I have played alot of roguelites, but I always like seeing if there's any more hidden gems out there I should look at getting.
I'll start, I have 2.
Roundguard: Takes a bit of inspiration from something like peglin, while putting a very fun "game show" style (similar to dicey dungeons) take on the whole thing. It's honestly incredibly addicting and fun. All the classes play very differently, and there's enough variety between each run to make it very replayable, and something that is very easy to jump in and out of.
Unexplored: I will start off by saying that this game is a roguelite technically, but runs are a lot longer form then most so I debated not bringing it up. However, I truly believe this is one of the most well hidden gems I have ever played. I think it is CRIMINAL that I don't see ANYBODY talk about this game. Fantastic procedural generation, some of the best of its kind, I love how they incorporate rpg elements such as crafting, and enchanting. It's the type of game where it might turn a lot of people off based on the graphics, but if you do decide to dive in you will be absolutely hooked! (Also a very challenging game through and through, so for those that love a challenge this is a no brainer)
EDIT: I also wanna give a big shout also to Poker Quest, got it recently and It is one of the more addicting roguelites I've played in a while. Its a another amazing take on a poker style roguelite, it combines elements from poker, dicey dungeons, and a map like slay the spire to be one of the most replayable, and fun deck builders that I have ever played.

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Paris sportifs en ligne
Les paris sportifs en ligne sont devenus de plus en plus populaires ces dernières années, offrant aux amateurs de sport une nouvelle façon de suivre leurs équipes et joueurs préférés tout en ajoutant une dose d'excitation supplémentaire. Paris sportifs en ligne permettent aux parieurs de placer des mises sur une variété de sports, allant du football au tennis en passant par le basketball et bien plus encore.
Les plateformes de paris sportifs en ligne offrent une grande diversité d'événements sportifs sur lesquels parier, ainsi que des options de paris variées telles que les paris simples, combinés ou en direct. Les parieurs peuvent suivre en temps réel le déroulement des matchs et ajuster leurs paris en conséquence, ce qui ajoute un élément interactif à l'expérience de jeu.
Il est important pour les parieurs de choisir des sites de paris sportifs en ligne fiables et sécurisés, afin de protéger leurs données personnelles et financières. Ils devraient également se fixer un budget et parier de manière responsable, en évitant de tomber dans l'excès.
En conclusion, les paris sportifs en ligne offrent une manière amusante et interactive de soutenir ses équipes préférées tout en ayant la possibilité de remporter des gains. Il est essentiel de parier de manière responsable et de profiter de cette expérience de jeu de manière consciente.
Cotes et pronostics
Les cotes et les pronostics sont des éléments clés dans le monde des paris sportifs. Les cotes représentent la probabilité qu'un événement se produise lors d'une rencontre sportive, et les pronostics sont des prévisions sur le déroulement d'un match ou d'une compétition.
Les cotes sont généralement exprimées sous forme décimale, fractionnelle ou américaine. Elles permettent aux parieurs de connaître le potentiel gain en cas de mise victorieuse. Plus une cote est élevée, plus les bookmakers estiment que l'événement est improbable. Les pronostiqueurs analysent les performances passées, les statistiques et les facteurs influençant le déroulement d'une rencontre pour donner des conseils avisés aux parieurs.
Il est essentiel de comprendre les cotes et les pronostics avant de se lancer dans les paris sportifs. Il est recommandé de diversifier ses sources d'informations et de consulter plusieurs pronostiqueurs pour se faire une idée précise de l'événement à venir. La prudence et la modération sont de rigueur pour éviter les risques de pertes financières importantes.
En résumé, les cotes et les pronostics sont des outils indispensables pour les parieurs souhaitant optimiser leurs chances de gains. Une analyse minutieuse et une gestion efficace de son capital sont les clés d'une expérience de paris sportifs réussie. Il est important de parier de manière responsable et de ne jamais miser plus que ce que l'on peut se permettre de perdre.
Bonus de bienvenue
Les bonus de bienvenue sont des offres promotionnelles proposées par les sites de jeux en ligne, les plateformes de trading, les casinos en ligne et d'autres entreprises pour attirer de nouveaux clients. Ces bonus constituent un avantage supplémentaire offert aux utilisateurs lors de leur inscription ou premier dépôt.
Les bonus de bienvenue peuvent prendre différentes formes, telles que des bonus de dépôt, des tours gratuits, des crédits bonus, des remises en argent ou d'autres incitations spéciales. Ces offres sont souvent soumises à des conditions qui doivent être remplies avant de pouvoir retirer les gains associés.
Il est important pour les utilisateurs de lire attentivement les termes et conditions des bonus de bienvenue afin de comprendre les exigences de mise, les restrictions de jeu et les dates d'expiration éventuelles. En suivant ces règles, les joueurs peuvent optimiser l'utilisation de leur bonus et maximiser leurs chances de gagner.
Les bonus de bienvenue sont un moyen attrayant pour les entreprises de fidéliser leur clientèle et de créer une expérience positive pour les nouveaux utilisateurs. Cependant, il est essentiel de jouer de manière responsable et de ne pas être trop impulsif en raison de ces offres alléchantes.
Mises en direct
Les mises en direct sont une forme passionnante de divertissement en ligne qui permet aux joueurs de parier sur des événements en temps réel. Que ce soit lors de matchs de football, de courses de chevaux ou d'événements sportifs majeurs, les mises en direct offrent une expérience immersive et interactive aux parieurs.
Ce type de pari permet aux joueurs de suivre l'évolution d'un événement en direct et d'ajuster leurs mises en fonction des changements de situation. Cela ajoute un niveau d'excitation supplémentaire, car les parieurs peuvent réagir instantanément aux rebondissements de l'événement.
Les mises en direct offrent également une variété d'options de paris, allant des simples pronostics sur le résultat final aux paris plus complexes sur des éléments spécifiques de l'événement. Les cotes évoluent en temps réel en fonction des performances des participants, offrant aux parieurs la possibilité de maximiser leurs gains en prenant des décisions éclairées.
Pour profiter pleinement des mises en direct, il est essentiel de suivre attentivement l'événement, d'analyser les tendances et de prendre des décisions rapides. C'est un moyen idéal pour les amateurs de paris sportifs de vivre une expérience palpitante et de tester leurs connaissances et leur intuition en temps réel.
En conclusion, les mises en direct offrent une expérience de pari unique qui combine l'excitation du jeu en ligne avec l'authenticité et la dynamique des événements sportifs en direct. Que vous soyez un parieur occasionnel ou un passionné de sports, les mises en direct sont une option à ne pas manquer pour pimenter vos sessions de jeu en ligne.
Jeux de casino en ligne
Les jeux de casino en ligne sont devenus de plus en plus populaires ces dernières années. Accessibles à tout moment et depuis n'importe quel endroit, ces jeux offrent une expérience de jeu unique et divertissante pour les amateurs de sensations fortes.
Les casinos en ligne proposent une grande variété de jeux, allant des machines à sous aux jeux de table en passant par le vidéo poker. Chaque joueur peut trouver son jeu préféré et profiter d'innombrables heures de divertissement.
En plus de l'aspect ludique, les jeux de casino en ligne offrent également la possibilité de gagner de l'argent réel. Que ce soit en jouant à la roulette, au blackjack ou au poker, les joueurs ont la chance de remporter des gains conséquents et de vivre des moments palpitants.
Il est important de jouer de manière responsable et de se fixer des limites afin de profiter pleinement de l'expérience de jeu en ligne. De nombreux casinos proposent des outils permettant de contrôler ses dépenses et de s'assurer que le jeu reste un loisir agréable.
En résumé, les jeux de casino en ligne sont une excellente alternative pour les passionnés de jeux d'argent qui souhaitent profiter de l'excitation des casinos depuis chez eux. N'attendez plus pour tenter votre chance et découvrir l'univers fascinant des jeux de casino en ligne !

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Types de paris sportifs
Les paris sportifs sont une forme de divertissement populaire qui permet aux amateurs de sport de mettre à l'épreuve leur connaissance et leur intuition en misant sur les résultats des événements sportifs. Il existe différents types de paris sportifs offerts par les bookmakers, adaptés aux préférences et aux différents niveaux d'expérience des parieurs.
Le type de pari le plus courant est le pari simple, où le parieur mise sur le résultat d'un seul événement sportif. Ce type de pari est simple et direct, idéal pour les débutants. Ensuite, il y a le pari combiné, où le parieur mise sur plusieurs événements sportifs et doit remporter tous les paris pour gagner. Ce type de pari offre des gains potentiellement plus élevés, mais comporte également un risque plus important.
Les parieurs plus expérimentés peuvent opter pour des paris plus complexes, tels que les paris systèmes ou les handicaps. Les paris systèmes offrent plus de flexibilité en permettant au parieur de combiner différents paris simples en un seul ticket, tandis que les handicaps sont basés sur des points d'avance ou de retard pour équilibrer les chances entre les équipes.
Enfin, les amateurs de sensations fortes peuvent se tourner vers les paris en direct, où les parieurs peuvent placer leurs mises en temps réel pendant le déroulement de l'événement sportif. Cette forme de parier apporte une dose d'adrénaline supplémentaire et demande une réactivité accrue de la part des parieurs.
Que vous soyez un parieur débutant ou expérimenté, il est essentiel de bien comprendre les différents types de paris sportifs disponibles pour choisir celui qui correspond le mieux à vos préférences et à votre niveau de confort. Bonne chance et pariez de manière responsable !
Cotes et probabilités de gains
Les cotes et les probabilités de gains sont des concepts essentiels à comprendre pour ceux qui s'adonnent aux jeux de hasard et aux paris. Les cotes représentent les chances de succès d'un événement et sont souvent exprimées sous forme de fractions, de décimales ou de pourcentages. Plus les cotes sont basses, plus les chances de gagner sont grandes, mais les gains potentiels sont moindres. À l'inverse, des cotes plus élevées indiquent des chances plus faibles de gagner, mais offrent des gains plus importants en cas de victoire.
Les probabilités de gains quant à elles expriment mathématiquement les chances de succès d'un joueur. Elles sont calculées en fonction du nombre de résultats possibles et du nombre de résultats favorables à la victoire. Comprendre les probabilités de gains permet aux joueurs de prendre des décisions éclairées lorsqu'ils placent des paris.
Il est important de noter que les cotes et les probabilités de gains ne garantissent en aucun cas le succès lors des jeux de hasard. Ils sont simplement des indicateurs permettant d'estimer les risques et les gains potentiels associés à une mise. Il est donc essentiel de jouer de manière responsable et de ne jamais parier plus que ce que l'on peut se permettre de perdre.
En conclusion, les cotes et les probabilités de gains sont des outils précieux pour évaluer les risques et les gains potentiels lors des jeux de hasard. En les comprenant correctement, les joueurs peuvent prendre des décisions plus éclairées et profiter pleinement de l'expérience de jeu tout en minimisant les pertes éventuelles.
Conseils de pronostics
Les conseils de pronostics sont essentiels pour ceux qui s'intéressent aux paris sportifs. Que vous soyez un débutant ou un parieur expérimenté, il est important de suivre quelques recommandations pour augmenter vos chances de succès.
Tout d'abord, il est crucial de faire des recherches approfondies avant de placer un pari. Analysez les statistiques des équipes ou des joueurs concernés, les performances récentes, l'historique des confrontations, les conditions météorologiques, les absences éventuelles, etc. Plus vous serez informé, plus vous serez en mesure de prendre des décisions éclairées.
Ensuite, fixez-vous un budget et respectez-le. Les paris peuvent être addictifs, il est donc important de ne pas risquer plus que ce que vous pouvez vous permettre de perdre. Établissez une stratégie de gestion de votre capital pour éviter les mauvaises surprises.
De plus, diversifiez vos paris pour maximiser vos chances de gains. Ne misez pas toujours sur les mêmes équipes ou types de paris. Explorez différentes options et restez ouvert aux opportunités qui se présentent.
Enfin, gardez à l'esprit que les paris sportifs sont basés sur le hasard et qu'il est impossible de prédire avec certitude l'issue d'un match. Restez modéré dans vos attentes et ne misez pas de grosses sommes sur des paris risqués.
En suivant ces conseils de pronostics, vous pourrez profiter pleinement de l'excitation des paris sportifs tout en minimisant les risques financiers. Bonne chance et que la meilleure équipe gagne !
Plateformes de paris en ligne
Les plateformes de paris en ligne sont devenues de plus en plus populaires auprès des joueurs du monde entier. Ces plateformes offrent une variété de jeux de hasard, tels que les paris sportifs, les casinos en ligne, le poker et bien d'autres encore, accessibles directement depuis un ordinateur ou un appareil mobile.
Les parieurs peuvent trouver une multitude d'options de paris sur ces plateformes, avec des cotes attractives et des bonus alléchants pour attirer de nouveaux joueurs. Les paris sportifs sont parmi les jeux les plus populaires, permettant aux utilisateurs de placer des paris sur une grande variété de sports, des compétitions locales aux événements internationaux majeurs.
Les casinos en ligne offrent également une expérience de jeu immersive, avec une large sélection de jeux de table, de machines à sous et même de jeux en direct avec de vrais croupiers. Les amateurs de poker peuvent également trouver des tournois excitants et des parties en ligne contre d'autres joueurs du monde entier.
Il est essentiel pour les joueurs de choisir des plateformes de paris en ligne réputées et réglementées, offrant un environnement de jeu sécurisé et équitable. Il est recommandé de consulter les avis des autres joueurs et de vérifier les licences et certifications des plateformes avant de s'inscrire.
En conclusion, les plateformes de paris en ligne offrent une manière pratique et excitante de profiter de jeux de hasard variés depuis chez soi. Avec une offre diversifiée de jeux et de possibilités de gain, ces plateformes continueront certainement à attirer de nouveaux adeptes à l'avenir.
Gestion de bankroll
La gestion de bankroll est un concept essentiel pour tout joueur de casino ou de paris en ligne. Il s'agit de la gestion rigoureuse de votre budget de jeu afin de maximiser vos chances de gain et de limiter vos pertes. Une bonne gestion de bankroll vous permettra de jouer de manière responsable et durable, en évitant les risques de pertes imprévues qui pourraient compromettre votre expérience de jeu.
Il est crucial de fixer un budget de jeu avant de commencer à jouer et de s'y tenir. Cela implique de déterminer la somme d'argent que vous êtes prêt à dépenser pour vos sessions de jeu et de ne pas la dépasser, même en cas de pertes. En divisant votre budget en unités plus petites, vous pourrez mieux contrôler vos mises et éviter de tout perdre en une seule session.
Il est également important de choisir des jeux qui correspondent à votre budget et à votre niveau de confort. Ne misez pas plus que ce que vous pouvez vous permettre de perdre et ne tentez pas de récupérer vos pertes en misant des sommes plus importantes. Restez discipliné et gardez à l'esprit que le jeu doit rester un divertissement, pas un moyen de gagner de l'argent facile.
En appliquant une gestion de bankroll efficace, vous pourrez profiter pleinement de vos sessions de jeu en ligne en minimisant les risques de pertes financières. Soyez prudent, responsable et profitez du divertissement offert par les jeux de casino en ligne en toute sérénité.

