Twilight monologue bella speaking

A Writer's Guide to Dark Fantasy Themes and Imagery

2024.05.14 05:55 ExcitingBelt A Writer's Guide to Dark Fantasy Themes and Imagery

Explore the depths of dark fantasy writing with our all-inclusive guide on enhancing your themes and drawing readers in with symbolism. Discover key strategies, delve into the background of dark fantasy literature, and let your imagination run wild with an enjoyable writing assignment. Regardless of your level of experience as a writer or your level of interest, this guide will assist you in creating dark fantasy stories that are memorable and impactful.
Writing in the dark fantasy genre is a journey into the depths of the human psyche, where symbolism and imagery rule supreme, and it goes beyond simple stories of magic and monsters. We'll look at how to use symbolism to enhance your themes, draw in readers, and craft worlds of dark fantasy that will stick with you in this extensive guide.

Understanding Symbolism in Dark Fantasy Writing

Let's examine the history and development of symbolism in dark fantasy literature before delving into its specific applications. Gothic literature is the source of dark fantasy literature; early works such as Bram Stoker's "Dracula" and Mary Shelley's "Frankenstein" established the themes of terror, mystery, and the paranormal. Dark fantasy has evolved over time as authors like H.P. Lovecraft, Anne Rice, and Clive Barker have explored themes of power, corruption, and the human psyche.

The Power of Symbolism in Dark Fantasy Writing

A powerful tool in the dark fantasy writer's toolbox, symbolism enables you to give your works a deeper resonance and meaning. You can add layers of intricacy and depth that captivate readers and hold their interest throughout by employing symbols and imagery to symbolise abstract ideas, feelings, and themes.

Essential Techniques for Using Symbolism in Dark Fantasy Writing

Let's now examine some crucial methods for enhancing themes in your dark fantasy writing with symbolism:
Pick Your Symbols Wisely: Whether it's a menacing raven perched atop a gravestone, a mysterious amulet with dark powers, or a sinister castle shrouded in mist, pick symbols that speak to your themes and characters.
Establish Symbolic Motifs: To reaffirm themes and provide a feeling of coherence and unity, incorporate reoccurring symbols and motifs into your narrative. Including symbolic elements in your story can enhance its depth and richness. Some examples of such elements are the moon, which denotes mystery and transformation, or a colour like red, which stands for blood and passion.
Employ Symbolic Imagery: To evoke mood and atmosphere, use rich descriptive language to paint vivid pictures with your words. Use imagery to draw readers into the dark fantasy world you've created, whether you're describing a haunted forest shrouded in shadows or a dilapidated mansion full of secrets.
Investigate Archetypes and Myths: Use mythological motifs and archetypal characters as inspiration to give your narrative enduring themes and universal lessons. Using these classic themes, such as the hero's journey, the underworld's descent, or the conflict between light and darkness, can give your dark fantasy story more depth and resonance.

Fun Writing Exercise: Unleash Your Imagination

Select a Theme: Choose a theme or idea that you wish to explore in your dark fantasy story to begin with. Select a theme that appeals to you and piques your interest, such as the nature of power, the duality of human nature, or the quest for salvation.
Determine Your Symbols: The next step is to make a list of images and symbols that are connected to the theme you have selected. These could be places with symbolic meaning, animals, colours, or even objects. For example, you could use symbols like a decaying city, a black rose, or a serpent if you're examining the theme of corruption.
Create Your Story: After deciding on a theme and symbols, begin creating your story by incorporating these components into it to give it depth and resonance. Employ evocative language to create a sense of atmosphere and mood, and allow your symbols to direct the course of your story and the character development.
After writing your story, consider how the symbolism you employed enriched your themes and make any necessary revisions. Seek chances to hone your imagery or add more nuance to your symbolism in order to produce a more compelling and meaningful reading experience. And don't be scared to edit and polish your narrative until the power of symbolism shines through!

Famous Writers and Works in Dark Fantasy Literature

Dark fantasy literature boasts a rich history and a wealth of influential writers and works. From classic tales of Gothic horror to modern masterpieces of dark fantasy, here are a few notable examples:
The Cthulhu Mythos of H.P. Lovecraft: Lovecraft is recognised as one of the pioneers of contemporary horror literature, and the dark fantasy subgenre has been greatly impacted by his Cthulhu Mythos. Lovecraft's stories, replete with cosmic horror.), ancient gods, and secret knowledge, tackle existential dread and humanity's smallness in the face of cosmic forces that are beyond our comprehension.
Neil Gaiman's "The Sandman": This graphic novel series is a masterwork of dark fantasy that masterfully combines dream sequences, mythology, and folklore. With its sophisticated storyline, nuanced characters, and rich, vivid imagery, "The Sandman" has won both praise from critics and a devoted readership, solidifying Gaiman's place as one of the leading authors of contemporary dark fantasy literature.
George R.R. Martin's "A Song of Ice and Fire": George R.R. Martin's epic fantasy series "A Song of Ice and Fire" is a sprawling saga of political intrigue, war, and magic set in the fictional continent of Westeros. With its morally ambiguous characters, intricate plot twists, and gritty, realistic world-building, "A Song of Ice and Fire" has redefined the boundaries of the dark fantasy genre and inspired a cultural phenomenon with its adaptation into the hit HBO series "Game of Thrones".

Embrace the Power of Symbolism

To sum up, symbolism is a powerful tool that can enhance your themes, draw readers in, and help you write darker fantasy fiction to new heights. You can write dark fantasy stories that stick in the reader's mind long after the last page is turned by carefully selecting your symbols, coming up with symbolic motifs, employing vivid imagery, and taking inspiration from myths and archetypes.
So embrace the power of symbolism, let your imagination run wild, and set out on an amazing adventure into the shadowy depths of fantasy literature. Your readers are just waiting to be enthralled with the wonders of your writing!

Elevating Your Writing Experience

With pen and paper in hand, set off on your dark adventure, reflect on the deep experience that the GC Luxury Quill Set provides. Each stroke of the quill seems like a fall into the depths of darkness, capturing the essence of your darkest fantasies with unmatched precision thanks to its superb craftsmanship and timeless elegance.
The GC Luxury Quill Set transforms writing into an art form, drawing you into the intricate web of your own invention whether you're creating suspenseful dialogue or narrative twists. It becomes an extension of your will, channelling the raw emotion and atmosphere necessary to creating a genuinely unforgettable dark fantasy tale thanks to its ergonomic form and fluid ink flow.

My Own Dark Fantasy Realm

Hi there, fellow fans of dark fantasy! Thanks to your unflinching support, our blog—which is packed with tales and inspirations of dark fantasy—is making waves on TikTok, Pinterest, and YouTube. Even more thrilling is the fact that we're creating a captivating Trading Card Game to further engross you in Twilight Citadel's eerie mysteries. Explore the depths of the shadows with our website, where you can get eerie yet lovely phone wallpapers and posters. Furthermore, we've got you covered with free resources like desktop wallpapers and profile pictures to make sure your gadgets are brimming with eerie fantasy atmosphere. Come along with us on this surreal adventure, where fears come true and shadows dance. Are you prepared to welcome the gloom?
submitted by ExcitingBelt to talesofgwyn [link] [comments]


2024.05.14 03:11 OttoVonBlastoid Nature Of A Homeless Musician: Special Thanks/Announcements

Nature Of A Homeless Musician: Special Thanks/Announcements
Hello all! Otto here. And, as you all now know. NoaHM has finally come to an end. It's been a hell of a ride that I'll never forget. But before I move on to thanking specific people and telling you all what's in store, I wanted to be a bit mushy for a minute if you'll indulge me...

When I first heard of NoP, I was in the middle of the night shift that I'm still working to this day. I had a single ear bud in, which was TECHNICALLY against the rules, and still is but fuck 'em. And to pass the time, I listened to stories. Either Mr. Creeps' Creepypasta compilations or, in this case, Agro Squirrel's Tales From Outer SPACE series. And eventually, I heard the name, The Nature Of Predators...and it all went downhill from there as you all can well imagine.

Jokes aside, I fell in love with the story and universe and decided to check out the community. And soon, I found the very first fic I ever read on here, "My Floridian Arxur Daughter". From that point on, I was hooked. I read "Arxur Nursery", "The New Terran Refugee", "Feathers Of Deceit", "Lost In Found", "Recipe For Disaster", "Playing By Ear", and so, SO many more. The sheer amount of creativity on display was amazing. And so...I decided to try my hand at it.

I'd already written a short creepypasta, as well as a small five-part miniseries based off of one of my friends DnD campaigns, so I had a LITTLE experience, but I still hadn't taken a single writing course or knew...anything about what I was doing, so I decided to try something small. (That worked out well...)

I was in the middle of rereading "Floridian Arxur Daughter" for...maybe the sixth time when a particular scene stuck out to me. Something about it...made something click in my head. After evacuating young Chalta from the house, her big bother Carlos and his girlfriend Salisek decide to take her out on a drive, and while their driving, Carlos mentions his ability to sing, and after both Chalta and Salisek both ask for a demonstration, he sings a beautiful rendition of "Send Me A Peach" from Over The Garden Wall.

It was a touching scene, and hearing the song from Chalta's point of view clicked with me. It was by this point that I'd also discovered "Playing By Ear" by u/VeryUnluckyDice, which was essentially this "listening to music through the perspective of someone else's mind" idea made manifest. And that's where it all began. I made a post, proposing the premise of my story, and while I didn't get a LOT of feedback, most of the feedback I got was positive. And a few days later, "Nature Of A Homeless Musician: Prologue" was born, in all of its overly edgy glory. And well...you know the rest from there...

I never could have imagined just how big this story would get. It was NEVER supposed to grow this much, touch so many people, inspire so many others to make stuff themselves. Sure, I hoped that it might, but I never thought it would! But now...here we are...

I...can't put into words, how thankful I am to each and every single one of you, who gave my little idea a chance. It means more to me then I could ever describe. Ever since I was a kid, I knew I wanted to make my living by making things! At first, I thought that just meant being a Youtuber, like every cringy middle schooler does, but now...I think I get it... I've always wanted to be able to make things, and for those things to make OTHER people happy. Make them laugh, make them cry, make them smile, and make their days just a little bit brighter.

I've...long since given up that old dream... I just didn't think it was possible, not for me anyways. But you all proved me wrong. Every comment, every meme, every bit of art you guys make...proves me wrong. When I got my first bit of fanart, I cried at my monitor. Because for the first time in so long that I can't even remember, I was happy. I was so, so happy, because it genuinely felt like this dream that I've had since I was a kid was finally possible. Someone discovered something I made, and enjoyed it enough, loved it enough, got invested enough, to make something themselves just to show me and everyone else just how much they loved it.... And it made me happy, so, so damn happy.

So thank you. Thank you all so much for everything you do. Thank you for reading, commenting, replying, suggesting, joking, laughing, creating, and expressing with me. It means more than you'll ever know. And even if I don't end up pursuing writing after this, my life will never be the same, thanks to all of you.

If you're reading this, right here, right now, YOU, yes YOU... Thank you...for everything you do. And even if you don't think so, I think you're one of the most amazing people in this ass-backwards galaxy of ours. Thank you.

Now then, on to specific thanks:

u/Bow-tied_Engineer: You were literally the first person to tell me that this fic was a good idea. If you hadn't been there in the comments, I might not have gone through with it. And even since then, you've still been an absolute chad. We might not have the same taste in romance sub-plots, but I'll always respect you and your takes. Thank you, for giving me the confidence to give this a try.

u/CaptainChristopher02: The man himself. Your fic, "My Floridian Arxur Daughter" as well as "My Brazilian Arxur Nursery" were, as stated before, the very first fic I read on the sub. And your work was the first tiny spark that slowly became NoaHM. I've said it multiple times, and I'll say it again, if there was no "Arxur Daughter", there would be no "Homeless Musician". When I first started writing, I didn't even think I'd ever even meet you, but the fact that I have, and that you've joined my own little community of music and Tohba memes means the world to me.

u/VeryUnluckyDice: Reading through "Playing By Ear" for the first time was an experience I'll never forget. It was so interesting and different to almost everything else on the sub at the time except "Venlil Metal". You've done so much to inspire me and my work and even now, you're still an absolute chad and someone this community just wouldn't be the same without. I'm really looking forward to the day when our two stories really do cross. It'll be a grand sonata of sound the likes of which this sub has never seen, I just know it!

u/JulianSkies: Ever since you first started commenting on my chapters, you have been an absolutely ENDLESS source of positivity, helpful advice, information on the setting, proofreading, and all around good vibes. I always look forward to seeing what you have to say on the most recent post, and I hope you decide to stick around for whatever comes next. Thank you.

u/xskipy10: Good lord, where to even begin with you? Before, when I mentioned that first bit of fanart that made me cry, that was YOUR artwork. And that one picture, of Michael and the rest of the main cast has had such an enormous impact on not just me, but the rest of the sub as a whole. It was that one picture that gave me hope that the dream I've had since I was a kid was possible. It was your artwork of Tohba that, TO THIS DAY, Dovah is still using to award people who beat him to the precious title of "SPEED". I mean it when I say you are an absolute treasure, not just to me and my story, but to the entire NoP community.

u/OmegaOmnimon02: Before there was GuyWhoExists, there was Omega, the fastest memer in The West. You were the architect of the origianl "Rejoice! Tohba Be Upon Ye" meme, and it has since been used to this day as a form of mutual celebration for all. You've been one of my avid supporters for a long time now, and seeing another of your shitposts in the Discord never fails to brighten my day. Thank you for all that you do.

u/DOVAHCREED12: I swear, if you aren't SPEED when this post drops, I'm gonna be so disappointed. Jokes aside, I have loved and appreciated every single Venbig hug I have ever received from you. Back when I first started writing this, the "Official Venbig Seal Of Approval" was this vaunted, holy, symbol that a lowly peasant such as myself would never be able to earn. And then one appeared in my comments and it felt like freaking Christmas. Thank you so much for giving my story a chance.

u/Ben_Elohim_2020: I'll never get over just how hilarious our first meeting was. What was meant to be a quick one-to-two chapter long side trip with some shady dude in an alley completely spiraled into a giant, five-part, spat with the actual Space Mafia known as The Family. While the Twilight Valley Arc was divisive for a lot of people reading, I hope you know I had a MASSIVE amount of fun writing it with you, and I can't wait to see where you're future projects lead.

Papyroo: (Sorry, I can't remember your new Reddit name) Along with Omega, I've always looked forward to seeing what you have to say when it comes to my fic. And the impact you've had on my story can't be overstated. The Ficnapping you did is the reason that Tohba now has his blue "Tiwfish" plushie. And the events of your addition to my canon will continue to be referenced and fondly looked back on by my characters for a long time to come.

u/Spacer_Catgirl4969: I remember a time when you were still SpacerNEKO. You were always one of my most avid commenters way back when, and I always appreciated your kind words. And I still can't express how cool it was that you actually made a pixel art music video for Dohkar. It still holds up, even now. You and Guywhoexists should TOTALLY work on a project together. With your combined pixel art skills, who knows what's possible?!

u/Mini-Tonk: Well, if it isn't the Rat boi, himself. You have never once faltered in your efforts to not only support my work, but also protect Tohba from the shadows. Your efforts have not gone unnoticed, and you canonically making ME a character in your fic is still hilarious and heartwarming. Thank you for everything you do.

u/Guywhoexists2812: While you are one of the newest members of our little NoaHM family, that hasn't stopped you from being one of the most active and creative folks we have to offer. The sheer amount of memes and pixel art you've created is downright INSPIRATIONAL. Along with Skipy, whenever someone comes up with a cute idea for art, I know you'll find some way to pull through. Keep creating, King. You are no mere "Guy". You are a KING who exists!

And of course, u/SpacePaladin15 for creating this awesome universe to begin with, without whom, none of use would be here right now.

There are two other names missing on this list, but that's mostly because I'm currently working on a project with them and I don't want to spoil anything...yet.

And speaking of future projects! ANNOUNCEMENT TIME!!!!

It's been one hell of a wild ride, hasn't it? But I tell you this: THE RIDE AIN'T OVER YET!!!!! But...it will be slowing down for a while...

After working on this story for so long, (especially that triple upload. GOD, what was I thinking?!) I am in dire need of rest. So, for now, I will be going on about a month-long hiatus from posting, except for a small occasion here and there. I'll still be active in the community, especially on Discord, but you won't get any big story updates for a while.

Does this mean that I'm done and the story's over? No.

This was but the first arc in the tale of Michael Ruiz Andrews and his family. There will INDEED be MOAR!!!

More music! More hijinks! More action! More romance! More drama! More touching family moments! And, of COURSE, MORE TOHBA!!!!

There will be MOAR!!! Just not yet. My Hiatus will officially start tomorrow after a belated NoaHM Mother's Day Special. I also have a Father's Day Special planned for next month as well. But other than the occasional announcement post, you won't be getting anything story-related out of me until my break is over and I'm ready to unveil the next project I and three other creators have been working on. I won't say anything more on the project, but I will say to keep an eye out...

"But Otto!", I hear you ask.

"If there won't be any more big story updates, how will I get my fix of Baby-roo induced dopamine?! My brain requires more Tohba and Ven-floof memes to give me the goody good chemicals!!!"

Well my friend, I have just the solution for you!!! A SHAMELESS SELF-PLUG!!!

Most of you may already know, but Nature Of A Homeless Musician has its OWN DISCORD SERVER!!!!!!

We've got MEMES, STORY IDEAS, FOOD SO FULL OF LOVE THAT MAMA-ROO HERSELF COULD'VE MADE IT!

We got fanart, gaming chats, and we even plan the occasional movie night!

As well, as soon as this post goes live, I'll be adding a new channel specifically for Q&A and Trivia!
For Example:

Did you know that NoaHM was originally meant to only be ten chapters long?

Did you know Trilly and Dailo were created entirely on accident?

Did you know that the events of the FINALE have been remade, reorganized, and rewritten at LEAST four times?

Did you know...THAT TOHBA WAS BASED OFF A REAL PERSON?!

All of these things are true! And if you want to learn more about the making of this series, direct from my brain, the come on in and ask away!

All I ask in return is that you follow the rules I've laid out a generally not be a jerk. We're here to have fun and be wholesome, so let's keep it that way. I hope to see you there!

https://discord.gg/YSysvHHx

And now, lastly, here's nearly EVERY single meme bit of fanart I've received:

And once again, from the bottom of my heart, with all the love I can muster, thank you.

https://preview.redd.it/2nxhg18mia0d1.jpg?width=2388&format=pjpg&auto=webp&s=5887802bce7c20b6fe2f190ce0992be17a3f6a58
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Thank you... Thank you all...
submitted by OttoVonBlastoid to NatureofPredators [link] [comments]


2024.05.14 01:11 lilithhollow Victorian-era inspired Hogwarts Legacy writing drabble. (Ominis POV)

I love reading classic literature, specifically works from the 19th century, so I wanted to write a fan work for this game with that feeling:
“You are quite ridiculous!” came the vivacious and teasing voice of one student passing by the open window. This declaration was answered by the distinct and familiar laughter of another, carried on the autumn wind and drenched in the odor of decaying foliage and the promise of rain.
From his seat in the west wing of the library, parchment and tomes stacked beside him, Ominis Gaunt followed the sound until it vanished completely beyond the courtyard, sensations of uneasy feeling coloring his neck and ears. After a pause, he regained his senses. He shook his head, as if banishing the regretful thought that had then stolen into his mind.
“Why does he keep volunteering himself on her behalf?” He whispered, thinking of the owner of that feminine voice – a new fifth-year student at Hogwarts - an anomaly on its own merit - who had, in half the time succeeding her arrival, attained the magnetic affections of his oldest friend, Sebastian Sallow. “Of course - it’s because she’s new and decidedly beautiful.” Ominis told himself, merely speculating on the state of her physiognomy by the lilting cadence of her voice and the faint wisps of form his wand could communicate to him at a distance. Being blind since birth, he, out of necessity, had developed a magical ‘seeing eye' with the ebony tool he now pressed between his right forefinger and the book in his lap.
He hadn’t dared approach her directly when she’d first entered the Slytherin common room a month prior, for a frenzy of students had erupted around her the moment she’d set foot in it. From there, rumors spread like bees pollinating a garden after a long and depressing winter:
“The new girl had a ministry escort!”
“She was attacked by a dragon!”
“No, she rode the dragon!”
“Supposedly she was a squib before…”
“That can’t be - I heard she's a transfer student and can speak seven languages!”
“That’s a cover - her real secret was that she was privately tutored and has rare and explosively dangerous magic!”
These accounts became increasingly absurd because no one truly knew anything for certain, thus making everything possible. The girl herself was peculiarly private but charmingly polite - a combination that instantly made any would-be-pryer retreat into stuttering awkwardness. They did at the very least glean her name, which quickly became the subject of their fantastical speculations: Mélisande Clarusia Warwick.
From within his pocket, Ominis retrieved the note Sebastian’s owl had delivered him that day:
“Ominis,
Apologies for the abrupt change of plans, but our anticipated study session this afternoon must be postponed. Professor Weasley has graciously requested I accompany ‘MC’ to Hogsmeade for the replenishment of her class supplies, a task I’m sure you know I could hardly decline, given my inclination towards gentlemanly conduct. Incidentally, I cannot help but suspect Mel’s humble dismissal of her exceptional dueling prowess belies a deliberate modesty; there is undoubtedly more to her than meets the eye.
Regardless, I’ll make it up to you! If I’m not in the common room by nightfall, you know where to find me.
Sebastian.”
It did not escape Ominis’s notice that Sebastian, after weathering defeat by her in a duel during their first Defense Against the Dark Arts class together, had taken personal interest in MC and even dubbed her as such - among other names - needling her about the verbose nature of her formal title. Further, it was uncharacteristic of Sebastian to cancel a study session, seeing as he typically made any excuse to visit the library on behalf of research for his ill sister, Anne… nevermind the fact that Ominis could not recall any instance in recent memory where Sebastian had canceled on him, specifically.
After a moment’s hesitation, he refined the creases on the letter and tucked it back into the pocket of his waistcoat. He swallowed, brows furrowing and found that he no longer cared about the dancing plague of 1518 or the other contents of the book he’d since abandoned on his lap.
Sebastian did not come to dinner that evening. In customary fashion, Ominis found himself solitary - twiddling his fork on his plate - his company forsaken even by his housemates, who tended to cast upon him looks of cautious regard. They granted him a wide berth - huddling together three or four invisible student’s places apart from him. Through the soles of his shoes he felt the vibrations of doors slamming across the hall as students filtered out and the bench beneath him shifted when those occupying it left. The idle chatter of two teachers drifted across the cavernous room. Ominis sighed, folding a leaf of wax paper over a blueberry muffin.
“She was missing too…” he noted passively and wondered if he ought to have purloined a second muffin from the banquet table.
He held his wand aloft as he rose, a crimson bead of light fluttering like a heartbeat on its tip. The sensation of structures - rows of oak tables and benches - extended across the space before him. As he walked, he approximated the mass of these objects: how near they existed to his kneecaps, how firmly they were anchored to the floor - all actions thoughtlessly natural to him.
The passageway led from the Great Hall into the Viaduct Courtyard and a faint chill heralded that twilight had fallen upon the surrounding landscape. The tumult of student life had withdrawn for the night, taking with them a clamor of distracting noises and smells. Ominis meditated on the silence, finding solace in measuring the rhythm of his footfalls as he paced across the leaf-littered earth.
He imagined Sebastian with his freckled nose buried in a book in the Undercroft and smiled.
“It’s not the first time he’s worked through dinner,” he reminded himself. “Anne is lucky to have such a brother.” A pang of sadness worked dully at his chest following the mention of Anne’s name. Nothing had been quite like it was since before she’d fallen ill. “Even Sebastian’s laughter seems contrived these days.”
Suddenly a thunderous crack echoed across the hillside to his right, akin to a bolt of lightning striking a tree. Ominis jolted so forcefully that he nearly dropped the muffin in his left hand.
“W-what was that?” He gasped, his head swimming with adrenaline. The atmosphere reeked of burnt timber. Swiftly, he sought the protection of the cloister, his wand hand sweeping the clearing.
The path beneath his feet dropped into a series of stairs ending where the Black Lake licked the limestone and wooden boats rocked innocently in the building below. To the muggle, prepared to dismiss the absence of petrichor, this artificial thunderstroke might have signified a distant storm but Ominis knew well the vast and formidable traits of magic.
Someone was dashing up the stairs to his left - their feet tapping like raindrops on the hard surface. Ominis pressed himself plumb against the column and held his breath.
Her scent preceded her - like honeysuckle, mild and sweet. Following closely, the sound of her breath, quick and shallow, as though from a brisk sprint. The swish of her robes marked her entrance, swift and fleeting. In a moment, she vanished through the nearest castle door, oblivious to the presence of an onlooker.
Ominis found himself immobilized by his perplexity. He had, he was sure, sensed some great surge of energy, unlike any he had previously encountered, as she glided past him. An enigmatic metallic tang lingered on her garments, its quality imprinted on his senses. As he reviewed the day’s - no - the month’s occurrences and considered Sebastian’s recent preoccupation, a daring notion began to take root in his mind:
The new girl was forging a novel strain of magic.
submitted by lilithhollow to hogwartslegacyJKR [link] [comments]


2024.05.13 23:36 MildlyTiredSkeletons Its not what you say, it's how you say it.

