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Phantasphere- Genocide Reigns Part 2
2024.05.14 19:39 PhantasmagoriaLuna Phantasphere- Genocide Reigns Part 2
Genocide looked to the sky. He thought of his mentor. The one who had saved him. He remembered his childhood. How powerless he was. He remembered the anger. He never wanted to hurt anybody. He thought of all the times he showed compassion. How much they hurt him for it. He saw the world before him, a graveyard. Humans. People that were supposed to be made in the image of some divine creator. They were but maggots feasting upon his remains. They ate away at his very being until nothing human remained. His thoughts were no longer his own. He had no joys in life that mattered. He hated humanity more than he could love anything about himself. He remember his first killing spree. Being gunned down by police. Left for dead. He remembered a hooded figure moving towards him. Getting closer the more he neared his death. He saw its pale face. Its impossibly black eyes. It was a man. This figure in question appeared to be of Japanese nationality with long, straight, loose hair. It emanated extreme malice. It offered him a choice. A purpose. Power. He thought the figure a reaper but it identified itself as Amakusa Masataka. Masataka guided him on how to kill and gave him specific locations to kill people in. In a sense, he became a hitman for quotas of people. He inquired what Masataka was. The presence of evil, his ability to appear and disappear at will, how he could control what people could see him and what people couldn't. While vague, years of killing for this being offered some insight. Amakusa Masataka belonged to a group of people not of this world. His people had been corrupted by a dark force long ago and had aligned themselves with the warlord who had subjugated their version of Japan. Their dark high priest assisted the warlord along with two others. These four rulers in turn served a larger order. The four were tasked with bringing about the end of the current world as an act of retribution for some fallen deity. Masataka's people acted as covert operatives for this empire. They were feared across the land and were collectively referred to as "Shinigami". An agent of the coming apocalypse, a servant of evil possessed by the will of those gods of death, Genocide would walk the earth.
Genocide stepped toward the station. A police cruiser rammed into him. He pulled out a knife and stabbed the hood of the car. The inhuman force of the knife created sparks which burst the engine into flames. The car crashed into a streetlight and exploded. A second cruiser neared the scene. No way a man could have done this. Yet still, out of the fires Genocide strode forth. It set upon the second vehicle, shooting out it's tires while jumping 9 feet into the air. The car tries to reverse but crashes into a wall. Genocide lands on the hood and kicks through the front window. Glass shatters under its boot, blinding the two officers inside. Genocide shoots one of the officers with a shotgun, killing him. The second officer in the passenger seat readies his pistol and takes aim. Only two shots fired, both directed at Genocide's head. It casually cocks its neck to avoid them. Then it grabs the officer's arm, breaking it. Genocide uses its free hand to grab the officer's head and bangs it into the dashboard no less than 5 times. The skull is shattered on the final impact. Genocide jumps off the car and continues on his mission.
Detective Evans speaks through a megaphone," This is your first and final warning. Stand down or we will use any and all means at our disposal to put you down." Genocide dropped its shotgun and raised its hands. A group of five SWAT team members rushed out the station, surrounding Genocide with riot shields. An officer accompanies them, edging behind the figure to apply handcuffs. Suddenly, Genocide springs to life , grabbing the officer behind him. He flips the officer over his head, slamming him into the pavement at his feet. Then Genocide stomps his head causing it to burst. Genocide drops a flash bomb from his coat sleeve, blinding the SWAT team as he draws his knife. He drives it into one SWAT member, the knife puncturing the shield and piercing his chest. Genocide kicks the corpse away withdrawing his knife. He goes to another, this time using the end of his boot toe in a rising kick to disarm their shield. He grabs them by the throat and drives the knife slowly into their eye socket. Another is tackled to the ground and beaten to death despite still being under the shield. Another is picked up and thrown into the fires still burning from the first auto incident. In no time, Genocide stood before an indistinguishable mass of gore, blood streaking across his black leather outfit. He laughed" So this is all you can give me. I'm not entertained." Officers took aim from the station windows, and snipers did so from other rooftops. Genocide laughed maniacally as he was rained down upon from all sides by a hailstorm of bullets. His body convulsed, but he did not fall. Moments more and he was on his knees. Still though, their efforts were futile. Gracia looked out and saw a black mist coalescing around the man in black. His blood. Blood erupted from his body only to transform into this dark mist that reentered his wounds. Genocide screamed. No. It was just an elevated pitch in his laughter. Optimism failed everyone yet again. Gracia saw Genocide holding something in his right hand. She could only make out a beeping red light. Genocide pushed the button triggering the carefully concealed explosives he laid in preparation for this event. C4 explosives went off in all the places he saw fit. The sniping posts he couldn't reach. The assault of lead lightened. Then Genocide drew an RPG from...somewhere. He collected himself and fired at the station's entrance. The explosion shook the station. From inside, the lights began to flicker. Communications were down on all fronts. Had he modified the rocket with some type of EMP? Not good. Amisdst the confusion Genocide entered using smoke bombs to mask his presence. Moving like a shadow, he killed everyone in the lobby silently with his knife. He made his way to the holding cells. Still they chanted. Still they praised. Still they raved for the arrival of genocide. Genocide shot the lock opening the cell. Jim Jimenez walked out and bowed before his master. Genocide smiled. He couldn't have imagined how proficient he had gotten with possession. Well, not quite possession. He had known of the Shinigami's ability to share their thoughts and emotions with humans. Shinigami like his mentor were ancient. They had so many years of memories, such strong a hatred for life that they overwhelmed the personality of the victim. The victim sees themselves as one of them. Shinigami can't force the will of the victim, so they find those who are already similar to them in some way. Genocide found the collective universal distrust of police to be a prime sentiment to capitalize on. He armed the inmates, infecting them with samples of his own dark essence.One particular inmate caught Genocide's eye. He knew the man's work. An arsonist. The one whom he recalls was responsible for blowing up his first car way back in high school. Rather than a standard firearm, Genocide gave the man a random assortment of grenades containing a special surprise. Genocide showed them visions of anarchy, of sending a message to a society that used and disregarded them. While this was also true of how he felt, years of living in darkness had changed him. He needed no purpose. No end goal. No justification. He just wanted to watch the world burn.
Genocide's small army broke off to engage several different wings of the station. Genocide went to the security room. He found Wayne, his informant, playing some FPS on one of the monitors. Wayne took of his headphones and asked," You kill everyone yet?" Genocide responded," No. You should get going before that happens. Your life becomes fair game if I run out of pigs to cook." Wayne clapped his hands, "Aight, GC my man, say less." He packed his things and left. Genocide drew a twin pair of handguns and laid waste to the station. He followed a group that took cover in the men's restroom. Kicking open multiple stalls he was surprised to find...nothing. Where had they gone? He turned around and saw his mentor, Masataka, smiling at him. It looked like him. Long, dark hair, black clothing, and soulless, empty eyes. But it wasn't. It was Genocide's own reflection in the mirror. Genocide smiled. He didn't notice the changes at first. They must have happened gradually. Subconsciously. From the final stall, an officer sprung into action, rushing Genocide, hitting him point blank with a shockgun round. Genocide felt the tingling sensation electrifying his body and grew numb. In spite of the pain, he took a single step. Then, another. He came within striking range of the officer and snatched the shockgun. Two more officers erupted from another stall, battering him with baton strikes. Genocide felt nothing. He clutched the shockgun in his hand like a bat and went to work pulverizing his attackers. An officer kicked in the bathroom door, a woman holding a pistol. She fired multiple times to no effect. Genocide stood covered in blood. He even let her reload. Twice. He wanted to see her despair. Her hopelessness. He walked towards her, shrugging off bullets as they pierced his body. His wounds healed nigh instantly due to the dark essence he had been imbued with. He held her face with both hands, lifting her body off the ground. As she screamed, he used her head to shatter the restroom mirror, running down the full length of it while smashing her into it at several points. He dropped the remains of what he held, washed his hands with soap, dried them, then exited the restroom.
The inmates that rallied for the cause of genocide attacked the station. Fortunately, they were nowhere near Genocide in terms of power and only carried one type of firearm each. They shared his healing ability but could be killed quite easily. Gracia encountered a sniper on the end or a west wing hallway. Other officers waited behind corners unable to get close. Gracia noticed the faulty lighting. In this hallway, the lights flickered in intervals of 3 seconds. Finding a pattern and timing her movements, she rushed the sniper at the exact moment the lights went out. Running the length of the hall, Gracia zigzagged, dodging the sniper inmate's bullets. She jumped on a wall, ran 3 feet on it, then kicked off it, pouncing on the assailant. She fired five shots into him, making sure to hit the brain and the heart. Two severe injuries that were impossible for Shinigami essence to heal simultaneously. Elsewhere, Evans took on another escaped inmate. A vehicular arsonist named Carson. Carson had a bag filled with an assortment of different grenades and was happily giving them out like candy on Halloween. "A flash bang here, a bit of tear gas there. Oh. Wait! Was that an ice grenade? Did the explosion freeze your leg to the floor? Whoops. Maybe a fire grenade will melt that for you. Hold on let me get one fore you," Carson rambled gleefully. Evans looked at the carnage before him. Officers burning. Officers partially frozen in blocks of ice. He took a breath and aimed his wristgun. He steadied his right forearm. Carson readied to throw a random grenade. Evans shot it the moment it left Carson's hand. The grenade exploded directly in front of Carson. Both Evans and Carson looked at each other in shock. Confetti. A party grenade? Carson quickly fumbled for another but was tackled and restrained by several officers. Meanwhile in the South wing, Lary had some colleagues set a trap for another shotgun toting inmate. He had them bait the inmate and flee. Giving chase he turned a corner and ran straight into Lary's fist. The inmate recovered and motioned to shoot Lary. "Let's tango. " Lary gave the code word. Nearby officers activated a device. A signal jammer of sorts. The inmate shoved the barrel of his gun into Lary's gut and pulled the trigger. Nothing. The special signal jammer in question was designed for firearms. It was a last resort as it left officers just as defenseless. Lary was having fun. He boxed the inmate in hand to hand combat. Despite the inmate's enhanced strength, Lary's technique pulled through. Lary ducked under one of the inmate's wide punches and did some type of rising uppercut where he jumped off the ground while spinning. One of the other officers whispered" The rising dragon." Lary smiled giving a thumbs up" Yeah, it was a rising dragon uppercut. Saw it in one O my kid's vidya games. Thought I'd try it out while I'm jacked on adrenaline".
Jim Jimenez looked long and hard at himself in the mirror. He was in the women's restroom. Some brainless woman had broken the men's restroom mirror with her face. For the first time in a long while Jim could think clearly. He was becoming sane. At the least he was no longer a raving lunatic. The life essence of the dark gods had healed the wounds to both his body and his mind. He saw his face, his scraggly dirty beard. He found a razor and shaved. He trimmed his beard somewhat. He liked it. He washed his hair. It fell down his face like silk, no longer greasy. His bloodshot eyes once burning with crazed intensity had cooled. He blinked. Just for a second, he saw the man known as Genocide. The man that attacked him. The one that killed him and gave him new life. The drug dealers. The police. They were all the same in his eyes now. They were all to blame for the world being what it is. Jim wanted to hate them. He wanted to take revenge, but he felt nothing. It didn't matter. He knew he was wronged, could logically justify acting against them, but he just didn't care anymore. About anything. He was finally free. Sensing his presence was no longer needed here, Jim vanished into the night. He needed to find someone who had had the answers he needed. Himself. Who had he been? Who was he now? Who could he become? Where was he going? So many questions to ponder indefinitely. So much time left in the rest of his life.
Genocide ran down the station's halls raining hailstorms of bullets upon its occupants. He had a handgun in each hand as well as a wristgun on each wrist. This effectively gave him 4 separate firearms that he could use simultaneously. Lary regrouped with Gracia, Evans, and a handful of others. They radioed all surviving officers near Genocide to flee to the roof. This plan had been set in motion days before the assault and had been kept hidden from most of the force. The plan involved scheduling flights for several helicopters to arrive at some point after Genocide arrived. There would be no way for him to prepare for them and pre-scheduling their arrival ensured they arrived regardless of if they were called or not. Lary and the others set about preparing the second jamming device. Genocide stood among a hallway of bodies. He saw one man clinging to life trying to crawl away. He decided on trying that other thing he saw his master do. He grabbed the dying man and pinned him to the wall. Slowly he drove a knife into his chest. As the man's life slipped away, something else entered his body. Genocide channeled a small amount of his essence into the vessel. He had steadily done this with other casualties around the station whose bodies were somewhat salvageable. He dropped the body he was holding and looked upon the others. He closed his eyes for a moment. When he opened them, his eyed were black, both sclera and iris. The scene before him changed. Genocide had a vision. He saw a dead gray wasteland littered with bodies. These people however weren't cops and wore traditional Japanese attire. In his hand wasn't a gun or knife but a short sickle akin to a farming tool. He heard a dark voice call out to him. Slowly, the corpses around him began to rise, now mere puppets bound eternally to their master's whim. The bodies sold to the reaper who had claimed their lives. Genocide's vision ended. His eyes had returned normal. Around him, dead cops began to rise. His dark essence had entered their bodies and reanimated them. He sent his dead army to attack the officers fleeing to the roof of the station. These zombies swarmed the stairwell giving chase to the few survivors. There were five of them. They had two flights of stairs to climb and a horde of their former colleagues close behind them. One officer tripped and was set upon by the horde. The zombies didn't bite them but held them firmly in place. The other four officers stared down wondering what to do. They could hear Genocide chuckling. They could hear humming. They could feel the temperature rising. Their colleague and the two zombies holding him were hit by an enormous green fireball. Genocide had fired a Magnum Opus and had charged the bullet to level 3. The Magnum Opus was simply a magnum that shot fireballs, with bullets that could be charged by holding down the trigger. It had three levels of charges. Level 1 was a small reddish ball of plasma. Level 2 was slightly larger and yellow. Level 3 was the maximum charge and resulted in a large slow moving green blast of energy. The officer was ignited and Genocide watched gleefully as the force of the blast sent him flying through a wall. The four officers continued up firing occasionally to slow down the zombies. Soon they made it to a door leading to the roof. Before one officer could reach it, he was sniped by Genocide, a bullet to the head killing him instantly. The remaining three made it out. They regrouped with the others already there, 12 in total, including Lary, Evans, and Gracia. This would be their final stand. They just had to hold out until Genocide made it up there. They just had to keep Genocide occupied until the helicopters arrived. Genocide slowly ascended the stairs behind his horde. On the roof, the remaining survivors faced off against waves of the undead. Evans recognized the attackers. These zombies were being controlled by nanomachines. He heard the stories of several weapons encountered by soldiers on the battlefield. These creatures were called Metaldeads as they were reanimated via machines. They had been officially banned by most of the worlds' governments for being unethical. However, this did not stop the technology from being spread still between shady organizations, terrorists, etc. Evans wondered how Genocide got this form of nanotechnology. Evans long speculated that the dark essence used by most of the killers they encountered was a a form of nanotech however it was different from anything else he had seen or heard about. The dark essence seemed to be an amalgamation of other types of nanotech. Evans had to save his inquiries for later. He reloaded his wristgun and took aim at the approaching group of Metaldeads. Gracia steadied her handgun and shot two Metaldeads in the head. From the single door countless arms seemed to spill forth from the darkness. The other officers took turns firing in intervals. this allowed them to create a steady stream of fire where no more that three guns needed to be reloaded at once. The horde seemed to thin out over time as if they were making progress. In actuality, the Metaldeads were just making room for Genocide to enter. Genocide exploded in a sprint from the door. Everyone fired upon the killer. Genocide had now chosen a wrist mounted mini flamethrower to use as his weapon. He stormed past the oncoming bullets taking some damage, but refused to slow down. He unleashed a stream of fire that caught five of the officers in one fell swoop. Gracia fired five rounds into Genocide's face. He stumbled back. Lary took the chance to fire several mine gun bullets at Genocide's feet. The mines quickly detected his movement and exploded. In seconds, Genocide was on his back.
Staring at the night sky Genocide saw the moon. He reached for it. He called for the darkness to give him more power. His wounds began healing. In the sky he could hear the whirl of propellers. There were six helicopters in total. The first two had evacuated the survivors while the others stayed to engage Genocide. Genocide got up and unstrapped the sniper rifle from his back. He stood before the searchlights as a black silhouette, cornered but unwilling to back down. Lary stared down at him smiling. "Okay!" He shouted, "Let's Tango!" Upon this declaration the second jamming device was activated. Now, isolated on the roof, Genocide's guns couldn't be fired and the helicopters were out of range of the device. Now Genocide stood like a sitting duck. A helicopter fired a rocket. Genocide side stepped and grabbed it. He turned his body redirecting the rocket to hit another helicopter. As it exploded Genocide drew his knife and threw it at another helicopter. Behind the knife was such force that it shattered the helicopter window's glass, embedding itself in the pilot. This helicopter too went down where it exploded. "Holy clucknuggets!Did you see that!?" Lary said dumbfounded. Evans looked out the helicopter door he was in jaw open in shock. "There's no way." He collected himself quickly and radioed the remaining two helicopters to keep moving and to use their machineguns as much as possible. The helicopters reigned down upon Genocide tearing apart his body. Shreds of leather and darkened blood sprayed across the pavement of the roof. Gracia watched as Genocide's body was destroyed repeatedly as it tried to heal. Surely he had to stop at some point. After 10 minutes the helicopters had exhausted their cache of ammunition and soldiers opted to fire their own rifles and occasionally throw grenades. After about six minutes, they too had run out of bullets. Genocide stood unfazed. He had long since healed himself and now appeared intangible with gunfire seeming to pass through his body. His coat once ripped , now appeared whole though on closer inspection seemed to writhe. Gracia looked in horror as she remembered the tales her adopted father had told her. Tales he had in turn heard from his predecessors. Every so often officers had reported encounters with ghost like beings cloaked in a cloud of living dark mist. The beings were rumored to be responsible for the deaths of multiple people ranging from scientists, veterans, mafia, politicians, etc. They were seen near such crime scenes and even more shockingly appeared around several sites where suicides were committed. These beings were reportedly impervious to bullets and filled anyone who got near with an impending sense of dread. If Genocide was connected to them or somehow turning into one , there was little chance they would be able to defeat him. Gracia's fears were confirmed when she saw that Genocide's leather coat had been destroyed and he had replaced it with the dark mist coalescing from his own spilled blood. The dark mist, swirling, grew larger and several tendrils sprouted out from it. Gracia could briefly make out a figure standing next to Genocide. A hooded figure cloaked in the same black substance. The figure stared up at her with soulless, blackened eyes which seemed to beckon her to jump from the aircraft she was standing in. Compelling her to give in to the death that plagued the earth. Genocide kneeled to his master. The Shinigami, Masataka stared down at his disciple. "You have done a great service to us. Even now the sealed god stirs in its slumber. Its...Awakening will soon be upon us. It calls out for war. It begs for famine. It longs to continue its conquest. We are the death it so desires. The death that is necessary for this civilization to grow. Use the power that I have bestowed upon you. Finish the mission as you see fit." The Shinigami vanished and Genocide stood.Genocide stared at his hands. He remembered the first killing spree. He was on a bus. It stopped. A woman got on the bus and walked to the back smiling as she passed him. Something about her eyes unnerved him. They were so bright but something dark reflected inside them. He ignored the thought and put in his headphones. In minutes he had dozed off. He jumped awake. He looked around and froze in panic. All around him, everyone had been hacked to pieces. He saw the driver, actively being stabbed by a masked assailant. The mask, painted white with black eyeholes, stared back at him. It raised a finger over where its lips would be. Even under the expressionless visage, he could feel that same smile. He ran home that morning. He went to his room to find it destroyed. His posters, his computer, his tv, everything, had been ruined. He turned around and saw a man at the end of the hallway holding a sledge hammer. "The hell you been, boy?", his stepdad sneered. The man dropped his hammer and walked closer, veins pulsing with rage. He tried to explain how his car had caught fire forcing him to walk 4 miles to the nearest bus stop, but the man's fist was faster than his words. "Boy!Answer me when I talk to you!!" the man says as he backhands the taste out of the would be Genocide's mouth. He took that beating for several minutes before being left to stare at his ransacked room. He hated how his stepdad went out of his way to destroy the things he loved. Soon, another set of footsteps could be heard. It was his mother standing behind his locked door. She didn't knock, or say anything. She just stood there, doing nothing as always. He never knew if she came to talk to him or apologize. All he knew was that she could never bring herself to speak to or even acknowledge him. Maybe out of guilt or perhaps shame. A year or two later after he had had enough he ran away from home. Living out on the streets alone, without friends, or family, he would embark on countless killing sprees. These killings weren't of his own volition however. He was coerced by some corrupt officers from The Unit. They made him kill on their behalf. Sometimes they were protesters, sometimes they were drug dealers, other times, petty criminals they couldn't be bothered to process. It was routine for him to be used to kill entire houses of drug riddled addicts. During one such venture he entered a drug den, killing the dealer as instructed. He took out several junkies before turning to leave. A woman who survived her injuries clung to his heel begging him to stop. Looking down he aimed the handgun he was carrying at her head of long disheveled brown hair and fired. Feeling nothing, he kicked her body aside like trash when it hit him. Her face. This woman had been his mother. What was she doing in a place like this? He felt a shock of emotion. He wondered if she had always been like this, or had she changed after he left. He never made amends, but decided to stop killing from then on. The unit did not like that. Once it became apparent that he was no longer of use to them they started a manhunt to apprehend him with lethal force. They found him. They killed him. But he survived.
He remembered the girl on the bus. He remembered her eyes. Those of a sadistic killer. Still there was something else inside them. Something faint but deeper. So. Much. Sadness. Just like him. He felt the hatred begin to spread. His purpose, he decided, was to make all humans rot in the hell they created for him.
These people, he thought to himself, these living diseases, all needed to die. Their struggles, their problems, they spread like cancer to others. The only cure for humanity's sin, its collective wrongdoings, was genocide.
Around him, dark tendrils continued to form and expand, spinning in a vortex. Genocide pulled out two pistols. He squeezed the triggers to no effect. "As I see fit, huh? Hehe." He squeezed both guns in his hands, breaking them into pieces. He concentrated. In his hands, two more guns materialized now completely black due to being forged from the dark essence. Forged by his will. Immune to the jamming device that shut down conventional firearms. He raised his arms at each remaining helicopter and opened fire. Countless tendrils whipped out and slashed at his targets joining the dark essence bullets. It was chaos. Dark tendrils and bullets tore through every direction as Genocide spun and swirled around in 360 degrees firing randomly with purpose. A tendril pierced Gracia's right arm, another, her abdomen. She was however, fortunate, as the other passengers of her helicopter were dismembered. She barely had time to jump from the vehicle before it crashed. She fell 2 yards onto solid concrete. She felt immense pain as her right shoulder shattered on impact. She looked up to see Genocide's blade like appendages ripping through the other escape helicopters. She rolled onto her back and tried to steady herself. Within seconds her body began to repair itself. The nanocells inside her had saved her life but were now depleted. She would need another supplement lest she receive another fatal injury. The standard nanocells she and the others had were much less potent than those of the killers they faced. In truth, they had only minimal strength boosts being able to lift 5-8 more pounds than before and healing being limited to one or two fatal injuries so long as death didn't occur instantly. Gracia blacked out. She awoke the next morning in a hospital. There the doctors refilled her nanocells. She learned that the station had been left in ruins. Genocide had detonated some type of minature nuke following his rampage. He always blew up the stations as if to send a message. Gracia looked out the window thinking about why she became a cop. Twice her family had been murdered by them. Her biological family had been killed in an on record drug raid committed by a group of corrupt officers called The Unit. She had been adopted by another officer that arrived at the scene who found her as a child hiding in a closed. Sadly, he too was killed for trying to expose the activities of The Unit. Gracia joined the force to avenge both losses and bring justice to the killers that disguised themselves as normal people. Law enforcement was neither good, nor bad. It depended upon the people that made it up. In the dying corrupt world Gracia lived in, she vowed to be a beacon of light. Evans laid in a bed adjacent to Lary. "That damn Genocide's somethin else in' he?Like the stories you told us were understatements. That man could legit not die at this point in the story. Like he has friggin plot armor or somthin.'' Evans cut him off" I get it. We all got our asses handed to us. But did you see that ..thing that appeared next to him. Right before he created that black vortex that wiped us out. That must have something to do with his power. Maybe there's a still a way to stop him."Lary chimed in," That fella looked like he was on the way to a black metal concert wit all the black facepaint he was wearin' Creeped me out to be honest." As the survivors mulled over their predicament, the cycle of evil continued to spread elsewhere.
Budley flips through the pages of a magazine. He checks his watch. He looks around the gas station and doesn't see any customers. Seizing the opportunity, he puts in his headphones and begins playing an imaginary guitar as he jams to a progressive deathcore album. Oblivious to the screams coming from outside, the store clerk moves on to thumping two candy bars on the counter to simulate drums. Budley sees that his shift has ended and begins locking up the store. He sweeps the aisles and jumps as a shadow appears behind him. He turns and sees a well groomed bearded man dressed in a black hoodie, black shirt, and black and gray camo pants. The man holds out his hand and smiles. Budley rings up the pack of nicotine substitute gum. "Tryin to kick the habit huh?" Budley asks. The man replies, "Somethin like that. Gotta get my priorities back in check. Focus on the things that really matter. That damn KonCreep's a hell of a band aren't they?" He nods to the playlist on Budley's phone. "Yeah, they're killer. just got into them a month back." Budley answers. "You know, I'm something of a musician myself. Maybe you'll hear of me on the news someday." Jim Jimenez says as he sees himself out. He walks to the back of the building and passes an ominous form of graffiti. A woman lays unmoving and above her, written on concrete in red is a message that simply says "Genocide Reigns".
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Genocide stepped toward the station. A police cruiser rammed into him. He pulled out a knife and stabbed the hood of the car. The inhuman force of the knife created sparks which burst the engine into flames. The car crashed into a streetlight and exploded. A second cruiser neared the scene. No way a man could have done this. Yet still, out of the fires Genocide strode forth. It set upon the second vehicle, shooting out it's tires while jumping 9 feet into the air. The car tries to reverse but crashes into a wall. Genocide lands on the hood and kicks through the front window. Glass shatters under its boot, blinding the two officers inside. Genocide shoots one of the officers with a shotgun, killing him. The second officer in the passenger seat readies his pistol and takes aim. Only two shots fired, both directed at Genocide's head. It casually cocks its neck to avoid them. Then it grabs the officer's arm, breaking it. Genocide uses its free hand to grab the officer's head and bangs it into the dashboard no less than 5 times. The skull is shattered on the final impact. Genocide jumps off the car and continues on his mission.
Detective Evans speaks through a megaphone," This is your first and final warning. Stand down or we will use any and all means at our disposal to put you down." Genocide dropped its shotgun and raised its hands. A group of five SWAT team members rushed out the station, surrounding Genocide with riot shields. An officer accompanies them, edging behind the figure to apply handcuffs. Suddenly, Genocide springs to life , grabbing the officer behind him. He flips the officer over his head, slamming him into the pavement at his feet. Then Genocide stomps his head causing it to burst. Genocide drops a flash bomb from his coat sleeve, blinding the SWAT team as he draws his knife. He drives it into one SWAT member, the knife puncturing the shield and piercing his chest. Genocide kicks the corpse away withdrawing his knife. He goes to another, this time using the end of his boot toe in a rising kick to disarm their shield. He grabs them by the throat and drives the knife slowly into their eye socket. Another is tackled to the ground and beaten to death despite still being under the shield. Another is picked up and thrown into the fires still burning from the first auto incident. In no time, Genocide stood before an indistinguishable mass of gore, blood streaking across his black leather outfit. He laughed" So this is all you can give me. I'm not entertained." Officers took aim from the station windows, and snipers did so from other rooftops. Genocide laughed maniacally as he was rained down upon from all sides by a hailstorm of bullets. His body convulsed, but he did not fall. Moments more and he was on his knees. Still though, their efforts were futile. Gracia looked out and saw a black mist coalescing around the man in black. His blood. Blood erupted from his body only to transform into this dark mist that reentered his wounds. Genocide screamed. No. It was just an elevated pitch in his laughter. Optimism failed everyone yet again. Gracia saw Genocide holding something in his right hand. She could only make out a beeping red light. Genocide pushed the button triggering the carefully concealed explosives he laid in preparation for this event. C4 explosives went off in all the places he saw fit. The sniping posts he couldn't reach. The assault of lead lightened. Then Genocide drew an RPG from...somewhere. He collected himself and fired at the station's entrance. The explosion shook the station. From inside, the lights began to flicker. Communications were down on all fronts. Had he modified the rocket with some type of EMP? Not good. Amisdst the confusion Genocide entered using smoke bombs to mask his presence. Moving like a shadow, he killed everyone in the lobby silently with his knife. He made his way to the holding cells. Still they chanted. Still they praised. Still they raved for the arrival of genocide. Genocide shot the lock opening the cell. Jim Jimenez walked out and bowed before his master. Genocide smiled. He couldn't have imagined how proficient he had gotten with possession. Well, not quite possession. He had known of the Shinigami's ability to share their thoughts and emotions with humans. Shinigami like his mentor were ancient. They had so many years of memories, such strong a hatred for life that they overwhelmed the personality of the victim. The victim sees themselves as one of them. Shinigami can't force the will of the victim, so they find those who are already similar to them in some way. Genocide found the collective universal distrust of police to be a prime sentiment to capitalize on. He armed the inmates, infecting them with samples of his own dark essence.One particular inmate caught Genocide's eye. He knew the man's work. An arsonist. The one whom he recalls was responsible for blowing up his first car way back in high school. Rather than a standard firearm, Genocide gave the man a random assortment of grenades containing a special surprise. Genocide showed them visions of anarchy, of sending a message to a society that used and disregarded them. While this was also true of how he felt, years of living in darkness had changed him. He needed no purpose. No end goal. No justification. He just wanted to watch the world burn.
Genocide's small army broke off to engage several different wings of the station. Genocide went to the security room. He found Wayne, his informant, playing some FPS on one of the monitors. Wayne took of his headphones and asked," You kill everyone yet?" Genocide responded," No. You should get going before that happens. Your life becomes fair game if I run out of pigs to cook." Wayne clapped his hands, "Aight, GC my man, say less." He packed his things and left. Genocide drew a twin pair of handguns and laid waste to the station. He followed a group that took cover in the men's restroom. Kicking open multiple stalls he was surprised to find...nothing. Where had they gone? He turned around and saw his mentor, Masataka, smiling at him. It looked like him. Long, dark hair, black clothing, and soulless, empty eyes. But it wasn't. It was Genocide's own reflection in the mirror. Genocide smiled. He didn't notice the changes at first. They must have happened gradually. Subconsciously. From the final stall, an officer sprung into action, rushing Genocide, hitting him point blank with a shockgun round. Genocide felt the tingling sensation electrifying his body and grew numb. In spite of the pain, he took a single step. Then, another. He came within striking range of the officer and snatched the shockgun. Two more officers erupted from another stall, battering him with baton strikes. Genocide felt nothing. He clutched the shockgun in his hand like a bat and went to work pulverizing his attackers. An officer kicked in the bathroom door, a woman holding a pistol. She fired multiple times to no effect. Genocide stood covered in blood. He even let her reload. Twice. He wanted to see her despair. Her hopelessness. He walked towards her, shrugging off bullets as they pierced his body. His wounds healed nigh instantly due to the dark essence he had been imbued with. He held her face with both hands, lifting her body off the ground. As she screamed, he used her head to shatter the restroom mirror, running down the full length of it while smashing her into it at several points. He dropped the remains of what he held, washed his hands with soap, dried them, then exited the restroom.
The inmates that rallied for the cause of genocide attacked the station. Fortunately, they were nowhere near Genocide in terms of power and only carried one type of firearm each. They shared his healing ability but could be killed quite easily. Gracia encountered a sniper on the end or a west wing hallway. Other officers waited behind corners unable to get close. Gracia noticed the faulty lighting. In this hallway, the lights flickered in intervals of 3 seconds. Finding a pattern and timing her movements, she rushed the sniper at the exact moment the lights went out. Running the length of the hall, Gracia zigzagged, dodging the sniper inmate's bullets. She jumped on a wall, ran 3 feet on it, then kicked off it, pouncing on the assailant. She fired five shots into him, making sure to hit the brain and the heart. Two severe injuries that were impossible for Shinigami essence to heal simultaneously. Elsewhere, Evans took on another escaped inmate. A vehicular arsonist named Carson. Carson had a bag filled with an assortment of different grenades and was happily giving them out like candy on Halloween. "A flash bang here, a bit of tear gas there. Oh. Wait! Was that an ice grenade? Did the explosion freeze your leg to the floor? Whoops. Maybe a fire grenade will melt that for you. Hold on let me get one fore you," Carson rambled gleefully. Evans looked at the carnage before him. Officers burning. Officers partially frozen in blocks of ice. He took a breath and aimed his wristgun. He steadied his right forearm. Carson readied to throw a random grenade. Evans shot it the moment it left Carson's hand. The grenade exploded directly in front of Carson. Both Evans and Carson looked at each other in shock. Confetti. A party grenade? Carson quickly fumbled for another but was tackled and restrained by several officers. Meanwhile in the South wing, Lary had some colleagues set a trap for another shotgun toting inmate. He had them bait the inmate and flee. Giving chase he turned a corner and ran straight into Lary's fist. The inmate recovered and motioned to shoot Lary. "Let's tango. " Lary gave the code word. Nearby officers activated a device. A signal jammer of sorts. The inmate shoved the barrel of his gun into Lary's gut and pulled the trigger. Nothing. The special signal jammer in question was designed for firearms. It was a last resort as it left officers just as defenseless. Lary was having fun. He boxed the inmate in hand to hand combat. Despite the inmate's enhanced strength, Lary's technique pulled through. Lary ducked under one of the inmate's wide punches and did some type of rising uppercut where he jumped off the ground while spinning. One of the other officers whispered" The rising dragon." Lary smiled giving a thumbs up" Yeah, it was a rising dragon uppercut. Saw it in one O my kid's vidya games. Thought I'd try it out while I'm jacked on adrenaline".
Jim Jimenez looked long and hard at himself in the mirror. He was in the women's restroom. Some brainless woman had broken the men's restroom mirror with her face. For the first time in a long while Jim could think clearly. He was becoming sane. At the least he was no longer a raving lunatic. The life essence of the dark gods had healed the wounds to both his body and his mind. He saw his face, his scraggly dirty beard. He found a razor and shaved. He trimmed his beard somewhat. He liked it. He washed his hair. It fell down his face like silk, no longer greasy. His bloodshot eyes once burning with crazed intensity had cooled. He blinked. Just for a second, he saw the man known as Genocide. The man that attacked him. The one that killed him and gave him new life. The drug dealers. The police. They were all the same in his eyes now. They were all to blame for the world being what it is. Jim wanted to hate them. He wanted to take revenge, but he felt nothing. It didn't matter. He knew he was wronged, could logically justify acting against them, but he just didn't care anymore. About anything. He was finally free. Sensing his presence was no longer needed here, Jim vanished into the night. He needed to find someone who had had the answers he needed. Himself. Who had he been? Who was he now? Who could he become? Where was he going? So many questions to ponder indefinitely. So much time left in the rest of his life.
Genocide ran down the station's halls raining hailstorms of bullets upon its occupants. He had a handgun in each hand as well as a wristgun on each wrist. This effectively gave him 4 separate firearms that he could use simultaneously. Lary regrouped with Gracia, Evans, and a handful of others. They radioed all surviving officers near Genocide to flee to the roof. This plan had been set in motion days before the assault and had been kept hidden from most of the force. The plan involved scheduling flights for several helicopters to arrive at some point after Genocide arrived. There would be no way for him to prepare for them and pre-scheduling their arrival ensured they arrived regardless of if they were called or not. Lary and the others set about preparing the second jamming device. Genocide stood among a hallway of bodies. He saw one man clinging to life trying to crawl away. He decided on trying that other thing he saw his master do. He grabbed the dying man and pinned him to the wall. Slowly he drove a knife into his chest. As the man's life slipped away, something else entered his body. Genocide channeled a small amount of his essence into the vessel. He had steadily done this with other casualties around the station whose bodies were somewhat salvageable. He dropped the body he was holding and looked upon the others. He closed his eyes for a moment. When he opened them, his eyed were black, both sclera and iris. The scene before him changed. Genocide had a vision. He saw a dead gray wasteland littered with bodies. These people however weren't cops and wore traditional Japanese attire. In his hand wasn't a gun or knife but a short sickle akin to a farming tool. He heard a dark voice call out to him. Slowly, the corpses around him began to rise, now mere puppets bound eternally to their master's whim. The bodies sold to the reaper who had claimed their lives. Genocide's vision ended. His eyes had returned normal. Around him, dead cops began to rise. His dark essence had entered their bodies and reanimated them. He sent his dead army to attack the officers fleeing to the roof of the station. These zombies swarmed the stairwell giving chase to the few survivors. There were five of them. They had two flights of stairs to climb and a horde of their former colleagues close behind them. One officer tripped and was set upon by the horde. The zombies didn't bite them but held them firmly in place. The other four officers stared down wondering what to do. They could hear Genocide chuckling. They could hear humming. They could feel the temperature rising. Their colleague and the two zombies holding him were hit by an enormous green fireball. Genocide had fired a Magnum Opus and had charged the bullet to level 3. The Magnum Opus was simply a magnum that shot fireballs, with bullets that could be charged by holding down the trigger. It had three levels of charges. Level 1 was a small reddish ball of plasma. Level 2 was slightly larger and yellow. Level 3 was the maximum charge and resulted in a large slow moving green blast of energy. The officer was ignited and Genocide watched gleefully as the force of the blast sent him flying through a wall. The four officers continued up firing occasionally to slow down the zombies. Soon they made it to a door leading to the roof. Before one officer could reach it, he was sniped by Genocide, a bullet to the head killing him instantly. The remaining three made it out. They regrouped with the others already there, 12 in total, including Lary, Evans, and Gracia. This would be their final stand. They just had to hold out until Genocide made it up there. They just had to keep Genocide occupied until the helicopters arrived. Genocide slowly ascended the stairs behind his horde. On the roof, the remaining survivors faced off against waves of the undead. Evans recognized the attackers. These zombies were being controlled by nanomachines. He heard the stories of several weapons encountered by soldiers on the battlefield. These creatures were called Metaldeads as they were reanimated via machines. They had been officially banned by most of the worlds' governments for being unethical. However, this did not stop the technology from being spread still between shady organizations, terrorists, etc. Evans wondered how Genocide got this form of nanotechnology. Evans long speculated that the dark essence used by most of the killers they encountered was a a form of nanotech however it was different from anything else he had seen or heard about. The dark essence seemed to be an amalgamation of other types of nanotech. Evans had to save his inquiries for later. He reloaded his wristgun and took aim at the approaching group of Metaldeads. Gracia steadied her handgun and shot two Metaldeads in the head. From the single door countless arms seemed to spill forth from the darkness. The other officers took turns firing in intervals. this allowed them to create a steady stream of fire where no more that three guns needed to be reloaded at once. The horde seemed to thin out over time as if they were making progress. In actuality, the Metaldeads were just making room for Genocide to enter. Genocide exploded in a sprint from the door. Everyone fired upon the killer. Genocide had now chosen a wrist mounted mini flamethrower to use as his weapon. He stormed past the oncoming bullets taking some damage, but refused to slow down. He unleashed a stream of fire that caught five of the officers in one fell swoop. Gracia fired five rounds into Genocide's face. He stumbled back. Lary took the chance to fire several mine gun bullets at Genocide's feet. The mines quickly detected his movement and exploded. In seconds, Genocide was on his back.
