Collection of dr seuss poems

Seussianism

2020.03.29 07:32 turtle3210 Seussianism

Seussianism is the political philosophy based upon the works of Theodor Seuss Geisel (Dr. Seuss), this subreddit is for creating & promoting social change/memes in line with Seussian ideals. For more information visit https://polcompballanarchy.miraheze.org/wiki/Seussianism or visit https://opensea.io/collection/seussianism-collection to lose money
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2023.01.21 20:09 SeussianRaps

A place for people rapping Dr.Seuss books, but all poems in rap form are allowed.
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2010.03.30 23:25 sherlocktheholmes The Lorax: "Lore" meaning an old story and "Thorax" meaning the voice box.

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2024.05.14 05:41 dungeonmaster_11 Jim Davis Comic Strip Ideas from Before Garfield

I seem to remember one of the 90's black and white Garfield collections (the ones that made up the Fat Cat 3-Packs) having an extra at the beginning or end where it was something like, "Ideas for Comics Jim Davis Had Before Garfield", and there were quite a few before Gnorm Gnat, including one with what looked like a whale longshoreman. For the life of me, though, I can't remember which collection it was. I do remember that the image used for Gnorm Gnat in the lineup was the one of Gnorm looking dubious as Dr. Gougo is putting on gloves. Does anyone know what I'm talking about?
submitted by dungeonmaster_11 to garfield [link] [comments]


2024.05.14 05:12 cod3builder Remember that game I said that had only one plane?

To clear up misconception and apply feedback, I'm making a second post. This is a project for my game design class.
Greetings, newcomers and enthusiasts of flying! Have you ever wanted...
-Flight courses with canyon run parts
-Flight courses with puzzles
-Flight courses with enemy gauntlets
-Flight courses with canyon run parts that have puzzles and enemy gauntlets
Then this is the game for you!
We have:
-A single plane with an artstyle straight out of Kirby that can be customized with weapons and augments unlockable via the story
-A cutsey plane control UI, fitting for such plane
-Powerful bosses, including but not restricted to:
airships
dragons
airships escorted by dragons
-Boss gauntlets that make you fight through these bosses back-to-back
-Timed courses that have to be blazed past before the timer runs out
-Collectibles hidden all over the levels! These include:
plane decorations
more augments
text files with lore
TL;DR: It's Ace Combat for kids.
Would you play this?
submitted by cod3builder to Project_Wingman [link] [comments]


2024.05.14 05:02 cod3builder Remember that game I said that had only one plane?

To clear up misconception and apply feedback, I'm making a second post. This is a project for my game design class.
Greetings, newcomers and enthusiasts of flying! Have you ever wanted...
-Flight courses with canyon run parts
-Flight courses with puzzles
-Flight courses with enemy gauntlets
-Flight courses with canyon run parts that have puzzles and enemy gauntlets
Then this is the game for you!
We have:
-A single plane with an artstyle straight out of Kirby that can be customized with weapons and augments unlockable via the story
-A cutsey plane control UI, fitting for such plane
-Powerful bosses, including but not restricted to:
airships
dragons
airships escorted by dragons
-Boss gauntlets that make you fight through these bosses back-to-back
-Timed courses that have to be blazed past before the timer runs out
-Collectibles hidden all over the levels! These include:
plane decorations
more augments
text files with lore
TL;DR: It's Ace Combat for kids.
Would you play this?
submitted by cod3builder to acecombat [link] [comments]


2024.05.14 04:36 Otherwise_Two6217 A Dystopian Story ~ written by me (all rights reserved)

A Dystopian Story ~ written by me (all rights reserved)
Title: Echoes of the Past
A dark, desolate cityscape under a perpetually overcast sky. The skyline is dominated by towering, dilapidated skyscrapers with broken windows and rusted structures. Streets are empty, littered with debris and remnants of a past society. A lone figure in a tattered coat and gas mask walks down the cracked pavement, passing under flickering neon signs and malfunctioning drones hovering overhead. The air is thick with smog, and distant sounds of mechanical whirring and distant explosions echo through the desolate landscape.
In the heart of the city, once called New Eden, the figure trudged through the ruins. They were known simply as "The Seeker," one of the few who dared to venture out of the underground settlements. The Seeker’s mission was to find remnants of old technology, fragments of the world before The Collapse, to piece together a future for the remnants of humanity.
As they walked, the neon signs above flickered messages of a bygone era: “Utopia Awaits!” and “Live the Dream!”—hollow promises from a world that had crumbled under its own weight. The drones, relics of an automated age, now patrolled the skies aimlessly, their once intelligent programming reduced to malfunctioning routines.
The Seeker paused in front of a massive skyscraper, its facade marred by time and conflict. They pushed open the rusted doors, entering the darkened lobby. The air inside was stale, thick with the dust of years. Their flashlight cut through the gloom, revealing scenes of sudden abandonment: papers strewn across desks, chairs overturned, and the skeletal remains of those who hadn’t made it out.
In the silence, a distant explosion rumbled, shaking loose debris from the ceiling. The Seeker moved quickly, heading for the building’s lower levels, where the valuable relics were often found. Each step echoed through the desolate corridors, a reminder of the loneliness that pervaded this forsaken world.
In a forgotten lab, hidden beneath layers of dust and grime, The Seeker found their prize: an old mainframe, still intact. They began the painstaking process of extracting its data, hoping it held blueprints, knowledge, anything that could help rebuild. Hours passed in silence, broken only by the hum of machinery coming to life.
As they worked, The Seeker couldn’t help but wonder about the world that once was. A world of innovation and dreams, now reduced to echoes and ruins. They imagined the people who had walked these streets, lived their lives, and built this city with hope in their hearts.
With the data safely stored, The Seeker made their way back to the surface. The overcast sky greeted them once more, a constant reminder of the world’s desolation. Yet, in the face of ruin, there was a flicker of hope—a belief that the past’s remnants could forge a new future.
The journey back to the settlement was long and arduous, but The Seeker was driven by the promise of tomorrow. As they descended into the hidden depths where humanity clung to survival, they carried with them the echoes of a lost world and the seeds of a new beginning.
The Seeker, known for their solitary missions, had once been part of a larger group called the Preservationists. These individuals had dedicated their lives to collecting and safeguarding remnants of the old world, believing that knowledge was the key to humanity's resurgence. Each member had their specialty—some focused on medicine, others on technology, and a few on cultural artifacts. The Seeker's expertise lay in retrieving technological blueprints and data archives, often venturing into the most hazardous zones to find them.
Years of scavenging had honed The Seeker’s skills. They knew how to navigate the treacherous ruins, avoiding crumbling structures and hidden traps set by other scavengers. Their gas mask was a relic itself, a custom-made piece that filtered out the toxic air and allowed them to breathe in the most contaminated areas. Their coat, though tattered, was lined with pockets and pouches, each containing tools essential for their survival and mission.
As The Seeker walked, they passed landmarks of the old world—the grand library, now a hollow shell of its former self, and the central plaza, once a bustling hub of activity, now eerily silent. Each location held memories, stories, and lessons from a time when humanity thrived. The Seeker often felt a pang of sorrow for the lost potential, the dreams that never came to fruition. But they also felt a sense of duty, a drive to ensure that such dreams could be reborn.
Inside the skyscraper, The Seeker's flashlight illuminated murals and posters, faded but still visible. They depicted scenes of progress and prosperity—visions of flying cars, towering green cities, and interstellar travel. These were the promises of a society that believed it could conquer any challenge, overcome any obstacle. The reality, however, had been far less optimistic. The Collapse had come swiftly, a result of unchecked ambition, environmental neglect, and technological overreach.
In the forgotten lab, The Seeker found more than just the mainframe. There were old journals, handwritten notes, and sketches. These personal items provided a glimpse into the lives of the scientists and engineers who had once worked there. They spoke of late nights, groundbreaking discoveries, and a shared vision for a better future. As The Seeker read through them, they felt a connection to these long-gone individuals, a kinship born of shared purpose.
The extraction process was delicate, requiring precision and patience. The mainframe’s data was encrypted, a safeguard against theft in the chaotic final days of the old world. But The Seeker had encountered similar systems before and knew how to bypass the security measures. As the files began to transfer, they glimpsed blueprints for sustainable energy sources, advanced medical treatments, and even plans for rebuilding infrastructure.
With the data secured, The Seeker made their way back to the settlement, navigating through the darkened streets with practiced ease. The settlement, hidden deep underground, was a stark contrast to the world above. It was a place of warmth and light, where survivors worked together to carve out a new existence. The air was filtered, the water purified, and the crops grown using hydroponic systems. It was a fragile oasis in a desolate world, but it was also a testament to human ingenuity and resilience.
As The Seeker entered the settlement, they were greeted by familiar faces. There was Dr. Elara, the lead scientist, who had been eagerly awaiting the data. Her eyes lit up with hope as The Seeker handed her the storage device. "This could change everything," she said, her voice filled with excitement.
In the common area, children played, their laughter a rare and precious sound. They represented the future, the reason why The Seeker and the others continued their dangerous missions. The Seeker watched them for a moment, a smile forming beneath the gas mask.
Later, as the settlement’s council reviewed the newly acquired data, The Seeker reflected on their journey. The world above was a harsh and unforgiving place, but within the ruins lay the seeds of rebirth. The knowledge and technology of the past, coupled with the determination and spirit of the present, could pave the way for a new dawn.
And so, in the darkness, there was light. In the echoes of the past, there was hope for the future. The Seeker knew that the road ahead would be long and challenging, but they also knew that humanity was capable of rising from the ashes. The city, once called New Eden, might one day thrive again—not as a utopia, but as a symbol of perseverance and the enduring strength of the human spirit.
submitted by Otherwise_Two6217 to u/Otherwise_Two6217 [link] [comments]


2024.05.14 04:09 meunier-benoit Seeking Opportunities to Kickstart My Journey as a Machinist in Alberta!

\*TL;DR:** 46-year-old bilingual French Canadian UX designer turned tradesman, looking for any machinist opportunities in Alberta. Obsessed with machining, eager to find a mentor and start anew.*
I'm reaching out to tap into the collective expertise and networks here in hopes of finding a mentor, team, and opportunities in Alberta as I embark on an exciting new career path.
Here's a little about me:
I'm a 46-year-old French Canadian from Montreal (fully bilingual, don't worry) who thrived in the digital world as a UX designer for 30 years. However, two years ago, I found a new passion that altered my life's trajectory--working with metal and mechanical engineering. Why the drastic change? I fell in love with the tangible satisfaction of building and working hard with my hands. This newfound love led me to go full-time back to school to dive deep into welding at École des métiers de la construction de Montréal for 18 months while selling consulting agency.
Welding was my first step, and now I'm obsessed with machining. Despite not having the tools yet, I've been voraciously absorbing knowledge through all the books and all the videos. My journey also includes 3D printing, which served as my gateway drug into a whole new world of design and CAD. I'm currently earning certifications with Autodesk Fusion 360, enabling me to design parts and create detailed plans, even while working remotely at a campground.
But why Alberta? My wife, our 9-year-old homeschooled son, and I took a bold step last year--we sold everything to explore Canada and the USA in our fifth wheel RV, searching for the perfect place to call home. Among many places, Alberta draws us in with its people, landscapes, and endless opportunities.
I know this is a long shot, but I'm looking for a place where I can contribute with my broad spectrum of skills and relentless work ethic ... even starting from nothing. I seek a mentor, a team, or any opportunity to immerse myself in the world of machining.
We're heading for Texas again this summer because winter in an RV is nearly impossible, but once we're back, Alberta is our next destination. If you know of any opportunities, companies, or individuals in Alberta who might be interested in a dedicated newcomer with a unique background and an insatiable drive to learn, I would love to connect.
Thank you for taking the time to read my story. I'm excited about the possibility of starting this new chapter in Alberta with my family. If my journey resonates with you and you see potential for collaboration, please send me a private message—I’d love to start a conversation.
Looking forward to hearing from you.
submitted by meunier-benoit to Machinists [link] [comments]


2024.05.14 03:47 CheckUrCrawlspaces Growing up, my mother forbade me from ever talking about my little brother outside the house. 50 years later, they're both dead, and I'm ready to talk

