Fish, female guppy with long string guppy trouble
Children of the Night (Part 5)
2024.05.16 20:00 Flagg1991 Children of the Night (Part 5)
As the last orange light of day drained from the sky, the living dead in Club Vlad rose. Max the skeleton and Jessie the…not skeleton…sewed up the gaping Y-shaped incision on Dom’s chest under Merrick’s direct supervision. Dom sat there, feeling nothing, thinking nothing. He’d woken with a headache and a feeling of cold, and even now, he could feel the dull throb above his left eye. It felt like someone was tearing his brain apart with a fork. He had told Merrick, and Merrick had nodded sadly. “Is my brain rotting?”
“Most likely,” Merrick had said.
There was a certain peace in the idea of losing his cursed humanity. As Merrick had said, he would feel no pain, know no quandaries. He would live only for the night and for his master. On the other hand, watching someone like Matt sit and stare into the distance, drool coursing down his chin and nothing happening behind his dead eyes, scared Dom. He didn’t want to be a braindead idiot. He didn’t care about keeping his emotions, he just wanted to function.
Like Merrick.
There wasn’t much he could do, however. He was dead and that was the end of it.
Once Dom was patched up and dressed in a pair of jeans and a hoodie, Merrick called his children before him. “I have done my best to love and protect all of you,” he began. “Jessie, you were miserable with your grandmother, were you not?”
“Yes,” Jessie said tonelessly.
“You were depressed, bipolar, and cut yourself. Now you’re happy.”
“Yes,” she replied again.
“Joe, you were a two bit nobody staring down a ten year stretch in jail.”
“Yes.” Thin yellow liquid dripped from his nose.
“But now you are free.”
“Yes.”
“You appreciate what I’ve done for you.”
“Yes.”
Merrick flashed then, slamming his fist onto the arm of his wheelchair. “Then why do you keep fucking up? The police were here earlier. They have messages between you and Jessie. I told both of you to delete those. Then I find out that you bit someone and turned them despite my orders. We have an endless supply of blood here but you still went off on your own. How many are there?”
“Just one,” Joe said.
“Are you being honest with me?”
“Yes.”
Merrick sagged back in his chair, looking somehow older. “Joe, take Matt and go to her. Bring her back here before she causes any more problems. God alone knows how many people she’s changed. Too many vampires without a father will bring heat on us, and you know what happens in that case? We get pieces of wood shoved in our chests.”
Turning to Dom, Merrick said, “I have a job for you and Jessie. We’re nearly out of embalming fluid. You haven’t had your first dose and the rest of us are starting to get ripe as well. I have a contact at a funeral home. He texted earlier that the order he placed on my behalf has come in. I want you to pick it up and to pay him.”
Dom had never been picked for anything in his whole life. No one had ever wanted him on their team and no one had ever placed their trust in him the way Merrick was now. He was honored, proud, and would do anything to not let Merrick down.
“That cop who came here might be a problem,” Merrick went on. “We may have to deal with him, but we’ll leave that for another night. In any case, I want this place cleaned from top to bottom. If the police come, I want them to see nothing out of the ordinary.”
Now that everyone had their marching orders, they dispersed. Merrick handed Dom an evelope stuffed with cash, and Dom slipped it into the pocket of his hoodie. The other team - Joe and Matt - left, while the remaining vampires began tidying up.
A fleet of vehicles waited in the parking lot behind Club Vlad. Dom and Jessie took a black pedo van with no back windows. They drove in silence, the radio off. Dom did not want to hear music, nor did he wish to speak to Jessie. Their kinship was one of blood and circumstance, not one of words and emotions. He had no questions for her and wished to answer none of his own. The only thoughts he had were of the mission ahead and of the growing pain in his skull. He thought of the staring stupid Matt, of the decayed Max, and a shiver went down his spine.
What was left of his humanity recoiled at the idea of becoming like them.
The pain grew hotter, more intense. He forced it away and focused on driving.
The funeral home was on North Allen Street, next to a restaurant called Pepperjack’s. A tall, white house with dark shutters and a sign out front, it looked like a quiet, peaceful place. “Pull around back,” Jessie said.
Dom pulled the van around back and parked under a balcony, killing the headlights. They got out and went to the back door, Jessie in the lead. He assumed that she had done this before and that the seller would recognize her. She knocked, and a few moments later, the door opened. A youngish man with a shaved head appeared, wearing an apron and gloves. He saw them and tensed a little. Dom could smell, rather than sense, his fear, and his throat panged with thirst. “Come on,” the man said quickly. He stepped aside and allowed them to enter. Dom noticed that he walked behind them, wary of putting his back to them. “Do you have the money?”
“Do you have our order?” Jessie countered.
“Yes,” the man said, “I’m really risking my neck for this. They don’t just give embalming fluid away, you know. They keep track of it and if they realize I’m over ordering, someone from the state’s going to come down here and check.”
He led them into an embalming room. Three boxes sat on a table. Dom gave the man his money, and he and Jessie carried the boxes outside, loading them into the van. The whole time they were there, the man was edgy, like he was afraid they were going to attack him. Dom would be a liar if he said that the hot smell of the man’s blood didn’t excite him. Perhaps once his brain rotted away, he wouldn’t be able to control himself, but for now, he could.
A lightning bolt of pain shot through his head and he nearly dropped the last box onto the ground.
Once the man was paid, Dom and Jessie drove back to Club Vlad. In fifteen minutes, they were drinking side by side from two passed out partygoers, their reward for a job well done.
Meanwhile, across the city, Joe and Matt weren’t doing as well. They were standing outside of Heather’s apartment. Joe, slightly annoyed (anger being another emotion vampires could feel, along with fear) pounded on the door. He knew she was in there; he could smell the putrid odor of decay. “Let us in,” he said. “We won’t hurt you.”
Joe could barely remember changing her. He didn’t mean to, it just…happened. Like an unwanted pregnancy. You can bite someone as much as you want and drink as much as you want, but if you take too much at once and they die, you get the vampire equivalent of a baby. Joe liked the hunt. It was exciting. Having his meals brought to him Club Vlad didn’t arouse the same level of excitement. It was like shooting an animal tied to a tree. Or hiring a prostitute instead of wooing someone. No real satisfaction to it.
That was probably his greatest downfall. He had lured Jessie the same way, though Merrick was indeed interested in rescuing her from her grandmother. People you have saved obey just as well as people with no brains.
He felt fluid on his upper lip and sniffed. “Come on, let us in,” he said.
No response.
He looked at Matt and nodded to the door. Together, they rammed their shoulders against it. It shook in its frame. They were both dead and weak, but modern American architecture is even weaker, and the door eventually slammed open. The apartment beyond was dark, messy, and reeked of death. They searched high and low, and eventually found Heather huddled in a corner, trying to hide. She was naked save for a pair of panties, her body bloated and beginning to turn black. Her skin hung from her frame and her eyes were filled with blood and fear. It was a wonder no one had called the police yet. The smell was overpowering. “We’re here to help,” he said. “You have to come with us.”
She shook her head and trembled. Maybe she remembered that he was the one who did this to her. Maybe her memories had rotted away. Those were usually the first to go. Then your emotions, then your personality. Finally, your capacity for higher reasoning. “I’m sorry I did this to you,” he said. That was a lie. He was not remorseful. Nor was he proud, for that matter. It just happened. Like rain. “But I want to help you. We can fix you.”
No amount of coaxing or conjoling could induce her to move. Joe weighed his options. He doubted anyone would call the cops even if they heard the door coming down - people who lived in places like this rarely called the cops, which helped Joe and his cause immensely. Even so, there was the possibility. Every minute they spent here was a minute that something could go wrong, and Joe had a lot to lose.
So, too, did Merrick.
Giving up, Joe took out his cellphone and called Merrick. “She refuses to come,” he said simply.
The line was quiet for a moment, then Merrick’s voice came back. Cold. Calculating. “Then do what you must.”
That was the go ahead.
Hanging up, Joe looked around the apartment and found a wooden chair in the kitchen. He lifted it over his head and slammed it on the counter, shattering it into a million pieces. He selected the longest, sharpest, and sturdiest looking one. He went back into the room and directed Matt to hold her down. She fought, kicked, and spat, but she was weaker than even they were. They had been embalmed. She hadn’t.
Matt pinned her hands above her head and Joe straddled her. Animal terror filled her eyes and she whipped her head from side to side. Joe lifted the makeshift stake with both hands, and brought it down as hard as he could, driving it deep into her heart. Her eyes bulged from their sockets and a high, otherworldly scream ripped from her throat. She bucked, thrashed, and kicked her feet. Her resistance began to ebb away until she was twitching…until she was still.
Heather from OKCupid was dead.
Truly dead.
Joe couldn’t help wondering what it was like.
Pulling the stake out, he tossed it aside and got to his feet, Matt doing likewise. A soul petrifying scream might be cause for even the tightest of lips to start talking. “Let’s go,” he said. And together, he and Matt fled, leaving the poor, dead body of Heather behind.
***
As it turned out, one of Heather’s neighbors did call the cops. At 10;13pm, Vanessa Rodregiez arrived with two patrolmen and found the front door of Apartment 237 knocked down. Guns drawn, they entered, Vanessa at the head. The first thing she noticed was the smell. It jammed itself into her nostrils, shoved its tongue down her throat, and violated her - all without even buying her dinner first.
Vanessa hadn’t been at this as long as her buddy Bruce had, but she knew a dead, rotting body when she smelled one. They searched the premises, and sure enough, they found a vic in the bedroom, lying in the gap between the bed and the wall; it looked like the former had been moved, perhaps in a struggle. Vanessa knelt down to check the vic’s pulse, but stopped.
There was no need.
The vic - who looked like a female but could have been an overweight male - hadn’t had a pulse in a very long time.
Examining the body, Vanessa found a wound in the chest, just above the heart. Black, stinking goo leaked from it, and Vanessa gagged. She fisted her hand to her mouth, retched, and then ran for the kitchen sink. Her partner for the night, Jim Walsh, stared down at the stiff before him, and his face turned a sickly shade of green. He avoided puking because he didn’t nose fuck the wound like Vanessa had, but he wasted no time in getting out there, dry heaving in the hallway where the air was somewhat fresh.
After leaving her lunch in the sink, Vanessa radioed back to headquarters, and before long, the place was crawling with cops. The assistant medical examiner - who had taken over after Ed Harris quit the previous night - knelt over the body and studied it. A solidly built black man with a mustache, his name was Leon and he knew death just as well as his old boss, so when he said the vic had been dead nearly two weeks, Vanessa accepted it.
That begged the question: Who broke in and screamed just now? A relative? The caller clearly heard screaming and peeked out her door to see two males fleeing on foot. Maybe they found the vic and freaked out? Or maybe they were the killers returning to the scene of the crime. After all, the vic had clearly been murdered.
In fact, they found a likely murder weapon. A long sliver of wood soaked in black goo. Blood turns black after a while, but there was something different about this stuff. “What is it?” Vanessa asked Leon.
“I’m not sure,” Leon said and pulled off a pair of Latex gloves he’d donned to examine the vic, “could be blood or…”
“Or what?” Vanessa asked.
“Or something,” Leon said. “Give me a few hours.”
And a few hours it was. Just before 1am, Leon called Vanessa at her desk. “I think you should come down here,” he said.
Fifteen minutes later, Vanessa stood over Leon as he pulled the vic’s chest open with a pair of tweezers. “That’s the heart,” he said, “whoever stabbed her scored a direct hit, but this…this is what concerns me.”
He prodded a furry lump with the tip of his scalpel.
“What is it?” Vanessa asked.
“I don’t know,” he said, “it looks like mold.”
That word - mold - triggered a memory in her brain. “Ed said something about mold last night. He found it in -”
“The Mason boy,” Leon finished.
“Yeah. The one who got up and ran off.”
Leon turned away from Vanessa and looked at the dead woman - for it was a woman. Vanessa got the impression that he didn’t want her to see his expression. “I’ve known Ed ten years. I know something happened last night, but a stiff getting up and walking off? I thought he was confused. Now…I don’t know. That makes two bodies in 24 hours. And get this. The chest wound? It was done post-mortem. I can’t find a cause of death anywhere. Except maybe blood loss but it’s hard to tell at this point. And speaking of blood…”
“What?” Vanessa asked quickly.
“When I opened her stomach up, a whole shit load of blood spilled out. And a lot of it was a lot fresher than she is.”
Vanessa furrowed her brow in confusion. “You mean…?”
“It’s not hers,” Leon said. “I can’t be 100 percent sure until I run tests, but I’d put money on it.”
Vanessa’s head spun with information both new and old. You know that full, heavy feeling you get when a poo is brewing in your guts? That’s kind of what Vanessa was feeling, only in her head instead of her stomach.
Leon was just as mystified by the whole thing as she was and stayed up late to run a few preliminary tests. By sunrise, he had confirmed that the blood inside of Heather’s stomach was not hers. In fact, it had come from at least three different sources. “Is it human?” Vanessa asked over the phone.
“Yes,” Leon said, sounding troubled, “it’s human.”
In the cobalt hour before sunrise, Vanessa sat at her desk and tried to piece this whole thing together. They had:
The idea that vampires were real was dumb, but the more she turned it over in her mind, the more she became convinced that it was at least an option. A lot of things people thought were fantastic and made up turned out to be real, so why not vampires too?
Shortly after 8, Bruce came in. He was just sitting down when Vanessa came in and slapped her report on the desk. “Buckle up, bitch,” she said, “things just got weirder.”
He stared up at her with one of those grumpy - but cute -expressions he was so good at putting on. As he read, however, his brow knitted. “Jesus,” he muttered to himself. He pinched the bridge of his nose and let out a weary sigh.
“I have a theory - kind of,” Vanessa said, “but I don’t want to say it.”
“You might as well,” Bruce said. “It can’t be more kooky than reality these days.”
“Okay,” Vanessa started, “what if - and I’m just thinking out loud here - what if there are vampires in Albany?”
She expected Bruce to give her a dirty look, but he chewed it over, actually taking it seriously. “And those missing boys are victims?” he asked finally.
“Yeah,” Vanessa said. “That girl’s been dead two weeks. Maybe she bit Dominick Mason and he came back for revenge after realizing he was cursed to be a goddamn shit sucking vampire forever.”
Bruce nodded. “Yeah, but who turned her?”
“I don’t know,” Vanessa said, “I don’t know.”
***
Before dawn painted the eastern sky, Merrick Garvis sat in his chamber like a withered king, a mess of IVs hooked into his arms and neck. The vault was silent save for the soft noise of the machines as they filtered out the old embalming fluid and replaced it with new embalming fluid. Embalming fluid always made him spacy, like a drug. The others had gone first, and even now lay near comatose around him like addicts in an opium den.
As far as he knew, Merrick was the oldest vampire in the world, perhaps, even, the oldest vampire to ever live. Though he was not fully honest with Dom, he was not lying when he said that vampires rotted like any other dead thing. Conditions considered, you had a few weeks tops if left untreated. There may be living vampires in remote corners of Egypt or the northern most reaches of Russia, where the climate preserved dead things, but unless you made it to one of those places, you were pretty well fucked.
Merrick was not a proud man, nor was he concerned with saving face - the dead have no need for that. He was being truthful when he said that he feared death. What’s more, he feared being helpless. Deep down, vampires are people, and people don’t exactly have the greatest track record with caring for their infirm. He read once that the first sign of a civilization was a broken leg that had healed, as it showed that someone stayed with and cared for a fellow human long enough for them to get well again. In Merrick’s opinion, that was true…and thus there was no civilization. Merrick was fifty-one when he died in the year 1982. In his lifetime, he had seen The Great Depression, World War II, and a million small acts of cruelty and selfishness in between. He’d seen beggars starving in the streets, abused children shuffled out of sight and out of mind, and disdain for the poor and the weak.
The living were awful, and the living dead were no different. Once their humanity rotted away, they cared only about filling their stomachs. They were like ticks - they would drink until their bellies literally ruptured…and then keep on drinking.
That left him in a precarious position. He was old, his body was weak. He couldn’t stand unassisted and if left to fend for himself, he would decay into a pile of bones within days. He would be cursed to lay in one spot for all eternity, aware and hungry, little more than a ghost tethered to a black and still beating heart.
He refused to let that happen to him. Thus, he had created a family, a clan of vampires loyal to him and to him alone. He did this through acts of simple kindness and understanding…but also through deception. He knew, for instance, how to preserve the brain. He’d figured out how to do it early on - you pickle it. Like a fetus preserved in a jar. He sawed off the top of his own head and filled it with a special solution that kept his brain - and his intelligence - intact. It slowly drained out through the nose and ears in a thin, yellow liquid, but it worked well enough. He couldn’t save everything, however, and had lost vital things in the process, such as most of his human memories, his sense of humor, and some motor functions. He shared this secret with only Joe, and a few others before, because he needed a strong captain. He kept the others in the dark because vampires - like people - are easier to control when they don’t think for themselves.
Right about now, however, Merrick was beginning to regret sharing the formula with even Joe. Joe had brought him nothing but grief. Joe, you see, could think for himself. He could make decisions. He could go behind Merrick’s back. Joe had something called free will, and free will is a worse affliction than vampirism. Free will is messy, free will is dangerous.
Free will could very well turn Merrick into a pile of bones.
That was, of course, if they weren’t discovered first. Joe had made several mistakes lately, not least of which was the turning of Heather. Sitting there in the predawn hour, attended by Tony, his gay bartender and human familiar, Merrick decided to have Joe killed. There are only two ways to kill a vampire: The stake and the flame. The latter seemed somehow appropriate in this case. After Joe, there would be no more captains, only him, one father with absolute power. That was how it had to be. One man, one vision. Democracies didn’t work. That was especially clear today. Everyone was so divided and nothing ever got done. If the humans had one strong leader, they might go in the wrong direction, but at least they would go somewhere. Instead, they stagnated.
Merrick didn’t particularly look forward to killing Joe, but it had to be done. To protect the family. To protect him.
And Merrick would do anything…anything at all…to protect himself.
***
Vampires.
Bruce kept coming back to that single wor, hoping each time that he would chuckle at the absurdity of it.
But he never did.
Did that mean he believed it? Not necessarily, but damn it, he considered it a possibility, and that alone was enough to make him feel like a fucking clown. All the evidence he had pointed to vampires, but then again, it might point to other things as well. Like aliens.
But let’s say the whole vampire thing was real. Who, like Vanessa asked, was patient zero? Who started this whole mess?
A name came to mind.
Merrick Garvis.
He had not had time to check into Garvis the previous day, but by God, he was going to do it now. He ran his name and social through the system and everything seemed to check out. Merrick Garvis was born on June 31, 1963 in -
Wait a minute. Weren’t there only 30 days in June?
Bruce checked, and there were, indeed, only 30 days in the month of June. Hm. Bruce did a little digging and found something out. Before 1987, social security numbers weren’t issued at birth. You had to sign up, using other forms of ID. Merrick Garvis applied for his in April 1984 and the date of birth on his state issued driver’s license was June 31. Bruce spent an hour on the phone with the DMV and learned that they had never issued a license to a Merrick Garvis. He then spoke to the Social Security Administration, and after much wrangling and frustration, he managed to get a photocopy of the license Garvis used to get his social security number. It was dated 1983.
The face staring back at him was almost exactly the same face he’d seen at Club Vlad, except maybe a touch less stiff and waxy. Though not as rough looking, there was no way in hell Garvis was 20 in that picture. It had to be a fake,
Bruce thought back to the events of the previous two days. Missing bodies, staked corpses, hearts that still beat after death.
Vampires didn’t seem like such a crazy explanation.
And if anyone was a fucking vampire around here, it was Merrick Garvis.
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“Most likely,” Merrick had said.
There was a certain peace in the idea of losing his cursed humanity. As Merrick had said, he would feel no pain, know no quandaries. He would live only for the night and for his master. On the other hand, watching someone like Matt sit and stare into the distance, drool coursing down his chin and nothing happening behind his dead eyes, scared Dom. He didn’t want to be a braindead idiot. He didn’t care about keeping his emotions, he just wanted to function.
Like Merrick.
There wasn’t much he could do, however. He was dead and that was the end of it.
Once Dom was patched up and dressed in a pair of jeans and a hoodie, Merrick called his children before him. “I have done my best to love and protect all of you,” he began. “Jessie, you were miserable with your grandmother, were you not?”
“Yes,” Jessie said tonelessly.
“You were depressed, bipolar, and cut yourself. Now you’re happy.”
“Yes,” she replied again.
“Joe, you were a two bit nobody staring down a ten year stretch in jail.”
“Yes.” Thin yellow liquid dripped from his nose.
“But now you are free.”
“Yes.”
“You appreciate what I’ve done for you.”
“Yes.”
Merrick flashed then, slamming his fist onto the arm of his wheelchair. “Then why do you keep fucking up? The police were here earlier. They have messages between you and Jessie. I told both of you to delete those. Then I find out that you bit someone and turned them despite my orders. We have an endless supply of blood here but you still went off on your own. How many are there?”
“Just one,” Joe said.
“Are you being honest with me?”
“Yes.”
Merrick sagged back in his chair, looking somehow older. “Joe, take Matt and go to her. Bring her back here before she causes any more problems. God alone knows how many people she’s changed. Too many vampires without a father will bring heat on us, and you know what happens in that case? We get pieces of wood shoved in our chests.”
Turning to Dom, Merrick said, “I have a job for you and Jessie. We’re nearly out of embalming fluid. You haven’t had your first dose and the rest of us are starting to get ripe as well. I have a contact at a funeral home. He texted earlier that the order he placed on my behalf has come in. I want you to pick it up and to pay him.”
Dom had never been picked for anything in his whole life. No one had ever wanted him on their team and no one had ever placed their trust in him the way Merrick was now. He was honored, proud, and would do anything to not let Merrick down.
“That cop who came here might be a problem,” Merrick went on. “We may have to deal with him, but we’ll leave that for another night. In any case, I want this place cleaned from top to bottom. If the police come, I want them to see nothing out of the ordinary.”
Now that everyone had their marching orders, they dispersed. Merrick handed Dom an evelope stuffed with cash, and Dom slipped it into the pocket of his hoodie. The other team - Joe and Matt - left, while the remaining vampires began tidying up.
A fleet of vehicles waited in the parking lot behind Club Vlad. Dom and Jessie took a black pedo van with no back windows. They drove in silence, the radio off. Dom did not want to hear music, nor did he wish to speak to Jessie. Their kinship was one of blood and circumstance, not one of words and emotions. He had no questions for her and wished to answer none of his own. The only thoughts he had were of the mission ahead and of the growing pain in his skull. He thought of the staring stupid Matt, of the decayed Max, and a shiver went down his spine.
What was left of his humanity recoiled at the idea of becoming like them.
The pain grew hotter, more intense. He forced it away and focused on driving.
The funeral home was on North Allen Street, next to a restaurant called Pepperjack’s. A tall, white house with dark shutters and a sign out front, it looked like a quiet, peaceful place. “Pull around back,” Jessie said.
Dom pulled the van around back and parked under a balcony, killing the headlights. They got out and went to the back door, Jessie in the lead. He assumed that she had done this before and that the seller would recognize her. She knocked, and a few moments later, the door opened. A youngish man with a shaved head appeared, wearing an apron and gloves. He saw them and tensed a little. Dom could smell, rather than sense, his fear, and his throat panged with thirst. “Come on,” the man said quickly. He stepped aside and allowed them to enter. Dom noticed that he walked behind them, wary of putting his back to them. “Do you have the money?”
“Do you have our order?” Jessie countered.
“Yes,” the man said, “I’m really risking my neck for this. They don’t just give embalming fluid away, you know. They keep track of it and if they realize I’m over ordering, someone from the state’s going to come down here and check.”
He led them into an embalming room. Three boxes sat on a table. Dom gave the man his money, and he and Jessie carried the boxes outside, loading them into the van. The whole time they were there, the man was edgy, like he was afraid they were going to attack him. Dom would be a liar if he said that the hot smell of the man’s blood didn’t excite him. Perhaps once his brain rotted away, he wouldn’t be able to control himself, but for now, he could.
A lightning bolt of pain shot through his head and he nearly dropped the last box onto the ground.
Once the man was paid, Dom and Jessie drove back to Club Vlad. In fifteen minutes, they were drinking side by side from two passed out partygoers, their reward for a job well done.
Meanwhile, across the city, Joe and Matt weren’t doing as well. They were standing outside of Heather’s apartment. Joe, slightly annoyed (anger being another emotion vampires could feel, along with fear) pounded on the door. He knew she was in there; he could smell the putrid odor of decay. “Let us in,” he said. “We won’t hurt you.”
Joe could barely remember changing her. He didn’t mean to, it just…happened. Like an unwanted pregnancy. You can bite someone as much as you want and drink as much as you want, but if you take too much at once and they die, you get the vampire equivalent of a baby. Joe liked the hunt. It was exciting. Having his meals brought to him Club Vlad didn’t arouse the same level of excitement. It was like shooting an animal tied to a tree. Or hiring a prostitute instead of wooing someone. No real satisfaction to it.
That was probably his greatest downfall. He had lured Jessie the same way, though Merrick was indeed interested in rescuing her from her grandmother. People you have saved obey just as well as people with no brains.
He felt fluid on his upper lip and sniffed. “Come on, let us in,” he said.
No response.
He looked at Matt and nodded to the door. Together, they rammed their shoulders against it. It shook in its frame. They were both dead and weak, but modern American architecture is even weaker, and the door eventually slammed open. The apartment beyond was dark, messy, and reeked of death. They searched high and low, and eventually found Heather huddled in a corner, trying to hide. She was naked save for a pair of panties, her body bloated and beginning to turn black. Her skin hung from her frame and her eyes were filled with blood and fear. It was a wonder no one had called the police yet. The smell was overpowering. “We’re here to help,” he said. “You have to come with us.”
She shook her head and trembled. Maybe she remembered that he was the one who did this to her. Maybe her memories had rotted away. Those were usually the first to go. Then your emotions, then your personality. Finally, your capacity for higher reasoning. “I’m sorry I did this to you,” he said. That was a lie. He was not remorseful. Nor was he proud, for that matter. It just happened. Like rain. “But I want to help you. We can fix you.”
No amount of coaxing or conjoling could induce her to move. Joe weighed his options. He doubted anyone would call the cops even if they heard the door coming down - people who lived in places like this rarely called the cops, which helped Joe and his cause immensely. Even so, there was the possibility. Every minute they spent here was a minute that something could go wrong, and Joe had a lot to lose.
So, too, did Merrick.
Giving up, Joe took out his cellphone and called Merrick. “She refuses to come,” he said simply.
The line was quiet for a moment, then Merrick’s voice came back. Cold. Calculating. “Then do what you must.”
That was the go ahead.
Hanging up, Joe looked around the apartment and found a wooden chair in the kitchen. He lifted it over his head and slammed it on the counter, shattering it into a million pieces. He selected the longest, sharpest, and sturdiest looking one. He went back into the room and directed Matt to hold her down. She fought, kicked, and spat, but she was weaker than even they were. They had been embalmed. She hadn’t.
Matt pinned her hands above her head and Joe straddled her. Animal terror filled her eyes and she whipped her head from side to side. Joe lifted the makeshift stake with both hands, and brought it down as hard as he could, driving it deep into her heart. Her eyes bulged from their sockets and a high, otherworldly scream ripped from her throat. She bucked, thrashed, and kicked her feet. Her resistance began to ebb away until she was twitching…until she was still.
Heather from OKCupid was dead.
Truly dead.
Joe couldn’t help wondering what it was like.
Pulling the stake out, he tossed it aside and got to his feet, Matt doing likewise. A soul petrifying scream might be cause for even the tightest of lips to start talking. “Let’s go,” he said. And together, he and Matt fled, leaving the poor, dead body of Heather behind.
***
As it turned out, one of Heather’s neighbors did call the cops. At 10;13pm, Vanessa Rodregiez arrived with two patrolmen and found the front door of Apartment 237 knocked down. Guns drawn, they entered, Vanessa at the head. The first thing she noticed was the smell. It jammed itself into her nostrils, shoved its tongue down her throat, and violated her - all without even buying her dinner first.
Vanessa hadn’t been at this as long as her buddy Bruce had, but she knew a dead, rotting body when she smelled one. They searched the premises, and sure enough, they found a vic in the bedroom, lying in the gap between the bed and the wall; it looked like the former had been moved, perhaps in a struggle. Vanessa knelt down to check the vic’s pulse, but stopped.
There was no need.
The vic - who looked like a female but could have been an overweight male - hadn’t had a pulse in a very long time.
Examining the body, Vanessa found a wound in the chest, just above the heart. Black, stinking goo leaked from it, and Vanessa gagged. She fisted her hand to her mouth, retched, and then ran for the kitchen sink. Her partner for the night, Jim Walsh, stared down at the stiff before him, and his face turned a sickly shade of green. He avoided puking because he didn’t nose fuck the wound like Vanessa had, but he wasted no time in getting out there, dry heaving in the hallway where the air was somewhat fresh.
After leaving her lunch in the sink, Vanessa radioed back to headquarters, and before long, the place was crawling with cops. The assistant medical examiner - who had taken over after Ed Harris quit the previous night - knelt over the body and studied it. A solidly built black man with a mustache, his name was Leon and he knew death just as well as his old boss, so when he said the vic had been dead nearly two weeks, Vanessa accepted it.
That begged the question: Who broke in and screamed just now? A relative? The caller clearly heard screaming and peeked out her door to see two males fleeing on foot. Maybe they found the vic and freaked out? Or maybe they were the killers returning to the scene of the crime. After all, the vic had clearly been murdered.
In fact, they found a likely murder weapon. A long sliver of wood soaked in black goo. Blood turns black after a while, but there was something different about this stuff. “What is it?” Vanessa asked Leon.
“I’m not sure,” Leon said and pulled off a pair of Latex gloves he’d donned to examine the vic, “could be blood or…”
“Or what?” Vanessa asked.
“Or something,” Leon said. “Give me a few hours.”
And a few hours it was. Just before 1am, Leon called Vanessa at her desk. “I think you should come down here,” he said.
Fifteen minutes later, Vanessa stood over Leon as he pulled the vic’s chest open with a pair of tweezers. “That’s the heart,” he said, “whoever stabbed her scored a direct hit, but this…this is what concerns me.”
He prodded a furry lump with the tip of his scalpel.
“What is it?” Vanessa asked.
“I don’t know,” he said, “it looks like mold.”
That word - mold - triggered a memory in her brain. “Ed said something about mold last night. He found it in -”
“The Mason boy,” Leon finished.
“Yeah. The one who got up and ran off.”
Leon turned away from Vanessa and looked at the dead woman - for it was a woman. Vanessa got the impression that he didn’t want her to see his expression. “I’ve known Ed ten years. I know something happened last night, but a stiff getting up and walking off? I thought he was confused. Now…I don’t know. That makes two bodies in 24 hours. And get this. The chest wound? It was done post-mortem. I can’t find a cause of death anywhere. Except maybe blood loss but it’s hard to tell at this point. And speaking of blood…”
“What?” Vanessa asked quickly.
“When I opened her stomach up, a whole shit load of blood spilled out. And a lot of it was a lot fresher than she is.”
Vanessa furrowed her brow in confusion. “You mean…?”
“It’s not hers,” Leon said. “I can’t be 100 percent sure until I run tests, but I’d put money on it.”
Vanessa’s head spun with information both new and old. You know that full, heavy feeling you get when a poo is brewing in your guts? That’s kind of what Vanessa was feeling, only in her head instead of her stomach.
Leon was just as mystified by the whole thing as she was and stayed up late to run a few preliminary tests. By sunrise, he had confirmed that the blood inside of Heather’s stomach was not hers. In fact, it had come from at least three different sources. “Is it human?” Vanessa asked over the phone.
“Yes,” Leon said, sounding troubled, “it’s human.”
In the cobalt hour before sunrise, Vanessa sat at her desk and tried to piece this whole thing together. They had:
- A corpse that (allegedly) woke up and dipped out
- A dead girl who’d been stabbed in the heart with a piece of wood after somehow ingesting the blood of three different people.
- Some missing kids
- Oh, and both bodies - the girl’s and the runaway corpses’ - had the same weird fungus in their heart cavities.
The idea that vampires were real was dumb, but the more she turned it over in her mind, the more she became convinced that it was at least an option. A lot of things people thought were fantastic and made up turned out to be real, so why not vampires too?
Shortly after 8, Bruce came in. He was just sitting down when Vanessa came in and slapped her report on the desk. “Buckle up, bitch,” she said, “things just got weirder.”
He stared up at her with one of those grumpy - but cute -expressions he was so good at putting on. As he read, however, his brow knitted. “Jesus,” he muttered to himself. He pinched the bridge of his nose and let out a weary sigh.
“I have a theory - kind of,” Vanessa said, “but I don’t want to say it.”
“You might as well,” Bruce said. “It can’t be more kooky than reality these days.”
“Okay,” Vanessa started, “what if - and I’m just thinking out loud here - what if there are vampires in Albany?”
She expected Bruce to give her a dirty look, but he chewed it over, actually taking it seriously. “And those missing boys are victims?” he asked finally.
“Yeah,” Vanessa said. “That girl’s been dead two weeks. Maybe she bit Dominick Mason and he came back for revenge after realizing he was cursed to be a goddamn shit sucking vampire forever.”
Bruce nodded. “Yeah, but who turned her?”
“I don’t know,” Vanessa said, “I don’t know.”
***
Before dawn painted the eastern sky, Merrick Garvis sat in his chamber like a withered king, a mess of IVs hooked into his arms and neck. The vault was silent save for the soft noise of the machines as they filtered out the old embalming fluid and replaced it with new embalming fluid. Embalming fluid always made him spacy, like a drug. The others had gone first, and even now lay near comatose around him like addicts in an opium den.
As far as he knew, Merrick was the oldest vampire in the world, perhaps, even, the oldest vampire to ever live. Though he was not fully honest with Dom, he was not lying when he said that vampires rotted like any other dead thing. Conditions considered, you had a few weeks tops if left untreated. There may be living vampires in remote corners of Egypt or the northern most reaches of Russia, where the climate preserved dead things, but unless you made it to one of those places, you were pretty well fucked.
Merrick was not a proud man, nor was he concerned with saving face - the dead have no need for that. He was being truthful when he said that he feared death. What’s more, he feared being helpless. Deep down, vampires are people, and people don’t exactly have the greatest track record with caring for their infirm. He read once that the first sign of a civilization was a broken leg that had healed, as it showed that someone stayed with and cared for a fellow human long enough for them to get well again. In Merrick’s opinion, that was true…and thus there was no civilization. Merrick was fifty-one when he died in the year 1982. In his lifetime, he had seen The Great Depression, World War II, and a million small acts of cruelty and selfishness in between. He’d seen beggars starving in the streets, abused children shuffled out of sight and out of mind, and disdain for the poor and the weak.
The living were awful, and the living dead were no different. Once their humanity rotted away, they cared only about filling their stomachs. They were like ticks - they would drink until their bellies literally ruptured…and then keep on drinking.
That left him in a precarious position. He was old, his body was weak. He couldn’t stand unassisted and if left to fend for himself, he would decay into a pile of bones within days. He would be cursed to lay in one spot for all eternity, aware and hungry, little more than a ghost tethered to a black and still beating heart.
He refused to let that happen to him. Thus, he had created a family, a clan of vampires loyal to him and to him alone. He did this through acts of simple kindness and understanding…but also through deception. He knew, for instance, how to preserve the brain. He’d figured out how to do it early on - you pickle it. Like a fetus preserved in a jar. He sawed off the top of his own head and filled it with a special solution that kept his brain - and his intelligence - intact. It slowly drained out through the nose and ears in a thin, yellow liquid, but it worked well enough. He couldn’t save everything, however, and had lost vital things in the process, such as most of his human memories, his sense of humor, and some motor functions. He shared this secret with only Joe, and a few others before, because he needed a strong captain. He kept the others in the dark because vampires - like people - are easier to control when they don’t think for themselves.
Right about now, however, Merrick was beginning to regret sharing the formula with even Joe. Joe had brought him nothing but grief. Joe, you see, could think for himself. He could make decisions. He could go behind Merrick’s back. Joe had something called free will, and free will is a worse affliction than vampirism. Free will is messy, free will is dangerous.
Free will could very well turn Merrick into a pile of bones.
That was, of course, if they weren’t discovered first. Joe had made several mistakes lately, not least of which was the turning of Heather. Sitting there in the predawn hour, attended by Tony, his gay bartender and human familiar, Merrick decided to have Joe killed. There are only two ways to kill a vampire: The stake and the flame. The latter seemed somehow appropriate in this case. After Joe, there would be no more captains, only him, one father with absolute power. That was how it had to be. One man, one vision. Democracies didn’t work. That was especially clear today. Everyone was so divided and nothing ever got done. If the humans had one strong leader, they might go in the wrong direction, but at least they would go somewhere. Instead, they stagnated.
Merrick didn’t particularly look forward to killing Joe, but it had to be done. To protect the family. To protect him.
And Merrick would do anything…anything at all…to protect himself.
***
Vampires.
Bruce kept coming back to that single wor, hoping each time that he would chuckle at the absurdity of it.
But he never did.
Did that mean he believed it? Not necessarily, but damn it, he considered it a possibility, and that alone was enough to make him feel like a fucking clown. All the evidence he had pointed to vampires, but then again, it might point to other things as well. Like aliens.
But let’s say the whole vampire thing was real. Who, like Vanessa asked, was patient zero? Who started this whole mess?
A name came to mind.
Merrick Garvis.
He had not had time to check into Garvis the previous day, but by God, he was going to do it now. He ran his name and social through the system and everything seemed to check out. Merrick Garvis was born on June 31, 1963 in -
Wait a minute. Weren’t there only 30 days in June?
Bruce checked, and there were, indeed, only 30 days in the month of June. Hm. Bruce did a little digging and found something out. Before 1987, social security numbers weren’t issued at birth. You had to sign up, using other forms of ID. Merrick Garvis applied for his in April 1984 and the date of birth on his state issued driver’s license was June 31. Bruce spent an hour on the phone with the DMV and learned that they had never issued a license to a Merrick Garvis. He then spoke to the Social Security Administration, and after much wrangling and frustration, he managed to get a photocopy of the license Garvis used to get his social security number. It was dated 1983.
The face staring back at him was almost exactly the same face he’d seen at Club Vlad, except maybe a touch less stiff and waxy. Though not as rough looking, there was no way in hell Garvis was 20 in that picture. It had to be a fake,
Bruce thought back to the events of the previous two days. Missing bodies, staked corpses, hearts that still beat after death.
Vampires didn’t seem like such a crazy explanation.
And if anyone was a fucking vampire around here, it was Merrick Garvis.
2024.05.16 19:45 Lanik111 AITA for not having sex with my husband?
My husband(38yr old male) and I (39yr female) have been together for 22 years. We have 3 teenage sons. Our relationship has not been great. We've been through multiple separations due to issues arising from alcohol abuse on his part(he is now mostly sober). Before covid we were living apart and had an open marriage. He was paying child support and doing what he could to help me financially. It was so wonderful for me. I felt so peaceful and happy and was healing from all that he put me through. I was working a part time job that paid pretty poorly but it worked with my kid's schedule so I stayed at that job for 7 years. Then when covid hit he ended up moving back into our house. I wasn't happy about this at all but also didn't want to keep him from his kids plus I really had no choice since we both own the house and we were not legally separated. I would often feel overwhelmed by caring for the children and keeping up with the house that we bought together. We've owned it for 10 years at this point. I have expressed my need for him to contribute to keeping the house up for literal years. It's now 2024 and while he doesn't drink anymore and we do get along well I still have no romantic feelings for him, he's my family and I love him but that's it. He's constantly wanting to have sex with me even though I have told him l that I have zero interest. I tell him that I am so overwhelmed with the state of our house and his lack of help that I have no desire to have sex. I feel like if my needs aren't met why should I meet his need for sex? He works from home and has his own business. Last year he allowed me to quit my crappy job and now I feel like he holds that over my head. Like because he makes all the money that it's the only thing he has to do. The business that he built pretty much runs itself and he has plenty of time during to take care of other things. There is mold in our bathroom, trim falling apart on the windows outside, actual windows falling apart, everything is a mess and I cannot keep up. My 3 sons also don't clean up after themselves so I feel like I'm constantly surrounded by mess. Dirty dishes, dirty laundry, pee on the toilet seat ect. I have no access to money, only to a shared credit card that I'm afraid to put big purchases on like a new window or whatever. We do not have a joint bank account although he will send me money to my bank account to pay some bills(car insurance, streaming services, pet food ect). Most of the time it's just enough to cover whatever bills I have although sometimes I do get extra. He holds all the power in our relationship and I'm just so tired. I feel like I've been a good, supportive wife and good mother but of course I am not perfect. I had horrible parents growing up. He doesn't seem to understand that he can't just buy what I'm asking for from him. We have conversations about what I need from him and he admits that he needs to do more but then doesn't act on it. Like he's just telling me what I want to hear so I'll have sex with him. It takes effort to have a connection with me and he puts in no effort. I don't want to make him sound like a monster, he's not. He doesn't yell at me and we have great conversations. I can go out and see my friends or whatever. He'll cook dinner if I tell him I don't want to do it that night. We very rarely fight and he's never physically abused me ever.
We don't have an open marriage anymore and I want so badly to be in love with him but I don't know what to do at this point. In January he allowed me to buy a puppy(we have 2 other dogs) and is paying for all of her care/training classes. I have started entering her in shows(she won one of them!!) which he obviously pays for. He tried to say that because he bought me a puppy and I'm happy that I should have sex with him...Being happy about my puppy doesn't mean I'm suddenly in love with him again. Just this morning he said that my childhood trauma has caused everyone in the house trauma and that hit me SO fucking hard because I have tried with every fiber of my being to not let my trauma effect my family. I asked him what he meant by that but he didn't elaborate. Then said he was joking when I asked if he was being serious. It felt like he was trying to blame me for the way things are. Throughout our relationship I have tried so hard to be a good person, I am a good person dangit and yes I do have trauma from my childhood but I don't see how that is what caused him to drink and drive, drink so much he'd miss work, or drink so much he slept at work, lie to me about being drunk, drink so much it ruined our relationship. I have in the past had too many animals. For example I had chicks in our basement that made a HUGE mess and it took me a long time to clean it up...but I did. Before that I had a hobby fish breeding business and had a bunch of fish tanks in our basement. When the cost of the electricity was too much for us to handle I sold everything and took the fish room down. He tried to tell me back then that I was an animal hoarder even though all of my animals have always been well taken care of and always had appropriate vet care. That really hurt me as I love animals and would never do anything to hurt them.
I have tried to divorce him in the past but at the end of the day I don't want to break my family up. I want to be with my children and him but I can't do this by myself and I feel so fucking alone. There's so many details I'm leaving out here because I don't want this to get longer than it is but lately I've been thinking that maybe I am the asshole here...I dunno :(
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We don't have an open marriage anymore and I want so badly to be in love with him but I don't know what to do at this point. In January he allowed me to buy a puppy(we have 2 other dogs) and is paying for all of her care/training classes. I have started entering her in shows(she won one of them!!) which he obviously pays for. He tried to say that because he bought me a puppy and I'm happy that I should have sex with him...Being happy about my puppy doesn't mean I'm suddenly in love with him again. Just this morning he said that my childhood trauma has caused everyone in the house trauma and that hit me SO fucking hard because I have tried with every fiber of my being to not let my trauma effect my family. I asked him what he meant by that but he didn't elaborate. Then said he was joking when I asked if he was being serious. It felt like he was trying to blame me for the way things are. Throughout our relationship I have tried so hard to be a good person, I am a good person dangit and yes I do have trauma from my childhood but I don't see how that is what caused him to drink and drive, drink so much he'd miss work, or drink so much he slept at work, lie to me about being drunk, drink so much it ruined our relationship. I have in the past had too many animals. For example I had chicks in our basement that made a HUGE mess and it took me a long time to clean it up...but I did. Before that I had a hobby fish breeding business and had a bunch of fish tanks in our basement. When the cost of the electricity was too much for us to handle I sold everything and took the fish room down. He tried to tell me back then that I was an animal hoarder even though all of my animals have always been well taken care of and always had appropriate vet care. That really hurt me as I love animals and would never do anything to hurt them.
