John lennon morge photo
[US-MD][H]SO MUCH NEW INVENTORY, HUGE KEYS AND PRICE DROPS, PLEASE HELP I CAN’T STOP: Major Keys, Minor Keys, Iconic Covers and Silver Age, Golden Age, Horror, Indie (Crumb & Adult), a bit of everything. $10 issue included free with purchase. [W] PayPal
2024.05.14 23:16 Making_flowers [US-MD][H]SO MUCH NEW INVENTORY, HUGE KEYS AND PRICE DROPS, PLEASE HELP I CAN’T STOP: Major Keys, Minor Keys, Iconic Covers and Silver Age, Golden Age, Horror, Indie (Crumb & Adult), a bit of everything. $10 issue included free with purchase. [W] PayPal
Adding new books every week! Added an inventory list (newly arrived issues in bold at the top) then you can scroll further for more details on condition and key facts.
I’m always open to bundle deals and reasonable offers. I’ve also taken on a lot of random fillers as I fill inventory, so I’ll be including a random comic valued around $10 in each order. Just some examples of the issues I will randomly include in packages:
- Marvel Super Heroes Secret Wars #4 (iconic Hulk cover)
- What If #37
- Our Army at War #238
- From Beyond the Unknown #13
- House of Secrets #109 (low grade)
I’m selling off a portion of the collection to fund the next portion of the collection. Still looking for enablers! These prices include shipping (Gemini mailers whenever possible). I've tried to provide condition explanations, photos of everything (even the ones below $100) and detailed photos.
Please take a look. Up to 8 imgur albums at this point to cover it all:
https://imgur.com/a/4Vs2PvN (Newly Listed Items)
https://imgur.com/a/Oq8vHnw https://imgur.com/a/atKGE1G https://imgur.com/a/eu9hXc9 https://imgur.com/a/CbVrE6w https://imgur.com/a/3RtKPXR https://imgur.com/a/rowfZD9 https://imgur.com/a/YfgSMEa Inventory (new items since last post at the top in bold, scroll below list for details on each):
- Amazing Spider-Man #33 - $190
- Amazing Spider-Man #98 - $66
- Amazing Spider-Man #121 - $200
- Amazing Spider-Man #361 Newsstand (slice damage) - $38
- Journey into Mystery #125 - $49
- Early Man-Thing lot: Astonishing Tales #13, Adventure into Fear #11-13: $80 (willing to split this lot up)
- Flash #113 - $75
- Werewolf by Night #8 Mark Jewelers Insert - $26
- Werewolf by Night #18 - $22
- House of Secrets #91 - $32
- Amazing Adventures #13, #16 & #17 - $42
- Invaders #31 (Nazi Frankenstein) - $17
- Action Comics #263 - $33
- Giant Size Chillers #1 (1975 not 1974) - $20
- Daredevil #184 Newsstand - $22
- Astonishing Tales featuring Dr. Doom & Kazar #1 - $15
- Detective Comics #355 and 2 copies of #375 - $25
- Adult Comics / Crumb:
- Zap Comix #5 1st Printing - $15
- Big Ass Comics #2 1st Printing - $50
- Gasm, Feb 1978 issue - $19
- Green Lantern #59 - $125
- Wolverine (1988) #1 - $65
- Amazing Spider-Man #29 - $140
- Amazing Spider-Man #40 - $185
- Amazing Spider-Man #64 - $90
- Amazing Spider-Man #72 - $35
- X-Men #221 - $75
- X-Men #4 (1992) - $20
- Daredevil #157 - $15
- Daredevil #164 (Newsstand) - $55
- Plastic Man #1 (#19 free with purchase) - $41
- Detective Comics #259 - $175
- Batman Annual #14 - $15
- Detective Comics #324 and Batman #410 - $32
- Amazing Adventures #11 - $100
- Incredible Hulk #105 - $45
- Incredible Hulk #179 - $15
- Incredible Hulk #250 (Newsstand) - $38
- Tales of Suspense #94 - $50
- Captain America #110 - $60
- Flash #129 - $95
- Flash #147 - $95
- Aquaman #11 - $95
- Mystery in Space #68 - $25
- Strange Adventures #138 - $18
- Golden and Silver Age Lot of 12- $85
- Tower of Shadows Annual #1 - $25
- Dead of Night #1 - $35
- Tomb of Dracula #27 and #63 - $23
- Sub-Mariner #15 and #31 - $22
- Marvel Feature #1 - $49
- Fantastic Four #150 - $25
- Tales to Astonish #58 - $19
- Marvel Team-Up Annual #2 - $30
- Spider-Man vs. Wolverine #1 - $19
Amazing Spider-Man #33 - 1966 - Classic story and iconic cover. You know it, I know it.: $190 This iconic book is in good to great shape, see the photos for the details. Solidly attached and great colors.
Amazing Spider-Man #98 - 1971 - Non-Code Approved Drug Issue, Green Goblin cover: $66 Great condition. Some minor wear and ticks on the spine, but overall a great, beautiful, solid book.
Amazing Spider-Man #121 -1973 - Death of Gwen Stacy: $200 The cover is worn, has some holes but despite that the staples are attached,colors are good, and everything is attached and complete. The inside looks good, too. See photos for details.
Amazing Spider-Man #361 Newsstand - 1992 - First appearance of Carnage - Slice at top, $38 Here's a tragedy. This otherwise beautiful high grade major key book has a clean scissor cut at the top through the whole book. Included photos and closeups.
Journey into Mystery #125 - 1966 - Iconic cover and last Journey into Mystery before Thor title change: $49 Very good condition, has a small chip out of the bottom left cover but other than some cover wear it’s just a solid book with great colors.
Early Man-Thing lot: Astonishing Tales #13, Adventure into Fear #11-13: $80 (willing to split this lot up) Third cover appearance of Man-Thing in awesome condition. The Fear 11-13 are in good condition, but a little more worn than the Astonishing.
Flash #113 - 1960 - First appearance and origin of the Trickster: $75 This one looks good until you realize it has tape up the spine holding the loose staples on. Included pictures of the staples and tape. It is complete and has good colors otherwise, but still low grade because of the tape/staple issue.
Werewolf by Night #8 - 1973 - Has Mark Jewelers insert included: $26 Is in great shape and includes a Mark Jewelers insert making this regular issue a little more rare.
Werewolf by Night #18 - 1974 - $22 Worn condition but great colors. See photos.
House of Secrets #91 - 1971 - Iconic Neal Adams cover: $32 Book is in great condition. There is some minor chipping on a portion of the bottom edge of the cover but other than the wear on the cover it is a beautiful book.
Amazing Adventures #13, #16 & #17 - $42 Good to great condition on these Beast issues, including the Juggernaut vs Beast cover. Bundle with Amazing Adventures #11 (first furred Beast) and I'll give you a great deal.
Invaders #31 - 1978 - Frankenstein is a Nazi. Come on: $17 In awesome condition. Also did I mention Captain America fights Nazi Frankenstein?
Action Comics #263 - 1960 - Last appearance of Bizarro world. End of Bizarro world not told. Not good deal.: $33 Cover has pen on it and is worn but interiors are good, complete and attached and colors are great.
Giant Size Chillers #1 - 1975 - John Romita art: $20 Not the more valuable 1974 with Drac but this is in awesome condition and still some great classic horror.
Daredevil #184 Newsstand - 1982 - Iconic cover: $22 In fantastic condition. Newsstand variant that has been very well kept.
Astonishing Tales featuring Dr. Doom & Kazar #1 - 1970 - First issue in series: $15 In great condition. Great colors and quality. Doctor Doom.
Detective Comics #355 and 2 copies of #375 - $25 Some classic old Batman. Good but a cleaning is needed on 355, two copies of 375 one clean and great condition one worn in but complete and attached.
Adult Comics / Crumb: I know very little about these but did research on comps and to confirm first printing. All I know is there's a lot of nipples and bush to be had. See photos for condition.
- Zap Comix #5 1st Printing - $15
- Big Ass Comics #2 1st Printing - $50
- Gasm, Feb 1978 issue - $19
Green Lantern #59 - 1968 - First appearance of Guy Gardner: $125 Worn but complete. Attached at top staple, bottom staple detached.