The garage door shut with a groan behind us, closing us in the gloom of the single bulb hanging over the car.
Mother took a drag off her cigarette and sighed as she exhaled, the smoke filled the cabin of the Ford and stung my eyes.
“You really disappointed me today, Julianne," she tapped her cigarette in the ashtray below the dash, "you embarrassed me in front of the other mothers at the Ice Cream Social, shoveling down seconds and thirds like a pig. I thought I raised you better than that.”
She took another drag, daintily holding the cigarette between her perfectly manicured fingers.
“I'm going to have to tell your brother about this," she continued, “he'll have to come up with a punishment fit for a pig."
I felt my stomach drop. My kid brother, Thomas, was only six, but could be exceptionally cruel. Mother seemed to encourage him and was deferring to him more and more frequently for how the house was run, especially concerning my upbringing.
"Mother, please, I'm sorry, I didn't mean to embarrass you. I'm sorry I was a pig and ate so much ice cream. I promise I won't do it again, I'll never eat any ice cream again," I was pleading with stone, unyielding.
“Hush your mouth. Go to your room and wait for Thomas," she put out the cigarette and got out of the car, I had no choice but to follow.
It felt like walking to the gallows as I stepped inside the house and headed towards the stairs to go to my room. Thomas had grown fond recently of physical punishment, he obviously delighted in Mother whipping me with a belt or, recently, Mother had allowed him to start beating me with a wooden spoon. He would squeal and giggle like a normal child watching bubbles in the wind while I screamed. I was dreading whatever was going to happen tonight, I chastised myself for eating that ice cream, I should have known she would show up. My sins were always laid bare.
Down the hall, I could hear Thomas watching television in the den. I only got to watch TV for half an hour on Saturday morning and new episodes of Happy Days with Mother and Thomas. Thomas got to watch all the TV he wanted. He could listen to the radio and turntable as much as he wanted, as loud as he wanted. Thomas had an entire room just for his toys.
I entered my bedroom, it was a space I occupied, but it didn't feel like mine. Mother kept it spartan, white walls and white bedspread. A crucifix over the bed and a painting of Jesus over the door. I had my desk and chair and a dresser with some of the porcelain dolls Daddy gave me before he died that Mother let me keep. That was it.
I placed my book bag down and sat on my bed, waiting for Thomas. It was a while, sitting there with nothing but my own thoughts and staring at the open door. I felt humiliated, I was almost thirteen and my entire life was dictated by my brother. Mother kept the house in constant lockdown to keep Thomas a secret. No outsiders were allowed in. I couldn't have friends because she was afraid I would mention him or sneak a friend in to gawk at my brother and tease him for being different.
I would never make fun of him, I was terrified of him. Terrified of what he was and what he was becoming.
Eventually I heard his heavy footsteps coming up the stairs and I felt my heart start beating faster and my palms began to sweat. I kneaded my skirt in my hands, trying to calm myself and dry my palms. His slow arrhythmic footsteps came down the hall and I watched him as he entered the room.
I couldn't help but internally recoil at his appearance, even though I'd known him since he was born, I could never adjust to how unnatural he appeared. Thomas had been born at home and had never seen a doctor, but he was obviously unwell.
He was six years old and was barely over two feet tall, but very squat and wide. His skin was thick and gray, the whites of his beady eyes were yellow and his hair was wispy and white like an old man's, spreading out like a halo around his gargoyle face. A slight odor of decomposition hung about him, it reminded me faintly of garbage cans on a hot summer day. I hated when Mother made me help him with a bath, his skin felt like old brittle leather that flaked onto my clothes in gray flecks. His body was dense like concrete, I could barely lift him into the tub. Picking him up forced his hair into my face where that smell of rot would fill my nose, causing me to gag, silently, so as not to offend him and draw any ire from him or Mother.
Today, Thomas was wearing bib overalls with a red and green striped sweater underneath, reminding me of a grotesque doll.
“Mama says you acted like a piggy today at the ice cream social,” he spoke up to me in his unsettlingly high pitched, yet raspy voice, like a child that smoked as much as Mother, "you need to come down for dinner right now for your punishment for embarrassing Mama."
He turned and walked back down the stairs and I had no choice but to follow his toddling form downstairs to the dining table. We entered the kitchen and the table was placed with two settings. Mother was already seated and Thomas clambered up into his booster seat at his normal spot next to Mother. She took a drag off her cigarette and motioned vaguely to the floor without even looking at me.
Neatly situated on the linoleum was my dinner, not on a plate, but directly on the floor. A pork chop, scoop of mashed potatoes, and a small pile of peas. No utensils, either.
Thomas giggled with glee upon seeing my face.
“You have Mama's permission now to eat like a piggy, now. No hands! Piggies just use their face!” He stood up in his chair and reached out for Mother’s ash tray and flung it out over my meal, peppering my dinner with cigarette ash and butts.
"Oops! Piggies don't mind trash though, do they, Mama?” he giggled and the sound filled me with rage.
"No, they don't,” Mother replied coolly while maneuvering her ashtray back in place and carefully putting out her cigarette before saying prayer.
As angry as I was, I got down on my hands and knees and did my best at eating what I could without using my hands. I knew if I refused, it would be far worse. The whole meal, Thomas made pig noises and would reach down and poke me with his fork, making comments about what a fat piggy I was and how he wished he could roast and eat me. I doubted Mother would even object if he actually did kill me and eat me.
Gagging my way through another bite of ashy pork chop, I felt a warm splat over my head and heard Thomas giggling. I reached up and felt he had dumped mashed potatoes into my hair.
Choking down tears, I asked Mother if I could clean the floor and bathe. She rolled her eyes and excused me to clear the table for them as well while she changed Thomas into his pajamas. Picking him up, she walked out of the room and Thomas stuck his putrid little purple tongue out at me before they made it out the kitchen door.
I silently cried while I cleared the table and washed the dinner dishes. Tears splashed down as I mopped up the mess from my food on the floor. I hated how awful Thomas was. I hated how they treated me. Ever since Daddy died and Thomas showed up, I was their punching bag. I missed Daddy so much.
Mother was kinder then, too. She was still severe, but Dad kept her tempered. After he died, there was a change that came over her. I was only six, so I didn't remember her too much from before, but I did remember her gushing on and on when she was pregnant with Thomas. How the baby was a gift from Our Heavenly Father, that it was going to complete our broken family.
My sixth birthday happened right after Daddy died and I remember sitting on the patio crying while the house was full of people after the funeral, normally he would have gotten me a new doll and a chocolate bar, instead I was forgotten. No doll. No chocolate. Just funeral potatoes and a house full of cigarette smoke from the adults.
Nobody remembered. The closest thing I got was my dad's sister, Aunt Judy, sitting next to me on the patio step for a few minutes of comfortable silence before giving my shoulder a reassuring squeeze. I don't think she knew her brother was memorialized on my birthday. Next year, Thomas was born the day before my birthday, so it was completely eclipsed as Mother had just birthed her new love into the world…
I stopped mid mop as a lightbulb finally went off. I had never put much thought into the dates before.
Thomas was born a full year after Daddy died. He couldn't be his dad. Who was Thomas’ actual father?
Washing mashed potatoes out of my hair that evening, I ran over and over the timeline. No matter how I parsed it out, Thomas was only my half brother. Going to bed that night, I kept myself awake, going over and over again to make sure. I couldn't remember any men being around at that time, but that didn't mean much. Adults can easily hide things from children. Tension began throbbing through my head and I felt queasy. Mother had always known all of my secrets, able to sniff them out like a bloodhound out or using Thomas to spy. Now I had one of Mother's secrets and I didn't know what to do with it.
First I wanted to confirm it, but it would mean snooping, which was difficult in a house that was rarely left empty. I would have to try finding Mother's calendar book or journal to see if she mentioned any dates or men.
But when could I attempt such a daring maneuver? Thomas hardly left the house. As proud as Mother was of him, she was very cognizant and protective of his differences and didn't want to draw attention to herself or Thomas like that. Mother herself had few social engagements throughout the week and mostly stayed home to watch her golden child.
I finally decided I would take the risk and fake sick on Tuesday, grocery day, so I could stay home from school while she went shopping. All Thomas did all day was watch TV downstairs, so that should give me about an hour to look through her room for clues. I decided to tuck my head down, try to behave as best as I could to avoid their wrath, and wait for Tuesday.
That weekend limped along agonizingly slow. Thomas was in a fine mood and was constantly seeking out a reason to poke me, punch me, slap me… he'd laugh while calling me a piggy with his off-putting wide mouth. I tried to mostly stay in my room and it seemed like neither of them cared.
School on Monday was a relief, but my anxiety ramped up. The consequences would be dire if Mother caught on that I was faking sick to stay home. I didn't even want to imagine how off the leash she'd let my half-brother become in his punishment for that level of insubordination.
I stayed up all night, my stomach was in knots, but I was committed to my plan. Throughout the night, I screamed as hard as I could into my pillow. Screamed until my throat was raw and I could barely talk. It felt cathartic in a way. When it was close to school time, I put on my heaviest flannel pajamas and began doing jumping jacks until my face was flushed and my scalp was soaked with sweat.
Looking in the bathroom mirror before heading down to talk to Mother, I thought I looked pretty convincing, my skin was flushed and sweaty, my eyes had circles under them from lack of sleep, and my voice croaked like a frog.
Heading downstairs, Mother was already feeding Thomas breakfast. I hesitantly stepped into the kitchen and stood there awkwardly for a second, pawing with my pajamas to keep my nerves steady until she noticed my presence and looked up.
“Why aren't you dressed, Julianne?"
"I don't feel well. My throat hurts and my tummy hurts.” My voice graveled out more than I was expecting, I really had hurt my throat.
She strode over to me and placed a cool hand on my sweaty brow.
"You do feel warm. Take an aspirin from the medicine cabinet and go lay back down. I'll check on you later," with that she turned back and walked over to Thomas, who was frozen in place, glaring at me over a forkful of scrambled eggs. The sharp glint of malice in his beady eyes made me shiver before I shuffled out of the kitchen.
I laid in bed, trying my best to look miserable until I eventually heard the faint sound of the television playing in the den as Thomas settled in for his normal daytime routine and the garage door opened as Mother headed to the grocery store. I bounded out of bed and watched the car back out of our driveway and head up the street.
My heart began to pound as I tiptoed down the hall to Mother's bedroom, a place I rarely even caught a glimpse of, let alone entered. I very slowly opened the door, taking great care to not make any noise to alert Thomas downstairs that I was out of bed.
Creeping into the butter yellow room, I could feel my heartbeat pounding in my skull, this was the naughtiest thing I had ever done by far. I stepped onto the rug to help disguise my footsteps and slowly made my way past the brass bed and towards her desk. My hands shook as I opened the top drawer, I pawed through rapidly and found nothing. I checked the next drawer down and again found nothing of interest, just stationary and envelopes.
Finally, the bottom drawer was what I was looking for, a stack of journals from the past decade. I flipped through, trying to find entries relevant to when Daddy died and who Mother slept with afterwards.
I've never fully recovered from what I read.
July 6, 1968
Edgar died today. Car accident. I cannot believe this is real. My light, my life, my anchor... Dr. Benson gave me a sedative at the hospital and I feel so tired. So very, very tired. Why has my Lord forsaken me so?
July 9, 1968
I feel like I am in a very bad dream, I feel numb and disconnected. All the consolation and pity from everyone makes me feel sick. After the memorial, it took everything in me to not break dishes and to scream at everyone to get out of my house. Julianne was moping about crying and I wanted to throw her out, too.
