls are the ones who we all owe it to for all of this glorified gun violence in America. That we owe them way more follows and likes for what a massive influence they have had on the violence and chaos we see in America today.
Grandma told me
Get your money, Black man (Black man)
(1, 2, 3—get down)
In Moneybagg Yo’s song 1, 2, 3, he also has a line that says “1, 2, 3, let’s go!” in a similar vein.
But something interesting I came across was Nas’s song Get Down where they use a sample from James Brown's “The Boss” that sounds extremely similar to the way Gambino screams “Get Down!” Which would fit well if the guitar singer from the beginning is meant to be Nas and Pac doing Thugz Mansion.
Also make sure you check out Nas’s song Get Down so that you can hear how much Jay-Z outright copied this song for The Story of OJ. From the musical structure with the piano and interwoven samples right down to the theme reiterated by the sample at the end of Nas’s song: “If that’s how our people are gonna get down, how are we ever gonna get up?”
SZA
Finally to wrap up the video, I have been stumped for a long time as to why SZA is randomly at the end of this video sitting on one of the cars. But I think I finally know why and it reconfirms that this last scene is all about Drake. If you watch Drake’s music video for Worst Behavior (not very Canadian of him to spell behaviour that way I might add) you will see Drake rapping and dancing with a few cars surrounding him and one of those cars has other rappers making cameos in it. In Gambino’s video SZA represents that car with a famous cameo. I think this is further confirmed when the black edges of the video start closing inwards at the end of This is America, the exact same way that Worst Behavior ends. So why SZA as the cameo then? Cause it reminds people that Drake is a p*do.
This is from an article in the Rolling Stone: In 2020, Drake revealed publicly that he and SZA had dated over a decade ago, well before she was an established artist (her earliest music goes back to around 2012; her critical breakthrough, Ctrl, came in 2017). On 21 Savage’s “Mr. Right Now,” Drake rapped about a newer fling who was a fan of SZA’s: “Yeah, said she wanna fuck to some SZA, wait / ‘Cause I used to date SZA back in ’08 / If you cool with it, baby, she can still play.” A few days later, SZA responded, corroborating Drake’s claim with a slight correction: they dated in 2009, when both would have been over 18. Since SZA would not have turned 18 until late 2008, she wanted to set the record straight. “in this case a year of poetic rap license mattered 🥴lol I think he jus innocently rhymed 08 w wait [sic],” she tweeted. “I just didn’t want anybody thinking anything underage or creepy was happening . Completely innocent . Lifetimes ago . [sic]”
If you have to specifically say something isn’t creepy and distance yourself from it being lifetimes ago, it usually is creepy. Drake would’ve been 22 when she was 17. Metro Boomin also happens to be on the Mr. Right Now track. He is currently in trouble for resurfaced old tweets showing how Metro used to tweet disgusting things about what he wanted to do to underage girls. Interestingly, Metro Boomin is also now beefing with Drake.
Drake doing his dance on the car of the original musician’s music seems to be accusing Drake directly of stealing 2Pac’s music. Orlando Brown recently said the cryptic statement that “Drake is Pac” which likely means he stole 2Pac’s approach/style/audience after his death. Gambino did some good foreshadowing here too with the recent AI release Drake put out of 2Pac.
This dance scene also signals that the Drake section is now over.
[Outro: Young Thug]
You just a black man in this world
You just a barcode, ayy
You just a black man in this world
Drivin' expensive foreigns, ayy
You just a big dawg, yeah
I kenneled him in the backyard
No, probably ain't life to a dog
For a big dog
The outro lyrics speak to how these gatekeepers keep black men down and control them with things like being forced to wear a dress to become famous or to submit to homosexual/p*do acts.. In the video, as I mentioned above, the black edges close in on Drake’s dancing scene in This is America. But they don’t completely close and end things like they do in the Worst Behavior video. Instead, in Gambino’s video, the camera pans to show the mogul running for his life with Young Thug’s lyrics almost like a quiet echo in the background. He isn’t running from the cops though, he’s running from the kids and from the public. When I mentioned earlier that the kids not handing over the last gun before Drake’s scene signalled the beginning of the end for the moguls, this is that conclusion. Where it is showing that if all the kids come together to stop enabling and rather expose the moguls, people will be chasing these bastards down once we realize what has been going on behind the curtain. Then the song that Young Thug is singing can just be a quiet echo of the way things were in the past.
If you don’t think Gambino would be this deep and that I went too far down the rabbit hole, do a Google search on the calculations that he came up with for why he sings about loving until 3005 in his song. He seems to go real deep with his lyrics. So a big question this leaves us with is, what did Childish Gambino witness in the rap industry? His whole rap career plays out like he is trying to avoid industry norms.
Even in Sweatpants, he has lyrics like:
No hands like soccer teams and y'all fuck boys like Socrates
You niggas ain't coppin' these, niggas ain't lookin' like me (Nah)
Nah, I ain't checkin' I.D. (Nah), but I bounce 'em with no problem
Seems like he is trying to make it really clear across his catalogue of music that he isn’t a p*do but that other rappers are. Where he is saying that he doesn’t need to ID his potential partners because he can tell they are obviously too young and that’s not hard to do.
Tell 'em, Problem (Problem!)
I'm winnin', yeah, yeah, I'm winnin' (What?)...
Rich kid, asshole, paint me as a villain
So who was trying to paint him as a villain, Drake? And that’s why the diss was originally meant for him?
Don't be mad 'cause I'm doing me better than you doing you…
Better than you doing you
Fuck it, what you gon' do? (What?!)
He’s taunting the other rappers cause he knows they can’t say shit if they are creeps. He has the same sentiment in Bonfire “It’s a bonfire, turn the lights out, I’m burning everything you mother fuckers talk about.”
Childish Gambino has always refrained from talking about the meaning of This is America whenever he is asked, and I can only assume that all of this is why.
Little Foot Big Foot
Now with his new release, Little Foot Big Foot and applying cultural compression to it, it has me wondering if he is referring to Megan Thee Stallion and the Nicki beef? People like Nicki (calling Megan Big Foot) have been claiming for some time she wasn’t even shot in the foot by Tory Lanez. There were many people laughing and making fun of Megan over getting shot. Which could be an interesting story for Childish to tell to represent how crazy this violent culture has gotten that people just laugh and blame the victim now when you get shot. Also a good metaphor for things like ‘shooting yourself in the foot’ for not having a lawyer look over potentially predatory industry contracts like in the beginning of his video. That you want to get in the cool kids club so bad you overlook it. Not as sure on this one though since the song just came out and I have only heard it a few times.
One last thing that is really interesting, there have been tons of artists on podcasts like Shay Shay talking about the strings these ultra rich moguls can pull. Like buying awards or gatekeeping people from being in the industry at all. There was even a story, I think maybe it was Gene Deal who told it, that when Killer Mike won at the grammys that Jay-Z was so angry he made sure to mess up his night by getting him locked up as soon as he left the awards stage. These moguls are extremely powerful and have an incredible amount of sway in the world/industry. If you check out Gambino’s profile on Youtube, his old music videos keep getting taken down, like Bonfire for example is just gone. Fans have been having to upload the videos themselves. There is a reply to a comment, on one of the fan uploaded vids, from Gambino’s account himself when someone asks why the videos are being taken down. His account just replies “Noone knows why :(“ Seems a bit odd all things considered and like maybe he has been at the mercy of these gatekeepers for going against the system.
I am so curious to know what the rest of you think about all of this!

We are looking for members on all platforms, Bedrock and Java (PC, Mac, Mobile, Xbox, PlayStation and Switch) aged 16-21. We offer a server that allows crossplay between Bedrock and Java that will stay up to date for years to come. The eggSMP has been running for 3 years now, and it has a small and friendly player base of around ten people. We play on mostly survival, while moderators may use creative for buildings for the community. We expect no hacking, griefing or stealing, and keep inventory is on. eggTOGETHER is our server that opened in August 2023 and already has quite a built up world with multiple towns, as we focus mostly on civilisations although it is not a requirement for you to join one, and we don't really treat it as an official thing. We also offer a bedrock only server which was the original eggSMP and the only server for it. Although now most tend to play on eggTOGETHER, as it allows crossplay. We also have no tolerance for homophobia and we are a LGBT friendly space, with a lot of members being LGBT. We are also mainly located in the UK and Ireland so we’ll be playing at those times, but there are some Americans as well. In short, we are a chilled out, small sized server looking for some new faces, but we won't tolerate general unkindness and rule breaking. Please DM me if you're interested. (youngbear on discord)

We are looking for members on all platforms, Bedrock and Java (PC, Mac, Mobile, Xbox, PlayStation and Switch) aged 16-21. We offer a server that allows crossplay between Bedrock and Java that will stay up to date for years to come. The eggSMP has been running for 3 years now, and it has a small and friendly player base of around ten people. We play on mostly survival, while moderators may use creative for buildings for the community. We expect no hacking, griefing or stealing, and keep inventory is on. eggTOGETHER is our server that opened in August 2023 and already has quite a built up world with multiple towns, as we focus mostly on civilisations although it is not a requirement for you to join one, and we don't really treat it as an official thing. We also offer a bedrock only server which was the original eggSMP and the only server for it. Although now most tend to play on eggTOGETHER, as it allows crossplay. We also have no tolerance for homophobia and we are a LGBT friendly space, with a lot of members being LGBT. We are also mainly located in the UK and Ireland so we’ll be playing at those times, but there are some Americans as well. In short, we are a chilled out, small sized server looking for some new faces, but we won't tolerate general unkindness and rule breaking. Please DM me if you're interested. (youngbear on discord)

