Injustice is intolerable to the human. By his nature, Prince Regen disobeyed his father, Lord Sard, who was master of exports on Astragoth, second in power only to the planetary minister, the emperor's own nephew Anj Kurim. Perhaps how Prince Regen became son to Anj Kurim is a tale too bold to ever be repeated, for it dares the instinct of man to do right or wrong, the hearts of the young to fall in love from mere eye contact and the honor of the knights who braved the arena on the tournament of Easter. A tale too bold, but I'd go mad to keep it all to myself:
The lords in question were the three barons of slag on Astragoth who commanded the planetary production of mech armor alloys, Astragoth's most valuable export. The types are well known, Bronze-Steel, Silver-Steel and Gold-Steel, although none of those alloys contain any such metals, they are named poetically, rather than literally. Lord Sard grew quite suspicious of them, or perhaps jealous. He had them summoned, stripped, beaten and arrested, accusing them of crimes against his office. His next order of business was to have their estates seized.
Normally such a moment would be conducted honorably through a Trial of Combat, but since these men were severe mech knights, Lord Sard chose caution over honor. His son was not such a coward, and witnessing the atrocity, he fought his way into the holding compound in light armor without markings, but only so the guards would not die withholding their attacks. Regen considered dying honorably to be more important than shielding himself with his identity. When he had rescued the three lords, he did turn himself in, for he took responsibility for his actions.
Lord Sard was furious and had his son exiled. Regen was sent into the frontiers of Astragoth with only his fine robes, a horse, some supplies and a servant named Igor. Igor was quite corrupt, and when they were out in the wilderness he shot Regen in the back of his head when the prince was bathing in a stream, and left him there face down in the water, believing he had killed him. Letting nothing go to waste, Igor took everything, the clothes, supplies, horse and even the prince's identity, managing to assume the prince's identity.
Regen was not dead. By a miracle he'd survived, and the gunshot attracted a retired combat medic who fought in the Scratch Wars and had seen much worse than a naked, drowned man with a gunshot wound in his head. She easily patched him up, rolling the cosmic dice with critical precision. It was not enough for Regen to have his memory intact, as he had severe amnesia.
By instinct he was still very honorable and brave, and pleased with this, he was made apprentice to the one who'd saved his life. She taught him how to care for the kinds of injuries the locals came to her with, and in time he grew wise in the ways of medicine and he worked hard, volunteering to help anyone who needed his strength.
One day he came to the main star port of Astragoth, travelling in the world and seeking his fortune. The daughter of Anj Kurim, Lili, was getting married soon. The whole city was in a state of celebration and three days of games were declared, in which mech knights would duel for the honor of Princess Lili's favor. No mech knight who wasn't willing to risk death would dare step into a close-range combat in the Phoenix Dome, as the impressive arena of Astragoth was called then.
Regen put his only coin into the coffer of the richest man on the planet and bought a ticket to the games. The likelihood that he'd be seated so that Princess Lili could not take her eyes off of him was only the whim of such stars. She'd seen him there and something was different about this man than any she'd ever seen. Some part of her had sailed through the ethers at the dawn of time, and he was her other half, torn from her when she was born as a human on Astragoth. That's how the Princess described the feeling.
Regen glanced across the crowd and met her gaze. He felt like his world began that day, at that moment, as though suddenly every detail of his life became relevant. It was all so he'd be at ~Bed, Bath and Beyond~, right there in the Phoenix Dome as an eight-meter-tall fusion-powered battle armor mech walked out the gates spraying steam at thirteen hundred degrees Celsius from its flamers.
The opposite gate opened but there was no other mech. A weird silence fell over the crowd. It wasn't uncommon for someone to forfeit, anything could go wrong. There was a challenge issued, not as though any unexpected contestants ever answered it. Yet this time a mech in full bronze-alloy armor did enter Phoenix Dome. Nobody knew who it was, and when the newcomer won the battle, they left without claiming the victory.
On the second day, the new husband of the Princess Lili was revealed, and the games would be in his honor as well. He was Prince Regen, except it was really Igor, having assumed Prince Regen's identity. When the combatants were about to fight a third mech entered the arena, this time in silver-alloy armor. He fought both enemies at once and defeated them. Again, before claiming the victory, the mech knight left the arena.
Lord Anj Kurim had a battalion of mech painted in white and decorated with garlands surrounding the arena on the third day. No more intrusions and dishonorable departures. The insults on the first two days by mysterious mech knights could only be surpassed by the games of the final day.
No mech knight had the courage on the third day. Anj Kurim worried this was worse and relayed to the mech commander of the wedding games detail to allow any rogue mech knights in, deciding it couldn't be worse than no games at all.
When the mech knight in the gold-alloy came around the corner and spotted the battalion guarding the arena, he did not know they were ordered to let him past. He charged at them, firing his weapons and they scattered. The holo displays in Phoenix Dome showed this exchange, emphasizing the damage to the government-owned superstructure, cashing in on each chunk of concrete sheared away by laser fire.
The gold-alloy mech stood in the arena alone. Someone had hijacked the holo displays and suddenly they showed the face of just one man in the crowd, and as he looked up he recognized himself. It was all coming back to him in a flood of memories.
The other two mech from the previous games entered, the bronze-alloyed and silver-alloyed. They stood side by side, having found Prince Regen in the crowd and turned their mech to face him.
"Open your cockpits and reveal yourselves." They were ordered by Lord Anj Kurim.
They were the three lords Regen had set free so long ago.
"Honor the Princess!" they were told and they did.
"Now the Prince!' but they saluted the man on the holo display instead of Igor. Lord Anj Kurim saw that Igor was terrified. He drew his sword and beheaded Igor on the spot, his blood spraying all over the booth, and Princess Lili was barely able to escape the gore.
The real Prince Regen was married to the Princess Lili, and the remains of Igor were tossed to the dirt floor of the arena and left there. Soon Regen inherited Lord Anj Kurim's position and had his father's power stripped from him and he gave the three lords back their old homes.
And the armor? What alloys are we even talking about? Some say the bronze is infused with courage, to do what is right even when it is very dangerous and to overcome fear in order to act. Some say silver is imbued with the holiness of love, how it causes miracles, drives us to our destiny and opens the locked doors of fate. And gold? Gold stands for honor, an unyielding adherence to fairness and justice.

Hello everyone! I'm Mia, and I'm currently realizing how absurd this silly season is starting to look. We've heard so many rumors and so much speculation, so right now, I'm going to take any news I've heard and post who I think is most likely to be in what car. Here we go!
Note: Entries in bold are confirmed by Jayski/NASCAR.com/another source that I've forgotten to write down.
* - back unless team declines team option
CHARTERED TEAMS
Trackhouse Kaulig (1) Ross Chastain
Penske (2) Austin Cindric Reasoning: Tim Cindric is still involved with Penske, so why would Cindric leave? The only thing I could see possible is Cindric to the 21, but even that is unlikely, as Austin Cindric seems about 85% likely to come back next year.
RCR (3) Austin Dillon Reasoning: We don't know much about Austin Dillon. Supposedly, he was signed through 2025, but rumor has it that he may retire after this year to pursue the management side of RCR. If this happens, then Austin Hill would be the leading candidate to replace him, I'd assume, but otherwise, I think Austin Dillon will likely be back.
Stewart Front Row (4) Josh Berry Reasoning: Josh Berry could be in a number of rides next year. Let's start with the obvious: Stewart-Haas and Front Row have to be in talks for something. From what I've heard, SHR is either downsizing or merging with FRM. I'm going to go with the latter, as it makes sense with the timing of McDowell going to Spire. Meanwhile, if SHR downsizes, it sounds like Gragson and Preece would be the likely candidates for release, but the only driver safe is Briscoe, due to the team option (which actually means Briscoe may not be safe). That said, Berry could end up in the WBR #21 ride, or even in a ride like a third RFK car. Still, I'd bet on Berry staying in this car and FRM and SHR merging.
Hendrick (5) Kyle Larson
RFK (6) Brad Keselowski
Spire (7) Corey LaJoie
RCR (8) Kyle Busch
Hendrick (9) Chase Elliott
Stewart Front Row (10) Noah Gragson Reasoning: As much as Gragson may not be the best person on social media, Gragson has outperformed expectations by a lot this season. As such, it's interesting that Front Row and McDowell would part ways. We know that Gragson is in a study group with Berry and Briscoe (and now Preece, I suppose). That said, Gragson being part of the group is interesting, as is the fact that if Preece is dealt with, then FRM and SHR together have 4 drivers under contract. Interesting... Gragson could end up in the 34 if FRM doesn't merge with SHR, the 19 if Bass Pro Shops can recommend Gragson to JGR and if Truex, Jr. retires, and the 21 if that ride is open, and those are just a few possibities. Gragson's performance this year is making what happens here paramount to resolving Silly Season.
JGR (11) Denny Hamlin
Penske (12) Ryan Blaney
Stewart Front Row (14) Chase Briscoe\*
RWR (15) Riley Herbst Reasoning: Herbst is ready for Cup. Additionally, Herbst has sponsorship and has seemingly matured to where he could be a huge boon to a growing team. It's possible Herbst stays in Xfinity, but that wouldn't make sense. He could, though, go to a SFR car if SHR and FRM merge - I could see him replacing Berry or Gragson. RWR could continue to use multiple drivers, but they seem to be moving in the direction of being taken seriously, so I'd expect they'll name a full-time driver here. I could see Kaz Grala being the full-time driver, I could see Cody Ware being the full-time driver, and I could even see a small peephole where Hailey Deegan has a chance at some starts in this ride. It's definitely up in the air.
Trackhouse Kaulig (16) Shane van Gisbergen Reasoning: If Kaulig and Trackhouse merge, they would have, to our knowledge, 5 drivers under contract - Zilich, though, can wait. With that said, if Trackhouse/Kaulig keep van Gisbergen, Chastain, Suarez, and Zane Smith, then SVG is likely to go to this car since he's running the 16 part-time this year. Even on the off-chance that the two teams merge and chose to let a driver go, it's far more likely that Trackhouse would let Suarez go than it is that they let SVG, who won under the Trackhouse label in his first start, go.
RFK (17) Chris Buescher
JGR (19) Corey Heim Reasoning: Corey Heim is a top Toyota prospect, and Martin Truex, Jr. may be retiring. If Truex doesn't retire, I'd put Heim in the 50 - I think Heim is #1 and Chandler Smith is #2 in terms of Toyota prospects. Heim is ready based on his runs at Dover and Kansas. That said, there's a non-zero chance Gragson or some other prospect from Ford hemmoraghing their talent could end up here - last year, I was convinced that Harrison Burton could end up here (I wouldn't rule that out - Harrison Burton did races for JGR in the Xfinity series at one point).
JGR (20) Christopher Bell Reasoning: I haven't heard anything about any changes to this car, so I'm going to assume he stays.
WBR (21) Ryan Preece Reasoning: Harrison Burton is unlikely to come back, via multiple sources. The options I'd assume exist are probably something like this: Noah Gragson, Josh Berry, Ryan Preece, Todd Gilliland, Riley Herbst, Chase Briscoe, Austin Cindric, and in bizzaro-world, Justin Haley. One of those will pan out - in this Silly Season, I'm thinking Ryan Preece's blue-collar attitude would shine with the Wood Brothers. Plus, Preece is the odd man out, but has enough talent to avoid dropping out of Cup if Ford Motorcraft/Quick Lane is willing to take him on.
Penske (22) Joey Logano
23XI (23) Bubba Wallace Reasoning: I haven't heard anything about any changes to this car, so I'm going to assume he stays.
Hendrick (24) William Byron
Trackhouse Kaulig (31) Zane Smith Reasoning: Zane Smith will be in a Trackhouse car next year one way or another, per the planned contractual agreement. Really, it's whether Trackhosue gets a charter or not that's the question. If they do, Zane Smith is priority #1 for Trackhouse to get into their car. If Trackhouse and Kaulig don't merge, then I'd bet on Trackhouse putting Zane in Kaulig's car, but more likely is that Trackhouse will buy Zane Smith a charter from Kaulig or swallow Kaulig entirely.
Stewart Front Row (38) Todd Gilliland Reasoning: I haven't heard anything about any changes to this car, so I'm going to assume he stays, especially since he didn't leave after last year's "Zane Smith races". If he were to leave, he'd probably end up in the 21 for the Wood Brothers or end up at Legacy Motor Club or Joe Gibbs due to his Toyota connections (TRICON). Besides, his performance is continuing to go up, and McDowell is gone now, so it makes sense for Gilliland to stay here.
LMC (42) John Hunter Nemechek Reasoning: If Truex retires, Nemechek will either be in this car or in the #19 for JGR. Either way, nothing really to report here - Nemechek has performed well some weeks and I haven't heard anything about any changes to this car.
LMC (43) Erik Jones Reasoning: I haven't heard anything about any changes to this car, so I'm going to assume he stays.
23XI (45) Tyler Reddick Reasoning: I haven't heard anything about any changes to this car, so I'm going to assume he stays.
JTG (47) Ricky Stenhouse, Jr.
Hendrick (48) Alex Bowman
RWR (51) Kaz Grala Reasoning: I haven't heard of Kaz Grala going anywhere else - he will likely be in either the #15 or the #51 for RWR next year at least part-time. I do think there's a sleeper chance, though, that he goes to RFK because he's a talented, young Ford driver and RFK wants to expand.
JGR (54) Ty Gibbs Reasoning: I haven't heard anything about any changes to this car, so I'm going to assume he stays. Plus, he's Joe Gibbs's grandson.
RFK (60) (was 34) Justin Haley Reasoning: Justin Haley to RFK sounds wild when you consider Haley is under contract with RWR through next year. That said, RFK and RWR are in an alliance, and if Keselowski expands before he retires, then the timeline could change drastically, especially after BK's win at Darlington in the spring of 2024. Haley clearly wouldn't move to RFK without some sort of reasoning - this could definitely be a sleeper move to happen. I'd also not rule out Gragson or Kaz Grala or Ryan Preece for this ride, though, if RWR keeps Haley.
23XI (67) (was 41) Chandler Smith Reasoning: 23XI wants a third charter. Chandler Smith is probably the next ready driver in the Toyota pipeline unless 23XI wants Heim/JGR wants Heim. Either way, one of those two will likely run in the 67 next year if 23XI secures a charter. (In order, I'd say Trackhouse, 23XI, RFK, and Front Row are the most likely teams to expand)
Spire (71) Michael McDowell
Spire (77) Carson Hocevar
Kaulig Trackhouse (99) Daniel Suarez Reasoning: Kaulig and Trackhouse merging and Daniel Suarez's contract situations seem to be separate issues. Suarez could easily end up leaving this team - especially if JGR and Suarez make up and Suarez gets the 19 back. I doubt it, though. Suarez won Atlanta and has 2 wins in 3 years, which honestly isn't bad when you consider we're in a win-and-you're-in format. I do think Suarez's seat is warm, but all indications are that the contract talks are going well. I don't think anything will be signed, though, until the Kaulig/Trackhouse potential merger situation is resolved. That said, if Suarez goes, I'd watch for Gragson, Austin Hill, or
NON-CHARTERED TEAMS TMT (50) Conor Daly - Look at me like I'm dumb all you want, but on the TMT Racing website, it says they want to be full-time by 2025. Who knows, TMT could buy a charter, but based on TMT themselves, there's a chance they're full-time without a charter next year. That said, it definitely could be damn near anyone driving this #50 car next year - let me be clear, though, I only think this is a 50/50 shot.
OTHER TEAMS I'D NOT BE SURPRISED TO SEE WITH CHARTERS RCR (33) - if this happened, they'd likely put Austin Hill in the car. FRM - if this happened, they'd probably just buy an SHR charter and renumber it 36. JRM - it's now or never, Dale Jr. Andretti - Andretti says they're more likely to buy into a team than to straight up buy a charter, but what if they decide to take their Gainbridge money elsewhere? What if Honda comes to Cup?
***
Thank you all for reading! If you enjoyed this, feel free to let me know! Agree? Disagree? That's what the comments section is for.