If I hadn't seen my dear Edgar's body in the hospital and held his urn in my own hands, I wouldn't believe he was really gone. I still don't entirely believe it.
I have prayed to God every night asking him to show me why he took my husband from me and I have gotten no answer.
I skimmed over the next few months, as it was more or less similar sentiments repeated night after night. I finally got to an entry that caught my eye.
September 17, 1968
My battle with my faith has been fraught the past few months, but Hallelujah! I feel I can see the Lord again in all his glory and might, for he has given me a way to reconnect to my Edgar!
I was thinking about the night Julianne was born, right in this very home, it was a difficult birth and she struggled to breathe at first. Ingrid, my midwife, made a comment to me that if the baby had failed to wake up on her own, that Ingrid had ways to make sure she would have made it.
I remember asking if it was a medical methodology and she made it clear to me that in certain circumstances, it was a mystical property she used to bring the air of life into a struggling baby's lungs. She gently alluded to being a practicing member of the dark arts. At the time, I felt quite scandalized to have someone like that in my God fearing home. Now I see her as the answer to my prayers! My angel!
On a whim, I called her and asked if she still practiced such techniques. She hesitantly confirmed that she did. I asked, if she could turn breath into the lungs of a child without, could she turn breath into a child that did not exist? Could she magick into existence another child of my beloved Edgar? She told me she had to do some research and she'd be back in touch.
Ingrid just called back after a few hours and said there was a spell she found, but it was dangerous and might have unpleasant results. I said, yes, of course! I trust my Lord and I believe he sent this woman of blessed magick to me for this purpose.
She says we will have to do it soon, in a few days during the new moon. She has a potion to brew, but it is happening! Praise God!
September 23, 1968
The ceremony was last night, and Ingrid believes it was a success, but we will have to wait. It did not take long, only an hour or two. Ingrid lit my bedroom with many beeswax candles and she had me drink a thick and bitter tea that caused me to become quite relaxed and foggy.
From my inner thigh, she cut me and collected my blood in a chalice, with which she mixed quite a lot of Edgar's ashes and other ingredients which I could not glean from my supine position and groggy wits. Ingrid began to chant, calling upon a higher power, as I pleaded with my Lord to let this work. To give me any piece of my Edgar back. She came to the bed and worked the paste between my legs into my womanly chamber, which was very uncomfortable, but manageable with the numbing effects of the tea.
She continued to sit with me and chant, her hand placed over my womb, until she decided at which time it was complete. She left and I fell into a deep sleep. When I woke up this morning, I felt quite uncomfortable, my body ached and when I used the restroom, a yellow fluid like pus poured out of me, but no sign of any ashes or blood, which gives me hope it was absorbed into my womb.
November 3, 1968
Praise be to our Lord, Ingrid just confirmed for me that I am with child, I had been hoping so, I had not gotten my cycle in October, but I wasn't sure if that was because of the discharge like pus that was still coming. She told me that was common with this spell and a side effect that would stop after the baby came.
I feel like I am floating on air, for the first time since Edgar left, I feel-
I suddenly became very aware of the feeling of eyes on the back of my head. I had become too engrossed in what was written before me and I had lost track of my surroundings. Very slowly, I turned around and my heart began pounding again as I saw Thomas standing in the doorway holding his wooden spoon in one hand. How had I not heard him?
He pointed at me with his empty hand and screamed, just a pure guttural screech from somewhere deep inside his disgusting little body. He charged at me from across the room, his horrible feet thumping solidly along the rug. He began beating my legs ruthlessly with the spoon, causing my legs to buckle. I crashed down to my knees in front of him, and he began lashing at my face, pulling my hair with one hand while wailing away at my head with the spoon.
I had dropped the journal I was holding and was desperately trying to get a hand on the spoon or push him away. All I could hear was him screaming. My arms flailed and I reached around on Mother's desk and grabbed onto the first thing I found and sank it into Thomas’ neck.
The end of Mother's gold letter opener protruded under his jaw. He went silent and he looked at me with utter shock. He dropped the spoon and collapsed on the ground, clutching at his neck as his thick black blood oozed out from his wound, letting out a stupendous odor of rot that filled the room. He didn't really say anything or make any noise. He just twitched for a moment and I saw his eyes glaze over.
In shock, I stood over his little body for a moment and I watched as he seemed to mummify in just a few minutes, like an ash person from Pompeii dressed in jeans and a flannel shirt. Even his blood that looked like shiny oil a second ago became like potting soil on Mother's rug. Reaching out to touch his hand, it crumbled away like sand.
Panic ran through me like a rabbit caught in a snare. Not knowing what to do, I ran. I ran down the hall, changed my clothes, put an extra change of clothes in my backpack and the last doll Daddy had ever given me and I ran. Mother would absolutely never forgive me and I was genuinely afraid she would kill me in retaliation for taking her beloved Thomas away from her. Her precious gift from God. My feet flew over the pavement and took me away from that house.
I called my Aunt Judy from a payphone outside the five & dime, and told her Mother had kicked me out and asked if I could stay with her. She had always had a strained relationship with my mother and it didn't take much convincing that she had kicked out her “only” child. Only Mother, Ingrid, and I ever knew about Thomas.
She gave me a home and took care of me. She never beat me or humiliated me. Even with her love, I was far from okay. For years I would close my eyes and hear Thomas scream, then the sudden silence. I'd see him fumbling at his neck and turning to ash. But I would also remember all the ways he would hurt me and how bad he was becoming. I could never talk to anyone about it, especially not the silent relief I felt I refused to admit to myself. Over time, however, Thomas' screams became a whisper and his silence faded into dust in my mind.
I moved on with my life. I went to college and became a photojournalist, getting to travel the world and watch history unfold. By choice, I never married, but was quite blessed with many beautiful friendships for companionship over the decades. I found balance in my life and a sense of happiness, if not peace. I never could quite stomach mashed potatoes again, though, they always taste ashy to me.
Mother never made any attempts to reach out to me or find me, at least that I'm aware of. Ten years ago, I was contacted by a hospital and they said my mother had been admitted earlier after falling and was about to pass, so she must have kept some tabs on me to know my phone number for her emergency contacts. Apparently she had collapsed in the driveway and a neighbor called an ambulance. I got there and her only words to me were, “take care of him," as she placed a locket in my hand. I opened the locket, Jesus was on one side, Thomas on the other. I didn't say anything to her, just held her frail old hand with nicotine stained nails until she passed in the night. My mother was gone and I felt nothing except a vague sense of relief.
When I got to her house, it was like a time capsule. Other than a newer television, it was just like it was when I'd fled so many years ago. The smell of tobacco smoke hung like incense in the air. It felt oppressive, like a tomb.
I wandered the house in a bit of a daze. The one place I didn't want to go was upstairs. I didn't want to see my old room, or Thomas' room, or Mother's. Putting it off, I went to fix myself some supper, realizing I hadn't eaten in almost a day. I took a pause when I opened the fridge and saw a baby bottle on a shelf. Silently praying she had been babysitting for a neighbor, I fixed myself some toast with sardines and sat eating in the den watching TV. It had been almost forty years and it still felt rebellious not eating at the table and watching TV without permission.
My eyes grew heavy and I finally mustered up the gumption to head upstairs to go to bed. The stairs creaked in a familiar way under my feet and I was taken back to the feeling of dread hearing either Mother or Thomas climbing up. My old room was at the top of the stairs, I saw the door was nailed shut and had rambling quotes about Judas copied from the Bible in my mother's handwriting taped to the door. I sighed gently and turned from the door to head down the hallway, deciding Mother's room was probably the best place to sleep.
I passed by Thomas’ toy room and I heard a murmur from the room. I stopped, curiosity got the best of me and I entered. In Thomas' old toy room was a crib with joyful clown sheets. Dread swelled up inside me as I heard more murmurs and saw the sheets move. Approaching slowly, I peaked under the sheet and gasped.
Tucked inside was what looked like a baby gargoyle, gray and papery looking. Pus leaked out of its milky, bulbous eyes. I pulled back the blanket and saw it had no legs and its arms bent back, like wings on a bird. It was wearing just a cloth diaper, overflowing with tarry looking stool that took my breath away with its pungency, it smelled like Thomas’ blood, but somehow worse. My heart broke for this poor creature, Lord only knows how many years it has been in this crib suffering from its unholy existence.
So this is who Mother had wanted me to take care of…
Not knowing what else to do, I gently scooped him up. Like Thomas, he was shockingly heavy for how small his body was. Placing him on the changing table, I cleaned him and rewrapped his bottom in a clean diaper cloth. It was difficult, he fussed tremendously, crying and flopping around as much as his flipper-like arms would allow. I tried wiping off his oozing eyes and he snapped his mouth, which I saw was full of disturbingly square yellow teeth, trying to bite me. I carried him to the kitchen and rocked him while I heated up his bottle and he became furious with me, almost barking like a dog when my hand would get near his face.
He settled a bit as he fed, but he would still sometimes suddenly spit out the bottle and attempt to bite me. I laid him back in his crib, this abomination in a clown sheet, and I walked down the hall to Mother's room letting out a long sigh.
Combing through my mother's journals in the early hours of the morning, it looked like she tried the ceremony again shortly after Thomas died, but she either lacked Ingrid’s help or didn't have enough of my father's ashes left. Something went terribly wrong. She was vaguer than she had been about Thomas’ conception, but I suspect she had used some of Thomas' remains. The resulting birth she named Isaac.
Mother's journals told a sad tale of her and Isaac's suffering. She never mentioned me, but lamented the loss of Thomas and Dad relentlessly. She was hyper protective of Isaac, as that was all she had left. If her world had been small before, it became microscopic after he entered her life, requiring nearly constant care. According to Mother, he was blind and colicky, sometimes going years at a time without sleeping through the night. She had breast fed him for years, but she had to stop after he grew teeth and began biting her intentionally and feeding on her blood.
I spent a lot of time over the next few days pondering what to do. I had to get her estate in order, she had left me the house, in an obvious attempt to get me to continue caretaking for Isaac, but I didn't want it. I had my own cozy home an hour away from here, filled with happy memories and my possessions acquired traveling the world. Mother's home had a heavy energy I couldn't shake. Her and Thomas were both gone, but the memories of the scoldings and beatings hung in every corner, like cobwebs that would never sweep away.
So, I fed Isaac and kept him clean and tried to keep him company, although he seemed to hate me passionately. I took care of him, all the while thinking about what I was going to do. After a week, I felt resolute in what had to be done.
Gathering up all of Mother's journals in a tote, I made my way to Isaac and picked him up and carried everything to the living room.
The ancient logs in the fireplace meant for display ignited instantly. One by one, I fed the journals into the fire, burning away years of my mother's consuming sorrow. Isaac fussed and moaned next to me the entire time. When the last pages shimmered away into lacy ash, I took a throw pillow off the couch and gently cradled Isaac in my other arm. It didn't take long before he stopped struggling and I felt his little body relax after decades of suffering.
I gently wrapped up a bundle in a clown sheet and placed it in the fire. It burned furiously, like the paper in my mother's journals, and was soon gone. Nothing but ashes and embers.
“Don't worry, Mother,” I said purely for my own sake, "I took care of Isaac for you."
And finally, I felt at peace.
submitted by CheckUrCrawlspaces to nosleep [link] [comments]