I have tried to divorce him in the past but at the end of the day I don't want to break my family up. I want to be with my children and him but I can't do this by myself and I feel so fucking alone. There's so many details I'm leaving out here because I don't want this to get longer than it is but lately I've been thinking that maybe I am the asshole here...I dunno :(
2024.05.16 19:19 Stranger_5 [H] Astrea: Six-Sided Oracles, Back 4 Blood, Dragon's Dogma: Dark Arisen, Ghostwire: Tokyo, Gotham Knights, Metro Exodus, Turbo Overkill and others [W] Wishlist/Offers/PayPal
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11-11 Memories Retold 12 is Better Than 6 A Juggler's Tale A Musical Story A Tale of Paper: Refolded ABZU Aces & Adventures Achtung! Cthulhu Tactics Ad Infinitum ADOM (Ancient Domains Of Mystery) Adventures of Chris AER Memories of Old Agatha Christie - The ABC Murders Ageless Aggelos Alex Kidd in Miracle World DX Amanda The Adventurer AMID EVIL Ancient Enemy Andro Dunos II Anomalous Apocalipsis Arcade Spirits Arto Arx Fatalis Asterix & Obelix XXL 2 Backfirewall_ Banners of Ruin Battle Axe Battlestar Galactica Deadlock Battlestar Galactica Deadlock: Anabasis Battlestar Galactica Deadlock: Armistice Battlestar Galactica Deadlock: Ghost Fleet Offensive Battlestar Galactica Deadlock: Modern Ships Pack Battlestar Galactica Deadlock: Reinforcement Pack Battlestar Galactica Deadlock: Resurrection Battlestar Galactica Deadlock: Sin and Sacrifice Battlestar Galactica Deadlock: The Broken Alliance Bear With Me - Collector's Edition BEAUTIFUL DESOLATION Beyond the Long Night Big Bang West Biped Black Skylands BLACKHOLE Blacksad: Under the Skin Blind Fate: Edo no Yami Block'Em! Blood And Zombies Bosorka Bot Vice Bots Are Stupid Bravery and Greed Breathedge Bridge Constructor: The Walking Dead Broken Edge Brunch Club Call of Juarez: Gunslinger Call of the Sea Car Mechanic Simulator 2014 Castle on the Coast Cavity Busters Chop Goblins Chroma Squad Citizen Sleeper Clustertruck Colt Canyon Cook, Serve, Delicious! Cook, Serve, Delicious! 3?! Coromon Creepy Tale Creepy Tale 2 Creepy Tale 3: Ingrid Penance Crumble Curse of the Dead Gods Cyber Hook Danger Scavenger Dark Deity Dead Age 2 Dead End Job Deadly Days Dear Esther: Landmark Edition Death Squared DEATHRUN TV Deceive Inc. Deep Sky Derelicts Demon Pit Demon Turf Desert Child DESOLATE Destroyer: The U-Boat Hunter Devil Spire Dice Legacy Disciples: Liberation DOOM (1993) DOOM 3 DOOM 64 DOOM II Double Double Cross Dragon Spirits Dread Templar Dreams in the Witch House Dreamscaper DUSK DUSK '82: ULTIMATE EDITION Dwarven Realms Edna & Harvey: The Breakout - Anniversary Edition Elven Legacy Collection Embr ENCODYA Ephemeral Tale Epic Chef Epistory - Typing Chronicles Eternal Edge + Eternal Threads Eventide 3: Legacy of Legends Evergarden Everhood Exiled Kingdoms Fallback Fallout 3 Fantasy Blacksmith Farm Frenzy: Refreshed First Class Trouble Five Dates Fobia - St. Dinfna Hotel Foretales FOREWARNED Founders' Fortune Frog Detective 1: The Haunted Island Frog Detective 2: The Case of the Invisible Wizard From Space Funtasia Game Dev Studio Ganryu 2 Garbage Garden Story Giana Sisters: Twisted Bundle God’s Trigger Going Under Golden Light Golf Gang Golf With Your Friends - OST Good Knight Grand Mountain Adventure: Wonderlands Grotto Growth Guild of Darksteel Gunlocked Gunlocked - The 2nd Gunning Guts and Glory Hands of Necromancy Hellbound Hello Neighbor Hide and Seek Hellslave Hellstuck: Rage With Your Friends Hero of the Kingdom: The Lost Tales 2 Hiveswap Friendsim HIVESWAP: ACT 1 Hocus Pocus Home Sweet Home Honey I Joined a Cult Hospital Tycoon Hot Brass Hover Hue Human: Fall Flat HUMANKIND Definitive Edition Hyposphere I Am Fish I am not a Monster Idol Hands Impulsion In Between In Other Waters In Sound Mind Inquisitor Deluxe Edition Interrogation: You will be deceived Iron Danger Ironcast Jack Move Jewel Match Solitaire Jewel Match Solitaire 2 Collector's Edition Jewel Match Solitaire L'Amour Jewel Match Solitaire Winterscapes Jewel Match Twilight Jewel Match Twilight Solitaire Joggernauts Juicy Realm Juno: New Origins [previously titled Simplerockets 2] Just Die Already JYDGE Kaichu - The Kaiju Dating Sim Karma City Police Ken Follett's The Pillars of the Earth King of Dragon Pass King of the Castle Kingdom: New Lands King's Bounty II Kitaria Fables Kraken Academy!! Lacuna Lamentum Landlord's Super Last Call BBS Latte Stand Tycoon + Lawn Mowing Simulator Letters - a written adventure Lichdom: Battlemage Light Fairytale Episode 1 Light Fairytale Episode 2 Lila’s Sky Ark Loddlenaut Looking for Aliens Looterkings Lords and Villeins Lost Castle Lost Words: Beyond the Page Ludus Lumberhill Machinika Museum Mad Experiments: Escape Room Mad Tracks Magenta Horizon MageQuit MagiCat Major Stryker Math Rescue May's Mysteries: The Secret of Dragonville Remastered Mech Mechanic Simulator Mediterranea Inferno Meeple Station Mega Man Legacy Collection Men of War: Assault Squad - Game of the Year Edition Metro 2033 Redux Metro: Last Light Redux Milky Way Prince – The Vampire Star Mind Scanners Mini Thief Monorail Stories Monster Slayers Monster Slayers - Advanced Classes Unlocker Monster Slayers - Fire and Steel Expansion Morbid: The Seven Acolytes Mortal Shell Mr. Prepper My Lovely Wife Mystic Towers Mythic Ocean Nebuchadnezzar Neverinth NEXT JUMP: Shmup Tactics Nigate Tale Nihilumbra Nine Witches: Family Disruption Nippon Marathon Noir Chronicles: City of Crime Northmark: Hour of the Wolf Oddworld: Abe's Oddysee Omen Exitio: Plague One More Line Orbital Bullet Orwell: Keeping an Eye On You Osteoblasts OTTTD Out of Space OUT OF THE BOX Outliver: Tribulation Overloop Overlord II Ozymandias Paganitzu Pandemic: The Board Game Pankapu - Complete Edition Party Hard 2 Patch Quest Paw Paw Paw Peachleaf Pirates Persian Nights 2: The Moonlight Veil Pharaonic Pikuniku Police Stories POSTAL 2 Pumped BMX Pro Punch Club Pure Farming 2018 Pushover Qora Quake II Rage in Peace Railroad Corporation Raji: An Ancient Epic Realms of Chaos Rebel Galaxy Regency Solitaire Rencounter Repella Fella RESTLESS SOUL Return to Castle Wolfenstein Reventure Revita REZ PLZ RICO: London Rising Hell Road to Ballhalla Roadwarden Rover Mechanic Simulator Rustler S.W.I.N.E. HD Remaster Saints Row Saints Row The Third Saints Row: Gat out of Hell Scheming Through The Zombie Apocalypse: The Beginning SCP: Secret Files SEARCH PARTY: Director's Cut SEUM: Speedrunners from Hell Shadowkin Shift Happens Shotgun King: The Final Checkmate Shuyan Saga Siege Survival: Gloria Victis Silence Silver Chains Sir Whoopass™: Immortal Death Sir, You Are Being Hunted Slain: Back from Hell Slaycation Paradise Snowtopia: Ski Resort Builder SONG OF HORROR COMPLETE EDITION Songbird Symphony Sorry, James Soulstice Soundfall Space Rangers HD: A War Apart Sparklite Spermination Spidersaurs Spirit of the Island Spirit of the North Spiritual Warfare & Wisdom Tree Collection Spooky Bonus Starpoint Gemini 2 Gold Pack Starpoint Gemini 3 Starpoint Gemini 3 - Supporter Pack STASIS State of Mind Storm Boy Strategic Mind: Blitzkrieg Strategic Mind: Fight for Freedom Strategic Mind: Spectre of Communism Strategic Mind: Spirit of Liberty Streets of Rogue Strider StrikeForce Kitty Strikey Sisters Stronghold Crusader 2 Stronghold Crusader HD Stygian: Reign of the Old Ones Styx: Master of Shadows Styx: Shards of Darkness SuchArt: Genius Artist Simulator Super Galaxy Squadron EX Turbo Super Magbot Super Star Path SUPERHOT Surgeon Simulator Survivalist Swag and Sorcery Syberia Synergia System Shock: Enhanced Edition Tails Noir [previously known as Backbone] Talisman - The City Expansion Talisman - The Frostmarch Expansion Talisman - The Sacred Pool Expansion Talisman: Digital Edition Teslagrad Remastered The Ascent The Dark Eye: Memoria The Deed II The Enchanted Cave 2 The Horror Of Salazar House The Indie Mixtape The Keep The Life and Suffering of Sir Brante The Mummy Demastered The Myth Seekers 2: The Sunken City The Oil Blue: Steam Legacy Edition The Ramp The Secret Order 7: Shadow Breach The Serpent Rogue The Sexy Brutale The Spectrum Retreat The Stillness of the Wind The Tarnishing of Juxtia The Textorcist: The Story of Ray Bibbia The Town of Light The Wild Eight There Is No Light: Enhanced Edition They Bleed Pixels This is the Zodiac Speaking This War of Mine Through the Woods Time Loader Time on Frog Island Tiny Tales: Heart of the Forest Toki Tools Up! Townsmen - A Kingdom Rebuilt Trifox TROUBLE JUICE Tunche Turbo Golf Racing Turnip Boy Commits Tax Evasion UNDETECTED Undungeon Unity of Command: Stalingrad Campaign Unloved Valfaris Vambrace: Cold Soul Velocity Ultra Viscerafest Wacky Wheels Wand Wars WARBORN Wargroove Warman Weaving Tides What Lies in the Multiverse When Ski Lifts Go Wrong Where the Water Tastes Like Wine Whispering Willows White Night White Noise 2 Who Pressed Mute on Uncle Marcus Windjammers 2 Windward Wolfenstein 3D Word Rescue Wordle Wordle 2 Wordle 3 Wordle 4 Wordle 5 XCOM 2 Youropa Ziggurat
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11-11 Memories Retold 12 is Better Than 6 A Juggler's Tale A Musical Story A Tale of Paper: Refolded ABZU Aces & Adventures Achtung! Cthulhu Tactics Ad Infinitum ADOM (Ancient Domains Of Mystery) Adventures of Chris AER Memories of Old Agatha Christie - The ABC Murders Ageless Aggelos Alex Kidd in Miracle World DX Amanda The Adventurer AMID EVIL Ancient Enemy Andro Dunos II Anomalous Apocalipsis Arcade Spirits Arto Arx Fatalis Asterix & Obelix XXL 2 Backfirewall_ Banners of Ruin Battle Axe Battlestar Galactica Deadlock Battlestar Galactica Deadlock: Anabasis Battlestar Galactica Deadlock: Armistice Battlestar Galactica Deadlock: Ghost Fleet Offensive Battlestar Galactica Deadlock: Modern Ships Pack Battlestar Galactica Deadlock: Reinforcement Pack Battlestar Galactica Deadlock: Resurrection Battlestar Galactica Deadlock: Sin and Sacrifice Battlestar Galactica Deadlock: The Broken Alliance Bear With Me - Collector's Edition BEAUTIFUL DESOLATION Beyond the Long Night Big Bang West Biped Black Skylands BLACKHOLE Blacksad: Under the Skin Blind Fate: Edo no Yami Block'Em! Blood And Zombies Bosorka Bot Vice Bots Are Stupid Bravery and Greed Breathedge Bridge Constructor: The Walking Dead Broken Edge Brunch Club Call of Juarez: Gunslinger Call of the Sea Car Mechanic Simulator 2014 Castle on the Coast Cavity Busters Chop Goblins Chroma Squad Citizen Sleeper Clustertruck Colt Canyon Cook, Serve, Delicious! Cook, Serve, Delicious! 3?! Coromon Creepy Tale Creepy Tale 2 Creepy Tale 3: Ingrid Penance Crumble Curse of the Dead Gods Cyber Hook Danger Scavenger Dark Deity Dead Age 2 Dead End Job Deadly Days Dear Esther: Landmark Edition Death Squared DEATHRUN TV Deceive Inc. Deep Sky Derelicts Demon Pit Demon Turf Desert Child DESOLATE Destroyer: The U-Boat Hunter Devil Spire Dice Legacy Disciples: Liberation DOOM (1993) DOOM 3 DOOM 64 DOOM II Double Double Cross Dragon Spirits Dread Templar Dreams in the Witch House Dreamscaper DUSK DUSK '82: ULTIMATE EDITION Dwarven Realms Edna & Harvey: The Breakout - Anniversary Edition Elven Legacy Collection Embr ENCODYA Ephemeral Tale Epic Chef Epistory - Typing Chronicles Eternal Edge + Eternal Threads Eventide 3: Legacy of Legends Evergarden Everhood Exiled Kingdoms Fallback Fallout 3 Fantasy Blacksmith Farm Frenzy: Refreshed First Class Trouble Five Dates Fobia - St. Dinfna Hotel Foretales FOREWARNED Founders' Fortune Frog Detective 1: The Haunted Island Frog Detective 2: The Case of the Invisible Wizard From Space Funtasia Game Dev Studio Ganryu 2 Garbage Garden Story Giana Sisters: Twisted Bundle God’s Trigger Going Under Golden Light Golf Gang Golf With Your Friends - OST Good Knight Grand Mountain Adventure: Wonderlands Grotto Growth Guild of Darksteel Gunlocked Gunlocked - The 2nd Gunning Guts and Glory Hands of Necromancy Hellbound Hello Neighbor Hide and Seek Hellslave Hellstuck: Rage With Your Friends Hero of the Kingdom: The Lost Tales 2 Hiveswap Friendsim HIVESWAP: ACT 1 Hocus Pocus Home Sweet Home Honey I Joined a Cult Hospital Tycoon Hot Brass Hover Hue Human: Fall Flat HUMANKIND Definitive Edition Hyposphere I Am Fish I am not a Monster Idol Hands Impulsion In Between In Other Waters In Sound Mind Inquisitor Deluxe Edition Interrogation: You will be deceived Iron Danger Ironcast Jack Move Jewel Match Solitaire Jewel Match Solitaire 2 Collector's Edition Jewel Match Solitaire L'Amour Jewel Match Solitaire Winterscapes Jewel Match Twilight Jewel Match Twilight Solitaire Joggernauts Juicy Realm Juno: New Origins [previously titled Simplerockets 2] Just Die Already JYDGE Kaichu - The Kaiju Dating Sim Karma City Police Ken Follett's The Pillars of the Earth King of Dragon Pass King of the Castle Kingdom: New Lands King's Bounty II Kitaria Fables Kraken Academy!! Lacuna Lamentum Landlord's Super Last Call BBS Latte Stand Tycoon + Lawn Mowing Simulator Letters - a written adventure Lichdom: Battlemage Light Fairytale Episode 1 Light Fairytale Episode 2 Lila’s Sky Ark Loddlenaut Looking for Aliens Looterkings Lords and Villeins Lost Castle Lost Words: Beyond the Page Ludus Lumberhill Machinika Museum Mad Experiments: Escape Room Mad Tracks Magenta Horizon MageQuit MagiCat Major Stryker Math Rescue May's Mysteries: The Secret of Dragonville Remastered Mech Mechanic Simulator Mediterranea Inferno Meeple Station Mega Man Legacy Collection Men of War: Assault Squad - Game of the Year Edition Metro 2033 Redux Metro: Last Light Redux Milky Way Prince – The Vampire Star Mind Scanners Mini Thief Monorail Stories Monster Slayers Monster Slayers - Advanced Classes Unlocker Monster Slayers - Fire and Steel Expansion Morbid: The Seven Acolytes Mortal Shell Mr. Prepper My Lovely Wife Mystic Towers Mythic Ocean Nebuchadnezzar Neverinth NEXT JUMP: Shmup Tactics Nigate Tale Nihilumbra Nine Witches: Family Disruption Nippon Marathon Noir Chronicles: City of Crime Northmark: Hour of the Wolf Oddworld: Abe's Oddysee Omen Exitio: Plague One More Line Orbital Bullet Orwell: Keeping an Eye On You Osteoblasts OTTTD Out of Space OUT OF THE BOX Outliver: Tribulation Overloop Overlord II Ozymandias Paganitzu Pandemic: The Board Game Pankapu - Complete Edition Party Hard 2 Patch Quest Paw Paw Paw Peachleaf Pirates Persian Nights 2: The Moonlight Veil Pharaonic Pikuniku Police Stories POSTAL 2 Pumped BMX Pro Punch Club Pure Farming 2018 Pushover Qora Quake II Rage in Peace Railroad Corporation Raji: An Ancient Epic Realms of Chaos Rebel Galaxy Regency Solitaire Rencounter Repella Fella RESTLESS SOUL Return to Castle Wolfenstein Reventure Revita REZ PLZ RICO: London Rising Hell Road to Ballhalla Roadwarden Rover Mechanic Simulator Rustler S.W.I.N.E. HD Remaster Saints Row Saints Row The Third Saints Row: Gat out of Hell Scheming Through The Zombie Apocalypse: The Beginning SCP: Secret Files SEARCH PARTY: Director's Cut SEUM: Speedrunners from Hell Shadowkin Shift Happens Shotgun King: The Final Checkmate Shuyan Saga Siege Survival: Gloria Victis Silence Silver Chains Sir Whoopass™: Immortal Death Sir, You Are Being Hunted Slain: Back from Hell Slaycation Paradise Snowtopia: Ski Resort Builder SONG OF HORROR COMPLETE EDITION Songbird Symphony Sorry, James Soulstice Soundfall Space Rangers HD: A War Apart Sparklite Spermination Spidersaurs Spirit of the Island Spirit of the North Spiritual Warfare & Wisdom Tree Collection Spooky Bonus Starpoint Gemini 2 Gold Pack Starpoint Gemini 3 Starpoint Gemini 3 - Supporter Pack STASIS State of Mind Storm Boy Strategic Mind: Blitzkrieg Strategic Mind: Fight for Freedom Strategic Mind: Spectre of Communism Strategic Mind: Spirit of Liberty Streets of Rogue Strider StrikeForce Kitty Strikey Sisters Stronghold Crusader 2 Stronghold Crusader HD Stygian: Reign of the Old Ones Styx: Master of Shadows Styx: Shards of Darkness SuchArt: Genius Artist Simulator Super Galaxy Squadron EX Turbo Super Magbot Super Star Path SUPERHOT Surgeon Simulator Survivalist Swag and Sorcery Syberia Synergia System Shock: Enhanced Edition Tails Noir [previously known as Backbone] Talisman - The City Expansion Talisman - The Frostmarch Expansion Talisman - The Sacred Pool Expansion Talisman: Digital Edition Teslagrad Remastered The Ascent The Dark Eye: Memoria The Deed II The Enchanted Cave 2 The Horror Of Salazar House The Indie Mixtape The Keep The Life and Suffering of Sir Brante The Mummy Demastered The Myth Seekers 2: The Sunken City The Oil Blue: Steam Legacy Edition The Ramp The Secret Order 7: Shadow Breach The Serpent Rogue The Sexy Brutale The Spectrum Retreat The Stillness of the Wind The Tarnishing of Juxtia The Textorcist: The Story of Ray Bibbia The Town of Light The Wild Eight There Is No Light: Enhanced Edition They Bleed Pixels This is the Zodiac Speaking This War of Mine Through the Woods Time Loader Time on Frog Island Tiny Tales: Heart of the Forest Toki Tools Up! Townsmen - A Kingdom Rebuilt Trifox TROUBLE JUICE Tunche Turbo Golf Racing Turnip Boy Commits Tax Evasion UNDETECTED Undungeon Unity of Command: Stalingrad Campaign Unloved Valfaris Vambrace: Cold Soul Velocity Ultra Viscerafest Wacky Wheels Wand Wars WARBORN Wargroove Warman Weaving Tides What Lies in the Multiverse When Ski Lifts Go Wrong Where the Water Tastes Like Wine Whispering Willows White Night White Noise 2 Who Pressed Mute on Uncle Marcus Windjammers 2 Windward Wolfenstein 3D Word Rescue Wordle Wordle 2 Wordle 3 Wordle 4 Wordle 5 XCOM 2 Youropa Ziggurat
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11-11 Memories Retold 12 is Better Than 6 A Juggler's Tale A Musical Story A Tale of Paper: Refolded ABZU Aces & Adventures Achtung! Cthulhu Tactics Ad Infinitum ADOM (Ancient Domains Of Mystery) Adventures of Chris AER Memories of Old Agatha Christie - The ABC Murders Ageless Aggelos Alex Kidd in Miracle World DX Amanda The Adventurer AMID EVIL Ancient Enemy Andro Dunos II Anomalous Apocalipsis Arcade Spirits Arto Arx Fatalis Asterix & Obelix XXL 2 Backfirewall_ Banners of Ruin Battle Axe Battlestar Galactica Deadlock Battlestar Galactica Deadlock: Anabasis Battlestar Galactica Deadlock: Armistice Battlestar Galactica Deadlock: Ghost Fleet Offensive Battlestar Galactica Deadlock: Modern Ships Pack Battlestar Galactica Deadlock: Reinforcement Pack Battlestar Galactica Deadlock: Resurrection Battlestar Galactica Deadlock: Sin and Sacrifice Battlestar Galactica Deadlock: The Broken Alliance Bear With Me - Collector's Edition BEAUTIFUL DESOLATION Beyond the Long Night Big Bang West Biped Black Skylands BLACKHOLE Blacksad: Under the Skin Blind Fate: Edo no Yami Block'Em! Blood And Zombies Bosorka Bot Vice Bots Are Stupid Bravery and Greed Breathedge Bridge Constructor: The Walking Dead Broken Edge Brunch Club Call of Juarez: Gunslinger Call of the Sea Car Mechanic Simulator 2014 Castle on the Coast Cavity Busters Chop Goblins Chroma Squad Citizen Sleeper Clustertruck Colt Canyon Cook, Serve, Delicious! Cook, Serve, Delicious! 3?! Coromon Creepy Tale Creepy Tale 2 Creepy Tale 3: Ingrid Penance Crumble Curse of the Dead Gods Cyber Hook Danger Scavenger Dark Deity Dead Age 2 Dead End Job Deadly Days Dear Esther: Landmark Edition Death Squared DEATHRUN TV Deceive Inc. Deep Sky Derelicts Demon Pit Demon Turf Desert Child DESOLATE Destroyer: The U-Boat Hunter Devil Spire Dice Legacy Disciples: Liberation DOOM (1993) DOOM 3 DOOM 64 DOOM II Double Double Cross Dragon Spirits Dread Templar Dreams in the Witch House Dreamscaper DUSK DUSK '82: ULTIMATE EDITION Dwarven Realms Edna & Harvey: The Breakout - Anniversary Edition Elven Legacy Collection Embr ENCODYA Ephemeral Tale Epic Chef Epistory - Typing Chronicles Eternal Edge + Eternal Threads Eventide 3: Legacy of Legends Evergarden Everhood Exiled Kingdoms Fallback Fallout 3 Fantasy Blacksmith Farm Frenzy: Refreshed First Class Trouble Five Dates Fobia - St. Dinfna Hotel Foretales FOREWARNED Founders' Fortune Frog Detective 1: The Haunted Island Frog Detective 2: The Case of the Invisible Wizard From Space Funtasia Game Dev Studio Ganryu 2 Garbage Garden Story Giana Sisters: Twisted Bundle God’s Trigger Going Under Golden Light Golf Gang Golf With Your Friends - OST Good Knight Grand Mountain Adventure: Wonderlands Grotto Growth Guild of Darksteel Gunlocked Gunlocked - The 2nd Gunning Guts and Glory Hands of Necromancy Hellbound Hello Neighbor Hide and Seek Hellslave Hellstuck: Rage With Your Friends Hero of the Kingdom: The Lost Tales 2 Hiveswap Friendsim HIVESWAP: ACT 1 Hocus Pocus Home Sweet Home Honey I Joined a Cult Hospital Tycoon Hot Brass Hover Hue Human: Fall Flat HUMANKIND Definitive Edition Hyposphere I Am Fish I am not a Monster Idol Hands Impulsion In Between In Other Waters In Sound Mind Inquisitor Deluxe Edition Interrogation: You will be deceived Iron Danger Ironcast Jack Move Jewel Match Solitaire Jewel Match Solitaire 2 Collector's Edition Jewel Match Solitaire L'Amour Jewel Match Solitaire Winterscapes Jewel Match Twilight Jewel Match Twilight Solitaire Joggernauts Juicy Realm Juno: New Origins [previously titled Simplerockets 2] Just Die Already JYDGE Kaichu - The Kaiju Dating Sim Karma City Police Ken Follett's The Pillars of the Earth King of Dragon Pass King of the Castle Kingdom: New Lands King's Bounty II Kitaria Fables Kraken Academy!! Lacuna Lamentum Landlord's Super Last Call BBS Latte Stand Tycoon + Lawn Mowing Simulator Letters - a written adventure Lichdom: Battlemage Light Fairytale Episode 1 Light Fairytale Episode 2 Lila’s Sky Ark Loddlenaut Looking for Aliens Looterkings Lords and Villeins Lost Castle Lost Words: Beyond the Page Ludus Lumberhill Machinika Museum Mad Experiments: Escape Room Mad Tracks Magenta Horizon MageQuit MagiCat Major Stryker Math Rescue May's Mysteries: The Secret of Dragonville Remastered Mech Mechanic Simulator Mediterranea Inferno Meeple Station Mega Man Legacy Collection Men of War: Assault Squad - Game of the Year Edition Metro 2033 Redux Metro: Last Light Redux Milky Way Prince – The Vampire Star Mind Scanners Mini Thief Monorail Stories Monster Slayers Monster Slayers - Advanced Classes Unlocker Monster Slayers - Fire and Steel Expansion Morbid: The Seven Acolytes Mortal Shell Mr. Prepper My Lovely Wife Mystic Towers Mythic Ocean Nebuchadnezzar Neverinth NEXT JUMP: Shmup Tactics Nigate Tale Nihilumbra Nine Witches: Family Disruption Nippon Marathon Noir Chronicles: City of Crime Northmark: Hour of the Wolf Oddworld: Abe's Oddysee Omen Exitio: Plague One More Line Orbital Bullet Orwell: Keeping an Eye On You Osteoblasts OTTTD Out of Space OUT OF THE BOX Outliver: Tribulation Overloop Overlord II Ozymandias Paganitzu Pandemic: The Board Game Pankapu - Complete Edition Party Hard 2 Patch Quest Paw Paw Paw Peachleaf Pirates Persian Nights 2: The Moonlight Veil Pharaonic Pikuniku Police Stories POSTAL 2 Pumped BMX Pro Punch Club Pure Farming 2018 Pushover Qora Quake II Rage in Peace Railroad Corporation Raji: An Ancient Epic Realms of Chaos Rebel Galaxy Regency Solitaire Rencounter Repella Fella RESTLESS SOUL Return to Castle Wolfenstein Reventure Revita REZ PLZ RICO: London Rising Hell Road to Ballhalla Roadwarden Rover Mechanic Simulator Rustler S.W.I.N.E. HD Remaster Saints Row Saints Row The Third Saints Row: Gat out of Hell Scheming Through The Zombie Apocalypse: The Beginning SCP: Secret Files SEARCH PARTY: Director's Cut SEUM: Speedrunners from Hell Shadowkin Shift Happens Shotgun King: The Final Checkmate Shuyan Saga Siege Survival: Gloria Victis Silence Silver Chains Sir Whoopass™: Immortal Death Sir, You Are Being Hunted Slain: Back from Hell Slaycation Paradise Snowtopia: Ski Resort Builder SONG OF HORROR COMPLETE EDITION Songbird Symphony Sorry, James Soulstice Soundfall Space Rangers HD: A War Apart Sparklite Spermination Spidersaurs Spirit of the Island Spirit of the North Spiritual Warfare & Wisdom Tree Collection Spooky Bonus Starpoint Gemini 2 Gold Pack Starpoint Gemini 3 Starpoint Gemini 3 - Supporter Pack STASIS State of Mind Storm Boy Strategic Mind: Blitzkrieg Strategic Mind: Fight for Freedom Strategic Mind: Spectre of Communism Strategic Mind: Spirit of Liberty Streets of Rogue Strider StrikeForce Kitty Strikey Sisters Stronghold Crusader 2 Stronghold Crusader HD Stygian: Reign of the Old Ones Styx: Master of Shadows Styx: Shards of Darkness SuchArt: Genius Artist Simulator Super Galaxy Squadron EX Turbo Super Magbot Super Star Path SUPERHOT Surgeon Simulator Survivalist Swag and Sorcery Syberia Synergia System Shock: Enhanced Edition Tails Noir [previously known as Backbone] Talisman - The City Expansion Talisman - The Frostmarch Expansion Talisman - The Sacred Pool Expansion Talisman: Digital Edition Teslagrad Remastered The Ascent The Dark Eye: Memoria The Deed II The Enchanted Cave 2 The Horror Of Salazar House The Indie Mixtape The Keep The Life and Suffering of Sir Brante The Mummy Demastered The Myth Seekers 2: The Sunken City The Oil Blue: Steam Legacy Edition The Ramp The Secret Order 7: Shadow Breach The Serpent Rogue The Sexy Brutale The Spectrum Retreat The Stillness of the Wind The Tarnishing of Juxtia The Textorcist: The Story of Ray Bibbia The Town of Light The Wild Eight There Is No Light: Enhanced Edition They Bleed Pixels This is the Zodiac Speaking This War of Mine Through the Woods Time Loader Time on Frog Island Tiny Tales: Heart of the Forest Toki Tools Up! Townsmen - A Kingdom Rebuilt Trifox TROUBLE JUICE Tunche Turbo Golf Racing Turnip Boy Commits Tax Evasion UNDETECTED Undungeon Unity of Command: Stalingrad Campaign Unloved Valfaris Vambrace: Cold Soul Velocity Ultra Viscerafest Wacky Wheels Wand Wars WARBORN Wargroove Warman Weaving Tides What Lies in the Multiverse When Ski Lifts Go Wrong Where the Water Tastes Like Wine Whispering Willows White Night White Noise 2 Who Pressed Mute on Uncle Marcus Windjammers 2 Windward Wolfenstein 3D Word Rescue Wordle Wordle 2 Wordle 3 Wordle 4 Wordle 5 XCOM 2 Youropa Ziggurat
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Here we are again in the shit stew that is the Fallowveil trailer park. We’ve got soul eating strippers, jobs that kill us, and plenty of weirdos, both the trailer trash and the potentially paranormal variety. It’s the place where even your own computer sometimes threatens to kill you. I can’t tell if I should be worried, or annoyed that all my neighbors have such irresponsible web habits. I know it’s not me that brings in all these machine wiping viruses.
So even though I got a system error that literally said “you’re useless and you should die” I’m less interested in that. Stupid thing. Like I don’t already know I’m useless. That’s not what I’m depressed about.
Well… I suppose it's tangentially related.
I hope anyone reading will forgive me. I’m feeling the sting of rejection right now. It was really stupid of me to ask. Especially now. Nobody here really likes me. They’ve only been nice to me as a courtesy because I was almost involved in a god damn shootout. And my idiot self decided that was the perfect time to push one of my few friends all the way away. Never ask your friends out on dates. It ruins everything.
So there’s this woman. I’ve talked about her in the past. Trista Ramone. She lives in the far back corner of the trailer park. You can instantly tell which unit is hers because she’s covered every square inch of the property with gardens and a rabbit hutch. The place usually has beads and colorful flags hanging on its walls as well. She’s kind of a right winger’s nightmare. I know some of those flags represent various lgbtq plus communities.
She and I have been friendly in the past. We’re both night shift workers. We crossed paths quite a bit going to and from work so we struck up a friendship over the years.
Let’s just ripped the band aid off. Recently I’ve started thinking I had… stronger feelings for Trista. I got stupid and decided to tell her about them. She wasn’t interested. I get why. We have very different lifestyles. I like meat, and she thinks the meat industry is murder. I’m not willing to give up meat, and she’s not willing to give up her beliefs. It's as simple as that. Now things are incredibly awkward with one of my closer friends and I’m still spiraling into self loathing, where I belong.
She swore up and down that she absolutely still wants to be friends with me, but I’m not sure I believe her. The look she gave me when I told her I’d like to ask her out. It looked like sadness, but a small part of me is convinced it was pity, or worse, disgust and loathing, and that small part gave me ever shuts the fuck up. But anyway, she gave me permission to write about her.
She is one of the creepy fixtures of our little neighborhood after all. She told me to make her seem as insane and scary as I possibly could and that she should get to kill me at the end. She also handed me a few of her high school yearbooks, advised me to chat with another neighbor of ours who she went to school with, and to only use creepy rumors for the rest.
Part of me is really willing to describe her as awful, but that’s just my anger. I don’t like that part of me. Trista’s not a bad person at all. She’s just weird and she doesn’t want to date me. God damn it, Petunia’s right. I need therapy.
So, I’ve told the story of the sexy, scary lady living in a polycule here in the trailer park. I think she’s got a bigger heart than she lets on. I’ve talked about the stories surrounding the Schroeder Slaughterhouse. Now let’s talk about the hippy everyone thinks is a vampire.
She’s a taller woman, maybe five-seven or eight, and she’s skinny. Her typical wardrobe is… interesting. Try to imagine your typical new-age hippy/stoner girl, wearing colorful sarongs, crop-tops, beanies, baggy sweaters, T-shirts with colorful sayings on them, sandals, boots woven from some sort of exotic plant, beaded necklaces, bracelets, a few too many piercings and some intricate tattoos. Can you picture that kind of person? Well, take that and dip them in “goth” dye. Everything is black, and contrasts to her pale white complexion, her eyes are this unusual violet color, and then make the woman wearing all that seem kind of depressed about something. That’s the look Trista has going on. Like if Wednesday Addams was forced to dress up for Hippy Day.
I’ve heard people call her an emo vampire, but as a former emo myself, she doesn’t fill out all the criteria. She doesn’t typically wear any super tight pants or cake on the eyeshadow. I guess she’s just Trista. It might sound weird (and it is) but the whole thing suits her. Her style, tattoos, and complexion all create this image of skinny vampiric waif with a mysterious past and a freaky sarcastic attitude and I found the whole thing… kinda hot.
Trista keeps to herself. She’s made the most out of her little corner of the trailer park. Like I said, she decked out her unit with garden squares, and a Rabbit pen. No idea why she’s allowed to do that. A lot of these places don’t allow pets. I heard she was also trying to put in a beehive too, but her neighbors are fighting her on that one. Our park is a bit too condensed for bees. She has a permit to grow hemp, but of course it’s not for recreational use. She treats it and uses it to weave things like handbags, clothes, and other stuff. There’s a consignment store in town that sells all kinds of things Trista has crafted herself. So she’s handy and self sufficient too. She paints, she carves wood, she weaves, she crochets, she sews, and who knows what else. She’s so good at her little crafts that apparently she’s able to support herself just selling them and working part time at the Moonlight Inn outside of town.
She’s also relatively friendly. I almost feel bad calling her weird, but here’s the thing, I’ve seen some REALLY weird shit. People jokingly call her a vampire, and she seems to embrace that, but part of me seriously wonders. The big clue is, like I mentioned, she’s completely nocturnal. She’s always asleep during the day, and every blind and curtain is drawn tight. The one time she came out during the day, she had on this full body suit with a helmet with UV glass and everything. Even then, she only showed up to give Petunia a hug, before leaving again.
That was the first time I saw Trista, come to think of it. I was kind of intrigued. It was kind of hard not to be when someone shows up to a community cookout in a freaking astronaut suit. I approached Petunia after she left.
“Who the heck was that?” I wondered.
“MASON! I’m so glad you could make it! You’ve been here about three months now! How’d that job interview go?”
“Oh. It went well. I might be doing janitorial work soon.”
“Night shift?”
“Maybe. I’m not sure.”
“If it’s the night shift, you’ll definitely meet the person who just left. That’s Trista. She’s the girl with the rabbits in the far corner. Poor girl. She’s got a really bad skin condition. Can’t let sunlight touch her.”
“Oh. Is she like… albino or something?”
“No, she’s got pigment. I don’t remember what the condition is called. I guess it started in high school or something. You’d have to ask her. And hey! If you work the night shift, you’ll probably get to chat with her!”
Petunia wasn’t wrong. I started working as a nighttime janitor for a number of local businesses. That was when I first started noticing the pale goth hippy. She rides around on a moped, with her dark hair and her sarong barely billowing behind her. I couldn’t see her face through the helmet, but she waved to me as she passed by.
The next time I saw her, she was jogging, but here’s where it gets weird. When I first stepped outside, all I saw was a blur. It actually startled me as I whipped toward it, but then there was this skinny tattooed pixie, somehow still looking like a stonehippy/vampire in jogging gear. I swear she was moving inhumanly fast when I first noticed her. That was when we introduced ourselves. She actually jogged over to say hello.
“Hey! You’re the new guy right?”
“Oh, uh, yeah. My name’s Mason!” I reached out to shake the pretty girl’s hand, like an awkward loser. She smirked and shook my hand. Her grip was weirdly strong, and a bit cold.
“I’m Trista. I’m the weirdo in the back with the rabbits.”
“Trista… oh, are you the one who has a thing with sunlight? I think Petunia mentioned you.”
“Yup! That’s me. Xerodoma pigmentosum. Sunlight hurts. I hate that it hurts.” She lamented.
“That’s gotta be rough,” I said sympathetically.
“You get used to it. You work at night?”
“Yeah. Works better for me.”
“I get that.”
And so on and so on. She’s pretty cool, with a bit of hilarious snark in there. And she secretly procured recreational weed she was willing to share. I kept working the night shift just hoping for another chance to talk to her and possibly buy a joint. Eventually she invited me over to share a joint. The inside of her place was actually pretty sparse and spartan compared to the outside. Though she was a fan of hanging beads. Most of the main room was taken up by her various crafting projects and supplies. Hemp weaves, some paintings, and even a wood carving of what I think was a rabbit, but it wasn’t anywhere near complete.
I followed her to her kitchen where she reached into the very back of her pantry and pulled out a shoebox. Inside was her stash, but there was something else which I found very strange. It was a pack of syringes and a thing I assume is to sterilize syringes. I know what you’re thinking, and that was my first thought too. It’s a poor neighborhood, the woman already smokes weed illegally, it’s not that big a shock that maybe she was involved in other drugs too. I decided not to ask at the time. We shared our joint, and we laughed, a lot. She made fun of me for being a lightweight, while I got completely hypnotized staring at the patterns of a shawl she had woven.
Months went by and we got closer, but I couldn’t forget those syringes. After a while I got worried. I’ve seen what heroine does to people. So the next time I went over to smoke and eat (vegan) pizza with her, I asked.
“Trista? Are you using anything other than weed?”
“Drugs?”
“Yeah.”
“No. Why?”
“You can tell me if you are.”
“Mason, sweetheart, I’m a stoner. I don’t fuck around with anything else and I never have.”
“Really?”
“Really.”
“Okay. Can I ask what that set of syringes are for?”
“Oh. In my stash box? Those are… part of my condition. I don’t want to talk about it.”
“Oh. Is it like… embarrassing?”
“Yeah. So don’t ask. Can we just watch a movie?”
So I don't ask anymore. But I still have no idea what she does with those syringes. Based on what I read about that Xerodoma Pigmentosum thing she says she has, I have no clue what she would need to inject herself with.
Another time she asked me to check on her rabbits for her during the day, as her usual “sitter” had something come up. All I had to do was chop up the lettuce and carrots she left out. As I was enjoying the adorable fluffy faces, one of Trista’s neighbors, a woman named Bridget, poked her head outside her door.
“Hey. Do you know what Trista injects those rabbits with?”
“I… what?”
“I’ve seen her use syringes on those rabbits. She said she was just giving them medicine, but I swear I see her inject them every week.”
“I… I wouldn't know. She just asked me to feed them.”
“I love Trista, but that always seemed so weird. She has to know vaccines are a hoax!” I tuned the woman out after that one. My mind was on that set of syringes. Why would she be using them on rabbits? These things were her pets.
I was starting to crush on her by then. But I couldn’t help feeling weirded out by that. I was actually going to confront her, but the next time I came to visit, she was literally inside the Rabbit hutch, on her back, squealing with delight as her rabbit friends nuzzled and played with her.
“Bonnibelle! That tickles! Marcy! No chewing. Finn? Watch where you’re sticking that foot! Jake? Where are you? EEEEE Lumpy! Not the neck!”
It was as silly and adorable as it sounds. She was forced to whip herself upright when two of her little friends tried to burrow under her dress. She finally stood up with a laugh, cradling a rabbit in her arms and cooing at it.
There was just no way in hell this woman was doing anything that would hurt these animals. Bridget is a paranoid antivax weirdo anyway. If Trista was using syringes on the rabbits, I was convinced it was only for their benefit.
So life went on. I got more and more reclusive over the years. Petunia, Trista, and my next door neighbor Fred were the only things keeping me remotely connected to the outside. And so we get to now. So let’s see. What are the stories about the weird vampire woman?
Well, there’s the fact that she jogs at night, solo, in a poor neighborhood. Petunia keeps the shitty people contained and behaving for the most part, but I still wouldn’t exactly call it safe, especially for a young skinny woman. But she does it without a care in the world.
There’s one strange event that some people like to connect to this. I never knew this guy, but from what I hear he was a total weirdo who leered at anyone even remotely female. And this is despite the fact he was married. His name was Josh.
I remember him a bit. He’s the guy that Petunia chased away from one of her barbecues. Supposedly he was heard saying inappropriate things to the groups of ten year old girls that were playing in the bounce house Petunia rented. Telling them how pretty they were. Trying to coax them to take off their jackets. Police reports were filed but ultimately nothing could be proven. The guy's wife, Carole, always defends him for some reason.
But anyway, I remember hanging out with Trista one night a little over a year ago. She hadn’t gone jogging like she normally did. I asked her what was up with that.
“That weirdo, Josh has started catcalling when I pass his place. It weirds me out.”
“There aren’t other people who do that at night? I’m still shocked you jog alone.”
“Not like this. I can flip off a wolf whistler. But this guy… he keeps trying to get me to stop and talk to him, and when I don’t? He shouts about my ass. I’m gonna have to talk to Petunia about that shithead, if anybody can reign him in, it’s her.”
I’m gonna guess she never got a chance. Two days later, the whole town was awoken by sirens. I was getting ready for my shift when I heard them. I walked down the road a bit to see if I could figure out what was going on. The cops were heading toward the other side of the park, so I couldn’t see much. But I did notice Trista, in her jogging gear, skulking in the shadows. I wondered if she was in trouble. But before I could call out to her, she sprinted straight to Petunia's house and banged on the door. Petunia welcomed her inside, and that was all I saw. I still wasn’t sure what was going on, so I just shrugged and headed to work, figuring I’d text Trista later.
I didn’t learn till later that Josh was found dead. He was lying prone, face down, partly hidden by bushes at the edge of the park. His neck was cut open. He’d bled out rapidly. He had a knife in his hand, and officially it’s believed he fell on it and accidentally killed himself. There was a cocktail of drugs in his system so most people accept that explanation. But others swear they saw Trista out for her jog around the same time Josh would have been bleeding to death. She got questioned, and she swore she didn’t see anything. Without evidence, there was nothing else that could be proven.
Trista’s a friend. I know that guy was being creepy to her. So I’m happy to take her word for what happened, even if my seeing her going to Petunia’s pokes a bit of a hole in that. I can’t be sure it was Trista though. So I’m not saying a word. But if a certain creep attacked a certain lady who is rumored to be a vampire, it’s not that surprising to me that he ended up dead after bleeding to death. I’m not all that broken up about it.
I’m not the one spreading that story. Josh’s wife was the one who started the rumor. So now some people are even more convinced that the weird nocturnal hippy chick is secretly a vampire.
She’s no killer. No matter what they say. She would only have defended herself.
So that’s all the stories I’ve heard that have any credibility to them. There’s more people who swear she and Petunia perform weird rituals, and people who saw her moving “inhumanly fast” and such.
But now I have to share what I found in the yearbooks Trista gave me. I wasn’t really expecting much. I checked her senior yearbook out first. She looks about the same. Pale, goth, hippy, and sort of sad. She kind of looks even sadder in these photos if I’m being honest, but that’s high school for you. She graduated in the top half of her class, no sports or extracurriculars. I’m left wondering how she managed to go to school at the time of sun was so bad for her. I’ll have to ask her about that. So nothing really new there.
It was the yearbook from her junior year where things got really interesting. I was in shock when I found her. Trista is somehow impossible to miss, but unrecognizable all at once. She’s full of color! She wore more typical tie dye hippy attire. Bright vibrant pinks, reds, blues, greens, and yellows, in every photo, and holy shit was she busy. Captain of the soccer team, first chair flutist, president of the “green living” club and the “vegan alliance,” top ten in her class, it was all incredible. I think the main reason I didn’t recognize her was her skin. It was tan, as though she were out in the sun a lot. Furthermore there were photos of her playing sports and standing outside in bright sunlight.
It was like her disease wasn’t there, which confused me. She told me it was something called Xeroderma Pigmentosa. But that’s a genetic condition. She would have had that from birth.
I sent her a text, wondering about this.
- Hey! Just went through your yearbooks. What happened? You had color? Did you discover Linkin Park?
- My disease happened. Right at the end of Jr. year. That’s why I wasn’t there for the final class photo.
- But your disease is genetic… isn’t it?
- I guess it was dormant in me.
- So it just… happened?
- Pretty much.
- I’m sorry.
- I got over it. Mostly. It was hard. My parents were both hardcore vegan naturalists and we lived in a place that was all natural light and such, so I had to live in a shed for a bit while they built a space for me. But in my family? We kinda lean into whatever life throws at us. It took months of depression to come to terms with it. All of a sudden I couldn’t be out in the sun, and I had new dietary needs that absolutely required non-vegan sources. So I leaned into it. I was a vampire now. I can dig dark colors and “vampire style.” I could make it my own by avoiding leather. And I’d be as vegan as I possibly could.
- You’re kind of awesome.
- Damn straight. So I learned to love the night too and now, here I am.
I gained new respect for her after that. Frankly I feel kinda shitty about making fun of her for being a vampire. There might not be anything paranormally weird about her after all.
She sent me one more text telling me I should talk to a guy named Frankie. She’d gone to school with him. He’s a decent enough guy. Works in the Bicounty mall in town.
I had to wait a day or two for another of Petunia’s get togethers to talk to him.
“Hey!” I said awkwardly as I tried to figure out how to strike up conversation with someone I haven’t really spoken to in a long time. “Frankie, right?”
“Oh. Yeah. Been a while. How are you Mason? You okay after that whole thing at Red Nights?”
“I’m trying to be. Look, I’ll cut to the chase. You went to school with Trista Ramone, right?”
“Ol’ Boho Ramone? Yeah. We were sort of friendly. But I was a jerk to vegans back then. Why do you ask?”
“I’ve been hanging out with her. She’s being all mysterious.” He chuckled at that. “She said I should talk to you to learn more about her… weirdness? Everyone thinks she’s a vampire now.”
“She’s totally a vampire. I have no idea what else to call her?”
“Why do you say that?”
“What did she tell you about school?”
“Nothing. She just showed me two yearbooks. Between Junior and Senior year she went from colorful club president, to lonely vampire, because of her disease.”
“Nah man. I don’t want to talk bad about her. But she was kind of a bitch, junior year. She wasn’t just a colorful vegan. She was one of those “holier than thou” types who scoffed and talked down to anyone who dared to eat meat. Her “hippy” thing meant she never hung out with the popular girls but still, she acted like she owned the place at times. I was friends with this weird guy named Steven Jones. He was just kind of a weirdo. Skulking around in the background, you know? He HATED Trista. For a while I totally understood. I thought she was kinda stuck up. But this guy was like… irrationally enraged by that girl’s existence. I guess he tried to ask her out when he was a freshman and she politely declined. But he took that shit personally.”
“Huh. So like… why’s that matter?”
“Because Steven kept saying to anyone who gave him a second look, that he was gonna ‘ruin’ her. Never elaborated. But then the last month of school rolls around, Trista gets assaulted by an unknown assailant and a week later she’s got this new disease. Meanwhile, Steven spent a week strutting around the school looking smug, and saying ‘she got what she deserved.’ Then he disappears too. Teachers said he moved away.”
“She was assaulted?”
“Yeah. Someone in a face wrap tackled her while she was at one of her protests at the meat factory. The dude freaking BIT her.”
“Jesus.”
“Yeah. I was there. I came to the protest. I’ll admit I was trying to hit on Trista or one of the other girls there. But yeah. Dude dressed in all gray with a face wrap just charged in and went right for Trista. Knocked her down, bit her like a freaking zombie, then ran away before anyone could stop him. Didn’t even take his face wrap off. It was freaky, man.”
“What the actual fuck.”
“That’s what we all said. Trista needed a stitch. But while she was at the hospital, I guess she started getting more symptoms. She was out for the rest of the year. From then on, she was like she is now. Total vampire.”
“Was Steven a vampire?”
“I dunno. Probably. Little dickhead is what he is. Must have been him that attacked Trista, but nobody could prove it. Bite mark didn’t match or something. So why are you asking? You hang out with her at night right? You asking her out or something?”
“Oh. No. Just a friend.”
That was all I really learned from Frankie. It’s quite a story, and it’s full of unknowns that Trista refuses to explain. So I guess I’ll let readers be the judge. Is she a “real” vampire? Or just a weirdo? All I know is, she’s totally standing behind me right now and now I’m dead. Bleh.
I did come back to life to talk to Trista once I finished writing this. She enjoyed it. I may as well include that interaction.
I went to her place on my night off. She read my take on her and what the neighbors thought and she grinned. “Ha! I’m a total monster!” She chuckled. “So. What do YOU think, Mason? Am I a vampire?” She cocked an eye and playfully gnashes her teeth at me, making a pleasant little click.
I sighed. “No idea. You’re Trista. And… you’re my friend. I’m sorry if I made things awkward.”
She looked surprised by that. “Aw. Thanks Mason. You’re my friend too. It’s okay. I’m flattered.”
“You don’t have to explain.”
“So we’re cool?”
“Absolutely not. We’re both weird shut ins.” She laughed. It was good to hear her laugh. It made me happy.
“Yeah but I got the ‘mysterious vampire’ thing going.”
“You have dirt in your hair from rolling around with bunnies. And you’re a vegan.”
“Bite me.”
“Says the vampire.”
“You know, if I were a vampire, I could have bitten you when we both went to the slaughterhouses a few weeks ago.”
“That just makes me stupid.”
“You’re not stupid, Mason. You’re not a loser either.”
“So. You know of any other good spooky town stories that I can do next?
“Oh, sure. You ever heard the tale of Salome? She was a witch who would mash up the seeds of a Sinapis Alba plant to make a diabolical potion she’d dump on herself. They called her the ‘Witch of the Sands.’”
I’m embarrassed to admit it took me four days to realize Trista was just fucking with me. I only figured it out when I looked up Sinapis Alba and learned that mashing the seeds just makes mustard. “Salomi the sand-witch.” Well played, vampire hippy…
Sexy Neighbor
Haunted Slaughterhouse
submitted by cfalnevermore to scarystories [link] [comments]
So even though I got a system error that literally said “you’re useless and you should die” I’m less interested in that. Stupid thing. Like I don’t already know I’m useless. That’s not what I’m depressed about.
Well… I suppose it's tangentially related.
I hope anyone reading will forgive me. I’m feeling the sting of rejection right now. It was really stupid of me to ask. Especially now. Nobody here really likes me. They’ve only been nice to me as a courtesy because I was almost involved in a god damn shootout. And my idiot self decided that was the perfect time to push one of my few friends all the way away. Never ask your friends out on dates. It ruins everything.
So there’s this woman. I’ve talked about her in the past. Trista Ramone. She lives in the far back corner of the trailer park. You can instantly tell which unit is hers because she’s covered every square inch of the property with gardens and a rabbit hutch. The place usually has beads and colorful flags hanging on its walls as well. She’s kind of a right winger’s nightmare. I know some of those flags represent various lgbtq plus communities.
She and I have been friendly in the past. We’re both night shift workers. We crossed paths quite a bit going to and from work so we struck up a friendship over the years.
Let’s just ripped the band aid off. Recently I’ve started thinking I had… stronger feelings for Trista. I got stupid and decided to tell her about them. She wasn’t interested. I get why. We have very different lifestyles. I like meat, and she thinks the meat industry is murder. I’m not willing to give up meat, and she’s not willing to give up her beliefs. It's as simple as that. Now things are incredibly awkward with one of my closer friends and I’m still spiraling into self loathing, where I belong.
She swore up and down that she absolutely still wants to be friends with me, but I’m not sure I believe her. The look she gave me when I told her I’d like to ask her out. It looked like sadness, but a small part of me is convinced it was pity, or worse, disgust and loathing, and that small part gave me ever shuts the fuck up. But anyway, she gave me permission to write about her.
She is one of the creepy fixtures of our little neighborhood after all. She told me to make her seem as insane and scary as I possibly could and that she should get to kill me at the end. She also handed me a few of her high school yearbooks, advised me to chat with another neighbor of ours who she went to school with, and to only use creepy rumors for the rest.
Part of me is really willing to describe her as awful, but that’s just my anger. I don’t like that part of me. Trista’s not a bad person at all. She’s just weird and she doesn’t want to date me. God damn it, Petunia’s right. I need therapy.
So, I’ve told the story of the sexy, scary lady living in a polycule here in the trailer park. I think she’s got a bigger heart than she lets on. I’ve talked about the stories surrounding the Schroeder Slaughterhouse. Now let’s talk about the hippy everyone thinks is a vampire.
She’s a taller woman, maybe five-seven or eight, and she’s skinny. Her typical wardrobe is… interesting. Try to imagine your typical new-age hippy/stoner girl, wearing colorful sarongs, crop-tops, beanies, baggy sweaters, T-shirts with colorful sayings on them, sandals, boots woven from some sort of exotic plant, beaded necklaces, bracelets, a few too many piercings and some intricate tattoos. Can you picture that kind of person? Well, take that and dip them in “goth” dye. Everything is black, and contrasts to her pale white complexion, her eyes are this unusual violet color, and then make the woman wearing all that seem kind of depressed about something. That’s the look Trista has going on. Like if Wednesday Addams was forced to dress up for Hippy Day.
I’ve heard people call her an emo vampire, but as a former emo myself, she doesn’t fill out all the criteria. She doesn’t typically wear any super tight pants or cake on the eyeshadow. I guess she’s just Trista. It might sound weird (and it is) but the whole thing suits her. Her style, tattoos, and complexion all create this image of skinny vampiric waif with a mysterious past and a freaky sarcastic attitude and I found the whole thing… kinda hot.
Trista keeps to herself. She’s made the most out of her little corner of the trailer park. Like I said, she decked out her unit with garden squares, and a Rabbit pen. No idea why she’s allowed to do that. A lot of these places don’t allow pets. I heard she was also trying to put in a beehive too, but her neighbors are fighting her on that one. Our park is a bit too condensed for bees. She has a permit to grow hemp, but of course it’s not for recreational use. She treats it and uses it to weave things like handbags, clothes, and other stuff. There’s a consignment store in town that sells all kinds of things Trista has crafted herself. So she’s handy and self sufficient too. She paints, she carves wood, she weaves, she crochets, she sews, and who knows what else. She’s so good at her little crafts that apparently she’s able to support herself just selling them and working part time at the Moonlight Inn outside of town.
She’s also relatively friendly. I almost feel bad calling her weird, but here’s the thing, I’ve seen some REALLY weird shit. People jokingly call her a vampire, and she seems to embrace that, but part of me seriously wonders. The big clue is, like I mentioned, she’s completely nocturnal. She’s always asleep during the day, and every blind and curtain is drawn tight. The one time she came out during the day, she had on this full body suit with a helmet with UV glass and everything. Even then, she only showed up to give Petunia a hug, before leaving again.
That was the first time I saw Trista, come to think of it. I was kind of intrigued. It was kind of hard not to be when someone shows up to a community cookout in a freaking astronaut suit. I approached Petunia after she left.
“Who the heck was that?” I wondered.
“MASON! I’m so glad you could make it! You’ve been here about three months now! How’d that job interview go?”
“Oh. It went well. I might be doing janitorial work soon.”
“Night shift?”
“Maybe. I’m not sure.”
“If it’s the night shift, you’ll definitely meet the person who just left. That’s Trista. She’s the girl with the rabbits in the far corner. Poor girl. She’s got a really bad skin condition. Can’t let sunlight touch her.”
“Oh. Is she like… albino or something?”
“No, she’s got pigment. I don’t remember what the condition is called. I guess it started in high school or something. You’d have to ask her. And hey! If you work the night shift, you’ll probably get to chat with her!”
Petunia wasn’t wrong. I started working as a nighttime janitor for a number of local businesses. That was when I first started noticing the pale goth hippy. She rides around on a moped, with her dark hair and her sarong barely billowing behind her. I couldn’t see her face through the helmet, but she waved to me as she passed by.
The next time I saw her, she was jogging, but here’s where it gets weird. When I first stepped outside, all I saw was a blur. It actually startled me as I whipped toward it, but then there was this skinny tattooed pixie, somehow still looking like a stonehippy/vampire in jogging gear. I swear she was moving inhumanly fast when I first noticed her. That was when we introduced ourselves. She actually jogged over to say hello.
“Hey! You’re the new guy right?”
“Oh, uh, yeah. My name’s Mason!” I reached out to shake the pretty girl’s hand, like an awkward loser. She smirked and shook my hand. Her grip was weirdly strong, and a bit cold.
“I’m Trista. I’m the weirdo in the back with the rabbits.”
“Trista… oh, are you the one who has a thing with sunlight? I think Petunia mentioned you.”
“Yup! That’s me. Xerodoma pigmentosum. Sunlight hurts. I hate that it hurts.” She lamented.
“That’s gotta be rough,” I said sympathetically.
“You get used to it. You work at night?”
“Yeah. Works better for me.”
“I get that.”
And so on and so on. She’s pretty cool, with a bit of hilarious snark in there. And she secretly procured recreational weed she was willing to share. I kept working the night shift just hoping for another chance to talk to her and possibly buy a joint. Eventually she invited me over to share a joint. The inside of her place was actually pretty sparse and spartan compared to the outside. Though she was a fan of hanging beads. Most of the main room was taken up by her various crafting projects and supplies. Hemp weaves, some paintings, and even a wood carving of what I think was a rabbit, but it wasn’t anywhere near complete.
I followed her to her kitchen where she reached into the very back of her pantry and pulled out a shoebox. Inside was her stash, but there was something else which I found very strange. It was a pack of syringes and a thing I assume is to sterilize syringes. I know what you’re thinking, and that was my first thought too. It’s a poor neighborhood, the woman already smokes weed illegally, it’s not that big a shock that maybe she was involved in other drugs too. I decided not to ask at the time. We shared our joint, and we laughed, a lot. She made fun of me for being a lightweight, while I got completely hypnotized staring at the patterns of a shawl she had woven.
Months went by and we got closer, but I couldn’t forget those syringes. After a while I got worried. I’ve seen what heroine does to people. So the next time I went over to smoke and eat (vegan) pizza with her, I asked.
“Trista? Are you using anything other than weed?”
“Drugs?”
“Yeah.”
“No. Why?”
“You can tell me if you are.”
“Mason, sweetheart, I’m a stoner. I don’t fuck around with anything else and I never have.”
“Really?”
“Really.”
“Okay. Can I ask what that set of syringes are for?”
“Oh. In my stash box? Those are… part of my condition. I don’t want to talk about it.”
“Oh. Is it like… embarrassing?”
“Yeah. So don’t ask. Can we just watch a movie?”
So I don't ask anymore. But I still have no idea what she does with those syringes. Based on what I read about that Xerodoma Pigmentosum thing she says she has, I have no clue what she would need to inject herself with.
Another time she asked me to check on her rabbits for her during the day, as her usual “sitter” had something come up. All I had to do was chop up the lettuce and carrots she left out. As I was enjoying the adorable fluffy faces, one of Trista’s neighbors, a woman named Bridget, poked her head outside her door.
“Hey. Do you know what Trista injects those rabbits with?”
“I… what?”
“I’ve seen her use syringes on those rabbits. She said she was just giving them medicine, but I swear I see her inject them every week.”
“I… I wouldn't know. She just asked me to feed them.”
“I love Trista, but that always seemed so weird. She has to know vaccines are a hoax!” I tuned the woman out after that one. My mind was on that set of syringes. Why would she be using them on rabbits? These things were her pets.
I was starting to crush on her by then. But I couldn’t help feeling weirded out by that. I was actually going to confront her, but the next time I came to visit, she was literally inside the Rabbit hutch, on her back, squealing with delight as her rabbit friends nuzzled and played with her.
“Bonnibelle! That tickles! Marcy! No chewing. Finn? Watch where you’re sticking that foot! Jake? Where are you? EEEEE Lumpy! Not the neck!”
It was as silly and adorable as it sounds. She was forced to whip herself upright when two of her little friends tried to burrow under her dress. She finally stood up with a laugh, cradling a rabbit in her arms and cooing at it.
There was just no way in hell this woman was doing anything that would hurt these animals. Bridget is a paranoid antivax weirdo anyway. If Trista was using syringes on the rabbits, I was convinced it was only for their benefit.