Staring at the night sky Genocide saw the moon. He reached for it. He called for the darkness to give him more power. His wounds began healing. In the sky he could hear the whirl of propellers. There were six helicopters in total. The first two had evacuated the survivors while the others stayed to engage Genocide. Genocide got up and unstrapped the sniper rifle from his back. He stood before the searchlights as a black silhouette, cornered but unwilling to back down. Lary stared down at him smiling. "Okay!" He shouted, "Let's Tango!" Upon this declaration the second jamming device was activated. Now, isolated on the roof, Genocide's guns couldn't be fired and the helicopters were out of range of the device. Now Genocide stood like a sitting duck. A helicopter fired a rocket. Genocide side stepped and grabbed it. He turned his body redirecting the rocket to hit another helicopter. As it exploded Genocide drew his knife and threw it at another helicopter. Behind the knife was such force that it shattered the helicopter window's glass, embedding itself in the pilot. This helicopter too went down where it exploded. "Holy clucknuggets!Did you see that!?" Lary said dumbfounded. Evans looked out the helicopter door he was in jaw open in shock. "There's no way." He collected himself quickly and radioed the remaining two helicopters to keep moving and to use their machineguns as much as possible. The helicopters reigned down upon Genocide tearing apart his body. Shreds of leather and darkened blood sprayed across the pavement of the roof. Gracia watched as Genocide's body was destroyed repeatedly as it tried to heal. Surely he had to stop at some point. After 10 minutes the helicopters had exhausted their cache of ammunition and soldiers opted to fire their own rifles and occasionally throw grenades. After about six minutes, they too had run out of bullets. Genocide stood unfazed. He had long since healed himself and now appeared intangible with gunfire seeming to pass through his body. His coat once ripped , now appeared whole though on closer inspection seemed to writhe. Gracia looked in horror as she remembered the tales her adopted father had told her. Tales he had in turn heard from his predecessors. Every so often officers had reported encounters with ghost like beings cloaked in a cloud of living dark mist. The beings were rumored to be responsible for the deaths of multiple people ranging from scientists, veterans, mafia, politicians, etc. They were seen near such crime scenes and even more shockingly appeared around several sites where suicides were committed. These beings were reportedly impervious to bullets and filled anyone who got near with an impending sense of dread. If Genocide was connected to them or somehow turning into one , there was little chance they would be able to defeat him. Gracia's fears were confirmed when she saw that Genocide's leather coat had been destroyed and he had replaced it with the dark mist coalescing from his own spilled blood. The dark mist, swirling, grew larger and several tendrils sprouted out from it. Gracia could briefly make out a figure standing next to Genocide. A hooded figure cloaked in the same black substance. The figure stared up at her with soulless, blackened eyes which seemed to beckon her to jump from the aircraft she was standing in. Compelling her to give in to the death that plagued the earth. Genocide kneeled to his master. The Shinigami, Masataka stared down at his disciple. "You have done a great service to us. Even now the sealed god stirs in its slumber. Its...Awakening will soon be upon us. It calls out for war. It begs for famine. It longs to continue its conquest. We are the death it so desires. The death that is necessary for this civilization to grow. Use the power that I have bestowed upon you. Finish the mission as you see fit." The Shinigami vanished and Genocide stood.Genocide stared at his hands. He remembered the first killing spree. He was on a bus. It stopped. A woman got on the bus and walked to the back smiling as she passed him. Something about her eyes unnerved him. They were so bright but something dark reflected inside them. He ignored the thought and put in his headphones. In minutes he had dozed off. He jumped awake. He looked around and froze in panic. All around him, everyone had been hacked to pieces. He saw the driver, actively being stabbed by a masked assailant. The mask, painted white with black eyeholes, stared back at him. It raised a finger over where its lips would be. Even under the expressionless visage, he could feel that same smile. He ran home that morning. He went to his room to find it destroyed. His posters, his computer, his tv, everything, had been ruined. He turned around and saw a man at the end of the hallway holding a sledge hammer. "The hell you been, boy?", his stepdad sneered. The man dropped his hammer and walked closer, veins pulsing with rage. He tried to explain how his car had caught fire forcing him to walk 4 miles to the nearest bus stop, but the man's fist was faster than his words. "Boy!Answer me when I talk to you!!" the man says as he backhands the taste out of the would be Genocide's mouth. He took that beating for several minutes before being left to stare at his ransacked room. He hated how his stepdad went out of his way to destroy the things he loved. Soon, another set of footsteps could be heard. It was his mother standing behind his locked door. She didn't knock, or say anything. She just stood there, doing nothing as always. He never knew if she came to talk to him or apologize. All he knew was that she could never bring herself to speak to or even acknowledge him. Maybe out of guilt or perhaps shame. A year or two later after he had had enough he ran away from home. Living out on the streets alone, without friends, or family, he would embark on countless killing sprees. These killings weren't of his own volition however. He was coerced by some corrupt officers from The Unit. They made him kill on their behalf. Sometimes they were protesters, sometimes they were drug dealers, other times, petty criminals they couldn't be bothered to process. It was routine for him to be used to kill entire houses of drug riddled addicts. During one such venture he entered a drug den, killing the dealer as instructed. He took out several junkies before turning to leave. A woman who survived her injuries clung to his heel begging him to stop. Looking down he aimed the handgun he was carrying at her head of long disheveled brown hair and fired. Feeling nothing, he kicked her body aside like trash when it hit him. Her face. This woman had been his mother. What was she doing in a place like this? He felt a shock of emotion. He wondered if she had always been like this, or had she changed after he left. He never made amends, but decided to stop killing from then on. The unit did not like that. Once it became apparent that he was no longer of use to them they started a manhunt to apprehend him with lethal force. They found him. They killed him. But he survived.
He remembered the girl on the bus. He remembered her eyes. Those of a sadistic killer. Still there was something else inside them. Something faint but deeper. So. Much. Sadness. Just like him. He felt the hatred begin to spread. His purpose, he decided, was to make all humans rot in the hell they created for him.
These people, he thought to himself, these living diseases, all needed to die. Their struggles, their problems, they spread like cancer to others. The only cure for humanity's sin, its collective wrongdoings, was genocide.
Around him, dark tendrils continued to form and expand, spinning in a vortex. Genocide pulled out two pistols. He squeezed the triggers to no effect. "As I see fit, huh? Hehe." He squeezed both guns in his hands, breaking them into pieces. He concentrated. In his hands, two more guns materialized now completely black due to being forged from the dark essence. Forged by his will. Immune to the jamming device that shut down conventional firearms. He raised his arms at each remaining helicopter and opened fire. Countless tendrils whipped out and slashed at his targets joining the dark essence bullets. It was chaos. Dark tendrils and bullets tore through every direction as Genocide spun and swirled around in 360 degrees firing randomly with purpose. A tendril pierced Gracia's right arm, another, her abdomen. She was however, fortunate, as the other passengers of her helicopter were dismembered. She barely had time to jump from the vehicle before it crashed. She fell 2 yards onto solid concrete. She felt immense pain as her right shoulder shattered on impact. She looked up to see Genocide's blade like appendages ripping through the other escape helicopters. She rolled onto her back and tried to steady herself. Within seconds her body began to repair itself. The nanocells inside her had saved her life but were now depleted. She would need another supplement lest she receive another fatal injury. The standard nanocells she and the others had were much less potent than those of the killers they faced. In truth, they had only minimal strength boosts being able to lift 5-8 more pounds than before and healing being limited to one or two fatal injuries so long as death didn't occur instantly. Gracia blacked out. She awoke the next morning in a hospital. There the doctors refilled her nanocells. She learned that the station had been left in ruins. Genocide had detonated some type of minature nuke following his rampage. He always blew up the stations as if to send a message. Gracia looked out the window thinking about why she became a cop. Twice her family had been murdered by them. Her biological family had been killed in an on record drug raid committed by a group of corrupt officers called The Unit. She had been adopted by another officer that arrived at the scene who found her as a child hiding in a closed. Sadly, he too was killed for trying to expose the activities of The Unit. Gracia joined the force to avenge both losses and bring justice to the killers that disguised themselves as normal people. Law enforcement was neither good, nor bad. It depended upon the people that made it up. In the dying corrupt world Gracia lived in, she vowed to be a beacon of light. Evans laid in a bed adjacent to Lary. "That damn Genocide's somethin else in' he?Like the stories you told us were understatements. That man could legit not die at this point in the story. Like he has friggin plot armor or somthin.'' Evans cut him off" I get it. We all got our asses handed to us. But did you see that ..thing that appeared next to him. Right before he created that black vortex that wiped us out. That must have something to do with his power. Maybe there's a still a way to stop him."Lary chimed in," That fella looked like he was on the way to a black metal concert wit all the black facepaint he was wearin' Creeped me out to be honest." As the survivors mulled over their predicament, the cycle of evil continued to spread elsewhere.
Budley flips through the pages of a magazine. He checks his watch. He looks around the gas station and doesn't see any customers. Seizing the opportunity, he puts in his headphones and begins playing an imaginary guitar as he jams to a progressive deathcore album. Oblivious to the screams coming from outside, the store clerk moves on to thumping two candy bars on the counter to simulate drums. Budley sees that his shift has ended and begins locking up the store. He sweeps the aisles and jumps as a shadow appears behind him. He turns and sees a well groomed bearded man dressed in a black hoodie, black shirt, and black and gray camo pants. The man holds out his hand and smiles. Budley rings up the pack of nicotine substitute gum. "Tryin to kick the habit huh?" Budley asks. The man replies, "Somethin like that. Gotta get my priorities back in check. Focus on the things that really matter. That damn KonCreep's a hell of a band aren't they?" He nods to the playlist on Budley's phone. "Yeah, they're killer. just got into them a month back." Budley answers. "You know, I'm something of a musician myself. Maybe you'll hear of me on the news someday." Jim Jimenez says as he sees himself out. He walks to the back of the building and passes an ominous form of graffiti. A woman lays unmoving and above her, written on concrete in red is a message that simply says "Genocide Reigns".
2024.05.14 19:39 PhantasmagoriaLuna Phantasphere-Genocide Reigns Part 1
Genocide Reigns
(note: I'm an indie game developer making an action/horror title called Phantasphere. This story is a spin off set in the same universe)
Year 2480X Ryze County Police Department
He's coming. The ensuing panic spread like a virus infecting all present with symptoms of looming dread. Officers worked steadfast to prepare also taking what time remained to train the few combat hardened civilians whom had fled to the station earlier. If only they knew. This demon that presented itself as a man had led a string of senseless massacres across the country. Only recently had it begun to prioritize police stations and army bases as a means of breaking the will of civilians who knew they would be next. Officers from several counties across the states were transferred here for this last stand. This Genocide must not continue. Gracia checked her pistol. Some 20 bullets remained. "I can do this", she thought, "I have to". She had dealt with similar cases before. Some poor soul is overtaken by some inextricably evil force and makes it their life's work to propagate death. Gracia had killed quite a few already. Live arrests weren't always possible. Beyond saving, careful interrogations of the scarce live catches yielded a startling connection. These killers all alluded to a well of overwhelming hatred and despair that consumed them after making eye contact with...Pale, black eyed entities. Some type of demon? Ghost maybe? The idea seemed nonsensical, but there was evidence nonetheless that some outside force was using them to fulfill some unknown purpose. At the present time, all they could do was stop the killers after they had killed. It was always too late by then and more would appear randomly elsewhere. What good could be done here in an isolated station hoping to stop one guy out of possibly hundreds? "The guy we're waiting for is different from the others," detective Evans spoke from the center of a crowd nearby. Gracia moved in closer. "The others typically strike from the shadows, hide their faces behind masks, and prefer to get up close and personal with their victims. What we're dealing with is on a completely different scale. The trail of bloodshed this guy leaves is too difficult for the media to cover up. He loves the spectacle. Headlining the news. We can't keep using the burst pipeline excuse for 6 stations being destroyed in a row. We have to stop him before the world at large finds out. You wonder why we need so many people here? Its simple. We're gonna out-man this one man. He always attacks stations through the front door. Like other killers he's fast, strong- you know the usual, but he also uses guns." "What!", a voice rang out from the crowd. "They aren't supposed to do that!" another gasped. Officer Lary spoke with a cheesy grin" Ya tellin' me we just gotta deal with a regular ass gunman eh? That's a welcome change of pace init? Heck I'm too old to be running around being chased like I'm in some scary movie". The detective rebutted" You don't get it. He uses guns. Not a handgun, not rifles, not boom sticks, not rpgs, not knives not grenades but ALL of them. He uses guns. Plural. It'll take essentially an army to match his arsenal. He used to be a man named -redacted-, but in his pursuit of chaos he has become Genocide." A dark form manifests from the night outside the station. Genocide is coming.
Bang! something slams into the front door. Everyone freezes. Officer Tatum edges slowly to it, shockgun in hand. By no means lethal, the shockgun was lighter, easy to control, and could stun targets temporarily. If Genocide was here, Tatum could stun him and duck for cover leaving the station free to light him up like a Christmas tree. That was the plan they came up with. He got closer to the glass door and peered outside. He was met with hate filled bloodshot eyes framed by an unkempt beard and wild straggly hair. Tatum felt some relief. He knew the man outside. It was Jim Jimenez. Jim was a former drug dealer turned informant. He was found out and had to flee from his old life. He became homeless, hiding in plane sight. This allowed him safety at the cost of his mental health. Tatum knew the man, but those eyes were not his. Tatum blinked and saw that the look of malice had vanished. What he instead saw was a helpless, wounded man, bleeding from the right arm pleading for help. Tatum looked behind Jim, eyeing the empty lot. The coast seemingly clear Tatum unlocked the door and let Jim in. Jim had been roaming the town looking for shelter and tried squatting in an abandoned looking apartment complex. There he found that the building contained several murdered families some succumbing to gunshots but the majority having met their end to fire and suffocation. Jim had decided to make his way to the station to tell police what happened and met trouble on the way. He described getting stabbed by a man wearing a trench coat with long dark hair. Despite the injuries, Jim could move surprisingly well and seemed to ignore the pain. Jim insisted that the man had spared him on the condition he deliver a message. "What message?" Tatum asked. Jim beckoned him to come closer. Tatum leaned in and Jim whispered, "Tell them. Tell them that Genocide is coming closer." The following events were a blur. Jim had concealed the knife he was stabbed with. He stabbed Tatum 4 times in the chest and wrestled his shockgun away. Using Tatum as a shield, Jim engaged everyone in the lobby. Jim wasn't himself. He was stronger. He was faster. He was tactical. He would stun an officer in place only to stab them and use their as a body shield. No one could get a clear shot without hitting a colleague. Gracia watched the scene unfold. In minutes Jim had acquired a magnum from the holster of one of his victims. In seconds 3 officers had their heads exploded. The magnum rounds coated the walls red with those they hit and stained the clothes of those they missed. Gracia felt fear rising in her chest. She calmed herself and tried to think. She saw the bodies on the ground. The blood. She saw how dismissively Jim stepped over them. Like they were nothing. Like trash. She saw the man firing erratically into groups of people, not so much to kill but as to cause panic. That's it! As Gracia contemplated her next move it hit her. She was knocked backwards and landed on the ground. She weakly clutched her chest. Her breathing grew shallow. Jim mad his way deeper into the station. The officers were retreating from their standoff. Jim stepped over her body and saw red staining her uniform. Just another casualty. He moved on. At this point the civilians began panicking. Everyone gave up trying to save their allies and fired blindly at the madman. "Don't shoot the messenger," Jim laughed as he stripped his latest meat shield of an automatic rifle. Detective Evans took cover behind an overturned desk. To his left Larry struggled to light a cigar. "You still think this is a cakewalk?" Evans shouted firing 2 quick shots from his gun before ducking back down. Lary lost hold of his lighter and it clattered on the ground." Crap." He reached for it and looked in the corner of the room. A mirror. He looked at it for what seemed like ages and his smirk returned " Y'know that mex'n gal with the short hair. Where is she? I didn't see her get shot." Evans glanced a peak at Jim spraying lead in all directions. Behind him was a corpse. Evans blinked. It seemed to be getting closer. Its her. Gracia painstakingly inched her way into Jim's blind spot. She was roughly 6 feet away from him. Flanking him seemed like a brilliant idea but waiting idly by for the right moment as the people around her died filled her with anger. Worse still, she had to steal a blood soaked shirt from one of the deceased officers to keep up the facade. Inching ever so steadily she mad it within 3 feet of Jim. She reached behind her belt and unclipped a pair of handcuffs. Screams could be heard as more people were hit. Gracia couldn't wait any longer. Fluidly she got to her feet and rushed Jim. She kicked the back of his knee causing him to stumble as she put the handcuffs on him. Figuratively. The handcuffs were around Jim's neck. She yanked him back causing his gun to drop. "You don't know what you're doing." Jim spat. "We all need to accept it. The end of days is upon us. Death rides his horse through these forsaken lands. We must serve or be sacrificed in turn. Accept it!"He elbowed Gracia in the ribs causing her to let go. He spun around and lunged at her. She landed on her back, Jim steadily choking her. Gracia thought fast. She couldn't struggle. Jim was too strong. She delivered a precise chop to the center of Jim's neck which was exposed. Jim lurched back to catch his breath. A clean shot. A bullet pierced through Jim's back. Weakened, Gracia rolled him over and began punching him repeatedly using the handcuffs as brass knuckles. The sound of Jim's skull cracking echoed through the station. This would go on for nearly 20 seconds before Gracia stopped, checked his pulse, confirmed Jim was still alive, then finally put the cuffs on Jim's wrists.
Click. Bodies are wrapped and moved to a makeshift storage room. Click. The available weapons are gathered and redistributed. Click. Officers are assigned to sniping positions on neighboring buildings. Click. Police cruisers circle the lot outside. Click. In the holding cell, Jim opens his eyes. Click. Lary flicks his lighter. Click. Gracia sips coffee from a paper cup. Click. Shells hit the ground at the feet of Genocide. Click. Genocide walks outside a cafe and looks at the station in the distance. Click. Lary clicks his lighter.
"All ya'll gon' fall," Jim ranted." You can't drain the ocean. You can't put out the sun. Evil will always exist. That there Genocide is proof . I saw him. Saw myself within his eyes. Saw the evil in me that I could no longer try to hide. He taught me to embrace the darkness within. Its in all of us begging to be let out. Can you hear it!" Lary clicked his lighter and got up from his chair. He grabbed a cup of liquor from another officer mid sip and walked over to Jim. He doused it on Jim, the liquid stinging his open wounds. Jim yelped. Across the station, radios blurred to life. Several of their lookouts on the outside had been killed. "He's gon' get ya," Jim smiled imitating Lary's signature grin. "Genocide! Genocide! Genocide!" The other inmates saw the chance to irritate Lary and joined in all shouting in unison,"Ge-No-Cide! Ge-No-Cide! Ge-No-Cide!" The chanting grew louder. Unbearable. They invoked upon the name of the beast, and so it came.
Genocide is upon us. A wave of dread spread across the officers. They could feel its presence. Gracia knew the sensation. The awful aura that the other killers gave off. This was different. Far more oppressive. She struggled to breathe as the air got colder. Her instincts screamed for her to run. She could only imagine what the others were going through. Its time. Across the lot Genocide stood. A siren blared over the intercom. "Everyone get into positions!" Evans yelled. Wayne finished setting the last of the c4 near the station entrance. "That's the last of them. Have remote triggers set around all the major hallways. I'll be in the security room ready to pull the switch." Wayne acted as an explosives expert. His job was to detonate bombs placed throughout the station to slow down Genocide should it enter the building. He would stay in the security room, monitoring the cameras and giving real time updates on the officers' positions. From the holding cell, inmates chanted for Genocide. Lary got off his phone" That bastard mixed us up. How did we not notice?" Evans asked what he meant. Lary, dumbfounded, said that most of the town was already dead. Genocide had broken his usual pattern. He went on a killing spree across a defenseless town BEFORE attacking the police station. They had let everyone down. The people they swore to protect. This Genocide was a monster, but he was still a man. Capable of learning from his past actions. Planning. Adapting. It wasn't in his style to stealthily kill his victims or even use a silencer on any of his guns, but an exception had been made for tonight. An exception that would cost them. Gracia was stationed on the second floor. She peered out the window. Her heart skipped a beat. Two cruisers made slow donuts patrolling the lot and standing unmoving between them was a man all in black. Gracia called in to Wayne asking if he saw anything outside. Wayne said the monitors were all clear then checked again. He cursed. He noticed small details were off. The cameras showing the outside of the station were wrong. Sure they showed the same scenery and weather but cars passed by on screen too frequently for a dead town. Too many to make sense for the quarantine they had set in place. Wayne concluded that the cameras had been hacked. Different prerecorded footage was being shown on the live feed to misdirect them. Gracia saw the man look up at her. A light rain started to fall. The officers patrolling outside were contacted. From the holding cells, inmates called for genocide.
submitted by PhantasmagoriaLuna to DrCreepensVault [link] [comments]
(note: I'm an indie game developer making an action/horror title called Phantasphere. This story is a spin off set in the same universe)
Year 2480X Ryze County Police Department
He's coming. The ensuing panic spread like a virus infecting all present with symptoms of looming dread. Officers worked steadfast to prepare also taking what time remained to train the few combat hardened civilians whom had fled to the station earlier. If only they knew. This demon that presented itself as a man had led a string of senseless massacres across the country. Only recently had it begun to prioritize police stations and army bases as a means of breaking the will of civilians who knew they would be next. Officers from several counties across the states were transferred here for this last stand. This Genocide must not continue. Gracia checked her pistol. Some 20 bullets remained. "I can do this", she thought, "I have to". She had dealt with similar cases before. Some poor soul is overtaken by some inextricably evil force and makes it their life's work to propagate death. Gracia had killed quite a few already. Live arrests weren't always possible. Beyond saving, careful interrogations of the scarce live catches yielded a startling connection. These killers all alluded to a well of overwhelming hatred and despair that consumed them after making eye contact with...Pale, black eyed entities. Some type of demon? Ghost maybe? The idea seemed nonsensical, but there was evidence nonetheless that some outside force was using them to fulfill some unknown purpose. At the present time, all they could do was stop the killers after they had killed. It was always too late by then and more would appear randomly elsewhere. What good could be done here in an isolated station hoping to stop one guy out of possibly hundreds? "The guy we're waiting for is different from the others," detective Evans spoke from the center of a crowd nearby. Gracia moved in closer. "The others typically strike from the shadows, hide their faces behind masks, and prefer to get up close and personal with their victims. What we're dealing with is on a completely different scale. The trail of bloodshed this guy leaves is too difficult for the media to cover up. He loves the spectacle. Headlining the news. We can't keep using the burst pipeline excuse for 6 stations being destroyed in a row. We have to stop him before the world at large finds out. You wonder why we need so many people here? Its simple. We're gonna out-man this one man. He always attacks stations through the front door. Like other killers he's fast, strong- you know the usual, but he also uses guns." "What!", a voice rang out from the crowd. "They aren't supposed to do that!" another gasped. Officer Lary spoke with a cheesy grin" Ya tellin' me we just gotta deal with a regular ass gunman eh? That's a welcome change of pace init? Heck I'm too old to be running around being chased like I'm in some scary movie". The detective rebutted" You don't get it. He uses guns. Not a handgun, not rifles, not boom sticks, not rpgs, not knives not grenades but ALL of them. He uses guns. Plural. It'll take essentially an army to match his arsenal. He used to be a man named -redacted-, but in his pursuit of chaos he has become Genocide." A dark form manifests from the night outside the station. Genocide is coming.
Bang! something slams into the front door. Everyone freezes. Officer Tatum edges slowly to it, shockgun in hand. By no means lethal, the shockgun was lighter, easy to control, and could stun targets temporarily. If Genocide was here, Tatum could stun him and duck for cover leaving the station free to light him up like a Christmas tree. That was the plan they came up with. He got closer to the glass door and peered outside. He was met with hate filled bloodshot eyes framed by an unkempt beard and wild straggly hair. Tatum felt some relief. He knew the man outside. It was Jim Jimenez. Jim was a former drug dealer turned informant. He was found out and had to flee from his old life. He became homeless, hiding in plane sight. This allowed him safety at the cost of his mental health. Tatum knew the man, but those eyes were not his. Tatum blinked and saw that the look of malice had vanished. What he instead saw was a helpless, wounded man, bleeding from the right arm pleading for help. Tatum looked behind Jim, eyeing the empty lot. The coast seemingly clear Tatum unlocked the door and let Jim in. Jim had been roaming the town looking for shelter and tried squatting in an abandoned looking apartment complex. There he found that the building contained several murdered families some succumbing to gunshots but the majority having met their end to fire and suffocation. Jim had decided to make his way to the station to tell police what happened and met trouble on the way. He described getting stabbed by a man wearing a trench coat with long dark hair. Despite the injuries, Jim could move surprisingly well and seemed to ignore the pain. Jim insisted that the man had spared him on the condition he deliver a message. "What message?" Tatum asked. Jim beckoned him to come closer. Tatum leaned in and Jim whispered, "Tell them. Tell them that Genocide is coming closer." The following events were a blur. Jim had concealed the knife he was stabbed with. He stabbed Tatum 4 times in the chest and wrestled his shockgun away. Using Tatum as a shield, Jim engaged everyone in the lobby. Jim wasn't himself. He was stronger. He was faster. He was tactical. He would stun an officer in place only to stab them and use their as a body shield. No one could get a clear shot without hitting a colleague. Gracia watched the scene unfold. In minutes Jim had acquired a magnum from the holster of one of his victims. In seconds 3 officers had their heads exploded. The magnum rounds coated the walls red with those they hit and stained the clothes of those they missed. Gracia felt fear rising in her chest. She calmed herself and tried to think. She saw the bodies on the ground. The blood. She saw how dismissively Jim stepped over them. Like they were nothing. Like trash. She saw the man firing erratically into groups of people, not so much to kill but as to cause panic. That's it! As Gracia contemplated her next move it hit her. She was knocked backwards and landed on the ground. She weakly clutched her chest. Her breathing grew shallow. Jim mad his way deeper into the station. The officers were retreating from their standoff. Jim stepped over her body and saw red staining her uniform. Just another casualty. He moved on. At this point the civilians began panicking. Everyone gave up trying to save their allies and fired blindly at the madman. "Don't shoot the messenger," Jim laughed as he stripped his latest meat shield of an automatic rifle. Detective Evans took cover behind an overturned desk. To his left Larry struggled to light a cigar. "You still think this is a cakewalk?" Evans shouted firing 2 quick shots from his gun before ducking back down. Lary lost hold of his lighter and it clattered on the ground." Crap." He reached for it and looked in the corner of the room. A mirror. He looked at it for what seemed like ages and his smirk returned " Y'know that mex'n gal with the short hair. Where is she? I didn't see her get shot." Evans glanced a peak at Jim spraying lead in all directions. Behind him was a corpse. Evans blinked. It seemed to be getting closer. Its her. Gracia painstakingly inched her way into Jim's blind spot. She was roughly 6 feet away from him. Flanking him seemed like a brilliant idea but waiting idly by for the right moment as the people around her died filled her with anger. Worse still, she had to steal a blood soaked shirt from one of the deceased officers to keep up the facade. Inching ever so steadily she mad it within 3 feet of Jim. She reached behind her belt and unclipped a pair of handcuffs. Screams could be heard as more people were hit. Gracia couldn't wait any longer. Fluidly she got to her feet and rushed Jim. She kicked the back of his knee causing him to stumble as she put the handcuffs on him. Figuratively. The handcuffs were around Jim's neck. She yanked him back causing his gun to drop. "You don't know what you're doing." Jim spat. "We all need to accept it. The end of days is upon us. Death rides his horse through these forsaken lands. We must serve or be sacrificed in turn. Accept it!"He elbowed Gracia in the ribs causing her to let go. He spun around and lunged at her. She landed on her back, Jim steadily choking her. Gracia thought fast. She couldn't struggle. Jim was too strong. She delivered a precise chop to the center of Jim's neck which was exposed. Jim lurched back to catch his breath. A clean shot. A bullet pierced through Jim's back. Weakened, Gracia rolled him over and began punching him repeatedly using the handcuffs as brass knuckles. The sound of Jim's skull cracking echoed through the station. This would go on for nearly 20 seconds before Gracia stopped, checked his pulse, confirmed Jim was still alive, then finally put the cuffs on Jim's wrists.
Click. Bodies are wrapped and moved to a makeshift storage room. Click. The available weapons are gathered and redistributed. Click. Officers are assigned to sniping positions on neighboring buildings. Click. Police cruisers circle the lot outside. Click. In the holding cell, Jim opens his eyes. Click. Lary flicks his lighter. Click. Gracia sips coffee from a paper cup. Click. Shells hit the ground at the feet of Genocide. Click. Genocide walks outside a cafe and looks at the station in the distance. Click. Lary clicks his lighter.
"All ya'll gon' fall," Jim ranted." You can't drain the ocean. You can't put out the sun. Evil will always exist. That there Genocide is proof . I saw him. Saw myself within his eyes. Saw the evil in me that I could no longer try to hide. He taught me to embrace the darkness within. Its in all of us begging to be let out. Can you hear it!" Lary clicked his lighter and got up from his chair. He grabbed a cup of liquor from another officer mid sip and walked over to Jim. He doused it on Jim, the liquid stinging his open wounds. Jim yelped. Across the station, radios blurred to life. Several of their lookouts on the outside had been killed. "He's gon' get ya," Jim smiled imitating Lary's signature grin. "Genocide! Genocide! Genocide!" The other inmates saw the chance to irritate Lary and joined in all shouting in unison,"Ge-No-Cide! Ge-No-Cide! Ge-No-Cide!" The chanting grew louder. Unbearable. They invoked upon the name of the beast, and so it came.
Genocide is upon us. A wave of dread spread across the officers. They could feel its presence. Gracia knew the sensation. The awful aura that the other killers gave off. This was different. Far more oppressive. She struggled to breathe as the air got colder. Her instincts screamed for her to run. She could only imagine what the others were going through. Its time. Across the lot Genocide stood. A siren blared over the intercom. "Everyone get into positions!" Evans yelled. Wayne finished setting the last of the c4 near the station entrance. "That's the last of them. Have remote triggers set around all the major hallways. I'll be in the security room ready to pull the switch." Wayne acted as an explosives expert. His job was to detonate bombs placed throughout the station to slow down Genocide should it enter the building. He would stay in the security room, monitoring the cameras and giving real time updates on the officers' positions. From the holding cell, inmates chanted for Genocide. Lary got off his phone" That bastard mixed us up. How did we not notice?" Evans asked what he meant. Lary, dumbfounded, said that most of the town was already dead. Genocide had broken his usual pattern. He went on a killing spree across a defenseless town BEFORE attacking the police station. They had let everyone down. The people they swore to protect. This Genocide was a monster, but he was still a man. Capable of learning from his past actions. Planning. Adapting. It wasn't in his style to stealthily kill his victims or even use a silencer on any of his guns, but an exception had been made for tonight. An exception that would cost them. Gracia was stationed on the second floor. She peered out the window. Her heart skipped a beat. Two cruisers made slow donuts patrolling the lot and standing unmoving between them was a man all in black. Gracia called in to Wayne asking if he saw anything outside. Wayne said the monitors were all clear then checked again. He cursed. He noticed small details were off. The cameras showing the outside of the station were wrong. Sure they showed the same scenery and weather but cars passed by on screen too frequently for a dead town. Too many to make sense for the quarantine they had set in place. Wayne concluded that the cameras had been hacked. Different prerecorded footage was being shown on the live feed to misdirect them. Gracia saw the man look up at her. A light rain started to fall. The officers patrolling outside were contacted. From the holding cells, inmates called for genocide.
2024.05.14 18:11 The_Flameee Help, my portals won't link or work at all like they should [java]
any portal i try to light and go through doesn't link at all, this leads to too much portals and could ruin my server, this isn't the obfuscation thing and im pretty sure its a mod i have.
here's a full list of my mods and the footage: Sky Structures
Dont mind the darkness, its another mod i just fixed
submitted by The_Flameee to MinecraftHelp [link] [comments]
here's a full list of my mods and the footage: Sky Structures
Dark Paintings Kotlin for Forge Easy Anvils [Forge & Fabric] Dungeon Crawl Konkrete [Forge] Dangerous Stone Cutter [Forge/Fabric] [Let's Do] API AutoRegLib Chalk AmbientSounds 5 [Let's Do] Beachparty Biome Music[Forge/Fabric] Savage Ender Dragon[Forge/Fabric] SuperMartijn642's Config Lib Extra Zombie Drops YUNG's Better Jungle Temples (Forge) Skeleton Horse Spawn Serene Seasons Name Tag Tweaks Radium Reforged Bookshelf Sooty Chimneys FullBright Cloth Config API (Fabric/Forge/NeoForge) Torch Slabs Mod WATERMeDIA: Multimedia API Tough As Nails Artifacts Cultural Delights CodeChicken Lib 1.8.+ Just Enough Items (JEI) Night Lights Savage & Ravage Enchantment Descriptions Spelunkery Second Chance (Forge) Sit Naturally Spawning Vex Visuality: Reforged HT's TreeChop Make Bubbles Pop [Client] [Forge/Fabric/Quilt] Sophisticated Backpacks Pitch Perfect Not Enough Animations Better Allay [FABRIC/FORGE] [ETF] Entity Texture Features - [Fabric & Forge] Universal Bone Meal [Forge & Fabric] Another Liquid Milk Towns and Towers YUNG's Better Desert Temples (Forge) YUNG's Better Nether Fortresses (Forge) Death Knell Special Drops Portfolio Mouse Tweaks The Aethe Durability Tooltip Golems Are Friends Not Fodder Kiwi 🥝 (Forge) Double Doors Bedspreads (Fabric/Forge/Quilt) Toast Control Placebo Supplementaries Squared Abnormals Delight Clear Water Respiteful The Twilight Forest CreativeCore YUNG's API (Forge) YUNG's Better Dungeons (Forge) MmmMmmMmmMmm (Target Dummy) Edibles Aquaculture 2 Chunk Sending[Forge/Fabric] Better Climbing Server Performance - Smooth Chunk Save[Forge/Fabric] Alex's Mobs Silveroak Outpost Chef's Delight [Forge] Ensorcellation Curios API (Forge/NeoForge) True Darkness Neapolitan Berry Good Supplementaries [Let's Do] Bakery Entity Collision FPS Fix Simple Shops Realistic Sleep Rare Ice (Forge/Fabric) Better Fog TerraBlender (Forge) Texels Paintings Cave Rats Buzzier Bees Chimes Stronger Snowballs Grabby Mobs Falling Leaves (NeoForge/Forge) Sophisticated Core Clear Lava and Water Alex's Delight Nyf's Spiders End's Delight CoFH Core Every Compat (Wood Good) Cupboard Another Furniture Carry On Farmer's Delight Drip Sounds (Forge) XP From Harvest Reworked Eating Animation [Forge] Path Under Gates Hourglass Cook your food Diet (Fabric/Forge/Quilt) Despawning Eggs Hatch YUNG's Bridges (Forge) Domestication Innovation Incubation Brewin' And Chewin' Extra Delight Beautify! Comforts (Fabric/Forge/Quilt) Snow Under Trees YUNG's Better Mineshafts (Forge) Variant Tools and Weaponry - More Weapons Let Sleeping Dogs Lie (Forge) SwingThroughGrass YUNG's Extras (Forge) Better Fullbright TheDirtyStuff Blueprint Clumps Neko's Enchanted Books Moonlight Lib YUNG's Better Strongholds (Forge) Void Fog Framework More Mob Variants Villager Names CullLessLeaves Reforged (Unofficial) Lucent YUNG's Better End Island (Forge) Chat Heads Detail Armor Bar [Forge] AppleSkin Snowballs Freeze Mobs Food Effects YUNG's Better Ocean Monuments (Forge) Iceberg [Forge] Mod Name Tooltip Architectury API (Fabric/Forge/NeoForge) Snuffles Snow! Real Magic! ⛄ (Forge) Naturally Charged Creepers Just Enough Effect Descriptions (JEED) Cat Jammies Biomes O' Plenty Super Simple Voice Radio Tumbleweed GeckoLib Pet Pass: Trade Your Pets Presence Footsteps [Forge] Starlight (Forge) [Let's Do] Vinery Citadel [Let's Do] NetherVinery [EMF] Entity Model Features [Fabric & Forge] Random Mob Sizes Better Fps - Render Distance[Forge] Puzzles Lib [Forge & Fabric] Fullbright UB Collective Nature's Compass Fresh Animations Smarter Farmers (farmers replant) Easy Shulker Boxes [Forge & Fabric] Simple Tomb Amplified Nether Copperized Advancement Plaques [Forge] YUNG's Better Witch Huts (Forge) Tax Free Levels (Fabric/(Neo)Forge) Boatload Camera Mod Simple Voice Chat Better Advancements Wool Tweaks Responsive Shields Carpet Trapdoors [Forge] Duckling Contact Nether's Delight Xtra Arrows Entity Culling Fabric/Forge Do a Barrel Roll Model Gap Fix Easy Magic [Forge & Fabric] MidnightLib Just Zoom [Forge] Catalogue Blur (Forge) Notes MrCrayfish's Gun Mod Farmer's Respite Iron Chests Twilight's Flavors & Delight Dynamic Lights Item Highlighter [Forge] Forgeryhttps://reddit.com/link/1crvz2f/video/loc638bacnzc1/player
Dont mind the darkness, its another mod i just fixed
2024.05.14 17:34 _Triple_ [STORE] 900+ KNIVES/GLOVES/SKINS, 100.000$+ INVENTORY. BFK Lore, Gloves Amphibious, Skeleton Fade, Bowie Emerald, BFK Auto, Gloves MF, Talon Doppler, Gloves POW, Bayo Tiger, Gut Sapphire, Stiletto MF, M9 Ultra, Ursus Doppler, Flip Doppler, M9 Stained, Nomad CW, Paracord CW, AK-47 X-Ray & A Lot More
Everything in my inventory is up for trade. The most valuable items are listed here, the rest you can find in My Inventory
Feel free to Add Me or even better send a Trade Offer. Open for any suggestions: upgrades, downgrades / knives, gloves, skins / stickers, patterns, floats.
