2024.04.24 07:33 karatewaffles Send a program receiving piped input into a debugger (gdb)?
2024.04.21 21:32 somewhat_quirky Cannot seem to print this one thing
2024.04.12 14:23 Chen_Geller Meet the Tolkiens: JRR Tolkien and Sons response to adaptations
The subject of the Tolkien family's approval of the films is a big and thorny topic, that's sadly usually boiled down entirely to JRR Tolkien's Letter 210, and Christopher Tolkien's comments to Le Monde. In fact, the situation is far more complicated, nuanced and while its all but certain that J. R. R. would have picked holes in the films, its by no means clear that he would have condemned them along the lines of his 1957 letter, or those taken by his son Christopher. submitted by Chen_Geller to lotr [link] [comments] The latter's own comments are usually quoted only in part, and looking at his overall views of audiovisual adaptations AT LARGE gives, I feel, a better (but not necessarily very flattering) context to his comments. Ultimately, it is left for every one of us to determine our own enjoyment of any adaptation of Tolkien, rather than looking for "guidance" in the words of JRR and Christopher. J.R.R. TolkienAlthough Tolkien was dubious about cinema in his youth1 he had seen movies, including Disney's Snow White and the Seven Dwarfs, which he famously disliked.2 Nevertheless, when the prospect of a film adaptation of The Lord of the Rings came up, Tolkien said he "should welcome the idea of an animated motion picture." By that point, Tolkien was nearing retirement, but he clarifies that he would like to see a film "quite apart from the glint of money."3The animated film Tolkien talked about was pitched by Al Brodax, which went no further. Shortly thereafter however - but separate from Brodax' approach, unlike how its often presented - Tolkien was approached by Forrest Ackerman, who was representing a "writer" by the name of Morton Grady Zimmerman. Tolkien already had reservations when he first met Ackerman, who gave him a short synopsis of their proposed film adaptation, but later when he recieved a document from Zimmerman, he famously critiqued it in his infamous letter 210.4 Tolkien did like artwork attached to the Zimmerman project, by Ron Cobb of later Conan the Barbarian fame, for looking like the illustrations of Arthur Rackham, notably for his Wagner illustrations (above) The critiques presented in Letter 210 are often used to show that Tolkien was sure to dislike the New Line films, which he almost surely would have, but a couple of important reservations need to be pointed out: For starters, Tolkien never saw a screenplay from Zimmerman: Letter 210 is responding to a 55-page story outline. So, whatever reservations Tolkien had to such a perliminary and sketchy document may or may not hold in the case of a screenplay, much less an actual film. Just as importantly, the Zimmerman treatment was by all accounts a very ameaturish document. Says Professor Kristin Thompson: Historians have described the Morton Grady Zimmerman proposed project as if it were a viable attempt to make an animated adaptation of The Lord of the Rings. [...] The Zimmerman project was originated by a young, inexperienced man from Arkansas apparently hoping to use Tolkien’s work as a way of breaking into the film industry. [...] Zimmerman was only 20 years old in 1957, apparently with no publications and few contacts in Hollywood. [...] The short obituary of Zimmerman on file in the Marquette University Archive declares that he lived in Yuba City, California, and “worked in sales his entire career.” [...] Zimmerman and the small team he assembled could never have obtained financing or attracted a Hollywood studio capable of undertaking such a film.4And there's yet another reservation towards the trend of using Tolkien's critiques of Zimmerman's treatment as indication of how he would have treated Jackson's films: that, for all his reservations, Tolkien was still willing to play along with Zimmerman and co. so long as they produced the necessary funds to make it worth Tolkien's while. Indeed, the project was only terminated when Tolkien "apparently had realized that the Zimmerman group lacked the wherewithal for the proposed film."5 Nor is it clear to me that Tolkien's critique of Zimmerman's treatment had been entirely measured and in good faith: it is obvious from reading it that, as Tolkien starts scurtinizing it, he becomes increasingly worked-up, increasingly nitpicking tentative scene descriptions to the 'nth degree. That said, Tolkien did acknowledge strengths in the treatment, like atmospheric scenes, and appended pictures of the California countryside for prospective shooting locations, along with artwork by Ron Cobb. We can only assume he'd approve of similar scenic aspects in later adaptations, therefore.6 Nor is it possible to disentangle Tolkien's critiques of specific scenes from the overall impression of the Zimmerman treatment. Tolkien