(continuation of part 4)
I already considered this piece the second greatest musical evidence for Clerith after the London Symphony Orchestra’s Final Fantasy VII Symphony’s second movement “Words Drowned by Fireworks” and its guide, but now that I know about the Clerith reunion that was baked into the ending, the gap between the two is narrower. Each time I hear Cloud begin to call out for Aerith in part 3 (3:04), I immediately start crying. It sounds so much to me like Cloud’s voice in the dark saying “Aerith…?”, meek and scared. If you’ve read everything so far, you know how long Cloud has been looking for Aerith, lost without her, searching relentlessly for decades in real-life time. Through FFT, DFF, Advent Children, MFF x FFVII… all of it spent looking for his Promised Land. In OG, Cloud was so tormented by Jenova’s manipulation and so consumed by the chase for Sephiroth that he could not realize what or how much he felt for her until she was taken away forever. The piece we’ve just analyzed tells the story of Cloud and Aerith intertwining and separating against their will, and you can truly feel Cloud’s anxiety as he struggles to wrench Aerith out of fate’s cruel grasp. Perhaps it is because of Aerith’s ultimately fatal responsibility, inherited from her mother, that this iteration of her theme is called “The Cetra”.
Though in part 5, Cloud and Aerith reunite… could this reunion symbolize their meeting again in Remake, or something more permanent? I think it’s meant to leave us wondering.
I’m very sensitive to music, and as I’m typing this, I’m crying a bit. I wanted to share my interpretation of “Aerith’s Theme - The Cetra” with you very badly, because it makes me feel so much and really enhances Clerith’s story. I’m overjoyed to have found out about the reunion at the very end. And it’s all because you guys showed love for my last analysis! You guys are giving me gifts every day.
V. b) i. 3) Combined Analysis
Please listen to and watch the scene of Cloud’s MOTF 6 (4:21-8:46) again, and consider section “V. b) i. 2)”. What is Uematsu telling us? Similarly to how main world theme of FFVII informs us that Jenova is sabotaging Cloud’s identity far before it becomes a plot point in OG, “Aerith’s theme - The Cetra” is telling us what not even Remake Cloud consciously knows at this point: he’s been searching desperately for her, and fears losing her once more.
As if that wasn’t proof enough, the timing of the shots and musical phrases is absolutely damning. Recall that part 3 of “Aerith’s theme - The Cetra” specifically symbolizes Cloud’s anxiety surrounding Aerith’s safety. It is this particular part of the piece that plays for the entirety of Aerith’s allusions to her murderers and her death (7:25-7:54), including the very moment where “Cloud feels his chest constrict tightly” (7:51-7:54). What’s more, part 5 the piece, which specifically Cloud freeing Aerith from the restraints of fate, coincides with the moment Tifa grabs Aerith’s hand and pulls her out from the circle of Whispers closing in on her (8:42-8:45). This moment leads me to believe that the reunion in part 5 of the piece indeed symbolizes Cloud succeeding (perhaps with Tifa’s help) in saving Aerith from her tragic fate and reuniting with her for good.
It’s heart-wrenching and brilliant. Our theory stands strong.
V. b) ii. Credits: Piece Inclusion
I find it very telling that the character themes included in the credits of Remake are Cloud’s “Hollow” (0:00-5:24), an orchestral arrangement of Aerith’s theme (5:24-9:24), and an orchestral arrangement of the main world theme, (9:24-14:27) which of course includes Cloud’s true theme. No other character themes appear during the rest of the credits (14:27-18:09). This is telling: the credits are communicating to us that Remake is about Cloud and Aerith. Our Mission Theory only gets stronger.
V. b) iii. Showing Relationships Through Music: Intermingling Character Themes
This doesn’t have to do with the Mission, but here’s a pretty good anti-Cloti argument while we’re here.
As shown in section “V. a) i.” where we explored the roles of Cloud, Jenova and Sephiroth’s themes within the FFVII world theme, the way character themes interact in a piece can tell you a lot about those characters’ relationships. This is certainly the case in “Aerith’s Theme - The Cetra” as well (see section “V. b. ii. 2)”).
I’d like to mention that in all of my listening to the Remake OST and rewatching playthroughs of Remake, I’ve never encountered a single piece that united Cloud and Tifa’s themes. Not once. Let alone a piece that depicts them as intimately or emotionally as “Aerith’s Theme - The Cetra” depicts Cloud and Aerith. Even the most Cloti cutscenes in Remake aren’t supported by pieces mixing or even juxtaposing Cloud and Tifa’s themes. I can’t find any of Cloud’s motifs anywhere during the orchestral arrangement of Tifa’s theme that plays during her resolution scene in chapter 14. I can’t find either of their motifs in the track the plays when Cloud calls Tifa beautiful at Seventh Heaven in chapter 3. A motif from Tifa’s theme does appear in the track that plays during the childhood promise scene in chapter 4, (0:00-0:25), but it never plays at the same time as or even near Cloud’s motifs (1:23-1:47 and 2:03-2:29). They’re distant or otherwise unaffiliated.
The only exception is that an altered version of Cloud’s theme’s section A phrase 1 appears in the background of Tifa’s theme (1:17-1:23). This symbolizes her connection to Cloud and how much of her attention and worry revolve around him— a reference to how she cares so much that it borders on dependency. Of course, it doesn’t go both ways: Tifa isn’t in Cloud’s theme at all. To me, this lack of reciprocity concerning the inclusion of Cloud’s motif in Tifa’s theme signifies that the only time Cloud and Tifa are together is in her head. She does think about him a lot, which we witness in her chapter of Trace of Two Pasts. Tifa loses sleep over him even two years after he left Nibelheim, despite the fact that she barely knew him at all:

“The moment she heard the word “Soldier”, the few memories she had with Cloud Strife came flooding back. He never contacted her after they parted ways two years ago […]. She tossed and turned all night. When she counted them again, her memories with Cloud were so surprisingly few that others might find it hard to believe that they grew up as next-door neighbors” (Trace of Two Pasts, translated by pekotranslates on Tumblr).

FFVII Remake Ultimania also comments on the superficial nature of Cloud and Tifa’s water tower promise, and how regardless of its naïveté, it became fundamental to Tifa:

“Though rooted in a jejune heroine fantasy of being rescued in a pinch by her hero, this promise is clearly etched in Tifa’s memory” (Tifa’s profile in section 01 of “Character & World”, “An Enduring Childhood Promise” in “Topics of Tifa” page 20).

You could argue that “Aerith’s Theme - The Cetra” is only one song wherein Cloud and Aerith’s themes interweave, but you’d be proven wrong by the Rebirth OST…
V. c) The Rebirth OST
Unfortunately, the full Rebirth OST isn’t out and available where I can listen to it right now. However, based solely on the incomplete OST that’s available to me right now, I can tell you with certainty that the composers were told to incorporate Clerith into the musical storytelling: Cloud and Aerith’s themes intermingle in multiple pieces. I can’t imagine what else I’ll discover once I listen to the full OST. For now, I checked out what was available on YouTube and listened to cutscene audios. This section would be eternal if I included every time Cloud and Aerith’s motifs interact, especially in chapter 14. Trust me, I’d love to talk about every single one, but this thing is long enough already, so let’s just address what pertains to our Mission Theory specifically rather than stopping at every single Clerith reference in the OST.
V. c) i. Ending Cutscene Music
Ending cutscenes are often used to address the next step the characters will be taking as well as their emotional and mental state. They also open up new questions to make the player curious. Indeed, Rebirth’s ending cutscene (18:56-25:00) gives us an impression of how the party members feel by the end of the game: everyone misses Aerith. Barret looks upset and confused at the mention of her (19:35-19:45), the girls are crying and Nanaki is mourning (19:58-20:35). Additionally, we are shown the empty White Materia and Black Materia in Cloud’s possession (20:40-21:24), foreshadowing that they will come to be important in part 3. Cloud and Aerith share a warm goodbye, and exchange promises: Aerith will send smoke signals if something happens to her so a worried Cloud can remain updated on her well-being and she will stop Meteor, and Cloud will stop Sephiroth (23:00-25:00). The fact that this scene is animated in CGI is enough to tell us that the devs consider it narratively important, just like they do Bugenhagen’s observatory and the party’s advance into the Forgotten Capital CGI cutscenes. What did the composers decide to communicate with us about the end of Rebirth and the plot going forward?
Big surprise: Clerith.
During the entire cutscene, only two themes play: Cloud’s and Aerith’s. The cutscene’s music begins only when Cloud notices Aerith among the party members and begins watching her (19:21). She interacts with the rest of the party without their knowledge, different segments of her theme playing one after another. Her theme only stops when Cloud finally looks away from her and to the empty White Materia in his hand (20:45). The music focuses on the mystery and ominousness of these materia, only returning to Aerith once Cloud hears her voice and repeats her message to the party (21:30).
Cloud’s theme appears when he asserts that Barret needn’t worry about him (section A of Cloud’s true theme, 22:41), though soft and tentative, only swelling when Barret and Tifa climb aboard the Tiny Bronco and Cloud finds himself alone with Aerith again (22:57). As he asks Aerith if “[she’ll] be okay getting back” (23:08), the final phrase of section A of his theme plays, but without its concluding note, the tonic. He waits for her to answer him as his theme waits for hers to complete and answer it, that final note dragging long over the seconds (23:09-23:13). She answers with a teasing remark that references their unwillingness to part from each other back in Remake’s Evergreen Park:

“[Cloud has] a chat with Aerith, from whom he’s reluctant to part” (chapter 9 in section 04 “Scenario”, “Main Story Digest”, “4. Saying Goodbye”, page 275)”.

As soon as Aerith answers Cloud’s question with this romantic callback, her theme answers his too: section C of Aerith’s theme begins with the key’s tonic, resolving Cloud’s incomplete phrase (23:13): she gives him resolution. He chuckles, getting her reference, and the music swells (23:16). The music ebbs and flows thusly, following the rhythms and underlying emotions of their conversation. Finally, the piece ends with phrase 2 of of section A of Cloud’s true theme, following a strong repetition of the first half of Aerith’s theme’s section A. The two make their promises to each other, and “No Promises to Keep” begins, leading us to the credits. This is most definitely a Clerith song, but more on that later.
What this shows us is that Cloud and Aerith’s relationship is fundamental to the plot of Rebirth and will also be fundamental to the plot of part 3: they are isolated one one-on-one in this cutscene, and the music depicts their warm, sweet interaction as well as the strength of Aerith’s character to contrast with Cloud’s somewhat meek personality. The composers are telling us that these two, specifically, together alone, are hugely important to the plot here. This was already true in OG, but no such emphasis was ever placed on their interactions and relationship in its music. Something is different, deeper, more intense now. The Mission Theory explains why. It also suits our theory that the composers are emphasizing the centrality of Clerith in the plot of the Remake trilogy. Cloud’s love for Aerith is the reason for the trilogy’s existence, and it will be the greatest motivator for Cloud in part 3. It’s a grand announcement.
Just like in Remake, I could not find a single instance of Cloud and Tifa’s themes interacting in Rebirth, apart from at the end of the intimate Skywheel date— but every girl receives this treatment in their intimate dates, so each of these instances can be crossed out. Additionally, the Tifa date is not the canon one, but I digress…
V. c) iii. Credits

1. Piece Inclusion

Once more, I find it very telling that of all the pieces included in the credits of Rebirth, the only character themes are Cloud’s and Aerith’s. We start with a song about Aerith’s point of view to mirror *Remake’*s “Hollow”, “No Promises to Keep” (5:18-11:10), followed by the FFVII world theme (11:10-16:12) which of course contains Cloud’s true theme, then we move into a piece whose unofficially translated title is “Parade Battle Ceremony - The Dawn of a New World” as an arrangement of the parade ceremony theme from chapter 4 (16:12-19:03), followed by a theme for the Lifestream springs whose name I don’t have (19:03-21:38), “Junon - Fortified Metropolis” (21:38-24:28), and finally, a gorgeous arrangement of Aerith’s theme (24:28-28:47). No other character is referenced in the credits music: the credits are telling us Rebirth is about Clerith. Our Mission Theory explains why.
V. c) iii. 2) “No Promises to Keep”
At the very end of this song written and performed by Aerith, we’re treated with a sweet little piano conclusion (10:46-11:10): it begins with a variation on Aerith’s theme’s section A (10:46-11:01), and concludes with two ascending arpeggios, each four notes long (11:01-11:10). Each of these ascending arpeggios is a variation of the phrase 1 of Cloud’s true theme’s section A. The differences are minimal. The phrase is usually five notes long rather than four, the first arpeggio ends on the tonic rather than Cloud’s iconic subtonic, and the second arpeggio starts on the subtonic rather than the tonic. The song Aerith wrote concludes with Cloud’s most famous motif. This is also the case in her Gold Saucer performance (3:31-3:41).
V. c) iii. 3) Arrangement of Aerith’s Theme
The final piece in the credits is an arrangement of Aerith’s theme (24:28-28:47) which has noticeably similar elements to the version of her theme that plays during the Jenova Lifeclinger battle in chapter 14 (0:12-3:36), such as the female choirs. Since these female choirs are only heard in the Forgotten City version of Aerith’s theme, and since the credits arrangement of her theme plays at the same time as clips from her chapter 14 pseudo-death roll across the screen, I estimate that this credits arrangement specifically reflects the event of Aerith’s pseudo-death. Recall that composers had access to the credits video as they composed, meaning this piece is specifically written for Aerith’s pseudo-death in Rebirth.
What I find fascinating is that, just like the arrangements of her theme that play during Aerith’s pseudo-death and the Jenova Lifeclinger battle, this credits arrangement contains the sound of Cloud’s pain, rage and protest. Phrase 1 and the first three notes of phrase 2 of Cloud’s true theme section A play on the strings and brass quite loudly and insistently, just as Cloud blocking masamune appears on the credits screen (25:11-25:21). Sephiroth’s dissonant, high and screechy violins appear just as his face comes onto the screen (26:33), and almost as a protective response, phrases 1 and 2 of Cloud’s true theme’s section A return (26:47-27:00). Finally, similarly to what we hear in part 5 of “Aerith’s Theme - The Cetra”, a slightly modified section A phrase 1 of Cloud’s true theme play along with section C phrase 3 of Aerith’s theme (oh wow section A and C section Aerith for Cloud’s theme and section Cloud for Aerith’s theme I just realized that’s such a cute coincidence), though unfortunately they do not meet in the middle like last time since they start two octaves apart (28:20-28:25). I’ve recreated it for you once more here so you can really appreciate it. The fact that their motifs don’t truly reunite like in “Aerith’s Theme - The Cetra” is sad, but the very last thing you see onscreen is Aerith’s goodbye to the Tiny Bronco (27:10-27:42), so it makes sense that this piano conclusion implies that Cloud and Aerith aligned, but not yet reunited for good. That’s exactly what you get from the ending cutscene. It does seem to imply that they will be reunited in part 3, as both the ending cutscene and this piano conclusion read as a “till we see each other again” rather than a “farewell”.
VI. Textual Evidence
Now that the musical evidence is done, let’s compile some textual story evidence that supports our theory!
VI. a) Remake Trilogy (Thus Far) Handholding Explained?
As I’m sure you’ve noticed, handholding is a motif in Cloud and Aerith’s relationship— and an extremely symbolic one at that! When researching for info to validate my theory, I found that this Clerith motif was extremely helpful! Its inclusion in the Remake trilogy, and especially in Rebirth, is hugely significant in my eyes.
VI. a) i. Pre-Remake Trilogy: Aerith’s Initiative
Before examining the significance of Clerith handholding in Remake and Rebirth, we should establish the meaning of this motif in OG and Advent Children.
Cloud and Aerith have reached out to take each other’s hands many times since 1997. Aerith used to literally drag him by the hand a lot, shocking the cold and distant merc, before she left. After her death in OG, Cloud surely longed to be able to feel her hand take his again, cursing himself for not enjoying it while she was alive, and for never being the one to grasp her hand first: he never got to tell her how he feels about her, or to save her. It was always her reaching out for him, saving him.
This is why the scene in OG when Aerith reaches for him from the Lifestream after Cloud defeats Sephiroth in chapter 3 of disk 3 is so touching: Cloud sees her hand and reaches out to take it, so close to finally establishing that mutual connection, but she soon fades, and replaced by Tifa’s hand in the tangible world. He doesn’t get to hold Aerith’s hand again.
That is, not until Advent Children, where near the end of his battle with Bahamut Sin, he sees Aerith reach out to him once again (1:08-1:30). Cloud finally gets to hold her hand for the first time in two years when he lost her. This moment was given extra importance by the devs. In fact, Nojima told us the following:

“The ending scene of the battle with Bahamut, the scene where Aerith reaches out her hand, is an homage to the last scene from a previous production. It was [Nomura]'s idea” (FFVII Reunion Files, “Story Digest”, “Summoned Beast”, page 113).

VI. a) ii. The Remake Trilogy (Thus Far): Cloud’s Initiative
As I’ve said before, if I’m right that Remake is all about Cloud stepping up to be more attentive and active in his relationship with Aerith in order to save her, there should be concrete evidence of this in the Remaketrilogy thus far. If OG Cloud’s memories of and love for Aerith exist somewhere within Remake Cloud’s subconsciousness, then Remake Cloud should be far more active in the Clerith dynamic than OG Cloud was— after all, he’s supposed to know better this time around. Thankfully, the motif of handholding can help us evaluate this. Since we know pre-Remake Cloud was quite passive when it comes to handholding, Cloud initiating handholding in the Remake trilogy would be a strong indication that our theory has validity. Keeping this in mind, let’s see what we can find thus far in the Remake trilogy in relation to handholding, and if Cloud is indeed more active than he was in OG.
VI. a) ii. 1) Hollow Hands
Remake’s theme song “Hollow” makes allusions to the handholding motif: “This time, I will never let you go” is pretty clear. And so is “No Promises to Keep”, wherein Aerith speaks of Cloud “[taking her] hand and never [letting her] go” multiple times. Interestingly, these theme song lyrics seem to suggest that Cloud will be much more active in the Remake trilogy than in OG. “Hollow” even promises that Cloud will come to his senses and take charge of the situation: “this time, [he] will” be the one to offer his hand to Aerith, unlike in OG and Advent Children. This makes a lot of sense with our theory: now that Cloud has lost Aerith once, “this time for sure, [he]’ll” be the one to reach for Aerith’s hand, take initiative and save her the way she saved him.
Even though theme songs are extremely telling of a game’s main themes and intentions, lyrics are still all talk and no proof. What about the game itself? Do Remake and Rebirth deliver on this promise? Let’s see!
VI. a) ii. 2) Resolution Hands
The only significant time Cloud initiates handholding in Remake is during Cloud’s resolution scene in chapter 14 (5:18-5:40), wherein he tries to grab Aerith’s hand but is unable to keep her with him. He fills with determination and tells her in no uncertain terms that he’s coming for her. Just as we predicted, Cloud is the active participant in this iteration of the Clerith handholding motif: he’s even explicitly insisting against Aerith’s wishes that he should “get a say in all this” and that he’s “coming for [her]”. Let’s not forget that Cloud’s resolution is meant to reflect not only Aerith’s kidnapping by Shinra, but also her fated death. Nojima implied this by commenting the following on Aerith’s “Even if you think you have, it’s not real” line:

“Those who know what befalls Aerith later on will find the line really heart-wrenching” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 744).