We are looking for members on all platforms, Bedrock and Java (PC, Mac, Mobile, Xbox, PlayStation and Switch) aged 16-21. We offer a server that allows crossplay between Bedrock and Java that will stay up to date for years to come. The eggSMP has been running for 3 years now, and it has a small and friendly player base of around ten people. We play on mostly survival, while moderators may use creative for buildings for the community. We expect no hacking, griefing or stealing, and keep inventory is on. eggTOGETHER is our server that opened in August 2023 and already has quite a built up world with multiple towns, as we focus mostly on civilisations although it is not a requirement for you to join one, and we don't really treat it as an official thing. We also offer a bedrock only server which was the original eggSMP and the only server for it. Although now most tend to play on eggTOGETHER, as it allows crossplay. We also have no tolerance for homophobia and we are a LGBT friendly space, with a lot of members being LGBT. We are also mainly located in the UK and Ireland so we’ll be playing at those times, but there are some Americans as well. In short, we are a chilled out, small sized server looking for some new faces, but we won't tolerate general unkindness and rule breaking. Please DM me if you're interested. (youngbear on discord)

We are looking for members on all platforms, Bedrock and Java (PC, Mac, Mobile, Xbox, PlayStation and Switch) aged 16-21. We offer a server that allows crossplay between Bedrock and Java that will stay up to date for years to come. The eggSMP has been running for 3 years now, and it has a small and friendly player base of around ten people. We play on mostly survival, while moderators may use creative for buildings for the community. We expect no hacking, griefing or stealing, and keep inventory is on. eggTOGETHER is our server that opened in August 2023 and already has quite a built up world with multiple towns, as we focus mostly on civilisations although it is not a requirement for you to join one, and we don't really treat it as an official thing. We also offer a bedrock only server which was the original eggSMP and the only server for it. Although now most tend to play on eggTOGETHER, as it allows crossplay. We also have no tolerance for homophobia and we are a LGBT friendly space, with a lot of members being LGBT. We are also mainly located in the UK and Ireland so we’ll be playing at those times, but there are some Americans as well. In short, we are a chilled out, small sized server looking for some new faces, but we won't tolerate general unkindness and rule breaking. Please DM me if you're interested. (youngbear on discord)

Hi I need help trying to figure out how to use the unarchiver to download club penguin imagined on my Mac, pls help

Hi all. I've been on a bit of a bender today - thinking about my childhood playing games like Club Penguin, Moshi Monsters, Bin Weevils, Free Realms and Star Wars: Clone Wars Adventures. I have memories of another game I used to play in that pre-2012 period, which I think featured pandas as the playable species? It was definitely something similar to a panda, at least. It was definitely in the same style as CP and BW, I'm trying to discern the name of the game, and whether it might still be up/has emu'd servers.
Platform(s): Windows, probably Mac (and Linux?) too since, from memory, it's a web browser game (Which, I suppose, means the odds of it still existing in its original state are slim.)
Genre: Uhh... Kiddy MMO? I dunno how else to explain it.
Estimated year of release: Probably mid 2000s, given that by 2010 I'd mostly switched away from the first 3 games I mentioned above, and onto stuff like ROBLOX. I stayed with SW:CWA and Free Realms a bit longer, and I don't remember playing this game much concurrently with those two and ROBLOX.
Graphics/art style: 2d graphics, that sort of cutesy art style where there's detail but it's still very kid friendly from Moshi Monsters and Bin Weevils. Edit - I recall the game having a somewhat 'oriental' style for at least some of the areas present in the game.
Notable characters: Pandas, I think?
Notable gameplay mechanics: Generic stuff for a Club Penguin/Bin Weevils style game. Mini-games and such, basic as hell character customisation.
Other details: I'm from the United Kingdom of Great Britain, and currently in my early 20s. I believe Bin Weevils was UK-only, so this game may be as well.
I know I haven't given really any information on this subject, but that's because my memories are so damned hazy. I just want answers on what this game was.
EDIT:
Ruled out thus far: Panfu, Pandanda, Kung Fu Panda World, Pet Pet Park, Animal Jam, Secret Bear World, Franktown Rocks, Rolypolyland, Poptropica, Furcadia, Webkins, Tootsville, Neopets.

