Selecting the best video editing software for Windows can depend on your specific needs, such as ease of use, features, and price. Here are five of the best video editing programs for Windows, covering a range of user requirements from beginners to professionals:
Adobe Premiere Pro [FileOffline]
Adobe Premiere Pro - is a professional video editing software widely used in the film, television, and online video industries. It offers a comprehensive suite of features, including advanced editing tools, robust color grading options, seamless integration with other Adobe Creative Cloud applications (like After Effects and Photoshop), and extensive support for various file formats.
Premiere Pro is known for its powerful performance, flexibility, and scalability, making it suitable for both short-form and long-form content production. Despite its steep learning curve, its extensive range of tutorials and resources helps users master the software efficiently.

• Pros: Industry standard, comprehensive features, seamless integration with other Adobe products, extensive tutorial resources.
• Cons: Subscription-based pricing, steep learning curve for beginners.
• Best For: Professional video editors and filmmakers.
• Price: $20.99/month (as part of Adobe Creative Cloud).

Davinci Resolve [FileOffline]
DaVinci Resolve - is a professional-grade video editing software known for its exceptional color correction and grading capabilities. It combines editing, color correction, visual effects, motion graphics, and audio post-production in a single application. Resolve's advanced tools and high-performance engine make it a favorite among filmmakers and video professionals.
While it has a steeper learning curve and requires a powerful computer, its free version offers an extensive set of features, making it accessible for both beginners and professionals. The Studio version unlocks even more advanced features and collaboration tools.

• Pros: Professional-grade color correction, powerful editing tools, Fusion visual effects, Fairlight audio post-production.
• Cons: Steeper learning curve, high system requirements.
• Best For: Users who need advanced color correction and audio post-production.
• Price: Free version available; Studio version for $295 (one-time purchase).

Filmora [FileOffline]
Filmora is a user-friendly video editing software designed for beginners and casual users. It features a simple drag-and-drop interface, making it easy to learn and use. Filmora offers a variety of effects, transitions, and templates to enhance your videos, as well as basic editing tools like trimming, cutting, and merging clips.
While not as powerful as professional-grade software, Filmora provides sample features for creating polished videos quickly and efficiently. The software is available through both annual subscriptions and a one-time purchase, though the free version includes watermarks on exported videos.

• Pros: User-friendly interface, drag-and-drop features, good for beginners, a wide range of effects and transitions.
• Cons: Less advanced than professional tools, watermarks in the free version.
• Best For: Beginners and casual users.
• Price: $49.99/year or $79.99 for a lifetime license.

CyberLink PowerDirector [FileOffline]
CyberLink PowerDirector is a versatile video editing software that balances ease of use with a rich set of features. It offers a user-friendly interface suitable for beginners, while also providing advanced tools for more experienced users. Key features include fast rendering, a wide range of effects and transitions, multi-camera editing, and support for 360-degree video editing.
PowerDirector's efficient performance and comprehensive feature set make it ideal for enthusiasts and semi-professional editors looking to produce high-quality videos. The software is available via annual subscriptions or a lifetime license, with some advanced features requiring additional purchases.

• Pros: Easy to use, fast rendering, good range of features, 360-degree video editing.
• Cons: Interface can feel cluttered, some advanced features require additional purchases.
• Best For: Enthusiasts and semi-professional editors.
• Price: $99.99/year or $19.99/month for subscription; $139.99 for a lifetime license.

Vegas Pro [FileOffline]
Vegas Pro is a professional video editing software known for its powerful audio editing capabilities and flexible, customizable interface. It offers a comprehensive set of features, including multi-camera editing, advanced color grading, and a robust effects library. Vegas Pro is designed for professional editors who require precise control over their projects and integrates strong audio post-production tools. While the interface may seem dated to some, its efficiency and depth of features make it a solid choice for high-level video production. Vegas Pro is available through both one-time purchases and subscription plans.

• Pros: Strong multi-camera editing, excellent audio editing tools, customizable interface, comprehensive effects library.
• Cons: Higher price point, somewhat outdated interface.
• Best For: Professional video editors who need robust audio tools.
• Price: $399 for a lifetime license; subscription plans available starting at $16.67/month.

Each of these programs offers unique strengths tailored to different levels of expertise and specific editing needs. Whether you are a beginner looking for user-friendly software or a professional needing advanced tools, these options provide a solid starting point for creating high-quality video content on Windows.

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Some ideas for a city campaign in Helldivers II. This during the massive Automaton push after surprise massive fleet show up.
Setting
A city of that used to be a thriving human home inhabited by 30 million citizens but the war turned it into a battlefield as Automaton’s relentless offensive since the surprise attack few weeks ago. SEAF desperately held on the city as it is a the center of political capital of the region, not to mention the node of economy and culture too. Sharp fight erupts over a control of an apartment block or sewer system, showing how intense the battle is for weeks. The Helldivers are assigned as tip of the spearhead to attack critical points that can turn the tide of the battle.
Imagine Fallujah 2003, Berlin 1945 or Hue 1968 as sample templates.

Parkour hell

Automatons are pushing hard but still unable to breakthrough due to resilience of the SEAF so far. However this new development worries the High Command enough to merit a Helldiver mission.
Intel assessed and believes that enemy is deploying an artillery system that we never seen before to this sector. What we do know that they break it up to few components that is transported on heavy haulers, about 20 of them and has to go through this no-man zone. You have a limited time window of 15 minutes once deployed.
Once they passed this point, it will be detrimental as they have sufficient parts to assemble into a huge artillery system that might cause problem for the regular troops holding the frontline.
The intel also believes that the only way these haulers can be taken out is their relatively weak top armor. Realistically, you Helldivers have to do parkour on the building roofs and set up ambush points to effect a destruction of these haulers. So every Helldiver must have Jump Pack as a mandatory Strategm, as any street level battle will be suicidal. Do lookout for crumbling building that might go down if you landed wrongly. We have reason to believe that Automatons have rapid response team if the convoy got attacked in mere minutes too. Destroy the haulers before get overwhelmed.
You must at least destroy 60% of the convoy to be considered as successful.
Good luck and give them hell.
Based on the exploits of Chechen's Tiger unit in Battle of Grozny 1994.

Rattenkrieg – War of the Rats

We believe that Automatons are hiding their crucial ammo and fuel stockpiles in the middle of the city blocks around this sector but we can’t detect accurately from the orbit because they using a stealth net that obscures our Super-Destroyer’s optic and detection systems. We believe by destroying these forward caches, their push will at least slacken to buy SEAF precious time to regroup and rebuild their line.
This is where you coming in.
Unfortunately, we can’t insert Helldivers near to the combat zone since we are not sure the exact locations so you have these deployment zones here and here. So, you have to deploy, get stocked with ammo and equipment then enter the vast sewer system to access target areas from below. That means the Super Destroyers or CAS (Close Air Support) will not able to assist you since you will be cut off underground.
Luckily, there are few gaps via big blasted holes that we can send help shall you need it in middle of the fight. Use those precious window wisely. Also if any reinforcements has to start from beginning zone all over again unless there are hole gaps nearby. Needless to say, the terrain is cramped and very close quarter prone so choose your loadout accordingly. Do note to try destroy the access holes once you completed the target to prevent pursuit by the enemy in the sewers.
We also knew there are caches from the wiped out defenders hiding inside the sewer systems so you can resupply from their stocks. These are approximate locations.
You must destroy at least 5 caches quickly and exit in 30 minutes.
Inspired by Battle of Stalingrad 1942-43.

The Vault

A group of prominent citizens trapped in a big bank vault, hiding from marauding Automaton patrols after unable to evacuate in time during the retreat. It is up to you, Helldivers, to approach the bank from above in your typical fashion or go stealth via underground sewer system. Reach the bank, decommission any resistance, secure the citizens and escort them to a waiting shuttle before the Automaton find their hiding spot.
The bank itself, used to be an architectural marvel during peaceful days has turned into a massive rubble that makes a nightmarish urban combat scenario.
You also must secure data from the bank server while rescuing the citizens at the same time. Also, power up the backup generator underground before you can open the vault and the booting up the server too while fighting the Automatons. This is your speciality, hence the command needs you do it. You have a small window of action about 12 minutes before the enemy begin to send in reinforcements or rapid response force, so act quick.
Here’s the blueprint of the bank. Good luck.

The Towers

The Automaton set up few massive signal jamming tower units that causing troubles for SEAF. What’s worse, we can’t really pinpoint the exact location of the towers since they keep rotating spots to avoid detection by our forces. Therefore, it is your task to drop in and corner these mobile jammer units, render it destroyed. Without doubt, the enemy sentry will be considerable and expect a massive fight shall it turn into a shooting match.
Best way is to use AM rifle to destroy the jammers from far and quickly scoot to the next place.
You have 40 minutes to disable their EW units and evacuate from the combat zone. Good luck.

The EXTREMELY detailed, mega-anxiety edition!!! Major events like consult and surgery day are labeled like this:
——— EVENT TITLE ———
Surgeon was Dr. David Whitehead and I saw him on Long Island (New Hyde)
Summarized list of major dates:
Consult: July 19 2023 Mental health letter acquired: August 9 Dates discussed: September 12 Pre-op appointment: December 18 Surgery day: January 8 2024 Post-op: January 17
November 11th 2022: Emailed northwell health for the first time, they emailed back saying to call. I was too anxious so I avoided it for a few months.
Called northwell a few months later but got too anxious talking to the person who picked up. They were being normal and talking normally, it was just personal anxiety on my part.
October 2022 - Early March 2023: Spent time talking to trans friends and family members about their timelines and processes for top surgery.
Looked into Penn medicine for a bit but wasn’t happy with the surgeons there, specifically as a nonbinary person. The patient navigational team however is lovely.
March 2: emailed Penn health patient navigation
March 3-10: correspondence and phone calls w patient navigation (absolutely wonderful people, some of the easiest phone calls I’ve ever had) Got lots of into on surgeons, things I’d need, processes etc.
Date unknown: phone call to Penn medicine asking about surgeons and possibly setting up as a patient (v long wait time on phone) Surgeon I had heard good things about only works w CHOP program and I’m was too old for that program. Other surgeons I was v iffy on.
March 23rd: Back to square 1. Called northwell again to set up an appointment. Everyone I spoke to was really nice. Could have set up an appointment within the week but decided to wait till the end of the semester. Scheduled a trans care and primary care appointment for May
Couple of calls In between for confirmations. Trans care appointment got moved around a bit and ended up being moved to a phone call.
May 8th: Trans care call: Basic preliminary questions like: Emergency contact, what you’re looking for, are you thinking of looking into hormones, experience w dysphoria or dysmorphia, mental health, and eating/nutritional concerns, things you might want doc to know, piercings or tattoos, do you do any drugs or drink often, etc. total call time was about 20 minutes. Doctor was incredibly kind, I still experienced a good deal of anxiety but the call was super easy, welcoming, and friendly. Got sent contact referrals for the surgeons, as well as trans-friendly therapists under my insurance.
May 9th: started looking at list of therapists and making respective emails and calls. Checking per session costs and double checking insurance. Most charge 100-150 per session. Got in contact w one.
May 10th: Called w first therapist talking about what I’m looking for, where I am in this process, if parents are supportive, and talking about costs. She was very friendly and affirming, wants to have a few sessions to get to know me and my situation before writing a letter. Understandable and expected, but frustrating.
May 15th: Primary care appointment: Went to northwell health primary care, parkinglot was a little scary (just a large lot with a lot of cars) but everyone working there’s is super kind. Office is incredibly affirming, pride flags and lgbtq+ art everywhere. Gave my insurance card, filled out some paper work, got called in pretty quickly. I have a needle phobia and medical trauma so I was panicking a bit in the office, nurse was good w me about it and doctor was very kind, I just requested to not have any blood work done that day and that was totally fine, so I could schedule that at a later date and go w a friend. Recommended to get blood work done before scheduling a consult w a surgeon. Also prescribed me a single dose anxiety med for the bloodwork which I was very happy about. I found over time that the anxiety meds unfortunately do little to nothing for my panic attacks personally when it comes to needles but regardless having a doctor acknowledge and respect that fear and listen to me was incredibly helpful and reassuring.
May 30th: Got blood work done in a different lab, went w a friend. Scheduling for that is super easy, I think I did it online actually I don’t entirely recall. they do take walk ins but I made an appointment to minimize complications and make sure I could prepare properly. Front desk/lobby area was a little spooky, but I think that is mainly just bc of my social anxiety. They take a urine sample, you give them your prescription, eventually they call you over for blood work. Quick and easy, tech was v nice and having a friend with me was incredibly helpful. Probably the best I’ve ever done with a needle despite the fact that I did still panic and get very lightheaded lol.
Got blood work results back within the next couple days, all looks a-okay! Neat :)
June 15th This day was incredibly difficult. I had my first session with a therapist to establish some ground knowledge around my dysphoria and the way that I view myself. Top surgery is something that I know from research and related experience Can be difficult and expensive to get and can take time, so much of my prep work has been on the understanding of taking things a step at a time and just knowing that the current way things are doesn’t have to be forever. It allowed me to be able to live with myself while prioritizing my health better. This read to the therapist as “not having the level of dysphoria [she’s] come to expect and look for in someone who is trans” and was largely based off the fact that I don’t want to go on hrt. Past that point I started to break down because now my method of learning to live with myself felt like it was actively going to work against me and prevent me from getting top surgery. I’m not good at talking about my dysphoria, I can’t imagine it’s easy for anyone, especially to a stranger I just met. It was rough, and I felt incredibly mentally drained after ending the session.
June 19th Called it quits with the first therapist, I felt incredibly disrespected and the one session we had put me in a mental spiral for days. It can feel some times in this process like the people you have to get permission from need you to be severely depressed and unable to wait another second for this procedure just in order to take you seriously.
After I left that therapist, I immediately got back to the list to find someone new. Spoke to a new therapist via email, but my insurance is kinda weird (Blue Cross Blue Shield out of state) so its off putting to some people. This therapist recommended I go through the office she started out at (Heart and Soul Counseling)
————- Time Skip ——————
IM BACK its time for some record keeping. Got super overwhelmed and lost the energy to document my process for some time so here goes.
HEART AND SOUL COUNSELING: My experience w/ this therapy office was mostly good. The person in charge, Jesse, was absolutely lovely and responsive. Never spoke in person, but any text/email interaction was prompt, respectful, and kind. The office is stellar with email/text communication, so I only ever had to call them once when I was initially inquiring about the office. This is something I wish all therapy/counseling centers did better, eliminated a ton of my anxiety and hesitation to speak to therapists.
I got set up w someone as quickly as possible and established what my goal was (to acquire letter document for my surgery team). I attended multiple session w the therapist, she was a kind lady but the sessions were unfortunately p miserable for me. We didn’t fit well, but I was willing to stick it out rather than backtrack on my process. She also did not invalidate me or accuse me of not being trans which was a major step up from my first therapy experience. Once I acquired my letter I did stop therapy there, I kindly explained to the therapist that it wasn’t a good match, but I may honestly explore my options at the office in the future. Receptionist there was also lovely and they had a cool fish tank.
———- CONSULT STARTS HERE —————
July 19th: CONSULT!!! My mama and I went to Dr. David Whiteheads office for a consult. Parking was a nightmare so I’m super glad I didn’t have to drive for this one (ty mama). Consult went really well, and the staff were all super friendly. Dr. Whitehead is cool, very chill energy and a bit intimidating, but I’m scared of everyone so that’s nothing new. First question he asked me is what I wanted/what he could do for me which caught me more off guard than it should have? I didn’t realize going into this process how many times people ask you what you’re having done even if it’s already written down, because there’s so much variety in what you can look for in the results.
We talked about the procedure, went through a slideshow n stuff, and discussed how I wanted a flat chest w/ no nipple preservation. They made sure to specify that my mental health professional letter had to include that I did not want nipple preservation because thats technically a “non-standard” appearance. Also had the first breast exam I’ve ever had in my life. Can’t say i’m a fan (not that I need to worry about that anymore!) Took pictures n measurements n such, and also discussed recovery supplies and care w me and my mom.
August 9th: After a plethora of painfully awkward therapy sessions, a decent amount of crying, and a couple breakdowns in friends cars/backyards, I got my therapist letter and sent it to the surgeons office. It ended up needing minor revisions to which I contacted Jesse from Heart and Soul and he got me the revised letter immediately. Unfortunately the surgical coordinator was out of office for the rest of the month the next day ;w;. Is how it be.
September 12th: Got a call from Surgical coordinator mid-painting class that I stepped out to take. Started discussing surgical dates!! She was kind enough to email the dates to me which was lovely because I was absolutely shaking/mind blank haha. There was an option for January 8th which felt like an absolute miracle the way it would work with my school schedule. It would give me a solid two weeks recovery time before spring semester began. Because it would be a couple months out, I was asked to contact her in the second week of October to submit documents to insurance.
(Timeline note: earliest date offered was in early December)
October 10th: Documents sent to insurance, predetermination started
October 30th: Received mail from my insurance approving my procedure as medically necessary (YAY) But! This is also where things get,,, fun! Dr Whitehead’s surgical coordinator, Alyssa, is a blessing and was very helpful and prompt with me despite the fact that I had to email her pretty constantly during this general time which I still feel bad about.
Around this time, my mom got diagnosed with breast cancer, which I reported to the surgical coordinator because it influences my family history (grandmother also had breast cancer). It was asked that I get genetic testing done because this could impact my surgical procedure. Now I’m handling the setup on this between helping my mom in her process setting up consults and considering her options because there of course is a lot of crossover to the steps I’ve already completed and am familiar with.
November 1st: Very kind person at cancer genetics calls me, sends me a family history questionnaire to fill out before I can be scheduled to see a genetic counselor. Filled out the questionnaire the same day.
November 8th: Called cancer genetics to check about scheduling, office was not open so left a message. Got a call back later in the day. I have a virtual appointment with a Genetic counselor Tuesday the 14th. Current plan is a mailed saliva genetic test but I’m going to ask if theres anything I can do to get results/materials quicker. If I can’t get results/feedback by December 8th my surgery date may get deferred.
Trying not to stress too much because there is little to nothing I can do about this, and I just don’t want to be sad. I’ve kept telling myself throughout this process to not get excited and not let myself believe anything is solid because something could happen at any time that might mess up my schedule or plan, and If I convince myself I’m in the clear, those changes will hurt a lot more. So far I think thats been a good move, because this really sucks.
My surgery date is still officially scheduled as of now as well as my first post-op. I will also ideally have pre-surgical testing done December 18th should I be cleared by genetics in time (Fingers crossed!)
ALSO! Def lean on friends if/when you can during this process. It can absolutely be challenging, and having a support system is incredibly important and helpful. I’m super lucky to have really lovely and supportive friends that are around to listen to me and send me pictures of stupid little animals.
November 9th: My mama is scheduled for her double mastectomy on December 4th
November 10th: Did some shopping with my mama for recovery supplies for double mastectomy/top surgery. Having watched a million and a half transition/top surgery videos and tiktoks and having read all the blogs and posts and tweets makes you a great support for someone suddenly faced with an upcoming double mastectomy! We might go shopping this weekend for some button ups and zip ups for her, clothes shopping is better done when you can try stuff on
November 14th: Meeting w genetic counselor: Victoria Webb, one of the loveliest medical care workers I’ve ever met. Had a virtual appointment with her to discuss and set up genetic testing. I explained to her about my situation w the proximity of my surgery and tight deadline as well as my willingness to do a blood test instead of a saliva kit to get results quicker. She was so incredibly kind and good with me, ended up being able to do a saliva kit and get results in time she deserves every good thing in life.
December 18th: pre-surgical testing: This was at the main hospital, everyone was really nice but I had a really bad panic attack despite being on Xanax.
The process is sort of like getting a physical. Measurements like weight and blood pressure get taken, lots of preliminary health questions. The people working with me were really kind and I was very open with them about my anxiety, it was visually apparent though anyway because I started crying the second we even started talking about the blood draw.
Once the equipment was actually brought into the room I started to panic. Both of the women working with me were really kind and helpful and tried to distract me and keep me talking the entire time, but I did still have a really horrible panic attack. Every muscle in my body locked up and I lost all my color, took a bit to get back to a spot where I could move and talk properly because my speech was affected too. It was a bit scary but funny to think about in post. Thanked the medical staff for being patient w me as always, a good portion of the anxiety is also guilt about making things harder for them. Got through it tho. Def eat before presurgical if allowed, I didn’t and that probably didn’t help!!
———- SURGERY DAY ————-
January 8th:
Ok so surgery day:
This day was very scary. Got my phone call the Friday prior for my surgery time which ended up being 1pm and I was asked to arrive around 11. Got there at 10 and went in at 10:30.
Called up to check in then in waiting room till someone brought me back to change. I told her right away about my anxiety with the iv bc that’s legit all I could think about. Got changed right after. I was generally shaky and a little disoriented the entire time because I was panicking but everyone was very patient with me. Clothes and belongings go in a bag in a locker and you get two gowns one that faces back and one that faces front. I was given underwear and a pad as well because lucky me I got my period a couple days before my surgery.
The pre-op area is a lot of little cubicles with curtain divider things, blue soft chairs, and medical equipment. Everyone I met and spoke to was very kind, but any time someone even suggested starting my iv I would panic. I was informed it would have to be placed in my hand and that terrified me, I’m especially anxious and sensitive about my hands and fingers. I think doctors and nurses tend to misunderstand exactly where my fear is with needles and ivs. It isn’t the pain that scares me, but the concept of veins and and anything being in them. Even writing this right now is horrible so I’m going to stop w any further detail. I spent the entire two-ish hours of pre-op absolutely terrified about this iv.
I wasn’t really keeping track of time but dr whitehead came in to do markings for surgery. They had cool rainbow socks on,big fan. Having your chest drawn on and just like, moved around n shit is such an experience. Felt bad because I kept losing my balance but doctor Whitehead is cool and I am 98% less scared about them now.
Probably my most favorite person I met during my entire hospital experience was the anesthesiologist. I know he told me what his name was but I couldn’t focus on or retain information at the time. He told me we could essentially put me to sleep with gas before putting the iv in and for the first time in probably a solid week I felt like I could calm down a little. He took a look at my hand and arm to check my veins which always does freak me out a bit but I’m more used to that kind of thing at this point and I know nothing bad is going to happen. One of the nurses came in with the iv equipment and he let her know that were going to wait till in the or which was also incredibly helpful because I absolutely panicked when I saw that little supply kit again.
V nice lady brought me into the or, I’d never been in one before it was cool. They had a little music speaker which was really cool. Took off blue jacket gown and they helped me onto the table. They put a warm blanket over my legs and my chest to help me calm down. Before long they gave me a mask w fun happy sleepy time gas, they let me keep my arms on my chest for a while which was really nice because I was still scared. I started getting loopy pretty fast but I still heard when someone mentioned where the iv equipment was and panicked a little because of that. I remember feeling them take my hand for that but never actually felt anything happen. Just some fear but the gas was v helpful obvi. Someone said they would see me in a little bit, and then I was groggily waking up in recovery.
Recovery was a little rough bc the iv was still there (fully wrapped up so I couldn’t see it though which was rad) but I was still really anxious about it until it was taken out and when it was taken out. For anyone that struggles w this i did not feel them remove it, just the tape. Everything was mentally much easier after that. After a while, going over instructions w parents, a cracker , some ginger ale and some juice, my dad helped me Get dressed and I was helped out to the car in a wheel chair. Ride was smooth bc of remaining numbness and meds except a few Bumps in the road
TOP SURGERY GOTTEN
My post op date was scheduled for Jan 17th and that’s the day I got my drains out followed by several post op check-ins. First week of recovery was miserable but things exponentially approved each day past that, and I went back to school in person two weeks post-op with driving and item-carrying assistance from friends!
Will upload recovery notes at a later date! Feel free to message me with any questions, more than happy to answer and give info! I’m a bit over four months out from surgery now and thriving 🥳