Given this note by Nojima, it looks like we’re supposed to watch Cloud’s resolution scene with Aerith’s fated death in mind. Considering this, Cloud’s “I’m coming for you” line sure seems like an subconscious promise that he will save Aerith from her tragic fate. This subconscious promise could be the result of post-OG Cloud’s feelings and intentions rising to the surface. Nevertheless, he’s absolutely determined and he’s staying true to the promise he made in “Hollow”. I think it’s fair to say that this instance of the handholding Clerith motif does indeed fit perfectly with our theory. This is only one strong example though, and we need a pattern in order to pat ourselves on the back on this. So, let’s keep looking! There isn’t any handholding initiated by Cloud beyond that point in Remake. At this point in my research, I moved on to Rebirth to go digging for handholding there.
Hoo boy. I was not disappointed.
VI. a) ii. 3) Golden Hands
Let’s begin with the obvious. In their high-affinity gondola date in chapter 12, Cloud bravely interlaces his fingers with Aerith’s: Cloud’s taken charge not only of handholding, but the most intimate kind of handholding. I’m sure you’ve encountered the phrase “こいびとつなぎ” or “koibito tsunagi by now (literally translates to “lovers’ tie” or “lovers’ connection”); this is the term used in Japanese to refer to the type of handholding Cloud initiates with Aerith on the Skywheel. It’s considered the most intimate form of handholding. In Japan, skinship is normally considered quite significant and indicative of the closeness between two people— you could say it’s a big deal. Cloud also offers Aerith his hand when they step off the Shywheel, once more making the first move. Though some might say that the Skywheel dates shouldn’t be counted as canon, I believe Aerith’s date is indeed canon (I have my reasons but this post is long enough). Even if we discount the Skywheel date however, Clerith's use of the koibito tsunagi returns in a non-optional scene we will touch on later.
For what it’s worth, Alfreid offers Rosa his hand in the Loveless play too. I can prove that Aerith is the canon Rosa too, but I’m going to save that for my next analysis! You can take my word for it now, or just wait for that analysis to drop. Take it or leave it!
VI. a) ii. 4) Meta Hands
However, the narrative weight of these Clerith handholding instances doesn’t even come close to my very favorite iteration of the handholding motif in Rebirth. I’m referring to what I consider a severely underrated Clerith moment in chapter 13. First, some context: Sephiroth manipulates Cloud into giving over the Black Materia. Cloud seems to be firmly under Sephiroth’s control. However, the sight of Aerith being swarmed by Black Whispers snaps Cloud back into the driver’s seat: he breaks out of Sephiroth’s grasp to run to her and save her. Aerith gets knocked off into a fatal free-fall by a Black Whisper before Cloud can reach her, but he won’t have it: he lunges forward, hand extended. What results is a beautiful shot of their outstretched hands (56:25-56:27).
Let’s analyze this great shot. Notice how the seconds where Cloud is reaching downwards to grasp Aerith’s hand are treated. This key moment is stretched longer by a slow-mo effect, building up the tension and drawing the audience’s focus to the distance between their hands before Cloud actually catches Aerith’s in his, fulfilling the promise he made in “Hollow”. Their hands take up the whole screen in a deliberate close-up shot. All the ambient noises of the scene go quiet: Aerith’s theme is all we hear as Cloud reaches desperately for her. These are blatant audiovisual cues, signalling to the audience that whatever is happening on screen is especially significant. We should therefore examine this specific instance of the Clerith handholding motif to see what the devs are trying to tell us, and maybe it will fit with our theory!
We should begin by comparing this Clerith hand-reach shot to previous ones. If you compare it to the Advent Children’s hand-reach that occurs during Cloud’s battle against Bahamut Sin, it’s evident that Cloud and Aerith’s roles are reversed: just as our theory states, Cloud gets out from inside his head and reaches for Aerith this time. She saved him and the world in OG, and now it’s his turn to save her. This change becomes especially evident when you juxtapose the two scenes and notice how their hands have switched places, reaching from above and below, from left and right. I think the Rebirth hand-reach was deliberately made to look like the Advent Children one —and even the OG one in disk 3, chapter 3—, just to highlight this role reversal.
This Rebirth hand-reach is my favorite out of all because it shows that Cloud is much more conscious and attentive toward Aerith in Rebirth than he was in OG. At this point in OG (disk 1, chapter 25), Cloud is meant to be beating Aerith up at Sephiroth’s command, to the horror of the rest of the party. In fact, a few minutes before Cloud rushes to save Aerith in Rebirth, he has absolutely no problem violently shoving Tifa to the ground when she gets in Sephiroth’s way (53:27-53:33). This shove and Cloud’s earlier attack on Tifa in Gongaga (Rebirth, chapter 9) proves that Sephiroth is just as capable of making Cloud hurt his party members as he was in OG… though Sephiroth can’t seem to make Cloud hurt Aerith. Why is this? Why is it that Cloud beats Aerith in OG, but doesn’t even lay a finger on her —and snaps out of Sephiroth’s control at the mere sight of her in trouble— in Rebirth?
Our theory provides the answer. In disk 1, chapter 25 of OG, Cloud had not yet realized he loved Aerith. Sephiroth was therefore able to make him hurt her. But things are different in Rebirth. The Cloud we see in the Remake trilogy has gone through the OG timeline and traveled back in time, kicking off Remake as his second try at the OG timeline— and he did this precisely because he loves Aerith. His love for her is clearer and stronger in the Remake trilogy than in OG because Remake Cloud is an amnesiac, post-OG, time-traveler Cloud. He’s been through the OG before, has fallen in love with Aerith and realized it before, so this time around, he can’t even lay a finger on her. This is made evident by how closely the moments where Cloud pushes Tifa and saves Aerith are juxtaposed, separated by mere seconds of gameplay. Merely seeing Aerith in trouble wrenched control from Sephiroth and put it in Cloud’s hands again— Sephiroth probably couldn’t have gotten Cloud to attack Aerith if he tried.
This isn’t the only time we get evidence of this though! As Cloud approaches Aerith’s praying form in the Forgotten City, Sephiroth’s Black Whispers swirl around the buster sword: Sephiroth is trying to kill Aerith with it, while Cloud’s struggle to wrench it away plays out visibly on his face. Interestingly, Cloud is not being controlled by Sephiroth here. We know this because we can quite literally see the Black Whispers trying to move his sword, but also because every time Cloud is being controlled by Sephiroth in Rebirth, he has an empty-eyed, zombie-Cloud look on his face. Either that or he laughs or smiles somewhat maniacally. There is never any resistance on his part. To see an example, simply pay attention to Cloud’s blank face as he attacks Tifa in Gongaga in chapter 9 (19:20-20:30). You’ll see the very same expression on his face if you watch this video of Cloud following Sephiroth’s orders in chapter 13 (53:36-54:15). Additionally, look at how strangely Cloud smiles (41:01) as he grasps the Black Materia. Cloud makes none of these faces as the Black Whispers try to take control of his sword: quite the opposite. Cloud looks like he’s trying his hardest to pull his weapon back down and away from Aerith, a horrified look on his face as he grunts from the effort. Once more, Sephiroth is unable to make Cloud hurt Aerith.
Back to my favorite handholding moment. Think about this devs intention for this shot for a minute. The devs have been teasing us as to whether or not Cloud will succeed in saving Aerith in the Remake trilogy since it was first announced, and this slow-mo shot of Cloud catching Aerith’s hand as she falls to her death is a reflection of this tension. The audience holds their breath during those slow-moed seconds, all that hope and fear hanging in the balance. This instance of the handholding motif is a meta way for the devs to reassure us that Cloud will indeed save Aerith. I firmly believe this.
VI. a) ii. 5) Self-Sacrificing Hands
Alright, alright, enough about my favorite! Let’s move to chapter 14 of Rebirth! There’s evidently a lot going on with Clerith in this chapter. Let’s address the Sector 5 date. The handholding is first initiated by Aerith as she tugs him toward the candy vendor and Cloud reacts with a quiet gasp (4:07-4:17). Soon, it becomes a reciprocal embrace: Cloud holds his hand out for Aerith’s and tightens his fingers around hers, smiling at her before they head to the photographer (7:07-7:17).
Then of course, when Aerith pushes Cloud into a portal in her church, you can see Cloud reach his hand up toward her desperately as he falls (17:38-17:58). What I find particularly emotional about this moment is that Aerith pushing Cloud away from her is kind of the opposite of reaching for his hand: it symbolizes Aerith accepting her fate and giving up on a life where she can be with him. This Aerith seems to be a post-OG Aerith who exists separately from the main world we experience in Rebirth, meaning she knows all too well that her fate is to die. In fact, it looks like she is the very same or a similar Aerith to the one who appeared to Cloud in his resolution scene in Remake. By literally pushing Cloud away, just like she figuratively did in Cloud’s resolution scene, she is sacrificing both herself and the happiness she could share with Cloud. She’s going against her heart’s wishes, just like she did in Cloud’s resolution scene when she would not let Cloud take her hand. Indeed, post-OG Aerith seems to be resigned to her fated death and completely devoid of hope: she only wants to ensure the planet’s survival, because she thinks she knows there is no way she can or should be with Cloud. In contrast, Cloud reaches his hand out toward Aerith as he falls into the portal, and even though he does not know that her push symbolizes her self-sacrifice, his outstretched hand represents his protest. So far, our theory is fitting beautifully.
VI. a) ii. 6) Grieving Hands
Later in chapter 14 of Rebirth, after Aerith’s death/non-death, there is more handholding. As Cloud cradles Aerith’s body close to him at the Forgotten Capital, Aerith places her hand on his cheek. Cloud covers it with his, curling his fingers around it (1:03:33-1:03:53). Before he leaves her lying down on her back to go fight Sephiroth, he squeezes her hand as he tells her “I got this”— or, per the Japanese version, “Wait for me”, meaning he’ll reunite with her once he’s done (1:04:56-1:05:10).
VI. a) ii. 7) Hero-Heroine Hands
Next, the koibito tsunagi returns as Cloud and Aerith interlace fingers back to back in a classic hero-heroine pose, right after their two-versus-one fight against Sephiroth. This time, they both reach for each other simultaneously (7:42-8:18), without even having to look down at their hands or talk to each other, as though perfectly in sync. As you can see, Aerith and Cloud are now on the same page. This is different from post-OG Aerith’s attitude in the Sector 5 church earlier in chapter 14, as well as in Cloud’s resolution scene in Remake— my interpretation of this mutual koibito tsunagi is that both of them are agreeing to hold onto each other now, with neither of them pulling back or being inattentive of the other: their priorities are now the same. It seems now they are aligned, and hopefully this means that Aerith will be working together with Cloud so they can reunite again in part 3. Even if she doesn’t prioritize her life and happiness though, we know for sure Cloud will.
VI. b) Blocking Masamune Explained?
Another piece of evidence that Cloud has been through the events of OG before is the fact that he is able to block masamune. Cloud looks up and sees Sephiroth descending with his blade poised to kill Aerith. Screaming, Cloud instantly rips the buster sword from the Black Whispers’ hold and successfully blocks masamune. Hatred and determination fill his eyes as he rallies his strength and successfully pushes Sephiroth away, saving Aerith’s life (6:00-7:26)— at least, in one reality.
Obviously, something about Cloud is different in Rebirth from in OG, otherwise, the events of Rebirth’s chapter 14 would be the same as the events of OG’s disk 1 chapter 28. In my opinion, what happened here is that upon seeing Sephiroth swoop down with masamune, Cloud remembered Aerith’s death in OG, and the post-OG Cloud’s determination to stop it came surging up from within him. This is frankly the very best proof there is that Cloud is far more ready, stable, determined, and clear-headed about Aerith in the Remake trilogy than in OG. Our theory explains why! In fact, this very moment is what our entire theory banks on: Cloud saves Aerith in one reality, as is shown by the rainbow effect produced by the event, and just like that, the promise made in “Hollow” has been fulfilled! However, now we face the question of how to make sure that Aerith is alive and by Cloud’s side when the multiverse converges again into one protected timeline. I’m sure it will be done; we will see how in part 3.
VI. c) Theme Song Lyrics
What the theme songs’ texts have to say about the trilogy so far is quite important, as they summarize the feelings of the characters they represent: Cloud and Aerith. We can glean a lot from their perspectives that could help support the Mission Theory.
VI. d) i. “Hollow” Lyrics
“Hollow”, Remake’s theme song, was written about Cloud’s feelings and rumination. Nojima confirmed that, when he was given directives for the lyric-writing, “Nomura just gave [Nojima] the keywords: ‘told from Cloud's point of view’ and ‘standing in the rain’. [Nojima] interpreted that as ‘a ballad for a man who lost something/someone important’” (Nojima and Uematsu interview “‘I wanted to put the word ‘empty’ in the theme song of Remake. That was how it started’ - Music-Related Interview Part 6: Kazunari Nojima”, by Famitsu). Our theory is about Cloud’s motivations and mission to save Aerith, so “Hollow” is especially relevant.
Let’s run through the lyrics and analyze, starting with the song’s first verse:

“I would be lost, drifting along
Floating up high, time after time
And there you'd be, shining brightly
Your smiling face to guide my way
Bloody and bruised, brought to my knees
When beaten down, when broken up
You would appear, reach out to me
Heal every wound and make me whole”

Makes sense with our theory in mind, doesn’t it? This is post-OG Cloud remembering Aerith and what she means to him. “Hollow” seems to be told from the perspective of the post-OG Cloud hidden somewhere in Remake Cloud: a suppressed or eroded part of him that remembers Aerith clearly. Or maybe it’s told by Cloud after the events of the MFF x FFVII Remake collaboration and before the start of Remake, asserting his mission to save Aerith.
Next, here are the pre-choruses:

“Was it all, a dream? Will I never know?
Foolish and blind to everything
Had I realized, had I thought it through
Would you be here in my embrace?”

&

“With your every smile, hiding something more
Dark mysteries lurking beneath
But I was consumed with this emptiness
This selfishness, this void to fill”

(continued in

https://www.youtube.com/shorts/DdJxUSevYf0
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This is a follow-up post to my Two Year Update and One Year Update. For those who haven’t read it here’s a short summary of my first 2 Years

• First Month: Learning Kana with Apps like Duolingo and some basic vocab/grammar and figuring out if I actually like learning Japanese
• Month 2-3: Doing RRTK and watching Cure Dolly for Grammar on the Side
• Month 3-4: Core Anki Decks for Basic Vocab (Tango N5, Core Anime Deck)
• Month 4-6: Reading and Sentence Mining Satori Reader with extra cards from Anime via Morphman
• Month 6-9: Finished Satori Reader and moved on to Anime with Japanese Subtitles + Sentence Mining
• Month 9-12: Added Reading Novels to my Routine for about 1h a day. Continued with Anime for the rest of the time
• Month 13-24: Continued my Routine of reading books + watching Anime and doing Sentence Mining with Anki. I increased my reading to about 2-3h a day for a while and cut back on Anime

Stats

• 2646 Anime Episodes Watched (Year 1: 715, Year 2: 1428, Year 3: 503)
• 68 Movies Watched (Year 1: 19, Year 2: 28, Year 3: 21)
• 115 Novels Read (Year 1: 6, Year 2: 64, Year 3: 45)
• 20000 Anki Vocab Cards (Year 1: 6517 , Year 2: 8664, Year 3: 4819)
• 27520 Morphs (Year 1: 8204 , Year 2: 13650, Year 3: 5666)

I am not as diligent with tracking anymore, so some of it might be missing. My Anime watched and Books read has gone down quite a bit from last year, but I also played some Games in Japanese this year and watched a lot more Youtube/Variety Content. Although I didn’t track it, generally my daily time spent has gone down from 3-4h daily to around 2-3h nowadays.

Current Daily Routine

My Routine has not changed much from my second year, but I tried exploring more genres and media. With better comprehension and less reliance on lookups (thanks to Anki), I am able to enjoy media without subtitles or games where lookups are a bit more annoying, much more than before. I still aim for 2-3 hours of immersion daily, with books remaining the backbone of my immersion since I enjoy them the most. Recently, I’ve replaced my before-bed anime watching with reading books accompanied by audiobooks, thanks to tools like Jidoujisho and Kanjieaters’s SubsPlease tool for syncing audiobooks with books. I’ve also played more games in Japanese, a big highlight being the Metal Gear Solid Series. I’ve also watched more Youtube and Variety Shows as filler content.
In terms of Anki usage, my daily time has tapered off to around 10-15 minutes, primarily because I don’t find many new words anymore. Nowadays, around 90% of my new cards come from reading. When I’m reading challenging books, this number can jump up to around ~20 new cards, but on average, it hovers around 6.
Very recently I’ve also added about 5-10 mins of Minimal Pairs Pitch Training on the コツ Site to my Routine. I’ve only been doing this for about 2 Weeks, and I’m already noticing a big improvement in my Pitch perception. I still don’t have any ambitions regarding Output, but feel like being able to recognize Pitch unlocks a new way of perceiving the language, which I find fascinating.

What my Comprehension feels like

Reading Books

While my reading speed hasn't changed drastically, improving from about 12k chars/hour to around 13-14k chars/hour, the range of variation has decreased significantly. A year ago, my speed could drop to 9k chars/hour with difficult books; now, 12k chars/hour is more of a baseline for me. But my comprehension is where I feel the most improvement, I don’t need to check DeepL at all anymore, if I don’t understand a sentence, I can most of the time understand it when I read it again. And there are a lot more nuances, I now notice which I didn’t before. I noticed this the most in my reread of また同じ夢を見ていた which was my first book I read in Japanese, after rereading it, ~100 books later, I noticed a lot of new nuances, subtext and word play.
I also started using more Audiobooks, in combination with SubsPlease and Jidoujisho to get a synced Subtitle file with the Audiobook. I read along while listening, and my comprehension got fast enough that I generally can just let it play, only occasionally needing to relisten to a line. Even for more difficult books, like 鹿の王 which I recently read. I also read a physical Book this year. If the book is not too hard, I’m now comfortable reading it without a dictionary. The one I read had about 20 words I didn't know, but I only felt the need to look up 2-3. I was able to get the meaning from the others based on context and kanji.

Watching Content with Japanese Subtitles

I felt pretty strong in this area a year ago already, but it has definitely improved a lot also. I noticed this the most when I played the Metal Gear Solid Series. All dialogue does have subtitles, but the content is quite difficult both on a vocabulary level and also on a meaning level, since they are dealing with deep themes a lot of the time. But I was able to play it mostly free flow, only needing to look up a word here or there, getting most of the meaning from the kanji if I didn’t know a word.

Watching Content without Japanese Subtitles

Ironically even though I never intentionally did pure listening practice, always using Japanese subtitles if they were available, I’m noticing the most progress in this area. A year ago, I was not comfortable with most non-subtitled content. Nowadays I would say, easier content like most youtube videos or variety shows, I’m quite comfortable with, although I definitely still miss much more compared to using subtitles. But with Anime or Movies in general, where I’m also much more picky in my comprehension, since I don’t want to miss anything, I’m still not comfortable watching without subtitles I feel like in scripted content people are more likely to use rare words, and even if I technically “know” them, it's still often hard for me to recall them without seeing the characters. But as with all things, that will work itself out with more input. I’m glad my theory from my 1 Year Update, that doing pure listening practice is not needed and using subtitles does not impede progress in listening, turned out true for me.

Closing Thoughts

Although I was able to do all the things I can do now a year ago, I feel like I can do them much more effortlessly. Consuming Japanese is now much closer to English or my native language German, although it’s still not quite there. Both in terms of listening, I usually listen to Youtube videos in English at 2.5x speed, that's not possible for me in Japanese at the moment. Similarly, despite doing a lot of reading, there’s still a lot of room to improve to reach native-level speed.
But it doesn’t feel like learning anymore; it’s more about enjoying the exploration of a new culture through its media. I still love learning new things, which is why I started focusing more on pitch, even though I still have no plans for output.
Adding to my Closing Thoughts from my 2 Year Update, I still feel like this hobby has been the most enriching thing I’ve ever done. Being able to get better at something, feeling the progress gradually, while exploring new ways of thinking, not just through the language itself, but also the vastly different media compared to western media, really broadened my horizon. I feel like learning to appreciate and understand what the media is trying to say is also in a way like learning a language. It got me to read books or try out new genres I probably would have never considered otherwise. For example the Metal Gear Series got me interested in history, which I didn't think I liked before. I also learned a lot about learning new things. I think I can apply all the techniques I discovered learning Japanese to any other skill I want to learn in the future. Being consistent on a daily basis and always practising the same way you would in a real scenario would be the biggest factors for me. (For example, no JLPT grammar questions, rather seeing, looking up and understanding the grammar in native content)
I very much look forward to how my Journey will continue in my 4th year. Thank you for reading!

Y’all, I’m really not sure what’s still around. This list is somewhat edited, but please still make sure to check on all the regular events before you make big plans – I may have missed something.
Events are listed by the day. Events that happen every week appear first, one time stuff after that. If you have anything you’d like people to know about, comment here or message me and I’ll add it in. If you’d like further info about any of the events, look it up! I usually don’t have any extra to add.
Large Scale, Ongoing, and Multi-Day Events

Local Running, Walking, and Biking Info: https://troubleafoot.blogspot.com/
Guided Paddling Outings all around the area: https://www.facebook.com/hsmithoutdoors
Tallahassee Film Society Showings: https://www.tallahasseefilms.com/tickets/
Book Clubs for all tastes: https://www.facebook.com/midtownreadeevents
Live Theater:

• Making Light Productions: https://www.makinglightproductions.org/
  
• Theatre Tallahassee: https://theatretallahassee.org/
  
• Mickee Faust Club: https://www.mickeefaust.com/
  
• Monticello Opera House: https://www.monticellooperahouse.org/
  
• FSU School of Theatre: https://theatre.fsu.edu/productions/
  
• Young Actors Theatre: https://www.youngactorstheatre.com/
  
• Quincy Music Theatre: https://quincymusictheatre.com/
  
• Tallahassee Hispanic Theater: https://tallahasseehispanictheater.wordpress.com/
  

OutdooFarmer’s Markets:

• Lake Ella Grower's Market: Wednesday and Saturday, 11am-2pm. You can always find organic vendors, and foragers: The Holistic Cannabis Community, Artzi Farms, Hickory Nut Gifts, and others. Including Pita Queen! Farmer's Market Nutrition Program Coupons gladly accepted!
  
