1. Do not go too far underground or there is the nether or the deep 1.1 Do not exceed personal ability limit for the wargame 1.1.1 Do not allow X-Rays or too much high frequency into the signal 1.1.2 Do not allow Mutagens or too much Bass in the signal 1.1.3 Do not allow fire unless specifically working with fire 1.1.4 Do not exceed cost limit 5000 actual barrel cost for barrel to item limit 1.1.5 Do not exceed 2 knots at a time in a blueprint or mutagen will form 1.1.6 Do not exceed 1 pass a time in a blueprint or mutagen will form 1.1.7 (Our Foundry Specific) Do not Exceed 100 points of cost detail 1.1.8 Do not exceed 1 point of cost offset overflow 1.1.9 To not underflow 1 point of cost offset overflow 1.2.1 Do not combine source besides with metal 1.2.2 Do not combine motion except with a hydrogen range 1.2.3 Do not combine weed except with motion 1.2.4 Do not use small lettering or large lettering any letters besides standard -33 MID set 1.2.5 Do not create aurora and create quality assurance to avoid aurora 1.2.6 Do not output liquid or gas products except liquid product for a medicine or food 1.2.7 Do not exceed 0 nominal (infinity) at sample or a gas explosion will form, even if secret but you may exceed this outside a sample if the total sample global output does not exceed 0 nominal 1.2.8 Take only exact reference measurement at known measurement point 1.2.9 Do not exceed 3 or 4 acts of alkenation 1.3.0 Do not exceed 1 minor act of hydrogenation in a hydrogen synthesis 1.3.1 Do not exceed 2 points of hydrogenation in a core synthesis 1.3.2 Do not exceed 5 points of diolation ever 1.3.3 Do not use tropane or higher frequency 1.3.4 Make sure the signal is pure of heavy metal 1.3.5 Make sure the signal is pure of vaseline 1.3.6 Make sure the signal is pure of methanol and isopropanol and ethanol 1.3.7 Make sure the signal exhibits known food attribute source minisulfur starch sugar hydrogen alkene (edibles, 1/2 diol) for a sugar and does not variate between starch and sugar molecularly or it will be oxiracetam 1.3.8 Make sure in another method that the signal exhibits minisource and minisulfur nutraloaf and starch and hydrogen and alkene (vinegar oil, diol) for a lipid synthesis 1.3.9 Make sure that the synthesis exhibits reference pure source hydrogen alkene in the EDTA/Tianeptine Synthesis 1.4.0 Make sure that the synthesis exhibits hydrogen in an acid synthesis 1.4.1 Make sure that the hydrogenation is not excessive for a hydrochloride synthesis 1.4.2 Make sure that the substance exhibits minisource and sulfur and starch and pepsi-cola and alkene for a chlorophyll synthesis 1.4.3 A computer synthesis does not use the hydrogen romanaj set starch=LED1 sugar=LED2 sweet=LED3 Hydrogen=Hydrogen but hydrogen is not used 1.4.4 A computer synthesis exhibits chassis metal with aerated LEDX,LEDY,(LEDZ) offset chassis paired with at least detectable gold at every LED and two of these LED assembly at least at phase octavver and maybe 3 or 4 assembly total, with a battery in the chassis and a rear chassis without the battery of the same structure of the initial chassis all made from a cohesive resource 1.4.5 A computer sells for reasonable around 1000 dollars or some crypto 1.4.6 A computer comes with an associated online parts kit or actual parts kit which can be used to modify the process function of the CPU (Finder) 1.4.7 A computer can be overclocked by amplifying its LED microoffset fidelity for its core clock phase 1.4.8 A computer accesses a real item by the blueprint and these are certified at least fully functional 1.4.9 A computer references a particular item from the blueprint or has its direct function encoded directly in the token (blueprint either yields unlock item or the blueprint yields the item from what is in the blueprint) 1.5.0 A computer is the portable computer if it is the tablet token and the RGB computer if it is the full represented.

Hi everyone! I’m a prospective 2026 applicant dedicating this summer to writing my personal statement (materials are due in December to receive a letter packet + portfolio from my school). For background, I was diagnosed with hEDS, Pain Amplification Syndrome, POTS, and a lot of other issues after sustaining my first concussion eight years ago. As a result of my experience, I decided to become a chronic pain advocate several years ago— currently, I serve on a peer advisory board and guest speaker for a pediatric pain rehabilitation workshop program, and I also serve as a panel member for a NIH HEAL initiative. These two experiences are major parts of my journey to medicine. How do I go about talking about chronic pain advocacy without focusing too much on my personal pain and disability? My personal experience has also been important, but advocacy has been the most fulfilling part of my life.

Anyone watching this trial?

This is loosely related, but the Daybell case is turning out to be a great source for a preview of what’s to come.

• Ms. Beaty is one of the prosecutors
• ISP Lab supervisor testimony
• FBI CAST & CSLI testimony from the supervisor in Idaho

I think there’s a decent chance the same ISP Lab Supervisor and/or FBI CAST Supervisor will be the ones to testify on this case, bc their departments are for state of Idaho & supervisors typically closely oversee processes for high-profile cases & are more equipped to testify.

• . - * . - * . - * . - * . - * . - * . - * . - * . - *

FBI CAST / CSLI Supervisor - Day 22

(just ended about 45 mins ago at the time I’m posting this)

• He’s disclosed a lot but most of the info is with more abundant data to work off of.
• Google location history is the main source of the precise locations we saw pertaining to Alex Cox’s movements. > — I wonder if that means Alex Cox had a Droid (anyone know?), or if we might see something like this data come out with this case. > — being logged into Gmail gives them very precise location points, you could see Alex Cox move around Walmart based on phone location
• {For anyone interested in the Delphi case, the 100m range is explained}.
• I find it very interesting how willingly and easily the CAST team at FBI cooperated with this Daybell case, in contrast with subpoenas and the Touhey process being employed in the Kohberger case
• There are a lot of overlapping coverage zones in Idaho > (but this case is based on the opposite corner of the state, so it didn’t show the maps they use near where this investigation is based)
• he goes over AT&T drive test data
• a lot of the data presented is specific to AT&T {insights useful for Kohberger, Delphi cases} > — a lot from Verizon too.
• Random fact learned: Verizon doesn’t store location details in the data & analytics log on phones when texts are sent and received like other carriers do

Note: he’s not shown on screen & is likely using an alias.
Hot take: my guess on why they don’t have the cooperation from the FBI CAST / CSLI team on Kohberger case seems likely to be that they misrepresented or cherry-picked info, which the FBI CAST team isn’t willing to limit their statements to in testimony, & are going back & forth about providing a report limited to that, rather than FBI just stonewalling their request for the data.

^{That’s ^ my wild guess, not evidenced directly, just a personal opinion on what I think is likely}

• . - * . - * . - * . - * . - * . - * . - * . - * . - *

ISP Lab Supervisor Ms. Dace - Day 20

• Her testimony did not help the prosecution at all IMO, but they did provide some interesting insights into their processes
• They didn’t find a single hint of Chad’s DNA on anything they tested > — despite 18 of the items being tools he owned & presumably has used…. > — They assumed ownership and that his DNA would be present (apparently neglecting to consider that someone else’s DNA being present could be exculpatory for the defendant) > huge risk from this testimony: conspiracy to commit murder + 1st degree murder —> just conspiracy}
• There was essentially no unexpected or incriminating DNA anywhere (Lori’s was mixed with Tylee’s in some places but she’s already convicted so that rly makes no dif)
• She gave some insights that help to understand the super high #s given in this case. — They assume mixture but test for a unique profile among it. — {they expected DNA from soil, decomposition fluids from both victims, and ashes <-interesting}
• They got reference samples from all the main players and, using using atypical methodology, did not test for any outside contributor’s identities > — “Atypical” bc thats how they did it “for this case,” she clarified (unique instructions or circumstances apparently)
• For all cases, they only test exactly the items & places on the items that police or prosecutors instruct them to, or things they’re instructed to test by court orders
• in this case, she saw potential blood on 10 items which they only determined was consistent with blood, but didn’t test whose it was on any of them.
• Their policy is not to run consumptive testing without approval. > — And apparently didn’t seek, or weren’t granted approval, despite nothing testing positive for the defendant’s DNA

I was pretty shocked at how much DNA they opted to preserve rather than consume. In this case, what could they possibly need to save it for that would be more important than THIS investigation & trial !!!? - no one wants to clone this dude & taxpayers prob aren’t hoping for a re-do - and especially given that they don’t have even one tiny HINT of Chad’s DNA on anything….!..?..!.? - Yikes - (no fault of Ms. Dace though; she just tests what she’s told to).

• they assume it was on tool handles since he owned them, but that also bases the choice not to confirm, on the assumption that no one else’s would be present…. we’ll see if the jury accepts that….

(For clarity: I think he obviously played a key role in the kid’s deaths & is guilty of at least conspiracy to commit murder, just now question the strength of the first degree murder charge, not his actual guilt)

• . - * . - * . - * . - * . - * . - * . - * . - * . - *

Ms. Beaty - special prosecutor from the Kohberger case is on this trial too.

• she’s more effective on the Daybell case IMO, watching has guven me a better impression of her
• it might be just bc she has better arguments to use to lay out a clear picture, or it might be that she has a dif role in the Kohberger case > — She seems to get stuck with a lot of long-shot requests, likely bc she has a higher rank
• She seems confident, calm, & precise
  Side-note: Prosecutor Wood’s performance is a lot more mild than what I expected. Pryor is coming off as more thorough and inquisitive, but both of them come off as very kind and reasonable - very courteous & cooperative with each other, too; they have a lot of sidebars, like, “Your honor, may I have a brief moment to discuss with Mr. Wood?”, and come to quick, joint-agreements or suggestions. Pryor’s been given an extremely difficult task to undertake single-handedly - facing what seems impossible. He’s missed a few key opportunities to question some things, but I think he’s matching the performance of the prosecutors thus far, from the days I watched.
  
• Beaty seems most harsh / stern from the bunch, but more likable than she’s come off in the Kohberger case IMO
  
• . - * . - * . - * . - * . - * . - * . - * . - * . - *
  

Anyone else watching this one?
— If not, honestly, I do not recommend. This trial is dominated by soft-spoken, slow-speakers lol.
Any other take-aways?
Or questions? (I watched more than most ppl prob have the patience for - it’s kind of like a long version of those old Clear Eyes commercials, but with lots of dead silence in between statements - so I’d be happy to answer if I can)

• anyone know whether Alex Cox had a Droid?