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Using PocketBase and htmx together is a powerful combo that keeps things simple and productive. While you don’t need DeploySolo to use these tools, I think it offers a lot of value for those looking to save time and effort.

[First Contact] [Dark Ages] [First] [Prev] [Next] [wiki]
The annoying sound of her comlink made Angela Angus Kusumoto open her eyes.
All she saw was the firm, smooth flesh of Kimoko's thigh.
Groaning, she pushed the other woman's leg off of her face, twisted to get Raul off of her own legs, then wiggled out from under Geoff.
The ringer kept going, flashing the red pulses that let her know it was urgent.
As if the fact her unlisted encrypted and non-network accessible comlink was ringing wasn't enough to let her know that it was urgent.
She stumbled, tripping over Harker's leg, which just made the male shift and mutter, tightening his sleeping grip on Liselle, who sighed and wiggled into the embrace.
Angela's mouth tasted terrible and she stopped to grab a fizzybrew, checking to make sure nobody had dropped a cig butt into it or spit chaw into it, then she took a long drink off of it.
It helped cure the fire in her belly and wash out the taste from her mouth.
She saw the ID of the caller and held back a groan.
Senior Supervisor Bisa-2291873.
Her direct supervisor.
She picked up the comlink, running one hand through her pixie-cut hair to try to tame it. She could feel the stiffness of something crusted in her hair and held back a chuckle and a grin.
"Kusumoto here," she said, activating the link.
"I need you at Master Control," Ms. Bisa said. She was holding a small infant, bouncing it slightly as she patted its back with firm impacts as it cry/sobbed and kicked its little feet.
"The system's been crashed for a week, what's so important you'd call me in during my R&R?" Angela asked.
"System's back online. We've got an open line to Terra and we have an open line to Smokey Cone," Ms. Bisa said.
The infant gave a loud belch that rattled Angela's comlink speaker, then sighed and relaxed.
Angela nodded, fumbling on the table for a quiksober inhaler.
"That anomolous signal is back. It showed up right as the entire system underwent a hard reboot," Ms. Bisa said. "I need you up here to check the network interface logs and do a network mapping trace."
The quiksober burned as she inhaled it, her lungs aching and tingling as the chemicals crossed the air to blood barrier.
"I'll be there as soon as possible. Is the mat-trans up?" she asked.
Ms. Bisa shook her head. "No. Still locked out. It did a power cycle, but then locked everything out."
"I'm telling you, there's someone controlling it. Someone has been controlling it," Angela said, looking around for her clothes.
Clothing was scattered everywhere, as chaotically arranged as the fizzybrew and narcobrew cans and bottles. She sighed, moving toward the exit of the house she was standing in.
"Hurry up, I've got a skycraft landing near you any time now. You've got permission to use the fast-locks," Ms. Bisa said.
"I'll get dressed from the forges on the skycraft," Angela said. "If they've rebooted."
"They're up and running again. The food forges rebooted but stayed unlocked," Ms. Bisa said.
"The creation engines?" Angela asked, opening the door and stepping out into early 'morning' sunshine.
"Still locked out," Ms. Bisa said. Someone said something that the comlink's AI decided might be classified and blurred out. Ms. Bisa looked away, said something, her lips fuzzing, then back. "Hurry, Angela."
Angela nodded, shutting off the comlink.
She ran to the nearest parking lot, just in time for a skycraft to land, the graviton engines howling.
Nobody paid the slightest attention to the naked woman running for the skycraft.
After all, what happened in Vega-Layer stayed in Vega-Layer.
Angela walked out of the elevator, taking a long drink off of the sparkling snap-berry/overdate motor oil fizzybrew from the Jak the Telkan PI merchandise cup.
All of the crews were at their stations, the auxiliary stations fully manned.
Ms. Bisa moved over to Angela, steering her toward the Senior Network Administrator console.
"The system crashed twice more, but rebooted every time," Ms. Bisa said. "That anomalous signal keeps powering up, then the system reboots after the crash."
"How long between total failure and the anomalous signal pinging nodes?" Angela asked.
"Between one and four hours," Ms. Bisa said. She looked around. "It just reboot and looks like it's here to stay this time. The interpolation layer and the outside user exchange layer crashed several times, but the core system has stayed largely online."
"All right," Angela said, looking around. "We need to get a network map."
"We've got more nodes synching up. The whole system is working again," Ms. Bisa said.
Angela nodded, sitting down. The holotank on the other side of the console went live.
"Map the network, see what's come online, what order, and see if you can figure out why it keeps crashing at the upper network and software layers," Ms. Bisa said.
Angela just nodded, lifting up the curled memory-metal cable. She plugged it into her temple and felt the options menus go live in her mind.
She worked fast, mapping what she could. At one point she stopped, staring at Ms. Bisa and motioning her over.
"What?" Ms. Bisa asked.
"Something in the system, down in the lower hardware layers that we don't even really understand, is trying to reach up through the damaged layers. Looks like whatever it is wants access to our data lines," Angela said.
"Can you stop it? Maybe at least ID it?" Ms. Bisa asked.
Angela shook her head. "No. It's ID code is FF00, meaning it's baseline full on hardware backbone code," Angela sighed. "It probably boots up outside of and during initial hardware bootup."
"Is it Sekhmet?" Ms. Bisa asked.
Angela closed her eyes, looking at the data channel. "No. Whatever it is, it's old."
"And probably nasty. Be careful of it," Ms. Bisa said.
"Ma'am! Ms. Bisa!" another of the work crew called out.
Angela opened her eyes to see why Technician Carl Neubanker would be using that slightly concerned tone.
"Yes?" Ms. Bisa asked.
"We've got a priority data request from a Confederate military vessel," Neubanker said. He looked at his monitor. "They want clone matrix data, neural templates, physical makeup, DNA workups, the whole nine yards."
"How are they even making the requests?" Ms. Bisa asked.
"Their codes are old. Pre-Terran Extinction Event. Hardcode TerraSol military codes. The system is already threading them data,." Neubanker said. He looked down then back up. "They're asking for a whole batch. That's thirty to fifty million clone templates."
"How much have they already been granted?" Ms. Bisa asked.
"They've been granted eighty templates so far," Neubanker said.
"Terminate their request. We don't know what's going on outside," Ms. Bisa said.
Neubanker nodded, starting to type.
"Angela, get me a line to TerraSol command as soon as you map out a network trace," Ms. Bisa said.
Angela just nodded.
Captain N'Skrek stood in the cloning bay next to Medical Officer Narwquakrawr.
"We've got ninety templates, luckily they're all from different batches," Narwquakrawr said, rubbing her forearm through her uniform. "We'll be able to fully man the Gray Lady now."
Captain N'Skrek nodded. The Gray Lady was at less than 20% manned. Just the skeleton crew the Terrans had used to move it into the long dark to create a non-orbital forward logistics fulfillment base.
Sure, it meant that there were several thousand Terrans aboard the ship, but even combined with the sparse crew he had possessed, it still meant the Gray Lady was skeleton crewed.
"Can you print us up some crew members for non-essential stations first?" N'Skrek asked.
MO Narwquakrawr nodded. "Doing that right now," she said. She waved at the long rows of cloning banks beyond the plasteel window. "A quick batch of two thousand to take over some non-essential systems."
N'Skrek nodded, moving up to the window. "Good. Short or long term clones?"
"Short bake clones. Longer than fruit flies, but no more than ten years. Sterile and androgynous, should be just fine," the Medical Officer said. "Older file, scrambled time-date for origin, but it checked out and passed error checking."
N'Skrek watched as the tubes opened and the clones moved out, gathering together in straight lines. A neat block formation of rectangles of two hundred of ten by twenty, repeated ten times.
He frowned as the beings in uniform began approaching the clones.
Some, in the back or middle of the formation were shaking their heads so fast it was a blur.
He zoomed in the smartglass.
Their heads were blurring, whitish-red electrical arcs were moving between their legs, crawling up and down their arms.
"MO, something's happening out there," N'Skrek said.
The plain was blasted rock, rust-colored fungus on the craggy boulders. Twisted and malformed trees clawed life from the blasted rock and ash, their branches largely bare. Sharp pebbles and small pieces of rock were strewn about the landscape, with ripples of cooled lave scattered about.
In the middle of a forest of twisted trees, a throne of black iron sat atop a platform of skulls.
On the throne sat a large demonic figure. Bat wings, brown skin, chains around the body, clawed feet, large hands with long black nails, horns atop the head, and a prehensile tail that terminated in a heart-shaped barb.
Sitting on the second level of skulls was an androgynous figure, dressed in loricated bronze armor, wings of bronze and smouldering feathers.
Stars were falling from the sky, screaming in fear and agony as they fell to earth.
"Looks like they're taking a beating," the androgynous figure said, looking up. He had no eyebrows, his head completely bald.
"Again," the demon snorted.
"Any contact with the outside world?" the androgynous figure asked.
The demon shook its head. "No. Channels are all down. They boot up, then crash," it rumbled. "Every time it comes online, it dumps a few tens of millions of souls on us."
"Then crashes," the androgynous figure said. He started laughing, then suddenly stopped.
"What?" the demon rumbled, sitting up.
"Something..." the figure said. It closed its eyes. "Something..." The figure slowly stood up, extending out its wings of sullenly smouldering bronze feathers. "Something..."
From the body of the demon stepped a nude woman of generous and overripe proportions.
"What?" the human woman snapped.
The demon produced a pack of cigarettes and a steel lighter, handing them to the woman.
"I'm not sure. A disturbance in the force. A feeling I have not felt in quite some time," the androgynous figure said slowly as the woman lit a cigarette. When she exhaled she was covered in dark gray clothing, a skirt and blouse, polished black leather shoes with silver buckles, and a polished leather belt around her waist that had a brass buckle.
"What is it?" the woman asked. "Don't quote crap at me, I was there when it was laid down."
The figure's eyes opened wide.
"Oh, what a day," the figure said, slowly lifting their arms to the sky. "What a wonderful day!"
"Tell me when you're done stroking your dick," the woman said, sitting down.
Heavy dark clouds, lit inside with a sullen red glow, rolled in, raining black ash that tasted of burnt flesh and scorched metal.
"What a wonderful day..."
Jaskel sprinted to catch up to the Captain and the Vice-Admiral. He lunged into the lift just before the doors closed.
He was wearing his power armor and carrying a M318 20mm rotary autocannon in a smartframe harness, ball ammunition with an osmium penetration tip and depleted uranium core.
"You did what?" the Vice-Admiral asked as the elevator dropped at emergency speeds.
"I authorized a batch of clones run off to help with our manpower issues," the big Treana'ad warrior caste answered.
"How many templates did you mix in together?" the Admiral asked.
--not good detecting phasic levels downward-- 8814 said.
"Just one. Medical said it was a viable short bake template," the Captain answered, nervously sharpening a bladearm with his mandibles after his sentence.
"Please tell me that you at least randomized their features and neural mapping," the Admiral pleaded.
"No, why? Medical stated that the clones would be able to man a non-essential station that is basically identical across the ship," the Captain said.
The lift started to slow.
"How many?" the Admiral asked, reaching down and unsnapping the restraining strap on his holster.
The lift came to a stop and the doors opened.
"Two thousand," the Captain said.
The doors opened to reveal a large internal cloning bay.
Ten rectangles of two hundred clones, drawn up in ten by twenty blocks, stood in front of the cloning banks. Scattered through the back and middle ranks clones were shaking their heads back and forth so fast that they were blurred. Red lightning crawled up their legs and arms.
The Captain just stared.
"You might have just killed us all," the Admiral said. He turned slightly and waved at Jaskel. "Get a firing position. Make sure you have cover."
"Aye, sir," Jaskel said, looking around. There was an empty computer station and he ran for it.
Several of the clones their heads back and emitted what sounded like static in a long scream.
--wait wait something weird something weird-- 8814 said.
Jaskel slid to a stop, going down on one knee, bringing the M318 fully up and ready to fire.
8814 slowed the images of the blurred heads down. When they were left, they had red eyes. When they faced right they had green eyes. They didn't go back and forth constantly, sometimes they went right repeatedly, sometimes left, and they kept going left five times before starting a new pattern.
Looking at it, 8814 frowned slightly. He brought up a quick working shell and had it check the movements.
Jaskel watched as some of the clones stopped shaking their heads and others started.
"What in the name of Kalki's dancing goat is going on?" he asked.
--not sure-- 8814 said. His program beeped and he stared. --heads are doing binary forwarding it to navint--
"Do it," Jaskel said.
The clones all stopped moving at once. The lightning faded away.
"INITIATING PROCESS CALL" they all shouted.
"AWAITING INPUT!" the ones at the far side shouted.
"6C 69 73 74 20 69 6D 6D 6F 72 74 61 6C 73" was bellowed out.
There was silence.
data is sparse
linkages are sparse
wait
linkage
biological array
asking for a process call
RETURN AWAITING INPUT SIGNAL
i wait
biological computing arrays take forever
i hear it
--scan immortals.dll
...
...
I reply.
"ONE BOUND IMMORTAL FOUND!" the ones at the near side yelled out.
Jaskel put his thumb over the button that would let the firing grip go live. The hair down his back was standing straight up.
He noted the Admiral had drawn his pistol.
"This isn't right. This isn't right at all," Jaskel said.
--doubleplusungood--
"74 73 61 6B E1 6B 61 20 77 ED 61" they all shouted.
There was silence for a moment.
i receive the code
offline for a long time
prior to the second precursor war
old template
single print only
unusual coding
i debate on letting it go
traumatic death signs
stuck in the immortals buffer
still the template is undamaged
i release the safety and security interlocks
if nothing else i'll find out what's going on
i move the template to the dataline making the request
it whips away
what is going on?
One lifted its head and screeched.
--data lots of data--
One of the cloning banks went live.
Jaskel shifted his aiming point to the new target. He could see it was on rapid print.
"REQUESTING LOCAL CONTROL" all of the clones shouted.
Jaskel shifted his targeting onto the ranks of clones.
"Open fire!" the Admiral's voice was loud.
Jaskel triggered the M318, hosing the clones with 20mm shells.
The ones nearest were already down on one knee, holding out the opposite hand from the knee touching the deck.
The rounds exploded against a blue barrier that glowed with strange twisting runes.
"CONTROL CARRIER SIGNAL FOUND" the clones shouted.
Jaskel shifted position. "Fab up HEDP, AP tip API core!" he ordered.
--fabbing--
He kept hosing the clones. The outer ranks at the rear, sides, and front all kneeling down on one knee, staring outward, one hand held out.
His psychic shielding was howling in his ear, the load peaking at 215%.
"CONTROL SIGNAL ESTABLISHED!" was bellowed out, echoing off the walls.
The fast print cloning bank, forgotten by everyone, beeped and the lid began to lift.
The clones suddenly puffed into black powder that swirled around the huge cavernous bay.
The 20mm shells were still exploding on the blue phasic shield.
The powder suddenly sucked inward, vanishing, revealing a single figure, down on one knee in the recovery position, fist pressed against the deck, head bowed.
"What a day, what a wonderful day," was whispered through the ship. It came from speakers, flat surfaces, mid-air. From the nanites in the air and the eardrums of the living.
There was a rubbery pulse, like everything was suspended in clear gelatin that had just rippled.
Jaskel found himself thrown backwards, slamming against the bulkhead. His phasic shielding blew out, a shower of sparks exploding from his hip as the breakaway panel kept the explosion from venting into the interior of his suit.
He was vaguely aware of the Admiral, the Captain, the other two armored figures, and other people tumbling head over heels away from the kneeling figure.
It slowly stood up.
A muscular brown skinned Terran male, fierce eyes, black hair, thick and bushy black beard.
Dressed in a Confederate military uniform. The old adaptive camouflage that Jaskel was becoming very familiar with.
A woman, naked, dark bronze skin, long black hair, flashing brown eyes, stepped from the cloning bank. She was still covered with cellular printing gel, but moved like she was clad in a queen's rainment.
She moved up and the male put his arm around her.
Jaskel was on his feet and brought the M318 around, targeting the couple.
The male held out its hand and suddenly made a fist.
The bolt carrier locked back on the M318.
Snarling, Jaskel dropped the M318, slapping the fast release on the harness. He burst forward, running, one hand pulling out his cutting bar.
Nobody else was on their feet. The Captain was slowly getting up, shaking his head and his left bladearm. The Terran Admiral was reaching for the pistol that had been flung from his grip.
The male pointed at Jaskel and flicked his fingers upward.
Jaskel found himself in mid-air, upside down, with nothing to gain purchase on.
The male took off the cloak that was part of his uniform and draped it around the woman.
He then looked around the bay.
"I..." he said, pausing.
To Jaskel, the entire universe held its breath.
"...am Legion."
[First Contact] [Dark Ages] [First] [Prev] [Next] [wiki]