2024.05.14 03:28 melty2b [US][SELLING] KL Blu-Rays, Dr. Goldfoot, Scream Factory Blu-Rays, and Shout Select Pink Panther Collection

Hey mediaswap I got some more stuff I’m trying to part with from this collection I inherited
Free Shipping!
Always open to offers and happy to give discounts on bundles!
For Sale : https://imgur.com/a/vvDgeOr
Please let me know if you got any questions, or if I have made any errors! Thanks guys for looking have a good one :)
submitted by melty2b to MediaSwap [link] [comments]


2024.05.14 03:27 Significant-Gear-151 Which Cardiac Tech setting seems like the best overall learning experience for a future RN?

Hello!
While looking for different jobs, I saw there were a few different Cardiac Tech positions available at three units/settings, and I'm looking for some insight on which setting might be the best learning experience. My goal is to be a sponge and soak up as much knowledge and experience as possible of different procedures, skills, and cases.
Overall, it looks like position #2 is a smaller unit with more of a focus on basic nursing skills and still gaining some experience with telemetry; however, the other two positions mention Ultrasound IV insertion training and certification in addition to learning about telemetry. I think with #2 being a smaller unit, I might not become as proficient with starting IV's as well which is one of my goals. I would appreciate any tips or insight from anyone who has experience with these different settings!
Position #1) Cath Holding Prep Area (Days)
Responsibilities:
Cardiac Tech helps aid the RNs throughout the prep of our Cardiac Catheterization, Electrophysiology, and Cardiac OR patients. In our department we prep and recover 40 – 50 patients a day. In the pre-op area, the cardiac techs are trained to insert IVs, shave, prep, obtain EKGs, and collect specimens needed to help prepare the patient for their procedure that day. Other opportunities for advancement include Ultrasound IV insertion training and certification and telemetry training if desired.
Position #2) Procedure Recovery Short Stay (Days)
"The Cardiac Procedural Recovery & Short Stay Unit (CPRS) is a 6-8 bed unit that is open 24 hours 7 days a week. The cardiac short stay unit will provide patient care until the patient is discharged or admitted for further observation.
Responsibilities:
The expectations for this role will complete all the patients ADLs, assist with ambulating, and routine care as a Nursing Care PartnePatient Care Tech but with the added competencies of starting PIVs, and assisting nurses in monitoring telemetry. On-the-job training required."
Position #3) Vascular & Interventional Center (Evenings)
Same responsibilities as position #1 but in a different setting - "Cardiac Tech helps aid the RNs throughout the prep of our Cardiac Catheterization, Electrophysiology, and Cardiac OR patients. In our department we prep and recover 40 – 50 patients a day. In the pre-op area, the cardiac techs are trained to insert IVs, shave, prep, obtain EKGs, and collect specimens needed to help prepare the patient for their procedure that day. Other opportunities for advancement include Ultrasound IV insertion training and certification and telemetry training if desired."
TL;DR I'm considering a Cardiac Tech job at three different hospital settings listed above, which setting would potentially provide the best overall learning experience for a future RN?
submitted by Significant-Gear-151 to nursing [link] [comments]


2024.05.14 02:57 throwawaytempest25 So what was the problem with Starforce 2's story? Details, did the villains not get enough depth, was there a lack of growth on the heroes end? I keep hearing the story was poor...but what made it poor? Plus some anime comparisons

I asked about this in the past because some details in the Tribe anime were either more explored in the games, and I've heard people enjoyed the anime changes to tribe more, so what was going on? Any and all details would be welcome.
Someone on a video on the Tribe anime said this:
especially as pretty much everyone in this version is just better than their game counterparts - Hyde feels more like an actual threat, Yeti Blizzard is a much bigger character, Vega is flat out more interesting in actually betraying Geo and manipulating him to bring her the OOParts, and Rogue is much more of an interesting and tragic character instead of the bland version from the game. I really wish Tribe got its full ending and that SF3 got its own season…
Based on what I've seen from Tribe and what I've heard:
Harp joins the Mega in the anime to find the OOP Arts while in the game she joins Vega because they threathened to harm Mega if she refused, since I haven't heard the games and like Harp basically being the friendly Proto-Roll like a Maylu/Chad hybrid I guess I'd prefer the anime.
Apparently people didn't like Dr Orihime and Hollow, which is a shame because I dig the whole "turned dead spouse into a weapon housing his last memory and pushed me into villainy for what I think will lead to a safer world trope." The anime hinted at this (and made Hollow a near unstoppable monster with an an insane animation bump increase) but probably because of the shorter time length, they only hinted about with her scream at his demise.
It seems like from what I heard Solo in both was the last survivor of the Mu civilization, but in the games he works with Vega to collect the OOPArts while in the anime he works independently and willingly sealed himself to keep everyone safe from Ra Mu after all of his friends lost their lives, while in the games he was bullied which caused his isolation mentality (been there). It sounds like both worked to justify his personality, though I wish the anime had more time to explore his backstory with the members who died, so what didn't work in the games
Amy and Gelande are in the games for Yeti Blizzard's mountain attacks and the former grows a relationship with Bud and making Luna jealous while Lana and her grandfather take their place in the anime. In the anime their tribe wren't descendants of Mu but perserved their lore and culture through the mountains, but was it there something similar in the games?
Hyde's completely different from what I've heard outside of personality: anime he's after the OOPArts for eternal youth and gets the Ninja Art while Yeti's also independent and more deceptive while in the game I hear he's just the antagonist for one chapter.
Gerry and Plesio I know are different, human not believing in Messie till it's revealed while Plesio wants to be left alone. The Shaman was more benevolent while Condor sounds like both a sociopathic monster.
So what am I missing?
submitted by throwawaytempest25 to Megaman [link] [comments]


2024.05.14 02:42 BeefErky Why are the Ultimate Edition volumes arrange in the order that they are?

Bit of context for anyone unfamiliar, Region A and I assume Region B too) released 4 volumes of all the bond films from Connery to Brosnan (Craig was not included in the set as Casino Royale had just come out). The volumes were color coordinated too:
The films for each collection are these:
Volume 1 (gold)
  1. Goldfinger
  2. Diamonds Are Forever
  3. The Man With the Golden Gun
  4. The Living Daylights
  5. The World is Not Enough
Volume 2 (blue)
  1. Thunderball
  2. The Spy Who Loved Me
  3. A View to a Kill
  4. License to Kill
  5. Die Another Day
Volume 3 (red)
  1. From Russia With Love
  2. On Her Majesty's Secret Service
  3. Live and Let Die
  4. For Your Eyes Only
  5. Goldeneye
Volume 4 (silver)
  1. Dr. No
  2. You Only Live Twice
  3. Moonraker
  4. Octopussy
  5. Tomorrow Never Dies
But why this order?
They're not arranged on color or Goldeneye would be on Volume 1 with Goldfinger and The Man With the Golden Gun - plus Diamonds Are Forever isn't on the silver set. They're not in chronological order either because the Connery films go 3-4-2-1.
submitted by BeefErky to JamesBond [link] [comments]


2024.05.14 02:41 Kagros Guide to Infinite Rank with Tribunal Over the Past Four Seasons

Guide to Infinite Rank with Tribunal Over the Past Four Seasons
I've been playing Tribunal for the past few months and I've used it to hit week 1 Infinite every month. It's basically a guaranteed Infinite as long as you know how to identify bots. Because Tribunal always has low power on the earlier turns, the bots will always Snap and you can collect your free 8 cubes. Decklist at the end.
TL;DR: Abuse bots with Tribunal and get easy cubes. Against human players, retreat liberally since you only need a 25% win rate to eventually reach Infinite.
Deck
Metas change, but Tribunal is forever. It's kind of like how Shuri Sauron used to be ol' reliable, before the power creep kicked in. To give an idea how just how steady this deck is, I've only changed it once over the past few months, which was when Zabu got nerfed (swapped it out for Sera). The Shang-Chi nerf at the end of last year made classic Tribunal playable, followed by the Omega Red buff in February really put the deck together. If Tribunal stops working due to the numbers not being good enough, I'd be very concerned with the state of the game.
Right now, with the Patriot meta, running Tribunal might be a bit dangerous since Enchantress is back, but that's nothing our Cosmo can't handle. Always use protection.
I see that the Negative version of Tribunal is running around a lot, but I don't find it as strong. It's great to hide the last turn play, but in my opinion is not consistent enough. Negative may have a higher ceiling, but you are just as likely to miss Iron Man and Mystique and zap down Onslaught and TLT. You also lose Iron Lad, which could come in clutch on Turn 7.
As mentioned in the TL;DR, the strength in the deck is winning 8 cubes from bots. Because we don't put out much power turns 1-4, it's very easy to be losing two lanes, which will lead to the bot snapping on turn 5. You can easily snap back if you have the combo and generally, even if you don't have Magik, you can win games just off of a Iron + Tribunal stack without Onslaught.

How To Play + Notes

Standard line is Magik turn 3 or 4, and then Iron Man turn 5, Onslaught turn 6, and Tribunal turn 7 all in the same lane. The three cards in the same lane gives you 22 power across all three lanes if Magik is in another lane, otherwise it's 24 if you have all three in the same lane. As a result, you absolutely need to make sure you have enough turns to play your combo. If you can't, just hit that retreat button. There are ways around it which I give some examples below, but it's all about managing your energy to set up your combo. Without any shenanigans, you usually average around 28-30 power per lane which will win against most decks.
If you fail to draw Iron Man before turn 5, Sera turn 5, Onslaught turn 6 on the same lane can let you play out Iron Man + Tribunal turn 7.
Ravonna on T2 lets you play Jubilee on T3 and sets up a T4 Iron Man, so you can follow up with a T5 Mystique as a substitute for Onslaught in case you don't find Magik so you can T6 Tribunal.
Cosmo, though, is the secret sauce to the deck. We are obviously weak to cards like Enchantress and cards that can zap Limbo out. While Cosmo will lose you a few games because you are locked out of Jubilee or Iron Lad, it will win you more cubes overall because you won't have to worry about a surprise tech card that loses you 8 cubes. You can always Iron Lad or Jubilee Tribunal on the last turn in a separate lane if it's still in your deck too.
Cosmo will also hose some decks too like Destroy or Wong, so you can pick up those free wins with it.
Super-Skrull is important for the mirror and also helps against all of the Ongoing decks. If I'm up against an ongoing deck, the right play is Super-Skrull + Mystique Turn 7 in separate lanes, one of which has Onslaught on it. Super-Skrull however does make you weak to Loki, though if you see Loki, you best bet is the retreat. Same with if you think it's stolen by Cable. However, just remember that if you have Iron-Man + Onslaught out, their Skrull will not double the Iron-Man effect, so it can still be winnable.
Omega Red is an interesting card and might take some practice because timing matters for Omega Red. If you are winning the lane Omega is played in when you drop Tribunal, it becomes much more harder to disrupt because the boost Omega gives you will also be applied to that lane. I usually like to play Omega Red not on my Iron Man + Onslaught stack because the +3 power can be multiplied through that stack while not taking up a spot on that location. You can play Omega on the stack if you'd don't other cards to fill the stack, but I like to think of it as a fifth card on the stack than have it take up space.
As for cards to watch out for, anything that changes locations is bad. Retreat if you are up against Thanos and they have reality stone. Snowguard Hawk and Legion are even more dangerous, because Cosmo will not be able to stop these unless timed precisely.
Enchantress, Rogue, and Red Guardian are all dangerous. Cosmo protects against these though.
Magneto could hose you if it plugs up your Iron Man lane before you play Onslaught.
Locations don't matter too much since we start our game plan after turn 3. I like to spread out my early plays just in case. If you ever see Mojoworld, make sure it's filled. If your opponent doesn't fill it for whatever reason, you win just by playing Tribunal. Locations that give cards additional power should be played on. Magik away any restrictive locations.
As for substitutions, you can always swap out Skrull for another tech card, especially if you are afraid of it being used against you. Everything else I think has a role in the deck.
Overall, I find this deck to be very solid for climbing. Give it a try; it's basically Solitaire imo. Happy to answer any questions on piloting the deck.
Decklist:

(2) Ravonna Renslayer

(3) Mystique

(3) Magik

(3) Cosmo

(4) Jubilee

(4) Super-Skrull

(4) Omega Red

(4) Iron Lad

(5) Iron Man

(5) Sera

(6) Onslaught

(6) The Living Tribunal

eyJDYXJkcyI6W3siQ2FyZERlZklkIjoiSnViaWxlZSJ9LHsiQ2FyZERlZklkIjoiSXJvbk1hbiJ9LHsiQ2FyZERlZklkIjoiT21lZ2FSZWQifSx7IkNhcmREZWZJZCI6IkNvc21vIn0seyJDYXJkRGVmSWQiOiJSYXZvbm5hUmVuc2xheWVyIn0seyJDYXJkRGVmSWQiOiJNeXN0aXF1ZSJ9LHsiQ2FyZERlZklkIjoiTWFnaWsifSx7IkNhcmREZWZJZCI6Iklyb25MYWQifSx7IkNhcmREZWZJZCI6IkxpdmluZ1RyaWJ1bmFsIn0seyJDYXJkRGVmSWQiOiJTdXBlclNrcnVsbCJ9LHsiQ2FyZERlZklkIjoiU2VyYSJ9LHsiQ2FyZERlZklkIjoiT25zbGF1Z2h0In1dfQ==

To use this deck, copy it to your clipboard and paste it from the deck editing menu in Snap.

submitted by Kagros to marvelsnapcomp [link] [comments]


2024.05.14 01:20 JamFranz My boyfriend hasn't been the same since we went on vacation

