Examining the stages in ecological succession worksheet answers
Humans Don't Hibernate [Part 95/?]
2024.05.15 00:14 Jcb112 Humans Don't Hibernate [Part 95/?]
First Previous Next
Patreon Official Subreddit Royal Road
91 Hours After the First Round of Interloper Interrogations. UNAFS Perseverance. Hangar Bay.
Evina
The stage was set, and my game face was on. It had to be, especially with what Vir had concocted over the course of his sleepless night.
The realization that AI didn’t exactly… sleep, was something I’d expected. But I’d at least thought the sleepless downtime would be used for something remotely related to downtime, something like maintenance, server repairs, or just anything at least remotely related to a decrease in productivity if only to relax.
I certainly wasn’t expecting that downtime to result in the creation of a literal sci-fi arsenal that now sat there, waiting for me just in front of the shuttle.
“A gift, Evina.” The AI spoke, gesturing to what could only be described as a small procession of bots, carts, and self-navigating cargo containers; all of which kept Eslan’s curiosities at a constant all-time high as he walked around the collection of bots, his eyes enamored by every little detail of each and every one of them.
But it was what was inside and within the containers that sat atop of those autonomous machines which was what I was really interested in. Moreover, it was a particular outfit currently sitting there on top of a felinor mannequin that really drew most of my attention.
Though the term outfit would definitely be underselling it. As what was being offered to me now was something that could no longer be found anywhere else on the continent, save for the odd military bunker and of course, the books and iterative memories belonging to that of the pre-war world.
To put it simply, it resembled advanced police armor, or maybe even military. Though its sleek design, metal pieces, and thinner silhouette put me in mind more of the former than the latter.
More to the point, it seemed to be capable of being fitted atop of my regular gear, instead of requiring me to swap it out entirely; consisting of three distinct pieces that resembled a pair of pants, a jacket, and a helmet.
I took a moment to stare at it intently, analyzing every last detail of it, from its space-age aesthetics of shiny plastics to matte metal chrome, to its soft interior that seemed to be gel-lined with some weird jelly-like fluid.
Moreover, I seized the moment to tease Eslan, as I turned towards him, then Vir, in rapid succession. “I’m assuming the gift isn’t for Eslan, right?” I snickered, prompting the smaller felinor to pout in a fit of resentful jealousy.
“I can arrange one for him if you’d like.” The AI responded casually, as if hinting at the fact that this wasn’t a one-off project, that this wasn’t just something pulled from storage and simply tailored down to my size.
“Let me guess, you have an entire factory deep within the ship somewhere?” I asked, half sarcastic, and half serious, knowing full well the answer could go either way given the track record of everything else on the ship I’d seen so far.
“Right on the money there, Evina.” Vir responded with an electronic chirp, prompting me to re-evaluate both the ship’s unfathomable capabilities, and the two dorks that were in charge of it all.
Nevertheless, it would seem as if Eslan was excited by the prospect, as he began pulling the armor pieces off of the mannequin, examining the finer details before handing them off for me to wear.
“I’m assuming the gel-like internal padding is a sort of passive heat regulator?” The felinor asked.
“Yes, but more than that, it acts as a layer of thermal insulation against energy-based attacks that manage to penetrate the ceramo-reflective plating lining the outside of the armor. This version’s passive since I don’t think you’ll be encountering anything like that on the surface but…” The AI shrugged ominously. “It’s lightweight, comfy, and there’s also ballistic-weave and kinetic-resistant properties embedded in the fabric. Along with some kinetic resistance that’ll help stop projectiles in their tracks if they penetrate the outer layers and somehow manage to make it through to the gel. Think non-newtonian fluid.” The AI’s platform shrugged. “Anyways, I thought it’d be a good, light-weight, adaptable, no-frills all rounder you could keep even after the mission’s end.” The AI explained, prompting me to more or less double-down on my re-evaluation of its seemingly conflicting personality matrix.
Vir was… complicated. In a good way. Seemingly practical, level-headed, tactical, and terrifyingly efficient on one hand, but also very much personable, surprisingly relatable, and most reassuring of all… self-reflective to the point of empathy and benevolence.
My first iteration was practically working overdrive trying to make heads or tails of him.
But my current mind was simply occupied with getting the armor on, which was more or less straightforward.
It was, surprisingly, lightweight. Like wearing a trimmed-down flak jacket that hugged and tightened to your form. The pants were the same story, which only left the helmet that I was hesitant to try on given its roundish shape and tight squeeze.
I examined it, looking inside as I noticed two little indents marking the recesses where my ears could actually comfortably fit.
“I’ve taken the liberty of creating a few modifications to the human baseline design in order to accommodate for your alien anatomy. I learned this the hard way when Lysara first donned a human helmet. It was… not fun, to say the very least.” The AI managed out with a nervous chuckle.
The idea of Lysara’s frills being squished inside a round helmet with no room for that sensitive looking extension of his head sent shivers up my spine. But then again, this made me even more curious as to just what these humans looked like if they lacked frills, ears, or anything else adorning their heads.
“I’m guessing the human-baseline must be really boring then.” I managed out unexpectedly, garnering a cock of the AI’s head. “You know what I mean right? What with having just a round space to shove their heads into. No frills, ears, or anything.”
“Ah, well, I can definitely see where you’re coming from with that.” Vir chuckled in response. “But honestly their appearance is not a big secret or anything. I can just pull up a-”
“Ah! Good morning, Evina!” Lysara announced brightly, cutting Vir off mid sentence as he jumped down from the shuttle and back onto the hangar bay proper. “I’ve been doing some final checks just to make sure we’re ready to go. Sorry I didn’t come out to greet you earlier.” The alien paused just before reaching me however, as he looked me up and down, then smiled. “I see Vir has been up to his usual work.”
“Seems so.” I shrugged. “In any case, I’m feeling more ready than I was just a few minutes ago, which I didn’t think was even possible, so thanks, Vir.” I gave Vir another nod of appreciation, before turning back to Lysara. “We're good to go, then?”
“As ready as ever.” Lysara responded promptly, surprising me with his register slowly shifting more towards something normal, rather than being entirely pulled from a university thesaurus.
Maybe I was starting to rub off of whatever translation software he was using.
“In any case, I don’t think I’ll be using your toys for the time being, Vir.” I gestured towards the rows upon rows of black and chrome weapons alike. Most of them resembled somewhat traditional looking firearms, whilst others were more or less pulled from the pages of science fiction, what with their tapered ‘muzzles’, and raygun-looking grips. “And it’s that I don’t trust that they could do some damage. It’s just a safer bet if I went with what I know. It’s better to use a gun you’ve trained and lived with, than a new one you’ve just messed around with the night prior.” I smiled, more or less alluding to the small escapade the AI and I went on for a short hour after the dinner. “Though I do thank you kindly for the ammo for my revolver, I’d say it’ll be helpful but… I’d rather not say anything at all until we get to our destination.”
The AI responded with a simple sharp dip of his head. “Chemically-derived combustion sluggers are always a solid choice. I wish you all the best, and I hope you don’t end up having to use that gun. I’ll make sure my boys take good care of you and Lysara.”
With a final exchange of nods, Lysara and I strode off and into the shuttle.
But just as we reached the precipice, I turned back, if only to give Eslan a reassuring hug. “I’ll be back sooner than you expect. So don’t get bored now.” I offered, prompting the smaller felinor to grin widely.
“Oh don’t you worry about getting bored.” He gestured to the space around him. “I probably won’t even be done with this room by the time you’re back.”
“Just make sure to save some mysteries for me. Oh, and Vir?” I turned to Vir for a moment, garnering a small cock of his head.
“Yes, Evina?”
“Do make sure that you tire him out some with your explanations. I’d rather come back to a quiet bedroom to pass out in, rather than one with an excitable Eslan ready to chew my ear out with his latest discoveries on the ship’s deep lore.” I jokingly ordered, prompting Eslan to give me his signature side-eye.
Following a dumb smile of my own signaling our temporary goodbyes, I soon found myself back within the bowels of the shuttle. Except this time, the backramp cargo bay seemed to be chock-full of those heavy-duty combat bots I caught glimpses of back in the forests.
In fact, every corner of the shuttle’s cargo bay seemed to be crammed to the brim with one or another form of combat drone. From flying drones, to clusters of those smaller insect-drones, to what looked to be oversized spiders ready to drop from the ceiling at a moment’s notice.
The whole space seemed to be decked out for combat.
Which gave me a lot of confidence about the outcome of this mission.
Lysara and I didn’t say much as we both made our way towards the cockpit, strapped into our respective seats, and began the nausea-inducing flight out of the ship’s hangar bay, and down towards the planet.
A whole minute passed in absolute silence as I tried to steady myself for what was to come.
“So, let’s go over a few of the key details for this mission.” Lysara suddenly broke the silence, bringing up a top-down map of the forests, with the facility in question highlighted in orange. “We’re going to be landing in a clearing made by Vir.” The map shifted, highlighting a very conspicuous open clearing of trees and a charred forest floor that made it very clear something big had happened here very recently.
If I’d seen that place from the ground? I’d have probably cited that aliens did it.
Which, ironically, would’ve been more on the money than I could’ve ever thought possible.
“From there, we march through the open clearing made by Vir, with drones taking point, up and towards the facility.” The map shifted once more, highlighting yet another clearing that more or less formed a clean path towards the entrance of the bunker. “From there, I assume you know your role?”
“Yup, if my prior iterations come through on this one, I’ll open the facility door, and from there… We head inside, and see what’s what.” I responded.
“The drones will make the first move, we’ll have two squads proceed inside and ascertain if it’s safe to enter. After confirming that all hazards are within a tolerable margin of safety, we’ll proceed.”
“Understood.” I acknowledged with a heavy sigh, my eyes trained on the continent that now took up most of our cockpit view.
“Whatever happens, I know for a fact we’ll be safe as long as we play it safe.” Lysara tried filling the silence with his own brand of reassurance.
“I know. But it’s not so much the physical dangers I’m worried about.” I managed out, before pausing, as my eyes once more strayed towards the top-down view of the mission map. “It’s what we’re going to find inside the facility that worries me.”
First Previous Next
(Author’s Note: Evina gets a cool new outfit for her mission, Eslan is promised an entire day of having his sci fi interests satiated, and we're now on our way with Lysara down towards the signal station! The next chapter is already out on Patreon as well if you want to check it out!)
[If you guys want to help support me and these stories, here's my ko-fi ! And my Patreon for early chapter releases (Chapter 96 of this story is already out on there!)]
submitted by Jcb112 to HFY [link] [comments]
Patreon Official Subreddit Royal Road
91 Hours After the First Round of Interloper Interrogations. UNAFS Perseverance. Hangar Bay.
Evina
The stage was set, and my game face was on. It had to be, especially with what Vir had concocted over the course of his sleepless night.
The realization that AI didn’t exactly… sleep, was something I’d expected. But I’d at least thought the sleepless downtime would be used for something remotely related to downtime, something like maintenance, server repairs, or just anything at least remotely related to a decrease in productivity if only to relax.
I certainly wasn’t expecting that downtime to result in the creation of a literal sci-fi arsenal that now sat there, waiting for me just in front of the shuttle.
“A gift, Evina.” The AI spoke, gesturing to what could only be described as a small procession of bots, carts, and self-navigating cargo containers; all of which kept Eslan’s curiosities at a constant all-time high as he walked around the collection of bots, his eyes enamored by every little detail of each and every one of them.
But it was what was inside and within the containers that sat atop of those autonomous machines which was what I was really interested in. Moreover, it was a particular outfit currently sitting there on top of a felinor mannequin that really drew most of my attention.
Though the term outfit would definitely be underselling it. As what was being offered to me now was something that could no longer be found anywhere else on the continent, save for the odd military bunker and of course, the books and iterative memories belonging to that of the pre-war world.
To put it simply, it resembled advanced police armor, or maybe even military. Though its sleek design, metal pieces, and thinner silhouette put me in mind more of the former than the latter.
More to the point, it seemed to be capable of being fitted atop of my regular gear, instead of requiring me to swap it out entirely; consisting of three distinct pieces that resembled a pair of pants, a jacket, and a helmet.
I took a moment to stare at it intently, analyzing every last detail of it, from its space-age aesthetics of shiny plastics to matte metal chrome, to its soft interior that seemed to be gel-lined with some weird jelly-like fluid.
Moreover, I seized the moment to tease Eslan, as I turned towards him, then Vir, in rapid succession. “I’m assuming the gift isn’t for Eslan, right?” I snickered, prompting the smaller felinor to pout in a fit of resentful jealousy.
“I can arrange one for him if you’d like.” The AI responded casually, as if hinting at the fact that this wasn’t a one-off project, that this wasn’t just something pulled from storage and simply tailored down to my size.
“Let me guess, you have an entire factory deep within the ship somewhere?” I asked, half sarcastic, and half serious, knowing full well the answer could go either way given the track record of everything else on the ship I’d seen so far.
“Right on the money there, Evina.” Vir responded with an electronic chirp, prompting me to re-evaluate both the ship’s unfathomable capabilities, and the two dorks that were in charge of it all.
Nevertheless, it would seem as if Eslan was excited by the prospect, as he began pulling the armor pieces off of the mannequin, examining the finer details before handing them off for me to wear.
“I’m assuming the gel-like internal padding is a sort of passive heat regulator?” The felinor asked.
“Yes, but more than that, it acts as a layer of thermal insulation against energy-based attacks that manage to penetrate the ceramo-reflective plating lining the outside of the armor. This version’s passive since I don’t think you’ll be encountering anything like that on the surface but…” The AI shrugged ominously. “It’s lightweight, comfy, and there’s also ballistic-weave and kinetic-resistant properties embedded in the fabric. Along with some kinetic resistance that’ll help stop projectiles in their tracks if they penetrate the outer layers and somehow manage to make it through to the gel. Think non-newtonian fluid.” The AI’s platform shrugged. “Anyways, I thought it’d be a good, light-weight, adaptable, no-frills all rounder you could keep even after the mission’s end.” The AI explained, prompting me to more or less double-down on my re-evaluation of its seemingly conflicting personality matrix.
Vir was… complicated. In a good way. Seemingly practical, level-headed, tactical, and terrifyingly efficient on one hand, but also very much personable, surprisingly relatable, and most reassuring of all… self-reflective to the point of empathy and benevolence.
My first iteration was practically working overdrive trying to make heads or tails of him.
But my current mind was simply occupied with getting the armor on, which was more or less straightforward.
It was, surprisingly, lightweight. Like wearing a trimmed-down flak jacket that hugged and tightened to your form. The pants were the same story, which only left the helmet that I was hesitant to try on given its roundish shape and tight squeeze.
I examined it, looking inside as I noticed two little indents marking the recesses where my ears could actually comfortably fit.
“I’ve taken the liberty of creating a few modifications to the human baseline design in order to accommodate for your alien anatomy. I learned this the hard way when Lysara first donned a human helmet. It was… not fun, to say the very least.” The AI managed out with a nervous chuckle.
The idea of Lysara’s frills being squished inside a round helmet with no room for that sensitive looking extension of his head sent shivers up my spine. But then again, this made me even more curious as to just what these humans looked like if they lacked frills, ears, or anything else adorning their heads.
“I’m guessing the human-baseline must be really boring then.” I managed out unexpectedly, garnering a cock of the AI’s head. “You know what I mean right? What with having just a round space to shove their heads into. No frills, ears, or anything.”
“Ah, well, I can definitely see where you’re coming from with that.” Vir chuckled in response. “But honestly their appearance is not a big secret or anything. I can just pull up a-”
“Ah! Good morning, Evina!” Lysara announced brightly, cutting Vir off mid sentence as he jumped down from the shuttle and back onto the hangar bay proper. “I’ve been doing some final checks just to make sure we’re ready to go. Sorry I didn’t come out to greet you earlier.” The alien paused just before reaching me however, as he looked me up and down, then smiled. “I see Vir has been up to his usual work.”
“Seems so.” I shrugged. “In any case, I’m feeling more ready than I was just a few minutes ago, which I didn’t think was even possible, so thanks, Vir.” I gave Vir another nod of appreciation, before turning back to Lysara. “We're good to go, then?”
“As ready as ever.” Lysara responded promptly, surprising me with his register slowly shifting more towards something normal, rather than being entirely pulled from a university thesaurus.
Maybe I was starting to rub off of whatever translation software he was using.
“In any case, I don’t think I’ll be using your toys for the time being, Vir.” I gestured towards the rows upon rows of black and chrome weapons alike. Most of them resembled somewhat traditional looking firearms, whilst others were more or less pulled from the pages of science fiction, what with their tapered ‘muzzles’, and raygun-looking grips. “And it’s that I don’t trust that they could do some damage. It’s just a safer bet if I went with what I know. It’s better to use a gun you’ve trained and lived with, than a new one you’ve just messed around with the night prior.” I smiled, more or less alluding to the small escapade the AI and I went on for a short hour after the dinner. “Though I do thank you kindly for the ammo for my revolver, I’d say it’ll be helpful but… I’d rather not say anything at all until we get to our destination.”
The AI responded with a simple sharp dip of his head. “Chemically-derived combustion sluggers are always a solid choice. I wish you all the best, and I hope you don’t end up having to use that gun. I’ll make sure my boys take good care of you and Lysara.”
With a final exchange of nods, Lysara and I strode off and into the shuttle.
But just as we reached the precipice, I turned back, if only to give Eslan a reassuring hug. “I’ll be back sooner than you expect. So don’t get bored now.” I offered, prompting the smaller felinor to grin widely.
“Oh don’t you worry about getting bored.” He gestured to the space around him. “I probably won’t even be done with this room by the time you’re back.”
“Just make sure to save some mysteries for me. Oh, and Vir?” I turned to Vir for a moment, garnering a small cock of his head.
“Yes, Evina?”
“Do make sure that you tire him out some with your explanations. I’d rather come back to a quiet bedroom to pass out in, rather than one with an excitable Eslan ready to chew my ear out with his latest discoveries on the ship’s deep lore.” I jokingly ordered, prompting Eslan to give me his signature side-eye.
Following a dumb smile of my own signaling our temporary goodbyes, I soon found myself back within the bowels of the shuttle. Except this time, the backramp cargo bay seemed to be chock-full of those heavy-duty combat bots I caught glimpses of back in the forests.
In fact, every corner of the shuttle’s cargo bay seemed to be crammed to the brim with one or another form of combat drone. From flying drones, to clusters of those smaller insect-drones, to what looked to be oversized spiders ready to drop from the ceiling at a moment’s notice.
The whole space seemed to be decked out for combat.
Which gave me a lot of confidence about the outcome of this mission.
Lysara and I didn’t say much as we both made our way towards the cockpit, strapped into our respective seats, and began the nausea-inducing flight out of the ship’s hangar bay, and down towards the planet.
A whole minute passed in absolute silence as I tried to steady myself for what was to come.
“So, let’s go over a few of the key details for this mission.” Lysara suddenly broke the silence, bringing up a top-down map of the forests, with the facility in question highlighted in orange. “We’re going to be landing in a clearing made by Vir.” The map shifted, highlighting a very conspicuous open clearing of trees and a charred forest floor that made it very clear something big had happened here very recently.
If I’d seen that place from the ground? I’d have probably cited that aliens did it.
Which, ironically, would’ve been more on the money than I could’ve ever thought possible.
“From there, we march through the open clearing made by Vir, with drones taking point, up and towards the facility.” The map shifted once more, highlighting yet another clearing that more or less formed a clean path towards the entrance of the bunker. “From there, I assume you know your role?”
“Yup, if my prior iterations come through on this one, I’ll open the facility door, and from there… We head inside, and see what’s what.” I responded.
“The drones will make the first move, we’ll have two squads proceed inside and ascertain if it’s safe to enter. After confirming that all hazards are within a tolerable margin of safety, we’ll proceed.”
“Understood.” I acknowledged with a heavy sigh, my eyes trained on the continent that now took up most of our cockpit view.
“Whatever happens, I know for a fact we’ll be safe as long as we play it safe.” Lysara tried filling the silence with his own brand of reassurance.
“I know. But it’s not so much the physical dangers I’m worried about.” I managed out, before pausing, as my eyes once more strayed towards the top-down view of the mission map. “It’s what we’re going to find inside the facility that worries me.”
First Previous Next
(Author’s Note: Evina gets a cool new outfit for her mission, Eslan is promised an entire day of having his sci fi interests satiated, and we're now on our way with Lysara down towards the signal station! The next chapter is already out on Patreon as well if you want to check it out!)
[If you guys want to help support me and these stories, here's my ko-fi ! And my Patreon for early chapter releases (Chapter 96 of this story is already out on there!)]
2024.05.15 00:04 businessnewstv How to Address Broken Website Links with the Backlink Checker in SEMrush
What are broken links?
Broken links are hyperlinks on a website that no longer point to their intended destination. They are also known as dead links or 404 errors. When a user clicks on a broken link, they will be directed to a page that does not exist, resulting in a frustrating user experience. Broken links can occur for various reasons, such as changes in URL structure, deleted pages, or incorrect linking. Identifying and addressing broken links is crucial for website owners and SEO professionals to ensure a seamless browsing experience for users and maintain a healthy website performance.Why are broken links a problem?
Broken links can be a significant problem for website owners and marketers. They can negatively impact user experience, hinder search engine optimization efforts, and damage a website's credibility. It is crucial to address broken links promptly to ensure a seamless browsing experience for visitors and maintain a positive online reputation. The Backlink Checker tool in SEMrush is an essential marketing tool that can help identify and fix broken links efficiently. By analyzing a website's backlink profile, this tool can uncover broken links and provide insights on how to address them. With its user-friendly interface and comprehensive features, the Backlink Checker in SEMrush is an indispensable tool for any marketer looking to optimize their website's performance.How can broken links impact SEO?
Broken links can have a significant impact on SEO. When a website has broken links, it can result in a poor user experience and negatively affect its search engine rankings. Users may get frustrated when they encounter broken links, leading to a higher bounce rate and lower engagement on the website. Additionally, broken links can prevent search engine crawlers from properly indexing the website, which can result in lower visibility in search engine results pages. Therefore, it is crucial for website owners to regularly check for and address broken links using tools like the Backlink Checker in SEMrush. By ensuring that all links on the website are functioning properly, website owners can improve the user experience, increase engagement, and enhance their SEO efforts.Introduction to SEMrush Backlink Checker
What is SEMrush Backlink Checker?
SEMrush Backlink Checker is a powerful tool that allows users to uncover and address broken links on their website. With this tool, website owners can easily identify any links that are not functioning properly, which can negatively impact their website's SEO performance. By using the Backlink Checker, website owners can quickly find and fix broken links, ensuring a smooth user experience and improving their website's search engine rankings. This tool is especially useful for website owners in the healthcare staffing industry, as it helps them address legal issues related to broken links and ensure compliance with industry regulations. With SEMrush Backlink Checker, healthcare staffing websites can maintain a strong online presence and provide users with a seamless browsing experience.How does SEMrush Backlink Checker work?
SEMrush Backlink Checker is a powerful tool that allows users to identify and address broken links on their website. By analyzing the backlinks of a website, the tool can detect any broken or dead links that may be negatively impacting the site's SEO performance. The tool works by crawling the website and checking each backlink for errors and validity. Once the broken links are identified, users can take the necessary steps to fix them, such as updating the URL or removing the link altogether. This helps to ensure that visitors to the website have a seamless browsing experience and that search engines can properly index the site. With SEMrush Backlink Checker, website owners can easily unearth and address broken links, improving their site's overall performance and visibility.Why is SEMrush Backlink Checker useful for finding broken links?
SEMrush Backlink Checker is a valuable tool for finding broken links on a website. Broken links can negatively impact a website's user experience and SEO performance. With SEMrush Backlink Checker, website owners and digital marketers can easily identify and address broken links, ensuring a seamless browsing experience for users. This tool helps streamline the process of finding and fixing broken links, saving time and effort. By regularly using SEMrush Backlink Checker, website owners can maintain a healthy link profile and improve their website's overall performance.Identifying Broken Links with SEMrush Backlink Checker
Accessing the Backlink Checker tool in SEMrush
To access the Backlink Checker tool in SEMrush, follow these simple steps. First, log in to your SEMrush account. Once you are logged in, navigate to the 'Backlink Analytics' section in the left-hand menu. Click on the 'Backlink Checker' option. This will open the Backlink Checker tool, where you can analyze and monitor your website's backlinks. The tool provides valuable insights into your backlink profile, allowing you to identify and address any broken links. With the Backlink Checker tool in SEMrush, you can ensure the health and integrity of your website's backlink profile.Entering the website URL to analyze
When entering the website URL to analyze, the Backlink Checker in SEMrush provides a comprehensive overview of the site's backlink profile. This powerful tool allows users to identify and address broken links, ensuring a seamless browsing experience for visitors. With its advanced features and user-friendly interface, the Backlink Checker is an essential resource for website owners and digital marketers. By utilizing this creative platform, users can easily uncover broken links and take the necessary steps to fix them, ultimately improving their website's overall performance.Analyzing the backlink profile and identifying broken links
Analyzing the backlink profile and identifying broken links is a crucial step in maintaining a healthy website. It allows website owners to understand the quality of their backlinks and take necessary actions to fix any broken links. The Backlink Checker in SEMrush is a powerful tool that provides comprehensive insights into the backlink profile of a website. By using this tool, website owners can identify broken links and take proactive measures to address them. This analysis is particularly important for websites looking to diversify revenue streams, as broken links can negatively impact user experience and hinder potential revenue opportunities. With the Backlink Checker in SEMrush, website owners can ensure that their backlink profile is optimized and free from any broken links, ultimately improving the overall performance and success of their website.Understanding the Impact of Broken Links on SEO
How do broken links affect website rankings?
Broken links can have a significant impact on a website's rankings. When search engines crawl a website and encounter broken links, it can negatively affect the user experience and credibility of the site. Broken links can lead to a frustrating user experience as visitors are unable to access the desired content. Additionally, search engines consider broken links as a sign of poor website maintenance and may lower the site's rankings as a result. Therefore, it is crucial for website owners to regularly check for and address broken links to ensure a smooth user experience and maintain a strong online presence.The importance of fixing broken links for user experience
Fixing broken links is crucial for enhancing user experience on a website. When users encounter broken links, it can be frustrating and discouraging, leading to a negative impression of the website. This can result in a loss of trust and credibility, as users may question the reliability of the information provided. Additionally, broken links can hinder the navigation and exploration of a website, making it difficult for users to find the desired content. By regularly checking for and addressing broken links, website owners can ensure a seamless browsing experience for their users, improving satisfaction and increasing the likelihood of return visits.The role of broken links in search engine crawling and indexing
Broken links play a crucial role in search engine crawling and indexing. When search engine bots encounter a broken link on a website, it disrupts their ability to navigate and index the site effectively. This can result in lower visibility and rankings for the affected pages. Moreover, broken links can also negatively impact user experience, as visitors may encounter error messages instead of the intended content. Therefore, it is essential for website owners to regularly monitor and repair broken links to ensure smooth crawling and indexing by search engines. In addition to improving SEO performance, repairing broken business relationships is another important aspect. By addressing broken links promptly, website owners can demonstrate their commitment to providing reliable and valuable resources to their audience, thereby strengthening trust and fostering positive relationships with their customers and partners.Addressing Broken Links with SEMrush Backlink Checker
Prioritizing broken links based on importance
When it comes to prioritizing broken links based on importance, there are several factors to consider. One such factor is understanding the 6 stages of failure. By identifying these stages, you can determine the severity of the broken link and prioritize it accordingly. The first stage is the initial discovery of the broken link, where it is first identified as a problem. This is followed by the stage of investigation, where the cause of the broken link is examined. Next is the stage of impact assessment, where the implications of the broken link on user experience and website performance are evaluated. After that comes the stage of resolution planning, where strategies are developed to address the broken link. The fifth stage is the implementation of the resolution plan, where the necessary actions are taken to fix the broken link. Finally, there is the stage of monitoring and maintenance, where the fixed link is monitored to ensure it remains functional. By following these 6 stages of failure, you can effectively prioritize broken links and ensure the smooth functioning of your website.Finding the source of broken links and taking corrective actions
Finding the source of broken links and taking corrective actions is an essential task for website owners and administrators. Broken links can negatively impact user experience and hinder search engine optimization efforts. By utilizing the Backlink Checker in SEMrush, website owners can easily identify broken links and determine their source. Once the broken links are identified, website owners can take corrective actions to fix them and ensure a seamless browsing experience for their users. Taking prompt corrective actions not only improves user experience but also helps in maintaining a positive online reputation. Google's financial success is heavily reliant on providing users with accurate and relevant search results, and addressing broken links is a crucial aspect of achieving this goal. By utilizing the Backlink Checker in SEMrush and addressing broken links, website owners can contribute to Google's financial success by improving the overall quality of the internet.Implementing redirects or fixing broken links directly
Implementing redirects or fixing broken links directly is an essential step in maintaining a functional and user-friendly website. Broken links can negatively impact the user experience and hinder search engine optimization efforts. By identifying and addressing broken links using the Backlink Checker in SEMrush, website owners can ensure that visitors are directed to the correct pages and that search engines can crawl and index their site efficiently. Implementing redirects allows for seamless navigation, preventing users from encountering frustrating dead ends. Alternatively, fixing broken links directly involves locating and updating the URLs, ensuring that visitors can access the intended content without any disruptions. Both approaches are effective in improving website performance and enhancing the overall user experience.Conclusion
The significance of using SEMrush Backlink Checker for addressing broken links
The significance of using SEMrush Backlink Checker for addressing broken links cannot be overstated. In today's digital age, having a well-functioning website is crucial for the success of any business. Broken links can negatively impact user experience and hinder search engine optimization efforts. With SEMrush Backlink Checker, website owners can easily identify and fix broken links on their baby store website. This powerful tool provides comprehensive insights into the backlink profile of a website, allowing users to uncover broken links and take appropriate action. By regularly using SEMrush Backlink Checker, website owners can ensure that their baby store website is free from broken links, providing a seamless browsing experience for their customers and improving their search engine rankings.The impact of fixing broken links on website performance
Fixing broken links can have a significant impact on the performance of a website. When broken links are present, it can lead to a negative user experience, as visitors may encounter error messages or be directed to non-existent pages. This can result in frustration and a decrease in trust towards the website. Additionally, broken links can also have negative implications for search engine optimization (SEO). Search engines like Google consider broken links as a signal of poor website quality, which can affect the website's ranking in search results. Therefore, it is crucial for website owners, including independent WordPress developers, to regularly check for and address broken links using tools like the Backlink Checker in SEMrush. By fixing broken links promptly, website performance can be improved, providing a seamless browsing experience for visitors and enhancing the website's overall credibility and visibility in search engines.Continuous monitoring and maintenance for a healthy backlink profile
Continuous monitoring and maintenance are crucial for maintaining a healthy backlink profile. By regularly checking for broken links using the Backlink Checker in SEMrush, website owners can ensure that their site remains free of broken links that can negatively impact user experience and search engine rankings. The Backlink Checker provides valuable insights into the health of a website's backlink profile, allowing website owners to identify and address broken links promptly. With the ability to easily uncover broken links, website owners can take proactive measures to fix them, such as reaching out to webmasters for link replacements or updating internal links. By implementing continuous monitoring and maintenance practices, website owners can keep their backlink profile in optimal condition, contributing to improved website performance and overall SEO success.In conclusion, online marketing can be easy and effective with the right tools and strategies. With Semrush, you can turn the algorithm into your friend and make your business visible online. With over 55+ tools for SEO, PPC, content, social media, and competitive research, Semrush provides everything you need to achieve measurable results from your online marketing efforts. Don't miss out on the opportunity to boost your online presence and drive more traffic to your website. Visit Semrush today and start optimizing your online marketing campaigns!
2024.05.15 00:00 businessnewstv How to Optimize Every Web Page with a Detailed Audit Using SEMrush
What is a web page audit?
A web page audit is a comprehensive analysis of a website's performance, structure, and content to identify areas for improvement. It involves evaluating various aspects such as page load speed, mobile-friendliness, SEO optimization, and user experience. By conducting a web page audit, businesses can gain valuable insights into their website's strengths and weaknesses, allowing them to make informed decisions on how to optimize their web pages. One of the main goals of a web page audit is to increase sales by enhancing the overall performance and user satisfaction of the website.Why is a web page audit important?
A web page audit is essential for optimizing every aspect of your website. It allows you to identify any issues or areas for improvement that may be affecting your website's performance and user experience. By conducting a detailed audit using SEMrush, you can gain valuable insights into your website's SEO, technical, and content-related aspects. This information can help you make informed decisions and implement effective strategies to enhance your web page's visibility, rankings, and overall performance. Whether you are a small business owner, a marketer, or a website developer, conducting a web page audit is crucial for ensuring that your website is optimized to its full potential.Benefits of conducting a web page audit
Conducting a web page audit offers several benefits for website owners and digital marketers. Firstly, it helps identify areas of improvement and optimization opportunities, ensuring that every web page is performing at its best. By analyzing various aspects such as page speed, mobile responsiveness, and user experience, a web page audit enables businesses to enhance their online presence and attract more visitors. Additionally, conducting regular audits allows website owners to stay updated with the latest industry standards and best practices, ensuring that their web pages are in compliance with search engine guidelines. Overall, a detailed web page audit using SEMrush can greatly contribute to the success and performance of a website.Preparing for the Audit
Defining the audit objectives
When defining the audit objectives, it is important to consider the specific goals and targets that need to be achieved. The audit objectives serve as a roadmap for the entire auditing process, providing a clear direction and focus. In the case of optimizing every web page with a detailed audit using SEMrush, the primary objective is to identify areas of improvement and implement strategies that can enhance the overall performance and visibility of the website. By conducting a comprehensive audit, businesses can gain valuable insights into their website's strengths and weaknesses, allowing them to make informed decisions and take necessary actions to optimize their online presence. Whether it's improving website speed, enhancing user experience, or optimizing content for search engines, the audit objectives play a crucial role in guiding the optimization process and ensuring the desired outcomes are achieved.Identifying key performance indicators
Key performance indicators (KPIs) play a crucial role in measuring the success of a website's performance. By identifying and tracking specific metrics, website owners can gain valuable insights into how well their web pages are performing and identify areas for improvement. These KPIs can include metrics such as page load time, bounce rate, conversion rate, and organic search traffic. By analyzing these indicators, website owners can make informed decisions on how to optimize their web pages for better performance and user experience. In this article, we will explore how to conduct a detailed audit using SEMrush to identify key performance indicators and optimize every web page accordingly.Gathering necessary data and tools
To optimize every web page with a detailed audit using SEMrush, the first step is gathering necessary data and tools. This crucial stage involves identifying key metrics, such as organic traffic, backlinks, and keyword rankings, to assess the current performance of the website. Additionally, it is essential to ensure that the necessary tools, such as SEMrush's Site Audit feature, are readily available to conduct a comprehensive analysis. By collecting relevant data and equipping oneself with the right tools, website owners can gain valuable insights and make informed decisions to enhance their web pages' optimization.Technical Analysis
Checking for crawlability and indexability
When it comes to checking for crawlability and indexability of a web page, there are several important factors to consider. One of these factors is the logo design. The logo design plays a crucial role in creating a strong brand identity and attracting visitors to the website. It is important to ensure that the logo is properly optimized for search engines and is easily crawlable and indexable. By following best practices for logo design, such as using descriptive alt text and optimizing the file size, webmasters can improve the crawlability and indexability of their web pages.Analyzing page load speed
Analyzing page load speed is crucial for optimizing the performance of a website. It directly impacts user experience and can significantly affect search engine rankings. When it comes to making money with a home security company, ensuring a fast page load speed is even more important. Slow-loading pages can lead to frustrated visitors who may abandon the site and seek services from competitors. By conducting a detailed audit using SEMrush, webmasters can identify and address any issues that may be slowing down their web pages. This includes optimizing images, minifying code, and leveraging browser caching. Implementing these optimizations can not only improve page load speed but also increase the chances of attracting and retaining potential customers. To learn more about how to optimize every web page with a detailed audit using SEMrush, continue reading.Reviewing URL structure and redirects
Reviewing URL structure and redirects is an essential step in optimizing every web page. It helps ensure that your website is organized and that visitors can easily navigate through your content. One important aspect to consider is the mobile-friendliness of your site, as more and more people are accessing the internet through their smartphones. Additionally, it is crucial to review and optimize the redirects on your website to ensure a seamless user experience. When it comes to optimizing your web page for search engines, paying attention to the URL structure and redirects is key.On-Page Optimization
Optimizing meta tags and descriptions
When it comes to optimizing meta tags and descriptions, one important aspect to consider is the use of premium WordPress themes. These themes offer a range of benefits, including enhanced design options, improved functionality, and better performance. By utilizing premium WordPress themes, website owners can ensure that their meta tags and descriptions are not only visually appealing but also optimized for search engines. With the ability to customize meta tags and descriptions, website owners can incorporate relevant keywords and create compelling descriptions that entice users to click through to their website. Additionally, premium WordPress themes often come with built-in SEO features, making it easier to optimize meta tags and descriptions without the need for additional plugins or tools. Overall, optimizing meta tags and descriptions with premium WordPress themes is an effective strategy for improving search engine visibility and driving more organic traffic to a website.Improving keyword usage and density
Improving keyword usage and density is crucial for optimizing web pages. One important aspect of this optimization process is ensuring that the keyword, in this case, Wix, is used effectively throughout the content. By incorporating the keyword naturally and strategically, it helps search engines understand the relevance of the webpage to the user's search query. Additionally, using the keyword in headings, subheadings, and meta tags can further enhance its visibility. To achieve optimal keyword density, it is important to strike a balance between using the keyword enough to rank well in search results, but not overusing it to the point of keyword stuffing. By following these best practices, website owners can improve their web page's visibility and attract more organic traffic.Enhancing content readability and structure
Enhancing content readability and structure is crucial for optimizing web pages. By following best practices, such as using clear headings, organizing content into paragraphs, and incorporating bullet points, you can improve the overall user experience. Additionally, utilizing appropriate font styles, sizes, and colors can enhance readability. Another important aspect is the use of hyperlinks, which can provide additional information and resources. For example, if you are interested in learning how to start a bar supply business, you can find valuable insights and tips in our comprehensive guide.Off-Page Factors
Assessing backlink profile
Assessing the backlink profile of a website is a crucial step in optimizing its overall performance. By examining the quality and quantity of backlinks pointing to a site, webmasters can gain valuable insights into its authority and relevance in the online landscape. One important aspect of backlink assessment is analyzing the anchor text used in the links. In the case of a staffing company logo, it is essential to ensure that the logo is properly linked and associated with relevant keywords. By doing so, the website can enhance its visibility and credibility, thereby attracting more potential clients and improving its overall online presence.Monitoring social signals
Monitoring social signals is an essential aspect of optimizing every web page. By keeping track of social signals such as likes, shares, and comments, website owners can gain valuable insights into the performance and popularity of their content. Additionally, monitoring social signals allows businesses to understand how their target audience is engaging with their web pages and identify areas for improvement. This information can be particularly valuable for individuals who are advancing in their careers, as it provides a clear indication of the impact and reach of their online presence. By leveraging tools like SEMrush, professionals can conduct a detailed audit of their web pages, analyze social signals, and make data-driven decisions to optimize their content and enhance their career prospects.Analyzing online reputation
Analyzing online reputation is an important aspect of optimizing every web page. It allows businesses to understand how their brand is perceived by the online community and identify areas for improvement. One key factor to consider is the design of a website. A stand out car website design can make a significant impact on the reputation of a business. By incorporating visually appealing elements and user-friendly navigation, a website can attract more visitors and enhance the overall user experience. Additionally, optimizing the website for search engines can increase its visibility and credibility, further improving the online reputation of the business.Conclusion
Key takeaways from the web page audit
The web page audit conducted using SEMrush provides valuable insights for optimizing every web page. The key takeaways from the audit include understanding the algorithm used by search engines to rank web pages. By analyzing the algorithm, website owners can make informed decisions to improve their page rankings. Additionally, the audit highlights the importance of conducting regular audits to identify and fix any issues that may affect the performance of the web page. With the help of SEMrush, website owners can optimize their web pages and drive more organic traffic to their sites.Next steps for optimizing web pages
After completing a detailed audit using SEMrush, the next steps for optimizing web pages involve implementing the necessary changes. One important aspect to consider is healthcare staffing agency. By focusing on this keyword, website owners can attract more relevant traffic and improve their overall search engine rankings. To optimize web pages for healthcare staffing agency, it is crucial to create high-quality content that addresses the needs and challenges of the target audience. Additionally, incorporating relevant keywords in the meta tags, headings, and body text can further enhance the page's visibility. By conducting thorough keyword research and regularly monitoring the performance of the optimized pages, website owners can ensure that their web pages are consistently delivering value to users and ranking well in search engine results.Importance of regular audits for ongoing optimization
Regular audits are an essential part of ongoing optimization for any website. They help identify areas that need improvement and ensure that the website is performing at its best. One important aspect of regular audits is the ability to detect signs that indicate the need for optimization. One such sign is when you notice that your website's design is not visually appealing or lacks professional graphics. In such cases, using a tool like Canva can be a game-changer. Canva provides a user-friendly interface and a wide range of design templates that can help enhance the visual appeal of your web pages. By using Canva, you can create stunning graphics and images that will captivate your audience and improve the overall user experience. So, if you're looking for a sign that you need to optimize your web pages, keep an eye out for any design-related issues and consider using Canva to elevate your website's visual appeal.In conclusion, online marketing can be easy and effective with the right tools and strategies. With Semrush, you can turn the algorithm into your friend and make your business visible online. With over 55+ tools for SEO, PPC, content, social media, and competitive research, Semrush provides everything you need to achieve measurable results from your online marketing efforts. Don't miss out on the opportunity to boost your online presence and drive more traffic to your website. Visit Semrush today and start maximizing your online marketing potential!