• Tallahassee Downtown Market: Saturdays, 10am-2pm, Park Ave Parks. Vendors display their arts and fine crafts, jewelry, handmade soap, pottery, Fresh from Florida produce, hand-raised beef and pork, fresh baked bread, jams and jellies, and honey. Live music from different local musicians every Saturday.
  
• Frenchtown Heritage Market: 524 N MLK Jr Blvd. Third Saturday of the month 10am to 2pm. Come grow community and support your local farmers and makers, while you get your groceries for the week! Don’t forget! We match SNAP/EBT, so you DOUBLE your money to go towards locally grown fresh fruits and vegetables! If the guy with the pineapple is there, get it. This is currently only happening on the third Saturday of the month for the next few months while road work is completed.
  
• Tallahassee Farmers Market: 2904 Kerry Forest Pkwy, Saturdays, 8am to Noon. Come see us at Tallahassee's longest-running farmers market! We are a year-round market, featuring local farms and vendors that provide the best seasonal produce, meats, baked goods, and more. We welcome you and your whole family (leashed pets included) to come out and meet your local farmers! Ample parking is available between our lot and the shopping center lot next door (by Red Elephant). Come early for the best selection.
  

THURSDAY, 5/16

• The Hub at Feather Oaks: Bingo. 6pm
  
• Dreamland BBQ: Weekly Open Blues Jam. If you'd like to sing, please bring your own mic. 6pm
  
• Honest Living Vape: Chess-Master Thursdays . Beginners and experts, join us every Thursday from 6-9 for Chess-Master Thursdays. All ages. Bring your board or play ours! Tournaments coming soon! 6pm
  
• Lake Tribe: Trivia. 7pm
  
• Takko Market Square: Bingo Night. 7pm
  
• The Getaway Grille and Bar: Karaoke with Jared Walker. 7pm
  
• Amicus Brewing: Trivia. 7pm
  
• Smitty's Taphouse: Trivia Lab Thursdays. Teams of 6 or fewer players can compete for $30 / $20 / $10 Prizes + The Golden MacGuffin prize table! New format! Interactive smartphone answering for your comfort and safety! 6 Fun Rounds - 42 Total Questions. 7:30pm
  
• Studio D: Bachata Fever. We always have a bachata workshop at 8 pm before Bachata Fever. We dance afterwards to the sounds of DJ Bacharod. The class is at 8 pm and Bachata Fever will start at 930 pm. Many times people are learning in class and may feel uncomfortable social dancing while they are still learning moves. We have a welcoming environment so stay and have fun and dance with everyone. That is how we learn. 8pm/Class $5/Bachata Fever $5.
  
• The Sound Bar: Comedy Night. 8pm
  
• Finnegans Wake: Open Mic. 8:30pm
  
• Brass Tap in Midtown: Karaoke with DJ Rah. 9pm
  
• 926: Karaoke. 9pm
  
• Bird’s: Karaoke with Nathan. 9pm
  

• Fire Bettys: Slasher Bash. This week we'll be showing: "Zombeavers". Prepare for an evening of horrific hilarity with comedy narration and devilish drinking games!🍻 Hosted by local comedians. 8pm/21+
  
• Blue Tavern: Seep's Gumbo Nation ft. Shanice Richards. 8pm
  

FRIDAY, 5/17

• Blue Tavern: Happy Hour with Steve Malono. 5pm
  
• Lake Tribe Brewing: Flannel Fridays with Live Music. 6pm
  
• Hobbit West: Friday Night Dart Tournament. Anyone can Enter! Sign ups at 7:30, Darts fly at 8:00/$10 entry fee
  
• Ouzts Too: Karaoke with DJ Nathan. Best karaoke DJ in town. 8pm
  
• Just One More: Karaoke with DJ Rah. 9pm-11pm/21+
  
• 926: The Hot Friday Night Party and Drag Show. 9pm/$5/18+
  

• The Hub at Feather Oaks: Rachel Hillman. 5:30pm
  
• Lake Tribe: Ben Wentworth. 5:30pm
  
• Amicus Brewing: The Tanglers. 6pm
  
• The Getaway Grille and Bar: One Year Anniversary Celebration Featuring Queen of Hearts Band. 6pm
  
• Southwood Golf Club: The Rhythm Remedy. 6:30pm
  
• Goodwood: The Big Bash Havana Nights presented by Brent Hartsfield. The Big Bash is Big Brothers Big Sisters of the Big Bend's signature fundraising gala of the year and directly supports the agency's youth mentoring programs. Guests will enjoy Cuban Cuisine, champagne mojitos, cigars, flights, classic cars, photo opportunities, silent auction vacation packages, LIVE music and dancing, and an exciting LIVE salsa dance performance from 12 community volunteers! The event is a tremendous networking opportunity for Tallahassee's top business professionals, local community leaders and philanthropists to come together to enjoy an evening to celebrate the achievements of Big Brothers Big Sisters. 7pm
  
• Blue Tavern: Wil Fulkerson Jazz Night. 8pm
  
• House of Music: Belly Dancing: Journey From The Nile To The Tigris. Habibi, join us on a groovy carpet ride across ancient deserts: Disco Iskandar embarks on a voyage of belly dance, folklore, cinema, and history in a theatrical dance production, JOURNEY FROM THE NILE TO THE TIGRIS. Highlighting the prominence of belly dance in films of the Middle East from the 1940s through the 1970s, we present a live showcase exhibiting dances from Egypt, Turkey, Iraq, and beyond. It goes so much deeper than you think. Hookahs! Swords! Rhinestones, literally everywhere! This cross section of entertainment and education is the culmination of years of obsessive learning, two national tours, and travels to Egypt & Lebanon. JOURNEY FROM THE NILE TO THE TIGRIS is a trip unlike any other-- where the Middle East meets Vegas. This show’s cast is Gabi Corazon, Gia Bee, Liz Azi, Olya Clark, Vania Ojeda, director Veronica Lynn, and special guest star Omaris! 8pm/$15/21+
  
• The Sound Bar: The Old Schoolers. 8pm
  
• Vino Beano: Your Scumbag Neighbors. 8pm
  
• The Bark: Medians, No Yeah, Sleep John B, and Cloud Storage. 8pm
  

SATURDAY, 5/18

• Brinkley Glen Park: Invasive Plant Removal. Join Master Gardener Volunteers at this weekly invasive plant removal event. This is a great way to learn to ID our invasive plant species and how to remove them. We recommend wearing long pants and sleeves, closed-toed shoes, gloves, a hat and mosquito spray. Bring gardening tools such as hand clippers, loppers, trowels, etc. if you have them. We are removing coral ardisia bushes and berries, nandina, tung trees, Tradescantia flumenensis, cat's claw vine, winged yam, Japanese climbing fern, skunkvine and more. Directions: The best way to get there is to take Meridian Rd to Waverly Rd, go to the next intersection and turn left onto Abbotsford Way, then turn left at the next road called Woodside Dr. At the stop sign turn left onto Lothian. Lothian ends in a cul-de-sac and there is a sign that says Brinkley Glen Park. 8:30am-11:30am
  
• Gamescape: Saturday Gaming. Gamescape has relocated from Railroad Square to the Huntington Oaks Plaza (Suite 302, next to the Library) at N Monroe St and Fred George Rd. Open gaming tables are available. Noon-6pm
  
• Duke’s and Dottie’s: Line Dancing Plus Lessons. 7pm/21+
  
• Bird’s Oyster Shack: Laughterday Night Fever. * Join us every Saturday at Bird's Aphrodisiac Oyster Shack for a free comedy show!* 8:30pm
  
• 926: Latin Night. Dance to the irresistible beats of Zeus and prepare to be dazzled by a spectacular drag show at midnight. It's more than a party, it's an experience. 9:30pm/$10 21+, $15 under 21
  

• Crawfordville: Big Bend Biodiversity Tour. See why our area is so ecologically incredible! Get up close and personal with creatures and plants galore. Join expert guide and outdoor educator, Ryan Means for this limited opportunity to tour the Apalachicola Lowlands Preserve. The day-long trip stops at points along the way to the privately-owned preserve nestled deep in the Apalachicola National Forest near Sumatra, FL. Explore the longleaf pine ecosystem, pitcher plant bogs, ephemeral wetlands, and blackwater streams - home to some threatened and endangered species. Learn what makes the Florida Panhandle one of the five richest biodiversity hotspots in North America. Perfect tour for photographers, outdoor enthusiasts and ecologists. $75 tour fee includes round-trip transportation (from 46 Kinsey Rd, Crawfordville, FL) , complimentary beverages, and supports efforts to preserve the incredible biodiversity of the Southeastern Coastal Plain. Spaces limited. Register here: https://coastalplains.networkforgood.com/events/71083-big-bend-biodiversity-tour for full details. 8am
  
• Dreamland BBQ: Rock Type One to None. Let's rock to find a cure for Type 1 Diabetes! The Unicorn Wranglers are back on Saturday, May 18th at Dreamland BBQ in Tallahassee, Florida for the 2024 "Rock One to None" show. This show is benefiting the Juvenile Diabetes Research Fund (JDRF) and will feature musical guests Midnight Caravan, Fallen Timber, and the Unicorn Wranglers. The show starts at 4 pm and runs until 7 pm at Dreamland BBQ in Music Alley, and is open to all ages. While the show is free, we encourage all rockers attending to donate to the cause. You can contribute at the show by visiting our donation station or by heading over to our online Unicorn Wranglers team page. Together, as one big mosh pit, we can help cure Type 1 Diabetes. 3pm
  
• The Hub at Feather Oaks: Ethan Kyllonen. 4pm
  
• Amicus Brewing: Beza Alford and Rev. Dr. Sheldon Steen. 5pm
  
• Lake Tribe: Flamingo Party. 6pm
  
• The Getaway Grille and Bar: Billy Rigsby Band. 6pm
  
• Vino Beano: Brett & "Dangerous" Dave. 6pm
  
• Salty Dawg: Hot Mess. 6:30pm
  
• La Tiendita: Rhys Bennett & the Gringos as Vontade. Join us for an energetic evening filled with the vibrant sounds of Latin music, Brazilian beats, and jazz rhythms. Our local band, Rhys Bennett & the Gringos, will transform into the versatile ensemble Vontade, treating you to a delightful mix of rancheras, bossa nova, and more! Whether you're a seasoned dancer or a newcomer to the dance floor, you're in for a fantastic time at one of Tallahassee's hidden gems. Immerse yourself in a night of cultural fusion and musical celebration that is sure to create lasting memories! 6:30pm
  
• The Sound Bar: Tillman & Taff. 7pm
  
• Island Wings: Midnight Caravan. 7pm
  
• The Bark: Saturnalia, Brass Wizard, Van Season, and Psycho Tropical. 8pm
  
• Fire Bettys: 80's Video Dance Party. 8pm
  
• Just One More: One Eyed JAK. 9pm
  

SUNDAY, 5/19

• Bicycle House: Sunday Ride. Ride at 10:30 AM from Bicycle House. We will ride the Cascades trail to the St Marks trail and down to Wakulla station and return, about 31 miles. Ride speed is 12 to 14 mph, with periodic regroups. Vernon Bailey is the ride leader. Vernon is a new CCC member who’s been biking for 50 years enjoys riding with small groups and weekend touring. 10am
  
• E Peck Greene Park (Behind the LeRoy Collins Library): Food Not Bombs Free Mealshare. We offer free vegetarian/vegan food, water, coffee, personal care & hygiene products, bus passes, and clothing when we have some available to those in need. Contact foodnotbombstally@gmail.com to find out about getting involved. Noon-2pm
  
• LeRoy Collins Library: Tallahassee Go Club Meetings. Come play the captivating ancient game of Go, also known as Baduk, with some friendly games and discussions. Beginners welcome. Visit https://www.tallahasseegoclub.com for more information. 1pm
  
• Gamescape: Pokémon League. Come learn, play, and trade with the Pokémon Trading Card Game and the Pokémon video games! We LOVE seeing new players, so come learn how to play! We play both the Trading Card Game and the Video Game casually and competitively. The store offers lots of different seating arrangements to meet our group's needs, as well as food, drinks, and Pokémon products for purchase. We are also hold regular, officially sanctioned tournaments for Pokémon Trading Card Game and Video Game Competitions! 2-4pm
  
• The Plant: Open Jam. All instruments, all players welcome. 4pm-9pm
  
• Pedro’s: Mariachi Clasico. 6pm
  
• Fermentation Lounge: Open Mic Night Hosted by Conor Churchill. 7pm
  

• Ology Powermill: Marauders Market. Noon
  
• The Hub at Feather Oaks: The Barber Bros. 1pm-4pm
  
• Goodwood: Ice Cream Social. Get ready for a spectacular day of family fun at Goodwood Museum & Gardens! Treat your taste buds to a family fun day of FREE ice cream, FREE crafts for the kids, FREE activities, and more, all on the beautiful Goodwood grounds. Family-friendly musical entertainment will be provided by The Safari Man, who will have everyone tapping their feet and dancing along to his whimsical tunes. 1pm
  
• Common Ground Books: Contemporary Queer Poetry Book Club: Time is a Mother. This month, we’ll be reading “Time is a Mother” by Ocean Vuong. “In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Vivid, brave and propulsive, Vuong's poems contend with personal loss, the meaning of family, and the value of joy in a perennially fractured American spirit. The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. Bold and prescient, and a testament to tenderness in the face of violence, Time is a Mother is a return and a forging-forth all at once.” 6pm
  

MONDAY, 5/20

• Just One More: Bingo. 5pm-6:30pm
  
• The Getaway Grille and Bar: Margarita Monday, Open-Mic Night hosted by The Saltwater Cowboy. 5:30pm-8pm
  
• American Legion Hall: Cha Cha - Weekly Lessons. 6:15pm/$5
  
• Hangar 38: Bingo. 6:45pm
  
• Vino Beano: Tipsy Trivia. 7pm
  

TUESDAY, 5/21

• Blue Tavern: Happy Hour. 5pm
  
• The Getaway Grille: Tuesday Night Bikes and Trikes. 6pm
  
• Crafty Crab: BOOMIN' Karaoke. 7pm
  
• Gamescape: Hobby Night. Slay the grey together! Join your fellow gamers and turn your pile of grey miniatures into a battle ready army. Need some painting tips? Feel free to ask at hobby night. You can bring any miniature for any game to paint. 7pm
  
• Ology Midtown: Jazz Jam Sessions. 7pm
  
• Island Wings: Trivia. 7pm
  
• Brass Tap in Midtown: Trivia. 1st Tuesday of the month is General Knowledge with rotating themes the rest of the month. 7pm
  
• House of Music: Tuesday Trivia & Karaoke. 7pm
  
• American Legion Hall: Tallahassee Swing Band Tuesday Night Dance. 7:30pm
  
• Fire Bettys: Comedy Night. 8pm
  
• Poor Pauls: Trivia. 8pm/21+
  
• Blue Tavern: Bluesday Tuesday with Bill Ricci. Every Tuesday is Blues Day @ the Blue Tavern and Blues Meets Girl is a Tallahassee favorite. This perfect, intimate venue provides just what you need for both a mid-week break and authentic blues music experience. 8pm/$5
  
• 4th Quarter: Professor Jim's Tuesday Night Trivia. Popular for a reason! 8pm
  
• Argonaut Coffee: Trivia Tuesday. 8pm
  
• The Sound Bar: Karaoke. 8pm
  
• Fire Betty’s: Open Mic Comedy Night. 8pm/21+
  
• 926: Tacos and Trivia. 9pm
  

• Tallahassee Junior Museum: Basic Blacksmith Skills Program. Light your curiosity at our upcoming Basic Blacksmith Skills Program! Join our resident blacksmith, Michael Murphy, as he shares his history of being a Smitty. Participants will be able to keep the fire going, sling a hammer, and throw knives during this two hour lecture program. This is an outdoor event. Must preregister online at tallahasseemuseum.org/events. This program is free for members and regular admission price for non-members. 10am

WEDNESDAY, 5/22

• Sugar and Spice Tally: Game Night. Join us every Wednesday Night for community game night. Bring your own or use ours! Let me know if you need to reserve space for a large group. Free to attend! 5pm
  
• Goodwood: Wonderful Wednesday. 6pm/$5
  
• Level 8 Rooftop Lounge: Trivia. 6pm
  
• La Florida Coffee & Wine: Trivia Night. 6pm
  
• The Great Games Library: Open Game Night. 6pm/free
  
• American Legion Hall: Sue Boyd Country Western and More Dance Class. Session 2 - Beginner 6:30 to 7:45 pm What: East Coast Swing and Waltz. Cost: $8.00 per person. Wear comfortable shoes you can turn in. 7:45 to 8:15 - Practice dance with paid admission. 8:15 to 9:30: Intermediate - 2 Step and WCS. $8.00 per person or $13.00 for both classes. Vaccines are required. Face masks are optional. Changing partners is optional. 6:30pm
  
• Perry Lynn’s Smokehouse in Quincy: Wed Night Open Mic w/ Steven Ritter and Friends. 6:30pm
  
• Hangar 38: Trivia. 6:45pm
  
• Proof: Trivia. 7pm
  
• Vino Beano: Wine Bingo. 7pm
  
• Fermentation Lounge: Trivia. 7pm
  
• Blue Tavern: Wednesday Open Mic with Doc Russell. The open mic night that has run continuously for almost 20 years, once housed at the Warehouse, lives on at the Blue Tavern. Doc Russell continues as the host with the most. Sign up starts at 7:45pm/free to attend
  
• House of Music: Bar Bingo! Free to Play & Late Night Karaoke. 7pm
  
• Fire Betty’s: Karaoke! 8pm/21+/free
  
• Dukes and Dotties: College Night and Line Dancing Lessons. 8pm
  
• Finnegans Wake: Trivia. 8pm
  
• The Sound Bar: Open Mic Night. 8pm
  
• The Bark: Karaoke with DJ Nathan. Best karaoke DJ in town. 9pm
  
• Peppers: Karaoke. 9pm
  
• 926: Dragged Out Wednesday. 10pm
  

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Big Reveal: East Side Endeavor Health Center - Buffalo Rising
Endeavor Health is proposing a new behavioral health center at the corner of Broadway and Goodyear on the East Side. The two-story building will include 16,000 sq.ft. of space and surface parking for 45 cars.
The center will replace Endeavor Health’s existing facility located at 1131 Broadway which is outdated, undersized, and in need of substantial repair to continue in useful service to the community. Endeavor’s current facility provides 41,995 treatment visits per year with 2,870 adults.
Former Record Theatre complex ready for re-use (buffalonews.com)
Work by BRD Construction is nearly completed on the $8.4 million redevelopment of the former Record Theatre complex into a new mixed-use residential and retail project, with the first new apartments ready for rent as of June 1.
About 20 months after kicking off construction on the adaptive-reuse venture, the five partners from Common Bond Real Estate, Urban Vantage and Preservation Studios are finishing up their effort to restore and revive the buildings at 1786 Main St. and 1040 Lafayette Ave., which had originally been a car dealership when they were built in the 1920s...
Now redubbed "The Monroe," it will feature 17 workforce housing units, affordable for households earning less than 80% of the area median income, as well as 11,000 square feet of commercial and retail space.
Residents, Town Board clash over future Grand Island growth (buffalonews.com)
The latest skirmish in the long-running Grand Island warehouse war took place last week.
That’s when boos and cries of “shame” rained down on the Grand Island Town Board after a board majority rejected a new law that would subject massive warehouse and distribution centers to heightened scrutiny.
Residents had packed Town Hall to implore the board to pass the oft-debated zoning change, contending it was needed to protect them from the traffic, pollution and loss of green space inflicted by these large facilities...
D'Youville pauses construction of new med school building (buffalonews.com)
Just months after starting construction on a $175 million project to construct and open a new osteopathic medical school on Buffalo’s West Side, D’Youville University has called a halt to the work that was already underway as it considers whether to proceed or to abandon its plan in favor of a cheaper alternative...
Details on what had happened or why were not available, but financing problems appeared to be the culprit, as the cost of the project has soared because of higher interest rates, as well as construction, material and labor costs. But those have been factors for all construction projects for the past two years, yet there was no prior indication of any problem for D’Youville, until now.
Jemal lays out $4.2M plan to transform Main Street block wgrz.com
Douglas Jemal has detailed his plans for new apartments and facade renovations in several buildings on the 500 block of Main Street.
In a series of applications reviewed this week by the Buffalo preservation board, Douglas Development described a combined $4.2 million worth of work across three related projects and 515-521, 525 and 529 Main.
Two Homes Planned for Main/Woodbridge - Buffalo Rising
The site of a proposed apartment building at the northwest corner of Main Street and Woodbridge Avenue is now targeted for two single-family homes. Property owner Nick Giambra is seeking to split the parcel into two lots oriented towards Woodbridge Avenue. The change in plans comes after pushback from the Central Park Homeowners Association and to comply with deed restrictions on the site that only permit single-family homes.
(Note: I'd prefer main facing properties to have a larger footprint than a SFH, but at least these won't be empty lots much longer)
Financing for new MusicalFare Theatre in Amherst up in air (buffalonews.com)
The Amherst Town Board has reversed its decision to borrow up to $11 million to pay for a new MusicalFare Theatre building at the former Westwood Country Club, an abrupt reversal that leaves the fate of the project up in the air.
The move came after the borrowing received withering criticism from a group of town residents who collected enough petition signatures to put the MusicalFare bond up to a public vote.
Construction Watch: The Lawrence - Buffalo Rising
Work on The Lawrence, a Fruit Belt apartment building, is underway. Symphony Property Management is building the 132-unit apartment project on a site that fronts both Michigan Avenue and Maple Street at the edge of the Medical Campus.
(Note: I really wish this had a commercial street level component to it)
Developer sought for project at former Bethlehem Steel site (buffalonews.com)
With Ciminelli Real Estate Corp. abandoning plans for a new warehouse project at Renaissance Commerce Park in Lackawanna, Erie County is now putting the same property and more out for bid to other developers in search of another light industrial project to add to the growing complex along Route 5.
The Industrial Land Development Corp. – the land development arm of the Erie County Industrial Development Agency – is asking developers to submit proposals for the purchase and redevelopment of 23.73 acres at the former Bethlehem Steel campus.