I wasn't planning on watching Thrice Upon A Time. I had not liked the previous films and they seemed like a very inferior product compared to the original anime. However, the good reviews and opinions I saw about it encouraged me to do so. I did it with as open and tolerant a mind as possible, knowing that there was a good chance I wouldn't like the film. "What's the worst that could happen? That I don't like it and continue to prefer the original series? At least I'll be entertained for two and a half hours," I thought. What I did not expect at all is the deep feeling of disgust and repulsion that this film provoked in me, in a way that no other film has provoked in years.
I hated the movie from start to finish. I could spend hours talking about the boring action sequences, about its ugly, excessive CGI that ruins the already ugly mecha, about its disgusting hypersexualization of fucking 14-year-old girls, about how Misato's plans don't make sense, about how Last Kiss almost made me tear my ears off, or its plot full of Deus Ex Machinas with concepts conveniently taken by Hideaki Anno from the place that his last name suggests; but the real reason I'm writing this is because I feel like these movies spit on everything the excellent original work represents.
Not only because as adaptations they fail miserably, but also because they retroactively damage the original work (we'll talk about that later).
Before I begin to explain why the rebuilds are bad adaptations, I want to warn that I am going to do a relatively exhaustive review of the 4 films, so this rant is going to be very long, like staying up late on a winter night with chronic insomnia. That said, let's start to see the reasons:
WHAT IS NEON GENESIS EVANGELION?:
To understand why rebuilds fail as remakes, I must first ask you, dear reader: What does Neon Genesis Evangelion mean to you? (it should at least be familiar to you, unless you've spent your life under a bridge) What do you think about when you read that title, apart from Shinji fucking in front of a comatose Asuka? What comes to mind when you hear the most famous opening in anime history, apart from Shinji strangling the otter against Happy Thursday's throat? (in more ways than one). If your answer is: "It's a mecha anime for emos with a coomer protagonist", that's fine, I respect that; but please press the red "X" in the top right corner of your screen, you can now leave.
Now, I'm going to get serious and explain my definition: Evangelion is a work about the hedgehog's dilemma and the difficulties of forming emotional bonds that human beings have, as well as the consequences of trying to separate from them for fear of rejection. It is not a story about heroes. It's not a story about saving the world. In Evangelion there are neither heroes nor villains, but rather a group of emotionally broken characters trying to be happy in a world just as broken as them. The real enemy of Evangelion is not the angels. It is the lack of communication and empathy.
https://es.wikipedia.org/wiki/Dilema_del_erizo
It is that same lack of communication and empathy that progressively causes everything to go to hell to conclude with a cathartic and bleak ending, but consistent with the themes of the work. It is therefore an existentialist work about human relationships disguised as a mecha anime. This, added to a unique visual style, daring direction, and mechas like never before seen on television, made Evangelion one of the most influential anime in all of history, as well as a true commercial success for Gainax Studio. Success that encouraged other studios to carry out projects such as Cowboy Bebop or Serial Experiment Lain, taking anime towards a new golden age.
Even today you can hear the echoes of that Third Impact of End of Evangelion in 1997. The list of works influenced by Evangelion both inside and outside of Japan is endless. Of course, it is not a perfect work, nor extensive in errors: its target audience is ambiguous, many of the biblical references are more for decoration than anything else, and several aspects of the ending(s) could have been explained better. However, many of these errors can be attributed to a lack of time and budget during the production of the original anime (which was quite chaotic and improvised); therefore, they are understandable and forgivable.
In summary, we can conclude that Evangelion is a dark, introspective, provocative and unique work (at least at its time). This is also combined with a unique visual identity and complex characters whose relationships intertwine and interconnect throughout the work. The sum of all these factors is what led Evangelion to be such a critically acclaimed work that it transcended its own genre and became an icon of popular culture. And this in turn constitutes the biggest mistake of rebuilds; because they commit the biggest sin that an adaptation can commit: denying everything that made the original work great.
ADAPTING WITHOUT A CLEAR PURPOSE:
One of the biggest problems with these remakes (as well as a clear example of what I'm saying) is their total narrative inconsistency. Let me explain: the first rebuilds movie (1.11) is a literal copy-paste of the first 6 chapters of the original anime, with practically the same scenes, dialogues and even music. This makes the film completely redundant and unnecessary (and makes one wonder why it exists); But in any case, the message is being conveyed that the purpose of these remakes is to adapt the original series as faithfully as possible to the cinema with a current animation style.
However, the second movie (2.22) is a... something. A pastiche of new and old things where the plot broadly follows that of the original anime, but with many things changed (of course, for the worse) and a different ending. All this compressing no less than 14 chapters of the original anime into two and a half hours. Here the message that one can infer is that it seeks to adapt the original story (very briefly) by changing and rearranging certain elements, now more in line with what an adaptation is.
However, then we get to 3.33 and... well, after a 14-year because reasons timeskip, we're now in a post-post-apocalyptic world (repetition intended) where ex-Nerv members fight against Nerv itself. Nerv in giant spaceships, there are mechas everywhere, Misato is a sociopath, and Shinji and Asuka still look exactly the same because "DAMN JEBA." Here we can infer that what is sought is to create a totally new story and take it in different directions than the original. The following movie (3.0+1.01) is the only one that is consistent with this purpose.
Whether all these narrative pirouettes were planned in advance or not (clearly not), we can see that there is a clear incongruity between what is intended to be done and what is finally done. All of this generates a strong narrative chaos where the elements and themes of the original anime are mixed with the new ones, creating a total inconsistency. Since also in 3.0+1.01 it is revealed (unfortunately to me) that everything is part of the same universe and this is not really a remake, the excuse of "they are different universes, they don't have to be the same" doesn't work either.
In fact, one thing that you will see me comment a lot throughout this article is the lack of narrative consistency of these remakes, especially in comparison to the original work.
A HEDGEHOG WITHOUT TICKS:
No character in Evangelion better embodies the central theme of the work than Shinji Ikari, its own protagonist. Shinji is not a hero: he is not brave. He is not a genius. He is not charismatic. He is not selfless. He doesn't want to save the world. His reason for piloting the Eva is to gain recognition and appreciation from others; especially from his father, whom he hates, but at the same time admires; He feels that she despises him, but he also wants (and needs) that she loves him. Shinji spends the entire series in the dilemma between escaping from what hurts him (classic avoidance behavior) or accepting it and moving on, even at the risk of being hurt again.
This theme is rock solid throughout the entire original series: from the first to the last chapter of the anime, and from minute one to the very end of End of Evangelion. Even the opening itself makes several visual references to Shinji's hedgehog dilemma. This can make Shinji an infuriating character for audiences accustomed to typical anime protagonists; but it's those same things that make Shinji such a unique and special character. He deconstructs and subverts the hero's journey. And it's not as if this hinders the plot: Shinji is not proactive, but he also does not spend the series crying, as many often claim.
https://files.catbox.moe/eolho0.mp4
https://es.wikipedia.org/wiki/Monomito
And as you may already be imagining, the Shinji of the rebuilds does not have a hedgehog's dilemma. Or rather, he has it, but only during the first movie (copy-paste of the original anime) and part of the second. This is a problem, because it creates a strong narrative inconsistency (again) where it seems that two Shinjis exist at the same time or that this one is bipolar. As of 3.33, Shinji's entire character arc is based on trying to redeem himself for his past mistakes first by unleashing "Almost Third Impact" (what a stupid name) and subsequently preventing Kaworu's death while trying to right said mistake.
Is this a bad thing? Not necessarily. The problem is that I have already seen the arc of the hero who fails to eventually rise up and succeed in 100 trillion works, while the hedgehog's dilemma in none more than in Evangelion (at least in my case). Which makes Shinji a much less interesting character. Some might argue that in 3.0 + 1.01 Shinji does have such a dilemma because he spends half the movie crawling on the ground; but there is not a hedgehog's dilemma, but rather depression for having seen Kaworu's head go KAWOOM (I know, the joke was very bad, but if he didn't do it, I would explode too).
End of Evangelion's Shinji did have such a dilemma because the reason for his depression was having been manipulated and used by someone he had previously opened up to and then forced to kill him, not for failing in his mission (in fact, he was very efficient in her mission to separate Kaworu's head from her body), which in turn brings sexual (and later, deadly) results for Asuka. I insist: narrative consistency. But this is not the worst: the worst thing is that at certain moments in these films, Shinji becomes the typical shonen savior hero, betraying the central point of his character in the original series.
https://youtu.be/E-x-f2OrWeA
A perfect example of this is the ending of 2.22, where the fight in chapter 19 (COINCENTLY from where the original anime starts to get more introspective) is transformed into a ridiculous shipping attempt, with Rei turned into a damsel in distress and Shinji into a savior hero while spouting all the typical cliché lines, topped off with a disgustingly cheesy ending. But of course, how could it end otherwise? With Shinji's Eva practicing cannibalism on Zeruel's corpse (the original scene)? Too disturbing for current times. Shinji and Rei fighting as a team to defeat him? Yes of course. Rei has enough not being in the kitchen. Besides, Asuka already takes care of that, hoping to receive her alpha male's cock as a reward.
https://youtu.be/TPS0Uk0TkP0
Because, like any good modern anime protagonist, Shinji now has a harem.
FETISHING WITHOUT CONTROL:
Of all the characters who are now part of Shinji's harem, the one who is most harmed by this is Rei (Asuka's case is different, and the other character is an infernal creation from Anno's sick mind). Not only because acting like a bitch in heat goes totally against her personality and because of the murky situation, considering that she is a clone of Shinji's mother, but also because her character is reduced to a mere fetish object that does things cute to produce tenderness in the viewer and make coomers buy their figurines.
Rei is an interesting character because he raises numerous existential questions based on the ship of Theseus paradox: the concept of identity, to what extent we can consider ourselves still ourselves, the construction and definition of a "self", etc. But here, her screen time piloting her Unit 00 is minimal (COINCENTLY most of it in 1.11) and her exploits are practically irrelevant or non-existent, also being reduced to a mere damsel in distress at the end of 2.22, as I said before.
https://es.wikipedia.org/wiki/Paradoja_de_Teseo
In 3.0+1.01 he doesn't even get to pilot an Eva. Her role in the film is to cause pity and produce tenderness with her total ignorance (I see that the idiot Anno forgot that all the Reis are born with basic knowledge) while she is seen with different hairstyles, different outfits, working as a farmer, taking care of a baby, etc. In short, a fetish object where she wants the public to value her for how "moe" she is instead of for her abilities or as a character. In Anno's mind, feminism advances in reverse. Ironic, considering that it was precisely Rei who unintentionally started the moe culture.
Of course, it goes without saying that Rei is not the only one who suffers from this extreme fetishization of her character in these films. Under the excuse of paying homage to End of Evangelion, Asuka now always wears an eye patch (needless to say it has nothing to do with having been injured there), a cap with cat ears, in addition to having a very convenient trend for the coomer public of walking naked and semi-naked through other people's houses. She sometimes puts on the plugsuit, but near the end of the movie, it is conveniently torn off, lest we forget that this is made by the Japanese.
One of the best examples of how this hareminication has destroyed the main female characters is in the elevator scene. In the original anime, Rei tries to advise Asuka in a time of particular vulnerability and depression. Rei's limited social skills, coupled with Asuka being Asuka, cause her to misinterpret the attempt to help as mockery and an act of condescension, triggering a slap from her towards Rei and a worsening of her already strained relationship and Asuka's mental state. Rei doesn't fight back because she knows that doing so would only make things even worse.
It is an excellent dramatic scene because it once again brings to the foreground the hedgehog's dilemma and the difficulties between human relationships, very much in line with what Evangelion is. In 2.22, this scene is gratuitously introduced and turned into two horny bitches fighting over which of the two will let their alpha male penetrate first, with a highly OC Rei stopping the assault attempt in a 100% gangsta way to make her see more "cool." The scene doesn't even make plot sense, because Asuka at that moment is not even depressed, and in the original anime this occurs at a much later time under a very different context.
and speaking of asuka...
SOMEONE CALLED ASUKA:
When I started watching these movies, I was afraid that Asuka's character had undergone modifications to make her more "palatable" to new audiences. What took me completely by surprise was how radically different this Asuka is from the original. So different that they can't even be considered the same character. To show it very clearly, we are going to review the personality of both:
Asuka from the original anime: An energetic and outgoing half-German, half-Japanese girl (actually it's 1/4, but who cares) who loves to be the center of attention and have everyone praise her due to the lack of parental love received during her childhood having been abandoned by her father and supplanted by her mother, who suffered from severe mental disorders. She is extremely proud and competitive because she feels that being Eva's pilot is the only thing that gives her an identity and purpose, which makes her tend to become quickly frustrated when things don't go her way and become defensive when she feels like she is being outmaneuvered. . He loves to make fun of others (especially Shinji), to the point of being cruel at times, but he does not do it out of malice, but rather to compensate for his enormous inferiority complex due to the rejection suffered by his mother and having witnessed her. committed suicide (and possibly even tried to kill her) the day she was chosen as Eva's pilot and came running to wish her a Happy Thursday. She admires Kaji and wants to fuck him because she hates her own adolescence, she needs to feel adult and independent due to suffering from a certain Electra complex for having lacked a true father figure during her childhood. She has a sweet and vulnerable nature, but she rarely expresses it to anyone except her best friend Hikari and I better stop this now because too much text.
Rebuild Asuka (hereinafter "Asuka"): A girl soldier created by Nerv as part of a series of clones who has always been alone and thinks she doesn't need anyone, although she secretly wishes to have a family. She hits and insults others for no reason, she yells a lot, never smiles or makes jokes, and hates socializing with others, which doesn't stop her from looking for Shinji's dick within 2 days of meeting him. She always plays video games while someone is talking to her and at night she talks to herself with a doll like an autistic person.
As we can see, these two characters not only look nothing alike: several of their traits directly contradict each other. Because they look alike, they are not even alike in aesthetics: the original Asuka had red hair and dressed in the traditional feminine way, while "Asuka" is light brown and dresses in a tomboy style (which I'm not saying is wrong, I'm just commenting to show the radical difference). It's not that they have changed Asuka: it's that they have directly murdered her to supplant her by someone with whom she only shares her first name (not even her last name). And needless to say, the change has been VERY for the worse.
To describe the first character, I had to spend 15 damn lines, and even then I had to leave out many important facets of his personality, his development in the original series and his entire character arc in EoE, because if I didn't have one endless bible For the second, 6 lines were enough for me, and I could have had more left over if I had been more concise. The first character is a complex and three-dimensional character, with multiple facets, edges and layers. She feels like a real person. The second character is a generic tsundere that you can find in any mecha anime of the week. She is not even comparable to the first; She's not even a good character.
We cannot speak of Flanderization because not even the most basic traits of the character have been respected. Nor can we speak of a deconstruction because that same absence of basic traits means that there is no character construction on which to stand in the first place. Obviously, this change greatly resents the interactions between characters: the original Asuka was a charismatic and fun character with the ability to drive the plot on her own (as soon as she appears in chapter 8 of the original anime she is already changing the entire dynamic between characters) , while "Asuka" is mostly only in the background or to fight; He doesn't even have a character arc as such. In fact, in 2.22 he has even less screen time than several supporting characters.
His chemistry with Shinji is also non-existent (and I'm not just referring to the romantic level) and they barely have any development together. They like each other here because... ehhhh... she likes how he cooks and he thinks she's hot? It's not that the AsuShinji (or ShinSuka, or whatever the hell it's called) here is forced: it's just that it doesn't even make sense. The only reason people still ship them together is because they did it in the 90s. Yūko Miyamura's performance also feels very lackadaisical and lacks passion, which is quite unlike her. Although perhaps this is intentional, since her character always talks as if she has the spear of Longinus permanently stuck up her rectum. In fact, the few times she says her iconic "Anta baka?" This one feels very forced, in addition to not having her characteristic high-pitched tone.
In short, the character has suffered the same fetishization as Rei (gamer girl, tomboy, one-eyed, etc.), but also with the aggravating factor that not even her basic characteristics have been respected here. This is especially disconcerting when we take into account that the rest of the characters have their original personalities more or less intact (albeit simplified). Even more disconcerting if we take into account that Asuka is possibly the most popular character in all of Evangelion, and even more so if we consider that she is Anno's favorite character (in fact, the initial idea was for Asuka to be the protagonist).
https://evaresources.wordpress.com/der-mond/
Given this, the inevitable question arises: "Why?" What was the point of turning Asuka into an inferior and tsundere copy of Rei, even more so when there are already three clones? It has always been rumored that Asuka is not popular in Japan, but that is completely false. The only semi-rational explanation I can think of is that they did it to please the haters. It's no secret that a portion within the Evangelion fandom (and outside of it) hates Asuka with a passion. They see her as someone toxic and cruel who dedicates herself to screwing others for no reason, without understanding that you don't have to like a well-written character.
https://imgur.com/a/KznXE1x
What these people fail to understand is that Asuka's verbal abuse is a defense mechanism to avoid opening up to others, since Asuka constantly says things that do not fit with what she really feels or thinks (clear proof is chapter 16 from the original series). It's not like it matters much, considering they were never more than an extremely vocal minority. That the character is so popular is proof of this. The great irony of all this is that the new "Asuka" is a much more unpleasant and detestable character than the original, since she lacks the redeemable qualities of the original and her moments of comic relief.
And if until now I have been more or less benevolent with this remake, this is something I cannot forgive: because changing a character just because a group of people doesn't like it is one of the most cowardly and pathetic acts in the world. that a writer can fall. The fact that this was also at the expense of one of the best female characters in the history of anime and with a wonderful story arc makes it even more bloody. Any other halfway competent writer would have responded with this.
https://youtu.be/5Js0ea6yPKM
...although if we go by Ockham's razor, the most likely explanation is simply that Hideaki Anno is mentally retarded.
A CHARACTER TO DESTROY A FRANCHISE AND BIND IT TO DARKNESS:
Mari Makinami Illustrious A.K.A María Iskariote (what an appropriate last name) is one of the worst creations ever made by humans. Not since the atomic bombs has humanity created something so horrible. Worse than the holocaust. Worse than fascism. Worse than Facebook memes. Worse than stepping on a lego. I would even dare to say that it is worse than pizza with pineapple. No character better reflects Anno's mental decline or better embodies all the problems of the current anime industry than this trash.
This character contributes absolutely nothing to the plot, he does not contribute at any time to its advancement, he lacks his own development or story, he does absolutely nothing relevant in the 3 films in which he appears, and he does not even have a defined personality. So much so, that all of her scenes could be eliminated or replaced by any other character and she would barely affect the plot, or not affect it at all.
The character is so frighteningly one-dimensional that she doesn't even show different emotions or moods during the three films in which she appears, always being perpetually happy and carefree even in tense situations for literally no reason. This leads to moments as surreal as her starting to sing and hum in scenes that are intended to be serious or dramatic (or so I think; perhaps what they wanted was to turn this into an unintentional comedy), again generating a gigantic narrative dissonance. The last third of 3.33 is the best example of this.
But that's not the worst: this character is clearly made for otaku coomers to masturbate to. She has almost every fetish possible: glasses/lenses (whatever they call it in your country), pigtails, miniskirt, schoolgirl, saying "nya", big tits, obsession with smell and tight outfits, etc. To make matters worse in 3.0 + 1.01 we discover that she is 48 years old, so we can also add the milf fetish. Evidently, her tits always bounce in her plugsuit (she would swear that never happened in the original series) and there are many close-ups of her ass. In addition to constantly making sexual advances towards Shinji, which also turns this piece of shit into a potential pedophile.
If the thing simply ended there, we could say that this character remains a mere annoying and unnecessary secondary character. Unfortunately, the character is also disruptive to the plot, occupying long filler scenes that do nothing more than waste time that is already scarce in a film, and that could have been used on something else more interesting; like Pen Pen watching TV, Pen Pen eating a sardine, etc. Without going any further, both 2.22, 3.33 and 3.0+1.01 begin with a long filler scene of her hitting on her. Well, to be honest, the 3.33 one is more Asuka, but this abortion is still out there fucking and singing.
It would not be an exaggeration to say that discussing why this character exists is much more interesting than any other debate that can be created about these films. I still think about it. However, the ending of 3.0+1.01 gives a good clue: the character was created solely and exclusively to stay with Shinji. I can only imagine that Anno made this tired of the fandom shipping and the arguments over who Shinji should stay with, so he decided to end the matter by creating his own ideal waifu with all the fetishes he likes in a woman to end it. with this. It's disgusting, but considering we're talking about a Japanese, totally possible.
It's surreal coming from the man who harshly criticized the use of anime as escapism and the excessive female objectification and sexualization in it, but it's the only semi-decent explanation I can think of. Basically, he is what is called a mascot character in literature. That would explain why this character never shows doubts, nor any kind of internal conflict, or why he is a better Eva pilot than Asuka and Rei themselves. It is also very revealing about the quality of the Rebuilds: creating a self-insert OC just to be the partner of the protagonist or another main character is the quintessential trait of all bad fanfiction.
However, among all this tsunami of disqualifications, I also have to say something positive: spending three movies giving hope to the shippers only to have Shinji be cuckolded simultaneously by Rei and Asuka in the last one and end up with a character with which had zero development (before 3.0+1.01 I didn't even know its name) is a true trolling masterclass, worthy of the best of ball pumpers. Only a true emperor of evil would have come up with such a twisted and at the same time perfect way to screw over a large part of the fandom. I give you my tens, Anno.
THE ANTI-UNIVERSE OF ANTI-NARRATIVE:
Of all the new concepts that Anno brings up at the last minute from the place named after his last name, none stands out more than the "anti-universe." Or, as I like to call it, the "anti-good writing." Basically because it perfectly represents all the problems of the rebuilds and their script. In the final stretch of 3.0+1.01 we have the last-minute revelation of a quantum plane of existence capable of turning imagined worlds into reality and changing this through Lilith, which cannot be understood by the human mind (wow, WHAT CONVENIENT!) and whose existence has never been mentioned or even hinted at in the entire franchise until CONCIDENTLY the aforementioned last third of the film.
In other words, a gigantic Deus Ex Machina created in an improvised way to avoid repeating End of Evangelion and forcing a happy ending where Shinji creates an ideal universe for each character (although that is questionable, as we will see later). And it is far from being the only one: the spear of Cassius, the Eva of Infinity, the key of Nebuchadnezzar, the Book of Life, and so on. None of these concepts are integrated into the plot in an organic and natural way, but rather they arise spontaneously at its convenience when it needs it. Except for the new "Super Berserker Mode" of the Evas, which is simply a power-up to sell figurines.
As I said before, if at least this were an alternate universe separate from the original anime, all this bombardment of concepts pulled out of the ass would be a little better justified. But the revelation that everything is a cycle and we are in the same universe as the original work only makes it even worse, generating countless inconsistencies about why they never mentioned this or never used that (what's the point of the seeds of life If you can create universes simply by imagining them?). Although without a doubt, the worst of all these new concepts is "the curse of Eve."
Here we have a new concept with very strong repercussions completely launched, which is not even an explanation in itself, it does not answer anything and to make matters worse, the same films contradict each other several times. Needless to say, this is a cheap excuse for the three main characters not to grow up and continue sexualizing 14-year-old girls after the most gratuitous timeskip ever seen. And speaking of timeskip, putting such a long one in the middle of the story is a first-time writing error. If you are writers, never do that: the bigger the time jump, the more things you will be forced to explain, since the less you do it, the more plot holes will form as a result.
And of course, here it explains little to nothing of what happened these 14 years. Like where Nerv got such a tremendous base from, if in 3.33 it seemed that together with Rei and Kaworu it was made up of four people. Or how they have gotten such an army of pseudo-Evas, especially when these are supposed to be extremely expensive (wow, and SEELE with all her unlimited resources was barely 9 in EoE). Or worse yet, how Kaji managed to stop Almost Third Impact (seriously, the name couldn't be stupider). None of these questions are answered at any time. Obviously because they can't do it.
Evangelion has always been characterized by leaving things up to the public's interpretation, but here I feel that they are vilely taking advantage of it so as not to have to give any kind of explanations. And in the case at hand, do not even pay attention to contradictions. Like Touji and Kensuke got on Unit 01 and that doesn't stop them from being 28 after the timeskip. Or that Mari appears to be 14 despite looking like an adult in Gendo's photos and flashbacks, plus the fact that Evas, by simple logic, could not exist back then.
The height of absurdity is when near the end of 3.0+1.01 the "unexpected" revelation occurs (actually we all saw it coming) that everything is a cycle and we are facing a reboot of the original timeline, of which only Kaworu seems to be conscious. He let them guess without giving them any clues how many times Kaworu mentioned or even hinted at such a thing in the original series. Needless to say, nothing is ever explained about it: Who created that cycle? (Adam? Lilith? The First Ancestral Race? Hideaki Anno's last name?) For what purpose? How does it work? How long does it last? Why is Kaworu the only one who remembers him? Do these remakes make sense?
THE DEATH OF A STYLE:
Fortress-cities folding in on themselves. Designs and constructions oscillating between the nineties, the utopian and the cyberpunk. Meshes of flesh and blood animated with the souls of the dead fighting with classical music in the background. A mysterious and ambiguous lore where aliens, technology and conspiracies mix with gnostic, cabalistic elements and the most esoteric aspects of Christianity (did the History Channel predict Evangelion?). Minimalist posters moving quickly between frames. Monochrome backgrounds flashing aggressively (bad luck if you were epileptic). So consistent with its themes that the A.T. fields themselves. They were an allegory of the hedgehog's dilemma (I'm not making this up, Kaworu himself says it in chapter 23).
https://imgur.com/a/2M0eDVK
The sum of all these factors is what allowed Evangelion to build an absolutely unique identity, the one that allowed people to say "hey, that's an Eva!". Starting in 3.33, all that is lost to disappear in 3.0+1.01 in favor of giant spaceships, mechanical mechas made of pure CGI, battles full of colored lights, multiverses and time loops. I'm not saying these elements are bad in and of themselves, but I've already seen a thousand mecha stories with these. For that, I start watching any of the versions of Gundam or Macross. I could also complain about the boring shots without audiovisual language and always using the same color palette, but to be fair, that is an endemic evil of current anime.
And like any bad remake, 3.0+1.01 can't help but pay homage to several scenes from the original work, completely failing to understand the point of said scenes. As an example, we have Ritsuko shooting Gendo for no reason other than to pay homage to End of Evangelion, ignoring that the context between both scenes is very different. Furthermore, here they never explain the relationship that exists between the two, so the scene makes no sense; especially for those who never saw the original series, who will also find mentions of facts that these films have never shown or bothered to explain.
Even worse is when they try to pay homage to the iconic battle between Asuka and the Eva Series. Not only because of the total absence of the graphic violence and choreography of the original, but because what makes that fight so remembered is its emotional component, since it is preceded by a narrative catharsis in which Asuka discovers that the Her mother's soul was always in Unit 02, in addition to being marked by the constant tension of knowing if she will be able to finish the fight before the Eva's energy supply runs out. Here the Evas never run out of energy (why do they need the power supply, then?), so there is no such tension.
In the original fight Asuka may not be shooting 1387945 Evas with a super cannon larger than her as she falls through an... interdimensional hole?; But there you feel every blow, you can appreciate every movement in detail, and the dramatic tension in crescendo only improves the result. If this were a shonen, the logical thing is that Asuka would win. After all, her character arc has been wrapped up in a climactic way. Unfortunately, this is Evangelion. When the Evas Series manage to cause a mortal wound with the pseudo-spear of Longinus and the energy counter reads zero, the outcome is already decided. What happens next is horrific (Asuka's enemies are cruel to her even after she is dead), and just as horrifying are Yūko Miyamura's screams and Miki Nagasawa's performance as Maya announcing that Asuka is dead. In the Rebuilds there are no performances anywhere near that level.
End of Evangelion will be as dark and uncomfortable to watch as you want, but it is a film where all those responsible put their souls into achieving the best possible result, both on a technical and artistic level.
and well, I think that for today I have already downloaded too much, an apology for the large amount of text, I will make a second part at another time because I have so many things to comment on... anyway, I hope you have a good day/afternoon/night or when you read this .

