I'm trying to install Ubuntu Studio on a new machine, but it's not working. At first I tried installing the new 24.04 LTS, but the installer wasn't working, so I switched to 22.04 LTS instead. I figure I can update to 24.04 after the install. I set up partitions for /, /tmp, /var, /usr, /home, and swap, and the install went smoothly. However, when I took the install thumb drive out and restarted the machine, all I can get is a message saying "Reboot and Select proper Boot device or Insert Boot Media in selected Boot device and press a key."
I don't know what's going on. When I boot from the thumb drive, I can see and access all of the partitions, so the machine is obviously recognizing the internal drive. I went into my BIOS, and it says the internal drive has first boot priority, so it should be booting from there. How can I fix this?

ZINGER KEY POINTS Tilray says it entered into a private debt-for-equity exchange transaction with an unrelated party. After giving effect to the exchange transaction, there are no 2024 Convertible Notes that remain outstanding as of Tuesday.
Tilray Brands Inc TLRY +8.18%
What Happened: In a new regulatory filing, Tilray said it entered into a private debt-for-equity exchange transaction with an unrelated party. The company expects to issue an aggregate of up to 13.1 million shares in exchange for $19.8 million aggregate principal amount of its 5.25% Convertible Senior Notes due June 1, 2024.
Tilray said after giving effect to the exchange transaction, there are no 2024 Convertible Notes that remain outstanding as of Tuesday.
Separately, Tilray subsidiary Breckenridge Brewery and 97.3 KBCO (iHeartMedia-Denver) announced the next “On Top with KBCO” event featuring live music at the Breckenridge Brewery in Littleton on Sept. 7. The charity concert series benefits Project C.U.R.E., which has grown to be the largest provider of donated medical supplies and equipment to some of the toughest places in the world.
https://www.benzinga.com/markets/cannabis/24/05/38819576/whats-going-on-with-tilray-stock-tuesday

Found this very interesting interview. Read the tl;dr part if you hate reading longass walls of text.
Note: Page 1 is mostly about Ryou's early days as a struggling novelist, then mangaka assistant and then mangaka and workflows during analog and digital era, the only important part is that Boy's Abyss is... not much of a culmination of her mangaka career, but a work where she can satisfy her ego the most, so i skipped them due to time. Pages 2, 3 and 4 have more info about Abyss.
PART 2: ABOUT BACKGROUND DESCRIPTIONS THAT SUPPORTS THE HUMAN DRAMA
Sauce: https://youngjump.jp/comic_award/interview/2024/05/index2.html
--How do you decide on the locations for your works?
It depends, but I tend to choose places where I have spent time in the past or places that remain in my memory.
--I see. Is there anything important to remember in order to recall the right location for the scene?
You can't open a drawer where there isn't one, so I think it's important to look at various places on a regular basis to increase the number of drawers.
--In "Shounen no Abyss", bridges seem to appear many times in important scenes, including in the first episode. Is this intentional?
Yes, it is. In the first episode, I put the bridge as a kind of borderline between life and death, and I think that the readers came to feel the danger from the bridge. So I may have consciously chosen to use a bridge in decisive scenes. Also, since Reiji is a person who cannot decide for himself whether to live or die, I have him hovering on the bridge, which is between life and death.
(Footnote for a panel from ch. 2: From the second chapter, "Incognito Date". The location of the bridge makes us feel more that Reiji is wandering between life and death.)
--I see. By having them perform on the bridge, you are also conveying the character's condition and humanity.
(Footnote with a page from ch.87: From episode 87, "After the dream". In episode 87, which is set in Tokyo, Reiji's wavering state of mind is expressed in detail using a bridge as a stage.)
--I feel that the timing of the rain is also very well thought out.
Rain is an indispensable element in a gloomy work like this, so I often think about the weather from the plotting stage. Also, when I draw rain, I imagine myself being in the rain. It is cold, my clothes stick to my skin, it gets in my eyes.... I hope that the reader can feel these things.
(Footnote with the page where Akira betrays Shino'oka and gives in to Yuko's temptation in ch102: From Chapter 102, "Amid the Overflowing Water". The texture of the rain effectively shows Nozoe's inclined mind.)
--you have to think about what kind of environment the person is in and what kind of air he/she breathes.
I think it depends on the type of work. For my works, that kind of accumulation is important, but there are also works where other things are important. I think you should think about it according to the kind of work you want to paint.
PART 3: ABOUT THE PICTURE DESIGN THAT SUPPORTS THE WORK
Sauce: https://youngjump.jp/comic_award/interview/2024/05/index3.html
--I assume that it was difficult to learn to draw pictures from a place with no experience in manga.
I learned by trial and error while actually drawing. Even now, I still have a hard time with drawings.
--I see. I (the interviewer) like the pictures in "Shounen no Abyss" very much because they match the content of the story, but it seems to me that you have changed the design of the pictures quite a bit from your past works. How did you decide on the style?
When I started my first serial, "Hoboreru Hanabi", I didn't have time to choose the style yet, so I drew what I could draw at the time. From the next serial, "Himegoto: Juukyuusai no Seifuku," I started to think about "making the eyes a little bigger" or "adding deformation.
--In the next serial work, "Hatsukoi Zombie," you used a much more deformed style of drawing. Why is that?
I think it was because it was serialized in a shounen magazine called "Shounen Sunday. I was conscious of the drawings of Rumiko Takahashi, who I have been a fan of for a long time.
--Did you have the medium of "Weekly Young Jump" in mind when you created the artwork for "Shounen no Abyss"?
If anything, I tried to make the design more in line with the content of the book. Considering the content, for example, it was difficult to use the same body size and eye size as the characters in "Hatsukoi Zombie". However, in the case of "Shounen no Abyss," the reality line differs slightly from character to character, and the way in which deformation is added is different for each character.
--Do you have any advice for new artists who want to improve their drawing?
I think it is important to be aware of the importance of observing what you are drawing. If you just draw from your imagination, you will end up with buildings whose structures you don't know, or wrinkled clothes that don't convey the texture of the wearer's clothing, which is a habit of mine. The result is a worldview that is not convincing. In this age of the Internet and other sources of information, it is important to observe the subject matter carefully and draw it, rather than making rough guesses.
--Do you still search for materials when you draw props, backgrounds, etc.?
Yes, I do. For example, I think about "What kind of room would this person live in?", "What kind of shoes would she wear?", "What kind of car would she drive? I think that the accumulation of such details leads to the sense of daily life that is conveyed in the work.
From episode 19, "seducer". The decor and accessories in Chako's room give us a sense of her life. (there was a page from that chapter i can't put in the post, gomwnnasai, gomennasai, gomennasai....)
End of part 3
PART 4: ABOUT WEEKLY SERIALIZATIONS (this is the important shit)
Sauce: https://youngjump.jp/comic_award/interview/2024/05/index4.html
-I feel that "Shounen no Abyss" has a great live-action feel to it. The characters' actions and the development of the story are unpredictable, and each time I am surprised to see how the story will unfold. Do you have a rough idea of how the story will unfold?
There is a general flow of the story, but basically, I myself draw the story while excitedly thinking, "Well, what will this person say or do on the next page?" In a nutshell, is this a romcom in which Reiji meets a variety of women and decides who he will fall in love (or into the abyss)? It's something like that (T/N: Ryou answered like questioning and answering to herself in the last paragraph of this section)
--I have heard that the starting point of the project for "Shounen no Abyss" was "a story about a double suicide" Do you often draw the story with the theme in mind?
Yes, I decide on the axis to some extent at the beginning. If there is nothing at all, the project itself will not be communicated, and it will be difficult to start a serialization.
--I think that in a weekly serialization, it is necessary to attract the reader intensely in the first episode. What were you conscious of in the first episode of "Shounen no Abyss"?
It's an ensemble piece, so I was conscious of showing all the main characters in the first episode. I also decided to make a memorable appearance of the heroine, Nagi, in the last part of the episode. I also thought about the order of the characters that Reiji meets. First, he meets Shiba-chan, who is outside of his interest, and then he meets and talks with his friend Chako. Then his childhood friend Gen would appear, and things would take a turn for the worse. Then, his family, which is the most painful existence for Reiji, makes an appearance. Then he crosses paths with a mysterious man, and finally a beautiful and bewitching woman appears. In order to make it easier for the reader to enter the world of the work, I made the flow of the story gradually fall into darkness.
--It's like Reiji is going down a flight of stairs one step at a time.
Yes, Nagi is waiting for him when he descends the last step. I changed the background accordingly. When he is with his friend Chako, the sun is out, and when the sun begins to set, he meets his family, and by the time he meets Nagi, it's already nighttime.
--I'm so impressed...! You have built in the backgrounds and elaborated on the details.
(Footnote for 2 pages from the 1st chapter that were shown: Both are from the first episode, "The Boy from That Town". He meets his friend Chako on his way to school in the daylight, but by the time he meets his family, it is dark and shadowy outside. The contrast of the background also depicts Reiji's descent into darkness.)
--What are the most important things outside of your work when working on a weekly series?
Physical strength is important. I also think it is important to keep your mind clear and avoid unnecessary stress. There are many times when I think, "I should have done this better," or "It will be difficult this time because I did that last time," but there is no use in overthinking things, so I try to switch over as soon as possible.
--Finally, do you have any advice for new artists?
I think it is important to have a lot of input while you are young, and to push your luck a little in creating your work.
--Thank you for your valuable talk!
Now, the tl;dr:
-2: Bridges in this manga are used as a gate between life and death.
-1: rain is important in this manga to depict the characters' overflowing emotions.
0: Ryou had to choose carefully the type of atmosphere and air for this manga.
1: Ryou drew Drowning Fireworks on a rush and could define a proper style, she shifts styles according to the tone and magazine shenis doing her works for.
2: She had to study locations and interior plaves to depict characters, their lives and mental states.
3: Boy's Abyss is a romcom on its structure. And the characters were introduced in a way you could instantly get familiarized with from the start, as it's an ensemble work.
4: characters were introduced in a way you can feel Reiji is going downstairs into the abyss. Yuri being the first because she's the character he's the least interested into, Chako next because she's the sun, the light, she's Kana Arima... okno, and Nagi last because she's Chako's thematical opposite and had to have an impactful introduction. and the endgame and endgoal are already decided since day one. Nagi is waiting for Reiji to do the last step
5: a good physical condition, being resourceful and brave enough are the keys for a successful weekly story.
That's it. See ya tomorrow.

Megapost: A list of statements, press releases, and other sources reporting and expressing concern and criticism about Israel's war in Gaza and related aspects of the war. (Part 4)