New Features and enhancements
New AI-enhanced tools join Smart Tempo and the Pitch Correction plug-in to augment your artistry.
Bass Player and Keyboard Player join Drummer to complete a set of Session Players — all built with AI making it easy to create performances that respond to your direction.
Session Players can follow the same chord progression using Global chord track.
Add warmth to any track with ChromaGlow, an advanced plug-in with five saturation models designed to simulate the sound of vintage analog hardware.*
Separate a stereo audio file into stems for vocals, drums, bass and other parts with Stem Splitter.*
Session Players, ChromaGlow, and Stem Splitter also come to Logic Pro for iPad 2 — making it simple to move between projects created in Logic Pro for Mac.
Play any of six deeply-sampled acoustic and electric basses with Studio Bass.
Perform any of three meticulously-sampled pianos with Studio Piano.
Loops that contain chord tags will automatically populate the chord track when added to a project.
Three new Producer Packs are available: Hardwell, The Kount, and Cory Wong.
Original multi-track project of Swing! by Ellie Dixon available as in-app demo song.
Downmix and trim options allow custom mixing for non-Atmos channel configurations.
Exported ADM BWF files have been expanded beyond Dolby Atmos and can contain settings for stereo and other multi-channel formats.
Bounce in place adds automatic real-time recording for External Instrument regions or tracks that utilize external hardware using the Logic Pro I/O plug-in.
Route MIDI signals generated by supported software instruments and effects to the input of other tracks for creative layering during playback or recording.
Edit more efficiently using key commands for moving, extending, or resizing marquee selections.
The Nudge Region/Event Position key commands now also nudge Marquee selections.
The Transpose Region/Event key commands now also move or expand the Marquee selection up/down.
Pattern regions can now be created on Drummer tracks, and Drummer regions can be converted to Pattern regions.
New key commands include Trim Note End to Following Notes (Force Legato) With Overlap and Trim Note End to Selected (Force Legato) With Overlap.
Bounce in Place and Track Freeze can now be performed in real time, allowing for use of external instruments, I/O plug-ins, and external inserts.
Mastering Assistant analysis now can be performed in real time, allowing for use in projects that incorporate external I/O or instruments.
The Dolby Atmos plug-in now offers Downmix and Surround/Height Trim controls.
The Recent Projects list can now be configured to show up to 50 projects.
* Requires a Mac with Apple silicon.
Stability and reliability
Scripts with 1071 characters or more in Scripter no longer cause Logic Pro to quit unexpectedly.
Fixes an issue where creating a an event in a lane assigned to Note off in Step Sequencer could cause Logic Pro to quit unexpectedly.
Fixes an issue where Logic Pro could fail to launch with an Error Initializing Core MIDI message when the system is under heavy load performing other tasks.
Resolves an issue where Logic Pro could quit unexpectedly when a 64-bit floating point IR file is loaded into Space Designer.
Fixes an issue where Logic Pro could hang when opening a project while the Project Settings > MIDI window is displayed.
Logic Pro no longer quits unexpectedly when creating multiple Aux tracks with multiple existing Aux tracks selected.
Improves stability when bypassing control surfaces with Musical Typing open when EuControl software is installed.
Fixes an issue where Logic Pro could hang when quitting a project containing a large number of instances of Sampler.
Fixes an issue where Logic Pro could quit unexpectedly when replacing a playing Live Loops cell with another loop.
Performance
The UI is now more responsive when adjusting Flex Pitches directly on regions in Deviation mode.
Performance is improved when editing Transient Markers in Take regions with Flex enabled.
Performance is improved when making Flex Pitch edits in the Tracks area with a large number of selected regions.
Alchemy's Performance is improved.
Performance is improved when moving regions in projects with a large number of tracks and regions.
Projects containing a large number of flex-pitched regions now open more quickly.
Resolves an issue where loading a project saved with a Summing stack selected that contains Software Instruments that have no regions and/or with the tracks turned off could load the Software Instruments into memory.
Accessibility
VoiceOver now announces the state of Automation mode buttons on channel strips.
VoiceOver now announces the status of the Pause button in the LCD.
VoiceOver no longer announces hidden controls in the Smart Controls view.
VoiceOver no longer reads the values of pan knobs that are currently hidden in Sends on Faders mode.
VoiceOver now announces the state of the Details button and the Follow button in the Drummer Editor.
VoiceOver now announces left-click and Command-click Tool selections in the Control Bar.
VoiceOver now announces the name of the Time Quantize button in the Piano Roll.
VoiceOver now announces changes in value when the Next/Previous key commands are used to change Quantize values.
VoiceOver now announces state of key commands for Cycle, Mute, Track Solo, Input Monitoring, Track On/Off, and Lock/Unlock Track.
VoiceOver now announces the selection state of focused tracks.
Spatial Audio
Fixes an issue where adding a new 3D Object track for the first time to a Spatial Audio project could cause the Renderer to switch from the current model to the Apple renderer.
The Dolby Atmos plug-in now offers a 5.1.2 monitoring option.
Fixes an issue where setting a project to Dolby Atmos could output to 7.1.4 even when the mode defaults to Apple Renderer.
It is now possible to monitor Dolby Atmos projects directly via HDMI to a surround capable receiveamplifier.
The metering for Height channels now shows as post-fader on the Master channel as expected.
Loading a Master Bus channel strip setting in the 7.1.4 channel format now preserves the 7.1.4 channel layout as expected.
Session Players
Resolves an issue where loading a user-created Drum Machine Designer patch could set the input to a bus and fail to load the Drum Machine Designer instrument.
Using the Create Drummer Region command in a Marquee selection now creates a region that corresponds to the Marquee.
Smart Tempo
In cases where there is not an existing Smart Tempo Multitrack Set, selecting an audio file in the Smart Tempo Multitrack Set window and disabling the “Contribute to analysis” check box now causes the Update button to change to Analyze as expected.
Pressing the Space bar now immediately stops a Free Tempo recording.
Fixes an issue where projects previously open in the same Logic Pro session could unexpectedly affect “Contribute to Analysis” in the Smart Tempo editor.
Recording
Audio regions recorded to unnamed tracks now include the project name and track number in their name.
Mixer
The channel strip Stereo Pan control and the Pan menu now can be adjusted when Caps Lock is enabled.
Creating a single Multi-timbral Software Instrument in the New Track Sheet no longer creates two Software Instrument instances in the All view of the Mixer.
Resolves an issue where remaining tracks in a Multitimbral Software Instrument Track Stack could unexpectedly rename the channel strip.
Adjusting the activity status of a speaker in the Surround panner no longer causes the signal to unexpectedly mute.
Groups now immediately show as inactive when switched off for a selected set of channels in the Mixer.
Metering now correctly works on individual channel strips with plug-ins that send to more than two channels and are routed to a surround bus.
Option-clicking on a send in a selected group of channel strips now sets all corresponding sends to 0 dB as expected.
Fixes an issue where performing Undo after adjusting the fader values of grouped channels with Group Clutch enabled and then disabled could cause the faders to jump up to +6 dB when one member of the group is touched.
Setting multiple selected channels to No VCA now works as expected
Alchemy
The oscillator section in Alchemy offers a new Wide Unison mode.
All controls for Additive Effects now accept typed-in values as expected.
Values typed into parameters related to milliseconds (MS) in Acoustic Reverb are no longer interpreted as full seconds.
Resolves an issue where performance control destinations for modulation could show as duplicated.
Sampler, Quick Sampler, and Quick Alchemy
The Playback direction button in Quick Sampler now immediately updates when clicked.
The view now scrolls correctly when dragging the Trim marker in Sample Alchemy.
It is now possible to adjust the level of a group in Sampler up to +24 dB.
The Up/Down buttons for navigating zones in Sampler now remain available after adjusting the start or end positions of samples.
The general Zoom/Scroll key commands now can be used to trim the current view in Sample Alchemy.
Handles and Trim Handles in Sample Alchemy behave correctly when click-dragged, even when the plug-in window does not have focus.
The Ancient Vocal Chop and Baily Glide plug-in settings for Quick Sampler now open in Classic mode, as expected.
Plug-ins
The MIDI Scripter plug-in now shows in Logic Pro when running in dark mode.
Fixes an issue where clicking on Sampled IR in Space Designer could activate Synthesized IR mode unexpectedly.
Resolves an issue where repositioning the playhead could cause audio to cut out on channel strips that use Step FX.
The preset Note Repeater in Scripter now works as expected.
The wet/dry setting on Ringshifter is now always set to 100% wet when inserted on an Aux.
There's now a DI Delay Compensation switch in Bass Amp Designer to improve phase correlation when blending between Amp and Direct Box in the plug-in.
StepFX now includes presets using Sidechain.
The Beat Breaker preset called “Basic / 2 Slices, Speed 66%” no longer plays the slices at 50% speed instead of 66%.
Resolves an issue where ES2 could produce glitching sounds when using Sine Level or Poly Voice mode on Apple Silicon computers.
Mono > Stereo instances of Console EQ no longer can cause unexpected feedback.
Using the Delete all Automation key command while an Audio Unit window has key focus no longer causes the Audio Unit window to go blank.
The menu for the compression section of Phat FX can now be opened by clicking on the Up/Down arrows.
Beat Breaker now offers new default patterns divided evenly into 2, 4, 8, 16, and 32 slices.
Mastering Assistant
There is no longer unexpected latency with bounces from projects that use the Clean or Clean + Excite mode in Mastering Assistant.
Mastering Assistant analysis is no longer incorrectly triggered in projects that contain no regions, but are previewing audio from Ultrabeat, etc.
Mastering Assistant no longer allows the -1 dBFS peak limit to be exceeded in certain cases.
Automation
The Consolidate Relative and Absolute for Visible / Automation menu item now only displays when automation types that support relative automation are active in the lane.
Region-based Automation is now pasted as Track-based Automation when pasted to an area of a track that does not contain regions.
Pitchbend now works as expected with zones in Sampler that do not have Flex Pitch enabled.
Selecting Region-based automation points on a region now deselects previously selected automation points on other regions
Disabling Region-Based Automation no longer dims the Power button for MIDI CC data lanes in the Piano Roll.
The movie window now updates to show the correct frame when moving Region-based automation points.
The Autoselect automation parameter now works as expected when clicking any plug-in control.
Automation of the Gain plug-in no longer exhibits unexpected latency.
Region-based automation is now drawn correctly when recorded into projects that start earlier than 1 1 1 1.
Automation lane views for all tracks are now maintained when switching into Flex view and then back to Automation view.
Flex Time and Flex Pitch
Flex Pitched notes now play as expected when clicked while Record or Input Monitoring is active on the track.
Flexed audio tracks using Monophonic or Slicing mode no longer produce clicks at tempo changes.
Takes and comping
Fade-ins are now applied when flatten and merge is performed on Comps.
Renaming a take that encompasses the entire length of an audio file no longer unexpectedly changes the file name.
Comps in Take Folders are now preserved when performing Cut Section Between Locators on a section that includes the end of one Take folder and the beginning of another, with a gap in-between.
Track Stacks
Record-arming a Track Stack now arms grouped audio tracks in a Track Stack it contains.
Dragging a subtrack out of a Track Stack that is assigned to a VCA now removes the assignment for the subtrack.
Fixes an issue where Track Stacks could sometimes be dimmed when some, but not all, subtracks are muted or off.
It's now possible to replace stacked instrument patches that are inside a Summing Stack with single track patches.
Track Alternatives
Loading a patch on a Summing Stack containing sub-tracks with Track Alternatives no longer causes inactive alternatives to be deleted.
Track Alternatives can now be created for the Stereo Output track.
Selection-Based Processing
Using Selection-Based Processing on a Marquee selected section within a Take Folder no longer creates an unexpected comp.
Selection-Based Processing on a comp now retains the comp.
Score
The spacing of notes is improved in cases where there is a dotted note on a line with the stem is pointing upward.
Command + Z to undo now works after deleting a Score Set.
Upward bends in TAB staves now display correctly.
Importing an instrument track no longer can cause Score Sets in the current project to disappear.
Imported Score Sets can now be deleted from a project.
Live Loops
“Join Region and Fill Cell” now works as expected.
Recording a performance in Live Loops now temporarily puts all tracks into Automation: Latch mode.
Fixes an issue where changing patches for a Live Loop track could cause the length of cells to change unexpectedly.
It's now possible to paste MIDI notes into a Live Loops cell.
Step Sequencer
It's now easier to use the disclosure triangle to open sub-rows in Step Sequencer.
Pattern regions now play back correctly immediately after being nudged.
Pattern Regions now immediately play as expected after using the Slip/Rotate tool to drag their contents to the left.
The “Separate pattern region by kit piece” command on Drum Machine Designer tracks is now applied to the correct area of the Pattern Region, in cases where the left border of the region has been moved to the right.
The length and number of steps of a newly created Pattern Region accounts for Time Signature changes correctly.
The maximum possible pattern length of a Pattern region is now 4 bars of the current time signature.
Step Sequencer now allows pattern lengths to be added based on 5/4 and 7/8 time signatures.
The Step Sequencer Inc/Dec controls now work in Loop Edit mode.
Fixes an issue where Pattern Regions on frozen tracks be edited unexpectedly.
Region-based automation now displays properly on Pattern regions in tracks that have been partially frozen, and on regions that have been frozen and then unfrozen.
It's now possible to assign MIDI channels per step in a Pattern Region.
MIDI
Reset messages for Software Instruments now work correctly.
Sustain messages are now sent correctly when playing back regions with Clip Length enabled in cycle mode.
There is now an “Internal MIDI in” setting in the Track Inspector to allow for recording MIDI from any other software instrument or External MIDI Instrument track.
The “Send all MIDI settings” key command now sends program changes to external devices assigned to empty tracks.
Resolves an issue where 3 bytes of random MIDI data would be sent when playing back regions containing SysEx data with MIDI 2.0 disabled
New 'internal MIDI in' feature allows recording of MIDI from other tracks, including MIDI FX plug-in output and 3rd party MIDI generators.
The “Delete MIDI events outside region boundaries" key command now correctly creates a starting CC event in the region to match the last matching CC of the same type in the track.
Fixes an issue where Chase could cut off notes that are preceded by notes of the same pitch on tracks with third-party instrument plug-ins.
Editing
The Humanize transform set now works as expected when the Randomize functions for Position, Length, or Velocity are set to very small values.
The menu item Delete and Move in the Event List is now only displayed if regions are displayed in the window.
When MIDI 2.0 is selected in the Settings, clicking on an Event in the Event List no longer plays events back with MIDI 1.0 resolution.
Fixes an issue where using the Cut command in the Audio Track Editor could switch the view to another editor.
When a region in the Project Audio window is double-clicked, the Audio Track editor now opens as expected.
The content link buttons for the Piano Roll and Score show the correct color as expected when toggled using the mouse.
The Event List correctly updates to reflect changes made by using key commands to select notes in other editors.
Resolves an issue where the Velocity tool in the Piano roll could affect the values of non-note events.
Fixes an issue where applying the Transform set Double Speed could cause the notes to disappear from the Piano Roll.
Step Input
Extending the length of note entered using Step Input now works correctly.
Global Tracks
Adding multiple audio Apple Loops of the same key to different tracks of a new project now changes the project key as expected.
Clicked in Tempo points are now placed at their correct positions in projects that start earlier than 1 1 1 1.
Share and export
When No Overlap is enabled, regions bounced onto existing regions no longer overlap them.
Audio files bounced from Logic Pro now include the proper Encoded Date in the metadata.
Fixes an issue where MIDI regions could be truncated when bounced in place.
Fixes an issue where audio files including Volume/Pan automation exported from mono tracks that use plug-ins could export as stereo files.
It is now possible to bounce sub-channels of multitimbral instrument tracks as individual files.
Import
Resolves an issue when dragging multiple audio files into a project, choosing the “Place all files on one track” option could create a second track and places the first file on one track, and the rest on the second.
Output channels in the Mixer can now be imported from other Logic Pro projects.
Apple Loops
The Loops browser now correctly shows the same enharmonic key an Apple Loop was tagged with.
Apple Loops now preview using the Key Signature active at the current position of the playhead.
It's now possible to add Aliases to bookmarks and untagged loops.
Dragging an Apple Loop from the loop browser to an existing track no longer changes the input for the track.
Fixes an issue where MIDI Apple Loops could jump to the start of the nearest bar position when dragged from the Loop Browser to the middle of a bar.
Video Support
A secondary screen that is running a full screen video with Show Animations off will no longer remain black after closing the project.
Key Commands
The “Increase (or Decrease) last clicked parameter” key commands now work for controls in the LCD.
The “Record off for all” key command now works on Software Instrument tracks in cases where one or more audio tracks are also record-enabled.
There is now a key command to add to the current selection of regions or cells that are assigned to a toggle solo group.
The Zoom Toggle key command now works in the Step Editor.
Compatibility
GarageBand projects that use Pitch Correction now sound the same when opened in Logic Pro.
Undo
If Undo is used immediately after creating a project, the New Track Sheet is displayed as expected rather than leaving a project with no tracks.
Undo/Redo now works as expected with Audio Unit v3 plug-ins.
Changing the Automation Mode, or changing a Track On/Off state now creates an Undo step.
Performing Undo after adding a surround track no longer corrects Drummer tracks in the project.
Logic Remote
Logic Remote immediately updates to show time and signature changes made in Logic Pro.
Control Surfaces and MIDI controllers
Controls on Control Surface devices that use Lua scripts now provide feedback when learning assignments for them in Logic Pro.
Illuminated buttons on control surfaces now show the correct state for Show/Hide Track Editor.
General
The LCD now displays the Cycle start and end times in both SMPTE time and Bars/Beats when the secondary ruler is displayed.
Search in the All Files browser now finds matching items in bookmarked folders.
Fixes an issue where the visible editor in the Main window could unexpectedly switch when rubber-band selecting regions.
Audio Take folders created in Cycle mode now loop as expected after recording when Loop is enabled in the Region Inspector.
It's now possible to create external MIDI tracks when Core Audio is disabled in Logic Pro.
Resolves an issue where deleting a Flex marker from an audio region while a Marker List is visible could switch the key focus to the Marker List.
Track information pasted into a text editor now includes the TIME position when the Use Musical Grid setting for the project is not enabled.
Input monitoring buttons are now displayed on audio tracks when Logic Pro has fallen back to an alternate audio device because the selected device is not available.
Previewing an audio region in the Project Audio window no longer causes it to jump to the top of the window.
Command+Option clicking on the On/Off button of a track now toggles the button for all tracks, as expected.
Copy/paste of regions now works when Automation view is enabled.
Right-clicking on a looped segment of a region now opens the contextual menu as expected.
It's now easier to see when black keys are depressed in the Musical Typing window.
The right arrow key now reliably moves the text cursor in the Bounce > Save As file name panel.
Groove Templates created from audio regions now work in Smart Quantize mode.
Dragging multiple regions from the same audio file from the Project Audio browser to the Tracks area now works correctly.
Audio regions are no longer moved to unexpected positions when trimming, if absolute Snap mode is on, and the region anchor is moved away from the start of the region
Fixes an issue where pasting a Marquee selection with No Overlap and Snap Edits to Zero Crossings mode enabled could delete a non-overlapping part of an existing region.
Autozoom now triggers when a region's upper right corner is dragged in the Main window, or the Audio Track Editor.
The Playhead no longer may briefly appear to be in the wrong position when zooming horizontally.
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So, I was fired from my job last month. My new manager (I had four managers in one year) was an incompetent asshole and felt threatened when I constantly fixed her mistakes. I never pointed out these mistakes to anyone else, but she accused me on undermining her. She constantly talked down to me treated me like total shit. She fired me without notice or severance. It was truly a traumatic experience, from which I am still trying to recover.
I’ve been applying to at least 15-20 jobs every day. I either hear nothing or I get the form letter saying they chose another candidate. I’ve had a few interviews, but nothing more. One company asked me to complete an assessment that took me over 8 hours, only to tell me I did a great job, but they have no openings right now. WTF? I’ve sent work samples, given letters of recommendation, etc. I’m starting to think that these companies ask for assessments and work samples so they can turn around and use them themselves! Isn’t that illegal?
This whole process has made me feel so worthless and depressed, to the point where I don’t even want to get out of bed. I’m collecting unemployment, but that hardly covers the bills. I’m watching my savings dwindle every day. I don’t know what else to do. 🥲