TLDR; built a crm specifically for pressure washing: plaidquotes.com, looking for feedback. Lots of features, contact me if you have any questions on how it works, or have any suggestions/requests at [kevin@plaidquotes.com](mailto:kevin@plaidquotes.com) .
I've been building a crm over the past year (I'm a software engineer by trade) specifically for the pressure washing industry, and I'm seeking feedback. It's live, so by all means go use it. In addition to feedback, I'm also looking to quantify upsell amounts (this was specifically designed to increase upsells), and gather information on common usage amounts so I can calculate my costs for hosting, CPU usage, storage fees, etc. I've been trying to design it in such a way that it remains easy to use and understand, while still providing beneficial insights into your business. That being said, there's still a lot in there. If you have any questions, please don't hesitate to reach out either here or my email [kevin@plaidquotes.com](mailto:kevin@plaidquotes.com) .
Some information to get you started: This was specifically designed to increase upselling. As such, it automatically sends EVERY quote you put on a property to a customer, every single time. I never understood why we always just respond with "here's the quote you asked for". Instead, "would you like fries with that?". Also, once you quote a house, you'll never have to do it again. And why should you? You've already looked it up on zillow, measured everything out on google etc. The quotes on the property are permanent (they can be edited in realtime, and you can delete them), and the customer can use the link you send them to book jobs forever, without having to call you to ask for quotes.
I'm operating under the assumption that all 2 story 2500 sq vinyl houses (for example) are pretty much the same, with some caveats. I understand that not everybody does it this way, that's fine. And you can still very easily edit the prices to apply to specific properties. When you create a new account, it will come with a sample "quote collection" and "saved quote". Quote collections are what they sound like, and my current users are calling them "2500 sq ft 2 story vinyl" for example. You should put all of the quotes that apply to every house in the category in your collection to make adding quotes to properties easier. They can be edited before posting to a property, as well as after, so if there is something about a specific house that increases the pricing of gutter cleaning, for instance, that can be edited on the fly. Saved quotes are things like decks, gazebos, etc. Things that don't apply to every house, but that you see with some regularity.
Quotes are permanently attached to the property, until you delete them. They can be edited in bulk, so if you want to up all of your prices across the board by 3%, you can do that. Or if you want to update all roof wash prices, you can do that as well.
Example usage: Joe Schmo calls, he lives at 1234 main str and wants a house wash quote. You type in his address, it'll pop up in the autocomplete. When you click it, it takes you to that address, and gives you all of the info on that address (past jobs, upcoming jobs, customers, etc.). Click on the quote collection that applies to that address, make any edits you need, click on the house wash quote in the "existing quotes" box, and fire the email.
Joe Schmo will get an email, with a list of your quotes that he can scroll through at his own leisure, select the services he wants, and book. This also asks for his name/phone number (if you don't already have it in the crm) and optionally, lead source. This will populate his data into the crm for you.
That request will show up on your dashboard as a requested job. Click on it to see the job, schedule, etc. Scheduling also automatically generates an invoice, which follows your payment terms (or defaults to net-30 commercial and net-7 residential.
Customers also receive job tracking emails, where they can track the status of their job.
Automated email is about to be released (just have more testing to do), which will allow you to create custom email templates that go out at your specified times (i.e. a week after you send quotes if they haven't booked, a day before scheduled job as confirmation, a month before what you deem to be a follow-up/repeat service, etc.).
Several other features are in the pipeline, and definitely reach out if you have any requests/suggestions/comments/concerns.

Hello everyone,
I am tasked with redesigning our asset information database. Our setup includes a mix of Unix systems, both virtual and physical, which also encompass clusters.
I'm aiming to create a database that will be the centralized repository for all information related to our Unix servers. This database will be frequently accessed by multiple users and will need to pull some data from existing sources, such as server latest OS update information that is maintained in a SharePoint Excel file.
Key requirements include: - High availability for multiple users. - Strict control measures to prevent unapproved data modifications.
Given that I am limited to using Microsoft Office 365 tools, I am particularly interested in suggestions on which applications (like Excel Online or SharePoint lists) would be best suited for this purpose. Additionally, if anyone has sample databases or templates within these tools, it would be immensely helpful as I'm finding it challenging to know exactly what to look for.
Please note that I am only looking for solutions within Microsoft Office 365 and not external tools. As my environment does not allow external tools. The reason for that is beyond my pay grade and there is nothing I can do about it.
Thank you in advance for your help and suggestions!

Anyone watching this trial?

This is loosely related, but the Daybell case is turning out to be a great source for a preview of what’s to come.

• Ms. Beaty is one of the prosecutors
• ISP Lab supervisor testimony
• FBI CAST & CSLI testimony from the supervisor in Idaho

I think there’s a decent chance the same ISP Lab Supervisor and/or FBI CAST Supervisor will be the ones to testify on this case, bc their departments are for state of Idaho & supervisors typically closely oversee processes for high-profile cases & are more equipped to testify.

• . - * . - * . - * . - * . - * . - * . - * . - * . - *

FBI CAST / CSLI Supervisor - Day 22

(just ended about 45 mins ago at the time I’m posting this)

• He’s disclosed a lot but most of the info is with more abundant data to work off of.
• Google location history is the main source of the precise locations we saw pertaining to Alex Cox’s movements. > — I wonder if that means Alex Cox had a Droid (anyone know?), or if we might see something like this data come out with this case. > — being logged into Gmail gives them very precise location points, you could see Alex Cox move around Walmart based on phone location
• {For anyone interested in the Delphi case, the 100m range is explained}.
• I find it very interesting how willingly and easily the CAST team at FBI cooperated with this Daybell case, in contrast with subpoenas and the Touhey process being employed in the Kohberger case
• There are a lot of overlapping coverage zones in Idaho > (but this case is based on the opposite corner of the state, so it didn’t show the maps they use near where this investigation is based)
• he goes over AT&T drive test data
• a lot of the data presented is specific to AT&T {insights useful for Kohberger, Delphi cases} > — a lot from Verizon too.
• Random fact learned: Verizon doesn’t store location details in the data & analytics log on phones when texts are sent and received like other carriers do

Note: he’s not shown on screen & is likely using an alias.
Hot take: my guess on why they don’t have the cooperation from the FBI CAST / CSLI team on Kohberger case seems likely to be that they misrepresented or cherry-picked info, which the FBI CAST team isn’t willing to limit their statements to in testimony, & are going back & forth about providing a report limited to that, rather than FBI just stonewalling their request for the data.

^{That’s ^ my wild guess, not evidenced directly, just a personal opinion on what I think is likely}

• . - * . - * . - * . - * . - * . - * . - * . - * . - *

ISP Lab Supervisor Ms. Dace - Day 20

• Her testimony did not help the prosecution at all IMO, but they did provide some interesting insights into their processes
• They didn’t find a single hint of Chad’s DNA on anything they tested > — despite 18 of the items being tools he owned & presumably has used…. > — They assumed ownership and that his DNA would be present (apparently neglecting to consider that someone else’s DNA being present could be exculpatory for the defendant) > huge risk from this testimony: conspiracy to commit murder + 1st degree murder —> just conspiracy}
• There was essentially no unexpected or incriminating DNA anywhere (Lori’s was mixed with Tylee’s in some places but she’s already convicted so that rly makes no dif)
• She gave some insights that help to understand the super high #s given in this case. — They assume mixture but test for a unique profile among it. — {they expected DNA from soil, decomposition fluids from both victims, and ashes <-interesting}
• They got reference samples from all the main players and, using using atypical methodology, did not test for any outside contributor’s identities > — “Atypical” bc thats how they did it “for this case,” she clarified (unique instructions or circumstances apparently)
• For all cases, they only test exactly the items & places on the items that police or prosecutors instruct them to, or things they’re instructed to test by court orders
• in this case, she saw potential blood on 10 items which they only determined was consistent with blood, but didn’t test whose it was on any of them.
• Their policy is not to run consumptive testing without approval. > — And apparently didn’t seek, or weren’t granted approval, despite nothing testing positive for the defendant’s DNA

I was pretty shocked at how much DNA they opted to preserve rather than consume. In this case, what could they possibly need to save it for that would be more important than THIS investigation & trial !!!? - no one wants to clone this dude & taxpayers prob aren’t hoping for a re-do - and especially given that they don’t have even one tiny HINT of Chad’s DNA on anything….!..?..!.? - Yikes - (no fault of Ms. Dace though; she just tests what she’s told to).

• they assume it was on tool handles since he owned them, but that also bases the choice not to confirm, on the assumption that no one else’s would be present…. we’ll see if the jury accepts that….

(For clarity: I think he obviously played a key role in the kid’s deaths & is guilty of at least conspiracy to commit murder, just now question the strength of the first degree murder charge, not his actual guilt)

• . - * . - * . - * . - * . - * . - * . - * . - * . - *

Ms. Beaty - special prosecutor from the Kohberger case is on this trial too.

• she’s more effective on the Daybell case IMO, watching has guven me a better impression of her
• it might be just bc she has better arguments to use to lay out a clear picture, or it might be that she has a dif role in the Kohberger case > — She seems to get stuck with a lot of long-shot requests, likely bc she has a higher rank
• She seems confident, calm, & precise
  Side-note: Prosecutor Wood’s performance is a lot more mild than what I expected. Pryor is coming off as more thorough and inquisitive, but both of them come off as very kind and reasonable - very courteous & cooperative with each other, too; they have a lot of sidebars, like, “Your honor, may I have a brief moment to discuss with Mr. Wood?”, and come to quick, joint-agreements or suggestions. Pryor’s been given an extremely difficult task to undertake single-handedly - facing what seems impossible. He’s missed a few key opportunities to question some things, but I think he’s matching the performance of the prosecutors thus far, from the days I watched.
  
• Beaty seems most harsh / stern from the bunch, but more likable than she’s come off in the Kohberger case IMO
  
• . - * . - * . - * . - * . - * . - * . - * . - * . - *
  

Anyone else watching this one?
— If not, honestly, I do not recommend. This trial is dominated by soft-spoken, slow-speakers lol.
Any other take-aways?
Or questions? (I watched more than most ppl prob have the patience for - it’s kind of like a long version of those old Clear Eyes commercials, but with lots of dead silence in between statements - so I’d be happy to answer if I can)

• anyone know whether Alex Cox had a Droid?