2024.05.14 23:54 ralo_ramone An Otherworldly Scholar [LitRPG, Isekai] - Chapter 118
The master of ceremonies glanced at the paper in his hand, and a glimpse of confusion showed on his face.
Something was wrong.
“And the third and last team representing Farcrest. Lowell’s Orphanage!”
Elincia clung to my arm, fear and impotence reflected in her expression. We were supposed to be called Rosebud Fencing Academy during the tournament. I clenched my jaw and glanced across the pavilion, giving [Awareness] free rein. Lord Osgiria gave me a mocking look.
I cursed. Among the nobility, everything was appearances. The fact that Farcrest had to resort to a poor orphanage for representation spoke badly about the state of affairs in the territory. The nobles around us exchanged funny looks.
“Keep your heads up. That’s our call,” I said, loud enough for the whole pavilion to hear us. If nobles thought this would weigh upon our shoulders, they were wrong.
Ilya took position by my right as the team captain, and we entered the crescent-shaped arena. The cheering died. Our magnificent uniforms didn’t fool the crowd anymore. I reached the Marquis's side and saluted the VIP box. Only after Prince Adrien started applauding did the rest of the nobles acknowledge our presence.
The commoners in the stands hesitated to cheer for us. This wasn’t a gentle world. They didn’t care about the kid’s feelings. I glanced over my shoulder. Wolf was unfazed, and Zaon moved his lips, repeating, ‘Nervous is good’ repeatedly. Firana, on the other hand, was furious.
“Tough crowd, uh?” I muttered.
“It’s only expected. Orphans don’t get good classes. There is no reason to cheer for us,” Ilya replied with a grin. “Yet.”
Did she look so mature back at the carriage?
The crowd’s attention lingered on us for an instant before the next team entered the arena. To my surprise, a single team represented the royal family: a group of cadets from the Imperial Academy. Five young cadets dressed in plain black, guided by Holst, entered the arena. The crowd came back to life. Considering the opulence of the other teams, the uniforms of the Imperial Academy cadets were disappointing. Even my group was better suited to the occasion.
Holst stood by my left, saluting the stands with a dull gesture.
“Robert Clarke, good to see you still among the living,” he greeted me with a bored tone.
His words, however, sent a shiver down my spine. Did he know assassins had tried to kill me a few days before? Captain Kiln had sworn to keep it a secret. The coincidences piled up. Holst knew about the attack and asked Lyra Jorn’s help with the library when Luzian Abei had a small army of Scholars and Scribes at his disposal. I couldn’t help but think Holst was still in contact with the culprit.
“Preceptor Holst,” I coldly greeted, my brain too busy to formulate a more wordy sentence.
“I didn’t expect to meet my former students,” he added, looking past me at Ilya and the kids. “Certainly not in these circumstances.”
I swallowed my anger. This was a golden opportunity for the orphanage. Watching the skill of the imperial cadets could help me understand why Sir Janus had been the only commoner in Farcrest to assist the Imperial Academy. Even if we lost the tournament, we could improve our chances of getting them accepted into the Imperial Academy, putting them in the same echelon as nobles.
“Do you trust the ability of your current students to win the tournament?” I asked, examining the cadet’s faces. Three humans, a half-elf, and a harpy. They didn’t seem thrilled to be part of the tournament.
Holst laughed.
“These idiots aren’t my students. These five failed their first year. If they don’t win the tournament, they will be kicked out of the Academy,” he replied, shrugging. “For failures like them, I’d say they are the favorites to win the tournament.”
A glance at the Imperial Academy team revealed their strong shoulders and steady feet. Despite the lack of fashion, they looked like trained warriors instead of pampered noble kids. Their faces had lost the roundness of childhood, and their calm demeanor and sharp eyes revealed an intense training regime. I hoped not to bump into them until the later rounds of the tournament.
Our conversation was cut short because the Osgirian teams entered the arena. First, Lord Osgiria, then Lord Nara, and finally, a man dressed as a knight, followed by a group of kids in mismatched uniforms—each one with the colors of their respective houses. Lord Osgiria stood by Holst's side and greeted the VIP box.
If Captain Kiln were right, our team would fight Lord Nara in the first round. I expected the man to be a merchant with a comically large belly. Instead, he looked like a cunning gray fox. I had to remind myself that buying a way into nobility required a skillful negotiator.
“Three teams, Lord Osgiria? You don’t seem too confident in your chances,” Holst casually said.
The Imperial Academy had to be a powerhouse within the kingdom because Lord Osgiria swallowed any snarky remark.
Lord Herran, a tall and muscular redhead dressed in full warrior attire, entered next. I remembered him from the feast—boisterous, talkative, determined. The black mana-repelling axe hung from his belt, causing my stomach to feel sick if I looked for too long. House Herran only had two teams, one led by Lord Herran himself and the other by a man who could be his twin. Only half of the team members were human; the other half were different flavors of beast folk.
More than half of the kids had bright red hair like their lord. I wondered if red hair was a dominant gene in the Herran Dukedom because the kids looked healthy. There was not a trace of the infamous Habsburg chin. They were tall and robust like their lord.
I tried to glance at the axe’s runes, but Lord Herran was too far away.
“That’s lord Herran and his army of copperhead bastards,” Holst pointed out, laughing at his joke.
I doubted that having a dozen children the same age was normal, even more so for a noble, considering how difficult succession could be. Lord Herran must’ve loved to spread his genes.
“It’s okay for him to present his… illegitimate kids in an official event like this?” I asked.
“Do you like gossip, Robert Clarke?” Holst raised an eyebrow.
“I like to be informed,” I replied.
Holst seemed satisfied with my answer.
“Lord Herran is one of the few Combat Prestige Classes in the kingdom. He has the [Conqueror] Class,” Holst replied. “It’s only natural that he can do whatever he wants. Not even the king has enough power over Lord Herran to stop his… reproductive impulses.”
I nodded. The relationship between the royal house and the great three dukedoms was more complex than I initially thought. According to the stories, Combat Prestige Classes were, in essence, one-man armies that could create whole countries around their power. I wondered what kind of monsters the royal army found in the Deep Farlands to be obliged to retreat.
After Lord Herra, Lord Gairon entered the arena. The Gairon House was arguably the second most powerful family after the royal house, and their uniforms reflected their status. The blue was rich and deep, and the gold shone under the winter sun, seemingly casting the few clouds away. The crowd yelled and cheered. It wasn’t surprising. Lord Gairon was a tall, tanned man with hair the color of ripe wheat—the perfect poster boy and leader of the anti-war faction.
“He has to go down if we want the royal faction to have a chance,” Holst said.
It suddenly hit me. Holst and I technically supported the same faction.
“Lord Gairon is also a Prestige Class?” I asked.
“A [Sacred Knight], yes. Rumor says he reached the mythic level sixty,” Holst replied. “Let’s hope their teams are more… farming inclined.”
The crowd became more tame after the three big houses made their entrance. Lord Vedras received less than half of House Gairon’s support, probably because of the tax disputes between Farcrest and the Vedras dukedom. He had brought three teams.
Duke Jorn’s presence almost caused the arena to become completely silent—Holst told me he was also a high-level Prestige Class, a Shadow Stalker.
“That sounds dangerous,” I pointed out.
“Sellen Jorn is one of the most dangerous men in the kingdom. His mere existence was enough for the king to create a whole new duchy,” Holst said. “Take an Assassin and a Shadow Fencer, mix them, double their powers, and then double them again. That’s a Shadow Stalker in a nutshell.”
I tried to imagine it. The Assassin who attacked the orphanage would have had a hard time with any class without a skill like my mana blades. I had been lucky to have a favorable matchup against him; otherwise, I might have been dead. His capacity to disable my movement was scarily effective. A man with the skills of an Assassin and a Shadow Fencer had dangerous implications.
“Prince Adrien wanted Sellen Jorn as his Master of Assassins, but he didn’t want to leave his people in the north,” Holst said. “Walls, doors, bars, locks, nothing can stop a Shadow Stalker. Only the woven barrier of several high-level Fortifiers can stop him. Or so it’s said.”
Gears turned inside my skull. I wondered if Duke Jorn was involved in the disappearance of the evidence of Raudhan’s poisoning. He certainly had the skill to move unnoticed through the Great Hall. Stealing a box with shards of glass would be a walk in the park for him.
The rest of the teams passed in a blur as my mind reviewed the party's events. Sellen Jorn was undoubtedly suspicious. His lack of presence was as unnerving as it was useful for an infiltration mission. Could he be involved in Raudhan’s poisoning? Lord Vedras had denied the existence of any co-conspirators, and we were almost entirely sure that Raudhan hadn’t been poisoned by Ashroot.
Duke Jorn's political positioning was hard to determine. The northern dukedoms were poor, and just like Farcrest, they served as a bulwark against the Monster Surges. Four families controlled most of the kingdom’s economy and politics. House Gairon, House Herran, House Osgiria, and the Royal Family. The northern dukedoms didn’t benefit from the current trade routes and wouldn’t directly benefit from a new trade route into the Kingdom of Tagabiria.
However, they would benefit from a closer relationship with the royal family.
Duke Jorn had no reason to poison Captain Kiln.
Ilya tugged the sleeve of my jacket, bringing me back to the present. The master of ceremonies was finishing a long speech about the legacy of Stephaniss of Farcrest, the previous lord of the city and the Marquis's grandfather. Even the Marquis seemed bored.
“Prince Adrien will draw the matches for the first round!” The master of ceremonies announced.
Prince Adrien came forward, and an assistant brought a glass bowl filled with small wooden rods. He put his hand in the bowl, picked one randomly, and passed it to his companion. The woman dressed in purple read it out loud, her voice magically amplified. Her pleasant contralto voice made me think she was a singer.
“House Nara versus…” she received the second wooden rod. “Lowell’s Orphanage!”
Just like Captain Kiln had warned me.
I didn’t expect us to be the opening fight. The other teams returned to the pavilion, and a group of Scribes carried the System Shrine Shard embedded in its copper nest to the center of the arena. I assumed it was there to ensure all participants met the requirements for the tournament.
“Let’s go, team,” I said.
We formed next to the Shrine Shard and in front of Lord Nara’s team. The master of ceremonies activated the blue orb, and the kids' names, classes, and levels appeared before us. Luckily, Lord Nara and I were exempt from the crystal ability. Being outed as a Runeweaver wasn’t part of my plans.
Belya Nara, Geomancer Lv.3
Arel Nara, Warrior Lv.5
Lino, Soldier Lv.9
Jan, Archer Lv.3
Aiwin, Courier Lv.7
Firana Aias, Wind Fencer Lv.1
Ilya, Hunter Lv.2
Zaon, Classless Lv.1
Wolf, Classless Lv.1
The System prompts might have been big enough for the crowd to read because a murmur rose from the stands. I didn’t need [Awareness] to understand the commotion. Half of my team was classless in a world where Classes were everything. Lord Nara also seemed to notice the discrepancy between our teams.
“I’m feeling generous today, Mister Caretaker. I will gladly accept your surrender and spare you the embarrassment if you apologize for wasting our time,” Lord Nara said with a mellow, totally fake voice. “You can save the kids the shame of losing in front of their countrymen.”
The master of ceremonies looked at me.
“What do you think, Ilya?” I asked.
“The team is ready, Mister Clarke. We fight,” she replied without any hint of doubt.
Despite Lord Nara’s clever expression, he was underestimating us. I couldn’t blame him. He had lived all his life in a world where value was determined by class and level. Developing an eye for people wasn’t as helpful as on Earth, where it could mean the difference between life and death.
“We fight,” I said.
“Don’t say I didn’t extend the courtesy of an honorable withdrawal,” Lord Nara grinned, his fox-like eyes turned into thin lines.
The master of ceremonies nodded.
“The Rules are simple. The team that loses the coin toss has to choose its first fighter, and then the winning team chooses its opponent. Then, the roles change. Every team has two picks and two counter picks, for a total of four fighters,” the master of ceremonies explained, pulling a gold coin from the pocket.
I nodded. There was a level of strategy involved in the pairing phase. I could pair Firana against their weakest member to ensure a vast point difference. Or I could choose Zaon to keep things equalized. If I were Lord Nara, I would leave the Lv.7 Courier outside the selection. As fast as they were, they weren’t a combatant Class, but on the other hand, even non-combatants could develop useful masteries.
Zaon had a good matchup against the Soldier and the Warrior, as their combat skills were on the ‘basic’ side of the spectrum. However, the Archer, the Geomancer, and the Courier could present a problem to him. Wolf also had a bad matchup against the Archer and the Geomancer because he relied on solid and static positioning to use his muscles. Ilya and Firana had good matchups against the enemy team, but the enemy Geomancer worried me the most. She wasn’t just an Advanced Class, but a relative of Lord Nara.
“Here goes the coin,” the master of ceremonies said. He threw it high and caught it mid-flight.
Lord Nara kindly offered me the call.
“Heads,” I replied with a grin.
“Heads,” the master of ceremonies said, revealing the coin.
[Awareness] didn’t disappoint, but I made a mental note to keep it hidden from Ilya. She wouldn’t be on board with blatant cheating, even if we had the disadvantage. As cunning as Ilya was, strategy and cheats were completely different.
Lord Nara huffed. “Lino, you go first.”
The Soldier kid stepped forward. He was tall, probably a year older than my kids, but [Awareness] told me he was nervous. Soldier Class was painfully close to no class at all.
“Zaon, you go first. Is that okay with you?” I said, hoping the combination of Light-Footed and Lv.2 Longsword Mastery would match a Lv.9 Soldier with a couple of skills under his sleeve.
Zaon nodded.
It was my turn to choose and Lord Nara’s turn to counter-pick. “Ilya, you go second,” I said.
Ilya came forward, prompting a laugh from the rival Fighter.
“Do you want to fight the gnome, Arel?” Lord Nara asked.
“Yes, my lord. I’m confident I can get a ten-point lead over a Gnome Hunter,” Arel Nara replied.
A vein popped on Ilya’s forehead.
“Good. I chose my cousin Arel Nara for the second fight,” Lord Nara said.
Then, Lord Nara selected the Archer boy for the third fight, which put me in a tough spot. The Archer and the Geomancer were hard matchups for Wolf, and I lacked a fifth or sixth member to play around it. Nonetheless, the Archers weren’t known for their vast arsenal of skills.
“Wolf, you go against him,” I said.
Wolf nodded.
“Which leaves us with the last pair,” Lord Nara said with a mocking smile.
“Firana, you go last,” I said.
“Belya, my daughter, will be my last pick,” Lord Nara replied.
The dueling pairs were ready.
“So be it. The tournament's first match will be between Lino the Soldier and Zaon the Elf,” the master of ceremonies said, his voice suddenly amplified again as the Scribes took the System Shrine orb away. “Contestants, please go get your equipment. May the System bless you all.”
____________
First Prev Next (Patreon)
____________
Discord Royal Road Patreon
submitted by ralo_ramone to HFY [link] [comments]
Something was wrong.
“And the third and last team representing Farcrest. Lowell’s Orphanage!”
Elincia clung to my arm, fear and impotence reflected in her expression. We were supposed to be called Rosebud Fencing Academy during the tournament. I clenched my jaw and glanced across the pavilion, giving [Awareness] free rein. Lord Osgiria gave me a mocking look.
I cursed. Among the nobility, everything was appearances. The fact that Farcrest had to resort to a poor orphanage for representation spoke badly about the state of affairs in the territory. The nobles around us exchanged funny looks.
“Keep your heads up. That’s our call,” I said, loud enough for the whole pavilion to hear us. If nobles thought this would weigh upon our shoulders, they were wrong.
Ilya took position by my right as the team captain, and we entered the crescent-shaped arena. The cheering died. Our magnificent uniforms didn’t fool the crowd anymore. I reached the Marquis's side and saluted the VIP box. Only after Prince Adrien started applauding did the rest of the nobles acknowledge our presence.
The commoners in the stands hesitated to cheer for us. This wasn’t a gentle world. They didn’t care about the kid’s feelings. I glanced over my shoulder. Wolf was unfazed, and Zaon moved his lips, repeating, ‘Nervous is good’ repeatedly. Firana, on the other hand, was furious.
“Tough crowd, uh?” I muttered.
“It’s only expected. Orphans don’t get good classes. There is no reason to cheer for us,” Ilya replied with a grin. “Yet.”
Did she look so mature back at the carriage?
The crowd’s attention lingered on us for an instant before the next team entered the arena. To my surprise, a single team represented the royal family: a group of cadets from the Imperial Academy. Five young cadets dressed in plain black, guided by Holst, entered the arena. The crowd came back to life. Considering the opulence of the other teams, the uniforms of the Imperial Academy cadets were disappointing. Even my group was better suited to the occasion.
Holst stood by my left, saluting the stands with a dull gesture.
“Robert Clarke, good to see you still among the living,” he greeted me with a bored tone.
His words, however, sent a shiver down my spine. Did he know assassins had tried to kill me a few days before? Captain Kiln had sworn to keep it a secret. The coincidences piled up. Holst knew about the attack and asked Lyra Jorn’s help with the library when Luzian Abei had a small army of Scholars and Scribes at his disposal. I couldn’t help but think Holst was still in contact with the culprit.
“Preceptor Holst,” I coldly greeted, my brain too busy to formulate a more wordy sentence.
“I didn’t expect to meet my former students,” he added, looking past me at Ilya and the kids. “Certainly not in these circumstances.”
I swallowed my anger. This was a golden opportunity for the orphanage. Watching the skill of the imperial cadets could help me understand why Sir Janus had been the only commoner in Farcrest to assist the Imperial Academy. Even if we lost the tournament, we could improve our chances of getting them accepted into the Imperial Academy, putting them in the same echelon as nobles.
“Do you trust the ability of your current students to win the tournament?” I asked, examining the cadet’s faces. Three humans, a half-elf, and a harpy. They didn’t seem thrilled to be part of the tournament.
Holst laughed.
“These idiots aren’t my students. These five failed their first year. If they don’t win the tournament, they will be kicked out of the Academy,” he replied, shrugging. “For failures like them, I’d say they are the favorites to win the tournament.”
A glance at the Imperial Academy team revealed their strong shoulders and steady feet. Despite the lack of fashion, they looked like trained warriors instead of pampered noble kids. Their faces had lost the roundness of childhood, and their calm demeanor and sharp eyes revealed an intense training regime. I hoped not to bump into them until the later rounds of the tournament.
Our conversation was cut short because the Osgirian teams entered the arena. First, Lord Osgiria, then Lord Nara, and finally, a man dressed as a knight, followed by a group of kids in mismatched uniforms—each one with the colors of their respective houses. Lord Osgiria stood by Holst's side and greeted the VIP box.
If Captain Kiln were right, our team would fight Lord Nara in the first round. I expected the man to be a merchant with a comically large belly. Instead, he looked like a cunning gray fox. I had to remind myself that buying a way into nobility required a skillful negotiator.
“Three teams, Lord Osgiria? You don’t seem too confident in your chances,” Holst casually said.
The Imperial Academy had to be a powerhouse within the kingdom because Lord Osgiria swallowed any snarky remark.
Lord Herran, a tall and muscular redhead dressed in full warrior attire, entered next. I remembered him from the feast—boisterous, talkative, determined. The black mana-repelling axe hung from his belt, causing my stomach to feel sick if I looked for too long. House Herran only had two teams, one led by Lord Herran himself and the other by a man who could be his twin. Only half of the team members were human; the other half were different flavors of beast folk.
More than half of the kids had bright red hair like their lord. I wondered if red hair was a dominant gene in the Herran Dukedom because the kids looked healthy. There was not a trace of the infamous Habsburg chin. They were tall and robust like their lord.
I tried to glance at the axe’s runes, but Lord Herran was too far away.
“That’s lord Herran and his army of copperhead bastards,” Holst pointed out, laughing at his joke.
I doubted that having a dozen children the same age was normal, even more so for a noble, considering how difficult succession could be. Lord Herran must’ve loved to spread his genes.
“It’s okay for him to present his… illegitimate kids in an official event like this?” I asked.
“Do you like gossip, Robert Clarke?” Holst raised an eyebrow.
“I like to be informed,” I replied.
Holst seemed satisfied with my answer.
“Lord Herran is one of the few Combat Prestige Classes in the kingdom. He has the [Conqueror] Class,” Holst replied. “It’s only natural that he can do whatever he wants. Not even the king has enough power over Lord Herran to stop his… reproductive impulses.”
I nodded. The relationship between the royal house and the great three dukedoms was more complex than I initially thought. According to the stories, Combat Prestige Classes were, in essence, one-man armies that could create whole countries around their power. I wondered what kind of monsters the royal army found in the Deep Farlands to be obliged to retreat.
After Lord Herra, Lord Gairon entered the arena. The Gairon House was arguably the second most powerful family after the royal house, and their uniforms reflected their status. The blue was rich and deep, and the gold shone under the winter sun, seemingly casting the few clouds away. The crowd yelled and cheered. It wasn’t surprising. Lord Gairon was a tall, tanned man with hair the color of ripe wheat—the perfect poster boy and leader of the anti-war faction.
“He has to go down if we want the royal faction to have a chance,” Holst said.
It suddenly hit me. Holst and I technically supported the same faction.
“Lord Gairon is also a Prestige Class?” I asked.
“A [Sacred Knight], yes. Rumor says he reached the mythic level sixty,” Holst replied. “Let’s hope their teams are more… farming inclined.”
The crowd became more tame after the three big houses made their entrance. Lord Vedras received less than half of House Gairon’s support, probably because of the tax disputes between Farcrest and the Vedras dukedom. He had brought three teams.
Duke Jorn’s presence almost caused the arena to become completely silent—Holst told me he was also a high-level Prestige Class, a Shadow Stalker.
“That sounds dangerous,” I pointed out.
“Sellen Jorn is one of the most dangerous men in the kingdom. His mere existence was enough for the king to create a whole new duchy,” Holst said. “Take an Assassin and a Shadow Fencer, mix them, double their powers, and then double them again. That’s a Shadow Stalker in a nutshell.”
I tried to imagine it. The Assassin who attacked the orphanage would have had a hard time with any class without a skill like my mana blades. I had been lucky to have a favorable matchup against him; otherwise, I might have been dead. His capacity to disable my movement was scarily effective. A man with the skills of an Assassin and a Shadow Fencer had dangerous implications.
“Prince Adrien wanted Sellen Jorn as his Master of Assassins, but he didn’t want to leave his people in the north,” Holst said. “Walls, doors, bars, locks, nothing can stop a Shadow Stalker. Only the woven barrier of several high-level Fortifiers can stop him. Or so it’s said.”
Gears turned inside my skull. I wondered if Duke Jorn was involved in the disappearance of the evidence of Raudhan’s poisoning. He certainly had the skill to move unnoticed through the Great Hall. Stealing a box with shards of glass would be a walk in the park for him.
The rest of the teams passed in a blur as my mind reviewed the party's events. Sellen Jorn was undoubtedly suspicious. His lack of presence was as unnerving as it was useful for an infiltration mission. Could he be involved in Raudhan’s poisoning? Lord Vedras had denied the existence of any co-conspirators, and we were almost entirely sure that Raudhan hadn’t been poisoned by Ashroot.
Duke Jorn's political positioning was hard to determine. The northern dukedoms were poor, and just like Farcrest, they served as a bulwark against the Monster Surges. Four families controlled most of the kingdom’s economy and politics. House Gairon, House Herran, House Osgiria, and the Royal Family. The northern dukedoms didn’t benefit from the current trade routes and wouldn’t directly benefit from a new trade route into the Kingdom of Tagabiria.
However, they would benefit from a closer relationship with the royal family.
Duke Jorn had no reason to poison Captain Kiln.
Ilya tugged the sleeve of my jacket, bringing me back to the present. The master of ceremonies was finishing a long speech about the legacy of Stephaniss of Farcrest, the previous lord of the city and the Marquis's grandfather. Even the Marquis seemed bored.
“Prince Adrien will draw the matches for the first round!” The master of ceremonies announced.
Prince Adrien came forward, and an assistant brought a glass bowl filled with small wooden rods. He put his hand in the bowl, picked one randomly, and passed it to his companion. The woman dressed in purple read it out loud, her voice magically amplified. Her pleasant contralto voice made me think she was a singer.
“House Nara versus…” she received the second wooden rod. “Lowell’s Orphanage!”
Just like Captain Kiln had warned me.
I didn’t expect us to be the opening fight. The other teams returned to the pavilion, and a group of Scribes carried the System Shrine Shard embedded in its copper nest to the center of the arena. I assumed it was there to ensure all participants met the requirements for the tournament.
“Let’s go, team,” I said.
We formed next to the Shrine Shard and in front of Lord Nara’s team. The master of ceremonies activated the blue orb, and the kids' names, classes, and levels appeared before us. Luckily, Lord Nara and I were exempt from the crystal ability. Being outed as a Runeweaver wasn’t part of my plans.
Belya Nara, Geomancer Lv.3
Arel Nara, Warrior Lv.5
Lino, Soldier Lv.9
Jan, Archer Lv.3
Aiwin, Courier Lv.7
Firana Aias, Wind Fencer Lv.1
Ilya, Hunter Lv.2
Zaon, Classless Lv.1
Wolf, Classless Lv.1
The System prompts might have been big enough for the crowd to read because a murmur rose from the stands. I didn’t need [Awareness] to understand the commotion. Half of my team was classless in a world where Classes were everything. Lord Nara also seemed to notice the discrepancy between our teams.
“I’m feeling generous today, Mister Caretaker. I will gladly accept your surrender and spare you the embarrassment if you apologize for wasting our time,” Lord Nara said with a mellow, totally fake voice. “You can save the kids the shame of losing in front of their countrymen.”
The master of ceremonies looked at me.
“What do you think, Ilya?” I asked.
“The team is ready, Mister Clarke. We fight,” she replied without any hint of doubt.
Despite Lord Nara’s clever expression, he was underestimating us. I couldn’t blame him. He had lived all his life in a world where value was determined by class and level. Developing an eye for people wasn’t as helpful as on Earth, where it could mean the difference between life and death.
“We fight,” I said.
“Don’t say I didn’t extend the courtesy of an honorable withdrawal,” Lord Nara grinned, his fox-like eyes turned into thin lines.
The master of ceremonies nodded.
“The Rules are simple. The team that loses the coin toss has to choose its first fighter, and then the winning team chooses its opponent. Then, the roles change. Every team has two picks and two counter picks, for a total of four fighters,” the master of ceremonies explained, pulling a gold coin from the pocket.
I nodded. There was a level of strategy involved in the pairing phase. I could pair Firana against their weakest member to ensure a vast point difference. Or I could choose Zaon to keep things equalized. If I were Lord Nara, I would leave the Lv.7 Courier outside the selection. As fast as they were, they weren’t a combatant Class, but on the other hand, even non-combatants could develop useful masteries.
Zaon had a good matchup against the Soldier and the Warrior, as their combat skills were on the ‘basic’ side of the spectrum. However, the Archer, the Geomancer, and the Courier could present a problem to him. Wolf also had a bad matchup against the Archer and the Geomancer because he relied on solid and static positioning to use his muscles. Ilya and Firana had good matchups against the enemy team, but the enemy Geomancer worried me the most. She wasn’t just an Advanced Class, but a relative of Lord Nara.
“Here goes the coin,” the master of ceremonies said. He threw it high and caught it mid-flight.
Lord Nara kindly offered me the call.
“Heads,” I replied with a grin.
“Heads,” the master of ceremonies said, revealing the coin.
[Awareness] didn’t disappoint, but I made a mental note to keep it hidden from Ilya. She wouldn’t be on board with blatant cheating, even if we had the disadvantage. As cunning as Ilya was, strategy and cheats were completely different.
Lord Nara huffed. “Lino, you go first.”
The Soldier kid stepped forward. He was tall, probably a year older than my kids, but [Awareness] told me he was nervous. Soldier Class was painfully close to no class at all.
“Zaon, you go first. Is that okay with you?” I said, hoping the combination of Light-Footed and Lv.2 Longsword Mastery would match a Lv.9 Soldier with a couple of skills under his sleeve.
Zaon nodded.
It was my turn to choose and Lord Nara’s turn to counter-pick. “Ilya, you go second,” I said.
Ilya came forward, prompting a laugh from the rival Fighter.
“Do you want to fight the gnome, Arel?” Lord Nara asked.
“Yes, my lord. I’m confident I can get a ten-point lead over a Gnome Hunter,” Arel Nara replied.
A vein popped on Ilya’s forehead.
“Good. I chose my cousin Arel Nara for the second fight,” Lord Nara said.
Then, Lord Nara selected the Archer boy for the third fight, which put me in a tough spot. The Archer and the Geomancer were hard matchups for Wolf, and I lacked a fifth or sixth member to play around it. Nonetheless, the Archers weren’t known for their vast arsenal of skills.
“Wolf, you go against him,” I said.
Wolf nodded.
“Which leaves us with the last pair,” Lord Nara said with a mocking smile.
“Firana, you go last,” I said.
“Belya, my daughter, will be my last pick,” Lord Nara replied.
The dueling pairs were ready.
“So be it. The tournament's first match will be between Lino the Soldier and Zaon the Elf,” the master of ceremonies said, his voice suddenly amplified again as the Scribes took the System Shrine orb away. “Contestants, please go get your equipment. May the System bless you all.”
____________
First Prev Next (Patreon)
____________
Discord Royal Road Patreon
2024.05.14 23:05 Soninetz ZoomInfo vs 6sense: Customer Base Comparison, Winner is?
 | Curious about the showdown between ZoomInfo and 6sense? Wondering which tool will supercharge your salesperson and social media efforts to reach potential customers and potential buyers? Dive into this comparison to research and uncover the strengths, weaknesses, and differences of each platform. Get ready to make an informed decision that could revolutionize your business strategies for marketing teams, potential customers, and companies by leveraging valuable information. Looking for insights on data accuracy, lead generation, and overall performance from marketing teams and sales teams? Let's dissect ZoomInfo vs. 6sense to help you choose the ultimate weapon for your business arsenal. submitted by Soninetz to NutraVestaProVen [link] [comments] Useful Links: Key Takeaways
Choosing the Right Data PlatformEvaluate Specific NeedsWhen comparing ZoomInfo and 6sense, first evaluate your specific needs. Determine if you require marketing account intelligence, lead intelligence, or buyer intent data.Consider what type of information, leads, and intent is crucial for your business operations. Assess whether you need a comprehensive database for marketing strategies or specific intent data providers for targeted campaigns. https://preview.redd.it/ce1boy1mig0d1.png?width=703&format=png&auto=webp&s=aee57f3d8f4c9949c1920f586ca19fe2a030f54c Unlock business growth potential 🚀 with ZoomInfo’s intelligence and prospecting tools! Start your free trial today! Assess Integration CapabilitiesNext, delve into the integration capabilities of both platforms. Examine how well each platform integrates with your existing systems to ensure smooth data flow.Look for seamless compatibility with your current software and tools. A well-integrated platform can streamline processes and enhance overall efficiency in leveraging data insights. Consider Customer FeedbackLastly, take into account customer feedback when making your decision. Review testimonials and case studies to gain insights into real-world experiences with each platform.Learn from the firsthand experiences of other users to understand the strengths and weaknesses of both software options. Customer feedback can provide valuable perspectives on usability, reliability, and overall satisfaction levels. Market Share AnalysisFeature SetsBoth ZoomInfo and 6sense offer a range of features, including intent data, tailored for marketing teams. ZoomInfo provides detailed company profiles and contact information, while 6sense specializes in predictive analytics for targeted campaigns and intent data.User SatisfactionCustomer reviews are crucial in determining user satisfaction levels. ZoomInfo is praised for its accuracy and vast database, whereas 6sense stands out for its predictive capabilities and campaign effectiveness.Market TrendsExploring industry reports reveals that ZoomInfo currently holds a significant market share due to its extensive data coverage. On the other hand, 6sense is rapidly gaining traction with its focus on predictive analytics, intent data, and social media engagement strategies.Customer Base ComparisonBusiness TypesWhen comparing ZoomInfo and 6sense, analyze the types of businesses that are their potential customers' intent data. Determine which platform caters more to your industry.Useful Links: Success StoriesReview case studies and testimonials to understand how various customers have benefited from using either ZoomInfo or 6sense. Gain insights into the success stories of different clients.Scalability EvaluationConsider the scalability of both platforms in terms of accommodating businesses of various sizes and growth stages. Evaluate how well ZoomInfo and 6sense can support your company's expansion.Geographic DistributionGlobal ReachBoth ZoomInfo and 6sense have extensive geographic distribution, catering to a wide range of regions worldwide. Understanding this aspect is crucial in determining the platforms' likelihood to reach your target markets effectively. By evaluating their global presence, you can align your marketing strategies with the regions they predominantly serve.Language SupportOne key aspect to consider when comparing ZoomInfo and 6sense is their language support capabilities. Ensuring that the platforms offer multilingual features is essential for engaging with diverse regions and audiences. This feature can significantly enhance your outreach efforts and enable you to connect with potential leads across various languages seamlessly.Regional SuccessAnalyzing case studies or success stories specific to different regions can provide valuable insights into the platforms' effectiveness in those areas. By examining how each platform has performed in various regions, you can gauge their potential impact on your marketing efforts. This analysis allows you to make informed decisions based on real-world results and tailor your strategies accordingly.SummaryIn choosing between ZoomInfo and 6sense, you've seen the importance of selecting the right data platform for your business needs. The market share analysis, customer base comparison, and geographic distribution have shed light on the strengths of each platform. Now armed with this knowledge, you can make an informed decision that aligns with your goals and objectives.Understanding the nuances of these platforms is crucial for maximizing your marketing efforts. Take the time to evaluate your specific requirements and consider how each platform can support your growth. By making a well-informed choice, you can leverage data effectively to drive your business forward. Supercharge your revenue team's efforts 💼 with ZoomInfo's multiplatform operating system. Try it free! Frequently Asked QuestionsWhat factors should I consider when choosing between ZoomInfo and 6sense?When choosing between ZoomInfo and 6sense, consider your specific data needs, budget constraints, target market, and desired features for lead generation and account-based marketing.How do the market shares of ZoomInfo and 6sense compare?ZoomInfo currently holds a larger market share compared to 6sense. However, the choice between the two platforms should be based on how well they align with your business goals and requirements.Can you provide a comparison of the customer bases of ZoomInfo and 6sense?ZoomInfo caters to a wide range of industries and company sizes, while 6sense focuses more on B2B organizations looking to enhance their account-based marketing strategies with intent data. Analyze which customer base aligns better with your target audience.Is there any difference in the geographic distribution coverage between ZoomInfo and 6sense?ZoomInfo offers extensive global coverage, making it suitable for businesses targeting international markets. On the other hand, 6sense may have a more focused geographic reach that aligns with specific regions or markets. Consider this aspect based on your target audience's location.Which platform is better suited for lead generation - ZoomInfo or 6sense?ZoomInfo is known for its robust database that aids in lead generation across various industries. In comparison, 6sense specializes in predictive analytics for account-based marketing strategies rather than traditional lead generation. Choose based on your primary objective - lead gen or ABM.Useful Links: |
2024.05.14 21:52 underated41 The Enigma of Amelia Earhart's Disappearance: A Flight Into Uncertainty
 | Amelia Earhart's 1937 disappearance during her circumnavigation attempt remains a captivating enigma in aviation history. This event continues to spark the imagination of researchers and enthusiasts, with theories persisting for decades. This article delves into the circumstances surrounding Earhart's last flight, analyzing various explanations proposed to explain her fate. By examining historical records, eyewitness accounts, and scientific analysis, we'll explore the most plausible explanations for what happened to Earhart, while acknowledging the enduring questions that cloud this mystery. submitted by underated41 to Magioland [link] [comments] Taking Flight: A Daring Circumnavigation Attempt Amelia Earhart, a record-breaking pilot and advocate for women's rights, aimed to become the first woman to circumnavigate the globe. Her route, planned with navigator Fred Noonan, would take them eastward across the Atlantic, Africa, Asia, and the Pacific Ocean. Following a series of successful legs, Earhart and Noonan departed from Lae, New Guinea, on July 2nd, 1937, headed for Howland Island, a tiny speck in the vast Pacific. The Final Transmission: A Beacon of Uncertainty Earhart's final radio transmissions crackled with a mix of frustration and determination. As she neared Howland Island, she reported low fuel and struggled to locate the miniscule island due to navigational challenges. Distress calls hinted at worsening conditions, but Earhart's fate remained unclear. Despite a massive search operation, no trace of Earhart or Noonan, or their Lockheed Electra aircraft, was ever definitively found. Theories Take Flight: Crash, Castaway, or Captive? Several theories have emerged in attempts to explain Earhart's disappearance. One suggests her plane simply ran out of fuel and crashed into the ocean. Searches throughout the decades, including underwater expeditions, haven't yielded conclusive evidence for this theory. Another theory points to Nikumaroro Island, where scattered artifacts have been linked to Earhart. However, the validity of these connections remains debated. More outlandish theories propose Earhart may have been captured by the Japanese military, or even participated in a secret espionage mission. While intriguing, these lack substantial evidence and raise significant historical and logistical questions. Science Steps In: A Modern Search for Answers Modern technology offers new tools for investigating the past. Researchers utilize satellite imagery, advanced sonar scans, and other techniques to analyze the vast Pacific Ocean in search of wreckage. These efforts may hold the key to unlocking new information about Earhart's final resting place. Earhart's Enduring Legacy: A Pioneer Lost, But Not Forgotten The mystery of Amelia Earhart's disappearance has become woven into popular culture. Movies, books, and documentaries continue to explore the case, a testament to her enduring fascination. Beyond the enigma, Earhart's legacy as a pioneering aviator and an advocate for women in aviation is undeniable. Her courage and determination continue to inspire generations. Conclusion: A Flight Unresolved While the definitive answer to Amelia Earhart's fate may forever elude us, the questions surrounding her disappearance continue to drive exploration and research. This ongoing search not only sheds light on her final moments but also serves as a reminder of the challenges and dangers faced by early aviators. The enigma of Amelia Earhart's disappearance is a testament to her ambition and a lingering chapter in the history of flight. |
2024.05.14 21:51 CptKeyes123 A "wet" navy in space warfare
In a lot of sci-fi, people often dismiss surface defenses, or make them overpowered or ridiculous. And in another direction, orbital bombardment's effectiveness is quite overstated when we look at the history of warfare. In particular for surface defenses though, wet navies at sea get overlooked. Certain writers will fight tooth and nail to keep infantry, tanks, planes, and artillery in a story, then laugh at the idea of a space marine ever setting foot in water. But why? Submarines are naturally stealthy, and theoretically can avoid getting shot from orbit by diving. Yet they'll be dismissed or ignored. A surface vessel has 71% of the globe to maneuver in, potentially more on another planet, and it can carry a large reactor and plenty of weapons of any kind. Yet it is generally taken for granted that all surface vessels would be sunk immediately in any conflict, and are worthless. Other criticisms abound, yet the most common threads are presumption or omission. There is an undercurrent that consistently believes the ability to destroy a planet will make all enemies submit, when that hasn't stopped us since Trinity. I submit that naval vessels are underutilized, and could be more useful than expected, as a mobile source of energy and firepower that's bigger than anything ever put on land, and through their maneuverability have an advantage no stationary installation can match in terms of survivability and strategic deployment.
