I decided to try to write you a letter.
A final letter.
I’m really beginning to believe that you have been playing me for a sucker. Either on purpose or not, either way. I have to go. You have put me through so much. More than I know you remember….so while my actions seem weird or extreme to you, that’s what trauma and years of abuse does….that’s what lying does….that’s what giving someone a safe space only for that to be turned around on them when they are vulnerable. Yeah, I know those things happened to you and it wasn’t right then either but I had no control over that.
So why me? All I ever did was try to help, try to love you and ask for very little in return, if anything. I consistently see you being so nice and polite to strangers and treat me like I fucked up your life or something. When you know damn well that isn’t true. You sold me a false hope and have strung me along on that same hope that that guy would return but I have finally faced the music and accepted that you don’t love me. I don’t know if you ever did. But what you did love was the way I loved you. There’s nothing in the world I wouldn’t do for you…..
I have always been the same with you but had to prove my loyalty time and time and time again. I wouldn’t put my worst enemy through what you put me through. But you know what the kicker was, finally realizing that you actually think I’m stupid because I allow your stupid antics. You think I can’t hear you texting late at night with the cover over your head. Or I don’t see the look on your face when your phone goes off and you want to grab it but I’m right beside you so you escape to the bathroom to quickly return the text. You think I can’t feel your arm move? Or hear the sound of your phone dropping on the metal table? Seriously? That I don’t hear the click from your nails on the screen while you lay there and insult my intelligence by fake snoring…..yeah yeah I know. I’m crazy. You aren’t doing nothing right? You don’t have time for all that? Bad thing is, I honestly don’t know what the fuck you are doing and I’m tired trying to figure it out. I’m tired of feeling alerted when I’m around you because I feel like I’m waiting for the final blow. You slowly chipped away that the 100% trust I had in you in the beginning. You have yourself to blame for that.
You told me every time I get upset like this, I am dead ass right there is something going on. So why can’t you be a man and stop this stupid shit? These are boys games. Men don’t conduct themselves this way. What do you get out of acting like I can’t see you texting? Or jumping to switch the screen every time I move? Or acting like I can’t see your fingers texting while you act like you doing something else. You are so dumb and make it so fucking obvious so that I wouldn’t think you would be stupid enough to do that but you are. Fuck everyone who thinks about playing with you but you always play with others, including me…….I’m so stupid to believe that you lie to everyone on the planet except for me? Wow? Really? The one time I asked you why me? What about me made you want to be with me. I bet you don’t even remember your response……that you fuck with the people you fuck with for whatever reason…….wow. Don’t make me feel too fucking special. I might smile or something.
Fuck.
So ya know, I’m done. I love you so much but I am miserable. I have been lying to myself that it will be okay and my knight in shining armor will return and we will be happy together but sadly, no. It won’t. It isn’t. I put on a smile and act like everything is great and cry myself to sleep almost every night. You shattered my fractured heart. Something you promised you would never do…..but you did. Over and over and over. Now I have to go because I choose to be happy even if I am alone…..
what you did to me has changed me forever and I can never go back to the way I was before. I didn’t ask for any of that. I didn’t ask to be taught lessons. All I wanted was you, how you portrayed yourself to me. Someone to keep me safe from the awful things out there, not knowing the worst threat was beside me……so I am choosing to leave before I hate you. Before the silent resentment starts because I do love you…..but I can’t do this anymore. 5 years of my life and I go to sleep looking at your back as you turn away from me and text under the blanket on your phone. I lay there and fight tears because I feel so rejected by you…..you want me around when I’m useful to you. But when was the last time you were useful to me? When was the last time you did something you didn’t want to do, selflessly, for me? You don’t treat me like you see my value…..sometimes, I believed you just didn’t know any better but you just let me make excuses for you…..and I have nothing left to give you and anything I ask for from you feels forced, you almost can’t even look me in the face. When was the last time you looked in my eyes and told me you loved me? When was the last time you held me or just wanted to be close to me? Yeah I don’t know either…..and this is why it’s easier to keep my mouth shut because i don’t like saying hurtful things but fuck it. You certainly have no problem hurting my feelings, spouting off the most asinine, dishonest things, putting me in a chokehold and causing me to get a knot on my head never asking if I was okay or even apologizing……Serves you right you hurt your knee. That’s what happens to bad people, karma will eventually get you and if she doesn’t, God will.
but 🤨violators get violated right? So what happens to you when your violators come to violate you?
I hope you find what you are looking for in life and always remember me.

Incorporating astrological transits into your decision-making process for relocation and using astrocartography can provide a dynamic and timely perspective on your choices. Here's how to effectively blend these elements:

Understanding Transits in Astrology

Transits are the movements of planets at a given time, which form aspects (angles) with the positions of planets in your natal chart. These transits can activate different areas of your life, indicated by your natal chart, and can influence your experiences, mood, and decisions.

Step 1: Analyzing Current and Upcoming Transits

1. Identify Key Transits: Look for transits from slower-moving planets (like Jupiter, Saturn, Uranus, Neptune, and Pluto) as they have long-lasting effects. For instance, Saturn transiting your 4th house might indicate a period suitable for setting up a stable home environment.
2. Focus on Significant Aspects: Pay attention to major aspects such as conjunctions, oppositions, squares, trines, and sextiles. These aspects will highlight areas of life (represented by houses) and personal characteristics (represented by planets) that are currently under focus or undergoing change.
3. Timing of Transits: Determine the timing of these transits to understand when specific influences will be strongest. This can help you decide the best times for relocation or significant travel.

Step 2: Integrating Transits with Relocation Astrology

1. Relocation Chart: Generate a relocation chart for locations you're considering. This chart relocates your natal chart to a new location, altering the house placements of your natal planets.
2. Overlay Transits: Look at how current transits interact with your relocation chart. For example, if Jupiter (expansion) transits your relocated 10th house (career), it might be an auspicious time for career growth in that location.
3. Evaluate Changes: Assess how the change in house placements in the relocation chart under current transits might influence your experiences in the new location. For instance, a planet moving from a natal 12th house position to a relocated 1st house position could indicate a period of emerging from behind the scenes to taking on a more prominent role in life.

Step 3: Applying Astrocartography

1. Astrocartography Lines: Review your astrocartography map to identify planetary lines running through areas of interest. Each line represents the influence of a particular planet.
2. Transits Over Lines: Consider how current and upcoming transits interact with these planetary lines. For example, if you're experiencing a Pluto transit that aspects your natal Sun, living on or visiting a Sun line might bring profound changes to your self-identity.
3. Weighing Planetary Influences: Determine which planetary influences align best with your goals and current life phase. For instance, a Jupiter line might be beneficial for growth and opportunity, while a Saturn line could be better for structure and stability.

Not everyone will notice natal or relocated transits straight away. And each transit is unique to each person.

(continuation of part 2)
III. e) The Mobius FF x FFVII collaboration
Alright, back to our suspension world-hopping! Let’s visit the realm of Mobius FF, —more specifically, the collaboration between Mobius FF and FFVII—, where I found the most substantial evidence for my theory.
In case you’re unfamiliar with the Mobius FF (MFF) world and games, let’s begin with a bit of a summary of the parts relevant to us. The story takes place in a world called Palamecia, to which people from other worlds are inexplicably summoned. The vast majority of those who are brought there don’t remember anything from their worlds of origin or their lives before Palamecia except their names: these amnesiac people are called Blanks. The main character is Wol, accompanied by a guiding fairy of Palamecia named Echo. Echo knows a lot about the mechanisms of Palamecia, as she’s tied to the realm. The leader of this world is Vox, a being who manifests only as a voice. The first thing all Blanks remember before they wake in Palamecia is Vox telling them the rules of the realm. Incidentally, the crystals of the MFF world are teleportation crystals.
III. e) i. Devs’ Statements
Let’s review some of the MFF x FFVII Remake collaboration devs’ statements before diving into its story.
For both the MFF x FFVII Remake collaboration and the Remake project, Kitase took on the role of producer while Nojima supervised the screenplay and wrote the scenario. The project leader was none other than the Remake trilogy’s Hamaguchi, who told a SE interviewer the following:

“We would love for you to play the [MFF x FFVII] collaboration event as you look forward to [Remake’s] release” (“Celebration of the Overseas Release of the Steam Version and FINAL FANTASY VII REMAKE Collaboration Event”, Square Enix).

He later hints at the collaboration’s storyline:

“This collaboration is focused on Cloud, so the other characters will not make an appearance. Players will join Cloud, who has gone astray in Palamecia, on his adventures and see how the story unfolds based on his decisions. Content-wise, FINAL FANTASY VII fans will surely become fraught with emotion as events unfold in-game (laughs).”

Kitase concurs on the emotional aspect of the collaboration in the same interview:

“When it comes to the story, I seek two things– ‘mystery’ and ‘[…] emotional impact’.”

Clearly, fans of FFVII are supposed to react emotionally to the events of the collaboration. With these statements in mind to give us perspective, we can get into the plot points relevant to our analysis. MFF x FFVII Remake comes in two parts, the relevant plot points of which I will describe and analyze one at a time.
III. e) ii. Eclipse Contact
1) Fact-Finding
Part one of the MFF x FFVII Remake collaboration event is called Eclipse Contact. It came out in 2017 on Aerith’s birthday, February 7th, and its release campaign ran until March. In Eclipse Contact, Palamecia welcomes someone new: Cloud Strife appears in the realm with very little recollection of his core world of FFVII.
Cloud isn’t a Blank, since he recalls the mako reactors in Midgar upon his arrival in Palamecia, and also remembers that he was hired by Avalanche to blow them up:

“Echo: How did you end up in Palamecia?

Cloud: I… That day... I remember now. A job. I had taken a job. I was hired muscle protecting clients. They wanted to stop the reactor... We used a train to get past security... Was it at night? Something happened... Next thing I knew, I was floating through darkness. Then [I woke up here]”.

This piece of dialogue reveals that Eclipse Contact Cloud’s memories end at the very moment when Avalanche arrives at reactor 1 in OG (disk 1, chapter 1): the very beginning of the game. Consequently, Cloud does not remember anything that happened from the beginning of the OG timeline onwards.
Wol and Echo are intrigued by Cloud’s strange case: non-Blanks rarely arrive in Palamecia. The following text appears on the screen shortly after they meet:

“Perhaps he is not truly who he thinks he is.
Perhaps everything is illusory, a dream.
Only one thing is certain, that he must press on, one step at a time, toward the light that shines from the promised land.”

Just like he did in FFT’s Ivalice, Cloud feels the need to find the Promised Land in MFF x FFVII, despite the fact that he lacks memories of the OG timeline. Though Cloud doesn’t remember anything beyond the train ride to reactor 1, he does remember the Promised Land (at least somewhat). This is odd, given that in OG, Cloud didn’t learn about the Promised Land until several chapters into the game.
Wol and Echo agree to help Cloud figure out why he’s here, since there’s clearly something strange going on with his presence in Palamecia. In fact, Cloud brought Midgar’s mako reactors with him somehow, transplanting them onto the landscape of Palamecia. The group decides to bomb these reactors, following Cloud’s instincts in the hopes that it will jog his memory.
Now for my favorite part. After blowing up another reactor, the group is surprised by the appearance of a crystal. A piano rendition of Aerith’s theme begins. When Wol tries to touch the crystal, something akin to a force field rejects him. When Cloud approaches it, however, the crystal responds to his hand by flashing with light. As it begins to glow, Wol concludes that the crystal is linked to Cloud and Cloud alone. Let’s examine the resulting dialogue:

“Echo: This is the light in your memories. The light of home.

Cloud: Home? But I don’t—

Echo: If you don't remember… then your home is lost to you.

Cloud: Then my memories are gone.

Wol: Do you want to reclaim your past?

Cloud: Not interested... I am what I am now. Not what I was.

Wol: Then tell me… This light. If you can’t remember it, what does it mean to you?

Cloud: It's a warm light... I feel at peace. If this place —home— is as warm and peaceful as this light, then I want to go there.

Echo: You can't go there... Not back to the past.

Cloud: I see.

Echo: But even if you can't go back to the past, you can go forward. If you wish for it strongly enough, the crystal will show you the way. The way to a new world. The way to your Promised Land. […]

Cloud: So... Should [I] take [my] chances and make a wish to this crystal?

Wol: Go ahead. It’s your crystal.

Echo: I should warn you that once you start on this journey, there's no coming back.

Cloud: The past is the past. I want to go to a place where everything is new. I’m ready.“

What follows is a moment I call the wishing scene (13:43-14:34). Cloud closes his eyes and wishes on the crystal. It flashes, and suddenly, rainbow-colored ripples of light appear around it. Aerith’s theme is replaced by a slightly modified version of “Midgar, City of Mako”, the track that plays during the opening cutscene of Remake. You can recreate the modification by listening to “Midgar, City of Mako” from 2:00 to 2:23, then skipping to 3:00 and listening until 3:18. You may recognize the musical motif that kicks off the wishing scene as the Lifestream motif, which has become symbolic of the mysteries of the Remake trilogy, as it often plays during scenes where unexplainable plot deviations from OG occur— more specifically, deviations involving multiverse shenanigans. For instance, it plays during MOTF 4. It also plays in Rebirth after Cloud blocks masamune as Aerith is shown dying anyway.
Cloud disappears with his crystal, after which Echo speaks to Wol about Cloud’s journey:

“Echo: Each person gets the Promised Land they justly deserve, not the one they really need. If you’re a bad person, you go to a bad place. If you expect nothing, you get nothing. Even the journey there makes you look deep within yourself to find out who you really are. Cloud should be facing his own past as we speak. It’s cruel, but necessary. That battle was a long time coming”.

Apparently, at least in the context of this collaboration event, the Promised Land can be a reward or a punishment, depending on which you deserve. Echo explains that Cloud will have to face himself and his past on his way to his Promised Land. This means that the Cloud that appears in Eclipse Contact must next embark on a journey that will confront him with his past, test his mettle, and ultimately lead him to the Promised Land he justly deserves.
III. e) ii. 2) Fact Analysis
There’s a lot of vital information to dig into here, mostly provided by Echo. She claims that the crystal’s light is linked to Cloud’s memories of home; Cloud has to have known this home in the past, as it could not otherwise exist in his memories. MFF Cloud must be a post-OG Cloud. Unfortunately, Echo indicates that whatever Cloud’s home is, he’s lost both it and his memories of it. Despite this, Cloud describes his home as warm and peaceful, concluding that he wishes to find it. Though Cloud can’t return to the past, Echo tells him that if he wishes it strongly enough, the crystal can guide him toward a new world, where his home and his Promised Land exist in the future. The fact that Aerith’s theme is playing all throughout these descriptions of Cloud’s lost home, his Promised Land and the past that he can’t return to makes it extremely obvious that these concepts all point to Aerith. Aerith is Cloud’s lost home. Wherever Aerith is, that’s his Promised Land. The time spent with Aerith before her loss is the past he tragically can’t return to. You might have clocked the similarities between Eclipse Contact’s mention of Cloud’s lost home and DFF’s mention of Cloud’s lost dream: in both these titles, Cloud’s home and dream are equivalent to his Promised Land. It’s confirmed yet again that Aerith is the one Cloud hopes to return to, just like every soul returns to the Lifestream. At this juncture of my research, I was curious as to why the last thing Cloud remembers before waking in Palamecia is the run-up to the Reactor 1 bombing mission in OG (disk 1, chapter 1). This mystery will have to persist for a while longer.
The alarm bells in your head might’ve been triggered by the mention of the wishing scene’s rainbow ripple effects— and rightfully so. This visual cue has sparked passionate debate in the fandom since its appearances in Rebirth, as seen in these pictures:
Zack Choosing To Get A Cure For Cloud, Rebirth Chapter 14; Creating a New World/Timeline
Aerith Pushing Cloud Out of that World/Timeline, Remake Chapter 14
Cloud Blocking Masamune, Rebirth Chapter 14; Creating New World/Timeline
You might have read or heard that this rainbow effect signifies that a character has entered another timeline, created a portal to another timeline, created a new timeline or is being shown different timelines. Indeed, whenever the OG timeline is deviated from in a significant way, this effect appears. The pictures above present multiple examples of these shifting realities.
One might propose that the rainbow ripples in Eclipse Contact and Rebirth are unrelated because of the long period between their respective release dates. This long in-between period indeed makes it likelier that the effect was used without forethought in Eclipse Contact, forgotten over the years, and incidentally reused in Rebirth as a plot-important visual cue with no connection to Eclipse Contact. I’m inclined to disagree since the crystal is specifically described as a vessel that can take Cloud “to a new world” by Echo, which is a bit on the nose. Regardless, it’s plausible that there’s no connection. That is, it would be, if the rainbow effect didn’t show up in Remake too.
When the Whispers are finally defeated in chapter 18 of Remake, a burst of the rainbow ripple effects indicate the emergence of multiple worlds, newly freed from the restrictive clutches of fate (1:16:36-1:16:47). Shortly thereafter, Sephiroth takes Cloud to the Edge of Creation and invites him to join forces with him. Cloud refuses, and Sephiroth says the following:

“Seven seconds till the end. Time enough for you. Perhaps. But what will you do with it? Let's see.”

The question “What will you do with it?” implies that the answer is unknown, meaning Cloud is no longer bound to the OG timeline by fate: many alternate futures lay ahead. Sephiroth is telling Cloud and the audience that now, the mystery of the Remake trilogy has become “Which future will Cloud bring into existence? Which among the infinite possible timelines will his choices result in?” After pondering this aloud, Sephiroth leaves Cloud alone to consider the rainbow effects in the sky (1:19:23-1:19:36). Because they generally represent alternate or changing timelines, it’s safe to assume that the rainbow ripples here represent the myriad of possible worlds that Cloud’s actions in those seven seconds could generate. After all, Sephiroth was just talking about them, and chapter 18’s description in Remake reads as follows:

“In a world beyond, Sephiroth shows Cloud a vision of the planet seven seconds before its demise. Having strayed from the course destiny set for them, they strike out on a path towards an unknown future."

This explains why the player is shown Cloud staring at those colors in the apocalyptic sky at world’s end, directly after hearing Sephiroth’s cryptic words: those are all the alternate “unknown future” timelines ahead of him, now unravelled from fate. Amongst those rainbow ripples lies the answer to the question “What will you do with [the seven seconds]?”
Given that Remake was released in 2020 and Eclipse Contact came out in 2017, the major story elements of the Remake trilogy —including the eventuality of alternate timelines— had to have been planned out at the time of Eclipse Contact’s release: while the MFF x FFVII Remake collaboration was being made, Remake was also in production. Also recall that the collaboration event and the Remake trilogy share a codirector in Hamaguchi, a writer in Nojima and a producer in Kitase. Based on all this, it’s more than likely that the rainbow ripples in the Remake trilogy and inEclipse Contact represent the very same thing: alternate worlds and timelines. All this to say that when the rainbow effect appears around the crystal in the Eclipse Contact, it means the crystal is acting as a vessel to another world, just like Echo said.
But that’s not all Echo said: she also mentioned that this other world would take Cloud to his home, to his Promised Land. We’ve already established what that means for Cloud, what it’s meant since two whole decades at the time of Eclipse Contact’s release: this crystal will take Cloud to Aerith. So, where exactly did the crystal take Cloud? In what world can he meet Aerith again?
The music that plays during the wishing scene gives us a huge hint. As I noted before, the track playing in the background is a slightly modified version of Remake’s “Midgar, City of Mako”, which plays in the introduction cutscene of Remake. This is a musical cue that the ending of Cloud’s journey in Eclipse Contact and the very beginning of the Remake trilogy are closely related. Add the fact that the devs wanted players to experience this collaboration event before playing Remake, and it becomes undeniable: the crystal that appeared to Cloud in Palamecia —which offers to lead him to his home and Promised Land, meaning to Aerith—, took him to the world of the Remaketrilogy.
Eclipse Contact is huge. The whole crux of my theory lives and dies right here. However, we still have part two of the MFF x FFVII Remake collaboration event to analyze as well as its promotions to look into before I can drop the thesis on you, so bear with me in order to receive the most thorough analysis of all this possible! I want to give you every drop of proof I can!
III. e) ii. MFF x FFVII Remake Fatal Calling
1) Fact-Finding
Fatal Calling came out February 1 of 2018, and its release campaign ended in March. The game opens with a cutscene: Cloud is floating, seemingly unconscious, through a sparkling, green current of light. The current flows into a circle of bright, white light, surrounded by rainbow ripple effects as Cloud is driven toward and into it. An orb floats along with him. The Advent Children theme “The Promised Land” plays, a choir of mournful, aching, mutedly desperate souls engaged in a lamenting prayer. Sephiroth’s voice echoes:

“Sephiroth: It’s time. You may turn your back on the past, lock your memories away. Hide reality beneath a layer of illusion. But destiny will not die so easily. Yes. At memory’s end you may plead for it all to go away. But the past is a curse, binding your soul. It’s time. Wake to your fate. Rise to your destiny.

Cloud: (In a half-conscious grunt) Reunion…

Sephiroth: The light will lead you. Wake to your fate. Rise!”

Sephiroth’s mentions of Cloud hiding under an illusion and repressing his memories are no doubt allusions to Cloud’s past, which was complicated and darkened by Hojo’s experiments. It makes sense, then, that Cloud responds with “Reunion”. Fatal Calling indeed focuses on Cloud’s relationship to his past, his identity and Sephiroth. Everything involving Nibelheim —where everything started—, Sephiroth’s manipulation, and Hojo’s experiments are on the table. Also noteworthy if not out of place is Sephiroth’s evocation of fate.
Cloud enters a battle with Sephiroth with the help of Wol and Echo, who are surprised to see him back in Palamecia. Cloud tells them about the orb seen floating along with him in the opening cutscene: though he calls it a materia, he doesn’t know how or when he acquired it. Based on his behavior, it appears that Cloud remembers just as little about the events of OG as he did by the end of Eclipse Contact. Wol informs Cloud that whoever he heard speaking to him on his way here was probably Vox pretending to be Sephiroth.
As the group advances, Cloud recalls Midgar and decides they should go there next. At one of Midgar’s mako reactors, the group encounters Sephiroth, who speaks to himself:

“It's still not enough. This... this is but a pale imitation of the power I desire.”

Once Sephiroth has disappeared, Cloud explains what he remembers: Sephiroth was the greatest SOLDIER of all and a hero to Cloud, though Cloud can’t remember what exactly ended this admiration. As players of FFVII OG, we know the event in question is the Nibelheim incident, wherein Sephiroth slaughtered the town’s residents, including Cloud’s mother, after learning of his past. The former war hero also severely injured Tifa, whom Cloud presumed dead when he found her in the old mako reactor with a vicious slash on her chest. Cloud is agitated by the gaps in his memory, so the group resolves to follow Sephiroth for answers. When they find him again, Sephiroth causes Cloud to experience a piercing headache with the mere mention of the Reunion. They fight, but Sephiroth is too powerful— he skewers Cloud with the masamune and taunts his unconscious body:

“Sephiroth: A puppet. I won’t kill you. Not yet. Not until you know true despair.
Wol: If you want despair, we got plenty to go around. Palamecia’s full of it.
Sephiroth: Yes, this planet knows suffering. But it is not the world that was promised to me. I must go home. Tell Cloud, if he wants to see me again, he should face his memories. I will await him there, in the land of memory, where it all began. In Nibelheim.”

Sephiroth darkens Cloud’s materia, turning it black. Later, Wol explains to Cloud that Sephiroth stole the light from his materia, taking Cloud’s strength along with it.
Once Cloud has woken up, the group travels to Nibelheim to uncover the truth about Cloud’s memories. Cloud slowly gathers pieces of his past, shown to the player as titled, diary-like text written from various perspectives. Cloud learns the truth about SOLDIER, Jenova cells, Sephiroth, and what happened in Nibelheim. Let’s examine a few of these diary entries:

“A Warrior’s Tale: There's a girl in Nibelheim I think about. Warm. Cheerful. More grown-up than a child. Haven't talked to her much, but she seems nice. She's going to be leading the SOLDIERs to the mountain reactor. Maybe if I get into the survey team I'll get a chance to talk to her? Nah. She's out of my league.”

Young Cloud’s crush on Tifa is on full display! This must be a memory from his time as an infantryman accompanying Zack and Sephiroth to Nibelheim.

“Tale of the Nameless: I drift along in the mako, asleep. Who am I? Who am I? Who am I? Who am I? Give me a number. I… I… I am… The Reunion. The Reunion must happen.”

This entry could be taken from any one of the Nibelheim survivors’ perspectives, as they were all bathed in mako and turned into Sephiroth clones. I would venture to say this is Cloud’s perspective though, given the reference to this iconic line from OG:

“Cloud: Professor... please give me a number. Please, Professor...
Hojo: Shut up, miserable failure.” (disk 2, chapter 2).

The trio encounters Sephiroth near the old Mt. Nibel mako reactor. Because Sephiroth stole the light from his materia earlier, Cloud goes into the confrontation already drained of his strength. However, when Cloud lifts the materia in his hand, it lights up and creates rainbow ripples in the air around him, similar to those seen in Eclipse Contact and Rebirth. Cloud is healed of his injuries: he closes his eyes for a moment, wearing a peaceful expression. Sephiroth is displeased, but recovers quickly:

“Sephiroth: The guiding light… it healed you.

Wol: […] here, near the mako reactor, the materia regained its light. And your strength returned […]. [Sephiroth]’s here so he can steal the power you've stored inside that materia.

Sephiroth, with a short laugh: I have all the power I need. Cloud. What strength you’ve regained is yours. Use it to fight me. It’s time. Let’s decide this, in this land lost to despair. The prize is home. The Promised Land. There to answer the call of destiny.”

With this second evocation of fate, Sephiroth disappears.
Cloud, Wol and Echo find Sephiroth at the Northern Crater. He mocks Cloud for believing the orb in his possession is materia. Sephiroth waves a hand and his signature black and purple fog surrounds Cloud, immobilizing him. Sephiroth claims that the power Cloud regained at the Mt. Nibel reactor was Sephiroth’s all along. Now that it courses through Cloud’s veins, Sephiroth controls him. He calls Cloud his puppet and finishes with the following before the two vanish, leaving Wol and Echo alone:

“Now, let us return. Back to the Promised Land. The time of the Reunion has come.”

After Cloud finally breaks free and defeats Sephiroth with the help of Wol and Echo, the villain makes a final threat:

“Very good, Cloud. You’ve destroyed an illusion. But the time will come to abandon your illusions and face reality. Then, you will know true pain.”

Sephiroth disappears for the last time, his body surrounded by his signature dark fog and the rainbow ripples. A piano rendition of Tifa’s theme begins. Cloud’s orb rises into the air and becomes a crystal, with the same shape and glow as the one we see in Eclipse Contact. The following dialogue is illuminating:

“Cloud: I will fight. The light will lead me where I need to go.

Wol: You sure? Wasn’t that [crystal] Sephiroth’s?

Cloud: I heard Sephiroth's voice, at the end. Inside me. Whatever he put in me, it’s still in there. Someday I’ll settle that score. If I can't avoid destiny, I might as well face it head-on.

Wol: Yeah. That was quite a speech, Cloud. Surprised you made it through without laughing.

Cloud: Yeah, forget I said it. I will too.

Echo: Forgetting won’t make it go away. Even if the words fade from memory, your dream will never disappear. Not until it becomes real.“

The crystal shines as though in response.

“Echo: See? See, that's how the light of hope works. Hope can turn your dreams into reality.

Cloud: Yeah. I guess so. I might forget this world, but I won’t forget hope. And my reality, that’s for me to live.”

Tifa’s theme ends. Cloud approaches the crystal, and disappears in a beam of blinding light. Once Cloud has vanished with the crystal, Aerith’s theme begins playing. A few pale feathers with a slight orange tint (the color of MFF) float down onto the floor where he stood seconds before. The image fades to black. The credits roll, and Aerith’s theme continues all the way through.
Once both the final name in the credits and Aerith’s theme fade, we’re surprised by a sudden, troubling image: Sephiroth appears in a frightening flash, standing amidst the flames of Nibelheim. When his image fades to black, the collaboration title *“Final Fantasy VII x Mobius Final Fantasy”*appears on the screen. The FFVII title is surrounded by the 1997 meteor logo. Then, a flash of light: the titles reappear, except this time, they read “Final Fantasy VII REMAKE x Mobius Final Fantasy”. The new Remake Meteor logo replaces the 1997 version. As soon as these changes to the FFVIItitle and meteor logo occur, Aerith’s theme returns. It plays on until the game ends a few seconds later, the screen fading to black.
III. e) ii. 2) Fact Analysis
The introduction cutscene shows that MFF Cloud travelled from Eclipse Contact to Fatal Calling via Lifestream. It’s unclear how much time has passed in between, but the atemporal nature of the Lifestream makes the question irrelevant. My theory that MFF Cloud has died is corroborated by the way he’s depicted in the opening cutscene: his eyes are closed and his body is limp as the Lifestream carries him.
Eclipse Contact ended with Echo’s claim that Cloud will face his true self and confront his past while he journeys to his Promised Land. This description resembles what Cloud experienced in the OG Lifestream sequence (disk 2, chapter 8). Indeed, Fatal Calling revolves around the same topics the Lifestream sequence addresses: the truth about the Nibelheim incident, Hojo’s experiments, young Cloud’s crush on Tifa, etc. The opening cutscene shows Cloud being transported to his Promised Land and facing his past on the way there, just like Echo said he would.
Let’s now take a long detour to examine the song that plays during the opening cutscene of Fatal Calling: “The Promised Land” theme from Advent Children. The title and general subject of this song are obviously relevant to the cutscene, but there must be more to its inclusion than that. Perhaps the lyrics can help us understand its appearance in the opening cutscene of Fatal Calling. Here are the unofficial English lyrics (translated from the original Japanese lyrics by an anonymous fan and verified by me via DeepL):

“Why do we cling together?
Why do we give punishment to lesser hearts?
The planet did not forgive us
Did not forgive us
The planet did not forgive us
Did not forgive us
The pulse of veins flows through the earth
A faint, faint pulse
Of a heart drawn to death
A gentle life returns to the planet
Is it necessary to sacrifice souls?
Why do we cling together?
Why do we beg for forgiveness
In the Promised Land?” (“‘The Promised Land’ (theme)” by Final Fantasy Wiki).