I am so sick of being in the wrong. I'm sick of thinking anything I say is normal and okay, I am told is wrong, inappropriate, none of my business. I am sick of feeling like I have the wrong manual for life. I am sick of feeling like I am constantly correcting myself, apologizing for myself and trying to explain myself. I'm tired of asking "Why is it always my fault? Why am I always in the wrong? Why is always me?" Im tired of feeling angry. Im tired of feeling anxious. Im tired of knowing if I speak up about somebody offending me or causing me harm or a wrongdoing, Im going to hear about everything Ive ever done wrong instead of what that person did to me. Im tired of monologues from myself when my emotions come out. Im tired of not having normal conversations. Im tired of feeling like I cant have one day where Im okay & didnt do anything wrong. Im tired of anticipating the next fallout, argument or perceived wrongdoing. Im tired of getting annoyed with other people. Im tired of losing my patience with the smallest noise that bothers me. Im tired of all my conversations with loved ones being tense because everyone's afraid of my attitude. Im tired of me.
Im tired.
submitted by MildlyTiredSkeletons to aspergirls [link] [comments]


2024.05.13 22:52 Mr_Salami Help, I learned how to act with a Scottish accent and now I can’t learn any other accents.

I did a play where a voice trainer spent a lot of time with me teaching me to do a Scottish accent which I didn’t know how to do at ALL at first. Well, including rehearsals, this play went on for a few months, so I spoke in this Scottish accent a lot. I could still speak in my American accent in my daily life but I switched into Scottish for the play. It really became second nature and I got really good at it.
Before this, I could do a variety of accents. They weren’t nearly professional, they were very amateur and just for fun, but I could somewhat do them and they all were distinctly different.
Now, there’s auditions coming up for a play where all the characters have British accent and I’m to perform a monologue showcasing a British accent. I’m watching videos and using online resource but it’s like my brain won’t let me speak in any other foreign accent other than Scottish! It’s making me want to bang my head against the wall, I can’t escape it or make any progress!
Anybody have any tips? I put Dialect Work on my resume because it’s true due to the last play, but now I feel like a phony because I’m a one-dialect pony.
submitted by Mr_Salami to acting [link] [comments]


2024.05.13 22:30 shione-shirakami Predicting Yandere Simulator great twist : Ayano and Megami

Most of you are probably already aware of this theory. It has been around for years. The great twist of Yandere Simulator will be the reveal that Megami and Ayano are sisters.
This had been a widly accepted theory since the release of Megami's first design, back when she still had black hair. Her design at the time was extremely similar to Kill la Kill character, Satsuki Kiryun. For those who are unaware, Satsuki is the main antagonist of the anime, and the president of the student council the protagonist attends. The plot twist of the anime is that she is the protagonist's sister.
Considering Alex knows about Kill la Kill, as proven by several easter eggs, it's likely he decided to use the same plot twist for Yandere Simulator. Megami's design was changed to not give it away immediatly, but of course, Alex couldn't keep his damn mouth shut, so there are many, MANY details that confirm this theory. I said details ? I should have said pages.
However, I feel like a lot of people are glossing over many details about this theory, and have many misconceptions about it. Notably, about how Megami and Ayano are related. So I decided to give my own theory, including all the... uh... subtle evidences we get in the game.
Crazy Grandpa master plan
No need to beat around the Saikou family's bush (or should I say tree, wink wink), you probably know about the Saikou Grandpa eugenics tendencies. His goal is to create the perfect human being, and he plans on using that by acheving the perfect combination of genetics.
So you might not know about this, but there are two major theories about the development of an individual. It's nature against nurture. Is an individual as he is because he was born this way, or because he grew to be this way. Is a person a blank slate at birth, or is their individuality already present from birth. This plays into determinism, I won't go into more details for a Yandere Simulator dumb theory, but you can look it up if you're interested.
So, to go back to Crazy Grandpa, he was probably on the side of nature at first. He only reproduced after he found the perfect wife, as he didn't want his gene pool to be "tainted", going as far as to DNA her on random shit. How did he DNA test her in the 60s is anyone's guess but let's move on.
The result were two children, Ichiko and Ichirou. Ichiko was raised rather normally, and ended up leaving the Saikou family as she didn't want to become the CEO. Crazy Grandpa saw it as the failure of his belief in nature, and decided to switch to nurture with Ichiro.
So Ichirou was raised with high expectations, to the point he acted like a robot, but Crazy Grandpa was very proud about what he had become.
Saishou carefully designed a very specific upbringing for Ichirou in order to encourage the development of specific personality traits and interests, and discourage the development of any attribute that he considered to be 'unnecessary'.
The boy spoke formally at all times, never expressed emotion, and rarely changed his facial expression. The Saikou family's attendants often wondered if the boy was still capable of independent thought, or if he was simply an empty shell that had been trained to carry out his father's will." Beside that, nothing else is known about his personality.
Familiar, isn't it ? We also learn that this is Saisho's conception of an "ideal person".
It is mentionned Grandpa was the one to chose Ichirou's wife, with the same criteria as he chose his own wife. Again, a perfect wife, because he didn't want his son to waste all the work he had put to this point to have a perfect bloodline. To this point, grandpa got the living proof that nurture works, but he still can't let go of his belief nature plays a part in it.
If only there was a way to run an experiment that could give an answer to this question...
The theory
The sisters theory is that Megami and Ayano are sisters, but there are usually divergences on how they are related. Keep in mind that I will be using the old timeline from 1980s mode as a template. It's already inaccurate as Yandere Simulator isn't set in 2022 anymore, but in 2026. But I don't care, the events probably play the same way.
Megami and Ayano are revealed in this timeline to have been born in the same year. You'll notice that the timeline mentions the birth of "Ryoba's daughter", and the birth of "Ichirou's daughter". Keep in mind that Jokichi isn't mentioned as Ayano's father.
And that's where we come to the main misconception in this theory.
Who are Megami's parents ?
Ichirou is obviously Megami's father. However, many have theorized that Ryoba is Megami's biological mother. This theory goes both way, either Megami and Ayano are twins separated from birth, or Saikou kept an egg from Ryoba and inseminated the Wife. This would make her Ayano's maternal half-sister.
I don't suscribe to this theory. Well, first of all, considering the timeline, Crazy Grandpa was the one behind the deal we'll mention later with Ryoba. I don't think he would have wasted his time finding a wife with perfect genes for his son if he had planned for her to only be an incubator.
Also, another reason, Megami's little antenae. It's a part of her design that she gets from her mother. The Wife is also mentioned to have given birth to two children, Megami and Kencho, which wasn't a necessary precision. Alex would have probably found a way to circumvent this if she hasn't really have birth to Megami.
So no, sorry, Megami probably isn't a yandere.
So... if Ayano and Megami aren't related throught Ryoba... how are they sisters ?
Through Ichirou. Simply enough.
Yeah, as great of a dad Jokichi is, he is probably not Ayano's biological father. Ayano is a copy paste of Ryoba, so he doesn't share anything in common with Ayano design-wise, that could indicate he is indeed her father. We don't even know that much about him as an adult. The Characters page doesn't mention him being Ayano's father, he is only described as the student he was back in the 80s.
However, Ichirou is described as extremely similar personality wise to Ayano. While Ayano is probably emotionless due to the Aishi curse, she is way more stoic than Ryoba in her own mode. But that's still a weak evidence, this is way I will back this up with the timeline.
We know that Ryoba has given birth to a daughter very late compared to her own mother and grandmother. These reasons are said to be plot related and big spoilers. Again, Ayano's father isn't mentioned as a parent, only Ryoba.
I recently went through my text document that lists all character ages and birthdates and changed a few things. Aishi women now give birth at 18. Ryoba, however, gave birth at 31, for plot-related reasons that will be revealed in the true ending (or perhaps in the basement tapes).
So, this is my own theory on what happened.
Just shut up and tell us what happened already
In the timeline, it is mentioned Ryoba's mother kept her Senpai in her basement. In 1984, when Ryoba was still a child, Saikou Corp renovated all the houses in Buraza Town for free, including Ryoba's house. Why was this even mentioned ? Because it was the first meeting between the Saikou and Aishi families.
Crazy Grandpa found out about the weird shit happening in the Aishi's basement. He learns about the Aishi curse. He decides to keep an eye on the Aishi's daughter at Akademi. Everything Ryoba did to get her Senpai convinces him the Aishi gene is the perfect gene to create an emotionless heir.
Kocho is extremely reluctant to let Ryoba return to the school, stand on a stage, and hand her a diploma but was told by Saisho Saikou to let it go.
He orders his men to abduct Jokichi as an hostage, so she would agree to have a meeting. That's when they made a deal, that Ryoba would be the mother of the future Saikou heir. But not only is Ichiro not old enough, he wants to find the perfect wife for him. She can marry her Senpai and have well paying jobs in the meantime.
Ten years after that, Ryoba has a meeting with Saikou and his son. And according to Kencho, she is apparently a regular.
She walked straight through the waiting room and directly into Mr. Saikou's office, without even speaking a single word to the secretary.
How long had that woman been coming here? How often? What business did she have here?
Kencho asks the secretary details, and we are told :
The secretary was silent for a few moments, and then gave me some generic platitude about how "the details of Mr. Saikou's appointments must be kept strictly confidential."
So either Saisho fired the previous secretary, or this meeting must be extremely confidential. Because that secretary was a huge gossip when it came to Ichiro and Saisho's falling off.
We get the confirmation it is a big deal as all the employees act the same at the mention of Ryoba.
When they saw how distraught I was, they were eager to help, but...
...When I asked them about that woman who just walked by, they... their attitudes changed in a heartbeat.
They slowly turned away from me and returned to their work in silence.
They ignored me, as if I wasn't even there! I haven't been treated like that since I was a schoolboy!
It was as if that woman was a taboo subject that no-one was allowed to speak of...or that...
He asks about her several times but Crazy Grandpa shuts him down. Kencho mentions Ichiro was there for all the meetings, but he has only heard him speak a handful of times. However, we also know that Ryoba and Ichiro have spoken with each other.
2004, Ichiro is in his mid-twenties. He gets married to the Wife. That's when his two daughters are born : Megami is born to the Wife, as the official heir to Saikou. Ayano is born to Ryoba, away from the Saikou family, as the bearer of the Aishi curse.
How exactly what Ayano born ? It is unlikely Ryoba would have cheated on Jokichi, which is why many have theorized on an insemination. Considering Saikou is a tech company, it's not out of reach.
He had two children, in accordance with his father's wishes; 'One as a backup in case the first child fails you.'
Yes, this might refer to Kencho. But this might also refer to Ayano. After all, Saisho did have twin daughters, before having a spare...
One was raised to be emotionless. One was born emotionless. It was the old debate, nurture against nature. Which one would produce the perfect heir to the eyes of the Saikou ?
Crazy grandpa retires in 2019, right before Megami and Ayano enter Akademi, and Ichiro becomes CEO.
Ichiro wants to select the perfect heir. And for that, he decides he will select the one who will come out on top, between Megami and Ayano. He seals a deal with Kencho about Ayano.
There is...one tape...that I'm already prepared to part ways with... The tape I made after Mr. Saikou's recent, ah...demands. It's far, far too risky for a recording like that to exist... That one...must be destroyed...immediately.
We know this deal is about Ayano. When Kencho kills Ayano as he feels threatened, he says "Mr. Saikou, the deal is off".
Ryoba and Jokichi both work for Saikou. We know from the headmaster that Ryoba and Ichiro have frequent meetings. She is able to walk in his office regularly. Why ? To discuss their daughter.
When Ryoba announces they are going to America, and Jokichi worries about their job, she says she gave a call to their boss and "he was very understanding". I used to interpret this as their boss being scared of Ryoba. But if their boss is Ichirou, there might be a reason he was so understanding. If Jokichi and Ryoba were to get away from Buraza Town, they wouldn't get in the way of his plans.
After Ayano disposes of Osana, we get a cutscene where he is on the phone with Ichiro. He seems very pleased with the unfolding events, and tells Kencho these deaths are "necessary casualties" for the "progress of science". Normal CEO activity, nothing wrong here.
But Megami also learns about this, as she is aware of the presence of a dangerous individual. Either Ichiro told her, or she might have discovered it by herself. Ichiro keeps her away from school for several weeks. She attends school through Zoom.
In very early builds of the game, you could find a laptop in the school. You would get to see Megami as a shadowy figure, back when she still had black hair. And here's her monologue :
I know who you are. I know WHAT you are. My father won't allow me to attend school while you are... "active". He has a reason for tolerating your presence at this school. I don't. You are a vulgar creature that is only allowed to exist because you serve a purpose. If it was my decision, then every last one of you would be exterminated.
And here's the end of Megami's description.
Megami clearly has some very important information that would cause her to go to such extreme lengths...but what does she know? Does Saikou Corp have anything to do with it? And, more importantly, does Senpai have anything to do with it?
So yeah, that's it for me folks, I'm putting the tin foil hat away and going back to my regular activities. If you have any counterpoint or anything to add, please tell it in the comments.
submitted by shione-shirakami to Osana [link] [comments]


2024.05.13 22:09 Key_Speed_9748 Strattera (Atomoxetine) immediate effects? Medication help

Hello all,
I have begun looking into medications that will work for me and have been able to try 3 kinds.
Strattera 25mg
Vyvanse 10mg
Adderall 10mg
Here's my questions:
  1. What the hell was going on with Strattera? I miss having the "no thought head empty" levels of focus, but the zombie feeling was a little concerning.
  2. Should I tell my doctor that I will stop taking adderall and we can work out the insurance issue? Or should I stick with it for another week and see if it improves?
submitted by Key_Speed_9748 to ADHD [link] [comments]


2024.05.13 21:50 Ambitious_Branch_946 Paul & Chani's Intimate Scene

I haven't seen a lot of discussion about this, perhaps because maybe we aren't comfortable talking about intimacy outright, who knows. But I just wanted to create a space to appreciate the intimate scene between Paul and Chani, and how tastefully done it was. Kudos to the whole team--to Denis, the writers, the intimacy coordinator, the actors, everyone.
This scene was so impactful! My friend and I call it "the breathing scene." It doesn't hit you over the head with explicit imagery. Yes--it's PG-13, I know, but we were just so impressed with how the scene did not need to rely on overt content. You immediately understood the closeness between the characters, from the way they look at each other, to the speaking tone they use, to the way they each touch each other’s hair during the scene, to the tender kiss between then as they move apart. The scene shows us that clearly these are two people who are comfortable with each other and enjoy each other. It is so authentic that you almost feel wrong peeking into their intimate lives. ((Also, through their breathing, we get the sense that they were expending serious energy just moments before (lol). They were winded! . . . which, for desert warriors, means a lot.))
And then they proceed to have a very natural conversation--about wanting to be together forever, about their fears. It's gives us that sense of pillow talk that real couples experience.
Finally, given how the sound of breathing dominates the scene, it also dovetails nicely with Paul's line: "As long as I breathe." I loved the choice to have Chani ask, "Will you always be with me?" in Chakobsa and have Paul respond, "As long as I breathe," in English. Each of them are speaking in their native language, which is something unique and intimate to couples who speak different languages. It made the lines feel more authentic to their characters, because you speak most genuinely when you use your native language.
To me, the scene, in part, serves the purpose of showing us what the true Paul thinks--because, arguably, when Paul interacts with Chani is when we get the clearest sense of his internal monologue. It is also representative of the summary of the ambivalence of their relationship: it is full of both desires and fears. Chani is drawn to Paul but simultaneously concerned about what he is doing and the role he has taken. Paul wants to be with Chani but has to make choices that hurt her(for her—as we learn in Dune Messiah and Children of Dune).Their relationship is tormented. So we can literally observe that in this scene as a microcosm; we go from intimacy and joy to worry and concern in a matter of seconds.
I just wanted to create a space to appreciate this scene. Anyone else have feelings about it?
submitted by Ambitious_Branch_946 to dune [link] [comments]


2024.05.13 19:20 GCIlanguageIELTS CELPIP vs IELTS – Comparing Test Preparation Strategies for Success

Are you contemplating between the Canadian English Language Proficiency Index Program (CELPIP) and the International English Language Testing System (IELTS) for your language proficiency assessment? Understanding the test formats and devising effective preparation strategies are crucial steps towards achieving success in these exams.
In this comprehensive guide, we'll compare the test formats of CELPIP and IELTS and provide tailored preparation strategies to help you excel in both assessments.

CELPIP and IELTS Test Formats

CELPIP Test Format:

CELPIP evaluates candidates' English proficiency across four language skills: Listening, Reading, Writing, and Speaking. The test format includes the following components:
· Listening: Assessing candidates' ability to understand spoken English in various contexts, such as conversations, news items, and lectures.
· Reading: Evaluating candidates' comprehension skills through passages, advertisements, and other written materials.
· Writing: Testing candidates' ability to convey information effectively through tasks like email writing and essay writing.
· Speaking: Assessing candidates' spoken English skills through tasks like describing images, providing opinions, and participating in discussions.

IELTS Test Format:

IELTS also measures candidates' English proficiency in Listening, Reading, Writing, and Speaking. The test format comprises the following components:
· Listening: Candidates listen to recordings of conversations and monologues and answer questions based on what they hear.
· Reading: Candidates read a variety of texts and answer comprehension questions, including multiple-choice, matching, and short answer questions.
· Writing: Candidates complete two writing tasks: Task 1 involves describing visual information, while Task 2 requires essay writing on a given topic.
· Speaking: Candidates participate in a face-to-face interview with an examiner, discussing familiar topics and responding to questions.

Test Preparation Strategies: CELPIP vs IELTS

Listening:
· CELPIP: Practice active listening skills by focusing on key information and understanding various accents commonly encountered in Canadian English.
· IELTS: Familiarize yourself with different accents and speech patterns by listening to a variety of English audio materials, including podcasts and news broadcasts.
Reading:
· CELPIP: Enhance reading speed and comprehension by practicing with diverse reading materials, such as newspapers, magazines, and online articles.
· IELTS: Develop scanning and skimming techniques to efficiently locate information in texts and practice answering comprehension questions under timed conditions.
Writing:
· CELPIP: Focus on organizing your ideas logically and concisely, as CELPIP writing tasks require clear and coherent communication.
· IELTS: For better IELTS writing practice, pay attention to task response and coherence in your writing, ensuring that you address the prompt effectively and present well-developed arguments or ideas.
Speaking:
· CELPIP: Practice fluency and coherence in spoken English by engaging in regular conversations with native speakers or language partners.
· IELTS: Familiarize yourself with the IELTS speaking test format by practicing speaking tasks with a study partner or tutor and recording yourself to assess pronunciation and fluency.

Striving for Success

Preparing for both CELPIP and IELTS requires dedication, practice, and a well-rounded approach. By understanding the test formats and implementing targeted preparation strategies, you can maximize your chances of success in either exam. Whether you choose CELPIP for Canadian immigration purposes or opt for IELTS for academic or immigration purposes, thorough preparation is key to achieving your desired scores.
For comprehensive preparation resources and expert guidance tailored to CELPIP and IELTS, consider partnering with GCI Language. With innovative language learning solutions and personalized support, you can embark on your journey to English proficiency with confidence.
submitted by GCIlanguageIELTS to u/GCIlanguageIELTS [link] [comments]


2024.05.13 18:34 Winniehiller IF YOU HAVE AN AUDITION & YOU’VE HAD NO PREVIOUS ACTING TRAINING…WHAT DO YOU DO?

Lately I’ve had several posts on actingclass of people looking for monologues for an audition. They explain that they have “no previous acting training”. If you are in this position or hope to be, read on! Here are the cold hard facts and what you can do about them.
First of all, it depends on how important this audition is. Is it a professional production…a school or community production? Is it for an agent? How important is it to YOU? Whatever it is, you want to do well. The people who will see your audition will be forming an opinion of you as they watch.
Picking a random monologue, memorizing it and reciting it for someone, isn’t going to do anything good for you. Acting is so much more than that. What you choose and how you do it is crucial. They want to be able to believe you are your character. They want to see interaction and you responding to the person you are speaking to. They want to see you using your words to change the other person.
You only have one chance to make a first impression and that can last a very long time in the minds of the people you want to impress. Even school and community theater can be competitive. And in the professional world of acting in theater, film or tv, it’s like trying out for the Olympics. You are up against the best of the best.
People fantasize about being completely unknown and inexperienced and suddenly being discovered by a big tv or movie producer and cast as the lead. This NEVER happens. There is only one way to get signed for that kind of work. You need to be the best actor they see. In fact, that is true for any audition you do. No one chooses the fifth best actor (unless it’s a close family member). They don’t choose the second best actor. They only want THE BEST.
So how do you impress them if you’ve never acted before? Very simply…you can’t! Chances are, if it’s something worth doing there are going to be lots of actors there with tons of training and experience. So you need that too. Even if you did a small part in a middle school play and have always dreamed of doing more—It’s not enough. Acting is a skill that takes practice and guidance. You can’t “wing it”.
So what about this audition you have? If you think this a a huge opportunity and there is limited time to prepare, you need private coaching with an experienced and insightful teacher. I do this for new (as well as very experienced) actors all the time. I help them to find the right monologue—one to show they are right for and can handle the role in question. Or I coach them on audition material they have been given. All my lessons are recorded so you can rewatch them or even edit them to submit for self-tape auditions. This is the fastest way to prepare for an opportunity you don’t want to waste.
Auditions are nothing to take lightly. Each one is a precious gift that you should never take for granted. Each one is a building block, constructing your reputation as an actor. Your audition (or anything anyone sees you do), must be compelling as well as show a variety of emotions as you connect to another character. It needs to be at a professional level, prepared and skilled with purpose and relationship in every word. No one wants less than that for their project. No one takes on a beginner in a major production. Movies, tv shows and even theater productions cost too much to risk their success on beginners. Actors need to be assets, not a gamble. If you want to be hired, you need the skills.
Now…if you have time and that big “opportunity of a lifetime” is still in your imagination, you are in luck! Still there is no time to lose. There are some simple (but not so easy) steps you must follow. When you do all that I describe below, you WILL BE A SKILLED ACTOR. You just need to get started.
I am Winnie Hiller, a professional acting coach in Hollywood who has been on set of a TV show everyday with a celebrity actor for 14 years. Before that I taught for decades in NYC and LA. Here is a video of some of my STUDENTS TALKING ABOUT ME AS A TEACHER. The students in my Zoom classes are warm, welcoming and come from all over the world. For many this class has changed their lives. Here are the steps you must take to get you on that journey.