The arguments generally made against naval vessels are that a wet navy ship can't hide. You can't throw a tarp over it like you can infantry, tanks, or planes. Critics will insist that a seagoing vessel will be instantly lit up, it will be a target that will immediately be destroyed. If a submarine pops up to fire, they'll get nuclear depth charge'd or shot with a laser. Here's a few questions; what's the difference between that and infantry? Why have ground forces at all? Some critics will ask that exact question. In some circles it's presumed that space warfare makes all other kinds of conflict obsolete, or that significant firepower does the same thing. The ability to destroy a planet has done nothing to dissuade us from having conventional war. But that's what we've always said with any new weapon. The Templin Institute video on planetary invasion had a great description of this.
https://youtu.be/XgN5yq362_s
Before WWII, strategic bombing was seen as a game ender. It's effects on breaking the enemy's will to fight is dubious at best. Strategic bombing and nuclear weapons did nothing to end war, or force the enemy to surrender. Even with Hiroshima and Nagasaki, that was a country at its breaking point after fifteen years of near-constant conflict, and five years of a global war. And still, some holdouts tried to stage a coup to prevent the emperor from surrendering.
After WWII, there were those who believed the nuclear age put an end to conventional war. The air force insisted the Navy and Marines were obsolete. This was part of a conflict that would be known as the Revolt of the Admirals. Air Force General Frank A Armstrong was quoted in Nathan Miller's "The US Navy: A History":
"You gentlemen had better understand that the Army Air Force is tired of being a subordinate outfit. It was a predominant force during the war, and it is going to be a predominant force during the peace, and you might as well make up your minds whether you like it or not, and we do not care whether you like it or not. The Army Air Force is going to run the show. You, the Navy, are not going to have anything but a couple of carriers that are ineffective anyway, and they will probably be sunk in the first battle. Now as for the Marines, you know what the Marines are, a small bitched-up army talking Navy lingo. We are going to put those Marines in the Regular Army and make efficient soldiers out of them."
This was accompanied by:
"In the age of atomic warfare, the fast carrier task force was regarded as an anachronism, and such a massive concentration of ships was seen as being more vulnerable to the bomb than any other weapon system...some strategists doubted that the navy would have an important part to play in the future...Admiral Nimitz, then chief of naval operations, pointed out the same thing had been said about the navy when the submarine, the torpedo, and the airplane were introduced. 'While the prophets of naval doom are shouting themselves hoarse, the Navy will be at work to make the changes needed to accommodate American sea power to the new weapons,' he declared..."
They can't think of a war without nuclear weapons. Then the very first war we came across after WWII, Korea, they could not use nuclear weapons at all. Political, economic, or military reasons could all make orbital bombardment less than desirable in certain situations. The situation might prevent it politically. There's limited wars, there's rules of engagement, there's resources you need, there's stuff you want. On the other side of the equation the weapons might not show the results you expect. They might not be accurate, they might be affected by some new flaw, they're just not what you hoped. Or the enemy is more capable than you expect.
Heinlein said in Starship Troopers that "War is not violence and killing, pure and simple; war is controlled violence, for a purpose." Clausewitz once said that "War is a mere continuation of policy by other means". And I say that the ability to destroy a planet is insignificant compared to the power of "why on earth would you do that". If your goal is to conquer a planet, simply glassing it won't get you anything. If you wish to conquer and seize land, you need to send troops. You need someone to hold it and die for it.
So why in the world must this apply to everything but the wet navy? You will see people with big garrisons, you'll see Bolo cybertanks with megaton-per-second firepower, you'll see infantry doing guerilla warfare, you'll even see aircraft. Why is the wet navy seen as so obsolete in sci-fi circles? The largest vehicle ever built in the real world is the ship Seawise Giant, nearly twice the size of the Hindenburg, the largest flying machine ever built, and longer than the largest aircraft carriers ever. This means that a future battleship, carrier, or other vessel could be just as big and carry enormous weapons. Yet still folks insist that because surface ships can't throw a tarp over themselves, that they'll be sitting ducks.
Submarines I've noticed in some circles are a solution. They are small, sneaky, and can use lasers as much as missiles. Others say that they're vulnerable when launching, hence the laser idea. One cool idea I've seen is a boat that extends out big laser arrays on the surface connected by a tether to the sub hiding deep underwater, so that if the laser is shot the submarine is safe beneath the waves. Yet just as often when this idea is proposed, it is claimed that if a submarine pops up, they'll be bombed, insisting that satellites have advanced too far. I don't know enough to speak to that, but there's a lot of ocean. What do you gain by wasting ammo dropping rocks on 71% of the planet just to be sure they don't have a submarine hiding? Wouldn't that be an excellent reason to have submarines, just so the enemy has to waste ships patrolling and not hitting the land targets?
The arguments eventually circle around to "we can nuke it". First of all, the ocean is big and it is deep. You'd trash the environment, including things you might want to conquer, if you vaporized thousands of square kilometers of sea water to kill a single hundred-meter sub. As I must repeat, the ability to destroy a planet is insignificant compared to the power of "why on earth would you do that?" During the Cold War, despite having the ability to glass the planet, we still built tanks, ships, and artillery, because there are certain kinds of war, certain modes of operation, certain things that don't involve total annihilation, because so often that's not what war is about. If you want to conquer a planet, you have to take it. The Soviets being able to annihilate Washington didn't magically alter the fact that they didn't have the ships to move any troops to hold it.
A submarine is one thing. If that can survive, why not a surface ship? Again, that tarp thing would be the answer. "They're sitting ducks!" One must ask why? During the Cold War, carriers were vulnerable, sure, but we still built them, and they can carry nukes too. And they can do a lot more things than a battleship can, from disaster relief to moving the crew's cars. A surface ship can be stealthy, just not as much as a sub. They can carry larger weapons than a sub, with more power to put through them.
While it's said a surface ship can't hide, neither can a starship, it's sitting up there shedding heat like mad. A surface ship has the whole planet to play with.
http://www.rocketpunk-manifesto.com/2009/06/space-warfare-i-gravity-well.html
One scenario pitched to me recently is a bunch of corvettes and frigates loaded down with missiles and lasers that shoot their wad in the opening salvos like a lot of Cold War plans. But does it have to be that small?
Let me be clear. Current generations of naval vessels likely wouldn't stand a chance. But they create an interesting precedent, because there exist multiple anti-satellite(ASAT) weapon projects that we could extrapolate for use on a surface vessel. We have a ton of projects, from the MIRACL directed-energy weapon, to the ASM-135 air-launched missile, the YAL-1 Airborne Laser(ABL), to the RIM-161 Standard Missile 3(not technically anti-satellite, it's an anti-ballistic missile that has been used in ASAT roles). These are ground-based, air-launched, and sea-based. We also can think about space guns, i.e. weapons used to launch projectiles into space. Project HARP in the 1960s used modified 16-inch naval guns to launch projectiles high into space. They succeeded, and a mass driverailgun would likely be able to get the same performance out of a smaller package. Keep in mind, these weapons don't need to achieve orbit, they just need to hit something in orbit, so they can be much smaller. They were flawed, and less than accurate, but they do exist. So this means that we can speculate on the future of these weapons if they were more mature. And all of these could be mounted on relatively conventional platforms. Size isn't everything, yet a war machine's power isn't in just its armor, but in its ability to deliver offensive power as much as defensive power.
The MIRACL was ground-based, and not mobile; they tried to use it to shoot at a satellite. It didn't work well, they ended up using a smaller less powerful weapon for the job. The YAL-1 ABL was a 747 modified with a weapon of the same output as the MIRACL, only airborne. The ASM-135 was attached to a squadron of unmodified F-15s that would go into supersonic zoom climbs to launch the missiles. The RIM-161 is an anti-ballistic missile mounted on standard AEGIS VLS cells that has successfully intercepted satellites. 16-inch guns have been used on battleships for years. And with newer technologies, you don't need anything that dramatic, or that big. In the 1970s, the US experimented with an eight-inch gun mounted on a destroyer. That project didn't go very far, but it did function, and it means big guns can be mounted on small ships.
So, let me lay it out. F-15s(which people have considered using for aircraft carriers), conventional VLS cells, and cannons have precedent for being able to intercept spacecraft. Modern stealth systems do exist even for surface vessels, they can't hide as well, but they can carry a larger variety of weapons, and more powerful reactors than a sub. This creates precedent that modern destroyers, or something similar, and aircraft carriers, could serve a role in space warfare. As for surviving orbital bombardment? Super-cavitation is a process for reducing drag on a ship or a weapon's hull as it travels through the water. We also have hydrojets, hydrofoils, and other technologies that are deployed or in the works. Increasing the speed of a surface ship could be the difference between life and death for it.
A futuristic carrier group might consist of a carrier, smaller than ours perhaps, equipped with futuristic air-breathing aircraft, protected by destroyers and submarines. These destroyers are armed with energy weapons, missiles, and cannons capable of firing at targets in orbit. The submarines can do the same thing. The carrier can provide air support to land-based units and fire at the enemy in space without having to worry about needing specialized runways or that they might get hit in a first strike. The escorts can shoot at the enemy, provide gunfire support when needed, and light out at a hundred knots to escape the blast of an orbital bomb.
Now, there are certainly challenges. What warrants posting a large force like this on a planet that might not have any fighting? I'm not sure that is easy to answer, though one thought is to ask what's the point of the Kansas National Guard? They're not likely to see any combat anytime soon. On the other hand, navies in our world exist to fight potential threats. Depending on a setting, your colony world might only have one faction there. Having a trained naval force might be very useful for disaster relief and keeping the peace.
There's also reason for water-based Marines, with amphibious assault ships and all the bells and whistles therein; big transports, air cushion landing craft, helicopters, etc. What if the enemy lands across the continent? Or across an ocean? Might you need sea transportation? Imagine if you didn't have surface defenses. You have militia to play guerilla, and orbital defenses, and your colony only settled on one of two continents on the planet. The enemy blows up your orbital defenses, then steals some mining equipment and sets up a whole operation on the other side, eating up your planet's resources, sending them off to the war effort, while you're completely helpless because the biggest boat you have is a yacht. You can't fight back without being bombed, but you can't even fight back without that because you don't have any missiles, lasers, or any other weapons capable of hitting their ships, and more than that, you can't even get your four thousand militia over there to destroy the mine. A futuristic carrier group would make all the difference here, with access to amphibious assault equipment and other gear that can move in one go what could take months by helicopter.
One thing that keeps coming back in this debate is "but they could get bombed, why bother investing in them?" In the Cold War, trillions were invested in technologies they knew would get annihilated in any conflict. That a first strike could wipe out all our bombers and missiles in one stroke. And that is what second strike capability is about, the ability to hit back even if they hit you first. No matter how much you destroyed, no matter how many ships you sank, missiles you found, or bombers you shot, you could never ever be sure the enemy couldn't drop a hundred more nukes on you hidden somewhere. If even a single plane, a single fighter jet, with a single pilot, got through, millions would die. So much of modern warfare is based on the idea that this advanced weapon could easily be wiped out in a master stroke.
I submit that wet naval vessels are underutilized in sci-fi circles, and could be more useful than expected, as a mobile source of energy and firepower that's bigger than anything ever put on land, and demonstrate strategic mobility and survivability their maneuverability have an advantage no stationary installation can match. They can respond to threats all over a planet, and engage with the enemy in space. Like how nuclear weapons didn't end the age of the carrier, I doubt orbital bombardment would put an end to the sea.
Let me know your thoughts, or suggestions you have for using sea vessels in the context of space warfare!
submitted by CptKeyes123 to scifiwriting [link] [comments]
The arguments generally made against naval vessels are that a wet navy ship can't hide. You can't throw a tarp over it like you can infantry, tanks, or planes. Critics will insist that a seagoing vessel will be instantly lit up, it will be a target that will immediately be destroyed. If a submarine pops up to fire, they'll get nuclear depth charge'd or shot with a laser. Here's a few questions; what's the difference between that and infantry? Why have ground forces at all? Some critics will ask that exact question. In some circles it's presumed that space warfare makes all other kinds of conflict obsolete, or that significant firepower does the same thing. The ability to destroy a planet has done nothing to dissuade us from having conventional war. But that's what we've always said with any new weapon. The Templin Institute video on planetary invasion had a great description of this.
https://youtu.be/XgN5yq362_s
Before WWII, strategic bombing was seen as a game ender. It's effects on breaking the enemy's will to fight is dubious at best. Strategic bombing and nuclear weapons did nothing to end war, or force the enemy to surrender. Even with Hiroshima and Nagasaki, that was a country at its breaking point after fifteen years of near-constant conflict, and five years of a global war. And still, some holdouts tried to stage a coup to prevent the emperor from surrendering.
After WWII, there were those who believed the nuclear age put an end to conventional war. The air force insisted the Navy and Marines were obsolete. This was part of a conflict that would be known as the Revolt of the Admirals. Air Force General Frank A Armstrong was quoted in Nathan Miller's "The US Navy: A History":
"You gentlemen had better understand that the Army Air Force is tired of being a subordinate outfit. It was a predominant force during the war, and it is going to be a predominant force during the peace, and you might as well make up your minds whether you like it or not, and we do not care whether you like it or not. The Army Air Force is going to run the show. You, the Navy, are not going to have anything but a couple of carriers that are ineffective anyway, and they will probably be sunk in the first battle. Now as for the Marines, you know what the Marines are, a small bitched-up army talking Navy lingo. We are going to put those Marines in the Regular Army and make efficient soldiers out of them."
This was accompanied by:
"In the age of atomic warfare, the fast carrier task force was regarded as an anachronism, and such a massive concentration of ships was seen as being more vulnerable to the bomb than any other weapon system...some strategists doubted that the navy would have an important part to play in the future...Admiral Nimitz, then chief of naval operations, pointed out the same thing had been said about the navy when the submarine, the torpedo, and the airplane were introduced. 'While the prophets of naval doom are shouting themselves hoarse, the Navy will be at work to make the changes needed to accommodate American sea power to the new weapons,' he declared..."
They can't think of a war without nuclear weapons. Then the very first war we came across after WWII, Korea, they could not use nuclear weapons at all. Political, economic, or military reasons could all make orbital bombardment less than desirable in certain situations. The situation might prevent it politically. There's limited wars, there's rules of engagement, there's resources you need, there's stuff you want. On the other side of the equation the weapons might not show the results you expect. They might not be accurate, they might be affected by some new flaw, they're just not what you hoped. Or the enemy is more capable than you expect.
Heinlein said in Starship Troopers that "War is not violence and killing, pure and simple; war is controlled violence, for a purpose." Clausewitz once said that "War is a mere continuation of policy by other means". And I say that the ability to destroy a planet is insignificant compared to the power of "why on earth would you do that". If your goal is to conquer a planet, simply glassing it won't get you anything. If you wish to conquer and seize land, you need to send troops. You need someone to hold it and die for it.
So why in the world must this apply to everything but the wet navy? You will see people with big garrisons, you'll see Bolo cybertanks with megaton-per-second firepower, you'll see infantry doing guerilla warfare, you'll even see aircraft. Why is the wet navy seen as so obsolete in sci-fi circles? The largest vehicle ever built in the real world is the ship Seawise Giant, nearly twice the size of the Hindenburg, the largest flying machine ever built, and longer than the largest aircraft carriers ever. This means that a future battleship, carrier, or other vessel could be just as big and carry enormous weapons. Yet still folks insist that because surface ships can't throw a tarp over themselves, that they'll be sitting ducks.
Submarines I've noticed in some circles are a solution. They are small, sneaky, and can use lasers as much as missiles. Others say that they're vulnerable when launching, hence the laser idea. One cool idea I've seen is a boat that extends out big laser arrays on the surface connected by a tether to the sub hiding deep underwater, so that if the laser is shot the submarine is safe beneath the waves. Yet just as often when this idea is proposed, it is claimed that if a submarine pops up, they'll be bombed, insisting that satellites have advanced too far. I don't know enough to speak to that, but there's a lot of ocean. What do you gain by wasting ammo dropping rocks on 71% of the planet just to be sure they don't have a submarine hiding? Wouldn't that be an excellent reason to have submarines, just so the enemy has to waste ships patrolling and not hitting the land targets?
The arguments eventually circle around to "we can nuke it". First of all, the ocean is big and it is deep. You'd trash the environment, including things you might want to conquer, if you vaporized thousands of square kilometers of sea water to kill a single hundred-meter sub. As I must repeat, the ability to destroy a planet is insignificant compared to the power of "why on earth would you do that?" During the Cold War, despite having the ability to glass the planet, we still built tanks, ships, and artillery, because there are certain kinds of war, certain modes of operation, certain things that don't involve total annihilation, because so often that's not what war is about. If you want to conquer a planet, you have to take it. The Soviets being able to annihilate Washington didn't magically alter the fact that they didn't have the ships to move any troops to hold it.
A submarine is one thing. If that can survive, why not a surface ship? Again, that tarp thing would be the answer. "They're sitting ducks!" One must ask why? During the Cold War, carriers were vulnerable, sure, but we still built them, and they can carry nukes too. And they can do a lot more things than a battleship can, from disaster relief to moving the crew's cars. A surface ship can be stealthy, just not as much as a sub. They can carry larger weapons than a sub, with more power to put through them.
While it's said a surface ship can't hide, neither can a starship, it's sitting up there shedding heat like mad. A surface ship has the whole planet to play with.
http://www.rocketpunk-manifesto.com/2009/06/space-warfare-i-gravity-well.html
One scenario pitched to me recently is a bunch of corvettes and frigates loaded down with missiles and lasers that shoot their wad in the opening salvos like a lot of Cold War plans. But does it have to be that small?
Let me be clear. Current generations of naval vessels likely wouldn't stand a chance. But they create an interesting precedent, because there exist multiple anti-satellite(ASAT) weapon projects that we could extrapolate for use on a surface vessel. We have a ton of projects, from the MIRACL directed-energy weapon, to the ASM-135 air-launched missile, the YAL-1 Airborne Laser(ABL), to the RIM-161 Standard Missile 3(not technically anti-satellite, it's an anti-ballistic missile that has been used in ASAT roles). These are ground-based, air-launched, and sea-based. We also can think about space guns, i.e. weapons used to launch projectiles into space. Project HARP in the 1960s used modified 16-inch naval guns to launch projectiles high into space. They succeeded, and a mass driverailgun would likely be able to get the same performance out of a smaller package. Keep in mind, these weapons don't need to achieve orbit, they just need to hit something in orbit, so they can be much smaller. They were flawed, and less than accurate, but they do exist. So this means that we can speculate on the future of these weapons if they were more mature. And all of these could be mounted on relatively conventional platforms. Size isn't everything, yet a war machine's power isn't in just its armor, but in its ability to deliver offensive power as much as defensive power.
The MIRACL was ground-based, and not mobile; they tried to use it to shoot at a satellite. It didn't work well, they ended up using a smaller less powerful weapon for the job. The YAL-1 ABL was a 747 modified with a weapon of the same output as the MIRACL, only airborne. The ASM-135 was attached to a squadron of unmodified F-15s that would go into supersonic zoom climbs to launch the missiles. The RIM-161 is an anti-ballistic missile mounted on standard AEGIS VLS cells that has successfully intercepted satellites. 16-inch guns have been used on battleships for years. And with newer technologies, you don't need anything that dramatic, or that big. In the 1970s, the US experimented with an eight-inch gun mounted on a destroyer. That project didn't go very far, but it did function, and it means big guns can be mounted on small ships.
So, let me lay it out. F-15s(which people have considered using for aircraft carriers), conventional VLS cells, and cannons have precedent for being able to intercept spacecraft. Modern stealth systems do exist even for surface vessels, they can't hide as well, but they can carry a larger variety of weapons, and more powerful reactors than a sub. This creates precedent that modern destroyers, or something similar, and aircraft carriers, could serve a role in space warfare. As for surviving orbital bombardment? Super-cavitation is a process for reducing drag on a ship or a weapon's hull as it travels through the water. We also have hydrojets, hydrofoils, and other technologies that are deployed or in the works. Increasing the speed of a surface ship could be the difference between life and death for it.
A futuristic carrier group might consist of a carrier, smaller than ours perhaps, equipped with futuristic air-breathing aircraft, protected by destroyers and submarines. These destroyers are armed with energy weapons, missiles, and cannons capable of firing at targets in orbit. The submarines can do the same thing. The carrier can provide air support to land-based units and fire at the enemy in space without having to worry about needing specialized runways or that they might get hit in a first strike. The escorts can shoot at the enemy, provide gunfire support when needed, and light out at a hundred knots to escape the blast of an orbital bomb.
Now, there are certainly challenges. What warrants posting a large force like this on a planet that might not have any fighting? I'm not sure that is easy to answer, though one thought is to ask what's the point of the Kansas National Guard? They're not likely to see any combat anytime soon. On the other hand, navies in our world exist to fight potential threats. Depending on a setting, your colony world might only have one faction there. Having a trained naval force might be very useful for disaster relief and keeping the peace.
There's also reason for water-based Marines, with amphibious assault ships and all the bells and whistles therein; big transports, air cushion landing craft, helicopters, etc. What if the enemy lands across the continent? Or across an ocean? Might you need sea transportation? Imagine if you didn't have surface defenses. You have militia to play guerilla, and orbital defenses, and your colony only settled on one of two continents on the planet. The enemy blows up your orbital defenses, then steals some mining equipment and sets up a whole operation on the other side, eating up your planet's resources, sending them off to the war effort, while you're completely helpless because the biggest boat you have is a yacht. You can't fight back without being bombed, but you can't even fight back without that because you don't have any missiles, lasers, or any other weapons capable of hitting their ships, and more than that, you can't even get your four thousand militia over there to destroy the mine. A futuristic carrier group would make all the difference here, with access to amphibious assault equipment and other gear that can move in one go what could take months by helicopter.
One thing that keeps coming back in this debate is "but they could get bombed, why bother investing in them?" In the Cold War, trillions were invested in technologies they knew would get annihilated in any conflict. That a first strike could wipe out all our bombers and missiles in one stroke. And that is what second strike capability is about, the ability to hit back even if they hit you first. No matter how much you destroyed, no matter how many ships you sank, missiles you found, or bombers you shot, you could never ever be sure the enemy couldn't drop a hundred more nukes on you hidden somewhere. If even a single plane, a single fighter jet, with a single pilot, got through, millions would die. So much of modern warfare is based on the idea that this advanced weapon could easily be wiped out in a master stroke.
I submit that wet naval vessels are underutilized in sci-fi circles, and could be more useful than expected, as a mobile source of energy and firepower that's bigger than anything ever put on land, and demonstrate strategic mobility and survivability their maneuverability have an advantage no stationary installation can match. They can respond to threats all over a planet, and engage with the enemy in space. Like how nuclear weapons didn't end the age of the carrier, I doubt orbital bombardment would put an end to the sea.
Let me know your thoughts, or suggestions you have for using sea vessels in the context of space warfare!
2024.05.14 21:00 KateSmith34 Reliable Essay Writer
Ace Your Essays with Personalized Assistance from a Skilled Writer!
Hey there, fellow Redditors! Are you drowning in a sea of essays and need a lifeline? Look no further because I'm here to help! If you're seeking professional essay writing assistance, you've come to the right place. Let me introduce myself – I am an experienced writer offering personalized essay writing services.
Here's why you should consider working with me:
Tailored Approach: As an individual writer, I take pride in offering a personalized approach to every project. I understand that each essay is unique, and I will carefully analyze your requirements to craft a custom essay that perfectly aligns with your needs and expectations.
Top-Quality Writing: With my years of experience, I have honed my skills in various subjects and writing styles. Whether you need a persuasive argument, a research-based analysis, or a creative piece, I have the expertise to deliver high-quality writing that stands out.
Plagiarism-Free Guarantee: Originality is my utmost priority. I guarantee that all essays are crafted from scratch, ensuring that they are 100% unique and free from plagiarism. I adhere to strict ethical standards and will never compromise on the integrity of your work.
Timely Delivery: I understand the importance of meeting deadlines. You can count on me to deliver your essays on time, allowing you to submit your work with confidence and without any last-minute panic.
Confidentiality Assured: Your privacy matters to me. I handle all client information with the utmost care and guarantee complete confidentiality. Your personal details and the content of your essays will remain strictly confidential.
Flexible and Transparent Communication: Throughout the writing process, I will maintain open lines of communication, ensuring that we are on the same page. You can expect prompt responses to your queries, regular updates on the progress of your essay, and the opportunity to provide feedback at every stage.
Budget-Friendly Pricing: As an independent writer, I understand the financial constraints students and professionals face. That's why I offer competitive and affordable pricing options. You can get top-quality essays without breaking the bank.
Don't let essay writing be a burden. Let me be your partner in academic success!
To discuss your essay requirements or get a quote, feel free to reach out to me via WhatsApp - +1 (475) 666-3803 . I'm here to answer any questions you may have and guide you through the process.
Remember, your academic success is my priority. Together, we can ace those essays and achieve the grades you deserve!
Looking forward to working with you, Kate Smit!!
submitted by KateSmith34 to EssayContent [link] [comments]
Hey there, fellow Redditors! Are you drowning in a sea of essays and need a lifeline? Look no further because I'm here to help! If you're seeking professional essay writing assistance, you've come to the right place. Let me introduce myself – I am an experienced writer offering personalized essay writing services.
Here's why you should consider working with me:
Tailored Approach: As an individual writer, I take pride in offering a personalized approach to every project. I understand that each essay is unique, and I will carefully analyze your requirements to craft a custom essay that perfectly aligns with your needs and expectations.
Top-Quality Writing: With my years of experience, I have honed my skills in various subjects and writing styles. Whether you need a persuasive argument, a research-based analysis, or a creative piece, I have the expertise to deliver high-quality writing that stands out.
Plagiarism-Free Guarantee: Originality is my utmost priority. I guarantee that all essays are crafted from scratch, ensuring that they are 100% unique and free from plagiarism. I adhere to strict ethical standards and will never compromise on the integrity of your work.
Timely Delivery: I understand the importance of meeting deadlines. You can count on me to deliver your essays on time, allowing you to submit your work with confidence and without any last-minute panic.
Confidentiality Assured: Your privacy matters to me. I handle all client information with the utmost care and guarantee complete confidentiality. Your personal details and the content of your essays will remain strictly confidential.
Flexible and Transparent Communication: Throughout the writing process, I will maintain open lines of communication, ensuring that we are on the same page. You can expect prompt responses to your queries, regular updates on the progress of your essay, and the opportunity to provide feedback at every stage.
Budget-Friendly Pricing: As an independent writer, I understand the financial constraints students and professionals face. That's why I offer competitive and affordable pricing options. You can get top-quality essays without breaking the bank.
Don't let essay writing be a burden. Let me be your partner in academic success!
To discuss your essay requirements or get a quote, feel free to reach out to me via WhatsApp - +1 (475) 666-3803 . I'm here to answer any questions you may have and guide you through the process.
Remember, your academic success is my priority. Together, we can ace those essays and achieve the grades you deserve!
Looking forward to working with you, Kate Smit!!
2024.05.14 20:26 tempmailgenerator Automating Email Operations in Excel with VBA
Unlocking Email Automation in Excel VBA
Excel's versatility extends beyond data analysis and reporting, delving into the realm of automation that simplifies tedious tasks, such as email communications directly from your worksheets. The integration of Visual Basic for Applications (VBA) within Excel allows users to create custom functions, enabling the automation of creating and sending emails without leaving the comfort of their spreadsheet environment. This capability is particularly beneficial for professionals who rely on timely communication and data distribution, ensuring that reports, notifications, and updates are dispatched directly from their workbooks with minimal manual intervention.However, navigating the VBA landscape to automate email operations can present challenges, particularly in ensuring the new mail item is prominently displayed in front of the worksheet and is sent after the contact is selected. Addressing this issue not only enhances the user experience by making email management more efficient within Excel but also leverages the full potential of Excel's automation capabilities. By streamlining these processes, users can focus more on their core tasks, knowing that their communication needs are handled efficiently and effectively.
| Command | Description |
|---|---|
| CreateObject("Outlook.Application") | Creates an instance of Outlook Application, allowing VBA to control Outlook. |
| .CreateItem(0) | Creates a new email item. |
| .Display | Displays the email item to the user in Outlook. |
| .To, .CC, .BCC | Specifies the recipient(s) of the email in the To, CC, and BCC fields. |
| .Subject | Defines the subject of the email. |
| .Body | Sets the body content of the email. |
| .Send | Sends the email item. |
Expanding Email Automation with Excel VBA
Delving deeper into the integration of Excel VBA for email automation unveils a powerful toolset at the disposal of users aiming to streamline their communication workflows directly from their spreadsheets. This capability is not just about sending basic emails; it's about creating a highly personalized and dynamic communication channel. Through VBA, Excel can interact with Outlook to manipulate various aspects of email creation, from adding attachments to customizing the email body with data directly sourced from the spreadsheet. This level of automation can significantly enhance productivity, especially for those dealing with customer inquiries, periodic reports, or regular updates that require personalization based on spreadsheet data.Moreover, the automation process extends to handling responses. By automating email operations, users can set up rules within Outlook to sort incoming emails based on specific criteria, such as sender, subject, or keywords. This can be particularly useful for managing feedback or responses to the emails sent through Excel VBA. Such automation ensures that the workflow is not just one-way but creates a loop of communication that is both efficient and manageable. Implementing these advanced features requires a good understanding of both Excel VBA and Outlook's capabilities, highlighting the importance of integrating these powerful tools to maximize efficiency and effectiveness in professional communication.
Automating Outlook Emails from Excel VBA
VBA in Excel Dim outlookApp As Object Dim mailItem As Object Set outlookApp = CreateObject("Outlook.Application") Set mailItem = outlookApp.CreateItem(0) With mailItem .Display .To = "recipient@example.com" .CC = "ccrecipient@example.com" .BCC = "bccrecipient@example.com" .Subject = "Subject of the Email" .Body = "Body of the email" ' Add attachments and other email item properties here End With End Sub Enhancing Communication through Excel VBA
Integrating email automation within Excel using Visual Basic for Applications (VBA) significantly boosts the efficiency of communication processes, particularly in professional settings where time is of the essence. This integration allows for seamless creation, customization, and sending of emails directly from Excel, leveraging data within spreadsheets to personalize messages. The automation goes beyond mere convenience, enabling users to send bulk emails tailored to each recipient, schedule emails for future delivery, and even trigger emails based on specific events or conditions met within the spreadsheet. Such capabilities are invaluable for marketing campaigns, customer service follow-ups, and internal communication within organizations, ensuring that the right messages reach the right people at the right time.Furthermore, Excel VBA's email automation can be enhanced with advanced features such as dynamic attachment inclusion, where files relevant to the spreadsheet's data or analysis are automatically attached to the outgoing emails. Users can also implement error handling to manage issues that may arise during the email sending process, such as invalid email addresses or network problems, ensuring that all communications are delivered successfully. With these advanced functionalities, Excel VBA becomes not just a tool for data management but a comprehensive solution for managing professional communications, reducing manual effort, and increasing the reliability and effectiveness of email interactions.
FAQs on Email Automation with Excel VBA
- Question: Can Excel VBA send emails without Outlook?
- Answer: Typically, Excel VBA uses Outlook for email automation, but it's possible to send emails via other email clients or SMTP servers with additional scripting and configuration.
- Question: How do I attach files to an automated email in Excel VBA?
- Answer: Use the .Attachments.Add method within your VBA script to attach files to your email. You can specify the file path directly in the code.
- Question: Can I automate emails based on cell values in Excel?
- Answer: Yes, by using VBA scripts, you can trigger email sending based on specific cell values or changes in the data within your spreadsheet.
- Question: How do I ensure my automated emails are not marked as spam?
- Answer: Ensure your emails have a clear subject line, avoid excessive links or attachments, and send emails through recognized email servers. Personalization can also help reduce the risk of being marked as spam.
- Question: Is it possible to send HTML formatted emails with Excel VBA?
- Answer: Yes, you can set the .HTMLBody property of the MailItem object to send emails in HTML format, allowing for rich text formatting, images, and links.
- Question: Can automated emails include dynamic data from Excel?
- Answer: Absolutely. You can dynamically insert data from your Excel sheets into the email's body or subject line, customizing each message based on the spreadsheet's contents.
- Question: How do I schedule emails to be sent at a later time using Excel VBA?
- Answer: Direct scheduling within VBA is complex; however, you can create the email and then use Outlook's Delay Delivery feature to specify a sending time.
- Question: Can I send emails to multiple recipients using Excel VBA?
- Answer: Yes, you can list multiple email addresses in the .To, .CC, or .BCC properties, separated by semicolons, to send emails to multiple recipients.
- Question: How do I handle errors during the email sending process in VBA?
- Answer: Implement error handling routines in your VBA script to catch and respond to errors, such as using Try...Catch blocks or checking for specific error codes.
- Question: Is it necessary to have programming knowledge to automate emails with Excel VBA?
- Answer: Basic programming knowledge is helpful for customizing and troubleshooting your VBA scripts, but many resources and templates are available to help beginners.
Mastering Excel VBA for Efficient Email Management
Excel VBA's email automation presents a transformative approach to managing communications, allowing users to leverage the powerful features of Excel to streamline their email-related tasks. By integrating VBA scripts, professionals can automate the sending of personalized emails, manage attachments, and even handle incoming responses, all within the familiar environment of Excel. This not only saves valuable time but also reduces the risk of errors associated with manual email handling. Furthermore, the ability to customize email content based on spreadsheet data ensures that communications are relevant and timely. As we continue to seek efficiencies in our professional workflows, the role of Excel VBA in automating and enhancing email communications cannot be overstated. It represents a significant step forward in how we manage data-driven communication, providing a robust toolset for professionals looking to optimize their email workflows and enhance their productivity.https://www.tempmail.us.com/en/excel/automating-email-operations-in-excel-with-vba
2024.05.14 20:21 Ill_Variation_2480 TTPD's new nickname "Female Rage: The Musical" should upset you.
Edit: If you are going to comment on the length of this post, please don't. This is not a simple snark but rather an actual critical think piece about feminism and Taylor Swift.
Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.
This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!
Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.
Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"
TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.
submitted by Ill_Variation_2480 to travisandtaylor [link] [comments]
Introduction
Pertaining to Taylor Swift, "Female Rage" has deviated from its intended meaning after Swift debuted a new performance of The Tortured Poets Department during the Eras Tour. Now, according to Swift's use of the phrase, female rage is interpreted as public backlash against Swift's dating choices rather than as a response to the broader injustices against women and women's rights. This post examines Taylor Swift's flawed feminism, philanthropy, branding, and the controversial trademark petition for the phrase "Female Rage: The Musical". Swift's background as an entertainer, indeterminate politics, and alignment with capitalism over feminism pervades her legacy, again threatening her public tolerance as not just an individual but as a brand.Once Upon a Female Rage...
If you were cognizant in the early 2010's, you've heard countless jabs at Taylor Swift in the media. Magazines, radio, or online. Music critics did not take her seriously as a songwriter; parents put a woman on an unrealistic pedestal as the ideal role model for their children; she dated too much and used men as lyrical fodder. No matter the story, it inevitably spread, conjoined with everyone's respective opinions, and you'd be left to wonder, "Why does everyone hate this girl so much?"Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,
"Becoming friends with Lena – without her preaching to me, but just seeing why she believes what she believes, why she says what she says, why she stands for what she stands for – has made me realize that I’ve been taking a feminist stance without actually saying so."I suppose the male-centric songwriting subject that permeates Swift's discography contained covert feminism and that we just didn't see that. Perhaps, the "Bad Blood" song and music video were written only in jest and not about poor Katy Perry, for Swift, as a feminist, would "never make it a girl fight" or tear other women down (though all Katy did was date your terrible ex-boyfriend and allegedly steal three backup dancers from your tour). In 2013, Swift said, in response to Tina Fey and Amy Poehler's joke towards her serial dating, "There is a special place in hell for women who don't help other women."
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.
Get Your Fucking Ass Up and Be a Philanthropist, It Seems Like Nobody Wants to Be a Philanthropist These Days
In 2013, Taylor Swift cut the ribbon at the grand opening of the Taylor Swift Education Center at the Country Music Hall of Fame in Nashville, Tennessee. The donation amount - $4 million - was the largest individual artist gift ever donated to the Country Music Hall of Fame, which is, of course, mentioned on Swift's website. The two-story facility features three classrooms, an instrument room, and an interactive children's exhibit gallery. Swift also performed at "All for the Hall" charity shows and has donated numerous artifacts from her career (such as notable guitars, tour costumes, etc) to the museum.This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.
I Like Some of the Taylor's Songs, But What the Fuck Does She Know About Feminism?
Swift continued with her self-proclaimed feminist campaign, positioning herself as a political activist and LGBTQ+ ally in the Miss Americana documentary. The primary focus of the documentary consists of the sexual assault trial, Andrea Swift's cancer diagnosis, Taylor's ED and body dysmorphia, media scrutiny, and, largely, finally speaking up about her politics publicly, mostly her opposition to the 2018 Tennessee Republican senate candidate, Marsha Blackburn, and Blackburn's beliefs. Swift says, following a scene discussing her experience during the trial,"I just couldn't really stop thinking about it. And I just thought to myself, next time there is any opportunity to change anything, you had better know what you stand for and what you want to say."We must ask ourselves, though: when has Swift ever spoken up to change anything? Okay, pulling her entire catalogue from Spotify because they didn't pay their artists enough and similarly pulling her catalogue from Apple Music are changes that she leveraged due to her revenue potential and power, but they are not pertinent to the average woman's rights. Moreover, these are issues that directly impacted Taylor's income, which was enough reason for her to protest in the first place. Swift has sold the most units for a female artist in first week sales, is the first female artist with 100k monthly Spotify listeners, is the first female artist to win the Album of the Year Grammy 4 times, and is the first female artist to do X, Y, and Z, all while being inoffensive and family-friendly to boot. The actual Taylor Swift seems unwilling to compromise the brand of Taylor Swift by contributing in meaningful ways to feminist causes, especially if it is for women outside of America and Hollywood.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.
I Can't Pay Those Sweatshop Workers a Livable Wage or Benefits! How Else Would I Make My Billions?
Recently, Taylor's team filed to trademark the phrase "Female Rage: The Musical" after Taylor said during Paris N1 of the Eras Tour,"So you were the first ones to see The Tortured Poets at the Eras Tour...or as I like to call it, 'Female Rage: The Musical'."This trademark petition was filed last week on Saturday, and news comes about just as numerous unofficial fan-made merch designs have cropped up with this phrase plastered on Fruit of the Loom basics. I'm of the opinion Swift's team motioned for a trademark so that they can send out cease & desists to all those that make knockoff merch, which disrupts potential sales for Bravado, UMG's choice merchandising company; however, since it was filed earlier, perhaps Swift has bigger plans with the bizarre use of the gendered phrase. One Swiftie referred to the phrase "female rage" as "a funny Eras Tour joke". Could it be a possible fourth version of the Eras Tour Movie? Whatever the reason, the motion to capitalize off of such a concept is disgusting, but not unsurprising, for a woman that profits on her vain feminism.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!
I Am Tortured Poet, Hear Me Whinge
Look - even if Taylor's intention is to characterize TTPD as more "tortured" and "angry", the main thread of the album is "I was ghosted by my decade-long situationship with a controversial indie boy and my fucking stupid fans wrote a 'Speak Up Now' open letter prompting me to drop him" anger, which is adequately expressed in the lyrics and performances. The extent of Taylor's "female rage" on TTPD is on tracks such as "Who's Afraid of Little Old Me?", which contends with relentless media scrutiny; "But Daddy I Love Him", where Swift firmly states she'll date whoever she likes no matter how "Sarahs and Hannahs" may react; and "The Albatross", a track mythologizing her reputation and the consequences of dating her. Of course, these coincide with deep psychological wounds that formed during Swift's early years in the media, and so, from her feminist perspective, these subjects tackle the misogyny and double standards that she faced.Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.
Sigh Try and Come For My Job, Poors
Out there in the world right now is a 23-year-old woman, a recent college grad, who works as a barista. She has to wake up and get ready to go into a minimum wage job because she cannot get a job in her field. She doesn't have healthcare benefits or sick time, so she has to go into work no matter how she's feeling. All day long she is berated by vicious customers and creepy men, and, exhausted from being on her feet, she knows she has to go home to her shitty roommate that never does the dishes and her roommate's shitty dog. To comfort herself, she considers getting a treat, but thinks against it when she remembers that matcha lattes cost $15 and they taste like milky dirt. She knows that she needs to buy groceries this week, and so the woman resolves to go home, but notices that her gas tank is low. She goes to put gas in the car, but the pump stops at $27.86 because that's all that she has in her checking account. The woman, bereft and reeling, sinks into the driver's seat. "Well," she thinks, her head in her hands, "at least I don't have Taylor Swift's job. I just couldn't imagine."Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,
"You know you're good when you can even do it with a broken heart...you know you're good...and I'm good, cause I'm miserable, and no one even knows!...try and come for my job."Yeah, obviously we wouldn't know, you recently passed the billionaire threshold and are the most famous and in-demand performer in the world right now. Taylor Swift makes an estimated $10 to $13 million dollars A NIGHT on the Eras Tour. Furthermore, the Eras Tour movie grossed $261.6 million globally, (which, as the producer, Taylor takes home 57% of the ticket sales) not counting the streaming revenue from Amazon Prime Video and the estimated $75 million deal that Disney paid to have it on Disney+. We're not even considering the income from cheap plastic popcorn buckets and drink cups plastered with colored squares in her Era-specific likeness.
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"
Conclusion/TLDR
Thank you for reading. I would love to hear your critical insights towards this entire ordeal: TTPD, the trademark, the implications of it all.TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.
2024.05.14 18:49 progressiveanarchy Anyone work in grants? I want to to be really good at this. I’m 6 months in to a focus in pre-award for federal submissions. How do I succeed?
I’m feeling horrible and I cry every day. How long did it take you to feel like you really knew what you were doing?
I’ve been working in higher education research and sponsored programs since I was in college. I’m getting further into my career and have been bumped up through the ranks a couple of times, soon shifting into a senior role in pre-award development. But…. The bulk of my experience is in human subject research, accreditation submissions, seeking funding opportunities, and private foundational training grants (when I had a short stint in construction). I don’t have a lot of pre-award experience and I feel like I’m walking into a superiority role with nothing but straws to grasp.
I started my current role in December and received partial training for 6 weeks before my department saw a mass exodus and everyone I could’ve asked questions to, left. This should’ve been a warning to me, but I thought that my director would be receptive and recognize the need for leadership adjustments. It was great at first, a lot of encouragement and patience, but now that it’s May, they are very abrasive, have no patience, are unwilling to meet with me (they say they don’t have time, but they set time aside for every other member of the team to have one-on-ones… except me).
I am still learning and make mistakes that I probably shouldn’t at this stage of my training - checking a certain box, putting a dollar sign where it shouldn’t be, messing up an excel formula, asking questions I know have been answered before but I second guess myself.
Life changed and now we have to relocate, and I landed a position I’m really excited about doing the same thing but with leadership responsibilities.
Primarily NIH, NSF, DoD, mostly large foundational grants and federal.
How can I possibly be successful? I WANT to be really good at what I do. In fact, I want to focus on pre-award because that’s how much I enjoy it. But how can I be GOOD at it?
What’s your advice?
submitted by progressiveanarchy to jobs [link] [comments]
I’ve been working in higher education research and sponsored programs since I was in college. I’m getting further into my career and have been bumped up through the ranks a couple of times, soon shifting into a senior role in pre-award development. But…. The bulk of my experience is in human subject research, accreditation submissions, seeking funding opportunities, and private foundational training grants (when I had a short stint in construction). I don’t have a lot of pre-award experience and I feel like I’m walking into a superiority role with nothing but straws to grasp.
I started my current role in December and received partial training for 6 weeks before my department saw a mass exodus and everyone I could’ve asked questions to, left. This should’ve been a warning to me, but I thought that my director would be receptive and recognize the need for leadership adjustments. It was great at first, a lot of encouragement and patience, but now that it’s May, they are very abrasive, have no patience, are unwilling to meet with me (they say they don’t have time, but they set time aside for every other member of the team to have one-on-ones… except me).
I am still learning and make mistakes that I probably shouldn’t at this stage of my training - checking a certain box, putting a dollar sign where it shouldn’t be, messing up an excel formula, asking questions I know have been answered before but I second guess myself.
Life changed and now we have to relocate, and I landed a position I’m really excited about doing the same thing but with leadership responsibilities.
Primarily NIH, NSF, DoD, mostly large foundational grants and federal.
How can I possibly be successful? I WANT to be really good at what I do. In fact, I want to focus on pre-award because that’s how much I enjoy it. But how can I be GOOD at it?
What’s your advice?
2024.05.14 18:08 Mophandel Archaeotherium, the King of the White River Badlands
 | Art by Bob Nicholls submitted by Mophandel to badassanimals [link] [comments] Nowadays, when we envision the words “prey,” among modern mammalian fauna, few taxa come to mind as quickly as the hoofed mammals, better known as the ungulates. Indeed, for the better part of their entire evolutionary history, the ungulates have become entirely indistinguishable from the term “prey.” Across their two major modern branches, the artiodactyls (the “even-toed ungulates,” such as bovids, pigs, deer, hippos and giraffes) and the perissodactyls (the “odd-toed ungulates,” including horses, rhinos and tapir), the ungulates too have created an empire spanning nearly every continent, establishing themselves as the the dominant herbivores throughout their entire range. However, as a price for such success, their lot as herbivores have forced them into an unenviable position: being the food for the predators. Indeed, throughout the diets of most modern predators, ungulates make up the majority, if not the entirety, of their diet, becoming their counterparts in this evolutionary dance of theirs. They have become the lamb to their wolf, the zebra to their lion, the stag to their tiger. If there is a predator in need of lunch, chances are that there is an ungulate there to provide it. Of course, such a dynamic is not necessarily a recent innovation. For the last 15-20 million years, across much of the world, both new and old, the ungulates have served as prey for these predators through it all. Over the course of whole epochs, these two groups have played into these roles for millions of years, coevolving with each other in an eons-long game of cat-and-mouse. The shoes they fill are not new, but have existed for ages, and within their niches they have cultivated their roles to perfection. Indeed, with such a tenured history, it seems hardly surprising the ungulates are wholly inseparable from the terms “prey,” itself. However, while this is the case now, as it has been for the last 15-20 million years, go back far enough, and we see that this dynamic is not as set in stone as we would think. Indeed, back during the Eocene and Oligocene, during the very earliest days of age of mammals, things were very different for the ungulates. While today they are considered little more than food for modern predators, during these olden days, the ungulates weren’t quite so benign. In fact, far from being fodder for top predators, the ungulates had turned the tables, instead becoming top predators themselves. Indeed, though nearly unheard of today, throughout much of the Eocene and Oligocene, carnivorous ungulates thrived in abundance, developing specializations for catching large prey and establishing themselves as top predators that competed alongside the more traditional carnivores, and even dominating them in some instances. Given such success, it’s no wonder that multiple such clades had arisen during this time. Such predators included the arctocyonids, a lineage of (ironically) hoof-less ungulates with large jaws and sharp teeth for capturing large prey. There were also the mesonychians, a lineage of dog-like ungulates with massive skulls and jaws that allowed them to reign as the top predator across much of the Eocene. However, among these various lineages, one stands stands out among the rest, by far. Arising during the Eocene, this lineage, though superficially resembling modern pigs, hailed from one an ancient lineage of artiodactyls far removed from swine or most other ungulates in general, with few close relatives alive today. Through perhaps not the most predatory of the bunch, it was among the most formidable, as their superficially pig-like appearance came with giant predatory jaws and teeth unlike anything from the modern era. And of course, as if all of that wasn’t enough, this lineage also went on to earn arguably one of the most badass nicknames of any lineage of mammals, period. These predators, of course, were the entelodonts, a.k.a the “hell-pigs.” More so than any other predatory ungulate lineage, these formidable ungulates were the ones to turn the current paradigm upside down, becoming some of the largest and most dominant carnivores in their landscape, even with (and often in spite of) the presence of more traditional predators. Through impressive size, fearsome teeth and sheer tenacity, these animals became the top dogs of their time, ruling as behemoth-kings of their Paleogene kingdoms, domineering all comers, and throughout the ranks, one entelodont in particular demonstrated such dominance the best. Though not the largest or most powerful of their kind, it is one of the most iconic, being among the most well-known members of its lineage to date. Moreover, this enteledont also has some of the most complete life histories ever seen out of this clade, with its brutality and predatory prowess being displayed in the fossil record in a way seen in no other member of its kind. More than anything else, however, it was this predator that best turned the notion of “ungulates being prey” on its head, living in an environment that bore some of the largest carnivoran hypercarnivores to date and still reigning as the undisputed top predator of its domain. This fearsome beast was none other than Archaeotherium, icon of the entelodonts, terror of the Oligocene American west and undisputed king of the White River badlands. The rise of Archaeotherium (and of entelodonts in general) is closely tied to the ascendancy of carnivorous ungulates as a whole, one of the earliest evolutionary success stories of the entire Cenozoic. Having become their own derived clade since the late Cretaceous, the ungulates were remarkably successful during the early Paleogene, as they were among the first mammalian clades to reach large sizes during those early days after the non-avian dinosaurs had gone extinct. As such, it was with incredible swiftness that, as the Paleogene progressed, the ungulates swooped upon the various niches left empty by the K-Pg mass extinction that killed the dinosaurs. This of course included the herbivorous niches we would know them for today, but this also included other, much more carnivore roles. Indeed, early on during the Paleogene, it was the ungulates that first seized the roles of large mammalian predators, becoming some the earliest large mammalian carnivores to ever live, well before even the carnivorans. Such predators included the arctocyonids, a lineage of vaguely dog-like, hoof-less ungulates with robust jaws and sharpened teeth that acted as some of earliest large carnivores of the Paleocene, with genera such as Arctocyon mumak getting up to the size of big cats. Even more prolific were the mesonychids. More so than what pretty much any other lineage of predator, it was the mesonychids that would stand out as the earliest dominant predators of the early Cenozoic. Growing up to the size of bears and with enormous, bone-crushing jaws, the mesonychids were among the most powerful and successful predators on the market at that time, with a near-global range and being capable of subjugating just about any other predator in their environments. Indeed, they, along with other carnivorous ungulates (as well as ungulates in general), were experiencing a golden age during this time, easily being the most prolific predators of the age. Given such prevalence, it should be no surprise that there would be yet another lineage of predatory ungulates would throw their hat into the ring, and by early Eocene, that contender would none other than the entelodonts. The very first entelodonts had arisen from artiodactyl ancestors during the Eocene epoch, at a time when artiodactyls were far more diverse and bizarre than they are now. Through today known from their modern herbivorous representatives such as bovines, deer, and antelope, during the Paleocene and Eocene, the artiodacyls, as with most ungulates of that time, were stronger and far more predaceous, particularly when it came to one such clade of artiodactyls, the cetacodontamorphs. Only known today from hippos and another group of artiodactyls (one which will become relevant later), the cetacodantomorphs emerged out of Asia around 55 million years ago, at around the same time that artiodactyls themselves had made their debut. These animals included the first truly predatory artiodactyls, with many of them possessing large skulls with powerful jaws and sharp, predatory teeth. Among their ranks included animals as puny as Indohyus, a piscivorous artiodactyl the size of a cat, to as formidable as Andrewsarchus, a giant, bison-sized predator often touted as one of the largest predatory mammals to ever live. Given such a predatory disposition, it wouldn’t be long until this clade produced a lineage of truly diverse, truly successful predators, and by around 40 million years ago, that is exactly what they did, as it was at that time that the entelodonts themselves first emerged. From their Asian homeland, the entelodonts spread across the world, spreading through not only most of Eurasia but also colonizing North America as well, with genera such as Brachyhyops being found across both continents. Here, in this North American frontier, the entelodonts began to diversify further, turning into their most successful and formidable forms yet, and it was around the late Eocene and early Oligocene that Archaeotherium itself had entered the scene. Just from a passing glance at Archaeotherium, it is clear how exactly it (as well as the other entelodonts) earned the nickname of “hell-pigs.” It was a bruiser for starters; its body bore a robust, pig-like physique, with prominent neural spines and their associated musculature forming a hump around the shoulder region, similar to the hump of a bison. With such a bulky physique came with it impressive size; the average A. mortoni had a head-body length of roughly 1.6-2.0 m (5.3-6.6 ft), a shoulder height of 1.2 m (4 ft) and a body mass of around 180 kg (396 lb) in weight (Boardman & Secord, 2013; Joeckel, 1990). At such sizes, an adult Archaeotherium the size of a large male black bear. However, they had the potential to get even bigger. While most Archaeotherium specimens were around the size described above, a select few specimens, labeled under the synonymous genus “Megachoerus,” are found to be much larger, with skulls getting up to 66% longer than average A. mortoni specimens (Foss, 2001; Joeckel, 1990). At such sizes and using isometric scaling, such massive Archaeotherium specimens would attained body lengths over 2.5 m (8.2 ft) and would have reached weighs well over 500 kg (1100 lb), or as big as a mature male polar bear. Indeed, at such sizes, it is already abundantly evident that Archaeotherium is a force to be recorded with. However, there was more to these formidable animals than sheer size alone. Behind all that bulk was an astoundingly swift and graceful predator, especially in terms of locomotion. Indeed, the hoofed feet of Archaeotherium, along with other entelodonts, sported several adaptations that gave it incredible locomotive efficiency, essentially turning it into a speed demon of the badlands. Such adaptations include longer distal leg elements (e.g. the radius and tibia) than their proximal counterparts (e.g. the humerus and femur), fusion of the radius and ulna for increased running efficiency, the loss of the clavicle (collar-bone) to allow for greater leg length, the loss of the acromion to enhance leg movement along the fore-and-aft plane, the loss of digits to reduce the mass of the forelimb, the fusion of the ectocuneiform and the mesocuneiform wrist-bones, among many other such traits (Theodore, 1996) . Perhaps most significant of these adaptations is the evolution of the “double-pulley astragalus (ankle-bone),” a specialized modification of the ankle that, while restricting rotation and side-to-side movement at the ankle-joint, allows for greater rotation in the fore-and-aft direction, thus allowing for more more powerful propulsion from the limbs, faster extension and retraction of the limbs and overall greater locomotive efficiency (Foss, 2001). Of course, such a trait was not only found in entelodonts but in artiodactyls as a whole, likely being a response to predatory pressures from incumbent predatory clades arising at the same time as the artiodactyls (Foss, 2001). However, in the case of the entelodonts, such adaptations were not used for merely escaping predators. Rather, they were used to for another, much more lethal effect… Such notions are further reinforced by the entelodonts most formidable aspect, none either than their fearsome jaws, and in this respect, Archaeotherium excelled. Both for its size and in general, the head of Archaeotherium was massive, measuring 40-50 cm (1.3-1.6 ft) in length among average A. mortoni specimens, to up to 78 cm (~2.6 ft) in the larger “Megachoerus” specimens (Joeckel, 1990). Such massive skulls were supported and supplemented by equally massive neck muscles and ligaments, which attached to massive neural spines on the anterior thoracic vertebrae akin to a bisons hump as well as to the sternum, allowing Archaeotherium to keep its head aloft despite the skulls massive size (Effinger, 1998). Of course, with such a massive skull, it should come as no surprise that such skulls housed exceptionally formidable jaws as well, and indeed, the bite of Archaeotherium was an especially deadly one. Its zygomatic arches (cheek-bones) and its temporal fossa were enlarged and expanded, indicative of massive temporalis muscles that afforded Archaeotherium astoundingly powerful bites (Joeckel, 1990). This is further augmented by Archaeotherium’s massive jugal flanges (bony projections of the cheek), which supported powerful masseter muscles which enhanced chewing and mastication, as well as an enlarged postorbital bar that reinforced the skull against torsional stresses (Foss, 2001). Last but not least, powerful jaws are supplemented by an enlarged gape, facilitated by a low coronoid process and enlarged posterior mandibular tubercles (bony projections originating from the lower jaw), which provided an insertion site for sternum-to-mandible jaw abduction muscles, allowing for a more forceful opening of the jaw (Foss, 2001). All together, such traits suggest a massive and incredibly fearsome bite, perhaps the most formidable of any animal in its environment. Of course, none of such traits are especially indicative of a predatory lifestyle. Indeed, many modern non-predatory ungulates, like hippos, pigs and peccaries, also possess large, formidable skulls and jaws. However, in peeling back the layers, it is found there was more to the skull of Archaeotherium that lies in store. Indeed, when inspecting the animal closely, a unique mosaic of features is revealed; traits that make it out to be much more lethal than the average artiodactyl. On one hand, Archaeotherium possessed many traits similar to those of herbivores animals, as is expected of ungulates. For instance, its jaw musculature that allowed the lower jaw of Archaeotherium a full side-to-side chewing motion as in herbivores (whereas most carnivores can only move their lower jaw up and down)(Effinger, 1998). On the other hand, Archaeotherium wielded many other traits far more lethal in their morphology, less akin to a herbivore and far more akin to a bonafide predator. For instance, the aforementioned enlarged gape of Archaeotherium is a bizarre trait on a supposed herbivore, as such animals do not need large gapes to eat vegetation and thus have smaller, more restricted gapes. Conversely, many predatory lineages have comparatively large gapes, as larger gapes allow for the the jaws to grab on to more effectively larger objects, namely large prey animals (Joeckel, 1990). Such a juxtaposition, however, is most evident when discussing the real killing instruments of Archaeotherium — the teeth. More so than any facet of this animal, the teeth of Archaeotherium are the real stars of the show, showing both how alike it was compared to its herbivores counterparts and more importantly, how it couldn’t be more different. For instance, the molars of Archaeotherium were quite similar to modern herbivores ungulates, in that they were robust, bunodont, and were designed for crushing and grinding, similar in form and function to modern ungulates like peccaries (Joeckel, 1990). However, while the molars give the impression that Archaeotherium was a herbivore, the other teeth tell a very different story. The incisors, for example, were enlarged, sharpened, and fully interlocked (as opposed to the flat-topped incisors seen in herbivores ungulates), creating an incisor array that was seemingly ill-suited for cropping vegetation and much more adept at for gripping, puncturing and cutting (Joeckel, 1990). Even more formidable were the canines. Like the modern pigs from which entelodonts derived their nicknames, the canines of Archaeotherium were sharp and enlarged to form prominent tusk-like teeth, but unlike pigs, they were rounded in cross-section (similar to modern carnivores like big cats, indicating more durable canines that can absorb and resist torsional forces, such as those from struggling prey) and were serrated to form a distinct cutting edge (Effinger, 1998; Joeckel, 1990; Ruff & Van Valkenburgh, 1987). These canines, along with the incisors, interlock to stabilize the jaws while biting and dismantling in a carnivore-like fashion. More strikingly, the canines also seem to act as “occlusal guides,” wherein the canines help align the movement and position of the rear teeth as they come together, allowing for a more efficient shearing action by the rear teeth. This function is seen most prevalently modern carnivorous mammals, and is evidenced by the canine tooth-wear, which is also analogous to modern predators like bears and canids (Joeckel, 1990). Indeed, going off such teeth alone, it is clear that Archaeotherium is far more predatory than expected of an ungulate. However, the real stars of the show, the teeth that truly betray the predatory nature of these ungulates, are the premolars. Perhaps the most carnivore-like teeth in the entelodont’s entire tooth row, the premolars of Archaeotherium, particularly the anterior premolars, are laterally compressed, somewhat conical in shape, and are weakly serrated to bear a cutting edge, giving them a somewhat carnivorous form and function of shearing and slicing (Effinger, 1998). Most strikingly of all, the premolars of Archaeotherium bear unique features similar not to modern herbivores, but to durophagous carnivores like hyenas, particularly apical wear patterns, highly thickened enamel, “zigzag-shaped” enamel prism layers (Hunter-Schraeger bands) on the premolars which is also seen in osteophagous animals like hyenas, and an interlocking premolar interface wherein linear objects (such as bones) inserted into jaws from the side would be pinned between the premolars and crushed (Foss, 2001). Taken together, these features do not suggest a diet of grass or vegetation like other ungulates. Rather, they suggest a far more violent diet, one including flesh as well as hard, durable foods, particularly bone. All in all, the evidence is clear. Archaeotherium and other entelodonts, unlike the rest of their artiodactyl kin, were not the passive herbivores as we envision ungulates today. Rather, they were willing, unrepentant meat-eaters that had a taste for flesh as well as foliage. Of course, even with such lines of evidence, its hard to conclude that Archaeotherium was a true predator. After all, its wide gape and durophagous teeth could have just as easily been used for scavenging or even to eat tough plant matter such as seeds or nuts, as in peccaries and pigs, which themselves share many of the same adaptations as Archaeotherium, include the more carnivorous ones (e.g. the wide gape, using the canines as an occlusal guide, etc.). How exactly do we know that these things were veritable predators and not pretenders to the title. To this end, there is yet one last piece of evidence, one that puts on full display the predatory prowess of Archaeotherium —evidence of a kill itself. Found within oligocene-aged sediment in what is now Wyoming, a collection of various fossil remains was found, each belonging to the ancient sheep-sized camel Poebrotherium, with many of the skeletal remains being disarticulated and even missing whole hindlimbs or even entire rear halves of their body. Tellingly, many of the remains bear extensive bite marks and puncture wounds across their surface. Upon close examination, the spacing and size of the punctures leave only one culprit: Archaeotherium. Of course, such an event could still have been scavenging; the entelodonts were consuming the remains of already dead, decomposed camels, explaining the bite marks. What was far more telling, however, was where the bite marks were found. In addition bite marks being found on the torso and lumbar regions of the camels, various puncture wounds were found on the skull and neck, which were otherwise uneaten. Scavengers rarely feast on the head to begin with; there is very little worthwhile meat on it besides the brain, cheek-muscles and eyes, and even if they did feed on the skull and neck, they would still eat it wholesale, not merely bite it and then leave it otherwise untouched. Indeed, it was clear that this was no mere scavenging event. Rather than merely consuming these camels, Archaeotherium was actively preying upon and killing them, dispatching them via a crushing bite to the skull or neck before dismembering and even bisecting the hapless camels with their powerful jaws to preferentially feast on their hindquarters (likely by swallowing the hindquarters whole, as the pelvis of Poebrotherium was coincidentally the perfect width for Archaeotherium to devour whole), eventually discarding the leftovers in meat caches for later consumption (Sundell, 1999). With this finding, such a feat of brutality leaves no doubt in ones mind as to what the true nature of Archaeotherium was. This was no herbivore, nor was it a simple scavenger. This was an active, rapacious predator, the most powerful in its entire ecosystem. Indeed, with such brutal evidence of predation frozen in time, combined with various dental, cranial, and post cranial adaptations of this formidable animal, it’s possible to paint a picture of how this formidable creature lived. Though an omnivore by trade, willing and able to feast on plant matter such as grass, roots and tubers, Archaeotherium was also a wanton predator that took just about any prey it wanted. Upon detecting its prey, it approached its vicim from ambush before launching itself at blazing speed. From there, its cursorial, hoofed legs, used by other ungulates for escape predation, were here employed to capture prey, carrying it at great speeds as it caught up to its quarry. Having closed the distance with its target, it was then that the entelodont brought its jaws to bear, grabbing hold of the victim with powerful jaws and gripping teeth to bring it to a screeching halt. If the victim is lucky, Archaeotherium will then kill it quickly with a crushing bite to the skull or neck, puncturing the brain or spinal cord and killing its target instantly. If not, the victim is eaten alive, torn apart while it’s still kicking, as modern boars will do today. In any case, incapacitated prey are subsequently dismantled, with the entelodont using its entire head and heavily-muscled necks to bite into and pull apart its victim in devastating “puncture-and pull’ bites (Foss, 2001). Prey would then finally be consumed starting at the hindquarters, with not even the bones of its prey being spared. Such brutality, though far from clean, drove home a singular truth: that during this time, ungulates were not just prey, that they were not the mere “predator-fodder” we know them as today. rather, they themselves were the predators themselves, dominating as superb hunters within their domain and even suppressing clades we know as predators today, least of all the carnivorans. Indeed, during this point in time, the age of the carnivorous ungulates had hit their stride, and more specifically, the age of entelodonts had begun. Of course, more so than any other entelodont, Archaeotherium took to this new age with gusto. Archaeotherium lived from 35-28 million years ago during the late Eocene and early Oligocene in a locality known today as the White River Badlands, a fossil locality nestled along the Great Plains and Rocky Mountains. Though a chalky, barren landscape today, during the time of Archaeotherium, the White River Badlands was a swamp-like floodplain crisscrossed with rivers and interspersed with by a mosaic of forests concentrated around waterways, open woodlands and open plains. As with most ecosystems with such a lush disposition, this locale teemed with life, with ancient hornless rhinos, small horse-like hyracodonts and early camels roaming the open habitats while giant brontotheres, small early horses and strange, sheep-like ungulates called merycoidodonts (also known as “oreodonts”) dwelled within the dense forests. Within this locale, Archaeotherium stalked the open woodlands and riparian forests of its domain. Here, it acted as a dominant predator and scavenger across is territory, filling a niche similar to modern grizzly bears but far more predatory. Among its preferred food items would be plant matter such as roots, foliage and nuts, but also meat in the form of carrion or freshly caught prey. In this respect, smaller ungulates such as the fleet-footed camel Poebrotherium, a known prey item of Archaeotherium, would have made a for choice prey, as its small size would make it easy for Archaeotherium to dispatch with its powerful jaws, while the entelodonts swift legs gave it the speed necessary to keep pace with its agile prey. However, the entelodont didn’t have such a feast all to itself. Just as the badlands teemed with herbivores, so too did it teem with rival predators. Among their ranks included fearsome predators such as Hyaenodon, a powerful, vaguely dog-like predator up to the size of wolves (as in H. horridus) or even lions (as in the Eocene-aged H. megaloides, which was replaced by H. horridus during the Oligocene). Armed with a massive head, fierce jaws and a set of knife-like teeth that could cut down even large prey in seconds, these were some of the most formidable predators on the landscape. There were also the nimravids, cat-like carnivorans that bore saber-teeth to kill large prey in seconds, and included the likes of the lynx-sized Dinictis, the leopard-sized Hoplophoneus and even the jaguar-sized Eusmilus. Furthermore, there were amphicyonids, better known as the bear-dogs. Though known from much larger forms later on in their existence, during the late Eocene and Oligocene, they were much smaller and acted as the “canid-analogues” of the ecosystem, filling a role similar to wolves or coyotes. Last but not least, there were the bathornithid birds, huge cariamiform birds related to modern seriemas but much larger, which filled a niche similar to modern seriemas or secretary birds, albeit on a much larger scale. Given such competition, it would seem that Archaeotherium would have its hands full. However, things are not as they appear. For starters, habitat differences would mitigate high amounts of competition, as both Hyaenodon and the various nimravids occupy more specialized ecological roles (being a plains-specialist and forest-specialist, respectively) than did Archaeotherium, providing a buffer to stave off competition: More importantly, however, none of the aforementioned predators were simply big enough to take Archaeotherium on. During the roughly 7 million years existence of Archaeotherium, the only carnivore that matched it in size was H. megaloides, and even that would have an only applied to average A. mortoni individuals, not to the much larger, bison-sized “Megachoerus” individuals. The next largest predator at that point would be the jaguars-sized Eusmilus (specifically E. adelos) which would have only been a bit more than half the size of even an average A. mortoni. Besides that, virtually every other predator on the landscape was simply outclassed by the much larger entelodont in terms of size and brute strength. As such, within its domain, Archaeotherium had total, unquestioned authority, dominating the other predators in the landscape and likely stealing their kills as well. In fact, just about the only threat Archaeotherium had was other Archaeotherium, as fossil bite marks suggest that this animal regularly and fraglantly engaged in intraspecific combat, usually through face-biting and possibly even jaw-wrestling (Effinger, 1998; Tanke & Currie, 1998). Nevertheless, it was clear that Archaeotherium was the undisputed king of the badlands; in a landscape of hyaenodonts and carnivorans galore, it was a hoofed ungulate that reigned supreme. However, such a reign would not last. As the Eocene transitioned into the Eocene, the planet underwent an abrupt cooling and drying phase known as Eocene-Oligocene Transition or more simply the Grande Coupure. This change in climate would eliminate the sprawling wetlands and river systems that Archaeotherium had been depending on, gradually replacing it with drier and more open habitats. To its credit, Archaeotherium did manage to hang on, persisting well after the Grand-Coupure had taken place, but in the end the damage had been done; Archaeotherium was a dead-man-walking. Eventually, by around 28 million years ago, Archaeotherium would go extinct, perishing due to this change in global climate (Gillham, 2019). Entelodonts as a whole would persist into the Miocene, producing some of their largest forms ever known in the form of the bison-sized Daeodon (which was itself even more carnivorous than Archaeotherium), however they too would meet the same fate as their earlier cousins. By around 15-20 million years ago, entelodonts as a whole would go extinct. However, while the entelodonts may have perished, this was not the end of carnivorous ungulates as a whole. Recall that the cetacodontamorphs, the lineage of artiodactyls that produced the entelodonts, left behind two living descendants. The first among them were the hippos, themselves fairly frequent herbivores. The second of such lineage, however, was a different story. Emerging out of South Asia, this lineage of piscivorous cetacodontamorphs, in a an attempt to further specialize for the fish-hunting lifestyle, began to delve further and further into the water, becoming more and more aquatic and the millennia passed by. At a certain point, these carnivorous artiodactlys had become something completely unrecognizable from their original hoofed forms. Their skin became hairless and their bodies became streamlined for life in water. Their hoofed limbs grew into giant flippers for steering in the water and their previously tiny tails became massive and sported giant tail flukes for aquatic propulsion. Their noses even moved to the tip of their head, becoming a blowhole that would be signature to this clade as a whole. Indeed, this clade was none other than the modern whales, themselves derived, carnivorous ungulates that had specialized for a life in the water, and in doing so, became the some of the most dominant aquatic predators across the globe for millions of years. Indeed, though long gone, the legacy of the entelodonts and of predatory ungulates as a whole, a legacy Archaeotherium itself had helped foster, lives on in these paragons of predatory prowess, showing that the ungulates are more than just the mere “prey” that they are often made out to be. Moreover, given the success that carnivorous ungulates had enjoyed in the past and given how modern omnivorous ungulates like boar dabble in predation themselves, perhaps, in the distant future, this planet may see the rise of carnivorous ungulates once again, following in the footsteps left behind by Archaeotherium and the other predatory ungulates all those millions of years ago. |
2024.05.14 18:05 Absent-heartless-666 Weekly Young Jump Newcomer Manga Award interview with Ryou Minenami
Found this very interesting interview. Read the tl;dr part if you hate reading longass walls of text.
Note: Page 1 is mostly about Ryou's early days as a struggling novelist, then mangaka assistant and then mangaka and workflows during analog and digital era, the only important part is that Boy's Abyss is... not much of a culmination of her mangaka career, but a work where she can satisfy her ego the most, so i skipped them due to time. Pages 2, 3 and 4 have more info about Abyss.
PART 2: ABOUT BACKGROUND DESCRIPTIONS THAT SUPPORTS THE HUMAN DRAMA
Sauce: https://youngjump.jp/comic_award/interview/2024/05/index2.html
--How do you decide on the locations for your works?
It depends, but I tend to choose places where I have spent time in the past or places that remain in my memory.
--I see. Is there anything important to remember in order to recall the right location for the scene?
You can't open a drawer where there isn't one, so I think it's important to look at various places on a regular basis to increase the number of drawers.
--In "Shounen no Abyss", bridges seem to appear many times in important scenes, including in the first episode. Is this intentional?
Yes, it is. In the first episode, I put the bridge as a kind of borderline between life and death, and I think that the readers came to feel the danger from the bridge. So I may have consciously chosen to use a bridge in decisive scenes. Also, since Reiji is a person who cannot decide for himself whether to live or die, I have him hovering on the bridge, which is between life and death.
(Footnote for a panel from ch. 2: From the second chapter, "Incognito Date". The location of the bridge makes us feel more that Reiji is wandering between life and death.)
--I see. By having them perform on the bridge, you are also conveying the character's condition and humanity.
(Footnote with a page from ch.87: From episode 87, "After the dream". In episode 87, which is set in Tokyo, Reiji's wavering state of mind is expressed in detail using a bridge as a stage.)
--I feel that the timing of the rain is also very well thought out.
