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Trip Report: 36 days across Western Japan, Part 2 – Hiroshima, Kurashiki, Matsue, Izumo, Misasa Onsen, Tottori, Kinosaki Onsen, Amanohashidate (aka the Golden Route, but with extra steps)
2024.04.10 12:28 wardXn Trip Report: 36 days across Western Japan, Part 2 – Hiroshima, Kurashiki, Matsue, Izumo, Misasa Onsen, Tottori, Kinosaki Onsen, Amanohashidate (aka the Golden Route, but with extra steps)
- Tl;dr if you’re a returning visitor to Japan, I highly recommend that you consider the outskirts such as Shikoku (in my earlier post here) or Tottori/Shimane – I personally find the more ‘outside’ routes more rewarding, and considerably less crowded as well.
- This is a continuation post from Part 1 here (Day 0~9).
- Refer to link here for a map covering Day 10~12 here(labelled Part 1), Day 13~23 here(labelled Part 2).
- This post covers between Hiroshima (Day 10) to Kinosaki Onsen (Day 18).
- This trip occurred during Mid-November to Mid-December (autumn season).
Day 10 – Kintaikyo Bridge (Yamaguchi), Simose Art Museum and Miyajima (Hiroshima)
Started off the day with a breakfast at the hotel, before taking the Shinkansen over to JR Shin-Iwakuni station for just 15 minutes [NOTE: only the Kodama type stops here], and transferring to a local bus (not covered by JR pass) to see the bridge. There is an admission fee of 310 yen to cross the bridge and back. Spent just about 1.5 hours strolling and relaxing around the area.
After that, before noon I headed over to the Simose Art Museum, a new art museum that popped up between Iwakuni and Hiroshima back in April 2023 (yes, its THAT new). Accessibility to the museum via public transport is limited – you will either need to time your bus connection well, or face walking ~2.5km from the nearest station (JR Kuba/Otake) over. Shuttle buses to/from the museum direct are only available on the weekends (I visited on a Tuesday); consequently I had to walk (or eat a 1h penalty/wait for the next public bus). The museum feels modern with its mirror-like exterior, but exudes a traditional, wooden vibe on the interior. I suppose its main call to fame is its “8-colored boxes” exhibition hall situated above a shallow pool, facing the Seto Inland Sea, which is most certainly memorable (or Instagram-worthy). There is both English translation and audio guides if you are unable to read Japanese. The museum was enjoyable though I wished they would consider improving public transport accessibility to said museum if they want to draw more tourists in. Admission tickets are (relatively) steep at ~1.8k yen. I would suggest rationing 1.5~2 hours here in order to enjoy your time here.
After that, I decided to walk back to JR Kuba to hop over to Miyajima. When I took the ropeway up to Mount Misen, it was just past 1530. Getting up to Mount Misen this late was a major mistake in hindsight for two reasons – first, the ropeway service back to ground level ends at 1630, meaning that there’s not enough time for me to head all the way up to the top. Secondly, there was a really LONG queue for people to get off Mount Misen. It took nearly 45 minutes of queuing time to get on a return ropeway down to base. In short, if you want to get up to Mount Misen, do it early and cater more time for it (probably 2-3 hours). That aside, I was able to watch the sunset at Itsukushima Shrine (night version here).
Day 11 – Peace Memorial Park, Yamato Museum, JSDF Maritime Museum (Hiroshima)
After finishing some paperwork to forward my luggage to my next destination, I went to the Peace Memorial Park which was a 10 minutes walk away from the hotel. I think it drives home the point for nuclear abolition rather well overall. The main museum, A-bomb dome and the memorial cenotaph was crowded as expected, though other parts of the park were just as well presented (but with significantly lesser tourist footfall) such as the Peace Memorial Hall and the Children’s Peace Monument. My thoughts is that you’ll probably have to dedicate about 2-3 hours if you want to properly comb through the entire park at a moderate pace. I spent the morning here for reference.
For the afternoon, I took a highway bus from downtown Hiroshima to Kure (you could do it via JR but the highway bus was more accessible for me) to visit the Yamato Museum and JSMDF Kure Museum. If you’re into military or naval history, this should be right up your alley. The Yamato Museum details Japan’s naval history in Kure, and has that mega-scale Yamato battleship which is pretty impressive. Whereas for the JMSDF museum, it details JMSDF’s contribution such as anti-mining efforts and and various joint exercises around the world. The highlight though was being able to enter the life-sized submarine replica and see how cramped submarines can be first-hand. No visit to Kure is complete without trying the JMSDF curry; I thought it was … alright, not exceptional, but not terrible either – good for a taster at least. Kure is about half an hour away from Hiroshima, and can be done as a (half)-day trip.
In essence, Hiroshima isn’t limited to just Miyajima and the Peace Memorial Museum - I feel that devoting an extra one or two days to explore the peripheral areas (Kure, Onomichi etc) would enhance your experience more in that area!
Day 12 – Kurashiki (Okayama), Yuushien (由志園) (Shimane)
This day is meant to be a ‘repositioning day’ from Hiroshima to Matsue (since I’ll need to travel 2.5 hours across the San’in mountains). Hopping on the Shinkansen over to Shin-Kurashiki and local rail to JR Kurashiki, I decided to spend the morning strolling along the historical quarters and visit the Ohara Museum of Art which was not bad. As always, coming early here means you get to beat the crowd and get an unobstructed view of the canals. There’s also a mini-denim street.
Taking the Yakumo train, by the time I reached Matsue and deposited my luggage at the hotel, it was already 1500. Nevertheless, I managed to squeeze in a visit to Yuushien (由志園) which had just started its autumn illumination at night (day version here). Taking a bus over, I spent the evening walking in the garden and watch the illumination; it was pretty, and also relatively chill [crowd levels are definitely much manageable over here].
Day 13 – Adachi Museum of Art, Izumo Taisha, Ancient Izumo History Museum , Inase Beach (Shimane)
NOTE: Days 13 ~ 16 is covered by the Sanin-Okayama Pass for JR-related trains
The plan for the day was to start off at the Adachi Museum of Art in the morning, before breaking wesstwards towards Izumo Taisha and exploring the area before circling back to Matsue for the night.The Adachi Museum of Art is renowned for its well-curated garden, and in my opinion it certainly lives up to its title. Besides that, there is also an extensive art gallery which I would say is on par with some of the better ones in my opinion (think Benesse Art Museum). Access to the museum via public transport is doable via JR Yasugi and hopping on the shuttle bus which departs at fixed timings, however, do note that the bus has a maximum seating capacity of 28; if it fills ahead of time you’ll be forced to wait for the next bus (hourly departure). For the return trip to JR Yasugi, you will need to grab a ticket near the counter to book a slot for the shuttle bus (free).
I then took the Yakumo limited express train over to JR Izumo, and swapped to a bus towards Izumo Taisha. There were a lot of rabbit statuettes littered around the temple, a nod to the folktale The White Hare of Inaba. Considering that it was a public holiday in Japan (Labor Thanksgiving Day) and its innate popularity, it was rather crowded; I decided to queue for one of the smaller shrines and got a goshuin for my effort. I do want to mention that those binded rice straws (Shimenawa) at the front of the temple are extraordinarily thick– seeing is believing. There was still some time before sunset so I decided to walk over next door to the Shimane Museum of Natural History which provided a run-down on the history of Izumo. If I recall correctly, admission is half-priced for foreign visitors so it might be worth a visit even on a budget. The main thing that stuck with me for this museum was the very long temple replica, as well as a full-blown jade/bronze armoury. Lastly, I took a walk over to Inase Beach to visit the sunset; there was a tori gate perched on an outcrop with a donation box stuck near it. Although the sea breeze was chilly, watching the sunset was something worth visiting; its one of those visuals that would stick with me long after this trip fades away from memory.I took the local Ichibata tram that courses along the northern stretch of Lake Shinji back to Matsue to retire for the night.
For dinner, I chanced upon a local cafeteria called Bamboo where I ordered their daily special – kimchi beef nabe, and some karaage. The husband and wife owner duo offered to provide me a free serving of zosui [porridge] using the leftover soup base from the nabe at no extra charge which I gratefully accepted. With my basic command of Japanese, I was able to have a meaningful conversation about some of the tourist hotspots, as well as some of the town happenings – they mentioned that one of the temple nearby was celebrating 神在祭 (lit. gods are present festival) tomorrow and I noted that down. I just find the hospitality rather heartwarming and just want to give them a shoutout here.
Day 14 - Sada Jinja, , Lafcadio Hearn Memorial Museum, Matsue Castle (Shimane), Misasa Onsen (Tottori)
Started off with a visit to Sada Jinja, a relatively remote shrine in the outskirts of Matsue. Unfortunately, the main event that the cafeteria owner mentioned would only take place at night, but nevertheless, there were those bazaar stores open for me to explore and buy some finger foods etc. Grabbed a goshuin for my effort, and a corn cob.Taking a return bus to central Matsue, I stopped by the Lafcadio Hearn Memorial Museum where they detailed this one foreigner that made significant effort integrating into 1900s Japan society and contributed enough to be worthy of memorializing. There was a rather popular soba restaurant nearby (Kamiyo Soba) serving nameko [mushroom] soba which I thought was pretty delicious. After lunch, I walked over to explore Matsue Castle, one of the few remaining original castles left standing in Japan. The size of it is pretty impressive when you look at it in person.
Finally, I headed over to JR Matsue to board the Ametuchi sightseeing train. As with other sightseeing trains, there was a bar where you could buy some snacks and drinks to consume. Two particular aspects that stood out to me was the comfy, wooden design feel that was present throughout the train, and was how well they integrated various local crafts into the train, such as the tiles that are on the tables. The sightseeing train coasted along the Sanin line facing the Sea of Japan which made for an enjoyable sightseeing ride. As with previous sightseeing trains, you could book this sightseeing train easily via the JR West website. JR pass (or the Sanin-Okayama Area Pass) covers the base fare.
The train runs from JR Izumo all the way to JR Tottori, though I stopped at Kurayoshi to head to my final destination for the next two nights – Misasa Onsen. The main reason for choosing this particular onsen town was that I wanted to climb up Nageire-dou the next day, which was a 20 minutes bus ride away. However, I made a major blunder by not engaging a local guide to climb with me ahead of time (since the regulations are that hikers need to go in pairs in interest of safety). I casually remarked this to the chauffer that picked me up to the ryokan, and he went above and beyond to call various people to make it happen. Although it was ultimately unsuccessful [since it was so last minute – entirely my own fault], I was really moved by his efforts – it really speaks to the otomenashi experience that ryokans provide, a unique aspect to Japan.
Onto to the actual ryokan – Mansuiro (万翆楼). The room was pretty traditional with tatami mats and futons, but it was comfortable overall. I would like to give special mention to their dinner service which was delectable, showcasing their local cuisine such as crabs, beef sukiyaki and pear wine (!). Another nice subtle touch is how they labelled each dining room with the assigned guest name. I would highly recommend them if you do pass by this area. Also, I would also mention that this particular ryokan is ‘rare’ in the sense that it accepts solo pax bookings; most ryokans would only accept a minimum of 2 pax in order for them to accept your reservations.
Day 15 – Misasa Onsen, Kurayoshi Figurine Museum, Nijisseiki Pear Museum (Tottori)
Had a scrumptious breakfast at the ryokan (look at the quantity of it – I struggled to finish them). Even though I knew that I wont be able to climb Nageire-dou, I decided to go over to view the temple from a distance [and try my luck and see if any solo strangers were there too]. Unfortunately, at ~9am, there were very few trekkers, and I didn’t feel right butting into those couples so I decided not to push my luck further and leave. I managed to get a shot of the remote temple from the observatory point.
With that minor setback, I decided to head over to the nearby town of Kurayoshi via bus to spend the day. Some notable attractions in brief as follow:
- Kurayoshi Figurine Museum: As a repurposed school building, this is a good place to visit if you have interest in anime or figurine collecting. At the point of visiting, there were some exhibits detailing how they made those nenedroids. Even if you aren’t into anime, there are also other figurines such as military(tanks/jets), and animals that you could view, which should be adequate to cater to a wide demographic. There were also some hands-on activities like creating your own nenedroid faces. I took about ~2 hours in this place.
- White Wall Warehouses: as what the name implies, it’s a bunch of historic white-walled building. Its okay if you’re already in the vicinity, though I wouldn’t purposely make a dedicated stop for this. (~10-20 minutes walking along the canals)
- Kurayoshi Line Railway Memorial Hall: a small free museum showing the history of the now-defunct Kurayoshi railway line. I suppose the main draw is that you are able to get up one of the old train replicas similar to those at the Kyoto Railway museum. There's also another SL replica outside of the memorial hall.
- Nijisseiki Pear Museum: a pear museum showcasing the history of pear cultivation in Tottori, as well as the various pear types around the world. You get to sample free pears, though I wanst able to do so because it was Kansai Culture Appreciation Day and admission was free, thus said samples were already gone by the time I visited. (~1-1.5 hours)
Overall, a pretty enjoyable time in Kurayoshi. The figurine museum and the pear museum are the main highlights for me.
Returned to Misasa Onsen late afternoon. I spent the remainder of the day exploring the onsen town before dinner, and one particular interesting location was the Misasa Violin Museum, showcasing how violins are made and some history on violin-making. You could even test-run their violins with purchase of a drink (at ~400yen) though I declined since I couldn’t play it. I enjoyed spending the evening walking along Mitoku River and soaking at an ashiyu. There is an open-air river onsen that is free to all, though I was too shy to do so.
Day 16 – Tottori Sand Dunes, Tottori (Tottori), JR Amarube (Hyogo)
Another great breakfast at the ryokan before checking out. As with most ryokans, they offered to drop me off at JR Kurayoshi so that I could catch my next train to next-door Tottori. After dropping my luggage at the hotel, I went straight to the sand dunes for a paragliding session. Usually most people would associate the sand dunes with the museum (and rightfully so), but I was feeling a bit daring and decided to try something out of character. For 10k yen, you are taught the basic commands (left/right) and postures, landing/emergency drills before you get to do your paragliding attempts (4 in total, three solo attempts and one tandem with the instructor). Although not explicitly mentioned in the website, there was actually an English-speaking instructor that was present at all times so I do not think you need to worry if you can’t speak a lick of Japanese. All in all, a great way to view the dunes from above.