This is the second half of my list for Oklahoma's execution roster. As mentioned in the first part, I broke it in half to comply with reddit's character limitations. For the link to part 1, please click here.
The currently executed 124 offenders, cases 63-124:
63. Robert Knighton (~1960s-2003, lethal injection): In 1973, after being released from a 1968 armed robbery conviction, Knighton went on his first major crime spree. He stabbed and strangled several men and women during many robberies and home invasions. The only victim that was killed, 32 year old Coffier Day, was shot dead while Knighton was arguing with him in his home. Coffier's father, 53 year old Claude, was also injured in the shooting. Knighton's first crime spree ended when he kidnapped a married couple and their 6 year old daughter. They escaped when the wife and mother of the family attacked Knighton with a knife to protect her husband and daughter. The family then notified the police of their abduction. Knighton managed to secure a 30 year manslaughter conviction and a 10 year armed robbery conviction with a plea deal, and was released to a halfway house in 1989. There, he began dating a female addict and befriended a teenage boy. The trio embarked on a nationwide robbery spree together. In Missouri, they shot and killed 59 year old Frank Merrifield and his 40 year old stepson Roy Donahue while robbing their home, and stole guns and money from them. In Oklahoma, the trio fatally shot a couple, 64 year old Virginia and 62 year old Richard Denney, while carjacking them. Their rampage ended when a woman in Texas grow suspicious of them circling a neighborhood. Knighton had a long history of theft convictions dating back to his childhood, and joined the Aryan Brotherhood in prison. Behind bars, he frequently attacked black and Native American inmates out of racial hatred for them.
64. Kenneth Charm (1993-2003, lethal injection): Charm and his teenage cousin lured a family friend, 14 year old Brandy Hill, into their car. They raped Hill and tried strangling her with a towel. When that failed, the cousins bludgeoned her to death with a sledgehammer.
65. Lewis Gilbert II (1994-2003, lethal injection): Gilbert and his teenage accomplice committed at least 4 robbery murders in Missouri, Ohio, and Oklahoma, but he was executed for the killing of 37 year old Roxanne Ruddell. They ambushed and kidnapped Ruddell while she was fishing alone. She was robbed of $3 and her truck, tied to a tree, and shot to death. The pair also fatally shot Ruth Loader, a 79 year old Ohioan woman, while abducting her from her residence, and gunned down a Missouri couple, 86 year old William and 76 year old Flossie Brewer, in their home. Gilbert was also sentenced to death for the Brewer murders by the state of Missouri, but was incarcerated in Oklahoma State Penitentiary’s death row.
66. Robert Duckett (~1980s-2003, lethal injection): After breaking out of prison, Duckett was picked up hitchhiking by John Howard, a 53 year old store owner. Howard agreed to let Duckett stay with him until he could find a job. The pair soon had a failing out, and Duckett was evicted by his host. He retaliated by tying Howard up with wire and then beating him to death with a fireplace poker. Duckett made off with his car after he switched the license plates, and took several bank bags from his store. He had a long violent criminal history, which included several incidents of assault and robbery. One of the incidents involved the beating of an 83 year old man. Allegedly, Duckett was previously gang-raped by other inmates, and suffered from PTSD from the incident. His attorneys claimed that Howard’s sexual advances trigged those memories, and he was killed as a result of Duckett lashing out at them. However, the prosecution shot the argument down, citing that the murder happened after Duckett was evicted from the apartment.
67. Bryan Toles (1993-2003, lethal injection): Toles and his two accomplices forced themselves into the home of the Franceschi family, and shot and killed the family patriarch, 39 year old Juan, in a struggle. Juan's son, 15 year old Lonnie, was also murdered "execution style" out of fear that he could identify Toles and his accomplices. The only survivor of the attack was Norma, Juan's wife and Lonnie's mother, who escaped by hiding in her older daughter's bedroom.
68. Jackie Willingham (1994-2003, lethal injection): Willingham was a door to door salesman selling perfume in an office building. One women, 62 year old Jayne Van Wey, he tried to solicit rejected him despite his repeated offers. Angered by her "rude behavior", Willingham attacked Van Wey when they had a chance encounter near the building's restroom. He dragged Van Wey out of a stall after following her inside, slammed her head against the bathroom wall several times, and kicked her head. Reportedly, Van Wey choked to death on her own blood.
69. Harold McElmurry III (1999-2003, lethal injection): While under the influence of meth, McElmurry and his wife Vicki broke into a home that a WW2 veteran, 80 year old Robert Pendley, shared with his wife, 75 year old Rosa. Robert and Rosa were both quickly subdued and physically restrained by the couple. McElmurry clubbed Robert to death with a pipe in front of Rosa, who was forced to watch by Vicki. Vicki then held Rosa down as McElmurry stabbed her several times with scissors. After killing the Pendleys, the McElmurrys fled with $70 in cash, a pair of guns, and the victims' car. A few days after the murders, they were captured by border agents while trying to cross into Mexico.
70. Tyrone Darks (~1990s-2004, lethal injection): Darks rammed his ex wife, 26 year old Sherry Goodlow, off the road as she was driving with their 2 year old son. After Goodlow crashed, Darks pulled their son out of the wreckage, shot her to death, and then drove away with him. Just before she succumbed to her injuries, Goodlow managed to call and notify the police about her son’s abduction. The police confronted and arrested Darks at his home, and they found the boy unharmed in their search. Darks and Goodlow’s former marriage was marred with violence, and he was arrested on numerous occasions for assaulting her. On death row, Darks was involved in a scheme to defraud a foundation for 9/11 survivors.
71. Norman Cleary (~1980s-2004, lethal injection): While burglarizing an upper class home with an accomplice, Cleary shot and killed a housekeeper, 44 year old Wanda Neafus, and took her purse and a cane that her employers purchased from the Smithsonian Institution. Cleary had a long criminal history and was previously convicted of beating an 87 year old woman in her home.
72. David Brown (~1983-2004, lethal injection): For several years, Brown violently harassed his ex wife and her family. In one incident, Brown abducted his ex wife and 11 of her customers from a beauty saloon she owned, and held them hostage until he surrendered to police. He was able to leave custody on bond and went into hiding. A few years after the hostage crisis incident, Brown broke into his ex wife's family home and gunned down her father, 47 year old Eldon McGuire.
73. Hung Thanh Le (1992-2004, lethal injection): Le crept into the apartment of another Vietnamese refugee, 34 year old Hai Nguyen, and found him watching TV on the couch. He struck Nguyen from behind with a weightlifting bar, and continued stabbing him with a meat cleaver when he screamed his wife for help. Nguyen's wife phoned the police, and Le fled with the couple's safety deposit box that contained $36,000 and their wedding ring.
74. Robert Bryan (1993-2004, lethal injection): Bryan shot and killed his estranged aunt, 69 year old Mildred, dumped her body on his parents' property, and forged a $1,800 check to himself under her name.
75. Windel Workman (~1980s(?)-2004, lethal injection): Workman beat his girlfriend's daughter, 2 year old Amanda Holman, to death while babysitting her in their home. His ex wives reported that he had a history of child abuse and often violently spanked their children during their marriages.
76. Jimmie Slaughter (1991-2005, lethal injection): Fearing that she was going to tell his wife of their affair, Slaughter stabbed and shot his ex girlfriend, 29 year old Melody Wuertz, and their daughter, 1 year old Jessica. According to court documents, Slaughter mutilated both of their bodies, and he carved an "R" on Melody's stomach. He tried pinning the murders on a black man, but the investigators and the courts dismissed his allegations.
77. George Miller Jr. (1994-2005, lethal injection): During the robbery of a hotel, Miller attacked the auditor, 25 year old Kent Dodd, with a hedge shear and paint cans, and took $122 from the register. Dodd was severely beaten, had muriatic acid shoved down his throat, and was left to die. Just before he died of his injuries, Dodd gave a description of his attacker to the police that matched Miller. A massive amount of circumstantial evidence, such as wearing shoes that resembled the bloodstained footprints next to Dodd's body, a microscopic drop of blood found on his shoes that was tentatively linked to Dodd, his wife's testimony of his unaccounted absence from their home during the murder, and what appeared to be Dodd writing Miller's alias that he knew him by in his own blood, convicted him. Miller’s friends also reported that he was broke and begging them for money a day before the murder, and his wife mentioned him giving her the same amount of money that was stolen from the robbery a day after it happened.
78. Michael Pennington (1991-2005, lethal injection): Pennington shot and killed a clerk, 20 year old Bradley Grooms, while trying to rob a 7-eleven grocery store. He left empty handed when the register failed to open.
79. Kenneth Turrentine (1994-2005, lethal injection): Under the belief that they were stealing money from him for drugs, Turrentine shot and killed his sister, 48 year old Avon Stevenson, and his girlfriend, 39 year old Anita Richardson, during confrontations in their homes. He also gunned down Anita's two children, 22 year old Tina Pennington and 13 year old Martise.
80. Richard Thornburg Jr. (1996-2006, lethal injection): A month after he was shot by an unknown assailant, Thornburg and his accomplices sought revenge by abducting 5 men that he thought was responsible from a trailer. Three of the hostages, 51 year old James Poteet, 39 year old Tery Sheppard, and 24 year old Kieth Smith, were gunned down on the spot, and Thornberg forced the fourth to shoot the fifth with the threat of killing him if he didn’t comply. They then burned down the trailer with the wounded fifth victim still trapped inside, but he managed to escape with his life. Despite being forced to put all the blame on himself in exchange for being spared, the fourth hostage still went forward to the police.
81. John Boltz (1984-2006, lethal injection): To spite his estranged wife following an argument, Boltz attacked her son, 23 year old Doug Kirby, with a knife. Kirby was stabbed a total of 11 times, and he received several fatal wounds to his chest, stomach, and neck.
82. Eric Patton (1994-2006, lethal injection): Patton forced his way into the home of 56 year old Charlene Kauer after she refused his pleading for money. After dragging her around the house as he searched for valuables, Patton stabbed Kauer several times with many different blades objects at hand such as scissors, barbecue forks, and kitchen knifes. Although he confessed to the murder, Patton blamed it on alleged demonic possession and his cocaine addiction.
83. James Malicoat (1997-2006, lethal injection): Malicoat slammed Tessa Leadford, his 13 month old daughter, against a dresser. After she died from the beating, he tucked her into bed, and waited until his daughter's mother returned from work to take her to the hospital. The doctors found that Leadford had been dead for several hours at the time of her arrival, and discovered several injuries such as broken ribs, bite marks, abdominal bleeding, and facial bruising on her body. By his own account, he had abused Leadford on a daily basis. For her role in enabling her boyfriend's treatment of their daughter, Leadford's mother was convicted of first degree murder and given a life sentence.
84. Corey Hamilton (1992-2007, lethal injection): During the robbery of a restaurant, Hamilton shot and killed 4 employees, 26 year old Sandy Lara, 24 year old Stephen Williams, 19 year old Ted Kindley, and 17 year old Joseph Gooch, and made off with $2,000.
85. Jimmy Bland (~1975-2007, lethal injection): Bland shot his boss, 62 year old Doyle Rains, in the head over an argument regarding a borrowed car and dumped the body in a creek. He was previously convicted of killing a soldier, Raymond Prentice (age unknown), and abducting the man's wife and son at the age of 19. Bland served a 20 out of 60 year sentence, and murdered Rains a year after he was released.
86. Frank Welch (~1987-2008, lethal injection): In 1987, Welch attacked 28 year old Jo Cooper, who was 4 months pregnant with her second child, in her home. She was tied up with leather straps, raped and violated with plastic toys, and strangled to death. Cooper’s body was found laying near her infant son by her husband. Another woman, 32 year old Debra Stevens, was also bound, raped, and strangled to death in her home in a near identical fashion a few months later. Although both murders went unsolved for several years, Welch abducted and raped a woman in 1994, and he received a 45 year sentence for it. His DNA samples was collected and filed after his abduction conviction, and linked to both Cooper and Stevens’ murders in a 1997 test.
87. Terry Short (1995-2008, lethal injection): In an attempt to kill his ex girlfriend, Short blew up her apartment complex with a firebomb. She and her family managed to escape, but the blast killed Ken Yamamoto, a 22 year old Japanese exchange student. Yamamoto had no connections to the targeted ex girlfriend's family beyond him having the misfortune of residing in the same apartment.
88. Jessie Cummings Jr. (1991-2009, lethal injection): Cummings was a polygamist that had married and lived with two wives. Under his orders, Cummings’ wives shot and killed his estranged half sister, 46 year old Judy Mayo, and kidnapped her daughter, 11 year old Melissa. He bound his niece to his bed with handcuffs to be raped, and stabbed her to death.
89. Darwin Brown (1995-2009, lethal injection): While robbing a grocery store with three accomplices (including Billy Alverson and Michael Wilson), Brown tied up the clerk, 30 year old Richard Yost, with handcuffs, and then bludgeoned him death with a metal baseball bat. The killing was caught by security cameras, and the footage was used by the prosecution to secure the convictions of Brown and his accomplices.