https://www.google.com/maps/d/viewer?mid=164xSm3dAuPEWvBPrASER3FJCp8gnwwQ&ll=42.45871356680026%2C-103.44456741220282&z=5
I don't think this has been done yet, apologies if I'm wrong about that.
This is a map I made combining the exisiting passenger rail network with every major passenger rail proposal I could find details on, to get an idea of how they could all work together to form one coherent national network. The sources I pulled from include:
Amtrak Connects Us - https://www.amtrakconnectsus.com/maps/
Planned and proposed commuter lines- https://en.wikipedia.org/wiki/Commuter_rail_in_North_America#List_of_under_construction_and_planned_systems
FRA Long Distance Study - https://fralongdistancerailstudy.org/wp-content/uploads/2024/02/FRA_LDSS_Presentation_for_Web_Meeting3_Optimized.pdf
FRA Corridor ID - https://railroads.dot.gov/sites/fra.dot.gov/files/2023-12/FY22%20CID%20Project%20Summaries-Map-r1.pdf
FRA Regional Rail Plans - https://railroads.dot.gov/rail-network-development/planning/systems-planning/regional-rail-planning
FRA Vision for High Speed Rail - https://railroads.dot.gov/sites/fra.dot.gov/files/fra_net/1468/hsrstrategicplan.pdf
Every State Rail Plan - https://railroads.dot.gov/rail-network-development/planning/systems-planning/inventory-state-rail-plans
Line points represent stations and state border crossings. Any line point that isn't on a state border means a station is located there. Not all trains operating on a given line will stop at every station they pass.
Thin black lines represent conventional rail lines, with speeds up to 125 mph. Imagine most current Amtrak and commuter trains.
Medium thickness purple lines represent upgraded, mixed use high speed lines, with speeds ranging from 125 to 175 mph. Commuter, regional, intercity, long distance, and frieght trains may share the ROW with high speed trains in these areas. Imagine the way Acela currently works.
Thick red lines represent dedicated high speed lines, with speeds ranging from 175 to 225 mph. High speed trains will have these areas to themselves to operate at their full potential. Imagine what CAHSR is building.
Many of these proposals lack precise details, so exact alignments and the exact locations and frequency of stations is, in many cases, speculative. I tried to use existing ROW's where possible, but there are several lines that are routed down abandoned or even entirely new ROW's. As most proposals did not list intended station stops, I had to make an educated guess as to where they may be located. When doing so, I considered several factors:
Type of train service
Size of towns along the line
Locations of universities, Native American reservations, and national parks
Station density on other nearby lines
Historical precedent
I hope I was able to get the balance right, but if you see any stations that you don't think belong, or any locations that should have a station but don't, please let me know in the comments. Also, feel free to ask me anything else about my routings, sources, or anything else! :)