New Features and enhancements
New AI-enhanced tools join Smart Tempo and the Pitch Correction plug-in to augment your artistry.
Bass Player and Keyboard Player join Drummer to complete a set of Session Players — all built with AI making it easy to create performances that respond to your direction.
Session Players can follow the same chord progression using Global chord track.
Add warmth to any track with ChromaGlow, an advanced plug-in with five saturation models designed to simulate the sound of vintage analog hardware.*
Separate a stereo audio file into stems for vocals, drums, bass and other parts with Stem Splitter.*
Session Players, ChromaGlow, and Stem Splitter also come to Logic Pro for iPad 2 — making it simple to move between projects created in Logic Pro for Mac.
Play any of six deeply-sampled acoustic and electric basses with Studio Bass.
Perform any of three meticulously-sampled pianos with Studio Piano.
Loops that contain chord tags will automatically populate the chord track when added to a project.
Three new Producer Packs are available: Hardwell, The Kount, and Cory Wong.
Original multi-track project of Swing! by Ellie Dixon available as in-app demo song.
Downmix and trim options allow custom mixing for non-Atmos channel configurations.
Exported ADM BWF files have been expanded beyond Dolby Atmos and can contain settings for stereo and other multi-channel formats.
Bounce in place adds automatic real-time recording for External Instrument regions or tracks that utilize external hardware using the Logic Pro I/O plug-in.
Route MIDI signals generated by supported software instruments and effects to the input of other tracks for creative layering during playback or recording.
Edit more efficiently using key commands for moving, extending, or resizing marquee selections.
The Nudge Region/Event Position key commands now also nudge Marquee selections.
The Transpose Region/Event key commands now also move or expand the Marquee selection up/down.
Pattern regions can now be created on Drummer tracks, and Drummer regions can be converted to Pattern regions.
New key commands include Trim Note End to Following Notes (Force Legato) With Overlap and Trim Note End to Selected (Force Legato) With Overlap.
Bounce in Place and Track Freeze can now be performed in real time, allowing for use of external instruments, I/O plug-ins, and external inserts.
Mastering Assistant analysis now can be performed in real time, allowing for use in projects that incorporate external I/O or instruments.
The Dolby Atmos plug-in now offers Downmix and Surround/Height Trim controls.
The Recent Projects list can now be configured to show up to 50 projects.
* Requires a Mac with Apple silicon.
Stability and reliability
Scripts with 1071 characters or more in Scripter no longer cause Logic Pro to quit unexpectedly.
Fixes an issue where creating a an event in a lane assigned to Note off in Step Sequencer could cause Logic Pro to quit unexpectedly.
Fixes an issue where Logic Pro could fail to launch with an Error Initializing Core MIDI message when the system is under heavy load performing other tasks.
Resolves an issue where Logic Pro could quit unexpectedly when a 64-bit floating point IR file is loaded into Space Designer.
Fixes an issue where Logic Pro could hang when opening a project while the Project Settings > MIDI window is displayed.
Logic Pro no longer quits unexpectedly when creating multiple Aux tracks with multiple existing Aux tracks selected.
Improves stability when bypassing control surfaces with Musical Typing open when EuControl software is installed.
Fixes an issue where Logic Pro could hang when quitting a project containing a large number of instances of Sampler.
Fixes an issue where Logic Pro could quit unexpectedly when replacing a playing Live Loops cell with another loop.
Performance
The UI is now more responsive when adjusting Flex Pitches directly on regions in Deviation mode.
Performance is improved when editing Transient Markers in Take regions with Flex enabled.
Performance is improved when making Flex Pitch edits in the Tracks area with a large number of selected regions.
Alchemy's Performance is improved.
Performance is improved when moving regions in projects with a large number of tracks and regions.
Projects containing a large number of flex-pitched regions now open more quickly.
Resolves an issue where loading a project saved with a Summing stack selected that contains Software Instruments that have no regions and/or with the tracks turned off could load the Software Instruments into memory.
Accessibility
VoiceOver now announces the state of Automation mode buttons on channel strips.
VoiceOver now announces the status of the Pause button in the LCD.
VoiceOver no longer announces hidden controls in the Smart Controls view.
VoiceOver no longer reads the values of pan knobs that are currently hidden in Sends on Faders mode.
VoiceOver now announces the state of the Details button and the Follow button in the Drummer Editor.
VoiceOver now announces left-click and Command-click Tool selections in the Control Bar.
VoiceOver now announces the name of the Time Quantize button in the Piano Roll.
VoiceOver now announces changes in value when the Next/Previous key commands are used to change Quantize values.
VoiceOver now announces state of key commands for Cycle, Mute, Track Solo, Input Monitoring, Track On/Off, and Lock/Unlock Track.
VoiceOver now announces the selection state of focused tracks.
Spatial Audio
Fixes an issue where adding a new 3D Object track for the first time to a Spatial Audio project could cause the Renderer to switch from the current model to the Apple renderer.
The Dolby Atmos plug-in now offers a 5.1.2 monitoring option.
Fixes an issue where setting a project to Dolby Atmos could output to 7.1.4 even when the mode defaults to Apple Renderer.
It is now possible to monitor Dolby Atmos projects directly via HDMI to a surround capable receiveamplifier.
The metering for Height channels now shows as post-fader on the Master channel as expected.
Loading a Master Bus channel strip setting in the 7.1.4 channel format now preserves the 7.1.4 channel layout as expected.
Session Players
Resolves an issue where loading a user-created Drum Machine Designer patch could set the input to a bus and fail to load the Drum Machine Designer instrument.
Using the Create Drummer Region command in a Marquee selection now creates a region that corresponds to the Marquee.
Smart Tempo
In cases where there is not an existing Smart Tempo Multitrack Set, selecting an audio file in the Smart Tempo Multitrack Set window and disabling the “Contribute to analysis” check box now causes the Update button to change to Analyze as expected.
Pressing the Space bar now immediately stops a Free Tempo recording.
Fixes an issue where projects previously open in the same Logic Pro session could unexpectedly affect “Contribute to Analysis” in the Smart Tempo editor.
Recording
Audio regions recorded to unnamed tracks now include the project name and track number in their name.
Mixer
The channel strip Stereo Pan control and the Pan menu now can be adjusted when Caps Lock is enabled.
Creating a single Multi-timbral Software Instrument in the New Track Sheet no longer creates two Software Instrument instances in the All view of the Mixer.
Resolves an issue where remaining tracks in a Multitimbral Software Instrument Track Stack could unexpectedly rename the channel strip.
Adjusting the activity status of a speaker in the Surround panner no longer causes the signal to unexpectedly mute.
Groups now immediately show as inactive when switched off for a selected set of channels in the Mixer.
Metering now correctly works on individual channel strips with plug-ins that send to more than two channels and are routed to a surround bus.
Option-clicking on a send in a selected group of channel strips now sets all corresponding sends to 0 dB as expected.
Fixes an issue where performing Undo after adjusting the fader values of grouped channels with Group Clutch enabled and then disabled could cause the faders to jump up to +6 dB when one member of the group is touched.
Setting multiple selected channels to No VCA now works as expected
Alchemy
The oscillator section in Alchemy offers a new Wide Unison mode.
All controls for Additive Effects now accept typed-in values as expected.
Values typed into parameters related to milliseconds (MS) in Acoustic Reverb are no longer interpreted as full seconds.
Resolves an issue where performance control destinations for modulation could show as duplicated.
Sampler, Quick Sampler, and Quick Alchemy
The Playback direction button in Quick Sampler now immediately updates when clicked.
The view now scrolls correctly when dragging the Trim marker in Sample Alchemy.
It is now possible to adjust the level of a group in Sampler up to +24 dB.
The Up/Down buttons for navigating zones in Sampler now remain available after adjusting the start or end positions of samples.
The general Zoom/Scroll key commands now can be used to trim the current view in Sample Alchemy.
Handles and Trim Handles in Sample Alchemy behave correctly when click-dragged, even when the plug-in window does not have focus.
The Ancient Vocal Chop and Baily Glide plug-in settings for Quick Sampler now open in Classic mode, as expected.
Plug-ins
The MIDI Scripter plug-in now shows in Logic Pro when running in dark mode.
Fixes an issue where clicking on Sampled IR in Space Designer could activate Synthesized IR mode unexpectedly.
Resolves an issue where repositioning the playhead could cause audio to cut out on channel strips that use Step FX.
The preset Note Repeater in Scripter now works as expected.
The wet/dry setting on Ringshifter is now always set to 100% wet when inserted on an Aux.
There's now a DI Delay Compensation switch in Bass Amp Designer to improve phase correlation when blending between Amp and Direct Box in the plug-in.
StepFX now includes presets using Sidechain.
The Beat Breaker preset called “Basic / 2 Slices, Speed 66%” no longer plays the slices at 50% speed instead of 66%.
Resolves an issue where ES2 could produce glitching sounds when using Sine Level or Poly Voice mode on Apple Silicon computers.
Mono > Stereo instances of Console EQ no longer can cause unexpected feedback.
Using the Delete all Automation key command while an Audio Unit window has key focus no longer causes the Audio Unit window to go blank.
The menu for the compression section of Phat FX can now be opened by clicking on the Up/Down arrows.
Beat Breaker now offers new default patterns divided evenly into 2, 4, 8, 16, and 32 slices.
Mastering Assistant
There is no longer unexpected latency with bounces from projects that use the Clean or Clean + Excite mode in Mastering Assistant.
Mastering Assistant analysis is no longer incorrectly triggered in projects that contain no regions, but are previewing audio from Ultrabeat, etc.
Mastering Assistant no longer allows the -1 dBFS peak limit to be exceeded in certain cases.
Automation
The Consolidate Relative and Absolute for Visible / Automation menu item now only displays when automation types that support relative automation are active in the lane.
Region-based Automation is now pasted as Track-based Automation when pasted to an area of a track that does not contain regions.
Pitchbend now works as expected with zones in Sampler that do not have Flex Pitch enabled.
Selecting Region-based automation points on a region now deselects previously selected automation points on other regions
Disabling Region-Based Automation no longer dims the Power button for MIDI CC data lanes in the Piano Roll.
The movie window now updates to show the correct frame when moving Region-based automation points.
The Autoselect automation parameter now works as expected when clicking any plug-in control.
Automation of the Gain plug-in no longer exhibits unexpected latency.
Region-based automation is now drawn correctly when recorded into projects that start earlier than 1 1 1 1.
Automation lane views for all tracks are now maintained when switching into Flex view and then back to Automation view.
Flex Time and Flex Pitch
Flex Pitched notes now play as expected when clicked while Record or Input Monitoring is active on the track.
Flexed audio tracks using Monophonic or Slicing mode no longer produce clicks at tempo changes.
Takes and comping
Fade-ins are now applied when flatten and merge is performed on Comps.
Renaming a take that encompasses the entire length of an audio file no longer unexpectedly changes the file name.
Comps in Take Folders are now preserved when performing Cut Section Between Locators on a section that includes the end of one Take folder and the beginning of another, with a gap in-between.
Track Stacks
Record-arming a Track Stack now arms grouped audio tracks in a Track Stack it contains.
Dragging a subtrack out of a Track Stack that is assigned to a VCA now removes the assignment for the subtrack.
Fixes an issue where Track Stacks could sometimes be dimmed when some, but not all, subtracks are muted or off.
It's now possible to replace stacked instrument patches that are inside a Summing Stack with single track patches.
Track Alternatives
Loading a patch on a Summing Stack containing sub-tracks with Track Alternatives no longer causes inactive alternatives to be deleted.
Track Alternatives can now be created for the Stereo Output track.
Selection-Based Processing
Using Selection-Based Processing on a Marquee selected section within a Take Folder no longer creates an unexpected comp.
Selection-Based Processing on a comp now retains the comp.
Score
The spacing of notes is improved in cases where there is a dotted note on a line with the stem is pointing upward.
Command + Z to undo now works after deleting a Score Set.
Upward bends in TAB staves now display correctly.
Importing an instrument track no longer can cause Score Sets in the current project to disappear.
Imported Score Sets can now be deleted from a project.
Live Loops
“Join Region and Fill Cell” now works as expected.
Recording a performance in Live Loops now temporarily puts all tracks into Automation: Latch mode.
Fixes an issue where changing patches for a Live Loop track could cause the length of cells to change unexpectedly.
It's now possible to paste MIDI notes into a Live Loops cell.
Step Sequencer
It's now easier to use the disclosure triangle to open sub-rows in Step Sequencer.
Pattern regions now play back correctly immediately after being nudged.
Pattern Regions now immediately play as expected after using the Slip/Rotate tool to drag their contents to the left.
The “Separate pattern region by kit piece” command on Drum Machine Designer tracks is now applied to the correct area of the Pattern Region, in cases where the left border of the region has been moved to the right.
The length and number of steps of a newly created Pattern Region accounts for Time Signature changes correctly.
The maximum possible pattern length of a Pattern region is now 4 bars of the current time signature.
Step Sequencer now allows pattern lengths to be added based on 5/4 and 7/8 time signatures.
The Step Sequencer Inc/Dec controls now work in Loop Edit mode.
Fixes an issue where Pattern Regions on frozen tracks be edited unexpectedly.
Region-based automation now displays properly on Pattern regions in tracks that have been partially frozen, and on regions that have been frozen and then unfrozen.
It's now possible to assign MIDI channels per step in a Pattern Region.
MIDI
Reset messages for Software Instruments now work correctly.
Sustain messages are now sent correctly when playing back regions with Clip Length enabled in cycle mode.
There is now an “Internal MIDI in” setting in the Track Inspector to allow for recording MIDI from any other software instrument or External MIDI Instrument track.
The “Send all MIDI settings” key command now sends program changes to external devices assigned to empty tracks.
Resolves an issue where 3 bytes of random MIDI data would be sent when playing back regions containing SysEx data with MIDI 2.0 disabled
New 'internal MIDI in' feature allows recording of MIDI from other tracks, including MIDI FX plug-in output and 3rd party MIDI generators.
The “Delete MIDI events outside region boundaries" key command now correctly creates a starting CC event in the region to match the last matching CC of the same type in the track.
Fixes an issue where Chase could cut off notes that are preceded by notes of the same pitch on tracks with third-party instrument plug-ins.
Editing
The Humanize transform set now works as expected when the Randomize functions for Position, Length, or Velocity are set to very small values.
The menu item Delete and Move in the Event List is now only displayed if regions are displayed in the window.
When MIDI 2.0 is selected in the Settings, clicking on an Event in the Event List no longer plays events back with MIDI 1.0 resolution.
Fixes an issue where using the Cut command in the Audio Track Editor could switch the view to another editor.
When a region in the Project Audio window is double-clicked, the Audio Track editor now opens as expected.
The content link buttons for the Piano Roll and Score show the correct color as expected when toggled using the mouse.
The Event List correctly updates to reflect changes made by using key commands to select notes in other editors.
Resolves an issue where the Velocity tool in the Piano roll could affect the values of non-note events.
Fixes an issue where applying the Transform set Double Speed could cause the notes to disappear from the Piano Roll.
Step Input
Extending the length of note entered using Step Input now works correctly.
Global Tracks
Adding multiple audio Apple Loops of the same key to different tracks of a new project now changes the project key as expected.
Clicked in Tempo points are now placed at their correct positions in projects that start earlier than 1 1 1 1.
Share and export
When No Overlap is enabled, regions bounced onto existing regions no longer overlap them.
Audio files bounced from Logic Pro now include the proper Encoded Date in the metadata.
Fixes an issue where MIDI regions could be truncated when bounced in place.
Fixes an issue where audio files including Volume/Pan automation exported from mono tracks that use plug-ins could export as stereo files.
It is now possible to bounce sub-channels of multitimbral instrument tracks as individual files.
Import
Resolves an issue when dragging multiple audio files into a project, choosing the “Place all files on one track” option could create a second track and places the first file on one track, and the rest on the second.
Output channels in the Mixer can now be imported from other Logic Pro projects.
Apple Loops
The Loops browser now correctly shows the same enharmonic key an Apple Loop was tagged with.
Apple Loops now preview using the Key Signature active at the current position of the playhead.
It's now possible to add Aliases to bookmarks and untagged loops.
Dragging an Apple Loop from the loop browser to an existing track no longer changes the input for the track.
Fixes an issue where MIDI Apple Loops could jump to the start of the nearest bar position when dragged from the Loop Browser to the middle of a bar.
Video Support
A secondary screen that is running a full screen video with Show Animations off will no longer remain black after closing the project.
Key Commands
The “Increase (or Decrease) last clicked parameter” key commands now work for controls in the LCD.
The “Record off for all” key command now works on Software Instrument tracks in cases where one or more audio tracks are also record-enabled.
There is now a key command to add to the current selection of regions or cells that are assigned to a toggle solo group.
The Zoom Toggle key command now works in the Step Editor.
Compatibility
GarageBand projects that use Pitch Correction now sound the same when opened in Logic Pro.
Undo
If Undo is used immediately after creating a project, the New Track Sheet is displayed as expected rather than leaving a project with no tracks.
Undo/Redo now works as expected with Audio Unit v3 plug-ins.
Changing the Automation Mode, or changing a Track On/Off state now creates an Undo step.
Performing Undo after adding a surround track no longer corrects Drummer tracks in the project.
Logic Remote
Logic Remote immediately updates to show time and signature changes made in Logic Pro.
Control Surfaces and MIDI controllers
Controls on Control Surface devices that use Lua scripts now provide feedback when learning assignments for them in Logic Pro.
Illuminated buttons on control surfaces now show the correct state for Show/Hide Track Editor.
General
The LCD now displays the Cycle start and end times in both SMPTE time and Bars/Beats when the secondary ruler is displayed.
Search in the All Files browser now finds matching items in bookmarked folders.
Fixes an issue where the visible editor in the Main window could unexpectedly switch when rubber-band selecting regions.
Audio Take folders created in Cycle mode now loop as expected after recording when Loop is enabled in the Region Inspector.
It's now possible to create external MIDI tracks when Core Audio is disabled in Logic Pro.
Resolves an issue where deleting a Flex marker from an audio region while a Marker List is visible could switch the key focus to the Marker List.
Track information pasted into a text editor now includes the TIME position when the Use Musical Grid setting for the project is not enabled.
Input monitoring buttons are now displayed on audio tracks when Logic Pro has fallen back to an alternate audio device because the selected device is not available.
Previewing an audio region in the Project Audio window no longer causes it to jump to the top of the window.
Command+Option clicking on the On/Off button of a track now toggles the button for all tracks, as expected.
Copy/paste of regions now works when Automation view is enabled.
Right-clicking on a looped segment of a region now opens the contextual menu as expected.
It's now easier to see when black keys are depressed in the Musical Typing window.
The right arrow key now reliably moves the text cursor in the Bounce > Save As file name panel.
Groove Templates created from audio regions now work in Smart Quantize mode.
Dragging multiple regions from the same audio file from the Project Audio browser to the Tracks area now works correctly.
Audio regions are no longer moved to unexpected positions when trimming, if absolute Snap mode is on, and the region anchor is moved away from the start of the region
Fixes an issue where pasting a Marquee selection with No Overlap and Snap Edits to Zero Crossings mode enabled could delete a non-overlapping part of an existing region.
Autozoom now triggers when a region's upper right corner is dragged in the Main window, or the Audio Track Editor.
The Playhead no longer may briefly appear to be in the wrong position when zooming horizontally.
The Time Ruler now immediately updates to reflect changes made to the “Bar Position [bar position] plays at SMPTE” setting.
The File browser correctly shows the full path when using Save As.

If you’d like to add an event to our calendar, submit an event here. Please check with the event organizers to see if events change due to weather. Have a great week!
See the full weekly calendar on our website.