I am reporting a lovescam that I was a victim of through Vika , over the course of about four months we sent about 144 letters. I should have listened to my gut which said it felt fake. I am going to share some details with you from some of the letters. These are only a small sampling of the letters we wrote to each other, given that 144 letters were written.
Not saying AFA is bad, just Vika is bad. And maybe some corruption at a local office. I desire to continue to use the AFA service since I believe that Vika is a bad person within a legitimate company. I also believe she was cut in with the letters income for a local office, though I can't prove it. Here are some of the letters.
On January 3rd, Vika wrote. "You know, Kenneth, sometimes I think we live in a world where people are afraid of their feelings. But I'm not like that. I am ready to accept you as you are, with all your fears and desires. I believe that we have something special that can bind our souls forever.When was the last time you thought about what really matters to you? What dreams and desires occupy your thoughts? And most importantly, Kenneth, do you sometimes feel the same spark that I do? I would like to spend time with you, learn more about your interests, share my dreams and hopes. I dream that our hearts will beat in unison, creating harmony in this chaotic world. Think about it, Kenneth. Maybe we should give our feelings a chance, give them the opportunity to flourish and grow? I am ready to walk next to you, give you my support and love."
And as you can see, she was laying it on super thick. saying she wanted to walk besides me. Of course its pretty obvious no one talks this way, and these are red flags for a scam. I should not have ignored my gut instincts. On the 8th of January she wrote , "Let's continue to build our story, delving into our feelings and understanding each other even better. I dream of the day when I can take your hands in mine and introduce you to my family. You are special to me, Kenneth, and I hope our future will be as magical as our correspondence. Let's move forward, enjoying every moment that fate gives us. With warmth and romance, Vika " . . She went so far as to talk about her wedding dress, and pushed potential marriage hard. I also feel embarrassed for talking about my beliefs in regards to family and marriage since it was just a scam. I made plans to come to Ukraine which I did. I will share her letter from May 1st. I was in Kiev at the time. Titled "there is very little time left before our meeting." "Hello Kenneth! There is very little time left before our meeting, and I can’t help but share my emotions with you! The first meeting is always so exciting, right? I'm already starting to feel a storm of emotions when I think that we will see each other soon. By the way, how are you doing? How is your time in Kyiv going? I'm very interested in how you spend your days there. Do you like Kyiv? Is there anything special that you have already noticed or loved about this city? Tell me, I'm looking forward to your impressions! I hope you are doing well and are looking forward to our meeting as much as I am. Can not wait for your reply! With love, Vika."
When I finally showed up in Dnipro, which I did at the risk of my own life. I even heard drone explosions outside of my hotel, and the electricity went out , Vika fully disappeared. She pushed our date from May 4th I believe to the following Monday. Then she cancelled that one as well. Blamed both on family issues. Then she started ignoring all messages and phone calls from the agency. The agency said they were confused about what was happening. I did not see her once while in Ukraine. After all the promises, and letters she straight up ghosts me when I come to an active war zone.
It was incredibly rude. I did try to give some forgiveness when I came back, and to move communication off of the platform if she wants to talk. This was obvious a mistake since scammers don't care about their victims. I was also looking for clarification on why she did what she did. She is overly vague and refused to sign the forms, another thing that was very suspicious and screams "love scam". I should not even have talked to her after the fact but you have to understand I was deeply hurt to be ghosted after showing up in Ukraine. It was extremely hurtful and vicious.
Dear Kenny, I received your letter and feel obligated to answer it. First, I want to express my gratitude for your sincerity and openness. I understand that this has not been easy for you and I appreciate your honesty. I understand that you have difficult feelings about our relationship, and I am sorry that they led to disappointment. I would like to clarify a few points from your letter. I didn't mean to cause you disappointment or offense in any way. If there was anything in my actions or words that caused you negative emotions, I apologize. Regarding my feelings, I feel the need to be honest with you. I would not like to impose false hopes or illusions. We both deserve clarity and honesty in our relationship. Thank you for your letter and the sincerity in it. I would like to share my thoughts regarding the signing of IMBRA. I understand that this is an important step for you, but I feel that in our current situation I cannot take this step. I realize that my actions and words may have caused you offense, and for that I am very sorry. You showed a lot of strength in writing this letter and I appreciate your sincerity. That's why I decided to answer you - it will be right. Sincerely, Vika."
I am not going to write to her again obviously. I shouldn't have tried to get clarity. She is a cold-hearted shark. Who never had any real interest in me.
This is the only letter that is actually distant emotionally. She says she wants to "clarify a few points" but she does not clarify anything. She does not clarify why she pushed wanting a relationship, including marriage hard for four months, and then just ignored that I existed once I showed up. She also says she doesn't want to give me "false hopes or illusions" which is a bunch of nonsense as you can see from her previous responses. Funny, that she did not say this before I came to freaking Ukraine and she didn't even have the dignity to meet me. And even not wanting to sign the forms because I was willing to forgive given correspondence was off the platform is HIGHLY suspicious. It shows she only wants to correspond if the company is getting money, and the fact that she pushed letters so often makes me think she is incentivized.
I believe I was a VICTIM of a love scam 100 percent. I believe that Vika misled me , and then freaked out once I was in her city. . Given the context of what has happened , I believe that Vika is probably getting a cut of the business that the office is generating. I have suffered emotional and psychological consequences from being hurt and used so thoroughly. The viciousness of having some one come all the way to your country and then ghosting them is REALLY bad , especially in light of her previous responses.
I would be interested in anyone's thoughts, and what you think after reading my post. Be careful out there, not everyone is sincere.

So far sales had been steady but not spectacular. Jenna hoped they would pick up after the school let out. She chatted and sampled with customers, pitching her spiel about supporting their troop's efforts to earn badges. It was fun work even if tiring on her feet.
Gazing up at the cloudless sky, Jenna wondered idly if it might rain later. The forecast hadn't mentioned anything, but you never knew. A tiny speck in the distance caught her eye. She squinted, trying to make it out. It grew rapidly in size—and shape. Whatever it was, it wasn't a bird.
"Hey Jamie, do you see that?" Jenna nudged her friend, pointing. Now the other girls had turned to look as well. What had been a speck was now clearly some large, cylindrical object descending from the heavens. It shone silvery-grey in the sunlight.
"Is that...a rocket ship?" breathed Tammy.
As it neared the treetops, its design became evident. Definitely not any spacecraft Jenna had seen on the news or in movies. It was smoothly rounded on all ends, with no visible engines or fins. Eerily silent, it drifted toward an open field and settled softly on four tapering legs.
The girls stared open-mouthed, cookies momentarily forgotten. A hatch appeared in the side of the ship. Light spilled out, glowing an ethereal blue. Then towering figures emerged, moving with an inhuman grace.
Jenna caught her breath. Peering closer, she could just make out bipedal forms wrapped in loose, silvery garments. Their limbs seemed overly long and jointed in odd places. As they turned in her direction, two dark eyes set wide in hairless faces met hers. No nose or mouth was visible beneath.
"Aliens," Jamie whispered. "Actual aliens. I don't believe it."
Tammy squeaked and clung to Jenna's arm. But Jenna's mind was racing. This was an incredible opportunity, too good to pass up. She flashed the others a mischievous smile. "Come on, girls. Let's go make some sales!"
The troop fell into step behind her as she marched into the field. The creatures had paused, gazing around at their surroundings with a palpable air of curiosity and caution. As Jenna neared, they angled their expressive eyes down at the little band approaching. Up close, their skin shimmered in shades of aqua and moss green, veined with silvery networks.
The tallest one shifted its gaze between the girls, as if taking their measure. It spoke, but the sound was like rushing wind and dripping water blended into an eerie melody. Its friends chattered in response, their voices blending into a dissonant choir.
Undeterred, Jenna beamed and proudly presented her box of Thin Mints. "Cookies!" she enunciated clearly. "Would you like to buy some cookies?" To her astonishment, a glowing rectangle like a computer screen lit up on the tall one's torso. Words scrolled across it in crisp English letters.
WE DO NOT UNDERSTAND. WHAT ARE COOKIES? IT SEEMS YOU ARE SELLING SOMETHING, BUT WE HAVE NO CURRENCY OF YOUR WORLD.
Jamie leaned in to whisper, eyes shining, "They can understand us! This is so cool."
Jenna gathered her thoughts, focusing on her sales pitch despite everything unusual about the situation. "Cookies are a sweet treat made of chocolate and biscuits. They're very popular here on Earth. And all the money we earn from selling them goes towards fun trips and learning new skills as Girl Scouts. Please, won't you buy a box to help support our troop? I'm sure you'll love them!"
The aliens conferred amongst themselves, still in untranslatablespeech. Finally, the glowing display lit up again. I APOLOGIZE, BUT WE HAVE NO MEANS OF TRANSACTION. WE ARE EXPLORERS HERE IN PEACE TO STUDY YOUR WORLD. PERHAPS ANOTHER TIME WE CAN BARTER. FOR NOW, WE ONLY WISH TO LEARN.
Jenna tried to hide her disappointment. This wasn't how she'd envisioned the interaction going at all. But she had come this far, so she wasn't giving up yet. An idea bloomed in her mind. "Well, since you want to learn about us, how about a trade? We'll give you a box of cookies to try in exchange for letting our whole troop come aboard your ship for a little while. What do you say?"
The girls held their breath. This was assuredly against every safety rule. But an opportunity for an out of this world experience was too enticing to pass up. The aliens conversed quietly before responding.
VERY WELL, HUMAN CHILDREN. FOR THE SAKE OF CULTURAL EXCHANGE, WE AGREE TO YOUR TRADE. COME, WE SHALL GIVE YOU A TOUR OF OUR VESSEL.
Screeches of delight arose from the Scout troop. Jenna tried to shush them, not wanting the aliens to change their minds. But she couldn't contain her own grin of excitement and triumph. This was going to be one very memorable cookie sale!
Jenna stepped forward nervously, holding out the box of Thin Mints for the aliens to see. She did her best salesperson smile while gesturing to the colorful packaging. "Cookies!" she said again loudly and clearly.
The tallest alien leaned down, its large dark eyes fixing on the box in Jenna's hands. A long, nimble finger reached out to poke gently at the box, then drew back just as swiftly. Its companions murmured again in their strange tongue.
Frustrated not being able to communicate properly, Jenna popped open the lid so the sweet scent could waft up. She took one mint and mimed taking a bite, sighing happily and rubbing her belly. The aliens copied the sign for stomach, looking quizzical.
An idea sparked in Jenna's mind. Rummaging in her bag, she pulled out her phone and found the notepad app. Typing awkwardly with her thumbs, she showed them the words "Will you trade for this?" Arrows pointed to the cookies and to their ship.
A spark of understanding lit in the aliens' eyes as they studied the makeshift message. Their glowing display lit up in response. I APOLOGIZE, SMALL HUMAN, BUT WE HAVE NOTHING OF VALUE FROM OUR WORLD TO OFFER IN RETURN. OUR MISSION HERE IS ONE OF DISCOVERY ONLY.
"Please?" Jenna typed, giving her best pleading look. The girls clustered behind her, joining in the silent begging. But the aliens only seemed perplexed by this behavior.
Suddenly Tammy piped up, "What if we clean your ship for you? We'll dust and sweep and take out the garbage." The others stared at her, surprised by this inventive offer.
The display considered this. THAT IS A GENEROUS OFFER. HOWEVER, OUR CRAFT UTILIZES TECHNOLOGY FAR BEYOND YOUR WORLD'S CURRENT STAGE. I DOUBT YOU COULD PERFORM MAINTENANCE TO OUR STANDARDS.
At this rejection, the girls deflated with twin sounds of disappointment. But Jenna wasn't giving up yet. She furiously texted another message. "How about you give us a little tour then? We promise to be very careful and not touch anything."
The aliens conferred quietly amongst themselves for several moments. The girls held their breath, hoping their persistence was finally paying off. Then the glowing display lit up once more.
VERY WELL, SMALL HUMANS. FOR THE SAKE OF CULTURAL EXCHANGE, WE WILL ALLOW YOU A BRIEF LOOK INSIDE OUR VESSEL. BUT YOU MUST FOLLOW OUR INSTRUCTIONS CAREFULLY. OUR TECHNOLOGY COULD PROVE DANGEROUS IF MISUSED.
The Girl Scouts whooped and cheered, doing a little victory dance. Jenna grinned, popping another Thin Mint in her mouth triumphantly. "Deal! Thank you so much for this."
The tallest alien gestured gracefully with one long arm. "THIS WAY, YOUNG ONES. WE SHALL BEGIN OUR TOUR."
Clutching their cookie boxes eagerly, the girls fell into line behind the extraterrestrials. They followed them up a floating gangway into the belly of the ship.
Inside, the walls glowed with an otherworldly luminescence. Strange symbols and interfaces winked all around, totally indecipherable. The floors felt bouncy underfoot, as if made of gelatin.
"Wow," breathed Jamie. "It's so beautiful in here."
The aliens guided them through sleek corridors and compartments full of glowing tech. They pointed out living quarters, a laboratory, hydroponic gardens, and an observation deck showing the curve of the Earth.
In the cockpit, countless viewscreens displayed alien constellations and scans of their small town below. Control panels rippled like liquid mercury beneath touch.
"This is where we navigated our journey to your solar system," explained their guides. "Truly a marvel, the distances stars can be bridged.
Tammy peered out the main viewing portal. "Your ship is so fast! How did you get here from wherever you came from?"
As the explorers launched into an explanation involving hyperdrives and folded spacetime, Jenna began to lose the thread. Space travel clearly worked very differently where these beings hailed from.
Their tour lasted nearly an hour, the aliens answering every barrage of questions patiently. All too soon, it was over, and they found themselves back outside in the late afternoon sun
"Thank you so much for the amazing tour!" Jenna gushed, hugging her now-empty cookie box. "Learning about aliens is a once-in-a-lifetime experience.
The tallest being dipped its head graciously. "IT WAS OUR PLEASURE, SMALL HUMANS. YOU HAVE PROVIDED US AN INSIGHT INTO YOUR YOUNG ONES AS WELL."
Its fellows chattered in their musical language, some holding half-eaten cookies and gesturing appreciatively. Jenna beamed, glad they seemed to have enjoyed the treats.
"Will you come back to see us again?" asked Jamie hopefully.
"PERHAPS, IF OUR EXPLORATIONS BRING US BACK THIS WAY," was the reply. "BUT FOR NOW, WE MUST RESUME OUR JOURNEY AMONG THE STARS. FAREWELL, AND THANK YOU ONCE MORE FOR YOUR HOSPITALITY.
The aliens turned as one and glided back up the gangway. The rockets flared, rising gracefully into the sky until they vanished into the dusk.
The girls stood watching long after, buzzing with excited chatter about this unforgettable day. In the end, it had been the best cookie sale ever. Maybe even worth breaking a few rules...