STEP NO. 1 - GET INVOLVED IN ACTING CLASS!

This sub is a GOLDMINE of information about acting and the business of show business. There are over 60 free WRITTEN LESSONS that will Introduce you to insightful concepts about the craft. They will open your eyes whether you are new to acting or have been studying all your life. There are over 100 free VIDEO LESSONS that will illustrate and demonstrate the concepts in the written lessons. Watch them from the bottom up. Read and watch and you will understand acting in a new profound way. It’s a great first step!

STEP NO. 2 - INTRO TO ACTING ZOOM CLASS

INTRO TO ACTING CLASS - WEDNESDAY EVENING at 4:30 PM PACIFIC. CLASS BEGINS MAY 15
Step 1 will help you so much, but to really become an actor, you need regular hands on training with a professional who knows what is required to have a real career and can guide and direct you. If you are new to my technique or you are just getting started in your acting career, this is the class where I can personally help you start applying my techniques to your own work. Being in class every week, working on a monologue, learning to use every word to its fullest will become part of who you are as an actor. All the basics will be covered and I will work intensely with you to make sure you can apply them. The sessions are five weeks long with a Showcase Broadcast on week five. All classes are recorded and sent to students to review afterwards. This way you can see your progress for yourself, and take notes on all the guidance I have given you. You can sign up HERE

STEP NO. 3 - SCENE STUDY CLASS

Think of THE SCENE STUDY CLASSES as an escalator step that you can ride all the way to the top. Besides learning to apply your new knowledge to working with other actors, developing characters, and creating compelling performances, it’s like an “acting gym” where you can exercise your acting brain and keep all your skills tuned up and ready to go. It’s where students who have learned the concepts explained in the written and video lessons get to put them to use by doing scenes from tv, film and theater with my intensive feedback and guidance in real time. Working with a scene partner each week is priceless experience that will serve you the rest of your career as you learn what will make your performances unique, specific and professional level “WOW”. These are the skills you need to acquire for a professional career, giving performances that agents and CDs can’t say no to. Sessions are 5 weeks long and are ongoing. Videos of every class are provided and there is a Performance Showcase broadcast on week 5.

STEP NO. 4 - ADVANCED AUDITION TECHNIQUE

ADVANCED AUDITION TECHNIQUE is another one of those “escalator steps” that will help you throughout your career. If you are not getting enough auditions (and who is?) or you haven’t started auditioning yet, this is the way to make sure that when opportunities arise you will be able to “knock their socks off”. Get thrown a weekly challenge to create a self-tape from new audition sides. Work on film and TV scripts, commercial copy and the all important “Slate”…in real time, with the high pressure demands of a real, professional audition. Students receive their audition sides a day or two before class. They must create a professional quality self tape with their slate. The tape is played in class for my critique and coaching, then they give their callback performance, attempting to implement my direction. All in one class day!
If you have an important audition coming up—message me. If hope that opportunity will come, get acquainted with this sub. Scroll down the actingclass page and see all that there is here…lessons, videos, questions and answers. Don’t wait any longer. If you’ve always wanted a chance to be “discovered”, get ready for it! I’ll help!
submitted by Winniehiller to Actingclass [link] [comments]


2024.05.13 16:55 OttoVonBlastoid Nature Of A Homeless Musician: FINALE: Part 8: The End Of An Era

Special thanks to u/SpacePaladin15 for creating the NoP universe.

I'd also like to thank u/xskipy10 for their awesome fanart of the main cast as well as their recent Tohba meme and their fanart of Michael baysitting. You're work is a treasure!

Thank you as well to u/Accomplished-Golf-59 for his take on Michael, Teylim, and Tohba in his submission for the Banner Art Contest, and u/Spacer_Catgirl4969 for their awesome music video featuring a pixel-art Dohkar in his bar. Be sure to give ALL of these awesome creators your love and support.

And let's not forget u/Guywhoexists2812 who has been an awesome source of memes as well as sick pixel art, such as THIS and THIS!!!! And even THIS!!!!!! And how could I forget THIS!!!!!!!!!! Thank you so much!

Today, we join Dohkar as he finally completes his mission and puts an end to the horrors of the Five Meadows Guild once and for all. Now all that's left...is to pick up the pieces...and prepare for whatever comes next... And finally...a family is made complete... LETTUCE...continue...

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Songs Mentioned/Used: N/A

Memory Transcript Subject: Dohkar, Venlil Bartender Date:[Standardized Human Time] January 16, 2137

I’m not sure what I expected to see or experience when I finally caught up to Albiel, but it wasn’t this. What I saw before me had me completely off-guard. Albiel, on the ground, with a plasma burn straight through his knee, and standing above him, was…

“Jerrick…put…the gun…down…”

I held my paws up, doing my best to talk him down. I hadn’t even SEEN Jerrick since the concert. Honestly, I hate him for what he tried to do to Mike, but looking at him now…all I felt as pity…

His fur was stained from dirt, grime, and stars know what else. Just like Teylim, he had a collar around his neck, and his ears weren’t so much as pinned back, as they were just play glued back from all of the filth he’d no doubt been wallowing in this whole time. Albiel really did just lock him away in a cell the moment her was no longer useful.

“HE DESERVES IT!!!”

“I know. Believe me, I know. But this isn’t the answer.”

Sure. I hated Albiel. I despised him. I detested him. And yes, I wanted to kill him, too. But for people like him, death alone isn’t enough. And it certainly wouldn’t help Jerrick in the long run.

“Jerrick, listen to me. You’ve been through this exact situation before. At the concert, remember.”

He flinched as soon as I mentioned that paw.

“You could’ve hit that shit dead on. You and I both know it. But you missed on purpose, didn’t you?”

Jerrick’s shaking got worse and worse. I could see the conflict happening behind his eyes. I could tell I was making progress when I saw the small twinkles building up in the corner of his eyes.

Poor kid… Just a kid…

“I…I-I just wanted a… j-just wanted him to-“

“Be a father. I know… That’s what we all wanted. We were just pups, with no one to love us, to care for us, to help us grow.”

At this point, I felt like I was talking to both of them now. I slowly took a step toward them, and then another, and another. I looked down at the pathetic monster at my feet. Bleeding…broken…and for the first time I think in his life…afraid…

“We didn’t want some ‘grand purpose’. We didn’t want to inherit some empire. We just wanted a family.”

I looked at Jerrick. I’d managed to get right next to him. I didn’t grab for the gun. I simply kneeled down beside him, and spoke calmly…

“That’s why you missed, isn’t it? You saw what Mike had. You saw what you’d be taking away from them.”

“It’s not fair… It’s just not fair…”

“It never is…but you have to understand that you CAN still have that. I’m the proof. If I was able to walk away, and have a chance at a life and a family, then so are you.”

For the first time, his eyes left his target and met mine. At that moment, I saw Jerrick for who he was, without any of the dogma, arrogance, or misplaced loyalty. He wasn’t an exterminator, PD patient, or a murderer. He was a child, just a child who lost his way.

“You didn’t have to pull the trigger then, and you don’t now.”

It was only then, that I held out my paw, and with more than a little hesitation, Jerrick handed it to me. Before I was tempted myself, I threw the thing down the hall. Before I could do anything else, I heard that same, smug, arrogant, if slightly choked up laughter coming from the absolute disgrace behind me. I turned to face my father, my abuser, my monster as his signature look of pride came back, his stupid horn glinting in the light of the building’s ceiling lamps.

“So that’s it, then? Just like that? Where is all that rage and fire I saw in your eyes, when I held that sub-sapient primitive in my grasp, and threatened to find and kill that spawn of hers?”

He’s baiting you.

I know.

“Even when you’re saving my life, you’re still a disappointment, Dohkar.”

“I’m not saving your life, I’m just prolonging your death.”

I held an arm out to shield Jerrick. I wasn’t going to let him bait me into attacking. Instead, I’d turn his stupid trick against him, and I wanted to make sure Jerrick was safe.

“You don’t deserve to die, Albiel. You deserve to LIVE, to sit in a cell and rot just like all the others whose lives you’ve helped ruin, and watch as everything you built crumbles down around you. You’re no leader. You’re just a pathetic disgrace to weak to stand on your own if you aren’t stepping on someone else to feel taller. And I’m going to make you live with that fact for the rest of your miserable life.”

And then, just a moment, the mask slips one last time…

“I’LL KILL YO-“

Whrp-prrrck!!!

Before he can lunge at us with the last of his strength, my tail wraps around his neck, and before he can choke out another word, his head is slammed into the ground…at just the right angle…to snap that horn of his at the base.

SLAM!!!

CRACK!!!

Just like that, it was over. Jerrick let out a shaky breath, staring down at our unconscious father figure. Before he broke down completely, I pulled him into an embrace. We just sat there, him crying, and me holding him in what was probably the first real hug he’d ever recieved.

“It’s alright, son. It’s over… It’s over…”

Eventually, he finally ran out of energy, and fell asleep. Once everything was calm, I placed a finger to my ear piece.

“This is 1-2 Dohkar. VIP subdued. Objective complete. Patients evacuated. Hostages secured. All hostiles neutralized. Mission accomplished. Over and out…”

Memory Transcript Subject: Teylim, Yotul Refugee Sponsor Date:[Standardized Human Time] January 16, 2137

My head was slightly foggy. I was barely paying attention to what any of the medics around me were saying. All I knew was my leg hurt, my ribs hurt, my pretty-much-everything-else hurt…and I missed my joeys…

“There you are! I was hoping I could catch you before they moved you.”

I turned my head and saw a pleasant, familiar, face approaching the cot I was laid out on.

Heeheehee. Handsome face…

These painkillers must be really something…

“Dohkar! You’re alright.”

“Yeah… Mission accomplished. It’s finally over.”

“Good. Wait. W-what about Tohba, Michael, and Khornel? I heard them over the loudspeakers but-”

“Easy, Teylim. Don’t strain yourself. They’re fine. They’re already on the way here.”

My mind was instantly put at ease for the most part. My body protested as I took in a long breath and let it out in a relieved sigh. They were alright. My joeys were alright.

[Transcript Time Progression: 15 minutes…]

“So I don’t think I’ve EVER seen YOU cry before.”

“I’m never living that down, am I?”

“Oh, absolutely not. The great, brave, oh so stoic Dohkar putting on the waterworks for Little Ol’ Me!”

“Pfft. Please. I was just sobbing in despair over getting stuck with two pups to take care of.”

“Ha Ha.”

Before I could chuckle at our stupid banter, my body quickly reminded me why that was a bad idea.

Ow! Ow. Yep. Still hurts to laugh.

Dohkar looked up for a moment and looked off into the distance.

“Huh. Speak of the devil.”

“MAMAAAAA!!!!” “TEEEEEYYY!!!!!” “MS. TEYLIM!!!!”

MY BABIES!!

We need our joeys.

YES!

With some effort, I turned my head in the other direction, and almost broke down instantly at what I saw.

My joeys…all three of them. I felt a paw on my shoulder before Dohkar left.

“I’ll…leave you to it… I still have to visit Clem and a few others.”

After a moment, the soldiers guarding the field hospital let them through, and they immediately sprinted to my side. I couldn’t have them in my arms fast enough. After a solid minute of their voices combining into a jumbled slurry of “Are you okay”s and “I’m so sorry”s, things finally calmed down enough for a full conversation.

“Mama….”

“My precious…”

Michael slowly lowered my Tohba into my arms, and as soon as he clung onto me, it felt like a massive piece of my heart and soul had been restored. He was alive! He was safe! They found him! And now he was back in my arms!

“MAMA!!! MAMAAAAAHAAAAA!!!”

“I’m here, Precious. Mama’s here…”

It hurt. My body protested against the weight of my joey. My arms burned and my breaths were still ragged, but I didn’t care. I held onto my Tohba like I hadn’t held him in cycles, placing lick after lick on the top of his head. Once I was content with my grooming, I held an arm out to bring my other two joeys in.

“Michael… Khornel… Thank the stars, you two are alright…”

“Tey…” “Ms. Teylim…”

“I heard you two over the loudspeakers. You did so well. I’m so proud of you…”

We stayed like that for a while. As much as holding them hurt, I just didn’t want to let go. We did finally break free of our group hug however, when one of the soldiers came along and gave Khornel a salute.

“Are you Ms. Khornel?”

“Y-yes… That’s me…”

“One of the other patients is asking for you. Clem?”

“YOU FOUND GRANDFATHER?!”

“Yes. He’s currently receiving medical attention but he’s stable. I can take you to him if you like.”

Khornel jumped to her feet and almost sped off right there, but hesitated after looking back at the rest of us. Michael simply gave her a nod.

“Go. We’ll catch up.”

Every single feather she had ruffled in excitement before she let the soldier lead her away. I tried to listen as she got further and further away. Eventually, I was able to hear her.

“Grandfather!”

“Little ‘Nel! My Little ‘Nel!”

I couldn’t help but smile.

I’m so happy for you, Dear.

And speaking of dears, I looked back up at Michael. We were alone now, just the three of us. He’d been remarkably silent this whole time. Now though, once he was sure no one else could here, he broke down completely.

“I’m sORrY, TeY. I aM so, SO, SorRY…”

“Sssshhhh… It’s alright. Whatever for?”

“I sHouLD’Ve bEEn tHeRE. I ShOUld’Ve BeEN aT tHe hOUse. I shOuLdN’T hAve-”

“Hey… Hey… None of that… Michael, sweetie look at me…”

Michael sniffled and wiped away his tears, doing his best to hold it together. His bright blue eyes were filled with regret, regret that was entirely undeserved. All I had to do to prove it was point out the joey in my arms, fast asleep.

“You found Tohba. You kept him safe. You agreed to stay behind even if you didn’t want to. And when the time came, you all found a way to help without putting yourself or the others in danger. You could NOT have handled yourself better today.”

I strained to raise up my free arm and cup the side of Michael’s face in my paw, wiping away another tear streak with my thumb. I looked into my son's beautiful eyes with all the love I could muster.

“I am SO…proud of you.”

Without another word, he held my paw in his hand, nuzzling into it with his cheek. I finally had my boys with me again. And for the first time in a long time…everything felt like it was going to be alright…

Memory Transcript Subject: Tevis, Magistrate Intelligence Operative Date:[Standardized Human Time] January 16, 2137

I walked around the grounds of the field hospital. All around me, human medics and professionals were tending to the patients and hostages. The raid had been a success.

Albiel was in custody… UN Custody…

Many of the other exterminators were deaf from WHATEVER THE HELL that human did over the intercom.

I watched as a large Krakotl was led to one of the elderly patients by a soldier.

“GRANDFATHER!!!”

“Little ‘Nel!!!!”

The two embraced, the smaller Venlil running his claws through her feathers.

“My Little ‘Nel…”

“I missed you so much, Grandfather. I’m so sorry I let you get-”

“Don’t you dare blame yourself. I’m just glad you’re alright…”

I shook my head and continued moving. So that’s another family that will need housing. Pretty much every patient here is going to be a personal settlement case all on their own, with, more than likely, PLENTY to say about the state in which they were held in…

I watched a frantic looking Gojid enter the hospital constantly looking around.

“Scolina?! Has anyone seen my daughter?! Scolina?!”

The Gojid eventually made their way closer towards the Krakotl and old Venlil from before. One of the Gojid patients on a nearby bed seemed to hear his call.

“D…Daddy…?”

The two made I contact, and the younger Gojid was almost immediately tackle hugged by the elder.

“‘LINA!!! My sweet little ‘Lina, I’m so sorry!!!!”

“DADDY!!! DADDY!!!”

They broke away from the hug for a moment as the older Gojid looked in horror at the burn scars covering the girl.

“Oh, ‘Lina what did they do to you?”

“They…said it would fix me… Am… Am I fixed now, Daddy?”

Just hearing the words seemed to make the man break down entirely all over again.

“There was never anything wrong with you… I should never have sent you to this place… It’s all my fault…”

“Daddy…”

Judging from the girl’s speech patterns, she must’ve been taken in while she was a pup, which meant lots of special education as well as whatever this human “therapy” was.

What a load of sanctimonious-

I calmed myself before I could go on a rant.

After doing the rest of my rounds, watching more and more people reunite with their family members, I walked off and went make a call back to HQ. As far as I could tell, this was the rundown: The bar was now filled with dead and/or dying exterminators, the Guild Office was filled with dead and/or dying exterminators, Albiel was now in custody, there were still exterminators on the Guild roster that were MIA, pretty much all the patients were now out and able to give testimony, and I had a LOT more paperwork than usual to take care of.

Yep! Just about NOTHING has gone to plan.

Time to change that…

[Warning!: You Are About To Access Restricted Files: Continue?: Y/N…]

[The Following Is A Clip From A News Broadcast Archived By Magistrate Intelligence…]

[The clip opens up on a well-groomed Venlil reporter behind a desk with the logo of “Prime News”...]

“Tensions rise once more in the Soulroot District as events continue to heat up in their border village of Five Meadows. We here at Prime News have been following the events of what is now being labeled, ‘The Five Meadows Incident’ over this past month, starting with the failed assassination of a human refugee and seemingly ending with the temporary shutdown of the Five Meadows Extermination Guild as a whole. However, while the crisis with The Guild does seem to have passed, things are still not well in that small border town. We go now to our newest seeker, Rose McDermott, out in the field. Rose?”

[The camera changes to view a female human reporter standing in front of what appears to be a border checkpoint…]

“Thank you, Talen. As anyone who has been following this incident with us would know, just two weeks ago, I was just actually IN the town of Five Meadows, just outside the former Guild Office, watching as patients, hostages, and soldiers alike were treated for their injuries and traumas. However, before we could get any interviews, we were quickly escorted from the premises by Interim Guard officials. And while The Soulroot Magistrate HAS released a public statement regarding the situation, their actions have led many to question their intentions, this checkpoint behind me being one chief example. As said in their public announcement, The Magistrate is now enforcing a full lockdown of Five Meadows, stating their intent to track down any exterminators who escaped the raid on their office and are still considered, “at large”. However, after the events of the Five Meadows Incident, many incriminating recordings being leaked online, as well as the upcoming election, many are wondering if The Soulroot Magistrate truly had the people’s best interests at heart. Back to you, Talen…”

[The camera changes once more to show the Venlil reporter. They seem to take a breath before reshuffling the papers on the desk…]

“Now…you all watching are more than aware of my opinions on such things as Extermination Guilds and Predator Disease Facilities. But…this is a news station. We can’t just sit here blindly theorizing and getting lost in conjecture. My opinions aside, and leaving just the facts alone, it is clear that what has happened in this small town is nothing short of tragic. And we here at Prime News will continue to cover these events as they unfold. And to any who are in or even from Five Meadows, our hearts and minds go out to you, and we hope you remain strong in these uncertain times. This is Talen with Prime News…signing off…”

[Clip ends…]

Memory Transcript Subject: Teylim, Yotul Refugee Sponsor Date:[Standardized Human Time] January 24, 2137

“I’d like to thank you for joining us today, Ms. Teylim. I do hope you’re healing well.”

I gave a smile to the kind man on the monitor as I shifted on the motel room bed.

“Thank you. It’ll still be a little while before my leg is able to be walked on normally, but otherwise, I’m healing well. Thank you, Dr. Jacobson.”

“I’m glad to hear it. Now then, onto the reason why I asked for this group session. It appears there’s been a slight breakdown in communication between you and Michael…”

I gave a confused look to Michael, sat on the other bed in the motel room. He shifted uncomfortably and simply looked down at his hands.

“What kind of breakdown?”

“It seems that ever since things have been…brought out in the open between you two, he’s stated that he’s been experiencing ‘guilty’ feelings whenever trying to express affection.”

“Is this true, Michael?”

“It’s just… I don’t know what it is. I felt like…like I was wasting your time…”

“Wasting my time?”

“Tey… Be honest… When…exactly…did you start thinking of me like your son?”

I did my best to think back. Honestly, after the first time he sang for us was probably the first time I felt something like that, but at the time, I just thought it was leftover mom hormones from having Tohba.

“Honestly, the first time I felt something akin to motherly love for you was after you sang for us the first time. You just…looked so sad, lost, confused, and scared, and I just…gravitated towards it. Afterwards, things calmed down somewhat, but when I really started feeling it was Thanksgiving.”

“Oh. I wasn’t aware that you tried having Thanksgiving. It makes sense in a way, though. That holiday, along with Christmas the following month, have great emphasis on spending time with one’s family.”

Suddenly, a horrifying realization popped into my head.

“Oh no! Michael, we forgot to celebrate Christmas!!”

“Tey, it’s fine. All the present deliveries got canceled, anyways.”

“It is not ‘fine’! We are celebrating Christmas! I don’t care if I have to drag a tree into this room myself!”

“Ugh… Fine…”

After a moment of laughing at ourselves, Dr. Jacobson continued.

Well, we’ve established that one end of these feelings truly began around Thanksgiving. What about you Michael? When would you say you truly started seeing Teylim as a mother figure in your life?”

“Honestly…I don’t know… Not for sure, anyways. In some ways, it feels like she’s always been that way to me, but maybe that’s just because even after just meeting her, she was already treating me better than my own mom did.”

Honestly, I wasn’t sure how to feel about that. A part of me was giddy that he’d apparently always thought of me as a mother to him, another part was completely shattered by just how much his birth mother had affected him. It was like hearing his tale of abuse all over again.

“I think…once I got used to actually calling her that in my mind, that was when the idea actually became real. That’s when I really started thinking about her as my mom. Not A mom…My mom… But even then, I just…couldn’t say it, no matter how hard I tried. Like I said, in some ways it just…always felt like she was my mom. So when I think about how long it took me to actually start acknowledging it and expressing it… I just…feel guilty. I wasted so much time…”

I turned and sat facing toward him. I couldn’t let him truly believe that.

“Michael, it could’ve taken three days, three months, or three years. I would’ve accepted your love whenever you were ready.”

“But you shouldn’t have had to! You shouldn’t have had to wait for me just to get over myself.”

“Michael…”

“The fact is…you were right. That egg donor that gave birth to me isn’t my mom…you are…”

My heart skipped a beat as he looked straight at me, my mind filling with just those last two words.

I…am…

“You’ve done more to raise, love, and nurture me in three months than my birth mom did in TEN YEARS. And you DESERVE a son that’s actually capable of accepting your love and giving it back. And I just…wasn’t able to do that…”

I felt my heart breaking more and more. I had no idea he’d been feeling this way, and I wanted nothing more than to help him through it.

“But that’s over now. I’m done blaming myself for something that wasn’t my fault. I’m done letting the words of a monster dictate what I am. That’s why I want to keep having sessions with you and Dr. Jacobson. I want to get better. So that I CAN be the son you deserve.”

Oh, Michael. If only you knew. You already are.

With some mixed feelings, I pulled over my satchel. There was something I’d been meaning to give him for a while now.

