Yellow percocet generic

After moving my pc to another room i have some issues with screen resolution. It's surprising because i didn't change anything. I'm just using longer cables but the monitors are connected to the exact same inputs. I have 2 monitors and initially both wouldn't list the correct resolution in Windows display settings. Issue with main monitor resolved by installing latest driver for my nvidia gforce 1060 graphics interface. 2nd monitor remains an issue, it should be 1680x1080 but the available resolutions only go up to 1280x1024. Both monitors were listed as generic pnp in device manager (and i think they were listed as the correct model name before i moved my pc). For the second monitor (HP w2007v), driver support stopped after windows 8 apparently. I tried installing the Win7 driver (assuming this might be best compatible), and now the monitor is listed under its correct name but the resolution issue remains. Also noteworthy is that there is a yellow exclamation mark in device manager next to a 'PCI simple communications controller' and i doubt this error was there before. I looked up the dev and device numbers and it corresponds to C600/X79 series chipset MEI Controller #1 . How can simply displacing my pc cause these issues? Hope someone can help, i tried many things already... PS I'm on Windows OS Build 19045.4291 - Asus P9X79 mobo

I just found out about Orson Scott Card's The Last Shadow, which came out three years ago, and I am surprised to see that its cover, once again, features... a white spaceship and a yellow spaceship, for no discernible reason.
I guess it's at least consistent with Ender's Game, Speaker for the Dead, Xenocide, and Children of the Mind, but those were all published a very long time ago and I would think a case could be made for changing things up.
Google isn't too informative – I found this old thread that notes that all the covers are by John Harris and in the case of those first four books they each reused art from an older Frederik Pohl novel. And I found http://www.alisoneldred.com/john-harris/illustration-1/science-fiction-and-fantasy-1/3878-the-last-shadow/ , which suggests that cover of The Last Shadow is an original commission.
I don't know what I would put on the cover instead – a planet, maybe, or some wacky-looking DNA molecule or virus particle, but probably not generic spaceships.
I'm aware there have been some alternate covers for Ender's Game, at least, aside from the movie tie-in versions. And some of them don't look so great, despite being more obviously related to the subject matter. So is that the best explanation? They've unsuccessfully tried alternatives, decided to stick with the original covers, and figured the last book should be consistent?

Ahoy Hoy,
More new stuff, well below Discogs. Still digging through a large buy and trying to make some floor space. Bunch of random test pressings that have yet to hit Discogs in this bunch. Included pics of those where appropriate.
Everything ships from Boston and is a flat $5 to CONUS no matter how much you order. All vinyl is visually graded (media/sleeve) unless otherwise noted. Next mail run happens Tuesday, May 14th. If you're interested in anything, please contact me via CHAT ONLY, please. No rainchecks, holds, etc.
Bad Brains I Against I (VG+/VG+) A faint paper scuff but nothing that affects play. $30
Syd Barrett Barrett (2014 Reissue) (VG+/VG+) Vinyl and sleeve are very clean. $21
Syd Barrett Madcap Laughs (2014 Reissue) (VG+/VG+) Grading the vinyl conservatively. It's very clean. Sleeve is sharp but there's a small (half-inch) seam split developing on the top. $19
David Bowie David Bowie (40th Anniversary Edition) (VG+/VG+) Vinyl is very clean. Jacket has minimal shelfwear. $18
British Sea Power Open Season (2LP, 15th Anniversary Edition) (NM/VG+) Vinyl is near pristine. Jacket is sharp. Bottom of sleeve has some light shelfwear. #1160. $35
Czarface Dog Days Of Tomorrow (Comic w/7") (NM/VG+) Vinyl is very near pristine. Stored in the original poly bag. Comic has a small corner bump on the bottom right. $40
Czarface Double Dose Of Danger (Yellow, Test Pressing) (VG+/VG+) So, this is a test-pressing of a yellow-vinyl version of Double Dose Of Danger that, if memory serves, never actually ended up coming out (think there were QC issues). I haven't listened to it all the way through, so there may very well be issues but it's a unique piece. Pics here. $150
Dinosaur Jr. You're Living All Over Me (Green) (VG+/VG+) Vinyl is very clean with perhaps a faint cosmetic paper scuff from the inner. Sleeve has minimal shelfwear. $40
Kenny Dorham Afro-Cuban (2014 Reissue) (VG+/VG+) Vinyl is very clean. Jacket has a seam split developing on the top and a dinged bottom corner. $14
Father John Misty Play Me (Promo Flexi) (NM/Generic) Unplayed copy with minimal shelfwear. $20
Marvin Gaye What's Going On (Yellow) (VG+/VG+) So, the playing surface is near pristine and could be graded NM. The edge of the platter, however, has one uneven and wavy spot. It doesn't affect play and is purely cosmetic. $25
Ghost Seven Inches Of Satanic Panic (Flexi Picture Disc) (VG+/No Cover) Flexi is very clean. $8
Goldfrapp Felt Mountain (Gold) (VG+/VG+) Grading conservatively. Vinyl is very clean and jacket is stored in shrink. $16
Howlin' Wolf Message To The Young (VG+/VG+) Perhaps a faint paper scuff from the inner that doesn't affect play. Jacket is sharp. $20
Mason Jennings Mason Jennings (M/VG+) Factory-sealed copy. It looks like this one has a very small (max half an inch) seam split on the top spine. $10
Mason Jennings Use Your Voice (M/VG+) Factory-sealed copy. Small seam split developing across top spine. $10
**Take both Mason Jennings for $20 shipped.*\*
Jesus & Mary Chain Psychocandy (Red & Black) (VG+/VG+) A couple of faint cosmetic paperscuffs from the inner but nothing that affects play. $30
Joy Division Closer (180G, 2007 Reissue) (VG+/VG+) Grading conservatively. Vinyl is very clean and jacket has minimal shelfwear. $15
Peter Laughner Peter Laughner (4LP Box) (M/VG+) Factory-sealed copy. It's possible that this is the set including the 7" (no way to tell from the exterior) but it is most likely this version without the bonus 7"). Box has minimal shelfwear. $65
Augustus Pablo King Tubbys Meets Rockers Uptown (Lavender) (VG+/VG+) Grading conservatively. Vinyl has been played once (original owner) and the sleeve is very clean with just a tiny corner ding on the bottom left. This version actually sounds pretty okay but I just happened into a beautiful early press, so this one is up for grabs. $18
Rolling Stones Beggar's Banquet (Anniversary Edition, 2LP w/Flexi) (VG+/VG+) Vinyl has a few faint paper scuffs but they're cosmetic and don't affect play. Outer slip sleeve has a bit of corner dinging. $21
Rolling Stones Big Hits (High Tide And Green Grass) (RSD Reissue) (M/NM) Factory-sealed copy. $20
Rolling Stones Through The Past, Darkly (Big Hits Vol. 2) (RSD Reissue) (VG+/VG+) Grading conservatively. Vinyl is closer to NM and sleeve is sharp. Includes original poly bag with hype stickers (and residue from a sticker that used to sit on the bag over the barcode). $15
Secret Sisters Mind, Man, Medicine (Test Pressing) (VG+/Generic) Pic here. $30
Ty Segall Emotional Mugger (VG+/VG+) A couple of faint paper scuffs but nothing that affects play. Sleeve is very clean. $12
Ty Segall First Taste (VG+/VG+) Vinyl is very clean save for a faint cosmetic paper scuff that doesn't affect play. Grading the sleeve conservatively but there's a bit of wear along the bottom spine, a little ding near the bottom of the right front flap, and a thin line/scuff running from top to bottom of the front cover to the left of the flap. $8
**Take both Ty Segall for $20 shipped.*\*
Sylvan Esso No Rules Sandy (Test Pressing) (VG+/Generic) Pic here. $30
Traffic Heaven Is In Your Mind (VG+/VG+) A paper scuff but nothing that affects play. Sleeve is sharp with just a small crease near the bottom spine. $20
Various Turkish Freakout 2 (Psych-Folk 1970-1978) w/7" (VG+/VG+) The vinyl is very clean (7" included). The jacket is largely sharp but there are a couple of small corner dings (bottom right has the worst of it and it's a small crumple on the edge). $40
Velvet Underground The Velvet Underground & Nico (Yellow & Black Split) (VG+/VG+) Vinyl is very clean. Jacket is stored in the original poly with hype sticker. Looks like there's a bit of ringwear developing on the back of the sleeve. $55
Yo La Tengo This Stupid World (Test Pressing) (NM/Generic) Unplayed test pressing of YLT's last one. Pics here. $40
Thom Yorke Anima (Orange) (VG+/VG+) Grading conservatively. Vinyl and sleeve are closer to NM. $25

I probably don't need to tell you that the blue "lines" on most heroes are kinda underwhelming. For many heroes that's fine - it is perfectly serviceable to just have something to sink points into "increase movement" or "increase replenishment".
