2024.05.14 19:58 ArkOfTheCube Nukes are a hoax. Don’t let decades of Illuminati programming fool you
The following documentary explores the surprisingly abundant evidence that nuclear weapons are a hoax. submitted by ArkOfTheCube to AgainstTheIlluminati [link] [comments] https://www.nytimes.com/1945/11/03/archives/seversky-limits-atom-bomb-power-likens-hiroshima-blow-to-one-by-200.html This man actually analysed the city of Hiroshima after the act and testified the following: "In Hiroshima I was prepared for radically different sights. But, to my surprise, Hiroshima looked exactly like all the other burned-out cities in Japan. There was a familiar pink blot, about two miles in diameter. It was dotted with charred trees and telephone poles. Only one of the cities twenty bridges was down. Hiroshima’s clusters of modern buildings in the downtown section stood upright. It was obvious that the blast could not have been so powerful as we had been led to believe. It was extensive blast rather than intensive. I had heard of buildings instantly consumed by unprecedented heat. Yet here I saw the buildings structurally intact, and what is more, topped by undamaged flag poles, lightning rods, painted railings, air raid precaution signs and other comparatively fragile objects. At the T-bridge, the aiming point for the atomic bomb, I looked for the “bald spot” where everything presumably had been vaporized in the twinkling of an eye. It wasn’t there or anywhere else. I could find no traces of unusual phenomena. What I did see was in substance a replica of Yokohama or Osaka, or the Tokyo suburbs – the familiar residue of an area of wood and brick houses razed by uncontrollable fire. Everywhere I saw the trunks of charred and leafless trees, burned and unburned chunks of wood. The fire had been intense enough to bend and twist steel girders and to melt glass until it ran like lava – just as in other Japanese cities. The concrete buildings nearest to the centre of explosion, some only a few blocks from the heart of the atom blast, showed no structural damage. Even cornices, canopies and delicate exterior decorations were intact. Window glass was shattered, of course, but single-panel frames held firm; only window frames of two or more panels were bent and buckled. The blast impact therefore could not have been unusual." Additionally: https://www.nytimes.com/1990/08/01/us/hiroshima-study-finds-no-genetic-damage.html This study was never published for some reason. I’ve been to both Hiroshima and Nagasaki. The whole thing is propaganda. There isn’t a trace of residual radiation anywhere in either city. I checked using a Geiger counter purchased after the “Fukushima” nuclear hoax, which at the time I thought was real. The few bits of footage of the nukes exploding is laughable. It’s Hollywood effects, matte screens and identical mushroom clouds composited for different angles. Totally fake. There is a reason these magical super weapons have never been used for an act of “terrorism” or in any war zone since and it has nothing to do with mutually assured destruction, unless you take that to mean the global unravelling of the lie itself. It’s because nukes don’t exist, have never existed and cannot be made to work. They are a myth. While looking for info on how "feasible" an all out thermonuclear war scenario was, because I already figured that nuclear weapons are a joke and a remnant way of thought from the Cold War era of thinking, I stumbled upon this massive article about the supposed Nuclear Weapons hoax. Some highlights of it, after skimming through it last night include:
Here it is, divided in 9 parts. The people and organizations creating the lies: https://heiwaco.com/bomb.htm The atomic bomb killed nobody in Japan: https://heiwaco.com/bombpart2.htm How does an atomic bomb work? It doesn't! https://heiwaco.com/bombpart3.htm Plenty O' manipulations: https://heiwaco.com/bombpart4.htm Explosive fission is a scam: https://heiwaco.com/bombpart5.htm All about real fission: https://heiwaco.com/bombpart6.htm The fake B-61 atomic bombs: https://heiwaco.com/bombpart7.htm All about no radiation at Fukushima: https://heiwaco.com/bombpart8.htm About radiation itself: https://heiwaco.com/bombpart9.htm The destruction of Hiroshima and Nagasaki appear not to be the result of one large explosion, but rather the result of a fire-bombing campaign comparable in pictures to Tokyo's fire-bombed remains. Hiroshima and Nagasaki also never experienced anything like the hundreds or thousands of years of radiation predicted by nuclear scientists, in fact, vegetation began growing within a month after the bombing, and the Japanese people began rebuilding almost immediately! Some nuclear physicists even claim nuclear weaponry fraudulent based solely on the technical impossibilities of fission material not to be incinerated before triggering the necessary nuclear chain reaction. Tesla even famously tried to split the atom him self and came to the conclusion it didn't release energy: "Let me say that has nothing to do with releasing so-called atomic energy. There is no such energy in the sense usually meant. With my currents, using pressures as high as 15,000,000 volts, the highest ever used, I have split atoms — but no energy was released. I confess that before I made this experiment I was in some fear. I said to my assistants, ‘I do not know what will happen. If the conclusions of certain scientists are right, the release of energy from the splitting of an atom may mean an explosion which would wreck our apparatus and perhaps kill someone. Is that understood?’ My assistants urged me to perform the experiment and I did so. I shattered atoms again and again. But no appreciable energy was released." This was from an interview he did with time magazine back in 1931 so it made me wonder if these anti nuke guys were on to something. The government has a lot of reasons to create a weapon of mass destruction psyop it spreads fear porn thats one thing and convinces people they can cause nuclear armageddon at the flick of a button. Einstein as some people know tried to steal Tesla's spotlight putting him into obscurity but his technology and experiments were very peculiar and show us there's a lot of high strangeness about this reality that's still not well understood. Also In 1986, Galen Winsor a Nuclear physicist Exposed the Nuclear fear scam by licking a pile of highly radioactive uranium off the palm of his hand and ignite a chunk of plutonium into a shower of flaming dust to show how safe these materials were. The guy also drank reactor cooling pool water for fun and liked to go swimming in the pool to relax. |
2024.05.14 19:53 focus_rising B.C. LifeLabs customers start to receive settlements but amount may be lower than expected Global News
submitted by focus_rising to onguardforthee [link] [comments] |
2024.05.14 19:50 focus_rising B.C. LifeLabs customers start to receive settlements but amount may be lower than expected Global News
submitted by focus_rising to canadaprivacy [link] [comments] |
2024.05.14 19:47 ArkOfTheCube Evidence that nukes are a hoax
The following documentary explores the surprisingly abundant evidence that nuclear weapons are a hoax. submitted by ArkOfTheCube to ConspiracyII [link] [comments] https://www.nytimes.com/1945/11/03/archives/seversky-limits-atom-bomb-power-likens-hiroshima-blow-to-one-by-200.html This man actually analysed the city of Hiroshima after the act and testified the following: "In Hiroshima I was prepared for radically different sights. But, to my surprise, Hiroshima looked exactly like all the other burned-out cities in Japan. There was a familiar pink blot, about two miles in diameter. It was dotted with charred trees and telephone poles. Only one of the cities twenty bridges was down. Hiroshima’s clusters of modern buildings in the downtown section stood upright. It was obvious that the blast could not have been so powerful as we had been led to believe. It was extensive blast rather than intensive. I had heard of buildings instantly consumed by unprecedented heat. Yet here I saw the buildings structurally intact, and what is more, topped by undamaged flag poles, lightning rods, painted railings, air raid precaution signs and other comparatively fragile objects. At the T-bridge, the aiming point for the atomic bomb, I looked for the “bald spot” where everything presumably had been vaporized in the twinkling of an eye. It wasn’t there or anywhere else. I could find no traces of unusual phenomena. What I did see was in substance a replica of Yokohama or Osaka, or the Tokyo suburbs – the familiar residue of an area of wood and brick houses razed by uncontrollable fire. Everywhere I saw the trunks of charred and leafless trees, burned and unburned chunks of wood. The fire had been intense enough to bend and twist steel girders and to melt glass until it ran like lava – just as in other Japanese cities. The concrete buildings nearest to the centre of explosion, some only a few blocks from the heart of the atom blast, showed no structural damage. Even cornices, canopies and delicate exterior decorations were intact. Window glass was shattered, of course, but single-panel frames held firm; only window frames of two or more panels were bent and buckled. The blast impact therefore could not have been unusual." Additionally: https://www.nytimes.com/1990/08/01/us/hiroshima-study-finds-no-genetic-damage.html This study was never published for some reason. I’ve been to both Hiroshima and Nagasaki. The whole thing is propaganda. There isn’t a trace of residual radiation anywhere in either city. I checked using a Geiger counter purchased after the “Fukushima” nuclear hoax, which at the time I thought was real. The few bits of footage of the nukes exploding is laughable. It’s Hollywood effects, matte screens and identical mushroom clouds composited for different angles. Totally fake. There is a reason these magical super weapons have never been used for an act of “terrorism” or in any war zone since and it has nothing to do with mutually assured destruction, unless you take that to mean the global unravelling of the lie itself. It’s because nukes don’t exist, have never existed and cannot be made to work. They are a myth. While looking for info on how "feasible" an all out thermonuclear war scenario was, because I already figured that nuclear weapons are a joke and a remnant way of thought from the Cold War era of thinking, I stumbled upon this massive article about the supposed Nuclear Weapons hoax. Some highlights of it, after skimming through it last night include:
Here it is, divided in 9 parts. The people and organizations creating the lies: https://heiwaco.com/bomb.htm The atomic bomb killed nobody in Japan: https://heiwaco.com/bombpart2.htm How does an atomic bomb work? It doesn't! https://heiwaco.com/bombpart3.htm Plenty O' manipulations: https://heiwaco.com/bombpart4.htm Explosive fission is a scam: https://heiwaco.com/bombpart5.htm All about real fission: https://heiwaco.com/bombpart6.htm The fake B-61 atomic bombs: https://heiwaco.com/bombpart7.htm All about no radiation at Fukushima: https://heiwaco.com/bombpart8.htm About radiation itself: https://heiwaco.com/bombpart9.htm The destruction of Hiroshima and Nagasaki appear not to be the result of one large explosion, but rather the result of a fire-bombing campaign comparable in pictures to Tokyo's fire-bombed remains. Hiroshima and Nagasaki also never experienced anything like the hundreds or thousands of years of radiation predicted by nuclear scientists, in fact, vegetation began growing within a month after the bombing, and the Japanese people began rebuilding almost immediately! Some nuclear physicists even claim nuclear weaponry fraudulent based solely on the technical impossibilities of fission material not to be incinerated before triggering the necessary nuclear chain reaction. Tesla even famously tried to split the atom him self and came to the conclusion it didn't release energy: "Let me say that has nothing to do with releasing so-called atomic energy. There is no such energy in the sense usually meant. With my currents, using pressures as high as 15,000,000 volts, the highest ever used, I have split atoms — but no energy was released. I confess that before I made this experiment I was in some fear. I said to my assistants, ‘I do not know what will happen. If the conclusions of certain scientists are right, the release of energy from the splitting of an atom may mean an explosion which would wreck our apparatus and perhaps kill someone. Is that understood?’ My assistants urged me to perform the experiment and I did so. I shattered atoms again and again. But no appreciable energy was released." This was from an interview he did with time magazine back in 1931 so it made me wonder if these anti nuke guys were on to something. The government has a lot of reasons to create a weapon of mass destruction psyop it spreads fear porn thats one thing and convinces people they can cause nuclear armageddon at the flick of a button. Einstein as some people know tried to steal Tesla's spotlight putting him into obscurity but his technology and experiments were very peculiar and show us there's a lot of high strangeness about this reality that's still not well understood. Also In 1986, Galen Winsor a Nuclear physicist Exposed the Nuclear fear scam by licking a pile of highly radioactive uranium off the palm of his hand and ignite a chunk of plutonium into a shower of flaming dust to show how safe these materials were. The guy also drank reactor cooling pool water for fun and liked to go swimming in the pool to relax. |
2024.05.14 19:44 diedlord Is record collecting dead?