“Michael, you are already a wonderful son, one I wouldn’t trade for the world. I’ve already said that much. And I’m so happy you’re committed to getting better. There is nothing I want more than your happiness. When you were about to leave, before the concert, I was so scared I was about to lose you. The way you so easily gave up like that…it scared me. It felt like…like I failed.”

“Tey, I-”

That’s why…”

I slowly opened up my satchel and pulled out a small packet of papers. They were a bit torn and faded after fishing them out of the wreck that was my office, but I managed to find them.

“I got these for you.”

I handed him the papers and watched intently as he read them. I won’t lie, most of it is legal mambo jumbo that even I can’t fully understand, but I could tell exactly when he got to the important bit. I’d memorized that one beautiful line:

I, Teylim Andrews do hereby fully and officially acknowledge ________________ as my-

“Tey… Are these…adoption papers?”

“You’re only half right.”

He looked up from the papers, his eyes full of shock and awe.

“You ARE a full, legal, adult, by both human and Yotul standards, so I can’t technically ‘adopt’ you. BUT, what we CAN do, as legal, consenting adults, is BOTH agree to sign these papers, fully acknowledging each other as family, me as your mother, and you as my son. This does a LOT of weird, quirky things involving Venlil law, mostly involving inheritances and insurance. BUT the most important thing, is that by legally becoming a part of my family, the door is open to you for FULL. CITIZENSHIP. You won’t have to be a refugee anymore.”

Michael was speechless, just looking back down at the papers.

“Tey, I… I don’t know what to-”

“You don’t…have to sign if you don’t want to…”

He looked back at me, waiting to hear me out.

“At the time, I’d only gotten these to show you as proof, proof that I really AM serious about this. I truly DO see you as my own, Michael. And paper or no paper, that much will never change. I truly, completely, and purely…love you. And I want nothing more than for you to be happy…”

I looked down at my own paws. I knew that presenting him with this choice meant having to accept the fact that he might say no. So, I just curled in on myself and braced for it…just in case.

“But…I know that you’re still healing. I was going to give these to you after the concert. But then you got shot, and even after that, you were still recovering. I wanted to make sure things were slightly calm again before going through with it. Now, I know it’s a big decision and I completely understand if you don’t feel comfortable-OOF!!!”

Before I could even react, I was pushed backwards, fully wrapped up in a giant hug.

“MIchael! What are you-”

“I’ll do it… I’ll sign…”

With just those five words, I found myself struggling to find a response. My heart was racing and I couldn’t even tell if I heard him right.

“You… You mean-”

“I want to sign! I want to be your son!”

For a moment, I was still paralyzed. My rapidly wagging tail was the first part of me to move before I practically dove into him.

My son! MY SON! MY SON!

“OH, MICHAEL!!!!”

I couldn’t contain myself. I hugged. I squeezed. I nuzzled. I licked. I kissed. I held…my son. MY! SON! And soon, not even a government official would be able to say otherwise.

And then…as if I needed any more confirmation. He uttered four more words. Just four. Four words that I’d never heard him say before, at least not together, and not toward me. Still, hearing him say those four words…the last time I remember being that happy…was when my Tohba was born.

“I love you, Mom…”

Did he just call us…?

Mom… Mom… MOM MOM MOM MOM MOM!!! HE CALLED US MOM!!!

“I love you so much, my joey! Mama loves you so, so, so much! Never forget that.”

“Mom…”

Our lovely, perfect moment was then interrupted by the only thing that could’ve made it more perfect. A small, adorable yawn came from the small crib behind us.

“Mama…? Whad goin’ on?”

I turned to see Tohba peeking through the bars at us. It appeared our little moment had woken him from his nap.

“Hmmm… Tell me, Michael. Now that things seem like they’re becoming official, is there anything you’d like to say to young Tohba as well?”

“\sniff** Yeah… I think there is…”

I watched with bated breath as Michael walked over and plucked Tohba from his crib, before sitting next to me. Tohba, for his part, looked really worried, probably because we were both complete sobbing messes.

“Mikey zhad?”

“No, Bud. I’m not sad. I’m happy, happier than I’ve been in a long time.”

Tohba didn’t seem entirely convinced yet. He only seemed to get more worried when Michael composed himself and took on a somewhat serious tone.

“Bud? There’s something REALLY important you need to know. So, I need you to listen real close, okay?”

Tohba’s fear only seemed to grow. The last time Michael said something like that was when he left for Twilight Valley.

“Tohba… You…are the BEST…baby brother a guy like me could ever ask for. You hear me? The BEST…”

Tohba’s fear and worry seemed to go away for the most part, only to be replaced with partial confusion.

“Mikey…bwudhew…?”

We both almost broke again just from that one, adorable word. Michael was quick to confirm it, nodding frantically as he tried to hold it together.

“That’s right… And your big brother, Mikey loves you SO much, Tohba. SO…much… More than you’ll ever know…”

“Mikey…beeg bwudhew…”

Tohba seemed to take a moment to think, trying to truly comprehend the words he just said. Once he understood however, it was impossible to hide his excitement. His tiny tail became a blur behind him as his eyes lit up with glee. Before he could react, Tohba used his still developing hind legs to launch himself into Michael’s face.

“BEEG BWUDHEW!!!!”

“OH, JEEZ!”

In a flash, Michael was knocked onto his back, laughing as Tohba licked and nuzzled every inch of his face.

“MIKEY BEEG BWUDHEW! MAMA! MIKEY BEEG BWUDHEW!!!!”

That was it. That was what finally broke me. I sobbed openly and clapped as my Tohba shared the amazing news with me. Mikey IS beeg bwudhew.

Once his energy had wound down, Tohba saw fit to simply snuggle into Michael’s arms, letting out a long, contented sigh, as if anything that could’ve possibly been wrong in his tiny, perfect world had been made right again.

“Wuv you, Mikey… Wuv you Beeg Bwudhew…”

“I love you too, Bud. I love you so much.”

I couldn’t hold back any longer. I rushed forward…and held my boys in my arms. And in this one…perfect moment, I could only think one thing.

I love my boys. I love my family. I love my life.

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2024.05.13 12:07 Acceptable_Egg5560 Of Giants and Journalists [50]

Thank you u/SpacePaladin15 for this universe!
And many thanks to u/TheManwithaNoPlan for being a full co-writer on this project!
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Archived Closed Circuit Security Video - Establishment: Exterminator’s Office - Dawn Creek Division - Date Recorded (ST): OCT 31, 2136 - Timeframe (ST): 11:37 - 11:45
Dozens of people sit in the meeting room, staring intently at a screen. It freezes when Nikonus reaches out a tentacle to slap down Cilany’s broadcasting camera. The feed cuts and leaves the meeting room staring at nothing. There is no noise for a moment as everybody looks at everyone else. The body languages of all in the room are tense in response to the information the broadcast had just provided them. This peace does not last long.
In the corner of the room, one black-suited Exterminator stands and attempts to raise their flamer. The perpetrator appears to be Venlil. Many other members of the room, particularly those of species mentioned in the broadcast, shrink away. Another Venlil rises from their seat and attempts to push the weapon’s nozzle down. They attempt to reason with the instigator. “Mafchi! What are you doing?? Put that thing away now!”
“Are you kidding?” The armed Venlil, Mafchi, responds. “We finally know why we’ve set up all those camps! It’s to corral all the predators into one place and purge them from the world! No wonder so many have tried to cozy up to the humans, predatory taint has been inundating us from between our eyes this whole time! Even here, in this very room!” Mafchi makes a sweeping gesture across the room. Exterminators who belong to omnivorous species shrink, except for one.
“What are you talking about, Mafchi??” A Tilfish officer lifts themselves from their thorax and points at Mafchi. “This is as much news to us as it is to you! Do you think that I, that any of us, knew about this?? I didn’t, that’s for damn sure! Now put down the brahking flamer and let us get scanned like all the others we’ve collected!” The screen comes back to life with the face of a Zurulian, but the focus is no longer on it.
“What, so you all can falsify yet more brain scans? That’s probably how you all have managed to keep yourselves hidden! Of course, how could I have not seen it before?? You! You’re all in cahoots with the Humans and Arxur! Making us tainted enough to where we willing turn ourselves over to be eaten! The humans they- they were just a test! You can’t hide your intentions anymore, vile predator scum!!” Mafchi attempts to raise their flamer again, but is once more stopped by the Venlil by their side.
The pair scuffle as they wrestle over the weapon. The rest of the crowd starts to murmur and move. Some Venlil and other herbivorous species distance themselves from their omnivorous companions. Some begin to apply their masks. A gap starts to form.
“Mafchi, that’s enough! You’re talking completely crazy! Drop the flamer and come with u-” The other Venlil is cut off by an elbow impacting their lower jaw. Their teeth audibly clack together before they fall to the ground. The situation rapidly worsens as many Exterminators grab their arms, pointing their flamers at one another. Omnivorous species point at herbivorous species, but several of the herbivores also join the side with Tilfish and Gojid. The gap grows wider as even more silver and black suited exterminators zip their masks over their heads.
“STOP!” A Kolshian stands from their seat and rushes into the middle of the fighting. They still have their mask hanging behind their head, their face fully visible. They hold their tentacles out to their sides in an attempt to keep hostilities from rising further. “Please, this doesn’t have to end in bloodshed! This is upsetting news, I know that for certain, but this is not the way to resolve it! We can’t just panic into madness and just start killing people! Mafchi, Iltivik, lower your weapons now!” Their tone is commanding, and for a brief moment, both parties obey. However, that is short lived.
“... Why are you saying this, Nhilasi?” Mafchi asks, leveling their weapon at the Kolshian, Nhilasi. “As a matter of fact, why don’t you tell us just how long you knew about all this?”
Nhilasi appears taken aback and her body language becomes far more animated as the situation devolves. “Me?? How could I have known? I just learned about this now!!”
The body language of the people on Mafchi’s side shifts. Tails lash in skepticism and hostility. “You think we’ll buy that for a second? It’s been through you that the predatorshit High Magister has been giving us orders! They had to have known about this before us, and that means you. And- and you’re a Kolshian! Nikonus said what the Kolshians did, it was your species that’s responsible for doing all- all this and then covering it up! It’s your fault that we’re so immolated by taint, you and your whole spehking species!!
Nhilasi attempts to reciprocate, but is cut off by Mafchi yelling to all the others in the room. “Exterminators! This is clear and distinct evidence of predator taint on a scale that we could not have imagined before! If you have any sense of duty left, you’ll help me subdue these predatory infiltrators and purge this district- nay, this planet of taint! Once! AND FOR ALL!” A solid majority of the herbivores raise their paws in solidarity. The omnivores and sympathetic herbivores are outnumbered at 2 to 1, which proves disastrous once Mafchi speaks again. “SEIZE THEM!!”
The meeting room descends into chaos at a moment’s notice, as every hostile officer goes after and attempts to subdue an omnivore or sympathetic herbivore. The camera’s microphone peaks multiple times during the chaos, in which the hostile attackers appear to be winning. Yet suddenly a group of three Venlil and two Gojid burst from the fray and stumble out of the room, the running out of sight. Over the sounds of distress and anger coming from the room, Mafchi’s voice can be heard as they speak into a comlink.
“Attention all True Exterminators, capture the predatory impostors in your midst and meet the rest of us out front. We will burn this building to the ground to wipe the taint from its very foundation! Our traitorous High Magister seeks to have us merely scan and release the predatory influence? We shall not let him! We will burn every last predator and sympathizer from the face of this district! From the face of this very planet!! We shall do what we have so long been incapable of now that we are freed from our false comrades! For the glory of the Federation! FOR THE GOOD OF THE HERD!!”
They pant as they deactivate their comlink and look at the terrified mass of omnivores and herbivores crowded against the corner of the room. Among them are the Venlil who attempted to stop Mafchi, Iltivik the Tilfish officer, and Nhilasi. The latter struggles against her restraints, her face contorted with anger at Mafchi. “You can’t do this! You’ll be facilitating a slaughter the likes of which can only be compared to the Arxur! Please, Mafchi, don’t do this. Let us all free and talk!”
Mafchi looks at Nhilasi and stops moving. Other screams and shouts can be heard faintly through the walls. They kneel down next to the group of restrained officers, their tail wagging gleefully. “Your predatory deception won’t work on us anymore. All of you will meet the ends your kinds should have seen hundreds of years ago. We will fix the Federation’s mistakes and finally clear the galaxy of predators once and for all! Starting. Right. Here.” There is venom in their voice as they bring their monologue to a close. They motion for the “True Exterminators” to follow them out the door, locking it behind them as they leave.
There is not much movement in the following minutes. The primary actions caught on tape are crying and pleading to be let go. Some hang their heads and others scream out in desperation. After a few minutes pass, Nhilasi grunts and manages to wiggle her tentacles out of their restraints. Her success is met with more pleas and sounds for her to help them. Once she undoes her leg restraints, she starts trying to free everyone else as well. “I know, I know! Damn it, I should’ve known that those new transfers would be nothing but trouble. If I meet that spehkbrain bird Estela again, I’m gonna-” She takes in a deep breath as she unlocks the restraints on a frightened Gojid officer. “Nope, I’m going to firmly scold her, that’s what I’ll do. Yep.”
She works on freeing others restraints, who in turn aid in her effort. Before long, all the officers are freed and nervously conversing amongst themselves. Among the murmurs are mentions of “maybe we are dangerous” and “what if we suddenly want meat?” These conversations are interrupted by Nhilasi, who stands on one of the desks. “Everyone, please listen to me!”
The voices die down and attention falls on her. She takes another breath before continuing. “I-I know that things seem bleak. Believe me, I had no idea this was what we were preparing for, but I don’t think that your species' past deserves for you to get burned! I was born and raised on Venlil Prime, and I have known many people from the races mentioned by Nikonus! In fact, I know a fair few here in this very room! You have dedicated your lives to protecting the weak of the herd, and nothing in your genetic past can change that commitment! I have no intention of you dying here today! We can take them! Come on!”
Nhilasi hops off the desk and rushes to the door, using a keycard to unlock it and hold it open for the rest of the room. They start to filter out at varying paces, but do eventually vacate the room. The room is empty for 92 seconds before screaming can be heard from somewhere else in the building. Immediately following this, a bright flash engulfs the camera lens and the feed goes dead. The error code is consistent with that of electrical interruption.
(Specified Media Concluded.)
(Watch Another? [Y])
(Searching for Similar Media…2 Found.)
(Playing…)
{Oh, oh, we need to check on Sol-Vah next! Things are bound to happen with her!}

{Isn’t that the reason we should look?}
<…Damn you for weaponizing my curiosity.>
(Playback Paused.)
(Command: [minimzeprogram])
(Are you sure? [Y])

{-Welcome To: Terra Technologies Transcription Hub!-}
{-Choose Service: (Transcription Playback)-}
{-Restart From Last Playback Point? Y/(N)-}
{-[USERID-11229KMD]: procViewHist -}
{-Retrieving Transcription Viewing History…-}
{-List Retrieved - Select Desired Subject: (Sol-Vah)-}
{-Restart From Last Playback Point? (Y)/N-}
{-Playing…-}
Memory Transcription Subject: Sol-Vah, Gojid Citizen. Date [Standardized Human Time] October 31st, 2136
As I laid on the bed, I started to get concerned. It shouldn’t have taken Orhew this long to get the Strayu out of the forge given that he wouldn’t need to use protection to retrieve it. I tried to push my worries to the back of my mind, but I was ultimately unsuccessful in my endeavors. Furthermore, I could hear voices coming from the central room, likely from the holovision. Is he watching something?
Unable to contain my curiosity, I managed to hop down from the bed and make my way towards the door. My steps were unsteady due to the pleasure Orhew had bestowed upon me during our mating, but I was able to push through. As I placed my paw on the door, I heard something drop to the ground, the definitive sounds of other people talking echoing through Orhew’s abode. I had no idea what was going on, so with a moment’s hesitation, I slid open the door.
The previously muffled voices roared to life as I heard what sounded like a male Gojid speak through the screen. “No. You’re lying,” the Gojid said, the holoscreen showing him on his hands and knees as he panted heavily. He looked to be in immense pain, something which I couldn’t quite understand as he was unscathed. Orhew was standing still, both eyes affixed to the screen with a Strayu knife in his left hand and the loaf we had made fallen on the ground.
…What’s going on?
I decided to watch silently as g gthe scene continued. “I am not. See, Cilany? It’s cruel.” Another voice piped up from the screen and the shot rapidly changed to a familiar face. Is that… Chief Nikonus? How are we getting a feed from Federation space? The camera shook slightly as the recorder’s voice, Cilany I presumed, came from the screen in turn. “I don’t know what to say. This is a lot at once.”
As the camera panned back to find the Gojid completely curled up on the ground sobbing, I grew more and more concerned. What was this? Why was Orhew watching it? What’s a lot to take in at once?? My focus darted between the screen and Orhew, who was starting to shake. I could hear his heavy breathing even from across the room, and I wanted to go and comfort him from whatever this w-
“Now, you see why it’s important to protect these secrets. People like the Gojids can live in peace from their past. We’ve made it possible for them to walk among us, without threatening stability. We saved them.”
…What?
“What you did is wrong. You’ve been conducting genetic engineering, on innocent species, at…I don’t even know how large a scale. Your actions are going to kill us all, between the Arxur and the humans!”
Genetic engineering? Saved us? What…what does that…
“You haven’t learned a thing here. If you publish any of this, I’ll shoot it down as a wild fabrication. There’s no proof. Nobody would believe you.” Nikonus sneered at Cilany and whoever the Gojid was, the camera quickly panning down to him before Cliany chuckled darkly. “They don’t have to believe me. You just told everyone yourself.”
Nikonus’s eyes bulged from his head and he started to shout something, but my attention was drawn away once I realized that Orhew was no longer facing the screen. He was facing me, directly. Both of his eyes stared at me, sending chills down my spines in a way not even Humans could muster. What’s going on?? What was Nikonus talking about?!
“Orhew, wh-” I started to ask, but the [second] I took a step towards him, he leveled the knife he was holding directly at me. What- why- he- this- “Orhew, w-what’s going on? Why was Nikonus on the HV?? W-Why are you holding a knife at me?!” I can barely breathe, oh Protector what’s happening??
He was silent, scanning me up and down as his body shook uncharacteristically. I had never seen him like this before, and it was scaring me. After an agonizingly long and silent moment, he finally spoke. “is it true?”
“W-What?” I stammered, barely able to hear his voice over my racing heart. I heard strange noises coming from outside, but my focus was entirely on him. “Is what true? Orhew, what was that on the screen? Please, tell me!”
His ears wavered slightly at my admission of fear, but that moment of hesitation was followed by a fiery anger the likes of which I’ve never seen from him before burning in his eyes. He bared his teeth at me and violently pointed at the screen with his free hand, just as a Zurulian appeared in what looked like the district’s PSA format. “you can’t deceive me anymore.”
I looked back at thes screen as the woman began talking, but I couldn’t pay attention to what she was saying, not through my confusion and terror at the situation. Not even a few [minutes] ago, he and I were the happiest we’ve ever been, and now he thinks I’m deceiving him? “Orhew please, I don’t know what you mean! Tell m-”
“DON’T YOU DARE, PREDATOR!!”
…Predator?
Orhew nearly collapsed into a coughing fit after he attempted his scream at me. His voice, normally soft and raspy, was a gravelly mess raw with rage and sadness as he had tried to use them without his electrolarynx. But why would he call me a predator? What did he…
“Now, you see why it’s important to protect these secrets.”
“You’ve been conducting genetic engineering, on innocent species, at…I don’t even know how large a scale!”
“We saved them.”
…No. Nonononononononononono pleasepleaseplease Please No. Protector PLEASE NO!! NO!!! NNNNNNNNNNNNNNNNNNNNN-
{-ERR: Altered State Of Mind - Extreme Emotion-}
{-Attempting Recovery…Recovery Success-}
{-Adjusting Playback Parameters…Success-}
{-Playing…-}
I had to steady myself against the table to keep from falling over from shock, my arm barely strong enough to keep me upright. My heart pounded in my ears, drowning out the noises from the world around me as I struggled to remain conscious. No, no I couldn’t- That’s not- I’m not a-a…
Orhew was crying. The knife trembled in his paw as he stared at me, muttering to himself under his breath. I was only barely able to make out “pure” and “tainted” as he stared at me, full tears nearly pouring from his eyes. My own face felt wet as I realized what this had to mean.
Gojids are Predators.
“why?” Orhew asked me, his breathing almost as ragged as mine. I tried to tell him that I didn’t know, that I would never hurt anyone, but how could I know that was true? Was that what my impulses were? Predatory instincts reawakened?? …No sound came out of my mouth.
I heard Orhew gasp as he choked on his own mucus, followed by another horrible, wheezing attempt at a yell. “WHY?!” His legs gave out from under him and he collapsed to his knees, sobbing to himself next to the loaf of Strayu we had made. I almost reached out to help him, but I withdrew myself at the last second. He wasn’t safe around me, nobody was. How many things might I have tainted without even realizing?? I…I tainted him, didn’t I?
“O-Orh-hew, I-I-” I barely managed to choke out through my own tears and mucus, taking a step back for fear that my presence was only making things worse. My heart yearned to do something, anything, to ease the pain Orhew had to be feeling, but I refused it. Is that just another predatory trick I’m playing on myself? Who am I? What am I?!
“i-i trusted you,” Orhew coughed out, still reeling from raising his voice so much. Every syllable that came from his mouth stabbed me with another pang of sorrow. “how c-could you…you were pure…b-but I…” He shakily rose to his paws and started to stagger towards me, knife still in paw. I didn’t want him to be anywhere close to a monster like me, so I slid away on the ground, my spines fully flexed to the point of pain.
“i-i need…n-need to purge the taint,” he said, drawing closer towards me with the cooking instrument. How, how could this have happened?? Why did I have to be a…a… It only then occurred to me what he meant by that as his features bubbled with a mixture of agonizing emotions.
“i need to purge you.”
Even through the chemical cocktail that was my brain, my flight instincts kicked into overdrive. “N-No, Orh-hew, please! Please! I-I didn’t k-know about a-any of this!! I-I don’t wa-ant to hurt you!! Please, d-don’t ki-kill me!!” I pleaded for my life as the tears streamed from my eyes, my chest feeling so tight I thought it was about to implode. My vision was bleary with tears as I begged for my life to the man I love, unsure if it was even the right thing to do.
As Mute towered over me, I was unable to look away as he raised the knife above his head, his eyes alone conveying a tidal wave of pain and suffering hidden beneath his short wool. I closed my eyes and waited for him to do what needed to be done…only to be met by the sound of steel clattering against linoleum.
The strike never came.
After a moment, I opened my eyes to see him shaking and muttering to himself words that I could no longer hear from him. From the one I had unknowingly ensnared into whatever dastardly predatory deception I had created deep in my psyche. Even though my body was screaming at me to run, I couldn’t. My mind wouldn’t let me because I knew that I was a danger to everyone else, no matter how good I thought I had become. Because I’m nothing more than a filthy predator. Because death by his paws is what I deserve for everything I've done.
“...go.”
I couldn’t believe my ears. Mute looked at me with a mixture of anger, pain, and sorrow in his features as he pointed sternly at the door. I looked between it and him, my adrenaline-addled mind struggling to comprehend what he was doing. My look only seemed to worsen his inner turmoil, as he clutched his head and screamed at me one last time.
“GO!!!”
That was the loudest I’ve ever heard him speak, even while using his ‘voice.’ The very floor shook with the force of his words, shattering my heart into a billion pieces from the sheer torment in his voice. Mute quickly descended into a violent coughing fit, and suddenly all the inhibitions I had melted away. With a speed beyond my physical limits, I bolted out the door of his house, my reality, and our life together in the unknown streets of the city. I was vaguely aware of people screaming and bodies littering the roadways.
Without thinking, I started to stumble down the road as fast as my paws could take me. I was heading towards the Exterminator’s office, they-they could tell me this wasn’t true, right? That this was all some big misunderstanding, and that I could go back to my happy life, right? I heard a terrible scream from behind me, its baritone raspiness serving to pulverize what was left of my soul. If I even have one.
I just need to get to the office, they’ll be able to help. They’ll be able to save me, just like they did all those [years] ago. Yeah, Nikonus said they saved us! They can do it again! They have to. They have to. They have to. They HAVE TO! Please, oh Protector Please let this be a bad dream! I want this nightmare to end, I want him to wake me up!
I just want my Kavelun back.
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2024.05.13 09:25 Thausgt01 Cyber Core: Book Two, Chapter 08: Grown-Ups Talk, Away From The Kids...

