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A "wet" navy in space warfare

2024.05.14 21:51 CptKeyes123 A "wet" navy in space warfare

In a lot of sci-fi, people often dismiss surface defenses, or make them overpowered or ridiculous. Orbital bombardment's effectiveness is quite overstated when we look at the history of warfare. In particular wet navies at sea get overlooked. Certain writers will fight tooth and nail to keep infantry, tanks, planes, and artillery in a story, then laugh at the idea of a space marine ever setting foot in water. But why? Submarines are naturally stealthy, and theoretically can avoid getting shot from orbit by diving. Yet they'll be dismissed or ignored. A surface vessel has 71% of the globe to maneuver in, it can carry a large reactor and plenty of weapons of any kind. Yet it is generally taken for granted that all surface vessels would be sunk immediately in any conflict, and are worthless. Other criticisms abound, yet the most common threads are presumption or omission. There is an undercurrent that consistently believes the ability to destroy a planet will make all enemies submit, when that hasn't stopped us since Trinity. I submit that naval vessels are underutilized, and could be more useful than expected, as a mobile source of energy and firepower that's bigger than anything ever put on land, and through their maneuverability have an advantage no stationary installation can match in terms of survivability and strategic deployment.
The arguments generally made against naval vessels are that a wet navy ship can't hide. You can't throw a tarp over it like you can infantry, tanks, or planes. Critics will insist that a seagoing vessel will be instantly lit up, it will be a target that will immediately be destroyed. If a submarine pops up to fire, they'll get nuclear depth charge'd or shot with a laser. Here's a few questions; what's the difference between that and infantry? Why have ground forces at all? Some critics will ask that exact question. In some circles it's presumed that space warfare makes all other kinds of conflict obsolete, or that significant firepower does the same thing. The ability to destroy a planet has done nothing to dissuade us from having conventional war. But that's what we've always said with any new weapon. The Templin Institute video on planetary invasion had a great description of this.
https://youtu.be/XgN5yq362_s
Before WWII, strategic bombing was seen as a game ender. It's effects on breaking the enemy's will to fight is dubious at best. Strategic bombing and nuclear weapons did nothing to end war, or force the enemy to surrender. Even with Hiroshima and Nagasaki, that was a country at its breaking point after fifteen years of near-constant conflict, and five years of a global war. And still, some holdouts tried to stage a coup to prevent the emperor from surrendering.
After WWII, there were those who believed the nuclear age put an end to conventional war. The air force insisted the Navy and Marines were obsolete. This was part of a conflict that would be known as the Revolt of the Admirals. Air Force General Frank A Armstrong was quoted in Nathan Miller's "The US Navy: A History":
"You gentlemen had better understand that the Army Air Force is tired of being a subordinate outfit. It was a predominant force during the war, and it is going to be a predominant force during the peace, and you might as well make up your minds whether you like it or not, and we do not care whether you like it or not. The Army Air Force is going to run the show. You, the Navy, are not going to have anything but a couple of carriers that are ineffective anyway, and they will probably be sunk in the first battle. Now as for the Marines, you know what the Marines are, a small bitched-up army talking Navy lingo. We are going to put those Marines in the Regular Army and make efficient soldiers out of them."
This was accompanied by:
"In the age of atomic warfare, the fast carrier task force was regarded as an anachronism, and such a massive concentration of ships was seen as being more vulnerable to the bomb than any other weapon system...some strategists doubted that the navy would have an important part to play in the future...Admiral Nimitz, then chief of naval operations, pointed out the same thing had been said about the navy when the submarine, the torpedo, and the airplane were introduced. 'While the prophets of naval doom are shouting themselves hoarse, the Navy will be at work to make the changes needed to accommodate American sea power to the new weapons,' he declared..."
They can't think of a war without nuclear weapons. Then the very first war we came across after WWII, Korea, they could not use nuclear weapons at all. Political, economic, or military reasons could all make orbital bombardment less than desirable in certain situations. The situation might prevent it politically. There's limited wars, there's rules of engagement, there's resources you need, there's stuff you want. On the other side of the equation the weapons might not show the results you expect. They might not be accurate, they might be affected by some new flaw, they're just not what you hoped. Or the enemy is more capable than you expect.
Heinlein said in Starship Troopers that "War is not violence and killing, pure and simple; war is controlled violence, for a purpose." Clausewitz once said that "War is a mere continuation of policy by other means". And I say that the ability to destroy a planet is insignificant compared to the power of "why on earth would you do that". If your goal is to conquer a planet, simply glassing it won't get you anything. If you wish to conquer and seize land, you need to send troops. You need someone to hold it and die for it.
So why in the world must this apply to everything but the wet navy? You will see people with big garrisons, you'll see Bolo cybertanks with megaton-per-second firepower, you'll see infantry doing guerilla warfare, you'll even see aircraft. Why is the wet navy seen as so obsolete in sci-fi circles? The largest vehicle ever built in the real world is the ship Seawise Giant, nearly twice the size of the Hindenburg, the largest flying machine ever built, and longer than the largest aircraft carriers ever. This means that a future battleship, carrier, or other vessel could be just as big and carry enormous weapons. Yet still folks insist that because surface ships can't throw a tarp over themselves, that they'll be sitting ducks.
Submarines I've noticed in some circles are a solution. They are small, sneaky, and can use lasers as much as missiles. Others say that they're vulnerable when launching, hence the laser idea. One cool idea I've seen is a boat that extends out big laser arrays on the surface connected by a tether to the sub hiding deep underwater, so that if the laser is shot the submarine is safe beneath the waves. Yet just as often when this idea is proposed, it is claimed that if a submarine pops up, they'll be bombed, insisting that satellites have advanced too far. I don't know enough to speak to that, but there's a lot of ocean. What do you gain by wasting ammo dropping rocks on 71% of the planet just to be sure they don't have a submarine hiding? Wouldn't that be an excellent reason to have submarines, just so the enemy has to waste ships patrolling and not hitting the land targets?
The arguments eventually circle around to "we can nuke it". First of all, the ocean is big and it is deep. You'd trash the environment, including things you might want to conquer, if you vaporized thousands of square kilometers of sea water to kill a single hundred-meter sub. As I must repeat, the ability to destroy a planet is insignificant compared to the power of "why on earth would you do that?" During the Cold War, despite having the ability to glass the planet, we still built tanks, ships, and artillery, because there are certain kinds of war, certain modes of operation, certain things that don't involve total annihilation, because so often that's not what war is about. If you want to conquer a planet, you have to take it. The Soviets being able to annihilate Washington didn't magically alter the fact that they didn't have the ships to move any troops to hold it.
A submarine is one thing. If that can survive, why not a surface ship? Again, that tarp thing would be the answer. "They're sitting ducks!" One must ask why? During the Cold War, carriers were vulnerable, sure, but we still built them, and they can carry nukes too. And they can do a lot more things than a battleship can, from disaster relief to moving the crew's cars. A surface ship can be stealthy, just not as much as a sub. They can carry larger weapons than a sub, with more power to put through them.
While it's said a surface ship can't hide, neither can a starship, it's sitting up there shedding heat like mad. A surface ship has the whole planet to play with.
http://www.rocketpunk-manifesto.com/2009/06/space-warfare-i-gravity-well.html
One scenario pitched to me recently is a bunch of corvettes and frigates loaded down with missiles and lasers that shoot their wad in the opening salvos like a lot of Cold War plans. But does it have to be that small?
Let me be clear. Current generations of naval vessels likely wouldn't stand a chance. But they create an interesting precedent, because there exist multiple anti-satellite(ASAT) weapon projects that we could extrapolate for use on a surface vessel. We have a ton of projects, from the MIRACL directed-energy weapon, to the ASM-135 air-launched missile, the YAL-1 Airborne Laser(ABL), to the RIM-161 Standard Missile 3(not technically anti-satellite, it's an anti-ballistic missile that has been used in ASAT roles). These are ground-based, air-launched, and sea-based. We also can think about space guns, i.e. weapons used to launch projectiles into space. Project HARP in the 1960s used modified 16-inch naval guns to launch projectiles high into space. They succeeded, and a mass driverailgun would likely be able to get the same performance out of a smaller package. Keep in mind, these weapons don't need to achieve orbit, they just need to hit something in orbit, so they can be much smaller. They were flawed, and less than accurate, but they do exist. So this means that we can speculate on the future of these weapons if they were more mature. And all of these could be mounted on relatively conventional platforms. Size isn't everything, yet a war machine's power isn't in just its armor, but in its ability to deliver offensive power as much as defensive power.
The MIRACL was ground-based, and not mobile; they tried to use it to shoot at a satellite. It didn't work well, they ended up using a smaller less powerful weapon for the job. The YAL-1 ABL was a 747 modified with a weapon of the same output as the MIRACL, only airborne. The ASM-135 was attached to a squadron of unmodified F-15s that would go into supersonic zoom climbs to launch the missiles. The RIM-161 is an anti-ballistic missile mounted on standard AEGIS VLS cells that has successfully intercepted satellites. 16-inch guns have been used on battleships for years. And with newer technologies, you don't need anything that dramatic, or that big. In the 1970s, the US experimented with an eight-inch gun mounted on a destroyer. That project didn't go very far, but it did function, and it means big guns can be mounted on small ships.
So, let me lay it out. F-15s(which people have considered using for aircraft carriers), conventional VLS cells, and cannons have precedent for being able to intercept spacecraft. Modern stealth systems do exist even for surface vessels, they can't hide as well, but they can carry a larger variety of weapons, and more powerful reactors than a sub. This creates precedent that modern destroyers, or something similar, and aircraft carriers, could serve a role in space warfare. As for surviving orbital bombardment? Super-cavitation is a process for reducing drag on a ship or a weapon's hull as it travels through the water. We also have hydrojets, hydrofoils, and other technologies that are deployed or in the works. Increasing the speed of a surface ship could be the difference between life and death for it.
A futuristic carrier group might consist of a carrier, smaller than ours perhaps, equipped with futuristic air-breathing aircraft, protected by destroyers and submarines. These destroyers are armed with energy weapons, missiles, and cannons capable of firing at targets in orbit. The submarines can do the same thing. The carrier can provide air support to land-based units and fire at the enemy in space without having to worry about needing specialized runways or that they might get hit in a first strike. The escorts can shoot at the enemy, provide gunfire support when needed, and light out at a hundred knots to escape the blast of an orbital bomb.
Now, there are certainly challenges. What warrants posting a large force like this on a planet that might not have any fighting? I'm not sure that is easy to answer, though one thought is to ask what's the point of the Kansas National Guard? They're not likely to see any combat anytime soon. On the other hand, navies in our world exist to fight potential threats. Depending on a setting, your colony world might only have one faction there. Having a trained naval force might be very useful for disaster relief and keeping the peace.
There's also reason for water-based Marines, with amphibious assault ships and all the bells and whistles therein; big transports, air cushion landing craft, helicopters, etc. What if the enemy lands across the continent? Or across an ocean? Might you need sea transportation? Imagine if you didn't have surface defenses. You have militia to play guerilla, and orbital defenses, and your colony only settled on one of two continents on the planet. The enemy blows up your orbital defenses, then steals some mining equipment and sets up a whole operation on the other side, eating up your planet's resources, sending them off to the war effort, while you're completely helpless because the biggest boat you have is a yacht. You can't fight back without being bombed, but you can't even fight back without that because you don't have any missiles, lasers, or any other weapons capable of hitting their ships, and more than that, you can't even get your four thousand militia over there to destroy the mine. A futuristic carrier group would make all the difference here, with access to amphibious assault equipment and other gear that can move in one go what could take months by helicopter.
One thing that keeps coming back in this debate is "but they could get bombed, why bother investing in them?" In the Cold War, trillions were invested in technologies they knew would get annihilated in any conflict. That a first strike could wipe out all our bombers and missiles in one stroke. And that is what second strike capability is about, the ability to hit back even if they hit you first. No matter how much you destroyed, no matter how many ships you sank, missiles you found, or bombers you shot, you could never ever be sure the enemy couldn't drop a hundred more nukes on you hidden somewhere. If even a single plane, a single fighter jet, with a single pilot, got through, millions would die. So much of modern warfare is based on the idea that this advanced weapon could easily be wiped out in a master stroke.
I submit that wet naval vessels are underutilized in sci-fi circles, and could be more useful than expected, as a mobile source of energy and firepower that's bigger than anything ever put on land, and demonstrate strategic mobility and survivability their maneuverability have an advantage no stationary installation can match. They can respond to threats all over a planet, and engage with the enemy in space. Like how nuclear weapons didn't end the age of the carrier, I doubt orbital bombardment would put an end to the sea.
Let me know your thoughts, or suggestions you have for using sea vessels in the context of space warfare!
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2024.05.14 20:21 Ill_Variation_2480 TTPD's new nickname "Female Rage: The Musical" should upset you.

Edit: If you are going to comment on the length of this post, please don't. This is not a simple snark but rather an actual critical think piece about feminism and Taylor Swift.

Introduction

Pertaining to Taylor Swift, "Female Rage" has deviated from its intended meaning after Swift debuted a new performance of The Tortured Poets Department during the Eras Tour. Now, according to Swift's use of the phrase, female rage is interpreted as public backlash against Swift's dating choices rather than as a response to the broader injustices against women and women's rights. This post examines Taylor Swift's flawed feminism, philanthropy, branding, and the controversial trademark petition for the phrase "Female Rage: The Musical". Swift's background as an entertainer, indeterminate politics, and alignment with capitalism over feminism pervades her legacy, again threatening her public tolerance as not just an individual but as a brand.

Once Upon a Female Rage...

If you were cognizant in the early 2010's, you've heard countless jabs at Taylor Swift in the media. Magazines, radio, or online. Music critics did not take her seriously as a songwriter; parents put a woman on an unrealistic pedestal as the ideal role model for their children; she dated too much and used men as lyrical fodder. No matter the story, it inevitably spread, conjoined with everyone's respective opinions, and you'd be left to wonder, "Why does everyone hate this girl so much?"
Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,
"Becoming friends with Lena – without her preaching to me, but just seeing why she believes what she believes, why she says what she says, why she stands for what she stands for – has made me realize that I’ve been taking a feminist stance without actually saying so."
I suppose the male-centric songwriting subject that permeates Swift's discography contained covert feminism and that we just didn't see that. Perhaps, the "Bad Blood" song and music video were written only in jest and not about poor Katy Perry, for Swift, as a feminist, would "never make it a girl fight" or tear other women down (though all Katy did was date your terrible ex-boyfriend and allegedly steal three backup dancers from your tour). In 2013, Swift said, in response to Tina Fey and Amy Poehler's joke towards her serial dating, "There is a special place in hell for women who don't help other women."
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.

Get Your Fucking Ass Up and Be a Philanthropist, It Seems Like Nobody Wants to Be a Philanthropist These Days

In 2013, Taylor Swift cut the ribbon at the grand opening of the Taylor Swift Education Center at the Country Music Hall of Fame in Nashville, Tennessee. The donation amount - $4 million - was the largest individual artist gift ever donated to the Country Music Hall of Fame, which is, of course, mentioned on Swift's website. The two-story facility features three classrooms, an instrument room, and an interactive children's exhibit gallery. Swift also performed at "All for the Hall" charity shows and has donated numerous artifacts from her career (such as notable guitars, tour costumes, etc) to the museum.
This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.

I Like Some of the Taylor's Songs, But What the Fuck Does She Know About Feminism?

Swift continued with her self-proclaimed feminist campaign, positioning herself as a political activist and LGBTQ+ ally in the Miss Americana documentary. The primary focus of the documentary consists of the sexual assault trial, Andrea Swift's cancer diagnosis, Taylor's ED and body dysmorphia, media scrutiny, and, largely, finally speaking up about her politics publicly, mostly her opposition to the 2018 Tennessee Republican senate candidate, Marsha Blackburn, and Blackburn's beliefs. Swift says, following a scene discussing her experience during the trial,
"I just couldn't really stop thinking about it. And I just thought to myself, next time there is any opportunity to change anything, you had better know what you stand for and what you want to say."
We must ask ourselves, though: when has Swift ever spoken up to change anything? Okay, pulling her entire catalogue from Spotify because they didn't pay their artists enough and similarly pulling her catalogue from Apple Music are changes that she leveraged due to her revenue potential and power, but they are not pertinent to the average woman's rights. Moreover, these are issues that directly impacted Taylor's income, which was enough reason for her to protest in the first place. Swift has sold the most units for a female artist in first week sales, is the first female artist with 100k monthly Spotify listeners, is the first female artist to win the Album of the Year Grammy 4 times, and is the first female artist to do X, Y, and Z, all while being inoffensive and family-friendly to boot. The actual Taylor Swift seems unwilling to compromise the brand of Taylor Swift by contributing in meaningful ways to feminist causes, especially if it is for women outside of America and Hollywood.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.

I Can't Pay Those Sweatshop Workers a Livable Wage or Benefits! How Else Would I Make My Billions?

Recently, Taylor's team filed to trademark the phrase "Female Rage: The Musical" after Taylor said during Paris N1 of the Eras Tour,
"So you were the first ones to see The Tortured Poets at the Eras Tour...or as I like to call it, 'Female Rage: The Musical'."
This trademark petition was filed last week on Saturday, and news comes about just as numerous unofficial fan-made merch designs have cropped up with this phrase plastered on Fruit of the Loom basics. I'm of the opinion Swift's team motioned for a trademark so that they can send out cease & desists to all those that make knockoff merch, which disrupts potential sales for Bravado, UMG's choice merchandising company; however, since it was filed earlier, perhaps Swift has bigger plans with the bizarre use of the gendered phrase. One Swiftie referred to the phrase "female rage" as "a funny Eras Tour joke". Could it be a possible fourth version of the Eras Tour Movie? Whatever the reason, the motion to capitalize off of such a concept is disgusting, but not unsurprising, for a woman that profits on her vain feminism.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!

I Am Tortured Poet, Hear Me Whinge

Look - even if Taylor's intention is to characterize TTPD as more "tortured" and "angry", the main thread of the album is "I was ghosted by my decade-long situationship with a controversial indie boy and my fucking stupid fans wrote a 'Speak Up Now' open letter prompting me to drop him" anger, which is adequately expressed in the lyrics and performances. The extent of Taylor's "female rage" on TTPD is on tracks such as "Who's Afraid of Little Old Me?", which contends with relentless media scrutiny; "But Daddy I Love Him", where Swift firmly states she'll date whoever she likes no matter how "Sarahs and Hannahs" may react; and "The Albatross", a track mythologizing her reputation and the consequences of dating her. Of course, these coincide with deep psychological wounds that formed during Swift's early years in the media, and so, from her feminist perspective, these subjects tackle the misogyny and double standards that she faced.
Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.