After that, I spent some time traversing along the sand dunes and visited the sand museum. It appears that the themes vary on a yearly basis and this year’s focus was on Egypt. I thought the level of detail on each of those sculptures was pretty impressive. Lastly, I made a stop at Amarube Station (or known as the ‘station in the sky’); while I cant say that I am a rail geek, I admire the engineering design that has been in place since the 1910s. Getting to and from the station via JR was a pain though, with train frequency few and far in between, but I still felt it was worth spending an hour just exploring the area and taking some photos. Returned to Tottori for the night to retire at Green Hill Morris Tottori, which in my opinion is a great value-for-money business hotel at ~7.7k yen/night with decent rooms and good breakfast spread.
Day 17 – Hakuto Shrine, Uradome Coast (Tottori), Kinosaki Onsen (Hyogo)
NOTE: Days 17 ~ 21 is covered by the Kansai Wide Area Pass for JR trains and Kyoto-Tango (for Amanohashidate).
Started the morning with a subsidized sightseeing taxi at JR Tottori to bring me to some of the tourist hotspots such as Hakuto Shrine (with a heavy rabbit theming) and Uradome Coast(which was extremely windy/rainy on that day). For 3k yen, you get to have a taxi to bring you around based on the selected route of your choice, and the taxi driver would explain some background information of the place to you (mostly in Japanese, ymmv). These sightseeing taxis are a good way to get around places in Tottori especially if you rely on public transport. I do note that they operate on a first-come-first served basis (no reservations allowed), so it is a good idea to get there right after the tourism centre opens in the morning. The entire tour lasted for about 3 hours.
After that, I took the limited express Hamakaze over to Kinosaki Onsen. There are only two trains per day (one early in the morning, and another just after lunch) so its not a good idea to miss it. Although I arrived at the ryokan earlier than the check-in time, I was able to drop my luggage first to explore the town. After checking in, I was handed a onsen pass to try out the 7 public baths at no extra charge (its baked in as part of the accommodation cost). I managed to try out 4 of them, with the remaining 3 to be done the next day. I spent the evening and night walking around town. My personal thoughts on Kinosaki Onsen as a whole is that while it is heavily geared to foreigners with English translations almost pervasive throughout the area, it manages to retain its own traditional identity rather well. Additionally, I feel that if one wishes to try out all 7 public baths in the area, spending at least 2 nights here is a good idea especially as 1 or 2 of them would be closed on a certain day during the week for maintenance.
Onto the ryokan for the next two nights – Morizuya. The innkeeper is a cool middle-aged man with a good command of English and here, the otomenashi experience was great – with the little things such as offering to help take photos for personal keepsake, showing the various facilities within the building and the room. My room was on the third floor, and at first glance it looks like the run-of-the-mill traditional ryokan room with tatami mats. However, the balcony view from the room is the million dollar view facing the main road that I don’t think I’ll ever forget. Dinner was served with Tajima beef and crab legs. I should mention that Morizuya is again one of those few ryokans that accept solo travellers, so kudos to them.
Day 18 – Kinosaki Onsen (Hyogo), Amanohashidate (Kyoto)
Decided to day-trip over to Amanohashidate via Kinosaki. Breakfast at Morizuya was splendid. Getting over to Amanohashidate is not as straightforward as I needed to make a transfer at JR Toyooka via the Kyoto-Tango railway (covered by Kansai Wide Area Pass).
My day trip was as follow:
Amanohashidate at 0930 Bus to Ine to catch the boatride Return bus to Motoise Jinja Kasamatsu Park Nariaiji Temple Rent a bike and cycle across the sandbar to the other end Amanohashidate Viewland return to JR Amanohashidate
- The boat ride at Ine was alright, though it was nothing special overall. Seagulls are pretty aggressive so I think it’s a good idea not to bring any food stuff with you.
- Having experienced both ends of Amanohashidate, Kasamatsu Park was definitely less crowded (since it wasn’t that readily accessible via public transport), though the view of the sandbar was about the same (Kasamatsu Park vs Viewland). IF you have time for just one, settling for Amanohashidate Viewland is adequate. Nariaiji Temple was not bad though and is probably worth the visit over to Kasamatsu Park.
- There is a bike rental store near the sandbar entrance, with rentals at ~400yen for about ~2 hours. If you are not feeling well on that day you could also opt for a boat ride to get to the other end of the sandbar(iirc 600+ yen). Cycling across the sandbar took me about 30 minutes (with some stops along the way to take photos etc).
- If your time is really limited dropping Ine is a necessary evil (since it takes almost an hour on bus to get there from JR Amanohashidate, one-way).
Returned to the ryokan for dinner – great as usual. Additionally, I managed to try out the remaining public onsens.
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If you’re still reading, thanks for powering through! Due to word limit I cant post the Kobe/Osaka leg here, but I'll add them in a separate post in the coming weeks.
submitted by wardXn to JapanTravel [link] [comments]
- This is a continuation post from Part 1 here (Day 0~9).
- Refer to link here for a map covering Day 10~12 here(labelled Part 1), Day 13~23 here(labelled Part 2).
- This post covers between Hiroshima (Day 10) to Kinosaki Onsen (Day 18).
- This trip occurred during Mid-November to Mid-December (autumn season).
Day 10 – Kintaikyo Bridge (Yamaguchi), Simose Art Museum and Miyajima (Hiroshima)
Started off the day with a breakfast at the hotel, before taking the Shinkansen over to JR Shin-Iwakuni station for just 15 minutes [NOTE: only the Kodama type stops here], and transferring to a local bus (not covered by JR pass) to see the bridge. There is an admission fee of 310 yen to cross the bridge and back. Spent just about 1.5 hours strolling and relaxing around the area.
After that, before noon I headed over to the Simose Art Museum, a new art museum that popped up between Iwakuni and Hiroshima back in April 2023 (yes, its THAT new). Accessibility to the museum via public transport is limited – you will either need to time your bus connection well, or face walking ~2.5km from the nearest station (JR Kuba/Otake) over. Shuttle buses to/from the museum direct are only available on the weekends (I visited on a Tuesday); consequently I had to walk (or eat a 1h penalty/wait for the next public bus). The museum feels modern with its mirror-like exterior, but exudes a traditional, wooden vibe on the interior. I suppose its main call to fame is its “8-colored boxes” exhibition hall situated above a shallow pool, facing the Seto Inland Sea, which is most certainly memorable (or Instagram-worthy). There is both English translation and audio guides if you are unable to read Japanese. The museum was enjoyable though I wished they would consider improving public transport accessibility to said museum if they want to draw more tourists in. Admission tickets are (relatively) steep at ~1.8k yen. I would suggest rationing 1.5~2 hours here in order to enjoy your time here.
After that, I decided to walk back to JR Kuba to hop over to Miyajima. When I took the ropeway up to Mount Misen, it was just past 1530. Getting up to Mount Misen this late was a major mistake in hindsight for two reasons – first, the ropeway service back to ground level ends at 1630, meaning that there’s not enough time for me to head all the way up to the top. Secondly, there was a really LONG queue for people to get off Mount Misen. It took nearly 45 minutes of queuing time to get on a return ropeway down to base. In short, if you want to get up to Mount Misen, do it early and cater more time for it (probably 2-3 hours). That aside, I was able to watch the sunset at Itsukushima Shrine (night version here).
Day 11 – Peace Memorial Park, Yamato Museum, JSDF Maritime Museum (Hiroshima)
After finishing some paperwork to forward my luggage to my next destination, I went to the Peace Memorial Park which was a 10 minutes walk away from the hotel. I think it drives home the point for nuclear abolition rather well overall. The main museum, A-bomb dome and the memorial cenotaph was crowded as expected, though other parts of the park were just as well presented (but with significantly lesser tourist footfall) such as the Peace Memorial Hall and the Children’s Peace Monument. My thoughts is that you’ll probably have to dedicate about 2-3 hours if you want to properly comb through the entire park at a moderate pace. I spent the morning here for reference.
For the afternoon, I took a highway bus from downtown Hiroshima to Kure (you could do it via JR but the highway bus was more accessible for me) to visit the Yamato Museum and JSMDF Kure Museum. If you’re into military or naval history, this should be right up your alley. The Yamato Museum details Japan’s naval history in Kure, and has that mega-scale Yamato battleship which is pretty impressive. Whereas for the JMSDF museum, it details JMSDF’s contribution such as anti-mining efforts and and various joint exercises around the world. The highlight though was being able to enter the life-sized submarine replica and see how cramped submarines can be first-hand. No visit to Kure is complete without trying the JMSDF curry; I thought it was … alright, not exceptional, but not terrible either – good for a taster at least. Kure is about half an hour away from Hiroshima, and can be done as a (half)-day trip.
In essence, Hiroshima isn’t limited to just Miyajima and the Peace Memorial Museum - I feel that devoting an extra one or two days to explore the peripheral areas (Kure, Onomichi etc) would enhance your experience more in that area!
Day 12 – Kurashiki (Okayama), Yuushien (由志園) (Shimane)
This day is meant to be a ‘repositioning day’ from Hiroshima to Matsue (since I’ll need to travel 2.5 hours across the San’in mountains). Hopping on the Shinkansen over to Shin-Kurashiki and local rail to JR Kurashiki, I decided to spend the morning strolling along the historical quarters and visit the Ohara Museum of Art which was not bad. As always, coming early here means you get to beat the crowd and get an unobstructed view of the canals. There’s also a mini-denim street.
Taking the Yakumo train, by the time I reached Matsue and deposited my luggage at the hotel, it was already 1500. Nevertheless, I managed to squeeze in a visit to Yuushien (由志園) which had just started its autumn illumination at night (day version here). Taking a bus over, I spent the evening walking in the garden and watch the illumination; it was pretty, and also relatively chill [crowd levels are definitely much manageable over here].
Day 13 – Adachi Museum of Art, Izumo Taisha, Ancient Izumo History Museum , Inase Beach (Shimane)
NOTE: Days 13 ~ 16 is covered by the Sanin-Okayama Pass for JR-related trains
The plan for the day was to start off at the Adachi Museum of Art in the morning, before breaking wesstwards towards Izumo Taisha and exploring the area before circling back to Matsue for the night.The Adachi Museum of Art is renowned for its well-curated garden, and in my opinion it certainly lives up to its title. Besides that, there is also an extensive art gallery which I would say is on par with some of the better ones in my opinion (think Benesse Art Museum). Access to the museum via public transport is doable via JR Yasugi and hopping on the shuttle bus which departs at fixed timings, however, do note that the bus has a maximum seating capacity of 28; if it fills ahead of time you’ll be forced to wait for the next bus (hourly departure). For the return trip to JR Yasugi, you will need to grab a ticket near the counter to book a slot for the shuttle bus (free).
I then took the Yakumo limited express train over to JR Izumo, and swapped to a bus towards Izumo Taisha. There were a lot of rabbit statuettes littered around the temple, a nod to the folktale The White Hare of Inaba. Considering that it was a public holiday in Japan (Labor Thanksgiving Day) and its innate popularity, it was rather crowded; I decided to queue for one of the smaller shrines and got a goshuin for my effort. I do want to mention that those binded rice straws (Shimenawa) at the front of the temple are extraordinarily thick– seeing is believing. There was still some time before sunset so I decided to walk over next door to the Shimane Museum of Natural History which provided a run-down on the history of Izumo. If I recall correctly, admission is half-priced for foreign visitors so it might be worth a visit even on a budget. The main thing that stuck with me for this museum was the very long temple replica, as well as a full-blown jade/bronze armoury. Lastly, I took a walk over to Inase Beach to visit the sunset; there was a tori gate perched on an outcrop with a donation box stuck near it. Although the sea breeze was chilly, watching the sunset was something worth visiting; its one of those visuals that would stick with me long after this trip fades away from memory.I took the local Ichibata tram that courses along the northern stretch of Lake Shinji back to Matsue to retire for the night.
For dinner, I chanced upon a local cafeteria called Bamboo where I ordered their daily special – kimchi beef nabe, and some karaage. The husband and wife owner duo offered to provide me a free serving of zosui [porridge] using the leftover soup base from the nabe at no extra charge which I gratefully accepted. With my basic command of Japanese, I was able to have a meaningful conversation about some of the tourist hotspots, as well as some of the town happenings – they mentioned that one of the temple nearby was celebrating 神在祭 (lit. gods are present festival) tomorrow and I noted that down. I just find the hospitality rather heartwarming and just want to give them a shoutout here.
Day 14 - Sada Jinja, , Lafcadio Hearn Memorial Museum, Matsue Castle (Shimane), Misasa Onsen (Tottori)
Started off with a visit to Sada Jinja, a relatively remote shrine in the outskirts of Matsue. Unfortunately, the main event that the cafeteria owner mentioned would only take place at night, but nevertheless, there were those bazaar stores open for me to explore and buy some finger foods etc. Grabbed a goshuin for my effort, and a corn cob.Taking a return bus to central Matsue, I stopped by the Lafcadio Hearn Memorial Museum where they detailed this one foreigner that made significant effort integrating into 1900s Japan society and contributed enough to be worthy of memorializing. There was a rather popular soba restaurant nearby (Kamiyo Soba) serving nameko [mushroom] soba which I thought was pretty delicious. After lunch, I walked over to explore Matsue Castle, one of the few remaining original castles left standing in Japan. The size of it is pretty impressive when you look at it in person.
Finally, I headed over to JR Matsue to board the Ametuchi sightseeing train. As with other sightseeing trains, there was a bar where you could buy some snacks and drinks to consume. Two particular aspects that stood out to me was the comfy, wooden design feel that was present throughout the train, and was how well they integrated various local crafts into the train, such as the tiles that are on the tables. The sightseeing train coasted along the Sanin line facing the Sea of Japan which made for an enjoyable sightseeing ride. As with previous sightseeing trains, you could book this sightseeing train easily via the JR West website. JR pass (or the Sanin-Okayama Area Pass) covers the base fare.