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Dragonheart Collection 1-5 (MA/HD) $14
Dredd (2012) (Vudu/4K) $6.50 (iTunes/4K) (Vudu/HD) $3.25
Drive (2011) (MA/HD) $5
Dumb Money (2023) (MA/HD) $5.50
Earth Girls Are Easy (1988) (Vudu/HD) $5
El Mariachi (1993) (MA/HD) $6.50
Elemental (2023) (MA/HD) $5.75
Elvis (2022) (MA/4K) $5
English Patient (1996) (Vudu/HD) (iTunes/HD) $4.75
Equalizer 3 (2023) (MA/HD) $5.75
Eternals (2021) (MA/4K) $6.75 (MA/HD) $4.25 (GP/HD) $2.75
Everything Everywhere All at Once (2022) (Vudu/4K) $6.50
Evil Dead (2013) (MA/4K) $6.50
Evil Dead Rise (2023) (MA/4K) $6.75 (MA/HD) $5
Exorcist: Believer (2023) (MA/4K) $7.50 (MA/HD) $6.50
Expendables 1-3 (Vudu/4K) $15 (Vudu/HD) $4.50
Extreme Prejudice (1987) (Vudu/HD) $5
F9: The Fast Saga + Director's Cut (2021) (MA/4K) $6.75 (MA/HD) $4.75
Fabelmans (2022) (MA/HD) $5.50
Fall (2022) (iTunes/4K) (Vudu/HD) $6
Fantasia (1940) (MA/HD) $6.50 (GP/HD) $5
Fantasia 2000 (2000) (MA/HD) $6.50 (GP/HD) $5
Fast & Furious Collection 1-10 (MA/4K) $28
Fast & Furious Collection 1-8 (MA/4K) $23 1-9 (MA/HD) $10
Fast X (2023) (MA/4K) $6.50 (MA/HD) $5.50
Father Stu (2022) (MA/HD) $5.25
Fatman (2020) (Vudu/HD) (iTunes/HD) $5.50
Fault in Our Stars (2014) (MA/HD) $1.50
Fifty Shades of Grey + Unrated (2015) (MA/4K) $5.25 Unrated (MA/4K) $4.75
Fifty Shades of Grey 3-Movie + Unrated (MA/HD) $9.75
Five Feet Apart (2019) (Vudu/HD) (iTunes/4K) $3
Five Nights at Freddy's (2023) (MA/HD) $6.50
Flash, The (2023) (MA/4K) $6.75 (MA/HD) $5
Flatliners (2017) (MA/HD) $4.25
Forever Purge (2021) (MA/4K) $6.50 (MA/HD) $5.50
Fruitvale Station (2014) (Vudu/HD) $3.75
Fury (2014) (MA/4K) $6.25 (MA/HD) $3.25
Future World (2018) (Vudu/HD) $4
Gamer (2009) (Vudu/4K) $6.25 (Vudu/HD) (iTunes/HD) $5.50
Gangs of New York (2002) (Vudu/HD) (iTunes/HD) $5.25
Garfield (2004) (MA/HD) $6.50
Gate, The (1987) (Vudu/SD) $3.75
Gemini Man (2019) (Vudu/4K) $5.25 (iTunes/4K) (Vudu/HD) $2.25
Ghostbusters (1984) (MA/4K) $7 (MA/HD) $3.50
Ghostbusters + Extended (2016) (MA/HD) $2.25
Ghostbusters: Afterlife (2021) (MA/HD) $3.50
Gifted (2017) (MA/HD) $4.50
Girl on the Train (2016) (iTunes/4K) $2 (MA/HD) $2.25
Girl with the Dragon Tattoo (2011) (MA/HD) $6
Glory (1989) (MA/4K) $6.50
Godfather Trilogy (iTunes/4K) (Vudu/HD) $14
Godzilla: King Of The Monsters (2019) (MA/4K) $4
Gone Girl (2014) (iTunes/4K) (MA/HD) $5.50
Grace Unplugged (2013) (Vudu/HD) $5.25
Gran Turismo (2023) (MA/4K) $6.50 (MA/HD) $5.50
Grand Budapest Hotel (2014) (MA/HD) $3.75
Grease (1978), 2 (1982), Live! (2016) (Vudu/HD) (iTunes/HD) $14
Gremlins (1984) (MA/4K) $4
Grey, The (2012) (MA/HD) (iTunes/HD) $3.50
Groundhog Day (1993) (MA/4K) $6.50
Grown Ups 2 (2013) (MA/HD) $5
Grudge (2020) (MA/HD) $6.50
Guardians of the Galaxy (2014) (MA/4K) $7.25 (iTunes/4K) $4.75 (MA/HD) $4 (GP/HD) $1.75
Hands of Stone (2016) (Vudu/HD) $3.50
Happy Death Day 2U (2019) (MA/4K) $6.50 (MA/HD) $6
Harriet (2019) (MA/HD) $4.25
Hateful Eight (2015) (Vudu/HD) $2
Heaven is for Real (2014) (MA/HD) $2.50
Hercules (2014) (iTunes/4K) (Vudu/HD) $1.50
Hitman (Unrated) (2007) (MA/HD) $6
Hitman's Bodyguard (2017) (Vudu/4K) $5.75 (iTunes/4K) (Vudu/HD) $4.25
Hobbs & Shaw (2019) (MA/4K) $5.75 (MA/HD) $3.50
Holiday Inn (1942) (MA/HD) (iTunes/HD) $3.75
Holiday, The (2006) (MA/4K) $6.50
Home Alone 2: Lost in New York (1992) (MA/HD) $3.50
Home Alone Collection 1-2 (MA/HD) $6.50
Hook (1991) (MA/4K) $6.50
Hop (2011) (MA/HD) (iTunes/HD) $3
Hope Springs (2012) (MA/HD) $2.25
Hot Fuzz (2007) (MA/HD) $3.50 (iTunes/4K) $4
Hotel Transylvania 3: Summer Vacation (2018) (MA/4K) $6.75 (MA/HD) $5
Hotel Transylvania Collection 1-3 (MA/HD) $16
House of 1,000 Corpses (2003), Devil's Rejects (2005), 3 From Hell (2019) (Vudu/HD) $6
House of Gucci (2021) (iTunes/4K) $5
How High (2001) (MA/HD) $6.50
How to Train Your Dragon Collection 1-3 (MA/HD) $7.50
Hundred-Foot Journey (2014) (MA/HD) $5.50 (GP/HD) $4
Hunger Games Collection 1-4 (Vudu/HD) $6
I, Tonya (2017) (MA/HD) $5
Ice Age (2002) (MA/HD) $4.25
Ice Age Collection 1-5 (MA/SD) $16
Identity Thief (2013) (iTunes/HD) Ports to MA $3.50
If Beale Street Could Talk (2018) (MA/HD) $5.25
If I Stay (2014) (iTunes/4K) (Vudu/HD) $5.75
Impossible, The (2013) (Vudu/HD) (iTunes/HD) $4.50
Incredibles (2004) (iTunes/4K) $6 (GP/HD) $4.50
Independence Day: Resurgence (2014) (iTunes/4K) $2 (MA/HD) $1.50
Indiana Jones and the Dial of Destiny (2023) (MA/HD) $6
Indiana Jones Collection 1-4 (Vudu/4K) $24 (iTunes/4K) (Vudu/HD) $20
Inferno (2016) (MA/HD) $3
Insidious: The Last Key (2018) (MA/HD) $5.50
Insidious: The Red Door (2023) (MA/HD) $5.25
Instructions Not Included (2013) (Vudu/HD) $3.75
Interstellar (2014) (Vudu/4K) (iTunes/4K) $5.75 (Vudu/HD) $3.75
Into the Woods (2014) (MA/HD) $4 (GP/HD) $2.25
Iron Man 1-3 (iTunes/4K) $16 (GP/HD) $7.50
Iron Man 3 (2013) (iTunes/4K) $3 (MA/HD) $2.25 (GP/HD) $1.50
Isle of Dogs (2018) (MA/HD) $5.50
Jack Reacher: Never Go Back (2016) (Vudu/4K) $5.25 (iTunes/4K) (Vudu/HD) $2.75
Jason X (2001) (MA/HD) $6
Jaws (1975) (MA/4K) $5.75 (iTunes/4K) (MA/HD) $4.50
Jaws (1975) Jaws 2 (1978) Jaws 3 (1983) Jaws: The Revenge (1987) (MA/HD) $15.50
Jay and Silent Bob Strike Back (2001) (Vudu/HD) (iTunes/HD) $5.50
Jerry Maguire (1996) (MA/4K) $6.50
Jigsaw (2017) (Vudu/4K) $4.75 (iTunes/4K) (Vudu/HD) $2
Jingle All the Way (1996) (MA/HD) $6
John Wick Collection 1-3 (Vudu/4K) $16 (iTunes/4K) $14.50 (Vudu/HD) $8
Jojo Rabbit (2019) (MA/4K) $7.50
Jumanji (1995) (MA/4K) $6.50
Jumanji: Next Level (2019) & Welcome to the Jungle (2017) (MA/HD) $7
Jungle Book 2 (2003) (MA/HD) $6.50
Jurassic World Collection 1-5 (iTunes/4K) $17.50 (MA/HD) $8.50
Jurassic World Collection 1-6 (MA/HD) $11
Jurassic World: Dominion + Extended Cut (2022) (MA/4K) $6.25 (MA/HD) $3.75
Justice League Dark: Apokolips War (2020) (MA/4K) $4
Justice League: War World (2023) (MA/HD) $5.50
Kandahar (2023) (MA/4K) $7
Karate Kid (1984) (MA/4K) $6.50
Kick-Ass (2010) (Vudu/4K) (iTunes/4K) $5.25
Kicks (2016) (iTunes/HD) Ports to MA $4.50
Kidnap (2017) (MA/HD) (iTunes/HD) $2.75
Kimi (2022) (MA/4K) $6.75
Kin (2018) (Vudu/4K) (iTunes/4K) $5.50
Krampus (2015) (iTunes/HD) Ports to MA $4.75
Kung Fu Panda 3 (2016) (MA/HD) $3
La La Land (2016) (Vudu/HD) $2.25 (iTunes/4K) $3.75
Labor Day (2013) (Vudu/HD) (iTunes/HD) $4.50
Lady and the Tramp (1955) (MA/HD) $5.75 (GP/HD) $3.75
Last Duel, The (2021) (MA/HD) $5.25 (GP/HD) $4
Last Voyage of the Demeter (2023) (MA/4K) $7.50 (MA/HD) $7
Last Witch Hunter (2015) (iTunes/4K) (Vudu/HD) $1.50
Lawrence of Arabia (Restored Version) (1962) (MA/HD) $5
Legend of Hercules (2014) (iTunes/4K) (Vudu/HD) $3
Leon: The Professional (Extended Cut) (1994) (MA/4K) $6.50
Life (2017) (MA/4K) $6.50 (MA/HD) $2.50
Lighthouse (Vudu/HD) $6
Lightyear (2022) (MA/4K) $4.75 (MA/HD) $2.50 (GP/HD) $1.75
Lilo & Stitch (2002) & Stitch Has a Glitch (2005) (MA/HD) $9.50 (GP/HD) $5.50
Lion King (1994) (MA/4K) $7 (MA/HD) $4.50 (GP/HD) $2.75
Lion King 2: Simba's Pride (1998) (MA/HD) $6.25
Little Monsters (1989) (Vudu/HD) $5.50
Little Women (2019) (MA/HD) $5.50
Live Die Repeat: Edge Of Tomorrow (2014) (MA/4K) $5.50
Lone Ranger (2013) (MA/HD) $4.50 (GP/HD) $2.50
Lone Survivor (2013) (MA/4K) $6.25 (iTunes/4K) $2 (MA/HD) $1.50
Longest Ride (2015) (iTunes/4K) (MA/HD) $1.25
Looper (2012) (MA/HD) $2.75
Lords of Salem, The (2012) (Vudu/HD) $4.75
Lost City, The (2022) (Vudu/4K) $5.50 (iTunes/4K) (Vudu/HD) $5
Love, Simon (2018) (MA/HD) $2.75
Lyle, Lyle, Crocodile (2022) (MA/HD) $4.25
M3GAN + Unrated (2023) (MA/HD) $5.50
Ma (2019) (MA/4K) $6.50 (MA/HD) $5
Madagascar Collection 1-4 (MA/HD) $15
Maleficent: Mistress of Evil (2019) (MA/4K) $6 (iTunes/4K) $3.75 (GP/HD) $3.25
Many Adventures of Winnie the Pooh (1977) (MA/HD) $6.50
Marksman, The (2021) (MA/HD) $5
Marlowe (2023) (MA/HD) $6.50
Martian - Extended Cut (2015) (MA/4K) $7.75 (MA/HD) $5.25
Martian (Theatrical) (2015) (MA/4K) $7 (iTunes/4K) (MA/HD) $3
Mary Queen of Scots (2018) (MA/HD) $6
Maze Runner Collection 1-3 (MA/HD) $14.50
McFarland, USA (2015) (MA/HD) $6 (GP/HD) $4.50
Meg 2: The Trench (2023) (MA/4K) $6.50 (MA/HD) $5
Meg Collection 1-2 (MA/HD) $8.50
Memory (2022) (MA/HD) $3.75
Men (2022) (Vudu/HD) $5
Men in Black (1997) (MA/4K) $6.50
Men in Black Collection 1-3 (MA/HD) $14.50
Mickey & Friends 10 Classic Shorts - Volume 2 (2023) (MA/HD) $6.25 (GP/HD) $5
Mickey & Minnie 10 Classic Shorts - Volume 1 (2023) (MA/HD) $5.25 (GP/HD) $3.75
Midnight Meat Train (Unrated Director's Cut) (2008) (Vudu/HD) $5
Mike and Dave Need Wedding Dates (2016) (MA/HD) (iTunes/4K) $3.75
Minions: The Rise of Gru (2022) & Minions (2015) (MA/HD) $7.25
Minions: The Rise of Gru (2022) (MA/4K) $6.50 (MA/HD) $5
Miss Peregrine’s Home for Peculiar Children (2015) (iTunes/4K) (MA/HD) $2
Mission: Impossible – Dead Reckoning Part One (Vudu/HD) (iTunes/4K) $7
Mission: Impossible Collection 1-6 (iTunes/4K) $20 (Vudu/HD) $18
Mitchells Vs. The Machines (2021) (MA/HD) $4.25
Monster Hunter (2020) (MA/4K) $6.75 (MA/HD) $4
Monster's Ball (2001) (Vudu/HD) $6
Monty Python's The Meaning of Life (1983) (MA/4K) $6.75
Moonfall (2022) (Vudu/4K) (iTunes/4K) $4.75
Morbius (2022) (MA/4K) $5 (MA/HD) $3
Mortal Kombat Legends: Cage Match (2023) (MA/4K) $6.75 (MA/HD) $5.50
Mortal Kombat Legends: Scorpion's Revenge (2020) (MA/4K) $4
Mud (2013) (Vudu/HD) (iTunes/HD) $3
Mulan 2 (2005) (MA/HD) $3.75
My Fair Lady (1964) (iTunes/4K) (Vudu/HD) $5.50
My Girl (1991) & 2 (1994) (MA/SD) $6.50
Natural, The (1984) (MA/4K) $6
Never Grow Old (2019) (Vudu/HD) (iTunes/HD) $4.50
News of the World (2020) (MA/HD) $3.50
Night at the Museum 3-Movie (MA/HD) $11.50 (MA/SD) $8
Night Before (2015) (MA/HD) $4.50
Nightmare Alley (2021) (MA/HD) $4.50 (GP/HD) $3.50
No Country For Old Men (2007) (Vudu/HD) $5.50
No Hard Feelings (2023) (MA/HD) $5.50
Nope (2022), Get Out (2017) & Us (2019) (MA/HD) $9
Northman (2022) (MA/4K) $6.75 (MA/HD) $3.75
Now You See Me 1-2 (Vudu/HD) $4 (iTunes/HD) $6.50
Nun 2 (2023) (MA/HD) $6
Nutcracker and the Four Realms (2018) (MA/4K) $5.75 (MA/HD) $3
Oliver! (1968) (MA/4K) $6.50
Olympus Has Fallen (2013) (MA/HD) $5
Operation Fortune: Ruse de Guerre (2023) (Vudu/4K) $7
Oppenheimer (2023) (MA/HD) $7
Other Guys, The (2010) (MA/4K) $6.50
Ouija (2014) (MA/HD) (iTunes/HD) $2.50
Outfit (2022) (MA/HD) $7
Over the Hedge (2006) (MA/HD) $6.50
Overboard (2016) (Vudu/HD) (iTunes/HD) $5.50
Oz the Great and Powerful (2013) (MA/HD) $2 (GP/HD) $1
Pacific Rim Uprising (2018) (MA/4K) $7 (MA/HD) $4.25
Pain & Gain (2013) (Vudu/HD) (iTunes/HD) $3
ParaNorman (2012) (iTunes/HD) $5
Paul (2011) (iTunes/HD) Ports to MA $4.25
Paul Blart: Mall Cop 2 (2015) (MA/HD) $3.75
PAW Patrol: The Mighty Movie (2023) (Vudu/HD) (iTunes/4K) $6.50
Paws of Fury: The Legend of Hank (2022) (iTunes/4K) (Vudu/HD) $5.25
Percy Jackson & the Olympians: The Lightning Thief (2010) (MA/HD) $6.75
Peter Rabbit (2018) & 2 (2021) (MA/HD) $7.50
Peter Rabbit 2 (2021) (MA/HD) $4
Philadelphia (1993) (MA/4K) $6.50
Philadelphia (1993) (MA/4K) $8
Pitch Perfect Collection 1-3 (MA/HD) $11.50
Pixels (2015) (MA/HD) $5.50
Plane (2023) (Vudu/4K) (iTunes/4K) $6.50
Planes, Trains and Automobiles (1987) (Vudu/HD) (iTunes/4K) $5
Planet of the Apes 1-3 (Newer) (iTunes/4K) (MA/HD) $10
Pocahontas (1995) (MA/HD) $6.25
Poms (2019) (iTunes/HD) $2.50
Pope's Exorcist (2023) (MA/HD) $5.75
Power Rangers (2017) (iTunes/4K) $3 (Vudu/HD) $2.50
Pretty in Pink (1986) (iTunes/4K) (Vudu/HD) $4.50
Prey for the Devil (2022) (Vudu/4K) (iTunes/4K) $6.50
Pride and Prejudice and Zombies (2016) (MA/HD) $6
Prince of Egypt (2002) (MA/HD) $5.50
Proud Mary (2018) (MA/HD) $4
Psycho (1960) (MA/HD) $4.50
Purge, The (2013) (iTunes/4K) (MA/HD) $2.75
Puss in Boots (2011) (MA/4K) $6.50 (MA/HD) $5.50
Raid Collection 1-2 (MA/HD) $11.50
Rambo Collection 1-5 (Vudu/HD) $12.50
Rambo: First Blood Part II (1985) (iTunes/4K) (Vudu/HD) $5.50
Ratatouille (2007) (MA/HD) (iTunes/4K) $7.50
Red (2010) (Vudu/4K) (iTunes/4K) $6.25
Red Dawn (2012) (Vudu/HD) $5.25 (iTunes/SD) $2
Red Sparrow (2018) (MA/HD) $4
Red Violin, The (1998) (Vudu/HD) $5
Replicas (2019) (Vudu/4K) $5
Reservoir Dogs (1992) (Vudu/4K) (iTunes/4K) $5
Riddick Collection 1-3 (Unrated) (MA/HD) $13.50
Ride Along 1-2 (MA/HD) (iTunes/HD) $5 $2.75 Each
Rings (2017) (Vudu/HD) $2.75 (iTunes/HD) $1.50
Rise of the Planet of the Apes (2010) (iTunes/4K) (MA/HD) $5.75
Risen (2016) (MA/HD) $4.50
Room (2015) (Vudu/HD) $4.25
Rudy (Director's Cut) (1993) (MA/4K) $6.50
Rumble (2022) (iTunes/4K) (Vudu/HD) $5.50
Runner Runner (2013) (MA/HD) $3.25
Saint Maud (2020) (Vudu/HD) $6
Same Kind of Different as Me (2017) (Vudu/HD) (iTunes/HD) $2
Saw (2004) (Vudu/4K) (iTunes/4K) $5.25
Saw Collection 1-7 (Vudu/HD) $9.75
Scarface (1983) (iTunes/4K) (MA/HD) $5
Scary Movie Collection 1-3 (Vudu/HD) (iTunes/HD) $13.50
Scoob (2020) (MA/4K) $4
Scream 5 (2022) (iTunes/4K) (Vudu/HD) $5
Scream 6 (2023) (Vudu/4K) $7 (iTunes/4K) (Vudu/HD) $6.50
Scream Collection 1-3 (Vudu/HD) (iTunes/HD) $13.50
Searching (2018) (MA/HD) $6.50
Secret Headquarters (2022) (Vudu/HD) (iTunes/4K) $5.50
Secret Life of Pets 2 (2019) (MA/HD) $5.25
Secret Life of Pets Collection 1-2 (MA/HD) $7.25
Secret Life of Walter Mitty (2013) (MA/HD) $2
Semper Fi (2019) (Vudu/HD) (iTunes/HD) $4.25
Sessions (2012) (MA/HD) $4.25
Sex Tape (2014) (MA/HD) $2.75
Shack (2017) (Vudu/HD) (iTunes/HD) $1.50
Shang-Chi (2021) (MA/4K) $6 (MA/HD) $4.75 (GP/HD) $2.75
Shape of Water (2017) (MA/HD) $3.25
Shaun the Sheep Movie (2015) (Vudu/HD) $3.75
She's Having a Baby (1988) (Vudu/HD) (iTunes/HD) $3.75
Shrek the Third (2007) (MA/HD) $6
Shutter Island (2010) (Vudu/4K) (iTunes/4K) $6.50
Sicario: Day of the Soldado (2018) (MA/4K) $7 (MA/HD) $3.75
Sick (2023) (MA/4K) $6.75
Silent Night, Deadly Night: 3-Film Collection (1989-1991) (Vudu/HD) $5.50
Sin City: A Dame to Kill For (2014) (Vudu/HD) $6
Sing Collection 1-2 (MA/HD) $6
Singin' in the Rain (1952) (MA/4K) $6
Sisters (Unrated) (2015) (MA/HD) $4 (iTunes/HD) $3.25
Slender Man (2018) (MA/HD) $5.25
Smile (2022) (Vudu/HD) (iTunes/4K) $6.25
Smokey and the Bandit (1977) (MA/4K) $6 (MA/HD) $4.50
Smokin' Aces (2007) (MA/4K) $6 (iTunes/4K) $5.50
Snowden (2016) (MA/HD) $3.50 (iTunes/HD) $4
Social Network (2010) (MA/4K) $6.50
Son of a Gun (2015) (Vudu/HD) $5.50
Son of God (2014) (MA/HD) $1.50
Sonic the Hedgehog 2 (2022) (Vudu/4K) $6 (iTunes/4K) (Vudu/HD) $4.50
Space Between Us, The (2017) (MA/HD) (iTunes/HD) $4.50
Spell (2020) (Vudu/HD) (iTunes/4K) $5
Spider-Man Collection 1-8 (MA/HD) $26
Spider-Man: Across the Spider-Verse (2023) (MA/HD) $5.50
Spider-Man: No Way Home (2021) (MA/4K) $6.25 (MA/HD) $3.50
Spiral: From the Book of Saw (2021) (Vudu/4K) (iTunes/4K) $5
Spirit Untamed: The Movie (2021) (MA/HD) $5.50
Spirit: Stallion of the Cimarron (2003) (MA/HD) $4.75
Spotlight (2015) (MA/HD) $5 (iTunes/HD) $3
Spy Who Dumped Me (2018) (iTunes/4K) (Vudu/HD) $3.75
Stand Up Guys (2012) (Vudu/HD) $2.75
Star Trek Beyond (2016) (Vudu/HD) $1.75 (iTunes/4K) $3.25
Star Trek Collection 1-3 (Vudu/HD) $9.50 (iTunes/4K) $13.50
Starship Troopers (1997) (MA/4K) $6.50
Stoker (2013) (MA/HD) $4.50
Straight Outta Compton (Unrated Director’s Cut) (2015) (MA/HD) (iTunes/HD) $2.50
Strange World (2022) (MA/HD) $5 (GP/HD) $4.25
Stuber (2019) (MA/HD) $5.25
Studio 666 (2022) (MA/4K) $7 (MA/HD) $6.25
Suburbicon (2017) (iTunes/4K) (Vudu/HD) $3.25
Suffragette (2015) (iTunes/HD) Ports to MA $3
Super Mario Bros Movie (2023) (MA/4K) $7.25 (MA/HD) $5.50
Super Troopers (2002) (MA/HD) $5.50
Superman: Man of Tomorrow (2020) (MA/HD) $4
Superman: Red Son (2020) (MA/HD) $4
SW: Empire Strikes Back (1980) (MA/4K) $7 (GP/HD) $3.50
SW: Rise of Skywalker (2019) (MA/4K) $6 (iTunes/4K) $4.75 (GP/HD) $2.25
SW: Rogue One: A Star Wars Story (2016) (iTunes/4K) $3.75 (GP/HD) $1.25
Sword in the Stone (1963) (MA/HD) $5.75 (GP/HD) $3.25
T2 Trainspotting (2017) (MA/HD) $7
Tag (2018) (MA/4K) $6.50
Taken Collection 1-3 (MA/HD) $9
Talk to Me (2023) (Vudu/4K) $6.50
Talladega Nights: The Ballad of Ricky Bobby (2006) (MA/4K) $6.50
Tar (2022) (MA/HD) $5.75
Taxi Driver (1976) (MA/4K) $6.50
Teenage Mutant Ninja Turtles: Mutant Mayhem (2023) (Vudu/4K) $7.50 (iTunes/4K) (Vudu/HD) $6.50
Thanksgiving (2023) (MA/4K) $6.50 (MA/HD) $5.50
Think Like a Man (2012) & Too (2014) (MA/HD) $8.50
Thor (2011) (iTunes/4K) (MA/HD) $7 (GP/HD) $3.50
Thor: Love and Thunder (2022) (MA/4K) $6.75 (MA/HD) $3.25 (GP/HD) $2
Three Billboards Outside Ebbing, Missouri (2017) (MA/HD) $3.50
Ticket to Paradise (2022) (MA/HD) $5.75
Till (2022) (iTunes/4K) $6.50
Titanic (1997) (Vudu/4K) $6.50 (Vudu/HD) $4.75 (iTunes/4K) $6
Top Gun (1986) (Vudu/4K) $4.75 (iTunes/4K) (Vudu/HD) $3.50
Total Recall (1990) (Vudu/4K) $5 (iTunes/4K) (Vudu/HD) $4.75
Trading Places (1983) (Vudu/HD) $4.50
Training Day (2001) (MA/4K) $6
Transformers 1-5 (Vudu/4K) $25 (iTunes/4K) (Vudu/HD) $23
Transformers: Rise of the Beasts (2023) (Vudu/4K) $7 (iTunes/4K) (Vudu/HD) $6
Trauma Center (2019) (Vudu/HD) (iTunes/4K) $3.25
Trolls (2016) (MA/HD) $1.25
Trolls Band Together (2023) (MA/HD) $6.50
Trolls Collection 1-2 (MA/HD) $5.75
True Story (2015) (MA/HD) $5.25
Tully (2018) (MA/HD) $5
Turbo (2013) (MA/HD) $2.50 (iTunes/SD) $1
Turning Red (2022) (MA/HD) $3.75 (GP/HD) $2.50
Unbearable Weight of Massive Talent (2022) (Vudu/4K) (iTunes/4K) $6.75
Uncharted (2022) (MA/4K) $5.25 (MA/HD) $3.25
Uncle Drew (2018) (Vudu/4K) $6 (Vudu/HD) (iTunes/HD) $3
Uncut Gems (2019) (Vudu/HD) $4.25
Underwater (2020) (MA/HD) $5.50
Underworld: Awakening (2012) (MA/HD) $1.75
Unhinged (2020) (Vudu/HD) $4.50
Up (2009) (MA/HD) (iTunes/4K) $7.50
Usual Suspects, The (1995) (Vudu/HD) $6
Vertigo (1958) (MA/HD) $4.75
Vice 'Christian Bale' (2018) (MA/HD) $4.75
Violent Night (2022) (MA/HD) $5.75
Vivo (2021) (MA/HD) $4
Walking with Dinosaurs (2013) (MA/HD) (iTunes/HD) $2.50
WALL-E (2008) (MA/HD) (iTunes/4K) $7.50
Walt Disney Animation Studios Shorts Collection (2015) (MA/HD) $5.25 (GP/HD) $3.75
War of the Worlds (1953) (Vudu/4K) (iTunes/4K) $6.50
Waves (2019) (Vudu/HD) $5.50
Whale, The (2022) (Vudu/HD) $6
When the Bough Breaks (2016) (MA/HD) $4.50
Where the Crawdads Sing (2022) (MA/HD) $3.75
Whiplash (2014) (MA/4K) $6.50 (MA/HD) $5.50
White Boy Rick (2018) (MA/HD) $5
Widows (2018) (MA/4K) $6.50 (MA/HD) $2
Winter's Bone (2010) (Vudu/HD) (iTunes/HD) $5
Witch, The (2016) (Vudu/HD) $3.50
Woman King (2022) (MA/4K) $5.75 (MA/HD) $4
Wonder Woman: Bloodlines (2019) (MA/HD) $4
World War Z (2013) (Vudu/HD) $3.25 (iTunes/4K) $4.50
Wraith, The (1986) (Vudu/HD) $5
X (2022), Hereditary (2018), Witch, The (2016), Green Room (2015), It Comes at Night (2017) (Vudu/HD) $14
X-Men (2000), X2 (2003), X-Men: The Last Stand (2006) (MA/HD) $14
X-Men: Apocalypse (2016) (iTunes/4K) (MA/HD) $2.25
X-Men: Dark Phoenix (2019) (MA/HD) $6
X-Men: First Class (2010), Days of Future Past (2004), Apocalypse (2014) (MA/HD) $10.50
Yesterday (2019) (MA/4K) $7 (MA/HD) $4.75
Zombieland (2009) (MA/4K) $7.25
Zombieland: Double Tap (2019) (MA/4K) $7.25 (MA/HD) $5.25

