For background when I was in elementary school I was very aggressive and angry. I had been a victim of SA and had a very volatile childhood in general. My mother couldn’t afford to send me to a psychiatrist/therapist as we were very poor.
In third grade there was a boy in my school that I used to pick on for no reason. I was pretty mean to him that year and feel extremely bad. I had a hard time empathizing with other people until I became a teen. After I turned 13/14 I started looking back and regretting my actions and how I treated certain people.
Im 27 now and still thinking about it every now and then and wonder if I should apologize or if it’s too late at this point. This is not someone I’ve been in contact with but we do have some mutual friends on social media. I don’t know if this will be any help to them or if I’m better off keeping it to myself. Thoughts?

I’m finally putting the pump away after 3 (almost 4) of the most mentally draining months of my life. I have learned and realized so much, and I want to share my story to hopefully help someone else who is currently in the position I was in.
Before I had my baby, I planned to BF as long as I possibly could. When I felt like a failure because BF didn’t work for us, I became obsessed with the idea of exclusively pumping. And Lord, I had absolutely no idea what I was signing myself up for. EP is the hardest thing I have ever done in my life. Harder than birth. Harder than losing a family member. Harder than my previous battles with mental health. I was drowning in the sea of stress with having low supply, on top of pumping every 2 hours, on top of having a newborn, on top of cleaning the pump, on top of cleaning the bottles, on top of being alone with my baby for 12-13 hours a day while my boyfriend was at work.
I completely lost myself. I had never been so full of anger and hate. I fully blame the stress of feeling like I had no choice but to BF or EP for my extreme postpartum rage. I broke things. I screamed. I said things I will never be able to take back. Thankfully I was blessed with such an amazing partner and father to my child. But even with him being the most understanding and patient, I almost lost him, too. Our fights were so terrible. I felt like no matter what he did, the labor of raising our daughter was never equal, and I started to hate him. It had gotten to the point where we barely even spoke to each other because so much had been done and said.
Still, I was convinced, she HAD to have breastmilk.
My daughter and I left and had fully planned to start living with my mom. During our stay at her house, she noticed I was slipping. She told me she didn’t recognize me. She suggested that I drop down to 2 pumps a day and supplement with formula for the rest of the feedings. I hated her for even making the suggestion, but out of pure exhaustion and desperation, I caved. And thank god I did. I had been pushed over the edge so long before that I couldn’t even see it anymore. After just 8 days of staying with my mom and supplementing formula, I felt the fog clear. I felt the wave of guilt crashing over me when I realized I was responsible for hurting the two things I love most in this world- my daughter and her father. I robbed my baby of the smiling, joyful mother she deserves, and I robbed my partner of the bond we had spent 2 years creating.
I became so obsessed with the benefits of breastmilk for my baby that I caused more harm than good. Moral of the story is, fed truly is best. And when you’re in the trenches, sometimes you’re too far gone to see that as the truth. But it is the only truth. I realized that breastmilk isn’t essential to my baby’s development- but a stable and happy mother is. I called my boyfriend. I came home. I washed my pump one last time, and put it in my bottom dresser drawer. And instead of mourning my “giving up”, We opened a bottle of alcohol and celebrated my success. And the strength it required to realize it was time to walk away. My baby gained 4.5 pounds because of my boobies, lol. She had breastmilk for 107 days. She is healthy. She is happy. And I finally have my life back.
To all of the amazing mothers who continue to make this sacrifice for their babies everyday, I want to say I am so so proud of you. And I hope you never forget what an amazing thing you’ve done to give your baby any breastmilk at all- even when it felt damn near impossible. And thanks for reading my lil life lesson as a first time mom. ❤️

I’m looking to re-take a class that I didn’t do well on when i took it at A&M. I was planning on taking the class again at HCC, and was wondering how would the grade transfer over into my transcript?
Will it replace my current grade and boost my GPA a little bit. Or will it average out the grade?

Hi everyone, hate to be “that” med student to ask this question. As you all probably know, step 1 is p/f so it’s hard to know what metrics actually matter. Without doxing myself, I’ve been told by home program/M4s/attendings from other big name programs that my application is generally strong and that I’m a Mid-tier applicant with decent connections and strong letter writers. However, I just can’t seem to figure out how to score high on my shelf exams - mostly in the 70s on average. This led to two Hs during third year - (family med and ortho), with an expected H in psych. Unfortunate I received a Pass in medicine and surgery.
Not sure if I already screwed myself given my mediocre performance on clerkships and would love to hear everyone’s opinion.
Note: my clinical grades have been always been high pass or honors, with fantastic comments (especially in surgery). It’s literally just my shelf grades.

DATE: Thursday, May 16th, 2024 TIME: 5pm – 9pm LOCATION: 401 Riverside Dr. W, Windsor, ON
COST:

• Current AWE and/or Museum Windsor Members: Free admission to both Art Windsor-Essex and the Chimczuk Museum
• Non-Members: $13.25 – Admission to both Art Windsor-Essex and the Chimczuk Museum

Accessibility: Accessibility and accommodation requests must be made at least two weeks in advance of the event. Please contact [shinch@artwindsoressex.ca](mailto:shinch@artwindsoressex.ca) for questions.

Save the date! On May 16th, Art Windsor-Essex is open late for an evening of art activities, community conversations, guided tours, and good vibes.

Art Activity: Creative Ecologies with Garvin Chinnia ⎮ 5pm – 9pm, 2nd floor Education Studio

Join us for the Creative Ecologies Workshop, hosted by the SMArt Communications program at the University of Windsor! This workshop is for students and community members who want to learn about how drawing can connect us with nature. Participants will make circular drawings of plants and materials found on the gallery’s Green Roof Terrace, using small microscopes. Through observational drawing, participants will exemplify the inherent fragility and subjectivity of our local ecology as it relates to the degrees of change in species abundance, composition, and environmental disturbances.
Participants are encouraged to display their drawings as part of a display in the WFCU Eco Lounge on AWE’s Third Floor.

Teen Tour: Waawiiatanong Forever with Jace Pillon ⎮ 5pm – 5:30pm, AWE, 2nd floor galleries

Join co-curator Jace Pillon for a guided tour of Waawiiatanong Forever. Complete a bingo treasure hunt for a chance to win prizes! Waawiiatanong Forever is a photography and postcard project that celebrates the representation of women and two-spirit folks and their families within our vibrant community.
Jace Pillon is AWE’s Indigenous Youth Mentee. Jace is from Thessalon First Nation, and currently attends F.J. Brennan Catholic High School. Ever since a young age, he has been interested in all forms of art from paintings, to literature and music. Other interests are cars, computers, & giving back in any he can. Jace plans to attend St. Clair College for a degree in Indigenous community work.

Guided Tour: Chariots of Fire: A History of Windsor’s Firefighting Equipment⎮ 5:30pm – 6pm, Chimczuk Museum, main floor

Join guest curators Walter McCall and Jeff Topliffe for a guided tour of their exhibit Chariots of Fire: A History of Windsor’s Firefighting Equipment. The exhibit explores the history of the Windsor Fire Department (W.F.D.) through some of the unique and innovative pieces of firefighting equipment and machinery that were used in the past. The exhibition features historical photographs, firefighting equipment, badges, and other unique items rarely seen by the public.

Artist Talk: Tony Mosna ⎮ 6pm – 6:30pm, 3rd floor galleries

Join artist Tony Mosna and Emily McKibbon, Head of Exhibitions and Collections at AWE, for an artist talk. Mosna’s work is currently on display in The Once and Future City, co-curated by Shanthi Senthe and Anneke Smit (Windsor Law’s Centre for Cities) and Emily McKibbon.