seemed to think the story was too condensed, with Zimmerman seemingly unwilling to cut incident like the encounter with Tom Bombadil, while still trying to fit the whole into a three-hour film, reducing Goldberry to a glimpse from beyond a waterfall. By the events of The Return of the King, Zimmerman apparently had Sam leave Frodo at Shelob's Lair and go to the Crack of Doom himself. Surely, this puts it far from abreast with any Tolkien adaptation to date. What's more, had the Zimmerman treatment been so grievous to Tolkien, it would surely deter him from engaging with any further attempts to adapt his works, but that was not the case. Tolkien had what were apparently very amiacable discussions on the matter with Robert Gutwillig and producer Samuel L. Gelfman, and later even leased the rights to The Hobbit to Rembrandt films.7 Presumably learning his lesson from the Zimmerman juvenalia, Tolkien leased the rights to Rembrandt films, such that he wouldn't need to be bothered with scrutinizing their screenplay. Nevertheless, he couldn't contain himself from wondering what the film would be like, and even forwarded an inquiry to Rembrandt films, who ultimately failed to produce anything more than a crude short film.8 But Gelfman still had his part to play: By 1967, he returned to Tolkien with a new backer, United Artists, looking to set-up an adaptation of The Lord of the Rings. By 1969, Tolkien sold UA the film rights to The Hobbit and The Lord of the Rings in perpetuity. This could be seen as washing his hands off of the business of adaptations, but when the project finally found a director in Sir John Boorman, he later remembered corresponding rather-amiacably with Tolkien over it.9 Sir John Boorman, on the set of his later fantasy film Excalibur, partially inspired by his earlier Rings screenplay: Tolkien lived to see (or read) neither, but corresponded amiacably with Boorman These are not the actions of someone disenchanted with the idea of a film adaptation, but of an author who - perhaps somewhat in spite of himself - is curious to see what his story would make on the big screen. Obviously, Tolkien could scarcely imagine the technical capabilities that would be in the disposal of filmmakers like Jackson years later, and didn't live to see an actual adaptation of his work (there's no evidence he actually saw the Rembrandt films' short). From his general demeneaour we can safely assume he was likely to pick holes in Jackson's films, had he seen them, but in and of itself, Letter 210 is insufficient to determine Tolkien's attitude towards those films. At the very least, Tolkien authorised films to be made by signing the deal he did in 1969. Jess of the Shire instead points to Tolkien's remarks on dramatising fantasy stories in his essay On Fairy Stories. While her erudite analysis made significant headway on the matter of how Tolkien might view the films, had he seen them, one might take an exception with how "On Fairy Stories" is used as a blueprint for Tolkien's writings and attitudes at large. I'm reminded of a comment made by another Tolkienite, Professor Jeffrey Swann: "[It's] a very basic error of confusing theoretical essays and works of art. Theoretical essays and works of art are entirely different things: they actually, perhaps, come from different parts of the human brain, or the human psyche."10 Christopher TolkienTolkien's son, Christopher, however, did live to see quite a few adaptations of his father's works. There were a couple of adaptations made in Sweden and Finland that were apparently not licensed, and Christopher's reaction to them was limited to using legal steps to prevent them from airing ever again.11Christopher's reaction to the Rankin/Bass TV Specials is not recorded, as such: Arthur Ranking Junior remembers the Tolkien Estate rejecting his overtures to make The Hobbit very emphatically, before he used a loophole in the US copyright to circumnavigate them entirely. The Tolkien Estate later joined with Saul Zaentz, producer of the Bakshi film, to stop Rankin's sequel, The Return of the King, from airing, unsuccesfully.12 Christopher's comments about The Lord of the Rings film trilogy are well-known, but they're perhaps given better context by his reaction to the earlier, Bakshi film: As regards the question of the film: I have not seen it and do not intend to, but I have seen a book with pictures taken from the film. I will not deafen you with vociferous condemnation and say no more than that I regard it with abhorrence, as a wholly unbelievable travesty of my father's work and a denial of the entire imaginative and aesthetic outlook. I do not wish to be associated with the film in any way that I can help; nor would United Artists want my assistance if they knew my feelings! [...] I heartily wish that the films of The Lord of the Rings were not being made, & I fear their advent – but even more, perhaps, the associated imbecilities of hideous toys & special breakfast-cereals... it seems impossible to guess what effect the films with ultimately have.13It is valuable for context to remember that Christopher Tolkien also hated the Bakshi film, which he did not deign to see; a film that I myself, like many of us, quite enjoy. Jackson's dealings with the Estate are a mixed bag. He remembers Christopher brusquely refusing to so much as meet with him during preproduction, but in an early interview and in the audio commentary, he makes them seem very matter-of-fact and reasonably cordial: We are dealing with the "estate", rather than Christopher personally. They have made their position very clear: While they are in no way opposed to a film(s) being made, they do not want to be involved.Jackson himself had the impression that Christopher never watched his films, and while this would seem typical in light of the above, it seems Christopher did see The Fellowship of the Ring - and only Fellowship of the Ring - and comments strongly attributed to him are not positive: [Christopher] feels that all the themes that to him make the LR important are completely submerged in the movie behind frenetic motion, chases, fights and shrieking choirs (and in one major case, poor casting).15Christopher was still alive during the earliest stages of development for The Rings of Power, and apparently made his dislike for the project known but, having stepped down from managing the Estate (which is still co-owned by his widow), didn't make any moves to torpedo it. Whether it could be construed that Christopher found some acceptance with such projects or not, is unclear.16 The Rings of Power incident tells us little of Christopher's state of mind, but personally I find his comments, respectfully, to be something of an "old man yelling at cloud." Its clear that he had no equanimity about seeing The Lord of the Rings turned into an action movie, feeling that the mere presentation of such "lowly" elements as fight scenes or chase sequences somehow devalues the work as a whole, a sentiment that I'm sure not many of us share, not just with regards to Lord of the Rings (which surely lends itself to the action drama genre) to many other, great films who "dare" to put such elements into their story. Certainly, Christopher's comments about "commercialisation" are hard to swallow, being that The Lord of the Rings was embarked upon as a commercial enterprise, responding directly to a prompt by Allen and Unwin to a sequel to The Hobbit. Of course, there's a huge difference between that and seeing a plethora of films and shows (something which we have not yet seen) and appended merchandise (something which we sadly have). Christopher himself helped some much adaptations - in non-audiovisual media - like the 1981 radio serial. An afterword about Simon TolkienThe current head figure of the Tolkien Estate (although its actually run jointly by four members of the Tolkien family and their lawyer) is Simon Tolkien, who is behind the much-touted sale of the TV rights to Amazon Prime Video. Simon had previously been an avid supporter of Jackson's films: author Ian Nathan records that Simon in fact asked to audition for the role of Boromir, for which he was found unsuitable. There was apparently some tensions with his father Christopher over his unstinting support of the films, which including a pair of cameos by Royd Tolkien, the professor's great-grandson.17___________
ConclusionUltimately, it is NOT for Tolkien - either JRR or Christopher - to circumscribe the aesthetic enjoyment any of us may have in any adaptation of Tolkien's own works. Tolkien may have been the author of the source material, but neither he nor Christopher were cineastes by any stretch of the imagination, and looking at other examples like Stephen King's critique of Kubrick's The Shining, its not at all clear to me that authors are necessarily the best judges of adaptations of their works.What's more, its ultimately for any one of us, individually, to judge things according to our own likes and dislikes. Jackson himself foreworded his and Walsh's story treatment for The Lord of the Rings with something of a manifesto: "We have tried to make it work for an audience who never had - and never will - read the book." This should not be seen as a commercial ploy, but as a means of making the films self-sufficient as a work of art. The films should therefore be judged, as Kirstin Thompson had argued, not as literary works but as films, using the stock-and-trade of film criticism. That does not make the issue any less thorny, because if one knows the book, one will be more inclined to think of altered or added incidents as sticking out, and so will be more likely to critique them more rigorously on "cinematic" grounds. But, ultimately, at the end of the day its not for Tolkien or for anyone else to tell us what to enjoy or not to enjoy. |
2024.04.11 06:48 Insane-Koifish What is meant by "schemes" in this context?