DAY: MAY 15, 2024

• 5-15-2024ALZHEIMER’S DISEASE PROCESSES WITHOUT SYMPTOMS. HOW IS THAT POSSIBLE? Everyone experiences aging in their own way, and factors such as genetics, lifestyle and environment play a role in this process. Some individuals reach the age of 90 or even 100 in good health, without medications or brain disease. But how do these individuals maintain their health as they age?
• 5-15-2024COULD A LOW-CAL KETO DIET HELP EASE ACNE? In a small pilot study, some young women looking to lose weight on a low-calorie keto diet got an unexpected benefit: Their acne began to clear up. “These findings represent an opportunity to control a skin disease that affects most teenagers and many adults at some point in their lifetimes, causing distress, embarrassment, anxiety and low self-confidence among sufferers, robbing them of their quality of life,
• 5-15-2024FIGHTING FAT AND INFLAMMATION: SCIENTISTS DEVELOP NEW COMPOUNDS The menthyl esters of valine (MV) and isoleucine (MI) are multi-faceted molecules with enhanced anti-inflammatory and anti-obesity activities. The discovery and development of such molecules can result in newer classes of therapeutic drugs to treat a wide range of metabolic disorders. Credit: Gen-ichiro Arimura from Tokyo University of Science Modified derivatives of natural products have led to significant therapeutic advances and commercial success in recent times. Menthol is a naturally occurring cyclic monoterpene alcohol found in various plants,
• 5-15-2024TREATMENT OPTIONS INCLUDE ALTERNATIVES TO CHEMOTHERAPY, EXPERT EXPLAINS Chemotherapy is usually the first treatment doctors try to treat lymphoma, including the two most common forms: non-Hodgkin and Hodgkin. But alternatives to chemotherapy are developing, as first-line treatments and as backup options, explains Stephen Ansell, M.D., Ph.D., hematology chair and hematologic oncologist at the Mayo Clinic Comprehensive Cancer Center. Lymphoma is a blood cancer that begins when a germ-fighting white blood cell, called a lymphocyte, mutates and rapidly multiplies
• 5-15-2024CHECKING YOUR BELLY BUTTON CAN TELL YOU A LOT ABOUT YOUR HEALTH Navels, belly buttons, innies or outies … whatever term you use, your umbilicus may have plenty to tell you about the state of your health. For some, they are the thing of nightmares—omphalophobia (the fear of belly buttons) is a real condition. For others, they are a fashion accessory to be shown off in a crop top, or decorated with a body piercing. Whatever your feelings about belly buttons, one thing’s for sure—it once joined you to your mother
• 5-15-2024STUDY FINDS H5N1 VIRUS FROM 2022 MINK OUTBREAK CAPABLE OF INEFFICIENT AIRBORNE TRANSMISSION Direct contact transmission, weight loss, and survival for ferrets infected with A/mink (H5N1). Four donor ferrets were inoculated with A/mink (H5N1) and 24?h later each donor was paired with a contact in the same cage. Nasal wash samples were collected every other day for 13 days, and weight loss and clinical signs were monitored. A, B display viral titers from donor and direct contacts,
• 5-15-2024STUDY SHOWS COMBINING JOYFUL ACTIVITIES WITH ‘SAVORING’ THERAPY SHOWS POSITIVE MENTAL HEALTH RESULTS AMONG YOUNG PEOPLE With rates of depression rising among young people on university campuses, a team of SMU researchers found that combining two different therapeutic approaches demonstrated effectiveness in improving students’ overall mental health. Their findings show that students receiving behavioral activation (BA) therapy augmented with savoring (S) experienced improvements in positive and negative mood. Behavioral activation is a therapeutic approach that alleviates depression by increasing engagement in meaningful activities,
• 5-15-2024AI-BASED SURGICAL PREDICTION MODELS HAVE LIMITS Prediction models generated by machine learning are being increasingly used in medicine to identify risk factors and possible outcomes, especially for total joint replacements of knees and hips—although researchers warn that machine-generated predictions are currently being drawn from a limited data pool. “Machine learning has great potential for processing ‘big data’ and has proved its undeniable capability, although it is not free of issues,
• 5-15-2024STUDY FINDS FRONT-OF-PACKAGE NUTRITION LABELING RESULTS IN HEALTHIER PRODUCTS A study finds that a food labeling system introduced by the French government in 2017 resulted in healthier products. The study of Nutri-Score, a voluntary labeling system that assigns a simple letter grade based on nutrition, is believed to be the first to examine how food manufacturers responded to the change. Using detailed product and nutrition data from 2014 to 2021,
• 5-15-2024EXPERT EXPLAINS PUBLIC HEALTH CONCERNS ON AVIAN FLU Using genetically engineered mice expressing a specific variant of HLA, researchers uncover the instrumental role of this protein in the development of drug eruptions. They found that when HLA binds to an antiviral drug, abacavir, it can lead to the formation of defective proteins, which trigger a stress response in the endoplasmic reticulum, ultimately cascading into drug eruption. This implies that HLA is involved in previously unknown signaling pathways and processes that go beyond its traditionally accepted role within the immune system.
• 5-15-2024EXPLORING THE MECHANISM BEHIND DRUG ERUPTIONS IN THE SKINUsing genetically engineered mice expressing a specific variant of HLA, researchers uncover the instrumental role of this protein in the development of drug eruptions. They found that when HLA binds to an antiviral drug, abacavir, it can lead to the formation of defective proteins, which trigger a stress response in the endoplasmic reticulum, ultimately cascading into drug eruption.
• 5-15-2024STUDY PROVIDES BLUEPRINT FOR HYBRID-VIRTUAL HOME VISIT MODEL TO SUPPORT PATIENTS WHO DO NOT LIVE CLOSE TO A HOSPITAL a team developed and successfully tested a hybrid-virtual home visit model that provides care to veterans who do not live close to a VA health care facility.
• 5-15-2024HOW SCIENCE IS CHANGING THE GAME IN SPORTS Digital twins of athletes allow athletes and coaches to evaluate performance and trial technique changes. It’s an open secret that the countries that win the most medals in the Olympics and Paralympics combine talent and technology. Athletes are preparing for the next three Olympics and Paralympics in Paris in 2024
• 5-15-2024STUDY REVEALS HOW PRACTICE FORMS NEW MEMORY PATHWAYS IN THE BRAIN The effects of optogenetic inhibition on WM task performance. a, The experimental set-up. b, The delayed-association WM task trial types; licking was assessed during the 3?s choice period, with early- and late-delays periods noted. c, Learning progress across eight sessions, measured on the basis of the percentage of correct responses. d, Learning session example
• 5-15-2024A MEDITERRANEAN DIET CAN EASE SYMPTOMS OF STRESS AND ANXIETY, SAYS STUDY It’s no secret that the Mediterranean diet is good for your health. Already recommended to reduce the risks of bowel cancer, heart disease, and dementia, new research shows that the Mediterranean diet can also reduce symptoms of stress and anxiety.
• 5-15-2024ENHANCING PATIENT RESPONSE TO CANCER IMMUNOTHERAPY
• 5-15-2024LONGER SPRINT INTERVALS CAN IMPROVE MUSCLE OXYGEN UTILIZATION COMPARED TO SHORTER INTERVALS
• 5-15-2024NEW EVIDENCE FOR USE OF ANTI-INFLAMMATORY THERAPY FOR PREVENTION OF RECURRENT VASCULAR EVENTS IN STROKE
• 5-15-2024STUDY PAVES THE WAY FOR AN ACTIVE AGENT AGAINST HEPATITIS E
• 5-15-2024RESEARCHERS DEVELOP METHOD TO MONITOR PATIENTS WITH SPINAL MUSCULAR ATROPHY USING SOUND WAVES
• 5-15-2024INFERTILITY TREATMENT FOUND TO DOUBLE THE RISK OF POSTPARTUM HEART DISEASE
• 5-15-2024A PROMISING APPROACH TO INTRAOPERATIVE CANCER DIAGNOSIS
• 5-15-2024HOW ROGUE NEUTROPHILS HELP LUNG CANCER SPREAD
• 5-15-2024WOMEN PHYSICIANS ARE UNDERREPRESENTED AND FEEL LESS IMPACTFUL IN CANCER TREATMENT PLANNING VIRTUAL MEETINGS
• 5-15-2024ONLY 20% OF U.S. NONPROFIT HOSPITALS INVESTED IN HOUSING AS PART OF THE FEDERAL COMMUNITY BENEFIT MANDATE
• 5-15-2024NEW STUDY LINKS AUTISM SPECTRUM DISORDER TO DISRUPTED DEVELOPMENTAL DOPAMINE
• 5-15-2024STUDY FINDS SEVERE ISCHEMIC STROKES ARE RARE IN PATIENT POPULATION
• 5-15-2024CYCLIN D1 EXPRESSION MAY BE A BIOMARKER FOR PENILE CANCER
• 5-15-2024GUIDELINE ISSUED FOR PEOPLE WITH EPILEPSY WHO MAY BECOME PREGNANT
• 5-15-2024NEW CARDIAC RESEARCH COULD SAVE WOMEN’S LIVES BY IMPROVING DETECTION OF HEART FAILURE
• 5-15-2024PATIENTS REPORT SIGNIFICANT SYMPTOM REDUCTION WITHIN A SINGLE INTEGRATIVE MEDICINE ENCOUNTER
• 5-15-2024STUDY LINKS PROTEIN SECRETED BY BLOOD VESSELS TO DRUG-RESISTANT CANCER
• 5-15-2024RESEARCHERS EXPLORE THE ROLE OF OF TRANSPOSABLE ELEMENTS IN MYOCARDITIS
• 5-15-2024STUDY REVEALS IMMUNOTHERAPY’S POTENTIAL IN BOOSTING IMMUNE SYSTEMS OF OLDER INDIVIDUALS
• 5-15-2024CANADIAN HOSPITAL DATA SHOW LONGER, COSTLIER STAYS FOR PATIENTS EXPERIENCING HOMELESSNESS
• 5-15-2024SCIENTISTS WANT TO KNOW HOW THE SMELLS OF NATURE BENEFIT OUR HEALTH
• 5-15-2024STUDY FINDS TWO GENES OF THE GERMLINE ARE ESSENTIAL FOR THE DEVELOPMENT OF BRAIN TUMORS IN DROSOPHILA
• 5-15-2024EVALUATING A NEW GROUP TRAINING TOOL FOR THE PREVENTION OF DEMENTIA
• 5-15-2024RESEARCH CHALLENGES LINK BETWEEN MOTOR IMPAIRMENT AND BRAIN INJURY
• 5-15-2024RESEARCH CHALLENGES LINK BETWEEN MOTOR IMPAIRMENT AND BRAIN INJURY
• 5-15-2024CHIROPRACTIC ASSOCIATED WITH LOWER LIKELIHOOD OF TRAMADOL PRESCRIPTION IN ADULTS WITH SCIATICA
• 5-15-2024UNVEILING THE IMPACT OF JOB LOSS ON THE HEALTH OF IMMIGRANTS IN GERMANY
• 5-15-2024HEALTH CARE INTERPRETERS IMPORTANT FOR HEART ATTACK REHABILITATION, SAYS STUDY
• 5-15-2024RESEARCHERS FIND MICROPLASTICS IN CANINE AND HUMAN TESTICULAR TISSUE
• 5-15-2024ANTISEIZURE MEDICATIONS CAN PRODUCE LIFE-THREATENING REACTIONS
• 5-15-2024ADULTS WHO HAD DIFFICULT CHILDHOODS ARE NOT RECEIVING SUFFICIENT MENTAL HEALTH CARE, FINDS CALIFORNIA STUDY
• 5-15-2024AI MAY IMPROVE DOCTOR–PATIENT INTERACTIONS FOR OLDER ADULTS WITH CANCER
• 5-15-2024BLOOD PRESSURE DRUGS MORE THAN DOUBLE BONE-FRACTURE RISK IN NURSING HOME PATIENTS
• 5-15-2024PREVENTING PEDIATRIC FALLS
• 5-15-2024I’M PREGNANT. DO I NEED A MULTIVITAMIN?
• 5-15-2024TREATMENT-RESISTANT DEPRESSION LINKED TO BODY MASS INDEX: STUDY
• 5-15-2024HOW DID THE COVID-19 PANDEMIC AFFECT OLDER ADULTS’ TECHNOLOGY USE?
• 5-15-2024STUDY FINDS LINK BETWEEN BMI TRAJECTORIES AND FRACTURE RISK IN LATE ADULTHOOD
• 5-15-2024STUDY FINDS REDUCED RISK OF BREAST CANCER FOLLOWING BARIATRIC SURGERY IN WOMEN WITH HYPERINSULINEMIA
• 5-15-2024FEWER US OVERDOSE DEATHS WERE REPORTED LAST YEAR, BUT EXPERTS ARE STILL CAUTIOUS
• 5-15-2024PRE- AND POST-SURGICAL IMMUNOTHERAPY IMPROVES OUTCOMES FOR PATIENTS WITH OPERABLE LUNG CANCER, PHASE III STUDY FINDS
• 5-15-2024NEW METHOD USES TAU PROTEIN DEPOSITION PATTERNS TO PREDICT ALZHEIMER’S SEVERITY
• 5-15-2024OLDER NATIVE AMERICANS MAY EXPERIENCE HIGHER LEVELS OF COGNITIVE IMPAIRMENT THAN PREVIOUSLY THOUGHT
• 5-15-2024RESEARCHERS DEVELOP INNOVATIVE PLATFORM FOR MODELING HUMAN MUSCLE DISEASES IN WORMS
• 5-15-2024CLIMATE CHANGE IS LIKELY TO AGGRAVATE BRAIN CONDITIONS, STUDY FINDS
• 5-15-2024NEW STUDY SHOWS CONTINUED HIGH EFFECTIVENESS OF HPV VACCINATION IN ENGLAND
• 5-15-2024FAT-ENLARGED AXILLARY NODES ON MAMMOGRAM MAY INDICATE HIGHER CVD RISK
• 5-15-2024NOVEL INHIBITOR INSIGHTS OFFER PATHWAY TO PREVENTING PXR-ASSOCIATED DRUG RESISTANCE
• 5-15-2024THE DOCTOR IS IN… BUT WHAT’S BEHIND THEM? STUDY REVEALS IMPACTS OF TELEHEALTH BACKGROUND SETTINGS
• 5-15-2024HIGH TELEHEALTH USE TIED TO INCREASED HEALTH CARE UTILIZATION, COST
• 5-15-2024NEW BIOMARKER IDENTIFIED TO DIAGNOSE ALZHEIMER’S IN ASYMPTOMATIC STAGES
• 5-15-2024U.S. DROWNING DEATHS RISING AGAIN AFTER YEARS OF DECLINE
• 5-15-2024STUDY FINDS ASTROCYTIC PH REGULATOR CAN REPAIR BLOOD-BRAIN BARRIER, REVERSE BRAIN DAMAGE CAUSED BY ISCHEMIC STROKE
• 5-15-2024DISPARITIES SEEN IN CARBAPENEM-RESISTANT ENTEROBACTERALES BLOODSTREAM INFECTION OUTCOMES
• 5-15-2024WHY IS WHOOPING COUGH SURGING IN THE UK? FALLING VACCINATION RATES MAY BE THE ANSWER
• 5-15-2024CARDIAC REHAB IS A PROVEN BUT UNDERUSED THERAPY IN WOMEN, BUT TAILORED RESOURCES AIM TO CHANGE THAT
• 5-15-2024IRON FUELS IMMUNE CELLS—AND IT COULD MAKE ASTHMA WORSE
• 5-15-2024NEW POSSIBILITIES FOR CELL THERAPIES AND PERSONALIZED MEDICINE
• 5-15-2024HIGHER INCOME REDUCES STROKE MORTALITY RISK BY A THIRD, NEW STUDY SHOWS
• 5-15-2024SOME FORMS OF AUGMENTED BRAIN STIMULATION RECOMMENDED FOR MAJOR DEPRESSION
• 5-15-2024LOW TESTOSTERONE IN MEN ASSOCIATED WITH AN EARLY DEATH
• 5-15-2024WEARING FACE MASKS DID NOT REDUCE RISK OF COVID INFECTION AFTER FIRST OMICRON WAVE, RESEARCH SUGGESTS
• 5-15-2024BLUETOOTH TRACKING DEVICES PROVIDE NEW VIEW INTO CARE HOME QUALITY
• 5-15-2024RACIAL DISPARITIES IN CHILDHOOD OBESITY ON THE RISE IN STUDY OF NYC PUBLIC SCHOOLS
• 5-15-2024TWO DECADES OF STUDIES SUGGEST HEALTH BENEFITS ASSOCIATED WITH PLANT-BASED DIETS, BUT CAUTION URGED
• 5-15-2024TRANSCATHETER VALVE REPLACEMENT OUTCOMES SIMILAR TO SURGERY FOR SEVERE AORTIC STENOSIS
• 5-15-2024RECOGNIZING THE PHYSICAL AND EMOTIONAL TOLL THAT CARING FOR A LOVED ONE WITH A CHRONIC CONDITION HAS ON THE CAREGIVER
• 5-15-2024DIFFICULT WORK ARRANGEMENTS FORCE MANY WOMEN TO STOP BREASTFEEDING EARLY—HERE’S HOW TO PREVENT THIS
• 5-15-2024DAY-LONG WORKSHOP IN COGNITIVE BEHAVIORAL THERAPY FOUND TO EFFECTIVELY REDUCE DEPRESSION IN 16- TO 18-YEAR-OLDS
• 5-15-2024REPORT HIGHLIGHTS BIG GAPS IN CANCER OUTCOMES BASED ON RACE
• 5-15-2024NEW BLOOD TEST COULD HELP SPOT PREECLAMPSIA IN FIRST TRIMESTER
• 5-15-2024HALF-MATCHED FAMILY DONORS OFFER BEST OUTCOMES FOR HISPANIC PATIENTS UNDERGOING BONE MARROW TRANSPLANTS: STUDY
• 5-15-2024SCIENTISTS UNRAVEL GENETIC BASIS FOR NEURODEGENERATIVE DISORDERS THAT AFFECT VISION
• 5-15-2024INCLUDING MORE WOMEN ON HOSPITAL TEAMS YIELDS BETTER SURGERY OUTCOMES, NEW STUDY FINDS
• 5-15-2024RESEARCH SHEDS LIGHT ON HOW PROTEINS LINKED TO ALZHEIMER’S DISEASE INFLUENCE NEURONAL GROWTH
• 5-15-2024RESEARCHERS IDENTIFY NEW MARKER FOR BREAST CANCER PROGNOSIS
• 5-15-2024GETTING OUT AND ABOUT IN THE COMMUNITY MAY BE LINKED TO COGNITIVE FUNCTION
• 5-15-2024NOVEL TECHNIQUE HELPS PREDICT RISK OF A MENISCUS TEAR IN THE KNEE
• 5-15-2024CAN ROBOT-INSPIRED COMPUTER-ASSISTED THERAPY BENEFIT CHILDREN WITH AUTISM?
• 5-15-2024RESEARCH FINDS EXERCISE HAS A SIGNIFICANT IMPACT ON IMMUNE CELLS THAT SUPPORT BRAIN FUNCTION
• 5-15-2024CARDIOVASCULAR DISEASES KILL 10,000 EUROPEANS A DAY: WHO
• 5-15-2024NEW TOOL CAN HELP SURGEONS QUICKLY SEARCH VIDEOS AND CREATE INTERACTIVE FEEDBACK
• 5-15-2024SCIENTISTS DISCOVER BLOOD PROTEINS THAT MAY GIVE CANCER WARNING SEVEN YEARS BEFORE DIAGNOSIS
• 5-15-2024HOW THEY IMPACT LIFESPAN IN VERTEBRATES
• 5-15-2024UN AGENCY AUTHORIZES SECOND VACCINE AGAINST DENGUE AMID OUTBREAKS IN THE AMERICAS
• 5-15-2024IF YOU’VE TRIED MEDITATING BUT CAN’T SIT STILL, HERE’S HOW—AND WHY—TO TRY AGAIN
• 5-15-2024RESEARCHERS DETERMINE THE MUTATIONS THAT PROTECT MICE FROM B-CELL CANCERS
• 5-15-2024UP TO 246 MILLION OLDER PEOPLE MAY BE EXPOSED TO HEAT RISK BY 2050 DUE TO GLOBAL WARMING
• 5-15-2024MORE RESEARCH SUPPORTS ANDROGEN TREATMENT FOR BREAST CANCER
• 5-15-2024UNDERSTANDING THE ROLE GUT MICROBIOME–BRAIN INTERACTIONS PLAY IN SOCIAL DECISION-MAKING
• 5-15-2024NEW STUDY IDENTIFIES MECHANISM OF IMMUNE EVASION OF SARS-COV-2 AND VARIANTS
• 5-15-2024RESEARCH SHOWS RECENT RELEASE FROM JAIL A BIG RISK FACTOR FOR SUICIDE
• 5-15-2024RESEARCH COLLABORATION DEVELOPS LIFESAVING ‘ARK’ TECHNOLOGY FOR CHRONIC KIDNEY DISEASE PATIENTS
• 5-15-2024FOUR IN 10 ADULTS WITH DIABETES REPORT TAKING A GLP-1 RECEPTOR AGONIST
• 5-15-2024NEIGHBORHOOD INEQUITY TIED TO MORE PEOPLE LIVING WITH VISION DIFFICULTY, BLINDNESS
• 5-15-2024CHILD MALTREATMENT LINKED TO EXTERNALIZING, INTERNALIZING BEHAVIOR
• 5-15-2024MOST SLOW RESPONDERS TO TIRZEPATIDE DO LOSE CLINICALLY MEANINGFUL WEIGHT
• 5-15-2024RESEARCHERS IDENTIFY CAUSATIVE GENE IN MOUSE MODEL OF INHERITED LETHAL ARRHYTHMIA
• 5-15-2024TECH ALONE CAN’T REPLACE HUMAN COACHES IN OBESITY TREATMENT, STUDY FINDS