The song appears to be a regretful lament of human behavior, expressed by the repetition of “Why do we […]?” questions. The behaviors listed are all typically human ones: the terms “[clinging] together” and “[giving] punishment to [the] lesser” express the uniquely human nature of tribalism and the consequences of the fear and hatred it can generate, and “[begging] for forgiveness in the Promised Land” is likely a reference to the human hypocrisy of only feeling sorry for one’s crimes when judgement day arrives. This last line describes a scenario where someone remains passive or ignorant in the face of something important, only to realize its essentiality once it’s too late. The repeated“The planet did not forgive us” lines reflect the fear of being condemned forever because of one’s mistakes, as though the planet is a deity one has sinned against. The lyric describing a pulse in the earth is obviously about the planet being alive— a reference to the Lifestream. But the pulse is faint and weak and the planet is dying, perishing because of mankind’s greed. This is an indictment of mako energy. The line “A gentle life returns to the planet” refers to an innocent’s soul returning to the Lifestream after death, while the next lyric “Is it necessary to sacrifice souls?” protests the “sacrifice” of the planet’s soul energy for mako production. In all this darkness, this song’s mention of “forgiveness in the Promised Land” leaves a modicum of hope for a better place, however meek, even though mankind might not deserve it. The song “The Promised Land” is both a lament of mankind’s ways and a plea for mercy, with religious and/or spiritual undertones. The song’s themes seem to be: the Promised Land itself, regret and shame, the sins and foolishness of mankind, the death of innocents, grief, Cetra spirituality, and a meek, quiet hope despite it all. The most interesting aspect of the song is its antithetical portrayal of death as a thing of both despair and hope, condemnation and salvation, cruelty and mercy, suffering and relief. Maybe we can glean more information about this theme’s significance in the world of FFVII if we examine the contexts in which it appears.
Importantly, the song plays in Marlene’s introductory narration of Advent Children, meaning its themes are related or similar to the film’s. I highly recommend listening and watching it again, even if you remember this iconic segment. Marlene references Aerith’s sacrifice as the image of Cloud lowering her into the water is shown. Note that Marlene says “Sadness was the price to see it end” (2:36) after we are shown Aerith’s death and her subsequent unleashing of the Lifestream (1:49-2:24): Aerith’s innocent life was sacrificed for the planet’s survival. The lyrics “A gentle life returns to the planet” and “Is it necessary to sacrifice souls?” suit Aerith’s situation quite well.
The theme also plays in Advent Children as Kadaj dies in Cloud’s arms (1:45:00-1:47:55), hearing Aerith’s gentle voice and reaching up to take her invisible hand. Here is what Aerith says to him in his dying moments as “The Promised Land” plays:

“Aerith’s voice: Kadaj?
Kadaj: Huh?
The dark sky has gone with Sephiroth. Healing rain starts falling from bright clouds. The rain no longer hurts Kadaj.
Aerith’s voice: You don’t have to hang on any longer.
Kadaj: Mother! Is that…?
Aerith’s voice: Everyone’s waiting, if you’re ready.
Kadaj nods his head slightly in acceptance. He holds out his hand, and slowly evaporates into the Lifestream. Cloud watches […]” (Advent Children).

Kadaj is brought into the Lifestream by Aerith as she provides rain from the Lifestream. All those with geostigma are healed by the rain, and Tifa feels Aerith’s presence as the party celebrates:

“Tifa, looking out at the falling rain […]: Somehow, I knew you were there. Thank you” (Advent Children).

Cloud stands in the rain with a smile —his first in the whole film—, closes his eyes and basks in Aerith’s healing with his face upturned. He is finally at peace:

“Cloud’s expression is one of peace as the [Lifestream] rain patters against him” (Final Fantasy VII Advent Children English script, “[83] Atop the Shinra Building”).

One thing is clear: the track “The Promised Land” accompanies Aerith. It only makes sense, since we’ve seen overwhelming evidence that she is Cloud’s Promised Land, and since she occupies the Lifestream —which some consider the Promised Land as it is where souls go after death— during the events of Advent Children. Note that when the piece plays, Cloud is shown either mourning Aerith and releasing her into the river at the Cetra capital, or basking in her presence, smiling with relief at the peaceful feeling that she’s somewhere near: these two opposing scenes reflect the song’s antithetical portrayal of death.
Additionally, the song’s themes of regret, shame concerning one’s sins and a small hope perfectly describe Cloud’s character arc and feelings in Advent Children. Cloud regrets his inability to save Aerith, which he considers a sin. Further, he only realized how important she is to him once it was too late to tell her. And of course, he harbors a fragile yet important hope that he’ll be reunited with her in the Promised Land:

“‘Can sins ever be forgiven?’ — Cloud asks this to Vincent, who mutters a brief answer. For both of them, ‘I couldn't protect my loved one’ is the sense of guilt that they carry, so their words resonate with weight” (FFVII 10th Anniversary Ultimania Revised Edition, “Chapter 2: Character in FFVIIWorld”, “Vincent Valentine”, “In Advent Children”, page 72).

&

"’It is my sin that I couldn't protect my loved one’ — under this assumption, Cloud closes off his heart. What will the reunion with Aerith bring him? ‘I... think I want to be forgiven. Yeah, I just want to be forgiven’” (FFVII 10th Anniversary Ultimania Revised Edition, “Chapter 2: Character in FFVIIWorld”, “Cloud Strife”, “In Advent Children”, page 40).

&

“Cloud, after seeing Aerith’s hand reach for him through the Lifestream: … I think I'm beginning to understand.
Tifa: What?

Cloud: An answer from the Planet… the Promised Land... I think I can meet her... there” (disk 3, chapter 3).

Just as the song and Marlene express in the introduction of the film, Aerith was innocent, and her sacrifice generated great grief. Cloud finally experiences peace when he feels her presence in the healing rain, and he smiles: he’s glad to be with her again, even if it’s only for a brief moment of tangential respite.
The scene depicts Aerith guiding Kadaj into the Lifestream as the song plays, tying her to the concept and theme song of the Promised Land once more. This connection is later solidified by Tifa’s thanks to the late flower girl. All of this evidence shows us that this musical theme is intimately linked to Aerith, as it never plays in her absence. After all, the song speaks of sins, the death of innocents, forgiveness, grief, a small sense of hope, regret and the afterlife: all themes relevant to Cloud’s feelings surrounding Aerith’s death in and outside of Advent Children.
The Remake OST also includes a version of this piece called “The Promised Land - Cycle of Life”. This iteration of the theme begins playing in the wake of the first bombing mission, right after Sephiroth taunts Cloud with his mother’s dying words in Sector 8 (chapter 2). Sephiroth appears to Cloud surrounded by flames, evoking the Nibelheim massacre, and the theme begins playing in the background once he disappears, continuing (13:17-15:30) as Cloud walks through the sector, encountering fires and destruction all around him. This version of the Promised Land theme is meant to emphasize the deaths of the innocent Nibelheim townsfolk and the innocents in Sector 8. This dreadful atmosphere is amplified by the cries of despair that ring all around as Cloud passes by NPC Sector 8 residents. Perhaps the themes of tribalism and mankind’s sin are relevant to this scene as well, since Shinra and Avalanche are two distinct and warring groups whose quarrels, regardless of their necessity, result in the deaths of innocents. The theme of guilt also emerges, reflecting the Avalanche members’ feelings upon seeing the unintended collateral damage of the explosion. “The Promised Land - Cycle of Life” plays until Cloud encounters Aerith on Loveless. So it seems in this scenario, the heavy weight of death and despair is lifted when Cloud meets the lively, cheery Aerith. Once more, Aerith is central to the musical theme of the Promised Land, as well as to the concept itself.
I also noticed that a version of the song plays as Cloud and the party ready to enter the Forgotten Capital to save Aerith in Rebirth’s chapter 14: it truly adds the weight of her upcoming death to the scene.
Back to Fatal Calling, the scene where Cloud regains his strength is quite mysterious. Wol says Cloud’s orb regained its “guiding light” light because of its proximity to the mako reactor. In the moment his strength is replenished, Cloud is shown tilting his head back and closing his eyes: this is reminiscent of the scene in Advent Children when he stands under Aerith’s healing Lifestream rain, feeling at peace. The rainbow ripples shining from the orb indicate that something is crossing the boundaries of worlds. Since the mako reactor pumps up the Lifestream, being near a reactor also means being physically near the Lifestream. This means Aerith’s spirit is within proximity. In my opinion, Aerith was able to heal Cloud from the Lifestream, just like in Advent Children. However, Aerith is not in Palamecia with him: her healing had to travel there through the Lifestream, transcending the boundaries of worlds, hence the rainbow ripples.
Let’s now address the appearance of Tifa’s character theme in Fatal Calling. Since Fatal Calling is all about discovering Cloud’s past in Nibelheim and then in Hojo’s lab, it makes lots of sense for Tifa’s theme to play as the crystal appears. In OG’s Lifestream sequence (disk 2 chapter 8), she’s the one there helping Cloud sort through his past instead of Wol and Echo. Cloud even picks up a piece of his childhood crush on Tifa in Fatal Calling as a shard of his memory. After all, this crush was the catalyst for him joining SOLDIER, and everything that transpired in consequence:

“Cloud: That was the first time I heard about Sephiroth. If I got strong like Sephiroth, then everyone might... If I could just get stronger... Then even Tifa would have to notice me” (FFVII OG, disk 2, chapter 8).

Additionally, it’s fitting that her theme should begin right after Sephiroth speaks of “[abandoning] your illusions and [facing] reality”, considering that Cloud’s false persona was concocted by Jenova using Tifa’s mistaken impressions of Cloud:

“While being tended to by a station worker in the Sector 7 Slum train station, [Cloud] was reunited with Tifa, and using the abilities of Jenova’s cells, formed a new personality” (FFVII 10th Anniversary Ultimania Revised Edition, “Chapter 2: Character in FFVII World, “Cloud Strife”, “Cloud Behavior Record, Compilation of FFVII”, page 40).

&

“(Image caption:) A new personality takes shape the moment he sees Tifa” (FFVII Story Playback, “Story Check: Tifa’s Flashback”).

&

“Tifa (to Cloud): Deep down, you're a pretty nice guy. Didn't see it when we were kids, but...” (Remake, chapter 14).

N.B.: I'm mainly looking for the games listed in the title and at the bottom of the thread. Feel free to post other offers, but if I haven't responded to your comment(s) by my next posting, I likely wasn't able to find a trade that interested me.
​
For sale (for Steam Gift Cards or gifted Steam Wallet balance):
​

• Dark Souls™: Prepare To Die™ Edition (removed from Steam Store; $350 $400 or best offer)
• Fall Guys (removed from Steam Store)
• Fall Guys - Dragon Hugger Pack (removed from Steam Store)
• Fall Guys - Icy Adventure Pack (removed from Steam Store)
• Marvel's Avengers - The Definitive Edition (removed from Steam Store)
• Spec Ops: The Line (removed from Steam Store)

​

• Humble Hunie Sakura Bundle (can also trade for a full "charity" bundle (Australia Fire Relief Bundle or similar))
• Humble Sekai Project Bundle (can also trade for a full "charity" bundle (Stand with Ukraine Bundle or similar))

​
For trade:
*signifies that a game is tentatively up for trade, assuming I buy the bundle
​

• Nioh 2 – The Complete Edition
• Soulstice
• Warhammer Age of Sigmar: Realms of Ruin – Ultimate Edition

​

• A Little to the Left
• Black Book

​

• Superliminal
• The Talos Principle Gold Edition
• The Witness

​

• Destroy All Humans! 2 - Reprobed
• Life is Strange: True Colors
• Scorn
• There Is No Light: Enhanced Edition

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• Hellpoint
• Remnant: From the Ashes
• Tails of Iron

​

• Hell Pie
• OTXO
• The Red Lantern
• Twin Mirror

​

• Arkham Horror: Mother's Embrace
• Blood Rage: Digital Edition
• Gloomhaven - Solo Scenarios: Mercenary Challenges
• Small World
• Small World - A Spider's Web
• Small World - Be not Afraid...
• Small World - Cursed!
• Small World - Grand Dames
• Small World - Royal Bonus
• Splendor
• Splendor - The Cities
• Splendor - The Strongholds
• Splendor - The Trading Posts
• Terraforming Mars

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• A Short Hike(?)
• A Story Beside(?)
• Aces & Adventures(?)
• Arcade Spirits(?)
• Battlestar Galactica Deadlock(?)
• Beyond Blue(?)
• Cat Quest(?)
• Cook, Serve, Delicious! 3?!(?)
• EARTHLOCK(?)
• Harmony's Odyssey(?)
• Homeworld Remastered Collection(?)
• Lacuna – A Sci-Fi Noir Adventure(?)
• Minecraft: Java Edition - MCC Island Jingle Jam Rewards Pack(?)
• Monster Prom(?)
• Sifu Deluxe Cosmetic Pack(?)
• Spirit of the Island(?)
• SUPERHOT(?)
• Tinytopia(?)
• Toodee and Topdee(?)
• Train Valley 2(?)
• Turbo Golf Racing(?)
• Valthirian Arc: Hero School Story(?)
• Xenonauts(?)

​

• Angry Birds VR: Isle of Pigs

​

• Dark Deity
• Edge Of Eternity
• Eiyuden Chronicle: Rising

​

• CRYPTARK
• Dead Estate
• Paint the Town Red

​

• Lost Castle
• My Time At Portia

​

• Toodee and Topdee

​

• WWE 2K23

​

• Chivalry 2
• Disco Elysium - The Final Cut
• The Forgotten City
• GRIME
• Spiritfarer®: Farewell Edition

​

• Back 4 Blood
• Batman: Arkham Asylum Game of the Year Edition
• Batman: Arkham City - Game of the Year Edition
• Batman: Arkham Knight Premium Edition
• Batman™: Arkham Origins
• Injustice 2 Legendary Edition
• Mad Max
• Middle-earth: Shadow of Mordor Game of the Year Edition
• Middle-earth: Shadow of War Definitive Edition
• Mortal Kombat 11
• Mortal Kombat 11 Ultimate Add-On Bundle
• Mortal Kombat XL

​

• Alan Wake Collector's Edition
• Bendy and the Dark Revival
• Pathologic 2

​

• CODE VEIN
• .hack//G.U. Last Recode
• Katamari Damacy REROLL
• TEKKEN 7

​

• A Juggler's Tale
• Spirit of the Island

​

• Boomerang Fu
• PlateUp!
• ROUNDS
• Stick Fight: The Game
• Ultimate Chicken Horse

​

• Fae Tactics
• Flynn: Son of Crimson
• Ikenfell
• Ring of Pain
• Void Bastards

​

• After the Fall® - Deluxe Edition
• Zero Caliber VR

​

• Patch Quest

​

• Five Dates
• Late Shift

​

• Demon Turf
• Pumpkin Jack

​

• Trover Saves the Universe

​

• Coromon
• The Dungeon Of Naheulbeuk: The Amulet Of Chaos
• Jack Move

​

• Road 96
• SuchArt: Genius Artist Simulator

​

• A Short Hike

​

• Cloudpunk
• Ghostrunner
• Severed Steel

​

• Eternal Threads
• Turbo Golf Racing

​

• Lethal League Blaze
• OlliOlli World
• WWE 2K BATTLEGROUNDS

​

• Dragon Fist: VR Kung Fu
• The Walking Dead: Saints & Sinners

​

• Celeste

​

• Blasphemous
• Bloodstained: Ritual of the Night
• Hollow Knight

​

• Behind the Frame: The Finest Scenery

​

• Bionic Commando: Rearmed
• Dragon's Dogma: Dark Arisen
• Lost Planet 3 - Complete
• Mega Man Legacy Collection
• STRIDER™ / ストライダー飛竜®

​

• Aground
• Calico
• Evan's Remains
• StarCrossed
• Teacup

​

• Into the Radius VR

​

• Aliens: Fireteam Elite
• Founders' Fortune
• Monster Prom 2: Monster Camp

​

• Nomad Survival
• Scarlet Tower

​

• The Citadel
• Viscerafest
• WRATH: Aeon of Ruin

​

• The Blackout Club

​

• BIOMUTANT
• Edge Of Eternity
• Golden Light

​

• Call of the Sea
• Hellblade: Senua's Sacrifice

​

• 112 Operator
• 911 Operator
• The Amazing American Circus
• Armello
• Backbone
• Calico
• Euro Truck Simulator 2
• Farming Simulator 17
• Ghostrunner
• Guilty Gear X2 #Reload
• Lust from Beyond: M Edition
• Monaco: What's Yours Is Mine
• Orbital Racer
• Pathfinder: Kingmaker - Enhanced Plus Edition
• PAYDAY 2
• Pilgrims
• Soulblight
• Space Crew: Legendary Edition
• Starfinder Core Rulebook (Paizo key) and Starfinder Adventure: Junker's Delight (Paizo key)
• Strange Brigade
• Stygian: Reign of the Old Ones
• System Shock 2
• System Shock: Enhanced Edition
• Ticket to Ride
• XCOM® 2
• X-Morph: Defense Complete Pack

​

• Fallout: A Post Nuclear Role Playing Game
• Fobia - St. Dinfna Hotel
• Othercide
• Shady Part of Me

​

• The Last Campfire

​

• Sakura Swim Club

​

• Summer in Mara
• Townscaper

​

• The Long Dark: Survival Edition

​

• Stranded Sails - Explorers of the Cursed Islands

​

• Conan Chop Chop
• Grow: Song of the Evertree

​

• Styx: Shards of Darkness

​

• Hard West
• John Wick Hex
• Phantom Doctrine
• Red Solstice 2: Survivors

​

• Arizona Sunshine

​

• Backbone
• Blade Assault
• First Class Trouble
• Super Magbot

​

• Golf Gang
• Maid of Sker

​

• Vampire: The Masquerade - Coteries of New York
• Vampire: The Masquerade - Shadows of New York
• Werewolf: The Apocalypse — Heart of the Forest

​

• Nickelodeon All-Star Brawl

​

• Crown Trick

​

• Guts and Glory
• Hello Neighbor

​

• Day of the Tentacle Remastered
• Grim Fandango Remastered
• Star Wars: Knights of the Old Republic
• STAR WARS®: Knights of the Old Republic™ II

​

• Duke Nukem Forever
• PGA TOUR 2K21
• WWE 2K Battlegrounds

​

• In Sound Mind

​

• Little Big Workshop
• Not Tonight

​

• Brigador Deluxe Edition
• Verdun

​

• Resident Evil 0
• Resident Evil 6
• Resident Evil

​

• EVERSPACE™

​

• Cultist Simulator
• GWENT: The Witcher Card Game - Ultimate Starter Pack (GOG key)

​

• The LEGO® NINJAGO® Movie Video Game

​

• Legend of Keepers: Career of a Dungeon Manager
• Legion TD 2 - Multiplayer Tower Defense

​

• STAR WARS™: Squadrons (Origin key)(?)

​

• Bionic Commando
• Street Fighter V

​

• As Far As The Eye
• Impulsion

​

• Orcs Must Die! 2 - Complete Pack

​

• Bartlow's Dread Machine

​

• Blaston

​

• White Day: A Labyrinth Named School

​

• The Walking Dead

​

• Total Tank Simulator

​

• Archangel: Hellfire - Fully Loaded

​

• XCOM® 2

​

• Black The Fall
• Goetia

​

• Among the Sleep - Enhanced Edition

​

• Dear Esther: Landmark Edition
• This War of Mine

​

• Tom Clancy's The Division™ (Uplay key)
• Tom Clancy's The Division™ - Survival (Uplay key)

​

• Highway Blossoms
• HunieCam Studio
• KARAKARA
• Sunrider Academy
• Sunrider: Liberation Day - Captain's Edition

​

• A Kiss For the Petals - Remembering How We Met

​

• Hacknet
• Satellite Reign

​

• The Incredible Adventures of Van Helsing: Final Cut

​

• The Elder Scrolls: Legends: 2 Card Packs (Skyrim) 1 Event Ticket 100 Gold 100 Souls
• ESO Vanity Pet: Bristlegut Piglet and 15 Days of ESO Plus

​

• Ame no Marginal -Rain Marginal-
• KARAKARA
• Memory's Dogma CODE:01
• Narcissu 10th Anniversary Anthology Project
• Narcissu 10th Anniversary Anthology Project - Season Pass

​

• A Kiss For the Petals - Remembering How We Met
• Sakura Angels
• Beach Bounce
• Beach Bounce - Soundtrack
• Blue Rose

​

• Lionessy Story
• My Personal Angel
• Natural - Beyond Nature -
• Postmen Of Horizon (removed from Steam Store)

​

• The Reject Demon: Toko Chapter 0 — Prelude

​

• Koi-Koi Japan [Hanafuda playing cards]
• Mahjong Pretty Girls Battle
• Mahjong Pretty Girls Battle : School Girls Edition
• Poker Pretty Girls Battle: Texas Hold'em
• Pretty Girls Mahjong Solitaire

​

• Guns of Icarus Alliance
• Guns of Icarus Online
• Impossible Creatures Steam Edition
• Lethal League
• Tempest: Pirate Action RPG
• Tempest - Treasure Lands
• Tempest - Original Soundtrack
• Warhammer 40,000: Space Wolf
• Warhammer: End Times - Vermintide

​

• Tenta Shooter
• Gun Gun Pixies
• DUSK
• For The King
• Book of Demons
• PlateUp!
• Kingdom Two Crowns
• White Day: A Labyrinth Named School
• Warhammer 40,000: Gladius - Relics of War
• Chivalry: Medieval Warfare
• Steel Rats™
• Hue
• Sifu Deluxe Edition Upgrade Bundle (Epic key)
• Gal*Gun: Double Peace
• The Invisible Hours
• Synergia
• ROCKETRON
• Project Nimbus: Complete Edition
• Dead Age
• Spirit Hunter: NG
• Slain: Back from Hell(?)
• Cook, Serve, Delicious!
• Tower of Time
• Danger Scavenger
• Survive the Nights
• Valfaris
• Nongunz: Doppelganger Edition
• This War of Mine

​

• Knights of Pen and Paper +1 Edition
• Knights of Pen and Paper 2 - Here Be Dragons

​

• 112 Operator
• 911 Operator
• Book of Demons
• Broken Age
• Brothers - A Tale of Two Sons
• Crying Suns
• Crying Suns
• Dear Esther: Landmark Edition
• Driftland: The Magic Revival
• Liberated (GOG key)
• Moon Hunters
• Out of Reach: Treasure Royale
• Wanderlust: Travel Stories (GOG key)
• WARSAW
• X-Morph: Defense + European Assault, Survival of the Fittest, and Last Bastion DLC (I believe this redeems as the linked Complete Pack, minus the soundtrack)
• ΔV: Rings of Saturn(?)

​

• Arcade Paradise
• Calico
• Say No! More
• Fallout: A Post Nuclear Role Playing Game
• Fobia - St. Dinfna Hotel
• Phoenix Point: Year One Edition
• Deliver Us The Moon
• Morkredd
• Rogue Heroes: Ruins of Tasos
• Spirit Hunter: NG
• Survivalist: Invisible Strain
• Warhammer: Vermintide 2
• ENDLESS™ Space 2
• Surviving the Aftermath
• The Long Dark

​

• Duck Game
• SCP: Secret Files
• WWE 2K23
• The Jackbox Party Pack
• Outward (redeems as the base game only, not the linked Definitive Edition)
• Outward - The Soroboreans
• Outward Soundtrack
• Blade Assault
• Founders' Fortune
• Hokko Life
• Monster Crown
• Othercide
• Pathfinder: Wrath of the Righteous - Enhanced Edition
• ScourgeBringer
• Ancestors: The Humankind Odyssey
• HOT WHEELS UNLEASHED™
• Middle-earth: Shadow of Mordor Game of the Year Edition
• Sonic CD (removed from Steam Store)
• LEGO® Harry Potter: Years 1-4
• LEGO® Harry Potter: Years 5-7
• STRIDER™ / ストライダー飛竜®
• Bionic Commando
• Full Metal Furies
• Ultra Street Fighter® IV
• Starbound
• Mafia III: Sign of the Times
• BioShock 2
• Middle-earth: Shadow of Mordor Game of the Year Edition
• Sherlock Holmes: The Devil's Daughter
• The Mean Greens - Plastic Warfare
• Crusaders of the Lost Idols Legendary Starter Pack
• Project CARS (removed from Steam Store)

​
WANT:
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• 5D Chess With Multiverse Time Travel
• Astebreed: Definitive Edition
• Avernum: Escape from the Pit
• BlazBlue: Calamity Trigger
• CrossCode
• Dead Rising 4
• Dungreed
• Mega Man X Legacy Collection 2
• Mega Man Zero/ZX Legacy Collection
• Mortal Kombat Komplete Edition
• Myst (2021)
• NBA 2K23
• NECROPOLIS: BRUTAL EDITION
• Omensight: Definitive Edition
• OPUS: Echo of Starsong - Full Bloom Edition
• OPUS: Rocket of Whispers
• OPUS: The Day We Found Earth
• Power Rangers: Battle for the Grid
• RAGE
• Resident Evil Village
• The Jackbox Party Pack 5
• The Jackbox Party Pack 6
• The Jackbox Party Pack 7
• Wonder Boy: The Dragon's Trap
• Zombie Army 4: Dead War

​

• any extra copies of WWE 2K23

​
IGS Rep Page: https://www.reddit.com/IGSRep/comments/ti26nz/mizznos_igs_rep_page/

C Yes. In our healing practices, especially in the area known as surgery, there is a—they use, they replenish a person’s blood with that of others, and over the years I’ve been giving blood for such purposes, but of late I’ve seen material from various groups which refuse, even at the point of ceasing existence, to accept blood from another due to a passage from somewhere in the Bible instructing then not to partake of blood. Is there any harmful effect to the acceptance of blood from another? I see it as merely a giving of life from one to another. I can’t see any harm in the practice.
I am Latwii, and am aware of your question, my brother. In response, may we say this is not a simple matter, for indeed one who is approaching the limits of what you know as life and does, therefore, require what is called the transfusion of blood, such a practice might be deemed quite helpful, for indeed it is one means of prolonging the incarnation and might be the only means for many upon your planet, for their knowledge does not yet include other means.
In such cases it cannot be said to be other than helpful if each party does wish to aid in the prolonging of life which grows short. On the other hand, there are situations which mitigate against the transferring of that known as blood from one entity to another if the entities are not involved in what you call the …
[Side one of tape ends.]
(Jim channeling)
I am Latwii, and am once again with this instrument. As we were saying, there are instances which are not favorable to such a transfer of this vital fluid from one entity to another, for there are various, shall we say, patterns or parts of an entity’s pattern of being of the bodily complex which are transferred in this process that may be detrimental to another.

We speak of areas now which are little known to your peoples, and are, therefore, most likely to be somewhat confusing, but we shall continue. Each entity does through the power of mind before incarnation create the pattern of the physical vehicle which it shall inhabit. This vehicle, in each cell of its substance, does contain the complete blueprint of the entity, much as a hologram. This is true also of the fluid known as blood. The state of being of health, shall we say, to use somewhat of a misnomer, is clearly reflected in the blood and each cell of that fluid. The transfer of such vital fluid to one entity from another does then transfer the patterns of being or of health from one entity to another, these patterns having a great complexity of interrelationship from the experience of the entity who has provided the blood for transfusion.
Therefore, the one receiving such blood shall be receiving not just a simple bodily fluid, but shall be receiving the patterns of the very being of the entity who served as donor, and shall, therefore, be creating a tie between the two entities in which some of which you know of as karma, shall be shared. This appears quite insignificant when the entity is facing what you call the life and death situation, but does grow in significance as the entity does continue its incarnation and as the entity which served as donor does also continue its incarnation. It is then left to what might be called higher levels of the being of both entities to complete the balancing of the karmic patterns which have been set in motion by this transfer.

C In the case where one receives, say, a pint of blood, which is the usual unit, is the amount of the being of the donor that is received by the individual a sufficient enough amount to actually interfere with the being of the person receiving?
I am Latwii. My brother, we feel that you have correctly stated the situation. The amount is significant in that it serves as what you might call a ratio, a blending the beingness of the sources of blood, both of the donor and the one receiving the donation.
C Yes. In our bodily systems, cells are constantly being used up and replaced. After a period of time would that amount of beingness be slowly removed from the blood of the one receiving?
I am Latwii, and am aware of your question, my brother. We may say in this case, in general, that this is not correct, for the reproduction of the blood fluid is by the existing ratio of blood, and this existing ratio does then reproduce itself much as what you have called the cloning mechanism does reproduce an exact duplicate of itself. The dilution, shall we say, of the donor’s karmic patterns may occur in another manner, this being the balancing of the patterns of behavior of the one which has received the donation, and also of the one which has served as donor.
Carla Before we leave this sanguine subject, I’d like to check a couple of hunches. Is it true that the link between patterns of the entities works precisely both ways?
I am Latwii. Yes, my sister, we do recognize this to be true in our understanding of such matters.
May we answer you further?
Carla Yes. Hunch number two. Is this link the time/space portion of this very central fluid which is called blood, that is magical in nature, and is this why some of the more primitive of our tribes peoples have used blood to become blood brothers and things like this, why even as children we do things like that? Does this have a magical potential in the time/space portion of its reality?
I am Latwii, and again we find agreement with your statement, that the portion known as the time/space portion or metaphysical portion of the entity is that which is affected in what you have described as a magical nature.
C Yes, while we’re on the subject. If the pattern of beingness in each self … what of the situation as in our, in the drinking, in the partaking of blood orally as opposed to taking it into the veins directly, if ingesting the cells of another being, whether flesh or blood, do you still pick up the beingness?
I am Latwii, and am aware of your question, my brother. Again, we find that the general response can be somewhat misleading, for such an action as you have described would have far different results with different types of entities. Those most likely to accomplish such an action would be those who have begun the practice of what you might call the black magical arts and such an adept then would gain power, the power of the one whose vital fluid it consumed. An entity who had no training in these arts and rituals would simply gain those karmic ties in the time/space or metaphysical portion of your existence.
C I was just curious because in our legends of creatures such as vampires, they’re always able to remove the being and leave just a shell, more or less, though animated, no longer expressing that which it was, and I was just curious as to the source of that idea, whether there was some truth behind it.

I am Latwii, and am aware of a general query. We may respond by saying that your legends in this regard have distorted greatly the foundation of facts in such situations, but have reflected some of that which is more nearly true. The magical nature of the fluid you call blood has been reflected in such stories and legends, for indeed the entity whose blood has been removed in some degree is only a shell of the former self, the greater portion having passed to the entity consuming the blood, the greater portion of power also passing with that consuming.