Wolverine (1988) #1 - 1988 - Can’t have the 1982? Take this instead!: $65 Also in awesome condition. Very, very clean.
Amazing Spider-Man #29 - 1965 - SLAB CGC 4.5 - Second Scorpion: $140 Slabbed. See photos.
Amazing Spider-Man #40 - 1966 - Origin of the Green Goblin, Iconic Cover: $185 Looks great, clean, bright colors. Complete and solidly attached. See photos
Amazing Spider-Man #64- 1968 - Romita Spider-Man vs. Vulture Cover: $90 Great condition. Bright awesome colors.
Amazing Spider-Man #72 - 1969 - Shocker cover: $35 Is a bit worn and the centerfold is detached (see photos). But it is complete and still has good colors on the interior.
X-Men #221 - 1987 - First Appearance of Mister Sinister: $75 Awesome condition. Just a couple of minor spine ticks. Other than that, beautiful. See photos.
X-Men #4 - 1992 - First Appearance of Omega Red: $20 Awesome condition. Not even any spine ticks. See photos
Daredevil #157 (Newsstand) - 1979: $15 Awesome condition. No spine ticks, creases, color breaks or bends.
Daredevil #164 (Newsstand) - 1980 - Iconic Cover: $55 In awesome condition. Great colors on cover despite all the white. No spine ticks, creases, color breaks or bends.
Plastic Man #1 (#19 free with purchase) - 1966 - First appearance of Plastic Man (son of original): $41 Hole in cover, worn, needs a cleaning. But come on, it’s Plastic Man!
Detective Comics #259 - 1958 - First Appearance of Calendar Man: $175 Worn but expected for its age. Solid staples and fully attached. Great colors.
Batman Annual #14 - 1990 - Iconic Neal Adams Two-Face Cover, Origin of Two-Face: $15 Amazing condition, almost unused. See photos.
Detective Comics #324 (1964) and Batman #410 (1987) - $32 324 in good condition but could use a clean and press. Batman 410 is in awesome condition, but considering the prices of these I figured I’d just throw them together.
Amazing Adventures #11 - 1972 - First furry beast: $100 In awesome condition. Minor, tiny blemish (possibly a tape pull?) on the bottom of the A on cover. See photo, but very tiny blemish.
Incredible Hulk #105 - 1968 - First appearance of Missing Link, iconic cover: $45 In really good condition, with minor wear to the cover and some breaking on it. White interiors, solidly attached, great colors.
Incredible Hulk #179 - 1974: $15 In great condition.
Incredible Hulk #250 (Newsstand) - 1980 - Iconic Hulk vs. Silver Surfer cover: $38 Awesome condition. See photos.
Tales of Suspense #94 - 1967 - First appearance of M.O.D.O.K.: $50 In good condition, with a little edge wear and marks on the cover in places. Other than that it has bright clean pages and good colors.
Captain America #110 - 1969 - Rick Jones dons Bucky Costume, first appearance of Madame Hydra: $60 Iconic Jim Steranko cover and art. In OK condition, a bit worn, could definitely use a cleaning. See photos.
Flash #129 - 1962 - First team-up of golden age Flash and silver age Flash; first appearance of golden age Green Lantern and JSA in silver age: $95 Good condition! Very solid, great colors, complete and attached.
Flash #147 - 1964 - Second appearance of Professor Zoom: $95 Good condition! Very solid, great colors, complete and attached.
Aquaman #11 - 1963 - First appearance of Mera: $95 Worn condition but solid, complete and attached.
Mystery in Space #68 - 1961 - 10c Comic Goodness: $25 Cover is detached, but hey, it’s a 10c comic. Otherwise good colors and pages.
Strange Adventures #138 - 1962: $18 Good condition, good colors.
Golden and Silver Age Lot of 12- $85 Came into a lot of worn golden and silver books I know little about. Would like to offload them all together, so take a look at the album. Includes Little Lulu, Cheyenne Kid, the Flintstones, Tarzan, some other Gold Key and Dell stuff and an Adventures book from 1945. Did some research to get prices, take a look.
Tower of Shadows Annual #1 - 1971 - Romita cover and Neal Adams art: $25 Great condition. Good colors, solid book.
Dead of Night #1 - 1973 - Romita art: $35 Really great condition, with a minor color rub or stain or something (can’t tell what) to a spot on the bottom of the front cover and top of the back. Fantastic colors, white pages.
Tomb of Dracula #27 and #63 - $23 Non-key issues in great condition, just throwing together to move.
Sub-Mariner #15 and #31 - Silver Age Namor bundle: $22 Great colors and interiors. Fading on spine cover on #15, #31 in great condition, see photos.
Marvel Feature #1 - 1971 - Origin & First Defenders: $49 Has tape pull on cover, subscription crease color break (see photos)
Fantastic Four #150 - 1974 - Wedding of Crystal and Quicksilver: $25 In awesome condition. No spine ticks, creases, color breaks or bends.
Tales to Astonish #58 - 1964 - Silver age Giant Man: $19 Worn condition but complete and attached. See photos.
Marvel Team-Up Annual #2 - 1978 - Spider-Man & The Hulk team-up: $30 In awesome condition. No spine ticks, creases, color breaks or bends.
Spider-Man vs. Wolverine #1 - 1987 - Death of First Hobgoblin: $19 Awesome condition. Pressable non-color breaking crease on back cover. See photos
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2024.05.14 21:53 Positive-Prior8761 "AI" created a Beatles style song "Get It On !"
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2024.05.14 21:48 360inMotion John and Rebecca, my 2nd Great Grandparents. I imagine this photo was taken shortly before Rebecca filed for divorce in early 1903.
| They lived in central Illinois all of their lives. They married in 1867 and I think they’re both in their 50s here. Apparently John was a drinker.. submitted by 360inMotion to oldphotos [link] [comments] |
2024.05.14 21:41 Queer_always My guide to Disneyland Paris for Disneyland Californians
Writing this for folks whose home park is OG Disneyland and are considering or planning a trip to DLP. Whether that's you or you're looking for advice in the opposite direction, feel free to AMA!
I wrote up some aspects of my trip
in this post, for reference. For context, I visit Anaheim a few times a year for 2-3 days each -- sometimes alone, sometimes with others -- and have been to Walt Disney World a handful of times (mostly for a single day while visiting my in-laws in the Orlando area).
Stow yer weapons: this is gonna be long. I'll talk atmosphere, attractions, food and drinks, and tips geared toward this audience. (I won't cover shows or character greetings, since they're not really my thing.)
Atmosphere:
Disneyland Paris is widely regarded as the most beautiful of the castle parks, and I agree. The attention to detail is stunning, from the horticulture to the rock work to the stained glass in the castle. The land transitions are smooth and beautifully executed, and the park generally feels more deliberately planned (probably since it wasn't built in a year and haphazardly swapping parts for the next seventy, like DLCA).
The park is bigger than Anaheim's, probably close to Magic Kingdom size, so add a minute or two to your commute time when crossing from one end to the other.
Some can't-miss experiences and details unique to DLP (skipping the rides since I'll cover those next, but including walk-throughs):
MAIN STREET
- The arcades on either side. Don't miss either of them! I enjoy the Discovery side with steampunk visions of cities in the future.
- If you can tour Walt's, do: the salons are themed by original lands and are charming. The home goods store named after Lily also has some nice turn-of-the-century fixtures and creative interior design.
FANTASYLAND
- The dragon. I mean, it's a dragon under the castle that snorts smoke!
- Shop interiors, especially Snow White and the Merlin shop. The beanstalk was closed when I was there, sadly.
- Cinderella's glass carriage near the Auberge.
- Sleeping Beauty's Castle. Do the walk-through. Eyvind Earle would be proud. The rectangular topiaries are a nice touch.
- The Alice in Wonderland labyrinth! Charming surprises, a true dead end, and a climb to a super neat park view in the center.
ADVENTURELAND
- The marketplace and Aladdin cave. Reminiscent of the Morocco pavilion at Epcot (sadly, I haven't been to Morocco). The restaurant has a very cool lived-in market look if you can take a peek inside. Even the windows have faux Maltese balconies/muxrabija and hanging wares.