However, there are some heroes since game 1 that are designed primarily to operate outside of armies. Witch Hunters, Cultists of Slaanesh, Dark Elf Assassins, all can join an army and provide utility on the battlefield, but their main role is on the campaign map.
For these kinds of heroes, simply having the option to put three points into the skill you want to use and three into the generic increase success chance option isn't really good enough. These characters often end up with skill points they can't spend, and it strikes me that there is so much more potential for these characters to have interesting unlockable abilities.
Just as spending skill points in the yellow line can unlock new abilities and spells which radically change how a hero plays in battle, the blue line could provide the opportunity to radically change how they act on the campaign map. Maybe a cultist can cause a rebellion to break out in a settlement, much like how priests and monks could in Shogun 2? Perhaps a goblin warboss could increase the recruitment rank of units in the province he is in, or provide an entire army with vanguard deployment or stealth? Perhaps a Skaven assassin could sabotage an army's supplies, forcing it to take attrition or reducing their ammunition in battle?
The possibilities are endless, and I just feel like there is a real opportunity that is being missed to make heroes not only more impactful on the campaign map but to give them a real sense of progression too. Giving some of these more niche heroes a chance to shine over the more often picked mages and melee brawlers would be a welcome change, I think.

WTT/S - for sales, cash at comparable Reverb. price via PayPal, please * Walrus Audio Fathom (yellow color way) * Cooper Expression Generator - $175 * EQD - Afterneath v1 (feeler) Astral Destiny (feeler) and Tentacle * Keeley -Compressor+, Neutrino v2 * Boss - ME-80 Multi-FX * Dean Markley - DME-3 Outboard Preamp pedal (acoustic preamp) * EHX - Intelligent Harmony Machine, Bass Clone, Saisfaction Plus Fuzz, Holy Stain drive/fuzz/tremolo/reverb (hall and room)/pitch shifter, * MXR - Blue Box (fair cosmetic condition, works well) - feeler, Dyna comp x2 and Custom comp * T-Rex Whirly Verb * Abigar Taurus Bass OD Black Liine edition * Danelectro - Billionaire Money Laundry Spinning Speaker w/ ramp function * Akai Professional Intelliphase P-1, * Source Audio Soundblox Pro Bass Envelope Filter, * Vox V830 Distortion Booster. $69 * Clones/DIY * DOD 440 envelope filter clone $65 * X-Fuzz- A beautifully decorated/finished DIY X-fuzz. $80 * Fox Tone Machine by CMC Effects (great builder), $75 * Cloven Hoof clone , $70 * Space Spiral clone. (Dark Rift), $75 * CHEAPIES * Modtone Mini Mod Compressor * Biyang Baby Boom FZ-10 Fuzz Star * Joyo - Taichi, Zip Amp, Atmosphere reverb * Pigtronix - Philosopher’s Rock comp. w/dirt switch * Mugig Black Box - mini sized di w/cab sim, +/-20db pad and ground pm * F Pedals - Lorion Boost * Pure buffer guitar buffer x2 (1 sparkly red, 1 black) * Analog Delay - classic 3-knob * Generic pedal power supplies with all cables etc. (4 or 5 available, Caline, Joyo) OTHER * Drum Gear (B20 cymbals, pro snares) * Pro Audio - Rode NT1-A Large diaphragm condenser bundle with shock mount and spit guard) $135
WTTF: * Cusack - Pedal Cracker V2 * something granulamicro looperish * Walrus - Arp87, Eons five stage fuzz * Red Panda Particle 2 * colorways, blackouts, stuff I didn’t know I wanted… * Mini versions of pedals and top jacks a bonus

I was driving my E92 around for the day doing multiple start stops etc as had to do a lot of pickups.
Did a bit of spirited driving until I noticed the yellow engine light (It is not flashing, just a hollow yellow engine light). Nothing else comes up on the dash saying to Service or check engine, just that one symbol so was wondering to try and check for codes.
However I never bought an OBD scanner before as im still a bit new to this stuff and want some help and dont want to constantly go back and forth to a mechanic so want to try see if I can at least get an idea.
I saw that people recommended the Carly stuff, but I really just want to be able to view codes and go from there, rather than code anything new in or any of that stuff, just for it to read out where the issue may be. I saw some basic generic scanners from a few local stores for around £20 (Streetwize or something/similar names) and was wondering if that should be capable enough to just read out the codes at least.. or if its a red flag etc. Should this be fine for the basics?
Ps. Car drives fine despite the light, only thing I may say is that the startup on the car can be slight shakey for a few seconds so I heard maybe a spark or coil. I also have a backbox delete so not sure if that could affect anything either? (hasnt had this issue for months though so doubt its that).
I would say maybe a very quiet tick noise which is scary but not harsh or anything, so hoping its not anything too big, but checking few forums for the n52 says is if its quiet tick , it should be fine.
Any advice would be helpful, thanks !