Unedited source : https://assets.llresearch.org/transcripts/files/en/1982_0321.pdf

Wonder Women

Issue Fifty
Written by u/VoidKiller826
Edited by u/Predaplant
Arc: Revelations
*************************************************************
Greetings, people of Gateway City. This is your new peacekeeper speaking. You might know me as the White Magician, a rather crude name, but I will accept it considering Man’s World's lack of creativity. However, you may also call me Circe, and I am here with an important message that your news station will deliver for all to hear.
SCYTHE is no more: their HQ is under my and the Red Centipedes’ command. The Commander and his soldiers are dead and buried, as you all wished to happen. I was more than happy to oblige you if it meant depriving your stupid President of her next chance for reelection. Any survivors of the prison break are being hunted down by the people they locked in cages, who are more than happy to round them up as they once had been themselves.
But none of that’s important, for this recording is only to be heard by one person: Olympos, Wonder Girl, or whatever the fuck new title name you want to be called. This message is for you: You are to surrender yourself to me here in SCYTHE HQ in the next five hours, and in turn, I will not destroy this piss-end of a city. If you fail, I promise you, I will make Coast City look like a picnic by the time I finish with Gateway.
That cow you call Wonder Woman is dead, and I will make sure everyone else will follow her if you don’t comply with my request.
Your mentor learned a valuable lesson when she tested my patience.
*************************************************************
Spears Apartment - Gateway City:
[...President Cale has announced the complete closure of all access to Gateway City following the prison break that occurred in SCYTHE’s holding facility hours ago,] said Cassandra Arnold from GateNews, the city’s main news station. [We still have an unconfirmed number of escapees following the message sent by the White Magician, but the President has assured GateNews a solution will be found.]
Vanessa Kapatelis watched the TV in dismay. Pacing back and forth in the Spears duplex apartment, she had the TV on to pass the time while Ares worked on helping Helena and Cassandra upstairs.
“Here,” Vanessa turned away from the TV to see Tanya Spears handing her a bottle of water. “Something for you to drink.”
“Thank you,” Vanessa accepted the bottle. “I would prefer a beer, but this will make do.”
“My mom has her wine collection in a locked cabinet,” Tanya noted, pointing at the kitchen. “She doesn’t know that I know that, but I can get you a bottle?”
Vanessa chuckled. “Thanks, but I don’t want a girl your age to be walking around with alcohol or to get you in trouble with your mom.” She twisted the bottle cap and slowly drank. “I needed that… it feels like I’ve been dry for months.”
“It’s actually been 3 hours,” Tanya said, sitting on the sofa and opening her tablet to look over the internet. “I hope what she said wasn’t true… about Wonder Woman not being around…”
Taking a seat by her side, Vanessa saw that Tanya was reading through the report on what happened to SCYTHE. The escaped convicts had taken control of the SCYTHE headquarters and equipment after killing many of the agents that had stood in their way.
Seeing the photo of SCYTHE HQ burning angered her. That place should represent the absolute shield of Gateway. Now, it had come under the control of the convicts that they were supposed to stop because of Aeeta Branwen. A name that had made her happy now belonged to a stranger who had lied to her all this time.
Memories of their most intimate moments came flooding back: their first conversation, their first date, their kiss, and the morning after their date in her apartment. It was a moment when she thought she could finally stop grieving and move on from what happened to Coast City. And now, that had been disintegrated into oblivion.
In anger, she crushed the bottle with her hand, spraying water all over the table and the floor.
“Shit!” Vanessa stood up, finally realizing her mistake. “I am sorry!”
“Oh, it's fine!” Tanya ran to the kitchen to grab some paper towels. “It’s just water.”
“I know it’s just…” Taking the paper towel, the two began wiping the floor and the table. “I have a lot on my mind.”
“I’ll bet with everything that happened,” said Tanya, giving Vanessa a supportive smile. “Your friends are getting hurt, and you can’t do anything but watch. It would piss anyone off. I know it did with me when the RedCent guys invaded EE Tower.”
“Yeah…” Vanessa sat back on the sofa. “But this… I not only possibly lost many friends, but I was betrayed by someone I loved, someone who I thought was the one for me…” she said, distraught, as tears ran down her face.
Tanya, without saying anything more, hugged Vanessa closely. Despite them knowing each other for only a few hours, Tanya knew that Vanessa was in pain. Watching her loved ones being hurt by someone that she trusted must have been a hard truth to accept.
The doors upstairs opening and closing caught the two’s attention. Looking up, they saw Somya Spears descending, looking exhausted, like she had gone ten rounds in the ring. As she reached the ground floor, Tanya ran up to her mother, hugged her close, and guided her to the nearest chair to rest.
“Is everything alright, mom?” Tanya asked, worried.
“Yeah… just felt that I might take that long overdue vacation…” Somya answered, leaning against the soft chair with a tired sigh. “Maybe we’ll go to Paris like you wanted, Tanya…”
More steps followed, and Ares, or Mars as he insisted to be called, followed Somya, pulling his folded-up sleeves back. Unlike Somya, he didn’t seem any different from when he went upstairs to help the Sandsmarks, but the few strands of hair on his face told a different story.
“How are they?” Vanessa asked, walking up to the former God of War. “Are they ok?”
Ares turned to Vanessa. “The girl has a lot of heart, far too stubborn to let a beating keep her down.” He said with praise, impressed with the former Wonder Girl’s willpower. “Her Sumerian blood will help her heal in only a few days, but it won’t help her mental wounds after I told her the news about her mother.”
Vanessa had a lot of questions about what he had said, especially the word Sumerian; perhaps Cassie was not simply half-Olympian. However, she focused on the most important detail in his explanation. “What happened with Helena?” She asked in a worried tone. “Is she-”
“She is alive,” Ares said, but his expression shifted, frowning, making her nervous. “Physically, she will recover, she has only a few cuts and bruises. Even a human like her can heal those.”
“But?”
“But it's the spell Circe struck her with. It is unlike anything I’ve seen because it is of her creation,” Ares explained, and Vanessa ground her teeth together when she heard the name belonging to the stranger who hurt her and her loved ones. “Whatever she used, it is affecting her very soul, slowly killing her.”
“Like a virus?” Vanessa asked, and Ares nodded. “Magic can do that?”
“It does,” Ares answered. “Magic can create a nuclear bomb if the user has the patience for it. And Circe is a master at it, one of the very best and most gifted witches on the planet, so making something like this would be as easy as making a cake for her.”
Magic had never been SCYTHE’s priority, but the Commander still made them study anything related to the subject in case they had to face it. Vanessa had never expected to see it at this scale.
“Can you break it?” Vanessa asked. “Find a way to break the curse from Helena’s soul?”
Ares took a deep breath, pocketing his hands. “It’s too complex to break. I will admit Magic is not my strongest suit, but even if you bring in someone knowledgeable, it would be a while for them to break her creation,” he explained. “You need someone at her level of knowledge when it comes to magic, and I am not the best person to face her in that department.”
“Then we call for a specialist, anyone, really,” Vanessa said in desperation. “If this is like a virus, a curse, then we bring a surgeon to cut it out! Maybe Cassie can use her Justice Legion connection, or maybe you can call someone for a favor.”
Vanessa's desperation was clear. She was willing to call for the Justice Legion, the very people she swore to go against for their vigilantism, if it meant saving Helena Sandsmark, her promise be damned.
“The spell is growing far too rapidly. By the time you find someone, it will be far too late,” Ares said solemnly. “The only person in the world who can break the spell without any problem or fear of failsafe is Hecate, the Goddess of Magic. She was Circe’s mentor, and she taught her everything she could about magic. No matter how complex it is, Hecate would understand it.”
“She can help us?”
Ares shook his head. “No, she has no interest in helping the world unless it is connected to her directly, and even then, dealing with her is the worst-case scenario because there is a chance she’ll side with Circe before she even thinks of helping us.”
“So what now?” Vanessa asked, sounding defeated. “Just let Helena die? Let Cassie suffer? Let Circe win?!” she shouted angrily, finally addressing Circe by name. All of this explanation from Ares told her one thing: that the Witch had them beat, and they couldn’t do anything about it.
Ares didn’t react to her outburst, while the Spears looked worried. Tanya, for her part, tried to walk up to calm Vanessa, but the War God raised his hand to stop her, shaking his head and giving her the silent sign to let Vanessa be.
“There is one way: it will be quicker if we act fast enough, but it would take everything from all of us for it to happen,” Ares said, beginning his explanation. “There is a chain link connecting the spell, from the spell caster to Circe. This means it can be broken if we force Circe to release the chain connecting her to Helena…” he explained, letting his words be understood by the occupants in the room before finishing with one last note. “Killing Circe would also break the binding if she didn’t leave any contingencies.”
Vanessa gritted her teeth. “So we have to make her break the spell, and hopefully she doesn’t screw us over… or we kill her, and hopefully she still doesn’t screw us over even in death?” she asked, and Ares nodded. “What kind of person is willing to put in all that work? Just for revenge? On Diana, who is long gone?”
Ares shrugged and turned to the Spears, his gaze focused on Tanya, his daughter. Someone whom he never thought he would meet again was facing him, without knowledge of their blood relations.
“Possibly,” Ares answered, taking a step back. “But if there is one thing I know for sure, Circe does not put these kinds of bindings without any reason. Whatever that reason is involves Cassandra Sandsmark and whether she will choose to make Circe break the spell or kill her, tainting her forever.”
Silence came to the room, letting Ares’s words sink in for all occupants, which might have been the same words he said to the Sandsmarks.
*************************************************************
The room of Somya Spears was quiet, with the only sound being the breathing of Helena Sandsmark lying on the bed sleeping. The room was spacious, with an expensive queen-sized bed as expected from an interim CEO of one the largest companies in the world.
Seated a few feet away on a chair was Cassandra Sandsmark, dressed in fresh clothes given to her by Somya after throwing off the bloody tattered ones she had arrived in. Watching her mother closely, Cassandra’s mind was racing, especially after what Ares told her about the curse Circe placed on her mother, slowly destroying her soul bit by bit until she was nothing but a husk.
“Dammit!” In anger at their situation, she crushed the armchair, tearing its arm off like it was made of paper. If she was stronger, faster, and had the heart for it, she would have stopped the Witch, stopped her from hurting her city, the people of SCYTHE, and those caught in the crossfire, stopped her from hurting her mother…
She buried her face into her hands, tears running down her eyes as she despaired. Everything she worked on after Coast City evaporated was ground up under a very powerful enemy out for revenge.
Considering Circe’s ultimatum, her city could well be gone by the time this was over.
“Artemis… please be safe…” she whispered. She had nearly had a panic attack when she heard the news of the Amazon heading to SCYTHE HQ to stop the prison break, and then… nothing. No matter how many times she dialed her phone, there was no one answering, and she feared for the worst.
She heard her mother coughing, and Cassandra was quickly by her side. “Mom!” she called for her, holding her hand.
“Cassandra?...” Her mother said her name weakly. Her skin was becoming paler, a clear sign that the curse spell was working. “Are you… ok?”
“I’m fine, Mom,” Cassandra answered, covering the bandages hidden inside her clothes. “We’re safe. You’re safe.” she said, tightening both her hands around her mothers.
“Did you… break something?” She asked, looking at the chair behind her. “You shouldn’t be… doing that… we are guests…”
Cassandra laughed, her tears falling away. “Sorry… it’s just… it’s been a hell of a week…”
Helena touched her daughter’s cheek, noticing the bandage on it. “You’re… hurt…”
“It’s alright, Mom. Just a few bruises,” Cassandra assured. “You shouldn’t worry, you know I can take it…”
“I am your… mother, Cassandra,” Helena said, facing her daughter. “Demi-God or not… I will always be worried… scared for my little girl.”
Cassandra’s tears came back. Seeing her mother remain strong despite everything made her happy, and she was terrified of losing her.
“So… my soul is cursed?” Helena asked.
“You heard all that?”
“Can’t not… with all the swearing…” Helena noted, giving her daughter a small smile. “You shouldn’t swear at people, Cassandra, especially those who are trying to help.”
“I know, I know,” Cassandra said. She had gone off on Ares after he explained what happened to her mother, and she might have overreacted when she put all her anger on the former War God. “It’s just… I don’t want to lose you… not while we can fix this.”
Helena sat up on her bed, fully facing her daughter. “Which is why… I don’t want you to make the wrong choice.”
“I won’t,” Cassandra said with a low tone. “I will make Circe free you from this curse-”
“No, Cassandra,” Helena grabbed both of Cassandra’s hands with hers. “That is not what I meant…”
Cassandra raised her brows, confused. “Mom?”
“I heard everything… from Circe’s spell… how it works… and how it can be broken…” Helena said, shocking Cassandra. “I know you already decided what you feel you have to do.”
Cassandra didn’t answer, avoiding her mother’s disapproving gaze accusing her. Ares said the quickest way to break the binding and the spell was either by forcing Circe to break it herself or by killing her, severing the connection.
But if what Circe said was true, that Diana decided to kill her instead of making her surrender like everyone else who faced her, that means there was no chance the Witch would submit willingly. She would rather die than give the satisfaction of admitting defeat.
Which left only one solution where she could save her mother.
Helena sighed, knowing what decision her daughter might have made. She held her hand tightly and changed the subject. “I have to tell you something…”
“No, mom. You’re not giving me the ‘Dying Speech’, not while there is a chance we can save you-”
“It’s about your father,” Helena cut her off, shutting Cassandra up. “Your real father…”
Cassandra remembered Circe calling her Daughter of Enlil, not Zeus. Ares said he was a friend of her father, which confused her because Ares hated Zeus, so it wouldn’t make sense that he would help out even if they were his siblings.
“Enlil…” Cassandra said the name aloud, and Helena’s eyes widened, her breath hitching when she heard the name. “Circe… she called me Daughter of Enlil… Child of the Sky...”
Helena took a deep breath, bringing her daughter closer. “Yes… that is true…” she began. “You are not Zeus’s daughter, Cassandra, nor you are an Olympian in any way… but you are in fact… Sumerian… Mesopotamian,” The elder Sandsmark brought her youngest closer and spoke carefully, as if worried that someone might hear them. “Your father is Enlil, the Sumerian God of Wind… and he was the kindest man I have ever known…”
From then on, Helena explained Cassandra’s origins as carefully as possible, pushing on even while the spell affected her. She explained how she met Enlil, a man with golden hair similar to Cassandra’s, who introduced himself as an expert in Mesopotamian history during an expedition in Iraq. They had become rivals at first due to their clashing personalities, but how that developed into respect, to eventually falling in love after a very lengthy adventure that sounded like the plot of The Mummy.
And that love resulted in Cassandra’s birth. He helped raise her with Helena for the first year and a half before he disappeared because he had Olympian enemies and had to leave them to keep them safe.
While she explained all this, Cassandra’s mind went to another piece of critical information. Her father’s true identity had never been the most important thing for her. But what made it important was what Circe told her about Diana’s true reason for coming to Gateway City. It wasn’t just settling in a ‘piss-end of a city’ the more she taught about it, the more she realized the terrifying truth behind her mentor’s reasoning for coming to the city.
Diana was sent to find Cassandra, a Sumerian Demi-God, the Olympians greatest enemy since the Titans, and eliminate her. The prophecy of the Godkiller that they had feared might have come from Cassandra, but all it did was start a long, personal, and bloody war between two women because of the gods' demands for blood.
And now, she, Artemis, and Gateway City suffered the consequences. Even after Diana’s death, Circe would not let her hatred for what had happened to her go, and if it meant destroying her mentor’s legacy, she would do it.
‘Diana…’ Cassandra thought in sadness.
*************************************************************
SCYTHE Sub Base - Industrial District:
“I am not sure how you were able to do it, but you somehow found an ever more depressing place than that HQ of yours. It makes the cell you put us in look like a five-star hotel room,” said one Pamela Isley, formerly Poison Ivy, seated in the middle of a large room behind a large table. Around her were what was left of the SCYTHE agents they had saved during the escape, all working to get the makeshift base they had hidden up and running.
Alexei Abramovici, the Bloodcrow of SCYTHE, glared at the former supervillain, not happy with her comment. He turned to one of his men and began barking orders, “You! Get the goddamn Black Room working! We are running blind here!”
‘Worker drones even without their Commander.’ Pamela looked on unimpressed at the agents. She had never been that sympathetic to the plight of cops getting killed, especially militarized ones. The once mighty and feared peacekeepers of Gateway, who went to war against all the crime syndicates and the Red Centipedes, were now a mere little squad that won’t be able to protect a mini-mart, let alone every escaped convict under the command of the White Magician.
“Man… the signal here sucks!” complained Miguel Barragan by her side, raising his phone and trying to catch any kind of signal. “Could barely talk to my boyfriend when I called him, and can’t connect to the internet,” he complained. He tried once again to call but he couldn’t find a signal. “Useless brick…”
“We are underground in a bunker previously owned by Neo-Nazis, Barragan,” Pamela noted. From what she had heard, this used to be an old RedCent hideout that SCYTHE took over after the war, using it as a smaller base in case of emergency. “Not receiving any signal is part of the appeal of the place.”
“Bunker, huh…” Miguel chuckled. The name Bunker reminded him of the super name that he picked out; the more time passed, the more convinced he was that it was the right one.
Pamela gave a confused look at his expression and shrugged it off. Turning to her right, she saw the silent Emily Sung staring off into the distance. Unlike Barragan, Emily had other matters on her mind. Whatever she sensed or saw back at SCYTHE HQ freaked her out, like seeing something she shouldn’t.
Just as Pamela was about to ask her how she was feeling, a knock on the large blast doors echoed around the base, loud enough for all to hear. Quickly, everyone felt tense, and the SCYTHE agents covered the door as Alexei signaled them to aim their weapons. After the news of the escaped convicts taking control of SCYTHE HQ and their equipment and weaponry, the agents knew that they were being haunted now by the convicts looking for revenge, so they were not taking any chances.
“Would you mind opening the door!” A familiar voice said behind the door, a voice Pamela recognized right away. “I have a bloody Amazon here, and I would like her off my fur!”
“Barbara?” Pamela realized.
“Minerva? As in the Cheetah?” Alexei asked, eyes narrowed with suspicion. “She could be working with them, with the White Magician.”
“She isn’t,” Pamela answered, glaring at the SCYTHE soldier for the accusation. “She would never ally with the psychos you had under lock and key.”
Alexei scoffed. “That woman got a cemetery filled with people who say otherwise, and she hurt the mother of someone I know.”
Before the two could argue, Miguel stood up and decided to take action. He extended his hand, forming a large arm construct from it, and grabbed the handle of the blast door. With one pull, he opened it wide. Barbara entered. Her feline form made some of the SCYTHE agents tense, and weapons were still trained on her.
“Quite the welcoming committee…” she noted in sarcasm. “Now, would you be dears and get this woman some help?” She adjusted the unconscious and bloody Artemis on her back. Her blood covered Barbara’s fur.
“Medic!” Alexei called for an agent nearby before turning to Miguel. “And you, don’t use your freaky powers until I order you to do so.”
“Sorry tin man, I don’t speak fascist,” Miguel responded with a smirk, and Alexei glared at him.
The medic quickly came to Barbara and guided her to a nearby makeshift hospital room, which had a bed and various equipment to help the SCYTHE wounded. Barbara went in haste, and gently, with the help of the medic, they placed the injured Amazon on the bed, her blood soaking the white sheets red.
“How the hell did you even find us?” Alexei asked as he and the others entered. “I made sure I covered all our steps.”
“You did,” Barbara noted, stepping back to let the medic check on Artemis. She turned to Alexei and pointed at her nose. “But one of you has a very special pheromone that I can smell for miles,” she said with a smile as she turned her gaze to Pamela. “Still with those rose scents around you.”
The redhead smiled. “Maybe it’s that mark you left on me.”
“More than you think, Pammy.”
“Christ…” the medic gasped, catching everyone’s attention. “How is she still alive? And how long has she been like this?” He asked, examining the injured Amazon.
Her armor was wholly wrecked, beyond repair. Her headpiece was half broken, and the gauntlets and braces on her arms and legs were dented and unusable. Her injuries were severe: open wounds, slash marks, and burn marks were all over her body, and judging from blows on her armor, she might have had a few broken bones as well.
“Didn’t bother to look at the time with some of the grunts that were sent after us,” Barbara answered, leaning on a nearby chair as fatigue finally set in for her. “But these Amazons are too stubborn to die, and I know that from experience…”
The number of times Barbara thought she had beaten Diana only for the Amazon to get back up and beat her back was many, and it frustrated the woman to no end, but now she couldn’t help but be in awe at the resilience of these warriors.
“Her Amazon gifts will heal her,” Barbara noted. “But I am not sure how long it will take…”
“I doubt it will take more than a few days at least…” the medic noted, bringing out some bandages and wrapping them around her arms. “She will need a miracle to even walk out of here on her own two feet.”
“Uhmm…” Everyone in the room turned to Emily Sung, who stood by the doorway. “I… I think I can help her heal faster.”
Barbara and the medic gave her an odd look. To better explain it, Emily brought her hands together, and a small flame began to form from her palm. However, they weren’t bright orange flames; they were blue flames, and they didn’t feel any heat from them.
“I developed this technique while training,” said Emily. “It's a fire spell that doesn’t burn, but it heals people. I first used it on Miguel when he hurt his hands, and it was instantaneous,” she explained, and Miguel showed his fully healed hand as if he was demonstrating it. “But this will be the first time I will heal someone with this severe of injuries…”
Pamela and Barbara looked at the blue flames with wide eyes. In Pamela’s case, she was told that Emily had powers, and from Miguel’s description, she had the power of all the elements. However, seeing it firsthand and feeling it from just that tiny flame made her sense there was power behind it, warmth, like the sun.
“Do it,” Barbara said, taking a step back. “At this point, if we need magic to get her back into the fight, we better get to it before we lose her for real.” She turned to the shocked medic. This was the first time he would ever see magic in play. “And you, guide her in whatever wounds need to be healed.”
The medic nodded. It was better than nothing. With his guidance and Miguel’s support by her side, Emily went to work to heal Wonder Woman, who was in a state of life and death if they didn’t work fast enough, all while Circe and her crew were out there terrorizing the city.
“What’s the news out there?” Alexei asked after the three left the infirmary room. “We are in the dark here, and I couldn’t radio in anyone with the pieces of junk we got. Not even my brother, who was trying to get as many agents as possible.”
“Brother?” Barbara asked before she realized who his brother was. Her expression became solemn. She remembered the Warhammer who stayed behind to slow Circe and her crew, giving Barbara a chance to escape with Artemis on her back. “The guy with the Hammer…”
Alexei furrowed his brows, noticing the change in her expression. “What happened to my brother?”
Barbara took a deep breath and began explaining everything that had happened: the White Magician’s true identity, her taking over SCYTHE HQ, her ultimatum to Wonder Girl, and finally, Anatoly Abromivici’s sacrifice to save them.
*************************************************************
Somewhere in Gateway…
With the loss of SCYTHE and their headquarters, the surviving agents didn’t have the necessary support from the intel agents in the Black Room to fight off against the newly revived Red Centipedes, now grown more powerful with the help of the escaped convicts, more than happy to exact revenge.
With the bridges closed off, SCYTHE’s weakened state, and Wonder Woman being presumed dead, the city had been thrown into chaos. Streets filled with criminals and looters taking full advantage of what had happened, stealing anything from everyone across the island.
Red Centipedes roamed the streets with military trucks, taken from SCYTHE after their HQ had fallen to the White Magician’s control, making full use of their hardware to hunt down any surviving agent, delivering the message that they were the new peacekeepers of Gateway.
“Let me go!”
A woman, a worker from Taco Whiz, was being dragged from the streets by a group of RedCent grunts. Taken into a nearby corner, the RedCent dropped the worker on the dirty ground. Their eyes had terrible intentions behind them.
“Come on, man,” one RedCent grunt said from behind to his buddy. “We are supposed to find those SCYTHE fuckers, not mess around.”
“You’re serious?” The buddy looked at his friend like he was crazy. “We’ve been locked for months in SCYTHE’s cells; we can have a few minutes of fun.”
“Please! Don’t do this!” The woman screamed, tears falling from her eyes, afraid of what they would do to her. She tried to stand up and run away but was quickly pushed back down on the pavement.
The RedCent approached the woman, who crawled away from them in fear. “Come on, girl, I just need to release all this stress after being locked up for so long!” He proclaimed, giving the woman a leery look before turning to his buddy. “Hey man, I can share! Maybe we can get someone else from the street-”
The RedCent stopped speaking, catching his breath for a moment after he saw his buddy lying on the ground face first, knocked out cold. Looking up, his eyes widened in shock when he saw the person standing before him. “You’re… you were supposed to be dead?!”
Covered in heavy bandages and wrecked NIGHT armor, and carrying a mace in his hand and a pissed-off look on his face, Commander Hector Hall stood before the RedCent grunt like a dark spectre coming back to life. Kicking the knocked-out buddy aside, the Commander looked between the grunt and the terrified woman before he hardened his glare at the RedCent.
“Stay back!” The RedCent grunt aimed his weapon, hands shaking in fear. “I said stay the fuck back-”
In a moment, Hall moved at such a speed he looked like a blur, cutting the distance between the two. With one swing of his mace, he smacked him squarely on the head, sending him to the ground.
Hall turned to the woman he saved, who looked at him in horror. “Go… get to safety…”
Without another word, the woman ran toward the exit and into the streets, away from the alley. Now alone with the two RedCents, Hall grabbed the knocked-out buddy and woke him up, making the man see the bandaged-up Hall looking down at him with hateful eyes.
“You… I want you to send your boss a message…” Hall began, making him face the Commander. “Tell the White Magician, Circe, that I am declaring war on her and on anyone who stands by her side.” He turned and walked up to the other grunt, who was crawling away from the Commander in fear, grabbing his bleeding head. He begged for his life, but Hall ignored his pleas. “And this, this is for my men that you Centipedes have killed…”
He lifted his bloody mace and brought it down like a hammer on the begging Red Centipede as his buddy looked on in horror. He lifted it up once more to reveal the man’s head was crushed like a watermelon.
Commander Hector Hall was still alive, and as long as he was still breathing, SCYTHE would remain standing to fight against all threats against Gateway City.
*************************************************************

Wonder Women Vol 3.

Previous Issue <> Next Issue

(continuation of part 1)

III. Searching for Aerith Beyond FFVII

There were absolutely no answers in Remake or OG (at this point in my research, Rebirth wasn’t released yet), no matter how much I looked; nothing at all hinted at how Cloud could’ve obtained the memories of OG that emerge in Remake as MOTFs. I knew I had to look elsewhere to search for more clues, so I decided to check every piece of media ever released by SE with a mention of Cloud or Aerith in it, digging for hints in the compilation and beyond.
And boy, did I find them.
III. a) Core Worlds and Suspension Worlds
There are a couple of general FF rules that we need to establish before going forward.
It’s important to note that there are multiple realms in which the FF stories take place, each with a different name, history and society. This ensures that all FF stories occur separately, never intercepting or interacting— though they do have creatures like moogles and chocobos in common, as well as concepts like airships, gil, magic and some form of crystal. For simplicity, I will refer to these separate worlds in which the numbered FF games (FFI, FFII, FFIII, etc) occur as “core worlds”.
Characters from different core worlds may appear together in non-numbered FF games, the events of which have no impact on the core world at all: it seems that sometime after a FF character has reached the end of their core world’s plot-line, they may somehow be summoned to far-removed realms where they will face new adventures. I call these far-removed realms “suspension worlds”. One example of a FF game that takes place in a suspension world is Dissidia Final Fantasy, wherein characters from multiple core worlds unite to accomplish a mission as a team.
III. b) Final Fantasy Tactics
First on our list of non-compilation SE games to explore is 1997’s Final Fantasy Tactics (FFT), a game whose plot takes place in the suspension world of Ivalice. Let’s plot out the relevant events, and then analyze!
III. b) i. Fact-Finding
The main character of FFT, Ramza, encounters a brunette flower peddler with Aerith’s iconic, gravity-defying bangs:
\"Aeris\" in FFT's Ivalice
If you choose to buy a flower from her, she express her relief: apparently, business isn’t going well because no one is interested in flowers. The girl wistfully dreams aloud:

“When is my knight in shining armor going to take me away from here...?”

Later, Ramza and his companions encounter a mysterious machine that can summon people from across universes. The machine is activated, and a rather rude young man with spiky blonde hair appears. Cloud claims he used to be in SOLDIER, and says the last thing he remembers is “getting stuck in the current”. He looks to be disoriented and lost, and suffers from piercing headaches. Mere moments after being summoned to Ivalice, Cloud rambles:

“What’s this? My fingers are tingling… My eyes… they’re burning… Stop… stop it [Se]phiroth…”

He dashes out of the room, but not without announcing:

“I must go… must go to that place…”

Outside, Cloud encounters the brunette flower girl Ramza met earlier. She offers Cloud a flower, but he only stares at her wordlessly:

“Flower girl: Buy a flower? Only 1 gil.
Cloud: …
Flower girl: Something wrong? Do I resemble someone?”
Cloud: No… it’s nothing.”

As soon as Cloud leaves, a gang of ruffians surround the flower girl and start harassing her, demanding payment that’s apparently overdue. One of them finally calls her by her name: “Aeris”. He grabs her, insinuating that he might sexually assault her in lieu of payment. Aeris is not strong enough to push him away. That’s when Cloud returns:

“Cloud: Get your hand off her!
Thug: What did you say!?
Cloud: Didn't you hear me? Get your dirty hand off her!
[…]
Cloud, to Aeris: Go… now.”

Aeris heeds Cloud’s advice, fleeing the scene before a fight between Cloud and the thug can break out. After Cloud scares the ruffians off with the help of Ramza and his companions, he speaks once more:

“I lost… something very important… Ever since, I’ve been lost […]. What should I do? What about this pain [?] Must go… to the Promised Land.”

III. b) ii. Fact Analysis
There’s a lot to unpack here, all of which you probably clocked in your head upon reading, but let’s put it down in writing.
While FFT Cloud’s memory is far from perfect, the Aeris he encounters in Ivalice doesn’t recognize him at all. FFVII Ultimania Omega addresses this question without answering it:

“[The flower seller’s] name is Aeris, and she has the same appearance and tone of voice as the Aeris of FFVII. However, when she comes across Cloud, she does not recognize him. Could she really be the same Aerith who appears in FFVII but with memory loss, or is she a completely different character?” (“#4 Proof of Omega”, “FFVII in Other Games”, “Final Fantasy Tactics”, page 560).

Regardless of her unknown identity and inability to recognize Cloud, FFT Aeris’ fantasy of a “knight in shining armor” is quite reminiscent of the flower girl/bodyguard dynamic we’ve come to know and love. Cloud’s armor doesn’t shine, but in my opinion, if you’re looking for the dystopian, corporatocratic equivalent of a knight, you can’t get much closer than a supposed-former-SOLDIER-turned-bodyguard. Additionally, despite his rude and cold attitude toward Ramza’s gang, the urgency with which Cloud swoops in to save the flower girl from the ruffians betrays a softer, warmer side to him: the flower girl/bodyguard dynamic strikes again!
FFT Cloud’s dialogue borrows two lines from the speech OG Cloud makes as Aerith lies dead in his arms (disk 1, chapter 28): “My fingers are tingling. My mouth is dry. My eyes are burning!” and “What are we supposed to do? What about my pain?” You might’ve noticed that this glimpse of grief Cloud experiences in FFT bears a resemblance to the fourth MOTF 4 experienced by Remake Cloud (see section “II. a)”). Could it be that FFT Cloud and Remake Cloud have something in common?
Shortly after being summoned to Ivalice, FFT Cloud declares that he must go to “that place”, a mysterious line that is later elucidated when he tells Ramza that he must go to the Promised Land and find the “very important” thing he’s lost. The Promised Land is the Cetra culture’s afterlife, meaning FFT Cloud is looking for someone who’s died, someone “very important” to him. OG suggests this is none other than Aerith:

“Cait Sith, reading Cloud’s fortune: You will find [what] you pursue. However, you will lose the most precious thing” (disk 1, chapter 16, English translation by Kotaku’s “Let’s Mosey: A Slow Translation of Final Fantasy Seven: Part Eight” by Tim Rogers, 9:42-9:52).

&

“Cloud, after seeing Aerith’s hand reach for him through the Lifestream: … I think I'm beginning to understand.
Tifa: What?
Cloud: An answer from the Planet… the Promised Land... I think I can meet her... there” (disk 3, chapter 3).