I currently get around 4-5 hours of speaking in per week and am barely at C1 in production abilities (according to official exam) while not too far from C2 in recognition. I don't feel like I've improved in the past 6 months hardly at all despite being consistent. I'm really looking to at least maintain an trying to making slow bits of progress. I used to use production cards alongside recognition cards when I was a lower level and felt that my active vocab was not lagging too far behind so around the time I reached B2 I deleted the card type for production because I figured that simply speaking would increase my active vocabulary.
However, I see so many words when reviewing my recognition cards that don't come to mind when speaking but I recall them perfectly fine. I suspect my active vocab has even shrunk even while my passive vocab has increased significantly.
I can't help but think that maybe production cards in addition to speaking would be a worthwhile investment in time again, at least relative to the time necessary to do the reviews.
Simply speaking more isn't always an option, and honestly I suspect that since I get by just fine on my current speaking level, my brain taking the path of least resistance is keeping me from expressing being able to use new words/expressions to myself more fully so speaking more might just be further reinforcing current speech patterns unless something changes.
What's you guys' take on using production cards for language learning in order to increase/maintain a higher active vocab?

https://www.youtube.com/shorts/DdJxUSevYf0
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(continuation of part 3)
Since Fatal Calling is all about Cloud facing his past and his origins, Tifa’s musical theme is most appropriate for the ending cutscene. For all of these reasons, Tifa’s theme is absolutely appropriate for the conclusion of Fatal Calling. It makes a lot of sense then that once Cloud has finished revisiting the past and vanishes with the crystal to find his Promised Land, Tifa’s theme stops and Aerith’s theme begins.
There’s a lot to be said about Sephiroth in Fatal Calling. Sephiroth feeds off of despair, and deems Palamecia’s suffering inadequate: he seeks a much greater source of power than this realm. He states that Palamecia isn’t “the world that was promised to [him]”, referencing his desire to become the god of his core world of FFVII:

“Sephiroth: Melding with the planet, I will cease to exist as I am now only to be reborn as a ‘god’ to rule over every soul” (FFVII OG, disk 1, chapter 25).

Sephiroth’s line “Now, let us return [Cloud]. Back to the Promised Land” reveals he wants to return to their shared core world of FFVII, like we established in our review of the Remake timelines theory (see section “I. a) vii.”). Sephiroth wants to go back to FFVII and modify the OG timeline to achieve his evil goals. This is his ideal scenario, his place of complete happiness: his desired Promised Land. Fatal Calling is setting up Sephiroth’s plans for Remake. In fact, the after-credits scene wherein Sephiroth stands in Nibelheim as it burns confirms his return to the FFVII OG timeline.
However, he isn’t the only one returning. Now that Cloud has revisited his past in Fatal Calling, he’s ready to reach his Promised Land. After Sephiroth’s after-credits scene, the OG FFVII title and logo turn into the FFVII Remake title and logo, indicating a shift: we are now officially in the Remakeera or world. Cloud and Sephiroth disappeared at the end of Fatal Calling, and now the game is telling us where they’ve gone. Combined with Hamaguchi’s recommendation that players complete the collaboration event before playing Remake, I think this is a solid indication that the Cloud and Sephiroth we see in this collaboration event are those we encounter in the Remake world. Once the switch to Remake occurs, Aerith’s theme returns. This communicates that she is indeed —as we’ve proven countless times already— Cloud’s Promised Land. But it also conveys her importance to the story of Remake. Scenario writer Nojima confirmed this:

“Aerith's the most important character in the remake so we paid special attention to her lines” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 744).

Aerith was already important to OG, so what could’ve motivated Nojima to state her importance to Remake? Could it be that she’s even more important in the latter than she was in the former? In what way?
That was the collaboration! Before we move on from MFF x FFVII Remake entirely though, let’s glean some more relevant information from some of the collaboration’s promotional material and special features.
III. e) iii. Promotional Material and Special Features
Two particular pieces of promotional material for this collaboration stick out to me as extremely relevant. The first is a promotion for a new summons batch in the Mobius FF game, created in honor of the collaboration.
MFF x FFVII Remake Summons Batch Cloud Promo
The summons batch contains three FFVII Remake-themed cards, including a Cloud card. As you can see, this promo reads “Who awaits in the Promised Land?” under Cloud’s picture.
The second is a promotion of an Aerith and summons and an Aerith Job Card (in MFF, Job Cards allow a character to embody an archetype or another character, giving them certain physical traits, clothing, weapons and abilities):
MFF x FFVII Remake Aerith Summons and Job Card Promo
I couldn’t find this picture in English, but the text relevant to us translates to:

“Midgar's Flower Vendor Summons
‘I'm searching for you. I want to meet… you.’
The witch protects the planet, imbues it with power, and leads to the Promised Land.”

A few things here. First, Aerith is referenced by name, and we see a picture of her in her famous praying pose. Secondly, both Cloud and Aerith’s images are attached to the notion of the Promised Land. Cloud’s card asks who awaits there, and Aerith’s evokes a guiding role, as though in response. Thirdly, both Cloud and Aerith are attached to the notion of searching: Cloud searches for the Promised Land and whomever awaits there, and Aerith searches for Cloud’s true self. Speaking of which, the promo also includes parts of Aerith’s famous gondola date quote from OG:

“Aeris: I'm searching for you.
Cloud: …?
Aeris: I want to meet you.
Cloud: But I'm right here.
Aeris: I know, I know... what I mean is... I want to meet... you” (disk 1 chapter 24).

In case you’re wondering about the lady in Aerith’s clothes on the left-hand side, that’s Meia, a character in MFF. She is the “witch” being referred to in the promotional material. She’s often called the Azure Witch. Meia is wearing Aerith’s clothes because a Meia-type Job Card called “Flower Girl of Midgar” was created in honor of the MFF x FFVII Remake collaboration:
MFF x FFVII Remake \"Flower Girl of Midgar\" Job Card
There’s even an Aerith outfit you can have Echo wear, and it appears with Wol’s Cloud outfit in the promotional picture:
MFF x FFVII Remake Echo's Aerith Outfit and Wol's Cloud Outfit
To be fair, Tifa also appears in one of these summons promos. However, unlike Aerith’s, her appearance doesn’t reference the Promised Land or her version of the gondola date. She is not presented in connection to Cloud at all. On top of that, while the Aerith and Cloud outfits are promoted together, Tifa is paired with Vincent in the promotional image:
MFF x FFVII Remake Summons Promo Tifa and Vincent
This is hardly indicative of Cloti content in the event collaboration or in Remake.
III. e) iv. Cloud’s Promised Land
All in all, the collaboration tells the story of Cloud searching for his Promised Land, just as post-OG Cloud has been shown doing for years and years of canon SE content. Cloud is searching for Aerith in the MFF x FFVII Remake collaboration, just like he was in FFT and DFF, and just like he was shown doing in the 30th FF Anniversary Exposition. This is nothing new. However, the collaboration informs us that this mission to be reunited with Aerith is what leads Cloud to enter the world of Remake.
Echo noted that people obtain the Promised Land they deserve rather than the one they want. What does Cloud deserve? I believe the answer is: another chance at saving Aerith.
Cloud needs to start over, from the top. He needs to go back to the very moment he and Avalanche arrived at mako reactor 1 to bomb it. He needs to return to the beginning of the OG game. He needs a redo, a fix-it, another shot at happiness; a remake.

IV. The Hidden Plot Point: Mission Theory

a) Thesis
Here lies the heart of my theory. My dear Cleriths, Sephiroth isn’t the only one who travelled back in time to undo destiny and create a reality where things go his way: Remake is also —I would even say primarily— Cloud’s chance to free Aerith from her fate, save her life and secure his shot at happiness with her. That’s why he experiences MOTFs in Remake: he’s done FFVII before and now he’s back, although with only fragments of his memories from OG, to save Aerith. That’s why his triggers all involve Aerith: he doesn’t consciously remember anything from OG, but his grief over Aerith is so strong that it rises from his subconsciousness at the slightest trigger.
In Remake, Cloud remembers some but not all elements of the OG timeline (MOTFs), and it appears he only remembers the most important things: all his MOTFs revolve around Aerith and her fate. Our theory explains why Aerith triggers Cloud’s MOTFs in Remake quite perfectly: he traveled back in time to prevent Aerith’s death from happening. Remake Cloud remembers Aerith because, well, he knows her from OG. Post-OG Cloud has returned to the past to save Aerith, resulting in Remake. This is why seeing her in Remake triggers visions and memories of things that haven’t happened yet in Remake, but have already happened to post-OG Cloud. He recognizes her face on Loveless in Remake because seeing her face again is the whole reason he entered Remake in the first place. His visions of her death when they meet once more at the church, the spike of anxiety and grief as he watches her walk away from him, the constriction in his chest when she talks about doing everything in her power to help the planet… all of it, it’s all his memories of OG being jogged by things related to her death. What he’s forgotten from the OG timeline emerges in flashes of pain, images, memory and emotion. Remember that the language the devs used to describe these instances where Cloud reacts to Aerith in this way is always about “remembering” or “recognizing”; Cloud has to have seen Aerith, known Aerith, loved Aerith, lost Aerith and felt the pain of living without Aerith before in order to recognize and remember these feelings. Think about it: this is the only thing that can explain Cloud’s extremely selective MOTFs and the fact that he has MOTFs at all.
The Remake trilogy is all about Cloud and Sephiroth stepping into the ring one more time, both ready to risk it all to get what they lost in the OG timeline. Sephiroth is hungry for destruction and godhood, while Cloud stands determined to save the love of his life. Fighting for their respective goals, the fated enemies enter a new battle in Remake, one to end the war, both needing to win this time after losing so horribly in OG. Now, it’s all or nothing. Sephiroth vying for the planet, and Cloud reaching out for Aerith.
Cloud’s back with a quest, one he can’t fail— it’s the most secret and important plot point of all. I call this the “Mission Theory”.
IV. b) Mission Theory Logistics
There are a few things that remain vague, so I’m going to use this section of the analysis to speculate on the logistics of my theory. We know very little about the hows of the timeline and multiverse shenanigans, so I’m going to hypothesize. However, this analysis is about the whys: so if you’re not interested in mechanical speculation on the logistics of time travel and multiverses, you can totally disregard this section and skip to section “V.”.
IV. b) i. Cloud the Time-Traveler?
It’s unclear whether Remake is the result of post-OG Cloud going back in time to try his hand at the OG timeline again, or the result of post-OG Cloud somehow informing OG Cloud that he must save Aerith this time around. It’s vague in the same way that we aren’t sure if Remake Aerith is post-OG Aerith or if she’s been informed by post-OG Aerith via her connection to the Lifestream as a Cetra. Though it doesn’t much matter how Cloud has memories of Aerith’s death in Remake, I personally think that Remake Cloud is a time-traveling post-OG Cloud. My explanation as to why might be a little confusing, so again, feel free to skip to section “V.”.
One must be able to communicate with the Lifestream in order to obtain knowledge of the future. This access can only be granted to the Cetra or to the souls of the deceased that compose the Lifestream itself. Since Cloud is not a Cetra, he cannot commune with the Lifestream while he is alive, meaning a deceased post-OG Cloud would not have been able to communicate his memories of the OG plot-line with a living OG Cloud. Therefore, the only way Remake Cloud could have knowledge of the future (manifested as MOTFs) would be that Remake Cloud is inhabited by his post-OG consciousness. Effectively, this is time-traveling.
Then comes the question of how Cloud was able to time-travel at all. I have what I consider a pretty solid hypothesis. The most interesting thing about the realm of Palamecia is that every FF character that’s ever appeared in the realm for a cameo died in their core world beforehand (spoilers for FFI, FFV, FFVI, FFX, FFXII, FFXIII, FFXV incoming). These characters include Tidus (FFX), Lightning (FFXIII), Garland (FFI), Sephiroth (FFVII), Gilgamesh (FFV), Vargas (FFVI), Gabranth (FFXII) and Ultros (FFXV). My interpretation of Palamecia serves at least partly as a directory for deceased souls that can’t simply fade. For instance, FFX’s Tidus actually came back to life to be with his love>! Yuna !! FFX!<. Of course, MFF x>! FFX !!FFX!< and FFX-2, just like MFF x FFVII Remake came out between FFVII OG and FFVII. And similarly to Fatal Calling, the ending cutscene of MFF x>! FFX !!Next thing you know, FFX-2 comes out and shows Tidus returning to Yuna and their core world in an optional cutscene.!< The MFF x>! FFX !! Tidus !Remake.
IV. b) ii. Post-OG Cloud’s Amnesia
If we consider that Remake Cloud is a time-travelling post-OG Cloud who’s returned to the start of the OG timeline, we encounter another logistical problem: why doesn’t Cloud remember everything or most things from the OG plot-line in Remake, like Sephiroth and Remake Aerith do? After all, aren’t the three of them in the same time-travelling boat? Why isn’t Cloud as lucid on the matter as the two others? Didn’t the post-OG Cloud in Fatal Calling face his past and origins? Shouldn’t that mean Cloud would remember all that stuff in Remake from the start?
In OG, the true Cloud’s memories are repressed by both his false persona and Jenova. The latter’s memetic abilities are able to block Cloud’s memories of the past from emerging and conflicting with his SOLDIER persona. For instance, in both OG and Remake, Cloud is unable to hear Aerith tell him Zack’s name in Evergreen Park: Jenova blocks it out. I think this is a similar situation: post-OG Cloud’s consciousness carries memories things that Jenova doesn’t want Cloud to know, so she pushes down on them. On top of that, after travelling through different worlds and back through the Lifestream for who knows how long, post-OG Cloud’s consciousness must be quite weak. We know how good Cloud is at repressing, so it makes total sense to me that post-OG Cloud’s consciousness would be trapped or suppressed somewhere deep in Remake Cloud’s subconsciousness. After all, it’s not like this whole time-travelling-consciousness thing is normal for a mind to experience. It’s no wonder Remake Cloud doesn’t consciously remember how things go in OG. However, post-OG Cloud’s love and grief for Aerith are so strong that memories related to her can occasionally pierce through to his Remake consciousness and Jenova’s barriers, resulting in his MOTFs. His pain and love for her are definitely permanent and strong enough:

“A young woman descended from the Ancients who will forever be engraved in [Cloud’s] heart” (Dirge of Cerberus, Japanese manual, Aerith’s character description).
“I believe for those who formerly traveled with her as comrades and for the viewers, each carries their own feelings and love for Aerith. In this story, Cloud also carries his own undying feelings for Aerith, even to this very day… Its relation with the church scene is… Yup. I’ll leave this part to your imagination. (laughs)” (Nomura interview on Advent Children “Designer’s Note” in *Famitsu PS2!*magazine, October 24th issue).