Safety in the Downtown Core: A Community Conversation ⎮ 6:30pm – 7pm, 3rd floor galleries

Join us for this month’s community conversation, Safety in the Downtown Core: A Community conversation. A panel of local voices will address the struggles, successes and promised initiatives aimed at revitalizing downtown Windsor. What barriers keep you from visiting downtown? What makes you feel safe in our community? With speakers Sarah Dewar (Maiden Lane Wine & Spirits), Shane Lyon (Culture Shock Bead Co.) and Chris MacLeod (Chair, Downtown Windsor, BIA), moderated by Dan MacDonald.

Art Windsor-Essex App Presentation⎮ 7pm – 7:30pm, 3rd floor galleries

In partnership with St Clair College’s Mobile App Development program, AWE is excited to demonstrate our new interactive app for Look Again! Outside St Clair College. Students Chris Green and Yash Pindiwala created this app to enrich student experience on campus by providing information on the installed reproductions as well as a collaborative platform that invites the campus community to contribute their own creative works!
The project was recently awarded second place at St Clair College’s Ford Innovation Showcase. Hear from the students and St Clair faculty members about the power of partnership and collaboration driving innovation in our region.

Music, food, and drink ⎮ 7pm – 9pm, 3rd floor

Let’s celebrate! Head up to the third floor to join us for music, food and drinks by Windsor Eats, and good vibes.

I'm working on a worldbuilding project where the "planet" is in fact a very large and shallow bowl (think something like this) on the table of the gods, who plan to eventually feast upon the waters, plants, animals, and humans residing upon it. While obviously there's room for a lot of magic-driven conceits here, within and around those conceits I want to aim for at least semi-realism.
This world has a single ocean in the center, where the bowl becomes steeper, and a static sun that hangs over the ocean (because this sun is also kind of a spirit, there are ways of calling it down at night and sending it back up during the day, with the warmth of distant lights from the hall of the gods making up for the "extinguished" sun). What I've been trying to figure out is how this will affect the single main wind cell on this world, and how that in turn will shape the climate. My initial thought was that during the day, hot air would rise in the center and cool as it reached the edges, returning as winds that blow towards the oceans—but from what I can tell this is unlikely, since the coastal land will heat up faster than the water does, and I'm not sure how this will change at night. What might happen here on a broad scale—or might it be better to add in wind spirits that get me the "tropical coasts fading into temperate zones and ultimately into deserts at the edges" climate distribution I've been picturing?
ETA: Lol, didn't realize that link would just embed a picture of a soup bowl in the post.

I know it was your first relationship. At 28, you had already been through so much, having been on your own for 13 years. You were forced to grow up too fast, and had to prioritize yourself, building a life from nothing. I get it. It was your fierce independence that made me fall for you in the first place.
I always knew that trying to build a life with you was going to be a struggle. I thought it would be worth it, for both of us. You deserve to have someone in your corner, that always has your back. You shouldn’t have to be alone. I don’t know if you believed the same.
I think I gave up too much of myself for you. Was that my mistake or yours? Did you really ask for too much, or did I give too freely without expectation for anything in return? Maybe both. Probably more on me. I’m not perfect by a long shot.
Compromise. It really does all come down to that. I tried to show you its importance, but in the process I ended up being the only one willing to do it. Me getting to pick what movie we watched or getting to plan a date became something I only got to do on special occasions. You said you felt like you didn’t know me, but so many times in so many ways I offered up little pieces of me to you. I share myself by sharing the things I love with the people I love. But more and more towards the end, all you’d say was “no”. Ignoring any context. Ignoring those pieces of me.
I know you don’t like movies about kids. I know asking to watch Home Alone during Christmas was a big ask. But it was a tradition that I shared with my dad, who I lost just over a year before. I know you think that traditions are pointless, but it was important to me. My earliest memories are of that. I needed to continue on, but I couldn’t bring myself to do it alone. I needed you there, your support. It was such a small gesture I was asking of you, but all I got was “no”. Instead we watched a movie you picked: Harry Potter and the Sorcerer’s Stone. A movie made by the exact same people that made Home Alone, and with even more kids.
We wanted to go to Ireland. Personally I’ve been wanting to go for years, but couldn’t because of my dad’s illness along with everything else going on. You knew that in the last 3 years I lost all of my grandparents, two uncles, my dad. I couldn’t risk going so far away for so long while everyone was sick. My mom saw me giving up the latter half of my 20s for my family, when she was hoping I would be enjoying life and seeing the world. That’s why she was happy to give us the money to have the trip of our dreams. I explained all of this to you while you were struggling to find a way to save for the trip. All my mom wanted in return was a single nice photo of us. That wasn’t even a requirement for the money. She just wanted to see me with the person that I love making our dreams come true. I know you hate having your picture taken. The only attention your dad ever gave you was when he wanted to test a new camera. It’s a trauma trigger. But I was only asking for one picture. You’d compromise for your friends, you’d compromise for your sister. You’d take pictures with them. Why wouldn’t you compromise for your partner, and the other most important person in your partners life? After a year, we have 3 pictures together, none of which are very good. I know that I was asking for a lot, but I felt so less important than everyone else in your life. Maybe you felt that as your partner, I was to be held to a higher standard? I honestly don’t know. All you said was “no”.
You admitted yourself I was so supportive. I always prioritized you. From always making your tea before mine, to giving you the better looking plate at dinner, to planting all of your favorite flowers in my garden. I always complemented you, how smart you are, how beautiful you are, how driven and independent you are. Your friend needed a ride to a 5k and someone to cheer them on? I was there. You needed someone to drive you around while your car was in the shop for 2 months? No problem. Accidentally overdrew your account again, and you couldn’t afford the late fees? Here’s $50. Need to move on short notice? I’m the guy tearing apart and moving your furniture. You have a migraine so bad you can’t eat? I’m bringing you pedialyte and sleeping on your couch, even though I didn’t actually get any sleep. I learned all your rituals so not to trigger your OCD. There are countless other examples. I never said no. I never complained. You rarely said so much as “thank you”.
The big one. The thing that ended us. You’re right, we did sit down like adults time and time again and talked things out. You said you needed me to anticipate your needs. You’d get overwhelmed, and couldn’t articulate what you needed from me. You couldn’t stand being asked what you needed. You just needed me to start helping. “Mental loads” and all that. I took that to heart. But I’m not perfect. Sometimes I’d miss the mark. Tried to support you, but in the wrong way. Even in my failures I showed effort, but you never seemed to see that. You only focused on how I failed.
We recognized that this was a problem caused by both of us. The communication wasn’t getting through. But I had already adapted to your communication style as much as I could. My exited, rambling, almost impulsive way of generating ideas became slow, methodical, thoughtful. I put intention behind everything so not to overwhelm you. I learned not to jump at the obvious solution.
Yes, we sat down like adults and talked things over time and time again. You told me what you needed from me, but I also told you what I needed from you. If I was missing the mark, please just guide me to what you needed. I’m not a mind reader. I did it for you all the time. You were honestly awful at anticipating my needs too. If I was venting, had a bad day, all you’d say was “I’m sorry”, and pat me on the back like a puppy. No effort to dig deeper. No words of support or encouragement. So I had to show you how I needed support. I just needed you to do the same for me. “No”. Again.
One final time, I sent you words of support when you were having a bad day. It wasn’t enough, you wanted more. A phone call? For me to come over so you could vent in person? Did you actually want me to directly help for once? I don’t know. You never told me. Instead of guiding me to what you needed, you immediately shut down. Full silent treatment. I’ve been in abusive relationships where the silent treatment was welded as a weapon. I know you didn’t mean it in an abusive way, you were just overwhelmed again. But I never expected it from you. I didn’t see it for what it was. I only ever asked one thing from you to save us. I put in the work, got us 80% of the way there. I knew I couldn’t bridge the gap on my own. I wasn’t even asking you to put in effort on my behalf, it was for your benefit. I begged you time and time again for help. To communicate. Not to put it all on me, because I couldn’t do it on my own. But instead, you did the opposite.
You said that you felt like you were putting more effort into the relationship than I was. I’m sorry, but I can’t see that effort. I’m trying to give you the benefit of the doubt, but I can’t. Maybe you mean you put effort into forgiving me every time I messed up? Maybe you mean that you were always planning dates, always picking what we watched, where we went, what we ate, what we drank? Again, mental loads and such. But I had things that I wanted to do and share with you that you always turned down. You only had to plan everything after my plans were rejected. It would have been more efficient for you to show love, patience, and compromise. Maybe we would have worked out then.
But you left instead.