Notes: This is a work that is currently in progress; please check back for updates. Titles have been edited to provide details.
Part 1 is here: https://www.reddit.com/Social_Democracy/comments/1clx1uc/megapost_a_list_of_statements_press_releases_and/
Part 2 is here: https://www.reddit.com/Social_Democracy/comments/1cmjhpk/megapost_a_list_of_statements_press_releases_and/
Part 3 is here: https://www.reddit.com/Social_Democracy/comments/1coups2/megapost_a_list_of_statements_press_releases_and/
Refugee Council of Australia: Our Letter to the Prime Minister regarding the Israel and Gaza Crisis (April 26, 2024): https://www.refugeecouncil.org.au/letter-israel-and-gaza-crisis/
Statement in solidarity with student protests for Gaza [Signed by: 350.org US; 18 Million Rising; 198 methods; Adalah Justice Project; Addameer Prisoner Support and Human Rights Association; AF3IRM; Afghans For A Better Tomorrow; Al-Haq; Alliance of Baptists; American Baptist Churches USA; American Baptist Churches Palestine Israel Network; American Friends Service Committee; American-Arab Anti-Discrimination Committee (ADC); American Muslim Bar Association; American Muslim Community Foundation; American Muslims for Palestine (AMP); Americans for Justice in Palestine Action (AJP Action); Arab American Civic Council; Arab American Institute; Asian American Advocacy Fund; Better to Speak; Beyt Tikkun: A Synagogue without Walls; Black Lives of Unitarian Universalism (BLUU); Blue Future; Borderlands for Equity; Borderlands Resource Initiative; Breach Collective; Brooklyn For Peace; CAIR Action; CAIR California; CAIR Minnesota; CAIR Oklahoma; CAIR-WA; California Coalition for Women Prisoners; Cameroon American Council; Carceral Tech Resistance Network; Ceasefire Democrats; Ceasefire Now NJ; Center for Constitutional Rights; Center for Popular Democracy Action; Center for Protest Law & Litigation @ Partnership for Civil Justice Fund; Chicago Area Peace Action; Chicago Faith Coalition on Middle East Policy; Christians for a Free Palestine; Civic Ark; Civil Liberties Defense Center; Clockshop; CommonDefense.us; Communities United for Status & Protection (CUSP); Council on American-Islamic Relations; CWA-News Guild Local 38010; Defending Rights & Dissent; Delaware Democratic Socialists of America; Delawareans for Palestinian Human Rights; Detention Watch Network; Disciples Palestine Israel Network; Diverse & Revolutionary Unitarian Universalist Multicultural Ministries (DRUUMM); Doctors Against Genocide; Dream Defenders; Dutch Scholars for Palestine; Eindhoven Students 4 Palestine; Emgage Action; En Conjunto; Episcopal Peace Fellowship-Palestine Israel Network; Faith for Black Lives; Faith in Texas; Fellowship of Reconciliation; Fight for the Future; For All; Freedom Farm Community; Freedom Oklahoma; Freedom To Thrive; Friends of Sabeel North America (FOSNA); Future Coalition; Gen-Z for Change; Gender Justice Action and Gender Justice; Get Free; Global Campaign to Reclaim People's Sovereignty, Dismantle Corporate Power & Stop Impunity; Green Mountain Solidarity With Palestine; Green New Deal Network; Greenpeace USA; Hawai'i for Palestine; Health Justice Commons; Helena (Montana) Service for Peace and Justice; Highlander Research and Education Center; Hindus for Human Rights; Historians for Peace and Democracy; Human Dignity Project (THDP); IfNotNow Movement; IfNotNow New Jersey; Immigrant Defense Project; Immigrant Justice Network; Immigrants Act Now; Indian American Muslim Council (IAMC); Indiana Center for Middle East Peace; Institute for Policy Studies New Internationalism Project; Interfaith Ceasefire; International Jewish Anti-Zionist Network; International Mayan League; InterReligious Task Force on Central America; Iowans For Palestine; Islamic Society of North America (ISNA); Islamophobia Studies Center; Israel/Palestine Mission Network of the Presbyterian Church (U.S.A.); Jewish Voice for Peace; Jewish Voice for Peace-Hawai’i; Jews For Racial & Economic Justice (JFREJ); Just Foreign Policy; Justice Democrats; Just Futures Law; Justice for All; Kairos USA; Libyan American Alliance; LittleSis / Public Accountability Initiative; Living Water Inclusive Catholic Community; Long Island Progressive Coalition; Make the Road Nevada; Malaya Georgia; Massachusetts Peace Action; Mennonite Action; Mennonite Action WA; Migrant Roots Media; Minnesota Peace Project; Mondoweiss; Movement for Black Lives; MPower Change Action Fund; MSA West; Muslim Advocates; Muslim Community Network; Muslim Counterpublics Lab; Muslim Power Building Project; Muslims for Just Futures; Muslims for Progressive Values; National Arab American Women’s Association (NAAWA); National Domestic Workers Alliance Staff Union, CWA Local 1180; National Iranian American Council; National Lawyers Guild; National Lawyers Guild - St. Louis Chapter; National Network for Immigrant and Refugee Rights (NNIRR); National Partnership for New Americans; New Hampshire Veterans for Peace; New York City Veterans For Peace; The New Justice Project Minnesota; NH Peace Action; North American Students of Cooperation; No Separate Justice; North Carolina Peace Action; The Oakland Institute; Office of Peace, Justice, and Ecological Integrity/Sisters of Charity of Saint Elizabeth; Our Revolution; Palestine American League; Palestine Legal; Palestinian American Community Center; Palestinian American Organizations Network (PAON); Palestinian Feminist Collective; Partners for Palestine; Pax Christi New Jersey; Pax Christi New York State; Pax Christi Pacific Northwest; Pax Christi USA; Peace Action; Peace Action New York State; Peace, Justice, Sustainability NOW!; Pediatricians for Palestine; People’s Action; PeoplesHub; Poverty Project at the Institute for Policy Studies; Presbyterian Church (USA), Office of Public Witness; Presbyterian Peace Fellowship; Progressive Democrats of America (PDA); Project ANAR; Project South; Rachel Corrie Foundation for Peace and Justice; Reparation Education Project; Reviving the Islamic Sisterhood for Empowerment; Rise for Palestine; Rising Majority; Rising Tide North America; Rochester Committee on Latin America; RootsAction Education Fund; Sabeel Ecumenical Liberation Theology Centre; Sacramento Regional Coalition for Palestinian Rights; Sound Vision; Starr King School for the Ministry; Students and Faculty for Justice in Palestine at the University of Hawai’i (SFJP); Sunrise Movement; Sur Legal Collaborative; TakeAction Minnesota; Tech Justice Law Project; The Gathering for Justice; The Hague Peace Projects; The Social Justice Center; The Uncommitted National Movement; The Whatcom Peace and Justice Center; Transnational Institute; UndocuBlack Network; Unitarian Universalist Association; Unitarian Universalist Church of the Larger Fellowship; Unitarian Universalist College of Social Justice; Unitarian Universalist Justice Ministry of North Carolina; Unitarian Universalist Mass Action; Unitarian Universalist Peace Ministry Network; Unitarian Universalist Service Committee; Unitarian Universalist Young Adults for Climate Justice (UUYACJ); Unitarian Universalists for Justice in the Middle East; United Church of Christ Palestine Israel Network; United Methodists for Kairos Response (UMKR); United Voices for America; Until Freedom; US Campaign for Palestinian Rights; Veterans For Peace; We Are All America; Wellstone Democratic Renewal Club; Wind of the Spirit Immigrant Resource Center; Women's Institute for Freedom of the Press; Working Families Party; World BEYOND War; Young Democrats of America Black Caucus; Young Democrats of America Environmental Caucus; Youth Leadership Institute] (April 26-29, 2024): https://www.mpowerchange.org/gazastudentprotests & https://docs.google.com/forms/d/e/1FAIpQLSdhlWqDQghbVaPb6K7coBoi0o3w1YDfmrPOSbUw5bqNKEnrhg/viewform
Tom Hurwitz: I was arrested protesting at Columbia in ’68. Today’s student encampments carry on a proud, brave tradition: Like the Vietnam War was nearly six decades ago, to many students, Israel’s assault on Gaza feels deeply personal (April 26, 2024): https://forward.com/opinion/607021/columbia-1968-protests-vietnam-gaza-wa
‘We demand an immediate ceasefire in Gaza’ – First Minister of Northern Ireland Michelle O’Neill tells major London demo (April 27, 2024): https://vote.sinnfein.ie/we-demand-an-immediate-ceasefire-in-gaza-oneill-tells-major-london-demo/
Nineteen American Sociological Association Presidents Endorse the Resolution for Justice in Palestine (April 28, 2024): https://www.sociologistsforpalestine.org & https://docs.google.com/document/d/1t-z9OTPbl5JB9_sKnFOqAl-bQV78qZ-SFvjjjMrPUgY/
Robert Reich, former U.S. Secretary of Labor under Bill Clinton: Brief thoughts on the wave of campus protests across America (April 28, 2024): https://robertreich.substack.com/p/my-thoughts-on-the-wave-of-campus
We’re Jewish students at Columbia arrested for protesting Israel’s war (April 28, 2024): https://thehill.com/opinion/education/4626720-were-jewish-students-at-columbia-arrested-for-protesting-israels-wa
American Association of University Professors: In Defense of the Right to Free Speech and Peaceful Protest on University Campuses (April 29, 2024): https://www.aaup.org/media-release/defense-right-free-speech-and-peaceful-protest-university-campuses
Anat Saragusti: Israeli media’s inevitable hysteria over U.S. campus protests: The media’s unbending self-censorship in covering Gaza has made Israelis incapable of seeing foreign criticism as anything other than antisemitism. (April 29, 2024): https://www.972mag.com/campus-protests-gaza-us-students/
Attorneys inside and outside the administration urge Biden to cut off arms to Israel: So far more than 90 lawyers have signed on to a legal letter alleging Israel’s conduct in Gaza violates U.S. and international law. (April 29, 2024): https://www.politico.com/news/2024/04/29/lawyers-israel-arm-sales-biden-00154958
Lemkin Institute for Genocide Prevention: Statement in Support of Students, Faulty at Columbia University (April 29, 2024): https://www.lemkininstitute.com/statements-new-page/statement-in-support-of-students%2C-faulty-at-columbia-university
Mary Lawlor, UN Special Rapporteur on Human Rights Defenders: "I'm hearing disturbing reports that students face suspension if they don’t end their peaceful protests in #Columbiauniversity in the USA. This is a clear violation of their right to peaceful assembly" (April 29, 2024): https://twitter.com/MaryLawlorhrds/status/1785020792197038101
Cas Mudde: Why are US campuses facing an orgy of state repression in the ‘land of the free’? The right has painted nonviolent protests against the war on Gaza as hotbeds of ‘woke’ terrorism. It’s a pretext for repression (April 30, 2024): https://www.theguardian.com/commentisfree/2024/ap30/us-campus-peace-protests-overreaction-gaza
Joint letter to President Biden on humanitarian risk of Rafah operation in Gaza [Signed by: 350.org; ActionAid USA; Alliance of Baptists; American Friends of Combatants for Peace; American Friends Service Committee; Americares; Amnesty International USA; CARE; Charity & Security Network; Children in Conflict; Christian Aid; Churches for Middle East Peace (CMEP); Center for American Progress; Center for Civilians in Conflict; Center for International Policy; Church World Service; DAWN; Demand Progress Education Fund; Evangelical Lutheran Church in America; Humanity & Inclusion; IM Swedish Development Partners; Indivisible; Islamic Relief USA; Islamic Relief Worldwide; KinderUSA; Maryknoll Office for Global Concerns; MedGlobal; Médecins du Monde / Doctors of the World International Network; Mennonite Central Committee; Middle East Democracy Center; Minnesota Peace Project; MoveOn; Nonviolent Peaceforce; Norwegian Refugee Council USA; Oxfam America; Pax Christi USA; Premiere Urgence Internationale; Presbyterian Church (USA), Office of Public Witness; Refugees International; Save the Children US; SEIU; The Episcopal Church; The Tahrir Institute for Middle East Policy (TIMEP); The United Methodist Church – General Board of Church and Society; Truman Center; Vento di Terra; Win Without War] (April 30, 2024): https://www.nrc.no/news/2024/may/joint-letter-to-president-biden-on-potential-incursion-into-rafah-gaza/
Latino students are key part of pro-Palestine encampment protests (April 30, 2024): https://www.axios.com/2024/04/30/college-encampments-ceasefire-gaza-latino-students
Michael Gould-Wartofsky: Trump Is Wrong. Columbia Isn’t Anything Like Charlottesville: I survived the deadly violence in Charlottesville, and am now a postdoctoral research scholar at Columbia University. To compare the two is unwarranted—and unconscionable. (April 30, 2024): https://www.thedailybeast.com/trump-is-wrong-columbia-isnt-anything-like-charlottesville
United Church of Christ Officers issue statement amid ongoing unrest on college campuses; offer continued solidarity with partners and people in the Middle East (April 30, 2024): https://www.ucc.org/ucc-officers-issue-statement-amid-ongoing-unrest-on-college-campuses/
United States of America: UN Human Rights Chief troubled by law enforcement actions against protesters at universities (April 30, 2024): https://www.ohchr.org/en/press-releases/2024/04/united-states-america-un-human-rights-chief-troubled-law-enforcement-actions
A Statement From Jewish Faculty, Staff, Students, and Alumni Regarding Indiana University's Treatment of Student Protesters ["Actions are being taken in our name, without our consent or request. Such actions, especially those by the administration, often directly contradict the facts we see daily on the ground at campus. We condemn the actions taken by the administration, ISP, and IUPD against the students protesting on Dunn Meadow."] (May 1, 2024): https://bloomingtonian.com/2024/05/01/a-statement-from-jewish-faculty-staff-students-and-alumni-regarding-iustreatment-of-student-protesters/
Charles H.F. Davis III, Jude Paul Dizon, Jessica Hatrick, and Vanessa Miller: Police Repression Is the Problem, Not the Solution (May 1, 2024): https://www.insidehighered.com/opinion/views/2024/05/01/police-repression-problem-not-solution-opinion
Comment from United Auto Workers President Shawn Fain on Mass Arrests of Anti-War Protestors (May 1, 2024): https://uaw.org/comment-from-uaw-president-shawn-fain-on-mass-arrests-of-anti-war-protestors/
Fellowship of Reconciliation Stands in Solidarity with the Students (May 1, 2024): https://forusa.org/fellowship-of-reconciliation-stands-in-solidarity-with-the-students/
Juan González, Veteran of '68 Columbia Strike, Condemns University Leaders' Silence on Gaza Slaughter (May 1, 2024): https://www.democracynow.org/2024/5/1/police_raid_columbia_2024_juan_gonzalez
Mike Littwin: As a veteran of the ’60s campus unrest, I know the value of free speech: Despite what you may hear, most of today’s campus demonstrations, including the one at Auraria, are typically nonviolent. (May 1, 2024): https://coloradosun.com/2024/05/01/israel-gaza-student-demonstrations-opinion-littwin/
On Gaza, NY Catholic Worker community echoes Pope Francis: 'Please! Stop the war.' (May 1, 2024): https://www.ncronline.org/opinion/guest-voices/gaza-ny-catholic-worker-community-echoes-pope-francis-please-stop-war
Senator Bernie Sanders: The billionaires who fund AIPAC are not only concerned about protecting Israel's actions in Gaza — they also want to protect corporate interests. That's why they are targeting progressive lawmakers who stand up for the working class and take on powerful special interests. (May 1, 2024): https://twitter.com/BernieSanders/status/1785684580265074707
Syriac Maronite Archbishops denounce military escalation in southern Lebanon, condemn Israeli actions in Gaza and West Bank (May 1, 2024): https://syriacpress.com/blog/2024/01/05/syriac-maronite-archbishops-denounce-military-escalation-in-southern-lebanon-condemn-israeli-actions-in-gaza-and-west-bank/
The Democratic National Committee's College Democrats of America Slams Biden On Gaza And Backs Campus Protesters (May 1, 2024): https://www.huffpost.com/entry/college-democrats-of-america-statement-biden-gaza-campus-protest_n_663278fce4b0849b2edded55
Tope Folarin, director of the Institute for Policy Studies: We Stand with the Students Protesting the Slaughter in Gaza (May 1, 2024): https://ips-dc.org/we-stand-with-the-students-protesting-the-slaughter-in-gaza/
'You are our hope': Palestinian students find strength in U.S. campus protests: “I feel proud that there is a group of students who feel what we feel now — and are helping and supporting us,” said Reem Musa Suleiman Abu Shinar, speaking to an NBC News crew in the city of Rafah in southern Gaza. (May 1, 2024): https://www.nbcnews.com/news/world/palestinian-students-support-us-campus-protests-israel-war-rcna149296
Bernie Sanders in CNN interview: 'This may be Biden’s Vietnam' (May 2, 2024): https://www.youtube.com/watch?v=_6rQmvko18M
Catholic Relief Services representative for Gaza fears possible Rafah invasion (May 2, 2024): https://www.ncronline.org/news/catholic-relief-services-rep-gaza-fears-possible-rafah-invasion
‘Disgrace to diplomacy’: Bosnia accuses Israeli diplomat of genocide denial: Envoy to Serbia draws intense criticism for telling Russian media that calling 1995 Srebrenica massacre a genocide ‘diminishes the importance of that term’ (May 2, 2024): https://www.timesofisrael.com/disgrace-to-diplomacy-bosnia-accuses-israeli-diplomat-of-genocide-denial/
Gazans thank US university protesters as Israel calls for students to be expelled (May 2, 2024): https://www.cnn.com/2024/05/01/middleeast/gaza-children-thank-us-protesters-intl-latam/index.html
Helen Benedict, professor of journalism at Columbia University: ‘US student protests seeking peace in Gaza are the new anti-Vietnam War movement’ (May 2, 2024): https://timesofindia.indiatimes.com/us-student-protests-seeking-peace-in-gaza-are-the-new-anti-vietnam-war-movement/articleshow/109766893.cms
Hundreds of U.S. Catholic leaders and laity sign letter urging Permanent Gaza Ceasefire and End to Injustice in Israel and Palestine (May 2, 2024): https://cmep.salsalabs.org/ps-may22024 & https://docs.google.com/document/d/16K1RvL3YdSgSChwO_eWB9iSvIglNP59ahqtAQ1aZiGM/
PREPARED REMARKS: Senator Bernie Sanders on the Nationwide Student Protests and the Ongoing Humanitarian Disaster in Gaza (May 2, 2024): https://www.sanders.senate.gov/press-releases/prepared-remarks-sanders-on-the-nationwide-student-protests-and-the-ongoing-humanitarian-disaster-in-gaza/
Recalling Civil Rights Era Abuses, Legal Defense Fund of the NAACP Roundly Condemns Rising Violations Against Peaceful Protesters and Calls for Immediate Federal Intervention ["Today, the Legal Defense Fund (LDF) issued a statement roundly and unequivocally condemning the rising civil and human rights violations against peaceful protesters across the U.S. and issued a letter calling for the Department of Justice (DOJ) to conduct an immediate investigation into the treatment of peaceful protesters" (May 2, 2024): https://www.naacpldf.org/press-release/recalling-civil-rights-era-abuses-ldf-roundly-condemns-rising-violations-against-peaceful-protesters-and-calls-for-immediate-federal-intervention/
United Nations Development Programme: As war in Gaza enters seventh month, 1.74 million more Palestinians will be pushed into poverty across State of Palestine according to United Nations assessment: UNDP and ESCWA estimate more than two-decades reversal in human development— beyond earliest recorded levels of 2004. (May 2, 2024): https://www.undp.org/papp/press-releases/war-gaza-enters-seventh-month-174-million-more-palestinians-will-be-pushed-poverty-across-state-palestine-according-united
“Workers Have Power”: Thousands Rally in NYC for May Day, Call for Solidarity with Palestine (May 2, 2024): https://www.democracynow.org/2024/5/2/nyc_may_day_rally_palestine_solidarity
A Message to the Protesters From Reverend Jesse L. Jackson, Sr.: A call to keep raising the tempests on campus over the Gazan horror. (May 3, 2024): https://chicagomaroon.com/42811/viewpoints/op-ed/a-message-to-the-protesters-from-reverend-jesse-l-jackson-s
Association of Flight Attendants President Sara Nelson on Mass Arrest of Anti-War Protestors (May 3, 2024): https://www.afacwa.org/mass_arrest_right_to_protest
Rashid Khalidi, Professor of Arab Studies at Columbia University: Opposed to Genocide in Gaza, This Is the Conscience of a Nation Speaking Through Your Kids (May 3, 2024): https://www.commondreams.org/opinion/rashid-khalidi-columbia-gaza-speech
“This Militaristic Approach Has Been a Failure”: Meet Hala Rharrit, First U.S. Diplomat to Quit over Gaza (May 3, 2024): https://www.democracynow.org/2024/5/3/state_dept
Where pro-Palestinian university protests are happening around the world (May 3, 2024): https://www.cnn.com/2024/05/03/world/pro-palestinian-university-protests-worldwide-intl-hnk/index.html
100-year-old Jewish activist Jules Rabin is speaking up again — this time about Gaza [In a podcast on the nonprofit news site VT Digger, Rabin referred to the tragedy unfolding in Gaza as “a piecemeal Holocaust.”] (May 4, 2024): https://forward.com/culture/609442/jules-rabin-vermont-activism-gaza-ukraine-israel/
Israel will not agree to end the war with Hamas as part of any deal [“Israel will under no circumstances agree to the end of the war as part of an agreement to release our abductees," an Israeli official told ABC News on Saturday morning. "As the political echelon decided, the IDF will enter Rafah and destroy the remaining Hamas battalions there - whether or not there will be a temporary ceasefire for the release of our hostages."] (May 4, 2024): https://abcnews.go.com/International/live-updates/israel-hamas-cease-fire-talks/israel-will-not-agree-to-end-the-war-with-hamas-as-part-of-any-deal-109924741?id=109734705
Roseann "Chic" Canfora survived the 1970 Kent State shooting. Here's her message to student activists (May 4, 2024): https://www.npr.org/2024/05/04/1249023924/kent-state-shooting-activists-protests-survivor
‘They’re sending a message’: harsh police tactics questioned amid US campus protest crackdowns (May 4, 2024): https://www.theguardian.com/us-news/article/2024/may/04/police-tactics-us-campus-protest-crackdowns
Anton Boonzaier: As a South African during apartheid, I admire pro-Palestine protesters’ tenacity (May 5, 2024): https://dailybruin.com/2024/05/05/op-ed-as-a-south-african-during-apartheid-i-admire-pro-palestine-protesters-tenacity
Committee to Protect Journalists condemns Israeli vote to shut down Al Jazeera; warns of alarming precedent (May 5, 2024): https://cpj.org/2024/05/cpj-condemns-israeli-vote-to-shut-down-al-jazeera-warns-of-alarming-precedent/
Union workers join students in rallies Saturday calling for a permanent ceasefire in Gaza [More than 200 people attended the Maine Labor for Palestine and Maine Students for Palestine rally.] (May 5, 2024): https://www.mainepublic.org/news/2024-05-05/union-workers-join-students-in-rallies-saturday-to-free-gaza
Oxfam reaction to Rafah evacuation order (May 6, 2024): https://www.oxfam.org/en/press-releases/oxfam-reaction-rafah-evacuation-order
Patrick Gaspard, president of the Center for American Progress: American politicians forget: disruption and disorder are the point of protests: I have trespassed in peaceful protest. I have shut down government offices in civil disobedience. I have made the powerful uncomfortable. That’s the point (May 6, 2024): https://www.theguardian.com/commentisfree/article/2024/may/06/campus-pro-palestinian-protests
Save the Children warns of deadly consequences for children following new relocation orders for families in Rafah (May 6, 2024): https://www.savethechildren.net/news/save-children-warns-deadly-consequences-children-following-new-relocation-orders-families-rafah
The campus protesters for Gaza are making America great again: Readers on the demonstrations sweeping colleges and their hopes for the next generation. (May 6, 2024): https://www.washingtonpost.com/opinions/2024/05/06/campus-protests-gaza-palestine-vietnam/
United Nations International Children's Emergency Fund (UNICEF): There is ‘nowhere safe to go’ for the 600,000 children of Rafah, warns UNICEF: With hundreds of thousands of children in Rafah injured, sick, malnourished, traumatized or living with a disability, UNICEF calls for children to not be forcibly relocated, and the vital infrastructure on which children rely to be protected (May 6, 2024): https://www.unicef.org/press-releases/there-nowhere-safe-go-600000-children-rafah-warns-unicef
US campus protests of Israeli ‘genocide’ offer hope to students from Gaza (May 6, 2024): https://www.aljazeera.com/features/2024/5/6/us-student-protests-of-israeli-genocide-offer-hope-to-students-from-gaza
Brant Rosen: We Tried to Bring Food Into Gaza—but Israel Blocked and Arrested Us: As Israel continues to starve the people of Gaza, a delegation of rabbis marched toward the Erez Crossing during Passover carrying sacks of flour and demanding a cease-fire. (May 6, 2024): https://www.thenation.com/article/world/rabbis-arrested-for-bringing-food-gaza/
Catholic Workers Movement: After Arrests, Students Renew Call for Notre Dame to Follow Catholic Teaching on War, Investments (May 6, 2024): https://catholicworker.org/after-arrests-students-renew-call-for-notre-dame-to-follow-catholic-teaching-on-war-investments/
Hala Rharrit, former State Department official: Biden’s militaristic policy in Gaza is a failure — diplomacy is the solution (May 6, 2024): https://thehill.com/opinion/white-house/4646237-biden-gaza-militaristic-policy-failure/
750+ Jewish Students Affirm Support for Pro-Palestine Campus Protests [In Response to Biden’s Speech, 750+ Jewish Students on 140+ Campuses Stand Against Israel's Rafah Invasion, Urge Jewish Institutional Action to Halt Gaza Assault] (May 7, 2024): https://www.commondreams.org/news/jewish-students-support-gaza & https://mailchi.mp/israelpalestinecomms/jstudents
American Friends Service Committee: T­h­e C­o­m­p­a­n­i­e­s P­r­o­f­i­t­i­n­g f­r­o­m I­s­r­a­e­l­’­s 2­0­2­3­-­2­0­2­4 A­t­t­a­c­k­s o­n G­a­z­a (Updated on May 7, 2024): https://afsc.org/gaza-genocide-companies
‘I am leaving for the unknown.’ Palestinians fleeing Rafah describe their fear and despair (May 7, 2024): https://www.cnn.com/2024/05/06/middleeast/palestinians-flee-rafah-gaza-fear-despair-intl-hnk/index.html
Kenneth Roth: Biden Should Not Stand in the Way of the ICC (May 7, 2024): https://foreignpolicy.com/2024/05/07/biden-israel-hamas-icc-gaza-netanyahu-arrest/
Letter by Ch. Lt Col (Ret.) Stephen Tillett to the Editor: Veteran Calls for Ceasefire in Gaza (May 7, 2024): https://baltimorepostexaminer.com/letter-to-the-editor-veteran-calls-for-ceasefire-in-gaza/2024/05/07
Three Orange County medics describe wartime health care in Gaza: A once-modern string of hospitals has been reduced to desperate physicians and others relying on wits and luck. Most of their patients are children. (May 7, 2024): https://www.ocregister.com/2024/05/07/three-orange-county-medics-describe-wartime-health-care-in-gaza/
ACLU’s national director of policy and government affairs Mike Zamore and ACLU senior policy counsel Kia Hamadanchy: A disturbing national security bill could silence nonprofits and college protests (May 8, 2024): https://thehill.com/opinion/national-security/4651053-a-disturbing-national-security-bill-could-silence-nonprofits-and-college-protests/
Al Jazeera shutdown in Israel spells 'dark day for democracy,' say media groups (May 8, 2024): https://www.voanews.com/a/al-jazeera-shutdown-in-israel-spells-dark-day-for-democracy-say-media-groups/7603956.html
Blinken Says Israeli Units Accused of Serious Violations Have Done Enough to Avoid Sanctions. Experts and Insiders Disagree. (May 8, 2024): https://www.propublica.org/article/blinken-israel-military-aid-human-rights-violations-leahy-law
Jeremy Brecher: Anti-Genocide Students Are Fulfilling Their Duty to Prevent War Crimes; Will You? (May 8, 2024): https://www.commondreams.org/opinion/students-prevent-war-crimes
Senator Bernie Sanders Statement on Biden’s Hold on Bomb Delivery to Netanyahu’s Government (May 8, 2024): https://www.sanders.senate.gov/press-releases/news-sanders-statement-on-bidens-hold-on-bomb-delivery-to-netanyahus-government/
The NYPD’s New Sizzle Reels Aren’t Just Dumb. They’re Dangerous. “This is copaganda, designed primarily to provide the mayor with political cover, but then also to show off the military might and alleged professionalism of the NYPD.” (May 8, 2024): https://www.motherjones.com/politics/2024/05/nypd-sizzle-reel-student-protests/
Haim Bresheeth-Žabner deplores the rot in Israeli society: 'Israel has turned into a Nazi society': The son of Holocaust survivors, Haim Bresheeth-Žabner believes the majority of Israel has been taught to normalise the occupation of Palestine (May 9, 2024): https://www.newarab.com/features/son-shoah-survivors-israel-has-become-nazi-society
‘It’s not human’: What a French doctor saw in Gaza as Israel invaded Rafah: When asked about the conditions of the hospitals he worked in, Dr. Zouhair Lahna is pained by the memories of the sick, wounded and dying. (May 9, 2024): https://www.aljazeera.com/features/2024/5/9/its-not-human-what-a-french-doctor-saw-in-gaza-as-israel-invaded-rafah
Japanese American Citizens League Calls for Ceasefire in Gaza (May 9, 2024): https://jacl.org/statements/jacl-calls-for-ceasefire-in-gaza
Republicans Funded by Arms Industry Fume Over Biden Threat to Withhold Bombs From Israel (May 9, 2024): https://www.commondreams.org/news/republicans-israel-weapons
Senator Bernie Sanders Statement on Israel’s Threat to Attack Rafah (May 9, 2024): https://www.sanders.senate.gov/press-releases/news-sanders-statement-on-israels-threat-to-attack-rafah/
Trapped in Rafah, I'm watching genocide unfold before my eyes: Gazan journalist Amjad Yaghi's eye-witness account in Rafah describes the horrors of Israel's ground invasion as Gazans desperately try to flee to safety. (May 9, 2024): https://www.newarab.com/opinion/trapped-rafah-im-witnessing-genocide-my-own-eyes
76 Universities in Spain Suspend Ties With Complicit Israeli Universities (May 10, 2024): https://bdsmovement.net/news/76-universities-spain-suspend-ties-with-complicit-israeli-universities
Armed Conflict Location and Event Data Project: US Student Pro-Palestine Demonstrations Remain Overwhelmingly Peaceful (May 10, 2024): https://acleddata.com/2024/05/10/us-student-pro-palestine-demonstrations-remain-overwhelmingly-peaceful-acled-brief/
Biden’s arms threat to Israel ‘better than nothing’ but too late, say U.S. officials who resigned over Gaza policy (May 10, 2024): https://www.nbcnews.com/news/world/bidens-arms-threat-israel-better-nothing-late-say-us-officials-resigne-rcna151454
Israel’s genocidal war in Gaza must end’ – Sinn Féin Chairperson Declan Kearney tells Global Anti-Apartheid Conference on Palestine (May 10, 2024): https://vote.sinnfein.ie/israels-genocidal-war-in-gaza-must-end-kearney-tells-global-anti-apartheid-conference-on-palestine/
Rick Salutin: I protested at Columbia in 1968 and today’s campus protests give me hope (May 10, 2024): https://www.thestar.com/opinion/contributors/i-protested-at-columbia-in-1968-and-todays-campus-protests-give-me-hope/article_a505c180-0e32-11ef-9615-e3f88eb6e034.html
Senator Bernie Sanders Statement on Rafah (May 10, 2024): https://www.sanders.senate.gov/press-releases/news-sanders-statement-on-rafah/
Strapped down, blindfolded, held in diapers: Israeli whistleblowers detail abuse of Palestinians in shadowy detention center (May 10, 2024): https://www.cnn.com/2024/05/10/middleeast/israel-sde-teiman-detention-whistleblowers-intl-cmd/index.html
U.S. medical volunteers in Rafah hospital say they've never seen a worse health crisis (May 10, 2024): https://www.npr.org/sections/goatsandsoda/2024/05/10/1250490688/rafa-hospital-gaza-israel-war-middle-east
Pro-Israel website ramps up attacks on pro-Palestinian student protesters (May 11, 2024): https://www.reuters.com/world/name-shame-pro-israel-website-ramps-up-attacks-pro-palestinian-student-2024-05-11/
Sen. Lindsey Graham says Israel should do 'whatever' it has to while comparing the war in Gaza to Hiroshima and Nagasaki: The GOP senator compared Israel’s military operations to the U.S. dropping atomic bombs on Japan in World War II, saying, “Israel, do whatever you have to do.” (May 12, 2024): https://www.nbcnews.com/politics/politics-news/sen-lindsey-graham-says-israel-whatever-comparing-war-gaza-hiroshima-n-rcna151828
‘Total outrage’: White House condemns Israeli settlers’ attack on Gaza aid trucks: Protesters block convoy, throw food into road and set fire to vehicles at Tarqumiya checkpoint near Hebron (May 13, 2024): https://www.theguardian.com/world/article/2024/may/13/total-outrage-white-house-condemns-israeli-settlers-attack-on-gaza-aid-convoy