So far sales had been steady but not spectacular. Jenna hoped they would pick up after the school let out. She chatted and sampled with customers, pitching her spiel about supporting their troop's efforts to earn badges. It was fun work even if tiring on her feet.
Gazing up at the cloudless sky, Jenna wondered idly if it might rain later. The forecast hadn't mentioned anything, but you never knew. A tiny speck in the distance caught her eye. She squinted, trying to make it out. It grew rapidly in size—and shape. Whatever it was, it wasn't a bird.
"Hey Jamie, do you see that?" Jenna nudged her friend, pointing. Now the other girls had turned to look as well. What had been a speck was now clearly some large, cylindrical object descending from the heavens. It shone silvery-grey in the sunlight.
"Is that...a rocket ship?" breathed Tammy.
As it neared the treetops, its design became evident. Definitely not any spacecraft Jenna had seen on the news or in movies. It was smoothly rounded on all ends, with no visible engines or fins. Eerily silent, it drifted toward an open field and settled softly on four tapering legs.
The girls stared open-mouthed, cookies momentarily forgotten. A hatch appeared in the side of the ship. Light spilled out, glowing an ethereal blue. Then towering figures emerged, moving with an inhuman grace.
Jenna caught her breath. Peering closer, she could just make out bipedal forms wrapped in loose, silvery garments. Their limbs seemed overly long and jointed in odd places. As they turned in her direction, two dark eyes set wide in hairless faces met hers. No nose or mouth was visible beneath.
"Aliens," Jamie whispered. "Actual aliens. I don't believe it."
Tammy squeaked and clung to Jenna's arm. But Jenna's mind was racing. This was an incredible opportunity, too good to pass up. She flashed the others a mischievous smile. "Come on, girls. Let's go make some sales!"
The troop fell into step behind her as she marched into the field. The creatures had paused, gazing around at their surroundings with a palpable air of curiosity and caution. As Jenna neared, they angled their expressive eyes down at the little band approaching. Up close, their skin shimmered in shades of aqua and moss green, veined with silvery networks.
The tallest one shifted its gaze between the girls, as if taking their measure. It spoke, but the sound was like rushing wind and dripping water blended into an eerie melody. Its friends chattered in response, their voices blending into a dissonant choir.
Undeterred, Jenna beamed and proudly presented her box of Thin Mints. "Cookies!" she enunciated clearly. "Would you like to buy some cookies?" To her astonishment, a glowing rectangle like a computer screen lit up on the tall one's torso. Words scrolled across it in crisp English letters.
WE DO NOT UNDERSTAND. WHAT ARE COOKIES? IT SEEMS YOU ARE SELLING SOMETHING, BUT WE HAVE NO CURRENCY OF YOUR WORLD.
Jamie leaned in to whisper, eyes shining, "They can understand us! This is so cool."
Jenna gathered her thoughts, focusing on her sales pitch despite everything unusual about the situation. "Cookies are a sweet treat made of chocolate and biscuits. They're very popular here on Earth. And all the money we earn from selling them goes towards fun trips and learning new skills as Girl Scouts. Please, won't you buy a box to help support our troop? I'm sure you'll love them!"
The aliens conferred amongst themselves, still in untranslatablespeech. Finally, the glowing display lit up again. I APOLOGIZE, BUT WE HAVE NO MEANS OF TRANSACTION. WE ARE EXPLORERS HERE IN PEACE TO STUDY YOUR WORLD. PERHAPS ANOTHER TIME WE CAN BARTER. FOR NOW, WE ONLY WISH TO LEARN.
Jenna tried to hide her disappointment. This wasn't how she'd envisioned the interaction going at all. But she had come this far, so she wasn't giving up yet. An idea bloomed in her mind. "Well, since you want to learn about us, how about a trade? We'll give you a box of cookies to try in exchange for letting our whole troop come aboard your ship for a little while. What do you say?"
The girls held their breath. This was assuredly against every safety rule. But an opportunity for an out of this world experience was too enticing to pass up. The aliens conversed quietly before responding.
VERY WELL, HUMAN CHILDREN. FOR THE SAKE OF CULTURAL EXCHANGE, WE AGREE TO YOUR TRADE. COME, WE SHALL GIVE YOU A TOUR OF OUR VESSEL.
Screeches of delight arose from the Scout troop. Jenna tried to shush them, not wanting the aliens to change their minds. But she couldn't contain her own grin of excitement and triumph. This was going to be one very memorable cookie sale!
Jenna stepped forward nervously, holding out the box of Thin Mints for the aliens to see. She did her best salesperson smile while gesturing to the colorful packaging. "Cookies!" she said again loudly and clearly.
The tallest alien leaned down, its large dark eyes fixing on the box in Jenna's hands. A long, nimble finger reached out to poke gently at the box, then drew back just as swiftly. Its companions murmured again in their strange tongue.
Frustrated not being able to communicate properly, Jenna popped open the lid so the sweet scent could waft up. She took one mint and mimed taking a bite, sighing happily and rubbing her belly. The aliens copied the sign for stomach, looking quizzical.
An idea sparked in Jenna's mind. Rummaging in her bag, she pulled out her phone and found the notepad app. Typing awkwardly with her thumbs, she showed them the words "Will you trade for this?" Arrows pointed to the cookies and to their ship.
A spark of understanding lit in the aliens' eyes as they studied the makeshift message. Their glowing display lit up in response. I APOLOGIZE, SMALL HUMAN, BUT WE HAVE NOTHING OF VALUE FROM OUR WORLD TO OFFER IN RETURN. OUR MISSION HERE IS ONE OF DISCOVERY ONLY.
"Please?" Jenna typed, giving her best pleading look. The girls clustered behind her, joining in the silent begging. But the aliens only seemed perplexed by this behavior.
Suddenly Tammy piped up, "What if we clean your ship for you? We'll dust and sweep and take out the garbage." The others stared at her, surprised by this inventive offer.
The display considered this. THAT IS A GENEROUS OFFER. HOWEVER, OUR CRAFT UTILIZES TECHNOLOGY FAR BEYOND YOUR WORLD'S CURRENT STAGE. I DOUBT YOU COULD PERFORM MAINTENANCE TO OUR STANDARDS.
At this rejection, the girls deflated with twin sounds of disappointment. But Jenna wasn't giving up yet. She furiously texted another message. "How about you give us a little tour then? We promise to be very careful and not touch anything."
The aliens conferred quietly amongst themselves for several moments. The girls held their breath, hoping their persistence was finally paying off. Then the glowing display lit up once more.
VERY WELL, SMALL HUMANS. FOR THE SAKE OF CULTURAL EXCHANGE, WE WILL ALLOW YOU A BRIEF LOOK INSIDE OUR VESSEL. BUT YOU MUST FOLLOW OUR INSTRUCTIONS CAREFULLY. OUR TECHNOLOGY COULD PROVE DANGEROUS IF MISUSED.
The Girl Scouts whooped and cheered, doing a little victory dance. Jenna grinned, popping another Thin Mint in her mouth triumphantly. "Deal! Thank you so much for this."
The tallest alien gestured gracefully with one long arm. "THIS WAY, YOUNG ONES. WE SHALL BEGIN OUR TOUR."
Clutching their cookie boxes eagerly, the girls fell into line behind the extraterrestrials. They followed them up a floating gangway into the belly of the ship.
Inside, the walls glowed with an otherworldly luminescence. Strange symbols and interfaces winked all around, totally indecipherable. The floors felt bouncy underfoot, as if made of gelatin.
"Wow," breathed Jamie. "It's so beautiful in here."
The aliens guided them through sleek corridors and compartments full of glowing tech. They pointed out living quarters, a laboratory, hydroponic gardens, and an observation deck showing the curve of the Earth.
In the cockpit, countless viewscreens displayed alien constellations and scans of their small town below. Control panels rippled like liquid mercury beneath touch.
"This is where we navigated our journey to your solar system," explained their guides. "Truly a marvel, the distances stars can be bridged.
Tammy peered out the main viewing portal. "Your ship is so fast! How did you get here from wherever you came from?"
As the explorers launched into an explanation involving hyperdrives and folded spacetime, Jenna began to lose the thread. Space travel clearly worked very differently where these beings hailed from.
Their tour lasted nearly an hour, the aliens answering every barrage of questions patiently. All too soon, it was over, and they found themselves back outside in the late afternoon sun
"Thank you so much for the amazing tour!" Jenna gushed, hugging her now-empty cookie box. "Learning about aliens is a once-in-a-lifetime experience.
The tallest being dipped its head graciously. "IT WAS OUR PLEASURE, SMALL HUMANS. YOU HAVE PROVIDED US AN INSIGHT INTO YOUR YOUNG ONES AS WELL."
Its fellows chattered in their musical language, some holding half-eaten cookies and gesturing appreciatively. Jenna beamed, glad they seemed to have enjoyed the treats.
"Will you come back to see us again?" asked Jamie hopefully.
"PERHAPS, IF OUR EXPLORATIONS BRING US BACK THIS WAY," was the reply. "BUT FOR NOW, WE MUST RESUME OUR JOURNEY AMONG THE STARS. FAREWELL, AND THANK YOU ONCE MORE FOR YOUR HOSPITALITY.
The aliens turned as one and glided back up the gangway. The rockets flared, rising gracefully into the sky until they vanished into the dusk.
The girls stood watching long after, buzzing with excited chatter about this unforgettable day. In the end, it had been the best cookie sale ever. Maybe even worth breaking a few rules...

PRODUCER: Do you have the suicide note?
HEIDI CLIFFORD (As “Anonymous Classmate”): (Reading purported “suicide note” aloud): This is a copy of the suicide note.
“I attended a course called Executive Success Programs, aka Nexium (sic), based out of Anchorage, Alaska and Albany, New York. I was brainwashed and my emotional center of the brain was killed and turned off. I still have feeling in my external skin, but my internal organs are rotting. I’m sorry, life. I didn’t know I was already dead.”
“No need to search my body.”
Was this potential suicide letter in Kris’s car coerced?
Was it her willingly writing it?
You don’t know.
As we have discussed in previous posts, nothing about the Kristin Snyder missing person case makes any sense whatsoever, and the purported “suicide note” found in her vehicle is certainly no exception.
Before we start analyzing the “suicide note,” here are a few factors to keep in mind:
• We know through information from multiple sources that Kristin was a prolific journal writer and letter writer, so we have a plethora of writing samples to compare with this alleged “suicide note.”
• We refer to “the writer” in our discussion of the “suicide note” below. The reason for this phrasing is because the actual writer of this note is unknown. Did Kristin herself write it, either as a explanation for killing herself, or for the purpose of faking her own death? Did someone else write it to make her disappearance appear to be a suicide? Was part of the text written by Kristin and added to by another party? Was the entire note faked? Was the note written by Kristin, but under duress/coercion as Heidi pondered?
• See notes under each section below regarding clear discrepancies between Kristin’s baseline writing style based on the hundreds of writing samples we have obtained from multiple sources through varying times throughout her life.
Now, without further ado, let’s take an in-depth look at this “suicide note” – line by line.
“I attended a course called Executive Success Programs (aka Nexium) based out of Anchorage, AK + Albany, NY.”
• Who is the note intended for? There is no salutation. We have tons of samples of Kristin’s letters and there is always a salutation – AND a date. If this is really her “suicide note,” why wouldn’t she address it to her partner Heidi, friends, coworkers, and/or family – as she always had addressed people in her letters? Similarly, wouldn’t she document the date of the most significant letter of her life, as she did routinely with her letters? In fact, she often even included the specific time (for instance, 7:15 p.m.) that the letter or journal entry was written.
• In addition to a salutation and date on other writing samples, Kris also typically indented her paragraphs and she also usually wrote on each line of the paper in her letters and journal entries, unlike this “suicide note,” which does neither.
• Related to the numerous writing samples we have acquired though multiple sources, Kris also primarily wrote in cursive in both her letters and in her journal. This “suicide note” is an odd hybrid of cursive and print.
• Why would anyone start a suicide note with “I attended a course…”? Clearly, the writer of this note is directing the reader to correlate ESP with the disappearance, but it seems like a very odd place for anyone to start a suicide note. Also, Kris attended two courses, not “a course”; a fact that Kris would have clearly known.
• “aka Nexium” is another oddity. Kris did not take any NXIVM classes, not even one, despite the extensive recent propaganda linking her to NXIVM. Why? Because NXIVM did not even exist at the time of Kristin’s disappearance; it was still in the planning stages. The writer had obviously heard about these plans as evidenced by the phonetic spelling. Again, it is obvious the writer of the note is clearly directing the reader’s attention to ESP/NXIVM – but if Kris were distraught enough to write a suicide note (and as functionally incapacitated as reported by her partner), why/how would she focus on minutiae like this?
• Speaking of minutiae, it gets even more obvious in the next words: “based out of Anchorage, AK + Albany, NY.” First of all, WHO CARES where ESP was based? That is in no way pertinent to the reasoning, and apparently is another clear attempt by the writer to direct the reader toward ESP/NXIVM. Secondly, this information is actually wrong. ESP wasn’t “based out of Anchorage, AK” – they held classes in Anchorage in a rented hotel space. The home base was in NY. Furthermore, Kris knew very well that this information was wrong, having recently visited their NY headquarters herself weeks before her disappearance!
•The words “based out of” (city, state) are odd as well. None of Kristin’s other writing samples did this. Nowhere does she mention elsewhere that anything is “based out of” anywhere in any of her copious writing samples we have obtained.
• Furthermore, why would the note say “Anchorage, AK” anyway? Presumably, Alaska law enforcement would be able to deduce that Anchorage is in Alaska without this unnecessary clarification.
“I was brainwashed + my emotional center of the brain was killed/turned off. I still have feeling in my external skin but my internal organs are rotting.”
• If Kris was brainwashed, she wouldn’t know (at least at the time) that she had been brainwashed. Again, this seems to be yet another clear attempt by the writer to direct the reader to look at ESP.
• Furthermore, if Kris finally did realize that she had been brainwashed, why would she then kill herself?
• The writer switches “my” and “the” in a sentence – something Kris never did, even once, in the hundreds of pages of writing we have obtained. The sentence should read “the emotional center of my brain,” not “my emotional center of the brain.”
• Another oddity is in the redundancy of “external skin.” Again, this sort of mistake does not appear to be Kris’s style, based on other writing samples. She had a Master of Science (M.S.) in Biology and she worked as an environmental consultant to the National Guard. She was a precise, clear, scientific, and articulate writer.
• This passage clearly implies that Kris was suffering from Cotard’s syndrome; per WebMD: “People with Cotard’s syndrome (also called walking corpse syndrome or Cotard’s delusion) believe that parts of their body are missing, or that they are dying, dead, or don’t exist.” We have talked to multiple people who Kris had visited in her January 2003 trip immediately prior to her February 2003 disappearance, and nobody reported any observations of any mental health issues, suicidal ideation, depression, psychosis, nor delusions of any sort. All of the people who discussed Kris’s reported mental health decline stated that they had not personally witnessed any symptoms, but rather, they were told of a rapid decline following Kris’s disappearance.
• If Kris thought she was already dead, why would she kill herself?
“Please contact my parents Bob + Jonnie Snyder at (number redacted) in Dillon, SC if you find me or this note.”
• Why would she specify to contact her parents, who lived out-of-state? Why not her partner? Why, in fact, is Heidi, the love of her life and civil union partner not mentioned AT ALL in the entire note?
• The inclusion of Kris’s parents as the sole contacts listed in the note contradicts a specific story told at the time of the disappearance alleging that Kris had uncovered memories of abuse during the class and that these purported memories were the reason/a factor in her alleged suicide. But: if that story was true, why would she include her father in the note? It should be noted that there is no evidence whatsoever that Kris was abused. As with the alleged rapid mental health decline, people who reported that story were not told of the purported abuse by Kris themselves, but rather, they were told of the purported abuse allegations after her disappearance. In fact, we even have been given a copy of a text message exchange in which the person who spread this abuse claims refers to it as “the lie.” This is yet another example of the myriad of inconsistencies and contradictions that plague Kris’s case.
• Why mention “Dillon, SC”? There is already a phone number given, so the city/state is irrelevant, and also, it is not her typical style. Again, it seems like someone with a quirky tic to mention a city and state wrote this.
• “if you find me or this note” is similarly nonsensical. If someone found her but NOT the note, they wouldn’t see the note, would they? Again, this oddity of wording is inconsistent with Kris’s typically precise style.
“I am sorry, life, I didn’t know I was already dead. May we persist into the future. KRISTN (sic) SNYDER”
• Again, if she thought she was already dead, why would she need to kill herself?
• Why is she addressing “life”?
• “May we persist into the future” is interesting. “Persist into the future” is a phrase used in ecology, which could potentially mean a couple things: a). Kristin wrote this herself; b). Kristin wrote this phrase elsewhere and someone traced/copied it onto the “suicide note”; or c). the writer had seen a document that referred to this phrase and used it.
• WHO LEAVES A LETTER OUT OF THEIR OWN NAME???? The second “I” is missing in “KRISTN.” Furthermore, as mentioned earlier, Kris predominantly wrote in cursive and she typically signed her name in cursive as well. Why, in the most important document of her life, would she BLOCK PRINT her name, and even more bizarre, why would she leave a letter out of her own name? The writer appears to drop letters and cram letters together, but there is no evidence from other writings that Kris did these things.
“No need to search for my body”
• Why was this written on the BACK of the page on the “suicide note”? And why was the note left inside of a notebook to begin with?
• Kris was a member of the Anchorage Nordic Ski Patrol, and therefore, she was involved in search and rescue. Therefore, she would already know that THEY WOULD SEARCH FOR HER ANYWAY. Also, more importantly, why would she intentionally hide her own body and therefore put her colleagues/friends on the search and rescue team through the extensive trouble and potential dangers of conducting the search for her?
• Why write “my body” on the back of the page but write “me” on the front of the page of the note? That is yet another incongruity.
• Why the emphasis on not looking for a body? The writer clearly has a very specific reason to mention this; there is a reason the writer does not want the body found. It is very rare for a person to want to hide his/her own body, and even more rare to be able to successfully do so.