2024.05.14 19:39 ArkOfTheCube Evidence that nukes are a hoax
The following documentary explores the surprisingly abundant evidence that nuclear weapons are a hoax. submitted by ArkOfTheCube to conspiracy [link] [comments] https://www.nytimes.com/1945/11/03/archives/seversky-limits-atom-bomb-power-likens-hiroshima-blow-to-one-by-200.html This man actually analysed the city of Hiroshima after the act and testified the following: "In Hiroshima I was prepared for radically different sights. But, to my surprise, Hiroshima looked exactly like all the other burned-out cities in Japan. There was a familiar pink blot, about two miles in diameter. It was dotted with charred trees and telephone poles. Only one of the cities twenty bridges was down. Hiroshima’s clusters of modern buildings in the downtown section stood upright. It was obvious that the blast could not have been so powerful as we had been led to believe. It was extensive blast rather than intensive. I had heard of buildings instantly consumed by unprecedented heat. Yet here I saw the buildings structurally intact, and what is more, topped by undamaged flag poles, lightning rods, painted railings, air raid precaution signs and other comparatively fragile objects. At the T-bridge, the aiming point for the atomic bomb, I looked for the “bald spot” where everything presumably had been vaporized in the twinkling of an eye. It wasn’t there or anywhere else. I could find no traces of unusual phenomena. What I did see was in substance a replica of Yokohama or Osaka, or the Tokyo suburbs – the familiar residue of an area of wood and brick houses razed by uncontrollable fire. Everywhere I saw the trunks of charred and leafless trees, burned and unburned chunks of wood. The fire had been intense enough to bend and twist steel girders and to melt glass until it ran like lava – just as in other Japanese cities. The concrete buildings nearest to the centre of explosion, some only a few blocks from the heart of the atom blast, showed no structural damage. Even cornices, canopies and delicate exterior decorations were intact. Window glass was shattered, of course, but single-panel frames held firm; only window frames of two or more panels were bent and buckled. The blast impact therefore could not have been unusual." Additionally: https://www.nytimes.com/1990/08/01/us/hiroshima-study-finds-no-genetic-damage.html This study was never published for some reason. I’ve been to both Hiroshima and Nagasaki. The whole thing is propaganda. There isn’t a trace of residual radiation anywhere in either city. I checked using a Geiger counter purchased after the “Fukushima” nuclear hoax, which at the time I thought was real. The few bits of footage of the nukes exploding is laughable. It’s Hollywood effects, matte screens and identical mushroom clouds composited for different angles. Totally fake. There is a reason these magical super weapons have never been used for an act of “terrorism” or in any war zone since and it has nothing to do with mutually assured destruction, unless you take that to mean the global unravelling of the lie itself. It’s because nukes don’t exist, have never existed and cannot be made to work. They are a myth. While looking for info on how "feasible" an all out thermonuclear war scenario was, because I already figured that nuclear weapons are a joke and a remnant way of thought from the Cold War era of thinking, I stumbled upon this massive article about the supposed Nuclear Weapons hoax. Some highlights of it, after skimming through it last night include:
Here it is, divided in 9 parts. The people and organizations creating the lies: https://heiwaco.com/bomb.htm The atomic bomb killed nobody in Japan: https://heiwaco.com/bombpart2.htm How does an atomic bomb work? It doesn't! https://heiwaco.com/bombpart3.htm Plenty O' manipulations: https://heiwaco.com/bombpart4.htm Explosive fission is a scam: https://heiwaco.com/bombpart5.htm All about real fission: https://heiwaco.com/bombpart6.htm The fake B-61 atomic bombs: https://heiwaco.com/bombpart7.htm All about no radiation at Fukushima: https://heiwaco.com/bombpart8.htm About radiation itself: https://heiwaco.com/bombpart9.htm The destruction of Hiroshima and Nagasaki appear not to be the result of one large explosion, but rather the result of a fire-bombing campaign comparable in pictures to Tokyo's fire-bombed remains. Hiroshima and Nagasaki also never experienced anything like the hundreds or thousands of years of radiation predicted by nuclear scientists, in fact, vegetation began growing within a month after the bombing, and the Japanese people began rebuilding almost immediately! Some nuclear physicists even claim nuclear weaponry fraudulent based solely on the technical impossibilities of fission material not to be incinerated before triggering the necessary nuclear chain reaction. Tesla even famously tried to split the atom him self and came to the conclusion it didn't release energy: "Let me say that has nothing to do with releasing so-called atomic energy. There is no such energy in the sense usually meant. With my currents, using pressures as high as 15,000,000 volts, the highest ever used, I have split atoms — but no energy was released. I confess that before I made this experiment I was in some fear. I said to my assistants, ‘I do not know what will happen. If the conclusions of certain scientists are right, the release of energy from the splitting of an atom may mean an explosion which would wreck our apparatus and perhaps kill someone. Is that understood?’ My assistants urged me to perform the experiment and I did so. I shattered atoms again and again. But no appreciable energy was released." This was from an interview he did with time magazine back in 1931 so it made me wonder if these anti nuke guys were on to something. The government has a lot of reasons to create a weapon of mass destruction psyop it spreads fear porn thats one thing and convinces people they can cause nuclear armageddon at the flick of a button. Einstein as some people know tried to steal Tesla's spotlight putting him into obscurity but his technology and experiments were very peculiar and show us there's a lot of high strangeness about this reality that's still not well understood. Also In 1986, Galen Winsor a Nuclear physicist Exposed the Nuclear fear scam by licking a pile of highly radioactive uranium off the palm of his hand and ignite a chunk of plutonium into a shower of flaming dust to show how safe these materials were. The guy also drank reactor cooling pool water for fun and liked to go swimming in the pool to relax. |
2024.05.14 19:31 jravitz [WTS] 280+ Bottles - USA SELLER - Niche, Designer, Hard to Find, Discontinued and Vintage (Bottle)
HOUSE | FRAGRANCE | SIZE | REMAINING | Notes/Condition | Price | Type | |
---|---|---|---|---|---|---|---|
1 | Amouage | Amber Sogara | 12mL | 100% Full | Brand New, Sealed | $335 | Niche |
2 | Amouage | Incense Rori Attar | 12mL | 100% Full | Brand New, Sealed | $299 | Niche |
3 | Amouage | Orris Wakan Attar | 12mL | 99% Full | Full Presentation | $299 | Niche |
4 | Amouage | Rose Aqor Attar | 12mL | 99% Full | Full Presentation | $299 | Niche |
5 | Amouage | Saffron Hamra Attar | 12mL | 100% Full | Brand New, Sealed | $299 | Niche |
6 | Andy Tauer | Cologne du Maghreb | 50mL | 99% Full | First Release, Rectangular Clear Bottle; With box | $95 | Niche |
7 | Bond No. 9 | Central Park West | 100mL | 100% Full | Tester (No Box or Cap) | $149 | Niche |
8 | Bond No. 9 | Dubai Jade | 100mL | 100% Full | Tester with Cap (No Box) | $200 | Niche |
9 | Bond No. 9 | Hamptons | 100mL | 100% Full | Tester (No Box or Cap) | $149 | Niche |
10 | Bond No. 9 | Madison Square Park | 100mL | 100% Full | Tester (No Box or Cap) | $149 | Niche |
11 | Bond No. 9 | NOMAD | 100mL | 100% Full | Tester (No Box or Cap) | $169 | Niche |
12 | Bond No. 9 | Riverside Drive | 100mL | 100% Full | Tester (No Box or Cap) | $149 | Niche |
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14 | Bond No. 9 | Sutton Place | 100mL | 100% Full | Tester (No Box or Cap) | $149 | Niche |
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16 | By Kilian | Bamboo Harmony | 100mL | 100% Full | Tester Refill (No Spray, No Box) | $199 | Niche |
17 | By Kilian | Black Phantom | 100mL | 100% Full | Tester Refill (No Spray, No Box) | $199 | Niche |
18 | By Kilian | Can't Stop Loving You | 50mL | 100% Full | Brand New, Sealed | $185 | Niche |
19 | By Kilian | Forbidden Games | 50mL | 98% Full | Tester Refill (No Spray, No Box) | $125 | Niche |
20 | By Kilian | Gold Knight | 100mL | 100% Full | Tester Refill (No Spray, No Box) | $199 | Niche |
21 | By Kilian | Gold Knight | 50mL | 98% Full | Tester Refill (No Spray, No Box) | $145 | Niche |