I had a boss who was hired around the same time I was and was paid three times as much as I was, yet he couldn't even type on a computer or figure out spellcheck. He gave me a negative performance review because I let him publish a document that had a spelling error in it that he didn't catch. How dare me.
When our finances started failing, I was the one axed instead of him because he was 64 and I was 28, even though he had 0 leadership skills and I was essentially begging him to communicate and be open-minded to new ideas. He was terrible at giving instructions, provided me no training because he didn't even know how to do my job, and he viewed questions as signs of me not being qualified rather than being qualified enough to pursue answers and not act solely on my assumptions, as he does.
He was fired from his previous job for running that place into the ground. I giggled when I heard that the institution plummeted even deeper without me and that they had to hire 2 people to replace my role. I had a lot of ideas to avoid that, but he didn't like my ideas and pushed the blame on me for causing failure (ultimately just following his orders). It's almost as if I had a modern master's degree and he was less qualified than me on every gauge except length of work history.
It didn't surprise me when one day his wife dropped by to say hello, and he just asked, "What do you want?" She should have divorced him a long time ago because (1) he's insufferable as a person and has no emotional regulation skills, and (2) he takes no accountability, including with raising his children.
Her first sign to leave should have been that 2 days after she gave birth to their first child, he went on a solo vacation that she didn't even want him to go on, but he didn't see the issue and still doesn't. I'm amazed there was even a second child. She does everything around the house and he'll just watch TV and go golfing with his friends. (His wife worked in a different department and called or stopped by for various reasons during my time there. We talked a lot.)
Oh, to have the unquestioned and injustly tolerated authority of a salaried white Boomer man who was bumped up the corporate ladder when it was expected rather than earned...and whose angry threats were yielded to rather than seen as red flags that he didn't know how to collaborate and was unwilling to recognize that someone may have a single insight he doesn't.
He acted like he was doing everybody a favor by working there rather than retiring. As if going on 2-week vacations during our busiest scrambles of the fiscal year (he took 6 vacations in 10 months and would more than not show up to work at least an hour late and leave hours early to go golfing) was helpful at all.
My biggest regret in life is not being 15 years older. Might have had a shot in that work economy to have a better paying job and more influence than a discarded peanut shell.

Bowden Outing:

• 2 Groundouts / 0 Flyouts / 4 Strikeouts
• Allowed a 1B + SB to start the game then retired 6 straight including 4 straight strikeouts to end the outing
• 4 strikeouts were all down swinging.

Other Key Injury Updated:

• Yariel Rodriguez (Thoracic Spine Inflammation): Threw a bullpen session on Monday. Will throw another bullpen session soon before heading off for a rehab assignment.
• Chad Green (Strained Shoulder): Threw a bullpen session on Friday.
• Joey Votto (Rolled Ankle): Ramping up baseball activities @ Complex

Minor League Inactivities:

• 7-Day IL: LHP Ricky Tiedemann (AAA), RHP T.J. Brock (AA), IF Cade Doughty (AA), RHP Kevin Miranda (A+), LHP Kendra Rojas (A+), C Kekai Rios (A+), IF Brennan Orf (A+), OF Roque Salinas (A+), RHP Landen Maroudis (A), C Nicolas Deschamps (A), OF Yen Munoz (A), IF Jose Fernandez (FCL), OF David Guzman (FCL) & OF Railin Tejada (FCL)
• 60-Day IL: C Nate LaRue (AA), RHP Dahian Santos (A+), IF Adrian Pinto (A+), IF Peyton Williams (A+). LHP Brandon Barriera (A), RHP Kelena Sauer (A), RHP Stephen Vargas (A), OF Branden Barry (A), OF Robert Robertis (A) & LHP Johan Simon (FCL)
• Developmental List: C Max McDowell (AAA), RHP Andrew Bechtold (AAA), RHP Alejandro Melean (AA), C Jose Ferrer (A+), IF Eduardo Montero (A) & IF Arjun Nimmala (A)

Bolded are clear Blue Jays top 30 Prospects.