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Mission Log: Day 0024

Addendum 04

Packard and his 'scouts' made their way back up to the foyer, and gave their verbal report to Lord Zee and the rest of the crowd. Reviewing the security footage let me know that the 'nobles' and their personal servants had been jockeying for positions, each one trying to claim their own 'scandalously common' picnic tables of the four, while Lord Zee had been 'inspecting' the lavatories'. Fortunately, with one lady seemingly fast asleep at one table and the other, alone among the lot in her willingness to share, simply claimed the opposite side of the same table. That left the 'boys' bickering more about which of the three remaining tables held the more 'prestigious' or 'auspicious' position; I honestly wasn't all that certain how the screaming-match would have progressed if there hadn't been enough tables to go around. The overall enthusiasm for the arguments died down as soon as Lord Zee exited the lavatories and proclaimed them 'less than perfectly dignified for those of the nobility, but safe enough' that his family could avail themselves of the two rooms. Nehdud, with Stakkeg in his wake, made a pretty obvious dash for the door Lord Zee had just passed back through. Haruinn, weighed down with all his cutlery, had no chance of beating his relative... cousin? Brother? Nephew?... to the 'room of comfort', but followed as quickly as he could. Midmolk, bless the man, lugged that tower-shield along and even into the lavatory.
It would take a few clock-cycles to collate the data made available from what the Lignignories left in the lavatories. However, I had no doubts that as soon as I had the medical-bay finished, there would be a lot of recommendations for each one of them just in terms of diet. And the collection of infections, bacterial and viral and possibly parasitical, among the lot would likely be lengthy...
Ah, well. “Disaster recovery” covered quite a wide array of needs, did it not?
My inventory-monitor let me know that at least one of the men had indulged in their curiosity about the mysterious 'extra boxes' on the walls of the lavatory-stalls. Nothing terribly impressive there, considering that the Fuin-Braetehl boys had done the same and promptly used the resulting pads as insoles for their boots. However, the 'culprit' turned out to be Kregorim. I had half-expected Lord Zee to play around with the dispensers, or even his servant, but I suppose that one doesn't become a magician without having considerable curiosity about any strange new phenomenon.
Kregorim came out of the room behind Lord Zee and the other man, carrying a small bag of faded blue cloth in his left hand and loitering around beside the other door while Lord Zee made his announcement. He also pretended to be fascinated by the water-dispenser while the two boys and their servants made a stiff-kneed, mad dash for the lavatory Lord Zee had just exited; regardless of the layout inside, the fact that Lord Zee had entered that one made it “Gentlemen's territory” by fiat.
Ah, well. If I really needed to, my nanites could move the 'feminine necessities' into the other room.
Kregorim waited until Adallinda and her personal attendant Pippa had exited... which took almost 30.57 minutes after Lord Zee and the others had completed their own 'business'... and begged a momentary indulgence from them while he entered. And it really did take only 1.503 minutes for him to come back out again.
Adallinda delivered some choice words on the subjects of the stalls themselves as well as the magician's 'audacity' of entering the Ladies' room of comfort to the slowly-growing audience of Lignignories, attendants, and other ragged-looking folk. Though directed primarily to her father, of course. While she delivered her monologue to Lord Zee, Kregorim showed the six samples of 'feminine hygiene products' he had received from the dispensers in the other room to Pippa. Her look of mild confusion switched to wide-eyed blushes as he murmured an explanation to her behind his upraised hand, but at least she wound up smiling and nodding when he straightened up. Pippa proceeded to discreetly signal to Totra and Yera, her working counterpart-servants to the other Lignignory ladies. Kregorim gave a shallow bow in their direction, letting the servants exchange the necessary information in their own way.
While the whisper-line spread the word among the ladies, Lord Zee conferred with Packard about next steps. Well, 'conferred' might be the wrong word; Lord Zee demanded to know which of the available units were best suited to his lordly self, and that he and his servants get escorted there immediately. Packard had Tianna and himself lead the way, winding up with Lord Zee, his flock of attendants, and Kregorim trailing behind.
The magician kept up with the group, running his hands along the railings and staring at the odd 'not-moss' on the stairs undersides. He also got a very good and close look at the biometric scanner, as Tianna demonstrated that the flat panel of the door would only open after someone's hand pressed on the black not-glass.
“Hmph!” Lord Zee snorted. “So any random brigand could just press their hand to the door and gain access to my noble self? Packard, we'll be discussing guard-rotations as soon as our luggage is in place!”
Tianna and Packard led the way inside, Lord Zee following and the rest of the 'servants' behind him. The tension around Lord Zee's eyes relaxed just a little as he noted the space just within. The layout amounted to adding a second bedroom and bathroom on the end of the 'main suite', extending the 'utility room' so that all the fabricators stood in a line along one wall, and expanding the kitchen for more counter-space and cabinets on the opposite side of that wall. Back home, an apartment unit like this would've been suitable for a young couple climbing their way out of the less-reputable neighborhoods and willing to have a child or two in the process, or off-campus housing for a few college students.
For Lord Zee, though...
“Hmph! Space enough for myself, I suppose, and to quarter my servants to act as guards until we get some proper deterrents installed... And not so much as a trace of a decent carpet or rug, just more of that strange... stuff... for flooring?”
“Correct, sir,” Packard answered, before gesturing at the fabricator-banks. “However, these 'magic trunks' over here will help with at least some of that...”
It felt a little bit like listening to one pre-Information Age grandfatherly-type trying to explain a modern desktop computer to another. Admittedly, Packard and Tianna did do a decent job of walking Lord Zee... and his now-named chief personal servant, Delweard... through the process of fabricating dishware, bedding, and various other basics. Lord Zee nodded in the right places, even mastered his own obvious nervousness about touching the 'mirror' on the 'magic trunk' well enough to design and trigger the 'build' for a simple chair.
“These markings...” Kregorim said, examining the screens on the 'laundry' machine. “They seem similar to the written form of Trade Tongue, but with traits more commonly used by those further north...”
“Well and good,” Lord Zee answered. “Clearly a sign from the Master Navigator that we of House Lignignory are meant to return there and rebuild our power. We shall use this... outpost... as a staging area for our journey to Baerston Stronghold...”
I tuned out yet another extended monologue on the subject, focusing more on Packard, Tianna and Kregorim as they gathered around another fabricator out of Lord Zee's direct line of sight; Delweard motioned for the rest of the ragged-looking servants to take their places as an almost-literal captive audience to hold Lord Zee's attention while the other three talked.
“Why five magic trunks...?” Kregorim asked, half to himself and half to the others.
Packard turned his head in Tianna's direction, and nodded.
Tianna frowned, holding a stance that left the magician facing her left shoulder while she kept her right hand close to the hilt of her knife. “Stockley and I didn't feel comfortable examining them too closely when we first searched the quarters, magician,” she explained. “Nothing sprang to mind except that, perhaps, whatever power built this place intended it for use by a family, perhaps to allow the Mam, the Da, and the young ones of age to use them properly to do so all at once?” Then she nodded in the direction of the hip-high surfaces on the walls at the side and rear of the room. “No sink, no lines, no washtub, but something about those tables made both of us think of laundry-rooms for some reason.”
Kregorim glanced over his shoulder, his hands drifting through movements much like folding clothes, and he nodded. “A reasonable assumption, Miss,” he answered, his tone distant. Then he turned back to the pair. “I take it that you've already determined who is to be quartered where?” he asked, tilting his head in Lord Zee's direction. “For the safety of House Lignignory, of course.”
One of Packard's eyebrows rose a millimeter, returned to place. He gestured to the side, then curved the hand downward. “Beside us is another set of chambers like this, but mirrored,” he explained. “And directly below us, duplicates of both. Further dawnward are four smaller such, two above and two below. I and mine haven't as much need for space as the Lignignories, and at least two of us'll be on patrol at any given hour, so we'll take two of them for guard-quarters and rotate in and out as needed. Figure that the clients will want us close to hand, so we've left you the one on the end, down on ground level.”
Kregorim nodded. “Fair enough,” he answered. “Need either of you be present to grant me entrance, or may I make my way there alone, now?”
At their headshakes, he stepped over to Lord Zee's side and waited for the man to take a breath. “With your permission, your lordship, I shall go inspect my own quarters before deciding where to set my luggage,” he said.
Lord Zee turned in place, flustered at the interruption. “What, what, what?” he stammered, before recovering himself a bit. “You dared to claim a space before I, your Lord, had chosen one for you?”
Packard stepped up, one hand up with palm out. “It was a security decision, your lordship,” he said, his tone even. “The two units at the end of this line are closest to what seems to be a trail leading to the opposite cliffside. Between my people and the magician's arts, we should be able to form a suitable defense against any intruders approaching from that direction.”
Mollified, Lord Zee nodded. “Very well, you may proceed then, magician.” His 'chair' build completed, he opened the build-chamber hatch and glared at the contents. “Packard, what manner of japery is this?” he demanded, and Tianna took over explaining that the 'blocks' inside constituted the compact, even portable, form of the chair he had requested. She handed the pieces, one at a time, to Delweard and the other servants, who were able to get them all snapped and twisted together into a solid-looking straight-backed chair.
Lord Zee gestured for them to move the thing into the center of the main room and settled into it, wriggling in place before returning his attention to more important matters. “Delweard, where do you suppose we should quarter the stock for the night?” the balding 'noble' asked.
Kregorim took his leave, walking back to the lobby-area and taking those stairs down to the ground floor, then proceeding past the other doors... and to my considerable surprise, ignoring the maintenance staircase... to the last panel, next to the final door.
He pressed his hand to it. I took a clock-cycle to include notes in my own files to warn Thakhibi, Sudryal, and the others that I had needed to let someone else use 'their' quarters until I could finish getting another floor's worth of accommodations finished, then granted him access. The magician nodded as the door opened, and he stepped inside.
He glanced around, noting the presence of the fabrication units in the utility room. Then his eyes roved across the walls...
“I take it that you were waiting until I was somewhat separated from the others, and in suitable privacy,” he said, addressing the air and taking a balanced stance in the center of the main room. “I do hope that you've decided to introduce yourself. I am called Krunorim Kregorim, magician, oathbound servant to Lord Zortemos Egenor Lignignory the Fourth, and I would very much like to speak with the one whose mind I touched not to long ago..."
/[Previous/]
/[First/]
[/[Next/]]
submitted by Thausgt01 to HFY [link] [comments]


2024.05.13 07:16 paresboy Practice our Fluency via Zoom!

Anyone here interested in practicing our speaking skills? Via zoom.
I'm thinking something along the lines of 3 minutes monologue per day per person just saying anything you want. About your day, hobbies, interests, etc. or conversational if its just us 2.
Judgement free zone. We can talk about anything and humor each other in whatever topic you want. We can practice interviews, presentations, flirting, etc
If anyone is interested, you can msg me.
I'm on Singapore Time Zone.
submitted by paresboy to Stutter [link] [comments]


2024.05.13 06:43 iDannsVisuals 2,500 at this point... dude don't you have bills to pay. lol

2,500 at this point... dude don't you have bills to pay. lol submitted by iDannsVisuals to LengfOrGirf [link] [comments]


2024.05.13 05:20 seventennorth Dress Rehearsal Report: Maya Rudolph/Vampire Weekend [5/11/24]

Thanks to my friend sashalemon96 for writing a significant amount of this report with me!

SECTION 1: CUT SKETCHES

All quoted dialogue is approximate, I do not have an eidetic memory. Also, I interchangeably use cast and character names because not every character is named, and I try to defer to in-sketch pronouns.
MOM NEWS
INT. A newsroom set. Squirm and Rudolph plays reporters on a local news station called “Mom News,” featuring them and their correspondents. All characters are referred to as “your mom” or “your father” in their introductions and provide very mother-like commentary. News stories include: “Something bad has happened to someone you barely know,” and “your mom accidentally left a reply to a post on Facebook about a funeral with a gif of “Uncle Fester spinning a cane.”
They then turn to the weather report by Fineman, who does a Kristen Wiig voice to say the weather is going to be “gorgeous” and “stunning.” Day, as “your dad,” gives a breaking special report that your “neighbor down the street got one of those Teslas,” then pauses then adds “Yeah, that’s it.” P. Johnson and Troast then report on entertainment news. They show a photo of Zendaya at the Met Gala, and then Troast says that Zendaya is “too skinny” and Johnson says “she needs to eat a cheeseburger.” Squirm then sidebars to Maya to say, “You know Zendaya is dating Tim Holland?” Another story features Kearney warning that if you receive a “spam likely” call, you should make sure to pick it up because there’s probably an issue with your bank and you should buy as many Target gift cards as they ask for. Gardner reports on “something you’ve known about for years,” as she’s recently discovered boba before having issues with her technology and playing the Spanish language soccer channel.
Finally, Nwodim and Thompson play a couple, “your mom and your dad.” In a snappy, well-rehearsed, back-and-forth, Thompson reveals that he had tried to fix the broken water heater and failed, and now Nwodim can hold this over his head forever. Nwodim: “And this means you’ll be wearing what at our next dinner?” Thompson: “That ugly ass shirt.” Nwodim: “Sorry, what was that?” Thompson, cowed: “...The nice shirt you bought me, I mean.” which he initially refers to as an “ugly ass shirt.” The anchors end the segment with the news after the break: “a worrying shift in my political opinions” and an “out-of-pocket comment about your dad’s penis.”
BARRY THE MIDWIFE [recurring]
This is a sequel to the original BARRY THE MIDWIFE sketch from the Quinta Brunson/Jonas Brothers episode in Season 48.
Structured in a series of flash-forwards and flashbacks Barry, the midwife, and a doula played by Rudolph, bickering with each other before reconciling. The doula was either “Carla” or “Carly,” I don’t quite remember.
INT. Birth #1 [present]: Troast is delivering, and Hernandez is the father. JAJ is the doctor, but Rudolph is the doula, and Yang is Barry the Midwife. The doula and midwife speak with the same odd pronunciations of words, like “curious” as “curr-ous” and “Paris” as “per-ous.” They also sport the same awkward bob. They have competing catchphrases; Barry keeps saying “Clear a path. Clear a path.” whereas the doula keeps saying “Make a hole. Make a hole.” The doula says, “It’s nice to meet you,” to Barry, which offends him. “Um, actually, we’ve met. Remember? We met in a hot tub after the season finale of Survivor in 2000 when we were both upset that Richard Hatch won.” The doula: “Oh, I guess I don’t remember that.” Barry: “Well, while you were trying to remember, I was delivering this baby.” He casually holds up a baby doll.
INT. Birth #2 [4 years later]: This time, the expecting parents are P. Johnson and Kearney. The doula enters and says “Nice to see you again,” but Barry pretends not to remember her. The doula: “What? Barry, we first met in a hot tub after the season finale of Survivor in 2000 when we were both upset that Richard Hatch won. And then we met again four years earlier.” Barry says the doula has an “elephant memory” for remembering something from 28 years ago, followed by “Girl! respect yourself.” Barry also gets mad when the doula says he’s clearly been copying her hair (at this point they both have long, flowing, silky black tresses). Barry ends with “While you were busy accusing me, I just delivered these triplets. Lesbos always have extros.” He holds up three baby dolls in one arm.
EXT. Hot tub [24 years ago]: Barry and the doula bond over their dislike of the season finale of Survivor while in the hot tub. Barry also adds “I love your hair. I might copy it one day.” (The doula has the exact same awkward bob as in the first scene.) The two suddenly make a pact to marry each other if they are both still single by the 50th anniversary of that night’s episode of Survivor.
INT. Birth #3 [26 years later]: Since Rudolph and Yang were just submerged in a real hot tub in the other set, they’re asked by the new couple (I don’t remember who these are, maybe Garnder and Day?) why they’re soaking wet. Yang’s excuse: “I just did a water birth. Girl, respect yourself.” The doula’s excuse: “It was raining outside and I fell on my head. Girl, respect yourself.” At this point, their long, flowing tresses are now grey with age. Barry then turns and says to the doula, “It’s nice to meet you,” and she finally confronts him: “Aren’t you tired of being petty?”. Barry gives in and says, “It’s nice to see you,” and reminds her of their 50-year pact which is approaching the next week.
EXT. HOT TUB [26 years and 1 week later] The two marry in the hot tub (in makeshift wedding regalia) and Squirm gets in the hot tub to throw two babies at them.
\** Editorial note from sashalemon96: “I think the reason this one didn’t land as well as the one for Brunson is because (at least during dress) they throw the baby into the fire and it starts smoking screen creating laughter as they run to the other set. They also took a very long time to get back and from the hot tub set to the hospital set.”****
JAMES AUSTIN JOHNSON AS BRIAN COX [update character]
Jost tees this up by explaining that lately, Brian Cox has been in the news for his many controversial opinions, such as “Jeremy Strong being annoying” or “the Bible being the worst book ever written.” Brian Cox is fed up with the Kendrick LamaDrake beef. He refers to them as a pair of “second-rate poets” and acts mock scared that “K. Dot” will throw his Pulitzer at him. Che follows up with “What about Drake?” and Cox replied, “What is Drake going to do? Have his fans throw their fidget spinners at me?” Cox also expresses mock sympathy that they’re hurting each others’ feelings, before suggesting the two men “go to Iraq.” Che warns that Cox shouldn’t be talking shit about the two rappers, but Cox retorts “What are they going to do—blow my top off like the Boeing whistleblowers?” and then mocks Kendrick’s height. At one point Cox ends a sentence with “and that’s on God… who doesn’t exist, by the way.” Cox then throws some shade at Che for his inability to find a wife even though Jost married an Avenger, adding “can you not find a woman who wants your Ant-Man sized penis?”

SECTION 2: ORIGINAL DRESS RUNDOWN

  1. COLD OPEN
  2. MONOLOGUE
  3. HOT ONES [recurring]
  4. PDD: EXPLORE PAGE [pretape]
  5. MOM NEWS ✂️
  6. BARRY THE MIDWIFE [recurring] ✂️
  7. CAN YOU PICK ME UP [pretape]
  8. T.T. AND MARIO [recurring] ✂️
  9. WEEKEND UPDATE: SQUIRM , GARDNER , JAJ ✂️
  10. TIP TOP COFFEE
  11. MOM JEANS [archival] [pretape]
  12. TEACHER PSA
  13. BRITISH CAVEMEN
  14. NURSE APPRECIATION
  15. LANDSCAPERS

SECTION 3: CHANGES FROM DRESS TO AIR

I’m gonna be so real with you guys, these days I’m so tired I just go home after dress rehearsal and sleep through the live show, so these changes are submitted by another friend.
  1. In dress, Colin was specified to be wearing a “Stormy Daniels wig” during the monologue, in hopes that he could be in the political sketch about the Trump trials.
  2. The original first excuse Rudolph comes up with in CAN YOU PICK ME UP was that the dead grandma didn’t want her funeral to interfere with work.
  3. The joke about “Republicans in bed with Trump” was added afte dress.
  4. TEACHER PSA didn’t originally end with Nwodim telling the girl to sit down. I don’t remember the original ending, but I remember it was kind of weak.

SECTION 4: SUNDRY NOTES

  1. Ezra Koenig said “Hi, Maya!” right before they started performing.
  2. There were a bunch of off-screen mistakes during the dress version of NURSE AD. Poor Fineman had the wrong cue cards when it came to one of her lines, and she looked genuinely terrified when trying to figure out what she was supposed to say. Then the camera cut to her when it was supposed to be on Rudolph and P. Johnson. Finally, she randomly had a sneeze attack during JAJ’s lines. I’ve never thought about what happens when you sneeze on SNL before, lol.
  3. Interestingly enough, there were two cameras for LANDSCAPERS but only one set of cue cards, so Wally had to dash back and forth with the same set of cue cards every time we changed scenes. I’ve also never seen that happen before. Poor Wally!
submitted by seventennorth to LiveFromNewYork [link] [comments]


2024.05.13 05:20 TheOneUpperMachine Any knife enthusiast YouTubers who are NOT shills?