The train runs from JR Izumo all the way to JR Tottori, though I stopped at Kurayoshi to head to my final destination for the next two nights – Misasa Onsen. The main reason for choosing this particular onsen town was that I wanted to climb up Nageire-dou the next day, which was a 20 minutes bus ride away. However, I made a major blunder by not engaging a local guide to climb with me ahead of time (since the regulations are that hikers need to go in pairs in interest of safety). I casually remarked this to the chauffer that picked me up to the ryokan, and he went above and beyond to call various people to make it happen. Although it was ultimately unsuccessful [since it was so last minute – entirely my own fault], I was really moved by his efforts – it really speaks to the otomenashi experience that ryokans provide, a unique aspect to Japan.
Onto to the actual ryokan – Mansuiro (万翆楼). The room was pretty traditional with tatami mats and futons, but it was comfortable overall. I would like to give special mention to their dinner service which was delectable, showcasing their local cuisine such as crabs, beef sukiyaki and pear wine (!). Another nice subtle touch is how they labelled each dining room with the assigned guest name. I would highly recommend them if you do pass by this area. Also, I would also mention that this particular ryokan is ‘rare’ in the sense that it accepts solo pax bookings; most ryokans would only accept a minimum of 2 pax in order for them to accept your reservations.
Day 15 – Misasa Onsen, Kurayoshi Figurine Museum, Nijisseiki Pear Museum (Tottori)
Had a scrumptious breakfast at the ryokan (look at the quantity of it – I struggled to finish them). Even though I knew that I wont be able to climb Nageire-dou, I decided to go over to view the temple from a distance [and try my luck and see if any solo strangers were there too]. Unfortunately, at ~9am, there were very few trekkers, and I didn’t feel right butting into those couples so I decided not to push my luck further and leave. I managed to get a shot of the remote temple from the observatory point.
With that minor setback, I decided to head over to the nearby town of Kurayoshi via bus to spend the day. Some notable attractions in brief as follow:
- Kurayoshi Figurine Museum: As a repurposed school building, this is a good place to visit if you have interest in anime or figurine collecting. At the point of visiting, there were some exhibits detailing how they made those nenedroids. Even if you aren’t into anime, there are also other figurines such as military(tanks/jets), and animals that you could view, which should be adequate to cater to a wide demographic. There were also some hands-on activities like creating your own nenedroid faces. I took about ~2 hours in this place.
- White Wall Warehouses: as what the name implies, it’s a bunch of historic white-walled building. Its okay if you’re already in the vicinity, though I wouldn’t purposely make a dedicated stop for this. (~10-20 minutes walking along the canals)
- Kurayoshi Line Railway Memorial Hall: a small free museum showing the history of the now-defunct Kurayoshi railway line. I suppose the main draw is that you are able to get up one of the old train replicas similar to those at the Kyoto Railway museum. There's also another SL replica outside of the memorial hall.
- Nijisseiki Pear Museum: a pear museum showcasing the history of pear cultivation in Tottori, as well as the various pear types around the world. You get to sample free pears, though I wanst able to do so because it was Kansai Culture Appreciation Day and admission was free, thus said samples were already gone by the time I visited. (~1-1.5 hours)
Overall, a pretty enjoyable time in Kurayoshi. The figurine museum and the pear museum are the main highlights for me.
Returned to Misasa Onsen late afternoon. I spent the remainder of the day exploring the onsen town before dinner, and one particular interesting location was the Misasa Violin Museum, showcasing how violins are made and some history on violin-making. You could even test-run their violins with purchase of a drink (at ~400yen) though I declined since I couldn’t play it. I enjoyed spending the evening walking along Mitoku River and soaking at an ashiyu. There is an open-air river onsen that is free to all, though I was too shy to do so.
Day 16 – Tottori Sand Dunes, Tottori (Tottori), JR Amarube (Hyogo)
Another great breakfast at the ryokan before checking out. As with most ryokans, they offered to drop me off at JR Kurayoshi so that I could catch my next train to next-door Tottori. After dropping my luggage at the hotel, I went straight to the sand dunes for a paragliding session. Usually most people would associate the sand dunes with the museum (and rightfully so), but I was feeling a bit daring and decided to try something out of character. For 10k yen, you are taught the basic commands (left/right) and postures, landing/emergency drills before you get to do your paragliding attempts (4 in total, three solo attempts and one tandem with the instructor). Although not explicitly mentioned in the website, there was actually an English-speaking instructor that was present at all times so I do not think you need to worry if you can’t speak a lick of Japanese. All in all, a great way to view the dunes from above.
After that, I spent some time traversing along the sand dunes and visited the sand museum. It appears that the themes vary on a yearly basis and this year’s focus was on Egypt. I thought the level of detail on each of those sculptures was pretty impressive. Lastly, I made a stop at Amarube Station (or known as the ‘station in the sky’); while I cant say that I am a rail geek, I admire the engineering design that has been in place since the 1910s. Getting to and from the station via JR was a pain though, with train frequency few and far in between, but I still felt it was worth spending an hour just exploring the area and taking some photos. Returned to Tottori for the night to retire at Green Hill Morris Tottori, which in my opinion is a great value-for-money business hotel at ~7.7k yen/night with decent rooms and good breakfast spread.
Day 17 – Hakuto Shrine, Uradome Coast (Tottori), Kinosaki Onsen (Hyogo)
NOTE: Days 17 ~ 21 is covered by the Kansai Wide Area Pass for JR trains and Kyoto-Tango (for Amanohashidate).
Started the morning with a subsidized sightseeing taxi at JR Tottori to bring me to some of the tourist hotspots such as Hakuto Shrine (with a heavy rabbit theming) and Uradome Coast(which was extremely windy/rainy on that day). For 3k yen, you get to have a taxi to bring you around based on the selected route of your choice, and the taxi driver would explain some background information of the place to you (mostly in Japanese, ymmv). These sightseeing taxis are a good way to get around places in Tottori especially if you rely on public transport. I do note that they operate on a first-come-first served basis (no reservations allowed), so it is a good idea to get there right after the tourism centre opens in the morning. The entire tour lasted for about 3 hours.
After that, I took the limited express Hamakaze over to Kinosaki Onsen. There are only two trains per day (one early in the morning, and another just after lunch) so its not a good idea to miss it. Although I arrived at the ryokan earlier than the check-in time, I was able to drop my luggage first to explore the town. After checking in, I was handed a onsen pass to try out the 7 public baths at no extra charge (its baked in as part of the accommodation cost). I managed to try out 4 of them, with the remaining 3 to be done the next day. I spent the evening and night walking around town. My personal thoughts on Kinosaki Onsen as a whole is that while it is heavily geared to foreigners with English translations almost pervasive throughout the area, it manages to retain its own traditional identity rather well. Additionally, I feel that if one wishes to try out all 7 public baths in the area, spending at least 2 nights here is a good idea especially as 1 or 2 of them would be closed on a certain day during the week for maintenance.
Onto the ryokan for the next two nights – Morizuya. The innkeeper is a cool middle-aged man with a good command of English and here, the otomenashi experience was great – with the little things such as offering to help take photos for personal keepsake, showing the various facilities within the building and the room. My room was on the third floor, and at first glance it looks like the run-of-the-mill traditional ryokan room with tatami mats. However, the balcony view from the room is the million dollar view facing the main road that I don’t think I’ll ever forget. Dinner was served with Tajima beef and crab legs. I should mention that Morizuya is again one of those few ryokans that accept solo travellers, so kudos to them.
Day 18 – Kinosaki Onsen (Hyogo), Amanohashidate (Kyoto)
Decided to day-trip over to Amanohashidate via Kinosaki. Breakfast at Morizuya was splendid. Getting over to Amanohashidate is not as straightforward as I needed to make a transfer at JR Toyooka via the Kyoto-Tango railway (covered by Kansai Wide Area Pass).
My day trip was as follow:
Amanohashidate at 0930 Bus to Ine to catch the boatride Return bus to Motoise Jinja Kasamatsu Park Nariaiji Temple Rent a bike and cycle across the sandbar to the other end Amanohashidate Viewland return to JR Amanohashidate
- The boat ride at Ine was alright, though it was nothing special overall. Seagulls are pretty aggressive so I think it’s a good idea not to bring any food stuff with you.
- Having experienced both ends of Amanohashidate, Kasamatsu Park was definitely less crowded (since it wasn’t that readily accessible via public transport), though the view of the sandbar was about the same (Kasamatsu Park vs Viewland). IF you have time for just one, settling for Amanohashidate Viewland is adequate. Nariaiji Temple was not bad though and is probably worth the visit over to Kasamatsu Park.
- There is a bike rental store near the sandbar entrance, with rentals at ~400yen for about ~2 hours. If you are not feeling well on that day you could also opt for a boat ride to get to the other end of the sandbar(iirc 600+ yen). Cycling across the sandbar took me about 30 minutes (with some stops along the way to take photos etc).
- If your time is really limited dropping Ine is a necessary evil (since it takes almost an hour on bus to get there from JR Amanohashidate, one-way).
Returned to the ryokan for dinner – great as usual. Additionally, I managed to try out the remaining public onsens.
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If you’re still reading, thanks for powering through! Due to word limit I cant post the Kobe/Osaka leg here, but I'll add them in a separate post in the coming weeks.
2023.06.21 17:51 tinselsnips Final Fantasy XVI - Review Thread
Final Fantasy XVI
An epic dark fantasy world where the fate of the land is decided by the mighty Eikons and the Dominants who wield them.This is the tale of Clive Rosfield, a warrior granted the title “First Shield of Rosaria” and sworn to protect his younger brother Joshua, the dominant of the Phoenix. Before long, Clive will be caught up in a great tragedy and swear revenge on the Dark Eikon Ifrit, a mysterious entity that brings calamity in its wake.
PSN store link
Game Information
Game Title: Final Fantasy XVIPlatforms:
- PlayStation 5 (Jun 22, 2023)
- FINAL FANTASY XVI – Ascension Trailer
- FINAL FANTASY XVI - Requiem Live Action Trailer
- FINAL FANTASY XVI Launch Trailer SALVATION
- FINAL FANTASY XVI "REVENGE"
- FINAL FANTASY XVI “AMBITION”
- FINAL FANTASY XVI “DOMINANCE”
- FINAL FANTASY XVI "AWAKENING"
Review Aggregator:
OpenCritic - 90 average - 95% recommended - 64 reviews
Critic Reviews
ACG - Jeremy Penter - BuyA game in a series known for massive changes, easily changes the most, focusing on a tighter story, very specific combat type and arts like DMC, and delivers a beautiful, if truncated world. Well worth getting"
Despite not being perfect, the way Final Fantasy XVI presents a new combat sistema and an epic story, elevates it to being one of the best Final Fantasy games and also, one of the greatest games of the year.
Final Fantasy XVI is an outstanding achievement. Every part of it, from its characters to its combat, was put there with a purpose. Not only does it deliver satisfyingly slick action RPG combat in between masterfully directed cutscenes, but also a story with real heart. Most importantly, it's incredibly clear that a team of creative individuals was behind every decision. There's a human element that permeates every aspect of Final Fantasy XVI, and it'll end up becoming a lot of people's favorite Final Fantasy because of that.
In a world full of games trying to stand out, Final Fantasy XVI has no problem rising above the rest. Wonderfully fun combat and beautiful presentation help make the excellent story even more impactful in an adventure well worth the price of admission.
Final Fantasy XVI melds the best of the series’ themes with a modern, malleable take on combat—creating a heartrending, generation-defining tale of revenge, fate, and freedom.
Final Fantasy XVI is a weirdo black-sheep entry for the series. It won't be for all nor what all fans necessarily want for the franchise, but I also love it for that boldness. It's a gripping and harrowing page-turner of an epic high-fantasy story with plenty of heart the series is known for. Complex too are the characters, even if not all see their justice by the end. Valisthea is an eerily gorgeous setting, providing some of the most memorable vistas you'll have seen in a Final Fantasy game yet. Accessibility might not be at the forefront of the combat in-game but on offer is some of the most stylistic, and satisfying gameplay we've ever seen in an Action RPG. Even if you take further umbrage with its small flaws, there's no denying that Final Fantasy XVI is a special and memorable event. Through thick and thin, that franchise magic is captured once again. Frankly, you can't ask for anything better than that.
Final Fantasy XVI proposes a new foundation for finding a masterclass of perfection in action role-playing, and cements a prime legacy founded on past iterations, capitalising on a formula that's seen inarguable successes throughout its years in this medium, and has promulgated an establishment of extravagance that will indeed be hard to surpass.
With a cast of characters that are easy to invest in, a story that pays off the promise of its impossible scale, and one of the best action combat systems ever committed to disk, Final Fantasy XVI is a game that you owe it to yourself to indulge in.
In short, Final Fantasy XVI is a breath of fresh air for the Final Fantasy franchise despite its first steps into its grittiest, darkest, and most mature space yet. Its combat showcases action-forward combat held together by a backbone of RPG-similar ability management. Its highs truly showcase phenomenal displays of power in many forms, while its lows effectively strike emotional chords in the hearts of players. This might not be a Final Fantasy fans expect, but boy, it's what Final Fantasy games SHOULD be going forward. FFXVI doesn't have a strongest asset, per se, because its entire presentation is a gripping and fun compilation of the best parts of gaming without the filler and frivolity. PS5 owners, I implore you, don't miss out on what is currently my favorite game of the PS5 generation thus far.
Final Fantasy XVI delivers on the “action” side of its action-RPG formula. A fierce and fast-paced combat system makes for the series’ most exciting stab at real-time swordplay yet, while its blockbuster Eikon fights rank among some of gaming’s most awe-inspiring battles. But there’s a general flatness surrounding those exhilarating highs, as shallow RPG hooks and dated design leave a promising evolution for the series stuck in the past.
It’s far too early to determine where Final Fantasy XVI sits in the ranks of Square Enix’s venerable series. However, this is an engrossing, entertaining and, most importantly, fiercely intelligent game. The developers have taken the AAA-blockbuster budget they had to work with, and used it to craft an experience with a strong, provocative and timely message, and then backed it up with some of the most entertaining action combat we’ve ever seen. Not a second of the game’s runtime is wasted, there’s not a single dud character, moment, or scene, and the plot is a riveting epic “page-turner.” If only more blockbuster games were like this, game development would be a far more mature art form.