The mod responsible is unknown and tModLoader must be restarted. Terraria.ModLoader.Exceptions.JITException: In InfernumMode.Content.Tiles.Profaned.ProfanedFountainTile.SetStaticDefaults, Method not found: 'Void CalamityMod.CalamityUtils.SetUpFountain(Terraria.ModLoader.ModTile, Int32, Microsoft.Xna.Framework.Color, Boolean)'. In InfernumMode.Core.GlobalInstances.Players.CameraEffectsPlayer.ModifyScreenPosition, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.Items.Weapons.Melee.Myrindael.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityCyanBuyPrice()'. In InfernumMode.Content.Items.Weapons.Melee.Punctus.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityCyanBuyPrice()'. In InfernumMode.Content.Items.Weapons.Magic.AridBattlecry.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityCyanBuyPrice()'. In InfernumMode.Content.Items.Weapons.Magic.Kevin.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityHotPinkBuyPrice()'. In InfernumMode.Content.Items.Weapons.Summoner.Perditus.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityCyanBuyPrice()'. In InfernumMode.Content.Items.Weapons.Rogue.StormMaidensRetribution.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityHotPinkBuyPrice()'. In InfernumMode.Content.Items.Weapons.Rogue.WanderersShell.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityCyanBuyPrice()'. In InfernumMode.Content.Items.Weapons.Melee.CallUponTheEggs.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityYellowBuyPrice()'. In InfernumMode.Content.Items.Weapons.Ranged.TheGlassmaker.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityCyanBuyPrice()'. In InfernumMode.Content.Items.Weapons.Rogue.Dreamtastic.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityHotPinkBuyPrice()'. In InfernumMode.Content.Items.Weapons.Magic.EyeOfMadness.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityVioletBuyPrice()'. In InfernumMode.Content.Items.Weapons.Magic.IllusionersReverie.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityVioletBuyPrice()'. In InfernumMode.Content.Items.Misc.HyperplaneMatrix.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityHotPinkBuyPrice()'. In InfernumMode.Content.Items.Accessories.CherishedSealocket.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityCyanBuyPrice()'. In InfernumMode.Content.Items.Accessories.FlowerOfTheOcean.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityCyanBuyPrice()'. In InfernumMode.Content.Items.Accessories.SakuraBloom.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityCyanBuyPrice()'. In InfernumMode.Content.Items.Misc.SakuraBud.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityBlueBuyPrice()'. In InfernumMode.Content.Items.Accessories.Purity.SetDefaults, Method not found: 'Int32 CalamityMod.Items.CalamityGlobalItem.get_RarityTurquoiseBuyPrice()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.Providence.ProvidenceBehaviorOverride.DoBehavior_DogmaLaserBursts, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.Providence.ProvidenceBehaviorOverride.DoBehavior_FinalPhaseRadianceBursts, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.ProfanedGuardians.DefenderGuardianBehaviorOverride.DoBehavior_DefenderYeetEffects, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.ProfanedGuardians.GuardianComboAttackManager.DoBehavior_SoloHealer, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.ProfanedGuardians.GuardianComboAttackManager.DoBehavior_SoloDefender, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.ProfanedGuardians.GuardianComboAttackManager.DoBehavior_HealerAndDefender, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.ProfanedGuardians.GuardianComboAttackManager.DoBehavior_LargeGeyserAndCharge, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.ProfanedGuardians.GuardianComboAttackManager.DoBehavior_SpearDashAndGroundSlam, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.ProfanedGuardians.GuardianComboAttackManager.DoBehavior_SpearSpinThrow, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.ProfanedGuardians.GuardianComboAttackManager.DoBehavior_BerdlySpears, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.ProfanedGuardians.GuardianComboAttackManager.DoBehavior_CrashRam, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.ProfanedGuardians.GuardianComboAttackManager.DoBehavior_FireballBulletHell, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.ProfanedGuardians.GuardianComboAttackManager.DoBehavior_RiftFireCharges, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.ProfanedGuardians.ProfanedRock.AI, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.ProfanedGuardians.ProfanedCirclingRock.AI, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.BrimstoneElemental.BrimstoneElementalBehaviorOverride.DoBehavior_CocoonBulletHell, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.BehaviorOverrides.BossAIs.AquaticScourge.AquaticScourgeHeadBehaviorOverride.ApplySulphuricPoisoningBoostToPlayersInArea, Field not found: 'CalamityMod.CalPlayer.CalamityPlayer.sulphurSet'. In InfernumMode.Content.BehaviorOverrides.AbyssAIs.GulperEelBehaviorOverride.PreAI, Method not found: 'Boolean CalamityMod.CalamityUtils.GiveIFrames(Terraria.Player, Int32, Int32, Boolean)'. In InfernumMode.Content.Projectiles.Melee.MyrindaelBonkProjectile.OnHitNPC, Method not found: 'Boolean CalamityMod.CalamityUtils.GiveIFrames(Terraria.Player, Int32, Int32, Boolean)'. In InfernumMode.Content.Projectiles.Melee.PunctusRock.DoBehavior_Aiming, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Content.Projectiles.Generic.ScreenShakeProj.AI, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Common.Graphics.ScreenEffects.ScreenEffectSystem.SetFlashEffect, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. In InfernumMode.Common.Graphics.ScreenEffects.ScreenEffectSystem.SetBlurEffect, Method not found: 'Single CalamityMod.CalamityConfig.get_ScreenshakePower()'. at Terraria.ModLoader.Core.AssemblyManager.JITAssembliesAsync(IEnumerable`1 assemblies, PreJITFilter filter, CancellationToken token) in tModLoader\Terraria\ModLoader\Core\AssemblyManager.cs:line 419 at Terraria.ModLoader.ModContent.JITModsAsync(CancellationToken token) in tModLoader\Terraria\ModLoader\ModContent.cs:line 384 at Terraria.ModLoader.ModContent.Load(CancellationToken token) in tModLoader\Terraria\ModLoader\ModContent.cs:line 311 at Terraria.ModLoader.ModLoader.Load(CancellationToken token) in tModLoader\Terraria\ModLoader\ModLoader.cs:line 132 [21:00:45.495] [Main Thread/DEBUG] [tML]: Process.Start (UseShellExecute = True): "tModLoader-Logs" 

All records in excellent condition, with most being spun only once. Shipping from California via media mail at $6 if you reside in the lower 48 United States. If located elsewhere and interested in a record, message me and we'll see what we can make happen.
All unsealed records are stored upright in 3 mil anti-static sleeves, and are VG+ quality at worst, most are NM. Photos available upon request.