https://www.google.com/maps/d/viewer?mid=164xSm3dAuPEWvBPrASER3FJCp8gnwwQ&ll=42.45871356680026%2C-103.44456741220282&z=5
I don't think this has been done yet, apologies if I'm wrong about that.
This is a map I made combining the exisiting passenger rail network with every major passenger rail proposal I could find details on, to get an idea of how they could all work together to form one coherent national network. The sources I pulled from include:
Amtrak Connects Us - https://www.amtrakconnectsus.com/maps/
Planned and proposed commuter lines- https://en.wikipedia.org/wiki/Commuter_rail_in_North_America#List_of_under_construction_and_planned_systems
FRA Long Distance Study - https://fralongdistancerailstudy.org/wp-content/uploads/2024/02/FRA_LDSS_Presentation_for_Web_Meeting3_Optimized.pdf
FRA Corridor ID - https://railroads.dot.gov/sites/fra.dot.gov/files/2023-12/FY22%20CID%20Project%20Summaries-Map-r1.pdf
FRA Regional Rail Plans - https://railroads.dot.gov/rail-network-development/planning/systems-planning/regional-rail-planning
FRA Vision for High Speed Rail - https://railroads.dot.gov/sites/fra.dot.gov/files/fra_net/1468/hsrstrategicplan.pdf
Every State Rail Plan - https://railroads.dot.gov/rail-network-development/planning/systems-planning/inventory-state-rail-plans
Line points represent stations and state border crossings. Any line point that isn't on a state border means a station is located there. Not all trains operating on a given line will stop at every station they pass.
Thin black lines represent conventional rail lines, with speeds up to 125 mph. Imagine most current Amtrak and commuter trains.
Medium thickness purple lines represent upgraded, mixed use high speed lines, with speeds ranging from 125 to 175 mph. Commuter, regional, intercity, long distance, and frieght trains may share the ROW with high speed trains in these areas. Imagine the way Acela currently works.
Thick red lines represent dedicated high speed lines, with speeds ranging from 175 to 225 mph. High speed trains will have these areas to themselves to operate at their full potential. Imagine what CAHSR is building.
Many of these proposals lack precise details, so exact alignments and the exact locations and frequency of stations is, in many cases, speculative. I tried to use existing ROW's where possible, but there are several lines that are routed down abandoned or even entirely new ROW's. As most proposals did not list intended station stops, I had to make an educated guess as to where they may be located. When doing so, I considered several factors:
Type of train service
Size of towns along the line
Locations of universities, Native American reservations, and national parks
Station density on other nearby lines
Historical precedent
I hope I was able to get the balance right, but if you see any stations that you don't think belong, or any locations that should have a station but don't, please let me know in the comments. Also, feel free to ask me anything else about my routings, sources, or anything else! :)

https://www.google.com/maps/d/viewer?mid=164xSm3dAuPEWvBPrASER3FJCp8gnwwQ&ll=42.45871356680026%2C-103.44456741220282&z=5
I don't think this has been done yet, apologies if I'm wrong about that.
This is a map I made combining the exisiting passenger rail network with every major passenger rail proposal I could find details on, to get an idea of how they could all work together to form one coherent national network. The sources I pulled from include:
Amtrak Connects Us - https://www.amtrakconnectsus.com/maps/
Planned and proposed commuter lines- https://en.wikipedia.org/wiki/Commuter_rail_in_North_America#List_of_under_construction_and_planned_systems
FRA Long Distance Study - https://fralongdistancerailstudy.org/wp-content/uploads/2024/02/FRA_LDSS_Presentation_for_Web_Meeting3_Optimized.pdf
FRA Corridor ID - https://railroads.dot.gov/sites/fra.dot.gov/files/2023-12/FY22%20CID%20Project%20Summaries-Map-r1.pdf
FRA Regional Rail Plans - https://railroads.dot.gov/rail-network-development/planning/systems-planning/regional-rail-planning
FRA Vision for High Speed Rail - https://railroads.dot.gov/sites/fra.dot.gov/files/fra_net/1468/hsrstrategicplan.pdf
Every State Rail Plan - https://railroads.dot.gov/rail-network-development/planning/systems-planning/inventory-state-rail-plans
Line points represent stations and state border crossings. Any line point that isn't on a state border means a station is located there. Not all trains operating on a given line will stop at every station they pass.
Thin black lines represent conventional rail lines, with speeds up to 125 mph. Imagine most current Amtrak and commuter trains.
Medium thickness purple lines represent upgraded, mixed use high speed lines, with speeds ranging from 125 to 175 mph. Commuter, regional, intercity, long distance, and frieght trains may share the ROW with high speed trains in these areas. Imagine the way Acela currently works.
Thick red lines represent dedicated high speed lines, with speeds ranging from 175 to 225 mph. High speed trains will have these areas to themselves to operate at their full potential. Imagine what CAHSR is building.
Many of these proposals lack precise details, so exact alignments and the exact locations and frequency of stations is, in many cases, speculative. I tried to use existing ROW's where possible, but there are several lines that are routed down abandoned or even entirely new ROW's. As most proposals did not list intended station stops, I had to make an educated guess as to where they may be located. When doing so, I considered several factors:
Type of train service
Size of towns along the line
Locations of universities, Native American reservations, and national parks
Station density on other nearby lines
Historical precedent
I hope I was able to get the balance right, but if you see any stations that you don't think belong, or any locations that should have a station but don't, please let me know in the comments. Also, feel free to ask me anything else about my routings, sources, or anything else! :)

Reggae is a style of popular music originating in the West Indies, particularly Jamaica. Reggae evolved in the late 1960s and became widely known in the 1970s through the work of Bob Marley. Its lyrics are influenced by Rastafarian ideas.
Reggae grew out of ska, rocksteady, and other local variations on calypso and rhythm and blues, slowing the rhythm and adding a distinctive upbeat. It includes repetitive bass riffs and regular chords played on the off-beat (a strong second and fourth beat) by a guitar. It combines native styles with elements of rock and soul music and is performed at moderate tempos.
The origins of the word reggae are a bit unclear, although most experts think it comes from the Jamaican English rege-rege, which means both "a quarrel or protest" and "ragged clothing." It first appeared in the title of a Toots and the Maytals song, "Do the Reggay," in 1968.
Source
Source

UNCLE SOLF'S 22nd (didn't camping die two years ago?) ANNUAL LOA CAMPING TRIP

... do I even need to make this post at this point or can I just say 'SEND ME MONEY'?

Friday July 26th, Saturday July 27th, Sunday July 28th & Monday July 29th.

Where?
Jerry's Three River Campground 2333 NY-97, Barryville, New York 12770 https://jerrysthreeriver.com google maps (845) 557-6078
The Skinny

• Friday July 27th

Everyone shows up and sets up camp. People usually start getting there around noon and trickle in all day. We set up the party area (tent / bar / lights / fire) Make sure you eat and pump the brakes on the lucky juice ... don't be the yearly casualty .... and we drink our faces off and have a blast.

• Saturday July 28th

People stumble out of their tents and do their best to keep their collective shit together. "i feel fine" Around noon people go rafting. (MAYBE ... check the poll posted on the FB event page) Joni @ Reber River Trips will have us picked up and drive us up the river, we raft back to our camp site, just like we are used to. We get back, pull ourselves together, everyone fixes themselves a meal, and we set up for: Uncle Solf's 17th (I think) Annual Poker Tournament $40 dollar buy in Texas Hold Em Blinds double every 20 minutes or so There is no pressure to play poker - 100% optional. Then Saturday Night we drink our faces off again. Rinse and repeat.

• Sunday July 29th

A chill day. Some people pack up and go home that day (fools). The rest of us slow roll the day - we day drink, play board games, talk a mad amount of shit, eat a ton of food, and this goes on into the night... (again)

• Monday July 30th

Go Home. #sadface Seriously. Pack up your shit and get the fuck out. Party is over.
Let's Get Down to Brass Tacks Here - How Much for the Ape?

• Camping is $33 per night / per person
• Rafting is $63 per per person
• Firewood is $10 per person (for the weekend)
  
• I'm not going to charge extra for the other bullshit I bring ... but donations are appreciated (I'm getting to old for this shit)
  
• Poker money will be collected at the camp site before the game - please do not send me poker money, just bring some cash with you.
  

You can camp or raft in any combination you want:
Want to camp friday and saturday night with no rafting for one person? - $76.00
Want to bring 4 people Friday Saturday and Sunday nights and you all go rafting? - $660.00

• You can PAYPAL me the monies (preferred): solf -at- optonline -dot- net
• Or you can mail me a check: PM me for my mailing address

If you paypal me the money - please add 3% to cover any potential paypal fees.
That's it - figure out what you want and do your own math - then double check it you dumbass (i've seen some of you try to count)
Who is camping?
campers and shit talkers will be tracked on the facebook event page.
if you don't get your name posted with a THUMBS UP you ain't paid. you ain't camping. shit talker. you ain't shit.
Get it together son.
what do I bring?
sigh ... if you don't know by now:
The basics:

• a tent
• clothes
• food
• drink
• money
• bedding
• personal hygene essentials
• a camping chair
• shit for swimming
• towels
• plates & utensils

anything else is optional
Last Item - PSA
The cutoff
Friday, July 19th is the hard cutoff date for getting on board. Also - no refunds after that date. I need to get my shit in order that final week, I can't be managing people's inability to commit. That's all I have to say about that.
Did I miss anything?
Quote - "Let's do the damn thing" - LLoyd Johnson

I've been meaning to make this post for a while but life kept getting in the way.
There is a bunch of new (well, new to me) stuff I've discovered over the last few weeks, and wanted to share my thoughts with you.
Let's start with the "prequel" (although never canonically confirmed) to the Marathon series was a game called Pathways to Darkness. The backstory for this game is:

Sixty-four million years ago, a large extra-terrestrial object struck the Earth in what would later be called the Yucatan Peninsula, in south eastern Mexico. The dust and rock thrown up by the resulting explosion caused enormous climactic changes in the ensuing years, and many of the Earth's species became extinct during the long winter that followed.
The object itself was buried thousands of feet below ground, its nearly two kilometer length remarkably intact. It remained there, motionless, for thousands of years before it finally began to stir-- and to dream.