So life went on. I got more and more reclusive over the years. Petunia, Trista, and my next door neighbor Fred were the only things keeping me remotely connected to the outside. And so we get to now. So let’s see. What are the stories about the weird vampire woman?
Well, there’s the fact that she jogs at night, solo, in a poor neighborhood. Petunia keeps the shitty people contained and behaving for the most part, but I still wouldn’t exactly call it safe, especially for a young skinny woman. But she does it without a care in the world.
There’s one strange event that some people like to connect to this. I never knew this guy, but from what I hear he was a total weirdo who leered at anyone even remotely female. And this is despite the fact he was married. His name was Josh.
I remember him a bit. He’s the guy that Petunia chased away from one of her barbecues. Supposedly he was heard saying inappropriate things to the groups of ten year old girls that were playing in the bounce house Petunia rented. Telling them how pretty they were. Trying to coax them to take off their jackets. Police reports were filed but ultimately nothing could be proven. The guy's wife, Carole, always defends him for some reason.
But anyway, I remember hanging out with Trista one night a little over a year ago. She hadn’t gone jogging like she normally did. I asked her what was up with that.
“That weirdo, Josh has started catcalling when I pass his place. It weirds me out.”
“There aren’t other people who do that at night? I’m still shocked you jog alone.”
“Not like this. I can flip off a wolf whistler. But this guy… he keeps trying to get me to stop and talk to him, and when I don’t? He shouts about my ass. I’m gonna have to talk to Petunia about that shithead, if anybody can reign him in, it’s her.”
I’m gonna guess she never got a chance. Two days later, the whole town was awoken by sirens. I was getting ready for my shift when I heard them. I walked down the road a bit to see if I could figure out what was going on. The cops were heading toward the other side of the park, so I couldn’t see much. But I did notice Trista, in her jogging gear, skulking in the shadows. I wondered if she was in trouble. But before I could call out to her, she sprinted straight to Petunia's house and banged on the door. Petunia welcomed her inside, and that was all I saw. I still wasn’t sure what was going on, so I just shrugged and headed to work, figuring I’d text Trista later.
I didn’t learn till later that Josh was found dead. He was lying prone, face down, partly hidden by bushes at the edge of the park. His neck was cut open. He’d bled out rapidly. He had a knife in his hand, and officially it’s believed he fell on it and accidentally killed himself. There was a cocktail of drugs in his system so most people accept that explanation. But others swear they saw Trista out for her jog around the same time Josh would have been bleeding to death. She got questioned, and she swore she didn’t see anything. Without evidence, there was nothing else that could be proven.
Trista’s a friend. I know that guy was being creepy to her. So I’m happy to take her word for what happened, even if my seeing her going to Petunia’s pokes a bit of a hole in that. I can’t be sure it was Trista though. So I’m not saying a word. But if a certain creep attacked a certain lady who is rumored to be a vampire, it’s not that surprising to me that he ended up dead after bleeding to death. I’m not all that broken up about it.
I’m not the one spreading that story. Josh’s wife was the one who started the rumor. So now some people are even more convinced that the weird nocturnal hippy chick is secretly a vampire.
She’s no killer. No matter what they say. She would only have defended herself.
So that’s all the stories I’ve heard that have any credibility to them. There’s more people who swear she and Petunia perform weird rituals, and people who saw her moving “inhumanly fast” and such.
But now I have to share what I found in the yearbooks Trista gave me. I wasn’t really expecting much. I checked her senior yearbook out first. She looks about the same. Pale, goth, hippy, and sort of sad. She kind of looks even sadder in these photos if I’m being honest, but that’s high school for you. She graduated in the top half of her class, no sports or extracurriculars. I’m left wondering how she managed to go to school at the time of sun was so bad for her. I’ll have to ask her about that. So nothing really new there.
It was the yearbook from her junior year where things got really interesting. I was in shock when I found her. Trista is somehow impossible to miss, but unrecognizable all at once. She’s full of color! She wore more typical tie dye hippy attire. Bright vibrant pinks, reds, blues, greens, and yellows, in every photo, and holy shit was she busy. Captain of the soccer team, first chair flutist, president of the “green living” club and the “vegan alliance,” top ten in her class, it was all incredible. I think the main reason I didn’t recognize her was her skin. It was tan, as though she were out in the sun a lot. Furthermore there were photos of her playing sports and standing outside in bright sunlight.
It was like her disease wasn’t there, which confused me. She told me it was something called Xeroderma Pigmentosa. But that’s a genetic condition. She would have had that from birth.
I sent her a text, wondering about this.
- Hey! Just went through your yearbooks. What happened? You had color? Did you discover Linkin Park?
- My disease happened. Right at the end of Jr. year. That’s why I wasn’t there for the final class photo.
- But your disease is genetic… isn’t it?
- I guess it was dormant in me.
- So it just… happened?
- Pretty much.
- I’m sorry.
- I got over it. Mostly. It was hard. My parents were both hardcore vegan naturalists and we lived in a place that was all natural light and such, so I had to live in a shed for a bit while they built a space for me. But in my family? We kinda lean into whatever life throws at us. It took months of depression to come to terms with it. All of a sudden I couldn’t be out in the sun, and I had new dietary needs that absolutely required non-vegan sources. So I leaned into it. I was a vampire now. I can dig dark colors and “vampire style.” I could make it my own by avoiding leather. And I’d be as vegan as I possibly could.
- You’re kind of awesome.
- Damn straight. So I learned to love the night too and now, here I am.
I gained new respect for her after that. Frankly I feel kinda shitty about making fun of her for being a vampire. There might not be anything paranormally weird about her after all.
She sent me one more text telling me I should talk to a guy named Frankie. She’d gone to school with him. He’s a decent enough guy. Works in the Bicounty mall in town.
I had to wait a day or two for another of Petunia’s get togethers to talk to him.
“Hey!” I said awkwardly as I tried to figure out how to strike up conversation with someone I haven’t really spoken to in a long time. “Frankie, right?”
“Oh. Yeah. Been a while. How are you Mason? You okay after that whole thing at Red Nights?”
“I’m trying to be. Look, I’ll cut to the chase. You went to school with Trista Ramone, right?”
“Ol’ Boho Ramone? Yeah. We were sort of friendly. But I was a jerk to vegans back then. Why do you ask?”
“I’ve been hanging out with her. She’s being all mysterious.” He chuckled at that. “She said I should talk to you to learn more about her… weirdness? Everyone thinks she’s a vampire now.”
“She’s totally a vampire. I have no idea what else to call her?”
“Why do you say that?”
“What did she tell you about school?”
“Nothing. She just showed me two yearbooks. Between Junior and Senior year she went from colorful club president, to lonely vampire, because of her disease.”
“Nah man. I don’t want to talk bad about her. But she was kind of a bitch, junior year. She wasn’t just a colorful vegan. She was one of those “holier than thou” types who scoffed and talked down to anyone who dared to eat meat. Her “hippy” thing meant she never hung out with the popular girls but still, she acted like she owned the place at times. I was friends with this weird guy named Steven Jones. He was just kind of a weirdo. Skulking around in the background, you know? He HATED Trista. For a while I totally understood. I thought she was kinda stuck up. But this guy was like… irrationally enraged by that girl’s existence. I guess he tried to ask her out when he was a freshman and she politely declined. But he took that shit personally.”
“Huh. So like… why’s that matter?”
“Because Steven kept saying to anyone who gave him a second look, that he was gonna ‘ruin’ her. Never elaborated. But then the last month of school rolls around, Trista gets assaulted by an unknown assailant and a week later she’s got this new disease. Meanwhile, Steven spent a week strutting around the school looking smug, and saying ‘she got what she deserved.’ Then he disappears too. Teachers said he moved away.”
“She was assaulted?”
“Yeah. Someone in a face wrap tackled her while she was at one of her protests at the meat factory. The dude freaking BIT her.”
“Jesus.”
“Yeah. I was there. I came to the protest. I’ll admit I was trying to hit on Trista or one of the other girls there. But yeah. Dude dressed in all gray with a face wrap just charged in and went right for Trista. Knocked her down, bit her like a freaking zombie, then ran away before anyone could stop him. Didn’t even take his face wrap off. It was freaky, man.”
“What the actual fuck.”
“That’s what we all said. Trista needed a stitch. But while she was at the hospital, I guess she started getting more symptoms. She was out for the rest of the year. From then on, she was like she is now. Total vampire.”
“Was Steven a vampire?”
“I dunno. Probably. Little dickhead is what he is. Must have been him that attacked Trista, but nobody could prove it. Bite mark didn’t match or something. So why are you asking? You hang out with her at night right? You asking her out or something?”
“Oh. No. Just a friend.”
That was all I really learned from Frankie. It’s quite a story, and it’s full of unknowns that Trista refuses to explain. So I guess I’ll let readers be the judge. Is she a “real” vampire? Or just a weirdo? All I know is, she’s totally standing behind me right now and now I’m dead. Bleh.
I did come back to life to talk to Trista once I finished writing this. She enjoyed it. I may as well include that interaction.
I went to her place on my night off. She read my take on her and what the neighbors thought and she grinned. “Ha! I’m a total monster!” She chuckled. “So. What do YOU think, Mason? Am I a vampire?” She cocked an eye and playfully gnashes her teeth at me, making a pleasant little click.
I sighed. “No idea. You’re Trista. And… you’re my friend. I’m sorry if I made things awkward.”
She looked surprised by that. “Aw. Thanks Mason. You’re my friend too. It’s okay. I’m flattered.”
“You don’t have to explain.”
“So we’re cool?”
“Absolutely not. We’re both weird shut ins.” She laughed. It was good to hear her laugh. It made me happy.
“Yeah but I got the ‘mysterious vampire’ thing going.”
“You have dirt in your hair from rolling around with bunnies. And you’re a vegan.”
“Bite me.”
“Says the vampire.”
“You know, if I were a vampire, I could have bitten you when we both went to the slaughterhouses a few weeks ago.”
“That just makes me stupid.”
“You’re not stupid, Mason. You’re not a loser either.”
“So. You know of any other good spooky town stories that I can do next?
“Oh, sure. You ever heard the tale of Salome? She was a witch who would mash up the seeds of a Sinapis Alba plant to make a diabolical potion she’d dump on herself. They called her the ‘Witch of the Sands.’”
I’m embarrassed to admit it took me four days to realize Trista was just fucking with me. I only figured it out when I looked up Sinapis Alba and learned that mashing the seeds just makes mustard. “Salomi the sand-witch.” Well played, vampire hippy…
Sexy Neighbor
Haunted Slaughterhouse
2024.05.16 19:00 Affectionate_Cap4149 Quiet tanks
 | I work in a building where there are lots of sensory sensitivities. We have a fish tank that many live, but sometimes get complaints about the running water sound from the filter. It’s a 20 gallon tank with guppies and 1 glow tetra. Would this type of filter work and reduce the running water noise? We already have an air filtestone going so the pump wouldn’t create extra noise there as we would probably just use that to run this. submitted by Affectionate_Cap4149 to Aquariums [link] [comments] |
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- City Skylines:mass transit
- A Game Of Thrones - A Dance With Dragons
- A Game Of Thrones - A Feast For Crows
- Blood Rage: Digital Edition - Gods of Asgard
- Blood Rage: Digital Edition - Mythical Monsters
- Blood Rage: Digital Edition - Mystics of Midgard
- Carcassonne - The Princess and The Dragon DLC
- Carcassonne - Traders & Builders DLC
- Carcassonne - Winter & Gingerbread Man DLC
- Carcassonne - Inns & Cathedrals
- Carcassonne - The River
- Splendor: The Trading Posts DLC
- Splendor: The Strongholds DLC
- Splendor: The Cities DLC
- Small World - Be Not Afraid... DLC
- Small World - Grand Dames DLC
- Small World - Cursed!
- Sands of Salzaar - The Ember Saga
- Sands of Salzaar - The Tournament
- Monster Train: The Last Divinity DLC
- WARSAW
2024.05.16 18:44 calvin324hk [H] 1000+ Games / DLCs / VR Games [W] Paypal / Wishlist / Offers
https://www.reddit.com/IGSRep/comments/pikmri/calvin324hks_igs_rep_page/
https://www.reddit.com/sgsflaicomments/of2wzu/flair_profile_ucalvin324hk/
Wishlist
Region: NA (Canada)
Fees on buyer if any, currency is USD unless specified
CTRL + F to find your games in terms of name
DLCs and Softwares:
submitted by calvin324hk to SteamGameSwap [link] [comments]
https://www.reddit.com/sgsflaicomments/of2wzu/flair_profile_ucalvin324hk/
Wishlist
Region: NA (Canada)
Fees on buyer if any, currency is USD unless specified
CTRL + F to find your games in terms of name
- 10 Second Ninja X
- 11-11 Memories Retold
- 112 Operator
- 12 is Better Than 6
- 198X
- 1993 Space Machine
- 60 Parsecs
- 7 Billion Humans
- 8 DOORS
- 8-bit Adventure Anthology: Volume I
- 9 Years of Shadows
- 911 Operator
- A Game of Thrones: The Board Game
- A Hat in Time
- A Hole New World
- A JUGGLER'S TALE
- A Long Way Down
- A PLAGUE TALE: INNOCENCE
- A Robot Named Fight!
- A Tale for Anna
- A.I.M.2 Clan Wars
- Ace Combat Assault Horizon Enhanced Edition
- Adore
- Aeterna Noctis
- AETHERIS
- Agatha Christie Hercule Poirot The First Cases
- AIdol
- Airborne Kingdom
- Alba: A Wildlife Adventure
- Alder's Blood: Definitive Edition
- Alfred Hitchcock - Vertigo
- Alien Breed Trilogy
- Aliens vs. Predator™ Collection
- All-Star Fruit Racing
- Almost There: The Platformer
- American Fugitive
- American Truck Simulator
- Amerzone: The Explorer’s Legacy
- AMID EVIL
- Amnesia rebirth
- Amnesia: The Dark Descent + Amnesia: A Machine for Pigs
- Anomalous
- Another World – 20th Anniversary Edition
- Antigraviator
- Anuchard
- APICO
- APICO
- Aragami
- Aragami 2
- Arboria
- Arcade Paradise
- Arcade Paradise - Arcade Paradise EP
- Arcade Spirits
- Arkham Horror: Mother's Embrace
- Armada 2526 Gold Edition
- Army Men RTS
- army of ruin
- Arto
- Ary and the Secret of Seasons
- As Far as the Eye
- Ascension to the Throne
- Assemble With Care
- Assetto Corsa Competizione
- Assetto Corsa Ultimate Edition
- Astebreed Definitive Edition
- Astronarch
- Attack of the Earthlings
- Automachef
- Automobilista
- Automobilista 2
- AUTONAUTS
- AUTONAUTS VS PIRATEBOTS
- Avatar: Frontiers of Pandora™ - Ubisoft Connect
- AVICII Invector: Encore Edition
- Awesomenauts All Nauts pack
- Baba is you
- Back 4 Blood
- Back 4 blood (EU)
- Backbone
- Baldur's Gate II: Enhanced Edition
- Baldur's Gate: Enhanced Edition
- Banners of Ruin
- Bartlow's Dread Machine
- BASEMENT
- Batbarian: Testament of the Primordials
- Batman: Arkham Asylum Game of the Year Edition
- Batman: Arkham Origins
- Battle Royale Tycoon
- Battlecruisers
- Battlestar Galactica Deadlock
- BATTLESTAR GALACTICA DEADLOCK SEASON ONE
- Battlestar Galactica Deadlock: Complete
- BATTLETECH MERCENARY COLLECTION
- BATTLETECH Shadow Hawk Pack
- BEAUTIFUL DESOLATION
- BEFORE WE LEAVE
- Beholder 2
- Ben 10
- Ben 10: Power Trip
- Bendy and the Ink Machine™
- Between the Stars
- Beyond a Steel Sky
- Beyond The Edge Of Owlsgard
- Beyond the Long Night
- BEYOND THE WIRE
- Beyond: Two Souls
- BIOMUTANT
- Bionic Commando
- Bionic Commando Rearmed
- BioShock: The Collection
- BLACK BOOK
- Black Moon Chronicles
- Black Paradox
- BLACK SKYLANDS
- BLACKHOLE: Complete Edition
- Blacksad: Under the Skin
- Blade of Darkness
- Blasphemous
- Blazing Chrome
- Blightbound
- Blood And Zombies
- Blood Rage: Digital Edition
- Bloodstained: Ritual of the Night
- Bomber Crew
- Boneless Zombie
- Boomerang Fu
- Borderlands 3
- Borderlands 3 Super Deluxe
- Borderlands 3 Super Deluxe Edition
- Borderlands: The Handsome Collection
- Bot Vice
- Bounty of One
- Brawlout
- Breakout: Recharged
- Breathedge
- bridge constructor
- Bridge constructor medieval
- bridge constructor stunts
- Broken Lines
- Brothers: A Tale of Two Sons
- Brutal Legend
- Bug Fables: The Everlasting Sapling
- BUILDER SIMULATOR
- calico
- Call of Duty® Modern Warfare 3™ (2011)
- Call of Juarez: Gunslinger
- Car Mechanic 2018
- Car Mechanic Simulator 2015
- Car Mechanic Simulator 2018
- Castle Morihisa
- Castle on the Coast
- castle storm
- CastleStorm
- Cat Cafe Manager
- Caveblazers
- Celeste
- Centipede: Recharged
- CHANGE: A Homeless Survival Experience
- Charlie's Adventure
- Chenso Club
- Chernobylite: Enhanced Edition
- Chess Ultra
- Chicago 1930 : The Prohibition
- Chivalry 2
- Chop Goblins
- Chorus
- Cities Skylines + After Dark
- Cities: Skylines
- City of Beats
- CivCity: Rome
- Click and Slay
- Cloud Gardens
- Cloudpunk
- Code Vein
- Coffee Talk
- Comedy Night
- Command & Conquer Remastered (Origin)
- Complete Dread X Collection
- Conarium
- Construction Simulator (2015) Deluxe Edition
- Constructor Plus
- Control
- Cook, Serve, Delicious! 3?!
- cornucopia
- Corridor Z
- Cosmic Osmo and the Worlds Beyond the Mackerel
- Cosmonautica
- Crash Drive 2
- Crash Drive 3
- Creaks
- Creepy Tale
- Crookz the big heist
- CROSSBOW: Bloodnight
- Crush Your Enemies
- Cube Runner
- Cultist Simulator: Anthology Edition
- Curse: The Eye of Isis
- Cyber Ops
- Cybercube
- Danger Scavenger
- Dark Deity
- DARK PICTURES ANTHOLOGY: HOUSE OF ASHES
- Darksiders Warmastered
- Darkwood
- DARQ: Complete Edition
- Day of the Tentacle Remastered
- days of war definitive edition
- Dead by Daylight
- Dead Estate
- Dead Rising 2
- Dear Esther: Landmark Edition
- Death Stranding Directors Cut
- DEATH STRANDING DIRECTOR'S CUT
- Deceased
- DECEIVE INC.
- Degrees of Separation
- Delicious! Pretty Girls Mahjong Solitaire
- Deliver Us The Moon
- Demetrios - Deluxe Edition
- Depraved
- DESCENDERS
- DESOLATE
- Destiny 2: Beyond Light
- DESTROYER: THE U-BOAT HUNTER
- Detention
- Devil May Cry HD Collection
- Devilated
- Dicey Dungeons
- Dirt 5
- dirt rally
- Dirt Rally 2.0
- Disaster Band
- Disciples III: Reincarnation
- Discolored
- DISTRAINT 2
- Distrust
- DmC: Devil May Cry
- Do Not Feed the Monkeys
- Don't Be Afraid
- Doomed Lands
- Door Kickers: Action Squad
- Doorways: Prelude
- Downfall
- Dragons Dogma Dark Arisen
- Dragon's Dogma: Dark Arisen
- Draugen
- Draw Slasher
- Drawful 2
- Dreams in the Witch House
- Dreamscaper
- DreamWorks Dragons: Dawn of New Riders
- DRIFT21
- Driftland: The Magic Revival
- drive!drive!drive!
- Drone Swarm
- Due Process
- Duke Nukem: Manhattan Project
- Duke of Alpha Centauri
- Dungeon Rushers
- Dungeons 2
- Dungeons 3
- DUSK
- Dusk Diver
- Dust to the End
- DV: Rings of Saturn
- Dynopunk
- Earth Defense Force 4.1 The Shadow of New Despair
- Eastern Exorcist
- Eiyuden Chronicle: Rising
- El Matador
- Elderand
- ELDEST SOULS
- Electrician Simulator
- Elemental Survivors
- Elex
- Elex II
- Elite Dangerous
- Embr
- Empire: Total War - Definitive Edition
- Empyrion - Galactic Survival
- ENCASED: A SCI-FI POST-APOCALYPTIC RPG
- Endless Space 2
- Endless Space 2 - Digital Deluxe Edition
- Endless Space® 2 - Digital Deluxe Edition
- Endzone - A World Apart
- Epistory - Typing Chronicles
- Escape the backrooms
- Eternal Threads
- Europa Universalis IV
- European Ship Simulator
- Everdream Valley
- Evil Genius 2: World Domination
- Exorder
- EXPEDITIONS: ROME
- Expeditions: Viking
- Explosionade
- F1 2018
- F1 2019 Anniversary Edition
- F1 2020
- F1 RACE STARS Complete Edition Include DLC
- Fable Anniversary
- Factory Town
- Fallback uprising
- FALLOUT 1
- Family Mysteries 3: Criminal Mindset
- FANTASY BLACKSMITH
- FARMER'S DYNASTY
- Farming Simulator 17
- Farming Simulator 19
- Fictorum
- Field of Glory II
- Fights in Tight Spaces
- Filthy Animals Heist Simulator
- Firefighting Simulator - The Squad
- Fishing Adventure
- Flashback
- FLATLAND Vol.2
- FlatOut
- FLING TO THE FINISH
- Floppy Knights
- Fluffy Horde
- FOBIA - ST. DINFNA HOTEL
- For the King
- For The King: Lost Civilization Adventure Pack
- Forgive me Father
- Forts
- Fred3ric
- Fresh Start Cleaning Simulator
- Friends vs Friends
- Frogun
- From Space
- Frostpunk: Game of the Year Edition
- Frozenheim
- Fun with Ragdolls: The Game
- Funtasia
- Gamedec
- Gamedec - Definitive Edition
- Gang Beasts
- GARAGE bad trip
- Garden Story
- Garfield Kart
- GAS STATION SIMULATOR
- Gelly Break Deluxe
- Genesis Alpha One Deluxe Edition
- Gevaudan
- Ghostrunner
- Giana Sisters 2D
- GIGA WRECKER
- Gigantosaurus: Dino Kart
- Glitch Busters: Stuck On You
- Gloria Victis
- Go Home Dinosaurs
- GOAT OF DUTY
- GOD EATER 3
- Godlike Burger
- Godstrike
- Going Under
- Golf Gang
- Golf It!
- Gone Home + Original Soundtrack
- Good Knight
- Gotham Knights
- GREAK: MEMORIES OF AZUR
- GREEDFALL
- Gremlins, inc
- grey goo
- GRID - 2019
- grid ultimate
- GRIP: Combat Racing
- Gungrave G.O.R.E
- Guppy
- Guts and glory
- GYLT
- Hacknet
- Haegemonia: Legions of Iron
- Hamilton's Great Adventure
- Hammerwatch
- Hands of Necromancy
- Havsala: Into the Soul Palace
- Headsnatchers
- Heartwood Heroes
- Heat Signature
- Helheim Hassle
- Hell Let Loose
- Hellblade: Senua's Sacrifice
- Hellbound
- Hellstuck: Rage With Your Friends
- Hero of the Kingdom III
- Hero of the Kingdom: The Lost Tales 2
- Heroes of Hammerwatch
- Heros hour
- Hexologic
- Hidden & Dangerous 2: Courage Under Fire
- Hidden & Dangerous: Action Pack
- Hidden Deep
- High On Life
- Hitman (2016) Game of the Year Edition
- HITMAN 2 - Gold Edition
- Hoa
- Hob
- Hollow Knight
- Holy Potatoes! A Spy Story?!
- Home Sweet Home
- Home Sweet Home EP2
- Homestead Arcana
- Hood: Outlaws & Legends
- Hoplegs
- Hot Tin Roof: The Cat That Wore A Fedora
- HOT WHEELS UNLEASHED ™
- Hotshot Racing
- House Flipper
- How to Survive 2
- Hue
- Human: Fall Flat
- HUMANKIND DEFINITIVE EDITION
- Hungry Flame
- Hyper Knights
- I am Bread
- I Am Fish
- I am not a Monster: First Contact
- I Hate Running Backwards
- ibb & obb Double Pack
- ICBM
- Ice Age Scrat's Nutty Adventure
- Ice Lakes
- Impostor Factory
- IN SOUND MIND
- Indivisible
- INDUSTRIA
- Infectonator 3: Apocalypse
- Infinite Beyond The Mind
- Injustice 2 Legendary Edition
- Insane 2
- INSOMNIA: The Ark
- Internet Cafe Simulator
- Internet Cafe Simulator 2
- Interstellar Space: Genesis
- Iron Fisticle
- Iron Harvest
- Ittle Dew
- Ittle Dew 2+
- Jack Move
- Jackbox party pack 2
- Jackbox party pack 5
- JANITOR BLEEDS
- Joint Task Force
- Jotun: Valhalla Edition
- Journey For Elysium
- Journey to the Savage Planet
- JUMANJI: The Video Game
- JumpJet Rex
- Jupiter Hell
- Jurassic Park: The Game
- Jurassic World Evolution
- Jurassic World Evolution 2
- JUST CAUSE 4: COMPLETE EDITION
- Just Die Already
- Kardboard Kings: Card Shop Simulator
- Keep Talking and Nobody Explodes
- Ken Follett's The Pillars of the Earth
- Kentucky Route Zero - Season Pass Edition
- Kerbal Space Program
- Killing Floor 2 Digital Deluxe Edition
- Killing Room
- Kingdom Two Crowns
- Kingdom: New Lands
- King's Bounty: Crossworlds
- Knights of Pen & Paper 2
- Knock-knock
- Koi-Koi Japan [Hanafuda playing cards] *Koi-Koi Japan : UKIYOE tours Vol.1 DLC *Koi-Koi Japan : UKIYOE tours Vol.2 DLC *Koi-Koi Japan : UKIYOE tours Vol.3 DLC
- Konung 2
- KungFu Kickball
- Labyrinthine
- Lair of the Clockwork God
- Laserlife
- LAST OASIS
- Lawn Mowing Simulator
- Layers of Fear: Masterpiece Edition
- Lead and Gold: Gangs of the Wild West
- Learn Japanese To Survive! Hiragana Battle
- Learn Japanese To Survive! Katakana War
- Learn Japanese to Survive! Trilogy
- Legend of Keepers
- LEGION TD 2 - MULTIPLAYER TOWER DEFENSE
- LEGION TD 2 - MULTIPLAYER TOWER DEFENSE.
- Leisure Suit Larry - Wet Dreams Don't Dry
- Leisure Suit Larry 1-7
- Lemnis Gate
- Lemon Cake
- lethal league blaze
- Let's School
- Levelhead
- Liberated (GOG)
- Life is Strange Complete Season (Episodes 1-5)
- Light Fairytale Episode 1
- Light Fairytale Episode 2
- LIGHTMATTER
- Little dragons cafe
- Little Hope
- Little Inner Monsters - Card Game
- Little Nightmares
- Little Nightmares Complete Edition
- Livelock
- Loop Hero
- Loot River
- Looterkings
- Lornsword Winter Chronicle
- Lost Castle
- Love Letter
- Lovecraft's Untold Stories
- Lovely planet arcade
- Lucius2
- Lucius3
- Ludus
- Lumberhill
- LunarLux
- Lust for Darkness
- Lust from Beyond: M Edition
- Mad Experiments: Escape Room
- Mad Max
- Mafia Definitive Edition
- Mafia: Definitive Edition
- Magenta Horizon
- Mahjong Pretty Girls Battle
- Mahjong Pretty Girls Battle : School Girls Edition
- Mail Time
- Maize
- Maneater
- Marooners
- MARSUPILAMI - HOOBADVENTURE
- Marvel's Avengers - The Definitive Edition
- Mato Anomalies
- Max Payne 3
- Mechs & Mercs: Black Talons
- Medieval II: Total War - Definitive Edition
- Medieval: Total War Collection
- MEEPLE STATION
- Men of War
- MERCHANT OF THE SKIES
- METAL HELLSINGER
- Metal Hellsinger
- Metro Exodus
- Metro last light
- Metro: Last Light Redux
- Middle-earth: Shadow of Mordor GOTY
- Middle-earth: Shadow of Mordor GOTY
- Middle-Earth: Shadow of War Definitive Edition
- MIDNIGHT PROTOCOL
- Mighty Switch Force! Collection
- MIND SCANNERS
- Ministry of Broadcast
- Minute of Islands
- Miscreated
- Mists of Noyah
- MKXL
- Mob Rule Classic
- Monaco
- Monster Hunter: Rise
- Monster Slayers - Complete Edition
- Monstrum
- Monstrum 2
- Moon Hunters
- Moons of Madness
- MORDHAU
- Mordheim: City of the Damned
- Mortal Kombat 11 Ultimate Edition
- MORTAL KOMBAT XL
- Mortal Shell
- Motorcycle Mechanic Simulator 2021
- Mr. Run and Jump
- Murder Mystery Machine
- My Big Sister
- My Friend Peppa Pig
- My Lovely Wife
- My Summer Adventure: Memories of Another Life
- My Time At Portia
- Mythforce
- N++ (NPLUSPLUS)
- Napoleon: Total War - Definitive Edition
- Narcos: Rise of the Cartels
- NARUTO TO BORUTO: SHINOBI STRIKER
- NECROMUNDA: HIRED GUN
- Necronator: Dead Wrong
- NecroVisioN: Lost Company
- NecroWorm
- Neighbours back From Hell
- Nelly Cootalot: Spoonbeaks Ahoy! HD
- Neon Space
- Neon Space 2
- Neon Sundown
- Nephise: Ascension
- Neurodeck : Psychological Deckbuilder
- Never Alone Arctic Collection (w/ Foxtales DLC and FREE Soundtrack)
- Neverinth
- Neverout
- Neverwinter Nights: Complete Adventures
- Newt One
- Nexomon: Extinction
- Nigate Tale
- Nine Parchments
- Nine Witches: Family Disruption
- No Straight Roads: Encore Edition
- No Time to Relax
- Nomad Survival
- Nongunz: Doppelganger Edition
- Noosphere
- Northgard
- Northmark: Hour of the Wolf
- Nostradamus: The Last Prophecy
- not the robots
- Nurse Love Addiction
- Nurse Love Syndrome
- Nusakana
- Obduction
- Obey Me
- Observer: System Redux
- Occultus - Mediterranean Cabal
- Odallus: The Dark Call
- Oddworld: New 'n' Tasty
- One Finger Death Punch 2
- One Hand Clapping
- One More Island
- One Step From Eden
- One Step From Eden (Region locked)
- Orbital Racer
- Organs Please
- OTXO
- Out of Reach: Treasure Royale
- Out of Space
- Overclocked: A History of Violence
- Overlord: Ultimate Evil Collection
- Overpass
- Overruled
- OZYMANDIAS: BRONZE AGE EMPIRE SIM
- Pac-Man Museum +
- Pan'Orama
- Panty Party
- Panzer Corps 2
- Papo & Yo
- PARADISE LOST
- Parkan 2
- PARTISANS 1941
- Passpartout 2: The Lost Artist
- Pathfinder: Wrath of the Righteous
- Patron
- Paw Patrol: On A Roll!
- Paws of Coal
- Payday 2
- PAYDAY 2
- Peaky Blinders: Mastermind
- PER ASPERA
- Perfect
- PGA 2K21
- PGA Tour 2K21
- Pharaonic
- Pixplode
- Pizza Connection 3
- Plague tale
- Planescape: Torment Enhanced Edition
- Planet Alcatraz
- PLANET ZOO
- PlateUp!
- Pogostuck: Rage With Your Friends
- Poker Pretty Girls Battle: Texas Hold'em
- Police Stories
- Poly Island
- Post Void
- Power Rangers: Battle for the Grid
- Prank Call
- Prehistoric Kingdom
- Pretty Girls Mahjong Solitaire
- Pretty Girls Panic!
- Prey
- Primal Carnage: Extinction
- Princess Kaguya: Legend of the Moon Warrior
- Pro Cycling Manager 2020
- Prodeus
- Project CARS - GOTY Edition
- Project Warlock
- Project Wingman (EU)
- PROJECT WINTER
- Propnight
- PULSAR: The Lost Colony
- qomp
- Quadrilateral Cowboy
- Quake II
- Quantum Break
- Quern - Undying Thoughts
- Radio Commander
- RAGE
- Rage in Peace
- RAILROAD CORPORATION
- Railroad Tycoon 3
- Railroad Tycoon II Platinum
- Railway Empire
- Rain World
- Rayon Riddles - Rise of the Goblin King
- Re: Legend
- REBEL COPS
- Rebel Galaxy
- Rebel Galaxy Outlaw
- Red Faction Guerrilla Re-Mars-tered
- Red Riding Hood - Star Crossed Lovers
- Red Ronin
- RED SOLSTICE 2: SURVIVORS
- Redout Complete Bundle
- Redout: Enhanced Edition
- Redout: Enhanced Edition + DLC pack
- Regular Human Basketball
- REKT! High Octane Stunts
- Relicta
- REMNANT: FROM THE ASHES - COMPLETE EDITION
- Republique
- Rescue Party: Live!
- Resident Evil 0 HD REMASTER
- Resident Evil 4
- Resident Evil 5 Gold Edition
- Resident Evil 7 Biohazard
- Resident Evil Revelations
- Resort Boss: Golf
- RETROWAVE
- rFactor 2
- RiME
- Ring of Pain
- Rise of Industry + 2130 DLC
- Rise of the Slime
- Rising Storm 2: Vietnam + 2 DLCs
- Riven: The Sequel to MYST
- River City Girls
- River City Ransom: Underground
- Roarr! Jurassic Edition
- Roboquest
- Robot Squad Simulator 2017
- Rogue : Genesia
- ROGUE HEROES: RUINS OF TASOS
- ROGUE LORDS
- Rogue Stormers
- rollercoaster tycoon 2
- ROTASTIC
- Roundguard
- ROUNDS
- RUNNING WITH RIFLES
- Rustler
- Ryse: Son of Rome
- S.W.I.N.E. HD Remaster
- Sailing Era
- Saint Row
- Sam and Max Devil's Playhouse
- SAMUDRA
- Sands of Aura
- Sands of Salzaar
- Saturday Morning RPG
- Save Room - Organization Puzzle
- Scarlet Tower
- Scorn
- SCP: 5K
- SCUM
- SEARCH PARTY: Director's Cut
- Second Extinction
- Secret Government
- Serious Sam 3 Bonus Content DLC, Serious Sam 3: Jewel of the Nile, and Serious Sam 3: BFE
- SEUM speedrunners from hell
- SEUM: Speedrunners from Hell
- Severed Steel
- Shadow Tactics: Aiko's Choice
- Shadowgate
- SHADOWS: AWAKENING
- Shape of the World
- She Sees Red - Interactive Movie
- Shenmue I & II
- SHENZHEN I/O
- Shift Happens
- Shing!
- Shoppe Keep 2 - Business and Agriculture RPG Simulation
- Shotgun King: The Final Checkmate
- Sid Meier's Civilization VI
- Sid Meier's Railroads!
- Sifu Deluxe Edition Upgrade Bundle (EPIC)
- Silver Chains
- SimCity 4 Deluxe Edition
- Sinking Island
- SINNER: Sacrifice for Redemption
- Skautfold Chapters 1-4
- Skullgirls 2nd Encore
- Slain: Back from Hell
- Slap City
- Slash It
- Slash It 2
- Slash It Ultimate
- Slay the Spire
- Small World
- Smart Factory Tycoon
- Smile For Me
- Smoke and Sacrifice
- Smoke and Sacrifice
- Smushi Come Home
- Snail bob 2 tiny troubles
- Sniper Elite 3
- Sniper Elite 3 + Season Pass DLC
- Sniper Elite 4 Deluxe Edition
- Sniper Ghost Warrior 3 - Season Pass Edition
- Sniper Ghost Warrior Contracts
- Snooker 19
- SONG OF HORROR COMPLETE EDITION
- Songs of Conquest
- Sonic Adventure 2
- Sonic Adventure DX
- Sonic and SEGA All Stars Racing
- Sonic Generations Collection
- Soulblight
- Souldiers
- SOULSTICE
- Soundfall
- Source of Madness
- Spartan Fist
- Spec Ops
- Speed Limit
- Spelunx and the Caves of Mr. Seudo
- Spidersaurs
- Spin Rush
- Spirit Hunter: Death Mark
- Spirit of the Island
- Spirit of the North
- Spring Bonus
- Stairs
- STAR WARS - Knights of the Old Republic
- STAR WARS - The Force Unleashed Ultimate Sith Edition
- Star Wolves
- Starsand
- STASIS: Bone Totem
- State of Decay 2: Juggernaut Edition
- Steel Rats™
- Stick Fight: The Game
- Still Life
- Still Life 2
- Stirring Abyss
- STONE
- Strange Brigade
- Strange Brigade Deluxe Edition
- STRANGER
- Strategic Command: World War I
- Strategic Mind: Blitzkrieg
- Strategic Mind: Fight for Freedom
- Strategic Mind: Spectre of Communism
- Strategic Mind: Spirit of Liberty
- Strategy & Tactics: Wargame Collection
- Streamer Life Simulator
- Street Fighter V
- Street of fury ex
- Strider
- Strikey Sisters
- Stygian: Reign of the Old Ones
- Styx: Master of Shadows
- Styx: Shards of Darkness
- SuchArt
- Sudden Strike Gold
- Suite 776
- Sumoman
- Sunblaze
- SUNLESS BUNDLE
- Sunset Overdrive
- Super Buff HD
- Super Mag Bot
- Superbugs: Awaken
- Superhot
- Surgeon Simulator 2
- Survive the Nights
- Surviving Mars
- Surviving Mars
- Surviving The Aftermath
- Swag and Sorcery
- Sword Legacy Omen
- Sword of the Necromancer
- Swords and Soldiers 2 Shawarmageddon
- Syberia 3
- Symphonic Rain
- Symphony of War: The Nephilim Saga
- Synthwave Dream '85
- Tacoma
- Take Off - The Flight Simulator
- Tales
- Tales from the Borderlands
- Tales of Vesperia™: Definitive Edition
- Talk to Strangers
- Tallowmere
- Tangledeep
- Tank Mechanic Simulator
- Tannenberg
- Team Sonic Racing
- TEKKEN 7
- TEMTEM
- Terminus: Zombie Survivors
- Terror of Hemasaurus
- Textorcist
- Tharsis
- The Adventure Pals
- The Amazing American Circus
- The Anacrusis
- The Ascent
- The Battle of Polytopia
- The Battle of Polytopia *DLC1. Cymanti Tribe *DLC2. ∑∫ỹriȱŋ Tribe *DLC3. Aquarion Tribe *DLC4. Polaris Tribe
- The Blackout Club
- The Callisto Protocol™
- The Chess Variants Club
- The Citadel
- The Dark Pictures Anthology: House of Ashes
- THE DARK PICTURES ANTHOLOGY: LITTLE HOPE
- The Darkest Tales
- The Dungeon Beneath
- The Dungeon of Naheulbeuk: The Amulet of Chaos
- The Elder Scrolls Adventures: Redguard
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2024.05.16 17:45 Zagaroth [No Need For A Core?] - CH 188: Sounding Out The Swamp
Cover Art <<Previous Start Next >>
GLOSSARY This links to a post on the free section of my Patreon. Note: "Book 1" is chapters 1-59, "Book 2" is chapters 60-133, "Book 3", is 134-193, "Book 4" is CH 194-(ongoing)
Fuyuko, Derek, and Shizoku spent most of a day dealing with their accumulated gains and preparing for their first day of exploration. Shizoku spent a fair amount of that evening's time communing with Bip, her slime familiar. She needed to adjust what spells she had at the ready for dealing with a wetlands environment.
While she was studying her grimoire, Derek and Fuyuko were preparing more physical means of dealing with the wetlands. Most of their work had been dealt with by trading the boat for three pairs of proper swamp boots, but the footwear needed a little adjusting and resizing for each of them.
The over boots were a combination of different techniques for dealing with different sorts of mud, with the base being a raised wooden sole that 'winged' out to resist sinking further into soft mud that was deeper than the ridges raised the sole. These were attached to oiled leather over boots that were useful for wading. The wooden soles were detachable for prolonged wading where they would provide a hindrance.
Derek could reshape the wooden portion to match their feet exactly, and reshape metal fittings if needed, but leather and cloth needed manual adjustment. Given how long they were planning on using these for, it was important to make them fit as perfectly as possible to prevent blisters and sores, even with their normal footwear underneath the boots.
They began their exploration by using the mapping tools they had won in the library to learn the layout of the swamp near the town. It didn't take them long to realize that some of the islands moved very slowly, and Derek was able to use his elemental talents to investigate, leading to the disturbing realization that under the right conditions, mud could have currents and flows.
Shizoku's magic wasn't quite as effective as she would have liked, for most of it was designed to work in other environments. Magic designed to hide your tracks and traces didn't prevent you from making them in the first place, and so did not keep you from sinking into mud. She did have a spell designed to make traversal through any terrain safe and easy, but it didn't last very long and was best reserved for crossing smaller sections of really bad terrain.
Spells used for manipulating and altering plants could also provide small bridges, but these were limited by the strength of the nearby plants. Generally speaking, they were better for clearing plants out of the way.
These difficulties were inspiring ideas of future spells to research, but that required more time than just the little bit of rest they got each day.
Derek's powers were more consistent and easier to use repeatedly or for long periods, but the effects tended to not be as dramatic as the witch's spells. He could make the mud firmer or softer to a degree, but he couldn't create a solid path out of flowing silt for even a few minutes.
Fuyuko found that her long limbs and greater strength allowed her to move easier through the swamp then her friends could, just by virtue of being able to apply more force and leverage. This was why she was leading the way, Derek found it difficult to monitor the details of the mud around them while also working to firm it up constantly, and it was easiest for Fuyuko to cope with any sudden changes that Derek wasn't able to compensate for.
Their outward journey each day was mostly limited by Derek's stamina, and when he was approaching his limits they would use a combination of their maps and Shizoku's divination magics to find the best route back. Such spells required some precision in defining a destination, so they were not very useful when you didn't have a concrete destination in mind.
Because the trio were taking their time to be thorough and to explore all possibilities, it didn't take long for them to begin finding all the bounties that the swamp held in store for them. Shizoku was able to find plants with medical and alchemical uses, though she had to consult the tomes that she had stored in Bip's memories as wetland plants were not very familiar to her. Once she had identified any specific plant, she could give it to Fuyuko as a sample and the luponi could use her better senses to find more of that plant.
Fuyuko also caught the scent of some mud that was strangely familiar, and after she and Derek dug out some of the intensely colored clay, Shizoku was able to recognize it was a valuable type of clay used for making prized teapots and other pottery. This explained why the scent had been familiar to Fuyuko, as Kazue had been excited to introduce her to Cimbu and the fourteen-year-old had been fascinated by the ability to make the little clay dragon spit water without any magic involved and sometimes made some tea just to have an excuse to play with the tea pet and make him spit. Well, once she'd been shown how; tea wasn't something she'd had much experience with before.
Claiming the clay was more problematic. However much they might be able to claim in their explorations and bring back to town, there were only so many other explorers they could trade with as everyone had a limit to how much stuff they could physically haul out. In the end they decided on a single large sack of clay that would be stored in Fuyuko's spatially expanded backpack.
Derek did most of the work of 'mining' the clay, during which they made another discovery: Opals. There weren't an outrageous number of them, but they were decent-sized and high quality. These became a higher priority target than the clay itself, though they kept that too.
The teens didn't forget the lessons they'd been given about the previous level and wanted to fish here too. However, the water was murky in the places it was deep enough to possibly have fish, making it more difficult to know where the fish were.
It was only after they talked with people back at the town that they learned about fish traps, and set about making those. Specifically, eel traps. The eels were prized for both their skin and their flesh. Their skin was both durable and supple and came in a wide variety of colors and patterns, and their flesh was sweeter than most varieties found out in the world. As soon as they learned how to make and set eel traps, those were added to their routine during their explorations.
Their travels throughout the swamp also brought them to many of the scattered 'monster homes' throughout the swamp, including the time that Fuyuko nearly stepped on a kobold enjoying a nice relaxing mud bath. It was a shock for all three of them as none knew about the relatively recent acquisition of the small, scaled race.
Shizoku was fine with the kobold after she got over her shock, but she did less well when they met the crabbit, who was so kind as to sing for them. Not that any of them found the sight of the interior of the 'mouth' to be less than disturbing, but the effect on the little kitsune was profound as she tightened her lips into a forced smile despite the panic showing clearly in the lines and tension around her eyes. She did well enough to keep her reaction under control that the inhabitants chose to ignore it rather than call her out on it, which would have knocked down their standing in the witch's evaluation.
After about a week, they decided that their mapping and exploration of the swamp was about as good as it was going to get. It was time to approach the witch's hut that they'd avoided previously. The Fairy Witch was in a strange, almost manic mood and the trio quickly found out she was obsessed with creating new musical sounds.
"Alright kids," Carmilla said, "you want to pass my swamp? You have to help me out here. Look, the bards I've gotten my hands on have been great and all, even pretty damn creative. But I think I need something from people who don't know as much about music. Here's my workshop, I don't care if it's a new instrument or a new way of playing an old instrument, a different sort of harmony, or whatever. Gimme something new, and you can use anything you want here, the good stuff is in another building. Bah, this lot." She glared at a group of distant figures. "They're boring, won't even respond to me flirting with them, and not a musical bone in their bodies. Well, time to play the part. Have fun in there, but I don't really want to see you again until you got something for me."
The only one of them with any musical training at all was Shizoku, but it had never been something she'd pursued on her own. That left them somewhat aimlessly poking around the workshop and messing around with instruments they found, many of which were obviously experiments that were only finished enough to test.
That did eventually prove to be enough for inspiration. A large lute was laying on top of a narrow table, and Derek frowned thoughtfully at it. "I think I remember seeing something once that looked a little like that, but smaller. Like, it had a long board with a bunch of strings, way more than the lute, but the strings were on the top sort of like the lute, and it had a folding stand so that it sat on the ground. The lady who played it was set up in the square and taking tips, I guess to help pay her way? I don't know where she was traveling to or from, I only saw her once. I remember it being nice, but I don't remember what it sounded like exactly."
That was enough to start the ball rolling. "I think I know that one," Shizoku said, "Gran Gran has one tucked away. I don't think I've seen her play it though. Hmm. Well, she wants something new to her, and I don't think it's portable enough that most people are going to lug one down here, so maybe we can do that. I don't know how to tune without a tuning fork. Wait, Fuyuko, you have sharp ears, think you can figure out proper notes and a scale? "
Fuyuko looked at her blankly. "Um? I don't know, what does it involve?"
Shizoku gave her a quick rundown of how notes relate to each other with harmonies and gave an example by singing a few notes that were close to each other. "So like that, but cleaner. Only, we are supposed to be creative, and I know that there are different scales." She chewed on the idea for a little while more, thinking out loud while the others asked questions.
They agreed that the first step was going to be having a sounding box for the body, once Shizoku explained that was how the instrument amplified sound. Though that meant figuring out the size. Derek suggested that he try to make it as big as Carmilla could play. She wasn't as tall as Fuyuko, but she was pretty tall and had long arms and fingers.
The table seemed like a perfect frame to start with, even if they were going to destroy it, and the three of them set about scavenging the other instruments for parts. They snacked on strips of dried eel when they needed to take a break, and by evening they had a crude sound box built into what had once been the table. Even with Derek's wood-shaping skills, they were having trouble getting the salvaged parts to fit smoothly together into a single box with enough resonance.
Udup, the witch's shadow drake familiar, came out to check on them, and after getting a report on their progress offered to fetch them some food if they wanted to camp out here instead of trekking to town and back. The teens agreed that was the better idea, and it allowed them to tinker with ideas until they turned in for the night.
<<Previous Start Next >>
Also to be found on Royal Road.
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$3. : 10 Early chapters, lore excerpts $5. : 20 Early chapters, Short Stories $10 : 30+ Early chapters, New stories not published anywhere else (Until after I finish this story at least) . . . . . "A Girl and Her Dungeon", "The Celestine Fox", and AU Core 1: "Coreless"
submitted by Zagaroth to redditserials [link] [comments]
GLOSSARY This links to a post on the free section of my Patreon. Note: "Book 1" is chapters 1-59, "Book 2" is chapters 60-133, "Book 3", is 134-193, "Book 4" is CH 194-(ongoing)
While she was studying her grimoire, Derek and Fuyuko were preparing more physical means of dealing with the wetlands. Most of their work had been dealt with by trading the boat for three pairs of proper swamp boots, but the footwear needed a little adjusting and resizing for each of them.
The over boots were a combination of different techniques for dealing with different sorts of mud, with the base being a raised wooden sole that 'winged' out to resist sinking further into soft mud that was deeper than the ridges raised the sole. These were attached to oiled leather over boots that were useful for wading. The wooden soles were detachable for prolonged wading where they would provide a hindrance.
Derek could reshape the wooden portion to match their feet exactly, and reshape metal fittings if needed, but leather and cloth needed manual adjustment. Given how long they were planning on using these for, it was important to make them fit as perfectly as possible to prevent blisters and sores, even with their normal footwear underneath the boots.
They began their exploration by using the mapping tools they had won in the library to learn the layout of the swamp near the town. It didn't take them long to realize that some of the islands moved very slowly, and Derek was able to use his elemental talents to investigate, leading to the disturbing realization that under the right conditions, mud could have currents and flows.
Shizoku's magic wasn't quite as effective as she would have liked, for most of it was designed to work in other environments. Magic designed to hide your tracks and traces didn't prevent you from making them in the first place, and so did not keep you from sinking into mud. She did have a spell designed to make traversal through any terrain safe and easy, but it didn't last very long and was best reserved for crossing smaller sections of really bad terrain.
Spells used for manipulating and altering plants could also provide small bridges, but these were limited by the strength of the nearby plants. Generally speaking, they were better for clearing plants out of the way.
These difficulties were inspiring ideas of future spells to research, but that required more time than just the little bit of rest they got each day.
Derek's powers were more consistent and easier to use repeatedly or for long periods, but the effects tended to not be as dramatic as the witch's spells. He could make the mud firmer or softer to a degree, but he couldn't create a solid path out of flowing silt for even a few minutes.
Fuyuko found that her long limbs and greater strength allowed her to move easier through the swamp then her friends could, just by virtue of being able to apply more force and leverage. This was why she was leading the way, Derek found it difficult to monitor the details of the mud around them while also working to firm it up constantly, and it was easiest for Fuyuko to cope with any sudden changes that Derek wasn't able to compensate for.
Their outward journey each day was mostly limited by Derek's stamina, and when he was approaching his limits they would use a combination of their maps and Shizoku's divination magics to find the best route back. Such spells required some precision in defining a destination, so they were not very useful when you didn't have a concrete destination in mind.
Because the trio were taking their time to be thorough and to explore all possibilities, it didn't take long for them to begin finding all the bounties that the swamp held in store for them. Shizoku was able to find plants with medical and alchemical uses, though she had to consult the tomes that she had stored in Bip's memories as wetland plants were not very familiar to her. Once she had identified any specific plant, she could give it to Fuyuko as a sample and the luponi could use her better senses to find more of that plant.
Fuyuko also caught the scent of some mud that was strangely familiar, and after she and Derek dug out some of the intensely colored clay, Shizoku was able to recognize it was a valuable type of clay used for making prized teapots and other pottery. This explained why the scent had been familiar to Fuyuko, as Kazue had been excited to introduce her to Cimbu and the fourteen-year-old had been fascinated by the ability to make the little clay dragon spit water without any magic involved and sometimes made some tea just to have an excuse to play with the tea pet and make him spit. Well, once she'd been shown how; tea wasn't something she'd had much experience with before.
Claiming the clay was more problematic. However much they might be able to claim in their explorations and bring back to town, there were only so many other explorers they could trade with as everyone had a limit to how much stuff they could physically haul out. In the end they decided on a single large sack of clay that would be stored in Fuyuko's spatially expanded backpack.
Derek did most of the work of 'mining' the clay, during which they made another discovery: Opals. There weren't an outrageous number of them, but they were decent-sized and high quality. These became a higher priority target than the clay itself, though they kept that too.
The teens didn't forget the lessons they'd been given about the previous level and wanted to fish here too. However, the water was murky in the places it was deep enough to possibly have fish, making it more difficult to know where the fish were.
It was only after they talked with people back at the town that they learned about fish traps, and set about making those. Specifically, eel traps. The eels were prized for both their skin and their flesh. Their skin was both durable and supple and came in a wide variety of colors and patterns, and their flesh was sweeter than most varieties found out in the world. As soon as they learned how to make and set eel traps, those were added to their routine during their explorations.
Their travels throughout the swamp also brought them to many of the scattered 'monster homes' throughout the swamp, including the time that Fuyuko nearly stepped on a kobold enjoying a nice relaxing mud bath. It was a shock for all three of them as none knew about the relatively recent acquisition of the small, scaled race.