If you see an x2 or x3 thats how many times I've seen them.
Dave chappelle (x3), aziz ansari, Kevin Hart, Jerry seinfeld, bill burr (x4) (1 special taping), chris rock, chris tucker (x2), Pete Davidson, Daniel Tosh, Louis CK (x3), Ron white, bo burnham, john oliver, amy schumer, Joe Rogan (X2), tom segura (x2), bert kreischer, mark normand (x3), Theo Vonn (x2), Jimmy Carr, Ronny Cheing, doug stanhope (x3), jeff foxworthy, Jim jefferies (x4), anthony jeselnick(x3), jeff ross (x3), Brad Williams, hannibal buress (x2), Stavros Halkias, Demetri Martin, craig ferguson, patton oswalt, sebastian manisclalo (x2), Andrew Santino, lewis black, kevin smith, david cross, steve rannazzisi (special taping), frank calliendo, chris hardwick, marc maron, rory scovel, Erik Griffin, Lavelle Crawford, Neil Brennan, kyle kinane (x2), bruce bruce, mike birbiglia, ricky velez (x2), Jon reep, dylan moran, donnell Rawlings(X3), Kurt metzger, Ian bagg (x2), caleb synan (x3), sarah tianna, rocky dale davis, tim minchin, ari shaffir, dave stone (x2), emily heller, John heffron, laughing skull festival x7, world series of comedy x3

I reported my nursing instructor. Here's how it ended.
2020 I got into a ADN program in Cali
(Arab female in my 40's no children)
Already an Certified EMT or worked in healthcare.​
Overall stats 3.2 Science 3.6 overall 78 TEAS
Cohort size 30. Mostly white and country/rural setting.​ It wasnt a problem to me. I was invited to study groups and helped other students and had no issues with anyone.
1st year of school wasnt hard​​ for me. I worked per diem noc shift as a med tech for assisted living and got A's and the same feedback from instructors as everyone else.​
My 3rd semester comes. There's a tentured faculty of 20+ years we will call Teacher A who had a reputation apparently of being an oldschool mean girl or fails any students she deems unworthy. Everyone feared her but I didn't think anything of it but gossip.
During my clinicals with Teacher A she would say my ethnic name incorrectly. She had a tone and attitude with me that was different than the other students.
With me a bunch of Glaring. Eye rolling. She would always give me the highest acuity patients. Then said I asked too many questions and I dont know what im doing and stomped off. She started to fail my care plans without leaving any feedback. Other students she would sit around and chat about her personal life. One of my classmates at one point even arrived to the site impaired / hungover. Teacher A paid and arranged someone to transport her home and let her come back to the site the next day so she wouldnt lose her hours. She would let my classmates do hand on skills (IV starts) and would have me do only basic CNA task like tioleting and feeding. It felt like she didnt like me. My classmates noticed and but said nothing.
During a med pass with Teacher A I accidently dropped a narcotic pill She yells out "Are you stupid?! You put us in jeopardy!" and pick it up and stormed out of the room.
I get a phone call from the director of the nursing program and told to leave the site and see her alone. Basically Teacher A had complained about me to my classmates clinical site staff and the other nursing faculty I was given a fail for clinicals and kicked out of my program. My perfect g​rades and previous clinical performance didnt matter. No appeal could be done.
Director told me you "have any idea how many times students whine and complain the professor didn't like me when they fail?" And to basically go kick rocks.
I complained to the ocr. Teacher A denies everything. Said im overly sensitive. My classmates all kicked me out of the cohort chat and blocked my number.
1 month after the ocr had finished their report, the director emails me saying the same clinical site told her and complained because of my poor performance I cant return there and this also means I cant come back to finish the nursing program either.
1 year later I run into a retired nursing faculty I had for my 1st year. She asked what happened to me. I said I had family problems and had to drop school. Retired professor said Teacher A said she had the stupidest student she ever had from my cohort but wouldnt tell her who. Teacher A told the Director to contact that same clinical site to not allow her back so she couldn't return to the program. That shes glad that student wasnt me and I should come back and try again. Id make a good nurse. I dont have a happy ending.​​​
I sometimes read similar stories on this subreddit and from the student nurse and have flashbacks. ​​​I have bells palsy and ptsd from my experience. I will not be posting again.​

Edit: If you are going to comment on the length of this post, please don't. This is not a simple snark but rather an actual critical think piece about feminism and Taylor Swift.

Introduction

Pertaining to Taylor Swift, "Female Rage" has deviated from its intended meaning after Swift debuted a new performance of The Tortured Poets Department during the Eras Tour. Now, according to Swift's use of the phrase, female rage is interpreted as public backlash against Swift's dating choices rather than as a response to the broader injustices against women and women's rights. This post examines Taylor Swift's flawed feminism, philanthropy, branding, and the controversial trademark petition for the phrase "Female Rage: The Musical". Swift's background as an entertainer, indeterminate politics, and alignment with capitalism over feminism pervades her legacy, again threatening her public tolerance as not just an individual but as a brand.

Once Upon a Female Rage...

If you were cognizant in the early 2010's, you've heard countless jabs at Taylor Swift in the media. Magazines, radio, or online. Music critics did not take her seriously as a songwriter; parents put a woman on an unrealistic pedestal as the ideal role model for their children; she dated too much and used men as lyrical fodder. No matter the story, it inevitably spread, conjoined with everyone's respective opinions, and you'd be left to wonder, "Why does everyone hate this girl so much?"
Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,

"Becoming friends with Lena – without her preaching to me, but just seeing why she believes what she believes, why she says what she says, why she stands for what she stands for – has made me realize that I’ve been taking a feminist stance without actually saying so."

I suppose the male-centric songwriting subject that permeates Swift's discography contained covert feminism and that we just didn't see that. Perhaps, the "Bad Blood" song and music video were written only in jest and not about poor Katy Perry, for Swift, as a feminist, would "never make it a girl fight" or tear other women down (though all Katy did was date your terrible ex-boyfriend and allegedly steal three backup dancers from your tour). In 2013, Swift said, in response to Tina Fey and Amy Poehler's joke towards her serial dating, "There is a special place in hell for women who don't help other women."
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.

Get Your Fucking Ass Up and Be a Philanthropist, It Seems Like Nobody Wants to Be a Philanthropist These Days

In 2013, Taylor Swift cut the ribbon at the grand opening of the Taylor Swift Education Center at the Country Music Hall of Fame in Nashville, Tennessee. The donation amount - $4 million - was the largest individual artist gift ever donated to the Country Music Hall of Fame, which is, of course, mentioned on Swift's website. The two-story facility features three classrooms, an instrument room, and an interactive children's exhibit gallery. Swift also performed at "All for the Hall" charity shows and has donated numerous artifacts from her career (such as notable guitars, tour costumes, etc) to the museum.
This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.

I Like Some of the Taylor's Songs, But What the Fuck Does She Know About Feminism?

Swift continued with her self-proclaimed feminist campaign, positioning herself as a political activist and LGBTQ+ ally in the Miss Americana documentary. The primary focus of the documentary consists of the sexual assault trial, Andrea Swift's cancer diagnosis, Taylor's ED and body dysmorphia, media scrutiny, and, largely, finally speaking up about her politics publicly, mostly her opposition to the 2018 Tennessee Republican senate candidate, Marsha Blackburn, and Blackburn's beliefs. Swift says, following a scene discussing her experience during the trial,

"I just couldn't really stop thinking about it. And I just thought to myself, next time there is any opportunity to change anything, you had better know what you stand for and what you want to say."

We must ask ourselves, though: when has Swift ever spoken up to change anything? Okay, pulling her entire catalogue from Spotify because they didn't pay their artists enough and similarly pulling her catalogue from Apple Music are changes that she leveraged due to her revenue potential and power, but they are not pertinent to the average woman's rights. Moreover, these are issues that directly impacted Taylor's income, which was enough reason for her to protest in the first place. Swift has sold the most units for a female artist in first week sales, is the first female artist with 100k monthly Spotify listeners, is the first female artist to win the Album of the Year Grammy 4 times, and is the first female artist to do X, Y, and Z, all while being inoffensive and family-friendly to boot. The actual Taylor Swift seems unwilling to compromise the brand of Taylor Swift by contributing in meaningful ways to feminist causes, especially if it is for women outside of America and Hollywood.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.

I Can't Pay Those Sweatshop Workers a Livable Wage or Benefits! How Else Would I Make My Billions?

Recently, Taylor's team filed to trademark the phrase "Female Rage: The Musical" after Taylor said during Paris N1 of the Eras Tour,

"So you were the first ones to see The Tortured Poets at the Eras Tour...or as I like to call it, 'Female Rage: The Musical'."

This trademark petition was filed last week on Saturday, and news comes about just as numerous unofficial fan-made merch designs have cropped up with this phrase plastered on Fruit of the Loom basics. I'm of the opinion Swift's team motioned for a trademark so that they can send out cease & desists to all those that make knockoff merch, which disrupts potential sales for Bravado, UMG's choice merchandising company; however, since it was filed earlier, perhaps Swift has bigger plans with the bizarre use of the gendered phrase. One Swiftie referred to the phrase "female rage" as "a funny Eras Tour joke". Could it be a possible fourth version of the Eras Tour Movie? Whatever the reason, the motion to capitalize off of such a concept is disgusting, but not unsurprising, for a woman that profits on her vain feminism.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!

I Am Tortured Poet, Hear Me Whinge

Look - even if Taylor's intention is to characterize TTPD as more "tortured" and "angry", the main thread of the album is "I was ghosted by my decade-long situationship with a controversial indie boy and my fucking stupid fans wrote a 'Speak Up Now' open letter prompting me to drop him" anger, which is adequately expressed in the lyrics and performances. The extent of Taylor's "female rage" on TTPD is on tracks such as "Who's Afraid of Little Old Me?", which contends with relentless media scrutiny; "But Daddy I Love Him", where Swift firmly states she'll date whoever she likes no matter how "Sarahs and Hannahs" may react; and "The Albatross", a track mythologizing her reputation and the consequences of dating her. Of course, these coincide with deep psychological wounds that formed during Swift's early years in the media, and so, from her feminist perspective, these subjects tackle the misogyny and double standards that she faced.
Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.

Sigh Try and Come For My Job, Poors

Out there in the world right now is a 23-year-old woman, a recent college grad, who works as a barista. She has to wake up and get ready to go into a minimum wage job because she cannot get a job in her field. She doesn't have healthcare benefits or sick time, so she has to go into work no matter how she's feeling. All day long she is berated by vicious customers and creepy men, and, exhausted from being on her feet, she knows she has to go home to her shitty roommate that never does the dishes and her roommate's shitty dog. To comfort herself, she considers getting a treat, but thinks against it when she remembers that matcha lattes cost $15 and they taste like milky dirt. She knows that she needs to buy groceries this week, and so the woman resolves to go home, but notices that her gas tank is low. She goes to put gas in the car, but the pump stops at $27.86 because that's all that she has in her checking account. The woman, bereft and reeling, sinks into the driver's seat. "Well," she thinks, her head in her hands, "at least I don't have Taylor Swift's job. I just couldn't imagine."
Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,

"You know you're good when you can even do it with a broken heart...you know you're good...and I'm good, cause I'm miserable, and no one even knows!...try and come for my job."

Yeah, obviously we wouldn't know, you recently passed the billionaire threshold and are the most famous and in-demand performer in the world right now. Taylor Swift makes an estimated $10 to $13 million dollars A NIGHT on the Eras Tour. Furthermore, the Eras Tour movie grossed $261.6 million globally, (which, as the producer, Taylor takes home 57% of the ticket sales) not counting the streaming revenue from Amazon Prime Video and the estimated $75 million deal that Disney paid to have it on Disney+. We're not even considering the income from cheap plastic popcorn buckets and drink cups plastered with colored squares in her Era-specific likeness.
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"

Conclusion/TLDR

Thank you for reading. I would love to hear your critical insights towards this entire ordeal: TTPD, the trademark, the implications of it all.
TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.

Found in my mom’s copy of Suzanne High’s 50 Logic Puzzles #2
Female:
* Abbi
* Alice
* Allison
* Amy
* Annabel
* Annie
* Anya
* Ayesha
* Barbara
* Barbie
* Belle
* Benita
* Bess
* Bette
* Billie-Jo
* Bonnie
* Bridget
* Brigitte
* Callie
* Carla
* Carole
* Carrie
* Cassie
* Christine
* Connie
* Cynthia
* Daisy
* Debbie-Rae
* Deena
* Desdemona
* Dory
* Effie
* Ellie
* Fay
* Finoula
* Freda
* Gina
* Gloria
* Hollie
* Holly
* Jem
* Jenny
* Jessica
* Jo
* Jodie
* Johanna
* Julia
* Julie
* Laura
* Loretta
* Louella
* Lucia
* Lula
* Mae
* Maisie
* Maisie-Jane
* Margot
* Maria
* Maud
* May
* Mel
* Millie
* Phoebe
* Ruby
* Ruthie
* Sal
* Sandie
* Scarlett
* Shirley
* Stella
* Stephanie
* Sue-Ellen
* Tammy
* Yo-Min
Male:
* Andy
* Artie
* Avery
* Bailey
* Bay
* Ben
* Benny
* Bertie
* Bill
* Billy
* Blair
* Bo
* Bob
* Bobby
* Boris
* Brendan
* Brett
* Bruce
* Buck
* Caleb
* Carlo
* Charlie
* Chas
* Chip
* Chuck
* Clark
* Clem
* Clint
* Conrad
* Dale
* Del
* Donald
* Dustin
* Edward
* Finn
* Frank
* Garry
* Gary
* George
* Gordon
* Gordy
* Greg
* Hal
* Hughie
* Jack
* James
* Jay
* Jaymes
* Jed
* Jerry
* Jim
* Jimmy
* John
* Johnboy
* Jonno
* Jonny
* Jonty
* Jorge
* Jude
* Karl
* Keane
* Kell
* Kris
* Kuda
* Lance
* Larry
* Lee
* Lemmy
* Lou
* Louie
* Manny
* Mike
* Nathan
* Ossie
* Paul
* Pete
* Percival
* Percy
* Quintus
* Raphael
* Ravi
* Raymond
* Renton
* Ricky
* Rod
* Russell
* Sam
* Shane
* Sol
* Sonny
* Sven
* Tex
* Thomas
* Toby
* Tom
* Walter
* Wayne
* Will
* William
Surnames:
* Avery
* Baker
* Bettersight
* Blake
* Blotter
* Boardwalker
* Brightlight
* Brody
* Brown
* Brubaker
* Burns
* Caravaggio
* Carter
* Clarke
* Collins
* Cooper
* Count
* Duke
* Fisher
* Garcia
* Gray
* Green
* James
* Johns
* King
* Leach
* Lemon
* Levy
* Lister
* Lopez
* Lyons
* Marshall
* Mee
* Miller
* Minton
* Musgrove
* Myers
* Parmenter-Payne
* Perkins
* Potter
* Prince
* Queen
* Reddmay
* Simpson
* Smith
* South
* Taylor
* Towne
* West
* White
* Wilson
Nicknames:
* Biff
* Bing
* Dodge
* Fingers
* Flash
* Flick Trent (movie star)
* Judi Joy (movie star)
* Lofty
* Pammy-Jane Pink (movie star)
* Perry Plotter (ghost writer)
* Sammi B Wells (movie star)
* Slim Jarrod (country star)
* Slug
* Spike
In-Book Fictional Characters:
* Anders
* Peta Barra
* Ra Billet
* Salmo Cos
* Pippi Darley
* Sting Blaze
* Falla Freestone
* Dom Gatinger
* Jex Kroll
* Yavvy Sparks
* Zed Zinsky
* Apolla (alien girl)
* Attu
* Belto
* Charley
* Fazz
* Fru
* Jani
* Jett
* Jinn
* Kri
* Kronner
* Lei-No
* Moja
* Pebb
* Poot
* Sinca
* Wa-li
* Zingai
Animals:
* Bertie the Bassett Hound
* Gribber (alien animal)