African Head Charge – Churchical Chant Of The Iyabinghi - $17
Akasha System – Echo Earth Foam Green vinyl - $28
Akasha System - Geomind Orange vinyl - $28
Akasha System – Phytopia Sky-Blue Flecked Transparent vinyl - $20
Alessandro Cortini – Avanti - $55
Aliana – Universal Voyage - $25
Ana Roxanne – Because Of A Flower - $15
Andy Stott – Faith In Strangers Gold vinyl - $65
Andy Stott – Luxury Problems Violet vinyl - $65
Anthony Naples – Chameleon - $22
Anthony Naples – Fog FM - $30
Anthony Naples – orbs - $26
Aquarian – Mutations I: Death, Taxes & Hanger - $12
Awanto 3 – Pregnant / Star Butchers - $16
Basic Channel – Quadrant Dub - $24
Bicep – Bicep - $24
Bitchin Bajas – Bajascillators - $18
Caribou – Our Love Pink vinyl - SOLD
Caribou – Swim - SOLD
Cherushii – 3 EPs - $40
Cherushii – Queen Of Cups - $55
Daft Punk – Random Access Memories (10th Anniversary Edition) - SOLD
Daphni – Jiaolong - $65
Dauwd – Theory Of Colours - $55
Death Grips – Bottomless Pit Sealed, Yellow Translucent vinyl - $120
Death Grips – Government Plates Clear vinyl - $30
Death Grips – No Love Deep Web - $20
Death Grips – Year Of The Snitch Green translucent vinyl, alternate artwork - $75
Decisive Pink – Ticket To Fame Pink vinyl - $12
Depeche Mode – Strangelove - $8
DJ HMC – 6AM / Marauder - $12
Donato Dozzy – Donato Dozzy Plays Bee Mask Clear vinyl - $28
Dorisburg – Sinai Hypnosis - $20
Elkka – Harmonic Frequencies Sealed - $10
Eris Drew – Fluids Of Emotion - $10
Floating Points – Crush - $27
Foans – Selected Classics Blue vinyl - $15
Forest Drive West – Recursion EP - $18
Four Tet – Morning / Evening - $30
Four Tet – There Is Love In You (Expanded Edition) & Remixes - $27
Francis Bebey – African Electronic Music 1975-1982 - $22
Francis Bebey – Psychedelic Sanza 1982 - 1984 - $24
Function – Existenz - $20
Gesloten Cirkel – Untitled - $9
Gigi Masin – Calypso - $22
Gigi Masin – Wind - $22
Golden Teacher – No Luscious Life - $15
Huerco S. – Colonial Patterns White vinyl - $28
Huerco S. – For Those Of You Who Have Never (And Also Those Who Have) Green vinyl - $55
Interstellar Funk – Caves Of Steel - $33
John Tejada – Parabolas - $40
Josh Wink aka Winx - Don't Laugh Yellow vinyl - $14
Joy Orbison – Pinky Ring - $12
Joy Orbison – Still Slipping Vol. 1 - $15
Jupiter Jax – Visions - $5
Khotin – Beautiful You Red Transparent vinyl - $18
Khotin – Finds You Well Transparent Purple vinyl - $18
Kuniyuki Takahashi – Walking In The Naked City - $50
Laurence Guy – Saw You For The First Time - $90
Levon Vincent / Steffi – Panorama Bar 02 Part II - $20
Loleatta Holloway – Can't Let You Go Purple vinyl - $70
MOON – Moon EP - $22
Matthew Herbert – I Hadn't Known (I Only Heard) / So Now... - $33
Melchior Productions Ltd – Closer - $14
Metro Area – Metro Area 15th Anniversary Edition - $36
Moodymann – Forevernevermore Purple vinyl - $50
Mount Kimbie – WXAXRXP Session - $20
Nicolas Jaar – Space Is Only Noise Clear (Crystal) vinyl - $50
The Other People Place Ft. Mystic Tribe A.I. – Sunday Night Live At The Laptop Cafe - $16
Pet Shop Boys – West End Girls - $6
Ricardo Villalobos – Alcachofa - $40
Ricardo Villalobos – Any Ideas - $22
Ricardo Villalobos - Luna - $10
Ricardo Villalobos – Thé Au Harem D'Archimède - $50
Ron Trent Presents Warm – What Do The Stars Say To You White vinyl - $24
Ross From Friends – Tread Clear vinyl - SOLD
Round Two – New Day - $12
Satoshi & Makoto – CZ-5000 Sounds & Sequences - $22
Satoshi & Makoto – CZ-5000 Sounds & Sequences Vol. II - $22
Shanti Celeste – Tangerine - $20
Shinichi Atobe – Butterfly Effect - $33
Shinichi Atobe – Heat Purple vinyl - $33
Shinichi Atobe – Love Of Plastic - $28
Skee Mask – ISS007 - SOLD
STL – At Disconnected Moments - $10
Sun Araw – Beach Head No covegeneric cover - $28
Sun Araw – On Patrol 1st pressing - $50
Sylvester – Mighty Real (Greatest Dance Hits) Pink vinyl - $22
The Other People Place Ft. Mystic Tribe A.I. – Sunday Night Live At The Laptop Cafe - $10
Todd Terje – It's Album Time - SOLD
TX Connect / CT Trax – DABJ Allstars Vol.1 - $8
Ulla – Limitless Frame - $24
Upsammy – Another Place - $34
Various – Fair EP - $18
Various – Ghostly Swim 3 Marbled vinyl - $10
Various – Mono No Aware Orange vinyl - $36
Various – Outro Tempo (Electronic And Contemporary Music From Brazil 1978-1992) - $26
Various – Permanent Vacation X (10 Years Label Anniversary) - $33
Wata Igarashi & Voiski Present WAV – 9719 EP - $30
Wax – No. 20002 - $14
William Basinski – Melancholia - $25
Yazoo – Situation - $5
Young Marco – Untitled - $10
Yu Su – Roll With The Punches - $16

it's generic for prometrium - progesterone 100 mg capsule
it's a little yellow football shaped soft cap with P-3 written on it
I hear the suppository is similar but I thought it was round
I just don't want to stick it up there and it doesn't dissolve LOL
i poked a hole in it and there is a white cream
it smells like dead fish (WHY DOES IT SMELL THIS WAY)

Well, the list is here. And even though "Utah Powder" does pay homage to our state's vibrant cocaine culture, it's probably a no-go. As stated elsewhere, many of these names sound like Gatorades or (Utah Blast) decaffeinated Mountain Dew flavors. And yet, there are some options I'd be happy with. Without further ado:
1. Utah Mammoth
This has been #1 for me ever since I saw a black/light blue mockup that looked incredible. To predict your predictable response, in my view the singular form "Mammoth" has two things going for it: first, the -ths at the end of "Mammoths" requires a lot more verbal dexterity. It's kind of a mouthful. And second, "Mammoth" is also an adjective meaning enormous, colossal, which kicks ass.
2. Utah Black Diamonds
Hockey is replete with multi-word team names, many of which begin with colors: the Golden Knights, the Blue Jackets, the Blackhawks, the Red Wings...why not us? For those who don't know, a Black Diamond is the hardest difficulty of ski run. This is an incredibly unique name that celebrates our unique state, and it lends itself to some pretty intimidating branding schemes. My suggestion would be black, purple, and copper.
3. Utah Outlaws
Yeah, it's a little generic, but it sort of rhymes! While the first two are my strong preferences, I'd have no complaints here. I think this old-west nickname lends itself to a sunset color palette - think those super-popular gradient Jazz jerseys from a couple years ago, or the Phoenix Suns.