Final Fantasy XVI boldly dares to defy series norms and forge a new path forward, resulting in the most satisfying single-player Final Fantasy in nearly two decades.
Final Fantasy XVI is an excellent continuation point for the Square Enix saga, which, after several missteps, seems to have found the right balance between the tradition of the franchise and a new unabashedly more mature ethic.
Despite the weight of expectations from a series full of gaming hallmarks, Final Fantasy 16 stands tall as an outstanding experience that you won't want to miss out on.
When I look back at my time with Clive, his friends, his enemies, and Valisthea, it’s those highs that I vividly remember. FFXVI is very different from its predecessors, but in many ways, very familiar; And it’s still a Final Fantasy, through and through, reminding me why I love this series so much.
Final Fantasy 16 does a great job modernizing its gameplay with its combat system, but the story has weaknesses.
FFXVI is a bold shift in both gameplay and narrative, yet captures the Final Fantasy magic in stunning fashion, earning a place within the pantheon of incredible entries in the beloved franchise.
Stellar and surprisingly customizable combat, a masterfully written and engaging storyline, and a beautiful audio visual presentation. It's nearly a complete package, but with a few annoyances that keep it from being a perfect game. That said, even with those frustrations in mind, Final Fantasy XVI is an absolute return to form for the mainline franchise, and easily a reason to get yourself a PlayStation 5 if you've yet to.
Final Fantasy 16 largely shines as an epic-length action game, though the places where it attempts to find a comfortable compromise between action game and RPG feel largely unambitious, and certainly fade into the background against aspects that are approached with gusto. But it’s difficult not to get swept up by the earnest saga that Final Fantasy 16 eagerly lays out for you, and the egregious heights of spectacle it displays.
It's the kind of gamble that Final Fantasy has happily made in the past so that the series may reinvent itself to execute the type of story its creatives want to tell. Time will tell if Final Fantasy 16 pays off, but history certainly supports it.
Final Fantasy 16 isn't just a stellar video game with gorgeous graphics and incredible combat. It's also an emotionally engaging experience and the absolute peak of everything the series stands for.
Final Fantasy XVI features excellent action combat and an intricate story, both with incredible depth. It combines gameplay, story, sound, and music together into one form all inextricably linked. It sets a new standard for action RPGs, and is quite possibly the pinnacle of the series.
Final Fantasy XVI is a lot of things. It’s ambitious, gritty, and beautiful, but more importantly, it dares to dream. A sobering tale disguised as a dazzling visual spectacle, the almost-masterpiece presents a nuanced, clever take on all-too-familiar elements, and turns them into fresh experiences that devastate as much as they delight, before delivering the biggest reward – a well-executed emotional payoff.
Final Fantasy XVI will change what we think of the franchise moving forward.
Featuring fast, reflex driven, action heavy combat, Final Fantasy 16 is certainly a departure from what fans may expect out of a Final Fantasy game, but its excellent story, characters, and world building are right up there with the best the series has to offer, and the innovative Active Time Lore feature should set a new standard for how lengthy, story-heavy games keep players invested in its world.
An amazing proof of narrative maturity, as well as cohesion between worldbuilding and gameplay.
An epic that closes its magnificent ending in a single piece. You can still feel and sense the taste of its creators, Naoki Yoshida and Creative Business Unit 3. Even in both strengths and its flaws.
Final Fantasy XVI is one of this year’s best games that flawlessly marries the design and narrative sensibilities of Japanese and Western RPGs in a manner that is simply spell-binding.
Final Fantasy XVI is a well-crafted experience and a strong Game of the Year contender. Not only does it have a gripping narrative that restored my faith in Square Enix’s ability to tell a gripping story, but it also features several improvements that fans and newcomers alike will enjoy. This isn’t just improved visuals that scream Final Fantasy and a combat system balanced with players of various skill levels in mind. Hardcore players have a robust system to explore that expands on higher difficulties, with less skilled individuals having various paths to experience all that Final Fantasy XVI has to offer.
Final Fantasy 16 is a stellar and noteworthy entry in the series that's just as impactful as Final Fantasy 6 and Final Fantasy 7's debut back in their respective heydays. And that is not a statement I make lightly.
A bold shift to action and a stirring fantasy tale make this the best Final Fantasy in ages
Regardless if FFXVI is your first Final Fantasy game or you’re returning to the series, Square Enix’s latest game in the franchise lives up to the hype. Forget about JRPG’s or how action-RPGs nowadays need an open world, side quests that last for ages, co-op or whatever gimmick. FFXVI just throws all that out of the table and proves a tightly woven narrative-driven game –when built right — can make up for all those.
The minor issues the game has doesn’t detract from the incredible experience Clive & Co. bring to the table. Players will be treated to a compelling tale, stunning visual spectacles, and a fluid and fun combat system. What’s even more impressive is, Square Enix manages to make the franchise “grow up” alongside the players who grew up playing the series. FFXVI deals with more mature themes and manages to make it matter without being overly preachy about it.
Those looking for the series’ return to glory, rejoice! Final Fantasy XVI is that game, and this is one fantasy you’ll want to make sure you’re a part of.
Final Fantasy XVI is an action JRPG polished to an iridescent sheen. Its well-designed combat system and enemies, outstanding character writing and worldbuilding, and consistently stellar side content make it a standout entry in this legendary franchise. Even when accounting for the weak villains and a lukewarm conclusion, this was a journey that truly gripped me from beginning to end. This is a must-play game of the year and a Final Fantasy adventure you won't forget.
The combat isn’t turn-based, and you don’t control a huge party of characters… Yet, Final Fantasy XVI is still very much a Final Fantasy game through and through. Some fans, both long-time and more recent, will have a hard time accepting the fact, but there’s no denying the work that Yoshi-P and the team have done here. Final Fantasy XVI is a damn masterpiece of epic proportions.
This is the future of Final Fantasy’s artistry – an ever-changing canvas that can be what the team wants it to be and at least, for Final Fantasy XVI, this exercise has proved to be a triumph.
Players will experience a superbly told and presented story, which is decorated with visually beautiful and exquisitely dynamic duels. From time to time, the writers serve us unnecessary breaks that knock out the rhythm, but when the story falls on the right track, it's hard to tear yourself away from the screen.
Inspired by the past but modern at every turn, Final Fantasy XVI is the overhaul the series needed with unparalleled quality. Driven by a fantastic story and charismatic characters, built on accessible, exciting gameplay and impressive graphics on the PS5, it consolidates itself as one of the best games in the franchise history.
Very little gets in the way of the success that Final Fantasy XVI creates. The strength of combat on top of a compelling, deep narrative steal the show. Despite little need for world exploration and the occasional lower resolution texture, Final Fantasy XVI stats true to the namesake while forging its own path forward.
Final Fantasy 16 is incredible when it doesn’t try to say anything meaningful
Square Enix's latest Final Fantasy borrows liberally from Western fantasy, including Game of Thrones and The Lord of the Rings. Read more.
I could barely put my controller down during my 57 hours with Final Fantasy XVI. It represents a huge milestone for this franchise, thanks to its bold shift to more adult story-telling (and language), addictive real-time combat, and gargantuan VFX spectacles that are best in class. Marry all that with what the series is already known for — epic orchestral OSTs and phenomenal world-building — and Final Fantasy XVI is nothing short of a must-own.
Final Fantasy XVI is an epic in every sense of the word. Consistently sharp writing, a captivating cast of characters, exhilarating combat, and a timeless soundtrack coalesce into an experience that showcases what the PlayStation 5 is capable of at the highest level. It constantly finds ways to top its own scale in remarkable fashion, but never loses sight of the intimate journey its built around.
Final Fantasy XVI’s grander narrative takes wild turns, evokes plenty of heartfelt emotions, and has given me a new cast of characters to fall in love with all over again. It’s a bold direction that Creative Business Unit 3 has taken the franchise, but one well worth the journey.
At its best, Final Fantasy 16 is a jaw-dropping epic of rarely seen proportions. It's pretty much the pinnacle of cinematic spectacle in modern games, and its often gripping, emotional story is only matched by its fantastic combat system. While its overall quality does dip outside of the main plot, this is still a must-play action RPG, and the best single-player Final Fantasy in over a decade.
Final Fantasy XVI is a stone-cold masterpiece, and the new high-water mark for the series.
Final Fantasy XVI is a confident game with amazing combat, an earnest narrative, and unbridled spectacle. Faults in pacing, RPG depth, quest design, and all those other nagging criticisms be damned - this game is special.
Final Fantasy XVI is a triumph that firmly moves Final Fantasy forward for a new generation.
Great worldbuilding and a peerless battle system, albeit one that rarely gets challenged, set in a static world with competent storytelling but of a cliched story. Still great fun but it could've been oh so much more.
With an incredible score, an enthralling story, and an eccentric and electric gameplay approach, Final Fantasy 16 is, quite simply, a modern masterpiece.
The latest marquee RPG from Square Enix goes for broke at every opportunity and then some.
Final Fantasy XVI is technically impressive and an amazing action game, though the Game of Throne elements do hinder it a bit. However when the team does get to be original, the story can be absolutely engrossing.
Final Fantasy XVI may offer daring adjustments, but it is in this spirit of creativity that the genre flourishes. The game is not perfect, yet Naoki Yoshida, the game's director, held faithful to his promise to deliver a compelling experience and bring Final Fantasy back to the must-have games again.
Spectacular, with an epic story and astonishing graphics: and yet, Final Fantasy XVI forgets what is really important for the series. It's impossibile to create a build and there's nothing important left for you to manage through the menus. Proper RPG options are gone, dungeons are just banal corridors, players are forced to play the entire game in easy mode and you can beat the game with literally no effort. There's a decent base for the future, but it's not enough to see a real rebirth for the saga.
Final Fantasy XVI is everything I could have hoped for and more. Combat is fast paced and rewarding as you master combos and abilities. Eikon fights, while not as interesting to play, are gorgeous to witness. All of this is wrapped up into a deep story and fully fleshed out world that you'll want to be protecting.
If you're a fan of strong narrative experiences, Final Fantasy lore, breath-taking graphics and a particularly sassy Moogle, and you don't mind a sprinkling of The Witcher, The Handmaids Tale and the many accents of Old Blighty, then Final Fantasy XVI is the game for you. Heck, it might just be the best Final Fantasy yet!
Final Fantasy XVI, going by the sums, represents one of the most interesting and fascinating experiments on the part of the saga, which manages to raise the bar on the maturity of the narrative plot and to propose a gameplay structure capable of going to remodel the proposal of the last chapters.
I was worried about the series shedding more of its JRPG roots when this title was first introduced, as recent entries have been straying away from more traditional forms for years. But my fears faded in the first five chapters of FFXIV; the essence of what makes Final Fantasy so great shines brightly here, and as such, this is one of my favorite high fantasy adventures this generation.
Final Fantasy XVI is a bold and ambitious new vision for the franchise, that succeeds on almost every level.
This is one of the most polished AAA releases we have in recent memory. I encountered no major bugs, major performance issues, or even visual pop-ins. Final Fantasy 16 feels like a game that was made the way the creators intended it to be with the utmost care. There are no compromises made here for artificial extensions or hidden profit-making agendas. Final Fantasy 16 is a complete experience from start to finish and it is one that I’d say is worth taking.
But it’s not that simple. It never is. In FF16, Clive, Cid, and the others ultimately derive their power from the same mysterious origins as the crystals themselves. To complete their objective, they need the very thing they seek to destroy. And so too does FF16 need that history, those traditions, leveraging some even as it drives a dagger through others. That is the duality of the game. A dichotomy at the heart of its structure, its triumphs, and its failures alike. It’s a fascinating piece of work, a wholly imperfect but nevertheless enthralling experience.
Purists might feel this game is way too different from anything that had come before it, be it for its vastly darker tone or emphasis on hack and slash action. Others might not enjoy how long it takes for the game to stop being Final Fantasy XIII levels of linear before finally opening up for exploration. My position on it is simple: I loved it. I loved its gameplay loop, and I fell in utter love with its setting and story.
Final Fantasy XVI heralds in a new standard for Japanese role-playing games and while the RPG components themselves are limited by Square-Enix standards, it's the narrative and gameplay that exceed all expectations.
While Final Fantasy XVI didn’t meet this fan’s expectations for a new series entry, newcomers to epic fantasy and action games will be swept away by the eye-melting combat and enormous-yet-approachable scale.
Final Fantasy XVI is by no means a perfect game, but it is an exceptionally good one. The engaging plot, beautiful visuals, and enjoyable gameplay all combine to create something that feels special. It can occasionally be a little long for its own good, and the combat system is slow to get going, but once it hits all the right marks, it knocks them out of the park. I left Final Fantasy XV disappointed by how unfinished it felt, but Final Fantasy XVI is a true rarity these days: a fully finished game that is satisfying from start to finish.
Final Fantasy XVI is a complete package with a refreshingly mature storyline, full of surprises that keeps raising the stakes. The switch to real-time fights is daring step, but works most of the time, as long as the graphical effects don't blur what's going on. The game can be greatily adapted to facilitate those that mostly play for the story, but also those that are looking for a real challenge. The most epic fights, those between the Eikons, are visually impressive, but a bit too hands-off.
2023.06.21 16:03 Lulcielid Final Fantasy XVI - Review Mega Thread
Game Information
Game Title: Final Fantasy XVIPlatforms:
- PlayStation 5 (Jun 22, 2023)
- FINAL FANTASY XVI - Requiem Live Action Trailer
- FINAL FANTASY XVI – Ascension Trailer
- FINAL FANTASY XVI Launch Trailer SALVATION
Review Aggregator:
Metacritic - 88 average - 100 reviews
OpenCritic - 89 average - 95% recommended - 90 reviews
Critic Reviews
ACG - Jeremy Penter - BuyA game in a series known for massive changes, easily changes the most, focusing on a tighter story, very specific combat type and arts like DMC, and delivers a beautiful, if truncated world. Well worth getting"
Final Fantasy XVI is an outstanding achievement. Every part of it, from its characters to its combat, was put there with a purpose. Not only does it deliver satisfyingly slick action RPG combat in between masterfully directed cutscenes, but also a story with real heart. Most importantly, it's incredibly clear that a team of creative individuals was behind every decision. There's a human element that permeates every aspect of Final Fantasy XVI, and it'll end up becoming a lot of people's favorite Final Fantasy because of that.