Champo Specco 6 – Revenge of the Sith Surrey. This week we’re sponsored by Jimmy Anderson, and I’m not going to do a joke because the man deserves nothing but respect.
The imminent retirement of England’s GOAT has had the side effect of sending a lot of big name cricket media into the murky world people like me inhabit. There have already been roughly two billion articles about who could ‘replace’ Jimmy, and obviously most of them are daft because there simply isn’t a replacement for what Jimmy is. What we do have though are some very interested swing bowlers who now have extra motivation to make their points. Oh, and also some batting and spin and stuff happened too.
On the radar
New ball seam bowlers: The true county connoisseur’s choice is Sam Cook, who didn’t play this week but continues to be the holder of a) the best numbers and b) the best record of self-improvement. Also possibly the best (English) strike partner in Jamie Porter, whose time may have passed but would undoubtedly serve well if called. The critics choice seems to be the rapidly emerging Dillon Pennington, who took 7 in Notts’ strong win over Lancs and picked an excellent time to have what’s shaping up to be his best ever champo season. Possessed of the height this England setup love so much, and with an army of journos singing his praises, he might be where the smart money is. Matty Potts, the front runner preseason, hasn’t had the torrent of wickets he’s got in the last two years but he’s starting to adjust to Div 1and the unexpected addition of some reasonably handy batting might add a different string to his bow. My guess is that Potts, Cook and Pennington all get selected at some point this summer.
In the point-of-difference old-ball stakes Olly Stone has now remained fit for multiple games and seems to be coming back to the form that got him selected initially. Saqib Mahmood hasn’t quite got there in form terms yet but the fact that he’s bowling at all is good progress. Gus Atkinson was rested this round but continues to show his potential. There are younger guns too like Ajeet Dale, who continues to bowl quick and get wickets on a consistent basis. None of these is a Jimmy, or a Broad, but there seems to be enough talent to at least keep the home fires burning.
Jamie Smith, Ali Orr, Kiran Carlson, Tom Prest: All relatively young guns with good tons. Smith is almost certainly the most hyped of the four, already in possession of an England cap in white ball and demonstrating the aggression and fluency that make him look a perfect prototype of Bazball. Orr and Prest both had some sense of coming of age, the former finally demonstrating why Hants poached him after a difficult start and the latter showing the potential he’s had from juniors. Carlson, older and already in possession of a solid body of work, continues to be one of the best bats to watch in the champo, and also one of the best ‘taches. Haseeb Hameed, who’s still relatively young, got a huge double ton and gave those of us still fervently watching him a big thrill.
Off the radar
Dan Lawrence/Josh Bohannon: DLaw had a fun start to life in Surrey by transforming into a spin bowler who bats a bit, and seems to be continuing in that vein. He’ll probably still get the England call but its hard to see whose spot he takes given Smith’s heroics. Bohannon, Lions captain in winter, seems to have fallen off a bit of a form cliff, unable to do much as Lancs continue their slump. If there was ever a chance of Ollie Pope losing his test place it feels like neither has really pushed their credentials. Zak Crawley is also continuing to be a bit rubbish in the Champo, but his ability to look poor for Kent and then great for England is well established, and after his last two test series he’s a lock in the team.
Injuries: I mentioned some high-ish profile returners in Stone and Mahmood, and we also had Sam Hain back and making a few runs this round, albeit not enough to stop the surrey steamroller. Jack Carson unfortunately joined his fellow Lion Matt Fisher on the leg injury list, and hot prospect John Turner is still yet to appear at Hants. Ollie Robinson still seems to have some mysterious absence of fitness too, and while the likes of Chris Woakes and Mark Wood are probably just keeping their powder dry it would be nice to see them soon. The factor that makes both Anderson and Broad’s loss feel so monumental is longevity, and that’s linked to both just being relentlessly fit and ready to bowl. I hope those traits can be rediscovered in the next generation.
Will definitely play for England one day: Jamie Smith, James Coles, Miles Hammond, Tom Prest
Nice to see them having fun: Ed Barnard, Haseeb Hameed, Liam Dawson, Marchant de Lange, David Bedingham, Jack Leaning, Matthew Waite, Gareth Roderick.
Nice but also a bit worrying to see them having fun: Jayden Seales, Jason Holder, Kemar Roach.
I was in Portugal for the entire round and only watched highlights. What did I miss?

(TLDR at the end 👇🏻)
This is an old story some of my friends told me (29F) I should share here.. so here I am. Sorry for the long text, but there's a lot to unfold.
This started a few years ago, after I got ghosted by my ex, I decided to switch careers and took the proposal of my brother to work for one of his friend in an organic grocery store in my area. I was 22ish at the time, maybe 21 turning 22, but anyways.
I started working in the fruits and vegetables aisle. Despite having a crazy director, I liked my job and my department manager. After a few months, I got the title of "third key" which is basically I'm the assistant manager when the assistant is gone. Then, they decided to hire a new customer service manager that I will call Linda. That woman was CRAZY. While I was 23 at the time, she was only 20 acting like she owned the world.
To give you an idea, in the span of 8 months being here, she got 11 employees fired for stupid reasons and since our director at the time was just as crazy... it was easier for her to get her way. Also, when I say stupid reasons, I'll give you a few examples: Benji got fired because he was "talking too loud" in the break room and it was disturbing her peace and supposedly making her harder to rest to come back fully ready to finish her shift. Marie got fired because she HAD to take off work to go to a relative's funeral and couldn't give her 2 weeks notice. Rose got fired because she was getting "too old to do her job properly and it was ruining the pace of the team's work" (which is bs, I've never seen someone cut veggies and fruits as fast as her). And I could go on. Yes, some of them could've been able to be protested against and even file a complaint against her. Mind you, outside of Rose, everybody was too young to just wanting to fight for a grocery store job. Even Rose just decided to take her retirement earlier and fucked off the work world lol.
Anyways, she took it too far when she tried to mess with me. To give you the context, we had a huge special on lemons and sometimes, those fruits can get rotten and you don't notice it because there's no smell. The only way you'd know is by going through the several small boxes of like 10ish lemons and look at them all one by one. Which I did regularly, but hey, I'm not a robot, sometimes some of them slipped out of my eyes. I was leaving the backstore with more boxes when I saw Linda with a customer that seemed more than pissed. So I go see both of them because mind you.. she has a LEMON box and I work in the fruits department. So it's kind of my job to help IF I CAN. That's when I asked her "Hey Linda, do you need help with the lemons?" And right away she told me "Fuck off, I don't need your help, I already spoke to your manager. Go do your job for once." My face was literally like this 😳 as I went to my department. Even the pissed customer did a bombastic side eyes.
A few minutes later, I go back to the backstore to fulfill the missing products and my manager pulls me aside. "Hey OP, stay out of Linda's business. I can't protect you all the time for talking back." I stopped him right away asking what does he means cause as soon as she told me to fuck off, I did fuck off. He looked at me surprised and said he'd come back to me with it, but only tomorrow because he's finishing his shift and for some personal reason, he can't stay longer to solve the issue. Since Linda was the manager on guard that night, he told me to stay in the back as much as possible to stay in her good graces. That's what I did.
One hour after my manager left, I heard my name being called in the front office (shared by the customer service manager and director). Big wtf. I go in the front and all of my colleagues are looking at me like I'm a prisoner going to their death sentence. Mind you, I know my laws and my rights. I might be young, but as soon as I got called, I started reciting in my head the main laws and rights she has to respect. I open the door's office and Linda is FUMING. And she is alone. She asks me to close the door and I tell her "No, it is my right to have someone in the room with us for this talk. I am not comfortable being alone with you." She starts freaking out and starts to speak louder, on the verge of screaming. "Linda. This room is recorded 24/7 and the customers can hear you talking to me like that. Lower your tone and find a witness to be in the room or I'll go back to work." She stands up to look outside the office and sees that indeed, there's a line in front of the cash looking to the office's direction. She takes a few deep breaths and calls Gabrielle who takes care of the finances of the store so she can be a witness. From the moment Gab got into the room, she seemed like she wanted to get away, so do I.
Gab took a seat in the back and Linda starts her whole speech. I'll be paraphrasing cause the meeting took almost an hour.
L: You know why I brought you here, right? OP: Not really, I've been in the backstore minding my business. Why? L: Well you disrespected my authority in front of a customer and that's a big no no for the company. OP: For the company or for you? L: OP, this is not the topic. You shouldn't be disrespecting authority in front of customers. It makes the managers look bad. OP: I was honestly just trying to help because you had a box of products from my department. I just wanted to help because the customer looked pissed and I didn't want him to ruin your fragile mood. L: My fragile mood?! Are you fucking serious?! OP: Linda, we are being recorded and we have a witness. I'm asking you to stay polite and not scream or I will file a complaint against you. L: Are threatening me??? OP: No, I am stating my rights and making you aware of where your attitude will lead you. I won't accept being talked like that by someone that ain't even my manager. L: Okay OP, let me remind you where your position stands in this business.
That bitch started to draw a triangle, put her name at the tippidy top and mine at the bottom. I didn't even let her finish what she had to say, I stormed off the office, went into the employees lockers, took my stuff and headed out. Linda ran after me, yelling like a psycho "YOU CAN'T LEAVE LIKE THAT! YOU'RE STILL SCHEDULED FOR THE CLOSE!" I stopped on my steps, making Linda almost run into me and said with the most blank expression I could have "Linda, you crossed a line and since you're so good at your job, close my department for me. I will be filing a complaint against you." And left the work place.
Next morning, I came to work as usual and had to see my manager and the director. I explained them the whole situation and showed the papers I was about to send to file a complaint against Linda. Also, this dumb bitch didn't even throw her pyramid in the trash. It was still on display when the director came in to work and asked me what it was. I asked her to look at the cameras, put the sound on and listen to the whole meeting. We watched it to my director's horror and who came in to work in the middle of our screening time? Linda! She came into the office and Linda being a poc turned white as a ghost. I've never seen her being so so pale. "W-what are you doing?" The director asked Linda to sit down and we watched again the video. Mind you, it took us one full hour to watch because she was in a never ending power trip. She used to be smart when she was bullying and making stories about past employees, doing it far from the cameras and usually using the other office that doesn't have cameras or a microphone, but she wasn't with me. I guess she got comfortable or whatever, but check mate on her ass.
My director said I could go back to work with my manager, that she would take care of the rest. Two weeks later, Linda still had her job, but our director resigned from her job right away. Which was hella weird, but whatever. We got a new director, she was a total sweet heart and she noticed Linda's crazy power trips right away. She decided to launch an intern investigation, but sadly, all the employees Linda bullied were fired. There was only me and my little complaint waiting to be served. When Nancy, our new director, came to me asking if I knew anything about Linda. I gave her the file, the time stamps of the video tape, all the employees she fired for stupid reasons with the old director and also phone numbers of those employees.
Flash forward 2 weeks later, Linda left work earlier, balling her eyes out yelling how Nancy was a bitch and didn't deserve her job. How she always came in earlier, put in the work and yadi yada. Nancy waited a few more days before asking me to come into the office and again, I'll be paraphrasing because a lot have been said.
N: HI OP, don't worry, you're not in any trouble. I just saw your CV and noticed you've had a lot of experience in customer service. OP: Yes, I used to be a cashier for almost 5 years, it was my first job. Why? N: I've seen your file, your CV and how you managed the conversation with Linda. We are actually looking for a new customer service manager since Linda have been let go. OP: What about my actual position? N: It's easier to find a fruits and vegetables commis than it is to find a competent service manager.. as you experienced.
I ended up accepting the position and all my co-workers cheered for my raise. I don't want to brag, but I've always been the one to defend everybody in the place, making sure I'll keep my job in the process and following the laws and rights. A few months later, Linda came back to the store as a customer and the look she had on her face when she saw me at the cash with the manager uniform was priceless. It was even more priceless when she asked me when I got the promotion and I told her the exact date, which matched her departure. "So you got my position when I left?" I just nodded and asked if I could do anything more to help have a better experience in the store. She didn't answer to that and just left after paying her things.
To this day, it's still one of my favorite moments to have been through. I'm not a petty person, but if I can ruin you in the process of me trying to defend my people, I'll be more than happy to do so. Last I've heard of Linda, she was working for the competitor, but never had any promotions.
TLDR: After getting ghosted by my ex, I switched careers to work at an organic grocery store where Linda, a tyrannical customer service manager, terrorized staff with unwarranted firings. When Linda targeted me, I stood up for myself during a confrontation, exposing Linda's behavior on camera. Linda was eventually fired, and I was promoted to her position, with the support of the new director. Despite being accused of pettiness, I see it as standing up for my colleagues and enforcing my rights. Linda later encountered me as a customer, realizing I had taken her old position, while she faced stagnation at a competitor's store.

Yesterday I took my dog, a Staffordshire Bull Terrier, to get his nails clipped and dremelled at PetSmart. While I waited, this Boomer came in to get his dog. He saw my dog and complimented him. Then he went on this entire diatribe about wanting a "manly" dog but he was stuck with temperamental little fluffy dog. He kept going on about how successful he was, his house is paid off, he sold his business for a pretty penny and he is retired living the good life. He also went on about his RV and where he wanted to go with it. Then he complained about the current political climate and what his issues were with it.
He was clearly trying to impress me but he was repulsive. 70's white male who was obese with an apron stomach hanging out of the bottom of his shirt and legs purple from circulation or heart issues. Unkempt, dirty and just gross.
He just kept saying over and over how it must be nice to have such a "manly" dog. Absolutely fixated on it.

In this edition of “Odd Titanica”, we are going to dive into the sleazy, opportunistic world of show business. A world that comedian Fred Allen said of, “you can take all the sincerity in Hollywood, place it in the navel of a fruit fly, and still have room for three caraway seeds and a producer’s heart”. Hyperbolic? Let’s take a look at Hollywood’s response to the Titanic disaster to see that there really is no business like show business.
Dorothy Gibson and the lost, first, film are well worn trivia by now. The traumatized actress rushed into production, her inability to process her trauma causing her mental breakdown, collapse, and retirement from acting immediately after the film was finished - it’s a perfect story to demonstrate the callousness of the film industry. But there is more to the story, and digging deeper shows us that “Saved” may have been the least sleazy project undertaken by the studios.
Dorothy’s account of the sinking and the suffering she endured filming “Saved from the Titanic” are predominantly found in two sources - The New York Dramatic Mirror and Moving Picture World. These were trade magazines, published weekly, and consisting solely of material related to the stage and screen business. These would be announcements of upcoming features, casting news, celebrity gossip, technical news - anything the movie star to the man sweeping the floor at the cinema needed to know. And they included ads … lots and lots of ads.
Immediately realizing that Titanic was not only a horrible tragedy but an incredible business opportunity, Moving Picture World got to work. As people stormed White Star Line offices, and raided newspaper carts for any drop of news regarding the sinking, Moving Picture World provided the latest in Titanic news; or perhaps we should say “Titanic” news.
The headlines of the April 27th issue may have screamed TITANIC, but as the public grabbed their copy and hurriedly flipped through the pages, they found that what they were actually given was ads. Those eye grabbing headlines were followed by much smaller print-
TITANIC EFFORTS... are being exerted by Champion to put before the exhibitors that will make them regular Champ Patrons! Get the following latest [releases] and you’ll be convinced!.
UNSINKABLE … is the reputation of Rep productions, but these two releases will sink into the minds of everyone who sees them and will remain there as worthy object lessons.
THE CRY OF THE CHILDREN …suggested by the poem of Elizabeth Barret Browning in 2 reels this Tuesday!
THE GREATEST MOTION PICTURE OF NATIONAL INTEREST - THE SINKING OF…. the big battleship. Remember the Maine!
THE DEATH SHIP...a sensational two reel drama of the sea containing one of the most thrilling dynamite explosions imaginable!
For all the slimy marketing tricks, flipping through the pages still has plenty of legitimate ads for real Titanic newsreels, movies, and a specific type of presentation known a Myriorama involving painting, music, and recitation. But, show business would strike again - the ads were legitimate, but what they were advertising was not. History has sort of forgotten the huge demand for Titanic media in the wake of the sinking, something that didn’t really exist. When cinema owners would order these “only surviving genuine negatives of the disaster” complete with lobby display package, they instead received-

our astonishment to find the Lusitania and Olympic, and one or two scratch films of ancient days posing as pictures of Titanic.

But they didn’t stop. Animated Weekly advertised that they were “the first to reach the wreck… chartered a tug from Cape Breton and rushed to the scene while the survivors were still in the water”. Cinemas began to promote footage of the sinking. Audiences wrote their disgust to Moving Picture World-

These representations are to the point of criminality … Take, for instance, the picture showing the Titanic with about a sixth of her forward length stuck into the iceberg. Everybody knows the collision did not occur in that manner!

They pointed to the following ad as an example - FIRST PICTURES OF THE TITANIC OCEAN DISASTER. The cinema owners responded by noting that they had misread, crammed in tiny letters were the words “sunk in” so that ad actually read FIRST PICTURES OF THE TITANIC sunk in OCEAN DISASTER. It was the customer's fault, they said, to be stupid enough to think anyone could have actually filmed the sinking.
Once this ruse was discovered, the studios shifted gears. The next step was to advertise film along with presentations by “A Lecturer who was on board”. When the audience realized the lecturer was not on Titanic and demanded a refund - the response from the managers was

Those signs didn’t say he was a survivor.

… and any attempt to charge him with the crime of fraud was absurd because, in his own words-

Of course I didn’t give him his money back. The sign didn’t misrepresent anything. West was on the Titanic, the sign didn’t say when he was.

…which was true. The lecturer, Eugene West, had visited Titanic while she was under construction at Belfast.
As for the movies themselves?