I had intended to post this on Friday, but then Joostgate happened, so I decided to wait until all the emotions had died down a bit. For those who missed it (and/or who don't know about the rest of my Journey), here is my post on the first semi. Also, I have restarted my whole Eurovision journey for the second time and am posting the results on my personal blog. If anyone is interested please DM me. I'm not going to post a link here, because I have no desire to openly doxx myself.
Malta I’m sorry to say it, but there were too many girl-bops with overly intricate choreography this year. I don’t dislike this one at all, but qualifying after coming first in a strong semi-final with this was always going to be a tricky thing to pull off.
Albania as ballads go this one has some things making it a little more interesting for me, like that beat dropping after the first verse, but overall it’s still a ballad, so it’s on my middling list at best.
Greece I’ve watched this several times now, and I still haven’t figured out whether I like it or not. She had the worst outfit of the night for me, and I’m too old and out of the social media loop to appreciate that start. That said, I like that Greece has gone for something a little more ethno-boppy this year, and much admiration to Marina for performing like she did while ill.
Switzerland Wow, this is something else. I thought Switzerland had sent their best with Gjon’s Tears a few years back, but here’s Nemo with vocal talent that’s at least as good. In addition to that they manage to do all that while moving around on that tilted platform, making it even more impressive. Lastly, the song is actually pretty damn catchy, so overall I think they absolutely deserved their win, even if I personally favoured Croatia.
Czechia This sounds very much like a nineties indie song, which is not at all a bad thing. Had this been in the first semi it might have qualified, but I think, like Malta, it suffered from being fairly early on in a strong semi.
France Slimane can sing, but this isn’t really my cup of tea. What I do like is that he's kept things simple, because I’m really not a fan of all the flashy staging and over-choreographed dance routines. This is definitely the kind of song where you should just let his voice do the work. I’m glad it ended high, because it’s a good song, even if it’s not for me.
Austria Look, I have absolutely no experience with raves, but this would definitely get me dancing. I don’t know why we now have the second silver bathing suit (does everyone get the same costume designer every year? There always seems to be a theme), but I like the song, even if she’s not the best singer of the night.
Denmark I’m not sure how to describe this? A club anthem-ballad? It’s not bad, but there’s nothing about this that wows me.
Armenia This, this is what wows me. I have a major soft spot for upbeat ethnic music anyway, but Jaklin’s stage presence is through the roof. Couple that with a kick-ass voice and the sheer enthusiastic exuberance she brings, and this might actually be my second favourite song this year. I ended up dividing my votes between this and Croatia.
Latvia With apologies to all you ballad lovers, this makes me fall asleep. Plus I don’t get the blue plastic breastplate either. This was my most shock qualifier of the night, because I find it dull as fuck.
Spain This looks and sounds like a bunch of people trying to relive their 80s youth, and I mean that in the nicest way possible. It’s not amazing, but I do enjoy listening to it.
San Marino My first thought on seeing and hearing this was ‘this is what Ireland might have been if Bambie had held back’. It makes it more listenable to me, but I still can’t really say that I like it. I’m also not a fan of the aggressively pink and black goth look, but I’m the first to admit that I have an unreasonable hatred of the colour pink. Not my thing, sorry.
Georgia Yet another country breaking their NQ streak, woo! Aside from that I’m afraid that this goes onto my ‘okay but no wow’ pile.
Belgium This is terribly underwhelming… Fifty microphones and I still can barely hear him. Plus, power ballad, so not for me.
Estonia For some reason the fact that half of this sounds terribly off-key adds to the charm (and I’ll admit that they sounded much better in the final). I like their silly little dance, and overall I was amused. Definitely not the best song of the night, but it stood out from the rest for all the right reasons.
Italy If I had to describe this in three words, I’d say ‘SloMo in Italian’. This is a good thing, I should say, because I really liked SloMo. Definitely like this one. Also, kudos for having dancers of different body-sizes.
Israel I’m not going to touch on the politics here, but to me this is nothing more than another dull ballad.
Norway I’m as baffled as many others here as to why this ended last in the final, other than that this is Eurovision, and weird things happen. I’m generally not much of a rock fan, but I think this one could grow on me. Don’t be discouraged, Norway, there are plenty of people who loved this!
Netherlands Words cannot express how fucking proud I am of my country for sending this to Eurovision. I have not loved a Dutch entry this much since 2014, and I’m absolutely heartbroken that it got disqualified. This is simply the most Eurovision song you could possibly imagine, and I hope that we get proper (dis)closure soon on what actually happened. I’m personally inclined to believe the statement from Avrotros, because as many others have pointed out, it’s their reputation on the line as well if they back their artist, and in that case a DQ was absolutely disproportionate. This is without a doubt my favourite song of 2024, and as a Dutchie living in the UK I’d have voted the fuck out of it.
That's it for this year, back to (mostly) lurking for me...

Introduction

ASIAN KUNG-FU GENERATION, Zepp Tokyo for \"Quarter-Century Tour\"

^(\This article is an updated version of my "Sound Like" article from 2021. I have reposted this article due to difficulties editing the original version*, and have included additional information and recommendations based on the increased popularity of amp simulator pedals*)*

Hello fellow musicians and Ajikan fans!
I have been a fan of ASIAN KUNG-FU GENERATION for roughly 16 years and as a guitarist was greatly inspired by the band's alt rock sound.
After a few years of research I have written a series of "sound like" articles for ASIAN KUNG-FU GENERATION. The purpose of these articles is to provide context on how the band create their signature sound, and to support beginning musicians or tribute acts who may wish to replicate it.
At the end of each article I have drafted a Budget Rig, which you could use for both at home and in a live environment. I have also provided some general amp settings to tweak and try, which are based on the band's live sound and be can used to help replicate their tones.
This is a 3-part series and if you enjoy this article I would recommend checking out the other articles:
ASIAN KUNG-FU GENERATION Sound Like Part 2: Kita : AsianKungFuGeneration (reddit.com)
ASIAN KUNG-FU GENERATION Sound Like Part 3: Yamada : AsianKungFuGeneration (reddit.com)

^{Please note that the article focuses on the band's live sound, which will be different to the albums and can vary depending on the venue. Also (and is a cliché} every musician and instrument will vary slightly due to small differences in play style and build, so also be mindful of that.)