Hmm. Buried below ground. Finally beginning to stir and dream. Who does that sound like?
Let's keep going.

The heat of impact liquefied the rock around it, which later cooled and encased the dead god's huge body far below ground. As it began to dream, it wrought unintentional changes in its environment. Locked deep beneath the Earth, strange and unbelievable things faded in and out of reality. Vast caverns and landscapes bubbled to life within the rock, populated by horrible manifestations of the dead god's dream.

As it began to dream, it wrought unintentional changes in its environment.. Locked deep beneath the Earth, strange and unbelievable things faded in and out of reality.
Like Fingerrats? Or like Spider-wolves?

Vast caverns and landscapes bubbled to life within the rock, populated by horrible manifestations of the dead god's dream.

Caverns and landscapes. I want to expand this point here for a bit because it's also mirrored across Alagaesia.
Let's start with Helgrind.
For any FV enjoyers, I've previously speculated that Helgrind is a reliquary, or a previously living being that was transformed (a la Ctein).
But the curious thing here is the timeline of Helgrind and it's tunnel system, taken with the above context.

Q: Assuming it wasn't built by the Ra'zac themselves, was the lair inside Helgrind purpose-built for the Ra'zac and Lethrblaka, or did they appropriate it some time after it was built? If it wasn't built for them, what was its original purpose?
A: Partially natural formations (linked to tunnels elsewhere in Alagaësia), partly expanded by the priests of Helgrind and Galbatorix himself.

But... The Ra'Zac didn't inhabit Helgrind until at least after the Humans came over. So these tunnels underneath Helgrind existed before the Ra'Zac, or Galbatorix ever set foot on Alagaesia. Which, I don't know about you, but a massive network of tunnels does not smell entirely natural to me.
So.. where else are there "natural" formations that link to other tunnels elsewhere in Alagaesia?
We've seen these "natural" formations in Vroengard:

Q: The deeps under Vroengard, were they created by the riders or was it a previous system of caverns that they repurposed?
A: Previous system. I mean, there's been work done on them, but... 'It looks similar, parts of it feel similar to the caverns that we encountered in this book. They both have that hole in the cave which goes deeper, with something in the hole that's not clearly defined.' Yeah.

And we've seen similar depictions in the Beors, and Nal Gorgoth. So from the Beors to Vroengard, "natural" tunnels exist underground. I don't buy that they are entirely natural.
Given the context of the Marathon game above:

Vast caverns and landscapes bubbled to life within the rock, populated by horrible manifestations of the dead god's dream.

I think these tunnels came from Azlagur.
Let's switch gears here, I want to talk about another archaeological mystery in the world of Eragon - El-Harim.
I believe El-Harim was heavily influenced by the (not canon confirmed, but implied) prequel to the Marathon games, the Pathways into Darkness

Pathways casts the player as a member of a US Army Special Forces team sent on a mission to the Yucatán Peninsula. On May 5, 1994, a diplomat from the alien race known as the Jjaro appeared to the President of the United States and informed him that on May 13, an ancient godlike being sleeping beneath a pyramid would awaken and destroy the Earth. The only way to prevent this catastrophe is to prevent the god from awakening. The eight-man Special Forces team carries a nuclear weapon, with the goal of entering the ancient pyramid, descending to the bottom level where the god sleeps, and activating the bomb to stun the god and bury it under tons of rock.

Getting into a bit more of the backstory:

Only during the last few centuries has the god begun to effect changes on the surface of the Earth. Grotesque creatures have been sighted deep in the trackless forest of the Yucatan, and strange rumors of an ancient pyramid-- which is neither Aztec nor Mayan-- in the same area have been circulating in the archaeological community since the early 1930's.

Pyramid, eh? There are two different options here I can think of that equate.
The extended FWW Map
First, in the extended map from FWW, we can see a Pyramid-esque shape - Different color, different slope, etc.
Or, second (and probably more likely), it could be El-Harim:

It is a very bad place. It’s a place where some bad things happened at one point and it’s not a good place to go walking around. I don’t want to get into it too much more because again, it’s a good possibility for another story and I want to keep thinking about it a bit more. It is in Alagaesia and we’ve actually been close to the location.

Many speculate that the below vision from Eragon in Brisingr, which was never explained in the main cycle, is of El-Harim:

And he rested, and visions beset him of a circular stone city that stood in the center of an endless plain and of a small girl who wandered among the narrow, winding alleys within and who sang a haunting melody (A Feast with Friends, Brisingr).

If this vision IS El-Harim , it's super significant because of these two descriptors:

circular stone city
narrow, winding alleys

Fractals. The city itself is a fractal, like Nidus for any FV enjoyers.
The narrow winding alleys are significant because of the descriptors of the Vanished/Grey folk:

The spaces between the structures were narrower than the humans preferred; the proportions were taller, thinner, which matched the images she had seed of the Vanished...
The ancient outline of the city was - as she suspected - a fractal, and the shape of it contained meaning.... At the nexus of the apttern, where it coiled in on itslef like a nautilus shell" (Shards, TSIASOS).

Narrow. Circular (Nautilus shell). Winding. Fractal.
Whatever this city is, El-Harim or otherwise, it is/was a grey folk/vanished city.
And given the quotes from above - "Its a place where some bad things happened at one point", and "dangerous, creeping, ancient, evil thing" - My guess is that the event that caused the Grey Folk to bind the AL to magic happened here, in El-Harim.
Alright, moving along.
Let's talk about the Az and the God. There are a few parallels I've talked around, but the BIG link between the two are Dreams. This is especially important because of the release of the world map recently.

We are the devotees of Azlagur, the Devourer. Azlagur the Firstborn. Azlagur the Dreamer. He who sleeps and whose sleeping mind weaves the warp and weft of the waking world. But the sleep grows restless" (Obliteration, Murtagh).

Versus

As it began to dream, it wrought unintentional changes in its environment. Locked deep beneath the Earth, strange and unbelievable things faded in and out of reality. Vast caverns and landscapes bubbled to life within the rock, populated by horrible manifestations of the dead god's dream.

I could write a whole post about the parallels between the two and their linkage to dreams, but I'll cut it short here for now to save room to dig in to other areas. Specifically, the Dreams connection is especially important because of the relase of the world map recently - I have another post here that gets into more detail, but the translations from the World Map in the middle translate to:

where dreams and dragons dwell

Dreams (!) and Dragons.
Combine that with the Etymology of the words:

Alagaësia ala = land gaësia = rich/fertile
Alalëa ala = land lëa = a beautiful dream
Elëa = the dream itself

So the planet, named Elea, translates to "The Dream Itself". Very interesting.
This is even more significant when you take into account this tweet chain from Chris, a bit earlier in March

Darn it. Just invented a name in the ancient language. Googled it to make sure no one else had used it ... only to discover that I had used it in an earlier book. Lol.
Can we ask what name?
Edurna

I believe the name was a potential candidate for the name of the planet of Alagaesia, which is important because of the etymology of THAT name (All credit to Zora for digging this one up).

Edurna sounds awfully like Adurna and Edur
Adurna meaning water and Edur being a prominence

Prominence. And Water. You know what that sounds like to me? Plaintive Verge. Just food for thought.
Second-to-last Az connection I want to cover: Hunger.

Whirling darkness swallowed him, and at the center of it... lay a formless horror - ancient and evil and from which emanated a constant merciless hunger (Dreams and Portents).

Versus a quote about the cosmic entity in Marathon:

Now I fear what that weapon has unleashed will destroy us. I once boasted to be able to count the atoms in a cloud, to understand them all, predict them, and so did I predict you, but this new chaos is entirely terrible, mindless, obeying rules that I don't comprehend. And it is hungry.

Now, the last piece of Azlagur-related lore I want to cover here is the "Black Sun".
In all of the visions, a Black Sun precipitates Azlagur's rise.

"A black sun rimmed by black flame hung against a darkling sky... The beast rose rampant against the black sun - A wingless dragon, apocalyptic in size, terrifying in presence. Destroyer of hope, eater of light"

Before getting into the Black Sun a bit more, there's an additional connection here I want to touch on - usage of the word rampant in connection with Azlagur.

In Marathon, Rampancy is the enhanced self-awareness of a computer AI, causing a progression towards greater mental abilities and destructive impulses. The destructive impulses, however, are primarily caused by being threatened or harassed. There are three main stages, as well as a fourth and final stage that is rarely achieved, to rampancy, named by the primary attitude of the AI during those times: Melancholia, Anger, Jealousy, and Meta-Stability.

There are some overlaps with what we see from the Maw.
And Melancholia.. that's an interesting word. Especially when taken into context the meaning of the name:

A melancholy dream of great beauty.

Melancholy.. Dream... The pieces of the puzzle are coming together. And Rampant...
Chris also uses that exact same verbiage when discussing a deleted scene from TSIASOS:

Q: I just finished reading To Sleep in a Sea of Stars and I have to know: it sounds like the Wranaui fought the corrupted during the Sundering but if that's true and it happened almost 300 years prior.... Who created the old corrupted? I've been questioning this for days!
A: That was actually in material cut by editors (some of the dream memories). Another Seed/Idealis was damaged and, when the Old Ones tried to separate it from its host, the xeno went rampant.

The xeno went rampant. Very interesting.
Alrighty, I keep getting distracted, back to the black sun.
The reason the Black Sun is important is because it always precipitates Azlagur's rise, throughout several of Murtahgh's visions. In each of them, there is a Black sun.
So, by this, we can extrapolate that the sun needs to be Black in order for Azlagur to rise (which is hinted at at the "Day of Black Sun" celebrations near the end of the book).
But... what does it actually mean?
There is a parallel in Marathon, their weapon:

The trih xeem (also "tri xeem") is an extremely powerful weapon that can be used to force a star into early nova... it was originally conceived and built by the Jjaro [The Old Ones/Vanished equivalent]. Much of the Marathon Infinity story revolves around preventing the Pfhor from using the tri xeem and inadvertently releasing a W'rkncacnter that is supposedly trapped within the Lh'owon sun.

So, the story of the last Marathon games revolves around preventing the usage of the weapon to release the cosmic-level baddie trapped in the sun. So, effectively, the antagonist is imprisoned by the sun.
But.. how does that translate to Azlagur and Murtagh?
The Black Sun requirement for Azlagur's rise could be construed as "imprisonment" by the sun; Azlagur cannot escape until the sun is turned Black. But it only really starts to come together when you piece together these pictures.
First, early concept art for the Fractalverse
You see the black orb, heading directly for the glowing star? Sounds pretty similar.
But that's not the smoking gun; look at the depiction of the black orb in the concept art, and compare it to the trih xeem, the weapon in Marathon.
A black orb with a trail heading directly for the sun. Almost an exact match.
OK.. so I get that it has some relevence in fractalverse, but how does it translate to Eragon?
Well, because of the Beors. Specifically, a picture CHRIS HIMSELF posted about the Beors.
Here
I propose that THIS black orb, at the top of the Beors (which, suspiciously, no one has traveled to) houses the black weapon. After all, the depiction is quite similar - A large, circular, black orb. Looks pretty similar to the other pictures.
And given the above context that Azlagur can only rise with a "Black Sun", the pieces all start to fit together. It's not perfect, but there are definitely a lot of overlaps.
Alright. I've been waiting for this one. The last piece. Let's talk about Angela.
Q: Will we get Angela lore? I feel like she could have killed Galbatorix and just didn't feel like it.
A: For those who don't know Angela is based on my sister Angela, because she breaks the fourth wall to a degree she has. Not only does she have plot armor, she knows she's in a story and can break the story itself. So, yes, she could have killed Galbatorix, but that would have made for a very bad story. That said, I do have an entire book planned around Angela, and it's very high on my list of books to write because it takes place before some of these other big stories I want to write. And that's also the difficult thing. I have my big storylines, and then I have a couple of one off side books I want to write, and it's just a question of time, energy and effort.
She knows she's in a story, and she can break the story.
Based on that, and several other descriptions I will get into in a bit, I think her story is directly related to the Marathon Infinity game.

Marathon Infinity begins as the Pfhor destroy Lh'owon using a Jjaro-derived doomsday weapon known as the Trih Xeem or "early nova". Unfortunately, the weapon also releases a powerful chaotic being: The W’rkncacnter, which threatens to destroy the entire galaxy. Because of the W’rkncacnter's chaos or by means of some Jjaro tech of his own, the player is transported back and forward in time, finding himself jumping between timelines and fighting for various sides in a desperate attempt to prevent the chaotic being's release.

and

In Marathon Infinity, a W'rkncacnter is imprisoned in the sun of planet Lh'owon. It is theorized by some that the W'rkncacnter's powerfully chaotic nature may be responsible for the jumps between realities seen in the game. When the Pfhor use a trih xeem device to send the star into early nova, the creature is released, to the horror and destruction of the Pfhor.

Angela is the Eragon-equivalent of the player.
She can transport back and forward in time, jumping between timelines, and fighting to prevent the chaotic being's (Azlagur's) release. Let's dive in.
First:

Q: Is it canon that Angela the Herbalist is a Time Lord and did she make a cameo in To Sleep in a Sea of Stars?
A: Is Angela the Herbalist is a Time Lord? That would be copyright infringement, so I'm going to say "no comment", but she is in To Sleep in a Sea of Stars. And there is a canon reason for this. And you should have no problem spotting who she is in that book.