I'm 21, currently studying computer tech & information systems in a small city, in Turkey.
I started antidepressants almost a month ago, I'm a 2nd grader, I've been paying the bare minimum attention to my lessons, I don't feel like doing anything, I feel like I'm gonna fail few classes. I feel like I'm stuck in an autobot mode, I hardly feel anything and when I feel it's mostly depressing, melancholic, loneliness. I have few friends but I kinda don't want to see them anymore. I can't tell my parents a thing, feeling like it will disappoint them, my current days are passing without killing myself but does it count as living ?
I just want to leave the city, it's a small place, I feel like I can't be myself in this environment. It's such a small place that doesn't let you get a fresh breath. I want to leave but there's no such chance about that since it takes a very mental and financial effort that I can not afford at the moment.
I just feel so low feels like it's the deepest I reached, for sure worst can happen in life and sure will, Im just out of function, don't think anyone around me would understand. I just feel lost, everything moves so fast, I feel alienated, isolated in my mind.
I plan on going for a career in game development industry and trying to take action about that but I'm in a phase a slump that is really going hard. I have no one to talk about it so I'm here on a subreddit to get some kind of relief about things that I can't even talk to myself.

Introduction

Pertaining to Taylor Swift, "Female Rage" has deviated from its intended meaning after Swift debuted a new performance of The Tortured Poets Department during the Eras Tour. Now, according to Swift's use of the phrase, female rage is interpreted as public backlash against Swift's dating choices rather than as a response to the broader injustices against women and women's rights. This post examines Taylor Swift's flawed feminism, philanthropy, branding, and the controversial trademark petition for the phrase "Female Rage: The Musical". Swift's background as an entertainer, indeterminate politics, and alignment with capitalism over feminism pervades her legacy, again threatening her public tolerance as not just an individual but as a brand.

Once Upon a Female Rage...

If you were cognizant in the early 2010's, you've heard countless jabs at Taylor Swift in the media. Magazines, radio, or online. Music critics did not take her seriously as a songwriter; parents put a woman on an unrealistic pedestal as the ideal role model for their children; she dated too much and used men as lyrical fodder. No matter the story, it inevitably spread, conjoined with everyone's respective opinions, and you'd be left to wonder, "Why does everyone hate this girl so much?"
Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,

"Becoming friends with Lena – without her preaching to me, but just seeing why she believes what she believes, why she says what she says, why she stands for what she stands for – has made me realize that I’ve been taking a feminist stance without actually saying so."

I suppose the male-centric songwriting subject that permeates Swift's discography contained covert feminism and that we just didn't see that. Perhaps, the "Bad Blood" song and music video were written only in jest and not about poor Katy Perry, for Swift, as a feminist, would "never make it a girl fight" or tear other women down (though all Katy did was date your terrible ex-boyfriend and allegedly steal three backup dancers from your tour). In 2013, Swift said, in response to Tina Fey and Amy Poehler's joke towards her serial dating, "There is a special place in hell for women who don't help other women."
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.

Get Your Fucking Ass Up and Be a Philanthropist, It Seems Like Nobody Wants to Be a Philanthropist These Days

In 2013, Taylor Swift cut the ribbon at the grand opening of the Taylor Swift Education Center at the Country Music Hall of Fame in Nashville, Tennessee. The donation amount - $4 million - was the largest individual artist gift ever donated to the Country Music Hall of Fame, which is, of course, mentioned on Swift's website. The two-story facility features three classrooms, an instrument room, and an interactive children's exhibit gallery. Swift also performed at "All for the Hall" charity shows and has donated numerous artifacts from her career (such as notable guitars, tour costumes, etc) to the museum.
This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.

I Like Some of the Taylor's Songs, But What the Fuck Does She Know About Feminism?

Swift continued with her self-proclaimed feminist campaign, positioning herself as a political activist and LGBTQ+ ally in the Miss Americana documentary. The primary focus of the documentary consists of the sexual assault trial, Andrea Swift's cancer diagnosis, Taylor's ED and body dysmorphia, media scrutiny, and, largely, finally speaking up about her politics publicly, mostly her opposition to the 2018 Tennessee Republican senate candidate, Marsha Blackburn, and Blackburn's beliefs. Swift says, following a scene discussing her experience during the trial,

"I just couldn't really stop thinking about it. And I just thought to myself, next time there is any opportunity to change anything, you had better know what you stand for and what you want to say."

We must ask ourselves, though: when has Swift ever spoken up to change anything? Okay, pulling her entire catalogue from Spotify because they didn't pay their artists enough and similarly pulling her catalogue from Apple Music are changes that she leveraged due to her revenue potential and power, but they are not pertinent to the average woman's rights. Moreover, these are issues that directly impacted Taylor's income, which was enough reason for her to protest in the first place. Swift has sold the most units for a female artist in first week sales, is the first female artist with 100k monthly Spotify listeners, is the first female artist to win the Album of the Year Grammy 4 times, and is the first female artist to do X, Y, and Z, all while being inoffensive and family-friendly to boot. The actual Taylor Swift seems unwilling to compromise the brand of Taylor Swift by contributing in meaningful ways to feminist causes, especially if it is for women outside of America and Hollywood.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.

I Can't Pay Those Sweatshop Workers a Livable Wage or Benefits! How Else Would I Make My Billions?

Recently, Taylor's team filed to trademark the phrase "Female Rage: The Musical" after Taylor said during Paris N1 of the Eras Tour,

"So you were the first ones to see The Tortured Poets at the Eras Tour...or as I like to call it, 'Female Rage: The Musical'."

This trademark petition was filed last week on Saturday, and news comes about just as numerous unofficial fan-made merch designs have cropped up with this phrase plastered on Fruit of the Loom basics. I'm of the opinion Swift's team motioned for a trademark so that they can send out cease & desists to all those that make knockoff merch, which disrupts potential sales for Bravado, UMG's choice merchandising company; however, since it was filed earlier, perhaps Swift has bigger plans with the bizarre use of the gendered phrase. One Swiftie referred to the phrase "female rage" as "a funny Eras Tour joke". Could it be a possible fourth version of the Eras Tour Movie? Whatever the reason, the motion to capitalize off of such a concept is disgusting, but not unsurprising, for a woman that profits on her vain feminism.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!