To help you recognise the individual guitar tones, Gotch's guitar parts are normally panned to the left earphone and Kita's are panned to the right earphone on the band's albums. (On 2016's Sol-Fa, Hometown and some of the Planet Folks singles the panning was swapped, with Gotch instead in the right ear and Kita on the left)

Masafumi Gotoh

Gotch live at the 02 Islington, London, 2013
Let's start off with lead singer and rhythm guitarist Masafumi Gotoh, or "Gotch" for short. Gotch's was massively influenced by the 90's alternative rock, Power Pop and the Britpop scene, and has previously highlighted Oasis, Weezer and Number Girl as key inspirations.
As Ajikan's main songwriter, Gotch follows the principle of "less is more" - keeping the arrangements simple for listeners, but combining pop hooks & traditional Asian melodies with the band's punk rock and indie influences.
Gotch's playing style follows this principle, as he primarily uses chord shapes, bar chords or repeated phrases to anchor the band. (The simple approach also makes it easier for Gotch to sing while performing)
Occasionally, Gotch will use "octave chords" (more on octave chords below) or play riffs with open strings notes, to add further depth. A good example of this is the opening riffs to Easter, where he plays an open D string while also playing the 3rd and 5th fret of the A string.

^{Octave Chords: Octave chords is famously used in punk rock and alt rock riffs, and is when you play the same note in two different octaves. Try play a bar chord on the 4th fret of the A string, and lifting your ring finger off the D string. You should get a "C# octave chord" and will recognise it from the intro of Haruka Kanata. Octave chords are used in many Ajikan songs and by many bands, so they are good to practice!}

In more recent albums, Gotch has also experimented with moving chord shapes across the fretboard. For good examples, check out the opening of Caterpillar or the bridge section of Kouya Wo Aruke.
Gotch's guitar tends to be lower in the overall mix, with Kita acting as the band's lead guitarist and Gotch as the anchor for each song. However, Gotch tends to improvise with ambient sounds during live performances and occasionally will take on the lead role in songs like Hold Me Tight.

GUITARS:

When it comes to guitars Gotch almost exclusively plays Gibson Les Paul Jr's with P-90 pickups, and has been his preferred guitar since 2004. The P-90 pickups have a bright midrange sound in comparison to the muddier humbucker sound, which makes them better suited for Gotch's focus on chords.
Gotch main guitar is the 1959 Gibson Les Paul Special
The Les Paul Jr is also lighter and have less sustain and power compared to a normal Les Paul, which leaves space for the other instruments to stand out in the mix.
Gotch's main guitar is a 1959 Gibson Les Paul Special, which he plays in E Standard tuning and uses for both recording and live performances. Gotch also uses a 1961 Gibson Les Paul Jr (with the pickguard missing) or a 2000 Gibson Les Paul DC (with a gloss yellow finish) for songs in Eb/D# tuning, such as After Dark or Soredewa, Mata Ashita.
Gotch's is also famous for using a 1975 Gibson Marauder during the band's early years. Gotch has mostly retired the guitar (due to the "lack of volume" for larger venues), but it regularly appears in MV's, band merchandise and occasionally during special events, such as the 10th anniversary shows in Yokohama.
Gotch's Gibson Marauder
Gotch occasionally uses a few rarer guitars live, such as the Gibson Custom Les Paul Junior John Lennon model (Gotch has number 54 of 300 such guitars made), and is normally played with a capo for songs such as Maigo Inu To Ame No Beat.
Gotch has also used a Gibson Hummingbird for acoustic numbers, and can be seen used in Eizo Sakushin Shu Vol.6 for the band's performance of Kaigan Doori. Gotch likes to use Tortex Flex .88mm & Tortex Flex Triangle .88mm guitar picks, which he swaps between depending on the song.
If you are looking to sound like Gotch, the best place to start would be a Les Paul Jr guitar with P-90 pickups.

AMPLIFIERS:

After originally touring with a Roland JC-22, Gotch has almost exclusively played Fender amplifiers since 2004. Gotch uses two amps when playing live, one for his "clean" sound and the other for his "heavy" sound.
The band's often implement a "quiet/loud" dynamic into their song writing, so Gotch will often switch between his amps during live performances, using a custom made footswitch on his pedalboard. (A good example of this is Mustang or Solanin)
For his clean tone, Gotch uses a Fender 65' Twin Custom Twin 15. It can be heard on Korogaru Iwa, Kimi ni Asa Ga Furu, Solanin and Wonder Future. Occasionally, Gotch will combine the Twin Reverb with a boost pedal or overdrive pedal for more clarity, with Wonder Future a good examples of this.
(1) Fender '65 Twin Custom 15 (clean tone), (2) Fender Vibro-King Custom, (3) Fender Super-Sonic 60 Head (which uses the Vibro-King as a speaker), (4) Fender '63 Spring Reverb (which runs in between the pedal board and the Super-Sonic 60, and is toggled on or off by a switch)
For his heavier tone, Gotch primarily uses a Fender Vibro-King Custom for recording and appears in most of the band's MV's. The Vibro-King/Twin Reverb was Gotch's main setup during the 2000's and can be seen together on Eizo Sakushin Shu Vol. 6.
In 2009 Gotch started to use a Fender Super-Sonic 60 Amp Head and still uses it now. Until 2022, Gotch would use Vibro-King as a "cabinet", acting as the speaker unit for the Super-Sonic. Gotch now uses a Shinos & L Rocket Head for live shows, but has kept the Vibro-king for recording sessions and MVs.
Since 2022 Gotch has used Shinos & L Rocket amp & cabinet instead of the Fender Vibro-King
Gotch "heavy" amps for songs such as Re:Re:, Haruka Kanata and Rewrite. It is important to note that Gotch prefers to use his amps to create his distorted tone, but will occasionally add an overdrive pedal for heavier tracks such as Blood Circulator & Easter.
Alongside the Twin Reverb and Super-Sonic, Gotch is known to use a Fender 63' Spring Reverb Unit. This unit only runs into the Super-Sonic and is used for additional reverb to "thicken the sound". Gotch can control the 63' Reverb with a on/off switch on his pedal board.
Other notable amps that Gotch has used are the Matchless C30 & Bad Cat 30R Head. Both have been used exclusively for recording, most notably on Wonder Future. Gotch is also known to use VOX AC15 amps for recording.
Gotch's '63 Spring Reverb Unit, along with a selection of Vortex Flex .88m picks

In terms of mics, Gotch seems to use a Shure SM57 for his Fender Twin Reverb and a Shure SM58 on his Vibro-King or Shinos Rocket. When you are trying to emulate his sound with modelling or profiling amps, it is worth experimenting with mic positioning and different mics.

If you want to replicate Gotch's amp sound then you should look to replicate his Fender amps. However the Vibro-King is a key component and are unfortunately rare, notoriously loud and expensive. For that reason, I have put together some alternatives that should get you close.

PEDALS & EFFECTS:

During Ajikan's early years, Gotch combined a Roland JC-22 with a ProCo RAT to create the "quiet/loud" dynamic of the band's early records. After buying the Fender Vibro-King in 2004, Gotch no longer required the RAT, but kept a simplified pedalboard to achieve certain tones for live performances.
Gotch's 2004 pedalboard, which includes the ProCo RAT and Ibanez TS9 Tube Screamer
We will cover two different pedalboards that Gotch has used during the band's career. Regardless of which pedal board you look at, Gotch's has always included an overdrive or boost pedal, a phase pedal and a delay pedal.
The boost/overdrive is used to "lift" his clean sound during ballads (Solanin, Wonder Future) or to thicken his sound for heavier tracks. (Senseless, Dororo) Gotch will normally set the drive or gain low and the volume high.
The phaser is a more sparingly used pedal to add texture and colour, but can be heard on Shinkokyū, Blue Train and Rewrite. I will include more detail on Gotch's use of delay in the sections below.
Gotch's "Classic" Pedalboard
Gotch \"classic\" pedalboard, used between 2006-2013, with Gotch's custom made footswitch on the bottom left to control the amps
Gotch started to use this "classic" board during the Fanclub tour and continued to do so until the 10th Anniversary shows in 2013. This would be the easier and more affordable board to replicate for newcomers.
Gotch's setup started with a BOSS TU-3 tuner, which he also used as a "mute" pedal in between songs. From there, his chain would run into the Ibanez TS808 Tube Screamer, the BOSS PH-2 Super Phaser and the BOSS DD-20 Giga Delay. During the Magic Disk tour, Gotch also added a Custom Audio Tremolo.

^{The BOSS DD-20 has been Gotch's main delay pedal for twenty years and is set to "warp". On the warp setting, Gotch can keep his foot on the pedal to create swells of delays. Gotch's standard setting is 173-179bpm (beats per minute} on 1/4 (quarter) notes and then he has four presets. These are 137bpm on 1/4 (for the intro of Blackout), 154bpm on 1/4 (for Kakato de Ai o Uchinarase), 177bpm on 1/2 (for Solanin and the intro of Siren) and finally 177 on 1/4. (For the second half of Siren))

Gotch also included two footswitches for his board; The first one was a handmade footswitch, which he used to swap between the Twin Reverb and the Vibro-King/Super-Sonic. The other footswitch was a BOSS FS-5L, which he used to control the '63 Spring Reverb Unit.
Gotch's "Modern" Pedalboard
Gotch's \"modern\" pedal board.【Pedal List】(1) api/TranZformer GT (compressoequalizer) (2) BOSS/TU-3 (tuner) (3) Spaceman Effects/Atlas III (preamp) (4) BOSS/DD-6 (delay) (5) Spaceman Effects/Voyager I (tremolo) (6) EarthQuaker Devices/Avalanche Run (delay/reverb) (7) Mu-Tron/Mu-FX Phasor 2X (phaser) (8) Caroline Guitar Company/KILOBYTE (9) BOSS/DD-20 (delay) (10) Handmade/Line Selector (11) FAT/514.D (booster)(12) strymon/Zuma R300 (power supply) (13)BOSS/EV-30 (Expression Pedal) (14) BOSS/FS-5L (foot switch)
During the recording of Wonder Future and his first solo album (Can't Be Forever Young), Gotch began to experiment more with boutique pedals, and has resulted in a more complex board since 2014, allowing more ambient experiments on the band's records and during live performances.
Gotch has added a API Tranzformer GT to the start of his chain, only using the E.Q. section and tweaking the settings for each venue.
Gotch's "Modern" board now includes a variety of delay and reverb pedals, such as the Earthquaker Device Avalanche Run and the Caroline Kilobyte Lo-Fi Delay. These are combined with his DD-20 to create the ambient sounds heard on Empathy & the outro of Demachiyanagi Parallel Universe.
The BOSS DD-6 Digital Delay is set to the "reverse" mode and is used during the intro of Re:Re: and the bridge of Rewrite. Gotch has removed the Tube-Screamer from his board and has experimented with multiple alternative pedals, which includes the Xotic Effects AC Plus and JHS Superbolt.
He currently uses the Atlas III Preamp Booster and the FAT 514.D for his overdrive sounds. The 514.D only runs to the Super-Sonic to help "thicken" the distorted tone of the Super-Sonic.
Gotch has also replaced the Super Phaser with the MU-FX Phasor 2x and is using a Voyager I Spaceman for his tremolo. (UCLA & No Name are good references for the tremolo) Finally, Gotch has added an BOSS EV-30 expression pedal, which he uses to control the delay of the Avalanche Run.
If you are looking to replicate Gotch's pedalboard, the best place to start would be a phaser, delay and a boost/overdrive pedal, which would cover most of Ajikan's Discography.

Sound Like Gotch...On a Budget

Now that you are up to speed on what Gotch uses for his guitar rig, we can start to look at replicating his sound. The idea of this section is to offer affordable suggestions to replicate Gotch's tone that can be used for home use and for small live venues.
I would like to highlight that I am just writing as a fan and the equipment I recommend are purely my own recommendations. I do not have any sponsors (I wish I did sometimes) and if you find alternatives that work for you, go for it!
Gotch performing in 2022, during the Quarter Century shows in Yokohama
To buy Gotch's current pedal board alone would cost roughly £2,500 and would be unrealistic for most readers to purchase, however there are options that can get us close to Gotch's tone without breaking the bank.
The key elements to this rig are:

• A Gibson style guitar with P-90 pickups
• A Fender amp with decent distortion
• A Tube-Screamer style overdrive
• A flexible Delay pedal

Let's start with the guitar, which is both important for the P-90 tone. You should always feel comfortable when playing the guitar you pick, so I recommend trying out the guitar when possible before buying.
GUITARS
As an affordable guitar, I would suggest looking at the Epiphone Les Paul Jr. It is the entry level price for Gibson guitars (Epiphone would be the equivalent to "Squier" for Fender) and includes P-90 pickups as the standard setup. You can buy one for around £380 and should also be fairly easy to modify & similar to Gotch's sound.
Epiphone Les Paul Junior
If you do have a higher budget to work with, I would recommend the Gibson Les Paul Special Tribute DC. These were released in 2019 and you can normally find a 2nd hand version for roughly £650 - £800. (It is also the guitar I currently use!) Failing that, you can also look at the Gibson Les Paul Special for around £800.
Gibson Les Paul Special Tribute DC
AMPLIFIERS
We are looking to replicate Gotch's Fender amps, so the affordable option to start with would be the Fender Mustang GTX. The newer Mustang amps are an improvement on the original and have simulations of the Twin Reverb, the Vibro-King and the Super-Sonic.
The GTX 50 (which has a smaller speaker) is roughly £390 and the GTX 100 (which includes a footswitch) is about £510, but you should be able to find both versions for a reduced cost second hand.
Fender Mustang GTX 100
If you do have a higher budget or prefer to use a tube amp, I would recommend going for the Fender Super-Sonic Combo or the Fender Hot Rod Deluxe for a solid distorted Fender tone.
Alternatively, you could consider the Fender Blues Junior, Fender Tone Master Twin-Reverb or Roland JC, and combine them with a ProCo RAT to replicate the tones from Houkai Amplifier and Kimi Tsunagi Five M.
PEDALS
To keep the list of suggestions short and simple, we will use Gotch's "classic" board as a reference and will cover most of the band's discography.
For a budget rig, I would recommend the Ibanez Tube-Screamer Mini, which is a miniature version of the standard Ibanez Tube-Screamer and sound great for the price. You could pair this up with a Boss Phase Shifter and a BOSS DD-6 Delay for around £309 brand new to get a very similar Gotch board. (You could buy them for as low as £110 combined on the 2nd hand market)
The Tube Screamer Mini is a cheap, effective overdrive pedal based on the classic TS808
For a more expensive pedalboard, the JHS Superbolt V2 was used by Gotch extensively between 2015-2019 and was once described by Gotch as "the Ajikan sound" on his blog. You could also buy the TS808 Tube Screamer that Gotch actually used for many years or the JHS Bonsai 9 which emulates multiple tube screamers.
For modulation sounds (phase, tremolo) the AmpliTube X-Vibe is one of many great multi-effect pedal on the market. If you have the money for it, you could buy a BOSS DD-20 second hand or the BOSS DD-200 to emulate Gotch's delay sound.
If you decided to go with the Mustang GTX, you would also have a selection of effects built into the amp.
THE TONE MASTER PRO? (and amp simulators)
As a final recommendation, Fender have recently released the Tone Master Pro (TMP), which is a multi effects and amp simulator.
It can be used as a device for home recording, but also as multi effects pedal in front of a standard amp or as your main amplifier when played through a IR cabinet. (I'll go into more detail in a bit!) The TMP are not cheap at £1400, so I would only advise buying one if you plan to use it as your main amp and effects board.
If you have the budget and was starting your rig from scratch I would consider checking it out, as it includes great simulations of the Twin Reverb and Vibro-King. They are also easy to transport & the Fender IR cabinets only weigh 12.5kg. (For comparison, my VOX AC15 weighs 30kg and is a nightmare to transport for shows)
The TMP is Fender's first amp simulator pedal and from what I understand the Quad Cortex DSP, the Line 6 Helix series and the Headrush Pedalboard are more popular choices. However, for the purpose of "sounding like Gotch", I would start with the TMP for its Fender selection and simplicity
The Fender Tone Master Pro can be used to simulate multiple amps & as a pedalboard for live performances

^{If you decide to buy a Amp Simulator Pedal, there are 3 common ways to use it for band practices & live settings. (Outside of just using headphones or running straight to front of house at a venue})
^{Option 1: Only use the effects on the Amp Simulator and run it into a standard amp. (Make sure to not use the cabinets settings within the pedal when doing this} You could still use the amps, however it will not always sound great with a normal amp)
^{Option 2: Use the Amp Simulator as your main amp and combining with a standard guitar cabinet. In order to do this, you will need to buy a separate power amp pedal to run in between the amp simulator and the guitar cabinet. (Otherwise you will not have any volume or oomph when you play through the cabinet})
^{Option 3: Buy a IR Cabinet. The difference between this and Option 2 is that you would not need to buy a separate power amp pedal to run into the speaker. The Fender FR-10/12 & Line 6 Powercab are good examples.}

