Edit: If you are going to comment on the length of this post, please don't. This is not a simple snark but rather an actual critical think piece about feminism and Taylor Swift.

Introduction

Pertaining to Taylor Swift, "Female Rage" has deviated from its intended meaning after Swift debuted a new performance of The Tortured Poets Department during the Eras Tour. Now, according to Swift's use of the phrase, female rage is interpreted as public backlash against Swift's dating choices rather than as a response to the broader injustices against women and women's rights. This post examines Taylor Swift's flawed feminism, philanthropy, branding, and the controversial trademark petition for the phrase "Female Rage: The Musical". Swift's background as an entertainer, indeterminate politics, and alignment with capitalism over feminism pervades her legacy, again threatening her public tolerance as not just an individual but as a brand.

Once Upon a Female Rage...

If you were cognizant in the early 2010's, you've heard countless jabs at Taylor Swift in the media. Magazines, radio, or online. Music critics did not take her seriously as a songwriter; parents put a woman on an unrealistic pedestal as the ideal role model for their children; she dated too much and used men as lyrical fodder. No matter the story, it inevitably spread, conjoined with everyone's respective opinions, and you'd be left to wonder, "Why does everyone hate this girl so much?"
Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,

"Becoming friends with Lena – without her preaching to me, but just seeing why she believes what she believes, why she says what she says, why she stands for what she stands for – has made me realize that I’ve been taking a feminist stance without actually saying so."

I suppose the male-centric songwriting subject that permeates Swift's discography contained covert feminism and that we just didn't see that. Perhaps, the "Bad Blood" song and music video were written only in jest and not about poor Katy Perry, for Swift, as a feminist, would "never make it a girl fight" or tear other women down (though all Katy did was date your terrible ex-boyfriend and allegedly steal three backup dancers from your tour). In 2013, Swift said, in response to Tina Fey and Amy Poehler's joke towards her serial dating, "There is a special place in hell for women who don't help other women."
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.

Get Your Fucking Ass Up and Be a Philanthropist, It Seems Like Nobody Wants to Be a Philanthropist These Days

In 2013, Taylor Swift cut the ribbon at the grand opening of the Taylor Swift Education Center at the Country Music Hall of Fame in Nashville, Tennessee. The donation amount - $4 million - was the largest individual artist gift ever donated to the Country Music Hall of Fame, which is, of course, mentioned on Swift's website. The two-story facility features three classrooms, an instrument room, and an interactive children's exhibit gallery. Swift also performed at "All for the Hall" charity shows and has donated numerous artifacts from her career (such as notable guitars, tour costumes, etc) to the museum.
This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.

I Like Some of the Taylor's Songs, But What the Fuck Does She Know About Feminism?

Swift continued with her self-proclaimed feminist campaign, positioning herself as a political activist and LGBTQ+ ally in the Miss Americana documentary. The primary focus of the documentary consists of the sexual assault trial, Andrea Swift's cancer diagnosis, Taylor's ED and body dysmorphia, media scrutiny, and, largely, finally speaking up about her politics publicly, mostly her opposition to the 2018 Tennessee Republican senate candidate, Marsha Blackburn, and Blackburn's beliefs. Swift says, following a scene discussing her experience during the trial,

"I just couldn't really stop thinking about it. And I just thought to myself, next time there is any opportunity to change anything, you had better know what you stand for and what you want to say."

We must ask ourselves, though: when has Swift ever spoken up to change anything? Okay, pulling her entire catalogue from Spotify because they didn't pay their artists enough and similarly pulling her catalogue from Apple Music are changes that she leveraged due to her revenue potential and power, but they are not pertinent to the average woman's rights. Moreover, these are issues that directly impacted Taylor's income, which was enough reason for her to protest in the first place. Swift has sold the most units for a female artist in first week sales, is the first female artist with 100k monthly Spotify listeners, is the first female artist to win the Album of the Year Grammy 4 times, and is the first female artist to do X, Y, and Z, all while being inoffensive and family-friendly to boot. The actual Taylor Swift seems unwilling to compromise the brand of Taylor Swift by contributing in meaningful ways to feminist causes, especially if it is for women outside of America and Hollywood.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.

I Can't Pay Those Sweatshop Workers a Livable Wage or Benefits! How Else Would I Make My Billions?

Recently, Taylor's team filed to trademark the phrase "Female Rage: The Musical" after Taylor said during Paris N1 of the Eras Tour,

"So you were the first ones to see The Tortured Poets at the Eras Tour...or as I like to call it, 'Female Rage: The Musical'."

This trademark petition was filed last week on Saturday, and news comes about just as numerous unofficial fan-made merch designs have cropped up with this phrase plastered on Fruit of the Loom basics. I'm of the opinion Swift's team motioned for a trademark so that they can send out cease & desists to all those that make knockoff merch, which disrupts potential sales for Bravado, UMG's choice merchandising company; however, since it was filed earlier, perhaps Swift has bigger plans with the bizarre use of the gendered phrase. One Swiftie referred to the phrase "female rage" as "a funny Eras Tour joke". Could it be a possible fourth version of the Eras Tour Movie? Whatever the reason, the motion to capitalize off of such a concept is disgusting, but not unsurprising, for a woman that profits on her vain feminism.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!

I Am Tortured Poet, Hear Me Whinge

Look - even if Taylor's intention is to characterize TTPD as more "tortured" and "angry", the main thread of the album is "I was ghosted by my decade-long situationship with a controversial indie boy and my fucking stupid fans wrote a 'Speak Up Now' open letter prompting me to drop him" anger, which is adequately expressed in the lyrics and performances. The extent of Taylor's "female rage" on TTPD is on tracks such as "Who's Afraid of Little Old Me?", which contends with relentless media scrutiny; "But Daddy I Love Him", where Swift firmly states she'll date whoever she likes no matter how "Sarahs and Hannahs" may react; and "The Albatross", a track mythologizing her reputation and the consequences of dating her. Of course, these coincide with deep psychological wounds that formed during Swift's early years in the media, and so, from her feminist perspective, these subjects tackle the misogyny and double standards that she faced.
Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.

Sigh Try and Come For My Job, Poors

Out there in the world right now is a 23-year-old woman, a recent college grad, who works as a barista. She has to wake up and get ready to go into a minimum wage job because she cannot get a job in her field. She doesn't have healthcare benefits or sick time, so she has to go into work no matter how she's feeling. All day long she is berated by vicious customers and creepy men, and, exhausted from being on her feet, she knows she has to go home to her shitty roommate that never does the dishes and her roommate's shitty dog. To comfort herself, she considers getting a treat, but thinks against it when she remembers that matcha lattes cost $15 and they taste like milky dirt. She knows that she needs to buy groceries this week, and so the woman resolves to go home, but notices that her gas tank is low. She goes to put gas in the car, but the pump stops at $27.86 because that's all that she has in her checking account. The woman, bereft and reeling, sinks into the driver's seat. "Well," she thinks, her head in her hands, "at least I don't have Taylor Swift's job. I just couldn't imagine."
Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,

"You know you're good when you can even do it with a broken heart...you know you're good...and I'm good, cause I'm miserable, and no one even knows!...try and come for my job."

Yeah, obviously we wouldn't know, you recently passed the billionaire threshold and are the most famous and in-demand performer in the world right now. Taylor Swift makes an estimated $10 to $13 million dollars A NIGHT on the Eras Tour. Furthermore, the Eras Tour movie grossed $261.6 million globally, (which, as the producer, Taylor takes home 57% of the ticket sales) not counting the streaming revenue from Amazon Prime Video and the estimated $75 million deal that Disney paid to have it on Disney+. We're not even considering the income from cheap plastic popcorn buckets and drink cups plastered with colored squares in her Era-specific likeness.
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"

Conclusion/TLDR

Thank you for reading. I would love to hear your critical insights towards this entire ordeal: TTPD, the trademark, the implications of it all.
TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.

Hello fellow DMs. Maybe this question was asked before, but a Quick search was not able to answer it, yet.
I am a german DM, DMing for about 14 years now, mostly 5e.
For the first years, we exclusively played in a homebrewed world of mine. But after getting my first full time job a few years ago, there was no time to prepare a new session every week. So I bought a few official campaign books and also a few semi-official / homebrew softcover adventures. Sometimes one shots, sometimes small campaigns (like Shadows of the Dusk Queen). I really liked the concept, one could easily implement them into a bigger campaign without much work. Do you like these more as printed or digital versions? I love to have something physically in my hand while playing.
That sparked my creativity again and I created some smaller campaigns myself. Mostly for 3-6 Sessions. I have a few of these now, two were playtested already and my players had a great time. I would like to get them out there, share them, get them printed and maybe sell them as softcover-magazines and PDFs for a few bucks, but I have no idea, how to do that.
Is there a market for these, a forum or an online shop? I honestly don't know where to look or with whom to get in touch, since I bought everything from amazon or eBay.
I also don't really know, what to expect in terms of copyright. I already commissioned a friend of mine for original artwork, so that should not be a problem. What about monster stat blocks? Can I simply copy these from the books and paste them in with my own design? All maps and battle maps were created with Incarnate, that I have a subscription for. Can I use them and still sell the book?
Could you please share your experiences and point me in the right direction here? I would really appretiate it. :) Thank you.
Tl,dr: I would like to share / sell some small campaigns but don't know, where to do so. Can you help me out?

Megapost: A list of statements, press releases, and other sources reporting and expressing concern and criticism about Israel's war in Gaza and related aspects of the war. (Part 4)