All Buyouts are listed in cash value.
KNIVES
★ Butterfly Knife Lore (Factory New), B/O: $7194.77
★ Butterfly Knife Autotronic (Minimal Wear), B/O: $2025.74
⎯★ M9 Bayonet Ultraviolet (Field-Tested), B/O: $557.87
★ M9 Bayonet Stained (Well-Worn), B/O: $529.41
★ M9 Bayonet Boreal Forest (Field-Tested), B/O: $465.39
⎯★ Talon Knife Doppler (Factory New), B/O: $1295.27
★ Bayonet Tiger Tooth (Minimal Wear), B/O: $746.28
★ Karambit Bright Water (Field-Tested), B/O: $688.15
⎯★ Flip Knife Doppler (Factory New), B/O: $547.93
★ Flip Knife Autotronic (Minimal Wear), B/O: $476.69
★ Flip Knife Case Hardened (Battle-Scarred), B/O: $278.18
★ Flip Knife Black Laminate (Well-Worn), B/O: $258.83
★ Flip Knife Urban Masked (Field-Tested), B/O: $181.64
⎯★ Stiletto Knife Marble Fade (Factory New), B/O: $686.04
★ Stiletto Knife Doppler (Factory New), B/O: $665.41
★ Stiletto Knife, B/O: $601.39
★ Stiletto Knife Crimson Web (Field-Tested), B/O: $418.25
★ Stiletto Knife Night Stripe (Field-Tested), B/O: $227.80
★ Stiletto Knife Boreal Forest (Field-Tested), B/O: $194.96
★ Stiletto Knife Safari Mesh (Field-Tested), B/O: $192.79
⎯★ Nomad Knife Crimson Web (Field-Tested), B/O: $518.11
★ Nomad Knife Scorched (Field-Tested), B/O: $169.78
★ Nomad Knife Forest DDPAT (Battle-Scarred), B/O: $166.88
★ StatTrak™ Nomad Knife Blue Steel (Field-Tested), B/O: $335.79
⎯★ Skeleton Knife Stained (Well-Worn), B/O: $442.05
★ Skeleton Knife Urban Masked (Minimal Wear), B/O: $426.24
★ Skeleton Knife Boreal Forest (Field-Tested), B/O: $314.03
★ StatTrak™ Skeleton Knife Fade (Minimal Wear), B/O: $2361.28
★ StatTrak™ Skeleton Knife Urban Masked (Field-Tested), B/O: $376.53
⎯★ Ursus Knife Doppler (Factory New), B/O: $557.12
★ Ursus Knife, B/O: $471.42
★ Ursus Knife Blue Steel (Minimal Wear), B/O: $212.37
★ Ursus Knife Case Hardened (Battle-Scarred), B/O: $187.66
★ Ursus Knife Damascus Steel (Field-Tested), B/O: $178.18
★ Ursus Knife Ultraviolet (Battle-Scarred), B/O: $155.13
★ Ursus Knife Boreal Forest (Battle-Scarred), B/O: $124.26
⎯★ Huntsman Knife Black Laminate (Minimal Wear), B/O: $204.83
★ Huntsman Knife Black Laminate (Field-Tested), B/O: $184.50
★ StatTrak™ Huntsman Knife Lore (Battle-Scarred), B/O: $224.11
⎯★ Bowie Knife Gamma Doppler (Factory New), B/O: $2142.02
★ Bowie Knife, B/O: $230.44
★ Bowie Knife Damascus Steel (Factory New), B/O: $209.20
★ Bowie Knife Ultraviolet (Minimal Wear), B/O: $180.51
★ Bowie Knife Ultraviolet (Field-Tested), B/O: $131.03
⎯★ Falchion Knife Night (Field-Tested), B/O: $132.54
★ Falchion Knife Urban Masked (Well-Worn), B/O: $112.81
★ Falchion Knife Scorched (Field-Tested), B/O: $108.81
★ Falchion Knife Forest DDPAT (Field-Tested), B/O: $107.82
★ Falchion Knife Safari Mesh (Field-Tested), B/O: $107.46
★ StatTrak™ Falchion Knife Ultraviolet (Field-Tested), B/O: $143.08
⎯★ Paracord Knife Crimson Web (Minimal Wear), B/O: $486.48
★ Paracord Knife Blue Steel (Battle-Scarred), B/O: $163.12
⎯★ Survival Knife Blue Steel (Battle-Scarred), B/O: $138.26
★ Survival Knife Night Stripe (Field-Tested), B/O: $131.03
⎯★ Gut Knife Sapphire (Minimal Wear), B/O: $1127.79
★ Gut Knife Gamma Doppler (Factory New), B/O: $286.17
★ Gut Knife Doppler (Factory New), B/O: $246.55
★ Gut Knife Marble Fade (Factory New), B/O: $240.77
★ Gut Knife, B/O: $210.49
★ Gut Knife Lore (Field-Tested), B/O: $194.22
★ Gut Knife Case Hardened (Battle-Scarred), B/O: $151.51
★ Gut Knife Blue Steel (Minimal Wear), B/O: $124.94
★ Gut Knife Rust Coat (Well-Worn), B/O: $118.99
★ Gut Knife Boreal Forest (Minimal Wear), B/O: $109.80
★ StatTrak™ Gut Knife Doppler (Factory New), B/O: $237.96
⎯★ Shadow Daggers Gamma Doppler (Factory New), B/O: $264.92
★ Shadow Daggers Marble Fade (Factory New), B/O: $253.03
★ Shadow Daggers Tiger Tooth (Factory New), B/O: $237.22
★ Shadow Daggers Crimson Web (Field-Tested), B/O: $153.40
★ Shadow Daggers Autotronic (Minimal Wear), B/O: $144.42
★ Shadow Daggers Blue Steel (Field-Tested), B/O: $105.20
★ StatTrak™ Shadow Daggers Damascus Steel (Minimal Wear), B/O: $150.46
⎯★ Navaja Knife Fade (Factory New), B/O: $365.99
★ Navaja Knife Doppler (Factory New), B/O: $228.93
★ Navaja Knife Marble Fade (Factory New), B/O: $227.43
★ Navaja Knife Slaughter (Factory New), B/O: $209.06
★ Navaja Knife, B/O: $203.16
★ Navaja Knife Case Hardened (Well-Worn), B/O: $132.57
★ Navaja Knife Damascus Steel (Factory New), B/O: $121.69
★ Navaja Knife Damascus Steel (Minimal Wear), B/O: $109.95
★ Navaja Knife Damascus Steel (Field-Tested), B/O: $100.41
★ StatTrak™ Navaja Knife Fade (Factory New), B/O: $369.01
★ StatTrak™ Navaja Knife Damascus Steel (Field-Tested), B/O: $109.95
GLOVES
★ Sport Gloves Amphibious (Minimal Wear), B/O: $2394.67
★ Sport Gloves Omega (Well-Worn), B/O: $572.33
★ Sport Gloves Bronze Morph (Minimal Wear), B/O: $338.88
★ Sport Gloves Big Game (Field-Tested), B/O: $323.66
⎯★ Specialist Gloves Marble Fade (Minimal Wear), B/O: $1652.07
★ Specialist Gloves Tiger Strike (Field-Tested), B/O: $599.14
★ Specialist Gloves Crimson Web (Well-Worn), B/O: $231.57
★ Specialist Gloves Buckshot (Minimal Wear), B/O: $126.21
⎯★ Moto Gloves POW! (Minimal Wear), B/O: $996.99
★ Moto Gloves POW! (Field-Tested), B/O: $383.31
★ Moto Gloves POW! (Well-Worn), B/O: $276.00
★ Moto Gloves Turtle (Field-Tested), B/O: $180.28
⎯★ Hand Wraps CAUTION! (Minimal Wear), B/O: $502.29
★ Hand Wraps Giraffe (Minimal Wear), B/O: $180.73
★ Hand Wraps CAUTION! (Battle-Scarred), B/O: $178.32
⎯★ Driver Gloves Queen Jaguar (Minimal Wear), B/O: $181.01
★ Driver Gloves Rezan the Red (Field-Tested), B/O: $101.66
⎯★ Broken Fang Gloves Jade (Field-Tested), B/O: $127.88
★ Broken Fang Gloves Needle Point (Minimal Wear), B/O: $124.55
⎯★ Bloodhound Gloves Guerrilla (Minimal Wear), B/O: $127.94
★ Hydra Gloves Case Hardened (Field-Tested), B/O: $102.55
WEAPONS
AK-47 X-Ray (Well-Worn), B/O: $478.95
AUG Hot Rod (Factory New), B/O: $425.83
StatTrak™ M4A1-S Hyper Beast (Factory New), B/O: $413.95
M4A4 Daybreak (Factory New), B/O: $309.51
StatTrak™ AK-47 Aquamarine Revenge (Factory New), B/O: $305.43
AK-47 Case Hardened (Well-Worn), B/O: $196.38
StatTrak™ M4A4 Temukau (Minimal Wear), B/O: $174.64
P90 Run and Hide (Field-Tested), B/O: $167.03
AWP Asiimov (Field-Tested), B/O: $153.33
Souvenir SSG 08 Death Strike (Minimal Wear), B/O: $140.00
M4A1-S Printstream (Battle-Scarred), B/O: $124.70
StatTrak™ M4A1-S Golden Coil (Field-Tested), B/O: $117.48
AWP Asiimov (Well-Worn), B/O: $115.97
StatTrak™ Desert Eagle Printstream (Minimal Wear), B/O: $112.96
StatTrak™ AK-47 Asiimov (Minimal Wear), B/O: $110.85
Souvenir M4A1-S Master Piece (Well-Worn), B/O: $102.42
AK-47 Bloodsport (Minimal Wear), B/O: $100.53
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2024.05.14 17:12 Tartanclad How Gates of Hell could make a Commonwealth faction truly unique
Recently Gates of Hell released the American faction and did a full overhaul of the German faction, leading to a pair of interesting factions with an incredible variety of historically authentic uniforms. You could zoom in on any of the squads and see the diverse uniforms depicted right down to the insignia on their caps and the regiments on their patches. Shermanator’s interview of Chase/Trudel (the lead animator & 3D human artist) gave me faith in the developer’s passion for the history and the game. This made me quite excited, because we have yet to see a British Commonwealth faction but there is some heavy implication that we can expect one in the future.
I wanted to make this thread, because I wanted to express my desire to see elements in the game that would make the Commonwealth faction a wealth of interesting units, uniforms and nationalities, particularly via the doctrines system that exists within the game. The intention is to throw in representatives across all the major nations of the British Commonwealth as well as some of the Allied armies-in-exile that came under British command. I also want to highlight some of the vehicles that are rarely mentioned in other games due to their obscure theatre or role. For the record, I'm not telling the devs what to do - I'm just making some example doctrines that I came up with as an example of the variety of units I'd love to see and making their inclusion plausible. Mostly to get the community talking.
I won’t talk about early war, partially because ‘Early war’ in Gates of Hell is largely post-Dunkirk, but also because I feel like what I am asking is still quite a lot just for one faction across two eras. I also I won’t be mentioning the more obvious or general units like Stuarts, Crusaders, Cromwells, Grants etc, as I expect them to be added nonetheless. It’s the vaguer aspects of the Commonwealth I wanted to talk about; the weird, wonderful and the diverse.
Mid War Doctrines
I think the mid-war should be largely inspired by the North African Campaigns, centred largely on the 8th Army and utilising the huge variety of cultures that fought within it. Extra bits can be added from the Italian campaign where the faction is lacking, and the Italian campaign can also be represented in the ‘Temperate’ skin for the mid-war faction. There are a lot of inspirations one can draw to create a variety of options for the Commonwealth player and each doctrine should draw from their unique aspects.
All-Round: Inspired by the Desert Rats, the 2nd Battle of El Alamein and Operation Crusader this one balances the various aspects of the other doctrines while keeping it unique. I’d like to see the Infantry include British Desert Rats Infantry, 2nd New Zealand Infantry, & 1st South African Infantry. I’d also like to see South African Marmon-Herrington Armoured Cars (multiple variants) as an early-battle option, plenty of the more common tanks and maybe the Bishop as a slow but mobile artillery piece. As a special call-in, we could probably include the Free French Legionaries as a powerful assault unit, just to really complete the variety in this division.
Defensive: Inspired by the Siege of Tobruk, this doctrine should primarily represent the Australians. Variations of the Australian 9th Division troops as infantry alongside minor British elements with a heavy emphasis on field engineers, emplacements and field guns. Defensive doctrine could also include RAF Regiment infantry, RAF 20mm Oerlikon guns, RAF Rolls Royces, India Pattern Carriers (from the Indian 18th Division), air strikes and, as a special unit, they could even have captured Italian tanks from the 6th Australian Division Cavalry Regiment! As a defensive doctrine, they should also have access to the best mid-war field guns, including the rare (but historical) ’Pheasant’ 17/25 Pounder Field Gun.
Offensive: Inspired by the Battle of Tunisia and Operation Torch, I think this one should show off the might of the UK’s heavier vehicles in the latter stages of the African campaign, particularly the Churchill III, Sherman III, the Priest 105mm and the Stuart Command Tank, alongside the more standard British tank options. As for infantry options, we can include Indian troops of the 4th Infantry Division (India), Gurkhas, and a motorised unit of 22nd Guards Infantry. I would also add the British Commandos in this division - partly because they were involved in Operation Torch, but also because they had an iconic impact on the mid-war (outside of Africa) that it would be a pity not to add them.
Irregular: This one would be quite unique in mid-war as it is effectively the light vehicle special forces doctrine. Although some standard British units would form the basis of the army, they would have access to a variety of assets representing the Long Range Desert Group; Chevrolet trucks with mounted Vickers MGs, Boys AT rifles, twin 303 Brownings or even Bofors and captured 20mm Breda guns! ‘Bamtam’ jeeps with twin Vickers Ks or 303 Brownings. The transport and logistics would be different too, using the Marmon-Herrington 6-ton Heavy Truck or the White 1064 10-ton. Other unique special call-ins would include an LRDG WACO Recon plane and the SAS (armed with the Lewes bomb). The downside to this doctrine, however, is that imagine it to be much lighter on armoured support, relying mostly on towed guns for its heavy firepower.
Other Units: I’ve tried to use inspirations from specific parts of the war to get a rounded but also diverse array of units, but there are loads of obscure units across the mid-war that I’d love to see; the Priest 105mm SPG, the AEC Deacon Gun Carrier, the Daimler Dingo, the Humber Light Reconnaissance, and so on.
That is as much as I want to say on mid-war without labouring the point. I’m sure there’s interesting things I’ve missed accidentally, and I’m afraid there’s some I have missed on purpose. For example, I considered the Australian Matilda Hedgehog, but it turned out to be late war and never used. I also considered the Greek and the Czech Division, but I think I’ve already stretched it too far as regards voice acting alone without adding units that, as distinguished their service might be, are just too obscure without adding anything extra - appearance or gameplay. That said, my hat would go off to the devs if they achieved that.
Late War Doctrines
Here we get to represent the Commonwealth units from Operation Overlord up until Operation Varsity.
All-Round: The quintessential British doctrine, combining bog-standard infantry with hardy tanks and a decent array of equipment. Partially based on Gold Beach, but also Operation Varsity/Plunder towards the end of the war, I would personally give them 50th (Northumbrian) Infantry, RAF Regiment Gunners, RAF Humber Light AC, Churchill AVRE, the Cruiser Mk. VIII Challenger and the Comet. Maybe give them some 6th Airlanding troops and 1st Canadian Parachute Infantry as a reference to the Normandy paratroopers if we feel they need more skilled infantry.
Offensive: The Canadian Doctrine - mostly inspired by the First Canadian Army in Normandy with elements of their experiences later on (including the Battle of the Schelt and Operation Veritable) with the doctrine largely focused on armoured assault infantry. They’ll look quite unique compared to the British because their uniforms were greener and they were the first to use the British-designed Mk.III helmet at D-Day. Troops of the 3rd Canadian Infantry Division as standard, supported by assault infantry. Eventually, armoured infantry can spawn in Buffalos (used at the Battle of the Schelt) and, as a special call-in, Ram Kangaroo APCs (sporting an armoured MG turret). The Otter armoured car would be an early call-in, with M4A1 Sherman Grizzly tanks as well as Ram IIs available in the standard tank tab. Some unique but limited special call-ins would include the Skink AA tank (of which 2 saw historical combat in Normandy) as well as a skilled sniper wielding the Ross rifle.
Defensive: Just as the US Defensive doctrine features the 101st Airborne (no doubt inspired by the Battle of Bastogne), the British Defensive doctrine can feature the British Airborne - particularly based on the defense of Arnhem Bridge in the Netherlands as part of Market Garden. Infantry units can include the 52nd (Lowland) Infantry, 1st Airborne Paratroopers, 1st Airlanding Infantry, Parachute Squadron Royal Engineers and 1st (Polish) Independent Paratroopers (who are distinctive with their grey berets). Armoured units can include the Tetrarch and the M22 Locust. To suit their defensive doctrine, they should get some decent guns and I’m thinking the airborne jeep-towed 20mm Polsten Gun, airborne 17th Pounder as well as (in a departure from the Parachute theme) the BL 7.2-inch howitzer. The Patchett sub-machine gun could make an appearance here too.
Irregular: Based on Sword Beach, Commandos and the 79th Armoured Division, with the more unusual units in the British arsenal. Probably with 3rd Infantry Division Infantry as standard, this unit could have access to No.41 (Royal Marine) Commandos, Fusilier Marines Commandos (based on No.4 Commando’s assault on Ouestreham), the Centaur Mk.IV QF 95mm, the Sherman DD, the Churchill Crocodile and Royal Engineer Assault Teams deployed in the cute Terrapin 4-ton Amphibious. If we want to be really wacky, we could even add the M3 Grant CDL (an unarmed searchlight tank) for armoured spotting, similar to the 150cm Flakscheinwerfer searchlight.
Other Units: Further unique units that would fit in any one (or multiple) of these divisions (based on balance) include the Land Mattress Rocket Launcher, the Loyd Carrier, the Universal Carrier WASP (flamethrower), the Sexton SPG, Sherman Firefly, the Archer TD, Achilles TD, the Priest Kangaroo, the Morris C8, Staghound and so on. There are SO many strange and obscure British vehicles that don’t often see the light of day, but would be perfect for Gates of Hell.
Post-release Doctrines -
More of a final thought than anything else, but if/when the Japanese get added into the game, I’d love to see a fifth doctrine to represent the British 14th Army to match the Japanese. A doctrine that is mostly comprised of Indian infantry and Indian tanks, with representation from the East/West African Divisions, Gurkhas and the British 2nd or 36th Infantry Divisions. Special call-ins could include the Chindits (using Thompsons and the Jungle Carbine) and paratroopers of the 50th Indian Parachute Brigade. If we’re feeling generous enough to allow the doctrine to encompass the Pacific Islands as well, we could also include an Australian squad armed with the Owen SMG, South Pacific Scouts, the Matida Frog (flamethrower) and the Matilda QF 3-Inch.
Conclusion: I apologise for such a long read. But I hope we see how a bit of ambition could really help the Commonwealth stand out and be worthy of the variety seen in the other factions since their overhaul. While the Germans have Spanish soldiers in their ranks, the Commonwealth can see the UK, Canada, India, Australia, New Zealand, South Africa, Poland, and France (and technically Nepal) all get some recognition. While the German Kriegsmarine and Luftwaffe stand out on the field, the Commonwealth might get the distinctive blue battledress of the RAF Regiment, or the long white tunics of the Foreign Legion. We would see such a variety of hats including pith helmets, berets, kepis, dastars, keffiyehs and slouch hats. Some units, like the LRDG vehicles, might even stand out as unique from any of the nations already in the game. It’s a lot of colourful uniforms, a lot of voices and a lot of strange and wonderful machines.
However, it does come with its downsides. Firstly, Africa and Europe are such dramatically different theatres that their version of mid & late war are incredibly different to one another. So much so that the depth of variety might make the faction too big, making it a lot of effort for the art department (especially with uniforms changing for the map’s climate. Imagine making skins for temperate, desert AND snow). The second issue is whether France is getting its own faction in future iterations of the game (the French flag appears in the loading screen during Axis vs Allies games). The final (and probably biggest) issue is voice acting. I’m no expert on games development, but I gather that getting enough voice actors for a faction is hard enough as it is without having to accurately represent 9 countries at once. I would love to hear the developer’s thoughts on the matter - whether such a project is within the game’s scope and if they have the ambition to take it this far.
Do let me all know what you think as well.
submitted by Tartanclad to GatesOfHellOstfront [link] [comments]
I wanted to make this thread, because I wanted to express my desire to see elements in the game that would make the Commonwealth faction a wealth of interesting units, uniforms and nationalities, particularly via the doctrines system that exists within the game. The intention is to throw in representatives across all the major nations of the British Commonwealth as well as some of the Allied armies-in-exile that came under British command. I also want to highlight some of the vehicles that are rarely mentioned in other games due to their obscure theatre or role. For the record, I'm not telling the devs what to do - I'm just making some example doctrines that I came up with as an example of the variety of units I'd love to see and making their inclusion plausible. Mostly to get the community talking.
I won’t talk about early war, partially because ‘Early war’ in Gates of Hell is largely post-Dunkirk, but also because I feel like what I am asking is still quite a lot just for one faction across two eras. I also I won’t be mentioning the more obvious or general units like Stuarts, Crusaders, Cromwells, Grants etc, as I expect them to be added nonetheless. It’s the vaguer aspects of the Commonwealth I wanted to talk about; the weird, wonderful and the diverse.
Mid War Doctrines
I think the mid-war should be largely inspired by the North African Campaigns, centred largely on the 8th Army and utilising the huge variety of cultures that fought within it. Extra bits can be added from the Italian campaign where the faction is lacking, and the Italian campaign can also be represented in the ‘Temperate’ skin for the mid-war faction. There are a lot of inspirations one can draw to create a variety of options for the Commonwealth player and each doctrine should draw from their unique aspects.
All-Round: Inspired by the Desert Rats, the 2nd Battle of El Alamein and Operation Crusader this one balances the various aspects of the other doctrines while keeping it unique. I’d like to see the Infantry include British Desert Rats Infantry, 2nd New Zealand Infantry, & 1st South African Infantry. I’d also like to see South African Marmon-Herrington Armoured Cars (multiple variants) as an early-battle option, plenty of the more common tanks and maybe the Bishop as a slow but mobile artillery piece. As a special call-in, we could probably include the Free French Legionaries as a powerful assault unit, just to really complete the variety in this division.
Defensive: Inspired by the Siege of Tobruk, this doctrine should primarily represent the Australians. Variations of the Australian 9th Division troops as infantry alongside minor British elements with a heavy emphasis on field engineers, emplacements and field guns. Defensive doctrine could also include RAF Regiment infantry, RAF 20mm Oerlikon guns, RAF Rolls Royces, India Pattern Carriers (from the Indian 18th Division), air strikes and, as a special unit, they could even have captured Italian tanks from the 6th Australian Division Cavalry Regiment! As a defensive doctrine, they should also have access to the best mid-war field guns, including the rare (but historical) ’Pheasant’ 17/25 Pounder Field Gun.
Offensive: Inspired by the Battle of Tunisia and Operation Torch, I think this one should show off the might of the UK’s heavier vehicles in the latter stages of the African campaign, particularly the Churchill III, Sherman III, the Priest 105mm and the Stuart Command Tank, alongside the more standard British tank options. As for infantry options, we can include Indian troops of the 4th Infantry Division (India), Gurkhas, and a motorised unit of 22nd Guards Infantry. I would also add the British Commandos in this division - partly because they were involved in Operation Torch, but also because they had an iconic impact on the mid-war (outside of Africa) that it would be a pity not to add them.
Irregular: This one would be quite unique in mid-war as it is effectively the light vehicle special forces doctrine. Although some standard British units would form the basis of the army, they would have access to a variety of assets representing the Long Range Desert Group; Chevrolet trucks with mounted Vickers MGs, Boys AT rifles, twin 303 Brownings or even Bofors and captured 20mm Breda guns! ‘Bamtam’ jeeps with twin Vickers Ks or 303 Brownings. The transport and logistics would be different too, using the Marmon-Herrington 6-ton Heavy Truck or the White 1064 10-ton. Other unique special call-ins would include an LRDG WACO Recon plane and the SAS (armed with the Lewes bomb). The downside to this doctrine, however, is that imagine it to be much lighter on armoured support, relying mostly on towed guns for its heavy firepower.
Other Units: I’ve tried to use inspirations from specific parts of the war to get a rounded but also diverse array of units, but there are loads of obscure units across the mid-war that I’d love to see; the Priest 105mm SPG, the AEC Deacon Gun Carrier, the Daimler Dingo, the Humber Light Reconnaissance, and so on.
That is as much as I want to say on mid-war without labouring the point. I’m sure there’s interesting things I’ve missed accidentally, and I’m afraid there’s some I have missed on purpose. For example, I considered the Australian Matilda Hedgehog, but it turned out to be late war and never used. I also considered the Greek and the Czech Division, but I think I’ve already stretched it too far as regards voice acting alone without adding units that, as distinguished their service might be, are just too obscure without adding anything extra - appearance or gameplay. That said, my hat would go off to the devs if they achieved that.
Late War Doctrines
Here we get to represent the Commonwealth units from Operation Overlord up until Operation Varsity.
All-Round: The quintessential British doctrine, combining bog-standard infantry with hardy tanks and a decent array of equipment. Partially based on Gold Beach, but also Operation Varsity/Plunder towards the end of the war, I would personally give them 50th (Northumbrian) Infantry, RAF Regiment Gunners, RAF Humber Light AC, Churchill AVRE, the Cruiser Mk. VIII Challenger and the Comet. Maybe give them some 6th Airlanding troops and 1st Canadian Parachute Infantry as a reference to the Normandy paratroopers if we feel they need more skilled infantry.
Offensive: The Canadian Doctrine - mostly inspired by the First Canadian Army in Normandy with elements of their experiences later on (including the Battle of the Schelt and Operation Veritable) with the doctrine largely focused on armoured assault infantry. They’ll look quite unique compared to the British because their uniforms were greener and they were the first to use the British-designed Mk.III helmet at D-Day. Troops of the 3rd Canadian Infantry Division as standard, supported by assault infantry. Eventually, armoured infantry can spawn in Buffalos (used at the Battle of the Schelt) and, as a special call-in, Ram Kangaroo APCs (sporting an armoured MG turret). The Otter armoured car would be an early call-in, with M4A1 Sherman Grizzly tanks as well as Ram IIs available in the standard tank tab. Some unique but limited special call-ins would include the Skink AA tank (of which 2 saw historical combat in Normandy) as well as a skilled sniper wielding the Ross rifle.
Defensive: Just as the US Defensive doctrine features the 101st Airborne (no doubt inspired by the Battle of Bastogne), the British Defensive doctrine can feature the British Airborne - particularly based on the defense of Arnhem Bridge in the Netherlands as part of Market Garden. Infantry units can include the 52nd (Lowland) Infantry, 1st Airborne Paratroopers, 1st Airlanding Infantry, Parachute Squadron Royal Engineers and 1st (Polish) Independent Paratroopers (who are distinctive with their grey berets). Armoured units can include the Tetrarch and the M22 Locust. To suit their defensive doctrine, they should get some decent guns and I’m thinking the airborne jeep-towed 20mm Polsten Gun, airborne 17th Pounder as well as (in a departure from the Parachute theme) the BL 7.2-inch howitzer. The Patchett sub-machine gun could make an appearance here too.
Irregular: Based on Sword Beach, Commandos and the 79th Armoured Division, with the more unusual units in the British arsenal. Probably with 3rd Infantry Division Infantry as standard, this unit could have access to No.41 (Royal Marine) Commandos, Fusilier Marines Commandos (based on No.4 Commando’s assault on Ouestreham), the Centaur Mk.IV QF 95mm, the Sherman DD, the Churchill Crocodile and Royal Engineer Assault Teams deployed in the cute Terrapin 4-ton Amphibious. If we want to be really wacky, we could even add the M3 Grant CDL (an unarmed searchlight tank) for armoured spotting, similar to the 150cm Flakscheinwerfer searchlight.
Other Units: Further unique units that would fit in any one (or multiple) of these divisions (based on balance) include the Land Mattress Rocket Launcher, the Loyd Carrier, the Universal Carrier WASP (flamethrower), the Sexton SPG, Sherman Firefly, the Archer TD, Achilles TD, the Priest Kangaroo, the Morris C8, Staghound and so on. There are SO many strange and obscure British vehicles that don’t often see the light of day, but would be perfect for Gates of Hell.
Post-release Doctrines -
More of a final thought than anything else, but if/when the Japanese get added into the game, I’d love to see a fifth doctrine to represent the British 14th Army to match the Japanese. A doctrine that is mostly comprised of Indian infantry and Indian tanks, with representation from the East/West African Divisions, Gurkhas and the British 2nd or 36th Infantry Divisions. Special call-ins could include the Chindits (using Thompsons and the Jungle Carbine) and paratroopers of the 50th Indian Parachute Brigade. If we’re feeling generous enough to allow the doctrine to encompass the Pacific Islands as well, we could also include an Australian squad armed with the Owen SMG, South Pacific Scouts, the Matida Frog (flamethrower) and the Matilda QF 3-Inch.
Conclusion: I apologise for such a long read. But I hope we see how a bit of ambition could really help the Commonwealth stand out and be worthy of the variety seen in the other factions since their overhaul. While the Germans have Spanish soldiers in their ranks, the Commonwealth can see the UK, Canada, India, Australia, New Zealand, South Africa, Poland, and France (and technically Nepal) all get some recognition. While the German Kriegsmarine and Luftwaffe stand out on the field, the Commonwealth might get the distinctive blue battledress of the RAF Regiment, or the long white tunics of the Foreign Legion. We would see such a variety of hats including pith helmets, berets, kepis, dastars, keffiyehs and slouch hats. Some units, like the LRDG vehicles, might even stand out as unique from any of the nations already in the game. It’s a lot of colourful uniforms, a lot of voices and a lot of strange and wonderful machines.
However, it does come with its downsides. Firstly, Africa and Europe are such dramatically different theatres that their version of mid & late war are incredibly different to one another. So much so that the depth of variety might make the faction too big, making it a lot of effort for the art department (especially with uniforms changing for the map’s climate. Imagine making skins for temperate, desert AND snow). The second issue is whether France is getting its own faction in future iterations of the game (the French flag appears in the loading screen during Axis vs Allies games). The final (and probably biggest) issue is voice acting. I’m no expert on games development, but I gather that getting enough voice actors for a faction is hard enough as it is without having to accurately represent 9 countries at once. I would love to hear the developer’s thoughts on the matter - whether such a project is within the game’s scope and if they have the ambition to take it this far.
Do let me all know what you think as well.
2024.05.14 16:00 AutoModerator Weekly /r/quilting no-stupid question thread - ask us anything!
Welcome to /quilting where no question is a stupid question and we are here to help you on your quilting journey.
Feel free to ask us about machines, fabric, techniques, tutorials, patterns, or for advice if you're stuck on a project.
We highly recommend The Ultimate Beginner Quilt Series if you're new and you don't know where to start. They cover quilting start to finish with a great beginner project to get your feet wet. They also have individual videos in the playlist if you just need to know one technique like how do I put my binding on?
So ask away! Be kind, be respectful, and be helpful. May the fabric guide you.
submitted by AutoModerator to quilting [link] [comments]
Feel free to ask us about machines, fabric, techniques, tutorials, patterns, or for advice if you're stuck on a project.
We highly recommend The Ultimate Beginner Quilt Series if you're new and you don't know where to start. They cover quilting start to finish with a great beginner project to get your feet wet. They also have individual videos in the playlist if you just need to know one technique like how do I put my binding on?
So ask away! Be kind, be respectful, and be helpful. May the fabric guide you.
2024.05.14 15:15 BroMandi [Woot!] Tommy Bahama: 3-Piece King Printed Quilted Coverlet Set (3 patterns) $20, Solid 100% Cotton Textured Blanket (4 Colors, Full, Queen or King) $20 + Free Shipping w/ Prime [Deal: $20.00, Actual: $90.00]
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2024.05.14 14:01 Zappingsbrew A post talking about 400 words
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2024.05.14 11:18 Hungry_Claim_4150 Am I in the wrong?
To start off with I live in a house share of 3 individuals and a dog, we are previous childhood friends. One flatmate is extremely antisocial and I am trying to figure out if I have been gaslit.
To give some context I’ve been living with my flatmates partner against my will since September 2023. Both me and my other flatmate tried to make clear we were uncomfortable about this months ago. He is extremely messy and had previously punched other men whilst drunk on more than one occasion. We gave these as reasons for us not wanting to be left alone with him in the house. Instead he was given a house key and it took months for this to be readdressed, any discussions we had were forgotten and messages we would send were ignored. In April 2024 we have been told his housing situation was “tricky” and that the flatmate in question needed him here as he was her only support system. She did not give the option of him moving out but instead told us he might be moving out in May 2024. In those 6 months we have been forced to pay his food bill for weeks (we previously had a communal food supply and had to separate and label our food because she kept feeding him without any contribution ) We have had to clean up continually for them both (both of them are very messy and often left spaces needing to be cleaned before being used.) We are told that because food is now separate bringing this up as an example of her disrespect is unacceptable. I have brought up that it is still extra labor in having to clean more often, and spend more money for cleaning products and was told that isn’t true and that they contribute fairly ( Since discussions of us feeling extremely used he has occasionally replaced coffee and toilet paper, paid bills once as of April 2024, does the dishes and occasionally does the bins) we are the ones doing most of the cleaning and always have done so this is an unfair split of labour in my opinion (the dog is also hers so we are cleaning up after 2 adults and a dog)
Neither of them have attempted to communicate over anything, my flatmates partner turned up one day with his dad and moved his things, when I told my flatmate this was not cool they laughed in my face and made a dismissive joke. Neither of them communicated to us that he had been thrown out of his previous house and would be living here. We would just find him in the house when we were under the impression we were home alone.
I realise I could have spoken to him directly, but for some reason was convinced that it would be snakey towards my flatmate to confront him and ask him why he felt so comfortable to dump his labour onto myself and my other flatmate as a 28yr old grown man, so instead everybody in the house just avoided each other with a very passive aggressive environment, in which we all participated in silent treatment. At its peak myself and the flatmate in question would be shoulder barging each other, which is very toxic and sad.
So far the reason given for him not ever cleaning up after himself was that he did not think it would be appropriate and we created a passive aggressive environment. ( We were very angry in this period, I myself even snapped on occasions where I raised my voice at my flatmate saying cruel things which I am ashamed of. This was in response to me feeling as though I was being used as a personal maid)
To give some more context to my own shitty behaviour spaces in the house were regularly left to a point of being unusable, unless we did it ourselves. This involved a months long flea infestation that was so severe you could not be in the house without being jumped on, we repeatedly tried to address this until the point we just dealt with it ourselves. I have had my TV broken when my flatmate was partying with friends which took months to even be acknowledged and not be told that it was not the right time to ask about it. Myself and my other flatmate have had to buy a separate fridge as we literally could not get our food into the houses shared fridge because we were left little space and were still having to regularly clean out others mouldy food. The dog is extremely reactive, he has anxiety and is often only given 2 or 3 short walks a week and spends the majority of his time in one bedroom, so being in the house with him means constant barking and he has been quite destructive. For months she would leave her dog whilst out partying and ignored all messages trying to bring up this forced labour.