22 | By Kilian | Good Girl Gone Bad | 250mL | 99% Full | Decanter; No Box | $650 | Niche |
23 | By Kilian | Good Girl Gone Bad | 50mL | 98% Full | Tester Refill (No Spray, No Box) | $135 | Niche |
24 | By Kilian | Good Girl Gone Bad Eau Fraiche | 50mL | 100% Full | Brand New, Sealed | $180 | Niche |
25 | By Kilian | Intoxicated | 100mL | 100% Full | Tester Refill (No Spray, No Box) | $199 | Niche |
26 | By Kilian | L'Heure Verte | 50mL | 100% Full | Brand New, Sealed | $135 | Niche |
27 | By Kilian | Moonlight In Heaven | 100mL | 99% Full | Tester Refill (No Spray, No Box) | $199 | Niche |
28 | By Kilian | Roses on Ice | 50mL | 100% Full | Brand New, Sealed | $135 | Niche |
29 | Byredo | Eyes Closed | 50mL | 100% Full | Brand New, Sealed | $135 | Niche |
30 | Byredo | Infloresence | 100mL | 100% Full | Tester; No Box | $135 | Niche |
31 | Byredo | Lil Fleur | 100mL | 100% Full | Tester; No Box | $135 | Niche |
32 | Byredo | Sunday Cologne | 100mL | 100% Full | Tester; No Box | $135 | Niche |
33 | Chanel / Chanel Exclusif | Beige Parfum | 15mL | 100% Full | Tester with Cap (No Box) | $180 | Niche |
34 | Chanel / Chanel Exclusif | Misia EdT | 200mL | 90% Full | Tester with Cap (No Box) | $325 | Niche |
35 | Chanel / Chanel Exclusif | No. 22 EdT | 200mL | 95% Full | Tester with Cap (No Box) | $325 | Niche |
36 | Christian Dior / Dior Privee | 7 Mini Set as Pictured | 7x 5mL | 100% Full | 7 Official Minis from 2010-2011... Mitzah, Milly-A-La-Foret, Granville, Cologne Royale, Eau Noire, New Look 1947 | $180 | Niche |
37 | Christian Dior / Dior Privee | Bois D'Argent | 5mL | 100% Full | Official Mini - Batch Code 0V01 (2010 Production Date) - Price includes shipping | $35 | Niche |
38 | Christian Dior / Dior Privee | Cologne Royale | 5mL | 100% Full | Official Mini - Batch Code 1X01 (2011 Production Date) - Price includes shipping | $30 | Niche |
39 | Christian Dior / Dior Privee | Diorissima | 7.5mL | 100% Full | Official Mini; No Cannister - Price includes shipping | $30 | Niche |
40 | Christian Dior / Dior Privee | Eau Noire | 5mL | 100% Full | Official Mini - Batch Code 1R01 (2011 Production Date) - Price includes shipping | $35 | Niche |
41 | Christian Dior / Dior Privee | Eden Roc | 7.5mL | 100% Full | Official Mini - Price includes shipping | $30 | Niche |
42 | Christian Dior / Dior Privee | Granville | 5mL | 100% Full | Official Mini - Batch Code 0V01 (2010 Production Date) - Price includes shipping | $35 | Niche |
43 | Christian Dior / Dior Privee | Milly-La-Foret | 5mL | 100% Full | Official Mini - Batch Code 0W01 (2010 Production Date) - Price includes shipping | $30 | Niche |
44 | Christian Dior / Dior Privee | New Look 1947 | 5mL | 100% Full | Official Mini - Batch Code 1R01 (2011 Production Date) - Price includes shipping | $30 | Niche |
45 | Clive Christian | C for Men | 50mL | 95% Full | Tester (No Box) | $169 | Niche |
46 | Clive Christian | I Pour Femme (Woody Floral with Vintage Rose) | 50mL | 99% Full | Tester (No Box) | $169 | Niche |
47 | Clive Christian | Rock Rose | 50mL | 100% Full | Tester (No Box) | $229 | Niche |
48 | Clive Christian | X Pour Femme | 50mL | 100% Full | Tester (No Box) | $169 | Niche |
49 | Creed | Aventus - 19P21 (Decant) | 50mL | 100% Full | Magnetic Cap Decant | $169 | Niche |
50 | Creed | Aventus - F1396 | 100mL | 100% Full | Tester (No Box) | $209 | Niche |
51 | Creed | Aventus for Her - F Batch | 75mL | 100% Full | Tester with Plastic Cap (No Box) | $175 | Niche |
52 | Creed | Bois du Portugal | 100mL | 100% Full | Tester (No Box) | $185 | Niche |
53 | Creed | Carmina - F1449 | 75mL | 100% Full | Tester (No Cap or Box) | $199 | Niche |
54 | Creed | Erolfa | 100mL | 100% Full | Tester with Plastic Cap | $185 | Niche |
55 | Creed | Green Irish Tweed | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $195 | Niche |
56 | Creed | Himalaya - F Batch | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $185 | Niche |
57 | Creed | Jardin D'Amalfi | 75mL | 100% Full | Tester (No Box, No Cap) | $199 | Niche |
58 | Creed | Millesime Imperial | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $185 | Niche |
59 | Creed | Original Santal | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $185 | Niche |
60 | Creed | Original Vetiver | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $185 | Niche |
61 | Creed | Queen of Silk | 75mL | 100% Full | Tester with Metal Cap | $275 | Niche |
62 | Creed | Refillable Atomizer (5mL Leather Wrapped) Blue | 5mL | 100% Full | Brand New, Sealed | $85 | Niche |
63 | Creed | Refillable Atomizer (5mL Leather Wrapped) Grey | 5mL | 100% Full | Brand New, Sealed | $85 | Niche |
64 | Creed | Royal Oud - F Batch | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $260 | Niche |
65 | Creed | Royal Water - F238 | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $180 | Niche |
66 | Creed | Silver Mountain Water - 21V01A | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $180 | Niche |
67 | Creed | Spice and Wood | 75mL | 100% Full | Tester (No Box) | $219 | Niche |
68 | Creed | Viking - F BATCH | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $190 | Niche |
69 | Creed | Viking Cologne | 100mL | 100% Full | Tester with Plastic Cap | $185 | Niche |
70 | Creed | Virgin Island Water | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $195 | Niche |
71 | Creed | White Amber - 17R01 | 75mL | 100% Full | Tester (No Box or Cap) | $155 | Niche |
72 | Diptyque | Eau de Papier EdT | 100mL | 100% Full | Tester with Cap | $100 | Niche |
73 | Diptyque | Ombre Dans L'eau EdT | 100mL | 100% Full | Tester with Cap | $100 | Niche |
74 | Diptyque | Oyedo EdT | 100mL | 100% Full | Tester (No Box) | $100 | Niche |
75 | Diptyque | Philosykos EdT | 100mL | 100% Full | Tester (No Box) | $100 | Niche |
76 | Fragrance Du Bois | Brume du Matin | 100mL | 100% Full | New, No Box | $180 | Niche |
77 | Fragrance Du Bois | Cannabis Blue | 100mL | 100% Full | New, No Box | $180 | Niche |
78 | Fragrance Du Bois | Cannabis Intense | 100mL | 100% Full | New, No Box | $180 | Niche |
79 | Fragrance Du Bois | HERITAGE | 100mL | 100% Full | New, No Box | $330 | Niche |
80 | Fragrance du Bois | Lovers | 100mL | 100% Full | Brand New, Sealed | $325 | Niche |
81 | Fragrance Du Bois | New York Fifth Avenue | 100mL | 100% Full | New, No Box | $180 | Niche |
82 | Fragrance Du Bois | SAHRAA | 100mL | 99% Full | Full presentation with Box | $399 | Niche |
83 | Fragrance Du Bois | Siberian Rose | 100mL | 100% Full | New, No Box | $180 | Niche |
84 | Frederic Malle | Cologne Indellible | 100mL | 85% Full | Full presentation with Box | $175 | Niche |
85 | Frederic Malle | Eau de Magnolia | 10mL | 100% Full | Official Travel Spray | $55 | Niche |
86 | Frederic Malle | Monsieur | 10mL | 95% Full | Official Travel Spray | $55 | Niche |
87 | Frederic Malle | Promise | 100mL | 100% Full | Brand New (Not Sealed) | $315 | Niche |
88 | Gallagher | Bergamot Silk | 100mL | 99% Full | No Box | $79 | Niche |
89 | Giorgio Armani / Armani Prive | Pierre de Lune | 100mL | 100% Full | Tester; No Box | $155 | Niche |
90 | Giorgio Armani / Armani Prive | Rose Alexandrie | 100mL | 100% Full | Tester; No Box | $155 | Niche |
91 | Guerlain | Angelique Noire | 30mL | 100% Full | Mini Bee Bottle Decant | $215 | Niche |
92 | Guerlain | Angelique Noire | 10mL | 100% Full | Tall Glass Decant | $55 | Niche |
93 | Guerlain | French Kiss | 75mL | 98% Full | Tester (No Box or Cap) | $450 | Niche |
94 | Guerlain | Frenchy Lavende | 200mL | 100% Full | Brand New, Sealed | $399 | Niche |
95 | Guerlain | Herbes Troublantes | 200mL | 100% Full | Tester (No Box) | $339 | Niche |
96 | Guerlain | Jasmin Bonheur | 200mL | 100% Full | Tester (No Box) | $369 | Niche |
97 | Guerlain | Neroli Outrenoir | 200mL | 100% Full | Tester (No Box) | $339 | Niche |
98 | Guerlain | Spiriteuse Double Vanille | 200mL | 100% Full | Tester with Cap | $399 | Niche |
99 | Guerlain | Tobacco Honey | 200mL | 100% Full | Brand New, Sealed | $399 | Niche |
100 | Hermes / Hermessence | Agar Ebene | 100mL | 100% Full | Tester (No Box or Cap) | $150 | Niche |
101 | Hermes / Hermessence | Ambre Narguile | 100mL | 100% Full | Tester (No Box) | $175 | Niche |
102 | Hermes / Hermessence | Cedre Sambac | 100mL | 100% Full | Tester (No Box) | $165 | Niche |
103 | Hermes / Hermessence | Epice Marine | 100mL | 100% Full | Tester (No Box) | $170 | Niche |
104 | Hermes / Hermessence | Myrrhe Eglantine | 100mL | 100% Full | Tester (No Box) | $185 | Niche |
105 | Hermes / Hermessence | Poivre Samarcade | 100mL | 100% Full | Tester (No Box) | $170 | Niche |
106 | Hermes / Hermessence | Santal Massoia | 100mL | 100% Full | Tester (No Box) | $170 | Niche |
107 | Hermes / Hermessence | Vetiver Tonka | 100mL | 100% Full | Tester (No Box) | $175 | Niche |