Notes: This is a work that is currently in progress; please check back for updates. Titles have been edited to provide details.
Part 1 is here: https://www.reddit.com/Social_Democracy/comments/1clx1uc/megapost_a_list_of_statements_press_releases_and/
Part 2 is here: https://www.reddit.com/Social_Democracy/comments/1cmjhpk/megapost_a_list_of_statements_press_releases_and/
Part 3 is here: https://www.reddit.com/Social_Democracy/comments/1coups2/megapost_a_list_of_statements_press_releases_and/
Refugee Council of Australia: Our Letter to the Prime Minister regarding the Israel and Gaza Crisis (April 26, 2024): https://www.refugeecouncil.org.au/letter-israel-and-gaza-crisis/
Statement in solidarity with student protests for Gaza [Signed by: 350.org US; 18 Million Rising; 198 methods; Adalah Justice Project; Addameer Prisoner Support and Human Rights Association; AF3IRM; Afghans For A Better Tomorrow; Al-Haq; Alliance of Baptists; American Baptist Churches USA; American Baptist Churches Palestine Israel Network; American Friends Service Committee; American-Arab Anti-Discrimination Committee (ADC); American Muslim Bar Association; American Muslim Community Foundation; American Muslims for Palestine (AMP); Americans for Justice in Palestine Action (AJP Action); Arab American Civic Council; Arab American Institute; Asian American Advocacy Fund; Better to Speak; Beyt Tikkun: A Synagogue without Walls; Black Lives of Unitarian Universalism (BLUU); Blue Future; Borderlands for Equity; Borderlands Resource Initiative; Breach Collective; Brooklyn For Peace; CAIR Action; CAIR California; CAIR Minnesota; CAIR Oklahoma; CAIR-WA; California Coalition for Women Prisoners; Cameroon American Council; Carceral Tech Resistance Network; Ceasefire Democrats; Ceasefire Now NJ; Center for Constitutional Rights; Center for Popular Democracy Action; Center for Protest Law & Litigation @ Partnership for Civil Justice Fund; Chicago Area Peace Action; Chicago Faith Coalition on Middle East Policy; Christians for a Free Palestine; Civic Ark; Civil Liberties Defense Center; Clockshop; CommonDefense.us; Communities United for Status & Protection (CUSP); Council on American-Islamic Relations; CWA-News Guild Local 38010; Defending Rights & Dissent; Delaware Democratic Socialists of America; Delawareans for Palestinian Human Rights; Detention Watch Network; Disciples Palestine Israel Network; Diverse & Revolutionary Unitarian Universalist Multicultural Ministries (DRUUMM); Doctors Against Genocide; Dream Defenders; Dutch Scholars for Palestine; Eindhoven Students 4 Palestine; Emgage Action; En Conjunto; Episcopal Peace Fellowship-Palestine Israel Network; Faith for Black Lives; Faith in Texas; Fellowship of Reconciliation; Fight for the Future; For All; Freedom Farm Community; Freedom Oklahoma; Freedom To Thrive; Friends of Sabeel North America (FOSNA); Future Coalition; Gen-Z for Change; Gender Justice Action and Gender Justice; Get Free; Global Campaign to Reclaim People's Sovereignty, Dismantle Corporate Power & Stop Impunity; Green Mountain Solidarity With Palestine; Green New Deal Network; Greenpeace USA; Hawai'i for Palestine; Health Justice Commons; Helena (Montana) Service for Peace and Justice; Highlander Research and Education Center; Hindus for Human Rights; Historians for Peace and Democracy; Human Dignity Project (THDP); IfNotNow Movement; IfNotNow New Jersey; Immigrant Defense Project; Immigrant Justice Network; Immigrants Act Now; Indian American Muslim Council (IAMC); Indiana Center for Middle East Peace; Institute for Policy Studies New Internationalism Project; Interfaith Ceasefire; International Jewish Anti-Zionist Network; International Mayan League; InterReligious Task Force on Central America; Iowans For Palestine; Islamic Society of North America (ISNA); Islamophobia Studies Center; Israel/Palestine Mission Network of the Presbyterian Church (U.S.A.); Jewish Voice for Peace; Jewish Voice for Peace-Hawai’i; Jews For Racial & Economic Justice (JFREJ); Just Foreign Policy; Justice Democrats; Just Futures Law; Justice for All; Kairos USA; Libyan American Alliance; LittleSis / Public Accountability Initiative; Living Water Inclusive Catholic Community; Long Island Progressive Coalition; Make the Road Nevada; Malaya Georgia; Massachusetts Peace Action; Mennonite Action; Mennonite Action WA; Migrant Roots Media; Minnesota Peace Project; Mondoweiss; Movement for Black Lives; MPower Change Action Fund; MSA West; Muslim Advocates; Muslim Community Network; Muslim Counterpublics Lab; Muslim Power Building Project; Muslims for Just Futures; Muslims for Progressive Values; National Arab American Women’s Association (NAAWA); National Domestic Workers Alliance Staff Union, CWA Local 1180; National Iranian American Council; National Lawyers Guild; National Lawyers Guild - St. Louis Chapter; National Network for Immigrant and Refugee Rights (NNIRR); National Partnership for New Americans; New Hampshire Veterans for Peace; New York City Veterans For Peace; The New Justice Project Minnesota; NH Peace Action; North American Students of Cooperation; No Separate Justice; North Carolina Peace Action; The Oakland Institute; Office of Peace, Justice, and Ecological Integrity/Sisters of Charity of Saint Elizabeth; Our Revolution; Palestine American League; Palestine Legal; Palestinian American Community Center; Palestinian American Organizations Network (PAON); Palestinian Feminist Collective; Partners for Palestine; Pax Christi New Jersey; Pax Christi New York State; Pax Christi Pacific Northwest; Pax Christi USA; Peace Action; Peace Action New York State; Peace, Justice, Sustainability NOW!; Pediatricians for Palestine; People’s Action; PeoplesHub; Poverty Project at the Institute for Policy Studies; Presbyterian Church (USA), Office of Public Witness; Presbyterian Peace Fellowship; Progressive Democrats of America (PDA); Project ANAR; Project South; Rachel Corrie Foundation for Peace and Justice; Reparation Education Project; Reviving the Islamic Sisterhood for Empowerment; Rise for Palestine; Rising Majority; Rising Tide North America; Rochester Committee on Latin America; RootsAction Education Fund; Sabeel Ecumenical Liberation Theology Centre; Sacramento Regional Coalition for Palestinian Rights; Sound Vision; Starr King School for the Ministry; Students and Faculty for Justice in Palestine at the University of Hawai’i (SFJP); Sunrise Movement; Sur Legal Collaborative; TakeAction Minnesota; Tech Justice Law Project; The Gathering for Justice; The Hague Peace Projects; The Social Justice Center; The Uncommitted National Movement; The Whatcom Peace and Justice Center; Transnational Institute; UndocuBlack Network; Unitarian Universalist Association; Unitarian Universalist Church of the Larger Fellowship; Unitarian Universalist College of Social Justice; Unitarian Universalist Justice Ministry of North Carolina; Unitarian Universalist Mass Action; Unitarian Universalist Peace Ministry Network; Unitarian Universalist Service Committee; Unitarian Universalist Young Adults for Climate Justice (UUYACJ); Unitarian Universalists for Justice in the Middle East; United Church of Christ Palestine Israel Network; United Methodists for Kairos Response (UMKR); United Voices for America; Until Freedom; US Campaign for Palestinian Rights; Veterans For Peace; We Are All America; Wellstone Democratic Renewal Club; Wind of the Spirit Immigrant Resource Center; Women's Institute for Freedom of the Press; Working Families Party; World BEYOND War; Young Democrats of America Black Caucus; Young Democrats of America Environmental Caucus; Youth Leadership Institute] (April 26-29, 2024): https://www.mpowerchange.org/gazastudentprotests & https://docs.google.com/forms/d/e/1FAIpQLSdhlWqDQghbVaPb6K7coBoi0o3w1YDfmrPOSbUw5bqNKEnrhg/viewform
Tom Hurwitz: I was arrested protesting at Columbia in ’68. Today’s student encampments carry on a proud, brave tradition: Like the Vietnam War was nearly six decades ago, to many students, Israel’s assault on Gaza feels deeply personal (April 26, 2024): https://forward.com/opinion/607021/columbia-1968-protests-vietnam-gaza-wa
‘We demand an immediate ceasefire in Gaza’ – First Minister of Northern Ireland Michelle O’Neill tells major London demo (April 27, 2024): https://vote.sinnfein.ie/we-demand-an-immediate-ceasefire-in-gaza-oneill-tells-major-london-demo/
Nineteen American Sociological Association Presidents Endorse the Resolution for Justice in Palestine (April 28, 2024): https://www.sociologistsforpalestine.org & https://docs.google.com/document/d/1t-z9OTPbl5JB9_sKnFOqAl-bQV78qZ-SFvjjjMrPUgY/
Robert Reich, former U.S. Secretary of Labor under Bill Clinton: Brief thoughts on the wave of campus protests across America (April 28, 2024): https://robertreich.substack.com/p/my-thoughts-on-the-wave-of-campus
We’re Jewish students at Columbia arrested for protesting Israel’s war (April 28, 2024): https://thehill.com/opinion/education/4626720-were-jewish-students-at-columbia-arrested-for-protesting-israels-wa
American Association of University Professors: In Defense of the Right to Free Speech and Peaceful Protest on University Campuses (April 29, 2024): https://www.aaup.org/media-release/defense-right-free-speech-and-peaceful-protest-university-campuses
Anat Saragusti: Israeli media’s inevitable hysteria over U.S. campus protests: The media’s unbending self-censorship in covering Gaza has made Israelis incapable of seeing foreign criticism as anything other than antisemitism. (April 29, 2024): https://www.972mag.com/campus-protests-gaza-us-students/
Attorneys inside and outside the administration urge Biden to cut off arms to Israel: So far more than 90 lawyers have signed on to a legal letter alleging Israel’s conduct in Gaza violates U.S. and international law. (April 29, 2024): https://www.politico.com/news/2024/04/29/lawyers-israel-arm-sales-biden-00154958
Lemkin Institute for Genocide Prevention: Statement in Support of Students, Faulty at Columbia University (April 29, 2024): https://www.lemkininstitute.com/statements-new-page/statement-in-support-of-students%2C-faulty-at-columbia-university
Mary Lawlor, UN Special Rapporteur on Human Rights Defenders: "I'm hearing disturbing reports that students face suspension if they don’t end their peaceful protests in #Columbiauniversity in the USA. This is a clear violation of their right to peaceful assembly" (April 29, 2024): https://twitter.com/MaryLawlorhrds/status/1785020792197038101
Cas Mudde: Why are US campuses facing an orgy of state repression in the ‘land of the free’? The right has painted nonviolent protests against the war on Gaza as hotbeds of ‘woke’ terrorism. It’s a pretext for repression (April 30, 2024): https://www.theguardian.com/commentisfree/2024/ap30/us-campus-peace-protests-overreaction-gaza
Joint letter to President Biden on humanitarian risk of Rafah operation in Gaza [Signed by: 350.org; ActionAid USA; Alliance of Baptists; American Friends of Combatants for Peace; American Friends Service Committee; Americares; Amnesty International USA; CARE; Charity & Security Network; Children in Conflict; Christian Aid; Churches for Middle East Peace (CMEP); Center for American Progress; Center for Civilians in Conflict; Center for International Policy; Church World Service; DAWN; Demand Progress Education Fund; Evangelical Lutheran Church in America; Humanity & Inclusion; IM Swedish Development Partners; Indivisible; Islamic Relief USA; Islamic Relief Worldwide; KinderUSA; Maryknoll Office for Global Concerns; MedGlobal; Médecins du Monde / Doctors of the World International Network; Mennonite Central Committee; Middle East Democracy Center; Minnesota Peace Project; MoveOn; Nonviolent Peaceforce; Norwegian Refugee Council USA; Oxfam America; Pax Christi USA; Premiere Urgence Internationale; Presbyterian Church (USA), Office of Public Witness; Refugees International; Save the Children US; SEIU; The Episcopal Church; The Tahrir Institute for Middle East Policy (TIMEP); The United Methodist Church – General Board of Church and Society; Truman Center; Vento di Terra; Win Without War] (April 30, 2024): https://www.nrc.no/news/2024/may/joint-letter-to-president-biden-on-potential-incursion-into-rafah-gaza/
Latino students are key part of pro-Palestine encampment protests (April 30, 2024): https://www.axios.com/2024/04/30/college-encampments-ceasefire-gaza-latino-students
Michael Gould-Wartofsky: Trump Is Wrong. Columbia Isn’t Anything Like Charlottesville: I survived the deadly violence in Charlottesville, and am now a postdoctoral research scholar at Columbia University. To compare the two is unwarranted—and unconscionable. (April 30, 2024): https://www.thedailybeast.com/trump-is-wrong-columbia-isnt-anything-like-charlottesville
United Church of Christ Officers issue statement amid ongoing unrest on college campuses; offer continued solidarity with partners and people in the Middle East (April 30, 2024): https://www.ucc.org/ucc-officers-issue-statement-amid-ongoing-unrest-on-college-campuses/
United States of America: UN Human Rights Chief troubled by law enforcement actions against protesters at universities (April 30, 2024): https://www.ohchr.org/en/press-releases/2024/04/united-states-america-un-human-rights-chief-troubled-law-enforcement-actions
A Statement From Jewish Faculty, Staff, Students, and Alumni Regarding Indiana University's Treatment of Student Protesters ["Actions are being taken in our name, without our consent or request. Such actions, especially those by the administration, often directly contradict the facts we see daily on the ground at campus. We condemn the actions taken by the administration, ISP, and IUPD against the students protesting on Dunn Meadow."] (May 1, 2024): https://bloomingtonian.com/2024/05/01/a-statement-from-jewish-faculty-staff-students-and-alumni-regarding-iustreatment-of-student-protesters/
Charles H.F. Davis III, Jude Paul Dizon, Jessica Hatrick, and Vanessa Miller: Police Repression Is the Problem, Not the Solution (May 1, 2024): https://www.insidehighered.com/opinion/views/2024/05/01/police-repression-problem-not-solution-opinion
Comment from United Auto Workers President Shawn Fain on Mass Arrests of Anti-War Protestors (May 1, 2024): https://uaw.org/comment-from-uaw-president-shawn-fain-on-mass-arrests-of-anti-war-protestors/
Fellowship of Reconciliation Stands in Solidarity with the Students (May 1, 2024): https://forusa.org/fellowship-of-reconciliation-stands-in-solidarity-with-the-students/
Juan González, Veteran of '68 Columbia Strike, Condemns University Leaders' Silence on Gaza Slaughter (May 1, 2024): https://www.democracynow.org/2024/5/1/police_raid_columbia_2024_juan_gonzalez
Mike Littwin: As a veteran of the ’60s campus unrest, I know the value of free speech: Despite what you may hear, most of today’s campus demonstrations, including the one at Auraria, are typically nonviolent. (May 1, 2024): https://coloradosun.com/2024/05/01/israel-gaza-student-demonstrations-opinion-littwin/
On Gaza, NY Catholic Worker community echoes Pope Francis: 'Please! Stop the war.' (May 1, 2024): https://www.ncronline.org/opinion/guest-voices/gaza-ny-catholic-worker-community-echoes-pope-francis-please-stop-war
Senator Bernie Sanders: The billionaires who fund AIPAC are not only concerned about protecting Israel's actions in Gaza — they also want to protect corporate interests. That's why they are targeting progressive lawmakers who stand up for the working class and take on powerful special interests. (May 1, 2024): https://twitter.com/BernieSanders/status/1785684580265074707
Syriac Maronite Archbishops denounce military escalation in southern Lebanon, condemn Israeli actions in Gaza and West Bank (May 1, 2024): https://syriacpress.com/blog/2024/01/05/syriac-maronite-archbishops-denounce-military-escalation-in-southern-lebanon-condemn-israeli-actions-in-gaza-and-west-bank/
The Democratic National Committee's College Democrats of America Slams Biden On Gaza And Backs Campus Protesters (May 1, 2024): https://www.huffpost.com/entry/college-democrats-of-america-statement-biden-gaza-campus-protest_n_663278fce4b0849b2edded55
Tope Folarin, director of the Institute for Policy Studies: We Stand with the Students Protesting the Slaughter in Gaza (May 1, 2024): https://ips-dc.org/we-stand-with-the-students-protesting-the-slaughter-in-gaza/
'You are our hope': Palestinian students find strength in U.S. campus protests: “I feel proud that there is a group of students who feel what we feel now — and are helping and supporting us,” said Reem Musa Suleiman Abu Shinar, speaking to an NBC News crew in the city of Rafah in southern Gaza. (May 1, 2024): https://www.nbcnews.com/news/world/palestinian-students-support-us-campus-protests-israel-war-rcna149296
Bernie Sanders in CNN interview: 'This may be Biden’s Vietnam' (May 2, 2024): https://www.youtube.com/watch?v=_6rQmvko18M
Catholic Relief Services representative for Gaza fears possible Rafah invasion (May 2, 2024): https://www.ncronline.org/news/catholic-relief-services-rep-gaza-fears-possible-rafah-invasion
‘Disgrace to diplomacy’: Bosnia accuses Israeli diplomat of genocide denial: Envoy to Serbia draws intense criticism for telling Russian media that calling 1995 Srebrenica massacre a genocide ‘diminishes the importance of that term’ (May 2, 2024): https://www.timesofisrael.com/disgrace-to-diplomacy-bosnia-accuses-israeli-diplomat-of-genocide-denial/
Gazans thank US university protesters as Israel calls for students to be expelled (May 2, 2024): https://www.cnn.com/2024/05/01/middleeast/gaza-children-thank-us-protesters-intl-latam/index.html
Helen Benedict, professor of journalism at Columbia University: ‘US student protests seeking peace in Gaza are the new anti-Vietnam War movement’ (May 2, 2024): https://timesofindia.indiatimes.com/us-student-protests-seeking-peace-in-gaza-are-the-new-anti-vietnam-war-movement/articleshow/109766893.cms
Hundreds of U.S. Catholic leaders and laity sign letter urging Permanent Gaza Ceasefire and End to Injustice in Israel and Palestine (May 2, 2024): https://cmep.salsalabs.org/ps-may22024 & https://docs.google.com/document/d/16K1RvL3YdSgSChwO_eWB9iSvIglNP59ahqtAQ1aZiGM/
PREPARED REMARKS: Senator Bernie Sanders on the Nationwide Student Protests and the Ongoing Humanitarian Disaster in Gaza (May 2, 2024): https://www.sanders.senate.gov/press-releases/prepared-remarks-sanders-on-the-nationwide-student-protests-and-the-ongoing-humanitarian-disaster-in-gaza/
Recalling Civil Rights Era Abuses, Legal Defense Fund of the NAACP Roundly Condemns Rising Violations Against Peaceful Protesters and Calls for Immediate Federal Intervention ["Today, the Legal Defense Fund (LDF) issued a statement roundly and unequivocally condemning the rising civil and human rights violations against peaceful protesters across the U.S. and issued a letter calling for the Department of Justice (DOJ) to conduct an immediate investigation into the treatment of peaceful protesters" (May 2, 2024): https://www.naacpldf.org/press-release/recalling-civil-rights-era-abuses-ldf-roundly-condemns-rising-violations-against-peaceful-protesters-and-calls-for-immediate-federal-intervention/
United Nations Development Programme: As war in Gaza enters seventh month, 1.74 million more Palestinians will be pushed into poverty across State of Palestine according to United Nations assessment: UNDP and ESCWA estimate more than two-decades reversal in human development— beyond earliest recorded levels of 2004. (May 2, 2024): https://www.undp.org/papp/press-releases/war-gaza-enters-seventh-month-174-million-more-palestinians-will-be-pushed-poverty-across-state-palestine-according-united
“Workers Have Power”: Thousands Rally in NYC for May Day, Call for Solidarity with Palestine (May 2, 2024): https://www.democracynow.org/2024/5/2/nyc_may_day_rally_palestine_solidarity
A Message to the Protesters From Reverend Jesse L. Jackson, Sr.: A call to keep raising the tempests on campus over the Gazan horror. (May 3, 2024): https://chicagomaroon.com/42811/viewpoints/op-ed/a-message-to-the-protesters-from-reverend-jesse-l-jackson-s
Association of Flight Attendants President Sara Nelson on Mass Arrest of Anti-War Protestors (May 3, 2024): https://www.afacwa.org/mass_arrest_right_to_protest
Rashid Khalidi, Professor of Arab Studies at Columbia University: Opposed to Genocide in Gaza, This Is the Conscience of a Nation Speaking Through Your Kids (May 3, 2024): https://www.commondreams.org/opinion/rashid-khalidi-columbia-gaza-speech
“This Militaristic Approach Has Been a Failure”: Meet Hala Rharrit, First U.S. Diplomat to Quit over Gaza (May 3, 2024): https://www.democracynow.org/2024/5/3/state_dept
Where pro-Palestinian university protests are happening around the world (May 3, 2024): https://www.cnn.com/2024/05/03/world/pro-palestinian-university-protests-worldwide-intl-hnk/index.html
100-year-old Jewish activist Jules Rabin is speaking up again — this time about Gaza [In a podcast on the nonprofit news site VT Digger, Rabin referred to the tragedy unfolding in Gaza as “a piecemeal Holocaust.”] (May 4, 2024): https://forward.com/culture/609442/jules-rabin-vermont-activism-gaza-ukraine-israel/
Israel will not agree to end the war with Hamas as part of any deal [“Israel will under no circumstances agree to the end of the war as part of an agreement to release our abductees," an Israeli official told ABC News on Saturday morning. "As the political echelon decided, the IDF will enter Rafah and destroy the remaining Hamas battalions there - whether or not there will be a temporary ceasefire for the release of our hostages."] (May 4, 2024): https://abcnews.go.com/International/live-updates/israel-hamas-cease-fire-talks/israel-will-not-agree-to-end-the-war-with-hamas-as-part-of-any-deal-109924741?id=109734705
Roseann "Chic" Canfora survived the 1970 Kent State shooting. Here's her message to student activists (May 4, 2024): https://www.npr.org/2024/05/04/1249023924/kent-state-shooting-activists-protests-survivor
‘They’re sending a message’: harsh police tactics questioned amid US campus protest crackdowns (May 4, 2024): https://www.theguardian.com/us-news/article/2024/may/04/police-tactics-us-campus-protest-crackdowns
Anton Boonzaier: As a South African during apartheid, I admire pro-Palestine protesters’ tenacity (May 5, 2024): https://dailybruin.com/2024/05/05/op-ed-as-a-south-african-during-apartheid-i-admire-pro-palestine-protesters-tenacity
Committee to Protect Journalists condemns Israeli vote to shut down Al Jazeera; warns of alarming precedent (May 5, 2024): https://cpj.org/2024/05/cpj-condemns-israeli-vote-to-shut-down-al-jazeera-warns-of-alarming-precedent/
Union workers join students in rallies Saturday calling for a permanent ceasefire in Gaza [More than 200 people attended the Maine Labor for Palestine and Maine Students for Palestine rally.] (May 5, 2024): https://www.mainepublic.org/news/2024-05-05/union-workers-join-students-in-rallies-saturday-to-free-gaza
Oxfam reaction to Rafah evacuation order (May 6, 2024): https://www.oxfam.org/en/press-releases/oxfam-reaction-rafah-evacuation-order
Patrick Gaspard, president of the Center for American Progress: American politicians forget: disruption and disorder are the point of protests: I have trespassed in peaceful protest. I have shut down government offices in civil disobedience. I have made the powerful uncomfortable. That’s the point (May 6, 2024): https://www.theguardian.com/commentisfree/article/2024/may/06/campus-pro-palestinian-protests
Save the Children warns of deadly consequences for children following new relocation orders for families in Rafah (May 6, 2024): https://www.savethechildren.net/news/save-children-warns-deadly-consequences-children-following-new-relocation-orders-families-rafah
The campus protesters for Gaza are making America great again: Readers on the demonstrations sweeping colleges and their hopes for the next generation. (May 6, 2024): https://www.washingtonpost.com/opinions/2024/05/06/campus-protests-gaza-palestine-vietnam/
United Nations International Children's Emergency Fund (UNICEF): There is ‘nowhere safe to go’ for the 600,000 children of Rafah, warns UNICEF: With hundreds of thousands of children in Rafah injured, sick, malnourished, traumatized or living with a disability, UNICEF calls for children to not be forcibly relocated, and the vital infrastructure on which children rely to be protected (May 6, 2024): https://www.unicef.org/press-releases/there-nowhere-safe-go-600000-children-rafah-warns-unicef
US campus protests of Israeli ‘genocide’ offer hope to students from Gaza (May 6, 2024): https://www.aljazeera.com/features/2024/5/6/us-student-protests-of-israeli-genocide-offer-hope-to-students-from-gaza
Brant Rosen: We Tried to Bring Food Into Gaza—but Israel Blocked and Arrested Us: As Israel continues to starve the people of Gaza, a delegation of rabbis marched toward the Erez Crossing during Passover carrying sacks of flour and demanding a cease-fire. (May 6, 2024): https://www.thenation.com/article/world/rabbis-arrested-for-bringing-food-gaza/
Catholic Workers Movement: After Arrests, Students Renew Call for Notre Dame to Follow Catholic Teaching on War, Investments (May 6, 2024): https://catholicworker.org/after-arrests-students-renew-call-for-notre-dame-to-follow-catholic-teaching-on-war-investments/
Hala Rharrit, former State Department official: Biden’s militaristic policy in Gaza is a failure — diplomacy is the solution (May 6, 2024): https://thehill.com/opinion/white-house/4646237-biden-gaza-militaristic-policy-failure/
750+ Jewish Students Affirm Support for Pro-Palestine Campus Protests [In Response to Biden’s Speech, 750+ Jewish Students on 140+ Campuses Stand Against Israel's Rafah Invasion, Urge Jewish Institutional Action to Halt Gaza Assault] (May 7, 2024): https://www.commondreams.org/news/jewish-students-support-gaza & https://mailchi.mp/israelpalestinecomms/jstudents
American Friends Service Committee: T­h­e C­o­m­p­a­n­i­e­s P­r­o­f­i­t­i­n­g f­r­o­m I­s­r­a­e­l­’­s 2­0­2­3­-­2­0­2­4 A­t­t­a­c­k­s o­n G­a­z­a (Updated on May 7, 2024): https://afsc.org/gaza-genocide-companies
‘I am leaving for the unknown.’ Palestinians fleeing Rafah describe their fear and despair (May 7, 2024): https://www.cnn.com/2024/05/06/middleeast/palestinians-flee-rafah-gaza-fear-despair-intl-hnk/index.html
Kenneth Roth: Biden Should Not Stand in the Way of the ICC (May 7, 2024): https://foreignpolicy.com/2024/05/07/biden-israel-hamas-icc-gaza-netanyahu-arrest/
Letter by Ch. Lt Col (Ret.) Stephen Tillett to the Editor: Veteran Calls for Ceasefire in Gaza (May 7, 2024): https://baltimorepostexaminer.com/letter-to-the-editor-veteran-calls-for-ceasefire-in-gaza/2024/05/07
Three Orange County medics describe wartime health care in Gaza: A once-modern string of hospitals has been reduced to desperate physicians and others relying on wits and luck. Most of their patients are children. (May 7, 2024): https://www.ocregister.com/2024/05/07/three-orange-county-medics-describe-wartime-health-care-in-gaza/
ACLU’s national director of policy and government affairs Mike Zamore and ACLU senior policy counsel Kia Hamadanchy: A disturbing national security bill could silence nonprofits and college protests (May 8, 2024): https://thehill.com/opinion/national-security/4651053-a-disturbing-national-security-bill-could-silence-nonprofits-and-college-protests/
Al Jazeera shutdown in Israel spells 'dark day for democracy,' say media groups (May 8, 2024): https://www.voanews.com/a/al-jazeera-shutdown-in-israel-spells-dark-day-for-democracy-say-media-groups/7603956.html
Blinken Says Israeli Units Accused of Serious Violations Have Done Enough to Avoid Sanctions. Experts and Insiders Disagree. (May 8, 2024): https://www.propublica.org/article/blinken-israel-military-aid-human-rights-violations-leahy-law
Jeremy Brecher: Anti-Genocide Students Are Fulfilling Their Duty to Prevent War Crimes; Will You? (May 8, 2024): https://www.commondreams.org/opinion/students-prevent-war-crimes
Senator Bernie Sanders Statement on Biden’s Hold on Bomb Delivery to Netanyahu’s Government (May 8, 2024): https://www.sanders.senate.gov/press-releases/news-sanders-statement-on-bidens-hold-on-bomb-delivery-to-netanyahus-government/
The NYPD’s New Sizzle Reels Aren’t Just Dumb. They’re Dangerous. “This is copaganda, designed primarily to provide the mayor with political cover, but then also to show off the military might and alleged professionalism of the NYPD.” (May 8, 2024): https://www.motherjones.com/politics/2024/05/nypd-sizzle-reel-student-protests/
Haim Bresheeth-Žabner deplores the rot in Israeli society: 'Israel has turned into a Nazi society': The son of Holocaust survivors, Haim Bresheeth-Žabner believes the majority of Israel has been taught to normalise the occupation of Palestine (May 9, 2024): https://www.newarab.com/features/son-shoah-survivors-israel-has-become-nazi-society
‘It’s not human’: What a French doctor saw in Gaza as Israel invaded Rafah: When asked about the conditions of the hospitals he worked in, Dr. Zouhair Lahna is pained by the memories of the sick, wounded and dying. (May 9, 2024): https://www.aljazeera.com/features/2024/5/9/its-not-human-what-a-french-doctor-saw-in-gaza-as-israel-invaded-rafah
Japanese American Citizens League Calls for Ceasefire in Gaza (May 9, 2024): https://jacl.org/statements/jacl-calls-for-ceasefire-in-gaza
Republicans Funded by Arms Industry Fume Over Biden Threat to Withhold Bombs From Israel (May 9, 2024): https://www.commondreams.org/news/republicans-israel-weapons
Senator Bernie Sanders Statement on Israel’s Threat to Attack Rafah (May 9, 2024): https://www.sanders.senate.gov/press-releases/news-sanders-statement-on-israels-threat-to-attack-rafah/
Trapped in Rafah, I'm watching genocide unfold before my eyes: Gazan journalist Amjad Yaghi's eye-witness account in Rafah describes the horrors of Israel's ground invasion as Gazans desperately try to flee to safety. (May 9, 2024): https://www.newarab.com/opinion/trapped-rafah-im-witnessing-genocide-my-own-eyes
76 Universities in Spain Suspend Ties With Complicit Israeli Universities (May 10, 2024): https://bdsmovement.net/news/76-universities-spain-suspend-ties-with-complicit-israeli-universities
Armed Conflict Location and Event Data Project: US Student Pro-Palestine Demonstrations Remain Overwhelmingly Peaceful (May 10, 2024): https://acleddata.com/2024/05/10/us-student-pro-palestine-demonstrations-remain-overwhelmingly-peaceful-acled-brief/
Biden’s arms threat to Israel ‘better than nothing’ but too late, say U.S. officials who resigned over Gaza policy (May 10, 2024): https://www.nbcnews.com/news/world/bidens-arms-threat-israel-better-nothing-late-say-us-officials-resigne-rcna151454
Israel’s genocidal war in Gaza must end’ – Sinn Féin Chairperson Declan Kearney tells Global Anti-Apartheid Conference on Palestine (May 10, 2024): https://vote.sinnfein.ie/israels-genocidal-war-in-gaza-must-end-kearney-tells-global-anti-apartheid-conference-on-palestine/
Rick Salutin: I protested at Columbia in 1968 and today’s campus protests give me hope (May 10, 2024): https://www.thestar.com/opinion/contributors/i-protested-at-columbia-in-1968-and-todays-campus-protests-give-me-hope/article_a505c180-0e32-11ef-9615-e3f88eb6e034.html
Senator Bernie Sanders Statement on Rafah (May 10, 2024): https://www.sanders.senate.gov/press-releases/news-sanders-statement-on-rafah/
Strapped down, blindfolded, held in diapers: Israeli whistleblowers detail abuse of Palestinians in shadowy detention center (May 10, 2024): https://www.cnn.com/2024/05/10/middleeast/israel-sde-teiman-detention-whistleblowers-intl-cmd/index.html
U.S. medical volunteers in Rafah hospital say they've never seen a worse health crisis (May 10, 2024): https://www.npr.org/sections/goatsandsoda/2024/05/10/1250490688/rafa-hospital-gaza-israel-war-middle-east
Pro-Israel website ramps up attacks on pro-Palestinian student protesters (May 11, 2024): https://www.reuters.com/world/name-shame-pro-israel-website-ramps-up-attacks-pro-palestinian-student-2024-05-11/
Sen. Lindsey Graham says Israel should do 'whatever' it has to while comparing the war in Gaza to Hiroshima and Nagasaki: The GOP senator compared Israel’s military operations to the U.S. dropping atomic bombs on Japan in World War II, saying, “Israel, do whatever you have to do.” (May 12, 2024): https://www.nbcnews.com/politics/politics-news/sen-lindsey-graham-says-israel-whatever-comparing-war-gaza-hiroshima-n-rcna151828
‘Total outrage’: White House condemns Israeli settlers’ attack on Gaza aid trucks: Protesters block convoy, throw food into road and set fire to vehicles at Tarqumiya checkpoint near Hebron (May 13, 2024): https://www.theguardian.com/world/article/2024/may/13/total-outrage-white-house-condemns-israeli-settlers-attack-on-gaza-aid-convoy

Good thing: I passed UP Los Banos for BS Bio. 2 Bad things: My fam can't afford for me to go to UPLB and I'm a dumbass that failed to register and take DOST-SEI scholarship that would've increased my chances of going to LB-- and by also doing sidejobs.
So I'm left with two options: I either go to MSU-IIT and take BS Microbiology or maybe transfer my slot to UPMin and take BS Biology.
For Context: I'm a dood that lives in Iligan City. In all things financially practical, my ass should just be going to MSU-IIT. "But did I really just review and take UPCAT for UP for nothing?" is an infuriating question that keeps popping in my mind every single time that I reminisce about the fact that I'm 95% likely going to IIT. Now, I don't really have anything against IIT. In fact, my old man who's a professor highly suggests that I just go to IIT since, according to him, the quality of education compared to LB is really just about the same.
I interviewed 4 alumnis from our school who are now currently studying in LB regarding the costs they have to pay every month while in UP. The general estimate is that they use up around P8-10k per month, maybe sometimes more, which includes their rent, food, and all that.
My family isn't rich or poor; we're middle class. I live with my grandma in Iligan, while my old man, my only parent, lives in Bukidnon along with our stepfamily. He works to feed my stepfamily over there while also building a house. He actually loaned quite a lot of money from the bank for their house which is still not completed. He currently can't support me due to his loans.
I want the take my opportunity to UP so I tried to find ways to support myself and not bother them while I go to UP. I don't think UPLB is possible even if I take jobs so that's out of the table, but I actually found out that you can transfer your slot to UPMin from my friend who passed UPLB but was DPWAS. He showed me a Google Form sent by the UPadmissions and then, to my surprise, BS Bio was available. I talked to a relative who once did sidejobs while studying in IIT that maybe I could do sidejobs to support myself in UPMin. We talked a bit about jobs and what sites to go to, and she encouraged me to go to UPMin. My thought process with the costs for UPMin is that it should be much lower compared to LB since it's not Manila area.
I introduced the idea of going to UPMin to my old man but he slanders UPMin and calls it a joke compared to IIT, saying that he's never heard anything from that campus, and he's never heard or seen anyone getting hired as a graduate from there? (what). He also states that IIT is a CoE, College of Excellence, in Biology while UPMin is just a CoD, College of Development.
I want to go to UPMin since it's UP and also because I'd also be with my doods but is it wise to go there or am I just very stupid?

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I just finished the campaign and had a few multiplayer matches. This is my review, please be advised spoilers below.
Story / Campaign:
I started playing on medium dificulty, didn't want to rush through the story, but not make it a struggle either. The campaign starts with the Mothership emergency launch, after something managed to weaponize hyperspace. This really set the mood right, so off i went through the campaign and managed to finish it in 6 hours which was a disappointment in itself. I wanted more, it can't feel like an epic journey if you just go through it. Resources are plenty, so most of the time i just threw everything at the enemy. Only later missions require some planning and careful tactics. I missed the careful planning i had to do in Homeworld 1 and the feeling that every ship is important - repairing and docking damaged ships. In Homeworld 3 if you loose ships, it's okay, the resources are there. Also it feels like you are in a nonstop rush (lorewise it makes sense) to achieve the objectives. Otherwise i like the diverse missions that the megaliths / terrain can provide. Sometimes it feels clunky, yes, and i would have loved a few missions in open space, after all this is the void, but the campaign gameplay, while short, is good.
The story and the universe in itself is a huge disappointment. We're basically left with the Hiigaran and Incarnate factions alone. The Kalan Raiders are present for 2 missions and you forget about them quickly. No Bentusi, no Taiidan, no Vagyr and no Progenitor - we swim in Progenitor megaliths yet not one ship or stations active: no Keepers, no Movers. Considering the gates colonised space and this was a Galactic threat there would have been plenty of opotunities to introduce some allies and other factions. Instead it's just you and the Incarnate. No explanation to who built the Planet Killers, no real connection to the galaxy you are trying to save. Homeworld 1 gave you the feeling of a living universe, that things happened behind the scenes. I remember arriving at Karos and being amazed at the old destroyed ships and the story behind them, the junkyard dog.
Cataclysm as well made you feel small in this galaxy of Big Bads and you had to deal with a literal monster. While it introduced no new races (ships), it expanded those in Homeworld 1, gave context and made the Bentusi even more mysterious and alien.
Homeworld 2 focused on the Cores, so does Homeworld 3, the magical hyperspace cores, which seem to activate everything in this galaxy - far jumping, Sajuuk, Eye of Aaran, the Pro Plus mode of the Hyperspace Network. The main villain of Homeworld 3 makes no sense, if she seeks the Cores, she could have done so earlier, especially with that tech behind her. Since this is focused on Hyperspace it could have been a good idea to have a Beast cameo at least.
The ending is just as lame as the rest of the story: Karan and the Queen being together in Hyperspace afterlife or whatever - The queen killed billions just because (the story doesn't show why and how it would have helped her plans) and yet Karan will be with her together. Come on.
Also if there will be expansions (i hope they will), can we please stop with the Prophecies and magical artifacts? Let's go to HW1 style politics game. Depending on how far the Khar-Kushan is from Hiigara, a good story might be the way back - since the gates are down and they have no far-jumping cores. Maybe implement branches of alliances with different factions. Bring Back T-mat.
Graphics and Audio
Amazing. Simply put amazing. You are in the middle of the battles, battle chatter, weapon sounds, ships exploding everything on point. The asteroid mission and the volumetric lightning made it 10x better than it actually is. Love it!
Gameplay
While clearly i hated the campaign story, i enjoyed going through it gameplay wise, especially the later levels where you had to plan and use ships wisely. Some bugs yes, where you have to insist with the orders, as ships refuse to aknowledge them, but overall i am happy. At least in large battles you have Interceptors as cannon fodder, cloaked bombers to surprise a high value target, frigates are there to hold the mainlines or snipe from afar, along with destroyers, while battlecruisers dominate the battlefield. I find no ships overpowered (the BCs seemed a bit too much in HW2). Not much on the corvette side (maybe they wanted to limit the strikecraft count), just Railgun Corvettes - which are like corvette bombers - the ace in the sleeve - but often they are a one time use only.
Multiplayer-wise the maps seem too small for skirmishes, it's just so easy to rush. The megaliths do provide some interesting takes, but also make things clunky when your ships choose to go the other way around.
War Games i like so far although it is heavily dependent on your crew. Wait a bit too much and those destroyers will send you after Karan. Also the artefacts should be able to be selectable before starting - otherwise it may be just luck that guides you through.
Conclusion
Minus the story (which is an important part for HW and for me) this is a good game. I can't wait to see what the modding community will do - imagine skirmishes with all those races - Kushan, Taiidan , HW2 Hiigaran and Vagyr, HW3 Hiigaran and Incarnate - and others. In epic space battles!