- Adventure Isle. It's basically their version of Tom Sawyer's Island, so you can clamber through caves, look through Skull Rock, run around a pirate ship, and generally pretend you're eight. Genuinely photo-worthy.
FRONTIERLAND
- Peek into their version of the Golden Horseshoe. It may not be a replica of Calamity Jane's, like ours, but it's handsome and bigger.
- Phantom Manor's horticultural and exterior design. There's just more space for cool themed plants, and the queue design gives you time to admire them.
DISCOVERYLAND
- Steampunk everything! This is where we got our Astro-Orbiter and our short-lived, ill-fated redesign from the late 90s. It looks way better on them.
- The submarine walk through is really fun. Not sure how much it resembles the original walk-through from 50s Disneyland, but it's a low-key and visually rich treat, especially when it's sunny out.
Rides:
Some comparisons and contrasts. Didn't ride everything (e.g. carousel, teacups, Autopia), so I'll just share notes on the ones I did.
Big Thunder: Best version I've been on, period. It's on an island, so you plunge in and out of the darkness to get there, and the seats are actually divided so you're not body-slamming the person next to you every time you careen around a corner. Don't sleep on the detail and theming! Only bummer: no goat trick.
Pirates: Great queue: caves and little sneak peeks into scenes. Caribbean themed instead of bayou, restaurant included. Different structure and order of scenes, and frankly sort of confusing (e.g. Jack Sparrow is on the treasure pile among the skeleton tableaux for his little monologue). The sword fighting scene is unique to DLP (I think).
Fantasyland dark rides: Pinocchio is almost exactly the same as in CA. Snow White is more like the pre-COVID version, but even creepier; it's definitely the most divergent from the current CA version. Peter Pan is close to its CA version, but feels slightly larger?
Small World: More granular Europe, cute America section, generally quite different in layout. White-clad finale is a fair with a Ferris wheel and such.
Haunted Mansion/Phantom Manor: Identical ride track and Doom Buggies, but totally different storyline and different tableaux, particularly at the finale, which is a Western town instead of a graveyard. They don't put scrims in front of the frontier town zombies, which makes them creepier somehow. It's a unique take and a must-do.
Space Mountain: This one blows ours out of the water. Catapult launch, several inversions, much faster and darker. Be aware they don't have pouches for your stuff and will instruct you to put it on the floor. I stepped on the strap of my bag because I was certain I was gonna lose it.
Star Tours: Identical, though one time I got narration in English and the other time in French. May be randomized?
Railroad: No primeval world but they do have their own Grand Canyon. Circle tour is a must; you cover completely different ground and get a great pano of the whole park. My train was in compartments rather than long cars.
Indiana Jones: This is not the Jeep tour by any stretch; it's an outdoor roller coster that rattled my teeth out of my head. Think an extreme version of Goofy's Sky School with the unbanked turns. KEEP YOUR HEAD BACK. And even then, don't be surprised if you get off with sore ears and a buzzy headache that last a few minutes.
Food and Drinks: I talked extensively about this in my other post, so I'll just note a couple of comparisons.
- Alcohol is more widely available in the Paris park, akin to DCA. Your best bet is wine or a kir (or a beer, if you prefer) unless you're at a place with a dedicated cocktail menu.
- The little stalls across from Small World serve things like ham and gruyère sandwiches and gauffres and sweets, with beer and wine available. Meh by Paris standards, but decent snacks that you wouldn't find in Anaheim.
- Unique themed dining. Captain Jack's has sub-par food, but if you're a fan of the Blue Bayou, it may be worth it just for the Caribbean nighttime theming. Boats floating by, and a more defined/secluded space than the sea of tables at BB. (Who goes to BB for the food anyway?) Agrabah restaurant has the most divergent theming and food from anything you can get in DLR.
General info/advice: I have a lot of good news for Californians, because Paris is a cakewalk in comparison. I'm sure I hit a slower period, but it's so easy to go with the flow without playing nine-dimensional chess on your phone every three minutes.
- Stay at a hotel on campus! The great news is that the hotels, parks and shops are after security, so you won't have to leave the bubble for your whole trip. Say goodbye to waiting in line for bag check behind one billion strollers every morning. If you're staying in the DLH (covered in my other post), you basically roll out of bed and through the turnstiles.
- Early entry was EMPTY, and since it was 8:30 instead of 7-7:30, it felt downright luxurious. Hit those Fantasyland rides like they're going out of style. I hit Peter Pan twice before 8:40. That one does fill up later and skipping the line costs an absurd amount of money, so morning is your best bet. Not everything is open for extra magic hour, though, so do check your map.
- The park is significantly bigger and you're going to do a lot of walking. It's not as easy to jump from point to point in rapid succession as in our little jewel of a park. Plan accordingly.
- That said, take the time to really slow down and enjoy your surroundings. No need to travel halfway across the world just to bang out a bunch of rides. It's fun to check out the beautifully executed transitions (John Hench would be proud). There's even a list of horticultural treasures within the app.
- Express pass is way easier than Genie Plus. I don't recommend getting the full day; the one day I did it, I failed to break even on what I would have spent skipping the line for individual rides. Get it for the rides you want if the line looks too steep for you. They're generally valid either immediately or within 5 minutes.
I'm tired of typing, and you're doubtless tired of reading, but if you have questions about the Studios park, feel free to ask in the comments.
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2024.05.14 21:11 gregornot December 8, 2016 To celebrate John Lennon's life, the estate for George Harrison posted a tribute photo of the two former Beatles from the group's early days. On Thursday, 36 years after Lennon was murdered.
2024.05.14 20:27 GrahamCrackerss [For Sale] Black Sabbath, Creedence Clearwater Revival, Deftones, Fuzz, Kyuss, Modest Mouse, The Pretenders, The Strokes, Thee Oh Sees, Ty Segall & more!
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2024.05.14 20:22 AthisX Hank and John posing for a photo
2024.05.14 20:05 dillpicklechips92 John Lennon - Woman
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2024.05.14 19:48 realkevinabstract 🚨Attention NYC Beatles Fans! We’re having a public Beatles Jam session at RIVAA Gallery this sunday! Come join us!
| Hey Beatles! I hope to reach some local musicians here, this sunday from 3-6 you can show up to RIVAA gallery in Roosevelt Island, sign up and jam some tunes out with some other great fans! It’s a free event (donations appreciated!) and all ages and instruments are welcome! As someone who grew up going to the Beatles fests and playing at the John Lennon memorial, I would love to have more community events where beatles fans from all 5 boroughs can gather together on occasion and enjoy their favorite songs and memories! I hope to see you there, feel free to comment or DM me with any questions or if you are attending! Peace & love ☮️❤️✌️ submitted by realkevinabstract to beatles [link] [comments] |
2024.05.14 18:50 Cdaly474 Akathisia and antibiotics
Age:32
Sex F
Height 5’3”
Weight 180
Race white
Duration of complaint future question
Location no specific location
Any existing relevant medical issues akathisia and pernicious anemia
Current medications b/c pills, hydroxycobalmin injections, vitamin C, pro DHA , magnesium glycinate
I get akathisia from multiple medications, reglan, compazine, certain forms of B12, St. John’s wort, (1 time dose of Zoloft), amoxicillin and doxycycline..I have done research and know that most of the reactions are from these medications being dopamine antagonists..however some are from slow COMT which causes nervousness from an overshoot of neurotransmitters…my question is are there antibiotics that do not block dopamine?? Please I’m desperate because I’m petrified of needing antibiotics and not knowing what to take because I can’t go through the akathisia again. Thank you for your answers in advance
Include a photo if relevant
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2024.05.14 17:56 DANJCOLEMAN1991 Sound Like ASIAN KUNG-FU GENERATION Pt.1: Masafumi Gotoh (2024 version)
Introduction
ASIAN KUNG-FU GENERATION, Zepp Tokyo for \"Quarter-Century Tour\" ^(\This article is an updated version of my "Sound Like" article from 2021. I have reposted this article due to difficulties editing the original version*, and have included additional information and recommendations based on the increased popularity of amp simulator pedals*)*
Hello fellow musicians and Ajikan fans!