If you’d like to add an event to our calendar, submit an event here. Please check with the event organizers to see if events change due to weather. Have a great week!
See the full weekly calendar on our website.

Noteworthy Events

The Lion King at DPAC

• Winner of six Tony Awards®, including Best Musical, this landmark musical event brings together one of the most imaginative creative teams on Broadway.
• Wed, May 15 - Sun, June 9
• $29.50+

Adult Recess at CCB Plaza

• Let your inner child shine as you play games, make crafts, and enjoy the fresh air during your lunch break!
• Wed, May 15
• 12-2 p.m.
• Free admission

Duke Baseball vs UNC at Jack Coombs Field

• Thu, May 16 - Sat, May 18

Bimbé Celebration at Rock Quarry Park

• This family-oriented event is a celebration of African and African American history, culture, arts, and traditions. This year's headliner: Monica!
• Sat, May 18
• 1-7 p.m.
• Free admission

Peter Pan at The Carolina Theatre

• This adventure begins at the London home of the Darling family, a typical evening in 1912, as the weary parents try to settle their children down for bed while the young ones insist on staying up late. Little do Wendy, John, and Michael know that a fantastic journey awaits them that night.
• Sat, May 18
• 3 p.m. and 6 p.m.
• $32+

DPW Limit Break at Durham Convention Center

• Wrestlers from all over the world will gather in one place for a night you won't forget.
• Sun, May 19
• 7 p.m.
• $25+

Multi-Day Events

The NGIN Cityscapes Summit at Durham Convention Center

• Hosted by national nonprofit, New Growth Innovation Network, prepare to connect with like-minded professionals and engage with purpose-driven organizations. Immerse yourself in workshops and captivating keynotes from renowned speakers, featuring three tracks of insightful sessions: Inclusive Capital, Community Wealth Building, and Reimagining Systems.
• Wed, May 15 - Fri, May 17
• Registration fees vary

Durham Greek Festival at St. Barbara Greek Orthodox Church

• Enjoy fabulous Greek food, desserts, wine and beer in a festive outdoor atmosphere. Continuous Greek music and scheduled folk dance performances.
• Sat, May 18, 11 a.m. - 9 p.m. and Sun, May 19, 11 a.m. - 7 p.m.
• Free admission

Historic Buildings Open House at West Point on the Eno Park

• Enjoy a look inside the historic McCown-Mangum House, Photography Museum, and Mill.
• Sat, May 18 and Sun, May 19
• 10 a.m. - 2 p.m.
• Free admission

Movies at The Carolina Theatre

• Libeled Lady
• Dirty Harry & Assault on Precinct 13
• Cat City
• Back to Black
• Willy Wonka and the Chocolate Factory
• UHF

Monday, May 13

2 p.m.
Board Game Night at The Glass Jug in Downtown Durham
5 p.m.
Arts & Drafts at Fullsteam Brewery
6 p.m.
Disc Golf Putting League at The Glass Jug in RTP
6:30 p.m.
Trivia Night at Ponysaurus Brewing Company
7 p.m.
Community Board Game Night at Moon Dog Meadery

Tuesday, May 14

Events at Durty Bull Brewing Brewing Company

• 12-8 p.m. - Food Truck: Mike's Vegan Cookout
• 7-9 p.m. - Bull City Beer Runners Run Club
• 7-8 p.m. - Puzzled Pints Game Night

Events at The Glass Jug Beer Lab in Downtown Durham

• 5:45-6:30 p.m. - Community Zumba Classes
• 6-8 p.m. - Music Bingo

Events at The Glass Jug Beer Lab in RTP

• 6-8 p.m. - The Glass Jog Run Club
• 6-9 p.m. - Stitch & Sip

5:30 p.m.
Boxyard Run Club at Boxyard RTP
6 p.m.
In Other Words at Arcana
Duke Baseball vs College of Charleston at Jack Coombs Field
Bring Your Own Vinyl with Jaffar at Rubies on Five Points
Women on the Wall at Triangle Rock Club - Durham
6:30 p.m.
Trivia at Durham Food Hall
Pony Ride at Ponysaurus Brewing Company
7 p.m.
Trivia at Beer Study Durham
Not Rocket Science Trivia at DSSOLVR Durham
Tuesday Blues Jam at The Blue Note Grill
8 p.m.
Comedy Night at Bull City Ciderworks
Jeremy 'Bean' Clemons Trio at Kingfisher
Enter Shikari at Motorco Music Hall
Vision Video + Tears For The Dying at The Pinhook

Wednesday, May 15

Events at Atomic Empire

• 6:30 p.m. - Dragon Ball Fusion World Release Event
• 7 p.m. - Flesh and Blood Armory Event

Events at Boxyard RTP

• 12-2 p.m. - Hear & There: Daniel Delorenzo
• 5:30-8:30 p.m. - Game Night

Events at ZincHouse Winery & Brewery

• 7-8 p.m. - Signature Wine Tasting
• 7-8:30 p.m. - Laughs Comedy Night

9 a.m.
Senior Short Game Clinic at Hillandale Golf Course
10:30 a.m.
Storytime on the Roof with Durham County Library at The Durham Hotel
12 p.m.
Adult Recess at CCB Plaza
3 p.m.
Durham Farmers’ Market at Durham Central Park
4 p.m.
Whiskey Wednesdays at Alley Twenty Six
5 p.m.
Free Wednesday Wine Tasting at Beer Study Durham
5:30 p.m.
Ride of Silence at CCB Plaza
6 p.m.
Queer Craft Night and Tarot with Joy at Arcana
Bimbe Community Block Party at Holton Career & Resource Center
Come Take a Flight With Us: A Bright Black Workshop at Proximity Brewing Company
Free RTP Business Rockstar Connect Networking Event at Sheraton Imperial Hotel
Sweet Social: Auntie's African Ice Cream at The Durham Hotel
6:30 p.m.
Trivia Night with Pickle at The Glass Jug Beer Lab in RTP
7 p.m.
Bottle Swap: Homebrew Club at Durty Bull Brewing Brewing Company
Skip The Small Talk: Speed Friending Event at Fullsteam Brewery
Hammered Trivia at Hi-Wire Brewing
Karaoke Night at Mavericks Smokehouse
Music Bingo at Ponysaurus Brewing Company
3rd Wednesday Jazz Jam Session at Succotash Southern & Creole Kitchen
Brett Chambers Open Mic at The Blue Note Grill
8 p.m.
Air Hockey Tournament at Boxcar Bar + Arcade
Trivia Night at Bull McCabe's
Karaoke at Moon Dog Meadery
The Weeks at Motorco Music Hall
Blends With Friends at The Pinhook

Thursday, May 16

Events at Boxyard RTP

• 7:30-8 a.m. - Bike Durham: Bike to Work
• 12-2 p.m. - Taking Back Thursday: Sheila Casalett

Events at Durty Bull Brewing Brewing Company

• 12-8 p.m. -Food Truck: Mike's Vegan Cookout
• 7-9 p.m. - Thursday Trivia with Nick

8:30 a.m.
Harnessing the Power of AI to Ensure Equitable HR Practices at RTI Holden Building
9:30 a.m.
Guide Supported Canoeing, Kayaking, and Standup Paddleboarding at Eno River
12:15 p.m.
Midday Meander: A Strolling Conversation at Sarah P. Duke Gardens
3 p.m.
Guided Museum Tour at 21c Museum Hotels Durham
5 p.m.
Thirsty Thursdays at Dashi
Righteous Roots Reggae Show at The Glass Jug Beer Lab in RTP
5:30 p.m.
Walking Club with Bull City Strollers at The Glass Jug Beer Lab in Downtown Durham
6 p.m.
Queer Trivia at Arcana
Vinyl Night with DJ Deckades at Gizmo Brew Works
6:15 p.m.
Pony Run at Ponysaurus Brewing Company
6:30 p.m.
AfterHours: Science of Beer at Museum of Life and Science
Line Dance Classes at Mystic Farm and Distillery
Space Code Youth Open Mic at NorthStar Church of the Arts
Boulders & Brews Meetup at Triangle Rock Club - Durham
7 p.m.
Trivia Night at Beer Tooth Taproom
Bimbé Cypher at CCB Plaza
Bring Your Own Vinyl Night at Congress Social Bar
Duke Baseball vs UNC at Jack Coombs Field
Summer Jazz Jam (Curated by Al Strong) at Missy Lane's Assembly Room
Community Board Game Night at Moon Dog Meadery
Al Strong Presents Jazz on the Roof at The Durham Hotel
7:30 p.m.
Trivia Night with Big Slow Tom at Clouds Brewing Brightleaf Square
Reverend Billy C. Wirtz / Armand Lenchek & Carter Minor at The Blue Note Grill
Pillow Talk: Speed Dating and Conversations About Sex / Sexuality at The Pinhook
8 p.m.
Weekly Single Mingle at Boxcar Bar + Arcade
Trivia at Fullsteam Brewery
Danny Lopriore at Motorco Music Hall
9 p.m.
DJ Halo Presents: No Requests at Rubies on Five Points
9:30 p.m.
Karaoke Night at The Tavern

Friday, May 17

Events at Atomic Empire

• 6:30 p.m. - Lorcana: Ursula’s Return Release Event
• 6:30 p.m. - Commander Legends: Battle for Baldur's Gate Draft

Events at Durty Bull Brewing Company

• 5-9 p.m. - Food Truck: La Republica Taco Truck
• 8-11 p.m. - Open Mic Stand-up Comedy

Events at Mettlesome

• 7:30-9 p.m. - Wit: An Improv Comedy Game Show
• 9-10 p.m. - Hush Hush

Events at Moon Dog Meadery

• 6:45 p.m. - Lindy Hop Lesson + Dance
• 7:30 p.m. - Djam
• 9:30 p.m. - Bachata Dance Night

Events at The Blue Note Grill

• 6-8 p.m. - The Duke Street Dogs
• 9:15 p.m. - The Beautiful People Club

10 a.m.
Tasting at Ten at Counter Culture Coffee
12 p.m.
Co-Working Social at The Glass Jug Beer Lab in Downtown Durham
4 p.m.
Late Spring Tree Ramble at Sarah P. Duke Gardens
5 p.m.
Guided Museum Tours at 21c Museum Hotels Durham
Food Truck Friday at The Glass Jug Beer Lab in RTP
5:30 p.m.
LOJO: Log Off, Jam On at Boxyard RTP
6 p.m.
Aly J & Kevin Clark and Tarot with Kathleen at Arcana
Third Friday Art Walk at Downtown Durham
Friday Night Makes at Durham Arts Council
May Third Friday at Durham Arts Council
Counterpoints Exhibition Reception at Durham Bottling Co.
Third Friday at Golden Belt Arts
Duke Baseball vs UNC at Jack Coombs Field
Screenprint Roundup at The Fruit
The Patio Dance Parties : Clueless Fridays at Unscripted Durham
6:30 p.m.
Kayla Waters (Hosted by Marcus Anderson) at Missy Lane's Assembly Room
7 p.m.
Live Vinyl Spinning by PhDJ at Beer Study Durham
Early Show: John Howie Jr. / Ramona and The Holy Smokes at The Pinhook
7:30 p.m.
Evening Eno Exploration Paddle at Eno River
Evan Ringel & Ariel Pocock at Sharp 9 Gallery
8 p.m.
Pass the Aux at Boricua Soul
Stereo Reveries at DSSOLVR Durham
Karaoke! at Fullsteam Brewery
Cheekface at Motorco Music Hall
Dance Blues Friday at Studio 5
9 p.m.
Kayla Waters (Hosted by Marcus Anderson) at Missy Lane's Assembly Room
10 p.m.
The Floor: Special Guest THEYDYLIKE at Rubies on Five Points

Saturday, May 18

Events at Atomic Empire

• 11 a.m. - Pokémon TCG: League Cup
• 1 p.m. - Lorcana: Ursula’s Return Release Event
• 2 p.m. - Game Designers of North Carolina Meetup

Events at Boxyard RTP 11 a.m. - 2:30 p.m. - Will & Well: Grand Opening

• 11:30 a.m. - 2:30 p.m. - Saturdaze: DJ k.ward

Events at Durty Bull Brewing Company

• 1-8 p.m. - Food Truck: Death By Taco
• 3-7 p.m. - 3rd Saturday Vintage + Maker Market
• 5-9 p.m. - Home Brewed: CNOTE Art Spectacular

Distillery Tours and Tastings at Liberty & Plenty

• Every Saturday, 10-10:30 a.m. and 11-11:30 a.m.

Events at Mettlesome

• 7:30-8:30 p.m. - House Party
• 8:30-9:30 p.m. - Harold Night
• 9:30-10:30 p.m. - Mint Condition Standup Showcase

Events at The Fruit

• 5-8 p.m. - Menace To Society Album Listening Party
• 7:30-10 p.m. - HUMP! Film Festival
• 10 p.m. - 2 a.m. - Puro Perreo Pari

Events at The Pinhook

• 7:30 p.m. - Boogie Burly Nights... A Groovy 70s Show
• 10:30 p.m. - Drake and Friends 2

Guided Walking Tours with Triangle Adventures

• 2 p.m. - Downtown Durham Walking Tour
• 4 p.m. - Durham African American History Tour
• 6 p.m. - Downtown Durham True Crime Tour

7 a.m.
Lookin For A Cure at Bull City Running Company-South
8 a.m.
Durham Farmers' Market at Durham Central Park
parkrun Durham at Southern Boundaries Park
9 a.m.
South Durham Farmers' Market at Greenwood Commons Shopping Center
9:30 a.m.
Guide Supported Canoeing, Kayaking, and Standup Paddleboarding at Eno River
10 a.m.
Pop Up Record Show at Beer Durham
Durham's Home Goods Market at Black Wall St Gardens
Bear Awareness Week at Museum of Life and Science
10:30 a.m.
Mother's Day Brunch at The Durham Hotel
11 a.m.
Battle of the Blades 2024 at Historic Durham Athletic Park
12 p.m.
Springtime Outdoor Market at Boxcar Bar + Arcade
Crafternoons at Gizmo Brew Works
Preservation Durham Annual Home Tour: The Rambling Ranch at Orchard Park Picnic Shelter
1 p.m.
Duke Baseball vs UNC at Jack Coombs Field
Say It With Glass Workshop - Sam Nguyen at Moon Dog Meadery
Bimbé Celebration at Rock Quarry Park
2 p.m.
Closing Reception — Dan Gottlieb: Figure Ground at Craven Allen Gallery
Durham "Bullpen" Treasure Hunt - Walking Team Scavenger Hunt! at Fullsteam Brewery
3 p.m.
A Beautiful Noise Spring Concert by the Common Woman Chorus at Eno River Unitarian Universalist Fellowship
Peter Pan at The Carolina Theatre
4 p.m.
Family Fun Saturday: May Flowers at Guglhupf Restaurant
5 p.m.
Rooftops and Alleyways Community Canvas Wall Brawl at Dashi
Durham Blues & Brews Festival at Durham Central Park
Hops & Blues at The Glass Jug Beer Lab in RTP
6 p.m.
The Moon Unit and Tarot with Emily at Arcana
Peter Pan at The Carolina Theatre
6:30 p.m.
Kayla Waters (Hosted by Marcus Anderson) at Missy Lane's Assembly Room
7 p.m.
A Beautiful Noise Spring Concert by the Common Woman Chorus at Eno River Unitarian Universalist Fellowship
Crones of Anarchy: Blues, Rock, Americana at Succotash Southern & Creole Kitchen
7:30 p.m.
Jim Ketch Swingtet at Sharp 9 Gallery
Big Birthday Dance Party: Combo Platter with 2 Sides at The Blue Note Grill
8:15 p.m.
BBYMUTHA: Sleep Paralysis Tour 2024 at Motorco Music Hall
9 p.m.
Kayla Waters (Hosted by Marcus Anderson) at Missy Lane's Assembly Room
10 p.m.
Fortune Factory Presents: Taurus Dance Party at Rubies on Five Points