90. Donald Gilson (1995-2009, lethal injection): Gilson routinely physically abused his live in girlfriend's 5 children (who were all between the ages of 8 and 12 years old). The youngest, 8 year old Shane Coffman, was beaten to death with a board for defecating on the living room carpet. He and his girlfriend then hid the body by stuffing it in a freezer. The body was kept inside it for 6 months until it was discovered by a sheriff's deputy investigating the family's abuse allegations. Gilson's girlfriend was spared the death penalty with a plea deal, and given a life sentence without the possibility of parole for her part in her son's abuse and murder.
91. Michael DeLozier (1995-2009, lethal injection): While camping with his friends, DeLozier ambushed another pair of campers, 60 year old Orville Bullard and 54 year old Paul Morgan, and shot them to death. They stole Morgan and Bullard's generator, pick up truck, and other camping gear. To cover up their tracks, DeLozier and his friends set their victims' campsite on fire, and severely burned the bodies.
92. Julius Young (1993-2010, lethal injection): For breaking off their relationship, Young beat his ex girlfriend, 20 year old Joyland Morgan and her 6 year old son Kewan, to death with a baseball bat in their apartment.
93. Donald Wackerly II (1996-2010, lethal injection): Wackerly and his wife ambushed and gunned down Pan Sayakhoummane, a 51 year old Laotian immigrant, while he was fishing in the Arkansas River. After he placed Sayakhoummane's body in the man’s own truck, he pushed into a river, and stole his fishing gear. A few months after the murder, Wackerly’s wife turned him in to the police.
94. John Duty (~1970s-2010, lethal injection): Duty was given a life sentence for abducting, raping, and non fatally shooting a female store clerk during a robbery. While incarcerated, he tricked a fellow inmate, 22 year old Curtis Wise Jr. into allowing himself to be tied up as a part of a hostage ruse, and then strangled him to death with shoelaces. At the time of his murder, Wise was serving a conviction for burglary and contributing to the delinquency of minors. Duty's execution caused some controversy for the use of pentobarbital, a drug more commonly utilized by veterinarians to euthanize pets.
95. Billy Alverson (1995-2011, lethal injection): Alverson assisted the above mentioned Darwin Brown and Micheal Wilson in the beating death of Richard Yost while robbing a convenience store.
96. Jeffrey Matthews (1994-2011, lethal injection): Matthews and his accomplice shot and killed his great uncle, 77 year old Otis Short, while robbing the man's home. In the robbery, they stole Short's truck, his .32 calibre pistol, and $500. The pair also slit the throat of Short's wife, but she survived her injuries.
97. Gary Welch (~1993-2011, lethal injection): During a fight over a drug shipment, Welch and his partner stabbed another dealer, 32 year old Robert Hardcastle, to death with broken glass bottles. He was previously convicted of battery with a deadly weapon, and was off on probation at the time of Hardcastle's murder.
98. Timothy Stemple (1996-2012, lethal injection): Stemple conspired with his girlfriend to murder his wife, 30 year old Trisha, for her life insurance policy. With the help of his girlfriend's 16 year old nephew or cousin [sources vary], Stemple beat Trisha with a baseball bat, and rammed her to death with his truck.
99. Michael Selsor (~1975-2012, lethal injection): Selsor and his accomplice went on a crime spree and robbed several convenience stores. During their robberies, the pair shot and killed two clerks, 55 year old Clayton Chandler and 20 year old Ina Morris, and injured two others in shooting and stabbing attacks.
100. Michael Hooper (~1992-2012, lethal injection): Hooper kidnapped his ex girlfriend, 23 year old Cynthia Jarman, and her children, 5 year old Timothy and 3 year old Tonya, from her boyfriend's residence. He shot all three of them dead, and buried the bodies in a rancher's field. According to court documents, Hooper was hyper-violent towards Cynthia in their year long relationship.
101. Garry Allen (1986-2012, lethal injection): Allen shot and killed his fiancee, 24 year old Lawanna Titsworth, during an argument at a day care she worked at. He fought with the responding officers trying to arrest him in an attempt to provoke a "suicide by cop" outcome. Despite the officers' best efforts to avoid harming him, Allen lost his eye from an accidental discharge. Due to claims of him having schizophrenia, Allen's execution was a source of controversy.
102. George Ochoa (~1993-2012, lethal injection): A Southside Locos gang member, Ochoa and another hoodlum shot and killed a couple, 38 year old Francisco Morales and 35 year old Maria Yanez, while burglarizing their home. The murders were witnessed by the couple's 14 year old and 10 year old children and stepchildren, who then phoned the police after the shooters' departure.
103. Steven Thacker (~1980s-2012, lethal injection): Thacker kidnapped 25 year old Laci Hill during a botched robbery of her home, and took her to a remote cabin to be raped. She was then strangled and stabbed to death. He fled to Missouri, fatally stabbed 24 year old Forrest Boyd while carjacking him, and used his car to hide out in Tennessee. After the stolen car broke down, Thacker called a tow truck to pick him up. When the driver, 52 year old Ray Patterson, found that he was using a stolen credit card, Thacker stabbed him to death as well. As a teenager, Thacker committed several acts of auto thefts and burglaries. He also engaged in inappropriate relationships with underaged girls, and was released from a Florida prison after serving time for a bad check conviction months before his murders.
104. James DeRosa (2000-2013, lethal injection): DeRosa and his accomplice tricked a couple, 73 year old Curtis and 70 year old Gloria Plummer, that he worked for on their ranch, into letting them inside their house. After they stabbed the Plummers and slit their throats, DeRosa and his accomplice stole $73 and drove away with their truck.
105. Brian Davis (2001-2013, lethal injection): Davis went searching for his girlfriend and their daughter when he found them missing from their home, and called his girlfriend's mother, 56 year old Josephine Sanford, about their whereabouts. Sanford dropped by the couple's residence after failing to find her daughter and granddaughter. At her arrival, she was raped, beaten, and stabbed to death by Davis. He then left the body in the house, drove off with Sanford’s van, and injured himself in a car accident. As Davis was high while driving, he was arrested for being under the influence. The detaining officers weren’t aware of the murder until Davis’ girlfriend returned to the home later that night, and called 911 after finding her mother’s corpse.
106. Anthony Banks (~1978-2013, lethal injection): In 1978, while robbing a grocery store, Banks shot and killed a clerk, 22 year old David Fremin. A year later, he abducted Sun Travis, a 24 year old South Korean immigrant, from a parking lot. He then sexually assaulted Travis in his car and shot her in the head. Although he was captured and convicted for Fremin's murder, Travis' killing went unsolved until a 1997 DNA test. Banks was originally sentenced to death for Fremin's murder, but it was lifted in favor of a life sentence. He was condemned for a second time after his conviction for Travis' murder.
107. Ronald Lott (~1980s-2013, lethal injection): A sexual predator of elderly women, Lott broke into the homes of 93 year old Zelma Cutler and 83 year old Anna Fowler after cutting off their power. They were tied up with cloth, anally penetrated, beaten, and suffocated to death with pillowcases. The case attracted controversy when another man was erroneously condemned for the murders, and he spent 11 years on death row until a 1997 DNA test linked the murders to Lott. At the time of the discovery, Lott was serving time for two rape convictions.
108. Johnny Black (~1984-2013, lethal injection): Black, two of his brothers, and two other men went looking for a man they feuded with for a fight. While they were crusing on the road, the group encountered a rancher, 54 year old Bill Pogue, and mistook him for their target due to them driving similar vehicles. They forced Poque off the road, pulled him out of his car, and stabbed him a total of 10 times. Pogue's son in law was also dragged out and attacked, but he managed to escape with his life. Black was previously convicted of manslaughter for shooting 49 year old Cecil Martin dead in an argument.
109. Michael Wilson (1995-2014, lethal injection): Wilson was the third participant in the above mentioned beating death of Richard Yost to be executed.
110. Kenneth Hogan (1988-2014, lethal injection): Hogan stabbed 21 year old Lisa Stanley to death while she was babysitting his children. According to autopsy reports, she was stabbed at least 25 times. Stanley had previously accused him of sexual misconduct, and prosecutors believed that she was killed during an argument over the allegations.
111. Clayton Lockett (~1992-2014, lethal injection): Lockett, his cousin, and another accomplice kidnapped 23 year old Bobby Bornt, 18 year old Summer Hair, and Bornt's 9 month son after burglarizing a home. After tying them up with duct tape, they forced their captives to lure a friend, 19 year old Stephanie Neiman, with a phone call. Neiman was also bound and initially survived getting shot multiple times. Out of frustration, Lockett buried her alive, and she succumbed to a combination of suffocation and her injuries. Lockett and his accomplices also gang-raped Hair and beat Bornt, but spared them on the forced condition of their silence. His execution was controversial, as Lockett convulsed for 45 minutes after being injected, and then died from a heart attack. He also had a long criminal history, and was first arrested for burglary as a teenager.
112. Charles Warner (1997-2015, lethal injection): Warner raped his girlfriend's daughter, 11 month old Adriana Waller, and shook her to death. His execution sparked outcry, as the wrong fatal drug was administered by mistake, and Warner complained of "burning pain" as he was being injected. With the botched executions of Lockett and Warner back to back, the state of Oklahoma delayed further executions until 2021.
113. John Grant (~1970s-2021, lethal injection): While serving a 130 year sentence for armed robbery, Grant stabbed a prison cafeteria worker, 58 year old Gay Carter, to death. He had a long criminal history dating back to the age of 11, had several previous convictions of theft and armed robbery, and frequently fought with and assaulted other inmates behind bars. Due to reports of "adverse reactions" to the lethal drugs, Grant's execution was scrutinized by a number of national media outlets.
114. Bigler Stouffer II (1985-2021, lethal injection): Stouffer shot and killed his ex girlfriend, 35 year old Linda Reaves, in her boyfriend's home for breaking up with him. Reaves' boyfriend was also seriously injured in the shooting.
115. Donald Grant (2001-2022, lethal injection): During a robbery of a hotel, Grant fatally shot, stabbed, and bludgeoned two employees, 43 year old Felicia Smith and 29 year old Brenda McElyea, and ran off with $1,500. He spent $200 of the stolen on paying for his girlfriend's bail.
116. Gilbert Postelle (~1998-2022, lethal injection): Postelle’s father was badly injured in a motorcycle accident, and they suspected that 57 year old James Anderson, 56 year old Terry Smith, 49 year old Donnie Swindler, and 26 year old Amy Wright were deliberately involved. Out a desire for vengeance, he recruited Postelle, his other son, and another man to kill them. All four victims were fatally gunned down in what was described as a “blitz attack” on their trailer. He was an addict and had several arrests for drug possession and manufacturing dating back to the age of 12.
117. James Coddington (1997-2022, lethal injection): After robbing a grocery store, Coddington went to the home of a friend and co worker, 73 year old Albert Hale, to ask for money. When Hale turned him down, Coddington retaliated by beating him with a claw hammer. Coddington stole $525 and went on to rob 5 more grocery stores. Hale was left alone with his injures for nearly an entire day until he was discovered by his son, and died in the hospital a day later.
118. Benjamin Cole Sr. (2002-2022, lethal injection): Out of anger that her crying interrupted his Nintendo game, Cole beat his daughter from his second wife, 9 month old Brianna, to death. He was previously convicted of abusing his son from a different marriage in California.
119. Richard Fairchild (1996-2023, lethal injection): Fairchild got into a fight with his girlfriend’s 17 year old daughter after making drunken sexual passes at her, and was enraged that she left with a cab driver. He took his anger out on the girl’s younger brother, 3 year old Adam Broomhall, and scalded him with a wall heater. He then repeatedly hit the boy, threw him against a table, and fatally hemorrhaged his head. Bromhall received over 26 blows during the beating.
120. Scott Eizember (2003-2023, lethal injection): Eizember snuck into his ex girlfriend's house to lie in wait for her. However, her roommates, 76 year old A.J. Cantrell and his 70 year old wife Patsy, arrived home earlier then she did. He shot and beat them both to death and then fled the scene.
121. Jemaine Cannon (1995-2023, lethal injection): Cannon was put in prison for assaulting an unidentified woman. He managed to escape and stabbed his girlfriend, 20 year old Sharonda Clark, to death in her apartment.
122. Anthony Sanchez (1996-2023, lethal injection): Sanchez kidnapped 21 year old Jewell Busken from her apartment complex, and then raped and shot her to death. He amassed a following from the anti death penalty movement for claiming that his father was responsible, but such notions were debunked following a 2023 DNA test that concluded Sanchez’s guilt.
123. Phillip Hancock (~1982-2023, lethal injection): In 1982, Hancock shot a drug dealer, 27 year old Charles Warren, dead in a dispute over stolen jewelry and was given a manslaughter conviction for it. He was released after serving a 2 year term. About 17 years later, he shot and killed 58 year old James Lynch III and 37 year old Robert Jett Jr. in a drug house. Despite an eyewitness account describing Lynch and Jett begging for their lives, the case attracted scrutiny when Hancock's attorneys claimed that the shootings were done in self defense.
124. Michael Smith (~2002-2024, lethal injection): A member of the Oak Grove Posse gang, Smith was responsible for two separate fatal shootings on the same day. In one of his murders, he killed Sharath Pulluru, a 24 year old Indian immigrant that worked as a clerk, while robbing a gas station. The other murder occurred when he tried to confront a gang member that he thought was a police informant in his apartment, and gunned down the target’s mother, 40 year old Janet Miller-Moore, when she refused to give away her son’s location. Smith was also given a life sentence for delivering a gun to a shooter that carried out another gang killing.