In a world full of games trying to stand out, Final Fantasy XVI has no problem rising above the rest. Wonderfully fun combat and beautiful presentation help make the excellent story even more impactful in an adventure well worth the price of admission.
Final Fantasy XVI melds the best of the series’ themes with a modern, malleable take on combat—creating a heartrending, generation-defining tale of revenge, fate, and freedom.
Final Fantasy XVI is a weirdo black-sheep entry for the series. It won't be for all nor what all fans necessarily want for the franchise, but I also love it for that boldness. It's a gripping and harrowing page-turner of an epic high-fantasy story with plenty of heart the series is known for. Complex too are the characters, even if not all see their justice by the end. Valisthea is an eerily gorgeous setting, providing some of the most memorable vistas you'll have seen in a Final Fantasy game yet. Accessibility might not be at the forefront of the combat in-game but on offer is some of the most stylistic, and satisfying gameplay we've ever seen in an Action RPG. Even if you take further umbrage with its small flaws, there's no denying that Final Fantasy XVI is a special and memorable event. Through thick and thin, that franchise magic is captured once again. Frankly, you can't ask for anything better than that.
Final Fantasy XVI proposes a new foundation for finding a masterclass of perfection in action role-playing, and cements a prime legacy founded on past iterations, capitalising on a formula that's seen inarguable successes throughout its years in this medium, and has promulgated an establishment of extravagance that will indeed be hard to surpass.
With a cast of characters that are easy to invest in, a story that pays off the promise of its impossible scale, and one of the best action combat systems ever committed to disk, Final Fantasy XVI is a game that you owe it to yourself to indulge in.
In short, Final Fantasy XVI is a breath of fresh air for the Final Fantasy franchise despite its first steps into its grittiest, darkest, and most mature space yet. Its combat showcases action-forward combat held together by a backbone of RPG-similar ability management. Its highs truly showcase phenomenal displays of power in many forms, while its lows effectively strike emotional chords in the hearts of players. This might not be a Final Fantasy fans expect, but boy, it's what Final Fantasy games SHOULD be going forward. FFXVI doesn't have a strongest asset, per se, because its entire presentation is a gripping and fun compilation of the best parts of gaming without the filler and frivolity. PS5 owners, I implore you, don't miss out on what is currently my favorite game of the PS5 generation thus far.
Final Fantasy XVI delivers on the “action” side of its action-RPG formula. A fierce and fast-paced combat system makes for the series’ most exciting stab at real-time swordplay yet, while its blockbuster Eikon fights rank among some of gaming’s most awe-inspiring battles. But there’s a general flatness surrounding those exhilarating highs, as shallow RPG hooks and dated design leave a promising evolution for the series stuck in the past.
It’s far too early to determine where Final Fantasy XVI sits in the ranks of Square Enix’s venerable series. However, this is an engrossing, entertaining and, most importantly, fiercely intelligent game. The developers have taken the AAA-blockbuster budget they had to work with, and used it to craft an experience with a strong, provocative and timely message, and then backed it up with some of the most entertaining action combat we’ve ever seen. Not a second of the game’s runtime is wasted, there’s not a single dud character, moment, or scene, and the plot is a riveting epic “page-turner.” If only more blockbuster games were like this, game development would be a far more mature art form.
Final Fantasy XVI boldly dares to defy series norms and forge a new path forward, resulting in the most satisfying single-player Final Fantasy in nearly two decades.
Final Fantasy XVI is an excellent continuation point for the Square Enix saga, which, after several missteps, seems to have found the right balance between the tradition of the franchise and a new unabashedly more mature ethic.
Despite the weight of expectations from a series full of gaming hallmarks, Final Fantasy 16 stands tall as an outstanding experience that you won't want to miss out on.
When I look back at my time with Clive, his friends, his enemies, and Valisthea, it’s those highs that I vividly remember. FFXVI is very different from its predecessors, but in many ways, very familiar; And it’s still a Final Fantasy, through and through, reminding me why I love this series so much.
Final Fantasy 16 does a great job modernizing its gameplay with its combat system, but the story has weaknesses.
FFXVI is a bold shift in both gameplay and narrative, yet captures the Final Fantasy magic in stunning fashion, earning a place within the pantheon of incredible entries in the beloved franchise.
Stellar and surprisingly customizable combat, a masterfully written and engaging storyline, and a beautiful audio visual presentation. It's nearly a complete package, but with a few annoyances that keep it from being a perfect game. That said, even with those frustrations in mind, Final Fantasy XVI is an absolute return to form for the mainline franchise, and easily a reason to get yourself a PlayStation 5 if you've yet to.
Final Fantasy 16 largely shines as an epic-length action game, though the places where it attempts to find a comfortable compromise between action game and RPG feel largely unambitious, and certainly fade into the background against aspects that are approached with gusto. But it’s difficult not to get swept up by the earnest saga that Final Fantasy 16 eagerly lays out for you, and the egregious heights of spectacle it displays.
It's the kind of gamble that Final Fantasy has happily made in the past so that the series may reinvent itself to execute the type of story its creatives want to tell. Time will tell if Final Fantasy 16 pays off, but history certainly supports it.
Final Fantasy 16 isn't just a stellar video game with gorgeous graphics and incredible combat. It's also an emotionally engaging experience and the absolute peak of everything the series stands for.
Final Fantasy XVI features excellent action combat and an intricate story, both with incredible depth. It combines gameplay, story, sound, and music together into one form all inextricably linked. It sets a new standard for action RPGs, and is quite possibly the pinnacle of the series.
Final Fantasy XVI is a lot of things. It’s ambitious, gritty, and beautiful, but more importantly, it dares to dream. A sobering tale disguised as a dazzling visual spectacle, the almost-masterpiece presents a nuanced, clever take on all-too-familiar elements, and turns them into fresh experiences that devastate as much as they delight, before delivering the biggest reward – a well-executed emotional payoff.
Final Fantasy XVI will change what we think of the franchise moving forward.
Featuring fast, reflex driven, action heavy combat, Final Fantasy 16 is certainly a departure from what fans may expect out of a Final Fantasy game, but its excellent story, characters, and world building are right up there with the best the series has to offer, and the innovative Active Time Lore feature should set a new standard for how lengthy, story-heavy games keep players invested in its world.
An epic that closes its magnificent ending in a single piece. You can still feel and sense the taste of its creators, Naoki Yoshida and Creative Business Unit 3. Even in both strengths and its flaws.
Final Fantasy XVI is one of this year’s best games that flawlessly marries the design and narrative sensibilities of Japanese and Western RPGs in a manner that is simply spell-binding.
Final Fantasy XVI is a well-crafted experience and a strong Game of the Year contender. Not only does it have a gripping narrative that restored my faith in Square Enix’s ability to tell a gripping story, but it also features several improvements that fans and newcomers alike will enjoy. This isn’t just improved visuals that scream Final Fantasy and a combat system balanced with players of various skill levels in mind. Hardcore players have a robust system to explore that expands on higher difficulties, with less skilled individuals having various paths to experience all that Final Fantasy XVI has to offer.
Final Fantasy 16 is a stellar and noteworthy entry in the series that's just as impactful as Final Fantasy 6 and Final Fantasy 7's debut back in their respective heydays. And that is not a statement I make lightly.
A bold shift to action and a stirring fantasy tale make this the best Final Fantasy in ages
Regardless if FFXVI is your first Final Fantasy game or you’re returning to the series, Square Enix’s latest game in the franchise lives up to the hype. Forget about JRPG’s or how action-RPGs nowadays need an open world, side quests that last for ages, co-op or whatever gimmick. FFXVI just throws all that out of the table and proves a tightly woven narrative-driven game –when built right — can make up for all those.
The minor issues the game has doesn’t detract from the incredible experience Clive & Co. bring to the table. Players will be treated to a compelling tale, stunning visual spectacles, and a fluid and fun combat system. What’s even more impressive is, Square Enix manages to make the franchise “grow up” alongside the players who grew up playing the series. FFXVI deals with more mature themes and manages to make it matter without being overly preachy about it.
Those looking for the series’ return to glory, rejoice! Final Fantasy XVI is that game, and this is one fantasy you’ll want to make sure you’re a part of.
Final Fantasy XVI is an action JRPG polished to an iridescent sheen. Its well-designed combat system and enemies, outstanding character writing and worldbuilding, and consistently stellar side content make it a standout entry in this legendary franchise. Even when accounting for the weak villains and a lukewarm conclusion, this was a journey that truly gripped me from beginning to end. This is a must-play game of the year and a Final Fantasy adventure you won't forget.
Players will experience a superbly told and presented story, which is decorated with visually beautiful and exquisitely dynamic duels. From time to time, the writers serve us unnecessary breaks that knock out the rhythm, but when the story falls on the right track, it's hard to tear yourself away from the screen.
Inspired by the past but modern at every turn, Final Fantasy XVI is the overhaul the series needed with unparalleled quality. Driven by a fantastic story and charismatic characters, built on accessible, exciting gameplay and impressive graphics on the PS5, it consolidates itself as one of the best games in the franchise history.
Very little gets in the way of the success that Final Fantasy XVI creates. The strength of combat on top of a compelling, deep narrative steal the show. Despite little need for world exploration and the occasional lower resolution texture, Final Fantasy XVI stats true to the namesake while forging its own path forward.
Final Fantasy 16 is incredible when it doesn’t try to say anything meaningful
Square Enix's latest Final Fantasy borrows liberally from Western fantasy, including Game of Thrones and The Lord of the Rings. Read more.
I could barely put my controller down during my 57 hours with Final Fantasy XVI. It represents a huge milestone for this franchise, thanks to its bold shift to more adult story-telling (and language), addictive real-time combat, and gargantuan VFX spectacles that are best in class. Marry all that with what the series is already known for — epic orchestral OSTs and phenomenal world-building — and Final Fantasy XVI is nothing short of a must-own.
Final Fantasy XVI is an epic in every sense of the word. Consistently sharp writing, a captivating cast of characters, exhilarating combat, and a timeless soundtrack coalesce into an experience that showcases what the PlayStation 5 is capable of at the highest level. It constantly finds ways to top its own scale in remarkable fashion, but never loses sight of the intimate journey its built around.
Final Fantasy XVI’s grander narrative takes wild turns, evokes plenty of heartfelt emotions, and has given me a new cast of characters to fall in love with all over again. It’s a bold direction that Creative Business Unit 3 has taken the franchise, but one well worth the journey.
At its best, Final Fantasy 16 is a jaw-dropping epic of rarely seen proportions. It's pretty much the pinnacle of cinematic spectacle in modern games, and its often gripping, emotional story is only matched by its fantastic combat system. While its overall quality does dip outside of the main plot, this is still a must-play action RPG, and the best single-player Final Fantasy in over a decade.
Final Fantasy XVI is a stone-cold masterpiece, and the new high-water mark for the series.
Final Fantasy XVI is a confident game with amazing combat, an earnest narrative, and unbridled spectacle. Faults in pacing, RPG depth, quest design, and all those other nagging criticisms be damned - this game is special.
Final Fantasy XVI is a triumph that firmly moves Final Fantasy forward for a new generation.
Great worldbuilding and a peerless battle system, albeit one that rarely gets challenged, set in a static world with competent storytelling but of a cliched story. Still great fun but it could've been oh so much more.
With an incredible score, an enthralling story, and an eccentric and electric gameplay approach, Final Fantasy 16 is, quite simply, a modern masterpiece.
The latest marquee RPG from Square Enix goes for broke at every opportunity and then some.
Final Fantasy XVI is technically impressive and an amazing action game, though the Game of Throne elements do hinder it a bit. However when the team does get to be original, the story can be absolutely engrossing.
Final Fantasy XVI may offer daring adjustments, but it is in this spirit of creativity that the genre flourishes. The game is not perfect, yet Naoki Yoshida, the game's director, held faithful to his promise to deliver a compelling experience and bring Final Fantasy back to the must-have games again.
Spectacular, with an epic story and astonishing graphics: and yet, Final Fantasy XVI forgets what is really important for the series. It's impossibile to create a build and there's nothing important left for you to manage through the menus. Proper RPG options are gone, dungeons are just banal corridors, players are forced to play the entire game in easy mode and you can beat the game with literally no effort. There's a decent base for the future, but it's not enough to see a real rebirth for the saga.
Final Fantasy XVI is everything I could have hoped for and more. Combat is fast paced and rewarding as you master combos and abilities. Eikon fights, while not as interesting to play, are gorgeous to witness. All of this is wrapped up into a deep story and fully fleshed out world that you'll want to be protecting.
If you're a fan of strong narrative experiences, Final Fantasy lore, breath-taking graphics and a particularly sassy Moogle, and you don't mind a sprinkling of The Witcher, The Handmaids Tale and the many accents of Old Blighty, then Final Fantasy XVI is the game for you. Heck, it might just be the best Final Fantasy yet!
I was worried about the series shedding more of its JRPG roots when this title was first introduced, as recent entries have been straying away from more traditional forms for years. But my fears faded in the first five chapters of FFXIV; the essence of what makes Final Fantasy so great shines brightly here, and as such, this is one of my favorite high fantasy adventures this generation.
Final Fantasy XVI is a bold and ambitious new vision for the franchise, that succeeds on almost every level.
But it’s not that simple. It never is. In FF16, Clive, Cid, and the others ultimately derive their power from the same mysterious origins as the crystals themselves. To complete their objective, they need the very thing they seek to destroy. And so too does FF16 need that history, those traditions, leveraging some even as it drives a dagger through others. That is the duality of the game. A dichotomy at the heart of its structure, its triumphs, and its failures alike. It’s a fascinating piece of work, a wholly imperfect but nevertheless enthralling experience.
Purists might feel this game is way too different from anything that had come before it, be it for its vastly darker tone or emphasis on hack and slash action. Others might not enjoy how long it takes for the game to stop being Final Fantasy XIII levels of linear before finally opening up for exploration. My position on it is simple: I loved it. I loved its gameplay loop, and I fell in utter love with its setting and story.