Sigh Try and Come For My Job, Poors

Out there in the world right now is a 23-year-old woman, a recent college grad, who works as a barista. She has to wake up and get ready to go into a minimum wage job because she cannot get a job in her field. She doesn't have healthcare benefits or sick time, so she has to go into work no matter how she's feeling. All day long she is berated by vicious customers and creepy men, and, exhausted from being on her feet, she knows she has to go home to her shitty roommate that never does the dishes and her roommate's shitty dog. To comfort herself, she considers getting a treat, but thinks against it when she remembers that matcha lattes cost $15 and they taste like milky dirt. She knows that she needs to buy groceries this week, and so the woman resolves to go home, but notices that her gas tank is low. She goes to put gas in the car, but the pump stops at $27.86 because that's all that she has in her checking account. The woman, bereft and reeling, sinks into the driver's seat. "Well," she thinks, her head in her hands, "at least I don't have Taylor Swift's job. I just couldn't imagine."
Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,
"You know you're good when you can even do it with a broken heart...you know you're good...and I'm good, cause I'm miserable, and no one even knows!...try and come for my job."
Yeah, obviously we wouldn't know, you recently passed the billionaire threshold and are the most famous and in-demand performer in the world right now. Taylor Swift makes an estimated $10 to $13 million dollars A NIGHT on the Eras Tour. Furthermore, the Eras Tour movie grossed $261.6 million globally, (which, as the producer, Taylor takes home 57% of the ticket sales) not counting the streaming revenue from Amazon Prime Video and the estimated $75 million deal that Disney paid to have it on Disney+. We're not even considering the income from cheap plastic popcorn buckets and drink cups plastered with colored squares in her Era-specific likeness.
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"

Conclusion/TLDR

Thank you for reading. I would love to hear your critical insights towards this entire ordeal: TTPD, the trademark, the implications of it all.
TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.
submitted by Ill_Variation_2480 to travisandtaylor [link] [comments]


2024.05.14 18:08 Mophandel Archaeotherium, the King of the White River Badlands

Archaeotherium, the King of the White River Badlands
Art by Bob Nicholls
Nowadays, when we envision the words “prey,” among modern mammalian fauna, few taxa come to mind as quickly as the hoofed mammals, better known as the ungulates. Indeed, for the better part of their entire evolutionary history, the ungulates have become entirely indistinguishable from the term “prey.” Across their two major modern branches, the artiodactyls (the “even-toed ungulates,” such as bovids, pigs, deer, hippos and giraffes) and the perissodactyls (the “odd-toed ungulates,” including horses, rhinos and tapir), the ungulates too have created an empire spanning nearly every continent, establishing themselves as the the dominant herbivores throughout their entire range. However, as a price for such success, their lot as herbivores have forced them into an unenviable position: being the food for the predators. Indeed, throughout the diets of most modern predators, ungulates make up the majority, if not the entirety, of their diet, becoming their counterparts in this evolutionary dance of theirs. They have become the lamb to their wolf, the zebra to their lion, the stag to their tiger. If there is a predator in need of lunch, chances are that there is an ungulate there to provide it. Of course, such a dynamic is not necessarily a recent innovation. For the last 15-20 million years, across much of the world, both new and old, the ungulates have served as prey for these predators through it all. Over the course of whole epochs, these two groups have played into these roles for millions of years, coevolving with each other in an eons-long game of cat-and-mouse. The shoes they fill are not new, but have existed for ages, and within their niches they have cultivated their roles to perfection. Indeed, with such a tenured history, it seems hardly surprising the ungulates are wholly inseparable from the terms “prey,” itself.
However, while this is the case now, as it has been for the last 15-20 million years, go back far enough, and we see that this dynamic is not as set in stone as we would think. Indeed, back during the Eocene and Oligocene, during the very earliest days of age of mammals, things were very different for the ungulates. While today they are considered little more than food for modern predators, during these olden days, the ungulates weren’t quite so benign. In fact, far from being fodder for top predators, the ungulates had turned the tables, instead becoming top predators themselves. Indeed, though nearly unheard of today, throughout much of the Eocene and Oligocene, carnivorous ungulates thrived in abundance, developing specializations for catching large prey and establishing themselves as top predators that competed alongside the more traditional carnivores, and even dominating them in some instances. Given such success, it’s no wonder that multiple such clades had arisen during this time. Such predators included the arctocyonids, a lineage of (ironically) hoof-less ungulates with large jaws and sharp teeth for capturing large prey. There were also the mesonychians, a lineage of dog-like ungulates with massive skulls and jaws that allowed them to reign as the top predator across much of the Eocene.
However, among these various lineages, one stands stands out among the rest, by far. Arising during the Eocene, this lineage, though superficially resembling modern pigs, hailed from one an ancient lineage of artiodactyls far removed from swine or most other ungulates in general, with few close relatives alive today. Through perhaps not the most predatory of the bunch, it was among the most formidable, as their superficially pig-like appearance came with giant predatory jaws and teeth unlike anything from the modern era. And of course, as if all of that wasn’t enough, this lineage also went on to earn arguably one of the most badass nicknames of any lineage of mammals, period. These predators, of course, were the entelodonts, a.k.a the “hell-pigs.” More so than any other predatory ungulate lineage, these formidable ungulates were the ones to turn the current paradigm upside down, becoming some of the largest and most dominant carnivores in their landscape, even with (and often in spite of) the presence of more traditional predators. Through impressive size, fearsome teeth and sheer tenacity, these animals became the top dogs of their time, ruling as behemoth-kings of their Paleogene kingdoms, domineering all comers, and throughout the ranks, one entelodont in particular demonstrated such dominance the best. Though not the largest or most powerful of their kind, it is one of the most iconic, being among the most well-known members of its lineage to date. Moreover, this enteledont also has some of the most complete life histories ever seen out of this clade, with its brutality and predatory prowess being displayed in the fossil record in a way seen in no other member of its kind. More than anything else, however, it was this predator that best turned the notion of “ungulates being prey” on its head, living in an environment that bore some of the largest carnivoran hypercarnivores to date and still reigning as the undisputed top predator of its domain. This fearsome beast was none other than Archaeotherium, icon of the entelodonts, terror of the Oligocene American west and undisputed king of the White River badlands.
The rise of Archaeotherium (and of entelodonts in general) is closely tied to the ascendancy of carnivorous ungulates as a whole, one of the earliest evolutionary success stories of the entire Cenozoic. Having become their own derived clade since the late Cretaceous, the ungulates were remarkably successful during the early Paleogene, as they were among the first mammalian clades to reach large sizes during those early days after the non-avian dinosaurs had gone extinct. As such, it was with incredible swiftness that, as the Paleogene progressed, the ungulates swooped upon the various niches left empty by the K-Pg mass extinction that killed the dinosaurs. This of course included the herbivorous niches we would know them for today, but this also included other, much more carnivore roles. Indeed, early on during the Paleogene, it was the ungulates that first seized the roles of large mammalian predators, becoming some the earliest large mammalian carnivores to ever live, well before even the carnivorans. Such predators included the arctocyonids, a lineage of vaguely dog-like, hoof-less ungulates with robust jaws and sharpened teeth that acted as some of earliest large carnivores of the Paleocene, with genera such as Arctocyon mumak getting up to the size of big cats. Even more prolific were the mesonychids. More so than what pretty much any other lineage of predator, it was the mesonychids that would stand out as the earliest dominant predators of the early Cenozoic. Growing up to the size of bears and with enormous, bone-crushing jaws, the mesonychids were among the most powerful and successful predators on the market at that time, with a near-global range and being capable of subjugating just about any other predator in their environments. Indeed, they, along with other carnivorous ungulates (as well as ungulates in general), were experiencing a golden age during this time, easily being the most prolific predators of the age. Given such prevalence, it should be no surprise that there would be yet another lineage of predatory ungulates would throw their hat into the ring, and by early Eocene, that contender would none other than the entelodonts.
The very first entelodonts had arisen from artiodactyl ancestors during the Eocene epoch, at a time when artiodactyls were far more diverse and bizarre than they are now. Through today known from their modern herbivorous representatives such as bovines, deer, and antelope, during the Paleocene and Eocene, the artiodacyls, as with most ungulates of that time, were stronger and far more predaceous, particularly when it came to one such clade of artiodactyls, the cetacodontamorphs. Only known today from hippos and another group of artiodactyls (one which will become relevant later), the cetacodantomorphs emerged out of Asia around 55 million years ago, at around the same time that artiodactyls themselves had made their debut. These animals included the first truly predatory artiodactyls, with many of them possessing large skulls with powerful jaws and sharp, predatory teeth. Among their ranks included animals as puny as Indohyus, a piscivorous artiodactyl the size of a cat, to as formidable as Andrewsarchus, a giant, bison-sized predator often touted as one of the largest predatory mammals to ever live. Given such a predatory disposition, it wouldn’t be long until this clade produced a lineage of truly diverse, truly successful predators, and by around 40 million years ago, that is exactly what they did, as it was at that time that the entelodonts themselves first emerged. From their Asian homeland, the entelodonts spread across the world, spreading through not only most of Eurasia but also colonizing North America as well, with genera such as Brachyhyops being found across both continents. Here, in this North American frontier, the entelodonts began to diversify further, turning into their most successful and formidable forms yet, and it was around the late Eocene and early Oligocene that Archaeotherium itself had entered the scene.
Just from a passing glance at Archaeotherium, it is clear how exactly it (as well as the other entelodonts) earned the nickname of “hell-pigs.” It was a bruiser for starters; its body bore a robust, pig-like physique, with prominent neural spines and their associated musculature forming a hump around the shoulder region, similar to the hump of a bison. With such a bulky physique came with it impressive size; the average A. mortoni had a head-body length of roughly 1.6-2.0 m (5.3-6.6 ft), a shoulder height of 1.2 m (4 ft) and a body mass of around 180 kg (396 lb) in weight (Boardman & Secord, 2013; Joeckel, 1990). At such sizes, an adult Archaeotherium the size of a large male black bear. However, they had the potential to get even bigger. While most Archaeotherium specimens were around the size described above, a select few specimens, labeled under the synonymous genus “Megachoerus,” are found to be much larger, with skulls getting up to 66% longer than average A. mortoni specimens (Foss, 2001; Joeckel, 1990). At such sizes and using isometric scaling, such massive Archaeotherium specimens would attained body lengths over 2.5 m (8.2 ft) and would have reached weighs well over 500 kg (1100 lb), or as big as a mature male polar bear. Indeed, at such sizes, it is already abundantly evident that Archaeotherium is a force to be recorded with.
However, there was more to these formidable animals than sheer size alone. Behind all that bulk was an astoundingly swift and graceful predator, especially in terms of locomotion. Indeed, the hoofed feet of Archaeotherium, along with other entelodonts, sported several adaptations that gave it incredible locomotive efficiency, essentially turning it into a speed demon of the badlands. Such adaptations include longer distal leg elements (e.g. the radius and tibia) than their proximal counterparts (e.g. the humerus and femur), fusion of the radius and ulna for increased running efficiency, the loss of the clavicle (collar-bone) to allow for greater leg length, the loss of the acromion to enhance leg movement along the fore-and-aft plane, the loss of digits to reduce the mass of the forelimb, the fusion of the ectocuneiform and the mesocuneiform wrist-bones, among many other such traits (Theodore, 1996) . Perhaps most significant of these adaptations is the evolution of the “double-pulley astragalus (ankle-bone),” a specialized modification of the ankle that, while restricting rotation and side-to-side movement at the ankle-joint, allows for greater rotation in the fore-and-aft direction, thus allowing for more more powerful propulsion from the limbs, faster extension and retraction of the limbs and overall greater locomotive efficiency (Foss, 2001). Of course, such a trait was not only found in entelodonts but in artiodactyls as a whole, likely being a response to predatory pressures from incumbent predatory clades arising at the same time as the artiodactyls (Foss, 2001). However, in the case of the entelodonts, such adaptations were not used for merely escaping predators. Rather, they were used to for another, much more lethal effect…
Such notions are further reinforced by the entelodonts most formidable aspect, none either than their fearsome jaws, and in this respect, Archaeotherium excelled. Both for its size and in general, the head of Archaeotherium was massive, measuring 40-50 cm (1.3-1.6 ft) in length among average A. mortoni specimens, to up to 78 cm (~2.6 ft) in the larger “Megachoerus” specimens (Joeckel, 1990). Such massive skulls were supported and supplemented by equally massive neck muscles and ligaments, which attached to massive neural spines on the anterior thoracic vertebrae akin to a bisons hump as well as to the sternum, allowing Archaeotherium to keep its head aloft despite the skulls massive size (Effinger, 1998). Of course, with such a massive skull, it should come as no surprise that such skulls housed exceptionally formidable jaws as well, and indeed, the bite of Archaeotherium was an especially deadly one. Its zygomatic arches (cheek-bones) and its temporal fossa were enlarged and expanded, indicative of massive temporalis muscles that afforded Archaeotherium astoundingly powerful bites (Joeckel, 1990). This is further augmented by Archaeotherium’s massive jugal flanges (bony projections of the cheek), which supported powerful masseter muscles which enhanced chewing and mastication, as well as an enlarged postorbital bar that reinforced the skull against torsional stresses (Foss, 2001). Last but not least, powerful jaws are supplemented by an enlarged gape, facilitated by a low coronoid process and enlarged posterior mandibular tubercles (bony projections originating from the lower jaw), which provided an insertion site for sternum-to-mandible jaw abduction muscles, allowing for a more forceful opening of the jaw (Foss, 2001). All together, such traits suggest a massive and incredibly fearsome bite, perhaps the most formidable of any animal in its environment.
Of course, none of such traits are especially indicative of a predatory lifestyle. Indeed, many modern non-predatory ungulates, like hippos, pigs and peccaries, also possess large, formidable skulls and jaws. However, in peeling back the layers, it is found there was more to the skull of Archaeotherium that lies in store. Indeed, when inspecting the animal closely, a unique mosaic of features is revealed; traits that make it out to be much more lethal than the average artiodactyl. On one hand, Archaeotherium possessed many traits similar to those of herbivores animals, as is expected of ungulates. For instance, its jaw musculature that allowed the lower jaw of Archaeotherium a full side-to-side chewing motion as in herbivores (whereas most carnivores can only move their lower jaw up and down)(Effinger, 1998). On the other hand, Archaeotherium wielded many other traits far more lethal in their morphology, less akin to a herbivore and far more akin to a bonafide predator. For instance, the aforementioned enlarged gape of Archaeotherium is a bizarre trait on a supposed herbivore, as such animals do not need large gapes to eat vegetation and thus have smaller, more restricted gapes. Conversely, many predatory lineages have comparatively large gapes, as larger gapes allow for the the jaws to grab on to more effectively larger objects, namely large prey animals (Joeckel, 1990).
Such a juxtaposition, however, is most evident when discussing the real killing instruments of Archaeotherium — the teeth. More so than any facet of this animal, the teeth of Archaeotherium are the real stars of the show, showing both how alike it was compared to its herbivores counterparts and more importantly, how it couldn’t be more different. For instance, the molars of Archaeotherium were quite similar to modern herbivores ungulates, in that they were robust, bunodont, and were designed for crushing and grinding, similar in form and function to modern ungulates like peccaries (Joeckel, 1990). However, while the molars give the impression that Archaeotherium was a herbivore, the other teeth tell a very different story. The incisors, for example, were enlarged, sharpened, and fully interlocked (as opposed to the flat-topped incisors seen in herbivores ungulates), creating an incisor array that was seemingly ill-suited for cropping vegetation and much more adept at for gripping, puncturing and cutting (Joeckel, 1990). Even more formidable were the canines. Like the modern pigs from which entelodonts derived their nicknames, the canines of Archaeotherium were sharp and enlarged to form prominent tusk-like teeth, but unlike pigs, they were rounded in cross-section (similar to modern carnivores like big cats, indicating more durable canines that can absorb and resist torsional forces, such as those from struggling prey) and were serrated to form a distinct cutting edge (Effinger, 1998; Joeckel, 1990; Ruff & Van Valkenburgh, 1987). These canines, along with the incisors, interlock to stabilize the jaws while biting and dismantling in a carnivore-like fashion. More strikingly, the canines also seem to act as “occlusal guides,” wherein the canines help align the movement and position of the rear teeth as they come together, allowing for a more efficient shearing action by the rear teeth. This function is seen most prevalently modern carnivorous mammals, and is evidenced by the canine tooth-wear, which is also analogous to modern predators like bears and canids (Joeckel, 1990). Indeed, going off such teeth alone, it is clear that Archaeotherium is far more predatory than expected of an ungulate. However, the real stars of the show, the teeth that truly betray the predatory nature of these ungulates, are the premolars. Perhaps the most carnivore-like teeth in the entelodont’s entire tooth row, the premolars of Archaeotherium, particularly the anterior premolars, are laterally compressed, somewhat conical in shape, and are weakly serrated to bear a cutting edge, giving them a somewhat carnivorous form and function of shearing and slicing (Effinger, 1998). Most strikingly of all, the premolars of Archaeotherium bear unique features similar not to modern herbivores, but to durophagous carnivores like hyenas, particularly apical wear patterns, highly thickened enamel, “zigzag-shaped” enamel prism layers (Hunter-Schraeger bands) on the premolars which is also seen in osteophagous animals like hyenas, and an interlocking premolar interface wherein linear objects (such as bones) inserted into jaws from the side would be pinned between the premolars and crushed (Foss, 2001). Taken together, these features do not suggest a diet of grass or vegetation like other ungulates. Rather, they suggest a far more violent diet, one including flesh as well as hard, durable foods, particularly bone. All in all, the evidence is clear. Archaeotherium and other entelodonts, unlike the rest of their artiodactyl kin, were not the passive herbivores as we envision ungulates today. Rather, they were willing, unrepentant meat-eaters that had a taste for flesh as well as foliage.
Of course, even with such lines of evidence, its hard to conclude that Archaeotherium was a true predator. After all, its wide gape and durophagous teeth could have just as easily been used for scavenging or even to eat tough plant matter such as seeds or nuts, as in peccaries and pigs, which themselves share many of the same adaptations as Archaeotherium, include the more carnivorous ones (e.g. the wide gape, using the canines as an occlusal guide, etc.). How exactly do we know that these things were veritable predators and not pretenders to the title. To this end, there is yet one last piece of evidence, one that puts on full display the predatory prowess of Archaeotheriumevidence of a kill itself. Found within oligocene-aged sediment in what is now Wyoming, a collection of various fossil remains was found, each belonging to the ancient sheep-sized camel Poebrotherium, with many of the skeletal remains being disarticulated and even missing whole hindlimbs or even entire rear halves of their body. Tellingly, many of the remains bear extensive bite marks and puncture wounds across their surface. Upon close examination, the spacing and size of the punctures leave only one culprit: Archaeotherium. Of course, such an event could still have been scavenging; the entelodonts were consuming the remains of already dead, decomposed camels, explaining the bite marks. What was far more telling, however, was where the bite marks were found. In addition bite marks being found on the torso and lumbar regions of the camels, various puncture wounds were found on the skull and neck, which were otherwise uneaten. Scavengers rarely feast on the head to begin with; there is very little worthwhile meat on it besides the brain, cheek-muscles and eyes, and even if they did feed on the skull and neck, they would still eat it wholesale, not merely bite it and then leave it otherwise untouched. Indeed, it was clear that this was no mere scavenging event. Rather than merely consuming these camels, Archaeotherium was actively preying upon and killing them, dispatching them via a crushing bite to the skull or neck before dismembering and even bisecting the hapless camels with their powerful jaws to preferentially feast on their hindquarters (likely by swallowing the hindquarters whole, as the pelvis of Poebrotherium was coincidentally the perfect width for Archaeotherium to devour whole), eventually discarding the leftovers in meat caches for later consumption (Sundell, 1999). With this finding, such a feat of brutality leaves no doubt in ones mind as to what the true nature of Archaeotherium was. This was no herbivore, nor was it a simple scavenger. This was an active, rapacious predator, the most powerful in its entire ecosystem.
Indeed, with such brutal evidence of predation frozen in time, combined with various dental, cranial, and post cranial adaptations of this formidable animal, it’s possible to paint a picture of how this formidable creature lived. Though an omnivore by trade, willing and able to feast on plant matter such as grass, roots and tubers, Archaeotherium was also a wanton predator that took just about any prey it wanted. Upon detecting its prey, it approached its vicim from ambush before launching itself at blazing speed. From there, its cursorial, hoofed legs, used by other ungulates for escape predation, were here employed to capture prey, carrying it at great speeds as it caught up to its quarry. Having closed the distance with its target, it was then that the entelodont brought its jaws to bear, grabbing hold of the victim with powerful jaws and gripping teeth to bring it to a screeching halt. If the victim is lucky, Archaeotherium will then kill it quickly with a crushing bite to the skull or neck, puncturing the brain or spinal cord and killing its target instantly. If not, the victim is eaten alive, torn apart while it’s still kicking, as modern boars will do today. In any case, incapacitated prey are subsequently dismantled, with the entelodont using its entire head and heavily-muscled necks to bite into and pull apart its victim in devastating “puncture-and pull’ bites (Foss, 2001). Prey would then finally be consumed starting at the hindquarters, with not even the bones of its prey being spared. Such brutality, though far from clean, drove home a singular truth: that during this time, ungulates were not just prey, that they were not the mere “predator-fodder” we know them as today. rather, they themselves were the predators themselves, dominating as superb hunters within their domain and even suppressing clades we know as predators today, least of all the carnivorans. Indeed, during this point in time, the age of the carnivorous ungulates had hit their stride, and more specifically, the age of entelodonts had begun.
Of course, more so than any other entelodont, Archaeotherium took to this new age with gusto. Archaeotherium lived from 35-28 million years ago during the late Eocene and early Oligocene in a locality known today as the White River Badlands, a fossil locality nestled along the Great Plains and Rocky Mountains. Though a chalky, barren landscape today, during the time of Archaeotherium, the White River Badlands was a swamp-like floodplain crisscrossed with rivers and interspersed with by a mosaic of forests concentrated around waterways, open woodlands and open plains. As with most ecosystems with such a lush disposition, this locale teemed with life, with ancient hornless rhinos, small horse-like hyracodonts and early camels roaming the open habitats while giant brontotheres, small early horses and strange, sheep-like ungulates called merycoidodonts (also known as “oreodonts”) dwelled within the dense forests. Within this locale, Archaeotherium stalked the open woodlands and riparian forests of its domain. Here, it acted as a dominant predator and scavenger across is territory, filling a niche similar to modern grizzly bears but far more predatory. Among its preferred food items would be plant matter such as roots, foliage and nuts, but also meat in the form of carrion or freshly caught prey. In this respect, smaller ungulates such as the fleet-footed camel Poebrotherium, a known prey item of Archaeotherium, would have made a for choice prey, as its small size would make it easy for Archaeotherium to dispatch with its powerful jaws, while the entelodonts swift legs gave it the speed necessary to keep pace with its agile prey.
However, the entelodont didn’t have such a feast all to itself. Just as the badlands teemed with herbivores, so too did it teem with rival predators. Among their ranks included fearsome predators such as Hyaenodon, a powerful, vaguely dog-like predator up to the size of wolves (as in H. horridus) or even lions (as in the Eocene-aged H. megaloides, which was replaced by H. horridus during the Oligocene). Armed with a massive head, fierce jaws and a set of knife-like teeth that could cut down even large prey in seconds, these were some of the most formidable predators on the landscape. There were also the nimravids, cat-like carnivorans that bore saber-teeth to kill large prey in seconds, and included the likes of the lynx-sized Dinictis, the leopard-sized Hoplophoneus and even the jaguar-sized Eusmilus. Furthermore, there were amphicyonids, better known as the bear-dogs. Though known from much larger forms later on in their existence, during the late Eocene and Oligocene, they were much smaller and acted as the “canid-analogues” of the ecosystem, filling a role similar to wolves or coyotes. Last but not least, there were the bathornithid birds, huge cariamiform birds related to modern seriemas but much larger, which filled a niche similar to modern seriemas or secretary birds, albeit on a much larger scale. Given such competition, it would seem that Archaeotherium would have its hands full. However, things are not as they appear. For starters, habitat differences would mitigate high amounts of competition, as both Hyaenodon and the various nimravids occupy more specialized ecological roles (being a plains-specialist and forest-specialist, respectively) than did Archaeotherium, providing a buffer to stave off competition: More importantly, however, none of the aforementioned predators were simply big enough to take Archaeotherium on. During the roughly 7 million years existence of Archaeotherium, the only carnivore that matched it in size was H. megaloides, and even that would have an only applied to average A. mortoni individuals, not to the much larger, bison-sized “Megachoerus” individuals. The next largest predator at that point would be the jaguars-sized Eusmilus (specifically E. adelos) which would have only been a bit more than half the size of even an average A. mortoni. Besides that, virtually every other predator on the landscape was simply outclassed by the much larger entelodont in terms of size and brute strength. As such, within its domain, Archaeotherium had total, unquestioned authority, dominating the other predators in the landscape and likely stealing their kills as well. In fact, just about the only threat Archaeotherium had was other Archaeotherium, as fossil bite marks suggest that this animal regularly and fraglantly engaged in intraspecific combat, usually through face-biting and possibly even jaw-wrestling (Effinger, 1998; Tanke & Currie, 1998). Nevertheless, it was clear that Archaeotherium was the undisputed king of the badlands; in a landscape of hyaenodonts and carnivorans galore, it was a hoofed ungulate that reigned supreme.
However, such a reign would not last. As the Eocene transitioned into the Eocene, the planet underwent an abrupt cooling and drying phase known as Eocene-Oligocene Transition or more simply the Grande Coupure. This change in climate would eliminate the sprawling wetlands and river systems that Archaeotherium had been depending on, gradually replacing it with drier and more open habitats. To its credit, Archaeotherium did manage to hang on, persisting well after the Grand-Coupure had taken place, but in the end the damage had been done; Archaeotherium was a dead-man-walking. Eventually, by around 28 million years ago, Archaeotherium would go extinct, perishing due to this change in global climate (Gillham, 2019). Entelodonts as a whole would persist into the Miocene, producing some of their largest forms ever known in the form of the bison-sized Daeodon (which was itself even more carnivorous than Archaeotherium), however they too would meet the same fate as their earlier cousins. By around 15-20 million years ago, entelodonts as a whole would go extinct. However, while the entelodonts may have perished, this was not the end of carnivorous ungulates as a whole. Recall that the cetacodontamorphs, the lineage of artiodactyls that produced the entelodonts, left behind two living descendants. The first among them were the hippos, themselves fairly frequent herbivores. The second of such lineage, however, was a different story. Emerging out of South Asia, this lineage of piscivorous cetacodontamorphs, in a an attempt to further specialize for the fish-hunting lifestyle, began to delve further and further into the water, becoming more and more aquatic and the millennia passed by. At a certain point, these carnivorous artiodactlys had become something completely unrecognizable from their original hoofed forms. Their skin became hairless and their bodies became streamlined for life in water. Their hoofed limbs grew into giant flippers for steering in the water and their previously tiny tails became massive and sported giant tail flukes for aquatic propulsion. Their noses even moved to the tip of their head, becoming a blowhole that would be signature to this clade as a whole. Indeed, this clade was none other than the modern whales, themselves derived, carnivorous ungulates that had specialized for a life in the water, and in doing so, became the some of the most dominant aquatic predators across the globe for millions of years. Indeed, though long gone, the legacy of the entelodonts and of predatory ungulates as a whole, a legacy Archaeotherium itself had helped foster, lives on in these paragons of predatory prowess, showing that the ungulates are more than just the mere “prey” that they are often made out to be. Moreover, given the success that carnivorous ungulates had enjoyed in the past and given how modern omnivorous ungulates like boar dabble in predation themselves, perhaps, in the distant future, this planet may see the rise of carnivorous ungulates once again, following in the footsteps left behind by Archaeotherium and the other predatory ungulates all those millions of years ago.
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2024.05.14 17:12 Tartanclad How Gates of Hell could make a Commonwealth faction truly unique