If I hadn’t drunk an entire gallon of tea back at the hotel, maybe none of this would’ve happened.
Well, maybe if we hadn’t gotten kicked out of the hotel, none of this would’ve happened.
It had been just the two of us in the small car, but with the animosity heavy on the air, it felt overcrowded. I don’t know what had been worse, the hour of arguing, the two hours of silence afterwards, or the burgeoning realization that maybe I didn’t know him as well as I thought I did.
I studied him out of the corner of my eye. We'd been together for several months, but the recent experience left me wondering if I had ever even met the real Brian – who he truly was on the inside.
It had been our very first trip together.
We'd saved up for one of those super fancy hotels and had been having a great time – until, of course, Brian decided to attempt a five-finger discount in the jewelry store in the lobby.
He'd told me when we first started dating that he'd had some run-ins with the law in the past – when he was young and that was the only way to put food on the table, and I'd understood.
But this wasn't the same. It wasn't for survival, it was just greed.
We’d both spent the rest of our vacation money and then some, paying for that $1,800 watch so no charges would be pressed.
They still kicked us out. I don’t blame them.
Asking him to stop at the next place we came across was the first thing I'd said to him in hours, and he nodded, solemnly.
My discomfort was escalating to the point where I was considering asking him to pull over on the side of the road – rain be damned – when we saw the dim sign flickering in the distance.
The small store was out of place on the quiet, tree lined mountain road. We’d been deep in a tunnel of trees and hadn’t seen so much of a hint of the lights in the distance – it seemed to just appear into view as we went around the bend. I didn't recall seeing it on the way to the hotel, so it was a pleasant surprise.
I felt a flood of relief wash over me.
It stuck out in the otherwise beautiful mountain landscape – windows so dirty that the light inside barely reached us through them – several letters on the sign lit up in such a way that the only word we could even see was a blood red '- MART' flickering.
Any relief I'd managed to feel was short-lived.
When we walked in, we both froze as we took in the interior.
I instantly wished we’d just stopped by the side of the road after all. I looked at Brian and could tell he felt it too – he was fiddling with his new watch and took off his glasses, cleaned them on his shirt, and put them back on, as if that would make what he was seeing make more sense.
There were no other customers, no employees visible, it was just the two of us.
Ceiling tiles hung askew, and the floor was filthy – we had to step over a drain in the floor with grimy stains circling it, to walk in.
If it weren’t for the lights, gentle hum of the AC, and grinding sounds floating from down the long hallway at the back, I’d have thought the place was abandoned.
It was humid inside, and the smell coming from the old coolers that lined the back walls hit me as soon as we walked in. It reminded me of the summer my dad had decided to dabble in taxidermy in our basement.
The slight hint of rot that lingered on the damp air indicated poorly done taxidermy, at that.
As I darted towards the back towards the restroom sign, a placard dangling off it caught my eye, informed me the restroom was for paying customers only.
I quickly perused the shelves for something to buy. The aisles were tall, nearly to the ceiling, and despite the store being somewhat small, I felt the panicked sense of being cornered and trapped in an endless maze – at risk of becoming lost in there forever. The food on the shelves resembled nothing like the usual chips and candy these types of stores carried – there were rows upon rows of soft looking mystery items in plastic wrap, some of them leaked a red-brown residue down the shelves – none of it looked remotely appealing.
I passed by a section with a stained placard that said ‘handcrafted from local artists’ that was filled with eclectic items, none of which seemed to go together.
There were torn shirts with random logos – nothing related to the town or area we were in, stained with mud, grass, and god knows what else. Dried ropy things formed small and delicate sculptures of animals unlike any I’d seen before. I reached for a bracelet with intricately carved white beads but nearly dropped it when I realized the band was made up of woven human hair. It left a residue on my hand, and I noticed then that the same sour-rot smell was coming from the collection of items, too.
I opted for a flat and lukewarm Dr. Pepper instead, and placed two $2 dollar coins on the glass counter in front of the hand scrawled ‘shoplifters will be processed’ sign near the register.
I figured I misread it, after all it, looked like it had been written by a hand unused to holding a pen.
Brian had grabbed an armful of those unnerving plastic-wrapped packages but hovered at the counter a bit too long. I could hear the scrape of him retrieving the coins on the glass, the sound of him dropping them into his pocket.
He gave me a pointed stare as he did so.
I sighed, so tired of arguing that I just walked away from him and down the hallway. I figured I’d pay (again) after he got back in the car.
No sooner had I closed the door to the women’s room behind me, than I could hear him talking to someone.
His voice rose until he was nearly yelling. Mortified and trying to delay being involved in another incident that day, I splashed water on my face while trying to drown out what appeared to be a one-sided argument.
I kept trying to wash the grimy feeling that had lingered on my hands after picking up the bracelet, but no matter how I scrubbed, I couldn’t get it off – it kept getting worse.
I felt nauseous when I realized the greasy residue was coming from the pale-yellow bar of soap. I decided I’d scrub my hands raw at our next stop, and stepped out into the hall and back to the store.
Brian wasn’t there.
I called out for him, but all I heard in answer was that same vague whirring and drilling sound coming from further down the long hallway.
I double-backed to the car, but found it empty.
I circled the store, my frustration turning to panic as I shouted his name and still got no response.
I called his phone, it just rang, and rang before going to voicemail.
The car was locked and he had the keys, I couldn’t help but feel nervous, standing out there in the rain. We were still in the middle of the deep woods and with clouds obscuring the light of the moon and stars, the area was blanketed in darkness. I reluctantly headed back inside.
Somehow, the smell had managed to become even worse – I gagged when the wet, disgusting air hit my nose again. It was so strong I could nearly taste it, putrid on my tongue.
I couldn’t shake the feeling that there was always someone just behind me as I walked quickly through the tall aisles, but whenever I looked over my shoulder, there was never anything there.
I called his phone, wondering how I’d managed to lose him in such a small store when I finally heard it ringing – it was echoing from down that long hallway.
As I headed towards it, I heard someone moving on the other side of the floor-to-ceiling aisle, placing something onto the shelf with a sickening wet thud, before weaving lithely through the aisles behind me.
“Brian?” I called out softly, trying to convince myself that everything was fine – trying to disguise my fear.
I knew it wasn’t him – I don’t know how, but I knew it. Have you ever had the feeling that if you look closely enough at something, if you truly see it, you’ll never be able to close your eyes again without it haunting you? That feeling of being in close proximity to something that your fragile mind was never meant to know existed?
I forced myself to turn around anyways.
Once again, whoever or whatever had been there was gone by the time I rounded the aisle, but I heard a gentle clinking sound, and saw a trail of red-pink droplets.
I followed it back to that section – handcrafted from local artists, there was something new hanging from a hook near the shelves – wet, glistening strips dangled from along what looked to be a curved bone with bits of gristle still attached. From one of them hung an expensive men’s wristwatch, another was tied around a shattered, thick glasses lens. Yet another sagged under the weight of car keys. They gently swayed with the motion of having been recently placed. Fluid continued to drip from the still wet viscera and mingled with the mud on my shoes.
Shoplifters will be processed
I didn’t need to see the items down the other aisles to figure out what I was looking at, what must have happened.
I could already tell that we’d never have another argument, ever again.
I heard a door open and close in the back, soft footsteps approaching from down that hallway.
I realized that in my distraction, I'd forgotten to put money back on the counter.
I choked up, but knew there was nothing I could do for him. So, I tossed the first bills I found in my purse onto the floor, frantically untangled the car keys, and in shock, I drove myself the remaining four-hour drive home.
Every so often, along the quiet country roads – those I could've sworn were empty on the drive up – I’d see that grimy building, the sign, '-MART' flashing in the distance.
I didn’t stop once.
I've been home for a week now.
A few nights ago, something triggered a motion alert on my video doorbell, but there was no one there when I checked the footage.
The next morning, I found a cardboard box on my porch – with no stamp or return address.
In it was a torn t-shirt, and several of those now-familiar wrapped packages, putrid fluid leaking out of them through the bottom of the soggy cardboard.
I've received a similar box every night, since.
I don't know if it's meant as a threat, or if due to some sort of twisted interpretation – I’m now a 'paying customer’ – he's slowly being returned to me.
Either way, it turns out that I've gotten to see who Brian was on the inside, after all.
JFR
submitted by JamFranz to Odd_directions [link] [comments]


2024.05.14 00:19 Agreeable_Salad7448 Apostle Paul vs Prophet Muhammad

DISCLAIMER: This respectful and civil debate is oriented towards muslims. For the sake of the moderators time and also the readers I will only list 5 problems I've found. But don't worry I have 20 more to post if this post has more traffic!
According to the Quran, Jesus was a prophet of Islam, his followers were Muslims and the gospel is the inspired preserved authoritative word of Allah. But when we go to our earliest records, we find Jesus claiming to be the Divine Son of God who would die on the cross for sins and rise from the dead. Jesus followers proclaimed him as their Risen Lord, the gospel that Christians have been reading for nearly 2,000 years tells us that "Anyone who claims to be a prophet, rejects Jesus death, resurrection and deity is a false prophet and an antichrist" - 1 John 2:22, a verse to remember.
Problem 1. Earlier Records for Paul's Life than for Muhammad's Life - Our records of Paul's life are much earlier than our records of Muhammad's life. And here I don't just mean that Paul came centuries before Muhammad and so we have earlier sources for Paul's life, I mean that when we talk about the teachings and deeds of Paul the biographical sources we use are much closer to the events they report than the biographical sources we use when we talk about the teachings and deeds of Muhammad. Our earliest biographical sources on Paul were written during the lifetime of Paul. The book of Acts for example was written in the early 60s before Paul was martyred, and it was written by a traveling companion of Paul who was an eyewitness to many of the details he reports. We also have numerous letters written by Paul himself. Our earliest detailed biographical source on Muhammad is the sirah (biographical literature), especially the work of Ibn Ishaq (d. 768) which was written more than a century after Muhammad's death. And we don't even have what Ibn Ishaq actually wrote. We have an Abridged version that was sanitized by a later scholar and we shouldn't forget that many Muslims don't trust Ibn Ishaq. When Muslims quote stories about Muhammad, they're usually getting their information from sources like Sahih Al-Bukhari and Sahih Muslim, which were written two centuries after the time of Muhammad.
Problem 1.1. But it gets worse... The main reason for composing works like Sahih Al-Bukhari and Sahih Muslim was that Muslims were composing so many false stories about Muhammad, people didn't know what to believe. Scholars like Bukari decided that they needed to collect stories they thought were accurate in order to distinguish them from the ever increasing supply of false narrations. Now if Muslims during the time of Bukhari were inventing stories about Muhammad, what about the generation before that, and the generation before that..? And the generation before that? Two centuries is a lot of time to make things up, that's why it's always good to have sources written within the lifetime of the person you want to know about or at least within the lifetimes of the eyewitnesses. When we learn about Paul we learn about him through first generation eyewitness accounts. When we learn about Muhammad, we learn about him through late sources written by people who didn't know him, whose parents didn't know him and whose grandparents didn't know him. People who were fishing for historical facts in a sea of fabrication and deception. A few years ago the crumbling historical foundations for the life of Muhammad led the Islamic scholar Muhammad Sven Kalisch to conclude that Muhammad probably never existed. I don't agree with Dr Kalisch's conclusion about Muhammad's existence, but when even Muslim Scholars are starting to recognize how difficult it's become to take Muslim sources seriously our confidence in the historical Muhammad vanishes.
Problem 2. Paul Was a brillian scholar; Muhammad Was Not - The Apostle Paul was a brilliant scholar who defended his views in Athens, the intellectual capital of the ancient world, and in other major cities. He had discussions with the Stoic and Epicurian philosophers of his day and he could quote their sources to them. Even Anthony Flu, one of the 20th Century's most impressive critics of Christianity, said that the Apostle Paul possessed a first class philosophical mind. Muhammad by contrast was an illiterate 7th Century Caravan Trader. Now being an illiterate 7th Century Caravan Trader doesn't make you wrong, just as being a brilliant scholar doesn't make you right. But when we're dealing with claims about history and theology and various other topics having some sort of education helps. Not having an education leaves you open to obviously false revelations because you don't know enough to recognize them as false. This is why we find Muhammad telling his followers that Dhul-Qarnain traveled so far west he found the place where the sun sets, and that stars are missile that Allah uses to shoot demons, and that semen is formed between the backbone and the ribs. These are exactly the sort of absurdities we would expect from someone who has no clue what he's talking about, and who therefore has no clue whether his revelations line up with reality.
Problem 3. Paul knew the Old Testament; Muhammad Did Not - The Apostle Paul was a Pharisee who studied under Rabban Gamaliel II, one of the greatest Jewish rabbis of the first century. Paul knew the Old Testament inside and out which is why he quotes the Old Testament so frequently in his writings. This is important because Jesus claimed to fulfill a variety of Old Testament prophecies and you can't really examine this claim if you don't know what the Old Testament says. Muhammad was almost completely ignorant of the Old Testament because his knowledge of the Jewish scriptures was limited to what he heard in conversations. Not surprisingly despite Muhammad's numerous interactions with Jews in Arabia the Quran contains very few quotations from the Old Testament. Due to his ignorance of the scriptures Muhammad couldn't tell the difference between stories that were in the Torah and therefore divine revelation and stories from later Jewish writings and commentaries some of which were so late and so obviously fabricated they weren't far beyond the level of bedtime stories. Imagine how amusing it must be for someone who specializes in Jewish literature, to read the Quran and find so many fables being presented to Muslims as Revelation. Cain being taught how to bury the dead by a raven (al-Ma`idah (The Table, The Table Spread) 5:31), Solomon listening to a speech by an ant (Surah An-Naml - 15-25). But Muhammad just didn't know enough to distinguish scripture from non-scripture. Muhammad's ignorance of the Old Testament is also noteworthy because, like Jesus, he claimed to fulfill Old Testament prophecies. If Muhammad had been more knowledgeable of the Torah, he would have known that he couldn't possibly be a prophet for numerous reasons. For instance:
Problem 3.1 Muslim sources report that Muhammad once delivered what are now called "The Satanic Verses" to his followers. These verses promoted prayers to three pagan goddesses, Al-Lat and Al-'Uzza and Manat (Surah 53:19-20). Muhammad bowed down in honor of these polytheistic verses and his followers bowed down with him. But a little later Gabriel confronted Muhammad about his sin, Muhammad confessed in the history of AT-TABARI 6:111. So Muhammad admitted that he delivered a revelation that didn't really come from God. Why is this important? Well in Deuteronomy 18:20 "God declares but a prophet who presumes to speak in my name anything I have not commanded or a prophet who speaks in the name of other gods is to be put to death".
Problem 3.2 Muslims claim that they respect Moses, but if Muhammad had delivered "The Satanic Verses" during the time of Moses, Moses would have ordered the people to pick up stones and stone him to death as the most obvious false prophet in history. Muhammad didn't realize this due to his lack of familiarity with the Jewish scriptures.
Problem 4. Paul Was a Contemporary of Jesus Muhammad was not - The apostle Paul was a contemporary of Jesus and he spent much of his time in first century Israel, this put Paul in a perfect position to gain accurate historical information about Jesus. If you want reliable information about a person it's pretty helpful being a member of the person's own generation. And Paul was right there. Muhammad was born more than half a millennium after Jesus death in a completely different country. Since he couldn't read, apart from Divine Revelation his knowledge of Jesus was limited to whatever stories were popular in 7th Century Arabia. This is why when we read the Quran we find so many stories about Jesus that are known to be forgeries. Mary giving birth under a palm tree Surah Maryam - 16-26, Jesus preaching when he was still a baby Surat Maryam [19:29-34], Jesus giving life to clay birds Surah Al-Ma'idah - 110. We know where these stories come from, and they don't come from the first century.
Problem 5. Paul Spoke the Relevant Lanugaes Muhammad Didn't - The Apostle Paul was fluent in Hebrew Aramaic and Greek. All of the languages necessary for understanding the Old Testament, the claims of Jesus and the earliest Christian writings. Muhammad couldn't speak any of the relevant languages so any attempt to understand the Old Testament, the claims of Jesus, or the earliest Christian writings would have required the help of interpreters. I normally wouldn't bring this up as a problem, but since Muslims are obsessed with reading the Quran in the original Arabic, we can only assume that the writings of Moses, the teachings of Jesus and the writings of Jesus followers can only be understood in the original languages. Paul could do that, Muhammad couldn't. Muhammad's ignorance of the original languages leads to further problems: For example the Quran refers to the book revealed through, Jesus as the "Injil", but the Arabic word Injil is ultimately derived from the Greek word "Evangelion" meaning good news. So according to the Quran the book, revealed through Jesus was written in Greek, this makes absolutely no sense if Jesus was only sent to his fellow Jews as Islam claims, but it makes perfect sense if Jesus message was for the rest of the world as well since Greek was the international language of the time. Interestingly the New Testament gospels were written in Greek, exactly what we would expect given the quran's use of the term Injil, but quite unexpected given Muhammad's notion of Jesus life and mission, not to mention Muhammad's conviction that Revelations can't be translated. Quite hypocritical indeed.
submitted by Agreeable_Salad7448 to DebateReligion [link] [comments]