Rain is an indispensable element in a gloomy work like this, so I often think about the weather from the plotting stage. Also, when I draw rain, I imagine myself being in the rain. It is cold, my clothes stick to my skin, it gets in my eyes.... I hope that the reader can feel these things.
(Footnote with the page where Akira betrays Shino'oka and gives in to Yuko's temptation in ch102: From Chapter 102, "Amid the Overflowing Water". The texture of the rain effectively shows Nozoe's inclined mind.)
--you have to think about what kind of environment the person is in and what kind of air he/she breathes.
I think it depends on the type of work. For my works, that kind of accumulation is important, but there are also works where other things are important. I think you should think about it according to the kind of work you want to paint.
PART 3: ABOUT THE PICTURE DESIGN THAT SUPPORTS THE WORK
Sauce: https://youngjump.jp/comic_award/interview/2024/05/index3.html
--I assume that it was difficult to learn to draw pictures from a place with no experience in manga.
I learned by trial and error while actually drawing. Even now, I still have a hard time with drawings.
--I see. I (the interviewer) like the pictures in "Shounen no Abyss" very much because they match the content of the story, but it seems to me that you have changed the design of the pictures quite a bit from your past works. How did you decide on the style?
When I started my first serial, "Hoboreru Hanabi", I didn't have time to choose the style yet, so I drew what I could draw at the time. From the next serial, "Himegoto: Juukyuusai no Seifuku," I started to think about "making the eyes a little bigger" or "adding deformation.
--In the next serial work, "Hatsukoi Zombie," you used a much more deformed style of drawing. Why is that?
I think it was because it was serialized in a shounen magazine called "Shounen Sunday. I was conscious of the drawings of Rumiko Takahashi, who I have been a fan of for a long time.
--Did you have the medium of "Weekly Young Jump" in mind when you created the artwork for "Shounen no Abyss"?
If anything, I tried to make the design more in line with the content of the book. Considering the content, for example, it was difficult to use the same body size and eye size as the characters in "Hatsukoi Zombie". However, in the case of "Shounen no Abyss," the reality line differs slightly from character to character, and the way in which deformation is added is different for each character.
--Do you have any advice for new artists who want to improve their drawing?
I think it is important to be aware of the importance of observing what you are drawing. If you just draw from your imagination, you will end up with buildings whose structures you don't know, or wrinkled clothes that don't convey the texture of the wearer's clothing, which is a habit of mine. The result is a worldview that is not convincing. In this age of the Internet and other sources of information, it is important to observe the subject matter carefully and draw it, rather than making rough guesses.
--Do you still search for materials when you draw props, backgrounds, etc.?
Yes, I do. For example, I think about "What kind of room would this person live in?", "What kind of shoes would she wear?", "What kind of car would she drive? I think that the accumulation of such details leads to the sense of daily life that is conveyed in the work.
From episode 19, "seducer". The decor and accessories in Chako's room give us a sense of her life. (there was a page from that chapter i can't put in the post, gomwnnasai, gomennasai, gomennasai....)
End of part 3
PART 4: ABOUT WEEKLY SERIALIZATIONS (this is the important shit)
Sauce: https://youngjump.jp/comic_award/interview/2024/05/index4.html
-I feel that "Shounen no Abyss" has a great live-action feel to it. The characters' actions and the development of the story are unpredictable, and each time I am surprised to see how the story will unfold. Do you have a rough idea of how the story will unfold?
There is a general flow of the story, but basically, I myself draw the story while excitedly thinking, "Well, what will this person say or do on the next page?" In a nutshell, is this a romcom in which Reiji meets a variety of women and decides who he will fall in love (or into the abyss)? It's something like that (T/N: Ryou answered like questioning and answering to herself in the last paragraph of this section)
--I have heard that the starting point of the project for "Shounen no Abyss" was "a story about a double suicide" Do you often draw the story with the theme in mind?
Yes, I decide on the axis to some extent at the beginning. If there is nothing at all, the project itself will not be communicated, and it will be difficult to start a serialization.
--I think that in a weekly serialization, it is necessary to attract the reader intensely in the first episode. What were you conscious of in the first episode of "Shounen no Abyss"?
It's an ensemble piece, so I was conscious of showing all the main characters in the first episode. I also decided to make a memorable appearance of the heroine, Nagi, in the last part of the episode. I also thought about the order of the characters that Reiji meets. First, he meets Shiba-chan, who is outside of his interest, and then he meets and talks with his friend Chako. Then his childhood friend Gen would appear, and things would take a turn for the worse. Then, his family, which is the most painful existence for Reiji, makes an appearance. Then he crosses paths with a mysterious man, and finally a beautiful and bewitching woman appears. In order to make it easier for the reader to enter the world of the work, I made the flow of the story gradually fall into darkness.
--It's like Reiji is going down a flight of stairs one step at a time.
Yes, Nagi is waiting for him when he descends the last step. I changed the background accordingly. When he is with his friend Chako, the sun is out, and when the sun begins to set, he meets his family, and by the time he meets Nagi, it's already nighttime.
--I'm so impressed...! You have built in the backgrounds and elaborated on the details.
(Footnote for 2 pages from the 1st chapter that were shown: Both are from the first episode, "The Boy from That Town". He meets his friend Chako on his way to school in the daylight, but by the time he meets his family, it is dark and shadowy outside. The contrast of the background also depicts Reiji's descent into darkness.)
--What are the most important things outside of your work when working on a weekly series?
Physical strength is important. I also think it is important to keep your mind clear and avoid unnecessary stress. There are many times when I think, "I should have done this better," or "It will be difficult this time because I did that last time," but there is no use in overthinking things, so I try to switch over as soon as possible.
--Finally, do you have any advice for new artists?
I think it is important to have a lot of input while you are young, and to push your luck a little in creating your work.
--Thank you for your valuable talk!
Now, the tl;dr:
-2: Bridges in this manga are used as a gate between life and death.
-1: rain is important in this manga to depict the characters' overflowing emotions.
0: Ryou had to choose carefully the type of atmosphere and air for this manga.
1: Ryou drew Drowning Fireworks on a rush and could define a proper style, she shifts styles according to the tone and magazine shenis doing her works for.
2: She had to study locations and interior plaves to depict characters, their lives and mental states.
3: Boy's Abyss is a romcom on its structure. And the characters were introduced in a way you could instantly get familiarized with from the start, as it's an ensemble work.
4: characters were introduced in a way you can feel Reiji is going downstairs into the abyss. Yuri being the first because she's the character he's the least interested into, Chako next because she's the sun, the light, she's Kana Arima... okno, and Nagi last because she's Chako's thematical opposite and had to have an impactful introduction. and the endgame and endgoal are already decided since day one. Nagi is waiting for Reiji to do the last step
5: a good physical condition, being resourceful and brave enough are the keys for a successful weekly story.
That's it. See ya tomorrow.
submitted by Absent-heartless-666 to boysabysss [link] [comments]
Note: Page 1 is mostly about Ryou's early days as a struggling novelist, then mangaka assistant and then mangaka and workflows during analog and digital era, the only important part is that Boy's Abyss is... not much of a culmination of her mangaka career, but a work where she can satisfy her ego the most, so i skipped them due to time. Pages 2, 3 and 4 have more info about Abyss.
PART 2: ABOUT BACKGROUND DESCRIPTIONS THAT SUPPORTS THE HUMAN DRAMA
Sauce: https://youngjump.jp/comic_award/interview/2024/05/index2.html
--How do you decide on the locations for your works?
It depends, but I tend to choose places where I have spent time in the past or places that remain in my memory.
--I see. Is there anything important to remember in order to recall the right location for the scene?
You can't open a drawer where there isn't one, so I think it's important to look at various places on a regular basis to increase the number of drawers.
--In "Shounen no Abyss", bridges seem to appear many times in important scenes, including in the first episode. Is this intentional?
Yes, it is. In the first episode, I put the bridge as a kind of borderline between life and death, and I think that the readers came to feel the danger from the bridge. So I may have consciously chosen to use a bridge in decisive scenes. Also, since Reiji is a person who cannot decide for himself whether to live or die, I have him hovering on the bridge, which is between life and death.
(Footnote for a panel from ch. 2: From the second chapter, "Incognito Date". The location of the bridge makes us feel more that Reiji is wandering between life and death.)
--I see. By having them perform on the bridge, you are also conveying the character's condition and humanity.
(Footnote with a page from ch.87: From episode 87, "After the dream". In episode 87, which is set in Tokyo, Reiji's wavering state of mind is expressed in detail using a bridge as a stage.)
--I feel that the timing of the rain is also very well thought out.
Rain is an indispensable element in a gloomy work like this, so I often think about the weather from the plotting stage. Also, when I draw rain, I imagine myself being in the rain. It is cold, my clothes stick to my skin, it gets in my eyes.... I hope that the reader can feel these things.
(Footnote with the page where Akira betrays Shino'oka and gives in to Yuko's temptation in ch102: From Chapter 102, "Amid the Overflowing Water". The texture of the rain effectively shows Nozoe's inclined mind.)
--you have to think about what kind of environment the person is in and what kind of air he/she breathes.
I think it depends on the type of work. For my works, that kind of accumulation is important, but there are also works where other things are important. I think you should think about it according to the kind of work you want to paint.
PART 3: ABOUT THE PICTURE DESIGN THAT SUPPORTS THE WORK
Sauce: https://youngjump.jp/comic_award/interview/2024/05/index3.html
--I assume that it was difficult to learn to draw pictures from a place with no experience in manga.
I learned by trial and error while actually drawing. Even now, I still have a hard time with drawings.
--I see. I (the interviewer) like the pictures in "Shounen no Abyss" very much because they match the content of the story, but it seems to me that you have changed the design of the pictures quite a bit from your past works. How did you decide on the style?
When I started my first serial, "Hoboreru Hanabi", I didn't have time to choose the style yet, so I drew what I could draw at the time. From the next serial, "Himegoto: Juukyuusai no Seifuku," I started to think about "making the eyes a little bigger" or "adding deformation.
--In the next serial work, "Hatsukoi Zombie," you used a much more deformed style of drawing. Why is that?
I think it was because it was serialized in a shounen magazine called "Shounen Sunday. I was conscious of the drawings of Rumiko Takahashi, who I have been a fan of for a long time.
--Did you have the medium of "Weekly Young Jump" in mind when you created the artwork for "Shounen no Abyss"?
If anything, I tried to make the design more in line with the content of the book. Considering the content, for example, it was difficult to use the same body size and eye size as the characters in "Hatsukoi Zombie". However, in the case of "Shounen no Abyss," the reality line differs slightly from character to character, and the way in which deformation is added is different for each character.
--Do you have any advice for new artists who want to improve their drawing?
I think it is important to be aware of the importance of observing what you are drawing. If you just draw from your imagination, you will end up with buildings whose structures you don't know, or wrinkled clothes that don't convey the texture of the wearer's clothing, which is a habit of mine. The result is a worldview that is not convincing. In this age of the Internet and other sources of information, it is important to observe the subject matter carefully and draw it, rather than making rough guesses.
--Do you still search for materials when you draw props, backgrounds, etc.?
Yes, I do. For example, I think about "What kind of room would this person live in?", "What kind of shoes would she wear?", "What kind of car would she drive? I think that the accumulation of such details leads to the sense of daily life that is conveyed in the work.
From episode 19, "seducer". The decor and accessories in Chako's room give us a sense of her life. (there was a page from that chapter i can't put in the post, gomwnnasai, gomennasai, gomennasai....)
End of part 3
PART 4: ABOUT WEEKLY SERIALIZATIONS (this is the important shit)
Sauce: https://youngjump.jp/comic_award/interview/2024/05/index4.html
-I feel that "Shounen no Abyss" has a great live-action feel to it. The characters' actions and the development of the story are unpredictable, and each time I am surprised to see how the story will unfold. Do you have a rough idea of how the story will unfold?
There is a general flow of the story, but basically, I myself draw the story while excitedly thinking, "Well, what will this person say or do on the next page?" In a nutshell, is this a romcom in which Reiji meets a variety of women and decides who he will fall in love (or into the abyss)? It's something like that (T/N: Ryou answered like questioning and answering to herself in the last paragraph of this section)
--I have heard that the starting point of the project for "Shounen no Abyss" was "a story about a double suicide" Do you often draw the story with the theme in mind?
Yes, I decide on the axis to some extent at the beginning. If there is nothing at all, the project itself will not be communicated, and it will be difficult to start a serialization.
--I think that in a weekly serialization, it is necessary to attract the reader intensely in the first episode. What were you conscious of in the first episode of "Shounen no Abyss"?
It's an ensemble piece, so I was conscious of showing all the main characters in the first episode. I also decided to make a memorable appearance of the heroine, Nagi, in the last part of the episode. I also thought about the order of the characters that Reiji meets. First, he meets Shiba-chan, who is outside of his interest, and then he meets and talks with his friend Chako. Then his childhood friend Gen would appear, and things would take a turn for the worse. Then, his family, which is the most painful existence for Reiji, makes an appearance. Then he crosses paths with a mysterious man, and finally a beautiful and bewitching woman appears. In order to make it easier for the reader to enter the world of the work, I made the flow of the story gradually fall into darkness.
--It's like Reiji is going down a flight of stairs one step at a time.
Yes, Nagi is waiting for him when he descends the last step. I changed the background accordingly. When he is with his friend Chako, the sun is out, and when the sun begins to set, he meets his family, and by the time he meets Nagi, it's already nighttime.
--I'm so impressed...! You have built in the backgrounds and elaborated on the details.
(Footnote for 2 pages from the 1st chapter that were shown: Both are from the first episode, "The Boy from That Town". He meets his friend Chako on his way to school in the daylight, but by the time he meets his family, it is dark and shadowy outside. The contrast of the background also depicts Reiji's descent into darkness.)
--What are the most important things outside of your work when working on a weekly series?
Physical strength is important. I also think it is important to keep your mind clear and avoid unnecessary stress. There are many times when I think, "I should have done this better," or "It will be difficult this time because I did that last time," but there is no use in overthinking things, so I try to switch over as soon as possible.
--Finally, do you have any advice for new artists?
I think it is important to have a lot of input while you are young, and to push your luck a little in creating your work.
--Thank you for your valuable talk!
Now, the tl;dr:
-2: Bridges in this manga are used as a gate between life and death.
-1: rain is important in this manga to depict the characters' overflowing emotions.
0: Ryou had to choose carefully the type of atmosphere and air for this manga.
1: Ryou drew Drowning Fireworks on a rush and could define a proper style, she shifts styles according to the tone and magazine shenis doing her works for.
2: She had to study locations and interior plaves to depict characters, their lives and mental states.
3: Boy's Abyss is a romcom on its structure. And the characters were introduced in a way you could instantly get familiarized with from the start, as it's an ensemble work.
4: characters were introduced in a way you can feel Reiji is going downstairs into the abyss. Yuri being the first because she's the character he's the least interested into, Chako next because she's the sun, the light, she's Kana Arima... okno, and Nagi last because she's Chako's thematical opposite and had to have an impactful introduction. and the endgame and endgoal are already decided since day one. Nagi is waiting for Reiji to do the last step
5: a good physical condition, being resourceful and brave enough are the keys for a successful weekly story.
That's it. See ya tomorrow.
2024.05.14 17:32 pitchthrowdodge Classic Starter Guide: An In-Depth Look
With all the new players entering the game as of late, a lot of the same questions get asked - specifically, ones like "How can I make the perfect team for classic/endless/etc.?". The guide ahead is an attempt at answering more common questions on the former end, from the perspective of someone who almost exclusively plays Classic and many wins under my belt in doing so. Community feedback welcome; hopefully something like this can expand into something like a wiki/full guide so we can help new players down the line, too!
Classic and You: Starting Out
So you just picked up the game, but not sure where to start. "Which starters are best?" "What team should I go with first?" "I unlocked [x] - can I beat Classic with this?"
Let me reassure you: you can beat Classic with anything. (Yes, even something like Caterpie.)
That said, it's understandable to not know where to start, especially if you don't know all the starters, or maybe haven't played all the various generations of Pokemon through the years. Many of them have their own strengths and weaknesses, and some are built stronger than others. For example: Fuecoco is commonly the #1 recommended starter out of the base selection you get when first starting the game. Why? His final evolution, Skeledirge, naturally learns Torch Song, which is a hard-hitting fire move that guarantees a Sp. Attack buff each time it hits. This lets you snowball fairly quickly, as each attack makes you stronger and stronger during battles. Many starters have "specialty" tricks like this that give them an edge - Sprigatito's final evolution, for instance, gets Flower Trick, a hard-hitting grass move that always crits (and therefore always ignores opponent defensive boosts and/or your own negative debuffs). Even with all these being the case, though, there's no "perfect" team to start with that will guarantee a win - and in fact, getting a win on your first run can be exceedingly difficult. Your starters all only have 10 IVs, neutral natures, and no egg moves - they're the bare bones minimum to get going. And that's okay. But it means you need to temper your expectations.
Pokerogue is a rogue-like - and in classic rogue-like form, you build upon what you start with little by little. Your primary goal shouldn't be to get a Classic win at the start. It's certainly doable, but even if you win, you're still likely without any reliable starter to take on Endless just yet, so there's no sense in rushing there. Instead, focus on that concept of building - specifically, building your starter pool. Every time you catch something, you unlock it as a starter (if you don't have it yet). You also get candies, which can be used to power up those starters by either unlocking a passive ability (unlocking additional features) or reducing their point cost, letting you bring more starters to each run (or more powerful ones!). Catching things with higher IVs also make your starting stats better - catching a 31 Speed IV Pidgey, for instance, means your Pidgey starter now permanently has 31 Speed IVs. More stats = more power, and getting higher IVs on your starters is probably the biggest early jump you can get on pushing your team further.
With this in mind, making a "perfect" team is less important than just making A team, so that we can go out and catch some things. As for what to catch, though, here's a list of things I'd keep an eye out for:
As you start going through your Classic runs, the main resource you're looking to accumulate at first is egg vouchers - as many as you can get your grubby little new player hands on. Beating gym leaders, Elite 4 members, the Champion, and beating Classic all reward you with them. Doing the Daily Run each day also rewards you with a 10x pull voucher. Rarely, they can even show up after beating a stage in the item choice rewards - if so, pick them, usually over most anything else. Eggs build on your starters, and usually with either massively boosted IVs or egg moves to give them considerable bumps in power. Rarely, you can even get shinies from them.
And speaking of the egg gacha: only pull from the Shiny gacha at first. The entirety of your goal as a new player should be accumulating shinies. The legendary gacha is misleading - you only get increased odds for the shown legendary, not all of them (at least as of this post), and even then legendaries often have a huge starter cost tacked onto them, making teambuilding difficult early on. Once you build up your starter collection with a good few handfuls of shinies, and are cruising along in Endless vacuuming up vouchers, you can spend some on the other gachas for specific niches if you like (move gacha for egg moves, legendary gacha for legendaries), but for the most part the shiny gacha is where the money's at. Besides, the shiny gacha can hatch legendaries, too - so you're not missing out on legendaries by not hitting its specific gacha.
I Got a Few Shinies And Legendaries - What Now?
Alright, so you've been cruising along, catching everything you see and building your starter pool like the rockstar rogue-like player you are. Keep building from here, but now you have more options - you can start bringing shinies on your Classic runs to improve the quality of item rewards you get at the end of each floor; you can maybe even bring a legendary/ultra beast along to have an easier time against the end boss and get that first win. At this point, if you haven't gotten that first win yet, now's the time to start knuckling down and making a serious go at it. Some general points of advice for Classic success I haven't yet covered:
submitted by pitchthrowdodge to pokerogue [link] [comments]
Classic and You: Starting Out
So you just picked up the game, but not sure where to start. "Which starters are best?" "What team should I go with first?" "I unlocked [x] - can I beat Classic with this?"
Let me reassure you: you can beat Classic with anything. (Yes, even something like Caterpie.)
That said, it's understandable to not know where to start, especially if you don't know all the starters, or maybe haven't played all the various generations of Pokemon through the years. Many of them have their own strengths and weaknesses, and some are built stronger than others. For example: Fuecoco is commonly the #1 recommended starter out of the base selection you get when first starting the game. Why? His final evolution, Skeledirge, naturally learns Torch Song, which is a hard-hitting fire move that guarantees a Sp. Attack buff each time it hits. This lets you snowball fairly quickly, as each attack makes you stronger and stronger during battles. Many starters have "specialty" tricks like this that give them an edge - Sprigatito's final evolution, for instance, gets Flower Trick, a hard-hitting grass move that always crits (and therefore always ignores opponent defensive boosts and/or your own negative debuffs). Even with all these being the case, though, there's no "perfect" team to start with that will guarantee a win - and in fact, getting a win on your first run can be exceedingly difficult. Your starters all only have 10 IVs, neutral natures, and no egg moves - they're the bare bones minimum to get going. And that's okay. But it means you need to temper your expectations.
Pokerogue is a rogue-like - and in classic rogue-like form, you build upon what you start with little by little. Your primary goal shouldn't be to get a Classic win at the start. It's certainly doable, but even if you win, you're still likely without any reliable starter to take on Endless just yet, so there's no sense in rushing there. Instead, focus on that concept of building - specifically, building your starter pool. Every time you catch something, you unlock it as a starter (if you don't have it yet). You also get candies, which can be used to power up those starters by either unlocking a passive ability (unlocking additional features) or reducing their point cost, letting you bring more starters to each run (or more powerful ones!). Catching things with higher IVs also make your starting stats better - catching a 31 Speed IV Pidgey, for instance, means your Pidgey starter now permanently has 31 Speed IVs. More stats = more power, and getting higher IVs on your starters is probably the biggest early jump you can get on pushing your team further.
With this in mind, making a "perfect" team is less important than just making A team, so that we can go out and catch some things. As for what to catch, though, here's a list of things I'd keep an eye out for:
- Anything with a missing and/or "dark" pokeball under their name. Just like in some of the main Pokemon games, Pokemon in Pokerogue will be marked with a pokeball if they've been captured before. If it's missing, and you want it as a starter, catch it! More importantly, though, is the "darkened" icon of the pokeball - this indicates that you've unlocked the starter, but this one has something you don't have yet; maybe a gender, or maybe an ability you don't have yet. For instance, a Meowth starter that you have may only have Pickup, but the one in battle before you now has Technician. Catching these "darkened ball" pokemon will unlock more options for your starters, letting you switch between these unlockables at the pokemon select screen when you start your later runs. I generally recommend catching as many of these as possible - in the beginning, it'll seem like every pokemon has a dark ball, but that's because you don't have many things unlocked yet. As you unlock more things, they'll get rarer - and more importantly, when you start looking for those elusive Hidden Abilities (HAs), these darkened balls will help you discover them more easily when you have everything else already unlocked. Remember, this is a rogue-like - we're building our starters here for future runs!
- Anything "rare". This is somewhat subjective, because "rare" can mean anything from "hard to find" to "legendary". In general, though, I recommend keeping an eye out for things you don't see often - starters, for instance, or legendary/pseudo-legendary/ultra beast/etc. "boss" monsters at the end of every 10 waves. But catching duplicates serves a secondary purpose - remember, it also gets you candies, which you can use to power up those rare pokemon starters you have later. Getting candies from friendship is certainly doable, but especially for rarelegendary pokemon, this can take a loooooong while. Catch them if you can to make it easier on yourself later. (A sub-point of this: If a rare or starter is available in a daily run, consider "farming" the daily run over and over to catch them again and again! Many of the daily run guides point these out intentionally for this reason - daily runs can sometimes be the best way to target farm candies in this way.)
- Anything you plan on using a lot. Somewhat of another sub-point of the above, catching duplicates of things you know you'll use often can be useful for candy collection. Specifically, this works well for things you know you'll use often - your first few shinies, for instance, or general-use pokemon that have Pickup. Build your Zigzagoon army! Candy collecting is especially useful for these to reduce costs, letting you take more of them with your legendary into Endless mode when you get to that point.
- Any shiny. This goes without saying for many, but shinies are the lifeblood of Pokerogue. You need them...a lot of them. They come in three flavors - starting from the weakest, a yellow shiny (Luck 1), then blue (Luck 2), and finally red (Luck 3), with the color being the "star" marker of the shiny pokemon on their HP bar. Eventually you'll want as many Luck 3 shinies as you can get your hands on, but when you're starting out, you're building from 0 - so catch any you see, even if it means failing your Classic run to do so. A new run takes an hour to start back up; a new shiny could take days or even weeks to find in Classic. (Ideally, though, don't be afraid to refresh/"save scum" to try and find a way to catch it without sacrificing your run if you can, and if you're willing. No sense in wasting all that work.)
- Don't neglect your team. Remember, our eventual goal is to win Classic...but more importantly, we're hoping to get as far as we can, and 190 if possible. The sprint from 180-190 is the most profitable floor in Classic for egg vouchers, with each Elite 4 member & the Champion at 190 giving them upon victory (Plus, first time wins get you bonus achievement vouchers too - two for one!). With this in mind, you want to make sure to balance your team out as you go, and don't neglect it as you progress. Perhaps your team needs a good rock-type wall to throw in the way of hard-hitting trainer pokemon. Maybe you're looking for a Ground-type to soak all those electric moves you keep running into in the electrical biomes. Good team building will carry you further than any IV or egg move ever could. Even the strongest legendaries can fold to a weakness.
As you start going through your Classic runs, the main resource you're looking to accumulate at first is egg vouchers - as many as you can get your grubby little new player hands on. Beating gym leaders, Elite 4 members, the Champion, and beating Classic all reward you with them. Doing the Daily Run each day also rewards you with a 10x pull voucher. Rarely, they can even show up after beating a stage in the item choice rewards - if so, pick them, usually over most anything else. Eggs build on your starters, and usually with either massively boosted IVs or egg moves to give them considerable bumps in power. Rarely, you can even get shinies from them.
And speaking of the egg gacha: only pull from the Shiny gacha at first. The entirety of your goal as a new player should be accumulating shinies. The legendary gacha is misleading - you only get increased odds for the shown legendary, not all of them (at least as of this post), and even then legendaries often have a huge starter cost tacked onto them, making teambuilding difficult early on. Once you build up your starter collection with a good few handfuls of shinies, and are cruising along in Endless vacuuming up vouchers, you can spend some on the other gachas for specific niches if you like (move gacha for egg moves, legendary gacha for legendaries), but for the most part the shiny gacha is where the money's at. Besides, the shiny gacha can hatch legendaries, too - so you're not missing out on legendaries by not hitting its specific gacha.
I Got a Few Shinies And Legendaries - What Now?
Alright, so you've been cruising along, catching everything you see and building your starter pool like the rockstar rogue-like player you are. Keep building from here, but now you have more options - you can start bringing shinies on your Classic runs to improve the quality of item rewards you get at the end of each floor; you can maybe even bring a legendary/ultra beast along to have an easier time against the end boss and get that first win. At this point, if you haven't gotten that first win yet, now's the time to start knuckling down and making a serious go at it. Some general points of advice for Classic success I haven't yet covered:
- Early on, focus on 1-2 pokemon. Ignore the rest. Same advice as in Endless works here. This perhaps sounds counter-intuitive, but until at least floor 30-40, try your absolute hardest to only focus on leading with 1-2 pokemon (and that second one should ideally only be necessary to cover the weaknesses of the first). Your immediate early-game hurdles are the two rival battles at floors 8 and 25 (and maybe a Gym Leader battle at 20), and if you try to level everyone evenly you're going to find it harder to win. The Exp All and Exp Charms you get from rival battles and item rewards will more than catch your team up later even if you don't ever use them...so don't worry about them for now. Right now, you're creating the Ultimate Early Game Juggernaut(s) to get you through the initial hurdles.
- Be frugal with your money in the beginning. In Endless, it's common practice to reroll often to look for specific items - candy jars, rare candies, etc. That's because in that mode, once you get set up you have almost unlimited income. In Classic, your income is much more limited (usually hovering ~$100k or so by the mid to late floors), and you don't have the luxury of blindly rerolling for optimal results. The option to "save scum" your re-rolls exists, if you were willing - after winning a floor, check the rerolls, and if you don't like any of the offerings, refresh the page. This will "start the floor over", resetting the rewards and refunding your money. This isn't really necessary, though; in fact, I rarely reroll rewards at all until floors 180-200, and often settle with generic healing/item rewards. Why? You'll notice through your runs that in the midgame (floors 50-150, mainly), you'll accumulate quite a bit of gold; instead of using this gold for rerolls then, where it doesn't help much, you should instead wait for the later floors where you start to take on the toughest opponents of the run - the Elite 4 and Champion on floors 180-190, the final rival battle at 195, and the final boss at 200. Specifically, 180-190 is where you'll buy more healing items than perhaps the rest of the run combined (to keep your team healthy in between each Elite 4/Champion battle), and 190-200 are where you really want to look for things like X [stat] items to give your team that extra "oomph". Even the strongest legendaries fear a Butterfree packing +4 X Specials and an X Speed. Money saved early on lets you dump it into rerolls later where it matters most. (Don't ruin your run by being *too* frugal, though - if your party is near death early on, spend it. You can't spend it later on if you're dead.)
- Pickup is NOT necessary (but it is helpful). I see a lot of general advice in posts on pokerogue that tell new players to stack Pickup team members on Classic. This isn't necessary, or even arguably desirable past maybe the first 20-30 floors unless you're running a very strong carry that can solo all 200 floors (which is extremely unlikely, and far more difficult to boot). I've won Classic many times without using Pickup at all, and I can't say as I miss it when I don't have it. More importantly, you need to be cautious which items you're picking up - the end boss can and WILL use them against you, so things like Sitrus/Enigma/stat boosting berries that you picked up along your 200 floors suddenly seem a lot less useful when they're in enemy hands. That said, if you bring someone along with Pickup, be generous with handing out berries and other items to your party regularly using the "Transfer" option, so you can reap the benefits all throughout your 200 floors. Sitrus, Enigma, and the speed/attack boosting berries in particular are great in trainerival battles where you expect to take hits and want to revenge kill things. In the endgame against the final boss, though, perhaps load everything on a party member you hope never to bring out (such as your Pickup mon) so they don't get stolen. (Hot take: I prefer to use no berries at all in my Classic runs if possible, with one exception: Lum! Lum is amazing for healing status effects, especially when it feels like some trainers have all the hacks against you, and it doesn't feel bad if/when it gets stolen later.)
- The same goes for Pokerus. The biggest advantage to having pokerus is capping out your levels faster; even without it, in the later floors you'll still cap your levels by each final stage so long as you pick up a charm or two along the way (which you'll usually do, pokerus or not). It's also a decent help for that floor 11-25 range where you're at your weakest and that second rival challenge comes knocking. In Endless it's common practice to take a pokerus pokemon so your carry can keep up with the level gains of the floors until you get fully set up; in Classic, the scaling doesn't feel nearly that punishing. If you can bring a good pokerus pokemon, though, it's more helpful than not - just don't go out of your way for it or feel like it's "necessary".
- Understand how biomes work, at least somewhat. Many of them chain into each other naturally, which is part of where the memes come from regarding "endless water biomes" or similar. As you start to expand your starting 2-3 into a full 6, know what biomes you need to look for and what to avoid. This is part of why the Map is one of my favorite item rewards to pick early on - it lets you target farm the remaining members of your team much easier, and towards the last 50-80 floors you can choose the easier ones to coast through while you finish building your team. In particular, routes you need to keep in mind:
- You always start in "Town" and move into "Plains"; this is 100% guaranteed in every Classic run. This means the first 20 floors are always weighted heavily to normal- and grass-types. When building your starting team, it's helpful to keep this in mind - for instance, picking up things strong against these two types (shoutout to Flamigo/Hawlucha!) and maybe not bringing a grass type knowing that you're likely to catch one early on if you're desperate for filler.
- "Metropolis" vs. "Lake" vs. "Grass": Moving out of Plains, these are your three options available if you have the Map by now. The biome you leave Plains for is the biggest observation you can make for your run - it will dictate how you form the rest of your team as you progress into the midgame. If you get diverted to Lake, but need an Electric-type (for instance), you need to find a way to get the map to divert to "Construction Site" or loop back to Plains, or you may be hard pressed to find an Electric-type at all in your entire run. The same goes for Fairy- and Steel-types - "Fairy Cave", the biome with the largest quantity of fairy types, is only accessible through "Meadows", which requires you to go through the forest biomes first. If you're not looking like you're going through those areas, you'll need to be less picky about what fairy-types you come across if you hope to snag one. (I recommend visiting the wiki for their nice little flowchart diagram if you ever want a more nuanced look into each path and where they can potentially lead, along with what spawns in each.)
- Build a well-rounded team. Building mono-type teams is cute, but ultimately extra work. Focus on coverage and being able to handle anything that comes along - remember, the last floors feature a variety of Elite 4 members and the Champion, all of which will require a varied approach on what types of Pokemon to bring for best results. By floor 100, you should either have most of your team set or a plan to fill the rest out by the time you reach ~170. By 180 it's likely too late (with the exception of maybe getting a last Mushroom or TM to fill out a moveset).