Recently Gates of Hell released the American faction and did a full overhaul of the German faction, leading to a pair of interesting factions with an incredible variety of historically authentic uniforms. You could zoom in on any of the squads and see the diverse uniforms depicted right down to the insignia on their caps and the regiments on their patches. Shermanator’s interview of Chase/Trudel (the lead animator & 3D human artist) gave me faith in the developer’s passion for the history and the game. This made me quite excited, because we have yet to see a British Commonwealth faction but there is some heavy implication that we can expect one in the future.
I wanted to make this thread, because I wanted to express my desire to see elements in the game that would make the Commonwealth faction a wealth of interesting units, uniforms and nationalities, particularly via the doctrines system that exists within the game. The intention is to throw in representatives across all the major nations of the British Commonwealth as well as some of the Allied armies-in-exile that came under British command. I also want to highlight some of the vehicles that are rarely mentioned in other games due to their obscure theatre or role. For the record, I'm not telling the devs what to do - I'm just making some example doctrines that I came up with as an example of the variety of units I'd love to see and making their inclusion plausible. Mostly to get the community talking.
I won’t talk about early war, partially because ‘Early war’ in Gates of Hell is largely post-Dunkirk, but also because I feel like what I am asking is still quite a lot just for one faction across two eras. I also I won’t be mentioning the more obvious or general units like Stuarts, Crusaders, Cromwells, Grants etc, as I expect them to be added nonetheless. It’s the vaguer aspects of the Commonwealth I wanted to talk about; the weird, wonderful and the diverse.
Mid War Doctrines
I think the mid-war should be largely inspired by the North African Campaigns, centred largely on the 8th Army and utilising the huge variety of cultures that fought within it. Extra bits can be added from the Italian campaign where the faction is lacking, and the Italian campaign can also be represented in the ‘Temperate’ skin for the mid-war faction. There are a lot of inspirations one can draw to create a variety of options for the Commonwealth player and each doctrine should draw from their unique aspects.
All-Round: Inspired by the Desert Rats, the 2nd Battle of El Alamein and Operation Crusader this one balances the various aspects of the other doctrines while keeping it unique. I’d like to see the Infantry include British Desert Rats Infantry, 2nd New Zealand Infantry, & 1st South African Infantry. I’d also like to see South African Marmon-Herrington Armoured Cars (multiple variants) as an early-battle option, plenty of the more common tanks and maybe the Bishop as a slow but mobile artillery piece. As a special call-in, we could probably include the Free French Legionaries as a powerful assault unit, just to really complete the variety in this division.
Defensive: Inspired by the Siege of Tobruk, this doctrine should primarily represent the Australians. Variations of the Australian 9th Division troops as infantry alongside minor British elements with a heavy emphasis on field engineers, emplacements and field guns. Defensive doctrine could also include RAF Regiment infantry, RAF 20mm Oerlikon guns, RAF Rolls Royces, India Pattern Carriers (from the Indian 18th Division), air strikes and, as a special unit, they could even have captured Italian tanks from the 6th Australian Division Cavalry Regiment! As a defensive doctrine, they should also have access to the best mid-war field guns, including the rare (but historical) ’Pheasant’ 17/25 Pounder Field Gun.
Offensive: Inspired by the Battle of Tunisia and Operation Torch, I think this one should show off the might of the UK’s heavier vehicles in the latter stages of the African campaign, particularly the Churchill III, Sherman III, the Priest 105mm and the Stuart Command Tank, alongside the more standard British tank options. As for infantry options, we can include Indian troops of the 4th Infantry Division (India), Gurkhas, and a motorised unit of 22nd Guards Infantry. I would also add the British Commandos in this division - partly because they were involved in Operation Torch, but also because they had an iconic impact on the mid-war (outside of Africa) that it would be a pity not to add them.
Irregular: This one would be quite unique in mid-war as it is effectively the light vehicle special forces doctrine. Although some standard British units would form the basis of the army, they would have access to a variety of assets representing the Long Range Desert Group; Chevrolet trucks with mounted Vickers MGs, Boys AT rifles, twin 303 Brownings or even Bofors and captured 20mm Breda guns! ‘Bamtam’ jeeps with twin Vickers Ks or 303 Brownings. The transport and logistics would be different too, using the Marmon-Herrington 6-ton Heavy Truck or the White 1064 10-ton. Other unique special call-ins would include an LRDG WACO Recon plane and the SAS (armed with the Lewes bomb). The downside to this doctrine, however, is that imagine it to be much lighter on armoured support, relying mostly on towed guns for its heavy firepower.
Other Units: I’ve tried to use inspirations from specific parts of the war to get a rounded but also diverse array of units, but there are loads of obscure units across the mid-war that I’d love to see; the Priest 105mm SPG, the AEC Deacon Gun Carrier, the Daimler Dingo, the Humber Light Reconnaissance, and so on.
That is as much as I want to say on mid-war without labouring the point. I’m sure there’s interesting things I’ve missed accidentally, and I’m afraid there’s some I have missed on purpose. For example, I considered the Australian Matilda Hedgehog, but it turned out to be late war and never used. I also considered the Greek and the Czech Division, but I think I’ve already stretched it too far as regards voice acting alone without adding units that, as distinguished their service might be, are just too obscure without adding anything extra - appearance or gameplay. That said, my hat would go off to the devs if they achieved that.
Late War Doctrines
Here we get to represent the Commonwealth units from Operation Overlord up until Operation Varsity.
All-Round: The quintessential British doctrine, combining bog-standard infantry with hardy tanks and a decent array of equipment. Partially based on Gold Beach, but also Operation Varsity/Plunder towards the end of the war, I would personally give them 50th (Northumbrian) Infantry, RAF Regiment Gunners, RAF Humber Light AC, Churchill AVRE, the Cruiser Mk. VIII Challenger and the Comet. Maybe give them some 6th Airlanding troops and 1st Canadian Parachute Infantry as a reference to the Normandy paratroopers if we feel they need more skilled infantry.
Offensive: The Canadian Doctrine - mostly inspired by the First Canadian Army in Normandy with elements of their experiences later on (including the Battle of the Schelt and Operation Veritable) with the doctrine largely focused on armoured assault infantry. They’ll look quite unique compared to the British because their uniforms were greener and they were the first to use the British-designed Mk.III helmet at D-Day. Troops of the 3rd Canadian Infantry Division as standard, supported by assault infantry. Eventually, armoured infantry can spawn in Buffalos (used at the Battle of the Schelt) and, as a special call-in, Ram Kangaroo APCs (sporting an armoured MG turret). The Otter armoured car would be an early call-in, with M4A1 Sherman Grizzly tanks as well as Ram IIs available in the standard tank tab. Some unique but limited special call-ins would include the Skink AA tank (of which 2 saw historical combat in Normandy) as well as a skilled sniper wielding the Ross rifle.
Defensive: Just as the US Defensive doctrine features the 101st Airborne (no doubt inspired by the Battle of Bastogne), the British Defensive doctrine can feature the British Airborne - particularly based on the defense of Arnhem Bridge in the Netherlands as part of Market Garden. Infantry units can include the 52nd (Lowland) Infantry, 1st Airborne Paratroopers, 1st Airlanding Infantry, Parachute Squadron Royal Engineers and 1st (Polish) Independent Paratroopers (who are distinctive with their grey berets). Armoured units can include the Tetrarch and the M22 Locust. To suit their defensive doctrine, they should get some decent guns and I’m thinking the airborne jeep-towed 20mm Polsten Gun, airborne 17th Pounder as well as (in a departure from the Parachute theme) the BL 7.2-inch howitzer. The Patchett sub-machine gun could make an appearance here too.
Irregular: Based on Sword Beach, Commandos and the 79th Armoured Division, with the more unusual units in the British arsenal. Probably with 3rd Infantry Division Infantry as standard, this unit could have access to No.41 (Royal Marine) Commandos, Fusilier Marines Commandos (based on No.4 Commando’s assault on Ouestreham), the Centaur Mk.IV QF 95mm, the Sherman DD, the Churchill Crocodile and Royal Engineer Assault Teams deployed in the cute Terrapin 4-ton Amphibious. If we want to be really wacky, we could even add the M3 Grant CDL (an unarmed searchlight tank) for armoured spotting, similar to the 150cm Flakscheinwerfer searchlight.
Other Units: Further unique units that would fit in any one (or multiple) of these divisions (based on balance) include the Land Mattress Rocket Launcher, the Loyd Carrier, the Universal Carrier WASP (flamethrower), the Sexton SPG, Sherman Firefly, the Archer TD, Achilles TD, the Priest Kangaroo, the Morris C8, Staghound and so on. There are SO many strange and obscure British vehicles that don’t often see the light of day, but would be perfect for Gates of Hell.
Post-release Doctrines -
More of a final thought than anything else, but if/when the Japanese get added into the game, I’d love to see a fifth doctrine to represent the British 14th Army to match the Japanese. A doctrine that is mostly comprised of Indian infantry and Indian tanks, with representation from the East/West African Divisions, Gurkhas and the British 2nd or 36th Infantry Divisions. Special call-ins could include the Chindits (using Thompsons and the Jungle Carbine) and paratroopers of the 50th Indian Parachute Brigade. If we’re feeling generous enough to allow the doctrine to encompass the Pacific Islands as well, we could also include an Australian squad armed with the Owen SMG, South Pacific Scouts, the Matida Frog (flamethrower) and the Matilda QF 3-Inch.
Conclusion: I apologise for such a long read. But I hope we see how a bit of ambition could really help the Commonwealth stand out and be worthy of the variety seen in the other factions since their overhaul. While the Germans have Spanish soldiers in their ranks, the Commonwealth can see the UK, Canada, India, Australia, New Zealand, South Africa, Poland, and France (and technically Nepal) all get some recognition. While the German Kriegsmarine and Luftwaffe stand out on the field, the Commonwealth might get the distinctive blue battledress of the RAF Regiment, or the long white tunics of the Foreign Legion. We would see such a variety of hats including pith helmets, berets, kepis, dastars, keffiyehs and slouch hats. Some units, like the LRDG vehicles, might even stand out as unique from any of the nations already in the game. It’s a lot of colourful uniforms, a lot of voices and a lot of strange and wonderful machines.
However, it does come with its downsides. Firstly, Africa and Europe are such dramatically different theatres that their version of mid & late war are incredibly different to one another. So much so that the depth of variety might make the faction too big, making it a lot of effort for the art department (especially with uniforms changing for the map’s climate. Imagine making skins for temperate, desert AND snow). The second issue is whether France is getting its own faction in future iterations of the game (the French flag appears in the loading screen during Axis vs Allies games). The final (and probably biggest) issue is voice acting. I’m no expert on games development, but I gather that getting enough voice actors for a faction is hard enough as it is without having to accurately represent 9 countries at once. I would love to hear the developer’s thoughts on the matter - whether such a project is within the game’s scope and if they have the ambition to take it this far.
Do let me all know what you think as well.
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2024.05.14 16:25 Mophandel Archaeotherium, the King of the White River Badlands