Shizoku was fine with the kobold after she got over her shock, but she did less well when they met the crabbit, who was so kind as to sing for them. Not that any of them found the sight of the interior of the 'mouth' to be less than disturbing, but the effect on the little kitsune was profound as she tightened her lips into a forced smile despite the panic showing clearly in the lines and tension around her eyes. She did well enough to keep her reaction under control that the inhabitants chose to ignore it rather than call her out on it, which would have knocked down their standing in the witch's evaluation.
After about a week, they decided that their mapping and exploration of the swamp was about as good as it was going to get. It was time to approach the witch's hut that they'd avoided previously. The Fairy Witch was in a strange, almost manic mood and the trio quickly found out she was obsessed with creating new musical sounds.
"Alright kids," Carmilla said, "you want to pass my swamp? You have to help me out here. Look, the bards I've gotten my hands on have been great and all, even pretty damn creative. But I think I need something from people who don't know as much about music. Here's my workshop, I don't care if it's a new instrument or a new way of playing an old instrument, a different sort of harmony, or whatever. Gimme something new, and you can use anything you want here, the good stuff is in another building. Bah, this lot." She glared at a group of distant figures. "They're boring, won't even respond to me flirting with them, and not a musical bone in their bodies. Well, time to play the part. Have fun in there, but I don't really want to see you again until you got something for me."
The only one of them with any musical training at all was Shizoku, but it had never been something she'd pursued on her own. That left them somewhat aimlessly poking around the workshop and messing around with instruments they found, many of which were obviously experiments that were only finished enough to test.
That did eventually prove to be enough for inspiration. A large lute was laying on top of a narrow table, and Derek frowned thoughtfully at it. "I think I remember seeing something once that looked a little like that, but smaller. Like, it had a long board with a bunch of strings, way more than the lute, but the strings were on the top sort of like the lute, and it had a folding stand so that it sat on the ground. The lady who played it was set up in the square and taking tips, I guess to help pay her way? I don't know where she was traveling to or from, I only saw her once. I remember it being nice, but I don't remember what it sounded like exactly."
That was enough to start the ball rolling. "I think I know that one," Shizoku said, "Gran Gran has one tucked away. I don't think I've seen her play it though. Hmm. Well, she wants something new to her, and I don't think it's portable enough that most people are going to lug one down here, so maybe we can do that. I don't know how to tune without a tuning fork. Wait, Fuyuko, you have sharp ears, think you can figure out proper notes and a scale? "
Fuyuko looked at her blankly. "Um? I don't know, what does it involve?"
Shizoku gave her a quick rundown of how notes relate to each other with harmonies and gave an example by singing a few notes that were close to each other. "So like that, but cleaner. Only, we are supposed to be creative, and I know that there are different scales." She chewed on the idea for a little while more, thinking out loud while the others asked questions.
They agreed that the first step was going to be having a sounding box for the body, once Shizoku explained that was how the instrument amplified sound. Though that meant figuring out the size. Derek suggested that he try to make it as big as Carmilla could play. She wasn't as tall as Fuyuko, but she was pretty tall and had long arms and fingers.
The table seemed like a perfect frame to start with, even if they were going to destroy it, and the three of them set about scavenging the other instruments for parts. They snacked on strips of dried eel when they needed to take a break, and by evening they had a crude sound box built into what had once been the table. Even with Derek's wood-shaping skills, they were having trouble getting the salvaged parts to fit smoothly together into a single box with enough resonance.
Udup, the witch's shadow drake familiar, came out to check on them, and after getting a report on their progress offered to fetch them some food if they wanted to camp out here instead of trekking to town and back. The teens agreed that was the better idea, and it allowed them to tinker with ideas until they turned in for the night.
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2024.05.16 17:18 ChillyGator Evacuating with fish
I have a small fresh water aquarium with guppies, snails, suckers and a sand loche. These were once in an outdoor water feature but in an abrupt move we had to put them in an aquarium.
As severe hurricanes are nearly guaranteed where I live and several weeks of no electricity or water are common. What should I do with the fish when I leave?
Is there a special travel aquarium I can get? Should I give them to someone with a pond?
I definitely do not want to leave them in the house. I tried to do long term feeding things but they ate them too fast. The longest I can go without a water change is 2 weeks. So even if the power comes back on “quickly” and the aerator keeps them oxygenated it could reasonably be a few more weeks before human habitation is restored.
submitted by ChillyGator to Aquariums [link] [comments]
As severe hurricanes are nearly guaranteed where I live and several weeks of no electricity or water are common. What should I do with the fish when I leave?
Is there a special travel aquarium I can get? Should I give them to someone with a pond?
I definitely do not want to leave them in the house. I tried to do long term feeding things but they ate them too fast. The longest I can go without a water change is 2 weeks. So even if the power comes back on “quickly” and the aerator keeps them oxygenated it could reasonably be a few more weeks before human habitation is restored.
2024.05.16 16:58 haygurlhay123 “This Time, I Will Never Let You Go”: Cloud’s Mission and the Hidden Purpose of the Remake Trilogy - Literary and Musical Analysis of FFVII - Part 5
(continuation of part 4)
I already considered this piece the second greatest musical evidence for Clerith after the London Symphony Orchestra’s Final Fantasy VII Symphony’s second movement “Words Drowned by Fireworks” and its guide, but now that I know about the Clerith reunion that was baked into the ending, the gap between the two is narrower. Each time I hear Cloud begin to call out for Aerith in part 3 (3:04), I immediately start crying. It sounds so much to me like Cloud’s voice in the dark saying “Aerith…?”, meek and scared. If you’ve read everything so far, you know how long Cloud has been looking for Aerith, lost without her, searching relentlessly for decades in real-life time. Through FFT, DFF, Advent Children, MFF x FFVII… all of it spent looking for his Promised Land. In OG, Cloud was so tormented by Jenova’s manipulation and so consumed by the chase for Sephiroth that he could not realize what or how much he felt for her until she was taken away forever. The piece we’ve just analyzed tells the story of Cloud and Aerith intertwining and separating against their will, and you can truly feel Cloud’s anxiety as he struggles to wrench Aerith out of fate’s cruel grasp. Perhaps it is because of Aerith’s ultimately fatal responsibility, inherited from her mother, that this iteration of her theme is called “The Cetra”.
Though in part 5, Cloud and Aerith reunite… could this reunion symbolize their meeting again in Remake, or something more permanent? I think it’s meant to leave us wondering.
I’m very sensitive to music, and as I’m typing this, I’m crying a bit. I wanted to share my interpretation of “Aerith’s Theme - The Cetra” with you very badly, because it makes me feel so much and really enhances Clerith’s story. I’m overjoyed to have found out about the reunion at the very end. And it’s all because you guys showed love for my last analysis! You guys are giving me gifts every day.
V. b) i. 3) Combined Analysis
Please listen to and watch the scene of Cloud’s MOTF 6 (4:21-8:46) again, and consider section “V. b) i. 2)”. What is Uematsu telling us? Similarly to how main world theme of FFVII informs us that Jenova is sabotaging Cloud’s identity far before it becomes a plot point in OG, “Aerith’s theme - The Cetra” is telling us what not even Remake Cloud consciously knows at this point: he’s been searching desperately for her, and fears losing her once more.
As if that wasn’t proof enough, the timing of the shots and musical phrases is absolutely damning. Recall that part 3 of “Aerith’s theme - The Cetra” specifically symbolizes Cloud’s anxiety surrounding Aerith’s safety. It is this particular part of the piece that plays for the entirety of Aerith’s allusions to her murderers and her death (7:25-7:54), including the very moment where “Cloud feels his chest constrict tightly” (7:51-7:54). What’s more, part 5 the piece, which specifically Cloud freeing Aerith from the restraints of fate, coincides with the moment Tifa grabs Aerith’s hand and pulls her out from the circle of Whispers closing in on her (8:42-8:45). This moment leads me to believe that the reunion in part 5 of the piece indeed symbolizes Cloud succeeding (perhaps with Tifa’s help) in saving Aerith from her tragic fate and reuniting with her for good.
It’s heart-wrenching and brilliant. Our theory stands strong.
V. b) ii. Credits: Piece Inclusion
I find it very telling that the character themes included in the credits of Remake are Cloud’s “Hollow” (0:00-5:24), an orchestral arrangement of Aerith’s theme (5:24-9:24), and an orchestral arrangement of the main world theme, (9:24-14:27) which of course includes Cloud’s true theme. No other character themes appear during the rest of the credits (14:27-18:09). This is telling: the credits are communicating to us that Remake is about Cloud and Aerith. Our Mission Theory only gets stronger.
V. b) iii. Showing Relationships Through Music: Intermingling Character Themes
This doesn’t have to do with the Mission, but here’s a pretty good anti-Cloti argument while we’re here.
As shown in section “V. a) i.” where we explored the roles of Cloud, Jenova and Sephiroth’s themes within the FFVII world theme, the way character themes interact in a piece can tell you a lot about those characters’ relationships. This is certainly the case in “Aerith’s Theme - The Cetra” as well (see section “V. b. ii. 2)”).
I’d like to mention that in all of my listening to the Remake OST and rewatching playthroughs of Remake, I’ve never encountered a single piece that united Cloud and Tifa’s themes. Not once. Let alone a piece that depicts them as intimately or emotionally as “Aerith’s Theme - The Cetra” depicts Cloud and Aerith. Even the most Cloti cutscenes in Remake aren’t supported by pieces mixing or even juxtaposing Cloud and Tifa’s themes. I can’t find any of Cloud’s motifs anywhere during the orchestral arrangement of Tifa’s theme that plays during her resolution scene in chapter 14. I can’t find either of their motifs in the track the plays when Cloud calls Tifa beautiful at Seventh Heaven in chapter 3. A motif from Tifa’s theme does appear in the track that plays during the childhood promise scene in chapter 4, (0:00-0:25), but it never plays at the same time as or even near Cloud’s motifs (1:23-1:47 and 2:03-2:29). They’re distant or otherwise unaffiliated.
The only exception is that an altered version of Cloud’s theme’s section A phrase 1 appears in the background of Tifa’s theme (1:17-1:23). This symbolizes her connection to Cloud and how much of her attention and worry revolve around him— a reference to how she cares so much that it borders on dependency. Of course, it doesn’t go both ways: Tifa isn’t in Cloud’s theme at all. To me, this lack of reciprocity concerning the inclusion of Cloud’s motif in Tifa’s theme signifies that the only time Cloud and Tifa are together is in her head. She does think about him a lot, which we witness in her chapter of Trace of Two Pasts. Tifa loses sleep over him even two years after he left Nibelheim, despite the fact that she barely knew him at all:
V. c) The Rebirth OST
Unfortunately, the full Rebirth OST isn’t out and available where I can listen to it right now. However, based solely on the incomplete OST that’s available to me right now, I can tell you with certainty that the composers were told to incorporate Clerith into the musical storytelling: Cloud and Aerith’s themes intermingle in multiple pieces. I can’t imagine what else I’ll discover once I listen to the full OST. For now, I checked out what was available on YouTube and listened to cutscene audios. This section would be eternal if I included every time Cloud and Aerith’s motifs interact, especially in chapter 14. Trust me, I’d love to talk about every single one, but this thing is long enough already, so let’s just address what pertains to our Mission Theory specifically rather than stopping at every single Clerith reference in the OST.
V. c) i. Ending Cutscene Music
Ending cutscenes are often used to address the next step the characters will be taking as well as their emotional and mental state. They also open up new questions to make the player curious. Indeed, Rebirth’s ending cutscene (18:56-25:00) gives us an impression of how the party members feel by the end of the game: everyone misses Aerith. Barret looks upset and confused at the mention of her (19:35-19:45), the girls are crying and Nanaki is mourning (19:58-20:35). Additionally, we are shown the empty White Materia and Black Materia in Cloud’s possession (20:40-21:24), foreshadowing that they will come to be important in part 3. Cloud and Aerith share a warm goodbye, and exchange promises: Aerith will send smoke signals if something happens to her so a worried Cloud can remain updated on her well-being and she will stop Meteor, and Cloud will stop Sephiroth (23:00-25:00). The fact that this scene is animated in CGI is enough to tell us that the devs consider it narratively important, just like they do Bugenhagen’s observatory and the party’s advance into the Forgotten Capital CGI cutscenes. What did the composers decide to communicate with us about the end of Rebirth and the plot going forward?
Big surprise: Clerith.
During the entire cutscene, only two themes play: Cloud’s and Aerith’s. The cutscene’s music begins only when Cloud notices Aerith among the party members and begins watching her (19:21). She interacts with the rest of the party without their knowledge, different segments of her theme playing one after another. Her theme only stops when Cloud finally looks away from her and to the empty White Materia in his hand (20:45). The music focuses on the mystery and ominousness of these materia, only returning to Aerith once Cloud hears her voice and repeats her message to the party (21:30).
Cloud’s theme appears when he asserts that Barret needn’t worry about him (section A of Cloud’s true theme, 22:41), though soft and tentative, only swelling when Barret and Tifa climb aboard the Tiny Bronco and Cloud finds himself alone with Aerith again (22:57). As he asks Aerith if “[she’ll] be okay getting back” (23:08), the final phrase of section A of his theme plays, but without its concluding note, the tonic. He waits for her to answer him as his theme waits for hers to complete and answer it, that final note dragging long over the seconds (23:09-23:13). She answers with a teasing remark that references their unwillingness to part from each other back in Remake’s Evergreen Park:
What this shows us is that Cloud and Aerith’s relationship is fundamental to the plot of Rebirth and will also be fundamental to the plot of part 3: they are isolated one one-on-one in this cutscene, and the music depicts their warm, sweet interaction as well as the strength of Aerith’s character to contrast with Cloud’s somewhat meek personality. The composers are telling us that these two, specifically, together alone, are hugely important to the plot here. This was already true in OG, but no such emphasis was ever placed on their interactions and relationship in its music. Something is different, deeper, more intense now. The Mission Theory explains why. It also suits our theory that the composers are emphasizing the centrality of Clerith in the plot of the Remake trilogy. Cloud’s love for Aerith is the reason for the trilogy’s existence, and it will be the greatest motivator for Cloud in part 3. It’s a grand announcement.
Just like in Remake, I could not find a single instance of Cloud and Tifa’s themes interacting in Rebirth, apart from at the end of the intimate Skywheel date— but every girl receives this treatment in their intimate dates, so each of these instances can be crossed out. Additionally, the Tifa date is not the canon one, but I digress…
V. c) iii. Credits
V. c) iii. 2) “No Promises to Keep”
At the very end of this song written and performed by Aerith, we’re treated with a sweet little piano conclusion (10:46-11:10): it begins with a variation on Aerith’s theme’s section A (10:46-11:01), and concludes with two ascending arpeggios, each four notes long (11:01-11:10). Each of these ascending arpeggios is a variation of the phrase 1 of Cloud’s true theme’s section A. The differences are minimal. The phrase is usually five notes long rather than four, the first arpeggio ends on the tonic rather than Cloud’s iconic subtonic, and the second arpeggio starts on the subtonic rather than the tonic. The song Aerith wrote concludes with Cloud’s most famous motif. This is also the case in her Gold Saucer performance (3:31-3:41).
V. c) iii. 3) Arrangement of Aerith’s Theme
The final piece in the credits is an arrangement of Aerith’s theme (24:28-28:47) which has noticeably similar elements to the version of her theme that plays during the Jenova Lifeclinger battle in chapter 14 (0:12-3:36), such as the female choirs. Since these female choirs are only heard in the Forgotten City version of Aerith’s theme, and since the credits arrangement of her theme plays at the same time as clips from her chapter 14 pseudo-death roll across the screen, I estimate that this credits arrangement specifically reflects the event of Aerith’s pseudo-death. Recall that composers had access to the credits video as they composed, meaning this piece is specifically written for Aerith’s pseudo-death in Rebirth.
What I find fascinating is that, just like the arrangements of her theme that play during Aerith’s pseudo-death and the Jenova Lifeclinger battle, this credits arrangement contains the sound of Cloud’s pain, rage and protest. Phrase 1 and the first three notes of phrase 2 of Cloud’s true theme section A play on the strings and brass quite loudly and insistently, just as Cloud blocking masamune appears on the credits screen (25:11-25:21). Sephiroth’s dissonant, high and screechy violins appear just as his face comes onto the screen (26:33), and almost as a protective response, phrases 1 and 2 of Cloud’s true theme’s section A return (26:47-27:00). Finally, similarly to what we hear in part 5 of “Aerith’s Theme - The Cetra”, a slightly modified section A phrase 1 of Cloud’s true theme play along with section C phrase 3 of Aerith’s theme (oh wow section A and C section Aerith for Cloud’s theme and section Cloud for Aerith’s theme I just realized that’s such a cute coincidence), though unfortunately they do not meet in the middle like last time since they start two octaves apart (28:20-28:25). I’ve recreated it for you once more here so you can really appreciate it. The fact that their motifs don’t truly reunite like in “Aerith’s Theme - The Cetra” is sad, but the very last thing you see onscreen is Aerith’s goodbye to the Tiny Bronco (27:10-27:42), so it makes sense that this piano conclusion implies that Cloud and Aerith aligned, but not yet reunited for good. That’s exactly what you get from the ending cutscene. It does seem to imply that they will be reunited in part 3, as both the ending cutscene and this piano conclusion read as a “till we see each other again” rather than a “farewell”.
VI. a) Remake Trilogy (Thus Far) Handholding Explained?
As I’m sure you’ve noticed, handholding is a motif in Cloud and Aerith’s relationship— and an extremely symbolic one at that! When researching for info to validate my theory, I found that this Clerith motif was extremely helpful! Its inclusion in the Remake trilogy, and especially in Rebirth, is hugely significant in my eyes.
VI. a) i. Pre-Remake Trilogy: Aerith’s Initiative
Before examining the significance of Clerith handholding in Remake and Rebirth, we should establish the meaning of this motif in OG and Advent Children.
Cloud and Aerith have reached out to take each other’s hands many times since 1997. Aerith used to literally drag him by the hand a lot, shocking the cold and distant merc, before she left. After her death in OG, Cloud surely longed to be able to feel her hand take his again, cursing himself for not enjoying it while she was alive, and for never being the one to grasp her hand first: he never got to tell her how he feels about her, or to save her. It was always her reaching out for him, saving him.
This is why the scene in OG when Aerith reaches for him from the Lifestream after Cloud defeats Sephiroth in chapter 3 of disk 3 is so touching: Cloud sees her hand and reaches out to take it, so close to finally establishing that mutual connection, but she soon fades, and replaced by Tifa’s hand in the tangible world. He doesn’t get to hold Aerith’s hand again.
That is, not until Advent Children, where near the end of his battle with Bahamut Sin, he sees Aerith reach out to him once again (1:08-1:30). Cloud finally gets to hold her hand for the first time in two years when he lost her. This moment was given extra importance by the devs. In fact, Nojima told us the following:
As I’ve said before, if I’m right that Remake is all about Cloud stepping up to be more attentive and active in his relationship with Aerith in order to save her, there should be concrete evidence of this in the Remaketrilogy thus far. If OG Cloud’s memories of and love for Aerith exist somewhere within Remake Cloud’s subconsciousness, then Remake Cloud should be far more active in the Clerith dynamic than OG Cloud was— after all, he’s supposed to know better this time around. Thankfully, the motif of handholding can help us evaluate this. Since we know pre-Remake Cloud was quite passive when it comes to handholding, Cloud initiating handholding in the Remake trilogy would be a strong indication that our theory has validity. Keeping this in mind, let’s see what we can find thus far in the Remake trilogy in relation to handholding, and if Cloud is indeed more active than he was in OG.
VI. a) ii. 1) Hollow Hands
Remake’s theme song “Hollow” makes allusions to the handholding motif: “This time, I will never let you go” is pretty clear. And so is “No Promises to Keep”, wherein Aerith speaks of Cloud “[taking her] hand and never [letting her] go” multiple times. Interestingly, these theme song lyrics seem to suggest that Cloud will be much more active in the Remake trilogy than in OG. “Hollow” even promises that Cloud will come to his senses and take charge of the situation: “this time, [he] will” be the one to offer his hand to Aerith, unlike in OG and Advent Children. This makes a lot of sense with our theory: now that Cloud has lost Aerith once, “this time for sure, [he]’ll” be the one to reach for Aerith’s hand, take initiative and save her the way she saved him.
Even though theme songs are extremely telling of a game’s main themes and intentions, lyrics are still all talk and no proof. What about the game itself? Do Remake and Rebirth deliver on this promise? Let’s see!
VI. a) ii. 2) Resolution Hands
The only significant time Cloud initiates handholding in Remake is during Cloud’s resolution scene in chapter 14 (5:18-5:40), wherein he tries to grab Aerith’s hand but is unable to keep her with him. He fills with determination and tells her in no uncertain terms that he’s coming for her. Just as we predicted, Cloud is the active participant in this iteration of the Clerith handholding motif: he’s even explicitly insisting against Aerith’s wishes that he should “get a say in all this” and that he’s “coming for [her]”. Let’s not forget that Cloud’s resolution is meant to reflect not only Aerith’s kidnapping by Shinra, but also her fated death. Nojima implied this by commenting the following on Aerith’s “Even if you think you have, it’s not real” line:
Hoo boy. I was not disappointed.
VI. a) ii. 3) Golden Hands
Let’s begin with the obvious. In their high-affinity gondola date in chapter 12, Cloud bravely interlaces his fingers with Aerith’s: Cloud’s taken charge not only of handholding, but the most intimate kind of handholding. I’m sure you’ve encountered the phrase “こいびとつなぎ” or “koibito tsunagi by now (literally translates to “lovers’ tie” or “lovers’ connection”); this is the term used in Japanese to refer to the type of handholding Cloud initiates with Aerith on the Skywheel. It’s considered the most intimate form of handholding. In Japan, skinship is normally considered quite significant and indicative of the closeness between two people— you could say it’s a big deal. Cloud also offers Aerith his hand when they step off the Shywheel, once more making the first move. Though some might say that the Skywheel dates shouldn’t be counted as canon, I believe Aerith’s date is indeed canon (I have my reasons but this post is long enough). Even if we discount the Skywheel date however, Clerith's use of the koibito tsunagi returns in a non-optional scene we will touch on later.
For what it’s worth, Alfreid offers Rosa his hand in the Loveless play too. I can prove that Aerith is the canon Rosa too, but I’m going to save that for my next analysis! You can take my word for it now, or just wait for that analysis to drop. Take it or leave it!
VI. a) ii. 4) Meta Hands
However, the narrative weight of these Clerith handholding instances doesn’t even come close to my very favorite iteration of the handholding motif in Rebirth. I’m referring to what I consider a severely underrated Clerith moment in chapter 13. First, some context: Sephiroth manipulates Cloud into giving over the Black Materia. Cloud seems to be firmly under Sephiroth’s control. However, the sight of Aerith being swarmed by Black Whispers snaps Cloud back into the driver’s seat: he breaks out of Sephiroth’s grasp to run to her and save her. Aerith gets knocked off into a fatal free-fall by a Black Whisper before Cloud can reach her, but he won’t have it: he lunges forward, hand extended. What results is a beautiful shot of their outstretched hands (56:25-56:27).
Let’s analyze this great shot. Notice how the seconds where Cloud is reaching downwards to grasp Aerith’s hand are treated. This key moment is stretched longer by a slow-mo effect, building up the tension and drawing the audience’s focus to the distance between their hands before Cloud actually catches Aerith’s in his, fulfilling the promise he made in “Hollow”. Their hands take up the whole screen in a deliberate close-up shot. All the ambient noises of the scene go quiet: Aerith’s theme is all we hear as Cloud reaches desperately for her. These are blatant audiovisual cues, signalling to the audience that whatever is happening on screen is especially significant. We should therefore examine this specific instance of the Clerith handholding motif to see what the devs are trying to tell us, and maybe it will fit with our theory!
We should begin by comparing this Clerith hand-reach shot to previous ones. If you compare it to the Advent Children’s hand-reach that occurs during Cloud’s battle against Bahamut Sin, it’s evident that Cloud and Aerith’s roles are reversed: just as our theory states, Cloud gets out from inside his head and reaches for Aerith this time. She saved him and the world in OG, and now it’s his turn to save her. This change becomes especially evident when you juxtapose the two scenes and notice how their hands have switched places, reaching from above and below, from left and right. I think the Rebirth hand-reach was deliberately made to look like the Advent Children one —and even the OG one in disk 3, chapter 3—, just to highlight this role reversal.
This Rebirth hand-reach is my favorite out of all because it shows that Cloud is much more conscious and attentive toward Aerith in Rebirth than he was in OG. At this point in OG (disk 1, chapter 25), Cloud is meant to be beating Aerith up at Sephiroth’s command, to the horror of the rest of the party. In fact, a few minutes before Cloud rushes to save Aerith in Rebirth, he has absolutely no problem violently shoving Tifa to the ground when she gets in Sephiroth’s way (53:27-53:33). This shove and Cloud’s earlier attack on Tifa in Gongaga (Rebirth, chapter 9) proves that Sephiroth is just as capable of making Cloud hurt his party members as he was in OG… though Sephiroth can’t seem to make Cloud hurt Aerith. Why is this? Why is it that Cloud beats Aerith in OG, but doesn’t even lay a finger on her —and snaps out of Sephiroth’s control at the mere sight of her in trouble— in Rebirth?
Our theory provides the answer. In disk 1, chapter 25 of OG, Cloud had not yet realized he loved Aerith. Sephiroth was therefore able to make him hurt her. But things are different in Rebirth. The Cloud we see in the Remake trilogy has gone through the OG timeline and traveled back in time, kicking off Remake as his second try at the OG timeline— and he did this precisely because he loves Aerith. His love for her is clearer and stronger in the Remake trilogy than in OG because Remake Cloud is an amnesiac, post-OG, time-traveler Cloud. He’s been through the OG before, has fallen in love with Aerith and realized it before, so this time around, he can’t even lay a finger on her. This is made evident by how closely the moments where Cloud pushes Tifa and saves Aerith are juxtaposed, separated by mere seconds of gameplay. Merely seeing Aerith in trouble wrenched control from Sephiroth and put it in Cloud’s hands again— Sephiroth probably couldn’t have gotten Cloud to attack Aerith if he tried.
This isn’t the only time we get evidence of this though! As Cloud approaches Aerith’s praying form in the Forgotten City, Sephiroth’s Black Whispers swirl around the buster sword: Sephiroth is trying to kill Aerith with it, while Cloud’s struggle to wrench it away plays out visibly on his face. Interestingly, Cloud is not being controlled by Sephiroth here. We know this because we can quite literally see the Black Whispers trying to move his sword, but also because every time Cloud is being controlled by Sephiroth in Rebirth, he has an empty-eyed, zombie-Cloud look on his face. Either that or he laughs or smiles somewhat maniacally. There is never any resistance on his part. To see an example, simply pay attention to Cloud’s blank face as he attacks Tifa in Gongaga in chapter 9 (19:20-20:30). You’ll see the very same expression on his face if you watch this video of Cloud following Sephiroth’s orders in chapter 13 (53:36-54:15). Additionally, look at how strangely Cloud smiles (41:01) as he grasps the Black Materia. Cloud makes none of these faces as the Black Whispers try to take control of his sword: quite the opposite. Cloud looks like he’s trying his hardest to pull his weapon back down and away from Aerith, a horrified look on his face as he grunts from the effort. Once more, Sephiroth is unable to make Cloud hurt Aerith.
Back to my favorite handholding moment. Think about this devs intention for this shot for a minute. The devs have been teasing us as to whether or not Cloud will succeed in saving Aerith in the Remake trilogy since it was first announced, and this slow-mo shot of Cloud catching Aerith’s hand as she falls to her death is a reflection of this tension. The audience holds their breath during those slow-moed seconds, all that hope and fear hanging in the balance. This instance of the handholding motif is a meta way for the devs to reassure us that Cloud will indeed save Aerith. I firmly believe this.
VI. a) ii. 5) Self-Sacrificing Hands
Alright, alright, enough about my favorite! Let’s move to chapter 14 of Rebirth! There’s evidently a lot going on with Clerith in this chapter. Let’s address the Sector 5 date. The handholding is first initiated by Aerith as she tugs him toward the candy vendor and Cloud reacts with a quiet gasp (4:07-4:17). Soon, it becomes a reciprocal embrace: Cloud holds his hand out for Aerith’s and tightens his fingers around hers, smiling at her before they head to the photographer (7:07-7:17).
Then of course, when Aerith pushes Cloud into a portal in her church, you can see Cloud reach his hand up toward her desperately as he falls (17:38-17:58). What I find particularly emotional about this moment is that Aerith pushing Cloud away from her is kind of the opposite of reaching for his hand: it symbolizes Aerith accepting her fate and giving up on a life where she can be with him. This Aerith seems to be a post-OG Aerith who exists separately from the main world we experience in Rebirth, meaning she knows all too well that her fate is to die. In fact, it looks like she is the very same or a similar Aerith to the one who appeared to Cloud in his resolution scene in Remake. By literally pushing Cloud away, just like she figuratively did in Cloud’s resolution scene, she is sacrificing both herself and the happiness she could share with Cloud. She’s going against her heart’s wishes, just like she did in Cloud’s resolution scene when she would not let Cloud take her hand. Indeed, post-OG Aerith seems to be resigned to her fated death and completely devoid of hope: she only wants to ensure the planet’s survival, because she thinks she knows there is no way she can or should be with Cloud. In contrast, Cloud reaches his hand out toward Aerith as he falls into the portal, and even though he does not know that her push symbolizes her self-sacrifice, his outstretched hand represents his protest. So far, our theory is fitting beautifully.
VI. a) ii. 6) Grieving Hands
Later in chapter 14 of Rebirth, after Aerith’s death/non-death, there is more handholding. As Cloud cradles Aerith’s body close to him at the Forgotten Capital, Aerith places her hand on his cheek. Cloud covers it with his, curling his fingers around it (1:03:33-1:03:53). Before he leaves her lying down on her back to go fight Sephiroth, he squeezes her hand as he tells her “I got this”— or, per the Japanese version, “Wait for me”, meaning he’ll reunite with her once he’s done (1:04:56-1:05:10).
VI. a) ii. 7) Hero-Heroine Hands
Next, the koibito tsunagi returns as Cloud and Aerith interlace fingers back to back in a classic hero-heroine pose, right after their two-versus-one fight against Sephiroth. This time, they both reach for each other simultaneously (7:42-8:18), without even having to look down at their hands or talk to each other, as though perfectly in sync. As you can see, Aerith and Cloud are now on the same page. This is different from post-OG Aerith’s attitude in the Sector 5 church earlier in chapter 14, as well as in Cloud’s resolution scene in Remake— my interpretation of this mutual koibito tsunagi is that both of them are agreeing to hold onto each other now, with neither of them pulling back or being inattentive of the other: their priorities are now the same. It seems now they are aligned, and hopefully this means that Aerith will be working together with Cloud so they can reunite again in part 3. Even if she doesn’t prioritize her life and happiness though, we know for sure Cloud will.
VI. b) Blocking Masamune Explained?
Another piece of evidence that Cloud has been through the events of OG before is the fact that he is able to block masamune. Cloud looks up and sees Sephiroth descending with his blade poised to kill Aerith. Screaming, Cloud instantly rips the buster sword from the Black Whispers’ hold and successfully blocks masamune. Hatred and determination fill his eyes as he rallies his strength and successfully pushes Sephiroth away, saving Aerith’s life (6:00-7:26)— at least, in one reality.
Obviously, something about Cloud is different in Rebirth from in OG, otherwise, the events of Rebirth’s chapter 14 would be the same as the events of OG’s disk 1 chapter 28. In my opinion, what happened here is that upon seeing Sephiroth swoop down with masamune, Cloud remembered Aerith’s death in OG, and the post-OG Cloud’s determination to stop it came surging up from within him. This is frankly the very best proof there is that Cloud is far more ready, stable, determined, and clear-headed about Aerith in the Remake trilogy than in OG. Our theory explains why! In fact, this very moment is what our entire theory banks on: Cloud saves Aerith in one reality, as is shown by the rainbow effect produced by the event, and just like that, the promise made in “Hollow” has been fulfilled! However, now we face the question of how to make sure that Aerith is alive and by Cloud’s side when the multiverse converges again into one protected timeline. I’m sure it will be done; we will see how in part 3.
VI. c) Theme Song Lyrics
What the theme songs’ texts have to say about the trilogy so far is quite important, as they summarize the feelings of the characters they represent: Cloud and Aerith. We can glean a lot from their perspectives that could help support the Mission Theory.
VI. d) i. “Hollow” Lyrics
“Hollow”, Remake’s theme song, was written about Cloud’s feelings and rumination. Nojima confirmed that, when he was given directives for the lyric-writing, “Nomura just gave [Nojima] the keywords: ‘told from Cloud's point of view’ and ‘standing in the rain’. [Nojima] interpreted that as ‘a ballad for a man who lost something/someone important’” (Nojima and Uematsu interview “‘I wanted to put the word ‘empty’ in the theme song of Remake. That was how it started’ - Music-Related Interview Part 6: Kazunari Nojima”, by Famitsu). Our theory is about Cloud’s motivations and mission to save Aerith, so “Hollow” is especially relevant.
Let’s run through the lyrics and analyze, starting with the song’s first verse:
Next, here are the pre-choruses:
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I already considered this piece the second greatest musical evidence for Clerith after the London Symphony Orchestra’s Final Fantasy VII Symphony’s second movement “Words Drowned by Fireworks” and its guide, but now that I know about the Clerith reunion that was baked into the ending, the gap between the two is narrower. Each time I hear Cloud begin to call out for Aerith in part 3 (3:04), I immediately start crying. It sounds so much to me like Cloud’s voice in the dark saying “Aerith…?”, meek and scared. If you’ve read everything so far, you know how long Cloud has been looking for Aerith, lost without her, searching relentlessly for decades in real-life time. Through FFT, DFF, Advent Children, MFF x FFVII… all of it spent looking for his Promised Land. In OG, Cloud was so tormented by Jenova’s manipulation and so consumed by the chase for Sephiroth that he could not realize what or how much he felt for her until she was taken away forever. The piece we’ve just analyzed tells the story of Cloud and Aerith intertwining and separating against their will, and you can truly feel Cloud’s anxiety as he struggles to wrench Aerith out of fate’s cruel grasp. Perhaps it is because of Aerith’s ultimately fatal responsibility, inherited from her mother, that this iteration of her theme is called “The Cetra”.
Though in part 5, Cloud and Aerith reunite… could this reunion symbolize their meeting again in Remake, or something more permanent? I think it’s meant to leave us wondering.
I’m very sensitive to music, and as I’m typing this, I’m crying a bit. I wanted to share my interpretation of “Aerith’s Theme - The Cetra” with you very badly, because it makes me feel so much and really enhances Clerith’s story. I’m overjoyed to have found out about the reunion at the very end. And it’s all because you guys showed love for my last analysis! You guys are giving me gifts every day.
V. b) i. 3) Combined Analysis
Please listen to and watch the scene of Cloud’s MOTF 6 (4:21-8:46) again, and consider section “V. b) i. 2)”. What is Uematsu telling us? Similarly to how main world theme of FFVII informs us that Jenova is sabotaging Cloud’s identity far before it becomes a plot point in OG, “Aerith’s theme - The Cetra” is telling us what not even Remake Cloud consciously knows at this point: he’s been searching desperately for her, and fears losing her once more.
As if that wasn’t proof enough, the timing of the shots and musical phrases is absolutely damning. Recall that part 3 of “Aerith’s theme - The Cetra” specifically symbolizes Cloud’s anxiety surrounding Aerith’s safety. It is this particular part of the piece that plays for the entirety of Aerith’s allusions to her murderers and her death (7:25-7:54), including the very moment where “Cloud feels his chest constrict tightly” (7:51-7:54). What’s more, part 5 the piece, which specifically Cloud freeing Aerith from the restraints of fate, coincides with the moment Tifa grabs Aerith’s hand and pulls her out from the circle of Whispers closing in on her (8:42-8:45). This moment leads me to believe that the reunion in part 5 of the piece indeed symbolizes Cloud succeeding (perhaps with Tifa’s help) in saving Aerith from her tragic fate and reuniting with her for good.
It’s heart-wrenching and brilliant. Our theory stands strong.
V. b) ii. Credits: Piece Inclusion
I find it very telling that the character themes included in the credits of Remake are Cloud’s “Hollow” (0:00-5:24), an orchestral arrangement of Aerith’s theme (5:24-9:24), and an orchestral arrangement of the main world theme, (9:24-14:27) which of course includes Cloud’s true theme. No other character themes appear during the rest of the credits (14:27-18:09). This is telling: the credits are communicating to us that Remake is about Cloud and Aerith. Our Mission Theory only gets stronger.
V. b) iii. Showing Relationships Through Music: Intermingling Character Themes
This doesn’t have to do with the Mission, but here’s a pretty good anti-Cloti argument while we’re here.
As shown in section “V. a) i.” where we explored the roles of Cloud, Jenova and Sephiroth’s themes within the FFVII world theme, the way character themes interact in a piece can tell you a lot about those characters’ relationships. This is certainly the case in “Aerith’s Theme - The Cetra” as well (see section “V. b. ii. 2)”).
I’d like to mention that in all of my listening to the Remake OST and rewatching playthroughs of Remake, I’ve never encountered a single piece that united Cloud and Tifa’s themes. Not once. Let alone a piece that depicts them as intimately or emotionally as “Aerith’s Theme - The Cetra” depicts Cloud and Aerith. Even the most Cloti cutscenes in Remake aren’t supported by pieces mixing or even juxtaposing Cloud and Tifa’s themes. I can’t find any of Cloud’s motifs anywhere during the orchestral arrangement of Tifa’s theme that plays during her resolution scene in chapter 14. I can’t find either of their motifs in the track the plays when Cloud calls Tifa beautiful at Seventh Heaven in chapter 3. A motif from Tifa’s theme does appear in the track that plays during the childhood promise scene in chapter 4, (0:00-0:25), but it never plays at the same time as or even near Cloud’s motifs (1:23-1:47 and 2:03-2:29). They’re distant or otherwise unaffiliated.
The only exception is that an altered version of Cloud’s theme’s section A phrase 1 appears in the background of Tifa’s theme (1:17-1:23). This symbolizes her connection to Cloud and how much of her attention and worry revolve around him— a reference to how she cares so much that it borders on dependency. Of course, it doesn’t go both ways: Tifa isn’t in Cloud’s theme at all. To me, this lack of reciprocity concerning the inclusion of Cloud’s motif in Tifa’s theme signifies that the only time Cloud and Tifa are together is in her head. She does think about him a lot, which we witness in her chapter of Trace of Two Pasts. Tifa loses sleep over him even two years after he left Nibelheim, despite the fact that she barely knew him at all:
“The moment she heard the word “Soldier”, the few memories she had with Cloud Strife came flooding back. He never contacted her after they parted ways two years ago […]. She tossed and turned all night. When she counted them again, her memories with Cloud were so surprisingly few that others might find it hard to believe that they grew up as next-door neighbors” (Trace of Two Pasts, translated by pekotranslates on Tumblr).FFVII Remake Ultimania also comments on the superficial nature of Cloud and Tifa’s water tower promise, and how regardless of its naïveté, it became fundamental to Tifa:
“Though rooted in a jejune heroine fantasy of being rescued in a pinch by her hero, this promise is clearly etched in Tifa’s memory” (Tifa’s profile in section 01 of “Character & World”, “An Enduring Childhood Promise” in “Topics of Tifa” page 20).You could argue that “Aerith’s Theme - The Cetra” is only one song wherein Cloud and Aerith’s themes interweave, but you’d be proven wrong by the Rebirth OST…
V. c) The Rebirth OST
Unfortunately, the full Rebirth OST isn’t out and available where I can listen to it right now. However, based solely on the incomplete OST that’s available to me right now, I can tell you with certainty that the composers were told to incorporate Clerith into the musical storytelling: Cloud and Aerith’s themes intermingle in multiple pieces. I can’t imagine what else I’ll discover once I listen to the full OST. For now, I checked out what was available on YouTube and listened to cutscene audios. This section would be eternal if I included every time Cloud and Aerith’s motifs interact, especially in chapter 14. Trust me, I’d love to talk about every single one, but this thing is long enough already, so let’s just address what pertains to our Mission Theory specifically rather than stopping at every single Clerith reference in the OST.
V. c) i. Ending Cutscene Music
Ending cutscenes are often used to address the next step the characters will be taking as well as their emotional and mental state. They also open up new questions to make the player curious. Indeed, Rebirth’s ending cutscene (18:56-25:00) gives us an impression of how the party members feel by the end of the game: everyone misses Aerith. Barret looks upset and confused at the mention of her (19:35-19:45), the girls are crying and Nanaki is mourning (19:58-20:35). Additionally, we are shown the empty White Materia and Black Materia in Cloud’s possession (20:40-21:24), foreshadowing that they will come to be important in part 3. Cloud and Aerith share a warm goodbye, and exchange promises: Aerith will send smoke signals if something happens to her so a worried Cloud can remain updated on her well-being and she will stop Meteor, and Cloud will stop Sephiroth (23:00-25:00). The fact that this scene is animated in CGI is enough to tell us that the devs consider it narratively important, just like they do Bugenhagen’s observatory and the party’s advance into the Forgotten Capital CGI cutscenes. What did the composers decide to communicate with us about the end of Rebirth and the plot going forward?
Big surprise: Clerith.
During the entire cutscene, only two themes play: Cloud’s and Aerith’s. The cutscene’s music begins only when Cloud notices Aerith among the party members and begins watching her (19:21). She interacts with the rest of the party without their knowledge, different segments of her theme playing one after another. Her theme only stops when Cloud finally looks away from her and to the empty White Materia in his hand (20:45). The music focuses on the mystery and ominousness of these materia, only returning to Aerith once Cloud hears her voice and repeats her message to the party (21:30).
Cloud’s theme appears when he asserts that Barret needn’t worry about him (section A of Cloud’s true theme, 22:41), though soft and tentative, only swelling when Barret and Tifa climb aboard the Tiny Bronco and Cloud finds himself alone with Aerith again (22:57). As he asks Aerith if “[she’ll] be okay getting back” (23:08), the final phrase of section A of his theme plays, but without its concluding note, the tonic. He waits for her to answer him as his theme waits for hers to complete and answer it, that final note dragging long over the seconds (23:09-23:13). She answers with a teasing remark that references their unwillingness to part from each other back in Remake’s Evergreen Park:
“[Cloud has] a chat with Aerith, from whom he’s reluctant to part” (chapter 9 in section 04 “Scenario”, “Main Story Digest”, “4. Saying Goodbye”, page 275)”.As soon as Aerith answers Cloud’s question with this romantic callback, her theme answers his too: section C of Aerith’s theme begins with the key’s tonic, resolving Cloud’s incomplete phrase (23:13): she gives him resolution. He chuckles, getting her reference, and the music swells (23:16). The music ebbs and flows thusly, following the rhythms and underlying emotions of their conversation. Finally, the piece ends with phrase 2 of of section A of Cloud’s true theme, following a strong repetition of the first half of Aerith’s theme’s section A. The two make their promises to each other, and “No Promises to Keep” begins, leading us to the credits. This is most definitely a Clerith song, but more on that later.
What this shows us is that Cloud and Aerith’s relationship is fundamental to the plot of Rebirth and will also be fundamental to the plot of part 3: they are isolated one one-on-one in this cutscene, and the music depicts their warm, sweet interaction as well as the strength of Aerith’s character to contrast with Cloud’s somewhat meek personality. The composers are telling us that these two, specifically, together alone, are hugely important to the plot here. This was already true in OG, but no such emphasis was ever placed on their interactions and relationship in its music. Something is different, deeper, more intense now. The Mission Theory explains why. It also suits our theory that the composers are emphasizing the centrality of Clerith in the plot of the Remake trilogy. Cloud’s love for Aerith is the reason for the trilogy’s existence, and it will be the greatest motivator for Cloud in part 3. It’s a grand announcement.
Just like in Remake, I could not find a single instance of Cloud and Tifa’s themes interacting in Rebirth, apart from at the end of the intimate Skywheel date— but every girl receives this treatment in their intimate dates, so each of these instances can be crossed out. Additionally, the Tifa date is not the canon one, but I digress…
V. c) iii. Credits
- Piece Inclusion
V. c) iii. 2) “No Promises to Keep”
At the very end of this song written and performed by Aerith, we’re treated with a sweet little piano conclusion (10:46-11:10): it begins with a variation on Aerith’s theme’s section A (10:46-11:01), and concludes with two ascending arpeggios, each four notes long (11:01-11:10). Each of these ascending arpeggios is a variation of the phrase 1 of Cloud’s true theme’s section A. The differences are minimal. The phrase is usually five notes long rather than four, the first arpeggio ends on the tonic rather than Cloud’s iconic subtonic, and the second arpeggio starts on the subtonic rather than the tonic. The song Aerith wrote concludes with Cloud’s most famous motif. This is also the case in her Gold Saucer performance (3:31-3:41).
V. c) iii. 3) Arrangement of Aerith’s Theme
The final piece in the credits is an arrangement of Aerith’s theme (24:28-28:47) which has noticeably similar elements to the version of her theme that plays during the Jenova Lifeclinger battle in chapter 14 (0:12-3:36), such as the female choirs. Since these female choirs are only heard in the Forgotten City version of Aerith’s theme, and since the credits arrangement of her theme plays at the same time as clips from her chapter 14 pseudo-death roll across the screen, I estimate that this credits arrangement specifically reflects the event of Aerith’s pseudo-death. Recall that composers had access to the credits video as they composed, meaning this piece is specifically written for Aerith’s pseudo-death in Rebirth.
What I find fascinating is that, just like the arrangements of her theme that play during Aerith’s pseudo-death and the Jenova Lifeclinger battle, this credits arrangement contains the sound of Cloud’s pain, rage and protest. Phrase 1 and the first three notes of phrase 2 of Cloud’s true theme section A play on the strings and brass quite loudly and insistently, just as Cloud blocking masamune appears on the credits screen (25:11-25:21). Sephiroth’s dissonant, high and screechy violins appear just as his face comes onto the screen (26:33), and almost as a protective response, phrases 1 and 2 of Cloud’s true theme’s section A return (26:47-27:00). Finally, similarly to what we hear in part 5 of “Aerith’s Theme - The Cetra”, a slightly modified section A phrase 1 of Cloud’s true theme play along with section C phrase 3 of Aerith’s theme (oh wow section A and C section Aerith for Cloud’s theme and section Cloud for Aerith’s theme I just realized that’s such a cute coincidence), though unfortunately they do not meet in the middle like last time since they start two octaves apart (28:20-28:25). I’ve recreated it for you once more here so you can really appreciate it. The fact that their motifs don’t truly reunite like in “Aerith’s Theme - The Cetra” is sad, but the very last thing you see onscreen is Aerith’s goodbye to the Tiny Bronco (27:10-27:42), so it makes sense that this piano conclusion implies that Cloud and Aerith aligned, but not yet reunited for good. That’s exactly what you get from the ending cutscene. It does seem to imply that they will be reunited in part 3, as both the ending cutscene and this piano conclusion read as a “till we see each other again” rather than a “farewell”.
VI. Textual Evidence
Now that the musical evidence is done, let’s compile some textual story evidence that supports our theory!VI. a) Remake Trilogy (Thus Far) Handholding Explained?
As I’m sure you’ve noticed, handholding is a motif in Cloud and Aerith’s relationship— and an extremely symbolic one at that! When researching for info to validate my theory, I found that this Clerith motif was extremely helpful! Its inclusion in the Remake trilogy, and especially in Rebirth, is hugely significant in my eyes.
VI. a) i. Pre-Remake Trilogy: Aerith’s Initiative
Before examining the significance of Clerith handholding in Remake and Rebirth, we should establish the meaning of this motif in OG and Advent Children.
Cloud and Aerith have reached out to take each other’s hands many times since 1997. Aerith used to literally drag him by the hand a lot, shocking the cold and distant merc, before she left. After her death in OG, Cloud surely longed to be able to feel her hand take his again, cursing himself for not enjoying it while she was alive, and for never being the one to grasp her hand first: he never got to tell her how he feels about her, or to save her. It was always her reaching out for him, saving him.
This is why the scene in OG when Aerith reaches for him from the Lifestream after Cloud defeats Sephiroth in chapter 3 of disk 3 is so touching: Cloud sees her hand and reaches out to take it, so close to finally establishing that mutual connection, but she soon fades, and replaced by Tifa’s hand in the tangible world. He doesn’t get to hold Aerith’s hand again.
That is, not until Advent Children, where near the end of his battle with Bahamut Sin, he sees Aerith reach out to him once again (1:08-1:30). Cloud finally gets to hold her hand for the first time in two years when he lost her. This moment was given extra importance by the devs. In fact, Nojima told us the following:
“The ending scene of the battle with Bahamut, the scene where Aerith reaches out her hand, is an homage to the last scene from a previous production. It was [Nomura]'s idea” (FFVII Reunion Files, “Story Digest”, “Summoned Beast”, page 113).VI. a) ii. The Remake Trilogy (Thus Far): Cloud’s Initiative
As I’ve said before, if I’m right that Remake is all about Cloud stepping up to be more attentive and active in his relationship with Aerith in order to save her, there should be concrete evidence of this in the Remaketrilogy thus far. If OG Cloud’s memories of and love for Aerith exist somewhere within Remake Cloud’s subconsciousness, then Remake Cloud should be far more active in the Clerith dynamic than OG Cloud was— after all, he’s supposed to know better this time around. Thankfully, the motif of handholding can help us evaluate this. Since we know pre-Remake Cloud was quite passive when it comes to handholding, Cloud initiating handholding in the Remake trilogy would be a strong indication that our theory has validity. Keeping this in mind, let’s see what we can find thus far in the Remake trilogy in relation to handholding, and if Cloud is indeed more active than he was in OG.
VI. a) ii. 1) Hollow Hands
Remake’s theme song “Hollow” makes allusions to the handholding motif: “This time, I will never let you go” is pretty clear. And so is “No Promises to Keep”, wherein Aerith speaks of Cloud “[taking her] hand and never [letting her] go” multiple times. Interestingly, these theme song lyrics seem to suggest that Cloud will be much more active in the Remake trilogy than in OG. “Hollow” even promises that Cloud will come to his senses and take charge of the situation: “this time, [he] will” be the one to offer his hand to Aerith, unlike in OG and Advent Children. This makes a lot of sense with our theory: now that Cloud has lost Aerith once, “this time for sure, [he]’ll” be the one to reach for Aerith’s hand, take initiative and save her the way she saved him.
Even though theme songs are extremely telling of a game’s main themes and intentions, lyrics are still all talk and no proof. What about the game itself? Do Remake and Rebirth deliver on this promise? Let’s see!
VI. a) ii. 2) Resolution Hands
The only significant time Cloud initiates handholding in Remake is during Cloud’s resolution scene in chapter 14 (5:18-5:40), wherein he tries to grab Aerith’s hand but is unable to keep her with him. He fills with determination and tells her in no uncertain terms that he’s coming for her. Just as we predicted, Cloud is the active participant in this iteration of the Clerith handholding motif: he’s even explicitly insisting against Aerith’s wishes that he should “get a say in all this” and that he’s “coming for [her]”. Let’s not forget that Cloud’s resolution is meant to reflect not only Aerith’s kidnapping by Shinra, but also her fated death. Nojima implied this by commenting the following on Aerith’s “Even if you think you have, it’s not real” line:
“Those who know what befalls Aerith later on will find the line really heart-wrenching” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 744).Given this note by Nojima, it looks like we’re supposed to watch Cloud’s resolution scene with Aerith’s fated death in mind. Considering this, Cloud’s “I’m coming for you” line sure seems like an subconscious promise that he will save Aerith from her tragic fate. This subconscious promise could be the result of post-OG Cloud’s feelings and intentions rising to the surface. Nevertheless, he’s absolutely determined and he’s staying true to the promise he made in “Hollow”. I think it’s fair to say that this instance of the handholding Clerith motif does indeed fit perfectly with our theory. This is only one strong example though, and we need a pattern in order to pat ourselves on the back on this. So, let’s keep looking! There isn’t any handholding initiated by Cloud beyond that point in Remake. At this point in my research, I moved on to Rebirth to go digging for handholding there.
Hoo boy. I was not disappointed.
VI. a) ii. 3) Golden Hands
Let’s begin with the obvious. In their high-affinity gondola date in chapter 12, Cloud bravely interlaces his fingers with Aerith’s: Cloud’s taken charge not only of handholding, but the most intimate kind of handholding. I’m sure you’ve encountered the phrase “こいびとつなぎ” or “koibito tsunagi by now (literally translates to “lovers’ tie” or “lovers’ connection”); this is the term used in Japanese to refer to the type of handholding Cloud initiates with Aerith on the Skywheel. It’s considered the most intimate form of handholding. In Japan, skinship is normally considered quite significant and indicative of the closeness between two people— you could say it’s a big deal. Cloud also offers Aerith his hand when they step off the Shywheel, once more making the first move. Though some might say that the Skywheel dates shouldn’t be counted as canon, I believe Aerith’s date is indeed canon (I have my reasons but this post is long enough). Even if we discount the Skywheel date however, Clerith's use of the koibito tsunagi returns in a non-optional scene we will touch on later.