I Am Tortured Poet, Hear Me Whinge

Look - even if Taylor's intention is to characterize TTPD as more "tortured" and "angry", the main thread of the album is "I was ghosted by my decade-long situationship with a controversial indie boy and my fucking stupid fans wrote a 'Speak Up Now' open letter prompting me to drop him" anger, which is adequately expressed in the lyrics and performances. The extent of Taylor's "female rage" on TTPD is on tracks such as "Who's Afraid of Little Old Me?", which contends with relentless media scrutiny; "But Daddy I Love Him", where Swift firmly states she'll date whoever she likes no matter how "Sarahs and Hannahs" may react; and "The Albatross", a track mythologizing her reputation and the consequences of dating her. Of course, these coincide with deep psychological wounds that formed during Swift's early years in the media, and so, from her feminist perspective, these subjects tackle the misogyny and double standards that she faced.
Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.

Sigh Try and Come For My Job, Poors

Out there in the world right now is a 23-year-old woman, a recent college grad, who works as a barista. She has to wake up and get ready to go into a minimum wage job because she cannot get a job in her field. She doesn't have healthcare benefits or sick time, so she has to go into work no matter how she's feeling. All day long she is berated by vicious customers and creepy men, and, exhausted from being on her feet, she knows she has to go home to her shitty roommate that never does the dishes and her roommate's shitty dog. To comfort herself, she considers getting a treat, but thinks against it when she remembers that matcha lattes cost $15 and they taste like milky dirt. She knows that she needs to buy groceries this week, and so the woman resolves to go home, but notices that her gas tank is low. She goes to put gas in the car, but the pump stops at $27.86 because that's all that she has in her checking account. The woman, bereft and reeling, sinks into the driver's seat. "Well," she thinks, her head in her hands, "at least I don't have Taylor Swift's job. I just couldn't imagine."
Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,

"You know you're good when you can even do it with a broken heart...you know you're good...and I'm good, cause I'm miserable, and no one even knows!...try and come for my job."

Yeah, obviously we wouldn't know, you recently passed the billionaire threshold and are the most famous and in-demand performer in the world right now. Taylor Swift makes an estimated $10 to $13 million dollars A NIGHT on the Eras Tour. Furthermore, the Eras Tour movie grossed $261.6 million globally, (which, as the producer, Taylor takes home 57% of the ticket sales) not counting the streaming revenue from Amazon Prime Video and the estimated $75 million deal that Disney paid to have it on Disney+. We're not even considering the income from cheap plastic popcorn buckets and drink cups plastered with colored squares in her Era-specific likeness.
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"

Conclusion/TLDR

Thank you for reading. I would love to hear your critical insights towards this entire ordeal: TTPD, the trademark, the implications of it all.
TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.

this summer im planning on taking biol 211 online. Theres Meyer, Gibbs, and Jalota. Any advise on which is the best or grades the easiest?

I’m in college and student teaching and always have trouble coming up with learning objectives for some of these standards. Right now I need to come up with two MEASURABLE learning objectives for these standards that are for the same lesson plan-ELA: With prompting and support, actively engage group reading activities with purpose and understanding. ELP- Construct meaning from oral presentations and literary and informational text through grade appropriate listening, reading, and viewing. Any tips, tricks, resources, or anything helpful is appreciated. I seem to get stuck on these often and am trying to find a way to make it simple. TIA

INVERSE: "In “Space Babies,” the debut episode of the newly relaunched 2024 Doctor Who “Season 1” (or Season 14, or Season 40, depending on how you count) the Doctor (Ncuti Gatwa) and Ruby Sunday (Millie Gibson) have a quick discussion about how beaming works in the universe of Star Trek. When the Doctor makes one small quip, fans of both venerable sci-fi franchises might wonder if travel between the Final Frontier and the Whoinverse, is, indeed possible in some kind of mega-geek-multiverse.
While Doctor Who is clearly making a quick joke here, there’s a long history of the two franchises referencing each other with a loving nod. But, on top of that, there’s also a precedent for a legit crossover between Trek and Who, a crossover that current showrunner Russell T Davies would say that he would love to see happen.
At the start of “Space Babies,” Ruby asks the Doctor if they were just beamed somewhere, saying “Is that like a matter transporter? Like in Star Trek?” The Doctor grins broadly and says, “We gotta visit them one day.” This is not the first time Doctor Who has referenced Star Trek (or that Trek has referenced Who) but, it does seem to be the biggest indication to date — at least on screen — that the canon of Trek could exist in an adjacent dimension, rather than just as fiction.
[...]
In comic book form, Star Trek: The Next Generation and Doctor Who formally had a crossover in the 2012 IDW miniseries titled Assimilation², in which the 11th Doctor, Amy, and Rory found themselves on the USS Enterprise-D, helping Jean-Luc Picard and the crew thwart a team-up between Trek baddies the Borg and the very similar Who villains, the Cybermen.
And, it’s in this last example, where one has to wonder, is the 11th Doctor’s visit to the Enterprise low-key canon? Is the 15th Doctor hinting to Ruby — and to us — that literal crossover between Trek and Who could be a thing?
Speaking to Inverse ahead of the launch of the new season of Doctor Who, returning showrunner Russell T Davies gushed about his own personal Trek fandom, saying “I love that show... I wish we could [cross over with Trek.] I’m a huge fan of the new franchise.”
Davies also sets the record straight a bit about a pervasive myth that suggests a crossover between the series Enterprise and Doctor Who nearly actually happened, almost 20 years ago. “Back in 2005, I talked about a crossover with Enterprise,” Davies says. “I talked about it to myself in my office and never did anything about it. It’s like, please don't think there were ever plans or approaches or treatments or anything like that. That’s just me musing. But wouldn’t it have been brilliant?”
That said, Davies also says that the way in which the Doctor refers to Star Trek in “Space Babies” was “a deliberate shift.” This isn’t just an accident, but rather, Davies planting the seeds for his own fanfic crossover, for the day that lawyers couldn’t interfere.
“The Doctor actually now talks about Star Trek as real,” Davies explains. “Maybe when the [14th] Doctor cast that salt at the edge of the universe, maybe some things became real that were never real before."
https://www.inverse.com/entertainment/doctor-who-star-trek-crossover-space-babies-russell-t-davies