4. Utah Swarm
Last, and also least. This nickname, which admittedly sounds like it belongs in the WNBA or some minor lacrosse league, has a couple things going for it. First, it's a clear tie to our identity as the Beehive State and, if we get a new stadium, "The Hive" would be an obvious and kick-ass name for it. Also, the word "Swarm" seems to describe a fast-paced hockey team's movements pretty accurately to me. Here, of course, is where Ryan's stupid yellow/black obsession would actually make some sense.

1. Leonard Cohen - Songs of Leonard Cohen (1968) A [3 listens B/A-/A] not really a "Rock" album, but it's one of those albums that constantly caught my eye, plus 60s albums are getting hard to come by. His writing is otherworldly. Fully lived experiences and age with every character in these songs. I would hate to live in his mind, as it seems so damn complex and very overanalytical on every single human interaction. If Bob Dylan is a storyteller, he is a painter; the level of complexity in all of these characters and people are so detailed. Similar to Blood on the Tracks, a lot of the songs are about romance and past relationships, however unlike that album, it isn't as heartbroken and shows a lot of value towards those experiences; even if they're all difficult to move past. Great album and that is enhanced by close, focused deep dives into these lyrics.
2. Yes: i. The Yes Album (1971) A++ [6 listens A+/A++/A+/A+/A++/A++] Close to the Edge is still one of the most Epic-like songs in Rock history, so I was thinking it was going to be pretty hard to top that, and it turns out, they already did lol. CttE is a great song, but the rest of the album is merely ok, whereas Venture is the only weak song. Everything else is MAGNIFICENT!! Move over harmonica, the organ is officially the most underrated instrument now. EVERY climax of each song is immaculate, the guitar and keyboards are always on point, the singing has never been better! Nothing could ever match what CttE is, but they started off with making a more consistent album throughout instead of only in one song. All timer. ii. Fragile (1971) A- [3 listens A-/A-/A-] first time I actually felt like I got Rick Roll'd by an album, as I didn't realize that the song from that meme was from Roundabout lol. The song is great and is even better the longer it develops. However, it does fall apart as the album gets deeper, particularly in the second side. I read on the recording of this album and saw that the individual members worked on separate tracks as they were being rushed and it really shows, as there are very understated and disconnected from everything else next to them. It becomes very noticeable when a song like Roundabout literally kicks off the tracklist and you have to follow it. Now, I can see the path on their way to how CttE is formatted, as it's just 3 "Roundabouts" in a row. Good listen, but very unbalanced.
3. ZZ Top - Tres Hombres (1973) A++ [6 listens B/B++/A-/A+/A+/A++] I listened to Eliminator and thought it was kinda meh and someone suggested to listen to this, as this is their "signature sound". Thank God I did, because this is probably my favorite Blues Rock album I've heard so far. The choruses are solid and aren't straying too far from the standard Blues layout, but it's the drumming, guitar licks and the solos that won me. That drum lick on the opening of La Grange is so damn sweet. Hell Raiser's solo is so amazing. The guitar riff on Master of Sparks is so catchy. The guitar & bass interplay on Shiek and Precious and Grace are amazing. Honestly, even though the song structures aren't that unique, they did the absolute best with what they had. But if I'm being honest, the 3 additional live tracks at the end put it over the edge for me. The energy is palpable.
4. Joni Mitchell: i. Court and Spark (1974) A [3 listens A/A/A] been awhile since I listened to Joni Mitchell's Blue, but I still catch myself randomly humming verses from My Old Man and Carey, so she's managed to find a place to hide out in the corners of my brain. It's a more jovial Mitchell and a forward looking project, instead of her sulking in her life experiences. A "recollection" of memories with her stories, with how scattered the writing flows. My favorite songs are Help Me, Free Man in Paris, Just Like This Train, Raised On Robbery. Nice album, she's starting to flirt with Jazz, but not as risky as what would come after. Also, Twisted needs to be cut from this album tho; such an odd fit. ii. The Hissing of Summer Lawns (1975) A [3 listens A/A+/A] she's completely single and ready to mingle now with this one; in terms of the music. Playing off the cover art, its sound likes she's taking a stroll through the park, meeting strangers with different instruments and styles, stopping to sit in the grass or dance around with someone and moving on to the next person. This feels more unplanned compared to the others, which helps it create a separate identity from the rest of her work. I do think the songs struggle in the first half, but the second side are much stronger. Shades of Scarlett, Harry's House, The Boho Dance and the title track are my favorites. Also, the music and the combination of instruments on display is way more enthralling than the lyrics and her signature storytelling. It's very good, but there's definitely more complete albums she's made. iii. Hejira (1976) A+ [3 listens B/B++/A+/A+] For some reason, early on this is the album that hit the wall for me, as I i kinda got tired of her not really changing her vocal cadence that much in the first 2 listens. After getting pass that, it's hard not to respect her. I still don't think this album does much too advance her music on a stylistic level, as the previous two have, but fuck, she's so damn great at writing. Furry Sings the Blues, Refuge of the Road, A Strange Boy... just such amazing storytelling in those alone. Also, Song for Sharon is possibly my favorite Joni Mitchell song now; just perfection. Had that slow, casual feel reminiscent of Blue that is rare to come across. I honestly hate albums like this, "growers", as even now, I feel like if I listen to this a few more times, I'd come to admire it more.
5. Iggy Pop: i. The Idiot (1977) A+ [5 listens A-/A/A/A+/A+] I've gone through all of the Stooges albums and now it's time for Iggy Pop's solo material. Both of these were made along side Bowie's Berlin Trilogy and as the producer, his fingerprints are all over it. The desolate guitars ringing, while a very uncommonly low energy Iggy sings over it all. If the first half of Low could be called a trial run for New Wave music, then this album is the trial run for Post Punk. Also, the album art perfectly matches the tone of the album: a blue/black picture in the cold, mysterious darkness of night... with a clueless Iggy just along for the ride lol. This has his signature deadpan style, but none of the Garage Rock energy he's knows for, which imo makes this effort a more respectable leap then he may think. I read he really doesn't "claim" this album, as he sees it as more for a Bowie project, but this album is definitely made better with his inclusion. Yes, the music is the biggest part, but idk if you could just replace Bowie on any of these songs and it'd be instantly better. ii. Lust of Life (1977) B [3 listens B-/B+/B] Wow, the album where he put his "foot down" and went in on making an album that HE wanted, is of course the one I left unimpressed by. Not that it's bad, but it's just a Stooges album with, again, not of that high octane energy. Success and The Passenger are phenomenal songs, but everything else is just your by "the numbers" Rock n Roll standards with an updated Garage spirit than anything as inventive at The Idiot.
6. Warren Zevon - Excitable Boy (1978) B+ [2 listens B+/B+] Genuinely can't remember how he got on my list or even remember if anyone even recommended him. But this is considered his "best album" and plus, outside of Elton John, I haven't really explored many Rock that centers around the Piano. It's a fun album, albeit very crude and satirical at times, it managed to balance it out well. Outside the double take lyrics, none of these songs are too special. I like the nice piano jingle of Werewolves of London and the title track is an interesting song. However, the last few songs tanked it. Okay listen; not everybody is an "album artist", as the singles were the best parts.