I’ve been reading posts for a few months (so excited to be done teaching soon!)
And as a high school teacher, I have to say that most of the anti-social, violent, rude, device-addicted, impatient feral behavior that many elementary and middle school teachers have written about, including quotes from students, sound exactly like what I’ve witnessed and experienced on the high school level.
When I briefly taught middle school recently, they were slightly less mature but behavior was very similar and intelligence/performance was the same as my high schoolers.
A large population from my high school tested on an elementary level for reading, writing, and math as well.
I don’t know if this is all a covid thing, a lack of discipline thing from loser admin, a phone/airpods thing (I assume a mix of all of it). I’ve found that elementary or middle level assignments work way better with my high schoolers than high school level assignments. Mostly because they are so socially dysfunctional that I have to return to basics to get them to participate. Let alone the basics of writing or critical thinking.
Something is seriously broken if all our hard work in elementary and middle isn’t helping make well-adjusted and educated high schoolers.
High schoolers have a degree of maturity that elementary and middle don’t have, they do feel closer to adults ( RUDE, immature adults), but functionally there isn’t much of a difffence in the classroom. I have no idea what college is like. I do think when kids leave the HS environment they mature much more rapidly. I’ve noticed alumni (COVID kids) doing much better once they graduated, got a reality check, started working/going to college.
But public k-12 education feels so broken right now.

I’m a 26 yo Indian Male Engineer. I have about 5 YoE as a software engineer.
Academics: Undergrad from a school which has been a feeder, though not a lot, to INSEAD, Duke, etc. GPA - 8.8/10 - pretty much consistent.
I was awarded scholarship as well in one of the semesters for scoring in top 15% of the batch.
Not sure if this matters - I was struggling with depression during high school to the point that I did get suicidal and that took a hit on my academics. I couldn’t score well enough to get into top tier institutes and eventually, though not proud of it, had to get admitted to the University via donation.
Professional Experience: Company 1 - Software Engineer - 2 years Location: India US based I was among the top 5 finalists who had the chance to showcase their hackathon idea at the company headquarters. This idea is being used currently as we speak.
I was promoted once from junior level software engineer to mid level. I was up for another promotion in 8 mos but decided to quit as I wasn’t growing.
Company 2 - Tech Consulting Location - London, UK Role - Tech lead I was the project lead for a client to develop an application. I wore multiple caps here, Tech lead, project manager, stakeholder management, mentor.
I quit this job after 8 months as Tech Consulting was something I didn’t want to do.
Company 3 - A very well known Brand (not FAANG) - 1.5 years approx Location - London, UK Role - Software Engineer

• I’m part of a high performing team that generates prices for the product that the company sells.
  
• I’ve led 4 projects here, bringing in millions of revenue, working with Product Managers and other relevant stakeholders.
  
• Saved 2K$ per month.
  
• Not sure if this is relevant but I’ve worked on side projects that have improved the day to day processes within the team. (Optimizing efficiency of the team)
  
• I was also recognised, on two occasions by my Senior Director for the work I’ve done.
  
• Recently, I started working with another team that’s responsible for optimizing the prices of the product that we sell. This team is much more business oriented, though my role is technical, than the previous one so getting a decent exposure to pricing strategies and optimisations.
  

Extracurriculars: 1. I was part of the fundraising campaign in my Undergrad, bringing in thousands of rupees for the college fest from local businesses. 2. I led a team of 5 for an event during the fest. 3. I was part of the college football team. 4. I’ve worked with an NGO in London to improve their social media reach and website visibility. 5. I used to play football for a league in London but had to stop because of an injury. 6. Currently I’m building a football community in London - organising leagues, practice sessions, etc
Post MBA goal: Moving into Product Management, specifically in startups and eventually moving to entrepreneurship.
Target Schools, mostly US - (I’m still in the process of researching) Duke, NYU Stern, Kellogg, Haas, UCLA Anderson, Tuck, Kelley.
GMAT - preparing for it.
Targeting to apply next year. So class of 2026 I guess.
Ofcourse MIT, Stanford, Harvard are in my list but I am so demotivated looking at the responses to the profile evaluation of Indian Male IT engineers that I’m contemplating leaving my current job, moving to India and taking up a role that’s unconventional just to have an edge.
I really need some guidance.
Any help would be much appreciated.

Long time lurker, first time redditoposter. I've been listening and reading a lot of these horror stories and figured it might be fun to share mine.
I haven't actually played a game of DnD or DnD adjacent since about 2020/2021, mostly because of what transpired during the games I actually did play before that. I love the concept, I love creating characters and stories and worlds, but I get a pit in my stomach when I actually try to play again.
I had my first opportunity to play DnD my freshman year of college. I dropped in on the campus tabletop club and I was quite anxious. I was the only girl in the room, everyone seemed to have known each other or clicked well, but I wanted to branch out of my comfort zone. The first night went well! We played a very quick heist one shot where we made a character with one flaw and one interesting trait. Through unfortunate rolls and circumstances, we had a TPK, but it was a fun time. I was invited afterwards to join a Pathfinder campaign that a few of the members were going to start up for the new semester, and so I scheduled a time to meet with the DM and create my first full fledged character.
Now, the DM was kind of eccentric, a little whack if you will but very excited to help me make my first character. I thought he was just goofy and really into the game. God I wish I picked up on all the red flags that would come.
He first asked me what kind of race I'd like to play as. I had always been drawn to tiefling characters because I liked the aesthetic. His eyes lit up at that for some reason. Then he asked what class I'd like; if I'd like to be primarily a support or tank or what have you. I didn't want to get overwhelmed in my first game and thought support might be nice. I could watch how combat worked while just keeping everyone going and buffed. I said let's try bard! The grin that crept up on his face...
He immediately started talking about how saucy that would be, how my character would be so flirty and fun. I expressed some discomfort in having my character immediately fall into the "h*rny bard" category I had seen meme'd on so much, but he laughed and waved it off by saying he "was a theater kid in high school! Everyone was super h*orny and making out backstage all the time. It just comes with the environment!" Being a new player, and wanting to fit in, I pushed down my discomfort and thought okay, I'll play her as a joke character I guess.
For awhile it was fine, I got to play her as a dancelyre player who was part of a traveling circus. Nothing weird was coming up the first few sessions. Most of the other PCs either joined together by taking quests from the town job board, or had ties built in to their backstory. My first red flag should have been that the DM, despite constantly raving about all his planning, was frequently skipping around the story. He would suddenly decide the plot point we were on wasn't interesting enough for some reason, and just throw us into another scenario. We left so many lose ends because he just didn't feel like finishing them, regardless of if we were engaging in it or not. But hey, he's the DM right? That's what I thought, he had the right to change it. I had no prior experience to see this was just bad DMing.
We ended up joining an archery competition as we were tempted by a mystery grand prize. At the sign up table, out of nowhere, the DMPC attending to registration suddenly starts flirting with my character. I got flustered in a negative way because this DM got very into character (giving me looks, leaning in as he spoke to me, the whole shebang). I panicked, all of a sudden being the focus of a room full of men seeing how I'd react to it. I again, stupidly, went along with it. I had her (nervously) flirt back lightly, and I was relieved it didn't go much further at that point. Skipping to the end of the archery competition, my bard ended up in the final two and sabotaged an assassination on the town's mayor mid competition. The party was invited to a celebratory dinner at the mayor's house afterwards, where we once again ran into the NPC that flirted with my character at registration. He invited her to bed, and again I got extremely uncomfortable and flustered. None of this was discussed beforehand, nor was I even asked if I was comfortable with such topics before joining the campaign. The guys at the table were egging me on, and I felt pressured to accept. With a few hoots and hollers, we had a fade to black scene (thank god). I went home feeling very icky, but convinced myself I was being a wimp. And the table had enjoyed my antics that night, so I should be grateful.
I had the thought between sessions to write in a childhood friends to lovers interest for my bard to try and avoid any more unexpected encounters like that again, thinking if the DM had another character to play as with some personal tie to my bard, that would make be feel better about the interactions. He was brought up once, where I milked the f*ck out of my character's attachment to him, hoping to drive home that this was juicy potential relationship to build over the campaign. He never came up again during that campaign. The DM also completely disregarded many of the notes I gave him detailing this love interest's personality, and took many 'creative liberties' with him, but not enough where I would decide to say something.
Another few sessions happened where we struggled through the DMs inconsistent storytelling and jumping around to whatever plot point had his interest at the moment. He was constantly putting us in fights we could not hope to win, way too challenging for our lvl. 1-3 party. We often sat around the table in disappointment and defeat as we got absolutely destroyed by monsters (no one being able to land hits for sometimes 3-4 rounds at a time because of how high the AC or CR was), while the DM laughed and basked in the dreary nature of the table. He would usually eventually fudge rolls to give us an out when we were close to TPKs. He even gave us a deck of many things and insisted our PCs "felt compelled" to pull cards despite the players disagreeing they that wanted to. He attempted to force my character to drastically change her alignment to an evil one for shits and giggles because of one card pull (later allowed me to ignore it because I didn't even WANT to use the deck), and got three of us killed by having them pull a card that summoned the highest CR monster you could use.
One night he texts the group chat that he decided he's done running that story, and wants to run another one shot instead. We had one last session to "close" that first campaign and discuss the one shot options. During our meeting, he gleefully admitted to me that he had planned for my bard to get PREGNANT in that one night stand with the NPC from the archery competition. Not only did he plan to do that without my consent or knowledge, he had planned for it to be a HAG baby that would have entirely f*cked my PC up (he explained it as the man having been a witch in disguise or something?? And said that's how hags are made? Which to my knowledge is entirely incorrect. Maybe it was a homebrew rule, but regardless, I was mortified. And now very grateful he lost interest in that campaign).
Moving on to the one shot, another player decided to try DMing, and so the Problem DM had a chance to be a PC, yay! He privately messaged me and asked if I'd be interested in connecting our characters and their backstories. I said yes and we got to work. We spent a few nights discussing their dynamic and I was really excited to go into this game. Well, come the night of the session, we were going around the table introducing our characters. The Problem DM went before me, and introduced an entirely different character than the one we discussed, and one that would often almost kill us during the one shot (to which the guy would cackle and mock us for getting upset each time). I asked him what happened to our plan, and he said earlier that day he decided he wanted to do something different. I sighed and let it go, because at least it was just a one shot and my character could still function without his connection to the other PC. Another one shot where the Problem DM got to be a PC, he seemed to make it his goal to be the biggest asshole to everyone else's character. My PC was an archaeologist, and when she excitedly discovered some old pottery in a dungeon, he had his PC run up and smash everything and laugh in her face.
The next campaign we tried that had issues was a Starfinder campaign. Our party was considered its own crew for a space ship, plus one DMPC that was placed into the mix supposedly to help us if we fell short, since we were all unfamiliar with Starfinder and spaceship battle mechanics. She was honestly a really cool character! And we had one or two sessions to establish the story and how the crew interacted. Now, this was my mistake, not taking any of the other creepy habits of the DM into consideration, but I offhandedly mentioned to the table at large that my PC (a woman) might be developing a crush on this DMPC (also a woman). They had gone through a lot together in-game at that point and it felt natural. The next session, you'll never guess, the DMPC started flirting hard core with my character. I was confused and asked the DM what that was about, as we had never had any interactions between those two that would be read as romantic. Even if I mentioned my character was crushing, she had never let it on, and the DMPC had never indicated she felt a similar pull as well. The DM didn't really have an explanation, just that apparently in-universe, the DMPC had been flirting more and more with my character since their last adventure together alone. I thought, okay, I guess...
Honestly? What transpired would have been an insanely cool plot twist if we had had the time to actually roleplay and develop the relationship between my character and the DMPC, as well as the crew at large and the DMPC. She ended up being part of a cult that wanted to steal an artifact we had acquired. She was apparently trying to 'romance' my PC because my PC was the one who often guarded the artifact, and needed her to let her guard down. It would have been a super impactful betrayal, but it was literally only a handful of sessions between the first meeting, and the plot twist. We just had to trust the DMs word that we had all gotten super attached to her between actual session meetings and we all should feel like we were stabbed in the back by this trusted individual. And I especially should feel heartbroken because she never really was interested in me anyway.
Later on down the line, despite some very interesting story points, it got creepy again. Our PCs ended up being sucked into a death game show, and isolated from the outside world while being broadcast to universal TV stations. At some point we were all given access to the internet after a few weeks in isolation to search up anything we wanted. Everyone searched up their names among other things. The DM described us finding our newly formed fanbases. He described the other PCs fanbases (men played by men) as having hot debates on their intelligence and decisions during the show, or bets on if they'd be the last ones standing; that sort of stuff. He described my fanbase as leering creeps saying the most unhinged things about what they wanted my PC to do to them s*xually, as well as some spreading photos of my PC without her face covering (she was a Kasatha, which canonically keep their mouths covered. But she had been forced to remove it briefly when it almost waterboarded her after she fell into a river).
Eventually, we weren't able to meet consistently enough to warrant running campaigns anymore, and I fell out of touch with all involved. Oh, we also lost a player at some point right after he confessed to me and I declined his interest.
I went another year not playing before another friend group of mine invited me to play as a guest character. I thought this would be a nice way to ease back into the game slowly after my horrid experiences before. Rather than make an entirely new character for one or two sessions, I brought back my tiefling bard because I still really liked her character, and had started to reshape her personality without being pressured to have her be a s*xual chess piece. The new DM dropped my character in a labyrinth their current party had been trapped in for awhile. I was made to be a level or two higher and be an ally they encountered to help them escape. We did, it was fun! But I was only there as a guest, and had only planned my character to be in one to two sessions before leaving. I was consistently mentioning to the party that my PC would be leaving as soon as they get to her major city, but either they didn't think I was serious or didn't remember. I may have been convinced to come on full time, but unfortunately, history repeats itself. We got to a session where the party got to a tavern and drowned their sorrows and nursed their labyrinth bruises with beer, and the idea of a threesome was thrown in the air between my PC and two others. Now, half of this group were dating someone else in the group, and seemed very comfortable roleplaying casual s*x between their PCs because of it. They started a damn chant pressuring me to say yes, already trying to roleplay it, and I felt sick. I was too anxious at the idea of saying no with how aggressive everyone was for me to agree, so I tried to "roll for yes or no" as an out; the dice failed me, and it rolled a number assigned to yes. I was very quiet the rest of the session, and afterwards messaged the DM that I want my character to leave at the beginning of the next session.
The DM then tried to convince me to stay, despite me saying a clear no multiple times within the same conversation. They begged me to stay saying the party loved my PC a lot, and they would hate to lose me. When they finally relented, they then tried to smoothly transition to talk of making me a new character so I could permanently stay with the party, without compromising my bards story and decision. I kind of got on their case about that, and told them to stop pressuring me and I did not want to play with that group anymore. Eventually, they gave up, but not without some low key guilt tripping.
I tried playing with one more group after this, and while it didn't get creepy, it was also a disappointment as none of the players seemed to care besides me and the DM, despite everyone having encouraged starting the game because they wanted to learn how to play for the first time. Players slowly started ghosting us, drama happened between two players that joined just to have an excuse to talk and try and date (which ended up very messy and they both left), and the new players would get angry at me or the DM if they got confused with the rules or combat dynamics (the wizard rushed ahead of me, the tank barbarian, and then acted like it was my fault when they nearly got killed in the first round because "the tank is supposed to protect the damage dealers").
The DM and I stayed in contact after all the other players ghosted the chat, and ended up bringing over some other new players who had also played before, and re hauled the campaign. This one had so much promise...then quarantine hit, and we couldn't keep up with regular meetings.
At this point, with all my games ending with creeps, messy player dynamics or falling through, I decided maybe these kinds of games weren't for me.
I have new friends now inviting me to play, who have very functional groups (experienced professional DMs, closeknit friend groups, long-running campaigns), but I am too wary to accept any more offers for games, despite deep down really wanting to try again and be part of something I know can be amazing. Maybe I will one day, but until then, I just have these horror stories to think about.

I don't really know whether to call this AITA, WIBTA, or petty revenge, but it's a fun story. Also, it is a little long, so I apologize. I (F18), am in my first year of college. I have stayed friends with a group of 4 other girls since age 16 when our friend group founded. I haven't been as close to them recently, but I'm wondering if I'm just over reacting. (BTW, I went an all girls school, so no boy drama).
When I was 16, I was new to my school. It wasn't a super welcoming environment and I was quite unpopular. Introducing Eliza. She calls herself my first friend, but I was actually originally friends with a girl who is insignificant in this story. I clung to Eliza in my first 5 months at school, as I was scared and had never been new to a school before. After a while, Eliza informed me that another girl, Venom, thought I was "stealing her away". I was pretty shocked. However, I starting hanging out with her less and less.
Venom wasn't the only one. Willa, another friend of Eliza was also jealous of me. I was partnered with her for a group project, and we got along quite well. By 2/3 of the way into the school year, we had chosen to sit together in snack, meaning we would have to see each other each day for 15 minutes for a month (we got pick our seats but after we picked, we couldn't move). After the first month, we always chose to sit together. I remember Eliza approaching me and asking if we were friends. Not too long after, SIX formed. This was our friend group name, though there was only 5 of us.
When the friend group formed, I mostly knew of Alex by reputation. She was kind, caring, shy, and in all ways the opposite of a high school mean girl. She was also very smart. The friend group formed because we all loved writing, mystery, violence, and fun. We immediately became close knit, something I didn't realize was so toxic until this year. I remember when we started letting people in it caused drama and Willa said "It's better just the 5 of us." We became so close because we came together to start an etsy store together. Anyways, either right before SIX founded or right after, I was partnered with Alex by the same teacher who started me and Willa's friendship. We bonded and I really enjoyed her company.
By the end of 11th grade, I had a close knit group and people who I believed cared about me. I haven't mentioned the fifth one yet, but nothing significant happened between us until this year. We most hung out of nesecity.
12 grade was mostly uneventful. In fall, SIX disbanded, as Alex though running a business was too dramatic and hard for seniors. We stayed friends, but it marked the end of an era in our friendship. Next, I will go over all the toxic encounters I have had with these people from 12 grade and the start of college, as well as why I dumped them and my petty revenge.
Eliza:
She tends to be distant and uses information to manipulate and show favor. Stills, she is overall the best in the group. She could easily be manipulating us all. She's also jealous when I talk to anyone not in SIX. Like all my "friends" she always took Mary's side in every argument.
Willa:
She said "If I wasn't friends with you, no one would like you." She also told me she uses all her friends. She also uses information to manipulate and show favor. She is jealous when I talk to anyone not in SIX. and of course, she always took Mary's side in every argument
Alex:
She set too high of an expectation of perfection. She gossips about Willa and Eliza to me. She also lied to my face about something, which made me question if she was lying about other things. She never cared when I was upset or sad and never asked if I was ok. No surprise, the queen of perfect also always took Mary's side in every argument.
Mary:
We became friends by gossiping about how annoying Alex is and stuff. She is very judgy and we never got along well. She was going through a lot but never saw that I was going through similar things.
Okay, so that was the backstory. I apologize again for how long it was. It all came out when we were going to a party this year. On the bus I was texting a friend from before I went to the school I met them at. She had heard all my concerns because she doesn't know these people and when I told her I was sitting next to Eliza and Willa she said "They're such bitches." she quickly unsent it and said "I hate them for being so mean to u", but the damage was done. Willa saw the text was really mad and upset. However, we moved past it and Mary and Alex stole mt hair ties. I chased them around, though I was actually annoyed and just wanted my things back. I got one back and then took one of Mary's until she gave mine back. She yelled at me because Alex had taken mine and I told her that they had hidden it together nad she could give it back. Five seconds later, she's so sad because she just wanted it back, and we are screaming at each other. Alex comes to ask me my side of the story and says "Oh don't worry Mary isn't mad at you, she just feels bad for you because everyone hates you." and "Oh I should leave, I don't want Mary to be suspicious I'm talking to you." I laughed both of these of but was actually pretty hurt. I went home soon after and I haven't talked to Mary or Alex since. Both of tried to contact me but I haven't responded.
Ok so recently I had an idea. I need to know if it's too petty. So I mentioned we all like writing. All of us (except Willa) have been writing a story that is 80 ish pages now. I haven't written on it in a while because I wanted to give Mary and Alex space but recently I noticed that the characters are based on us. I, of course, am the villain. It isn't based on real events so it's not like things I've done, just a girl with my name being evil. I noticed that I'm the owner and I'm wondering if I would be justified to remove all of them from it. I know it's evil, but they treated me badly and even my friend, who showed me a lot of ways I'm in the wrong in the past said that I should do it. I know it would be evil, but I want some kind of revenge. Would it be worth it? Any other times I'm in the wrong that I haven't noticed? Please let me know.
TL;DR:
I have been friends with a group of 4 girls since age 16, but I haven't been as close to them recently. I experienced different forms of toxic behavior with each friend in 11th and 12th grades, including their always taking Mary's side in every argument. We got into a petty argument about when I took back her hair ties from Mary and Alex after they stole them. Mary also said everyone hates me. So, am I justified in removing them from a story they have been writing together because they feel that they have been portraying me as the villain? I am considering this as a form of revenge for being treated badly by my friends. I am also seeking feedback on any wrongdoings I may have committed in this story.
Thank you so much for reading!

hi! my name is viv and i’m a masochistic femme lesbian in search of a feminine dominant woman who is a sadist, affectionate, and looking for a friends w benefits type of situation. i’ve tried posting on more bdsm oriented subs but figured i might have more luck on a lesbian personals sub :) also, i have a very particular fantasy, so do bear with me haha.
i would like to find a woman who can play the role of someone who was particularly popular in high school or college (bonus points if you actually were, are also a good and kind person now, and who still has dominant tendencies!). blonde queen bee, heather chandler, is the archetype. and while you don’t have to be legitimately blonde, i think you get the gist.
i wasn’t heavily bullied during school, but i did experience deep desire for the meanest and most conventionally attractive girls. they were my friends to an extent but also made jokes at my expense and sort of made me feel lesser than. regardless, i couldn’t stop being drawn to them and feeling the need to be their friend. it wasn’t till years later that i realized i was a repressed lesbian, and probably in love with them AND being treated poorly. i would now like to live out a more involved and adult version of that.
in this relationship we would text and know about one another like regular friends would. nothing serious, just casual texting every other day or so (though i would not be opposed to more). the only difference is that you would have the freedom to be particularly mean to me. preferably, this would also navigate sexual territory. for example, making fun of me for being a slut/horny, demanding i say or do embarrassing things for your pleasure (sexual or non sexual), using me as a form of release/vent (sexual or non sexual), teasing me for being obsessed with you/women/masochism/etc. i’m sure there’s a lot more i’m not thinking of, but i hope this gets the point across.
i, of course, can only take so much meanness, even if i do enjoy it. so, the affectionate part would be reassurance and kindness ever so often. for example, using pet names that are degrading but also sweet, telling me i’ve done good sometimes, and allowing there to be sweet moments between us mixed in. my fantasy definitely surrounds a mean girl who has a soft spot for the girl they bully. i guess i would be sort of like a pet!
furthermore, this would probably be mostly online. i am very picky with people to be quite honest, and i would be looking for someone that i am both physically attracted to and mentally attracted to (this goes both ways of course). the odds of finding someone who is interested in this kind of relationship, that meet my criteria and that also lives near me is very low. so, i have accepted that this will probably be online only. if we become very close friends, then of course i would love to meet someday :)
anyway, this is just a very rough idea, as i’ve never done this particular setup with anyone before. but i would like to try with a willing and thoughtful partner! obviously this only highlights my wishes and desires for this relationship. so, if you are interested, feel free to tell me what you are looking for, so this can be a balanced and fun experience for both of us!
also, i will require verification within 2-3 days of talking and catching a vibe, as i was recently catfished! it was very upsetting and i’m honestly a little anxious to post this and look again, so please be patient with me. especially if i’m a bit wary.
any respectful questions about the post are welcome. thank you and thank you for reading this far!