Archaeotherium, the King of the White River Badlands
Art by Bob Nicholls
Nowadays, when we envision the words “prey,” among modern mammalian fauna, few taxa come to mind as quickly as the hoofed mammals, better known as the ungulates. Indeed, for the better part of their entire evolutionary history, the ungulates have become entirely indistinguishable from the term “prey.” Across their two major modern branches, the artiodactyls (the “even-toed ungulates,” such as bovids, pigs, deer, hippos and giraffes) and the perissodactyls (the “odd-toed ungulates,” including horses, rhinos and tapir), the ungulates too have created an empire spanning nearly every continent, establishing themselves as the the dominant herbivores throughout their entire range. However, as a price for such success, their lot as herbivores have forced them into an unenviable position: being the food for the predators. Indeed, throughout the diets of most modern predators, ungulates make up the majority, if not the entirety, of their diet, becoming their counterparts in this evolutionary dance of theirs. They have become the lamb to their wolf, the zebra to their lion, the stag to their tiger. If there is a predator in need of lunch, chances are that there is an ungulate there to provide it. Of course, such a dynamic is not necessarily a recent innovation. For the last 15-20 million years, across much of the world, both new and old, the ungulates have served as prey for these predators through it all. Over the course of whole epochs, these two groups have played into these roles for millions of years, coevolving with each other in an eons-long game of cat-and-mouse. The shoes they fill are not new, but have existed for ages, and within their niches they have cultivated their roles to perfection. Indeed, with such a tenured history, it seems hardly surprising the ungulates are wholly inseparable from the terms “prey,” itself.
However, while this is the case now, as it has been for the last 15-20 million years, go back far enough, and we see that this dynamic is not as set in stone as we would think. Indeed, back during the Eocene and Oligocene, during the very earliest days of age of mammals, things were very different for the ungulates. While today they are considered little more than food for modern predators, during these olden days, the ungulates weren’t quite so benign. In fact, far from being fodder for top predators, the ungulates had turned the tables, instead becoming top predators themselves. Indeed, though nearly unheard of today, throughout much of the Eocene and Oligocene, carnivorous ungulates thrived in abundance, developing specializations for catching large prey and establishing themselves as top predators that competed alongside the more traditional carnivores, and even dominating them in some instances. Given such success, it’s no wonder that multiple such clades had arisen during this time. Such predators included the arctocyonids, a lineage of (ironically) hoof-less ungulates with large jaws and sharp teeth for capturing large prey. There were also the mesonychians, a lineage of dog-like ungulates with massive skulls and jaws that allowed them to reign as the top predator across much of the Eocene.
However, among these various lineages, one stands stands out among the rest, by far. Arising during the Eocene, this lineage, though superficially resembling modern pigs, hailed from one an ancient lineage of artiodactyls far removed from swine or most other ungulates in general, with few close relatives alive today. Through perhaps not the most predatory of the bunch, it was among the most formidable, as their superficially pig-like appearance came with giant predatory jaws and teeth unlike anything from the modern era. And of course, as if all of that wasn’t enough, this lineage also went on to earn arguably one of the most badass nicknames of any lineage of mammals, period. These predators, of course, were the entelodonts, a.k.a the “hell-pigs.” More so than any other predatory ungulate lineage, these formidable ungulates were the ones to turn the current paradigm upside down, becoming some of the largest and most dominant carnivores in their landscape, even with (and often in spite of) the presence of more traditional predators. Through impressive size, fearsome teeth and sheer tenacity, these animals became the top dogs of their time, ruling as behemoth-kings of their Paleogene kingdoms, domineering all comers, and throughout the ranks, one entelodont in particular demonstrated such dominance the best. Though not the largest or most powerful of their kind, it is one of the most iconic, being among the most well-known members of its lineage to date. Moreover, this enteledont also has some of the most complete life histories ever seen out of this clade, with its brutality and predatory prowess being displayed in the fossil record in a way seen in no other member of its kind. More than anything else, however, it was this predator that best turned the notion of “ungulates being prey” on its head, living in an environment that bore some of the largest carnivoran hypercarnivores to date and still reigning as the undisputed top predator of its domain. This fearsome beast was none other than Archaeotherium, icon of the entelodonts, terror of the Oligocene American west and undisputed king of the White River badlands.
The rise of Archaeotherium (and of entelodonts in general) is closely tied to the ascendancy of carnivorous ungulates as a whole, one of the earliest evolutionary success stories of the entire Cenozoic. Having become their own derived clade since the late Cretaceous, the ungulates were remarkably successful during the early Paleogene, as they were among the first mammalian clades to reach large sizes during those early days after the non-avian dinosaurs had gone extinct. As such, it was with incredible swiftness that, as the Paleogene progressed, the ungulates swooped upon the various niches left empty by the K-Pg mass extinction that killed the dinosaurs. This of course included the herbivorous niches we would know them for today, but this also included other, much more carnivore roles. Indeed, early on during the Paleogene, it was the ungulates that first seized the roles of large mammalian predators, becoming some the earliest large mammalian carnivores to ever live, well before even the carnivorans. Such predators included the arctocyonids, a lineage of vaguely dog-like, hoof-less ungulates with robust jaws and sharpened teeth that acted as some of earliest large carnivores of the Paleocene, with genera such as Arctocyon mumak getting up to the size of big cats. Even more prolific were the mesonychids. More so than what pretty much any other lineage of predator, it was the mesonychids that would stand out as the earliest dominant predators of the early Cenozoic. Growing up to the size of bears and with enormous, bone-crushing jaws, the mesonychids were among the most powerful and successful predators on the market at that time, with a near-global range and being capable of subjugating just about any other predator in their environments. Indeed, they, along with other carnivorous ungulates (as well as ungulates in general), were experiencing a golden age during this time, easily being the most prolific predators of the age. Given such prevalence, it should be no surprise that there would be yet another lineage of predatory ungulates would throw their hat into the ring, and by early Eocene, that contender would none other than the entelodonts.
The very first entelodonts had arisen from artiodactyl ancestors during the Eocene epoch, at a time when artiodactyls were far more diverse and bizarre than they are now. Through today known from their modern herbivorous representatives such as bovines, deer, and antelope, during the Paleocene and Eocene, the artiodacyls, as with most ungulates of that time, were stronger and far more predaceous, particularly when it came to one such clade of artiodactyls, the cetacodontamorphs. Only known today from hippos and another group of artiodactyls (one which will become relevant later), the cetacodantomorphs emerged out of Asia around 55 million years ago, at around the same time that artiodactyls themselves had made their debut. These animals included the first truly predatory artiodactyls, with many of them possessing large skulls with powerful jaws and sharp, predatory teeth. Among their ranks included animals as puny as Indohyus, a piscivorous artiodactyl the size of a cat, to as formidable as Andrewsarchus, a giant, bison-sized predator often touted as one of the largest predatory mammals to ever live. Given such a predatory disposition, it wouldn’t be long until this clade produced a lineage of truly diverse, truly successful predators, and by around 40 million years ago, that is exactly what they did, as it was at that time that the entelodonts themselves first emerged. From their Asian homeland, the entelodonts spread across the world, spreading through not only most of Eurasia but also colonizing North America as well, with genera such as Brachyhyops being found across both continents. Here, in this North American frontier, the entelodonts began to diversify further, turning into their most successful and formidable forms yet, and it was around the late Eocene and early Oligocene that Archaeotherium itself had entered the scene.
Just from a passing glance at Archaeotherium, it is clear how exactly it (as well as the other entelodonts) earned the nickname of “hell-pigs.” It was a bruiser for starters; its body bore a robust, pig-like physique, with prominent neural spines and their associated musculature forming a hump around the shoulder region, similar to the hump of a bison. With such a bulky physique came with it impressive size; the average A. mortoni had a head-body length of roughly 1.6-2.0 m (5.3-6.6 ft), a shoulder height of 1.2 m (4 ft) and a body mass of around 180 kg (396 lb) in weight (Boardman & Secord, 2013; Joeckel, 1990). At such sizes, an adult Archaeotherium the size of a large male black bear. However, they had the potential to get even bigger. While most Archaeotherium specimens were around the size described above, a select few specimens, labeled under the synonymous genus “Megachoerus,” are found to be much larger, with skulls getting up to 66% longer than average A. mortoni specimens (Foss, 2001; Joeckel, 1990). At such sizes and using isometric scaling, such massive Archaeotherium specimens would attained body lengths over 2.5 m (8.2 ft) and would have reached weighs well over 500 kg (1100 lb), or as big as a mature male polar bear. Indeed, at such sizes, it is already abundantly evident that Archaeotherium is a force to be recorded with.
However, there was more to these formidable animals than sheer size alone. Behind all that bulk was an astoundingly swift and graceful predator, especially in terms of locomotion. Indeed, the hoofed feet of Archaeotherium, along with other entelodonts, sported several adaptations that gave it incredible locomotive efficiency, essentially turning it into a speed demon of the badlands. Such adaptations include longer distal leg elements (e.g. the radius and tibia) than their proximal counterparts (e.g. the humerus and femur), fusion of the radius and ulna for increased running efficiency, the loss of the clavicle (collar-bone) to allow for greater leg length, the loss of the acromion to enhance leg movement along the fore-and-aft plane, the loss of digits to reduce the mass of the forelimb, the fusion of the ectocuneiform and the mesocuneiform wrist-bones, among many other such traits (Theodore, 1996) . Perhaps most significant of these adaptations is the evolution of the “double-pulley astragalus (ankle-bone),” a specialized modification of the ankle that, while restricting rotation and side-to-side movement at the ankle-joint, allows for greater rotation in the fore-and-aft direction, thus allowing for more more powerful propulsion from the limbs, faster extension and retraction of the limbs and overall greater locomotive efficiency (Foss, 2001). Of course, such a trait was not only found in entelodonts but in artiodactyls as a whole, likely being a response to predatory pressures from incumbent predatory clades arising at the same time as the artiodactyls (Foss, 2001). However, in the case of the entelodonts, such adaptations were not used for merely escaping predators. Rather, they were used to for another, much more lethal effect…
Such notions are further reinforced by the entelodonts most formidable aspect, none either than their fearsome jaws, and in this respect, Archaeotherium excelled. Both for its size and in general, the head of Archaeotherium was massive, measuring 40-50 cm (1.3-1.6 ft) in length among average A. mortoni specimens, to up to 78 cm (~2.6 ft) in the larger “Megachoerus” specimens (Joeckel, 1990). Such massive skulls were supported and supplemented by equally massive neck muscles and ligaments, which attached to massive neural spines on the anterior thoracic vertebrae akin to a bisons hump as well as to the sternum, allowing Archaeotherium to keep its head aloft despite the skulls massive size (Effinger, 1998). Of course, with such a massive skull, it should come as no surprise that such skulls housed exceptionally formidable jaws as well, and indeed, the bite of Archaeotherium was an especially deadly one. Its zygomatic arches (cheek-bones) and its temporal fossa were enlarged and expanded, indicative of massive temporalis muscles that afforded Archaeotherium astoundingly powerful bites (Joeckel, 1990). This is further augmented by Archaeotherium’s massive jugal flanges (bony projections of the cheek), which supported powerful masseter muscles which enhanced chewing and mastication, as well as an enlarged postorbital bar that reinforced the skull against torsional stresses (Foss, 2001). Last but not least, powerful jaws are supplemented by an enlarged gape, facilitated by a low coronoid process and enlarged posterior mandibular tubercles (bony projections originating from the lower jaw), which provided an insertion site for sternum-to-mandible jaw abduction muscles, allowing for a more forceful opening of the jaw (Foss, 2001). All together, such traits suggest a massive and incredibly fearsome bite, perhaps the most formidable of any animal in its environment.
Of course, none of such traits are especially indicative of a predatory lifestyle. Indeed, many modern non-predatory ungulates, like hippos, pigs and peccaries, also possess large, formidable skulls and jaws. However, in peeling back the layers, it is found there was more to the skull of Archaeotherium that lies in store. Indeed, when inspecting the animal closely, a unique mosaic of features is revealed; traits that make it out to be much more lethal than the average artiodactyl. On one hand, Archaeotherium possessed many traits similar to those of herbivores animals, as is expected of ungulates. For instance, its jaw musculature that allowed the lower jaw of Archaeotherium a full side-to-side chewing motion as in herbivores (whereas most carnivores can only move their lower jaw up and down)(Effinger, 1998). On the other hand, Archaeotherium wielded many other traits far more lethal in their morphology, less akin to a herbivore and far more akin to a bonafide predator. For instance, the aforementioned enlarged gape of Archaeotherium is a bizarre trait on a supposed herbivore, as such animals do not need large gapes to eat vegetation and thus have smaller, more restricted gapes. Conversely, many predatory lineages have comparatively large gapes, as larger gapes allow for the the jaws to grab on to more effectively larger objects, namely large prey animals (Joeckel, 1990).
Such a juxtaposition, however, is most evident when discussing the real killing instruments of Archaeotherium — the teeth. More so than any facet of this animal, the teeth of Archaeotherium are the real stars of the show, showing both how alike it was compared to its herbivores counterparts and more importantly, how it couldn’t be more different. For instance, the molars of Archaeotherium were quite similar to modern herbivores ungulates, in that they were robust, bunodont, and were designed for crushing and grinding, similar in form and function to modern ungulates like peccaries (Joeckel, 1990). However, while the molars give the impression that Archaeotherium was a herbivore, the other teeth tell a very different story. The incisors, for example, were enlarged, sharpened, and fully interlocked (as opposed to the flat-topped incisors seen in herbivores ungulates), creating an incisor array that was seemingly ill-suited for cropping vegetation and much more adept at for gripping, puncturing and cutting (Joeckel, 1990). Even more formidable were the canines. Like the modern pigs from which entelodonts derived their nicknames, the canines of Archaeotherium were sharp and enlarged to form prominent tusk-like teeth, but unlike pigs, they were rounded in cross-section (similar to modern carnivores like big cats, indicating more durable canines that can absorb and resist torsional forces, such as those from struggling prey) and were serrated to form a distinct cutting edge (Effinger, 1998; Joeckel, 1990; Ruff & Van Valkenburgh, 1987). These canines, along with the incisors, interlock to stabilize the jaws while biting and dismantling in a carnivore-like fashion. More strikingly, the canines also seem to act as “occlusal guides,” wherein the canines help align the movement and position of the rear teeth as they come together, allowing for a more efficient shearing action by the rear teeth. This function is seen most prevalently modern carnivores mammals, and is evidenced by the canine tooth-wear, which is also analogous to modern predators like bears and canids (Joeckel, 1990). Indeed, going off such teeth alone, it is clear that Archaeotherium is far more predatory than expected of an ungulate. However, the real stars of the show, the teeth that truly betray the predatory nature of these ungulates, are the premolars. Perhaps the most carnivore-like teeth in the entelodont’s entire tooth row, the premolars of Archaeotherium, particularly the anterior premolars, are laterally compressed, somewhat conical in shape, and are weakly serrated to bear a cutting edge, giving them a somewhat carnivorous form and function of shearing and slicing (Effinger, 1998). Most strikingly of all, the premolars of Archaeotherium bear unique features similar not to modern herbivores, but to durophagous carnivores like hyenas, particularly apical wear patterns, highly thickened enamel, “zigzag-shaped” enamel prism layers (Hunter-Schraeger bands) on the premolars which is also seen in osteophagous animals like hyenas, and an interlocking premolar interface wherein linear objects (such as bones) inserted into jaws from the side would be pinned between the premolars and crushed (Foss, 2001). Taken together, these features do not suggest a diet of grass or vegetation like other ungulates. Rather, they suggest a far more violent diet, one including flesh as well as hard, durable foods, particularly bone. All in all, the evidence is clear. Archaeotherium and other entelodonts, unlike the rest of their artiodactyl kin, were not the passive herbivores as we envision ungulates today. Rather, they were willing, unrepentant meat-eaters that had a taste for flesh as well as foliage.
Of course, even with such lines of evidence, its hard to conclude that Archaeotherium was a true predator. After all, its wide gape and durophagous teeth could have just as easily been used for scavenging or even to eat tough plant matter such as seeds or nuts, as in peccaries and pigs, which themselves share many of the same adaptations as Archaeotherium, include the more carnivorous ones (e.g. the wide gape, using the canines as an occlusal guide, etc.). How exactly do we know that these things were veritable predators and not pretenders to the title. To this end, there is yet one last piece of evidence, one that puts on full display the predatory prowess of Archaeotheriumevidence of a kill itself. Found within oligocene-aged sediment in what is now Wyoming, a collection of various fossil remains was found, each belonging to the ancient sheep-sized camel Poebrotherium, with many of the skeletal remains being disarticulated and even missing whole hindlimbs or even entire rear halves of their body. Tellingly, many of the remains bear extensive bite marks and puncture wounds across their surface. Upon close examination, the spacing and size of the punctures leave only one culprit: Archaeotherium. Of course, such an event could still have been scavenging; the entelodonts were consuming the remains of already dead, decomposed camels, explaining the bite marks. What was far more telling, however, was where the bite marks were found. In addition bite marks being found on the torso and lumbar regions of the camels, various puncture wounds were found on the skull and neck, which were otherwise uneaten. Scavengers rarely feast on the head to begin with; there is very little worthwhile meat on it besides the brain, cheek-muscles and eyes, and even if they did feed on the skull and neck, they would still eat it wholesale, not merely bite it and then leave it otherwise untouched. Indeed, it was clear that this was no mere scavenging event. Rather than merely consuming these camels, Archaeotherium was actively preying upon and killing them, dispatching them via a crushing bite to the skull or neck before dismembering and even bisecting the hapless camels with their powerful jaws to preferentially feast on their hindquarters (likely by swallowing the hindquarters whole, as the pelvis of Poebrotherium was coincidentally the perfect width for Archaeotherium to devour whole), eventually discarding the leftovers in meat caches for later consumption (Sundell, 1999). With this finding, such a feat of brutality leaves no doubt in ones mind as to what the true nature of Archaeotherium was. This was no herbivore, nor was it a simple scavenger. This was an active, rapacious predator, the most powerful in its entire ecosystem.
Indeed, with such brutal evidence of predation frozen in time, combined with various dental, cranial, and post cranial adaptations of this formidable animal, it’s possible to paint a picture of how this formidable creature lived. Though an omnivore by trade, willing and able to feast on plant matter such as grass, roots and tubers, Archaeotherium was also a wanton predator that took just about any prey it wanted. Upon detecting its prey, it approached its vicim from ambush before launching itself at blazing speed. From there, its cursorial, hoofed legs, used by other ungulates for escape predation, were here employed to capture prey, carrying it at great speeds as it caught up to its quarry. Having closed the distance with its target, it was then that the entelodont brought its jaws to bear, grabbing hold of the victim with powerful jaws and gripping teeth to bring it to a screeching halt. If the victim is lucky, Archaeotherium will then kill it quickly with a crushing bite to the skull or neck, puncturing the brain or spinal cord and killing its target instantly. If not, the victim is eaten alive, torn apart while it’s still kicking, as modern boars will do today. In any case, incapacitated prey are subsequently dismantled, with the entelodont using its entire head and heavily-muscled necks to bite into and pull apart its victim in devastating “puncture-and pull’ bites (Foss, 2001). Prey would then finally be consumed starting at the hindquarters, with not even the bones of its prey being spared. Such brutality, though far from clean, drove home a singular truth: that during this time, ungulates were not just prey, that they were not the mere “predator-fodder” we know them as today. rather, they themselves were the predators themselves, dominating as superb hunters within their domain and even suppressing clades we know as predators today, least of all the carnivorans. Indeed, during this point in time, the age of the carnivorous ungulates had hit their stride, and more specifically, the age of entelodonts had begun.
Of course, more so than any other ettelodont, Archaeotherium took to this new age with gusto. Archaeotherium lived from 35-28 million years ago during the late Eocene and early Oligocene in a locality known today as the White River Badlands, a fossil locality nestled along the Great Plains and Rocky Mountains. Though a chalky, barren landscape today, during the time of Archaeotherium, the White River Badlands was a swamp-like floodplain crisscrossed with rivers and interspersed with by a mosaic of forests concentrated around waterways, open woodlands and open plains. As with most ecosystems with such a lush disposition, this locale teemed with life, with ancient hornless rhinos, small horse-like hyracodonts and early camels roaming the open habitats while giant brontotheres, small early horses and strange, sheep-like ungulates called merycoidodonts (also known as “oreodonts”) dwelled within the dense forests. Within this locale, Archaeotherium stalked the open woodlands and riparian forests of its domain. Here, it acted as a dominant predator and scavenger across is territory, filling a niche similar to modern grizzly bears but far more predatory. Among its preferred food items would be plant matter such as roots, foliage and nuts, but also meat in the form of carrion or freshly caught prey. In this respect, smaller ungulates such as the fleet-footed camel Poebrotherium, a known prey item of Archaeotherium, would have made a for choice prey, as its small size would make it easy for Archaeotherium to dispatch with its powerful jaws, while the entelodonts swift legs gave it the speed necessary to keep pace with its agile prey.
However, the entelodont didn’t have such a feast all to itself. Just as the badlands teemed with herbivores, so too did it teem with rival predators. Among their ranks included fearsome predators such as Hyaenodon, a powerful, vaguely dog-like predator up to the size of wolves (as in H. horridus) or even lions (as in the Eocene-aged H. megaloides, which was replaced by H. horridus during the Oligocene). Armed with a massive head, fierce jaws and a set of knife-like teeth that could cut down even large prey in seconds, these were some of the most formidable predators on the landscape. There were also the nimravids, cat-like carnivorans that bore saber-teeth to kill large prey in seconds, and included the likes of the lynx-sized Dinictis, the leopard-sized Hoplophoneus and even the jaguar-sized Eusmilus. Furthermore, there were amphicyonids, better known as the bear-dogs. Though known from much larger forms later on in their existence, during the late Eocene and Oligocene, they were much smaller and acted as the “canid-analogues” of the ecosystem, filling a role similar to wolves or coyotes. Last but not least, there were the bathornithid birds, huge cariamiform birds related to modern seriemas but much larger, which filled a niche similar to modern seriemas or secretary birds, albeit on a much larger scale. Given such competition, it would seem that Archaeotherium would have its hands full. However, things are not as they appear. For starters, habitat differences would mitigate high amounts of competition, as both Hyaenodon and the various nimravids occupy more specialized ecological roles (being a plains-specialist and forest-specialist, respectively) than did Archaeotherium, providing a buffer to stave off competition: More importantly, however, none of the aforementioned predators were simply big enough to take Archaeotherium on. During the roughly 7 million years existence of Archaeotherium, the only carnivore that matched it in size was H. megaloides, and even that would have an only applied to average A. mortoni individuals, not to the much larger, bison-sized “Megachoerus” individuals. The next largest predator at that point would be the jaguars-sized Eusmilus (specifically E. adelos) which would have only been a bit more than half the size of even an average A. mortoni. Besides that, virtually every other predator on the landscape was simply outclassed by the much larger entelodont in terms of size and brute strength. As such, within its domain, Archaeotherium had total, unquestioned authority, dominating the other predators in the landscape and likely stealing their kills as well. In fact, just about the only threat Archaeotherium had was other Archaeotherium, as fossil bite marks suggest that this animal regularly and fraglantly engaged in intraspecific combat, usually through face-biting and possibly even jaw-wrestling (Effinger, 1998; Tanke & Currie, 1998). Nevertheless, it was clear that Archaeotherium was the undisputed king of the badlands; in a landscape of hyaenodonts and carnivorans galore, it was a hoofed ungulate that reigned supreme.
However, such a reign would not last. As the Eocene transitioned into the Eocene, the planet underwent an abrupt cooling and drying phase known as Eocene-Oligocene Transition or more simply the Grande Coupure. This change in climate would eliminate the sprawling wetlands and river systems that Archaeotherium had been depending on, gradually replacing it with drier and more open habitats. To its credit, Archaeotherium did manage to hang on, persisting well after the Grand-Coupure had taken place, but in the end the damage had been done; Archaeotherium was a dead-man-walking. Eventually, by around 28 million years ago, Archaeotherium would go extinct, perishing due to this change in global climate (Gillham, 2019). Entelodonts as a whole would persist into the Miocene, producing some of their largest forms ever known in the form of the bison-sized Daeodon (which was itself even more carnivorous than Archaeotherium), however they too would meet the same fate as their earlier cousins. By around 15-20 million years ago, entelodonts as a whole would go extinct. However, while the entelodonts may have perished, this was not the end of carnivorous ungulates as a whole. Recall that the cetacodontamorphs, the lineage of artiodactyls that produced the entelodonts, left behind two living descendants. The first among them were the hippos, themselves fairly frequent herbivores. The second of such lineage, however, was a different story. Emerging out of South Asia, this lineage of piscivorous cetacodontamorphs, in a an attempt to further specialize for the fish-hunting lifestyle, began to delve further and further into the water, becoming more and more aquatic and the millennia passed by. At a certain point, these carnivorous artiodactlys had become something completely unrecognizable from their original hoofed forms. Their skin became hairless and their bodies became streamlined for life in water. Their hoofed limbs grew into giant flippers for steering in the water and their previously tiny tails became massive and sported giant tail flukes for aquatic propulsion. Their noses even moved to the tip of their head, becoming a blowhole that would be signature to this clade as a whole. Indeed, this clade was none other than the modern whales, themselves derived, carnivorous ungulates that had specialized for a life in the water, and in doing so, became the some of the most dominant aquatic predators across the globe for millions of years. Indeed, though long gone, the legacy of the entelodonts and of predatory ungulates as a whole, a legacy Archaeotherium itself had helped foster, lives on in these paragons of predatory prowess, showing that the ungulates are more than just the mere “prey” that they are often made out to be. Moreover, given the success that carnivorous ungulates had enjoyed in the past and given how modern omnivorous ungulates like boar dabble in predation themselves, perhaps, in the distant future, this planet may see the rise of carnivorous ungulates once again, following in the footsteps left behind by Archaeotherium and the other predatory ungulates all those millions of years ago.
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2024.05.14 14:01 Zappingsbrew A post talking about 400 words

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2024.05.14 08:19 SolarSolutionCompany Tips For Getting The Best Solar Quotes

Embarking on your solar journey is an exciting step towards energy independence and environmental responsibility. But the process can be daunting, especially when it comes to getting quotes and choosing the right solar installer.
To help you navigate this crucial phase, we've compiled essential tips, drawing insights from competitor analysis and the experiences of countless homeowners.