108 | House of Sillage | Nouez Moi | 75mL | 99% Full | Tester (No Box or Cap) | $120 | Niche |
109 | I Profumi di Firenze | Caterina De Medici | 50mL | 99% Full | No Box | $35 | Niche |
110 | Initio | High Frequency | 90mL | 100% Full | Tester (No Box) | $180 | Niche |
111 | Initio | Oud for Happiness | 90mL | 100% Full | Tester; No Box | $189 | Niche |
112 | Jo Malone | English Pear & Freesia | 30mL | 100% Full | No Box | $50 | Niche |
113 | Le Labo | Bigarade 18 - Hong Kong Exclusive | 50mL | 100% Full | Full Bottle, Retail Label | $299 | Niche |
114 | Le Labo | Mousse de Chene 30 - Amsterdam City Exclusive | 50mL | 99% Full | Sprayed Once to Test / Brand New; No Box | $259 | Niche |
115 | Le Labo | Oud 27 | 50mL | 99% Full | Full presentation with Box | $169 | Niche |
116 | Le Labo | Santal 33 | 50mL | 100% Full | Full Bottle, Retail Label | $135 | Niche |
117 | Liquides Imaginaires | Bloody Wood | 100mL | 100% Full | Tester; No Box, No Cap | $85 | Niche |
118 | Liquides Imaginaires | Desert Sauve | 100mL | 99% Full | Tester; No Box, No Cap | $85 | Niche |
119 | Liquides Imaginaires | Fleur de Sable | 100mL | 99% Full | Tester; No Box, No Cap | $85 | Niche |
120 | Liquides Imaginaires | Fleuve Tendre | 100mL | 100% Full | Tester; No Box, No Cap | $85 | Niche |
121 | Liquides Imaginaires | Sancti | 100mL | 100% Full | Tester; No Box, No Cap | $85 | Niche |
122 | Loewe | 7 EdT | 100mL | 100% Full | Tester (No Box) | $90 | Niche |
123 | Loewe | Aire Anthesis | 100mL | 100% Full | Tester (No Box) | $100 | Niche |
124 | Loewe | Esencia EdP | 100mL | 100% Full | Tester (No Box) | $120 | Niche |
125 | Loewe | Esencia Elixir | 100mL | 100% Full | Tester (No Box) | $200 | Niche |
126 | Loewe | Man 001 EdP | 100mL | 100% Full | Tester (No Box) | $120 | Niche |
127 | Louis Vuitton | Contre Moi | 100mL | 99% Full | Tester (Bottle may show some damage, Cap has no paint/is peeling) | $385 | Niche |
128 | Louis Vuitton | Sun Song | 100mL | 98% Full | Tester (Bottle is scratched, may have an engraving, and Cap has no paint/is peeling) | $425 | Niche |
129 | Louis Vuitton | Sun Song | 200mL | 98% Full | Dummy Bottle, filled with real juice. I don't think it's refillable. | $750 | Niche |
130 | Maison Crivelli | Bois Datchai | 100mL | 100% Full | Brand New, Sealed | $169 | Niche |
131 | Maison Francis Kurkdjian | 724 | 200mL | 100% Full | Tester with Cap (No Box) | $355 | Niche |
132 | Maison Francis Kurkdjian | 724 | 70mL | 100% Full | Tester with Cap (No Box) | $165 | Niche |
133 | Maison Francis Kurkdjian | A la Rose | 200mL | 100% Full | Tester with Cap (No Box) | $315 | Niche |
134 | Maison Francis Kurkdjian | Amyris Femme EdP | 70mL | 100% Full | Tester (No Box) | $150 | Niche |
135 | Maison Francis Kurkdjian | Amyris Femme Extrait | 70mL | 100% Full | Tester with Cap (No Box) | $160 | Niche |
136 | Maison Francis Kurkdjian | Amyris Homme EdT | 70mL | 100% Full | Tester (No Box) | $160 | Niche |
137 | Maison Francis Kurkdjian | Aqua Celestia | 70mL | 100% Full | Tester with Cap (No Box) | $135 | Niche |
138 | Maison Francis Kurkdjian | Aqua Celestia Cologne Forte | 70mL | 100% Full | Tester with Cap (No Box) | $145 | Niche |
139 | Maison Francis Kurkdjian | Aqua Celestia Forte | 70mL | 100% Full | Tester with Cap (No Box) | $160 | Niche |
140 | Maison Francis Kurkdjian | Aqua Media Cologne Forte | 70mL | 100% Full | Tester with Cap (No Box) | $150 | Niche |
141 | Maison Francis Kurkdjian | Aqua Universalis | 70mL | 100% Full | Tester with Cap (No Box) | $135 | Niche |
142 | Maison Francis Kurkdjian | Aqua Universalis Cologne Forte | 70mL | 100% Full | Tester with Cap (No Box) | $125 | Niche |
143 | Maison Francis Kurkdjian | Aqua Universalis Cologne Forte | 200mL | 100% Full | Tester with Cap (No Box) | $225 | Niche |
144 | Maison Francis Kurkdjian | Aqua Universalis Cologne Forte | 35mL | 100% Full | Tester with Cap (No Box) | $90 | Niche |
145 | Maison Francis Kurkdjian | Aqua Universalis Forte | 70mL | 100% Full | Tester with Cap (No Box) | $160 | Niche |
146 | Maison Francis Kurkdjian | Aqua Vitae | 200mL | 100% Full | Tester with Cap (No Box) | $215 | Niche |
147 | Maison Francis Kurkdjian | Aqua Vitae | 70mL | 100% Full | Tester with Cap (No Box) | $135 | Niche |
148 | Maison Francis Kurkdjian | Aqua Vitae Cologne Forte | 70mL | 100% Full | Tester with Cap (No Box) | $125 | Niche |
149 | Maison Francis Kurkdjian | Aqua Vitae Forte | 70mL | 100% Full | Tester with Cap (No Box) | $160 | Niche |
150 | Maison Francis Kurkdjian | Baccarat Rouge 540 EdP | 70mL | 100% Full | Tester with Cap (No Box) | $209 | Niche |
151 | Maison Francis Kurkdjian | Baccarat Rouge 540 Extrait | 70mL | 100% Full | Tester with Cap (No Box) | $300 | Niche |
152 | Maison Francis Kurkdjian | Feminine Pluriel | 200mL | 100% Full | Tester with Cap (No Box) | $335 | Niche |
153 | Maison Francis Kurkdjian | Feminine Pluriel Special Edition Extrait | 70mL | 100% Full | Full Presentation With Mirror Display | $499 | Niche |
154 | Maison Francis Kurkdjian | Gentle Fluidity Gold | 200mL | 100% Full | Brand New, Sealed | $365 | Niche |
155 | Maison Francis Kurkdjian | Gentle Fluidity Gold | 70mL | 100% Full | Tester with Cap (No Box) | $165 | Niche |
156 | Maison Francis Kurkdjian | L'eau a La Rose | 35mL | 100% Full | Tester with Cap (No Box) | $90 | Niche |
157 | Maison Francis Kurkdjian | L'Homme a la Rose | 70mL | 100% Full | Tester with Cap (No Box) | $165 | Niche |
158 | Maison Francis Kurkdjian | Masculin Pluriel | 70mL | 100% Full | Tester with Cap (No Box) | $165 | Niche |
159 | Maison Francis Kurkdjian | Oud EdP | 70mL | 100% Full | Tester with Cap (No Box) | $170 | Niche |
160 | Maison Francis Kurkdjian | Oud Extrait | 70mL | 100% Full | Tester with Cap (No Box) | $190 | Niche |
161 | Maison Francis Kurkdjian | Oud Silk Mood EdP | 70mL | 100% Full | Tester with Cap (No Box) | $170 | Niche |
162 | Maison Francis Kurkdjian | Oud Silk Mood Extrait | 70mL | 100% Full | Tester with Cap (No Box) | $190 | Niche |
163 | Maison Francis Kurkdjian | Petit Matin | 70mL | 100% Full | Tester with Cap (No Box) | $145 | Niche |
164 | Maison Lancome | Orange Bigarades | 100mL | 100% Full | Full presentation with Box | $229 | Niche |
165 | Mark Birley | Charles Street | 75mL | 97% Full | Travel Version | $90 | Niche |
166 | Memo Paris | French Leather | 75mL | 100% Full | Tester (No Box or Cap) | $115 | Niche |
167 | Memo Paris | Italian Leather | 75mL | 100% Full | Tester (No Box or Cap) | $115 | Niche |
168 | Memo Paris | Lailabella | 75mL | 100% Full | Tester (No Box or Cap) | $115 | Niche |
169 | Memo Paris | Marfa | 75mL | 100% Full | Tester (No Box or Cap) | $115 | Niche |
170 | Memo Paris | Moon Fever | 75mL | 100% Full | Tester (No Box or Cap) | $115 | Niche |
171 | Memo Paris | Oriental Leather | 75mL | 100% Full | Tester (No Box or Cap) | $115 | Niche |
172 | Mind Games | As-Suli's Diamond | 100mL | 100% Full | Brand New, Sealed | $249 | Niche |
173 | Mind Games | Gardez | 100mL | 100% Full | Brand New, Sealed | $249 | Niche |
174 | Mind Games | Vieri | 100mL | 100% Full | Brand New, Sealed | $249 | Niche |
175 | Mizensir | Bois de Mysore | 100mL | 100% Full | Tester (No Box) | $155 | Niche |
176 | Mizensir | Cologne de Matte | 100mL | 100% Full | Tester (No Box) | $155 | Niche |
177 | Mizensir | Ideal Oud | 100mL | 100% Full | Tester (No Box) | $155 | Niche |
178 | Mizensir | Rose Exaltante | 100mL | 100% Full | Tester (No Box) | $155 | Niche |
179 | Mizensir | Tonic Water | 100mL | 100% Full | Tester (No Box) | $155 | Niche |
180 | Mizensir | Vert Empire | 100mL | 100% Full | Tester (No Box) | $155 | Niche |
181 | Oh Mon Dieu! | L'objet | 100mL | 100% Full | Full presentation with Box | $125 | Niche |
182 | Oliver and Co. | M.O.U.S.S.E. | 50mL | 99% Full | Limited Edition 87/133 | $110 | Niche |
183 | Parfums de Marley | Valaya | 75mL | 100% Full | Tester with Cap (No Box) | $175 | Niche |
184 | Penhaligon's | Elixir | 100mL | 90% Full | No Box | $250 | Niche |
185 | Penhaligon's | Petra | 100mL | 100% Full | Tester (No Box) | $200 | Niche |
186 | Penhaligon's | Cairo | 100mL | 100% Full | Brand New, Sealed | $220 | Niche |
187 | Pomare's Stolen Perfume | Angel's Share | 9mL | 70% Full | No Box | $40 | Niche |
188 | Precious Liquid | Iced Juniper | 75mL | 95% Full | Full presentation with Box (Limited Edition) | $135 | Niche |
189 | Roja Dove | Creation-E Essence de Parfum | 100mL | 100% Full | Tester; No Box | $165 | Niche |
190 | Roja Dove | Danger Pour Femme | 50mL | 100% Full | 99% Full with Box | $275 | Niche |
191 | Roja Dove | Elixir | 100mL | 100% Full | Brand New, Sealed | $175 | Niche |
192 | Roja Dove | Elixir Essence Pour Femme | 100mL | 100% Full | No Box | $175 | Niche |
193 | Roja Dove | Qatar | 50mL | 99% Full | Full Presentation | $339 | Niche |