Hi Fellow CAT Aspirants and Alumnis,
I had a doubt regarding my profile. Would be great if you could take a look and help me out.
My tenth and 12th is sorted with 92% each. But I graduated from St. Xaviers College, BMM (AC-5 Category) with a CGPA of 9.29. The shitty Mumbai Unviersity conversion gives me a 76.9 percentage which as per what I have understood falls behind the cut off of 80 percentage minimum in UG for IIM Ahmedabad.
If anyone has any idea about how the MU percentage is calculated or how the AC-5 cutoff works, I’d be grateful.
PS - I also have work experience of 22 months as of June 30th. Would be great if you could rate my profile as well 😃

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Big Chill 4K/MA $5.5
Big Eyes HD/VU $4
Billy Lynn’s Long Half Time Walk HD/MA $4
Black Adam 4K/MA $5.5
Black Phone HD/MA $4
Blockers HD/MA $3.5
Blood Father HD/VU $3
Bloodshot HD/MA $4
Body Double 4K/MA $5.5
Book Club Next Chapter HD/MA $5
Book of Life HD/MA $3.5
Bram Stoker's Dracula 4K/MA $6
Broken Hearts Gallery HD/VU $4.5
Bros HD/MA $4.5
Bullet Train HD/MA $4
Burrowers HD/VU $4
Call Jane HD/VU $4.5
Cannibal Cabin 4K/VU $5
Cat's Meow HD/VU $4
Charlie's Angels '00 4K/MA $5.5
Cheech & Chong's Up in Smoke HD/VU or IT $3.5
Christmas Classics 4-Film Set (Miracle on 34th Street '94, A Christmas Carol '84, Home Alone, Jingle all the Way) HD/MA $12
Cinderella '50 HD/MA $4.5
Cinderella 2 HD/MA $4.5
Cinderella 3 HD/MA $4.5
Cobweb 4K/VU $7.5
Cocaine Bear HD/MA $5
Colossal HD/VU or IT $4
Come to Daddy HD/VU $4.5
Contagion 4K/MA $6.5
Creature from the Black Lagoon '54 HD/MA $3.5 or 4K/IT $4
Crouching Tiger Hidden Dragon 4K/MA $6
Counselor HD/MA $4
Da Vinci Code 4K/MA $6
Dagon HD/VU $4
Dark Skies HD/VU $3.5
Dear David 4K/VU $6
Dear White People HD/VU $3.5
Devil's Workshop 4K/VU $5.5
Devil's Workshop HD/VU $4.5
Devotion 4K/VU $6 or HD/VU $4.5
Diary of the Dead HD/VU $4
Dig 4K/VU $5.5
District 9 / Elysium Bundle HD/MA $7.5
Dragon Blade HD/VU $3.5
Dr. Strangelove 4K/MA $5
Dreamland HD/VU $4.5
Dream Scenario HD/VU $7
Dumb Money HD/MA $6
Easy Rider 4K/MA $6
Emperor HD/VU $3.5
Equalizer 3 HD/MA $5.5
Evil Dead '13 4K/MA $5.5 or HD/MA $4
Evil Dead Rise 4K/MA $6 or HD/MA $4.5
Evil Under The Sun HD/VU $4
Exorcist (2-cuts) 4K/VU $7.5
Exorcist Believer 4K/MA $7 or HD/MA $5.5
Expendables 1-3 Set 4K/MA $10 or HD/VU $7
Expendables 1-4 Set 4K/VU $15 or HD/VU $11
F9 Fast Saga (Thea & Ext) HD/MA $4
Fall 4K/VU $6 or HD/VU $4.5
Fast & the Furious 10-film Set HD/MA $25
Fast X HD/MA $5
Feast (Unr) HD/VU $4
Fifth Element 4K/MA $5.5
Fifty Shades 6-Cut Set (Thea & Unr) HD/MA $12
First Purge HD/MA $3.5
Five Nights at Freddy's HD/MA $6
Fool's Paradise HD/VU $6
Force of Nature '20 HD/VU $3.5
Forger HD/VU $3
Freeheld HD/VU $4
Friendsgiving HD/VU $4
Front Runner HD/MA $4
Frozen '10 HD/VU $4
Funny Girl 4K/MA $5.5
Gandhi 4K/MA $5.5
Gateway 4K/VU $5.5
Gattaca 4K/MA $6
Ghostbusters 1 & 2 Set HD/MA $6.5
Ghostbusters Afterlife HD/MA $4
Ghoulies Go To College HD/VU $3.5
Glory 4K/MA $6
Godfather 3 Coda HD/VU $4
Good Boys HD/MA $3.5
Good House 4K/VU $5.5
Goodnight Mommy HD/VU $4
Goosebumps 2 HD/MA $3
Gran Turismo 4K/MA $7 or HD/MA $5.5
Grease Trilogy HD/VU $9 or 4K/IT $10.5
Green Knight 4K/VU $5
Green Room HD/VU $4
Groundhog Day 4K/MA $5.5
Guess Who's Coming to Dinner 4K/MA $6
Hail, Caesar! HD/VU or IT $2.5
Hammett HD/VU $4
Halloween Ends HD/MA $4.5
Halloween Kills (Ext) HD/MA $4.5
Harriet 4K/MA $6 or HD/MA $4.5
Hex 4K/VU $5.5
High Tension HD/VU $4.5
Hellbenders HD/VU $4
Hellraiser: Judgment HD/VU $4
Home Alone 1 & 2 Set HD/MA $6.5
Hook 4K/MA $6
Hot Tub Time Machine 2 HD/VU $3.5 or 4K/IT $4
Hunger Games Ballad of Songbirds & Snakes HD/VU $6.5
Ice Age Continental Drift HD/MA $3
I, Frankenstein HD/VU or IT $3
I Saw the Light HD/MA $4
Identity Thief HD/IT $3.5
Indiana Jones & the Last Crusade HD/VU $4 or 4K/IT $4.5
If Beale Street Could Talk HD/MA $4
Inhabitant HD/VU $4.5
Insidious The Last Key HD/MA $3.5
Insidious Red Door HD/MA $5
Jaws 2 4K/MA $5.5
Jay and Silent Bob Reboot HD/VU $3.5
Jerry Maguire 4K/MA $6
Jesus Revolution HD/VU $5
John Wick 4 4K/VU $6.5
John Wick 4-Film Collection HD/VU $13
Journey to Bethlehem HD/MA $5.5
Jumanji '95 4K/MA $6
Jungle Book '67 HD/MA $4
Jurassic World 6-film Set HD/MA $18
Kandahar HD/MA $5.5
Karate Kid '84 4K/MA $6
Kiss the Girls 4K/VU $6
Knights of the Zodiac HD/MA $5
Kramer vs Kramer 4K/MA $6
Last Action Hero 4K/MA $5.5
Last Christmas HD/MA $4.5
Last Night in Soho 4K/MA $5.5
Leprechaun 8-Film Set HD/VU $15
Lincoln Lawyer 4K/VU $6
Little Mermaid '23 HD/MA $5
Lost Boys 4K/MA $6
Love Again SD/MA $2.5
Lucky Number Slevin HD/VU $4.5
M3GAN (Thea & Unr) HD/MA $5
Ma '19 HD/MA $4
Madame Web 4K/MA $11 or HD/MA $9.5
Mamma Mia Here We Go Again HD/MA $3
Manodrome HD/VU $5.5
Marsh King's Daughter 4K/VU $5.5
Martyrs HD/VU $4.5
May HD/VU $4
Memories of Murder 4K/MA $6.5
Menu HD/GP $3.5
Meryl Streep 8-Film Set HD/MA $22
MIB International HD/MA $4
Midnight Meat Train (Unr) HD/VU $4
Migration HD/MA $6
Miller's Girl 4K/VU $9.5
Miracle on 34th Street HD/MA $4
Missing HD/MA $5
Mission Impossible Dead Reckoning Pt 1 HD/VU $6
Mist 4K/VU $6.5
Mitchells vs the Machines HD/MA $4.5
Monster High Electrified HD/MA or IT $2.5
Mortal Kombat Legends Cage Match HD/MA $5.5
Mr. Holmes HD/VU $3.5
Mulan '98 HD/MA $4 or HD/GP $3.5
My Big Fat Greek Wedding 3 HD/MA $5.5
My Girl 4K/MA $6
National Champions 4K/IT $5
New Mutants HD/MA $4 or HD/GP $3.5
Next Goal Wins HD/MA $7.5
Night at the Museum Secret of the Tomb HD/MA $3
Night Swim HD/MA $8
Night Train to Lisbon HD/VU $4
No Good Deed HD/MA $3
No Hard Feelings HD/MA $5.5
Nope HD/MA $4.5
Nun 2 HD/MA $5.5
Ocean's Trilogy 4K/MA $16
Old 4K/MA $6 or HD/MA $4.5
Once Upon a Time in Hollywood HD/MA $3.5
Oppenheimer HD/MA $6
Other Side of the Door HD/MA $4
Out Of The Blue HD/VU $4
Overlord 4K/VU or IT $4.5
Parental Guidance HD/MA $2.5
Parents HD/VU $4
Parasite HD/MA $4
Paw Patrol Mighty Movie HD/VU $6.5
Pet Sematary Bloodlines HD/VU $5.5
Peter Pan Return to Neverland HD/GP $4
Philadelphia 4K/MA $5.5
Pick 1 (Black Christmas '18 4K, Dog's Purpose 4K, Sparks Brothers 4K, Raw, Agnes Bourne, Antz, Being Frank, Loving, Don't Let Go, Kicks, Final Account) HD/MA $4
Pitch Perfect 3 4K/MA $5
Pixels HD/MA $3
Plane 4K/VU $5.5
Poor Things HD/MA $7.5
Pope's Exorcist HD/MA $5
Prey for the Devil 4K/VU $5.5
Priscilla HD/VU $6
Punch-Drunk Love 4K/MA $6.5
Purge 4 Film Set HD/MA $11.5
Queen & Slim HD/MA $4
Quick & the Dead '95 4K/MA $6
Rambo First Blood HD/VU $4
Rambo First Blood Pt 2 HD/VU $4
Rango HD/VU $3
Real Genius 4K/MA $5.5
Red Rocket HD/VU $4
Red Sparrow HD/MA $3.5
Renfield HD/MA $5.5
Requin HD/VU $4.5
Resident Evil Welcome to Raccoon City HD/MA $4
Robin Hood '73 HD/MA $4
Rosemary's Baby 4K/VU $6.5
Rhythm Section HD/VU $3.5
Ruby Gilman Teenage Kraken HD/MA $5.5
Rudy (Dir Cut) 4K/MA $6.5
Run Lola Run 4K/MA $6.5
Saint Maud HD/VU $4
Samurai Jack Complete Series HD/VU $40
Saw 8-film Set (Unr except Jigsaw) HD/VU $20
Saw X 4K/VU $7
Secret Life of Walter Mitty HD/MA $3.5
Shaun of the Dead HD/MA $4 or 4K/IT $4.5
Shrek 6-Film Set (1-4, Musical, Puss in Boots) HD/MA $19
Skiptrace HD/VU $3.5
Scorpion King 4-Film Set (1, 3, 4, Book of Souls) HD/MA $12
Scream 3 4K/VU $5.5
Scream 5 4K/VU $5.5 or HD/VU $4
Scream 6 4K/VU $7 or HD/VU $5.5
Sharktopus HD/VU $3.5
Shazam 2-film Set HD/MA $8
Shazam Fury of the Gods 4K/MA $6 or HD/MA $4.5
She Said HD/MA $4.5
She's the Man HD/VU $3.5
Silver Linings Playbook HD/VU $3 or HD/GP $2.5
Sisu 4K/VU $6
Sixteen Candles HD/MA $3.5 or HD/IT $3.5
Sleepless in Seattle 4K/MA $6
Smile HD/VU $4.5
Social Network 4K/MA $6
Sometimes They Come Back...Again HD/VU $4
Sometimes They Come Back...For More HD/VU $3.5
Sonic the Hedgehog 2 4K/VU $5.5
Sound of Freedom HD/VU $6
Spider-Man Across the Spider-Verse 4K/MA $7 or HD/MA $5.5
Split HD/MA $3 or 4K/IT $3.5
Spoiler Alert HD/MA $5
Star Trek First Contact 4K/VU $5.5
Star Trek Generations 4K/VU $5.5
Star Trek Insurrection 4K/VU $5.5
Star Trek Nemesis 4K/VU $5.5
Star Wars A New Hope HD/MA $4 or HD/GP $3.5
Starship Troopers 4K/MA $6
Step Brothers 4K/MA $6.5
Stillwater HD/MA $4
Studio 666 HD/MA $5
Sum of All Fears 4K/VU $5
Supercell HD/VU $4.5
Super Mario Bros Movie HD/MA $5
Super Troopers 2 HD/MA $3.5
Superfly HD/MA $4
Suspiria (2018) HD/VU $4
T2 Trainspotting 4K/MA $6
Taken HD/MA $4
Talk to Me 4K/VU $6
Talladega Nights 4K/MA $6.5
Taxi Driver 4K/MA $5.5
Thanksgiving 4K/MA $8 or HD/MA $6.5
The Batman 4K/MA $5.5
The Bay HD/VU $4
The Color Purple '23 4K/MA $8 or HD/MA $6.5
The Descent (Unr) HD/VU $4.5
The Flash HD/MA $5
The Marvels HD/MA $6.5
The Natural 4K/MA $6
The Other Guys 4K/MA $6
The Professional (Ext) 4K/MA $6
The Super '17 HD/VU $4
Ticket to Paradise HD/MA $4.5
Titanic 4K/VU or IT $6 or HD/VU $4.5
Top Gun Maverick HD/VU $4
Toy Story 3 HD/MA $4
Trading Places 4K/VU $6
Transformers 4K/VU $5.5
Transformers Rise of the Beasts 4K/MA $7 or HD/VU $5.5
Trolls 3-Film Collection HD/MA $12
Trolls Band Together HD/MA $6.5
Truth or Dare (Unr) HD/MA $3.5
Tusk HD/VU $4.5
Umma HD/MA $4.5
Unbearable Weight of Massive Talent 4K/VU $5
Unhinged HD/VU $3.5
Universal Monsters 4-Film Set 4K/MA $17
V for Vendetta 4K/MA $6.5
Vanilla Sky HD/VU $5.5
Velvet Goldmine HD/VU $4.5
Venture Bros Radiant is the Blood of the Baboon Heart HD/MA $5.5
Violent Night HD/MA $5
Walking Dead Season 9 HD/VU $7
Watchmen Ultimate Cut 4K/MA $7.5
Waxwork 2 HD/VU $3.5
We Summon the Darkness HD/VU $4.5
Welcome to Marwen HD/MA $4.5
Welcome to Monster High HD/MA or IT $3
Whiplash 4K/MA $6 or HD/MA $4.5
Whitney Houston I Wanna Dance w/ Somebody HD/MA $4
Wicker Man 4K/VU $5.5
Wish HD/MA $7
Witch HD/VU $3.5
Woman King 4K/MA $5 or HD/MA $4
Woman Walks Ahead HD/VU $4
You're Next HD/VU $3.5
X-Men 1-4 Set SD/MA $7.5
Zombieland Double Tap HD/MA $4
All other movies (A-Z)
10 Cloverfield Lane HD/VU $3 or 4K/IT $3.5
101 Dalmatians '61 HD/MA $3.5 or HD/GP $3
13 Hours HD/VU $2.5 or 4K/IT $3
14 Blades HD/VU $3.5
1917 4K/MA $5 or HD/MA $3.5
2 Guns 4K/MA $4 or HD/MA or IT $2.5
21 Jump Street HD/MA $3
22 Jump Street HD/MA $3.5
3 Extremes HD/VU $4
3 From Hell (Unr) 4K/VU $4 or HD/VU $2.5
3:10 to Yuma 4K/VU $5
31 HD/VU $2.5
47 Meters Down HD/IT $3.5
47 Meters Down Uncaged 4K/VU $4.5 or HD/VU $3
47 Ronin HD/MA $3 or 4K/IT $3.5
600 Miles HD/VU $3.5
71 HD/VU $3.5
A Christmas Story 4K/MA $6
A Dog's Purpose HD/IT $3
A Good Day to Die Hard (Ext) HD/VU $2.5
A Journal For Jordan HD/MA $4
A Quiet Place HD/VU $2.5 or 4K/IT $3
A Walk Among the Tombstones HD/IT $3.5
A Wrinkle in Time HD/MA $3 or HD/GP $2.5
A.C.O.D. HD/VU or IT $3.5
Abominable 4K/MA $5.5 or HD/MA $4
About Last Night HD/MA $3
Action Point HD/IT $2
Ad Astra HD/MA $4
Adaptation 4K/MA $6
Adrift HD/IT $3.5
Adverse 4K/VU $5
After Earth HD/MA $3
Aftermath HD/VU $3
Air Force One 4K/MA $6
Aladdin ‘19 HD/MA $3 or HD/GP $2.5
Aladdin ‘92 HD/MA $3.5 or HD/GP $3
Alien HD/MA $4
Alien Covenant HD/MA $2.5
Alfred Hitchcock 4-Film Set Vol 1 4K/MA $18
Alfred Hitchcock 5-Film Set Vol 2 4K/MA $21
Alien 6-film Set HD/MA $16
Alita Battle Angel 4K/MA $5 or HD/MA $3.5
All Eyez on Me HD/VU or IT $3
All is Lost HD/VU $3.5
All the Money in the World HD/MA $3.5
Allied HD/VU or IT $3.5
Almost Christmas HD/MA or IT $3
Amazing Spider-Man 2 HD/MA $3.5 or SD/MA $1.5
Amazing Spider-Man HD/MA $3.5 or SD/MA $1.5
American Assassin 4K/VU $4.5 or HD/VU $3
American Hustle HD/MA $3.5
American Reunion HD/VU or IT $3
American Ultra HD/VU or IT $4
American Underdog 4K/VU $5.5 or HD/VU $4
Anatomy of a Murder 4K/MA $5
Anchorman 2 HD/VU or IT $2.5
Angel Has Fallen 4K/VU $5 or HD/VU $3.5
Angel Heart 4K/VU $5.5
Angel of Mine 4K/VU $5.5
Angry Birds Movie HD/MA $3.5
Anna Karenina HD/IT $3.5
Annie ‘14 HD/MA $3.5
Annihilation HD/VU $3 or 4K/IT $3.5
Antebellum 4K/VU $5
Antlers HD/GP $3
Ant-Man & the Wasp HD/MA $3.5 or HD/GP $3
Ant-Man HD/MA $4 or HD/GP $3.5
Apache Junction HD/VU $3.5
Apollo 13 4K/MA or IT $5 or HD/MA $3.5
Arctic HD/MA $4
Arrival HD/VU $2.5 or 4K/IT $3
Art of Self-Defense HD/MA $4
Ash vs Evil Dead S.3 HD/VU $5
Assassination Nation HD/MA $3.5
Assassin's Creed HD/MA $3
Assignment HD/VU $4
Atomic Blonde 4K/MA or IT $4.5 or HD/MA $3
August Osage County HD/VU $3
Avengers Age of Ultron HD/GP $3
Avengers Endgame HD/MA $2.5 or HD/GP $2
Avengers Infinity War 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Baby Driver HD/MA $4
Backdraft 4K/IT $5.5
Bad Grandpa HD/VU or IT $2.5
Bad Words HD/MA or IT $3
Bandslam HD/VU $4
Bank Job HD/VU $3.5
Barb & Star go to Vista Del Mar HD/VU $4
Barbie & Her Sisters in the Great Puppy Adventure HD/IT $3.5
Bart Got a Room HD/VU $4
Battle Royale HD/VU $4.5
Battleship 4K/MA or IT $4.5 or HD/MA $3
Baywatch HD/VU $2.5 or 4K/IT $3
Beauty & the Beast ‘17 HD/MA $2.5 or HD/GP $2
Beauty & the Beast ‘91 HD/GP $3
Bedknobs & Broomsticks HD/GP $3.5
Before I Fall HD/VU or IT $3.5
Begin Again HD/VU $3.5
Beiruit HD/MA $3.5
Belly 4K/VU $5.5
Ben-Hur ‘16 HD/VU $3.5
Between Worlds HD/VU $3.5
Big Hero 6 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Big Lebowski 4K/MA or IT $5.5
Big Short HD/VU $3.5
Big Wedding HD/VU or IT $3
Billy Elliot HD/MA or IT $4
Birdman HD/MA $4
Black & Blue HD/MA $4
Black Christmas '19 HD/MA $4.5
Black Panther 4K/MA $4.5 or HD/GP $2.5
Black Panther Wakanda Forever HD/MA $3.5 or HD/GP $3
BlackKklansman HD/MA $4.5
Blacklight HD/MA $4
Black Widow HD/GP $3
Blackhat HD/IT $3.5
Blair Witch Project ‘99 HD/VU $4
Bleeding Steel HD/VU $3.5
Blindspotting 4K/VU $5.5 or HD/VU $4
Blood Money ‘17 HD/VU $3.5
Blood Ties HD/VU $3.5
Blue Jasmine HD/MA $3.5
Blue Ruin HD/VU $4
Blues Brothers HD/MA $4 or 4K/IT $4.5
Bob's Burgers Movie HD/GP $3
Body Cam HD/VU $4
Bohemian Rhapsody 4K/MA $5 or HD/MA $3.5
Bombshell 4K/VU $5
Book Club HD/VU or IT $2.5
Book of Life HD/MA $3.5
Boss Baby HD/MA $2.5
Bourne Identity 4K/IT $5 or HD/MA $3.5
Bourne Legacy HD/VU $2 or 4K/IT $2.5
Bourne Supremacy HD/MA $3.5 or 4K/IT $4
Bourne Ultimatum 4K/MA or IT $5 or HD/MA $3.5
Boy ‘16 HD/IT $3.5
Boy & the World HD/IT $3.5
Boyhood HD/VU or IT $2.5
Braven HD/VU $4
Breakfast Club HD/MA or IT $4
Breakthrough HD/MA $3
Brian Banks HD/MA $3
Bridge of Spies HD/GP $3.5
Brothers Bloom HD/VU $4.5
Bumblebee 4K/VU or IT $5 or HD/VU $3.5
Butler HD/VU $3
Cabin in the Woods HD/VU $2.5 or 4K/IT $3
Cake HD/MA $4
Call of Wild 4K/MA $4.5 or HD/MA $3 or HD/GP $2.5
Calvary HD/MA $4
Candyman '20 4K/MA $6 or HD/MA $4.5
Candyman 3 HD/VU $4
Captain America Civil War HD/GP $2.5
Captain America First Avenger HD/GP $3.5
Captain America Winter Soldier HD/GP $3.5
Captain Marvel 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Captain Phillips HD/MA $3.5
Captain Underpants First Epic Movie HD/MA $2.5
Carol HD/VU $4
Cars 3 HD/GP $2.5
Casablanca 4K/MA $5.5
Case for Christ HD/MA or IT $2.5
Casper HD/IT $4
Celebrating Mickey HD/MA $3.5 or HD/GP $3
Chaos Walking 4K/VU $5
Chappaquiddick HD/VU $4
Chasing Mavericks HD/MA $3.5
Chicago HD/VU $4
Child 44 HD/VU $4
Children ‘08 HD/VU $4
Christopher Robin HD/MA $4 or HD/GP $3.5
Chronicles of Riddick HD/IT $4
Clerks 3 4K/VU $4.5
Clifford the Big Red Dog HD/VU $4
Cloverfield 4K/VU $5.5 or HD/VU $4
Coco HD/MA $3 or HD/GP $2.5
Cold Pursuit 4K/VU $5 or HD/VU $3.5
Collection HD/VU $3.5
Collide ‘17 HD/VU or IT $2.5
Colma The Musical HD/VU $4
Colombiana (Unr) HD/MA $4
Colony 4K/VU $5
Come & Find Me HD/VU $4
Commuter 4K/VU $5 or HD/VU $3.5
Company of Heroes HD/MA $4
Conan the Barbarian ‘11 4K/VU $5
Conspirator HD/VU $4
Contraband HD/IT $3
Contractor HD/VU $4.5
Cooler HD/VU $4
Cool Hand Luke 4K/MA $5.5
Cooties HD/VU $4
Cotton Club Encore 4K/VU $5.5
Countdown ‘16 HD/VU $3.5
Courier 4K/VU $5.5 or HD/VU $4
Craft Legacy HD/MA $4.5
Criminal HD/VU or IT $3
Croods HD/VU $3.5
Cruella HD/MA $3.5 or HD/GP $3
Crypto 4K/VU $5 or HD/VU $3.5
Daddy's Home HD/IT $2.5
Daddy's Home 2 HD/VU or IT $3
Damsel HD/VU $4.5
Dangerous 4K/VU $4.5 or HD/VU $3
Danny Collins HD/IT $3.5
Dark Crimes HD/VU $4
Darkest Minds HD/MA $4
Dark Places HD/VU $4
Dark Tower HD/MA $3.5
Darkest Hour ‘17 4K/MA $5 or HD/MA $3.5
Dawn of the Planet of the Apes HD/MA $3.5
Deadpool 2 (w/Super Duper Cut) HD/MA $4
Deadpool HD/MA $2.5
Death of Me HD/VU $4
Death on the Nile HD/GP $3
Death Wish '18 HD/VU $3
Deepwater Horizon HD/VU $2.5 or 4K/IT $3
Deliver Us From Evil HD/MA $3.5
Dentist 2-Film Set HD/VU $7
Despicable Me 2 HD/VU $3 or 4K/IT $3.5
Despicable Me 3 4K/MA or IT $4.5
Despicable Me 4K/MA or IT $4.5
Detroit HD/MA $3.5
Devil Inside HD/VU $3.5
Devil's Due HD/MA $3.5
Die Hard HD/MA $3.5
Die Hard 5-film Set HD/MA $18
Die in a Gunfight 4K/VU $5
Dilemma HD/VU $3.5
Dirty Dancing 4K/VU $5 or HD/VU $3.5
Disney Animated Short Films Set HD/MA $3.5 or HD/GP $3
Disneynature Monkey Kingdom HD/MA $3
Django Unchained HD/VU $3
Doctor Strange HD/MA $3 or HD/GP $2.5
Doctor Strange Multiverse of Madness HD/GP $3
Dolittle HD/MA $3.5
Dom Hemingway HD/MA $3.5
Don Verdean HD/VU $4.5
Doorman HD/VU $3.5
Doors 4K/VU $5.5 or HD/VU $4
Downsizing HD/VU $2 or 4K/IT $2.5
Downton Abbey A New Era HD/MA $4
Downton Abbey The Movie HD/MA $3.5
Draft Day HD/IT $3.5
Dragged Across Concrete HD/VU $3.5
Dragonslayer 4K/VU $5.5
Dream a Little Dream HD/VU $4
Dreamkatcher HD/VU $4
Dreamworks 10-Film HD/MA $25
Dredd 4K/VU $4 or HD/VU $2.5
Dying of the Light HD/VU $2.5
E.T. Extra Terrestrial 4K/MA or IT $5 or HD/MA $3.5
Early Man 4K/VU $5.5
Earth Girls are Easy HD/VU $4
Eddie the Eagle HD/MA $4
Edge of Seventeen HD/IT $3
Edward Scissorhands HD/MA $3.5
El Chicano HD/MA $4
Elysium HD/MA $3.5
Emoji Movie HD/MA $3
Empire of Light HD/MA $3.5 or HD/GP $3
Empire State HD/VU $3
Encanto 4K/GP $3.5
Enough Said HD/MA $3.5
Enter the Dragon 4K/MA $6
Epic HD/MA $3
Equalizer HD/MA $3.5
Equalizer 2 HD/MA $3.5
Escape From Planet Earth HD/VU $3
Eternals HD/MA $3.5 or HD/GP $3
Everest HD/MA $3 or 4K/IT $3.5
Everything Must Go HD/VU $4
Evil Dead 2 HD/VU $3.5
Ex Machina HD/VU $3
Exodus Gods & Kings HD/MA $3.5
Expired 4K/VU $4.5
Fair Game (Dir) HD/VU $4
Fantastic Four ‘15 HD/MA $4
Fast & Furious 4 4K/MA $5
Fast & the Furious 8-film Set HD/MA $17.5
Fast & the Furious 9-film Set HD/MA $20
Fast Color 4K/VU $5.5
Fatale ‘20 4K/VU $5 or HD/VU $3.5
Fatherhood HD/MA $4
Fault in Our Stars HD/MA $3.5
Fear of Rain 4K/VU $5.5
Fences HD/VU $2.5 or 4K/IT $3
Ferdinand HD/MA $3.5
Field of Dreams 4K/MA or IT $5.5
Fifty Shades Darker (Unr) HD/VU $2.5 or 4K/IT $3
Fifty Shades Freed HD/MA $4
Fifty Shades of Grey (Unr) 4K/MA or IT $4
Finding Dory HD/MA $2.5 or HD/GP $2
Finding Nemo HD/GP $3.5
Finest Hours HD/GP $3
Firm 4K/VU $6
First Man HD/MA $4
Flashback ‘20 HD/VU $4
Flight HD/VU or IT $3
Florence Foster Jenkins HD/VU or IT $3
Footloose ‘11 HD/IT $3
Forbidden Kingdom HD/VU $4.5
Ford v Ferrari HD/MA $4
Forest HD/IT $3.5
Forever My Girl HD/IT $3
Fortress HD/VU $3.5
Fortress Sniper's Eye HD/VU $3.5
Fox & the Hound 2 HD/MA $4 or HD/GP $3.5