Around this time something in me just broke, I actively tried to be petty and use a tit for tat mentality in how I treated her. This involved a lack of care for her items, refusing to do any labour for her, separating every single little thing, giving each other silent treatment. My OCD had been badly triggered after living in a flea infested house, this caused me to go into overdrive with cleaning where I would snap at any little mess. This was too much from me and it was a little controlling, but the situation was then reframed as me being “controlling” and not allowing my flatmate to ever relax in their house, rather than ever returning to the original upset of forced labour.
(I am going to give an example of a game she enjoyed playing with me here to try and explain what I feel has been done to me. She used to come over and start playfully hitting me, she would then ignore me saying no or stop, then when I blew up she would say don’t talk to me like that and frame it as me being angry and shouting at her inappropriately. I have had to address this with her and she has not played this game with me again, but I’ve seen her do it to someone else since and laugh in their face whilst visibly upsetting them, so I know they still enjoy doing it to others. Though just a silly game, this comfortability with ignoring a no and their ability to genuinely convince herself she hasn’t been given a boundary is one that bleeds into real life. )
On one occasion during an argument regarding labour I shouted at her to ‘fuck off back to neglecting your dog’ and I’m sure there were other things I probably said in an attempt to hurt her as much as I was hurting. I take zero pride in this and am deeply ashamed that I lowered myself to that behaviour. She herself belittled me in front of shared friends telling me “you never do anything for me you only do things for others you do nothing for me” over and over until I left the room. We had a huge row where she came down mid shower (as the hot water goes if multiple taps are on) whilst I was doing her dishes as the kitchen was a complete shit hole. I then told her no I’m not going to stop because i need to use my kitchen, and she told me i was disgusting for banning her from showering I told her she was disgusting for leaving the house as she did (I’m not exactly sure my exact words) she then told me “‘theres no room talking to you when ur like this”. Neither of us were right in this but I am giving it as an example of how toxic it is in the house.
A few days following this I said that if she refuses to discuss anything when she is leaving the house unusable for others and her partner is freeloading that I would report her to the landlord (I am not working on logic at this time but because I have been in fight or flight for months) she then told me it was disgusting to threaten her with homelessness and that she would never do something like that to me. I did not mean it as an intimidation tactic or maybe I did I’m not sure, it’s hard to think logically after being ignored over months.
After the threat I made to contact the landlord we discussed all of this, some of which she acknowledged, we both made an effort to apologise. However she tried to diminish the labour her and her partner purposefully used us for, would not give specifics about him moving out, and refused to apologise for belittling telling me she did not remember and it is not something she would ever say so she doesn’t know what I expect her to do. They told me I was not paying extra or doing more labour with an additional person living here. They have since cleaned the garden of bags of shit and dirty underwear that were left out for months, and made small efforts to be cleaner. However most of the house labour still falls onto us. (Some more context they very recently were injured and no longer can clean right now. This I understand completely however I would be lying if I didn’t feel burdened and obligated to now have to do that labour, or to help them with basic tasks when I can barely look at them without feeling sick, also I am still doing labour for her partner).
We have tried to meet her on every level for a very long time, previously we have had discussions about asking her when she is free rather than just dropping things on her, using a house chat, using a cleaning chart. We have tried to compromise and she has ignored all of these after agreeing to them. When I have gone to ask if she is free I have had her snap ‘what now’ I have seen her roll her eyes to others regarding a cleaning chart she agreed to because others were tired of cleaning for her, ignored all messages in the house chat.
My property has been repeatedly damaged or not taken care of as has others. I’ve had to spend over £100 easily. I am so tired of being ignored, laughed at or given no response at all to continual lack of consideration for others and their boundaries. My reactivity does need to be worked on, yes. However theres only so far people can be pushed before they snap, and I’m terrified that I’m going to break again.
When I’ve discussed this with others who have lived with her to see if they noticed this pattern of behaviour they knew exactly what I was talking about, which worries me.
To sum up I do not feel safe in this house, my back is permanently against the wall as I am just waiting for the next boundary violation at this point. This has already happened in truth as we recently received a letter saying we were overdue for council tax which threatened court if not paid off, I paid off mine and I didn’t bother to ask my flatmate to send over the remaining owed money as I am fed up of having all communication ignored and did not want to wait for her to be bothered to send me the money. If there is something that needs her attention you often need to ask for it to be done over and over which again is labour in the first place. As far as I’m aware this bill is still overdue as I have been completely ignored regarding it.
I do not think she truly realises that she has deeply traumatised myself and my flatmate through giving us no autonomy over who lives in this house or leaving us to care for her dog. My OCD is still pretty bad and being in this house or around her makes my skin crawl. So I guess I am wondering if I have been gaslit? Taking my own toxic behaviour into account I do not know whether I can criticise her or if I am being hypocritical in labelling her as toxic. My memory is too foggy to remember a lot of what has actually happened, but I have this of strong feeling of disillusionment that will not leave. I am stuck in this house until October 2024, and I am trying to just get on with it, but I can’t stop obsessing over what has happened, sometimes it’s all I can think about. I feel too guilty or snakey to contact the landlord as she is a longtime friend and I am afraid she will badmouth me to others if I do so. She is my childhood friend and everything in me is telling me that this isn’t how a friend should treat you. I am desperate to be free of this situation but we have been friends since childhood and she is currently injured and also experiencing a bereavement so I feel obligated to just leave her be. Should I still be trying to meet her needs or do I need to be selfish and remove this person from my life?
submitted by Hungry_Claim_4150 to FriendshipAdvice [link] [comments]
To give some context I’ve been living with my flatmates partner against my will since September 2023. Both me and my other flatmate tried to make clear we were uncomfortable about this months ago. He is extremely messy and had previously punched other men whilst drunk on more than one occasion. We gave these as reasons for us not wanting to be left alone with him in the house. Instead he was given a house key and it took months for this to be readdressed, any discussions we had were forgotten and messages we would send were ignored. In April 2024 we have been told his housing situation was “tricky” and that the flatmate in question needed him here as he was her only support system. She did not give the option of him moving out but instead told us he might be moving out in May 2024. In those 6 months we have been forced to pay his food bill for weeks (we previously had a communal food supply and had to separate and label our food because she kept feeding him without any contribution ) We have had to clean up continually for them both (both of them are very messy and often left spaces needing to be cleaned before being used.) We are told that because food is now separate bringing this up as an example of her disrespect is unacceptable. I have brought up that it is still extra labor in having to clean more often, and spend more money for cleaning products and was told that isn’t true and that they contribute fairly ( Since discussions of us feeling extremely used he has occasionally replaced coffee and toilet paper, paid bills once as of April 2024, does the dishes and occasionally does the bins) we are the ones doing most of the cleaning and always have done so this is an unfair split of labour in my opinion (the dog is also hers so we are cleaning up after 2 adults and a dog)
Neither of them have attempted to communicate over anything, my flatmates partner turned up one day with his dad and moved his things, when I told my flatmate this was not cool they laughed in my face and made a dismissive joke. Neither of them communicated to us that he had been thrown out of his previous house and would be living here. We would just find him in the house when we were under the impression we were home alone.
I realise I could have spoken to him directly, but for some reason was convinced that it would be snakey towards my flatmate to confront him and ask him why he felt so comfortable to dump his labour onto myself and my other flatmate as a 28yr old grown man, so instead everybody in the house just avoided each other with a very passive aggressive environment, in which we all participated in silent treatment. At its peak myself and the flatmate in question would be shoulder barging each other, which is very toxic and sad.
So far the reason given for him not ever cleaning up after himself was that he did not think it would be appropriate and we created a passive aggressive environment. ( We were very angry in this period, I myself even snapped on occasions where I raised my voice at my flatmate saying cruel things which I am ashamed of. This was in response to me feeling as though I was being used as a personal maid)
To give some more context to my own shitty behaviour spaces in the house were regularly left to a point of being unusable, unless we did it ourselves. This involved a months long flea infestation that was so severe you could not be in the house without being jumped on, we repeatedly tried to address this until the point we just dealt with it ourselves. I have had my TV broken when my flatmate was partying with friends which took months to even be acknowledged and not be told that it was not the right time to ask about it. Myself and my other flatmate have had to buy a separate fridge as we literally could not get our food into the houses shared fridge because we were left little space and were still having to regularly clean out others mouldy food. The dog is extremely reactive, he has anxiety and is often only given 2 or 3 short walks a week and spends the majority of his time in one bedroom, so being in the house with him means constant barking and he has been quite destructive. For months she would leave her dog whilst out partying and ignored all messages trying to bring up this forced labour.
Around this time something in me just broke, I actively tried to be petty and use a tit for tat mentality in how I treated her. This involved a lack of care for her items, refusing to do any labour for her, separating every single little thing, giving each other silent treatment. My OCD had been badly triggered after living in a flea infested house, this caused me to go into overdrive with cleaning where I would snap at any little mess. This was too much from me and it was a little controlling, but the situation was then reframed as me being “controlling” and not allowing my flatmate to ever relax in their house, rather than ever returning to the original upset of forced labour.
(I am going to give an example of a game she enjoyed playing with me here to try and explain what I feel has been done to me. She used to come over and start playfully hitting me, she would then ignore me saying no or stop, then when I blew up she would say don’t talk to me like that and frame it as me being angry and shouting at her inappropriately. I have had to address this with her and she has not played this game with me again, but I’ve seen her do it to someone else since and laugh in their face whilst visibly upsetting them, so I know they still enjoy doing it to others. Though just a silly game, this comfortability with ignoring a no and their ability to genuinely convince herself she hasn’t been given a boundary is one that bleeds into real life. )
On one occasion during an argument regarding labour I shouted at her to ‘fuck off back to neglecting your dog’ and I’m sure there were other things I probably said in an attempt to hurt her as much as I was hurting. I take zero pride in this and am deeply ashamed that I lowered myself to that behaviour. She herself belittled me in front of shared friends telling me “you never do anything for me you only do things for others you do nothing for me” over and over until I left the room. We had a huge row where she came down mid shower (as the hot water goes if multiple taps are on) whilst I was doing her dishes as the kitchen was a complete shit hole. I then told her no I’m not going to stop because i need to use my kitchen, and she told me i was disgusting for banning her from showering I told her she was disgusting for leaving the house as she did (I’m not exactly sure my exact words) she then told me “‘theres no room talking to you when ur like this”. Neither of us were right in this but I am giving it as an example of how toxic it is in the house.
A few days following this I said that if she refuses to discuss anything when she is leaving the house unusable for others and her partner is freeloading that I would report her to the landlord (I am not working on logic at this time but because I have been in fight or flight for months) she then told me it was disgusting to threaten her with homelessness and that she would never do something like that to me. I did not mean it as an intimidation tactic or maybe I did I’m not sure, it’s hard to think logically after being ignored over months.
After the threat I made to contact the landlord we discussed all of this, some of which she acknowledged, we both made an effort to apologise. However she tried to diminish the labour her and her partner purposefully used us for, would not give specifics about him moving out, and refused to apologise for belittling telling me she did not remember and it is not something she would ever say so she doesn’t know what I expect her to do. They told me I was not paying extra or doing more labour with an additional person living here. They have since cleaned the garden of bags of shit and dirty underwear that were left out for months, and made small efforts to be cleaner. However most of the house labour still falls onto us. (Some more context they very recently were injured and no longer can clean right now. This I understand completely however I would be lying if I didn’t feel burdened and obligated to now have to do that labour, or to help them with basic tasks when I can barely look at them without feeling sick, also I am still doing labour for her partner).
We have tried to meet her on every level for a very long time, previously we have had discussions about asking her when she is free rather than just dropping things on her, using a house chat, using a cleaning chart. We have tried to compromise and she has ignored all of these after agreeing to them. When I have gone to ask if she is free I have had her snap ‘what now’ I have seen her roll her eyes to others regarding a cleaning chart she agreed to because others were tired of cleaning for her, ignored all messages in the house chat.
My property has been repeatedly damaged or not taken care of as has others. I’ve had to spend over £100 easily. I am so tired of being ignored, laughed at or given no response at all to continual lack of consideration for others and their boundaries. My reactivity does need to be worked on, yes. However theres only so far people can be pushed before they snap, and I’m terrified that I’m going to break again.
When I’ve discussed this with others who have lived with her to see if they noticed this pattern of behaviour they knew exactly what I was talking about, which worries me.
To sum up I do not feel safe in this house, my back is permanently against the wall as I am just waiting for the next boundary violation at this point. This has already happened in truth as we recently received a letter saying we were overdue for council tax which threatened court if not paid off, I paid off mine and I didn’t bother to ask my flatmate to send over the remaining owed money as I am fed up of having all communication ignored and did not want to wait for her to be bothered to send me the money. If there is something that needs her attention you often need to ask for it to be done over and over which again is labour in the first place. As far as I’m aware this bill is still overdue as I have been completely ignored regarding it.
I do not think she truly realises that she has deeply traumatised myself and my flatmate through giving us no autonomy over who lives in this house or leaving us to care for her dog. My OCD is still pretty bad and being in this house or around her makes my skin crawl. So I guess I am wondering if I have been gaslit? Taking my own toxic behaviour into account I do not know whether I can criticise her or if I am being hypocritical in labelling her as toxic. My memory is too foggy to remember a lot of what has actually happened, but I have this of strong feeling of disillusionment that will not leave. I am stuck in this house until October 2024, and I am trying to just get on with it, but I can’t stop obsessing over what has happened, sometimes it’s all I can think about. I feel too guilty or snakey to contact the landlord as she is a longtime friend and I am afraid she will badmouth me to others if I do so. She is my childhood friend and everything in me is telling me that this isn’t how a friend should treat you. I am desperate to be free of this situation but we have been friends since childhood and she is currently injured and also experiencing a bereavement so I feel obligated to just leave her be. Should I still be trying to meet her needs or do I need to be selfish and remove this person from my life?
2024.05.14 09:29 _Triple_ [STORE] 900+ KNIVES/GLOVES/SKINS, 100.000$+ INVENTORY. BFK Lore, Gloves Amphibious, Skeleton Fade, Bowie Emerald, BFK Auto, Gloves MF, Talon Doppler, Gloves POW, Bayo Tiger, Gut Sapphire, Stiletto MF, M9 Ultra, Ursus Doppler, Flip Doppler, M9 Stained, Nomad CW, Paracord CW, AK-47 X-Ray & A Lot More
Everything in my inventory is up for trade. The most valuable items are listed here, the rest you can find in My Inventory
Feel free to Add Me or even better send a Trade Offer. Open for any suggestions: upgrades, downgrades / knives, gloves, skins / stickers, patterns, floats.
All Buyouts are listed in cash value.
KNIVES
★ Butterfly Knife Lore (Factory New), B/O: $7194.77
★ Butterfly Knife Autotronic (Minimal Wear), B/O: $2025.74
⎯★ M9 Bayonet Ultraviolet (Field-Tested), B/O: $557.87
★ M9 Bayonet Stained (Well-Worn), B/O: $529.41
★ M9 Bayonet Boreal Forest (Field-Tested), B/O: $465.39
⎯★ Talon Knife Doppler (Factory New), B/O: $1295.27
★ Bayonet Tiger Tooth (Minimal Wear), B/O: $746.28
★ Karambit Bright Water (Field-Tested), B/O: $688.15
⎯★ Flip Knife Doppler (Factory New), B/O: $547.93
★ Flip Knife Autotronic (Minimal Wear), B/O: $476.69
★ Flip Knife Case Hardened (Battle-Scarred), B/O: $278.18
★ Flip Knife Black Laminate (Well-Worn), B/O: $258.83
★ Flip Knife Urban Masked (Field-Tested), B/O: $181.64
⎯★ Stiletto Knife Marble Fade (Factory New), B/O: $686.04
★ Stiletto Knife Doppler (Factory New), B/O: $665.41
★ Stiletto Knife, B/O: $601.39
★ Stiletto Knife Crimson Web (Field-Tested), B/O: $418.25
★ Stiletto Knife Night Stripe (Field-Tested), B/O: $227.80
★ Stiletto Knife Boreal Forest (Field-Tested), B/O: $194.96
★ Stiletto Knife Safari Mesh (Field-Tested), B/O: $192.79
⎯★ Nomad Knife Crimson Web (Field-Tested), B/O: $518.11
★ Nomad Knife Scorched (Field-Tested), B/O: $169.78
★ Nomad Knife Forest DDPAT (Battle-Scarred), B/O: $166.88
★ StatTrak™ Nomad Knife Blue Steel (Field-Tested), B/O: $335.79
⎯★ Skeleton Knife Stained (Well-Worn), B/O: $442.05
★ Skeleton Knife Urban Masked (Minimal Wear), B/O: $426.24
★ Skeleton Knife Boreal Forest (Field-Tested), B/O: $314.03
★ StatTrak™ Skeleton Knife Fade (Minimal Wear), B/O: $2361.28
★ StatTrak™ Skeleton Knife Urban Masked (Field-Tested), B/O: $376.53
⎯★ Ursus Knife Doppler (Factory New), B/O: $557.12
★ Ursus Knife, B/O: $471.42
★ Ursus Knife Blue Steel (Minimal Wear), B/O: $212.37
★ Ursus Knife Case Hardened (Battle-Scarred), B/O: $187.66
★ Ursus Knife Damascus Steel (Field-Tested), B/O: $178.18
★ Ursus Knife Ultraviolet (Battle-Scarred), B/O: $155.13
★ Ursus Knife Boreal Forest (Battle-Scarred), B/O: $124.26
⎯★ Huntsman Knife Black Laminate (Minimal Wear), B/O: $204.83
★ Huntsman Knife Black Laminate (Field-Tested), B/O: $184.50
★ StatTrak™ Huntsman Knife Lore (Battle-Scarred), B/O: $224.11
⎯★ Bowie Knife Gamma Doppler (Factory New), B/O: $2142.02
★ Bowie Knife, B/O: $230.44
★ Bowie Knife Damascus Steel (Factory New), B/O: $209.20
★ Bowie Knife Ultraviolet (Minimal Wear), B/O: $180.51
★ Bowie Knife Ultraviolet (Field-Tested), B/O: $131.03
⎯★ Falchion Knife Night (Field-Tested), B/O: $132.54
★ Falchion Knife Urban Masked (Well-Worn), B/O: $112.81
★ Falchion Knife Scorched (Field-Tested), B/O: $108.81
★ Falchion Knife Forest DDPAT (Field-Tested), B/O: $107.82
★ Falchion Knife Safari Mesh (Field-Tested), B/O: $107.46
★ StatTrak™ Falchion Knife Ultraviolet (Field-Tested), B/O: $143.08
⎯★ Paracord Knife Crimson Web (Minimal Wear), B/O: $486.48
★ Paracord Knife Blue Steel (Battle-Scarred), B/O: $163.12
⎯★ Survival Knife Blue Steel (Battle-Scarred), B/O: $138.26
★ Survival Knife Night Stripe (Field-Tested), B/O: $131.03
⎯★ Gut Knife Sapphire (Minimal Wear), B/O: $1127.79
★ Gut Knife Gamma Doppler (Factory New), B/O: $286.17
★ Gut Knife Doppler (Factory New), B/O: $246.55
★ Gut Knife Marble Fade (Factory New), B/O: $240.77
★ Gut Knife, B/O: $210.49
★ Gut Knife Lore (Field-Tested), B/O: $194.22
★ Gut Knife Case Hardened (Battle-Scarred), B/O: $151.51
★ Gut Knife Blue Steel (Minimal Wear), B/O: $124.94
★ Gut Knife Rust Coat (Well-Worn), B/O: $118.99
★ Gut Knife Boreal Forest (Minimal Wear), B/O: $109.80
★ StatTrak™ Gut Knife Doppler (Factory New), B/O: $237.96
⎯★ Shadow Daggers Gamma Doppler (Factory New), B/O: $264.92
★ Shadow Daggers Marble Fade (Factory New), B/O: $253.03
★ Shadow Daggers Tiger Tooth (Factory New), B/O: $237.22
★ Shadow Daggers Crimson Web (Field-Tested), B/O: $153.40
★ Shadow Daggers Autotronic (Minimal Wear), B/O: $144.42
★ Shadow Daggers Blue Steel (Field-Tested), B/O: $105.20
★ StatTrak™ Shadow Daggers Damascus Steel (Minimal Wear), B/O: $150.46
⎯★ Navaja Knife Fade (Factory New), B/O: $365.99
★ Navaja Knife Doppler (Factory New), B/O: $228.93
★ Navaja Knife Marble Fade (Factory New), B/O: $227.43
★ Navaja Knife Slaughter (Factory New), B/O: $209.06
★ Navaja Knife, B/O: $203.16
★ Navaja Knife Case Hardened (Well-Worn), B/O: $132.57
★ Navaja Knife Damascus Steel (Factory New), B/O: $121.69
★ Navaja Knife Damascus Steel (Minimal Wear), B/O: $109.95
★ Navaja Knife Damascus Steel (Field-Tested), B/O: $100.41
★ StatTrak™ Navaja Knife Fade (Factory New), B/O: $369.01
★ StatTrak™ Navaja Knife Damascus Steel (Field-Tested), B/O: $109.95
GLOVES
★ Sport Gloves Amphibious (Minimal Wear), B/O: $2394.67
★ Sport Gloves Omega (Well-Worn), B/O: $572.33
★ Sport Gloves Bronze Morph (Minimal Wear), B/O: $338.88
★ Sport Gloves Big Game (Field-Tested), B/O: $323.66
⎯★ Specialist Gloves Marble Fade (Minimal Wear), B/O: $1652.07
★ Specialist Gloves Tiger Strike (Field-Tested), B/O: $599.14
★ Specialist Gloves Crimson Web (Well-Worn), B/O: $231.57
★ Specialist Gloves Buckshot (Minimal Wear), B/O: $126.21
⎯★ Moto Gloves POW! (Minimal Wear), B/O: $996.99
★ Moto Gloves POW! (Field-Tested), B/O: $383.31
★ Moto Gloves POW! (Well-Worn), B/O: $276.00
★ Moto Gloves Turtle (Field-Tested), B/O: $180.28
⎯★ Hand Wraps CAUTION! (Minimal Wear), B/O: $502.29
★ Hand Wraps Giraffe (Minimal Wear), B/O: $180.73
★ Hand Wraps CAUTION! (Battle-Scarred), B/O: $178.32
⎯★ Driver Gloves Queen Jaguar (Minimal Wear), B/O: $181.01
★ Driver Gloves Rezan the Red (Field-Tested), B/O: $101.66
⎯★ Broken Fang Gloves Jade (Field-Tested), B/O: $127.88
★ Broken Fang Gloves Needle Point (Minimal Wear), B/O: $124.55
⎯★ Bloodhound Gloves Guerrilla (Minimal Wear), B/O: $127.94
★ Hydra Gloves Case Hardened (Field-Tested), B/O: $102.55
WEAPONS
AK-47 X-Ray (Well-Worn), B/O: $478.95
AUG Hot Rod (Factory New), B/O: $425.83
StatTrak™ M4A1-S Hyper Beast (Factory New), B/O: $413.95
M4A4 Daybreak (Factory New), B/O: $309.51
StatTrak™ AK-47 Aquamarine Revenge (Factory New), B/O: $305.43
AK-47 Case Hardened (Well-Worn), B/O: $196.38
StatTrak™ M4A4 Temukau (Minimal Wear), B/O: $174.64
P90 Run and Hide (Field-Tested), B/O: $167.03
AWP Asiimov (Field-Tested), B/O: $153.33
Souvenir SSG 08 Death Strike (Minimal Wear), B/O: $140.00
M4A1-S Printstream (Battle-Scarred), B/O: $124.70
StatTrak™ M4A1-S Golden Coil (Field-Tested), B/O: $117.48
AWP Asiimov (Well-Worn), B/O: $115.97
StatTrak™ Desert Eagle Printstream (Minimal Wear), B/O: $112.96
StatTrak™ AK-47 Asiimov (Minimal Wear), B/O: $110.85
Souvenir M4A1-S Master Piece (Well-Worn), B/O: $102.42
AK-47 Bloodsport (Minimal Wear), B/O: $100.53
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2024.05.14 09:03 UsualAcanthaceae8775 What if their was a Ben 10 5v5 hero shooter like marvel rivals (Redesigns)
Feel free to make art of these redesigns and give criticism of the designs
Redesigns: Heatblast Redesign: Sleeker with magma-like veins glowing beneath his rocky exterior. Equipment: Volcanic Gauntlets that enhance his fire abilities. Outfit: A flame-retardant suit with a core reactor symbol on the chest.
Diamondhead Redesign: Crystalline armor with reflective surfaces and sharper edges. Equipment: A crystal shield that can morph into different defensive shapes. Outfit: A suit with geometric patterns that shimmer with a diamond-like brilliance.
XLR8 Redesign: More aerodynamic with streamlined armor and a visor for high-speed travel. Equipment: Turbo boots that leave a trail of blue energy when he sprints. Outfit: A racing suit with a sleek helmet that has a retractable visor.
Fourarms Redesign: Bulkier with reinforced joints for extra strength. Equipment: Heavy-duty gauntlets that can smash through barriers. Outfit: A gladiator-inspired ensemble with a belt displaying his alien number.
Stinkfly Redesign: Brighter colors with translucent wings and bioluminescent spots. Equipment: A harness that helps distribute healing mist more effectively. Outfit: A lightweight suit that glows in the dark, highlighting his flight path.
Upgrade Redesign: Futuristic with a sleek metallic finish and circuit patterns. Equipment: A modular backpack that can transform into various tech gadgets. Outfit: A tech-suit that integrates with his body, allowing for seamless transformations.
Ghostfreak Redesign: More ethereal with a ghostly aura and chains that represent his phasing ability. Equipment: Ectoplasmic chains that can extend and bind enemies. Outfit: A tattered cloak that billows as if always caught in an otherworldly wind.
Snare-oh Redesign: Ancient Egyptian motifs with hieroglyphs etched into his bandages. Equipment: Ankh-shaped gauntlets that enhance his sand powers. Outfit: A pharaoh’s headdress that symbolizes his regal presence on the battlefield.
Frankenstrike Redesign: More industrial with visible bolts and conductive wiring. Equipment: A pair of Tesla coil shoulder pads that amplify his electric attacks. Outfit: A patchwork suit that resembles a mad scientist’s lab coat.
Eye Guy Redesign: Eyes of varying sizes with adaptive irises for different vision modes. Equipment: A visor that coordinates his eye beams for precision strikes. Outfit: A suit with lens patterns that focus his ocular energy.
Swampfire Redesign: More plant-like with vibrant green foliage and fiery red flowers. Equipment: Compost Gauntlets that enhance his regenerative abilities. Outfit: A botanical suit with leaf patterns and a fiery emblem on the chest.
Echo-Echo Redesign: Sleek and white with sound wave patterns across his body. Equipment: Sonic Amplifiers that boost his sound-based attacks. Outfit: A suit with a sound equalizer display that reacts to his sonic screams.
Humongosaur Redesign: Dinosaur-like with armored plating and a more pronounced tail. Equipment: Meteor Hammer fists that increase his smashing power. Outfit: A prehistoric-themed armor set with bone and rock elements.
Jetray Redesign: More streamlined with sharper wings and a jet engine-like back. Equipment: Aero Fins that improve his maneuverability in the air. Outfit: A flight suit with a sleek helmet and goggles for high-altitude visibility.
Big Chill Redesign: Ghostly with icy blue tones and frost-covered wings. Equipment: Frostbite Claws that leave a chilling effect on enemies. Outfit: A cloak that shimmers like thin ice and leaves a trail of frost.
Brainstorm Redesign: Brain-like patterns with neural connectors and a brighter shell. Equipment: Cerebral Enhancer that increases his psychic abilities. Outfit: A lab coat with a brainwave pattern and a utility belt for gadgets.
Goop Redesign: More viscous with glowing internal organs visible within. Equipment: Polarity Boots that allow him to stick to surfaces and maintain shape. Outfit: A containment suit that helps him keep form and focus his attacks.
Spidermonkey Redesign: More arachnid with additional eyes and spikier fur. Equipment: Web Slingers that shoot stronger and stickier webs. Outfit: A stealth suit with a spider emblem and grip-enhancing gloves and boots.
Loadstar Redesign: Magnetic with a core that glows when using his powers. Equipment: Gravitational Greaves that enhance his magnetic field control. Outfit: An armored suit with polarized plates that attract and repel metal.
Rath Redesign: Fiercer with more pronounced claws and tiger-like stripes. Equipment: Rage Amplifiers that boost his strength when his health is low. Outfit: A luchador-inspired costume with a mask that embodies his wild spirit.
Water Hazard Redesign: More aquatic with a sleeker, streamlined body and gill-like structures. Equipment: Aqua Cannons that can shoot high-pressure water streams. Outfit: A wetsuit with hydrodynamic patterns and a water drop emblem.
Ampfibian Redesign: More translucent with visible bio-electric currents flowing through his body. Equipment: Electro-Flippers that increase swimming speed and maneuverability. Outfit: A suit with neon trims that pulse with his electric charge.
Armodrillo Redesign: Bulkier with reinforced armor plating and drill bits. Equipment: Seismic Boots that enhance ground-shaking abilities. Outfit: A miner’s outfit with a helmet light and a rugged utility belt.
NRG Redesign: Glowing core with a more robust containment suit. Equipment: Reactor Gauntlets that can channel and shoot nuclear energy. Outfit: A radiation suit with a warning symbol and energy-absorbing layers.
Terraspin Redesign: Shell patterns resembling wind turbines and more pronounced fins. Equipment: Cyclone Discs that can be thrown to create gusts of wind. Outfit: An aviator jacket with a turtle shell pattern and wind direction arrows.
Clockwork Redesign: More gears and clockwork mechanisms visible with a timeless finish. Equipment: Chrono Keys that can unlock temporal abilities. Outfit: A steampunk-inspired suit with brass accents and a pocket watch.
Jury Rigg Redesign: More mechanical with tools integrated into his limbs. Equipment: Wrecking Ratchets that increase his dismantling speed. Outfit: A mechanic’s jumpsuit with patches and a tool belt.
Chamalien Redesign: More chameleon-like with adaptive skin that changes patterns. Equipment: Camo Cloak that enhances his stealth capabilities. Outfit: A suit with a chameleon scale motif that shifts colors with his movements.
Feedback Redesign: More electrically charged with pulsating energy lines across his body. Equipment: Antenna Arrays that increase the range and power of his electrical attacks. Outfit: A suit with circuitry patterns that glow with stored energy.
Bloxx Redesign: Modular with interlocking blocks that can reconfigure on the fly. Equipment: Building Bracers that allow for quicker construction of barriers and structures. Outfit: A construction-themed outfit with a hard hat emblem and utility belt.
Ball Weevil Redesign: Brighter colors with a more pronounced spherical body for rolling. Equipment: Plasma Cores that create larger and more potent explosive orbs. Outfit: A sleek suit with orb patterns and a visor that helps target his plasma globes.
Pesky Dust Redesign: Fairy-like with more delicate wings and a dreamy aura. Equipment: Dreamcatcher Net that can capture and amplify his sleep-inducing dust. Outfit: A mystical robe with star and moon motifs that enhance his magical presence.
Atomix Redesign: Radiant with a mini-reactor core and energy veins visible on his body. Equipment: Fusion Gauntlets that stabilize and focus his nuclear energy. Outfit: A hazard suit with a reactor symbol and protective plating.
Gutrot Redesign: Chemical tanks visible on his body with tubes connecting to his gauntlets. Equipment: Diffuser Mask that spreads his gases over a wider area. Outfit: A biochemical suit with a respirator and hazard symbols.
Whampire Redesign: More vampiric with bat-like features and a darker color scheme. Equipment: Echo-Locator Goggles that help him navigate and hunt in the dark. Outfit: A gothic cloak with a high collar and a clasp shaped like a bat.
Shocksquash Redesign: Bulkier with coils and capacitors integrated into his limbs. Equipment: Shock Boots that generate electricity with each stomp. Outfit: An electrified suit with lightning bolt patterns and insulated gloves.
Wildmutt Redesign: Enhanced sensory nodes and a more streamlined body for agility. Equipment: Sonic Collar that amplifies his roars and tracking abilities. Outfit: A sleek suit with padded armor to protect while maintaining flexibility.
Grey Matter Redesign: More pronounced cranial features and brighter skin to highlight his intelligence. Equipment: Quantum Computer Backpack that assists with hacking and strategy. Outfit: A miniaturized lab coat with various gadget holsters.
Ripjaws Redesign: Sharper teeth and fins, with a bioluminescent glow for underwater combat. Equipment: Aqua Jetpack that allows for swift movements in and out of water. Outfit: A reinforced diving suit with pressure resistance for deep-sea excursions.
Cannonbolt Redesign: A more aerodynamic shell with reinforced plating for rolling attacks. Equipment: Momentum Wheels that increase speed and control during rolls. Outfit: A racing stripe motif with impact-absorbing materials.
Wildvine Redesign: Thicker vines and a broader range of plant-like features. Equipment: Photosynthesis Boosters that enhance healing and growth abilities. Outfit: A botanical armor set with leafy camouflage.
Spitter Redesign: More pronounced glands and a wider mouth for his spitting attacks. Equipment: Hydration Pack that keeps him primed for slime production. Outfit: A moisture-retaining suit that helps in slime regeneration.
Buzzshock Redesign: Brighter electrical arcs and a more compact body for zipping around. Equipment: Static Amplifiers that boost his electrical output. Outfit: A suit with conductive pathways that glow with stored electricity.
Blitzwolfer Redesign: More pronounced fangs and claws, with a darker, more intimidating appearance. Equipment: Lunar Lenses that enhance his night vision and howling range. Outfit: A tattered cape that billows as he moves, adding to his fearsome presence.
Upchuck Redesign: A wider mouth and a more robust digestive system visible on his belly. Equipment: Digestive Accelerators that allow for quicker consumption and energy conversion. Outfit: A suit with reinforced areas around the stomach to handle his expansive appetite.
Ditto Redesign: Brighter colors and more expressive faces to differentiate his clones. Equipment: Cloning Belt that enhances the stability and independence of each clone. Outfit: A uniform with a number system to keep track of his duplicates.
Waybig Redesign: Cosmic patterns on his skin and a more imposing stature. Equipment: Stellar Stabilizers that help him maintain balance and leverage his size. Outfit: A suit with celestial motifs that reflect his cosmic origins.
Arctiguana Redesign: Icier appearance with sharper spines and a more pronounced frill. Equipment: Cryo Converters that enhance his ice beam’s freezing capabilities. Outfit: An insulated suit that protects him from overheating and helps focus his cold powers.
Chromastone Redesign: More prismatic with a crystalline structure that refracts light. Equipment: Prism Gauntlets that enhance his energy absorption and refraction abilities. Outfit: A suit with angular, reflective panels that mimic his crystalline form.
Alien X Redesign: Cosmic and ethereal with starry patterns that shift and change. Equipment: Celestial Scepter that focuses his reality-warping powers. Outfit: A robe that seems to contain a piece of the universe, complete with twinkling stars.
Nanomech Redesign: Sleeker with more advanced nanotechnology features. Equipment: Micro-Assembler that allows him to construct various devices on the fly. Outfit: A tech-enhanced suit that adjusts to his size changes.
Fasttrack Redesign: Streamlined with aerodynamic features for enhanced speed. Equipment: Velocity Vambraces that boost his speed and agility. Outfit: A racing suit with dynamic lines that glow when he accelerates.
Eatle Redesign: Bulkier with a reinforced exoskeleton and sharper mandibles. Equipment: Digestive Reinforcement Belt that aids in processing consumed materials. Outfit: A utility belt with compartments for storing consumed materials.
Gravattack Redesign: More planetary with a core that glows like a molten core. Equipment: Graviton Anchor that helps him control his gravitational fields. Outfit: A suit with orbiting bands that represent his control over gravity.
Crashhopper Redesign: More insectoid with enhanced leg hydraulics for powerful jumps. Equipment: Impact Dampeners that protect him during high-velocity landings. Outfit: A suit with spring-loaded accents that highlight his leaping abilities.
Walkatrout Redesign: More amphibious with sleek scales and a streamlined body. Equipment: Aqua-Dynamic Fins that improve his swimming and maneuverability. Outfit: A wetsuit with a slippery surface to aid in evasive maneuvers.
Molestache Redesign: More distinguished with a larger, more versatile mustache. Equipment: Mustache Combs that can be used as weapons or tools. Outfit: A Victorian-style suit with a bow tie and a monocle for a touch of class.
The Worst Redesign: Tougher looking with visible scars and a more rugged appearance. Equipment: Resilience Amplifiers that make him even harder to take down. Outfit: A battered suit that looks like it’s been through many battles.
Kickin Hawk Redesign: Sharper talons and more pronounced feathers for a fiercer look. Equipment: Talon Enhancers that increase the power of his kicks. Outfit: A martial arts gi with feathered accents that flutter as he moves.
Toepick Redesign: Darker and more ominous with a face that’s hidden until revealed. Equipment: Fear Inducers that amplify the terror he instills in enemies. Outfit: A cloak that shrouds him in mystery, only opening to unleash his frightful visage.
Astrodactyl Redesign: More alien with wing membranes that glow with cosmic energy. Equipment: Jetpack Harness that enhances his flight and energy projection. Outfit: A suit with aerodynamic features and a helmet with a visor for space travel.