Proof: https://imgur.com/a/ZcFiA0Z
If there is anything you are interested in, just let me know. I am always willing to hear any offer. The worst thing I will do is shoot back a counteroffer.
Payment plans are available. More details at the bottom of the post.
All non-pms are on coinsales
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I am Located in the US
I prefer chat, but pms are fine
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For any coins you may want still shots of, or possibly a video in different lighting, please let me know. I will never have an issue doing this.
I have US coins and foreign coins. Look through it all, you may find something you did not know you wanted. If you want something I do not have, let me know. I may possibly be able to obtain some, or I could already have it.
All grades are my personal opinion, except those that are professionally graded. All Coins I marked as damaged, for the most part, I am unsure if they would grade straight or not; I just wanted to be transparent about them even though they still may be straight grade.
Price Cuts!!!
1900 Lafayette MS60 Soap Box (Toner) https://imgur.com/a/JZdDjVm (925.00 900.00)
1871 S G Seated Quarter (Key Date!) (Counterstamped) https://imgur.com/a/yfl3y0h (450.00 425.00)
1946 AU58 Half Dollar DDR (Subtle Blue and Gold Toner in a Soap Box) https://imgur.com/a/cnLo0uV (375.00 325.00)
Error Link: https://www.pcgs.com/coinfacts/coin/1946-50c-doubled-die-reverse/6632
1929 D MS64FB Merc (Toned) https://imgur.com/a/vK1aCx4 (195.00 175.00)
Video 2: https://imgur.com/a/VAeQgL2
1997 Proof Silver Eagle (OGP) https://imgur.com/a/kZd3qoZ (85.00 80.00)
1884 MS Morgan VAM-4, Small Dot, Top 100 https://imgur.com/a/1X0RS05 (85.00 75.00)
Images: https://imgur.com/a/ImdAn9A
Vam Link: http://ec2-13-58-222-16.us-east-2.compute.amazonaws.com/wiki/1884-P_VAM-4
1892 O Morgan High VF (Bright) https://imgur.com/a/ku4xPq5 (65.00 55.00)
1896 Morgan AU (Toned) https://imgur.com/a/1fnvXym (55.00 50.00)
1898 Morgan AU (Toned) https://imgur.com/a/TzJgNcA (55.00 50.00)
1896 Morgan AU (Toned) https://imgur.com/a/e7c4enc (55.00 50.00)
1896 Morgan AU (Toned) https://imgur.com/a/g01zDBo (55.00 50.00)
1905 O Barber Quarter F https://imgur.com/a/mntr7ex (50.00 48.00)
1880 Morgan AU https://imgur.com/a/3RRfSv9 (50.00 45.00)
1888 Morgan AU https://imgur.com/a/nJTeozn (50.00 45.00)
1889 Morgan AU (Bright) https://imgur.com/a/Gbb4gg9 (45.00 41.00)
1896 AU Morgan https://imgur.com/a/Rc313b7 (45.00 40.00)
1964 PF68 Ultra Cameo Dime https://imgur.com/a/0jkPTSz (50.00 40.00)
1890 O Morgan XF https://imgur.com/a/lFaJDBw (45.00 40.00)
1898 Morgan XF https://imgur.com/a/8hTB6Ot (45.00 40.00)
2005 Silver Eagle First Strike MS69 https://imgur.com/a/pxRPFuS (42.00 40.00)
2011 Silver Eagle First Strike Struck at San Francisco MS69 https://imgur.com/a/wbiDsUC (42.00 40.00)
2013 (S) Silver Eagle First Strike Struck at San Francisco MS69 https://imgur.com/a/X5IzVR9 (42.00 40.00)
2013 (S) Silver Eagle Early Releases Struck at San Francisco MS69 https://imgur.com/a/SV5Xj43 (42.00 40.00)
1858 O Seated Half Dollar VF (Toned and Graffiti) https://imgur.com/a/eGkR5lM (45.00 40.00)
2005 Silver Eagle MS69 https://imgur.com/a/zxzSuSv (40.00 38.00)
2005 Silver Eagle MS69 https://imgur.com/a/GCkFghF (40.00 35.00)
Video 2: https://imgur.com/a/Yl2VsqP
1893 S Barber Quarter VG (Gorgeous Toner) https://imgur.com/a/WcLNcJb (45.00 35.00)
Video 2: https://imgur.com/a/mr6RPW0
1925 Peace Dollar MS (Toned) https://imgur.com/a/f3axbv2 (35.00 30.00)
1917 T1 SLQ VG https://imgur.com/a/V7dYoPc (40.00 30.00)
1856 O Half Dollar F (Scratches) https://imgur.com/a/7HbE52C (30.00 25.00)
1857 Seated Quarter High VF (Holed) https://imgur.com/a/7xhqPUZ (25.00 20.00)
Dollars
1879 S MS65 DMPL Morgan (Soapbox) https://imgur.com/a/dSM7SRF (1400.00)
1879 S MS64 Morgan (Toner in a Fatty) https://imgur.com/a/Te21BkM (135.00)
Images: https://imgur.com/a/bXzRSU3
1880 S MS64 Morgan (Semi PL and Purple Toner in a Gen 1 Soapbox) https://imgur.com/a/wLZeRnc (195.00)
1881 S MS63 VAM-1A Morgan (Toner) https://imgur.com/a/Dp3GFsK (85.00)
1884 O MS67 Morgan (Crazy Mega Toner) https://imgur.com/a/R97TekR (4200.00)
1884 O MS63 DMPL Morgan (Purple Toner in a Gen 1 Soapbox) https://imgur.com/a/K8LT2xN (500.00)
1884 CC MS64 Morgan (Toner in a Soapbox) https://imgur.com/a/b9NofJA (550.00)
1884 CC MS64 Morgan (Semi PL Lust Bomb in a Soapbox) https://imgur.com/a/YyD6l6w (515.00)
1886 MS62 PL Morgan (Rattler) https://imgur.com/a/vMDnM9P (200.00)
1896 Morgan Belt Buckle https://imgur.com/a/VcyvNjP (45.00)
1898 MS62PL Morgan (Soapbox) https://imgur.com/a/BycvAyH (150.00)
1921 MS63 PL Morgan (Soapbox) https://imgur.com/a/eRBR2Nw (500.00)
1921 MS63 PL Morgan (Soapbox) https://imgur.com/a/VfFMADA (500.00)
1921 MS63 Peace Dollar (Fatty) https://imgur.com/a/UbYm0VG (1050.00)
1923 MS63 Peace Dollar (Gen 2 Soapbox) https://imgur.com/a/9yg4TVy (70.00)
1934 D MS62 DBL DIE OBV VAM-3 Peace Dollar (Soapbox) https://imgur.com/a/ScGb7bg (350.00)
1934 D AU58 VAM-3 DDO LG D Peace Dollar (Soapbox) https://imgur.com/a/dHDSh01 (250.00)
1972 S PR69DCAM Silver Ike https://imgur.com/a/ZvzTrmV (30.00)
1972 S PR69DCAM Silver Ike https://imgur.com/a/6L9ztbd (30.00)
1973 S PR69DCAM Silver Ike https://imgur.com/a/yqKTUSf (40.00)
2021 Peace Dollar in OGP https://imgur.com/a/BlwZkB5 (205.00)
Half Dollars
1854 O G Seated Half https://imgur.com/a/5YDXLlt (30.00)
1877 G Seated Half Dollar (Cleaned) https://imgur.com/a/GiX4bzc (25.00)
1892 AG Barber Half https://imgur.com/a/AFFhmVx (35.00)
1916 S AG Walking Liberty Half https://imgur.com/a/1weOxxW (50.00)
1921 S AG Walking Liberty Half https://imgur.com/a/enXOi59 (50.00)
1936 York Half Dollar (Green CAC and Rattler) https://imgur.com/a/1BD0GBz (280.00)
1953 D MS64FBL Franklin (Crack on Case, so the Price is Discounted) https://imgur.com/a/ag9u9xU (40.00)
1956 PF67 Type 2 Franklin (Fatty) https://imgur.com/a/wSp88Pe (60.00)
1957 PR65 Franklin https://imgur.com/a/pIguD63 (32.00)
1958 MS66 Franklin (Toner) https://imgur.com/a/xPXZujb (75.00)
1960 PR65 Franklin (Rattler) https://imgur.com/a/YNKqQ9G (40.00)
1962 PF67 Franklin (Toner in a Fatty) https://imgur.com/a/gzkvg20 (40.00)
1962 PF67 Franklin (Toner in a Fatty) https://imgur.com/a/TNSnBme (35.00)
1963 PF66 Ultra Cameo Franklin https://imgur.com/a/WNMCpYG (130.00)
2014 S PR69DCAM First Strike Limited Edition PR Set Kennedy Half https://imgur.com/a/CDL35LL (35.00)
Quarters
1838 Bust Quarter VF (Bright) https://imgur.com/a/ST2Tb3V (150.00)
1x Face (1936, 1936, 1937 D, 1945) https://imgur.com/a/5G9pq7N (21.00)
Dimes
1837 F Dime (Bent) https://imgur.com/a/Aa5Ats5 (30.00)
1942 MS65FB Mercury Dime (OGH) https://imgur.com/a/BoyszIc (45.00)
1944 MS66 Mercury Dime (Green CAC and Fatty) https://imgur.com/a/srJTfWG (70.00)
1957 D MS66 Dime (Toner) https://imgur.com/a/Cfl2KJY (40.00)
Anicents
Maximinus I Denarius MS ⅘, ⅘ https://imgur.com/a/5u7GLt1 (350.00)
ROMAN EMPIRE: Maximinus I, AD 235-238, AR Denarius (20mm, 3.59 gm, 12h). NGC MS 4/5 - 4/5. Rome, ca. January AD 236-April AD 238. MAXIMINVS PIVS AVG GERM, laureate, draped, cuirassed bust of Maximinus I right / FIDES M-I-LITVM, Fides standing facing, head left, with standard in each hand, one on each side. RIC IV.II 18A.
Shipping for coins (non-coins vary) is 5 Dollars for 12 ounces total weight or less, 8 dollars for over 12 ounces; I am accepting Zelle (Preferred), PPFF (No notes pls), Cashpp, and Venmo FF (No notes pls). (USA only for these rates, special rates of other locations).
For Canada: Shipping for coins (non-coins vary) is 15 Dollars for 8 ounces total weight or less, 23 Dollars for 9 ounces or more.
I can risky ship anything that can be reasonable sent in a regular envelope with a stamp or two for a dollar of shipping
Disclaimer: I lose all responsibility once I drop the package at the post office, but I will help in any way I can for any issues that occur. I will ship once payment clears (once it no longer says pending in my bank account) (Zelle normally is good to go the next day, PP and Venmo can take a few days). Also, deposits can be made for any item for 25 percent or more of the agreed price, but the deposit is nonrefundable. All Payments are nonrefundable.