Foxcatcher HD/MA $4
Frank & Lola HD/VU or IT $3
Free Guy HD/GP $3
French Dispatch HD/MA $4 or HD/GP $3.5
Friday the 13th 4K/VU $5.5
From Here to Eternity 4K/MA $5.5
Frozen (Sing-Along) HD/MA $2 or HD/GP $1.5
Frozen HD/GP $2
Frozen 2 HD/MA $2.5 or HD/GP $2
Frozen Ground ‘13 HD/VU $3.5
Fury HD/MA $3.5
Future World HD/VU $3.5
G.I. Joe Retaliation HD/VU $3 or 4K/IT $3.5
Gambit ‘12 HD/MA $4
Gambler HD/VU or IT $3
Gamer 4K/VU $5.5
Gemini Man 4K/VU or IT $4.5 or HD/VU $3
Get Out 4K/MA or IT $5 or HD/MA $3.5
Ghost in the Shell ‘17 HD/VU $3 or 4K/IT $3.5
Ghost in the Shell ‘95 4K/VU $5
Ghost Rider Spirit of Vengeance HD/MA $4
Ghost Team One HD/VU or IT $3.5
Ghostbusters ‘84 HD/MA $3.5
Ghostbusters (Thea & Ext) ‘16 HD/MA $3
Ghostbusters 2 HD/MA $3.5
Gifted HD/MA $3
Girl in Spider's Web HD/MA $4
Girl on Train HD/VU $3 or 4K/IT $3.5
Girl w/ All Gifts HD/VU $4
Giver HD/VU $3.5
Glass Castle 4K/VU $5.5
Glass HD/MA $4
God Bless The Broken Road HD/VU $3.5
God's Not Dead 2 HD/MA or IT $2.5
God's Not Dead 3 HD/MA $3
Gods of Egypt HD/VU $2.5 or 4K/IT $3
Gold ‘16 HD/VU $2.5
Good Dinosaur HD/GP $2.5
Good Kill HD/VU or IT $3.5
Grease 2 HD/VU $4
Great Wall 4K/MA or IT $4.5 or HD/MA $3
Greatest Showman HD/MA $3.5
Green Book HD/MA $4
Grey HD/VU or IT $3
Guardians of the Galaxy Vol 1 HD/MA $3.5 or HD/GP $3
Guardians of the Galaxy Vol 2 HD/GP $2
Guilt Trip HD/VU or IT $3
Gunman HD/MA or IT $3
Guns of Navarone 4K/MA $5.5
Hacksaw Ridge 4K/VU or IT $4.5 or HD/VU $3
Halloween ‘18 4K/MA $4.5 or HD/MA $3
Hammer of the Gods HD/VU $2
Hannibal S.1 HD/VU $5
Hansel & Gretel Witch Hunters (Unr) HD/VU or IT $3
Hard Luck Love Song 4K/VU $5.5
Hard Target 2 HD/IT $1.5
Hardcore Henry HD/VU or IT $3.5
Hate U Give HD/MA $4
Hateful Eight HD/VU $3.5
Heat (Director's Cut) ‘95 4K/MA $5.5
Heaven is for Real HD/MA $3.5
Hercules ‘14 HD/VU $2.5 or 4K/IT $3
Here Comes the Boom HD/MA $3.5
Hereditary HD/VU $3.5
Hidden Figures HD/MA $3
High Note HD/MA $4
Highlander 4K/VU $5.5 or HD/VU $4
Hitchcock '12 HD/MA $4
Hitman Agent 47 HD/MA $3
Hitman's Bodyguard HD/VU $3.5
Hitman's Wife's Bodyguard 4K/VU $5.5
Hocus Pocus HD/MA $3.5 or HD/GP $3
Home HD/MA $3
Home Again HD/MA $3
Home Alone 4K/MA $5 or HD/MA $3.5
Homefront HD/MA or IT $3
Homesman HD/VU $3
Honey 2 HD/VU $3
Hostiles 4K/VU $4.5 or HD/VU $3
Hotel Transylvania 3 HD/MA $3.5
Hot Fuzz HD/VU $4
Hotel Mumbai HD/MA $4
Hours ‘13 HD/VU $4
House of 1000 Corpses HD/VU $4
House of Gucci 4K/IT $5.5
House w/ a Clock in Its Walls sHD/MA $4
How to Train Your Dragon 2 HD/MA $2.5
Hugo HD/VU $3
Hunt for Red October 4K/VU $5.5 or HD/VU $4
Huntsman Winter's War (Ext) HD/MA $3 or 4K/IT $3.5
I Can Only Imagine HD/VU $3.5
I Feel Pretty HD/IT $2
Ides of March HD/MA $4
I Know What You Did Last Summer 4K/MA $5.5
Imitation Game HD/VU $3
In a Valley of Violence HD/MA or IT $3
In Secret ‘14 HD/VU $4.5
In the Blood HD/VU $4
Incredibles 2 HD/MA $3.5 or HD/GP $3
Independence Day ‘96 HD/MA $4
Independence Day Resurgence HD/MA $2.5
Indiana Jones & the Raiders of the Lost Ark 4K/VU or IT $5.5 or HD/VU $4
Indiana Jones & the Temple of Doom 4K/VU or IT $5.5 or HD/VU $4
Indignation HD/VU $4
Indivisible HD/MA $3.5
Inferno HD/MA $3
Initiation 4K/VU $5
Initiation HD/VU $3.5
Internship HD/MA $3
Interstellar 4K/VU or IT $5 or HD/VU $3.5
Interview HD/MA $3.5
Into the Woods HD/MA $3 or HD/GP $2.5
Invisible Man '20 HD/MA $3.5
Invisible Man ‘33 HD/MA $3.5
Iron Man 3 HD/MA $2.5 or HD/GP $2
Iron Man & Hulk Heroes United HD/GP $3.5
Iron Mask ‘19 HD/VU $4.5
It Follows HD/VU $3.5
It's a Wonderful Life HD/VU $3
Jack & Jill HD/MA $3.5
Jack Reacher 4K/IT $4.5
Jack Reacher Never Go Back HD/VU $3 or 4K/IT $3.5
Jack Ryan Shadow Recruit 4K/IT $4 or HD/VU $2.5
Jacob's Ladder HD/VU $4
Jane Got a Gun HD/VU $4
Jarhead 3 (Unr) HD/IT $2.5
Jason Bourne HD/VU $2.5 or 4K/IT $3
Jesus Music HD/VU $3.5
Jexi HD/VU $3.5
Jobs HD/MA or IT $3.5
Joe HD/VU $3.5
Joe Kidd HD/IT $4
John Wick 1 & 2 Bundle HD/VU $4
John Wick 3 Parabellum 4K/VU $4.5
John Wick Chapter 2 HD/VU $3.5 or 4K/IT $4
John Wick HD/VU $2 or 4K/IT $2.5
John Wick Trilogy (Parabellum 4K) HD/VU $9 or all HD/VU $8
Journey to the West Conquering the Demons HD/VU $3.5
Joy HD/MA $3
Judy 4K/VU $5 or HD/VU $3.5
Juliet, Naked 4K/VU $5.5
Jumanji Welcome To The Jungle HD/MA $2.5
Jungle Book ‘16 4K/MA $4.5 or HD/GP $2.5
Jungle Cruise HD/MA $4 or HD/GP $3.5
Jurassic Park 3 HD/VU $3.5 or 4K/IT $4
Jurassic Park 4K/MA or IT $5 or HD/MA $3.5
Jurassic World 5-film Set HD/MA $14
Jurassic World Fallen Kingdom 4K/MA $4.5 or HD/MA $3
Jurassic World HD/VU $2.5 or 4K/IT $3
Justice ‘17 HD/VU or IT $3
Kama Sutra HD/VU $4
Kick-Ass 2 HD/MA $3.5
Kid ‘19 HD/VU $3.5
Kid Who Would Be King 4K/MA $5.5 or HD/MA $4
Kidnap HD/VU or IT $2.5
Kill Zone ‘05 HD/VU $4.5
Killer Elite HD/IT $3
Killing Gunther HD/VU $4
Kin ‘18 4K/VU $4.5 or HD/VU $3
King Kong ‘05 4K/MA or IT $5 or HD/MA $3.5
King of Staten Island HD/MA $4
King's Man HD/GP $3.5
Kingsman The Golden Circle HD/MA $3
Kingsman The Secret Service HD/MA $3.5
Knives Out HD/VU $3.5
Knowing 4K/VU $5.5
La La Land HD/VU $3 or 4K/IT $3.5
Labor Day HD/VU or IT $3
Lady Macbeth HD/VU $4.5
Lady of the Manor 4K/VU $5
Lair of White Worm HD/VU $4.5
Lake Mungo HD/VU $4
Lara Croft Tomb Raider 4K/VU $5.5 or HD/VU $4
Last Dragon HD/MA $4.5
Last Duel HD/GP $3.5
Last Exorcism HD/VU $4
Last Knights HD/VU $3.5
Last Man ‘19 HD/VU $4
Last Stand HD/IT $2
Last Vegas HD/VU $3
Last Witch Hunter HD/VU $3 or 4K/IT $3.5
Lawrence of Arabia 4K/MA $5.5
Legend of Hercules 4K/IT $3
Legends of Oz Dorothy's Return HD/MA $3.5
Leprechaun 7-film Set HD/VU $12
Let's be Cops HD/MA $3.5
Let Him Go HD/MA $4
Let Me Explain HD/IT $2.5
Life ‘17 HD/MA $3.5
Life of Crime HD/VU $3.5
Life of Pi 4K/MA $5 or HD/MA or IT $3.5
Light of My Life HD/IT $3.5
Lightyear HD/MA $3.5 or HD/GP $3
Like a Boss HD/VU $3.5
Lilo & Stitch 2 HD/MA $4 or HD/GP $3.5
Lion HD/VU $4
Lion King ‘19 4K/MA $4 or HD/GP $2
Lion King ‘94 4K/MA $5 or HD/GP $3
Little HD/MA $3.5
Little Mermaid ‘89 HD/MA $4
Live Free or Die Hard HD/MA $4
Locked Down 4K/MA $5.5
Logan HD/MA $3
Logan Lucky HD/MA $3.5 or /IT $4
Lone Ranger HD/MA $3.5 or HD/GP $3
Lone Survivor HD/VU $2.5
Longest Ride HD/MA $3
Longest Week HD/VU $3.5
Looper HD/MA $3.5
Lorax HD/MA or IT $3
Lord of War 4K/VU $5.5
Lords of Salem HD/VU $4
Lost World Jurassic Park HD/MA $3.5
Love & Mercy HD/VU $3.5
Love the Coopers HD/VU or IT $4
Love, Simon HD/MA $3.5
Loving HD/VU or IT $3.5
Luca HD/GP $3
Lucy 4K/MA or IT $4.5 or HD/MA $3
Lyle, Lyle Crocodile HD/MA $4.5 or SD/MA $2
Madagascar 3 HD/MA $3
Maggie HD/VU $2.5
Magic Mike's Last Dance HD/MA $4.5
Magnificent Seven ‘16 HD/VU $3
Maleficent HD/MA $2.5 or HD/GP $2
Maleficent Mistress of Evil HD/GP $2.5
Man Who Fell To Earth ‘76 4K/VU $5
Man Who Shot Liberty Vance 4K/VU $5.5
Marauders HD/VU $3.5
Marksman HD/MA $4
Martian HD/MA $3.5
Mary Poppins ‘64 HD/MA $3.5 or ‘64 HD/GP $3
Mary Poppins Returns 4K/MA $4.5 or HD/GP $2.5
Mask of Zorro 4K/MA $6
Mauritanian 4K/IT $5
Max Steel HD/IT $3
Maze Runner HD/MA $3.5
McKenna Shoots for the Stars HD/IT $2
Meatballs HD/VU $4
Megan Leavey HD/VU or IT $3
Memory HD/MA $3.5
Men HD/VU $4
Men in Black 3 HD/MA $3
Men in Black 4K/MA $5.5 or HD/MA $4
MI-5 Spooks '15 HD/VU $4
Mickey & Minnie 10 Classic Shorts HD/GP $4.5
Mid-Century 4K/VU $5
Midnight in the Switchgrass 4K/VU $5 or HD/VU $3.5
Midnight Sun HD/MA $3.5
Midsommar (CANADA) 4K/IT $3
Midway 4K/VU $4.5 or HD/VU $3
Mile 22 HD/IT $3
Million Dollar Arm HD/GP $2.5
MindGamers HD/MA or IT $3.5
Minions 4K/MA or IT $4.5 or HD/VU $3
Miracles from Heaven HD/MA $3.5
Miss Peregrine's Home for Peculiar Children HD/MA $3
Mission Impossible 3 4K/VU $5
Mission Impossible 6-film Set HD/VU $17
Mommy HD/VU $4
Moneyball HD/MA $3
Monster High Electrified HD/IT $2.5
Monster Hunter HD/MA $3.5
Money Monster HD/MA $3.5
Monster Trucks HD/VU $2.5 or 4K/IT $3
Monsters University HD/GP $3
Monuments Men HD/MA $3.5
Moon 4K/MA $5.5
Morbius HD/MA $4
Morgan HD/MA $4
Mortal Engines 4K/MA $5.5 or HD/MA $4
Mortal HD/VU $4
Mortal Instruments City of Bones HD/MA $3
Mortdecai HD/VU $3.5
Mother! HD/VU $2.5
Mountain Between Us HD/MA $2.5
Mr. Peabody & Sherman HD/MA $3
Mud HD/VU $2.5
Mulan 2 HD/GP $3
Mulan ‘20 4K/MA $4.5 or ‘20 HD/MA $3 or HD/GP $2.5
Mummy ‘17 4K/MA or IT $4.5 or HD/MA $3
Mummy ‘99 HD/MA $3.5
Mummy 4-Film Set (Mummy 1-3, Scorpion King) HD/MA $12
Mummy Trilogy 4K/MA or IT $14 or HD/MA $9 4K/IT
Muppets Most Wanted HD/GP $3
Murder on the Orient Express HD/MA $3.5
My All American HD/MA or IT $3.5
My Best Friend is a Vampire HD/VU $4
National Lampoon's Vacation 4K/MA $5.5
Nebraska HD/VU $3
Need for Speed HD/GP $3.5
Needle in a Timestack 4K/VU $5.5
Nerve HD/VU $3.5
News of the World HD/MA $4
Night at the Museum Trilogy HD/MA $11
Night House HD/MA $4.5 or HD/GP $4
Nightmare Alley HD/GP $3.5
Nightmare Before Christmas 4K/MA $5.5 or HD/MA $4 or HD/GP $3.5
No Time to Die 4K/IT $4.5
Noah HD/VU or IT $2.5
Nobody's Fool HD/IT $2.5
Non-Stop HD/VU or IT $3
Norm of the North HD/VU $2.5
Nostalgia ‘18 HD/MA $3.5
Now You See Me 2 4K/IT $4
Now You See Me HD/VU or IT $2.5 or SD/VU $1
Nut Job 2 HD/IT $2.5
Nut Job HD/IT $2.5
Nutcracker & Four Realms HD/MA $3.5 or HD/GP $3
Oblivion 4K/MA or IT $5 or HD/MA $3.5
Occupation ‘18 HD/VU $3.5
Occupation Rainfall HD/VU $4
Office Christmas Party 4K/IT $3.5
Olaf's Frozen Adventure HD/GP $3
Oliver! 4K/MA $5
On Chesil Beach HD/MA $4.5
One Ranger HD/VU $4.5
Onward HD/GP $2.5
Open Water 2 Adrift HD/VU $4
Open Water HD/VU $4
Operation Avalanche HD/VU $4
Other Woman HD/MA $3
Ouija HD/MA or IT $3.5
Our Kind of Traitor HD/MA $4
Outlander S.1 Vol 1 HD/VU $5
Overboard ‘18 HD/VU $3.5
Oz the Great & Powerful HD/MA $3 or HD/GP $2.5
Pacific Rim Uprising HD/MA $4
Paddington HD/VU $3.5
Pain & Gain HD/VU or IT $3.5
Paper Towns HD/MA $3
Paradise Highway 4K/VU $5
Paranormal Activity 3 (Ext) HD/VU or IT $3
Paranormal Activity 4 (Unr) HD/VU or IT $2.5
Paranormal Activity Ghost Dimension (Unr) HD/VU or IT $3.5
Paranormal Activity HD/VU $4
Paranormal Activity The Marked Ones HD/VU or IT $3.5
Passengers HD/MA $3.5
Patriot Games 4K/VU $5
Patriot's Day HD/VU $3
Paul Apostle of Christ HD/MA $3
Peanuts Movie HD/MA $3
Penelope HD/VU $4.5
Peppermint HD/IT $3.5
Percy Jackson Sea of Monsters HD/MA $3
Perfect Guy HD/MA $2.5
Perks of Being a Wallflower HD/VU or IT $3 or SD/VU or IT $1
Pet Sematary ‘19 HD/VU $3 or 4K/IT $3.5
Pet Sematary ‘89 HD/VU $3.5 or 4K/IT $4
Peter Rabbit HD/MA $3.5
Pete's Dragon ‘16 HD/MA $3.5 or HD/GP $3
Phantom Thread HD/MA $4
Philomena HD/VU $2.5
Pirates of the Caribbean 5 HD/MA $3 or HD/GP $2.5
Pirates! Band of Misfits HD/MA $3.5
Pitch Perfect 2 4K/MA $4 or HD/MA $2.5
Pitch Perfect HD/MA $2.5 or 4K/IT $3
Pixar Short Films Set Vol. 3 HD/MA $3.5 or HD/GP $3
Planes Fire & Rescue HD/GP $3
Planes HD/MA $2.5 or HD/GP $2
Planes, Trains & Automobiles 4K/VU $5.5 or HD/VU $4
Playing w/ Fire HD/VU or IT $2.5
Poltergeist ‘82 4K/MA $5.5
Poltergeist (Ext) ‘15 HD/MA $4
Pompeii HD/MA $3.5
Power Rangers ‘17 HD/VU $3 or 4K/IT $3.5
Predator ‘18 HD/MA $3
Predator ‘87 HD/MA $4
Pride & Prejudice & Zombies HD/MA $3.5
Primal HD/VU $3.5
Promise HD/MA or IT $3.5
Protege HD/VU $4
Proud Mary HD/MA $3.5
Psycho 4K/MA $5
Pulp Fiction 4K/VU $5.5 or HD/VU $4
Punisher War Zone 4K/VU $5.5
Purge Anarchy HD/MA $3 or 4K/IT $3.5
Purge Election Year HD/MA $3.5
Purge 4K/MA or IT $4.5 or HD/MA $3 or
Push 4K/VU $6
Quantum of Solace HD/VU $4.5
Quarry 4K/VU $5
Quartet HD/VU $4
Queen of Katwe HD/GP $2.5
Quiet Ones HD/VU $3.5
Rambo ‘08 HD/VU $4
Rambo 5-film Set HD/VU $18
Rambo Last Blood 4K/VU $4.5 or HD/VU $3
Ran ‘85 4K/VU $5.5
Raya & the Last Dragon HD/MA $3.5
Rear Window 4K/IT $3.5
Rebel Without a Cause 4K/MA $5.5
Reclaim HD/VU $3.5
RED 2 HD/VU $2
Red Dawn ‘12 HD/IT $3
Redline ‘10 HD/VU $4.5
Reign of Assassins HD/VU $4.5
Replicant ‘01 HD/VU $3.5
Replicas HD/VU $3.5
Rescuers Down Under HD/MA $4 or HD/GP $3.5
Rescuers HD/MA $4.5 or HD/GP $4
Reservoir Dogs HD/VU $4
Resident Evil Retribution 4K/MA $5 or HD/MA $3.5
Resurrection of Gavin Stone HD/VU or IT $2.5
Retaliation ‘17 HD/VU $4
Revenant 4K/MA $5 or HD/MA $3.5
Ricki & the Flash HD/MA $3
Riddick (Unr) HD/VU or IT $3
Ride Like a Girl HD/VU $4
Right At Your Door HD/VU $4
Right One 4K/VU $5.5
Rings HD/VU or IT $2.5
Rio 2 (Sing-Along) HD/MA $3
Riot HD/VU or IT $3
RIPD HD/IT $2.5
Risen HD/MA $3
Rob Zombie Trilogy (3 From Hell, House of 1000 Corpses, Devil's Rejects) HD/VU $8
Robin Hood ‘18 HD/VU $3
Robocop ‘14 HD/VU $2.5
Rocketman ‘19 HD/VU $3 or 4K/IT $3.5
Rocky Horror Picture Show HD/MA $4
Roman J. Israel Esq HD/MA $3
Ron's Gone Wrong HD/MA $3.5 or HD/GP $3
Room '15 HD/VU $3.5
Rough Night 4K/MA $5 or HD/MA $3.5
Run The Race HD/MA $3
Runner Runner HD/MA $3.5
Rush HD/IT $3
Safe HD/VU or IT $2.5
Same Kind of Different As Me HD/VU or IT $3
Samson HD/MA $3.5
Santa Clause HD/MA $3.5 or HD/GP $3
Santa Clause 2 HD/MA $3.5 or HD/GP $3
Santa Clause 3 HD/GP $2.5
Sapphires HD/VU $4
Sausage Party HD/MA $3.5
Saving Mr. Banks HD/GP $3
Saw (Unr) 4K/VU $4.5
Saw 7-film Set (Unr) HD/VU $16
Saw HD/VU $3
Scarface HD/MA $4 or 4K/IT $4.5
Scary Stories to Tell in the Dark 4K/VU $4.5
Schindler's List 4K/MA or IT $5.5 or HD/MA $4
Scream '96 4K/VU $5 or HD/VU $3.5
Scream Trilogy HD/VU $11
Secret Garden ‘20 4K/VU or IT $5.5
Secret in Their Eyes HD/VU or IT $3
Secret Life of Pets 4K/MA or IT $4.5 or HD/MA $3
See No Evil 2 HD/VU $3.5
Selma HD/VU or IT $2.5
Serenity ‘05 4K/MA $5.5 or HD/MA $4
Seriously Red HD/VU $4
Sex Tape HD/MA $3.5
Shack HD/VU or IT $2.5
Shallows HD/MA $3.5
Shang-Chi Legend of the Ten Rings HD/GP $3
Shape of Water HD/MA $3.5
Sherlock Gnomes HD/VU or IT $2.5
Shivers HD/VU $4
Show Dogs HD/MA $3.5
Sicario HD/VU $2.5 or 4K/IT $3
Sicario Day of the Soldado HD/MA $4
Sicario, Wind River, Hell or High Water HD/VU $7.5
Side Effects HD/IT $3.5
Silencing HD/VU $4
Silent Night, Deadly Night 3-Film Set (3-5 HD/VU $7.5
Silk Road 4K/VU $5
Sing ‘16 HD/MA $3 or 4K/IT $3.5
Sing Street HD/VU $4
Sinister HD/VU $3
Sisters (Unr) HD/IT $2.5
Skeleton Twins HD/VU $4
Skyfall HD/VU $2.5
Skyscraper 4K/MA $5 or HD/MA $3.5
Sleeping Beauty ‘59 HD/MA $4 or HD/GP $3.5
Sleepless HD/IT $2
Sleepy Hollow 4K/VU $6.5
Slender Man HD/MA $4
Smokey & the Bandit HD/MA $3.5
Smokin' Aces 4K/MA $5.5
Smurfs The Lost Village HD/MA or IT $3
Snake Eyes G.I. Joe Origins HD/VU $4
Snitch 4K/IT $3 or HD/VU $2.5 or SD/VU or IT $1
Snow White & the Huntsman (Ext) 4K/VU or IT $4.5 or HD/VU $3
Snow White & the Seven Dwarfs ‘37 4K/MA $6 or HD/MA $3.5 or HD/GP $3
Snowden HD/MA or IT $3.5
Snowpiercer HD/VU $4.5
Solo A Star Wars Story HD/GP $3
Son of God HD/MA $3
Sonic the Hedgehog 4K/VU $5 or HD/VU $3.5
Soul HD/MA $3 or HD/GP $2.5
Source Code 4K/VU $5.5
Southpaw HD/VU $3
Spartacus HD/MA $3.5
Spectre HD/VU $3.5
Spider-Man 2 (Thea & Ext) HD/MA $4.5
Spider-Man 3 HD/MA $3.5
Spider-Man 4-Cut Set (Spider-Man 2 w/ Thea & Ext) HD/MA $11.5
Spider-Man Far From Home HD/MA $3
Spider-Man Homecoming HD/MA $2.5
Spider-Man Into the Spider-Verse HD/MA $4.5
Spider-Man No Way Home HD/MA $4 or SD/MA $2
Spies in Disguise HD/MA $3.5 or HD/GP $3
Spinning Man HD/VU $4
Spiral 4K/VU $5 or HD/VU $3.5
Spongebob Sponge out of Water HD/IT $2.5
Spontaneous HD/VU $4.5
Spy Who Dumped Me 4K/VU $5 or HD/VU $3.5
St. Vincent HD/VU $3
Stand Up Guys HD/VU $3.5
Star Trek 3 Search for Spock 4K/VU $5
Star Trek 4 Voyage Home 4K/VU $5
Star Trek Beyond HD/VU $3
Star Trek Into Darkness HD/VU $2.5 or 4K/IT $3
Star Trek The Motion Picture ‘79 4K/VU $5
Steel Dawn HD/VU $3.5
Still Alice HD/MA $4
Straight Outta Compton (Unr) HD/MA $3 or 4K/IT $3.5
Strange World HD/MA $4 or HD/GP $3.5
Suburbicon HD/VU $3 or /IT $3.5
Sundown The Vampire in Retreat HD/VU $3.5
Super 8 4K/VU or IT $5 or HD/VU $3.5
Sword in the Stone HD/MA $4 or HD/GP $3.5
Taken 2 HD/MA $3.5
Taken 3 (Unr) HD/MA $3.5
Tangled HD/GP $3.5
Ted (Unr) HD/MA or IT $2.5
Teen Spirit ‘19 HD/MA $4
Teenage Mutant Ninja Turtles ‘14 4K/VU or IT $4.5 or HD/VU $2.5
Terminator 2 Judgment Day (Special) HD/VU $4.5
Terminator 2 Judgment Day 4K/VU $5 or HD/VU $3.5
Terminator Dark Fate HD/VU $3.5 or 4K/IT $4
Terminator Genisys HD/VU $3 or 4K/IT $3.5
Texas Chainsaw ‘13 HD/VU $3.5
Thanks for Sharing HD/VU $4
The Heat HD/MA $3
The Impossible HD/VU $3.5
The Sting 4K/MA $5.5
Think Like a Dog 4K/VU $5
This is the End HD/MA $3.5
Thor Dark World HD/MA $4 or HD/GP $3.5
Thor HD/GP $3.5
Thor Love & Thunder HD/MA $3.5 or HD/GP $3
Thor Ragnarok HD/MA $2.5 or HD/GP $2
Three Billboards Outside Ebbing, Missouri HD/MA $3.5
To Kill a Mockingbird HD/MA $3.5
Toll HD/VU $4.5
Tomorrowland HD/GP $3
Top Five HD/IT $3
Top Gun ‘86 4K/VU $5 or HD/VU $3.5
Total Recall ‘90 4K/VU $5 or HD/VU $3.5
Touched w/ Fire HD/VU $4.5
Toy Story HD/GP $3.5
Toy Story 4 HD/GP $2
Training Day 4K/MA $5.5
Transformers Age of Extinction HD/VU $2.5 or 4K/IT $3
Transformers Dark of the Moon 4K/VU $4.5 or HD/VU $3
Transformers The Last Knight 4K/VU or IT $4 or HD/VU $2.5
Trolls HD/MA $2.5
Trust ‘16 HD/VU $4
Tucker The Man & His Dream 4K/VU $5
Tulip Fever HD/VU $4
Tumbledown HD/VU $4
Turbo HD/MA or IT $3
Turning HD/MA $4
Ugly Dolls 4K/VU or IT $5.5
Unbreakable HD/GP $3.5
Unbroken HD/VU or IT $3
Uncharted 4K/MA $5.5 or HD/MA $4
Uncle Drew HD/VU $3.5
Underworld Awakening HD/MA $3
Underworld Blood Wars HD/MA $3
Untouchables 4K/VU $5.5
Us ‘19 4K/MA $5.5 or HD/MA $4
Valerian & the City of a Thousand Planets HD/VU $3.5
Vampire Academy HD/VU $3.5
Vanishing ‘18 HD/VU $4
Venom HD/MA $3.5
Victoria & Abdul HD/MA $4
Virtuoso 4K/VU $5 or HD/VU $3.5
Vivo HD/MA $4.5
Voices ‘14 HD/VU $4
Voyagers 4K/VU $5
Walk HD/MA $3.5
Walking w/ Dinosaurs HD/MA $3
Wall '17 HD/VU $4
War for the Planet of the Apes HD/MA $3
War of the Worlds ‘53 4K/VU $5.5
War on Everyone HD/VU $4
Warcraft 4K/IT $4.5 or HD/MA $3
Warhunt 4K/VU $4.5
Warm Bodies HD/VU $3 or SD/VU $1.5
Warning HD/VU $4
Watch HD/MA or IT $3.5
Wayne's World HD/VU $4.5
We Die Young HD/VU $3.5
Weekend HD/VU $4
Werewolf The Beast Among Us (Unr) HD/MA or IT $3.5
West Side Story 4K/MA $5 or HD/MA $3.5 or HD/GP $3
What Men Want HD/VU $3 or 4K/IT $3.5
What We Did on our Holiday HD/VU $4
When the Game Stands Tall HD/MA $3
Whiskey Tango Foxtrot HD/VU or IT $3
Why Him? HD/MA $3
Widows HD/MA $3.5
Wild Card HD/VU $3
Willow HD/MA $4 or HD/GP $3.5
Wilson HD/MA $3.5
Winchester HD/VU $3.5
Winnie the Pooh Springtime w/ Roo HD/MA $4 or HD/GP $3.5
Wolf Hound 4K/VU $4.5
Wolf Man ‘41 4K/MA $5.5
Wolf of Wall Street 4K/VU $5 or HD/VU or IT $3.5
Wolverine (Unr) (w/Thea) HD/MA $3.5
Woman in Gold HD/VU $3.5
Won't Back Down HD/MA $3.5
Woodlawn HD/MA or IT $3.5
World War Z HD/VU or IT $2.5
Wraith HD/VU $4
X-Men Apocalypse HD/MA $3
X-Men Days of Future Past HD/MA $3
XXX Return of Xander Cage HD/VU $2 or 4K/IT $2.5
Z for Zachariah HD/VU $4
Zero Dark Thirty HD/MA $3.5
Zeros & Ones HD/VU $4
Zootopia HD/MA $3 or HD/GP $2.5