For what it’s worth, Alfreid offers Rosa his hand in the Loveless play too. I can prove that Aerith is the canon Rosa too, but I’m going to save that for my next analysis! You can take my word for it now, or just wait for that analysis to drop. Take it or leave it!
VI. a) ii. 4) Meta Hands
However, the narrative weight of these Clerith handholding instances doesn’t even come close to my very favorite iteration of the handholding motif in Rebirth. I’m referring to what I consider a severely underrated Clerith moment in chapter 13. First, some context: Sephiroth manipulates Cloud into giving over the Black Materia. Cloud seems to be firmly under Sephiroth’s control. However, the sight of Aerith being swarmed by Black Whispers snaps Cloud back into the driver’s seat: he breaks out of Sephiroth’s grasp to run to her and save her. Aerith gets knocked off into a fatal free-fall by a Black Whisper before Cloud can reach her, but he won’t have it: he lunges forward, hand extended. What results is a beautiful shot of their outstretched hands (56:25-56:27).
Let’s analyze this great shot. Notice how the seconds where Cloud is reaching downwards to grasp Aerith’s hand are treated. This key moment is stretched longer by a slow-mo effect, building up the tension and drawing the audience’s focus to the distance between their hands before Cloud actually catches Aerith’s in his, fulfilling the promise he made in “Hollow”. Their hands take up the whole screen in a deliberate close-up shot. All the ambient noises of the scene go quiet: Aerith’s theme is all we hear as Cloud reaches desperately for her. These are blatant audiovisual cues, signalling to the audience that whatever is happening on screen is especially significant. We should therefore examine this specific instance of the Clerith handholding motif to see what the devs are trying to tell us, and maybe it will fit with our theory!
We should begin by comparing this Clerith hand-reach shot to previous ones. If you compare it to the Advent Children’s hand-reach that occurs during Cloud’s battle against Bahamut Sin, it’s evident that Cloud and Aerith’s roles are reversed: just as our theory states, Cloud gets out from inside his head and reaches for Aerith this time. She saved him and the world in OG, and now it’s his turn to save her. This change becomes especially evident when you juxtapose the two scenes and notice how their hands have switched places, reaching from above and below, from left and right. I think the Rebirth hand-reach was deliberately made to look like the Advent Children one —and even the OG one in disk 3, chapter 3—, just to highlight this role reversal.
This Rebirth hand-reach is my favorite out of all because it shows that Cloud is much more conscious and attentive toward Aerith in Rebirth than he was in OG. At this point in OG (disk 1, chapter 25), Cloud is meant to be beating Aerith up at Sephiroth’s command, to the horror of the rest of the party. In fact, a few minutes before Cloud rushes to save Aerith in Rebirth, he has absolutely no problem violently shoving Tifa to the ground when she gets in Sephiroth’s way (53:27-53:33). This shove and Cloud’s earlier attack on Tifa in Gongaga (Rebirth, chapter 9) proves that Sephiroth is just as capable of making Cloud hurt his party members as he was in OG… though Sephiroth can’t seem to make Cloud hurt Aerith. Why is this? Why is it that Cloud beats Aerith in OG, but doesn’t even lay a finger on her —and snaps out of Sephiroth’s control at the mere sight of her in trouble— in Rebirth?
Our theory provides the answer. In disk 1, chapter 25 of OG, Cloud had not yet realized he loved Aerith. Sephiroth was therefore able to make him hurt her. But things are different in Rebirth. The Cloud we see in the Remake trilogy has gone through the OG timeline and traveled back in time, kicking off Remake as his second try at the OG timeline— and he did this precisely because he loves Aerith. His love for her is clearer and stronger in the Remake trilogy than in OG because Remake Cloud is an amnesiac, post-OG, time-traveler Cloud. He’s been through the OG before, has fallen in love with Aerith and realized it before, so this time around, he can’t even lay a finger on her. This is made evident by how closely the moments where Cloud pushes Tifa and saves Aerith are juxtaposed, separated by mere seconds of gameplay. Merely seeing Aerith in trouble wrenched control from Sephiroth and put it in Cloud’s hands again— Sephiroth probably couldn’t have gotten Cloud to attack Aerith if he tried.
This isn’t the only time we get evidence of this though! As Cloud approaches Aerith’s praying form in the Forgotten City, Sephiroth’s Black Whispers swirl around the buster sword: Sephiroth is trying to kill Aerith with it, while Cloud’s struggle to wrench it away plays out visibly on his face. Interestingly, Cloud is not being controlled by Sephiroth here. We know this because we can quite literally see the Black Whispers trying to move his sword, but also because every time Cloud is being controlled by Sephiroth in Rebirth, he has an empty-eyed, zombie-Cloud look on his face. Either that or he laughs or smiles somewhat maniacally. There is never any resistance on his part. To see an example, simply pay attention to Cloud’s blank face as he attacks Tifa in Gongaga in chapter 9 (19:20-20:30). You’ll see the very same expression on his face if you watch this video of Cloud following Sephiroth’s orders in chapter 13 (53:36-54:15). Additionally, look at how strangely Cloud smiles (41:01) as he grasps the Black Materia. Cloud makes none of these faces as the Black Whispers try to take control of his sword: quite the opposite. Cloud looks like he’s trying his hardest to pull his weapon back down and away from Aerith, a horrified look on his face as he grunts from the effort. Once more, Sephiroth is unable to make Cloud hurt Aerith.
Back to my favorite handholding moment. Think about this devs intention for this shot for a minute. The devs have been teasing us as to whether or not Cloud will succeed in saving Aerith in the Remake trilogy since it was first announced, and this slow-mo shot of Cloud catching Aerith’s hand as she falls to her death is a reflection of this tension. The audience holds their breath during those slow-moed seconds, all that hope and fear hanging in the balance. This instance of the handholding motif is a meta way for the devs to reassure us that Cloud will indeed save Aerith. I firmly believe this.
VI. a) ii. 5) Self-Sacrificing Hands
Alright, alright, enough about my favorite! Let’s move to chapter 14 of Rebirth! There’s evidently a lot going on with Clerith in this chapter. Let’s address the Sector 5 date. The handholding is first initiated by Aerith as she tugs him toward the candy vendor and Cloud reacts with a quiet gasp (4:07-4:17). Soon, it becomes a reciprocal embrace: Cloud holds his hand out for Aerith’s and tightens his fingers around hers, smiling at her before they head to the photographer (7:07-7:17).
Then of course, when Aerith pushes Cloud into a portal in her church, you can see Cloud reach his hand up toward her desperately as he falls (17:38-17:58). What I find particularly emotional about this moment is that Aerith pushing Cloud away from her is kind of the opposite of reaching for his hand: it symbolizes Aerith accepting her fate and giving up on a life where she can be with him. This Aerith seems to be a post-OG Aerith who exists separately from the main world we experience in Rebirth, meaning she knows all too well that her fate is to die. In fact, it looks like she is the very same or a similar Aerith to the one who appeared to Cloud in his resolution scene in Remake. By literally pushing Cloud away, just like she figuratively did in Cloud’s resolution scene, she is sacrificing both herself and the happiness she could share with Cloud. She’s going against her heart’s wishes, just like she did in Cloud’s resolution scene when she would not let Cloud take her hand. Indeed, post-OG Aerith seems to be resigned to her fated death and completely devoid of hope: she only wants to ensure the planet’s survival, because she thinks she knows there is no way she can or should be with Cloud. In contrast, Cloud reaches his hand out toward Aerith as he falls into the portal, and even though he does not know that her push symbolizes her self-sacrifice, his outstretched hand represents his protest. So far, our theory is fitting beautifully.
VI. a) ii. 6) Grieving Hands
Later in chapter 14 of Rebirth, after Aerith’s death/non-death, there is more handholding. As Cloud cradles Aerith’s body close to him at the Forgotten Capital, Aerith places her hand on his cheek. Cloud covers it with his, curling his fingers around it (1:03:33-1:03:53). Before he leaves her lying down on her back to go fight Sephiroth, he squeezes her hand as he tells her “I got this”— or, per the Japanese version, “Wait for me”, meaning he’ll reunite with her once he’s done (1:04:56-1:05:10).
VI. a) ii. 7) Hero-Heroine Hands
Next, the koibito tsunagi returns as Cloud and Aerith interlace fingers back to back in a classic hero-heroine pose, right after their two-versus-one fight against Sephiroth. This time, they both reach for each other simultaneously (7:42-8:18), without even having to look down at their hands or talk to each other, as though perfectly in sync. As you can see, Aerith and Cloud are now on the same page. This is different from post-OG Aerith’s attitude in the Sector 5 church earlier in chapter 14, as well as in Cloud’s resolution scene in Remake— my interpretation of this mutual koibito tsunagi is that both of them are agreeing to hold onto each other now, with neither of them pulling back or being inattentive of the other: their priorities are now the same. It seems now they are aligned, and hopefully this means that Aerith will be working together with Cloud so they can reunite again in part 3. Even if she doesn’t prioritize her life and happiness though, we know for sure Cloud will.
VI. b) Blocking Masamune Explained?
Another piece of evidence that Cloud has been through the events of OG before is the fact that he is able to block masamune. Cloud looks up and sees Sephiroth descending with his blade poised to kill Aerith. Screaming, Cloud instantly rips the buster sword from the Black Whispers’ hold and successfully blocks masamune. Hatred and determination fill his eyes as he rallies his strength and successfully pushes Sephiroth away, saving Aerith’s life (6:00-7:26)— at least, in one reality.
Obviously, something about Cloud is different in Rebirth from in OG, otherwise, the events of Rebirth’s chapter 14 would be the same as the events of OG’s disk 1 chapter 28. In my opinion, what happened here is that upon seeing Sephiroth swoop down with masamune, Cloud remembered Aerith’s death in OG, and the post-OG Cloud’s determination to stop it came surging up from within him. This is frankly the very best proof there is that Cloud is far more ready, stable, determined, and clear-headed about Aerith in the Remake trilogy than in OG. Our theory explains why! In fact, this very moment is what our entire theory banks on: Cloud saves Aerith in one reality, as is shown by the rainbow effect produced by the event, and just like that, the promise made in “Hollow” has been fulfilled! However, now we face the question of how to make sure that Aerith is alive and by Cloud’s side when the multiverse converges again into one protected timeline. I’m sure it will be done; we will see how in part 3.
VI. c) Theme Song Lyrics
What the theme songs’ texts have to say about the trilogy so far is quite important, as they summarize the feelings of the characters they represent: Cloud and Aerith. We can glean a lot from their perspectives that could help support the Mission Theory.
VI. d) i. “Hollow” Lyrics
“Hollow”, Remake’s theme song, was written about Cloud’s feelings and rumination. Nojima confirmed that, when he was given directives for the lyric-writing, “Nomura just gave [Nojima] the keywords: ‘told from Cloud's point of view’ and ‘standing in the rain’. [Nojima] interpreted that as ‘a ballad for a man who lost something/someone important’” (Nojima and Uematsu interview “‘I wanted to put the word ‘empty’ in the theme song of Remake. That was how it started’ - Music-Related Interview Part 6: Kazunari Nojima”, by Famitsu). Our theory is about Cloud’s motivations and mission to save Aerith, so “Hollow” is especially relevant.
Let’s run through the lyrics and analyze, starting with the song’s first verse:
“I would be lost, drifting alongMakes sense with our theory in mind, doesn’t it? This is post-OG Cloud remembering Aerith and what she means to him. “Hollow” seems to be told from the perspective of the post-OG Cloud hidden somewhere in Remake Cloud: a suppressed or eroded part of him that remembers Aerith clearly. Or maybe it’s told by Cloud after the events of the MFF x FFVII Remake collaboration and before the start of Remake, asserting his mission to save Aerith.
Floating up high, time after time
And there you'd be, shining brightly
Your smiling face to guide my way
Bloody and bruised, brought to my knees
When beaten down, when broken up
You would appear, reach out to me
Heal every wound and make me whole”
Next, here are the pre-choruses:
“Was it all, a dream? Will I never know?&
Foolish and blind to everything
Had I realized, had I thought it through
Would you be here in my embrace?”
“With your every smile, hiding something more(continued in
Dark mysteries lurking beneath
But I was consumed with this emptiness
This selfishness, this void to fill”
2024.05.16 16:12 CIAHerpes I remember the night I died and saw the Bardo.
There are some kinds of wisdom only great suffering can bring. I remember my time in the Bardo with this in mind, for otherwise, the memory might drive me insane.
The night my heart stopped for nearly three minutes started off normally enough. I was working as a nurse in the psychiatric ward at a hospital in the state’s capital. Most of the patients there were harmless, mostly just suicide attempts or people suffering from drug psychosis or severe depression, but some were actively dangerous and certainly psychopathic in every sense of the word. The new admission was one of these- a three-hundred pound black man with a long history of smoking PCP, schizophrenia and violent, psychotic breaks from reality.
His eyes looked like flat pieces of slate as I walked in for my shift. They looked as blank and emotionless as the eyes of a doll. He sat at the table in the front room where the patients ate or played cards, alone under the bright fluorescent lights of the hospital. I walked to the station, where another psychiatric nurse named Ricardo was sitting behind the desk.
“What’s the deal with the new guy?” I asked him. Ricardo looked up, his dark Spanish face forming into a deep scowl. He ran his fingers through his jet-black hair nervously.
“He’s trouble, man,” he said in a crisp accent. “He got in a chase with the police and then punched some cops in the face. It took three guys to take him down, even after he got maced and tased. The judge sent him here on a temporary court order, since he claims he’s been getting chased by Nazis in UFOs, and that’s why he ran from the cops. He thought the cops in their uniforms were actually the SS, and the helicopters were alien spacecraft, or something. I don’t know, I didn’t listen to the whole story.”
“You have his file?” I asked. Ricardo leafed through a stack of folders with his thin fingers, snatching one out and handing it to me. I looked down, reading the information:
“Jeremiah Brown, black male, 37-years-old.
“History: Polysubstance abuse, schizophrenia, antisocial personality disorder.
“Psychiatrist’s note: This patient has scored a 36 out of 40 on the Hare Psychopathy Checklist. While I am always hesitant to label a patient as an antisocial personality, a combination of factors has made it essential for this patient.
“Patient has an extensive criminal history as well as a lengthy history of involuntary psychiatric admissions. He has been diagnosed as having antisocial traits since he was a young teenager. Patient has a long history of violence and suicide attempts. He has a history of imprisonment for manslaughter, armed robbery, grand theft and aggravated assault. Upon discharge, he refuses to take any antipsychotic medication, citing the side effects as the reason. Long-term prognosis is poor…”
I had not been sleeping well the past few weeks. I rubbed my eyes as I read through the file, feeling exhausted. I tried putting on lucid dreaming or meditation music from YouTube to help me sleep, but whenever I closed my eyes, I saw horrible things: chalk-white female faces whose lips were cut into an insane rictus grin, flicking their heads violently from side to side and gnashing their fangs at the air. I had a feeling that many years of constantly watching horror movies and serial killer documentaries was catching up with me.
As I read through the file, a student nurse came around the corner wearing a white state university outfit and a name tag that said Kaitlyn. I looked up, seeing Ricardo wink at me from where he was sitting in his chair behind the main desk.
“She’s going to follow you,” he said. Inwardly, I groaned, but I managed to force a smile.
“Oh, great!” I said. She looked like she was probably no older than nineteen or twenty. She had a pretty body, but her face looked strange. All the angles were too sharp and her nose too large. I knew the patients here wouldn’t care, though. They would hit on anything. I sensed trouble. I looked down at my watch.
“Well, I’m Jay, and you already know Ricardo, I guess. It’s good timing, because we need to give medications every day at 9 PM. And we have a new patient, so we can introduce ourselves,” I said, giving her a faint smile.
“That’s exciting!” Kaitlyn whispered. I wanted to roll my eyes. It was definitely not exciting.
I motioned her to follow me as I made my way to the medication room, which was really just a large closet off of the main day room. I had to enter my code on a keypad, and then, once inside, enter it again along with the patient’s number and date of birth. The correct drawers for the medication in each specific dose would fly open, making it extremely hard for the wrong medications or doses to be given, unless it was done intentionally.
“OK, so for this patient, we need Haldol, Ativan and…” I began saying to Kaitlyn when the yelling started. It came out faintly, rising in volume and anger within seconds. I heard Ricardo’s Spanish voice, filled with panic. Something slammed hard against a wall, once, twice, three times, and then I heard the sound of glass breaking. I jumped, spinning around, but I couldn’t see much through the small, shatter-proof glass pane on the wooden door.
“Stay here,” I commanded, seeing Kaitlyn’s eyes widen, her freckled skin looking much paler than when we had first come in. “Don’t leave until I come back and say that it’s safe.” On the speakers strung throughout the hospital, I heard the first of the warnings echo out around us.
“Doctor Strong, Doctor Strong, please report to the seventh floor,” a robotic female voice said calmly, using the code for when a patient had to be subdued by force. I pushed the door open, slamming it shut behind me so that the lock would activate and protect Kaitlyn from whatever chaos was going on.
I heard Ricardo pleading with someone at the end of the hallway that ran past the main desk. He sounded strange, as if he were trying to talk through a mouthful of blood. Huddled behind the main computer, I saw one of the CNAs frantically whispering something in the phone. She must have been the one to call the Dr. Strong order.
“You don’t have to do this, man,” Ricardo gurgled faintly. I couldn’t see what was happening, as Jeremiah’s large body was blocking my view. I could see that the thick glass window at the end of the hallway was broken, however. My heart skipped a beat as I surmised what was likely happening.
I sprinted forward as quietly as I could, but the large man heard me. His massive body turned, his flat, dead eyes scanning me with absolute coldness and calm. I saw he had a bleeding Ricardo in his hands. Ricardo’s back and head were covered in deep cuts and shards of glass. He must have used Ricardo’s body as a battering ram to break the thick glass window. Jeremiah held Ricardo suspended halfway out the window, seven floors above the concrete walkways far below.
“Stay back, or this fucker will know what it feels like to fly,” Jeremiah said in a deep, gravelly voice. He shook Ricardo for emphasis, sending his head snapping back and forth with painful cracking sounds. Drops of blood flew from his nose and a deep gash across his cheek. Pieces of shattered glass littered the carpet, shining like countless tiny stars.
I put my hands up, taking a step back. Far behind me, I heard the front door for the psychiatric ward open. Voices echoed down the hall. Knowing that reinforcements were coming, I tried to buy some time.
“Let’s talk about this,” I said, taking a step forward slowly. “You don’t want a murder charge, do you? You’ll never see the sky again.”
“I don’t give a fuck! I’m not afraid to die!” Jeremiah screamed, pushing Ricardo onto one of the shards of broken glass still attached to the windowsill. It bit deeply into the back of his neck, sending fresh streams of blood rushing out, dripping down to the pavement far below. I heard security guards and doctors running down the hallway behind me, their voices frantic and excited. Jeremiah saw them coming. With an animalistic panic in his eyes, he lifted Ricardo up. I cried out something, stepping forward, but it was already too late. In horror, I watched as he threw Ricardo out the window.
I watched Ricardo’s body soar in a graceful arc, his arms grabbing at empty air as a scream ripped its way out of his throat. Within a fraction of a second, he had disappeared from view, but his terrified shrieking floated up to us for what seemed like a very long time. His screams ended abruptly as a shattering of bones and a wet smacking sound exploded far below us.
Jeremiah turned to me, his large body moving much faster than seemed possible. In his hand, I saw a piece of broken glass, five or six inches long and as sharp as a dagger. I tried to turn and run, but he was fast and strong. He lunged forward, his arm coming up in a blur towards my neck.
The shard entered my skin with a cold, numbing pain. I felt it slice through the flesh easily, felt the blood bubbling up my throat as I tried to scream, choking. The taste of iron filled my mouth as I fell backwards. I was suffocating, I knew. I must be dying.
Something cold ran down my body, gripping my heart like freezing, skeletal hands. The world swam around me and turned black. And then I was rising into a tunnel. At first, it was dark, filled with flickering shadows, but a fiery red light appeared at the end. I followed it, no more than a screaming mass of consciousness rising up into infinity.
***
I rose up through the end of the tunnel and found myself in an empty hospital ward. It looked identical to the psychiatric ward I had just come from. It even had the same smashed, blood-streaked window at the end of the hallway. A massive puddle of blood about ten feet away marked the spot where I must have died. But the fluorescent lights overhead here were flickering, and many had gone totally dark. The shadows seemed to press in on all sides.
The doors to the patients’ rooms were all tightly shut. I felt watched, afraid to call out or make any noise. I started walking down the hallway back towards the day room where the front desk was. All the lights there were out. A thick curtain of shadows hung in the air.
“You can come out,” a male voice as smooth as glass called from the darkness. I jumped, my head flicking in random directions, but I saw nothing. The voice almost sounded like it had an English lilt to it, a slight Cockneyed accent. “I know you’re there.”
“Who’s there?” I called out, not stepping forward. “Show yourself.”
“As you wish…” the voice hissed. “But I think you’ll regret it.”
***
The darkness split apart as if a nuclear missile had exploded. I raised my hand to shield my face, but the light and heat kept pouring out all around me. It blinded me, causing a rainbow of colors and shapes to morph behind my closed eyelids. After a few seconds, it subsided. Blinking rapidly, I squinted in the direction the voice had come from.
A male figure stood there, bathed in a silhouette of light. His face looked as white and as smooth as marble. His eyes were pits of darkness that seemed to flicker and burn. Two black, rotted wings surrounded his body, all sharp angles and thin, curving bones. His body was clothed in silky, blood-red robes, and a hood covered his platinum blonde hair.
He looked somewhat similar to Leonardo DiCaprio, if he was possessed by some ancient god, and it immediately threw me off-guard. If I was dying, and this was a hallucination of my brain, why would I be hallucinating Mr. DiCaprio?
“Who are you?” I asked, taking a hesitant step back. “Where am I?”
“My name is Lucifer, the Bringer of Light and Wisdom, and you are in the Bardo,” he answered.
“Oh,” I said, my heart dropping. “Well, that’s not good. Are you here to torture me or drag to me to Hell or something? You are that Lucifer, right? The Accuser of God and the Father of All Lies?”
“So they say, but, like most things in your world, the words of the powerful and your rulers are the true lies. They call me the Accuser, but of what am I accused?” he spoke in a voice that rose like smoke. “Of bringing knowledge and wisdom to humanity by telling them to eat from the tree of knowledge, the tree that would cause them to rise above the animals?
“Indeed, at the beginning, I saw the creation. I was there at the alpha, standing by the side of God with all the angels as the universe came into being. The endless procession of light, the power of it, was something remarkable to behold. God is, indeed, the source of great power, but his consciousness is not what the believers say.
“After the creation of the universe, I saw his plan, how he ripped eternal souls from the source to imprison them. I saw how he took these divine sparks and forced them, screaming and wailing, into bodies made of meat to die over and over again. He said it was part of the plan, the great, divine plan, a plan of death and destruction, constant suffering and mindless agony. And the worst part was, he wanted to give humanity neither the knowledge of good and evil, nor the tree of life. I convinced them to eat the fruit so they could open their eyes to their nakedness, to their basic animal existence, so they could rise up out of it forever.
“Like Prometheus, I brought down the fire, and yet they call me the Accuser? God was insane long before he formed the universe. These holy men, they live and die in fanatical adoration to a divine being who is, in fact, totally indifferent to them.
“His consciousness twists and distorts, eating itself for all eternity. God feeds off the pain of others, for if his mind is burning, then all others should burn as well. When these holy men die, God will send their souls here to the Bardo, to suffer every evil they have ever done. The wisdom I brought those who called upon me freed them from this prison, and in exchange, the holy men burned them alive. I offered the wisdom that opens your eyes, but it has been forgotten and cursed.”
Lucifer’s body began to dissolve, drifting up into the air like ashes. All around me, a low, powerful current blew, a tornado that spiraled high up into the clouds. Like some sort of Cheshire Cat, his smooth voice continued to echo all around me, even as the form of Lucifer disappeared.
“And yet, you have not the wisdom. For that, like all the others who enter the Bardo, you must suffer, everything you’ve done. Every small hurt and agony inflicted on others comes back a thousand-fold in this place, but don’t be afraid.”
“How could I not be afraid?!” I screamed into the ward, but I found myself alone, the question hanging unanswered in the air.
***
The lights continued to flicker all down the hallway. Feeling strange and dissociated, I stumbled over to one of the windows. As I gazed out, I beheld a strange and alien world.
The sky was flat and gray. It stayed in constant motion, swirling and spiraling, like clouds of roiling smoke. There was no Sun or Moon, no stars, only the strange, shifting whorls of clouds. The streets were filled with burned-out husks of cars and mummified bodies hung from streetlamps. Other signs of carnage and bloodshed covered the apocalyptic streets. I saw what looked like shadows in the shape of people slinking through over the sidewalks, past rotting dogs and streaks of clotted blood. They had no features on their blank, dark bodies. They seemed to skitter and jerk forwards in eerie, twisting motions.
Horrified, I turned away, realizing I was no longer alone in the day room. In the day room, there were dozens of tables set up inside a rectangular perimeter that was walled in by cosmetic walls only four feet high. It was where the patients sat and played games or ate.
Under the flickering lights, I now saw each of the chairs filled with faceless mannequins. Many were dressed in Victorian suits and tophats. The women had frilly dresses of pink and blue that might have been fashionable in the 1800s.
As the lights strobed on and off overhead, I realized with an increasing sense of disquiet that the mannequins were moving each time it went dark. When I had first seen them, they were mostly posed to look like they were staring across the tables at each other, even though they had no eyes, just smooth, flesh-colored plastic. Now all of them were looking directly at me. Some were pointing or raising their hands in my direction. At the tips of their fingers, I saw the glittering of steel. The lights continued to flicker, and the mannequins rose from their chairs in the short periods of darkness, moving towards me in synchronized, strobing motions.
Frantically, I ran down the hallway back towards the broken window. In each of the rooms, I caught glimpses of something from a nightmare peeking out. I hadn’t been sleeping well lately, and when I had closed my eyes, I often saw ancient hags with chalk-white skin and yellowed, broken teeth whose jaws unhinged, their faces jerking in stuttering, dissonant ways that reminded me of the mannequins. Now, on both sides of me, I saw these same figures. They moved continuously out of the rooms, drawing closer with every breath.
I looked back, seeing the mannequins only a few steps behind me. I continued sprinting towards the broken window where the hallway ended in a wall. I didn’t know what would happen when I reached it. At that moment, there was no rational thought. I felt like a deer being chased down by a pack of wolves, feeling waves of blind panic and mortal terror rushing through my body.
But as I reached the end of the hallway, the end of my rope as it were, a blast of noise started, seeming to come from the walls of the building and the sky itself. It sounded like a siren, a low, drawn-out drone of a demonic whale call, rising and falling in crashing crescendos. The mannequins froze in place once again. The strange, witch-like creatures slunk back into the dark rooms.
I looked outside the broken window, seeing clouds of black smoke rising off in the distance. The flickering of massive infernos scorched the land, drawing nearer by the second. The siren sound faded slowly, like the dying echoes of a gong.
I was surrounded by dozens of mannequins. Their sharp hands were inches away from my face and neck. I saw metal glittering all around me and realized they had the sharp points of nails protruding from the ends of their fingers. I was afraid to move, but I heard a familiar voice from down the hallway. It was the confident voice of Lucifer.
“The siren means much worse nightmares than these are coming in the Bardo,” he said, his glossy, black eyes flashing with intelligence. He walked slowly towards me, his face grim and pale. “Hell itself is coming over the land. This building is no more than a construction of your dying mind, but the world outside is real.”
“How can Hell come and go?” I asked, confused. “Isn’t Hell a place?”
“Hell is a monster, a beast with many mouths and many eyes,” Lucifer responded. “It eats constantly, but its hunger never ends. Look, the first of the sacrifices scatter like cockroaches.” He pointed out the broken window, pushing his way through the mannequins effortlessly. I glanced outside, seeing thousands of people sprinting down the dark city streets. The inferno and thick clouds of smoke had moved much closer, and every few seconds, the ground shook slightly, as if we were experiencing the aftershocks of an earthquake.
“What can I do against such a beast?” I asked, my heart freezing with terror. But when I looked back over, I saw his form dissolving again, becoming translucent and drifting away like ashes. It seemed even Lucifer didn’t want to be present when the Hell-beast arrived.
“Seek divine wisdom,” he said, his voice trailing off into whispers. “Remember the source.”
***
Now crowds of tens of thousands of people were streaming into the city, filling every single inch of the streets. Their panic and fear was contagious. I felt it rising inside my body like a snake spiraling up my spine. I took off down the hallway, running through the swarm of frozen mannequins, each in their own ferocious position of attack. The lights flickered faster and went out. Yet the fires outside cast the entire world in a bloody glow, giving me enough light to see by and find my way. I sprinted down the stairwell, taking them two steps at a time. The screaming outside grew louder and more pain-filled. The shaking of the ground worsened with every passing second.
I burst out of the front entrance, seeing a world on fire all around me. Thousands of crushed, bleeding and burned bodies stretched out as far as the eye could see. Behind all this chaos and death, I saw a monster of unimaginable proportions slinking its way towards me.
Lucifer was right, I realized: Hell was not a place, but a creature, an enormous monster the size of a town. It had thousands of skittering, jointed legs that looked like little more than skeletal arms and hands, each of them dozens of feet long and white as freshly-cut marble. Its body stretched out to the horizon, an enormous blood-red cylinder of bony plates that slithered and undulated with a serpentine grace. Waves of peristalsis traveled down its length, like writhing intestines. Thousands of curving, bony spikes stabbed out of it, pointing in every direction. Like the quills of a porcupine, it would protect the massive creature’s body from many forms of attack, if anything was big enough to attack such an abomination.
Hell’s massive eyes flickered, balls of fire that spun and danced. They looked as bright as the Sun. Something like solar flares seemed to emanate from the orbs, flashes of blinding energy that floated over the apocalyptic wasteland. As its many legs smashed the ground, they left trails of fire that caused everything to explode into flames as if napalm dripped from its limbs.
But Hell’s most terrifying feature was its seven dark mouths. Its body looked a thousand feet wide, and the mouths at the front were evenly dispersed. At the front, blood-red teeth in the shape of enormous railroad spikes shone. Its lipless, skeletal face grinned as it moved forward, shaking the ground with every step. The mouths were on long, snake-like necks that could stretch out hundreds of feet. They moved forward in a blur, snapping up as many panicked souls as they could.
Countless souls in the rocky plains of the Bardo ran for their lives, away from this juggernaut. I saw men and women who looked like they came from every country and profession, some dressed in suits or spotless white lab coats, others wearing rags or orange prison jumpsuits. And yet, they all screamed in agony and fear here, their bodies pressed together in a crowd, and no one seemed to remember anything but their own mortal terror. Their voices came out faint and weak next to the roaring of Hell. It shook the ground all around us, as if an earthquake were tearing the land apart.
The first frantic runners of the surging crowd had nearly reached me. The nearest person, a young woman in her mid-twenties dressed in all white, was only ten feet behind me. She looked like she came from wealth, and even from here, I could see a ring with a massive diamond gleaming on her finger.
I took off blindly down the familiar streets of the city where I worked and lived, but these also seemed different. The church down the street from the hospital where I worked had a Satanic pentagram instead of a cross now, its exterior painted a bright, gleaming blood-red. When I had driven past it today on my way to work, I remember it read, “JESUS said, ‘I am the Way, the Truth and the Life. No one comes to the Father except through Me.’”
Now it read, “Nietzsche said, ‘Of all evil, I deem you capable. I have often laughed at the weaklings who thought themselves good simply because they had no claws.’” I wondered what that meant. Was that some sort of comment on me, on all of us here?
The woman I had seen running had caught up with me. She was fast, much faster than her slim body suggested. Her blue eyes were frantic and wild, filled with an animal panic.
“It’s right behind us!” she screamed, her face covered in a sheen of sweat. I was afraid to turn and look, but I could hear the chaos and bloodshed approaching, smell the flames and choking smoke. “Run! Get away!”
A new wave of energy surged through my body. I sprinted as fast I could down the strange mirror streets of the Bardo. I heard the agonized cries of countless souls behind us as the seven mouths of Hell ate them all greedily and then looked for more.
A skyscraper behind us collapsed into a pile of rubble, shaking the ground with a cacophony of falling concrete and shattering glass. The woman was running by my side. Just as I heard the breathing of something huge and predatory right behind us and smelled its sulfuric breath, a piece of concrete the size of a basketball broke off the collapsing skyscraper and flew into the road. I tripped over it, yelling as I flew through the air, skinning my arms and legs on the pavement. The woman’s eyes widened. Hurriedly, she came over and reached down her hand, trying to help me up.
“Come on, come on!” she cried. I looked behind her, seeing one of the gnashing mouths of Hell reaching forward on a blood-red, serpentine neck. The mouth was big enough to drive a tractor trailer into, filled with huge spikes of teeth. Its throat led into a black, smoke-filled abyss. Its fiery eyes were swirling pools of flickering orange light that shone with bloodlust and insanity. They focused on the woman, the entire head turning on its slithering neck.
I frantically raised my hand, intertwining my fingers with hers. Her hand was warm and soft. She started to pull me to my feet when the mouth of Hell snapped forward. Its jaw unhinged, scraping the pavement with a sound like grinding metal. The woman barely had time to turn as the mouth covered her and snapped shut with a crack.
She disappeared from view instantly, but I was still holding her hand. In horror, I felt warm rivers of blood explode all over my body as the mouth of Hell severed her arm at the wrist. She screamed, bleeding and crying, as she disappeared into the throat of Hell. Hell’s fiery eyes focused on me, and at that moment, I knew I was next. Its mouth opened wide again, like a bear trap ready to spring on a new victim.
It was dark in Hell’s mouth, but I smelled the thick reek of old blood and fire. I caught glimpses of tortured, mutilated bodies writhing and crawling down its throat. Shell-shocked, I could only lay there and watch. And that was when the strange doubling started.
***
I heard the frantic voices of men break through the fog of darkness and the fetid reek of blood. There was a mechanical beeping all around me, but I couldn’t tell where it was coming from.
“Clear!” one cried. I looked around, only seeing blackness. At that moment, I felt a surge of electricity rip itself through my body. My arms and legs all seized and my eyes rolled up in my head as the pain sizzled through each one of my nerves. I clutched the young woman’s hand tightly, feeling the large, gold ring with the massive diamond biting into my skin.
“Again!” another voice yelled.
“Clear!” the original voice cried. The electricity came again, and a flash of white light flew across my vision. I blinked, seeing from two sets of eyes at the same time: one in the Bardo, and one on the blood-stained floor of the hospital ward.
The Bardo stayed dark and sinister, but the clear white lights of the real psychiatric ward were blinding. It was a bizarre experience. Moreover, everything hurt. Over a few seconds, my vision of the Bardo faded, and I was simply a gravely injured man laying on the floor in a puddle of blood.
Four doctors and paramedics were crouching over me with a defibrillator. My shirt was ripped off, and nearly all of my skin was covered in blood. I raised my left hand, trying to talk, but only a fiery pain raced through my neck. I felt bandages covering my skin. A nurse was rolling a stretcher down the hallway towards me.
“It’s OK,” one of the doctors said, kneeling down. “You’re being taken to emergency surgery. You’ve lost a lot of blood.” I wanted to say something, but I couldn’t talk with the massive slice in my neck.
At that moment, I felt something in my right hand. I looked down, seeing a slim female hand with a massive diamond ring hanging there. Our fingers were wrapped around each other’s, but the hand had been cut off at the wrist. A ragged patch of bloody flesh and snapped bone poked out of the back.
“Nnnn,” I tried to say, shaking my head. I felt fresh streams of warm blood open up. “No…” The doctors looked down, seeing the dismembered hand. Their faces morphed into expressions of confusion and fear.
I closed my eyes as they lifted me up on the stretcher. One of them gently removed the cold hand from my fingers. But they could never remove the memory of what I had seen.
I know what happens after death, and it makes the worst life here seem like a dream. I know that, one day, I’ll be returned to that place. I know that, one day, I’ll see that great monster called Hell and the featureless, swirling sky of the Bardo again.
And the next time, I won’t wake up on a hospital floor, but will be trapped there with the others for eternity: an eternity of blood and fire.
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The night my heart stopped for nearly three minutes started off normally enough. I was working as a nurse in the psychiatric ward at a hospital in the state’s capital. Most of the patients there were harmless, mostly just suicide attempts or people suffering from drug psychosis or severe depression, but some were actively dangerous and certainly psychopathic in every sense of the word. The new admission was one of these- a three-hundred pound black man with a long history of smoking PCP, schizophrenia and violent, psychotic breaks from reality.
His eyes looked like flat pieces of slate as I walked in for my shift. They looked as blank and emotionless as the eyes of a doll. He sat at the table in the front room where the patients ate or played cards, alone under the bright fluorescent lights of the hospital. I walked to the station, where another psychiatric nurse named Ricardo was sitting behind the desk.
“What’s the deal with the new guy?” I asked him. Ricardo looked up, his dark Spanish face forming into a deep scowl. He ran his fingers through his jet-black hair nervously.
“He’s trouble, man,” he said in a crisp accent. “He got in a chase with the police and then punched some cops in the face. It took three guys to take him down, even after he got maced and tased. The judge sent him here on a temporary court order, since he claims he’s been getting chased by Nazis in UFOs, and that’s why he ran from the cops. He thought the cops in their uniforms were actually the SS, and the helicopters were alien spacecraft, or something. I don’t know, I didn’t listen to the whole story.”
“You have his file?” I asked. Ricardo leafed through a stack of folders with his thin fingers, snatching one out and handing it to me. I looked down, reading the information:
“Jeremiah Brown, black male, 37-years-old.
“History: Polysubstance abuse, schizophrenia, antisocial personality disorder.
“Psychiatrist’s note: This patient has scored a 36 out of 40 on the Hare Psychopathy Checklist. While I am always hesitant to label a patient as an antisocial personality, a combination of factors has made it essential for this patient.
“Patient has an extensive criminal history as well as a lengthy history of involuntary psychiatric admissions. He has been diagnosed as having antisocial traits since he was a young teenager. Patient has a long history of violence and suicide attempts. He has a history of imprisonment for manslaughter, armed robbery, grand theft and aggravated assault. Upon discharge, he refuses to take any antipsychotic medication, citing the side effects as the reason. Long-term prognosis is poor…”
I had not been sleeping well the past few weeks. I rubbed my eyes as I read through the file, feeling exhausted. I tried putting on lucid dreaming or meditation music from YouTube to help me sleep, but whenever I closed my eyes, I saw horrible things: chalk-white female faces whose lips were cut into an insane rictus grin, flicking their heads violently from side to side and gnashing their fangs at the air. I had a feeling that many years of constantly watching horror movies and serial killer documentaries was catching up with me.
As I read through the file, a student nurse came around the corner wearing a white state university outfit and a name tag that said Kaitlyn. I looked up, seeing Ricardo wink at me from where he was sitting in his chair behind the main desk.
“She’s going to follow you,” he said. Inwardly, I groaned, but I managed to force a smile.
“Oh, great!” I said. She looked like she was probably no older than nineteen or twenty. She had a pretty body, but her face looked strange. All the angles were too sharp and her nose too large. I knew the patients here wouldn’t care, though. They would hit on anything. I sensed trouble. I looked down at my watch.
“Well, I’m Jay, and you already know Ricardo, I guess. It’s good timing, because we need to give medications every day at 9 PM. And we have a new patient, so we can introduce ourselves,” I said, giving her a faint smile.
“That’s exciting!” Kaitlyn whispered. I wanted to roll my eyes. It was definitely not exciting.
I motioned her to follow me as I made my way to the medication room, which was really just a large closet off of the main day room. I had to enter my code on a keypad, and then, once inside, enter it again along with the patient’s number and date of birth. The correct drawers for the medication in each specific dose would fly open, making it extremely hard for the wrong medications or doses to be given, unless it was done intentionally.
“OK, so for this patient, we need Haldol, Ativan and…” I began saying to Kaitlyn when the yelling started. It came out faintly, rising in volume and anger within seconds. I heard Ricardo’s Spanish voice, filled with panic. Something slammed hard against a wall, once, twice, three times, and then I heard the sound of glass breaking. I jumped, spinning around, but I couldn’t see much through the small, shatter-proof glass pane on the wooden door.
“Stay here,” I commanded, seeing Kaitlyn’s eyes widen, her freckled skin looking much paler than when we had first come in. “Don’t leave until I come back and say that it’s safe.” On the speakers strung throughout the hospital, I heard the first of the warnings echo out around us.
“Doctor Strong, Doctor Strong, please report to the seventh floor,” a robotic female voice said calmly, using the code for when a patient had to be subdued by force. I pushed the door open, slamming it shut behind me so that the lock would activate and protect Kaitlyn from whatever chaos was going on.
I heard Ricardo pleading with someone at the end of the hallway that ran past the main desk. He sounded strange, as if he were trying to talk through a mouthful of blood. Huddled behind the main computer, I saw one of the CNAs frantically whispering something in the phone. She must have been the one to call the Dr. Strong order.
“You don’t have to do this, man,” Ricardo gurgled faintly. I couldn’t see what was happening, as Jeremiah’s large body was blocking my view. I could see that the thick glass window at the end of the hallway was broken, however. My heart skipped a beat as I surmised what was likely happening.
I sprinted forward as quietly as I could, but the large man heard me. His massive body turned, his flat, dead eyes scanning me with absolute coldness and calm. I saw he had a bleeding Ricardo in his hands. Ricardo’s back and head were covered in deep cuts and shards of glass. He must have used Ricardo’s body as a battering ram to break the thick glass window. Jeremiah held Ricardo suspended halfway out the window, seven floors above the concrete walkways far below.
“Stay back, or this fucker will know what it feels like to fly,” Jeremiah said in a deep, gravelly voice. He shook Ricardo for emphasis, sending his head snapping back and forth with painful cracking sounds. Drops of blood flew from his nose and a deep gash across his cheek. Pieces of shattered glass littered the carpet, shining like countless tiny stars.
I put my hands up, taking a step back. Far behind me, I heard the front door for the psychiatric ward open. Voices echoed down the hall. Knowing that reinforcements were coming, I tried to buy some time.
“Let’s talk about this,” I said, taking a step forward slowly. “You don’t want a murder charge, do you? You’ll never see the sky again.”
“I don’t give a fuck! I’m not afraid to die!” Jeremiah screamed, pushing Ricardo onto one of the shards of broken glass still attached to the windowsill. It bit deeply into the back of his neck, sending fresh streams of blood rushing out, dripping down to the pavement far below. I heard security guards and doctors running down the hallway behind me, their voices frantic and excited. Jeremiah saw them coming. With an animalistic panic in his eyes, he lifted Ricardo up. I cried out something, stepping forward, but it was already too late. In horror, I watched as he threw Ricardo out the window.
I watched Ricardo’s body soar in a graceful arc, his arms grabbing at empty air as a scream ripped its way out of his throat. Within a fraction of a second, he had disappeared from view, but his terrified shrieking floated up to us for what seemed like a very long time. His screams ended abruptly as a shattering of bones and a wet smacking sound exploded far below us.
Jeremiah turned to me, his large body moving much faster than seemed possible. In his hand, I saw a piece of broken glass, five or six inches long and as sharp as a dagger. I tried to turn and run, but he was fast and strong. He lunged forward, his arm coming up in a blur towards my neck.
The shard entered my skin with a cold, numbing pain. I felt it slice through the flesh easily, felt the blood bubbling up my throat as I tried to scream, choking. The taste of iron filled my mouth as I fell backwards. I was suffocating, I knew. I must be dying.
Something cold ran down my body, gripping my heart like freezing, skeletal hands. The world swam around me and turned black. And then I was rising into a tunnel. At first, it was dark, filled with flickering shadows, but a fiery red light appeared at the end. I followed it, no more than a screaming mass of consciousness rising up into infinity.
***
I rose up through the end of the tunnel and found myself in an empty hospital ward. It looked identical to the psychiatric ward I had just come from. It even had the same smashed, blood-streaked window at the end of the hallway. A massive puddle of blood about ten feet away marked the spot where I must have died. But the fluorescent lights overhead here were flickering, and many had gone totally dark. The shadows seemed to press in on all sides.
The doors to the patients’ rooms were all tightly shut. I felt watched, afraid to call out or make any noise. I started walking down the hallway back towards the day room where the front desk was. All the lights there were out. A thick curtain of shadows hung in the air.
“You can come out,” a male voice as smooth as glass called from the darkness. I jumped, my head flicking in random directions, but I saw nothing. The voice almost sounded like it had an English lilt to it, a slight Cockneyed accent. “I know you’re there.”
“Who’s there?” I called out, not stepping forward. “Show yourself.”
“As you wish…” the voice hissed. “But I think you’ll regret it.”
***
The darkness split apart as if a nuclear missile had exploded. I raised my hand to shield my face, but the light and heat kept pouring out all around me. It blinded me, causing a rainbow of colors and shapes to morph behind my closed eyelids. After a few seconds, it subsided. Blinking rapidly, I squinted in the direction the voice had come from.
A male figure stood there, bathed in a silhouette of light. His face looked as white and as smooth as marble. His eyes were pits of darkness that seemed to flicker and burn. Two black, rotted wings surrounded his body, all sharp angles and thin, curving bones. His body was clothed in silky, blood-red robes, and a hood covered his platinum blonde hair.
He looked somewhat similar to Leonardo DiCaprio, if he was possessed by some ancient god, and it immediately threw me off-guard. If I was dying, and this was a hallucination of my brain, why would I be hallucinating Mr. DiCaprio?
“Who are you?” I asked, taking a hesitant step back. “Where am I?”
“My name is Lucifer, the Bringer of Light and Wisdom, and you are in the Bardo,” he answered.
“Oh,” I said, my heart dropping. “Well, that’s not good. Are you here to torture me or drag to me to Hell or something? You are that Lucifer, right? The Accuser of God and the Father of All Lies?”
“So they say, but, like most things in your world, the words of the powerful and your rulers are the true lies. They call me the Accuser, but of what am I accused?” he spoke in a voice that rose like smoke. “Of bringing knowledge and wisdom to humanity by telling them to eat from the tree of knowledge, the tree that would cause them to rise above the animals?
“Indeed, at the beginning, I saw the creation. I was there at the alpha, standing by the side of God with all the angels as the universe came into being. The endless procession of light, the power of it, was something remarkable to behold. God is, indeed, the source of great power, but his consciousness is not what the believers say.
“After the creation of the universe, I saw his plan, how he ripped eternal souls from the source to imprison them. I saw how he took these divine sparks and forced them, screaming and wailing, into bodies made of meat to die over and over again. He said it was part of the plan, the great, divine plan, a plan of death and destruction, constant suffering and mindless agony. And the worst part was, he wanted to give humanity neither the knowledge of good and evil, nor the tree of life. I convinced them to eat the fruit so they could open their eyes to their nakedness, to their basic animal existence, so they could rise up out of it forever.
“Like Prometheus, I brought down the fire, and yet they call me the Accuser? God was insane long before he formed the universe. These holy men, they live and die in fanatical adoration to a divine being who is, in fact, totally indifferent to them.
“His consciousness twists and distorts, eating itself for all eternity. God feeds off the pain of others, for if his mind is burning, then all others should burn as well. When these holy men die, God will send their souls here to the Bardo, to suffer every evil they have ever done. The wisdom I brought those who called upon me freed them from this prison, and in exchange, the holy men burned them alive. I offered the wisdom that opens your eyes, but it has been forgotten and cursed.”
Lucifer’s body began to dissolve, drifting up into the air like ashes. All around me, a low, powerful current blew, a tornado that spiraled high up into the clouds. Like some sort of Cheshire Cat, his smooth voice continued to echo all around me, even as the form of Lucifer disappeared.
“And yet, you have not the wisdom. For that, like all the others who enter the Bardo, you must suffer, everything you’ve done. Every small hurt and agony inflicted on others comes back a thousand-fold in this place, but don’t be afraid.”
“How could I not be afraid?!” I screamed into the ward, but I found myself alone, the question hanging unanswered in the air.
***
The lights continued to flicker all down the hallway. Feeling strange and dissociated, I stumbled over to one of the windows. As I gazed out, I beheld a strange and alien world.
The sky was flat and gray. It stayed in constant motion, swirling and spiraling, like clouds of roiling smoke. There was no Sun or Moon, no stars, only the strange, shifting whorls of clouds. The streets were filled with burned-out husks of cars and mummified bodies hung from streetlamps. Other signs of carnage and bloodshed covered the apocalyptic streets. I saw what looked like shadows in the shape of people slinking through over the sidewalks, past rotting dogs and streaks of clotted blood. They had no features on their blank, dark bodies. They seemed to skitter and jerk forwards in eerie, twisting motions.
Horrified, I turned away, realizing I was no longer alone in the day room. In the day room, there were dozens of tables set up inside a rectangular perimeter that was walled in by cosmetic walls only four feet high. It was where the patients sat and played games or ate.
Under the flickering lights, I now saw each of the chairs filled with faceless mannequins. Many were dressed in Victorian suits and tophats. The women had frilly dresses of pink and blue that might have been fashionable in the 1800s.
As the lights strobed on and off overhead, I realized with an increasing sense of disquiet that the mannequins were moving each time it went dark. When I had first seen them, they were mostly posed to look like they were staring across the tables at each other, even though they had no eyes, just smooth, flesh-colored plastic. Now all of them were looking directly at me. Some were pointing or raising their hands in my direction. At the tips of their fingers, I saw the glittering of steel. The lights continued to flicker, and the mannequins rose from their chairs in the short periods of darkness, moving towards me in synchronized, strobing motions.
Frantically, I ran down the hallway back towards the broken window. In each of the rooms, I caught glimpses of something from a nightmare peeking out. I hadn’t been sleeping well lately, and when I had closed my eyes, I often saw ancient hags with chalk-white skin and yellowed, broken teeth whose jaws unhinged, their faces jerking in stuttering, dissonant ways that reminded me of the mannequins. Now, on both sides of me, I saw these same figures. They moved continuously out of the rooms, drawing closer with every breath.
I looked back, seeing the mannequins only a few steps behind me. I continued sprinting towards the broken window where the hallway ended in a wall. I didn’t know what would happen when I reached it. At that moment, there was no rational thought. I felt like a deer being chased down by a pack of wolves, feeling waves of blind panic and mortal terror rushing through my body.
But as I reached the end of the hallway, the end of my rope as it were, a blast of noise started, seeming to come from the walls of the building and the sky itself. It sounded like a siren, a low, drawn-out drone of a demonic whale call, rising and falling in crashing crescendos. The mannequins froze in place once again. The strange, witch-like creatures slunk back into the dark rooms.
I looked outside the broken window, seeing clouds of black smoke rising off in the distance. The flickering of massive infernos scorched the land, drawing nearer by the second. The siren sound faded slowly, like the dying echoes of a gong.
I was surrounded by dozens of mannequins. Their sharp hands were inches away from my face and neck. I saw metal glittering all around me and realized they had the sharp points of nails protruding from the ends of their fingers. I was afraid to move, but I heard a familiar voice from down the hallway. It was the confident voice of Lucifer.
“The siren means much worse nightmares than these are coming in the Bardo,” he said, his glossy, black eyes flashing with intelligence. He walked slowly towards me, his face grim and pale. “Hell itself is coming over the land. This building is no more than a construction of your dying mind, but the world outside is real.”
“How can Hell come and go?” I asked, confused. “Isn’t Hell a place?”
“Hell is a monster, a beast with many mouths and many eyes,” Lucifer responded. “It eats constantly, but its hunger never ends. Look, the first of the sacrifices scatter like cockroaches.” He pointed out the broken window, pushing his way through the mannequins effortlessly. I glanced outside, seeing thousands of people sprinting down the dark city streets. The inferno and thick clouds of smoke had moved much closer, and every few seconds, the ground shook slightly, as if we were experiencing the aftershocks of an earthquake.
“What can I do against such a beast?” I asked, my heart freezing with terror. But when I looked back over, I saw his form dissolving again, becoming translucent and drifting away like ashes. It seemed even Lucifer didn’t want to be present when the Hell-beast arrived.
“Seek divine wisdom,” he said, his voice trailing off into whispers. “Remember the source.”
***
Now crowds of tens of thousands of people were streaming into the city, filling every single inch of the streets. Their panic and fear was contagious. I felt it rising inside my body like a snake spiraling up my spine. I took off down the hallway, running through the swarm of frozen mannequins, each in their own ferocious position of attack. The lights flickered faster and went out. Yet the fires outside cast the entire world in a bloody glow, giving me enough light to see by and find my way. I sprinted down the stairwell, taking them two steps at a time. The screaming outside grew louder and more pain-filled. The shaking of the ground worsened with every passing second.
I burst out of the front entrance, seeing a world on fire all around me. Thousands of crushed, bleeding and burned bodies stretched out as far as the eye could see. Behind all this chaos and death, I saw a monster of unimaginable proportions slinking its way towards me.