So you see, Remake Cloud’s mind is a little more complicated than OG Cloud’s mind. Everything is still the same in Remake as in OG, but with the added complication that his future self is hidden in his subconscious mind, probably trying to get out.
There is actually pretty good evidence of this. I’m sure you’re aware that whenever Jenova is trying to hide something from Cloud or altering his memory and/or perception, the screen glitches green with an audio cue (34:15-34:29, 1:15:30-1:15:41 and 1:17:14-1:17:29). Guess what? These Jenova audiovisual cues also occur during the MOTFs (ie: MOTF 3 2:58-3:07 and MOTF 4 0:29-0:42). Whenever post-OG Cloud’s consciousness encounters anything that reminds it of losing Aerith, the strength of its pain helps it push memories of Aerith to the surface so that RemakeCloud can consciously see them. Remake Cloud then experiences sensations and/or visions, all from his future self’s memories as they rise to the surface, propelled by grief. Jenova can’t allow Remake Cloud to fully recover his post-OG memory, so in order to shut down the process, its cells jump in to repress the MOTFs: this results in the classic Jenova audiovisual cues. The only time Jenova doesn’t bother to fight against a MOTF is the sixth, as it is quite weak: no visions occur, only a tight sensation in his chest.
IV. b) iii. Eclipse Contact and Cloud’s Memories of Reactor 1
There is one problem I have trouble decoding. In Eclipse Contact, Cloud tells Wol and Echo that the last thing he remembers is the run-up to his arrival at mako reactor 1 (FFVII OG, disk 1, chapter 1). Recall that usually, people summoned to Palamecia have no memories of their world of origin and lives before that point at all. So then why is it that upon being summoned to Palamecia, Cloud recalls the events that took place right before the start of the OG game? This strikes me as highly relevant since this is the exact point in time where post-OG Cloud’s consciousness needs to be transported to in order for Remake to begin, but I haven’t been able to figure out a solid hypothesis on what it could mean. My best guess is that this is the devs’ way of signalling to us that the events of the MFF x FFVII Remake collaboration occur before the very beginning of post-OG Cloud’s second try at the OG timeline (Remake).
Now that I’ve shown you how I’ve come to form my Mission Theory and we’ve done some pesky housekeeping, let’s connect some dots, shall we? It’s time to really get into it and see if any of my wild speculation tracks with content from the Remake trilogy so far.
V. Musical Evidence
What about the music of the game? Any hints there? Let’s try to see if we can find support for the Mission Theory in the music made for the Remake trilogy thus far!
As a preface to my musical evidence analysis, I want to insist on something: the story guys tell the soundtrack guys everything. In a high-quality production such as Remake, people who make music for audiovisual media are told everything in advance. They need to know the secrets of every little scene, because their job is to depict whatever is happening through music.
Therefore, if the Mission Theory is true, then there has to be musical evidence for it.
V. a) Preface: The Basics of the FFVII OST
There’s a lot of evidence in the music of the Remake trilogy that we have to address, but before we get into it, I do have to give you the basics of the FFVII soundscape! For the easiest experience, I suggest you keep a tab open for every link I provide for you until the music analysis is over, because we will be hopping from one musical theme to another and then back again.
V. a) i. The World Theme: Cloud’s Troubled Identity
The world theme of FFVII is a perfect example of how musicians working on an OST have to know the secrets of a story as they compose for it. On top of representing the FFVII world as a whole, it doubles as Cloud’s character theme… except that isn’t exactly right. You see, this piece does indeed contain Cloud’s true theme, but Sephiroth and Jenova’s musical motifs also contaminate it. This, of course, symbolizes how Cloud experiences identity sabotage because of these two antagonists. The result is that globally, the world theme does indeed represent Cloud’s character, but it isn’t exclusively Cloud’s in the same way that Cloud’s mind isn’t exclusively his. It’s brilliant storytelling through musical motifs, and evidently requires Uematsu to know in advance that Sephiroth manipulates Cloud’s identity in the story.
For future reference, let’s isolate Cloud’s true theme from Jenova and Sephiroth’s influence.
V. a) i. 1) Sephiroth: Dissonance and Semi-Tone Motif
I’m sure you know Sephiroth’s infamous theme: “One-Winged Angel”. The first motif we need to know is Sephiroth’s threatening, repetitive dissonance motif, which plays all throughout the piece (plays solo at 0:00 to 0:04). The second motif is what I call the semi-tone motif. “One-Winged Angel” has a ton of minor 2nd intervals, which is what we call the relationship between two notes that are only a semi-tone apart. You might recognize the minor 2nd interval in the foreboding Jaws theme. Just like in Jaws, the minor 2nd interval or semi-tone is commonly used to indicate an impending, life-threatening danger, a monster, predator, evil, or insanity; suits Sephiroth quite nicely!
V. a) i. 2) Jenova: Parasite Motif
The track “J-E-N-O-V-A” contains many competing melodies and has generated many variations of those melodies —almost like clones— that all represent aspects of the alien’s character. The main Jenova motif is simply a descending, two-octaves-long, arpeggiated mb6 chord (eight notes total). I’ve played it for you here. Sometimes, this motif is altered to form variations. For instance, in “Listen to the Cries of the Planet”, a variation of Jenova’s main motif is created by changing the order of the notes and reducing the number of notes to only six (0:00-0:03), however, it remains an arpeggiated mb6 chord. Regardless of the alteration, if you hear an arpeggiated mb6 chord, it means Jenova is creeping close by or that its influence is at work.
The variation of the mb6 arpeggiated chord that concerns us alters Jenova’s main theme so it ascends from the tonic to the b6 note and descends back to the tonic, then ending on the lower dominant for a total of eight notes. I’ve played it for you here. I call this variation the “parasite motif”, because it is often heard when Cloud is being controlled by Jenova. For instance, it plays when Cloud loses himself and becomes unusually violent in Rebirth’s chapter 13 (17:25-18:34), signalling to us that Jenova is in control. It is also the main motif of the track “Who… Am I?”, which evidently symbolizes Jenova’s fuelling of Cloud’s identity crisis— though here, the parasite motif is shortened to its six first notes.
V. a) i. 3) Cloud’s True Self
Now that we can recognize Sephiroth and Jenova’s motifs, let’s return to the world theme to isolate Cloud’s true self. Cloud’s true theme can be heard from 0:51 to 3:48. It consists of a section A (0:51-1:54), followed by a section B (1:54-2:41), and then returns to section A (2:41-3:48).
After Cloud’s true theme concludes however, it seems he experiences a psychic interference: doubt and confusion weave through the world theme (3:48-4:09), representing an instability in his identity. I call this interruption of Cloud’s true theme the “interference section”. It symbolizes a moment of psychic interference or weakness within Cloud that Sephiroth and Jenova take advantage of to take control of Cloud.
The end of the interference section introduces Jenova’s parasite motif. It slithers in (4:09), later joined by Sephiroth’s dissonance motif (4:16): Cloud’s mind and identity are being hijacked by the two antagonists in service of their evil plans.
They torment Cloud, dominating his mind until he manages to free himself: section A of Cloud’s true theme begins playing again (6:06), closing the loop of the theme.
Based on this musical storytelling, if you already knew the character motifs going into OG, you might’ve suspected something odd was going on with Cloud’s identity, and that Jenova and Sephiroth were involved. All this to say that whatever music is playing at any given time can give us hints as to what is going on. That’s the power and significance of a good soundtrack. Trust me when I say that with Uematsu and his team, we’re in excellent hands. And remember: the story guys tell the soundtrack guys everything.
V. a) ii. Aerith’s Theme
Another base we have to cover before checking out the Remake soundtrack is Aerith’s theme. I’m sure everyone here is familiar with it, but I insist that you refresh your memory. It consists of a section A (0:00-0:34), a section B (0:34-1:13) and a section C (1:13-2:00), concluding with a repeat of section A.
V. a) iii. Motifs and Timing in FFVII OSTs
I’m going to analyze pieces in great detail, which people who haven’t studied or paid attention to soundtracks may find strange. To prevent anyone from making the mistake of thinking that I’m reading too much into things, I want to emphasize that the music that plays during the Remaketrilogy’s cutscenes is carefully timed, composed and arranged to match the events in the cutscenes, as they are provided in advance to the musicians. Composers pay lots of attention to whatever is going on onscreen so they can include the corresponding musical motifs as accompaniment at the exact right moments, always striving to get the timing perfect. I’m not exaggerating the effort and minutia involved in soundtrack composition and arrangement. Here are just a few sound staff comments from the “Material 4: Soundtrack” section of the FFVII Remake Material Ultimania to prove it:

“[To] make sure players really feel the weight of the moment, we worked hard on getting the tempo and the entry timing of each instrument exactly right. In particular, that big ‘boom’ that sounds almost like a meteor crashing down was fine-tuned to match the timing of the logo's appearance. I remember this was a real sticking point for us, because if the boom's timing was even slightly off, the effect would be completely different. We […] had to sequence [each and every sound] to play at exactly the right moment” (Shotaro Shima on track “Midgar, City of Mako”, page 229).

&

“I was originally told to keep this piece to under two minutes, but it ended up being over six minutes long, in order to match the flow of the cutscene. I arranged the track while watching the latest CG visuals that had been rendered for the scene” (Naoyuki Honzawa on track “Smash ‘Em, Rip ‘Em”, page 309).

&

“This is the track that plays during the tour of Shinra’s different divisions. The movie shown in the Visual Entertainment Hall describes the history of the Ancients (0:25 onward in the soundtrack version), and I wanted to create a musical link to them as well, so I made use of the chord progression from ‘Aerith’s Theme’ [D(I)-Am(Vm)-D(I).] [This simple sequence of moving from major to minor and back again creates a really mysterious air. Then, during the section where the movie recounts the history of the construction of the Shinra Building (1:47 onward in the soundtrack version), I quoted a section of the Shinra theme” (Yasunori Nishiki on track “Stewards of the Planet”, page 313).

V. b) The Remake OST
Now that you’re ready, it’s time to verify the Mission Theory’s validity with Remake’s music.
V. b) i. MOTF 6 Music
We were able to explain Remake Cloud’s MOTFs with the Mission Theory, and it just so happens that the music that plays during the scene of MOTF 6 is unique to Remake. This gives us the perfect opportunity: we should analyze the piece that plays as it occurs to evaluate the legitimacy of our theory on the Remake trilogy, using all the motifs we uncovered in section “V. a)”.
First, a refresher on the scene and on our theory’s interpretation of it. The party is gathered in Aerith and Ifalna’s old room at Shinra HQ. Here is how the scene is described by the VA script notes:

“The Whispers once again close in [on Aerith], but Aerith refuses to stop speaking this time.
Aerith: Listen to me. […] Shinra isn’t the enemy. They were the ones who set things in motion, but our true foe is someone else.
At that moment, the spectacle of Meteor they saw in the Visual Entertainment Hall comes into Cloud and the others’ heads.
Aerith: Somehow, some way, I want to help— all of you… the planet…
For some reason, Cloud feels his chest constrict tightly” (FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”).

Indeed, right after Aerith says she wants to help the planet any way she can, Cloud looks down at his chest with a frown and a quiet grunt (7:46-7:54). According to the Mission Theory, this tightness in Cloud’s chest can be explained as an emergence of post-OG Cloud’s grief, triggered by the slightest allusion to Aerith’s sacrifice.
The piece that plays during this scene is called “Aerith’s Theme - The Cetra”. It is one of many variations of Aerith’s iconic theme arranged for Remake. However, Cloud’s theme is just as prominent in the piece— if not, more.
V. b) i. 1) The Fate Motif
Before we interpret “Aerith’s Theme - The Cetra”, I need to introduce you to one more motif that crops up in the piece. There is a windy motif that appears (from 1:45 onwards) and it is unaccounted for, despite how it’s clearly meant to represent something. I’ve become certain that this wind noise symbolizes fate, and I’ll tell you why.
In the MOTF 6 scene, just after Nanaki explains how he gained knowledge of the Whispers via contact with Aerith (7:23), they emerge and begin swirling aggressively around Aerith (7:26). Her hair and dress blow and ripple in the resulting wind. From this very moment onward “Aerith’s Theme - The Cetra” (3:00), a string section (bowed instruments in the violin family) that deliberately emphasizes the airy sound of the bow crossing the strings enters, creating a windy effect that adds to the already present wind noise (that started at 1:45). As the Whispers progressively become even more aggressive onscreen, both the wind SFX of the cutscene and the wind noise in the piece get louder and louder. Because of the timing of its appearance and crescendo in the cutscene, I’m certain the wind noise is meant to represent the restrictive flow of fate; it only makes sense, given that destiny is a current —or a wind— that cannot be broken, and Aerith is like a helpless petal in fate’s carefully planned storm. Of course, it’s also quite significant that the Whispers make a windy noise as they fly. You can hear it every time they’re onscreen, like when they first appear to Cloud in chapter 2 of Remake (17:45-18:20), or when the White Whispers hold Cloud back from chasing after Aerith during Rebirth’s Sleeping Forest scene in chapter 14 (28:43-29:45). You can also hear the wind sounds in other Whisper-related tracks, such as “Whorl of Whispers” (clearly audible at 2:50-3:05), as well as “A Death Not Ordained by Fate” (clearly audible at 2:56-3:18). Therefore, I’ll call these wind noises the “fate motif”.
V. b) ii. 2) Interpreting “Aerith’s Theme - The Cetra”
In part 1 of “Aerith’s Theme - The Cetra” (0:00-1:45), Aerith’s theme and Cloud’s true theme play simultaneously, their respective phrases fitting perfectly together, interweaving peacefully and softly. It sounds like the two of them are chatting, dancing bashfully yet contently and in perfect sync, glad to be exactly where they’re meant to be as their themes sing together in harmony (soft piano). Part 1 of this piece is about Cloud and Aerith becoming important to one another as they discover their soulmate bond.
Unfortunately that contentment doesn’t last. In part 2 (1:45-3:00), Cloud experiences a moment of psychic vulnerability (world theme’s interference section). Fate lurks (fate motif enters quietly). His instability forces our couple’s sweet dance to a halt, and Aerith’s theme must retreat as Cloud’s confusion takes center stage. Sephiroth torments and taunts him (semi-tone played by strings, 2:03-2:10), taking advantage of Cloud’s psychic interference to plunge him into darkness (world theme’s interference section ends, low cello enters, 2:18): Cloud temporarily becomes a darker version of himself as evil corrupts him (piano plays section A phrases 1 and 2 of Cloud’s true theme in minor, 2:18-2:53). Jenova finally reveals itself and promptly exits, releasing Cloud’s mind from its grasp (seven first notes of parasite motif played twice on piano 2:53-3:00). Cloud is free, but the damage has been done: his dance with Aerith has long been interrupted, and she is gone. Part 2 of “Aerith’s Theme - The Cetra” is about Cloud being manipulated in service of Sephiroth and Jenova’s evil plan, interrupting his interaction with Aerith.
Part 3 (3:00-3:33) kicks off the mechanisms of a tragic fate (strings section joins fate motif, 3:00). Both anxious that she’s disappeared from his side and terrified of the darkness he just discovered inside him (in part 2), Cloud fearfully calls out for Aerith (phrase 1 of Cloud’s true theme’s section A, timid and hesitant piano, 3:04-3:15). Before his psychic interference began (start of part 2), Cloud’s voice was accompanied by Aerith’s as they grew closer and closer (their character themes mingling in part 1)… but now, Aerith isn’t answering his call, and he cannot find her (Aerith’s theme doesn’t to join Cloud’s anymore).
Anxious, Cloud tries calling out for Aerith a second time (section A phrase 2 of Cloud’s true theme’s, 3:19-3:31), searching for her in the hopes that they can continue their dance, but even now, Aerith does not respond. She’s gone (Aerith’s theme remains absent). Destiny keeps Aerith away from Cloud (fate motif gently crescendos). Part 3 of “Aerith’s Theme - The Cetra” is about Cloud’s separation from Aerith, his search for her, and the fear and anxiousness he feels when he realizes he cannot find her.
And then, part 4 begins with a sweet, gentle voice, calling out from the blackened horizon: it’s Aerith (section B phrase 1 of Aerith’s theme, soft piano, 3:33-3:45). Cloud finally hears her respond to his pleas: he’s found her. Fate begins howling in protest, doubling its efforts to keep Cloud and Aerith apart (fate motif crescendos noticeably in reaction to Aerith’s theme, 3:45). You can just picture Cloud running toward Aerith, struggling against the current of destiny to try and close the distance between them. Aerith tries calling out for Cloud a second time, (section B phrase 2 of Aerith’s theme, 3:40-3:43), but the Whispers only swirl around her more ferociously, taking her away in the uncompromising current of fate (fate motif continues to crescendo). Aerith tries again (section B phrase 1 of Aerith’s theme, 3:47-3:49). It sounds like she’s saying “Cloud, I’m over here, come find me!”
Fate doesn’t take too kindly to her defying it. Cloud and Aerith are not supposed to be together; it can’t be, it won’t. She’s destined to die to save the planet, and he’s destined to remain hollow forevermore. I can picture Cloud breaking into a sprint at the sound of her voice, running countercurrent to the flow of destiny— but the winds are so loud, fate’s demands are so strong, and the Whispers are shrieking in defense of destiny now. Aerith’s voice emerges for the fourth time (first three notes of section B phrase 3 of Aerith’s theme, 3:54 to 3:56). Fate screams louder, louder (steep crescendo of fate motif, 3:59-4:02). In a desperate hail Mary, Aerith shouts out one more time, as though throwing her hand out toward Cloud’s extended fingers (section C phrase 1 of Aerith’s theme, louder and more insistent, cutting through the fate motif as it crescendos sharply, 4:00-4:06). Part 4 of “Aerith’s Theme - The Cetra” is about Cloud and Aerith desperately trying to defy fate in order to be together. And then, it all stops: fate has seemingly quieted Aerith (4:04-4:08)…
Part 5 (4:08-4:27) begins with Cloud jumping, launching himself off the ground with all his strength (Cloud’s true theme section A phrase 2, first 5 notes, melody starting on the note E5 and ascending) as Aerith plummets toward the ground in a fatal fall (Aerith’s theme section C phrase 1, melody starting on the note E6 and descending, the last note altered)— he successfully catches her in mid-air (both Cloud’s ascending melody and Aerith’s descending melody meet in the middle of the octave, first uniting on B5, and then ending on A5). I’ve recreated the melodies for you here so you can hear this reunion more clearly. If you consider that the airy strings in this piece represent fate, which I do, the fact that they follow Cloud and Aerith’s themes in part 5 signifies that they are now in control of their own destinies, and successfully making it their fate to reunite.
To be completely frank, I did not realize until right now writing this that Cloud unites with Aerith in part 5, even though his theme is right there. I’m so excited to share this part with you.
We hear Aerith once more, her voice quietly trailing off into the silence (phrase 4 of section C of Aerith’s theme) with no conclusion (phrase 5 normally follows phrase 4 to conclude Aerith’s theme, but is absent here). Part 5 of “Aerith’s Theme - The Cetra” suggests that Cloud will save Aerith and that the couple will change their fate, but also conveys an uncertain and open-ended quality.
(continued in

https://youtu.be/d_K0NLVwcqE
Title: "Breaking News: NEET UG 2024 Answer Keys Released (Not by NTA)!"
In a surprising turn of events, the NEET UG 2024 answer keys have been leaked ahead of their official release by the National Testing Agency (NTA). This unauthorized disclosure has sent shockwaves through the medical aspirant community, sparking debates and concerns over the integrity of the examination process. 😱🔑 #NEETUG2024 #AnswerKeyLeak
The leaked NEET UG 2024 answer keys have surfaced on various social media platforms and online forums, raising questions about the security measures in place to safeguard sensitive examination materials. Students across the country are now scrambling to access these leaked answer keys in hopes of gaining insights into their performance before the official results are declared. 🌐🔍 #SecurityConcerns #ExaminationIntegrity
While the authenticity of the leaked answer keys remains unverified, many candidates are expressing frustration and disappointment with the breach of trust and confidentiality. The NTA, responsible for conducting the NEET UG exam, has yet to issue a statement addressing the situation, leaving students in a state of uncertainty and anxiety. 🤔😞 #TrustBreach #StudentConcerns
In light of this unauthorized disclosure, it is imperative for students to exercise caution and refrain from relying on unverified sources for exam-related information. The integrity of the NEET UG exam must be upheld, and any attempts to manipulate or exploit the examination process should be condemned. 🛡️🚫 #ExamIntegrity #StayCautious
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The NEET UG exam is a crucial milestone for aspiring medical professionals, and the integrity of the examination process must be upheld to ensure fair and equitable opportunities for all candidates. Let us remain vigilant and united in our efforts to safeguard the sanctity of our educational institutions and examinations. 🎓👩‍⚕️ #MedicalAspirants #FairExamination
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Stay tuned for more updates on the NEET UG 2024 examination and the official release of the answer keys by the NTA. Let us continue to uphold the values of integrity, transparency, and fairness in all aspects of our academic journey. 📝🔑 #StayUpdated #NEET2024 #OfficialAnswerKeys

In today's interconnected world, the internet is integral to our daily lives. From communication and education to shopping and entertainment, we rely heavily on digital platforms. However, the convenience of the internet comes with significant risks. Cyber threats are more prevalent and sophisticated than ever before, making online safety a critical concern. This article explores why online safety is paramount and provides comprehensive tips to help you protect yourself and your data.

Why Online Safety is Important

1. Personal Information Protection
   • Identity Theft: Cybercriminals can steal personal information such as names, addresses, social security numbers, and credit card details. This information can be used to commit identity theft, leading to financial loss and legal complications. Identity theft can also cause long-term damage to your credit score, making it difficult to obtain loans, mortgages, or even employment.
   • Privacy Invasion: Sensitive personal details, if compromised, can lead to unwanted exposure and privacy violations. This can have severe emotional and psychological impacts. Privacy invasion can also lead to harassment or stalking, creating a threatening environment for victims.
2. Preventing Financial Loss
   • Phishing Scams: These scams trick individuals into revealing financial information by posing as legitimate entities. Falling victim to phishing can result in unauthorized transactions and drained bank accounts. Phishing scams can also compromise your email and social media accounts, leading to further exploitation.
   • Ransomware: Cybercriminals use ransomware to encrypt your data and demand a ransom for its release. Paying the ransom does not guarantee data recovery and often leads to further exploitation. Businesses can face significant operational disruptions and financial loss due to ransomware attacks, impacting their ability to serve customers and maintain trust.
3. Securing Sensitive Data
   • Business Information: For businesses, safeguarding sensitive data such as customer information, intellectual property, and strategic plans is crucial. A data breach can result in substantial financial losses, legal consequences, and reputational damage. Companies must comply with data protection regulations like GDPR and CCPA, which mandate strict data handling and reporting practices.
   • Compliance and Regulations: Many industries are subject to strict data protection regulations. Failure to comply can result in hefty fines and legal action. Ensuring compliance with regulations not only protects data but also enhances customer trust and loyalty.
4. Maintaining Online Reputation
   • Social Media Safety: Your online profiles are part of your digital identity. A compromised account can lead to reputational damage, both personally and professionally, as malicious actors can post harmful content or send fraudulent messages. Social media accounts are often targeted for their high visibility and potential to spread misinformation.
   • Professional Integrity: For professionals, maintaining a clean online presence is crucial for career growth. Employers and colleagues often review social media profiles to gauge character and professionalism. An online reputation tarnished by cyber incidents can hinder career advancements and job opportunities.
5. Avoiding Malware and Viruses
   • System Integrity: Malicious software can corrupt files, steal information, and degrade system performance. Ensuring your devices are protected helps maintain their integrity and functionality. Malware can also create backdoors for attackers to continuously exploit your system, leading to recurring security issues.
   • Data Security: Malware can give attackers access to sensitive data stored on your devices, leading to data breaches and information theft. This can include personal photos, documents, and confidential business information, all of which can be exploited for financial gain or blackmail.
6. Safe Communication
   • Encryption: Secure online communication is vital to protect private conversations and sensitive information from being intercepted by malicious actors. Encrypted communication ensures that only the intended recipient can access the message content. Encryption tools like Signal and WhatsApp provide end-to-end encryption for messaging, ensuring privacy.
   • Awareness: Being aware of potential communication threats, such as spoofed emails and fake profiles, can prevent you from falling prey to social engineering attacks. Educating yourself and others on recognizing these threats is essential for maintaining secure communication channels.