I have been a fan of ASIAN KUNG-FU GENERATION for roughly 16 years and as a guitarist was greatly inspired by the band's alt rock sound.
After a few years of research I have written a series of "sound like" articles for ASIAN KUNG-FU GENERATION. The purpose of these articles is to provide context on how the band create their signature sound, and to support beginning musicians or tribute acts who may wish to replicate it.
At the end of each article I have drafted a Budget Rig, which you could use for both at home and in a live environment. I have also provided some general amp settings to tweak and try, which are based on the band's live sound and be can used to help replicate their tones.
This is a 3-part series and if you enjoy this article I would recommend checking out the other articles:
Sound Like ASIAN KUNG-FU GENERATION Pt.2: Kensuke Kita (2024 version) : AsianKungFuGeneration (reddit.com) ASIAN KUNG-FU GENERATION Sound Like Part 3: Yamada : AsianKungFuGeneration (reddit.com) Please note that the article focuses on the band's live sound, which will be different to the albums and can vary depending on the venue. Also (and is a cliché every musician and instrument will vary slightly due to small differences in play style and build, so also be mindful of that.)
To help you recognise the individual guitar tones, Gotch's guitar parts are normally panned to the left earphone and Kita's are panned to the right earphone on the band's albums. (On 2016's
Sol-Fa, Hometown and some of the
Planet Folks singles the panning was swapped, with Gotch instead in the right ear and Kita on the left)
Masafumi Gotoh
Gotch live at the 02 Islington, London, 2013 Let's start off with lead singer and rhythm guitarist
Masafumi Gotoh, or "
Gotch" for short. Gotch's was massively influenced by the 90's alternative rock, Power Pop and the Britpop scene, and has previously highlighted Oasis, Weezer and Number Girl as key inspirations.
As Ajikan's main songwriter, Gotch follows the principle of "less is more" - keeping the arrangements simple for listeners, but combining pop hooks & traditional Asian melodies with the band's punk rock and indie influences.
Gotch's playing style follows this principle, as he primarily uses chord shapes, bar chords or repeated phrases to anchor the band. (The simple approach also makes it easier for Gotch to sing while performing)
Occasionally, Gotch will use "octave chords" (more on octave chords below) or play riffs with open strings notes, to add further depth. A good example of this is the opening riffs to
Easter, where he plays an open D string while also playing the 3rd and 5th fret of the A string.
Octave Chords: Octave chords is famously used in punk rock and alt rock riffs, and is when you play the same note in two different octaves. Try play a bar chord on the 4th fret of the A string, and lifting your ring finger off the D string. You should get a "C# octave chord" and will recognise it from the intro of ***Haruka Kanata***. Octave chords are used in many Ajikan songs and by many bands, so they are good to practice!
In more recent albums, Gotch has also experimented with moving chord shapes across the fretboard. For good examples, check out the opening of
Caterpillar or the bridge section of
Kouya Wo Aruke.
Gotch's guitar tends to be lower in the overall mix, with Kita acting as the band's lead guitarist and Gotch as the anchor for each song. However, Gotch tends to improvise with ambient sounds during live performances and occasionally will take on the lead role in songs like
Hold Me Tight.
GUITARS:
When it comes to guitars Gotch almost exclusively plays Gibson Les Paul Jr's with P-90 pickups, and has been his preferred guitar since 2004. The P-90 pickups have a bright midrange sound in comparison to the muddier humbucker sound, which makes them better suited for Gotch's focus on chords.
Gotch main guitar is the 1959 Gibson Les Paul Special The Les Paul Jr is also lighter and have less sustain and power compared to a normal Les Paul, which leaves space for the other instruments to stand out in the mix.
Gotch's main guitar is a
1959 Gibson Les Paul Special, which he plays in E Standard tuning and uses for both recording and live performances. Gotch also uses a
1961 Gibson Les Paul Jr (with the pickguard missing) or a
2000 Gibson Les Paul DC (with a gloss yellow finish) for songs in Eb/D# tuning, such as
After Dark or
Soredewa, Mata Ashita.
Gotch's is also famous for using a
1975 Gibson Marauder during the band's early years. Gotch has mostly retired the guitar (due to the "lack of volume" for larger venues), but it regularly appears in MV's, band merchandise and occasionally during special events, such as the 10th anniversary shows in Yokohama.
Gotch's Gibson Marauder Gotch occasionally uses a few rarer guitars live, such as the
Gibson Custom Les Paul Junior John Lennon model (Gotch has number 54 of 300 such guitars made), and is normally played with a capo for songs such as
Maigo Inu To Ame No Beat.
Gotch has also used a
Gibson Hummingbird for acoustic numbers, and can be seen used in Eizo Sakushin Shu Vol.6 for the band's performance of
Kaigan Doori. Gotch likes to use Tortex Flex .88mm & Tortex Flex Triangle .88mm guitar picks, which he swaps between depending on the song.
If you are looking to sound like Gotch,
the best place to start would be a Les Paul Jr guitar with P-90 pickups. AMPLIFIERS:
After originally touring with a Roland JC-22, Gotch has almost exclusively played Fender amplifiers since 2004. Gotch uses two amps when playing live, one for his "clean" sound and the other for his "heavy" sound.
The band's often implement a "quiet/loud" dynamic into their song writing, so Gotch will often switch between his amps during live performances, using a custom made footswitch on his pedalboard. (A good example of this is
Mustang or
Solanin)
For his clean tone, Gotch uses a
Fender 65' Twin Custom Twin 15. It can be heard on
Korogaru Iwa, Kimi ni Asa Ga Furu, Solanin and
Wonder Future. Occasionally, Gotch will combine the Twin Reverb with a boost pedal or overdrive pedal for more clarity, with Wonder Future a good examples of this.
(1) Fender '65 Twin Custom 15 (clean tone), (2) Fender Vibro-King Custom, (3) Fender Super-Sonic 60 Head (which uses the Vibro-King as a speaker), (4) Fender '63 Spring Reverb (which runs in between the pedal board and the Super-Sonic 60, and is toggled on or off by a switch) For his heavier tone, Gotch primarily uses a
Fender Vibro-King Custom for recording and appears in most of the band's MV's. The Vibro-King/Twin Reverb was Gotch's main setup during the 2000's and can be seen together on
Eizo Sakushin Shu Vol. 6.
In 2009 Gotch started to use a
Fender Super-Sonic 60 Amp Head and still uses it now. Until 2022, Gotch would use Vibro-King as a "cabinet", acting as the speaker unit for the Super-Sonic. Gotch now uses a
Shinos & L Rocket Head for live shows, but has kept the Vibro-king for recording sessions and MVs.
Since 2022 Gotch has used Shinos & L Rocket amp & cabinet instead of the Fender Vibro-King Gotch "heavy" amps for songs such as
Re:Re:, Haruka Kanata and
Rewrite. It is important to note that Gotch prefers to use his amps to create his distorted tone, but will occasionally add an overdrive pedal for heavier tracks such as
Blood Circulator &
Easter.
Alongside the Twin Reverb and Super-Sonic, Gotch is known to use a
Fender 63' Spring Reverb Unit. This unit only runs into the Super-Sonic and is used for additional reverb to "thicken the sound". Gotch can control the 63' Reverb with a on/off switch on his pedal board.
Other notable amps that Gotch has used are the
Matchless C30 & Bad Cat 30R Head. Both have been used exclusively for recording, most notably on Wonder Future. Gotch is also known to use VOX AC15 amps for recording.
Gotch's '63 Spring Reverb Unit, along with a selection of Vortex Flex .88m picks In terms of mics, Gotch seems to use a Shure SM57 for his Fender Twin Reverb and a Shure SM58 on his Vibro-King or Shinos Rocket. When you are trying to emulate his sound with modelling or profiling amps, it is worth experimenting with mic positioning and different mics.
If you want to replicate Gotch's amp sound then you should look to replicate his Fender amps. However the Vibro-King is a key component and are unfortunately rare, notoriously loud and expensive. For that reason, I have put together some alternatives that should get you close.