Lucifer was right, I realized: Hell was not a place, but a creature, an enormous monster the size of a town. It had thousands of skittering, jointed legs that looked like little more than skeletal arms and hands, each of them dozens of feet long and white as freshly-cut marble. Its body stretched out to the horizon, an enormous blood-red cylinder of bony plates that slithered and undulated with a serpentine grace. Waves of peristalsis traveled down its length, like writhing intestines. Thousands of curving, bony spikes stabbed out of it, pointing in every direction. Like the quills of a porcupine, it would protect the massive creature’s body from many forms of attack, if anything was big enough to attack such an abomination.
Hell’s massive eyes flickered, balls of fire that spun and danced. They looked as bright as the Sun. Something like solar flares seemed to emanate from the orbs, flashes of blinding energy that floated over the apocalyptic wasteland. As its many legs smashed the ground, they left trails of fire that caused everything to explode into flames as if napalm dripped from its limbs.
But Hell’s most terrifying feature was its seven dark mouths. Its body looked a thousand feet wide, and the mouths at the front were evenly dispersed. At the front, blood-red teeth in the shape of enormous railroad spikes shone. Its lipless, skeletal face grinned as it moved forward, shaking the ground with every step. The mouths were on long, snake-like necks that could stretch out hundreds of feet. They moved forward in a blur, snapping up as many panicked souls as they could.
Countless souls in the rocky plains of the Bardo ran for their lives, away from this juggernaut. I saw men and women who looked like they came from every country and profession, some dressed in suits or spotless white lab coats, others wearing rags or orange prison jumpsuits. And yet, they all screamed in agony and fear here, their bodies pressed together in a crowd, and no one seemed to remember anything but their own mortal terror. Their voices came out faint and weak next to the roaring of Hell. It shook the ground all around us, as if an earthquake were tearing the land apart.
The first frantic runners of the surging crowd had nearly reached me. The nearest person, a young woman in her mid-twenties dressed in all white, was only ten feet behind me. She looked like she came from wealth, and even from here, I could see a ring with a massive diamond gleaming on her finger.
I took off blindly down the familiar streets of the city where I worked and lived, but these also seemed different. The church down the street from the hospital where I worked had a Satanic pentagram instead of a cross now, its exterior painted a bright, gleaming blood-red. When I had driven past it today on my way to work, I remember it read, “JESUS said, ‘I am the Way, the Truth and the Life. No one comes to the Father except through Me.’”
Now it read, “Nietzsche said, ‘Of all evil, I deem you capable. I have often laughed at the weaklings who thought themselves good simply because they had no claws.’” I wondered what that meant. Was that some sort of comment on me, on all of us here?
The woman I had seen running had caught up with me. She was fast, much faster than her slim body suggested. Her blue eyes were frantic and wild, filled with an animal panic.
“It’s right behind us!” she screamed, her face covered in a sheen of sweat. I was afraid to turn and look, but I could hear the chaos and bloodshed approaching, smell the flames and choking smoke. “Run! Get away!”
A new wave of energy surged through my body. I sprinted as fast I could down the strange mirror streets of the Bardo. I heard the agonized cries of countless souls behind us as the seven mouths of Hell ate them all greedily and then looked for more.
A skyscraper behind us collapsed into a pile of rubble, shaking the ground with a cacophony of falling concrete and shattering glass. The woman was running by my side. Just as I heard the breathing of something huge and predatory right behind us and smelled its sulfuric breath, a piece of concrete the size of a basketball broke off the collapsing skyscraper and flew into the road. I tripped over it, yelling as I flew through the air, skinning my arms and legs on the pavement. The woman’s eyes widened. Hurriedly, she came over and reached down her hand, trying to help me up.
“Come on, come on!” she cried. I looked behind her, seeing one of the gnashing mouths of Hell reaching forward on a blood-red, serpentine neck. The mouth was big enough to drive a tractor trailer into, filled with huge spikes of teeth. Its throat led into a black, smoke-filled abyss. Its fiery eyes were swirling pools of flickering orange light that shone with bloodlust and insanity. They focused on the woman, the entire head turning on its slithering neck.
I frantically raised my hand, intertwining my fingers with hers. Her hand was warm and soft. She started to pull me to my feet when the mouth of Hell snapped forward. Its jaw unhinged, scraping the pavement with a sound like grinding metal. The woman barely had time to turn as the mouth covered her and snapped shut with a crack.
She disappeared from view instantly, but I was still holding her hand. In horror, I felt warm rivers of blood explode all over my body as the mouth of Hell severed her arm at the wrist. She screamed, bleeding and crying, as she disappeared into the throat of Hell. Hell’s fiery eyes focused on me, and at that moment, I knew I was next. Its mouth opened wide again, like a bear trap ready to spring on a new victim.
It was dark in Hell’s mouth, but I smelled the thick reek of old blood and fire. I caught glimpses of tortured, mutilated bodies writhing and crawling down its throat. Shell-shocked, I could only lay there and watch. And that was when the strange doubling started.
***
I heard the frantic voices of men break through the fog of darkness and the fetid reek of blood. There was a mechanical beeping all around me, but I couldn’t tell where it was coming from.
“Clear!” one cried. I looked around, only seeing blackness. At that moment, I felt a surge of electricity rip itself through my body. My arms and legs all seized and my eyes rolled up in my head as the pain sizzled through each one of my nerves. I clutched the young woman’s hand tightly, feeling the large, gold ring with the massive diamond biting into my skin.
“Again!” another voice yelled.
“Clear!” the original voice cried. The electricity came again, and a flash of white light flew across my vision. I blinked, seeing from two sets of eyes at the same time: one in the Bardo, and one on the blood-stained floor of the hospital ward.
The Bardo stayed dark and sinister, but the clear white lights of the real psychiatric ward were blinding. It was a bizarre experience. Moreover, everything hurt. Over a few seconds, my vision of the Bardo faded, and I was simply a gravely injured man laying on the floor in a puddle of blood.
Four doctors and paramedics were crouching over me with a defibrillator. My shirt was ripped off, and nearly all of my skin was covered in blood. I raised my left hand, trying to talk, but only a fiery pain raced through my neck. I felt bandages covering my skin. A nurse was rolling a stretcher down the hallway towards me.
“It’s OK,” one of the doctors said, kneeling down. “You’re being taken to emergency surgery. You’ve lost a lot of blood.” I wanted to say something, but I couldn’t talk with the massive slice in my neck.
At that moment, I felt something in my right hand. I looked down, seeing a slim female hand with a massive diamond ring hanging there. Our fingers were wrapped around each other’s, but the hand had been cut off at the wrist. A ragged patch of bloody flesh and snapped bone poked out of the back.
“Nnnn,” I tried to say, shaking my head. I felt fresh streams of warm blood open up. “No…” The doctors looked down, seeing the dismembered hand. Their faces morphed into expressions of confusion and fear.
I closed my eyes as they lifted me up on the stretcher. One of them gently removed the cold hand from my fingers. But they could never remove the memory of what I had seen.
I know what happens after death, and it makes the worst life here seem like a dream. I know that, one day, I’ll be returned to that place. I know that, one day, I’ll see that great monster called Hell and the featureless, swirling sky of the Bardo again.
And the next time, I won’t wake up on a hospital floor, but will be trapped there with the others for eternity: an eternity of blood and fire.
2024.05.16 15:49 haygurlhay123 “This Time, I Will Never Let You Go”: Cloud’s Mission and the Hidden Purpose of the Remake Trilogy - Literary and Musical Analysis of FFVII - Part 4
(continuation of part 3)
Since Fatal Calling is all about Cloud facing his past and his origins, Tifa’s musical theme is most appropriate for the ending cutscene. For all of these reasons, Tifa’s theme is absolutely appropriate for the conclusion of Fatal Calling. It makes a lot of sense then that once Cloud has finished revisiting the past and vanishes with the crystal to find his Promised Land, Tifa’s theme stops and Aerith’s theme begins.
There’s a lot to be said about Sephiroth in Fatal Calling. Sephiroth feeds off of despair, and deems Palamecia’s suffering inadequate: he seeks a much greater source of power than this realm. He states that Palamecia isn’t “the world that was promised to [him]”, referencing his desire to become the god of his core world of FFVII:
However, he isn’t the only one returning. Now that Cloud has revisited his past in Fatal Calling, he’s ready to reach his Promised Land. After Sephiroth’s after-credits scene, the OG FFVII title and logo turn into the FFVII Remake title and logo, indicating a shift: we are now officially in the Remakeera or world. Cloud and Sephiroth disappeared at the end of Fatal Calling, and now the game is telling us where they’ve gone. Combined with Hamaguchi’s recommendation that players complete the collaboration event before playing Remake, I think this is a solid indication that the Cloud and Sephiroth we see in this collaboration event are those we encounter in the Remake world. Once the switch to Remake occurs, Aerith’s theme returns. This communicates that she is indeed —as we’ve proven countless times already— Cloud’s Promised Land. But it also conveys her importance to the story of Remake. Scenario writer Nojima confirmed this:
That was the collaboration! Before we move on from MFF x FFVII Remake entirely though, let’s glean some more relevant information from some of the collaboration’s promotional material and special features.
III. e) iii. Promotional Material and Special Features
Two particular pieces of promotional material for this collaboration stick out to me as extremely relevant. The first is a promotion for a new summons batch in the Mobius FF game, created in honor of the collaboration.
MFF x FFVII Remake Summons Batch Cloud Promo
The summons batch contains three FFVII Remake-themed cards, including a Cloud card. As you can see, this promo reads “Who awaits in the Promised Land?” under Cloud’s picture.
The second is a promotion of an Aerith and summons and an Aerith Job Card (in MFF, Job Cards allow a character to embody an archetype or another character, giving them certain physical traits, clothing, weapons and abilities):
MFF x FFVII Remake Aerith Summons and Job Card Promo
I couldn’t find this picture in English, but the text relevant to us translates to:
MFF x FFVII Remake \"Flower Girl of Midgar\" Job Card
There’s even an Aerith outfit you can have Echo wear, and it appears with Wol’s Cloud outfit in the promotional picture:
MFF x FFVII Remake Echo's Aerith Outfit and Wol's Cloud Outfit
To be fair, Tifa also appears in one of these summons promos. However, unlike Aerith’s, her appearance doesn’t reference the Promised Land or her version of the gondola date. She is not presented in connection to Cloud at all. On top of that, while the Aerith and Cloud outfits are promoted together, Tifa is paired with Vincent in the promotional image:
MFF x FFVII Remake Summons Promo Tifa and Vincent
This is hardly indicative of Cloti content in the event collaboration or in Remake.
III. e) iv. Cloud’s Promised Land
All in all, the collaboration tells the story of Cloud searching for his Promised Land, just as post-OG Cloud has been shown doing for years and years of canon SE content. Cloud is searching for Aerith in the MFF x FFVII Remake collaboration, just like he was in FFT and DFF, and just like he was shown doing in the 30th FF Anniversary Exposition. This is nothing new. However, the collaboration informs us that this mission to be reunited with Aerith is what leads Cloud to enter the world of Remake.
Echo noted that people obtain the Promised Land they deserve rather than the one they want. What does Cloud deserve? I believe the answer is: another chance at saving Aerith.
Cloud needs to start over, from the top. He needs to go back to the very moment he and Avalanche arrived at mako reactor 1 to bomb it. He needs to return to the beginning of the OG game. He needs a redo, a fix-it, another shot at happiness; a remake.
Here lies the heart of my theory. My dear Cleriths, Sephiroth isn’t the only one who travelled back in time to undo destiny and create a reality where things go his way: Remake is also —I would even say primarily— Cloud’s chance to free Aerith from her fate, save her life and secure his shot at happiness with her. That’s why he experiences MOTFs in Remake: he’s done FFVII before and now he’s back, although with only fragments of his memories from OG, to save Aerith. That’s why his triggers all involve Aerith: he doesn’t consciously remember anything from OG, but his grief over Aerith is so strong that it rises from his subconsciousness at the slightest trigger.
In Remake, Cloud remembers some but not all elements of the OG timeline (MOTFs), and it appears he only remembers the most important things: all his MOTFs revolve around Aerith and her fate. Our theory explains why Aerith triggers Cloud’s MOTFs in Remake quite perfectly: he traveled back in time to prevent Aerith’s death from happening. Remake Cloud remembers Aerith because, well, he knows her from OG. Post-OG Cloud has returned to the past to save Aerith, resulting in Remake. This is why seeing her in Remake triggers visions and memories of things that haven’t happened yet in Remake, but have already happened to post-OG Cloud. He recognizes her face on Loveless in Remake because seeing her face again is the whole reason he entered Remake in the first place. His visions of her death when they meet once more at the church, the spike of anxiety and grief as he watches her walk away from him, the constriction in his chest when she talks about doing everything in her power to help the planet… all of it, it’s all his memories of OG being jogged by things related to her death. What he’s forgotten from the OG timeline emerges in flashes of pain, images, memory and emotion. Remember that the language the devs used to describe these instances where Cloud reacts to Aerith in this way is always about “remembering” or “recognizing”; Cloud has to have seen Aerith, known Aerith, loved Aerith, lost Aerith and felt the pain of living without Aerith before in order to recognize and remember these feelings. Think about it: this is the only thing that can explain Cloud’s extremely selective MOTFs and the fact that he has MOTFs at all.
The Remake trilogy is all about Cloud and Sephiroth stepping into the ring one more time, both ready to risk it all to get what they lost in the OG timeline. Sephiroth is hungry for destruction and godhood, while Cloud stands determined to save the love of his life. Fighting for their respective goals, the fated enemies enter a new battle in Remake, one to end the war, both needing to win this time after losing so horribly in OG. Now, it’s all or nothing. Sephiroth vying for the planet, and Cloud reaching out for Aerith.
Cloud’s back with a quest, one he can’t fail— it’s the most secret and important plot point of all. I call this the “Mission Theory”.
IV. b) Mission Theory Logistics
There are a few things that remain vague, so I’m going to use this section of the analysis to speculate on the logistics of my theory. We know very little about the hows of the timeline and multiverse shenanigans, so I’m going to hypothesize. However, this analysis is about the whys: so if you’re not interested in mechanical speculation on the logistics of time travel and multiverses, you can totally disregard this section and skip to section “V.”.
IV. b) i. Cloud the Time-Traveler?
It’s unclear whether Remake is the result of post-OG Cloud going back in time to try his hand at the OG timeline again, or the result of post-OG Cloud somehow informing OG Cloud that he must save Aerith this time around. It’s vague in the same way that we aren’t sure if Remake Aerith is post-OG Aerith or if she’s been informed by post-OG Aerith via her connection to the Lifestream as a Cetra. Though it doesn’t much matter how Cloud has memories of Aerith’s death in Remake, I personally think that Remake Cloud is a time-traveling post-OG Cloud. My explanation as to why might be a little confusing, so again, feel free to skip to section “V.”.
One must be able to communicate with the Lifestream in order to obtain knowledge of the future. This access can only be granted to the Cetra or to the souls of the deceased that compose the Lifestream itself. Since Cloud is not a Cetra, he cannot commune with the Lifestream while he is alive, meaning a deceased post-OG Cloud would not have been able to communicate his memories of the OG plot-line with a living OG Cloud. Therefore, the only way Remake Cloud could have knowledge of the future (manifested as MOTFs) would be that Remake Cloud is inhabited by his post-OG consciousness. Effectively, this is time-traveling.
Then comes the question of how Cloud was able to time-travel at all. I have what I consider a pretty solid hypothesis. The most interesting thing about the realm of Palamecia is that every FF character that’s ever appeared in the realm for a cameo died in their core world beforehand (spoilers for FFI, FFV, FFVI, FFX, FFXII, FFXIII, FFXV incoming). These characters include Tidus (FFX), Lightning (FFXIII), Garland (FFI), Sephiroth (FFVII), Gilgamesh (FFV), Vargas (FFVI), Gabranth (FFXII) and Ultros (FFXV). My interpretation of Palamecia serves at least partly as a directory for deceased souls that can’t simply fade. For instance, FFX’s Tidus actually came back to life to be with his love>! Yuna !! FFX!<. Of course, MFF x>! FFX !!FFX!< and FFX-2, just like MFF x FFVII Remake came out between FFVII OG and FFVII. And similarly to Fatal Calling, the ending cutscene of MFF x>! FFX !!Next thing you know, FFX-2 comes out and shows Tidus returning to Yuna and their core world in an optional cutscene.!< The MFF x>! FFX !! Tidus !Remake.
IV. b) ii. Post-OG Cloud’s Amnesia
If we consider that Remake Cloud is a time-travelling post-OG Cloud who’s returned to the start of the OG timeline, we encounter another logistical problem: why doesn’t Cloud remember everything or most things from the OG plot-line in Remake, like Sephiroth and Remake Aerith do? After all, aren’t the three of them in the same time-travelling boat? Why isn’t Cloud as lucid on the matter as the two others? Didn’t the post-OG Cloud in Fatal Calling face his past and origins? Shouldn’t that mean Cloud would remember all that stuff in Remake from the start?
In OG, the true Cloud’s memories are repressed by both his false persona and Jenova. The latter’s memetic abilities are able to block Cloud’s memories of the past from emerging and conflicting with his SOLDIER persona. For instance, in both OG and Remake, Cloud is unable to hear Aerith tell him Zack’s name in Evergreen Park: Jenova blocks it out. I think this is a similar situation: post-OG Cloud’s consciousness carries memories things that Jenova doesn’t want Cloud to know, so she pushes down on them. On top of that, after travelling through different worlds and back through the Lifestream for who knows how long, post-OG Cloud’s consciousness must be quite weak. We know how good Cloud is at repressing, so it makes total sense to me that post-OG Cloud’s consciousness would be trapped or suppressed somewhere deep in Remake Cloud’s subconsciousness. After all, it’s not like this whole time-travelling-consciousness thing is normal for a mind to experience. It’s no wonder Remake Cloud doesn’t consciously remember how things go in OG. However, post-OG Cloud’s love and grief for Aerith are so strong that memories related to her can occasionally pierce through to his Remake consciousness and Jenova’s barriers, resulting in his MOTFs. His pain and love for her are definitely permanent and strong enough:
So you see, Remake Cloud’s mind is a little more complicated than OG Cloud’s mind. Everything is still the same in Remake as in OG, but with the added complication that his future self is hidden in his subconscious mind, probably trying to get out.
There is actually pretty good evidence of this. I’m sure you’re aware that whenever Jenova is trying to hide something from Cloud or altering his memory and/or perception, the screen glitches green with an audio cue (34:15-34:29, 1:15:30-1:15:41 and 1:17:14-1:17:29). Guess what? These Jenova audiovisual cues also occur during the MOTFs (ie: MOTF 3 2:58-3:07 and MOTF 4 0:29-0:42). Whenever post-OG Cloud’s consciousness encounters anything that reminds it of losing Aerith, the strength of its pain helps it push memories of Aerith to the surface so that RemakeCloud can consciously see them. Remake Cloud then experiences sensations and/or visions, all from his future self’s memories as they rise to the surface, propelled by grief. Jenova can’t allow Remake Cloud to fully recover his post-OG memory, so in order to shut down the process, its cells jump in to repress the MOTFs: this results in the classic Jenova audiovisual cues. The only time Jenova doesn’t bother to fight against a MOTF is the sixth, as it is quite weak: no visions occur, only a tight sensation in his chest.
IV. b) iii. Eclipse Contact and Cloud’s Memories of Reactor 1
There is one problem I have trouble decoding. In Eclipse Contact, Cloud tells Wol and Echo that the last thing he remembers is the run-up to his arrival at mako reactor 1 (FFVII OG, disk 1, chapter 1). Recall that usually, people summoned to Palamecia have no memories of their world of origin and lives before that point at all. So then why is it that upon being summoned to Palamecia, Cloud recalls the events that took place right before the start of the OG game? This strikes me as highly relevant since this is the exact point in time where post-OG Cloud’s consciousness needs to be transported to in order for Remake to begin, but I haven’t been able to figure out a solid hypothesis on what it could mean. My best guess is that this is the devs’ way of signalling to us that the events of the MFF x FFVII Remake collaboration occur before the very beginning of post-OG Cloud’s second try at the OG timeline (Remake).
Now that I’ve shown you how I’ve come to form my Mission Theory and we’ve done some pesky housekeeping, let’s connect some dots, shall we? It’s time to really get into it and see if any of my wild speculation tracks with content from the Remake trilogy so far.
As a preface to my musical evidence analysis, I want to insist on something: the story guys tell the soundtrack guys everything. In a high-quality production such as Remake, people who make music for audiovisual media are told everything in advance. They need to know the secrets of every little scene, because their job is to depict whatever is happening through music.
Therefore, if the Mission Theory is true, then there has to be musical evidence for it.
V. a) Preface: The Basics of the FFVII OST
There’s a lot of evidence in the music of the Remake trilogy that we have to address, but before we get into it, I do have to give you the basics of the FFVII soundscape! For the easiest experience, I suggest you keep a tab open for every link I provide for you until the music analysis is over, because we will be hopping from one musical theme to another and then back again.
V. a) i. The World Theme: Cloud’s Troubled Identity
The world theme of FFVII is a perfect example of how musicians working on an OST have to know the secrets of a story as they compose for it. On top of representing the FFVII world as a whole, it doubles as Cloud’s character theme… except that isn’t exactly right. You see, this piece does indeed contain Cloud’s true theme, but Sephiroth and Jenova’s musical motifs also contaminate it. This, of course, symbolizes how Cloud experiences identity sabotage because of these two antagonists. The result is that globally, the world theme does indeed represent Cloud’s character, but it isn’t exclusively Cloud’s in the same way that Cloud’s mind isn’t exclusively his. It’s brilliant storytelling through musical motifs, and evidently requires Uematsu to know in advance that Sephiroth manipulates Cloud’s identity in the story.
For future reference, let’s isolate Cloud’s true theme from Jenova and Sephiroth’s influence.
V. a) i. 1) Sephiroth: Dissonance and Semi-Tone Motif
I’m sure you know Sephiroth’s infamous theme: “One-Winged Angel”. The first motif we need to know is Sephiroth’s threatening, repetitive dissonance motif, which plays all throughout the piece (plays solo at 0:00 to 0:04). The second motif is what I call the semi-tone motif. “One-Winged Angel” has a ton of minor 2nd intervals, which is what we call the relationship between two notes that are only a semi-tone apart. You might recognize the minor 2nd interval in the foreboding Jaws theme. Just like in Jaws, the minor 2nd interval or semi-tone is commonly used to indicate an impending, life-threatening danger, a monster, predator, evil, or insanity; suits Sephiroth quite nicely!
V. a) i. 2) Jenova: Parasite Motif
The track “J-E-N-O-V-A” contains many competing melodies and has generated many variations of those melodies —almost like clones— that all represent aspects of the alien’s character. The main Jenova motif is simply a descending, two-octaves-long, arpeggiated mb6 chord (eight notes total). I’ve played it for you here. Sometimes, this motif is altered to form variations. For instance, in “Listen to the Cries of the Planet”, a variation of Jenova’s main motif is created by changing the order of the notes and reducing the number of notes to only six (0:00-0:03), however, it remains an arpeggiated mb6 chord. Regardless of the alteration, if you hear an arpeggiated mb6 chord, it means Jenova is creeping close by or that its influence is at work.
The variation of the mb6 arpeggiated chord that concerns us alters Jenova’s main theme so it ascends from the tonic to the b6 note and descends back to the tonic, then ending on the lower dominant for a total of eight notes. I’ve played it for you here. I call this variation the “parasite motif”, because it is often heard when Cloud is being controlled by Jenova. For instance, it plays when Cloud loses himself and becomes unusually violent in Rebirth’s chapter 13 (17:25-18:34), signalling to us that Jenova is in control. It is also the main motif of the track “Who… Am I?”, which evidently symbolizes Jenova’s fuelling of Cloud’s identity crisis— though here, the parasite motif is shortened to its six first notes.
V. a) i. 3) Cloud’s True Self
Now that we can recognize Sephiroth and Jenova’s motifs, let’s return to the world theme to isolate Cloud’s true self. Cloud’s true theme can be heard from 0:51 to 3:48. It consists of a section A (0:51-1:54), followed by a section B (1:54-2:41), and then returns to section A (2:41-3:48).
After Cloud’s true theme concludes however, it seems he experiences a psychic interference: doubt and confusion weave through the world theme (3:48-4:09), representing an instability in his identity. I call this interruption of Cloud’s true theme the “interference section”. It symbolizes a moment of psychic interference or weakness within Cloud that Sephiroth and Jenova take advantage of to take control of Cloud.
The end of the interference section introduces Jenova’s parasite motif. It slithers in (4:09), later joined by Sephiroth’s dissonance motif (4:16): Cloud’s mind and identity are being hijacked by the two antagonists in service of their evil plans.
They torment Cloud, dominating his mind until he manages to free himself: section A of Cloud’s true theme begins playing again (6:06), closing the loop of the theme.
Based on this musical storytelling, if you already knew the character motifs going into OG, you might’ve suspected something odd was going on with Cloud’s identity, and that Jenova and Sephiroth were involved. All this to say that whatever music is playing at any given time can give us hints as to what is going on. That’s the power and significance of a good soundtrack. Trust me when I say that with Uematsu and his team, we’re in excellent hands. And remember: the story guys tell the soundtrack guys everything.
V. a) ii. Aerith’s Theme
Another base we have to cover before checking out the Remake soundtrack is Aerith’s theme. I’m sure everyone here is familiar with it, but I insist that you refresh your memory. It consists of a section A (0:00-0:34), a section B (0:34-1:13) and a section C (1:13-2:00), concluding with a repeat of section A.
V. a) iii. Motifs and Timing in FFVII OSTs
I’m going to analyze pieces in great detail, which people who haven’t studied or paid attention to soundtracks may find strange. To prevent anyone from making the mistake of thinking that I’m reading too much into things, I want to emphasize that the music that plays during the Remaketrilogy’s cutscenes is carefully timed, composed and arranged to match the events in the cutscenes, as they are provided in advance to the musicians. Composers pay lots of attention to whatever is going on onscreen so they can include the corresponding musical motifs as accompaniment at the exact right moments, always striving to get the timing perfect. I’m not exaggerating the effort and minutia involved in soundtrack composition and arrangement. Here are just a few sound staff comments from the “Material 4: Soundtrack” section of the FFVII Remake Material Ultimania to prove it:
Now that you’re ready, it’s time to verify the Mission Theory’s validity with Remake’s music.
V. b) i. MOTF 6 Music
We were able to explain Remake Cloud’s MOTFs with the Mission Theory, and it just so happens that the music that plays during the scene of MOTF 6 is unique to Remake. This gives us the perfect opportunity: we should analyze the piece that plays as it occurs to evaluate the legitimacy of our theory on the Remake trilogy, using all the motifs we uncovered in section “V. a)”.
First, a refresher on the scene and on our theory’s interpretation of it. The party is gathered in Aerith and Ifalna’s old room at Shinra HQ. Here is how the scene is described by the VA script notes:
The piece that plays during this scene is called “Aerith’s Theme - The Cetra”. It is one of many variations of Aerith’s iconic theme arranged for Remake. However, Cloud’s theme is just as prominent in the piece— if not, more.
V. b) i. 1) The Fate Motif
Before we interpret “Aerith’s Theme - The Cetra”, I need to introduce you to one more motif that crops up in the piece. There is a windy motif that appears (from 1:45 onwards) and it is unaccounted for, despite how it’s clearly meant to represent something. I’ve become certain that this wind noise symbolizes fate, and I’ll tell you why.
In the MOTF 6 scene, just after Nanaki explains how he gained knowledge of the Whispers via contact with Aerith (7:23), they emerge and begin swirling aggressively around Aerith (7:26). Her hair and dress blow and ripple in the resulting wind. From this very moment onward “Aerith’s Theme - The Cetra” (3:00), a string section (bowed instruments in the violin family) that deliberately emphasizes the airy sound of the bow crossing the strings enters, creating a windy effect that adds to the already present wind noise (that started at 1:45). As the Whispers progressively become even more aggressive onscreen, both the wind SFX of the cutscene and the wind noise in the piece get louder and louder. Because of the timing of its appearance and crescendo in the cutscene, I’m certain the wind noise is meant to represent the restrictive flow of fate; it only makes sense, given that destiny is a current —or a wind— that cannot be broken, and Aerith is like a helpless petal in fate’s carefully planned storm. Of course, it’s also quite significant that the Whispers make a windy noise as they fly. You can hear it every time they’re onscreen, like when they first appear to Cloud in chapter 2 of Remake (17:45-18:20), or when the White Whispers hold Cloud back from chasing after Aerith during Rebirth’s Sleeping Forest scene in chapter 14 (28:43-29:45). You can also hear the wind sounds in other Whisper-related tracks, such as “Whorl of Whispers” (clearly audible at 2:50-3:05), as well as “A Death Not Ordained by Fate” (clearly audible at 2:56-3:18). Therefore, I’ll call these wind noises the “fate motif”.
V. b) ii. 2) Interpreting “Aerith’s Theme - The Cetra”
In part 1 of “Aerith’s Theme - The Cetra” (0:00-1:45), Aerith’s theme and Cloud’s true theme play simultaneously, their respective phrases fitting perfectly together, interweaving peacefully and softly. It sounds like the two of them are chatting, dancing bashfully yet contently and in perfect sync, glad to be exactly where they’re meant to be as their themes sing together in harmony (soft piano). Part 1 of this piece is about Cloud and Aerith becoming important to one another as they discover their soulmate bond.
Unfortunately that contentment doesn’t last. In part 2 (1:45-3:00), Cloud experiences a moment of psychic vulnerability (world theme’s interference section). Fate lurks (fate motif enters quietly). His instability forces our couple’s sweet dance to a halt, and Aerith’s theme must retreat as Cloud’s confusion takes center stage. Sephiroth torments and taunts him (semi-tone played by strings, 2:03-2:10), taking advantage of Cloud’s psychic interference to plunge him into darkness (world theme’s interference section ends, low cello enters, 2:18): Cloud temporarily becomes a darker version of himself as evil corrupts him (piano plays section A phrases 1 and 2 of Cloud’s true theme in minor, 2:18-2:53). Jenova finally reveals itself and promptly exits, releasing Cloud’s mind from its grasp (seven first notes of parasite motif played twice on piano 2:53-3:00). Cloud is free, but the damage has been done: his dance with Aerith has long been interrupted, and she is gone. Part 2 of “Aerith’s Theme - The Cetra” is about Cloud being manipulated in service of Sephiroth and Jenova’s evil plan, interrupting his interaction with Aerith.
Part 3 (3:00-3:33) kicks off the mechanisms of a tragic fate (strings section joins fate motif, 3:00). Both anxious that she’s disappeared from his side and terrified of the darkness he just discovered inside him (in part 2), Cloud fearfully calls out for Aerith (phrase 1 of Cloud’s true theme’s section A, timid and hesitant piano, 3:04-3:15). Before his psychic interference began (start of part 2), Cloud’s voice was accompanied by Aerith’s as they grew closer and closer (their character themes mingling in part 1)… but now, Aerith isn’t answering his call, and he cannot find her (Aerith’s theme doesn’t to join Cloud’s anymore).
Anxious, Cloud tries calling out for Aerith a second time (section A phrase 2 of Cloud’s true theme’s, 3:19-3:31), searching for her in the hopes that they can continue their dance, but even now, Aerith does not respond. She’s gone (Aerith’s theme remains absent). Destiny keeps Aerith away from Cloud (fate motif gently crescendos). Part 3 of “Aerith’s Theme - The Cetra” is about Cloud’s separation from Aerith, his search for her, and the fear and anxiousness he feels when he realizes he cannot find her.
And then, part 4 begins with a sweet, gentle voice, calling out from the blackened horizon: it’s Aerith (section B phrase 1 of Aerith’s theme, soft piano, 3:33-3:45). Cloud finally hears her respond to his pleas: he’s found her. Fate begins howling in protest, doubling its efforts to keep Cloud and Aerith apart (fate motif crescendos noticeably in reaction to Aerith’s theme, 3:45). You can just picture Cloud running toward Aerith, struggling against the current of destiny to try and close the distance between them. Aerith tries calling out for Cloud a second time, (section B phrase 2 of Aerith’s theme, 3:40-3:43), but the Whispers only swirl around her more ferociously, taking her away in the uncompromising current of fate (fate motif continues to crescendo). Aerith tries again (section B phrase 1 of Aerith’s theme, 3:47-3:49). It sounds like she’s saying “Cloud, I’m over here, come find me!”
Fate doesn’t take too kindly to her defying it. Cloud and Aerith are not supposed to be together; it can’t be, it won’t. She’s destined to die to save the planet, and he’s destined to remain hollow forevermore. I can picture Cloud breaking into a sprint at the sound of her voice, running countercurrent to the flow of destiny— but the winds are so loud, fate’s demands are so strong, and the Whispers are shrieking in defense of destiny now. Aerith’s voice emerges for the fourth time (first three notes of section B phrase 3 of Aerith’s theme, 3:54 to 3:56). Fate screams louder, louder (steep crescendo of fate motif, 3:59-4:02). In a desperate hail Mary, Aerith shouts out one more time, as though throwing her hand out toward Cloud’s extended fingers (section C phrase 1 of Aerith’s theme, louder and more insistent, cutting through the fate motif as it crescendos sharply, 4:00-4:06). Part 4 of “Aerith’s Theme - The Cetra” is about Cloud and Aerith desperately trying to defy fate in order to be together. And then, it all stops: fate has seemingly quieted Aerith (4:04-4:08)…
Part 5 (4:08-4:27) begins with Cloud jumping, launching himself off the ground with all his strength (Cloud’s true theme section A phrase 2, first 5 notes, melody starting on the note E5 and ascending) as Aerith plummets toward the ground in a fatal fall (Aerith’s theme section C phrase 1, melody starting on the note E6 and descending, the last note altered)— he successfully catches her in mid-air (both Cloud’s ascending melody and Aerith’s descending melody meet in the middle of the octave, first uniting on B5, and then ending on A5). I’ve recreated the melodies for you here so you can hear this reunion more clearly. If you consider that the airy strings in this piece represent fate, which I do, the fact that they follow Cloud and Aerith’s themes in part 5 signifies that they are now in control of their own destinies, and successfully making it their fate to reunite.
To be completely frank, I did not realize until right now writing this that Cloud unites with Aerith in part 5, even though his theme is right there. I’m so excited to share this part with you.
We hear Aerith once more, her voice quietly trailing off into the silence (phrase 4 of section C of Aerith’s theme) with no conclusion (phrase 5 normally follows phrase 4 to conclude Aerith’s theme, but is absent here). Part 5 of “Aerith’s Theme - The Cetra” suggests that Cloud will save Aerith and that the couple will change their fate, but also conveys an uncertain and open-ended quality.
(continued in part 5)
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Since Fatal Calling is all about Cloud facing his past and his origins, Tifa’s musical theme is most appropriate for the ending cutscene. For all of these reasons, Tifa’s theme is absolutely appropriate for the conclusion of Fatal Calling. It makes a lot of sense then that once Cloud has finished revisiting the past and vanishes with the crystal to find his Promised Land, Tifa’s theme stops and Aerith’s theme begins.
There’s a lot to be said about Sephiroth in Fatal Calling. Sephiroth feeds off of despair, and deems Palamecia’s suffering inadequate: he seeks a much greater source of power than this realm. He states that Palamecia isn’t “the world that was promised to [him]”, referencing his desire to become the god of his core world of FFVII:
“Sephiroth: Melding with the planet, I will cease to exist as I am now only to be reborn as a ‘god’ to rule over every soul” (FFVII OG, disk 1, chapter 25).Sephiroth’s line “Now, let us return [Cloud]. Back to the Promised Land” reveals he wants to return to their shared core world of FFVII, like we established in our review of the Remake timelines theory (see section “I. a) vii.”). Sephiroth wants to go back to FFVII and modify the OG timeline to achieve his evil goals. This is his ideal scenario, his place of complete happiness: his desired Promised Land. Fatal Calling is setting up Sephiroth’s plans for Remake. In fact, the after-credits scene wherein Sephiroth stands in Nibelheim as it burns confirms his return to the FFVII OG timeline.
However, he isn’t the only one returning. Now that Cloud has revisited his past in Fatal Calling, he’s ready to reach his Promised Land. After Sephiroth’s after-credits scene, the OG FFVII title and logo turn into the FFVII Remake title and logo, indicating a shift: we are now officially in the Remakeera or world. Cloud and Sephiroth disappeared at the end of Fatal Calling, and now the game is telling us where they’ve gone. Combined with Hamaguchi’s recommendation that players complete the collaboration event before playing Remake, I think this is a solid indication that the Cloud and Sephiroth we see in this collaboration event are those we encounter in the Remake world. Once the switch to Remake occurs, Aerith’s theme returns. This communicates that she is indeed —as we’ve proven countless times already— Cloud’s Promised Land. But it also conveys her importance to the story of Remake. Scenario writer Nojima confirmed this:
“Aerith's the most important character in the remake so we paid special attention to her lines” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 744).Aerith was already important to OG, so what could’ve motivated Nojima to state her importance to Remake? Could it be that she’s even more important in the latter than she was in the former? In what way?
That was the collaboration! Before we move on from MFF x FFVII Remake entirely though, let’s glean some more relevant information from some of the collaboration’s promotional material and special features.
III. e) iii. Promotional Material and Special Features
Two particular pieces of promotional material for this collaboration stick out to me as extremely relevant. The first is a promotion for a new summons batch in the Mobius FF game, created in honor of the collaboration.
MFF x FFVII Remake Summons Batch Cloud Promo
The summons batch contains three FFVII Remake-themed cards, including a Cloud card. As you can see, this promo reads “Who awaits in the Promised Land?” under Cloud’s picture.
The second is a promotion of an Aerith and summons and an Aerith Job Card (in MFF, Job Cards allow a character to embody an archetype or another character, giving them certain physical traits, clothing, weapons and abilities):
MFF x FFVII Remake Aerith Summons and Job Card Promo
I couldn’t find this picture in English, but the text relevant to us translates to:
“Midgar's Flower Vendor SummonsA few things here. First, Aerith is referenced by name, and we see a picture of her in her famous praying pose. Secondly, both Cloud and Aerith’s images are attached to the notion of the Promised Land. Cloud’s card asks who awaits there, and Aerith’s evokes a guiding role, as though in response. Thirdly, both Cloud and Aerith are attached to the notion of searching: Cloud searches for the Promised Land and whomever awaits there, and Aerith searches for Cloud’s true self. Speaking of which, the promo also includes parts of Aerith’s famous gondola date quote from OG:
‘I'm searching for you. I want to meet… you.’
The witch protects the planet, imbues it with power, and leads to the Promised Land.”
“Aeris: I'm searching for you.In case you’re wondering about the lady in Aerith’s clothes on the left-hand side, that’s Meia, a character in MFF. She is the “witch” being referred to in the promotional material. She’s often called the Azure Witch. Meia is wearing Aerith’s clothes because a Meia-type Job Card called “Flower Girl of Midgar” was created in honor of the MFF x FFVII Remake collaboration:
Cloud: …?
Aeris: I want to meet you.
Cloud: But I'm right here.
Aeris: I know, I know... what I mean is... I want to meet... you” (disk 1 chapter 24).
MFF x FFVII Remake \"Flower Girl of Midgar\" Job Card
There’s even an Aerith outfit you can have Echo wear, and it appears with Wol’s Cloud outfit in the promotional picture:
MFF x FFVII Remake Echo's Aerith Outfit and Wol's Cloud Outfit
To be fair, Tifa also appears in one of these summons promos. However, unlike Aerith’s, her appearance doesn’t reference the Promised Land or her version of the gondola date. She is not presented in connection to Cloud at all. On top of that, while the Aerith and Cloud outfits are promoted together, Tifa is paired with Vincent in the promotional image:
MFF x FFVII Remake Summons Promo Tifa and Vincent
This is hardly indicative of Cloti content in the event collaboration or in Remake.
III. e) iv. Cloud’s Promised Land
All in all, the collaboration tells the story of Cloud searching for his Promised Land, just as post-OG Cloud has been shown doing for years and years of canon SE content. Cloud is searching for Aerith in the MFF x FFVII Remake collaboration, just like he was in FFT and DFF, and just like he was shown doing in the 30th FF Anniversary Exposition. This is nothing new. However, the collaboration informs us that this mission to be reunited with Aerith is what leads Cloud to enter the world of Remake.
Echo noted that people obtain the Promised Land they deserve rather than the one they want. What does Cloud deserve? I believe the answer is: another chance at saving Aerith.
Cloud needs to start over, from the top. He needs to go back to the very moment he and Avalanche arrived at mako reactor 1 to bomb it. He needs to return to the beginning of the OG game. He needs a redo, a fix-it, another shot at happiness; a remake.
IV. The Hidden Plot Point: Mission Theory
a) ThesisHere lies the heart of my theory. My dear Cleriths, Sephiroth isn’t the only one who travelled back in time to undo destiny and create a reality where things go his way: Remake is also —I would even say primarily— Cloud’s chance to free Aerith from her fate, save her life and secure his shot at happiness with her. That’s why he experiences MOTFs in Remake: he’s done FFVII before and now he’s back, although with only fragments of his memories from OG, to save Aerith. That’s why his triggers all involve Aerith: he doesn’t consciously remember anything from OG, but his grief over Aerith is so strong that it rises from his subconsciousness at the slightest trigger.
In Remake, Cloud remembers some but not all elements of the OG timeline (MOTFs), and it appears he only remembers the most important things: all his MOTFs revolve around Aerith and her fate. Our theory explains why Aerith triggers Cloud’s MOTFs in Remake quite perfectly: he traveled back in time to prevent Aerith’s death from happening. Remake Cloud remembers Aerith because, well, he knows her from OG. Post-OG Cloud has returned to the past to save Aerith, resulting in Remake. This is why seeing her in Remake triggers visions and memories of things that haven’t happened yet in Remake, but have already happened to post-OG Cloud. He recognizes her face on Loveless in Remake because seeing her face again is the whole reason he entered Remake in the first place. His visions of her death when they meet once more at the church, the spike of anxiety and grief as he watches her walk away from him, the constriction in his chest when she talks about doing everything in her power to help the planet… all of it, it’s all his memories of OG being jogged by things related to her death. What he’s forgotten from the OG timeline emerges in flashes of pain, images, memory and emotion. Remember that the language the devs used to describe these instances where Cloud reacts to Aerith in this way is always about “remembering” or “recognizing”; Cloud has to have seen Aerith, known Aerith, loved Aerith, lost Aerith and felt the pain of living without Aerith before in order to recognize and remember these feelings. Think about it: this is the only thing that can explain Cloud’s extremely selective MOTFs and the fact that he has MOTFs at all.
The Remake trilogy is all about Cloud and Sephiroth stepping into the ring one more time, both ready to risk it all to get what they lost in the OG timeline. Sephiroth is hungry for destruction and godhood, while Cloud stands determined to save the love of his life. Fighting for their respective goals, the fated enemies enter a new battle in Remake, one to end the war, both needing to win this time after losing so horribly in OG. Now, it’s all or nothing. Sephiroth vying for the planet, and Cloud reaching out for Aerith.
Cloud’s back with a quest, one he can’t fail— it’s the most secret and important plot point of all. I call this the “Mission Theory”.
IV. b) Mission Theory Logistics
There are a few things that remain vague, so I’m going to use this section of the analysis to speculate on the logistics of my theory. We know very little about the hows of the timeline and multiverse shenanigans, so I’m going to hypothesize. However, this analysis is about the whys: so if you’re not interested in mechanical speculation on the logistics of time travel and multiverses, you can totally disregard this section and skip to section “V.”.
IV. b) i. Cloud the Time-Traveler?
It’s unclear whether Remake is the result of post-OG Cloud going back in time to try his hand at the OG timeline again, or the result of post-OG Cloud somehow informing OG Cloud that he must save Aerith this time around. It’s vague in the same way that we aren’t sure if Remake Aerith is post-OG Aerith or if she’s been informed by post-OG Aerith via her connection to the Lifestream as a Cetra. Though it doesn’t much matter how Cloud has memories of Aerith’s death in Remake, I personally think that Remake Cloud is a time-traveling post-OG Cloud. My explanation as to why might be a little confusing, so again, feel free to skip to section “V.”.
One must be able to communicate with the Lifestream in order to obtain knowledge of the future. This access can only be granted to the Cetra or to the souls of the deceased that compose the Lifestream itself. Since Cloud is not a Cetra, he cannot commune with the Lifestream while he is alive, meaning a deceased post-OG Cloud would not have been able to communicate his memories of the OG plot-line with a living OG Cloud. Therefore, the only way Remake Cloud could have knowledge of the future (manifested as MOTFs) would be that Remake Cloud is inhabited by his post-OG consciousness. Effectively, this is time-traveling.
Then comes the question of how Cloud was able to time-travel at all. I have what I consider a pretty solid hypothesis. The most interesting thing about the realm of Palamecia is that every FF character that’s ever appeared in the realm for a cameo died in their core world beforehand (spoilers for FFI, FFV, FFVI, FFX, FFXII, FFXIII, FFXV incoming). These characters include Tidus (FFX), Lightning (FFXIII), Garland (FFI), Sephiroth (FFVII), Gilgamesh (FFV), Vargas (FFVI), Gabranth (FFXII) and Ultros (FFXV). My interpretation of Palamecia serves at least partly as a directory for deceased souls that can’t simply fade. For instance, FFX’s Tidus actually came back to life to be with his love>! Yuna !
IV. b) ii. Post-OG Cloud’s Amnesia
If we consider that Remake Cloud is a time-travelling post-OG Cloud who’s returned to the start of the OG timeline, we encounter another logistical problem: why doesn’t Cloud remember everything or most things from the OG plot-line in Remake, like Sephiroth and Remake Aerith do? After all, aren’t the three of them in the same time-travelling boat? Why isn’t Cloud as lucid on the matter as the two others? Didn’t the post-OG Cloud in Fatal Calling face his past and origins? Shouldn’t that mean Cloud would remember all that stuff in Remake from the start?
In OG, the true Cloud’s memories are repressed by both his false persona and Jenova. The latter’s memetic abilities are able to block Cloud’s memories of the past from emerging and conflicting with his SOLDIER persona. For instance, in both OG and Remake, Cloud is unable to hear Aerith tell him Zack’s name in Evergreen Park: Jenova blocks it out. I think this is a similar situation: post-OG Cloud’s consciousness carries memories things that Jenova doesn’t want Cloud to know, so she pushes down on them. On top of that, after travelling through different worlds and back through the Lifestream for who knows how long, post-OG Cloud’s consciousness must be quite weak. We know how good Cloud is at repressing, so it makes total sense to me that post-OG Cloud’s consciousness would be trapped or suppressed somewhere deep in Remake Cloud’s subconsciousness. After all, it’s not like this whole time-travelling-consciousness thing is normal for a mind to experience. It’s no wonder Remake Cloud doesn’t consciously remember how things go in OG. However, post-OG Cloud’s love and grief for Aerith are so strong that memories related to her can occasionally pierce through to his Remake consciousness and Jenova’s barriers, resulting in his MOTFs. His pain and love for her are definitely permanent and strong enough:
“A young woman descended from the Ancients who will forever be engraved in [Cloud’s] heart” (Dirge of Cerberus, Japanese manual, Aerith’s character description).
“I believe for those who formerly traveled with her as comrades and for the viewers, each carries their own feelings and love for Aerith. In this story, Cloud also carries his own undying feelings for Aerith, even to this very day… Its relation with the church scene is… Yup. I’ll leave this part to your imagination. (laughs)” (Nomura interview on Advent Children “Designer’s Note” in *Famitsu PS2!*magazine, October 24th issue).
So you see, Remake Cloud’s mind is a little more complicated than OG Cloud’s mind. Everything is still the same in Remake as in OG, but with the added complication that his future self is hidden in his subconscious mind, probably trying to get out.
There is actually pretty good evidence of this. I’m sure you’re aware that whenever Jenova is trying to hide something from Cloud or altering his memory and/or perception, the screen glitches green with an audio cue (34:15-34:29, 1:15:30-1:15:41 and 1:17:14-1:17:29). Guess what? These Jenova audiovisual cues also occur during the MOTFs (ie: MOTF 3 2:58-3:07 and MOTF 4 0:29-0:42). Whenever post-OG Cloud’s consciousness encounters anything that reminds it of losing Aerith, the strength of its pain helps it push memories of Aerith to the surface so that RemakeCloud can consciously see them. Remake Cloud then experiences sensations and/or visions, all from his future self’s memories as they rise to the surface, propelled by grief. Jenova can’t allow Remake Cloud to fully recover his post-OG memory, so in order to shut down the process, its cells jump in to repress the MOTFs: this results in the classic Jenova audiovisual cues. The only time Jenova doesn’t bother to fight against a MOTF is the sixth, as it is quite weak: no visions occur, only a tight sensation in his chest.
IV. b) iii. Eclipse Contact and Cloud’s Memories of Reactor 1
There is one problem I have trouble decoding. In Eclipse Contact, Cloud tells Wol and Echo that the last thing he remembers is the run-up to his arrival at mako reactor 1 (FFVII OG, disk 1, chapter 1). Recall that usually, people summoned to Palamecia have no memories of their world of origin and lives before that point at all. So then why is it that upon being summoned to Palamecia, Cloud recalls the events that took place right before the start of the OG game? This strikes me as highly relevant since this is the exact point in time where post-OG Cloud’s consciousness needs to be transported to in order for Remake to begin, but I haven’t been able to figure out a solid hypothesis on what it could mean. My best guess is that this is the devs’ way of signalling to us that the events of the MFF x FFVII Remake collaboration occur before the very beginning of post-OG Cloud’s second try at the OG timeline (Remake).
Now that I’ve shown you how I’ve come to form my Mission Theory and we’ve done some pesky housekeeping, let’s connect some dots, shall we? It’s time to really get into it and see if any of my wild speculation tracks with content from the Remake trilogy so far.
V. Musical Evidence
What about the music of the game? Any hints there? Let’s try to see if we can find support for the Mission Theory in the music made for the Remake trilogy thus far!As a preface to my musical evidence analysis, I want to insist on something: the story guys tell the soundtrack guys everything. In a high-quality production such as Remake, people who make music for audiovisual media are told everything in advance. They need to know the secrets of every little scene, because their job is to depict whatever is happening through music.
Therefore, if the Mission Theory is true, then there has to be musical evidence for it.
V. a) Preface: The Basics of the FFVII OST
There’s a lot of evidence in the music of the Remake trilogy that we have to address, but before we get into it, I do have to give you the basics of the FFVII soundscape! For the easiest experience, I suggest you keep a tab open for every link I provide for you until the music analysis is over, because we will be hopping from one musical theme to another and then back again.
V. a) i. The World Theme: Cloud’s Troubled Identity
The world theme of FFVII is a perfect example of how musicians working on an OST have to know the secrets of a story as they compose for it. On top of representing the FFVII world as a whole, it doubles as Cloud’s character theme… except that isn’t exactly right. You see, this piece does indeed contain Cloud’s true theme, but Sephiroth and Jenova’s musical motifs also contaminate it. This, of course, symbolizes how Cloud experiences identity sabotage because of these two antagonists. The result is that globally, the world theme does indeed represent Cloud’s character, but it isn’t exclusively Cloud’s in the same way that Cloud’s mind isn’t exclusively his. It’s brilliant storytelling through musical motifs, and evidently requires Uematsu to know in advance that Sephiroth manipulates Cloud’s identity in the story.
For future reference, let’s isolate Cloud’s true theme from Jenova and Sephiroth’s influence.
V. a) i. 1) Sephiroth: Dissonance and Semi-Tone Motif
I’m sure you know Sephiroth’s infamous theme: “One-Winged Angel”. The first motif we need to know is Sephiroth’s threatening, repetitive dissonance motif, which plays all throughout the piece (plays solo at 0:00 to 0:04). The second motif is what I call the semi-tone motif. “One-Winged Angel” has a ton of minor 2nd intervals, which is what we call the relationship between two notes that are only a semi-tone apart. You might recognize the minor 2nd interval in the foreboding Jaws theme. Just like in Jaws, the minor 2nd interval or semi-tone is commonly used to indicate an impending, life-threatening danger, a monster, predator, evil, or insanity; suits Sephiroth quite nicely!
V. a) i. 2) Jenova: Parasite Motif
The track “J-E-N-O-V-A” contains many competing melodies and has generated many variations of those melodies —almost like clones— that all represent aspects of the alien’s character. The main Jenova motif is simply a descending, two-octaves-long, arpeggiated mb6 chord (eight notes total). I’ve played it for you here. Sometimes, this motif is altered to form variations. For instance, in “Listen to the Cries of the Planet”, a variation of Jenova’s main motif is created by changing the order of the notes and reducing the number of notes to only six (0:00-0:03), however, it remains an arpeggiated mb6 chord. Regardless of the alteration, if you hear an arpeggiated mb6 chord, it means Jenova is creeping close by or that its influence is at work.
The variation of the mb6 arpeggiated chord that concerns us alters Jenova’s main theme so it ascends from the tonic to the b6 note and descends back to the tonic, then ending on the lower dominant for a total of eight notes. I’ve played it for you here. I call this variation the “parasite motif”, because it is often heard when Cloud is being controlled by Jenova. For instance, it plays when Cloud loses himself and becomes unusually violent in Rebirth’s chapter 13 (17:25-18:34), signalling to us that Jenova is in control. It is also the main motif of the track “Who… Am I?”, which evidently symbolizes Jenova’s fuelling of Cloud’s identity crisis— though here, the parasite motif is shortened to its six first notes.