1. Do Your Research Before Requesting Quotes

Before diving into the quoting process, invest time in researching the solar landscape.

2. Gather Multiple Quotes

Don't settle for the first quote you receive. Instead, aim for at least three to five quotes from different solar installers. This will give you a broader perspective on pricing, system options, and company approaches.

3. Compare Quotes Carefully


4. Vet the Installers

Beyond the numbers, it's crucial to assess the installers themselves:

5. Ask the Right Questions

Don't hesitate to ask questions during consultations. Here are some key inquiries:

Read More: What Is The Power Output Of A Solar Panel

FAQs

By following these tips and asking the right questions, you'll be well-equipped to choose the best solar installer for your needs and secure the best possible deal for your solar investment.
submitted by SolarSolutionCompany to u/SolarSolutionCompany [link] [comments]


2024.05.14 04:18 SnackPatrol Team Fortress 2 good community servers (mainly NA, some EU- May 2024)

Last updated 5/14/24
About a month ago I literally went through every single community server, empty/full/whatever, and added any that sounded interesting, and didn't have crazy ping to Favorites (My region is Northeast US (NJ), FYI). There are still a bunch of good ones out there (I've also had many solid ones in my favs for quite some time).
For reference:

Scroll down a few lines to my "To keep it simple..." header for the best ones. The following 2 links were a fuller list I am not happy with anymore & will update when I have time. Keeping them in case people want more ideas/IPs:

(The green line ones are my seal of approval, pink line ones I haven't checked out as much but seem to be ok.)
Server page 1: https://i.imgur.com/NQujz3H.png
Server page 2: https://i.imgur.com/c7GkvGm.png

To keep it simple, I think the best ones right now (for me are):