Final Fantasy XVI heralds in a new standard for Japanese role-playing games and while the RPG components themselves are limited by Square-Enix standards, it's the narrative and gameplay that exceed all expectations.
While Final Fantasy XVI didn’t meet this fan’s expectations for a new series entry, newcomers to epic fantasy and action games will be swept away by the eye-melting combat and enormous-yet-approachable scale.
Final Fantasy XVI is by no means a perfect game, but it is an exceptionally good one. The engaging plot, beautiful visuals, and enjoyable gameplay all combine to create something that feels special. It can occasionally be a little long for its own good, and the combat system is slow to get going, but once it hits all the right marks, it knocks them out of the park. I left Final Fantasy XV disappointed by how unfinished it felt, but Final Fantasy XVI is a true rarity these days: a fully finished game that is satisfying from start to finish.
Final Fantasy XVI is a complete package with a refreshingly mature storyline, full of surprises that keeps raising the stakes. The switch to real-time fights is daring step, but works most of the time, as long as the graphical effects don't blur what's going on. The game can be greatily adapted to facilitate those that mostly play for the story, but also those that are looking for a real challenge. The most epic fights, those between the Eikons, are visually impressive, but a bit too hands-off.
2023.06.21 16:00 Turbostrider27 Final Fantasy XVI Review Thread
Game Information
Game Title: Final Fantasy XVIPlatforms:
- PlayStation 5 (Jun 22, 2023)
- FINAL FANTASY XVI – Ascension Trailer
- FINAL FANTASY XVI - Requiem Live Action Trailer
- FINAL FANTASY XVI Launch Trailer SALVATION
- FINAL FANTASY XVI "REVENGE"
- FINAL FANTASY XVI “AMBITION”
- FINAL FANTASY XVI “DOMINANCE”
- FINAL FANTASY XVI "AWAKENING"
Review Aggregator:
OpenCritic - 90 average - 95% recommended - 62 reviews
Critic Reviews
ACG - Jeremy Penter - BuyA game in a series known for massive changes, easily changes the most, focusing on a tighter story, very specific combat type and arts like DMC, and delivers a beautiful, if truncated world. Well worth getting"
Final Fantasy XVI is an outstanding achievement. Every part of it, from its characters to its combat, was put there with a purpose. Not only does it deliver satisfyingly slick action RPG combat in between masterfully directed cutscenes, but also a story with real heart. Most importantly, it's incredibly clear that a team of creative individuals was behind every decision. There's a human element that permeates every aspect of Final Fantasy XVI, and it'll end up becoming a lot of people's favorite Final Fantasy because of that.
In a world full of games trying to stand out, Final Fantasy XVI has no problem rising above the rest. Wonderfully fun combat and beautiful presentation help make the excellent story even more impactful in an adventure well worth the price of admission.
Final Fantasy XVI melds the best of the series’ themes with a modern, malleable take on combat—creating a heartrending, generation-defining tale of revenge, fate, and freedom.
Final Fantasy XVI is a weirdo black-sheep entry for the series. It won't be for all nor what all fans necessarily want for the franchise, but I also love it for that boldness. It's a gripping and harrowing page-turner of an epic high-fantasy story with plenty of heart the series is known for. Complex too are the characters, even if not all see their justice by the end. Valisthea is an eerily gorgeous setting, providing some of the most memorable vistas you'll have seen in a Final Fantasy game yet. Accessibility might not be at the forefront of the combat in-game but on offer is some of the most stylistic, and satisfying gameplay we've ever seen in an Action RPG. Even if you take further umbrage with its small flaws, there's no denying that Final Fantasy XVI is a special and memorable event. Through thick and thin, that franchise magic is captured once again. Frankly, you can't ask for anything better than that.
Final Fantasy XVI proposes a new foundation for finding a masterclass of perfection in action role-playing, and cements a prime legacy founded on past iterations, capitalising on a formula that's seen inarguable successes throughout its years in this medium, and has promulgated an establishment of extravagance that will indeed be hard to surpass.
With a cast of characters that are easy to invest in, a story that pays off the promise of its impossible scale, and one of the best action combat systems ever committed to disk, Final Fantasy XVI is a game that you owe it to yourself to indulge in.
In short, Final Fantasy XVI is a breath of fresh air for the Final Fantasy franchise despite its first steps into its grittiest, darkest, and most mature space yet. Its combat showcases action-forward combat held together by a backbone of RPG-similar ability management. Its highs truly showcase phenomenal displays of power in many forms, while its lows effectively strike emotional chords in the hearts of players. This might not be a Final Fantasy fans expect, but boy, it's what Final Fantasy games SHOULD be going forward. FFXVI doesn't have a strongest asset, per se, because its entire presentation is a gripping and fun compilation of the best parts of gaming without the filler and frivolity. PS5 owners, I implore you, don't miss out on what is currently my favorite game of the PS5 generation thus far.
Final Fantasy XVI delivers on the “action” side of its action-RPG formula. A fierce and fast-paced combat system makes for the series’ most exciting stab at real-time swordplay yet, while its blockbuster Eikon fights rank among some of gaming’s most awe-inspiring battles. But there’s a general flatness surrounding those exhilarating highs, as shallow RPG hooks and dated design leave a promising evolution for the series stuck in the past.
It’s far too early to determine where Final Fantasy XVI sits in the ranks of Square Enix’s venerable series. However, this is an engrossing, entertaining and, most importantly, fiercely intelligent game. The developers have taken the AAA-blockbuster budget they had to work with, and used it to craft an experience with a strong, provocative and timely message, and then backed it up with some of the most entertaining action combat we’ve ever seen. Not a second of the game’s runtime is wasted, there’s not a single dud character, moment, or scene, and the plot is a riveting epic “page-turner.” If only more blockbuster games were like this, game development would be a far more mature art form.
Final Fantasy XVI boldly dares to defy series norms and forge a new path forward, resulting in the most satisfying single-player Final Fantasy in nearly two decades.
Final Fantasy XVI is an excellent continuation point for the Square Enix saga, which, after several missteps, seems to have found the right balance between the tradition of the franchise and a new unabashedly more mature ethic.
Despite the weight of expectations from a series full of gaming hallmarks, Final Fantasy 16 stands tall as an outstanding experience that you won't want to miss out on.
When I look back at my time with Clive, his friends, his enemies, and Valisthea, it’s those highs that I vividly remember. FFXVI is very different from its predecessors, but in many ways, very familiar; And it’s still a Final Fantasy, through and through, reminding me why I love this series so much.
Final Fantasy 16 does a great job modernizing its gameplay with its combat system, but the story has weaknesses.
FFXVI is a bold shift in both gameplay and narrative, yet captures the Final Fantasy magic in stunning fashion, earning a place within the pantheon of incredible entries in the beloved franchise.
Stellar and surprisingly customizable combat, a masterfully written and engaging storyline, and a beautiful audio visual presentation. It's nearly a complete package, but with a few annoyances that keep it from being a perfect game. That said, even with those frustrations in mind, Final Fantasy XVI is an absolute return to form for the mainline franchise, and easily a reason to get yourself a PlayStation 5 if you've yet to.
Final Fantasy 16 largely shines as an epic-length action game, though the places where it attempts to find a comfortable compromise between action game and RPG feel largely unambitious, and certainly fade into the background against aspects that are approached with gusto. But it’s difficult not to get swept up by the earnest saga that Final Fantasy 16 eagerly lays out for you, and the egregious heights of spectacle it displays.
It's the kind of gamble that Final Fantasy has happily made in the past so that the series may reinvent itself to execute the type of story its creatives want to tell. Time will tell if Final Fantasy 16 pays off, but history certainly supports it.
Final Fantasy 16 isn't just a stellar video game with gorgeous graphics and incredible combat. It's also an emotionally engaging experience and the absolute peak of everything the series stands for.
Final Fantasy XVI features excellent action combat and an intricate story, both with incredible depth. It combines gameplay, story, sound, and music together into one form all inextricably linked. It sets a new standard for action RPGs, and is quite possibly the pinnacle of the series.
Final Fantasy XVI is a lot of things. It’s ambitious, gritty, and beautiful, but more importantly, it dares to dream. A sobering tale disguised as a dazzling visual spectacle, the almost-masterpiece presents a nuanced, clever take on all-too-familiar elements, and turns them into fresh experiences that devastate as much as they delight, before delivering the biggest reward – a well-executed emotional payoff.
Final Fantasy XVI will change what we think of the franchise moving forward.
Featuring fast, reflex driven, action heavy combat, Final Fantasy 16 is certainly a departure from what fans may expect out of a Final Fantasy game, but its excellent story, characters, and world building are right up there with the best the series has to offer, and the innovative Active Time Lore feature should set a new standard for how lengthy, story-heavy games keep players invested in its world.
An epic that closes its magnificent ending in a single piece. You can still feel and sense the taste of its creators, Naoki Yoshida and Creative Business Unit 3. Even in both strengths and its flaws.
Final Fantasy XVI is one of this year’s best games that flawlessly marries the design and narrative sensibilities of Japanese and Western RPGs in a manner that is simply spell-binding.
Final Fantasy XVI is a well-crafted experience and a strong Game of the Year contender. Not only does it have a gripping narrative that restored my faith in Square Enix’s ability to tell a gripping story, but it also features several improvements that fans and newcomers alike will enjoy. This isn’t just improved visuals that scream Final Fantasy and a combat system balanced with players of various skill levels in mind. Hardcore players have a robust system to explore that expands on higher difficulties, with less skilled individuals having various paths to experience all that Final Fantasy XVI has to offer.
Final Fantasy 16 is a stellar and noteworthy entry in the series that's just as impactful as Final Fantasy 6 and Final Fantasy 7's debut back in their respective heydays. And that is not a statement I make lightly.
A bold shift to action and a stirring fantasy tale make this the best Final Fantasy in ages
Regardless if FFXVI is your first Final Fantasy game or you’re returning to the series, Square Enix’s latest game in the franchise lives up to the hype. Forget about JRPG’s or how action-RPGs nowadays need an open world, side quests that last for ages, co-op or whatever gimmick. FFXVI just throws all that out of the table and proves a tightly woven narrative-driven game –when built right — can make up for all those.
The minor issues the game has doesn’t detract from the incredible experience Clive & Co. bring to the table. Players will be treated to a compelling tale, stunning visual spectacles, and a fluid and fun combat system. What’s even more impressive is, Square Enix manages to make the franchise “grow up” alongside the players who grew up playing the series. FFXVI deals with more mature themes and manages to make it matter without being overly preachy about it.
Those looking for the series’ return to glory, rejoice! Final Fantasy XVI is that game, and this is one fantasy you’ll want to make sure you’re a part of.
Final Fantasy XVI is an action JRPG polished to an iridescent sheen. Its well-designed combat system and enemies, outstanding character writing and worldbuilding, and consistently stellar side content make it a standout entry in this legendary franchise. Even when accounting for the weak villains and a lukewarm conclusion, this was a journey that truly gripped me from beginning to end. This is a must-play game of the year and a Final Fantasy adventure you won't forget.
The combat isn’t turn-based, and you don’t control a huge party of characters… Yet, Final Fantasy XVI is still very much a Final Fantasy game through and through. Some fans, both long-time and more recent, will have a hard time accepting the fact, but there’s no denying the work that Yoshi-P and the team have done here. Final Fantasy XVI is a damn masterpiece of epic proportions.
This is the future of Final Fantasy’s artistry – an ever-changing canvas that can be what the team wants it to be and at least, for Final Fantasy XVI, this exercise has proved to be a triumph.
Players will experience a superbly told and presented story, which is decorated with visually beautiful and exquisitely dynamic duels. From time to time, the writers serve us unnecessary breaks that knock out the rhythm, but when the story falls on the right track, it's hard to tear yourself away from the screen.
Inspired by the past but modern at every turn, Final Fantasy XVI is the overhaul the series needed with unparalleled quality. Driven by a fantastic story and charismatic characters, built on accessible, exciting gameplay and impressive graphics on the PS5, it consolidates itself as one of the best games in the franchise history.
Very little gets in the way of the success that Final Fantasy XVI creates. The strength of combat on top of a compelling, deep narrative steal the show. Despite little need for world exploration and the occasional lower resolution texture, Final Fantasy XVI stats true to the namesake while forging its own path forward.
Final Fantasy 16 is incredible when it doesn’t try to say anything meaningful
Square Enix's latest Final Fantasy borrows liberally from Western fantasy, including Game of Thrones and The Lord of the Rings. Read more.
I could barely put my controller down during my 57 hours with Final Fantasy XVI. It represents a huge milestone for this franchise, thanks to its bold shift to more adult story-telling (and language), addictive real-time combat, and gargantuan VFX spectacles that are best in class. Marry all that with what the series is already known for — epic orchestral OSTs and phenomenal world-building — and Final Fantasy XVI is nothing short of a must-own.
Final Fantasy XVI is an epic in every sense of the word. Consistently sharp writing, a captivating cast of characters, exhilarating combat, and a timeless soundtrack coalesce into an experience that showcases what the PlayStation 5 is capable of at the highest level. It constantly finds ways to top its own scale in remarkable fashion, but never loses sight of the intimate journey its built around.
Final Fantasy XVI’s grander narrative takes wild turns, evokes plenty of heartfelt emotions, and has given me a new cast of characters to fall in love with all over again. It’s a bold direction that Creative Business Unit 3 has taken the franchise, but one well worth the journey.
At its best, Final Fantasy 16 is a jaw-dropping epic of rarely seen proportions. It's pretty much the pinnacle of cinematic spectacle in modern games, and its often gripping, emotional story is only matched by its fantastic combat system. While its overall quality does dip outside of the main plot, this is still a must-play action RPG, and the best single-player Final Fantasy in over a decade.
Final Fantasy XVI is a stone-cold masterpiece, and the new high-water mark for the series.
Final Fantasy XVI is a confident game with amazing combat, an earnest narrative, and unbridled spectacle. Faults in pacing, RPG depth, quest design, and all those other nagging criticisms be damned - this game is special.
Final Fantasy XVI is a triumph that firmly moves Final Fantasy forward for a new generation.
Great worldbuilding and a peerless battle system, albeit one that rarely gets challenged, set in a static world with competent storytelling but of a cliched story. Still great fun but it could've been oh so much more.