2024.04.06 00:45 Sal600rr New to me printer help
So I recently bought a new to me upgraded Wanhao Duplicator 5s. The big one. I also have a Biqu B1 that has been great until the heating element dies the other day. So me on FB marketplace I started to look cuz why not. So I stumbled on this D5s for cheap only a few miles up the street from my house. It has significant upgrades from what I understand. I’ve tried multiple settings changes to try to get this to print well but extremely unsuccessful. It is about 1 year old filament. I just got a dryer ordered today. But I’m thinking it’s more based on the inconsistent base layer. I did my best leveling it and seeing the lack of base structure seems to skip links I don’t think it’s a leveling issue. The printer has an upgraded glass hot bed. Bondtech feed. Bigtreetech touch screen. And I believe an upgraded hot end. If any other info is needed I will try to provide it quickly. Thanks in advance for any and all input. submitted by Sal600rr to FixMyPrint [link] [comments] |
2024.04.01 18:39 Little_Acanthaceae87 Tips to improve stuttering from the research: "Knowns and unknowns about the neurobiology of stuttering" (2024) by Soo-Eun Chang (PhD)
2024.03.27 01:25 blz8 [Kate] Is there a way to display hidden/control/non-printable characters?
2024.03.10 11:41 Username_xox Escape the 9-5: Build a $100-a-Day Online Business with Systeme.io (No Fluff)
2024.02.25 00:07 CatWatt February 24th Special Days - Featuring Toothbrush Freebies!
2024.02.08 18:08 CatWatt February 8th Special Days - Featuring Potato Freebies!
2024.02.08 08:34 IntegralPilot Creating Genomics Lab Software for HS Project - is it something real labrats would want?
2024.02.06 20:50 rustest My Neptune 3 Pro printer won't pause
G0 X113.672 Y117.252 G0 X114.902 Y117.495 ;TIME_ELAPSED:269.278227 ;TYPE:CUSTOM ;added code by post processing ;script: PauseAtHeight.py ;current layer: 36 M83 ; switch to relative E values for any needed retraction G1 F300 Z8.4 ; move up a millimeter to get out of the way G1 F9000 X190 Y190 G1 F300 Z15 ; too close to bed--move to at least 15mm M104 S0 ; standby temperature M300 S440 P1000 ; Beep M0 ; Do the actual pause M109 S205 ; WAIT for resume temperature G1 F300 Z7.4 G1 F9000 X114.902 Y117.495 G1 F300 Z7.4 ; move back down to resume height G1 F1500 ; restore extrusion feedrate M82 ; switch back to absolute E values G92 E317.69073 ;LAYER:36 M204 S2000 ;TYPE:WALL-OUTER ;MESH:lego 2x2.stl G1 F1500 E318.69073 G1 F2792.9 X115.099 Y118.49 E318.72421I'd really appreciate if anyone could download and print this file and verify pause command working (should pause around 7 minute mark):https://file.io/H5715sIlfvTa
2024.02.02 13:15 hellopriyasharma Activities for Preschoolers to Learn Numbers That Are Fun
Number Recognition Activities for Preschoolers submitted by hellopriyasharma to preschoolwithpriya [link] [comments] Preschool is a crucial time for young learners as they embark on their educational journey, and number recognition is one of the fundamental skills they begin to develop. Making this process engaging and enjoyable is essential for children to build a strong mathematical foundation. In this article, we will explore a variety of number recognition activities for preschoolers that are not only educational but also fun and interactive. https://preview.redd.it/iwjred64z5gc1.jpg?width=960&format=pjpg&auto=webp&s=f3ccaecd61119ff6582e8b0b639ce765a57bb4c5 1. Number Treasure Hunt:One exciting way to teach number recognition activities for preschoolers is by organizing a number treasure hunt. Create a treasure map with numbers hidden at various locations within your home or classroom. Provide clues to help and teach preschoolers to find the numbers. Once they find a number, they can collect a corresponding item or sticker as a "treasure." This activity not only reinforces number recognition but also encourages problem-solving and critical thinking skills.2. Number Bingo:Number recognition bingo is a classic game that can make learning numbers a delightful experience. Create bingo cards with different numbers. You can customize the cards based on the specific numbers your preschoolers are learning. Call out numbers, and children can mark them on their cards using buttons, stickers, or crayons. The first one to complete a row or card shouts "Bingo!" This game not only enhances number recognition but also promotes concentration and listening skills.3. Number Puzzles:Invest in number puzzles or make your own by cutting large numbers into pieces. Preschoolers must assemble the puzzle correctly, reinforcing their understanding of number sequences. Puzzles engage children's fine motor skills and cognitive abilities