tiny kitty's girl pound - friendly community, runs really solid, nice-looking custom maps, meme maps wednesday is a blast (played 3 hrs last night without loadouts), always has people in it, just be wary of nsfw furry sprays (yeah I know...put cl_spraydisable 1 in console to disable)
1st server: 74.91.115.12:27015
2nd server: 74.91.113.115:27015
OPRAH's PETROL STATION - Friendly community, always has people in it, no goofy instant respawn which has no place in payload yet half of all community server owners see fit to do that, pre-round scramble
108.181.63.51:27015
-EOTL- Payload - same deal
74.91.114.223:27015
redsun.tf - This community is the poster child for tastefully modded custom game modes, and is very active. It's very well maintained & polished and even though I may not enjoy every game mode I've been very impressed by this server network (esp. as a former highly modded community server owner). The EU one fills up most of the time, and I deal with the ping because it's a cool community (it even runs a battle royale mode that is surprisingly well-made). I'd recommend downloading their asset pack here as it's fairly sizeable to DL upon server connect:
EU (actually gets players): 141.95.28.56:27015
US: 66.206.13.139:27015
Trigger Happy Gamers (EU) - Trigger Happy Gamers have been around forever and even though they are in the UK I deal with the ping to play with them because they are a solid community. Their mainl server gets reliably full from around 1 PM - 3 PM EST every day, and on the weekends a little longer. Their Nocrits server also gets full Saturday
main: 87.98.254.85:27015
Nocrits (gets full Saturdays @ 1 PM - 2 PM): 87.98.254.85:27025
Fucked in the Head - Another community that has been around forever. To be honest, they have equal respawn on red & blu, even for payload, which I hate with a searing passion, HOWEVER, the regulars are entertaining af and give off vibes of drunk buddies goofing off and not giving a fuck that it almost offsets it. It's also decently populated.
216.52.148.223:27015
Skial Payload & Casual servers - I never got the hate for this server network, decent spawn times, Halloween mode year round, no power tripping admins, feels like a bunch of randoms having a good time. The Payload+ EU in particular has some really chill/cool regulars, Dustbowl+ US some interesting/funny peeps. Payload US generally decent also. Casual is solid too:
Payload+ EU 91.216.250.226:27015
Payload+ US 91.216.250.11:27015
Dustbowl+ US* (has become very stack-prone lately) 91.216.250.12:27015
~~~~~
Casual NY 91.216.250.34:27015
Casual US 91.216.250.40:27015
Casual LA 91.216.250.21:27015
Uncletopia - Pretty standard Casual experience except the skill level is generally higher, though it seems to be evening out honestly. And tbh from my experience people in these servers seem pretty cool. If you're looking for Vanilla I'd say this is your best bet.
https://uncletopia.com/servers
Southern Cross Gaming (Rainbow Swirl in particular) - Stumbled across this & played 1 round with these guys running a cool custom mode but apparently they run stock maps as well as custom maps/game modes. Their rules had a huge emphasis on keeping it fun & being respectful and everyone seemed really cool & laidback. It was full at peak time on the weekend. They also have other servers, even in other games & seem to have been around awhile:
IP: furfortress.com:27016
Site: https://www.scg.wtf/servers#team_fortress_2
ciggyland 18+ LGBT+ Furry server run by puppygirls
Funny, chill vibes, lots of custom maps. Seems to get full around peak time. Another diamond in the rough I discovered recently.
74.91.115.82:27015
Bad Weapon Rehabilitation (Vanilla US)
A really solid rebalancing of all weapons in-game. Nothing really feels overpowered or underpowered anymore, also fun things like flames stay on surfaces & I think spy or engy can radar enemies within a few feet or something to his team? It's really fun and gets full. Here's the site with IPs and stuff (The US server gets full around peak time, esp. on weekends)
74.91.126.159:27015
redstar.gg - Arena server, the owner ComradeYazoo seems pretty dedicated to starting it up and I hop in whenever I can. Believe it or not it's still very fun with little people but it's gotten pretty packed a couple times. It also has like every good custom arena map, and scrambles if a team wins 3 in a row. North America I believe.
204.12.240.186:27015
The Furry Pound - Some people list this one as one of the best non-UT for Vanilla TF2, however the one time I decided to give it a try I was met with some weird overly dramatic BS happening in Voice chat, and I heard someone else give a similar criticism the other day here. BUT, I've also seen people say they're ok. Might depend on what players/admins are on maybe, IDK:
Main server: thefurrypound.org:27015
UGC High Tower servers - They run no carts, so it's the TDM High Tower everyone's always dreamed of. They also run Instant Respawn and on any other map I hate that setting with a searing passion but because it's reworked as TDM I feel it actually improves the gameplay (put "high tower" including the space, and without quotes in the search box for a list of 'em in the following link):
https://www.ugc-gaming.net/servers/tf2/
UGC also runs other servers which I cannot vouch for but might be worth looking into.
GFL Clan (maybe???) - Someone said these guys are chill too, though I hate 2fort with a passion:
https://gflclan.com/forum/26-team-fortress-2/
Kogasatopia if you're desperate. They run some really fun mods, and solid (especially good gimmicky) custom maps, but their community is 4chan edgelords that like to say racial slurs. Just mute chat & voice I guess by entering this in console (replace with 1's to re-enable)- hud_saytext_time 0;voice_enable 0
Custom Weapons servers (including a guide to the best one via TF2Classic)
More Arena Servers
pic of a dog
submitted by SnackPatrol to snacktesting [link] [comments]


2024.05.14 01:57 Shadow_The__Edgelord Are freight wagons given names here in the U.S and Canada?

Are freight wagons given names here in the U.S and Canada?
So if you don't know. In Europe, freight wagons are given classifications like; Falls, Faccs, Ealos, Sekss, Tdgs, Ekkls, Zacens, Zags, Uacs, Tadgs, Kbkkmps, Gbkks, Hbbins, etc.
I always see freight trains up close here running around the tracks and the yard near my house. They don't seem to have any names or classifications. In Europe they're usually written on the trains.
Do North American card have classifications or are just called the way that they are? Gondola, Hopper, Tank, etc.
submitted by Shadow_The__Edgelord to trains [link] [comments]


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2024.05.13 20:22 AdQueasy4367 Steering Through Choices: Selecting the Right Brokerage Services Company for Cargo Transportation

In the complex world of cargo transportation, businesses rely on brokerage services to navigate the logistical challenges of shipping goods efficiently and economically. A brokerage services company acts as an intermediary between shippers and carriers, playing a crucial role in managing the movement of freight across global networks. Choosing the right partner such as Sargona Private Capital in Greece in this sector is essential for ensuring timely deliveries, reducing costs, and maintaining the integrity of shipments. Here’s how to select the right brokerage services company for your cargo transportation needs.

1. Assess Industry Expertise and Market Knowledge

The first criterion should always be industry expertise. A competent brokerage firm should not only understand the fundamentals of freight brokerage but also possess deep insights into your specific market sector, whether it's perishables, automotive parts, or consumer goods. Their expertise can prove invaluable in navigating regulatory requirements, handling customs, and managing specialized freight needs.

2. Verify Licensing and Credentials

In the cargo transportation industry, it’s critical that a brokerage firm is properly licensed and compliant with industry regulations. In the United States, this means checking that the broker has a Federal Motor Carrier Safety Administration (FMCSA) license. Additionally, verify memberships in relevant industry associations like the Transportation Intermediaries Association (TIA) which can indicate a commitment to best practices and ethical standards.

3. Evaluate Network and Carrier Relationships

The effectiveness of a brokerage firm is largely determined by the strength and breadth of its carrier network. A robust network means more options and backup plans for your shipments. Investigate the firm’s selection criteria for carriers, how they maintain relationships, and their ability to handle different volumes of cargo. A more extensive network often translates to better rates and more flexibility in meeting your shipping needs.

4. Consider Technology and Tools

Technology plays a pivotal role in modern freight brokerage. Effective firms utilize advanced Transportation Management Systems (TMS) to track shipments in real-time, manage routes and carriers, and optimize logistics. The ability to provide real-time data and visibility into the shipping process is crucial for scheduling and managing your supply chain efficiently.

5. Check Financial Stability

The financial health of a brokerage service is crucial, especially when it comes to handling your freight needs during economically turbulent times. Stability often means that the brokerage can maintain consistent service levels, manage payments to carriers promptly, and invest in technology and staff training.

6. Analyze Service Flexibility and Scalability

Every business’s needs are unique and can change over time. A good brokerage service should offer flexibility in handling different types of cargo and scalability to adjust to your business’s growing or shifting needs. This includes having the capability to manage peak seasons, varying shipment sizes, and emergency situations without hiccups.

7. Scrutinize Customer Service and Support

High-quality customer service is essential. Problems such as delays, lost cargo, or documentation errors need to be resolved swiftly and effectively. Evaluate the brokerage’s communication processes, availability for queries and support, and their problem-solving approach. Responsive and proactive customer service can differentiate an excellent brokerage service from an average one.

8. Review Pricing and Fee Structures

Transparent and competitive pricing is fundamental. Request detailed quotes and understand the fee structures thoroughly—this includes identifying any hidden costs or potential additional charges that might arise. It's not always about choosing the lowest bidder but finding the best value that combines reasonable costs with reliable service.

9. Read Reviews and Seek Referrals

Lastly, leverage the experiences of others. Read online reviews, case studies, and testimonials to gauge the brokerage’s reputation. Additionally, seek referrals from within your network. Personal recommendations can provide honest insights and help you gauge the firm’s effectiveness and reliability in real-world operations.

Conclusion

Selecting the right brokerage services company for cargo transportation is critical to the success of your logistical operations. A strategic approach to choosing a broker can lead to improved operational efficiency, cost savings, and enhanced service delivery, ultimately providing a competitive edge in the fast-paced world of commerce.
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2024.05.13 20:06 SanderSo47 Part 1

As Reddit doesn't allow posts to exceed 40,000 characters, Eastwood's edition had to be split into two parts because his whole career cannot be ignored. The second part will be posted tomorrow.

Here's a new edition of "Directors at the Box Office", which seeks to explore the directors' trajectory at the box office and analyze their hits and bombs. I already talked about a few, and as I promised, it's Clint Eastwood's turn.
Eastwood was a troublemaker at school, and he had a bunch of odd jobs such as lifeguard, paper carrier, grocery clerk, forest firefighter, and golf caddy. In 1951, he was drafted into the United States Army during the Korean War and was discharged two years later. Through this, he got into contact with a Hollywood representative, who got him into acting classes and started his acting career. He got his start by starring in the hit show Rawhide, but he said he was exhausted by the experience. This caught the attention of some film producers and he decided to act in films directed by the then-unknown Sergio Leone. His career was on the rise, and then he got the chance to make his directorial debut.
From a box office perspective, how reliable was he to deliver a box office hit?
That's the point of this post. To analyze his career.

It should be noted that as he started his career in the 1970s, some of the domestic grosses here will be adjusted by inflation. The table with his highest grossing films, however, will be left in its unadjusted form, as the worldwide grosses are more difficult to adjust.

Play Misty for Me (1971)

"The scream you hear may be your own!"
His directorial debut. It stars Eastwood, Jessica Walter and Donna Mills, and follows a radio disc jockey being stalked by an obsessed female fan.
Before his colleague Irving Leonard died, he and Eastwood had discussed the idea of producing a film that was to give Eastwood the artistic control he desired, and his debut as a director. Eastwood said he was ready, "I stored away all the mistakes I made and saved up all the good things I learned, and now I know enough to control my own projects and get what I want out of actors."
The film was a huge success for Eastwood, and it also received positive reviews. So far, his directorial career was off to a great start.

High Plains Drifter (1973)

"They'd never forget the day he drifted into town."
His second film. The film stars Eastwood, Verna Bloom and Mariana Hill, and follows a mysterious stranger who metes out justice in a corrupt frontier mining town.
Eastwood reportedly liked the offbeat quality of the film's original nine-page proposal and approached Universal with the idea of directing it, which would make it his first directed Western. The screenplay was inspired by the real-life murder of Kitty Genovese in Queens in 1964, which eyewitnesses reportedly stood by and watched. Holes in the plot were filled in with black humor and allegory, influenced by Sergio Leone.
It was well received, and the film even surpassed Play Misty for Me at the box office. Eastwood was just going up.

Breezy (1973)

"Her name is Breezy."
His third film. It stars William Holden and Kay Lenz, and follows the relationship between a middle-aged real estate agent and a young hitchhiker.
This was his first directed film without starring on it. And his lack of presence certainly hurt the film; it received mixed reviews and flopped at the box office.

The Eiger Sanction (1975)

"His lifeline, held by the assassin he hunted."
His fourth film. Based on the novel by Trevanian, the film stars Eastwood, George Kennedy, Vonetta McGee, and Jack Cassidy. It follows Jonathan Hemlock, an art history professor, mountain climber, and former assassin once employed by a secret government agency, who is blackmailed into returning to his deadly profession for one last mission.
The film received mixed reactions for its writing, and it wasn't a box office success either.

The Outlaw Josey Wales (1976)

"An army of one."
His fifth film. Based on the novel Gone to Texas by Forrest Carter, it stars Eastwood, Chief Dan George, Sondra Locke, Bill McKinney and John Vernon. The film tells the story of Josey Wales, a Missouri farmer whose family is murdered by Union militia during the Civil War. Driven to revenge, Wales joins a Confederate guerrilla band and makes a name for himself as a feared gunfighter. After the war, all the fighters in Wales' group except for him surrender to Union soldiers, but the Confederates end up being massacred. Wales becomes an outlaw and is pursued by bounty hunters and Union soldiers as he tries to make a new life for himself.
Eastwood was fascinated by the novel and he bought the film rights, hoping to star on the film. He got Philip Kaufman involved as screenwriter and possible director, but left after disagreeing with Eastwood in the material adapted to the screen. Kaufman insisted on filming with a meticulous attention to detail, which caused disagreements with Eastwood, not to mention the attraction the two shared towards Locke and apparent jealousy on Kaufman's part in regard to their emerging relationship. This caused Eastwood to take over as the director. Kaufman's firing angered the DGA, as he did most of the pre-production, and sanctioning a $60,000 fine. This resulted in the Director's Guild passing a new rule, known as "the Eastwood Rule", which prohibits an actor or producer from firing the director and then personally taking on the director's role.
The film received critical acclaim, and in subsequent years, is ranked among Eastwood's greatest films. It was also a huge success at the box office, doubling his previous highest grossing film. It was also one of the few Western films to receive critical and commercial success in the 1970s at a time when the Western was thought to be dying as a major genre in Hollywood.

The Gauntlet (1977)

"The man in the middle of..."
His sixth film. It stars Eastwood, Sondra Locke, Pat Hingle, William Prince, Bill McKinney, and Mara Corday. It follows a down-and-out cop who falls in love with a prostitute, to whom he is assigned to escort from Las Vegas to Phoenix for her to testify against the mob.
While it received mixed reviews, it became another box office success for Eastwood, becoming his now highest grossing film.

Bronco Billy (1980)

"The most outrageous of 'em all."
His seventh film. The film stars Eastwood and Sondra Locke, and focuses on the financially-struggling owner of a traditional Wild West show and his new assistant.
It became another critical and commercial success for Eastwood, who referred to the film as one of his most affable shoots of his career.

Firefox (1982)

"The most devastating killing machine ever built... his job... steal it!"
His eighth film. Based on the novel by Craig Thomas, it stars Eastwood, Freddie Jones and David Huffman. The Soviets have developed a revolutionary new jet fighter, called "Firefox". Naturally, the British are worried that the jet will be used as a first-strike weapon, as rumors say that the jet is undetectable on radar. They send ex-Vietnam War pilot Mitchell Gant on a covert mission into the Soviet Union to steal the Firefox.
The film received mixed reviews, but it earned almost $47 million, becoming Eastwood's highest grossing title as director.

Honkytonk Man (1982)

"The boy is on his way to becoming a man. The man is on his way to becoming a legend."
His ninth film. It's based on the novel by Clancy Carlile, and it stars Eastwood and his son Kyle. It follows Red Stovall, a country music singer and composer. With his nephew Whit by his side, he travels to Nashville to perform at the Grand Ole Opry in the backdrop of the Great Depression.
While the film received acclaim, it earned just $4.4 million, becoming his second worst performer.

Sudden Impact (1983)

"Dirty Harry is at it again."
His tenth film. The fourth installment in the Dirty Harry series, directed, it stars Eastwood and Sondra Locke. The film tells the story of a gang rape victim who decides to seek revenge on her rapists 10 years after the attack by killing them one by one. Inspector Harry Callahan, famous for his unconventional and often brutal crime-fighting tactics, is tasked with tracking down the serial killer.
The film received mixed reviews from critics, but it earned over $150 million worldwide, Eastwood's first film to pass that milestone. It's also very popular for including the iconic catchphrase, "Go ahead, make my day."

Tightrope (1984)

"A cop on the edge..."
His 11th film. It stars Eastwood, Geneviève Bujold, Dan Hedaya, Alison Eastwood and Jennifer Beck, and follows a detective determined to hunt down a sadomasochistic serial killer of prostitutes.
The film became another critical and commercial success for Eastwood.

Pale Rider (1985)

"...And Hell followed with him."
His 12th film. It stars Eastwood, Michael Moriarty and Carrie Snodgress. A couple and their daughter, along with a few others, are driven out of Lahood, California, by goons working for a mining baron. However, a stranger enters their life to assist them in their fight.
There was no stopping Eastwood: another critical and commercial success.

Heartbreak Ridge (1986)

"The scars run deep."
His 13th film. It stars Eastwood, Marsha Mason, Everett McGill, and Mario Van Peebles. The story centers on a U.S. Marine nearing retirement who gets a platoon of undisciplined Marines into shape and leads them during the American invasion of Grenada in 1983.
The film was inspired by an account of American paratroopers of the 82nd Airborne Division using a pay telephone and a credit card to call in fire support during the invasion of Grenada, and fashioned a script of a Korean War veteran career Army non-commissioned officer passing on his values to a new generation of soldiers. Eastwood was interested in the script and asked his producer, Fritz Manes, to contact the US Army with a view of filming the movie at Fort Bragg. However, the Army read the script and refused to participate, due to Highway being portrayed as a hard drinker, divorced from his wife, and using unapproved motivational methods to his troops, an image the Army did not want.
It received mixed reviews, with some deeming the film as "imperialist propaganda". But it was still another box office success.

Bird (1988)

"There are no second acts in American lives."
His 14th film. The film stars Forest Whitaker and Diane Venora. It is constructed as a montage of scenes from saxophonist Charlie Parker's life, from his childhood in Kansas City, through his early death at the age of 34.
Eastwood, a lifelong fan of jazz, had been fascinated by Parker ever since seeing him perform live in Oakland in 1946. He approached Chan Parker, Bird's common-law wife on whose memoirs the script was based, for input, and she lent Eastwood and arranger Lennie Niehaus a collection of recordings from her private collection Before Eastwood was involved, Richard Pryor was originally cast as Parker.
Despitive positive reviews, it performed poorly, earning just $2.2 million in North America.

White Hunter Black Heart (1990)

"An adventure in obsession."
His 15th film. Based on the novel by Peter Viertel, it stars Eastwood, Jeff Fahey, George Dzundza, Alun Armstrong and Marisa Berenson. It follows a famous movie director, John Wilson, who goes to Africa to make his next movie. He is an obstinate, contrary director who'd rather hunt elephants than take care of his crew or movie. He has become obsessed with one particular elephant and cares for nothing else.
Despite positive reviews, it made just $2.3 million domestically, not even 10% of the budget.

The Rookie (1990)

His 16th film. The film stars Eastwood, Charlie Sheen, Raul Julia, Sônia Braga, Lara Flynn Boyle, and Tom Skerritt. It follows a veteran police officer teamed up with a younger detective, whose intent is to take down a German crime lord in downtown Los Angeles, following months of investigation into an exotic car theft ring.
It received negative reviews for its acting and story, and it became another flop for Eastwood. That's three bombs in a row. Ouch.

Unforgiven (1992)

"Some legends will never be forgotten. Some wrongs can never be forgiven."
His 17th film. It stars Eastwood, Gene Hackman, Richard Harris and Morgan Freeman. It follows William Munny, a widower with two young kids, who was once a very vicious gunfighter who gave up everything after marriage. Now, a man named Schofield Kid brings him an offer that he cannot refuse, forcing him to come out of retirement for one last job.
David Webb Peoples wrote the script all the way back to 1976, and it was optioned by Francis Ford Coppola, but he lacked the funds needed to helm it. By Eastwood's own recollection, he was given the script in the "early 80s" although he did not immediately pursue it, because, according to him, "I thought I should do some other things first". Eastwood has long asserted that the film would be his last traditional Western, concerned that any future projects would simply rehash previous plotlines or imitate someone else's work. He dedicated the film to his close friends and mentors Sergio Leone and Don Siegel. Hackman initially refused to participate as his daughters were upset that he was starring in too many violent films, but he became fascinated by the script that he agreed.
It opened with $15 million and it legged all the way to $100 million after playing for almost one year, closing with $159 million worldwide, his now highest grossing film. The film received Eastwood's best reviews of his career, with many considering the film as his magnum opus as director. It received 9 Oscar nominations, and won four: Best Picture and Best Director for Eastwood, Best Supporting Actor for Hackman, and Best Film Editing. So Eastwood, on top of being a reliable box office draw, was now a 2-time Oscar winner.

A Perfect World (1993)

His 18th film. Kevin Costner, Eastwood and Laura Dern, and follows an escaped convict who takes a young boy hostage and attempts to escape on the road with the child, while being pursued by a Texas Ranger.
The film received critical acclaim, and has appeared as one of Eastwood's best films. The film disappointed in North America, but it earned up to $100 million overseas (Eastwood's first film to gross that much) and ended with $135 million worldwide.

The Bridges of Madison County (1995)

"The human heart has a way of making itself large again even after it's been broken into a million pieces."
His 19th film. Based on the novel by Robert James Waller, it stars Eastwood and Meryl Streep. The film is set in 1965, following a war bride, Francesca Johnson, who lives with her husband and two children on their Iowa farm. That year she meets National Geographic photojournalist, Robert Kincaid, who comes to Madison County, Iowa to photograph its historic covered bridges. With Francesca's family away for a short trip, the couple have an intense, four-day love affair.
It received more critical acclaim, and made over $180 million worldwide, becoming his highest grossing film. For her performance, Streep was nominated for an Oscar for Best Actress.

Absolute Power (1997)

His 20th film. Based on the novel by David Baldacci, it stars Eastwood, Gene Hackman, Ed Harris, Laura Linney, Judy Davis, Scott Glenn, Dennis Haysbert, and Richard Jenkins. It follows a master jewel thief who witnesses the killing of a woman by Secret Service agents.
It received mixed reviews, and disappointed at the box office.

Midnight in the Garden of Good and Evil (1997)

"Welcome to Savannah, Georgia. A Ccty of hot nights and cold blooded murder."
His 21st film. Based on the book by John Berendt, it stars John Cusack and Kevin Spacey. It follows the story of antiques dealer Jim Williams, on trial for the killing of a male prostitute who was his lover. The multiple trials depicted in Berendt's book are combined into one trial for the film.
It received mediocre reviews, and flopped at the box office.

True Crime (1999)

His 22nd film. Based on the novel by Andrew Klavan, it stars Eastwood, Isaiah Washington, Denis Leary, LisaGay Hamilton and James Woods. It follows a journalist covering the execution of a death row inmate, only to discover that the convict may actually be innocent.
This was another project that received mediocre reviews and flopped at the box office.

Space Cowboys (2000)

"Boys will be boys."
His 23rd film. It stars Eastwood, Tommy Lee Jones, Donald Sutherland, and James Garner as four aging former test pilots who are sent into space to repair an old Soviet satellite.
It received very positive reviews, and earned over $128 million worldwide.

Blood Work (2002)

"He's a heartbeat away from catching the killer."
His 24th film. Based on the novel by Michael Connelly, it stars Eastwood, Jeff Daniels, Wanda De Jesús, and Anjelica Huston. It follows a retired FBI agent who recently had a heart transplant but still takes up the job to nab a killer.
It was another film with mediocre reviews and flop status.

Mystic River (2003)

"We bury our sins, we wash them clean."
His 25th film. Based on the novel by Dennis Lehane, it stars Sean Penn, Tim Robbins, Kevin Bacon, Laurence Fishburne, Marcia Gay Harden, and Laura Linney. It follows three childhood friends who are reunited 25 years later when one of them suffers a family tragedy.
Michael Keaton was originally cast in the role of Det. Sean Devine, and did several script readings with the cast, as well as his own research into the practices of the Massachusetts Police Department. However, creative differences between Keaton and Eastwood led to Keaton leaving the production. He was replaced by Kevin Bacon. This was the first film in which Eastwood would be credited as composer.
The film had a slow roll-out, but it was aided by strong word of mouth, closing with a wonderful $156 million worldwide. It also received acclaim, and was named as one of Eastwood's greatest films. Sean Penn received universal acclaim for his performance, with some naming it among the best acting of the century, particularly for one scene (if you watched it, you definitely know which scene). It received 6 Oscar nominations, including Best Picture and Best Director for Eastwood. It won two: Best Actor for Penn and Best Supporting Actor for Robbins.

Come back tomorrow for Part 2

MOVIES (FROM HIGHEST GROSSING TO LEAST GROSSING)

No. Movie Year Studio Domestic Total Overseas Total Worldwide Total Budget
x The Bridges of Madison County 1995 Warner Bros. $71,516,617 $110,500,000 $182,016,617 $22M
x Unforgiven 1992 Warner Bros. $101,167,799 $58,000,000 $159,167,799 $14.4M
x Mystic River 2003 Warner Bros. $90,135,191 $66,460,000 $156,595,191 $25M
x Sudden Impact 1983 Warner Bros. $67,642,693 $83,000,000 $150,642,693 $22M
x A Perfect World 1993 Warner Bros. $31,130,999 $104,000,000 $135,130,999 $30M