194 | Roja Dove | Scandal Essence de Parfum | 100mL | 100% Full | Tester; No Box | $165 | Niche |
195 | Roja Dove | United Arab Emirates (UAE) | 50mL | 100% Full | Brand New, Sealed | $300 | Niche |
196 | Roman Monegal | L'eau de Rose | 50mL | 97% Full | $70 | Niche | |
197 | Santa Maria Novella | Sandalo | 100mL | 95% Full | No Box | $80 | Niche |
198 | Sospiro | Deep Amber Ocean | 100mL | 100% Full | Brand New, No Box | $170 | Niche |
199 | Sospiro | Deep Amber Ocean | 100mL | 100% Full | Brand New, Sealed | $180 | Niche |
200 | Spirit of Dubai | Bahar | 50mL | 100% Full | Tester with Cap and Travel Case | $175 | Niche |
201 | Spirit of Dubai | Rimal | 50mL | 100% Full | Tester with Cap and Travel Case | $175 | Niche |
202 | Tiziana Terenzi | Attar Cas | 13mL | 100% Full | Tester (No Box) | $225 | Niche |
203 | Tiziana Terenzi | Chiron | 100mL | 100% Full | Tester (No Box) | $165 | Niche |
204 | Tiziana Terenzi | Draconis | 100mL | 100% Full | Tester (No Box) | $135 | Niche |
205 | Tom Ford | Azure Lime - A71 | 50mL | 99% Full | Original Formula | $349 | Niche |
206 | Tom Ford | Beau de Jour | 1000mL | 100% Full | Sealed Dramming Bottle | $700 | Niche |
207 | Tom Ford | Ebene Fume | 50mL | 100% Full | Brand New, Sealed | $165 | Niche |
208 | Tom Ford | Electric Cherry | 50mL | 100% Full | Brand New, Sealed | $200 | Niche |
209 | Tom Ford | Fleur de Portofino | 50mL | 100% Full | Brand New, Sealed | $135 | Niche |
210 | Tom Ford | Fougere Platine | 1000mL | 100% Full | Sealed Dramming Bottle | $700 | Niche |
211 | Tom Ford | Neroli Portofino | 50mL | 100% Full | Brand New, Sealed | $140 | Niche |
212 | Tom Ford | Plum Japonais | 50mL | 100% Full | Decant (No Box) | $215 | Niche |
213 | Tom Ford | Rive Ambre - A63 | 50mL | 99% Full | Original Formula | $225 | Niche |
214 | Tom Ford | Rose de Amalfi | 50mL | 100% Full | Brand New, Sealed | $135 | Niche |
215 | Tom Ford | Santal Blush | 50mL | 100% Full | Brand New, Sealed | $140 | Niche |
216 | Tom Ford | Soleil Neige | 1000mL | 100% Full | Sealed Dramming Bottle | $700 | Niche |
217 | Tom Ford | Tobacco Vanille | 100mL | 100% Full | Brand New, Sealed | $245 | Niche |
218 | Tom Ford | Tubereuse Nue | 50mL | 100% Full | Brand New, Sealed | $150 | Niche |
219 | Tom Ford | Vanille Fatale | 50mL | 100% Full | Brand New, Sealed | $180 | Niche |
220 | Tom Ford | White Suede | 1000mL | 100% Full | Sealed Dramming Bottle | $700 | Niche |
221 | Washington Tremlett | Black Tie | 100mL | 95% Full | $125 | Niche | |
222 | Widian | II Black | 50mL | 99% Full | Tester (No Box) | $149 | Niche |
223 | Yves Saint Laurent | Babycat | 125mL | 100% Full | Brand New, Sealed | $300 | Niche |
224 | Acqua di Parma | Magnolia Nobile | 100mL | 100% Full | Tester (No Box) | $95 | Designer |
225 | Brunello Cucinelli | Pour Homme | 100mL | 100% Full | Tester (No Box) | $90 | Designer |
226 | Caron | Pour un Homme de Caron Le Matin | 125mL | 100% Full | Opened to test, sprayed once | $69 | Designer |
227 | Caron | Pour un Homme de Caron Le Soir | 125mL | 100% Full | Opened to test, sprayed once | $69 | Designer |
228 | Caron | Pour Un Homme Impact Parfum | 75mL | 97% Full | No Box | $175 | Designer |
229 | Chanel | Allure Homme Sport - Aftershave Balm | 100mL | 99% Full | No Box | $65 | Designer |
230 | Chanel | Allure Pour Femme EdT | 100mL | 100% Full | Tester; No Box | $65 | Designer |
231 | Chanel | Bleu de Chanel - Aftershave Balm | 100mL | 99% Full | No Box, Minor Cosmetic Damage | $55 | Designer |
232 | Chanel | Bleu de Chanel - Aftershave Lotion | 100mL | 99% Full | No Box, Minor Cosmetic Damage | $55 | Designer |
233 | Chanel | Coco EdP | 100mL | 100% Full | Tester; No Box | $85 | Designer |
234 | Chanel | Coco Mademoiselle - Moisturizing Body Lotion | 200mL | 99% Full | No Box | $55 | Designer |
235 | Chanel | Coco Noir | 100mL | 100% Full | Tester; No Box | $100 | Designer |
236 | Chanel | Cristalle Eau Vert EdT Concentree | 100mL | 100% Full | Tester; No Box | $135 | Designer |
237 | Chanel | Cristalle EdP | 50mL | 95% Full | Tester; No Box | $135 | Designer |
238 | Chanel | Gabrielle Essence | 100mL | 100% Full | Tester; No Box | $100 | Designer |
239 | Chanel | No. 19 | 100mL | 100% Full | Tester; No Box | $115 | Designer |
240 | Chanel | No. 5 Eau Premiere | 100mL | 100% Full | Tester; No Box | $85 | Designer |
241 | Chanel | No. 5 EdP | 100mL | 100% Full | Tester; No Box | $95 | Designer |
242 | Chanel | Platinum Egoiste | 75mL | 99% Full | SPLASH, NOT SPRAY Older Formulation | $125 | Designer |
243 | Christian Dior | Dior Homme Parfum | 100mL | 100% Full | Brand New, Sealed (Packaging may be slightly damaged) | $175 | Designer |
244 | Christian Dior | J'adore in Joy EdT | 100mL | 100% Full | Tester with Cap, No Box | $60 | Designer |
245 | Floris | Cefiro | 100mL | 100% Full | Tester with Cap, No Box | $59 | Designer |
246 | Gucci | Gucci Guilty Absolute | 90mL | 100% Full | Tester; No Box | $70 | Designer |
247 | Guerlain | Habit Rouge Parfum | 100mL | 100% Full | Brand New, Sealed | $130 | Designer |
248 | Guerlain | L'Homme Ideal Parfum | 100mL | 100% Full | Brand New, Sealed | $130 | Designer |
249 | Guerlain | L'instant de Guerlain Pour Homme EXTREME | 10mL | 100% Full | VINTAGE BLACK RIM - DECANT | $50 | Designer |
250 | Guerlain | Vetiver Parfum | 100mL | 100% Full | Brand New, Sealed | $130 | Designer |
251 | Hermes | Twilly | 80mL | 100% Full | Tester; No Box | $65 | Designer |
252 | Jo Malone | Amber & Lavender | 30mL | 90% Full | No Box | $52 | Designer |
253 | Jo Malone | English Oak & Redcurrant | 30mL | 80% Full | No Box | $49 | Designer |
254 | Jo Malone | English Pear & Freesia | 100mL | 100% Full | Brand New with Gift Box and Gift Set (Body Wash, Body Lotion) | $180 | Designer |
255 | Jo Malone | Rose & White Musk Absolu | 100mL | 100% Full | No Box | $180 | Designer |
256 | Jo Malone | Scarlett Poppy Cologne Intense | 100mL | 100% Full | Tester; No Box | $130 | Designer |
257 | Lalique | Ombre Noire | 100mL | 100% Full | Sealed | $100 | Designer |
258 | Maison Martin Margiela | Replica - Jazz Club | 100mL | 100% Full | Tester (No Box) | $80 | Designer |
259 | Thierry Mugler | A*MEN | 100mL | 99% Full | Rubber Flask; No Box | $75 | Designer |
260 | Amouage | Cristal and Gold Ladies | 50mL | 95% Full | Vintage, Incredibly hard to find. Full presentation in nice condition | $399 | Vintage |
261 | Cartier | Santos EdT | 100mL | 100% Full | Spray; Refill. | $299 | Vintage |
262 | Chanel | Gardenia EdT | 100mL | 100% Full | Vintage; Sealed | $350 | Vintage |
263 | Crabtree & Evelyn | Crabtree & Evelyn Extract of West Indian and Sicilian Limes | 125mL | 100% Full | Full presentation with Box | $209 | Vintage |
264 | Dunhill | Cologne | 125mL | 99% Full | Vintage; Splash | $100 | Vintage |
265 | Ermenegildo Zegna | Haitian Vetiver | 125mL | 99% Full | No Box | $300 | Vintage |
266 | Escada | Pour Homme Aftershave | 75mL | 100% Full | BNIB Sealed | $165 | Vintage |
267 | Escada | Pour Homme Aftershave | 125mL | 100% Full | BNIB Sealed | $240 | Vintage |
268 | Floris | Special 127 | 100mL | 98% Full | Vintage; Dark Blue Box., 2 Royal Warrants, Vintage Version | $70 | Vintage |
269 | Fragonard | Zizanie | 240mL | 80% Full | Shaker bottle (Splash, not spray) no box. At least 80% Full. | $240 | Vintage |
270 | Geo F Trumper | Ajaccio Violets | 100mL | 99% Full | $40 | Vintage | |
271 | Gucci | Envy Aftershave | 50mL | 100% Full | BNIB Sealed | $140 | Vintage |
272 | Gucci | Envy Aftershave | 100mL | 100% Full | BNIB Sealed | $215 | Vintage |
273 | Gucci | Rush for Men | 50mL | 100% Full | Full Presentation; These do not come fully filled | $190 | Vintage |
274 | Gucci | Rush for Men Aftershave | 100mL | 100% Full | BNIB Sealed | $140 | Vintage |
275 | Guerlain | Heritage EdT | 200mL | 100% Full | New; Vintage; Splash. 1991 Bottle. | $225 | Vintage |
276 | Guerlain | Samrasa EdP | 50mL | 100% Full | No Box | $109 | Vintage |
277 | Guerlain | Samsara EdT 1992-1993 Formulation | 100mL | 100% Full | Tester; No Cap; No Box | $109 | Vintage |
278 | Jean Desprez | Bal a Versailles | 9 Oz | 70% Full | Vintage; Splash; No Box Open to offers on this enormous bottle. | $135 | Vintage |
279 | Lacoste | Eau de Sport Vivifiante | 100mL | 99% Full | No Box | $110 | Vintage |
280 | Lacoste | Land | 100mL | 99% Full | $130 | Vintage | |
281 | Nino Cerruti | Fair Play Pour Homme | 100mL | 99% Full | Full presentation with Box | $275 | Vintage |
282 | Paco Rabanne | Eau de Metal | 20mL | 100% Full | Vintage; Mini | $15 | Vintage |
283 | Revillon | Pour Homme Eau de Toilette Super Concentrate | 60mL | 99% Full | Atomizer | $190 | Vintage |
284 | Revillon | Pour Homme Eau de Toilette Super Concentrate | 90mL | 99% Full | Atomizer | $290 | Vintage |
2024.05.14 19:23 persephoneelise Bipolar schizoaffective… any thoughts/experiences with work from home jobs?