Noteworthy Events

The Lion King at DPAC

• Winner of six Tony Awards®, including Best Musical, this landmark musical event brings together one of the most imaginative creative teams on Broadway.
• Wed, May 15 - Sun, June 9
• $29.50+

Adult Recess at CCB Plaza

• Let your inner child shine as you play games, make crafts, and enjoy the fresh air during your lunch break!
• Wed, May 15
• 12-2 p.m.
• Free admission

Duke Baseball vs UNC at Jack Coombs Field

• Thu, May 16 - Sat, May 18

Bimbé Celebration at Rock Quarry Park

• This family-oriented event is a celebration of African and African American history, culture, arts, and traditions. This year's headliner: Monica!
• Sat, May 18
• 1-7 p.m.
• Free admission

Peter Pan at The Carolina Theatre

• This adventure begins at the London home of the Darling family, a typical evening in 1912, as the weary parents try to settle their children down for bed while the young ones insist on staying up late. Little do Wendy, John, and Michael know that a fantastic journey awaits them that night.
• Sat, May 18
• 3 p.m. and 6 p.m.
• $32+

DPW Limit Break at Durham Convention Center

• Wrestlers from all over the world will gather in one place for a night you won't forget.
• Sun, May 19
• 7 p.m.
• $25+

Multi-Day Events

The NGIN Cityscapes Summit at Durham Convention Center

• Hosted by national nonprofit, New Growth Innovation Network, prepare to connect with like-minded professionals and engage with purpose-driven organizations. Immerse yourself in workshops and captivating keynotes from renowned speakers, featuring three tracks of insightful sessions: Inclusive Capital, Community Wealth Building, and Reimagining Systems.
• Wed, May 15 - Fri, May 17
• Registration fees vary

Durham Greek Festival at St. Barbara Greek Orthodox Church

• Enjoy fabulous Greek food, desserts, wine and beer in a festive outdoor atmosphere. Continuous Greek music and scheduled folk dance performances.
• Sat, May 18, 11 a.m. - 9 p.m. and Sun, May 19, 11 a.m. - 7 p.m.
• Free admission

Historic Buildings Open House at West Point on the Eno Park

• Enjoy a look inside the historic McCown-Mangum House, Photography Museum, and Mill.
• Sat, May 18 and Sun, May 19
• 10 a.m. - 2 p.m.
• Free admission

Movies at The Carolina Theatre

• Libeled Lady
• Dirty Harry & Assault on Precinct 13
• Cat City
• Back to Black
• Willy Wonka and the Chocolate Factory
• UHF

Monday, May 13

2 p.m.
Board Game Night at The Glass Jug in Downtown Durham
5 p.m.
Arts & Drafts at Fullsteam Brewery
6 p.m.
Disc Golf Putting League at The Glass Jug in RTP
6:30 p.m.
Trivia Night at Ponysaurus Brewing Company
7 p.m.
Community Board Game Night at Moon Dog Meadery

Tuesday, May 14

Events at Durty Bull Brewing Brewing Company

• 12-8 p.m. - Food Truck: Mike's Vegan Cookout
• 7-9 p.m. - Bull City Beer Runners Run Club
• 7-8 p.m. - Puzzled Pints Game Night

Events at The Glass Jug Beer Lab in Downtown Durham

• 5:45-6:30 p.m. - Community Zumba Classes
• 6-8 p.m. - Music Bingo

Events at The Glass Jug Beer Lab in RTP

• 6-8 p.m. - The Glass Jog Run Club
• 6-9 p.m. - Stitch & Sip

5:30 p.m.
Boxyard Run Club at Boxyard RTP
6 p.m.
In Other Words at Arcana
Duke Baseball vs College of Charleston at Jack Coombs Field
Bring Your Own Vinyl with Jaffar at Rubies on Five Points
Women on the Wall at Triangle Rock Club - Durham
6:30 p.m.
Trivia at Durham Food Hall
Pony Ride at Ponysaurus Brewing Company
7 p.m.
Trivia at Beer Study Durham
Not Rocket Science Trivia at DSSOLVR Durham
Tuesday Blues Jam at The Blue Note Grill
8 p.m.
Comedy Night at Bull City Ciderworks
Jeremy 'Bean' Clemons Trio at Kingfisher
Enter Shikari at Motorco Music Hall
Vision Video + Tears For The Dying at The Pinhook

Wednesday, May 15

Events at Atomic Empire

• 6:30 p.m. - Dragon Ball Fusion World Release Event
• 7 p.m. - Flesh and Blood Armory Event

Events at Boxyard RTP

• 12-2 p.m. - Hear & There: Daniel Delorenzo
• 5:30-8:30 p.m. - Game Night

Events at ZincHouse Winery & Brewery

• 7-8 p.m. - Signature Wine Tasting
• 7-8:30 p.m. - Laughs Comedy Night

9 a.m.
Senior Short Game Clinic at Hillandale Golf Course
10:30 a.m.
Storytime on the Roof with Durham County Library at The Durham Hotel
12 p.m.
Adult Recess at CCB Plaza
3 p.m.
Durham Farmers’ Market at Durham Central Park
4 p.m.
Whiskey Wednesdays at Alley Twenty Six
5 p.m.
Free Wednesday Wine Tasting at Beer Study Durham
5:30 p.m.
Ride of Silence at CCB Plaza
6 p.m.
Queer Craft Night and Tarot with Joy at Arcana
Bimbe Community Block Party at Holton Career & Resource Center
Come Take a Flight With Us: A Bright Black Workshop at Proximity Brewing Company
Free RTP Business Rockstar Connect Networking Event at Sheraton Imperial Hotel
Sweet Social: Auntie's African Ice Cream at The Durham Hotel
6:30 p.m.
Trivia Night with Pickle at The Glass Jug Beer Lab in RTP
7 p.m.
Bottle Swap: Homebrew Club at Durty Bull Brewing Brewing Company
Skip The Small Talk: Speed Friending Event at Fullsteam Brewery
Hammered Trivia at Hi-Wire Brewing
Karaoke Night at Mavericks Smokehouse
Music Bingo at Ponysaurus Brewing Company
3rd Wednesday Jazz Jam Session at Succotash Southern & Creole Kitchen
Brett Chambers Open Mic at The Blue Note Grill
8 p.m.
Air Hockey Tournament at Boxcar Bar + Arcade
Trivia Night at Bull McCabe's
Karaoke at Moon Dog Meadery
The Weeks at Motorco Music Hall
Blends With Friends at The Pinhook

Thursday, May 16

Events at Boxyard RTP

• 7:30-8 a.m. - Bike Durham: Bike to Work
• 12-2 p.m. - Taking Back Thursday: Sheila Casalett

Events at Durty Bull Brewing Brewing Company

• 12-8 p.m. -Food Truck: Mike's Vegan Cookout
• 7-9 p.m. - Thursday Trivia with Nick

8:30 a.m.
Harnessing the Power of AI to Ensure Equitable HR Practices at RTI Holden Building
9:30 a.m.
Guide Supported Canoeing, Kayaking, and Standup Paddleboarding at Eno River
12:15 p.m.
Midday Meander: A Strolling Conversation at Sarah P. Duke Gardens
3 p.m.
Guided Museum Tour at 21c Museum Hotels Durham
5 p.m.
Thirsty Thursdays at Dashi
Righteous Roots Reggae Show at The Glass Jug Beer Lab in RTP
5:30 p.m.
Walking Club with Bull City Strollers at The Glass Jug Beer Lab in Downtown Durham
6 p.m.
Queer Trivia at Arcana
Vinyl Night with DJ Deckades at Gizmo Brew Works
6:15 p.m.
Pony Run at Ponysaurus Brewing Company
6:30 p.m.
AfterHours: Science of Beer at Museum of Life and Science
Line Dance Classes at Mystic Farm and Distillery
Space Code Youth Open Mic at NorthStar Church of the Arts
Boulders & Brews Meetup at Triangle Rock Club - Durham
7 p.m.
Trivia Night at Beer Tooth Taproom
Bimbé Cypher at CCB Plaza
Bring Your Own Vinyl Night at Congress Social Bar
Duke Baseball vs UNC at Jack Coombs Field
Summer Jazz Jam (Curated by Al Strong) at Missy Lane's Assembly Room
Community Board Game Night at Moon Dog Meadery
Al Strong Presents Jazz on the Roof at The Durham Hotel
7:30 p.m.
Trivia Night with Big Slow Tom at Clouds Brewing Brightleaf Square
Reverend Billy C. Wirtz / Armand Lenchek & Carter Minor at The Blue Note Grill
Pillow Talk: Speed Dating and Conversations About Sex / Sexuality at The Pinhook
8 p.m.
Weekly Single Mingle at Boxcar Bar + Arcade
Trivia at Fullsteam Brewery
Danny Lopriore at Motorco Music Hall
9 p.m.
DJ Halo Presents: No Requests at Rubies on Five Points
9:30 p.m.
Karaoke Night at The Tavern

Friday, May 17

Events at Atomic Empire

• 6:30 p.m. - Lorcana: Ursula’s Return Release Event
• 6:30 p.m. - Commander Legends: Battle for Baldur's Gate Draft

Events at Durty Bull Brewing Company

• 5-9 p.m. - Food Truck: La Republica Taco Truck
• 8-11 p.m. - Open Mic Stand-up Comedy

Events at Mettlesome

• 7:30-9 p.m. - Wit: An Improv Comedy Game Show
• 9-10 p.m. - Hush Hush

Events at Moon Dog Meadery

• 6:45 p.m. - Lindy Hop Lesson + Dance
• 7:30 p.m. - Djam
• 9:30 p.m. - Bachata Dance Night

Events at The Blue Note Grill

• 6-8 p.m. - The Duke Street Dogs
• 9:15 p.m. - The Beautiful People Club

10 a.m.
Tasting at Ten at Counter Culture Coffee
12 p.m.
Co-Working Social at The Glass Jug Beer Lab in Downtown Durham
4 p.m.
Late Spring Tree Ramble at Sarah P. Duke Gardens
5 p.m.
Guided Museum Tours at 21c Museum Hotels Durham
Food Truck Friday at The Glass Jug Beer Lab in RTP
5:30 p.m.
LOJO: Log Off, Jam On at Boxyard RTP
6 p.m.
Aly J & Kevin Clark and Tarot with Kathleen at Arcana
Third Friday Art Walk at Downtown Durham
Friday Night Makes at Durham Arts Council
May Third Friday at Durham Arts Council
Counterpoints Exhibition Reception at Durham Bottling Co.
Third Friday at Golden Belt Arts
Duke Baseball vs UNC at Jack Coombs Field
Screenprint Roundup at The Fruit
The Patio Dance Parties : Clueless Fridays at Unscripted Durham
6:30 p.m.
Kayla Waters (Hosted by Marcus Anderson) at Missy Lane's Assembly Room
7 p.m.
Live Vinyl Spinning by PhDJ at Beer Study Durham
Early Show: John Howie Jr. / Ramona and The Holy Smokes at The Pinhook
7:30 p.m.
Evening Eno Exploration Paddle at Eno River
Evan Ringel & Ariel Pocock at Sharp 9 Gallery
8 p.m.
Pass the Aux at Boricua Soul
Stereo Reveries at DSSOLVR Durham
Karaoke! at Fullsteam Brewery
Cheekface at Motorco Music Hall
Dance Blues Friday at Studio 5
9 p.m.
Kayla Waters (Hosted by Marcus Anderson) at Missy Lane's Assembly Room
10 p.m.
The Floor: Special Guest THEYDYLIKE at Rubies on Five Points

Saturday, May 18

Events at Atomic Empire

• 11 a.m. - Pokémon TCG: League Cup
• 1 p.m. - Lorcana: Ursula’s Return Release Event
• 2 p.m. - Game Designers of North Carolina Meetup

Events at Boxyard RTP 11 a.m. - 2:30 p.m. - Will & Well: Grand Opening

• 11:30 a.m. - 2:30 p.m. - Saturdaze: DJ k.ward

Events at Durty Bull Brewing Company

• 1-8 p.m. - Food Truck: Death By Taco
• 3-7 p.m. - 3rd Saturday Vintage + Maker Market
• 5-9 p.m. - Home Brewed: CNOTE Art Spectacular

Distillery Tours and Tastings at Liberty & Plenty

• Every Saturday, 10-10:30 a.m. and 11-11:30 a.m.

Events at Mettlesome

• 7:30-8:30 p.m. - House Party
• 8:30-9:30 p.m. - Harold Night
• 9:30-10:30 p.m. - Mint Condition Standup Showcase

Events at The Fruit

• 5-8 p.m. - Menace To Society Album Listening Party
• 7:30-10 p.m. - HUMP! Film Festival
• 10 p.m. - 2 a.m. - Puro Perreo Pari

Events at The Pinhook

• 7:30 p.m. - Boogie Burly Nights... A Groovy 70s Show
• 10:30 p.m. - Drake and Friends 2

Guided Walking Tours with Triangle Adventures

• 2 p.m. - Downtown Durham Walking Tour
• 4 p.m. - Durham African American History Tour
• 6 p.m. - Downtown Durham True Crime Tour

7 a.m.
Lookin For A Cure at Bull City Running Company-South
8 a.m.
Durham Farmers' Market at Durham Central Park
parkrun Durham at Southern Boundaries Park
9 a.m.
South Durham Farmers' Market at Greenwood Commons Shopping Center
9:30 a.m.
Guide Supported Canoeing, Kayaking, and Standup Paddleboarding at Eno River
10 a.m.
Pop Up Record Show at Beer Durham
Durham's Home Goods Market at Black Wall St Gardens
Bear Awareness Week at Museum of Life and Science
10:30 a.m.
Mother's Day Brunch at The Durham Hotel
11 a.m.
Battle of the Blades 2024 at Historic Durham Athletic Park
12 p.m.
Springtime Outdoor Market at Boxcar Bar + Arcade
Crafternoons at Gizmo Brew Works
Preservation Durham Annual Home Tour: The Rambling Ranch at Orchard Park Picnic Shelter
1 p.m.
Duke Baseball vs UNC at Jack Coombs Field
Say It With Glass Workshop - Sam Nguyen at Moon Dog Meadery
Bimbé Celebration at Rock Quarry Park
2 p.m.
Closing Reception — Dan Gottlieb: Figure Ground at Craven Allen Gallery
Durham "Bullpen" Treasure Hunt - Walking Team Scavenger Hunt! at Fullsteam Brewery
3 p.m.
A Beautiful Noise Spring Concert by the Common Woman Chorus at Eno River Unitarian Universalist Fellowship
Peter Pan at The Carolina Theatre
4 p.m.
Family Fun Saturday: May Flowers at Guglhupf Restaurant
5 p.m.
Rooftops and Alleyways Community Canvas Wall Brawl at Dashi
Durham Blues & Brews Festival at Durham Central Park
Hops & Blues at The Glass Jug Beer Lab in RTP
6 p.m.
The Moon Unit and Tarot with Emily at Arcana
Peter Pan at The Carolina Theatre
6:30 p.m.
Kayla Waters (Hosted by Marcus Anderson) at Missy Lane's Assembly Room
7 p.m.
A Beautiful Noise Spring Concert by the Common Woman Chorus at Eno River Unitarian Universalist Fellowship
Crones of Anarchy: Blues, Rock, Americana at Succotash Southern & Creole Kitchen
7:30 p.m.
Jim Ketch Swingtet at Sharp 9 Gallery
Big Birthday Dance Party: Combo Platter with 2 Sides at The Blue Note Grill
8:15 p.m.
BBYMUTHA: Sleep Paralysis Tour 2024 at Motorco Music Hall
9 p.m.
Kayla Waters (Hosted by Marcus Anderson) at Missy Lane's Assembly Room
10 p.m.
Fortune Factory Presents: Taurus Dance Party at Rubies on Five Points

Sunday, May 19

Events at Atomic Empire

• 11:30 a.m. - Star Wars: Shatterpoint Tournament
• 12 p.m. - Battletech Campaign Day
• 1 p.m. - Lorcana: Ursula’s Return Release Event

Events at Durty Bull Brewing Company

• 2-4 p.m. - Hammered Trivia with Casey
• 4-8 p.m. - The Blood Connection Blood Drive

10 a.m.
Jazz Brunch at Lula & Sadie's
10:30 a.m.
Al Strong Presents Jazz Brunch at Alley Twenty Six
12 p.m.
Preservation Durham Annual Home Tour: The Rambling Ranch at Orchard Park Picnic Shelter
Sunday Dollar Bin Sale for Charity at Rumors Durham
Supernatural Sunday - Psychic Affair + Healers Market at Weldon Mills Distillery
Farmers Market at ZincHouse Winery & Brewery
12:15 p.m.
Public Tour at Duke Chapel
2 p.m.
Hillandale Golf Beginner Clinic at Hillandale Golf Course
3:30 p.m.
Davis Dance Company Spring Recital 2024 at The Carolina Theatre
4 p.m.
Showings at Scripps: Miguel Gutierrez at ADF's Samuel H. Scripps Studios
Carmina Burana at Baldwin Auditorium
Día de las Madres Kermes at El Futuro’s Therapeutic Green Space
String Break at Fullsteam Brewery
6 p.m.
Emma Jane's EP Release Show and Tarot with Joy at Arcana
Davis Dance Company Spring Recital 2024 at The Carolina Theatre
6:30 p.m.
Open Mic Night at Moon Dog Meadery
7 p.m.
DPW Limit Break at Durham Convention Center

Running Art Exhibit

Hometown (Inherited): Ten Year Retrospective at The Fruit

• This project examines the changing landscape of our city through a series of forty mixed media pieces the artist has created since 2014.
• Third Friday openings on Apr 19 and May 17, 6-9 p.m.
• Drop-in by appointment and Wednesdays 4-7 p.m.
• Free admission

Dan Gottlieb: Figure Ground at Craven Allen Gallery

• Each piece begins as a photograph, which is then printed on acrylic and worked with a variety of paints and compounds to create a unique surface.
• Sat, May 4 - Sat, May 18
• Free admission

Constellations: 40 Years of Explorations within Sacred Geometry by Steven Ferlauto at Horse & Buggy Press and Friends

• Sacred Geometry is an ancient field of physics whose equations are expressed through shape. Shape is a way to explore the universal fabric of our existence.
• Sat, May 4 - Sat, June 1
• Free admission

It Ain’t All Black And White at DAG Truist Gallery

• It Ain’t All Black and White is a photography exhibition that encourages us to consider emotions such as serenity, apprehension, yearning, and more.
• Captured by 11 dynamic photographers dedicated to documenting the fullness and complexity of Black life, this exhibition offers each of us an opportunity to see ourselves with renewed attention.
• Thu, Apr 25 - Sun, June 2

María Magdalena Campos-Pons: Behold at Nasher Museum of Art at Duke University

• María Magdalena Campos-Pons: Behold is a monographic exhibition of a visionary voice in photography, immersive installation, painting and performance.
• Thu, Feb 15 - Sun, Jun 9
• Every week, Tue-Sat 10 a.m.-5 p.m., Sun 12-5 p.m.
• Free admission

Counterpoints at Durham Bottling Co.

• Counterpoints is a curated showcase of local AAPI (Asian American Pacific Islander) artists, delving into the convergence of AAPI identity and mental health. Inspired by the intricate layers of musical counterpoint, its purpose is to weave together diverse narratives and confront the stigma surrounding mental health within our communities.
• Wed, May 1 - Sun, June 16
• Mon - Fri, 10 a.m. - 4 p.m.