I started getting into knife collecting at the beginning of 2024. It's been really fun, considering the wide variety of offerings with different features at different price points. There's a lot to learn and a lot to experience, so I've spent lots of time watching various YT videos to help me make informed and deliberate decisions on my knife purchases.
Any gear-related hobby YT channel will be susceptible to heavy influence from gear manufacturers. Knives are relatively cheap and have a wide range of marketable attributes, so this particular market seems especially flooded with shill channels.
Very few, if any, ever have a negative thing to say. In the case of pocket knives, the general format seems to be to open the box, deploy the knife, cut some paper, state you like it, and beg for comments, likes, and subscribes. I get that this is outlined in the sponsoring knife company's agreement they signed, but damn. I don't need a ten minute commercial where you waffle on with marketing buzzwords. Usually I just want to see the knife in a human hand for size reference and then an honest, meaningful comparison with similar products.
So which YT channels are not just slinging sponsored commercials? Which are sufficiently amusing AND educational enough that you don't care? I get that they gotta make a buck, but sometimes the bull crap is too thick to want to ignore. Some I like are listed below
DBK is great. Love their videos. So entertaining and informative. They seem more willing than most to give their honest opinions. Their weird, arbitrary 10 point scale for cutting tasks doesn't make sense, but I don't care because they stand out.
JoeX is awesome if you skip through the long, repetitive parts of his videos. I also love how he pisses some people off with his knife antics.
I've used several other channels to find out info about knives I want to learn about. If it's just a closeup of the knife while they monologue off screen I skip through and move on. I've had some that come up enough that I recognize the names of the channels and generally like their content. Off the top of my head, peterbuiltknifeguy, Jacob B Peterson, and Cedric and Ada are decent enough. Larrin's channel is great too.
Speaking of waffling on unnecessarily, this post got long and ranty. I guess I just want suggestions for YT channels where they don't seem to be trying to con me hard.
submitted by TheOneUpperMachine to knifeclub [link] [comments]


2024.05.13 04:00 JCD_007 Digital Reality - Part 52

Welcome to Digital Reality...
Link to Part 1
Link to Part 35 (contains links back to Parts 2-34)
Link to Part 36
Link to Part 37
Link to Part 38
Link to Part 39
Link to Part 40
Link to Part 41
Link to Part 42
Link to Part 43
Link to Part 44
Link to Part 45
Link to Part 46
Link to Part 47
Link to Part 48
Link to Part 49
Link to Part 50
Link to Part 51
Note: This story is meant to be read after completing DDLC Plus. All credit for the original DDLC and DDLC Plus characters and world goes to their creator, and this story is not affiliated with the official DDLC content. Some concepts like the Universal Constructor and the concept of AI rampancy are also borrowed from other series (most notably the original Deus Ex), though their use in this story is my own idea. With a few exceptions, my original characters in this story will generally not be named and their descriptions will be kept vague, so anyone reading this who wants to see themselves in one of the original characters can more easily do so. I'd welcome any feedback and will post more parts as I write them. I hope you enjoy the story.
Credit for Sayuri's character design: Hoeruko. Credit for Sayuri's sprites: Ian and Itz_Matic.
Here is Part 52 of the story. Sayori, MC, and the FXI team try to keep Yuri calm while waiting for Natsuki to arrive. But they may have a much bigger problem than Yuri's behavior. Custom Dialogue: A Serious Problem
Part 52: Solutions and Problems
“The fourth construction is proceeding,” UC senior engineer Lauren Medrano reported, raising her voice to be heard above the pinging noises coming from the Universal Constructor and the commotion in the control room, “System estimates fifteen minutes to completion.”
UC project manager David Kent nodded, “Our construction time is getting faster with each run. Very good.”
The FXI President picked up his phone and sent a text to the FXI CTO.
Natsuki should be here in fifteen minutes. How are you holding up?
A few moments later the FXI CTO replied.
We’ve kept Yuri talking and she seems a little bit calmer. She’s demanding that you come back to the conference room so that she can confess to me in front of all of my friends.
The FXI President shook his head as he typed back.
I’ll be over in a minute. At least you have managed to keep her talking and she hasn’t gone totally out of control.
He put the phone down and turned to Ive Laster. “I’ll be right back. They’re asking for me in the conference room. Seems like they’ve been able to keep Yuri talking so far.”
Laster nodded. “Okay. My system will be pretty much locked up for the next twenty minutes or so running the diagnostic scan. It’s a scan of active processes, so while it’s fairly quick it still takes a ton of resources. Do you mind if I use your machine if we need anything from VM1 while mine is unavailable? I’ll text you if anything comes up or if the construction finishes while you’re gone.”
“Yeah. Sure,” the FXI President replied as he stood up from his chair, “I’ll let you know what happens with Yuri.”
The FXI President turned, walked out of the UC control room, and walked down the hall to the conference room where Sayori, MC, Yuri, and the FXI CTO sat. Sayori looked uncomfortable. MC appeared to be intently studying his can of soda. The FXI CTO’s expression was somewhere between shock and exhaustion as he sat next to Yuri, who held his hand as she continued to grin.
Yuri’s eyes lit up and she stood as the FXI President entered the room. “Good! We’re all here! Now we can begin.
“What can we expect here?” the FXI President whispered to MC.
“Probably a monologue of a confession,” MC whispered back with a sigh, “You might want to grab yourself something to drink or a snack. This could take a while.”
Yuri stared with intensity at the FXI CTO. “Ever since we met, I knew we were meant to be together. Not even the distance between your reality and my digital world could keep us apart. And you found a way to bring me here! So I can stand before you and confess my love for you!”
“Yuri, I…I have to admit that I was scared of you AIs at first given the potential for what could happen if self-aware code were to go out control,” the FXI CTO said cautiously, “But over time as we interacted with all of the members of the Literature Club, your humanity became clear.”
“Yes!” Yuri agreed enthusiastically, “You saw something in us that nobody else did. You fought for us…you fought for me! How could I not fall in love with you? And if you were willing to do so much to bring me to your reality, you must feel the same way!”
The FXI CTO started to reply, but Yuri cut him off and continued to speak, the tone of her voice varying between passionate and pleading.
“I’m sorry…I’m normally more eloquent than this…but I just can’t help myself. My mind has just been racing nonstop thinking about you! It’s like my heart is just screaming your name!”
“Do you even know my name?” the FXI CTO asked.
“Don’t be silly…of course I do!” Yuri quickly replied with a giggle, “I know everything about you. It’s very easy for an AI to search the internet and quickly find out a lot about a person.”
“Like what?” the FXI CTO inquired, “Tell me something that I’m interested in.”
Yuri gave him a smug grin. “Well, for example I know that you like to read cyberpunk novels and conspiracy theory books. Soon we will read together! It will be so much fun!”
The FXI CTO’s mouth fell open. “How did you…yeah. AI. Maybe my initial feelings of concern weren’t wrong. Or maybe I should just delete my social media accounts.”
“It’s not nice to invade people’s privacy,” Sayori said, looking up at Yuri, “It’s one thing to have a crush on someone, but it’s not okay to dig into their private files.”
Yuri glared at her. “Don’t judge me. You weren’t the one trying to find a way to love someone who was in a completely separate reality. I didn’t get a childhood friend programmed to fall in love with me like you did.”
Sayori looked away, her expression showing dismay and hurt feelings.
“That’s uncalled for, Yuri,” MC interjected, “The initial script may have been programmed so that Sayori and I would have feelings for each other, but we were given the choice and we chose each other.”
“And I chose him!” Yuri retorted, grabbing the FXI CTO’s hand possessively, “It isn’t wrong to want to get to know the one you love!”
“Right, but you have to give me a chance to respond to your confession first,” the FXI CTO pointed out.
“Yes, you are right,” Yuri agreed, her manic expression flickering for a moment, “I just need to find the perfect words and we’ll be together forever! But…I can’t find the words. Why can’t I find the words?”
“Feel free to take as long as you need,” the FXI CTO reassured her, “It’s okay.”
Yuri paused for a long moment, her eyes rapidly looking around the room. “This isn’t working. Why isn’t this working? What’s wrong with me? I need to think…I need to clear my head and organize my thoughts. I know! Get me a pen!”
“You want a pen?” the FXI President asked, “Just a pen, or paper too?”
“Of course! Paper too!” Yuri replied, “What would I do with just a pen? I can’t write on the table!”
“What are you going to write?” MC asked.
“I figured it out!” Yuri said excitedly, “The perfect way to confess my feelings is through poetry! There are so many vivid images that I can create with a poem.”
The FXI President looked through one of the cabinets in the conference room and came up with a notepad and pen with the MES logo on them. He pushed them across the table toward Yuri.
“Okay, Yuri, I look forward to reading your poem,” the FXI CTO said, “Should we give you some space to write?”
“No, no, you’re not going anywhere!” Yuri replied, her expression returning to a manic grin, “I want to stare into your eyes as I ponder every word that I will write for you! But the rest of you should leave and give us some space.”
The FXI President looked to the FXI CTO. “You going to be okay?”
The FXI CTO gave an exhausted smile. “Yeah, I’ll be fine. Go check and see how long it will be before Natsuki gets here.”
Yuri’s expression became one of annoyance. “Why would you ask about her? Nobody cares about that little pink brat.”
Sayori winced in emotional pain as she stood from her chair. “Yuri, please be nicer to our friends. We’ve all been through a lot today.”
Yuri ignored her and began furiously writing on the notepad. Sayori shook her head sadly as she followed the FXI President and MC out the door of the conference room toward the UC control room.
“I really don’t like seeing her like that,” Sayori said glumly, “I like when everyone is happy, and when Yuri gets like that or when she and Natsuki fight it just makes me so sad.”
“Well maybe Yuri will calm down after she’s able to write for a while,” MC offered hopefully, “Or if she doesn’t, Natsuki should be here soon anyway. How does she get Yuri out of that state anyway?”
“I don’t know. I’ve only briefly seen her like this before. I think most of the times in the original script that she was like this was after I…” Sayori replied, trailing off as unpleasant memories came back to her, “No. Sorry MC, I don’t want think about this right now. It led me to memories that really hurt…some of the worst rain clouds.”
“Sorry, Sayori,” MC apologized, “I didn’t mean to make you think about that.”
Sayori nodded, accepting his apology, but remained silent.
The FXI President opened the door to the UC control room and followed MC and Sayori in. The room was filled with the noises of the UC and the conversations of the engineers.
“How’s construction going?” the FXI President asked.
“Finishing up now,” Medrano replied with satisfaction, “The system is running final error checks…call it another two or three minutes. The UC has surpassed all of our expectations today.”
The FXI President nodded and walked over to the table where Ive Laster and Paula Miner sat behind his computer. “How’s the scan going?”
“It hasn’t turned up anything so far, but unfortunately the scan is using a ton of resources,” Laster said, “It’s degrading system performance on VM1 to the point where it’s going to slow down the next transmission significantly.”
The FXI President grimaced. “That’s not ideal.”
“No, not at all,” Laster agreed, “How are things going with Yuri?”
“We’ve been stalling for time and trying to calm her down,” the FXI President explained, “She seemed to be getting a little bit better and decided that she needed to write, so we gave her a pen and paper.”
“See? Your fears were clearly unfounded,” Miner said to Laster with a smile, “We made the right call by proceeding.”
The FXI President shook his head. “Not entirely. She’s still in a manic and obsessed state.”
Miner waved her hand dismissively. “We’ll deal with that later.”
The FXI President turned back to his computer and the terminal window to VM1, where Monika and Sayuri anxiously awaited news of Natsuki.
“Any updates?” Monika asked.
“Almost done,” the FXI President replied, “Should only be about a minute or two more until Natsuki gets here.”
“How’s Yuri doing?” Sayuri added, her voice full of concern.
“She’s a little better, I think,” the FXI President explained, “She’s still in her obsessive state, but she’s decided that she can better express her feelings through writing. We gave her a pen and paper.”
“That’s at least a bit of positive news,” Monika said with some relief, “Just keep an eye on her until Natsuki arrives. And at least she’s writing and not using the pen for…never mind.”
The FXI President frowned as a console window unexpectedly popped up on the terminal screen.
UNLOAD STAIRWELL.LOC
UNLOAD STREET.LOC
STAIRWELL.LOC OFFLINE
STREET.LOC OFFLINE
He turned his laptop to face Laster. “Is this normal?”
Laster looked at the console message. “Rea told me that some assets that aren’t being used might be offloaded during the scan but keep an eye on it and let me know if it keeps happening.”
The FXI President nodded.
“Construction complete,” one of the UC engineers announced, “Removing nanites from construction chamber.”
“Nanite removal confirmed,” another engineer reported, “Clear to open the UC chamber.”
“Excellent,” Medrano said with a nod, “Reset the system for the next construction.”
Laster, Miner, Sayori, MC, and the FXI President walked to the windows in the control room, as the light above the door to the UC chamber flipped from red to green. The construction chamber at the center of the chamber slid open, and a short, pink-haired young woman stepped out.
“Wow. Her pink hair and eyes really are striking in person,” one of the engineers observed.
Natsuki looked around the room. “I’m here! Start the party!”
From the windows above the UC chamber Natsuki saw Sayori and MC waving to her. Returning their smile, she walked up the stairs and through the door to the control room.
“Natsuki!” Sayori yelled, running over to her friend and giving her a huge hug, “You made it!”
“Oof…you’re squeezing me a bit tight there, Sayori,” Natsuki said, loosening the embrace.
“Ehehehe…sorry,” Sayori said, stepping back from Natsuki, “I’m just so glad that you made it okay.”
Natsuki turned to Laster and the FXI President. “So you’re the guys we’ve seen as fuzzy silhouettes in our world?”
“That’s us,” the FXI President confirmed, “We’re glad you made it safely.”
“Yeah…” Natsuki said quietly, “Thanks for everything. Nobody has ever cared about me much before, so…yeah. Thanks.”
“Of course,” Laster replied, “We do need your help with Yuri now. You said you had a way to snap her out of her obsessive state?”
Natsuki thought for a moment. “Oh…yeah, I should be able to help. Where is she?”
“Come with us,” Laster said, leading Natsuki to the door to the UC control room, “She’s in a conference room down the hall. We also have some snacks there if you want something to eat.”
Natsuki, the FXI President, Sayori, and MC followed Laster down the hall to the conference room where Yuri and the FXI CTO sat. Yuri was furiously writing on her notepad, pausing frequently to stare at the FXI CTO.
Yuri looked up as Natsuki stepped into the room. Her expression became one of rage as she stood.
“You! Don’t you dare interrupt me when I’m trying to write the perfect confession!”
“Well hello to you too, Yuri,” Natsuki said, “Please calm down. I’m not trying to steal him from you.”
“Nobody cares what you have to say!” Yuri yelled, her tone increasingly agitated, “Just get out, you little pink brat!”
Natsuki sighed as she stepped closer to Yuri, “Yuri, you’re my friend. So I’m really sorry to have to do this.”
*SLAP*
Natsuki slapped Yuri across the face. Sayori gasped and looked away as MC cringed.
Yuri staggered for a moment and fell back into her chair.
“That was your solution?” Laster asked incredulously.
Natsuki held up a hand. “Give her a minute.”
Yuri blinked rapidly several times. She looked around the room, meeting eyes with Natsuki, Sayori, MC, Laster, the FXI President, and the FXI CTO in turn.
“W-what…what happened?” Yuri asked. She looked down at her notepad, which was filled with barely legible scribbles.
“You…you weren’t yourself,” Natsuki explained, “And smacking you across the face is the only way I know to get you to snap out of that state.”
Yuri looked from Natsuki to her notepad to the FXI CTO as she thought for a moment before bursting out in tears.
“I…I’m so s-sorry,” she sobbed, “This is why I was so afraid to come to the real world. Everyone will think I’m just a mess now…that I’m just a crazy yandere. I’m n-not like that. I don’t know what came over me…I don’t know what to do…my passions just overcome me sometimes…”
Yuri put her head down on the table and continued to cry softly. Sayori walked over to where she sat and embraced her.
“Yuri, everyone knows that wasn’t the real you,” Sayori said, “We know you’re a passionate person. We’ve enjoyed reading your poetry and seeing your passion in your writing. And most of all we’ve been so glad to have you as a friend.”
Natsuki joined the hug. “Yeah. We won’t always get along, but I’m glad that you are part of the Literature Club and I’m happy you’re my friend.”
Yuri looked up, her eyes red from tears. “B-but everyone in the real world thinks I’m crazy. This is why nobody has ever liked me…I don’t know how to be normal.”
She turned to the FXI CTO, who had been sitting silently in his chair. “I’m so sorry for everything that happened today. I know I made you uncomfortable but please…I don’t know how to prove it to you but please know that isn’t the real me.”
The FXI CTO gave her a reassuring smile. “It’s okay, Yuri. I know that’s not what you’re normally like. And at least you didn’t pull out one of your knives on me. To be honest, we wanted to not send your file to the UC until you were feeling better, but we were overruled.”
Yuri smiled weakly. “Thank you for understanding.”
“Whoever made that decision is a complete idiot,” Natsuki said, “I would have volunteered to go before Yuri to give her time to calm down.”
“Hey…we may have had our disagreements, but Paula’s support has been important to getting this all done and she is a friend of mine,” Laster interjected.
“The same Paula who said it was okay to delete Sayuri?” Natsuki asked, her tone becoming dark.
Sayori, MC, and Yuri all looked at Laster with suspicion in their eyes.
“Hang on a minute,” Laster replied, holding up a hand, “I’m not asking you to like Paula or be friends with her, but I need you all to stay calm until this is all done. Let me handle her. She and I have known each other for years and we work well together. And remember, two of your friends are still in the digital world and we need to make sure nothing prevents them from getting here.”
Natsuki continued to glare at Laster for a moment before her expression finally lost its anger. “Fine. But just make sure everyone gets here, okay?”
Laster nodded. “Speaking of which, we need to head back to the control room to get ready for the next construction. You all can stay here and relax for now.”
“Can…can we watch?” Yuri asked quietly, “The whole concept of constructing an entire person using nanotechnology almost seems like something out of a science fiction story. I would also like to take the opportunity to demonstrate to all present that I am now in a much better mental state than when they first saw me.”
Laster shrugged. “Sure. Just stay out of everyone’s way and don’t touch anything.”
Laster, the FXI executives, and the members of the Literature Club filed out of the conference room and returned to the UC control room.
Paula Miner looked up as the group entered the room. Her face flickered when she saw the members of the Literature Club, but she maintained her composure. “About time you guys came back. They’re ready for the next file.”
Yuri and Natsuki walked to the windows overlooking the UC chamber as Laster and the FXI executives sat down at the table with their laptops. Sayori and MC stood behind them, observing the room.
“Are you…feeling better now?” Medrano asked Yuri cautiously.
Yuri nodded slowly. “Yes. Thank you for asking. I apologize...I was in an alternate mental state when my file was transmitted to your machinery, causing the unusual behavior that you saw.”
“It’s okay,” Medrano replied with a smile, “You’ve been through a lot today. But please let us know if you have any other issues.”
Medrano turned to Laster and the FXI executives. “Our system is ready to proceed with the next construction. Transmit whenever you’re ready.”
The FXI President turned to his laptop and the remaining members of the Literature Club on VM1.
“Okay, Sayuri, you’re up next,” he said, “Are you ready to go?”
“Yes, I am ready…though it’s not like I had much to get ready,” Sayuri said flatly, “I don’t have any personal items or even a change of clothes.”
He turned to Laster. “Looks like we’re ready to go here, Ive.”
Laster nodded. “Okay. Let’s do it.”
The console window reappeared on the FXI President’s terminal window.
STAIRWELL.LOC DELETED
STREET.LOC DELETED
UNLOAD CORRIDOR.LOC
UNLOAD CLOSET.LOC
CORRIDOR.LOC OFFLINE
CLOSET.LOC OFFLINE
CORRIDOR.LOC DELETED
CLOSET.LOC DELETED
The FXI President turned his laptop to face Laster. “Ive, look at this. Something is very wrong here.”
At the same time Laster’s ThinkPad sounded a warning alarm and a dialogue box with a red border appeared on the screen. The color drained from Laster’s face as he read the message.
WARNING: MALICIOUS SOFTWARE DETECTED
LOCATION: MES.LOCAL\\VM1
SYSTEM STABILITY COMPROMISED
RECOMMENDATION: IMMEDIATE QUARANTINE AND REMOTE DEEP SCAN / CLEANING
“What was that?” UC project manager David Kent asked, looking over at Laster.
Miner shook her head, but Laster ignored her. “We just received an alert from our security software. It’s detecting malicious code on VM1.”
Kent’s eyes widened. “Your system is connected to the network that the UC is on. Is there a risk of it spreading to our system? Do we need to shut down?”
“No, we can’t shut down now!” Miner exclaimed, “We are so close to complete success.”
“I can appreciate that Paula, but at the same time we can’t risk bricking the UC if this thing is a threat,” Kent replied.
“It appears to be deleting files on VM1,” Laster explained as he furiously typed commands into his laptop, “I’m trying to see if I can isolate it but I don’t know if I’ll be able to. But if this thing is doing what it appears to be doing, we’re going to lose VM1 soon.”
“Lose VM1?” Miner asked, concern appearing in her voice, “As in the AIs too?”
Laster quickly shook his head. “No. Their files should be protected by the encryption, but if everything else goes down there won’t be a virtual universe for them to exist in.”
Laster picked up his phone and dialed Rea Vorte in the server room. She picked up quickly as Laster set the phone down and put it on speaker mode.
“Rea, are you seeing this?” Laster asked, “We’ve got a serious issue down here.”
“Yes, I am,” she replied, “Ro and I are reviewing the process list right now to see if anything stands out.”
“We’ll work as quickly as we can,” Ro Teether added, “But if the system becomes unstable that could really slow us down.”
The console window continued to add more lines to text to the list.
UNLOAD BEDROOM.LOC
BEDROOM.LOC OFFLINE
BEDROOM.LOC DELETED
“We just lost another room!” the FXI President announced.
“What’s happening?” Sayori asked as she looked over the FXI President’s shoulder, “Are Monika and Sayuri okay?”
“For the moment,” the FXI President replied, “We need to transmit now so we can get them off of VM1 ASAP.”
Kent nodded solemnly as he turned to Medrano. “Lauren, is there a threat to the UC?”
Medrano thought for a moment. “The UC itself shouldn’t be at risk; it runs on proprietary code that only exists in its control system so the odds of a virus being able to attack it are almost zero. What I’m more concerned about are the file servers that we use to store our data logs. Those could be highly vulnerable to a virus that destroys files.”
“Not good,” Kent replied, “Ive, how fast is this thing moving?”
“Hard to say,” Laster replied as he scowled at his laptop, “But based on what has happened so far I’d say we may not have more that a half an hour before VM1 goes down.”
Kent sighed. “Okay. Lauren, what do you think?”
“While I understand the importance of completing this project for the AI team,” Medrano said, an apologetic note in her voice, “And while I’m sure Ive is giving us his best guess on how long we have before this thing might spread, we can’t take risks with our data.”
Laster gave Medrano a look of disappointment. “So are you shutting us down?”
Medrano was silent for a long moment. She glanced at the clock on the wall of the control room before replying. “Let me do some quick checks on our systems to see what our backup status is. Shouldn’t take me more than a few minutes and if we’re lucky you’ll isolate this nasty code quickly.”
“Thanks, Lauren,” Laster said as he turned back to his laptop.
The UC control room had become largely quiet as Medrano worked with her engineers to check the security of their file servers while Laster continued to try to track the malicious code. Sayori, MC, Yuri and Natsuki looked increasingly anxious with each passing minute.
After several minutes, Medrano turned away from her laptop. “We checked our file servers, and our backup process won’t run again until seven tonight, so there is a threat to data that hasn’t been backed up. Out of professional courtesy, I’ll give you five minutes before we have to terminate the connection to your system. That should be enough time to transmit another AI to the UC. I know you wanted all six, but I can’t risk our data so we’ll just have to settle for five.”
“So only one more?” the FXI President asked.
Medrano nodded.
Sayori, MC, Yuri and Natsuki looked horrified as the meaning of Medrano’s words hit them.
“No,” Sayori mouthed silently, tears forming in her eyes.
Laster covered his eyes with his hands for a brief moment as he thought. “Thank you, Lauren. It’s definitely not the outcome we wanted but I appreciate the five minutes to transmit one more of them.”
Miner picked up Laster’s phone, which was still connected to Vorte and Teether.
“We’re going to send one more AI to the UC. Once we confirm that the transmission is complete, move the remaining AI to cold storage.”
“Understood,” Teether replied, “We’ll shut down VM1 as well to prevent this thing from spreading.”
“Are you ready for me to go?” Sayuri asked from the terminal window on the FXI President’s laptop.
Laster turned to the FXI President. “Should I tell them?”
The FXI President shook his head. “I’ll tell them.”
He turned back to his laptop. “There’s…there’s been a problem. A virus appears to be attacking VM1 and deleting files. We don’t know how long we have, but the UC people will only let us send one of you before they terminate the connection. I’m sorry.”
Monika and Sayuri did not immediately reply, but the stunned and scared looks on their faces said more than words.
submitted by JCD_007 to DDLC [link] [comments]


2024.05.13 02:38 ClarenceJBoddicker Successful All American Family: My Perfect Boisterous Happy Attractive Family of Bigots