Sunday, May 19

Events at Atomic Empire

• 11:30 a.m. - Star Wars: Shatterpoint Tournament
• 12 p.m. - Battletech Campaign Day
• 1 p.m. - Lorcana: Ursula’s Return Release Event

Events at Durty Bull Brewing Company

• 2-4 p.m. - Hammered Trivia with Casey
• 4-8 p.m. - The Blood Connection Blood Drive

10 a.m.
Jazz Brunch at Lula & Sadie's
10:30 a.m.
Al Strong Presents Jazz Brunch at Alley Twenty Six
12 p.m.
Preservation Durham Annual Home Tour: The Rambling Ranch at Orchard Park Picnic Shelter
Sunday Dollar Bin Sale for Charity at Rumors Durham
Supernatural Sunday - Psychic Affair + Healers Market at Weldon Mills Distillery
Farmers Market at ZincHouse Winery & Brewery
12:15 p.m.
Public Tour at Duke Chapel
2 p.m.
Hillandale Golf Beginner Clinic at Hillandale Golf Course
3:30 p.m.
Davis Dance Company Spring Recital 2024 at The Carolina Theatre
4 p.m.
Showings at Scripps: Miguel Gutierrez at ADF's Samuel H. Scripps Studios
Carmina Burana at Baldwin Auditorium
Día de las Madres Kermes at El Futuro’s Therapeutic Green Space
String Break at Fullsteam Brewery
6 p.m.
Emma Jane's EP Release Show and Tarot with Joy at Arcana
Davis Dance Company Spring Recital 2024 at The Carolina Theatre
6:30 p.m.
Open Mic Night at Moon Dog Meadery
7 p.m.
DPW Limit Break at Durham Convention Center

Running Art Exhibit

Hometown (Inherited): Ten Year Retrospective at The Fruit

• This project examines the changing landscape of our city through a series of forty mixed media pieces the artist has created since 2014.
• Third Friday openings on Apr 19 and May 17, 6-9 p.m.
• Drop-in by appointment and Wednesdays 4-7 p.m.
• Free admission

Dan Gottlieb: Figure Ground at Craven Allen Gallery

• Each piece begins as a photograph, which is then printed on acrylic and worked with a variety of paints and compounds to create a unique surface.
• Sat, May 4 - Sat, May 18
• Free admission

Constellations: 40 Years of Explorations within Sacred Geometry by Steven Ferlauto at Horse & Buggy Press and Friends

• Sacred Geometry is an ancient field of physics whose equations are expressed through shape. Shape is a way to explore the universal fabric of our existence.
• Sat, May 4 - Sat, June 1
• Free admission

It Ain’t All Black And White at DAG Truist Gallery

• It Ain’t All Black and White is a photography exhibition that encourages us to consider emotions such as serenity, apprehension, yearning, and more.
• Captured by 11 dynamic photographers dedicated to documenting the fullness and complexity of Black life, this exhibition offers each of us an opportunity to see ourselves with renewed attention.
• Thu, Apr 25 - Sun, June 2

María Magdalena Campos-Pons: Behold at Nasher Museum of Art at Duke University

• María Magdalena Campos-Pons: Behold is a monographic exhibition of a visionary voice in photography, immersive installation, painting and performance.
• Thu, Feb 15 - Sun, Jun 9
• Every week, Tue-Sat 10 a.m.-5 p.m., Sun 12-5 p.m.
• Free admission

Counterpoints at Durham Bottling Co.

• Counterpoints is a curated showcase of local AAPI (Asian American Pacific Islander) artists, delving into the convergence of AAPI identity and mental health. Inspired by the intricate layers of musical counterpoint, its purpose is to weave together diverse narratives and confront the stigma surrounding mental health within our communities.
• Wed, May 1 - Sun, June 16
• Mon - Fri, 10 a.m. - 4 p.m.

Cameron Elyse's Divine Nine Legacy Memoir Exhibition at Hayti Heritage Center

• The Divine Nine Legacy Memoir delves deep into the history of the National Panhellenic Council (NPHC) or "Divine Nine," a collective of nine Greek Letter organizations founded on May 10th, 1930.
• These organizations were born out of the necessity to provide a voice for Black American students within the collegiate space. United by principles of service, community, brotherhood, and sisterhood, the Divine Nine work collectively to uplift society through acts of service to underserved areas across the nation.
• Fri, Apr 19 - Sat, June 1
• Free admission

Hi everyone, I came here from WTS! Loved the song so here I am :)
I ran the sample into https://vocalremover.org, and here's the result for the isolated vocals.
I'm a French native speaker, but here's what I think I can hear:
All then could be true And thank you (off the blue / Arthur Brooks / Arthur Blook? - there's a /k/ sound somehere around here) So many feelings I’m glad you are coming to us That’s the magic
I’ll stick to Supreme And love you like a truth So many achin’ Can feel like It never (ends? is?) Now let-
As it was mentioned earlier, the model of the recorder containing the song was released in 2010.
Is it possible that this sample comes from a radio/tv advert aiming to recreate a 70's-80's vibe? This would explain the length of the sample. Also, some of the lyrics do sound like they're from an ad, and why there are no matches on Discogs.
As some of the lyrics don’t make much sense, it could be from a non English speaking country aiming for an "American" vibe. Japan maybe (but then how did it end up on a random recorder in NC)?
Speaking about Discogs: I searched for tracks named "Thats The Magic" with the advanced search, and it gave me only one result. Not our song unfortunately, but if you like That's the Magic you might like this one! https://www.youtube.com/watch?v=lYzZiZYrobY

Information

• Prices are in USD
• US shipping: $7 USD, includes tracking
• Canada shipping: $1 USD for letter mail (no tracking), $8 USD for larger packets with tracking
• International shipping: $8 USD. Does not include tracking, but can get a quote if you'd like it
• From a smoke-free, cat-friendly home
• Payment by PayPal G&S (I will send an invoice)
• All items used two times or less just to test/swatch, unless noted
• Open to bundle deals and reasonable offers

The Goods

• Spreadsheet here with full details including notes

Alkemia
Full size

• Aurora - 5ml roller, $14
• Confectionaire - 5ml roller, $14
• Rondeaux d'Amour - 5ml roller, $14
• Veneficium - 5ml roller, $14

Samples

• Book of Shadows - 1ml sample, $2
• Hellcat - 1ml sample, $2
• The Highwayman - 1ml sample, $2

Arcana Wildcraft
Samples

• John Dee - 1.25ml sample, $3
• Yggdrasil - 1.25ml sample, $3

Black Baccara/Amorphous
Full size

• 90s Goth NYC - 5ml bottle, $18
• Boardwalk 1990 - 5ml bottle, $18
• Witch's Veil - 5ml bottle, $18

Black Phoenix Alchemy Lab (BPAL)
Full size

• Krampus (Yule 2023) - 5ml bottle, $20
• The Poinsettia Gown (Yule 2023) - 5ml bottle, wand cap added, $20
• Witches' Currant Cake (Halloween 2023) - 5ml bottle, wand cap added, $20

Samples and Ajevie decants

• Arachnina the Spider Girl (Carnaval Diabolique) - 0.92ml Ajevie sample, $5
• Blood Garden (Carnaval Diabolique) - 0.92ml Ajevie sample, $5
• Frankincense, Bourbon Vanilla and Hazelnut (Menage a Trois) - 0.74ml Ajevie sample, $4
• Rose Moon 2023 - 0.74ml Ajevie sample, $4
• Fancy Pups (Lupercalia 2024) - 0.5ml Ajevie sample, $3
• Hair Loosened and Soiled in Mid-Orgies (Lupercalias 2024) - 0.5ml Ajevie sample, $3
• Implacable Beautiful Tyrant (Lupercalia 2024) - 0.5ml Ajevie sample, $3
• O Daughter of Death and Priapus (Lupercalia 2024) - 0.5ml Ajevie sample, $3
• Sister Death (Lupercalia 2024) - 0.5ml Ajevie sample, $3
• There Yet Shall Be Sorrows (Lupercalia 2024) - 0.5ml Ajevie sample, $3
• Womb Furie - 0.5ml Ajevie sample, $3 PENDING
• Aperotos Eros - Imp, $2
• Bruised Violet Compound - Imp, $2
• Centzon Totochtin - Imp, $2
• Dance of Death - Imp, $2
• Defututa - Imp, $2
• High John the Conqueror - Imp, $2
• Iago - Imp, $2
• Kabuki - Imp, $2
• Mage - Imp, $2
• Old Demons of the First Class - Imp, $2
• Paris - Imp, $2
• Shub-Niggurath - Imp, $2

Death and Floral
Full size

• Doom and Gloom - 5ml roller, $12

Samples and Ajevie decants

• Hallows' Eve Museum Heist - 0.74ml Ajevie sample, $2
• Plastic Pumpkin Bucket - 0.74ml Ajevie sample, $2

Deconstructing Eden (Shipping within Canada only)
Samples

• Morrigan - 2.5ml sample, $4
• Violaceum #4 - 2.5ml sample, $4

Hexennacht
Samples

• Lipstick Accord - 0.74ml Ajevie sample, $2

Nocturne Alchemy (NAVA)
Full size

• Achilles - 5ml bottle, $18
• Neon Vampire - 5ml bottle, $18

Samples and Ajevie decants

• Dracula - 2ml sample, $5
• Faust - 2ml sample, $5
• Riven - 2ml sample, $5
• Salem - 2ml sample, $5
• Conjuring With the Witch - 0.74ml Ajevie sample, $3

Nui Cobalt
Full size and partials

• Aphrodite Nikephoros - 5ml bottle, $16
• At Your Command - 5ml bottle, $16
• Au Bal Masque - 5ml bottle, $16
• Exsanguinated - 5ml bottle, $16
• Long Shadows - 4ml partial in original bottle, $15
• Sword and Shield - 3.5ml partial in original bottle, $12

Samples

• Achievement Unlocked - 1ml sample, $3
• Aphrodite Chrysea - 1ml sample, $3
• Aphrodite Peitho - 1ml sample, $3
• Dwarven Fortitude - 1ml sample, $3
• Lycanthrope - 1ml sample, $3
• Shadow Touched - 1ml sample, $3
• Tall Dark Stranger - 1ml sample, $3

Pineward (Shipping within Canada only)
Samples

• Caravansary - 1.8ml sample, $4
• Revelries - 1.8ml sample, $4
• White Fir - 1.8ml sample, $4
• Iceflow - Mini sample, free with purchase

Poesie
Samples

• Awakening - 2ml sample bottle, $5
• Forest Cat - 1.15ml sample, $3
• La Vie En Rose - 1.15ml sample, $3

Possets
Full size

• Silver Leather - 6ml bottle, $16
• Silver Vanilla - 6ml bottle, $16

Samples and Ajevie decants

• Bar Sinister - 0.74ml sample, $2
• Churpz rev. 1 - 0.74ml sample, $2
• Field of Reeds Perfume Oil - 0.74ml sample, $2
• Hera - 0.74ml sample, $2
• JFK and Jackie - 0.74ml Ajevie sample, $2
• Morgan Le Fay - 0.74ml sample, $2
• Nefertiti and Akhenaten - 0.74ml sample, $2
• Silver Pomegranate - 0.74ml Ajevie sample, $2
• Wraith - 0.74ml sample, $2

Pulp Fragrance
Full size

• I've Written A Letter to Daddy - 4.5ml roller

Samples

• And to All a Good Night - 0.74ml sample, $3
• Ready For My Close-Up - 0.74ml sample, $3

Solstice Scents
Full size

• Upstairs Window - 5ml roller, $16 (Shipping within Canada only)

Samples

• Winslow's - 0.74ml sample, $2

Sorcellerie Apothecary
Samples

• The Ghost Wants Birthday Cake - 1ml sample, $3
• Something Wicked - 0.74ml Ajevie sample, $3

Thin Wild Mercury (Shipping within Canada only)
Samples

• 34 Bohemian Cafes - 2ml edp sample, $6
• Chateau 1970 - 2ml edp sample, $6

Venus Invictus
Samples

• Dionysus - 2ml edp sample, $5 (Shipping within Canada only)
• Eros - 2ml edp sample, $5 (Shipping within Canada only)
• Hekate - 2ml edp sample, $5 (Shipping within Canada only)
• Kthonia - 2ml edp sample, $5 (Shipping within Canada only)
• Pothos - 2ml edp sample, $5 (Shipping within Canada only)
• Sapphic Hymn - 1ml sample roller, $4
• Three Graces - 1ml sample roller, $4

Makeup

• Rituel de Fille Stellaris Rare Light Luminizer, $20
• Rituel de Fille Flora Ash and Ember Eye Soot, $20

Thanks for looking!

Hi all,
Posted here some days ago and then deleted the post as it was getting too much attention for me.
In short, I was made to work with blood samples and did not have time to think and realise there was a risk (I only usually just work with DNA). Saw my occupational health doctor for a check-up later that day and she told me I should be vaccinated for hepatitis B to work with blood, and that it was easy to get infected. She took my blood to check whether I had antibodies and I got the results 1.5 week later. No antibodies, letter says to get vaccinated.
I freaked out a lot about this hence my post here. On that day it happened, I e-mailed the safety officer asking for a risk assessment. The doctor also told me she would call the safety officer. I got no answer and a week later, guy who made me work with those samples brings 2 more to me asking me to do them. I tell him sorry I'm not vaccinated I'm not allowed to do it. He says I'm not vaccinated either, can you just do it and be careful? Thanks. He leaves.
I go to the safety officer and tell everything, she confirms I can't work with them and tells me she will talk to my boss. In the mean time, the next open day after getting my results, I get vaccinated at my GP as it was the quickest was to get vaccinated. This was 2 days before I went to the safety officer, so at that time I tell her all and ask if it can still be reimbursed by work and she says maybe I can do the next 2 doses from work doctors and in that case probably but how it usually happens is that the boss makes that request before someone works with blood.
Today, I get an e-mail from her telling me there was no risk, the "sample" I worked with had been characterized as negative for hepatitis B (I did 3 samples from 3 different patients) so there is no risk, no vaccine needed, plus it is a safety requirement that was included in the yearly briefing (a presentation given about safety rules, that does not seem to be online), and she says that my boss told her he does not want me to do this kind of samples anymore.
This information was not given to me when I would have needed it and now the whole thing is on me. I feel weirdly handled here. Is it normal?