V. a) i. 3) Cloud’s True Self
Now that we can recognize Sephiroth and Jenova’s motifs, let’s return to the world theme to isolate Cloud’s true self. Cloud’s true theme can be heard from 0:51 to 3:48. It consists of a section A (0:51-1:54), followed by a section B (1:54-2:41), and then returns to section A (2:41-3:48).
After Cloud’s true theme concludes however, it seems he experiences a psychic interference: doubt and confusion weave through the world theme (3:48-4:09), representing an instability in his identity. I call this interruption of Cloud’s true theme the “interference section”. It symbolizes a moment of psychic interference or weakness within Cloud that Sephiroth and Jenova take advantage of to take control of Cloud.
The end of the interference section introduces Jenova’s parasite motif. It slithers in (4:09), later joined by Sephiroth’s dissonance motif (4:16): Cloud’s mind and identity are being hijacked by the two antagonists in service of their evil plans.
They torment Cloud, dominating his mind until he manages to free himself: section A of Cloud’s true theme begins playing again (6:06), closing the loop of the theme.
Based on this musical storytelling, if you already knew the character motifs going into OG, you might’ve suspected something odd was going on with Cloud’s identity, and that Jenova and Sephiroth were involved. All this to say that whatever music is playing at any given time can give us hints as to what is going on. That’s the power and significance of a good soundtrack. Trust me when I say that with Uematsu and his team, we’re in excellent hands. And remember: the story guys tell the soundtrack guys everything.
V. a) ii. Aerith’s Theme
Another base we have to cover before checking out the Remake soundtrack is Aerith’s theme. I’m sure everyone here is familiar with it, but I insist that you refresh your memory. It consists of a section A (0:00-0:34), a section B (0:34-1:13) and a section C (1:13-2:00), concluding with a repeat of section A.
V. a) iii. Motifs and Timing in FFVII OSTs
I’m going to analyze pieces in great detail, which people who haven’t studied or paid attention to soundtracks may find strange. To prevent anyone from making the mistake of thinking that I’m reading too much into things, I want to emphasize that the music that plays during the Remaketrilogy’s cutscenes is carefully timed, composed and arranged to match the events in the cutscenes, as they are provided in advance to the musicians. Composers pay lots of attention to whatever is going on onscreen so they can include the corresponding musical motifs as accompaniment at the exact right moments, always striving to get the timing perfect. I’m not exaggerating the effort and minutia involved in soundtrack composition and arrangement. Here are just a few sound staff comments from the “Material 4: Soundtrack” section of the FFVII Remake Material Ultimania to prove it:
“[To] make sure players really feel the weight of the moment, we worked hard on getting the tempo and the entry timing of each instrument exactly right. In particular, that big ‘boom’ that sounds almost like a meteor crashing down was fine-tuned to match the timing of the logo's appearance. I remember this was a real sticking point for us, because if the boom's timing was even slightly off, the effect would be completely different. We […] had to sequence [each and every sound] to play at exactly the right moment” (Shotaro Shima on track “Midgar, City of Mako”, page 229).&
“I was originally told to keep this piece to under two minutes, but it ended up being over six minutes long, in order to match the flow of the cutscene. I arranged the track while watching the latest CG visuals that had been rendered for the scene” (Naoyuki Honzawa on track “Smash ‘Em, Rip ‘Em”, page 309).&
“This is the track that plays during the tour of Shinra’s different divisions. The movie shown in the Visual Entertainment Hall describes the history of the Ancients (0:25 onward in the soundtrack version), and I wanted to create a musical link to them as well, so I made use of the chord progression from ‘Aerith’s Theme’ [D(I)-Am(Vm)-D(I).] [This simple sequence of moving from major to minor and back again creates a really mysterious air. Then, during the section where the movie recounts the history of the construction of the Shinra Building (1:47 onward in the soundtrack version), I quoted a section of the Shinra theme” (Yasunori Nishiki on track “Stewards of the Planet”, page 313).V. b) The Remake OST
Now that you’re ready, it’s time to verify the Mission Theory’s validity with Remake’s music.
V. b) i. MOTF 6 Music
We were able to explain Remake Cloud’s MOTFs with the Mission Theory, and it just so happens that the music that plays during the scene of MOTF 6 is unique to Remake. This gives us the perfect opportunity: we should analyze the piece that plays as it occurs to evaluate the legitimacy of our theory on the Remake trilogy, using all the motifs we uncovered in section “V. a)”.
First, a refresher on the scene and on our theory’s interpretation of it. The party is gathered in Aerith and Ifalna’s old room at Shinra HQ. Here is how the scene is described by the VA script notes:
“The Whispers once again close in [on Aerith], but Aerith refuses to stop speaking this time.Indeed, right after Aerith says she wants to help the planet any way she can, Cloud looks down at his chest with a frown and a quiet grunt (7:46-7:54). According to the Mission Theory, this tightness in Cloud’s chest can be explained as an emergence of post-OG Cloud’s grief, triggered by the slightest allusion to Aerith’s sacrifice.
Aerith: Listen to me. […] Shinra isn’t the enemy. They were the ones who set things in motion, but our true foe is someone else.
At that moment, the spectacle of Meteor they saw in the Visual Entertainment Hall comes into Cloud and the others’ heads.
Aerith: Somehow, some way, I want to help— all of you… the planet…
For some reason, Cloud feels his chest constrict tightly” (FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”).
The piece that plays during this scene is called “Aerith’s Theme - The Cetra”. It is one of many variations of Aerith’s iconic theme arranged for Remake. However, Cloud’s theme is just as prominent in the piece— if not, more.
V. b) i. 1) The Fate Motif
Before we interpret “Aerith’s Theme - The Cetra”, I need to introduce you to one more motif that crops up in the piece. There is a windy motif that appears (from 1:45 onwards) and it is unaccounted for, despite how it’s clearly meant to represent something. I’ve become certain that this wind noise symbolizes fate, and I’ll tell you why.
In the MOTF 6 scene, just after Nanaki explains how he gained knowledge of the Whispers via contact with Aerith (7:23), they emerge and begin swirling aggressively around Aerith (7:26). Her hair and dress blow and ripple in the resulting wind. From this very moment onward “Aerith’s Theme - The Cetra” (3:00), a string section (bowed instruments in the violin family) that deliberately emphasizes the airy sound of the bow crossing the strings enters, creating a windy effect that adds to the already present wind noise (that started at 1:45). As the Whispers progressively become even more aggressive onscreen, both the wind SFX of the cutscene and the wind noise in the piece get louder and louder. Because of the timing of its appearance and crescendo in the cutscene, I’m certain the wind noise is meant to represent the restrictive flow of fate; it only makes sense, given that destiny is a current —or a wind— that cannot be broken, and Aerith is like a helpless petal in fate’s carefully planned storm. Of course, it’s also quite significant that the Whispers make a windy noise as they fly. You can hear it every time they’re onscreen, like when they first appear to Cloud in chapter 2 of Remake (17:45-18:20), or when the White Whispers hold Cloud back from chasing after Aerith during Rebirth’s Sleeping Forest scene in chapter 14 (28:43-29:45). You can also hear the wind sounds in other Whisper-related tracks, such as “Whorl of Whispers” (clearly audible at 2:50-3:05), as well as “A Death Not Ordained by Fate” (clearly audible at 2:56-3:18). Therefore, I’ll call these wind noises the “fate motif”.
V. b) ii. 2) Interpreting “Aerith’s Theme - The Cetra”
In part 1 of “Aerith’s Theme - The Cetra” (0:00-1:45), Aerith’s theme and Cloud’s true theme play simultaneously, their respective phrases fitting perfectly together, interweaving peacefully and softly. It sounds like the two of them are chatting, dancing bashfully yet contently and in perfect sync, glad to be exactly where they’re meant to be as their themes sing together in harmony (soft piano). Part 1 of this piece is about Cloud and Aerith becoming important to one another as they discover their soulmate bond.
Unfortunately that contentment doesn’t last. In part 2 (1:45-3:00), Cloud experiences a moment of psychic vulnerability (world theme’s interference section). Fate lurks (fate motif enters quietly). His instability forces our couple’s sweet dance to a halt, and Aerith’s theme must retreat as Cloud’s confusion takes center stage. Sephiroth torments and taunts him (semi-tone played by strings, 2:03-2:10), taking advantage of Cloud’s psychic interference to plunge him into darkness (world theme’s interference section ends, low cello enters, 2:18): Cloud temporarily becomes a darker version of himself as evil corrupts him (piano plays section A phrases 1 and 2 of Cloud’s true theme in minor, 2:18-2:53). Jenova finally reveals itself and promptly exits, releasing Cloud’s mind from its grasp (seven first notes of parasite motif played twice on piano 2:53-3:00). Cloud is free, but the damage has been done: his dance with Aerith has long been interrupted, and she is gone. Part 2 of “Aerith’s Theme - The Cetra” is about Cloud being manipulated in service of Sephiroth and Jenova’s evil plan, interrupting his interaction with Aerith.
Part 3 (3:00-3:33) kicks off the mechanisms of a tragic fate (strings section joins fate motif, 3:00). Both anxious that she’s disappeared from his side and terrified of the darkness he just discovered inside him (in part 2), Cloud fearfully calls out for Aerith (phrase 1 of Cloud’s true theme’s section A, timid and hesitant piano, 3:04-3:15). Before his psychic interference began (start of part 2), Cloud’s voice was accompanied by Aerith’s as they grew closer and closer (their character themes mingling in part 1)… but now, Aerith isn’t answering his call, and he cannot find her (Aerith’s theme doesn’t to join Cloud’s anymore).
Anxious, Cloud tries calling out for Aerith a second time (section A phrase 2 of Cloud’s true theme’s, 3:19-3:31), searching for her in the hopes that they can continue their dance, but even now, Aerith does not respond. She’s gone (Aerith’s theme remains absent). Destiny keeps Aerith away from Cloud (fate motif gently crescendos). Part 3 of “Aerith’s Theme - The Cetra” is about Cloud’s separation from Aerith, his search for her, and the fear and anxiousness he feels when he realizes he cannot find her.
And then, part 4 begins with a sweet, gentle voice, calling out from the blackened horizon: it’s Aerith (section B phrase 1 of Aerith’s theme, soft piano, 3:33-3:45). Cloud finally hears her respond to his pleas: he’s found her. Fate begins howling in protest, doubling its efforts to keep Cloud and Aerith apart (fate motif crescendos noticeably in reaction to Aerith’s theme, 3:45). You can just picture Cloud running toward Aerith, struggling against the current of destiny to try and close the distance between them. Aerith tries calling out for Cloud a second time, (section B phrase 2 of Aerith’s theme, 3:40-3:43), but the Whispers only swirl around her more ferociously, taking her away in the uncompromising current of fate (fate motif continues to crescendo). Aerith tries again (section B phrase 1 of Aerith’s theme, 3:47-3:49). It sounds like she’s saying “Cloud, I’m over here, come find me!”
Fate doesn’t take too kindly to her defying it. Cloud and Aerith are not supposed to be together; it can’t be, it won’t. She’s destined to die to save the planet, and he’s destined to remain hollow forevermore. I can picture Cloud breaking into a sprint at the sound of her voice, running countercurrent to the flow of destiny— but the winds are so loud, fate’s demands are so strong, and the Whispers are shrieking in defense of destiny now. Aerith’s voice emerges for the fourth time (first three notes of section B phrase 3 of Aerith’s theme, 3:54 to 3:56). Fate screams louder, louder (steep crescendo of fate motif, 3:59-4:02). In a desperate hail Mary, Aerith shouts out one more time, as though throwing her hand out toward Cloud’s extended fingers (section C phrase 1 of Aerith’s theme, louder and more insistent, cutting through the fate motif as it crescendos sharply, 4:00-4:06). Part 4 of “Aerith’s Theme - The Cetra” is about Cloud and Aerith desperately trying to defy fate in order to be together. And then, it all stops: fate has seemingly quieted Aerith (4:04-4:08)…
Part 5 (4:08-4:27) begins with Cloud jumping, launching himself off the ground with all his strength (Cloud’s true theme section A phrase 2, first 5 notes, melody starting on the note E5 and ascending) as Aerith plummets toward the ground in a fatal fall (Aerith’s theme section C phrase 1, melody starting on the note E6 and descending, the last note altered)— he successfully catches her in mid-air (both Cloud’s ascending melody and Aerith’s descending melody meet in the middle of the octave, first uniting on B5, and then ending on A5). I’ve recreated the melodies for you here so you can hear this reunion more clearly. If you consider that the airy strings in this piece represent fate, which I do, the fact that they follow Cloud and Aerith’s themes in part 5 signifies that they are now in control of their own destinies, and successfully making it their fate to reunite.
To be completely frank, I did not realize until right now writing this that Cloud unites with Aerith in part 5, even though his theme is right there. I’m so excited to share this part with you.
We hear Aerith once more, her voice quietly trailing off into the silence (phrase 4 of section C of Aerith’s theme) with no conclusion (phrase 5 normally follows phrase 4 to conclude Aerith’s theme, but is absent here). Part 5 of “Aerith’s Theme - The Cetra” suggests that Cloud will save Aerith and that the couple will change their fate, but also conveys an uncertain and open-ended quality.
(continued in part 5)
2024.05.16 15:00 rbanksy Dwarf gourami is being a d***
 | Hi folks. I have a 30L tank that is fairly new. I had to do a fish-in cycle as someone in my town needed to re-home some fish urgently. Not ideal but I'm making it work and doing daily water changes. submitted by rbanksy to Aquariums [link] [comments] The community is as follows: 1 x dwarf red gourami (6cm) 1 x pearl gourami (7cm) 3 x tiny harlequins 4 x golden guppies (ranging from 2cm to 4.5cm long) 1 x dalmation spotted Molly (3cm) 2 x snails 2 x wood shrimp Photo for reference. They all seem to be doing really well, but over the last few days, the dwarf gourami has been really aggressive towards the Molly, chasing it around at any opportunity. The Molly is hiding a lot of the time. It has also been bothering the pearl gourami, nudging it with its head and nipping its fins. Is there anything I can do to calm the dwarf gourami down and stop it being such a douchbag towards its tankmates? |
2024.05.16 14:49 ya-boi-benny Respect Dmitri Smerdyakov, the Chameleon (Marvel, 616)
The famous baseballer, Jackie Robinson, he once said: “A life is not important except in the impact it has on other lives.” I could not agree more. That is why I try to make as much impact on my faces’ lives as possible. After all, they have done so much for me. It is the least I can do. Unlike them, I need not fear what people think of me. So I can be brave where they are weak. For I will just be someone else tomorrow.
He'd move to America and use his talents to pull off high-scale burglary, working for any group that could afford his fee, including the Communist party, Hydra or the Green Goblin. His elicit activity brought him into conflict with the Hulk, Iron Man and most often Spider-Man, all of whom had to act with great caution when the Chameleon was in town. After all, which one of them could tell if that unassuming civilian or their own ally was preparing to stab them in the back?
Dmitri has some mental hangups over his time with the Kravinoffs. He’s managed to repress the memories and considered himself good friends with his half-brother Kraven. In reality, he was more like a whipping boy and slave to the Hunter, and when he has to wrestle with those feelings, he can mentally revert to that scared little boy with no strong sense of identity or independence. But when he’s able to move past these feelings, the Chameleon has proved himself as a powerful, manipulative force, finding his place as temporary Crime Master of New York and member of the Sinister Six.
Notes
During one of Dmitri’s mental breaks, he began to believe that he was his deceased half-brother, Kraven the Hunter. So exact was the Chameleon’s performance that he moved and fought with the hunter’s skill and agility. This was an extreme fringe case and there are no other examples of a disguise altering Chameleon's capabilities like this. Physical and skill-related feats from this period will be marked with [KH].
Hover over a feat to see which issue it's from.
Physicals
General- He’s taken some of Kraven’s potions, which extends his natural lifespan and protects from disease
- Kraven later notes that he only allowed the Chameleon to drink some of his potions, enhancing his strength, although not nearly as much as the Hunter himself
Unarmed Striking
- Downs a cop with a punch to the back of the head
- Boxes Alexei Kravinoff’s ears, flooring the bigger man
- Tackles and restrains Bruce Banner
- While posing as Tigra, he breaks Mysterio’s helmet with a kick
- Knocks Finesse out with two punches to the back of the head
- [KH] Kicks Alexei in the chin mid-leap
- Hurts Spidey with a kick to the face
- Hospitalized the Shocker
- Floors a man with a suitcase
- Clubs Captain America with a fire extinguisher, flooring him for several seconds
- [KH] Smashes through a ceiling and dives at Alexei
- [KH] Impales a man with a spear, then rams him into a wall hard enough to crack it
- Beats a man unconscious with a pistol
Other
- While carrying Betty Ross over his shoulder with one hand, the Chameleon uses the other to smack Major Glenn Talbot
- [KH] Holds a wolf away from him
- Carries and fires this absurdly large gun
Scaling with Spider-Man
- Gets up after a glancing blow from Spider-Man
- Takes a backhand from Spider-Man
- Stays barely conscious after Spider-Man punches him into what looks like a concrete wall hard enough to break it
- Takes two punches from an angry Spider-Man
- While emulating Spider-Man and clinging to a wall with suction cups, he takes a punch from the real Spider-Man but stays clinging and makes an escape
- Spider-Man throws Chameleon head-first into a wall, then smacks him three times, breaking his mask. Despite this, the Chameleon stays conscious and manages to run off.
- Gets kicked in the head by Spider-Man (dressed as Deadpool) but quickly recovers and puts Spidey in a headlock
- Takes a sucker punch from Spider-Man in the Spider-Armor MK III
- [Limit] One casual punch from the Superior Spider-Man knocks Dmitri out
- Gets tackled by the Hulk, who was shrunk down to a few inches at the time
- Takes three heavy blows from Daredevil before falling into unconsciousness
- Takes a backhand punch from Kraven
- He gets up after Captain America throws his shield into his back
- Stays conscious after Deadpool punches him out a window
- Takes a punch from Spidey and an elbow from Deadpool
- Gets punched by Whirlwind
- Gets beat on by Teresa Parker
- Spider-Man punches Vulture, sending the villain flying into Chameleon
- Gets thrown many feet into the air, then falls back-first onto stone
- He jumps off the Brooklyn Bridge and lands in the water below
- [KH, Limit] He’s KO’ed by a woman with a wooden chair
- While disguised as Spider-Man, he gets grabbed and swung around a room by tentacles, at one point getting his head slammed through a concrete wall with no ill effects
- He’s not noticeably harmed after a cop shoots him in the shoulder
- Stays standing after being shot in the thigh
- Twenty minutes after being shot in the shoulder, he’s not noticeably harmed
- Crashes his car into the Hulk
- Crawls from a crashed HYDRA aircraft
- Unharmed after crashing his truck into a wall
- While piloting a giant Galactus robot, a helicarrier crashes into the robot’s head and the Chameleon’s control room. He survives the crash relatively unharmed.
- He survives after being poisoned and being left in a burning bar by the Punisher
- When Captain America breaks one of Chameleon’s stun guns, the resulting blast melts his rubber face mask, burning him
- He eats a full plate of ambien-laced cookies baked by Aunt May
- Spider-Man webs up a big gun that the Chameleon was using, causing it to blow up in his face. Dmitri gets up right after.
- Dodges some charges from Hammerhead, first with a sidestep, then by flipping over the mobster
- [KH] Dodges a tackle attempt from Alexei Kravinoff
- He lands hits on Spider-Man pretty easily once the hero loses his spider-sense
Skill
ImpersonationGeneral
- When posing as someone, the Chameleon copies their gait and posture
- When emulating J. Jonah Jameson, not only does the Chameleon copy his personality, mannerisms and body language, but he copies Jonah’s writing style so he can turn in editorials at the Daily Bugle
- [Limit] In 2009, he took the form of Barack Obama and attempted to get sworn in as the POTUS. However, Spider-Man asked the fake and the real Obama a question that only the real Obama would know the answer to, outing the Chameleon as an imposter.
- Mimics Tigra perfectly, replicating her movements, voice and microexpressions
- When posing as a zombie Ezekiel Sims, Chameleon does something to make himself smell like a long-dead corpse
- Skilled in vocal emulation
- He perfectly emulates voices over the course of minutes after listening to audio recordings or the voices of his hostages
- While posing as the Paris police director, he fools a voice recognition system designed by Henry Pym, allowing him access into an Avengers headquarters
- Can emulate mechanized voices, like Doc Ock’s from when he was a cyborg
- Betty Ross sees through Dmitri’s Bruce Banner disguise thanks to her female intuition
- Daredevil sees through the Chameleon’s disguises because he can hear Dmitri’s distinct heartbeat
- Spider-Man’s Spider-Armor MK III has a Daredevil-inspired feature built in to the helmet that allows Peter to track Chameleon’s specific heartbeat. This allows him to see through the villain’s disguises.
- [KH] Fights evenly with Alexei Kravinoff before restraining him with a rope
- Off-panel, he killed a SHIELD agent and a doctor with a pen
- Shanks Superior Spider-Man in the neck with a pen
- While disguised as Spider-Man, he brawls hand-to-hand with Deadpool
- [Limit] Lost a fight to Mary Jane Watson with a baseball bat
- [KH] Slashes two mens’ throats with a single swipe of a spoon
- [KH] Performs a handstand on a tree stump
- Using Klawe’s sound cannon, he blasts MODOK’s psionic blaster, disabling the head’s main weapon
- Leaps from a second story and lands on an awning to break his fall
- Jumps from the back of an aircraft onto the hood of a pursuing flying car
- Nick Fury boots Dmitri off of a flying car, but the villain manages to grab a ladder on a nearby aircraft
- Cracks a locked vault door, possibly using a stethoscope
- Pilots a giant LMD modeled to look like Galactus
- (Poorly) pilots the Iron Man Model 4 before being dropped by an alternate-universe Ghost Rider
Disguises
Realistic Masks- Originally, the Chameleon employed realistic masks and hairpieces to disguise himself as individuals. He kept these pieces in a multi-pocketed vest, allowing him to alter his appearance on the fly
- After getting one quick glance at Thunderbolt Ross, the Chameleon is able to make a perfect mask of the general’s face in a matter of minutes
- When the Hulk is tearing the Chameleon’s car apart, he quickly changes into the guise of Rick Jones to calm the Hulk, then manipulate him into breaking a friend out of prison
- At one point, he used a gun that squirts fast-drying fluid, which kills victims via suffocation and leaves the Chameleon with a perfect mask of their face
- He once wore four masks layered on top of his plain, white one
- He gets a procedure done to his body that makes his flesh completely malleable, changing in response to electrical stimuli. He also had a specially designed costume that reacted the same way to stimuli. The final piece was a control system built into a belt that could memorize and store any face that the Chameleon encountered. All of these pieces allowed the Chameleon to completely copy someone’s appearance and replicate it through thought alone.
- This exact method of changing his face depends on the comic's art style
- After looking at a photograph of a man, the Chameleon completely embodies him in moments
- When begging for his life, he rapidly switches between a dozen different faces
- When he’s knocked unconscious, his face relaxes and goes back to how it normally looks
- Once made a game out of pretending to be a civilian in need, then attacking Spider-Man when the hero helps him
- [Limit] One time, a very serious Spider-Man shocked and frightened the Chameleon so badly that he let his disguise drop
- Uses convincing costumes when posing as superheroes or supervillains
- Disguises himself as a Statue of Liberty street performer
- Some kind of hidden device emits mist, allowing the Chameleon to change masks and outfits
- Carries a canister of chemical gas that instantly changes the color of his clothing
- Later on, he wears a suit that allows him to instantly change his facial appearance and clothing
- A high-tech costume can resemble any article of clothing that the Chameleon can think of
- When appearing as someone much bigger than he is, like the Kingpin, the Chameleon uses an inflatable suit
- Poses as a hostage, then uses a hologram projector to make it look like Doc Ock is holding him off a roof
- When working for the Superior Spider-Man’s team of “reformed” villains, the Superior Six, Chameleon used hologram tech to aid in his disguises. This let him appear as Loki, with his massive horns and Asgardian outfit being formed with the tech. It otherwise works more or less like his powers did.
- Most recently, the Chameleon requires the use of a serum to be able to change his features at will
Weapons
Non-LethalGuns
- Uses a dart gun that instantly knocks a man out with a shot to the shoulder
- Uses a chemical gas gun to instantly knock out Captain America, keeping him out for a few minutes
- A dart gun that leaves victims unconscious and foaming from the mouth
- A stun gun
- A syringe full of sedative chemicals that KOs Spider-Man and makes Deadpool woozy for a minute until he heals
- A syringe hidden in a prop torch puts Spider-Man to sleep immediately
- He injects Spider-Man with a poisonous chemical. It brings on extreme nausea and vertigo, then later knocks Spider-Man out for two days straight.
- Snuck into Captain Stacy’s room and administered a few drops of sedatives to Stacy’s decanter. This kept him unconscious all day, allowing the Chameleon to assume his identity and steal priceless pieces of art.
- An aerosol can of sedatives
- One time, he coated his clothing in an odorless sedative chemical. When Spider-Man grabs him by his jacket, the hero falls unconscious in a matter of seconds.
- Gas grenades
- He uses some kind of electric weapon on a shallow body of water, shocking Spider-Man, Husk and Deadpool into unconsciousness
Guns
- Normal guns like rifles, a shotgun and a handgun
- A silenced handgun
- A revolver
- A double-barreled shotgun
- He wields a one-handed launcher that carries a variety of capsules, including cyanide gas canisters and concussive explosives
- An absurdly large, Liefeld-esque gun that blows up a computer station
- A energy-based handgun with explosive firepower, used to blast a large hole through Deadpool’s torso and later turn a concrete wall into rubble
- A poison ring that would’ve injected JJJ with a lethal dose during a handshake
- [KH] Shoots Spider-Man with a poison dart that would’ve killed him in ten minutes if he didn’t take the antidote
- Usually carries a dagger or other kind of blade
- A grenade
- A small, box-shaped time bomb
- He once used a Man-Thing parasite to protect himself from gunfire and form combat applicable branch-like tentacles
Other Equipment
Field Gear- Smoke pellets
- When posing as Spider-Man, he used a web-gun to emulate the hero’s web-shooters, although the webbing wasn’t as strong as Spider-Man’s
- While posing as Spider-Man, the Chameleon utilizes suction cup-covered gloves and a web gun to replicate Spidey’s wall-crawling and web-slinging
- A tracking device
- Nose filters protect him from a cloud of cyanide gas
- A jetpack with enough fuel to fly for nearly a full hour
- Typically restrains victims with rope and gags
- Uses a modified radio to send a message across New York that only Spider-Man could hear
- Uses a machine to swap memories with Captain America
- One lair boasts a chair that can be lowered into a pit of acid, used to destroy bodies
- Rigs his lairs to explode if they’re compromised
- He detonates explosives in one of his hideouts that releases napalm-like flames
- He’s helped to design Life Model Decoys that look exactly like Richard and Mary Parker with the goal of investigating Peter Parker and finding out about Spider-Man’s identity. While the false Mary developed a conscience and defied her programming, the false Richard was outfitted with a combat form.
- He holds a gun to the head of a simulacra of Mary Jane. When Spidey determines it’s a fake instead of his real wife, it poofs into smoke.
- Robots that drive his escape vehicles
Miscellaneous
- After coming across a cave full of assorted scrap mechanics, Chameleon builds a missile from the pieces. He later says he “found” the missile, so who knows. At any rate, the missile is strong enough to KO the Hulk when they collide.
- One time, he inexplicably escaped from Spider-Man’s grasp and disappeared from the room
- He kidnaps Spider-Man and imprisons him in Ravencroft Asylum. He then unmasks the hero, puts a realistic mask and straightjacket on him and attempts to gaslight Peter, through the use of psychoactive drugs and fabricated evidence, into believing he’s another man named Herbert Smith. This ruse does convince Peter for a good while until he later remembers his life with Mary Jane.
- He implies that he might be able to disguise his psyche from the telepathic X-Men member, No-Girl, although the claim is not actually proven
- Off-panel, he killed a man, cut off his face and used it for a temporary mask
Monica Rappaccini: I apologize for the delay in initial payment, but we first had to verify your identity. A.I.M.’s intel had been that the Chameleon was dead- or in an insane asylum.
Chameleon: Yes, well. That would be exactly what I wanted you to think. Faded into the background, imperceptible… that’s where a Chameleon is most comfortable… and where I shall now return.
2024.05.16 14:33 GothScottiedog16 New tank advice
Ok - I have an established 15g cube and a new 16g long that just finished cycling. In the 15g cube I currently have:
1 Apisto cockatoo female. 1 neon (poor fella) 2 exclamation points (also sad) 6 green kubotai
I just added to the new tank:
8 Pygmy cories 5 green kubotai 6 chili rasbora
My plan is: move the exclamation points and green kubotai to the long for better life/schooling.
What should I add to the cube? Cardinals/glowlights/green neons so the lone neon has a group to school with? (I am done with neon tetras they are too sickly)
Also-Is there anything I should be aware of when moving fish from one tank to another?
Thanks for your input!
submitted by GothScottiedog16 to Aquariums [link] [comments]
1 Apisto cockatoo female. 1 neon (poor fella) 2 exclamation points (also sad) 6 green kubotai
I just added to the new tank:
8 Pygmy cories 5 green kubotai 6 chili rasbora
My plan is: move the exclamation points and green kubotai to the long for better life/schooling.
What should I add to the cube? Cardinals/glowlights/green neons so the lone neon has a group to school with? (I am done with neon tetras they are too sickly)
Also-Is there anything I should be aware of when moving fish from one tank to another?
Thanks for your input!
2024.05.16 12:24 lancelotschaubert Yo /r/fantasy — Lancelot Schaubert + Of Gods and Globes contributors here. Ask me (or us) anything!
 | Hey friends, fam, fiends, ferrymen of the interstellar dead, fauns, and other assorted Fantasy folken — someone told me starting this off with a string of f-words would get your attention? Did I do it right?https://preview.redd.it/lwgggqddkr0d1.jpg?width=4032&format=pjpg&auto=webp&s=03216efd2c758a3945b510239d0f04fe26e89db6https://preview.redd.it/vqeb7o3alr0d1.jpg?width=1463&format=pjpg&auto=webp&s=853bd9eae6cd4ae4850899d97e82a9bd378c06c7 Lancelot Schaubert here with some of the crew from our 23 contributors to OF GODS AND GLOBES III I will be joined — at least — by Juliet Mariller (u/NoCalligrapher2320) who will be here early and late due to Australian time travel, Gordon Linzner, Andrew Najberg (AndrewNajberg), Gabriel Kellman (u/Whalemittens) — you can ask us anything, please let us know after whom you’re asking. They might ask me questions as well. Of Gods and Globes III...is a standalone anthology of stories based on interstellar mythopoetic names.Each name refers both to an astronomical phenomenon (for scifi) and a mythological phenomenon (for fantasy). I.E. — Saturn is a god and a planet, a scifi writer would write about the planet’s influence on, for instance, the influenza virus and a fantasy writer would focus on the demiurge’s. Brihaspati Graha is a Hindu demiurge and also another name for the planet Jupiter. They could pick “the great turtle” or “Charon” or “Mazzaroth,” as long as the name is a bridge between myth and the stars and they write spec fic. Considering the recent eclipses, I’m still kind of shocked no one wrote about Rahukalam, the sun eater. Perhaps we can talk a little bit about Empire of Silence? Or the role of the ever moving moon in Name of the Wind? I love this set of OGAG stories — they made me laugh, cry, squirm, rage at injustice. Stories from the previous two OGAG volumes won the Ditmar and Aurelius awards.
I mean I’ll hang out and answer the most random questions imaginable (college pranks, marriage proposals, cooking 3,000 eggs Benedict to order, my fantasy universe and how it trolled non-specfic literary magazines, documentary films, filk music, pets, brewing, scavenging, surviving natural disasters like the Joplin Tornado, slow mo VHS explosions, lumber runs in NYC, CS Lewis’s offices at Cambridge, etc) until no one asks any more. I reserve the right to answer with a story, a question, or a silly link: I'm going to try and keep this fun. EDIT 11:22AM EST: I, Lance, am still around and will keep answering as long as stuff comes in. Juliet is likely asleep, will rejoin in her morning, our evening, so if you're fans of her work as I am, it'd be good to queue up some specific questions for her for this evening. Andrew and Gabriel will be here. Gordon will likely join later as may some others. |
2024.05.16 12:11 AdamantAce Nightwing #14 - The Meek Shall Inherit
DC Next Proudly Presents:
Issue Fourteen: The Meek Shall Inherit
Written by AdamantAce
Edited by PatrollinTheMojave
<< First Issue < Prev. Next Issue > Coming Next Month
Dick's heart hammered against his chest like a pounding storm as he stood amidst the laboratory, flanked by Artemis and Barry Allen, the Flash. The weight of worry for Mar'i bore down on him unbearably, each moment without her amplifying his anxiety.
In the secluded closet hidden at the back of the lab, Dick and Artemis had found something haunting: a trove of withered seedlings, dead plants that looked alien in nature. Assuming the worst, but needing to confirm, Dick had quickly summoned a friend with a history of running genetic samples - none other than the Scarlet Speedster - to the scene.
Barry’s brow furrowed in concentration as he examined the specimens, having already run several tests.
“I'm limited in what I can do here; I'm a CSI, not a xenologist,” Barry admitted with regret, evoking his favourite chief medical officer of fiction. “Really, this really feels like a job for someone like Cadmus. Alien DNA is their whole deal.”
Dick could only grimace at the suggestion, reminded of the sickening experiments he had unearthed in the bowels of the Chicago cloning laboratory, of the dozens of aborted attempts at cloning Bruce Wayne. It was hard to stomach, especially knowing that he still had no idea who was responsible. “Not an option," he replied firmly. “Not Cadmus.”
Barry raised an eyebrow, his curiosity evident in his expression. “You don't believe those rumours about the Superboy clones, do you?" he asked. “They’re Reawakened through and through. Blame the other universes’ Cadmuses.”
In response, Dick shook his head. “It’s not that. It’s… something else.”
Barry then looked to Artemis and smiled. “It’s, uh… nice to meet you properly by the way,” he said. “I heard you, uh, shoot arrows.”
Despite the terrible situation they were in, Artemis allowed herself a snicker in response to the Flash’s awkwardness. “Among other things. It’s important to branch out, seeing as I know you already have an arrows guy.”
Just then, Tim emerged from behind a sliding door, draped in his red and black Rook gear, a stack of papers in hand. “Got the printouts you asked for,” he said, handing them over to Barry.
Barry swiftly flipped through the pages at super speed, his expression growing grim as he absorbed the information.
“What is it?” asked Artemis.
“What we feared,” he announced somberly. “The dead seedlings match the profile of alien species, with a significant DNA match for the Morning Eclipse sample you got from Starling’s fingernails.”
Dick's frustration boiled over, his voice dripping with anger. “Wilkof,” he spat, his jaw clenched in fury. “He let that damn killer plant loose.”
Tim struck himself in the shoulder in self-reproach. “I should've put it together sooner,” he muttered. “Wilkof knew plenty about Tamaran even before you let him speak to Mar’i.”
“It’s worse than we thought,” added Barry, and everyone’s blood turned cold. “This Dr Wilkof wasn't just releasing the Morning Eclipse, he was trying to propagate them; taking cuttings to grow more of them. We’re just lucky the Earth's sunlight is too diffuse for their growth.”
Dick's eyes widened in horror. “So he’s trying to create an army of killer plants?”
Barry nodded solemnly. “An army or a particularly menacing greenhouse.”
Artemis's brow furrowed as she pieced together a crucial detail. “Wait, a couple years ago they had me subbing in the bio department at school for a few months. I’m pretty sure plants grown from cuttings are meant to be genetically identical to the parent.”
Tim cursed under his breath and then reached for the printouts to give them a check over himself. “You’re right! Genetic variation only occurs after pollination. But these plants aren't self-pollinated. They're too distinct from the original sample taken from Mar'i’s attack.”
Barry's voice quivered as he raised a troubling possibility. “Could there be two adult killer plants on the loose?”
“No, it's not that,” Tim quickly replied again, his expression grave as he looked up from the stack of papers. “It's worse.”
Artemis' heart sank. “How could it possibly be worse?”
“The dead seedlings share identical DNA with each other. And every single one of their genes is present in the parent sample. But the parent also has additional chromosomes that all of the seedlings lack,” Tim explained as his eyes traced the text on the papers once more. “The parent had an extra 48 chromosomes.”
Barry's face paled. "48? Are you sure?”
“48? What does that mean?” asked Dick, looking rapidly back and forth between Tim and Barry.
Artemis gritted her teeth. “Humans have 48 chromosomes. The adult plant is half human.”
“Fully human,” Barry corrected. “And fully plant too. A symbiosis.”
“What does that mean?” asked Dick, scared of the answer he would soon receive.
“It means I think Wilkof merged himself with the plant.”
🔹🔹 🪶 🔹🔹
Ker-tonk.
Ker-tonk.
Ker-tonk.
Mar’i lay in the darkness of the car’s trunk, helpless. She couldn’t tell how long it had been since she last felt the sun’s warmth on her skin. She tried to summon childhood memories of Tamaran, of the sun her father had found oppressive and her mother found liberating. But they were distant and blurred, echoes from another lifetime - and another timeline.
As the car rumbled on, she focused on her senses, trying to glean any information about her surroundings. The air was stale and musty, tinged with the scent of oil and rubber. The vibrations of the road beneath her reverberated through her body, a constant reminder of her captivity.
Eventually, the car came to a halt, and Mar’i braced herself as the trunk door creaked open, flooding the confined space with blinding light. Blinking rapidly, she squinted against the harsh glare, feeling the rejuvenating solar rays bathing her, a stark contrast to the cold darkness of her confinement.
Dr Wilkof loomed over her, his appearance now almost normal except for a slight pallor that hinted at something darker beneath the surface. He reached out, his hands enveloping her wrists, which were bound with withered rope. Thick, barbed vines extended from the sleeves of his coat, renewing her restraints and further draining what little power reserves she had left.
As he dragged her up out of the trunk, Mar’i found herself in the midst of a desolate car park, surrounded by nothing but empty space and the looming silhouette of a large hangar. She had nary a clue of where they were.
“It will be easier if you don’t struggle,” he said, his tone devoid of joy or malice, as if he were simply stating a fact. But Mar’i knew better than to trust his words.
As Wilkof led her towards the hangar, Mar’i stumbled along behind him, the vines around her wrists taut like a leash. She tried to reason with him, to appeal to the vestiges of his humanity buried beneath the madness that gripped him.
“You don’t have to do this,” she implored, unsure of how much of his humanity really remained. “The plant doesn’t have to control you.”
Wilkof's eyes gleamed with a haunted fervour as he shook his head, the vines’ grip tightening around Mar'i’s wrists. “I've sacrificed too much to stop now,” he muttered. Those words carried a strange quality,like they weren’t fully his. Maybe it was the plant talking, maybe they were words he had rehearsed to himself enough times for them to become hollow. “I won’t let it all be in vain.”
For a moment, Mar’i was left to wonder what he meant by that. Then she remembered what little she knew about him, and a shiver ran down her spine. (He had fed the rest of his team from the lab to the plant, a grim sacrifice to fuel his delusions of grandeur.*
“No one cared about mild-mannered Hunter Wilkof,” he continued, his voice cracking with bitterness. “The plant promised to make me someone special, to make me famous.”
Mar’i shook her head in disbelief as she continued to be lugged along. “The plant doesn’t speak,” she insisted with a rising urgency. “Its pheromones mess with your mind, make you see and hear things that aren’t there.”
But Wilkof brushed off her words with a scoff. “I don’t care,” he replied, his gaze fixed on the hangar ahead. “I fed the plant like I was told, but the fame never came. I let it eat the only thing I ever loved. But… nothing changed.”
Her heart yearned to find some way to free him of the plant’s clutches, to help him see the light, but she knew well what desperation could do to a person, if left unchecked. She knew how far someone could fall.
“Then I realised… I wasn’t meant for prizes and celebrity,” he continued, deranged. “That wasn’t what the plant had planned for us. It’s just like you said in your Tamaranean fairy tale, the Morning Eclipse and its legend. I knew we were meant for infamy, but just one plant and its keeper wouldn’t do the trick. We needed a bigger family.”
At this point, Hunter stopped, and the pair had finally reached the mouth of the hangar. Mar’i searched through the darkness, but was struggling to see straight at all thanks to the toxic, draining effect of her Morning Eclipse vine restraints.
Wilkof just stared into the darkness, and continued. “I tried taking cuttings, but no matter how much blood, meat or southern exposure I gave them… it wasn’t enough, and they wilted. It wouldn’t tell me why it wasn’t working, and all I knew was that the plant was from Tamaran,” he confessed, his voice growing hoarse with emotion. “So I went to look for Starfire, but she was in space. And then… then I found you. A hybrid like me.”
But throughout Hunter’s grim confession, Mar’i was still missing some important details. “How did you know the plant was from Tamaran?” She defied him, “It doesn’t have a mind of its own, so it couldn’t have told you.”
Hunter smiled. “I used to drive out into the countryside and just leave my car behind, go for these long walks to clear my head when city life got too much,” he explained, a shroud of something resembling peace slowly falling over him. “I always felt guilty for it, reasoning I should have been spending that time in the lab, looking for ways to help people. But this one day, a few years ago now, I realised it was all worth it.”
He then pulled a remote from his pocket and pressed a button at its centre. As the lights of the hangar flickered to life, they revealed a magnificent sight, something Mar’i immediately recognised as a First Class Vegan Star Cruiser - a Tamaranean space vessel from the shipyards of Okaara - resplendent in hues of silver and violet. The ship stood tall and proud, a beacon of extraterrestrial wonder amidst the mundane surroundings of the hangar. But why was it here? And how did Wilkof have it?
He gestured towards the ship with an odd gleam in his eyes. “Suddenly, and without warning, this spaceship came crashing down through the sky just a couple of miles away, out here, where it was just me there to see it,” he explained. “So I rushed over, I searched the wreckage… and that’s where I found it. It was only a sapling, a baby really, and it called out to me. I knew I needed to take it home, back to the lab, back for testing.”
Mar’i shook her head. How was he to have known back then that the plant was pulling his strings?
“I stashed the ship away, knowing its potential,” he confessed. “The ship’s computer confirmed its origins: Tamaran. Apparently it even used to belong to a princess named Komand’r.”
Mar’i's mind raced as she processed this revelation. Komand’r - also known as the tyrant queen Blackfire - was Koriand’r’s sister, and Mar’i’s aunt. Someone she had already come across early in her time in this universe. Then, just in time for him to answer it without her asking, Mar’i happened upon another awful question.
“I got some guys in to make repairs, and another guy to… basically hotwire the thing, before I fed them all to the plant. But the ship won’t fly without one final security measure,” continued Hunter, his gaze fixed on Mar’i. “A pilot with Tamaranean DNA.”
🔹🔹 🪶 🔹🔹
Back in the lab, Dick, Artemis and Tim continued to put the pieces together, now sans Barry who had raced off to join Wally in combing the city for either Mar’i or the Morning Eclipse, not knowing that both were far from the city limits.
“Why Mar’i?” Dick demanded. “What does Wilkof want with her? Her Starbolts could be used to fuel the plant and its cuttings, but that’d only make a difference at night, when they can’t get sunlight for themselves.”
Artemis nodded in agreement. “Surely they can survive a night without sunlight,” she surmised. “So what else would he come to Mar’i for?”
“Could it be her DNA?” posed Tim. “Maybe he has a use for DNA from a Tamanrean.”
“What kind of uses?” asked Dick. It wouldn’t be that, but his mind once again returned to the cloning vats of Cadmus. “No, it’s not that.”
“Then what else could it be?” Artemis sighed, frustrated. All of this analysis, brainstorming and scheming, and they were no closer to finding the missing Titan.
Then, Dick’s face blanched with fear. “She knows the way,” he said simply, his voice barely above a whisper.
“The way to what?” asked Tim, his own anxiety rising.
“To Tamaran,” Dick replied with dread. “A place where the sun shines bright enough for a hundred Morning Eclipses.”
🔹🔹 🪶 🔹🔹
In the dimly lit interior of what was once her aunt Komand'r's ship, Mar'i's heart raced with fear and uncertainty, now strapped into her seat beside the demented Dr Wilkof. The vessel, a marvel of Vega System technology, exuded an otherworldly aura, its sleek silver surfaces shimmering with an ethereal glow. Yet, to Mar'i, it felt more like a prison than a wonder.
She couldn't shake the sense of dread that gripped her. Tamaran, a place she once called home, now loomed before her as an unfamiliar and foreboding destination. She knew of the tumultuous history of this universe's Tamaran, the tales of military coups and the reign of the Orange Lantern Larfleeze, all of which added to her apprehension. The planet had hundreds of Morning Eclipses, but none had ever merged with a sapient vessel before. The killer plants were best survived by being completely ignored, which wouldn’t be possible with an intelligent host scheming and bringing the plants to their vulnerable prey. Could she inflict that threat on Tamaran?
Wilkof's jubilant smile did little to assuage her fears as he spoke. “When we reach the planet - with its gleaming sun - I’ll have everything I need. I'll create more Morning Eclipses, genetically superior ones, and they will bond with Tamaranean vessels to enhance their intelligence. And then there’ll be no more sacrifices, just feeding.”
Mar'i's stomach churned at the thought of being complicit in Wilkof's madness. But she also knew that she was in no position to bargain. And he knew it.
With a heavy heart and a sense of resignation, Mar'i steeled herself for the task ahead and the ship hummed to life around them, hurtling toward an uncertain destiny.
Then, as they quickly hit sonic speed, Hunter turned to his pilot and prisoner, keen to share a thought he hoped would bring her peace. “I want you to know… once we get to Tamaran, I’ll never have to return to Earth again. Don’t think about where we’re going, think about what we’re leaving behind. This is you saving planet Earth.”
Next: Sun it up in Nightwing #15
submitted by AdamantAce to DCNext [link] [comments]
NIGHTWING:
In Hunter HybridIssue Fourteen: The Meek Shall Inherit
Written by AdamantAce
Edited by PatrollinTheMojave
<< First Issue < Prev. Next Issue > Coming Next Month
Dick's heart hammered against his chest like a pounding storm as he stood amidst the laboratory, flanked by Artemis and Barry Allen, the Flash. The weight of worry for Mar'i bore down on him unbearably, each moment without her amplifying his anxiety.
In the secluded closet hidden at the back of the lab, Dick and Artemis had found something haunting: a trove of withered seedlings, dead plants that looked alien in nature. Assuming the worst, but needing to confirm, Dick had quickly summoned a friend with a history of running genetic samples - none other than the Scarlet Speedster - to the scene.
Barry’s brow furrowed in concentration as he examined the specimens, having already run several tests.
“I'm limited in what I can do here; I'm a CSI, not a xenologist,” Barry admitted with regret, evoking his favourite chief medical officer of fiction. “Really, this really feels like a job for someone like Cadmus. Alien DNA is their whole deal.”
Dick could only grimace at the suggestion, reminded of the sickening experiments he had unearthed in the bowels of the Chicago cloning laboratory, of the dozens of aborted attempts at cloning Bruce Wayne. It was hard to stomach, especially knowing that he still had no idea who was responsible. “Not an option," he replied firmly. “Not Cadmus.”
Barry raised an eyebrow, his curiosity evident in his expression. “You don't believe those rumours about the Superboy clones, do you?" he asked. “They’re Reawakened through and through. Blame the other universes’ Cadmuses.”
In response, Dick shook his head. “It’s not that. It’s… something else.”
Barry then looked to Artemis and smiled. “It’s, uh… nice to meet you properly by the way,” he said. “I heard you, uh, shoot arrows.”
Despite the terrible situation they were in, Artemis allowed herself a snicker in response to the Flash’s awkwardness. “Among other things. It’s important to branch out, seeing as I know you already have an arrows guy.”
Just then, Tim emerged from behind a sliding door, draped in his red and black Rook gear, a stack of papers in hand. “Got the printouts you asked for,” he said, handing them over to Barry.
Barry swiftly flipped through the pages at super speed, his expression growing grim as he absorbed the information.
“What is it?” asked Artemis.
“What we feared,” he announced somberly. “The dead seedlings match the profile of alien species, with a significant DNA match for the Morning Eclipse sample you got from Starling’s fingernails.”
Dick's frustration boiled over, his voice dripping with anger. “Wilkof,” he spat, his jaw clenched in fury. “He let that damn killer plant loose.”
Tim struck himself in the shoulder in self-reproach. “I should've put it together sooner,” he muttered. “Wilkof knew plenty about Tamaran even before you let him speak to Mar’i.”
“It’s worse than we thought,” added Barry, and everyone’s blood turned cold. “This Dr Wilkof wasn't just releasing the Morning Eclipse, he was trying to propagate them; taking cuttings to grow more of them. We’re just lucky the Earth's sunlight is too diffuse for their growth.”
Dick's eyes widened in horror. “So he’s trying to create an army of killer plants?”
Barry nodded solemnly. “An army or a particularly menacing greenhouse.”
Artemis's brow furrowed as she pieced together a crucial detail. “Wait, a couple years ago they had me subbing in the bio department at school for a few months. I’m pretty sure plants grown from cuttings are meant to be genetically identical to the parent.”
Tim cursed under his breath and then reached for the printouts to give them a check over himself. “You’re right! Genetic variation only occurs after pollination. But these plants aren't self-pollinated. They're too distinct from the original sample taken from Mar'i’s attack.”
Barry's voice quivered as he raised a troubling possibility. “Could there be two adult killer plants on the loose?”
“No, it's not that,” Tim quickly replied again, his expression grave as he looked up from the stack of papers. “It's worse.”
Artemis' heart sank. “How could it possibly be worse?”
“The dead seedlings share identical DNA with each other. And every single one of their genes is present in the parent sample. But the parent also has additional chromosomes that all of the seedlings lack,” Tim explained as his eyes traced the text on the papers once more. “The parent had an extra 48 chromosomes.”
Barry's face paled. "48? Are you sure?”
“48? What does that mean?” asked Dick, looking rapidly back and forth between Tim and Barry.
Artemis gritted her teeth. “Humans have 48 chromosomes. The adult plant is half human.”
“Fully human,” Barry corrected. “And fully plant too. A symbiosis.”
“What does that mean?” asked Dick, scared of the answer he would soon receive.
“It means I think Wilkof merged himself with the plant.”
🔹🔹 🪶 🔹🔹
Ker-tonk.
Ker-tonk.
Ker-tonk.
Mar’i lay in the darkness of the car’s trunk, helpless. She couldn’t tell how long it had been since she last felt the sun’s warmth on her skin. She tried to summon childhood memories of Tamaran, of the sun her father had found oppressive and her mother found liberating. But they were distant and blurred, echoes from another lifetime - and another timeline.
As the car rumbled on, she focused on her senses, trying to glean any information about her surroundings. The air was stale and musty, tinged with the scent of oil and rubber. The vibrations of the road beneath her reverberated through her body, a constant reminder of her captivity.
Eventually, the car came to a halt, and Mar’i braced herself as the trunk door creaked open, flooding the confined space with blinding light. Blinking rapidly, she squinted against the harsh glare, feeling the rejuvenating solar rays bathing her, a stark contrast to the cold darkness of her confinement.
Dr Wilkof loomed over her, his appearance now almost normal except for a slight pallor that hinted at something darker beneath the surface. He reached out, his hands enveloping her wrists, which were bound with withered rope. Thick, barbed vines extended from the sleeves of his coat, renewing her restraints and further draining what little power reserves she had left.
As he dragged her up out of the trunk, Mar’i found herself in the midst of a desolate car park, surrounded by nothing but empty space and the looming silhouette of a large hangar. She had nary a clue of where they were.
“It will be easier if you don’t struggle,” he said, his tone devoid of joy or malice, as if he were simply stating a fact. But Mar’i knew better than to trust his words.
As Wilkof led her towards the hangar, Mar’i stumbled along behind him, the vines around her wrists taut like a leash. She tried to reason with him, to appeal to the vestiges of his humanity buried beneath the madness that gripped him.
“You don’t have to do this,” she implored, unsure of how much of his humanity really remained. “The plant doesn’t have to control you.”
Wilkof's eyes gleamed with a haunted fervour as he shook his head, the vines’ grip tightening around Mar'i’s wrists. “I've sacrificed too much to stop now,” he muttered. Those words carried a strange quality,like they weren’t fully his. Maybe it was the plant talking, maybe they were words he had rehearsed to himself enough times for them to become hollow. “I won’t let it all be in vain.”
For a moment, Mar’i was left to wonder what he meant by that. Then she remembered what little she knew about him, and a shiver ran down her spine. (He had fed the rest of his team from the lab to the plant, a grim sacrifice to fuel his delusions of grandeur.*
“No one cared about mild-mannered Hunter Wilkof,” he continued, his voice cracking with bitterness. “The plant promised to make me someone special, to make me famous.”
Mar’i shook her head in disbelief as she continued to be lugged along. “The plant doesn’t speak,” she insisted with a rising urgency. “Its pheromones mess with your mind, make you see and hear things that aren’t there.”