PEDALS & EFFECTS:
During Ajikan's early years, Gotch combined a Roland JC-22 with a ProCo RAT to create the "quiet/loud" dynamic of the band's early records. After buying the Fender Vibro-King in 2004, Gotch no longer required the RAT, but kept a simplified pedalboard to achieve certain tones for live performances.
Gotch's 2004 pedalboard, which includes the ProCo RAT and Ibanez TS9 Tube Screamer We will cover two different pedalboards that Gotch has used during the band's career. Regardless of which pedal board you look at,
Gotch's has always included an overdrive or boost pedal, a phase pedal and a delay pedal. The boost/overdrive is used to "lift" his clean sound during ballads (
Solanin, Wonder Future) or to thicken his sound for heavier tracks. (
Senseless, Dororo) Gotch will normally set the drive or gain low and the volume high.
The phaser is a more sparingly used pedal to add texture and colour, but can be heard on
Shinkokyū, Blue Train and
Rewrite. I will include more detail on Gotch's use of delay in the sections below.
Gotch's "Classic" Pedalboard Gotch \"classic\" pedalboard, used between 2006-2013, with Gotch's custom made footswitch on the bottom left to control the amps Gotch started to use this "classic" board during the Fanclub tour and continued to do so until the 10th Anniversary shows in 2013. This would be the easier and more affordable board to replicate for newcomers.
Gotch's setup started with a
BOSS TU-3 tuner, which he also used as a "mute" pedal in between songs. From there, his chain would run into the
Ibanez TS808 Tube Screamer, the
BOSS PH-2 Super Phaser and the
BOSS DD-20 Giga Delay. During the Magic Disk tour, Gotch also added a
Custom Audio Tremolo.
The BOSS DD-20 *has been Gotch's main delay pedal for twenty years and is set to "warp". On the warp setting, Gotch can keep his foot on the pedal to create swells of delays. Gotch's standard setting is 173-179bpm (beats per minute on 1/4 (quarter) notes and then he has four presets. These are 137bpm on 1/4 (for the intro of Blackout), 154bpm on 1/4 (for Kakato de Ai o Uchinarase), 177bpm on 1/2 (for Solanin and the intro of Siren) and finally 177 on 1/4. (For the second half of Siren)*)
Gotch also included two footswitches for his board; The first one was a handmade footswitch, which he used to swap between the Twin Reverb and the Vibro-King/Super-Sonic. The other footswitch was a BOSS FS-5L, which he used to control the '63 Spring Reverb Unit.
Gotch's "Modern" Pedalboard Gotch's \"modern\" pedal board.【Pedal List】(1) api/TranZformer GT (compressoequalizer) (2) BOSS/TU-3 (tuner) (3) Spaceman Effects/Atlas III (preamp) (4) BOSS/DD-6 (delay) (5) Spaceman Effects/Voyager I (tremolo) (6) EarthQuaker Devices/Avalanche Run (delay/reverb) (7) Mu-Tron/Mu-FX Phasor 2X (phaser) (8) Caroline Guitar Company/KILOBYTE (9) BOSS/DD-20 (delay) (10) Handmade/Line Selector (11) FAT/514.D (booster)(12) strymon/Zuma R300 (power supply) (13)BOSS/EV-30 (Expression Pedal) (14) BOSS/FS-5L (foot switch) During the recording of Wonder Future and his first solo album (
Can't Be Forever Young), Gotch began to experiment more with boutique pedals, and has resulted in a more complex board since 2014, allowing more ambient experiments on the band's records and during live performances.
Gotch has added a
API Tranzformer GT to the start of his chain, only using the E.Q. section and tweaking the settings for each venue.
Gotch's "Modern" board now includes a variety of delay and reverb pedals, such as the
Earthquaker Device Avalanche Run and the
Caroline Kilobyte Lo-Fi Delay. These are combined with his DD-20 to create the ambient sounds heard on
Empathy & the outro of
Demachiyanagi Parallel Universe.
The
BOSS DD-6 Digital Delay is set to the "reverse" mode and is used during the intro of
Re:Re: and the bridge of
Rewrite. Gotch has removed the Tube-Screamer from his board and has experimented with multiple alternative pedals, which includes the
Xotic Effects AC Plus and
JHS Superbolt.
He currently uses the
Atlas III Preamp Booster and the
FAT 514.D for his overdrive sounds. The 514.D only runs to the Super-Sonic to help "thicken" the distorted tone of the Super-Sonic.
Gotch has also replaced the Super Phaser with the
MU-FX Phasor 2x and is using a
Voyager I Spaceman for his tremolo. (UCLA & No Name are good references for the tremolo) Finally, Gotch has added an
BOSS EV-30 expression pedal, which he uses to control the delay of the Avalanche Run.
If you are looking to replicate Gotch's pedalboard,
the best place to start would be a phaser, delay and a boost/overdrive pedal, which would cover most of Ajikan's Discography.
Sound Like Gotch...On a Budget
Now that you are up to speed on what Gotch uses for his guitar rig, we can start to look at replicating his sound. The idea of this section is to offer affordable suggestions to replicate Gotch's tone that can be used for home use and for small live venues.
I would like to highlight that I am just writing as a fan and the equipment I recommend are purely my own recommendations. I do not have any sponsors (I wish I did sometimes) and if you find alternatives that work for you, go for it!
Gotch performing in 2022, during the Quarter Century shows in Yokohama To buy Gotch's current pedal board alone would cost roughly £2,500 and would be unrealistic for most readers to purchase, however there are options that can get us close to Gotch's tone without breaking the bank.
The key elements to this rig are: - A Gibson style guitar with P-90 pickups
- A Fender amp with decent distortion
- A Tube-Screamer style overdrive
- A flexible Delay pedal
Let's start with the guitar, which is both important for the P-90 tone. You should always feel comfortable when playing the guitar you pick, so I recommend trying out the guitar when possible before buying.
GUITARS As an affordable guitar, I would suggest looking at the
Epiphone Les Paul Jr. It is the entry level price for Gibson guitars (Epiphone would be the equivalent to "Squier" for Fender) and includes P-90 pickups as the standard setup. You can buy one for around £380 and should also be fairly easy to modify & similar to Gotch's sound.
Epiphone Les Paul Junior If you do have a higher budget to work with, I would recommend the
Gibson Les Paul Special Tribute DC. These were released in 2019 and you can normally find a 2nd hand version for roughly £650 - £800. (It is also the guitar I currently use!) Failing that, you can also look at the
Gibson Les Paul Special for around £800.
Gibson Les Paul Special Tribute DC AMPLIFIERS We are looking to replicate Gotch's Fender amps, so the affordable option to start with would be the
Fender Mustang GTX. The newer Mustang amps are an improvement on the original and have simulations of the Twin Reverb, the Vibro-King and the Super-Sonic.
The GTX 50 (which has a smaller speaker) is roughly £390 and the GTX 100 (which includes a footswitch) is about £510, but you should be able to find both versions for a reduced cost second hand.
Fender Mustang GTX 100 If you do have a higher budget or prefer to use a tube amp, I would recommend going for the
Fender Super-Sonic Combo or the
Fender Hot Rod Deluxe for a solid distorted Fender tone.
Alternatively, you could consider the
Fender Blues Junior, Fender Tone Master Twin-Reverb or
Roland JC, and combine them with a ProCo RAT to replicate the tones from
Houkai Amplifier and
Kimi Tsunagi Five M.
PEDALS To keep the list of suggestions short and simple, we will use Gotch's "classic" board as a reference and will cover most of the band's discography.
For a budget rig, I would recommend the
Ibanez Tube-Screamer Mini, which is a miniature version of the standard Ibanez Tube-Screamer and sound great for the price. You could pair this up with a
Boss Phase Shifter and a
BOSS DD-6 Delay for around £309 brand new to get a very similar Gotch board. (You could buy them for as low as £110 combined on the 2nd hand market)
The Tube Screamer Mini is a cheap, effective overdrive pedal based on the classic TS808 For a more expensive pedalboard, the
JHS Superbolt V2 was used by Gotch extensively between 2015-2019 and was once described by Gotch as "the Ajikan sound" on his blog. You could also buy the
TS808 Tube Screamer that Gotch actually used for many years or the
JHS Bonsai 9 which emulates multiple tube screamers.