I (25F) finish my SCITT (School Centered Initial Teacher Training) course in July this year in the UK, training to teach science (chemistry) in secondary school. Before this I taught for 2 years in the middle school sector american curriculum in an international school in Saudi Arabia. I am fully aware of how demanding the teaching profession can be - my degree is in Education studies - but during this year I have been more sick with stress than I ever have in my life and have had more sick days off due to being physically sick or even I mentally couldn't hack it to the point the thought of going into school would make me cry at times.
The workload is ridiculous pushing past the point arguably of what teachers actually do, I'm expected to observe lessons in time that I don't have - I'm expected to teach 15 hours a week (the lessons being planned from scratch by myself which none of the teachers that work of the school do as they just use lessons from a shared area that I can only really use for 1 or 2 lessons a week.), the amount of paperwork to complete for my evidence bundle is insane including 3 page lesson plans for each lesson I teach, a sequence of learning to explain why I had done and planned the way I had, weekly reflections that need to be submitted, plenty of outer reading with proof you're doing it, behaviour management and professional behaviours logs, additional subject knowledge tasks and time taken away from PPAs for subject training. The lack of support for all this work is minimal because none of the teachers have enough time to sit with me and talk about the lessons or help plan and I often think I'm just in their way. On top of all this paperwork I am also expected to write my PGCE assessments, which due to a failure on the university's part half of my cohort have failed the second assessment, partake in the revision sessions for year 11 after school 3 days a week, be part of the science club for year 7s and mark all the books for all 10 classes I teach - I won't officially get home until around 6pm where I have dinner and take a shower and continue to lesson plan and do work until around 1am because all lesson plans need to be submitted to my host teacher for that class 48 hours before the actual lesson.
I honestly just feel burnt out and don't think I can cope with it all along with the attitude and behaviour of the students that are so disrespectful. Should I quit?

I'm at a loss here. I have several tanks of inverts and I do remember that it was a struggle in the beginning.
I've been raising neos (now its a bunch of carbons because I was new at the time, but love em anyways) for a few years. I even had a few ghosts in that tank at some point, on accident, and they just ended up dying of old age (it was three females.. so no chance of babies.)
I also raise snails for the LFS that I'm friends with, different colors of mystery snails (different tanks for each color).
I also raise mexican dwarf crays (they are just fun dudes, imo)
I have been trying, recently, to raise ghost shrimp in my Norman Lampeye fish tank (going for a clear fish and invert theme in there). I verified that all parameters of the Ghost/Glass shrimp tank are exactly the same as all my other invert tanks, they use the same plants, same water, same calcium... everything. The tank itself has been holding life for a year, successfully, now. The norman lampeyes breed just fine and so do the snails (there's snails in all of my tanks). I've gone through about 4 batches of ghost shrimps now. They do not last longer than a week! I know that they are not the exact same as neos, snails, and crays, but what am I missing?! Is there some kind of hidden diseas that effects the Ghosts that I might not be aware of? Is there a specific parameter that they might need to be different than the others? I have been hearing rumors that ghost shrimp of the PNW are all sickly right now and are just used as feeders (which is not my plan... I want a healthy army of clear shrimp). And if that's the case, is there a location anyone can recommend that I can get ghosts shipped to me from that would be healthy from the start?
I'm not at my tanks right now, I'm at the gym. I'm just frustrated and sad... mostly sad... I can grab exact parameters when I get back home. I know it's not ideal to make a recommendation without the base data.

Background information: I completed school in 2020 without taking my GCSE exams due to COVID-19. Consequently, I received teacher-assessed grades. Over the next three years, I pursued catering at college with the ambition of becoming a chef. During this time, I managed to attain my maths GCSE on my first attempt and my English GCSE on my second attempt, finally having the opportunity to sit the exams after two years of COVID-19 disruptions. However, in my final year, I became disenchanted with the idea of being a chef and discovered a passion for geology. To pursue geology at university, I needed a science GCSE and planned to take an access course to higher education.
Now, my dilemma: I am currently taking GCSE biology and have already completed the first exam, with preparations underway for the second. Recently, I underwent an interview for the access course, which required me to undergo English, maths, and science assessments. Due to a lack of preparation time, I performed poorly. Consequently, I received an email rejecting my application due to my assessment performance. This rejection left me feeling depressed and questioning the significance of my GCSEs, as they seemed invalidated by this assessment. I have lost motivation to revise for my GCSE paper 2 exam, feeling it is pointless. Additionally, I am unable to apply for a foundation year because I need a combined science GCSE, which I am not currently studying. It feels like hitting a dead end, and the prospect of waiting another year to start over is disheartening. I am overwhelmed with feelings of hopelessness and depression.
I don't want to waste another 3 years and be feel to old and feel defeated