So there's a canon reason she's in the book. Interesting. When you take that into context with the next bit

Q: On your last AMA on reddit, someone asked if any fan had guessed the identity and history of Angela correctly. You said nobody has guessed correctly and there's not enough information in the books to do so. That puts every fan theory out there on her wrong, correct? She's not the soothsayer, a time lord, grey folk, etc, correct?
A: Angela: Some of the fan theories have gotten parts of her history and identity correct. However, there's a HUGE aspect to her nature that no one has guessed (or least, not in a non-joking way). And no, I don't mean her being a Time Lord.

So there's a huge aspect to her nature that no one has guessed (at least at the time of writing). She's self-aware, knows she's in a story, and can jump around in time. And, similar to the Marathon games, it appears like only she knows that she's in a story.
So, based on the Marathon inspiration, we can guess that she is trying to accomplish the same thing - To prevent the release of the cosmic-level villain. We know that she has some kind of relationship with the Draumar:

In Murtagh, it’s revealed that Bachel and “Uluthrek” (Mooneater, Angela’s given Urgal name) met with Bachel explicitly going out to confront her (a courtesy not even offered to a Rider like Murtagh)

So, by extension, she has some kind of connection to Azlagur. This is supported by other circumstantial evidence in FWW as well:

Since we know that the Dream Well in Mani's Caves is similar to the Well in Nal Gorgoth I can assume that Angela is revealing the existence of the Draumar to Elva there? I feel certainly feel as if you're setting up her for something in the future series.
Heh. Good Catch.

So, she is clearly working with Elva to do something related to the Dream Wells, and she also previously confronted Bachel, many years ago. So throughout multiple years across the WoE, she is connected to Azlagur and the Draumar; her story clearly revolves around them/Azlagur, somehow.
Putting the above pieces together, my guess is that she is jumping around in different timelines, trying to manipulate actions of the past to prevent the rise of Azlagur. Just like the player character in Marathon. There's another piece of circumstantial evidence to support this assertion as well.
In Marathon Infinity:

After multiple "jumps," the player (seemingly the only one who realizes he is being transported between possible realities)

Versus Angela:

As hours passed, the stars turned above, night chill drew the heat from my body, and I fell into a curious trance, not asleep but not fully awake... The world altered" (On the Nature of Stars, FWW).

I believe this world "Altering" was the first time she experienced an alternate timeline, without knowing what it was at the time.
We've also seen her create "Doorways" as well - Although it's not clear if this is fast traveling (a la a Torque Gate), or truly opening a path to another timeline.
In Eldest:

"As they landed, he noticed a patch of white on a small hill nearby. The patch wavered strangely in the dark, like a floating candle, then resolved into Angela, who was wearing a pale wool tunic" (A Sorceress, a Snake, and a Scroll).

and then later, more concretely:

"I traced a line on the wall, reached out, and opened a door that wasn't there. ON the other side - nighttime, a beach by a black ocean lit only by stars, so many, many stars, more than there should be. Of course, I would not take Elva to my home, not yet. But this was a waypoint, a place to build and learn and grow... She stared into the gap, the impossible portal" (On the Nature of Stars, FWW).

Still, as always with Angela, so many questions.
Alright, we've reached an ungodly wordcount, so I'll call it here. There are still more connections I'm uncovering between the two series (such as the potential connection between the Gedway Ignasia and the "warning" sensation from Marathon), so I might make a follow-up post in the future with everything else I uncover.
As always, thanks for reading! Let me know what you think in the comments, or if you've found any other connections between the two.

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A lot of people are discovering that they are by accident getting the cheapest flight via the extended layovers.Don't overlook sales for cheapest flight bookingAirlines are frequently offering amazing deals which you may jump on fast enough and save yourself hundreds of dollars on your next flight. Sign up for your favorite airline's newsletter to be on top of their latest flight deals. This is yet another way to know about the cheapest flight booking that becomes available whenever.Focus on going across the ocean for cheap fly ticketsIf you are thinking to visit a distant location, it could be less expensive to book one ticket to the main hub, and then a second ticket from there to your final destination. For example, if you wish to fly to Alhambra, Spain, it's probably cheaper to book one roundtrip flight from your home to Madrid and a second roundtrip ticket from Madrid to Alhambra than it would be to buy a ticket to Alhambra on one itinerary. In essence, you'll end up with cheap fly tickets by following the above example.Don't overlook destinations with low cost carriers to get cheapest flightsCarriers such as Frontier, AirTran, and Southwest all drive down airfares along their routes. So, it may be quite wise to travel a bit longer to a larger airport with low-cost carriers, because even major carriers flights will most likely be cheaper. Using this method regularly, you are more likely to find the cheapest flights to most if not all your destinations. Why not take advantage of low cost flights whenever possible?Avoid Friday, Sunday flights, & traditional air travel daysThis may mean going away before and returning later than usual, or even flying exactly on the holiday. Pelletier, the air travel specialist, says you can save up to 50% by simply flying Christmas Eve or Day. She said: "We saved $300 per ticket around Thanksgiving for our family of four by flying out the Saturday before Thanksgiving and coming back the Saturday after. Not everyone can swing that with their work schedules, so my advice is to leave Thanksgiving day and return on Saturday for cheaper fares."Begin with a reputable flight search engine to find cheapest international flightsWhile searching for a flight, the initial thing you will wish to do is determine which airlines run a certain route and get an estimated price on the biggest carriers. Opposed to individually visiting all of these airlines' sites, begin by looking for a website which will provide results from many airlines and different combinations of carriers. You may end up with the cheapest international flights this way. So, you could start with Expedia or another such as Orbitz, Hotwire, Travelocity, and Cheap Tickets. Do not ignore Google Flights, which, though a very powerful search engine, know that it's not a booking platform and can't buy a flight ticket there. This is how you could find cheapest flights to many popular locations.Be flexible where you go to book discount flightsIf for some reason or another you cannot be flexible with the time factor of your flight, then try to be flexible with your destinations. It's ideal to be both. However, you still can save a lot of money and book discount flights by being flexible with either factor.You don't have to conduct manual searches, going city by city and day by day. Websites such as Google Flights, Skyscanner, and Momondo provide explore tools and permit you to add your nearest airport and see a world map with all the possible flights on it. This helps you to quickly compare many destinations with no need to brainstorm each potential option.Fly budget airlines/carriersMany years ago, you were generally stuck flying with traditional costly airlines. That's not true anymore. Budget airlines today service both short and medium-haul routes all over the world. For example, AirAsia provides incredible cheap flight deals around Australia and Asia for less than $150 dollars! Indian and Middle Eastern air carriers sell cheap flight tickets throughout Africa and the subcontinent.Book early: how to find the cheapest flightsYou can discover how to find the cheapest flights by booking early. Although flight rates continue climbing the nearer you get to departure, there exists a great spot along the way when airline companies start to reduce or increase flight prices based on demand. Do not wait till the last moment but do not book too far in advance. The ideal time to buy your flight ticket is about 2 to 3 months prior to your departure, or even about 5 months prior if you're flying there in their peak season.

and meets Time outside of his building. Hawk tells Tim he would like to go up to Tim's room and just hold him. What is that about? It's very poignant.
First explanation. The hugging scene is to give the audience a clue that Hawk is falling in love (and not lust) with Tim.
Second explanation. Joseph McCarthy announced earlier in the day that he is going after "deviants" and there will be a unit set up to find out who is gay. Hawk doesn't show fear. He keeps that poker face. He even tells Tim a lot of ppl are worried now but that doesn't include Hawk. ;-)
Yeah right, he must be very worried as that night he just wants to hold Tim, for security and comfort I believe. He's had a rough life being very closeted and working at the most homophobic institution in America. Well, I don't know of any other institution that gave employees a polygraph test to find out about their personal life. Well, maybe Texaco. Now Hawk is worried about his job. How much can this guy take.
Is there a third explanation? I thought it was one of the most poignant scenes in the series. Maybe it's a combination of one and two and I'm missing a third reason.

For example, Japanese has words to describe specific sets or combinations of feelings which do not have an equivalent in English. German has the word shaudenfruede which doesn't have a commonly used, exact translation in English(epicaricacy is sometimes used for this idea in English). What words or ideas are present in your worlds' languages that don't have a direct translation in your native languages?
Lapis_Wolf

Just got into the Pachinko arc of Kaiji, and given how astronomically profitable and prevalent in Japan Pachinko parlors are, I wonder, why there are so few Pachinko-themed manga?, there are way more Mahjong and Poker-themed gambling manga for example.
I would have expected that such a massive social fever, and money printer more profitable than Las Vegas, Macau, and Singapore combined would have had gotten more attention in Japanese manga and anime.
The closest that I have seen of Pachinko-themed gambling manga are Kaiji's The Bog arc, and something called The Pachinko Girls, which I have personally not checked out, but is it any good if Pachinko gambles and stories is what I am looking for?