We said we had pictures. If people were foolish enough to think we meant moving pictures, that was their fault.

This particular cheated audience member was told if he wanted his money back, to go on the street and sing for it. Whether it was this, or something else, eventually the public snapped and began hauling out cinema managers and beating them in the streets. By May, the mayors of Boston and Memphis had banned the showing of any Titanic pictures - moving or still- within the city.
But, where was Dorothy in all this? Tucked in the very back of the magazine, after another newsreel ad,, we get to the celebrity sighting and gossip section. Ed Lux of the Rex Film Exchange was in town, Dan Markowitz of Fox Pictures was as well, Arthur Schmidt of the Victor Film Company was seen having a lovely spa at a Turkish Bath, Sam Gobel of the St Louis Motion Picture Company has been walking up and down 42nd street, we don’t know if Southern film maker Henry Wasserman is still here but he might be, Dorothy Gibson survived the sinking of the Titanic, and the Director of Selig Pictures took some actresses to Santa Catalina for a swim and a photoshoot and they had a great time.
By the following edition, on May 2nd, Moving Picture World was also able to provide its readers with the first stills from “Saved from the Titanic” and a feature on Dorothy. Along with this, tucked in the editorials, the magazine finally published a piece of truthful news about the Titanic disaster-

Senator William Alden Smith … declined to grant permission to have the cinematopgraph make a record of the sessions of the committee. “The sessions” he is quoted as saying…”are solemn affairs and must not be hippodromed or commercialized”. He is, however, falling into a serious error in judgement-

…they sniffed.

As a matter of right, the camera man ought to have been permitted. The day of the enfranchisement of the motion picture will surely come .. which will give equal rights to the cinematographer and the newspaper man.

Then, among the illegal false advertising and reports of public brawls at the cinema, they ended with-

The lesson of the Titanic disaster and all its incidents can be made far more impressive by pictures that move than by mere words in cold letters.

In this edition of “Odd Titanica”, we are going to dive into the sleazy, opportunistic world of show business. A world that comedian Fred Allen said of, “you can take all the sincerity in Hollywood, place it in the navel of a fruit fly, and still have room for three caraway seeds and a producer’s heart”. Hyperbolic? Let’s take a look at Hollywood’s response to the Titanic disaster to see that there really is no business like show business.
Dorothy Gibson and the lost, first, film are well worn trivia by now. The traumatized actress rushed into production, her inability to process her trauma causing her mental breakdown, collapse, and retirement from acting immediately after the film was finished - it’s a perfect story to demonstrate the callousness of the film industry. But there is more to the story, and digging deeper shows us that “Saved” may have been the least sleazy project undertaken by the studios.
Dorothy’s account of the sinking and the suffering she endured filming “Saved from the Titanic” are predominantly found in two sources - The New York Dramatic Mirror and Moving Picture World. These were trade magazines, published weekly, and consisting solely of material related to the stage and screen business. These would be announcements of upcoming features, casting news, celebrity gossip, technical news - anything the movie star to the man sweeping the floor at the cinema needed to know. And they included ads … lots and lots of ads.
Immediately realizing that Titanic was not only a horrible tragedy but an incredible business opportunity, Moving Picture World got to work. As people stormed White Star Line offices, and raided newspaper carts for any drop of news regarding the sinking, Moving Picture World provided the latest in Titanic news; or perhaps we should say “Titanic” news.
The headlines of the April 27th issue may have screamed TITANIC, but as the public grabbed their copy and hurriedly flipped through the pages, they found that what they were actually given was ads. Those eye grabbing headlines were followed by much smaller print-
TITANIC EFFORTS are being exerted by Champion to put before the exhibitors that will make them regular Champ Patrons! Get the following latest [releases] and you’ll be convinced!.
UNSINKABLE … is the reputation of Rep productions, but these two releases will sink into the minds of everyone who sees them and will remain there as worthy object lessons.
THE CRY OF THE CHILDREN …suggested by the poem of Elizabeth Barret Browning in 2 reels this Tuesday!
** THE GREATEST MOTION PICTURE OF NATIONAL INTEREST - THE SINKING OF**…. the big battleship. Remember the Maine!
THE DEATH SHIP...a sensational two reel drama of the sea containing one of the most thrilling dynamite explosions imaginable!
For all the slimy marketing tricks, flipping through the pages still has plenty of legitimate ads for real Titanic newsreels, movies, and a specific type of presentation known a Myriorama involving painting, music, and recitation. But, show business would strike again - the ads were legitimate, but what they were advertising was not.
History has sort of forgotten the huge demand for Titanic media in the wake of the sinking, something that didn’t really exist. When cinema owners would order these “only surviving genuine negatives of the disaster” complete with lobby display package, they instead received-

our astonishment to find the Lusitania and Olympic, and one or two scratch films of ancient days posing as pictures of Titanic.

But they didn’t stop. Animated Weekly advertised that they were “the first to reach the wreck… chartered a tug from Cape Breton and rushed to the scene while the survivors were still in the water”. Cinemas began to promote footage of the sinking. Audiences wrote their disgust to Moving Picture World-

These representations are to the point of criminality … Take, for instance, the picture showing the Titanic with about a sixth of her forward length stuck into the iceberg. Everybody knows the collision did not occur in that manner!

They pointed to the following ad as an example - FIRST PICTURES OF THE TITANIC OCEAN DISASTER. The cinema owners responded by noting that they had misread, crammed in tiny letters were the words “sunk in” so that ad actually read FIRST PICTURES OF THE TITANIC sunk in OCEAN DISASTER. It was the customers fault, they said, to be stupid enough to think anyone could have actually filmed the sinking.
Once this ruse was discovered, the studios shifted gears. The next step was to advertise film along with presentations by “A Lecturer who was on board”. When the audience realized the lecturer was not on Titanic and demanded a refund - the response from the managers was

Those signs didn’t say he was a survivor.

… and any attempt to charge him with the crime of fraud was absurd because, in his own words-

Of course I didn’t give him his money back. The sign didn’t misrepresent anything. West was on the Titanic, the sign didn’t say when he was.

…which was true. The lecturer, Eugene West, had visited Titanic while she was under construction at Belfast.
As for the movies themselves?

We said we had pictures. If people were foolish enough to think we meant moving pictures, that was their fault.

This particular cheated audience member was told if he wanted his money back, to go on the street and sing for it. Whether it was this, or something else, eventually the public snapped and began hauling out cinema managers and beating them in the streets. By May, the mayors of Boston and Memphis had banned the showing of any Titanic pictures - moving or still- within the city.
But, where was Dorothy in all this? Tucked in the very back of the magazine, after another newsreel ad,, we get to the celebrity sighting and gossip section. Ed Lux of the Rex Film Exchange was in town, Dan Markowitz of Fox Pictures was as well, Arthur Schmidt of the Victor Film Company was seen having a lovely spa at a Turkish Bath, Sam Gobel of the St Louis Motion Picture Company has been walking up and down 42nd street, we don’t know if Southern film maker Henry Wasserman is still here but he might be, Dorothy Gibson survived the sinking of the Titanic, and the Director of Selig Pictures took some actresses to Santa Catalina for a swim and a photoshoot and they had a great time.
By the following edition, on May 2nd, Moving Picture World was also able to provide its readers with the first stills from “Saved from the Titanic” and a feature on Dorothy. Along with this, tucked in the editorials, the magazine finally published a piece of truthful news about the Titanic disaster-

Senator William Alden Smith … declined to grant permission to have the cinematopgraph make a record of the sessions of the committee. “The sessions” he is quoted as saying…”are solemn affairs and must not be hippodromed or commercialized”. He is, however, falling into a serious error in judgement-

…they sniffed.

As a matter of right, the camera man ought to have been permitted. The day of the enfranchisement of the motion picture will surely come .. which will give equal rights to the cinematographer and the newspaper man.

Then, among the illegal false advertising and reports of public brawls at the cinema, they ended with-

The lesson of the Titanic disaster and all its incidents can be made far more impressive by pictures that move than by mere words in cold letters.

With the EA Sports College Football 25 cover being released this Thursday, I thought it would be interesting to look back at all covers — and not just the EA covers, but the athletes featured on covers of rival games by Sony, Sega, and other competitors.
Competition is a good thing. Putting these in chronological order takes me back to the era where there were options (I bought my first game in the '90s, and played a lot of 2k2).
If you count the 2 players that are identifiable off of "College Football USA 96" there have been 36 cover athletes across 34 editions of college football games (plus an active coach, mascot, two band members, and an unidentified player)
This post is going to look cleaner in "old" view. You can swap the "www" with "old" in the URL or just click here.

Year	Publisher	Game Title (image)	Cover Athlete (wiki)	Heisman?	Formats	Notes
1993	EA Sports	Bill Walsh College Football	STAN Coach Bill Walsh	N/A	Sega Genesis, SNES, Sega CD	No licenses so generic names/logos
1994	EA Sports	Bill Walsh College Football '95	STAN Coach Bill Walsh	N/A	Sega Genesis	Schools licensed now
1994	Mindscape	NCAA Football	NCAA Logo over generic players	N/A	Sega Genesis, SNES
1994	Sega Sports	College Football's National Championship	ND Notre Dame Stadium	N/A	Sega Genesis
1995	EA Sports	College Football USA 96	KSU¦MICH¦FSU¦WIS¦USC "Generic" photos*	No	Sega Genesis	see below*
1995	Sega Sports	College Football's National Championship II	COL Folsom Field	No	Sega Genesis
1996	EA Sports	College Football USA 97	NEB QB Tommie Frazier	No	Sega Genesis, SNES	1st true cover athlete
1996	Sony	NCAA Football Gamebreaker	OSU RB Eddie George	HEISMAN!	PS1	1st Heisman winner on cover
1997	EA Sports	NCAA Football 98	FLA QB Danny Wuerffel	HEISMAN!	PS1, PC
1997	Sony	NCAA Gamebreaker 98	FSU RB Warrick Dunn	No	PS1
1998	EA Sports	NCAA Football 99	MICH CB Charles Woodson	HEISMAN!	PS1, PC	1st of 2 defensive players ever
1998	Sony	NCAA GameBreaker 99	NEB QB Scott Frost	No	PS1	1st future head coach
1999	EA Sports	NCAA Football 2000	TEX RB Ricky Williams	HEISMAN!	PS1
1999	Sony	NCAA GameBreaker 2000	UCLA QB Cade McNown	No	PS1
2000	EA Sports	NCAA Football 2001	ALA RB Shaun Alexander	No	PS1
2000	Sony	NCAA GameBreaker 2001	WIS RB Ron Dayne	HEISMAN!	PS1, PS2	1st 6th generation console game
2001	EA Sports	NCAA Football 2002	FSU QB Chris Weinke	HEISMAN!	PS2
2001	Sega Sports	NCAA College Football 2K2	PUR QB Drew Brees	No	DC
2002	EA Sports	NCAA Football 2003	ORE QB Joey Harrington	No	PS2, GC, Xbox
2002	Sony	NCAA GameBreaker 2003	MIA RB Clinton Portis	No	PS2	[Sony skipped 2002]
2002	Sega Sports	NCAA College Football 2K3	NEB QB Eric Crouch	HEISMAN!	PS2, GC, Xbox
2003	EA Sports	NCAA Football 2004	USC QB Carson Palmer	HEISMAN!	PS2, GC, Xbox, N-Gage	1st handheld on Nokia's disastrous system
2003	Sony	NCAA GameBreaker 2004	PSU RB Larry Johnson	No	PS2
2004	EA Sports	NCAA Football 2005	PITT WR Larry Fitzgerald	No	PS2, GC, Xbox
2005	EA Sports	NCAA Football 06	MICH WR Desmond Howard		PS2, Xbox	1991's Heisman
2006	EA Sports	NCAA Football 07	USC RB Reggie Bush	HEISMAN!	PS2, Xbox, 360, PSP
2007	EA Sports	NCAA Football 08	BOISE QB Jared Zabransky	No	360, PS3, PS2, Xbox
2007	Aspyr	Black College Football: BCFX: The Xperience	Generic player, cheerleader, drum major	No	PC, 360 (2009)	HBCU teams
2008	EA Sports	NCAA Football 09	CAL WR DeSean Jackson	No	PS2	Multi-cover
2008	EA Sports	NCAA Football 09	BC QB Matt Ryan	No	PS3	Multi-cover
2008	EA Sports	NCAA Football 09	WVU FB Owen Schmitt	No	PSP	Multi-cover
2008	EA Sports	NCAA Football 09	MSU mascot Sparty	No	Wii	Multi-cover
2008	EA Sports	NCAA Football 09	ARK RB Darren McFadden	No	360	Multi-cover
2009	EA Sports	NCAA Football 10	TEX LB Brian Orakpo	No	PS2	Multi-cover; 2 of 2 defenders
2009	EA Sports	NCAA Football 10	UTAH QB Brian Johnson	No	PS3	Multi-cover
2009	EA Sports	NCAA Football 10	USC QB Mark Sanchez	No	PSP	Multi-cover
2009	EA Sports	NCAA Football 10	TTU WR Michael Crabtree	No	360	Multi-cover
2010	EA Sports	NCAA Football 11	FLA QB Tim Tebow	HEISMAN!	PS3, 360, PS2, iOS
2011	EA Sports	NCAA Football 12	ALA RB Mark Ingram II	HEISMAN!	PS3, 360	Fan-vote cover athlete
2012	EA Sports	NCAA Football 13	BAY QB Robert Griffin III & OKST RB Barry Sanders	YES!	PS3, 360	Fan-vote for older athlete
2013	EA Sports	NCAA Football 14	MICH Denard Robinson	No	PS3, 360	Fan-vote cover athlete
2024	EA Sports	EA Sports College Football 25	TBD	TBD	PS5, Xbox Series X/S

*Photos on College Football USA 96 cover are USC Trojan drum major, a Wisconsin band member, unidentified Florida State player (zoomed in on helmet), but also easily identified K-State WR Kevin Lockett & Michigan RB Tim Biakabutuk (both played in '95 season after this came out)

Various developers:

EA Sports's developers:

• High Score Productions (1993: Genesis, Sega CD; 1994-96)
• Visual Concepts (1993: SNES)
• Tiburon Entertainment (1997-98), bought/renamed EA Tiburon (1999-2013), renamed EA Orlando (2024)
• Exient Entertainment (2003: N-Gage)

Sega Sports's developers:

• BlueSky Software (1994-95) [developers of Joe Montana series]
• Visual Concepts & Avalanche Software (2001-02) [NFL 2K & NFL Blitz, respectively]

Sony Computer Entertainment America's developers:

• Sony Interactive Studios America (1996-97), renamed Red Zone Interactive (1998-99), renamed 989 Studios (2000)

Aspyr Media's developer:

• Nerjyzed Entertainment (2007: Windows; 2009: 360)

Further notes:

Bill Walsh was picked because there was an early-theme of having big names on sports video games.

• EA actually started this back when they were the cool, bad boy of games in the 1980s (I'm that old, they packaged their games like records and put photos of their programmers that made them look like musicians on the back) with the pioneering PC game One on One: Dr. J vs. Larry Bird (1983), later updated to Jordan vs. Bird: One on One (1988).
• Nintendo got into it by localizing Punch-Out! as Mike Tyson's Punch-Out!! (1987) for NES. EA brought out John Madden Football (1988) for PC.
• Sega was wild about this when they launched the Genesis with Arnold Palmer Tournament Golf (1989), Tommy Lasorda Baseball (1989), Pat Riley Basketball (1990), Joe Montana Football (1991).
• 1993: Bill Walsh! There even was an EA Coach K college hoops game.

Bill Walsh may have got the cover curse:

• While he had retired from the San Francisco 49ers on top, after winning his 3rd Super Bowl, he had only returned to the Farm for a year when he was picked (he had a good first tenure in the 70s before jumping to the 49ers).
• In 1992 he took the Cardinal to a Blockbuster Bowl win and a #9 rank. Signed this deal for EA.
• After the first game came out he had two bad seasons and re-retired for good.

The progression of teams is fun to see.

• 1993: the top 24 college football teams from 1992 + 24 of the all-time greatest teams since 1978. The teams were unlicensed so they used city and state names, especially where similar to their real names (e.g. Michigan). But you got some fun results like a spirited game of "South Bend, IN" vs "Raleigh, NC"
• 1994: 36 Division I-A teams, but the bowls were still not included: Instead we get Maple Bowl, Palm Bowl, Pecan Bowl, and Redwood Bowl
• 1995: first version to feature all (108 at the time) Division l-A teams, the real bowl games like Orange, Sugar, Fiesta, and Rose. Includes older names but also the Pacific Tigers, which actually dropped football before the game was released.