This is gonna be a long one…
History in a nutshell: my mom(84) has been living with untreated anxiety and depression issues since she was a teen. It was difficult growing up with her (I believe she “loves” me, but it’s been clear she doesn’t like or respect me) and my dad was the “stable” one. Dad passed 11 years ago at 77, and since then, mom’s issues have just multiplied.
Brother, sister and I tried our best to be understanding of her challenges for the first couple years, but it became too much for any of us. On the third year, I basically told her that helping her deal with her grief, anxiety and depression was “above my pay grade,” and she REALLY needed to seek professional help. She did this for about a year and the. Was complaining that the medications they had her on made her “feel like a zombie,” so she stopped taking them and stopped seeing the therapist.
For my own mental health, I have had to disengage quite a bit from her and minimize and plan when I spend time with her.
Over this time, her one outlet (going to the gambling boats) disbanded mostly due to Covid and that the other folks on the trips were 5-10 years older than she is, so they all started dying off, too.
She hasn’t made any attempt at any other interests, except solitary ones like putting puzzles together, playing on her iPad or watching tv. For the past year, she rarely leaves her bed when she’s home. She has no real friends, because frankly she’s always been mean and overly judgemental with people, so she’s pushed most people (including her children) away.
Cut to this past month: in April, she fell (I suspect due to a lack of muscle strength and bone mass because she doesn’t really get out for ANY exercise) simply walking into the house when returning from the grocery store and broke her hip.
She had surgery over a month ago, spent 10 days at one rehab, where she made no progress, but had at least 2 panic attacks.
We ended up putting her in a DIFFERENT rehab for another two weeks where she seemed to be faring better.
They sent her home and we made it clear that once the doctor said her hip was healed, she should be fine (nursing home/assisted living are currently out of the question with her—she refuses to leave her house). Between my siblings and I, we have covered the last two weeks staying with her.
But this can’t be a permanent solution; all of us have our own homes and families.
My sister is there now until Friday and after that, we’ve said she’s got to decide what happens. She is PHYSICALLY okay with being alone. She has a walker and can get around and even manage the small number of stairs in Her house when she WANTS to. 90% or more of all of this is her emotional state. She works herself up into heaving, gagging crying attacks over the SMALLEST things (like asking her to make simple decisions or when she can’t find her tv remote).
It’s EXHAUSTING.
My brother (and I) thinks she’s trying to force once of us to move in with her and there is zero chance of that.
We could find her someone who could come in during the days, 5 days a week to help her with some things around the house or drive her to appointments and even (hopefully) encourage her to eat better, get some fresh air and just get out of bed during the day.
The only issue is that the decision about WHO That is has to be up to her, otherwise she will use it as an excuse why no one will be “good enough.”
TLDR: aging mother is putting her kids through the wringer with her emotional issues and we’re at our wits end after dealing with it for 11 years.

Late night rant. Im a third year uni student who will have to do internship on august for 10 weeks(too short i know)
But after 3 months of trying i never got one, not even an interview. Where did i go wrong? I’ve got good cocuriculum activities active in sports and most important high grades too. My course is mechatronic which in mechanical and electronics combined which should up my chance.
I don’t even have any “family related connections“ iykwim. And the worst part is I’ve sent 50+ applications and still nothing and mind you I followed up on these applications. FML
Also on a side note, do you guys have any tips?