For modulation sounds (phase, tremolo) the
AmpliTube X-Vibe is one of many great multi-effect pedal on the market. If you have the money for it, you could buy a
BOSS DD-20 second hand or the
BOSS DD-200 to emulate Gotch's delay sound.
If you decided to go with the Mustang GTX, you would also have a selection of effects built into the amp.
THE TONE MASTER PRO? (and amp simulators) As a final recommendation, Fender have recently released the
Tone Master Pro (TMP), which is a multi effects and amp simulator.
It can be used as a device for home recording, but also as multi effects pedal in front of a standard amp or as your main amplifier when played through a IR cabinet. (I'll go into more detail in a bit!) The TMP are not cheap at £1400, so I would only advise buying one if you plan to use it as your main amp and effects board.
If you have the budget and was starting your rig from scratch I would consider checking it out, as it includes great simulations of the Twin Reverb and Vibro-King. They are also easy to transport & the Fender IR cabinets only weigh 12.5kg. (For comparison, my VOX AC15 weighs 30kg and is a nightmare to transport for shows)
The TMP is Fender's first amp simulator pedal and from what I understand the
Quad Cortex DSP, the
Line 6 Helix series and the
Headrush Pedalboard are more popular choices. However, for the purpose of "sounding like Gotch", I would start with the TMP for its Fender selection and simplicity
The Fender Tone Master Pro can be used to simulate multiple amps & as a pedalboard for live performances If you decide to buy a Amp Simulator Pedal, there are 3 common ways to use it for band practices & live settings. (Outside of just using headphones or running straight to front of house at a venue)
***Option 1: Only use the effects on the Amp Simulator and run it into a standard amp***. (Make sure to not use the cabinets settings within the pedal when doing this You could still use the amps, however it will not always sound great with a normal amp)
Option 2: Use the Amp Simulator as your main amp and combining with a standard guitar cabinet. In order to do this, you will need to buy a separate power amp pedal to run in between the amp simulator and the guitar cabinet. (Otherwise you will not have any volume or oomph when you play through the cabinet)
Option 3: Buy a IR Cabinet. The difference between this and Option 2 is that you would not need to buy a separate power amp pedal to run into the speaker. The Fender FR-10/12 & Line 6 Powercab are good examples.
Recommended Amp Settings
The following amp settings are based on photos gathered from live performances or from photos of Gotch's social media. Every amp will slightly differ based on your guitar or playing style, so you may need to tweak with your settings to find the right blend.
My personal advice is to not put the gain too high and to start with getting the treble and bass settings where you feel comfortable, before tweaking the mids. The P-90s have a strong midrange attack, so bear that in mind as well.
Gotch's Vibro-King and Super-Sonic Fender '65 Twin Custom 15: (Plugged into Vibrato 1) Vol: 3, Treble: 3.5-4, Mid: 6.5, Bass: 3.5
Fender Super-Sonic 60 Head: Channel 1: Vol: 3.5, Treble: 4-4.5, Bass: 5
Channel 2: Vintage setting ON, Gain 1: 4, Gain 2: 0, Treble: 5-5.5, Bass: 4.5-5, Mid: 5.5, Vol: 5.5-6
Fender Vibro-King Custom (as cabinet): Plug into the speaker input at the back of the amp, with FAT switch on.
Fender Vibro-King Custom (as amplifier): (FAT ON) Vol: 3, Treble: 4.5, Bass: 4, Mid: 5.5 (Based on Eizo Sakushin Shu Vol.6 settings)
OR
(FAT ON) Vol: 4.5 Treble: 4 Bass: 5 Mid: 4.5
Shinos & L Rocket Head: Gain: 7, Treble: 8, Bass: 3, Reverb: 0, Master: 7
Conclusion
I hope this has been helpful for you guys, as it has been on my bucket list for some time! Please provide some feedback as it is always appreciated and if you would like more details about the effect settings let me know.
[Update] I have now written a post on Kita's rig and Yamada's rig, which you can read below:
ASIAN KUNG-FU GENERATION Sound Like Part 2: Kita : AsianKungFuGeneration (reddit.com) ASIAN KUNG-FU GENERATION Sound Like Part 3: Yamada : AsianKungFuGeneration (reddit.com) submitted by
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2024.05.14 17:41 2a_lib Who are the über-John, über-Paul, etc?
Which musician took the influence of a particular Beatle to its logical, perhaps derivative extreme, or at least carried the torch? For example, Petty might fill that role for Dylan. I’ve often heard Elton John or Billy Joel called “ultra-Paul,” sometimes not in a good way. For Lennon, Zappa or Stipe come to mind although Stipe would swear up and down this is not the case. Narcissism of small differences, perhaps.
Thoughts?
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2024.05.14 17:33 DaveHervey Beverage market Cannabis legalization: soon grass instead of hops? May 8, 2024 in market report
Cannabis has now been – at least partially – legal in Germany for a good five weeks. Will there soon be THC drinks in this country? Will Germans then drink less alcohol? And where can the substances actually be consumed? While the answers to this will probably take a while to come, many, including those in the beverage industry, are looking with excitement to Canada, where marijuana has been legal since 2018.
The approval there quickly led to the introduction of a wealth of new mixed drinks. The beverage manufacturer Truss Beverages from the province of Ontario brought non-alcoholic drinks enriched with THC and CBD in a wide variety of, mostly fruity, flavors and different, precisely defined potencies onto the market under the brand names XMG, Little Victory, Mollo and Bedfellows. Truss is a joint venture between brewing company Molson Coors and cannabis company Hexo.
THC drinks soon in Germany too? It's no wonder that, given the opportunities offered by a completely new category, companies in this country are already positioning themselves to be among the pioneers if cannabis extracts are also approved as beverage additives here. For example, the Hamburg company “Good Drinks” is currently discussing whether THC in its drinks could be a useful brand addition, as co-owner Frank Maßen reports.
Good Drinks is currently on the market with vodka and energy drinks, for example. Well-known Hamburg restaurateurs such as Axel Strehlitz and John Schierhorn, both of whom have deep roots in the local club scene, are involved in the start-up. Maßen sees THC as a logical progression for a brand that has partying in its DNA, but “the idea of introducing a THC variant raises a lot of questions, especially in terms of brand image and acceptance,” said Maßen.
Discussions are currently underway internally about how to handle this potential expansion without damaging the essence of the brand, which is strongly linked to the club culture. There are intensive discussions with the licensors of the Hamburg Club Combine, which launched the brand together with Good Drinks to support the local club scene as a social business ( we reported ).
Some THC drinks already on the market in Canada Some THC drinks already on the market in Canada (Product photos: Truss Beverages) Breweries would certainly also be potential manufacturers. But the German Brewers Association considers it unlikely that many breweries could jump on the cannabis bandwagon. “Germany is and remains the country of beer drinkers. With 1,500 breweries and almost 8,000 brands, we have a beer variety that is unique in the world,” says Managing Director Holger Eichele. Beer is still the national drink, although consumption has been declining for years, as in many other European countries.
“Edibles” are still banned under EU law Apart from that, an introduction would not yet be legally possible, because drinks with THC or CBD fall under “edibles” in the EU; This refers to foods and drinks that contain cannabis. They are therefore affected by the Novel Food Regulation, explains the managing director of the Bavarian Cannabis Association, Wenzel Cerveny. This means that they can only be placed on the market once they have been tested as safe by the EU.
“This is something that a small manufacturer cannot do - this test would have to be initiated by a large company,” says Cerveny. He himself is currently working with the small brewery “Unertl” from Haag in Upper Bavaria on an alcohol-free beer with hemp extract. However, without THC or CBD, but with hemp as a special taste.
To provide a more detailed explanation, the EU states that there has been no evidence of any significant consumption of the individual substance CBD (cannabidiol) before May 15, 1997. It is therefore assessed as novel in the European Commission's Novel Food Catalog under the entry “Cannabinoids” and therefore requires its own approval. As long as this does not exist, such products are not marketable. The same applies to products containing THC.