In today's digital age, graphic design surrounds you, from the billboards that dot the highways to the sleek interface of your favourite app. It's an art form that combines creativity with strategy, aiming to communicate ideas and messages through visual content. Whether it's a vibrant logo that captures the essence of a brand or an infographic that breaks down complex information, graphic design is at the heart of visual communication.
As a career, graphic design offers a canvas for innovation and expression, blending art and technology to create compelling designs that inform, engage, and persuade. In South Africa, where the creative industries continue to bloom, graphic design plays a pivotal role in the business landscape, driving the creation of digital and print media that resonate with consumers. If you're intrigued by the power of visual storytelling and considering a career in this dynamic field, understanding the fundamentals of graphic design is your first step towards unlocking your creative potential.

Key Takeaways

• Understanding Graphic Design: Graphic design is a vital form of communication that merges art with technology to effectively convey messages and ideas. In South Africa, it is not only a burgeoning career path but also key in visual storytelling, crucial for brands and information dissemination.
• Core Elements of Graphic Design: Successful graphic design relies on fundamental elements like typography, colour theory, and layout/composition. Mastery of these components is essential for creating visually engaging designs that communicate effectively.
• Specialisation Areas: Graphic design in South Africa encompasses various specialisation areas including branding, packaging design, and digital design. Each area offers unique opportunities for creativity and innovation.
• Graphic Design Tools and Software: A mix of traditional tools (e.g., pencils, markers) and modern software (such as Adobe Creative Suite and Sketch) is necessary for contemporary graphic design. Familiarity with these tools is crucial for both creativity and efficiency.
• Pursuing a Career in Graphic Design: With the right education and skills, numerous career opportunities open up in advertising, digital design, publishing, and freelancing. South Africa offers a range of courses and programs, like those at Oakfields College, tailored to equip aspiring designers for the industry.
• The Importance of Continuous Learning: Staying updated with the latest design trends and technologies is vital for a successful career in graphic design, highlighting the importance of ongoing education through short courses and professional development.

Understanding Graphic Design

Graphic design stands as a pivotal form of communication, blending art and technology to convey messages and ideas effectively. In South Africa, where the creative industries are burgeoning, graphic design emerges as a compelling career pathway, offering endless opportunities for innovation and expression. This section delves into the essence of graphic design, its fundamental components, and why mastering these concepts is crucial for aspiring designers.
Graphic design is more than just aesthetics; it's about solving problems and communicating ideas visually. It combines various elements such as typography, images, colours, and layouts to create engaging designs that capture attention, inform, and sometimes persuade the audience. Whether it's a branding campaign, a website design, or product packaging, every piece of design communicates a story to its viewers.

Core Elements of Graphic Design

Firstly, understanding the basic elements of graphic design is essential. These elements include:

• Typography: The art of arranging type, which is a crucial aspect of design. It's not just about choosing fonts; it's about creating readable and appealing text that enhances the message.
• Colour Theory: Colour plays a vital role in graphic design. It can influence mood, convey messages, and even affect purchasing decisions. Understanding colour theory helps in choosing the right palette for your projects.
• Layout and Composition: How elements are arranged on a page determines how effectively the design communicates. Good layout and composition bring balance, guide the viewer’s eye, and ensure the design is aesthetically pleasing.

Specialisation Areas in Graphic Design

The field of graphic design in South Africa is diverse, with several areas of specialisation, including:

• Branding and Visual Identity: Creating a visual identity for brands that communicates their values and distinguishes them from competitors.
• Packaging Design: This involves designing attractive and functional packaging that stands out on the shelf while protecting the product.
• Digital Design: This encompasses website design, mobile app design, and social media graphics, among others.

For those looking to pursue a career in graphic design, South Africa offers a variety of courses and training programs. From comprehensive graphic design courses to short courses in South Africa, aspiring designers have access to some of the best graphic design courses available. These programs cover the fundamentals of design as well as the latest trends and technologies, preparing students for successful careers in this dynamic field.

History of Graphic Design

Tracing the origins of graphic design takes you back to the dawn of human expression, but its professional identity and terminology began shaping during the 20th century. The term 'graphic design' itself was coined by William Addison Dwiggins in 1922, marking the official separation of design as a distinct profession which encompasses typography, visual arts, and page layout for the purposes of marketing, advertising, and informing.
In South Africa, graphic design has weaved its unique thread through the country's rich tapestry of cultural diversity. Emerging from a background of traditional art forms and evolving through the apartheid and post-apartheid eras, today's South African graphic design scene is a vibrant mix of traditional African elements and modern digital artistry. This blend offers a distinct flavour to South African design, making it recognisable on the global stage.
The evolution of graphic design in South Africa closely aligns with technological advancements and educational progress in the field. Institutions like Oakfields College play a pivotal role in shaping the new generation of graphic designers through comprehensive graphic design courses and short courses in South Africa. These programs not only equip students with the necessary skills in traditional and digital design but also incorporate critical thinking and strategy, preparing them for a successful career in the industry.
Moreover, South Africa has embraced the digital revolution in graphic design, with many designers and agencies placing a strong emphasis on digital mediums. This transition has not only expanded the scope of graphic design in the country but also opened up a plethora of opportunities for designers to innovate and create with global reach.
Whether you're considering a career in this dynamic field or simply have an appreciation for the art form, understanding the history of graphic design, especially within the South African context, enriches your perspective of its impact and potential. For those looking to dive deeper into this industry, seeking out the best graphic design courses in South Africa is a solid first step towards mastering the craft and contributing to its ongoing story.

Key Principles of Graphic Design

Understanding the key principles of graphic design is essential for creating visually compelling and effective designs. These principles serve as the foundational guidelines that ensure your work communicates the intended message to your audience, especially within the South African context where cultural diversity and historical background profoundly influence visual communication.

Layout and Structure

The layout and structure form the backbone of graphic design. Utilising layout software, designers position text, images and incorporate features such as columns and advertisements to achieve a balanced and visually attractive product. For instance, in crafting layouts for newspapers, magazines, or books, the arrangement dictates how readers process information, making it crucial to guide the audience through the design in a logical sequence. South African designers must be adept at using tools like InDesign to create layouts that not only look good but also respect the cultural nuances and readability preferences of the local audience.

Typeface Design

Creating or selecting the right typeface is key to conveying your design's intended tone and personality. Each font carries its own weight and style, impacting how text is perceived. Original fonts designed for specific digital applications, including websites and adverts, must be readable, scalable, and aesthetically pleasing. South Africa's rich cultural tapestry offers an opportunity for typeface designers to explore unique font styles that reflect local heritage and language diversity, enhancing the global richness of typeface design.

Colour Theory

A fundamental component of graphic design, colour theory explains how colours interact with each other and the effects they have on the viewer. The right colour palette can evoke emotions, communicate messages, and influence actions. In South Africa, with its vibrant landscapes and diverse cultures, colour holds significant importance. Utilising colour effectively requires understanding local cultural differences and preferences, ensuring designs resonate with the intended audience while achieving the desired impact.

Web Page Design

The digital realm offers vast opportunities for graphic designers to express creativity and innovation. Designing the structure and appearance of websites demands a combination of layout skills, colour theory application, and typeface selection. Graphic designers often create PSD or AI files that are then converted into functional websites. In a South African context, where digital access and consumption patterns vary widely across different demographics, designers have to be strategic in their design decisions, ensuring accessibility and responsiveness across devices.

The Role of Graphic Design in Various Industries

Graphic design, with its profound ability to communicate visually, plays a pivotal role across various industries. Its significance in the South African context, driven by cultural diversity and a unique historical backdrop, cannot be overstated. As you explore the vast landscape of graphic design, you'll discover its application in marketing and advertising, digital design, publishing, and entertainment and media. Let's delve into how graphic design shapes these industries and the opportunities it presents for aspiring designers, especially those considering enrolling in graphic design courses or short courses in South Africa.

Marketing and Advertising

In the competitive market of South Africa, graphic design serves as the backbone of successful marketing and advertising campaigns. Designers craft compelling visuals that not only grab the attention of the target audience but also convey the brand's message effectively. From creating eye-catching advertisements to designing sophisticated marketing materials, graphic designers ensure that a brand stands out in a crowded marketplace. Engaging visuals in billboards, flyers, brochures, and digital ads are all testaments to the creativity and strategic thinking of graphic designers. With the best graphic design courses in South Africa, you can unlock your potential and help brands tell their stories compellingly.

Digital Design

The digital landscape is ever-evolving, and graphic design is at the heart of this transformation. In South Africa, where the digital economy continues to grow, the demand for skilled graphic designers who can navigate web page design, UX/UI, and social media content creation is on the rise. Digital design focuses on crafting user-friendly and aesthetically pleasing online experiences. Whether it's through website design, mobile app interfaces, or engaging social media posts, graphic designers play a critical role in shaping how brands interact with their audiences online. By pursuing short courses in graphic design with a focus on digital applications, you're setting yourself up for a rewarding career in this dynamic field.

Publishing

The publishing industry in South Africa, which includes books, magazines, newspapers, and catalogs, relies heavily on graphic design to attract and retain readership. Publication designers work closely with authors and publishers to create layouts, choose typefaces, and select images that enhance the readability and appeal of printed materials. The goal is to create visually attractive publications that communicate content effectively, whether it's for educational, informational, or entertainment purposes. graphic design course that specialise in publication design can provide you with the skills needed to excel in this sector.

Entertainment and Media

Graphic design's influence extends into the entertainment and media industry, creating unforgettable visuals for films, television shows, video games, and music productions. Designers collaborate with directors and producers to craft branding, promotional materials, and visual effects that define the aesthetic of a production. In South Africa, where the entertainment industry is vibrant and diverse, graphic designers contribute to the cultural fabric by creating artwork that resonates with both local and international audiences. Short courses in South Africa focusing on graphic design for entertainment and media can launch your career in this exhilarating field.
The role of graphic design in various industries is immense, offering vast opportunities for creative expression and professional growth. Whether you're interested in marketing and advertising, digital design, publishing, or entertainment and media, graphic design courses in South Africa can equip you with the necessary skills to thrive in these exciting fields. Explore the best graphic design courses and embrace the journey toward becoming a prominent designer in the industry.

