Lessons and activities on gary soto s poetry

Doki Doki Literature Club!

2017.09.24 23:19 FPTN Doki Doki Literature Club!

Welcome! This is a subreddit for the discussion of the free visual novel Doki Doki Literature Club, created by Team Salvato. Join our discord! https://discord.gg/ddlc
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2014.08.27 00:29 WritingTutor A Place For Writing Tutors of All Levels

Trying to improve your writing? This subreddit is an online workshop. Post questions and writing samples for review and WritingTutor will make suggestions about how to improve your style.
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2012.03.07 17:00 blahspam Lowbrow Art

A subreddit for artists and fans to share and discuss lowbrow art.
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2024.05.15 00:03 pushtostart 2024 Saint Pete Pride Calendar

It's that season again! lets get out there and support our local businesses and our community.
June 1st - Kickoff Block Party (21+) @ Cocktail You'll find us on June 1st from 7-10pm on the 2300 & 2400 blocks of Central Ave dancing in streets, enjoying live entertainment, and celebrating in a way that only the LGBTQIA+ community can! Featuring DJ Ace Vedo, a giant Red Bull truck, local LGBTQIA+ performers, corn hole, and a few surprises, the first Satur-GAY of June in the Grand Central District will not disappoint! https://www.stpetepride.org/events/2024-kickoff-block-party
June 6th - Stonewall Reception ($75pp) @ The James Museum Join us in celebrating the history of the Pride movement while supporting St Pete Pride's mission during this impactful event. With guest speakers, open bar, and some other special treats, this is an evening you won't want to miss. https://www.stpetepride.org/events/stonewall-reception-2024
June 8th - Youth & Family Day (free) @ North Straub Park This joy-filled event will bring thousands of LGBTQIA+ youth, queer families and allies to North Straub Park for this one-of-a-kind Pride event. Last year’s event was a remarkable reflection of St. Pete’s diverse and open-minded community, with many of the attendees being ally families. Guests will enjoy family-focused activities, vendors, and main stage performances. https://www.stpetepride.org/events/st-pete-pride-youth-family-day
June 13th - Rhythms of Pride (Latin Dance) @ Wet Spot Get ready for a night filled with vibrant music, dazzling drag performances, and captivating arts from south of the border. Experience the fiery spirit and colorful culture of our Latin Queer family as we come together to dance, laugh, and celebrate. DJ Ace Vedo will be spinning the hottest beats to keep the energy high all night long. https://www.stpetepride.org/events/2024-rhythms-of-pride
June 14th & 15th - Shades of Pride (Juneteenth Remembrance) @ The Factory Day 1, Friday, from 5:30pm-3:00am will feature a Prequel to Ballroom, Poetry Slam and Night Party. Day 2, Saturday, from 1:00pm-3:00am will feature panel discussions, live musical performances and closing out with The Honors Ball. https://www.stpetepride.org/events/shades-of-pride-2024
June 22nd - Pride Parade Festival (free) @ North & South Straub Parks The festival, held on June 22nd, from 2pm-10pm, in North and South Straub parks will host a variety of local vendors and food trucks, Glamstand front row parade seating, beverage gardens, multiple stages, family area, and more! Make sure to check back for event maps and updates! https://www.stpetepride.org/events/2024-pride-parade-festival
June 22nd - Pride Parade (free) @ Bayshore Dr Get your confetti, Pride flags, and dancing shoes ready as over 100 groups march the parade route coming together for an unforgettable celebration of inclusion, representation, and visibility! Grab your crew and get set to show that world that in Florida love always wins! https://www.stpetepride.org/events/2024-st-pete-pride-parade-presented-by-seminole-hard-rock-hotel-casino-tampa
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2024.05.15 00:03 captain_DA The Qabalah: Malkuth, where the lighting strikes.

In the realm of nature, nothing quite captures the awe-inspiring force of lightning. Even in our modern-day age, with all our wonders and technologies, witnessing a lightning strike and hearing its thunderous sound can’t help but leave us with a sense of awe and respect for the power of the natural world.
Among the Cherokee, a special kind of respect was paid to lightning. The burnt wood from trees struck by lightning was sought after by shamans. The wood would be buried in soil to ensure a healthy crop and warriors were rubbed with the charred wood for strength, effectively being “charged with bolts of sacred fire”.
To the Cherokee and other groups, lightning was a dramatic display from the spiritual realm, and served as a reminder of the spiritual forces that pervade the natural world and influence human life.
Interestingly, the branching pattern observed in lightning strikes is mirrored across various natural phenomena in our world, with one of the most recognizable patterns being the network of branches in trees.
This striking similarity stems from a shared principle of growth and movement: both the electric charge of lightning and the tree limb navigate from a point of lower potential to one of higher potential, albeit in opposite directions—lightning moves from a high potential charge to a lower one, while a tree limb grows towards a zone with low potential, in this case, a shaded area, towards a zone of greater potential, or sunlight exposure.
This observation highlights a universal pattern of progression; each decision branching out like the limbs of a tree or the forks of a lightning bolt. Perhaps this progression is archetypal, instilled by the Logos as a concept, which is why it is so prevalent. When perceived from a broader perspective, our lives too unfold in a similar branching design, marked by choices and diverging paths that closely resemble the intricate patterns seen in trees and lightning.
This image of a tree and lighting serves to demonstrate that the realm we inhabit is full of metaphors pointing toward higher concepts. Matter is, as the author Walter Russel wrote, “merely the record of ideas and not the ideas themselves”.
Material objects are the shadow of a greater concept which is more nebulous and abstract. The idea reigns supreme, yet its manifestation is physical form. For instance, before we create anything in the physical, it begins first as an idea in the imagination.
Within the imagination, the concept is still nebulous and it has the opportunity to take many forms. It is not yet concrete and “real”. It is still in “potential”.
Once the concept is acted upon, and work is done to bring it into form, then suddenly it has a real-world impact. It is “real”. Yet, at the same time, it’s not real. It’s only the shadow of the concept itself.
This brings up an interesting question: which is superior? The idea or the form based on the idea?
Some would suggest that the point of art, for instance, is to convey concepts. Observing a masterpiece allows us to converse with concepts of a higher order, transcending the physicality of the art piece itself. It matters not what medium the art takes, what matters is the concept that is being conveyed.
This dynamic interplay between the ethereal and the tangible showcases how higher ideas manifest and how these manifestations, in turn, draw us closer to the divine.
As the author and occultist David Goddard writes in his book Tree of Sapphires,
“By the penetrative observations of the Microcosm, you receive intimations of the Macrocosm”.
Perhaps no spiritual tradition encapsulates this concept more distinctly than Qabalah.
Qabalah is a form of Jewish mysticism aimed at understanding the nature of God and the universe. It offers a framework for comprehending the relationships between the Divine, the cosmos, and humanity through a system of ten spheres (Sephiroth) and 22 paths that represent different aspects and levels of consciousness and reality.
The system is visually represented by the Tree of Life, which serves as a map illustrating how the Infinite One, or Ain Sof, interacts with the finite world. Its emanations are called Sephiroth, which are attributes or aspects of the Infinite One.
Holistically, the Tree of Life can be viewed as the process through which the Infinite One differentiates itself into physical reality, metaphorically representing the transition from 0 to 1. It also represents the path back towards unity, from the lower to the higher.
As David Goodard writes,
“It is the lighting flash from Kether at the top of the tree, down to Malkuth that shows the path of involution, or the One Life-Power descending, plane by plane, veiling itself in denser vibratory states.
The sequence of the lighting flash from Malkuth ascending to Kether is the way of evolution, termed the Path of the Return.”
It is the Path of the Return that we will be discussing - starting with the very last sphere on the tree: Malkuth
Malkuth
The Tree of Life is a visual metaphor for how the One differentiates itself into many. One way to study the tree is to see it as a system of triangles made up of various interconnected paths. These paths are described as Activating, Formative and Balancing.
The author Robert Wang in his book The Qabalistic Tarot writes,
“...each of the key triangles on the Tree refers to one part of the Soul: The Supernal Triangle is the Supreme Spiritual Self, the Ethical Triangle is the Higher Self, and the Astral Triangle is the Personality in incarnation.”
In addition, he writes “the core structure of each part of the Self is composed of three aspects, an Activating (Yod-Fire), a Formative (Heh-Water) and an energy which is Balancing (Vau-Air)”
Therefore, each sphere works with the other to form the whole. The only exception is the final sphere, Malkuth. Malkuth contains all three aspects and includes a fourth: “Heh” or “Earth”. Yod Heh Vau Heh, also known as the Tetragrammaton, or the “unprounceable name of God”. Malkuth is the solidified end result of the actions of the Yod Heh and Vau.
You might also liken these forces to the Hegelian dialectic of Thesis, Antithesis, and Synthesis.
The forces can also be thought of states of consciousness.
The Tree of Life is also divided into three Pillars. The left Pillar are considered “active” forces and the spheres on the right side of the Pillar are considered “formative” or “passive” forces. Within the Middle are the equalibrating forces, considered consciousness itself by Qabalaist.
To visualize this better, think of music played from a guitar. The string is the formative, or passive force, the tension and vibration of the string is the active force, yet without the balancing force of the musician, no music could be created. You would just have noise.
We should regonize that there is no true beginning and no true “end”. When one looks at the Tree, both the bottom, Malkuth, and the top, Kether are both the beginning and the end. The top of the Tree contains the sphere known as Ain Soph, which is God prior to any self-manifestation, existing in no-thing, or what Ra refers to “Intelligent Infinity”.
Therefore, as the light moves further from Kether, it gradually gets stepped down into lower and lower vibrations, filtered through the activating, formative and balancing forces of each triangle.
Malkuth is denest realm on the tree, the “final” destination of the light from the One. It is the what we call the physical universe, the world of form.
In the book The Mystical Qabalah, the author and mystic Dion Fortune writes this about Malkuth,
“It is the formative, concreting function of Malkuth which finally renders tangible and definite what was, upon the higher planes, intangible and indefinite, and this is its great service to manifestation and its characteristic power.”
Within Malkuth, the tangible is precise, and the abstract takes a backseat. Forms here acquire a defined outline, in contrast to the superior spheres where the form is fluid and undefined.
Malkuth is the grounding point of the Divine’s will, where the idea finally becomes manifest.
However, the process of grounding this energy requires the use of channels and links.
Dion Fortune also writes,
“The whole problem of Malkuth is a problem of channels and connecting links. The rest of the work is done by the mind on the subtler planes; the real difficulty lies in the transition from the subtle to the dense, for the subtle is so ill-equipped to work on the dense. This transition is effected by means of the magnetism of living things, whether organic or inorganic.”
The physical, being a dense realm, can be difficult to break through without the appropriate channels and magnetism of beings and objects existing in this realm.
Being immersed in matter, it can be easy to think that we are cut off from the Divine. And, while it can be difficult to hear at times, the subtle calling of Spirit is always transmitting information.
As we work on clearing the rocks and thorns that block the heart, it becomes easier to hear the call of Spirit and to form that connection to the higher realms.
The more we form the connection and listen to the higher callings of Spirit, the greater impact Spirit can have in Malkuth.
The conduit for this connection is, of course, you. All of us have the potential to be channels for the Divine. In fact, as wanderers, this is perhaps the main reason for incarnating on this planet.
To act as that grounding point for the Divine. This is the natural role of humanity. To be the embodiment of Spirit in the physical realm of Malkuth.
This is the act of being a co-creator of the Logos.
Recall that each Logos is responsible for setting up the archetypal framework of a particular system. Everything materializing in Malkuth is a direct offspring of these archetypical blueprints.
Take, for example, the form of the galaxy. Our galaxy adopts a "spiral" configuration which one can see throughout the physical universe. This shape happens to resonate deeply with narrative structures, notably the "Hero's Journey"—a seemingly universal storytelling structure that is found in almost all myths told across cultures and time.
It can be argued that the reason this storytelling structure is so universal is because it is archetypal. That is, it is not learned, but rather inherent in all of us, accessible by those sensitive enough to perceive within the Deep Mind.
The narrative arc of the hero's journey unfolds as follows: The protagonist starts with a certain limitation, be it a belief system or another type of restraint. Eventually, the call to adventure beckons, leading them to accept this quest.
This journey propels them through trials and tribulations, adversity, and shadowy depths, facilitating their growth and leading to the acquisition of vital wisdom. After triumphing over these challenges, the hero returns, ready to embark on a new cycle, equipped with newfound insights.
This narrative framework underscores the principle of continual growth. To evolve spiritually, one must journey beyond the familiar, confront their inner darkness, and from this confrontation, arise, reborn. However, like in real life, the process is never-ending.
If one were to conceptualize this structure visually, it would mirror the form of a spiral.
Since the spiral shape is so ubiquitous, and if we understand that the Divine imprints higher concepts into the physical, then it appears that this archetypal story structure could be a universal pattern, at least in our logos.
This raises an interesting thought: galaxies with alternative formations might operate under distinct archetypal systems, a reflection of the endless variety and complexity inherent in the cosmos. Perhaps a hint as to what those archetypal frameworks could be is found it the shape of their galaxies.
How often have we heard of individuals being suddenly "struck" by a bolt of "creative genius"? Numerous tales abound of artists, scientists, writers, and the like who have given birth to magnificent creations, only to profess that the origin of their "unique" ideas felt as though they were not entirely of their own making but were, in essence, "channeled" from an external source.
This phenomenon suggests a connection to a higher reservoir of knowledge and inspiration, indicating that profound concepts are omnipresent, awaiting discovery and expression in our world.
This is part of our role here in Malkuth. To be conduits, grounding points, for higher concepts. To be the builders, where we can, of the archetypal frameworks thought up by the Logos.
This is true co-creation. To be aligned with the Divine, with Nature, allows one to receive, thus enabling them to move beyond the limitations imposed by Malkuth.
Malkuth is the first step on a journey back to the Ain Soph, back to no-thing. It is an essential step in our journey. As Dion Fortune writes,
“The Qabalah teaches that the body is the Temple of the Holy Spirit, and that unless we learn the lessons of Malkuth there can be no lasting progress beyond. The fact is that our first spiritual lessons come from those around us.
And if we cannot function effectively on the material level, learning from the day to day patterns which we have chosen for our incarnation, it is unlikely that we will be able to function effectively on a more refined spiritual plane. The ability to sense the importance of the ordinary is a special form of discrimination.”
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2024.05.14 23:24 Calm-Plenty4350 update: still sober 🥳

last posted on day 23 (i think), we’re at 37 now! proud of myself. i feel like i’ve gained years of wisdom from the crazy ass life i lived the past few years so if anyone wants to AMA go ahead
and to anyone needing a sign, this is it! you’re on the right path! life is beautiful and sobriety IS worth it. and i say this with literally no money rn, literally lost everything i ever worked for (got robbed and then had to flee where i was living because my ex strangled me 3x and almost killed me).. my life became a literal hell because of drugs and an abusive relationship. it started out great. that’s the scary part. but i feel better now than i have in years and have the least to show for it but that’s okay. because i know good things are coming and im ready to work my ass off for it. and that’s coming from someone who was convinced down to their soul they would be an addict for life.
i know im in the infancy of recovery, but i can say that feeling my willpower grow stronger than that demon of a drug is soooo rewarding. i can also look in the mirror again and not hate what i see. i’ve released so much shame and judgement for my decisions and i just face life with love and kindness and empathy (as much as i can - working on it).. the clarity ive gained from sobriety, and even the lessons i learned during active addiction and watching someone you love slowly kill themselvss with drugs while you’re doing the same thing… it’s profound really. i look at the world so differently now. and i’m even thankful for everything i went thru although obviously would do some things differently if i had the chance to. again AMA im feeling chatty because im for sureeee unmedicated adhd lol
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2024.05.14 22:36 spoon_jar I already feel like I’ve lead a full life at the age of 25. Fully at peace with dying. (LONG READ)

I plan on ending it in ~30 years, or when I become a burden on my friends and family.
Preface:
I know and understand I am extremely privileged. I’ve always had supportive parents and a safe place/roof over my head. I’ve faced hardships, but they’re a far cry from what others have dealt/are dealing with.
Context dump:
I grew up in a middle class family in England, born of two working class parents that managed to achieve a decent amount of social mobility and provide a comfortable childhood for my siblings and I. We weren’t spoiled in a material sense. We all went to local state schools, never had the latest games consoles, designer clothes, or ate fancy food. My parents chose to spoil us with experiences and travel, getting the opportunity to see the world and have a go at different activities.
I was gifted when it came to academics and flew through school in all the top classes, however choked when I got to my final years. As a result the university I went to wasn’t all that great. This along side other factors such as experimenting with drugs, developing an eating disorder and getting myself into a very toxic relationship (my ‘first love’) started my depression. When covid hit I dropped out and moved back home.
My depression persisted and got worse. I contemplated suicide frequently, however always knew it was never really something I’d go through with, at least not yet. In the meantime I started working in hospitality in my hometown, developing two major passions, music and craft beer. In total I spent 2 years saving money, developing my passions and trying to ignore my depressive thoughts.
Where I am now:
For the last two years I’ve been living in a major city in England. I have a great job working 40 hours a week in a craft beer pub and can pay my own way with a little left over to save each month. In my free time I go and enjoy the music scene and listen to the Djs I love mix live, and (safely/infrequently) taking drugs to enhance the experience. I have a beautiful, kind, hilarious girlfriend that I have a great relationship with. I’m attempting to put myself out there with Djing myself, in the hopes of playing clubs one day. Right know I feel relatively content, proud of myself for striking out on my own and building a life for myself, and living %100 independently.
I’m really not trying to brag, I’ve had a privileged upbringing and I know that. But I would like to make a list of things to help get across this sense that I’ve already lead a full life and would be okay if it ended tomorrow.
I’ve visited 10 different countries in 4 different continents. I’ve tried sailing, skiing, kayaking, rock climbing, horse riding and sky diving. I’ve gone camping in -10 degrees weather. I’ve helped build living facilities (laying bricks) for orphans in South Africa. Performed my own original poetry for a room of 50 people. I’ve felt some of the most intense euphoria it’s possible to feel, in unison with another person I love to the ends of the earth.
I’ve also seen extremely low lows, contemplated suicide and confronted my own mortality. I’ve shoplifted. Hurt peoples feelings. Lied for my own benefit. I’ve felt real heartbreak and mourned close family members. I’ve experienced high levels of self hatred/inadequacy and projected those feelings on my loved ones negatively impacting them. All things I regret, but contribute to my life feeling ‘full’.
The controversial bit:
As a result of all this, coupled with my depression, I plan on killing myself when I start becoming a burden on others. The exact nature of my depression is also crucial to this. I believe that my existence itself is to some extent immoral. To make it actually moral would involve moving somewhere I can live entirely independently, which would sadly involve effectively cutting off my friends and family. The way the modern world is structured means that there is always some from of exploitation involved in the goods I consume, and I as a consumer contribute to this exploitation. I’ve come to terms with it for the meantime. I will only start to really plan the end of my life once my parents are gone. It would cause them too much grief if I were to leave before they do.
I’ve been considering this since I was about 16. Reading moral philosophy since 15. I’m going to strive to improve the lives of those around me, be kind and helpful and do right by people for the next 30 years or so and then seek out the most reasonable way to end my life.
My girlfriend knows about these plans. She is understanding and supportive.
Thanks for reading.
submitted by spoon_jar to TrueOffMyChest [link] [comments]