7. Wire: i. Chairs Missing (1978) A [4 listens B++/A/A/A] Wire! Pink Flag has managed to become an all time favorite since discovering it and honestly wasn't aware that they actually had other albums just as critically praised as it. As a 2nd album, it comes off very odd, but with hindsight of what follows it, it's easy to see that it's just stuck between two worlds: the world of "Proto"-Post Punk and the extended end of the "concept" of Post Punk. None of their music really feels like "Post Punk" as they never seem to conform to any genre sound. Where Pink Flag feels like a group of teens making Punk with a solid background in music, they weren't out to be "experimental" with the music. Here the Hardcore edge is removed, which allows their artistry to become more visible, but they're moving away from this subversion. Mercy, Practice Makes Perfect, I Am the Fly, Marooned, Outdoor Minor are the good ones. It's still very ahead of its time and still ahead of the curb. ii. 154 (1979) A++ [6 listens A-/A+/A++/A++/A++/A++] sometimes you have to let the thing you want go in order to fully accept the possibility that something can be better. I still desire a Pink Flag 2, but I'll be a fool to dismiss how amazing this is. The extremely eeriely brooding and atmospheric environment is pushing the limits of what Post Punk should even be. A song like Other Window creepy as fuck, due to Graham Lewis' increased vocal role, adding SO much to this tone. Touching Display is how every droning guitar should be used; deep, whole notes and if it was made in the 90s, it'll be my favorite Post Rock song outside of Slint. This is Avant-Post Punk essentially; carving out a deep future path for Gothic Rock to eventually go down. Also, SYNCOPATED RHYTHMS!! There are many bands to do it (often Pop bands), but none do it better with a heavy and Punk sound as they do. Also, compared to Pink Flag, there's SO little fat on here; so yes, it's definitely their best album. The ONLY flaw is the ending sequencing of it... Map should've been the closer and it would be PERFECT. / Colin Newman - A-Z (1980) A [4 listens B++/B/A+/A] Colin Newman's solo project and the "unofficial 4th Wire album" as many of the songs were written while the band was together. And it is obvious the time frame when, as it's more of a 154 Part 2 with how very unattached it is to being "Post Punk". However, similar to Chairs Missing, it's an unfocused album with so many great ideas. This is probably where I'd say it's too experimental, as some of these songs are just too intentionally eccentric. To be frank, I think he's trying too hard to be "weird" to match that energy of 154, but the weirdness was from the tone and how desolate the energy was. Whereas here, the energy is completely up and down and the oddness is in the erratic style than it's ambiance. This one probably has more moments and songs that I love more, but this makes Chairs Missing appear more concise lol. Still very good if you're a Wire fan, even if you can still sense that it's not really a true "Wire" project.
8. Siouxsie and the Banshees: i. Kaleidoscope (1980) B+ [3 listens A/A-/B+] with a different lineup this time around, interested to see how they will develop their sound going into the 80s. And it's kinda as I expected: more diverse instruments, more grooves with in the basslines and leaning on the singing to lead the direction. As the songs go on, they (specifically Siouxsie Sioux) lose their energy. Side 2 has all the best songs, while the first is lacking. Solid listen, but feels they overdid it when they should've kept it simple like on Scream. I respect the attempt and was probably a needed change due to how fast Post Punk was developing, but it could've been done more succinctly. ii. Juju (1981) A+ [2 listens A/A+] Well shit, it's like they already knew my criticisms lol. Finally dynamic songs! Partially why Bauhaus has become my favorite Post Punk/Gothic band, is that the song's layout and rhythms changes throughout a single song and doesn't remain static. Sioux is an all timer in presence, but not so much with singing imo, so she's used so much better as she's highlighted spottingly, particularly in crescendoing over the music. Also, this is heavy as hell; Monitor sounds like a SOAD track... Damn! Honestly, I thought this was going to be a repeat of Kaleidoscope, but man did they knock it out of the park. Fine tuned what they did and allowed themselves to amplify it without losing their identity completely.
9. Bathory: i. Self-Titled (1984) B++ [3 listens B++/B++/B++] the first "official" Black Metal album or EP given its length. Not only are the song structures primitive, but the mixing is as well. I think it works for what it is; something completely new. Even they didn't know what they were doing and it feels that way. The bassline is what seals the deal, as it keeps things very grounded. And the guitar is... well, it lays down the foundation of what Black Metal will become; for better or for worse. The production is really holding this back; it's very poorly mixed. The frayed sound of the guitars looses a lot of edge, which admittedly does make it an easier listen, but so much of its power is lost. Reaper, Raise the Dead, Necromancy, guitar solo on Sacrifice are the highlights. ii. Under the Sign of the Black Mark (1987) A+ [4 listens A+/A/A+/A+] I really love this album. Woman of Dark Desires, Massacre, 13 Candles, Enter the Eternal Fire, with that AWESOME guitar solo in the middle! This is the perfect step up, sound quality included. More songs with distinct identities, loved the pacing throughout and a very "easy" listen (i.e. no overly chaotic guitar solos). That's usually my main critique with most Extreme Metal albums is that songs tend to run into one another and there's very little differences between them all. The riffs are different, the tempo is different and the drumming is changed up on every song. Great album! But similar to all of their other stuff, I just wish it was longer. iii. Blood Fire Death (1988) A [3 listens A/A+/A] Another great album, but it's not a consistent as UtSotBM. I enjoyed the acoustic sections (that would later influence viking metal) which raises it up some points. It was an unexpected skill I didn't think they were capable of. However, this album is one that's trying to be two things: it does one really well and just "sorta" touches on the other one. It would've been great to see a better balance between these terrific Black Metal sections and these Viking Metal acoustic ones, giving equal time to each. I hope they would find a better balance in a future album, but I'm only listening to these 3. All were good listens and held up much better for pioneers of a genre.
10. The Pogues - Rum, Sodomy & the Lash (1985) A [4 listens A+/A/A/A] a long awaited listen after seeing so much about this. It doesn't really come off as "Punk" but as legit, Irish/Celtic shanties. The novelty wears off after a few listens though. It's very genuine in its execution and doesn't come off as gimmicky at all. It's very 2 note: uptempo or slow wailing songs. Waltzing Matilda and I'm a Man You Don't Meet Everyday are by far the best songs here, with Dirty Old Town, Wild Cats and Sally MacLennane in that 2nd tier below. Really good and takes itself very serious.
11. Butthole Surfers - Locust Abortion Technician (1987) C+ [2 listens B-/C+] speaking of talking itself seriously.... here's the complete opposite. It's very VERY hard to actually get into this as it's just absurdist for absurdism sake as most of it is just so empty. There are a few sparks of musical inspirations that show they are capable of something more serious, but they seem to enjoy being nonsensical over making compelling music. It doesn't necessarily have to be serious satire or just cut and dry (I love Ween), but there has to be a point to this madness or else it just comes off as simply... madness.