Bullfrag Redesign: More muscular with amphibious traits and a tougher skin texture. Equipment: Strength Enhancers that boost his physical prowess. Outfit: A tactical vest with various pouches for carrying mission essentials.
submitted by UsualAcanthaceae8775 to Ben10 [link] [comments]
Redesigns: Heatblast Redesign: Sleeker with magma-like veins glowing beneath his rocky exterior. Equipment: Volcanic Gauntlets that enhance his fire abilities. Outfit: A flame-retardant suit with a core reactor symbol on the chest.
Diamondhead Redesign: Crystalline armor with reflective surfaces and sharper edges. Equipment: A crystal shield that can morph into different defensive shapes. Outfit: A suit with geometric patterns that shimmer with a diamond-like brilliance.
XLR8 Redesign: More aerodynamic with streamlined armor and a visor for high-speed travel. Equipment: Turbo boots that leave a trail of blue energy when he sprints. Outfit: A racing suit with a sleek helmet that has a retractable visor.
Fourarms Redesign: Bulkier with reinforced joints for extra strength. Equipment: Heavy-duty gauntlets that can smash through barriers. Outfit: A gladiator-inspired ensemble with a belt displaying his alien number.
Stinkfly Redesign: Brighter colors with translucent wings and bioluminescent spots. Equipment: A harness that helps distribute healing mist more effectively. Outfit: A lightweight suit that glows in the dark, highlighting his flight path.
Upgrade Redesign: Futuristic with a sleek metallic finish and circuit patterns. Equipment: A modular backpack that can transform into various tech gadgets. Outfit: A tech-suit that integrates with his body, allowing for seamless transformations.
Ghostfreak Redesign: More ethereal with a ghostly aura and chains that represent his phasing ability. Equipment: Ectoplasmic chains that can extend and bind enemies. Outfit: A tattered cloak that billows as if always caught in an otherworldly wind.
Snare-oh Redesign: Ancient Egyptian motifs with hieroglyphs etched into his bandages. Equipment: Ankh-shaped gauntlets that enhance his sand powers. Outfit: A pharaoh’s headdress that symbolizes his regal presence on the battlefield.
Frankenstrike Redesign: More industrial with visible bolts and conductive wiring. Equipment: A pair of Tesla coil shoulder pads that amplify his electric attacks. Outfit: A patchwork suit that resembles a mad scientist’s lab coat.
Eye Guy Redesign: Eyes of varying sizes with adaptive irises for different vision modes. Equipment: A visor that coordinates his eye beams for precision strikes. Outfit: A suit with lens patterns that focus his ocular energy.
Swampfire Redesign: More plant-like with vibrant green foliage and fiery red flowers. Equipment: Compost Gauntlets that enhance his regenerative abilities. Outfit: A botanical suit with leaf patterns and a fiery emblem on the chest.
Echo-Echo Redesign: Sleek and white with sound wave patterns across his body. Equipment: Sonic Amplifiers that boost his sound-based attacks. Outfit: A suit with a sound equalizer display that reacts to his sonic screams.
Humongosaur Redesign: Dinosaur-like with armored plating and a more pronounced tail. Equipment: Meteor Hammer fists that increase his smashing power. Outfit: A prehistoric-themed armor set with bone and rock elements.
Jetray Redesign: More streamlined with sharper wings and a jet engine-like back. Equipment: Aero Fins that improve his maneuverability in the air. Outfit: A flight suit with a sleek helmet and goggles for high-altitude visibility.
Big Chill Redesign: Ghostly with icy blue tones and frost-covered wings. Equipment: Frostbite Claws that leave a chilling effect on enemies. Outfit: A cloak that shimmers like thin ice and leaves a trail of frost.
Brainstorm Redesign: Brain-like patterns with neural connectors and a brighter shell. Equipment: Cerebral Enhancer that increases his psychic abilities. Outfit: A lab coat with a brainwave pattern and a utility belt for gadgets.
Goop Redesign: More viscous with glowing internal organs visible within. Equipment: Polarity Boots that allow him to stick to surfaces and maintain shape. Outfit: A containment suit that helps him keep form and focus his attacks.
Spidermonkey Redesign: More arachnid with additional eyes and spikier fur. Equipment: Web Slingers that shoot stronger and stickier webs. Outfit: A stealth suit with a spider emblem and grip-enhancing gloves and boots.
Loadstar Redesign: Magnetic with a core that glows when using his powers. Equipment: Gravitational Greaves that enhance his magnetic field control. Outfit: An armored suit with polarized plates that attract and repel metal.
Rath Redesign: Fiercer with more pronounced claws and tiger-like stripes. Equipment: Rage Amplifiers that boost his strength when his health is low. Outfit: A luchador-inspired costume with a mask that embodies his wild spirit.
Water Hazard Redesign: More aquatic with a sleeker, streamlined body and gill-like structures. Equipment: Aqua Cannons that can shoot high-pressure water streams. Outfit: A wetsuit with hydrodynamic patterns and a water drop emblem.
Ampfibian Redesign: More translucent with visible bio-electric currents flowing through his body. Equipment: Electro-Flippers that increase swimming speed and maneuverability. Outfit: A suit with neon trims that pulse with his electric charge.
Armodrillo Redesign: Bulkier with reinforced armor plating and drill bits. Equipment: Seismic Boots that enhance ground-shaking abilities. Outfit: A miner’s outfit with a helmet light and a rugged utility belt.
NRG Redesign: Glowing core with a more robust containment suit. Equipment: Reactor Gauntlets that can channel and shoot nuclear energy. Outfit: A radiation suit with a warning symbol and energy-absorbing layers.
Terraspin Redesign: Shell patterns resembling wind turbines and more pronounced fins. Equipment: Cyclone Discs that can be thrown to create gusts of wind. Outfit: An aviator jacket with a turtle shell pattern and wind direction arrows.
Clockwork Redesign: More gears and clockwork mechanisms visible with a timeless finish. Equipment: Chrono Keys that can unlock temporal abilities. Outfit: A steampunk-inspired suit with brass accents and a pocket watch.
Jury Rigg Redesign: More mechanical with tools integrated into his limbs. Equipment: Wrecking Ratchets that increase his dismantling speed. Outfit: A mechanic’s jumpsuit with patches and a tool belt.
Chamalien Redesign: More chameleon-like with adaptive skin that changes patterns. Equipment: Camo Cloak that enhances his stealth capabilities. Outfit: A suit with a chameleon scale motif that shifts colors with his movements.
Feedback Redesign: More electrically charged with pulsating energy lines across his body. Equipment: Antenna Arrays that increase the range and power of his electrical attacks. Outfit: A suit with circuitry patterns that glow with stored energy.
Bloxx Redesign: Modular with interlocking blocks that can reconfigure on the fly. Equipment: Building Bracers that allow for quicker construction of barriers and structures. Outfit: A construction-themed outfit with a hard hat emblem and utility belt.
Ball Weevil Redesign: Brighter colors with a more pronounced spherical body for rolling. Equipment: Plasma Cores that create larger and more potent explosive orbs. Outfit: A sleek suit with orb patterns and a visor that helps target his plasma globes.
Pesky Dust Redesign: Fairy-like with more delicate wings and a dreamy aura. Equipment: Dreamcatcher Net that can capture and amplify his sleep-inducing dust. Outfit: A mystical robe with star and moon motifs that enhance his magical presence.
Atomix Redesign: Radiant with a mini-reactor core and energy veins visible on his body. Equipment: Fusion Gauntlets that stabilize and focus his nuclear energy. Outfit: A hazard suit with a reactor symbol and protective plating.
Gutrot Redesign: Chemical tanks visible on his body with tubes connecting to his gauntlets. Equipment: Diffuser Mask that spreads his gases over a wider area. Outfit: A biochemical suit with a respirator and hazard symbols.
Whampire Redesign: More vampiric with bat-like features and a darker color scheme. Equipment: Echo-Locator Goggles that help him navigate and hunt in the dark. Outfit: A gothic cloak with a high collar and a clasp shaped like a bat.
Shocksquash Redesign: Bulkier with coils and capacitors integrated into his limbs. Equipment: Shock Boots that generate electricity with each stomp. Outfit: An electrified suit with lightning bolt patterns and insulated gloves.
Wildmutt Redesign: Enhanced sensory nodes and a more streamlined body for agility. Equipment: Sonic Collar that amplifies his roars and tracking abilities. Outfit: A sleek suit with padded armor to protect while maintaining flexibility.
Grey Matter Redesign: More pronounced cranial features and brighter skin to highlight his intelligence. Equipment: Quantum Computer Backpack that assists with hacking and strategy. Outfit: A miniaturized lab coat with various gadget holsters.
Ripjaws Redesign: Sharper teeth and fins, with a bioluminescent glow for underwater combat. Equipment: Aqua Jetpack that allows for swift movements in and out of water. Outfit: A reinforced diving suit with pressure resistance for deep-sea excursions.
Cannonbolt Redesign: A more aerodynamic shell with reinforced plating for rolling attacks. Equipment: Momentum Wheels that increase speed and control during rolls. Outfit: A racing stripe motif with impact-absorbing materials.
Wildvine Redesign: Thicker vines and a broader range of plant-like features. Equipment: Photosynthesis Boosters that enhance healing and growth abilities. Outfit: A botanical armor set with leafy camouflage.
Spitter Redesign: More pronounced glands and a wider mouth for his spitting attacks. Equipment: Hydration Pack that keeps him primed for slime production. Outfit: A moisture-retaining suit that helps in slime regeneration.
Buzzshock Redesign: Brighter electrical arcs and a more compact body for zipping around. Equipment: Static Amplifiers that boost his electrical output. Outfit: A suit with conductive pathways that glow with stored electricity.
Blitzwolfer Redesign: More pronounced fangs and claws, with a darker, more intimidating appearance. Equipment: Lunar Lenses that enhance his night vision and howling range. Outfit: A tattered cape that billows as he moves, adding to his fearsome presence.
Upchuck Redesign: A wider mouth and a more robust digestive system visible on his belly. Equipment: Digestive Accelerators that allow for quicker consumption and energy conversion. Outfit: A suit with reinforced areas around the stomach to handle his expansive appetite.
Ditto Redesign: Brighter colors and more expressive faces to differentiate his clones. Equipment: Cloning Belt that enhances the stability and independence of each clone. Outfit: A uniform with a number system to keep track of his duplicates.
Waybig Redesign: Cosmic patterns on his skin and a more imposing stature. Equipment: Stellar Stabilizers that help him maintain balance and leverage his size. Outfit: A suit with celestial motifs that reflect his cosmic origins.
Arctiguana Redesign: Icier appearance with sharper spines and a more pronounced frill. Equipment: Cryo Converters that enhance his ice beam’s freezing capabilities. Outfit: An insulated suit that protects him from overheating and helps focus his cold powers.
Chromastone Redesign: More prismatic with a crystalline structure that refracts light. Equipment: Prism Gauntlets that enhance his energy absorption and refraction abilities. Outfit: A suit with angular, reflective panels that mimic his crystalline form.
Alien X Redesign: Cosmic and ethereal with starry patterns that shift and change. Equipment: Celestial Scepter that focuses his reality-warping powers. Outfit: A robe that seems to contain a piece of the universe, complete with twinkling stars.
Nanomech Redesign: Sleeker with more advanced nanotechnology features. Equipment: Micro-Assembler that allows him to construct various devices on the fly. Outfit: A tech-enhanced suit that adjusts to his size changes.
Fasttrack Redesign: Streamlined with aerodynamic features for enhanced speed. Equipment: Velocity Vambraces that boost his speed and agility. Outfit: A racing suit with dynamic lines that glow when he accelerates.
Eatle Redesign: Bulkier with a reinforced exoskeleton and sharper mandibles. Equipment: Digestive Reinforcement Belt that aids in processing consumed materials. Outfit: A utility belt with compartments for storing consumed materials.
Gravattack Redesign: More planetary with a core that glows like a molten core. Equipment: Graviton Anchor that helps him control his gravitational fields. Outfit: A suit with orbiting bands that represent his control over gravity.
Crashhopper Redesign: More insectoid with enhanced leg hydraulics for powerful jumps. Equipment: Impact Dampeners that protect him during high-velocity landings. Outfit: A suit with spring-loaded accents that highlight his leaping abilities.
Walkatrout Redesign: More amphibious with sleek scales and a streamlined body. Equipment: Aqua-Dynamic Fins that improve his swimming and maneuverability. Outfit: A wetsuit with a slippery surface to aid in evasive maneuvers.
Molestache Redesign: More distinguished with a larger, more versatile mustache. Equipment: Mustache Combs that can be used as weapons or tools. Outfit: A Victorian-style suit with a bow tie and a monocle for a touch of class.
The Worst Redesign: Tougher looking with visible scars and a more rugged appearance. Equipment: Resilience Amplifiers that make him even harder to take down. Outfit: A battered suit that looks like it’s been through many battles.
Kickin Hawk Redesign: Sharper talons and more pronounced feathers for a fiercer look. Equipment: Talon Enhancers that increase the power of his kicks. Outfit: A martial arts gi with feathered accents that flutter as he moves.
Toepick Redesign: Darker and more ominous with a face that’s hidden until revealed. Equipment: Fear Inducers that amplify the terror he instills in enemies. Outfit: A cloak that shrouds him in mystery, only opening to unleash his frightful visage.
Astrodactyl Redesign: More alien with wing membranes that glow with cosmic energy. Equipment: Jetpack Harness that enhances his flight and energy projection. Outfit: A suit with aerodynamic features and a helmet with a visor for space travel.
Bullfrag Redesign: More muscular with amphibious traits and a tougher skin texture. Equipment: Strength Enhancers that boost his physical prowess. Outfit: A tactical vest with various pouches for carrying mission essentials.
2024.05.14 01:25 _Triple_ [STORE] 900+ KNIVES/GLOVES/SKINS, 100.000$+ INVENTORY. BFK Lore, Gloves Amphibious, Skeleton Fade, Bowie Emerald, BFK Auto, Gloves MF, Talon Doppler, Gloves POW, Bayo Tiger, Gut Sapphire, Stiletto MF, M9 Ultra, Ursus Doppler, Flip Doppler, M9 Stained, Nomad CW, Paracord CW, AK-47 X-Ray & A Lot More
Everything in my inventory is up for trade. The most valuable items are listed here, the rest you can find in My Inventory
Feel free to Add Me or even better send a Trade Offer. Open for any suggestions: upgrades, downgrades / knives, gloves, skins / stickers, patterns, floats.
All Buyouts are listed in cash value.
KNIVES
★ Butterfly Knife Lore (Factory New), B/O: $7194.77
★ Butterfly Knife Autotronic (Minimal Wear), B/O: $2025.74
⎯★ M9 Bayonet Ultraviolet (Field-Tested), B/O: $557.87
★ M9 Bayonet Stained (Well-Worn), B/O: $529.41
★ M9 Bayonet Boreal Forest (Field-Tested), B/O: $465.39
⎯★ Talon Knife Doppler (Factory New), B/O: $1295.27
★ Bayonet Tiger Tooth (Minimal Wear), B/O: $746.28
★ Karambit Bright Water (Field-Tested), B/O: $688.15
⎯★ Flip Knife Doppler (Factory New), B/O: $547.93
★ Flip Knife Autotronic (Minimal Wear), B/O: $476.69
★ Flip Knife Case Hardened (Battle-Scarred), B/O: $278.18
★ Flip Knife Black Laminate (Well-Worn), B/O: $258.83
★ Flip Knife Urban Masked (Field-Tested), B/O: $181.64
⎯★ Stiletto Knife Marble Fade (Factory New), B/O: $686.04
★ Stiletto Knife Doppler (Factory New), B/O: $665.41
★ Stiletto Knife, B/O: $601.39
★ Stiletto Knife Crimson Web (Field-Tested), B/O: $418.25
★ Stiletto Knife Night Stripe (Field-Tested), B/O: $227.80
★ Stiletto Knife Boreal Forest (Field-Tested), B/O: $194.96
★ Stiletto Knife Safari Mesh (Field-Tested), B/O: $192.79
⎯★ Nomad Knife Crimson Web (Field-Tested), B/O: $518.11
★ Nomad Knife Scorched (Field-Tested), B/O: $169.78
★ Nomad Knife Forest DDPAT (Battle-Scarred), B/O: $166.88
★ StatTrak™ Nomad Knife Blue Steel (Field-Tested), B/O: $335.79
⎯★ Skeleton Knife Stained (Well-Worn), B/O: $442.05
★ Skeleton Knife Urban Masked (Minimal Wear), B/O: $426.24
★ Skeleton Knife Boreal Forest (Field-Tested), B/O: $314.03
★ StatTrak™ Skeleton Knife Fade (Minimal Wear), B/O: $2361.28
★ StatTrak™ Skeleton Knife Urban Masked (Field-Tested), B/O: $376.53
⎯★ Ursus Knife Doppler (Factory New), B/O: $557.12
★ Ursus Knife, B/O: $471.42
★ Ursus Knife Blue Steel (Minimal Wear), B/O: $212.37
★ Ursus Knife Case Hardened (Battle-Scarred), B/O: $187.66
★ Ursus Knife Damascus Steel (Field-Tested), B/O: $178.18
★ Ursus Knife Ultraviolet (Battle-Scarred), B/O: $155.13
★ Ursus Knife Boreal Forest (Battle-Scarred), B/O: $124.26
⎯★ Huntsman Knife Black Laminate (Minimal Wear), B/O: $204.83
★ Huntsman Knife Black Laminate (Field-Tested), B/O: $184.50
★ StatTrak™ Huntsman Knife Lore (Battle-Scarred), B/O: $224.11
⎯★ Bowie Knife Gamma Doppler (Factory New), B/O: $2142.02
★ Bowie Knife, B/O: $230.44
★ Bowie Knife Damascus Steel (Factory New), B/O: $209.20
★ Bowie Knife Ultraviolet (Minimal Wear), B/O: $180.51
★ Bowie Knife Ultraviolet (Field-Tested), B/O: $131.03
⎯★ Falchion Knife Night (Field-Tested), B/O: $132.54
★ Falchion Knife Urban Masked (Well-Worn), B/O: $112.81
★ Falchion Knife Scorched (Field-Tested), B/O: $108.81
★ Falchion Knife Forest DDPAT (Field-Tested), B/O: $107.82
★ Falchion Knife Safari Mesh (Field-Tested), B/O: $107.46
★ StatTrak™ Falchion Knife Ultraviolet (Field-Tested), B/O: $143.08
⎯★ Paracord Knife Crimson Web (Minimal Wear), B/O: $486.48
★ Paracord Knife Blue Steel (Battle-Scarred), B/O: $163.12
⎯★ Survival Knife Blue Steel (Battle-Scarred), B/O: $138.26
★ Survival Knife Night Stripe (Field-Tested), B/O: $131.03
⎯★ Gut Knife Sapphire (Minimal Wear), B/O: $1127.79
★ Gut Knife Gamma Doppler (Factory New), B/O: $286.17
★ Gut Knife Doppler (Factory New), B/O: $246.55
★ Gut Knife Marble Fade (Factory New), B/O: $240.77
★ Gut Knife, B/O: $210.49
★ Gut Knife Lore (Field-Tested), B/O: $194.22
★ Gut Knife Case Hardened (Battle-Scarred), B/O: $151.51
★ Gut Knife Blue Steel (Minimal Wear), B/O: $124.94
★ Gut Knife Rust Coat (Well-Worn), B/O: $118.99
★ Gut Knife Boreal Forest (Minimal Wear), B/O: $109.80
★ StatTrak™ Gut Knife Doppler (Factory New), B/O: $237.96
⎯★ Shadow Daggers Gamma Doppler (Factory New), B/O: $264.92
★ Shadow Daggers Marble Fade (Factory New), B/O: $253.03
★ Shadow Daggers Tiger Tooth (Factory New), B/O: $237.22
★ Shadow Daggers Crimson Web (Field-Tested), B/O: $153.40
★ Shadow Daggers Autotronic (Minimal Wear), B/O: $144.42
★ Shadow Daggers Blue Steel (Field-Tested), B/O: $105.20
★ StatTrak™ Shadow Daggers Damascus Steel (Minimal Wear), B/O: $150.46
⎯★ Navaja Knife Fade (Factory New), B/O: $365.99
★ Navaja Knife Doppler (Factory New), B/O: $228.93
★ Navaja Knife Marble Fade (Factory New), B/O: $227.43
★ Navaja Knife Slaughter (Factory New), B/O: $209.06
★ Navaja Knife, B/O: $203.16
★ Navaja Knife Case Hardened (Well-Worn), B/O: $132.57
★ Navaja Knife Damascus Steel (Factory New), B/O: $121.69
★ Navaja Knife Damascus Steel (Minimal Wear), B/O: $109.95
★ Navaja Knife Damascus Steel (Field-Tested), B/O: $100.41
★ StatTrak™ Navaja Knife Fade (Factory New), B/O: $369.01
★ StatTrak™ Navaja Knife Damascus Steel (Field-Tested), B/O: $109.95
GLOVES
★ Sport Gloves Amphibious (Minimal Wear), B/O: $2394.67
★ Sport Gloves Omega (Well-Worn), B/O: $572.33
★ Sport Gloves Bronze Morph (Minimal Wear), B/O: $338.88
★ Sport Gloves Big Game (Field-Tested), B/O: $323.66
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★ Specialist Gloves Tiger Strike (Field-Tested), B/O: $599.14
★ Specialist Gloves Crimson Web (Well-Worn), B/O: $231.57
★ Specialist Gloves Buckshot (Minimal Wear), B/O: $126.21
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★ Moto Gloves POW! (Field-Tested), B/O: $383.31
★ Moto Gloves POW! (Well-Worn), B/O: $276.00
★ Moto Gloves Turtle (Field-Tested), B/O: $180.28
⎯★ Hand Wraps CAUTION! (Minimal Wear), B/O: $502.29
★ Hand Wraps Giraffe (Minimal Wear), B/O: $180.73
★ Hand Wraps CAUTION! (Battle-Scarred), B/O: $178.32
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★ Driver Gloves Rezan the Red (Field-Tested), B/O: $101.66
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2024.05.13 23:12 bambaazon Logic Pro 11.0 release notes
New Features and enhancements
New AI-enhanced tools join Smart Tempo and the Pitch Correction plug-in to augment your artistry.
Bass Player and Keyboard Player join Drummer to complete a set of Session Players — all built with AI making it easy to create performances that respond to your direction.
Session Players can follow the same chord progression using Global chord track.
Add warmth to any track with ChromaGlow, an advanced plug-in with five saturation models designed to simulate the sound of vintage analog hardware.*
Separate a stereo audio file into stems for vocals, drums, bass and other parts with Stem Splitter.*
Session Players, ChromaGlow, and Stem Splitter also come to Logic Pro for iPad 2 — making it simple to move between projects created in Logic Pro for Mac.
Play any of six deeply-sampled acoustic and electric basses with Studio Bass.
Perform any of three meticulously-sampled pianos with Studio Piano.
Loops that contain chord tags will automatically populate the chord track when added to a project.
Three new Producer Packs are available: Hardwell, The Kount, and Cory Wong.
Original multi-track project of Swing! by Ellie Dixon available as in-app demo song.
Downmix and trim options allow custom mixing for non-Atmos channel configurations.
Exported ADM BWF files have been expanded beyond Dolby Atmos and can contain settings for stereo and other multi-channel formats.
Bounce in place adds automatic real-time recording for External Instrument regions or tracks that utilize external hardware using the Logic Pro I/O plug-in.
Route MIDI signals generated by supported software instruments and effects to the input of other tracks for creative layering during playback or recording.
Edit more efficiently using key commands for moving, extending, or resizing marquee selections.
The Nudge Region/Event Position key commands now also nudge Marquee selections.
The Transpose Region/Event key commands now also move or expand the Marquee selection up/down.
Pattern regions can now be created on Drummer tracks, and Drummer regions can be converted to Pattern regions.
New key commands include Trim Note End to Following Notes (Force Legato) With Overlap and Trim Note End to Selected (Force Legato) With Overlap.
Bounce in Place and Track Freeze can now be performed in real time, allowing for use of external instruments, I/O plug-ins, and external inserts.
Mastering Assistant analysis now can be performed in real time, allowing for use in projects that incorporate external I/O or instruments.
The Dolby Atmos plug-in now offers Downmix and Surround/Height Trim controls.
The Recent Projects list can now be configured to show up to 50 projects.
* Requires a Mac with Apple silicon.
Stability and reliability
Scripts with 1071 characters or more in Scripter no longer cause Logic Pro to quit unexpectedly.
Fixes an issue where creating a an event in a lane assigned to Note off in Step Sequencer could cause Logic Pro to quit unexpectedly.
Fixes an issue where Logic Pro could fail to launch with an Error Initializing Core MIDI message when the system is under heavy load performing other tasks.
Resolves an issue where Logic Pro could quit unexpectedly when a 64-bit floating point IR file is loaded into Space Designer.
Fixes an issue where Logic Pro could hang when opening a project while the Project Settings > MIDI window is displayed.
Logic Pro no longer quits unexpectedly when creating multiple Aux tracks with multiple existing Aux tracks selected.
Improves stability when bypassing control surfaces with Musical Typing open when EuControl software is installed.
Fixes an issue where Logic Pro could hang when quitting a project containing a large number of instances of Sampler.
Fixes an issue where Logic Pro could quit unexpectedly when replacing a playing Live Loops cell with another loop.
Performance
The UI is now more responsive when adjusting Flex Pitches directly on regions in Deviation mode.
Performance is improved when editing Transient Markers in Take regions with Flex enabled.
Performance is improved when making Flex Pitch edits in the Tracks area with a large number of selected regions.
Alchemy's Performance is improved.
Performance is improved when moving regions in projects with a large number of tracks and regions.
Projects containing a large number of flex-pitched regions now open more quickly.
Resolves an issue where loading a project saved with a Summing stack selected that contains Software Instruments that have no regions and/or with the tracks turned off could load the Software Instruments into memory.
Accessibility
VoiceOver now announces the state of Automation mode buttons on channel strips.
VoiceOver now announces the status of the Pause button in the LCD.
VoiceOver no longer announces hidden controls in the Smart Controls view.
VoiceOver no longer reads the values of pan knobs that are currently hidden in Sends on Faders mode.
VoiceOver now announces the state of the Details button and the Follow button in the Drummer Editor.
VoiceOver now announces left-click and Command-click Tool selections in the Control Bar.
VoiceOver now announces the name of the Time Quantize button in the Piano Roll.
VoiceOver now announces changes in value when the Next/Previous key commands are used to change Quantize values.
VoiceOver now announces state of key commands for Cycle, Mute, Track Solo, Input Monitoring, Track On/Off, and Lock/Unlock Track.
VoiceOver now announces the selection state of focused tracks.
Spatial Audio
Fixes an issue where adding a new 3D Object track for the first time to a Spatial Audio project could cause the Renderer to switch from the current model to the Apple renderer.
The Dolby Atmos plug-in now offers a 5.1.2 monitoring option.
Fixes an issue where setting a project to Dolby Atmos could output to 7.1.4 even when the mode defaults to Apple Renderer.
It is now possible to monitor Dolby Atmos projects directly via HDMI to a surround capable receiveamplifier.
The metering for Height channels now shows as post-fader on the Master channel as expected.
Loading a Master Bus channel strip setting in the 7.1.4 channel format now preserves the 7.1.4 channel layout as expected.
Session Players
Resolves an issue where loading a user-created Drum Machine Designer patch could set the input to a bus and fail to load the Drum Machine Designer instrument.
Using the Create Drummer Region command in a Marquee selection now creates a region that corresponds to the Marquee.
Smart Tempo
In cases where there is not an existing Smart Tempo Multitrack Set, selecting an audio file in the Smart Tempo Multitrack Set window and disabling the “Contribute to analysis” check box now causes the Update button to change to Analyze as expected.
Pressing the Space bar now immediately stops a Free Tempo recording.
Fixes an issue where projects previously open in the same Logic Pro session could unexpectedly affect “Contribute to Analysis” in the Smart Tempo editor.
Recording
Audio regions recorded to unnamed tracks now include the project name and track number in their name.
Mixer
The channel strip Stereo Pan control and the Pan menu now can be adjusted when Caps Lock is enabled.
Creating a single Multi-timbral Software Instrument in the New Track Sheet no longer creates two Software Instrument instances in the All view of the Mixer.
Resolves an issue where remaining tracks in a Multitimbral Software Instrument Track Stack could unexpectedly rename the channel strip.
Adjusting the activity status of a speaker in the Surround panner no longer causes the signal to unexpectedly mute.
Groups now immediately show as inactive when switched off for a selected set of channels in the Mixer.
Metering now correctly works on individual channel strips with plug-ins that send to more than two channels and are routed to a surround bus.
Option-clicking on a send in a selected group of channel strips now sets all corresponding sends to 0 dB as expected.
Fixes an issue where performing Undo after adjusting the fader values of grouped channels with Group Clutch enabled and then disabled could cause the faders to jump up to +6 dB when one member of the group is touched.
Setting multiple selected channels to No VCA now works as expected
Alchemy
The oscillator section in Alchemy offers a new Wide Unison mode.
All controls for Additive Effects now accept typed-in values as expected.
Values typed into parameters related to milliseconds (MS) in Acoustic Reverb are no longer interpreted as full seconds.
Resolves an issue where performance control destinations for modulation could show as duplicated.
Sampler, Quick Sampler, and Quick Alchemy
The Playback direction button in Quick Sampler now immediately updates when clicked.
The view now scrolls correctly when dragging the Trim marker in Sample Alchemy.
It is now possible to adjust the level of a group in Sampler up to +24 dB.
The Up/Down buttons for navigating zones in Sampler now remain available after adjusting the start or end positions of samples.
The general Zoom/Scroll key commands now can be used to trim the current view in Sample Alchemy.
Handles and Trim Handles in Sample Alchemy behave correctly when click-dragged, even when the plug-in window does not have focus.
The Ancient Vocal Chop and Baily Glide plug-in settings for Quick Sampler now open in Classic mode, as expected.
Plug-ins
The MIDI Scripter plug-in now shows in Logic Pro when running in dark mode.
Fixes an issue where clicking on Sampled IR in Space Designer could activate Synthesized IR mode unexpectedly.
Resolves an issue where repositioning the playhead could cause audio to cut out on channel strips that use Step FX.
The preset Note Repeater in Scripter now works as expected.
The wet/dry setting on Ringshifter is now always set to 100% wet when inserted on an Aux.
There's now a DI Delay Compensation switch in Bass Amp Designer to improve phase correlation when blending between Amp and Direct Box in the plug-in.
StepFX now includes presets using Sidechain.
The Beat Breaker preset called “Basic / 2 Slices, Speed 66%” no longer plays the slices at 50% speed instead of 66%.
Resolves an issue where ES2 could produce glitching sounds when using Sine Level or Poly Voice mode on Apple Silicon computers.
Mono > Stereo instances of Console EQ no longer can cause unexpected feedback.
Using the Delete all Automation key command while an Audio Unit window has key focus no longer causes the Audio Unit window to go blank.
The menu for the compression section of Phat FX can now be opened by clicking on the Up/Down arrows.
Beat Breaker now offers new default patterns divided evenly into 2, 4, 8, 16, and 32 slices.
Mastering Assistant
There is no longer unexpected latency with bounces from projects that use the Clean or Clean + Excite mode in Mastering Assistant.
Mastering Assistant analysis is no longer incorrectly triggered in projects that contain no regions, but are previewing audio from Ultrabeat, etc.
Mastering Assistant no longer allows the -1 dBFS peak limit to be exceeded in certain cases.
Automation
The Consolidate Relative and Absolute for Visible / Automation menu item now only displays when automation types that support relative automation are active in the lane.
Region-based Automation is now pasted as Track-based Automation when pasted to an area of a track that does not contain regions.
Pitchbend now works as expected with zones in Sampler that do not have Flex Pitch enabled.
Selecting Region-based automation points on a region now deselects previously selected automation points on other regions
Disabling Region-Based Automation no longer dims the Power button for MIDI CC data lanes in the Piano Roll.
The movie window now updates to show the correct frame when moving Region-based automation points.
The Autoselect automation parameter now works as expected when clicking any plug-in control.
Automation of the Gain plug-in no longer exhibits unexpected latency.
Region-based automation is now drawn correctly when recorded into projects that start earlier than 1 1 1 1.
Automation lane views for all tracks are now maintained when switching into Flex view and then back to Automation view.
Flex Time and Flex Pitch
Flex Pitched notes now play as expected when clicked while Record or Input Monitoring is active on the track.
Flexed audio tracks using Monophonic or Slicing mode no longer produce clicks at tempo changes.
Takes and comping
Fade-ins are now applied when flatten and merge is performed on Comps.
Renaming a take that encompasses the entire length of an audio file no longer unexpectedly changes the file name.
Comps in Take Folders are now preserved when performing Cut Section Between Locators on a section that includes the end of one Take folder and the beginning of another, with a gap in-between.
Track Stacks
Record-arming a Track Stack now arms grouped audio tracks in a Track Stack it contains.
Dragging a subtrack out of a Track Stack that is assigned to a VCA now removes the assignment for the subtrack.
Fixes an issue where Track Stacks could sometimes be dimmed when some, but not all, subtracks are muted or off.
It's now possible to replace stacked instrument patches that are inside a Summing Stack with single track patches.
Track Alternatives
Loading a patch on a Summing Stack containing sub-tracks with Track Alternatives no longer causes inactive alternatives to be deleted.
Track Alternatives can now be created for the Stereo Output track.
Selection-Based Processing
Using Selection-Based Processing on a Marquee selected section within a Take Folder no longer creates an unexpected comp.
Selection-Based Processing on a comp now retains the comp.
Score
The spacing of notes is improved in cases where there is a dotted note on a line with the stem is pointing upward.
Command + Z to undo now works after deleting a Score Set.
Upward bends in TAB staves now display correctly.
Importing an instrument track no longer can cause Score Sets in the current project to disappear.
Imported Score Sets can now be deleted from a project.
Live Loops
“Join Region and Fill Cell” now works as expected.
Recording a performance in Live Loops now temporarily puts all tracks into Automation: Latch mode.
Fixes an issue where changing patches for a Live Loop track could cause the length of cells to change unexpectedly.
It's now possible to paste MIDI notes into a Live Loops cell.
Step Sequencer
It's now easier to use the disclosure triangle to open sub-rows in Step Sequencer.
Pattern regions now play back correctly immediately after being nudged.
Pattern Regions now immediately play as expected after using the Slip/Rotate tool to drag their contents to the left.
The “Separate pattern region by kit piece” command on Drum Machine Designer tracks is now applied to the correct area of the Pattern Region, in cases where the left border of the region has been moved to the right.
The length and number of steps of a newly created Pattern Region accounts for Time Signature changes correctly.
The maximum possible pattern length of a Pattern region is now 4 bars of the current time signature.
Step Sequencer now allows pattern lengths to be added based on 5/4 and 7/8 time signatures.
The Step Sequencer Inc/Dec controls now work in Loop Edit mode.
Fixes an issue where Pattern Regions on frozen tracks be edited unexpectedly.
Region-based automation now displays properly on Pattern regions in tracks that have been partially frozen, and on regions that have been frozen and then unfrozen.
It's now possible to assign MIDI channels per step in a Pattern Region.
MIDI
Reset messages for Software Instruments now work correctly.
Sustain messages are now sent correctly when playing back regions with Clip Length enabled in cycle mode.
There is now an “Internal MIDI in” setting in the Track Inspector to allow for recording MIDI from any other software instrument or External MIDI Instrument track.
The “Send all MIDI settings” key command now sends program changes to external devices assigned to empty tracks.
Resolves an issue where 3 bytes of random MIDI data would be sent when playing back regions containing SysEx data with MIDI 2.0 disabled
New 'internal MIDI in' feature allows recording of MIDI from other tracks, including MIDI FX plug-in output and 3rd party MIDI generators.
The “Delete MIDI events outside region boundaries" key command now correctly creates a starting CC event in the region to match the last matching CC of the same type in the track.
Fixes an issue where Chase could cut off notes that are preceded by notes of the same pitch on tracks with third-party instrument plug-ins.
Editing
The Humanize transform set now works as expected when the Randomize functions for Position, Length, or Velocity are set to very small values.
The menu item Delete and Move in the Event List is now only displayed if regions are displayed in the window.
When MIDI 2.0 is selected in the Settings, clicking on an Event in the Event List no longer plays events back with MIDI 1.0 resolution.
Fixes an issue where using the Cut command in the Audio Track Editor could switch the view to another editor.
When a region in the Project Audio window is double-clicked, the Audio Track editor now opens as expected.
The content link buttons for the Piano Roll and Score show the correct color as expected when toggled using the mouse.
The Event List correctly updates to reflect changes made by using key commands to select notes in other editors.
Resolves an issue where the Velocity tool in the Piano roll could affect the values of non-note events.
Fixes an issue where applying the Transform set Double Speed could cause the notes to disappear from the Piano Roll.
Step Input
Extending the length of note entered using Step Input now works correctly.
Global Tracks
Adding multiple audio Apple Loops of the same key to different tracks of a new project now changes the project key as expected.
Clicked in Tempo points are now placed at their correct positions in projects that start earlier than 1 1 1 1.
Share and export
When No Overlap is enabled, regions bounced onto existing regions no longer overlap them.
Audio files bounced from Logic Pro now include the proper Encoded Date in the metadata.
Fixes an issue where MIDI regions could be truncated when bounced in place.
Fixes an issue where audio files including Volume/Pan automation exported from mono tracks that use plug-ins could export as stereo files.