Recommended Amp Settings

The following amp settings are based on photos gathered from live performances or from photos of Gotch's social media. Every amp will slightly differ based on your guitar or playing style, so you may need to tweak with your settings to find the right blend.
My personal advice is to not put the gain too high and to start with getting the treble and bass settings where you feel comfortable, before tweaking the mids. The P-90s have a strong midrange attack, so bear that in mind as well.
Gotch's Vibro-King and Super-Sonic
Fender '65 Twin Custom 15:
(Plugged into Vibrato 1) Vol: 3, Treble: 3.5-4, Mid: 6.5, Bass: 3.5
Fender Super-Sonic 60 Head:
Channel 1: Vol: 3.5, Treble: 4-4.5, Bass: 5
Channel 2: Vintage setting ON, Gain 1: 4, Gain 2: 0, Treble: 5-5.5, Bass: 4.5-5, Mid: 5.5, Vol: 5.5-6
Fender Vibro-King Custom (as cabinet):
Plug into the speaker input at the back of the amp, with FAT switch on.
Fender Vibro-King Custom (as amplifier):
(FAT ON) Vol: 3, Treble: 4.5, Bass: 4, Mid: 5.5 (Based on Eizo Sakushin Shu Vol.6 settings)
OR
(FAT ON) Vol: 4.5 Treble: 4 Bass: 5 Mid: 4.5
Shinos & L Rocket Head:
Gain: 7, Treble: 8, Bass: 3, Reverb: 0, Master: 7

Conclusion

I hope this has been helpful for you guys, as it has been on my bucket list for some time! Please provide some feedback as it is always appreciated and if you would like more details about the effect settings let me know.
[Update] I have now written a post on Kita's rig and Yamada's rig, which you can read below:
ASIAN KUNG-FU GENERATION Sound Like Part 2: Kita : AsianKungFuGeneration (reddit.com)
ASIAN KUNG-FU GENERATION Sound Like Part 3: Yamada : AsianKungFuGeneration (reddit.com)

Source: 🔗 Chat with Lifelike Virtual Personalities — talkiemate.com
Ever wondered how writers, game developers, and storytellers craft such compelling characters with ease? Character AI holds the key. These cutting-edge tools utilize artificial intelligence to breathe life into characters, making them more relatable and engaging. With the rising demand for intuitive AI tools in creative industries, many are on the lookout for free alternatives that offer robust features without breaking the bank.
In this post, we’ll explore the top 10 free Character AI alternatives that stand out in the ever-evolving landscape of AI-assisted character creation. Whether you’re a budding novelist, an ambitious game designer, or just someone with a passion for storytelling, these alternatives provide powerful solutions. Embrace the future of character development without the hefty price tag and elevate your creative projects to new heights.
Talkiemate.com
Talkiemate AI is a powerful tool that excels in character AI creation, making it a top choice for many users. Let’s explore its key features and how it stacks up against paid alternatives.
Features
Talkiemate AI offers a wide range of features that set it apart in the world of character AI creation. Its user-friendly interface allows creators to easily design and customize characters to suit their unique needs. With a vast library of voices and accents, Talkiemate AI enables users to bring their characters to life with realistic and engaging dialogue.
Additionally, Talkiemate AI provides advanced customization options for facial expressions, gestures, and emotions, giving creators full control over the personalities of their characters. The tool’s integration with text-to-speech technology ensures clear and natural-sounding speech output, enhancing the overall quality of character interactions.
Comparison with Paid Alternatives
When comparing Talkiemate AI with paid alternatives, it stands out for its robust functionality and impressive quality. Despite being a free tool, Talkiemate AI rivals many paid options in terms of performance and features. The tool’s intuitive design and ease of use make it a preferred choice for creators looking to experiment with character AI without financial constraints.
In contrast to some paid tools that offer similar features, Talkiemate AI delivers excellent results without compromising on quality. Users can create dynamic and lifelike characters using Talkiemate AI, making it a cost-effective solution for character AI creation.
Photo by Tara Winstead
Candy.ai
Candy.ai is a delightful platform designed to assist in character generation with ease and efficiency. Let’s delve into the features and user experience of this innovative tool.
Overview
Candy.ai offers a myriad of features that streamline the character creation process. From diverse customization options to a user-friendly interface, Candy.ai simplifies the task of bringing characters to life. With its intuitive design, users can quickly navigate through the platform to craft unique and compelling characters for various projects.
Photo by Somben Chea
User Experience
The user experience with Candy.ai is nothing short of exceptional. Novice users and experienced creators alike appreciate the intuitive nature of the platform. The straightforward layout and easy-to-use tools make character generation a seamless and enjoyable process. Moreover, the high level of customization options allows users to fine-tune every aspect of their characters, ensuring they meet specific project requirements effortlessly. Candy.ai truly empowers users to unleash their creativity without any technical hurdles.
Replika
Replika, an innovative character AI platform, offers a range of unique features that set it apart in the realm of AI-generated characters.
Unique Selling Points
Replika stands out for its ability to create deeply personalized interactions with users. It leverages machine learning to adapt to individual personalities, creating a unique conversational experience. Additionally, Replika provides a safe space for users to express themselves without judgment, fostering a sense of empathy and understanding between the user and the AI character.
Community Feedback
User feedback on Replika has been overwhelmingly positive. Many users praise the platform for its empathetic responses and engaging conversations. Some have likened interacting with Replika to talking to a close friend, highlighting the platform’s ability to provide companionship and emotional support. Overall, Replika’s community feedback underscores its effectiveness in creating meaningful connections with users.
Photo by ThisIsEngineering
Anima AI
In the realm of character creation, Anima AI stands out as a powerful tool that brings characters to life with ease.
Functionality
Anima AI offers a diverse range of functionalities that elevate character creation to new heights. From generating unique personalities to crafting intricate backstories, Anima AI provides creators with the ability to breathe life into their characters effortlessly. Its advanced algorithms analyze various traits and attributes to create well-rounded characters that resonate with audiences. Whether you need a hero with a tragic past or a quirky sidekick, Anima AI can tailor characters to suit your narrative needs with precision and flair.
Integration Options
Anima AI seamlessly integrates into a variety of platforms, making it a versatile choice for character AI utilization. Whether you’re designing a video game, animated film, or virtual reality experience, Anima AI can be easily incorporated to enhance the storytelling experience. Its compatibility with popular software and engines streamlines the integration process, allowing creators to focus on unleashing their imagination without technical barriers. With Anima AI, the possibilities for character creation are boundless, offering a seamless workflow for bringing characters to life in diverse mediums.
Photo by Google DeepMind
DeepFiction
DeepFiction is an intriguing free character AI tool that offers a range of innovative features to enhance character creation for various storytelling purposes.
Innovative Features:
DeepFiction stands out from other character AI tools due to its cutting-edge capabilities. One of the standout features is its ability to automate book printing, providing users with a seamless way to bring their characters to life in physical form. Additionally, DeepFiction offers VR story experiences, allowing creators to immerse themselves in their characters’ worlds and explore narratives in a whole new dimension. Another innovative feature is the conversational character bots, enabling interactions with characters in a dynamic and engaging manner. These features combine to elevate the character creation process and empower users to craft compelling and immersive stories effortlessly.
For more information about the innovative features of DeepFiction, visit their official website.
Limitations:
While DeepFiction excels in providing advanced features for character AI creation, users may encounter certain limitations or challenges when utilizing the tool. One potential limitation is the learning curve associated with leveraging the full range of features effectively. Users may need time to familiarize themselves with all the functionalities DeepFiction offers, which could require additional time investment upfront. Additionally, as with any AI tool, there may be occasional technical glitches or inconsistencies that users may experience, affecting the overall user experience. Despite these limitations, DeepFiction remains a powerful platform for character AI creation, offering unique and valuable tools for storytellers and content creators.
To explore pricing and more details about DeepFiction AI, check out their profile on Capterra.
DeepFiction’s commitment to innovation and creativity makes it a compelling choice for those seeking to enhance their storytelling capabilities through AI-driven character creation tools.
StoryMate
StoryMate offers excellent features that cater to seamless collaboration among creators, streamlining character development projects.
Ease of Collaboration
StoryMate simplifies the collaborative process by providing tools that allow creators to work together efficiently. With StoryMate, creators can easily share ideas, exchange feedback, and collectively work on character development, enhancing the overall project coherence. The platform’s user-friendly interface fosters a cohesive environment where creators can brainstorm, plan, and execute ideas collaboratively, ensuring a holistic approach to character AI creation.
Photo by Dio Hasbi Saniskoro
Customization Capabilities
StoryMate empowers users with a wide range of customization options to tailor character AI outputs according to specific project requirements. Creators can adjust various parameters such as tone, personality traits, and speech patterns to create unique and engaging characters. The platform’s intuitive customization tools enable creators to fine-tune every aspect of their characters, ensuring a personalized touch in the AI-generated content. By offering extensive customization capabilities, StoryMate allows creators to unleash their creativity and bring their envisioned characters to life with precision.
Conclusion
Exploring the top free Character AI alternatives opens a world of possibilities for enhancing your character creation process without any financial burden. Each alternative offers unique features, from conversational depth to sophisticated personality crafting. Leveraging these tools can significantly enhance your creative projects, whether you’re a writer, game developer, or a hobbyist.
Experimenting with different options can help you discover which tool aligns best with your specific needs, ultimately enriching your storytelling and project development. Dive in, explore these resources, and enhance your characters like never before.

I’ll preface this post by saying I’ve recently started watching the Shawn Ryan Show. I don’t agree with a lot of the stuff said or discussed, but rarely if ever do I have a visceral reaction, one way or the other, to anything said no matter how absurd.
The Eddie Penney interview changed that. This guy is completely sick, lusting after his first kill, and then gushing about how he couldn’t wait to kill more. This guy is nothing more than a serial killer, bragging about each kill with a gleam in his eye. Even if I were to believe his rhetoric of how these are “evil” people, taking any life should come with heavy consequences and not be fodder for laughs at parties or likes on social media. I think that burden would weigh heavy enough that it would rarely be spoken about, even in the company of others who have had to do the same acts.
His unhinged comments about his euphoric feeling on killing is made worse by taking a look at his website, where he is capitalizing on being a serial killer by selling fucking merch? The guy is fucked up bad. Fucked up on another level even from his fucked up “brothers” that have come on the show

[Prev]
Dialog Key:
[Translated]: Dates, Units of Measurement, or other Grammatical terms will be retrofitted to be legible for readers while still staying true to their definition
{Exposition}: Immediate context regarding events, People, Entities, or other key points that allow for understanding amongst different cultures.
Interactions after the drone incident made things all the more complicated. Humanity had revealed that they had known about us for quite a while now, roughly since the Remnant Upsurgence roughly [1,400 ESY] ago when they picked up our cataclysmic energy output during the war. Afterward, they were to study us from afar, not the other way around.
They knew about the Galactic Council, they had 32 of our languages on record, proper grammar included. They knew about our FTL tech, they had a good idea bout our politics, and our technological limits, and yet… they didn’t seem to care.
When we reached out to them, they seemed apathetic, as though they had gone through first contact dozens, hundreds of times by now, even though our studies had indicated they were not in contact with any members inside the Galactic Community nor outside of it… Nor any other Uncontacted civilization. They didn’t react when we displayed our FTL tech, they didn’t seem fazed by the sheer size of the Galactic Community and its denizens, they didn’t care when we brought our warships into their home system alongside our delegation as a show of strength.
The Humans simply took our greeting, some FTL communications tech, and in exchange, offered our leave. Now, this was most unusual of uplifting. True, the Humans were the most advanced of any pre-FTL civilization we’ve encountered so far, but even our technology would be enough to get them to come groveling for our resources. Or so we thought...
From what we gathered, the General populous of the Sol System also seemed quite unfazed, our first contact only creating small blurbs in the media before immediately focusing back on the carnage of the so-called “Second Neptune Succession” armed conflict, which seemed to be of much greater importance to the Humans than the establishment of communications with 340 potential allies, trading partners, or targets of conquest, all of which held the keys to expanding beyond their home star.
In several of our messages, we mentioned applications to join the wider galactic community, where laws could be voted on, regulations passed, and trade deals ratified. Surprisingly, the Humans accepted, but we probably shouldn’t have pushed our luck.
Normally we try to play psychological games with our upstarts and new applicants, we give them a list of things that are required to be filled out for a successful application submission, and we give them [~12 ESY] to get their act together. Even if they’ve gotten their list completely filled out, the Galactic Council would fabricate some ludicrous reason as to why they couldn’t immediately join. Be it, some minor discrepancy that wouldn’t have the slightest effect on the end result, some unmentioned, unnecessary rule, or just an incredibly vague reason as to why their application was denied, sending the applicant civilization into a period of desperation, as they have to fill out new lists, expending resources, specializing, slowly pushing further and further attempts to futility, until their delegates are literally weeping at our [feet], begging us to let them join. Only then do we allow them in.
The idea was implemented to instill a sense of respect, and exclusivity in the galactic community so that new Upstarts would behave until they learned the unspoken “lay of the land” as the Humans would say, and understand they had been duped. We never thought for a second that this wouldn’t work, because it has always worked, on every new civilization that had just escaped the confines of their gravity well. Well, until now, that is.

As the world shifts towards a more sustainable future, industries are under increasing pressure to adopt environmentally friendly technologies. One area that has seen significant advancements in recent years is the development of biopolymer membranes for organic solvent nanofiltration (OSN). In this blog post, we'll explore the benefits of biopolymer membranes, their applications, and the potential for scalability in industrial settings.
What are Biopolymer Membranes?
Biopolymer membranes are a type of membrane made from natural polymers, such as agarose and natural rubber latex. These membranes are fabricated using interpenetrating polymer networks (IPN), which provide excellent mechanical strength and stability. The use of natural materials and water as a solvent during fabrication reduces the environmental impact of the production process.
The Benefits of Biopolymer Membranes
Biopolymer membranes offer several advantages over traditional fossil-based polymer materials. Firstly, they are biodegradable, ensuring an environmentally friendly end-of-life phase. Additionally, they demonstrate high mechanical strength, thermal stability, and resistance to fouling, making them suitable for long-term operation in harsh environments.
Applications of Biopolymer Membranes
Biopolymer membranes have a wide range of applications across various industries. In the pharmaceutical industry, they can be used for the purification of active pharmaceutical ingredients (APIs) and the removal of carcinogenic impurities. In petrochemical and biorefining applications, they can be used for the separation of molecular species in harsh organic media.
Scalability and Industrial Applications
One of the key advantages of biopolymer membranes is their scalability. The fabrication process can be easily scaled up to meet the demands of industrial applications. In fact, pilot-scale studies have shown that biopolymer membranes can be fabricated on a large scale while maintaining their performance and properties.
The Future of Sustainable Technology
The development of biopolymer membranes for OSN is a significant step towards a more sustainable future. As industries continue to adopt green solvents and sustainable technologies, the demand for biopolymer membranes is likely to increase. With their excellent performance, scalability, and biodegradability, biopolymer membranes are poised to revolutionize the field of organic solvent nanofiltration.
biopolymer membranes offer a sustainable solution for the separation of molecular species in harsh organic media. Their excellent performance, scalability, and biodegradability make them an attractive option for industries looking to adopt sustainable technologies. As the world continues to shift towards a more sustainable future, biopolymer membranes are likely to play a key role in shaping the future of organic solvent nanofiltration.
Key Takeaways

• Biopolymer membranes are a sustainable solution for organic solvent nanofiltration
• They offer excellent performance, scalability, and biodegradability
• Applications include pharmaceutical, petrochemical, and biorefining industries
• The development of biopolymer membranes is a significant step towards a more sustainable future

Hi there!
Boy, I had a lot to say about this one. So far, the Zero series has been a blast. Really excited to keep diving into them! I've heard the ZX series is also good, but a bit weird... but let's not get ahead of ourselves.
As always, if you read all this rambling nonsense, thank you!