x Space Cowboys 2000 Warner Bros. $90,464,773 $38,419,359 $128,884,132 $60M
x Heartbreak Ridge 1986 Warner Bros. $42,724,017 $78,975,983 $121,700,000 $15M
x Absolute Power 1997 Sony $50,068,310 $42,700,000 $92,768,310 $50M
x Tightrope 1984 Warner Bros. $48,143,579 $0 $48,143,579 N/A
x Firefox 1982 Warner Bros. $46,708,276 $0 $46,708,276 $21M
x Pale Rider 1985 Warner Bros. $41,410,568 $0 $41,410,568 $6.9M
x The Gauntlet 1977 Warner Bros. $35,400,000 $0 $35,400,000 $5.5M
x The Outlaw Josey Wales 1976 Warner Bros. $31,800,000 $0 $31,800,000 $3.7M
x Blood Work 2002 Warner Bros. $26,235,081 $5,559,637 $31,794,718 $50M
x Midnight in the Garden of Good and Evil 1997 Warner Bros. $25,105,255 $0 $25,105,255 $30M
x Bronco Billy 1980 Warner Bros. $24,265,659 $0 $24,265,659 $6.5M
x The Rookie 1990 Warner Bros. $21,633,874 $0 $21,633,874 $30M
x True Crime 1999 Warner Bros. $16,649,768 $0 $16,649,768 $55M
x High Plains Drifter 1973 Universal $15,700,000 $0 $15,700,000 $5.5M
x The Eiger Sanction 1975 Universal $14,200,000 $0 $14,200,000 $9M
x Play Misty for Me 1971 Universal $10,600,000 $0 $10,600,000 $950K
x Honkytonk Man 1982 Warner Bros. $4,484,991 $0 $4,484,991 $2M
x White Hunter Black Heart 1990 Warner Bros. $2,319,124 $0 $2,319,124 $24M
x Bird 1988 Warner Bros. $2,181,286 $0 $2,181,286 $14M
x Breezy 1973 Universal $200,000 $17,753 $217,753 $750K

The Verdict

Hope you liked this edition. You can find this and more in the wiki for this section.
The next director will be Robert Zemeckis. One of the biggest falls from grace.
I asked you to choose who else should be in the run and the comment with the most upvotes would be chosen. It had to be a controversial filmmaker. Well, we'll later talk about... Zack Snyder. Oh, BoxOffice chose fuego 🔥
This is the schedule for the following four:
Week Director Reasoning
May 20-26 Robert Zemeckis Can we get old Zemeckis back?
May 27-June 2 Richard Donner An influential figure of the 70s and 80s.
June 3-9 Ang Lee What happened to Lee?
June 10-16 Zack Snyder RIP Inbox.
Who should be next after Snyder? That's up to you.
submitted by SanderSo47 to u/SanderSo47 [link] [comments]


2024.05.13 19:18 Phat_Assets EbonyPrince2K24 - All Tweets

EbonyPrince2K24 - All Tweets
For those that do not have Twitter or for those crazy enough to read this front to back. It's a long post, sorry. This is every tweet from newest to oldest. Goodluck K-Anons
Last Tweet: May 13,2024 12:00 EST
I wonder what it will be...
My eyes are not trained to determine age. They are trained to decipher adult from adolescent. Young Theodore made changes to how we monitored youngins... 7/27/2023
https://preview.redd.it/19d3ytes780d1.png?width=781&format=png&auto=webp&s=702395fdddbf0e3f5a35df84a44d53a6a0bb071c
You were warned at so many turns...
And just when I thought the saga was over, and you mockingly switched over to The Aman, what do you do? You come out and ridicule someone I truly admired. Backseet Freestyle..... Nigga! "Martin had a dream. Martin had a dream"...
Anywhere I've worked can attest to the fact that I do my job to the letter of the law (once there...). That's what makes me amongst the most in demand in the city. How many times should I have allowed you to inderectly affect my livelihood???
What this means is that I am obligated under NYS Law to report any questionable activity regarding the humans this law covers...
Now to this...
https://preview.redd.it/qk6ha8ft780d1.png?width=975&format=png&auto=webp&s=2e68a99533b0e4dfc782d35c4c6d103a61741b7f
I started this asking you and your little friend to humble yourselves. You realize that no one has stopped me right? That's because everyone is in agreeance!
They like the money, not you! And that goes for everyone and everything around you!
But it is America after all, and Cash will always be King. In spite of what asshole it comes from.
Now while you have that lens on your eye, Do you see the foolery??? The regulars there could buy you 100 times over, yet your staff will try and move them out they way. Do you see the insanity???
At first I was annoyed that when the new 3rd party company took my department I was provided with no company information, not even an employee handbook. Than I realized, well whatever. I have signed no agreements to anything, so lets see how this plays out.
You leave a wake of annoyance and stress in your path that makes most people's' skin crawl... On top of costing people to be fired, costing people to resign, and nearly costing me to be arrested (all in the lawsuit against young Theodore from earlier)...
Doing shit like "be there in 10" than show up in "2" Than wanna complain about preparation.
Than enter you... With a goon squad that pushes the service providers who are trying to assist out of the way. Once banging one in the head thinking he was a pap. Being nasty to all the staff...
If not, I challenge you to look through another lens. Imagine having to service actual Monarchs - Kings, Queens, Princes, and Princesses. Presidents, and Heads of State from all over the world with assets in the trillions on a daily basis...
To that point, Are you a Billionaire yet? I wouldn't know.
Simply trashing everything was not feasible as some of the items were extremely expensive. It is after all "The Billionaires Playground"...
It was placed with the other High Value Lost and Found in a safe under a camera, FOR THREE MONTHS...
But you are you, so it was not trashed. Not YOUR stuff. Nobody wanted to hear no bullshit...
Sooooo much emphasis on that little bag, and whether or not it shipped, that the "big bag" was picked through and tossed to the side with these instructions: "We only needed that, the rest is trash"...
We all occasionally slip though. I have throughout this story while fending off hacking attempts, threats (against me and my House members), and more. However, you or your team slipped flat faced after you departed that time...
By now, you should have come to the conclusion that I am quite meticulous in my methods...
I was in disbelief at this claim of theft, considering how the items came to remain in that building. I kept thinking back to: 7/27/2023
https://preview.redd.it/er2io6gu780d1.png?width=202&format=png&auto=webp&s=9ee779b9a8224fdfbaa4d9984e8d29789a59b588
But I digress. After the meeting in the office, I later contacted Ms. Edward. All files regarding any items in my possession were transferred over to her, so that if I am ever detained for possession of stolen property, my attorney has the proof of chain of custody...
We are all collectively gatekeeping our shit now. ALL OF IT!!! You know, like how you all do yours...
You see, in the 1920's the movement was called "The New Negro Movement". Here in the 2020's, this is "The New Nigga Movement". hard "e.r."s will get you sent to the "e.r.", Quickly...
Let me ask a question. You all call us niggers, and niggas right? Do you know what we call you???
They are Not Like Us...
Now where ws I???
This is why it goes "Not Like Us". I thought you all were smart???
That's how things work in your home country, Not this one. Not the Land My Ancestor Built the Improvements Upon...
This shall make it abundantly easy to acquire a carry permit now...
You men were asked for nothing both the truth, Refused to do so, and now you think you will harrass and harm me??? Thanks for letting the world know, Idiot...
So Mr. Allen likes to make threats publicly huh???
I was informed that the statements made by DJ Akademiks had also been relayed to her (cause you know the pocket watchers are always hating). I was informed that I should speak with an attorney, because being associated with items declared stolen may have negative consequences...
I was elated to say the least! That elation was broken quote swiftly by one of the managers. She called me into the office and began an inquisition into how the items were obtained.
You see, as a Prince and because of my chosen profession, I speak the unspoken language of royalty. In Black America, there is a common saying, that: "What's understood, ....."
That means, it was no secret to my closest colleagues that all of these items were long in my posession. So last Monday, when I finally was shown "Meet The Grahams" in the employee cafeteria, I instantly understood the assignment...
Lost and Found is a well known and looked foward to perk of Hospitality. It is the incentive to thoroughly perform your duties in the hopes that one mans trash, negligence, or kind gesture may turn into a treasure for you.
You see, the minute you said stolen... You introduced a dilemma in my world. More specifically, my professional world...
And lots of them...
https://preview.redd.it/chbdseav780d1.png?width=867&format=png&auto=webp&s=253bb228c95eb0540d024ca90c0435ed3743517b
Dear Aubrey, Did you really think this was all about a shirt and some scripts??? This was about DIAMONDS! Time for some hard truths... (VIDEO) https://x.com/EbonyPrince2k24/status/1789951005037125869
7/27/2023
I will never forget this...
https://preview.redd.it/bxcyh55w780d1.png?width=202&format=png&auto=webp&s=86b2177d4b7bc579b93714108e718d2f5d927668
Don't forget this though... 11/9/2024
https://preview.redd.it/rrrsb7m5880d1.png?width=748&format=png&auto=webp&s=2ad0473ac18be3d67b2e9673437e073ce538b708
To all the bloggers who still assume to know something. You all are apart of the problem, which hopefully this exposes as well. This conversation is between associates that none of you know. Shut the fuck up and watch the show...
While we may not be wealthy, What we lack in finances, We make up for in spades with resources...
Let us all ponder for a moment. Imagine how perfectly the stars had to align for all of these events and people to intersect. This is Divine...
Here on the biggest platform available, we salute you. Our LIVING FOUNDING Father Mr. Larry Praylow Ebony!!! You have weathered all storms, epidemics, and pandemics while standing firm. Today you get to smell the worlds bouquets and vindication!!!
https://preview.redd.it/zvkg4xm7880d1.png?width=809&format=png&auto=webp&s=57f6f52ef846621d9df60286eb7b39226c90fa37
Now as the day turns, and the clock counts down, how can I not honor this man. Your strength and fortitude gave rise to a network that spans the globe. Your leadership and ingenuity have carried the House and the Scene through. It's time for some bigger flowers...
On this Mother's Day We, the House of Ebony, bid a Heavenly Holiday to our Founding Mother Richard Sears Ebony!!! In HER immortal words: Ebony Power, Ebony Power, Ebony Power!!!
https://preview.redd.it/7oy60qk8880d1.png?width=784&format=png&auto=webp&s=dac237111e420fed9b8ffdf19d51b145c7d50af4
Were it not for the rapport I had with these guys, I wouldn't have even got that. Luckily for me, that was a breeze. There was no need to call Ms. Edward again...
When Officer Viola, and his partner Officer Wilt***** entered my booth, they informed me that since there was a complainant present who alleged assault, they would have to take me in unless they saw footage of otherwise. I than had to locate said footage while encircle by them...
Someone asked, how to make it stop? 5 Words: "King Kendrick got the number" and his team too. As well as a quite riveting e-mail that would send shivers down your spine...
Now back to the story...
I'll just leave these here in case we must get to that story tomorrow. That second picture is the one nobody there even knew...
https://preview.redd.it/u50k0zk9880d1.png?width=637&format=png&auto=webp&s=a285b94696d5137077a050af8f634dd5ad5371ba
Sorry for the hiatus. Emergency House Meeting with the Elders. The consensus??? KEEP GOING...
I've stood next to you in the rain to keep the paps and fanatics away. I became "essential" during your stays, having to cancel vacations and all to ensure things like this didn't happen... (VIDEO) https://x.com/EbonyPrince2k24/status/1789683018480709696
And now for the NYPD verifiable portion of the story... I was almost arrested while at work for reasons regarding your accomodations. NYPD Officer Viola recieved a CCRB complaint and hearing regarding keeping you from said protestors. Did you ever see Larry there???
Now where were we? July 2023 right??? Hey C.C. do you love me? You should do better investigatimg yourself. How could this be Larry? He left NYC in the 90's and lives in TEXAS... Yet he simultaneoulsy worked on 77th Street for two years...
Tune in later...
Does the Rabbit Hole need to go deeper? I've only unzipped the small part of my napsack...
To be honest. I thought you were gonna at least say you were mistaking by now, but okay. I only wanted to go with the story most know about, because.... Well, you know...
Now back to the story. Your guys' interruptions are throwing me off track.
You made history that night brother. And hey Ms. Lisa Raye Ebony. You see there are a great many Ebony's in your industry. Most industries actually...
https://preview.redd.it/t2d1l0km880d1.png?width=975&format=png&auto=webp&s=691d24f47dd0ca1fb3ed635c5a834e9fee3ac6eb
"It will be served at Sub-Zero temperatures". https://t.co/Kl7gWGjRlt
Rest in Peace to Our Godfather Mr. Damien Michael a.k.a. Jihad Ebony. May both your family's smile on this Mother's Day.
https://preview.redd.it/drmjikon880d1.png?width=624&format=png&auto=webp&s=55f5379b5e10d70a603b90850eb3fe34040b116d
48 Laws of Power. This is why we must always treat others nicely. You never know with whom your dealing...
Rest in Peace to Mr. Michael K. Williams, a.k.a. Mike Ebony. May both your families smile on this mother's Day. You see Omar wasn't a character. He was the embodiment of everything that is E.B.O.N.Y...
https://preview.redd.it/yw5g41ko880d1.png?width=789&format=png&auto=webp&s=cda3c301a77cf60602c43069bfae8491a4bf2cb6
Your teams are applying pressure, I can't lie. Big ups to Mr. Allen and the Jamaican connection (he told me a few more crawled through that hole in Jacumba). But in The House of Ebony, we use pressure to make diamonds in the form of Legends, Icons, and Pioneers...
Better humans have left far more valueble things, and the process remains the same. You get a call, e-mail, or text about lost items. Either pickup, shipment, or disposal is arranged
https://preview.redd.it/ja7x9abp880d1.png?width=556&format=png&auto=webp&s=1c4e70b2599d0d8cf4c1898ed1356754b370aefe
The other was from the Bronx, and well on his way to becoming a "Blue H.E.N.R.Y." https://www.youtube.com/watch?si=gz8f7iMaTM7CwVg8&v=Ldx29DRx-XY&feature=youtu.be
One was from Texas. He loved cowboy boots, guns, and horses. https://www.youtube.com/watch?v=wSIQi2wMbbI
1 Year 3 Months 22 Days Those were good men. Ever heard of an "Ebony Scandal"? Well welcome to the game...
https://preview.redd.it/1b93xf5q880d1.png?width=895&format=png&auto=webp&s=a96ff7f05ce9230cfac4475bd869c86bf76afee2
"My lawyer's so good" Thank you for keeping me free and always staying on top of things. Who is Ms. Adrienne Edwards you ask... https://www.youtube.com/watch?v=-ILCMQ0bYgc
Rest In Peace to the modern Godfather of Black America. Tonight would've been another good one I'm sure. He only meant well, and was well received by many...
https://preview.redd.it/mziqx6sq880d1.png?width=588&format=png&auto=webp&s=1f506d09d5e2deada29a454315acf16061e6655a
Subpar service is not in line with the Forbes standards. Thats what you pay for. So why would you think there would be no proof...
https://preview.redd.it/tawlceir880d1.png?width=716&format=png&auto=webp&s=cb994ac35a961a4fa58151f227d18467c242a114
This is why I tell companies I don't conduct company business on my personal cell phone. But since you're so finicky, they insisted I install WhatsApp...
I'm not an extortionist, or career killer. I am a Black American Capitalist. You have inserted yourself in between me and my money. Move! Humble yourself and tell the truth...
"God's Plan" Funny how that works, isn't it...
Don't y'all forget now. November 9th, 2024 Auction of Items before the Ball starts...
(Blood Vol 46 "THE GAME" Poster)
Yet, 6 months later the circus returned... https://nypost.com/2023/08/04/theodore-weintraub-accused-of-smear-campaign-against-the-mark-hotel-says-hes-sobe
How do we know you're "Not Like Us"??? We never come back after we curse out the service providers...
What Nino Said??? Children of Harlem Stand Up! P.S.: "We Don't Wanna Hear You Say Nigga No More" Nor any of the rest of you foreign culture appropriating savages... https://www.youtube.com/watch?v=5BAwg7_3Mxk
Two Black American Men became unemployed at this exact moment. And you made an enemy...
https://preview.redd.it/4bf8laxu880d1.png?width=895&format=png&auto=webp&s=b0fc2c70525317964ca6d6e3533153a1d8e7f10d
Had you not lied, I would've just waited until you died to sell my goods...
Push Ups. Really? Should've kept that to yourself...
You're blocking my money with your lies, so you have forced me to get it another way...
You've had many things discarded on your behalf over the years. I wonder if you can remember them all...
To Mr. Aubrey Graham (@Drake), may this photo help jog your memory as to where you discarded those items. The issue in the photo should also jog your memory. Jimmy Brooks would not have been proud of you that night...
https://preview.redd.it/ekrhd900980d1.png?width=893&format=png&auto=webp&s=be9899f8de0e69d5410718e3b69d03122b908ac3

1. King Kendrick Lamar

is not a liar, and I am not a thief!

2. Mr. Aubrey Graham (@Drake) & Mr. Livingston Allen (@Akademiks) have until noon Monday 5/13/24 to retract your claims of theft, or my attorney Ms. Adrienne Edward and I will exhaust every legal option available. (VIDEO) https://x.com/EbonyPrince2k24/status/1789092657794371766

First Tweet May 10, 2024
https://preview.redd.it/dohkn8m1980d1.png?width=964&format=png&auto=webp&s=4fa6e13c4a738ddd647db658ef272e95ab0418b0

submitted by Phat_Assets to DarkKenny [link] [comments]


2024.05.13 16:05 Voodoo-Expert-Utah Divorce_ Spellz"(+27799-215-634)Voodoo Magic Spellz-Quick Magic\Online Spells.New Richmond, (Wi)

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2024.05.13 15:52 Voodoo-Expert-Utah TX)(+27799-215-634)Voodoo Magic Spells\Love Spells Casters'Superior, Wisconsin(WI)

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2024.05.13 15:49 Voodoo-Expert-Utah Janesville'(WI)-Psychic Spells" (+27799-215-634)Voodoo Magic SpellsWausau,(WI)

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2024.05.13 15:42 Voodoo-Expert-Utah Milwaukee,(WI)-(+27799-215-634)Voodoo Magic SpellsWisconsin Dells,WI

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2024.05.13 15:36 Voodoo-Expert-Utah Mexico-Voodoo Spellz"(+27799-215-634)Psychic & Magic Spells-Fredericksburg,TX

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2024.05.13 15:05 nomass39 I found an old recording of the most gruesome TV show ever broadcast

Me and Lila always carved dozens of jack o’ lanterns every October, so they’d absolutely saturate our lawn on Halloween night. It was our thing. But looking back on it, now that I’ve lost her, I just feel bad for the pumpkins. I almost relate to them, somehow. The way they were carved up, had everything of substance inside of them torn out, and left as hollow, rotting shells with forced smiles.
Needless to say, I didn’t cope with her death well. I didn’t want to cope with it. I wanted the world to drown in the black sludge of my grief. I loathed the people I saw going about their lives, unaware that the world had already ended the moment Lila died. The Earth shouldn’t keep spinning. Life shouldn’t go on. Not without her.
Even my relatives bringing me along on a trip to Kauai only made it worse. The most gorgeous place on Earth, and it made me sick with hatred. Nothing that beautiful deserved to exist if Lila wasn’t ever going to get to see it. It wasn’t fair.
I thought I’d never enjoy or care about anything again. Then I discovered media preservation.
It started with taking some of Lila’s old VHS tapes to a video repair place to fix some issues with the footage before it’s digitized. The job fascinated me. In a universe based on entropy, where everything inevitably fades away and is forgotten… restoring something lost is like snatching it from the jaws of death, right? Like flipping the bird to the universe and its so-called ‘natural order’. People die, but information doesn’t have to.
Now, it doesn’t matter how small — be it some god-awful plug-and-play licensed game, or a cereal commercial from 80’s — it’s my mission to recover it in as high a quality as I’m able, and make sure it’s freely available online for as long as possible.
A couple weeks ago, I came across a big haul. Four boxes of old VHS tapes offered up on E-Bay for dirt cheap. Most of the tapes were just recordings of Cheers episodes already preserved in higher qualities, but one Maxell E-240 caught my interest.
First of all, I’d never seen one so melted. Sure, sometimes they were left in an attic too long, and the colors and audio start to degrade. But this one looked like it had survived a house fire. It was covered in soot and the smell of smoke, and had the overall shape of a chocolate bar left out in the sun a little too long.
Second was the label, which read in neat sharpie: ᴇᴘɪꜱᴏᴅᴇ 4,679,329 ᴍᴀʀ 8 2035.
The casing was so disfigured, I had to bust it apart just pull out the tapes and respool them in a fresh cassette. I tried to iron out the creases in the tape as best I could, but I had no illusions about it accomplishing much — the mylar surface had been irreparably warped in places by whatever fire had half-melted the thing.
Imagine my despair at the sight of that dreaded ‘ɴᴏ ꜱɪɢɴᴀʟ’. I could clearly see the tape wasn’t blank, yet no amount of adjusting the tracking or trying different TVs or VCRs accomplished anything. Just as I was about to give up, though, the thing just suddenly started playing properly at the exact instant the clock struck 3 AM, as if it had only now decided to work. My all-nighter had paid off.
I didn’t dwell on the fact that this ‘miracle fix’ had been impossible. If I’d had any sense, I’d have torn the horrid thing out of my VCR and buried it beneath holy ground. Instead, fool I was, I sat down and watched.
At first, the thing seemed unwatchable. The audio was so distorted that the show’s theme song emerged as a low, crackling, staticky wail that made my head throb, and the logo was completely indistinguishable through the flickering and interference. I thought it was a lost cause for a moment. But then a figure appeared and cleared away the static, like Moses parting the Red Sea.
It was the sight of the show’s host that hooked me. He was just… perfect. Perfect in every way. I knew it just looking at him. Infinitely handsome and likable and charismatic, and he always said the exact perfect thing. The only issue is, I don’t remember a single thing about him now, in the same way you can’t remember a dream that seemed so clear to you while you were experiencing it. He just appears in my memory as this abstract blur in a sharp suit. Yet at the time, I was awestruck, even before he said a single word.
I can’t even remember a word he said. It was like he was speaking another language, one I felt as opposed to heard. I’ll try and transcribe it as best I can into words, but know that it’s only a pathetic imitation.
“... for another night of laughs, prizes, and fun for the whole family, with your host, #####!” I noticed that the audio and visual distortion seemed to suddenly intensify the instant he said his name, rendering it completely illegible. Idiot I was, I figured that was a coincidence. “Tonight is a night of celebration, folks, because thanks to the support of loyal viewers like you, we have just been approved for, get this: two hundred thousand more seasons!”
The “live studio audience” went wild with applause. I put that in scare quotes because, as far as I could tell, besides the host, the studio seemed completely empty. As if he was standing on a plain white stage that extended outwards into infinite darkness on all sides.
“For those just joining us, the game here is simple…” He explained that this was some sort of a trivia show. Every time a guest got an answer wrong, it brought them a little closer to some sort of unspecified ‘punishment’. And if they got it right? He smirked. “Well, they get to delay the inevitable.”
I wondered what he meant by ‘inevitable’. I didn’t have to wonder long.
The host gestured to a curtain that hadn’t been there moments ago, which raised to reveal a middle-aged man. You know the type — bushy mustache, gray hair, round-rimmed glasses. Kind of guy you’d have doing your plumbing. He couldn’t look any more out of place stood up and restrained in that — what the hell is that?
I recognized that metal coffin-looking thing from a medieval torture museum I went to once. The iron maiden. The lid hung open, countless long, needle-like blades poking inwards, threaten to poke a million new holes in him if it was shut.
His situation was not lost on him. “Where… where am I? What the hell is this!?”
“Oh, lucky guess!” The host ‘joked’. More canned laughter. “I know you always loved watching those trivia shows, Malcolm? Weren’t you always sitting there, grinding your teeth, seething that it wasn’t fair? That you should be the one up on stage, winning big?”
The man paused. Even he seemed mesmerized by the unreal perfection of the host before him. “I… this is a… game show?”
“All you have to do is answer a few questions! Think you can handle that, Malcolm?” He pulled out a cue card without waiting for an answer. “And our first question! What were you doing the night of February 18th, 1998?”
The man seemed baffled. “Just… sat on my couch watching the NFL, I think? I’m not sure how I’m supposed to remember —“
He let out a startled squeal as a horrid buzzer sounded. On cue, the lid slid a third of the way closed, making him flinch. “Oooh, I’m afraid that’s the wrong answer, Frank! But you know what? I’ll give you one more chance. What were you —“
“Following a girl home!” The man cried out. “F-from the bar. There, are you happy?”
“Cor-rect!” The canned audience began cheering! “Such honesty! Now, our second question: just what were you carrying while you followed her?”
He hesitated for a little too long. And then the buzzer sounded again, and the lid slid so near to closing that its blades began poking uncomfortably against his skin. He tried to press himself against the back of the maiden as well as his restraints would allow. “Jesus! Okay! A knife, a knife!”
“Awww, if only you’d said that just a second earlier!” Another big question. “Our third question: why, Malcolm? Why did you do it?”
That set Malcolm off. He started thrashing, clawing, screaming. “Let me out of this thing, you maniac! You can’t do this to me! Do you know who I am? Is this some sort of sick joke? My lawyers will have your head for this, you—“
And then the buzzer. All of a sudden, the lid slammed shut full-force, and the man was utterly silenced save for an unnatural, drawn-out wheeze. “Another wrong answer, Malcolm! I’m afraid I was looking for: ‘because if I can’t have her, no one can’!”
I admit it. I laughed. Out of shock more than anything. How was this allowed on TV? I took it as some sort of dark comedy show, and it was kind of satisfying to see that freaky character get his comeuppance. Still, there was something unnerving to me, seeing the man’s eyes through the openings in the maiden. Wide and red and terrified. They just looked a little… too real.
But the maiden disappeared as quickly as it came, before I could dwell on it too much. “Oh, envy! Definitely one of my favorite sins.” More laughter. “Stay tuned, folks! We’ve still got a night of fun and games in store for you! But first… how’s about a word from our sponsors?”
Cut to a corporate logo which I again couldn't recognize.
“This segment was made possible by Buer Health, which has recently announced a brilliant new initiative to protect our citizens from skin cancer by removing their skin completely.”
The camera cut to a massive industrial building, resembling a solid concrete cube around 50 meters in width and height. Its surface bore arcane symbols etched using carvings of wailing, tormented faces. The host would occasionally be rendered inaudible by a deafening metallic scraping from within, though he didn’t seem to notice. The only protrusion from the building’s cubic shape was a single smokestack, belching a scarlet red smoke into the atmosphere. A queue of gaunt figures waited at the entrance, herded and coerced by their grim overseers, and there were no words to describe the procession of scarlet ghouls limping out the building’s other end.
“Owing to the nonlinearity of time, the brand new Grand Skinpeeling Machine has spontaneously appeared several years before construction deadlines, and indeed, before it was even conceived of by anyone in our timeline. People have rushed all the way from Malebolge just to try this miracle of technology out on opening day, and so far, the reviews have been stellar!”
He shoved his microphone in the face of a shambling thing that could only scarcely be called a human. Tatters of flesh clung to its exposed musculature, blowing in the wind. Its eyes were the only hint of color in that sea of bloody red, and they were wide, white and terrified. The thing screamed and wailed for as long as it could before the last tendons connecting its jaw to its face snapped, and it was left to choke and gurgle.
“An amazing wail! The results speak for themselves, folks. The Grand Skinpeeling Machine is a hit!”
So far, I was still laughing along and having a good time. The sight of the next ‘guest’, however, started making me nervous.
It was an old lady.
She couldn’t be a day younger than sixty, the sort of sweet elderly woman who in a just world would be cooking chocolate chip cookies for her grandchildren in a comfy cottage somewhere. But here she was, tied to a metal chair, eyes wide, shaking like a leaf. Unlike the last contestant, she seemed to know exactly what was happening.
“In exchange for our loving endorsement, they’ve agreed to loan us one of their star employees. Ladies and gentlemen, put your hands together for: the Liqisma!”
Something slunk from the darkness far behind her — or perhaps it’d be more apt to say that the darkness birthed it whole-cloth. It was like a living shadow, and it took my eyes a moment to register what I was even seeing.