It is now possible to bounce sub-channels of multitimbral instrument tracks as individual files.
Import
Resolves an issue when dragging multiple audio files into a project, choosing the “Place all files on one track” option could create a second track and places the first file on one track, and the rest on the second.
Output channels in the Mixer can now be imported from other Logic Pro projects.
Apple Loops
The Loops browser now correctly shows the same enharmonic key an Apple Loop was tagged with.
Apple Loops now preview using the Key Signature active at the current position of the playhead.
It's now possible to add Aliases to bookmarks and untagged loops.
Dragging an Apple Loop from the loop browser to an existing track no longer changes the input for the track.
Fixes an issue where MIDI Apple Loops could jump to the start of the nearest bar position when dragged from the Loop Browser to the middle of a bar.
Video Support
A secondary screen that is running a full screen video with Show Animations off will no longer remain black after closing the project.
Key Commands
The “Increase (or Decrease) last clicked parameter” key commands now work for controls in the LCD.
The “Record off for all” key command now works on Software Instrument tracks in cases where one or more audio tracks are also record-enabled.
There is now a key command to add to the current selection of regions or cells that are assigned to a toggle solo group.
The Zoom Toggle key command now works in the Step Editor.
Compatibility
GarageBand projects that use Pitch Correction now sound the same when opened in Logic Pro.
Undo
If Undo is used immediately after creating a project, the New Track Sheet is displayed as expected rather than leaving a project with no tracks.
Undo/Redo now works as expected with Audio Unit v3 plug-ins.
Changing the Automation Mode, or changing a Track On/Off state now creates an Undo step.
Performing Undo after adding a surround track no longer corrects Drummer tracks in the project.
Logic Remote
Logic Remote immediately updates to show time and signature changes made in Logic Pro.
Control Surfaces and MIDI controllers
Controls on Control Surface devices that use Lua scripts now provide feedback when learning assignments for them in Logic Pro.
Illuminated buttons on control surfaces now show the correct state for Show/Hide Track Editor.
General
The LCD now displays the Cycle start and end times in both SMPTE time and Bars/Beats when the secondary ruler is displayed.
Search in the All Files browser now finds matching items in bookmarked folders.
Fixes an issue where the visible editor in the Main window could unexpectedly switch when rubber-band selecting regions.
Audio Take folders created in Cycle mode now loop as expected after recording when Loop is enabled in the Region Inspector.
It's now possible to create external MIDI tracks when Core Audio is disabled in Logic Pro.
Resolves an issue where deleting a Flex marker from an audio region while a Marker List is visible could switch the key focus to the Marker List.
Track information pasted into a text editor now includes the TIME position when the Use Musical Grid setting for the project is not enabled.
Input monitoring buttons are now displayed on audio tracks when Logic Pro has fallen back to an alternate audio device because the selected device is not available.
Previewing an audio region in the Project Audio window no longer causes it to jump to the top of the window.
Command+Option clicking on the On/Off button of a track now toggles the button for all tracks, as expected.
Copy/paste of regions now works when Automation view is enabled.
Right-clicking on a looped segment of a region now opens the contextual menu as expected.
It's now easier to see when black keys are depressed in the Musical Typing window.
The right arrow key now reliably moves the text cursor in the Bounce > Save As file name panel.
Groove Templates created from audio regions now work in Smart Quantize mode.
Dragging multiple regions from the same audio file from the Project Audio browser to the Tracks area now works correctly.
Audio regions are no longer moved to unexpected positions when trimming, if absolute Snap mode is on, and the region anchor is moved away from the start of the region
Fixes an issue where pasting a Marquee selection with No Overlap and Snap Edits to Zero Crossings mode enabled could delete a non-overlapping part of an existing region.
Autozoom now triggers when a region's upper right corner is dragged in the Main window, or the Audio Track Editor.
The Playhead no longer may briefly appear to be in the wrong position when zooming horizontally.
The Time Ruler now immediately updates to reflect changes made to the “Bar Position [bar position] plays at SMPTE” setting.
The File browser correctly shows the full path when using Save As.
submitted by bambaazon to Logic_Studio [link] [comments]
New AI-enhanced tools join Smart Tempo and the Pitch Correction plug-in to augment your artistry.
Bass Player and Keyboard Player join Drummer to complete a set of Session Players — all built with AI making it easy to create performances that respond to your direction.
Session Players can follow the same chord progression using Global chord track.
Add warmth to any track with ChromaGlow, an advanced plug-in with five saturation models designed to simulate the sound of vintage analog hardware.*
Separate a stereo audio file into stems for vocals, drums, bass and other parts with Stem Splitter.*
Session Players, ChromaGlow, and Stem Splitter also come to Logic Pro for iPad 2 — making it simple to move between projects created in Logic Pro for Mac.
Play any of six deeply-sampled acoustic and electric basses with Studio Bass.
Perform any of three meticulously-sampled pianos with Studio Piano.
Loops that contain chord tags will automatically populate the chord track when added to a project.
Three new Producer Packs are available: Hardwell, The Kount, and Cory Wong.
Original multi-track project of Swing! by Ellie Dixon available as in-app demo song.
Downmix and trim options allow custom mixing for non-Atmos channel configurations.
Exported ADM BWF files have been expanded beyond Dolby Atmos and can contain settings for stereo and other multi-channel formats.
Bounce in place adds automatic real-time recording for External Instrument regions or tracks that utilize external hardware using the Logic Pro I/O plug-in.
Route MIDI signals generated by supported software instruments and effects to the input of other tracks for creative layering during playback or recording.
Edit more efficiently using key commands for moving, extending, or resizing marquee selections.
The Nudge Region/Event Position key commands now also nudge Marquee selections.
The Transpose Region/Event key commands now also move or expand the Marquee selection up/down.
Pattern regions can now be created on Drummer tracks, and Drummer regions can be converted to Pattern regions.
New key commands include Trim Note End to Following Notes (Force Legato) With Overlap and Trim Note End to Selected (Force Legato) With Overlap.
Bounce in Place and Track Freeze can now be performed in real time, allowing for use of external instruments, I/O plug-ins, and external inserts.
Mastering Assistant analysis now can be performed in real time, allowing for use in projects that incorporate external I/O or instruments.
The Dolby Atmos plug-in now offers Downmix and Surround/Height Trim controls.
The Recent Projects list can now be configured to show up to 50 projects.
* Requires a Mac with Apple silicon.
Stability and reliability
Scripts with 1071 characters or more in Scripter no longer cause Logic Pro to quit unexpectedly.
Fixes an issue where creating a an event in a lane assigned to Note off in Step Sequencer could cause Logic Pro to quit unexpectedly.
Fixes an issue where Logic Pro could fail to launch with an Error Initializing Core MIDI message when the system is under heavy load performing other tasks.
Resolves an issue where Logic Pro could quit unexpectedly when a 64-bit floating point IR file is loaded into Space Designer.
Fixes an issue where Logic Pro could hang when opening a project while the Project Settings > MIDI window is displayed.
Logic Pro no longer quits unexpectedly when creating multiple Aux tracks with multiple existing Aux tracks selected.
Improves stability when bypassing control surfaces with Musical Typing open when EuControl software is installed.
Fixes an issue where Logic Pro could hang when quitting a project containing a large number of instances of Sampler.
Fixes an issue where Logic Pro could quit unexpectedly when replacing a playing Live Loops cell with another loop.
Performance
The UI is now more responsive when adjusting Flex Pitches directly on regions in Deviation mode.
Performance is improved when editing Transient Markers in Take regions with Flex enabled.
Performance is improved when making Flex Pitch edits in the Tracks area with a large number of selected regions.
Alchemy's Performance is improved.
Performance is improved when moving regions in projects with a large number of tracks and regions.
Projects containing a large number of flex-pitched regions now open more quickly.
Resolves an issue where loading a project saved with a Summing stack selected that contains Software Instruments that have no regions and/or with the tracks turned off could load the Software Instruments into memory.
Accessibility
VoiceOver now announces the state of Automation mode buttons on channel strips.
VoiceOver now announces the status of the Pause button in the LCD.
VoiceOver no longer announces hidden controls in the Smart Controls view.
VoiceOver no longer reads the values of pan knobs that are currently hidden in Sends on Faders mode.
VoiceOver now announces the state of the Details button and the Follow button in the Drummer Editor.
VoiceOver now announces left-click and Command-click Tool selections in the Control Bar.
VoiceOver now announces the name of the Time Quantize button in the Piano Roll.
VoiceOver now announces changes in value when the Next/Previous key commands are used to change Quantize values.
VoiceOver now announces state of key commands for Cycle, Mute, Track Solo, Input Monitoring, Track On/Off, and Lock/Unlock Track.
VoiceOver now announces the selection state of focused tracks.
Spatial Audio
Fixes an issue where adding a new 3D Object track for the first time to a Spatial Audio project could cause the Renderer to switch from the current model to the Apple renderer.
The Dolby Atmos plug-in now offers a 5.1.2 monitoring option.
Fixes an issue where setting a project to Dolby Atmos could output to 7.1.4 even when the mode defaults to Apple Renderer.
It is now possible to monitor Dolby Atmos projects directly via HDMI to a surround capable receiveamplifier.
The metering for Height channels now shows as post-fader on the Master channel as expected.
Loading a Master Bus channel strip setting in the 7.1.4 channel format now preserves the 7.1.4 channel layout as expected.
Session Players
Resolves an issue where loading a user-created Drum Machine Designer patch could set the input to a bus and fail to load the Drum Machine Designer instrument.
Using the Create Drummer Region command in a Marquee selection now creates a region that corresponds to the Marquee.
Smart Tempo
In cases where there is not an existing Smart Tempo Multitrack Set, selecting an audio file in the Smart Tempo Multitrack Set window and disabling the “Contribute to analysis” check box now causes the Update button to change to Analyze as expected.
Pressing the Space bar now immediately stops a Free Tempo recording.
Fixes an issue where projects previously open in the same Logic Pro session could unexpectedly affect “Contribute to Analysis” in the Smart Tempo editor.
Recording
Audio regions recorded to unnamed tracks now include the project name and track number in their name.
Mixer
The channel strip Stereo Pan control and the Pan menu now can be adjusted when Caps Lock is enabled.
Creating a single Multi-timbral Software Instrument in the New Track Sheet no longer creates two Software Instrument instances in the All view of the Mixer.
Resolves an issue where remaining tracks in a Multitimbral Software Instrument Track Stack could unexpectedly rename the channel strip.
Adjusting the activity status of a speaker in the Surround panner no longer causes the signal to unexpectedly mute.
Groups now immediately show as inactive when switched off for a selected set of channels in the Mixer.
Metering now correctly works on individual channel strips with plug-ins that send to more than two channels and are routed to a surround bus.
Option-clicking on a send in a selected group of channel strips now sets all corresponding sends to 0 dB as expected.
Fixes an issue where performing Undo after adjusting the fader values of grouped channels with Group Clutch enabled and then disabled could cause the faders to jump up to +6 dB when one member of the group is touched.
Setting multiple selected channels to No VCA now works as expected
Alchemy
The oscillator section in Alchemy offers a new Wide Unison mode.
All controls for Additive Effects now accept typed-in values as expected.
Values typed into parameters related to milliseconds (MS) in Acoustic Reverb are no longer interpreted as full seconds.
Resolves an issue where performance control destinations for modulation could show as duplicated.
Sampler, Quick Sampler, and Quick Alchemy
The Playback direction button in Quick Sampler now immediately updates when clicked.
The view now scrolls correctly when dragging the Trim marker in Sample Alchemy.
It is now possible to adjust the level of a group in Sampler up to +24 dB.
The Up/Down buttons for navigating zones in Sampler now remain available after adjusting the start or end positions of samples.
The general Zoom/Scroll key commands now can be used to trim the current view in Sample Alchemy.
Handles and Trim Handles in Sample Alchemy behave correctly when click-dragged, even when the plug-in window does not have focus.
The Ancient Vocal Chop and Baily Glide plug-in settings for Quick Sampler now open in Classic mode, as expected.
Plug-ins
The MIDI Scripter plug-in now shows in Logic Pro when running in dark mode.
Fixes an issue where clicking on Sampled IR in Space Designer could activate Synthesized IR mode unexpectedly.
Resolves an issue where repositioning the playhead could cause audio to cut out on channel strips that use Step FX.
The preset Note Repeater in Scripter now works as expected.
The wet/dry setting on Ringshifter is now always set to 100% wet when inserted on an Aux.
There's now a DI Delay Compensation switch in Bass Amp Designer to improve phase correlation when blending between Amp and Direct Box in the plug-in.
StepFX now includes presets using Sidechain.
The Beat Breaker preset called “Basic / 2 Slices, Speed 66%” no longer plays the slices at 50% speed instead of 66%.
Resolves an issue where ES2 could produce glitching sounds when using Sine Level or Poly Voice mode on Apple Silicon computers.
Mono > Stereo instances of Console EQ no longer can cause unexpected feedback.
Using the Delete all Automation key command while an Audio Unit window has key focus no longer causes the Audio Unit window to go blank.
The menu for the compression section of Phat FX can now be opened by clicking on the Up/Down arrows.
Beat Breaker now offers new default patterns divided evenly into 2, 4, 8, 16, and 32 slices.
Mastering Assistant
There is no longer unexpected latency with bounces from projects that use the Clean or Clean + Excite mode in Mastering Assistant.
Mastering Assistant analysis is no longer incorrectly triggered in projects that contain no regions, but are previewing audio from Ultrabeat, etc.
Mastering Assistant no longer allows the -1 dBFS peak limit to be exceeded in certain cases.
Automation
The Consolidate Relative and Absolute for Visible / Automation menu item now only displays when automation types that support relative automation are active in the lane.
Region-based Automation is now pasted as Track-based Automation when pasted to an area of a track that does not contain regions.
Pitchbend now works as expected with zones in Sampler that do not have Flex Pitch enabled.
Selecting Region-based automation points on a region now deselects previously selected automation points on other regions
Disabling Region-Based Automation no longer dims the Power button for MIDI CC data lanes in the Piano Roll.
The movie window now updates to show the correct frame when moving Region-based automation points.
The Autoselect automation parameter now works as expected when clicking any plug-in control.
Automation of the Gain plug-in no longer exhibits unexpected latency.
Region-based automation is now drawn correctly when recorded into projects that start earlier than 1 1 1 1.
Automation lane views for all tracks are now maintained when switching into Flex view and then back to Automation view.
Flex Time and Flex Pitch
Flex Pitched notes now play as expected when clicked while Record or Input Monitoring is active on the track.
Flexed audio tracks using Monophonic or Slicing mode no longer produce clicks at tempo changes.
Takes and comping
Fade-ins are now applied when flatten and merge is performed on Comps.
Renaming a take that encompasses the entire length of an audio file no longer unexpectedly changes the file name.
Comps in Take Folders are now preserved when performing Cut Section Between Locators on a section that includes the end of one Take folder and the beginning of another, with a gap in-between.
Track Stacks
Record-arming a Track Stack now arms grouped audio tracks in a Track Stack it contains.
Dragging a subtrack out of a Track Stack that is assigned to a VCA now removes the assignment for the subtrack.
Fixes an issue where Track Stacks could sometimes be dimmed when some, but not all, subtracks are muted or off.
It's now possible to replace stacked instrument patches that are inside a Summing Stack with single track patches.
Track Alternatives
Loading a patch on a Summing Stack containing sub-tracks with Track Alternatives no longer causes inactive alternatives to be deleted.
Track Alternatives can now be created for the Stereo Output track.
Selection-Based Processing
Using Selection-Based Processing on a Marquee selected section within a Take Folder no longer creates an unexpected comp.
Selection-Based Processing on a comp now retains the comp.
Score
The spacing of notes is improved in cases where there is a dotted note on a line with the stem is pointing upward.
Command + Z to undo now works after deleting a Score Set.
Upward bends in TAB staves now display correctly.
Importing an instrument track no longer can cause Score Sets in the current project to disappear.
Imported Score Sets can now be deleted from a project.
Live Loops
“Join Region and Fill Cell” now works as expected.
Recording a performance in Live Loops now temporarily puts all tracks into Automation: Latch mode.
Fixes an issue where changing patches for a Live Loop track could cause the length of cells to change unexpectedly.
It's now possible to paste MIDI notes into a Live Loops cell.
Step Sequencer
It's now easier to use the disclosure triangle to open sub-rows in Step Sequencer.
Pattern regions now play back correctly immediately after being nudged.
Pattern Regions now immediately play as expected after using the Slip/Rotate tool to drag their contents to the left.
The “Separate pattern region by kit piece” command on Drum Machine Designer tracks is now applied to the correct area of the Pattern Region, in cases where the left border of the region has been moved to the right.
The length and number of steps of a newly created Pattern Region accounts for Time Signature changes correctly.
The maximum possible pattern length of a Pattern region is now 4 bars of the current time signature.
Step Sequencer now allows pattern lengths to be added based on 5/4 and 7/8 time signatures.
The Step Sequencer Inc/Dec controls now work in Loop Edit mode.
Fixes an issue where Pattern Regions on frozen tracks be edited unexpectedly.
Region-based automation now displays properly on Pattern regions in tracks that have been partially frozen, and on regions that have been frozen and then unfrozen.
It's now possible to assign MIDI channels per step in a Pattern Region.
MIDI
Reset messages for Software Instruments now work correctly.
Sustain messages are now sent correctly when playing back regions with Clip Length enabled in cycle mode.
There is now an “Internal MIDI in” setting in the Track Inspector to allow for recording MIDI from any other software instrument or External MIDI Instrument track.
The “Send all MIDI settings” key command now sends program changes to external devices assigned to empty tracks.
Resolves an issue where 3 bytes of random MIDI data would be sent when playing back regions containing SysEx data with MIDI 2.0 disabled
New 'internal MIDI in' feature allows recording of MIDI from other tracks, including MIDI FX plug-in output and 3rd party MIDI generators.
The “Delete MIDI events outside region boundaries" key command now correctly creates a starting CC event in the region to match the last matching CC of the same type in the track.
Fixes an issue where Chase could cut off notes that are preceded by notes of the same pitch on tracks with third-party instrument plug-ins.
Editing
The Humanize transform set now works as expected when the Randomize functions for Position, Length, or Velocity are set to very small values.
The menu item Delete and Move in the Event List is now only displayed if regions are displayed in the window.
When MIDI 2.0 is selected in the Settings, clicking on an Event in the Event List no longer plays events back with MIDI 1.0 resolution.
Fixes an issue where using the Cut command in the Audio Track Editor could switch the view to another editor.
When a region in the Project Audio window is double-clicked, the Audio Track editor now opens as expected.
The content link buttons for the Piano Roll and Score show the correct color as expected when toggled using the mouse.
The Event List correctly updates to reflect changes made by using key commands to select notes in other editors.
Resolves an issue where the Velocity tool in the Piano roll could affect the values of non-note events.
Fixes an issue where applying the Transform set Double Speed could cause the notes to disappear from the Piano Roll.
Step Input
Extending the length of note entered using Step Input now works correctly.
Global Tracks
Adding multiple audio Apple Loops of the same key to different tracks of a new project now changes the project key as expected.
Clicked in Tempo points are now placed at their correct positions in projects that start earlier than 1 1 1 1.
Share and export
When No Overlap is enabled, regions bounced onto existing regions no longer overlap them.
Audio files bounced from Logic Pro now include the proper Encoded Date in the metadata.
Fixes an issue where MIDI regions could be truncated when bounced in place.
Fixes an issue where audio files including Volume/Pan automation exported from mono tracks that use plug-ins could export as stereo files.
It is now possible to bounce sub-channels of multitimbral instrument tracks as individual files.
Import
Resolves an issue when dragging multiple audio files into a project, choosing the “Place all files on one track” option could create a second track and places the first file on one track, and the rest on the second.
Output channels in the Mixer can now be imported from other Logic Pro projects.
Apple Loops
The Loops browser now correctly shows the same enharmonic key an Apple Loop was tagged with.
Apple Loops now preview using the Key Signature active at the current position of the playhead.
It's now possible to add Aliases to bookmarks and untagged loops.
Dragging an Apple Loop from the loop browser to an existing track no longer changes the input for the track.
Fixes an issue where MIDI Apple Loops could jump to the start of the nearest bar position when dragged from the Loop Browser to the middle of a bar.
Video Support
A secondary screen that is running a full screen video with Show Animations off will no longer remain black after closing the project.
Key Commands
The “Increase (or Decrease) last clicked parameter” key commands now work for controls in the LCD.
The “Record off for all” key command now works on Software Instrument tracks in cases where one or more audio tracks are also record-enabled.
There is now a key command to add to the current selection of regions or cells that are assigned to a toggle solo group.
The Zoom Toggle key command now works in the Step Editor.
Compatibility
GarageBand projects that use Pitch Correction now sound the same when opened in Logic Pro.
Undo
If Undo is used immediately after creating a project, the New Track Sheet is displayed as expected rather than leaving a project with no tracks.
Undo/Redo now works as expected with Audio Unit v3 plug-ins.
Changing the Automation Mode, or changing a Track On/Off state now creates an Undo step.
Performing Undo after adding a surround track no longer corrects Drummer tracks in the project.
Logic Remote
Logic Remote immediately updates to show time and signature changes made in Logic Pro.
Control Surfaces and MIDI controllers
Controls on Control Surface devices that use Lua scripts now provide feedback when learning assignments for them in Logic Pro.
Illuminated buttons on control surfaces now show the correct state for Show/Hide Track Editor.
General
The LCD now displays the Cycle start and end times in both SMPTE time and Bars/Beats when the secondary ruler is displayed.
Search in the All Files browser now finds matching items in bookmarked folders.
Fixes an issue where the visible editor in the Main window could unexpectedly switch when rubber-band selecting regions.
Audio Take folders created in Cycle mode now loop as expected after recording when Loop is enabled in the Region Inspector.
It's now possible to create external MIDI tracks when Core Audio is disabled in Logic Pro.
Resolves an issue where deleting a Flex marker from an audio region while a Marker List is visible could switch the key focus to the Marker List.
Track information pasted into a text editor now includes the TIME position when the Use Musical Grid setting for the project is not enabled.
Input monitoring buttons are now displayed on audio tracks when Logic Pro has fallen back to an alternate audio device because the selected device is not available.
Previewing an audio region in the Project Audio window no longer causes it to jump to the top of the window.
Command+Option clicking on the On/Off button of a track now toggles the button for all tracks, as expected.
Copy/paste of regions now works when Automation view is enabled.
Right-clicking on a looped segment of a region now opens the contextual menu as expected.
It's now easier to see when black keys are depressed in the Musical Typing window.
The right arrow key now reliably moves the text cursor in the Bounce > Save As file name panel.
Groove Templates created from audio regions now work in Smart Quantize mode.
Dragging multiple regions from the same audio file from the Project Audio browser to the Tracks area now works correctly.
Audio regions are no longer moved to unexpected positions when trimming, if absolute Snap mode is on, and the region anchor is moved away from the start of the region
Fixes an issue where pasting a Marquee selection with No Overlap and Snap Edits to Zero Crossings mode enabled could delete a non-overlapping part of an existing region.
Autozoom now triggers when a region's upper right corner is dragged in the Main window, or the Audio Track Editor.
The Playhead no longer may briefly appear to be in the wrong position when zooming horizontally.
The Time Ruler now immediately updates to reflect changes made to the “Bar Position [bar position] plays at SMPTE” setting.
The File browser correctly shows the full path when using Save As.
2024.05.13 21:35 _Triple_ [STORE] 900+ KNIVES/GLOVES/SKINS, 100.000$+ INVENTORY. BFK Lore, Gloves Amphibious, Skeleton Fade, Bowie Emerald, BFK Auto, Gloves MF, Talon Doppler, Gloves POW, Bayo Tiger, Gut Sapphire, Stiletto MF, M9 Ultra, Ursus Doppler, Flip Doppler, M9 Stained, Nomad CW, Paracord CW, AK-47 X-Ray & A Lot More
Everything in my inventory is up for trade. The most valuable items are listed here, the rest you can find in My Inventory
Feel free to Add Me or even better send a Trade Offer. Open for any suggestions: upgrades, downgrades / knives, gloves, skins / stickers, patterns, floats.
All Buyouts are listed in cash value.
KNIVES
★ Butterfly Knife Lore (Factory New), B/O: $7194.77
★ Butterfly Knife Autotronic (Minimal Wear), B/O: $2025.74
⎯★ M9 Bayonet Ultraviolet (Field-Tested), B/O: $557.87
★ M9 Bayonet Stained (Well-Worn), B/O: $529.41
★ M9 Bayonet Boreal Forest (Field-Tested), B/O: $465.39
⎯★ Talon Knife Doppler (Factory New), B/O: $1295.27
★ Bayonet Tiger Tooth (Minimal Wear), B/O: $746.28
★ Karambit Bright Water (Field-Tested), B/O: $688.15
⎯★ Flip Knife Doppler (Factory New), B/O: $547.93
★ Flip Knife Autotronic (Minimal Wear), B/O: $476.69
★ Flip Knife Case Hardened (Battle-Scarred), B/O: $278.18
★ Flip Knife Black Laminate (Well-Worn), B/O: $258.83
★ Flip Knife Urban Masked (Field-Tested), B/O: $181.64
⎯★ Stiletto Knife Marble Fade (Factory New), B/O: $686.04
★ Stiletto Knife Doppler (Factory New), B/O: $665.41
★ Stiletto Knife, B/O: $601.39
★ Stiletto Knife Crimson Web (Field-Tested), B/O: $418.25
★ Stiletto Knife Night Stripe (Field-Tested), B/O: $227.80
★ Stiletto Knife Boreal Forest (Field-Tested), B/O: $194.96
★ Stiletto Knife Safari Mesh (Field-Tested), B/O: $192.79
⎯★ Nomad Knife Crimson Web (Field-Tested), B/O: $518.11
★ Nomad Knife Scorched (Field-Tested), B/O: $169.78
★ Nomad Knife Forest DDPAT (Battle-Scarred), B/O: $166.88
★ StatTrak™ Nomad Knife Blue Steel (Field-Tested), B/O: $335.79
⎯★ Skeleton Knife Stained (Well-Worn), B/O: $442.05
★ Skeleton Knife Urban Masked (Minimal Wear), B/O: $426.24
★ Skeleton Knife Boreal Forest (Field-Tested), B/O: $314.03
★ StatTrak™ Skeleton Knife Fade (Minimal Wear), B/O: $2361.28
★ StatTrak™ Skeleton Knife Urban Masked (Field-Tested), B/O: $376.53
⎯★ Ursus Knife Doppler (Factory New), B/O: $557.12
★ Ursus Knife, B/O: $471.42
★ Ursus Knife Blue Steel (Minimal Wear), B/O: $212.37
★ Ursus Knife Case Hardened (Battle-Scarred), B/O: $187.66
★ Ursus Knife Damascus Steel (Field-Tested), B/O: $178.18
★ Ursus Knife Ultraviolet (Battle-Scarred), B/O: $155.13
★ Ursus Knife Boreal Forest (Battle-Scarred), B/O: $124.26
⎯★ Huntsman Knife Black Laminate (Minimal Wear), B/O: $204.83
★ Huntsman Knife Black Laminate (Field-Tested), B/O: $184.50
★ StatTrak™ Huntsman Knife Lore (Battle-Scarred), B/O: $224.11
⎯★ Bowie Knife Gamma Doppler (Factory New), B/O: $2142.02
★ Bowie Knife, B/O: $230.44
★ Bowie Knife Damascus Steel (Factory New), B/O: $209.20
★ Bowie Knife Ultraviolet (Minimal Wear), B/O: $180.51
★ Bowie Knife Ultraviolet (Field-Tested), B/O: $131.03
⎯★ Falchion Knife Night (Field-Tested), B/O: $132.54
★ Falchion Knife Urban Masked (Well-Worn), B/O: $112.81
★ Falchion Knife Scorched (Field-Tested), B/O: $108.81
★ Falchion Knife Forest DDPAT (Field-Tested), B/O: $107.82
★ Falchion Knife Safari Mesh (Field-Tested), B/O: $107.46
★ StatTrak™ Falchion Knife Ultraviolet (Field-Tested), B/O: $143.08
⎯★ Paracord Knife Crimson Web (Minimal Wear), B/O: $486.48
★ Paracord Knife Blue Steel (Battle-Scarred), B/O: $163.12
⎯★ Survival Knife Blue Steel (Battle-Scarred), B/O: $138.26
★ Survival Knife Night Stripe (Field-Tested), B/O: $131.03
⎯★ Gut Knife Sapphire (Minimal Wear), B/O: $1127.79
★ Gut Knife Gamma Doppler (Factory New), B/O: $286.17
★ Gut Knife Doppler (Factory New), B/O: $246.55
★ Gut Knife Marble Fade (Factory New), B/O: $240.77
★ Gut Knife, B/O: $210.49
★ Gut Knife Lore (Field-Tested), B/O: $194.22
★ Gut Knife Case Hardened (Battle-Scarred), B/O: $151.51
★ Gut Knife Blue Steel (Minimal Wear), B/O: $124.94
★ Gut Knife Rust Coat (Well-Worn), B/O: $118.99
★ Gut Knife Boreal Forest (Minimal Wear), B/O: $109.80
★ StatTrak™ Gut Knife Doppler (Factory New), B/O: $237.96
⎯★ Shadow Daggers Gamma Doppler (Factory New), B/O: $264.92
★ Shadow Daggers Marble Fade (Factory New), B/O: $253.03
★ Shadow Daggers Tiger Tooth (Factory New), B/O: $237.22
★ Shadow Daggers Crimson Web (Field-Tested), B/O: $153.40
★ Shadow Daggers Autotronic (Minimal Wear), B/O: $144.42
★ Shadow Daggers Blue Steel (Field-Tested), B/O: $105.20
★ StatTrak™ Shadow Daggers Damascus Steel (Minimal Wear), B/O: $150.46
⎯★ Navaja Knife Fade (Factory New), B/O: $365.99
★ Navaja Knife Doppler (Factory New), B/O: $228.93
★ Navaja Knife Marble Fade (Factory New), B/O: $227.43
★ Navaja Knife Slaughter (Factory New), B/O: $209.06
★ Navaja Knife, B/O: $203.16
★ Navaja Knife Case Hardened (Well-Worn), B/O: $132.57
★ Navaja Knife Damascus Steel (Factory New), B/O: $121.69
★ Navaja Knife Damascus Steel (Minimal Wear), B/O: $109.95
★ Navaja Knife Damascus Steel (Field-Tested), B/O: $100.41
★ StatTrak™ Navaja Knife Fade (Factory New), B/O: $369.01
★ StatTrak™ Navaja Knife Damascus Steel (Field-Tested), B/O: $109.95
GLOVES
★ Sport Gloves Amphibious (Minimal Wear), B/O: $2394.67
★ Sport Gloves Omega (Well-Worn), B/O: $572.33
★ Sport Gloves Bronze Morph (Minimal Wear), B/O: $338.88
★ Sport Gloves Big Game (Field-Tested), B/O: $323.66
⎯★ Specialist Gloves Marble Fade (Minimal Wear), B/O: $1652.07
★ Specialist Gloves Tiger Strike (Field-Tested), B/O: $599.14
★ Specialist Gloves Crimson Web (Well-Worn), B/O: $231.57
★ Specialist Gloves Buckshot (Minimal Wear), B/O: $126.21
⎯★ Moto Gloves POW! (Minimal Wear), B/O: $996.99
★ Moto Gloves POW! (Field-Tested), B/O: $383.31
★ Moto Gloves POW! (Well-Worn), B/O: $276.00
★ Moto Gloves Turtle (Field-Tested), B/O: $180.28
⎯★ Hand Wraps CAUTION! (Minimal Wear), B/O: $502.29
★ Hand Wraps Giraffe (Minimal Wear), B/O: $180.73
★ Hand Wraps CAUTION! (Battle-Scarred), B/O: $178.32
⎯★ Driver Gloves Queen Jaguar (Minimal Wear), B/O: $181.01
★ Driver Gloves Rezan the Red (Field-Tested), B/O: $101.66
⎯★ Broken Fang Gloves Jade (Field-Tested), B/O: $127.88
★ Broken Fang Gloves Needle Point (Minimal Wear), B/O: $124.55
⎯★ Bloodhound Gloves Guerrilla (Minimal Wear), B/O: $127.94
★ Hydra Gloves Case Hardened (Field-Tested), B/O: $102.55
WEAPONS
AK-47 X-Ray (Well-Worn), B/O: $478.95
AUG Hot Rod (Factory New), B/O: $425.83
StatTrak™ M4A1-S Hyper Beast (Factory New), B/O: $413.95
M4A4 Daybreak (Factory New), B/O: $309.51
StatTrak™ AK-47 Aquamarine Revenge (Factory New), B/O: $305.43
AK-47 Case Hardened (Well-Worn), B/O: $196.38
StatTrak™ M4A4 Temukau (Minimal Wear), B/O: $174.64
P90 Run and Hide (Field-Tested), B/O: $167.03
AWP Asiimov (Field-Tested), B/O: $153.33
Souvenir SSG 08 Death Strike (Minimal Wear), B/O: $140.00
M4A1-S Printstream (Battle-Scarred), B/O: $124.70
StatTrak™ M4A1-S Golden Coil (Field-Tested), B/O: $117.48
AWP Asiimov (Well-Worn), B/O: $115.97
StatTrak™ Desert Eagle Printstream (Minimal Wear), B/O: $112.96
StatTrak™ AK-47 Asiimov (Minimal Wear), B/O: $110.85
Souvenir M4A1-S Master Piece (Well-Worn), B/O: $102.42
AK-47 Bloodsport (Minimal Wear), B/O: $100.53
Trade Offer Link - Steam Profile Link - My Inventory
Some items on the list may no longer be available or are still locked, visit My Inventory for more details.
Send a Trade Offer for fastest response. I consider all offers.
Add me for discuss if there is a serious offer that needs to be discussed.
2024.05.13 19:34 Logical-Goat2203 Struggling to Get Up in the Morning? Understanding Your Chronotype Could Be the Key
Hello Fellow members...
Let's be real - mornings can be brutal, especially if you're a night owl. You set multiple alarms, hit snooze repeatedly, and still feel like a zombie when you finally roll out of bed. Trust me, I've been there!
On the flip side, maybe you're one of those annoyingly chipper morning larks who could run laps at 5 AM but can barely keep your eyes open after 9 PM. We all have our own unique body clocks, known as chronotypes.
For years, I struggled with the morning battle, dragging myself to the gym before tackling my most important tasks later in the day. But by evening, when I needed all my brain power, my energy and focus were shot. It was a vicious, unproductive cycle.
That's when I discovered the power of understanding my chronotype - my body's natural circadian rhythm that governs sleep patterns, hormone levels, and energy peaks. It was a total game-changer!
I realized I'm more of a morning person, with my sharpest focus and highest energy in those early hours. So I flipped my routine - prioritizing my most important work first thing, and moving my workouts to the evening when the gym was less crowded anyway.
The results were night and day (pun intended). By working in sync with my natural rhythms, I was knocking out high-value tasks by noon, feeling that sweet satisfaction of achievement. And with my evenings freed up, I could hit the gym without rushing.
Understanding your chronotype is a crucial step in optimizing your productivity and time management. For some, that might mean rearranging your schedule to knock out important tasks during your personal prime time. For others, it could be about protecting your peak focus periods and avoiding distractions.
Of course, aligning with your biological clock is just one of many strategies I cover for unlocking extra hours in your week. For those who want to dive deeper into the above, feel free to check the video I created for increasing motivation and gaining and extra day a week by tweaking your habits. The video is timestamped to where I talk about the Chronotype aspect : https://youtu.be/m2KGDTkJ1Jk?si=_DPjI47R3ZnOfJPK&t=823 . The video also dives into batching similar tasks, cutting mindless social media scrolling, intentional multitasking during "no-brainer" activities, and time blocking for intense focus sessions.
But figuring out whether you're a morning lark, night owl, or something in between can be the first step in a total productivity transformation. It's all about self-knowledge and intentionally designing your days to work for you, not against you.
So if you're constantly struggling to wake up or stay awake, it might be time to look at your chronotype. Once I cracked that code, it was like the foggy haze lifted - my days flowed better, I accomplished more, and I actually had time for the things that mattered most.
Have any of you found that listening to your body clock made a difference in your energy, focus, and productivity? I'd love to hear about your experiences in the comments!
submitted by Logical-Goat2203 to GetOutOfBed [link] [comments]
Let's be real - mornings can be brutal, especially if you're a night owl. You set multiple alarms, hit snooze repeatedly, and still feel like a zombie when you finally roll out of bed. Trust me, I've been there!
On the flip side, maybe you're one of those annoyingly chipper morning larks who could run laps at 5 AM but can barely keep your eyes open after 9 PM. We all have our own unique body clocks, known as chronotypes.
For years, I struggled with the morning battle, dragging myself to the gym before tackling my most important tasks later in the day. But by evening, when I needed all my brain power, my energy and focus were shot. It was a vicious, unproductive cycle.
That's when I discovered the power of understanding my chronotype - my body's natural circadian rhythm that governs sleep patterns, hormone levels, and energy peaks. It was a total game-changer!
I realized I'm more of a morning person, with my sharpest focus and highest energy in those early hours. So I flipped my routine - prioritizing my most important work first thing, and moving my workouts to the evening when the gym was less crowded anyway.
The results were night and day (pun intended). By working in sync with my natural rhythms, I was knocking out high-value tasks by noon, feeling that sweet satisfaction of achievement. And with my evenings freed up, I could hit the gym without rushing.