Proof: https://imgur.com/a/ZcFiA0Z
If there is anything you are interested in, just let me know. I am always willing to hear any offer. The worst thing I will do is shoot back a counteroffer.
Payment plans are available. More details at the bottom of the post.
All non-pms are on coinsales
All Prices are USD
I am Located in the US
I prefer chat, but pms are fine
I prefer to make sales, but I am willing to entertain trades.
For any coins you may want still shots of, or possibly a video in different lighting, please let me know. I will never have an issue doing this.
I have US coins and foreign coins. Look through it all, you may find something you did not know you wanted. If you want something I do not have, let me know. I may possibly be able to obtain some, or I could already have it.
All grades are my personal opinion, except those that are professionally graded. All Coins I marked as damaged, for the most part, I am unsure if they would grade straight or not; I just wanted to be transparent about them even though they still may be straight grade.
Price Cuts!!!
1900 Lafayette MS60 Soap Box (Toner) https://imgur.com/a/JZdDjVm (925.00 900.00)
1871 S G Seated Quarter (Key Date!) (Counterstamped) https://imgur.com/a/yfl3y0h (450.00 425.00)
1946 AU58 Half Dollar DDR (Subtle Blue and Gold Toner in a Soap Box) https://imgur.com/a/cnLo0uV (375.00 325.00)
Error Link: https://www.pcgs.com/coinfacts/coin/1946-50c-doubled-die-reverse/6632
1929 D MS64FB Merc (Toned) https://imgur.com/a/vK1aCx4 (195.00 175.00)
Video 2: https://imgur.com/a/VAeQgL2
1946-D MS67 RED Soapbox https://imgur.com/a/JCwe4i1 (155.00 145.00)
1873 Open 3 AU Details Corrosion IHC (Attractive Coin!) https://imgur.com/a/nuAw0vJ (135.00 125.00)
1997 Proof Silver Eagle (OGP) https://imgur.com/a/kZd3qoZ (85.00 80.00)
1884 MS Morgan VAM-4, Small Dot, Top 100 https://imgur.com/a/1X0RS05 (85.00 75.00)
Images: https://imgur.com/a/ImdAn9A
Vam Link: http://ec2-13-58-222-16.us-east-2.compute.amazonaws.com/wiki/1884-P_VAM-4
1892 O Morgan High VF (Bright) https://imgur.com/a/ku4xPq5 (65.00 55.00)
1896 Morgan AU (Toned) https://imgur.com/a/1fnvXym (55.00 50.00)
1898 Morgan AU (Toned) https://imgur.com/a/TzJgNcA (55.00 50.00)
1896 Morgan AU (Toned) https://imgur.com/a/e7c4enc (55.00 50.00)
1896 Morgan AU (Toned) https://imgur.com/a/g01zDBo (55.00 50.00)
1905 O Barber Quarter F https://imgur.com/a/mntr7ex (50.00 48.00)
1880 Morgan AU https://imgur.com/a/3RRfSv9 (50.00 45.00)
1888 Morgan AU https://imgur.com/a/nJTeozn (50.00 45.00)
1889 Morgan AU (Bright) https://imgur.com/a/Gbb4gg9 (45.00 41.00)
1896 AU Morgan https://imgur.com/a/Rc313b7 (45.00 40.00)
1964 PF68 Ultra Cameo Dime https://imgur.com/a/0jkPTSz (50.00 40.00)
1890 O Morgan XF https://imgur.com/a/lFaJDBw (45.00 40.00)
1898 Morgan XF https://imgur.com/a/8hTB6Ot (45.00 40.00)
2005 Silver Eagle First Strike MS69 https://imgur.com/a/pxRPFuS (42.00 40.00)
2011 Silver Eagle First Strike Struck at San Francisco MS69 https://imgur.com/a/wbiDsUC (42.00 40.00)
2013 (S) Silver Eagle First Strike Struck at San Francisco MS69 https://imgur.com/a/X5IzVR9 (42.00 40.00)
2013 (S) Silver Eagle Early Releases Struck at San Francisco MS69 https://imgur.com/a/SV5Xj43 (42.00 40.00)
1858 O Seated Half Dollar VF (Toned and Graffiti) https://imgur.com/a/eGkR5lM (45.00 40.00)
2005 Silver Eagle MS69 https://imgur.com/a/zxzSuSv (40.00 38.00)
2005 Silver Eagle MS69 https://imgur.com/a/GCkFghF (40.00 35.00)
Video 2: https://imgur.com/a/Yl2VsqP
1893 S Barber Quarter VG (Gorgeous Toner) https://imgur.com/a/WcLNcJb (45.00 35.00)
Video 2: https://imgur.com/a/mr6RPW0
1925 Peace Dollar MS (Toned) https://imgur.com/a/f3axbv2 (35.00 30.00)
1917 T1 SLQ VG https://imgur.com/a/V7dYoPc (40.00 30.00)
1856 O Half Dollar F (Scratches) https://imgur.com/a/7HbE52C (30.00 25.00)
1857 Seated Quarter High VF (Holed) https://imgur.com/a/7xhqPUZ (25.00 20.00)
1858 Flying Eagle Cent VG https://imgur.com/a/ATrETkf (20.00 18.00)
1858 Flying Eagle Cent FR https://imgur.com/a/7uqYwO1 (15.00 12.00)
Dollars
1879 S MS65 DMPL Morgan (Soapbox) https://imgur.com/a/dSM7SRF (1400.00)
1879 S MS64 Morgan (Toner in a Fatty) https://imgur.com/a/Te21BkM (135.00)
Images: https://imgur.com/a/bXzRSU3
1880 S MS64 Morgan (Semi PL and Purple Toner in a Gen 1 Soapbox) https://imgur.com/a/wLZeRnc (195.00)
1881 S MS63 VAM-1A Morgan (Toner) https://imgur.com/a/Dp3GFsK (85.00)
1884 O MS67 Morgan (Crazy Mega Toner) https://imgur.com/a/R97TekR (4200.00)
1884 O MS63 DMPL Morgan (Purple Toner in a Gen 1 Soapbox) https://imgur.com/a/K8LT2xN (500.00)
1884 CC MS64 Morgan (Toner in a Soapbox) https://imgur.com/a/b9NofJA (550.00)
1884 CC MS64 Morgan (Semi PL Lust Bomb in a Soapbox) https://imgur.com/a/YyD6l6w (515.00)
1886 MS62 PL Morgan (Rattler) https://imgur.com/a/vMDnM9P (200.00)
1896 Morgan Belt Buckle https://imgur.com/a/VcyvNjP (45.00)
1898 MS62PL Morgan (Soapbox) https://imgur.com/a/BycvAyH (150.00)
1921 MS63 PL Morgan (Soapbox) https://imgur.com/a/eRBR2Nw (500.00)
1921 MS63 PL Morgan (Soapbox) https://imgur.com/a/VfFMADA (500.00)
1921 MS63 Peace Dollar (Fatty) https://imgur.com/a/UbYm0VG (1050.00)
1923 MS63 Peace Dollar (Gen 2 Soapbox) https://imgur.com/a/9yg4TVy (70.00)
1934 D MS62 DBL DIE OBV VAM-3 Peace Dollar (Soapbox) https://imgur.com/a/ScGb7bg (350.00)
1934 D AU58 VAM-3 DDO LG D Peace Dollar (Soapbox) https://imgur.com/a/dHDSh01 (250.00)
1972 S PR69DCAM Silver Ike https://imgur.com/a/ZvzTrmV (30.00)
1972 S PR69DCAM Silver Ike https://imgur.com/a/6L9ztbd (30.00)
1973 S PR69DCAM Silver Ike https://imgur.com/a/yqKTUSf (40.00)
2021 Peace Dollar in OGP https://imgur.com/a/BlwZkB5 (205.00)
Half Dollars
1854 O G Seated Half https://imgur.com/a/5YDXLlt (30.00)
1877 G Seated Half Dollar (Cleaned) https://imgur.com/a/GiX4bzc (25.00)
1892 AG Barber Half https://imgur.com/a/AFFhmVx (35.00)
1916 S AG Walking Liberty Half https://imgur.com/a/1weOxxW (50.00)
1921 S AG Walking Liberty Half https://imgur.com/a/enXOi59 (50.00)
1936 York Half Dollar (Green CAC and Rattler) https://imgur.com/a/1BD0GBz (280.00)
1953 D MS64FBL Franklin (Crack on Case, so the Price is Discounted) https://imgur.com/a/ag9u9xU (40.00)
1956 PF67 Type 2 Franklin (Fatty) https://imgur.com/a/wSp88Pe (60.00)
1957 PR65 Franklin https://imgur.com/a/pIguD63 (32.00)
1958 MS66 Franklin (Toner) https://imgur.com/a/xPXZujb (75.00)
1960 PR65 Franklin (Rattler) https://imgur.com/a/YNKqQ9G (40.00)
1962 PF67 Franklin (Toner in a Fatty) https://imgur.com/a/gzkvg20 (40.00)
1962 PF67 Franklin (Toner in a Fatty) https://imgur.com/a/TNSnBme (35.00)
1963 PF66 Ultra Cameo Franklin https://imgur.com/a/WNMCpYG (130.00)
2014 S PR69DCAM First Strike Limited Edition PR Set Kennedy Half https://imgur.com/a/CDL35LL (35.00)
Quarters
1838 Bust Quarter VF (Bright) https://imgur.com/a/ST2Tb3V (150.00)
1x Face (1936, 1936, 1937 D, 1945) https://imgur.com/a/5G9pq7N (21.00)
Dimes
1837 F Dime (Bent) https://imgur.com/a/Aa5Ats5 (30.00)
1942 MS65FB Mercury Dime (OGH) https://imgur.com/a/BoyszIc (45.00)
1944 MS66 Mercury Dime (Green CAC and Fatty) https://imgur.com/a/srJTfWG (70.00)
1957 D MS66 Dime (Toner) https://imgur.com/a/Cfl2KJY (40.00)
1982 No P Dime (Rattler! and Haze) https://imgur.com/a/c7AQGiQ (450.00)
Video 2: https://imgur.com/a/y3i4wos
Images: https://imgur.com/a/OC0PJPN
Nickels
1938 D MS63 Buffalo Nickel (Fatty) https://imgur.com/a/hunfpfF (30.00)
1942 PR63 Jefferson Nickel (Toner) https://imgur.com/a/C91dcKR (50.00)
1963 PF69 Cameo Nickel (Very Pretty Coin) https://imgur.com/a/ESByy63 (50.00)
Cents
1937 S MS66 RD Wheat Penny https://imgur.com/a/A4wskUD (30.00)
Anicents
Maximinus I Denarius MS ⅘, ⅘ https://imgur.com/a/5u7GLt1 (350.00)
ROMAN EMPIRE: Maximinus I, AD 235-238, AR Denarius (20mm, 3.59 gm, 12h). NGC MS 4/5 - 4/5. Rome, ca. January AD 236-April AD 238. MAXIMINVS PIVS AVG GERM, laureate, draped, cuirassed bust of Maximinus I right / FIDES M-I-LITVM, Fides standing facing, head left, with standard in each hand, one on each side. RIC IV.II 18A.
Shipping for coins (non-coins vary) is 5 Dollars for 12 ounces total weight or less, 8 dollars for over 12 ounces; I am accepting Zelle (Preferred), PPFF (No notes pls), Cashpp, and Venmo FF (No notes pls). (USA only for these rates, special rates of other locations).
For Canada: Shipping for coins (non-coins vary) is 15 Dollars for 8 ounces total weight or less, 23 Dollars for 9 ounces or more.
I can risky ship anything that can be reasonable sent in a regular envelope with a stamp or two for a dollar of shipping
Disclaimer: I lose all responsibility once I drop the package at the post office, but I will help in any way I can for any issues that occur. I will ship once payment clears (once it no longer says pending in my bank account) (Zelle normally is good to go the next day, PP and Venmo can take a few days). Also, deposits can be made for any item for 25 percent or more of the agreed price, but the deposit is nonrefundable. All Payments are nonrefundable.