2024.05.14 00:10 nik0nguy601 [NM] 40346 Legoland - 160 Spots at $1 ea.

Item Name/Set Number(s): [NM] 40346 Legoland
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2024.05.13 23:58 musical-amara Rip and Tear: A Decade of Doom

In the annals of gaming history, few titles command the reverence and adoration as the legendary Doom franchise. Born from the minds of John Romero, John Carmack, Adrian Carmack, and Tom Hall, Doom would go on to lay the foundations for just about every modern video game that exists. It was a true tour de force, a success story few could scarce ever imagine.
Released in 1993, Doom was an immediate smash hit, thanks in no small part to its shareware format, which allowed users to experience the first few levels of Knee Deep In the Dead, and then order the full game via the phone number included. Players could then share the floppy disk with their friends, and so on, and so on. It was a truly revolutionary system, and within a single year, Doom had sold over 2 million copies.
The history of the Doom franchise is one of innovation, ultra violence, and controversy (1999's Columbine High School Massacre), and that reputation is one that continued with 2016's DOOM. DOOM was officially revealed at Quakecon 2014, ten years after Doom 3. Players had long resigned to Doom being considered a dead franchise. A reboot had been in the works for a number of years prior, but never got released, having been quietly cancelled by id in 2010. The future was bleak, but the 30 second long teaser ignited a spark that had been burning dimmer every passing year.
Then came E3 2015.
The hype was unreal. The trailer had everything that fans could possibly want. Gore, intense violence, insane run n gun gameplay, a rip-roaring soundtrack and the MFING CHAINSAW. But fans had been let down before. Would it really hold up its promises?
Yes. Yes, it would.
PART I: Presentation
When DOOM burst onto the scene in 2016, it did so with a visual and auditory spectacle that left players awestruck. From the moment the game boots up, players are made aware that this is not your average shooter. You are greeted with a deep, commanding voice. "Rip and tear, until it is DONE."
Immediately, players are greeted with a scene of carnage and the Doom Slayer chained to a table, which, of course, he instantly breaks free from. A zombie attempts to relieve the Slayer of his life but is beaten to the punch with a prompt skull smashing. After putting the other zombies to rest, he interacts with the panel in the corner, is greeted by one Dr. Samuel Hayden, who attempts to justify the outbreak, and decides he would rather kill shit than listen to excuses and destroys the monitor.
That is the introduction to this game. It never wastes the player's time. We aren't here to listen to long droning monologues or watch MGS style cutscenes. id Software knew their audience, and knew what that audience wanted, and they deliver in spades. This introduction sets the tone for the entire experience: relentless action, unapologetic violence, and a protagonist who is as unstoppable as he is uncompromising. The Doom Slayer's disdain for exposition and his single-minded focus on annihilating demons resonate with players who crave a pure, unadulterated gaming experience.
By eschewing lengthy cutscenes and exposition-heavy dialogue in favor of fast-paced gameplay and visceral action, id Software delivers a game that respects the player's time and delivers exactly what they came for: non-stop demon-slaying action. In an era where many games are criticized for padding their runtime with unnecessary filler, DOOM stands out as a shining example of how to create a focused and engaging experience that keeps players coming back for more.
Rather than bombarding players with lengthy exposition or intrusive cutscenes, DOOM opts for a more environmental storytelling approach. Throughout the game, players can discover audio logs, read text-based terminals, and observe environmental details that provide context and background to the events unfolding around them.
The story of DOOM revolves around the Doom Slayer's mission to stop a demonic invasion unleashed by the Union Aerospace Corporation (UAC) on their Martian facility. As players progress through the game, they uncover details about the UAC's experiments with Hell energy, the origins of the demonic invasion, and the Doom Slayer's own mysterious past.
While the story may not be front and center in DOOM, it nonetheless adds depth and richness to the game world, enhancing the overall experience for players who choose to engage with it. And for those who prefer to focus solely on the action, the story remains secondary, allowing them to enjoy the game on their own terms.
That's all well and good, but what about the actual gameplay? Simply put, it is exhilarating. From the moment you are given control of the Slayer, players are thrust into a frenzy of blood and violence, and it never lets up. At its core, DOOM is a first-person shooter that harkens back to the genre's roots while injecting it with a healthy dose of modern flair. The gameplay is fast-paced, frenetic, and utterly unapologetic in its brutality. You're not just a player – you're the Doom Slayer, a force of nature hell-bent on eradicating every last demon in your path.
Central to the gameplay experience is the game's combat loop, which revolves around a delicate balance of aggression and strategy. In DOOM, there's no hiding behind cover or waiting for your health to regenerate – you're constantly on the move, strafing, dodging, and leaping across the battlefield as you unleash a torrent of bullets, rockets, and plasma upon your enemies.
Weapons include the iconic shotgun, heavy assault rifle, plasma rifle, rocket launcher, and the devastating BFG 9000, among others. Each weapon offers different firing modes, such as single shot, burst fire, and continuous beam, providing players with tactical options in combat. A key aspect of combat is the Glory Kill system, which allows players to perform brutal finishing moves on staggered enemies. Glory Kills not only provide health and ammo but also contribute to the flow of combat by encouraging aggressive play. It is incredibly satisfying to watch the Slayer rip an imp in half or stomp their head into the pavement, and doing so rewards you with a large return of health.
The Chainsaw mechanic is another integral part of combat, allowing players to instantly kill most enemies and gain a large amount of ammo in return. However, Chainsaw fuel is limited and must be managed carefully. Like Glory Kills, watching the chainsaw tear demons apart is incredibly satisfying. Certain demons require more fuel but provide the player with more ammo in return. Balancing which demons you chainsaw and which ones you choose to Glory Kill is an important part of combat.
Exploration is key to progression and is rewarding to those players who choose to do. Hidden throughout the levels of the game are Argent Cells, Praetor Tokens, and Rune Trials. Each of these provide upgrades to your health/shield/ammo, suit, and passive abilities respectively. Also hidden throughout the game are levers that lead you to classic levels from Doom 1 and Doom 2, which then unlock the full level of its respective game, playable from the main menu. You can also find toy models of the Doom Slayer, which unlock various character models to view. On some of these models, the Doom Slayer will perform a unique action when picking it up, such as fist bumping the classic Doomguy. It's a nice and cute little touch added by the developers that does a little to add character to the Slayer, who is a silent protagonist.
id Software masterfully blends modern game design with a deep reverence for the classics, paying homage to the series' storied history while introducing new elements that propel the franchise forward. Central to this approach is the game's character design, which strikes a delicate balance between nostalgia and innovation. At its core is the iconic protagonist, the Doom Slayer, whose design pays homage to the original Doom Marine while incorporating modern updates that make him feel both familiar and fresh. With his battle-worn armor, imposing stature, and silent demeanor, the Doom Slayer is the embodiment of raw power and unrelenting rage.
The game's roster of enemies is a veritable who's who of classic Doom foes, reimagined for the modern era. From the lowly possessed soldiers to the hulking Cyberdemon, each enemy is lovingly crafted to capture the essence of its 1990s counterpart while introducing new mechanics and behaviors that keep players on their toes. Whether you're facing off against the agile Revenants, the relentless Hell Knights, or the grotesque Cacodemons, every encounter is a nostalgic trip down memory lane, punctuated by the satisfying sound of demon flesh being torn asunder.
But the main story is not where it ends. DOOM has an arcade mode, where players can run through the levels again, this time trying for high scores and medals while collecting 1 Ups. It's important to move fast and have accurate aim; the more kills you chain together, the bigger your score is. Getting hit reduces your score. At the end of the level, your score is tallied against others on a leaderboard. It's a great way to incentivize players to keep playing, in order to get a better and better score.
There is also multiplayer, where players compete in various game modes such as classic deathmatch, warpath and free for all. Players can become demons by collecting runes on the battlefield and this gives them a distinct advantage; demons are larger, stronger and more resilient. Players are bizarrely restricted to only two weapons and a loadout in multiplayer, which blew my mind. Loadouts. In a DOOM game. The demons are also massively unbalanced and if one team manages to get a particularly powerful demon such as a baron of hell, then it's a guaranteed win. All in all, the multiplayer just isn't great. You are better off replaying the story or arcade mode, or even SnapMap.
SnapMap is id Software's proprietary level editor, and it puts every other editor on the market to shame. SnapMap is an incredible, intuitive, easy to learn system allowing players to create their own multiplayer, co-op and single player maps. There is an extensive tutorial system that teaches users the basics, and goes up in depth, covering how to use AI triggers, switches, combinations, object layering, actions, recalls, audio cues, etc. Never have I ever seen such an in-depth interface on a console game before. While it is only surface level in the grand scheme of things, SnapMap is a great introduction to teaching users how game development works, and I urge everyone to try it out at least once.
Part II: The Music
In DOOM, the music isn't just a background accompaniment – it's a driving force that propels players forward, electrifying every moment of the gameplay experience. Composed by the incredibly talented Mick Gordon, the soundtrack of DOOM is a relentless onslaught of metal and electronica that perfectly complements the game's fast-paced action and visceral combat. From the moment you boot up the game, you're greeted by the iconic strains of the main theme, a haunting melody that sets the tone for the epic journey that lies ahead. As you traverse the game's environments, the music shifts seamlessly between atmospheric ambience and pulse-pounding metal.
But it's not just the composition of the music that makes it so memorable – it's also the way it's integrated into the gameplay itself. Mick Gordon's dynamic scoring system ensures that the music evolves in real-time based on the player's actions, ramping up in intensity during combat encounters and dialing back during quieter moments of exploration. This creates a sense of momentum and flow that enhances the overall pacing of the game
One of the standout features of the soundtrack is its use of unconventional instrumentation and sound design. Mick Gordon's signature sound combines distorted guitars, pounding drums, and industrial noise to create a sonic palette that is as brutal and unforgiving as the game itself. From the deep, guttural growls of the synth bass to the ear-shredding shrieks of the guitar solos, every element of the music is designed to evoke a sense of chaos and destruction, mirroring the relentless carnage unfolding onscreen.
Of course, no discussion of the music in DOOM would be complete without mentioning the iconic tracks that have become synonymous with the game. From the adrenaline-fueled "Rip & Tear" to the bone-crushing "BFG Division," each track is a masterpiece of composition and production, perfectly capturing the essence of the DOOM experience and elevating it to new heights. Mick Gordon's composition for the DOOM soundtrack is a tour de force in heavy metal and industrial electronica, meticulously crafted to evoke the essence of the game's frenetic gameplay.
The backbone of the soundtrack is the distorted guitar, which provides the driving force behind many of the tracks. Gordon's use of extended-range guitars and custom-tuned instruments gives the music its signature low-end punch, while his aggressive playing style adds a raw, visceral energy to the sound. In addition to guitars, Gordon incorporates a wide range of electronic and synthetic elements into his compositions, including synthesizers, drum machines, and sampled sounds. These elements are used to create atmospheric textures, rhythmic patterns, and dynamic effects.
One of the most innovative aspects of Gordon's sound design is his use of audio manipulation techniques, such as granular synthesis and spectral processing. These techniques allow him to deconstruct and manipulate audio in real-time, creating complex textures and effects.
Perhaps the most revolutionary aspect of Mick Gordon's composition for DOOM is his dynamic scoring system, which adjusts the music in real-time based on the player's actions. This system, known as "MIDI-controlled dynamic music," allows the music to seamlessly transition between different layers and variations depending on the intensity of the gameplay. Gordon achieves this dynamic effect by dividing each track into multiple stems or layers, each representing a different element of the music (e.g., drums, guitars, synths). These stems are then triggered and mixed in real-time using MIDI data generated by the game engine, allowing the music to adapt and evolve dynamically as the player progresses through the game.
Part III: Building a Legacy
All too often in this industry, legacy franchises are either left in the dust to be forgotten, or brought back to a limp fanfare, only to be thrust back into the shadows of the past. This happens for a myriad of reasons, and I believe the biggest one is that they don't respect their legacy, and they don't respect the players who engage with them.
At its core, DOOM is a game that understands what players want: fast-paced action, engaging gameplay, and a sense of empowerment. By focusing on these core principles, id Software created an experience that resonated with players old and new, capturing the spirit of the original games while pushing the series forward. Central to this approach is the game's unwavering commitment to respecting the player. From its minimalist storytelling and streamlined level design to its intuitive controls and dynamic difficulty system, DOOM prioritizes the player's experience above all else, ensuring that every moment of the game is engaging, immersive, and satisfying.
One of the most notable ways that DOOM respects the player is through its approach to difficulty. Rather than imposing artificial barriers or punishing players for their mistakes, the game encourages experimentation and mastery through its responsive gameplay mechanics and adaptive enemy AI. Players are given the freedom to approach encounters in their own way, whether it's through brute force, cunning strategy, or a combination of both.
Another key aspect of DOOM's player-centric design is its emphasis on accessibility. From its difficulty settings and intuitive user interface to its robust accessibility features, such as colorblind modes and customizable controls, the game ensures that players of all skill levels and abilities can enjoy the experience without feeling excluded or overwhelmed.
But perhaps the most important way that DOOM respects the player is through its commitment to fun. At its core, DOOM is a game that prioritizes the player's enjoyment above all else, delivering a seamless and exhilarating experience that keeps players coming back for more. Whether you're blasting demons with a shotgun, exploring hidden secrets, or rocking out to Mick Gordon's pulse-pounding soundtrack, DOOM is a game that never stops prioritizing YOU.
DOOM's legacy is one of respect – respect for the player, respect for the franchise, and respect for the medium of video games as a whole. By prioritizing fun, accessibility, and player agency, id Software created an experience that not only honors the legacy of the original games but also sets a new standard for what a modern first-person shooter can be. And for that, we owe them a debt of gratitude.
submitted by musical-amara to Doom [link] [comments]