Comprehensive Tips for Staying Safe Online

1. Use Strong, Unique Passwords
   • Password Complexity: Create complex passwords that include a mix of uppercase and lowercase letters, numbers, and symbols. Avoid using easily guessable information such as birthdays or common words. Strong passwords reduce the likelihood of brute-force attacks.
   • Password Management: Use a password manager to generate and store unique passwords for each of your accounts. This ensures that you do not reuse passwords, which can be a significant security risk. Password managers also help you keep track of your login credentials securely.
2. Enable Two-Factor Authentication (2FA)
   • Extra Layer of Security: Two-factor authentication (2FA) adds an additional layer of security by requiring a second form of verification, such as a text message code or authentication app, in addition to your password. 2FA significantly enhances account security, even if your password is compromised.
   • Account Protection: Enabling 2FA on your accounts can significantly reduce the risk of unauthorized access. Popular services like Google, Facebook, and banking apps offer 2FA options, which should be enabled for all sensitive accounts.
3. Be Cautious with Emails and Links
   • Email Verification: Be wary of emails from unknown senders and avoid clicking on suspicious links or downloading attachments from untrusted sources. Verify the sender's email address and look for signs of phishing, such as misspellings or urgent requests for personal information. Phishing emails often create a sense of urgency to trick recipients into taking immediate action.
   • URL Inspection: Hover over links to see the actual URL before clicking. Ensure that the URL is legitimate and not a cleverly disguised phishing site. Secure websites typically use HTTPS, indicating a secure connection.
4. Keep Software Updated
   • Regular Updates: Regularly update your operating system, browsers, and software applications. Updates often include security patches that protect against newly discovered vulnerabilities. Outdated software is a common target for cyberattacks due to unpatched security flaws.
   • Automatic Updates: Enable automatic updates where possible to ensure that you receive the latest security patches without delay. This is especially important for antivirus software and operating systems, which frequently release critical security updates.
5. Use Antivirus and Anti-Malware Programs
   • Protection Tools: Install and maintain reliable antivirus and anti-malware software to detect and remove harmful threats from your devices. Regularly scan your system to ensure it is free from malware. These tools provide real-time protection against a wide range of threats.
   • Real-Time Protection: Use real-time protection features to continuously monitor your system for suspicious activity. Real-time protection helps prevent malware from executing and spreading on your device.
6. Secure Your Home Network
   • Wi-Fi Security: Protect your Wi-Fi network with a strong password and use WPA3 encryption for added security. Avoid using default passwords and SSIDs that can be easily guessed. A secure Wi-Fi network prevents unauthorized access and protects data transmitted over the network.
   • VPN Use: Consider using a virtual private network (VPN) to encrypt your internet connection, especially when using public Wi-Fi. A VPN masks your IP address and secures your online activities from prying eyes. VPNs are particularly useful for protecting sensitive information while traveling or accessing unsecured networks.
7. Monitor Your Accounts
   • Account Activity: Regularly check your bank statements, credit reports, and online accounts for any unusual activity. Early detection of unauthorized activity can prevent further damage. Set up account alerts to receive notifications of suspicious transactions or login attempts.
   • Alert Systems: Set up account alerts to notify you of suspicious transactions or login attempts. Many financial institutions and online services offer customizable alert options to keep you informed of account activity.
8. Educate Yourself and Others
   • Stay Informed: Stay informed about the latest online threats and security practices. Follow reputable sources for cybersecurity news and updates. Cybersecurity is an evolving field, and staying current with trends and threats is crucial for maintaining safety.
   • Community Awareness: Share your knowledge with family, friends, and colleagues to promote a safer online environment for everyone. Encourage them to adopt good security habits and practices. Hosting workshops or informational sessions can be an effective way to spread awareness.
9. Backup Your Data
   • Regular Backups: Regularly back up your important data to an external hard drive or cloud storage service. This ensures that you can recover your information in case of a cyberattack or system failure. Regular backups protect against data loss from ransomware attacks or hardware failures.
   • Backup Encryption: Encrypt your backups to protect them from unauthorized access. Encrypted backups ensure that even if backup media is lost or stolen, the data remains secure.
10. Be Skeptical of Free Offers

• Suspicious Offers: Be wary of free offers, contests, and downloads that seem too good to be true. Cybercriminals often use these tactics to distribute malware or collect personal information. Free software or services may contain adware or spyware that compromises your security.
• Trusted Sources: Only download software and applications from reputable sources and official websites. Avoid third-party download sites that may bundle legitimate software with malicious programs.

Conclusion

In an increasingly digital world, online safety is more important than ever. Protecting personal and sensitive information from cyber threats requires vigilance and proactive measures. By following the comprehensive tips provided, you can enhance your online security and enjoy the benefits of the internet with greater peace of mind. Stay safe, stay informed, and make online safety a priority.
Being safe online is not just a personal responsibility but a collective one. By practicing good cybersecurity habits, you contribute to a safer digital environment for everyone. Remember, the cost of negligence can be high, but with the right precautions, you can

Sorry I don't know how to make a nice team preview!
Charizard is non-negtioable because I'm just that basic and want one in the team haha. It actually does a surprising amount of work currently just because it's unexpected too!
Main points:

• I struggle with Miraidon and sometimes Rayuaza
• Debated give life orb and draco meter to walking wake but wasn't sure
• i went for thunderblt over electroweb on raging bolt for a relaible stab
• If I'm honest I need to review some of the speed EVs to check what they outspeed! I unfortunately can't remember where i took the spreads from to start, but i know that wake is set up to get a speed boost in the sun.

Koraidon @ Clear Amulet
Ability: Orichalcum Pulse
Level: 50
Tera Type: Fire
EVs: 100 HP / 196 Atk / 4 Def / 4 SpD / 208 Spe
Adamant Nature

• Collision Course
  
• Flare Blitz
  
• Flame Charge
  
• Protect
  

Charizard (M) @ Choice Specs
Ability: Solar Power
Level: 50
Shiny: Yes
Tera Type: Fire
EVs: 252 SpA / 4 SpD / 252 Spe
Timid Nature
IVs: 0 Atk

• Air Slash
  
• Blast Burn
  
• Heat Wave
  
• Solar Beam
  

Raging Bolt @ Assault Vest
Ability: Protosynthesis
Level: 50
Tera Type: Fairy
EVs: 196 HP / 100 Def / 100 SpA / 52 SpD / 60 Spe
Modest Nature
IVs: 20 Atk

• Thunderbolt
  
• Thunderclap
  
• Snarl
  
• Draco Meteor
  

Tornadus @ Mental Herb
Ability: Prankster
Level: 50
Tera Type: Steel
EVs: 252 HP / 92 Def / 4 SpA / 132 SpD / 28 Spe
Calm Nature
IVs: 0 Atk

• Bleakwind Storm
  
• Tailwind
  
• Sunny Day
  
• Protect
  

Incineroar (M) @ Sitrus Berry
Ability: Intimidate
Level: 50
Tera Type: Grass
EVs: 252 HP / 4 Atk / 140 Def / 76 SpD / 36 Spe
Careful Nature

• Flare Blitz
  
• Knock Off
  
• Parting Shot
  
• Fake Out
  

Walking Wake @ Leftovers
Ability: Protosynthesis
Level: 50
Tera Type: Fairy
EVs: 248 SpA / 8 SpD / 252 Spe
Modest Nature

• Hydro Steam
  
• Flamethrower
  
• Dragon Pulse
  
• Protect
  

Hi I’m Lindsey, a Clairaudient and Claircognizant Medium.
I offer a variety of services, if you’re unsure of where to start or what type of reading would be the best fit for your situation feel free to send a chat!
Below is a list of the extensive services offered. 🤍
Unlimited Question Readings
🌸These are question based readings. You can ask as many questions as you’d like within your chosen time frame. For the timed readings, they do NOT have to be yes or no based.🌸
•One yes/no question-Free (Free one question is valid up to 10 hours after post, please send a chat with your name and question)
•15 minute unlimited question reading-$14
•30 minute unlimited question reading-$28
•One hour unlimited question reading -$50
Tarot or Oracle Readings
🌸Tarot/Oracle readings are done within 48 hours of payment. I’ll include a photo, full explanation, and advice in your reading.🌸
•3 Card Tarot or Oracle spread-$7
•6 Card Tarot or Oracle spread-$12
•9 Card Tarot or Oracle spread-$18
Medium Readings
🌸These readings are mainly used to connect to passed on loved ones/spirit guides. I do need a name, photo and for you to be present during your reading! These are more advanced than the unlimited question readings.🌸
•30 minute- $60
•60 minute- $80
Spell Work available, please send a chat for pricing. ALL spell work includes consultation and one free check up reading for your spell
Reviews can be found here
Reviews Part 2
Reviews Part 3
*Accepted forms of payment are Venmo, PayPal or Etsy

Hi I’m Lindsey, a Clairaudient and Claircognizant Medium.
I offer a variety of services, if you’re unsure of where to start or what type of reading would be the best fit for your situation feel free to send a chat!
Below is a list of the extensive services offered. 🤍
Unlimited Question Readings
🌸These are question based readings. You can ask as many questions as you’d like within your chosen time frame. For the timed readings, they do NOT have to be yes or no based.🌸
•One yes/no question-Free (Free one question is valid up to 10 hours after post, please send a chat with your name and question)
•15 minute unlimited question reading-$14
•30 minute unlimited question reading-$28
•One hour unlimited question reading -$50
Tarot or Oracle Readings
🌸Tarot/Oracle readings are done within 48 hours of payment. I’ll include a photo, full explanation, and advice in your reading.🌸
•3 Card Tarot or Oracle spread-$7
•6 Card Tarot or Oracle spread-$12
•9 Card Tarot or Oracle spread-$18
Medium Readings
🌸These readings are mainly used to connect to passed on loved ones/spirit guides. I do need a name, photo and for you to be present during your reading! These are more advanced than the unlimited question readings.🌸
•30 minute- $60
•60 minute- $80
Spell Work available, please send a chat for pricing. ALL spell work includes consultation and one free check up reading for your spell
Reviews can be found here
Reviews Part 2
Reviews Part 3
*Accepted forms of payment are Venmo, PayPal or Etsy