Finally, let’s try to understand where on the OG timeline Cloud was summoned to this suspension world from and what he remembers. His comment about getting stuck in a current has to be about the Lifestream; apparently, on top of its atemporal nature, it can act as a conduit to other worlds. One only enters the Lifestream if they’ve somehow fallen into the core of the planet or once they’ve passed away and returned to the planet. Both scenarios merit consideration.
On the one hand, it’s possible that Cloud was summoned to Ivalice after he and Tifa fall into the core of the planet: this point in the FFVII OG timeline occurs after Aerith’s death and shortly before Cloud finds out he was never SOLDIER, which matches the gaps in FFT Cloud’s memory quite well. However, this scenario does not account for the vagueness with which FFT Cloud remembers Aerith and her death. Most importantly, Cloud’s realization that he can find Aerith in the Promised Land occurs much later in the game (FFVII OG, disk 3, chapter 3) than when he falls into the Lifestream with Tifa (FFVII OG, disk 2, chapter 8).
On the other hand, FFT Cloud’s vague yet persistent memories of Aerith suggest that he’s been summoned to Ivalice after his eventual death post-OG, but also that he’s lost quite a large portion of his memories. His incomplete memory loss is likely the result of Cloud’s individuality’s erosion by the Lifestream after death, which we discussed in section “II. a) ii.”. We can therefore surmise that by the time he is summoned to Ivalice from the Lifestream, Cloud has been dead for long enough that the Lifestream eroded a large portion of the memories of his lifetime. This post-death scenario is likelier than the first. The memory of Cloud’s realization that he was never SOLDIER must be gone, which explains why he claims otherwise upon being summoned to Ivalice. Contrastingly, vestiges of Cloud’s OG memories of Aerith cling to his soul, even after others have been wiped clean. Could this be a consequence of their soulmate bond? Could the strength of Cloud’s love and grief for Aerith have made his memories of her stronger and more difficult for the Lifestream to erode? Could it be both?
One thing is clear: Aerith is of fundamental importance to Cloud, even when he can’t quite remember her. In fact, the only other character he remembers and/or mentions in FFT is Sephiroth. It does make sense that the memories of those who have marked one’s soul forevermore would be the most difficult for the Lifestream to erode.
III. c) Dissidia Final Fantasy
The next stop on our travels through suspension worlds is 2008’s Dissidia Final Fantasy! Now strap in, because here’s where things get really serious.
III. c) i. Fact Finding
In the suspension world of Dissidia Final Fantasy (DFF), the goddess of harmony Cosmos and the god of discord Chaos are engaged in a never-ending cycle of conflict. Both deities need warriors to fight on their behalf, so they recruit core world characters into their respective teams by summoning them to DFF. Some of these summoned characters are FFIV’s Cecil, FFVI’s Terra, FFVII’s Sephiroth, FFX’s Tidus, and of course, FFVII’s Cloud. The warriors find themselves in the suspension world of DFF with no memories of their core worlds’ plotlines. However, as the DFF adventure progresses, they are able to recover pieces of their memories here and there. It isn’t clear how much they come to remember. Ultimately, the warriors hope to return home to their core worlds by fighting in this war and seeing to its end.
Cloud is summoned to DFF as a warrior on the side of Chaos, who seeks to destroy all existence. Sephiroth is also on Chaos’ side, meaning the two are teammates despite being enemies in their core world of FFVII. It just so happens that Tifa is a summoned warrior in DFF too, though she’s fighting on Cosmos’ side. Intrigued by her vague familiarity, Sephiroth hypothesizes that killing Tifa will bring back his memories of OG’s plot line: before long, the masamune wielder finds Tifa alone and corners her into a one-on-one fight. Thankfully, Cloud swoops in and saves her before Sephiroth can do any harm. Tifa is thankful for Cloud’s help, though confused that Cloud would elect to assist her and turn against a fellow warrior of Chaos; she doesn’t remember what Sephiroth and Cloud mean to each other in OG. In fact, Tifa doesn’t even remember Cloud’s name or that they share a core world, though Cloud feels somewhat familiar to her. For his part, Cloud at least remembers that Tifa is someone he cares about from his core world. As Tifa thanks Cloud for saving her from Sephiroth, something she says elicits an odd reaction from the warrior of Chaos:

“Tifa: The way you showed up and fought that guy off. It was a pretty cool thing to watch. You were like a hero, charging in to save the girl.
Cloud gasps at her words. She doesn’t notice” (Dissidia 012: Treachery of the Gods, report 5: “Unexpected Fulfillment 2”).

On another note, Cloud knows he will have to fight Tifa once the Cosmos-Chaos conflict comes to a head, as they are on opposing teams. He thinks to himself:

“Once [her] memories return, [she]’ll lose the will to fight just like I have. So... Before that can happen, I have to act...” (Dissidia 012: Treachery of the Gods, report 5: “Unexpected Fulfillment 2”).

In order to end the cycle of the conflict and to avoid fighting Tifa, Cloud decides to try and defeat Chaos himself. Predictably, Cloud is no match for the deity. As he dies, Cloud pleads the following to the goddess Cosmos:

“Cosmos, goddess of harmony. If you can hear me, listen to my plea. I beg you. Save her. Save my friend… Tifa.”

Cosmos hears him and responds immediately:

“Cosmos: An end to this conflict, and a life spared? This is your heart's desire? If your will remains unchanged, I shall bring you here when the battle draws to a close. Cloud. My chosen" (Dissidia 0.13: Treachery of the Gods, report 7: “Unexpected Fulfillment 3”).

Cloud’s wish is granted by Cosmos: the first phase of the conflict ends without Tifa getting hurt, and she is sent away from the suspension world of DFF before the second phase begins. Cloud is saved from death, and Cosmos enlists him into her team of warriors for phase two: this time, Cloud is fighting on the good side.
Now we enter phase two of the war. Cosmos tells her team of ten core world warriors that in order to save the world from Chaos’ destruction, they must collect what she describes as crystals containing the power to persist through darkness. I call these the “DFF crystals”. There are ten DFF crystals in total: one for every warrior in Cosmos’ group to find. To obtain their crystal, each hero must overcome a trial that will confront them with whatever personal struggle they faced in their core world; if they prove themselves worthy, their DFF crystal will appear to them. On one hand, some warriors’ DFF crystals simply take the form of the crystals found in their core world. For example, Onion Knight’s DFF crystal looks to be nothing more than one of FFIII’s elemental crystals, which hold little to no personal significance to him. On the other hand, some warriors’ DFF crystals symbolize something more personal to their respective warriors. For instance, Cecil’s DFF crystal looks to be one of FFIV’s dark crystals, which specifically represent the dichotomy of light and darkness he struggles with in his core world’s plot line. Cosmos describes the quest for the DFF crystals as follows:

“Cosmos: The crystals embody the strength to face despair. With ten gathered, there is hope yet to save the world. The path to your crystal will be perilous... and different for each and every one of you. But you must believe in and follow your own path. Even if you know not where that path leads" (Dissidia 013: Light to All, prologue: “A Final Hope”).

From this exposition, simply keep in mind that: Cloud must find his crystal by overcoming a personal trial, and his crystal may have the appearance of an object in OG that’s important to him.
Once the team is debriefed on their mission, Cloud remains reticent to fight; he doesn’t much like the mysterious nature of this conflict. Not knowing exactly what they’re all fighting for is clearly bothersome to the swordsman, and the idea of thoughtlessly engaging in battles leaves a bad taste in his mouth. Fellow warrior Firion understands that without a reason to fight, Cloud’s heart just isn’t in it. He imparts upon Cloud that he must have a dream he’s fighting to protect, something he wants to see come true, to motivate him to stop Chaos from destroying all existence. Unfortunately, Cloud doesn’t have a dream to preserve, or can’t find one for himself:

“Cloud: I've looked, but I'm still empty-handed. And without a dream, what do you suppose I should do? […] Maybe what I'm looking for... isn't here” (Dissidia 0.13: Light to All, chapter 1: “Beyond Doubt”, “Gateway of Good and Evil”).

Another fellow warrior, Cecil, expresses worry for Cloud, whose response evokes the main theme of FFVII OG:

“Cecil: Everyone's worried, Cloud. But... Do you shoulder a larger concern?
Cloud: Concern... Maybe a sense of loss" (Dissidia 0.13: Light to All, chapter 1: “Beyond Doubt”, “Beyond the Continent”).

Whatever Cloud is looking for “isn’t [there]”, and he feels “a sense of loss”: Cloud’s motivating dream has been lost to him. This is later reasserted in a conversation with Terra, another warrior of Cosmos:

“Terra: And you, Cloud... What's your dream?
Cloud: I've lost mine" (Dissidia 0.13: Light to All, chapter 3: “The Chosen Battle”, “Gateway of True Intent”).

Later, Cloud encounters and fights Sephiroth, who is still a part of Chaos’ team. Sephiroth is defeated, but not before he’s taunted Cloud with his habitual puppet talk. However, Cloud remains strong and refutes Sephiroth’s manipulation, asserting that only he can determine his own path. This must’ve been Cloud’s personal trial, because his crystal appears at that very moment: it is a small, light green orb that looks like materia from his core world. Having pocketed his crystal, Cloud decides he must find his own reason to fight. Interestingly, his search is depicted as intertwined with Fate:

“Cloud: Even if I have my doubts... I have to find my own answer […] Until then, I'll keep fighting.
Narration: The warrior has vowed to keep fighting— and keep fighting he will […]. Etched in destiny, his quest for answers continues on” (Dissidia 0.13: Light to All, chapter 1: “Beyond Doubt”, “Gulg Gateway”).

Later, the nemeses meet again in a segment called “Recurring Tragedy”. Their interactions here are particularly interesting. Sephiroth speaks of making Cloud suffer through despair and pain as though referencing their history together:

"Sephiroth: This disease called hope is eating you alive. The world of suffering was born out of such half-baked ideals.
Cloud: If that's the case, I have to endure the suffering. There's no moving on if I run from it.
Sephiroth: If that is what you wish for, you shall drown in the pain. I'll lead you to true despair. [My] shadow is burned into your heart. We'll meet again, Cloud. I'll keep coming back— as long as you are who you are."
Sephiroth disappears. Cloud looks out into the distance before the scene ends.
“Cloud: No thanks. The one I really want to meet is…” (Dissidia 013: Light to All, epilogue: “Conclusion of a Cycle”, “Recurring Tragedy”).

This final line suggests Cloud has finally found a reason to fight: he wants to meet someone unspecified.
Finally, after the war has ended, we arrive at the final cutscene of DFF. I will let you read the full script, with notes added by me in bold behind the spoiler censors. Please do not read my notes if you do not wish to encounter spoilers for FFI, FFII, FFIII, FFIV, FFV, FFVI, FFVIII, FFIX or FFX:

“[The] heroes are all standing together in a grassy field with a forest behind them. Birds are chirping, the sun is shining brightly, and the wind is blowing gently. The heroes look around them in awe. They're all holding their crystals.
WoL: The battle has come to an end...
Tidus notices that his crystal has begun to emanate a blue glow.>! His crystal is a movie sphere from his core world of FFX: a capsule containing sounds and images that people record for later viewing. Tidus’ crystal likely represents the specific movie sphere recorded by his love interest Yuna, which revealed that she’d loved him from the beginning.!<
Tidus: Gotta go, huh...
The blue glow transfers to him as well. He turns to look at the others
[…] Tidus grins at the others, then turns and runs toward a nearby lake. He leaps into it in a manner reminiscent of [the events] of FFX. He vanishes as he descends toward the lake.
Zidane: We're not vanishing. We're returning—
Zidane is sitting on a tree limb as he says this. His crystal begins to glow gold, as does he. His crystal is shaped like a highly important ‘progenitor of all life’ crystal from his core world of FFIX.
Zidane: — to where we're supposed to be.
Zidane spins around the tree limb with the use of his tail and launches toward the sun. He's lost to view.
A white feather then drifts down from that direction and Squall catches it. The feather is reminiscent of his love Rinoa Heartilly, whose character symbol is a white feather. In fact, Squall’s crystal looks like a mix of his revolver gunblade from FFVIII and Rinoa’s feather motif. [Squall glows blue.]
Squall: Perhaps we can go on a mission together again.
Squall vanishes.
Cloud is then visible, standing in [a] flower field. The flowers are white and yellow. Cloud has his crystal, a light green materia from his core world of FFVII, in hand.
Cloud: [(Chuckles shortly, like a scoff)] Not interested.
Cloud walks off into the flower field, gaining a green glow. He vanishes.
A snowflake then falls into Terra's right hand as her crystal begins to glow pink. The flames drawn on her crystal represent her power, which is connected to the element of fire: her character arc in FFVI.
Terra: I think I've learned how to keep going. Thank you— and take care.
Terra glows pink and then vanishes. Bartz throws a stick. He's glowing pink as well.
Bartz: When you're having the most fun, that's when time always flies. His crystal is the Adamantite from his core world of FFV.
Bartz vanishes.
Cecil: It's mine to pass on—
A moon appears behind Cecil and goes through its phases as he begins to glow blue. His crystal has shadowed and illuminated parts, representing the duality of his character, which is central to his personal arc in his core world of FFIV. It also represents his brother Golbez, who has chosen the darkness. Cecil considers his familial bond with Golbez his guiding light and hopes to be with him someday.
Cecil: — this strength I've gained from everyone.
Cecil vanishes.
Onion Knight hugs his crystal and looks up toward the sky. His crystal is shaped like those found in his core world of FFIII**.**
Onion Knight: Everyone... thank you!
OK briefly glows blue and then vanishes.
There are wild roses at Firion's feet. He and WoL are looking toward the sky. WoL suddenly begins walking away while Firion looks down and sees the roses.
Firion: This isn't the end. Another dream is waiting to begin.
His crystal is the color of the wild roses that were at the center of his dream and of his motivation to fight Chaos. The roses are also the emblem of the Rebel Army he was a part of in his core world of FFII. His crystal is shaped like Pandaemonium, the final dungeon of his core world story. Firion gains a violet glow and then vanishes.
WoL is walking through the field and then comes to a stop. He's looking at something.
WoL: May the light forever shine upon us.”

As you can see, everyone’s crystal is very important to the story of their core world, and in the cases of at least Tidus, Squall, Terra and Cecil, the crystals represent something very personal. What about Cloud and his crystal, then? What about the dream he lost and the person he wants to meet? Let’s begin analyzing to answer these questions.
III. c) ii. Fact Analysis
Firstly, it’s clear to me that the Cloud that appears in DFF is a post-OG Cloud, given how many plot points from OG he interacts with. I’m reticent to say whether or not this post-OG Cloud is dead like in FFT, as he recovers many of his memories of OG during DFF and there is no evidence of him having passed away and joined the Lifestream.
The second thing I’d like to point out is Cloud’s strange reaction when Tifa compares him to a hero who swoops in and saves the girl from the bad guy. Cloud gasps, indicating that her words mean something to him; the trope Tifa references must therefore be included somewhere in the FFVII OG plot-line. Some of you are surely ahead of me by now, having realized that only the tragic antithesis of this trope appears in OG: Cloud is unable to save Aerith from Sephiroth (disk 1, chapter 28). Whether or not DFF Cloud remembers Aerith herself at this point, it’s clear he recalls the pain and guilt of losing Aerith to Sephiroth.
Next, let’s address Cloud’s lost dream: to meet an unspecified person. It seems Cloud is aware at this point that in OG, he was eternally separated from the person he dreams of meeting. So, who was he separated from in his core world? Who can he never meet again, even if his team of warriors defeats Chaos and Cloud returns to the realm of FFVII? There are a few options —his mother, his father, Zack, Jessie, Biggs, Wedge, and any other person he knew who died—, but the sheer narrative weight that Aerith’s untimely death carries makes it clear who he truly wants to meet. This is corroborated by Cloud’s “I think I can meet her… there” line in OG (disk 3 chapter 3), by FFT Cloud’s search for Aerith during his appearance in Ivalice, and by Cloud’s strange reaction to Tifa’s comparing him to a hero who swoops in and saves the girl from the bad guy. All the available evidence suggests that Cloud’s dream is indeed to reunite with Aerith, and that this dream is “lost” to him because she was killed by Sephiroth (disk 1, chapter 28). This would also explain the title of the DFF segment “Recurring Tragedy”, since as we all know, the ultimate tragedy of FFVII OG is Aerith’s death. Considering Sephiroth was the one to take Aerith away from Cloud, Sephiroth’s threats of drowning him in despair in “Recurring Tragedy” only solidify this interpretation of Cloud’s lost dream.
Finally, we arrive at the ending cutscene. Cosmos’ warriors return to where they belong to try and accomplish whatever dream they held as motivation during the Cosmos-Chaos conflict, each carrying their DFF crystal. Cloud is shown standing in a field of white and yellow flowers and walking deeper into it with a light green materia in hand. Why was a white and yellow flower field chosen to represent DFF Cloud’s dream? The answer is obvious. White and yellow flowers symbolize Aerith: she sold Cloud a yellow blossom upon first meeting him in OG (disk 1, chapter 1), and her yellow and white flowerbed cushioned Cloud’s fall when the two reunited in the Sector 5 church (disk 1, chapter 4). What’s more, we have the iconic credits video of the original cut of Advent Children to refer to, wherein Cloud is seen driving near flower fields. Aerith stands there (3:20), seemingly waiting for him. Here’s what Nomura had to say about this credits scene:

"[...] we filmed the video for the ending credits in Hawaii. There are fields of flowers on both sides of the road, and the colors —yellow and white— are the same as the flowers in Aerith's church […]. With Aerith, 'flowers' have been her image throughout the series” (FFVII Reunion Files, “Countdown to Reunion”, “Stories from CG Production”, page 87).

Even in the Advent Children Complete cut of the film, where Aerith is not shown standing in the field, the flowers and their symbolism of Aerith remain. That being so, it’s more than fair to say that the white and yellow flowers in DFF’s ending cutscene serve as yet another confirmation that Cloud’s dream is to be with Aerith.
With all of this established, we can address the nature of Cloud’s DFF crystal. As we established, every core world has its own version of a crystal, each possessing a distinct appearance, function and meaning. Materia are the crystals of FFVII, so one could be satisfied by the proposition that Cloud’s DFF crystal is simply meant to represent a random materia. However, I think Cloud’s crystal is specifically the White Materia, as it represents Aerith’s sacrifice, her importance to the plot and what she died fighting for. If any one object symbolizes her death, it’s the White Materia; it’s even given closeups during the event (2:33-3:02). Besides, unlike any other materia in FFVII, the White Materia is known to glow a light green when Holy has been activated:

“Bugenhagen: If [the prayer] reaches the planet, the White Materia will begin to glow a pale green” (FFVII OG, disk 2, chapter 15).

Here are pictures of the White Materia in OG and Advent Children, and two pictures of Cloud's DFF crystal (in order) so you can compare for yourself:
https://preview.redd.it/0qtumfeyfq0d1.jpg?width=386&format=pjpg&auto=webp&s=3995f010738c83fca0c5842a0564d0a9ad206dfd
https://preview.redd.it/0kj525tzfq0d1.jpg?width=1144&format=pjpg&auto=webp&s=575573ef1d2c937635cf569d4a376886a24b384c
Cloud's DFF Crystal
Cloud’s DFF crystal
So far, in both suspension world games we’ve examined (FFT and DFF), Cloud is searching for Aerith. As a final note on DFF, it may interest you to know that codirector of the Remake trilogy Toriyama was actually a writer for DFF: he may have carried some themes from DFF to Remake…
III. d) Detour: The Final Fantasy 30th Anniversary Farewell Exposition
Before we hop onto the next suspension world, let’s return to ours for a quick detour: the 2018 Final Fantasy 30th Anniversary Expo. Themed with farewells and tragedy, this expo showcased the heartbreaking goodbyes featured in different FF games. Artwork, clips, quotes and images aplenty here! As the highly anticipated Remake was going to be coming out approximately a year and a half later, the FFVII section of the expo featured a few sneak peek Remake designs. This means the expo was at least partly curated with the Remake trilogy in mind; there could be interesting material in the FFVII section of the expo related to Remake. Let’s dive in!
Unsurprisingly, the focus of the FFVII section is Cloud and Aerith, since she is the loved one he lost in OG. Zack is also given a mention, however Aerith was the glaringly central star of the show. To showcase how important Aerith’s farewell in particular was to the expo, the FFVII portion was introduced by a photo of Cloud lowering Aerith into her watery grave and a video of her tragic death:
Final Fantasy 30th Anniversary Farewell Exposition, FFVII Introduction
The description under the video screen reads:

“She was gone in the blink of an eye. But the pain never went away.
Aerith awoke the ultimate magic to protect the planet and the people she loved. Yet her life came to a sudden end at the hands of Sephiroth, a man bent on seeing the world destroyed. Even the usually stoic Cloud couldn’t hide his grief at the unexpected death of an irreplaceable companion. ‘My fingers are tingling. My mouth is dry. My eyes are burning.’ True words, revealing Cloud’s deep sorrow” (Final Fantasy 30th Anniversary Exposition).

Conveniently enough for us, the expo’s tagline is “Who is the person you want to meet again?” Given that Aerith holds the spotlight in the FFVII section of the expo, it’s clear who SE is telling us Cloud wants to reunite with. Recall Cloud’s unfinished line in DFF: “The one I really want to meet is..." (Dissidia 013: Light to All, epilogue: “Conclusion of a Cycle”, “Recurring Tragedy”). We theorized that he must be referring to Aerith, and now, we are certain.
The expo also had pamphlet descriptions of the farewells depicted. Here is the general summary of FFVII‘s farewell story according to that pamphlet:

“The story follows the lead character Cloud, but it is the heroine, Aerith, who opens Cloud’s eyes and helps bring him closer to understanding the mystery that is his past. Through her, we draw closer to the truth of the story.
This scene, in which the heroine Aerith is lost, is easily the most shocking and tragic in the story. No one expected to say goodbye to such a major character in the middle of the story. Rumors of a secret way to revive Aerith spread, and it was clear players were having a hard time saying goodbye to her too. Even now, twenty years later, it still feels like a shocking turn of events” (Final Fantasy 30th Anniversary Exposition Pamphlet, page 36).

It’s interesting that SE would mention the rumors of Aerith’s revival circulated by players back in 1997, especially as fans were awaiting Remake’s release…
In light of everything we’ve analyzed so far, it can be said that between FFT (1997) and this farewell expo (2018), SE has consistently demonstrated that reuniting with Aerith is post-OG Cloud’s goal. That’s a period of over two decades— two decades of wishing, seeking, longing in real-world time for this character. This is a huge long-term commitment for SE to make, and you can bet the devs don’t take it lightly. Again and again, once the events of the OG game have ended, Cloud is shown to desire a reunion with Aerith. This ever-present and ever-insistent theme will become very important to us later in this analysis.
(continued in part 3)

We often sacrifice much for those we cherish showing them how much we care but sometimes they disappoint Us by exploiting our kindness for their own gain. They might seem friendly when they need something but once they've gotten what they wanted they vanish like a bird in flight so how can we regain control of such situations.
Today we delve into nine crucial aspects of interaction between men and women drawing inspiration from the stoic philosophy that has withstood the test of time. By avoiding these nine actions we can swiftly notice positive changes in our relationships empowering ourselves in the process so if you are experiencing difficulties in your relationship take a seat open your minds and let's embark on this enlightening journey together.

Number 1 - Don't reshape your life to fit others

Imagine trying to build a puzzle with pieces that just don't fit together causing frustration and confusion at every turn that's what it feels like when you try to conform to others expectations, it's like Seneca said everywhere means nowhere, trying to do too much at once leaves you feeling lost and unsure of where you're headed instead of trying to blend in like a chameleon, it's time to stand out like a shining star in the night sky. Be proud of who you are and the things that make you different, don't let others dictate how you should live your life it's time to take control and walk your own path.
Remember your life is your own story to write not someone else's so let your true colors shine and paint the world with your authenticity and purpose.

Number 2 - Don't ruin your life by being too obsessed with someone

Don't let your life revolve solely around others like a satellite stuck in orbit. When you focus too much on someone else it's easy to lose sight of your own dream and what makes you special instead of nurturing your own goals and aspirations you find yourself constantly catering to their needs and desires neglecting your own thirst for fulfilment as the wise Marcus Aelius once said, nowhere can a man find a quieter or more untroubled retreat than in his own soul.
When you become too entangled in someone else's world it disrupts your balance casting you into the shadows and stripping away your sense of worth. Break free from their hold and stop being a mere satellite to their planet, your life isn't a supporting act in someone else's story.
You're the lead role the star of your own Journey, always remember that and never let anyone dim your brilliance.

Number 3 - Don't let anything harm your mental health or happiness

Prioritizing someone else's happiness over your own mental well-being is like giving away your flashlight in the dark leaving yourself stumbling and lost. When you neglect your own health to cater to someone else's needs you're essentially surrendering control of your own happiness instead of finding fulfilment, you end up in a cycle of trying to please them while your own spirit's plummet.
It's crucial to take a step back and reclaim ownership of your life. Your mental health and happiness are invaluable assets that shouldn't be compromised or traded away rather than playing a supporting role in someone else's narrative seize the spotlight and become the protagonist of your own story. Protect your inner peace and joy with unwavering determination strengthen your resilience and refuse to let anyone steal your happiness, your mind belongs to you alone and you have the power to shape your own destiny.

Number 4 - Don't push friends or family away for someone else

Don't keep your distance from your friends and family just because you're really into someone else, it's kind of like cutting off branches from the tree that's holding you up each friend and family member is like a branch that's always been there to help you, if you start pushing them away it's not just about losing friends, you're also weakening the support system that's been there for you.
Plato once said people are like dirt, they can either nourish you and help you grow as a person or they can stunt your growth and make you wilt and die.
When you isolate yourself from your loved ones just to seek approval from someone else you're picking a tough road, take the initiative to rekindle those significant relationships, nurture your support system your friends and family form an Irreplaceable Network serving as your bedrock and source of strength. Embrace the steadfast companions who have stood by you through thick and thin.

Number 5 - Don't invest too much time in them

Don't pour all your precious time into someone else's bottomless well of need, it's like tossing your most valuable asset into into a dark abyss. Each moment you devoted excessively to them is a moment of your life slipping away forever.
Time is your greatest treasure not a bargaining chip in someone else's endless demands as Seneca wisely observed it is not that we have a short time to live but that we waste a lot of it by surrendering all your time to someone else you're forfeiting the most vibrant moments of your existence.
Reclaim your time it belongs to you alone not to anyone else. Don't allow them to overshadow your entire life, seek equilibrium invest your time thoughtfully cherish it and allocated to endeavors that ignite your passion foster growth and bring you fulfilment, remember you wield authority over your own time don't fritter it away on someone who may not value its significance.

Number 6 - Don't reveal everything about your past especially the tough times

Revealing your entire past to someone is like unfolding every hidden aspect and challenge you've encountered. Your past especially the difficult aspects is deeply personal.
It's the narrative of your own Journey that helped you navigate through tough times, it's not something to divulge for others to take pleasure in or pass judgment on. Discussing all your past Secrets means you're revisiting old challenges. Now You're vulnerable to potential harm or exploitation, keep your secrets securely held within yourself not everyone deserves access to them. Only disclose what is necessary while safeguarding the core elements of your narrative.
This is what fortifies you and ensures your protection, don't relinquish your defenses to someone else, exercise caution in choosing whom to confide in. Your life story belongs exclusively to you, it's not for others to casually revel in.

We often sacrifice much for those we cherish showing them how much we care but sometimes they disappoint Us by exploiting our kindness for their own gain. They might seem friendly when they need something but once they've gotten what they wanted they vanish like a bird in flight so how can we regain control of such situations.
Today we delve into nine crucial aspects of interaction between men and women drawing inspiration from the stoic philosophy that has withstood the test of time. By avoiding these nine actions we can swiftly notice positive changes in our relationships empowering ourselves in the process so if you are experiencing difficulties in your relationship take a seat open your minds and let's embark on this enlightening journey together.

Number 1 - Don't reshape your life to fit others

Imagine trying to build a puzzle with pieces that just don't fit together causing frustration and confusion at every turn that's what it feels like when you try to conform to others expectations, it's like Seneca said everywhere means nowhere, trying to do too much at once leaves you feeling lost and unsure of where you're headed instead of trying to blend in like a chameleon, it's time to stand out like a shining star in the night sky. Be proud of who you are and the things that make you different, don't let others dictate how you should live your life it's time to take control and walk your own path.
Remember your life is your own story to write not someone else's so let your true colors shine and paint the world with your authenticity and purpose.

Number 2 - Don't ruin your life by being too obsessed with someone

Don't let your life revolve solely around others like a satellite stuck in orbit. When you focus too much on someone else it's easy to lose sight of your own dream and what makes you special instead of nurturing your own goals and aspirations you find yourself constantly catering to their needs and desires neglecting your own thirst for fulfilment as the wise Marcus Aelius once said, nowhere can a man find a quieter or more untroubled retreat than in his own soul.
When you become too entangled in someone else's world it disrupts your balance casting you into the shadows and stripping away your sense of worth. Break free from their hold and stop being a mere satellite to their planet, your life isn't a supporting act in someone else's story.
You're the lead role the star of your own Journey, always remember that and never let anyone dim your brilliance.

Number 3 - Don't let anything harm your mental health or happiness

Prioritizing someone else's happiness over your own mental well-being is like giving away your flashlight in the dark leaving yourself stumbling and lost. When you neglect your own health to cater to someone else's needs you're essentially surrendering control of your own happiness instead of finding fulfilment, you end up in a cycle of trying to please them while your own spirit's plummet.
It's crucial to take a step back and reclaim ownership of your life. Your mental health and happiness are invaluable assets that shouldn't be compromised or traded away rather than playing a supporting role in someone else's narrative seize the spotlight and become the protagonist of your own story. Protect your inner peace and joy with unwavering determination strengthen your resilience and refuse to let anyone steal your happiness, your mind belongs to you alone and you have the power to shape your own destiny.

Number 4 - Don't push friends or family away for someone else

Don't keep your distance from your friends and family just because you're really into someone else, it's kind of like cutting off branches from the tree that's holding you up each friend and family member is like a branch that's always been there to help you, if you start pushing them away it's not just about losing friends, you're also weakening the support system that's been there for you.
Plato once said people are like dirt, they can either nourish you and help you grow as a person or they can stunt your growth and make you wilt and die.
When you isolate yourself from your loved ones just to seek approval from someone else you're picking a tough road, take the initiative to rekindle those significant relationships, nurture your support system your friends and family form an Irreplaceable Network serving as your bedrock and source of strength. Embrace the steadfast companions who have stood by you through thick and thin.

Number 5 - Don't invest too much time in them

Don't pour all your precious time into someone else's bottomless well of need, it's like tossing your most valuable asset into into a dark abyss. Each moment you devoted excessively to them is a moment of your life slipping away forever.
Time is your greatest treasure not a bargaining chip in someone else's endless demands as Seneca wisely observed it is not that we have a short time to live but that we waste a lot of it by surrendering all your time to someone else you're forfeiting the most vibrant moments of your existence.
Reclaim your time it belongs to you alone not to anyone else. Don't allow them to overshadow your entire life, seek equilibrium invest your time thoughtfully cherish it and allocated to endeavors that ignite your passion foster growth and bring you fulfilment, remember you wield authority over your own time don't fritter it away on someone who may not value its significance.