The rights to the title "NCAA" license wasn't obtained by EA until 1998 (as you can see there was an earlier one-off by Mindscape). Its ability to use the NCAA's brands in the the football game was actually the secondary result of a licensing deal intended primarily for an EA "March Madness" basketball game.
Edit: I created this post after I had fun prepping for an episode on this topic for a podcast, if you like this stuff then this episode might be down your alley.

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Well, now that the 623 have been retired, I need a replacement walking shoe !
Senior citizen. 50 lbs over weight. Prefer white (blue "N" acceptable).

Reddit Account: u/Thenn_Applicant
Discord Tag: Garin
Name and House: Dorian Merryweather
Age: 49
Cultural Group: Reachman
Appearance: Dorian's chestnut brown hair has been greying for quite a while, however is short beard retains more color, including a few stray red hairs peppered throughout it. While his features have softened and gained some pudge as he aged past his prime, he remains in overall good shape. This is partly due to his great love of gardening and crop cultivation, which have left his hands and nails rather rough.
Trait: Numerate
Skills: Avaricious (e), Architect, Administrator, Investor
Talents: Language (High Valyrian) Cooking, Gardening
Negative Trait: N/A
Starting Title: Lord of Longtable
Starting Location: Opening Event
Biography:
It has been said; men grow tired of sleep, love, singing and dancing, sooner than war. As such, it begs the question, what does a man have left when he finally tires of war? In pursuit of an answer, of any answer, one half of Dorian Merryweather’s life was spent. He was the second son of Lord Arthor Merryweather of Longtable. Like many others born in a place of natural abundance, he longed for more, for something greater than a mere provincial estate. The tourneys of Highgarden, the hunts of Horn Hill and the books of Oldtown all called to him, and so he could never ride past his father’s mild and verdant fields fast enough. Dorian counted himself lucky not to be the heir, for that meant he could pick where his future lay, unchained from the uninspiring home of his childhood. Instead it was his older brother, Bennard, who envied his free-flying lifestyle, contriving any excuse to join him on his escapades and agurk lessons and ceremonies he ought to have attended.
Lord Arthor was fairly permissive of this deriliction of duties, as the friendships forced on such journeys were worth more than lessons that could be repeated later, or tasks that could be handed off to lowborn stewards. The boys attended tourneys, balls, hunts and feasts, living the life the bards extolled as the height of reachman’s chivalry. The one time they did not shirk their duties was when their father had the honor of hosting King Mern and his court for a tourney on the Warrior’s day. The Merryweather sons would present the king and his family with silver bowls of dilligrout, a most exquisite stew of capons, white wine and almond milk. They had the joy of tasting it once the Gardeners had their fill, a taste they would never forget. On the tournament field three days later, Mern knighted them both, though Dorian was only sixteen at the time, green as a knight could ever be.
Five years later, as news of Aegon Targaryen and his early conquests spread, the lords of the Reach were summoned to Goldengrove, where they found a veritable forest of Westermen’s banners being planted beside their own. The fall of the Storm Kings had led to a whirlwind of diplomacy between the houses of Gardener and Lannister. The plan was presented to the lords with the two kings sitting beside one another on the dais as though they were brothers. They held up Aegon’s letter of demands, scornfully reading it aloud and then proceeded to tear it up to a roaring acclamation from the hall. Standing there before the hall, Mern could hardly be called the Warrior incarnate. There stood a man well past his prime, old enough to be a grandfather and with no great victories to his name, in battle or on the tourney field. All the same, this man, whom they called their king, always seemed to know exactly what to say to win someone over. If he’d declared war on hell itself that evening, the Merryweather brothers would probably still have marched off with him when the next morning dawned. Bennard and Dorian shouted as loud as anyone, death to the foreign upstart. That evening were betrothed to westerwomen they’d never met before, made plans for a real battle, which they had never fought in before, and drank, ate and sang as though the night would last forever. House Merryweather was not able to secure a command, yet King Mern remembered his stay at Longtable fondly. He gave Bennard and Dorian a place in the vanguard, and even adorned Bennard with a brooch of the order of the green hand the morning before the army Goldengrove, a momentous honor which Bennard would cherish for the remainder of his days. He did not have many left, as it turned out. The Field of Fire began like a dream, as the two brothers rode off at the break of dawn, two out of five thousand sets of gleaming armor atop proud warhorses. By the end of the day it had become a nightmare. Caught up in the maelstrom of battle, Dorian did not see the moment when their loss was assured, but the Gods know he could hear it, the creeping, hungry flames that descended on the reachmen like an army of its own. As hundreds were broiled inside their steel plate and thousands more choked on the inferno’s horrible vanguard of black smoke, Bennard and Dorian broke and fled. They were not far behind the retreating Loren Lannister in their escape, but half a minute made all the difference. The lines of fire fanned out, hunting more living things to devour, and engulfed the two brothers. Dorian could feel how the flames spread from his surcoat to his undershirt, all the way down to the hairs on his chest, beginning to sear his skin. In a desperate act he threw himself in the Blackwater, and would have perished if not for the shoddy work of his squire that morning, which left him able to tear off his plate before he could sink. With bloodied, burn-marked fingers, he clung to the roots of a tree by the riverside, water up to his chest. He was retrieved after some time, how long he could not say. For the next two moons his mind was adrift, distracted from his pains by milk of the poppy. The next two were far worse, as he grew more lucid and realized the extent of the damage. A burn-mark stretched from his right thigh, all the way up his chest and left bicep to the apple of his neck. Many times over, flakes of dead or dying skin had to be peeled off by the maester as the scabs kept bursting with blood and clear liquid. By the end of that year he was able to walk again, though the burn mark would leave a feverish red mark across the front of his body, his new skin settling into twisted lines.
Bennard was far worse for wear, alive yet burned all the way to his face and crippled from a fall off his horse. His nose and ear-lobes had to be cut off, too burned to save, and even his eyelids were permanently scarred, unable to sprout new lashes. The more lucid Bennard became, the deeper his sorrow. Eventually he began refusing food. The new lord of Longtable would not eat anything his cooks set in front of him. In spite of his ever present pains, Dorian began going to the kitchens, reprimanding the cooks for their failings. He knew his brother well and knew his palette, and began ordering them to make his brother’s favorites. When he felt they were making mistakes, he interrupted their work himself. He was a stranger to the kitchen, yet would criticize how things were cut too roughly, spiced too little or too much. He was a terror to the cooks, yet they could not refuse him.
His attempts to intervene were however hampered by a newfound aversion to heat. The sound of the hearth, of boiling and searing, the general sense of warmth around him made him nauseous and caused his movements to seize up. Still, he went to his brother’s bedside every day, and afterwards he forced himself back to the kitchens. His sister, Lydia, tried to stop him at first, but soon found her protes fell on deaf ears, and so joined him, if only to leash him in when he went too far. Finally, there was only one dish they hadn’t tried; the dilligrout they’d once served to the late King Mern. Every time it was made, it came out wrong. It soon turned out the cook who had served them that evening six years ago had since retired, and his exact method had never been recorded or taught to anyone else. Dorian would first invite the man to Longtable, then summon him with armed knights when invitations were refused.
Theomar, the man who appeared before him, was a sorry sight, looking frightened and confused as he was taken to his old workplace. It was explained by his sons that he’d been growing senile even six years ago, often snapping at the kitchen maids under him when his memory failed him. Since then he’d gotten worse, seldom eating, let alone cooking. Something in the old man’s eyes did seem to brighten for a moment when the sounds and smells of his old kitchen surrounded him, and Dorian ordered him to make dilligrout. Before long that faint spark had been drowned out by tears. He would start boiling capon or crushing almonds, only to leave the job half-done whenever he had to fetch something new. Serving maids were put at his disposal to bring him ingredients, yet an ingredient ordered would be met with a reprimand as he seemed to forget which dish he was making every few minutes. Finally Dorian snapped at the man, grabbing him by his collar and shouting accusations of treason against House Merryweather. By the time Lydia could restrain him and try to apologize, the man was a wreck on the floor. After watching it for a while, waiting for the man to get up and continue his work, even Dorian was overcome by pity and shame for what he’d done. The old cook was praying to the gods, begging forgiveness for his failings. Dorian began to realize he’d broken a great man down and would himself beg forgiveness. He offered the man his old cook’s quarters back for the rest of his life, and promised his sons that his maester would tend to the man in his old age, that he would be fed from Longtable’s stores.
At this point, he resolved to make the dilligrout himself. Through it all, Bennard was barely clinging to life, or rather being tethered to it by the will of others. He could only be fed when drugged down by the milk of the poppy, and the more often it was used, the less effective it became. Every day Dorian braved the kitchens, yet he could not recreate the flavor of that wonderful night. It was by the grace of the gods, perhaps with Theomar as their vessel, that Dorian would even come close. The old man could no longer cook, but over time he began to wander into the kitchens and sit down on a chair. At first Dorian thought the man only sought the warmth of the hearth for his weary bones, yet he discovered it to be more than that. Theomar’s eyes were like clouded glass, yet they brightened every now and then, hearing almonds being ground, smelling capons searing in fat, as though it was stirring the kitchenmaster of yore back to life. Eventually Dorian began to walk up to the old cook with his ingredients, bidding him to smell or taste small portions. Sometimes he got simple instructions out of it, ‘too coarse’, ‘too sour’, ‘underdone’. Som times a mere nod or frown was all Theomar managed. Over the course of a couple of days, Dorian put together one final attempt to get the dish made rightWhen he arrived in Bennard’s chamber, he was met with a look which brought forth discomfort that no flame could produce in Dorian. Plainly, raspingly, his brother asked him why he wouldn’t let him die. It was easy, Bennard reasoned. All Dorian needed to do was wait and become lord. The words almost made Dorian throw the dilligrout on the floor. Almost. He placed two bowls on Bennard’s table, the dilligrout and one brimming with milk of the poppy. Dorian told his brother to make his choice. If he sought death, Dorian would let him, but he would not hear that it was an easy thing, watching his brother die. That evening, the milk of the poppy was carried away by the maester, the empty bowl of stew taken to be washed in the kitchens. From then on, Bennard ate what his brother brought him without complaint. He lasted just into the new year, dying on its tenth day. In the predawn gloom of the twelfth, Theomar died in his sleep
Dorian took up his lordly task joylessly. His old wanderlust returned, spurred by the horrible memories that now stained Longtable and the reach itself in his mind. The final straw came when their new Tyrell overlords, insisted on him marrying a lady from a dornish house. His previous betrothal had fallen through, as the parents of his western bride had not wished to draw the ire of the Targaryens by maintaining an old alliance meant to oppose them. Instead of obliging, he boarded a ship from Oldtown going east. It stopped only briefly in Planky Town before going to Tyrosh. Noting him to be a nobleman, a few of the city’s wealthy men would host him for a while, though they quickly lost interest when his lack of knowledge of trade became apparent. After that, he spent time in the markets and squares where the common people lived. His old curiosity was piqued, and he decided to embark on a quest of learning, fashioning himself another Lomas Longstrider. He moved on to Myr, and the experience was much the same in broad strokes, a few rich men showed interest and quickly lost it. As he’d visited the dye markets he went to see the city’s famous artisans at work. One thing was notably different, he met a Tyroshi woman with green-dyed hair, going by the name Maryah. She was a trader, and the two had taken the same ship to Myr. She had been to Myr before and showed him many of its secrets. They spent an entire day in one of the vast delicacy markets so she could show him the many tastes of the city. Having no plans in advance, he asked where she was headed next.
Without a second thought he would join her on a journey to Lys. He soon understood it to be a test. It was not long before she teased him, speculating he’d only joined her for a chance to see the famous pleasure houses. Evening after evening they stayed in the city and Maryah would tease and test him over the matter. Finally he told her he’d renounce his betrothal for her, that there was no one else in his eye. She laughed, replying he would not have to. The next morning, Dorian awoke to find that she was already up, the green washed from her black curls. Maryah had in fact been Joanna Dayne, his dornish bride to be, having traveled the same route as him ever since his ship stopped at Planky Town to refill its food and water. She was already quite familiar with the three closest free cities, having served as a dornish envoy on behalf of its spice traders. As they planned their return to Westeros, Joanna asked him what else in the world he wanted to see. Within a few moons of being wed, they left Westeros, not to return for three years.The journey was what his mind needed, away from the Reach, its knights and tapestries, hunts and tourneys. Ultimately, the lords and knights of his homeland, for all their songs and poetry, lived every day in preparation for war, frivolous though the preparations were. Joanna showed him a different world, the remnants of Old Valyria. War was to be sure inescapable. Wherever they went, there were soldiers, tapestries, contests of arms, and yet the cities housed something else as well, a boundless potential for creation, commerce and growth.
Thanks to Joanna Dayne’s knowledge their stays became far better planned, and they could enjoy the hospitality of wealthy locals far longer. She knew how to talk about the spice trade and similar matters, and Dorian began to pick up on it. On their second stay in Myr, he procured a great deal of fine parchment and began taking notes, everything from negotiation tactics and the prices of cloves or red peppers to court customs, as well as more eclectic pieces of knowledge, details of running an eastern estate, descriptions of technological marvels he had never seen in Westeros, and ingredients in the local food. By the time they neared Qarth he had quite the list of recipes, among other things. There he was even able to learn a few all the way from Yi Ti, as some local cooks catered to merchants from the Golden Empire. On their journey home they’d end up taking the opportunity to see the newly made port of King’s Landing. By that time, a third member had joined their journey, their infant daughter Florys. Having left Longtable in the care of his sister and steward for three years, Dorian finally accepted the responsibility of running his ancestral home.
Longtable was considered to rule over some of the best lands in the Reach, ideally situated along the river with abundant soil which could provide two grain harvests in a year. Having seen the estates which supplied the great cities of the east, Dorian was all too aware of its comparative shortcomings. He found that the abundance of the land had a counterproductive effect, breeding complacency and carelessness. From his grandiose tour of the east, he went on a painstaking tour of his own lands, trying to get an overview of everything he ruled over. He paid the citadel a fee to send him half a dozen maesters in training for a season. These young men, literate and numerate, would serve his own maester in conducting a survey of the land, giving Dorian account of all resources at his disposal as lord. The results were quite varied.
Some peasants were found to have remarkable agricultural insights which they had no way of writing down, entirely reliant on passing the knowledge to their children. Knowing the risks of such a method of transferring knowledge, Dorian ordered such insights recorded. In other places there were farmers and communities who were unwittingly exhausting their soil. Instances of lack of fallow land, excessive grazing by cows and lack of crop rotation were also made note of, followed by edicts against such heedless practices. Septons, sheriffs and tax collectors were given written copies and were obliged to read them to the peasantry wherever it was deemed necessary. It also became part of the obligations of farmers to plant a set amount of clover in their fields and pastures, a practice some had taken up on their own but which had already become a standardized law among the estates belonging to Myr and Volantis. Irrigation was expanded and land inheritance was reformed to prevent the splitting of fields past a certain threshold.
Lord Dorian was not always successful. Some eastern ideas had been useful innovations which improved conditions across the board. In time he learned that the peculiarities of the westerosi system were sometimes necessary for the sake of stability, not merely the misshapen fruits of ignorance. His attempt to enclose part of the common lands proved abortive, as it nearly caused a peasant rebellion. A procession of aggrieved smallfolk headed for Longtable had to be dispersed by knights, armed with wooden clubs to prevent needless bloodshed.Two men were hanged and five sent to the wall, but the reform was thereafter abandoned, leading the populace to calm down. Dorian was not much of a military leader and had not wielded weapons since the Field of Fire. He became aware of his need to bolster his forces, a notion reinforced by the establishment of the Black Roses not long after his return, and again with the Kingswood Catastrophe
In the meantime, he and Joanna raised a family together. Three more daughters would be born healthy, with a couple of miscarriages and a stillbirth in between, also a daughter. Their travels did not entirely come to an end. In 13 AC they would tour the northern free cities of Norvos, Qohor, Pentos, Braavos and Lorath, which they had missed on their original journey. The lion’s share of 17 AC was spent on a journey to the Summer Islands. At other times they would make shorter journeys around the Seven Kingdoms, where they felt more secure in bringing their older children along. Whether it was visiting Joanna’s family in Dorne, tourneys and feasts in the Reach and West or even one trip to see the wall, a nameday wish by Florys, they were often on the move. Like most of their peers, they frequented Oldtown and Highgarden
The growing rift between the two queens and their children was a situation Dorian would watch with dread in his heart, remembering keenly how a generation of young men had been brought to the field of fire. To his mind, the Targaryen rule ought not go to waste. Like Valyria of old, it had begun with fire and blood, yet similarly peace and prosperity had followed in its wake. If only the dragons could stand united, perhaps another long peace like the one the Freehold once enjoyed could again be established. If not, another century of blood was upon them. Under Dorian, Longtable became a place where he sought to bring together people from across the kingdoms and forge unity over the dinner table, an attitude which somewhat vexed and confounded his more militaristic daughter and heiress, Lady Florys. Even amid her questioning of the viability of his peaceful ways when surrounded by those who would make war, a terrible sight would steel his resolve, watching the Mander burning green, every bit as terrible as the flames from twenty one years prior. That night he made a simple vow, never again.
The League of the Cornucopia, he would name his little group, a gallery of lords and ladies whose acquaintances he’d made over the years. With these fellow gourmets he would share the culinary knowledge he’d gleaned from his journeys in the east and west. Most unusual for a lord of his rank, Dorian came to spend a great deal of time in his kitchens, testing out recipes himself. On occasion, the dishes he served to his guests for these small, intimate gatherings would be the work of his own hands. The membership did vary from time to time, both based on who could make it and who he sought to bring together. Rather than a fully closed circle, the League is more like a form of feasting, only it’s done for a much smaller crowd, without the public spectacle. Such occasions allowed for more refined foods which did not need to be served to hundreds and kept constantly warm over the course of hours like some common tavern stew. It also opened up an arena of more intimate diplomacy and negotiation for those who sought it, hosted on neutral ground by a lordly mediator, free from prying eyes.
Timeline:
25BC: Dorian is born, second in line to Longtable
24BC: His sister Lydia is born
9BC: House Merryweather hosts House Gardener for a tourney and feast. Dorian and his older brother Bennard serve the dish of honor to King Mern Gardener and his family. During the subsequent tourney, Mern knights both boys, despite their inexperience and lack of victory in the tourney
9BC-2BC: Dorian spends much time travelling the reach, attending events
1BC: Dorian and Bennard fight in the vanguard at the Field of Fire. Both are burned, Bennard far more severely than Dorian. Lord Merryweather is killed. Traumatized by the battle and his new maimed body, Bennard starts refusing food. Dorian desperately tries to re-create the dish they served King Mern eight years ago. The cook who made it has since gone senile, but eventually manages to help Dorian re-create it. He is given a place at court as apology for his mistreatment at Dorian's hands before this occurred.
1AC: Lord Bennard dies at the beginning of the year, leaving Dorian as lord of Longtable. His sister Lydia fulfills her betrothal to House Tarly, becoming lady of Horn Hill. At the prospect of marrying a Dornishwoman on the King's orders, Dorian decides to leave Westeros to put off his marriage. In Myr, he meets a woman calling herself Maryah, claiming to be a Tyroshi merchant. They fall in love and travel to Lys together. There Dorian promises to set aside his betrothal for her, whereupon she reveals herself as Joanna Dayne, his dornish betrothed.
1AC-4AC: Dorian and Joanna wed at Longtable, then depart on a new journey of the east. They reach as far as Qarth before turning back home. In 3AC, on the way back, their first child, Florys, is born while the couple are in Volantis, on the way home. They return via the newly built port of King's Landing.
4AC-8AC: Using knowledge from the east, Lord Dorian embarks on a project of rationalizing the agriculture of Longtable
5AC: Dorian and Joanna have their second child, a girl named Ellyn
8AC: Their third daughter, Desmera, is born
13AC: Dorian and Joanna spend a year travelling the northern free cities
14AC: Their fourth and final daughter, Gwin, is born
17AC: Dorian and Joanna undertake a journey to the Summer Islands with their children
23AC: The aftermath of the battle of Stonebridge brings back memories of the Field of Fire, as the Merryweathers watch burning slag run down the Mander
25AC: The Merryweathers travel to the celebration of the maturity of Aegon's sons
Family Tree:
Arthor Merryweather (father, d.1BC)
Cerelle Merryweather (pending family connection) (mother, d.20AC)
Rhea Merryweather (sister b.27BC)
Bennard Merryweather (brother, d.1AC)
Lydia Merryweather (sister, b.24BC)
Glendon Merryweather (uncle, d.1BC)
Myrcella Pommingham (aunt, d.22AC)
Leo Merryweather (cousin, b.13AC)
Joanna Dayne (wife, b.26AC)
Florys Merryweather (daughter, b.3AC)
Ellyn Merryweather (daughter, b.5AC)
Desmera Merryweather (daughter, b.8AC)
Gwin Merryweather (daughter, b.13AC)
_____________________________________________________________________________________
Auxiliary Character:
Name and House: Florys Merryweather
Age: 23
Cultural Group: Reachman
Appearance: [A short, muscular woman with wavy black hair, normally worn in a bun. She has high cheekbones and a proud demeanor. Her rigid strength stands in contrast to the more relaxed nature of the Merryweather court, one she finds overly lax and casual](0_0.png (896×1344) (discordapp.com))
Trait: Hale
Skills: Swords (e), Essosi Blademaster
Talents: Dancing, Fishing, Cooking
Negative Traits: N/A
Starting Title: Heir to Longtable
Starting Location: Opening Event
Timeline:
3AC: Florys is born in Volantis, while her parents are on their way home from Essos
10AC: Florys starts training under Saathos Trevelyan, her father's Master at Arms
13 AC: She joins her parents on a tour of Pentos, Braavos, Norvos and Qohor
17AC: She travels with her parents to the Summer Islands
19AC-23AC: As she comes of age, Florys becomes more critical of her father's desire for peace, viewing it as increasingly far-fetched amid the increasingly controversial regency and the impending succession dispute. She resolves to make the kinds of connections her father seems unwilling to, in case of war
25AC: She accompanies her family to the celebrations
NPCS:
Ser Leo Merryweather (Age: 37, Archetype: Magnate) Lord Merryweather's first cousin, he has become an indispensable agent in the daily running of Longtable. Despite his foppish demeanor and aparent laziness, he is highly capable and loyal in his task of increasing his family's fortune. He remains happily unwed
Saathos Tevelyan: (Age:48, Archetype: Master at Arms) The son of a Lysene father and a Myrish mother, Saathos initially sought a career in amongst Myr's military officers, however his family's relatively low status proved an impediment to further promotion, later compounded by a dispute with a superior. He met Lord Merryweather in 3AC and eventually travelled West to offer his services five years later, finding his career progress stonewalled in his home city. Well into middle age, he still looks firm and imposing as profesisonal a soldier ought to