Updated with autopsy results.
Morphew Case Map - Google My Maps - Barry's iPhone Data - Google My Maps - Barry's Truck Events - Google My Maps
August 5, 1994 – Suzanne Moorman marries Barry Morphew The Alexandria Times-Tribune Alexandria, Indiana 05 Jan 1994, Wed • Page 4
December 1999 – Barry and Suzanne Purchase 26040 Cal Carson Rd, Arcadia, IN This is the house where he dug a hole in the yard and buried everything he didn't want to move to Colorado. (AA ft 55 page 53)
November 2013 – Suzanne Inherits $208,000 upon the Passing of her Mother. MB provided documents that Suzanne inherited approximately $208,000 in 2013 at the passing of her mother.
August 2016 – Suzanne inherits $217,000 upon the death of a grandmother. Suzanne’s grievance list included multiple references to Barry controlling the finances.
April 12, 2018 – The Morphew’s Purchase 19057 Puma Path Barry and Suzanne Morphew purchase 19057 Puma Path for $1,575,000.
June 1, 2018 – The Morphews move to Colorado. (PH – Harris) SA Harris: Yeah, they moved in 2018. I believe they left around June 1st, 2018. to move to Colorado. So roughly a year and a half of the time is what Sheila originally said in that.
September 2018 – Suzanne sends “Howdy stranger” message to JL First contact since high school.
Fall 2018 – Libler’s daughter sees messages from Suzanne on his phone. Libler breaks it off.
Thanksgiving 2018 – Barry obsessive/possessive. While Suzanne was at the Oliver’s house, she had stepped away from her cell phone to use the restroom, and Barry tried calling her several times within a few minutes, then tried calling Sheila, then tried calling Darin.
Holidays 2018 – Suzanne finds Libler’s LinkedIn Page. Relationship Rekindled
January 2019 – The Mexico trip where Barry took Suzanne’s phone Mexico trip mentioned in the grievances list where Barry took Suzanne's phone.
February 11 – 14, 2019 – Suzanne in New Orleans with Libler Barry admitted to questioning Suzanne about the New Orleans trip, further evidence he suspected the affair.
April 2019 – Suzanne meets up with Libler in Indiana She does not see SO on this trip.
July 2019 – Suzanne and Libler meet up in Michigan Barry called SO while Suzanne was in MI visiting her fatheJL, wanting to know why Suzanne wasn't returning his calls.
September 2019 – Barry stalks Suzanne and Shelia Oliver, creeping through woods. Barry stalked Suzanne and Sheila at the Puma Path house in September 2019. This is upon his early return from a trip to Arizona.
October 2019 – Libler and Suzanne in Dallas Suzanne and Libler spend two nights at the Galleria.
September – November 2019 – Barry aggressively pursues KW around Salida. From the first time KW met Barry, she said it felt like "he was putting his tentacles out."
Holidays 2019 – Suzanne and Libler stop talking on the phone because she is afraid Barry will find out. They shift to more covert ways to communicate. Barry's second device makes its first appearance.
January/February 2020 – Suzanne in Florida, gets spy pen, sees Libler Suzanne in Florida, SO gives her the spy pen during this trip. Suzanne records a conversation with Libler on this trip.
Late February 2020 – Suzanne in Florida, sees father and Libler. Suzanne skips out on time with her father to see Libler. Barry goes to Florida.
March 2020 – Spy pen records argument between Suzanne and Barry. “It’s money. It’s about money.” “… I have lived for years being told how I should feel, how I should act, how I should look, what I should drink, what I shouldn’t drink, what I should put in my body, what I shouldn’t put in my body … ”
March 20, 2020 – Jekyll and Hyde text exchange between Suzanne and SO, MM2 suggests restraining order. "It’s Jekyl and Hyde again … Pretty much told him I can’t be healthy and stay in this."
March 22, 2020 – Spy pen records Barry listening to Forensic Files episodes, call with Suzanne on drive to Pueblo Coincidentally one of the episodes involved a woman "disappearing" after a bike ride.
April 21, 2020 – Messages between Suzanne and Libler “I want to be with you,” “I can only be me with you,” I love you,” “I need you.” “You know I was born to love you.”
May 4, 2020 16:05 – Barry makes 3 second outgoing call to Suzanne This was the first logged call in Barry’s phone to or from Suzanne since February 7, 2020.
May 5, 2020 – Suzanne drives MM2 to Gunnison Suzanne drives Macy to Gunnison, CO to meet MM1 for a road/camping trip through Utah and Idaho with MM1's best friend.
May 6, 08:44 – Suzanne sends MM2 a text “Good morning! I miss you already!”
May 6, 10:13 – Suzanne: “I’m done. I could care less what you’re up to and have been for years.” From 14:43 to 17:00 Barry replied, “When I’m dead,” “Going to see my savior,” and “This life on earth is a mear (sic) grain of sand compared to eternity.”
May 6, 2020 – 14:43 – From Barry to Suzanne: “I’m sorry if things went the way they did. I have a problem dealing with the way you accused me of hiding checks. If you think I’m as terrible of a person to hide our accounts and have ones you don’t know about you don’t know me. All I do is for you and the girls. All. When I'm dead, which won't be long, you guys will be taken care of. Please stop being angry. If I can control my hurt heart I think I can overcome your distant unlovingness toward me. Honey, I swear it's the hardest thing I've had to do. I love you I always will.”
May 6, 2020 – 15:51 – Barry to Suzanne: “I promise you were wrong about all the crazy thoughts about me. I have always been faithful. Always. Why would I ever want another when I'm married to the most beautiful, sweet, kind, loving, woman as you? Only a fool would stray from an angel like you.”
May 07, 2020 – Suzanne messages Libler about how magical past days had been. Barry wants a new truck. 16:43 - “Been studying all afternoon. I’m gonna bike now. I’ve got veggie soup on for supper.”
May 7, 2020 – SB puts new tires on Suzanne’s bike Bike mechanic was interviewed by law enforcement.
May 7, 17:13:52 – Barry Works Out at GD’s House Truck log files place Barry at GD's home at 5:13 pm.
May 7, 2020 23:00 – “I finally got the job” text from MM1 goes unanswered. Q (Lindsey): Anything on May 6th that didn’t seem normal? Was there a text from Mallory to Mr. Morphew? A (Grusing): I believe that’s the night of May 7th. Mallory, Macy, and their friend Holly are out on a trip towards Utah and Mallory is sending pictures to both Suzanne and Barry but I was ... Read more
May 08, 07:03 – The Grievance List: Suzanne’s phone backs up a list of 50 reasons why she wanted to leave marriage on “Notes” Not safe alone with you. Can’t be trusted - Oppressive - Slam on brakes when angry - Threaten to jump out of car - Gun ...
May 08, 08:43 – “I will continue to do your invoicing when you need to.” "When FBI Agents showed Barry these texts during interviews in 2021, he said he did not think Suzanne was serious."
May 08, 09:28 – Suzanne texts sister about Barry’s abuse. “It’s hard dealing with the harsh abrasiveness and having to show respect. He’s also been abusive, emotionally and physically. There’s so much … I went thru a period of acceptance and I feel more angry now. Anger at what I’ve allowed.”
May 08, 10:55 Barry: “I Love You, Suzanne.” “But, in the afternoon, it (the text fight) was like it never happened. She texted me back and it was just like, ‘Hey, what time are you coming home? Hey, this or that. Just pick this up or pick that up.'”
May 08, 13:18 – Barry texts Salida Stove and Spa about getting the hot tub fixed. "Asking when he could come out to the home."
May 08, 15:43 – Barry’s iPhone receives an SMS message associated with the unknown device This second device was first used on November 30,2019 and was associated with Barry’s iPhone 91 times since then, compared to 1,701 associations with the primary User ID since November 2019.
May 8, 19:06 – Moonlight Pizza and Phone Calls Barry convinces Suzanne to meet him at the Tailwinds site before going to pick up Moonlight Pizza together.
May 08, 21:04 – 20 Facebook friend requests, 3 men named “Jeff.” Barry’s lurking at the River. Barry was asked about his phone pinging down by the river during the Facebook posts on Friday night and asked if he was outside. Barry said, “I could have been. I don’t remember. I chase critters around the house all the time.”
May 09, 00:02 – Incoming call on Suzanne’s phone (PH CAST) Incoming call on Suzanne’s phone (PH CAST)
May 09, 02:07 – Outgoing call on Suzanne’s phone (PH CAST) 02:07 am outgoing call on SM’s phone (PH CAST)
May 09, 06:00 – Barry’s phone received call (PH CAST) 06:00 am BM’s phone received call (PH CAST)
May 09, 06:46 – Barry’s phone registered “Power On” Comes out of Airplane mode.
May 09, 07:19 – Barry’s cell received signal (PH) Barry’s cell received signal (PH)
May 09, 07:22 – 07:39 – Barry at “Tailwinds” worksite Barry’s phone registered locations at his “Tailwinds” work site near Poncha Springs.
May 09, 07:35 – Suzanne texting SO Discussing Sheila's daughters wedding on Sunday.
May 09, 08:00 – MG was with Barry working on the rock beach site until 10am(?). Gentile: “He said that he had to go make the wife happy – do some hiking or biking.”
May 9 – Morning – Suzanne messaging Jeff “He’s still wanting Arizona.”
May 09, 09:50 – Barry to Suzanne: Want to go on hike? *Text Exchange\* Barry to Suzanne: Want to go on hike?
May 9, 2020 – 11:14 – Suzanne received a second password reset message from Facebook Previous reset was while Barry was down by the river on the evening of the 8th.
May 09, 11:15 est. – Barry tells Morgan Gentile he could “bury a body” and it “would never be found.” Gentile: “He seemed stressed. He definitely seemed weird on Saturday.”
May 09, 11:55 – Dead Turkey Hunt or Barry Takes Down His Trail Cameras Barry said he was looking for a turkey that Mallory had shot previously with a bow, but they had never found.
May 09, 13:35 – Barry leaves home again. Checked on job at Kim Gyms
May 9, 13:40(?) – Suzanne texts Libler Guess who is alone again?
May 09, 13:46 – Barry and the backhoe After texting, Barry drove by TK's house to see the backhoe, but did not get back in touch to buy it. In 2018, Barry used a backhoe to dig a large hole in his front yard, fill it with items to include furniture, and cover it over, planting alfalfa on top.
May 09, 13:51 – 14:13 – Barry at DSI, replacing Bobcat blade He was wearing a blue t-shirt and khaki shorts.
May 09, 14:03 – Suzanne sends sunbathing pic to Libler, last proof of life. “Well, look at her. She’s obviously drunk. Look at her eyes. Do you know what drunk eyes look like?
May 09, 14:11 – Suzanne sends last LinkedIn message to Libler: “I’m on wa.” Libler sent response messages at 2:39PM, 2:46PM and 2:47PM that Suzanne did not answer.
May 09, 14:26 – Barry texts Suzanne, “Done headed back.” He texted Suzanne that he was done and was headed home.
May 09, 14:31 – Barry texted Suzanne, “Did you leave.” At 2:31 PM, Barry texted Suzanne, “Did you leave.”
May 09, 14:39 – Libler messages Suzanne, she does not respond. First unread. Messages from LinkedIn show they were talking about how Suzanne is in love with Jeff before she went missing.
May 09, 14:43 – Barry’s phone and F-350, per telematics, arrive at the Morphew residence. "The photo is shown in the courtroom, Suzanne smiling. Truck GPS coordinates show Barry’s truck goes into park at 2:43:59. Phone coordinates show he walks around the house. You can hear a pin drop in the courtroom as tension is high." - Carol McKinley, PH Tweet
May 09, 14:44 – Shooting Chipmunks? Barry had a .22 in the moments when Suzanne ceased the communicate with everyone she loved in the world. Shooting Chipmunks? Barry had a .22 in the moments when Suzanne ceased the communicate with everyone she loved in the world. (See: https://www.reddit.com/SuzanneMorphew/comments/17lfboz/barry_and_the_chipmunks_aa_excerpts/ )
May 09, 14:46 – Libler messages: “Hey … your weather looks great” Second unread. No response from Suzanne.
May 09, 14:47 – Jeff sends another messages to Suzanne with no response. Third unread. Jeff sends last message if the day to Suzanne with no response.
May 09, 16:00 – 17:30 – Defense says Barry was at Salida Stove and Spa Salida Stove and Spa's posted hours have the store closing at 2pm on Saturday. Telematics show Barry's truck in his garage during the time he was supposedly at Salida Stove and Spa.
May 09, 16:44 – Barry parks his truck in the garage. Barry claims to have been loading his truck and cleaning off his workbench. (See: https://www.google.com/maps/d/edit?hl=en&mid=1FSqlFRrywR8FkytAYkNM-bdSxvKVK5MP&ll=39.173623131314%2C-105.63244&z=8)
May 09, 17:33 – Barry’s truck system manually rebooted Barry attempted to disable the trucks GPS and SYNC features.
May 09, 18:40, 18:46 – SO sends two Snapchats to Suzanne that were never opened SO sends two Snapchats to Suzanne that were never opened
May 09, 21:25 – Barry’s truck goes into reverse, backs 96.8 feet down driveway Barry backs 96 feet out of the garage.
May 09, 22:17 – Barry’s Phone Exits out of Airplane Mode Barry's phone comes out of airplane mode at the Morphew residence.
May 10, 02:53 – Outgoing call on Suzanne’s phone Possible glitch.
May 10, 03:25 – 03:48 – Barry’s truck door opened and closed "SA Hoyland noted over eighty events involving the F350 during this timeframe."
May 10, 03:58 – Barry’s phone moves from home to near where Suzanne’s bike found 3:58 am BM cell moves from home to near 225/50 where bike found Carol McKinley PH Tweets (read from bottom tweet up): 431 am 5/10 Barry’s phone goes back into airplane mode at the his home. 5:37 am – morphew turns into buena vista & heads towards broomfield. 538 he texts his mom “happy ... Read more
May 10, 04:10 – 04:23 – Last Activity from Suzanne’s iPhone Sergeant Mullenax asked dispatch to ping the number given for Suzanne’s cell phone. Dispatch informed Mullenax that the cell phone appeared to be off and last known activity was at 4:23AM on the present date, with a general location about 11.5 miles west of a cell tower in Poncha Springs, CO.
May 10, 04:32 – Barry’s Phone Goes Back into Airplane Mode Barry's Phone Goes Back into Airplane Mode
May 10, 04:32 – 05:14 – Chasing Elk, or Staging Evidence? Barry's trip to Garfield adds an approximate five miles each way to his morning trip, and places Barry and his vehicle in the direction the helmet was discarded - west from the bicycle.
May 10, 05:00 – Morgan Gentile Hears Barry’s Truck on Hwy 50 Gentile stated she did not see the truck but that his truck has a very distinctive exhaust.
May 10, 05:14 – 06:56 – Barry on the road to Broomfield. Barry phone exits airplane mode while heading towards Buena Vista, CO.
May 10, 08:10 – Trash Dump #1 – RTD Bus Stop Hwy 36 Agent Grusing: "Yes. He would have time -- with the passenger door opening and closing -- like it would say passenger door opened at 8:10:36 am and then passenger door closed at 8:12:13 am. So it took about a minute and a half and that trash can is only 10 to 15 steps away from where the truck was parked."
May 10, 08:14 – 08:20 Holiday Inn Express, Broomfield. Trash Dump #2 Grusing: "He said he parked there because he hoped someone would come out and he could go in the hotel before checking in and get a free breakfast." (Note: It was mid-COVID lockdown, building capacities were down to single digits.)
May 10, 08:41 – 08:46 – “I made it to Broomfield call me when you get a chance” Barry texts Suzanne.
May 10, 08:46 – Barry carries items into the Holiday Inn Express “If there’s clothes in my truck, there was probably old clothes I threw away.”
May 10, 10:06 – Barry exits hotel room. He's carrying a charcoal long-sleeved shirt, two white bags, and a pair of boots.
May 10, 10:20 – 10:41 – McDonald’s – Trash Dump #3 SA Grusing said Barry had a small item in his hand and used one arm to push it down, then both to push it further down as Barry was shown the photos.
May 10, 10:47 – 11:18 – Men’s Wearhouse Trash Dump #4 Barry was told he was there for about 40 minutes and asked if he remembered what he was doing there. Barry said, “I think I was still cleaning my truck, umm, yeah, yeah I mean, like I said, I just uh, I would, I was probably getting crap out of my truck like I said, which I’ve done my whole entire life.”
May 10, 11:18 – Barry calls MG "Barry called he was out of breathe (sic) panting but fatigue, kind a like hungover but he doesn’t drink, honestly when I hung up I thought to myself he sounded like he had the worst night of his life.” - MG
May 10, 11:23 – 11:36 – Barry back at the HIE Barry carries in disorganized papers in a binder. Carries out an organized binder.
May 10, 11:57 – 12:25 – Barry at the worksite Barry spent 28 minutes removing a few blocks from the wall.
May 10, 12:28 – 12:41 – HIE Trash Dump #5 A camera recorded Barry throwing away: a small item, one white trash bag, larger in size than the previous bags in one hand, a black container, along with a piece of clothing, possibly a camouflage coat.
May 10, 12:42 – 18:03 – Barry remains in his HIE room. ”At 3:30PM, Barry sent an outgoing message to Suzanne 'Call me'"
May 10, 2020 (Time Unknown) – Libler wishes Suzanne a Happy Mother’s Day Commented that it would be a hard day because she missed her own mother.
May 10, 2020 – 15:30 – Barry texts Suzanne from his hotel room. At 3:30PM, Barry sent an outgoing message to Suzanne “Call me”
May 10, 15:50 – 17:45 – Suzanne is discovered “missing” “I’m just so sad and REDCATED and I texted mom for Mother’s Day and she still hasn’t answered and I’m scared her and dad probably got in a big fight and I don’t even know it just made me want to be gone even more because I don’t want to be around them it hurts me and I know if REDACTED is working I might have to be home a lot more and it’ll probably be the worst summer of my life.”- MM2 text.
May 10, 17:55 – 19:10 – Barry leaving Broomfield 6:10 pm - Barry entered the lobby carrying two shovels and placed them beside the front desk. He made subsequent trips, placing more tools in the same spot.
May 10, 19:31 – Chaffee County finds the bike “Something is up with the front tire,” Deputy Brown
May 10, 20:42 – Barry arrives at CR 255 & US 50 "Barry is heard asking if deputies saw any “cats” on the road and a deputy says not recently."
May 10, 21:37 – CCSO Commander Avila brings Barry into the house for scent items. Barry does not call out or look for his wife in the home.
May 10, After 21:47 – Barefoot prints in the Bobcat Bucket Deputy Brown was walking in the driveway when Deputy Defurio told him that there were barefoot marks inside of the bucket on the Bobcat. Deputy Brown went with him to examine and found that the cutting blade on the bucket of the Bobcat appeared to be newly replaced, along with the nuts and bolts.
May 10, 22:00 – MG and JP smell chlorine and have the wrong tools in Broomfield. “It looked like Barry had removed top caps that was it. We also did not have the tools we need like a packer or gravel.”
May 11, 2020 – First Interviews, Puma Path Searched "On May 11, 2020, at about 7:00AM, Barry called Morgan and said that Suzanne was missing and he thought a mountain lion may have attacked her. Morgan explained that Barry was initially crying but then abruptly shifted to the specifics about the Broomfield job."
May 11, 2020 – 14:47 – Libler sends last message to Suzanne. Wishing her well for her scheduled final cancer treatment that day.
May 12, 2020 – 20:00 – Barry found digging in the trash at Poncha Market “He went to write down a description of maybe what she was wearing,” Butala said. “I just thought it was weird because he didn’t explain what the color of her eyes were or her hair or anything about her, like how tall she was or anything.”
May 13, 2020 – Deputy Carricato took photos of scratches on Barry’s left arm and hands. These injuries appeared to be healing, several days old scratches.
May 13, 2020 – Fundraiser created $33,552 raised
May 17, 2020 – 11:13 – Barry’s “plea” video is released on Facebook. “Oh Suzanne, if anyone is out there and can hear this, that has you, please, we’ll do whatever it takes to bring you back. We love you, we miss you, your girls need you. No questions asked, however much they want – I will do whatever it takes to get you back. Honey, I love you, I want you back so bad.”
May 19, 2020 – Interviews, Pneu-Darts, Range Rovers "CCSO Deputy Scott Himschoot was present during the search at 19057 Puma Path, in the laundry room, and was asked to collect a “pneu-dart box, empty,” one plastic hypodermic cover, one Pneu-dart book from safe in garage, one dart from box under bench in garage, among other items. The plastic cover was located by evidence search teams in the dryer, inside of the sheets belonging to REDACTED bed." (At some point we had confirmation of a to-do list Suzanne left including MM1s bedding in hopes that the older girls would spend the night. Cannot remember the source.)
May 20, 2020 – Spy Pen found. "The pen was located in a cloth bin amongst women’s bras. The cloth bin and pen were inside the walk-in closet in the master bedroom, located on the ground level of the residence. Detective Hysjulien located, with the pen, the controller and headphones for playback and a USB cable."
June 1, 2020 – Barry files for guardianship. Within a month of Suzanne’s disappearance, Barry began to liquidate assets.
June 1, 2020 – TD interviews Barry on camera. "So, uh -- we uh --. We had two daughters that were coming home from a trip. And I got a job in Denver that I wanted to get started on on Sunday. Set it up for my work because my rookies are coming in Sunday night. (Unintelligible) Monday but I, being the owner, I wanted to get everything lined up so that (Unintelligible).
June 6, 2020 – Barry closes on IN home. Pockets $750,000
June 25, 2020 – Barry purchases the Longhorn Ranch property for $165,000 Property Address 8366 LONGHORN DR
July 13, 2020 – Barry sells Suzanne’s Range Rover. Leaves Suzanne's sunglasses in the car.
Aug 20, 2020 – Lauren Scharf Interviews Barry “People don’t know the truth, so they’re gonna think what they’re gonna think.”
October 05, 2020 – Barry lists Puma Path home for sale. Originally listed for $1,759,000.
November 2020 – Barry Commits Voter Fraud Barry filled out Suzanne's ballot and mailed it in.
February 17, 2021 – Barry Sells Longhorn Ranch property for $150,000 A $15,000 loss. Same property sold on 04/21/2021 for $175,000, indicating Barry needed the money fast.
March 3, 2021 – 19057 Puma Path sells for $1,625,000. Barry and Suzanne Morphew purchased the home on April 12, 2018 for $1,575,000.
May 4, 2021 – Warrant Issued for the Arrest of Barry Lee Morphew CRS/CHARGE: 18-3-102 (1), (a) Murder in the First Degree, a class 1 Felony, 18-8-610. Tampering with Physical Evidence, a class 6 felony, 18-8-306, Attempt to Influence a Public Servant, a class 4 Felony.
May 5, 2021 – 09:15 – Barry Lee Morphew Arrested for the murder of Suzanne Renee Moorman Morphew "Morphew was arrested around 9:15 a.m. on Wednesday, May 5 near his home in Poncha Springs. FOX31 News has obtained video of the arrest, which shows his truck stopped on the side of the road near several police vehicles. He can be seen standing just off the road with an officer." AA: https://www.documentcloud.org/documents/21065843-21cr78-morphew-redacted-affidavit
August 9-12, 2021 – Preliminary Hearing. Day One: https://docs.google.com/document/d/15wZ86C3zQ6kh9VGOUCJcr0ipCoFeaXkdowmwyaruiIQ/edit?usp=drive_link
Day Two: https://docs.google.com/document/d/1QKa1jcH2dAqe9Wezew-KbLCDuicrm1HgfwC4oGwM8Dg/edit?usp=drive_link
Day Three got corrupted so it's gone.
People's exhibit images: https://imgur.com/a/hgvlBUt Defense exhibit images: https://imgur.com/a/VC3ZfUZ
April 19, 2022 - Case against Barry Morphew Dismissed Without Prejudice. Prosecution asked for the case to be dismissed.
May 2, 2023 – Barry files $15,000,000 lawsuit against Chaffee County, et.al. https://www.9news.com/article/news/local/barry-morphew-lawsuit/73-3cea50c2-cdae-4338-8de9-9e113d33db6c
May 8, 2023 – Fraud Lawsuit filed against Barry in Indiana. Property dispute. https://denvergazette.com/news/courts/barry-morphew-sued-fraud-allegations-land-dispute/article_1c7cd90e-f4f5-11ed-9778-47c9c303d16d.html
September 22, 2023 – Suzanne's Remains Found Near Moffat in Saguache County While SCSO was searching for another (unrelated) missing woman. https://www.cbsnews.com/colorado/news/suzanne-morphew-remains-found-colorado-missing-mother-barry-chaffee-county-disappearance/
Sept. 27, 2023 – Autopsy Completed. Awaiting Toxicology. https://cbi.colorado.gov/news-article/suzanne-morphew-autopsy-results-cbi-update-0https://www.cbsnews.com/colorado/news/autopsy-complete-remains-missing-colorado-mom-suzanne-morphew/
April 29, 2024 – Toxicology finds BAM in Suzanne's bone marrow. “Homicide by undetermined means in the setting of butorphanol, azaperone, and medetomidine intoxication.” https://www.scribd.com/document/727780041/Suzanne-Morphew-autopsy-results https://www.cpr.org/2024/04/29/suzanne-morphew-died-by-homicide-with-tranquilizer-chemicals-present-in-body-according-to-autopsy-report/
Complete Case Overview (Official News Reports and Documents)
What Suzanne Left Behind (PH Exhibits)
Suzanne's Texts with SO Sept 2019
Barry's Unstableness: Suzanne's Text Conversion with SO September 1 (PH Exhibits)
Where was Barry on the 9th - Preliminary Hearing Exhibits
Barry and the Chipmunks (AA Excerpts)
Barry's dirty truck and poorly maintained rifle. PH Exhibits
Suzanne's Last Days - Timeline - May 4th - May 9th, 2020
Barry Buries a Body - May 10th, 2020 - Timeline
Barry Busy in Broomfield Part One (Preliminary Hearing Exhibits)
Barry Busy in Broomfield Part Two (PH Exhibits)

EA are now focused on the revenue opportunities that have been enabled through microtransactions, at the expense of gameplay. We need to push back.

My essential thoughts are this.

EA are a corporation, and it is their sole mission to generate revenue. This is absolutely fine. Capitalism as it should be.
It used to be that EA needed to make a great game that would be reviewed well, and convince the customer to buy not only that game, but the game that follows. This was their business model. Sometimes it worked, and sometimes it didn't (see PES era of the middle 2000s). At the end of the day, gamers and developers were united in a common aspiration, a great football game.
Around 15 years ago, came another exciting revenue opportunity. This opportunity was called the microtransaction. You could make a ton of money by not only selling the game, but getting the players to purchase additional packs or loot boxes from within that game.
Eventually, and with the help of behavioural psychologists, the sale of loot boxes was made much more efficient, and profitable. Lootboxes allowed for dopamine hits, and dopamine hits lead to addiction. This process was refined and refined and refined until we are where we are today. Packs are now responsible for approximately approx. 70% of EA's total income. This is derived from a purposefully created addiction mechanic.
If you're EA, and you want to make lots of money, the idea is to generate as much revenue as possible through microtransactions, without compromising the sale of the enabler, which in this case is the game itself.
Where we are now, is that EA have gone far too far, and have done just this. The transparent money grab has alienated the core base. It is clear now that EA's focus is no longer on making a great game, but has shifted to these new revenue opportunities at the expense of the enabler.
The game crashes, huge mistakes are made and fundamental gameplay issues are never fixed. It's basically been in a state of perpetual decline since the atrocity of FIFA19. The game is largely unplayable, but this is a sympotom of the issue, and not the cause of our frustrations.
Why? EA are making more and more money. That's why.
This is why the EA FC point boycott is so essential.
We need them to refocus urgently.
We need to make them understand that the addiction mechanics that they have been trying to pedal will never work while we have a substandard core game.
Getting kids addicted to micro transactions is a disgrace. They have gone too far. We need to put a stop to it.

My 10 point plan is as follows:

1) We all immediately stop buying points. The creators have this right.
2) We convince others to do the same.
3) We stop watching and supporting content creators who use store packs as their engagement model.
4) We use social media to promote these messages.
5) No pre buy of EAFC 25
6) We get the support of, MP's, senators and governments in our push back against loot boxes designed to extract money from children and for those pre-disposed to addictive behaviour. EA are more scared of government legislation than they ever will be of the game’s core community
7) We engage journalists across multiple media. The engine of our messaging should be point 6.
8) We utilised the skill set of the base. We get marketeers, lawyers and industry insiders to help us. Hashtags, media campaigns and contacts will help us breakthrough.
9) We ensure that those creators who are inside EA's create a network are entirely on board.
10) We never stop until we get not only engagement, but improvements.
Thoughts?

So, the BLU ssj3 kid Goku was a mainstay on my GT team prior to getting LF SSJ4 Goku zenkai’d. He’s a fun unit but there are some things I would like to see if he ever got zenkai’d, mainly revolving around his arts costs and his (now idealized) support role. If he does get zenkai’d, I want all arts costs to be lowered. It hurts him in combos when you pull a full hand and only get 1 ki back from using a green (bump recovery from 20 to like 40 or sumn). If we are to give cover null, I’d say either first card for 5 counts or on green for five counts (AOE card reload). I would also suggest some form of sub count reduction on the green as well, from like 1-3, in order for him to be used as a support unit. Again, he gets a full hand from the green and it’s a short animation. On main, maybe more sub count reduction and give allies permanent ki recovery and inflicted damage. I would suggest like a zenkai kaioken goku-style passive where you build up to like 20 or 30% extra damage and ki recovery, done in spurts of 10. As for what it would buff, GT would be nice because outside of his flaws in his kit and as a unit, he’s a very good bench character for like kids teams. He’s got an amazing Z ability and the new LF GTku doesn’t have a dedicated buffer, so this kid Goku could be that. This would make this kid Goku be a good pick for a GT team, though it sounds really powerful now that I read it over. excuse me for yapping lmao
Edit: also meant to say to give the basic zenkai abilities too like extra damage, extra defense, and lvl 1 cds, even when he has the level 2 on entry for 10 counts

I initially had four issues that I was claiming in a supplemental claim. I didn't like the results so I submitted for a higher level review. During the HLR the rater determined that the previous rater didn't review any of my medical evidence. Recently the HLR went from showing 4 issues to 7 issues. What could the three new issues be? In the decision letter, the rater determined that my issues had been mis-rated since 2021, I filed the claim in 2023. Could they possibly be trying to back date it to 2021? They did a Duty to Assist Error.
"This is a toxic risk exposure (TERA) exception for a physical trauma so no additional TERA development is needed for this issue."
"VA examinations of November 9, 2021 and October 30, 2023 noted a diagnosis of bilateral hip
strain."

https://www.youtube.com/shorts/DdJxUSevYf0
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