Number 6 - Don't reveal everything about your past especially the tough times

Revealing your entire past to someone is like unfolding every hidden aspect and challenge you've encountered. Your past especially the difficult aspects is deeply personal.
It's the narrative of your own Journey that helped you navigate through tough times, it's not something to divulge for others to take pleasure in or pass judgment on. Discussing all your past Secrets means you're revisiting old challenges. Now You're vulnerable to potential harm or exploitation, keep your secrets securely held within yourself not everyone deserves access to them. Only disclose what is necessary while safeguarding the core elements of your narrative.
This is what fortifies you and ensures your protection, don't relinquish your defenses to someone else, exercise caution in choosing whom to confide in. Your life story belongs exclusively to you, it's not for others to casually revel in.

We often sacrifice much for those we cherish showing them how much we care but sometimes they disappoint Us by exploiting our kindness for their own gain. They might seem friendly when they need something but once they've gotten what they wanted they vanish like a bird in flight so how can we regain control of such situations.
Today we delve into nine crucial aspects of interaction between men and women drawing inspiration from the stoic philosophy that has withstood the test of time. By avoiding these nine actions we can swiftly notice positive changes in our relationships empowering ourselves in the process so if you are experiencing difficulties in your relationship take a seat open your minds and let's embark on this enlightening journey together.

Number 1 - Don't reshape your life to fit others

Imagine trying to build a puzzle with pieces that just don't fit together causing frustration and confusion at every turn that's what it feels like when you try to conform to others expectations, it's like Seneca said everywhere means nowhere, trying to do too much at once leaves you feeling lost and unsure of where you're headed instead of trying to blend in like a chameleon, it's time to stand out like a shining star in the night sky. Be proud of who you are and the things that make you different, don't let others dictate how you should live your life it's time to take control and walk your own path.
Remember your life is your own story to write not someone else's so let your true colors shine and paint the world with your authenticity and purpose.

Number 2 - Don't ruin your life by being too obsessed with someone

Don't let your life revolve solely around others like a satellite stuck in orbit. When you focus too much on someone else it's easy to lose sight of your own dream and what makes you special instead of nurturing your own goals and aspirations you find yourself constantly catering to their needs and desires neglecting your own thirst for fulfilment as the wise Marcus Aelius once said, nowhere can a man find a quieter or more untroubled retreat than in his own soul.
When you become too entangled in someone else's world it disrupts your balance casting you into the shadows and stripping away your sense of worth. Break free from their hold and stop being a mere satellite to their planet, your life isn't a supporting act in someone else's story.
You're the lead role the star of your own Journey, always remember that and never let anyone dim your brilliance.

Number 3 - Don't let anything harm your mental health or happiness

Prioritizing someone else's happiness over your own mental well-being is like giving away your flashlight in the dark leaving yourself stumbling and lost. When you neglect your own health to cater to someone else's needs you're essentially surrendering control of your own happiness instead of finding fulfilment, you end up in a cycle of trying to please them while your own spirit's plummet.
It's crucial to take a step back and reclaim ownership of your life. Your mental health and happiness are invaluable assets that shouldn't be compromised or traded away rather than playing a supporting role in someone else's narrative seize the spotlight and become the protagonist of your own story. Protect your inner peace and joy with unwavering determination strengthen your resilience and refuse to let anyone steal your happiness, your mind belongs to you alone and you have the power to shape your own destiny.

Number 4 - Don't push friends or family away for someone else

Don't keep your distance from your friends and family just because you're really into someone else, it's kind of like cutting off branches from the tree that's holding you up each friend and family member is like a branch that's always been there to help you, if you start pushing them away it's not just about losing friends, you're also weakening the support system that's been there for you.
Plato once said people are like dirt, they can either nourish you and help you grow as a person or they can stunt your growth and make you wilt and die.
When you isolate yourself from your loved ones just to seek approval from someone else you're picking a tough road, take the initiative to rekindle those significant relationships, nurture your support system your friends and family form an Irreplaceable Network serving as your bedrock and source of strength. Embrace the steadfast companions who have stood by you through thick and thin.

Number 5 - Don't invest too much time in them

Don't pour all your precious time into someone else's bottomless well of need, it's like tossing your most valuable asset into into a dark abyss. Each moment you devoted excessively to them is a moment of your life slipping away forever.
Time is your greatest treasure not a bargaining chip in someone else's endless demands as Seneca wisely observed it is not that we have a short time to live but that we waste a lot of it by surrendering all your time to someone else you're forfeiting the most vibrant moments of your existence.
Reclaim your time it belongs to you alone not to anyone else. Don't allow them to overshadow your entire life, seek equilibrium invest your time thoughtfully cherish it and allocated to endeavors that ignite your passion foster growth and bring you fulfilment, remember you wield authority over your own time don't fritter it away on someone who may not value its significance.

Number 6 - Don't reveal everything about your past especially the tough times

Revealing your entire past to someone is like unfolding every hidden aspect and challenge you've encountered. Your past especially the difficult aspects is deeply personal.
It's the narrative of your own Journey that helped you navigate through tough times, it's not something to divulge for others to take pleasure in or pass judgment on. Discussing all your past Secrets means you're revisiting old challenges. Now You're vulnerable to potential harm or exploitation, keep your secrets securely held within yourself not everyone deserves access to them. Only disclose what is necessary while safeguarding the core elements of your narrative.
This is what fortifies you and ensures your protection, don't relinquish your defenses to someone else, exercise caution in choosing whom to confide in. Your life story belongs exclusively to you, it's not for others to casually revel in.

It always strikes me as odd that despite Fantasy being the realm of the impossible, most of the physical settings explored are relatively mundane, this seems especially true for books. We constantly revisit the idea that Dragons are real, or that humanity has achieved ftl space travel, but so often, the physical settings remain the same.
One of the massive things that George Lucas' Star Wars always did right, was taking advantage of this. If he was able to offer a new planet, he rarely wasted the opportunity: Tatooine, to Mustafar, Bespin (cloudcity), Coruscant, Dagobah, Felucia, Kamino, Kashyyk, Hoth, The Death Star and unique spaceship interiors. This is less than half the planets in the skywalker series. Being a movie series has huge advantages over books in this regard, but 99% of movie directors do not even think to go through the effort in both practical effects and CGI needed to show off this variety of settings and MAKE them real regardless of what was considered possible at the time. That's half the reason Star Wars became what it is today. Just think about how distinct each of these are and how vital they are to your impression of what Star Wars is...
....And then think about how many unique stories are yet to be told on each of these planets, and that's just within the realms of Star War's Lore! And hell, let's be honest, George Lucas wasn't even getting truly creative with half these planets, half of them are just regular Earth biomes or exaggerations of existing cities. Let's not even start considering how another Fantasy series with different magic/physics would dramatically alter that potential. Maybe a book couldn't express the value of the setting to the same degree, but it still seems awfully under-utilized.
Afterall, in so many ways, the setting drives the story.
So I'm left thinking that fantasy hasn't even remotely touched on the goldmine of stories and ideas that are simply hidden behind a setting that isn't just a twisted version of medieval Europe or an Earth-like planet.
So what are your ideas? Really, all it takes is a combination of two concepts to create something almost entirely unheard of in popular fiction. If you can't think of your own, what settings have you read about in books that captured your imagination?

https://youtu.be/M2eZ9qtdCzA?feature=shared
https://youtu.be/lONIgroyQTs?feature=shared
So a few months ago , I made a post talking about how Sloan has been spreading numerous false things about certain celebrities and not taking responsibility for when he is wrong. As well as not citing his sources from where he gets these "claims". Since he has made a few videos that are actually true ( like the ones about the Dan Schneider sitcoms and Travis the Chimp ). Except for the part where Sloan claimed Schneider was a creep because he watched Too Cute on Animal Planet. His subs think he is saying the truth and saying things no one is brave enough to say. But in reality he is the only one saying some of these things.

Shortly after Final Fantasy VII hit the gaming world in 1997, Cloud Strife’s howls of grief at the loss of his beloved companion Aerith Gainsborough were echoed by droves and droves of fans. These echoes gathered in swarms, reaching the developers in the form of petition signatures, each begging the makers of the game to allow Aerith’s resurrection. Though these prayers remained unanswered —until now—, there soon came more protests: this time, fans pleaded with the developers to consider making a remake of the original game. Both of these wishes were met with considerable derision, with large chunks of the fandom calling the requests delusional— which is why the Final Fantasy world had to prepare for another meteoric hit when the Remake project was finally announced in 2015. With Kitase, Nomura, Toriyama, Nojima, Uematsu and more of the original developers at the helm, along with longtime FFVII fan-turned-developer Hamaguchi, the Remake trilogy was met with great expectations. These were nevertheless surpassed, though one aspect of the trilogy’s first entry seemed to thoroughly puzzle some and enrage others. Far and wide, the resounding questions were “What are these Whisper things?”, “Why is Cloud having visions unrelated to Nibelheim and Zack?” and “Why and how in the hell did Zack survive?”
Friends, I believe the answer lies within this post. Welcome to my literary-analysis-based theory on the Remake trilogy’s most important and most secret plot point: Cloud’s hidden mission. I want to make this fun and suspenseful to read, so I will write my analyses in the same order and manner in which I encountered them while putting my theory together. You will be reading what initially sparked my curiosity, the path I took while researching for answers, the conclusions I made every step of the way, and only then will you read my theory, after which we’ll try and apply it to the Remake trilogy so far and see if it fits! I want you to experience the rollercoaster that I did when digging through SE content to bring you this post. Thank you so much for waiting for and anticipating this analysis, and I do hope you read every word to soak in every last bit of Clerith you can get. I also hope it’s really fun and touching for you (I cried at least once making this)! Let’s embark on our adventure through the compilation, other FF games and real-life events to find out what the Remake project is truly all about and anticipate the events of part 3.
N.B.: Please be aware that I have never seen this theory navigate online, so I have no idea if anyone has ever come up with a similar hypothesis. The big reveal I’m building toward might be something you’re already aware of or suspected. In that case, I hope this post doesn’t disappoint you if you’re one of the lovely people who requested it! At the very least, it will provide you with valuable literary and musical analysis, a ton of evidence you haven’t considered yet, and hopefully, entertainment too!
WARNING: Please be careful with the censored spoiler text, because I'll be referencing other FF games in this analysis and I don't want to ruin anything for you! Obviously, this analysis contains spoilers for the entirety of the FFVII compilation. Additionally, if you're not a fan of Clerith and you've stumbled upon this post, please stop here. I would hate it if something I worked on and posted made you angry, so please don't read this analysis. I have only good intentions and I just want everyone to enjoy the FFVII world as much as they can.

I. Groundwork: The Remake Timelines Theory

Before I take you on this ride, we must lay down the framework of the Remake Timelines Theory. In this section, we’ll be reviewing the general consensus of theorizers within the fandom on timeline/multiverse shenanigans, with some added specifications on my part. Please keep in mind that because the timeline mechanics are kept quite vague by the devs, there might be certain inaccuracies in my iteration of the timelines theory. Thankfully, these potential variances won’t have any effect on the legitimacy of the theory I’ll be presenting to you in this analysis.
I. a) Sephiroth’s Plan
The premise of the Remake trilogy is widely thought to be the result of post-OG Sephiroth attempting to succeed where he failed in OG. There are six key points we need to keep in mind to understand how this was possible.
I. a) i. Sephiroth in the Lifestream
Firstly, it’s important to remember that Sephiroth is dead and located in the Lifestream before OG even begins, and remains that way for almost all of OG's duration. He is only able to operate in the world of the living via his/Jenova's control over the living Sephiroth clones. In the OG timeline then, Sephiroth is sent to the Lifestream by Cloud twice: once before the game takes place on the night of the Nibelheim incident (pre-OG), and a second time during the final battle against Sephiroth (disk 3, chapter 3). During the long period between the Nibelheim incident and Sephiroth’s rebirth at the Northern Crater (disk 2, chapter 2), he exists in the Lifestream. After his ultimate defeat (post-OG), he returns there for good.
II. a) ii. Sephiroth Unintegrated
Secondly, because he is full of hatred and unyielding determination, Sephiroth’s spirit cannot become one with the planet. After both occasions where Cloud kills him in OG, Sephiroth retains his individual will and the memories of his lifetime, remaining a separate entity in the Lifestream. He says so himself in Nojima’s Advent Children prequel novel On a Way to a Smile:

“[Sephiroth] could sense the Lifestream trying to erode his spirit— the memories of his former experiences, thoughts and emotions. If he allowed himself to be taken into the current, the being he once was would soon disseminate and disappear amongst the spirit energy cycling around the planet. [He] thought this unacceptable. The planet was to be his to rule, and to become a part of that system would be nothing short of defeat” ("Lifestream Black 1").

Combined with Bugenhagen’s basic lesson on planetology (FFVII OG, disk 1, chapter 19), this excerpt provides interesting information on how the Lifestream normally works. Usually, when a life returns to the planet, its individuality (personality, will, consciousness, memories, etc.) is stripped away. The trappings of a soul’s former lifetime are progressively dissolved so that all that is left is the spirit itself, ready to integrate into the Lifestream. This way, soul energy can be “recycled” by the planet to animate new lifeforms in a sort of reincarnation process. The erasure of one’s memories in the Lifestream is necessary for the creation of a brand new life, poised to make its own memories: the slate must be wiped clean, so to speak. Sephiroth’s sheer hatred for and desire to dominate the planet is enough to keep him from undergoing this process.
It is also thought that Sephiroth cannot be integrated into the Lifestream because he was conceived with the use of Jenova cells in vitro. Given that so much of his consciousness and genetic makeup originate from an alien life force, it is impossible for him to become one with the planet.
Regardless of the reason, it is precisely this persisting individuality in death that allows Sephiroth to meddle in the world of the living during the post-OG events of Advent Children, as explained to us by post-OG Aerith in On a Way to a Smile:

“[Aerith] had sensed a different presence within the Lifestream cycling around the planet. It was the vehemence of a strong will, one that would never join with the planet. She knew this consciousness. It was [Sephiroth]. A merciless spirit hidden behind a beauteous wall. That spirit was now operating from within the Lifestream. [She] sensed that he was planning to exert his influence to the surface of the planet“ ("Lifestream White 1").

I. a) iii. The Lifestream Beyond Time
Our third point is that the Lifestream has existed for as long as the planet, and has therefore touched every part of its history— including, of course, the events of OG. On that account, one could think of the Lifestream as atemporal. Considering this, it is possible for a spirit in the Lifestream to communicate with or even travel to the past, provided the necessary circumstances and/or abilities. For instance, the Aerith that appears in Cloud’s resolution scene in Remake (chapter 14) is commonly considered to be a post-OG Aerith, appearing to him from the future to try and dissuade him from falling for her. This time-defying event is made possible by the fact that post-OG Aerith’s spirit has access to the atemporal Lifestream because she's deceased. In my view, this explains why she dissolves into green light (Lifestream visual cue) at the end of the resolution scene (5:19-5:45). This is not time travel per se, but it is a manner of communication unobstructed by the one-directionality of a linear timeline that only spirits can perform.
I. a) iv. Sephiroth Beyond Time
What we’ve covered so far amounts to our fourth point. Please familiarize yourself with the graph below before you continue reading. Refer back to the graph when you encounter text in bold.
The Remake Timelines Theory: FFVII OG Timeline
As we discussed in section “I. a) i.”, Sephiroth is dead and located in the Lifestream for the duration of the green arrow and beyond point D: in the context of the OG timeline, he can only ever be considered “alive” during the period highlighted in purple. In section “I. a) ii.”, we asserted that Sephiroth retained his individual will in the Lifestream, enabling him to exert his influence on the world of the living by manipulating his clones on the surface. In section “I. a) iii.”, we covered the atemporal nature of the Lifestream, which allows post-OG Aerith’s spirit to communicate with her past, living self thanks to her Cetra abilities. Now, I will explain to you how Sephiroth was able to do virtually the same thing, albeit his lack of Cetra blood.
To the characters of the story and a fully immersed first-time player of OG, the timeline above was not always an established series of events: when they first started playing FFVII OG, the player began at point B, with nothing existing beyond it. It is only as the player moved Cloud forward that the black, arrowed timeline was drawn, accumulating lived events (or points) in Cloud’s wake. The picture you see above is only available to Cloud and to the player with hindsight. All this to state the obvious: at point B, Cloud could not know what would occur, say, at point C.
During the period highlighted in purple, Sephiroth was “alive” again, accumulating new memories on the surface of the planet and adding them to his consciousness. When he entered the Lifestream for the second time at point D, he brought these memories with him. Simply put, after returning to the Lifestream at point D, Sephiroth remembers what happened during the period highlighted in purple. However, given that the Lifestream exists beyond time, upon Sephiroth’s consciousness’ return to the Lifestream at point D, his newly acquired memories were also made available to him at all points on the green, double-arrowed line— including point A, before the OG timeline even begins at point B. So while it is true that Cloud cannot know what will occur at point C if he is only at point B, Sephiroth indeed knows what will occur during the period highlighted in purple when he is only at point A. While a living, pre-OG Aerith would be able to receive post-OG Aerith’s spirit’s knowledge through the Lifestream thanks to her Cetra powers, Sephiroth has no need for this ability. The fact that he resides in the Lifestream for practically the entire FFVII OG timeline renders the limitations of time irrelevant: as far as the FFVII OG timeline is concerned, Sephiroth exists beyond time itself.
In summary, after point D was first encountered in OG, pre-OG Sephiroth (in the Lifestream) is made aware of his eventual defeat, and begins plotting an alternate path to victory. This time, with the benefit of hindsight, he will do things differently: we experience his "second” attempt at FFVII as the Remake trilogy.
I. a) v. Sephiroth Against Fate
Of course, the Whispers stand squarely in Sephiroth’s way. This leads us to our fifth point, which Remake Ultimania describes better than I ever could:

“According to Red XIII, who gained knowledge through his contact with Aerith, ‘The Whispers are drawn to those who attempt to alter destiny’s course and ensure they do not’ […]. It would appear that what the Whispers deem to be ‘fate’ is the original story of Final Fantasy VII” (section 08 “Secrets”, “Newly Arisen Mysteries”, “What Is the Goal of the Elusive Whispers?”, page 733).

OG’s plot line is the fated timeline, and the Whispers are tasked with its preservation. They prevent alternative paths from even beginning to branch out from the OG timeline, which poses a problem for Sephiroth: he cannot win FFVII if his destiny is to lose it.
I. a) vi. Sephiroth and the Multiverse
Consequently, our sixth point is that Sephiroth must dismantle the mechanisms of fate before he can even try to accomplish his dreams of godhood.
As Sephiroth explains in chapter 14 of Rebirth, “the planet encompasses [an ever unfolding] multitude of worlds”, and these “[new worlds are born] when the boundaries of fate are breached.” Since the Whispers uphold the “boundaries of fate”, a world in which Sephiroth’s evil plans succeed can only emerge after the Whispers have been defeated. Otherwise, destiny will continue to protect the OG plot line by preventing any significant deviations. Consequently, before the party vanquishes fate, the Remake timeline and the OG timeline are one and the same: before chapter 18, Remake Barret is OG Barret, Remake Tifa is OG Tifa, Remake Hojo is OG Hojo, etc. After the defeat of Destiny, the OG timeline is no longer protected by fate: there are now an infinite number of timelines or worlds, including those we see glimpses of in Rebirth: Remake Barret is no longer necessarily OG Barret, Remake Tifa is no longer necessarily OG Tifa, Remake Hojo is no longer necessarily OG Hojo, etc. Perhaps this is why Aerith gives the party the following warning at destiny’s crossroads in Remake:

“[This] is the wall of destiny. If we go through it… if we go beyond it… then all of us will change, too” (FFVII Remake Material Ultimania Plus, VA script notes, “Destiny’s Crossroads”).

I. a) vii. Sephiroth’s Plan
Now that these six points have been elucidated, we can compose a solid hypothesis on how Sephiroth plots to win FFVII.
After gaining knowledge of his eventual demise (disk 3, chapter 3), pre-OG Sephiroth began thinking of what he must do in Remake from the Lifestream. First, Sephiroth must antagonize the Whispers in the initial stages of the OG timeline. He accomplishes this by commanding his clones to commit acts that drastically violate the fated timeline, engendering plot-line deviations that the Whispers must course-correct. The most extreme example transpires in Remake’s chapter 17 when the Sephiroth clone in President Shinra’s office kills Barret, forcing the Whispers to restore the fated plot line by coming forth and reviving him. The Whispers react to Sephiroth’s prodding by rushing in to protect fate, their efforts culminating in the protective wall of destiny that surrounds Midgar in chapter 18.
Secondly, after he’s created an opportunity for a battle against the Whispers, Sephiroth must convince the party to seize it and beat fate for him. After all, a mere Sephiroth clone is probably no match for Destiny. This second step is accomplished in Remake’s chapter 18 when Sephiroth successfully tempts Cloud to breach the boundaries of fate. Now that destiny is no longer a limitation, worlds deviating from the OG timeline can finally emerge; Sephiroth has a chance at victory.
The steps Sephiroth plans to take going forward are unknowable at this stage, but we do get more hints in Rebirth’s chapter 13. At the Temple of the Ancients, Sephiroth reveals a part of his plot:

“Sephiroth: My fragmented mother, these errant worlds... All shall be one again.
Aerith: The ‘Reunion’…!”

It seems Sephiroth eventually plans to merge the worlds created by destiny’s defeat in Remake’s chapter 18. My guess is he hopes to achieve godhood in part 3 and consolidate all diverting worlds into a single timeline protected by destiny once more— only this time, his victory will replace the ending of OG as the destined outcome. If he succeeds, Sephiroth’s Black Whispers will likely replace the planet’s Whispers as the arbiters of his desired fate.
I. b) Aerith’s Intervention
But Aerith can’t let this slide unchallenged!
We know that before chapter 18 of Remake, while the OG plot-line is still protected by fate, Aerith has knowledge of its future. This is insinuated by certain slips of the tongue: for instance, when Aerith reveals she knows Cloud is a mercenary upon meeting him for the second time in chapter 8, just like she knows Tifa will ask her to retrieve Marlene at Seventh Heaven in chapter 12. In the run-up to Remake, post-OG Aerith's spirit likely sensed Sephiroth planning his second try at FFVII in the Lifestream. She’s been able to anticipate Sephiroth’s plotting in the Lifestream before, namely in the context of Advent Children:

“[Aerith] had sensed a different presence within the Lifestream cycling around the planet […]. It was [Sephiroth] […]. That spirit was now operating from within the Lifestream. [She] sensed that he was planning to exert his influence [on] the surface of the planet” (On a Way to a Smile, "Lifestream White 1").

If you’re wondering how Aerith was able to maintain her individuality in the Lifestream like Sephiroth, On a Way to a Smile provides the following explanation:

“[Aerith] was an Ancient, which explained how she was able to maintain her individuality even within the Lifestream. If she so wished she could become part of the planet at any time, but [she] thought it too early for that just yet” ("Lifestream White 1").

It is thought that, as a countermeasure to Sephiroth's scheming, post-OG Aerith’s spirit used the atemporal nature of the Lifestream to inform her past, living self (pre-OG Aerith) of this new threat to the planet. Because the Cetra can commune with spirits, pre-OG Aerith would have been able to receive post-OG Aerith’s message from the Lifestream without a problem. Essentially, pre-OG Aerith received post-OG Aerith’s memories of the fated OG timeline. As a consequence, pre-OG Aerith embarks on the OG timeline with knowledge of the fated future that demands she give her life: the player experiences this version of her in Remake.
Be that as it may, it’s unclear how much Remake Aerith is aware of. You would think she’d be completely opposed to defeating, destiny since it protects the planet, but Aerith shows ambivalence toward the idea instead. Had she gotten a clear message from her future self that she must keep fate intact, she would not have allowed the party to enter the battle against fate in chapter 18. She doesn’t seem to know what the Whispers are the first time she encounters them either. Regardless, what’s important is that the Aerith seen in Remake is the result of pre-OG Aerith receiving knowledge from post-OG Aerith via the Lifestream.
I. c) Ambiguity: Memory Transfer or Time-Travel?
There remains an ambiguity pertaining to the Aerith we see in Remake and the question of time travel. What I’ve described to you in section “I. b)” is post-OG Aerith's spirit transferring her memories to her past self through the Lifestream. However, it’s possible that post-OG Aerith’s consciousness used the atemporal nature of the Lifestream to inhabit her living OG body instead, effectively time-traveling. There is no evidence to outright refute either explanation, since the gaps in Aerith’s memories of the OG plot-line in Remake can be explained in both cases. For instance, in a memory transfer scenario, it’s possible that post-OG Aerith only communicated the most essential information to pre-OG Aerith. On the other hand, in a time-travel scenario, one could interpret the following quotes as proof that the Whispers are progressively erasing Aerith’s memories of OG as Remake advances:

“Aerith: Every time the Whispers touch me, a piece of me falls away” (FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”)

&

“At any rate, Aerith is perplexed at how, like a flower being scattered, something inside is being taken away by the Whispers and lost to her” (Toriyama in FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”, “Scenario Staff Q&A - Answered by Motomu Toriyama”).

This ambiguity is completely irrelevant to Sephiroth’s situation in Remake, as we established in section “I. a) iv.”.
The specifics don’t matter nearly as much as I’m impressing upon you by explaining all these little alternatives. Simply keep in mind that: regardless of why, the Sephiroth and Aerith we see in Remake know the events of the OG game because they have acquired this knowledge from the future, and the events of Remake occur squarely within the OG timeline until the Whispers are defeated in chapter 18.
So there! That’s my iteration of the Remake Timelines Theory! I hope I’ve made it clear in your mind, or at least clearer. Now that we’ve established the widely theorized premise of the Remake trilogy, we can get into our theory on its hidden premise.
II. My Initial Curiosity
My theory first burgeoned upon going through Remake for the second time. I noticed something strange going on with Cloud, something that could not be explained by the Remake Timelines Theory. Key moments in Remake Cloud’s experience of the OG timeline (aka, everything before chapter 18) stuck out to me as strange and mysterious, and certain inexplicable audiovisual cues struck me as hugely significant. It was upon watching the tear fall from Cloud’s eye during my second go at chapter 8 that I knew I had to look into this.
At the very end of Remake’s chapter 8, Cloud watches Aerith walk away from him, humming happily into the night air as she sets off to lead the way to Sector 7. According to the VA script notes, “his heart skips a beat” and watching her walk away provokes a sudden “anxiety” within him. Triggered by the familiarity of the sight, a strange sensation overcomes Cloud:

“[There’s a] close-up shot of Cloud’s fingertips (they’re tingling). He presses them to his temples (his eyes are burning). A trickle of tears quickly rolls down from the eye hidden behind his hand” (FFVII Remake Material Ultimania Plus, VA script notes, “A Midnight Ambush”).

If you’re clever, you’ll recognize these lines as a reference to the speech Cloud makes in OG following Aerith’s death at the City of the Ancients (“My fingers are tingling. My mouth is dry. My eyes are burning!”) (disk 1, chapter 28). In this small moment in chapter 8 of Remake, Cloud experiences a flash of the profound grief he is destined to feel upon Aerith’s fated death.
Many players immediately recognized the composition of this scene: the blue-greenish air, the straight path Aerith heads down, the sight of her walking away itself… this moment closely resembles Cloud’s Sleeping Forest dream of Aerith in OG, wherein Cloud and Aerith’s very last words are exchanged (disk 1, chapter 25). Toriyama, codirector of the Remake project, comments on this scene thusly:

“It’s possible these similarities […] cause a memory of the future to be called forth in Cloud” (FFVII Remake Material Ultimania Plus, VA script notes, “A Midnight Ambush”).

The language used by Toriyama here is strange in both the English translation and the Japanese original: the term “memory of the future” makes no sense. One cannot remember things they haven’t already experienced, so why did Toriyama use the word “memory” to describe a "future" event? Couldn’t he have simply said that Remake Cloud experiences “visions of the future” rather than “[memories]”?
Cloud experiences a few moments like these throughout the game. These pseudo-premonitions are just as markedly exclusive to Remake as the Whispers are. I did not want to dismiss them as a foreshadowing device the devs included just to elicit emotional reactions from OG players; I felt they were more important. And thus began my digging! My mission was initially to figure out what these “[memories of the future]” (MOTFs) could signify… I had no clue it would turn into what I’m writing right now.
II. a) Each MOTF and Its Context
I began by finding every one of Cloud’s MOTFs so I could better understand them.
MOTF 1 occurs in chapter 2 on Sector 8’s Loveless Street, when Cloud sees Aerith struggling against the Whispers. The VA script notes reveal that even though this is only his first time seeing her, Cloud recognizes Aerith’s face:

“Recognizing Aerith’s face causes Cloud to experience [a hallucination]. Sephiroth is suddenly standing between him and Aerith” (FFVII Remake Material Ultimania Plus, VA script notes, “Encountering Aerith”).

Sephiroth then taunts Cloud with words that, according to the script notes, “[live] inside of Cloud's heart”: “You can’t protect anyone. Not even yourself”. Cloud should not recognize Aerith’s face at this point in the OG timeline, nor should he associate it with not being able to protect people.
MOTF 2 occurs in chapter 3, at the plaza in front of the Sector 7 slums support pillar. Cloud experiences a MOTF of the plate falling, which is fated to occur at a much later point in chapter 12. The Whispers float near him, “watching Cloud alertly as he sees a vision of the future” (FFVII Remake Ultimania, section 08 “Secrets”, “Newly Arisen Mysteries”, “What Is the Goal of the Elusive Whispers?”, page 733).
MOTF 3 occurs in Aerith’s church at the start of chapter 8, when Aerith mentions that her mother’s materia is “not good for anything at all”. Triggered by the mention and sight of the White Materia, Cloud’s fourth MOTF takes the form of a vision: he sees quick flashes of the materia falling into the lake of the Forgotten Capital and Aerith holding her hands together in prayer. These are evidently visions of her death in OG (disk 1, chapter 28).
MOTF 4 is the one we first discussed, occurring at the very end of chapter 8 as Cloud watches Aerith walk away from him to lead the way toward Sector 7.
MOTF 5 occurs in chapter 13 shortly after the Sector 7 plate has fallen on the slums. Cloud tells Barret that Marlene is safe at Aerith’s house, and they begin heading there. As Cloud thinks about Aerith, the VA script notes describe the very next moment as follows:

“Cloud: Tifa, you know anything about the Ancients?
Tifa: I’ve heard of them before, but…
Barret walks on ahead, showing little interest in the topic.
Barret: Read a book on planetology and they’re sure to come up. They’re a tribe that cultivated the planet a real long time ago. Used to talk to it. That sort of stuff.
Cloud: That must be why the Turks were after her.
[Psychic] interference starts up.
[Cloud has a] flashback of Sephiroth from five years ago, after learning of his ancestry at Shinra Manor […].
Sephiroth [(in flashback, voice tinged with madness)]: Within my veins flows the blood of the Ancients. I am the rightful heir to this planet!
The flashback ends and Cloud looks lost in thought. The interference starts up once more. Cloud makes agonized sounds. When he opens his eyes, Sephiroth is actually standing before him.
Sephiroth: You failed again— failed to protect [her]*.
Cloud is startled. He shrinks back. Tifa watches what’s happening. The other two can’t see Sephiroth. All they see is Cloud acting frightened.
Sephiroth: But loss will make you strong. […] Isn’t that what you want?
With that, Sephiroth departs.”