Following on from the BBC article posted recently “explaining” the 115 charges laid at Man City’s feet, I decided to look properly at what the charges are, given that the article barely went further than rehashing that Man City cheated over and over again without any attempt at critical analysis.

What are the breaches?

There are 5 main areas that the breaches fall into:

• Accuracy of financial information
• Manager and player remuneration
• Compliance with UEFA regulations
• Compliance with PSR
• Cooperation with the investigation

The actual text of the Premier League’s statement can be seen here: https://www.premierleague.com/news/3045970

Where did the breaches come from?

The original source of the allegations were leaked emails from Portuguese hacker Rui Pinto. Rui Pinto was handed a 4 year suspended sentence last year for attempted extortion, illegal access to data and breach of correspondence with relation to the leaks, which were posted via his Football Leaks website in 2015. Emails from Manchester City were not the only things leaked - players like Messi and Neymar were also caught up in some leaks related to their salaries. In total there were millions of documents.
These leaked emails surfaced via Der Spiegel in 2018 as part of an expose feature which they ran, and spanned 4 articles at the time. You can read the first here: https://www.spiegel.de/international/manchester-city-exposed-bending-the-rules-to-the-tune-of-millions-a-1236346.html
On the back of these leaks UEFA, after launching an investigation in March 2019, charged Manchester City with breaches of their regulations which led, in 2020, to the club being banned from European football for 2 seasons alongside a 30m euro fine.
Alongside that UEFA investigation, the Premier League also opened an investigation. It took until 2023 for them to present their charges - the statement linked above. The case is ongoing.

What about those UEFA breaches?

The club denied any wrongdoing and appealed to CAS, the Court of Arbitration for Sport. Upon hearing the case CAS found no evidence to support UEFA’s conclusions with regards to the allegations. As a result the club’s ban from European football was overturned with immediate effect. CAS sided with UEFA on their non-cooperation charges and stated that the club could have done more to provide UEFA with documents when requested. CAS therefore issued a 10m Euro fine.
You can read the verdict here: https://www.tas-cas.org/fileadmin/user_upload/CAS_Award_6785___internet__.pdf
This was the second time that the club had a run-in with UEFA. They first had a disagreement over potential breaches in 2014 related to the club spending more than the allowed amount in the previous season - the club contested that this was the result of UEFA not allowing deductibles for existing contracts started before FFP was introduced. There were no charges laid at City for this - the club entered a settlement with UEFA and a subsequent monitoring period with specific break even requirements and squad restrictions. That period ended in 2017 with UEFA declaring that the club had complied with all of the agreements within the settlement.

Didn’t City get away with it because everything was time barred?

The CAS verdict did find that the first 2 years of alleged breaches related to the club’s financial statements (the bits referred to as inflated sponsorships) were time barred (a process whereby the time permitted to bring forward the issue has passed and it is no longer possible to pursue the case - 5 years in UEFA’s rules), and so could not be considered. The rest of the years questioned were considered, and ultimately no evidence was found of financial irregularities.

Onto the 115

The Premier League statement lists 5 key areas of breaches, outlined earlier, which I will dive into more now. In total, the number of rules that the Premier League have accused Manchester City of breaching is 130. That is broken down into:

• Accuracy of financial information: 50 rules (2009/10 to 2017/18)
• Manager and player remuneration: 20 rules (2009/10 to 2015/16)
• Compliance with UEFA regulations: 5 rules (2013/14 to 2017/18)
• PSR compliance: 25 rules (2015/16 to 2017/18)
• Non-cooperation: 30 rules (2018/19 to 2022/23)

No matter how I try to recalculate it, I never get 115. I'm unsure of the exact place that the 115 number came from, and it certainly doesn't match the numbers when broken down in the BBC article.
I have broken down the list of breaches and cross referenced them with the Premier League’s handbooks for each season from 2009/10 through to 2022/23. With all five areas of breaches I have provided the text of the rule that the League included in their statement, plus a summarised version that tries to give a less legalese or technical reading. The tables are presented for reference and I won’t go into the specifics of them.

Accuracy of financial information

The Premier League stated:

In respect of each of Seasons 2009/10 to 2017/18 inclusive, the Premier League Rules applicable in those seasons that required provision by a member club to the Premier League, in the utmost good faith, of accurate financial information that gives a true and fair view of the club’s financial position, in particular with respect to its revenue (including sponsorship revenue), its related parties and its operating costs.

Below is the list of breaches taken from the league’s statement, grouped and translated into easier language.

Rules	Season	Text	Summarised
B13, B15, B16	09/10 10/11 11/12 12/13 13/14 14/15 15/16 16/17 17/18	In all matters and transactions relating to the League each Club shall behave towards each other Club and the League with the utmost good faith	Act honestly and fairly towards other clubs and the league itself
C78, E3	09/10 10/11 11/12 12/13 13/14 14/15 15/16 16/17 17/18	Each Club shall by 1st March in each Season submit to the Secretary a copy of its annual accounts in respect of its most recent financial year or if the Club considers it appropriate or the Secretary so requests the Group Accounts of the Group of which it is a member (in either case such accounts to be prepared and audited in accordance with applicable legal and regulatory requirements) together with a copy of the directors’ report for that year and a copy of the auditors’ report on those accounts	Clubs must submit their latest audited financial statements, along with directors' and auditors' reports, to the league by March 1st each year.
C79, E4	09/10 10/11 11/12 12/13 13/14 14/15 15/16 16/17 17/18	The accounts referred to in previous rule shall: 1. include separate disclosure within the balance sheet or notes to the accounts, or by way of supplementary information separately reported on by its auditors by way of procedures specified by the Board, of the total sums payable and receivable in respect of Compensation Fees, Contingent Sums and Loan Fees; 2. include a breakdown within the profit and loss account or the notes to the accounts, or by way of supplementary information separately reported on by its auditors by way of procedures specified by the Board, of revenue in appropriate categories such as gate receipts, sponsorship and advertising, broadcasting rights, commercial income and other income.	Clubs must include detailed and specific disclosures in their financial statements about various types of payments and revenues. These details must be clearly audited and reported
C86, E11	09/10 10/11 11/12 12/13 13/14 14/15 15/16 16/17 17/18	By 31st March in each Season, each Club shall submit to the Secretary in respect of itself (or if the Club considers it appropriate or the Secretary so requests in respect of the Group of which it is a member) future financial information (“Future Financial Information”) comprising projected profit and loss accounts, cash flow, balance sheets and relevant explanatory notes commencing from its accounting reference date or, if it has submitted interim accounts pursuant to Rule E.6, from the date to which those interim accounts were prepared and expiring on the next accounting reference date after the end of the following Season. The projected profit and loss accounts, cash flow and balance sheets shall be prepared at a maximum of quarterly intervals	Each club needs to provide the league with projected (or expected) financial statements for the future. These projections include profit and loss statements, cash flow details, and balance sheets.
C87, E12	09/10 10/11 11/12 12/13 13/14 14/15 15/16 16/17 17/18	The Future Financial Information shall: 1. be prepared in accordance with the accounting principles adopted in the preparation of the Club’s annual accounts (except where the accounting principles and policies are to be changed in the subsequent annual accounts, in which case the new accounting principles and polices should be followed); 2. be approved in writing by the board of directors of the company to which they relate; 3. to include in the explanatory notes thereto principal assumptions and risks; and 4. include for comparison profit and loss accounts for the period covered by the annual accounts and interim accounts submitted pursuant to Rules E.3 and E.6, a forecast for the current financial year and a balance sheet as at the date of the interim accounts submitted pursuant to Rule E.6.	Clubs must:1. Use the same accounting principles as in their last annual report, unless planning changes for the upcoming year. 2. Get these forecasts approved in writing by the club's board of directors. 3. Include notes that explain the main assumptions and risks involved. 4. Add comparative profit and loss accounts and a balance sheet from their most recent financial reports for clear reference.
E49, E50, E51	13/14 14/15 15/16 16/17 17/18	Each Club shall notify the League forthwith of any circumstances which may materially and adversely affect any of the information or representations submitted to the League pursuant to this Section E, and on consideration of those circumstances the Board may, if it considers it appropriate, amend any decision or determination that it made based on such information or representations.	Clubs must immediately inform the league if there are any changes that could significantly impact the accuracy of the financial or other information they have previously submitted

Effectively the Premier League are stating that, for the period of 2009 until 2018, the club have not been filing accurate financial statements. This relates directly to the leaked emails that are presented to show members of staff discussing payment amounts and sources of monies that are paid to the club for sponsorship, namely for the two main sponsors, Etihad and Etisalat, that are referenced in the UEFA trial. As can be seen from the rules above, some of them are more obviously related than others. There has been some criticism of the Premier League for going for such a wide number of charges, as they have not focused on one area.
With regards to this section of breaches, the club claims that the leaked emails are not evidence of wrongdoing, and are not admissible as evidence. CAS found in favour of UEFA’s assertion that the emails were in fact admissible in their case, so the club is unlikely to be able to contest this point further. This section will essentially boil down to whether the leaked emails show enough evidence of wrongdoing, and whether any further context that has been provided by the club (something that was mentioned in the CAS trial as being helpful towards Man City’s case) is sufficient to prove guilt. It is likely that only 1 or 2 of these 50 rules above are actually key. Others, like B13, B15, and B16 which relate to clubs acting in good faith, would not be enough to charge a club without being bundled in with something else.