Alcohol consumption in Canada fell after legalization It's not just new products that could affect the German beverage industry if they are allowed in the future. Using Canada as an example, it is clear to see that cannabis consumption has a direct influence on consumers' drinking behavior. A joint study by the University of Manitoba, Memorial University and the University of Toronto has shown that Canadians are drinking significantly less alcohol since they were legally allowed to consume cannabis.
For example, the study published in the journal Drug and Alcohol Dependence observed an average monthly decline in beer consumption of 136 hectoliters per 100,000 people after legalization. In this context, the authors speak of a “substitution effect”, in which consumers choose cannabis instead of beer as their intoxicant of choice.
Mixing with alcohol is not advisable Both together are considered by “connoisseurs” to be not very digestible. Even Truss Beverages advises against consuming its THC drinks mixed with alcohol on its website, citing recommendations from the Canadian Health Authority. Again and again, the product description in connection with the dosage is about ensuring a “controlled and predictable consumption experience”.
Clear warnings label drinks containing THC in Canada. Clear warnings label drinks containing THC in Canada. (Photo: Truss Beverages) A look at the 2022/23 financial year shows how strong cannabis legalization can have on the alcohol industry. Accordingly, Canada received more excise tax revenue from cannabis ($660 million) than from wine ($205 million) and beer ($450 million) combined.
It is still completely unclear whether the industry will have to adapt to similar shifts in this country. The German Brewers Association is rather relaxed: It is still far too early to speculate about possible effects, emphasizes DBB boss Eichele. “There are studies from abroad where markets have been examined in more detail. However, these studies cannot be transferred one-to-one to Germany; the starting points are far too different. We don’t expect any visible effects in this country.”
Where smoking is allowed, you can also smoke weed The question of how to deal with marijuana users in the catering industry is already very current; It is being hotly debated all over the country. While the use of the drug indoors is usually prohibited, there is scope for freedom in outdoor areas and, for example, beer gardens.
The German Hotel and Restaurant Association (Dehoga) says that initial feedback from the industry shows a tendency not to allow the consumption of marijuana. The legal situation varies from federal state to federal state, as Dehoga managing director and legal expert Jürgen Benad knows: “Where smoking is still permitted according to the legal regulations of the federal states, cannabis consumption is also generally permitted.”
But it is also clear: “Every restaurateur is allowed to prohibit guests from consuming cannabis – even in smoking bars – based on their house rules,” says Benad. This also applies to outdoor catering. Cannabis may not be consumed “in the immediate presence” of minors. What this specifically means in the catering industry will not be easy to define in individual cases.
Zero tolerance or laissez-faire? While the beer gardens in Munich, for example, will remain consumption-free until further notice due to Bavaria's zero-tolerance policy, people in Berlin are more open-minded. “Since the cannabis law was approved, the consumption of cannabis in the catering industry has been considered synonymous with the consumption of cigarettes and other tobacco products,” says Tony Ettelt-Brundiers, managing director of “Zenner”, a cultural and gastronomic ensemble consisting of a vineyard, beer garden and organic ice cream parlor , concert hall, club space and event location in the capital.
“We are not questioning this law,” said Ettelt-Brundiers. “Regardless of what our guests smoke in the Zenner’s outdoor areas, we ask everyone to be considerate, especially if other guests could feel disturbed by someone else’s smoke, regardless of its origin.” This principle of mutuality Consideration has worked surprisingly well in Zenner for more than 200 years, which the aforementioned amendment to the law should not change, according to the managing director.
How much cannabis will ultimately change the beverage industry and social life surrounding beverages is still entirely unknown.
https://getraenke-news.de/cannabis-legalisierung-bald-gras-statt-hopfen/ NOTE: Some of the getraenke-news research goes back a few years and ownership of TRUSS is now 100% owned and operated by Tilray Brands that is also a multi year, In Country producer of German Medical Cannabis.
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2024.05.14 17:01 armyreco Exclusive new photos of Malaysia first Maharaja Lela class Littoral Combat Ship unveiled
2024.05.14 16:47 Humble-Tap-7600 John’s “House of Cards” Mind…
Hey everyone! I am trying to find a screenshot of an Instagram story that John Mayer posted a few years back in 2017 or 2018?
He was doing a fan-interview Q&A on his Instagram story, and someone had asked if he’s ever done psychedelics. John had posted a photo of a house of cards and answered with a caption something along the lines of “No, I have never done them. I look at my mind as a delicate house of cards fallen into place, and I don’t want to risk it falling down”.
Does anyone happen to have a date, or screenshot of this story? Thanks so much! :)
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2024.05.14 15:18 get-the-flamethrower Bedbugs or....?
2024.05.14 15:00 Honestly_ Not just EA Sports: *All* NCAA college football game covers & athletes, including Sony's NCAA GameBreaker, Sega Sports, and a few others
With the
EA Sports College Football 25 cover being released this Thursday, I thought it would be interesting to look back at all covers — and not just the EA covers, but the athletes featured on covers of rival games by Sony, Sega, and other competitors.
Competition is a good thing. Putting these in chronological order takes me back to the era where there were options (I bought my first game in the '90s, and played a lot of 2k2).
If you count the 2 players that are identifiable off of "College Football USA 96" there have been 36 cover athletes across 34 editions of college football games (plus an active coach, mascot, two band members, and an unidentified player)
This post is going to look cleaner in "old" view. You can swap the "www" with "old" in the URL or just
click here. Year | Publisher | Game Title (image) | Cover Athlete (wiki) | Heisman? | Formats | Notes |
1993 | EA Sports | Bill Walsh College Football | STAN Coach Bill Walsh | N/A | Sega Genesis, SNES, Sega CD | No licenses so generic names/logos |
1994 | EA Sports | Bill Walsh College Football '95 | STAN Coach Bill Walsh | N/A | Sega Genesis | Schools licensed now |
1994 | Mindscape | NCAA Football | NCAA Logo over generic players | N/A | Sega Genesis, SNES | |
1994 | Sega Sports | College Football's National Championship | ND Notre Dame Stadium | N/A | Sega Genesis | |
1995 | EA Sports | College Football USA 96 | KSU¦MICH¦FSU¦WIS¦USC "Generic" photos* | No | Sega Genesis | see below* |
1995 | Sega Sports | College Football's National Championship II | COL Folsom Field | No | Sega Genesis | |
1996 | EA Sports | College Football USA 97 | NEB QB Tommie Frazier | No | Sega Genesis, SNES | 1st true cover athlete |
1996 | Sony | NCAA Football Gamebreaker | OSU RB Eddie George | HEISMAN! | PS1 | 1st Heisman winner on cover |
1997 | EA Sports | NCAA Football 98 | FLA QB Danny Wuerffel | HEISMAN! | PS1, PC | |
1997 | Sony | NCAA Gamebreaker 98 | FSU RB Warrick Dunn | No | PS1 | |
1998 | EA Sports | NCAA Football 99 | MICH CB Charles Woodson | HEISMAN! | PS1, PC | 1st of 2 defensive players ever |
1998 | Sony | NCAA GameBreaker 99 | NEB QB Scott Frost | No | PS1 | 1st future head coach |
1999 | EA Sports | NCAA Football 2000 | TEX RB Ricky Williams | HEISMAN! | PS1 | |
1999 | Sony | NCAA GameBreaker 2000 | UCLA QB Cade McNown | No | PS1 | |