while making learning numbers an enjoyable activity.4. Number Hopscotch:Take number recognition outdoors with a number hopscotch game. Create a hopscotch grid using chalk or tape and write numbers inside the squares. Preschoolers can jump from one number to another, calling out the numbers as they land on them. This physical activity combines exercise with learning, making it a fantastic way to reinforce number recognition and gross motor skills.5. Counting with Objects:Utilize everyday objects like buttons, beads, or toys to practice counting and number recognition. Ask children to group objects based on a specific number. For example, if the number is five, they can arrange five buttons in a line. This hands-on activity helps preschoolers associate quantities with numerals and reinforces their counting abilities.6. Number Songs and Rhymes:Engage preschoolers with number songs and rhymes that emphasize number recognition. Classics like "One, Two, Buckle My Shoe" and "Five Little Ducks" are excellent choices. Singing along to these catchy tunes can help children memorize numbers while having fun.7. Number Flashcards:Flashcards are a classic tool for number recognition. Show flashcards with numbers, and ask children to identify the numbers as quickly as possible. You can create your own flashcards or find printable ones online. This activity improves visual recognition and memory retention.8. Number Scavenger Hunt:Enhance your preschoolers' observational skills with a number scavenger hunt. Give them a list of numbers to find within their environment. They can search for numbers on signs, labels, or objects and circle them when found. This activity encourages children to pay attention to their surroundings and spot numbers in everyday life.9. Number Bean Bags:Create bean bags with numbers on them. Lay them out, and children can toss a bean bag onto a number, then say the number aloud. This active game combines number recognition with physical coordination and can be played indoors or outdoors.10. Number Storytime:Incorporate number books into your storytime routine. Reading stories that involve counting and number recognition can make learning more engaging. Look for books that feature colorful illustrations and relatable scenarios to captivate preschoolers' attention while reinforcing their understanding of numbers.Also Check: Best Preschools in India 11. Number Art:Combine art and number recognition by asking children to paint or draw a specific number of objects. For example, you can say, "Draw three apples," and preschoolers can create their apple-themed artwork while focusing on the number three. This creative activity nurtures fine motor skills and reinforces numerical concepts.12. Number Memory Game:Boost memory and number recognition with a number memory game. Create pairs of cards with numbers on them. Children can take turns flipping over two cards to find matching numbers. This game enhances concentration, memory, and cognitive skills.13. Number Dice:Use dice with numbers instead of dots to introduce a unique twist to counting and number recognition. Roll the dice, and preschoolers can identify and count the numbers rolled. This activity adds an element of chance and excitement to learning numbers.14. Number Balloons:Inflate balloons and write numbers on them. Arrange the balloons around the room, and as part of a fun game, have preschoolers identify and call out the numbers on the balloons as they pop them. This sensory activity combines visual and auditory learning with tactile engagement.15. Number Nature Hunt:Take preschoolers on a nature hunt to find objects like leaves, sticks, or rocks in quantities that correspond to specific numbers. For example, ask them to collect six leaves or three sticks. This outdoor adventure connects number recognition with the exploration of the natural world and encourages observation skills.These engaging number recognition activities for preschoolers are designed to make learning enjoyable and effective. By incorporating play, exploration, and creativity, you can help young learners develop a solid foundation in number recognition, setting the stage for future math success. These preschool activities not only promote numerical understanding but also foster important cognitive and physical skills that will benefit preschoolers in various aspects of their development. Originally Published by HelloParent. |
2024.01.18 12:38 DarkKnyt Test driving a 'like new' adventurer 5m pro, advice sought
2024.01.18 07:34 DarkKnyt Test driving a 'like new' adventurer 5m pro
2024.01.15 19:29 _JJCUBER_ Weekly tips/tricks [#6]
2024.01.04 15:24 TheVedect Help with a Graph/numeric code ARG to solve.