Manager and Player Remuneration

This section is broken down further into 2 key areas: manager remuneration, and player remuneration.
The Premier League statement:

In respect of each of Seasons 2009/10 to 2012/13 inclusive, the Premier League Rules applicable in those Seasons requiring a member club to include full details of manager remuneration in its relevant contracts with its manager

And;

In respect of each of Seasons 2010/11 to 2015/16 inclusive, the Premier League Rules applicable in those Seasons requiring a member club to include full details of player remuneration in its relevant contracts with its players

Grouped and summarised below:

Rules	Season	Text	Summarised
Q7, P7	09/10 10/11 11/12 12/13	No Club shall employ any person as a Manager unless and until: 1 the terms of the Manager’s employment have been evidenced in a written contract of employment between the Club and the Manager 2 the Manager’s contract of employment has been registered with the Secretary.	Clubs must not hire a manager unless the manager's employment terms are clearly stated in a written contract, and this contract is officially registered with the league's Secretary.
Q8, P8	09/10 10/11 11/12 12/13	Contracts of employment between a Club and a Manager shall: 1 include the standard clauses set out in Appendix 8; 2 clearly set out the circumstances in which the contract of employment may be determined by either party.	Employment contracts between a club and a manager must include mandatory standard clauses and specify the conditions under which either party can terminate the contract. Appendix 8 outlines that the manager must follow the rules of relevant football organisations, obey reasonable instructions related to commercial agreements, and resolve any disputes through arbitration or mediation.
K12, T12, T13	10/11 11/12 12/13 13/14 14/15 15/16	Full details of a Player’s remuneration including all benefits to which he is entitled whether in cash or in kind shall be set out in his contract.	A player's contract must clearly list all the payment and benefits they receive
K20, T29, T18, T20	10/11 11/12 12/13 13/14 14/15 15/16	Particulars of any Image Contract Payment in respect of the Player shall be set out in the contract with his Club	Any payments related to a player’s image rights must be clearly detailed in their contract with the club

The first two key rules relate to manager remuneration, and this is specific to the contract of Roberto Mancini. Mancini was the club’s manager from 2009 until 2013, and the allegations center around leaked emails that suggest he was paid £1.75 million annually as a consultancy fee for UAE based club Al Jazira on top of his £1.45 million salary at City.
For his part, Mancini has stated “I have paid my taxes, it's all above board. So I don't think anyone will be in touch” when asked about the case.
The second two rules are player remuneration and relate to Yaya Toure. The League alleges, again based on the leaked emails, that the club did not disclose all payments to the player, and that payments were made via his agent, Dimitri Seluk, during his contract with the club.
Seluk has stated “I know what has been said about Yaya's contract with City - and what I can tell you is that absolutely everything was done very cleanly, very honestly and with full transparency. Nothing was done under the table.”
Toure was at the club from 2010 until 2018. He originally signed a five year deal, before signing a new contract in 2013 taking him up to 2017. He signed his final 1 year deal in 2017. These allegations relate to his first 6 seasons.

Compliance with UEFA regulations

This section simply relates to the wording of the Premier League rules which state that clubs competing in European competitions must comply with UEFA’s rules in addition to the Premier League’s.
The league states:

In respect of each of Seasons 2013/14 to 2017/18 inclusive, the Premier League Rules applicable in those Seasons requiring a member club to comply with UEFA’s regulations, including UEFA’s Club Licensing and Financial Fair Play Regulations

Once again I’ve presented them grouped and summarised below:

Rules	Season	Text	Summarised
B14.6, B15.6	13/14 14/15 15/16 16/17 17/18	Membership of the League shall constitute an agreement between the League and Clubs and between each Club to be bound by and comply with: - the statutes and regulations of UEFA	Each club agrees to follow the rules and regulations set by UEFA.

This rule breach seemingly relates to the period of time that was not ruled as time barred within UEFA’s case, and is not related to the original settlement between the club and UEFA, but does include the 3 years of the settlement agreement up until UEFA declared City to be compliant. Presumably the Premier League have included these to link to UEFA’s allegations of financial discrepancies related to the Etihad deal. It is unclear how much this could stick, given that CAS ruled that there was insufficient evidence of wrongdoing.
It feels amiss of the Premier League to charge the club with breaches of a rule that had already been thrown out by CAS, so I can only assume that they feel that the club have either breached other rules related to financial fair play, which doesn’t seem to be the case, or they are using the non-cooperation fine handed out by CAS to bring these charges forward.

Compliance with PSR

The Premier League have also charged Man City with breaching profit and sustainability rules. These are the rules that Everton and Nottingham Forest have been docked points for recently and relate to the annual accounts clubs must file to prove their compliance.
The league states:

In respect of each of the Seasons 2015/16 to 2017/18 inclusive, the Premier League Rules applicable in those Seasons on Profitability and Sustainability

I’ve laid these out below, grouped again, and summarised. It should be noted in the below that any reference to T, T-1 and T-2 refers to the current season, previous and 2 seasons before.

Rules	Season	Text	Summarised
E52	15/16	Rules E.53 to E.59 shall apply with effect from Season 2015/16.	The following rules will apply
E53	15/16 16/17 17/18	Each Club shall by 1 March in each Season submit to the Board: 1. copies of its Annual Accounts for T-1 (and T-2 if these have not previously been submitted to the Board) together with copies of the directors’ report(s) and auditors’ report(s) on those accounts; 2. its estimated profit and loss account and balance sheet for T which shall: 2.1. be prepared in all material respects in a format similar to the Club’s Annual Accounts; and 2.2. be based on the latest information available to the Club and be, to the best of the Club’s knowledge and belief, an accurate estimate as at the time of preparation of future financial performance; and 3. if Rule E.56 applies to the Club, the calculation of its aggregated Adjusted Earnings Before Tax for T, T-1 and T-2 in Form 4A	By March 1st each season, each club must submit to the League's Board: Their financial accounts for the previous two years, along with reports from directors and auditors. A forecast of their profit and loss and balance sheet for the current year, ensuring it is up-to-date and accurately reflects expected financial performance. If required, a detailed calculation of their earnings before tax for the current and previous two years
E54	15/16 16/17 17/18	The Board shall determine whether consideration included in the Club’s Earnings Before Tax arising from a Related Party Transaction is recorded in the Club’s Annual Accounts at a Fair Market Value. If it is not, the Board shall restate it to Fair Market Value.	The Board will check if earnings before tax reported in a club's annual accounts from transactions with related parties are valued fairly according to market standards. If they aren't, the Board will adjust these values to reflect the fair market value.
E55	15/16 16/17 17/18	The Board shall not exercise its power set out in Rule E.54 without first having given the Club reasonable opportunity to make submissions as to: 1. whether the said consideration should be restated; and/or 2. what constitutes its Fair Market Value.	Before the Board can adjust any values in a club's financial statements, they must give the club a chance to present their case regarding whether adjustments are necessary and what the fair market value should be.
E56	15/16 16/17 17/18	If the aggregation of a Club’s Earnings Before Tax for T-1 and T-2 results in a loss, any consideration from Related Party Transactions having been adjusted (if appropriate) pursuant to Rule E.54, then the Club must submit to the Board the calculation of its Adjusted Earnings Before Tax for each of T, T-1 and T-2.	If a club's combined earnings before tax for the past two years show a loss, after adjusting any related party transaction values as necessary, the club must then provide the Board with a detailed calculation of its adjusted earnings before tax for each of the three years
E57	15/16 16/17 17/18	If the aggregation of a Club’s Adjusted Earnings Before Tax for T, T-1 and T-2 results in a loss of up to £15m, then the Board shall determine whether the Club will, until the end of T+1, be able to pay its liabilities described in Rule E.14.7.1 and fulfil the obligations set out in Rules E.14.7.2 and E.14.7.3.	If a club's adjusted earnings before tax for the current year and the previous two years total a loss of up to £15 million, the Board will assess whether the club can pay its debts and meet its obligations through the end of the next season as specified in other rules.
E58	15/16 16/17 17/18	If the aggregation of a Club’s Adjusted Earnings Before Tax for T, T-1 and T-2 results in a loss of in excess of £15m then the following shall apply: 1. the Club shall provide, by 31 March in the relevant Season, Future Financial Information to cover the period commencing from its last accounting reference date (as defined in section 391 of the Act) until the end of T+2 and a calculation of estimated aggregated Adjusted Earnings Before Tax until the end of T+2 based on that Future Financial Information; 2. the Club shall provide such evidence of Secure Funding as the Board considers sufficient; and 3. if the Club is unable to provide evidence of Secure Funding as set out in Rule E.58.2, the Board may exercise its powers set out in Rule E.15.	If a club's total adjusted earnings before tax for the current year and the previous two years show a loss greater than £15 million, then the club must: Submit future financial plans and estimated earnings up to two years beyond the current season by March 31st. Provide proof of secure funding as the Board requires. If the club can't show they have secure funding, the Board may take action as outlined in another rule.
E59	15/16 16/17 17/18	If the aggregation of a Club’s Adjusted Earnings Before Tax for T, T-1 and T-2 results in losses of in excess of £105m: 1. the Board may exercise its powers set out in Rule E.15; and 2. the Club shall be treated as being in breach of these Rules and accordingly the Board shall refer the breach to a Commission constituted pursuant to Section W of these Rules.	If a club's total adjusted earnings before tax for the current year and the previous two years show a loss greater than £105 million, then: The Board may use its authority as outlined in Rule E.15. The club will be considered as having broken the rules, and the Board will report this violation to a special Commission as per Section W of the rules.
E60	15/16 16/17 17/18	The sum set out in Rule E.59 shall be reduced by £22m for each Season covered by T-1 and T-2 in which the Club was in membership of The Football League.	If a club was a member of The Football League in the previous two seasons (T-1 and T-2), the amount mentioned in Rule E.59 will be decreased by £22 million for each of those seasons

A lot of this is not specific to anything the club will have breached, and is again a criticism that has been levelled at the Premier League for not being focused enough on charging the club and instead trying to go for as much as possible. Eg rule E52 in the 2015/16 season isn’t really something that would be up for debate, and rule E60, which refers to seasons spent outside the Premier League for adjusting the £105m 3 season PSR limit.
I don’t believe that the club has breached a lot of these rules specifically, and that the Premier League has just grouped PSR as a category together to hit the club with multiple charges. It is likely that the key rule in this section is E54, which discusses related party income and fair market value. This is an important one for City, as the leaked emails have been presented to show the club receiving money from sponsors with funds that have come directly from ADUG, Abu Dhabi United Group, owned by Sheikh Mansour bin Zayed Al Nahyan and with an 81% stake in the CFG (City Football Group) that comprises the club.
City have always argued that these sponsorships are not related parties, something that has been previously accepted by both the Premier League and UEFA in separate agreements related to PSR and FFP under their rules. It is likely that the key here is whether the emails imply that they should in fact be counted as related parties, and therefore whether they represent fair market value.
For the other rules in this section, it is unlikely that anything of substance will be proven or even sought.