2024.05.14 21:33 pronoia123 The Astrology of Kendrick and Drake

[I shared this in girls and gays but wanted to share here as well for those of you not in that sub]
With Kendrick Lamar and Drake’s rap feud raging over the last month, I got curious about what their natal charts say about each of them as rappers, and how the astrological synastry between the two has fueled this chart-topping fight. Luckily we have an accurate birth time for both Drake and Kendrick, so we can see exactly how their charts overlap.
Here’s Drake’s chart:
And here’s Kendrick’s chart:
Inconjunct Suns
Kendrick has a Gemini sun, like many of hip hop’s greatest rappers, including Notorious B.I.G., Tupac, Lauryn Hill and Outkast’s Andre 3000. Geminis are well-suited to rap as the wordsmiths of the zodiac, one of the two signs ruled by Mercury, the planet of communication. Virgo, the other sign ruled by Mercury, expresses the analytical, practical, pragmatic side of the mind, the so-called “left brain” which sorts the wheat from the chaff (and, fittingly, Virgo season aligns with the harvest season of late summer).
Gemini expresses the more playful, self-expressive, hyper-curious “right brain” side of the mind - the monkey mind that swings from branch to branch, seeing connections as it goes. “Curious to a fault, Geminis have a finger in every pie. Solar Geminis are flexible and changeable people. Usually quite clever and witty, Geminis enjoy intellectual conversations and they are easily bored if they are not getting enough mental stimulation.”
Drake is a Scorpio sun, bringing a very different energy to the table. Scorpios seek power above all, and they live life intensely. If Gemini is the court jester, taking life lightly and poking fun at it all, Scorpio is the dark knight plotting and positioning himself for a coup. As one of the two signs ruled by Mars, the planet of war and competition, Scorpios don’t back down from competition, and as a fixed modality sign, they can struggle to let go–even of what hurts them. Scorpios are drawn to the darker sides of life - they know that secrets hold power, so they tend toward privacy, as shown in Drake’s last rap beef, when Pusha T revealed that he had secretly fathered a son with a porn star.
Gemini and Scorpio have a tricky inter-dynamic, with an aspect between them known as a quincunx, or an inconjunct. Quincunxes occur when planets are 150 degrees apart, and therefore share neither an element (water, fire, earth, or air) nor a modality (cardinal, fixed, or mutable). They are at odds in a very fundamental way, and though they can teach each other a lot, in order to get along they will have to make some serious adjustments.
When these signs get together, they just can’t understand each other. They have almost nothing in common, so it’s hard to find common ground. When a quincunx shows up in a synastry or relationship reading, this can make for a tense or difficult relationship.” This natural repelling dynamic is expressed in Kendrick’s diss song Euphoria (“I hate the way that you walk, the way that you talk/I hate the way that you dress/I hate the way you sneak diss, if I catch flight, it's gon' be direct”).
Drake’s ascendant is placed at 29 degrees Leo, exactly conjunct the royal fixed star Regulus. Regulus is one of the luckiest stars in the zodiac, and it is often seen in the charts of celebrities. “On the Ascendant, it will give a courageous and frank character. A splendid and illustrious life; glorious, mighty and commanding nature; fame, busy with many activities, bountiful resources, well known or feared in cities and regions.” But with Regulus on the ascendant, expanding the already narcissistic tendencies of Leo, there is a risk for an over-expansion of the ego and a lack of humility. Drake wants to be the best by all accounts - not just the biggest commercial superstar, which he is, but also the most critically acclaimed rapper, like Pulitzer Prize-winning Kendrick.
Mercury and Mars vs. Mercury and Venus
When it comes to analyzing writers of any sort, I like to look at their Mercuries, and here we see a fascinating contrast. Kendrick’s Mercury is located in intuitive, emotional Cancer (just like Lana del Rey, who I analyzed last week), and it is conjoined with Mars, the planet of war, which is what makes him such a formidable opponent in a rap battle. “Mercury conjunct Mars natal gives a quick mind, rapid reflexes, and a sharp tongue. These attributes are ideal for making quick decisions in the heat of the moment while others hesitate. Excellent debating skills allow you to stand up not only for yourself but for the rights of others. Your enthusiastic, direct and courageous way of expressing yourself can win admiration in politics, business, and the military.”
I think Mercury in combination with Mars is the ideal aspect for the competitive sport of rap, and interestingly enough, Tupac Shakur and Notorious B.I.G., who famously feuded and are considered by many to be the all-time greatest rappers, both had these planets tightly combined (Tupac had Mercury trine Mars with a 1 degree orb, and Biggie had Mercury septile Mars with a 0 degree orb).
Drake, by contrast, has his Mercury conjoined with Mars’ planetary opposite, Venus. Mercury conjoined with creative Venus is a great aspect for a musician, but it lacks the teeth of competitive Mars. “Mercury conjunct Venus natal makes you a lovable, handsome, neat, refined, romantic, and courteous person. You may tend to be passive and submissive, but this is a means by which you achieve peace in your life. You can lovingly communicate things; a melodic, poetic, and relaxing voice often helps this. Mercury rules trade, and Venus rules money, so you could do well in business and enjoy buying and selling.”
Many of Drake’s biggest hits show this melodic Mercury-Venus aspect - like the no-rapping, all-singing “Hold On, We’re Going Home,” “Hotline Bling” and “One Dance,” or the purported feminist anthem “Nice for What.” Many think Drake is best as a pop star rather than a rapper, which Kendrick references in Euphoria (“I like Drake with the melodies, I don't like Drake when he act tough” “Keep makin' me dance, wavin' my hand and it won't be no threat”).
Mercury conjunct Venus should be a very positive aspect for Drake, and in many ways it is – as two of the planets that rule over money (Mercury the marketplace, and Venus the possessions), this aspect is part of why he’s had such incredible financial success. However, a few factors complicate it. For one thing, they are located together in Scorpio, ruled by Mars. His Mercury is expressed in a Venusian way, but it wants to be expressed in a Martian way. I think this is why Drake returns regularly to gangster rap despite his success in pop and R&B. He wants to be a Mercury-Mars rap powerhouse like Kendrick, Biggie, and Tupac, but he’s fundamentally different. From the beginning of his career he’s been taunted as soft, weak, feminine, privileged–all very Venusian adjectives.
Another complicating factor is that Drake’s Venus is doubly challenged - it is both in detriment in Scorpio, as well as retrograde. Venus is in detriment in Scorpio because it rules over Scorpio’s opposite, Taurus, and so the planet is not at ease in suspicious, jealous Scorpio. “Fears of being too vulnerable or of giving up their own power to others is strong. Scorpio is an “all or nothing” energy, and relationships tend to be somewhat of a rollercoaster ride as a result. Disdain for mediocrity and superficiality can compel them to create crises in order to feel alive and vital.”
Venus retrograde in the natal chart “suggests you have some difficulty in giving and receiving love and affection. You may experience sadness in love or have to endure hardship or delay. Natal Venus in retrograde can also show as excessive use of makeup and jewelry or even disfigurement from cosmetic surgery.” It’s interesting how some of the allegations against Drake in Kendrick’s songs have included a nose job and a Brazilian butt lift. After Drake told Metro Boomin to “shut up and make some drums” in his initial Kendrick diss Push Ups, the producer responded with “BBL Drizzy.”
Drake has never been married or had a public long-term relationship. His highest profile one with Rihanna was on-again, off-again, and at times seemed more like unrequited love than true commitment. When interviewed about the relationship, he said “As life takes shape and teaches you#Personal_life) your own lessons, I end up in this situation where I don't have the fairy tale [of] 'Drake started a family with Rihanna, [it's] so perfect.' It looks so good on paper [and] I wanted it too at one time.” Two years ago Drake had jeweler Alex Moss create a necklace worth $12.5 million dollars built from dozens of engagement rings he had made but never used: ““New piece titled ‘Previous Engagements’ for all the times he thought about it but never did it,” Moss wrote over a video showcasing the stunning necklace, which is made up of “42 engagement rings” totaling “351.38 carats in diamonds.”” It’s quite the testament to a challenged natal Venus.
Lilith Synastry
Here is Drake and Kendrick’s synastry (Drake is on the outer circle):
The most interesting thing I found digging into Drake and Kendrick’s charts was the presence of Lilith in their synastry. Lilith is an asteroid associated with the “angry woman” figure as well as female liberation. In some Jewish folklore Lilith was the first wife of Adam, but she was banished from the Garden of Eden for not obeying him and replaced with Eve.
In the intricacies of a birth chart, Black Moon Lilith symbolizes the raw essence of femininity, the primal urges, and the suppressed parts of our psyche that lie in the shadows. This point, not a planet but a mathematical point, reveals where one might feel estranged, challenged, or empowered to go against the grain of societal norms. It unveils deep-seated desires, innate instincts, and perhaps the areas where one feels the need to challenge established roles or expectations. It's a place of power, mystique, and, occasionally, friction – pinpointing where one's true nature might clash with the conventional, leading to feelings of marginalization or rebellion.”
The allegations Drake and Kendrick threw at each other both had to do with mistreatment of women - Drake said that Kendrick abused his fiancée, and Kendrick said Drake was a pedophile who shouldn’t be trusted around young women.
Both Drake and Kendrick’s Liliths make tight aspects with the other’s chart. “Whenever Lilith is around, you can expect to feel a wild, intense, deep, and sometimes obsessive energy. If you have Lilith aspects in synastry then this energy will show up in your relationship. Whenever your Lilith touches one of your partner’s planets or vice-versa, you can expect to see your deepest fears revealed. You might also see glimpses of things you desire but can’t have. Ultimately, Lilith aspects in synastry give both partners a chance to work on their shadow sides.”
Kendrick’s sun exactly conjoins Drake’s Lilith at 26 degrees Gemini. “Often, the sun person [Kendrick] represents all that the Lilith person [Drake] wants but can never quite “catch.” There is an illusive vibe to this relationship. The Lilith person may feel somewhat less-than or “bad.” Lilith conjunct sun in synastry is a test for the Lilith person because their most taboo qualities such as obsession and anger will be activated, but it’s also a test for the sun person. The lesson is for the sun individual to stand their ground and follow their inner voice. Lilith is neither good nor bad, and the sun person can share in some of the Lilith partner’s activities without merging.”
This resonates with the fact that despite Drake’s huge commercial success, he is deeply jealous of Kendrick’s critical success. In Family Matters Drake took a jab at Kendrick’s acclaim (“Kendrick just opened his mouth, someone go hand him a Grammy right now”), and the beef between them played out similarly, with many rap fans deciding that Kendrick won before even listening to Drake. I think it’s obvious that Kendrick is a stronger rapper, but it’s also clear that Drake wasn’t given a fair shake.
Drake’s Lilith makes a tight trine to Kendrick’s Mercury. “Both the Lilith person and the Mercury person help each other to bring unhealed deeper wounds and unconscious emotion to the surface and articulate deeper, wild instincts. Mercury person [Kendrick] helps Lilith person [Drake] make sense of their inner restlessness and insecurities, sexual passions and unresolved rage. Mercury person may find Lilith person to be highly emotional but is also intrigued by Lilith person’s edgy and unique perspective.” It’s remarkable that both of their Liliths are interlocked with each other’s inner planets, creating a push-pull, love-hate, shadow-enlightening dynamic between the two.
I think the obsession goes both ways, and that part of the reason Kendrick fought back so viciously was because Drake triggers something in him shown through the Lilith synastry. Drake shows Kendrick what he could be–a charismatic playboy enjoying his fame and money to the fullest. And in engaging with the feud he stooped to a lower level, making unsupported claims about Drake’s supposed secret daughter, and writing a rap song (Meet the Grahams) addressed to Drake’s 5 year old son opening with “Dear Adonis, I’m sorry that man is your father.” All is fair in rap battles–or is it? Questlove called it out, saying on Instagram: “Nobody won the war. This wasn’t about skill. This was a wrestling match level mudslinging and takedown by any means necessary — women & children (& actual facts) be damned.”
Kendrick’s latest diss track Not Like Us has just debuted at number one on the Billboard Top 100, and it’s clear this battle has propelled him to another level of stardom. Drake’s Regulus ascendant arrogance and Scorpionic desire to fight to the death drove him to attack the strongest living rapper, and now he’s dealing with the fallout. Kendrick’s streams of his back catalog are up 50%, while Drake’s are down 5% and his reputation has taken a massive knock. But Kendrick has taken a hit as well. Having rap’s two biggest stars accusing each other of heinous crimes might drive up streams in the short run, but it’s a dangerous game. Astrology helps us understand why these two polar opposites are so intertwined, and why their mutual dislike has spurred on such a captivating firestorm.
submitted by pronoia123 to rspod [link] [comments]