2024.05.14 19:20 DANJCOLEMAN1991 Sound Like ASIAN KUNG-FU GENERATION Pt.2: Kensuke Kita (2024 version)
IntroductionKensuke Kita performing live, 2017^(\This article is an updated version of my "Sound Like" article from 2021. I have reposted this article due to difficulties editing the original version*, and have included additional information and recommendations based on the increased popularity of amp simulator pedals*)*Hello fellow musicians and Ajikan fans! I have been a fan of ASIAN KUNG-FU GENERATION for roughly 16 years and as a guitarist was greatly inspired by the band's alt rock sound. After a few years of research I have written a series of "sound like" articles for ASIAN KUNG-FU GENERATION. The purpose of these articles is to provide context on how the band create their signature sound, and to support beginning musicians or tribute acts who may wish to replicate it. At the end of each article I have drafted a Budget Rig, which you could use for both at home and in a live environment. I have also provided some general amp settings to tweak and try, which are based on the band's live sound and be can used to help replicate their tones. This is a 3-part series and if you enjoy this article I would recommend checking out the other articles: Sound Like ASIAN KUNG-FU GENERATION Pt.1: Masafumi Gotoh (2024 version) : AsianKungFuGeneration (reddit.com) ASIAN KUNG-FU GENERATION Sound Like Part 3: Yamada : AsianKungFuGeneration (reddit.com) To help you recognise the individual guitar tones, Gotch's guitar parts are normally panned to the left earphone and Kita's are panned to the right earphone on the band's albums. (On 2016's Sol-Fa, Hometown and some of the Planet Folks singles the panning was swapped, with Gotch instead in the right ear and Kita on the left) Kensuke KitaKita during the Hometown UK/FR tour 2019In this article we are focusing on lead guitarist and backing vocalist Kensuke Kita. Responsible for many of the band's iconic melodies and riffs, Kita's rig setup is a classic rock setup: A Gibson Les Paul into a Marshall-esque amp. Inspired by 90's alt rock and Brit Pop groups such as Supergrass, Blur, Manic Street Preachers and Radiohead, Kita has constantly evolved as a musician and became more involved with the song writing process from Fanclub onwards. (Kita has writing credits on Blue Train) This evolution can be seen clearly when you compare the punk rock style of Houkai Amplifier with the more experimental, pop inspired Planet Folks. While the earlier records reflected a focus on riffs and octave chord melodies, Kita now prefers playing major and minor third chords, triad chords and arpeggios, reflecting his "melody-maker" role in the band. A triad chord is a chord made of 3 separate notes. They are commonly played on the higher strings and Kita uses them a lot, in tracks such as Aru Machi no Gunjou, Sayonara Lost Generation and Gekkou. Major and Minor third chords are sometimes referred to as Dyads.During live performances Kita will experiment with ambient tones, but remains the lead guitar sound, with Gotch acting as a anchor for the overall band. GUITARSKita's primary guitar is a Gibson Les Paul. You want to capture the power and sustain of the humbucker pickups, so single coils will generally not work. Furthermore, I would not recommend active pickups, such as EMG pickups, and to avoid anything that creates too much gain. Remember, Kita sound is rooted in a traditional rock setup.His most recognisable and iconic guitar is his Historic Collection 1959 Les Paul Standard Reissue. Kita bought the 59's reissue in 2004 and has been a mainstay ever since, using it on every Ajikan album from Fanclub onwards. Kita's Historic Collection 1959 Les Paul Standard Reissue Kita's backup guitar is a Historic Collection 1958 Les Paul Standard Reissue, which is also used for Eb/D# standard tuning for songs such as After Dark, Yoru No Call and Empathy. Kita's other standout guitar is his Gibson ES-335, which is used occasionally for songs with a capo. A good example of this would be the live performance of Natsu no Hi, Zanzou from the 10th Anniversary shows and live performances of Juuni Shinhou no Yuukei and Maigo Inu to Ame no Beat. Kita has also experimented with Fender Telecasters, Jazzmasters and Stratocasters on the band's albums, although neither have been seen on stage so far. In a interview with Guitar Magazine, Kita confirmed that he used a Fender Jazzmaster on Empathy. Kita with his Gibson ES-335, during the Quarter Century Tour If you are looking to capture Kita's guitar sound, a Les Paul style guitar with vintage sounding pickups would be the best place to start. Between 2002-2007, Kita armed his Les Pauls with Gibson Burstbucker 2 in the bridge position and the Burstbucker 1 in the neck position. Since 2007, Kita has used Custombuckers in both positions. Like Gotch, Kita uses Tortex Flex picks and are most likely .73mm or .88mm variants AMPLIFIERSIn the band's early years of success, Kita used a Marshall JCM 900-4100 head with a Marshall 1960A cabinet. In late 2005, Kita replaced the Marshall amp with the Bogner Ecstasy 101b and Bogner 4x12 Cabinet, which he has used ever since as his main live amplifier.Kita's JCM900 amp, used during the early 2000's and Sol-Fa 2004 tour The Bogner has 3 channel settings, with the "green" channel based on traditional Vox amp, the "blue" channel based on a Marshall JCM800 & Marshall Plexi and the "Red" channel as a higher drive channel. The Bogner also has a boost feature that Kita uses for solos. Both the JCM900 and Ecstasy amps are based on vintage Marshall sounds, whereas the modern Marshall amps have a darker, more compressed sound. Between 2000-2011 Kita would only use the Marshall or Bogner stack for live performances and simply switch between the amp channels. In 2012, Kita introduced the Shinos Luck 6V combo to his live setup. The Shinos amps were set up by a former VOX Chief engineer and in general has a blend of Fender and Vox amps sound wise. They have also been compared to Matchless amps, which Kita has used occasionally on international tours. Kita's Bogner Ecstasy 101b and Shinos Luck V6 Kita has experimented with more amplifiers in the studio and has been known to use JCM800's, VOX and Matchless amps on albums, but for the purpose of this article we will keep the focus on matching his vintage Marshall & Bogner tone. Kita's clean sound can be heard on Angou No Waltz, Mustang and Yuugure no Aka, while his distorted sound can be heard on Standard, Re:Re: and Kouya wo Aruke. Kita used 4x12 Greenback speakers in his Marshall cabinet (this was 2004 sound & since 2005 he has likely use Celestion Vintage 30 speakers. The Shino is likely set up with a Celestion Classic Lead 80 speaker.) PEDALSAlongside the amp pairing, Kita uses a wide variety of pedals that has only grown in recent years. Previously, Kita stuck to a small collection of pedals which included a delay pedal and a preamp pedal.Kita's 2004 pedalboard, used during the Sol-Fa tour This collection has since rapidly grown, but has generally included a compressor, phaser, wah and a delay. During the Eizo Sakushin Shu Vol. 6 performance, where he used a Boss DD-20 Giga Delay, an MXR M-132 Super Comp, Boss PH-2 Super Phaser, a Guyatone WR3 Wah Rocker and VoxV847 Wah pedal. Kita also used a BOSS TR-2 Tremolo at this time. Kita's 2009 Pedalboard, which was used during the Eizo Sakushin Shu Vol. 6 performance The Super Comp is used as a boost for lead melodies and solos, and the Super Phaser can be heard in performances of Mustang and Shinkokyuu. The Giga Delay can be heard in tracks such as Night Diving, Re:Re: and Mugen Glider, as well as the band's ambient jams. The Wah Rocker can be heard in Kugenuma Surf & Enoshima Escar Since 2010 Kita's pedal board has gradually evolved to include more delay & modulation effects. (Such as the Boss Harmonist and BOSS MD-200 Modulation) He has also used fuzz and distortion pedals from time to time. For example, he has added the BOSS Tone Bender and Earthquaker Transmisser for ambient noises between tracks. In recent years, Kita has also used octave pedals for lead parts (which recreates what the guitarist plays but at a higher or lower pitch), such as Blood Circulator, Boys & Girls and Clock Work. The Electro Harmonix POG2, which can be seen on his current rig below, is used for the intro of Kakato de Ai o Uchinarase. Kita's current 2022 Pedalboard: (1) FREE THE TONE/JB-41S (Junction Box) (2) Jim Dunlop/535Q Crybaby Multi-Wah (Wow Pedal) (3) Custom Audio Japan/RS 616 (Programmable Switcher) (4)MXSuper Comp (Compressor) (5) Electro-Harmonix/POG2 (Octave) (6) BOSS/TB-2W (Fuzz) (7)EarthQuaker Devices/Transmisser (Modulation/Reverb) (8) strymon/ZELZAH (multi-phaser) (9) BOSS/MD-200 (multi-modulation) (10)(11) BOSS/DD-20 (multi-delay) (12) BOSS/FRV-1 (reverb) (13) Electro-Harmonix/FREEZE (sustainer)(14) BOSS/FS-5U (foot switch) (15) BOSS/TU-2s (tuner) (16) RJM/Amp Gizmo (amplifier channel switcher) (17) FIREGLOW/PPS-05 (power supply) (18) Vital Audio/VA-08 Mk-II (Power Supply) To help manage his massive pedalboard on stage, Kita has been using a Custom Audio Switcher to control his pedals, which also allows him to create "loops" of saved settings for each song. I've included a list of his pedals from the current board on the picture below. The guitar runs into the Junction box (top right) and wah pedal before going into the switcher. Kita can control the Comp and reverb from the switcher, along with the amp settings. The guitar line then runs from the Dyna Comp through the rest of the pedals, which are controlled in separate loops by the switcher, before running into an amp switcher for the Bogner and Shinos. You can see these loops below: Loop 1: Dyna Comp Loop 2: Dyna Comp, POG 2, Tone Bender, Transmisser Loop 3: Dyna Comp, Zelzah Loop 4: Dyna Comp, BOSS MD-200 (using the tremolo effect) Loop 5: Dyna Comp, 2x BOSS DD-20s Loop 6: Dyna Comp, 63' Fender ReverbKita has a few additional pedals on the board, such as the Electro Harmonix Freeze, which can hold a note for a sustained amount of time and a separate BOSS footswitch to tap in a count for his delay sound. While this may seem complicated (and it is!) bear in mind that many of the pedals are to recreate certain sounds from the band's 10 albums, or to allow Kita to experiment during live performances. You do not need to build a pedalboard this big to sound like Kita. Instead, I would focus on Kita's main pedals, which include the MXR Super Comp, his two Boss DD-20 Giga Delay pedals, the Dunlop535Q Crybaby Multi-Wah, the Strymon ZELZAH (phase) and BOSS MD-200. (phase/auto-wah/tremolo) Sound Like Kita ...On a BudgetKita, Quarter Century tour, 2022To buy Kita's current rig would cost thousands of pounds (the 59' Les Paul alone could be worth £5,000) so much like the Gotch's post we have a few more affordable options that could get you close. The idea is to create a rig that can be used at home or in small venues to perform live. Also bear in mind that information provided are based on Kita's Live setup, which is aimed at finding a medium between all of the sounds formed on the albums. Please also note that these are personal suggestions as a fan and if you find that works better for you, then great! The main areas to consider are:
In terms of guitar options there are plenty of Les Paul copies, but for look and sound Epiphone is a no-brainer. The Epiphone 1959 Les Paul Standard is the newer, more expensive option but is based on the 59' Les Paul model, much like Kita's main guitar. You can buy one for around £749. Epiphone 1959 Les Paul Standard The more affordable option is the Epiphone Les Paul Standard '50s, which is also a solid pick and goes for around £500. AMPLIFIER In terms of affordable amps, Bogner have recently released the Ecstasy Mini 30W Head which costs around £349. You would need a speaker to plug the head into, this solid-state amp would get you close to Kita's sound and could be used for gigging with a big enough speaker. Bogner Ecstasy Mini 30W Head You could also try out the Marshall MG50 and Marshall Origin amps as affordable Marshall amps with a classic sound, closer to the JCM900/Bogner style. Another approach you could take would be to use the Bogner Ecstasy pedals, which are pedals designed to emulate the Bogner Ecstasy amps. (Please bear in mind that you would need to tweak the settings more to work with the amp you use) The BOSS Katana series and Blackstar amps (which have a dial to set a more British sound) have Marshall-esque settings and could also work, but would require more tweaking. PEDALS There are a wide variety of pedals to choose from, but to keep the pedal suggestions simple but versatile. Because of its importance to Kita's sound, I would recommend the MXR Super Comp. MXR Super Comp A great example of how this would sound can be on tako wasa YouTube channel, who demonstrated the pedal on this live stream. (tako also has a solid pedal board that is worth taking inspiration from!) An alternative approach would be to buy a Booster pedal to create the same effect, such as the Xotic EP-3 Boost A delay pedal is also must for a sound like rig (Especially those keen to play the Re:Re: 2016 intro) and so the recommendation would be a Boss DD Delay pedals. The DD-6 or DD-8 are more affordable options that can definitely do the job, while the DD-200 gives you a more versatile option and the ability to save pre-sets for different tracks. Boss DD-8 Cheaper alternatives that you could also consider are the Tone City Tape Machine and the TC Electronic Flashback 2 Mini, which are both good options for the price. Another pedal for Kita's sound to consider would be a Wah pedal. As the Dunlop535Q Crybaby is quite a steep price for casual players, so I would recommend the Vox 845 Wah Wah Pedal. At £69 its considerably cheaper than the Dunlop535Q and should get close to Kita's original Wah sound. Finally, we are going to focus on the modulation sounds for Kita, and ultimately this is down to preference and what songs you would like to emulate. BOSS MD-200 If you wanted to have a mix of sounds, the BOSS MD-200, which Kita uses, covers many of the sounds he uses, including the phaser, auto-Wah and tremolo sounds. For more specific roles, the BOSS PH-3 Phase Shifter will get you close to his original phase sound (try to avoid the Phase 90 style pedals for Kita's sound), while the BOSS Harmonist or a different Octave pedal would help capture some of his lead tones for the current era. You could also consider a reverb pedal if you want to capture some of the ambient sounds Kita creates live or if the amp you choose doesn't include reverb. AMP SIMULATOR PEDAL OPTIONS? The final option to consider would be a Amp Simulator pedal. This type of pedal has become increasingly popular in the last few years and would be used in place of a traditional amp and effect pedals. You would then use the Amp Simulator with a IR Cabinet (a powered cabinet speaker) or with a Power Amp in between the Amp Simulator and a traditional cabinet. They can be fairly expensive to buy and I would only advise buying one if you do intend to move on from your traditional amp/pedal setup, however the Quad Cortex DSP & Headrush Pedalboard would be good starting points. They are both aimed at capturing more traditionally hi gain amps such as the Bogner and Marshall amps, so should be able to do a good job at capturing Kita's sound. Recommended Amp SettingsThe following amp settings were based on photos from live performances and you should bear in mind that the volume may be quite loud for home use, so I would suggest bringing it down. Also bear in mind that every musician and amp will slightly differ so you may need to tweak with your settings to find the right blend.My personal advice is to keep the gain around the middle and to use the volume to crunch up the sound. Kita does use a cabinet, so you may need to add more low end for a combo amp, and again bear in mind that the volume may need to be lower for home use. Shino Luck V6: Vol: 5, Treble: 5, Middle: 5, Bass: 3.5, Master: 3.5, Boost: 7, Level: 4 Bogner Green Setting: Presence A: 8.5, Presence B: 8, Vol. 1: 5, Treble: 4:5, Mid: 4, Gain 1: 5.5 Bogner Blue Setting: Vol. 2: 5.5, Vol. 3: 5.5, Treble: 5, Middle: 5/5.5, Bass: 5, Gain 2: 4.5, Gain 3: 5.5 ConclusionThank you again for reading this and I hope it's been insightful for you. Feel free to leave feedback below and any of your own tips |
2024.05.14 19:08 Frequent-Ad-264 MSA C & R settlement proposal with CAREGUARD as an administrator
2024.05.14 19:05 Outrageous-Rub-3889 Tesla lawsuit for items listed on Etsy (but never sold)
2024.05.14 19:04 bigbezoar Interesting development in the Papini divorce proceedings/trial
2024.05.14 19:00 burning2018 Windfall came in and I’m at a loss (figuratively)
2024.05.14 18:58 PhilsTriangle [NJ] [H] N64, Nintendo (NES), SNES (Earthbound), Gamecube, GBA, Nintendo DS/3Ds, Wii, Playstation, PS2, PS3, Sega Genesis, Xbox - Games, Accessories, Consoles [W] Venmo, PayPal
2024.05.14 18:53 incandescent_walrus The Eras Tour Follies
https://preview.redd.it/28c8z9ly9f0d1.png?width=1700&format=png&auto=webp&s=51f46e163c20eaeea227b730063811f444e1d930 submitted by incandescent_walrus to GaylorSwift [link] [comments] The Folly of it all: a RevueFolly, from the French folie, means madness, extravagance, foolishness, lunacy. It has two dominant uses. One is madness or craziness as in folie a deux (a delusion shared by two people). The other meaning of folly is a musical revue, developed in Paris in the late 1800s at the Folies Bergere.Revue in French means “magazine,” and the musical revue is meant to be the performance version of reading a magazine. A crucial part of the revue, cabaret, burlesque, or variety-show style of entertainment is the inclusion of commentary on current events, often satirical or parody. The Eras Tour provides a retrospective - a review, if you will - of Taylor Swift’s musical catalog. It tells several stories. And with the inclusion of The Tortured Poets Department set, it now also provides clear satirical commentary on Swift’s own story. It is not by accident that the TTPD set was added to the Eras Tour in Paris, the birthplace of the revue. The initial concept for the musical revue at Folies Bergere centered on women and dance, but was not overtly sexual. American choreographer Loie Fuller, whose serpentine dance style Taylor Swift honored with the Dress performance on the Reputation tour, worked at the early Folies Bergere. Fuller also fought for artists’ control of their own work and lost a legal battle to copyright her choreography. She was also a lesbian. You look like Loie Fuller in this light However, revue overlapped and blended with cabaret, burlesque, variety, and vaudeville into the early 20th century. Elaborate staging and “small nude women” became the hallmark of the Folies Bergere under director Paul Derval; the Moulin Rouge was a contemporaneous music hall with a more sexual nature, and the American Ziegfeld Follies - inspired by Bergere - were known for their chorus girls. The opening of the Eras Tour, with dancers using massive billowing seashell-shaped fabric and sunrise-like lighting, is a callback to Loie Fuller’s choreography style, as are the billowing Folklore dresses. It ends with the Midnights set, including the Vigilante Shit burlesque-style dance using cabaret chairs. Both the endcaps of the Eras Tour are intentionally choreographed Follies. Bejeweled & BurlesqueAmerican neo-burlesque, as championed by Dita Von Teese and others, seeks to reclaim burlesque as an art form for self-expression of sexuality rather than for consumption.Among other hints, the music video for Bejeweled - released a week before the Eras Tour was announced - featured many Easter eggs per Taylor Swift herself. In that video, Dita Von Teese, with her iconic martini glass, teaches Taylor's character neoburlesque dance. Speaking to Out magazine of working with Swift, Von Teese said, “She knew everything about what I do and about burlesque.” The background for Taylor’s own burlesque show in the Bejeweled video is a pink, purple, and gold sky very much like the opening of the Eras tour, and scallops line the floor. Taylor is sitting on the clock that was in the Mastermind lyrics video. Clockwise from top left: (1) Bejeweled burlesque opening shot; (2) Eras Tour opening; (3) did I mention Loie Fuller was a lesbian who lived in Paris?; (4) what if I told you none of it was accidental? As the dance unfolds, Taylor is surrounded by dancers holding