Graphic Design Tools and Software

Embarking on a journey in graphic design, you'll discover that it's not just about creativity but also about the tools and software that bring your ideas to life. Whether you're interested in pursuing one of the best graphic design courses or just starting to dip your toes into this vibrant field, knowing the right tools is essential. In South Africa, where the design landscape is as diverse as its culture, having a toolkit equipped with both traditional and modern instruments is key to making your mark.

Traditional Tools

Before the digital age took over, graphic designers relied heavily on traditional tools to conceptualise and create their artwork. These tools weren't just instruments; they were extensions of the designers' hands and minds, allowing them to manifest their visions into tangible forms.

• Pencils and sketchpads are indispensable, even today, for quickly jotting down ideas or sketching preliminary designs. These basics enable you to freely express your initial concepts without the constraints of software interfaces.
• Rulers and stencils aid in creating clean, precise lines and shapes, ensuring that your work maintains professional standards of accuracy.
• Markers and paint allow for the exploration of colour and texture, adding a unique touch to logos or illustrations that digital means might not fully replicate.

Mastering these traditional tools can give you a strong foundation in the principles of graphic design, a necessity highlighted in short courses across South Africa.

Modern Software

As technology advanced, the realm of graphic design expanded, introducing a suite of modern software that has become indispensable to today's designer. This software not only enhances efficiency but also opens up infinite possibilities for creativity and collaboration.

• Adobe Creative Suite, including Photoshop, Illustrator, and InDesign, is the cornerstone of professional graphic design. These applications offer powerful tools for image manipulation, vector artwork creation, and layout design, making them a staple in graphic design courses.
• CorelDraw Graphics Suite provides robust vector editing capabilities alongside layout and photo-editing tools, tailored for versatility in various design tasks.
• Sketch has become a go-to for web and mobile interface design, with its intuitive vector tools and simplified interface, making it a popular choice for those specialising in digital design.

Each piece of software brings its strengths to the table, and in a competitive field like graphic design, knowing your way around them can set you apart. Best graphic design courses, particularly those offered in South Africa at esteemed institutions like Oakfields College, cover an extensive range of these modern tools, preparing students to meet industry demands.
Engaging with both traditional tools and modern software equips you with a versatile skill set, crucial for navigating the diverse graphic design landscape in South Africa. Whether you're aiming to excel in branding, digital design, or any other specialization within the field, harnessing these tools will be key to your success.

Pursuing a Career in Graphic Design

Graphic design, a field that artfully combines text, images, and concepts to communicate ideas, offers a myriad of career possibilities. In South Africa, where the digital and creative industries are rapidly expanding, pursuing a career in graphic design can be both fulfilling and lucrative. Let’s delve into how you can embark on this exciting journey.

Educational Pathways

Your venture into the world of graphic design begins with the right education. South African institutions, including Oakfields College, offer comprehensive programmes that cater not just to the theoretical aspects of graphic design but also to the practical, hands-on experiences necessary for success in the industry.

1. Graphic Design Courses: You'll find a range of options, from diplomas to bachelor’s degrees. These courses cover fundamental principles such as typography, layout design, and colour theory, along with modern digital design tools. Oakfields College is renowned for its focused curriculum that prepares you for the real-world challenges of a graphic designer.
2. Short Courses in South Africa: If you're looking for a more flexible learning path or wish to specialise in a particular area like web design or digital marketing, short courses can be invaluable. These programmes are perfect for staying abreast of the latest trends and technologies in the graphic design realm.
3. Best Graphic Design Courses: When selecting a course, consider institutions that offer a balanced mix of theory and practical application. Courses that include internships or work placement opportunities, like those at Oakfields College, are particularly beneficial as they provide real industry experience and a chance to build a professional network.

Career Opportunities

After equipping yourself with the necessary knowledge and skills, a diverse range of career opportunities awaits. Here's a glimpse of what you can expect:

1. Advertising and Branding: Companies constantly seek talented graphic designers to create compelling advertising campaigns and develop strong brand identities.
2. Digital Design: With the digital age in full swing, careers in web design, user interface (UI) design, and user experience (UX) design are in high demand. Designers with skills in creating visually appealing and user-friendly digital spaces are highly sought after.
3. Publishing and Print Media: Despite the rise of digital media, there's still a significant need for designers in the publishing industry. From magazines to books and newspapers, graphic designers play a crucial role in layout and visual storytelling.
4. Freelancing: For those who prefer a more flexible work environment, freelancing offers the freedom to choose projects that align with your interests and expertise. Platforms such as Behance and LinkedIn can help you showcase your portfolio and connect with potential clients.

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Graphic design is more than just an artistic endeavour; it's a pivotal element of South Africa's creative landscape. With its rich history and evolving nature, the field offers a vibrant pathway for those looking to make their mark. Through institutions like Oakfields College, aspiring designers have access to comprehensive training that covers everything from fundamentals to advanced specialisations. Whether you're drawn to branding, digital design, or another niche, the opportunities in this dynamic industry are vast. Embarking on a graphic design career not only allows you to explore your creative passions but also to contribute significantly to the digital and creative sectors. Remember, your journey in graphic design is not just about mastering tools or techniques; it's about shaping visual narratives that resonate. So, if you're ready to dive into this exciting field, the time to start is now.

Frequently Asked Questions

What is the significance of graphic design in South Africa?

Graphic design in South Africa plays a pivotal role in the communication industry, blending visual communication with digital technology to produce effective branding and marketing strategies. Its significance lies in its ability to convey complex information and ideas through creative and visual means.

What are the core elements of graphic design?

The core elements of graphic design include layout, typeface design, and colour theory. These elements are crucial in creating visually appealing and effective designs that communicate the desired message to the audience.

What specialisation areas exist within graphic design?

In South Africa, graphic design specialisation areas include branding, digital design, advertising, publishing, and freelancing. Each area focuses on different aspects of visual communication and offers unique career opportunities.

How has the history of graphic design evolved in South Africa?

The history of graphic design in South Africa has evolved from traditional print media to incorporating digital mediums. It reflects the country's rich culture and history, with institutions like Oakfields College playing a significant role in training the next generation of designers.

What role do institutions like Oakfields College play in graphic design education?

Institutions like Oakfields College in South Africa play a crucial role in graphic design education by offering comprehensive courses and short programmes that equip students with the necessary skills and knowledge in graphic design principles, tools, and software.

What are the essential tools and software for graphic designers?

The essential tools and software for graphic designers include Adobe Creative Suite (Photoshop, Illustrator, InDesign) for creating and editing visuals. Knowledge of these tools is critical for producing high-quality design work.

How can one pursue a career in graphic design in South Africa?

Pursuing a career in graphic design in South Africa involves obtaining the necessary education through courses and programmes offered by reputable institutions like Oakfields College. Building a strong portfolio and gaining experience through internships or freelance projects are also important steps.

What career opportunities exist in graphic design?

Career opportunities in graphic design in South Africa are abundant and include fields such as advertising, digital design, publishing, and freelancing within the expanding digital and creative industries, offering a dynamic and rewarding career path for aspiring designers.

I like the premise of Strixhaven but I'm not fully convinced on the Curriculum of Chaos campaign that is included in the released book. Has anyone played homebrew campaigns in this setting or are there other published adventures using Strixhaven as the setting?
Either way, I'm looking for adventure hooks to create a homebrew campaign. I read somewhere on here that someone changed the Strixhaven setup so there was sixth college that operates in the shadows trying to overthrow the other colleges. I like the idea of that but I'm not yet sure on what the motive for that would be.
Open to ideas!

Hi, I'm writing this because I never got any sort of debrief or moment to decompress from a job I quit in February of 2018. I worked for an agency that dealt with issues related to non-human intelligence. Sometimes these were referred to as EBE's, or as a friend lovingly called them, "Ayyys".
I can't divulge what I did specifically, most of the information I'm going to discuss is anecdotal information I found out about from colleagues. This is because it would be easy to identify me from what my role was, as the information I can say about what I did specifically would be personally identifying. Feel free to dismiss my post as a hoax entirely, I know the right people will believe me. I'm posting this for myself, to make peace with the gravity (no pun intended) of the situation. I tried VA and independent therapy, but divulging this sort of information to a hipster trained in active listening probably wouldn't go well. Posting here is a last resort, but I hope I'm welcome to discuss what I can.
I'll first talk about my career history, what working for the agency is like, how it functions, and then my general thoughts. If my post makes it past moderation, I'll answer as many questions as I can. I'm unwilling to post an ID privately to moderators or otherwise. People who did that faced consequences. I don't think those people were reddit leakers specifically, but any act to talk about the information in any meaningful way outside of the chain of command ends badly. I'd rather be accused of making things up than risk that, because I simply don't care what people think of me. Hopefully my post will clear up why.
I'm currently a university professor (not at the university my username would lead you to believe). I was inspired to write this post when one of my students referred to me as, verbatim "a dude who has to know about aliens". If only he knew that wasn't even the start of it.
I graduated from college in the early 90s with a degree in something I'm passionate about but never used. I started my career as an assistant for a mechanical engineer at an aerospace contractor I got after working some connections I had. Entry-level contractor jobs are easier to get than you may think (well, maybe not if you've posted here). I eventually was a project manager overseeing a small team working on experimental aircraft. Over the course of my career in aviation I worked at 3 different contractors. I was on some of the teams working in autonomous flight in Nevada, among other places.
I'll share two major things I noticed that, looking back, could be related to NHI research.
It was a sort of open secret I was let in on at some point in the late 90s that if a large-scale invasion or threat to the mainland US were to materialize, the US had an "ultimate trump-card" of sorts that would render everything we were working on as completely obsolete. Jokes like "well, work smarter not harder on 'x' because if it were to come down to it, we wouldn't use that technology anyway." weren't uncommon. I assumed this was referring to nukes.
Later, I spent time doing inspections at various secret facilities due to my standing in particular agencies. If I'm identified, I will definitely lose that standing, so there's that. This was not as exciting as it sounds, it was very technical and boring. I was mostly just a glorified HVAC inspector. I visited a handful of facilities, but two of them in particular stood out as there were areas within them I wasn't allowed to access. At the first facility, the scope of my job was to inspect the entire location. One area had its own security, who, after a long discussion, basically told me to kick rocks. My boss wasn't authorized to let me through either. I wrote a scathing report about this incident in my overall assessment of the facility and my boss erased it from the document entirely. The situation at the second facility was similar. I'll admit, I was what I guess the my students call a "Karen" about it. I knew that whoever was operating these areas was working completely outside of congressional regulation, which, while it does happen in certain sectors, is really not a good look. Once I got the job I'm talking about, I was able to confirm the second facility was related to NHI research. I was never able to confirm the first was.
After a teaching stint, I was offered an interview for a position in my project management roots again near where I was living at the time. I wasn't told what I would be working on, which isn't uncommon. I was excited to get back to work because I had been working on goal-oriented drone swarms in my free time and assumed that's what the interview would be for.
The interview took place in a SCIF in someone's house. Looking back, this was most likely a house that wasn't lived in, but just used for the purpose of interviewing potential hires without giving away the location. It's also likely this was the location because this agency doesn't exist in any official capacity. Yes, it has a name, it gets sort-of-kind-of funding. Saying the name would get me killed. I wish I were exaggerating, I was told the name at the start of the interview, and I had never heard of it before. I've never even said the name out loud. Paradoxically, even though the agency "doesn't exist" if someone knew the name, it's likely a paper trail exists through publicly available documents. A lot of the information isn't classified because the agency is so secretive going through the process to classify it in the first place would reveal it to too many people.
In past interviews, particularly for the inspection job, I could refer to specific colleagues, facilities I worked at, or contractors I was in good standing with to play the usual interview game. In this interview, I was treated like a brand new hire. While I was already offended about how I was being treated, the interviewer started grilling me about my love for Star Trek (?) and said that "theatrics" wouldn't fly in the position I was being interviewed for. Looking back, I should've never accepted the job, but the allure of working on swarms was too great.
The first office I worked at was an office building that didn't stand out in any way at all. I believe our neighbors in the office park were a fashion studio and a dentist, among others. The difference was our building had 24/7 armed security. The first few days were heavy paperwork and on-boarding. One of my old bosses called me on an office phone to talk to me before I was officially on-boarded. As a management nerd, the biggest challenge of working for this "agency" is that it's a paperless office. It has its own highly sophisticated intranet with hundreds of archival documents. The implication was, that unless it absolutely had to be saved, to never, ever write anything down. I remember an early colleague telling me "a gantt chart is a great way to get fired". This was a challenge at first, remembering all of the information with no documentation is not something I'm particularly built for, especially when the information is about NHI.
Later, I worked in a facility within-a-facility just like the one I had tried to inspect. It stored a craft. Being near the craft for extended periods of time is extremely dangerous, especially if it is being experimented on with power. I didn't observe any injuries to anyone while I was there, but all sorts of long-term nasty injuries were relayed to me through rumors and warnings. The craft was shaped like a dreidel without the handle. There was a large exterior piece that went missing when it was recovered. The theory is it acted as a stabilizer, although some argue it was a crude weapon. It sat in a custom hydraulic rig that could be used to rotate it into all sorts of different positions, kind of like those aerotrim astronaut training balls where they spin you around. I wasn't on the team that got to use the rotation rig. The rig was so large and extensive I spent a few weeks thinking it was part of the craft before someone told me otherwise. Typically, the craft would held on its side in the rig for easier storage. Its weight just naturally sat it that way, although it was intended to be flown vertically.
The shape was directly informed by its purpose. Every shape is custom molded in a metallic material that would revolutionize the way we travel if we had it. In following the topic as much as I can manage to, I've seen some other people mention the material. There were some material scientists that had been working there for decades. I never got to go inside the craft. It was guarded 24/7. Boy, did I want to look.
The agency goes out of its way to hire individuals who have little interest in working in this space at all. They recruit particularly out of BYU, although you have to have a contractor or government career for around a decade to be considered for an interview. Published papers don't hurt. When I worked at the second facility the sorts of people that were there were frustrating to interact with because my initial reaction to working in the that facility was extreme excitement, and it wasn't shared. I believe this is partially responsible for the stagnation, high turnover rate, and compartmentalization. I quickly learned who to trust, and gained some enormous that helped my work. Part of why I'm being secretive about my ID is because the turnover rate results in a sort of "summer camp" work environment. It's easy to point to "classes" of people in various non-leadership positions that all were hired, fired, or quit at similar times. If I said when I started, ended, and where I worked I'd be easily identifiable because there are so few people that match my description. Leadership has been there forever. No, not literally.
The agency is divided up into several "wings", not unlike the executive, legislative and judicial branches. I'm not insinuating they're a shadow government, but the wings check and balance each other in a way a government is at least... designed to. These wings include mechanical engineering, biologic research, weapons research, computer science, tracking, what I'll call anthropology, what I'll call crash recovery because that's what colleagues who are planning to come forward will call it, and security. I'll list some information about each. There are definitely more wings that I don't know about.
What's unique is these sub-groups exist all as part of different parent government organizations and are HQ'd where their parent agencies are. For example, the tracking wing is sort-of-kind-of embedded as R&D at NORAD. This is a simplification of the actual "paperwork" involved, it's honestly complicated and I don't know much about how it works. I do know that this is how they maintain funding even when the parent agency goes completely dark for stretches of time. It's worth mentioning that these departments employ, at most, 50 people each. It's typically much lower than that. This is why we're all pushing for whistleblower protection. It's not hard to identify us because there are so few of us in the first place.
Mechanical engineering is exactly what it sounds like. It's the most extensive, the oldest, and the most compartmentalized. We have crashed craft in various states of complete. We had a recovered craft that worked almost perfectly that was shot down by ourselves. I saw this coming, and it's part of why I quit. There's a lot of information about this wing in the public sphere. Part of their job is to determine what each shape of craft is used for. This is an important job beacuse we're unsure of NHI's intentions. If we discover the designs are intended to hurt us, action will have to be taken. I don't know what that means in practice, but it's what the engineers mostly study. Consider this lecture around the 10 minute mark about the differing characteristics of an F22 versus a passenger plane. Now imagine figuring out the purpose of the passenger plane versus the F22. Since we're humans, and those are human designs, eventually a team could figure it out. It's not as easy when the designs aren't for us, or purposes we fully understand. Triangles are the most impressive design, and we don't have one. It's likely China does, leadership is mad about that. This team discovered, a long time ago, that the reason why craft appear so bright to us humans is because it's not really "light" but rather the product of the crazy amounts of power these craft require. Sort of like smoke coming out of an exhaust pipe.
Biology is something I personally suck at, even at the high school level. I can say the NHI look like the aliens from close encounters. As far as I know, we never had one alive. My source who told this was unsure if it was true or not. I didn't learn much about this wing, it's the most secretive. I do know its HQ is hidden in almost plain sight. I still feel like the guy who told me where it is had to be lying, because it was just too obvious. There are bodies stored in other locations apart from their main HQ.
Weapons research is a large wing, and is fairly new. It was absorbed by the Space Force when it the SF was created. Frustration with the SF as a whole is part of why I left shortly before it started. I don't know much about it. It has a high turnover rate and is dangerous to work in. People were injured and compensated by a large private aerospace contractor instead of the USG. Its main job is to strap a nuke to a reverse-engineered craft and just see what the hell happens.
Computer science is (or, was, it may have moved after I left) hq'd at a facility in my home state. This is rare, because most of the other wings are within a stones throw of DC, or Nevada. This is mostly based around researching the crafts navigation system. The navigation in every craft is the same. The craft use a system that originally befuddled generations of researchers, but it's essentially a 3D dijkstra algorithm. It finds points around the craft, and chooses the most efficient possible route through space time to get to that point. Some of the parameters it uses to gauge efficiency are totally unknown to us and are a serious point of contention. It's not autonomy, but rather obstacle avoidance not unlike what you would see in a self-driving car. But, the self driving car could go through air, space and water without worrying about what medium its in. Additionally, the algo accounts for the crafts place in time. I don't think this means that the craft time travel in the way we think they can, but rather go so fast that they experience dilation and can hit objects in the future, and, potentially, past at their target destination. It's possible they do this on purpose sometimes. I don't know much about the internal programming of the computer or how it actually does any of this. There are a few senior scientists that hold that information dear. One of them jokingly refers to it as "Ayyyy C", as in, C for NHI. I know that he doesn't work with a computer, only a pad of paper and pen.
Although the algo is extremely effective, Nuclear explosions and experiments somehow interfere with this navigation. Craft particularly avoid Diablo Canyon, even if we put something they really want there. They mostly avoid previous crash sites as well. More on crashes later.
Speaking of avoidance, tracking, like I mentioned, is (or was) part of NORAD. The NHI deploy craft of various shapes and sizes all the time. I don't want to claim that they have advanced cloaking techniques, but from what I heard, the tracking department basically is in an eternal game of cat-and-mouse. They don't have adequate technology to track the transmedium craft. All I would say on a record is NHI know we can track them, and know how to avoid us. They usually avoid detection by going underwater, especially in the case of particularly large (by human measurement, enormous) craft. It's interesting that historical UFO designs mimic the design of buildings and vehicles of that time period. Whether this was just humans not being able to reference what the designs look like, or a form of mimicry is anyones guess. Someone in leadership knows the answer, I don't.
It's important to note not everyone at NORAD was part of the tracking team, but the tracking team is embedded in NORAD and interfaces with them on a minute to minute basis. This leads to scenarios where NORAD will report an object, and the tracking team will silently acknowledge, but give no explanation. This lead to a catastrophic incident that happened after I left but knew about from a colleague. Supposedly, tracking is being moved to the Space Force to clear up these miscommunications. If I were working there, I would probably be working on that onboarding process. NORAD was moved to Cheyenne not only to protect from a foreign adversary, but also because the facility is uniquely equipped to track NHI craft.
The wing I called "Anthropology" is the weirdest one by far. It focuses on a few different things. They originally studied NHIs intentions and "culture" if it's possible to call it that. The reports I read from this early research changed the way I see the world.
Anthropology and Computer Science were at one point decompartmentalized to study how the NHI interact with the craft. The NHI are linked to their craft in a way that borders on biological. The actual way they interface with the components of the craft is not as sophisticated. Take this video. Although it's an immature video, the way he interfaces with a piston that moves the gas pedal is similar, albeit much simpler than the way NHI interact with their craft. They send signals using their body to systems that control the craft. It's hypothesized that they can and prefer to control craft remotely, but I'm not sure if we were really researching this.
Take note that if the driver of the jerry-rigged death trap in the video panics, the car would accelerate due to heightened brain activity. When people wonder how a superintelligent being can crash, this is part of the answer, in conjunction with the navigation system malfunctioning. I personally don't think the NHI feel "stress" as we do, but if they heightened their activity and overrode the pathfinding system instead of letting it do its job, there could be an accident.
A smaller subset of this wing focuses on how humans can interface with craft that are currently in the sky. If you see an image of a large disc above a gas station in the snow, it was someone in this department "summoning" a craft not unlike how cheap RC car controllers can interfere with each other when used at the same time. Some people are better suited to interfere with NHI craft than others. We're not sure why.
On somewhat comedic note, one colleague was harshly punished for using this research to encounter NHI craft at a party. There was an outdoor bonfire, alcohol, and questions about what she did for work. She wasn't killed or anything, just called a dumbass and told to never, ever do that again.
Some people in this department are BYU graduates who believe they are directly interfacing with what were recorded in the bible as angels. There is an even smaller subset of this wing that focused on NHI communicating with humans. All I know about them is that they did that work at some juncture, but probably have other jobs now.
Crash Recovery probably has the most people involved. It's split up among several parent orgs, but funding is funnelled away from it and into other departments when there's little activity. This is common among the entire agency, as funding and staff get balanced between the different wings based on progress or lack thereof. Most of the crash recovery staff are staff from tracking and security that are involved in Crash Recovery. It's also made up of members of all of our favorite three letter organizations. Crash Recovery's overall structure was referred to as a volunteer fire department. It's typically some people playing pool and watching movies, but when the need arises, all hands on deck from the current staff, and on-call members.
Crashes are exceedingly rare. The number of crashes goes down exponentially because they learn to avoid the cause of the crash. When they crash, they make no effort to retrieve the debris, save for one instance. I personally believe some crashes weren't "crashes" but were NHI parking a vehicle for us, because there were no bodies recovered and the craft was in perfect shape.
Security, to put it mildly, are terrifying. Imagine the very best of the SEALS, NSA and Secret Service all working together. They are short-staffed, but that staff is not only elite, but dedicated. Their numero uno rule is people that mention the agency name are killed. It's not a question, and it happened during my time. You'll hear more about them as news about the retaliation Dave comes out. I wasn't directly interviewed by him, but I know several people who were. The security team figured it out quickly and, you could say they aren't his fans. They constantly monitor all discussions about the topic, but rarely act in real life unless absoloutely necessary. They staff facilities like the second one I worked at. This team also actively engages in disinformation, gaslighting and other similar campaigns. Their goal is to keep the US's secrets about this tech, secret, because other countries are close to breakthroughs. They also conduct counter intel on what other countries know, and counter-counter intel about what they know about what we know. Not to sound crazy, but, the security team will see this at some point or another, so, a friendly hello to them. Can't touch this ;p (I sure hope!)
I have a hunch that the current public facing task forces are actually their own wing within security. A friend of mine texted me once, "Sean Kirkpatrick, you can get your ass kicked". Ha. Don't confuse these public facing task forces with the work Dave & co. are doing. Dave is the real deal.
I should mention that Leadership is kind of its own "wing". It's not on paper, but they operate above all of the other departments. Leadership is made up of managers who pay close attention to each wing, they discuss info they know, and bring up contradictions to upper managers. I don't know how far this chain goes up. I reported to someone who reported to someone. I believe it goes higher than that. I have no idea who is at the top or what their credentials are. I suspect they're in the private sector, with their bankroll disguised as R&D for government contracts. Leadership, honestly, made the right choices with the information they had, at least when I was there. Some bad people started to get in charge and change the way things worked among the middle managers and individual teams. This pissed people off and led to multiple catastrophes. As far as I know they faced no discipline.
So, that was exhaustive. Those are the wings of the agency that I knew about during my time there. It feels good to get this off my chest. I've been sort-of keeping up to date on the topics coverage in mainstream media and want to give some of my thoughts on this.
If the US comes out directly and says "We have craft, we have bodies", it means we are on the verge of a serious global conflict like we've never seen before. They will only reveal this to the public if absolutely necessary. The way the information is going to come out is through people like Dave and further probing from congress. Not all of it should be public information, but I believe the technology that is just sitting... somewhere would completely revolutionize the way we live. I don't think anything significant will happen in my lifetime. It was a frustrating job, because everything was so stagnant and had so, so much potential. We're talking about technology so advanced it could render every single current global issue obsolete. If we solved two major issues with the craft and were able to manufacture them, we wouldn't know what to do with ourselves. The technology being incorporated into our technical revolution is a hoax. I heard one theory from a guy at a bar that the transistors at Bell Labs were inspired by technology at Area 51. This is a joke, the technology makes transistors look like sticks and stones.
I believe multiple species of NHI is misinformation spun up by the security team. There are mystery wings of the agency I didn't get to learn about during my time. It's possible one of these researches other species, but I doubt that.
NHI potentially experiment on us, and definitely experiment on animals. We have no idea why. The main reason you'll never see organized disclosure is because nobody can agree on what to say. We simply don't know enough. Namely, the NHIs intentions (sort-of, we have a good theory) and where they are from. The Anthropology wing believes the NHI are controlled by an intelligence that is beyond our current understanding of how life works. The biology reports conflict with this, which is why things can't be compartmentalized. If the government were to disclose info, they'd have to get the story straight. We also have no idea where they are from. "We" as in everyone I worked with. It's possible someone in high up in leadership knows. I don't think the answer is as simple as another planet or caves on earth.
The reason why specific facility locations are kept from the public is because some of them are sensitive and also not entirely NHI-researched based. It would be possible for some tiktokers and hippies to storm the first office I worked at if they were careful. Every place where the agency works is also home to other operations, which is why it's so hard to identify where they are. Lower leadership is hq'd in DC, and the upper management is split between Nevada, Australia and another foreign country. Security are everywhere and potentially even work remotely without an HQ.
I was contacted by a documentary filmaker when some of my friends were, but I turned it down due to my specific involvement and how easy it would be to track me down if I gave particularly juicy info. I believe the story will come out soon.
I no longer work in the field and teach full-time.
After a quick proofread, that's my post. I'm not tuned in to discussions other than what major outlets have to say, but I hope some of my information is interesting. It felt good to type, even if my post doesn't get accepted. I feel tempted to sign off with my first name how I always do in emails, but I have a feeling that would end badly. I'm currently on a camping trip with my family, but I'll be around to answer questions at various times. Please don't DM me anything too weird. Thanks for giving me an opportunity to talk, I've never done anything like this before. I'm sorry I couldn't provide information that proves who I am, I like not being paralyzed or dead. I'm sure you'll see others make the same claims in due time.
EDIT: Well, this is a lot. I checked on my post earlier this morning and didn't see anything. I'll try to respond to what I can. I'm recovering from a back injury and will be up for a while.