2024.05.14 21:32 pronoia123 The Astrology of Kendrick and Drake

[I shared this in girls and gays but wanted to share here as well for those of you not in that sub]
With Kendrick Lamar and Drake’s rap feud raging over the last month, I got curious about what their natal charts say about each of them as rappers, and how the astrological synastry between the two has fueled this chart-topping fight. Luckily we have an accurate birth time for both Drake and Kendrick, so we can see exactly how their charts overlap.
Here’s Drake’s chart:
And here’s Kendrick’s chart:
Inconjunct Suns
Kendrick has a Gemini sun, like many of hip hop’s greatest rappers, including Notorious B.I.G., Tupac, Lauryn Hill and Outkast’s Andre 3000. Geminis are well-suited to rap as the wordsmiths of the zodiac, one of the two signs ruled by Mercury, the planet of communication. Virgo, the other sign ruled by Mercury, expresses the analytical, practical, pragmatic side of the mind, the so-called “left brain” which sorts the wheat from the chaff (and, fittingly, Virgo season aligns with the harvest season of late summer).
Gemini expresses the more playful, self-expressive, hyper-curious “right brain” side of the mind - the monkey mind that swings from branch to branch, seeing connections as it goes. “Curious to a fault, Geminis have a finger in every pie. Solar Geminis are flexible and changeable people. Usually quite clever and witty, Geminis enjoy intellectual conversations and they are easily bored if they are not getting enough mental stimulation.”
Drake is a Scorpio sun, bringing a very different energy to the table. Scorpios seek power above all, and they live life intensely. If Gemini is the court jester, taking life lightly and poking fun at it all, Scorpio is the dark knight plotting and positioning himself for a coup. As one of the two signs ruled by Mars, the planet of war and competition, Scorpios don’t back down from competition, and as a fixed modality sign, they can struggle to let go–even of what hurts them. Scorpios are drawn to the darker sides of life - they know that secrets hold power, so they tend toward privacy, as shown in Drake’s last rap beef, when Pusha T revealed that he had secretly fathered a son with a porn star.
Gemini and Scorpio have a tricky inter-dynamic, with an aspect between them known as a quincunx, or an inconjunct. Quincunxes occur when planets are 150 degrees apart, and therefore share neither an element (water, fire, earth, or air) nor a modality (cardinal, fixed, or mutable). They are at odds in a very fundamental way, and though they can teach each other a lot, in order to get along they will have to make some serious adjustments.
When these signs get together, they just can’t understand each other. They have almost nothing in common, so it’s hard to find common ground. When a quincunx shows up in a synastry or relationship reading, this can make for a tense or difficult relationship.” This natural repelling dynamic is expressed in Kendrick’s diss song Euphoria (“I hate the way that you walk, the way that you talk/I hate the way that you dress/I hate the way you sneak diss, if I catch flight, it's gon' be direct”).
Drake’s ascendant is placed at 29 degrees Leo, exactly conjunct the royal fixed star Regulus. Regulus is one of the luckiest stars in the zodiac, and it is often seen in the charts of celebrities. “On the Ascendant, it will give a courageous and frank character. A splendid and illustrious life; glorious, mighty and commanding nature; fame, busy with many activities, bountiful resources, well known or feared in cities and regions.” But with Regulus on the ascendant, expanding the already narcissistic tendencies of Leo, there is a risk for an over-expansion of the ego and a lack of humility. Drake wants to be the best by all accounts - not just the biggest commercial superstar, which he is, but also the most critically acclaimed rapper, like Pulitzer Prize-winning Kendrick.
Mercury and Mars vs. Mercury and Venus
When it comes to analyzing writers of any sort, I like to look at their Mercuries, and here we see a fascinating contrast. Kendrick’s Mercury is located in intuitive, emotional Cancer (just like Lana del Rey, who I analyzed last week), and it is conjoined with Mars, the planet of war, which is what makes him such a formidable opponent in a rap battle. “Mercury conjunct Mars natal gives a quick mind, rapid reflexes, and a sharp tongue. These attributes are ideal for making quick decisions in the heat of the moment while others hesitate. Excellent debating skills allow you to stand up not only for yourself but for the rights of others. Your enthusiastic, direct and courageous way of expressing yourself can win admiration in politics, business, and the military.”
I think Mercury in combination with Mars is the ideal aspect for the competitive sport of rap, and interestingly enough, Tupac Shakur and Notorious B.I.G., who famously feuded and are considered by many to be the all-time greatest rappers, both had these planets tightly combined (Tupac had Mercury trine Mars with a 1 degree orb, and Biggie had Mercury septile Mars with a 0 degree orb).
Drake, by contrast, has his Mercury conjoined with Mars’ planetary opposite, Venus. Mercury conjoined with creative Venus is a great aspect for a musician, but it lacks the teeth of competitive Mars. “Mercury conjunct Venus natal makes you a lovable, handsome, neat, refined, romantic, and courteous person. You may tend to be passive and submissive, but this is a means by which you achieve peace in your life. You can lovingly communicate things; a melodic, poetic, and relaxing voice often helps this. Mercury rules trade, and Venus rules money, so you could do well in business and enjoy buying and selling.”
Many of Drake’s biggest hits show this melodic Mercury-Venus aspect - like the no-rapping, all-singing “Hold On, We’re Going Home,” “Hotline Bling” and “One Dance,” or the purported feminist anthem “Nice for What.” Many think Drake is best as a pop star rather than a rapper, which Kendrick references in Euphoria (“I like Drake with the melodies, I don't like Drake when he act tough” “Keep makin' me dance, wavin' my hand and it won't be no threat”).
Mercury conjunct Venus should be a very positive aspect for Drake, and in many ways it is – as two of the planets that rule over money (Mercury the marketplace, and Venus the possessions), this aspect is part of why he’s had such incredible financial success. However, a few factors complicate it. For one thing, they are located together in Scorpio, ruled by Mars. His Mercury is expressed in a Venusian way, but it wants to be expressed in a Martian way. I think this is why Drake returns regularly to gangster rap despite his success in pop and R&B. He wants to be a Mercury-Mars rap powerhouse like Kendrick, Biggie, and Tupac, but he’s fundamentally different. From the beginning of his career he’s been taunted as soft, weak, feminine, privileged–all very Venusian adjectives.
Another complicating factor is that Drake’s Venus is doubly challenged - it is both in detriment in Scorpio, as well as retrograde. Venus is in detriment in Scorpio because it rules over Scorpio’s opposite, Taurus, and so the planet is not at ease in suspicious, jealous Scorpio. “Fears of being too vulnerable or of giving up their own power to others is strong. Scorpio is an “all or nothing” energy, and relationships tend to be somewhat of a rollercoaster ride as a result. Disdain for mediocrity and superficiality can compel them to create crises in order to feel alive and vital.”
Venus retrograde in the natal chart “suggests you have some difficulty in giving and receiving love and affection. You may experience sadness in love or have to endure hardship or delay. Natal Venus in retrograde can also show as excessive use of makeup and jewelry or even disfigurement from cosmetic surgery.” It’s interesting how some of the allegations against Drake in Kendrick’s songs have included a nose job and a Brazilian butt lift. After Drake told Metro Boomin to “shut up and make some drums” in his initial Kendrick diss Push Ups, the producer responded with “BBL Drizzy.”
Drake has never been married or had a public long-term relationship. His highest profile one with Rihanna was on-again, off-again, and at times seemed more like unrequited love than true commitment. When interviewed about the relationship, he said “As life takes shape and teaches you#Personal_life) your own lessons, I end up in this situation where I don't have the fairy tale [of] 'Drake started a family with Rihanna, [it's] so perfect.' It looks so good on paper [and] I wanted it too at one time.” Two years ago Drake had jeweler Alex Moss create a necklace worth $12.5 million dollars built from dozens of engagement rings he had made but never used: ““New piece titled ‘Previous Engagements’ for all the times he thought about it but never did it,” Moss wrote over a video showcasing the stunning necklace, which is made up of “42 engagement rings” totaling “351.38 carats in diamonds.”” It’s quite the testament to a challenged natal Venus.
Lilith Synastry
Here is Drake and Kendrick’s synastry (Drake is on the outer circle):
The most interesting thing I found digging into Drake and Kendrick’s charts was the presence of Lilith in their synastry. Lilith is an asteroid associated with the “angry woman” figure as well as female liberation. In some Jewish folklore Lilith was the first wife of Adam, but she was banished from the Garden of Eden for not obeying him and replaced with Eve.
In the intricacies of a birth chart, Black Moon Lilith symbolizes the raw essence of femininity, the primal urges, and the suppressed parts of our psyche that lie in the shadows. This point, not a planet but a mathematical point, reveals where one might feel estranged, challenged, or empowered to go against the grain of societal norms. It unveils deep-seated desires, innate instincts, and perhaps the areas where one feels the need to challenge established roles or expectations. It's a place of power, mystique, and, occasionally, friction – pinpointing where one's true nature might clash with the conventional, leading to feelings of marginalization or rebellion.”
The allegations Drake and Kendrick threw at each other both had to do with mistreatment of women - Drake said that Kendrick abused his fiancée, and Kendrick said Drake was a pedophile who shouldn’t be trusted around young women.
Both Drake and Kendrick’s Liliths make tight aspects with the other’s chart. “Whenever Lilith is around, you can expect to feel a wild, intense, deep, and sometimes obsessive energy. If you have Lilith aspects in synastry then this energy will show up in your relationship. Whenever your Lilith touches one of your partner’s planets or vice-versa, you can expect to see your deepest fears revealed. You might also see glimpses of things you desire but can’t have. Ultimately, Lilith aspects in synastry give both partners a chance to work on their shadow sides.”
Kendrick’s sun exactly conjoins Drake’s Lilith at 26 degrees Gemini. “Often, the sun person [Kendrick] represents all that the Lilith person [Drake] wants but can never quite “catch.” There is an illusive vibe to this relationship. The Lilith person may feel somewhat less-than or “bad.” Lilith conjunct sun in synastry is a test for the Lilith person because their most taboo qualities such as obsession and anger will be activated, but it’s also a test for the sun person. The lesson is for the sun individual to stand their ground and follow their inner voice. Lilith is neither good nor bad, and the sun person can share in some of the Lilith partner’s activities without merging.”
This resonates with the fact that despite Drake’s huge commercial success, he is deeply jealous of Kendrick’s critical success. In Family Matters Drake took a jab at Kendrick’s acclaim (“Kendrick just opened his mouth, someone go hand him a Grammy right now”), and the beef between them played out similarly, with many rap fans deciding that Kendrick won before even listening to Drake. I think it’s obvious that Kendrick is a stronger rapper, but it’s also clear that Drake wasn’t given a fair shake.
Drake’s Lilith makes a tight trine to Kendrick’s Mercury. “Both the Lilith person and the Mercury person help each other to bring unhealed deeper wounds and unconscious emotion to the surface and articulate deeper, wild instincts. Mercury person [Kendrick] helps Lilith person [Drake] make sense of their inner restlessness and insecurities, sexual passions and unresolved rage. Mercury person may find Lilith person to be highly emotional but is also intrigued by Lilith person’s edgy and unique perspective.” It’s remarkable that both of their Liliths are interlocked with each other’s inner planets, creating a push-pull, love-hate, shadow-enlightening dynamic between the two.
I think the obsession goes both ways, and that part of the reason Kendrick fought back so viciously was because Drake triggers something in him shown through the Lilith synastry. Drake shows Kendrick what he could be–a charismatic playboy enjoying his fame and money to the fullest. And in engaging with the feud he stooped to a lower level, making unsupported claims about Drake’s supposed secret daughter, and writing a rap song (Meet the Grahams) addressed to Drake’s 5 year old son opening with “Dear Adonis, I’m sorry that man is your father.” All is fair in rap battles–or is it? Questlove called it out, saying on Instagram: “Nobody won the war. This wasn’t about skill. This was a wrestling match level mudslinging and takedown by any means necessary — women & children (& actual facts) be damned.”
Kendrick’s latest diss track Not Like Us has just debuted at number one on the Billboard Top 100, and it’s clear this battle has propelled him to another level of stardom. Drake’s Regulus ascendant arrogance and Scorpionic desire to fight to the death drove him to attack the strongest living rapper, and now he’s dealing with the fallout. Kendrick’s streams of his back catalog are up 50%, while Drake’s are down 5% and his reputation has taken a massive knock. But Kendrick has taken a hit as well. Having rap’s two biggest stars accusing each other of heinous crimes might drive up streams in the short run, but it’s a dangerous game. Astrology helps us understand why these two polar opposites are so intertwined, and why their mutual dislike has spurred on such a captivating firestorm.
submitted by pronoia123 to redscarepod [link] [comments]


2024.05.14 20:21 Ill_Variation_2480 TTPD's new nickname "Female Rage: The Musical" should upset you.

Edit: If you are going to comment on the length of this post, please don't. This is not a simple snark but rather an actual critical think piece about feminism and Taylor Swift.

Introduction

Pertaining to Taylor Swift, "Female Rage" has deviated from its intended meaning after Swift debuted a new performance of The Tortured Poets Department during the Eras Tour. Now, according to Swift's use of the phrase, female rage is interpreted as public backlash against Swift's dating choices rather than as a response to the broader injustices against women and women's rights. This post examines Taylor Swift's flawed feminism, philanthropy, branding, and the controversial trademark petition for the phrase "Female Rage: The Musical". Swift's background as an entertainer, indeterminate politics, and alignment with capitalism over feminism pervades her legacy, again threatening her public tolerance as not just an individual but as a brand.

Once Upon a Female Rage...

If you were cognizant in the early 2010's, you've heard countless jabs at Taylor Swift in the media. Magazines, radio, or online. Music critics did not take her seriously as a songwriter; parents put a woman on an unrealistic pedestal as the ideal role model for their children; she dated too much and used men as lyrical fodder. No matter the story, it inevitably spread, conjoined with everyone's respective opinions, and you'd be left to wonder, "Why does everyone hate this girl so much?"
Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,
"Becoming friends with Lena – without her preaching to me, but just seeing why she believes what she believes, why she says what she says, why she stands for what she stands for – has made me realize that I’ve been taking a feminist stance without actually saying so."
I suppose the male-centric songwriting subject that permeates Swift's discography contained covert feminism and that we just didn't see that. Perhaps, the "Bad Blood" song and music video were written only in jest and not about poor Katy Perry, for Swift, as a feminist, would "never make it a girl fight" or tear other women down (though all Katy did was date your terrible ex-boyfriend and allegedly steal three backup dancers from your tour). In 2013, Swift said, in response to Tina Fey and Amy Poehler's joke towards her serial dating, "There is a special place in hell for women who don't help other women."
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.

Get Your Fucking Ass Up and Be a Philanthropist, It Seems Like Nobody Wants to Be a Philanthropist These Days

In 2013, Taylor Swift cut the ribbon at the grand opening of the Taylor Swift Education Center at the Country Music Hall of Fame in Nashville, Tennessee. The donation amount - $4 million - was the largest individual artist gift ever donated to the Country Music Hall of Fame, which is, of course, mentioned on Swift's website. The two-story facility features three classrooms, an instrument room, and an interactive children's exhibit gallery. Swift also performed at "All for the Hall" charity shows and has donated numerous artifacts from her career (such as notable guitars, tour costumes, etc) to the museum.
This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.

I Like Some of the Taylor's Songs, But What the Fuck Does She Know About Feminism?

Swift continued with her self-proclaimed feminist campaign, positioning herself as a political activist and LGBTQ+ ally in the Miss Americana documentary. The primary focus of the documentary consists of the sexual assault trial, Andrea Swift's cancer diagnosis, Taylor's ED and body dysmorphia, media scrutiny, and, largely, finally speaking up about her politics publicly, mostly her opposition to the 2018 Tennessee Republican senate candidate, Marsha Blackburn, and Blackburn's beliefs. Swift says, following a scene discussing her experience during the trial,
"I just couldn't really stop thinking about it. And I just thought to myself, next time there is any opportunity to change anything, you had better know what you stand for and what you want to say."
We must ask ourselves, though: when has Swift ever spoken up to change anything? Okay, pulling her entire catalogue from Spotify because they didn't pay their artists enough and similarly pulling her catalogue from Apple Music are changes that she leveraged due to her revenue potential and power, but they are not pertinent to the average woman's rights. Moreover, these are issues that directly impacted Taylor's income, which was enough reason for her to protest in the first place. Swift has sold the most units for a female artist in first week sales, is the first female artist with 100k monthly Spotify listeners, is the first female artist to win the Album of the Year Grammy 4 times, and is the first female artist to do X, Y, and Z, all while being inoffensive and family-friendly to boot. The actual Taylor Swift seems unwilling to compromise the brand of Taylor Swift by contributing in meaningful ways to feminist causes, especially if it is for women outside of America and Hollywood.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.

I Can't Pay Those Sweatshop Workers a Livable Wage or Benefits! How Else Would I Make My Billions?

Recently, Taylor's team filed to trademark the phrase "Female Rage: The Musical" after Taylor said during Paris N1 of the Eras Tour,
"So you were the first ones to see The Tortured Poets at the Eras Tour...or as I like to call it, 'Female Rage: The Musical'."
This trademark petition was filed last week on Saturday, and news comes about just as numerous unofficial fan-made merch designs have cropped up with this phrase plastered on Fruit of the Loom basics. I'm of the opinion Swift's team motioned for a trademark so that they can send out cease & desists to all those that make knockoff merch, which disrupts potential sales for Bravado, UMG's choice merchandising company; however, since it was filed earlier, perhaps Swift has bigger plans with the bizarre use of the gendered phrase. One Swiftie referred to the phrase "female rage" as "a funny Eras Tour joke". Could it be a possible fourth version of the Eras Tour Movie? Whatever the reason, the motion to capitalize off of such a concept is disgusting, but not unsurprising, for a woman that profits on her vain feminism.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!

I Am Tortured Poet, Hear Me Whinge

Look - even if Taylor's intention is to characterize TTPD as more "tortured" and "angry", the main thread of the album is "I was ghosted by my decade-long situationship with a controversial indie boy and my fucking stupid fans wrote a 'Speak Up Now' open letter prompting me to drop him" anger, which is adequately expressed in the lyrics and performances. The extent of Taylor's "female rage" on TTPD is on tracks such as "Who's Afraid of Little Old Me?", which contends with relentless media scrutiny; "But Daddy I Love Him", where Swift firmly states she'll date whoever she likes no matter how "Sarahs and Hannahs" may react; and "The Albatross", a track mythologizing her reputation and the consequences of dating her. Of course, these coincide with deep psychological wounds that formed during Swift's early years in the media, and so, from her feminist perspective, these subjects tackle the misogyny and double standards that she faced.
Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.

Sigh Try and Come For My Job, Poors

Out there in the world right now is a 23-year-old woman, a recent college grad, who works as a barista. She has to wake up and get ready to go into a minimum wage job because she cannot get a job in her field. She doesn't have healthcare benefits or sick time, so she has to go into work no matter how she's feeling. All day long she is berated by vicious customers and creepy men, and, exhausted from being on her feet, she knows she has to go home to her shitty roommate that never does the dishes and her roommate's shitty dog. To comfort herself, she considers getting a treat, but thinks against it when she remembers that matcha lattes cost $15 and they taste like milky dirt. She knows that she needs to buy groceries this week, and so the woman resolves to go home, but notices that her gas tank is low. She goes to put gas in the car, but the pump stops at $27.86 because that's all that she has in her checking account. The woman, bereft and reeling, sinks into the driver's seat. "Well," she thinks, her head in her hands, "at least I don't have Taylor Swift's job. I just couldn't imagine."
Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,
"You know you're good when you can even do it with a broken heart...you know you're good...and I'm good, cause I'm miserable, and no one even knows!...try and come for my job."
Yeah, obviously we wouldn't know, you recently passed the billionaire threshold and are the most famous and in-demand performer in the world right now. Taylor Swift makes an estimated $10 to $13 million dollars A NIGHT on the Eras Tour. Furthermore, the Eras Tour movie grossed $261.6 million globally, (which, as the producer, Taylor takes home 57% of the ticket sales) not counting the streaming revenue from Amazon Prime Video and the estimated $75 million deal that Disney paid to have it on Disney+. We're not even considering the income from cheap plastic popcorn buckets and drink cups plastered with colored squares in her Era-specific likeness.
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"

Conclusion/TLDR

Thank you for reading. I would love to hear your critical insights towards this entire ordeal: TTPD, the trademark, the implications of it all.
TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.
submitted by Ill_Variation_2480 to travisandtaylor [link] [comments]


2024.05.14 19:24 Individual-Manner-67 STA rewrite attempt

A couple of years ago I tried writing my own version of Stones Abbigale. I never got past the first couple scenes, but I'm considering returning to it. I wanted to basically rewrite and change up a lot of things, mainly focusing on Abbi and Davis and changing some elements. Let me know what you think!