fans and then lying on the ground encircling her in a kaleidoscope-like starburst, both images that appear in the TTPD set. She touches the clock to make it disappear as the light turns blue, and rainbow lights on the dancers encircle her, reminiscent of her dancers and backup singers in the Karma performance at the end of the Eras tour. Rainbows and dancers and kaleidoscopes. Go Chiefs! The Eras Tour: Taylor Swift FolliesAs the dancers open each Eras Tour performance, orange, pink, and purple Loie Fuller-esque fabric billows. “It’s been a long time coming…” Swift’s disembodied voice sings, a reference to the years since her last tour, but I think also referencing also Fuller’s - and Swift’s - fights for artists to own their work. This performance will be a retrospective, but it’s a retrospective of a catalog that Swift does not yet fully own. It may also be a reference to a coming-out.Swift bursts out of the billowing scalloped fabric, a shimmering musical goddess arising fully formed at an ever-ascendant peak, reminiscent of Venus, the goddess of love and sex - and also of victory and prosperity. She then performs a magnificent three and a half hour retrospective of her work. But we need some kind of social commentary, parody, or satire to make this concept work. And what about the other meaning of folly? Welcome to Female Rage: The Musical. The Tortured Poets Department set is a spectacle. In stark white and black, it leans into the asylum aesthetic of Fortnight, and it is nonetheless the most over-the-top visual experience of the entire concert. The Tortured Poets Department album contains heavy themes of Swift navigating her fame (which I won’t explore much here), and the Eras Tour set is no different. The visuals represent an asylum, a high school pep rally, zombie horror, an alien abduction, war, and finally a Vaudeville-esque representation of The Eras Tour itself, in which a doll-like Swift performs an onstage costume change, reanimates and then proceeds to perform I Can Do It With A Broken Heart, a song as upbeat as it is seething about performing the Eras tour while depressed, mirrors reflecting the audience as they confront the decision whether to sing along to the line “All the pieces of me shattered as the crowd was chanting ‘more!’” Have they come to take me awaaaaaay? The allure of the folly was audience participation. Follies were madness because the audience became part of the story, swept up in it, performers surrounding them and transforming the entire venue to the stage. There was no fourth wall. Any modern concert will include audience participation, but Swift is a master at engaging her audience in a way that no other pop star is - and here, she tells us, it is perhaps to her own personal undoing. Are you not entertained? Midnights is the final set of the Eras Tour, and Vigilante Shit is its climax. As she performs a burlesque dance, Swift sings “Ladies always rise above; ladies know what people want… the lady simply had enough…" "I don't dress for women / I don't dress for men / Lately I’ve been dressing for revenge / I don’t start shit, but I can tell you how it ends.” Why is burlesque dance “dressing for revenge”? Perhaps because it is not burlesque but neoburlesque, which is done for self-empowerment. She's not "dressing" - performing - for others, she's doing it for her own reasons. Taylor Swift is reclaiming her own music - not only rerecording the masters, but in a broader sense too. TTPD lyrically expounds on this idea - Taylor Swift is making music for herself now. She started off making music for herself - she didn’t start this conflict - but she’s telling us how it ends, and it’s with her winning. After Vigilante Shit, she stays in the same costume, with a segue into Bejeweled, and then Mastermind, finishing the concert with the lyric “I’m a mastermind” and immediately taking a bow. See how the Bejeweled backdrop and the Midnights bodysuit look similar? Karma, last on the set list, functions as a curtain call. Curtain call songs in musical theatre tend to summarize or reprise the story that the actors just told, coming back around**.** Karma is a song about Taylor Swift reclaiming her art, and so is the Eras Tour. Of course, Karma also being a possible lost album fits well with this. What does all of this mean?The Eras Tour is Taylor Swift’s neo-burlesque revue, it is her reclamation of her art, and it is the key to her claiming the key to her castle. As she performed this dance in the Bejeweled video, the countdown and her exile ended and the clock struck midnight.We know with the countdown theme she's been doing, there's something coming that'll be "1" in the countdown. Re-recordings haven't counted so far, so I don't think it will be Rep TV or Debut unless they come with significant new material - such as Rep TV + Karma (which would be TS12) and then Debut + TS13. I have always thought Debut would come at the end of the Eras Tour, and with all of this analysis, I think that's likely to happen along with something that is a significant change for Taylor Swift. I also think there might be something going on with the moon. Whatever happens between now and the end of the Eras Tour, the clock will strike midnight, the performance will be over, and Taylor Swift will step into the dawn of a new era. We'll meet her at midnight. Images from Bejeweled, Lavender Haze, Daylight lyric video, and the Eras Tour P.S. The Bejeweled video also contained several easter eggs for Speak Now TV being the next re-recording. The music video for I Can See You, a Speak Now vault track, was released toward the beginning of the Eras tour. Joey King and Presley Cash, who were in the Mean video as children, were also in the I Can See You video. Taylor wrote on IG that she wanted them specifically. The video for “Mean” (2011) features Taylor Swift performing in a variety of music hall-style sets. Taylor spends most of the video playing banjo in a string band, and then transitions to a Broadway stage in a fringe dress, reminiscent of the Ziegfeld Follies era.Joey broke the banjo when she used it as a weapon to save Taylor from the vault Loie Fuller’s break into show business was playing banjo in a Buffalo Bill touring show, from which point she went to New York. For her breakout role in a New York theatre, critics reportedly said she could sing but she couldn’t dance - similar to Swift’s inspiration for the song Mean. Fuller went on to be one of the most influential figures in modern dance. |
2024.05.14 18:23 Impressive_Stick9335 What exactly does "Just Cause" mean in a retainer
2024.05.14 18:22 Impressive_Stick9335 What exactly does "Just Cause" mean in a retainer
2024.05.14 18:11 AdInteresting2401 Controversial views and perceptions of the clinical picture of MCAS - Free university of Berlin
2024.05.14 18:09 Whatisittou For those that like to try and claim Invictus Games as William or the Royal foundation work
Invictus Games was never William or the royal foundation work. In Spare Harry detailed how he get funds outside the royal foundation because when he came up with the Idea and wanted to use funds from the royal foundation, William said no. submitted by Whatisittou to HarryandMeghanNetflix [link] [comments] So Harry sought funds outside the royal foundation- He created Endeavors Funds in 2012, basically Endeavor Funds was supposed to be Harry's projects for grants to wounded, injured and sick former service personnel. https://royalfoundation.com/endeavour-fund-transferred-to-the-invictus-games-foundation/ https://uk.style.yahoo.com/prince-harry-endeavour-fund-moved-from-royal-foundation-163847888.html The lies that William and Kate gave Invictus Games money from their settlement from the Sun papers is so funny, because using common sense, William/Kate household were already split, we only knew of William settlement thanks to Harry's lawsuit against the Sun and the amount was never disclosed by the way. Endeavour Funds was still under the Royal Foundation, when Harry and Meghan left the UK, so did Harry's project, Sentebale, HeadFit, Harry's share of The Diana, Princess of Wales Memorial Fund donation to Sentebale. https://preview.redd.it/1nj2krlzye0d1.png?width=648&format=png&auto=webp&s=3450ea32827121a1fda419e4191d46bcf43db198 The money that was transferred from the Royal Foundation was the money, Harry had raised under Endeavour Funds "We are delighted to announce that the Endeavour Fund has been transferred across from The Royal Foundation and into the work of the Invictus Games Foundation. The Endeavour Fund will continue to support the ambitions of wounded, injured and sick service personnel and veterans but will now expand its activities across the international Invictus community.https://royalfoundation.com/endeavour-fund-transferred-to-the-invictus-games-foundation And from the Invictus Foundation The Invictus Games London 2014 was coordinated and supported by the Royal Foundation, out of which the Invictus Games Foundation was born. The Endeavour Fund was also curated by the Royal Foundation, but in 2020, was transferred across to the Invictus Games Foundation.https://www.invictusgamesfoundation.org/behind-invictus Also in the Royal Foundation Financial report 2021- notes their financial report is for the year prior not current year https://preview.redd.it/hoinwwxnze0d1.png?width=696&format=png&auto=webp&s=67d5d6a780f9ece72d512dbc6df2116158cc500e Note as well Harry created HeadFit in association with UK Ministry of Defense in 2017 and then William and Kate tried to claim credit for it by filing a trademark on HeadFit that was 2020 https://www.gov.uk/government/news/new-mental-fitness-tool-launched-to-help-military-enhance-mental-wellbeing https://headfit.org/ |
2024.05.14 18:06 DeathbyToast (Selling) HDs $2.50+ $3 May, $2.75 April, & $2.50 Feb (1 Left) Universal Rewards 4Ks $5+ 200 DMI Points $2
2024.05.14 18:00 Questioning-Warrior Is it plausible to have an offensive army leader prohibit harming defenseless people even during a siege (even going as far as to punish his men who torment others)? Are there historical references of such leaders who tried to minimize collateral damage even when pushed to their limit?
2024.05.14 17:56 Affectionate_You_671 Never signed any papers, what could my employer do if I left?