How do I even begin describing this creature? I could say it looked almost human, or at least like something that may have been human long ago. Or I could start with its skin, which was all black and shiny as latex and seemingly smooth on first glance, but if you looked closer you’d realize it was covered in a million tiny reptilian scales, almost like a shark. Its head was a bald man’s, utterly devoid of any distinguishing features, like the basic stock template for a human being. It was notable only for a complete lack of pupils and irises, its eyes a pure white.
Its body defied basic biology in so many key ways, I had to stare it at for what felt like an eternity just to wrap my mind around its physiology. It was at least five or six meters long, by my estimate, composed of multiple human torsos stacked one on top of the other like segments of a centipede, each melding with the ones around it at the waist and shoulders. Each torso sported a pair of short, stubby arms that propelled it with terrifying grace. It ended with a pair of human legs, perpetually bent on their knees, beneath a ‘tail’ that looked more like its coccyx was poking free from its body.
The old last could clearly hear it, and kept futilely trying to turn her head around enough to get a peek at what stood behind her. I mouthed uselessly, don’t. You don’t want to know.
“Glad you could join us again, Miss Wethersby! Judging by our ratings last week, you seemed to have been a fan favorite!”
Her voice was so soft, I could barely hear it below the static. “Oh, God. Please, why won’t you people let me go? I’ve told you, I’ve never done anything, never hurt anybody. There must be some sort of—”
He waved a hand over her, and it seemed to forcefully snap her mouth shut. “Please, Miss Wethersby, save your breath for our questions!” Another cue card. “Your first question, my friend: where did you and your husband buy your first home?”
She had to think about it for a long time. Eventually, she cried out, “Alabama! Tuscaloosa, Alabama!”
“Ding ding ding! Why, you’re already doing better than our first contestant! Next question: what breed of dog was your childhood pet?”
She had a pained look on her face as she thought. Eventually, a timer started ticking down. It wasn’t visible, so it wasn’t clear how much time she had left exactly, but the sound it made got more shrill and high-pitched with every second. “Miss Wethersby, need I remind you that we have a time limit on this show?”
A tear ran down her cheek. “I… I keep telling you people, I don’t know. I have dementia, I can’t remember, please—”
That buzzer again. “I’m afraid that was the wrong answer! Liqisma?” The old lady shuddered at the sounds of hundreds of feet drawing a little closer to her. “Now, your first grandchild. What did he look like? What color were his eyes? His hair?”
She was crying harder now, like it hurt her that she couldn’t remember something so dear to her. “I told you I can’t remember! Why are you doing this to me!?”
“If you don’t remember them, why would they remember you?” The host mocked as the buzzer sounded, and the beast drew a little closer. “Really, do you believe they still even think about you? Or do you think they’re glad that the old bag of bones isn’t there sucking up their inheritance?”
This went on for… God, it could have been an hour. I was glued to the screen all the while, frozen with terror, praying for this nightmare to just end, for her to make it out okay somehow. He poured over every little detail of the life she lived and the people she loved, delighting in how little of it she could still recall.
And the thing grew closer, and closer… until she finally felt multiple pairs of hands resting upon her shoulders. The thing was looming over her now, and a long, black tongue a few feet in length emerged from its mouth and ran trails of dark saliva over the back of her head. She looked broken down, eyes raw from crying, and I could tell by the dampness of her dress that she’d wet herself.
“Now, Miss Wethersby, our time here has been fun, but I do believe it is time for our final question. Tell me, what is the name… of your only son?”
She couldn’t even answer anymore. She just stared ahead, like her mind was a million miles away. He cackled as the buzzer sounded one final time, and threw his cue cards aside. “Thank you for playing, Miss Wethersby. Better luck next time.”
I would say the thing unhinged its jaw like a snake, but that’d be an understatement. The way the thing’s face malformed and wrinkled and stretched as it opened its maw, it no longer looked even remotely human. Its jaws must have parted at least thirty centimeters apart, revealing a second, pharyngeal pair of jaws that lashed out and gripped the woman’s skull, pulling her headlong into that darkness.
I could hear bones crunching and snapping as its throat constricted down around her body, peristaltic muscles compacting her into a meat slurry, bit by bit. Yet she just wouldn’t die. Even as her skull and upper body were already crushed and compacted, organs and muscles pressed into mulch, she still kicked her legs, twitched her fingers, let out a gurgling that must have been some attempt at screaming. She was squirming even as the beast snapped its jaw shut around the last of her, condemning her to whatever torments awaited her inside the creature.
And all the while, that horrible laughter. “Don’t worry, folks! She’ll be back next week! And the next. And the next…”
Needless to say, I wasn’t having fun anymore. In fact, I had to turn away and fight the urge to throw up. I stood, about to turn the TV off and —
“Ah, ah, ah! Don’t touch that dial, now!” I froze. There was something chilling about the way he said that, staring right into the screen as if reacting to what I was doing. I hated that grin on his face. “The real show is just beginning.”
And with the barely restrained excitement of a child on Christmas morning, he yanked back another curtain, and I recognized everything.
I recognized that crappy bootleg knockoff Always Sunny in Philadelphia jacket that was so gaudy and terrible it instantly became her favorite thing in her wardrobe. I recognized those subtle hints of slight acne she disguised as fake freckles. I recognized the way her gray eyes would remind me of those overcast mornings at the beach at Hilton Head and pointing out all the cannonball jellyfish washed up on the sands. I recognized that tattoo of the name ʀᴏᴄᴋʏ, how I’d held her all night long as she cried into my shirt after her childhood cat had died.
It was Lila.
I shuddered, gasped, fell from my seat as if I’d been punched in the stomach and the air had been knocked out of me. I couldn’t breathe. This couldn’t be real. I was dreaming right now. I must be. I just had to wake up.
But I couldn’t wake up. Nothing I could do dispelled the sight of her curled up in that… that thing. That bronze statue of a bull, horns jutting on either side of a head that roaring silently up at the heavens, all while the love of my life was locked in its hollowed out belly, visible only through a pane of glass. I could hear her cry out in shock at where she’d found herself, and every whimper felt like it drove a knife through my chest.
The host soaked in the moment. It was ecstasy for him, the suffering of it all. He stared dead into the camera like he was looking right at me as she called, “What is this? Where am I?”
“Why, I have good news, my dear Lila! You’re exactly where every American dreams of being: you’re on TV.” He pointed to the camera. “And we have a very special guest in the audience tonight. Your very own beloved Jackson!”
I shuddered, hearing my own name ooze from his fetid lips. His façade of perfection was slipping, and there was something so profoundly ugly beneath it. Her eyes snapped to the camera, confused, despairing. “Jackson? Baby? What — what’s happening? What is this?”
I don’t know, I thought, gripping the sides of the TV so hard my knuckles turned white, but I’m going to get you out of there, baby. I’m going to find whoever did this and I’m going to bury them all so far beneath that studio that they’ll never-
“I’m afraid Jackson hasn’t joined us quite yet, my dear. But if you truly love him, surely you’ll give him a show to remember, won’t you?” He taunted her. “All I want, after all, is to ask you a few questions! In fact, I’ll offer you a special deal: get even a single answer right, and I’ll let you go free! But get one wrong and, well…”
On cue, a fire was lit beneath her. Small, smoldering for now, but she whimpered as she noticed the heat. We both realized in that instant what this was. By now, I was screaming things I can’t repeat here, and slamming my hands against the TV screen as if I could reach through and save her.
She bit her lip and acquiesced. Not like she had any room to argue. The host grinned and readied a cue card. “Your first question: where are you, Lila?”
“I… I don’t know. How am I supposed to know?”
“You do know, Lila. You know exactly where you are.” He smirked at her. “Here’s a free hint: what’s the last thing you remember, before you woke up here?
She thought about it… and choked back a sob, visibly shaking as the realization slowly settled in. “But… but why? I… I…”
The horrible wail of the buzzer cut her off. “Oooh, too bad! I’m afraid you’ve run out of time!”
Seemingly as if on its own, the fire doubled in size. Sparks licked the belly of the bronze bull, and began to ever-so-slowly heat the surface. She pawed around in the tight confines, searching for any reprieve from the scalding heat all around her as the metal grew hot like it’d been left out in the sun on a summer’s day. “Please! Oh, God, let me out of this thing! It hurts! It hurts!”
The host seemed to breathe in her pain as if stealing a moment’s indulgence. “Now that there is no doubt about where you are, my dear, let us proceed to the second question.” He switched to his next card. “Did you believe in God, in the end?”
“O-of course!” She pled her case as if she was being tried in court. “My entire life… every day I gave to the poor, helped the sick, did whatever I could to honor Hi-“
“I’m afraid you misunderstood my question. I asked, did you believe in him at the end? The very moment your pitiful little life was snuffed out?”
“I always believed! I’d never forsake Him!”
“Yes, yes, I know. You lived a good and holy life, didn’t you?” He cackled. “But what of the very end? You and your little husband were so excited to deliver your first little baby boy. But o, tragedy! It all went wrong, didn’t it? Your precious little boy didn’t make it through childbirth… and you followed closely behind.”
“That whole business with the botched pregnancy, it was… what do you call it? Ah, yes. A ‘test of faith’. And I’m afraid you failed. In your final moments, you watched the light fade from your child’s eyes, and you assumed — wisely, in my humble opinion — that no ‘kind’ and ‘loving’ God would allow something like that to happen.” He laughed. “Funny how after a lifetime of dutiful service, all it takes is one little mistake at the end… to bring you here. To us.”
I’d never seen such depths of despair in a person’s eyes. Such emptiness. Like with every word, he’d been scooping out another piece of her until she was hollow. And then that buzzer roared again, more shrill than ever, and I could barely see her little window through the smoke and flames. The belly of the bull was turning orange in places, and I could hear her flesh start to sizzle like meat on a grill. There are no words for the noises she made. No words at all.
“And our last, final question,” he continued. “What were your last words to your poor, beloved Jackson?”
“I love you!” I called out the answer. Bloody fingerprints stained the TV screen from my slamming my hands against it, as I screamed the answer over and over. “I love you, I love you, I love you!” At some point, I forgot that there was ever a question. I was just screaming it at her as if hoping that she could hear it, that it could bring her a modicum of comfort in that place.
The buzzer sounded again. I couldn't bring myself to look. All I could hear was the roaring of the bull, and the steam rising from its bronze nostrils.
The curtain fell. Silence drowned the sound. The host dropped all pretense that he hadn’t been speaking directly to me. “Now, Jackson. You just might be one of my new favorite audience members this show had ever had. I know this must have been hard for you. But if you’ll just stay tuned, I have one more show I know you’re certain to love!”
I didn’t bother to touch the remote. After all, nothing could be worse than what I’d just seen, right?
Wrong. Horror wracked me as the curtain rose, and I saw the man chained to a chair. I pulled away like a caveman witnessing fire, cringing and stuttering, face wet with sweat. It was the sort of fear that worked its way into your bones like a bad chill, that left you shaking, teeth chattering.
It was me.
An older me, sure. But not by much. Ten years, maybe. A gaunt and hollow version of me, one twisted by ten years of depression and hard drugs. But it was unmistakable.
His eyes widened as he recognized the host. “Oh — oh God, God please no! It can’t be — oh Christ, let me out of this chair, you —“
“Come, now! We wouldn’t want to use the lord’s name in vain, would we? I mean, that would be a sin!” The host laid a hand on the other me’s shoulder. “It may have been a few years since you watched our program, but I’m sure you remember the rules, don’t you, old friend?”
The other me was wordless, on the verge of hyperventilating, just as I was. The host was giddy with delight. “Now! Our first and only question is one I’m sure our viewer will be very interested in: what sins, exactly, do you think landed you here?”
The other me tried to speak, but the words caught in his throat. I could see it in his eyes. The years of self-destruction, the bitter hopelessness, the whirlpool of nihilism and vice and decay. The suffocating depths of a man. The darkness. How could he put it into words?
The sound of the buzzer was like a pig’s squeal. “Mmm, I’m afraid that our viewer is going to have to figure that out for himself! In the meantime, your punishment? Well, we wouldn’t want to spoil anything…”
The curtains slowly began to fall just as a couple other of those black, grotesque monstrosities emerged from the darkness. The curtain covered them all before I could get a good look at their obscene, twisted, asymmetrical figures. All I could hear was the crunching, the sound of skin tearing like paper, the screaming that went on for longer and louder than a human throat or vocal chords could endure.
The image and audio were beginning to distort, glitch, burn away. The tapes were physically melting as they played. My VCR was starting to overheat, sparks pouring from its front panel. The host voice jumped around in tone, his voice fading into the static blur as the tapes bubbled and boiled and distorted. “But, my friends, I’m afraid that concludes tonight’s episode of our show! So, with a final farewell to our dear, beloved viewer, Jackson…”
Just before the image melted away, the camera seemed to jump forward until his face filled the screen, his eyes piercing into mine as he cackled in that singsong voice.
“See you sooooon~”
submitted by nomass39 to nosleep [link] [comments]


2024.05.13 14:26 sonofabutch No game today, so let's remember a forgotten Yankee: Horace Clarke

"I played major league baseball for parts of 10 years, and I played in the magnificent city of New York, and as a child in St. Croix that was beyond dreams. Yes, I am a happy man." -- Horace Clarke
The worst stretch of Yankee baseball since the Highlander days, the mid 60s to the mid 70s, is remembered by those who lived through it as the Horace Clarke Era. Unfairly or not, the bespectacled switch-hitting middle infielder from the U.S. Virgin Islands came to symbolize all that was wrong with the Yankees in those sad years.
Horace Meredith Clarke grew up on the island of St. Croix in the U.S. Virgin Islands. He was just the fifth player from the U.S. Virgin Islands to play in the majors, and the first Yankee. His father had grown up playing cricket, and because there were no youth baseball leagues on the island, young Horace played softball. He said he didn't see his first baseball game until around age 13, when he saw some U.S. Navy sailors playing.
“We were poor kids in St. Croix. We played on a field which was right on the ocean and had no fences. We couldn’t afford baseballs. So the coach made the lefthanded batters hit righthanded and the righthanded batters hit lefthanded. This was so they couldn’t hit the ball so far. It saved us from losing the baseballs in the ocean.”
Clarke was spotted by a Yankee scout in the Caribbean and assigned to the lowest run of the Yankee farm system -- the Kearney Yankees in Class D ball. Imagine being an 18-year-old kid from St. Croix in the Caribbean, and arriving in Kearney, Nebraska in the spring of 1958. The culture shock must have been overwhelming. Maybe not surprisingly, Clarke hit a disappointing .225/.322/.283 in 187 at-bats. He said the biggest adjustment wasn't the cold weather, but night games played under the lights, something he'd never done before.
The following year Horace was in the Florida State League, and he thrived in the warmer weather, hitting .293/.375/.366 in 571 at-bats. He also stole 34 bases that year. The year after that, he was back up north, playing for Fargo in the Northern League, and hit .307/.389/.369 in 537 at-bats. The following year was Amarillo in the Texas League, where he hit .300/.364/.429.
Then the next three years in the International League, where he hit .281/.345/.352 in 1,494 at-bats while playing shortstop and second base.
But despite Clarke's promise, he was blocked by Bobby Richardson. By the time Clarke had reached Triple-A at age 24 in 1963, the 27-year-old Richardson had already been a four-time All-Star, a two-time Gold Glove winner, and had won three World Series rings... plus the MVP for the 1960 World Series, the only time in baseball history a player for the losing team won the award!
But the Yankees knew Richardson was planning on retiring, so they kept Clarke waiting in the wings. He opened the year with the Toledo Mud Hens, then the Yankees' Triple-A team, and then after a month he finally got the call to the show.
Fifty-nine years ago today, on May 13, 1965, Clarke was sent up to the plate in the 7th inning as a pinch hitter to make his major league debut in a game the Yankees were losing, 4-1, to the Boston Red Sox in Fenway Park.
Clarke, facing Dave Morehead, beat out an infield single. It was a promising beginning. But, as if scripted to be symbolic of his career, Clarke's success was short-lived as the next batter bounced into a fielder's choice. Forced out at second base, Clarke watched the rest of the game from the dugout. The next day he'd get the start and go 0-for-4.
Hitting .250/.298/.269 at the end of June as a utility infielder, Clarke was sent back down to Toledo for two months to get more regular playing time. It helped. When he returned on September 3 -- coincidentally, also against the Red Sox -- he went 3-for-5 with an RBI. Overall that month, Clarke hit .273/.298/.327, and for the season, .262/.298/.299 in 115 plate appearances. But the Yankees, the reigning A.L. champions for the past five seasons, finished a shocking 77-85, all the way in sixth place.
That off-season, Phil Linz -- the harmonica playing utility infielder -- was traded to the Phillies, opening up a roster spot for Clarke. Richardson, though only 31, had told the Yankees he would retire at the end of the 1966 season, and the Yankees wanted him to mentor Clarke as his successor.
Clarke started just seven games over the first half, but a series of injuries forced him into regular service. Over the second half, he played almost every day, hitting .276/.334/.404 in 300 plate appearances. He was mostly used at shortstop, where his defense wasn't great, but in 16 games at second base he looked good enough that the Yankees were confident he could be a regular there. Yankee fans were no doubt a little sad when Richardson officially announced to the press on August 31 that it was his last season, but at least we knew who would be playing second base the following year.
Indeed, second base was the least of the Yankees' problems. New York finished dead last at 70-89 in 1966, the team's worst performance since 1925, as injuries fell Mickey Mantle, Roger Maris, Elston Howard, and Whitey Ford.
Entering 1967 as the starting second baseman, Clarke hit a solid .272/.321/.316 (94 OPS+) in 633 plate appearances while leading the league in fielding percentage, assists, and range factor as a second baseman. He also stole 21 bases in 25 tries, a second-best .840 SB%. His 3.7 bWAR that year was better than any season Richardson ever had -- his career high was 3.2 bWAR in 1962.
The following year, the Yankees finished 83-79 -- above .500 for the first time in four seasons -- but a whopping 34.5 games out. Clarke had one of the worst years of his career, hitting .230/.258/.254 (60 OPS+) as he played through injuries all year.
He rebounded in 1969 to .285/.339/.467 (101 OPS+), with 33 stolen bases. It was, statistically, the best season of his career (3.9 bWAR). But once again the Yankees were terrible -- 28.5 games out.
In 1970, Clarke again disappointed, hitting .251/.286/.309 (68 OPS+). The Yankees won 93 games that year, but it amounted to naught as the Orioles ran away with the pennant, going 108-54 to win it by 15 games. In fact, it was pretty much over by July, with the Yankees 7 games out at the All-Star break.
It was around this time that Yankee fans began focusing their frustration on Clarke. One New York sportswriter routinely referred to him as "Horrible Horace". Miscast as a leadoff man -- he had a career .308 OBP -- and criticized for "bailing out" on double plays, manager Ralph Houk years later offered a tepid defense of his second baseman:
“I know I got a lot of criticism for playing Horace Clarke as much as I did, but he was a lot better ballplayer than anyone gave him credit for. He did a lot of things good but nothing great, and that was his problem. Besides, I didn’t have anyone else.”
The lack of a replacement was certainly an issue. In 1971, there was talk in The Sporting News about a prospect named Fred Frazier being the heir apparent to Clarke at second base. That year, Frazier hit a disappointing .261/.316/.313 in Triple-A; the next year, .216/.302/.281. The year after that, he was in the Orioles organization. He never made it out of the minors.
In fact, Clarke was the only constant in the Yankee infield in the late 1960s and early 1970s. The Yankees during the, ahem, Horace Clarke Era had holes everywhere, with a revolving door at first base, third base, and shortstop. For five years, from 1967 to 1971, Clarke was the Opening Day starter at second base; during that same stretch, there were five different third basemen, five different third basemen, and three different shortstops. Between 1967 and 1973, he started 1,017 games at second base, or 90% of all Yankee games.
But that, explained Yankees PR man Marty Appel, was kind of the problem. "Fans especially didn’t like the second baseman, the beleaguered Horace Clarke, whose major flaw seemed to be longevity. It wasn’t his fault that no one better came along, and he was a better player than the fans gave him credit for. But because he was out there, year after year, he came to stand for this disappointing run by the club."
"I always did my best. I always played as hard as I could. I never was concerned about how the fans reacted to me." -- Horace Clarke
The following year Clarke hit .250/.321/.318 in 696 plate appearances, but the Yankees again were out of it, finishing 82-80 in 1971.
Yankee fans had been miserable since 1965, but frustration with the team in general -- and Clarke in particular -- reached a boiling point in 1972. It had been seven years since the Yankees had been in the post-season, and 1972 was the first year the Yankees had the playoffs within our grasp since winning the pennant in 1964. (The "closest and latest" the Yankees had been since the 1965 season was 9 games out of 1st place on September 8, 1970.)
On September 12, 1972, the Yankees were a half-game out of 1st place at 74-64, with 17 games left to go in the season. The Red Sox were in 1st at 73-62, the Orioles tied with New York at 74-64, and the Tigers a half-game behind at 73-64. Over the rest of the season, the Yankees went a heartbreaking 5-12, while the Tigers won 13 out of 19 to win the A.L. East.
There was plenty of blame to go around for that collapse, but Yankee fans were particularly irate at Clarke, who hit .225/.267/.296 during those final 17 games.
To his credit, Clarke never complained about the boos from fans or the criticism in the press. As quoted by Dick Young in the New York Daily News in 1972:
"Sure, I would feel bad when I saw in the papers that, 'the Yankees can never win the pennant with that guy at second base.' But why get mad. I figure that's his opinion, and he's entitled to it. I must have been able to do something. Don't tell me a ballplayer can fool a manager for seven years."
Years later, Thurman Munson said his adversarial relationship with the media was based on how Horace Clarke was treated.
In 1973, the 34-year-old Clarke hit .263/.317/.308 (80 OPS+), his defense was no longer among the league leaders, and the Yankees were once again double-digit games behind by Labor Day.
It was finally time to move on. That off season, the Yankees acquired 23-year-old utility infielder Jim Mason from the Texas Rangers and installed him as the starting shortstop for the upcoming 1974 season; Gene Michael, the Yankees' on-again, off-again shortstop since 1968, was moved to second base; and Clarke to the bench. It wasn't exactly an earth-shattering move -- Mason was coming off a season in which he hit .206/.273/.290, and Michael .225/.270/.278. If anything, the two represented a substantial downgrade from Clarke's numbers. (By bWAR the previous season, Clarke was still the best option of the three, 0.6 compared to Mason's -0.7 and Michael's -0.9.)
After hitting .234/.294/.255 in 53 plate appearances as a pinch hitter and spot starter, on May 31, 1974, the Yankees finally ended the Horace Clarke Era by selling his contract to the San Diego Padres along with minor league pitcher Lowell Palmer for $25,000. At the time of the deal, Clarke was still the Yankees' best option at second base as Mason was hitting .214/.287/.307 and Michael a putrid .134/.224/.179!
Six weeks later, the Yankees tried to address their second base problem again by acquiring former All-Star Sandy Alomar from the Angels. Alomar, who fathered major leaguers Sandy Jr. and Roberto, played for the Yankees for the next two and a half seasons, hitting .248/.287/.302... again, worse than Horace's career average of .256/.308/.313.
And yet getting rid of Horace Clarke immediately turned around the Yankees' fortunes. With Horace, the Yankees were 23-27, the worst record in the American League; without him, a second-best 66-46. New York finished 89-73, just two games behind the Baltimore Orioles.
The Yankees finally found a solution to the second base problem on December 11, 1975, trading previously forgotten Yankee Doc Medich to the Pirates for Dock Ellis, Ken Brett, and a 20-year-old prospect named Willie Randolph.
Meanwhile, Clarke went to San Diego and hit .189/.255/.200 in 99 plate appearances. He was released at the end of the season and retired. He was a frequent attendee at Yankee Old Timers' Games, and promoted baseball in the U.S. Virgin Islands. He died at age 81 on August 5, 2020, from complications due to Alzheimer's disease.
The Clarke Side
"I remember the first game I played in Yankee Stadium in 1965. There were more than 40,000 people in the stands. I had just come from my country where there are 30,000 people in the entire country. That was some adjustment." -- Horace Clarke
Overall, Horace Clarke hit .257/.309/.315 in 5,144 plate appearances as a Yankee. His numbers aren't quite as bad as they appear, as he played during one of the lowest offense eras since deadball... an 84 OPS+. That ranks him ahead of fondly-remembered Yankees like Shelley Duncan (81 OPS+), Rick Cerone (80 OPS+), Miguel Cairo (80 OPS+), Bucky Dent (72 OPS+), and... Bobby Richardson (77 OPS+). And while many complained about his defense, his defensive metrics -- such as we have for his era -- indicate he was at least an average defender. He led the league in range factor three times, in fielding percentage once, in assists six times, and in double plays twice.
People tend to think about Clarke -- if they think about him at all -- as either a terrible player, representative of the teams he played on, or a good player who was wasted on bad teams. The truth is somewhere in the middle. As sportswriter Maury Allen said, he was "an average big-leaguer on below-average Yankee teams."
And in fact, Clarke's 16.0 career bWAR as a Yankee is twice as much value as the player he replaced, Bobby Richardson (8.0 bWAR). But Richardson was a fan favorite, while Clarke was scorned. But of course... Richardson won three rings. And Yankee fans love a winner!
"New York is New York. You don’t win, you’re going to hear about it. I was in the middle." -- Horace Clarke
Had Clarke come along a few years earlier and been part of the early 1960s dynasty, he might be remembered fondly as a scrappy infielder, a Tony Kubek or a Bucky Dent or a Scott Brosius -- a good but not great player who had some memorable moments.
Instead, Horace Clarke defines an era of futility.
submitted by sonofabutch to NYYankees [link] [comments]


2024.05.13 13:15 Own-Air-1301 Main characters from The 100 (2014-2020) vs main characters from Daybreak (2019)

It's the battle of the teenage survival dramas! The survivors from The 100 and the survivors from Daybreak are all instant-transmission'd into a new location (Check R1, 2 & 3).
Both sides believe that the other faction are their enemy and start in camps 1km apart. They have access to the same limited resource pool that they canonically do in their TV shows.
For argument's sake, we're going to say each faction is limited to its top 30 survivors. no contact can be made with the world outside of this isolated location.
R1: Built-up suburban town 1km across.
R2: South-American Jungle. 5km dome.
R3: Open desert of North America. 5km dome.
submitted by Own-Air-1301 to whowouldwin [link] [comments]


http://rodzice.org/