Mega Man Zero 2
A game sequel is a great opportunity to fine-tune a great or flawed game. Where Mega Man Zero set the stage for yet another Mega Man spinoff series, Zero 2 is where it begins to find its footing—but not without tripping a bit.
I think Zero 2 can be summed up like this: it is more Mega Man Zero. If you liked that game, you will like this game. It carries over much of what that game established and adds a few minor QOL tweaks to make it shine. Sadly, I think the flaws it doesn’t address is what holds Zero 2 back from being truly great.
Let’s start with the good stuff.
The storyline here is a big step-up. With these games, it’s clear Capcom wanted to place a greater focus on the characters themselves, along with storylines that are a bit more complex than “wake up Mega Man the same asshole you’ve fought for 10 years is, to everyone’s surprise, being an asshole”. The game’s main villain, for example, is a well-meaning chap that starts off on your side but becomes corrupt thanks to what seems to be an intense desire to prove himself—a desire that leads to a ton of collateral damage to both allies and enemies. We establish what I imagine will be a key theme going forward: whatever the hell the Dark Elf is, it seems to latch onto personality quirks that it can use to its advantage and crank them up to 11. Just about every boss you fight exhibits this, especially in the refight stages. It’s not quite going Maverick; something about it feels more sinister, somehow.
The elf system returns, and using them still tanks your rank, but this time you can at least find sub tanks out in the world. A new upgrade system rewards you for playing through levels in specific ways (kill X amount of enemies with a dash attack, kill Y amount of enemies with the buster, etc.) and grants you new forms that do everything from turning your saber combo into a single powerful swing or letting you roly-poly-blenderman your way across stages (a personal favorite, for sure).
Another upgrade system, one that I have mixed feelings on, is EX forms. Bosses still don’t drop their weapons, but if you clear a level while your rank is A or higher, you’ll unlock a unique, often powerful ability. I’m mixed on this because on one hand, rewarding skilled play is great. It incentivizes more playthroughs and taking the time to master the game’s systems (and, indeed, I do really want to play this one again and see if I can improve! And I wanna try hard mode! Mega Man games do not typically have this effect on me!). On the other… well. I don’t think it’s very fun to grant awards that ultimately make the game easier and more fun… to highly skilled players only. I feel like they could’ve balanced this better. If nothing else, tying the “damage” points to how much health you have at the end of a boss vs. how much damage you took throughout the level may have balanced it out more.
Or perhaps I should simply “git gud” as the kids say. (Do the kids still say this? Sorry. I’m an old)
One thing to the game’s detriment is that weapon upgrades return, and they’re just as clunky as before. Kill X enemies with a weapon and you’ll unlock a new ability for it, and just like Zero 1, the charge shot takes way too long to get to. Let me charge my damn shots, Capcom! Why make me wait?
The other returning flaws are harder to blame the game for—i.e., the GBA’s screen size making it harder to avoid damage from off-screen (and spikes, Capcom please, you do not need to put spikes at the bottom of a long drop, who hurt you?). Things like that.
Along with returning flaws come a handful of new ones. The most significant one being the Chain Rod. I don’t really know how to sugar coat this: the Chain Rod sucks. As a weapon it’s mostly fine, I guess. But the utility is bafflingly poor. The intended use of it is to use it as a grappling hook, swinging across ceilings to avoid spikes or to reach higher, hard-to-reach spots. The problem is that it feels awful to use. Building momentum simply isn’t possible—it stops you dead in your tracks unless you manage to angle the shot just right during a jump. Maybe my brain is just hard-wired to use these things a certain way (Super Metroid, Super Castlevania IV, and even Environmental Station Alpha comes to mind) but there was almost never a point where using this thing felt better than just jumping across a gap or finding some other way to get to an Elf.
That aside, when I say this game is “more Mega Man Zero” that does mean all the good things as well. Boss fights? Sublime. Zero’s controls? Smooth. The spritework? Immaculate. Ultimately, I feel that Zero 2 is an improvement over Zero 1 in almost every conceivable way. But there are enough little things carried over from the first that I’m left wanting more. It is for that reason that I’m giving it a slightly lower score.
8/10

Classic Series 1-4 Classic Series 5-6 Classic Series 7-8 Classic Series 9-10
Mega Man X Mega Man X2 Mega Man X3 Mega Man X4
Mega Man X5 Mega Man X6 Mega Man X7 Mega Man X8
Mega Man Zero

70's Alt Rock -King Crimson-Lark's Tongue In Aspic
80's Alt Rock - Talking Heads-Remain In Light
90's Alt Rock- Nirvana- Never mind
2000's Alt Rock-The Strokes-Is This It
2010's Alt Rock Tame Impala-Lonerism
Alt Country -Wilco-Summerteeth
Alt Hip Hop-MF Doom- Mad villainy
Art Rock-Dark Side Of The Moon-Pink Floyd
Brit Rock- The Clash- London Calling
College Rock-REM-Murmur
Emo Rock-My Chemical Romance-Welcome To The Black Parade
Experimental Rock-Swans-To Be Kind
Goth-The Cure Disintegration
Grunge- Soundgarden-Superunknown
Hardcore Punk- Black Flag- Damaged
Heavy Metal-Black Sabbath-Paranoid
60's Hard Rock-Led Zeppelin I
70's Hard rock-Led Zeppelin-Physical Graffiti
80's Hard Rock- AC/DC-Back In Black
90's Hard Rock-Nirvana-In Utero
2000's Hard Rock-Queens Of The Stone Age-Songs For The Deaf
2010's ˙Hard Rock- Tool-Fear Inoculum
Indie Rock-Joy Division-Unknown Pleasures
Indie Folk-Big Thief-Dragon New Warm Mountain I Believe In You
Lo-Fi-Neutral Milk Hotel-In The Aeroplane Over The Sea
New Wave-Elvis Costello-This Year's Model
Progressive Rock- Tool- Lateralus
Punk- Ramones-Rocket To Russia
pop punk-Green Day-Dookie
Post Punk- Wire- Pink Flag
Shoegaze-My Bloody Valentine-Loveless
Blues-Nina Simone-Sings The Blues
Blues Rock-The Rolling Stones-Sticky Fingers
Avant Garde- Captain Beefheart & His Magic Band-Trout Mask Replica
Baroque Pop-The Beach Boys-Pet Sounds
Symphonic Rock-Moody Blues-Days Of Future Past
Comedy/Novelty album-Adam Sandler-They're All Gonna Laugh At You
Stand Up Comedy-George Carlin-Back In Town
Americana-The Band-The Band
Bakersfield Sound-Buck Owens-Best Of Buck Owens
Bluegrass-Old & In The Way-That High Lonesome Sound
Outlaw Country-Willie Nelson-Redheaded Stranger
Classic Country-Johnny Cash-Live At Folsom Prison
Country Rock- The Flying Burrito Brothers-The Gilded Palace Of Sin
Dance/Club-LCD Soundsystem- This Is Happening
Christmas /Holiday Album-Vince Gauralidi-A Charlie Brown Christmas
EMD/Techno-Burial-Untrue
Ambient-Brian Eno-Music For Airports
Electronic Rock-Radiohead-Kid A
Space Rock- Spiritualized- Ladies And Gentlemen We Are Floating In Space
Synthpop-Depeche Mode-Violator
Synthrock- New Order-Power, Corruption and Lies
Industrial-Nine Inch Nails-The Downward Spiral
Krautrock- Can-Tago Mago
Folk-Bob Dylan-The Freewillin' Bob Dylan
Folk Rock-Bob Dylan-Blood On The Tracks
Southern Rock-The Allman Brothers Band-At Fillmore East
80's Hip Hop-The Beastie Boys-Paul's Boutique
90's- Hip Hop Wu-Tang Clan-Enter The Wu-Tang (36 Chambers)
2000's Hip Hop-Outkast- Stankonia
2010's Hip Hop-Kendrick Lamar-To Pimp A Butterfly
2020's Hip Hop-Run The Jewels-RTJ 4
East Coast Hip Hop- Nas- Illmatic
West Coast Hip Hop-NWA-Straight Outta Compton
Southern Hip Hop-Outkast -Aquemini
Midwest Album-Kanye West-My Dark Twisted Fantasy
Trap-Travis Sott-Rodeo
Instrumental Hip Hop- DJ Shadow- Endtroducing....
Indie Pop-Belle And Sebastian-If You're Feeling Sinister
Noise Rock-Sonic Youth-Daydream Nation
Post-rock- Godspeed! You Black Emperor-Lift Your Skinny Fist Like Antennas To Heaven
Acid Jazz- Medeski ,Martin, and Wood -Shack-Man
Trip Hop -Portishead- Dummy
Gospel -Aretha Franklin-Amazing Grace
Christian- Sufjan Stevens -Illnoise
Jazz-Miles Davis-Kind Of Blue
Avant Garde Jazz-Ornette Coleman-Shape To Jazz To Come
Swing/Bebop-Art Blakey & The Jazz Messengers-Art Blakey's Jazz Messengers w/Thelonious Monk
Jazz/Fusion-Miles Davis-In A Silent Way
Jazz Rock-Miles Davis-Bitches Brew
Jazz/Funk-Herbie Hancock-Head Hunters
Jazz/Rap-A tribe Called Quest-The Low End Theory
Latin- Los Lobos-Kiko
Speed Metal/Thrash- Metallica- Master Of Puppets
Black/Death Metal-Deafheaven-Sunbather
Symphonic Metal-Haken-The Mountain
Glam Rock -T.Rex-Electric Warrior
Hair Metal-Guns N Roses-Appetite For Destruction
New Wave Of British Heavy Metal-Iron Maiden- Number Of The Beast
Sludge-Electric Wizard- Dopethron
Nu Metal-Korn-Korn
New Age-Popol Vuh - Hosianna Mantra
Pop-Prince-Sign O' The Times
60's Pop- The Beatles-Revolver
70's Pop- Carole King-Tapestry
80's Pop- Peter Gabriel-So
90's Pop-Madonna-Ray Of Light
2000's Pop-Madonna-Confessions On A Dance Floor
2010's pop-Robyn-Body Talk
2020's Pop- Perfume Genius-Set My Heart On Fire
Adult Contemporary- Billy Joel-The Stranger
Europop- ABBA- Arrival
Latin Pop-Ruben Y Seis Del Solar-Buscando America
Dance Pop-Dee-Lite-World Clique
Dream Pop- Mazzy Star-So Tonight I Might See
Power Pop- Weezer-Blue Album
R&B- Marvin Gaye-What's Going On
60's R&B-Aretha Franklin-I Never Loved A Man The Way I Loved You
70's R&B- Stevie Wonder- Songs In The Key Of Life
80's R&B- Janet Jackson- Control
90's R&B Album- Lauryn Hill-The Miseducation Of Lauryn Hill
2000's R&B- D'Angelo-Voodoo
2010's-R&B-Beyonce-Lemonade
2020's R&B- SZA-SOS
Disco-Donna Summers-Bad Girls
Doo Wop- The Chantels- We Are The Chantels
Funk-Funkadelic-Maggot Brain
Motown- Marvin Gaye-Let's Get It On
Neo-Soul-Erykah Badu-Baduizm
Psychedelic Soul- Curtis Mayfield-Curtis
Soul-Aretha Franklin-Lady Soul
Reggae-Bob Marley- Exodus
Ska-The Specials-The Specials
Swing Revival-Big Bad Voodoo Daddy-Big Bad Voodoo Daddy
Rock N Roll-The Rolling Stones-Exile On Main Street
Acid Rock- Jimi Hendrix- Are You Experienced
Arena Rock-Boston-Boston
Cock Rock-Van Halen I
Math Rock-Slint-Spiderland
Stoner Rock-Kyuss-Welcome To Sky Valley
Jam Band- Grateful Dead-American Beauty
SingeSongwriter- Neil Young-Harvest
Surf Rock-The Beach Boys-Shut Down Vol II
Soft Rock/Yacht Rock-Steely Dan-Aja