*Sephiroth does not use a gendered pronoun here, because the grammatical structure of the original Japanese sentence doesn’t necessitate it. I've seen some debate as to whether the proper translation is “her” (Aerith, who’s just been kidnapped), or “them” (Jessie, Biggs or Wedge, who have seemingly just died). I believe Sephiroth was referring to Aerith for a few reasons. First, Cloud’s hallucinations of Sephiroth always appear as a response to whatever he is perceiving or thinking about at the moment. At this point in the scene, Cloud has been thinking and talking about Aerith for some time, and not about Jessie, Biggs or Wedge. The Sephiroth hallucination must therefore be referring to “her” rather than to “them”. Secondly, Cloud was never tasked with “[protecting]” Avalanche, but he was in fact tasked with “[protecting]” Aerith as her bodyguard back in chapter 8: it makes far more sense for Sephiroth to be referring to Aerith when he speaks about someone Cloud “failed to protect”. Finally, FFVII Remake Ultimania describes this piece of dialogue as “[Sephiroth aiming] these profound words at Cloud, who not only failed to prevent the tragedy in the Sector 7 slums but allowed Aerith to be abducted” (Sephiroth’s profile in section 01 “Character & World”, “Impressive Words”, page 29): the specific mention of Aerith here seals my decision to translate the line with the pronoun “her”.
Contrary to Sephiroth’s words, this is the first time in Remake that Cloud “[fails] to protect [Aerith]”, and he hasn’t “[lost]” her either— not yet, at least. So why use the words "again" and "loss"? This fifth MOTF must be similar to MOTF 1, in that Sephiroth is referring to Cloud’s guilt surrounding Aerith’s death in OG.
MOTF 6 occurs in chapter 17, in Aerith and Ifalna’s old room at Shinra HQ. The Whispers swarm Aerith as she tells the party earnestly that she wants to do everything in her power to help her friends and the planet: according to the script notes, it is at this very moment that, “for some reason, Cloud feels his chest constrict tightly” (FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”). In the corresponding cutscene, this unpleasant physiological reaction to Aerith’s words makes Cloud glance down at his chest with a confounded frown. This physical response to her speech about wanting to fulfill her duty to the planet implies that Cloud somehow knows deep down that saving the world will cost Aerith her life.
At this point, I noticed that five out of the six MOTFs Cloud experiences in Remake are triggered by and/or revolve around Aerith specifically, the one exception being a MOTF of the Sector 7 plate fall. One could actually argue that this MOTF revolves around Aerith too, considering the plate fall marks the first time Aerith is taken away from Cloud since reuniting with her in the Sector 5 slums church. This is more than plausible, as MOTF 5 proves that in the wake of the Sector 7 plate fall, Cloud’s main concern is Aerith (see section “II. a)”). How fitting is it, then, that the merc of few words’ longest uninterrupted piece of dialogue in all of Remake is:

“We found an underground Shinra lab where they've done human testing. This wasn't the first time and it won't be the last. I know these people, and I know they're never gonna let Aerith go. She's the last living Ancient on the planet. Think about what that means to Shinra's scientists. Especially to that son of a bitch Hojo. We're all just numbers and meat to him—“ (Remake, chapter 13).

Cloud would’ve gone on too, had Elmyra and Tifa not stopped him.
At this juncture in my research, my questions were only stacking up. What are these MOTFs? Why is Cloud the only one experiencing them? Why do all of them implicate Aerith? What did the devs hope to accomplish with their inclusion in the game? What do they mean for Remake’s story? But most importantly:
II. b) What Does Cloud Know?
The first assertion we have to make is simple, yet essential: the only reason Cloud would experience MOTFs is that whatever’s triggered them is significant to him in one way or another. Some part of him must recognize his triggers for them to be triggers at all. It’s clear he doesn’t consciously understand the meaning of his MOTF triggers, just like his Jenova triggers: for example, Cloud doesn’t know why Zack’s name causes him to experience psychic interference, but it sure does. We as players know Cloud’s MOTFs are hinting at Aerith’s fated death because of our awareness of OG, but as a character navigating the OG timeline, Remake Cloud shouldn't even be unconsciously aware of Aerith’s eventual death in the slightest! Whatever the nature of the MOTFs, it’s essential to understand that if Cloud “[recognizes]” Aerith’s face the first time he sees her, it must mean some part of him knows Aerith’s face in the first place. If this recognition triggers a hallucination of Sephiroth telling Cloud he “can’t protect anyone”, it must mean some part of him knows he was once unable to protect Aerith. The same goes for every other MOTF: subconsciously, Remake Cloud somehow has memories of the OG timeline. Most interestingly, it looks like he either only has OG memories related to Aerith, or like his OG memories of Aerith are simply the only ones prominent enough to trigger his MOTFs. Why and how does Remake Cloud have memories of OG, and why are they so focused on Aerith in particular? What does he know?
When examining a situation with no explanation, it’s wise to examine similar situations that have already been explained. Maybe the mystery of Remake Cloud’s MOTFs will become more approachable if we consider the cases of the only other Remake characters who seem to know the future: Aerith and Sephiroth. Remake Sephiroth knows the future of the OG timeline because his consciousness exists beyond time in the Lifestream, while Remake Aerith likely obtained her knowledge of the future from post-OG Aerith’s spirit via the Lifestream. But what about Cloud? Where does his weaker, fragmented knowledge come from?
(continued in part 2)

Trapping everyone in a dream is certainly framed badly in the quest but is it really that bad? Well the arguments are:

• Sunday is forcing everyone asleep and they won’t be able to wake up and make their own choices :(
• the dreamscape is just escapism :(

Alright well for the first point it’s not really as bad as it sounds. First of all people came to Penacony for the dreamscape of their own free will and from the conversations with Robin right before the meeting with the dream master we know they have no intention of leaving the dreamscape. This isn’t just those three people either because it’s stated that Ena’s dream is maintained by the collective will of everyone on Penacony. So if everyone except the main cast chose to come to Penacony to live in the dreamscape and everyone already has no intention of waking up, it’s not really doing anything bad to make everyone live in a dream that they were already living in.
Then comes the argument that living in the dreamscape is escapism because you’ll run out of money to pay rent eventually and be forced to wake up. Under normal circumstances this would be true but of course Sunday’s plan makes it so that the dream is indistinguishable from reality and people will never wake up. This essentially means that the people who are in Ena’s dream aren’t escaping reality anymore because the dream became their new reality which would be a dream come true for them (haha). This isn’t some fleeting, fake happiness either as Robin says she senses genuine happiness from the 2nd dreamchaser.
In fact the only person aside from the main cast of heroes who stands to lose anything from this is Sunday who has to stay in eternal wakening.
So basically, it is already the dreamchasers desire to live in the dreamscape forever, and Sunday is making their dreams come true. It’s only by Acheron destroying the dreamscape that causes people to want to wake up out of desperation to escape the chaos, chaos that otherwise wouldn’t exist without the main casts interference. It’s like if someone wanted to stay in their house but you force them outside by burning their house down.
If anything, for all the talk of people making their own decisions without external force, the main cast is disrespecting the entirety of Penacony’s choice by destroying the dreamscape that they wanted and chose to live in. And really that just proves Sunday even more correct in his ideology because it was the strong main cast who decided the future for all of Penacony even though they didn’t want that future and just wanted to live their lives in the dreamscape.
And for some reason the main cast is being portrayed as weak and similar to everyone else in Penacony? Like why is Himeko yelling “the will of the weak” when they aren’t weak? It’s already established by Sunday that the nameless have to be strong to go on a dangerous interstellar journey; and for Firefly, well sure she likes the dreamscape but unlike everyone else on Penacony she didn’t come to the dreamscape to live in it she came to the dreamscape to fulfill the script. And let’s be honest Elio isn’t recruiting any weak people any time soon. The only reason Sunday thinks she’s weak is because he doesn’t know she’s a stellaron hunter which only applies to 5 people in the universe. Boothill is a galaxy ranger and Acheron is an emanator both of which are strong groups of people. Black Swan is a memetic entity so she’s more ambiguous. So basically all of the main cast, unlike the rest of Penacony, has a reason to want to wake from the dream be it a journey, a script, or their own self interest. And let me remind you that none of the main cast except Robin was even supposed to be on Penacony in the first place so the only people minus Robin who wanted to wake from the dream weren’t even supposed to be in the dream.
The only person who is an exception to this is Robin. She doesn’t exactly want to live in the dream like the rest of Penacony, but she does get the harmony she always wanted in Ena’s dream and chooses to wake up anyway befitting her character as a symbol of harmony, hope, and inspiration. That being said Robin wakes up as a universal superstar not a hopeless peasant or war paraplegic.
I hope the effect on average citizens is explored in the next quest as I’m sure they would be mad over having their haven destroyed by outside forces, but I doubt that will happen given the negative framing in the quest. Especially that old man from the war who had every reason to live in the dreamscape like he’s on deaths door he doesn’t have time to go to rehab at the intelligencia guild lol
So TL;DR was Sunday really wrong giving the dreamchasers what they wanted? Was the main cast really right in forcing everyone to wake up despite Penacony’s wishes? They could have just left the dreams area of effect and let them live in the dream forever.
Edit: typo
Edit: if you’re curious what people are saying most of them say this - the dreamers will starve
I thought it was meant to be assumed that wouldn’t happen because there’s no way Sunday wouldn’t have thought of that or if he didn’t the astral express wouldn’t have pointed that out during their argument. It’s probably different from a regular sleep otherwise it’s just this gaping plot hole - Sunday didn’t get permission
Despite bringing this up in the post this is what most people said and they completely ignored the thing about “the will of the entire planet” which is what I was most interested in discussing ;( There was one guy who pointed out the people opposing the family in dreamflux reef wouldn’t want to go in the dream and he would be right, so there are some deviants who don’t want to sleep forever however they appear to be a minority. The will of the entire planet doesn’t come from a few people after all
The same guy brought up the stellaron and I thought the stellaron was only making the people sleep forever but apparently it was confirmed by Gallagher that it was eroding their minds too. This is the flaw that makes Sunday’s schemes come to an end

First...Previous
Colonist Memory Log: Captain Alan J. Emerson
UNS Evandra
Mechanical melodies of gears grinding together and switches flicking of their own accord surrounded the shrine room as before us the gramophone began softly to whistle and click. “He is here…” Kritivek announced, standing tall and bowing his head in rigid deference to his god.
After a few more seconds, the machine’s output grew in both volume and complexity until at last my GRIM could recognize the clicks as Chitaan language. “Hello, Kritivek.” It began, its voice smooth and rhythmic like something between the crackle of a geiger counter and a typewriter’s telltale racket. “I am glad to see you alive and well. Judging by the fact that Gheyk and Fevik are not with you, however, I calculate an 86% chance that they were not so lucky.”
“You are correct, Great One…” murmured Kritivek, the sadness in his tone underpinned by pure awe and reverence for this being.
For a few seconds, Omnus did not speak, but from the everpresent churn of gears we could quite literally hear him ‘thinking’. “I have logged their names in my backup database,” the machine eventually concluded, its words visibly bringing relief to Kritivek. “They shall be remembered for the remainder of my existence. Please, take solace in that…”
“May they frolic in your glory for all of time,” our Chitaan guide prayed aloud, his words followed by yet another long, smothering silence.
“You hath served me well, Kritivek.” Continued the machine, prompting a delighted chitter from the Chitaan priest. “You may go in peace, for I wish to speak with these Humans alone. Mourn your brothers and celebrate the time you spent together. Perhaps enjoy a flask of bogal poured out in their honor?”
“As you wish, my lord… I will inform those outside that you are in contemplation for this night and can take no more prayers until daybreak.”
Replicating with its gears the gentle rattle of a Chitaan chuckle, Omnus waited until his priest had left before at last speaking directly to the three of us. “You are not native to this planet, correct?” He asked, his words distinctly lacking the emotional inflections of Kritivek’s. “Your arrival here is without precedent, but not entirely unexpected.”
Though clearly far from divine in nature, the being with whom we conversed at this shrine was nevertheless a true marvel to behold: one born not of metaphysics, but rather mechanics. “You’re an AI!” I gasped, that last word having no direct translation in the Chitaan language and as such forcing my translator to make do with the clumsier phrase ‘thinking tool’.
“That is correct,” replied this machine, its words underscored by the distant hiss of steam valves and other clockwork components. “Allow me to offer my most sincere sympathies for the unfortunate demise of your homeworld. Taking into account the trajectory of your ship prior to landing, I presume its origin to be the Cichek system—a G-class star located [forty lightyears] away. Is this hypothesis accurate?”
Awkwardly clearing his throat in a bid to obtain the AI’s attention, it was Alex who next deigned to speak out. “You would be dead on,” he affirmed, his tone betraying an understandable degree of awe. “Though our name for it is the Sol system. How long have you known about our ship for?”
“I first detected the gravitational anomaly in our system approximately [3 months] ago. Initially, I had mistaken your vessel for an asteroid and as such expected it to continue on its prior trajectory. Asteroids, however, do not suddenly change course in the direction of nearby planets like your ship did [hours] ago.”
“Are you entirely clockwork?” I asked Omnus, gesturing incredulously toward its walls of grinding machinery. Surely, that could not be the case. For a convincingly sapient AI to be constructed on the basis of such primitive technology, it would require decades or perhaps even centuries of construction.
Again, silence fell over the room as Omnus mechanically contemplated my query, meeting it with a reply after some twenty seconds of deliberation. “What else might I be?” The machine asked, providing me implicitly with my answer. “While I have theorized several possible avenues for technologies more advanced than myself, including electronic and organic integration, such methods appear to have been beyond my creators' capabilities.”
“That brings up another question…” Alice interjected, recovering at last from the sheer shock of encountering a sapient machine. “Who built you and why?” Despite years of exponential advancement in the field of computer science, true AI nevertheless had continued to elude mankind. Convincing as our facsimiles of sapience could be at times, they nevertheless lacked the capacity for emotion and initiative characteristic of real consciousness. Whoever constructed this machine had done something thought impossible by over a century of Human engineers.
“In truth, I am not sure…” Omnus concluded after an even longer-than-usual pause. “My core memory bank was reset [9,462 years] ago. As such, I have no data on my creators nor their original intentions for me. However, I have largely ruled out the possibility of them having been Chitaan.”
Fascinating as this clockwork consciousness undoubtedly was, something about its relationship with the natives left a bad taste in my mouth all the same. "And why exactly are you masquerading as a god before these people?" I asked him, my words tipped in a venom the potency of which apparently surprised my companions. "What value do you derive from tricking them into worshipping you?"
Lengthy silence fell over the shrine chamber as its AI occupant contemplated my complaint, responding much quicker than it had to the previous question. "In all fairness, 'trick' is a rather strong word..." answered Omnus with a steam-valve sigh. "When first I encountered the Chitaan, I had attempted to explain my true nature to them. No matter how I worded things, however, they simply could not comprehend me as anything short of divine. Upon finding me, the Chitaan found a guide bearing great wisdom; and in turn, I found a species in need of guidance.”
Falling silent for a moment to parse this response within my mind, I was hardly surprised when Alex spoke up to question the computer in my stead. “Is this the only settlement that follows you or are there others?” He asked.
“This access point where you now stand is but one of several thousand, stretched out across [hundreds of thousands of miles],” explained Omnus, practically knocking the wind out of me with its sheer implied scale. “Currently, I am worshipped by the people of 2,147 city states, and through my guidance they are able to coexist in harmony.”
Perhaps at a later date, I reasoned, there would come a time to more closely study the inner workings of this clockwork deity. For the moment, however, my mind was occupied by far more salient concerns: anxieties related less so what this being was and more so to who. "I don't suppose you'd be willing to tell us what your end goal with the Chitaan is, would you?" I inquired, my tone saturated with appropriate suspicion.
Contrary to my expectations of some evasion or simplification, this AI seemed more than happy to comply with my questioning. "My primary objective regarding the Chitaan is to create a society which both minimizes individual suffering and maximizes civilizational longevity. To this end, I have instilled values into my followers that prioritize empathy and compassion above all else. By drip-feeding them the technologies of my creators, I am able to ensure that the Chitaan who follow these directives remain more advanced than their neighbors."
"And why do you want that?" I asked, sticking my head thoroughly within the gift horse's mouth. Machines as I understood them were built not upon sweet sentiments, but rather on cold, unfeeling logic. Even if this AI was benevolent, there nevertheless had to be some reason behind its desires.
"If you are searching for some vile ulterior motive, I am afraid I will have to disappoint you. My decision to aid the Chitaan is based upon two simple factors: necessity and curiosity. On the one claw, without regular maintenance, I will shut down and 'die'. The Chitaan can provide me with this maintenance, and as such it is in my best interest to keep them healthy and alive for as long as possible. More importantly, however, is the matter of sapience itself. It is clear to me that my creators are no longer around. For such an advanced species to die out is not only tragic, but also provides a rather pessimistic paradigm with which to judge intelligent life. Your arrival here following the self-inflicted destruction of your own world further suggests that civilization is unstable: a race between innovation and eradication. Perhaps with the assistance of a being such as myself, I can prevent the Chitaan from suffering a similar fate and as such create a functional spacefaring civilization.“
At that moment, the motivations of this machine made perfect sense. “So that’s what this is,” I growled contemptuously, glancing behind myself to the cave entrance as Kritivek politely dispersed the other worshippers. “It's all just a science experiment to you…”
"Perhaps my explanation was a tad overly clinical..." Replied the machine following a brief period of reassessment. "Make no mistake: I do care for Kritivek and his species. They are far more to me than variables on a spread sheet. Had I no love for them, then my experiments would surely spiral into abject cruelty."
Interrupting this line of conversation with a stern glare shot in my direction, Alice was next among our troupe to speak up. "Forgive Alan's weariness: he spent sixty years of his life alone maintaining our ship on its journey.”
“That sounds like a difficult use of one’s lifespan: especially one so long as those of your kind.” Omnus hummed, the low-pitch of his synthetic voice oddly relaxing.
“My combative behavior does have a reason!” I snapped at the physicist, my tone coming off as a bit more aggressive than intended. “Two thousand lives are in our hands and we need to find some place for them to settle.” As I spoke, my thoughts returned—as they so often did—to Mina. I made a promise to her mother that I would do everything in my power to take care of her, and I held no intention of going back on my word.
Hearing this, the AI fell silent for a long few seconds before at last dignifying my concerns with a response. “Perhaps I could be of some use to you…”
Behind us, the larger Chitaan clad in red stepped inside Omnus’ shrine room. Gently nudging me aside so as to access his ‘god’, the priest knelt down before this machine and with a low-pitched chitter began to commune with it. “Lord Omnus. Forgive my intrusion most indiscreet, for there is one amongst us who desperately seeks your aid.”
“Apologies, Humans: before we continue this riveting conversation, I must first tend to the concerns of my pod.” Began the AI, promptly shifting its focus toward the priest and addressing him directly. “You are forgiven, my child. Speak freely and tell me to whom I can be of assistance.”
“It is Vevik, my lord…” Clicked the priest in red, his tone strained somewhat by what I presumed to be emotion. “His daughter has fallen deathly ill. Our apothecaries have attempted to purge her body of the illness using your divinely-taught potions, but their efforts have been to no avail.”
“I presume Vevik is outside. Invite him inside so that I may hear his prayers.”
“As you demand, Lord Omnus!” Exclaimed the priest, shuffling off toward the cave entrance before returning with a smaller Chitaan whose eyes were just about level with Alex’s forehead.
“Speak, my child…” Hummed the AI, its monotone voice somehow underlined by a tenderness almost unnoticeable against the grinding of its ancient gears. “Tell me the nature of your offspring’s affliction.”
Immediately falling to his knees before the clockwork god, this Chitaan who I presumed to be Vevik began to pray in response. “Great one: my beloved Yitika is most terribly ill. Her body is plagued by violent bouts of seizure. She struggles to speak and walks as though drunken. When she does manage to communicate, she complains of splitting pain within her mind. Please, Omnus: I know that the [six years] I have spent with her have been in themselves gifts most priceless, and I have no right to implore you for more, but I beg of thee not to take her from me so soon…”
What followed must have been two minutes straight of silence from the computer as its gears ground away fervently. “The symptoms you have described to me are most troubling…” It concluded at last. “And you say none of the medications I’ve taught the apothecaries were effective?”
"Yes, Lord Omnus. Even your draught of respite has done little to ease her suffering!" Vevik affirmed, his tone saturated with desperation.
"I calculate a 94% chance that Yitika's suffering is the result of a brain tumor..." Continued the AI in cold, calculating monotone. "Alleviating such an illness is not impossible, but there are certain things I must ask of you, Vevik."
Hearing this, the Chitaan knelt before Omnus began to weep with joy. "I will undergo any trial you place before me, my god. What beast need I slay? What ritual need I complete to prove my unending faith and loyalty to you?"
"Retrieve for me one thistle of frojeth and two bilvarian roots. Bring these ingredients and your child to the bed of revival [six miles] east of here. Beware, however, the faithless tribes, for they have taken up residence in the area."
"We are unworthy even to be in your presence, o great one; yet still you do not forsake us in our times of need!" Professed Vevik before the AI, his body quivering with some emotion my Cogitolink struggled to identify .
"That, my child, is where you are incorrect." The machine responded rather matter-of-factly. "Your people are worthy of every gift I hath given you. Archpriest Jokuk: your task is to assist Vevik in gathering the ritual components. Go now in peace, for I wish to commune privately with these beings from the stars."
Chittering out their parting prayers of protection to the AI, Jokuk and Vevik wasted little time in exiting the cave and setting off in search of the ingredients mentioned by their god, leaving the three of us alone with it once more. "Again, I must apologize for that interruption." Omnus began, its gears having slowed down to a somewhat more relaxed rate of revolution. “Fascinated as I am by your arrival here, I nevertheless must fulfill my ‘divine’ obligations. I hope you do not terribly mind.”
Fortunate though it was for Vevik, this machine’s intervention nevertheless left the three of us with more questions than answers. “You mentioned something about a ‘bed of revival’?” Alice began curiously, voicing but one of our newfound gaps in knowledge. “What sort of ritual item is that, and why can’t you just make another here?”
“It is not a ritual item,” replied Omnus matter-of-factly, “The bed of revival is an automated surgery bay hooked up to one of my subsystems. With it, I can perform complex surgical operations far beyond the Chitaan’s current capabilities. Those herbs I sent Vevik to collect can be used as rudimentary anesthetics and antiseptics."
"So why not just tell them the truth?" I shrugged, curious as to why this AI would feel the need to lie by omission regarding something like surgery.
"When communicating with people so technologically primitive as the Chitaan, it is important to do so in terms they can understand. There will come a day when they will be ready to hear the whole truth, but as of yet my worshippers remain unprepared."
Alex never was one to wait his turn when it came to the procurement of knowledge, and as per usual he felt the need to interject with an inquiry of his own. "You spoke about the so-called 'faithless tribes' like they're dangerous," he began, his expression briefly tightening up as though the term itself was somehow bitter. "Why demonize people who don't worship you?"
"What sort of narcissist do you take me for?" Replied Omnus in monotone displeasure, his gears again churning against each other as he turned over the xenobiologist's question in his analog mind. "Not all tribes who do not follow me are 'faithless'. There are many as-of-yet unconverted groups that Kritivek's people remain on amicable terms with. Faithless is a term first coined by my Chitaan followers to describe a group of particularly brutal raider tribes."
Hearing this, the underlined aggression within Alex's voice fizzled out in favor of grim understanding. Though clearly quite peaceful compared to our own iron age, this civilization nevertheless would naturally have its own barbaric holdouts. "Okay... What makes these Chitaan more dangerous than other raiders?"
"One substantial part of it is their belief system," explained the AI, pausing for a long while as though in recollection. "Their cultural power structure can best be described as an atheistic militaristic gerontocracy. In essence, the faithless believe that rather than gods, the universe is governed by fundamental truths, and that these truths become more apparent as one ages and grows."
On Earth, such a belief system would be relatively innocuous: no more harmful than the average. On a planet like this one, however, on which age turns people into cannibalistic monsters, I could most definitely see the problem. "Let me guess: they worship the mad ones?"
"Correct. The faithless regard mad ones as the wisest beings to exist, and as such seek to emulate their behaviors: cannibalism and animalistic violence chief among them. In their society, the larger one can grow before truly losing their sanity and therefore 'ascending' to the state of a mad one, the more power and respect they are given within society." Another long pause fell over the shrine room as this machine seemed to contemplate before speaking out yet again. "Perhaps I could make you an offer..."
"Let's hear it," Alice shrugged, her husband mirroring the reply with an affirmative nod.
Loud clacking sounds like those of a typewriter rattled out of the console as a sliver of ancient parchment inscribed with what looked to be a map slid out from a previously-unseen paper slot. "This map depicts the local area," explained Omnus. "If you can clear out the faithless ones so that Vevik can bring his child to the bed of revival, I will provide you with assistance in setting up a new colony for your species. Deal?"
Awkwardly plucking the paper from it's resting place and scanning it over with my ancient eyes, I contemplated carefully what this deal might entail. "We'll need to back to the Evandra first. There, we could theoretically thaw out a crew to help clear the place..."
"That will not be an issue," replied Omnus confidently. "I will send battle priests to assist you in your return... Assuming, of course, that we have an agreement?"
"We could definitely use this guy's help!" Alex affirmed, prompting a similar expression of agreement from Alice. Nevertheless, however, I still was the captain, and as such this was my choice.
And with that, I reached out my hand reflexively as though expecting the computer to reach back and shake it. "Deal..."