Greetings everyone! Our table has 1 opening after a long time regular has had to bow out due to their life becoming too busy to attend our weekly sessions and I was looking for another new friendly face to fill this now empty chair. Details about the campaign can be found below.
The planned campaign is expected to run for some time and be a long form one based off Ancient Greece in a world known as Thylea where a prophecy was previously fortold about the PC's and how they will undertake a quest to save the realm through battling titans, gods and even sail the great sea on top on winning personal glory and rewards with their own personal journey. This will be a late night based table. This world will also give PC's the option of using creation options that are quite unique and are found in this setting such as races, feats and subclasses. The party is currently made up of 1 fighter, 1 paladin, 1 druid, and 1 rogue and 1 bard/warlock. In addition, note that this campaign will be XP based. I know that there are players that are looking for this highly unusual time and I advise to give our friendly group a try. Sessions are every Saturday evening at 9PM EST.
There are some additional general rules for the table. I will not be accepting drama queens, loners, neckbeards, SIMPs, lone wolves, broody type edgelords, asshats, problem players, spotlight hogs, or that guy/girl. I do not want to become another horror story because of these factors. I would prefer players who apply to be familiar with Roll20 or be willing to learn it. Players will also be limited to no evil based PCs, no winged races and no UA. If you find yourself wanting to play a homebrew-based class, then it will be reviewed. Should any of this sound interesting feel free to fill out an application by following the template below and putting my name at the end to confirm you understand all info posted. I will be interviewing players over the next few days before next session. If you are interested, then fill out the application below with your information. I hope to see you soon. Cheers!
Name?
Age?
Experience:
Discord:
Character Idea:
Tell me a little bit about yourself:
What makes you stand out?
Why should you be considered?
What do you want from this adventure?

Hello,
I am a Marist Alumnus.
If you are looking at Marist for CS, it is IMPERATIVE that you do some combination of CS AND MATH courses.
Basically you want your core curriculum to cover these topics:

• Calculus I
• Calculus II
• Calculus III
• Linear Algebra
• Discrete Math
• Intro to Statistics
• Database Systems
• Operating Systems
• Compilers
• Computer Organization and Architecture
• Software Engineering II (the web dev one)
• Formal Languages

Marist College does not offer Parallel Processing course or Distributed Systems courses at the undergrad level, but it is PARAMOUNT that you take one from a respectable institution or online course.
Then take electives that suit your area of interests: ML, AI, Robotics, etc.
The tracks that satisfy this tend to be CS major + Math minor or Data Science.
I recommend avoiding the Software Development track or Game Development track.
If you have no programming experience the professors I recommend are Schwartz, Labouseur, and Gormanly.
As for the Math department I have no idea who to recommend. Whatever you do, do not breeze through courses.
I went into computer science without a mentor — mainly cause I switched from business to computer science in the 2nd week of freshman year.
If you are choosing Marist, then you probably don’t have any guidance in CS as well. If you did, you’d probably be going to a more “competitive” school as there ain’t no way your parents haven’t taught you to code by now.
So yeah, trust me. My advice will serve you well in the future.
Why should you listen to me? I worked at a few Fortune 500 companies and am doing a master’s at a “higher ranked” school (Eww prestige signaling, but no FAANG/MAANGA/BARFF — I know).
Looking back, I wish I had done my education this way.
Also, if you are a freshman, pester your professors about getting involved in the IBM joint study. DO NOT GIVE UP UNTIL YOU ARE IN!!! Alternatively, get involved in the enterprise computing lab. Again, your professors will know what this means AND DO NOT GIVE UP!!!
Also, join honor’s if you can. It’s an extra thesis. It’s not hard to get into if you didn’t get in originally. Even if you “hate” research, bite the bullet and do it.
If all goes well, you are on your way to becoming a CS GOD!
By the time you graduate, you will have learned what interests you and what doesn’t, you’ll be equipped for a Master’s or PhD later, and you will hopefully have a nice 6 figure job lined up!
Good Luck on your CS journey!
P.S. Many of the professors are IBM alumni, which may not mean anything to you, but back in the day, IBM was the Google of our time. They are very smart (even if some of the material is outdated). Get to know them. They are very kind. And what’s the point of going to a small school if you won’t build any relations with a professor?
Edit: I will fix this rambling post later to be clearer and more concise, lmao.

I am not the OOP. The OOP is u/user posting in TrueOffMyChest
Ongoing as per OOP
1 update - Medium
Original - 6th May 2024
Update - 9th May 2024
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I(29F) made my step-father(50M) an outsider at my wedding that he paid for. I need to make it up to him but I dont know how.
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I ruined the memory of the best day of my life because I was too blind to see what I was doing was hurting one of the most important people in my life. I got married 2 months ago to the love of my life, and he finally opened my eyes to what I did. He showed me the pespective I didnt understand.
When I was 5 my father left us. Just disapeard without trace. He and my mom were already separated by that point, but he was still living with us. 3 years later my mom started dating Rob. He was quite a bit younger than she was, I belive she was 34 and he was 26. Today he is very welthy (he wasnt when he met my mom) and he treats my mother like a queen. Whenever she is around him she looks like the happiest person in the world. My younger sister looks a lot like me and mom, but her personality is for sure a reflexion of her dad, always telling jokes and being just a nice person all around while me and my mom are more serious and cold.
As I got older, Rob became more present in my life he got married to my mom and she got pregnant. But it was still pretty weird seeing him as a father figure mostly because people would asume he was my brother all the time. When I was in HS, I was dating this boy, and he broke up with me at my friends house. My mom was on a night shift and I had to ask Rob to pick me up. When he did, he conforted me, took me to get ice cream, and when we got home he told me something like this (without knowing what happened) "whoever made you sad doesnt understand that you are the best girl in the world, and its their loss. Dont beat yourself up because other people are too stupid to see it"
I just said to him "I wish you were my dad". He smiled and said that he wished that too, and he could be if I wanted to. We left it at that. I never called him dad. But from that point foward I saw him as a father and I think he knows it.
I finally reconnected to my biological father about an year ago. It happened because I got engaged. When I came to my mom's house one day, he was there and I couldnt even recognise him. He was way thinner than he was when I was a kid. He struggled for years with depression and substance abuse. My mom and Rob actually helped him get clean and they even paid for his stay at a great rehabilitation center. They decided together that it was time for me to finally meet him again.
I dont want to explore much on how this was, but all I have to say is that im glad to have him back in my life and im glad for being able to help him heal. He sufered a lot, he got lost. But now he is at least trying.
Rob and my mother payed for everything at my wedding, and everything was amazing. The church was beautiful, my husband looked amazing. The one mistake I made: I chose my biological father over Rob. I chose the man that did abandon me for over 20 years over the one the took me as his own and gave me everything he could when he didnt have to. I chose the man that broke my mothers heart over the one that saved her. I dont know why I did what I did. Looking back on it I feel so fucking stupid. My dad didnt deserve to walk me down the aisle. My dad dint deserve to be in all the pictures with my mom and my husbands parents. It should have been Rob.
I dont know, I think I was compensating for the time lost with my dad. Everything was still so fresh with him. I was helping him out, he talked to me everyday, I felt like he deserved to be back in my life.
When we were deciding who would give speeches, we had to cut some because it was just too many and me and my husband didnt really like the idea of hearing speeches for and hour and a half. So we decided for 5 people each. When I gave the list to my husband he even asked "no Rob?" And I said "yeah, my mom is already doing one". The others I chose were 2 of my bridesmaids, my mom, my sister (she really pushed for it) and, again, my dad. My husband said I should reconsider, He even thought of giving up one of his to put Rob in. I said it was fine, he didnt need to do that. My whole thinking when doing this was that Rob has my sister. He will have his moment. This was the only chance my dad had.
But I went too far. I completly cut him out of the party basically. If you look at the photos it doesnt even look like he went. My mom looks like she is faking a smile in half the pictures. I dont have a single picture with him. He only apears in group pictures, and some with my husband.
I only realised all of this when I texted Rob 2 days ago, asking him about a gift im giving my husbands for his birthday. He answered. Then asked about my car that is with a mechanic friend of his. He answered. Then I asked him something about my insurance. He did not answer. A little over an hour later my mom called me. She just said "do you have no shame? Do you not understand what you did?" I just listened and she told me not to talk to Rob for now. I was just so fucking confused. I got home and told my husband and he just said that he knows what she is referencing but he will talk to her first.
Later, he showed me the wedding photos, he went step by step on everything I have listed here. He talked calmly, and broke it down for me. By the end I was crying so much that I had a headache. What an inconsiderate idiot I am. He told me that he and my mom didnt tell me anything before the party because Rob asked them not to. He understood that it was important for me for my father to be a big part of this day and when they protested he said that they should not make me worry about these small things.
I dont know what changed from before the party to now. My mom only tells me that he needs a bit of time and that he will talk to me soon. My husband keeps telling me that I made a mistake but Rob will be understanding and will forgive me. And I know that he will. He 100% has already forgiven me. He probably felt something when I was texting him that day that broke him down. I dont know what I said to trigger him at that moment, but also it doesnt really matter. I did the real damage at the party probably since he apeared to be fine with everything else before it (It was not fine by any means)
I have to make it up to him. I dont know how but I just do. I guess im just writing this here because im a little lost. Im too ashamed to talk about it with anyone else I know apart from my mom and husband. She doesnt tell me anything and my husband keeps insiting that everything will be fine and for me not to worry too much about it. And he is probably right but I feel like me not worrying about this is just being inconsiderate to Rob again. I have to worry. I just dont know what to do.
Im now at work, and the only thing I can think about is this. Nothing else matters to me right now.
If someone has any kind of idea of how I can make it up to him I would greatly appreciate it.
Edit: Literally 40 minutes after I uploaded this, my mom texted me saying that Rob wants to speak to me tonight.
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Comments
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Odd_Welcome7940
Good news: I bet Rob forgives you.
Bad news: He doesn't see you as his daughter anymore. He probably never will.
What you did can't be changed. You can't make up for it. You took the man who gave you more than any other man ever and took him for granted. You will never be able to undo it, fix it, or make up for it. Even worse, even after all that he hoped you would realize your mistake and he would feel like he raised you well enough to figure it out and try to fix it. He now also feels like you don't see him as dad, but also that it is 100% his own fault for failing you as your dad.
I suggest you just pray someday he sees your kids as grandkids and is the amazing grandpa he can be for them. Other than that? Go see a therapist and figure out what is wrong with you. Because this isn't a singular mistake inside of small moment. This was a series of repeated decisions and honestly shows you have a lot to work on.
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birbbs
I just can't get over the fact that OPs husband tried to point it out to her before it ever happened. Was she truly that oblivious?
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RevolutionaryHat8988
I want to hug Rob. We all need a Rob in our lives.
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Update - 3 days later
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First, I want to say some things before posting:
No, I am not Linda, my biological father isnt dying. Got a DM in here asking.
My sister is mostly just sad, not really mad at me. Just said she understood my situation but it still was really shitty seeing her father taken for granted and sad.
My mother is the person most pissed off at me at the moment. She is the only one that still does not talk to me. I mean she does, but not really.
For the people saying my husband and mother were idiots for not talking to me before: they agree and have told me this. My husband specially. Im not trying to shift blame here, just saying this for the people that talked about it
I was not going to post anything else on here. Not a fan of being called names and for people to keep saying that Rob should leave our family. Although Im well aware that I deserve most of everything that was said about me. The comments saying "the apple doesnt fall far from the tree" in regards to me and my biological father were the ones that hurt the most as it is a fear of mine and the reason I dont drink much and dont use any drugs or anything that could be addictive. But seeing how there are other things that could make us more similar than I realised is really frightening.
The day I posted here, my mom told me Rob wanted to speak to me and to go to their home after work. I went and waited for Rob to arrive. When he did my mom left us alone and he started off by saying that he was hurt by what I did at the wedding, that he knows he is not my father and that he would never try to force that on me, but that he at least thought he had some sort of importance in my life and seeing me just not give him any importance apart from talking to him when I need help with something made him realise that I do not view him the he thought I did.
At this point I was already crying so much that I couldnt even talk. I waited for him to finish and when he did I just told basically what you all saw in the post. That I fucked up bad, that I was inconsiderate, that he is one of the most important people in my life and that what I did was unforgivable.
The only reason I am posting it here is because of something during the conversation. He said something about my time at college and I went "but that was because..." and stoped. He asked me "what? because of what" I just said "nothing, you are right, that was my fault and I should have done better".
He was pretty angry at that point and he started to smile and we talked about me taking responsibility for my actions. Its something I am terrible at, it was an issue at my old job and since then I have been trying to be better at it but not very successfully. He asked what changed and I told him about the post. Multiple people in the comments said that I dont take responsibility and yes, they read right through me. I showed it to him and reading the post calmed him down.
And no, he did not read the comments, just the ones I showed it to him, I would not let him see what some of you were saying about my mom.
So yes, he told me if I was going to say something else to thank you people for calling me out for not taking responsibility.
We talked about a lot of other things not related to the wedding. At the end I just told him that there were 2 things I wanted to say for him to take away from this conversation: I really did mean it when I was in HS and said that I wished he was my dad. Even now, with my biological dad in my life. I still feel that way. And the second thing is that I know that it will be hard for him to believe it right now because of what happened, but I will try to prove it to him for as long as it takes.
For those interested, I`ve been going to a therapist with my biological father once every 2 weeks since he came back, but I think I need one for myself so I will try to make it happen soon.
I want to thank 3 particular commenters that helped me.

1. The person that told me to take it slow with Rob and dmed me to stop looking at the thread cause I was spiraling.
2. The one that said: "People fuck up. Sometimes badly. But in a loving and caring family it's never the end of things as long as you are willing to own your mistakes."
3. And most importantly the best comment that was fair and gave me the right advice: "You are a spoilt, selfish, childish person. I don’t know that rob will forgive you but you can’t simply wait to see if he does. Write him a letter in which you fully own up to your awful behaviour. Do not say “I wish someone had stopped me” - that isn’t taking accountability for the way you treat people. With him and your mom paying for your wedding and your in laws paying for your house - you need to grow up and reflect very seriously on how you interact with everyone around you."

I guess the post served as the letter in the scenario, thank you, that was the slap in the face I needed to realise that I need to do a lot of work to improve myself and that the wedding was not its own thing, it was a reflection of who I am right now and I dont like what I see when I look in the mirror. Also, Rob more or less told me something similar, just not as a agressive, so this comment made me take his words as not him atacking me, but trying to help me understand my flaws.
Im not sure how I will make up for this. Rob is telling me that over time, just me being how I was before my biological father showed up will be enough for him. I dont doubt him but its not enough for me. I will live with what I did for the rest of my life. I will always remember.
The way I am now I actually need people to call me out for this kinds of things and its not fair to them. I will work on it, I have to. I will try my hardest to not ever hurt anyone I love this way again. Thankfully now I have someone in my husband to help me do that and call me out if needed. Thank you.
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Comments
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not-an-op
You’re gonna feel like shit on your sister’s wedding day.
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GoodQueenFluffenChop
Sis is definitely going to go above and beyond to make sure her dad knows he is loved and honored and the walk down the aisle and the father-daughter dance will be the most lovely.
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capilot
Yes, then he'll realize that someone loves him.
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I am not the OOP. Please do not harass the OOP.
Please remember the No Brigading Rule and to be civil in the comments

Reposting without all the abusive language. Hopefully won't get removed now.
Okay, hi. This post will be a mix of a rant and a piece of advice for the upcoming candidates who wanna take the CAT exam and pursue their MBA.
Before I do begin, let me try to portray a picture of myself while being as anonymous as possible (to try and establish some sort of credibility)
I'm a GEM Fresher with a 90/91.2/79.30 profile, with 98.74%ile (99.43/93.39/99.46) in CAT 2023. I study EE at a reputed engineering college and I secured 97.84%ile in JEE 2020. I've also gotten placed at one of the Big 4. I think this is enough to let everyone know about my profile.
Aight, now to begin -

1. Personal rant - I'm actually kinda shocked I wasn't able to convert a SINGLE CAP IIM. Not even one. 0/10. In fact, 0/21 IIMs. 0 (Z E R O). I know many GEM Freshers with higher percentiles who didn't convert either but let's face it. This selection process isn't dependent ONLY on your percentiles, dudes. It's mainly dependent on your interview, your work ex, your gender, your academic background. Why do I rant and then follow up with defending this? It's because most posts I see over here are only related to percentiles.

YOUR SELECTION ISN'T DEPENDENT ONLY ON YOUR PERCENTILE - get this clear. You might have 99.5%ile but in reality, there's approx 1400 above you (not saying that's bad by any means, I've had a lesser percentile with 3.6k people above me), you might have had a bad interview oand your past acads might not have been great. Your percentile isn't everything. "99.5" looks good on paper but it could be pretty different behind the scenes.
Now that I've got the logical part of the way, lemme get to the ranting about my situation. At the risk of sounding like an a-hole, I believe I have a fairly decent academic background. I would also like to believe I have a good track record of converting interviews too (I converted IMT-G and XIMB, I also got through 3 rounds of interviews for the Big 4 company and got an offer and I've also had really good mock interviews at a coaching center). Here's my CAP Interview for the ones wondering (you can read my other interviews in my profile). Most mentors I talked to, said this should ideally be getting me above 80% in the interview. But oh well, looks like I secured a 28.xx/50 which clearly messed up my chances to get any IIM. I genuinely do think I pose to be a good candidate. There's me but... let's not forget there are MANY MANY people who have a better track record than me and are in the same situation are out there too. Better profiles, better interviews, but still no luck.

1. What is up with being all out against GEMs? Many many many top managers and CXOs are engineers. Non-engineers deserve a chance too but some colleges simply over-do it. If you've done your UG from a very low-tier private uni, you might be at an equal footing with a CS grad from IIT-B? I'm sorry but how does that make any sense? An individual who got 9.1 CGPA from a low tier private engineering college now has more credibility on paper than someone who got a 7.8 from BITS Pilani? Like how does that make ANY sense?
   
2. I genuinely do understand the entire "We don't want freshers" thing. MBA is a professional degree, you'd want professional candidates. Most MBA colleges abroad prefer candidates with work experience and... for that VERY REASON, they don't ALLOW freshers to apply to begin with. If you're going to allow a fresher to apply, you might as well give them a chance.
   

To be noted - I'm more than willing to be corrected here because my sample size might not be big enough. It just seems like the number of freshers which seem to have converted any college is much lower than the other years.

1. This might be soothing to a lot of you, including myself - Not getting an IIM isn't the end of the world. There are tons of great colleges out there as well. I've talked to a couple of people in the industry, and honestly it seems like you're better off being in a top non-IIM than being in an objectively low tier IIM. Tag isn't everything. The job market is pretty messed up and with AI coming to play at a rapid pace, you're better off going to a college with a large alumni network which is bound to do some favour to your placements.
   
2. Lastly, a piece of advice for upcoming and fellow aspirants - No percentile is safe. No rank is safe. You mess up at one part, you mess up your entire journey. CAT is uncertain. I'll list out a couple of uncertainties and my learnings to paint a full picture for the ones who might be a bit blindsided by all the Quora interviews and success stories -
   

• You get an interview call, you sit for it. You think you smashed it but the reality is, you have no idea how the panelists interpreted it. It might be completely different from how you think it went and similarly, it could be same too.
• Different IIMs change their criteria from time to time. You don't know which IIM will suddenly increase their weightage to some part of a profile. Previous year Composite Scores don't mean much. They can give a half-baked idea but please, stop taking it seriously. IIM Buddy and Azucation have done a good job at calculating and stuff but no one - ABSOLUTELY NO ONE, including the IIMs - know what's happening the next year.
• I personally think the number of CAT takers will increase this year. Literally EVERYONE I know in my friend circle is planning to take the exam. Do NOT think 99%ile is enough if you want something good. Irrespecting of whether you're an engineer or a non-engineer. Your rank matters more.
• Your interview depends on everything. How you look, how you speak, the content you say, the colour of the shirt you wear and yes, I'm sure it depends on your accent too. All of this is an integral part of the impression you make on the panelist.
• Ever heard of ISB or thought of going abroad? If you're aiming for top colleges, maybe ISB/abroad is a better option for you. It's expensive but it's worth it, for sure. Search up scholarships, what colleges interests you, reach out to their alumni. The MBAs abroad are also generally one year long so that's an added advantage.

Oh also, work hard. You work hard, you'll get to a certain standard without a shadow of a doubt. Even if everything goes wrong and you don't get the best of the best - at the very least you'll get something great.
Fairly long post so, TLDR - GEMs and GEM Freshers are in a bad situation, non-IIM isn't the end, CAT is uncertain, see if you can go abroad and please do work hard.