[I shared this in girls and gays but wanted to share here as well for those of you not in that sub]
With Kendrick Lamar and Drake’s rap feud raging over the last month, I got curious about what their natal charts say about each of them as rappers, and how the astrological synastry between the two has fueled this chart-topping fight. Luckily we have an accurate birth time for both Drake and Kendrick, so we can see exactly how their charts overlap.
Here’s Drake’s chart:
And here’s Kendrick’s chart:
Inconjunct Suns
Kendrick has a Gemini sun, like many of hip hop’s greatest rappers, including Notorious B.I.G., Tupac, Lauryn Hill and Outkast’s Andre 3000. Geminis are well-suited to rap as the wordsmiths of the zodiac, one of the two signs ruled by Mercury, the planet of communication. Virgo, the other sign ruled by Mercury, expresses the analytical, practical, pragmatic side of the mind, the so-called “left brain” which sorts the wheat from the chaff (and, fittingly, Virgo season aligns with the harvest season of late summer).
Gemini expresses the more playful, self-expressive, hyper-curious “right brain” side of the mind - the monkey mind that swings from branch to branch, seeing connections as it goes. “Curious to a fault, Geminis have a finger in every pie. Solar Geminis are flexible and changeable people. Usually quite clever and witty, Geminis enjoy intellectual conversations and they are easily bored if they are not getting enough mental stimulation.”
Drake is a Scorpio sun, bringing a very different energy to the table. Scorpios seek power above all, and they live life intensely. If Gemini is the court jester, taking life lightly and poking fun at it all, Scorpio is the dark knight plotting and positioning himself for a coup. As one of the two signs ruled by Mars, the planet of war and competition, Scorpios don’t back down from competition, and as a fixed modality sign, they can struggle to let go–even of what hurts them. Scorpios are drawn to the darker sides of life - they know that secrets hold power, so they tend toward privacy, as shown in Drake’s last rap beef, when Pusha T revealed that he had secretly fathered a son with a porn star.
Gemini and Scorpio have a tricky inter-dynamic, with an aspect between them known as a quincunx, or an inconjunct. Quincunxes occur when planets are 150 degrees apart, and therefore share neither an element (water, fire, earth, or air) nor a modality (cardinal, fixed, or mutable). They are at odds in a very fundamental way, and though they can teach each other a lot, in order to get along they will have to make some serious adjustments.
“When these signs get together, they just can’t understand each other. They have almost nothing in common, so it’s hard to find common ground. When a quincunx shows up in a synastry or relationship reading, this can make for a tense or difficult relationship.” This natural repelling dynamic is expressed in Kendrick’s diss song Euphoria (“I hate the way that you walk, the way that you talk/I hate the way that you dress/I hate the way you sneak diss, if I catch flight, it's gon' be direct”).
Drake’s ascendant is placed at 29 degrees Leo, exactly conjunct the royal fixed star Regulus. Regulus is one of the luckiest stars in the zodiac, and it is often seen in the charts of celebrities. “On the Ascendant, it will give a courageous and frank character. A splendid and illustrious life; glorious, mighty and commanding nature; fame, busy with many activities, bountiful resources, well known or feared in cities and regions.” But with Regulus on the ascendant, expanding the already narcissistic tendencies of Leo, there is a risk for an over-expansion of the ego and a lack of humility. Drake wants to be the best by all accounts - not just the biggest commercial superstar, which he is, but also the most critically acclaimed rapper, like Pulitzer Prize-winning Kendrick.
Mercury and Mars vs. Mercury and Venus
When it comes to analyzing writers of any sort, I like to look at their Mercuries, and here we see a fascinating contrast. Kendrick’s Mercury is located in intuitive, emotional Cancer (just like Lana del Rey, who I analyzed last week), and it is conjoined with Mars, the planet of war, which is what makes him such a formidable opponent in a rap battle. “Mercury conjunct Mars natal gives a quick mind, rapid reflexes, and a sharp tongue. These attributes are ideal for making quick decisions in the heat of the moment while others hesitate. Excellent debating skills allow you to stand up not only for yourself but for the rights of others. Your enthusiastic, direct and courageous way of expressing yourself can win admiration in politics, business, and the military.”
I think Mercury in combination with Mars is the ideal aspect for the competitive sport of rap, and interestingly enough, Tupac Shakur and Notorious B.I.G., who famously feuded and are considered by many to be the all-time greatest rappers, both had these planets tightly combined (Tupac had Mercury trine Mars with a 1 degree orb, and Biggie had Mercury septile Mars with a 0 degree orb).
Drake, by contrast, has his Mercury conjoined with Mars’ planetary opposite, Venus. Mercury conjoined with creative Venus is a great aspect for a musician, but it lacks the teeth of competitive Mars. “Mercury conjunct Venus natal makes you a lovable, handsome, neat, refined, romantic, and courteous person. You may tend to be passive and submissive, but this is a means by which you achieve peace in your life. You can lovingly communicate things; a melodic, poetic, and relaxing voice often helps this. Mercury rules trade, and Venus rules money, so you could do well in business and enjoy buying and selling.”
Many of Drake’s biggest hits show this melodic Mercury-Venus aspect - like the no-rapping, all-singing “Hold On, We’re Going Home,” “Hotline Bling” and “One Dance,” or the purported feminist anthem “Nice for What.” Many think Drake is best as a pop star rather than a rapper, which Kendrick references in Euphoria (“I like Drake with the melodies, I don't like Drake when he act tough” “Keep makin' me dance, wavin' my hand and it won't be no threat”).
Mercury conjunct Venus should be a very positive aspect for Drake, and in many ways it is – as two of the planets that rule over money (Mercury the marketplace, and Venus the possessions), this aspect is part of why he’s had such incredible financial success. However, a few factors complicate it. For one thing, they are located together in Scorpio, ruled by Mars. His Mercury is expressed in a Venusian way, but it wants to be expressed in a Martian way. I think this is why Drake returns regularly to gangster rap despite his success in pop and R&B. He wants to be a Mercury-Mars rap powerhouse like Kendrick, Biggie, and Tupac, but he’s fundamentally different. From the beginning of his career he’s been taunted as soft, weak, feminine, privileged–all very Venusian adjectives.
Another complicating factor is that Drake’s Venus is doubly challenged - it is both in detriment in Scorpio, as well as retrograde. Venus is in detriment in Scorpio because it rules over Scorpio’s opposite, Taurus, and so the planet is not at ease in suspicious, jealous Scorpio. “Fears of being too vulnerable or of giving up their own power to others is strong. Scorpio is an “all or nothing” energy, and relationships tend to be somewhat of a rollercoaster ride as a result. Disdain for mediocrity and superficiality can compel them to create crises in order to feel alive and vital.”
Venus retrograde in the natal chart “suggests you have some difficulty in giving and receiving love and affection. You may experience sadness in love or have to endure hardship or delay. Natal Venus in retrograde can also show as excessive use of makeup and jewelry or even disfigurement from cosmetic surgery.” It’s interesting how some of the allegations against Drake in Kendrick’s songs have included a nose job and a Brazilian butt lift. After Drake told Metro Boomin to “shut up and make some drums” in his initial Kendrick diss Push Ups, the producer responded with “BBL Drizzy.”
Drake has never been married or had a public long-term relationship. His highest profile one with Rihanna was on-again, off-again, and at times seemed more like unrequited love than true commitment. When interviewed about the relationship, he said “As life takes shape and teaches you#Personal_life) your own lessons, I end up in this situation where I don't have the fairy tale [of] 'Drake started a family with Rihanna, [it's] so perfect.' It looks so good on paper [and] I wanted it too at one time.” Two years ago Drake had jeweler Alex Moss create a necklace worth $12.5 million dollars built from dozens of engagement rings he had made but never used: ““New piece titled ‘Previous Engagements’ for all the times he thought about it but never did it,” Moss wrote over a video showcasing the stunning necklace, which is made up of “42 engagement rings” totaling “351.38 carats in diamonds.”” It’s quite the testament to a challenged natal Venus.
Lilith Synastry
Here is Drake and Kendrick’s synastry (Drake is on the outer circle):
The most interesting thing I found digging into Drake and Kendrick’s charts was the presence of Lilith in their synastry. Lilith is an asteroid associated with the “angry woman” figure as well as female liberation. In some Jewish folklore Lilith was the first wife of Adam, but she was banished from the Garden of Eden for not obeying him and replaced with Eve.
“In the intricacies of a birth chart, Black Moon Lilith symbolizes the raw essence of femininity, the primal urges, and the suppressed parts of our psyche that lie in the shadows. This point, not a planet but a mathematical point, reveals where one might feel estranged, challenged, or empowered to go against the grain of societal norms. It unveils deep-seated desires, innate instincts, and perhaps the areas where one feels the need to challenge established roles or expectations. It's a place of power, mystique, and, occasionally, friction – pinpointing where one's true nature might clash with the conventional, leading to feelings of marginalization or rebellion.”
The allegations Drake and Kendrick threw at each other both had to do with mistreatment of women - Drake said that Kendrick abused his fiancée, and Kendrick said Drake was a pedophile who shouldn’t be trusted around young women.
Both Drake and Kendrick’s Liliths make tight aspects with the other’s chart. “Whenever Lilith is around, you can expect to feel a wild, intense, deep, and sometimes obsessive energy. If you have Lilith aspects in synastry then this energy will show up in your relationship. Whenever your Lilith touches one of your partner’s planets or vice-versa, you can expect to see your deepest fears revealed. You might also see glimpses of things you desire but can’t have. Ultimately, Lilith aspects in synastry give both partners a chance to work on their shadow sides.”
Kendrick’s sun exactly conjoins Drake’s Lilith at 26 degrees Gemini. “Often, the sun person [Kendrick] represents all that the Lilith person [Drake] wants but can never quite “catch.” There is an illusive vibe to this relationship. The Lilith person may feel somewhat less-than or “bad.” Lilith conjunct sun in synastry is a test for the Lilith person because their most taboo qualities such as obsession and anger will be activated, but it’s also a test for the sun person. The lesson is for the sun individual to stand their ground and follow their inner voice. Lilith is neither good nor bad, and the sun person can share in some of the Lilith partner’s activities without merging.”
This resonates with the fact that despite Drake’s huge commercial success, he is deeply jealous of Kendrick’s critical success. In Family Matters Drake took a jab at Kendrick’s acclaim (“Kendrick just opened his mouth, someone go hand him a Grammy right now”), and the beef between them played out similarly, with many rap fans deciding that Kendrick won before even listening to Drake. I think it’s obvious that Kendrick is a stronger rapper, but it’s also clear that Drake wasn’t given a fair shake.
Drake’s Lilith makes a tight trine to Kendrick’s Mercury. “Both the Lilith person and the Mercury person help each other to bring unhealed deeper wounds and unconscious emotion to the surface and articulate deeper, wild instincts. Mercury person [Kendrick] helps Lilith person [Drake] make sense of their inner restlessness and insecurities, sexual passions and unresolved rage. Mercury person may find Lilith person to be highly emotional but is also intrigued by Lilith person’s edgy and unique perspective.” It’s remarkable that both of their Liliths are interlocked with each other’s inner planets, creating a push-pull, love-hate, shadow-enlightening dynamic between the two.
I think the obsession goes both ways, and that part of the reason Kendrick fought back so viciously was because Drake triggers something in him shown through the Lilith synastry. Drake shows Kendrick what he could be–a charismatic playboy enjoying his fame and money to the fullest. And in engaging with the feud he stooped to a lower level, making unsupported claims about Drake’s supposed secret daughter, and writing a rap song (Meet the Grahams) addressed to Drake’s 5 year old son opening with “Dear Adonis, I’m sorry that man is your father.” All is fair in rap battles–or is it? Questlove called it out, saying on Instagram: “Nobody won the war. This wasn’t about skill. This was a wrestling match level mudslinging and takedown by any means necessary — women & children (& actual facts) be damned.”
Kendrick’s latest diss track Not Like Us has just debuted at number one on the Billboard Top 100, and it’s clear this battle has propelled him to another level of stardom. Drake’s Regulus ascendant arrogance and Scorpionic desire to fight to the death drove him to attack the strongest living rapper, and now he’s dealing with the fallout. Kendrick’s streams of his back catalog are up 50%, while Drake’s are down 5% and his reputation has taken a massive knock. But Kendrick has taken a hit as well. Having rap’s two biggest stars accusing each other of heinous crimes might drive up streams in the short run, but it’s a dangerous game. Astrology helps us understand why these two polar opposites are so intertwined, and why their mutual dislike has spurred on such a captivating firestorm.

[I shared this in girls and gays but wanted to share here as well for those of you not in that sub]
With Kendrick Lamar and Drake’s rap feud raging over the last month, I got curious about what their natal charts say about each of them as rappers, and how the astrological synastry between the two has fueled this chart-topping fight. Luckily we have an accurate birth time for both Drake and Kendrick, so we can see exactly how their charts overlap.
Here’s Drake’s chart:
And here’s Kendrick’s chart:
Inconjunct Suns
Kendrick has a Gemini sun, like many of hip hop’s greatest rappers, including Notorious B.I.G., Tupac, Lauryn Hill and Outkast’s Andre 3000. Geminis are well-suited to rap as the wordsmiths of the zodiac, one of the two signs ruled by Mercury, the planet of communication. Virgo, the other sign ruled by Mercury, expresses the analytical, practical, pragmatic side of the mind, the so-called “left brain” which sorts the wheat from the chaff (and, fittingly, Virgo season aligns with the harvest season of late summer).
Gemini expresses the more playful, self-expressive, hyper-curious “right brain” side of the mind - the monkey mind that swings from branch to branch, seeing connections as it goes. “Curious to a fault, Geminis have a finger in every pie. Solar Geminis are flexible and changeable people. Usually quite clever and witty, Geminis enjoy intellectual conversations and they are easily bored if they are not getting enough mental stimulation.”
Drake is a Scorpio sun, bringing a very different energy to the table. Scorpios seek power above all, and they live life intensely. If Gemini is the court jester, taking life lightly and poking fun at it all, Scorpio is the dark knight plotting and positioning himself for a coup. As one of the two signs ruled by Mars, the planet of war and competition, Scorpios don’t back down from competition, and as a fixed modality sign, they can struggle to let go–even of what hurts them. Scorpios are drawn to the darker sides of life - they know that secrets hold power, so they tend toward privacy, as shown in Drake’s last rap beef, when Pusha T revealed that he had secretly fathered a son with a porn star.
Gemini and Scorpio have a tricky inter-dynamic, with an aspect between them known as a quincunx, or an inconjunct. Quincunxes occur when planets are 150 degrees apart, and therefore share neither an element (water, fire, earth, or air) nor a modality (cardinal, fixed, or mutable). They are at odds in a very fundamental way, and though they can teach each other a lot, in order to get along they will have to make some serious adjustments.
“When these signs get together, they just can’t understand each other. They have almost nothing in common, so it’s hard to find common ground. When a quincunx shows up in a synastry or relationship reading, this can make for a tense or difficult relationship.” This natural repelling dynamic is expressed in Kendrick’s diss song Euphoria (“I hate the way that you walk, the way that you talk/I hate the way that you dress/I hate the way you sneak diss, if I catch flight, it's gon' be direct”).
Drake’s ascendant is placed at 29 degrees Leo, exactly conjunct the royal fixed star Regulus. Regulus is one of the luckiest stars in the zodiac, and it is often seen in the charts of celebrities. “On the Ascendant, it will give a courageous and frank character. A splendid and illustrious life; glorious, mighty and commanding nature; fame, busy with many activities, bountiful resources, well known or feared in cities and regions.” But with Regulus on the ascendant, expanding the already narcissistic tendencies of Leo, there is a risk for an over-expansion of the ego and a lack of humility. Drake wants to be the best by all accounts - not just the biggest commercial superstar, which he is, but also the most critically acclaimed rapper, like Pulitzer Prize-winning Kendrick.
Mercury and Mars vs. Mercury and Venus
When it comes to analyzing writers of any sort, I like to look at their Mercuries, and here we see a fascinating contrast. Kendrick’s Mercury is located in intuitive, emotional Cancer (just like Lana del Rey, who I analyzed last week), and it is conjoined with Mars, the planet of war, which is what makes him such a formidable opponent in a rap battle. “Mercury conjunct Mars natal gives a quick mind, rapid reflexes, and a sharp tongue. These attributes are ideal for making quick decisions in the heat of the moment while others hesitate. Excellent debating skills allow you to stand up not only for yourself but for the rights of others. Your enthusiastic, direct and courageous way of expressing yourself can win admiration in politics, business, and the military.”
I think Mercury in combination with Mars is the ideal aspect for the competitive sport of rap, and interestingly enough, Tupac Shakur and Notorious B.I.G., who famously feuded and are considered by many to be the all-time greatest rappers, both had these planets tightly combined (Tupac had Mercury trine Mars with a 1 degree orb, and Biggie had Mercury septile Mars with a 0 degree orb).
Drake, by contrast, has his Mercury conjoined with Mars’ planetary opposite, Venus. Mercury conjoined with creative Venus is a great aspect for a musician, but it lacks the teeth of competitive Mars. “Mercury conjunct Venus natal makes you a lovable, handsome, neat, refined, romantic, and courteous person. You may tend to be passive and submissive, but this is a means by which you achieve peace in your life. You can lovingly communicate things; a melodic, poetic, and relaxing voice often helps this. Mercury rules trade, and Venus rules money, so you could do well in business and enjoy buying and selling.”
Many of Drake’s biggest hits show this melodic Mercury-Venus aspect - like the no-rapping, all-singing “Hold On, We’re Going Home,” “Hotline Bling” and “One Dance,” or the purported feminist anthem “Nice for What.” Many think Drake is best as a pop star rather than a rapper, which Kendrick references in Euphoria (“I like Drake with the melodies, I don't like Drake when he act tough” “Keep makin' me dance, wavin' my hand and it won't be no threat”).
Mercury conjunct Venus should be a very positive aspect for Drake, and in many ways it is – as two of the planets that rule over money (Mercury the marketplace, and Venus the possessions), this aspect is part of why he’s had such incredible financial success. However, a few factors complicate it. For one thing, they are located together in Scorpio, ruled by Mars. His Mercury is expressed in a Venusian way, but it wants to be expressed in a Martian way. I think this is why Drake returns regularly to gangster rap despite his success in pop and R&B. He wants to be a Mercury-Mars rap powerhouse like Kendrick, Biggie, and Tupac, but he’s fundamentally different. From the beginning of his career he’s been taunted as soft, weak, feminine, privileged–all very Venusian adjectives.
Another complicating factor is that Drake’s Venus is doubly challenged - it is both in detriment in Scorpio, as well as retrograde. Venus is in detriment in Scorpio because it rules over Scorpio’s opposite, Taurus, and so the planet is not at ease in suspicious, jealous Scorpio. “Fears of being too vulnerable or of giving up their own power to others is strong. Scorpio is an “all or nothing” energy, and relationships tend to be somewhat of a rollercoaster ride as a result. Disdain for mediocrity and superficiality can compel them to create crises in order to feel alive and vital.”
Venus retrograde in the natal chart “suggests you have some difficulty in giving and receiving love and affection. You may experience sadness in love or have to endure hardship or delay. Natal Venus in retrograde can also show as excessive use of makeup and jewelry or even disfigurement from cosmetic surgery.” It’s interesting how some of the allegations against Drake in Kendrick’s songs have included a nose job and a Brazilian butt lift. After Drake told Metro Boomin to “shut up and make some drums” in his initial Kendrick diss Push Ups, the producer responded with “BBL Drizzy.”
Drake has never been married or had a public long-term relationship. His highest profile one with Rihanna was on-again, off-again, and at times seemed more like unrequited love than true commitment. When interviewed about the relationship, he said “As life takes shape and teaches you#Personal_life) your own lessons, I end up in this situation where I don't have the fairy tale [of] 'Drake started a family with Rihanna, [it's] so perfect.' It looks so good on paper [and] I wanted it too at one time.” Two years ago Drake had jeweler Alex Moss create a necklace worth $12.5 million dollars built from dozens of engagement rings he had made but never used: ““New piece titled ‘Previous Engagements’ for all the times he thought about it but never did it,” Moss wrote over a video showcasing the stunning necklace, which is made up of “42 engagement rings” totaling “351.38 carats in diamonds.”” It’s quite the testament to a challenged natal Venus.
Lilith Synastry
Here is Drake and Kendrick’s synastry (Drake is on the outer circle):
The most interesting thing I found digging into Drake and Kendrick’s charts was the presence of Lilith in their synastry. Lilith is an asteroid associated with the “angry woman” figure as well as female liberation. In some Jewish folklore Lilith was the first wife of Adam, but she was banished from the Garden of Eden for not obeying him and replaced with Eve.
“In the intricacies of a birth chart, Black Moon Lilith symbolizes the raw essence of femininity, the primal urges, and the suppressed parts of our psyche that lie in the shadows. This point, not a planet but a mathematical point, reveals where one might feel estranged, challenged, or empowered to go against the grain of societal norms. It unveils deep-seated desires, innate instincts, and perhaps the areas where one feels the need to challenge established roles or expectations. It's a place of power, mystique, and, occasionally, friction – pinpointing where one's true nature might clash with the conventional, leading to feelings of marginalization or rebellion.”
The allegations Drake and Kendrick threw at each other both had to do with mistreatment of women - Drake said that Kendrick abused his fiancée, and Kendrick said Drake was a pedophile who shouldn’t be trusted around young women.
Both Drake and Kendrick’s Liliths make tight aspects with the other’s chart. “Whenever Lilith is around, you can expect to feel a wild, intense, deep, and sometimes obsessive energy. If you have Lilith aspects in synastry then this energy will show up in your relationship. Whenever your Lilith touches one of your partner’s planets or vice-versa, you can expect to see your deepest fears revealed. You might also see glimpses of things you desire but can’t have. Ultimately, Lilith aspects in synastry give both partners a chance to work on their shadow sides.”
Kendrick’s sun exactly conjoins Drake’s Lilith at 26 degrees Gemini. “Often, the sun person [Kendrick] represents all that the Lilith person [Drake] wants but can never quite “catch.” There is an illusive vibe to this relationship. The Lilith person may feel somewhat less-than or “bad.” Lilith conjunct sun in synastry is a test for the Lilith person because their most taboo qualities such as obsession and anger will be activated, but it’s also a test for the sun person. The lesson is for the sun individual to stand their ground and follow their inner voice. Lilith is neither good nor bad, and the sun person can share in some of the Lilith partner’s activities without merging.”
This resonates with the fact that despite Drake’s huge commercial success, he is deeply jealous of Kendrick’s critical success. In Family Matters Drake took a jab at Kendrick’s acclaim (“Kendrick just opened his mouth, someone go hand him a Grammy right now”), and the beef between them played out similarly, with many rap fans deciding that Kendrick won before even listening to Drake. I think it’s obvious that Kendrick is a stronger rapper, but it’s also clear that Drake wasn’t given a fair shake.
Drake’s Lilith makes a tight trine to Kendrick’s Mercury. “Both the Lilith person and the Mercury person help each other to bring unhealed deeper wounds and unconscious emotion to the surface and articulate deeper, wild instincts. Mercury person [Kendrick] helps Lilith person [Drake] make sense of their inner restlessness and insecurities, sexual passions and unresolved rage. Mercury person may find Lilith person to be highly emotional but is also intrigued by Lilith person’s edgy and unique perspective.” It’s remarkable that both of their Liliths are interlocked with each other’s inner planets, creating a push-pull, love-hate, shadow-enlightening dynamic between the two.
I think the obsession goes both ways, and that part of the reason Kendrick fought back so viciously was because Drake triggers something in him shown through the Lilith synastry. Drake shows Kendrick what he could be–a charismatic playboy enjoying his fame and money to the fullest. And in engaging with the feud he stooped to a lower level, making unsupported claims about Drake’s supposed secret daughter, and writing a rap song (Meet the Grahams) addressed to Drake’s 5 year old son opening with “Dear Adonis, I’m sorry that man is your father.” All is fair in rap battles–or is it? Questlove called it out, saying on Instagram: “Nobody won the war. This wasn’t about skill. This was a wrestling match level mudslinging and takedown by any means necessary — women & children (& actual facts) be damned.”
Kendrick’s latest diss track Not Like Us has just debuted at number one on the Billboard Top 100, and it’s clear this battle has propelled him to another level of stardom. Drake’s Regulus ascendant arrogance and Scorpionic desire to fight to the death drove him to attack the strongest living rapper, and now he’s dealing with the fallout. Kendrick’s streams of his back catalog are up 50%, while Drake’s are down 5% and his reputation has taken a massive knock. But Kendrick has taken a hit as well. Having rap’s two biggest stars accusing each other of heinous crimes might drive up streams in the short run, but it’s a dangerous game. Astrology helps us understand why these two polar opposites are so intertwined, and why their mutual dislike has spurred on such a captivating firestorm.