1
It's almost four in the morning and Seth is threatening suicide again. Good. Fuck him. I hope he does it. I don't text him that because I read about this girl who told her boyfriend to kill himself. The irony was that when he actually did it she got charged with second degree murder. My life is fucked as it is I don't need to make it worse. I’m shivering under my comforter because we’re halfway through November. I think about the turkey that won't get made this year and the family I won't see. I think that's swell. Seth is still texting.
Its like u dont even care after everything that happened and after everything we did together i saved ur life and i stayed with u when u cried and i hugged u and i did everything for u but that wasn't enough was it? i try so hard and all u ever are is a bitch to me that's not fair u want me to die and u hate me and u dont even care and im sick of it abbi why is is so hard for u to care about me?
I don't respond. I don't like how I feel about this. This should be easy. He won't actually do it. He won't. He’s too self involved to kill himself. I put my phone face down on my bed. The sheets shake around it as he sends message after message. I was sleeping on a ticking bomb so I got off of it. My feet stick to the floor, I struggle to step. I might as well have been standing barefoot on ice. I trudge to my window so I can see my street at night. Winter is really coming. You can't hear as many birds as you used to. They've all gone. They've all flown away. I can see three streetlights from where I’m standing. If you can from right to left you can see the concrete fracture into the sand. I open my window and brace for the chill. I stick my head outside. The ocean is not far away. I hear it hitting the shore over and over. Waves of water splashing incessantly, almost beating out my text notifications. The street lights flicker. I think of last summer. When Seth and I got really high after the news broke that my Mom was cheating on my Dad. I was making out with that bong. Emptying bowl after bowl, clanking the glass on the road to empty it out. Just thinking about it makes me feel the street pole against my back again. I was laughing and crying. Seth leaned in and hugged me. “I’m a sure thing,” he said. “I love you and I always will.” I caught my reflection in his sunglasses. I looked awful. I shiver at the memory. My phone is still buzzing. I try to catch my breath. I shut my window and start to walk back to my bed. A room always looks different in the dark. Maybe you think you know where you are, but there is always something that can jump out at you on the floor. Like a ghostly paper bag or a vengeful shoe. Objects that seem to move on their own with the sole drive of tripping you. I crawl back into bed. There's the phantom of Dad’s snoring . I know he's not sleeping in his room, he fell asleep on the couch after finishing his seventh fifth. Sometimes my brain fills in the gaps so I can hear it everywhere. Funnily, I haven't actually heard him snore since Mom left. That's the one thing I ever heard them fight about. Before she turned out to be a whore, I guess. BZZT.BZZT.BZZT. I can't bring myself to read any of his messages. They're coming so fast all the paragraphs are lost to motion blur. Seth’s arms wrap around me and I think about the beating of his heart and the warmth of his lips against my skin. I open up the texts, ready to respond.
I love you
I text this over and over until I fall asleep.
Davis was the only senior on the bus. Somehow, everyone else had a car or a ride. It’s all right, though. James would probably give him one if he had a car, but he skated to school every morning. That's why he barely ever rode the bus with him. The bus thumped along the under paved roads. Davis forgot his earbuds at home, so the only music that accompanied him was his racing thoughts. Two sophomore girls popped their heads over. “Ohmigod, Davis!” One of them shrieked.. “As I live and breathe,” he smiled. “Nice,” she said. “I’m so excited to see your finished painting.” Davis took the lower level art class for a requirement. Like most things, he's not taking it very seriously. For their pop art unit, he's painting a portrait of the art teacher with a warthog face. It's one of his funny disruptions. He knows Mrs. Stanley is going to have a real field day with it, but it doesn't matter. Artistic liberties, he’d profess. “She's such a bitch, isn't she?” The sophomore girl turns to her compatriot, who only nods in response. “She's just jealous,” Davis says. “It must be depressing to teach art and see the youth soar above her.” “For sure,” the girl doesn't get it. Class clown is a semi-heavy burden. Davis doesn't really feel like talking to these girls, but his position demands it. Comedy informs everything about him. To the giant thrift store jeans, to the loud Hawaiian shirt. He and James are the ultimate combination, at least he likes to think so. Quiet brooding begs for bright distraction. The girl is still trying to talk to him and Davis is saying his preprogrammed lines. The bus stops in front of James’s street. Surprisingly, James is standing there. “Like I’m this close to just filling my hydroflask with vodka, yaknow?” says the chick. Maybe she's just trying to get a rise out of him. “Better be prepared to give me more than a sip,” Davis is watching James grumble towards the bus. The sun is beating down on the forming ice puddles. James stomps through them with small shattering steps. James turns up the bus aisle and plops in the seat next to Davis. Davis’s smile is genuine now, but he fights it from getting too wide. “Crash your vehicle?” Davis asks. “Something like it,” there's something off with him. Davis doesn't want to push it. “Well damn, hope insurance covers it,” Davis wants James to break and laugh. Is it just another mood or did something actually happen this time? “It won't, I got bad credit,” James grins and it's like heaven. “What's the move for you today?” “Surviving art and physics for me,” says Davis. “Those bastards love to keep me down.” “Who doesn't,” James eyes the girls who have since returned to whatever they were doing before. It's the judgement stare, as Davis calls it. James likes to observe his peers like a zoo-goer. Breaking them down to taxonomic types. Davis likes to think that James doesn't do this to him, but he knows he probably does. “It sucks you decided to be bad at school and take baby art,” James is still dissecting the sophomore girls down to their tropes. “We could have done Art II together.” “I wouldn't want to get between you and Alex. I know how you love it when people piss in jars next to you.” “That's disgusting,” James breaks his glare at the girls. “It's performance art, it's beautiful,” Davis gets up out of his seat to yell. “Everyone witness the wonderful work of Alex Madov! Disengage yourself from the shackles of capitalism by shouting with me: Poopy, pee pee, poop!” Davis gets a few chuckles from the other kids on the bus. “Sit down, fatso,” mumbles the bus driver. “I will not be silenced! I’m a messenger of the good word, sir!” “More of this shit and I’m skipping your stop!” “Fine, but I will make Alex remember on the day of judgement,” Davis sits back down. James is full belly laughing. “You're so retarded,” James wheezes. Davis can't even come back with a response. He's high off of it.
The bus pulls into the school lot with a short stop. The mobs get up and begin to race out. Davis follows James down the line. “You know Abbi?” James asks. Davis feels a little pit form in his stomach, but he doesn't change his expression. “Vaguely, what about her?” “She's in my art class,” James begins. “And I think … well you know, I’m going to talk to her.” He walks down the steps and out the door. “Doesn't she have a boyfr-” before Davis can descend the driver's arm blocks him. “I’ve had enough of your shit, kid,” he says. “If you keep being obnoxious, I’m gonna find a way to make you pay for it.” James looks back, but he can't stay. Davis knows that he's gotta get to class. James does a little wave goodbye and Davis salutes him. “Are you even listening to me?” the bus driver seethes. “Yes, sir. Divine retribution, got it.” Davis ducks underneath his arm and exits the bus. James has already disappeared into the crowd.
I pass the bong to Ashley. She starts another bowl. She’s the transport and I provide the material. The little things that keep our friendship afloat. I look at the clock in her car. “It's 8:45,” I pick a piece of bagel out of my teeth. “So that's it, we officially missed first period,” Ashley tops it off. “They won't mark us, you know. It's a study.” “Yeah, but when's the last time we signed in? I heard they're changing the policy again. Do you still have the lighter?” I toss it to her. I don't get it. It's always her idea to pick me up so we can smoke before school, why now is she suddenly caring about attendance? “We're pretty girls, we can get out of it. I’m next,” I tap on the clock. “Are you sure it's not fast?” She shakes her head as she takes a snap. We're parked in the pond area a block or two from the school. It's our designated smoking spot. I like it, even at the end of fall it's pretty. I’m so engrossed that I don't realize her tip out the bowl and put it back in the cup holder. “I don't know if it's wise to keep up the activity, we should probably get going soon,” she starts up her car again. “Okay,” I say. She reverses and swings out of the lot. We lean into the silence and it's super weird. “Seth texted me last night,” I wait for her reaction. “Oh,” she grimaces. “What did you say?” “That I loved him.” Silence again. Ashley's trying to put together something well-meaning while understanding that I’ll probably ignore whatever she has to say. “Abbi, I’m not trying to tell you how to run your life, but …” Her expression is now quizzical. She's said what she is about to say a number of different ways all ready. She thinks and thinks and decides to say nothing. Good call, I would have screamed at her. Not because what she thinks about my situation isn't true, I’m just in a ‘screaming at people mood’ because of it. “I’m going to dye my hair again,” she changes the subject to avoid conflict. Classic Ash. “Oh yeah? What color this time?” “I don't know,” she checks her reflection in the rear view. “The red has faded out, maybe blue or pink this time.” “You should go with a softer pink,” I say. “Since you're a soft spring.” “Yeah, maybe.” We enter the school lot. “Listen, do you want to get together when I do it? Maybe you can dye your hair too.” “I don't know, I might be busy,” I say. “Seth might want to do something,” I pause for her to protest. “Okay,” she says. She parks and we get out.
I barrel into art class. I don't care if I reek, out of all the teachers I can tell Mrs. Stanley smokes the most. It would be hypocritical of her to care. It looks like I’m the first one. Weird. I check my phone. It's 8:45. Well, fuck. Looks like Ashley needs to fix her clock. Mrs. Stanley is at her desk. She looks at me knowingly. “Eager to create today, Abbi?” I just nod and sit at my desk. I’m really feeling it. I open up my precalc notebook and just start sketching. Birds, eyes, trees, whatever. Kids start coming in. Their chatter echoes around me, I try to focus on what I’m doing. Someone bumps into my table. I look up. It's this lanky blonde kid, I think his name is James. He presses his hands underneath the desk as he leans up to talk to me. “Eww!” He shouts. Some kids turn and laugh. I don't. I just stare at him. James goes red and sits next to the kid who pissed in a jar. Once an adequate amount of students are in the room, Mrs. Stanley starts her lesson slideshow. On the screen is a dirty urinal. “How many of you are familiar with this work by Marcel DuChamp?” she asks. At this point, Jason, the designated meathead jock, enters the room. “Sorry I’m late, Mrs. S,” he booms. He looks at the slide. “We building bathrooms today?” Mrs. Stanley glares at him. “Wouldn't you like that? Considering you spend all of your time in there.” “Whatever,” Jason brushes his mullet behind his ears. “No, not whatever. Would you like me to move you into the sophomore class with Davis? Believe it or not he's getting much better marks than you are getting in here.” Jason rolls his eyes and takes his place in the chair next to me. “Up to a little extra curricular activities before art, Abbi?” he motions a joint in his fingers. I scoff and go on my phone. There's another text from Seth.
sorry about last night
and
im reading it all right now that was fucked im sorry
I start to respond, but before I can Mrs. Stanley outstretches her hand. “Give me your phone, Miss Hagerty. I’m sick of giving you warnings.” I don't have the energy to fight, I just give it to her. “You can pick it up at the end of the day.” My jaw actually drops. Jason must have really set her off, she's not usually such a cunt to me. “Anyways, found art. What is it? Well, found art is the use of everyday objects to convey an altered meaning. It can be something you find on the street or something that once held value to you. For example, My Bed by Tracey Elim.” She pulls up a picture of a messy bed that looks suspiciously like my own. “So for your final unit of the semester, you will be making your own found art. I really want you to take this project a little more seriously than most of you have been taking this class. I’m giving you the privilege of picking your own partners, but I’d like to remind you to be thoughtful with your choice. This will be worth more for your grade.” I look around. I don't have any friends here. I toy around with the idea of asking Jason for convenience and he looks like he's about to pull that move. Behind me there's that James guy. He’s sheepishly looking at me. He seems kind of nice. Okay. I don't feel like getting up so I just turn around in my chair. “Hey James, wanna be partners?” He balks a bit and then smiles at me. “Yeah, totally,” He's beaming and it's somewhat endearing. Alex and I switch seats and now I’m next to him. “I’m gonna be real with you …” I begin. He stops and shifts a little. “I have no idea what we're supposed to be doing for this.” He regards me oddly. Like he's trying to piece me together. It doesn't bother me. “She said we have to bring in an object that's special to us and present it artistically basically,” he rubs his chin. Damn, I must be baked to hell. I didn't hear her saying that at all. “So got any stuffed animals we can cut up and make Lovecraftian monstrosities out of?” “I got a hamster cage, hold the hamster,” I say. It comes out kind of weird and I probably sound stupid, but he doesn't seem to care. “Let's make a fucking zoo.” “Perfect!” He’s kind of cute actually. In a way. Something about this feels fun. I realize the bell will ring soon. “So um,” I rip out a page of my precalc notebook, still fresh with my drawings. I scrawl out my number and push it to him. “Call me so we can figure out the project some more.” I pack up all my stuff and start to head out. I can feel him watching me and it's not that bad. “I sure will,” he says. Everything feels really groovy. There's a lightness now. I’m halfway out the door when I remember my phone. I can't believe that I just forgot about Seth. I think about begging for my phone, but I feel too above that. Still, something shakes the good feeling as the bell rings.
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2024.05.14 19:05 JasonBetter10 Supporting Children’s Mental Health: The Vital Role of After School Programs


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Through our after-school programs, we play a pivotal role in supporting children's mental well-being by seamlessly blending disguised learning and Social and Emotional Learning (SEL).
At Right At School, our unwavering dedication to the well-being of our children drives us forward. We recognize that today's children encounter an array of challenges that can significantly impact their mental health. Through our after-school programs, we play a pivotal role in supporting children's mental well-being by seamlessly blending disguised learning and Social and Emotional Learning(SEL).
A Lifeline After School
Our after-school programs serve as a vital lifeline for children during the house after school, offering a dynamic environment where they engage in disguised learning experiences and gain essential SEL skills. This bridge between school hours and when parents typically return home from work holds immense significance in the lives of children and their families.
An Oasis of Exploration and Growth
In an educational landscape increasingly focused on academic achievements, after-school programs provide a refreshing change of pace. they after a haven where children can learn, explore, and grow without the pressures of formal classroom. This freedom form academic rigidity is essential of children's mental health as it allows them to rediscover the joy learning and develop a thirst for knowledge driven by their own curiosity .
In addition, these programs extend the school day in the best possible way. They create a balanced routine that combines academic enrichment with activities that nurture the heart and soul. Children engage in disguised learning activities that stimulate their minds while also fostering creativity, social skills, and emotional intelligence. This holistic approach to education is essential of cultivating well-rounded individuals who are better equipped to face the complexities of life.
Safety and Supervision
After-school programs after a safe and supervised environment for children. This aspect is particularly valuable in today's world, where parents often work late hours. Knowing that their children are in secure and caring space gives parents peace of mind, allowing them to focus on their responsibilities without undue worry. This, in turn, contributes to reduced stress levels in families, benefiting children's mental health indirectly.
Disguised Learning: Nurturing Curiosity and Knowledge Through Play
A cornerstone of our after-school programs is disguised learning. We firmly believe children thrive when immersed in enjoyable, educational activities that ignite their curiosity. Disguised learning takes the form of games, hands-on projects, and interactive challenges that allow children to acquire knowledge and skills without even realizing they are learning.
Through these engaging activities, children not only expand their horizons but also develop critical thinking skills and cultivate a genuine love for learning. Disguised learning not only contributes to their academic growth but also enhances their confidence and sense of accomplishment, two essential components of their mental health.
Social and Emotional Learning (SEL)
Our after-school programs place a robust emphasis on Social and Emotional Learning (SEL). We firmly believe that emotional intelligence is at the core of strong mental well-being. SEL equips children with vital skills such as self-awareness, self-regulation, empathy, and relationship-building.
By actively participating in SEL activities and lessons, children acquire the ability to navigate their emotions effectively, make responsible decisions, and build positive relationships. These skills are not just instrumental in their social development but also play a pivotal role in their mental health journey. SEL fosters emotional resilience and equips children with the tools they need to manage stress and challenges effectively.
The Liberating Power of Creative Expression
Creative activities also known as ~Electives~ are yet another foundation of our after-school programs. Whether through arts, music, drama, or other creative outlets, children are given the opportunity to express themselves in a myriad of ways. This creative expression acts as a vital emotional outlet, helping children manage their mental health.
Artistic activities enable children to explore their feelings and thoughts through non-verbal means. They can channel their emotions into their creative works, providing them with a healthy outlet to release pent-up feelings and reduce emotional stress. Furthermore, creative expression fosters a profound sense of accomplishment and pride, significantly boosting a child’s self-esteem and confidence.
In Conclusion
At Right At School, our commitment to supporting children’s mental health is a responsibility we take very seriously. Our after-school programs are meticulously designed to create a nurturing environment where children can thrive emotionally, intellectually, and socially.
In a world where children face a diverse range of challenges, we firmly believe that investing in programs like ours is not just beneficial but essential. We are wholeheartedly dedicated to providing children with the tools and resources they need to lead fulfilling lives, both academically and emotionally. Through disguised learning experiences, Social and Emotional Learning (SEL), and the liberating power of creative expression, we are firmly positioned to be a positive influence in the lives of the children we serve, assisting them in constructing a foundation for a brighter and healthier future.
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2024.05.14 19:00 dreamed2life Move to Venus Line or to The Line of your 7th House Ruler Line for Improved Relationships? Astrocartography

Deciding to move to a line of a planet that rules the 7th house (or other relationship houses) in your natal chart for improving relationships is a nuanced decision in astrocartography. Each choice, whether it's a planet that rules your 7th house or a Venus line (Venus being traditionally associated with love and relationships), has different implications. Here's how to approach this decision:
  1. 7th House Ruler Line:
Moving to a line of a planet that rules your 7th house or to a Venus line can influence your relationship experiences, but it should be considered in the context of your entire natal chart, personal goals, and the complexities of the relocated chart. Astrocartography is a tool for potential enhancement, not a guaranteed solution, and should be used as part of a broader personal and spiritual growth strategy.
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2024.05.14 18:55 stormyfuck bridgerstoned 2.2

Let’s do it again, friends: get stoned and listen to my thoughts on season 2, episode 2!
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2024.05.14 18:23 Doomer____ 24 [M4F] (Germany/Europe) - I don't feel terribly alone.. or maybe it's a comfort lie, I wish that at the end of the day I could talk to my person and nights weren't so empty