But Wilkof brushed off her words with a scoff. “I don’t care,” he replied, his gaze fixed on the hangar ahead. “I fed the plant like I was told, but the fame never came. I let it eat the only thing I ever loved. But… nothing changed.”
Her heart yearned to find some way to free him of the plant’s clutches, to help him see the light, but she knew well what desperation could do to a person, if left unchecked. She knew how far someone could fall.
“Then I realised… I wasn’t meant for prizes and celebrity,” he continued, deranged. “That wasn’t what the plant had planned for us. It’s just like you said in your Tamaranean fairy tale, the Morning Eclipse and its legend. I knew we were meant for infamy, but just one plant and its keeper wouldn’t do the trick. We needed a bigger family.”
At this point, Hunter stopped, and the pair had finally reached the mouth of the hangar. Mar’i searched through the darkness, but was struggling to see straight at all thanks to the toxic, draining effect of her Morning Eclipse vine restraints.
Wilkof just stared into the darkness, and continued. “I tried taking cuttings, but no matter how much blood, meat or southern exposure I gave them… it wasn’t enough, and they wilted. It wouldn’t tell me why it wasn’t working, and all I knew was that the plant was from Tamaran,” he confessed, his voice growing hoarse with emotion. “So I went to look for Starfire, but she was in space. And then… then I found you. A hybrid like me.”
But throughout Hunter’s grim confession, Mar’i was still missing some important details. “How did you know the plant was from Tamaran?” She defied him, “It doesn’t have a mind of its own, so it couldn’t have told you.”
Hunter smiled. “I used to drive out into the countryside and just leave my car behind, go for these long walks to clear my head when city life got too much,” he explained, a shroud of something resembling peace slowly falling over him. “I always felt guilty for it, reasoning I should have been spending that time in the lab, looking for ways to help people. But this one day, a few years ago now, I realised it was all worth it.”
He then pulled a remote from his pocket and pressed a button at its centre. As the lights of the hangar flickered to life, they revealed a magnificent sight, something Mar’i immediately recognised as a First Class Vegan Star Cruiser - a Tamaranean space vessel from the shipyards of Okaara - resplendent in hues of silver and violet. The ship stood tall and proud, a beacon of extraterrestrial wonder amidst the mundane surroundings of the hangar. But why was it here? And how did Wilkof have it?
He gestured towards the ship with an odd gleam in his eyes. “Suddenly, and without warning, this spaceship came crashing down through the sky just a couple of miles away, out here, where it was just me there to see it,” he explained. “So I rushed over, I searched the wreckage… and that’s where I found it. It was only a sapling, a baby really, and it called out to me. I knew I needed to take it home, back to the lab, back for testing.”
Mar’i shook her head. How was he to have known back then that the plant was pulling his strings?
“I stashed the ship away, knowing its potential,” he confessed. “The ship’s computer confirmed its origins: Tamaran. Apparently it even used to belong to a princess named Komand’r.”
Mar’i's mind raced as she processed this revelation. Komand’r - also known as the tyrant queen Blackfire - was Koriand’r’s sister, and Mar’i’s aunt. Someone she had already come across early in her time in this universe. Then, just in time for him to answer it without her asking, Mar’i happened upon another awful question.
“I got some guys in to make repairs, and another guy to… basically hotwire the thing, before I fed them all to the plant. But the ship won’t fly without one final security measure,” continued Hunter, his gaze fixed on Mar’i. “A pilot with Tamaranean DNA.”
🔹🔹 🪶 🔹🔹
Back in the lab, Dick, Artemis and Tim continued to put the pieces together, now sans Barry who had raced off to join Wally in combing the city for either Mar’i or the Morning Eclipse, not knowing that both were far from the city limits.
“Why Mar’i?” Dick demanded. “What does Wilkof want with her? Her Starbolts could be used to fuel the plant and its cuttings, but that’d only make a difference at night, when they can’t get sunlight for themselves.”
Artemis nodded in agreement. “Surely they can survive a night without sunlight,” she surmised. “So what else would he come to Mar’i for?”
“Could it be her DNA?” posed Tim. “Maybe he has a use for DNA from a Tamanrean.”
“What kind of uses?” asked Dick. It wouldn’t be that, but his mind once again returned to the cloning vats of Cadmus. “No, it’s not that.”
“Then what else could it be?” Artemis sighed, frustrated. All of this analysis, brainstorming and scheming, and they were no closer to finding the missing Titan.
Then, Dick’s face blanched with fear. “She knows the way,” he said simply, his voice barely above a whisper.
“The way to what?” asked Tim, his own anxiety rising.
“To Tamaran,” Dick replied with dread. “A place where the sun shines bright enough for a hundred Morning Eclipses.”
🔹🔹 🪶 🔹🔹
In the dimly lit interior of what was once her aunt Komand'r's ship, Mar'i's heart raced with fear and uncertainty, now strapped into her seat beside the demented Dr Wilkof. The vessel, a marvel of Vega System technology, exuded an otherworldly aura, its sleek silver surfaces shimmering with an ethereal glow. Yet, to Mar'i, it felt more like a prison than a wonder.
She couldn't shake the sense of dread that gripped her. Tamaran, a place she once called home, now loomed before her as an unfamiliar and foreboding destination. She knew of the tumultuous history of this universe's Tamaran, the tales of military coups and the reign of the Orange Lantern Larfleeze, all of which added to her apprehension. The planet had hundreds of Morning Eclipses, but none had ever merged with a sapient vessel before. The killer plants were best survived by being completely ignored, which wouldn’t be possible with an intelligent host scheming and bringing the plants to their vulnerable prey. Could she inflict that threat on Tamaran?
Wilkof's jubilant smile did little to assuage her fears as he spoke. “When we reach the planet - with its gleaming sun - I’ll have everything I need. I'll create more Morning Eclipses, genetically superior ones, and they will bond with Tamaranean vessels to enhance their intelligence. And then there’ll be no more sacrifices, just feeding.”
Mar'i's stomach churned at the thought of being complicit in Wilkof's madness. But she also knew that she was in no position to bargain. And he knew it.
With a heavy heart and a sense of resignation, Mar'i steeled herself for the task ahead and the ship hummed to life around them, hurtling toward an uncertain destiny.
Then, as they quickly hit sonic speed, Hunter turned to his pilot and prisoner, keen to share a thought he hoped would bring her peace. “I want you to know… once we get to Tamaran, I’ll never have to return to Earth again. Don’t think about where we’re going, think about what we’re leaving behind. This is you saving planet Earth.”
Next: Sun it up in Nightwing #15
2024.05.16 10:48 jenajiejing The God in the Bible (Old Testament) is not the Genuine Greatest Creator
Xuefeng
First of all, we have to admit that the Bible is the accomplishment of the Ephraim which loyally records the Jewish history, explains the relationship between the God, Devil and human beings to the furthest degree, and gives the direction the human beings should take.
The Bible, the Koran, the Buddhist Scripture and the Tao Te Ching are the eternal and effective treasures and collections of human wisdom, teaching us how to behave and develop into the higher level of life space.
“In the beginning God created the heavens and the earth”. The first sentence in the Bible did tell the truth. But the things covered by the cossack may not be the holly things. And the people wearing the sacred cassock may not be the abbot.
The problem with the Bible is that the God it introduces is not the genuine Greatest Creator.
We have known that the Greatest Creator has the 8 features. The Greatest Creator is unique and exclusive, amorphous, neutral, mysterious, impartial, merciful, supremely powerful and intelligent. The wisdom of the Greatest Creator is revealed through its creation of universe order, designing of LIFE program and knowing of the past and the future.
Then, does the God in the Bible have the above-mentioned 8 features?
Let’s explain this with examples.
The Betrayal of Adam and Eve
According to the Genesis, Adam and Eve were instigated to eat the fruit on the Wisdom Tree forbidden by the God in the Bible. Because they have violated the order of the God (in the Bible), they were repelled out of the Eden.
It indicates that the God in the Bible is a. incompetent; b. improvident; and c. unjust.
He is incompetent because he was a loser at the beginning. The first couple of human he created betrayed him. So can we still say it is supremely powerful?
Can we still believe in a “person” who often loses? The Great Flood had killed most of the human beings. What happened to them afterwards? They still wouldn’t listen to his words. The Moses Ten Commandments are actually the directives of the God in the Bible. Can you tell me how many of them are obeyed by the human being? Actually not even one. The God in the Bible seemed to know nothing about how to control the human beings. The only measure it takes is to voice warnings and threats against the human beings. Thousands of years has passed, the human beings remain the same. Is there no means to control the human beings? Or is there some other force constraining this Almighty God? If this is the case, is this God not sole or exclusive? For thousands of years, the human beings have been violating hisorder. What is he waiting for?
The God in the Bible is improvident because he didn’t know that Adam and Eve were going to betray him or the development trend of what he had created. Is this God, who is not able to predict the future or the past, still reliable? If the Earth is going to get out of the Solar System and this God knows nothing about it, how can he save the human beings? How can this GOD administer the deities, Buddha, celestial beings and Devils when he found it difficult to control the human beings? How can he manage the spacious Universe?
The God in the Bible is unjust because it cannot tell wrong from the right and because it is unreasonable.
Why would Adam and Eve betray the God in the Bible? There are three major reasons. First, the genetic structure of Adam and Eve had faults, or was imperfect. The life created by this God was now its own constraint. This angered the God very much. It is just like the house built by an architect who put every efforts was fallen and hit his own feet. Is the house or the architect that should be blamed?
The second reason they betrayed is that they were instigated and seduced by the snake. Adam and Eve are humans while behind the snake was the Devil Satan. The energy and wisdom of human beings can’t match those of the Devil. This God didn’t punish the Devil Satan. Instead, it imposed inflictions on Adam and Eve and drove them out of Eden. Is it fair? If a rapist raped an 8-year-old girl, would it be fair to blame the girl for her sexual organ and weakness instead of bringing justice to the rapist?
The third reason of betrayal, which is also the most important one, is the damned Wisdom Tree that can tell the good and evil. Who has planted it in the Eden and why? It’s just like putting a poisonous sweet on the dinner table for the kids. Or it’s like playing the porn video for the young girls while teaching them to retain their innocence. Would a moral person do such a thing? Isn’t this “person” who planted the Wisdom Tree in the Eden has caused the betrayal of Adam and Eve?
Besides, does this God, who had created Adam and Eve, has other measures to take rather than driving Adam and Eve out of the Eden? Is it fair not to give them a second chance simply because they have made only one mistake? Does one mistake justify their life-long sins?
Jesus came to the Mortal World to atone for the human beings’ sins. According to the Bible, all the people have their “original sin”. Where does the “original sin” come from? Actually, they are inherited from Adam and Eve, the ancestors of human beings, whose sins were formed because they had eaten the fruit on the damned Wisdom Tree.
When we are born, we have the “original sin” inherited from Adam and Eve. The “cross” on our back was much too heavy. According to this logic, “the son of a thief is always a thief”, “the son of a criminal is always a criminal”, and “the son of an emperor is always an emperor”. That’s why in ancient China, in the feudal period in particular, “If a man committed crime, all his family members would be sentenced to death”, or “If a man attained the Tao, even his pets ascended to Heaven”. This also explains why the thrones can only be passed on to the next generations of royal families. This is because it complies with the logic in the Bible.
If somebody has sins, the God in the Bible and the Satan sined first. Is it humanitarian to inflict on billions of humans throughout the history simply because of the wrongdoings of Adam and Eve? Why not executing Adam and Eve and creating a new pair of humans at the time? Is creating a new couple so difficult for the God in the Bible?
All the people are born with sins. This is why each of us comes to the Mortal World to endure the sufferings. But the sins are not inherited from our ancestors. They are made by oursleves in the previous cycle of life. If we don’t have sins, we would all have become Buddha or celestial beings.
Ten Plagues of Egypt
According to the Exodus, when Moses and Aaron, in the capacity of the GOD in the Bible, asked the Egyptian Pharaoh to let the Israelis leave Egypt, they were refused. Consequently, the GOD in the Bible imposed 10 plagues on Egypt. 1. Plague of Blood The water of the Nile will be changed into blood. The fish in the Nile will die, and the river will stink; the Egyptians will not be able to drink its water. 2. Plague of Frogs. The Nile will teem with frogs. They will come up into your palace and your bedroom and onto your bed, into the houses of your officials and on your people, and into your ovens and kneading troughs. The frogs will go up on you and your people and all your officials. 3. Plague of Lice.The dust of the ground became lice, lice came upon men and animals. All the dust throughout the land of Egypt became lice. 4. Plague of Flies The houses of the Egyptians will be full of flies, and even the ground where they are. 5. Plague of Livestock Death The fifth plague of Egypt was an epidemic disease which exterminated the Egyptian livestock; that is, horses, donkeys, camels, cattle, sheep and goats; 6. Plague of Boils The sixth plague of Egypt was Shkhin. The Shkhin was a kind of skin disease, usually translated as "boils".; 7. Plague of Hail The seventh plague of Egypt was a destructive storm; 8. Plague of Locusts Locusts will devour what little you have left after the hail, including every tree that is growing in your fields.; 9. Plague of Darkness Total darkness covered all Egypt for three days 10. Death of the Firstborn The tenth and final plague of Egypt was the death of all first born in Egypt — no one escaped, from the lowest servant to Pharaoh's own first-born son, including first-born of livestock.
It is understandable that the God punished Egypt because Egyptian Pharaoh wouldn’t obey his order. However, it was unreasonable and went too far to kill the first-born of all humans and animals in Egypt. You can punish the Egyptian Pharaoh for his disobedience. Why inflicting on the common people? Even worse, the God would kill the kids of the girl slaves working as donkeys in the lowest rank. Can we still say the God behaving like this merciful? It was behaving without humanitarianism just like a Devil.
Even more abominable, the Pharaoh of Egypt wouldn’t let the Israelis leave mainly because the God had hardened the Pharaoh’s heart. Before the Ten Plagues came, the God in the Bible had done something. According to 7:3 in the Exodus, Jehovah told Moses, “And I will harden Pharaoh's heart, and multiply my signs and my wonders in the land of Egypt.”
It means the God in the Bible had prepared a trap for the Egyptians, trying to find an excuse for the following plagues. In Exodus 8:19, “Then the magicians said to Pharaoh, "This is the finger of God." But Pharaoh's heart was hardened, and he did not listen to them, as the LORD had said.”. In Exodus 9:35, “And the heart of Pharaoh was hardened, neither would he let the children of Israel go; as the LORD had spoken by Moses.” In Exodus 10:20, “But the LORD hardened Pharaoh's heart, so that he would not let the children of Israel go.” In Exodus 10:27, “But the LORD hardened Pharaoh's heart, and he would not let them go.” In Exodus 11:10, “And Moses and Aaron did all these wonders before Pharaoh: and the LORD hardened Pharaoh's heart, so that he would not let the children of Israel go out of his land.”
It was the God in the Bible who let the Israelis leave Egypt. But it was the same God who had hardened the Pharaoh’s heart and sparked the conflicts so that the Israelis couldn’t leave Egypt easily. So what the God in the Bible was doing? It was encouraging the people to revolt while telling the authorities about the revolt and encouraging the government to oppress them mercilessly. Isn’t such a person a schemer and two-faced?
So is this the image of the Greatest Creator?
The Israelis Are the People of the Covenant
The Bible has the Old Testament and the New Testament. The part telling what happened before Jesus was born was called the Old Testament and the part telling things after Jesus was born was the New Testament. The Testament actually means agreement, covenant, and contract. The whole Bible is the agreement, covenant and contract between the Israelis and the Greatest Creator.
So here is a paradox. There are over 3,000 nations in the world and why the God has established the Testament with the Israelis? Does this mean the other nations are not the subjects of the God? If they are, why has the God only established the Testament with the Israelis while neglecting all the other nations? If they are not, what’s the origin of all the other nations? Are Adam and Eve only the ancestors of Israelis and not the other nations? The Israelis are created by the God. Does it mean the other nations are created by the Devil?
There are 1,656 years between the Genesis and the Great Flood. There are 857 years between the Great Flood and the Exodus. There are 396 years between the Exodus and the founding of the Israeli State. There are 510 years between the founding of the Israeli State and their captive to Babylon. There are 152 years between their imprisonment in Babylon and the reestablishment of Jerusalem. There are 450 years between the rebuilding of Jerusalem and the birth of Jesus. There are 2003 years between the birth of Jesus and today. So according to the Bible, the history of human beings is about 6,376 years.
According to the Bible, there were only 8 people survived the Great Flood on the Earth. They were the couple of Noah, their three sons and their wives. It means that 4,700 years ago, there was no one else living on the Earth except for the Noah family.
But this has brought some other questions. First, where do the American Indians come from? According to the theory of Continental Drift, America drifted away from the other continents. But it couldn’t happen within 4,700 years of time. Then how the Noah family reached America from the Middle East? After the Great Flood, there were only 8 members in Noah family. It was impossible for them to get dispersed. Noah couldn’t let one of his sons and his wife to cross the freezing Siberia and the Bering Strait to get to America.
Second, where did the African blacks come from? From the perspective of genetics, the blacks, yellows and whites have their separate ancestors. A couple of pure whites couldn’t generate the blacks and yellows. Even the evolvement couldn’t produce the blacks and yellows in 3,700 years of time. Besides, according to Darwin’s evolutionary theory, the survival of the fittest, could the Israelis able to write the Bible evolve into the African blacks? The blacks are not the matches of Israelis in the intelligence no matter how we exaggerate their abilities.
Now let’s come to the Chinese nation. The first Chinese King was born about 4,600 years ago. The story of Dayu‘s Flood Control happened about 4,200 years ago. It was impossible for the future generations of Noah to come to mainland China 100 years after the Great Flood. Even if they did it, how could they produce so many people who followed Dayu to control the flood?
Where does the Chinese nation come from? Are the Flood Control by Dayu were just the Great Flood?
From the perspective of the Bible, the biological evolutionary theory could never be accepted. But once we accepted the theory, it would deny the theory that the God created the human beings. But if we denied the evolutionary theory, there was no way to explain the origin of the blacks and yellows and we can’t say Adam and Eve are the common ancestors of all human beings.
The Story of Cain
The first child of Adam and Eve, after they were driven out of the Eden, was Cain, followed by Abel. “And in process of time it came to pass, that Cain brought of the fruit of the ground an offering unto the LORD. And Abel, he also brought of the firstlings of his flock and of the fat thereof. And the LORD had respect unto Abel and to his offering: But unto Cain and to his offering he had not respect.” Out of jealousy, Cain killed his brother Abel.
We want to ask the God in the Bible some questions, “Why do you favor the offerings of Abel instead of those of Cain? Is Cain killing his brother Abel not your fault? If you had never favored one of them, how could it arouse the jealousy of Cain? Why the people created by you had so many troubles? Adam and Eve wouldn’t follow your orders and their kids killed each other. As the God, you don’t have the ability to solve these problems? Or is it what you have designed?
Cain was a murderer and deserved the punishment. But you told Cain, “Therefore whosoever slayeth Cain, vengeance shall be taken on him sevenfold.”
So what kind of the justice standard is it? It is hardly understandable not to levy the punishment on the criminal. But it is even more understandable to have revenge of sevenfold on those who would punish the criminal. Is it protecting the criminal?
That’s why the few thousand years of human history were full of blood, violence and crime. The God in the Bible has been protecting the criminals.
“Therefore whosoever slayeth Cain, vengeance shall be taken on him sevenfold.” Because Cain is a criminal, we can fully understand it as ““Therefore whosoever slayeth the criminal, vengeance shall be taken on him sevenfold.””
We can conclude we had better become criminals because the criminals are protected and the good men are not. The good men have the risk of being revenged sevenfold.
The Prophet and the Dream
In the Bible, there are a large number of prophets and dreams. The prophets are the representatives of the God in the Mortal World. They have unimaginable wisdom and power, which sink the average people with average wisdom into the mist. If someone says, “I am a prophet”, should we believe him or not. If we don’t, we are standing against the God. If we do, how can we know the prophet is a fake or not?
Now let’s talk about the dreams. There are many dreams and dream analysis in the Bible, in particular in the Revelation. Of course, those who can analyze the dreams are all prophets. But they have also brought a lot of puzzles.
First, has the prophet had the dream at all? No one could see his dream and he could well compose some dreams and cheat us. If he really had the dream, was his analysis correct, or was he analyzing the dream on the reverse aspect?
I want to ask the God in the Bible, in the Old Testament, you used to talk directly with the human beings. Then why you stopped doing so later? Are the Adam and Eve on other planets also disobeying your orders? Why would you warn the human beings in the form of dreams? Why not tell us the truth directly? Don’t you have the ability to do so? Don’t you have time? Don you have some secret sorrow?
I can give many other examples to state that the God in the Bible does not have the features of being unique and exclusive, amorphous, neutral, mysterious, impartial, supremely powerful, merciful and wise as genuine Greatest Creator has.
So we can affirm that “the God in the Bible is not the genuine Greatest Creator”.
submitted by jenajiejing to primordialtruths [link] [comments]
First of all, we have to admit that the Bible is the accomplishment of the Ephraim which loyally records the Jewish history, explains the relationship between the God, Devil and human beings to the furthest degree, and gives the direction the human beings should take.
The Bible, the Koran, the Buddhist Scripture and the Tao Te Ching are the eternal and effective treasures and collections of human wisdom, teaching us how to behave and develop into the higher level of life space.
“In the beginning God created the heavens and the earth”. The first sentence in the Bible did tell the truth. But the things covered by the cossack may not be the holly things. And the people wearing the sacred cassock may not be the abbot.
The problem with the Bible is that the God it introduces is not the genuine Greatest Creator.
We have known that the Greatest Creator has the 8 features. The Greatest Creator is unique and exclusive, amorphous, neutral, mysterious, impartial, merciful, supremely powerful and intelligent. The wisdom of the Greatest Creator is revealed through its creation of universe order, designing of LIFE program and knowing of the past and the future.
Then, does the God in the Bible have the above-mentioned 8 features?
Let’s explain this with examples.
The Betrayal of Adam and Eve
According to the Genesis, Adam and Eve were instigated to eat the fruit on the Wisdom Tree forbidden by the God in the Bible. Because they have violated the order of the God (in the Bible), they were repelled out of the Eden.
It indicates that the God in the Bible is a. incompetent; b. improvident; and c. unjust.
He is incompetent because he was a loser at the beginning. The first couple of human he created betrayed him. So can we still say it is supremely powerful?
Can we still believe in a “person” who often loses? The Great Flood had killed most of the human beings. What happened to them afterwards? They still wouldn’t listen to his words. The Moses Ten Commandments are actually the directives of the God in the Bible. Can you tell me how many of them are obeyed by the human being? Actually not even one. The God in the Bible seemed to know nothing about how to control the human beings. The only measure it takes is to voice warnings and threats against the human beings. Thousands of years has passed, the human beings remain the same. Is there no means to control the human beings? Or is there some other force constraining this Almighty God? If this is the case, is this God not sole or exclusive? For thousands of years, the human beings have been violating hisorder. What is he waiting for?
The God in the Bible is improvident because he didn’t know that Adam and Eve were going to betray him or the development trend of what he had created. Is this God, who is not able to predict the future or the past, still reliable? If the Earth is going to get out of the Solar System and this God knows nothing about it, how can he save the human beings? How can this GOD administer the deities, Buddha, celestial beings and Devils when he found it difficult to control the human beings? How can he manage the spacious Universe?
The God in the Bible is unjust because it cannot tell wrong from the right and because it is unreasonable.
Why would Adam and Eve betray the God in the Bible? There are three major reasons. First, the genetic structure of Adam and Eve had faults, or was imperfect. The life created by this God was now its own constraint. This angered the God very much. It is just like the house built by an architect who put every efforts was fallen and hit his own feet. Is the house or the architect that should be blamed?
The second reason they betrayed is that they were instigated and seduced by the snake. Adam and Eve are humans while behind the snake was the Devil Satan. The energy and wisdom of human beings can’t match those of the Devil. This God didn’t punish the Devil Satan. Instead, it imposed inflictions on Adam and Eve and drove them out of Eden. Is it fair? If a rapist raped an 8-year-old girl, would it be fair to blame the girl for her sexual organ and weakness instead of bringing justice to the rapist?
The third reason of betrayal, which is also the most important one, is the damned Wisdom Tree that can tell the good and evil. Who has planted it in the Eden and why? It’s just like putting a poisonous sweet on the dinner table for the kids. Or it’s like playing the porn video for the young girls while teaching them to retain their innocence. Would a moral person do such a thing? Isn’t this “person” who planted the Wisdom Tree in the Eden has caused the betrayal of Adam and Eve?
Besides, does this God, who had created Adam and Eve, has other measures to take rather than driving Adam and Eve out of the Eden? Is it fair not to give them a second chance simply because they have made only one mistake? Does one mistake justify their life-long sins?
Jesus came to the Mortal World to atone for the human beings’ sins. According to the Bible, all the people have their “original sin”. Where does the “original sin” come from? Actually, they are inherited from Adam and Eve, the ancestors of human beings, whose sins were formed because they had eaten the fruit on the damned Wisdom Tree.
When we are born, we have the “original sin” inherited from Adam and Eve. The “cross” on our back was much too heavy. According to this logic, “the son of a thief is always a thief”, “the son of a criminal is always a criminal”, and “the son of an emperor is always an emperor”. That’s why in ancient China, in the feudal period in particular, “If a man committed crime, all his family members would be sentenced to death”, or “If a man attained the Tao, even his pets ascended to Heaven”. This also explains why the thrones can only be passed on to the next generations of royal families. This is because it complies with the logic in the Bible.
If somebody has sins, the God in the Bible and the Satan sined first. Is it humanitarian to inflict on billions of humans throughout the history simply because of the wrongdoings of Adam and Eve? Why not executing Adam and Eve and creating a new pair of humans at the time? Is creating a new couple so difficult for the God in the Bible?
All the people are born with sins. This is why each of us comes to the Mortal World to endure the sufferings. But the sins are not inherited from our ancestors. They are made by oursleves in the previous cycle of life. If we don’t have sins, we would all have become Buddha or celestial beings.
Ten Plagues of Egypt
According to the Exodus, when Moses and Aaron, in the capacity of the GOD in the Bible, asked the Egyptian Pharaoh to let the Israelis leave Egypt, they were refused. Consequently, the GOD in the Bible imposed 10 plagues on Egypt. 1. Plague of Blood The water of the Nile will be changed into blood. The fish in the Nile will die, and the river will stink; the Egyptians will not be able to drink its water. 2. Plague of Frogs. The Nile will teem with frogs. They will come up into your palace and your bedroom and onto your bed, into the houses of your officials and on your people, and into your ovens and kneading troughs. The frogs will go up on you and your people and all your officials. 3. Plague of Lice.The dust of the ground became lice, lice came upon men and animals. All the dust throughout the land of Egypt became lice. 4. Plague of Flies The houses of the Egyptians will be full of flies, and even the ground where they are. 5. Plague of Livestock Death The fifth plague of Egypt was an epidemic disease which exterminated the Egyptian livestock; that is, horses, donkeys, camels, cattle, sheep and goats; 6. Plague of Boils The sixth plague of Egypt was Shkhin. The Shkhin was a kind of skin disease, usually translated as "boils".; 7. Plague of Hail The seventh plague of Egypt was a destructive storm; 8. Plague of Locusts Locusts will devour what little you have left after the hail, including every tree that is growing in your fields.; 9. Plague of Darkness Total darkness covered all Egypt for three days 10. Death of the Firstborn The tenth and final plague of Egypt was the death of all first born in Egypt — no one escaped, from the lowest servant to Pharaoh's own first-born son, including first-born of livestock.
It is understandable that the God punished Egypt because Egyptian Pharaoh wouldn’t obey his order. However, it was unreasonable and went too far to kill the first-born of all humans and animals in Egypt. You can punish the Egyptian Pharaoh for his disobedience. Why inflicting on the common people? Even worse, the God would kill the kids of the girl slaves working as donkeys in the lowest rank. Can we still say the God behaving like this merciful? It was behaving without humanitarianism just like a Devil.
Even more abominable, the Pharaoh of Egypt wouldn’t let the Israelis leave mainly because the God had hardened the Pharaoh’s heart. Before the Ten Plagues came, the God in the Bible had done something. According to 7:3 in the Exodus, Jehovah told Moses, “And I will harden Pharaoh's heart, and multiply my signs and my wonders in the land of Egypt.”
It means the God in the Bible had prepared a trap for the Egyptians, trying to find an excuse for the following plagues. In Exodus 8:19, “Then the magicians said to Pharaoh, "This is the finger of God." But Pharaoh's heart was hardened, and he did not listen to them, as the LORD had said.”. In Exodus 9:35, “And the heart of Pharaoh was hardened, neither would he let the children of Israel go; as the LORD had spoken by Moses.” In Exodus 10:20, “But the LORD hardened Pharaoh's heart, so that he would not let the children of Israel go.” In Exodus 10:27, “But the LORD hardened Pharaoh's heart, and he would not let them go.” In Exodus 11:10, “And Moses and Aaron did all these wonders before Pharaoh: and the LORD hardened Pharaoh's heart, so that he would not let the children of Israel go out of his land.”
It was the God in the Bible who let the Israelis leave Egypt. But it was the same God who had hardened the Pharaoh’s heart and sparked the conflicts so that the Israelis couldn’t leave Egypt easily. So what the God in the Bible was doing? It was encouraging the people to revolt while telling the authorities about the revolt and encouraging the government to oppress them mercilessly. Isn’t such a person a schemer and two-faced?
So is this the image of the Greatest Creator?
The Israelis Are the People of the Covenant
The Bible has the Old Testament and the New Testament. The part telling what happened before Jesus was born was called the Old Testament and the part telling things after Jesus was born was the New Testament. The Testament actually means agreement, covenant, and contract. The whole Bible is the agreement, covenant and contract between the Israelis and the Greatest Creator.
So here is a paradox. There are over 3,000 nations in the world and why the God has established the Testament with the Israelis? Does this mean the other nations are not the subjects of the God? If they are, why has the God only established the Testament with the Israelis while neglecting all the other nations? If they are not, what’s the origin of all the other nations? Are Adam and Eve only the ancestors of Israelis and not the other nations? The Israelis are created by the God. Does it mean the other nations are created by the Devil?
There are 1,656 years between the Genesis and the Great Flood. There are 857 years between the Great Flood and the Exodus. There are 396 years between the Exodus and the founding of the Israeli State. There are 510 years between the founding of the Israeli State and their captive to Babylon. There are 152 years between their imprisonment in Babylon and the reestablishment of Jerusalem. There are 450 years between the rebuilding of Jerusalem and the birth of Jesus. There are 2003 years between the birth of Jesus and today. So according to the Bible, the history of human beings is about 6,376 years.
According to the Bible, there were only 8 people survived the Great Flood on the Earth. They were the couple of Noah, their three sons and their wives. It means that 4,700 years ago, there was no one else living on the Earth except for the Noah family.
But this has brought some other questions. First, where do the American Indians come from? According to the theory of Continental Drift, America drifted away from the other continents. But it couldn’t happen within 4,700 years of time. Then how the Noah family reached America from the Middle East? After the Great Flood, there were only 8 members in Noah family. It was impossible for them to get dispersed. Noah couldn’t let one of his sons and his wife to cross the freezing Siberia and the Bering Strait to get to America.
Second, where did the African blacks come from? From the perspective of genetics, the blacks, yellows and whites have their separate ancestors. A couple of pure whites couldn’t generate the blacks and yellows. Even the evolvement couldn’t produce the blacks and yellows in 3,700 years of time. Besides, according to Darwin’s evolutionary theory, the survival of the fittest, could the Israelis able to write the Bible evolve into the African blacks? The blacks are not the matches of Israelis in the intelligence no matter how we exaggerate their abilities.
Now let’s come to the Chinese nation. The first Chinese King was born about 4,600 years ago. The story of Dayu‘s Flood Control happened about 4,200 years ago. It was impossible for the future generations of Noah to come to mainland China 100 years after the Great Flood. Even if they did it, how could they produce so many people who followed Dayu to control the flood?
Where does the Chinese nation come from? Are the Flood Control by Dayu were just the Great Flood?
From the perspective of the Bible, the biological evolutionary theory could never be accepted. But once we accepted the theory, it would deny the theory that the God created the human beings. But if we denied the evolutionary theory, there was no way to explain the origin of the blacks and yellows and we can’t say Adam and Eve are the common ancestors of all human beings.
The Story of Cain
The first child of Adam and Eve, after they were driven out of the Eden, was Cain, followed by Abel. “And in process of time it came to pass, that Cain brought of the fruit of the ground an offering unto the LORD. And Abel, he also brought of the firstlings of his flock and of the fat thereof. And the LORD had respect unto Abel and to his offering: But unto Cain and to his offering he had not respect.” Out of jealousy, Cain killed his brother Abel.
We want to ask the God in the Bible some questions, “Why do you favor the offerings of Abel instead of those of Cain? Is Cain killing his brother Abel not your fault? If you had never favored one of them, how could it arouse the jealousy of Cain? Why the people created by you had so many troubles? Adam and Eve wouldn’t follow your orders and their kids killed each other. As the God, you don’t have the ability to solve these problems? Or is it what you have designed?
Cain was a murderer and deserved the punishment. But you told Cain, “Therefore whosoever slayeth Cain, vengeance shall be taken on him sevenfold.”
So what kind of the justice standard is it? It is hardly understandable not to levy the punishment on the criminal. But it is even more understandable to have revenge of sevenfold on those who would punish the criminal. Is it protecting the criminal?
That’s why the few thousand years of human history were full of blood, violence and crime. The God in the Bible has been protecting the criminals.
“Therefore whosoever slayeth Cain, vengeance shall be taken on him sevenfold.” Because Cain is a criminal, we can fully understand it as ““Therefore whosoever slayeth the criminal, vengeance shall be taken on him sevenfold.””
We can conclude we had better become criminals because the criminals are protected and the good men are not. The good men have the risk of being revenged sevenfold.
The Prophet and the Dream
In the Bible, there are a large number of prophets and dreams. The prophets are the representatives of the God in the Mortal World. They have unimaginable wisdom and power, which sink the average people with average wisdom into the mist. If someone says, “I am a prophet”, should we believe him or not. If we don’t, we are standing against the God. If we do, how can we know the prophet is a fake or not?
Now let’s talk about the dreams. There are many dreams and dream analysis in the Bible, in particular in the Revelation. Of course, those who can analyze the dreams are all prophets. But they have also brought a lot of puzzles.
First, has the prophet had the dream at all? No one could see his dream and he could well compose some dreams and cheat us. If he really had the dream, was his analysis correct, or was he analyzing the dream on the reverse aspect?
I want to ask the God in the Bible, in the Old Testament, you used to talk directly with the human beings. Then why you stopped doing so later? Are the Adam and Eve on other planets also disobeying your orders? Why would you warn the human beings in the form of dreams? Why not tell us the truth directly? Don’t you have the ability to do so? Don’t you have time? Don you have some secret sorrow?
I can give many other examples to state that the God in the Bible does not have the features of being unique and exclusive, amorphous, neutral, mysterious, impartial, supremely powerful, merciful and wise as genuine Greatest Creator has.
So we can affirm that “the God in the Bible is not the genuine Greatest Creator”.
2024.05.16 10:46 jenajiejing The God in the Bible (Old Testament) is not the Genuine Greatest Creator
Xuefeng First of all, we have to admit that the Bible is the accomplishment of the Ephraim which loyally records the Jewish history, explains the relationship between the God, Devil and human beings to the furthest degree, and gives the direction the human beings should take. The Bible, the Koran, the Buddhist Scripture and the Tao Te Ching are the eternal and effective treasures and collections of human wisdom, teaching us how to behave and develop into the higher level of life space. “In the beginning God created the heavens and the earth”. The first sentence in the Bible did tell the truth. But the things covered by the cossack may not be the holly things. And the people wearing the sacred cassock may not be the abbot. The problem with the Bible is that the God it introduces is not the genuine Greatest Creator. We have known that the Greatest Creator has the 8 features. The Greatest Creator is unique and exclusive, amorphous, neutral, mysterious, impartial, merciful, supremely powerful and intelligent. The wisdom of the Greatest Creator is revealed through its creation of universe order, designing of LIFE program and knowing of the past and the future. Then, does the God in the Bible have the above-mentioned 8 features? Let’s explain this with examples. The Betrayal of Adam and Eve According to the Genesis, Adam and Eve were instigated to eat the fruit on the Wisdom Tree forbidden by the God in the Bible. Because they have violated the order of the God (in the Bible), they were repelled out of the Eden. It indicates that the God in the Bible is a. incompetent; b. improvident; and c. unjust. He is incompetent because he was a loser at the beginning. The first couple of human he created betrayed him. So can we still say it is supremely powerful? Can we still believe in a “person” who often loses? The Great Flood had killed most of the human beings. What happened to them afterwards? They still wouldn’t listen to his words. The Moses Ten Commandments are actually the directives of the God in the Bible. Can you tell me how many of them are obeyed by the human being? Actually not even one. The God in the Bible seemed to know nothing about how to control the human beings. The only measure it takes is to voice warnings and threats against the human beings. Thousands of years has passed, the human beings remain the same. Is there no means to control the human beings? Or is there some other force constraining this Almighty God? If this is the case, is this God not sole or exclusive? For thousands of years, the human beings have been violating hisorder. What is he waiting for? The God in the Bible is improvident because he didn’t know that Adam and Eve were going to betray him or the development trend of what he had created. Is this God, who is not able to predict the future or the past, still reliable? If the Earth is going to get out of the Solar System and this God knows nothing about it, how can he save the human beings? How can this GOD administer the deities, Buddha, celestial beings and Devils when he found it difficult to control the human beings? How can he manage the spacious Universe? The God in the Bible is unjust because it cannot tell wrong from the right and because it is unreasonable. Why would Adam and Eve betray the God in the Bible? There are three major reasons. First, the genetic structure of Adam and Eve had faults, or was imperfect. The life created by this God was now its own constraint. This angered the God very much. It is just like the house built by an architect who put every efforts was fallen and hit his own feet. Is the house or the architect that should be blamed? The second reason they betrayed is that they were instigated and seduced by the snake. Adam and Eve are humans while behind the snake was the Devil Satan. The energy and wisdom of human beings can’t match those of the Devil. This God didn’t punish the Devil Satan. Instead, it imposed inflictions on Adam and Eve and drove them out of Eden. Is it fair? If a rapist raped an 8-year-old girl, would it be fair to blame the girl for her sexual organ and weakness instead of bringing justice to the rapist? The third reason of betrayal, which is also the most important one, is the damned Wisdom Tree that can tell the good and evil. Who has planted it in the Eden and why? It’s just like putting a poisonous sweet on the dinner table for the kids. Or it’s like playing the porn video for the young girls while teaching them to retain their innocence. Would a moral person do such a thing? Isn’t this “person” who planted the Wisdom Tree in the Eden has caused the betrayal of Adam and Eve? Besides, does this God, who had created Adam and Eve, has other measures to take rather than driving Adam and Eve out of the Eden? Is it fair not to give them a second chance simply because they have made only one mistake? Does one mistake justify their life-long sins? Jesus came to the Mortal World to atone for the human beings’ sins. According to the Bible, all the people have their “original sin”. Where does the “original sin” come from? Actually, they are inherited from Adam and Eve, the ancestors of human beings, whose sins were formed because they had eaten the fruit on the damned Wisdom Tree. When we are born, we have the “original sin” inherited from Adam and Eve. The “cross” on our back was much too heavy. According to this logic, “the son of a thief is always a thief”, “the son of a criminal is always a criminal”, and “the son of an emperor is always an emperor”. That’s why in ancient China, in the feudal period in particular, “If a man committed crime, all his family members would be sentenced to death”, or “If a man attained the Tao, even his pets ascended to Heaven”. This also explains why the thrones can only be passed on to the next generations of royal families. This is because it complies with the logic in the Bible. If somebody has sins, the God in the Bible and the Satan sined first. Is it humanitarian to inflict on billions of humans throughout the history simply because of the wrongdoings of Adam and Eve? Why not executing Adam and Eve and creating a new pair of humans at the time? Is creating a new couple so difficult for the God in the Bible? All the people are born with sins. This is why each of us comes to the Mortal World to endure the sufferings. But the sins are not inherited from our ancestors. They are made by oursleves in the previous cycle of life. If we don’t have sins, we would all have become Buddha or celestial beings. Ten Plagues of Egypt According to the Exodus, when Moses and Aaron, in the capacity of the GOD in the Bible, asked the Egyptian Pharaoh to let the Israelis leave Egypt, they were refused. Consequently, the GOD in the Bible imposed 10 plagues on Egypt. 1. Plague of Blood The water of the Nile will be changed into blood. The fish in the Nile will die, and the river will stink; the Egyptians will not be able to drink its water. 2. Plague of Frogs. The Nile will teem with frogs. They will come up into your palace and your bedroom and onto your bed, into the houses of your officials and on your people, and into your ovens and kneading troughs. The frogs will go up on you and your people and all your officials. 3. Plague of Lice.The dust of the ground became lice, lice came upon men and animals. All the dust throughout the land of Egypt became lice. 4. Plague of Flies The houses of the Egyptians will be full of flies, and even the ground where they are. 5. Plague of Livestock Death The fifth plague of Egypt was an epidemic disease which exterminated the Egyptian livestock; that is, horses, donkeys, camels, cattle, sheep and goats; 6. Plague of Boils The sixth plague of Egypt was Shkhin. The Shkhin was a kind of skin disease, usually translated as "boils".; 7. Plague of Hail The seventh plague of Egypt was a destructive storm; 8. Plague of Locusts Locusts will devour what little you have left after the hail, including every tree that is growing in your fields.; 9. Plague of Darkness Total darkness covered all Egypt for three days 10. Death of the Firstborn The tenth and final plague of Egypt was the death of all first born in Egypt — no one escaped, from the lowest servant to Pharaoh's own first-born son, including first-born of livestock. It is understandable that the God punished Egypt because Egyptian Pharaoh wouldn’t obey his order. However, it was unreasonable and went too far to kill the first-born of all humans and animals in Egypt. You can punish the Egyptian Pharaoh for his disobedience. Why inflicting on the common people? Even worse, the God would kill the kids of the girl slaves working as donkeys in the lowest rank. Can we still say the God behaving like this merciful? It was behaving without humanitarianism just like a Devil. Even more abominable, the Pharaoh of Egypt wouldn’t let the Israelis leave mainly because the God had hardened the Pharaoh’s heart. Before the Ten Plagues came, the God in the Bible had done something. According to 7:3 in the Exodus, Jehovah told Moses, “And I will harden Pharaoh's heart, and multiply my signs and my wonders in the land of Egypt.” It means the God in the Bible had prepared a trap for the Egyptians, trying to find an excuse for the following plagues. In Exodus 8:19, “Then the magicians said to Pharaoh, "This is the finger of God." But Pharaoh's heart was hardened, and he did not listen to them, as the LORD had said.”. In Exodus 9:35, “And the heart of Pharaoh was hardened, neither would he let the children of Israel go; as the LORD had spoken by Moses.” In Exodus 10:20, “But the LORD hardened Pharaoh's heart, so that he would not let the children of Israel go.” In Exodus 10:27, “But the LORD hardened Pharaoh's heart, and he would not let them go.” In Exodus 11:10, “And Moses and Aaron did all these wonders before Pharaoh: and the LORD hardened Pharaoh's heart, so that he would not let the children of Israel go out of his land.” It was the God in the Bible who let the Israelis leave Egypt. But it was the same God who had hardened the Pharaoh’s heart and sparked the conflicts so that the Israelis couldn’t leave Egypt easily. So what the God in the Bible was doing? It was encouraging the people to revolt while telling the authorities about the revolt and encouraging the government to oppress them mercilessly. Isn’t such a person a schemer and two-faced? So is this the image of the Greatest Creator? The Israelis Are the People of the Covenant The Bible has the Old Testament and the New Testament. The part telling what happened before Jesus was born was called the Old Testament and the part telling things after Jesus was born was the New Testament. The Testament actually means agreement, covenant, and contract. The whole Bible is the agreement, covenant and contract between the Israelis and the Greatest Creator. So here is a paradox. There are over 3,000 nations in the world and why the God has established the Testament with the Israelis? Does this mean the other nations are not the subjects of the God? If they are, why has the God only established the Testament with the Israelis while neglecting all the other nations? If they are not, what’s the origin of all the other nations? Are Adam and Eve only the ancestors of Israelis and not the other nations? The Israelis are created by the God. Does it mean the other nations are created by the Devil? There are 1,656 years between the Genesis and the Great Flood. There are 857 years between the Great Flood and the Exodus. There are 396 years between the Exodus and the founding of the Israeli State. There are 510 years between the founding of the Israeli State and their captive to Babylon. There are 152 years between their imprisonment in Babylon and the reestablishment of Jerusalem. There are 450 years between the rebuilding of Jerusalem and the birth of Jesus. There are 2003 years between the birth of Jesus and today. So according to the Bible, the history of human beings is about 6,376 years. According to the Bible, there were only 8 people survived the Great Flood on the Earth. They were the couple of Noah, their three sons and their wives. It means that 4,700 years ago, there was no one else living on the Earth except for the Noah family. But this has brought some other questions. First, where do the American Indians come from? According to the theory of Continental Drift, America drifted away from the other continents. But it couldn’t happen within 4,700 years of time. Then how the Noah family reached America from the Middle East? After the Great Flood, there were only 8 members in Noah family. It was impossible for them to get dispersed. Noah couldn’t let one of his sons and his wife to cross the freezing Siberia and the Bering Strait to get to America. Second, where did the African blacks come from? From the perspective of genetics, the blacks, yellows and whites have their separate ancestors. A couple of pure whites couldn’t generate the blacks and yellows. Even the evolvement couldn’t produce the blacks and yellows in 3,700 years of time. Besides, according to Darwin’s evolutionary theory, the survival of the fittest, could the Israelis able to write the Bible evolve into the African blacks? The blacks are not the matches of Israelis in the intelligence no matter how we exaggerate their abilities. Now let’s come to the Chinese nation. The first Chinese King was born about 4,600 years ago. The story of Dayu‘s Flood Control happened about 4,200 years ago. It was impossible for the future generations of Noah to come to mainland China 100 years after the Great Flood. Even if they did it, how could they produce so many people who followed Dayu to control the flood? Where does the Chinese nation come from? Are the Flood Control by Dayu were just the Great Flood? From the perspective of the Bible, the biological evolutionary theory could never be accepted. But once we accepted the theory, it would deny the theory that the God created the human beings. But if we denied the evolutionary theory, there was no way to explain the origin of the blacks and yellows and we can’t say Adam and Eve are the common ancestors of all human beings. The Story of Cain The first child of Adam and Eve, after they were driven out of the Eden, was Cain, followed by Abel. “And in process of time it came to pass, that Cain brought of the fruit of the ground an offering unto the LORD. And Abel, he also brought of the firstlings of his flock and of the fat thereof. And the LORD had respect unto Abel and to his offering: But unto Cain and to his offering he had not respect.” Out of jealousy, Cain killed his brother Abel. We want to ask the God in the Bible some questions, “Why do you favor the offerings of Abel instead of those of Cain? Is Cain killing his brother Abel not your fault? If you had never favored one of them, how could it arouse the jealousy of Cain? Why the people created by you had so many troubles? Adam and Eve wouldn’t follow your orders and their kids killed each other. As the God, you don’t have the ability to solve these problems? Or is it what you have designed? Cain was a murderer and deserved the punishment. But you told Cain, “Therefore whosoever slayeth Cain, vengeance shall be taken on him sevenfold.” So what kind of the justice standard is it? It is hardly understandable not to levy the punishment on the criminal. But it is even more understandable to have revenge of sevenfold on those who would punish the criminal. Is it protecting the criminal? That’s why the few thousand years of human history were full of blood, violence and crime. The God in the Bible has been protecting the criminals. “Therefore whosoever slayeth Cain, vengeance shall be taken on him sevenfold.” Because Cain is a criminal, we can fully understand it as ““Therefore whosoever slayeth the criminal, vengeance shall be taken on him sevenfold.”” We can conclude we had better become criminals because the criminals are protected and the good men are not. The good men have the risk of being revenged sevenfold. The Prophet and the Dream In the Bible, there are a large number of prophets and dreams. The prophets are the representatives of the God in the Mortal World. They have unimaginable wisdom and power, which sink the average people with average wisdom into the mist. If someone says, “I am a prophet”, should we believe him or not. If we don’t, we are standing against the God. If we do, how can we know the prophet is a fake or not? Now let’s talk about the dreams. There are many dreams and dream analysis in the Bible, in particular in the Revelation. Of course, those who can analyze the dreams are all prophets. But they have also brought a lot of puzzles. First, has the prophet had the dream at all? No one could see his dream and he could well compose some dreams and cheat us. If he really had the dream, was his analysis correct, or was he analyzing the dream on the reverse aspect? I want to ask the God in the Bible, in the Old Testament, you used to talk directly with the human beings. Then why you stopped doing so later? Are the Adam and Eve on other planets also disobeying your orders? Why would you warn the human beings in the form of dreams? Why not tell us the truth directly? Don’t you have the ability to do so? Don’t you have time? Don you have some secret sorrow? I can give many other examples to state that the God in the Bible does not have the features of being unique and exclusive, amorphous, neutral, mysterious, impartial, supremely powerful, merciful and wise as genuine Greatest Creator has. So we can affirm that “the God in the Bible is not the genuine Greatest Creator”.
submitted by jenajiejing to spirituality [link] [comments]
2024.05.16 10:44 bonjourmarlene From vegetarian to pescetarian
Hi all, I was wondering about some input from other people.
I'm 27 years old, female, I'm 168cm (5'6") and due to a recent mental health slump, I gained a lot of weight. I was never slim to begin with, but I'm currently at around 93kg (205lbs) and not happy with that. Ideally, I'd like to be below 75kg (165 lbs).
I often find myself having cravings and can't tell what I want/need. I eat a lot of carbs and still feel hungry so I'm pretty sure I'm lacking some essentials (most likely proteins), and as many other women, I've also had iron deficiency in the past. I haven't had it checked in a while but wouldn't be surprised if that's still the case.
I've really enjoyed being vegetarian for ethical reasons, often I wish I could become vegan but I'm finding it difficult to eat healthily and still feel full. I feel like I should include more protein in my diet but I feel really conflicted about going back to eating meat and/or fish. Are there any other people on here who have gone from a vegetarian diet to a pescetarian diet? If yes, how long did you not have fish/meat before and how did your body react to it?
I'm still really on the fence so input for or against it would be appreciated. I haven't posted on vegetarian because the subreddit doesn't want posts/comments that might encourage people to lay off a veggie diet.
submitted by bonjourmarlene to Pescetarian [link] [comments]
I'm 27 years old, female, I'm 168cm (5'6") and due to a recent mental health slump, I gained a lot of weight. I was never slim to begin with, but I'm currently at around 93kg (205lbs) and not happy with that. Ideally, I'd like to be below 75kg (165 lbs).
I often find myself having cravings and can't tell what I want/need. I eat a lot of carbs and still feel hungry so I'm pretty sure I'm lacking some essentials (most likely proteins), and as many other women, I've also had iron deficiency in the past. I haven't had it checked in a while but wouldn't be surprised if that's still the case.
I've really enjoyed being vegetarian for ethical reasons, often I wish I could become vegan but I'm finding it difficult to eat healthily and still feel full. I feel like I should include more protein in my diet but I feel really conflicted about going back to eating meat and/or fish. Are there any other people on here who have gone from a vegetarian diet to a pescetarian diet? If yes, how long did you not have fish/meat before and how did your body react to it?
I'm still really on the fence so input for or against it would be appreciated. I haven't posted on vegetarian because the subreddit doesn't want posts/comments that might encourage people to lay off a veggie diet.
2024.05.16 10:23 Violent-Violenist Guppies died within 10 mins of being added to tank
I’m new to the hobby so be patient. I bought 3 guppies from petco to put in my aquarium that until now has been 100% plants and a propagated pothos growing from the top. My gold Inca is happy and healthy and I got him the same exact day as the guppies and added them the same time. He’s still alive today, happy and vibing. the fish died about three days ago. It was really sad to watch. They seemed excited at first and slowly started acting weird before they all died. I got guppies because I wasn’t sure how to really properly care of a more “fancy” fish I guess. I just wanted something to complete my little ecosystem. Guppies seemed like a good choice because they were cheap and I assumed would’ve been hardy fish. After some research I find out guppies are actually horribly inbred. Seeing as I got them from petco for .28cents a pop. Yeah idk what I expected. I really did my best to acclimate them. And my tank is a functional ecosystem with plants and bottom feeders. So plenty of o2. Not super knowledgeable on fish, but I’d really love to have a hardy fish in my tank to balance out the tank. Thoughts?
Again, this is my first attempt at having fish in one of my tanks. I started with guppies to play it safe and now I’m kinda scared off from buying any fish because I don’t wanna become fish H*tler 😭 I’m really hoping guppies are just an unfortunate mistake
submitted by Violent-Violenist to Aquariums [link] [comments]
Again, this is my first attempt at having fish in one of my tanks. I started with guppies to play it safe and now I’m kinda scared off from buying any fish because I don’t wanna become fish H*tler 😭 I’m really hoping guppies are just an unfortunate mistake