Understanding your chronotype is a crucial step in optimizing your productivity and time management. For some, that might mean rearranging your schedule to knock out important tasks during your personal prime time. For others, it could be about protecting your peak focus periods and avoiding distractions.
Of course, aligning with your biological clock is just one of many strategies I cover for unlocking extra hours in your week. For those who want to dive deeper into the above, feel free to check the video I created for increasing motivation and gaining and extra day a week by tweaking your habits. The video is timestamped to where I talk about the Chronotype aspect : https://youtu.be/m2KGDTkJ1Jk?si=_DPjI47R3ZnOfJPK&t=823 . The video also dives into batching similar tasks, cutting mindless social media scrolling, intentional multitasking during "no-brainer" activities, and time blocking for intense focus sessions.
But figuring out whether you're a morning lark, night owl, or something in between can be the first step in a total productivity transformation. It's all about self-knowledge and intentionally designing your days to work for you, not against you.
So if you're constantly struggling to wake up or stay awake, it might be time to look at your chronotype. Once I cracked that code, it was like the foggy haze lifted - my days flowed better, I accomplished more, and I actually had time for the things that mattered most.
Have any of you found that listening to your body clock made a difference in your energy, focus, and productivity? I'd love to hear about your experiences in the comments!
2024.05.13 17:44 OkVirus5605 [ Ashlands ] Weapons Ultimate Path ? . . .
* * * * * Warning : Its very long read with many fantasy / useless info lol * * * * * *
1star Charred warrior vs Every melee weapons +maxed skills
Results :
* 1h/2h Swords can 2 shot form parried+2ndary ( lvl3 Mistwalker can 2shot so everything above it automatically can )
* Mace parried+2ndary counter 2 and 1 more swing
* Axes have too much number flying around lol - so I skippid since we all know Axes is the just the best for proc in this biome
* SpeaBow/Xbow nope Im lazy to shoot pierce resist mob to waste time when I'm on path of Ultimate Kendo -skipped
Storm Element at my Most Luckiest bow shot ever summon 3 proc = 75 x 3 = 225 chain lighting damage ( Twitcher 200HP )( bow is kendo? ) , The rest of melee are already guaranteed 2-shot form raw damage ( parried+2ndary ) VS. 1star charred warrior, Axes are the best to use on field for ZipZap proc
Confirmed Kendo Path : ZipZap Jutsu !
-1 proc per fight feels like " This feels Nice " -2 proc " Keep them Coming ! ! " -3 proc " YEAH KEEP RE-SPAWNING Beeeach ! ! "
And that's it guy for the Elemental Kendo the rest Need to get real BUFF to be able to get recognize by Viking Kendo Master Association !!!!!!
Kendo is like Flowing water ( made up quote )
Nature weapons are pitifully weak compare to Staff of wild that recently got insane boost. I don't think I would go this Nature kendo path because of embarrassment, Imagine being Nature Kendo Viking with only 20% chance to proc per hit VS. Five 8-meters Long Tentacles mercilessly slapping any foes and root locking them all lol. who would want to go out with Nature Kendo Viking :(
My conclusion : Nature weapons need to break even with Staff of wild
-1st Suggestion "Only Nature weapons" should get more proc but lessen immobilize timer (Currently 10 sec). Im thinking probably around 50% proc and only 2-4 sec immobilize is ok spot for kendo. not too crazy long immobilize period ( 2-3 weapon swing or One 2ndary atk ), Reliable chance to actually crowd control when big mob join in **( Higher proc, but lower effect, since melee have more raw damage than summon roots ) -OR 2nd suggestion keep proc chance and effect duration same But with Additional Idea of " Elemental Interaction " by adding more armor to immobilized enemies (they covered in root bro) which for example / make them extra weak to fire ? ( swap to use Dynwyn, Finally some use lol ) / or extra weak to poison dot ? ( to make sure every mob will get poison dot if they got root lock ) / or them wet ? ( strangled by slimy tentacle to combo with storm effect man don't think weird stuff ) -OR 3rd Find middle ground between 1st & 2nd to keep nature theme which is the superior path in CC and support + maybe apply elemental interaction for multiplayer purposes? -OR " just NERF staff of wild " a bit :P
Heeukk WHaay ( translate : Kendo is My Way )
No.2 On the fix list is THE BLOODY Kendo Path ! ***(not enemy blood)
Now for Blood. you can go 3HP food and let 1star charred warrior do 250dmg to you but you still cant 1 shot it LoL. now you left with 50 hp so you definitely gonna do another corpse run GG EZ WP.
My conclusion: Blood need to go better Kendo path to achieve long term Happiness . . . over this Path of self harming (╯˘ -˘ )╯ 八(＾□＾*) [keep current bonus and add some useful proc plz]
For example : -1st Vampiric path. around 20% - 30% proc to heal 20HP : or Heal 20HP per kill to prevent Health potion out of business :o * 2HP+1Stam food, 20HP is like 10% of total HP * 1HP+2stam, 20HP is around 20% * 3HP food, around 7% * 3stam food, 40% but every mob can 1 shot you lol This could work really well for 1HP2Stam for blood thirsty dodge-roll soullike-viking Kendo \**Why proc? because Lifesteal Axes/Bow will out perform other weapons in speed*
-2nd Blood Bubble path. 20% proc to bubble up with 100HP just enough to prevent 1 or 2 hit nothing crazy - Or just go as crazy as Permanent Bubble but only allow 1HP like in PoE
-3rd more extreme Eye of an eye, Tooth of a tooth path. * higher cri-dmg multiplier / parry bonus / sneak bonus than other * cri chance +0.2 per hp loss ( -100HP+20% ) ( -200HP+40% ) combine with higher cri-dmg multiplier * chance to insta-kill if mob HP is below 30% ,fighting big mob its really huge benefit Straight Cri-chance is better way than parry bonus or sneak bonus since you wouldn't want to parry when your HP is already so low
-4th Blood Magic Blade (Kendo path for 2Eitr food since we got to use bubble anyway) spend extra Eitr to deal extra blood damage. for example *every swing will spend extra 15 eitr and get extra 50 damage on that hit. scale with blood magic at level 100 could be like 150 dmg
Phew .... Bloody kendo. and Lastly
No.3 The Dyrnwyn ! ! ! need to have proper kendo since Its the hardest to obtain, But have weakest Kendo of all ?!
At this rate let jump right in to my conclusion : Dyrnwyn need to be awesome that you really want to show off no matter what
What path of Kendo should we all take then ?
Thx you all for Joining my Kendo TedTalk lol, Feel free to add more idea so Viking Kendo Master Association can send real and constructive feedback later GG
submitted by OkVirus5605 to valheim [link] [comments]
=====================================
Ashlands Weapons Don't need to be ' Overall Balanced '
BUT they need to properly " do theirs job according to Elemental theme ! "
SO I set up a Test, Not looking for best Number of DPS but looking at their usefulness of each element to unlock " the Ultimate Valheim Elemental Kendo " ( Path of elemental swords lol )
OK here Testing Spec :1star Charred warrior vs Every melee weapons +maxed skills
Results :
* 1h/2h Swords can 2 shot form parried+2ndary ( lvl3 Mistwalker can 2shot so everything above it automatically can )
* Mace parried+2ndary counter 2 and 1 more swing
* Axes have too much number flying around lol - so I skippid since we all know Axes is the just the best for proc in this biome
* SpeaBow/Xbow nope Im lazy to shoot pierce resist mob to waste time when I'm on path of Ultimate Kendo -skipped
=====================================
And Here is the result as Every Single Post about Ashlands weapon balancing Before Me :P
No.1 is obviously Storm because It 100% do its job wellStorm Element at my Most Luckiest bow shot ever summon 3 proc = 75 x 3 = 225 chain lighting damage ( Twitcher 200HP )( bow is kendo? ) , The rest of melee are already guaranteed 2-shot form raw damage ( parried+2ndary ) VS. 1star charred warrior, Axes are the best to use on field for ZipZap proc
Confirmed Kendo Path : ZipZap Jutsu !
-1 proc per fight feels like " This feels Nice " -2 proc " Keep them Coming ! ! " -3 proc " YEAH KEEP RE-SPAWNING Beeeach ! ! "
And that's it guy for the Elemental Kendo the rest Need to get real BUFF to be able to get recognize by Viking Kendo Master Association !!!!!!
Kendo is like Flowing water ( made up quote )
=====================================
Next TOPIC is the Unpolished Kendo Path
No.1 On the fix list is the Nature Kendo path !Nature weapons are pitifully weak compare to Staff of wild that recently got insane boost. I don't think I would go this Nature kendo path because of embarrassment, Imagine being Nature Kendo Viking with only 20% chance to proc per hit VS. Five 8-meters Long Tentacles mercilessly slapping any foes and root locking them all lol. who would want to go out with Nature Kendo Viking :(
My conclusion : Nature weapons need to break even with Staff of wild
-1st Suggestion "Only Nature weapons" should get more proc but lessen immobilize timer (Currently 10 sec). Im thinking probably around 50% proc and only 2-4 sec immobilize is ok spot for kendo. not too crazy long immobilize period ( 2-3 weapon swing or One 2ndary atk ), Reliable chance to actually crowd control when big mob join in **( Higher proc, but lower effect, since melee have more raw damage than summon roots ) -OR 2nd suggestion keep proc chance and effect duration same But with Additional Idea of " Elemental Interaction " by adding more armor to immobilized enemies (they covered in root bro) which for example / make them extra weak to fire ? ( swap to use Dynwyn, Finally some use lol ) / or extra weak to poison dot ? ( to make sure every mob will get poison dot if they got root lock ) / or them wet ? ( strangled by slimy tentacle to combo with storm effect man don't think weird stuff ) -OR 3rd Find middle ground between 1st & 2nd to keep nature theme which is the superior path in CC and support + maybe apply elemental interaction for multiplayer purposes? -OR " just NERF staff of wild " a bit :P
Heeukk WHaay ( translate : Kendo is My Way )
No.2 On the fix list is THE BLOODY Kendo Path ! ***(not enemy blood)
Now for Blood. you can go 3HP food and let 1star charred warrior do 250dmg to you but you still cant 1 shot it LoL. now you left with 50 hp so you definitely gonna do another corpse run GG EZ WP.
My conclusion: Blood need to go better Kendo path to achieve long term Happiness . . . over this Path of self harming (╯˘ -˘ )╯ 八(＾□＾*) [keep current bonus and add some useful proc plz]
For example : -1st Vampiric path. around 20% - 30% proc to heal 20HP : or Heal 20HP per kill to prevent Health potion out of business :o * 2HP+1Stam food, 20HP is like 10% of total HP * 1HP+2stam, 20HP is around 20% * 3HP food, around 7% * 3stam food, 40% but every mob can 1 shot you lol This could work really well for 1HP2Stam for blood thirsty dodge-roll soullike-viking Kendo \**Why proc? because Lifesteal Axes/Bow will out perform other weapons in speed*
-2nd Blood Bubble path. 20% proc to bubble up with 100HP just enough to prevent 1 or 2 hit nothing crazy - Or just go as crazy as Permanent Bubble but only allow 1HP like in PoE
-3rd more extreme Eye of an eye, Tooth of a tooth path. * higher cri-dmg multiplier / parry bonus / sneak bonus than other * cri chance +0.2 per hp loss ( -100HP+20% ) ( -200HP+40% ) combine with higher cri-dmg multiplier * chance to insta-kill if mob HP is below 30% ,fighting big mob its really huge benefit Straight Cri-chance is better way than parry bonus or sneak bonus since you wouldn't want to parry when your HP is already so low
-4th Blood Magic Blade (Kendo path for 2Eitr food since we got to use bubble anyway) spend extra Eitr to deal extra blood damage. for example *every swing will spend extra 15 eitr and get extra 50 damage on that hit. scale with blood magic at level 100 could be like 150 dmg
- IDK anymore lol, those are all idea I seen on other game so I just put them here so that blood might get proper Kendo path someday
Phew .... Bloody kendo. and Lastly
No.3 The Dyrnwyn ! ! ! need to have proper kendo since Its the hardest to obtain, But have weakest Kendo of all ?!
At this rate let jump right in to my conclusion : Dyrnwyn need to be awesome that you really want to show off no matter what
- First is the fire glow Effect, low level mobs don't get scare a bit heh, Neck and Boar will still charge at you lol
- Maybe " a comfort piece " like when you traveling with your friend and want to re-rested buff real quick under troll cave entrance then you just un-sheath the sword and immediately everyone start to get jelly of you who only have that sword in the whole server lol ( also +1 extra comfort bonus aura ! )
- Maybe " Elemental Interaction " and with its own proc for example ; *Melting which reduce defense point and make mob weak to Fire and Heat so any Ashlands mob will get insta kill by lava if they got hit by this blade proc *Super Heated Blade : brief charging period to get blade red hot ( like many heating blade cutting stuff on utube lol ) and will deal massive dmg and special effect *Explosive blade? sound like anime !
- Maybe same effect like fire troll aura, fire aura which deal dmg around you
- Maybe you won't get wet because heat from sword is evaporating every single water particle around you lol
What path of Kendo should we all take then ?
Thx you all for Joining my Kendo TedTalk lol, Feel free to add more idea so Viking Kendo Master Association can send real and constructive feedback later GG
2024.05.13 17:21 _Triple_ [STORE] 900+ KNIVES/GLOVES/SKINS, 100.000$+ INVENTORY. BFK Lore, Gloves Amphibious, Skeleton Fade, Bowie Emerald, BFK Auto, Gloves MF, Talon Doppler, Gloves POW, Bayo Tiger, Gut Sapphire, Stiletto MF, M9 Ultra, Ursus Doppler, Flip Doppler, M9 Stained, Nomad CW, Paracord CW, AK-47 X-Ray & A Lot More
Everything in my inventory is up for trade. The most valuable items are listed here, the rest you can find in My Inventory
Feel free to Add Me or even better send a Trade Offer. Open for any suggestions: upgrades, downgrades / knives, gloves, skins / stickers, patterns, floats.
All Buyouts are listed in cash value.
KNIVES
★ Butterfly Knife Lore (Factory New), B/O: $7194.77
★ Butterfly Knife Autotronic (Minimal Wear), B/O: $2025.74
⎯★ M9 Bayonet Ultraviolet (Field-Tested), B/O: $557.87
★ M9 Bayonet Stained (Well-Worn), B/O: $529.41
★ M9 Bayonet Boreal Forest (Field-Tested), B/O: $465.39
⎯★ Talon Knife Doppler (Factory New), B/O: $1295.27
★ Bayonet Tiger Tooth (Minimal Wear), B/O: $746.28
★ Karambit Bright Water (Field-Tested), B/O: $688.15
⎯★ Flip Knife Doppler (Factory New), B/O: $547.93
★ Flip Knife Autotronic (Minimal Wear), B/O: $476.69
★ Flip Knife Case Hardened (Battle-Scarred), B/O: $278.18
★ Flip Knife Black Laminate (Well-Worn), B/O: $258.83
★ Flip Knife Urban Masked (Field-Tested), B/O: $181.64
⎯★ Stiletto Knife Marble Fade (Factory New), B/O: $686.04
★ Stiletto Knife Doppler (Factory New), B/O: $665.41
★ Stiletto Knife, B/O: $601.39
★ Stiletto Knife Crimson Web (Field-Tested), B/O: $418.25
★ Stiletto Knife Night Stripe (Field-Tested), B/O: $227.80
★ Stiletto Knife Boreal Forest (Field-Tested), B/O: $194.96
★ Stiletto Knife Safari Mesh (Field-Tested), B/O: $192.79
⎯★ Nomad Knife Crimson Web (Field-Tested), B/O: $518.11
★ Nomad Knife Scorched (Field-Tested), B/O: $169.78
★ Nomad Knife Forest DDPAT (Battle-Scarred), B/O: $166.88
★ StatTrak™ Nomad Knife Blue Steel (Field-Tested), B/O: $335.79
⎯★ Skeleton Knife Stained (Well-Worn), B/O: $442.05
★ Skeleton Knife Urban Masked (Minimal Wear), B/O: $426.24
★ Skeleton Knife Boreal Forest (Field-Tested), B/O: $314.03
★ StatTrak™ Skeleton Knife Fade (Minimal Wear), B/O: $2361.28
★ StatTrak™ Skeleton Knife Urban Masked (Field-Tested), B/O: $376.53
⎯★ Ursus Knife Doppler (Factory New), B/O: $557.12
★ Ursus Knife, B/O: $471.42
★ Ursus Knife Blue Steel (Minimal Wear), B/O: $212.37
★ Ursus Knife Case Hardened (Battle-Scarred), B/O: $187.66
★ Ursus Knife Damascus Steel (Field-Tested), B/O: $178.18
★ Ursus Knife Ultraviolet (Battle-Scarred), B/O: $155.13
★ Ursus Knife Boreal Forest (Battle-Scarred), B/O: $124.26
⎯★ Huntsman Knife Black Laminate (Minimal Wear), B/O: $204.83
★ Huntsman Knife Black Laminate (Field-Tested), B/O: $184.50
★ StatTrak™ Huntsman Knife Lore (Battle-Scarred), B/O: $224.11
⎯★ Bowie Knife Gamma Doppler (Factory New), B/O: $2142.02
★ Bowie Knife, B/O: $230.44
★ Bowie Knife Damascus Steel (Factory New), B/O: $209.20
★ Bowie Knife Ultraviolet (Minimal Wear), B/O: $180.51
★ Bowie Knife Ultraviolet (Field-Tested), B/O: $131.03
⎯★ Falchion Knife Night (Field-Tested), B/O: $132.54
★ Falchion Knife Urban Masked (Well-Worn), B/O: $112.81
★ Falchion Knife Scorched (Field-Tested), B/O: $108.81
★ Falchion Knife Forest DDPAT (Field-Tested), B/O: $107.82
★ Falchion Knife Safari Mesh (Field-Tested), B/O: $107.46
★ StatTrak™ Falchion Knife Ultraviolet (Field-Tested), B/O: $143.08
⎯★ Paracord Knife Crimson Web (Minimal Wear), B/O: $486.48
★ Paracord Knife Blue Steel (Battle-Scarred), B/O: $163.12
⎯★ Survival Knife Blue Steel (Battle-Scarred), B/O: $138.26
★ Survival Knife Night Stripe (Field-Tested), B/O: $131.03
⎯★ Gut Knife Sapphire (Minimal Wear), B/O: $1127.79
★ Gut Knife Gamma Doppler (Factory New), B/O: $286.17
★ Gut Knife Doppler (Factory New), B/O: $246.55
★ Gut Knife Marble Fade (Factory New), B/O: $240.77
★ Gut Knife, B/O: $210.49
★ Gut Knife Lore (Field-Tested), B/O: $194.22
★ Gut Knife Case Hardened (Battle-Scarred), B/O: $151.51
★ Gut Knife Blue Steel (Minimal Wear), B/O: $124.94
★ Gut Knife Rust Coat (Well-Worn), B/O: $118.99
★ Gut Knife Boreal Forest (Minimal Wear), B/O: $109.80
★ StatTrak™ Gut Knife Doppler (Factory New), B/O: $237.96
⎯★ Shadow Daggers Gamma Doppler (Factory New), B/O: $264.92
★ Shadow Daggers Marble Fade (Factory New), B/O: $253.03
★ Shadow Daggers Tiger Tooth (Factory New), B/O: $237.22
★ Shadow Daggers Crimson Web (Field-Tested), B/O: $153.40
★ Shadow Daggers Autotronic (Minimal Wear), B/O: $144.42
★ Shadow Daggers Blue Steel (Field-Tested), B/O: $105.20
★ StatTrak™ Shadow Daggers Damascus Steel (Minimal Wear), B/O: $150.46
⎯★ Navaja Knife Fade (Factory New), B/O: $365.99
★ Navaja Knife Doppler (Factory New), B/O: $228.93
★ Navaja Knife Marble Fade (Factory New), B/O: $227.43
★ Navaja Knife Slaughter (Factory New), B/O: $209.06
★ Navaja Knife, B/O: $203.16
★ Navaja Knife Case Hardened (Well-Worn), B/O: $132.57
★ Navaja Knife Damascus Steel (Factory New), B/O: $121.69
★ Navaja Knife Damascus Steel (Minimal Wear), B/O: $109.95
★ Navaja Knife Damascus Steel (Field-Tested), B/O: $100.41
★ StatTrak™ Navaja Knife Fade (Factory New), B/O: $369.01
★ StatTrak™ Navaja Knife Damascus Steel (Field-Tested), B/O: $109.95
GLOVES
★ Sport Gloves Amphibious (Minimal Wear), B/O: $2394.67
★ Sport Gloves Omega (Well-Worn), B/O: $572.33
★ Sport Gloves Bronze Morph (Minimal Wear), B/O: $338.88
★ Sport Gloves Big Game (Field-Tested), B/O: $323.66
⎯★ Specialist Gloves Marble Fade (Minimal Wear), B/O: $1652.07
★ Specialist Gloves Tiger Strike (Field-Tested), B/O: $599.14
★ Specialist Gloves Crimson Web (Well-Worn), B/O: $231.57
★ Specialist Gloves Buckshot (Minimal Wear), B/O: $126.21
⎯★ Moto Gloves POW! (Minimal Wear), B/O: $996.99
★ Moto Gloves POW! (Field-Tested), B/O: $383.31
★ Moto Gloves POW! (Well-Worn), B/O: $276.00
★ Moto Gloves Turtle (Field-Tested), B/O: $180.28
⎯★ Hand Wraps CAUTION! (Minimal Wear), B/O: $502.29
★ Hand Wraps Giraffe (Minimal Wear), B/O: $180.73
★ Hand Wraps CAUTION! (Battle-Scarred), B/O: $178.32
⎯★ Driver Gloves Queen Jaguar (Minimal Wear), B/O: $181.01
★ Driver Gloves Rezan the Red (Field-Tested), B/O: $101.66
⎯★ Broken Fang Gloves Jade (Field-Tested), B/O: $127.88
★ Broken Fang Gloves Needle Point (Minimal Wear), B/O: $124.55
⎯★ Bloodhound Gloves Guerrilla (Minimal Wear), B/O: $127.94
★ Hydra Gloves Case Hardened (Field-Tested), B/O: $102.55
WEAPONS
AK-47 X-Ray (Well-Worn), B/O: $478.95
AUG Hot Rod (Factory New), B/O: $425.83
StatTrak™ M4A1-S Hyper Beast (Factory New), B/O: $413.95
M4A4 Daybreak (Factory New), B/O: $309.51
StatTrak™ AK-47 Aquamarine Revenge (Factory New), B/O: $305.43
AK-47 Case Hardened (Well-Worn), B/O: $196.38
StatTrak™ M4A4 Temukau (Minimal Wear), B/O: $174.64
P90 Run and Hide (Field-Tested), B/O: $167.03
AWP Asiimov (Field-Tested), B/O: $153.33
Souvenir SSG 08 Death Strike (Minimal Wear), B/O: $140.00
M4A1-S Printstream (Battle-Scarred), B/O: $124.70
StatTrak™ M4A1-S Golden Coil (Field-Tested), B/O: $117.48
AWP Asiimov (Well-Worn), B/O: $115.97
StatTrak™ Desert Eagle Printstream (Minimal Wear), B/O: $112.96
StatTrak™ AK-47 Asiimov (Minimal Wear), B/O: $110.85
Souvenir M4A1-S Master Piece (Well-Worn), B/O: $102.42
AK-47 Bloodsport (Minimal Wear), B/O: $100.53
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2024.05.13 17:02 Shield_Lyger Changing the game
This is planned as a post for /Philosophy, but I figured I'd drop it here first, and see what feedback people have on it. Accordingly, comments and critique are appreciated.
In Being Evil, her essay for Dungeons and Dragons and Philosophy (Raiding the Temple of Wisdom), Professor of Philosophy Eva Dadlez tackles a couple of topics using, as her primary example, a Star Trek game in which she played a Romulan spy who destroys the Enterprise (and the other player characters along with it). She makes the case that, as a player in a role-playing game, one can portray an evil character without being of evil character oneself. She uses the analogies of both authors and actors to illustrate this. She also makes the claim that her "hijacking" of the Star Trek game, while it legitimately upset the other players, was permissible in part because the game was a one-shot, with pre-generated characters. Having found a way to kill a set of characters that the players had spent time building up, she notes, "would have been morally problematic in the real world," being somewhere between "poor form, and at worst downright mean."
But I disagree with the Professor that this was the only consideration. Of her involvement in the game (which I believe happened when she was still a student), she says:
But I would submit that the propriety of a game master allowing themselves to be suborned into changing the nature of the game from "a Star Trek episode [...] into something with a nasty ending," with no warning to the other players, is difficult to support. Professor Dadlez' position is, effectively, that once a person agrees to an activity, in this case, a role-playing game session, that the organizer or facilitator of that activity may unilaterally change the nature of the activity (here, from cooperative to player-versus-player), while the other participants are still bound by the original understanding and unspoken rules regarding it. In this case, a general prohibition against players having their characters act on certain knowledge that the players have, or suspect, in an effort to advantage or benefit their characters/advance the players' interests. While such "metagaming" is generally frowned upon, as a matter of convention, it is not generally a direct violation of the rules of the game.
Accordingly, I would argue that Professor Dadlez had no grounds for a grievance with the other players' metagaming. I don't believe that either deontology, utilitarianism or virtue ethics suppose a person has a general ethical responsibility to continue to behave as if information they have reason to suspect is false is, in fact, true. Especially in the face of deceit specifically designed to disadvantage them. Once the other players understood that the nature of the game had been deliberately altered without their knowledge, they were free to act on that knowledge by making further changes to the nature of the game. Thus, if it was appropriate for the game master to have altered the deal, as it were, at the behest of one of the players, it was equally appropriate for the other players to alter it further. Had the game master objected, they could have said so.
Interestingly, some games have broached this subject directly. The roleplaying game Runecairn, being a mash-up of Cairn and From Software's "Soulsborne" titles, was designed for two people, one controlling a lone character and the other the Warden (game master). But, as in the "Soulsborne" titles, other players may enter the game as either cooperators or invading adversaries ("allies" and "black fetches," in Runecairn parlance). Here, Professor Dadlez' insistence that she be allowed to play a secret adversary may not be defensible per the rules of the game; the authors of the game consider this potentially "unsafe" behavior. (Although, perhaps surprisingly, the Warden is a requested to "reconsider" player Invasions when a player may not be aware of and/or comfortable with player-versus-player play, rather than to prohibit them outright.)
Roleplaying games are, at heart, a cooperative endeavor, even when they are explicitly player-versus-player. To this end, they require something of a shared understanding of what the rules and conventions of the game will be. To claim that it is permissible to call for a unilateral, secret change in one convention, but impermissible for others to make changes without unanimous agreement is to make a special pleading that some conventions are more important than others.
submitted by Shield_Lyger to rpg [link] [comments]
In Being Evil, her essay for Dungeons and Dragons and Philosophy (Raiding the Temple of Wisdom), Professor of Philosophy Eva Dadlez tackles a couple of topics using, as her primary example, a Star Trek game in which she played a Romulan spy who destroys the Enterprise (and the other player characters along with it). She makes the case that, as a player in a role-playing game, one can portray an evil character without being of evil character oneself. She uses the analogies of both authors and actors to illustrate this. She also makes the claim that her "hijacking" of the Star Trek game, while it legitimately upset the other players, was permissible in part because the game was a one-shot, with pre-generated characters. Having found a way to kill a set of characters that the players had spent time building up, she notes, "would have been morally problematic in the real world," being somewhere between "poor form, and at worst downright mean."
But I disagree with the Professor that this was the only consideration. Of her involvement in the game (which I believe happened when she was still a student), she says:
The Dungeon Master [sic] was, of course, in on the scheme, since I'd refused to play unless I could be an evil spy. Indeed, it was all of the extra rolls I had to do as I planted explosives that gave the game away and forced my hand. There are only so many notes you can slip to the DM [sic] reading "I place the tricobalt behind the pattern buffers"--an action the prospective success of which can only be established by rolling the ubiquitous ten-sided die--before other players will begin to ask inappropriate out-of-character questions about what you're doing.Professor Dadlez' grievance at the other players' metagaming implies that she felt that since she had agreed with the game master that the other players should be kept in the dark concerning the fact that they were playing a player-versus-player game, that it was inappropriate of them to behave otherwise, once her behavior began to arouse suspicions. "Considerations of justice clearly made me the injured party," she notes.
But I would submit that the propriety of a game master allowing themselves to be suborned into changing the nature of the game from "a Star Trek episode [...] into something with a nasty ending," with no warning to the other players, is difficult to support. Professor Dadlez' position is, effectively, that once a person agrees to an activity, in this case, a role-playing game session, that the organizer or facilitator of that activity may unilaterally change the nature of the activity (here, from cooperative to player-versus-player), while the other participants are still bound by the original understanding and unspoken rules regarding it. In this case, a general prohibition against players having their characters act on certain knowledge that the players have, or suspect, in an effort to advantage or benefit their characters/advance the players' interests. While such "metagaming" is generally frowned upon, as a matter of convention, it is not generally a direct violation of the rules of the game.
Accordingly, I would argue that Professor Dadlez had no grounds for a grievance with the other players' metagaming. I don't believe that either deontology, utilitarianism or virtue ethics suppose a person has a general ethical responsibility to continue to behave as if information they have reason to suspect is false is, in fact, true. Especially in the face of deceit specifically designed to disadvantage them. Once the other players understood that the nature of the game had been deliberately altered without their knowledge, they were free to act on that knowledge by making further changes to the nature of the game. Thus, if it was appropriate for the game master to have altered the deal, as it were, at the behest of one of the players, it was equally appropriate for the other players to alter it further. Had the game master objected, they could have said so.
Interestingly, some games have broached this subject directly. The roleplaying game Runecairn, being a mash-up of Cairn and From Software's "Soulsborne" titles, was designed for two people, one controlling a lone character and the other the Warden (game master). But, as in the "Soulsborne" titles, other players may enter the game as either cooperators or invading adversaries ("allies" and "black fetches," in Runecairn parlance). Here, Professor Dadlez' insistence that she be allowed to play a secret adversary may not be defensible per the rules of the game; the authors of the game consider this potentially "unsafe" behavior. (Although, perhaps surprisingly, the Warden is a requested to "reconsider" player Invasions when a player may not be aware of and/or comfortable with player-versus-player play, rather than to prohibit them outright.)
Roleplaying games are, at heart, a cooperative endeavor, even when they are explicitly player-versus-player. To this end, they require something of a shared understanding of what the rules and conventions of the game will be. To claim that it is permissible to call for a unilateral, secret change in one convention, but impermissible for others to make changes without unanimous agreement is to make a special pleading that some conventions are more important than others.
2024.05.13 14:49 Fusion_Health Cultivating Sexual Energy - From a Spark to a Blazing Fire, Pt. 3
Tapas Part 3 - Bliss Upon Bliss
RecapPart 1 covered the concept of tapas, or spiritual austerities, and how you can use tapas to magnify and enhance the sexual energy created through semen retention into tejas, an "inner radiance, fearlessness, majesty, and authority".
It also covered the concept of syntropy, which is how a system is able to conserve, increase and synchronize energy within itself, which is the reason why you get so many benefits from semen retention. Yoga, meditation and tapas all increase syntropy as well.
You can find Part 1 here.
Part 2 detailed how to use tapas to overcome craving, both for the urge to masturbate and for all cravings in general. It detailed some of the science behind why yoga and breathing exercises are just about the most syntropic things you could ever possibly do, by regulating both the endocrine and nervous systems, and activating and clearing out your energy body, called the pranamaya kosha in yoga. Then I introduced some new yogic techniques to introduce more prana and tejas into the system.
You can find Part 2 here.
In this post, we will cover :
- A quick section on "limbic friction";
- How to make good use of the power of resolves, or "strong determinations", in order to boost confidence in yourself, to become the one person you can always count on, and to strategically release dopamine and testosterone in order to rewire your brain to be oriented towards resilience and success;
- Why proper meditation is even more syntropic than the postures and breathing exercises of yoga;
- The process by which meditation purifies the nervous system/mind/consciousness;
- How deep states of meditation, known as jhanas, create the highest level of syntropy within the body-mind system, as well as unbelievable amounts of bliss;
- The relationship between the energy gained from semen retention, the bliss and syntropy of jhana, and how the two relate to tantric sex.
- How tapas trains circuits within a primitive part of the brain, which, when strengthened, allow you to have built-in, automatic discipline;
- The importance of disciplining oneself with ethics, how it benefits your semen retention practice, and how it is both foundational to success in meditation, as well as a powerful form of tapas;
- A type of meditation on fire itself that quickly builds powerful levels of concentration and can even lead to some trippy experiences. And of course, it greatly increases syntropy and tejas.
Limbic Friction
Tapas will take your semen retention practice, as well as the rest of your life, to entirely new heights. Tapas involves overcoming limbic friction - the uncomfortable feeling your nervous system creates to try to convince you to stay in your hazy comfort zone, to avoid doing the difficult things.You know, the things that will allow you to grow.
Limbic friction will also pop up when you try to not indulge in the thing you’re craving.
Limbic friction just keeps you trapped in your tidy little box of comfort. While it may be comfortable and familiar, no real growth can occur inside this box.
Everything you’ve ever dreamed of is on the other side of fear and discomfort.
"It is not because things are difficult that we do not dare; it is because we do not dare that things are difficult." - Seneca
The goal of tapas is to simply feel that limbic friction, to fully accept it, and then proceed ahead anyway. That’s it.
Gain Confidence and Boost Testosterone with Resolves
While we’re on the topic of pushing ourselves, let’s discuss the power of making resolves. In the 3rd post of the series on overcoming craving, Becoming a King with Equanimity, we discussed how they make great use of “strong determination sits” in Goenka-style meditation retreats.This simply means that when you sit for meditation, you make a vow to sit perfectly still for the entire hour of your meditation session - you can’t move your hands, your feet, or open your eyes once the sit begins.
Not only does this up the level of discomfort, forcing you to either develop equanimity or die trying, it also increases your confidence in yourself. You say you’re going to do something tough and you prove to yourself that you can do it.
Strong determination sitting is a powerful practice, but the real point is making a resolve to do something difficult and then sticking to it no matter what.
This practice is called adhitthana, and it is one of the Ten Perfections of Theravadan Buddhism that a person aspiring to awaken must master in order to bring about awakening.
For a beginner meditator, the resolve should be only be to sit every day, with out fail - even if it's just ten minutes.
It’s easy to see why this practice goes hand in hand with tapas. Let's say you are a beginner meditator, and you make a resolve or "strong determination" to sit every single day, for at least ten minutes. For someone who has never meditated, that's actually a pretty tough thing to stick to.
But then, one fine spring Friday afternoon, you meet up with your buddy and grab a couple of beers (or insert whatever your temptation is). You get home and look at your meditation cushion and even ten minutes seems like too much.
This is your mind being a little bitch!
But you're a retainer practicing tapas, and having made this strong determination to sit for ten minutes every night means there is no backing out. To back out is to admit defeat, to let yourself down, and to prove to yourself how unreliable you are.
Barring utter catastrophe, you will do your evening ten minute sit.
So you sit, and even though the meditation drags on and on because you’ve had a couple, you make it through and viola - a big check is deposited in your “confidence and dependability” account.
Making resolutions and sticking to them is a powerful method to make progress fast, not just with your semen retention/yoga/meditation practice, but in life in general.
In a world of uncertainty, when people seem to get more and more flaky and unreliable, be the one person who you can always depend on.
It’s a promise you must keep in order for it to pay off, otherwise you’re just reinforcing the habit that it's ok for your mind to take the easy way out.
Start with small resolutions, resolutions you know you can hold yourself to. You want to set up a positive feedback loop of winning. These successive small wins lead to more wins, as each win increases dopamine and testosterone - a phenomena known as The Winner Effect.
Scientists have found that when we win something, regardless of how small, the brain releases dopamine and testosterone, chemicals associated with confidence, attention, and mood. Interestingly, studies have shown that the brain can rewire itself for success over time.It's a match against yourself - who will win? Your old lazy self, or the new and improved self?
Strong Determinations in Practice
Once you’ve proven to yourself you can rely on yourself, slowly start upping the ante. Don't try to jump immediately from a slovenly wimp to the Olympic-level athlete of austerities or meditation, because you’ll simply fail - and that's proving to yourself you aren't dependable.
And remember, you can make resolutions with anything, not just yoga and meditation:
- Resolve to not look at your phone for the next hour;
- Or to not get on Reddit at all tomorrow;
- Or to take weekends off of Discord;
- Or resolve to clean your entire room, top to bottom, in one stretch.
The goal is simply to stick to your resolutions!
Start off making them small and manageable.
Each time you stick to your resolution will be a win, dopamine and testosterone will be released, and overtime this will rewire your brain towards badassery. Your confidence and strength will grow and grow. Only when there is no more limbic friction from the original resolution do you add another or increase the intensity of the original resolution.
Prove to yourself that you are dependable and watch your confidence skyrocket. I've included a video at the end of this post talking about the benefits of strong determination and resolves as they relate to meditation, but remember - these resolves can benefit you in regards to any behavior.
The late and great Anthony Bourdain
Meditation for Tejas
As we covered in Part 2, yoga, with its postures, breathing exercises, and energetic locks and seals, is easily the fastest and almost the most effective manner of increasing tejas.What about meditation? Well, let's all be honest, for most beginners, meditation is a bitch. It's difficult to sit down, stop the constant doing, disengage from all that thinking in your mind and focus on one object to the exclusion of all others.
But once you're good at meditating, it is perhaps the most syntropic thing you can possibly do. Stilling the mind is the epitome of conserving energy - your body isn't moving and now, even your mind has reached stillness.