I find myself deeply longing for a sincere and profound connection. Hopefully, you are looking for the same?
I think most of us are afraid in some sense to love and to be completely vulnerable yet despite the risk we long for it.
The capacity to love, sometimes even in the face of pain, is one of the most beautiful aspects of being human. It's a strength, and not always a weakness.
At my core, I'm a person of love, of care, of deep unyielding affection for those I hold dear.
Through the journey of healing and self-discovery, I've realized that I have much love to share. Love that is not bitter, but kind; not resentful, but forgiving; not closed, but open and willing to grow alongside someone special.
I'm sincere in my attempt to forge a connection and hope you are too, I'd try to share things about me that might give you idea of the person I am.
Essence of Me:
I am a mix of old-school romance and modern sensibility, holding onto the ideals of loyalty and sincerity. I think handwritten notes, surprise dates, and the belief that small gestures make a big difference. I am someone who thrives on deep connections and meaningful interactions.
I’m someone who believes in the power of midnight conversations, in the healing balm of shared laughter, and in the silent solidarity of presence.
I believe in the power of empathy and the importance of being there for those who matter, even if it's a call at 3 AM. I value integrity, kindness, and a good/weird sense of humor. I find beauty in the mundane, the kind of person who finds joy in the little things and believes in taking the time to truly understand and appreciate others.
Physical Attributes:
Interests:
I find solace in music that echoes my moods, books that transport me to other worlds, and quiet moments in nature that ground me. I cherish activities that nurture growth, whether they're intellectual debates, serene walks, or shared laughs over coffee. I'm drawn to the arts as much as to the simple pleasure of a sunset.. I also have a keen interest in cooking and experimenting with new recipes, finding the act of creating something delicious for others as a form of expression and care.
To sum up some typical interests include: Philosophy, nature, languages, books, reading, writing, video games, sports, art, poetry, travelling etc
What I Am Looking For:
I'm in search of someone who values open and honest communication as much as I do. Someone who understands that relationships are about growth, learning, and supporting each other through life's myriad challenges and joys. I am looking for someone who is eager to prioritize getting to know each other, willing to open their heart, and ready to build something meaningful together.
Expectations:
The Quest for You:
What am I seeking? Not a perfect person, but a real one. Someone whose heart speaks the language of kindness, whose spirit dances to the tune of sincerity. I dream of a connection where words are just the beginning, where vulnerability is not a weakness but our strongest bond. I yearn for a love that’s both a safe harbor and a grand adventure, a partnership built on mutual respect, understanding, and the shared bravery of baring one’s soul.
I seek a fellow traveler in this journey of life, one who understands that while our pasts may shape us, they do not define us. Someone who stands at the intersection of hope and reality, ready to embark on a path not devoid of challenges but rich with the promise of true companionship.
Epilogue of Hope:
If my words have stirred something in your heart, if you too are navigating the vast oceans of life in search of a genuine connection, then perhaps we are two stars meant to align in the constellation of fate. I extend my hand, my heart, and my story to you – not in desperation, but with the quiet confidence of one who has faced the night and yearns for the dawn.
Laconic messages with just "hi", "what's up," "I have a question," and the likes will be most likely ignored. If I can beat my own laconism when introducing myself here, so can you.
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2024.05.14 18:17 ReportsStack Interactive Whiteboard Market Size, Key Trends & Projected Growth Report from 2024 to 2030

The global interactive whiteboard market is poised to experience substantial growth, with a projected compound annual growth rate (CAGR) of 7.5% during the forecast period to 2027, surpassing a value of USD 1.7 billion in 2020. This growth is fueled by several key factors, including the escalating adoption of digital learning and virtual classrooms on a global scale. Furthermore, the increasing demand for gamification techniques and the surging popularity of whiteboards integrated with artificial intelligence are anticipated to drive market expansion even further. The rapid proliferation of e-learning methodologies and the widespread uptake of virtual classrooms have contributed significantly to the market's upward trajectory.
To know more about this study, request a free sample report @ https://www.researchcorridor.com/request-sample/?id=4430
Market Trends:
Integration of Artificial Intelligence (AI): There's a growing trend towards integrating AI technologies into interactive whiteboards, enabling features such as intelligent content recommendation, real-time feedback, and personalized learning experiences. AI-powered whiteboards can analyze user interactions and adapt content dynamically, enhancing engagement and learning outcomes.
Rise of Hybrid Learning Environments: With the increasing adoption of hybrid learning models combining in-person and remote instruction, interactive whiteboards play a pivotal role in facilitating seamless collaboration and interaction between students and educators across physical and virtual spaces. Features like screen sharing, annotation tools, and remote access capabilities cater to the needs of both onsite and remote learners.
Focus on Remote Collaboration Tools: The shift towards remote work and virtual collaboration has accelerated the demand for interactive whiteboards with advanced remote collaboration features. These include cloud-based storage, video conferencing integrations, and multi-platform compatibility, enabling teams to collaborate effectively regardless of geographical location.
Gamification and Interactive Learning: Educational institutions and corporate training programs are increasingly incorporating gamification elements into interactive whiteboard solutions to enhance engagement and motivation. Gamified activities, quizzes, and interactive lessons not only make learning more enjoyable but also encourage active participation and knowledge retention.
Accessibility and Inclusivity Features: There's a growing emphasis on designing interactive whiteboards with accessibility features to cater to diverse learner needs. Features such as screen readers, color contrast adjustments, and voice commands enable inclusive learning experiences for students with disabilities or special educational requirements.
Market Opportunities:
The interactive whiteboard market presents numerous opportunities for growth and innovation. With the increasing adoption of digital learning solutions and remote collaboration tools, there is a significant opportunity for interactive whiteboard manufacturers to capitalize on the growing demand for advanced educational technologies. The rise of hybrid learning environments, driven by the shift towards blended learning models, creates a need for versatile interactive whiteboard solutions that seamlessly integrate in-person and virtual instruction. Moreover, the integration of artificial intelligence (AI) technologies presents opportunities to enhance interactive whiteboards with intelligent features such as personalized content recommendations and adaptive learning algorithms. Furthermore, the expanding market for corporate training and remote work solutions offers opportunities for interactive whiteboard vendors to cater to the needs of businesses seeking effective tools for virtual collaboration and communication.
According to the recent report published by RC Market Analytics, the Global Interactive Whiteboard Market is expected to provide sustainable growth opportunities during the forecast period from 2024 to 2030. This latest industry research study analyzes the interactive whiteboard market by various product segments, applications, regions and countries while assessing regional performances of numerous leading market participants. The report offers a holistic view of the interactive whiteboard industry encompassing numerous stakeholders including raw material suppliers, providers, distributors, consumers and government agencies, among others. Furthermore, the report includes detailed quantitative and qualitative analysis of the global market considering market history, product development, regional dynamics, competitive landscape, and key success factors (KSFs) in the industry.
Browse the Full Report Discretion @ https://www.researchcorridor.com/interactive-whiteboard-market/
Geographically, the interactive whiteboard market report comprises dedicated sections centering on the regional market revenue and trends. The interactive whiteboard market has been segmented on the basis of geographic regions into North America, Europe, Asia Pacific, Latin America, and the Middle East & Africa. Interactive whiteboard market estimates have also been provided for the historical years 2020 to 2023 along with forecast for the period from 2024 - 2030.The report includes a deep-dive analysis of key countries including the U.S., Canada, the U.K., Germany, France, Italy, China, Japan, India, Australia, Mexico, Brazil and South Africa, among others. Thereby, the report identifies unique growth opportunities across the world based on trends occurring in various developed and developing economies.
The Interactive Whiteboard Market Segmentation:
By Technology:
By Form Factor:
By Projection Technique:
By Application:
By Region:
Prominent companies in the global interactive whiteboard market include Panasonic Corporation, LG Display Co., Ltd, Xiamen Interactive Technology Co., Ltd, SMART Technologies ULC, BenQ Corporation, and Cisco Systems, Inc. These firms are actively navigating market landscapes through various strategies such as expansion initiatives, fresh investments, service innovations, and collaborative ventures. Additionally, players are venturing into new geographical territories through expansion and acquisition endeavors, aiming to harness joint synergies for a competitive edge.
To know more about this study, request a free sample report @ https://www.researchcorridor.com/request-sample/?id=4430
Key Questions Answered by Interactive Whiteboard Market Report:
About Us:RC Market Analytics is a global market research firm. Our insightful analysis is focused on developed and emerging markets. We identify trends and forecast markets with a view to aid businesses identify market opportunities to optimize strategies. Our expert’s team of analysts’ provides enterprises with strategic insights. RC Market Analytics works to help enterprises grow through strategic insights and actionable solutions. Feel free to contact us for any report customization at sales@researchcorridor.com.
Media Contact:
Company Name: RC Market Analytics Pvt. Ltd. Contact Person: Vijendra Singh Email: sales@researchcorridor.com Visit us: https://www.researchcorridor.com/
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2024.05.14 18:02 PoliticsModeratorBot Discussion Thread: 2024 Primary Elections in Maryland, Nebraska, and West Virginia

Voting ends today in the Maryland, Nebraska, and West Virginia presidential, congressional, and local primaries.
Per Ballotpedia, Maryland's topline election is the US Senate race, but there are various other state-level and local offices on the ballot. In addition to the primaries for federal offices in West Virginia today there are also primaries for governor and other state executive offices; the state house and senate; the state supreme and intermediate appellate courts; and one ballot measure. Nebraskans are voting on most offices apart from the governor.

Maryland

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Nebraska

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West Virginia

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Announcement:
We are actively looking for new moderators. If you have any interest in helping to make this subreddit a place for quality discussion, please fill out this form.
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2024.05.14 17:59 Then_Marionberry_259 MAY 14, 2024 MAG.TO MAG SILVER REPORTS FIRST QUARTER FINANCIAL RESULTS