2024.05.14 17:05 kayakero Stochastic Oscillator – How does it work and how to use it in trading?
 | What is the stochastic oscillator?A stochastic oscillator chart allows you to identify momentum in the price of a financial asset. At the core of this indicator is the stochastic oscillator formula. What it does is compare the closing price of a security with the recent high and low prices. It then converts it to a figure between 0 and 100, which is the actual value of the stochastic oscillator.Let's say you talk to two traders independently and ask them what the stochastic oscillator shows. You will most likely get two very different answers. On the one hand, the stochastic oscillator is an indicator of both up and down momentum. On the other hand, some traders may see it as an indicator of overbought and oversold prices. Both explanations are correct in theory. The fundamental difference lies in how you use the indicator within your investment strategy. https://preview.redd.it/75cd3582pe0d1.png?width=623&format=png&auto=webp&s=7f594c2024beede3d8096e690387ae660095b242 There are other factors to take into account. One of them is the period during which the low price and the high price are taken. You will need to research the ideal indicator settings for your particular trading method. Are you happy to opt for a flatter long-term trend? Alternatively, would you prefer a more sensitive short-term indicator that could alert you to short-term trading opportunities? A brief history There is some debate about the origins of the stochastic oscillator. Especially the %D indicators which we will cover later in this article. Many believe that C. Ralph Dystant was the original creator of the indicator. However, George C. Lane is perhaps more commonly credited with playing his role in popularizing it. The latter also introduced several tweaks and adjustments. We can trace the stochastic oscillator itself back to the 1950s, when C. Ralph Dystant taught courses on the stock market. In these courses, his original focus was on commodities. The classes were one of the first to focus on charts, moving averages, and other indicators as a means of attempting to predict future price movements. By the way, George C. Lane supposedly started working for C Ralph Dystant in 1954. That was the same year that technical “guru” Roy Larson retired. It was a coincidence? It would be fair to say that both C. Ralph Dystant, and George C. Lane, were integral to the creation of the stochastic oscillator indicator and the influence it still has on investors today. In many ways, the key to its success is its relative simplicity. The masterstroke introduced an easy-to-understand range between zero and 100. In the words of Kelly Johnson, former principal engineer at Lockheed Skunk Works, “keep it simple, stupid.” Many traders today refer to this quote as the KISS principle, because in English it would be “keep it simple, stupid.” How does the stochastic oscillator work? Now let's examine how the stochastic oscillator works. We'll also see how quickly you can adjust the sensitivity of the indicator. The basic concept behind the stochastic oscillator is momentum. It gives you the ability to monitor the price momentum of an asset. Doing so allows you to see if, compared to recent highs and lows, you are potentially oversold or overbought. However, therein lies a potential conundrum. A simple exampleWhat if we look at the S&P 500? The E-Mini S&P 500 futures contract is among the highest volume assets in the futures market. What will its momentum show us if we look at it? Imagine the example of shooting a rocket into the sky. It will not stop suddenly and return to earth immediately after running out of fuel. The fading momentum will continue to push you higher at a drastically decreasing speed. However, when the positive momentum finally ends, the rocket will spin and head toward the earth. As a result, you gain new momentum along the way. This is the idea behind the stochastic oscillator. Using the recent highs and lows, for comparison, you should be able to identify a change in momentum. That result should also be reflected in the graphs.There is a general consensus that when stochastic oscillator levels fall below 20, it indicates that the asset is oversold. Meanwhile, if it moves above 80, that indicates that the asset is overbought. Let's take 50 as our average value. In theory, positive momentum is above the line, while negative momentum is below it. Although this is often the case, you should be on the lookout for potential false signals. Now let's go ahead and take a look at the ways to read and understand the Stochastic Oscillator indicator. Stochastic Oscillator Formula and CalculationIn this section, we will look at the stochastic oscillator formula. We'll also point out which elements of the formula you can adjust to change the sensitivity. The formula is the following:C = the most recent closing price L14 = the lowest price traded during the last 14 trading sessions H14 = the highest price traded during the last 14 trading sessions %K = the current value of the stochastic indicator as a percentage To give a practical example of how the indicator works, we will look at the S&P 500 index. This is the figure on which the E-mini S&P 500 futures contracts are based. Current level = 3490 Low point in the last 14 trading sessions = 3300 High point in the last 14 trading sessions = 3500 The calculation is as follows: 3490-3300/3500-3300 = 190/200 (190/200) x 100 = 95% ExampleSo, according to the Stochastic Oscillator indicator, the S&P 500 Index has strong momentum and is in possible “overbought” territory. Many people would classify this as the standard stochastic oscillator indicator calculation based on 14 trading sessions. However, what does the situation look like based on eight trading sessions?Current level = 3490 Low point in the last 8 trading sessions = 3400 High point in the last 8 trading sessions = 3500 3490-3400/3500-3400 = 90/100 (90/100) x 100 = 90% Finally, what indication does the calculation with a 30-period moving average give us? Current level = 3490 Low point in the last 30 trading sessions = 3200 High point in the last 8 trading sessions = 3500 3490-3200/3500-3200 = 290/300 (290/300) x 100 = 97% The shorter the period in question, the more sensitive the formula will be to daily movements. The reason is that the difference between the maximum and minimum point should be relatively small, in theory. In the three examples above, the S&P 500 index has strong momentum for 14 and 30 days. However, it is noticeably lower if you only look at it over 8 days. And, on the other hand, they all indicate a potentially overbought scenario. How to read stochastic oscillator charts?Next, let's take a look at two stochastic oscillator indicator charts. We will highlight some of the turning points that could have been beneficial for traders. The first chart is the traditional (fast) stochastic oscillator indicator with a smoother %D trend line based on the %K factor.https://preview.redd.it/vzf6c7wfme0d1.png?width=1377&format=png&auto=webp&s=512182433e3783fa53bcf9fad33fbc81b5a40bef The second chart is what we call a “slow stochastic oscillator indicator”. It averages the index level over a longer period. Then we have the %D factor, which is based on the %K and gives an even smoother line. The longer the period over which prices are examined, including high, low and current prices, the smoother the chart will be. However, there will be a significant delay. On the plus side, in many ways, this can help offset the short-term peaks and troughs that can sometimes tempt people to buy and sell when they shouldn't. https://preview.redd.it/b7k655aime0d1.png?width=1420&format=png&auto=webp&s=ee2a182215d415eb4e5f7b8e528b81247e601a2a How to use the stochastic oscillator?The key to using the stochastic oscillator is finding the time frame that best suits your investment strategy. Those looking for short-term trading will focus on relatively short periods, which can lead to somewhat volatile changes in the indicator. Those looking for confirmation of longer-term trends will extend the period in question. These graphs will be smoother and, due to the long delay, are not as susceptible to short-term changes.What are the best and most accurate settings?There are three variables to consider when looking at the stochastic oscillator setup, which are:%K = based on the number of time periods used in the calculation Slowdown = simple moving average (SMA) factor applied to %K %D = %K moving average factor As we mentioned earlier, the stochastic oscillator has three different types. Among them are: The Fast Stochastic Oscillator (Traditional Indicator)Fast %K = basic %K calculation for 14 periodsFast %D = Fast Stochastic Oscillator Three-Period SMA %K The slow stochastic oscillatorSlow %K = Fast %K expressed as three-period SMASlow %D = Slow %K three-period SMA The Complete Stochastic Oscillator%K full = %K fast smoothed over a period X SMAFull %D = Full %K Period X SMA The beauty of this system is the fact that all previous variations of the original indicator produce figures from 0 to 100. As a result, it is easy to compare and contrast the variation in the trend lines. The longer the periods in which you calculate the simple moving average, the smoother the line will be. As we mentioned above, the simple fast stochastic oscillator will throw up many possible overbought and oversold positions. Some of them will inevitably be false signals. As you can see from the charts above, the Fast Stochastic Oscillator can be quite volatile, frequently trading above or below the 80 and 20 levels for a short period of time. On the same chart, you can see areas where the %D (SMA figure) is not as volatile and does not always fall below or move above the 80 or 20 levels like the Fast Stochastic Oscillator does. Trading strategies with the stochastic oscillatorThere are many ways you can use the stochastic oscillator indicator to open positions, close positions or even reduce your position if the chart is at a critical point.Identifying overbought/oversold levelsAs you will see in the chart below, there are a variety of very useful indicators that could have generated some significant gains. The first overbought indicator shows the Fast Stochastic Oscillator figure reaching the 80% level and then turning sharply downwards through the three-period SMA. These crossover points are considered by many to be strong indicators that momentum is shifting and the short-term trend may be about to reverse.The second overbought position begins to emerge when the Fast Stochastic Oscillator and the SMA move above 80%. A move above 80% or below 20% should not necessarily be seen as a signal to sell or buy, but rather as an early warning that momentum may be about to change. https://preview.redd.it/3taqkc2kne0d1.png?width=1912&format=png&auto=webp&s=e7a55840fdae584d81ebe937210f3b3fe70ecb32 Many people prefer to wait for a sustained drop below 80% or move above 20% before reacting, thus eliminating a degree of volatility that can sometimes create false signals. This is where SMA lines can be very useful, smoother and less volatile, although you won't necessarily sell at the top due to the lag. You can also see the two false overbought signals where the Fast Stochastic Oscillator figure and the SMA fell below 80. However, they reversed quite quickly when the momentum picked up again and the chart moved back into higher territory. You will find that where there is a strong uptrend, which has not been broken, at some point there will be a pullback which can be an opportunity to buy into the weakness. This is the reason why the fast stochastic oscillator is more appropriate for day traders, or also for short-term traders. Bullish/bearish divergence There will be times when there is a bullish/bearish divergence between the actual chart and the stochastic oscillator indicator. As you can see with the chart below, the lowest point on the chart would indicate the possibility of a further decline. However, when you look at the stochastic oscillator indicator, the trend is moving in a different direction and is slightly bullish. This may be an indication that the stock has bottomed and momentum may be about to change. One of the main signals to watch out for with this particular chart is the fast stochastic oscillator moving through the SMA line. https://preview.redd.it/rku5zd2joe0d1.png?width=1087&format=png&auto=webp&s=e6583cea6a63f18ed49327c4f626a39608b9e016 You are equally likely to see a reversal where the main chart indicates an intact uptrend, while the stochastic oscillator shows a slowdown in momentum and a turn towards a downtrend. These are some of the rarest trading signals, but they are very interesting, especially when you incorporate simple trend lines into price charts. Price trendThe relationship between the Fast Stochastic Oscillator and the SMA is very important. As you can see in the chart below, the first section is dominated by the strong downtrend with the Fast Stochastic Oscillator and the SMA descending in parallel.Then there is a bounce on the chart followed by a move into choppy waters with an obvious downtrend. As you will see, both indicators remain below the 20% level, indicating that the momentum is relatively weak. That is until the Fast Stochastic Oscillator breaks the SMA line towards the end of the choppy price action area. https://preview.redd.it/v5d3gkatoe0d1.png?width=520&format=png&auto=webp&s=caa386e1e0e6979fc9210fe18c06c0e3acb9738b This change in momentum is demonstrated by the uptrend, although it is not difficult to see where the momentum begins to fade above 80%. When the short-term trend line breaks through the SMA and falls below the 80% level, this indicates another change in the trend – a possible sell signal. Advantages of using the stochastic oscillatorMomentum is very important when it comes to trading and there is no doubt that the stochastic oscillator indicator is a very useful tool. There are a number of advantages to consider which include: –Sensitive to impulse changeThe shorter the period during which the high, low and current price are compared, the more volatile the stochastic oscillator indicator will be. Using SMA trend lines can also create very strong buy/sell signals when the lines cross, especially above 80% and below 20%. This event would indicate that the short-term trend is changing and assuming it continues, a new trend will follow.Opportunity to identify bullish/bearish divergenceDue to the way the Stochastic Oscillator indicator is calculated, you will sometimes see a divergence between the price chart and the indicator. While the price chart may indicate that a downtrend is still intact, the stochastic oscillator chart may already be identifying a change in momentum before the price changes. As you will see in the chart above, these can be powerful trading signals. How long you can wait to see if a new trend emerges will vary between traders. How brave are you?The formula is flexibleThe shorter the period in question, the more volatile the stochastic oscillator indicator will be. However, there is the possibility of identifying short-term trading opportunities. However, for those who have a longer-term investment strategy, they can extend the number of periods in question. This will flatten the line of the Fast and Volatile Stochastic Oscillator and give a smoother line, which can make it easier to identify any changes in long-term trends.Risks and limitations of the indicatorAs with any technical indicator, the stochastic oscillator is not immune to false signals and is probably best used in conjunction with other trading indicators. Risks and limitations include:False signalsThe shorter the period over which the fast stochastic oscillator is calculated, the more susceptible it is to extreme volatility. This can create numerous false signals, although the impact can be reduced by adding a simple moving average line.Sideways TradingThe indicator works best when there is a new uptrend, a downtrend or perhaps a short, sharp period of consolidation before the trend re-emerges. During periods of sideways trading, this can create a relatively small gap between the high and low points, therefore creating sharp movements in the indicator on relatively small price movements.SMA lines delay trend changesUsing longer periods to calculate %K and SMA trend lines can make it easier to identify changes in the trend. However, due to the delay, you may miss a significant element of a changing trend before you decide to buy or sell. You can adjust the variables of the full stochastic oscillator indicator to help you with your specific investment strategy, lengthening or shortening the periods and adjusting the SMA.Stochastic Oscillator vs Other IndicatorsThe Stochastic Oscillator indicator is extremely flexible and you can adjust the periods and SMA variables to suit your trading plan. However, especially when looking at limited periods, there will be times when the indicator will create a false signal. Therefore, it is wise to consider other means of technical analysis to clarify whether a potential change in momentum indicated by the stochastic oscillator is also reflected elsewhere.Stochastic Oscillator vs RSIWhile it is true that you can use both the stochastic oscillator and the RSI (Relative Strength Index) to measure price momentum, they work on very different principles. The RSI measures potential overbought/oversold positions by comparing recent gains to recent losses. The idea behind the stochastic oscillator is based on the assumption that the current price should follow the current trend. When the current price moves against the trend, it can indicate a change in momentum and a possible buy/sell signal. So who wins the fight, the Stochastic Oscillator or the RSI?If the two oscillators indicated the same trend, this would be a powerful signal for investors. For example, if the price of an asset moved towards the upper end of its recent high/low range, it would indicate positive momentum. Assuming that the RSI oscillator is also showing a relatively strong trend, this would reduce the chances of a false signal. Stochastic Oscillator vs MACDThe Moving Average Convergence Divergence (MACD) is a prominent momentum indicator, although it is very different from the stochastic oscillator indicator. The MACD is calculated by subtracting the 26-period exponential moving average from the 12-period exponential moving average. Many traders use the MACD technical indicator in conjunction with the stochastic oscillator, often looking for crossover points between the two.Those who consider technical indicators from a distance might wonder why traders don't simply use three, four, five or more technical indicators together. The answer is simple: the time lag between different technical indicators can confuse the situation. By the time several different indicators have “aligned”, you may end up missing the vast majority of the trend. There is nothing wrong with using a single technical indicator, but there are risks and false signals can and do occur. BONKbot Telegram User Guide: Sniping 1000x Memecoins Unibot User Guide Top 7 Telegram Bots Access more profitable trading tips joining the Capitalist Exploits Insider Newsletter Get a $100 bonus trading with Binance |
2024.05.14 16:25 Mophandel Archaeotherium, the King of the White River Badlands
 | Art by Bob Nicholls submitted by Mophandel to Naturewasmetal [link] [comments] Nowadays, when we envision the words “prey,” among modern mammalian fauna, few taxa come to mind as quickly as the hoofed mammals, better known as the ungulates. Indeed, for the better part of their entire evolutionary history, the ungulates have become entirely indistinguishable from the term “prey.” Across their two major modern branches, the artiodactyls (the “even-toed ungulates,” such as bovids, pigs, deer, hippos and giraffes) and the perissodactyls (the “odd-toed ungulates,” including horses, rhinos and tapir), the ungulates too have created an empire spanning nearly every continent, establishing themselves as the the dominant herbivores throughout their entire range. However, as a price for such success, their lot as herbivores have forced them into an unenviable position: being the food for the predators. Indeed, throughout the diets of most modern predators, ungulates make up the majority, if not the entirety, of their diet, becoming their counterparts in this evolutionary dance of theirs. They have become the lamb to their wolf, the zebra to their lion, the stag to their tiger. If there is a predator in need of lunch, chances are that there is an ungulate there to provide it. Of course, such a dynamic is not necessarily a recent innovation. For the last 15-20 million years, across much of the world, both new and old, the ungulates have served as prey for these predators through it all. Over the course of whole epochs, these two groups have played into these roles for millions of years, coevolving with each other in an eons-long game of cat-and-mouse. The shoes they fill are not new, but have existed for ages, and within their niches they have cultivated their roles to perfection. Indeed, with such a tenured history, it seems hardly surprising the ungulates are wholly inseparable from the terms “prey,” itself. However, while this is the case now, as it has been for the last 15-20 million years, go back far enough, and we see that this dynamic is not as set in stone as we would think. Indeed, back during the Eocene and Oligocene, during the very earliest days of age of mammals, things were very different for the ungulates. While today they are considered little more than food for modern predators, during these olden days, the ungulates weren’t quite so benign. In fact, far from being fodder for top predators, the ungulates had turned the tables, instead becoming top predators themselves. Indeed, though nearly unheard of today, throughout much of the Eocene and Oligocene, carnivorous ungulates thrived in abundance, developing specializations for catching large prey and establishing themselves as top predators that competed alongside the more traditional carnivores, and even dominating them in some instances. Given such success, it’s no wonder that multiple such clades had arisen during this time. Such predators included the arctocyonids, a lineage of (ironically) hoof-less ungulates with large jaws and sharp teeth for capturing large prey. There were also the mesonychians, a lineage of dog-like ungulates with massive skulls and jaws that allowed them to reign as the top predator across much of the Eocene. However, among these various lineages, one stands stands out among the rest, by far. Arising during the Eocene, this lineage, though superficially resembling modern pigs, hailed from one an ancient lineage of artiodactyls far removed from swine or most other ungulates in general, with few close relatives alive today. Through perhaps not the most predatory of the bunch, it was among the most formidable, as their superficially pig-like appearance came with giant predatory jaws and teeth unlike anything from the modern era. And of course, as if all of that wasn’t enough, this lineage also went on to earn arguably one of the most badass nicknames of any lineage of mammals, period. These predators, of course, were the entelodonts, a.k.a the “hell-pigs.” More so than any other predatory ungulate lineage, these formidable ungulates were the ones to turn the current paradigm upside down, becoming some of the largest and most dominant carnivores in their landscape, even with (and often in spite of) the presence of more traditional predators. Through impressive size, fearsome teeth and sheer tenacity, these animals became the top dogs of their time, ruling as behemoth-kings of their Paleogene kingdoms, domineering all comers, and throughout the ranks, one entelodont in particular demonstrated such dominance the best. Though not the largest or most powerful of their kind, it is one of the most iconic, being among the most well-known members of its lineage to date. Moreover, this enteledont also has some of the most complete life histories ever seen out of this clade, with its brutality and predatory prowess being displayed in the fossil record in a way seen in no other member of its kind. More than anything else, however, it was this predator that best turned the notion of “ungulates being prey” on its head, living in an environment that bore some of the largest carnivoran hypercarnivores to date and still reigning as the undisputed top predator of its domain. This fearsome beast was none other than Archaeotherium, icon of the entelodonts, terror of the Oligocene American west and undisputed king of the White River badlands. The rise of Archaeotherium (and of entelodonts in general) is closely tied to the ascendancy of carnivorous ungulates as a whole, one of the earliest evolutionary success stories of the entire Cenozoic. Having become their own derived clade since the late Cretaceous, the ungulates were remarkably successful during the early Paleogene, as they were among the first mammalian clades to reach large sizes during those early days after the non-avian dinosaurs had gone extinct. As such, it was with incredible swiftness that, as the Paleogene progressed, the ungulates swooped upon the various niches left empty by the K-Pg mass extinction that killed the dinosaurs. This of course included the herbivorous niches we would know them for today, but this also included other, much more carnivore roles. Indeed, early on during the Paleogene, it was the ungulates that first seized the roles of large mammalian predators, becoming some the earliest large mammalian carnivores to ever live, well before even the carnivorans. Such predators included the arctocyonids, a lineage of vaguely dog-like, hoof-less ungulates with robust jaws and sharpened teeth that acted as some of earliest large carnivores of the Paleocene, with genera such as Arctocyon mumak getting up to the size of big cats. Even more prolific were the mesonychids. More so than what pretty much any other lineage of predator, it was the mesonychids that would stand out as the earliest dominant predators of the early Cenozoic. Growing up to the size of bears and with enormous, bone-crushing jaws, the mesonychids were among the most powerful and successful predators on the market at that time, with a near-global range and being capable of subjugating just about any other predator in their environments. Indeed, they, along with other carnivorous ungulates (as well as ungulates in general), were experiencing a golden age during this time, easily being the most prolific predators of the age. Given such prevalence, it should be no surprise that there would be yet another lineage of predatory ungulates would throw their hat into the ring, and by early Eocene, that contender would none other than the entelodonts. The very first entelodonts had arisen from artiodactyl ancestors during the Eocene epoch, at a time when artiodactyls were far more diverse and bizarre than they are now. Through today known from their modern herbivorous representatives such as bovines, deer, and antelope, during the Paleocene and Eocene, the artiodacyls, as with most ungulates of that time, were stronger and far more predaceous, particularly when it came to one such clade of artiodactyls, the cetacodontamorphs. Only known today from hippos and another group of artiodactyls (one which will become relevant later), the cetacodantomorphs emerged out of Asia around 55 million years ago, at around the same time that artiodactyls themselves had made their debut. These animals included the first truly predatory artiodactyls, with many of them possessing large skulls with powerful jaws and sharp, predatory teeth. Among their ranks included animals as puny as Indohyus, a piscivorous artiodactyl the size of a cat, to as formidable as Andrewsarchus, a giant, bison-sized predator often touted as one of the largest predatory mammals to ever live. Given such a predatory disposition, it wouldn’t be long until this clade produced a lineage of truly diverse, truly successful predators, and by around 40 million years ago, that is exactly what they did, as it was at that time that the entelodonts themselves first emerged. From their Asian homeland, the entelodonts spread across the world, spreading through not only most of Eurasia but also colonizing North America as well, with genera such as Brachyhyops being found across both continents. Here, in this North American frontier, the entelodonts began to diversify further, turning into their most successful and formidable forms yet, and it was around the late Eocene and early Oligocene that Archaeotherium itself had entered the scene. Just from a passing glance at Archaeotherium, it is clear how exactly it (as well as the other entelodonts) earned the nickname of “hell-pigs.” It was a bruiser for starters; its body bore a robust, pig-like physique, with prominent neural spines and their associated musculature forming a hump around the shoulder region, similar to the hump of a bison. With such a bulky physique came with it impressive size; the average A. mortoni had a head-body length of roughly 1.6-2.0 m (5.3-6.6 ft), a shoulder height of 1.2 m (4 ft) and a body mass of around 180 kg (396 lb) in weight (Boardman & Secord, 2013; Joeckel, 1990). At such sizes, an adult Archaeotherium the size of a large male black bear. However, they had the potential to get even bigger. While most Archaeotherium specimens were around the size described above, a select few specimens, labeled under the synonymous genus “Megachoerus,” are found to be much larger, with skulls getting up to 66% longer than average A. mortoni specimens (Foss, 2001; Joeckel, 1990). At such sizes and using isometric scaling, such massive Archaeotherium specimens would attained body lengths over 2.5 m (8.2 ft) and would have reached weighs well over 500 kg (1100 lb), or as big as a mature male polar bear. Indeed, at such sizes, it is already abundantly evident that Archaeotherium is a force to be recorded with. However, there was more to these formidable animals than sheer size alone. Behind all that bulk was an astoundingly swift and graceful predator, especially in terms of locomotion. Indeed, the hoofed feet of Archaeotherium, along with other entelodonts, sported several adaptations that gave it incredible locomotive efficiency, essentially turning it into a speed demon of the badlands. Such adaptations include longer distal leg elements (e.g. the radius and tibia) than their proximal counterparts (e.g. the humerus and femur), fusion of the radius and ulna for increased running efficiency, the loss of the clavicle (collar-bone) to allow for greater leg length, the loss of the acromion to enhance leg movement along the fore-and-aft plane, the loss of digits to reduce the mass of the forelimb, the fusion of the ectocuneiform and the mesocuneiform wrist-bones, among many other such traits (Theodore, 1996) . Perhaps most significant of these adaptations is the evolution of the “double-pulley astragalus (ankle-bone),” a specialized modification of the ankle that, while restricting rotation and side-to-side movement at the ankle-joint, allows for greater rotation in the fore-and-aft direction, thus allowing for more more powerful propulsion from the limbs, faster extension and retraction of the limbs and overall greater locomotive efficiency (Foss, 2001). Of course, such a trait was not only found in entelodonts but in artiodactyls as a whole, likely being a response to predatory pressures from incumbent predatory clades arising at the same time as the artiodactyls (Foss, 2001). However, in the case of the entelodonts, such adaptations were not used for merely escaping predators. Rather, they were used to for another, much more lethal effect… Such notions are further reinforced by the entelodonts most formidable aspect, none either than their fearsome jaws, and in this respect, Archaeotherium excelled. Both for its size and in general, the head of Archaeotherium was massive, measuring 40-50 cm (1.3-1.6 ft) in length among average A. mortoni specimens, to up to 78 cm (~2.6 ft) in the larger “Megachoerus” specimens (Joeckel, 1990). Such massive skulls were supported and supplemented by equally massive neck muscles and ligaments, which attached to massive neural spines on the anterior thoracic vertebrae akin to a bisons hump as well as to the sternum, allowing Archaeotherium to keep its head aloft despite the skulls massive size (Effinger, 1998). Of course, with such a massive skull, it should come as no surprise that such skulls housed exceptionally formidable jaws as well, and indeed, the bite of Archaeotherium was an especially deadly one. Its zygomatic arches (cheek-bones) and its temporal fossa were enlarged and expanded, indicative of massive temporalis muscles that afforded Archaeotherium astoundingly powerful bites (Joeckel, 1990). This is further augmented by Archaeotherium’s massive jugal flanges (bony projections of the cheek), which supported powerful masseter muscles which enhanced chewing and mastication, as well as an enlarged postorbital bar that reinforced the skull against torsional stresses (Foss, 2001). Last but not least, powerful jaws are supplemented by an enlarged gape, facilitated by a low coronoid process and enlarged posterior mandibular tubercles (bony projections originating from the lower jaw), which provided an insertion site for sternum-to-mandible jaw abduction muscles, allowing for a more forceful opening of the jaw (Foss, 2001). All together, such traits suggest a massive and incredibly fearsome bite, perhaps the most formidable of any animal in its environment. Of course, none of such traits are especially indicative of a predatory lifestyle. Indeed, many modern non-predatory ungulates, like hippos, pigs and peccaries, also possess large, formidable skulls and jaws. However, in peeling back the layers, it is found there was more to the skull of Archaeotherium that lies in store. Indeed, when inspecting the animal closely, a unique mosaic of features is revealed; traits that make it out to be much more lethal than the average artiodactyl. On one hand, Archaeotherium possessed many traits similar to those of herbivores animals, as is expected of ungulates. For instance, its jaw musculature that allowed the lower jaw of Archaeotherium a full side-to-side chewing motion as in herbivores (whereas most carnivores can only move their lower jaw up and down)(Effinger, 1998). On the other hand, Archaeotherium wielded many other traits far more lethal in their morphology, less akin to a herbivore and far more akin to a bonafide predator. For instance, the aforementioned enlarged gape of Archaeotherium is a bizarre trait on a supposed herbivore, as such animals do not need large gapes to eat vegetation and thus have smaller, more restricted gapes. Conversely, many predatory lineages have comparatively large gapes, as larger gapes allow for the the jaws to grab on to more effectively larger objects, namely large prey animals (Joeckel, 1990). Such a juxtaposition, however, is most evident when discussing the real killing instruments of Archaeotherium — the teeth. More so than any facet of this animal, the teeth of Archaeotherium are the real stars of the show, showing both how alike it was compared to its herbivores counterparts and more importantly, how it couldn’t be more different. For instance, the molars of Archaeotherium were quite similar to modern herbivores ungulates, in that they were robust, bunodont, and were designed for crushing and grinding, similar in form and function to modern ungulates like peccaries (Joeckel, 1990). However, while the molars give the impression that Archaeotherium was a herbivore, the other teeth tell a very different story. The incisors, for example, were enlarged, sharpened, and fully interlocked (as opposed to the flat-topped incisors seen in herbivores ungulates), creating an incisor array that was seemingly ill-suited for cropping vegetation and much more adept at for gripping, puncturing and cutting (Joeckel, 1990). Even more formidable were the canines. Like the modern pigs from which entelodonts derived their nicknames, the canines of Archaeotherium were sharp and enlarged to form prominent tusk-like teeth, but unlike pigs, they were rounded in cross-section (similar to modern carnivores like big cats, indicating more durable canines that can absorb and resist torsional forces, such as those from struggling prey) and were serrated to form a distinct cutting edge (Effinger, 1998; Joeckel, 1990; Ruff & Van Valkenburgh, 1987). These canines, along with the incisors, interlock to stabilize the jaws while biting and dismantling in a carnivore-like fashion. More strikingly, the canines also seem to act as “occlusal guides,” wherein the canines help align the movement and position of the rear teeth as they come together, allowing for a more efficient shearing action by the rear teeth. This function is seen most prevalently modern carnivores mammals, and is evidenced by the canine tooth-wear, which is also analogous to modern predators like bears and canids (Joeckel, 1990). Indeed, going off such teeth alone, it is clear that Archaeotherium is far more predatory than expected of an ungulate. However, the real stars of the show, the teeth that truly betray the predatory nature of these ungulates, are the premolars. Perhaps the most carnivore-like teeth in the entelodont’s entire tooth row, the premolars of Archaeotherium, particularly the anterior premolars, are laterally compressed, somewhat conical in shape, and are weakly serrated to bear a cutting edge, giving them a somewhat carnivorous form and function of shearing and slicing (Effinger, 1998). Most strikingly of all, the premolars of Archaeotherium bear unique features similar not to modern herbivores, but to durophagous carnivores like hyenas, particularly apical wear patterns, highly thickened enamel, “zigzag-shaped” enamel prism layers (Hunter-Schraeger bands) on the premolars which is also seen in osteophagous animals like hyenas, and an interlocking premolar interface wherein linear objects (such as bones) inserted into jaws from the side would be pinned between the premolars and crushed (Foss, 2001). Taken together, these features do not suggest a diet of grass or vegetation like other ungulates. Rather, they suggest a far more violent diet, one including flesh as well as hard, durable foods, particularly bone. All in all, the evidence is clear. Archaeotherium and other entelodonts, unlike the rest of their artiodactyl kin, were not the passive herbivores as we envision ungulates today. Rather, they were willing, unrepentant meat-eaters that had a taste for flesh as well as foliage. Of course, even with such lines of evidence, its hard to conclude that Archaeotherium was a true predator. After all, its wide gape and durophagous teeth could have just as easily been used for scavenging or even to eat tough plant matter such as seeds or nuts, as in peccaries and pigs, which themselves share many of the same adaptations as Archaeotherium, include the more carnivorous ones (e.g. the wide gape, using the canines as an occlusal guide, etc.). How exactly do we know that these things were veritable predators and not pretenders to the title. To this end, there is yet one last piece of evidence, one that puts on full display the predatory prowess of Archaeotherium —evidence of a kill itself. Found within oligocene-aged sediment in what is now Wyoming, a collection of various fossil remains was found, each belonging to the ancient sheep-sized camel Poebrotherium, with many of the skeletal remains being disarticulated and even missing whole hindlimbs or even entire rear halves of their body. Tellingly, many of the remains bear extensive bite marks and puncture wounds across their surface. Upon close examination, the spacing and size of the punctures leave only one culprit: Archaeotherium. Of course, such an event could still have been scavenging; the entelodonts were consuming the remains of already dead, decomposed camels, explaining the bite marks. What was far more telling, however, was where the bite marks were found. In addition bite marks being found on the torso and lumbar regions of the camels, various puncture wounds were found on the skull and neck, which were otherwise uneaten. Scavengers rarely feast on the head to begin with; there is very little worthwhile meat on it besides the brain, cheek-muscles and eyes, and even if they did feed on the skull and neck, they would still eat it wholesale, not merely bite it and then leave it otherwise untouched. Indeed, it was clear that this was no mere scavenging event. Rather than merely consuming these camels, Archaeotherium was actively preying upon and killing them, dispatching them via a crushing bite to the skull or neck before dismembering and even bisecting the hapless camels with their powerful jaws to preferentially feast on their hindquarters (likely by swallowing the hindquarters whole, as the pelvis of Poebrotherium was coincidentally the perfect width for Archaeotherium to devour whole), eventually discarding the leftovers in meat caches for later consumption (Sundell, 1999). With this finding, such a feat of brutality leaves no doubt in ones mind as to what the true nature of Archaeotherium was. This was no herbivore, nor was it a simple scavenger. This was an active, rapacious predator, the most powerful in its entire ecosystem. Indeed, with such brutal evidence of predation frozen in time, combined with various dental, cranial, and post cranial adaptations of this formidable animal, it’s possible to paint a picture of how this formidable creature lived. Though an omnivore by trade, willing and able to feast on plant matter such as grass, roots and tubers, Archaeotherium was also a wanton predator that took just about any prey it wanted. Upon detecting its prey, it approached its vicim from ambush before launching itself at blazing speed. From there, its cursorial, hoofed legs, used by other ungulates for escape predation, were here employed to capture prey, carrying it at great speeds as it caught up to its quarry. Having closed the distance with its target, it was then that the entelodont brought its jaws to bear, grabbing hold of the victim with powerful jaws and gripping teeth to bring it to a screeching halt. If the victim is lucky, Archaeotherium will then kill it quickly with a crushing bite to the skull or neck, puncturing the brain or spinal cord and killing its target instantly. If not, the victim is eaten alive, torn apart while it’s still kicking, as modern boars will do today. In any case, incapacitated prey are subsequently dismantled, with the entelodont using its entire head and heavily-muscled necks to bite into and pull apart its victim in devastating “puncture-and pull’ bites (Foss, 2001). Prey would then finally be consumed starting at the hindquarters, with not even the bones of its prey being spared. Such brutality, though far from clean, drove home a singular truth: that during this time, ungulates were not just prey, that they were not the mere “predator-fodder” we know them as today. rather, they themselves were the predators themselves, dominating as superb hunters within their domain and even suppressing clades we know as predators today, least of all the carnivorans. Indeed, during this point in time, the age of the carnivorous ungulates had hit their stride, and more specifically, the age of entelodonts had begun. Of course, more so than any other ettelodont, Archaeotherium took to this new age with gusto. Archaeotherium lived from 35-28 million years ago during the late Eocene and early Oligocene in a locality known today as the White River Badlands, a fossil locality nestled along the Great Plains and Rocky Mountains. Though a chalky, barren landscape today, during the time of Archaeotherium, the White River Badlands was a swamp-like floodplain crisscrossed with rivers and interspersed with by a mosaic of forests concentrated around waterways, open woodlands and open plains. As with most ecosystems with such a lush disposition, this locale teemed with life, with ancient hornless rhinos, small horse-like hyracodonts and early camels roaming the open habitats while giant brontotheres, small early horses and strange, sheep-like ungulates called merycoidodonts (also known as “oreodonts”) dwelled within the dense forests. Within this locale, Archaeotherium stalked the open woodlands and riparian forests of its domain. Here, it acted as a dominant predator and scavenger across is territory, filling a niche similar to modern grizzly bears but far more predatory. Among its preferred food items would be plant matter such as roots, foliage and nuts, but also meat in the form of carrion or freshly caught prey. In this respect, smaller ungulates such as the fleet-footed camel Poebrotherium, a known prey item of Archaeotherium, would have made a for choice prey, as its small size would make it easy for Archaeotherium to dispatch with its powerful jaws, while the entelodonts swift legs gave it the speed necessary to keep pace with its agile prey. However, the entelodont didn’t have such a feast all to itself. Just as the badlands teemed with herbivores, so too did it teem with rival predators. Among their ranks included fearsome predators such as Hyaenodon, a powerful, vaguely dog-like predator up to the size of wolves (as in H. horridus) or even lions (as in the Eocene-aged H. megaloides, which was replaced by H. horridus during the Oligocene). Armed with a massive head, fierce jaws and a set of knife-like teeth that could cut down even large prey in seconds, these were some of the most formidable predators on the landscape. There were also the nimravids, cat-like carnivorans that bore saber-teeth to kill large prey in seconds, and included the likes of the lynx-sized Dinictis, the leopard-sized Hoplophoneus and even the jaguar-sized Eusmilus. Furthermore, there were amphicyonids, better known as the bear-dogs. Though known from much larger forms later on in their existence, during the late Eocene and Oligocene, they were much smaller and acted as the “canid-analogues” of the ecosystem, filling a role similar to wolves or coyotes. Last but not least, there were the bathornithid birds, huge cariamiform birds related to modern seriemas but much larger, which filled a niche similar to modern seriemas or secretary birds, albeit on a much larger scale. Given such competition, it would seem that Archaeotherium would have its hands full. However, things are not as they appear. For starters, habitat differences would mitigate high amounts of competition, as both Hyaenodon and the various nimravids occupy more specialized ecological roles (being a plains-specialist and forest-specialist, respectively) than did Archaeotherium, providing a buffer to stave off competition: More importantly, however, none of the aforementioned predators were simply big enough to take Archaeotherium on. During the roughly 7 million years existence of Archaeotherium, the only carnivore that matched it in size was H. megaloides, and even that would have an only applied to average A. mortoni individuals, not to the much larger, bison-sized “Megachoerus” individuals. The next largest predator at that point would be the jaguars-sized Eusmilus (specifically E. adelos) which would have only been a bit more than half the size of even an average A. mortoni. Besides that, virtually every other predator on the landscape was simply outclassed by the much larger entelodont in terms of size and brute strength. As such, within its domain, Archaeotherium had total, unquestioned authority, dominating the other predators in the landscape and likely stealing their kills as well. In fact, just about the only threat Archaeotherium had was other Archaeotherium, as fossil bite marks suggest that this animal regularly and fraglantly engaged in intraspecific combat, usually through face-biting and possibly even jaw-wrestling (Effinger, 1998; Tanke & Currie, 1998). Nevertheless, it was clear that Archaeotherium was the undisputed king of the badlands; in a landscape of hyaenodonts and carnivorans galore, it was a hoofed ungulate that reigned supreme. However, such a reign would not last. As the Eocene transitioned into the Eocene, the planet underwent an abrupt cooling and drying phase known as Eocene-Oligocene Transition or more simply the Grande Coupure. This change in climate would eliminate the sprawling wetlands and river systems that Archaeotherium had been depending on, gradually replacing it with drier and more open habitats. To its credit, Archaeotherium did manage to hang on, persisting well after the Grand-Coupure had taken place, but in the end the damage had been done; Archaeotherium was a dead-man-walking. Eventually, by around 28 million years ago, Archaeotherium would go extinct, perishing due to this change in global climate (Gillham, 2019). Entelodonts as a whole would persist into the Miocene, producing some of their largest forms ever known in the form of the bison-sized Daeodon (which was itself even more carnivorous than Archaeotherium), however they too would meet the same fate as their earlier cousins. By around 15-20 million years ago, entelodonts as a whole would go extinct. However, while the entelodonts may have perished, this was not the end of carnivorous ungulates as a whole. Recall that the cetacodontamorphs, the lineage of artiodactyls that produced the entelodonts, left behind two living descendants. The first among them were the hippos, themselves fairly frequent herbivores. The second of such lineage, however, was a different story. Emerging out of South Asia, this lineage of piscivorous cetacodontamorphs, in a an attempt to further specialize for the fish-hunting lifestyle, began to delve further and further into the water, becoming more and more aquatic and the millennia passed by. At a certain point, these carnivorous artiodactlys had become something completely unrecognizable from their original hoofed forms. Their skin became hairless and their bodies became streamlined for life in water. Their hoofed limbs grew into giant flippers for steering in the water and their previously tiny tails became massive and sported giant tail flukes for aquatic propulsion. Their noses even moved to the tip of their head, becoming a blowhole that would be signature to this clade as a whole. Indeed, this clade was none other than the modern whales, themselves derived, carnivorous ungulates that had specialized for a life in the water, and in doing so, became the some of the most dominant aquatic predators across the globe for millions of years. Indeed, though long gone, the legacy of the entelodonts and of predatory ungulates as a whole, a legacy Archaeotherium itself had helped foster, lives on in these paragons of predatory prowess, showing that the ungulates are more than just the mere “prey” that they are often made out to be. Moreover, given the success that carnivorous ungulates had enjoyed in the past and given how modern omnivorous ungulates like boar dabble in predation themselves, perhaps, in the distant future, this planet may see the rise of carnivorous ungulates once again, following in the footsteps left behind by Archaeotherium and the other predatory ungulates all those millions of years ago. |
2024.05.14 16:12 ScholarGrade Juniors - If you want to improve your chances, NOW is the time to start brainstorming essays
There have been an increasing number of juniors visiting this sub asking for advice about writing essays. Below are some tips and advice for making your essay stand out as excellent. Feel free to ask questions because I will answer every single question in the comments.
I know from experience that many of you are struggling to identify a good topic for your essay. Conventional wisdom says to start by brainstorming a list of potential topics, and chances are, you have already started a mental list of ideas. You might think you only have a few choices for topics, based on your activities or experiences, or essay examples you read, or the rough draft you already started (or worse, that GPT started...). I advise, however, that you put down your list of topics and back away from it. Forget that exists for a moment. Seriously - thinking about this initial list tethers you to certain ideas that might not actually be your best options.
Now you can begin brainstorming with a clean slate.
Start with thinking about what you want to show in your entire application, not just one essay. Every single component in your app has one purpose – to tell more about YOU. Filling out the rest of the application by rote and focusing solely on the essay is short-sighted and will leave so much potential untapped in your application.
Your goal with essay brainstorming is to ascertain how to powerfully tell your story in a manner that will fit these criteria. The entirety of your application (again, not just one essay) aims to showcase your abilities, qualifications, and uncommon attributes as a person in a positive way. Before you begin outlining or writing your application, you must determine what is unique about you that will stand out to an admissions panel. All students are truly unique. Not one other student has the same combination of life experiences, personality, passions, or goals as you do. Your job in your application is to frame your unique personal attributes in a positive and compelling way. How will you fit on campus? What personal qualities, strengths, core values, talents, or different perspectives do you bring to the table? What stories, deeper motivations/beliefs, or formative experiences can you use to illustrate all of this?
It is always helpful to start with some soul-searching or self-examination. You might not immediately know what you want to share about yourself. It’s not a simple task to decide how to summarize your whole life and being in a powerful and eloquent way on your application. Introspection prior to starting your application takes additional time and effort rather than jumping straight into your first draft. But it is also a valuable method to start writing a winning application that stands out from the stack.
You'll see the advice everywhere that all essay prompts are really about the same thing - you. The goal of each essay then is to showcase who you are, what matters to you, and how you think. I guarantee if you're on this sub enough, you'll hear the advice to "show, don't tell" when writing about yourself. But what does this mean really, and how do you do it well? How do you even get started on an essay that does this?
Once you have an arc determined and a story to share, think about what you want that story to say about you. This is where it can help to think of this as something you would share on a date - what impression does it make about you to the reader? Once you know this, start showing, not telling this attribute of yourself through your story. For example, instead of saying that you're compassionate toward others, you show an example of a time you were compassionate, then elaborate on why, and what it means to you.