DAY: MAY 13, 2024

• 5-13-2024BIKING REVEALED TO BE ASSOCIATED WITH LESS KNEE PAIN LATER IN LIFE A study reveals that people who participated in regular bicycling over their lifetime had a lower prevalence of frequent knee pain, radiographic osteoarthritis (ROA) and symptomatic radiographic osteoarthritis (SOA). Rheumatologists often encourage regular physical activity for the prevention of osteoarthritis, the most common form of arthritis. However, some exercises are more effective than others.
• 5-13-2024STRESSFUL LIFE EVENTS CAN INCREASE YOUR RISK OF ALZHEIMER’S Stressful life events, such as the death of a loved one or divorce, put a person at greater risk of developing dementia in later life, a recent study has found. But only if the stressful event happened in childhood or midlife. The study included 1,290 people at increased risk of developing Alzheimer’s disease. The researchers looked at 18 stressful life events and when in people’s lives they happened.
• 5-13-2024TIPS FOR LOWERING STROKE RISK May is National Stroke Awareness Month, and as part of everyday awareness, Mayo Clinic health care professionals suggest reducing stroke risk and knowing the signs. A stroke happens every 40 seconds in the U.S., and the likelihood of stroke increases with age, according to the National Institutes of Health. Preventing a stroke is a crucial aspect of health care, as about 80% of all strokes are preventable. The focus is on managing risk factors to reduce the long-term risk of stroke.
• 5-13-2024IT’S TIME TO USE TIKTOK TO TALK TO YOUNG PEOPLE ABOUT OBESITY, SAYS RESEARCHER There is an urgent need to harness the potential of TikTok and other social media channels to provide scientific information about obesity to young people in engaging and accessible way . The popularity and broad reach of such platforms provides the opportunity to reach diverse audiences, including teenagers and young adults, explains lead researcher Dr. Antonella Franceschelli, of Unicamillus International Medical University, Rome, Italy.
• 5-13-2024WHY YOU SHOULD NEVER TAKE NUTRITION ADVICE FROM A CENTENARIAN It’s a cliche of reporting on people who reach 100 years of age, or even 110, to ask them some variation of the question: “What did you do to live this long?” Inevitably, some interesting and unexpected answer is highlighted. Fish and chips every Friday. Drinking a glass of strong liquor every day. Bacon for breakfast every morning. Wine and chocolate. While a popular news story, this is a relatively meaningless question that doesn’t help us understand why certain people have lived so long.
• 5-13-2024JUNK FOOD MARKETING ON VIDEOGAME LIVESTREAMING PLATFORMS INCREASES PURCHASES AND CONSUMPTION AMONG TEENS, STUDY FINDS Food and drink advertisements on videogame livestreaming platforms (VGLSPs) like Twitch are associated with more positive attitudes towards, and purchases and intake of, unhealthy foods that are high in fat, salt and/or sugar (HFSS) like energy drinks among adolescents aged 18 or younger. The concerning findings prompt researchers to call for stronger regulations on digital marketing of unhealthy foods to young people on these platforms, where there is currently no effective regulation
• 5-13-2024HIGHER BLOOD SUGAR LEVEL AT GESTATIONAL DIABETES DIAGNOSIS LINKED TO HARMFUL OUTCOMES FOR MOTHERS AND BABIES The higher the blood sugar level in pregnant women when first diagnosed with diabetes, the higher the risk of complications around and after birth
• 5-13-2024ASKING ADULTS WITH OBESITY ABOUT THEIR WEIGHT DURING CHILDHOOD COULD HELP DETERMINE THEIR MORTALITY RISK Being asked whether you considered yourself a normal weight, plumper or thinner as a child when attending a doctor’s appointment as an adult might appear like a very strange question to ask, but new research suggests that such questions can help identify increased mortality risk in adults living with obesity.
• 5-13-2024ENERGY DRINKS CAN LEAD TO SERIOUS HEART ISSUES IN KIDS AND TEENS, HEALTH EXPERTS SAY Hennessy Sepulveda thought she was going to die. “I began dissociating as I was driving. I was 10 minutes away from my house. My vision started warping and the lights were hitting me really bright,” she said. “I felt my chest pounding, I felt a wave of panic hit me—I knew something was wrong.” Sepulveda, a Florida International University student who was 19 at the time, was admitted to the hospital, and was surprised by the cause of her symptoms
• 5-13-2024A BLOOD TEST TO HELP DETECT LUNG CANCER? NEW TEST OFFERED AT 18 LOCATIONS Julie Harris had never been tested for lung cancer. A low-dose CT scan, the only recommended screening for adults at risk of developing lung cancer, was not something she’d ever found time to do. But when her primary care doctor recently suggested a new blood test to help look for signs of the disease, Harris was intrigued. She had her blood drawn the same day, in the same building as her doctor’s appointment.
• 5-13-2024STUDY SHOWS EXERCISING SLOWS OUR PERCEPTION OF TIME results of a new study show for the first time that individuals tend to experience time as moving slower when they are exercising compared to when they are resting or after completing their exercise.
• 5-13-2024BREAKTHROUGH THERAPIES ARE SAVING LIVES, BUT CAN WE AFFORD THEM? Harnessing the body’s own cells to fight disease, long a medical dream, is finally a reality. Now comes the bill. Last month, Stanford became the first hospital in the nation to use a new $515,000 cell therapy to treat a patient with advanced melanoma. A related approach, costing $420,000 to $475,000, is offering hope to patients with lethal blood cancers. Meanwhile, cells fixed by gene therapy can slow, even stop, the progression of intractable diseases like sickle cell or beta thalassemia—
• 5-13-2024RESEARCH FINDS DAYLIGHT SAVING TIME SPELLS BAD NEWS FOR HEALTHY HABITS
• 5-13-2024HOW READING HELPS YOUNG CHILDREN LEARN ABOUT THE CONCEPT OF PAIN
• 5-13-2024HEART FAILURE PATIENTS WHO DO YOGA HAVE STRONGER HEARTS AND CAN BE MORE ACTIVE, RESEARCH SUGGESTS
• 5-13-2024ITALIAN STUDY FINDS EVIDENCE OF BODY DYSMORPHIA IN PROFILE PICTURES OF PEOPLE LIVING WITH OBESITY
• 5-13-2024UNDERSTANDING AND PREVENTING BLADDER CANCER
• 5-13-2024OUR BRAINS TRICK US INTO THINKING CONSCIOUSNESS CAN RESIDE OUTSIDE THE BODY, RESEARCH ARGUES
• 5-13-2024YOGA SHOWS ‘MOST IMPROVEMENT’ IN RESTORING BRAIN HEALTH IN LONG-TERM CANCER SURVIVORS, RESEARCHER SAYS
• 5-13-2024DISTURBING NEW TRENDS ARE DRIVING UP THE NUMBERS
• 5-13-2024SUPPORTING WEIGHT-LOSS MEDICATIONS WITH ADEQUATE, TAILORED NUTRITION
• 5-13-2024WHAT HAPPENS INSIDE A SLEEPWALKER’S BRAIN?
• 5-13-2024COMING OFF OZEMPIC SLOWLY COULD PREVENT WEIGHT GAIN, STUDY SHOWS
• 5-13-2024STUDY SHOWS ALARMING RISE OF ELECTRONIC VAPING USE IN US ADOLESCENTS
• 5-13-2024UK SURVEY FINDS ‘DISGUST FACTOR’ NEEDS TO BE OVERCOME IF EATING INSECTS IS TO BECOME TRULY MAINSTREAM
• 5-13-2024SEMAGLUTIDE CAN YIELD WEIGHT LOSS, LOWER HEART ISSUES FOR AT LEAST FOUR YEARS IN NON-DIABETIC ADULTS WITH OVERWEIGHT
• 5-13-2024BETTER NUTRITION CAN HELP FIREFIGHTERS FIGHT CANCER
• 5-13-2024EXPLORING THE BIOLOGICAL BASIS FOR RESILIENCE
• 5-13-2024REMOTE HEART FAILURE MONITORING DEVICE COULD PREVENT HOSPITALIZATIONS
• 5-13-2024IDENTICAL ODORS SEEM DIFFERENT WHEN GIVEN DIFFERENT NAMES
• 5-13-2024HOW CANNABIS AND PSILOCYBIN MIGHT HELP SOME OF THE 50 MILLION AMERICANS WHO ARE EXPERIENCING CHRONIC PAIN
• 5-13-2024AUTISTIC CHILDREN COULD BE THE REAL WINNERS FROM ONLINE GAMES
• 5-13-2024TEENAGE USERS OF HIGH-THC CANNABIS VARIETIES TWICE AS LIKELY TO EXPERIENCE PSYCHOTIC EPISODES
• 5-13-2024PEPTIDE-BASED HYDROGEL SHOWS PROMISE FOR A WIDE RANGE OF TISSUE AND ORGAN REPAIR
• 5-13-2024TO AVENGE OR NOT TO AVENGE? PSYCHOLOGISTS DIG DEEPER INTO HOW PEOPLE SEE REVENGE AND THOSE WHO DO IT
• 5-13-2024TRANSGENDER PRETEENS REPORT 13 HOURS OF DAILY SCREEN TIME
• 5-13-2024STUDY FINDINGS DEMONSTRATE BENEFIT TO PEDIATRIC CELIAC DISEASE MASS SCREENING
• 5-13-2024COMMONLY USED ANTIBIOTIC BRINGS MORE COMPLICATIONS, DEATH IN THE SICKEST PATIENTS
• 5-13-2024NEW PAPER EXAMINES POTENTIAL POWER AND PITFALLS OF HARNESSING ARTIFICIAL INTELLIGENCE FOR SLEEP MEDICINE
• 5-13-2024VARIATIONS IN TELOMERE LENGTHENING GENES MAY PREDISPOSE SOME PEOPLE TO PAPILLARY THYROID CANCER
• 5-13-2024WHAT IS THE PROCESS OF AN ATHLETE BEING ‘MEDICALLY RETIRED’ DUE TO CONCUSSION?
• 5-13-2024NOT SURE ABOUT VACCINES? HOW MESSAGING IS FRAMED MAKES A DIFFERENCE, NEW RESEARCH SHOWS
• 5-13-2024NEW STUDY REVEALS THE KEY ROLE OF MITOCHONDRIAL PROTEINS IN CARDIAC REGENERATION
• 5-13-2024NEW SYNTHETIC BIOMARKER TECHNOLOGY DIFFERENTIATES BETWEEN PRIOR ZIKA AND DENGUE INFECTIONS
• 5-13-2024IN SEARCH OF THE BEST TEST FOR HEPATIC ENCEPHALOPATHY
• 5-13-2024ORGANIZATIONS PUBLISH JOINT GUIDELINE ON GLUCOCORTICOID-INDUCED ADRENAL INSUFFICIENCY
• 5-13-2024CLINICAL TRIAL INVESTIGATING AFICAMTEN MEETS PRIMARY ENDPOINT IN OBSTRUCTIVE HYPERTROPHIC CARDIOMYOPATHY
• 5-13-2024RESEARCH INVESTIGATES LIMITED EFFICACY OF COMMON LOCAL ANESTHETIC
• 5-13-2024HOW SCIENCE CLEARED THE AIR OVER INHALED HEALTH RISKS
• 5-13-2024WHAT’S KEEPING THE US FROM ALLOWING BETTER SUNSCREENS?
• 5-13-2024PATIENTS CAN NOW STAY CONNECTED BY WEARING ONE
• 5-13-2024THERAPEUTIC OPPORTUNITIES FOR HYPERMUTATED UROTHELIAL CARCINOMAS BEYOND IMMUNOTHERAPY
• 5-13-2024RESEARCHERS REVEAL THE DOUBLE-EDGED-SWORD EFFECT OF OVERCONFIDENCE ON GAMBLING
• 5-13-2024TEAM STUDIES FACTORS RELATED TO A SENSE OF ECONOMIC INSECURITY IN OLDER ADULTS
• 5-13-2024PEDIATRICIAN OFFERS TIPS ON HOW TO SUPPORT HEALTHY MENTAL AND EMOTIONAL DEVELOPMENT IN YOUR CHILD
• 5-13-2024NEW DEVICE COULD IDENTIFY WHICH BABIES WILL STRUGGLE WITH BREASTFEEDING
• 5-13-2024COULD FLIRT LEAD TO A SUMMER UPTICK?
• 5-13-2024RESEARCH HIGHLIGHTS DRAMATIC INCREASE IN FENTANYL SEIZED BY AUTHORITIES IN LAST SIX YEARS
• 5-13-2024CHILD MEASLES CASE AT SACRAMENTO HOSPITAL MAY HAVE EXPOSED 200 PEOPLE, HEALTH OFFICIALS SAY
• 5-13-2024AN AUXILIARY CHD DIAGNOSTIC SYSTEM BASED ON MULTI-VIEW AND MULTI-MODAL TRANSTHORACIC ECHOCARDIOGRAMS
• 5-13-2024PROJECTED ESTIMATES OF CANCER IN CANADA IN 2024: STUDY
• 5-13-2024REPORT FINDS PRIVATE HEALTH PLANS PAID HOSPITALS 254% OF WHAT MEDICARE WOULD PAY DURING 2022
• 5-13-2024HOW OBESITY AND METABOLIC SYNDROME AFFECTS WOMEN’S RISKS OF BREAST CANCER AND CANCER-RELATED DEATH
• 5-13-2024CANCER AND COVID DROVE PATIENT TO DOUBLE-LUNG TRANSPLANT
• 5-13-2024CHOLERA OUTBREAK INTENSIFYING IN YEMEN, UN WARNS
• 5-13-2024RESEARCH TAKES ELECTRORETINOGRAPHY TO THE NEXT LEVEL WITH A SOFT MULTI-ELECTRODE SYSTEM
• 5-13-2024NEW STUDY SHOWS CERTAIN COMBINATIONS OF ANTIVIRAL PROTEINS ARE RESPONSIBLE FOR LUPUS SYMPTOMS
• 5-13-2024DID A WORM REALLY EAT PART OF ROBERT F. KENNEDY JR.’S BRAIN?
• 5-13-2024REINING IN ROGUE OBAMACARE AGENTS WITHOUT SLOWING ENROLLMENT
• 5-13-2024IS ‘HERD IMMUNITY’ IN INTENSIVE CARE DOING MORE HARM THAN GOOD?
• 5-13-2024TOO MANY AUSTRALIANS AREN’T GETTING A FLU VACCINE—WHY, AND WHAT CAN WE DO ABOUT IT?
• 5-13-2024RESEARCHERS FIND 13% REDUCTION IN ASTHMA IN CHILDREN BORN IN AN URBAN LOW EMISSION ZONE
• 5-13-2024RESEARCHERS USE DUAL DRUG STRATEGY TO ADVANCE MELANOMA TREATMENT AGAINST RESISTANCE
• 5-13-2024ENGINEERING MINI HUMAN HEARTS TO STUDY PREGNANCY COMPLICATIONS AND BIRTH DEFECTS
• 5-13-2024FOR TREATING RETINOPATHY OF PREMATURITY, RESEARCH PROVES THAT RANIBIZUMAB IS SAFE
• 5-13-2024STUDY FINDS SENSE OF SHARED SIMULTANEITY INCREASES WITH GROUP SIZE
• 5-13-2024WHAT YOU NEED TO KNOW
• 5-13-2024ATTACKING BIRTH CONTROL PILLS, US INFLUENCERS PUSH MISINFORMATION
• 5-13-2024UN NEARS LANDMARK DEAL ON COMBATING BIOPIRACY
• 5-13-2024VARIATIONS IN ‘ANCIENT’ IMMUNE CELLS LINKED TO PATIENTS’ SURVIVAL IN CANCER
• 5-13-2024SOURCE OF SUGAR MAY BE MORE IMPORTANT THAN AMOUNT WHEN IT COMES TO THE DEVELOPMENT OF OBESITY IN CHILDREN
• 5-13-2024UK STUDY INVOLVING OVER 80,000 ADULTS FINDS SMOKERS TEND TO EAT LESS AND HAVE A LESS HEALTHY DIET THAN NON-SMOKERS
• 5-13-2024TRIAL REVEALS ANTI-INFLAMMATORY POWER OF AEROBIC EXERCISE IN ADULTS WITH OBESITY
• 5-13-2024LARGE-SCALE FINNISH STUDY DISCOVERS LINK BETWEEN PREMATURE MENOPAUSE AND MORTALITY RISK
• 5-13-2024SOCIODEMOGRAPHICS TIED TO REHAB USE DURING CRITICAL ILLNESS HOSPITALIZATION
• 5-13-2024AVOID OVERHEATING DANGERS WHEN RECHARGING MEDICAL DEVICES
• 5-13-2024LOWER PREVALENCE OF EMPLOYMENT SEEN FOR SURVIVORS OF CHILDHOOD CANCER
• 5-13-2024BLOOD PRESSURE DOWN WITH SELF-MONITORING, SELF-TITRATION OF MEDICATIONS
• 5-13-2024PSILOCYBIN MAY REVERSE ANOREXIA’S COGNITIVE RIGIDITY
• 5-13-2024STUDY HIGHLIGHTS NEED FOR CELL-TYPE-SPECIFIC THERAPIES IN TREATMENT OF HIV
• 5-13-2024INTENSE ULTRASOUND EXTRACTS GENETIC INFO FOR LESS INVASIVE CANCER BIOPSIES
• 5-13-2024WEIGHT LOSS DRUG LINKED WITH REDUCED NEED FOR DIURETICS IN HEART FAILURE PATIENTS
• 5-13-2024EVIDENCE OF A TRAVEL DIRECTION SIGNAL THAT IS INDEPENDENT FROM HEAD DIRECTION IN HUMANS
• 5-13-2024STUDY SHOWS CHATGPT CAN ACCURATELY ANALYZE MEDICAL CHARTS FOR CLINICAL RESEARCH, OTHER APPLICATIONS
• 5-13-2024WHAT MAKES A MEMORY? IT MAY BE RELATED TO HOW HARD YOUR BRAIN HAD TO WORK
• 5-13-2024BIRTH BY C-SECTION MORE THAN DOUBLES ODDS OF MEASLES VACCINE FAILURE, STUDY FINDS
• 5-13-2024SCIENTISTS FIND SLEEP MAY NOT CLEAR BRAIN TOXINS

The modern businesses require modern solutions to help them scale efficiently, there are many ways, a business can ponder up on to achieve their efficiency. One effective way that businesses gain insights into their consumers is through the use of personas. Personas are fictional representations of ideal customers based on research, data, and insights, and they provide businesses with a deeper understanding of their target audience. In this article, we'll explore how businesses create and leverage personas to understand their consumers better and drive success.
What are Personas?
Personas are detailed profiles that represent different segments of a business's target audience. Each persona is created based on demographic information, psychographic traits, behaviors, goals, challenges, and preferences. Personas are typically given names, backgrounds, and characteristics to make them relatable and memorable. Businesses use personas to humanize their target audience and gain a deeper understanding of their motivations, needs, and pain points.
Creating Personas:
Creating personas involves conducting research, gathering data, and synthesizing insights to develop accurate and representative profiles of target customers. Here's how businesses create personas:

1. Market Research: Businesses gather data from various sources, including surveys, interviews, focus groups, social media, and website analytics. This research helps businesses collect demographic information, understand consumer behaviors, and identify trends and patterns.
   
2. Data Analysis: Businesses analyze the collected data to identify common characteristics, preferences, and pain points among their target audience. This analysis helps businesses identify key segments and create personas that represent each segment effectively.
   
3. Persona Development: Based on the research and analysis, businesses create fictional personas that embody the characteristics, goals, and challenges of their target audience. Each persona is given a name, age, occupation, hobbies, interests, values, goals, and pain points to make them relatable and actionable.
   

Leveraging Personas:
Once created, personas serve as valuable tools for businesses to understand and engage with their consumers effectively. Here's how businesses leverage personas:

1. Targeting and Segmentation: Personas help businesses segment their target audience based on common characteristics and preferences. By targeting specific personas, businesses can tailor their marketing messages, products, and services to meet the unique needs of each segment effectively.
   
2. Product Development: Personas inform product development by providing insights into the features, functionalities, and benefits that resonate with target customers. By understanding the preferences and pain points of different personas, businesses can prioritize product features and enhancements that add value and address consumer needs.
   
3. Marketing and Messaging: Personas guide marketing efforts by informing the creation of targeted messaging, content, and campaigns. By understanding the communication styles, channels, and preferences of different personas, businesses can craft messages that resonate with their target audience and drive engagement.
   
4. Customer Experience: Personas help businesses design better customer experiences by understanding the needs, preferences, and pain points of different segments. By aligning products, services, and interactions with the expectations of target personas, businesses can deliver personalized experiences that foster loyalty and satisfaction.
   

Iteration and Refinement:
Effective persona development is an ongoing process that requires iteration and refinement over time. As market dynamics change and consumer preferences evolve, businesses must continually update and revise their personas to ensure accuracy and relevance. Regular feedback, data analysis, and market research help businesses refine their personas and adapt to changing consumer needs effectively.
Personas are powerful tools that businesses use to gain insights into their target audience and drive success. By creating detailed profiles that represent different segments of their target market, businesses can understand consumer needs, preferences, and behaviors more deeply. Leveraging personas enables businesses to target and segment their audience effectively, inform product development and marketing strategies, and deliver personalized experiences that resonate with consumers. As businesses continue to prioritize

The modern businesses require modern solutions to help them scale efficiently, there are many ways, a business can ponder up on to achieve their efficiency. One effective way that businesses gain insights into their consumers is through the use of personas. Personas are fictional representations of ideal customers based on research, data, and insights, and they provide businesses with a deeper understanding of their target audience. In this article, we'll explore how businesses create and leverage personas to understand their consumers better and drive success.
What are Personas?
Personas are detailed profiles that represent different segments of a business's target audience. Each persona is created based on demographic information, psychographic traits, behaviors, goals, challenges, and preferences. Personas are typically given names, backgrounds, and characteristics to make them relatable and memorable. Businesses use personas to humanize their target audience and gain a deeper understanding of their motivations, needs, and pain points.
Creating Personas:
Creating personas involves conducting research, gathering data, and synthesizing insights to develop accurate and representative profiles of target customers. Here's how businesses create personas:

1. Market Research: Businesses gather data from various sources, including surveys, interviews, focus groups, social media, and website analytics. This research helps businesses collect demographic information, understand consumer behaviors, and identify trends and patterns.
   
2. Data Analysis: Businesses analyze the collected data to identify common characteristics, preferences, and pain points among their target audience. This analysis helps businesses identify key segments and create personas that represent each segment effectively.
   