Cooperation with the investigation

In addition to the above 4 sections, which all covered rule breaches related to the hacked emails, the Premier League charged the club with non-cooperation with their investigation. This does not relate to the breaches themselves, and so you will notice that the seasons are all after the Der Spiegel investigation.
The charges are:

In respect of the period from December 2018 to date, the Premier League Rules applicable in the relevant Seasons requiring a member club to cooperate with, and assist, the Premier League in its investigations, including by providing documents and information to the Premier League in the utmost good faith

Grouped and summarised:

Rules	Season	Text	Summarised
B16, B15	18/19 19/20 20/21 21/22 22/23	In all matters and transactions relating to the League each Club shall behave towards each other Club and the League with the utmost good faith.	Act honestly and fairly towards other clubs and the league itself
B19, B18	18/19 19/20 20/21 21/22 22/23	Without prejudice to the League’s powers of inquiry under Rule W.1, each Club shall comply promptly and in full with any request for information made by the League (including, for the avoidance of doubt, any such request made pursuant to a demand from a statutory or regulatory authority).	Clubs must quickly and fully respond to any information requests from the League, even if these are prompted by a government or regulatory body's demands
W1	18/19 19/20 20/21 21/22 22/23	The Board shall have power to inquire into any suspected or alleged breach of these Rules and for that purpose may require: 1. any Manager, Match Official, Official or Player to appear before it; and 2. any such person or any Club to produce documents.	The Board has the authority to investigate any suspected or confirmed rule violations. For this, they can: Require managers, match officials, other officials, or players to appear before them. Ask these individuals or any club to provide relevant documents.
W2	18/19 19/20 20/21 21/22 22/23	Any Manager, Match Official, Official or Player who fails to appear before or to produce documents to the Board when required to do so under Rule W.1 shall be in breach of these Rules.	Anybody who does not comply with Rule W.1 is in breach
W12, W15	18/19 19/20 20/21 21/22 22/23	It shall be no answer to a request from the Board to disclose documents or information pursuant to Rule W.1 that such documents or information requested are confidential. All Clubs and Persons subject to these Rules must ensure that any other obligations of confidentiality assumed are made expressly subject to the League’s right of inquiry under these Rules. No Club or Person shall be under an obligation to disclose any documents rendered confidential by either the order of a court of competent jurisdiction or by statute or statutory instrument.	The Board can request documents or information even if they are confidential. However, clubs and individuals are not required to disclose anything that is legally confidential due to a court order or by law. Clubs and individuals should ensure any confidentiality agreements acknowledge the League's right to inquire.
W13, W16	18/19 19/20 20/21 21/22 22/23	All persons who are requested to assist pursuant to Rule W.1 shall provide full, complete and prompt assistance to the Board in its exercise of its power of Inquiry	Anyone asked to help must fully, quickly, and completely help the Board with its investigations.

Three of these are your meat and potatoes non-cooperation charges, which the Premier League will have charged City with for not providing documents when requested. A couple relate specifically to individuals within a club, but otherwise these breaches will be the most likely to stick, similar to how they did at CAS.
Man City have maintained that they do not need to cooperate with the investigation which they state as being based on illegally obtained material and have stated that they do not trust the investigation.
Rules B15, B16 make another appearance relating to acting with the utmost good faith.

When will this hearing take place?

We don’t really know. The panel has been chosen and are presumably deliberating, but as with cases of this size and with so many documents, they take time.
League CEO Richard Masters has recently stated that the case will “Resolve itself soon”, which is badly worded and has led to speculation that the club and league are seeking a way out of the case following the charges being thrown out. This is unlikely, as it would be in the interest of both to end proceedings as quickly as possible.
There have been criticisms towards the Premier League regarding the secrecy around these hearings - it is actually within the Premier League’s rules that these occur in private:
Rules W70 and X25 state: The proceedings of an arbitration convened under this Section (W/X) shall be confidential and shall be conducted in private.

Aren’t Man City just stalling?

Not really, no. The club have been charged with non-cooperation by the Premier League for their initial investigation, but there is nothing the club can do to further postpone the hearing taking place. The time required is simply because of the magnitude and seriousness of the allegations put forward by the league.
The original BBC article alleged that City were “dragging their feet” - but this is not something that stops the league handing out charges, and isn’t something that will change the timeline of the independent panel’s investigation.

Punishments

So let's say that City is found guilty - what are the likely punishments to be? The answer is complicated, as it completely depends on what charges are ultimately determined to be warranted. Talk of points deductions amounting to the thousands are pure hyperbole. The specific breaches agreed by the independent panel will influence the size of any punishment.
Given the seriousness of the allegations - essentially fraud across multiple years involving the club, sponsors, auditors and governing bodies - there must be a high bar of proof. With such a high bar also comes a high punishment if the club is deemed to be guilty. It is entirely possible that a proportionate punishment to such deceit would be expulsion from the league. This would however be the least of the club’s worries, as it brings into question the legality of the breaches with regards to individuals, HMRC and other organisations from which payments may or may not have been withheld or deliberately reported incorrectly.
Some of the above charges do not risk carrying any sort of point based punishment. The non-cooperation charges, for example, would be a monetary fine. It is also very unlikely that the league would seek to remove past titles. The scope and burden of proof that specific breaches directly correlated to titles would be too complicated.
Expulsion from the Premier League would require the club to apply to join another league, the EFL the most likely candidate. It would be at the discretion of the EFL whether they accepted the club into their league structure. Given the size of the club and the need to replace the 20th team in the Premier League, it would be likely that they would agree to include the club in their league system as a space would open up in the Championship.

Can the club appeal a decision?

Yes, there are avenues for appeal. That appeal will not go through CAS, as correctly reported, but would go to another panel. Sections W through to Z of the Premier League rulebook detail different types of appeals and tribunals for varying reasons. Section W is the section specifically referred to in the PSR rules (within section E of the Premier League handbook).

There is no Time Bar though in the Premier League

Well, kind of. There is no time bar specifically mentioned in the rules. The Premier League handbook, which you can read at https://www.premierleague.com/about/publications,does state (Rule A7) that “these Rules shall be governed by and shall be construed in accordance with English law. Strictly without prejudice to the arbitration and other dispute resolution provisions of these Rules, disputes relating to these Rules shall be subject to the exclusive jurisdiction of the English courts.”.
Essentially this means that any rules follow English Law, which itself does state a time bar for cases. This is typically 6 years for most cases, with some differences based on specific situations.
In the case of fraud this can vary, and may be the avenue that the Premier League tries to go down (which itself makes the evidence required to prove the case more stringent). For fraud cases, English Law states:

Time bar of 6 years from the date cause of action accrued
Or, if the cause of action is deliberately concealed, 6 years from when the fraud is, or with reasonable diligence would have been, discovered.
Should this be the route the Premier League has chosen then there will have to be a discussion to determine what period of time the charges can be applied to.

What about the length of grass?

There was never a charge about the length of grass. Such narrative about what the charges were came from initial analysis by people using incorrect versions of the Premier League handbook (as the rules change from year to year slightly, and those rules shift in their assignment. This is is why I have grouped them as such in the above tables). All charges relate to financial issues and non-cooperation in the league's subsequent investigation.

What about the Cease and Desist?

Rumours began last week that the club had issued cease and desist letters to individuals and organisations within the public domain related to the charges. As of yet there has been no evidence that anybody has received such a letter (although you’d question why they would publicise receiving one in the first place). It should be made clear that any cease and desist that may have been received by anybody would not prevent them from discussing the charges with which the league have brought on City. Any cease and desist letter is a demand that the recipient stops any activity considered to be unlawful - eg. in the case of this case it would be accusations levelled at the club that are not true. Examples would be the club being called cheats because they’ve done specific things that have not been proven to be true like a false statement or libel.

Can’t we just dock points now like Everton and Nottingham Forest?

Not really, no. Cases of this magnitude take time to deliberate and cross examine. There is no quick way of dealing with such a large case. The Everton and Nottingham Forest cases, by comparison, are simple breaches that can be quantified by simply looking at the submitted accounts, which for both clubs show losses that are above the agreed amount in Rule E53 of the Premier League handbook (and Rule E54 in Nottingham Forest’s case due to their recent promotion that reduced their allowable losses).
Neither club claimed to have not breached these rules, but merely tried to argue the case that their losses were due to mitigating circumstances, which the Premier League did not agree with.
Anybody questioning why analysis of so many historical charges takes longer than clear individual breaches shown on a balance sheet needs to consider whether they want a case to be resolved quickly, or whether they want it to be resolved properly, as the two are mutually exclusive.

Who wins?