MAY 14, 2024 MAG.TO MAG SILVER REPORTS FIRST QUARTER FINANCIAL RESULTS
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VANCOUVER, British Columbia, May 14, 2024 (GLOBE NEWSWIRE) -- MAG Silver Corp. (TSX / NYSE American: MAG) (“MAG”, or the “Company”) announces the Company’s unaudited consolidated financial results for the three months ended March 31, 2024 (“Q1 2024”). For details of the unaudited condensed interim consolidated financial statements of the Company for the three months ended March 31, 2024 (“Q1 2024 Financial Statements”) and management’s discussion and analysis for the three months ended March 31, 2024 (“Q1 2024 MD&A”), please see the Company’s filings on the System for Electronic Document Analysis and Retrieval Plus (“SEDAR+”) at ( www.sedarplus.ca ) or on the Electronic Data Gathering, Analysis, and Retrieval (“EDGAR”) at ( www.sec.gov ).
All amounts herein are reported in $000s of United States dollars (“US$”) unless otherwise specified (C$ refers to Canadian dollars).
KEY HIGHLIGHTS (on a 100% basis unless otherwise noted)
  • MAG reported net income of $14,895 ($0.14 per share) driven by income from Juanicipio (equity accounted) of $19,244, and adjusted EBITDA 1 of $32,447 for the three months ended March 31, 2024.
  • A total of 325,683 tonnes of ore at a silver head grade of 476 grams per tonne (“g/t”) (equivalent silver head grade 2 713 g/t), was processed at Juanicipio during Q1 2024.
  • Juanicipio achieved silver production and equivalent silver production 2 of 4.5 and 6.4 million ounces, respectively, during Q1 2024.
  • Juanicipio delivered robust cost performance with cash cost 1 of $2.50 per silver ounce sold ($8.66 per equivalent silver ounce sold 3 ), and all-in sustaining cost 1 of $6.11 per silver ounce sold ($11.22 per equivalent silver ounce sold 3 ) in Q1 2024.
  • Juanicipio generated strong operating cash flow of $42,521 and free cash flow 1 of $27,820 in the first quarter of 2024 after tax payments of $25,772.
  • Juanicipio returned a total of $17,459 in interest and loan principal repayments to MAG during Q1 2024.
  • MAG published its updated technical report on Juanicipio on March 27, 2024 outlining robust economics with an after tax NPV of $1.2 billion over an initial 13-year life of mine, generating annual average free cashflow exceeding $130 million. Mineral Resources increased by 33% from the 2017 PEA, with substantial growth in Measured and Indicated categories. Inferred resources also expanded, highlighting significant near-term, high-grade upside potential. An inaugural 15.4 million tonnes Mineral Reserve Estimate at 628 g/t silver equivalent grade was declared enhancing economic confidence. Extensive exploration upside remains, with only 5% of the property explored, indicating high potential for further discoveries.
  • MAG announced 2024 production and cost guidance with Juanicipio expected to produce between 14.3 million and 15.8 million silver ounces yielding between 13.2 million and 14.6 million payable silver ounces at all-in sustaining costs of between $9.50 and $10.50 per silver ounce sold. Juanicipio remains on track to achieve 2024 guidance.
  • On March 22, 2024 the Company, through its Gatling Exploration Inc. subsidiary, acquired 100% ownership of the Goldstake property (contiguous to its current land holdings) from Goldstake Explorations Inc. and Transpacific Resources Inc., for consideration of C$5,000.
________________________
1 Adjusted EBITDA, total cash costs, cash cost per ounce, all-in sustaining costs, all-in sustaining cost per ounce and free cash flow are non-IFRS measures, please see below ‘ Non-IFRS Measures ’ section and section 12 of the Q1 2024 MD&A for a detailed reconciliation of these measures to the Q1 2024 Financial Statements.
2 Equivalent silver head grade and equivalent silver production have been calculated using the following price assumptions to translate gold, lead and zinc to “equivalent” silver head grade and “equivalent” silver production: $23/oz silver, $1,950/oz gold, $0.95/lb lead and $1.15/lb zinc.
3 Equivalent silver ounces sold have been calculated using realized price assumptions to translate gold, lead and zinc to “equivalent” silver ounces sold (metal quantity, multiplied by metal price, divided by silver price). Q1 2024 realized prices of $23.73/oz silver, $2,112.27/oz gold, $0.92/lb lead and $1.08/lb zinc.
CORPORATE
  • The Company is well underway with the preparation of its 2023 sustainability report underscoring its continued commitment to transparency with its stakeholders while providing a comprehensive overview of the Company’s environmental, social and governance (“ESG”) commitments, practices and performance for 2023. A copy of MAG’s 2022 sustainability report and MAG Silver 2022 ESG Data Table are available on the Company’s website at https://magsilver.com/esg/reports/ 4
________________________
4 Information contained in or otherwise accessible through the Company’s website, including the 2022 sustainability report and MAG Silver 2022 ESG Data Table, do not form part of this News Release and are not incorporated into this News Release by reference.
EXPLORATION
  • Juanicipio:
    • Infill drilling at Juanicipio continued in Q1 2024 from underground aimed at upgrading mineralization in areas expected to be mined in the near to mid-term. During Q1 2024, 11,271 metres were drilled from underground.
    • Surface drilling focused on expanding and upgrading the deeper zones and broader regional exploration started in April 2024.
    • During 2024, Juanicipio plans to drill a total of 50,000 metres, with 33,000 metres from underground and 17,000 metres from surface.
  • Deer Trail Project, Utah:
    • On May 29, 2023 MAG started a Phase 3 drilling program focused on up to three porphyry “hub” target areas thought to be the source of the manto, skarn, epithermal mineralization and extensive alteration throughout the project area including that at the Deer Trail and Carissa zones. In late 2023 an early onset of winter snowfall impacted the commencement of the third porphyry “hub” target, which is now expected to be drilled in 2024. The two completed “hub” holes to date total 2,738 metres. Both holes intercepted alteration and mineralization in line with what is expected on the edges of porphyry systems. Follow-up drill targets are planned for summer 2024.
    • With the early onset of snowfall, Phase 4 drilling focussed on lower elevations commenced in the last quarter of 2023 and continued through Q1 2024, aimed at offsetting the Carissa discovery and testing other high-potential targets in the Deer Trail mine area. During Q1 2024, 1,208 metres were drilled at Carissa with results pending.
  • Larder Project, Ontario:
    • Drilling targeting Cheminis and Bear totalled 5,391 metres in Q1 2024. Targets tested include down plunge extension of the high-grade double knuckle at the Bear East zone and extending the Cheminis south mine sequence down plunge.
    • Cheminis Update: Follow-up drilling of the Cheminis South Cadillac-Larder Break (“CLD”) mine sequence down plunge is planned to test below the most recent intercepts. Hole GAT-24-026 intersected a new zone on the north side of the CLB within a fuchsite-silica-albite altered komatiite grading 3.9 g/t gold over 16 metres with 2 higher grade shoots associated with albite dykes (see Table 1 below).
    • Bear Update: Utilizing the updated model and incorporating the updated data from recent drilling, the Bear East zone was successfully extended down plunge by up to 1,100 metres depth. Hole GAT-24-024NB intersected gold mineralization on both sides of the CLB which confirms the presence of either another structural trap at depth or the continuation of the “double knuckle” zone at surface. Gold mineralization intersected on the north zone included 9.4 g/t gold over 2.2 metres within a strongly altered komatiite with syenite intrusions and 1.6 g/t gold over 4.2 metres on the south zone within the south iron-rich volcanics (see Table 1 below). Bear East remains open in all directions.
Table 1: 2024 Larder Drillholes Highlights
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JUANICIPIO RESULTS
All results of Juanicipio in this section are on a 100% basis, unless otherwise noted.
Operating Performance
The following table and subsequent discussion provide a summary of the operating performance of Juanicipio for the three months ended March 31, 2024 and 2023, unless otherwise noted.
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(1) Equivalent silver head grades have been calculated using the following price assumptions to translate gold, lead and zinc to “equivalent” silver head grade: $23/oz silver, $1,950/oz gold, $0.95/lb lead and $1.15/lb zinc (Q1 2023: $21.85/oz silver, $1,775/oz gold, $0.915/lb lead and $1.30/lb zinc).
(2) Equivalent silver payable ounces have been calculated using realized price assumptions to translate gold, lead and zinc to “equivalent” silver payable ounces (metal quantity, multiplied by metal price, divided by silver price). Q1 2024 realized prices of $23.73/oz silver, $2,112.27/oz gold, $0.92/lb lead and $1.08/lb zinc (Q1 2023 realized prices of $22.93/oz silver, $1,959.50/oz gold, $0.94/lb lead and $1.43/lb zinc).
During the three months ended March 31, 2024 a total of 325,081 tonnes of ore were mined. This represents an increase of 45% over Q1 2023. Increases in mined tonnages at Juanicipio have been driven by the operational ramp up of the mine towards steady state targets.
During the three months ended March 31, 2024 a total of 325,683 tonnes of ore were processed through the Juanicipio plant; no ore was processed at the nearby Fresnillo and Saucito processing plants (100% owned by Fresnillo). This represents an increase of 47% over Q1 2023. The increase in milled tonnage has been driven by the Juanicipio mill commissioning and operational ramp up to nameplate capacity over the course of 2023.
The silver head grade and equivalent silver head grade for the ore processed in the three months ended March 31, 2024 was 476 g/t and 713 g/t, respectively (three months ended March 31, 2023: 363 g/t and 530 g/t, respectively). Head grades in Q1 2023 were lower as low-grade commissioning stockpiles were processed through the Juanicipio plant. Silver metallurgical recovery during Q1 2024 was 89.1% (Q1 2023: 87.0%) reflecting ongoing optimizations in the processing plant.
The following table provides a summary of the total cash costs 5 and all-in sustaining costs 5 (“AISC”) of Juanicipio for the three months ended March 31, 2024, and 2023.
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________________________
5 Total cash costs, cash cost per ounce, cash cost per equivalent ounce, all-in sustaining costs, all-in sustaining cost per ounce, and all-in sustaining cost per equivalent ounce are non-IFRS measures, please see the “ Non-IFRS Measures ” section below and section 12 of the Q1 2024 MD&A for a detailed reconciliation of these measures to the Q1 2024 Financial Statements. Equivalent silver ounces sold have been calculated using realized price assumptions to translate gold, lead and zinc to “equivalent” silver ounces sold (metal quantity, multiplied by metal price, divided by silver price). Q1 2024 realized prices of $23.73/oz silver, $2,112.27/oz gold, $0.92/lb lead and $1.08/lb zinc (Q1 2023: $22.93/oz silver, $1,959.50/oz gold, $0.94/lb lead and $1.43/lb zinc).
Financial Results
The following table presents excerpts of the financial results of Juanicipio for the three months ended March 31, 2024 and 2023.
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Sales increased by $72,207 during the three months ended March 31, 2024, mainly due to 179% higher metal volumes and 2% higher realized metal prices.
Offsetting higher sales was higher production cost ($9,409) which was driven by higher sales and operational ramp-up in mining and processing, including $3,545 in inventory movements, and higher depreciation ($14,083) as the Juanicipio mill achieved commercial production and commenced depreciating the processing facility and associated equipment in June 2023. Operating margin increased by 21% to 52%, mainly due to operational leverage and the lower reliance on the nearby Fresnillo and Saucito processing facilities.
Other expenses increased by $2,159 mainly as a result of higher extraordinary mining and other duties ($872) in relation to higher precious metal revenues from the sale of concentrates and higher consulting and administrative expenses ($2,690) as an operator services agreement became effective upon initiation of commercial production (the “Operator Services Agreement”), offset by lower exchange losses and other costs ($1,566).
Taxes increased by $20,980 impacted by higher taxable profits generated during Q1 2024, and non-cash deferred tax credits related to the commencement of use of plant and equipment in Q1 2023.
Ore Processed at Juanicipio Plant (100% basis)
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(1) The underground mine was considered readied for its intended use on January 1, 2022, whereas the Juanicipio processing facility started commissioning and ramp-up activities in January 2023, achieving commercial production status on June 1, 2023.
(2) Includes toll milling costs from processing mineralized material at the Saucito and Fresnillo plants for Q1 2023.
Sales and treatment charges are recorded on a provisional basis and are adjusted based on final assay and pricing adjustments in accordance with the offtake contracts.
MAG FINANCIAL RESULTS – THREE MONTHS ENDED MARCH 31, 2024
As at March 31, 2024, MAG had working capital of $72,833 (December 31, 2023: $67,262) including cash of $74,683 (December 31, 2023: $68,707) and no long-term debt. As well, as at March 31, 2024, Juanicipio had working capital of $107,088 including cash of $30,991 (MAG’s attributable share is 44%).
The Company’s net income for the three months ended March 31, 2024 amounted to $14,895 (March 31, 2023: $4,713) or $0.14/share (March 31, 2023: $0.05/share). MAG recorded its 44% income from equity accounted investment in Juanicipio of $19,244 (March 31, 2023: $7,919) which included MAG’s 44% share of net income from operations as well as loan interest earned on loans advanced to Juanicipio (see above for MAG’s share of income from its equity accounted investment in Juanicipio).
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NON-IFRS MEASURES
The following table provides a reconciliation of cash cost per silver ounce of Juanicipio to production cost of Juanicipio on a 100% basis (the nearest IFRS measure) as presented in the notes to the Q1 2024 Financial Statements.
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(1) As Q3 2023 represented the first full quarter of commercial production, information presented for total cash costs together with their associated per unit values are not directly comparable.
(2) By-product revenues relates to the sale of other metals namely gold, lead, and zinc.
(3) Equivalent silver payable ounces have been calculated using realized prices to translate gold, lead and zinc to “equivalent” silver payable ounces (metal quantity, multiplied by metal price, divided by silver price). Q1 2024 realized prices: $23.73/oz silver, $2,112.27/oz gold, $0.92/lb lead and $1.08/lb zinc (Q1 2023: $22.93/oz silver, $1,959.50/oz gold, $0.94/lb lead and $1.43/lb zinc).
The following table provides a reconciliation of AISC of Juanicipio to production cost and various operating expenses of Juanicipio on a 100% basis (the nearest IFRS measure), as presented in the notes to the Q1 2024 Financial Statements.
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(1) As Q3 2023 represented the first full quarter of commercial production, information presented for all-in sustaining costs and all-in sustaining margin together with their associated per unit values are not directly comparable.
(2) Equivalent silver payable ounces have been calculated using realized prices to translate gold, lead and zinc to “equivalent” silver payable ounces (metal quantity, multiplied by metal price, divided by silver price). Q1 2024 realized prices: $23.73/oz silver, $2,112.27/oz gold, $0.92/lb lead and $1.08/lb zinc, (Q1 2023 realized prices: $22.93/oz silver, $1,959.50/oz gold, $0.94/lb lead and $1.43/lb zinc).
For the three months ended March 31, 2024 the Company incurred corporate G&A expenses of $3,964 (three months ended March 31, 2023: $3,262), which exclude depreciation expense.
The Company’s attributable silver ounces sold and equivalent silver ounces sold for the three months ended March 31, 2024 were 1,757,630 and 2,475,862 respectively (three months ended March 31, 2023: 880,429 and 1,230,412 respectively), resulting in additional all‐in sustaining cost for the Company of $2.26/oz and $1.60/oz respectively (three months ended March 31, 2023: $3.71/oz and $2.65/oz respectively), in addition to Juanicipio’s all-in-sustaining costs presented in the above table.
The following table provides a reconciliation of EBITDA and Adjusted EBITDA attributable to the Company based on its economic interest in Juanicipio to net income (the nearest IFRS measure) of the Company per the Q1 2024 Financial Statements. All adjustments are shown net of estimated income tax.
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(1) As Q3 2023 represents the first full quarter of commercial production, information presented for EBITDA and Adjusted EBITDA is not directly comparable.
The following table provides a reconciliation of free cash flow of Juanicipio to its cash flow from operating activities on a 100% basis (the nearest IFRS measure), as presented in the notes to the Q1 2024 Financial Statements.
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(1) As Q3 2023 represents the first full quarter of commercial production, comparative information presented for free cash flow of Juanicipio is not directly comparable.
Qualified Persons: All scientific or technical information in this press release including assay results referred to, and mineral resource estimates, if applicable, is based upon information prepared by or under the supervision of, or has been approved by Gary Methven, P.Eng., Vice President, Technical Services and Lyle Hansen, P.Geo, Geotechnical Director; both are “Qualified Persons” for purposes of National Instrument 43-101, Standards of Disclosure for Mineral Projects
About MAG Silver Corp.
MAG Silver Corp. is a growth-oriented Canadian exploration company focused on advancing high-grade, district scale precious metals projects in the Americas. MAG is emerging as a top-tier primary silver mining company through its (44%) joint venture interest in the 4,000 tonnes per day Juanicipio Mine, operated by Fresnillo plc (56%). The mine is located in the Fresnillo Silver Trend in Mexico, the world's premier silver mining camp, where in addition to underground mine production and processing of high-grade mineralised material, an expanded exploration program is in place targeting multiple highly prospective targets. MAG is also executing multi-phase exploration programs at the 100% earn-in Deer Trail Project in Utah and the 100% owned Larder Project, located in the historically prolific Abitibi region of Canada.
Neither the Toronto Stock Exchange nor the NYSE American has reviewed or accepted responsibility for the accuracy or adequacy of this press release, which has been prepared by management.
Certain information contained in this release, including any information relating to MAG’s future oriented financial information, are “forward-looking information” and “forward-looking statements” within the meaning of applicable Canadian and United States securities legislation (collectively herein referred as “forward-looking statements”), including the “safe harbour” provisions of provincial securities legislation, the U.S. Private Securities Litigation Reform Act of 1995, Section 21E of the U.S. Securities Exchange Act of 1934, as amended and Section 27A of the U.S. Securities Act. Such forward-looking statements include, but are not limited to:
  • statements that address maintaining the nameplate 4,000 tpd milling rate at Juanicipio;
  • statements that address our expectations regarding exploration and drilling;
  • statements regarding production expectations and nameplate;
  • statements regarding the additional information from future drill programs;
  • estimated future exploration and development operations and corresponding expenditures and other expenses for specific operations;
  • the expected capital, sustaining capital and working capital requirements at Juanicipio, including the potential for additional cash calls;
  • expected upside from additional exploration;
  • expected results from Deer Trail Project drilling;
  • expected results from the Larder Project at the Fernland, Cheminis, and Bear zones;
  • expected capital requirements and sources of funding; and
  • other future events or developments.
When used in this release, any statements that express or involve discussions with respect to predictions, beliefs, plans, projections, objectives, assumptions or future events of performance (often but not always using words or phrases such as “anticipate”, “believe”, “estimate”, “expect”, “intend”, “plan”, “strategy”, “goals”, “objectives”, “project”, “potential” or variations thereof or stating that certain actions, events, or results “may”, “could”, “would”, “might” or “will” be taken, occur or be achieved, or the negative of any of these terms and similar expressions), as they relate to the Company or management, are intended to identify forward-looking statements. Such statements reflect the Company’s current views with respect to future events and are subject to certain known and unknown risks, uncertainties and assumptions.
Forward-looking statements are necessarily based upon estimates and assumptions, which are inherently subject to significant business, economic and competitive uncertainties and contingencies, many of which are beyond the Company’s control and many of which, regarding future business decisions, are subject to change. Assumptions underlying the Company’s expectations regarding forward-looking statements contained in this release include, among others: MAG’s ability to carry on its various exploration and development activities including project development timelines, the timely receipt of required approvals and permits, the price of the minerals produced, the costs of operating, exploration and development expenditures, the impact on operations of the Mexican tax and legal regimes, MAG’s ability to obtain adequate financing, outbreaks or threat of an outbreak of a virus or other contagions or epidemic disease will be adequately responded to locally, nationally, regionally and internationally.
Although MAG believes the expectations expressed in such forward-looking statements are based on reasonable assumptions, such statements are not guarantees of future performance and actual results or developments may differ materially from those in the forward-looking statements. These forward-looking statements involve known and unknown risks, uncertainties and many factors could cause actual results, performance or achievements to be materially different from any future results, performance or achievements that may be expressed or implied by such forward-looking statements including amongst others: commodities prices; changes in expected mineral production performance; unexpected increases in capital costs or cost overruns; exploitation and exploration results; continued availability of capital and financing; general economic, market or business conditions; risks relating to the Company’s business operations; risks relating to the financing of the Company’s business operations; risks related to the Company’s ability to comply with restrictive covenants and maintain financial covenants pursuant to the terms of the Credit Facility; the expected use of the Credit Facility; risks relating to the development of Juanicipio and the minority interest investment in the same; risks relating to the Company’s property titles; risks related to receipt of required regulatory approvals; pandemic risks; supply chain constraints and general costs escalation in the current inflationary environment heightened by the invasion of Ukraine by Russia and the events relating to the Israel-Hamas war; risks relating to the Company’s financial and other instruments; operational risk; environmental risk; political risk; currency risk; market risk; capital cost inflation risk; risk relating to construction delays; the risk that data is incomplete or inaccurate; the risks relating to the limitations and assumptions within drilling, engineering and socio-economic studies relied upon in preparing economic assessments and estimates, including the 2017 PEA; as well as those risks more particularly described under the heading “Risk Factors” in the Company’s Annual Information Form dated March 27, 2023 available under the Company’s profile on SEDAR+ at www.sedarplus.ca .
Should one or more of these risks or uncertainties materialize, or should underlying assumptions prove incorrect, actual results may vary materially from those described herein. This list is not exhaustive of the factors that may affect any of the Company’s forward-looking statements. The Company’s forward-looking statements are based on the beliefs, expectations and opinions of management on the date the statements are made and, other than as required by applicable securities laws, the Company does not assume any obligation to update forward-looking statements if circumstances or management’s beliefs, expectations or opinions should change. For the reasons set forth above, investors should not attribute undue certainty to or place undue reliance on forward-looking statements.
Please Note: Investors are urged to consider closely the disclosures in MAG's annual and quarterly reports and other public filings, accessible through the Internet at www.sedarplus.ca and www.sec.gov
LEI: 254900LGL904N7F3EL14

For further information on behalf of MAG Silver Corp. Contact Michael J. Curlook, Vice President, Investor Relations and Communications Phone: (604) 630-1399 Toll Free: (866) 630-1399 Email:info@magsilver.com 
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2024.05.14 17:57 theintrepidwanderer 2024 Eugene Marathon: 2:46:46 for a 7 second PR

Race Information

Goals

Goal Description Completed?
A 2:41-2:44 No
B PR Yes

Splits

Mile Splits
1 6:08
2 6:23
3 6:24
4 6:15
5 6:15
6 5:55
7 6:19
8 6:04
9 6:23
10 6:39
11 6:23
12 6:13
13 6:12
14 6:12
15 6:14
16 6:19
17 6:19
18 6:04
19 6:37
20 6:44
21 6:10
22 6:31
23 6:40
24 6:34
25 6:45
26 6:34
0.2 1:27

Training

After racing the Tokyo Marathon in early March, I had 8 weeks before racing Eugene Marathon, which was my second spring marathon. During those 8 weeks, I ran the NYC Half, the Cherry Blossom 5K and Cherry Blossom 10 Miler, and was either recovering from those races or doing my usual runs and workouts to keep my fitness sharp. The workouts and my race results during this time (finished in 1:19 high at the NYC Half on tired legs two weeks after Tokyo, and finished the Cherry Blossom 5K in mid-17s plus turned it around in less than 24 hours after to finish in the low 59 minutes range at the Cherry Blossom 10 Mile Run) suggested that I was in shape to go for a sub-2:45 marathon.
Ultimately, I settled on aiming to finish Eugene somewhere between 2:41 and 2:44. Because this was my final marathon of the spring training cycle, this was my last opportunity to run a fast marathon. Based on my recent race results plus observations from my coach, I was in PR shape; Eugene has ideal weather, and the course was ideal to make such an attempt. Or so I hoped.

Pre-race

I flew over to Portland on Thursday night and spent a couple of nights at my friends’ place and got to hang out with them, plus walk around Portland and check out the sights with them as well. On Saturday, my friends and I drove over to Eugene and we went straight to packet pickup at a hotel around downtown Eugene. The packet pickup was quite smooth, and I was able to pick up my packet and spent some time browsing the vendors at the expo afterwards. The rest of the day was chill; my friends and I did a bit of exploring around downtown Eugene, and we had dinner at the Old Spaghetti Factory that evening. Before heading to bed that night, I laid out my race kit and prepped my gear bag so that I could get dressed and head out to the shuttle pickup area as soon as I woke up that morning.
I woke up on 5 AM on race day, had a quick breakfast, got dressed and headed out of my hotel towards the designated shuttle pick up point. Got on the shuttle bus and we arrived at Hayward Field around 6:20 AM. I quickly took care of business in the bathroom, then went over and dropped my gear bag at the bag check area. I ran into a friend at the gear check area and we went inside Hayward Field so that we could take a look at the famous venue. We then made our way to the start area, and we did a quick warm up jog nearby before entering the start corrals themselves and lining up close to the start area. I took half of a Maurten 160 gel before starting, and I had plans to consume the remainder after the first six miles.
After the usual pre-race remarks and the singing of the National Anthem, the race started at 7 AM and we were on our way!