12. Queensryche - Operation: Mindcrime (1988) A+ [2 listens A/A+] Sounds like a "Heavy" Hair Metal band. The story is simply "okay" and that's being nice, as this was way over hyped, that I expected something like a To Pimp a Butterfly of themes and stories intersecting. This is like a Hair Metal version of the Wall. It feels more like a musical than a concept album with a linear story, which loses stream after Breaking the Silence. It is very melodramatic especially in the second half, but it was the 80s... However, it has Spreading the Disease so all of that is a wash; we don't got guys hitting high notes like that anymore, which you gotta admit Hair Metal nailed that with perfection. A++ music but A concept, so right in the middle.
13. Coroner: i. No More Color (1989) A- [3 listens A+/A/A-] first non big 4 Thrash. I don't know how popular they were beyond Europe, but they were pioneers in the Technical Thrash Metal (sometimes called Prog Thrash). The main issue is that all the songs run into one another, without any significant parts to either of them. They set their songs around the guitar solos (which can be unmemorable at best and very messy at worse), which furthers mushes everything together. This is why I tend to value pacing in music, especially in Heavy Metal. There's plenty of good riffs to be found, but you have to sludge your way to find them. ii. Mental Vortex (1991) A+ [2 listens A+/A+] great follow-up. The guitar is still leading every song, but it's not fully taking control over the identity of every one. The drumming and the shifts in the music (similar to Metallica's 80s work) better distinguishes each track, making every phrase more dynamic. It's pretty good, but admittedly the She's So Heavy cover puts it just over to be an A+; better than the original because its fully realized metal and ends 30 seconds sooner :p
14. Swervedriver - Mezcal Head (1993) A++ [4 listens A++/A++/A++/A++] a Grunge album in Shoegaze clothing. The music is very unassuming with its generic 90s vocals, but that's how that Shoegaze sound sneaks up on you. The reverb on every guitar note constantly adds texture to every moment, almost drowning you with its heaviness. And THEN, that's when the vocals start to shine; like warm light of a log cabin in the middle of a heavy, blinding blizzard. Also, Duress is up there along side Venus in Furs as those all timers I know I'll forever be listening to for decades to come. Phenomenal album, highly recommend! ii. Raise (1991) A- [2 listens A/A-] literally decided to listen to this days before finishing up as I didn't know this album was also a landmark in Shoegaze (maybe moreso than MH). This is the album shows that less discussed bridge from Noise Rock to Shoegaze, as so many places only consider Shoegaze as a direct evolution of Dream Pop. This is a true Alternate Rock sound, with heavy guitar distortion; but not to the extent to what Shoegaze is really known as. This is closer to Dinosaur Jr or Sonic Youth than MBV or Slowdive. That aside, its pretty good for a debut. The melodies aren't as great as MH, but a few songs like Son of Mustang Ford, Sandblasted and Sunset were great foundation points of what would follow. Wouldn't say it's a must listen, but it's a good entry.
15. Kyruss - Welcome to Sky Valley (1994) A [3 listens A-/A/A] Josh Homme from his original band and the "birth" of the Desert Rock genre. Solid album, I like the atmosphere it creates as a laid back, background album. Complete opposite of QQTSA in where it's like wandering down a barren "desert", instead of a isolated highway listening to a radio station. It works. Nothing here will jump out at you, but it's very clear that that's not the intent with it. Idk if I'd say it's a must listen, as I can see it being called uneventful. But it's a good listen if you want some background music with some grit to it.
16. Swans - Soundtracks for the Blind (1996) A+ [2 listens A+/A+] the last Swans I'm going to listen to as I didn't care much for To Be Kind, so I imagine I'm not gonna like any of their other stuff. This is in a different direction, where it doesn't even seem to be "music" at times. This makes GY!BE appear accessible in comparison. This is like flicking through the channels on a TV in this weird, strange motel in the middle of nowhere. A lot of dull, drawn out moments that actually work this time around, as it helps paint a better scene of this eldritch-like world it's in. If it had more of those spontaneous, random fully formed tracks, I'll love it more, however their sporadic appearances make them more special when they're coming out of nowhere. This is rare project where I feel that more listens would lower my love for it, as that unpredictability of it is its greatest strength.
17. Duster - Stratosphere (1998) A [3 listens A/A/A] VERY lofi with its low quality mixing. It's the pacing of Shoegaze without the distortion and the blasé attitude of Slacker Rock without the traditional song structure, to a point where it's closest to Post Rock but still has that character of your favorite 90s Indie Rock band (I'm also lost as well). RYM calls it Slowcore, which I find kinda cool. This is like if depression was an album; all the ebbs and flows of your mood slowly dropping, staying at a low point, that occasional optimism and right back into that shallow pit of somber, where you managed to make a somewhat cozy cottage due to you being there for so many times. Slowest part of a Built to Spill album, with a budget of $18 for production, bring a singer with possible self-esteem issues and tell them to make a 50 min lullaby to get a shoegaze-loving kid to sleep. I'm all out of metaphors.
18. Gustavo Cerati - Bocanada (1999) A+ [3 listens A+/A+/A+] another album I can't quite remember how it got on my list, but Trip Hop is another one of those genres that outside of Massive Attack and Portishead that I have very little experience with. Even though the lyrics are in a foreign language, it didn't hurt the overall experience of the album (it have may limited it being better though). Melancholy in his voice and the music, contrasting with the Trip Hop style. Tabu, Rio Babel, and Pasco Immoral are the ones that I recommend checking out if the runtime can be off-putting to some; but it's well worth the journey. Wonderful album that I'm glad I came across.
19. Immolation - Close to a World Below (2000) A [4 listens A+/A/A/A] Better than most Death Metal. Love that the vocalist is slow with his pace (he was great!), along with a solid and steady guitar riffs. I really dislike that drum sound (banging on the toms), but that's a hurdle it feels like you have to overcome to really get into the genre itself. Any of the first 4 songs and Lost Passion are worth checking out.
20. The White Stripes - White Blood Cells (2001) B+ [3 listens B++/B++/B+] I get why they're labeled Blues Rock. Maybe I didn't notice it before, but he sings like John Lennon, where he constantly on that upper octave (which is well out of their ranges) and they crack notes a lot. It's charming to a certain degree, but I don't think it really works with this heavy style. My biggest issue with it is that it's doing multiple things at once, instead of separately. The loud songs are too understated, as Union or Offend should be a bigger, hard, fast paced songs but instead have slow sections. They have this heavy guitar for no reason. We're going to Be Friends and This Protector being tender songs, when it's full acoustic and has a consistent theme, further adds to the lack of uniformity. Also, songs rarely change/switch up, which normally isn't that big of a issue, but when they're all 3+ minutes long, they all drag on. I know what a "perfect version" sounds like from them, so a lot of missteps feel more obvious than if it was blind to me, but I'm not super invested in this album, even with the number of listens.