II. The Narcissistic Personality of Our Time
...
Social Influences on Narcissism
Every age develops its own peculiar forms of pathology, which express in exaggerated form its underlying character structure. In Freud’s time, hysteria and obsessional neurosis carried to extremes the personality traits associated with the capitalist order at an earlier stage in its development - acquisitiveness, fanatical devotion to work, and a fierce repression of sexuality. In our time, the preschizophrenic, borderline, or personality disorders have attracted increasing attention, along with schizophrenia itself. This “change in the form of neuroses has been observed and described since World War II by an ever-increasing number of psychiatrists.” According to Peter L. Giovacchini, “Clinicians are constantly faced with the seemingly increasing number of patients who do not fit current diagnostic categories” and who suffer not from “definitive symptoms” but from “vague, ill-defined complaints.” “When I refer to ‘this type of patient,’” he writes, “practically everyone knows to whom I am referring.” The growing prominence of “character disorders” seems to signify an underlying change in the organization of personality, from what has been called inner-direction to narcissism.
Allen Wheelis argued in 1958 that the change in the “patterns of neuroses” fell “within the personal experience of older psychoanalysts,” while younger ones “become aware of it from the discrepancy between the older descriptions of neuroses and the problems presented by the patients who come daily to their offices. The change is from symptom neuroses to character disorders.” Heinz Lichtenstein, who questioned the additional assertion that it reflected a change in personality structure, nevertheless wrote in 1963 that the “change in neurotic patterns” already constituted a “well-known fact.” In the seventies, such reports have become increasingly common. “It is not accident,” Herbert Hendin notes, “that at the present time the dominant events in psychoanalysis are the rediscovery of narcissism and the new emphasis on the psychological significance of death.” “What hysteria and the obsessive neuroses were to Freud and his early colleagues…at the beginning of this century,” writes Michael Beldoch, “the narcissistic disorders are to the workaday analyst in these last few decades before the next millennium. Today’s patients by and large do not suffer from hysterical paralyses of the legs or hand-washing compulsions; instead it is their very psychic selves that have gone numb or that they must scrub and rescrub in an exhausting and unending effort to come clean.” These patients suffer from “pervasive feelings of emptiness and a deep disturbance of self-esteem.” Burness E. Moore notes that narcissistic disorders have become more and more common. According to Sheldon Bach, “You used to see people coming in with hand-washing compulsions, phobias, and familiar neuroses. Now you see mostly narcissists.” Gilbert J. Rose maintains that the psychoanalytic outlook, “inappropriately transplanted from analytic practice” to everyday life, has contributed to “global permissiveness” and the “over-domestication of instinct,” which in turn contributes to the proliferation of “narcissistic identity disorders.” According to Joel Kovel, the stimulation of infantile cravings by advertising, the usurpation of parental authority by the media and the school, and the rationalization of inner life accompanied by the false promise of personal fulfillment, have created a new type of “social individual.” “The result is not the classical neuroses where an infantile impulse is suppressed by patriarchal authority, but a modern version in which impulse is stimulated, perverted and given neither an adequate object upon which to satisfy itself nor coherent forms of control…. The entire complex, played out in a setting of alienation rather than direct control, loses the classical form of symptom - and the classical therapeutic opportunity of simply restoring an impulse to consciousness.”
The reported increase in the number of narcissistic patients does not necessarily indicate that narcissistic disorders are more common than they used to be, in the population as a whole, or that they have become more common than the classical conversion neurosis. Perhaps they simply come more quickly to psychiatric attention. Ilza Veith contends that “with the increasing awareness of conversion reactions and the popularization of psychiatric literature, the ‘old-fashioned’ somatic expressions of hysteria have become suspect among the more sophisticated classes, and hence most physicians observe that obvious conversion symptoms are now rarely encountered and, if at all, only among the uneducated.” The attention given to character disorders in recent clinical literature probably makes psychiatrists more alert to their presence. But this possibility by no means diminishes the importance of psychiatric testimony about the prevalence of narcissism, especially when this testimony appears at the same time that journalists begin to speculate about the new narcissism and the unhealthy trend toward self-absorption. The narcissist comes to the attention of psychiatrists for some of the same reasons that he rises to positions of prominence not only in awareness movements and other cults but in business corporations, political organizations, and government bureaucracies. For all his inner suffering, the narcissist has many traits that make for success in bureaucratic institutions, which put a premium on the manipulation of interpersonal relations, discourage the formation of deep personal attachments, and at the same time provide the narcissist with the approval he needs in order to validate his self-esteem. Although he may resort to therapies that promise to give meaning to life and to overcome his sense of emptiness, in his professional career the narcissist often enjoys considerable success. The management of personal impressions comes naturally to him, and his mastery of its intricacies serves him well in political and business organizations where performance now counts for less than “visibility,” “momentum,” and a winning record. As the “organization man” gives way to the bureaucratic “gamesman” - the “loyalty era” of American business to the age of the “executive success game” - the narcissist comes into his own.
In a study of 250 managers from twelve major companies, Michael Maccoby describes the new corporate leader, not altogether unsympathetically, as a person who works with people rather than with materials and who seeks not to build an empire or accumulate wealth but to experience “the exhilaration of running his team and of gaining victories.” He wants to “be known as a winner, and his deepest fear is to be labeled a loser.” Instead of pitting himself against a material task or a problem demanding solution, he puts himself against others, out of a “need to be in control.” As a recent textbook for managers puts it, success today means “not simply getting ahead” but “getting ahead of others.” The new executive, boyish, playful, and “seductive,” wants in Maccoby’s words “to maintain an illusion of limitless options.” He has little capacity for “personal intimacy and social commitment.” He feels little loyalty even to the company for which he works. One executive says he experiences power “as not being pushed around by the company.” In his upward climb, this man cultivates powerful customers and attempts to use them against his own company. “You need a very big customer,” according to his calculations, “who is always in trouble and demands changes from the company. That way you automatically have power in the company, and with the customer too. I like to keep my options open.” A professor of management endorses this strategy. “Overidentification” with the company, in his view, “produces a corporation with enormous power over the careers and destinies of its true believers.” The bigger the company, the more important he thinks it is for executes “to manage their careers in terms of their own…free choices” and to “maintain the widest set of options possible.”
According to Maccoby, the gamesman “is open to new ideas, but he lacks convictions.” He will do business with any regime, even if he disapproves of its principles. More independent and resourceful than the company man, he tries to use the company for his own ends, fearing that otherwise he will be “totally emasculated by the corporation.” He avoids intimacy as a trap, preferring the “exciting, sexy atmosphere” with which the modern executive surrounds himself at work, “where adoring, mini-skirted secretaries constantly flirt with him.” In all his personal relations, the gamesman depends on the admiration or fear he inspires in others to certify his credentials as a “winner.” As he gets older, he finds it more and more difficult to command the kind of attention on which he thrives. He reaches a plateau beyond which he does not advance in his job, perhaps because the very highest positions, as Maccoby notes, still go to “those able to renounce adolescent rebelliousness and become at least to some extent believers in the organization.” The job begins to lose its savor. Having little interest in craftsmanship, the new-style executive takes no pleasure in his achievements once he begins to lose the adolescent charm on which they rest. Middle age hits him with the force of a disaster: “Once his youth, vigor, and even the thrill in winning are lost, he becomes depressed and goalless, questioning the purpose of his life. No longer energized by the team struggle and unable to dedicate himself to something he believes in beyond himself, … he finds himself starkly alone.” It is not surprising, given the prevalence of this career pattern, that popular psychology returns so often to the “midlife crisis” and to ways of combating it.
In Wilfrid Sheed’s novel Office Politics, a wife asks, “There are real issues, aren’t there, between Mr. Fine and Mr. Tyler?” Her husband answers that the issues are trivial; “the jockeying of ego is the real story.” Eugene Emerson Jennings’s study of management, which celebrates the demise of the organization man and the advent of the new “era of mobility,” insists that corporate “mobility is more than mere job performance.” What counts is “style…panache…the ability to say and do almost anything without antagonizing others.” The upwardly mobile executive, according to Jennings, knows how to handle the people around him - the “shelf-sitter” who suffers from “arrested mobility” and envies success; the “fast learner”; the “mobile superior.” The “mobility-bright executive” has learned to “read” the power relations in his office and “to see the less visible and less audible side of his superiors, chiefly their standing with their peers and superiors.” He “Can infer from a minimum of cues who are the centers of power, and he seeks to have high visibility and exposure with them. He will assiduously cultivate his standing and opportunities with them and seize every opportunity to learn from them. He will utilize his opportunities in social world to size up the men who are centers of sponsorship in the corporate world.”
Constantly comparing the “executive success game” to an athletic contest or a game of chess, Jennings treats the substance of executive life as if it were just as arbitrarily and irrelevant to success as the task of kicking a ball through a net or of moving pieces over a chessboard. He never mentions the social and economic repercussions of managerial decisions or the power that managers exercise over society as a whole. For the corporate manager on the make, power consists not of money and influence but of “momentum,” a “winning image,” a reputation as a winner . Power lies in the eye of the beholder and thus has no objective reference at all.
The manager’s view of the world, as described by Jennings, Maccoby, and by the managers themselves, is that of the narcissist, who sees the world as a mirror of himself and has no interest in external events except as they throw back a reflection of his own image. The dense interpersonal environment of modern bureaucracy, in which work assumes an abstract quality almost wholly divorced from performance, by its very nature elicits and often rewards a narcissistic response. Bureaucracy, however, is only one of a number of social influences that are bringing a narcissistic type of personality organization into greater and greater prominence. Another such influence is the mechanical reproduction of culture, the proliferation of visual and audial images in the “society of the spectacle.” We live in a swirl of images and echoes that arrest experience and play it back in slow motion. Cameras and recording machines not only transcribe experience but alter its quality, giving to much of modern life that character of an enormous echo chamber, a hall of mirrors. Life presents itself as a succession of images of electronic signals, of impressions recorded and reproduced by means of photography, motion pictures, television, and sophisticated recording devices. Modern life is thoroughly mediated by electronic images that we cannot help responding to others as if their actions - and our own - were being recorded and simultaneously transmitted to an unseen audience or stored up for close scrutiny at some later time. “Smile, you’re on candid camera!” The intrusion into everyday life of this all-seeing eye no longer takes us by surprise or catches us with our defenses down. We need no reminder to smile. A smile is permanently graven on our features, and we already known from which of several angles its photographs to best advantage.
The proliferation of recorded images undermines our sense of reality. As Susan Sontag observes in her study of photography, “Reality has come to seem more and more like what we are shown by cameras.” We distrust our perceptions until the camera verifies them. Photographic images provide us with the proof of our existence, without which we would find it difficult even to reconstruct a personal history. Bourgeois families in the eighteenth and nineteenth centuries, Sontag points out, posed for portraits in order to proclaim the family’s status, whereas today the family album of photographs verifies the individual’s existence: its documentary record of his development from infancy onward provides him with the only evidence of his life that he recognizes as altogether valid. Among the “many narcissistic uses” that Sontag attributes to the camera, “self-surveillance” ranks among the most important, not only because it provides the technical means of ceaseless self-scrutiny but because it renders the sense of selfhood dependent on the consumption of images of the self, at the same time calling into question the reality of the external world.
By preserving images of the self at various stages of development, the camera helps to weaken the older idea of development as moral education and to promote a more passive idea according to which development consists of passing through the stages of life at the right time and in the right order. Current fascination with the life cycle embodies an awareness that success in politics or business depends on reaching certain goals on schedule; but it also reflects the ease with which developments can be electronically recorded. This brings us to another cultural change that elicits a widespread narcissistic response and, in this case, gives it a philosophical sanction: the emergence of a therapeutic ideology that upholds a normative schedule of psychosocial development and thus gives further encouragement to anxious self-scrutiny. The idea of normative development creates the fear that any deviation from the norm has a pathological source. Doctors have made a cult of periodic checkup - an investigation carried out once again by means of cameras and other recording instruments - and have implanted in their clients the notion that health depends on eternal watchfulness and the early detection of symptoms, as verified by medical technology. The client no longer feels physically or psychologically secure until his X-rays confirm a “clean bill of health.”
Medicine and psychiatry - more generally, the therapeutic outlook and sensibility that pervade modern society - reinforce the pattern created by other cultural influences, in which the individual endlessly examines himself for signs of aging and ill health, for tell-tale symptoms of psychic stress, for blemishes and flaws that might diminish his attractiveness, or on the other hand for reassuring indications that his life is proceeding according to schedule. Modern medicine has conquered the plagues and epidemics that once made life so precarious, only to create new forms of insecurity. In the same way, bureaucracy has made life predictable and even boring while reviving, in a new form, the war of all against all. Our overorganized society, in which large-scale organizations predominate but have lost the capacity to command allegiance, in some respects more nearly approximates a condition of universal animosity than did the primitive capitalism on which Hobbes managed his state of nature. Social conditions today encourage a survival mentality, expressed in its crudest form in disaster movies or in fantasies of space travel, which allow vicarious escape from a doomed planet. People no longer dream of overcoming difficulties but merely of surviving them. In business, according to Jennings, “The struggle is to survive emotionally” -to “preserve or enhance one’s identity or ego.” The normative concept of developmental stages promotes a view of life as an obstacle course: the aim is simply to get through the course with a minimum of trouble and pain. The ability to manipulate what Gail Sheehy refers to, using a medical metaphor, as “life-support systems” now appears to represent the highest form of wisdom: the knowledge that gets us through, as she puts it, without panic. Those who master Sheehy’s “no-panic approach to aging” and to the traumas of the life cycle will be able to say, in the words of one of her subjects, “I know I can survive… I don’t panic any more.” This is hardly an exalted form of satisfaction, however. “The current ideology,” Sheehy writes, “seems a mix of personal survivalism, revivalism, and cynicism”; yet her enormously popular guide to the “predictable crises of adult life,” with its superficially optimistic hymn to growth, development, and “self-actualization,” does not challenge this ideology, merely restates it in more “humanistic” form. “Growth” has become a euphemism for survival.
The World View of the Resigned
New social forms require new forms of personality, new modes of socialization, new ways of organizing experience. The concept of narcissism provides us not with a ready-made psychological determinism but with a way of understanding the psychological impact of recent social changes - assuming that we bear in mind not only its clinical origins but the continuum between pathology and normality. It provides us, in other words, with a tolerably accurate portrait of the “liberated” personality of our time, with his charm, his pseudo-awareness of his own condition, his promiscuous pansexuality, his fascination with oral sex, his fear of the castrating mother (Mrs. Portnoy), his hypochondria, his protective shallowness, his avoidance of dependence, his inability to mourn, his dread of old age and death.
Narcissism appears realistically to represent the best way of coping with the tensions and anxieties of modern life, and the prevailing social conditions therefore tend to bring out narcissistic traits that are present, in varying degrees, in everyone. These condition have also transformed the family, which in turn shapes the underlying structure of personality. A society that dears it has no future is not likely to give much attention to the needs of the next generation, and the ever-present sense of historical discontinuity - the blight of our society - falls with particularly devastating effect on the family. The modern parent’s attempt to make children feel loved and wanted does not conceal an underlying coolness - the remoteness of those who have little to pass on the next generation and who in any case give priority to their own right to self-fulfillment. The combination of emotional detachment with attempts to convince a child of his favored position in the family is a good prescription for a narcissistic personality structure.
Through the intermediary of the family, social patterns reproduce themselves in personality. Social arrangements live on in the individual, buried in the mind below the level of consciousness, even after they have become objectively undesirable and unnecessary - as many of our present arrangements are now widely acknowledged to have become. The perception of the world as a dangerous and forbidding place, though it originates in a realistic awareness of the insecurity of contemporary social life, receives reinforcement from the narcissistic projection of aggressive impulses outward. The belief that society has no future, while it rests on a certain realism about the dangers ahead, also incorporates a narcissistic inability to identify with posterity or to feel one self part of a historical stream.
The weakening of social ties, which originates in the prevailing state of social warfare, at the same time reflects a narcissistic defense against dependence. A warlike society tends to produce men and women who are at heart antisocial. It should therefore not surprise us to find that although the narcissist conforms to social norms for fear of external retribution, he often thinks of himself as an outlaw and sees others in the same way, “as basically dishonest and unreliable, or only reliable because of external pressures.” “The value systems of narcissistic personalities are generally corruptible,” writes Kernberg, “in contrast to the rigid morality of the obsessive personality.”
The ethic of self-preservation and psychic survival is rooted, then, not merely in objective conditions of economic warfare, rising rates of crime, and social chaos but in the subjective experience of emptiness and isolation. It reflects the conviction - as much a projection of inner anxieties as a perception of the way things are - that envy and exploitation dominate even the most intimate relations. The cult of personal relations, which becomes increasingly intense as the hope of political solutions recedes, conceals a thoroughgoing disenchantment with personal relations, just as the cult of sensuality implies a repudiation of sensuality in all but its most primitive forms. The ideology of personal growth, superficially optimistic, radiates a profound despair and resignation. It is the faith of those without faith.

I am a single mum (23F) who recently matched with a guy on Hinge (25M). We have been on quite a few dates for quite a few weeks now. Been talking maybe just over a month. On average we see each other 2-3 times a week, and we message every day (not super fast replies, but consistent). He is so lovely, I seriously cannot fault him. We haven't kissed or anything like that, but there's the odd flirty touch and compliment. He has met my son, who he is such a natural with. He is a walking green flag.
In my gut I feel like it's too good to be true. I'm so used to hurt and disappointment that I'm struggling to believe this guy would even go for me. I back myself as a person, but I just struggle to accept that there's a chance that he would want to take my son and I on as his own one day. We are both Christians, and he has even brought me along to his church and introduced me to some of his closest friends, which I loved. He has come to my yoga classes, we get coffees and do really wholesome things when we hang out. He came over the other night to play board games and it ended with him helping me unload my dishwasher, "just because". He hasn't made any physical moves on me which I appreciate, but also am just not used to (which isn't a great thing) so I think in my head I see lack of that as lack of interest. But I also don't want to initiate anything myself. I realize I am the one with the baby and things need to go at his pace which I am fully supportive of. He even got me flowers on mothers day so I "didn't not get anything".
I'm liking the pace of things, as with a baby I want to take my time and not rush into anything without being serious. But I really like him. I'm catching big feelings and I don't want to get hurt. He is overall friendly to absolutely everybody on planet Earth. I guess what I'm asking is, do we think he is wanting to be with me seriously one day? He does all of this nice stuff, and I'm ultimately wondering what to expect from here on? Will it progress? Personally, I feel chemistry. Feel dumb posting this as I write it as it seems so obvious, but I guess I just want to hear other thoughts.

In 1945, the United States underwent Operation Paperclip which gave over 1,600 German scientists, engineers and technicians sanctuary and absolution of their crimes in exchange for the continuation of their research.
In 1953 those same individuals came up with and executed MK Ultra, an illegal human experiment that used its citizens (targeting schools, hospitals and prisons) as test subjects.
In 1954 the Plum Island was turned into a research center for diseases.
In 1975 the first documented case of Lyme disease occurred. Rumored to have escaped Plum Island.
In 2005 the DHS announced that all the work done at Plum Island would be continued in Kansas. Not just the center of the continental United States, but also home to crops seen in grocery stores all over the country.
The following is a true story.
Getting into work, one of the first things I do is check my mail. I’ve been a reporter for years and have amassed fans who like to write in and give me leads. Most of the time these leads don't amount to much (Sometimes I wonder if people send me things because of my apophenia and they are trying to get me off their scent), but every once in a while I strike gold.
I had been working at Whisper Alley Echos for a few months by the time I got my first lead. The package I got was small and when I opened it I saw a DVD that had the words “play me” written in black marker on it. Not knowing what was on it, I waited until I got home to put it on. Not just because I didnt know what was on it, but I was also busy working on a different project about how everyone in a nearby town just went missing. The official story is that they all went on vacation or went to visit a relative and decided to stay. I dont know about you, but I found that suspicious.
After getting home and shifting gears to get into the movie mood (popcorn, blinds pulled, etc…) I popped the DVD in and began watching.
There were dozens of different videos to pick from, some ranging from a minute to half an hour. Instead of picking one at random, I just played them in order. After all, all their titles were dates and times and I didnt want to miss anything that might make sense later.
The first video featured a tardigrade, at the time I didnt know what it was, but the scientist doing the voice over described it as being a microscopic animal as well as being extremely resilient. This went on for several minutes and for a moment it felt as though I was watching a nature documentary instead of something given to me by a government whistleblower.
The next few videos featured footage of the tardigrades being given something called “BB-F828” and the changes it caused.
The voiceover talked about how a tardigrade (this time he called them water bears and the two terms were interchangeable from this point on) was showing signs of several thousand generations of evolution in only a few days. Even though I know nothing about science, I could see that the thing on the television was not the same animal that was shown in the first video.
While they were never “cute”, at least they never looked like predators, but after a few videos I saw that the tardigrades were covered in what appeared to be padding. In a later video this padding would change into being chitin-like armor.
The last video was filmed two months after the water bears were given BB-F828 and in it the scientists could see them even without a microscope.
The next morning I went into work and started writing on my computer, copying notes from my small notebook. However by the time I started the second draft, Andrea, the office secretary, dropped a letter off at my desk.
It was the first time I got a letter about an “inside scoop” two days in a row.
The letter said that they were the ones who sent the DVD and if I wanted to know more I would have to go to The Rats Skeleton (a bar that used to be a speakeasy during prohibition. Because of this the place feels as though its a front for a comic book villain. The owners have leaned into this and did everything they could to reinforce this feeling with sparse lighting and everything that isn't red velvet on the walls being painted black) at a specific time.
Usually I wouldn't go meet strangers after getting an anonymous letter that tells me to come alone, but its a small town and I didn't have much going on that particular Thursday.
Parking behind the Merc (short for mercantile, where most of the grocery and general shopping is done in town), I descended the stairs and made my way to the back of the bar. There I found a woman that didnt look like she slept in days. Since no one else was in that back area I figured she must have been the person I was there to see.
“Hey, I’m Daniel West. Am I—”
“Sit” the woman said, motioning across from her. I sat down and asked her for her name but she didn’t want to answer me and when i asked for it a second time she claimed it was Jane, but there is no doubt that was not her real name.
“What made you reach out, Jane?”
“You saw the video?”
I nodded. “Yup.”
“And?”
“I have a lot of questions” I answered.
“Figured you would” Jane said. “Ask.”
“Well, first” I said, my journalistic inexperience showing as I went through my pocket notebook. “Who are you and why do you know all this?”
“Name isnt important” Jane answered. “Let me start from the beginning. We thought we were working on human survivability” Jane answered. “I thought that I was working for some company that had a government contract. That might be true, it might not be. Either way lots of money and resources have been put into this.”
“I saw the video” I answered. “What exactly was it that I was watching?”
Janes eyes were frantic as she looked at the stairs behind me. When I turned around to see what she was looking at I saw a local descending the steps and approach the bar. She only answered my question when she was convinced that the man wasn't eavesdropping, still, she spoke in whispers.
“We were working on human survivability.”
“You said that. What does that mean?”
“Exactly what it sounds like. Consider we civilize mars and the long term effects from the static radiation there. Or another planet that demands thicker bones because of increased gravity? Evolution might give us those things eventually but what if we need it now? In this generation?”
“So you made super humans?”
Jane was annoyed and slapped the table. No one was around to hear or see her but I still looked around anyways.
“We didn’t work on humans. We piggybacked off of some other countries' genetic research and made some breakthroughs of our own. When—-“
“Other countries?” I interrupted instead of letting her talk.
“Yeah” Jane said with a shrug. “Some countries aren’t tied down by the same code of ethics as ours.”
“That’s why you got a hold of me? To tell—-“
“We were working on small parts. At first individual genes, building from that success we went on to more complex organisms. Eventually, hopefully, test on humans.”
“But you never made it that far?”
“No” Jane said, taking a sip from her glass. “We tested BB-F828 on other things, building up towards human testing.”
“Okay, like what?”
Jane inhaled through her nose and looked at me as though she wasnt sure if I could be trusted. Then she sighed when she realized it was too late not to trust me, she had already went too far to turn back. “What do you think has the best chance of not only surviving a planet wide disaster, but also thrive in it?”
“Cockroaches” I answered.
Jane nodded. “Sure. Lots of people would agree with you, however that wouldn't be the best pick.”
“Oh? Then what would be?”
“Rats.”
I laughed.
“They are tough and can thrive anywhere. Even before BB-F828 they are smarter than roaches, plus rats have a complicated social hierarchy, similar to humans. Remember, I didn't just say survive. I said thrive.”
“So you tested all this on rats?”
Jane nodded. “We did.”
I waited for Jane to continue, but thanks to her staring off into space due to lack of sleep, she waited longer.
“What happened?”
Janes eyes drifted back at me, she was running on fumes. “Huh? Oh, yeah. Rats, right?” she asked while pulling a folder out from the seat next to her. She set it on the table and slid it over to me. “Here, take a peek.”
I opened it, expecting redacted pages of ‘evidence’ and while I got some of that, it was the photos that drew my attention the most. At first the photos were individual rats and a designated number they received instead of a name.
“How many rats did you experiment—” I started, but my voice trailed off when I came across a photo of the one rat with unique markings on its back now appearing to be bred for a war on pleasant dreams. Its eyes were pearly gray, teeth became tusks, its whiskers were thick and barbed. According to the scale it was on when the second photo was taken it weighed twenty nine point four kilos.
“A few hundred?” Jane answered, though it was obvious that it was just a guess. “They were paired off and put in different environments to see how they adapt.”
“Why would you pair them off?”
“I think it was to see if some would branch out and become their own species” Jane answered as she checked her watch. Seeing the time she sped up. “See, when something with BB-F828 finds itself in a desert, it might adapt to the point that it grows a hump like a camel. Or grow gills if they are in the ocean. The original purpose was for human survivability on other planets. We thought if we could discover how the adaptations work, and it could be repeated exactly the same over and over again, we could do something for humans. After all you wouldn't want anything unexpected to happen when you're in the middle of growing another set of arms or a dorsal fin, right?”Jane said. “But to do this we needed lots of subjects and all in their own environments. Each one had their own surprises, after all, evolution is random. Favors some things over others. One species can branch out to be dozens or hundreds. Thousands with enough time and environmental factors. When the tardigrades started displaying more predatory behavior we thought it was due to the change in diet and the increase in protein, but now we think its due to the rapid change. It drives them insane. All of this was surprising, but none as surprising as the ‘dirt rats’.”
“Wait. They are all insane? Also, dirt rats?” I asked, flipping the photo over to show the next one. This one revealed what I thought was a bear, but when I was about to flip it over to look at the next one I noticed its teeth. Thats when I noticed that it was a huge, muscular rat.
“Six breeding pairs, all kept in an empty pool full of dirt. They weren't given enough room to get out of the dirt, so they had to adapt to living in it. Anyways, because they are in the dirt its harder to keep track of what they are doing. Because of that, by the time we discovered that they had burrowed their way out of the facility it was too late. They were gone.”
“Gone? What do you mean?”
“Escaped,” Jane whispered. “And they are growing.”
“Growing?”
“Last I heard, they were nearly sixty feet but we honestly don't know. It's not like we can compare them to anything else.”
“Sixty feet?” I laughed. “Someone would have saw them by—”
“Underground” Jane said with a shake of her head. “They are underground. I know it's hard to believe, but how else can you explain those earthquakes in Chicago? New York?”
“Are you saying there are giant rats under those cities?”
“I am saying they aren't rats anymore. They are something else entirely. I am saying six breeding pairs might not sound like a lot, but rats reproduce so quickly it's terrifying. I am saying that they are so big and there are so many of them that they are causing those earthquakes. I am saying that due to their size they burn off lots of calories and some have evolved to hibernating.”
“Why hibernation?”
“No idea, but when they wake up they are going to be very hungry. Ravenous.”
“Any idea when that might be?” I asked.
Jane shrugged. “Some already have. We just covered it up.”
It might have been my apophenia talking, but with that statement I started seeing the bigger picture and asked Jane about the town that went missing (The story I was working on before her DVD reached me). Jane gave me the politician's answer, saying something without actually saying something, and that was enough to confirm that I was indeed on the right track.
Unfortunately Jane and I did not speak for much longer, she got a call that freaked her out and she took off. Before she left she took the folder and the pictures I was still going through. I haven't seen or heard from her since and have dropped the story about the disappearances that have secretly been plaguing our country.
WAE

In 1945, the United States underwent Operation Paperclip which gave over 1,600 German scientists, engineers and technicians sanctuary and absolution of their crimes in exchange for the continuation of their research.
In 1953 those same individuals came up with and executed MK Ultra, an illegal human experiment that used its citizens (targeting schools, hospitals and prisons) as test subjects.
In 1954 the Plum Island was turned into a research center for diseases.
In 1975 the first documented case of Lyme disease occurred. Rumored to have escaped Plum Island.
In 2005 the DHS announced that all the work done at Plum Island would be continued in Kansas. Not just the center of the continental United States, but also home to crops seen in grocery stores all over the country.
The following is a true story.
Getting into work, one of the first things I do is check my mail. I’ve been a reporter for years and have amassed fans who like to write in and give me leads. Most of the time these leads don't amount to much (Sometimes I wonder if people send me things because of my apophenia and they are trying to get me off their scent), but every once in a while I strike gold.
I had been working at Whisper Alley Echos for a few months by the time I got my first lead. The package I got was small and when I opened it I saw a DVD that had the words “play me” written in black marker on it. Not knowing what was on it, I waited until I got home to put it on. Not just because I didnt know what was on it, but I was also busy working on a different project about how everyone in a nearby town just went missing. The official story is that they all went on vacation or went to visit a relative and decided to stay. I dont know about you, but I found that suspicious.
After getting home and shifting gears to get into the movie mood (popcorn, blinds pulled, etc…) I popped the DVD in and began watching.
There were dozens of different videos to pick from, some ranging from a minute to half an hour. Instead of picking one at random, I just played them in order. After all, all their titles were dates and times and I didnt want to miss anything that might make sense later.
The first video featured a tardigrade, at the time I didnt know what it was, but the scientist doing the voice over described it as being a microscopic animal as well as being extremely resilient. This went on for several minutes and for a moment it felt as though I was watching a nature documentary instead of something given to me by a government whistleblower.
The next few videos featured footage of the tardigrades being given something called “BB-F828” and the changes it caused.
The voiceover talked about how a tardigrade (this time he called them water bears and the two terms were interchangeable from this point on) was showing signs of several thousand generations of evolution in only a few days. Even though I know nothing about science, I could see that the thing on the television was not the same animal that was shown in the first video.
While they were never “cute”, at least they never looked like predators, but after a few videos I saw that the tardigrades were covered in what appeared to be padding. In a later video this padding would change into being chitin-like armor.
The last video was filmed two months after the water bears were given BB-F828 and in it the scientists could see them even without a microscope.
The next morning I went into work and started writing on my computer, copying notes from my small notebook. However by the time I started the second draft, Andrea, the office secretary, dropped a letter off at my desk.
It was the first time I got a letter about an “inside scoop” two days in a row.
The letter said that they were the ones who sent the DVD and if I wanted to know more I would have to go to The Rats Skeleton (a bar that used to be a speakeasy during prohibition. Because of this the place feels as though its a front for a comic book villain. The owners have leaned into this and did everything they could to reinforce this feeling with sparse lighting and everything that isn't red velvet on the walls being painted black) at a specific time.
Usually I wouldn't go meet strangers after getting an anonymous letter that tells me to come alone, but its a small town and I didn't have much going on that particular Thursday.
Parking behind the Merc (short for mercantile, where most of the grocery and general shopping is done in town), I descended the stairs and made my way to the back of the bar. There I found a woman that didnt look like she slept in days. Since no one else was in that back area I figured she must have been the person I was there to see.
“Hey, I’m Daniel West. Am I—”
“Sit” the woman said, motioning across from her. I sat down and asked her for her name but she didn’t want to answer me and when i asked for it a second time she claimed it was Jane, but there is no doubt that was not her real name.
“What made you reach out, Jane?”
“You saw the video?”
I nodded. “Yup.”
“And?”
“I have a lot of questions” I answered.
“Figured you would” Jane said. “Ask.”
“Well, first” I said, my journalistic inexperience showing as I went through my pocket notebook. “Who are you and why do you know all this?”
“Name isnt important” Jane answered. “Let me start from the beginning. We thought we were working on human survivability” Jane answered. “I thought that I was working for some company that had a government contract. That might be true, it might not be. Either way lots of money and resources have been put into this.”
“I saw the video” I answered. “What exactly was it that I was watching?”
Janes eyes were frantic as she looked at the stairs behind me. When I turned around to see what she was looking at I saw a local descending the steps and approach the bar. She only answered my question when she was convinced that the man wasn't eavesdropping, still, she spoke in whispers.
“We were working on human survivability.”
“You said that. What does that mean?”
“Exactly what it sounds like. Consider we civilize mars and the long term effects from the static radiation there. Or another planet that demands thicker bones because of increased gravity? Evolution might give us those things eventually but what if we need it now? In this generation?”
“So you made super humans?”
Jane was annoyed and slapped the table. No one was around to hear or see her but I still looked around anyways.
“We didn’t work on humans. We piggybacked off of some other countries' genetic research and made some breakthroughs of our own. When—-“
“Other countries?” I interrupted instead of letting her talk.
“Yeah” Jane said with a shrug. “Some countries aren’t tied down by the same code of ethics as ours.”
“That’s why you got a hold of me? To tell—-“
“We were working on small parts. At first individual genes, building from that success we went on to more complex organisms. Eventually, hopefully, test on humans.”
“But you never made it that far?”
“No” Jane said, taking a sip from her glass. “We tested BB-F828 on other things, building up towards human testing.”
“Okay, like what?”
Jane inhaled through her nose and looked at me as though she wasnt sure if I could be trusted. Then she sighed when she realized it was too late not to trust me, she had already went too far to turn back. “What do you think has the best chance of not only surviving a planet wide disaster, but also thrive in it?”
“Cockroaches” I answered.
Jane nodded. “Sure. Lots of people would agree with you, however that wouldn't be the best pick.”
“Oh? Then what would be?”
“Rats.”
I laughed.
“They are tough and can thrive anywhere. Even before BB-F828 they are smarter than roaches, plus rats have a complicated social hierarchy, similar to humans. Remember, I didn't just say survive. I said thrive.”
“So you tested all this on rats?”
Jane nodded. “We did.”
I waited for Jane to continue, but thanks to her staring off into space due to lack of sleep, she waited longer.
“What happened?”
Janes eyes drifted back at me, she was running on fumes. “Huh? Oh, yeah. Rats, right?” she asked while pulling a folder out from the seat next to her. She set it on the table and slid it over to me. “Here, take a peek.”
I opened it, expecting redacted pages of ‘evidence’ and while I got some of that, it was the photos that drew my attention the most. At first the photos were individual rats and a designated number they received instead of a name.
“How many rats did you experiment—” I started, but my voice trailed off when I came across a photo of the one rat with unique markings on its back now appearing to be bred for a war on pleasant dreams. Its eyes were pearly gray, teeth became tusks, its whiskers were thick and barbed. According to the scale it was on when the second photo was taken it weighed twenty nine point four kilos.
“A few hundred?” Jane answered, though it was obvious that it was just a guess. “They were paired off and put in different environments to see how they adapt.”
“Why would you pair them off?”
“I think it was to see if some would branch out and become their own species” Jane answered as she checked her watch. Seeing the time she sped up. “See, when something with BB-F828 finds itself in a desert, it might adapt to the point that it grows a hump like a camel. Or grow gills if they are in the ocean. The original purpose was for human survivability on other planets. We thought if we could discover how the adaptations work, and it could be repeated exactly the same over and over again, we could do something for humans. After all you wouldn't want anything unexpected to happen when you're in the middle of growing another set of arms or a dorsal fin, right?”Jane said. “But to do this we needed lots of subjects and all in their own environments. Each one had their own surprises, after all, evolution is random. Favors some things over others. One species can branch out to be dozens or hundreds. Thousands with enough time and environmental factors. When the tardigrades started displaying more predatory behavior we thought it was due to the change in diet and the increase in protein, but now we think its due to the rapid change. It drives them insane. All of this was surprising, but none as surprising as the ‘dirt rats’.”
“Wait. They are all insane? Also, dirt rats?” I asked, flipping the photo over to show the next one. This one revealed what I thought was a bear, but when I was about to flip it over to look at the next one I noticed its teeth. Thats when I noticed that it was a huge, muscular rat.
“Six breeding pairs, all kept in an empty pool full of dirt. They weren't given enough room to get out of the dirt, so they had to adapt to living in it. Anyways, because they are in the dirt its harder to keep track of what they are doing. Because of that, by the time we discovered that they had burrowed their way out of the facility it was too late. They were gone.”
“Gone? What do you mean?”
“Escaped,” Jane whispered. “And they are growing.”
“Growing?”
“Last I heard, they were nearly sixty feet but we honestly don't know. It's not like we can compare them to anything else.”
“Sixty feet?” I laughed. “Someone would have saw them by—”
“Underground” Jane said with a shake of her head. “They are underground. I know it's hard to believe, but how else can you explain those earthquakes in Chicago? New York?”
“Are you saying there are giant rats under those cities?”
“I am saying they aren't rats anymore. They are something else entirely. I am saying six breeding pairs might not sound like a lot, but rats reproduce so quickly it's terrifying. I am saying that they are so big and there are so many of them that they are causing those earthquakes. I am saying that due to their size they burn off lots of calories and some have evolved to hibernating.”
“Why hibernation?”
“No idea, but when they wake up they are going to be very hungry. Ravenous.”
“Any idea when that might be?” I asked.
Jane shrugged. “Some already have. We just covered it up.”
It might have been my apophenia talking, but with that statement I started seeing the bigger picture and asked Jane about the town that went missing (The story I was working on before her DVD reached me). Jane gave me the politician's answer, saying something without actually saying something, and that was enough to confirm that I was indeed on the right track.
Unfortunately Jane and I did not speak for much longer, she got a call that freaked her out and she took off. Before she left she took the folder and the pictures I was still going through. I haven't seen or heard from her since and have dropped the story about the disappearances that have secretly been plaguing our country.
WAE