Round 1, Pick 26 - Graham Barton, C, Duke:
NFL: The Buccaneers fortify the offensive line with an experienced player who offers position flexibility. His elite presence on the interior should help elevate the run game and keep Baker Mayfield upright.
CBS Sports: A. This is a great pick. They have major issues at center and a question at left guard and he can play both. I love this pick. Barton will move inside from tackle, but he can play there in a pinch too.
ESPN: The Bucs got their top pick of an interior offensive lineman in Barton, who can immediately step in to fill the void left by center Ryan Jensen's retirement. While all but four of Barton's offensive snaps over the last three seasons have come at left tackle -- where he allowed just one sack in 2023 and two in 2022 -- he played 446 snaps at center as a freshman, which is his most natural fit and what caught the Bucs' eye. He plays with a great base, a good anchor and a "nasty temperament" that the Bucs' front office covets.
NFL Absolutely Not Fake News: Likes his coffee hot and water cold which is actually reasonable.
Round 2, Pick 57 - Chris Braswell, DE, Alabama:
NFL: It's not often that a player with two college starts lands inside the top 60 picks, but Braswell did emerge last season as a jack of all trades for the Crimson Tide. At the very least, he could be a terrific special-teamer, but the Bucs likely hope to develop Braswell's pass-rush arsenal and squeeze even more out of his terrific athletic profile.
CBS Sports: A+. Had early RD2 grade on this outside rusher. Length, methodical pass-rush moves, deceptive power. Very productive generating pressure at Alabama. Sets a sturdy edge. A need in the post Shaq Barrett era.
ESPN: While the Bucs did sign Randy Gregory in free agency, he'll likely wind up being more of a rotational player opposite second-year edge YaYa Diaby. What they've needed is a replacement for Shaquil Barrett, who departed for the Miami Dolphins in free agency. Braswell's three forced fumbles in 2023 were tied for the most in the SEC, while his 42 pressures were the third most in the SEC. His eight sacks were tied for the fifth most in the SEC after having 2.5 sacks from 2020 to 2022. He also had 53 coverage snaps in 2023, which Todd Bowles does ask of his edge rushers. Braswell played 41 games with Crimson Tide but only made two starts, both of which came last season.
NFL Absolutely Not Fake News: He only likes the yellow part of the gummy worm.
Round 3, Pick 89 - Tykee Smith, S, Georgia:
NFL: Smith has a Mike Edwards-like projection, so it's easy to see why the Bucs took Smith here, in the same range they drafted Edwards in 2019. Although Smith is undersized and not an elite athlete, he has the nose for the ball and enough special-teams value to be a contributor in Year 1.
CBS Sports: B-. Slot defender / safety hybrid closer to slot CB size but doesn’t have those quicks. Surprisingly powerful hitter at his size and plays with a lot of conviction when tracking the football. Super-smart in coverage. Reads QB’s in a flash which helps him play faster than his timed speed.
ESPN: The Bucs see Smith as a nickel, and he played 80% of snaps in the slot with Bowles keeping a close watch on the UGA program, where his son, Troy, plays. They started undrafted free agent rookie Christian Izien last year and signed Tavierre Thomas in free agency, but their secondary as a whole needs more takeaways, which is where Smith comes in. His four interceptions in 2023 were tied for the third most in the SEC. He was also one of three FBS players with four or more interceptions and two or more sacks in 2023 alongside Michigan's Mike Sainristil and UNLV's Cameron Oliver.
NFL Absolutely Not Fake News: Ribs. This man loves ribs. Cannot get enough ribs!
Round 3, Pick 92 - Jalen McMillan, WR, Washington:
NFL: A smooth-moving slot or outside receiver, McMillan returned from injury to help the Huskies make it all the way to the national title game. He has big mitts, good hands and more juice than he's sometimes given credit for. This is a really nice weapon to add to the Bucs' WR room.
CBS Sports: B+. Crafty, complete wideout with a trademark trait. Runs quality routes. Adequate separation. Not a burner. Not slow. Tracks it with good concentrations. Not a huge YAC type nor someone who thrives when leaping for the football in traffic. Robert Woods type with a bit more juice.
ESPN: The Bucs declined No. 3 wide receiver Russell Gage's option this year, and he was released. Mike Evans will also be 31 and Chris Godwin enters the third and final year of his contract, worth $20 million per year. McMillan can line up inside or outside but 33 of his 45 receptions came out of the slot in 2023, and he caught six passes out of the backfield. He's also a master of the post route. His six touchdown catches on post routes since 2022 are tied for the most in the FBS, while his 253 receiving yards on post route concepts since 2022 are the 10th most in the FBS.
NFL Absolutely Not Fake News: Still willing to try and get the band back together.
Round 4, Pick 125 - Bucky Irving, RB, Oregon:
NFL: Bucky to the Bucs keeps the run on Ducks going. He's not terribly fast but can get up to max speed quickly and might end up as a decent complement to Rachaad White, even if they do similar things well.
CBS Sports: A. Bad testing figures - - despite reasonable speed - - but one of the most elusive, hard-to-corral RBs over the last few drafts. Smaller stature. Decent contact balance too. Weapon in the receiving game, and of course, out in space. Fun addition.
ESPN: The Bucs have had the league's worst rushing attack over the last two seasons (82.9 yards per game) and wanted to bolster competition. Irving is 5-9 and 192 pounds and ran a 4.55 40-yard dash at the NFL combine -- 14th among 20 running backs. While his testing was not great, the tape shows production. He topped 1,000 rushing yards in each of his two seasons at Oregon, including 1,180 with 11 touchdowns in 2023. He broke or evaded an FBS-high 144 tackles since 2022, and he had 896 rushing yards between the tackles in 2023, averaging 7.1 yards per rush. His 56 receptions last season led all FBS running backs.
NFL Absolutely Not Fake News: He once ate an 8 layer peanut butter and jelly sandwich.
Round 6, Pick 220 - Elijah Klein, OG, UTEP:
NFL: With 55 college starts and good length, Klein has a chance to make it in Tampa. He's stiff and might be an inside-only blocker, however.
CBS Sports: C. Smooth operator at guard. Quality run-blocking abilities. Opens the gate too soon in pass pro and not ultra experienced there. Not many true sets in college.
ESPN: The Bucs didn't re-sign Matt Feiler or Aaron Stinnie, who both started at left guard last season. Along with Cody Mauch, they finished with a combined 70.2% run blocking win rate among guards -- 16th in the league last year. None of them finished in the top 50 in pass block win rate either. The Bucs did sign free agent Sua Opeta from the Philadelphia Eagles, and Klein will compete with those two. Klein allowed 1.3% pressures at UTEP and in 45 games, he allowed four sacks with a 1.6% blown run block rate. In 2023, he allowed one sack all season.
NFL Absolutely Not Fake News: Always wondered how Raymans hands worked if he doesn’t have arms.
Round 7, Pick 246 - Devin Culp, TE, Washington:
NFL: Culp shocked a few people when he ran a 4.47-second 40-yard dash, but his 230-pound frame figures to limit his role quite a bit. Even so, Culp improved each college season and has some unrealized potential as an H-back.
CBS Sports: B+. Smaller, speedster H-back TE type. Was very underutilized at Washington but flashed when given the opportunity. Made some impressive snags in traffic. Not much YAC-wise but can run away from second-level defenders if given space.
ESPN: The Bucs' 502 combined yards from tight ends last year was third worst, and they needed to bolster competition at the position. At 6-3 and 231 pounds, Culp ran a 4.47s 40-yard dash at the scouting combine, which was the fastest among tight ends this year. But he'll need to improve as an in-line blocker, which is where his size is a concern. He's also had some drops with six (8.8% drop rate) in 28 games.
NFL Absolutely Not Fake News: Has soft hands… both ON and OFF the field.

Day 1: Ahman Green
Day 2: Shaun Alexander
Day 3: Marshal Yanda
Day 4 (Saturday Edition): Colt Brennan
Day 5: Roddy White
Day 6: Robert Mathis
Day 7: Mike Tolbert
Day 8: Quentin Jammer
Day 9: Matt Forte
Day 10: Daunte Culpepper
Day 11 (Saturday Edition): Justin Blackmon
Day 12: Navorro Bowman
Day 13: Steve Atwater
Day 14: Marques Colston
Day 15: Chris Cooley
Day 16: John Kuhn
Day 17: Donta Hightower
Day 18 (Saturday Edition): Dwight Freeney
Day 19: Haloti Ngata
Day 20: Mohammed Sanu
Day 21: $wag Kelly
Day 22: Jimmy Smith
Day 23: Muhammad Wilkerson
Day 24: Kevin Boss
Day 25 (Saturday Edition): Corey Davis
Day 26 (Selection Sunday Edition): Julius Peppers
Day 27: Chris Ivory
Day 28: Steven Jackson
Day 29: Gary Barnidge
Day 30 (First Day of March Madness Edition): Antonio Gates
Day 31: Cliff Avril
Day 32 (Saturday Edition): Monte Ball
Day 33: Cookie Gilchrest
Day 34: Dwight Clark
Say 35: Mike Alstott
Day 36: Geno Atkins
Day 37 (MLB Opening Day Edition): Bo Jackson
Day 38: Terrance Knighton
Day 39 (Saturday Edition): Denard Robinson
Day 40: Zach Zenner
Day 41 (April Fools Edition): Henry Ruggs
Day 42: Matt Moore
Day 43: Duck Hodges
Day 44: Dontari Poe
Day 45: Thomas Davis
Day 46 (Saturday Edition): Eric Berry
Day 47: Casey Hayward
Day 49: Jurrell Casey
Day 50: Peyton Manning
Day 51: John Riggins
Day 52: Doug Baldwin
Day 53: Muhsin Muhammed
Day 54 (Saturday Edition): Trevor Insley
Day 55: Clinton Portis
Day 56: Josh McCown
Day 57: Kyle Williams
Day 58: Patrick Mannely
Day 59: Kerryon Johnson
Day 60: Orlando Pace
Day 61 (Saturday Edition): Case Keenum
Day 62: Dion Lewis
Day 63: Dan Fouts
Day 64: Torrey Smith
Day 65: Dwayne Bowe
Day 66 (Draft Day Edition): Ricky Williams
Day 67: DeMarcus Ware
Day 68 (Saturday Edition): DeAngelo Williams
Day 69 (Day 69): Dick Butkus
Day 70: Whitney Mercilus
Day 71: Levine Toilolo
Day 72: Derrick Mason
Day 73: Thomas Rawls
Day 74: CJ Anderson Specifically When He Was Fat on the Rams
Day 75 (Saturday Edition): Knowshon Moreno
Day 76: Stevie Johnson
Day 77: Mike Wallace
Day 78: Chris Long
Day 79: Benjamin Watson
Day 80: Zach Thomas
Day 81: Jeremy Langford
Day 82: Donovan McNabb
Day 83: Corey Clement
Day 84 (DT Week): BJ Raji
Day 85 (DT Week): Malik Jackson
Link to past players coming soon!