21. Muse: i. Absolution (2003) A++ [5 listens A++/A+/A++/A++/A++] what if Radiohead chose to stay in 1997? What is it with these Post BritPop bands with incredible sophomore releases? Similarly to Coldplay, I didn't care much for Origin of Symmetry and had low expectations going into this. I don't know if I'm being too generous as only about 3 or 4 of these songs are really strong, however none are what I'd consider skips. This album is so damn tight in its tracklist. Some of the best collections of hooks and bridges ever. The singing isn't always on point, but the way they nail down the perfect formula for every song overshadows most of their faults in not being too special in any particular category. ii. Black Holes and Revelations (2006) A++ [3 listens A/A++/A++] Back to back bangers?! This one is probably my favorite, especially with how strong the second half of the album is. All the songs are great, but aren't straight retreads of what Absolution brought with the varied added instruments. Again, nothing they're doing is otherworldly, but they execute the structures of all of the songs so perfectly, that you tend to ignore the mediocrity of the band members' skills individually. They're the sum of their parts; heavily carried by their collaboration with the songwriting. These two albums are BARLEY A++ though... so if I give these two A++s, then I'm going to retroactively make Ok Computer a "Masterpiece", because it doesn't sit right with me with them being on the same level. Great pair of albums; y'all sleeping on Muse?
22. My Chemical Romance - Three Cheers for Sweet Revenge (2004) B+ [3 listens B+/B++/B+] okay, this is emo, like legit emo pop. TBP had a bigger theatrical element infused in its identity, whereas this has all of its personality in its lyrics. And the lyrics are very... tbh cringe. Songs go in too long; great choruses and lyrics, but having the same structure over and over is too repetitive for me to really get into it. It's very melodramatic, particularly in the singing, which at least does make it a compelling listen. I just wish the music followed suit as well. He is also too frantic in his performance, where on TBP it is limited to a few songs. Maybe this is the line where it is too raw.
23. Joanna Newsom: i. YS (2006) B- [2 listen A-/B-] DENSE AS FUCK. Makes Bob Dylan look like an haiku writer. Each song is a storybook, that requires heavy attention. Music itself is not too impressive outside its complexity in the instrumentation. This non-stop, continuous nature of her singing is the major turn off. To a point where it's very hard to follow any story she's trying to paint and the entire thing feels tiring. I do like the harp playing and the orchestral spurts that brighten phrases, but that's the only positive I can come up with. Big disappointment and kinda soured me on her going forward. However, I decided on a whim to give her one more try and.... ii. The Milk Eyed Mender (2004) Masterpiece [3 listens A++/MP/MP] being majorly disappointed with YS, I decided to try her more stripped down Debut before completely writing her off, as the albums following YS are very long listens. And it turns out I actually enjoy this much more; matter of fact, I can't find any flaws within it: ZERO. Yes, her voice is even more of a sore thumb when most of the attention is on it (those harmonies on Peach Plum and Pear sound like Nightmare Fuel tbh). But if I can call Blonde on Blonde a perfect album, I can give a pass to her voice. Her flow in the songs are SOOO much better, that it makes YS looks even worse in that department. The harp playing isn't grand, but subdued in line with her wandering through each song; ebbing and flowing along with her energy in each track. Her cadence and timbre in how she sings is second to none her.
24. The Beach Boys: Brian Wilson Presents Smile (2005) A- [2 listens A/A-] most of my thoughts on in the Sessions review, as his worned voice hampered the album. I will say this imo would've bombed in 1967; baroque ballads, no rock lol. It would've kicked started Progressive Rock about 5 years sooner, but it wouldn't have made such a huge splash considering the trend all of music was already headed in at that point. This feels more like a live album / The Smile Sessions (2011) A++ [5 listens A/A/A+/A+/A++] BWPS felt like a monkey Brian needed to finally get off his back. A personal album made by Brian himself, whereas BWPS kinda feels like the "gift" to the world that SMiLE was promised as. This still has that youthful, tender energy of creation, where it's unabashedly open with its oddities. Kind of like how Beach Boys Today! was a left turn in their careers, this would've been that for Pet Sounds. BWPS was trying to meet SMiLE's high expectations; this is more honest. The harmonies are so warm, with the perfect blend of pathos. There's more playful instruments in the background that make the whole thing feel more playful. A few of the mixes aren't done well - "Wistful" is the best way to describe this project. Good vibrations finally "fits" inside an album; we can all die in peace now. It's too baroque to be really accessible and too Prog to have real standout hit singles. But as a confined experience, BY FAR the best the Beach Boys have made... or uhm would've made.
25. Sweet Trip - You Will Never Know Why (2009) A++ [4 listens A-/A++/MP/A++] ...I wish I didn't look up the background of this band before I listened to this. I went into Velocity Design and Comfort fully blind and while it's not the exact style I'm personally into, it's still so unique in what it brought, that I still think of it fondly. That is until I learned about one of the band members. The thing people don't understand about the "separate the art from the artist" thing is that is isn't because of a sense of "morally superiority", it's that every time I listen or consume the art.... I can't NOT think of them and what happened. I enjoyed this album a lot, but most of my time listening, my mind was clearly distracted. I was dying for them to go fully into the Electronic-Jangle Pop space they only would briefly explore on VDC. Valerie Cooper's singing is still SO awe inspiring and freezes you in time, easily the greatest part of the music. The only flaw is that it has only a handful of jingles that really grip me. Also, no entire song pulls me in the whole run, it's only really the chorus and occasionally the transitions between tracks (which are outstanding btw) which was also an issue with the VDC. If it was also a tad bit heavier in certain moments, that would've helped me overlook a lot of this minor flaws. Phenomenal album and perfect follow up, but it's gonna take some time before I can revisit this, as it's hard to mentally disassociate the individual from the music while it's so fresh in my mind.
Bonus Albums: (shorter reviews)
• Yellow Magic Orchestra - Solid State Survivor (1979) A [3 listens B/A/A] colorful and joyful. Sounds like this was the singular inspiration of every Nintendo soundtrack from the 80s and 90s lol. Liked the slow parts, but the bouncy songs are very fun to listen to. Low stakes but still aged wonderfully.
• Gary Numen - The Pleasure Principal (1979) B [2 listens B+/B] futuristic, yet undefined. Weird vocal style is kinda weird, not everyone can pull it off like David Byrne or Devo. Isn't jovial enough like YMO nor is breaking any new ground with the layout like Kraftwerk to compensate for its simplicity. Cars was a nice surprise tho.
• Orchestral Manoeuvres in the Dark - Architecture and Morality (1981) A- [3 listens B++/A-/A-] finally a legit "Pop" singer. Synths are used as an aesthetic and not a crutch, now starting to feel like a more modern (or 80s I guess) style. Joan of Arc and Souvenir are my favorites. Good, but nothing too incredible.
• Tears for Fears - Songs from the Big Chair (1985) A++ [2 listens A++/A++] holy hell, way way better than I expected it would be. I knew the two popular songs, but they were more denser and bigger than I assumed they were. The production here is so lush and wide, immediately obvious they were very "familiar" with the technology by then. I will be adding more of their albums for more detailed reviews on a future list. (Prob the Hurting and Seeds)