"V sbyybrq gur ehyrf!" submitted by TheVedect to codes [link] [comments] So, there is again this game called "Fabric of Reality" on Steam that has these ARGs to solve. Each ARG has a thing to solve in order to obtain a key that is used to unlock the next ARG. The key is usually long at least 4 characters. I need to write the key in a txt file, that is then used in a Decrypter to decrypt a zip file, where inside there is another ARG to solve. In this case I have an image called graph.png that presents a graph with 5 different lines that intercept eachother in the following points: H = [1; 6], I = [5; 8], J = [7; 7], K = [9; 6], G = [3; 3]. There are also 4 white Markers at coordinates: A = [3; 4.5], B = [6; 7], C = [0; 7], D = [0.5; 10] and the developer said to me that all these points are right. Also, ABC is Isoscele and also HIK. He usually adoperates giving us the "Cipher" or the things to use [The 5 lines] and then a hidden clue to solve [The 4 markers]. The Markers form a polygon with 4 sides and they have different sizes, like is in order. My thoughts and tries were: convert the coordinates of the interception points into ASCII, both xy and yx [For example the point named "I" becomes 58 or 85 that is respectively the colon ":" and the letter U] and then combining 4 of them to create a key [For example the sequence IJKG becomes ":M`!" using xy or "UME!" using yx], but nothing happened. I have even tried using all 5 points using yx [Because 16 is not printable]. I have done all the possible permutations and combinations possible of 4 and 5 elements, both xy [When possible] and yx, but nothing so far. Also, the developer said to me that I do not need to calculate areas, because it's "Overcomplicating things" and that the fact that the HIJKG points have natural number coordinates is not a coincidence, so is either ASCII or some grid-based Cipher like Polybius Square, but here is the thing: Polybius cannot process [9;6] nor [5;8], so have you some ideas of ciphers that I can use, knowing the fact that it must be some known grid-based system if not ASCII? Have you some ideas? I have ran out of ideas! |
2024.01.03 09:41 Doggeh86 Supports have become super hard to remove
submitted by Doggeh86 to 3Dprinting [link] [comments] |
2024.01.01 11:47 aatef88 AI tool advice
2023.12.31 12:45 nagup14 Marlin users, assistance required 🙏
Got a BTT SKR mini e3 v2.0 board in my ender 3, trying to set up a BLtouch, got it halfway there, when I tried to do the level bed sequence it crashed into the end of the x axis but it homed just fine so how can the printer force itself to go over the top of X, not understanding that, maybe someone can check my firmware please or tell me things to check that have something to do with the levelling or homing procedure? I haven't touched anything to do with the bed dimensions and the firmware is based on a premade configuration from the marlin github. After I get that sorted I need to try and print but worried the first layer wont be correct, if it isn't, what adjustments can I make? The BLT is set properly afaik, I used a 3mm allen key as a spacer with the nozzle touching the bed. submitted by nagup14 to ender3 [link] [comments] So my nozzle to probe is set like this ------------N---< -P---------------<16mm -^43mm^ According to this ive set it up correctly https://preview.redd.it/jv91rcrxjm9c1.png?width=561&format=png&auto=webp&s=5621575fb7c46d269716ebab1134f032d5812670 And my margins are larger than the distance between the probe and nozzle. margin being 50 and offset being 43mm. https://preview.redd.it/3mapvik8km9c1.png?width=498&format=png&auto=webp&s=30bb1e0e0089d3fa3d5e4ede296bf6181c00652f I have just fixed it I think. First I took a minute to check the bed sizing and also where the corner of the bed ends up in relation to the nozzle when the carriage is homed. My hotend is not stock so the nozzle is pushed forward to start with, then when I was playing with the firmware, the bedsize was correct (the dimensions of the glass) and I thought ok for the probing margins I'll need to add a margin so the hotend doesn't hit the clips that hold the glass bed on, but after some playing around I had to enter the printable area as the bed dimensions. Once I did that I had to adjust the Y endstop for some reason creality tapped holes to hold the Y endstop fixed in place, not adjustable like the Z. So I put some T nuts on that and adjusted the bed correctly, now when I "move axis" by 10mm until the maximum, all axes move within bounds and wont go further. In the probe margins I ended up with Still confused however that even when I tried a margin of 60 on right side, it still crashed but the difference between what the bed width was (235mm) and actually is (190mm) is 45mm. I don't know exactly what solved it but it must have been a bunch of issues adding up i guess, especially the bed size stuff and then just trial and error the margins to see what worked. Thank you all If anyone else is stuck you can ask, hopefully I can provide some assistance |
2023.12.27 23:35 coreystup Kobra2Pro bed calibration issues
2023.12.12 18:02 k819799amvrhtcom Minecraft: Estrogen Mod