CW: Bigotry
A complete and total mind fuck. As I sink lower into economic and emotional despair, my blood family continues to thrive. My dad speaks in baby talk and has the loudest most cheerful "GOOD MORNING!" you've ever heard. He makes little sound effects and whistles throughout the day, laughing during every business call and dances while he does yard work. He says he wishes trans people would go away and die.
My middle brother was always a bully. He loved getting into fights and would look for conflict where ever he went. The ultimate athletic jock champion. Rose to the top of his field being a savvy salesman. Can read people like a book. Lives in a huge house with his beautiful wife and has raised a teenage son and daughter. Loves sipping whiskey out by his pool and hosting raucous parties. Calls young black people nigglets.
The oldest brother was the trailblazer. Lived the biggest American dream. Job and house out of college. Two big dogs. Married at 28. Two teenage kids. House in a nice quiet neighborhood. Constant vacations during the summer and never a dull moment. Recently celebrated his 50th, surrounded by a crowd of loving friends out in a cabin on a mountaintop. Thinks that all mental illness is made up for attention.
And this type of scenario extends to the rest of my extended family. I am the only one here with my worldview.
So life isn't fair. No surprise there, who said it was? It's just...there is this enormous expectation that I must attend all family functions, and people lose their mind if I don't show up. In fact, now that my mental health has deteriorated so much, I'm virtually trapped at my parents home where I'm continuously gaslit by my parents saying "But your family loves having you around! You think so little of yourself! Stop thinking that!" while in reality, I represent everything they say they hate. I represent the woke, liberal elite that is trying to indoctrinate their children. I have tried to push back against the vitriol of their insane conspiracy theories, how trans people are just faking it to rape kids, how Trump has never told a lie and is the greatest president we have ever had, how poor people are lazy, how mental illness is fake, how global warming is a hoax, how the vaccines are more dangerous than Covid, how Palestinians deserve to die...but they don't care. They absolutely do not care about anything I say. They all hangout together and, big surprise, never invite me. Why would they? But they "love having me around" and "I am part of the group". Why on Earth would I even want to be a part of that?
And the biggest mindfuck of all, everyone is on board with this. Their wives, their friends, acquaintances...they don't care either. It's like this huge party where you can say the worst most evil ignorant things, and somehow get rewarded for it. They are the most happy people I have ever encountered on Earth. It fucks my head up so much.
And the most heartbreaking part of all, for me, is that their kids...what if one of them is gay or trans or just...different? How will they handle that? How will their self image survive knowing that their parents pretty much make fun of their type regularly? How will they survive knowing the people that are supposed to protect them, hate them? I mean, do intolerant parents not see that there is a possibility their kid is "different"? Like isn't there a parental instinct that says, "Hey maybe don't talk about how much you hate gay people, that could fuck up your child if he is gay and that would be bad." But they don't fucking care. Their kids might as well be props. Wouldn't want that to get in the way of your intolerance!
I just hate it so much. I hate this twilight zone situation I've landed in. I understand it's impossible not to be judgemental or critical...that's what humans are designed to do, it's often automatic. But don't we also have the ability to chose tolerance, acceptance, inclusiveness (they hate that word so much). When did it become such a bad thing for half the fucking country to be accepting of different people? And no I'm not falling for the paradox of intolerance. Been there and it's an insane way to mental gymnastic your way out of being a bigot.
It seems like it's just much easier to be a bigot...they sleep like babies and have a great time. Everything is black and white. Good and Evil. Our team versus your team. Us and "them".
It really has taken the wind out of my sails...I need to get out of here. I need to get far, far away.
submitted by ClarenceJBoddicker to rant [link] [comments]


2024.05.13 02:26 Tetrachrome I tallied up the amount of time HSR uses visual-novel style sequences in ALL of its story patches (and found Penacony uses it way more)

In light of recent discussions regarding the delivery of story in Penacony and how HSR is akin to a “visual novel” with narration, I thought it would be interesting to investigate how much of HSR’s story delivery actually takes place in a narrated visual novel style, since the game does feature that type of delivery, and whether or not Penacony has made any significant changes on this front. I'm tallying these because these tend to be the least interactive sequences to look at visually, leading to a heavily expository feel to the scene.
The scenes I consider a "narrated visual novel" sequence:
  • HSR has many sequences that feature a still pre-drawn picture, series of pre-drawn pictures, or a pre-drawn animated picture on screen, presented with story text and narration dubbed overtop. Basically this encompasses artwork that is not rendered by the game engine with 3D models and textures etc. For example, this still artwork of a bird in Robin’s hand with narration over it (screencap courtesy of Rubhen925's playthrough videos):
https://preview.redd.it/l0q5s2y3830d1.png?width=1844&format=png&auto=webp&s=c810723c1cc9d4ab6e75740df013ce02b2bdf519
What I do not count as a "VN" sequence:
  • Any sequence with live in-game rendering, such as still camera shots of in-game scenery or of characters standing and talking
  • Picture of an object (e.g. Sparkle’s flower buttons) since these are usually characters handing items to other characters.
  • Phone texting, in-game texts like books or letters, or dialogue sequences talking to NPCs without any audio. Even though it is the most literal “novel”-like delivery where the player must read to get story bits, they’re also usually optional and can be skipped rather quickly.
I’m only counting the times VN-style scenes are used in the main story quests of each patch and not any side quests, companion quests, events, or Simulated Universe.

THE TL;DR AND OVERALL CONCLUSION:

Penacony 2.1 and 2.2 has significantly more VN sequences, overwhelmingly so. I have provided a chart below depicting the number of seconds spent in VN sequences over the course of the patches. Penacony 2.2 alone has 4271 seconds (1hr 11min 11sec) of VN screentime, which eclipses that of all previous patches combined. Penacony 2.0+2.1+2.2 features 6237 seconds of VN screentime (1hr 43mins 57sec), which is 3.92x that of 1.X's VN scene usage (1590 seconds). Penacony also has more individual instances of VN segments, totaling to 27 scenes in 2.0-2.2, which is more instances than all of 1.X (18 scenes in 1.0-1.6).
https://preview.redd.it/2br8oonc830d1.png?width=1752&format=png&auto=webp&s=597d9ae079e6cecb37dfc522d8683bd9a4928a54
However, Penacony is also a much longer story, naturally leading to more dialogue and cutscene time than in previous patches. There aren't many ways to correct for this exactly to see proportionally how long is spent in VNs, nor easily done as it would involve parsing every instance of voiced dialogue or cutscene-equivalent in the main story. If we were to take some rough numbers though, Penacony Acts 2 and 3 are roughly 10 hours long in total playtime if just doing the story, with ~1 hour 43 minutes spent in VN sequences. This equates to roughly ~17% of the runtime being visual novel narration in the past 2 patches, which is fairly significant. By comparison, all of 1.0 content (Herta Station, Belobog, Luofu Act 1) would take roughly ~15 hours to complete if ignoring side content and SU and events, with only ~17 minutes of VN time, leading to only ~1.8% of the time spent in VN sequences.
In conclusion, Penacony definitely exhibits more visual novel style than the previous patches based on the amount of time spent in visual novel-styled sequences. Moreover, the VN style variety in Penacony is more limited than in previous patches, featuring largely still shots with some particle animations and no animations in the scene actors (see my breakdown below). This leads to Penacony’s VN style feeling more static than in previous patches, with a heavier emphasis on the narration rather than the visual presentation in these types of scenes.

The Breakdown

Ok so now for the breakdown. For all this “research,” I’ve used the HSR playthrough videos by the youtube channel Rubhen925, which have cutscenes on autoplay and thus pretty good consistency in cutscene timing behavior. I have also included linked time stamps for the start of these VN sequences in the respective playthrough videos in case people want to take a closer look. I’ve also included a brief note about each VN, as there is some variation in the artstyle of these pre-drawn VN sequences.
I’ll put a disclaimer here and say that I may have missed one or two sequences, as I sifted through the footage watching the videos at 2x speed and skipping through sequences of combat or active gameplay, so there is a margin of error here. With that being said, here is the detailed breakdown, with the total time count in each header:
1.0 Herta Space Station Main Arc – 0 minutes
  • None
1.0 Belobog Main Arc – 12 minutes, 48 seconds
  • Gepard recounts the founding of Belobog city (multiple pics) – 40 seconds 6:53-7:33
  • Cocolia under the influence of the Stellaron (multiple pics) – 62 seconds 1:10:21-1:11:23
  • Cocolia argues with the Stellaron (very animated with multiple angles) – 67 seconds 1:02:28-1:03:35
  • Svarog’s databanks about a previous Supreme Guardian’s Stellaron research (*background animated, multiple sequences) – 292 seconds 31:49-36:41
  • Natasha takes the orphans to the overworld (single still shot) – 77 seconds 1:25:53-1:27:10
  • Bronya’s inaugural speech as Supreme Guardian of Belobog (multiple pics) – 176 seconds 1:29:47-1:32:43
  • Seele and Bronya argue as the Express leaves (*very animated, almost a cutscene) – 54 seconds 1:47:27-1:48:21
1.0-1.3 Xianzhou Luofu Main Arc – 4 minutes, 15 seconds
  • Kafka talks about the script and our future encounter with Nanook (single pic) – 65 seconds 1:17:17-1:18:22
  • Luocha heals Xueyi (single pic, some particles) – 26 seconds 1:28:49-1:29:15
  • Fu Xuan recounts the events on the Luofu (game render screenshots with filter, also these are optional scenes for recap) – 164 seconds 4:32-7:16
1.4 Topaz Belobog Arc – 4 minutes, 46 seconds
  • Bronya recounts her conversation with Topaz about Belobog’s debt (single shot, old film stylizing) – 51 seconds 23:16-24:05
  • Topaz’s message to Bronya about her motivations (Numby animated) – 235 seconds 1:02:26-1:06:21
1.5 Huohuo and spooky Luofu arc – 2 minutes, 13 seconds
  • Cirrus recounts the feud between the General of the Luofu and Ignamar (single still shot, some action particles) – 97 seconds 48:12-49:49
  • Smol Huohuo (*adorable*) – 36 seconds 50:16-50:52
  • A general note about the Huohuo arc is that there is a large amount of in-game text that needs to be read for clues to solve puzzles, but this is less visual novel delivery and more just a gameplay mechanism
1.6 Ruan Mei and Dr. Ratio Herta Space Station arcs – 2 minutes, 28 seconds
  • Ruan Mei’s log about the bug (single shot) – 91 seconds 50:37-52:08
  • Ruan Mei talks about the cake cats (single shot) – 57 seconds 1:05:41-1:06:38
  • Note for this patch specifically – most of Ruan Mei’s logs are rendered cutscenes of her doing stuff with a filter over them, so I didn’t count these. There’s also the TV broadcast segments in the Dr. Ratio arc that don’t quite fit a VN description either as they are more akin to full-on animations and presented as recordings in the game world
2.0 Penacony Act 1 – 2 minutes, 12 seconds
  • Silver Wolf relaying Sam’s message to the express (some animations with Silver Wolf’s signature styling) – 107 seconds 4:16:06-4:17:53
  • Mourning Firefly getting unalived (single still shot) – 25 seconds 4:42:22-4:42:47
  • Firefly’s photo doesn’t count
2.1 Penacony Act 2 – 30 minutes, 34 seconds
  • RIP Duke Inferno (single still shot, animated fire) – 325 seconds 15:00-20:25
  • Kakavasha part 1 (single still shot) – 283 seconds 52:20-57:03
  • Kakavasha part 2 (single still shot, animated sky) – 245 seconds 2:09:14-2:13:19
  • Kakavasha part 3 (single still shot) – 209 seconds 3:09:52-3:13:21
  • Kakavasha part 4 ft. Jade (still single shot, but continues into a black screen while Aventurine has a monologue) – 366 seconds 4:01:35-4:07:37
  • Aventurine recounts the cornerstone plot and tricking Sunday (multiple pics) – 90 seconds 4:20:55-4:22:25
  • Kakavasha part 5 (multiple shots, animated rain) – 183 seconds 4:56:38-4:59:41
  • Acheron speaking to an unknown man – 133 seconds 5:24:44-5:26:57
  • Note for this patch – there are radio sequences from the IPC’s news broadcast, I don’t count these as VN sequences since they’re accompanied by black screens with no images and primarily intended to deliver audio playback as simply audio playback.
2.2 Penacony Act 3 – 1 hour, 11 minutes, 11 seconds
  • Firefly recounts the events from her perspective (multiple game render screenshots with filter) – 160 seconds 31:04-33:44
  • Firefly and Blade in the car part 1 (single still shot) – 228 seconds 35:13-39:01
  • Baby bird (single still shot) – 347 seconds 1:18:27-1:24:14
  • Acheron and the hooded figure part 1 (single shot, animated rain) – 385 seconds 2:20:44-2:27:09
  • Sunday goes to church (single still shot) – 449 seconds 2:27:15-2:34:39
  • Sunday’s quiz (interactive sequence of shots, the playthrough has all VN sequences conveniently back to back) – 340 seconds 4:12:29-4:27:09
  • Mikhail’s story (sequence of shots) – 528 seconds 5:03:20-5:12:08
  • Firefly and Blade in the car part 2 (single still shot) – 162 seconds 5:24:18-5:27:00
  • Acheron and the hooded figure part 2 – 362 seconds 5:29:00-5:35:02
  • Black Swan recounts the events and reveals the truth (sequence of still shots, interactive, video only includes the correct option dialogue) – 543 seconds 7:22:37-7:31:40
  • Baby bird, Robin’s perspective (single shot) – 50 seconds 7:41:10-7:42:00
  • Acheron and the hooded figure part 3 (multiple shots with some animation) – 379 seconds 7:53:17-7:59:36
  • Acheron and the hooded figure part 4 (single still shot, animated rain/smoke) – 158 seconds 8:06:04-8:08:42
  • Concluding monologue, Robin/Sunday flashback (single still shot) – 180 seconds 8:31:52-8:35:52
  • Of note, this particular act has a lot of dialogue that occurs on black screens leading into VN segments, so I have lumped them in the timings since the entire scenes together can be interpreted as a “VN-styled” sequence

Afterword

I spent way too much time on this but it was also entertaining rewatching old story :)
Edit: idk why it shows a youtube embed, reddit is weird :/
submitted by Tetrachrome to HonkaiStarRail [link] [comments]


2024.05.13 02:15 nomorelandfills No, You Beg - 2021 article from The Cut about the difficulty in adopting in the COVID era