So how do I get students to do this? All of my students complete that introspection worksheet. We go through it and find the stories, examples, anecdotes, conversations, memories, relationships, and other things from their life that will help us craft a strong and personally insightful narrative. We also make lists of the values, strengths, and key personal qualities we want to showcase. Once we have some topics, outlines, abstracts, or rough drafts, we talk about which stories to tell where, how to tell them well, and what details to include to present the best they have to offer. Then we refine, edit, polish, and enhance over and over until the story sings, but more importantly shows their heart and soul. We also go through all the other application components to ensure consistency, quality, and distinctiveness.
Here's why this works so well: at most highly selective colleges there is a primary reader (or 2-3) who will review everything first and then present it to the admissions committee, who then votes on whether to admit you. That presentation typically goes one of three ways:
submitted by ScholarGrade to chanceme [link] [comments]
I know from experience that many of you are struggling to identify a good topic for your essay. Conventional wisdom says to start by brainstorming a list of potential topics, and chances are, you have already started a mental list of ideas. You might think you only have a few choices for topics, based on your activities or experiences, or essay examples you read, or the rough draft you already started (or worse, that GPT started...). I advise, however, that you put down your list of topics and back away from it. Forget that exists for a moment. Seriously - thinking about this initial list tethers you to certain ideas that might not actually be your best options.
Now you can begin brainstorming with a clean slate.
Start with thinking about what you want to show in your entire application, not just one essay. Every single component in your app has one purpose – to tell more about YOU. Filling out the rest of the application by rote and focusing solely on the essay is short-sighted and will leave so much potential untapped in your application.
It's About You. Tell Your Story - And Be The Protagonist
An admissions officer’s goal is to understand you fully, in the context of your background and the rest of the applicant pool. They will begin this with assessing your academic abilities and potential. Then they will evaluate how you will fit into the student body they’re trying to curate. All of this can be somewhat broad and diverse and touch on several institutional goals. But they will dig deep to find out what each applicant is like, what your core values and motivations are, what kind of student you will be, how you will contribute to the vibrant and intellectual campus community they’re building, etc.Your goal with essay brainstorming is to ascertain how to powerfully tell your story in a manner that will fit these criteria. The entirety of your application (again, not just one essay) aims to showcase your abilities, qualifications, and uncommon attributes as a person in a positive way. Before you begin outlining or writing your application, you must determine what is unique about you that will stand out to an admissions panel. All students are truly unique. Not one other student has the same combination of life experiences, personality, passions, or goals as you do. Your job in your application is to frame your unique personal attributes in a positive and compelling way. How will you fit on campus? What personal qualities, strengths, core values, talents, or different perspectives do you bring to the table? What stories, deeper motivations/beliefs, or formative experiences can you use to illustrate all of this?
It is always helpful to start with some soul-searching or self-examination. You might not immediately know what you want to share about yourself. It’s not a simple task to decide how to summarize your whole life and being in a powerful and eloquent way on your application. Introspection prior to starting your application takes additional time and effort rather than jumping straight into your first draft. But it is also a valuable method to start writing a winning application that stands out from the stack.
You'll see the advice everywhere that all essay prompts are really about the same thing - you. The goal of each essay then is to showcase who you are, what matters to you, and how you think. I guarantee if you're on this sub enough, you'll hear the advice to "show, don't tell" when writing about yourself. But what does this mean really, and how do you do it well? How do you even get started on an essay that does this?
Introspection Questions
It’s often easiest to start thinking in terms of superlatives, especially those related to personal insights -- what are the most meaningful things about you, and what do you value the most? Here is a list of questions to help you brainstorm broadly before you narrow down your focus for writing:- What are your interests?
- What sparks your curiosity?
- About what topics do you enjoy reading?
- With whom do you enjoy spending time? Who has impacted your life the most?
- Reflect upon “superlatives” in your life. What moments were most memorable, formative, enlightening, enjoyable, or valuable? What physical possessions, experiences, dreams, or lessons could make your superlatives list?
- Stop and think about what things, people, or circumstances in your life are really unique, fascinating, or outlandish. Are there any that really have a lot of "cultural flavor" (whatever your culture is)?
Find Your Story And Arc
Think of a small anecdote or story from your life that you could share that serves as a microcosm of who you are and what is important to you. It will massively help you narrow this down and find a gem of a story if you first start by thinking about your application arc or theme. This is the one-phrase summary of your entire application. It could be "brilliant entrepreneur who started her own successful business" or "talented athlete who wants to study economics and finance as they pertain to sports", or even "avid baker whose hobby sparked an interest in chemistry". It doesn't have to be related to your intended major, but it can help your arc be stronger and clearer if it is.Once you have an arc determined and a story to share, think about what you want that story to say about you. This is where it can help to think of this as something you would share on a date - what impression does it make about you to the reader? Once you know this, start showing, not telling this attribute of yourself through your story. For example, instead of saying that you're compassionate toward others, you show an example of a time you were compassionate, then elaborate on why, and what it means to you.
Essay Brainstorming Techniques
If you are having trouble finding a story, or simply have writer’s block once you have picked your topic, here are some ideas to get your juices flowing:- Stream of consciousness writing -- Start writing whatever is in your head, and don’t stop for 30 minutes. You probably won’t use what you just wrote for your essay, but it will help you find a starting point.
- Journaling -- Answer the prompt as if you were writing in a journal. This will get you in the habit of writing about yourself and establish comfort with the concept. It will also take you to a new level of introspection and self-awareness.
TwitterX style -- Write several rapid-fire responses to the prompt in 280 characters or less. Choose an idea from these responses to expound upon in your essay.- Read each essay prompt, then go through your introspection worksheet responses and connect the stories and insights to one or more of the prompts. Some students like using color coding to visually see how their different ideas might work together.
Why Essays Matter
Here's the thing a lot of people don't realize about college admission: it's not an award for being the smartest, most accomplished, or most impressive. It's an invitation to join a community. Far too many students think that if they can just show that they're smart enough, they'll get in. Yale even says right on their admissions website that 75% of their applicants are academically qualified to succeed at Yale. But only ~4% are getting in. That should tell you that they're looking for more than just top tier test scores and grades. To be perfectly clear, you will need top tier grades and (optionally) test scores to show that you're qualified, and the vast majority of my students come to me with this part already in the bank. But what sets the admits apart? It's personal insight - sharing who you are, how you think, what matters to you, and how you engage community. You can't just say "/IAmVerySmart, please admit me," or even "I did a cool thing guys! Isn't that neat!" You need to go deeper and show them your core values, personal strengths, motivations, aspirations, character traits, foundational beliefs, personality, etc. And you need to do it in a charming, winsome way that makes them like you and want to invite you to join their community.So how do I get students to do this? All of my students complete that introspection worksheet. We go through it and find the stories, examples, anecdotes, conversations, memories, relationships, and other things from their life that will help us craft a strong and personally insightful narrative. We also make lists of the values, strengths, and key personal qualities we want to showcase. Once we have some topics, outlines, abstracts, or rough drafts, we talk about which stories to tell where, how to tell them well, and what details to include to present the best they have to offer. Then we refine, edit, polish, and enhance over and over until the story sings, but more importantly shows their heart and soul. We also go through all the other application components to ensure consistency, quality, and distinctiveness.
Here's why this works so well: at most highly selective colleges there is a primary reader (or 2-3) who will review everything first and then present it to the admissions committee, who then votes on whether to admit you. That presentation typically goes one of three ways:
- Total enthusiasm, energy, and excitement. They strongly advocate for admission and paint a clear picture of how you will contribute to their goals and community. Everyone in the room picks up on that energy and is leaning forward in their chairs, looking for reasons to admit you. This is quite rare, generally less than 5 out of every 100 applications, even among those which are "fully qualified." When you do this right, you show depth, meaning, and valuable personal insights so the reviewer is learning about who you are and how you might engage the community they're curating. You come alive off the page as a person, not just another file.
- Business as usual. You're another great applicant in a pile of great applicants. They share a basic review of the facts, your profile, stats, strengths, weaknesses, etc. Maybe someone on the committee finds something they love, and they really push for admission. More likely, not and you get deferred/waitlisted even though there wasn't anything "wrong" with your application. They just didn't love you enough to commit.
- "Here's a stack of 20 applications that I didn't find all that compelling, so we won't present them individually, but you guys are the committee and you make the decisions. So let me know if there are any you want to talk about." In this case, unless there's a letter of endorsement from an athletics coach or your last name matches several buildings on campus, you're probably not getting additional consideration, much less admission. They will regret to inform you.
2024.05.14 15:24 Opening-Talk8657 Exploring the Impact of AI on Payments Industry: An Outlook for 2024
 | In the ever-evolving digital economy, the demand for faster, more robust, and secure payment solutions is paramount, highlighting the crucial role of payment technology. With the landscape continuously evolving, its imperative to understand the changing dynamics of the payments industry and anticipate emerging trends for 2024. Additionally, exploring the potential of AI in shaping the future of digital transactions provides valuable insights into the trajectory of the industry. submitted by Opening-Talk8657 to u/Opening-Talk8657 [link] [comments] Fintech The purpose of the blog Exploring the Impact of AI on Payments Industry: An Outlook for 2024 is to analyze the evolving role of AI in shaping the future of digital transactions and navigating key trends in the payments industry. Learnings: Digital Payment Trends: The digital economy demands faster, more robust, and secure payment solutions. Key trends include the projected growth of global digital payments revenue to and the widespread adoption of digital payments worldwide. Role of AI in Shaping the Future: AI holds immense potential in revolutionizing digital transactions. Its ability to enhance security, streamline processes, and offer personalized experiences makes it a critical area for exploration in the payments industry. Innovations in Payment Technology: From blockchain for cross-border payments to AI-driven fraud detection and biometric authentication, various technological advancements are reshaping the payments landscape. Technology providers play a crucial role in driving innovation, security, and efficiency across the financial ecosystem. Implications of Regulatory Scrutiny: While AI promises significant benefits, its implementation raises concerns about data privacy and regulatory compliance. Financial institutions must navigate these challenges while harnessing the potential of AI to drive business growth and innovation. Opportunities for Growth and Collaboration: With the evolving landscape of banking and FinTech in 2024, organizations have opportunities to explore new markets, expand partnerships, and embrace innovative solutions. Understanding and adapting to emerging trends will be key to staying competitive in the dynamic payments industry. Navigating Digital Payments: Key Statistics and Trends Digital payments are reshaping the financial landscape, and understanding these trends is essential for businesses, consumers, and policymakers alike. The potential of AI in shaping the future of digital transactions holds exciting possibilities, making it a critical area to explore. Lets delve into some key statistics and trends related to digital payments in the ever-evolving landscape. Global Digital Payments Revenue: By 2027, the global digital payments revenue is projected to reach an impressive $14.79 trillion. The market is expected to grow at an annual rate of 11.79% from 2023 to 2027. In 2023, the total global digital payments transaction value is estimated to be $9.47 trillion. Global Adoption of Digital Payments: Two-thirds (2/3) of adults worldwide are now using digital payments, with 89% adoption in the United States. Developed countries have a higher adoption rate (95%) compared to developing countries (57%). Approximately 84% of financial services account owners globally engage in digital transactions. Ecommerce and Digital Wallets: Ecommerce is projected to account for 24% of global consumer spend by 2026. Digital wallets play a significant role, accounting for 49% of global ecommerce sales, while credit cards contribute 21%. Top digital wallets in the U.S. include PayPal (36%), Apple Pay (20%), and Venmo (16%). Central Bank Digital Currencies (CBDCs) Nine in 10 central banks are exploring the concept of central bank digital currencies (CBDCs). CBDCs could revolutionize the way we conduct transactions and enhance financial inclusion. Unbanked Population: While 76% of adults worldwide have a bank account or use a mobile money provider, approximately 1.4 billion adults remain unbanked. Efforts to bridge this gap are crucial for financial inclusion and economic growth. Analyzing the Current State of Innovation in the Payments Industry The payments industry is widely perceived to be approaching a saturation point concerning technological interventions, according to numerous financial experts. Over the past few years, the FinTech revolution has gained considerable momentum, significantly simplifying customer experiences. Despite these advancements, there remains ample opportunity for enhancement across various facets of the industry. One lens through which to examine innovation is by considering market drivers. For instance, the macroeconomic landscape of 2023 compelled many companies to prioritize operational efficiency over expansion. Managing costs, mitigating risks, and ensuring service quality became paramount for maintaining market share. Additionally, heightened consumer awareness emerged as a significant catalyst for this paradigm shift. Present-day consumers are more cognizant of the time value of money, checkout experiences, and safety considerations, all of which are poised to influence the trajectory of innovation in the industry. A Recap of Payment Innovation in 2023 The year 2023 witnessed significant developments across various fronts in the payments industry. One notable highlight was the rebranding of several companies, indicative of their strategic positioning within the sector. These rebrandings often aimed to align with evolving market dynamics and underscore their commitment to serving as strategic partners for banking and financial institutions. In terms of technological advancements, there was a notable focus on adopting AI-first solutions to enhance payment operations, reduce costs, and improve overall customer satisfaction. Companies showcased a range of innovative solutions leveraging cutting-edge technologies such as FedNow, blockchain, and omnichannel commerce. Partnership ecosystems also saw expansion, with collaborations formed with leading tech companies like Google Cloud, AWS, Microsoft, Databricks, Stripe, Salesforce, and Checkmarx. Such alliances were aimed at fostering innovation and delivering value-added services to clients. Looking ahead, there are plans for workforce growth and exploration of new markets, indicating a continued drive for expansion and innovation within the industry. Overall, 2023 was characterized by significant strides in technological innovation, partnership development, and strategic positioning within the payments landscape. Exploring the Role of Technology Providers in the Evolving Payments Landscape At the forefront of the banking and payments revolution are technology solution providers, working in tandem with both banking and non-banking financial institutions. For banking institutions, the focus lies on modernizing legacy infrastructure to address scalability, agility, and performance limitations. Digital transformation initiatives enable banks to offer contemporary payment experiences, integrating emerging technologies like instant payments and buy-now-pay-later for enhanced convenience and flexibility. Adoption of advanced technologies such as APIs, serverless architecture, microservices, cloud-native frameworks, and data services further bolsters performance and security measures. Successful modernization empowers banks to develop tailored solutions, enhancing customer value and competitiveness. Support in infrastructural upgrades, operational efficiency, and service excellence aids institutions in aligning with evolving customer expectations and thriving in a competitive landscape. Non-banking institutions and FinTechs leverage technology partners to explore distinctive use cases and business models. Collaborative efforts result in innovative solutions tailored to meet customer needs and preferences. Leveraging industry expertise, creative problem-solving, product engineering, and technological proficiency, these partners deliver value-added services that differentiate entities from competitors. Integration of cutting-edge technologies such as blockchain, AI, and deep analytics diversifies payment channels while ensuring regulatory compliance and robust security measures. Exploring Innovations in the Payments Landscape: Use Cases and Providers Lets delve into some key use cases and some prominent PayTech companies or technology providers that are reshaping the evolving payments landscape: Blockchain for Cross-Border Payments: Use Case: Blockchain technology enables secure, transparent, and real-time cross-border transactions. Technology Providers: Companies like Ripple and Stellar offer blockchain-based solutions for seamless international payments. AI-Powered Fraud Detection: Use Case: AI algorithms analyze transaction patterns, detect anomalies, and prevent fraudulent activities in real time. Technology Providers: Feedzai, Forter, and Kount specialize in AI-driven fraud prevention for payment processors and merchants. Biometric Authentication: Use Case: Biometrics (such as fingerprint or facial recognition) enhance security and streamline user authentication during payments. Technology Providers: IDEMIA, BioCatch, and Veridium offer biometric authentication solutions. Embedded Finance and APIs: Use Case: Technology providers enable businesses to embed financial services directly into their platforms. Technology Providers: Plaid, Adyen, and Stripe facilitate API-driven financial integrations. Contactless Payments and NFC: Use Case: Near Field Communication (NFC) technology allows users to make secure payments by tapping their smartphones or cards. Technology Providers: Apple Pay, Google Pay, and Samsung Pay lead in contactless payment adoption. Real-Time Payments Infrastructure: Use Case: Technology providers build and maintain real-time payment rails for instant fund transfers. Technology Providers: Volante Technologies, Jack Henry, and Finzly actively participate in the FedNow Pilot Program. Buy Now, Pay Later (BNPL): Use Case: BNPL services allow consumers to split payments into installments, enhancing affordability and flexibility. Technology Providers: Affirm, Afterpay, and Klarna are popular BNPL providers. AI-Driven Personalization: Use Case: AI analyzes customer behavior to offer personalized payment options and targeted promotions. Technology Providers: Personetics, ZestFinance, and DataRobot specialize in AI-driven personalization. Open Banking and PSD2 Compliance: Use Case: Technology providers facilitate secure data sharing between banks and third-party apps. Technology Providers: Tink, Plaid, and Yodlee offer open banking solutions. Automated Invoice Processing: Use Case: AI automates invoice reconciliation, reducing manual effort and improving accuracy. Technology Providers: Blue Prism, UiPath, and ABBYY provide intelligent automation for payment processing. These technology providers or PayTech companies play a pivotal role in shaping the future of payments, driving innovation, security, and efficiency across the financial ecosystem. Analyzing the Implications of the FedNow Service Launch on the U.S. Payments Landscape The launch of the FedNow Service marks a significant milestone in the evolution of the U.S. payments landscape. Positioned to revolutionize payment processes, FedNow promises to facilitate instant peer-to-peer payments, bill pay, and e-commerce transactions, catering to customer-centric use cases. Additionally, the FedNow framework prioritizes crucial aspects such as fraud prevention, liquidity management, and message standardization, all of which are integral to modernizing the U.S. payments system. Various entities such as J.P. Morgan, Citi, Goldman Sachs, Wells Fargo, Volante Technologies, Jack Henry, Finzly, are actively engaged in the FedNow Pilot Program, showcasing early participation and expertise in providing end-to-end FedNow integration services. These services encompass gap analysis, identification of use cases, and the development of implementation roadmaps aimed at expediting development timelines, reducing costs, and mitigating risks associated with FedNow integration. Preparing for the AI Revolution in Payments: Strategies for Industry Leaders As the belief in AIs pivotal role in shaping the future of payments gains momentum, organizations across the financial sector are gearing up for this transformative shift. MSys Technologies, recognized for its leadership in AI-first, Cloud-first solutions tailored to the financial industry, stands poised to assist financial institutions in accelerating their AI adoption journey. Addressing common early adoption challenges, such as tool inadequacy, data complexity, and scalability concerns, MSys Technologies offers comprehensive support to clients. By conducting thorough assessments and providing actionable implementation roadmaps, MSys Technologies helps organizations navigate the complexities of AI integration. This encompasses various stages, including data preparation, model development, and deployment, ensuring a seamless transition towards AI-driven decision-making. Central to this endeavor is the establishment of a resilient, flexible, and modern data ecosystem. MSys Technologies assists clients in building a unified data marketplace and implementing data-as-a-service capabilities to streamline data management processes. Moreover, integrated data governance policies are put in place to uphold security standards and ensure compliance with industry regulations. In aligning with the AI revolution, MSys Technologies empowers financial institutions to harness the power of data and drive critical business decisions effectively. Navigating the Future of Banking and FinTech in 2024: Insights and Opportunities As we step into 2024, the banking and FinTech sectors are poised for continued evolution and innovation. With ISO 20022 emerging as a global standard for payment messages, financial institutions are prioritizing its adoption to facilitate seamless cross-border transactions. The integration of contextual data flow not only reduces friction points but also presents an opportunity for delivering enhanced payment experiences to both retail and business customers. Looking ahead, blockchain and distributed ledger technologies are anticipated to play a significant role in easing cross-border payments, offering promising solutions to existing challenges in the payment landscape. However, as AI assumes a more prominent role, it brings along genuine concerns regarding its implementation and impact. Regulatory scrutiny is expected to intensify, with governments monitoring AI-related activities for potential unfair or harmful implications. In this context, adherence to existing federal laws and the development of comprehensive regulatory frameworks will be paramount. Navigating this evolving landscape necessitates a nuanced understanding of AI usage, data collection, and risk mitigation strategies. Data privacy emerges as a central concern, underscoring the importance of robust controls and regular model testing to ensure compliance and safeguard consumer interests. In embracing innovation with AI while adhering to regulatory requirements, organizations position themselves favorably to navigate the evolving landscape of banking and FinTech in 2024. Reference site - https://www.msystechnologies.com/blog/exploring-the-impact-of-ai-on-payments-industry-an-outlook-for-2024/ |
2024.05.14 15:01 FelicitySmoak_ Tuesday, May 14, 2013 - Jackson v. AEG Live Day 11
Trial Day 11
Katherine Jackson, Rebbie and Trent are at court.
Choreographer Travis Payne & Katherine Jackson spoke briefly in the courtroom before the jury came in. They seemed cordial
Travis Payne Testimony
AEG direct
Payne is wearing a black jacket with a gold emblem on the shoulders with the word "MJ" & a pair of wings
Payne said he was concerned about MJ missing rehearsals. He didn't know why he wasn't showing up, but MJ was also working on an album and a book
Payne said he did not think that Jackson had a problem abusing prescription medications. He acknowledged that Jackson missed rehearsals and he saw the singer shivering or appearing cold in some of his final rehearsals
He worked with Jackson beginning in the 1990's and testified that he never saw Jackson drink alcohol or take any medications. Michael also never discussed his medical treatments, Payne said
Payne told the jury he advised MJ he was looking thin.
Payne said there was one day (6/19) when MJ was cold. He thought the frustration had him on edge. When Jackson needed to be layered in blankets and required a heater to be comfortable, Payne said, he believed Michael was merely fighting a cold.
Bina shows an email from Ortega to Gongaware on Jun 14:
Bina asked Payne whether he ever met Conrad Murray. The choreographer says he met Murray twice. Payne says the first time he met Dr. Murray was at the Carolwood house.
When asked how Michael performed on June 23 & 24:
Payne described the day MJ died: He was headed to rehearsal at Michael's home, got a call from his mother who said she saw reports on the news. Payne heard news on the radio, called Staples Center spoke to Stacy Walker, she said they were rehearsing. He was told to go to Staples.
Payne mentioned one day in particular at a meeting with Andre Crouch and singers, MJ seemed a little out of it
Payne said at one point, he & others tried to bring in a top physical therapist who works with Olympic athletes to help Michael. Jackson didn't work w/physical therapist flown in for him.
Jackson cross
Attorney Brian Panish cross examined Payne. He asked if Michael ever performed the entire show from beginning to end. Payne said "No"
As to Paris Jackson, Payne said he saw a very protective young lady, smart, astute, with knowledge of the production, very hands on. Paris, who was 11 at the time, was
Payne always carries a video camera with him and shot videos of rehearsal. AEG took the footage that Payne shot and never returned to him. Email from Randy to Paul:
As for Michael's relationship with Katherine, Payne said
Payne said he wanted MJ to have a physical therapist, nutritionist, massage therapist, and have his family around. He said this was a different scenario.
Payne was hired and paid by AEG. His contract was with AEG.
Payne said he wasn't privy to details of what was expected of Dr. Murray. AEG was producepromoter, but MJ was the star, had to be happy
Panish reminded Payne that he had testified in his deposition that AEG was
Under cross examination, Payne acknowledged that some of Jackson's behavior, including grogginess, lethargy, insomnia and occasional paranoia, were possible symptoms of prescription drug abuse. He also said that despite testifying earlier that he worked with Jackson one-on-one five days a week, he couldn't recall how many rehearsals the singer actually attended
Panish after lunch break got Travis Payne to concede Jackson wasn't present for a May 19, 2009 rehearsal. Payne also conceded that Jackson was a no-show for a June 22, 2009 rehearsal. Panish confronted Payne saying that yesterday he said he was with MJ at a dance studio on May 19, that they were up on their feet & danced.
Panish then said on Jun 22 MJ wasn't there either, "was he?"
Payne said he didn't know.
Panish said MJ was at another doctor's office
Payne said he may have made a mistake about Jackson's whereabouts & he didn't know his personal schedule. Travis Payne had testified yesterday that he and Jackson ran through certain songs on May 19th. He said today he was testifying based on the schedule and notes he compiled and that his recollection might be wrong
Panish asked Payne about choosing Jackson's dancers for This Is It. Payne says they were whittled down from 5,000 applicants. Applicants submitted video clips and their submissions were used to cull down potential dancers from there. Payne said they received 5,000 applications for dancers, about 2,500 showed up for the audition.He taught them some dance moves, and the pool was further narrowed down. Michael chose the dancers
Panish then asked Payne whether he knew how many doctors AEG interviewed to work with Jackson on This Is It. "No", Payne says. Payne also says he isn't aware how much interviewing or investigation into Murray that AEG did.(Panish's point appears to be that there was more scrutiny of backup dancers than Conrad Murray)
During preparations for This Is It, Michael at times seemed "under the influence of something" and once couldn't take the stage because he appeared incoherent, Payne testified.
Payne said he was aware that Jackson had problems sleeping and chalked up the singer's sometimes erratic behavior to sleep aids or sedatives from his dermatologist visits.
Payne said some people were concerned about the goals not being met, including Randy Phillips and Paul Gongaware. Payne learned what Demerol was after MJ died. He also remembers a mention of Demerol in the song "Morphine".
Panish asked if MJ knew the lyrics of his songs.
Payne said a body double was requested for Michael. Misha Gabriel was his body double, but shorter than him. Some of the scenes in the documentary are with the body double, Payne testified. Payne remembers at the Culver Studios in Smooth Criminal there was a stunt and Misha was asked to jump through a glass plate
Payne said most the time, MJ was present at rehearsals. "It wasn't a big deal," he expressed
Panish showed an email from the band leader Michael Bearden:
Payne went to Michael's house on June 20. He was cold and had to light the fireplace and rub his hand and feet to warm himself up
Panish showed a picture of Michael on June 24 rehearsing "Thriller"; Payne said MJ improved but was not at his best yet.
Payne's demeanor changed after Panish finished questioning him. He was holding back tears when the AEG attorney started re-direct examination. For the next several moments, Payne blinked and dabbed both eyes with a tissue. It was the first time he'd gotten emotional on the stand.
As to Gongaware's email regarding what was expected of Dr. Murray, Payne said the inconsistencies with Michael missing rehearsals warrant a talk. Payne said he thought Dr. Murray was there to care for his patient, making sure right nutritionist was there, to get him ready for the show. Payne never discussed with MJ about his doctors or personal affairs. Payne and Faye were professionals with each other, but not friends.
Jackson re-cross
In re-cross, Panish notes that none of Michael's brothers are part of this lawsuit.
Panish then asked Payne whether Katherine Jackson and Michael's kids went to the premiere. Panish says Katherine Jackson & her grandchildren didn't go to the premiere because they weren't over Jackson's death. Payne said he didn't think anyone was over Jackson's death when the film premiered in late 2009.
Court Transcript
submitted by FelicitySmoak_ to WhereWasMJToday [link] [comments]
Katherine Jackson, Rebbie and Trent are at court.
Choreographer Travis Payne & Katherine Jackson spoke briefly in the courtroom before the jury came in. They seemed cordial
Travis Payne Testimony
AEG direct
Payne is wearing a black jacket with a gold emblem on the shoulders with the word "MJ" & a pair of wings
Payne said he was concerned about MJ missing rehearsals. He didn't know why he wasn't showing up, but MJ was also working on an album and a book
Payne said he did not think that Jackson had a problem abusing prescription medications. He acknowledged that Jackson missed rehearsals and he saw the singer shivering or appearing cold in some of his final rehearsals
He worked with Jackson beginning in the 1990's and testified that he never saw Jackson drink alcohol or take any medications. Michael also never discussed his medical treatments, Payne said
Payne told the jury he advised MJ he was looking thin.
"Michael said he was 'getting down to my fighting weight', which I took to mean that he was preparing for the performances", Payne testified. "I had no reason to doubt him"Payne says he was satisfied with the response.
Payne said there was one day (6/19) when MJ was cold. He thought the frustration had him on edge. When Jackson needed to be layered in blankets and required a heater to be comfortable, Payne said, he believed Michael was merely fighting a cold.
"No one else was cold. He had flu-like symptoms"Payne said that in April, May & June, MJ missed 5 rehearsals with the whole group. He said one time Ortega sent Michael home
"Sometimes he was tired and lethargic and had to be, not convinced, but supported throughout rehearsals," Payne recalled
Bina shows an email from Ortega to Gongaware on Jun 14:
"Were you aware that Michael's doctor didn't permit him to attend rehearsal yesterday? Without invading his privacy, it might be a good idea to talk to his doctor to make sure everything he requires is in place. Who is responsible for Michael getting proper nourishment/vitamins/therapy every day? Personally, I feel he should have a top Nutritionist and Physical Therapist working with him on a regular basis. The demand on this guy is mentally and physically extraordinary! The show requirements exhaust our 20 year olds. Please don't underestimate the need to stay on top of this"Another part of the same email chain, from Gongaware:
"Frank and I have discussed it already and have requested a face-to-face meeting w/ the doctor... We want to remind him that it's AEG not Michael Jackson who's paying his salary We want him to understand what is expected of him. He has been dodging Frank so farPayne said his understanding was that AEG was paying Dr. Murray's salary not Michael. The doctor was there to oversee many things, Payne said. Payne explained he didn't have much reason to question Dr. Murray since he thought that a doctor selected to work with Michael was top notch.
Bina asked Payne whether he ever met Conrad Murray. The choreographer says he met Murray twice. Payne says the first time he met Dr. Murray was at the Carolwood house.
"I was going up the steps, Dr. Murray going downstairs, Michael introduced us."Payne was coming up from the basement to the middle floor. Studio was at the basement. Payne said he never went to the top floor of the house. He says the second time was at the Staples Center, after a rehearsal and Jackson was leaving for the day. Both meetings were brief.
When asked how Michael performed on June 23 & 24:
"He was having his process, I didn't expect him to be like he would in front of a crowd," Payne explained. "He was not at show standards ... I didn't expect him to be as he would be in front of a crowd."The last two days were good.
Payne: "It ebbed and flowed. Some days were good, some days were not as good."
"I thought he was in his way to the goals he set himself," Payne told the jury.He didn't have any question that MJ would be able to perform , adding that he and others were impressed while watching Jackson rehearse at Staples Center on June 23/24, 2009.
Payne described the day MJ died: He was headed to rehearsal at Michael's home, got a call from his mother who said she saw reports on the news. Payne heard news on the radio, called Staples Center spoke to Stacy Walker, she said they were rehearsing. He was told to go to Staples.
"We were optimistic of his arrival," Payne said explaining they were expecting Michael to rehearse at the Staples Center.Payne said Ortega got a series of calls. He remembers Kenny saying:
'tell me something that will make me know it's you and that this is true'
" I remember him (Kenny Ortega) collapsing in his seat and crying," Payne testifiedPayne said he never saw Michael drink alcohol or take medication but
"Sometimes, in rehearsal, Michael would appear just a little loopy, under the influence of something, but mostly when he would come to the rehearsals from the dermatologist," Payne testified.That happened two to four times in the weeks before his death, he said. Payne told that he didn't think Jackson had a problem with prescription drugs
"Michael was undergoing personal cosmetic procedures, so he could feel great and do a good job," Payne said.Payne also said he appeared groggy in the morning sometimes, which he attributed to lack of sleep
"Mr. Jackson just explained to me that he had trouble sleeping, that he was tired, and that satisfied me," Payne testified.He stated that he's not sure how much weight MJ had lost
Payne mentioned one day in particular at a meeting with Andre Crouch and singers, MJ seemed a little out of it
Payne said at one point, he & others tried to bring in a top physical therapist who works with Olympic athletes to help Michael. Jackson didn't work w/physical therapist flown in for him.
"At the last minute we realized that Michael was not going to go through with it. He was just not comfortable with the invasion of personal space."Bina played a clip of This Is It from Jun 4 showing the green screen and making of "Drill" and Michael talking about the cool moves, dancing. Payne said the idea was to show the rehearsals and how things came together. The footage itself wasn't altered, but there was editing. Payne said they picked the best of the rehearsal to include in the documentary. He wanted to reshoot some scenes but was not allowed. Payne, who was an associate producer on the This Is It documentary, said the footage of Jackson had not been retouched or altered.
Jackson cross
Attorney Brian Panish cross examined Payne. He asked if Michael ever performed the entire show from beginning to end. Payne said "No"
"Was he ready to perform for an audience?", Panish asked.Payne's impression was that MJ loved being a father. He said he saw the beauty of their relationships, loyalty to one another.
"I thought he was on his way to the goals he had set for himself," Payne answered. "All I saw was improvement and getting closer to the goals"
"When we rehearsed, we had meals together," Payne recalled, talking about Michael and all three children.Payne thought the relationship between MJ and Prince was awesome, Michael was a proud father, great to see how they interacted. Prince wanted to be a director, Michael would point out things to him during rehearsal should that be his career, Payne remembered.
As to Paris Jackson, Payne said he saw a very protective young lady, smart, astute, with knowledge of the production, very hands on. Paris, who was 11 at the time, was
"a very retentive young lady who was very, very smart, very astute," Payne testified. "She had full knowledge of the day-to-day operations, from the time of lunch and what it was going to be, she was hands on -- far beyond her age," he said. "She had a lot of responsibility, which I think she welcomed"Payne said she was "the female of the house," and also "a daddy's girl."
"She really loved her father," he said. "At that time, she was coming to find out his global successes and presence, so she would wear her Michael Jackson t-shirt, headband and bag," he said.It was Paris who would bless the food when they were have lunch with their father at home, he said.
"She was always the most vocal of the three children and was very concerned about many of the details of the house, was the temperature correct, what do you want to eat," Payne testified. "She just handled a lot for her young age"Blanket, who was 7 when his father died, was the most quiet of the three. He liked to watch his father rehearsing his dances with Payne in the basement studio of their home, Payne said.
"He was quiet, but always right there with his dad," he said.Michael guided and mentored him. Payne said he would be proud if MJ was his father and agreed the children suffered a tremendous loss. When rehearsing with Jackson at his Holmby Hills residence, Payne said the singer clearly delighted in being a father and shared meals with all three
"I saw the beauty of their relationships. I saw their loyalty to their father, I saw his loyalty to them. Their father enlightened them and taught them", he testified. "I was very proud to see Michael as such a loving father."His description of the close relationship Paris (15) and Prince (16) had with their father four years ago could foreshadow the significance of the children's testimony later in the trial.
Panish: "Was Paris a Daddy's girl?"
Payne: "Yes, I believe so"
Payne always carries a video camera with him and shot videos of rehearsal. AEG took the footage that Payne shot and never returned to him. Email from Randy to Paul:
"Make sure you take out the shots of Michael in that red jacket... He looks way too thin and skeletal."Payne said he was not aware of the email. He said Michael looked thin, but not skeletal. He doesn't know if Paul/Randy took any the footage out. The email was not displayed for the jury
As for Michael's relationship with Katherine, Payne said
"there's no secret that he loved his mother very much. It is kind of common knowledge"
"Karen Faye is a make up artist. She designed the make up, was always there when Michael was there", Payne testified.Payne said Faye and MJ had a long term working relationship. They spent a lot of personal time together. Faye was concerned and frustrated with how Michael looked. She went to Payne kind of in an aggressive way. Payne told her to report to Ortega.
Payne said he wanted MJ to have a physical therapist, nutritionist, massage therapist, and have his family around. He said this was a different scenario.
"This was the first time MJ was working with AEG," Payne testified, saying he had always been hired by MJJ production before.Payne said this was the first time Michael was not the sole producer of the show. Payne started working without a signed contract. He was being paid by AEG. Panish showed Payne's written contract. It is between Payne and AEG, beginning April 1, 2009. The contract said only AEG could cancel it. He testified that there was a delay in his contract with AEG because the salary was not in line with his standard charges, but that things worked out after he had a conversation with Jackson. Payne also said he believed AEG was paying Murray's salary, not Jackson
Payne was hired and paid by AEG. His contract was with AEG.
Panish: "Who could fire you. AEG?"Things became heated when Panish inquired about a text message Karen Faye sent to Payne that accused him of lying to the media after Michael's death. He said earlier Faye had approached him in an "aggressive" way about her concern for Jackson's health but he told her to take her concerns to Ortega.
Payne: "I'm sure"
"I do not remember receiving a text message from Karen Faye asking why I was lying to the media," Payne explained.During cross-examination, Payne was shown several photos of premieres for the This Is It documentary .Panish shows a picture of Payne at the red carpet premiere. He agreed he was happy about the premiere. In one, Ortega & AEG executive Randy Phillips flank Jackson's manager, Frank DiLeo, who has a cigar hanging out of his mouth. All three are grinning. Brian Panish, the attorney for Jackson's family, remarked that everyone looked pretty happy
Panish: "Were you upset when MJ died?"
Payne: "Yes"
Payne said he wasn't privy to details of what was expected of Dr. Murray. AEG was producepromoter, but MJ was the star, had to be happy
Panish reminded Payne that he had testified in his deposition that AEG was
"trying to protect its investment"
"I don't have a dog in this race so I'm not on either side", an aggravated Payne countered adding that he felt Panish was being aggressive. "I'm just saying I don't want to be painted as somebody who's trying to mask anything".After several hours of testy exchanges with Panish, his voice quivered and he dabbed his eyes with a tissue.
"I'm just trying to have a conversation with you and tell the truth."Panish asked Payne if defendants' attorney approached him during lunch to show him some documents. He said yes, he saw parts of his deposition
Under cross examination, Payne acknowledged that some of Jackson's behavior, including grogginess, lethargy, insomnia and occasional paranoia, were possible symptoms of prescription drug abuse. He also said that despite testifying earlier that he worked with Jackson one-on-one five days a week, he couldn't recall how many rehearsals the singer actually attended
Panish after lunch break got Travis Payne to concede Jackson wasn't present for a May 19, 2009 rehearsal. Payne also conceded that Jackson was a no-show for a June 22, 2009 rehearsal. Panish confronted Payne saying that yesterday he said he was with MJ at a dance studio on May 19, that they were up on their feet & danced.
Panish: "Sir, Michael was not with you May 19, 2009, was he?"Panish said that on May 19, Michael was having a cyst removed at Dr. Klein's office, so he could not have been rehearsing with Payne.
Payne: "No"
Panish: "He was at the doctor"
Payne: "If you're saying, I'm not disputing"
Panish then said on Jun 22 MJ wasn't there either, "was he?"
Payne said he didn't know.