2024.05.13 23:53 Doomburrito [MINI] Oh no, it's Brick-Built Gru and Minions (75582) - 78 spots at $1/ea

Item Name Set Number: Brick-Built Gru and Minions (75582)
Lego Price: $60 w/tax
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2024.05.13 23:50 insurancezone "The Enigma of '.' - Revealing the Hidden Depths"

Title: "The Elusive Nature of "." - Let's Dive Deeper"
Hey fellow Redditors,
I've been pondering about the topic "." lately, and it's got me caught up in a web of thoughts. It's fascinating how such a simple concept can carry so much weight and elicit multiple interpretations. So, let's take a plunge into the abyss of "." and explore its depth together!
Here are some critical points that might intrigue and challenge your perspective:
• "." Is this a mere punctuation mark that brings a sentence to a halt? Or does it signify something more significant, like the eternal pause amidst the chaos of life?
• "." Is "." the embodiment of silence? We often say "silence speaks volumes," so does "." hint at the unsaid, the unexpressed emotions bubbling beneath the surface?
• "." Can "." denote vulnerability? Does it hold the power to reveal a person's insecurities and fears, stripping them of facade and exposing what lies beneath?
• "." Could "." be a symbol of our collective struggle with authenticity in a world that encourages mask-wearing and pretense?
• "." Are we too dependant on "." for validation and acceptance? Does the number of "." on our social media posts determine our worth in society?
• "." How does "." affect our relationships? Is "." a veil that masks true connections, resulting in surface-level interactions devoid of depth and understanding?
Now, let's take a moment to contemplate these questions before diving into the comments section. Feel free to share your own insights, ideas, and experiences related to "." Remember, there are no right or wrong answers; we are here to learn from each other.
In conclusion, the power of "." lies in its profound complexity, resilience, and versatility. By uncovering its depth and engaging in thoughtful discourse, we can uncover new perspectives and expand our understanding of ourselves and the world around us.
Thanks for joining this intriguing discussion, and I can't wait to read your profound insights!
TL;DR: The significance of "." goes beyond its conventional use. From silence and vulnerability, its impact on relationships and our need for validation, let's explore the multifaceted nature of "." together. Engage in a thoughtful discussion to broaden your perspective and uncover new insights!
submitted by insurancezone to smallbusinessinsure [link] [comments]


2024.05.13 23:30 Dr_Roma 34/M/US - Finally Taking the Leap! Any Other 30+ Working Professionals Out There?

Here we go—I'm finally making a post!
So, after months of lurking (and a handful of half-written posts), I'm finally taking the plunge and giving this a shot. I know they say the journey of a thousand miles begins with a single step, but in my case, it begins with a single post. So, here goes nothing, right? Haha.
What am I looking for?
In a nutshell—authentic, meaningful conversation. A few days ago, a few other faculty members and I met up for an evening out to celebrate the end of finals. A few of us stayed pretty late, pontificating about life, talking about the most random topics, and basically just enjoying each other's company. I don't know about you, but in today's world (where so many of us are glued to Zoom screens and remote work), we need more of that sort of dynamic—just genuine, authentic, long-form discourse. I like to believe with the right sort of person (and the right sort of conversational skills), you can cultivate that sort of vibe in online conversation.
For example, when I think back to the past, one of my favorite memories was a lengthy conversation I had with a random stranger at a cozy little coffee shop in a small town in Upstate New York. We talked about everything from philosophy to the best type of coffee beans. That's the sort of conversation I crave!
A bit about me:
So basically...
I'm hoping to find thoughtful interactions with folks who genuinely want to discuss all that life has to offer. I'm drawn to people with a natural zest and curiosity for life, who embrace a growth mindset, and who value emotional intelligence and strong communication skills. Whether we're delving into deep philosophical questions or sharing our favorite recipes, I'm looking for someone who appreciates the beauty of a well-rounded, engaging conversation.
If this sounds like you, send me a chat message! I'm looking forward to hearing from you!
submitted by Dr_Roma to penpalsover30 [link] [comments]


2024.05.13 22:51 disusedyeti78 Almost Complete list of Baby registry boxes March/April 2024