Race

Start to 5 miles

The course was a bit crowded at the beginning, primarily because the marathoners and half marathoners started at the same time. There was quite a bit of rolling hills during the first 5 miles and so I focused on getting into a groove and going by effort and doing what I could to try to not go out too fast. My bladder was feeling a bit full at the start and I ended up taking a quick pee break after mile 2 and lost 20 seconds in the process.
Otherwise, this stretch was uneventful. We went through some really nice neighborhoods within Eugene during the first two miles, and saw some scenic stretches along the way while heading south towards the first turnaround point. I crossed the 5 mile mark in 31:17

5 miles to 10 miles

As we headed back north towards the center of Eugene, we overlapped a bit with the marathoners and half marathoners coming through in the opposite towards the mile 3 marker. I held my efforts relatively steady on this stretch, and I still felt quite good so far. I took my first gel sometime mile 7, and I was fueling every 30-40 minutes or so throughout the race. After going through the mile 9 marker and running past Hayward Field and the start area (which had been taken down at this point), my stomach started to feel a bit weird and I realized I need to find a porta potty at the next aid station to take care of this, and soon. Fortunately, I did not have to wait too long; there was a porta potty half a mile ahead, and I went straight to it and took care of business there, losing about 20 seconds in the process.
Besides the untimely bathroom stop around mile 9.5, nothing else happened to me on this stretch. I went through the mile 10 checkpoint in 31:23 (1:02:40 elapsed)

10 miles to 15 miles

After passing the mile 10 marker, we went onto the bike path along the Willamette River, before easing back onto Franklin Boulevard. I saw signs telling half marathoners and marathoners that the half/full marathon split at mile 10.75 was coming up; seeing that, I mentally prepared myself to run a good portion of the races with not many runners around me. At mile 10.75, the half and full marathoners split off, and I headed east, crossing the river into Springfield and looped through there for a mile before heading west to continue the rest of my race. Most of this stretch was quite flat, and I got comfortable easing into my goal pace and ticked off the miles. I took another gel sometime after mile 12 and was hitting up almost every water stop along this stretch. After mile 14, we went onto the wooded bike paths, where we would spend most of the second half. The crowd support started to diminish, and this was going to set the tone for the rest of the race.
I went through the 15 mile checkpoint in 31:16 (1:33:56). The organizers did not set up an official halfway checkpoint but based on watch data and the paces from the 5 mile splits, it was likely that I came through the halfway point a few seconds under 1:22.

15 miles to 20 miles

Besides briefly crossing paths with the half marathoners after the mile 15 mark, things started to gradually get tough for me. I was mostly running by myself on the wooden bike paths, with few runners ahead of me or behind me. And the crowd support was sparse too, which did not help; I only saw small crowds every few miles or so. Pace wise, I was holding on, but I was starting to increasingly feel the fatigue and I began to negotiate with myself. Which isn’t what I needed at this point. I wasn’t feeling too great somewhere between the mile 19 and mile 20 markers, and I ended up taking a quick 10-15 second breather at the aid station to catch my breath, take a caffeinated gel and grab some hydration, and put myself back together before continuing.
I went through the mile 20 split with a 32:05 split (2:06:01 elapsed). With a 10K to go, it was going to get harder for me the rest of the way.

20 miles to Finish

What I do remember about the last 6.2 miles, unfortunately, was how hard this was for me. Admittedly, this felt much harder than the last 6.2 miles at the Tokyo Marathon. It was giving me a lot of deja vu, which was not what I needed. My legs felt very heavy and there were times where it felt like I had leg weights tethered to my legs. My legs did not have any life left in them either. I wasn’t feeling too great either, even after taking a quick stop a moment ago. Realizing my predicament, I decided to break the remaining distance up and focused on getting to the next mile marker(s) as a way to keep me motivated the rest of the way. One mile at a time. Then two miles at a time. As I was gradually fading the rest of the way, I remember at least 8-10 runners passing by me during this stretch and clearly they were having a better day than I was having. It didn’t feel great seeing that happen to me but there was nothing I could do about it. Crowd support continued to be sparse up until less than a mile out from the finish at Hayward Field. I took my final gel around mile 23 so that I had enough left in the tank to take me the rest of the way.
It felt like forever, but I finally got to the mile 25 marker, and I remember telling myself “only 1.2 miles left to go”. Soon after I crossed the mile 25 marker, the marathon course merged with the half marathon course and half marathoners were running on the left hand side of the road making their way to the finish, while marathoners were running on the right hand side of the road. I navigated through an underpass, and after coming out of the underpass I saw solid crowd support for the first time since the first half of the race. Lots of spectators were lined up along the road leading to Hayward Field. Completely exhausted at this point and my legs feeling like lead at this point, I interacted with the crowds as best as I could while holding onto the pace the best that I could.
I crossed the mile 26 mark and saw Hayward Field in the distance. I made a right hand turn to enter the track at Hayward Field and took it all in: I am running on Hayward Field itself. What an incredible feeling to experience. With 150 meters to go on the Hayward Field Track, and with the finish line now visible, I picked up the pace and waved to the crowds at the stands as I covered the last 100 meters to the finish.
I crossed the finish line in 2:46:46, finishing 7 seconds faster than the time I ran at Tokyo two months prior. I knew it was going to be close, but talk about cutting it quite close! The 7 second marathon PR that I set at Eugene is now my smallest marathon PR, beating the 9 second marathon PR that I set at the 2021 Chicago Marathon. My result was good enough to place within the top 100 overall, which is quite nice I must say!

Post-race

After crossing the finish, I took a moment to catch my breath, and then took in the moment. I was standing in Hayward Field, where numerous high profile track meets were hosted. And I got to run on the small part of the track on my way to the finish. How cool is that?!
Walking through the chute, I collected my finishers medal and ran into running friends who were either spectating in the standards or crossed the finish line behind me and had quick chats with them. While getting post-race pictures at Hayward Field, I noticed a stain on my singlet and I realized that I experienced significant nipple chafing to the point that my nipple bled. So much for having nice finishing line and post-race photos! And it was the first time that it happened to me. I picked up my post-race food in the Hayward Field stadium tunnel, and gradually made my way out of the stadium towards the gear check area; I eventually reunited with my friends who came with me to Eugene to support me there. Eventually we ran into some of the same running friends at the gear check area and we sat around chatting about how our races went.
My friends and I drove back to Portland later that afternoon, and after I got myself cleaned up, we went over to a nearby bar to celebrate.

Final Thoughts and Updated Marathon Progress

While it was a bit disappointing that I faltered down the stretch and did not hit my goals, I am glad that I held on and squeeze out a small PR of 7 seconds at Eugene; it could have gone a whole lot worse. Hindsight is 20/20 of course, but when I was comparing my pace data and elevation data, it appears I went a big aggressive with the paces and took a bit of a risk there. Much of the rolling hills were in the first 5 miles of the race, and chances are I might have overcooked myself on that stretch; if I had done this differently, I would have told myself to relax on the paces on the rolling hills and not overcook myself in the process.
Above all, I am very grateful to make it through this long (and sometimes weird!) training cycle mostly intact, did not experience significant injuries along the way (!), did not burn out along the way (very important!), and picked up numerous PRs along the way: 10K (en route, twice!), 10 mile, half marathon, and full marathon (twice!). And I think it is fair to say that many people would kill for the kind of success that I’ve had during this training cycle.
That said, I learned a few important lessons throughout this training cycle. First, it appears I got into peak shape during the training block leading up to the Tokyo Marathon, and I did not make any subsequent fitness gains afterwards. It probably did not help that I was recovering from Tokyo or recovering from the shorter distance races that I raced during that 8 week period between Tokyo and Eugene. I’m not getting any younger with every passing year, and I probably need to be more diligent with recovery from races moving forward. That said, I have no regrets about doing those races because I still got solid results out of them. And finally, I realized that I prefer shorter training cycles – specifically ones that are between 12 and 16 weeks in duration – and I peak out at anywhere between 10 and 13 weeks into a training cycle, and I’d like to take advantage of my peak fitness soon after and not any longer beyond that. I’m grateful that I was able to handle a 20-week training cycle so that I could stay in shape for both Tokyo and Eugene, but admittedly this was a bit too long for my tastes. Lessons from this longer-than-usual training cycle will have a significant impact how I plan out my training cycles and races moving forward.
The road ahead for me will only get harder, and I vowed at the beginning of the training cycle to trust the process and not let sub-par workouts or sub-par race results drag me down and cause me to lose sight of the bigger picture. And I am still committed to doing that for myself.
For now though, I’m taking some time off training, running for fun, and looking forward to having a social life and enjoying life in general for a bit before transitioning over to summer outdoor track season. And I look forward to what is next for me!
With that said, here’s the updated version of my marathon PR progress within the past few years.
submitted by theintrepidwanderer to artc [link] [comments]


2024.05.14 16:36 TheBlaringBlue The Art of the Rap Battle

Eivor is a bit of a strange protagonist.
She’s basically flawless and without blame. She’s brash and bold, proud and unashamed — brave and wise far beyond her years, yet able to be soft and compassionate when not brandishing spears. She’s got a knack for leadership, a strong moral compass and an even stronger muscular system with which to enact justice.
And she’s got bars?
As someone not deeply versed in medieval European histories, imagine my shock and confusion upon discovering that Assassin’s Creed: Valhalla included rap battling.
My first experience with Flyting had me asking so many questions about what I just witnessed that I couldn’t wait to begin Googling. I figured flyting probably was historically accurate, but if that’s the case, then what else can it tells us about the medieval warrior and about Eivor’s characterization?
I set off to find out.
--
Wikipedia and howstuffworks combined gave me a robust definition of flyting.
A ritual, poetic exchange of insults practiced mainly between the 5th and 16th centuries. Examples of flyting are found throughout Scots, Ancient, Medieval and Modern Celtic, Old English, Middle English and Norse literature involving both historical and mythological figures. The exchanges would become extremely provocative, often involving accusations of cowardice or sexual perversion.
The idea behind flyting was to influence public opinion of the participants and raise both of their profiles. And each participant wanted to make himself look better than the other, even if they were friendly.
Not only that, but flyting’s also the first recorded use of shit as an insult. That right there is worth this whole essay and then some.
--
I came away from those definitions with some small Euphoria, as they reinforce what I already expected from Ubisoft — historically accurate and (arguably) immersive side activities grounded in realism.
Unfortunately, none of the flyting foes that Eivor faces in this fantasy are founded in any real-world flyters. I was particularly frustrated when I realized Fergal the Faceless and Borghild the Alewife’s Bane were fictional features, not real historical fiends of rhythm and rhyme.
Two of Eivor’s syntax competitors are “real” in some sense, however.
In Norse mythos, Odin, Thor, Loki, Freyja and more would handle their Family Matters over a flyte from time to time, dueling wits and words as competition and entertainment.
In fact, one flyte we do see in game — Odin as he flytes over the river with Thor in the Asgard Arc — is likely a reference to a real medieval Norse poem; The Hárbarðsljóð.
In it, Thor jaunts back to Asgard after a journey in Jötunheim. He comes to a junction in which he must jump a large river, and thus hunts down a ferryman to shepherd him across. The ferryman, Hárbarðr, is Odin in disguise. He then begins to diss guys.
Ahem. ‘Guys’ being Thor, obviously.
First, Odin drops a yo-mama joke:
Of thy morning feats art thou proud, but the future thou knowest not wholly; Doleful thine home-coming is: thy mother, me thinks, is dead.
He keeps going, taking more shots than a First Person Shooter, this time saying Thor dresses like a girl:
Three good dwellings methinks, thou hast not; Barefoot thou standest and wearest a beggar’s dress; Not even hose dost thou have.
Thor says watch your mouth before I clap back:
Ill for thee comes thy keenness of tongue, if the water I choose to wade; Louder, I ween, than a wolf thou cryest, if a blow of my hammer thou hast.
Odin replies by saying Thor’s wife is fucking another dude:
Sif has a lover at home, and him shouldst thou meet; More fitting it were on him to put forth thy strength.
The version we play out in game isn’t identical to the real-world poem, but carries some similarities; Thor’s threatening to cross the river to fight Odin as well as his boasting of slaying giants are present in each.
Ratatosk is the only other ‘real’ flyting enemy in Valhalla. While Odin doesn’t flyte with Ratatosk in Norse myth to my knowledge, the flyting against the squirrel is thematically accurate, at least.
Ratatosk’s purpose is to scramble up and down Yggdrasil, scurrying spoken messages from the eagle that sits at its peaks to the snake that slithers at its base. The nature of Ratatosk’s messages is in line with the act of flyting — the mischievous rodent carries falsehoods and aggressive statements to stir up drama and distrust between bird and serpent.
Flyting took place not only in poems and folklore, but in town squares and royal court. It was a facet of medieval life and social interaction. This weaving of prose then, in this time period, seemingly was just about as much of an admired skill as the swinging of a sword. It’s no wonder our unbreakable warrior Eivor is so proficient with word.
--
Like, really proficient with word.
I mean, I know it’s me choosing the dialogue options, but sheesh, is there anything she can’t do?
Actually, Eivor’s expertise in flyting is strange to me. It feels random and unearned — out of character, even. It comes more unexpectedly than Kendrick Lamar’s Not Like Us.
It probably only feels out of character, however, due to our modern understanding of proficiency with words versus proficiency with might. Our current interpretation of verbal ability compared to physical ability would perceive verbal ability as the ‘softer’ of the two skillsets. Physical strength is typically interpreted as tough and more dominant. You don’t expect to see an MMA fighter composing poetry, do you? The qualities that modern thought attributes to writing and physicality don’t mesh.
But in reality — and historically accurately in Valhalla — medieval warriors weren’t just blind berserkers. They were actually artists, poets and writers.
We’ve already demonstrated how Odin and Thor — Norse myth’s most famous warriors — carried out flyting. Thus, medieval Vikings would’ve surely done the same. Beyond Vikings though, the Illiad contains instances of public, ritualized abuse. Taunting songs are present in Inuit culture while Arabic poetry contains a form of flyting called naqa’id. Further, Japanese Samurai were known to be frequent composers of haiku, while Japanese culture also gave birth to Haikai, poetry in which vulgar satire and puns were wielded.
This historical accuracy ends up eliminating the randomness of Eivor’s flyting ability. Despite her verbal finesse feeling unearned, we can surmise historically that Eivor has practiced the wielding of words plenty in her life before we take over as the player. She’s dedicated time to this.
Now that we know why she has it, we can take a closer look at what it does for her.
--
So, Eivor can rap. She can match you with her axe or she can match you with her words. She’s just about unbeatable.
Her mastery of words demonstrates on some level that she’s not all Push Ups and might is right. She’s not all bruiser and bluster, burn and berserk. She’s an appreciator of the finer things — the more abstract, mental skills that require brain power, deftness and finesse.
This duality of strength and genius rounds out Eivor into a deeper, richer, more admirable character. More than just raw muscle in pursuit of glory, Eivor’s mastery of verse demonstrates her prioritizing not just her body, but her mind.
And it goes a long way for her.
Eivor can use her prowess with prose to progress past pointless plot points throughout Valhalla’s plethora of arcs and missions. It’s just a stat check in the end, but with enough practice flyting and enough charisma gained, Eivor unlocks new dialogue options that bend the world around her to her will.
Witch hunters in Eurvicscire on the brink of terrorizing Moira can be dispersed verbally rather than brawled or killed. There’s an entire riddle-solving fetch quest in Wincestre that can be skipped completely by telling King Aelfred’s abbot fuck off (figuratively). Eivor’s sharpening of her mind protects her body, saves her time, and allows her to frictionlessly fell her endeavors.
Her articulate advances don’t just alter her into admirability, they allow her to influence people and progression. With semantics from her mouth and twists from her tongue, Eivor can have her way whenever she wishes. In a game this large, I’m only left longing that the opportunity to make use of this charisma wasn’t relegated to niches.
Regardless, if medieval England is butter, Eivor’s tongue is the hot knife that behooves her move through her subduing more smoothly.
It all just goes to show that ̶m̶i̶g̶h̶t̶ flyte is right.
submitted by TheBlaringBlue to AssassinsCreedValhala [link] [comments]


2024.05.14 16:12 ScholarGrade Juniors - If you want to improve your chances, NOW is the time to start brainstorming essays

There have been an increasing number of juniors visiting this sub asking for advice about writing essays. Below are some tips and advice for making your essay stand out as excellent. Feel free to ask questions because I will answer every single question in the comments.
I know from experience that many of you are struggling to identify a good topic for your essay. Conventional wisdom says to start by brainstorming a list of potential topics, and chances are, you have already started a mental list of ideas. You might think you only have a few choices for topics, based on your activities or experiences, or essay examples you read, or the rough draft you already started (or worse, that GPT started...). I advise, however, that you put down your list of topics and back away from it. Forget that exists for a moment. Seriously - thinking about this initial list tethers you to certain ideas that might not actually be your best options.
Now you can begin brainstorming with a clean slate.
Start with thinking about what you want to show in your entire application, not just one essay. Every single component in your app has one purpose – to tell more about YOU. Filling out the rest of the application by rote and focusing solely on the essay is short-sighted and will leave so much potential untapped in your application.

It's About You. Tell Your Story - And Be The Protagonist

An admissions officer’s goal is to understand you fully, in the context of your background and the rest of the applicant pool. They will begin this with assessing your academic abilities and potential. Then they will evaluate how you will fit into the student body they’re trying to curate. All of this can be somewhat broad and diverse and touch on several institutional goals. But they will dig deep to find out what each applicant is like, what your core values and motivations are, what kind of student you will be, how you will contribute to the vibrant and intellectual campus community they’re building, etc.
Your goal with essay brainstorming is to ascertain how to powerfully tell your story in a manner that will fit these criteria. The entirety of your application (again, not just one essay) aims to showcase your abilities, qualifications, and uncommon attributes as a person in a positive way. Before you begin outlining or writing your application, you must determine what is unique about you that will stand out to an admissions panel. All students are truly unique. Not one other student has the same combination of life experiences, personality, passions, or goals as you do. Your job in your application is to frame your unique personal attributes in a positive and compelling way. How will you fit on campus? What personal qualities, strengths, core values, talents, or different perspectives do you bring to the table? What stories, deeper motivations/beliefs, or formative experiences can you use to illustrate all of this?
It is always helpful to start with some soul-searching or self-examination. You might not immediately know what you want to share about yourself. It’s not a simple task to decide how to summarize your whole life and being in a powerful and eloquent way on your application. Introspection prior to starting your application takes additional time and effort rather than jumping straight into your first draft. But it is also a valuable method to start writing a winning application that stands out from the stack.
You'll see the advice everywhere that all essay prompts are really about the same thing - you. The goal of each essay then is to showcase who you are, what matters to you, and how you think. I guarantee if you're on this sub enough, you'll hear the advice to "show, don't tell" when writing about yourself. But what does this mean really, and how do you do it well? How do you even get started on an essay that does this?