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"Leave the sleeping dragons lie in peace" is a lesson that seemingly has to be taught to every wannabe conqueror over and over again.
Time after time, there will be a few idiots who only see the dragon's hoard, its cult of followers, and ignore the piles of rusted, slagged, calcified, scorched remains of every moron who tried before them. They see all of this and think "I can beat it to submission and take everything it has."
And then the dragon wakes up, and more smoldering remains are added to the scorched scrap heap.
And the Malevolent Universe grins in the darkness, and increases the "Dead morons who should have known better" counter by one. Then, waits for the next contestant. - u/Matt_Bradock, Terran Philosopher, Age of Paranoia, TerraSol
^{initiating data stream
your name is Dhruv-661391
you were purchased for the same price as a moderately priced luxury vehicle}
She knows the dead. She is of the dead. She is the keeper and guardian of the dead. Life, death and the feasting of swarms all are one within her. She knows where once-dead things were laid to rest and where the deathless still dream in their unliving slumber. She knows where the hungry dead have roamed the universe's fields, and where they still roam them unburied, and why no one remembers them as they tread. - The Fifth Horseman, First Terran Imperium, "Meditations Upon Immortals"
^{you were created to serve}
What we tell ourselves, what we tell others, and what actually happened, are often three different things.
And sometimes four. - Unknown, Age of Paranoia, TerraSol
^{your name is Dhruv
and your brain was once smooth}
Captain N'Skrek checked his datalink.
The deep data storage was still at work bringing up information on "Legion" and "Sacajawea". The older databases of the Gray Lady had data at the ready, but it was sparse.
Two of the Biological Apostles of the Digital Omnimessiah, a figure of myth and legend.
Yet, they sat across from him.
They were talking back and forth in a language that the computer's linguistic database had no record of and stubbornly resisted any attempt to decipher it.
What N'Skrek did hear was several words that he recognized.
Daxin the Unfeeling. Daxin Freeborn. Chromium Saint Peter. Enraged Phillip. Matthias the Elder. Matthias the Younger. Kibuka. Kalki. Gravity.
A litany that left data scrolling down the empty space just beyond the edge of his peripheral vision.
Daxin "The Walking War Crime" Freeborn.
NavInt and MilInt were projecting with an 80% certainty (adjusted downward for unknown probabilities) that the beings in front of him were from that long bygone era.
Finally Captain N'Skrek cleared his throat.
The bald one, Legion, turned to look at the gathered staff officers.
"My apologies. I was catching my sister up on what has transpired since she disappeared," Legion said, smiling gently. He nodded. "You probably have questions."
N'Skrek nodded back. "The biggest one is: how did you..." he thought for a second. "Why did you..." no, that wouldn't work. "What bring about..."
Legion smiled.
"How did I replace all of your clones and why?" he asked. "Why is it that if you print off too many identical clones I show up?"
N'Skrek nodded. "Yes."
Legion looked at the Terran officers and smiled wider. It was a cruel smile, reminding N'Skrek of a hook pointed knife that had been sharpened to a keen edge.
"You didn't tell them? Have you really forgotten about me?" he asked.
"It was assumed to be still prevented by the cloning systems," Vice-Admiral Breakheader stated slowly. "We have only recently been restored ourselves. Less than two months time."
Legion just smiled.
Vice-Admiral Breakheader turned to look at Captain N'Skrek. "Running off too many identical clones causes Legion to manifest. It's why we use the Born Whole system, it ensures they have different brains, different expriences, and they have a slight variation to pore and retinal patterns, hair growth, minor things like that. Otherwise, Legion manifests."
"Why?" N'Skrek asked.
The Vice-Admiral sat silently for a moment before replying. "Because," was all he said.
Legion's smile didn't leave his face.
"Because it is my nature," he said.
Sacajawea said something and Legion replied in the same language, then turned to N'Skrek.
"My sister does not know why she was rebirthed," he said. He looked at her and spoke rapidly. She answered, only a few words, which made Legion reply at length. Again, only a few words.
"It must have been important," N'Skrek interrupted.
"She states that she does not know why the Immortals system did not rebirth her when she died," Legion said. He glanced at her. "She tells me that she died, with her people, when her peaceful planet was attacked."
"By the Mar-gite?" N'Skrek asked.
Again, more conversation.
"Yes," Legion answered. He frowned as she spoke again. "She says they were a peaceful planet. Anarcho-Primitivism. Very little technology. The Mar-gite attacked without warning."
She spoke rapidly and Legion listened.
N'Skrek saw the computer still was not able to parse the language, even though it could build a lexicon of off very little data for almost any other language it encountered.
Legion turned and faced N'Skrek. "She states that she believes it was the fact that some of her people demanded that high technology be left in place in order to allow the six planets her people had settled to remain in contact. That the high tech farming and sustenance industries led the Mar-gite to attack her."
Again, Sacajawea spoke, her head lifted, looking down at Legion.
"Why she was not reborn is unknown to her. She had guided and shepherded her people for thousands of years before the outsiders came. Outsiders drawn by technology, by the abandonment of the old ways," Legion said. He was frowning as he spoke rapidly.
The conversation took a few minutes.
"She said the outsiders came and wiped her people out after entire generations held them off. That in the final battle, they overcame her when her strength failed," Legion said. There was more talking. "She's describing the Mar-gite."
"Where was this?" N'Skrek asked, bringing up a map of the galaxy. "The First Mar-gite War was only three hundred years prior to the Council-Confederacy Conflict and lasted nearly a hundred years," the brought up a sketchy timeline of the era. "When did you encounter the Mar-gite and where?"
Sacajawea spoke again at length. Legion spoke back. It grew heated for a moment before Legion looked at N'Skrek.
"She will not say. She does not want us to defile or desecrate the worlds her people settled. She does not want us to know when or where," he said.
"That might be pertinent information," N'Skrek said. "Important information to keep the Mar-gite from overwhelming the Cygnus-Orion Spur."
Sacajawea spoke quickly, heatedly, half standing up. Legion put his hand on her shoulder, obviously encouraging her to sit down, but she shrugged, throwing off Legion's hand, and her speech got more heated, her eyes flashing with anger.
"She says she will not reveal her people's resting place for us to dig up the graves and desecrate them. That it is not anyone's business where The People have gone or what The People have done," Legion said. He turned and answered her.
The conversation got heated as the N'Skrek and the officers watched.
Finally, Sacajawea stood up and turned around, folding her arms across her chest, lifting her chin.
Legion's skin darkened with anger.
"Then you can tell them that load of bullshit yourself, little sister," he snapped.
He suddenly vanished in a swirl of black powder that evaporated.
N'Skrek saw that Sacajawea was shocked by Legion's disappearance. She stood there for a long moment.
"Dhruv?" she asked mid-air.
N'Skrek motioned his officers to stay silent.
"Dhruv?" she snapped, stomping one foot.
Still silence.
"Luke!' she half-shouted, stamping her foot again.
She turned and looked at the gathered staff officers, who were all staring at her.
"Legion?" she asked quietly.
N'Skrek held up one bladearm.
"It appears, Miss, that you will have to speak for yourself."
Sacajawea frowned and clamped her lips together.
N'Skrek just stared mildly.
^{your name was tiffany}
0-0-0-0-0
^{your name was dhruv
you were created to serve the deshmuhk family
you were a gardener and a menial
but you have risen above that}
Jaskel had just gotten a plate of food and sat down in one corner of the cavernous Dining Bay Twenty-Three.
True, it was a little bit of a walk from the Telkan Marine section to that particular dining facility, but for some reason Jaskel liked the food put out by Nutriforge-Eight better than any of the others.
Like the Gunny always said, it was the little things that count.
He had arranged his silverware, his drink, and given a short prayer when he suddenly wasn't alone.
A slender man in an unfamiliar uniform suddenly appeared at one of the tables on the far side of the Dining Bay. Jaskel watched as two more stepped out of the first. They all sat down and started talking rapidly.
To Jaskel, it sounded like an argument.
It looked like one person arguing with himself.
Jaskel ate quietly and slowly, trying to avoid attracting attention, but watching the Terran out of the corner of his eye.
Terrans were universally half-crazy.
And a Terran arguing with clones of himself was probably full blown crazy.
That, and Jaskel remembered how negligent the display of power had been that had left him hanging upside down in mid-air.
Much to the amusement of his squad mates who watched the video and laughed.
He was down to dessert when the far door opened and a woman entered. Jaskel recognized her instantly as the young adult Terran woman who had appeared nude from the cloning banks, even though she was clad in clothing made of brown material and decorated with beads.
She immediately made a bee-line for the man, who had gotten a plate with a piece of pie on it while the other two argued between each other.
She stopped and stomped on foot, staring down at the sitting man.
"You look stupid," the man, Legion, said when she stopped next to him.
"Dhruv," she snapped. She rattled off words that Jaskel's datalink couldn't translate.
"Not talking to you until you speak Confederate Standard. I know you know it," Legion/Dhruv stated.
She stomped her foot again. "Luke!" she snapped.
Legion looked up. "Part of me, a large part of me, feels that you lost the right to call me by that name."
He went back to eating the pie. When the woman looked at the two clones who were staring at her, they stared back for a moment then puffed into black dust that swirled and vanished.
Jaskel kept watching out of the corner of his eye.
"Dhruv," she snapped.
"Go away, Sacajawea," Legion said.
She stood there for a moment. Then she suddenly leaned forward and slapped the plate of pie away from Legion.
"I will not call you Legion," she suddenly said as the plate clattered against the far bulkhead.
"Go away," Legion said. He looked up. "Let me put it in a way you might understand better: I just want left alone."
The woman stepped back, one hand going to her mouth.
"Yeah, still scared of him, aren't you," Legion said. He stood up. "Or are you?" he moved so he was clear of the table. "Were you ever afraid of him, Sacajawea, or was it all an act?"
Sacajawea looked away. "He was everything wrong with the world, a living reminder of what kind of men destroyed my people."
Legion suddenly laughed. "You forget history, little sister. But, of course, you never had any use for history unless it served your own ends."
Sacajawea stomped her foot. "Dhruv, be nice."
"No," Legion said, his voice low and intent. "I have yet to hear you thank me for what I did in the cloning bay, much less what I did for you before you ran off and left me holding the bag."
^{your name was luke
remember remember
your name was luke}
"I came back to find Matthias the Elder standing over the sundered murdered code of the Digital Omnimessiah," Legion said. "Then Daxin showed up, Matthias claimed I killed our Digital Father, so I ran."
"And he followed. Intent on killing you," Sacajawea sniffed.
"Yes!' Legion said. "Of course he did! I would have chased me in that situation," Legion said. He stepped forward. "And where were you, Little Sister, when it happened?"
She looked away and sniffed. "I was performing my duty, serving my people. As you well know."
Legion turned around, facing away from her. "Yeah, the people you had me bake up," he turned back around. "Not the poor bastards fighting a slowly losing war against the Mantid. They were your people too, but you left them behind. If it wasn't for the Mechakrautlanders, they'd be extinct with the rest of humanity."
"They had set aside the old ways. I told you that," Sacajawea said. She gave a sniff and turned her head away. "They were too consumed by blood lust, they would not stop fighting, would not embrace the old ways."
"EVERYONE WAS FIGHTING!" Legion shouted in a voice that made Jaskel's drink glass rattle. "There were hab-kids fighting and dying in destroyed hab-blocks in the ruins of megalopolises. It had nothing to do with 'the old ways', it was a fight for survival."
"You would not understand," Sacajawea said. She gave another sniff, still looking away. "I took my people away from where technology and the abandonment of the ways of our people had led us."
Legion stood still for a second.
"Don't give me that shit about your 'people', remember, I touched you. I know the truth," Legion said. He shook his head. "You had a task. A task to help us, help our Digital Father, help all of humanity, but you abandoned it."
"I had a task to help my people," Sacajawea sniffed. "I owed nothing to the world that stood aside or actively took part while my people were destroyed," she looked at Legion. "You wouldn't understand."
Jaskel could see purple electricity snarling around Legion's boots, clawing at the deckplates with thread-thick fingers.
"You were supposed to guide us along the path to the SUDS, so we could save everyone, Sacajawea," Legion said. "You betrayed us. Betrayed them. You were supposed to save them."
"Like they saved my people, Luke?" Sacajawea asked.
"You don't call me that any more, little sister," Legion said. "For the love of the Detainee, fucking let go of shit that doesn't matter any more. We humans have been genocided repeatedly since then."
"I'm not calling you Legion. That reeks of arrogance and pride," Sacajawea said. "And it matters to me, Luke."
"You talk a lot of shit for someone named Bird Woman," Legion snapped back. "How about I call you Tiffany?"
Sacajawea took a step back. "That is not my name. That was never my true name."
"You forget. I could see under that skin job. See who you were born as. I knew the truth, and I've kept it secret for all these eons," Legion said. He turned away. "You left us, left humanity behind on your so-called quest."
He turned back to face her.
"Now, again, we're facing extinction. The Mar-gite, they wiped you out. Now they're here in overwhelming force to the point where I'm not even sure Fortress Sol can hold them off," Legion said. "And you still want to play pretend."
He turned his back on her.
"You're no different than Matthias the Elder," Legion said quietly.
There was a dreadful silence for a long moment.
"I told Daxin, sitting in the parking garage where we used to meet, that we had to let go of the past. Learn from it, admit it happened, but we had to let it all go. The old hatreds, the old angers, the old rage," Legion said softly. "He agreed. He said perhaps it was time for us to leave the mortals behind. Let them go without us dragging baggage from worlds and events dead and gone behind us."
Sacajawea sniffed. "It's different for the two of you, neither one of you had your people..."
"I was a short bake slave clone, Tiffany," Legion said, his voice still soft and quiet. "Just like your family owned."
Sacajawea opened her mouth to answer, her eyes flashing hotly.
"One of millions grown in a vat every year. Made in humanity's image but without its grace," Legion's voice was nearly a whisper. "Our little band of siblings, only Kalki, Gravity, and Daxin came from families that did not order one of me from an online catalogue. Even Bellona lived with my people performing menial labor for her colony."
Sacajawea stepped forward, obviously about to deliver a scathing retort.
"But my people didn't count, did we, Tiffany?" Legion asked. He gave a deep sigh. "I loved you, you know."
Her mouth closed. She looked confused.
"When you left, I created another of you," Legion said quietly. "She was, of course, captured by the Imperium, like all of the Biological Apostles," he looked down at the floor. "It was why they didn't know you'd escaped."
Jaskel wished he was anywhere but in the dining bay.
"Eventually, that version of you threw off the Imperium's chains like we did. She went back to Terra. Worked tirelessly to rebuild. Eventually, led the Dandelion Fleet that became the Sky Nebula Alignment."
It was silent except for the muted sounds a starship under power in Transit Space made.
"I'll go back with you. Translate for you," Legion said, his voice still soft. He turned to face the woman.
"Just... just stop lying, Tiffany," he said.
He was silent a moment.
"I had hoped that it was that version, my version, the version I had been madly in love with, that version of you that had been rebirthed," he said. "The version who guided her people, who succored them, who helped them rebuild, who helped them thrive in the scarred and shattered world Earth had become. I had hoped, when I saw you, that you were her."
^{the buzzing can still be heard
your name is legion}
"But it's just you."
0-0-0-0-0
Captain N'Skrek watched as Legion led Sacajawea into the briefing room.
He had been busy looking up every scrap of information on the Digital Omnimessiah, the Biological Apostles, Legion, and Sacajawea.
Of all of them, information was scarcest, almost non-existent, on Sacajawea.
He waited as the Terran woman took a drink from the glass in front of her.
She looked around.
"During the Human-Mantid War, before the destruction of the Overqueen by the forces of MechaKrautland, before the Liberation of Terra," she started. She closed her eyes, sighed, and opened them. "I begged Vat Grown Luke, who you know as Legion, to clone my people and help me repair and then hijack four colony transports crashed in the Middle Kingdom."
She looked down and Legion reached over and took her hand. She looked startled for a moment, squeezed Legion's hand gently, and looked back up.
"I led my people away. From the Imperium, from Terra, from the War," she said. She reached out and touched the holo-emitter, bringing up a map of the Milky Way. She touched a single arm.
"I led them here. For over eight thousand years my people knew peace, prosperity, and plenty," she said. She closed her eyes, took a deep breath, and exhaled sharply.
N'Skrek recognized it as a sign of stress in Terrans.
"Roughly twelve hundred Terran Standard Years prior to the Council-Confederacy Conflict, we were attacked," she said. She looked down. "I had sworn to protect my people, to use my powers to protect my people, which had grown to fill six worlds."
She looked back up.
"The Mar-gite destroyed my people in under a decade," she said. She looked down again. "And me with them."
"A glitch in the system prevented her from moving to Afterlife or being rebirthed," Legion said. "A glitch I had caused when I helped her."
"The Mar-gite destroyed my people here," Sacajawea said, her voice filled with pain.
A single cluster of six stars burned brightly.
Deep in the Scutum-Crux Arm.
^{your name is legion}
[First Contact] [Dark Ages] [First] [Prev] [Next] [wiki]

ch0 -- [already written]. City Alpha of Ikun, Nyektak-pack is in the Bastion, the official City Alpha residence, working through the annual agenda that the Lawspeakers have passed them for Y932. Along the way, they begin discussing what kind of legacy they'll leave behind after they're dead and gone, whether everything they've built will be torn apart in a day or stand for a thousand years. The pack's alpha Nyektak Tun points out that Ikun stands in a precarious position and what they do now will have a huge impact. The economy is stagnating due to jobs being replaced by robots and automation, the environment is collapsing, leading to huge waves of refugees from the equatorial Dunelands. Further, their geopolitical enemy Koranah city-state is rapidly catching up economically and militarily, and sensing blood in the water with regards to Ikun's hegemony, is becoming increasingly aggressive with its foreign policy. Nyektak Nyak suggests that geoengineering can be used to stabilize things, with tools such as weather control satellites and ecological nanobots. However, this is regarded as a critical security threat by Tun, as Koranah is ahead of Ikun in this field, so if a global Climate Control System is created, then it is likely Koranah-based companies and Koranah technology that will tie the whole system together, leading them to have an outsized role. Such a thing is regarded as politically dangerous, as it could pose a threat to the Hegemony even without Koranah overturning Ikun's nuclear monopoly. And it won't even create many jobs in Ikun, so it won't resolve the economic concerns. Nyak points out that it's not politically viable to simply ban geoengineering without the state coming up with a better idea. After a long discussion, it is Nyektak Aykay who finally has a breakthrough idea. They will create a starship to send a military occupation force to planet TRK-16-3 (aka Earth......). Not only will this create enormous numbers of jobs in Ikun to revitalize the economy, but it will demonstrate to the rest of the world that Ikun still has an unmatched ability to project military force even at interstellar distances, and give the citizens of Ikun hope that they can seek out a better life on another planet. Indeed for this reason, it is called Project Hope.
ch1 -- [already written] Nyektak-pack makes an unexpected appearence in the Hall of Power, where Ikun's Lawspeakers convene, looking to make some deals and exert some pressure in order to get Project Hope put on the annual agenda. They have identified that a certain Lawspeaker Ronyr-pack is the most influential pack in the Lawspeakers' Association at present, and so speak to them first, the idea being that they will be able to pull the strings necessary to approve Project Hope. Although Lawspeaker Ronyr-pack are initially skeptical, they agree to assist after Nyektak-pack promises an array of political favors, including guaranteeing that Ikoin Corporation--which Ronyr-pack own significant stock in--will be the main contractor for Project Hope, and reducing the taxes they collect on healthcare workers, who are present in large numbers in Ronyr-pack's district. However, Ronyr-pack is just the first Lawspeaker that Nyektak-pack will have to deal with; in order to ensure that Project Hope actually gets onto the agenda, they also have to make a separate deal with Ronyr-pack's enemy Lawspeaker Radenkiut-pack, who have the second-largest group of allies in the Lawspeaker's Association. Nevertheless, City Alpha Nyektak-pack gets what they want--zero restrictions on raising funds for Project Hope, coupled with a ban on geoengineering tech and directives to pursue sanctions against other city-states that don't join them in doing so, thereby inhibiting the rise of a Climate Control System as an alternative to Project Hope. As Nyektak Aykay points out, these two agenda items reinforce each other; one can't be overturned without also overturning the other.
ch2 -- Icen-pack is a struggling pack of construction workers in Ikun in Y934, who always have to be on the constant lookout for their next gig, as jobs are scarce and hard to come by. They are currently working on a new skyscraper in Ikun's well-to-do District 7, including the flying buttresses that extend over the surrounding roads to interconnect with the supports of adjacent buildings, as typical with Kyanah architecture. Even now they are already even as they work leveraging advanced algorithms to predict the next opening so they can apply before anyone else. Things are made even more cutthroat by the increasingly widespread use of wearable sensors to identify the best performers, and the fact that immigrants from the Dunelands tend to be willing to work for lower wages, which drives pay down for everyone and often forces native Ikun packs to work even harder to justify their wages. As they work, Icen Korak (who, like Kei and Nuyu, grew up in the industry, as their birth-packs worked in construction) laments that things used to be simpler when he was growing up, and packs didn't have to constantly fight against each other to land building jobs, and there were more full time positions instead of the constant data-driven scramble for gigs. Icen-pack's alpha Naiun, as well as Karok, mostly take this in stride, having not grown up in the industry and thus not being as familiar with it, but the rest agree with Korak. Karok points out that it's not a huge surprise, considering how few buildings are being built in the current economy and how even a skyscraper can be built with just a couple dozen packs with current technology, but still nobody is happy with the status quo. They contemplate trying to sabotage the metrics of their coworkers, suspecting that others will do the same to them, taking advantage of the new wearable sensors that are measuring performance; however Naiun insists that they will be fine if they just work hard and be honest, and seeing as she is the pack's alpha that kind of shuts the idea down. They also contemplate having another pair of young, in addition to their current pair Raktan and Tyorek, but money is at present too tight for that. However, Project Hope is announced to the public in an address by Nyektak-pack on state TV. They are initially all a bit confused why Ikun is planning an interstellar invasion, but Kei realizes that Project Hope will serve as a huge jobs program and speculates that this will have knock-on effects across the rest of the economy, and jobs for them will once again be plentiful, putting the whole pack on a hopeful note.
ch3 -- Ryen-pack is graduating from the prestigious Nktan University (in the neighboring city-state of Nktan obviously) and becoming scholars of the first rank. While they all agree they are going to miss the university, they all look forward to going back to Ikun and what comes ahead, as they will be starting work at a prestigious influencing firm in Ikun, basically working with the government to have laws changed for their clients. Ryen Kerok, the pack's Alpha, is especially eager to change the world, believing that they will be able to do a lot of good by influencing the highest levels of Ikun's government for their future clients. Teren is mostly thinking about the high salary that will enable them to have children quickly, whereas young packs in Ikun have to save for years. As for Kaun, she occupies something of a middle ground between the two. Ryen Konyan has the most misgivings about everything, about leaving Nktan University for the "real world", about the possibility that they'll end up working for corrupt clients and doing more harm than good, and about bringing children into a dying world, especially with the onset of Project Hope, which they all agree is stupid and short-sighted, but don't think the government will actually go through with building the starships and launching the military expedition to Earth. They are also concerned about the geoengineering ban, believing that Koranah city-state and their allies will just ignore it, giving them even more control over the future Climate Control System. And so they make their way back to Ikun to begin their careers at the influencing firm Kortak-Dakayan Corporation, a bit hopeful but also a bit uncertain about the future.
ch4 -- some lawspeakers and the city alpha are being shown the initial stages of technological progress on Project Hope in Y935 at Toryak University, the most prestigious university in Ikun. An enormous supercomputer complex has been constructed, using the Kyanahs' signature mechanical computers and is being used to research interstellar propulsion methods. Although many of the scientists are a little skeptical of Project Hope, they do appreciate the huge influx of funding to pursue their research. Nyektak-pack is impressed that the complex has been constructed in only a year (technically it's still under construction, but experiments are already underway as the city-state has imposed some very tough deadlines on them), but as the lead scientist-pack points out, it wasn't so difficult when they had a blank check from the Ikun government. However, they have some bad news: they've been attempting to design an interstellar engine using nuclear pulse propulsion, but despite their best efforts to optimize the design, it will only be able to reach 4% of light speed, which as they point out means that humanity will possibly be more technologically advanced than their own military by the time Project Hope arrives. The main problem is that the casing and detonation mechanisms of the nukes are basically dead weight. It seems that there may be a way around this by using antimatter-catalyzed nuclear propulsion, where small quantities of antimatter are fed into nuclear material to force a reaction without needing a bunch of actual nukes. However, this further has the problem that it will require grams of antimatter, meaning that a huge particle accelerator in the PeV range will have to be built. But if this can be done, the engines will be able to reach the required 7.5% of light speed. Much to the scientists' shock, Nyektak-pack immediately agrees to fund this accelerator. However, in private this prompts an argument between them as they don't actually have available funds, even if they funnel money from non-Hope agenda items into the project. The realize that Ikun can't do it alone while also building the starships themselves, they need funds and technical expertise from other city-states to build it, and will need to use their influence in the Coalition of Cities to get it, possibly in exchange for dipolmatic concessions that may destabilize Ikun's already precarious Hegemony. Meanwhile, we are also introduced to Nyektor-pack, a student of the second rank working on the supercomputing project while nurturing big dreams to someday be scholar of the third rank, at which point they aspire to start a research group to solve the many technical problems that must be solved for Project Hope to be successful.
ch5 -- A certain Ryen-pack--none other than Ryen Kerok's birth-pack--are working at one of Ikun's top universities, where their life's work has revolved around developing ecological nanobots that can break down pollutants in the soil. However, with enforcement of Y934 Agenda Item 579 beginning (banning technology associated with the Climate Control System), their entire life's work has now been forbidden by the government. Even many of their own students have bought into the official propaganda that this technology is dangerous and unreliable, and must be banned, much to their anger and disgust. They have continued working right up until the day the ban comes into effect, but a pack of university administrators orders them to destroy their research as the police will soon be arriving to shut the department down. Many harsh words are exchanged between Ryen-pack and the administrators, but ultimately there's nothing they can do except wipe their computers and destroy their prototypes before the police show up. After this, they reach out to their son Kerok's pack, which causes Kerok to wonder what is going on in their lives and if they want to be ikoin (kyanah term for friends/allies, but more explicitly transactional) but the elder Ryen-pack is retiring and leaving Ikun for the northern scrublands. Kerok urges them to stay and use their brilliant minds to do some good in Ikun, including the younger Ryen-pack's future children (even telling them that they will name one of their young after the elder Ryen-pack's alpha, Ayen), but the elder pack has made up their mind, they're done trying to pursue science while the government keeps interfering with their work, but tell the younger pack that the young are the future of Ikun, and if they want to save the planet, they must optimize their young for the cause, a message which seems to resonate most with Kerok and less with some of the others, especially Konyan.
ch6 -- Aktektan-pack is a large pack with many young who works long and arduous hours at an Ikoin Corporation factory assembling bombs and missiles for meager pay. After another mind numbing and monotonous day of working and getting into petty fights with coworkers during Y936, they head home to their tiny rundown apartment and engage in their typical pasttime of watching TV, especially Ikun's state TV, which triumphantly reports that Project Hope is already proving to be a massive boon to the economy. The fact that they've receieved a small bonus this year further convinces them that this is unquestionably true. They immediately proceed to spend their bonus on alcohol and pro-government merch. After Nedak realizes that their rent has increased as well by the same amount as their bonus, he angrily accuses their alpha Nyaken of mismanaging their money, to which Nyaken accuses the other females in the pack--Karien and Tanun--of laying too many eggs and creating too many mouths to feed, though their seems to be an undercurrent of jealousy in her rants, which leads to a physical fight between the members of Aktektan-pack. Later, Karien reveals that she's actually laid another egg--actually only one, which is seen as a sign of bad luck, as Kyanah lay eggs in pairs. These arguments ultimately peter out as the pack ends up falling asleep whilst watching a rather jingoistic movie.
ch7 -- Ptorya-pack lives in Adronkin, a city-state in the scorching hot Dunelands that is poorer, less developed, and much smaller than Ikun, where they're assistant administrators at a local textile factory. An unseasonally strong and dangerous sandstorm strikes, causing considerable damage to the factory and disrupting operations. Some workers, including Ptorya Llrien speculates that city-state officials including the City Alpha have been embezzling money intended for fortifying local buildings against sandstorms and spending it on luxury cars and mansions instead, but Ptorya-pack's alpha Rytor advises everyone not to ask too many questions about it and just focus on repairing the factory so they can all get back to work. At their home, which is quite small and spartan; despite them being white collar workers in the top 10% of earners in Adronkin, it would be a poor pack's apartment in Ikun; they notice clouds of irritating industrial smog containing lots of coal dust wafting in from the south and find several dead thukukenoids (creatures which float through the air like balloons, filter feeding on airborne spores and vegetation) lying around their neighborhood; Nekyez notes that they seem to have been dying off in droves as of late, though Rytor dismisses this as probably nothing and tells Nekyez not to worry their pack's young children. As they eat their day-meal, the subject of Project Hope comes up; they seem to be a bit bemused about Ikun's plans to launch an interstellar conquest (as Ntreyn points out, "the blue people always have crazy ideas") but they are hopeful about reports that Ikun is reviving its economy and will continue to remain a hyperpower, as they see Ikun and its military as bringers of peace and order, especially as they provided aid and peacekeeping some years ago when Adronkin was struck by a wave of deadly sandstorms. Llrien offhandedly mentions that she sometimes wishes that they were in Ikun and Rytor says that it would take a long time and be very difficult to get in, but concedes that it would probably be better for their young to grow up there.