Hi everyone, i plan on applying to clinical PhD programs in the cycle of 2025 to be admitted in 2026. I wanted to get people’s input on whether it is necessary that I go get some clinical experience given that I virtually have none. Just a bit about my CV: I volunteered as an undergrad research assistant for 2.5 years in a lab studying BD (did an honors thesis using data from a healthy sample). I had zero interaction with the BD participants and data collection was put to a halt due to the pandemic. I’ve been working post bacc for the past year in a lab that, while they promote themselves as a clinical lab interested in psychiatric disorders, it is actually an affective and developmental lab working with a community sample. I do administer SCID as part of my job and have been trained with how to deal with situations like suicidal endorsement. But outside of that, I don’t have any “clinical” experience as far as that is possible at this stage in my career. I surely will have extensive research experience and skills by the time I apply, including operating an MRI scanner (don’t know if this will be relevant in my applications yet), administering SCID, proficient with coding, running statistical analyses, both in R and fMRI data processing and analysis, with maybe a couple of publications (not first author, impossible in my lab, most likely mid-authors) and some posters (maybe 2 first authors and a few mid-authors). I also will have two really strong letters of rec from two distinguished professors in my field. No idea who will be my third at the moment. So should I go volunteer at some suicide hotline or outpatient/inpatient hospital to get clinical experience? How much will not being exposed to clinical populations hurt my resume? What type of “clinical experience” do you think would be best?
EDIT: seems like there’s a general consensus among the comments. Thank you all for your response! 🙏🏼

RELEASE NOTES 1.35.21.0
If you are playing on PC, outdated packages in your community folder may have an unexpected impact on the title’s performance and behavior. If you suffer from stability issues or long loading times, move your community package(s) to another folder before relaunching the title. How to install a new update safely
NEW CONTENT/FEATURES Added flight plan assistance setting for ATC in the user experience assistance settings so that users can request the ATC to favor their flight plan or world map flight settings over the current conditions. This assistance is set to “Active” by default. Active: ATC will set the active runway and approach for the departure and arrival airport based on the users flight plan or settings in the world map. Deactivated: ATC will set the active runway and approach based on current conditions only. ATC now clears a step to the next altitude some time before arriving at the previously cleared altitude, rather than once arrived at the previously cleared altitude. (Next step is issued when at 2000FT from cleared altitude rather than 250FT from cleared altitude). ATC Vectoring bug fixes: Now assigning the correct clearance when the first two waypoints were one over the other, Now assigning a new vector & clearance every time the user asks the ATC for a new vector. Added completely new Cirrus SR22T G6 model with custom engine simulation, book-accurate performance, and extensive Perspective Plus NXi features.
GENERAL BUG FIXES Several crashes have been fixed across the title Fixed localization bugs Performance optimizations for long flights. Fixed ATC that was mixing voices in localized languages Automated Weather Report temperature reading updated
MARKETPLACE Fixed an issue where the Wishlist would not sort properly in the Marketplace
MENU Fixed freeze when opening the logbook
NAVIGATION/TRAFFIC Enhanced ATC phraseology. Some of the improvements include: The removal of the word ‘for’ in altitude change requests. Eliminating the requirement to include altimeter settings in takeoff clearances.
WEATHER Snow and ice coverage accuracy has been improved in live weather Fixed an issue where the wind from a malformed METAR was incorrectly read Fixed an issue where the sim occasionally retrieves obsolete weather data Improved transition during cloud coverage updates AND fixed an issue where clouds don’t load when starting a flight.
GLASS COCKPITS GARMIN G3000 / G5000 Fixed an issue where removing an airway entry leg from the flight plan could sometimes corrupt the flight plan.
G1000 NXI Added support for hardware keyboard with new AS1000CONTROL_PAD H events. Fixed an issue where removing an airway entry leg from the flight plan could sometimes corrupt the flight plan. AP: Added support for LVL and TO/GA modes MFD: Added Page Menu popup for MFD’s Nearest Airports page. CAS: PFD Alerts softkey indicator now flashes color and changes to appropriate label with CAS messages CAS: Pressing PFD Alerts softkey now acknowledges CAS messages and cancels aural chimes CAS: Alerts now display in order of priority and time first seen SIM: Added support for knob-based XPDR code entry using H events. For aircraft developers: Made all methods in PFD and MFD plugins optional. Exported NavSystems’s class FrequencyItem and its props interface FrequencyItemProps. CAS messages may now be assigned associated Alerts messages via JS and/or plugin code Added support for control pad entry for Constraint Selector in the FPL dialog Added support for LVL and TO/GA autopilot modes Added support for control pad entry on several UI input components Added support for styling the Com selection based on the radio selected to transmit, and for both Nav and Com standby frequencies selected to edit WT21 For aircraft developers:
Added configurable side button support to the WT21
AIRCRAFT GENERAL Payload station weights that are set via SimConnect are now properly displayed in the Weight&Balance toolbar panel. Fixed – L-39 Pipsqueak – Unable to enter values by double-clicking on GNS screen Fixed – L-39 Sarance – Unable to enter values by double-clicking on GNS screen Contact Points compression under some kind of roof (bridge, cave, arch, etc.) was fixed Fixed – P-51D LadyB – Unable to enter values by double-clicking on GNS screen Aircraft Registration can no longer be lowercase Fixed – P-51D Miss America – Unable to enter values by double-clicking on GNS screen Fixed – P-51D Strega – Unable to enter values by double-clicking on GNS screen Fixed – T-6 Baby Boomer – Unable to enter values by double-clicking on GNS screen Improved aircraft simulation stability (few potential crashes were fixed) Fixed – T-6 Undecided – Unable to enter values by double-clicking on GNS screen Corrected an issue that could prevent cockpit interactions from working in some rare conditions Correct many false positive errors regarding InputEvents when loading AI planes Corrected an issue that would cause some P51 to lose power in reno races. Fixed an issue that could cause the state of Avionics circuit depend features to be toggle on and off when no MarkerBeacon circuit was present It is now possible to slow down the simulation speed to 1/8 and 1/16 of real time. EXTERNAL HUD Minimized HUD can now display more than 8 engines power values HELICOPTERS Anti-stall protection is now disabled for helicopters. AIRBUS 310-300 A310 Radio Stuck Broadcasting on KSNS ATIS After Departing KSFO. Vertical speed knob labeled as “altitude knob” in tooltip. AIRBUS A320NEO (V2) During testing of the A320neo, we encountered an application crash rate on console that is too high to pass certification. We need to address this issue before the A320 can ship. BELL 407 Rotor weight changes. Rotor brake force adjustments. Rotor blade dynamics adjustments. Throttle/governed RPM during startup and shutdown. Engine performance changes. Fuel management on the weight and balance settings. Performance data on the aircraft selection screen. Localization text changes. FADEC tooltip. Fuel Pressure gauge illumination. Cold and dark state changes. Checklist correction. Fixed checklist AutoStart. AutoStart sequence now works. BOEING 787-10 / BOEING 747-8I General performance optimizations for consoles and some hardware configurations W&B: An operational CG margin is considered now to avoid extreme CG values when loading the aircraft. SIM: ATC will now know about your planned cruise altitude and will assign you a flight level accordingly. CHECKLISTS: Fixed bug where checklists that only contain closed loop items would sometimes be skipped when entering the checklist page if all items are completed. [787] CHECKLISTS: Fixed flaps checklist items being completed before the flaps reached the selected position. [787] W&B: Corrected movement of the CG as fuel is burned by moving the tanks to the exact locations of those on the real plane. [787] EFB: Support clearing of the TOW field. [787] EFB: Cap the achievable MTOW at the certified limit of the plane. [787] EFB: Correct error message when current TOW exceeds the achievable MTOW. [787] EFB: Added Automatic brightness adjustment. [787] EFB: Fixed spelling errors. [747] SYSTEMS: Reserve fuel transfer will now not stop once started mid flight. CDU: Fix takeoff speeds being invalidated when opening TAKEOFF REF on the copilot side CESSNA CITATION CJ4 SIM: ATC will now know about your planned cruise altitude and will assign you a flight level accordingly CIRRUS SR22T G6 Completely brand-new art and model of the SR22T G6 GTS. Completely reworked flight model and performance featuring: CFD with book accurate performance and pilot tested handling. Modern propeller system. New turbo and fuel engine systems. Custom ECU, engine computer, and EGT/CHT simulation. Custom lean misfire, detonation, and engine failure simulations. Full Perspective Plus features implemented for G1000 NXi, including: Full-screen engine page with anti-ice status and fuel flow targets. Full-screen fuel management page. Weight and Balance page with graphical CG envelope. Trip planning page with automatic and manual modes. Massive suite of interactive checklists. MFD destination inf-box. PFD power gauge, GAGL indicator, GS and TAS. Frequency loading menus on airport and waypoint inf-pages. FIKI (Flight int-Known Icing) and TKS simulation. Stabilized approach system with PFD alerting and monitoring for: Bar-mismatch, crosswind, tailwind, flaps, lateral deviation, and vertical deviation (GS and GP). Updated EIS with custom reversionary mode version. Lean assist, fuel flow green band, and cyan fuel flow lean target indicators. Fully modeled GCU479 Garmin Control Unit keypad with all entry modes. Additional new autopilot mode support including LVL, TO, and GA. Large suite of accurate CAS messages including new G1000 NXi alerts acknowledgement and menu behavior. CURTISS JN-4 “JENNY” Fixed – [KO-KR] Some instruments in cockpit are not localized in Korean in Curtiss Jenny. Fixed – [Localization] Livery names are not localized in liveries page. Fixed – [pl-PL] Missing/untranslated words in checklist. Fixed – [TR-TR] Some instruments in cockpit are not localized in Turkish in Curtiss Jenny. DAHER TBM 930 Fixed broken autopilot panel backlighting. DOUGLAS DC-3 Fixed starting engine in Multiplayer causes other DC3 engines to animate starting Fixed overlapping words on the warning labels inside the cabin and on the rear cabin door. (Enhanced) Fixed Radio altimeter appearing off above 400ft. Classic 8-way Quick view controls fixed during flight. Fixed fuel pump does not indicate fuel flow from Cold/dark until after mesh switch is engaged. (Enhanced) Improved low resolution text in the Enhanced Edition cockpit. (Enhanced) Fixed missing panel texture for Beacon light. (Enhanced) Fixed HUD not correctly indicating state of flap. Fixed Decision height/Radar altitude setting knob setting does not match panel texture. Fixed fuel pump not indicating fuel flow from Cold/dark until after mesh switch is engaged. GRUMMAN G-21 GOOSE AI copilot completes checklist items for you in Evaluation mode. Attitude Indicator doesn’t provide pitch indications. Fuel drawn from wrong tank when starting Cold & Dark. Part of tooltip description for Magneto Cutoff not localized. Unable to toggle “taxi light” in cockpit–must use key binding. H-4 HERCULES “SPRUCE GOOSE” Camera Quick views fixed Engine 5-8 throttle fixed when using a gamepad ROBIN DR400 Fix Flaps looking misaligned with the wings in neutral position. RYAN NYP “SPIRIT OF ST. LOUIS” Camera Quick views fixed WRIGHT FLYER Camera Quick views fixed WORLD Used more realistic mapping of wave lengths onto RBG values for the ozone layer scattering and the sun color, resulting in more realistic colors of the sky and the lighting in the world.
TOP-GUN MAVERICK Fix for the aircraft carrier wake in Maverick landing challenge that was missing
PERIPHERALS Various peripheral fixes Pause mapping on the Occulus touch left controller switched from Y to Menu button Anti Ice and Aux Fuel Pump LEDs are now working properly with Bravo Throttle Quadrant
SDK Added new Coherent calls SET_CRUISE_ALTITUDE and GET_CRUISE_ALTITUDE to get/set the planned cruise altitude the in game ATC knows about. Fixed crash when “positive_g_limit_flaps_up” parameter is present in [AIRPLANE_GEOMETRY] section in flight_model.cfg, but one of the parameters: “positive_g_limit_flaps_down” or “negative_g_limit_flaps_up” or “negative_g_limit_flaps_down” is missing. See SDK for details. More parameters have been added to the “[VIEWS]” section of the “camera.cfg” file to control the behavior of the external camera (“external_camera_distance”, “external_camera_follows_heading”, “external_camera_follows_velocity”). See SDK for details. Several features have been added and bugs have been fixed for the skid-type landing gear, which can now be retractable. See SDK for details. Added “set_max_compression” and “spring_exponential_fix” parameters to the “[CONTACT_POINTS]” section of the “flight_model.cfg” file. See SDK for details. DEVMODE Debug old: option to disable 30Km mesh display limit “Exponential Constant” parameter is added to the Contact Point serialization (it was missed) Aircraft debug windows stability was improved Fixed context setting of Material Editor when opening Scenery Editor Added Interactive Points state initialization via .FLT files The “gear_locked_on_ground” parameter in the [CONTACT_POINTS] section of the “flight_model.cfg” file now works for SKI and SKID type retractable landing gear. Fixed random crash when exiting the game with DevMode open AssetReload: Reload gltf lod min size Fixed some scenery option not applied during multiple selection Add SpeakerFullName in DialogAction Improved linear memory size formatting in WASM Debug window SIMCONNECT SimConnect Input Events function can now be used while devmode is disabled SimConnect Input Events shouldn’t crash the sim after going back to main menu (or restarting a flight) Ident and region are now two separate fields while requesting Facilities New Data are available through NavData API (Pavement, Vasi, Approach Lights) SIMVARS Added simvars AIRCRAFT_AGL and AIRCRAFT_ALTITUDE_ABOVE_OBSTACLES Aircraft editor Added an option to delete a parameter from the cfg file, or to reset it to its default value Added rotation Gizmo Added new parameters Added expert Mode to the editor. Expert Mode eliminate all constraint on the editor regarding conditional fields, required parameters or array sizes. Only already existing parameters and modified parameters are saved. This mode allows for greater flexibility of the editor but require more knowledge on how to configure an aircraft. Made NdArrays more flexible, avoid writing too much data per line. Fixed ctrl+f focus that would not focus parameters properly Fixed unwanted or incorrect changes when saving a file in the editor VISUAL EFFECTS EDITOR Fixed visual effect instances not being properly stopped and restarted when the Visual Effects Editor is closed New fixed orientation feature New nodes: Abs, Sin, Cos WASM Fix clipping modes (intersect, complement and Xor) for GDI+ API Fix an error in the dependencies of the VFX Aircraft Sample (and rename the sample from “SampleWasmModule” to “VfxWasmModule”) Fix a bug in CommBus API that cause first registration of an event in Wasm to be ignored CommBus : When register an event in Wasm the triplet [eventName, callback, ctx] can be registered only one time per module CommBus : New function added in Wasm : fsCommBusUnregisterOneEvent CommBus : In JS a CommBusListener has been added

When I compile in fast, full, or final compile I get the same error:

Operator Error: Event (null): CSosOperatorSpeakers Error: Operator volume_fan_mult, unknown sound operator attribute __move_to_end Error: Operator volume_fan_mult, unknown sound operator attribute __move_to_end Operator Error: Event (null): CSosOperatorSpeakers Error: Operator volume_fan_scale, unknown sound operator attribute __move_to_end Error: Operator volume_fan_scale, unknown sound operator attribute __move_to_end
Although I can launch the map after fast compile it doesn't want to launch in full compile. At the end of the compile it tells me:
Unable to run Vrad3. Light mapper didn't return valid triangles: failing. Map build FAILED. [FAIL]
and also:
ERROR: 6 compiled, 1 failed, 1 skipped, 0m:29s
​
If it's necessary here's the full compile log:
Start build: 2024-05-13T14:23:58
Hammer: Attempting incremental build.
Hammer: Copying previously compiled map to temp directory.
Using breakpad crash handler Setting breakpad minidump AppID = 730 Forcing breakpad minidump interfaces to load Looking up breakpad interfaces from steamclient Calling BreakpadMiniDumpSystemInit Looking up breakpad interfaces from steamclient Calling BreakpadMiniDumpSystemInit SteamInternal_SetMinidumpSteamID: Caching Steam ID: 76561197979643729 [API loaded yes] SteamInternal_SetMinidumpSteamID: Setting Steam ID: 76561197979643729 Setting breakpad minidump AppID = 2347779 Creating device for graphics adapter 0 'AMD Radeon RX 6600' [vendorid 0x1002]: 31.0.24027.1012 Operator Error: Event (null): CSosOperatorSpeakers Error: Operator volume_fan_mult, unknown sound operator attribute __move_to_end Error: Operator volume_fan_mult, unknown sound operator attribute __move_to_end Operator Error: Event (null): CSosOperatorSpeakers Error: Operator volume_fan_scale, unknown sound operator attribute __move_to_end Error: Operator volume_fan_scale, unknown sound operator attribute __move_to_end Unzip modernized_plantations.vpk (86 files): Done (0.1 sec: 49.8ms read, 2.3ms write 19.5mb). - csgo_addons\academy\maps\modernized_plantations.vmap Initialized Embree v2.17.02. Settling physics objects...no objects to settle Preprocessing Lights [0....1....2....3....4....5....6....7....8....9....] Done (0.03 seconds) Assigned 1 Light Shadow Slots, 0 failed (max slot 0). Building map "maps\modernized_plantations"...
... Building 'world' Loading Map... +- csgo_addons\academy\maps\modernized_plantations\entities\unnamed_394.vmdl +- csgo_addons\academy\maps\modernized_plantations\entities\unnamed_407.vmdl +- csgo_addons\academy\maps\modernized_plantations\entities\unnamed_410.vmdl +- csgo_addons\academy\maps\modernized_plantations\entities\unnamed_413.vmdl +- csgo_addons\academy\maps\modernized_plantations\entities\unnamed_507.vmdl Done (0.06 seconds) Building ray trace environment... Wrote C:\Users\tvvla\AppData\Local\Temp\csgo_addons\academy\maps\modernized_plantations.rte Wrote C:\Users\tvvla\AppData\Local\Temp\csgo_addons\academy\maps\modernized_plantations.viscfg Done (0.03 seconds) +- csgo_addons\academy\maps\modernized_plantations\world_visibility.vvis Building map visibility
Loading kd-trees Successfully read C:\Users\tvvla\AppData\Local\Temp\csgo_addons\academy\maps\modernized_plantations.rte Successfully unserialized ray tracing environment. Convert RTE with 4976 triangles in 0.01s Loaded 8321 LOS hints from c:\program files (x86)\steam\steamapps\common\counter-strike global offensive\game\csgo_addons\academy\maps\modernized_plantations.los! (0.0 seconds) Loaded 0 LOS hints from c:\program files (x86)\steam\steamapps\common\counter-strike global offensive\content\csgo_addons\academy\maps\modernized_plantations.los! (0.0 seconds) VIS3: Build partitioned PVS! Voxelize (8 units) took 0.46 seconds (40,217 nodes) Outside detection took 0.27 seconds Generated clusters for 15216 regions in 9.41 seconds 55773 clusters generated Distance merged regions (1331 merged to 1234) pre-merged to 55676 clusters Merged to 1071 clusters in first pass Merged to 756 clusters in second pass Merged cluster lists in 5.13 seconds [703 clusters] Compacted to 55908 regions (703 clusters) in 0.00 seconds [target 574 clusters] Assigned 703 clusters in 0.01 seconds 1.22 MB bytes tree size Sample vis for 703 clusters Creating thread pool with 15 threads CLOSRayGenerator rays complete. CLOSRayGenerator rays complete. AxialRays rays complete. AxialRays rays complete. AxialRays rays complete. ClusterView rays complete. 1.0s::Finished 8,157 valid LOS Main thread clear batches. Traced 21,127,168 rays in 1.255 seconds [16,836,044 rays per second] 6.839 cpu s cast, 8.651 cpu s rasterize Target 576 clusters, clamped to 574, grid size 8.0 Built 703 clusters in 0.0s 703 clusters, 1 steps Merge vis clusters:0...1...2...3...4...5...6...7...8...9...10 Merged to 576 clusters in 0.0s (0.0s recompute, 122 passes) 0.0s total merge time Adaptive border clusters (0s) Initial regions 55908, collapsed to 32205 2336 unique masks (of 32,205 regions) Compute enclosed cluster lists 4916 cluster lists, 24704 elements (0.0202s) (1 zeros) Computed 575 clusters visible to sky Skipping solid voxels in sunlight visibility Raytraced sun visibility in 20.876ms (366 visible clusters) Wrote 8156 LOS hints for next time c:\program files (x86)\steam\steamapps\common\counter-strike global offensive\game\csgo_addons\academy\maps\modernized_plantations.los! Wrote vis resource 728.84 KB bytes Visibility complete in 17.08s. Collecting Mesh Edges [] Done (0.16 seconds) Fixing T-junction Edge Cracks [] Done (0.36 seconds)
Bake Lighting Build: pc64 May 7 2024 11:40:20 Preprocessing 169 meshes and computing charts [] Done (2.42 seconds) Packing 55468 UV charts onto atlas... Pass 1 of 7 ->[] Done (0.08 seconds) - (0.215374) Pass 2 of 7 ->[] Done (0.15 seconds) + (0.107687) Pass 3 of 7 ->[] Done (0.16 seconds) + (0.161531) Pass 4 of 7 ->[] Done (0.15 seconds) - (0.188452) Pass 5 of 7 ->[] Done (0.17 seconds) + (0.174991) Pass 6 of 7 ->[] Done (0.19 seconds) + (0.181722) Pass 7 of 7 ->[] Done (0.17 seconds) - (0.185087) Mesh with material materials/dev/dev_measuregeneric01b.vmat is extremely large in lightmap (8.6%), 408x222 World Bounds -1280.000000,-922.437500,-64.000000 -> 256.000000,977.000000,256.000000 LPV Atlas Size: 36x48x28 Size Increase: 381.77% ==== Baking 1024 x 1024 lightmap ==== SetupTexels [0....1....2....3....4....5....6....7....8....9....] Done (0.04 seconds) VRAD3-GPU VRAD3 - Distributed Lighting Tool Copyright (c) Valve Corporation, All rights reserved. Build: pc64 May 7 2024 11:36:39 WD: c:\program files (x86)\steam\steamapps\common\counter-strike global offensive\game\csgo_addons\academy\_vrad3 Command: vrad3.exe -map maps/modernized_plantations.vmap -script script-gpu.vrad3 -vulkan -gpuraytracing -allthreads -unbufferedio -noassert Enabling instance extension: VK_KHR_get_physical_device_properties2. Fossilize ERROR: Failed to parse ApplicationInfoFilter, letting recording go through. Using VK_EXT_memory_budget set texture memory budget to 7379 MB. HLSL SM6.0 level subgroup wave ops supported, subgroup size = 64 Vulkan physical device (0): supports shader clip distance: true ConVar r_low_latency has multiple help strings: parent (wins): "NVIDIA Low Latency (0 = off, 1 = on, 2 = on + boost)" child: "NVIDIA Low Latency/AMD Anti-Lag 2 (0 = off, 1 = on, 2 = NV-only, on + boost)" Vulkan Physical Device: AMD Radeon RX 6600 Initializing streaming texture manager. Vulkan extension enabled: VK_KHR_swapchain Vulkan extension enabled: VK_KHR_dedicated_allocation Vulkan extension enabled: VK_KHR_descriptor_update_template Vulkan extension enabled: VK_KHR_image_format_list Vulkan extension enabled: VK_KHR_maintenance1 Vulkan extension enabled: VK_KHR_maintenance2 Vulkan extension enabled: VK_EXT_separate_stencil_usage Vulkan extension enabled: VK_KHR_swapchain_mutable_format Vulkan extension enabled: VK_EXT_load_store_op_none Vulkan extension enabled: VK_KHR_pipeline_library Vulkan extension enabled: VK_EXT_extended_dynamic_state Vulkan extension enabled: VK_EXT_extended_dynamic_state2 Vulkan extension enabled: VK_KHR_dynamic_rendering Vulkan extension enabled: VK_KHR_depth_stencil_resolve Vulkan extension enabled: VK_KHR_create_renderpass2 Vulkan extension enabled: VK_EXT_graphics_pipeline_library Vulkan extension enabled: VK_EXT_extended_dynamic_state3 Vulkan extension enabled: VK_EXT_memory_priority Vulkan extension enabled: VK_AMD_memory_overallocation_behavior Vulkan extension enabled: VK_KHR_shader_float16_int8 Vulkan extension enabled: VK_KHR_separate_depth_stencil_layouts Vulkan extension enabled: VK_EXT_pipeline_creation_cache_control Vulkan extension enabled: VK_KHR_buffer_device_address Vulkan extension enabled: VK_KHR_shader_clock Vulkan extension enabled: VK_KHR_acceleration_structure Vulkan extension enabled: VK_KHR_ray_tracing_pipeline Vulkan extension enabled: VK_KHR_ray_query Vulkan extension enabled: VK_KHR_get_memory_requirements2 Vulkan extension enabled: VK_EXT_descriptor_indexing Vulkan extension enabled: VK_KHR_deferred_host_operations Vulkan extension enabled: VK_KHR_pipeline_library Vulkan extension enabled: VK_KHR_maintenance3 Vulkan extension enabled: VK_EXT_memory_budget Vulkan extension enabled: VK_EXT_pageable_device_local_memory Vulkan extension enabled: VK_KHR_draw_indirect_count Vulkan extension enabled: VK_EXT_subgroup_size_control VK_EXT_extended_dynamic_state_2 does not support extendedDynamicState2PatchControlPoints, disabling. Fossilize INFO: Overriding serialization path: "C:\Program Files (x86)\Steam\steamapps\shadercache\730\fozpipelinesv6\steamapprun_pipeline_cache". VK_EXT_graphics_pipeline_library and dependent extensions enabled. Vulkan Command Buffer Pool Threshold(1500) Unable to open Vulkan pipeline cache shadercache\vulkan\shaders.cache file - might not exist yet. Vulkan driver version: 2.0.299.0 Vulkan driver version Major = 2, Minor = 0, Patch = 19595264 Num Threads: 16 Loading 64 resources... Done (0.41 seconds) Creating VB/IB/BLAS for 95 meshes... Done (0.22 seconds) Creating ray trace scene world with 162 instances... returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource Done (0.00 seconds)
--------------------------------------------------------- Encountered accessviolation. Wrote minidump to vrad3_2024_0513_142426_0_accessviolation.mdmp ---------------------------------------------------------
0....1....2....3....4....5....6....7....8....9....] FAILED (3.92 seconds) Error running "vrad3.exe -map maps/modernized_plantations.vmap -script script-gpu.vrad3 -vulkan -gpuraytracing -allthreads -unbufferedio -noassert" VRAD3 - Distributed Lighting Tool Copyright (c) Valve Corporation, All rights reserved. Build: pc64 May 7 2024 11:36:39 WD: c:\program files (x86)\steam\steamapps\common\counter-strike global offensive\game\csgo_addons\academy\_vrad3 Command: vrad3.exe -map maps/modernized_plantations.vmap -script script-gpu.vrad3 -vulkan -gpuraytracing -allthreads -unbufferedio -noassert Enabling instance extension: VK_KHR_get_physical_device_properties2. Fossilize ERROR: Failed to parse ApplicationInfoFilter, letting recording go through. Using VK_EXT_memory_budget set texture memory budget to 7379 MB. HLSL SM6.0 level subgroup wave ops supported, subgroup size = 64 Vulkan physical device (0): supports shader clip distance: true ConVar r_low_latency has multiple help strings: parent (wins): "NVIDIA Low Latency (0 = off, 1 = on, 2 = on + boost)" child: "NVIDIA Low Latency/AMD Anti-Lag 2 (0 = off, 1 = on, 2 = NV-only, on + boost)" Vulkan Physical Device: AMD Radeon RX 6600 Initializing streaming texture manager. Vulkan extension enabled: VK_KHR_swapchain Vulkan extension enabled: VK_KHR_dedicated_allocation Vulkan extension enabled: VK_KHR_descriptor_update_template Vulkan extension enabled: VK_KHR_image_format_list Vulkan extension enabled: VK_KHR_maintenance1 Vulkan extension enabled: VK_KHR_maintenance2 Vulkan extension enabled: VK_EXT_separate_stencil_usage Vulkan extension enabled: VK_KHR_swapchain_mutable_format Vulkan extension enabled: VK_EXT_load_store_op_none Vulkan extension enabled: VK_KHR_pipeline_library Vulkan extension enabled: VK_EXT_extended_dynamic_state Vulkan extension enabled: VK_EXT_extended_dynamic_state2 Vulkan extension enabled: VK_KHR_dynamic_rendering Vulkan extension enabled: VK_KHR_depth_stencil_resolve Vulkan extension enabled: VK_KHR_create_renderpass2 Vulkan extension enabled: VK_EXT_graphics_pipeline_library Vulkan extension enabled: VK_EXT_extended_dynamic_state3 Vulkan extension enabled: VK_EXT_memory_priority Vulkan extension enabled: VK_AMD_memory_overallocation_behavior Vulkan extension enabled: VK_KHR_shader_float16_int8 Vulkan extension enabled: VK_KHR_separate_depth_stencil_layouts Vulkan extension enabled: VK_EXT_pipeline_creation_cache_control Vulkan extension enabled: VK_KHR_buffer_device_address Vulkan extension enabled: VK_KHR_shader_clock Vulkan extension enabled: VK_KHR_acceleration_structure Vulkan extension enabled: VK_KHR_ray_tracing_pipeline Vulkan extension enabled: VK_KHR_ray_query Vulkan extension enabled: VK_KHR_get_memory_requirements2 Vulkan extension enabled: VK_EXT_descriptor_indexing Vulkan extension enabled: VK_KHR_deferred_host_operations Vulkan extension enabled: VK_KHR_pipeline_library Vulkan extension enabled: VK_KHR_maintenance3 Vulkan extension enabled: VK_EXT_memory_budget Vulkan extension enabled: VK_EXT_pageable_device_local_memory Vulkan extension enabled: VK_KHR_draw_indirect_count Vulkan extension enabled: VK_EXT_subgroup_size_control VK_EXT_extended_dynamic_state_2 does not support extendedDynamicState2PatchControlPoints, disabling. Fossilize INFO: Overriding serialization path: "C:\Program Files (x86)\Steam\steamapps\shadercache\730\fozpipelinesv6\steamapprun_pipeline_cache". VK_EXT_graphics_pipeline_library and dependent extensions enabled. Vulkan Command Buffer Pool Threshold(1500) Unable to open Vulkan pipeline cache shadercache\vulkan\shaders.cache file - might not exist yet. Vulkan driver version: 2.0.299.0 Vulkan driver version Major = 2, Minor = 0, Patch = 19595264 Num Threads: 16 Loading 64 resources... Done (0.41 seconds) Creating VB/IB/BLAS for 95 meshes... Done (0.22 seconds) Creating ray trace scene world with 162 instances... returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource returning error texture in CTextureManagerVulkan::GetTextureResource Done (0.00 seconds)
--------------------------------------------------------- Encountered accessviolation. Wrote minidump to vrad3_2024_0513_142426_0_accessviolation.mdmp ---------------------------------------------------------
Unable to run Vrad3. Light mapper didn't return valid triangles: failing. Map build FAILED. [FAIL] 0/ 1 (elapsed 28.166): c:\program files (x86)\steam\steamapps\common\counter-strike global offensive\content\csgo_addons\academy\maps\modernized_plantations.vmap Compile of 1 file(s) matching nonrecursive specification "c:/program files (x86)/steam/steamapps/common/counter-strike global offensive/content/csgo_addons/academy/maps/modernized_plantations.vmap" took 28.167 seconds
----------------------------------------------------------------- ERROR: 6 compiled, 1 failed, 1 skipped, 0m:29s -----------------------------------------------------------------End build: 2024-05-13T14:24:29, elapsed time

I need help to translate an old handwritten letter from Montenegrin to English.
It is from my Albanian friends who are originally from Montenegro but live in Shkodër, and the letter is from their grandma or great grandma, but they can't read it and never got it translated. So I thought I could ask if someone from this subreddit would help? Bonus points if you can directly translate it to Albanian (are there many bilingual Montenegrin-Albanian speakers?).
It is quite short, maybe 3 small pages, but because I don't know the content of the letter I don't want to post it publicly here. So if you are willing, please comment or message me and I can send it to you!
Hvala :)

I have an embedded device with an audio DSP chip, that allows me to receive X samples of audio from the mic every T time period, and send out X samples of audio through the speaker at the same time period T. The DSP can them manipulate the X samples from mic before sending them out of the speaker. I would like to generate and record an impulse response in this system. My first thought was I will send out a bunch of 0's from the speaker, then at some point I will make one of the output samples 1.0 (highest value I can set in the speaker side registers) and set everything following that to 0 as well. At the same time I will record the incoming samples in the microphone for a large period of time, and at some section of this large collection of mic data the resulting sound generated by the single non-zero audio sample at the speaker buffer should be present. I always though this would give me the impulse response of this system.
A more senior person is telling me that for practical purposes this collected mic data will not behave as a proper impulse response of the system. He tells me that there are professional grade audio equipment that are used to get impulse response, and he doesn't believe they use this crude method to generate their impulse signals.

1. Is my intuition correct? Can I generate impulse response using the method described above?
   
2. If this method is not correct can someone give an explanation on why this method cannot be practically used to get an impulse response?
   
3. If this method is incorrect what is the right way to get impulse response of an audio device?