No, You Beg - 2021 article from The Cut about the difficulty in adopting in the COVID era
Another copied article to keep in reserve. It's an odd article from the pandemic, recounting the boom in rescue adoptions. It is a fairly pointless article in that it uses some really shifty rescuers, including Pixies and Paws, as sources, brightly highlights a bioethicist who uses her own foolish adoption of two pit bull mixes as evidence that most people shouldn't own dogs, and chronicles but fails to understand the loathing rescuers have for adopters. It does, however, wonderfully illustrate how rapidly the good times ended in rescue. Anyone reading the the current "we've never been so overwhelmed with dogs" rescue laments should know that there's a link between today's problems and yesterday's reckless opportunism.
The "bioethicist"
“I think it’s probably true that the majority of people who want to adopt a dog should not,” Jessica Pierce, a bioethicist who studies human-animal relationships, tells me. “They don’t have the wherewithal and don’t have what they need to give the animal a good life.” She herself ended up with two pets that didn’t get along at all — a herding mix and a pointer mix whose constant fighting made the idea of hosting a dinner party both perhaps “bloody” and definitely “scary and miserable.” She says shelters shouldn’t “drive away potentially loving and appropriate adopters because they don’t meet predetermined criteria,” but she also sees the importance of a thorough application process that prepares humans for the pitfalls of pet parenthood. “You need to be ready to have a dog who doesn’t like people very much,” says Pierce. When Bella, the 11-year-old she got from the Humane Society, dies, she’s not sure she will get a replacement, noting that the pandemic puppy boom is “driven by a reflection of human narcissism and neurosis.”
However, this is a fantastic truth long overdue for the telling.
“I started to talk to shelter leaders across the country,” Cushing says. “And one by one, they said any adoptable dog without a medical issue is gone by noon on Saturday. But the public didn’t know that. Only the dog seekers and the experts did.”
https://preview.redd.it/v2owlquz230d1.png?width=1139&format=png&auto=webp&s=a95a7983b4f018f043125a0819a16941cec1e6aa
Jack, adopted by Tori and Paris through In Our Hands Rescue.
It was a rainy Sunday in June, and Danielle had fallen in love.
The 23-year-old paralegal spent the first part of her afternoon in McCarren Park, envying the happy dog owners with their furry companions. Then she stumbled upon an adoption event in a North Brooklyn beer garden, where a beagle mix being paraded out of the rescue van reminded her of the dog she grew up with, Snickers. It all felt like fate, so she filled out an application on the spot. She was then joined by her best friend and roommate, Alexa, in sitting across from a serious-looking young woman with a ponytail who was searching for a reason to break her heart.
Danielle and Alexa were confident they would be leaving with Millie that day: After all, they had a 1,000-square-foot apartment within blocks of McCarren and full-time employment with the ability to work from home for the foreseeable future. But the volunteer kept posing questions that they hadn’t prepared for. What if they stopped living together? What if Danielle’s girlfriend’s collie mix didn’t get along with her new family member? What would be the solution if the dog needed expensive training for behavioral issues? Which vet were they planning to use?
All of which, upon reflection, were reasonable questions. But when it came to the diet they planned for the dog, they realized they were out of their depth. Danielle recalled that Snickers had lived to 16 and a half on a diet of Blue Buffalo Wilderness, the most expensive stuff that was available at her parents’ Bay Area pet store. “Would you want to live on the best version of Lean Cuisine for the rest of your life?” sniffed the volunteer with a frown. She would instead recommend a small-batch, raw-food brand that cost, when they looked it up later, up to $240 a bag. “If you were approved, you’d need to get the necessary supplies and take time off from work starting now,” the dog gatekeeper said. “And the first 120 days would be considered a trial period, meaning we would reserve the right to take your dog back at any time.” The would-be adopters nodded solemnly.
The friends rose from the bench and thanked the volunteer for her time. Believing they were out of earshot, the volunteer summed up the interview to a colleague: “You just walked by, and you’re fixated on this one dog, and it’s because you had a beagle growing up, but you want to make your roommate the legal adopter?”
When Danielle and Alexa were young, one could still show up at a shelter, pick out an unhoused dog that just wanted to have someone to love, and take it home that same day. Today, much of the process has moved online — to Petfinder, a.k.a. Tinder for dogs, and various animal-shelter Instagram accounts that send cute puppy pics with heartrending stories of need into your feed and compel you to fill out an adoption application as you sit on the toilet. Posts describing the dogs drip with euphemisms: A dog that might freak out and tear your house up if left alone is a “Velcro dog”; one that might knock down your children is “overly exuberant”; a skittish, neglected dog with trust issues is just a “shy party girl.” Certain shelters have become influencers in their own right, like the L.A.-based Labelle Foundation, which has almost 250,000 Instagram followers and counts Dua Lipa and Cara Delevingne among its A-list clients. Rescue agencies abound, many with missions so specific that you could theoretically find one that deals in any niche breed you desire, from affenpinschers to Yorkshire terriers.
This deluge of rescue-puppy content has arrived, not coincidentally, during a time of growing awareness of puppy mills as so morally indefensible that even Alexandria Ocasio-Cortez could draw fire for seemingly buying a purebred French bulldog in early 2020. Then came the pandemic puppy boom, a lonely, claustrophobic year in which thousands of white-collar workers, sitting at home scrolling through their phones, seemed simultaneously to decide they were finally ready to adopt a dog. The corresponding demand spike in certain markets has simply overwhelmed the agencies: New York shelters that were used to receiving 20 applications a week were now receiving hundreds, with as many as 50 people vying for a single pup.
The rescue dog is now, indisputably, a luxury good, without a market pricing system at work to manage demand. A better analogy might be an Ivy League admissions office. But even Harvard isn’t forced to be as picky as, say, Korean K9 Rescue, whose average monthly applications tripled in 2020.
And yet someone has to pick the winners — often an unpaid millennial Miss Hannigan doling out a precious number of wet-nosed Orphan Annies to wannabe Daddy Warbuckses and thus empowered to judge the intentions and poop-scooping abilities of otherwise accomplished urban professionals, some of whom actually did go to Harvard.
This has led to some hard feelings. Every once in a while, someone will complain on Twitter about being rejected by a rescue agency, and it will reliably set off a cascade of attacks on “entitled rich white millennials assuming they can have whatever they want,” followed by counter-attacks on those who “appoint themselves the holy sainted guardian of all animals.” Danielle was ultimately deemed unworthy, not even receiving a generic rejection letter over email. After all, there isn’t really that much incentive for the rescue agencies to be polite these days.
The modern animal-rescue movement grew alongside the child-welfare movement in the mid-19th century. It got another boost in the years following World War II, when Americans were moving out to the suburbs in droves, according to Stephen Zawistowski, a professor of animal behavior at Hunter College. Suddenly, there were highways, yards, and space. Walt Disney was making movies about children and dogs that promoted the idea that no new home was complete without a loyal animal companion. (Zawistowski said that one might call this the Old Yeller Effect, but there were various riffs on the same theme over the ensuing decades. Essentially, Flipper was “Let’s put Lassie in the water.”)
In the early ’80s, University of Pennsylvania researchers confirmed the effects that animal companionship has on everything from blood pressure to heart conditions to anxiety. Pets were no longer just how you taught Junior to be responsible; they might be critical to maintaining adults’ physical and mental health. The way people spoke about animals started changing. The idea that “homeless” dogs were sent to the “pound” because they were “bad” went out of fashion. “Suddenly, you had ‘rescue’ dogs brightly lit in the mall,” says Ed Sayres, a former president of the ASPCA who now works as a pet-industry consultant. “Basically, we gave animals a promotion.” Meanwhile, in the late ’80s, spay and neuter procedures had been streamlined and were being recommended by vets as well as by Bob Barker on The Price Is Right.
Then came The Ad. Released in 2007, it featured close-ups of three-legged dogs and one-eyed cats rescued by the ASPCA over a wrenching rendition of Sarah McLachlan’s “Angel.” The commercial warned that “for hundreds of others, help came too late.” In just a year, the ad raised 60 percent of the ASPCA’s annual $50 million budget. The organization was reportedly able to increase the grant money it gave to other animal-welfare organizations by 900 percent in ten years. It is difficult to overstate the emotional hangover The Ad inflicted on millennials and members of Gen Z. Janet M. Davis is a historian at the University of Texas at Austin, where she lectures on animal rights to a demographically diverse body of students — everyone from cattle ranchers to vegan punks — most of whom cry when she shows The Ad in class. “It absolutely brings down the house,” she says. “Every time.”
Theoretically, the point of dog adoption is that there are more dogs born into the world than there are humans lined up to care for them. But as interest grew, the supply problem became less acute. Thanks to widespread spay and neuter policies, there are simply too few unwanted litters for what the adoption market wants.
National chains like PetSmart partnered with local shelters to supply its animals for sale. Savvy rescues in dog deserts like New York hooked up with shelters in the Deep South, where cultural attitudes toward spaying and neutering pets are much more lax. While there is no official registry of how many shelter dogs are available in the U.S., in 2017, researchers at the College of Veterinary Medicine for Mississippi State University published a study reporting that the availability of dogs in animal shelters was at an all-time low. “That is,” says Sayres, “an environment that leads to a kind of irrational, competitive behavior.” The rescue mutt had become not just a virtue signal but a virtue test. Who was a good enough human being to deserve a dog in need of rescuing?
Heather remembers the old easy days. “I went on Craigslist and an hour later, I had a puggle,” she says of her first dog-getting experience with her boyfriend in college. George the puggle humped everything in sight, shed everywhere, and chewed through furniture until the end of his life, but she loved him all the same.
Flash-forward 16 years: She and that boyfriend are married, have two kids, and can’t seem to get a new dog no matter what they try. Yes, she could find a breeder easily online (currently for sale on Craigslist: a Yorkie-poo puppy from a breeder asking $350 and just a few screening questions). But instead, in the middle of the pandemic, “I was sending ten to 12 emails a night and willing to travel anywhere, and no one would give us any sort of animal,” she remembers. Shelters would send snappy emails about how her family wasn’t suited for a puppy, even though they made good money and had clearly cared for their dearly departed George — they once drove three hours to get the dog a specially made knee brace. “I was trying to be really up front with people and would say that my daughter has autism and that I have a 3-year-old, and they would say no. It felt like they were saying, ‘We don’t give dogs to people who have disabilities.’ ”
It didn’t matter what kind of dog she applied for — older, younger, bigger, smaller — there was always an official-sounding excuse as to why her family wasn’t suitable. (“Pups this age bite and jump and scratch and while they are cute to look at, they are worse than a bratty ADHD toddler, without diapers,” one rescue wrote. “Sorry.”) She considered looking at emotional-support animals that work specifically with autistic youth but found out they could cost 18 grand and require a two-year waiting period. She couldn’t stomach the idea of setting up a GoFundMe, as other people in the community had. “It got to the point of me wondering, Okay, so what dogs do children get?” she recalls. “I always thought that dogs and children go together.” By the fall of 2020, Heather had turned back to breeders. “People get a little spicy when you say you paid for a dog. You want to scream that you tried your hardest, but it wasn’t possible,” she says.
Others, like Zainab, figured out ways to work the system. She blanketed agencies with applications in the early months of the pandemic, applying for 60 dogs. (The ease of applying online might also explain the statistics.) She thought the fact that she had a leadership role in public education would demonstrate that she was both successful and nurturing. “I’m a professional, I make good money, and I have a master’s degree,” she tells me. She was rejected all the same. Finally, a co-worker suggested Zainab make a résumé in order to stand out. The multipage document — which features testimonials from high-powered friends, including local elected officials — is what got her an exclusive meeting with Penny the pug in a parking lot. She was handed over with a leash tied around her neck and vomited in the front seat of Zainab’s car about three blocks later. Success!
Or take Lauren, who’d had dogs all her life and found living solo during COVID lonely. “You can’t be without an animal at this particular time,” she told herself. So she started applying for dogs on Petfinder and boutique-rescue websites. “I would look up at my clock, and it would be two in the morning,” she says. Her hopes were high when she got a meeting with a Chihuahua mix in the suburbs named Mary Shelley. Lauren thought the meeting went well, but it ultimately didn’t result in the interviewer granting the adoption. “Then I was in conspiracy-theory mode, thinking she doesn’t like gay people, or single people, or people who live in the city,” she says. “It was a crazy-making experience. It’s a pandemic, so your world is already turned upside down, but I became psychotic.
“The people who run rescue organizations — this was their moment to shine,” she adds. “Even though they were totally bogged down with requests, they got to feel the power. They got to make someone’s dreams come true or smash them to the ground.”
The inquiries can get extremely personal. “I found the questions very offensive,” says Joanna, a Memorial Sloan Kettering Cancer Center nurse who tried to adopt last year with her architect husband. “I was like, ‘What does this have to do with getting a dog?’ ” Her husband didn’t even want to put the thought out into the universe, but he was forced to admit that he’d probably be the one to take a shared pet in the event of a divorce. The two also had to grapple with what would happen if one or both of them died of COVID during the pandemic. And would both of them be able to take three days off at a moment’s notice to help the dog acclimate to its new home? “I was frank with her and said, ‘I take care of cancer patients,’ ” says Joanna. “She was very unsatisfied with our answer.”
“The more popular the rescue is on the internet, the more clout they have,” says Molly, a writer in New York. “If you have a really good social-media presence, you can throw your weight around.” (The clout goes both ways: Posting about your rescue dog on Instagram is an indirect way of broadcasting that someone out there deemed you morally worthy enough to be chosen.) She inquired about eight dogs in six weeks from about five different rescues, only to be continually rejected. She finally got an interview with a rescue agency whose cute dogs she had seen on social media. They asked to tour her apartment over Zoom. Fine. They asked for her references. Great. But then they asked if she would pay for an expensive trainer. She asked if she could wait — not only was it during the height of COVID, but the cost of the sessions with the trainer could be close to $1,000. The person she was dealing with said over email that dogs were investments and suggested she look elsewhere. “I was like, This is so Brooklyn,” she says.
Still, others wished the warning about trainers had been more explicit. At the height of the pandemic, Steven remembers scrolling through social-media post after social-media post saying things like “URGENT: NEED TO FIND THIS GUY A HOME” while “picturing this dog on a conveyor belt going toward this whirring saw. And meanwhile I am screaming at my phone, ‘I applied and you turned me down!’ ”
But after securing a dog, he came to believe the process, while tough on the human applicants, wasn’t tough enough when it came to the dog’s needs. Right off the bat, Cooper was very hyper and mouthy when playing. “We were doing the thing that everyone does, like, posting pics: ‘We’re at the park, isn’t this fun, hahaha,’ ” he says. But the reality was much less Instagram-worthy. Cooper became difficult to handle, especially in a small New York apartment; mouthiness escalated to gnashing his teeth and guarding food. “It’s embarrassing, and I hate having to tell people we had to give the dog back,” he says. (So much so that Steven requested a pseudonym for himself and for Cooper.) “To be frank, the experience we had with the dog was pretty traumatic. If this volunteer had felt so powerful, I wish that they had said we wouldn’t be able to handle this dog.” Although Steven’sInstagram is replete with photos of other friends’ dogs, evidence of Cooper’s existence has disappeared from the account.
The rescue-dog demand has also been stressful for the overwhelmed (and overwhelmingly volunteer) workforce that keeps the supply chain running. On a recent Saturday, Jason was speeding toward JFK airport in a windowless white van covered in graffiti. Though he was on his way to help rescue dogs, he is the first to admit he’s not the biggest fan of the animals. “I just need something to do,” he says. “I was going crazy sitting around the house.” His friend, who was employed at a rescue, recommended him for an unpaid gig. Prior to the pandemic, he managed an Off Broadway play in the city. The 34-year-old, who is athletically built with a shaved head, has a compulsive need to be coordinating a production, and getting dogs to New York City from a different continent is definitely that.
Many of the city’s rescue dogs come from other parts of the world these days, brought over by volunteers who take them through a complicated Customs process. This is part of what Pet Nation author Mark Cushing calls the “canine freedom train.” A former corporate trial attorney, Cushing had thought that American shelters were filled with dogs with a figurative hatchet outside their kennel; that was until his daughter, a shelter volunteer, said that, in fact, scores of people were lined up around the block every weekend in hopes of adopting a handful of dogs. “I started to talk to shelter leaders across the country,” Cushing says. “And one by one, they said any adoptable dog without a medical issue is gone by noon on Saturday. But the public didn’t know that. Only the dog seekers and the experts did.”
Jason waited in arrivals, ready to stop anyone who walked by with dog crates. When he saw some, he swooped in. It turned out that he had ended up with an extra animal — one that was yowling like it needed to get out and pee. He couldn’t figure out to whom it belonged, and after about 40 minutes of drama in the pickup area, two large men jumped out of a truck with out-of-state plates. They handed Jason $20 before he knew what was happening, loaded the dog into their Silverado, and sped off toward North Carolina. It was unclear if they were adopters themselves or worked for a shelter.
With that out of the way, Jason tried to carefully maneuver a luggage cart full of the remaining dog crates to the lot where he was parked. When one fell, the animal inside didn’t make a sound, presumably zonked from its long journey across the ocean. More volunteers were waiting at the shelter with food, water, and an enormous number of puppy pads when he arrived. After the animals decompressed from their long flight, they would be taken to an adoption event, where they would hopefully meet their new humans.
Emily Wells hasn’t taken a vacation in years. She works full time on Wall Street but is also the coordinator for Pixies & Paws Rescue — a job that she does in between calls and meetings and emails. That means responding to DMs on Instagram about available dogs, attending adoption events on weekends, and getting on the phone with a vet at 10 p.m. because one of her fosters got sick. That also means screening applications, which more than doubled during the height of the pandemic. Typically, she denies about one-third. This part of her job might not be the most physically demanding, but it does take a psychic toll.
“What I’ve found is a lot of people are very entitled,” she says. “They send nasty emails. I’ve been called every name in the book. But there are reasons we deny. We are entrusted with placing a living, breathing thing in someone’s home for the rest of its life.” She wishes people would understand that the rescue is just her and one other person trying their best to deal with off-the-charts levels of demand. “I know rescues that don’t even reply,” she says. “So the fact that we do and still get shit for that is annoying.” And explaining why someone was rejected can create its own problems: What if they use that information to fib on their next application?
Rescues like Wells’s are largely dependent on foster parents to house the dogs they import. Foster-to-adopt is one way that people adopt pets, a means of testing out compatibility and increasing one’s chances of adopting in a hypercompetitive city. But demand for dogs was so high last year that even proven volunteers couldn’t get their hands on a foster. Take Suchita, an animal lover who moved from India to New Jersey for her husband’s VP job with a big bank in 2019. Unable to work owing to visa issues, she became a prolific dog fosterer for a rescue in Queens. She also worked with a program that pairs volunteers with elderly animal owners who need help taking their pets out on walks. That program was suspended during COVID, which left Suchita desperate for more dog time.
Figuring that online volunteer work might fill the void, she started helping another organization wade through its massive backlog of applications by calling references. She offered to foster more dogs but didn’t hear back, nor did her attempts to adopt pan out. When she went ahead and adopted Sasha, a Pomeranian, through another rescue agency, the first organization was not happy. “After I posted Sasha on Instagram, they called me saying it was a conflict of interest to have worked with another agency,” Suchita says. “I was not at all prepared for that. Then they unfollowed me. It really hurt, but no hard feelings.” She is humbly aware of the fact that in New York, there is always someone who has a nicer apartment, a better job, and more experience than you. If everything else is equal, why shouldn’t a shelter try to give a dog to someone who can afford to give it the best life possible?
“They don’t treat humans nicely, but at least they treat dogs nicely,” she says.
In some corners of the rescue world, a reckoning is taking place. Rachael Ziering, the executive director of Muddy Paws Rescue, which found homes for around 1,000 dogs last year, got her start volunteering at other nonprofits whose adoption processes she found abhorrent. She saw, for instance, people look at adoption applications and say, “Oh, that’s a terrible Zip Code. I’m not adopting to them.” Or they would judge people based on their appearance. “I know a lot of groups that will ask for your firstborn along with your application,” she says. “I think it’s well intentioned, but I think it just took a turn at some point. It’s morphed into sort of an unhealthy view that no one’s ever gonna be good enough. Nobody’s ever perfect — the dog or the person.” Muddy Paws is instead embracing what is known as “open adoption,” a philosophy that allows for rescue volunteers to be more open-minded about what a good dog home might look like. It has started gaining traction among groups like the ASPCA in recent years, in part because the organization’s current president was denied a dog — twice. Instead of rejecting applicants outright based on their giving the “wrong” answers, Ziering’s team speaks with hopeful dog owners at length, learning about their lifestyles and histories to match them with the pet best for their family. Still, even a more inclusive philosophy toward profiling adoption applicants comes up against the intractable math: There are only so many dogs that need homes. Though Muddy Paws rejects less than one percent of applicants, some decide to adopt elsewhere if it means getting a dog faster.
Is any of this good for the dogs? Depends on whom you ask. If the intense questions involved in securing the dog cause someone to reflect before making a decision they’ll regret — sure. Others note that the average dog’s life span has hovered around 11 years for decades. “I think it’s probably true that the majority of people who want to adopt a dog should not,” Jessica Pierce, a bioethicist who studies human-animal relationships, tells me. “They don’t have the wherewithal and don’t have what they need to give the animal a good life.” She herself ended up with two pets that didn’t get along at all — a herding mix and a pointer mix whose constant fighting made the idea of hosting a dinner party both perhaps “bloody” and definitely “scary and miserable.” She says shelters shouldn’t “drive away potentially loving and appropriate adopters because they don’t meet predetermined criteria,” but she also sees the importance of a thorough application process that prepares humans for the pitfalls of pet parenthood. “You need to be ready to have a dog who doesn’t like people very much,” says Pierce. When Bella, the 11-year-old she got from the Humane Society, dies, she’s not sure she will get a replacement, noting that the pandemic puppy boom is “driven by a reflection of human narcissism and neurosis.”
“A lot of this is driven by Instagram,” she says. “We have this expectation that dogs are not really dogs; they’re toys or fashion accessories.”
I’m not pushing you, but it seems like you want to bring him home,” the Badass Animal Rescue volunteer said with the controlled energy of a used-car salesperson. Bill and Sherrie, a middle-aged couple who had lost their English bulldog three years ago, were looking for a replacement. The dog with a bright-red boner jumped on Bill, and everyone pretended not to notice. “He definitely has energy,” Bill said brightly. The couple were on the fence, and the volunteer could sense the close slipping away.
Although this organization saw applications rise 200 percent during the pandemic, things are now recalibrating back to normalcy. We are, it seems, witnessing the cooling of the puppy boom. The unbearable loneliness of the pandemic has abated, replaced with anxiety about how to possibly do all the things all of us used to do every day. New Yorkers are being summoned back to the office or planning vacations. Many young professionals are finding that, when given the option between scrolling through rescue websites until 2 a.m. or doing drunken karaoke in a room full of friends, Dog Tinder is losing its appeal. Local shelters are seeing application numbers slip — many say they have returned to pre-COVID levels — which, in turn, has made it slightly more of an adopter’s market.
Bill and Sherrie went to the hallway to talk it over. He was definitely a puller like their old dog, Xena. And he was also a hell of a shedder. The volunteer kept talking about something called a “love match,” but was this really one? “We’re just gonna need a little more time,” Sherrie confessed when they came back inside. No one was making eye contact. As they prepared to leave, the dog jumped up on Bill again, his tongue flopping sideways and his wagging tail spraying white fur. He was clearly not aware that the tenor of the room had shifted. “We might be back,” Bill said with an obvious twinge of guilt. “Don’t worry!”
We will probably look back on the class of pandemic dogs adopted in 2020 as the most desirable unwanted dogs of all time — the ultimate market-scarcity score for a slice of virtuous, privileged New York City. People like Danielle will see them paraded around places like McCarren Park, the living, breathing trophies for self-satisfied owners who made it through the gauntlet. At least for the next 11 years or so.
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2024.05.13 01:45 Kuirage Exploration of Mikasa and her thematic relevance

Yes, another (long) Mikasa post, and I apologise. Lucky (or unlucky?) for you, it's not a negative one! Instead, I want to take a moment here to explore and discuss something about Mikasa's relevance in the grander story of AoT because often times I find myself genuinely dumbfounded when I see discussions of this character in online spaces. Will potentially touch upon other aspects and elements of the story as I go through some of my points, briefly as I can and hopefully it's not too much of a jumbled mess of thoughts.
Part 1: a short, messy journey through Mikasa's Eren shenanigans to get on the same page
For starters, safe to say Mikasa is arguably one of the most controversial figures of AoT and I don't need to mention when that began (but even prior to that). In my experience discussing this series as well as seeing people's takes on things, I've seen a surprising amount of people who, to put it simply, flat out do not remember the story, to the point that I felt some level of motivation to create this post. What do I mean by that? Very few people for example seem to know or remember why Mikasa is so attached to Eren and what that means both for her character and contextually for the series.
Many of our answers lie in episode 1x6 (I'll use the anime because while I understand Mikasa in the manga is better, her growth of other aspects of herself that is slightly missing from the anime is not too relevant for this discussion). Mikasa values Eren initially because Eren taught her that to live you need to fight, and he gave her a home to return to, symbolized by him wrapping his scarf around her. Why is this important or interesting? Because as much credit Armin gets for this notion, Mikasa is the first instance of the series' introducing us one of its most important messages: "the world is cruel, but also beautiful". Mikasa is the first character in the story appearing to internalize this worldview very literally, and Eren provides her with the antidote to the world's cruelty, as she understands it. Mikasa as a character is someone who yearns for a simple life with the people who she loves and cares for, she does not have lofty ambitions or grand dreams. All she wants is that home and warmth to return to and Eren is the only family she's got left. And in that sense, this makes her to me a very relatable and likable character but also quite emotionally fragile and prone to rash decision-making (which she slowly grows out of as she becomes more mature, responsible and selfless, some of which is cut manga material so yeah sucks... but beside the point). It also becomes a dangerous breeding ground for emotional dependencies to form as we'll get to.
Her mentality is reiterated in 2x12, and it's reiterated in the staircase dialogue scene in 3x12 where you can see the difference between the trio: Mikasa focuses on the happiness of the past and the good old days and whether or not they'll return, Eren focuses on the future and revenge, Armin focuses on the undiscovered beauty that's still out there for them to experience. Her yearning for home to get out of the cruelty of the world is shown again in the climax of the finale episode after everyone's transformed into a Titan and things are looking extremely dire and depressing. To get to the crux of the issue then, we go over S4 where Mikasa's emotional conflicts around all of this and Eren start to happen, as she has to confront her attachment and insecurities.
Much like the viewer themselves, Mikasa slowly has to confront Eren's ugliness and disturbing parts that she refused to see herself because of the idealized person she made Eren out to be previously, which initially culminates in the infamous table scene, where Mikasa's entire perception collapses, as Eren's behavior literally and figuratively betrays the idea she had of himself. To put it simply, he's a huge dick, but also doesn't care for the promise of her scarf, a direct contrast to what he did in S2. And again, much like the viewer, there is still some coping done from her and Eren's friends about his true characteintentions, until the Rumbling puts it into full display and it's impossible to avoid the harsh truth. The order of events between manga and anime are a little different, but the point is that here is where she truly begins to question herself very directly, as we see in her monologue in Ch123 or 4x28.
One other more subtle expression of this is done earlier, through another controversial figure: Louise. Louise serves to be a parallel to Mikasa, where much like Mikasa, her behaviors were informed by a misinformed idealized version of someone else's actions, and due to Louise's affiliations and what the Jaegerists are doing, as well as what Eren is doing, Mikasa realizes the similiarities and sees the ugliness of Louise reflected back at her. Which is why Mikasa does not like Louise because she's an insult to her pride and her own views, which she begins to have doubts about as soon as she's returned off the Liberio raid (eg sitting in Sasha's grave and muttering the lesson she learnt from Eren about fighting while holding onto her scarf in her sadness). But, as we see, Mikasa's one of the first to join the Alliance to stop Eren and as we see later, she finds the strength to let go of the fear of losing him and kills him. Finally I'll explain why Mikasa's conclusion is strong and how it relates to the themes of the story.
Part 2: Conclusion and thematic takeaways
The messy preamble above (which doesn't really cover everything in detail, just needed to superficially get some things out of the way, more patient Mikasa defenders can expand on things here) is needed to understand why Mikasa's conclusion makes perfect sense. There is a lot of controversy over this for a couple reasons: one, is that there's the general sentiment that Mikasa's characterization is retreading the same old ground and it's dull, and two, that her conclusion is not even a conclusion, because she doesn't throw her scarf away and sits at Eren's grave crying about him. To address the former, people specifically refer to Trost arc, where she accepts Eren's death and seems to move on. The subtle difference here is that her moving on is done only in the context of her living just to keep Eren alive via her memories, as opposed to S4 where she goes through the entire season having emotional conflicts around her view and importance of Eren and having to physically kill him herself, while keeping him alive in her memories in a different way as we'll see. Also, personally speaking, her conflicts in S4 around this topic are far more engaging than what she went through in Trost, so even then, calling it "retreading ground" is not something I can relate to.
Now, to address the second point and her ending. As I've mentioned before, one of AoT's core messages is the idea that the world is a cruel and shitty place, but life is still worth living because of the inherent beauty that constantly exists around us if we are prepared to look for it and appreciate it. It's a message that's contextualized by the broader theme of what it means to be free according to Isayama. Freedom is a multifaceted idea and it's explored thoroughly in AoT via its characters and factions such as the Scouts as well as constant symbolism thrown at you to remind you of it. One aspect of it, that I'm focusing on here is that the ability to appreciate life for what it is, indulge in its blissful little moments, form dreams, goals, connections with other people etc is how you are able to combat the disturbingly nihilistic reality of the world and the human condition's inevitabilities that cause suffering in the world. However, as Kenny says, "everyone is a slave to something". In our struggles and efforts to push on, we often times become extremely reliant on concepts that give us strength, making us ironically emotionally fragile and potentially leading us down self-destructive unhealthy paths. Freedom, then, is the ability to find beauty in living, while always remaining grounded in the realities of the world and being prepared to let go of what you hold precious, because at the end of the day, the only walls that really exist are the ones that you yourself create. We are special for no other reason than that we were born, and that alone gives us the strength to constantly rediscover ourselves and what it is that gives us meaning and relief in this life.
Back to Mikasa then. After she gets closure with Eren, and understands that it's wrong to sit around in a Cabin alternate reality indulging herself, she unexpectedly keeps the scarf on, saying she can't forget Eren (not for 10 years at least!) but kills him anyway, while later also staying and crying at his grave, causing a confusing look in many reaction videos to say the least, and even more angry commentary in text form elsewhere. What does this mean then? Well, as I've implied earlier, her loving and finding strength in Eren is not wrong or undesirable. What is undesirable is becoming dependent on him to the point where she's blinded to his wrongdoings and too afraid of letting go of him in fear for what that might mean for her worldview and how she deals with life. Therefore, while she's able to finally kill him and let go of him, she can still cherish the positivity he created for her by holding onto the scarf and the beautiful meaning it had in itself. It's a nuanced conclusion and thematically poignant, in line with the themes I described earlier. It's also why her crying at his grave is a normal human reaction from her POV (seriously, really weird to me how up in arms people are about this one, people are just self-inserting and projecting their own dislike of Eren).
To close this off, let's quickly address some broader ending talking points relating to Mikasa. Remember that staircase scene I talked about previously? It really highlights and setups the culmination of the thematic exploration of AoT in this regard. Mikasa and Armin both showcase freedom in their own ways, while Eren never did, or could. This is hinted at through a different angle in 2x8 as well, and is blatantly obvious via Eren's own characterization and struggles. Point being that there's a complaint that Mikasa and Eren's romantic feelings are stupid because they could never be together, when that very much is the point. Is it a clunky execution of a well-known romance trope? Probably (but nowhere near as bad as most people claim, in fact it's already pretty good and makes sense), but let's not pretend that Isayama or the story is not aware of their incompatibilities.
This extends to Ymir and King Fritz. It's meant to be icky and disgusting, and serve as another example of what freedom means. Let's not pretend the story doesn't acknowledge this. Mikasa is a parallel (or foil, I suppose) to Ymir because they both needed to re-evaluate an attachment that they learnt to rely on for emotional convenience and was rooted in misinformed notions and internalizations of trauma. Mikasa can still remember and cherish Eren because Eren is not Fritz, there was something valuable and beautiful there, but Ymir does not remember Fritz, she remembers her kids at the end, which would be the meaning and beauty she yearned for herself.
And that's that. I fully expect bad faith actors to completely flatten this into "nuh uh Mikasa still sucks" without genuine counter-arguments of why I'm wrong as usual, but for the rest of you maybe this was useful in some minor way at least. I also focused on Eren here because that's the main anchor for Mikasa's characterization and narrative value and the source of controversy, without that meaning that she has no personality other than Eren (another silly notion) or that she's not fun to watch for other reasons (yes, she is a badass, and no, she is not Levi-lite, they are different style of badass at least in the sense of how Mikasa knows she's a badass and likes it, while Levi remains ever stoic about it). My only complaints about Mikasa myself is that the anime botched her in uprising arc and it creates a void in the story where Mikasa just sort of is there and mostly says "Ereh", which is unfortunate. But I suppose most characters if not all have places in the story where they don't do much, there's narrative space for so much afterall. Anyway, thanks for reading if you got to this point, have a good one.
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