Cameron Elyse's Divine Nine Legacy Memoir Exhibition at Hayti Heritage Center

• The Divine Nine Legacy Memoir delves deep into the history of the National Panhellenic Council (NPHC) or "Divine Nine," a collective of nine Greek Letter organizations founded on May 10th, 1930.
• These organizations were born out of the necessity to provide a voice for Black American students within the collegiate space. United by principles of service, community, brotherhood, and sisterhood, the Divine Nine work collectively to uplift society through acts of service to underserved areas across the nation.
• Fri, Apr 19 - Sat, June 1
• Free admission

Hi everyone, I came here from WTS! Loved the song so here I am :)
I ran the sample into https://vocalremover.org, and here's the result for the isolated vocals.
I'm a French native speaker, but here's what I think I can hear:
All then could be true And thank you (off the blue / Arthur Brooks / Arthur Blook? - there's a /k/ sound somehere around here) So many feelings I’m glad you are coming to us That’s the magic
I’ll stick to Supreme And love you like a truth So many achin’ Can feel like It never (ends? is?) Now let-
As it was mentioned earlier, the model of the recorder containing the song was released in 2010.
Is it possible that this sample comes from a radio/tv advert aiming to recreate a 70's-80's vibe? This would explain the length of the sample. Also, some of the lyrics do sound like they're from an ad, and why there are no matches on Discogs.
As some of the lyrics don’t make much sense, it could be from a non English speaking country aiming for an "American" vibe. Japan maybe (but then how did it end up on a random recorder in NC)?
Speaking about Discogs: I searched for tracks named "Thats The Magic" with the advanced search, and it gave me only one result. Not our song unfortunately, but if you like That's the Magic you might like this one! https://www.youtube.com/watch?v=lYzZiZYrobY

So currently I have a 2019 MacBook Pro i7 8GB ram model, and am using Logic as my main DAW (and ableton as a live & side tool), and it seemed to be doing okay ish the the first little while after I bought it, but I think I’ve realised that in 2024 the machine just is not powerful enough anymore (also the battery/Touch Bar is dying too and would cost £500 to replace). Like it can barely even run my custom template (around 40-50 mainly empty tracks which by the end of a project may be far more and using large amounts of different samples, vsts & automation etc)
Say I load the template up, and start laying down some omnisphere parts for example, after like 3 instances, I start constantly getting the ‘CPU overloaded’ message. This is whilst also having the highest buffer size etc, and I really don’t want to have to constantly be freezing tracks etc
From what I’ve read the 2019 Intel Macs just completely suck in terms of performance and after doing some research it sounds like the apple silicon macs are supposedly night and day in terms of performance
so does it sound like I’m gunna have to somehow find the money to upgrade?
If so which MacBook Pro do you think would be enough for my current and long term needs? (mainly pop/band/electronic music production - with large detailed projects of sometimes 50-200 different tracks @ lots of automated parameters etc - but also some film and photo editing too)
Would an M1 16gb be okay? Or are the M2/M3/ upcoming M4 models definitely worth the extra money & does the hardware have any significant differences between them? (Like ports, screen etc) I just wanna be free to create without worrying about the hardware holding me back anymore :(
Any advice on this would be much appreciated,
Thanks x

Hi. For no reason at all, my Macs Finder has just gone fucked up. No matter what page/window I am on, the finder is open and a duplicate of the first window. If I close that Finder, all finders close.
This has never happened before.
The Tabs also match. I normally have six pages open, and the finder has different tabs for each page. Now, though, the one-finder is just a clone.
Does anyone know what might be happening?
As you can see. These are two pages/screens on my Mac. For some reason, the finder is open on every screen. If I close down the finder, it closes on every screen. If i add a new tab/change a tab etc, it then does the same on the finder on every window.
Normally I have finder open on 6 of 9 pages and all diffrent tabs. So weird
https://preview.redd.it/qc2jbhzc780d1.png?width=1278&format=png&auto=webp&s=f5f009a4a6420dcbdfdfe6a5b3eb61f58beb02dd
https://preview.redd.it/j3c9ydzc780d1.png?width=1352&format=png&auto=webp&s=8bafd9deae6cbc4ab697f86be57816e9ad55347f
https://preview.redd.it/011mqgzc780d1.png?width=1458&format=png&auto=webp&s=658d3ac179f767bf52947b9b6e9c3fce085a6cd4
https://preview.redd.it/zia70hzc780d1.png?width=1336&format=png&auto=webp&s=cb537b8ffd011774fd2d53c824a5dd7a3cf2d903

RELEASE NOTES 1.35.21.0
If you are playing on PC, outdated packages in your community folder may have an unexpected impact on the title’s performance and behavior. If you suffer from stability issues or long loading times, move your community package(s) to another folder before relaunching the title. How to install a new update safely
NEW CONTENT/FEATURES Added flight plan assistance setting for ATC in the user experience assistance settings so that users can request the ATC to favor their flight plan or world map flight settings over the current conditions. This assistance is set to “Active” by default. Active: ATC will set the active runway and approach for the departure and arrival airport based on the users flight plan or settings in the world map. Deactivated: ATC will set the active runway and approach based on current conditions only. ATC now clears a step to the next altitude some time before arriving at the previously cleared altitude, rather than once arrived at the previously cleared altitude. (Next step is issued when at 2000FT from cleared altitude rather than 250FT from cleared altitude). ATC Vectoring bug fixes: Now assigning the correct clearance when the first two waypoints were one over the other, Now assigning a new vector & clearance every time the user asks the ATC for a new vector. Added completely new Cirrus SR22T G6 model with custom engine simulation, book-accurate performance, and extensive Perspective Plus NXi features.
GENERAL BUG FIXES Several crashes have been fixed across the title Fixed localization bugs Performance optimizations for long flights. Fixed ATC that was mixing voices in localized languages Automated Weather Report temperature reading updated
MARKETPLACE Fixed an issue where the Wishlist would not sort properly in the Marketplace
MENU Fixed freeze when opening the logbook
NAVIGATION/TRAFFIC Enhanced ATC phraseology. Some of the improvements include: The removal of the word ‘for’ in altitude change requests. Eliminating the requirement to include altimeter settings in takeoff clearances.
WEATHER Snow and ice coverage accuracy has been improved in live weather Fixed an issue where the wind from a malformed METAR was incorrectly read Fixed an issue where the sim occasionally retrieves obsolete weather data Improved transition during cloud coverage updates AND fixed an issue where clouds don’t load when starting a flight.
GLASS COCKPITS GARMIN G3000 / G5000 Fixed an issue where removing an airway entry leg from the flight plan could sometimes corrupt the flight plan.
G1000 NXI Added support for hardware keyboard with new AS1000CONTROL_PAD H events. Fixed an issue where removing an airway entry leg from the flight plan could sometimes corrupt the flight plan. AP: Added support for LVL and TO/GA modes MFD: Added Page Menu popup for MFD’s Nearest Airports page. CAS: PFD Alerts softkey indicator now flashes color and changes to appropriate label with CAS messages CAS: Pressing PFD Alerts softkey now acknowledges CAS messages and cancels aural chimes CAS: Alerts now display in order of priority and time first seen SIM: Added support for knob-based XPDR code entry using H events. For aircraft developers: Made all methods in PFD and MFD plugins optional. Exported NavSystems’s class FrequencyItem and its props interface FrequencyItemProps. CAS messages may now be assigned associated Alerts messages via JS and/or plugin code Added support for control pad entry for Constraint Selector in the FPL dialog Added support for LVL and TO/GA autopilot modes Added support for control pad entry on several UI input components Added support for styling the Com selection based on the radio selected to transmit, and for both Nav and Com standby frequencies selected to edit WT21 For aircraft developers:
Added configurable side button support to the WT21
AIRCRAFT GENERAL Payload station weights that are set via SimConnect are now properly displayed in the Weight&Balance toolbar panel. Fixed – L-39 Pipsqueak – Unable to enter values by double-clicking on GNS screen Fixed – L-39 Sarance – Unable to enter values by double-clicking on GNS screen Contact Points compression under some kind of roof (bridge, cave, arch, etc.) was fixed Fixed – P-51D LadyB – Unable to enter values by double-clicking on GNS screen Aircraft Registration can no longer be lowercase Fixed – P-51D Miss America – Unable to enter values by double-clicking on GNS screen Fixed – P-51D Strega – Unable to enter values by double-clicking on GNS screen Fixed – T-6 Baby Boomer – Unable to enter values by double-clicking on GNS screen Improved aircraft simulation stability (few potential crashes were fixed) Fixed – T-6 Undecided – Unable to enter values by double-clicking on GNS screen Corrected an issue that could prevent cockpit interactions from working in some rare conditions Correct many false positive errors regarding InputEvents when loading AI planes Corrected an issue that would cause some P51 to lose power in reno races. Fixed an issue that could cause the state of Avionics circuit depend features to be toggle on and off when no MarkerBeacon circuit was present It is now possible to slow down the simulation speed to 1/8 and 1/16 of real time. EXTERNAL HUD Minimized HUD can now display more than 8 engines power values HELICOPTERS Anti-stall protection is now disabled for helicopters. AIRBUS 310-300 A310 Radio Stuck Broadcasting on KSNS ATIS After Departing KSFO. Vertical speed knob labeled as “altitude knob” in tooltip. AIRBUS A320NEO (V2) During testing of the A320neo, we encountered an application crash rate on console that is too high to pass certification. We need to address this issue before the A320 can ship. BELL 407 Rotor weight changes. Rotor brake force adjustments. Rotor blade dynamics adjustments. Throttle/governed RPM during startup and shutdown. Engine performance changes. Fuel management on the weight and balance settings. Performance data on the aircraft selection screen. Localization text changes. FADEC tooltip. Fuel Pressure gauge illumination. Cold and dark state changes. Checklist correction. Fixed checklist AutoStart. AutoStart sequence now works. BOEING 787-10 / BOEING 747-8I General performance optimizations for consoles and some hardware configurations W&B: An operational CG margin is considered now to avoid extreme CG values when loading the aircraft. SIM: ATC will now know about your planned cruise altitude and will assign you a flight level accordingly. CHECKLISTS: Fixed bug where checklists that only contain closed loop items would sometimes be skipped when entering the checklist page if all items are completed. [787] CHECKLISTS: Fixed flaps checklist items being completed before the flaps reached the selected position. [787] W&B: Corrected movement of the CG as fuel is burned by moving the tanks to the exact locations of those on the real plane. [787] EFB: Support clearing of the TOW field. [787] EFB: Cap the achievable MTOW at the certified limit of the plane. [787] EFB: Correct error message when current TOW exceeds the achievable MTOW. [787] EFB: Added Automatic brightness adjustment. [787] EFB: Fixed spelling errors. [747] SYSTEMS: Reserve fuel transfer will now not stop once started mid flight. CDU: Fix takeoff speeds being invalidated when opening TAKEOFF REF on the copilot side CESSNA CITATION CJ4 SIM: ATC will now know about your planned cruise altitude and will assign you a flight level accordingly CIRRUS SR22T G6 Completely brand-new art and model of the SR22T G6 GTS. Completely reworked flight model and performance featuring: CFD with book accurate performance and pilot tested handling. Modern propeller system. New turbo and fuel engine systems. Custom ECU, engine computer, and EGT/CHT simulation. Custom lean misfire, detonation, and engine failure simulations. Full Perspective Plus features implemented for G1000 NXi, including: Full-screen engine page with anti-ice status and fuel flow targets. Full-screen fuel management page. Weight and Balance page with graphical CG envelope. Trip planning page with automatic and manual modes. Massive suite of interactive checklists. MFD destination inf-box. PFD power gauge, GAGL indicator, GS and TAS. Frequency loading menus on airport and waypoint inf-pages. FIKI (Flight int-Known Icing) and TKS simulation. Stabilized approach system with PFD alerting and monitoring for: Bar-mismatch, crosswind, tailwind, flaps, lateral deviation, and vertical deviation (GS and GP). Updated EIS with custom reversionary mode version. Lean assist, fuel flow green band, and cyan fuel flow lean target indicators. Fully modeled GCU479 Garmin Control Unit keypad with all entry modes. Additional new autopilot mode support including LVL, TO, and GA. Large suite of accurate CAS messages including new G1000 NXi alerts acknowledgement and menu behavior. CURTISS JN-4 “JENNY” Fixed – [KO-KR] Some instruments in cockpit are not localized in Korean in Curtiss Jenny. Fixed – [Localization] Livery names are not localized in liveries page. Fixed – [pl-PL] Missing/untranslated words in checklist. Fixed – [TR-TR] Some instruments in cockpit are not localized in Turkish in Curtiss Jenny. DAHER TBM 930 Fixed broken autopilot panel backlighting. DOUGLAS DC-3 Fixed starting engine in Multiplayer causes other DC3 engines to animate starting Fixed overlapping words on the warning labels inside the cabin and on the rear cabin door. (Enhanced) Fixed Radio altimeter appearing off above 400ft. Classic 8-way Quick view controls fixed during flight. Fixed fuel pump does not indicate fuel flow from Cold/dark until after mesh switch is engaged. (Enhanced) Improved low resolution text in the Enhanced Edition cockpit. (Enhanced) Fixed missing panel texture for Beacon light. (Enhanced) Fixed HUD not correctly indicating state of flap. Fixed Decision height/Radar altitude setting knob setting does not match panel texture. Fixed fuel pump not indicating fuel flow from Cold/dark until after mesh switch is engaged. GRUMMAN G-21 GOOSE AI copilot completes checklist items for you in Evaluation mode. Attitude Indicator doesn’t provide pitch indications. Fuel drawn from wrong tank when starting Cold & Dark. Part of tooltip description for Magneto Cutoff not localized. Unable to toggle “taxi light” in cockpit–must use key binding. H-4 HERCULES “SPRUCE GOOSE” Camera Quick views fixed Engine 5-8 throttle fixed when using a gamepad ROBIN DR400 Fix Flaps looking misaligned with the wings in neutral position. RYAN NYP “SPIRIT OF ST. LOUIS” Camera Quick views fixed WRIGHT FLYER Camera Quick views fixed WORLD Used more realistic mapping of wave lengths onto RBG values for the ozone layer scattering and the sun color, resulting in more realistic colors of the sky and the lighting in the world.
TOP-GUN MAVERICK Fix for the aircraft carrier wake in Maverick landing challenge that was missing
PERIPHERALS Various peripheral fixes Pause mapping on the Occulus touch left controller switched from Y to Menu button Anti Ice and Aux Fuel Pump LEDs are now working properly with Bravo Throttle Quadrant
SDK Added new Coherent calls SET_CRUISE_ALTITUDE and GET_CRUISE_ALTITUDE to get/set the planned cruise altitude the in game ATC knows about. Fixed crash when “positive_g_limit_flaps_up” parameter is present in [AIRPLANE_GEOMETRY] section in flight_model.cfg, but one of the parameters: “positive_g_limit_flaps_down” or “negative_g_limit_flaps_up” or “negative_g_limit_flaps_down” is missing. See SDK for details. More parameters have been added to the “[VIEWS]” section of the “camera.cfg” file to control the behavior of the external camera (“external_camera_distance”, “external_camera_follows_heading”, “external_camera_follows_velocity”). See SDK for details. Several features have been added and bugs have been fixed for the skid-type landing gear, which can now be retractable. See SDK for details. Added “set_max_compression” and “spring_exponential_fix” parameters to the “[CONTACT_POINTS]” section of the “flight_model.cfg” file. See SDK for details. DEVMODE Debug old: option to disable 30Km mesh display limit “Exponential Constant” parameter is added to the Contact Point serialization (it was missed) Aircraft debug windows stability was improved Fixed context setting of Material Editor when opening Scenery Editor Added Interactive Points state initialization via .FLT files The “gear_locked_on_ground” parameter in the [CONTACT_POINTS] section of the “flight_model.cfg” file now works for SKI and SKID type retractable landing gear. Fixed random crash when exiting the game with DevMode open AssetReload: Reload gltf lod min size Fixed some scenery option not applied during multiple selection Add SpeakerFullName in DialogAction Improved linear memory size formatting in WASM Debug window SIMCONNECT SimConnect Input Events function can now be used while devmode is disabled SimConnect Input Events shouldn’t crash the sim after going back to main menu (or restarting a flight) Ident and region are now two separate fields while requesting Facilities New Data are available through NavData API (Pavement, Vasi, Approach Lights) SIMVARS Added simvars AIRCRAFT_AGL and AIRCRAFT_ALTITUDE_ABOVE_OBSTACLES Aircraft editor Added an option to delete a parameter from the cfg file, or to reset it to its default value Added rotation Gizmo Added new parameters Added expert Mode to the editor. Expert Mode eliminate all constraint on the editor regarding conditional fields, required parameters or array sizes. Only already existing parameters and modified parameters are saved. This mode allows for greater flexibility of the editor but require more knowledge on how to configure an aircraft. Made NdArrays more flexible, avoid writing too much data per line. Fixed ctrl+f focus that would not focus parameters properly Fixed unwanted or incorrect changes when saving a file in the editor VISUAL EFFECTS EDITOR Fixed visual effect instances not being properly stopped and restarted when the Visual Effects Editor is closed New fixed orientation feature New nodes: Abs, Sin, Cos WASM Fix clipping modes (intersect, complement and Xor) for GDI+ API Fix an error in the dependencies of the VFX Aircraft Sample (and rename the sample from “SampleWasmModule” to “VfxWasmModule”) Fix a bug in CommBus API that cause first registration of an event in Wasm to be ignored CommBus : When register an event in Wasm the triplet [eventName, callback, ctx] can be registered only one time per module CommBus : New function added in Wasm : fsCommBusUnregisterOneEvent CommBus : In JS a CommBusListener has been added

This month the following C++ videos have been published to YouTube. A new post will be made each week as more videos are released
C++Online
05/06/2024 - 05/12/2024

• Advanced SIMD C++ Algorithms in Pictures - Denis Yaroshevskiy - https://youtu.be/uAVXVzWIIBM
• Optimising a High Performance C++ Library: Lessons Learned - Dave Rowland - https://youtu.be/c_cXuL_L0Gg
• Keynote: What Does It Take to Implement the C++ Standard Library? - Christopher Di Bella - https://youtu.be/XP21DsoPaGw