3. Persona Development: Based on the research and analysis, businesses create fictional personas that embody the characteristics, goals, and challenges of their target audience. Each persona is given a name, age, occupation, hobbies, interests, values, goals, and pain points to make them relatable and actionable.
   

Leveraging Personas:
Once created, personas serve as valuable tools for businesses to understand and engage with their consumers effectively. Here's how businesses leverage personas:

1. Targeting and Segmentation: Personas help businesses segment their target audience based on common characteristics and preferences. By targeting specific personas, businesses can tailor their marketing messages, products, and services to meet the unique needs of each segment effectively.
   
2. Product Development: Personas inform product development by providing insights into the features, functionalities, and benefits that resonate with target customers. By understanding the preferences and pain points of different personas, businesses can prioritize product features and enhancements that add value and address consumer needs.
   
3. Marketing and Messaging: Personas guide marketing efforts by informing the creation of targeted messaging, content, and campaigns. By understanding the communication styles, channels, and preferences of different personas, businesses can craft messages that resonate with their target audience and drive engagement.
   
4. Customer Experience: Personas help businesses design better customer experiences by understanding the needs, preferences, and pain points of different segments. By aligning products, services, and interactions with the expectations of target personas, businesses can deliver personalized experiences that foster loyalty and satisfaction.
   

Iteration and Refinement:
Effective persona development is an ongoing process that requires iteration and refinement over time. As market dynamics change and consumer preferences evolve, businesses must continually update and revise their personas to ensure accuracy and relevance. Regular feedback, data analysis, and market research help businesses refine their personas and adapt to changing consumer needs effectively.
Personas are powerful tools that businesses use to gain insights into their target audience and drive success. By creating detailed profiles that represent different segments of their target market, businesses can understand consumer needs, preferences, and behaviors more deeply. Leveraging personas enables businesses to target and segment their audience effectively, inform product development and marketing strategies, and deliver personalized experiences that resonate with consumers. As businesses continue to prioritize

The modern businesses require modern solutions to help them scale efficiently, there are many ways, a business can ponder up on to achieve their efficiency. One effective way that businesses gain insights into their consumers is through the use of personas. Personas are fictional representations of ideal customers based on research, data, and insights, and they provide businesses with a deeper understanding of their target audience. In this article, we'll explore how businesses create and leverage personas to understand their consumers better and drive success.
What are Personas?
Personas are detailed profiles that represent different segments of a business's target audience. Each persona is created based on demographic information, psychographic traits, behaviors, goals, challenges, and preferences. Personas are typically given names, backgrounds, and characteristics to make them relatable and memorable. Businesses use personas to humanize their target audience and gain a deeper understanding of their motivations, needs, and pain points.
Creating Personas:
Creating personas involves conducting research, gathering data, and synthesizing insights to develop accurate and representative profiles of target customers. Here's how businesses create personas:

1. Market Research: Businesses gather data from various sources, including surveys, interviews, focus groups, social media, and website analytics. This research helps businesses collect demographic information, understand consumer behaviors, and identify trends and patterns.
   
2. Data Analysis: Businesses analyze the collected data to identify common characteristics, preferences, and pain points among their target audience. This analysis helps businesses identify key segments and create personas that represent each segment effectively.
   
3. Persona Development: Based on the research and analysis, businesses create fictional personas that embody the characteristics, goals, and challenges of their target audience. Each persona is given a name, age, occupation, hobbies, interests, values, goals, and pain points to make them relatable and actionable.
   

Leveraging Personas:
Once created, personas serve as valuable tools for businesses to understand and engage with their consumers effectively. Here's how businesses leverage personas:

1. Targeting and Segmentation: Personas help businesses segment their target audience based on common characteristics and preferences. By targeting specific personas, businesses can tailor their marketing messages, products, and services to meet the unique needs of each segment effectively.
   
2. Product Development: Personas inform product development by providing insights into the features, functionalities, and benefits that resonate with target customers. By understanding the preferences and pain points of different personas, businesses can prioritize product features and enhancements that add value and address consumer needs.
   
3. Marketing and Messaging: Personas guide marketing efforts by informing the creation of targeted messaging, content, and campaigns. By understanding the communication styles, channels, and preferences of different personas, businesses can craft messages that resonate with their target audience and drive engagement.
   
4. Customer Experience: Personas help businesses design better customer experiences by understanding the needs, preferences, and pain points of different segments. By aligning products, services, and interactions with the expectations of target personas, businesses can deliver personalized experiences that foster loyalty and satisfaction.
   

Iteration and Refinement:
Effective persona development is an ongoing process that requires iteration and refinement over time. As market dynamics change and consumer preferences evolve, businesses must continually update and revise their personas to ensure accuracy and relevance. Regular feedback, data analysis, and market research help businesses refine their personas and adapt to changing consumer needs effectively.
Personas are powerful tools that businesses use to gain insights into their target audience and drive success. By creating detailed profiles that represent different segments of their target market, businesses can understand consumer needs, preferences, and behaviors more deeply. Leveraging personas enables businesses to target and segment their audience effectively, inform product development and marketing strategies, and deliver personalized experiences that resonate with consumers. As businesses continue to prioritize

The modern businesses require modern solutions to help them scale efficiently, there are many ways, a business can ponder up on to achieve their efficiency. One effective way that businesses gain insights into their consumers is through the use of personas. Personas are fictional representations of ideal customers based on research, data, and insights, and they provide businesses with a deeper understanding of their target audience. In this article, we'll explore how businesses create and leverage personas to understand their consumers better and drive success.
What are Personas?
Personas are detailed profiles that represent different segments of a business's target audience. Each persona is created based on demographic information, psychographic traits, behaviors, goals, challenges, and preferences. Personas are typically given names, backgrounds, and characteristics to make them relatable and memorable. Businesses use personas to humanize their target audience and gain a deeper understanding of their motivations, needs, and pain points.
Creating Personas:
Creating personas involves conducting research, gathering data, and synthesizing insights to develop accurate and representative profiles of target customers. Here's how businesses create personas:

1. Market Research: Businesses gather data from various sources, including surveys, interviews, focus groups, social media, and website analytics. This research helps businesses collect demographic information, understand consumer behaviors, and identify trends and patterns.
   
2. Data Analysis: Businesses analyze the collected data to identify common characteristics, preferences, and pain points among their target audience. This analysis helps businesses identify key segments and create personas that represent each segment effectively.
   
3. Persona Development: Based on the research and analysis, businesses create fictional personas that embody the characteristics, goals, and challenges of their target audience. Each persona is given a name, age, occupation, hobbies, interests, values, goals, and pain points to make them relatable and actionable.
   

Leveraging Personas:
Once created, personas serve as valuable tools for businesses to understand and engage with their consumers effectively. Here's how businesses leverage personas:

1. Targeting and Segmentation: Personas help businesses segment their target audience based on common characteristics and preferences. By targeting specific personas, businesses can tailor their marketing messages, products, and services to meet the unique needs of each segment effectively.
   
2. Product Development: Personas inform product development by providing insights into the features, functionalities, and benefits that resonate with target customers. By understanding the preferences and pain points of different personas, businesses can prioritize product features and enhancements that add value and address consumer needs.
   
3. Marketing and Messaging: Personas guide marketing efforts by informing the creation of targeted messaging, content, and campaigns. By understanding the communication styles, channels, and preferences of different personas, businesses can craft messages that resonate with their target audience and drive engagement.
   
4. Customer Experience: Personas help businesses design better customer experiences by understanding the needs, preferences, and pain points of different segments. By aligning products, services, and interactions with the expectations of target personas, businesses can deliver personalized experiences that foster loyalty and satisfaction.
   

Iteration and Refinement:
Effective persona development is an ongoing process that requires iteration and refinement over time. As market dynamics change and consumer preferences evolve, businesses must continually update and revise their personas to ensure accuracy and relevance. Regular feedback, data analysis, and market research help businesses refine their personas and adapt to changing consumer needs effectively.
Personas are powerful tools that businesses use to gain insights into their target audience and drive success. By creating detailed profiles that represent different segments of their target market, businesses can understand consumer needs, preferences, and behaviors more deeply. Leveraging personas enables businesses to target and segment their audience effectively, inform product development and marketing strategies, and deliver personalized experiences that resonate with consumers. As businesses continue to prioritize

LinkedIn can be a sales goldmine when used strategically.

Among all the social media platforms out there, LinkedIn stands out as the go-to platform for professional social networking.

But with over 900 million people using it, how do you stand out?
It requires more than a compelling bio and a polished profile image.
Do You Know??

According to the latest statistics, 40 million people use LinkedIn every week to search for jobs, and three people a minute are hired on the site.

This article will cover:

1. Keywords
2. Headlines
3. Profile completeness
4. Job title optimisation /Work Experience
5. URL Optimization

What Is LinkedIn SEO?

How Search Engine Optimisation (SEO) works for LinkedIn???

LinkedIn SEO is all about optimizing your profile and content to boost your visibility and ranking, offering a myriad of opportunities for career progression, business networking, and establishing a prominent presence within your industry.
When you fine-tune your profile’s headline summary, work experience, and skills section with specific keywords, you can boost the likelihood of appearing in LinkedIn’s search results.
Imagine someone searching for specific keywords or skills related to your professional background – a well-optimized profile significantly increases the chances of your profile being featured in their search results.
On top of that, LinkedIn profiles can also show up in traditional search engine results pages (SERPs) like Google, expanding your online presence.
Beyond profile optimization, the impact of SEO extends to your content. LinkedIn posts and, particularly, articles have the potential to rank within LinkedIn’s search engine, showcasing your expertise within the platform.
Furthermore, these articles, with their long-form nature and valuable insights, can also rank on traditional search engines, leveraging LinkedIn’s high domain authority for increased visibility both on and off the platform.

Why You Need to Optimize Your LinkedIn Profile:

An optimized LinkedIn profile is one where every part of your personal profile is filled out and shows audiences what you do, who you are, and what you are an expert in.

This helps your profile rank higher in LinkedIn searches and builds trust among those who might want to connect or follow you.

Do You Know??
Even more compelling? Some 44% of LinkedIn users earn more than $75,000 a year. That’s a considerable bump up from the national median income of $68,703 per household.
Let's Dive in:

6 steps to help improve your LinkedIn SEO optimization for better results.

Step 1: Keywords.

A keyword is a word or phrase that searchers enter into a search engine. Learn more about Keyword Research. Examples of keywords and phrases include:
Example:
In seo bint e jamil, 'Digital Marketing Manager' is the keyword.

• Freelance Digital Marketer
• Certified Digital Marketer
• Best Digital Marketer

For LinkedIn, create a list of 7-10 words or terms that your ideal client would use when searching for the service you offer. For example:

• SEO Digital Marketer
• Digital Marketer Agency
• Digital Marketing Expert

Now, use these keywords throughout your profile in as many sections as possible, including your:

• Headline
• Role descriptions
• Skills and endorsements
• Skills and endorsements section. LinkedIn prioritises skills already in its database, so when adding a new skill, start typing it, then select the most relevant suggestion that appears.

Step 2: Profile Completeness

To rank highly your profile will need to be 100% complete, with every profile section completed. Consider using bullet points rather than paragraphs, and format the text so it’s easy to read.
Let’s take a look at what you should focus on to fully optimize your LinkedIn profile.

1: Images Optimization:

When you’re setting up your profile, you’ll want to make sure you’ve got a solid profile picture.

LinkedIn can be a sales goldmine when used strategically.LinkedIn can be a sales goldmine when used strategically.

Among all the social media platforms out there, LinkedIn stands out as the go-to platform for professional social networking.

2: LinkedIn Background Photo:

Background photos are like billboards. You can use this space to show your accomplishments and awards or offer free resources.

LinkedIn Background Photo Optimization
You should also:

• Add a tagline to inform visitors about who you are and what you do
• Include your website URL and social media handles
• Include a call-to-action (CTA) or provide clear instructions on how users can get in touch with you
• Make sure you avoid placing any important information on the bottom left — it won’t be visible

3: Craft a Keyword-Rich Tagline /Headline:

Your LinkedIn headline sits just below your profile image and name. Customising your headline is not only critical for SEO, it’s also an important part of your personal brand - how people view and perceive you on the platform.

LinkedIn automatically populates your headline with your current or most recent position – however, you have the option to customise it. Remember, you want the headline to create an informative and impactful snapshot of yourself.
Linkedin Headline Optimization
When creating your headline:

• Include your role title
• Include your industry
• Include your specialty
• Use all of the 120 characters available
• Steer clear of emoji use

Headline Example:

For a digital marketing manager, a similarly optimized tagline could be, "Innovative Digital Marketing Strategies to Elevate Your Brand's Presence" — placing the target keyword "Digital marketing strategies" prominently at the start.

4. Featured Posts on LinkedIn

The Featured section on LinkedIn is a space on your profile where you can highlight important content.

LinkedIn Featured Section
It’s near the top, below your photo and headline. You can use this section to showcase:

• Articles or blog posts you’ve written
• Videos
• Images, graphics, or infographics
• Documents, like case studies or whitepapers
• Testimonials or other achievements

Featured content isn’t permanent, so you can change it up to include new content as regularly as you like!

5.Create a Compelling “About” Section

The About section is the meat of your Company page. Here, you have the space to go into more detail, telling the story of your brand and naturally incorporating relevant keywords throughout.

About Us LinkedIn SEO
Here are some components to consider including in your About section:

• Your brand vision. Articulate the impact your company aspires to have.
• Mission statement. Use action-oriented language to describe how you plan to achieve your vision.
• Company values. Articulate your brand values to showcase your company culture and principles.
• Brand differentiators. Clarify your brand’s positioning to differentiate your company and its offerings from competitors.
• Products and/or services. Provide short overviews of your main offerings using clear, searchable terms.

Here’s an example of the beginning of an About section for a data analytics company:

At ABC Company, we democratize data analytics, enabling businesses of all sizes to unlock insights through our intuitive, AI-powered analytics platform.

Finally, you can add in some “Top skills” as a way to remind readers what your services are. This also presents another opportunity to add in your keywords.

6.Work Experience

When I’m looking at someone’s experience section on LinkedIn, I’m looking to see if they meet the criteria of the role beyond a job title. Their job duties and achievements give me a better understanding of their scope of knowledge and specific skill sets this role needs.

LinkedIn “Work Experience” section

Fields for LinkedIn experience entries

Each position on LinkedIn has a combination of required (*) and optional fields:

Required fields for LinkedIn Work Experience entries

Title*

List your position title, including any relevant keywords. Sometimes job titles benefit from being revised for common searches.
Example: "Content Marketing Manager" might be more search-friendly than "Manager, Marketing Content."

Company name*

Many companies already have a company profile on LinkedIn and will autocomplete from the LinkedIn Company Page in the dropdown as you type.

Employment dates*

This is usually shown by a start and end date. If you’re currently working in the role, click “I am currently working in this role” and it will automatically list your end date on your profile as “Present.”

Industry*

This doesn’t display on your profile. Select the best match and keep going.

Optional fields for LinkedIn Work Experience entries

The profile gets much more interesting with the additional, optional work experience fields including:

Employment type

Location

Sharing the location can give people reviewing your profile a sense of where you’ve worked (and where you’re likely based).

Location type

Choose from On-site, Hybrid, and Remote. Showing that you have experience working in a certain capacity can be valuable to some recruiters and employers. Example: If you have a work history in remote roles, you may be a strong candidate for additional remote roles.
Description
This is a written summary, usually two or three sentences long, that allows you to show your job duties, achievements, and expertise. By including relevant information with a few highlights and key accomplishments, you can improve your odds as a job seeker.
Pro tip: To further optimize your LinkedIn profile, consider using ChatGPT for your LinkedIn summary.

7.URL Optimization

LinkedIn allows you to personalise your URL, changing it from the automated URL, which is usually quite long and contains a random assortment of numbers. Upon updating make sure you update your email signature, business cards and other marketing collateral.
URL Optimization in LinkedIn SEO

• Standard URL example (not optimised): https://www.linkedin.com/in/seo-bint-e-jamil323389/
• Custom URL example (optimised): https://www.linkedin.com/in/seo-bint-e-jamil/

To change your LinkedIn public profile URL:

For LinkedIn Public Profile URL:

1. Click the Me icon at the top of your LinkedIn homepage.
   
2. Click View profile.
   
3. Click Edit public profile & URL on the right side.
   

• You’ll be redirected to the Public profile settings page.

1. Under Edit your custom URL on the right side, click the Edit icon next to your public profile URL.

• It'll be an address that looks like www.linkedin.com/in/yourname.

1. Type the last part of your new custom URL in the text box.
   
2. Click Save
   

Drive Results with LinkedIn SEO Optimization

By enhancing the different components of your LinkedIn profile page with a strategic approach to LinkedIn SEO optimization, you’ll be much more likely to appear in search results. This will go a long way toward increasing your visibility and helping drive more business opportunities. Remember that SEO isn’t just a one-time effort, but rather an ongoing process that requires regular attention and updates to deliver your desired results.