Introspection Questions

It’s often easiest to start thinking in terms of superlatives, especially those related to personal insights -- what are the most meaningful things about you, and what do you value the most? Here is a list of questions to help you brainstorm broadly before you narrow down your focus for writing:
I have a free introspection worksheet with over 100 questions like this designed to help you find ideas worth exploring in your essays. You can find it on the A2C Discord or download it directly here.

Find Your Story And Arc

Think of a small anecdote or story from your life that you could share that serves as a microcosm of who you are and what is important to you. It will massively help you narrow this down and find a gem of a story if you first start by thinking about your application arc or theme. This is the one-phrase summary of your entire application. It could be "brilliant entrepreneur who started her own successful business" or "talented athlete who wants to study economics and finance as they pertain to sports", or even "avid baker whose hobby sparked an interest in chemistry". It doesn't have to be related to your intended major, but it can help your arc be stronger and clearer if it is.
Once you have an arc determined and a story to share, think about what you want that story to say about you. This is where it can help to think of this as something you would share on a date - what impression does it make about you to the reader? Once you know this, start showing, not telling this attribute of yourself through your story. For example, instead of saying that you're compassionate toward others, you show an example of a time you were compassionate, then elaborate on why, and what it means to you.

Essay Brainstorming Techniques

If you are having trouble finding a story, or simply have writer’s block once you have picked your topic, here are some ideas to get your juices flowing:

Why Essays Matter

Here's the thing a lot of people don't realize about college admission: it's not an award for being the smartest, most accomplished, or most impressive. It's an invitation to join a community. Far too many students think that if they can just show that they're smart enough, they'll get in. Yale even says right on their admissions website that 75% of their applicants are academically qualified to succeed at Yale. But only ~4% are getting in. That should tell you that they're looking for more than just top tier test scores and grades. To be perfectly clear, you will need top tier grades and (optionally) test scores to show that you're qualified, and the vast majority of my students come to me with this part already in the bank. But what sets the admits apart? It's personal insight - sharing who you are, how you think, what matters to you, and how you engage community. You can't just say "/IAmVerySmart, please admit me," or even "I did a cool thing guys! Isn't that neat!" You need to go deeper and show them your core values, personal strengths, motivations, aspirations, character traits, foundational beliefs, personality, etc. And you need to do it in a charming, winsome way that makes them like you and want to invite you to join their community.
So how do I get students to do this? All of my students complete that introspection worksheet. We go through it and find the stories, examples, anecdotes, conversations, memories, relationships, and other things from their life that will help us craft a strong and personally insightful narrative. We also make lists of the values, strengths, and key personal qualities we want to showcase. Once we have some topics, outlines, abstracts, or rough drafts, we talk about which stories to tell where, how to tell them well, and what details to include to present the best they have to offer. Then we refine, edit, polish, and enhance over and over until the story sings, but more importantly shows their heart and soul. We also go through all the other application components to ensure consistency, quality, and distinctiveness.
Here's why this works so well: at most highly selective colleges there is a primary reader (or 2-3) who will review everything first and then present it to the admissions committee, who then votes on whether to admit you. That presentation typically goes one of three ways:
  1. Total enthusiasm, energy, and excitement. They strongly advocate for admission and paint a clear picture of how you will contribute to their goals and community. Everyone in the room picks up on that energy and is leaning forward in their chairs, looking for reasons to admit you. This is quite rare, generally less than 5 out of every 100 applications, even among those which are "fully qualified." When you do this right, you show depth, meaning, and valuable personal insights so the reviewer is learning about who you are and how you might engage the community they're curating. You come alive off the page as a person, not just another file.
  2. Business as usual. You're another great applicant in a pile of great applicants. They share a basic review of the facts, your profile, stats, strengths, weaknesses, etc. Maybe someone on the committee finds something they love, and they really push for admission. More likely, not and you get deferred/waitlisted even though there wasn't anything "wrong" with your application. They just didn't love you enough to commit.
  3. "Here's a stack of 20 applications that I didn't find all that compelling, so we won't present them individually, but you guys are the committee and you make the decisions. So let me know if there are any you want to talk about." In this case, unless there's a letter of endorsement from an athletics coach or your last name matches several buildings on campus, you're probably not getting additional consideration, much less admission. They will regret to inform you.
Everything we're doing is designed to help them get to know themselves, present the best they have to offer, and land in that first group. Having top tier essays is the single best way to get there. Get started on brainstorming in the next few weeks so you'll have time to get a few essays completed over the summer.
submitted by ScholarGrade to chanceme [link] [comments]


2024.05.14 14:38 PROVENDATAUS What Is System Patching

What Is System Patching
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System patching is the process of applying updates, fixes, or patches to the software, firmware, or hardware of a computer system or network infrastructure. Patching a system encompasses several components, including the operating system (OS), applications, drivers, firmware, and other software components.
In this article, we explore the importance of system patching for data security for individuals and businesses alike. Also, we give best practices to patch the system and the benefits of system patching.

What does it mean to patch a system?

Patching a system means that you will download and install the updates provided by the vendor or manufacturer to ensure the system remains secure, stable, and up-to-date.
This process is essential for maintaining the integrity and functionality of the system. It helps mitigate potential risks posed by security threats and ensures that the system operates efficiently.

What does patching up your PC mean?

Patching up your PC is the same as system patching: it refers to the process of applying software patches or updates to your computer’s operating system, applications, drivers, and firmware.
Patching up your PC helps ensure that your computer remains secure, stable, and up-to-date with the latest features and improvements.

Best practices for deploying patches

By following best practices, organizations can effectively deploy system patches to enhance security, stability, and performance while minimizing disruption to business operations.
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1. Take an inventory of assets

Maintain an up-to-date inventory of all hardware and software assets within your organization, including servers, endpoints, and network devices.
This inventory should include details such as asset type, status, location, software titles, versions, and warranties.

2. Create a patch management policy

Develop a comprehensive patch management policy that outlines procedures for obtaining, testing, installing, scheduling, and prioritizing patches.
A policy can ensure consistency in patch management practices across the organization.

3. Assign priority levels

Establish clear criteria for prioritizing patches based on severity and potential impact.
You can, for example, identify critical assets, such as production servers and systems exposed to external threats, and prioritize patching for these assets.

4. Consolidate software versions

Consolidating software versions simplifies patch management and reduces complexity.
Whenever possible, standardize on specific versions of operating systems, third-party software, and custom applications across endpoints and servers.

5. Schedule routine patch application

Develop a regular schedule for applying non-critical patches that minimize disruption to users and business operations. Make sure to communicate patching schedules to users and stakeholders to manage expectations.

6. Roll out patches gradually

Always deploy patches gradually to avoid overloading systems and degrading performance. Phasing the rollout of patches and scheduling deployments during off-peak hours minimizes disruption and allows users to keep their work as expected.

7. Test patches before application

Testing helps identify potential issues, errors, or incompatibilities that could impact system stability or functionality.
So, prioritize thorough testing of patches in a controlled environment before deploying them to production systems.

8. Stay up-to-date with updates and patches

Missing critical patches can expose systems to vulnerabilities and security risks.
For this reason, establish processes for monitoring and staying informed about new patches, updates, and security advisories for all software used within the organization.

9. Conduct post-deployment reviews

After patch deployment, you should conduct reviews to identify any issues or unexpected consequences. You can establish a rollback plan to revert changes if necessary and address any issues promptly.

10. Continuous improvement

Regularly review and update patch management processes and procedures to incorporate lessons learned and address emerging threats.
Consider investing in automated patch management tools to streamline and optimize patching workflows.

What is system patching used for?

System patching is used primarily for enhancing the security, stability, and performance of computer systems.
Among the many solutions and benefits provided by patching a system, you can find:

Cost savings

Proactively patching systems can help organizations avoid the costs associated with security incidents, data breaches, system downtime, and remediation efforts.

Enhance security

System patching is crucial for addressing software security vulnerabilities and preventing cyber attacks. These vulnerabilities are weaknesses in the code that attackers can use to gain unauthorized access to systems, steal data, or install malware. Patching also reduces the chances of the system being a target of zero-day attacks.

Zero-day attack

A zero-day attack is when hackers exploit a security flaw in software before the software vendor even knows it exists, making it very difficult to defend against.

Bug fixes

Patching is used to fix bugs, glitches, and errors that may cause software applications or operating systems to crash, malfunction, or exhibit unexpected behavior.

Mitigate vulnerabilities

Regular patching helps organizations mitigate known vulnerabilities, stay ahead of potential threats, and reduce the risk of security breaches and data breaches.

Performance optimization

System patches often include performance improvements and optimizations that enhance the speed, efficiency, and responsiveness of operating systems and software applications.

Feature updates

Feature updates provided through patches offer users access to new capabilities, improved user interfaces, and enhanced compatibility with other software or hardware.

Compliance and regulations

System patching is essential for maintaining compliance with industry regulations, data protection laws, and security standards.

What is the difference between a patch and an update?

A patch is a small piece of software designed to fix or improve a specific issue in an existing program or system. It typically addresses a particular bug, vulnerability, or performance problem.
On the other hand, an update is a broader term that refers to a collection of changes or enhancements made to a software program or system. Updates can include multiple patches, as well as new features, improvements, and bug fixes.

How does system patching relate to security, stability, performance, and availability?

Security: Patches are often released to address security vulnerabilities discovered in software or operating systems. By applying patches promptly, users can mitigate the risk of exploitation by cyber attackers, protect sensitive data, and prevent unauthorized access to the system.
Stability: Software bugs or glitches can cause crashes, freezes, or other malfunctions, leading to system instability. Regularly applying patches ensures that known issues are resolved, resulting in a more reliable and consistent computing experience.
Performance: Some patches include optimizations or enhancements that improve the efficiency and speed of software execution.
Availability: Patching plays a role in maintaining system availability by reducing the likelihood of downtime due to security breaches, software failures, or other issues.

What are the risks of not patching a system?

The risks of not patching a system are multifaceted and can have far-reaching consequences. One of the primary risks is the exposure to security vulnerabilities that remain vulnerable to exploitation by cyber attackers who can infiltrate networks, steal sensitive data, install malware, or carry out other malicious activities such as ransomware. These security breaches can result in financial losses, damage to reputation, and legal consequences for affected parties.
In addition to security risks, unpatched systems can experience decreased performance, frequent errors, and system crashes. This can result in lost productivity for users and organizations and increased IT support and maintenance costs.
submitted by PROVENDATAUS to u/PROVENDATAUS [link] [comments]


2024.05.14 14:01 Zappingsbrew A post talking about 400 words

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weather, web, website, wedding, week, weekend, weekly, weigh, weight, welcome, welfare, well, west, western, wet, what, whatever, wheel, when, whenever, where, whereas, whether, which, while, whisper, white, who, whole, whom, whose, why, wide, widely, widespread, wife, wild, wildlife, will, willing, win, wind, window, wine, wing, winner, winter, wipe, wire, wisdom, wise, wish, with, withdraw, within, without, witness, woman, wonder, wonderful, wood, wooden, word, work, worker, working, workout, workplace, works, workshop, world, worried, worry, worth, would, wound, wrap, write, writer, writing, wrong, yard, yeah, year, yell, yellow, yes, yesterday, yet, yield, you, young, your, yours, yourself, youth, zone.
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2024.05.14 12:42 experts_on_demand 10 Best AI Apps for iPhone and Android in 2024

Artificial intelligence (AI) is no longer limited to science fiction movies. It's woven into the fabric of our daily lives, quietly working behind the scenes to enhance our smartphone experience. From streamlining communication to fueling creative expression, AI-powered apps determine the mannerisms through which we interact with our mobile devices.
In this article, we will look at the ten best apps for iPhone and Android. Alongside this, we will weigh their pros and cons for optimal transparency. Make better data-driven decisions with AI and big data by the end of this article. Here are our top ten picks.

1. Otter.ai

Drowning in sticky notes and illegible handwriting? Otter.ai is your AI-powered solution for effortless note-taking. This app uses real-time speech recognition to transcribe conversations and lectures as they happen.
Focus on the present moment during meetings, interviews, or classes, knowing Otter.ai captures every word. Search through the transcribed text later to pinpoint key points, revisit specific moments, and ensure you never miss a crucial detail again.
Pros: Ditch notes, capture every word, easy search later
Cons: Less clarity, limited free storage, freemium account

2. Grammarly

Grammarly is one of the top ten Android apps for users. Its AI-powered app analyzes your text, identifying grammatical errors, typos, and awkward phrasing. It doesn't just point out mistakes but also suggests corrections and improvements.
Whether crafting an email, composing a social media post, or tackling a report, Grammarly ensures your message shines.
It can even suggest synonyms to enhance your vocabulary and recommend different sentence structures for smoother flow. With Grammarly by your side, you can confidently write, knowing your communication is clear, concise, and polished.
Pros: Flawless writing, improves clarity, boosts vocabulary
Cons: Limited free features, over-reliance, lack of human editorship

3. Moises App

Moises uses AI to separate audio tracks, allowing you to remove vocals from a song to create karaoke tracks or isolate specific instruments for musical experimentation. This app is a treasure trove for musicians, music lovers, and anyone who wants to get creative with audio manipulation.
Pros: Create Karaoke tracks, isolate instruments for remixes, a treasure trove for music lovers
Cons: Mandatory subscription, may require high-quality audio, limited editing features

4. Lensa

Lensa takes your selfies and transforms them into captivating works of art. Explore a library of artistic styles, from classic oil paintings and Renaissance portraits to whimsical cartoon filters and edgy pop art.
Lensa.ai utilizes AI to blend your features with these artistic styles, thereby creating unique and personalized digital masterpieces.
What’s more? You can even experiment with various filters, find your perfect artistic doppelganger, and share your creations on social media to impress your followers. Whether you crave a touch of artistic grandeur or a playful cartoon makeover, Lensa.ai offers a fun and creative way to see yourself in a whole new light.
Pros: AI art makeover, explore art styles, fun social media fodder
Cons: In-app purchases, subjective taste in art, privacy concerns

5. ELSA Speak

Regarded as one of the top ten apps for iPhone, Elsa is a pioneer in language development. Struggling with English pronunciation? Look no further than ELSA Speak, your AI-powered English coach. This app utilizes AI to analyze your spoken English, identifying areas for improvement. It provides personalized feedback on your pronunciation, highlighting sounds and words that need work.
ELSA Speak goes beyond simple corrections. It offers interactive lessons and exercises to help you master specific sounds and improve your fluency.
With regular practice and ELSA Speak's guidance, you can gain the confidence to speak English clearly and effectively in any situation.
Pros: Personalized feedback, improves pronunciation, gains speaking fluency
Cons: Limited languages, requires commitment, subscription format

6. WOMBO Dream

Ever feel creatively blocked or simply yearn for your inner artist? Look no further than WOMBO Dream. This art generator takes the reins, transforming your simple text prompts into unique and captivating paintings.
Describe a "mystical underwater city" or a "portrait of a courageous astronaut" to the app. WOMBO Dream uses its artistic intelligence to translate your words into stunning visuals. Explore a variety of artistic styles, from dreamlike landscapes to classic oil paintings.
With this app, anyone can become an art director, generating conversation-starting masterpieces in seconds.
Pros: AI art generator, explore creative prompts, instant artwork
Cons: Limited control, subscription for extensive styles, lack of artistic interpretation
Overwhelmed with AI? Here’s a step-by-step guide to AI basics and platforms.

7. Color by Number

This app takes the classic coloring-by-number concept and injects a dose of AI. It utilizes AI to generate unique pixel art coloring pages based on various themes and styles. While coloring is a relaxing and therapeutic activity, the AI-generated aspect adds a touch of novelty and keeps things interesting for creative minds.
Pros: Short video clips, caption comprehension, target language learning
Cons: Lacks broader understanding of the topic, requires internet connectivity, does not emphasize speaking or writing

8. Socratic by Google

Stuck on a homework problem and traditional methods aren't cutting it? Look no further than Socratic by Google! This learning app is your virtual study buddy. Simply snap a picture of your math problem, science question, or even a historical passage you're struggling with.
Socratic uses its AI smarts to analyze the content and provide you with step-by-step explanations, relevant videos, and alternative solution methods.
It even tackles multiple subjects, making it a versatile tool for various academic challenges. While Socratic can't solve every problem for you, it acts as a powerful guide, helping you understand concepts and develop problem-solving skills for future success.
Pros: Step-by-step solutions, multiple subjects supported, explanatory videos
Cons: Limited problem-solving types, limited solving capabilities, best for understanding concepts

9. Adobe Premiere Rush

This is a great option for anyone who wants to create and edit professional-looking videos on their phone. It has a simple and intuitive interface, but it also offers a wide range of features, including the ability to add multiple video clips, music, and titles.
You can also use Premiere Rush to adjust the color and lighting of your videos and to add special effects.
Pros: Easy to use, mobile-friendly editing, rich asset library
Cons: Limited features, cloud dependence, export restrictions

10. PlayPhrase

This app combines AI and language learning to create a fun and interactive experience. PlayPhrase uses AI to analyze short videos and generate captions in multiple languages. You can choose a video clip, and select the target language you're learning, and the app will transcribe the audio with captions.
Pros: Engaging video clips, interactive learning experience, multilingual options
Cons: Limited context, Excessive comprehension, needs web connectivity
Read more: Take Your First Step With an AI Basics Course For Beginners
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