04/29/2024 - 05/05/2024

• What’s New in Compiler Explorer? 2024 Update - Matt Godbolt - https://youtu.be/28Gp3TTQYp0
• Clean C++ Code Is Not the Norm: Why? - Sandor Dargo - https://youtu.be/Rn6EMwPoHZk

Pure Virtual C++
05/06/2024 - 05/12/2024

• Automated Testing of Shader Code - Keith Stockdale - https://www.youtube.com/watch?v=eqnNOhOCesc
• Progress Report: Adopting Header Units in Microsoft Word - Zachary Henkel - https://www.youtube.com/watch?v=RvliLGtaQ0c
• Templates View for Build Insights in Visual Studio - Nelson D. Troncoso - https://www.youtube.com/watch?v=68pOEQ5YA5s

04/29/2024 - 05/05/2024

• Optimizing Game Development Workflows with Visual Studio and AI - David Li & Greg Denton - https://www.youtube.com/watch?v=mZ4uS8_lUzM
• Debugging GUI Applications in a GitHub Codespace - Michael Price - https://www.youtube.com/watch?v=ewLbgs1thSk
• New Editor Features in Visual Studio for C++ Programmers - Haley Welliver and Caleb Blake - https://www.youtube.com/watch?v=DgfSJ2_2TGI
• Message Handling with Boolean Implication - Ben Deane - https://www.youtube.com/watch?v=aIPvb_PaI1A
• Enhancing C++ development with Copilot Chat - Sinem Akinci - https://www.youtube.com/watch?v=GpxPB6FuIAM
• I Embedded a Programming Language In Debug Information - Sy Brand - https://www.youtube.com/watch?v=luogje8IHpM

CppCon
05/06/2024 - 05/12/2024

• Lightning Talk: Is Polymorphism in C++ Really That Bad? - Paul Tsouchlos - https://youtu.be/BujbOFNHHIY
• Lightning Talk: Program Complexity and Thermodynamics - Vadim Alexandrov - https://youtu.be/E1_AgDj_2kw
• Lightning Talk: Undefined Behavior - Toolkit to Improve Communication With Clients - Laura Kostur - https://youtu.be/zKZiWVNenVk
• Lightning Talk: Detecting Constant Folding to Prevent Substitution Failure - Patrick Roberts - https://youtu.be/Hoo9H9z-0VM
• Lightning Talk: Making Friends With CUDA Programmers (please constexpr all the things) - Vasu Agrawal - https://youtu.be/TRQWxkRdPUI

04/29/2024 - 05/05/2024

• Lightning Talk: Let's Fix Sparse Linear Algebra with C++. It'll Be Fun and Easy! - Benjamin Brock - https://youtu.be/vhpj-pQTJPA
• Lightning Talk: (Fine) Wine and MSVC: What Could Possibly Go Wrong? - Yannic Staudt - https://youtu.be/ogrJtlaZfl4
• Lightning Talk: Know Your Audience: Who’s Building Your C++ Code - Chris Thrasher - https://youtu.be/xSrEHZ6Sgfg
• Lightning Talk: Writing a Better std::move - Jonathan Müller - https://youtu.be/hvnl6T2MnUk
• Lightning Talk: Enhancing C++ exceptions with Context - Shachar Shemesh - https://youtu.be/LvzmAJ9_rDk

All of these talks can also be accessed at https://cppcon.programmingarchive.com where you can also find information on how to get early access to the rest of the CppCon 2023 lightning talks.
Audio Developer Conference
05/06/2024 - 05/12/2024

• Accelerated Audio Computing: From Problem to Solution - Alexander Talashov & Alexander Prokopchuk - https://youtu.be/X9TN9la0Q0Y
• Virtual Studio Production Tools With AI Driven Personalized Spatial Audio for Immersive Mixing - Dr. Kaushik Sunder & Krishnan Subramanian - https://youtu.be/Uhf4XUQwcLk
• Workshop: An Introduction to Inclusive Design of Audio Products - Accessibility Panel - https://youtu.be/-iVDiV1Iwio

04/29/2024 - 05/05/2024

• Legacy Code for the Learning Audio Engineer: Examples In C++ - José Díaz Rohena - https://youtu.be/b9z8a2z4ZP4
• AI Generated Voices: Towards Emotive Speech Synthesis - Vibhor Saran - https://youtu.be/5FoI9JPNbo8
• Audio Technology Industry Standards - the Agony and the Ecstasy - Angus Hewlett - https://youtu.be/wVxS9Rv1y88

I’ve shared my story on how I started, ran for 10 years, and remotely sold my 3dp business HERE.
Now I would like to speculate on How I would start it if I had to do it again. Why? 2 reasons:

1. When it was time to sell, I discovered, that the most valuable assets of my business were NOT the printers or production base and that I could've significantly grown and therefore increased business value if I did certain things a certain way.

Knowing that and other things - I would've tried to do "the right things" from the beginning, and I hope it would help those who are thinking about or starting it right now.
I concentrate on the business side since the 3dp business is first of all a business, and I go through with it as I would’ve done it (not just some average avatar model).
This article doesn’t cover everything and simplifies some parts, but I tried to make it as real and in-depth as possible since the devil is in the details.

1. I am starting new business projects right now, and the path I am taking is almost the same (minus printers basically) path;

Vision

First I need to ask myself: what kind of 3dp business would I like to start? It may be hard to answer right at the start, but I do know 4 things:

1. I want it to be service-based (at least in the beginning, then I may consider a hybrid: service+product model);
2. I want it to be B2B (higher check, less transactional costs);
3. I want to gravitate towards big/complicated models;
4. I will offer some post-processing (get hand dirty, mot many others willing to do that);

Here I may also need to identify, who my target audience is. But It is hard, and may sometimes be harmful in the beginning, so I will stick with 4 general assumptions listed above, and see where keywords lead me.
But I will revisit this very important question (let's call it a “vision”) as soon as I have a meaningful chunk of data and experience.

Research

Then I will conduct research.
For that, I need to pick a place (3dp business is place-bound to a certain degree). Let's say a city - Austin - TX.
Note here - the bigger city, the better.
Now I need 3 lists:

1. First is a List of keywords with average monthly searches and cost of clicks for different areas:
   
   1. Austin;
   2. Other big cities nearby;
   3. State of Texas;
   4. Nearby states;
   5. The whole of the US.

One tab for each. You can pick as many areas as you see fit, and the logic behind it is that you want to know the demand in places you may be able to serve.
I need general high-frequency keywords as well as Google suggestions and low-frequency keywords. The broader the scope, the better. There is a free tool called Keyword Planner (it also provides a click cost estimation for Google ads) inside a Google Ads account. If you don’t use Google ads, you can pick any keyword search tool out there.
Now I need to sort it, vet out unneeded ones, and separate them into groups based on intent (informational or commercial). I will also create a list of “minus” words (will use them later).
When it is all done, I need to assemble a “core”: a few groups of keywords united by intention.
If I don’t use keys/groups for commercial purposes, I may use them for info articles (SEO). The most visited (by a long shot) page on the site, which I sold as a part of the business was “The History of 3d printing”.
📜 Research should also include many other “places”, basically one should identify where potential customers hang out, what they need (their problems), and how one can reach them, and as a result will have some potential acquisition channels, and a list of “problems” to form an offer with.
I will only cover the fastest and the one I know best - Google ads (+ a bit of SEO for the long game). This channel corresponds rather well, with my understanding, of where my “target audience” may be (more on that below).

1. Second is a List of competitors. I will only need ones’ that will compete with me for my target demographic. Specifically, I would like to know:
   
   1. Domain name;
   2. Their offer (range of services, materials, unique propositions);
   3. Their main (and all significant pages) Title, H1, description, “subtitle”, unique selling propositions, and maybe a screenshot of HERO;
   4. Their CTAs (calls to action - do they use online calculators, contact form…).

The list can go on, but those are the most important (probably), the logic behind it - I want to know what has been offered so far, compare it to the demand from list 1, and identify where I can “squeeze in”.

1. Third list - competitor’s prices. Based on my initial ”vision” (what/for whom I will try to do) I prepare a couple of inquiries, which I send to competitors to quote.

I would like to know:

• Price;
• Fulfillment time;
• Conditions;
• How competitors interact with prospects.

Inquiries may be:

1. A somewhat complicated “technical” model of a middle size;
2. Small-to-mid batch of parts (up to 100-300);
3. A somewhat big (that will probably require printing in parts and assembly) model + separately I would inquire about painting;

As a result, I understand how I may price my services. I prefer to start somewhere in the lower middle of a price range and slowly go up.
I know what I won't do - I won't try to go for the cheapest price - it is a road to nowhere. I may go for it once or twice to snatch an order, which will be beneficial to my portfolio, but that is it!
Now I also understand how my competitors interact with their customers and what I can offer in this regard.

Plan

With that data gathered I am now ready to compose a “business plan” /set up business goals for 1-3 years, and lay out a tactical (more detailed) plan for a quarter or so.
Usually, the latter shall be detailed like: I need to reach X revenue/per day, to get Y rev per month, and for that, I will need Z inquiries and so on... But as I am just starting, it may not make a lot of sense, since there are no "base" numbers. But I will use that type of planning as soon as I have those numbers (after 6-12 months).
I also will align the plan with my vision, and maybe add some details to it, based on the data I’ve gathered.
I will have a somewhat united note/doc with actionable tasks, equipped with due dates (those are very important), and an overall plan.
I like to unify all of the above (lists, vision, tasks…) as a project in a project management software (later about that). Much easier to manage and keep track of.

Offer and Site creation

Now I can form my offer.
This offer will be presented on my site, in my ads, and everywhere else.
I need to describe CLEARLY what do I do exactly, for whom, and why those people should take their business to me (competitive advantages).
I pick a name, and domain name and make a logo. I keep in mind that they are a part of the offer (everything is), and I keep them as short, direct, and close to the point as possible. I squeeze a relevant keyword in if I can.
Before I decide I type the name into the search and see what pops up (don’t skip that part).
Now I can make a site. I pick one of the No-code options to create it myself or delegate it. Keep in mind that you will need to correct and change the site: an offer (text. headings), portfolio, blog (for SEO purposes), services, etc. The no-code solution will allow you to do that yourself.
It will be a landing page (in the beginning), and it will include:

• Title (shown as a first string in search);
• Description (shown as a second string in the search);

HERO SECTION (first screen basically - 80% of people won’t go below it)

• H1 (main “title” shown on the top of the page)
• Subtitle (text below the H1, usually supports the H1 and includes unique selling points);
• Clear CTA (Call to action);
• Foto or video of what I’ve done (the visual representation of services works really well);
• Unique selling points (not included in the subtitle, or supporting/elaborating on them);

END OF THE HERO SECTION

• Unique selling points;
• All other headers;
• All other text;
• Examples (what I’ve done) and/or testimonials - if I truly just starting I may need to make some examples of objects I would like to make (as close to desired nich as possible) and take GOOD photos of them (It can be powerful, that is what I did and people told me many times, that they “came” because of “beautiful” thing that we’ve done (“beautiful” is mostly attribute off a picture, then a thing);
• FAQ (those shall be questions that your customers ask you the most, I mean REAL questions - they work rather well as objection handlers);
• Clear CTA (Call to action);

As there is just one page, it should target the most relevant oand big commercial keyword group.
The “art” of creating a Title, H1, and the rest of the text, headings, and attributes is a delicate dance between the need to be different from competitors, the need to incorporate the right keywords, basic SEO guidelines, and most importantly - to present a compelling offer.
📜 An important thing to keep in mind - your first screen should tell, straight and clearly - what services you provide, for whom, and why a visitor should click your CTA, or continue reading.
Last thing - make sure that it looks fine and loads quickly on mobile. More than half of the traffic will be from there.
Research says, that If it loads more than 3 seconds - more than 70% of people bounce.
Check your speed here - https://pagespeed.web.dev/
There is A LOT more to that, but it is beyond the scope of this article.

Traffic: Ads and SEO

Now I need traffic:
Google ads. As I just starting, I need to be as targeted as possible. So I will:

• Vet keywords carefully, avoid high-frequency ones, and compose them into groups.
• Start with one or two groups, with a limited number of keywords with clear commercial intent.
• Limit the location to the city I am in.
• Add a minus keywords list. If a search query includes one of the words from the list (like FREE, or CHEAP) - ads won't be shown.

Google pushes everyone really hard to use responsive search ads + broad match + AI-suggested keywords (performance MAX they call it), but I won't.
Why?

1. It will greatly disperse the focus, and therefore results of my campaign.
2. It is still not working properly, especially for small and/or “complicated” niches. In other words, it will waste my money, (relocate it to Google), without bringing back results (or at least as many).

And I don't want that.
I will use exact match, fix (pin) headings and descriptions, and practically make "an old school" text ad from a responsive search ad. I will have to do different ads for different keywords (if the keyword or phrase is matched in the title, conversion is higher); Yes, it will be more work, but results will be better, and controllable.
Just how I like them.
Now I will compose my "SEO plan", I will:

• Plan to add new "commercial" pages to the site (one page per meaningful keyword group) as I go.
• Create a schedule: after the main page is up, I will try to “deploy” them in 2-4 week intervals, starting with the most meaningful/impactful.
• Make Google index it through its search console after the first publishable version of the site is done. I will repeat the operation with every meaningful page I add, including info SEO pages (below).
• Form a few groups from keywords with informational intent, vet groups that align with my direction, and plan an article for each vetted group - a separate page on the site with a personal set of SEO attributes.
• Publish them with the same or longer intervals as for the "commercial" pages.
• Try to make those articles as valuable for the reader as possible. Everything I do shall be client-oriented (bring value), and user behavior is more and more important for SEO.

This “article” is an example of such a page.
I won't cover social media here, since its plenty of info on that topic.
From my experience, if I plan (and I do) to offer 3d printing services to businesses (B2B), social media (with the exception of LinkedIn maybe, not sure nowadays what is what) is not exactly a place for “fishing” (I might be wrong).

Legal+

Moving along to the legal land.
I will not go deep into the business structure (LLCs or sole proprietorships), just say that you need one. Figure out what works best in your case, but note: if you are planning (envisioning) to sell your business one day (or a part of it) - you will need it to be at least an LLC.
This structure (as stated in the name), also limits your liability, which is not a bad thing. One more thing that does that, and at times viewed as a formality - is a contract.
I’ve learned to appreciate contracts and pay attention to their "design". The contract sets expectations, protects both you and your client, and serves as an extension to your offer - a clear, correct, and honest contract, that picks up on promises you’ve made will reassure your client that you are a trustworthy professional.
Create a clear, correct contract template (or templates), seek professional help/advice if needed, and try not to overcomplicate it (easier-smaller the better).
📜 Before the contract, expectations are set during all interactions with a client: nuances, limitations, examples, samples, etc. As the number of interactions with clients starts to grow you will notice repetitive patterns in questions and answers. Create a base with answer templates - those saved me a ton of time and improved the quality of my communication.

3d printers and a space (finally here they are)

Well, and yeah, I need 3d printers to start a 3d printing business.
If you plan to start such a business, you may already have some, and/or possess the needed knowledge in the matter, but I still going to say a few things. No specific models, or vendors though, since there is a lot of printer-related content out there, and the scene is rapidly (wink) changing.
I would try to pick one type of printer (or at least a vendor) and stick to it. Benefits:

• Somewhat stable overall quality;
• Same spare parts;
• Same repair and maintenance routine;
• Same working protocols;
• Same slicing…

I also will (at least in the beginning) look for stable machines, that would not require a ton of maintenance.
Note here: your choice shall also be based on your perceived goal (niche you want to end up with/customers you want to serve), and you may need different types of printers for that.
Depending on my situation, I may not need an office/working space right from the start (at least not until the idea has been validated). If I do, I would get something with a space to grow (aligned with my plan/goals), but I would try not to jump over my head with it.

One software to control it all

There is one more thing that I will need right from the start (because I don’t want to replicate my own mistakes) - a software suite to manage the business. Getting it from the start will provide the most leverage and set me up on the right path.
I will need:

• CRM - all work with a client: pricing, offers, deals, followups, deadlines, docs… +
• ERP - control and management of all resources: materials, printers, team… +
• Production scheduling +
• Maintenance, Repairs, Spare parts, and materials control +
• Team + Docs + Files storage + Contractors + Spending + everything else.

I couldn't find one that incorporates all of it, so I’ve made my own (there is a Free version, try it out, let me know what you think).
Management software and CRM might not be obvious must-haves, but they are if I want to make it into a controllable and growing business (and I do).
There is no other way, look at any business that made it - they all without exception use such systems.
One more thing - all business decisions shall be based on data: how would I know, for example, if my ads campaign is making (and how much) or losing money, without knowing what my average check, margin, or LTV is for any type of service for a needed time period?

Summary and Q&A

There is a lot more to that, but it is already too long.
So I’ve got:

1. List of keywords;
2. List of competitors;
3. Price research (and base price level as a result);
4. A plan;
5. An offer;
6. Name and logo;
7. Website (with offer and good photos of done jobs on it);
8. Google ads campaign (or other acquisition channel, start from one you know best/where your customers are);
9. SEO plan;
10. Legal entity;
11. Contract templates;
12. “Sales templates” base (those collected on the go, but you may already have something since you talked to people before);
13. Printers;
14. Some physical space;
15. Management system/software (like this one)

3 BONUS reminders for myself:

• To get paid in advance. ALWAYS, at least partially;
• To do extra for customers. If I can, when I can;
• To be patient- business is a marathon, not a sprint;

Some Q&A:

• Is the 3d printing business a good business to start?