With an incredible score, an enthralling story, and an eccentric and electric gameplay approach, Final Fantasy 16 is, quite simply, a modern masterpiece.
The latest marquee RPG from Square Enix goes for broke at every opportunity and then some.
Final Fantasy XVI is technically impressive and an amazing action game, though the Game of Throne elements do hinder it a bit. However when the team does get to be original, the story can be absolutely engrossing.
Final Fantasy XVI may offer daring adjustments, but it is in this spirit of creativity that the genre flourishes. The game is not perfect, yet Naoki Yoshida, the game's director, held faithful to his promise to deliver a compelling experience and bring Final Fantasy back to the must-have games again.
Spectacular, with an epic story and astonishing graphics: and yet, Final Fantasy XVI forgets what is really important for the series. It's impossibile to create a build and there's nothing important left for you to manage through the menus. Proper RPG options are gone, dungeons are just banal corridors, players are forced to play the entire game in easy mode and you can beat the game with literally no effort. There's a decent base for the future, but it's not enough to see a real rebirth for the saga.
Final Fantasy XVI is everything I could have hoped for and more. Combat is fast paced and rewarding as you master combos and abilities. Eikon fights, while not as interesting to play, are gorgeous to witness. All of this is wrapped up into a deep story and fully fleshed out world that you'll want to be protecting.
If you're a fan of strong narrative experiences, Final Fantasy lore, breath-taking graphics and a particularly sassy Moogle, and you don't mind a sprinkling of The Witcher, The Handmaids Tale and the many accents of Old Blighty, then Final Fantasy XVI is the game for you. Heck, it might just be the best Final Fantasy yet!
Final Fantasy XVI, going by the sums, represents one of the most interesting and fascinating experiments on the part of the saga, which manages to raise the bar on the maturity of the narrative plot and to propose a gameplay structure capable of going to remodel the proposal of the last chapters.
I was worried about the series shedding more of its JRPG roots when this title was first introduced, as recent entries have been straying away from more traditional forms for years. But my fears faded in the first five chapters of FFXIV; the essence of what makes Final Fantasy so great shines brightly here, and as such, this is one of my favorite high fantasy adventures this generation.
Final Fantasy XVI is a bold and ambitious new vision for the franchise, that succeeds on almost every level.
This is one of the most polished AAA releases we have in recent memory. I encountered no major bugs, major performance issues, or even visual pop-ins. Final Fantasy 16 feels like a game that was made the way the creators intended it to be with the utmost care. There are no compromises made here for artificial extensions or hidden profit-making agendas. Final Fantasy 16 is a complete experience from start to finish and it is one that I’d say is worth taking.
But it’s not that simple. It never is. In FF16, Clive, Cid, and the others ultimately derive their power from the same mysterious origins as the crystals themselves. To complete their objective, they need the very thing they seek to destroy. And so too does FF16 need that history, those traditions, leveraging some even as it drives a dagger through others. That is the duality of the game. A dichotomy at the heart of its structure, its triumphs, and its failures alike. It’s a fascinating piece of work, a wholly imperfect but nevertheless enthralling experience.
Purists might feel this game is way too different from anything that had come before it, be it for its vastly darker tone or emphasis on hack and slash action. Others might not enjoy how long it takes for the game to stop being Final Fantasy XIII levels of linear before finally opening up for exploration. My position on it is simple: I loved it. I loved its gameplay loop, and I fell in utter love with its setting and story.
Final Fantasy XVI heralds in a new standard for Japanese role-playing games and while the RPG components themselves are limited by Square-Enix standards, it's the narrative and gameplay that exceed all expectations.
While Final Fantasy XVI didn’t meet this fan’s expectations for a new series entry, newcomers to epic fantasy and action games will be swept away by the eye-melting combat and enormous-yet-approachable scale.
Final Fantasy XVI is by no means a perfect game, but it is an exceptionally good one. The engaging plot, beautiful visuals, and enjoyable gameplay all combine to create something that feels special. It can occasionally be a little long for its own good, and the combat system is slow to get going, but once it hits all the right marks, it knocks them out of the park. I left Final Fantasy XV disappointed by how unfinished it felt, but Final Fantasy XVI is a true rarity these days: a fully finished game that is satisfying from start to finish.
Final Fantasy XVI is a complete package with a refreshingly mature storyline, full of surprises that keeps raising the stakes. The switch to real-time fights is daring step, but works most of the time, as long as the graphical effects don't blur what's going on. The game can be greatily adapted to facilitate those that mostly play for the story, but also those that are looking for a real challenge. The most epic fights, those between the Eikons, are visually impressive, but a bit too hands-off.
2023.01.11 16:16 Turbostrider27 One Piece Odyssey Review Thread
Game Information
Game Title: One Piece OdysseyPlatforms:
- Xbox Series X/S (Jan 13, 2023)
- PlayStation 5 (Jan 13, 2023)
- PlayStation 4 (Jan 13, 2023)
- PC (Jan 12, 2023)
- ONE PIECE ODYSSEY — System Trailer
- ONE PIECE ODYSSEY — Memories Trailer
- ONE PIECE ODYSSEY — Water Seven Gameplay Trailer
Publisher: Bandai Namco Entertainment Inc.
Review Aggregator:
OpenCritic - 74 average - 67% recommended - 21 reviews
Critic Reviews
Boomstick Gaming - BuyCGMagazine - Preston Dozsa - 4 / 10Video Review - Quote not available
One Piece Odyssey is a slog to play, with horrendous pacing and progression issues destroying what little good can be found in the story and combat.
One Piece Odyssey finally brings fans of the original a well-deserved implementation. The battle system works great, the story combines new things with nostalgic emotions, and the graphics are also very pleasing. Only a few minor flaws hold it back, but anyone who can relate to the straws should play it.
Fans are in good hands with One Piece: Odyssey. In fact, more anime games should be following in strides made here. On offer is a wonderful adventure that feels like a theme park visit to the series lands, old and new. Characters shine and bounce off each other well both in and out of cutscenes as colourfully as they should. Some areas need better story pacing and quality of life improvements such as better checkpointing and save states, and going more all-in on different story timelines would've also gone a long way. And it's testing to see manga artist Eiichiro Oda's troublesome female character design. However, it's a blast of an RPG. Flaws are more than made up for in a thoroughly enjoyable anime affair along with an unexpected and very welcome spin on the known turn-based RPG formula. Smooth sailing lies ahead with One Piece: Odyssey.
Pique adaptation with original writing that consolidates everything we know and love of One Piece, converging it with the best elements of a Persona or Dragon Quest, then making it its own experience is simply fantastic. Prepare yourself because One Piece Odyssey has already primed itself as one of the greatest JRPG’s you’ll ever experience.
I had a wonderful time with One Piece Odyssey. The best way to summarise it is as a breezy, easy-playing JRPG that you can knock off over several weeks and a few solid sessions. The developers have crafted something blissfully over-the-top and funny, and done One Piece a grand homage to celebrate its 25th year. At the same time, they very cleverly figured out how to make a 25-year-old anime as entertaining for newcomers and those not familiar with Luffy and the crew as it is for those who have watched every single episode. That is some incredible work.
One Piece Odyssey is a pleasant surprise and fans can finally celebrate the first great game within this inspiring universe. This kind of Dragon Quest with One Piece skin works very well although it's an easy experience. Eiichiro Oda's contribution results in a faithful tone to One Piece and an interesting narrative that captures the player. This is ILCA's second game as the main studio and could be the start of a major series.
Whether Bandai Namco decides to continue this venture down the JRPG route remains to be seen, but it would be a shame to abandon the solid foundations found in One Piece Odyssey, which has set 2023 off to an incredible start with its high production values, beautiful world, intuitive combat, and wonderful celebration of one of the best mangas to ever be created.
One Piece Odyssey scores with a lot of wit and heart, but is sometimes tough as rubber.
One Piece Odyssey is a slice of fan service that is easy to recommend for die-hard fans. As a game detached from its brand, it doesn’t bring anything new or exciting to turn-based combat. From the story's perspective, the plot was straightforward to predict and quickly left my mind as soon as it entered.
One Piece Odyssey might appeal to long time fans of Luffy and co, but the glacial pace really drags it down.
If you've swallowed the thousands of episodes that make up the anime (so far), chances are One Piece Odyssey is the game you've always dreamed of. But if you don't know what a Devil Fruit is and you're looking for a great RPG to sink your teeth into, you'd better keep looking.
One Piece Odyssey is a turn-based JRPG that mixes a classic formula with some new elements. While not a masterpiece, it offers a nice breath of fresh air for licensed anime games. Unfortunately, narrative pacing and an inconsistent technical department make for a diluted and boring experience, but it remains recommended to both fans of the saga and JRPG fans in general.
One Piece Odyssey offers some of the franchise's most iconic moments, without appealing to mindless nostalgia and moving the plot forward. With solid and traditional combat and exploration systems, it lacks in the narrative unnecessarily and in the limited level design, but the balance is still very positive, especially if you are a fan of the Straw Hat Pirates.
No matter whether you're a hardcore One Piece fan or a complete newcomer, One Piece Odyssey is an utter joy of a JRPG. Its combat system remains incredibly enjoyable throughout, and new mechanics provide depth and strategy in droves. Most certainly the highlight of the experience, but with fun exploration to boot, you're always assured of a good time. One Piece Odyssey plays a lot like Dragon Quest XI, and it's not that far off being just as good as it.
One Piece Odyssey is a solid JRPG and not just a game made to grab the anime fan's attention, you being a One Piece would only make this great game better
Despite some flaws, like an improvable storytelling, One Piece Odyssey surely is the best One Piece game to date, even if the bar set by previous entries was pretty low to begin with.
Luffy and his friends are back with a fun RPG game in which we go through our memories of the anime while enjoying a new adventure that represents the Straw Hat Pirates well.
Fans of One Piece and turn-based RPG lovers alike will be more than pleased with what One Piece Odyssey has to offer. Its combat offers a great new spin on the genre’s trademark battle systems, and is far deeper than one would expect from an anime-inspired title. Even if it isn’t perfect, the game takes chances in the best way possible and could very well lay the groundwork for much more promising One Piece games in the future.
A tale built on revisiting past adventures in media res, One Piece Odyssey relies so much on retelling great stories that came before it that the adventure in Waford alongside Lim and Adio feels like an afterthought.
One Piece Odyssey is a great JRPG with plenty of twists on the genre's tropes to engage new and veteran players alike. The presentation, voice acting, and score combine to create an authentic One Piece experience that can serve as an introduction to anyone curious about the franchise and an expansion for fans as well. The combat is fast and dynamic, and the "Dramatic Scene" mechanic keeps things fresh in almost every encounter. While some aspects are a bit unrewarding, and exploration can be stiff, the constant sense of wonder makes this the best One Piece game yet.
2022.03.31 00:52 millywyco MW Wyco Wednesday Inventory Update! Announcing the Latest and Greatest Plastic Munching Mushie, Welcome Pestalotiopsis Microspora to the Library! Winner of Last Week's Needle Contest Revealed and 1st 30 Orders After This Post get a FREE Vendor's Choice Syringe!