Ultimately nobody wins. Reputational damage is guaranteed for either Manchester City or the Premier League depending on the outcome. It can also be argued that enough reputational damage has already been dealt to both organisations. This is often why a settlement is seen as a preferred option, as there is no long drawn out saga. The club have remained steadfast and stubborn insisting that there is no grounds for the charges and that they are innocent on all accounts. The league have been criticised for their handling of the matter and for other PSR breaches recently and don’t seem to be keen to back down in this case either.
There was also the accusation that the league had rushed through presenting the charges in order to disrupt the introduction of an independent regulator by the Government and to prove that it can govern itself. That has largely failed as the IFR (Independent football regulator) looks likely to be going ahead.
The best case scenario for the club is being cleared of all charges - unlikely due to the presence of those non-cooperation charges - a win for the club, but there will be large question marks over the Premier League’s handling, the time taken, the accuracy of the verdict and the secrecy involved. The club will also have suffered reputational damage up to this point, particularly from sections of the football fraternity who have already made their mind up.
The best case scenario for the league is trickier - it doesn’t want to be seen to be a light touch, but conversely it doesn’t want to be triggering the sort of chaos that points deductions and league expulsions might have on one of its most successful clubs of the last decade. In some ways, the league has already lost.

Closing Thoughts

There will be details that I have glossed over for brevity - there is a lot more information in some of the linked documents plus the Premier League handbooks that provides a lot more important context.
I hope the above proves useful to anybody interested in the finer details of the situation, but appreciate that it is probably beyond the scope of the kind of person who posts 115 memes and gets agitated by the lack of discussion around the charges.
There may be inaccuracies. If you spot anything then please let me know and I will make a quick amendment.
TL;DR
Shits complicated Bro

Please be as brutal as possible and advice me, about the roles I should apply in. Getting rejected to every design or mechanical roles i apply to. Areas I need to improve in.

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With the success and popularity of the X-Men '97 animated streaming series, I thought it would be a good idea to look directly at the year, and X-Men comics, that inspired its title. 1997 was a bit of a strange year in Marvel history. The Onslaught event had put a third of the Marvel universe into the alternate "Heroes Reborn" continuity, DC was working in conjunction with Marvel to publish the Amalgam line of one shots, longtime and beloved executive editor Mark Gruenwald had just passed away suddenly from a heart attack the previous summer, and Thunderbolts #1 would deliver one of the greatest plot twists in comic book history. The X-Line was still still an absolute leviathan at this point, publishing 30+ titles of various on-goings, one shots, and limited series across the year. Are any of them any good? Let's find out.
We'll be breaking this up into chunks since I have to read over 100 comics and I also don't want to be posting a novel every time I make out of these posts. I'll also not be reviewing reprints that were published in Essential X-Men as they were not actually written to be published in 1997.
--Alpha Flight Vol 2. #1-7 and Alpha Flight: In the Beginning #-1 by Writer Steve Seagle, and Pencilers Scott Clark, Martin Egeland, Brian Denham, Bryan Hitch, and Anthony Winn
The most evil government in the 616 Marvel Universe isn't Latveria, The United States, Russia, or China, it's Canada. The engage in child trafficking, kidnapping, mass surveillance, mind control, and human experimentation--all in the first issue! Beast was right, our insidious neighbors to the north are Mutantkind's greatest foe.
The new series, which picks up "several" years after Alpha Flight Vol 1., opens the only way that it really could: With Wolverine! Of course this is just a Wolverine robot copy that Guardian, aka James MacDonald "Mac" Hudson, is in a training exercise with. Things don't go well when the Ol'Canucklehead does what he does best, in a robot clone sort of way, to Mac and impales him with his claws. James is dragged off by some men, and General Clarke and some mysterious figures wrapped in shadow say some cryptic things. This is a common motif for this volume so get used to it.
We then flash forward to Puck, aka Eugene Milton Judd, who is sort of our main character for this volume. He has been living like an average Canadian since Alpha broke up at the Vol 1. Drinking beer, saying "eh" a lot, and having an apartment. He receives a mysterious piece of information about the nefarious dealings going on at a reformed Alpha Flight. This is a common motif for this volume so get used to it.
Puck decides to bring this information to Vindicator, aka Heather McNeil Hudson, his former teammate and and Guardian's Ex(?) Wife. She has been been having PTSD flashback dreams about witnessing Guardian blowing up back in Volume 1. She and Puck meet at a coffee shop to discuss the message when they're suddenly attacked by armored goons! Said goons turn out to be Department H operatives who knock out our heroes and drag them back to Department H to be drafted into a new Alpha Flight.
We have some old and new members to be introduced to in the new Alpha. Maddison Jefferies is there, although he gets kidnapped at the end of issue 1 and everyone is mind controlled to forget this so don't worry too much about him. Sasquatch, who everyone thinks is Walter Langkowski but turns out is a literal Big Foot, is completely bestial and looks very different from classic Sas. "Very Different" meaning he's drawn like a WildC.A.T.s or Spawn character. Then we have our new characters and ohhhh boy. First up is Manbot, who's a guy named Bernie Lachenay that Department H grafted into an old Box robot. He mostly rolls around, is mysterious, and may have his own agenda. Then we have our trio of new mutant characters. First is Murmer, aka Arelette Truffaut, who is uhhhh French Canadian and talks with a french accent. Her power is touch based mind control that is as effective as the plot requires. She is also constantly trying to get with Radius, aka Jared Corbo, who has Unus the Untouchable powers but worse since he can't turn them off and also a terrible personality. He CAN'T FEEL or LIVE A NORMAL LIFE due to his force field, so don't even try to get close to him, MAN! One of those edgy 90s characters that everyone hates 25 years after the fact and kind of only shows up today as an easter egg or corpse for some sort of mutant massacre. Finally we have Flex, aka Adrian Corbo, who is a wimpy little sad boy. He can make his hands, and occasionally ankles, into knives. Sunfire makes an appearance seeking help for a radiation poisoning/cancer plot line. Finally, Guardian reappears, who has been mysteriously de-aged to 19 years old and has no memories of his former life.
So many mysteries lie at the heart of Department H, will our heroes ever get to the bottom of them? I think my main problem with the title is two fold, the art and the fact that they are just kind of spinning their wheels for these issues. They fight a new Zodiac, who has some sort of elaborate plot that will be resolved later I presume. They fight The Master of the World, except not really since he is a robot clone created by Department H to train the team. They fight Mesmero for two and half issues in a diner that just ends with him getting away and Murmur having a breakdown after being hit in the face with a pie. All of it feels like the team is just having its time wasted by Department H. The series itself is operating off of this 90s X-Files style paranoia about corrupt governments, militarized super heroes, and thought control through the institutions we trust. Which is a neat concept, and predates the Ultimates and The Authority by several years. However it just is really taking its sweet time getting going.
The art, with the exception of Issue #6 drawn by Bryan Hitch, is very...Liefeldian in parts. Guardian has that sort of sneering muzzle that Liefeld patented in X-Force in the early 90s. Vindicator and Murmur are incredibly, impossibly, thin and elongated and at times almost look like they don't have organs or bones. The action is kind of hard to follow in parts as well. Not my favorite visual style at all.
The -1 issue follows the meeting and then the marriage of James and Heather, and features, who else, WOLVERINE. It has Stan Lee show up as a Catholic priest to marry them as well. The issue is also notable in that it's the first appearance of Chinook, a golden age Canadian superhero who controls the wind, who shows up for all of one page to save Wolverine before crashing into a cosmic ray collector screaming "AIEEEEEE THE PAIN" and horribly mutating into a villain. Funny stuff.
Would I recommend Alpha Flight Volume 2? Well, it's starts off really slow and the art is really damn spotty at times. The themes and ideas it's dealing with are about a half decade ahead of their time, so I'll give it that. If you can grin and bear it, maybe?
--Beast Vol 1. #1-3 by Writers Keith Giffen and Terry Kavanagh and Penciler Cedric Nocon
Karma, aka Xuân Cao Manh, has been, editorially, stuck in a really shitty situation. For the past 10 years, real time, she has been searching for her kidnapped younger siblings Leong and Nga. Well guess what Karma fans? The dozens of you out there will finally see this plot point resolved! In a 3 issue limited series starring Beast and Cannonball!
Viper, who is seeking revenge against Karma because her evil brother Trân mindcontrolled her to be a part of Karma's evil uncle's harem(gross), has turned over the siblings to Spiral. Old six arms mutates them into aged up killing machine genetic abominations. Oh yeah, this is a 90s Terry Kavanagh X-Men story alright. Karma tracks them down with Beast and Cannonball's help and uhhhh rescues them? However, Beast says they're going to be stuck as freakish living weapons forever. Sucks to be you Karma.
You know, this is a lost art in modern comics. Devoting an entire limited series about a whole other character to resolving a long outstanding plot point that no one else has really addressed in years. It's kind of charming almost. The art is fine. Read if you want to see a throwback to a style that isn't really used in modern comics a lot. Or if you're a fan of Karma.
--Bishop: XSE Vol 1. #1 by Writer John Ostrander and Penciler Steve Epting
Bishop leads the XAVIER SECURITY ENFORCERS consisting of his racist sister and two other dorks against evil mutants who want to see the fragile peace between humans and mutants established after they had worked together to overthrow the evil sentinel regime broken. A decedent of Sebastian Shaw and the Hellfire Club are also pulling the strings from the shadows, natch.
I like John Ostrander a lot. Suicide Squad, The Spectre, and Grimjack are some of my favorite comics of all time. Steve Epting is also a really good artist, and while he's not quite what he would become here the art is clean and attractive. However, I feel like this issue is a bit light on both plot and character. One doesn't really get a sense of Bishop at all, he's just sort of there. Oh well, read if you're a fan of the character. Plus there's a character named Dogface!
Next Time: Cable & Deadpool & The Daydreamers.

I am a fresher from India, just cleared my 2nd year and wanted to apply to a WebD internship. You can point out my mistakes and suggest me whaṭ to do to make my resume more impactful.
*Criticism Allowed
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