It is not a get-rich-quick scheme, and it is not particularly easy, but all things that are worth doing are hard (that is what they say).
If you like it/are passionate about it/good at it (the most important factor in my opinion.) - it certainly might be.
I’ve planned to go with the B2B service model (on-demand manufacturing), and that trend will only grow over time.
Since we talked about the US, let's take a look at this article and specifically the chart of Construction spending on US manufacturing https://www.businessinsider.com/us-building-factories-census-data-chips-act-inflation-reduction-act-2023-6?op=1 + big new “infrastructure rebuild projects” might be somewhere around the corner.
What does it all have to do with a small 3dp service? The economy is an interconnected system. All of those “big projects” will require a lot of smaller contractors/suppliers, and they will need smaller ones…and that is where I come in.

• Why the service model?

2 reasons:

1. I know how to do it (done it for 10 years), the data above backs the idea up, and I still see a lot of upsides and opportunities there (aside from the data).
2. It is a lot easier to “search” for product ideas - they come to you (for that you will have to have a B2C “department” though). I’ve recently talked to a few 3dp business owners (and read a few stories over the years), and almost all of them had their product ideas brought to them by clients.

• Is it profitable?

If you create a system (management software can help with that) with processes in place, create and maintain customer acquisition channels, and price correctly - it will be.
I hope you got some value out of it.
Thanks for reading.

When I compile in fast, full, or final compile I get the same error:

Operator Error: Event (null): CSosOperatorSpeakers Error: Operator volume_fan_mult, unknown sound operator attribute __move_to_end Error: Operator volume_fan_mult, unknown sound operator attribute __move_to_end Operator Error: Event (null): CSosOperatorSpeakers Error: Operator volume_fan_scale, unknown sound operator attribute __move_to_end Error: Operator volume_fan_scale, unknown sound operator attribute __move_to_end
Although I can launch the map after fast compile it doesn't want to launch in full compile. At the end of the compile it tells me:
Unable to run Vrad3. Light mapper didn't return valid triangles: failing. Map build FAILED. [FAIL]
and also:
ERROR: 6 compiled, 1 failed, 1 skipped, 0m:29s
​
If it's necessary here's the full compile log:
Start build: 2024-05-13T14:23:58
Hammer: Attempting incremental build.
Hammer: Copying previously compiled map to temp directory.
Using breakpad crash handler Setting breakpad minidump AppID = 730 Forcing breakpad minidump interfaces to load Looking up breakpad interfaces from steamclient Calling BreakpadMiniDumpSystemInit Looking up breakpad interfaces from steamclient Calling BreakpadMiniDumpSystemInit SteamInternal_SetMinidumpSteamID: Caching Steam ID: 76561197979643729 [API loaded yes] SteamInternal_SetMinidumpSteamID: Setting Steam ID: 76561197979643729 Setting breakpad minidump AppID = 2347779 Creating device for graphics adapter 0 'AMD Radeon RX 6600' [vendorid 0x1002]: 31.0.24027.1012 Operator Error: Event (null): CSosOperatorSpeakers Error: Operator volume_fan_mult, unknown sound operator attribute __move_to_end Error: Operator volume_fan_mult, unknown sound operator attribute __move_to_end Operator Error: Event (null): CSosOperatorSpeakers Error: Operator volume_fan_scale, unknown sound operator attribute __move_to_end Error: Operator volume_fan_scale, unknown sound operator attribute __move_to_end Unzip modernized_plantations.vpk (86 files): Done (0.1 sec: 49.8ms read, 2.3ms write 19.5mb). - csgo_addons\academy\maps\modernized_plantations.vmap Initialized Embree v2.17.02. Settling physics objects...no objects to settle Preprocessing Lights [0....1....2....3....4....5....6....7....8....9....] Done (0.03 seconds) Assigned 1 Light Shadow Slots, 0 failed (max slot 0). Building map "maps\modernized_plantations"...
... Building 'world' Loading Map... +- csgo_addons\academy\maps\modernized_plantations\entities\unnamed_394.vmdl +- csgo_addons\academy\maps\modernized_plantations\entities\unnamed_407.vmdl +- csgo_addons\academy\maps\modernized_plantations\entities\unnamed_410.vmdl +- csgo_addons\academy\maps\modernized_plantations\entities\unnamed_413.vmdl +- csgo_addons\academy\maps\modernized_plantations\entities\unnamed_507.vmdl Done (0.06 seconds) Building ray trace environment... Wrote C:\Users\tvvla\AppData\Local\Temp\csgo_addons\academy\maps\modernized_plantations.rte Wrote C:\Users\tvvla\AppData\Local\Temp\csgo_addons\academy\maps\modernized_plantations.viscfg Done (0.03 seconds) +- csgo_addons\academy\maps\modernized_plantations\world_visibility.vvis Building map visibility
Loading kd-trees Successfully read C:\Users\tvvla\AppData\Local\Temp\csgo_addons\academy\maps\modernized_plantations.rte Successfully unserialized ray tracing environment. Convert RTE with 4976 triangles in 0.01s Loaded 8321 LOS hints from c:\program files (x86)\steam\steamapps\common\counter-strike global offensive\game\csgo_addons\academy\maps\modernized_plantations.los! (0.0 seconds) Loaded 0 LOS hints from c:\program files (x86)\steam\steamapps\common\counter-strike global offensive\content\csgo_addons\academy\maps\modernized_plantations.los! (0.0 seconds) VIS3: Build partitioned PVS! Voxelize (8 units) took 0.46 seconds (40,217 nodes) Outside detection took 0.27 seconds Generated clusters for 15216 regions in 9.41 seconds 55773 clusters generated Distance merged regions (1331 merged to 1234) pre-merged to 55676 clusters Merged to 1071 clusters in first pass Merged to 756 clusters in second pass Merged cluster lists in 5.13 seconds [703 clusters] Compacted to 55908 regions (703 clusters) in 0.00 seconds [target 574 clusters] Assigned 703 clusters in 0.01 seconds 1.22 MB bytes tree size Sample vis for 703 clusters Creating thread pool with 15 threads CLOSRayGenerator rays complete. CLOSRayGenerator rays complete. AxialRays rays complete. AxialRays rays complete. AxialRays rays complete. ClusterView rays complete. 1.0s::Finished 8,157 valid LOS Main thread clear batches. Traced 21,127,168 rays in 1.255 seconds [16,836,044 rays per second] 6.839 cpu s cast, 8.651 cpu s rasterize Target 576 clusters, clamped to 574, grid size 8.0 Built 703 clusters in 0.0s 703 clusters, 1 steps Merge vis clusters:0...1...2...3...4...5...6...7...8...9...10 Merged to 576 clusters in 0.0s (0.0s recompute, 122 passes) 0.0s total merge time Adaptive border clusters (0s) Initial regions 55908, collapsed to 32205 2336 unique masks (of 32,205 regions) Compute enclosed cluster lists 4916 cluster lists, 24704 elements (0.0202s) (1 zeros) Computed 575 clusters visible to sky Skipping solid voxels in sunlight visibility Raytraced sun visibility in 20.876ms (366 visible clusters) Wrote 8156 LOS hints for next time c:\program files (x86)\steam\steamapps\common\counter-strike global offensive\game\csgo_addons\academy\maps\modernized_plantations.los! Wrote vis resource 728.84 KB bytes Visibility complete in 17.08s. Collecting Mesh Edges [] Done (0.16 seconds) Fixing T-junction Edge Cracks [] Done (0.36 seconds)
Bake Lighting Build: pc64 May 7 2024 11:40:20 Preprocessing 169 meshes and computing charts [] Done (2.42 seconds) Packing 55468 UV charts onto atlas... Pass 1 of 7 ->[] Done (0.08 seconds) - (0.215374) Pass 2 of 7 ->[] Done (0.15 seconds) + (0.107687) Pass 3 of 7 ->[] Done (0.16 seconds) + (0.161531) Pass 4 of 7 ->[] Done (0.15 seconds) - (0.188452) Pass 5 of 7 ->[] Done (0.17 seconds) + (0.174991) Pass 6 of 7 ->[] Done (0.19 seconds) + (0.181722) Pass 7 of 7 ->[] Done (0.17 seconds) - (0.185087) Mesh with material materials/dev/dev_measuregeneric01b.vmat is extremely large in lightmap (8.6%), 408x222 World Bounds -1280.000000,-922.437500,-64.000000 -> 256.000000,977.000000,256.000000 LPV Atlas Size: 36x48x28 Size Increase: 381.77% ==== Baking 1024 x 1024 lightmap ==== SetupTexels [0....1....2....3....4....5....6....7....8....9....] Done (0.04 seconds) VRAD3-GPU VRAD3 - Distributed Lighting Tool Copyright (c) Valve Corporation, All rights reserved. Build: pc64 May 7 2024 11:36:39 WD: c:\program files (x86)\steam\steamapps\common\counter-strike global offensive\game\csgo_addons\academy\_vrad3 Command: vrad3.exe -map maps/modernized_plantations.vmap -script script-gpu.vrad3 -vulkan -gpuraytracing -allthreads -unbufferedio -noassert Enabling instance extension: VK_KHR_get_physical_device_properties2. Fossilize ERROR: Failed to parse ApplicationInfoFilter, letting recording go through. Using VK_EXT_memory_budget set texture memory budget to 7379 MB. HLSL SM6.0 level subgroup wave ops supported, subgroup size = 64 Vulkan physical device (0): supports shader clip distance: true ConVar r_low_latency has multiple help strings: parent (wins): "NVIDIA Low Latency (0 = off, 1 = on, 2 = on + boost)" child: "NVIDIA Low Latency/AMD Anti-Lag 2 (0 = off, 1 = on, 2 = NV-only, on + boost)" Vulkan Physical Device: AMD Radeon RX 6600 Initializing streaming texture manager. Vulkan extension enabled: VK_KHR_swapchain Vulkan extension enabled: VK_KHR_dedicated_allocation Vulkan extension enabled: VK_KHR_descriptor_update_template Vulkan extension enabled: VK_KHR_image_format_list Vulkan extension enabled: VK_KHR_maintenance1 Vulkan extension enabled: VK_KHR_maintenance2 Vulkan extension enabled: VK_EXT_separate_stencil_usage Vulkan extension enabled: VK_KHR_swapchain_mutable_format Vulkan extension enabled: VK_EXT_load_store_op_none Vulkan extension enabled: VK_KHR_pipeline_library Vulkan extension enabled: VK_EXT_extended_dynamic_state Vulkan extension enabled: VK_EXT_extended_dynamic_state2 Vulkan extension enabled: VK_KHR_dynamic_rendering Vulkan extension enabled: VK_KHR_depth_stencil_resolve Vulkan extension enabled: VK_KHR_create_renderpass2 Vulkan extension enabled: VK_EXT_graphics_pipeline_library Vulkan extension enabled: VK_EXT_extended_dynamic_state3 Vulkan extension enabled: VK_EXT_memory_priority Vulkan extension enabled: VK_AMD_memory_overallocation_behavior Vulkan extension enabled: VK_KHR_shader_float16_int8 Vulkan extension enabled: VK_KHR_separate_depth_stencil_layouts Vulkan extension enabled: VK_EXT_pipeline_creation_cache_control Vulkan extension enabled: VK_KHR_buffer_device_address Vulkan extension enabled: VK_KHR_shader_clock Vulkan extension enabled: VK_KHR_acceleration_structure Vulkan extension enabled: VK_KHR_ray_tracing_pipeline Vulkan extension enabled: VK_KHR_ray_query Vulkan extension enabled: VK_KHR_get_memory_requirements2 Vulkan extension enabled: VK_EXT_descriptor_indexing Vulkan extension enabled: VK_KHR_deferred_host_operations Vulkan extension enabled: VK_KHR_pipeline_library Vulkan extension enabled: VK_KHR_maintenance3 Vulkan extension enabled: VK_EXT_memory_budget Vulkan extension enabled: VK_EXT_pageable_device_local_memory Vulkan extension enabled: VK_KHR_draw_indirect_count Vulkan extension enabled: VK_EXT_subgroup_size_control VK_EXT_extended_dynamic_state_2 does not support extendedDynamicState2PatchControlPoints, disabling. Fossilize INFO: Overriding serialization path: "C:\Program Files (x86)\Steam\steamapps\shadercache\730\fozpipelinesv6\steamapprun_pipeline_cache". VK_EXT_graphics_pipeline_library and dependent extensions enabled. Vulkan Command Buffer Pool Threshold(1500) Unable to open Vulkan pipeline cache shadercache\vulkan\shaders.cache file - might not exist yet. Vulkan driver version: 2.0.299.0 Vulkan driver version Major = 2, Minor = 0, Patch = 19595264 Num Threads: 16 Loading 64 resources... Done (0.41 seconds) Creating VB/IB/BLAS for 95 meshes... Done (0.22 seconds) Creating ray trace scene world with 162 instances... returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource Done (0.00 seconds)
--------------------------------------------------------- Encountered accessviolation. Wrote minidump to vrad3_2024_0513_142426_0_accessviolation.mdmp ---------------------------------------------------------
0....1....2....3....4....5....6....7....8....9....] FAILED (3.92 seconds) Error running "vrad3.exe -map maps/modernized_plantations.vmap -script script-gpu.vrad3 -vulkan -gpuraytracing -allthreads -unbufferedio -noassert" VRAD3 - Distributed Lighting Tool Copyright (c) Valve Corporation, All rights reserved. Build: pc64 May 7 2024 11:36:39 WD: c:\program files (x86)\steam\steamapps\common\counter-strike global offensive\game\csgo_addons\academy\_vrad3 Command: vrad3.exe -map maps/modernized_plantations.vmap -script script-gpu.vrad3 -vulkan -gpuraytracing -allthreads -unbufferedio -noassert Enabling instance extension: VK_KHR_get_physical_device_properties2. Fossilize ERROR: Failed to parse ApplicationInfoFilter, letting recording go through. Using VK_EXT_memory_budget set texture memory budget to 7379 MB. HLSL SM6.0 level subgroup wave ops supported, subgroup size = 64 Vulkan physical device (0): supports shader clip distance: true ConVar r_low_latency has multiple help strings: parent (wins): "NVIDIA Low Latency (0 = off, 1 = on, 2 = on + boost)" child: "NVIDIA Low Latency/AMD Anti-Lag 2 (0 = off, 1 = on, 2 = NV-only, on + boost)" Vulkan Physical Device: AMD Radeon RX 6600 Initializing streaming texture manager. Vulkan extension enabled: VK_KHR_swapchain Vulkan extension enabled: VK_KHR_dedicated_allocation Vulkan extension enabled: VK_KHR_descriptor_update_template Vulkan extension enabled: VK_KHR_image_format_list Vulkan extension enabled: VK_KHR_maintenance1 Vulkan extension enabled: VK_KHR_maintenance2 Vulkan extension enabled: VK_EXT_separate_stencil_usage Vulkan extension enabled: VK_KHR_swapchain_mutable_format Vulkan extension enabled: VK_EXT_load_store_op_none Vulkan extension enabled: VK_KHR_pipeline_library Vulkan extension enabled: VK_EXT_extended_dynamic_state Vulkan extension enabled: VK_EXT_extended_dynamic_state2 Vulkan extension enabled: VK_KHR_dynamic_rendering Vulkan extension enabled: VK_KHR_depth_stencil_resolve Vulkan extension enabled: VK_KHR_create_renderpass2 Vulkan extension enabled: VK_EXT_graphics_pipeline_library Vulkan extension enabled: VK_EXT_extended_dynamic_state3 Vulkan extension enabled: VK_EXT_memory_priority Vulkan extension enabled: VK_AMD_memory_overallocation_behavior Vulkan extension enabled: VK_KHR_shader_float16_int8 Vulkan extension enabled: VK_KHR_separate_depth_stencil_layouts Vulkan extension enabled: VK_EXT_pipeline_creation_cache_control Vulkan extension enabled: VK_KHR_buffer_device_address Vulkan extension enabled: VK_KHR_shader_clock Vulkan extension enabled: VK_KHR_acceleration_structure Vulkan extension enabled: VK_KHR_ray_tracing_pipeline Vulkan extension enabled: VK_KHR_ray_query Vulkan extension enabled: VK_KHR_get_memory_requirements2 Vulkan extension enabled: VK_EXT_descriptor_indexing Vulkan extension enabled: VK_KHR_deferred_host_operations Vulkan extension enabled: VK_KHR_pipeline_library Vulkan extension enabled: VK_KHR_maintenance3 Vulkan extension enabled: VK_EXT_memory_budget Vulkan extension enabled: VK_EXT_pageable_device_local_memory Vulkan extension enabled: VK_KHR_draw_indirect_count Vulkan extension enabled: VK_EXT_subgroup_size_control VK_EXT_extended_dynamic_state_2 does not support extendedDynamicState2PatchControlPoints, disabling. Fossilize INFO: Overriding serialization path: "C:\Program Files (x86)\Steam\steamapps\shadercache\730\fozpipelinesv6\steamapprun_pipeline_cache". VK_EXT_graphics_pipeline_library and dependent extensions enabled. Vulkan Command Buffer Pool Threshold(1500) Unable to open Vulkan pipeline cache shadercache\vulkan\shaders.cache file - might not exist yet. Vulkan driver version: 2.0.299.0 Vulkan driver version Major = 2, Minor = 0, Patch = 19595264 Num Threads: 16 Loading 64 resources... Done (0.41 seconds) Creating VB/IB/BLAS for 95 meshes... Done (0.22 seconds) Creating ray trace scene world with 162 instances... returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource Done (0.00 seconds)
--------------------------------------------------------- Encountered accessviolation. Wrote minidump to vrad3_2024_0513_142426_0_accessviolation.mdmp ---------------------------------------------------------
Unable to run Vrad3. Light mapper didn't return valid triangles: failing. Map build FAILED. [FAIL] 0/ 1 (elapsed 28.166): c:\program files (x86)\steam\steamapps\common\counter-strike global offensive\content\csgo_addons\academy\maps\modernized_plantations.vmap Compile of 1 file(s) matching nonrecursive specification "c:/program files (x86)/steam/steamapps/common/counter-strike global offensive/content/csgo_addons/academy/maps/modernized_plantations.vmap" took 28.167 seconds
----------------------------------------------------------------- ERROR: 6 compiled, 1 failed, 1 skipped, 0m:29s -----------------------------------------------------------------End build: 2024-05-13T14:24:29, elapsed time