2000 | EA Sports | NCAA Football 2001 | ALA RB Shaun Alexander | No | PS1 | |
2000 | Sony | NCAA GameBreaker 2001 | WIS RB Ron Dayne | HEISMAN! | PS1, PS2 | 1st 6th generation console game |
2001 | EA Sports | NCAA Football 2002 | FSU QB Chris Weinke | HEISMAN! | PS2 | |
2001 | Sega Sports | NCAA College Football 2K2 | PUR QB Drew Brees | No | DC | |
2002 | EA Sports | NCAA Football 2003 | ORE QB Joey Harrington | No | PS2, GC, Xbox | |
2002 | Sony | NCAA GameBreaker 2003 | MIA RB Clinton Portis | No | PS2 | [Sony skipped 2002] |
2002 | Sega Sports | NCAA College Football 2K3 | NEB QB Eric Crouch | HEISMAN! | PS2, GC, Xbox | |
2003 | EA Sports | NCAA Football 2004 | USC QB Carson Palmer | HEISMAN! | PS2, GC, Xbox, N-Gage | 1st handheld on Nokia's disastrous system |
2003 | Sony | NCAA GameBreaker 2004 | PSU RB Larry Johnson | No | PS2 | |
2004 | EA Sports | NCAA Football 2005 | PITT WR Larry Fitzgerald | No | PS2, GC, Xbox | |
2005 | EA Sports | NCAA Football 06 | MICH WR Desmond Howard | | PS2, Xbox | 1991's Heisman |
2006 | EA Sports | NCAA Football 07 | USC RB Reggie Bush | HEISMAN! | PS2, Xbox, 360, PSP | |
2007 | EA Sports | NCAA Football 08 | BOISE QB Jared Zabransky | No | 360, PS3, PS2, Xbox | |
2007 | Aspyr | Black College Football: BCFX: The Xperience | Generic player, cheerleader, drum major | No | PC, 360 (2009) | HBCU teams |
2008 | EA Sports | NCAA Football 09 | CAL WR DeSean Jackson | No | PS2 | Multi-cover |
2008 | EA Sports | NCAA Football 09 | BC QB Matt Ryan | No | PS3 | Multi-cover |
2008 | EA Sports | NCAA Football 09 | WVU FB Owen Schmitt | No | PSP | Multi-cover |
2008 | EA Sports | NCAA Football 09 | MSU mascot Sparty | No | Wii | Multi-cover |
2008 | EA Sports | NCAA Football 09 | ARK RB Darren McFadden | No | 360 | Multi-cover |
2009 | EA Sports | NCAA Football 10 | TEX LB Brian Orakpo | No | PS2 | Multi-cover; 2 of 2 defenders |
2009 | EA Sports | NCAA Football 10 | UTAH QB Brian Johnson | No | PS3 | Multi-cover |
2009 | EA Sports | NCAA Football 10 | USC QB Mark Sanchez | No | PSP | Multi-cover |
2009 | EA Sports | NCAA Football 10 | TTU WR Michael Crabtree | No | 360 | Multi-cover |
2010 | EA Sports | NCAA Football 11 | FLA QB Tim Tebow | HEISMAN! | PS3, 360, PS2, iOS | |
2011 | EA Sports | NCAA Football 12 | ALA RB Mark Ingram II | HEISMAN! | PS3, 360 | Fan-vote cover athlete |
2012 | EA Sports | NCAA Football 13 | BAY QB Robert Griffin III & OKST RB Barry Sanders | YES! | PS3, 360 | Fan-vote for older athlete |
2013 | EA Sports | NCAA Football 14 | MICH Denard Robinson | No | PS3, 360 | Fan-vote cover athlete |
2024 | EA Sports | EA Sports College Football 25 | TBD | TBD | PS5, Xbox Series X/S | |
*Photos on College Football USA 96 cover are
USC Trojan drum major, a
Wisconsin band member, unidentified Florida State player (zoomed in on helmet), but also easily identified K-State WR
Kevin Lockett & Michigan RB
Tim Biakabutuk (both played in '95 season after this came out)
Various developers:
EA Sports's developers:
- High Score Productions (1993: Genesis, Sega CD; 1994-96)
- Visual Concepts (1993: SNES)
- Tiburon Entertainment (1997-98), bought/renamed EA Tiburon (1999-2013), renamed EA Orlando (2024)
- Exient Entertainment (2003: N-Gage)
Sega Sports's developers:
- BlueSky Software (1994-95) [developers of Joe Montana series]
- Visual Concepts & Avalanche Software (2001-02) [NFL 2K & NFL Blitz, respectively]
Sony Computer Entertainment America's developers:
- Sony Interactive Studios America (1996-97), renamed Red Zone Interactive (1998-99), renamed 989 Studios (2000)
Aspyr Media's developer:
- Nerjyzed Entertainment (2007: Windows; 2009: 360)
Further notes:
Bill Walsh was picked because there was an early-theme of having big names on sports video games.
- EA actually started this back when they were the cool, bad boy of games in the 1980s (I'm that old, they packaged their games like records and put photos of their programmers that made them look like musicians on the back) with the pioneering PC game One on One: Dr. J vs. Larry Bird (1983), later updated to Jordan vs. Bird: One on One (1988).
- Nintendo got into it by localizing Punch-Out! as Mike Tyson's Punch-Out!! (1987) for NES. EA brought out John Madden Football (1988) for PC.
- Sega was wild about this when they launched the Genesis with Arnold Palmer Tournament Golf (1989), Tommy Lasorda Baseball (1989), Pat Riley Basketball (1990), Joe Montana Football (1991).
- 1993: Bill Walsh! There even was an EA Coach K college hoops game.
Bill Walsh may have got the cover curse:
- While he had retired from the San Francisco 49ers on top, after winning his 3rd Super Bowl, he had only returned to the Farm for a year when he was picked (he had a good first tenure in the 70s before jumping to the 49ers).
- In 1992 he took the Cardinal to a Blockbuster Bowl win and a #9 rank. Signed this deal for EA.
- After the first game came out he had two bad seasons and re-retired for good.
The progression of teams is fun to see.
- 1993: the top 24 college football teams from 1992 + 24 of the all-time greatest teams since 1978. The teams were unlicensed so they used city and state names, especially where similar to their real names (e.g. Michigan). But you got some fun results like a spirited game of "South Bend, IN" vs "Raleigh, NC"
- 1994: 36 Division I-A teams, but the bowls were still not included: Instead we get Maple Bowl, Palm Bowl, Pecan Bowl, and Redwood Bowl
- 1995: first version to feature all (108 at the time) Division l-A teams, the real bowl games like Orange, Sugar, Fiesta, and Rose. Includes older names but also the Pacific Tigers, which actually dropped football before the game was released.
The rights to the title "NCAA" license wasn't obtained by EA until 1998 (as you can see there was an earlier one-off by Mindscape). Its ability to use the NCAA's brands in the the football game was actually the secondary result of a licensing deal intended primarily for an EA "March Madness" basketball game.
Edit: I created this post after I had fun prepping for an episode on this topic for a podcast, if you like this stuff then this episode might be down your alley.
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2024.05.14 14:54 sharkycharming track and album word search: WOMAN
Please list your all-time top 10
tracks that contain the word
woman, and your all-time top
album and
artist with the word
woman in the title. It's fine if the word is part of a larger word, like
womankind or
madwoman, but please do not use the plural version
women -- we'll save that for a different post. Okay to have more than 10 if you've got ties.
- "Devil Woman" - Cliff Richard (10)
- "Do Right Woman" - The Flying Burrito Brothers (10)
- "Arms of a Woman" - Amos Lee (9)
- "Just Like a Woman" - Bob Dylan (8)
- "Girl, You'll Be a Woman Soon" - Neil Diamond (8)
- "More Than a Woman" - Bee Gees (8)
- "Rainy Day Woman" - Waylon Jennings (8)
- "Evil Woman" - Electric Light Orchestra (7)
- "Sweet Talkin' Woman" - Electric Light Orchestra (7)
- "When a Man Loves a Woman" - Percy Sledge (7)
- "Woman" - John Lennon (7)
- "Hard Luck Woman" - KISS (7)
- "I've Got a Woman" - Ray Charles (7)
- "Long Cool Woman (in a Black Dress)" - The Hollies (7)
- "Devil Woman" - Marty Robbins (7)
- "You Are the Woman" - Firefall (7)
album:
Just Enough Hip to Be Woman - Broncho (13)
artist: Joan as Police
Woman (10)
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sharkycharming to
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2024.05.14 14:05 beatlesbible 14 May 1984: Borrowed Time, the second single from John Lennon’s posthumous album Milk And Honey, is released in the USA
2024.05.14 14:00 beatlesbible 14 May 1968: John Lennon and Paul McCartney hold a press conference in New York City. Paul: "I had a real personal paranoia. I don’t know if it was what I was smoking at the time, but it was very strange for me."
2024.05.14 13:44 Canadian-Man-infj The John Lennon Songwriting Contest is open for submissions, internationally....
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2024.05.14 13:41 pivvclam John Lennon - Nobody Told Me
http://rodzice.org/