And once you get really good at meditation, a positive feedback loop occurs in the mind, magnifying energy in the body-mind system many times over - so much so that it starts producing an intense bodily bliss and mental happiness, respectively called piti and sukha.
When piti (rapture) and sukha (joy, mental bliss) start arising, you can be sure that you're on the precipice of what is known as jhanas in Buddhism, and dhyana/samadhi in yoga. These are meditative absorptions that are extremely purifying and endlessly praised by the Buddha, not only as one of the proper ways to meditate, but as the one and only type of pleasure to actively seek out.
And believe it or not, the pleasure of jhana can exceed even the pleasure of sex, and can last much, much longer.
You know how people with anxiety get stuck in a loop of rumination that just magnifies their anxiety? Jhanas are the opposite of this anxiety loop.
"Anxiety can capture attention, which can lead to more anxiety, which can capture more attention, and so on, leading to a physiological response (e.g. heart rate changes, sweating, in the extreme case a panic attack). Jhana meditators create a similar positive feedback loop between attention and pleasure." Jhourney - These are guys who led the metta retreat where I was first able to achieve jhanasOnce you can get to this level in your sits, then some real juice is added to your meditation, and tejas will start overflowing.
Thy cup will runneth over, as they say.
And as we'll see in an eventual post in the Craving Series, once you get to the point of reliably reaching jhanas, you can say bye bye to pretty much any and all cravings. Why? Because why would you want to masturbate, getting only 5-10 minutes of pleasure, when you can sit down and hang out in a much more pleasurable jhana for 20 minutes to 2 hours?
And that pleasure, ease and joy follows you around the rest of the day, coloring everything you do. It's difficult to crave when you're already deeply satisfied.
Purificatory Fire of Meditation
But that leaves us with the problem of getting good enough at meditation to achieve those states of bliss, and now that I've mentioned how amazing some of these higher states of meditation can be, I may have inadvertently caused you to crave them.And you cannot reach jhana from a place of craving. In fact, jhanas are all about letting go. More on that in the Craving Series.
However, worry not! Just beginning on the path of meditation starts working wonders for the purificatory process, no matter how "bad" you may be at it.
Recall how in Tapas Pt 2, I mentioned how effective yoga asanas and pranayama are at cleaning out the gunk and detritus from the nervous system/mind/energy body?
Meditation does the exact same thing, even if you think you're doing it poorly.
So, as a beginner or someone who thinks they "can't meditate", understand that each time you sit down and do metta, or focus on the breath, or do vipassana, or recite a mantra, or whatever, even if you think you aren't meditating well, as long as you know your technique is proper, you're doing great, and it's having quite the purifying effect on the brain/mind/nervous system.
Recall in the previous post how I mentioned that once the gunk is cleared from the system, that it is like living life as a child again? Perceptions become crisp and clear, wonder and joy are always right around the corner, and things become "feather light and paper thin" - meaning things feel less solid, and more vibrant, vibratory, alive.
“If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro' narrow chinks of his cavern.” - William Blake, The Marriage of Heaven and HellHere are a few key quotes from one of my favorite books on meditation, The Science of Enlightenment : How Meditation Works by Shinzen Young. I highly recommend this book, especially for science-oriented types. The "fixating forces" he mentions in the following quote are our deeply ingrained habit patterns of chasing after the pleasant and running from the unpleasant (tanha, craving) and the word kleshas refers to the three defilements#Three_poisons) of craving, aversion and ignorance.
"So if, as many believe, we really are imbedded in spiritual reality, why don't we see it? Why isn't every vision beatific? It's because of fixating forces deep down in the subconscious. And our job, according to a plethora of self-help paradigms, is to become free from these forces.So three important notes to end on
"In the Buddhist, Hindu, and Abrahamic contemplative traditions, the process of becoming free of those limiting forces is sometimes referred to as purification (vishuddhi in Sanskrit; catharsis in Greek). Purification could be described as the process that breaks this material up, digests it, metabolizes it, and (pardon the metaphor) excretes it. Purification is what it 'tastes like' as we are getting free from those limiting grooves. It's a sort of immediate reward. You sense that the limitations of the past are being metabolized and a bright future is being created because of the way you're experiencing a certain something in the present. Once you learn the taste of purification, your growth goes exponential. The ability to taste purification is the sign of a mature spiritual palate.
"From a Buddhist perspective, that old material gets worked through by pouring clarity (mindfulness) and equanimity into the experience of the moment. That clarity and equanimity percolate down into the subconscious and give the subconscious what it needs to resolve/dissolve its issues."
"Through meditation, we smelt away the kleshas (craving, aversion, ignorance). We refine the ore, and we are left with what always was - the pure gold of consciousness."
- If you're new to meditation, or even if you've had a practice, realize that there are no bad sits! If your mind wanders 100 times in 10 minutes of meditating, and you brought your mind back to its object 101 times, that means you've done 101 "reps". That is a successful sit!
- Do not crave results! Just focus on the right inputs, and eventually the right outputs appear on their own. The right inputs here being that you sit consistently and with proper technique, in a relaxed and un-expectant manner. Focus on the inputs, the results will come.
- That sense of struggle that you must overcome to sit on the cushion, plus the subtle (or not so subtle) struggle while you're actually meditating is the taste of purification! That feeling is the feeling of tapas itself! You may not enjoy the feeling (yet), but you can at least know that you're engaging with powerful, purificatory tapas each and every time you sit. Even more so if you start using resolves.
Jhanas, Orgasms, and Tantric Sex
Now, there will be an upcoming post in the Craving Series that will be a deep dive on the style of meditation that produces this bliss and happiness.If you guys are interested, I made a recent post on metta meditation, which is arguably the easiest way to get into these states. While I think the whole thing is worth reading, feel free to skip to the end for instructions. This was the style of meditation that finally allowed me to begin accessing these states of absorption and bliss, after 13 years of trying to do so.
On the other hand, feel free to skip my post entirely and head straight to one of the links I've included at the end of this post for guided metta meditations.
Metta is a fantastic method for jhana because the feeling of loving-kindness itself is inherently pleasant. Because it is pleasant, your mind will focus easily upon it; because your mind focuses easily upon the pleasant sensation, the pleasantness grows; the mind is able to concentrate more easily upon this increased pleasantness, which then causes the pleasantness to grow even more, on and on and on, until bodily bliss (piti) and mental joy (sukha) start arising and you're blasted into the first jhana.
The Joy of Jhana
What does "being blasted in the first jhana by bodily bliss and mental joy" feel like?
Well, the best way to describe jhana is somewhere between an extended orgasm and being on the love drug MDMA/ecstasy.
"Hold up - that sounds like it would be debilitating to all this energy we've been cultivating... Surely there will be devastating consequences to our semen retention practice, right?"
Orgasms drain you of energy, not just due to the release of prolactin which lowers dopamine and testosterone, but also because of the effect on your nervous system. As you get more and more sexually aroused, energy builds up in your nervous system. Once your nervous system can no longer handle the energy and stimulation, you orgasm, at which point prolactin is dumped into the body and the nervous system starts shaking off all the energy that has accumulated inside.
Toes curl in, eyes roll into the back of the head, and your nerves fire like off like its the Fourth of July, right? You get hormonal dampening, and a good portion of the energy you've been building up and conserving through semen retention, wise use of energy, tapas, yoga, pranayama and meditation gets literally shivered away and shook off.
Jhanas, on the other hand, allow for a very slow build up of energy within the nervous system, (one that doesn't involve your Johnson), but instead of that build up resulting in a big explosion of energy that the nervous system shakes off, it is all contained within and sustained for long periods of time!
This pleasure, which is simply a build up of energy, is extremely purifying to the entire system.
And when the jhana is over, you're left feeling invigorated and refreshed, not drained and depleted, because your nervous system remains supercharged with energy and bliss. Not only will you be radiating good vibes everywhere, but you will be supercharged with our friend tejas, that "inner radiance, fearlessness, majesty, and authority".
The Tantric Sex Connection
This is also one reason why tantric sex is such a powerful adjunct to semen retention. In tantric sex, you build up energy within the nervous system and don't release it - but in this case, the energy comes from sex, not from meditation.
And all of this is even more reason to have a strong yoga practice, because it is only through yoga (or qi gong/tai chi) that you begin to slowly build up prana within yourself, training your nervous system and pranamaya kosha to be able to handle higher and higher amounts of energy.
Through yoga, you also purify the channels, called nadis, through which this energy flows, as well as the chakras, the "power transformers" of the energy body.
If these aren't purfied and opened up, the energy will remain stuck and unable to participate in the feedback loop of jhana, nor of tantric sex. This is a major reason why guys are unable to make it very long with retention - their bodies can't handle the build up of sexual energy, so it seeks release and homestasis the only way it knows how - through orgasm.
Again, I refer you to Can You Handle the Power? if you'd like to read more about the concept of being able to handle more and more energy.
Better yet, skip the reading and get to practicing.
Resources
A quick note on guided metta meditations - you kind of have to shop around to find one you really enjoy. There are many different ways of doing metta, and when you multiply that by the way some teachers sound, whether there is music or not, and the quality of recording, well... Some are hits, some are huge misses.My recommendation is to find one you like and either stick to it, or better yet, simply do the meditation yourself.
A 30 Day guest pass to the Waking Up app - Amazing resource with 3 different metta modules under the "Practice" tab - Compassionate Awareness is one module, Metta (loving-kindness) is another, and Metta for Everyone.
Shinzen Young on Strong Determination Sits
18 Minute Metta Meditation with Samaneri Jayasara - My favorite of the guided meditations here. She is a fantastic resource, and she has plenty of readings and guided meditations on her Youtube.
35 Minute Metta Meditation with Jayasara - I did not check this video out, so if it isn't great, well..
23 Minute Tonglen Meditation by Tara Brach - Tonglen comes to us from the Tibetan Buddhists, and combines metta with compassion.
14 Minute Guided Metta Meditation with Ayya Khema - This one is interesting.
Rob Burbea Metta Retreat - These are the recordings of a metta meditation retreat led by Rob Burbea, a phenomenal teacher. These include some theory and are all longer sits though - great for strong determination sits!
A great 3 month course for the seriously-inclined beginner meditator, with a section on metta.
A great interview with the guy I learned jhanas from, describing their benefits.
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★ Specialist Gloves Tiger Strike (Field-Tested), B/O: $599.14
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★ Specialist Gloves Buckshot (Minimal Wear), B/O: $126.21
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★ Moto Gloves POW! (Field-Tested), B/O: $383.31
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★ Moto Gloves Turtle (Field-Tested), B/O: $180.28
⎯★ Hand Wraps CAUTION! (Minimal Wear), B/O: $502.29
★ Hand Wraps Giraffe (Minimal Wear), B/O: $180.73
★ Hand Wraps CAUTION! (Battle-Scarred), B/O: $178.32
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★ Driver Gloves Rezan the Red (Field-Tested), B/O: $101.66
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2024.05.13 08:52 MrWomps Any advice on stopping?
Hey now. So I’ve been going pretty hard on the giggle gas since last summer after a bunch of turmoil within my personal life and a really significant experience combining it with L. It especially got heavy during this past winter and at this point it has just become a part of my weekend routine, and even sometimes weekdays if I make an extra $100 from work (I paint apartments for a living).
No health or cognitive drawbacks (yet), but financially I’ve found myself in a real bind. I’ve tried stopping multiple times, but always find myself blowing most of my paycheck on it at the end of every week. Even though I haven’t been getting anything out of it for a while now, there’s still that insatiable pull towards grabbing at least 1 tank once payday rolls around. It honestly doesn’t even get me high anymore at this point and I’m just getting frustrated at myself for chasing the womp, or more accurately, the “breakthrough”. During the best of times with it, I was able to wrestle with a lot of personal issues and either come to terms with them or find a genuine solution. Regular ol’ therapy could not even compete in my experience. I honestly wonder how well it would pair with simple free association in a clinical setting with a therapist. Maybe a future research project once I finish post-grad. Just a thought as I don’t hold a vendetta against the gas, I know this is a ME issue.
Any advice here from anyone who has successfully kicked the habit? I don’t feel any physical withdrawal whatsoever, but psychologically it’s hard to get my mind off of it once I get to Friday, and I end up caving. I’m just tired of wasting my money on this garbage and seeing my storage closet fill up with empty tanks (I don’t like to throw them in the garbage, I prefer to bring them to get recycled).
The only thing I can think of is to fill my time up end to end until I can break the pattern I’ve built for myself. Maybe a good meditation practice that can bring me into a similar headspace? Anyone have any suggestions regarding that? I’ve noticed that my biggest trigger is just having free time and getting bored. The place it brings me mentally is the most alluring part to me during those moments. Forget the sense-perception changes. It brings me to a state where I can really get in control of my thoughts. A borderline +4 state using the Shulgin scale.
If I can just make it like 2 weeks without it, I know I can kick it especially if I find something that can take me to a similar space cognitively. I did the same thing with weed, and while I still smoke, it’s more of a “special occasion” treat at this point when seeing concerts as opposed to multiple times a day just to get by. I guess it’s time to pick up a new hobby or something.
I should include the fact that other than nicotine and weed, this is really the only thing that has had this much of a hold on me. I don’t really struggle with addiction when it comes to anything else, but this is really unique in that way. I have a feeling it has something to do with how accessible it is. I live right next to a head shop that sells them for dirt cheap, so it’s incredibly easy to grab one on the way home and grab another once the first one runs out. I know it’s as easy as not going to the shop, but damn. It’s always the easiest methods that are the hardest to do.
Honestly any words of advice would help. Hell, even a good roast may do the trick.
Thanks y’all and stay safe please!!! I never thought it could get THIS addictive, but here we are. Live and learn, I suppose.
submitted by MrWomps to NitrousOxideRecovery [link] [comments]
No health or cognitive drawbacks (yet), but financially I’ve found myself in a real bind. I’ve tried stopping multiple times, but always find myself blowing most of my paycheck on it at the end of every week. Even though I haven’t been getting anything out of it for a while now, there’s still that insatiable pull towards grabbing at least 1 tank once payday rolls around. It honestly doesn’t even get me high anymore at this point and I’m just getting frustrated at myself for chasing the womp, or more accurately, the “breakthrough”. During the best of times with it, I was able to wrestle with a lot of personal issues and either come to terms with them or find a genuine solution. Regular ol’ therapy could not even compete in my experience. I honestly wonder how well it would pair with simple free association in a clinical setting with a therapist. Maybe a future research project once I finish post-grad. Just a thought as I don’t hold a vendetta against the gas, I know this is a ME issue.
Any advice here from anyone who has successfully kicked the habit? I don’t feel any physical withdrawal whatsoever, but psychologically it’s hard to get my mind off of it once I get to Friday, and I end up caving. I’m just tired of wasting my money on this garbage and seeing my storage closet fill up with empty tanks (I don’t like to throw them in the garbage, I prefer to bring them to get recycled).
The only thing I can think of is to fill my time up end to end until I can break the pattern I’ve built for myself. Maybe a good meditation practice that can bring me into a similar headspace? Anyone have any suggestions regarding that? I’ve noticed that my biggest trigger is just having free time and getting bored. The place it brings me mentally is the most alluring part to me during those moments. Forget the sense-perception changes. It brings me to a state where I can really get in control of my thoughts. A borderline +4 state using the Shulgin scale.
If I can just make it like 2 weeks without it, I know I can kick it especially if I find something that can take me to a similar space cognitively. I did the same thing with weed, and while I still smoke, it’s more of a “special occasion” treat at this point when seeing concerts as opposed to multiple times a day just to get by. I guess it’s time to pick up a new hobby or something.
I should include the fact that other than nicotine and weed, this is really the only thing that has had this much of a hold on me. I don’t really struggle with addiction when it comes to anything else, but this is really unique in that way. I have a feeling it has something to do with how accessible it is. I live right next to a head shop that sells them for dirt cheap, so it’s incredibly easy to grab one on the way home and grab another once the first one runs out. I know it’s as easy as not going to the shop, but damn. It’s always the easiest methods that are the hardest to do.
Honestly any words of advice would help. Hell, even a good roast may do the trick.
Thanks y’all and stay safe please!!! I never thought it could get THIS addictive, but here we are. Live and learn, I suppose.
2024.05.13 04:32 Ford9863 Horrors of the Asteria - Part 39 [Final]
<
Mark’s eyes darted frantically from side to side. He groaned, trying hard to speak, but little more than guttural sounds escaped.
“We should really be on our way,” Neyland said. “This ship isn’t going to stay afloat forever. Wait too long, and that pod won’t have the capability to escape the planet’s pull.”
Thomas looked to Mark, then back to Neyland. “What about him?”
Neyland shrugged. “Another casualty of war, I’m afraid.” He stared at Mark for a long moment. “I do wish you would have listened to me, Marcus. If you’d kept your promise, I’d have kept mine.”
Layna took a small step forward, still aiming the gun at Neyland. “What makes you think I won’t just shoot you and resign us all to death? If our only hope is another life on those drives, I’m going to die here, anyway. Why bother sending ourselves back?”
Mark grumbled again, a bit louder this time. Thomas glanced at Mark’s hand, noticing his finger twitching slightly. It was subtle, but it was there. An intermittent rhythm that appeared intentional.
“Because survival is our strongest instinct,” Neyland said, his eyes locked on Layna. “And if you decide to doom us all, you can decide it later.”
Thomas counted each twitch of Mark’s finger. There was a pattern, he realized. Three rapid taps, then a pause, then two, another pause, then five. Mark was clearly trying to tell him something—but what?
He waited for the pattern to repeat, then committed it to memory. Three-two-five-seven-one. After a few repetitions, he was sure of it. The problem, of course, was that he had no idea which number began the sequence.
Layna let out a sigh. “Fuck you,” she said, tensing. Her jaw tightened. Thomas could see her intent in her eyes. But before she could pull the trigger, a sudden growl came from behind them.
Thomas spun around to see the infected crewman lunging toward Layna. He was in an all-out sprint—how they’d not heard his footsteps sooner, he couldn’t say. Without more time to think, Thomas jumped forward, colliding with the man and tumbling to the floor.
The man swiped at Thomas’s face with a ferocious intent. Thomas held his forearms in front of him, tryring to lessen the blows. Through the fury of swipes, he saw movement behind him—Layna and Neyland—but couldnt tell what was happening. His focus was on keeping his throat intact.
And then a shot rang out. Blood splatterd across Thomas’s face, warm and thick, as the man slumped to the side. His heart pounded, his arms ablaze with bleeding scratches. Then he craned his neck to see where the shot had come from, and saw Neyland holding the gun. Layna was on the floor nearby, holding her arm.
“Not as frail as I look,” Neyland said. “I had no intention of using force, you know. But it seemed as though you were about to make the wrong decision. I suppose I should thank you for refusing to close that door for me, Layna.”
Thomas stared up at him, then slowly turned to rise to his feet. If he charged him, he might be able to knock the gun free. He’d be shot first, of course—but he knew he wasn’t making it off this ship anyway. He could relay Mark’s information to Layna and allow her to launch the drives. That is, if he lived long enough to speak.
He grit his teeth. It was too risky.
Neyland waved the gun in Layna’s direction. “Up, now. We must be moving.”
Layna shook her head. “You need me to launch it, don’t you?”
He rolled his eyes. “Yes, yes, Mark was correct in that. When the captain came looking for your clone drives, she reassigned the pod’s launch to your biometrics. I need you, and I need you alive. So let’s go.”
“Then give me the gun,” she said. “You can’t shoot me. You just showed your hand.”
Neyland sighed. “You’re right. I can’t shoot you.” Then he turned toward Mark, lifted the gun, and fired a shot directly into his head.
“But I can shoot them,” he said, turning the gun toward Thomas. “And destroy his drive. That’s twice you’ll be responsible for his death if you don’t get moving. So, what will it be?”
Layna lifted a hand to the air. “Okay, okay, fine. Let’s go.”
They made their way back toward the bridge in a single line, with Layna at the front and Thomas between her and Neyland. Some small part of Thomas had hoped for an encounter with another crewman, if only to allow him the opportunity to get the gun back from Neyland. To his dismay, no such encounter occurred.
“How do we know you’ll keep your word,” Layna asked as they neared the bridge. “Sending the drives back. Why wouldn’t you just send yourself and call it a day?”
“Because I’m a man of my word,” Neyland answered. “And besides, your lives are of no consequence to me back on Earth. These are your original uploads from your very first day on the Asteria; you will know nothing of your time here. You won’t even know eachother, let alone me.”
“And what about you? If you’ve unleashed this mutation back on Earth, how are you going to falling victim to it?”
He let out a chuckle. “Are you truly that dense? My benefactors have arranged for me to use the older system, just as they will. I did not do all this for free. And unlike you, my drive is a recent upload. I’ll only lose the last few hours on this wretched ship.”
They stepped down the curved stairwell of the bridge and headed for the door to the captain’s quarters. The console in the center of the bridge flashed red, showing a sharp trajectory of the ship toward teh planet. It seemed their launch window was getting smaller. Neyland gestured toward the keypad with the gun, then reached into his pocket and produced a small name badge. He tossed it through the air, landing at Layna’s feet.
“The captain’s badge,” he said. “Her code is zero-seven-four-one.”
Layna stepped forward and scanned the badge. A green light let up the left side of the screen, displaying a number pad. She punched in the code Neyland gave her and stepped back. The door clicked as the mechanisms inside released, then slid open.
Inside was a large, circular room. A half-moon shaped couch sat on the right, with a bar and stools built into the back side of it. A screen sat flush with the wall across from it, with a small glass table in between. A door on the far end led to what appeared to be a kitchen; another to the right allowed just enough view to see a bed.
“Where’s the pod,” Layna asked.
“Left,” Neyland answered, gesturing again with the gun. “Use the console on the wall.”
A small console jutted from the smooth gray wall to the left. Just to the right of the console, Thomas could see a split in the wall; it was subtle, almost unnoticeable, but it was there.
Layna pressed a button on the console, bringing the wide, green-tinted screen to life. The inconspicuous hatch on the right spun and separated, revealing a dome-shaped hatch with a circular handle.
Neyland looked at Thomas and gestured toward the hatch. “Open it,” he ordered.
Thomas nodded and stepped toward it. The handle was remarkably cold, but easy enough to turn. It took three full rotations to release it. When he pulled it open, he saw a large space lined with empty electrical connections. At least a hundred and fifty, he figured. From the size and shape, they were meant to hold the drives that Neyland had in his pocket.
“Emergency pod deployment ready,” a small, robotic voice sounded from the console. “Insert additional data terminals and close hatch.”
Neyland shifted his attention back to Layna. “Find that message she loaded up and get rid of it,” he said. “Can’t have this whole thing ruined by something so simple.”
Thomas and Layna exchanged a glance. That message was more important than their drives—the pod needed to return to Earth with the captain’s final warning.
“Step aside,” Neyland said, looking back to Thomas. “I’ll handle this part.” He pulled the drives from his pocket and shuffled through with one hand, returning the other three once he located the one he wanted. With his other hand, he kept the gun on Layna.
“I don’t know where the outgoing messages are,” Layna said. Not that she was trying to find it.
Neyland pushed his drive into one of the slots and let out an annoyed grunt. “Fine, move and I’ll do it.”
Outside the room, a loud, piercing beeping sounded from the main console. Neyland pursed his lips, then took a step back.
“Oh, you think I’m going to let myself get distracted, do you?” he said. He turned the gun toward Thomas, his eyes still trained on Layna. “Find it and delete it, now. This ship is falling faster by the second.”
Layna lifted her palms to the air. “Fine, fine. Hold on.”
Neyland turned his head back toward the hatch.
Thomas decided that was his moment. He was standing on the edge of Neyland’s periphery. It was a small advantage, but it was likely all he was going to get. So he lunged forward, pushing Neyland’s face into the wall, colliding with the edge of the hatch. At the same time, he used his left arm to swipe Neyland’s hand downward, in hopes of pushing the gun in a direction less threatening.
Before the gun fell to the floor, however, Neyland squeezed the trigger. Thomas didn’t pause to see where the shot was directed; Neyland was the threat, and he needed to neutralize that, first and foremost. So he grabbed a patch of Neyland’s hair and pulled his head back, then shoved it once more into the side of the hatch. It hit with a hard thump. And then he did it again, and again, until the thumps became cracks and Neyland fell limply to the floor.
Thomas let himself drop, fumbling through Neyland’s pocket for the drives. When he pulled them out, one of them had been smashed. Each only had numbers to identify; he had no idea who was on the drive. With time running out, he tossed it aside, then spun around and jumped to his feet.
“I’ve got—” he paused, eyeing Layna on the ground beside him. She had one hand over her stomach, doing little to stop the blood from pouring out.
“Shit, no, no,” he said, kneeling. “Layna, no, we have to—”
“Its alright,” she said, coughing. Blood trickled from the corner of her mouth. “We weren’t making it out of here, anyway. Not like this. You—” she grimaced, finding the strength to speak, “you have the drives?”
He nodded, then rose to his feet. The alarm outside grew louder, faster. If they didn’t launch the pod soon it would be too late. As quick as he could, he inserted the drives, then closed and twisted the hatch tight. On the screen to the left, the words ‘Authentication required’ appeared.
“Don’t waste your time,” Layna said. “They—they’ll just get wiped. We don’t know—”
“I think I do,” Thomas said, punching numbers into the keypad. He started with 3-2-5-7-1, but was met with a red, flashing light. Then he tried 2-5-7-1-3. More red.
“Just launch it,” Layna said, her words garbled by the fluid in her throat. “We don’t have time.”
He shook his head. “Someone’s making it back home. I promise you that.” After a quick breath, he entered in 7-1-3-2-5. The panel turned green.
“Authentication accepted,” the computer voice announced. “Launch ready pending biometric authorization.”
“You’re up,” he said, extending a hand down for Layna.
She lifted hers pulling herself to a more upright position. She wiped the blood from her hand on her pants, then slapped her palm against the console. After a moment of scanning, it lit up green.
“Authorization found. Launch ready.”
He tapped on the large, orange ‘launch’ button the the right. A loud clang sounded within the wall, followed by hissing and grinding, then finally a loud, solid pop.
“Launch successful,” the computer sounded.
Thomas fell to the floor, exhaustion pulling hard at his chest. Neyland twitched and writhed to his left, apparently less dead than he’d thought. Not that it mattered, now. The pod was launched with the Captain’s message; the Asteria would crash into whatever planet they encircled, and that would be the end of it.
“We did it,” he said, turning toward Layna. Her eyes were closed. He reached out and took her hand, squeezing it gently. “You’re going to have a good life,” he said. “Back on Earth.”
He felt a subtle squeeze from her hand before it finally went limp.
The floor began to shake as the Asteria finally fell from orbit. Thomas stared at the crushed drive skidding across the floor, wondering who it was that wouldn’t make it back. In the end, he knew it didn’t matter. Even if he was on one of the last drives, it wasn’t truly him. He would die here. No one would know what they went through, what they had to do.
But that was okay. Because they’d get the Captain’s warning. Neyland’s deeds would be exposed. And life would go on.
submitted by Ford9863 to HFY [link] [comments]
“We should really be on our way,” Neyland said. “This ship isn’t going to stay afloat forever. Wait too long, and that pod won’t have the capability to escape the planet’s pull.”
Thomas looked to Mark, then back to Neyland. “What about him?”
Neyland shrugged. “Another casualty of war, I’m afraid.” He stared at Mark for a long moment. “I do wish you would have listened to me, Marcus. If you’d kept your promise, I’d have kept mine.”
Layna took a small step forward, still aiming the gun at Neyland. “What makes you think I won’t just shoot you and resign us all to death? If our only hope is another life on those drives, I’m going to die here, anyway. Why bother sending ourselves back?”
Mark grumbled again, a bit louder this time. Thomas glanced at Mark’s hand, noticing his finger twitching slightly. It was subtle, but it was there. An intermittent rhythm that appeared intentional.
“Because survival is our strongest instinct,” Neyland said, his eyes locked on Layna. “And if you decide to doom us all, you can decide it later.”
Thomas counted each twitch of Mark’s finger. There was a pattern, he realized. Three rapid taps, then a pause, then two, another pause, then five. Mark was clearly trying to tell him something—but what?
He waited for the pattern to repeat, then committed it to memory. Three-two-five-seven-one. After a few repetitions, he was sure of it. The problem, of course, was that he had no idea which number began the sequence.
Layna let out a sigh. “Fuck you,” she said, tensing. Her jaw tightened. Thomas could see her intent in her eyes. But before she could pull the trigger, a sudden growl came from behind them.
Thomas spun around to see the infected crewman lunging toward Layna. He was in an all-out sprint—how they’d not heard his footsteps sooner, he couldn’t say. Without more time to think, Thomas jumped forward, colliding with the man and tumbling to the floor.
The man swiped at Thomas’s face with a ferocious intent. Thomas held his forearms in front of him, tryring to lessen the blows. Through the fury of swipes, he saw movement behind him—Layna and Neyland—but couldnt tell what was happening. His focus was on keeping his throat intact.
And then a shot rang out. Blood splatterd across Thomas’s face, warm and thick, as the man slumped to the side. His heart pounded, his arms ablaze with bleeding scratches. Then he craned his neck to see where the shot had come from, and saw Neyland holding the gun. Layna was on the floor nearby, holding her arm.
“Not as frail as I look,” Neyland said. “I had no intention of using force, you know. But it seemed as though you were about to make the wrong decision. I suppose I should thank you for refusing to close that door for me, Layna.”
Thomas stared up at him, then slowly turned to rise to his feet. If he charged him, he might be able to knock the gun free. He’d be shot first, of course—but he knew he wasn’t making it off this ship anyway. He could relay Mark’s information to Layna and allow her to launch the drives. That is, if he lived long enough to speak.
He grit his teeth. It was too risky.
Neyland waved the gun in Layna’s direction. “Up, now. We must be moving.”
Layna shook her head. “You need me to launch it, don’t you?”
He rolled his eyes. “Yes, yes, Mark was correct in that. When the captain came looking for your clone drives, she reassigned the pod’s launch to your biometrics. I need you, and I need you alive. So let’s go.”
“Then give me the gun,” she said. “You can’t shoot me. You just showed your hand.”
Neyland sighed. “You’re right. I can’t shoot you.” Then he turned toward Mark, lifted the gun, and fired a shot directly into his head.
“But I can shoot them,” he said, turning the gun toward Thomas. “And destroy his drive. That’s twice you’ll be responsible for his death if you don’t get moving. So, what will it be?”
Layna lifted a hand to the air. “Okay, okay, fine. Let’s go.”
They made their way back toward the bridge in a single line, with Layna at the front and Thomas between her and Neyland. Some small part of Thomas had hoped for an encounter with another crewman, if only to allow him the opportunity to get the gun back from Neyland. To his dismay, no such encounter occurred.
“How do we know you’ll keep your word,” Layna asked as they neared the bridge. “Sending the drives back. Why wouldn’t you just send yourself and call it a day?”
“Because I’m a man of my word,” Neyland answered. “And besides, your lives are of no consequence to me back on Earth. These are your original uploads from your very first day on the Asteria; you will know nothing of your time here. You won’t even know eachother, let alone me.”
“And what about you? If you’ve unleashed this mutation back on Earth, how are you going to falling victim to it?”
He let out a chuckle. “Are you truly that dense? My benefactors have arranged for me to use the older system, just as they will. I did not do all this for free. And unlike you, my drive is a recent upload. I’ll only lose the last few hours on this wretched ship.”
They stepped down the curved stairwell of the bridge and headed for the door to the captain’s quarters. The console in the center of the bridge flashed red, showing a sharp trajectory of the ship toward teh planet. It seemed their launch window was getting smaller. Neyland gestured toward the keypad with the gun, then reached into his pocket and produced a small name badge. He tossed it through the air, landing at Layna’s feet.
“The captain’s badge,” he said. “Her code is zero-seven-four-one.”
Layna stepped forward and scanned the badge. A green light let up the left side of the screen, displaying a number pad. She punched in the code Neyland gave her and stepped back. The door clicked as the mechanisms inside released, then slid open.
Inside was a large, circular room. A half-moon shaped couch sat on the right, with a bar and stools built into the back side of it. A screen sat flush with the wall across from it, with a small glass table in between. A door on the far end led to what appeared to be a kitchen; another to the right allowed just enough view to see a bed.
“Where’s the pod,” Layna asked.
“Left,” Neyland answered, gesturing again with the gun. “Use the console on the wall.”
A small console jutted from the smooth gray wall to the left. Just to the right of the console, Thomas could see a split in the wall; it was subtle, almost unnoticeable, but it was there.
Layna pressed a button on the console, bringing the wide, green-tinted screen to life. The inconspicuous hatch on the right spun and separated, revealing a dome-shaped hatch with a circular handle.
Neyland looked at Thomas and gestured toward the hatch. “Open it,” he ordered.
Thomas nodded and stepped toward it. The handle was remarkably cold, but easy enough to turn. It took three full rotations to release it. When he pulled it open, he saw a large space lined with empty electrical connections. At least a hundred and fifty, he figured. From the size and shape, they were meant to hold the drives that Neyland had in his pocket.
“Emergency pod deployment ready,” a small, robotic voice sounded from the console. “Insert additional data terminals and close hatch.”
Neyland shifted his attention back to Layna. “Find that message she loaded up and get rid of it,” he said. “Can’t have this whole thing ruined by something so simple.”
Thomas and Layna exchanged a glance. That message was more important than their drives—the pod needed to return to Earth with the captain’s final warning.
“Step aside,” Neyland said, looking back to Thomas. “I’ll handle this part.” He pulled the drives from his pocket and shuffled through with one hand, returning the other three once he located the one he wanted. With his other hand, he kept the gun on Layna.
“I don’t know where the outgoing messages are,” Layna said. Not that she was trying to find it.
Neyland pushed his drive into one of the slots and let out an annoyed grunt. “Fine, move and I’ll do it.”
Outside the room, a loud, piercing beeping sounded from the main console. Neyland pursed his lips, then took a step back.
“Oh, you think I’m going to let myself get distracted, do you?” he said. He turned the gun toward Thomas, his eyes still trained on Layna. “Find it and delete it, now. This ship is falling faster by the second.”
Layna lifted her palms to the air. “Fine, fine. Hold on.”
Neyland turned his head back toward the hatch.
Thomas decided that was his moment. He was standing on the edge of Neyland’s periphery. It was a small advantage, but it was likely all he was going to get. So he lunged forward, pushing Neyland’s face into the wall, colliding with the edge of the hatch. At the same time, he used his left arm to swipe Neyland’s hand downward, in hopes of pushing the gun in a direction less threatening.
Before the gun fell to the floor, however, Neyland squeezed the trigger. Thomas didn’t pause to see where the shot was directed; Neyland was the threat, and he needed to neutralize that, first and foremost. So he grabbed a patch of Neyland’s hair and pulled his head back, then shoved it once more into the side of the hatch. It hit with a hard thump. And then he did it again, and again, until the thumps became cracks and Neyland fell limply to the floor.
Thomas let himself drop, fumbling through Neyland’s pocket for the drives. When he pulled them out, one of them had been smashed. Each only had numbers to identify; he had no idea who was on the drive. With time running out, he tossed it aside, then spun around and jumped to his feet.
“I’ve got—” he paused, eyeing Layna on the ground beside him. She had one hand over her stomach, doing little to stop the blood from pouring out.
“Shit, no, no,” he said, kneeling. “Layna, no, we have to—”
“Its alright,” she said, coughing. Blood trickled from the corner of her mouth. “We weren’t making it out of here, anyway. Not like this. You—” she grimaced, finding the strength to speak, “you have the drives?”
He nodded, then rose to his feet. The alarm outside grew louder, faster. If they didn’t launch the pod soon it would be too late. As quick as he could, he inserted the drives, then closed and twisted the hatch tight. On the screen to the left, the words ‘Authentication required’ appeared.
“Don’t waste your time,” Layna said. “They—they’ll just get wiped. We don’t know—”
“I think I do,” Thomas said, punching numbers into the keypad. He started with 3-2-5-7-1, but was met with a red, flashing light. Then he tried 2-5-7-1-3. More red.
“Just launch it,” Layna said, her words garbled by the fluid in her throat. “We don’t have time.”
He shook his head. “Someone’s making it back home. I promise you that.” After a quick breath, he entered in 7-1-3-2-5. The panel turned green.
“Authentication accepted,” the computer voice announced. “Launch ready pending biometric authorization.”
“You’re up,” he said, extending a hand down for Layna.
She lifted hers pulling herself to a more upright position. She wiped the blood from her hand on her pants, then slapped her palm against the console. After a moment of scanning, it lit up green.
“Authorization found. Launch ready.”
He tapped on the large, orange ‘launch’ button the the right. A loud clang sounded within the wall, followed by hissing and grinding, then finally a loud, solid pop.
“Launch successful,” the computer sounded.
Thomas fell to the floor, exhaustion pulling hard at his chest. Neyland twitched and writhed to his left, apparently less dead than he’d thought. Not that it mattered, now. The pod was launched with the Captain’s message; the Asteria would crash into whatever planet they encircled, and that would be the end of it.
“We did it,” he said, turning toward Layna. Her eyes were closed. He reached out and took her hand, squeezing it gently. “You’re going to have a good life,” he said. “Back on Earth.”
He felt a subtle squeeze from her hand before it finally went limp.
The floor began to shake as the Asteria finally fell from orbit. Thomas stared at the crushed drive skidding across the floor, wondering who it was that wouldn’t make it back. In the end, he knew it didn’t matter. Even if he was on one of the last drives, it wasn’t truly him. He would die here. No one would know what they went through, what they had to do.
But that was okay. Because they’d get the Captain’s warning. Neyland’s deeds would be exposed. And life would go on.