Hi everyone, I've a question I wanted to get your thoughts on and this subreddit felt like the most appropriate.
So Phil Wadler has this humourous, yet interesting quote that I've came across a few times in his writings and talks.

Like buses: you wait two thousand years for a definition of “effectively calculable”, and then three come along at once. The three were lambda calculus, published 1936 by Alonzo Church, recursive functions, proposed by Godel at lectures in Princeton in 1934 and published 1936 by Stephen Kleene, and Turing machines, published 1937 by Alan Turing.

- Phil Wadler, "Propositions as Types".
From what I understand, Moses Schönfinkel in his 1924 paper "On the Building Blocks of Mathematical Logic" described a formalism for universal computation by introducing (what's now known as) the S and K combinators.
Intuition tells me that Wadler is probably at least somewhat familiar with his work, but I don't want to make too much of an assumption about what he does or doesn't know.
My questions can probably be distilled to something like: do you think it's reasonable Schönfinkel is excluded from the quote?. Should he be included with the likes of Turing, Church and Godel for his early work on logic? And if you're feeling speculatory, why do you think Wadler didn't include him in the quote?

Eivor is a bit of a strange protagonist.
She’s basically flawless and without blame. She’s brash and bold, proud and unashamed — brave and wise far beyond her years, yet able to be soft and compassionate when not brandishing spears. She’s got a knack for leadership, a strong moral compass and an even stronger muscular system with which to enact justice.
And she’s got bars?
As someone not deeply versed in medieval European histories, imagine my shock and confusion upon discovering that Assassin’s Creed: Valhalla included rap battling.
My first experience with Flyting had me asking so many questions about what I just witnessed that I couldn’t wait to begin Googling. I figured flyting probably was historically accurate, but if that’s the case, then what else can it tells us about the medieval warrior and about Eivor’s characterization?
I set off to find out.
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Wikipedia and howstuffworks combined gave me a robust definition of flyting.
A ritual, poetic exchange of insults practiced mainly between the 5th and 16th centuries. Examples of flyting are found throughout Scots, Ancient, Medieval and Modern Celtic, Old English, Middle English and Norse literature involving both historical and mythological figures. The exchanges would become extremely provocative, often involving accusations of cowardice or sexual perversion.
The idea behind flyting was to influence public opinion of the participants and raise both of their profiles. And each participant wanted to make himself look better than the other, even if they were friendly.
Not only that, but flyting’s also the first recorded use of shit as an insult. That right there is worth this whole essay and then some.
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I came away from those definitions with some small Euphoria, as they reinforce what I already expected from Ubisoft — historically accurate and (arguably) immersive side activities grounded in realism.
Unfortunately, none of the flyting foes that Eivor faces in this fantasy are founded in any real-world flyters. I was particularly frustrated when I realized Fergal the Faceless and Borghild the Alewife’s Bane were fictional features, not real historical fiends of rhythm and rhyme.
Two of Eivor’s syntax competitors are “real” in some sense, however.
In Norse mythos, Odin, Thor, Loki, Freyja and more would handle their Family Matters over a flyte from time to time, dueling wits and words as competition and entertainment.
In fact, one flyte we do see in game — Odin as he flytes over the river with Thor in the Asgard Arc — is likely a reference to a real medieval Norse poem; The Hárbarðsljóð.
In it, Thor jaunts back to Asgard after a journey in Jötunheim. He comes to a junction in which he must jump a large river, and thus hunts down a ferryman to shepherd him across. The ferryman, Hárbarðr, is Odin in disguise. He then begins to diss guys.
Ahem. ‘Guys’ being Thor, obviously.
First, Odin drops a yo-mama joke:

Of thy morning feats art thou proud, but the future thou knowest not wholly; Doleful thine home-coming is: thy mother, me thinks, is dead.

He keeps going, taking more shots than a First Person Shooter, this time saying Thor dresses like a girl:

Three good dwellings methinks, thou hast not; Barefoot thou standest and wearest a beggar’s dress; Not even hose dost thou have.

Thor says watch your mouth before I clap back:

Ill for thee comes thy keenness of tongue, if the water I choose to wade; Louder, I ween, than a wolf thou cryest, if a blow of my hammer thou hast.

Odin replies by saying Thor’s wife is fucking another dude:

Sif has a lover at home, and him shouldst thou meet; More fitting it were on him to put forth thy strength.

The version we play out in game isn’t identical to the real-world poem, but carries some similarities; Thor’s threatening to cross the river to fight Odin as well as his boasting of slaying giants are present in each.
Ratatosk is the only other ‘real’ flyting enemy in Valhalla. While Odin doesn’t flyte with Ratatosk in Norse myth to my knowledge, the flyting against the squirrel is thematically accurate, at least.
Ratatosk’s purpose is to scramble up and down Yggdrasil, scurrying spoken messages from the eagle that sits at its peaks to the snake that slithers at its base. The nature of Ratatosk’s messages is in line with the act of flyting — the mischievous rodent carries falsehoods and aggressive statements to stir up drama and distrust between bird and serpent.
Flyting took place not only in poems and folklore, but in town squares and royal court. It was a facet of medieval life and social interaction. This weaving of prose then, in this time period, seemingly was just about as much of an admired skill as the swinging of a sword. It’s no wonder our unbreakable warrior Eivor is so proficient with word.
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Like, really proficient with word.
I mean, I know it’s me choosing the dialogue options, but sheesh, is there anything she can’t do?
Actually, Eivor’s expertise in flyting is strange to me. It feels random and unearned — out of character, even. It comes more unexpectedly than Kendrick Lamar’s Not Like Us.
It probably only feels out of character, however, due to our modern understanding of proficiency with words versus proficiency with might. Our current interpretation of verbal ability compared to physical ability would perceive verbal ability as the ‘softer’ of the two skillsets. Physical strength is typically interpreted as tough and more dominant. You don’t expect to see an MMA fighter composing poetry, do you? The qualities that modern thought attributes to writing and physicality don’t mesh.
But in reality — and historically accurately in Valhalla — medieval warriors weren’t just blind berserkers. They were actually artists, poets and writers.
We’ve already demonstrated how Odin and Thor — Norse myth’s most famous warriors — carried out flyting. Thus, medieval Vikings would’ve surely done the same. Beyond Vikings though, the Illiad contains instances of public, ritualized abuse. Taunting songs are present in Inuit culture while Arabic poetry contains a form of flyting called naqa’id. Further, Japanese Samurai were known to be frequent composers of haiku, while Japanese culture also gave birth to Haikai, poetry in which vulgar satire and puns were wielded.
This historical accuracy ends up eliminating the randomness of Eivor’s flyting ability. Despite her verbal finesse feeling unearned, we can surmise historically that Eivor has practiced the wielding of words plenty in her life before we take over as the player. She’s dedicated time to this.
Now that we know why she has it, we can take a closer look at what it does for her.
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So, Eivor can rap. She can match you with her axe or she can match you with her words. She’s just about unbeatable.
Her mastery of words demonstrates on some level that she’s not all Push Ups and might is right. She’s not all bruiser and bluster, burn and berserk. She’s an appreciator of the finer things — the more abstract, mental skills that require brain power, deftness and finesse.
This duality of strength and genius rounds out Eivor into a deeper, richer, more admirable character. More than just raw muscle in pursuit of glory, Eivor’s mastery of verse demonstrates her prioritizing not just her body, but her mind.
And it goes a long way for her.
Eivor can use her prowess with prose to progress past pointless plot points throughout Valhalla’s plethora of arcs and missions. It’s just a stat check in the end, but with enough practice flyting and enough charisma gained, Eivor unlocks new dialogue options that bend the world around her to her will.
Witch hunters in Eurvicscire on the brink of terrorizing Moira can be dispersed verbally rather than brawled or killed. There’s an entire riddle-solving fetch quest in Wincestre that can be skipped completely by telling King Aelfred’s abbot fuck off (figuratively). Eivor’s sharpening of her mind protects her body, saves her time, and allows her to frictionlessly fell her endeavors.
Her articulate advances don’t just alter her into admirability, they allow her to influence people and progression. With semantics from her mouth and twists from her tongue, Eivor can have her way whenever she wishes. In a game this large, I’m only left longing that the opportunity to make use of this charisma wasn’t relegated to niches.
Regardless, if medieval England is butter, Eivor’s tongue is the hot knife that behooves her move through her subduing more smoothly.
It all just goes to show that ̶m̶i̶g̶h̶t̶ flyte is right.