If you're interested in baby registry boxes but don't know which one to try or how to even sign up for them I have some info for you here! I got boxes/bags from Target, Walmart, Amazon, Hey Milestone, Babylist, and Similac and I'm still waiting for a box from Enfamil. I'm not an influencer or someone paid by these companies I just really like surprise boxes of stuff. I have pictures but I don't know how to add them. Anyway onto the lists.
Target:
How to get: This appears to have changed recently. According to target.com you join the Target Circle rewards, create a baby registry, add 10 items, and spend $10 from registry (either yourself of someone else). You have to pick up the bag in store with a barcode they give to you and it can be somewhat difficult to get since supplies are limited. When I did this in March all I had to do was create a registry and then go to the store to pick up the bag.
Items:
1 Philips Avent Natural Bottle
1 Dr Browns Anti-Colic Bottle
3 pack sample of Huggies Special Delivery Diapers
2 pack sample of Millie Moon Diapers
16 count sample of Huggies Natural Care wipes
10 count sample of Honest plant based wipes
10 count sample of Water Wipes
2 count sample of Lansinho breastmilk storage bags
2 count sample of Lansinho disposable nursing pads
1 count sample if Boogie Wipes
1 sample of Dreft scent booster for laundry
1 sample of Palmers stretch mark lotion
1 sample of Dapple bottle and dish soap
1 sample of Pedialyte
1 sample of Auqaphor baby ointment
1 sample bottle of Aveno baby wash and shampoo
1 sample tube of Triple Paste diaper rash cream
All coupons are through Target Circle rewards
Walmart:
How to Get: Sign up for a registry at Walmart. Click this link https://walmart.cesampling.com/babybox/soldout and fill out the form and it would be shipped to you for free. Unfortunately these boxes have been sold out since last year but maybe they will restock. I only got one because my OB’s office gave it to me at my first appointment. You’re not missing much by not getting one.
Items:
1 Dr Browns Anti-Colic Bottle
3 pack sample of Huggies Special Delivery Diapers
16 count sample pack of Huggies Natural Care Wipes
1 sample of Arm & Hammer baby laundry detergent
1 sample bottle of Johnson’s head to toe wash and shampoo
1 sample bottle of Aveno baby wash and shampoo
1 pack of milestone month cards
Insert cards (not coupons) for Gerber, WaterWipes, Liquid IV, Aquaphor, and Arm & Hammer
Amazon:
How to Get: Have an Amazon prime account. Create a baby registry. Add 10 items to your baby registry. Purchase $10 worth of items from registry (either yourself or someone else). Wait for the items to ship and then add the baby welcome box to your shopping cart. There should be a $35 coupon applied when you go to checkout.
1 Newborn Swaddle size 36in x 36in
1 Amazon Essentials 3-6 month onesie
1 Mam Anti-Colic Bottle and Pacifier set
1 Bessie's Best lactation cookie
2 count sample of Lansinho breastmilk storage bags
2 count sample of Lansinho disposable nursing pads
1 sample of Aquaphor baby ointment
1 sample of Palmers skin therapy oil
1 sample of Palmers stretch mark lotion
50% off coupon for Shutterfly
10% off coupon for Amazon Essentials (items must be from a list compiled by Amazon)
$20 off coupon for Tylenol Smart check digital ear scope
$200 off Factor meal delivery service
Inserts (not coupons) for Palmers, Aquaphor, Baby Breeza, Mam bottles/pacifers
A card booklet with ideas for the registry
Hey Milestone:
How to Get: Hey Milestone is not a registry. They make three different baby boxes you can choose from and you just pay shipping. If you’re considering multiple boxes it’s best to get them all at once because the shipping will be cheaper. Shipping for one was $12.99. I only got one, the pregnancy box, so I can't tell you what you may expect from the other two. Check them out here: https://www.heymilestone.com/
Items:
1 full size Boudreaux’s Butt Paste butt barrier
1 Herobility 5 oz bottle
1 sample pack of Bamba peanut butter puffs
1 Kudos diaper with 10% off coupon
1 Dr Browns pacifier
1 Nanobebe hospital go-bag kit (includes pacifier, 2 breastmilk bags, 2 nursing pads, 20% off coupon)
2 count sample of Lansinho breastmilk storage bags
2 count sample of Lansinho disposable nursing pads
1 Preggie Pop
1 Bessie’s Best lactation cookie
10 count sample pack of Zahler prenatal vitamins
1 sample of Bella B nipple butter
1 sample of Bella B cradle cap be gone shampoo
1 sample tube of Eucerin baby sunscreen
1 count sample of Jack n Jill baby gum and tooth wipes
1 nail file with info for Mother’s Milk Bank
10% off coupon for Boudreaux’s Butt Paste butt barrier from Amazon
$130 off good chop meat delivery
16 free meals from Hello Fresh
$1 Bamba snacks
1 insert for Forsite 350 genetic testing
Babylist:
How to Get: This one is by far the most involved process. Create a registry on Babylist. Enter in your baby’s due date, you address, and first and last name. Add three items from the Babylist shop. Add three items from other stores (you can do this by putting a plug-in from the website on Chrome or Firefox. More detailed instructions on the website). Complete 40% of your registry checklist (you can do this by just checking items off yourself). Spend $30 from your registry at the babylist store (either yourself of someone else). The $30 must be spent on items from the babylist store! Once these things are done you can pay $8.95 for shipping or you can chose simple shipping and it’s free.
Items:
1 Herobility 5oz bottle
1 Philips Avent Naturel bottle
1 Monica and Andy baby hat
1 Small Story 0-3 month onesie and 20% off coupon
1 Parker bib with 15% off coupon and a chance to win $200 giveaway
1 Nanobebe first pacifier
2 pack sample of Kudos diapers with 10% off coupon
2 pack sample of Healthy Baby diapers
2 pack sample of Parasol diapers
10 count sample of Honest plant based wipes
10 count sample of Water Wipes
10 count pack of motif medial breastmilk bags and 15% off coupon
1 sample tube of Noodle & Boo body wash and shampoo
1 sample tube of Noodle and Boo lotion
1 Bessie’s Best lactation cookie
2 count sample of Lansinho breastmilk storage bags
2 count sample of Lansinho disposable nursing pads
1 sample of Wellements probiotic and $15 off coupon
1 sample tube of Aquaphor baby ointment
1 sample of Desitin
1 sample of Palmers skin therapy oil
1 sample of Palmers stretch mark lotion
1 sample of Bird&Be vitamins and 15% off coupon
1 sample bottle of Vivi & Bloom body wash and shampoo
2 samples of Triple Paste diaper rash ointment and $2 off coupon
Coupon for a free onesie from Oso and Me ($32 value)
Coupon for free 8x8 photo book from Shutterfly
Coupon for a free will from Trust & Will
Coupon for free Swaddle from Little Unicorn
1 insert for babylist health for information on free breast pumps
Similac
How to Get: Sign up to my Similac rewards at https://www.similac.com/rewards.html . It’s completely free. I do recommend using an email you rarely use though and don't put in your phone number.
Items:
1 7 oz can of Similac 360 Total Care formula
1 7 oz can of Similac 360 Total Care Sensitive formula
1 sample of Pedialyte
Coupon for 1 free session at JC Penny portraits and 1 free 8 x 10 print
Coupons for $50 off Similac formula (They will send more in the mail once you use these)
16 free meals from Hello Fresh
Coupon for 50% off Shutterly
Coupon for $20 off Lovevery play kits
Coupon for $3 off Pedialyte
A collection of 12 gift cards to places I’ve never heard of ranging from $60-$30
Enfamil:
How to get:
Sign up for Enfamil Beginnings at https://www.enfamil.com/baby-formula-coupons-samples/ . It’s completely free. I do recommend using an email you rarely use and don’t put in your phone number. I’m still waiting on my Wonder Box to come. They tend to ship close to your due date so I may get it soon.
Overall thoughts: I enjoyed the fun of going through the boxes to see what I got. The Walmart one is no great loss to anyone not able to get one. I was disappointed with the Amazon one because I expected it to be a bit better based on what others had gotten. Plus I didn’t get the Dude Wipes people were getting and I was looking forward to them lol. The Babylist box was the best of the bunch, which is good considering the hoops you have to jump through to get it. Hey Milestone was great for the butt paste and bottle alone. I was also really pleased with the Target bag. These are just the things I got and each box/bag may be different.
submitted by disusedyeti78 to pregnant [link] [comments]


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submitted by taitaigarvin to blackmagicspelling [link] [comments]


2024.05.13 22:26 flintlocket314 Writing a poetry book on limerence

Hi guys, I’m a hobby poet and I really enjoy using my creative outlets to give some dignity to my insane Limerent thoughts. Lol. Now I’ve got quite the collection built up and just for fun I thought I’d draw a few illustrations and self publish it on amazon (for free of course). Was wondering, as I cleaned it up a bit, if anyone had any suggestions or prompts to use to write a few more poems or perhaps add some elements to already created ones. Obviously stuff you yourself wouldn’t use. If you are interested in my style here is some of my work (not related to limerence):
“Heavy May:
Leave to others mild browns, let them twist their daisy crowns into emblems of their life; free of blizzards, free of strife Hand me winter's tortured twigs stain my lips with august figs. Suicide's breath is springs's warm air, how I wish I loved the fair! I have switched my white with yellow, only sought the sweet and mellow, Yet I ache for freezing lungs miss the wildfires on my tongue. My hearts needs its howling nights Bethlehem's raging candlelight. Hear, I have observed one thing, who rests in winter, dies in spring.”
“Electric Shocks:
My rainbow boy, disturbed by none is lying on the bed,
his mother is the august sun, the lightness in your head.
His father is the steady rain that lulls you back to sleep, she spread her warmth in every vein he gave him strength to keep.
But I am not admired by crowds, the envy makes me shudder the product of two thunderclouds will always be an other.
They have made something frightening in their violent clash.
My fingers burn with lightning beware my wild flash.”
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2024.05.13 21:57 gnomes4hire Plato & Friends, Female Rage: The Musical, and 3….2….1

Plato & Friends, Female Rage: The Musical, and 3….2….1
This brain dump was inspired by a really, really excellent post by u/doctor-gigibanana dissecting the casual Aristotle name drop in SHS and the concept of mimesis. It got me reminiscing about the Greek homies, and what Taylor might be exploring broadly as an artist through this lens, but especially and specifically during the Eras TTPD set.
Go check out that awesome post and, while you do, keep the other side of this coin in mind: diegesis.
In a nutshell, while mimesis shows you the nature of a thing to help you understand its truth (versus telling you all about it), diegesis is all about narrative. And that’s all I have to say about that.
https://preview.redd.it/o94rlnz9p80d1.jpg?width=373&format=pjpg&auto=webp&s=ca223add341475f3dc3a8edda439272968631b70
OK! So let’s talk about truth as told by Plato, Aristotle's philosophy daddy. If you’re not familiar with his Forms theory, it’s pretty much his belief that the physical world is lies. Just straight up bullshit. He argues you can only find truth in the nature or essence of something, before it’s been filtered through someone’s perception of reality. That includes your own, so don't get too comfy, understand?
To illustrate his point, Plato uses the metaphor of three beds.
3....2....1?
Please hang on for dear life while I try to summarize this without confusing myself:
Think of a bed. In your mind, you know the Form, or the truth, of a bed. You know its nature, its essence. And that’s where we’ll start: The “truth” of the bed is its nature, which can only be formed by the creator.
As the carpenter begins to build a bed, she can only imitate its Form, or truth. It’s her perception of what a bed should be, once removed from the truth of it. (Side note, this would be called the Platonic bed – our perception of the ideal Form. I know it’s cuz Plato but I giggled.)
When the carpenter is done building, her bed is an imitation of her perception of the bed’s Form, making the final product twice removed from the truth.
When the artist paints a bed, her work is based on the carpenter’s imitation of the bed. The artist’s bed is an imitation of an imitation of the bed’s Form. She is thrice removed from the truth.
The poet can be (and is) used in place of the artist in this exercise:
“…Then you call him who is third in descent from nature [the artist] an imitator? … Then the tragic poet is an imitator, and therefore, like all other imitators, he is thrice removed from the king and from the truth?”
The Fortnight bed makes an appearance at the Eras tour, rocking and spinning and shifting, lifting Taylor up and down, obscuring and revealing the TTPD logo. Complete with a typewriter to spin up a tale when the mood strikes.
To hear Plato tell it in this context, truth-telling should be left to the philosophers (the carpenters) because poets are some filthy liars.
Why does Plato have such beef with art? Well, reading books wasn’t really a thing back then. Who has the time between all the orgies and foot races? Folks were more likely to learn about concepts and events through an orator (reciting poems) or a theatrical performance. In both cases, the truth is filtered through the experiences of the performers. It’s art, but it’s artifice. Appearance. You can't trust it.
I mean we're back to debating \"is it this color or that color\" on Beyonce's internet in 2024.
Interestingly, he also uses the image of turning a mirror round and round and round, reflecting the earth, sun, plants, animals, yourself—you see images of these things, but they are appearances only. Not the truth. Just something totally random and unrelated to think about…
Anyway, Plato seems to argue there’s no way to portray the truth of a thing through performance or poetry, because the actors’ own truths would taint the essence of that thing. As a result, the audience is being persuaded to see a certain way, not by truth, but by rhetoric.
Except…….when he also took the exact opposite position. In a separate text, Ion, Plato’s characterization of the poet is a little more generous. He argues that poetry is the result of divine madness, likening the creation of it to the way a prophet would let God speak truths through them.
Taylor Alison Clara Cassandra Bow Swift getting cozy in the asylum.
Admittedly, Plato’s take on poetry from this angle is less robust and a wee bit hole-y, but it’s a great bridge to our good buddy Aristotle.
u/doctor-gigibanana 's post did a great job of explaining the function of mimesis in art, and why it’s so effective and needed. It helps us connect with art, relate it to our own personal experiences. It has to be just close enough to the truth to be recognizable, but not too close to home to scare us off. And Taylor has used it to great effect for her entire career.
Every relationship hard launch pap walk, hidden messages in liner notes, overt visual and even lyrical references to possible muses in music videos, and now the absolute ham-fisted spectacle that is the SHS performance, complete with choreo re-enacting scenes from some of the most public moments of her life in recent memory. All of it spins a tale the public can’t get enough of.
Except now, more explicitly than ever, she’s giving us the artifice alongside her diegesis, most effectively distilled down into roughly 25 minutes of performance art that will never NOT be known as Female Rage: The Musical.
Quick! Look over there. Taylor sings in one direction through much of this performance, while her dancers perform their recreation of life from the WAG box in the opposite direction. The mimesis is mimesising.
The entire set is layered with smoke and mirrors (literally), misdirection, bits and pieces of the 4th wall as it explodes in our faces, a shark jumping 10 monster trucks, moments of terror, tragedy, comedy...a show within a show within a show, with a literal mirror held up to our drooling faces as she sings about how We (the collective) have fucked her up real good. What does it mean?? We dunno! MORE! MORE! MORE!
She's the creator, the carpenter, and the poet. Each of them layer in their own version of the truth, mixing narratives, derailing others, blending stories we've heard a thousand times before. We're all familiar with the myth of Taylor Swift, the folklore surrounding the music we've been assured is the whole truth--according to who? The poet? The carpenter? The creator? Three...two...one...
I have no idea what the big vision is, if there even is one, from Taylor's perspective. Sometimes I wonder if the fandom, especially Gaylors, are a bit too generous with the connections we attribute to the Chairman. Maybe things really do just sound good on paper and it's not that deep.
But those stories she's been telling us through multiple eras of her career? They seem to be taking new Forms this time around.
Credit to @aimsly for this image and their post on Taylor's reference to this TRECHEROUS exercise!
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