Panish said MJ was at another doctor's office
Payne said he may have made a mistake about Jackson's whereabouts & he didn't know his personal schedule. Travis Payne had testified yesterday that he and Jackson ran through certain songs on May 19th. He said today he was testifying based on the schedule and notes he compiled and that his recollection might be wrong
"We're human, sometimes we make mistakes," Payne explained, saying he's not disputing that Michael was or wasn't there on those dates.Payne said there was always something for Michael to do.
"He needed to come to rehearsal, it was part of the job"Payne said Michael had a hard time picking up some of the material. He was having trouble learning dances, Payne says. Email from Ortega to Gongaware:
"He has been slow at grabbing hold of the work"Jackson was having trouble learning dances, choreographer Travis Payne says
"Prior to June, I noticed Mr. Jackson was thinner than I recognized him," Payne said, noting he never saw sudden weight change in MJ.Second time Payne saw Dr. Murray was the night before Michael died at Staples Center.
"I wanted Michael to go home and go to sleep" Payne recalls. Payne said something about Murray felt off, Payne said. "He didn't feel like an official doctor"Payne knew MJ had sleeping problems and that Dr. Murray was treating him for that. Ortega also knew; Payne thought Gongaware was aware too. Payne also said he and Ortega knew that Jackson was having sleep problems. Attorney Brian Panish asks if AEG executives knew. There were several objections, and Payne was only allowed to answer "No" as to whether Paul Gongaware knew about Michael's sleep problems
Panish asked Payne about choosing Jackson's dancers for This Is It. Payne says they were whittled down from 5,000 applicants. Applicants submitted video clips and their submissions were used to cull down potential dancers from there. Payne said they received 5,000 applications for dancers, about 2,500 showed up for the audition.He taught them some dance moves, and the pool was further narrowed down. Michael chose the dancers
Panish then asked Payne whether he knew how many doctors AEG interviewed to work with Jackson on This Is It. "No", Payne says. Payne also says he isn't aware how much interviewing or investigation into Murray that AEG did.(Panish's point appears to be that there was more scrutiny of backup dancers than Conrad Murray)
During preparations for This Is It, Michael at times seemed "under the influence of something" and once couldn't take the stage because he appeared incoherent, Payne testified.
Payne said he was aware that Jackson had problems sleeping and chalked up the singer's sometimes erratic behavior to sleep aids or sedatives from his dermatologist visits.
"You have to understand that one always says hindsight is 20/20. In the moment I had no inkling of what, ultimately, what was revealed until Mr. Jackson's passing", he saidPayne saw Michael tired and fatigued. He agreed that those symptoms could be signs of drug addiction. Payne was aware that MJ was losing weight during rehearsals and he had not seeing him lose weight like that before.
"He was not in great physical shape and was sore,working up his stamina. Lack of sleep and proper nourishment were starting to show", Payne said.Payne says at one point, he told Kenny Ortega that Jackson appeared "assisted" (meaning that he thought he was on drugs\meds)
Payne said some people were concerned about the goals not being met, including Randy Phillips and Paul Gongaware. Payne learned what Demerol was after MJ died. He also remembers a mention of Demerol in the song "Morphine".
Panish asked if MJ knew the lyrics of his songs.
"I think he did, he knew most of them, but he wanted to have a Teleprompter for safety.He didn't want to make any mistakes, to refresh his memory. Also to use for sequence of songs",Payne said.Payne agreed that it was very unusual for Michael to have a Teleprompter with the lyrics of his own songs. He never used it before. Payne didn't specify which songs Jackson wanted the teleprompter for
Payne said a body double was requested for Michael. Misha Gabriel was his body double, but shorter than him. Some of the scenes in the documentary are with the body double, Payne testified. Payne remembers at the Culver Studios in Smooth Criminal there was a stunt and Misha was asked to jump through a glass plate
Payne said most the time, MJ was present at rehearsals. "It wasn't a big deal," he expressed
Panish showed an email from the band leader Michael Bearden:
"Michael is not in shape enough yet to sing this stuff live and dance at the same time. He can use the ballads to sing live and get his stamina back up, Once he's healthy enough and has more strength I Have full confidence he can sing the majority of the show live. His voice sounds amazing right now, he needs to build it back up. I still need all big dance numbers to be in the system so we can concentrate on choreography."Payne was aware that AEG was considering in mid June pulling the plug on the show. He said Michael looked exhausted & paranoid on Jun 19. Jackson's condition and missed rehearsals led to talk within the last 10 days of Jackson's life that AEG Live LLC, which was promoting "This Is It," might cancel the concert series.
"It was 'We've got to get this together or the plug may be pulled,'" Payne saysPayne was working for AEG and said he relayed his concerns about Jackson's possible prescription drug use and that he was exhibiting troubling signs of insomnia, weight loss and paranoia in his final days to tour director Kenny Ortega. Jackson was struggling to get into shape for the shows, and Payne said his voice coach suggested using a voice track for fast-paced songs until the singer's stamina improved.
Payne went to Michael's house on June 20. He was cold and had to light the fireplace and rub his hand and feet to warm himself up
Panish showed a picture of Michael on June 24 rehearsing "Thriller"; Payne said MJ improved but was not at his best yet.
Panish: "Around June 20, was Ortega in the mindset that Michael Jackson was not ready for this?" Payne: "Yes"Payne said Michael was not ready, it was not the Michael he knew. He died four days later. But he didn't see anything that alarmed him on June 23/24
Panish:" Did you see that Michael was getting pressured to get everything done in the last days?" Payne: "Yes"Payne said he could sense something was wrong, but didn't know what it was. He said Jackson's performances in the final days of his life were impressive, and it felt
"like we were definitely on an upswing"
"I never doubted Michael because he was the architect of this and he wanted to do it, so part of my responsibility was to help him get there", Payne said, his voice racked with emotion.Panish ended his direct examination of choreographer Travis Payne with three questions.
Panish: "Did you see that Michael Jackson appeared to be pressured to get everything done at the Staples last rehearsals?"AEG re-direct
"Yes," Payne said
Panish: "The pressure about the shows started to manifest itself physically in Michael Jackson?"
"Yes," Payne replied.
Panish:" You could sense that something was wrong, you just didn't know what it was?"
Payne responded "Yes."
Payne's demeanor changed after Panish finished questioning him. He was holding back tears when the AEG attorney started re-direct examination. For the next several moments, Payne blinked and dabbed both eyes with a tissue. It was the first time he'd gotten emotional on the stand.
Bina in re-direct asked: "Do you think you could get him there?"Bina asked Payne again about how many rehearsals Jackson attended. Payne said MJ was present a significant amount of the days he was scheduled to work but he couldn't recall dates, precisely how many that Jackson attended.
Payne: "Absolutely!"
As to Gongaware's email regarding what was expected of Dr. Murray, Payne said the inconsistencies with Michael missing rehearsals warrant a talk. Payne said he thought Dr. Murray was there to care for his patient, making sure right nutritionist was there, to get him ready for the show. Payne never discussed with MJ about his doctors or personal affairs. Payne and Faye were professionals with each other, but not friends.
"Production felt he wasn't coming to rehearsals enough, and that was frustrating to some of the staff," Payne testified. "I had a concern we needed to create a show Michael would enjoy doing it," Payne explainedShe also showed Payne photos from the This Is It premiere. First photo is of Payne shaking Jermaine Jackson's hand at the movie premiere. Bina also showed another image of smiling Jermaine, Tito, Jackie and Marlon with Payne at the premiere. Payne cried saying he had been through so much and the rough part was behind them. He was pleased to show the fans what the show was to be.
Jackson re-cross
In re-cross, Panish notes that none of Michael's brothers are part of this lawsuit.
Panish then asked Payne whether Katherine Jackson and Michael's kids went to the premiere. Panish says Katherine Jackson & her grandchildren didn't go to the premiere because they weren't over Jackson's death. Payne said he didn't think anyone was over Jackson's death when the film premiered in late 2009.
Court Transcript
2024.05.14 14:01 Zappingsbrew A post talking about 400 words
abandon, ability, able, about, above, absence, absolute, absolutely, abstract, abundance, academy, accent, accept, access, accident, accompany, accomplish, according, account, accurate, achieve, achievement, acid, acknowledge, acquire, across, action, active, activity, actor, actual, actually, adapt, addition, additional, address, adequate, adjust, administration, admire, admission, admit, adolescent, adopt, adult, advance, advantage, adventure, advertise, advice, advise, adviser, advocate, affair, affect, afford, afraid, after, afternoon, again, against, age, agency, agenda, agent, aggressive, ago, agree, agreement, agriculture, ahead, aid, aim, air, aircraft, airline, airport, alarm, album, alcohol, alive, all, alliance, allow, ally, almost, alone, along, already, also, alter, alternative, although, always, amateur, amazing, ambition, ambulance, among, amount, analysis, analyst, analyze, ancient, and, anger, angle, angry, animal, anniversary, announce, annual, another, answer, anticipate, anxiety, any, anybody, anymore, anyone, anything, anyway, anywhere, apart, apartment, apologize, apparent, apparently, appeal, appear, appearance, apple, application, apply, appoint, appointment, appreciate, approach, appropriate, approval, approve, approximately, architect, area, argue, argument, arise, arm, armed, army, around, arrange, arrangement, arrest, arrival, arrive, art, article, artist, artistic, as, ashamed, aside, ask, asleep, aspect, assault, assert, assess, assessment, asset, assign, assignment, assist, assistance, assistant, associate, association, assume, assumption, assure, at, athlete, athletic, atmosphere, attach, attack, attempt, attend, attention, attitude, attorney, attract, attraction, attractive, attribute, audience, author, authority, auto, available, average, avoid, award, aware, awareness, away, awful, baby, back, background, bad, badly, bag, balance, ball, ban, band, bank, bar, barely, barrel, barrier, base, baseball, basic, basically, basis, basket, basketball, bath, bathroom, battery, battle, be, beach, bear, beat, beautiful, beauty, because, become, bed, bedroom, bee, beef, beer, before, begin, beginning, behavior, behind, being, belief, believe, bell, belong, below, belt, bench, bend, beneath, benefit, beside, besides, best, bet, better, between, beyond, bicycle, big, bike, bill, billion, bind, biological, bird, birth, birthday, bit, bite, black, blade, blame, blanket, blind, block, blood, blow, blue, board, boat, body, bomb, bombing, bond, bone, book, boom, boot, border, boring, born, borrow, boss, both, bother, bottle, bottom, boundary, bowl, box, boy, boyfriend, brain, branch, brand, brave, bread, break, breakfast, breast, breath, breathe, brick, bridge, brief, briefly, bright, brilliant, bring, broad, broken, brother, brown, brush, buck, budget, build, building, bullet, bunch, burden, burn, bury, bus, business, busy, but, butter, button, buy, buyer, by, cabin, cabinet, cable, cake, calculate, call, camera, camp, campaign, campus, can, Canadian, cancer, candidate, cap, capability, capable, capacity, capital, captain, capture, car, carbon, card, care, career, careful, carefully, carrier, carry, case, cash, cast, cat, catch, category, Catholic, cause, ceiling, celebrate, celebration, celebrity, cell, center, central, century, CEO, ceremony, certain, certainly, chain, chair, chairman, challenge, chamber, champion, championship, chance, change, changing, channel, chapter, character, characteristic, characterize, charge, charity, chart, chase, cheap, check, cheek, cheese, chef, chemical, chest, chicken, chief, child, childhood, Chinese, chip, chocolate, choice, cholesterol, choose, Christian, Christmas, church, cigarette, circle, circumstance, cite, citizen, city, civil, civilian, claim, class, classic, classroom, clean, clear, clearly, client, climate, climb, clinic, clinical, clock, close, closely, closer, clothes, clothing, cloud, club, clue, cluster, coach, coal, coalition, coast, coat, code, coffee, cognitive, cold, collapse, colleague, collect, collection, collective, college, colonial, color, column, combination, combine, come, comedy, comfort, comfortable, command, commander, comment, commercial, commission, commit, commitment, committee, common, communicate, communication, community, company, compare, comparison, compete, competition, competitive, competitor, complain, complaint, complete, completely, complex, complexity, compliance, complicate, complicated, component, compose, composition, comprehensive, computer, concentrate, concentration, concept, concern, concerned, concert, conclude, conclusion, concrete, condition, conduct, conference, confidence, confident, confirm, conflict, confront, confusion, Congress, congressional, connect, connection, consciousness, consensus, consequence, conservative, consider, considerable, consideration, consist, consistent, constant, constantly, constitute, constitutional, construct, construction, consultant, consume, consumer, consumption, contact, contain, container, contemporary, content, contest, context, continue, continued, contract, contrast, contribute, contribution, control, controversial, controversy, convention, conventional, conversation, convert, conviction, convince, cook, cookie, cooking, cool, cooperation, cop, cope, copy, core, corn, corner, corporate, corporation, correct, correspondent, cost, cotton, couch, could, council, count, counter, country, county, couple, courage, course, court, cousin, cover, coverage, cow, crack, craft, crash, crazy, cream, create, creation, creative, creature, credit, crew, crime, criminal, crisis, criteria, critic, critical, criticism, criticize, crop, cross, crowd, crucial, cry, cultural, culture, cup, curious, current, currently, curriculum, custom, customer, cut, cycle, dad, daily, damage, dance, danger, dangerous, dare, dark, darkness, data, database, date, daughter, day, dead, deal, dealer, dear, death, debate, debt, decade, decide, decision, deck, declare, decline, decrease, deep, deeply, deer, defeat, defend, defendant, defense, defensive, deficit, define, definitely, definition, degree, delay, deliver, delivery, demand, democracy, Democratic, Democrat, demonstrate, demonstration, deny, department, depend, dependent, depending, depict, depression, depth, deputy, derive, describe, description, desert, deserve, design, designer, desire, desk, desperate, despite, destroy, destruction, detail, detailed, detect, detection, detective, determine, develop, developing, development, device, devil, dialogue, diet, differ, difference, different, differently, difficult, difficulty, dig, digital, dimension, dining, dinner, direct, direction, directly, director, dirt, disability, disagree, disappear, disaster, discipline, disclose, discover, discovery, discrimination, discuss, discussion, disease, dish, dismiss, disorder, display, dispute, distance, distinct, distinction, distinguish, distribute, distribution, district, diverse, diversity, divide, division, divorce, DNA, do, doctor, document, dog, domestic, dominant, dominate, door, double, doubt, down, downtown, dozen, draft, drag, drama, dramatic, dramatically, draw, drawer, drawing, dream, dress, drink, drive, driver, drop, drug, dry, due, during, dust, duty, dwell, dying, dynamic, each, eager, ear, earlier, early, earn, earnings, earth, earthquake, ease, easily, east, eastern, easy, eat, economic, economy, edge, edit, edition, editor, educate, education, educational, educator, effect, effective, effectively, efficiency, efficient, effort, egg, eight, either, elderly, elect, election, electric, electrical, electricity, electronic, element, elementary, eliminate, elite, else, elsewhere, e-mail, embrace, emerge, emergency, emission, emotion, emotional, emphasis, emphasize, employ, employee, employer, employment, empty, enable, encounter, encourage, end, enemy, energy, enforcement, engage, engine, engineer, engineering, English, enhance, enjoy, enormous, enough, ensure, enter, enterprise, entertain, entertainment, entire, entirely, entrance, entry, environment, environmental, episode, equal, equally, equipment, equivalent, era, error, escape, especially, essay, essential, essentially, establish, establishment, estate, estimate, etc, ethics, ethnic, European, evaluate, evaluation, evening, event, eventually, ever, every, everybody, everyday, everyone, everything, everywhere, evidence, evolution, evolve, exact, exactly, exam, examination, examine, example, exceed, excellent, except, exception, exchange, exciting, executive, exercise, exhibit, exhibition, exist, existence, existing, expand, expansion, expect, expectation, expense, expensive, experience, experiment, expert, explain, explanation, explode, explore, explosion, expose, exposure, express, expression, extend, extension, extensive, extent, external, extra, extraordinary, extreme, extremely, eye, fabric, face, facility, fact, factor, factory, faculty, fade, fail, failure, fair, fairly, faith, fall, false, familiar, family, famous, fan, fantasy, far, farm, farmer, fashion, fast, fat, fate, father, fault, favor, favorite, fear, feature, federal, fee, feed, feel, feeling, fellow, female, fence, festival, few, fewer, fiber, fiction, field, fifteen, fifth, fifty, fight, fighter, fighting, figure, file, fill, film, final, finally, finance, financial, find, finding, fine, finger, finish, fire, firm, first, fish, fishing, fit, fitness, five, fix, flag, flame, flat, flavor, flee, flesh, flight, float, floor, flow, flower, fly, focus, folk, follow, following, food, foot, football, for, force, foreign, forest, forever, forget, form, formal, formation, former, formula, forth, fortune, forward, found, foundation, founder, four, fourth, frame, framework, free, freedom, freeze, French, frequency, frequent, frequently, fresh, friend, friendly, friendship, from, front, fruit, frustration, fuel, fulfill, full, fully, fun, function, fund, fundamental, funding, funeral, funny, furniture, furthermore, future, gain, galaxy, gallery, game, gang, gap, garage, garden, garlic, gas, gate, gather, gay, gaze, gear, gender, gene, general, generally, generate, generation, genetic, gentleman, gently, German, gesture, get, ghost, giant, gift, gifted, girl, girlfriend, give, given, glad, glance, glass, global, glove, go, goal, God, gold, golden, golf, good, govern, government, governor, grab, grace, grade, gradually, graduate, grain, grand, grandmother, grant, grass, grave, gray, great, green, grocery, ground, group, grow, growing, growth, guarantee, guard, guess, guest, guide, guideline, guilty, gun, guy, habit, habitat, hair, half, hall, hand, handful, handle, hang, happen, happy, harbor, hard, hardly, hat, hate, have, he, head, headline, headquarters, health, healthy, hear, hearing, heart, heat, heaven, heavily, heavy, heel, height, helicopter, hell, hello, help, helpful, hence, her, herb, here, heritage, hero, herself, hey, hi, hide, high, highlight, highly, highway, hill, him, himself, hip, hire, his, historic, historical, history, hit, hold, hole, holiday, holy, home, homeless, honest, honey, honor, hope, horizon, horror, horse, hospital, host, hot, hotel, hour, house, household, housing, how, however, huge, human, humor, hundred, hungry, hunter, hunting, hurt, husband, hypothesis, ice, idea, ideal, identification, identify, identity, ignore, ill, illegal, illness, illustrate, image, imagination, imagine, immediate, immediately, immigrant, immigration, impact, implement, implication, imply, importance, important, impose, impossible, impress, impression, impressive, improve, improvement, incentive, incident, include, including, income, incorporate, increase, increased, increasingly, incredible, indeed, independence, independent, index, indicate, indication, individual, industrial, industry, infant, infection, inflation, influence, inform, information, ingredient, initial, initially, initiative, injury, inner, innocent, inquiry, inside, insight, insist, inspire, install, instance, instead, institute, institution, institutional, instruction, instructor, instrument, insurance, intellectual, intelligence, intend, intense, intensity, intention, interaction, interest, interested, interesting, internal, international, Internet, interpret, interpretation, intervention, interview, introduce, introduction, invasion, invest, investigation, investigator, investment, investor, invite, involve, involved, involvement, Iraqi, Irish, iron, Islamic, island, Israeli, issue, it, Italian, item, its, itself, jacket, jail, Japanese, jet, Jew, Jewish, job, join, joint, joke, journal, journalist, journey, joy, judge, judgment, juice, jump, junior, jury, just, justice, justify, keep, key, kick, kid, kill, killer, killing, kind, king, kiss, kitchen, knee, knife, knock, know, knowledge, lab, label, labor, laboratory, lack, lady, lake, land, landscape, language, lap, large, largely, last, late, later, Latin, latter, laugh, launch, law, lawsuit, lawyer, lay, layer, lead, leader, leadership, leading, leaf, league, lean, learn, learning, least, leather, leave, left, leg, legacy, legal, legend, legislation, legislative, legislator, legitimate, lemon, length, less, lesson, let, letter, level, liberal, library, license, lie, life, lifestyle, lifetime, lift, light, like, likely, limit, limitation, limited, line, link, lip, list, listen, literary, literature, little, live, living, load, loan, local, locate, location, lock, long, long-term, look, loose, lose, loss, lost, lot, lots, loud, love, lovely, lover, low, lower, luck, lucky, lunch, luxury, machine, mad, magazine, mail, main, mainly, maintain, maintenance, major, majority, make, maker, makeup, male, mall, man, manage, management, manager, manner, manufacturer, manufacturing, many, map, margin, mark, market, marketing, marriage, married, marry, mask, mass, massive, master, match, material, math, matter, may, maybe, mayor, me, meal, mean, meaning, meanwhile, measure, measurement, meat, mechanism, media, medical, medication, medicine, medium, meet, meeting, member, membership, memory, mental, mention, menu, mere, merely, mess, message, metal, meter, method, Mexican, middle, might, military, milk, million, mind, mine, minister, minor, minority, minute, miracle, mirror, miss, missile, mission, mistake, mix, mixture, mm-hmm, mode, model, moderate, modern, modest, mom, moment, money, monitor, month, mood, moon, moral, more, moreover, morning, mortgage, most, mostly, mother, motion, motivation, motor, mountain, mouse, mouth, move, movement, movie, Mr, Mrs, Ms, much, multiple, murder, muscle, museum, music, musical, musician, Muslim, must, mutual, my, myself, mystery, myth, naked, name, narrative, narrow, nation, national, native, natural, naturally, nature, near, nearby, nearly, necessarily, necessary, neck, need, negative, negotiate, negotiation, neighbor, neighborhood, neither, nerve, nervous, net, network, never, nevertheless, new, newly, news, newspaper, next, nice, night, nine, no, nobody, nod, noise, nomination, nominee, none, nonetheless, nor, normal, normally, north, northern, nose, not, note, nothing, notice, notion, novel, now, nowhere, nuclear, number, numerous, nurse, nut, object, objective, obligation, observation, observe, observer, obtain, obvious, obviously, occasion, occasionally, occupation, occupy, occur, ocean, odd, odds, of, off, offense, offensive, offer, office, officer, official, often, oh, oil, okay, old, Olympic, on, once, one, ongoing, onion, online, only, onto, open, opening, operate, operating, operation, operator, opinion, opponent, opportunity, oppose, opposed, opposite, opposition, option, or, orange, order, ordinary, organic, organization, organize, orientation, origin, original, originally, other, others, otherwise, ought, our, ours, ourselves, out, outcome, outside, oven, over, overall, overcome, overlook, owe, own, owner, pace, pack, package, page, pain, painful, paint, painter, painting, pair, pale, Palestinian, palm, pan, panel, panic, pant, paper, paragraph, parent, park, parking, part, participant, participate, participation, particle, particular, particularly, partly, partner, partnership, party, pass, passage, passenger, passion, past, patch, path, patient, pattern, pause, pay, payment, PC, peace, peak, peer, pen, penalty, people, pepper, per, perceive, percentage, perception, perfect, perfectly, perform, performance, perhaps, period, permanent, permission, permit, person, personal, personality, personally, personnel, perspective, persuade, pet, phase, phenomenon, philosophy, phone, photo, photographer, phrase, physical, physically, physician, piano, pick, picture, pie, piece, pile, pilot, pine, pink, pipe, pitch, place, plan, plane, planet, planning, plant, plastic, plate, platform, play, player, please, pleasure, plenty, plot, plus, PM, pocket, poem, poet, poetry, point, police, policy, political, politically, politician, politics, poll, pollution, pool, poor, pop, popular, population, porch, port, portion, portrait, portray, pose, position, positive, possess, possession, possibility, possible, possibly, post, pot, potato, potential, potentially, pound, pour, poverty, powder, power, powerful, practical, practice, prayer, preach, precisely, predict, prediction, prefer, preference, pregnancy, pregnant, preparation, prepare, prescription, presence, present, presentation, preserve, president, presidential, press, pressure, pretend, pretty, prevent, previous, previously, price, pride, priest, primarily, primary, prime, principal, principle, print, prior, priority, prison, prisoner, privacy, private, probably, problem, procedure, proceed, process, processing, processor, proclaim, produce, producer, product, production, profession, professional, professor, profile, profit, program, progress, progressive, project, prominent, promise, promote, prompt, proof, proper, properly, property, proportion, proposal, propose, prosecutor, prospect, protect, protection, protein, protest, proud, prove, provide, provider, province, provision, psychological, psychology, public, publication, publicity, publish, publisher, pull, punishment, purchase, pure, purpose, pursue, push, put, qualify, quality, quarter, quarterback, quarterly, queen, quest, question, quick, quickly, quiet, quietly, quit, quite, quote, race, racial, radiation, radical, radio, rail, rain, raise, range, rank, rapid, rapidly, rare, rarely, rate, rather, rating, ratio, raw, reach, react, reaction, reader, reading, ready, real, reality, realize, really, reason, reasonable, recall, receive, recent, recently, reception, recipe, recipient, recognition, recognize, recommend, recommendation, record, recording, recover, recovery, recruit, red, reduce, reduction, refer, reference, reflect, reflection, reform, refugee, refuse, regard, regarding, regardless, regime, region, regional, register, regular, regularly, regulate, regulation, regulator, reinforce, reject, relate, relation, relationship, relative, relatively, relax, release, relevant, relief, religion, religious, rely, remain, remaining, remarkable, remember, remind, remote, remove, repeat, repeatedly, replace, replacement, reply, report, reporter, represent, representation, representative, Republican, reputation, request, require, requirement, research, researcher, resemble, reservation, resident, residential, resign, resist, resistance, resolution, resolve, resort, resource, respect, respond, response, responsibility, responsible, rest, restaurant, restore, restriction, result, retain, retire, retirement, return, reveal, revenue, review, revolution, rhythm, rice, rich, rid, ride, rifle, right, ring, rise, risk, river, road, rock, role, roll, romantic, roof, room, root, rope, rose, rough, roughly, round, route, routine, row, rub, rubber, rude, ruin, rule, run, running, rural, rush, Russian, sacred, sad, safe, safety, sake, salad, salary, sale, sales, salt, same, sample, sanction, sand, satellite, satisfaction, satisfied, satisfy, sauce, save, saving, say, scale, scandal, scare, scatter, scenario, scene, schedule, scheme, scholar, scholarship, school, science, scientific, scientist, scope, score, scream, screen, script, sea, search, season, seat, second, secondary, secret, secretary, section, sector, secure, security, see, seed, seek, seem, segment, seize, select, selection, self, sell, Senate, senator, send, senior, sense, sensitive, sentence, separate, sequence, series, serious, seriously, servant, serve, service, session, set, setting, settle, settlement, seven, several, severe, sex, sexual, shade, shadow, shake, shall, shallow, shape, share, sharp, she, sheet, shelf, shell, shelter, shift, shine, ship, shirt, shock, shoe, shoot, shooting, shop, shopping, short, shortly, shot, should, shoulder, shout, show, shower, shrug, shut, shy, sibling, sick, side, sigh, sight, sign, signal, significant, significantly, silence, silent, silver, similar, similarly, simple, simply, sin, since, sing, singer, single, sink, sir, sister, sit, site, situation, six, size, ski, skill, skin, skirt, sky, slave, sleep, slice, slide, slight, slightly, slip, slow, slowly, small, smart, smell, smile, smoke, smooth, snap, snow, so, so-called, soccer, social, society, soft, software, soil, solar, soldier, sole, solid, solution, solve, some, somebody, somehow, someone, something, sometimes, somewhat, somewhere, son, song, soon, sophisticated, sorry, sort, soul, sound, soup, source, south, southern, Soviet, space, Spanish, speak, speaker, special, specialist, species, specific, specifically, specify, speech, speed, spend, spending, spin, spirit, spiritual, split, spoil, sponsor, sport, spot, spray, spread, spring, square, squeeze, stability, stable, staff, stage, stain, stair, stake, stand, standard, standing, star, stare, start, state, statement, station, statistical, status, stay, steady, steal, steel, steep, stem, step, stick, still, stimulate, stimulus, stir, stock, stomach, stone, stop, storage, store, storm, story, straight, strange, stranger, strategic, strategy, stream, street, strength, strengthen, stress, stretch, strike, string, strip, stroke, strong, strongly, structural, structure, struggle, student, studio, study, stuff, stupid, style, subject, submit, subsequent, substance, substantial, substitute, succeed, success, successful, successfully, such, sudden, suddenly, sue, suffer, sufficient, sugar, suggest, suggestion, suicide, suit, summer, summit, sun, super, supply, support, supporter, suppose, supposed, Supreme, sure, surely, surface, surgery, surprise, surprised, surprising, surprisingly, surround, survey, survival, survive, survivor, suspect, sustain, swear, sweep, sweet, swim, swing, switch, symbol, symptom, system, table, tactic, tail, take, tale, talent, talk, tall, tank, tap, tape, target, task, taste, tax, taxi, tea, teach, teacher, teaching, team, tear, technical, technique, technology, teen, teenager, telephone, telescope, television, tell, temperature, temporary, ten, tend, tendency, tennis, tension, tent, term, terms, terrible, territory, terror, terrorist, test, testimony, testing, text, than, thank, thanks, that, the, theater, their, them, theme, themselves, then, theory, therapy, there, therefore, these, they, thick, thin, thing, think, thinking, third, thirty, this, those, though, thought, thousand, threat, threaten, three, throat, through, throughout, throw, thus, ticket, tie, tight, time, tiny, tip, tire, tissue, title, to, tobacco, today, toe, together, toilet, token, tolerate, tomato, tomorrow, tone, tongue, tonight, too, tool, tooth, top, topic, toss, total, totally, touch, tough, tour, tourist, tournament, toward, towards, tower, town, toy, trace, track, trade, tradition, traditional, traffic, tragedy, trail, train, training, transfer, transform, transformation, transition, translate, translation, transmission, transmit, transport, transportation, travel, treat, treatment, treaty, tree, tremendous, trend, trial, tribe, trick, trip, troop, trouble, truck, true, truly, trust, truth, try, tube, tunnel, turn, TV, twelve, twenty, twice, twin, two, type, typical, typically, ugly, ultimate, ultimately, unable, uncle, undergo, understand, understanding, unfortunately, uniform, union, unique, unit, United, universal, universe, university, unknown, unless, unlike, until, unusual, up, upon, upper, urban, urge, us, use, used, useful, user, usual, usually, utility, utilize, vacation, valley, valuable, value, variable, variation, variety, various, vary, vast, vegetable, vehicle, venture, version, versus, very, vessel, veteran, via, victim, victory, video, view, viewer, village, violate, violation, violence, violent, virtually, virtue, virus, visibility, visible, vision, visit, visitor, visual, vital, voice, volume, voluntary, volunteer, vote, voter, voting, wage, wait, wake, walk, wall, wander, want, war, warm, warn, warning, wash, waste, watch, water, wave, way, we, weak, weakness, wealth, wealthy, weapon, wear, weather, web, website, wedding, week, weekend, weekly, weigh, weight, welcome, welfare, well, west, western, wet, what, whatever, wheel, when, whenever, where, whereas, whether, which, while, whisper, white, who, whole, whom, whose, why, wide, widely, widespread, wife, wild, wildlife, will, willing, win, wind, window, wine, wing, winner, winter, wipe, wire, wisdom, wise, wish, with, withdraw, within, without, witness, woman, wonder, wonderful, wood, wooden, word, work, worker, working, workout, workplace, works, workshop, world, worried, worry, worth, would, wound, wrap, write, writer, writing, wrong, yard, yeah, year, yell, yellow, yes, yesterday, yet, yield, you, young, your, yours, yourself, youth, zone.
submitted by Zappingsbrew to u/Zappingsbrew [link] [comments]
2024.05.14 13:58 Ok-Supermarket1258 Mastering PSLE English Oral: A Comprehensive Guide to Success
The Primary School Leaving Examination (PSLE) English Oral component is a pivotal aspect of the assessment that evaluates students' ability to communicate effectively and confidently.
As students prepare for this crucial examination, it is essential to understand the requirements, strategies, and tips to excel in the PSLE English Oral assessment.
Understanding the PSLE English Oral Examination:
The PSLE English Oral examination consists of two components: Reading Aloud and Stimulus-based Conversation.
During the Reading Aloud segment, students are required to read a passage aloud, demonstrating their pronunciation, intonation, and fluency. In the Stimulus-based Conversation section, students engage in a dialogue with the examiner based on a given stimulus, showcasing their ability to express ideas coherently and respond appropriately.
Preparation Strategies for PSLE English Oral:
Mastering the PSLE English Oral examination requires dedicated preparation, practice, and effective communication skills. By following the strategies and tips outlined in this guide, students can enhance their oral communication abilities and achieve success in the PSLE English Oral assessment.
With determination, diligence, and support, students can confidently navigate the challenges of the PSLE English Oral examination and excel in their academic journey.
submitted by Ok-Supermarket1258 to awinash62 [link] [comments]
As students prepare for this crucial examination, it is essential to understand the requirements, strategies, and tips to excel in the PSLE English Oral assessment.
Understanding the PSLE English Oral Examination:
The PSLE English Oral examination consists of two components: Reading Aloud and Stimulus-based Conversation.
During the Reading Aloud segment, students are required to read a passage aloud, demonstrating their pronunciation, intonation, and fluency. In the Stimulus-based Conversation section, students engage in a dialogue with the examiner based on a given stimulus, showcasing their ability to express ideas coherently and respond appropriately.
Preparation Strategies for PSLE English Oral:
- Practice Reading Aloud: Regular practice of reading aloud helps students improve their pronunciation, intonation, and fluency. Choose a variety of texts, including poems, passages, and news articles, to enhance reading skills.
- Expand Vocabulary: Encourage students to enrich their vocabulary by reading widely and actively seeking out new words. Use vocabulary-building exercises and games to make learning enjoyable and effective.
- Develop Critical Thinking: Stimulate critical thinking skills by discussing various topics and current affairs with students. Encourage them to express their opinions clearly and support their arguments with relevant examples.
- Enhance Listening Skills: Listening comprehension is essential for effective communication. Practice listening to audio recordings, podcasts, and conversations to improve listening skills and comprehension.
- Simulate Oral Examinations: Conduct mock oral examinations to simulate the actual exam environment. Provide constructive feedback and guidance to help students identify areas for improvement and build confidence.
- Stay Calm and Confident: Encourage students to remain calm and composed during the examination. Remind them to speak clearly, maintain eye contact, and project confidence throughout the conversation.
- Focus on Clarity and Fluency: Emphasize the importance of clarity and fluency in communication. Encourage students to speak at a moderate pace, enunciate words clearly, and avoid mumbling or rushing.
- Active Listening: Teach students to listen attentively to the examiner's questions and prompts. Encourage them to respond thoughtfully and engage in meaningful dialogue by asking questions and seeking clarification when necessary.
- Use Relevant Examples: Encourage students to support their responses with relevant examples, anecdotes, or personal experiences. This demonstrates critical thinking skills and adds depth to their answers.
- Practice Active Participation: Encourage students to actively participate in the conversation by asking questions, offering opinions, and contributing to the discussion. This demonstrates engagement and initiative, enhancing overall performance.
Mastering the PSLE English Oral examination requires dedicated preparation, practice, and effective communication skills. By following the strategies and tips outlined in this guide, students can enhance their oral communication abilities and achieve success in the PSLE English Oral assessment.
With determination, diligence, and support, students can confidently navigate the challenges of the PSLE English Oral examination and excel in their academic journey.
2024.05.14 12:44 Debjit_M Exploring the Best Websites for UPSC Preparation: Your Ultimate Guide
Preparing for the UPSC (Union Public Service Commission) examination requires dedication, perseverance, and access to high-quality study materials and resources. While traditional coaching institutes play a crucial role in UPSC preparation, the internet has revolutionized the way aspirants study for this highly competitive exam. In this blog, we’ll explore some of the best websites for UPSC preparation, along with keywords such as “best IAS coaching in Kolkata,” “IAS coaching in Kolkata,” “UPSC coaching in Kolkata,” “top IAS coaching in Kolkata,” and “UPSC coaching in Kolkata fees.”
submitted by Debjit_M to u/Debjit_M [link] [comments]
Why Choose Online Resources for UPSC Preparation?
Online platforms offer several advantages for UPSC aspirants:- Accessibility: Online resources are accessible anytime, anywhere, allowing aspirants to study at their own pace and convenience.
- Variety of Content: Online platforms provide a wide range of study materials, including video lectures, e-books, mock tests, current affairs updates, and interactive quizzes.
- Cost-Effective: Many online resources are available for free or at a nominal cost, making them more affordable than traditional coaching institutes.
- Expert Guidance: Leading educators and subject matter experts create content on online platforms, providing aspirants with valuable insights and guidance.
Best Websites for UPSC Preparation
- ClearIAS: ClearIAS offers a comprehensive online learning platform for UPSC aspirants, featuring free study materials, mock tests, daily current affairs updates, and guidance articles. The website covers all aspects of the UPSC syllabus and provides a structured approach to preparation.
- Unacademy: Unacademy is one of India’s largest online learning platforms, offering a wide range of courses and resources for UPSC preparation. Aspirants can access live classes, recorded lectures, study materials, and test series taught by top educators.
- BYJU’S Exam Prep (formerly known as Gradeup): BYJU’S Exam Prep is a popular online platform for UPSC and other competitive exams. It offers study materials, live classes, mock tests, and quizzes to help aspirants prepare effectively. The website also features a community forum where students can interact and discuss doubts.
- InsightsIAS: InsightsIAS provides comprehensive study materials, daily current affairs updates, editorial analysis, and mock tests for UPSC preparation. The website also offers a range of paid courses and test series conducted by experienced faculty members.
- IASbaba: IASbaba offers a holistic approach to UPSC preparation, with free resources such as daily news analysis, editorial summaries, and study materials. The website also offers paid courses, mentorship programs, and test series for aspirants at different stages of preparation.
How to Supplement Online Resources with Coaching Institutes
While online resources are valuable for self-study, they should ideally complement rather than replace traditional coaching institutes. Here’s how you can strike the right balance:- Use Online Resources for Self-Study: Utilize online platforms for self-study, revision, and practice tests to reinforce concepts learned in coaching classes.
- Seek Guidance from Expert Educators: Attend coaching classes for personalized guidance, doubt clarification, and interaction with experienced educators.
- Stay Updated with Current Affairs: Regularly follow online platforms for the latest current affairs updates, editorial analysis, and practice quizzes to stay ahead in your preparation.
- Optimize Your Study Schedule: Create a study schedule that incorporates both online resources and coaching classes, ensuring a balanced approach to UPSC preparation.