 | www.millywyco.com submitted by millywyco to Millywyco [link] [comments] Credit/Debit, Cash App, Venmo, Zelle, Apple Pay, Google Pay, Bitcoin and Amazon Gift Cards (US ONLY) ***PLEASE NOTE*** We cannot ship active spores to CA, ID or GA ***PLEASE NOTE*** All cultivation inquiries or any mention of cultivation will result in a block, cancelled order, and invalid for any refunds or exchanges. Spores are for microscopy use only. Ello mates! Sorry this post is a bit late today...I sat down to write a little while ago and realized I forgot to take insulin this morning and was a cranky pants (dontcha hate it when that happens?!?) so I pushed it back a tad. All is well now and better than ever! First off, I wanted to address quite an impressive guess from the needle counting contest last week. Of the members that guessed how many needles have been given since the dawn of free needle time, 18 guesses were on the low end, 3 were just above the actual number, and one very lucky (or skilled/talented of course) lad who goes by the name of u/RobFoTwenty hit the nail on the head with the EXACT number of extra needles sent, with 1,320! CONGRATS! You won the mega pack, containing: 10 Cubensis or Gourmet syringes 5 Swab Packs 5 Spore Prints 5 Fully Colonized Gourmet Agar Plates 1 Book off the Shelf 1 Super Duper Cool T-Shirt I'll be in touch this evening to arrange your prizes :) Picture proof attempted below. I have my doubts this pic will show. Eenie meenie miney mo. Here you go. https://preview.redd.it/13kkk0ewhlq81.jpg?width=682&format=pjpg&auto=webp&s=4b4c5283edb2572548556e88a03e66308015760f In other news, I would like to showcase one single gourmet liquid culture on this fine Wednesday. This is definitely one of my favorites, though I haven't had a chance to play with it too much. Introducing, the polyurethane digesting, plastic despising, trash gobbling behemoth, Pestalotiopsis Microspora! While Lions Mane still takes the cake for my all time favorite to eat (yum so tasty, good so feel), this has to be the single species of mushroom that I would like every single person to research, cultivate, and make more widely known. A few other plastic eating mushrooms are out and about, but this seems to be the one we have the most info on at the moment. Check out TreeHugger's article about them HERE. Keeping with the theme of this week, I've come across several companies that help recycle things that may not normally get recycled through your local waste company. THIS article from The Spruce has a TON of resources depending on what you're recycling, how much and from what location. Some retailers, like battery stores, auto supply shops, electronics retailers (Best Buy, Verizon, etc) and office supply stores will recycle any used phones, ink, computers, etc if you take it in, and there are some companies like GREENDISK that will send you boxes to pack up waste to recycle. Of course that's just waste...if you have something that someone else could use, try joining a neighborhood "buy nothing" group for those of you that have the book of faces (my lady is a MASTER of buy nothing/fb marketplace if you need tips) or a site called FreeCycle.org where you can post what you have (or want) and match up with others trying to do the same! Pretty much any way we can keep useful things from going in the landfill the better! As most of you may have noticed recently, your bubble wrap has a slight pink tint to it...so pretty! No, I am not paying more to have pink bubble wrap (though I do like the color, and I do pay more for it...) this bubble wrap is made from completely recycled materials, causing the tint, though is still not recyclable through most local recycling programs. Whole Foods will take in most light plastics that are not typically recycled fyi! If you have ANY suggestions at all on how we as mushroom enthusiasts can reduce waste, please let me know in the comments! ALL future used ideas will be rewarded! GreenDisk has a great slogan: "Because good planets are hard to find". Let's stick around a little longer! Be green, recycle, and go about your hippie ways. Love yas <3 Need to talk? Need a friend? Need to vent? I'm here, let's chat! Always in Love <3 RESTOCKED: Big Blue, Blue Meanie, Golden Teacher, Great White Monster, Illusion Weaver, Texas Yellow Cap, Thai Ponk Buffalo, Treasure Coast NEW: Pestalotiopsis Microspora the plastic munching mushroom from Mars! MARCH 30 PROMOS: (All promos are automatic. No additional coupon codes needed, I got this) The first 10 orders after this post will be assigned 25 rewards points to their account! Check out the new points shop on the site to get some free rewards! (Points added on Thursday, and if you feel like you're missing points, LET ME KNOW!). The first 30 orders after this post will receive a FREE Vendor's Choice Syringe with their order! Orders ending in "30" the week of 3/30 (8430, 8530, etc) will win a super cool mushroom t-shirt, and a coupon code for a free 5-pack of cubensis spore syringes, swabs or gourmet liquid cultures!! Just to be clear, this actually is (in my opinion) a super cool mushie shirt, not a MW shirt. Aside from the stickers I include with orders, I don't do any kind of branding or promotion....I just couldn't help myself with the stickers...who doesn't like stickers?!?! PLACING AN ORDER: All orders must be placed on the website to receive order confirmation and tracking emails. I have several coupon codes to fit most packages, but if you have a large order or need a custom coupon code, please email me, and I'll take care of you :) You may mix-n-match swabs, spore syringes, and liquid cultures (exotics and "special" swab packs excluded) The most common order, and the best deal is with coupon code 5PACK, which is for 5 cubensis spore syringes, swabs, or gourmet liquid cultures for $30, including shipping! Coupon code 10PACK is $60 for 10 cubensis or gourmet varieties. Use coupon code 2PACK for 2/$20, or if you need any exotics with your 5-pack, you can use coupon code NEEDMORE for 5 cubes and 1 exotic for $40. NEEDMORE2 for 5 cubes and 2 exotics for $50, and so on :) ***PLEASE NOTE*** We cannot ship active spores to CA, ID or GA ***PLEASE NOTE*** All cultivation inquiries or any mention of cultivation will result in a block, cancelled order, and invalid for any refunds or exchanges. Spores are for microscopy use only. LIST OF AVAILABLE VARIETIES (list accurate at 18:00 on 3/30/22, but will change as varieties sell out): CUBENSIS SPORE SYRINGES AND SWABS: Ajax (Alabama x Jacksonville, FL) Alacabenzi (Alabama x Mexican) Albino A+ Albino Penis Envy Revert (APEr) Amazon Avery's Albino (SWABS ONLY) B+ Big Blue (Blue Meanie iso) Blue Magnolia Rust Blue Meanie Burma Cambodian Chitwan Columbian Rust Costa Rican Creeper Ecuadorian Fiji Golden Mammoth Golden Teacher Great White Monster Hillbilly Huautla Illusion Weaver Jedi Mind Fuck Koh Samui Leucistic Burma Leucistic Cambodian Leucistic Treasure Coast Lizard King Malabar Mars Mazatapec Oak Ridge Orissa India Pakalensis PE+ (Penis Envy x B+) (SWABS ONLY) Penis Envy #6 PES Amazonian PES Hawaiian Peru PF Classic PF Redspore Puerto Rican Red Boy Rusty Whyte S. African Transkei S. American Stargazer Subcubensis Syzygy Taman Negara Texas Orange Cap Texas Yellow Cap Thai Elephant Dung Thai Pink Buffalo Tidalwave Treasure Coast True Albino Teacher (TAT) Ghost (SWABS ONLY) White Teacher Z-Strain EXOTIC SPORE SYRINGES AND SWABS: Gymnopilus Luteofolius (Yellow Gilled Gymnopilus) Gymnopilus Purpuratus Gymnopilus Spectabilis (Laughing Gym) Panaeolus Bisporus Panaeolus Cyanescens Jalisco (MX) Panaeolus Cyanescens Nec'D Ps. Azurescens Ps. Caerulescens (SWABS ONLY) Ps. Cyanescens (N. Cali) Ps. Galindoi ATL7 Ps. Hoogshagenii var Convexa (Semperviva) (SWABS ONLY) Ps. Natalensis Ps. Ovoideocystidiata Ps. Papuana (AUS) Ps. Subaeruginosa Ps. Tampanensis (Pollock) Ps. Zapotecorum GOURMET LIQUID CULTURES AND AGAR PLATES: Black Poplar Blue Oyster Chaga Chestnut Coral Tooth Cordyceps Militaris Enoki Golden Brown Beech Golden Oyster Honey Mushroom King Oyster King Trumpet Lions Mane Nameko Pearl Oyster Pestalotiopsis Microspora (Plastic muncher) Phoenix Oyster Pink Oyster Portobello Red Reishi Shaggy Mane Shiitake Sporeless Oyster Tarragon Oyster True Morel Turkey Tail White Elm Wine Cap Wood Blewit ***PLEASE NOTE*** We cannot ship active spores to CA, ID or GA ***PLEASE NOTE*** All cultivation inquiries or any mention of cultivation will result in a block, cancelled order, and invalid for any refunds or exchanges. Spores are for microscopy use only. |
2019.05.25 18:37 rickrock3210 If Avery killed TH, he would have hid the gun and burned the car because that's his MO.
In 1985, when Avery pointed a rifle at Sandra Morris, he knew he would get in trouble so he hid the rifle under his kids bed.
http://www.stevenaverycase.org/wp-content/uploads/2017/03/MTSO-Incident-Report-S04-8530-Car-fire-stolen-vehicle.pdf
According to the Tisch Mills Fire Dept., it appeared that the vehicle was intentionally set on fire and some unknown type of accelerant was used to make the vehicle burn that fast and that hot. The vehicle was just 25 yards off the road.
What's the common theme here? When Avery is in trouble, he tries to get rid of the evidence. So there is no fucking way avery would have left the RAV in the yard or the gun over the bed if it was tied to a murder he did.
submitted by rickrock3210 to MakingaMurderer [link] [comments]
Later in the day on January 3, 1985 Detective Larry Conrad of Manitowoc County Sheriffs Department interviewed Steven Avery. During the course of the interview, Steven Avery admitted that earlier in the day on January 3, 1985 he had noticed Sandra Morris drive past his residence and enter his vehicle, a 1978 Ford LTD, and began following her. Avery identified Sandra Morris as a relative on his Dad's side of the family. Avery admitted using his vehicle to strike Sandra Morris' vehicle on the side and causing her vehicle to skid to a stop on the side of the road. A very indicated that he then got out of his vehicle with a 30-06 rifle and pointed the gun toward Sandy Morris and her vehicle. A very indicated that he ran Sandy Morris off the road because she was telling everyone that he was "bare-ass in the road" while she was driving by his residence. Avery indicated that this bothered him and that he was intending to frighten Sandy Morris in an attempt to get her to stop making statements about his being naked in the roadway. Avery indicated that after the confrontation on the roadway he returned home and hid the 30-06 rifle underneath one of the kids' beds in his home.In 2004, the cops thought Avery may have torched a car.
Officers from the Manitowoc County Sheriffs Department later recovered the 30-06 rifle hidden underneath the bed in which children were sleeping in their pajamas. A subsequent inspection of the 30-06 rifle found underneath the child's bed in the Steven Avery residence revealed a live round in the chamber. Officers found paint transfer between Steven Avery's 1978 Ford and Sandra Morris' Plymouth Volare.
http://www.stevenaverycase.org/wp-content/uploads/2017/03/MTSO-Incident-Report-S04-8530-Car-fire-stolen-vehicle.pdf
According to the Tisch Mills Fire Dept., it appeared that the vehicle was intentionally set on fire and some unknown type of accelerant was used to make the vehicle burn that fast and that hot. The vehicle was just 25 yards off the road.
What's the common theme here? When Avery is in trouble, he tries to get rid of the evidence. So there is no fucking way avery would have left the RAV in the yard or the gun over the bed if it was tied to a murder he did.
2018.10.24 20:53 tonythetiger891 1st timer, rate my choices for an editing/gaming pc!
What will you be doing with this PC? Be as specific as possible, and include specific games or programs you will be using.
- I'll be mainly editing and gaming. Premiere, After Effects, Davinci Resolve will be the main programs.
What is your maximum budget before rebates/shipping/taxes?
- 3500.
When do you plan on building/buying the PC? Note: beyond a week or two from today means any build you receive will be out of date when you want to buy.
- After Black Friday
What, exactly, do you need included in the budget? (ToweOS/monitokeyboard/mouse/etc)
- Everything
Which country (and state/province) will you be purchasing the parts in? If you're in US, do you have access to a Microcenter location?
- Live in Las Vegas, NV. We have a Fry's electronics. Don't think there is a microcenter.
If reusing any parts (including monitor(s)/keyboard/mouse/etc), what parts will you be reusing? Brands and models are appreciated.
- None
Will you be overclocking? If yes, are you interested in overclocking right away, or down the line? CPU and/or GPU?
- In the future potentially.
Are there any specific features or items you want/need in the build? (ex: SSD, large amount of storage or a RAID setup, CUDA or OpenCL support, etc)
- Looking for a zippy fast editing comp so lots of Ram. Went with the m.2 for that reason. SSD will be primary with projects files on m2. Thinking about adding some larger storage for options. Probably SSD that I can copy projects from to put onto the m.2. Also went with a screen calibrator for color work. Most of my external drives now are mac formatted so I would likely need to reformat them all to be compatible. https://www.pugetsystems.com/recommended/Recommended-Systems-for-Adobe-Premiere-Pro-CC-143/Hardware-Recommendations
Do you have any specific case preferences (Size like ITX/microATX/mid-towefull-tower, styles, colors, window or not, LED lighting, etc), or a particular color theme preference for the components?
- I'm on the RGB train and want a window. I like black and it matches my furniture and desk. The case I require would be for ATX so a mid-tower if possible.
Do you need a copy of Windows included in the budget? If you do need one included, do you have a preference?
- Yup. No preference.
Extra info or particulars:
- I'm waiting for Black Friday to buy. I posted a while ago and used that as a jumping off point for research (I'm brand new). I want to future proof a bit so I was leaning toward the 2080 ti but I'm thinking it might be overkill at the moment so I have 1080 ti listed. I'm pretty set on the i7 8700k as the i9 9800 seems to not be much of an upgrade from what I've read. I decided against Ryzen as Premiere doesn't implement well with it.
- I'm specifically looking for opinions on a Motherboard, RAM, CPU cooler, and case. I was looking at RGB RAM with the G. SKILL but holy crap that would be almost 1g just for RAM if I want to stay at 64gb. Just want to make sure I'm not "cheaping out" on RAM or if it's just not value for the RGB. Also heard that the motherboard I picked out has spotty wi-fi which would be an issue for me. Am I throwing money away on anything super unnecessary with this build?
- Also got this for compatibility issues on system builder "The motherboard M.2 slot #2 shares bandwidth with a SATA 6.0 Gb/s port. When the M.2 slot is populated, one SATA 6.0 Gb/s port is disabled."
2018.06.18 20:57 MLEBOT Very Empowered Nymphs Uplifting Our Sex (VENUS) Zine
Wanted to share with you all the first issue of my zine! https://indd.adobe.com/view/54403764-4a5a-427e-8530-4699967e7fa3
we are a collective of womxn across the world exploring ancient concepts of love and considering what this means to us as 21C 4th wave feminists through a post internet lens. Inspired by a combination of rrrriot girl x simone de bouvoir x frank ocean x and so much in between. This is my first go at making something like this and had so much fun doing it!
~*Looking 4*~
submitted by MLEBOT to zinesters [link] [comments]
we are a collective of womxn across the world exploring ancient concepts of love and considering what this means to us as 21C 4th wave feminists through a post internet lens. Inspired by a combination of rrrriot girl x simone de bouvoir x frank ocean x and so much in between. This is my first go at making something like this and had so much fun doing it!
~*Looking 4*~
- suggestions on how i can make issue 2 even better theme is R E V O L U T I O N
- ideas on how to increase circulation/exposure
- if you'd like to collab, please get in touch!
2017.02.02 01:14 okubax [i3] New Laptop, Same Ol' Arch
![[i3] New Laptop, Same Ol' Arch](https://preview.redd.it/n33urb1q6cdy.png?width=640&crop=smart&auto=webp&s=ccd512732c4bf11a9cbedc1bcde29681d8d0b4d6 "[i3] New Laptop, Same Ol' Arch") | submitted by okubax to unixporn [link] [comments] |
2016.12.20 22:48 AmToasterAMA Dual-Booting Ubuntu and Chrome OS but Ubuntu Won't Work, Citing "Unable to locate theme engine in module_path: “pixmap” " (Repost from last month because no one answered me last time)
Specs: Acer 16GB SSD Chromebook, 2GB RAM, Intel Celeron N2840 Dual-Core Processor, 11.6 inch screen.
I downloaded Ubuntu with Crouton on my Chromebook. I normally start Ubuntu by going into the Chrome OS developer shell, but it's not working.
What happens is that I type the start command ("sudo startxfce4") in the Ubuntu terminal within the Chrome OS developer shell (accessible with "shell") and everything goes normally, but instead of transferring me to my desktop, it gives me a black screen with my mouse. I can move the mouse around, but I can't do anything else. Here's the full error output that I get in the Chrome OS Ubuntu shell (that I used to launch Ubuntu) when I come back from the broken Ubuntu desktop: Entering /mnt/stateful_partition/crouton/chroots/precise... /usbin/startxfce4: Starting X server
submitted by AmToasterAMA to linux4noobs [link] [comments]
I downloaded Ubuntu with Crouton on my Chromebook. I normally start Ubuntu by going into the Chrome OS developer shell, but it's not working.
What happens is that I type the start command ("sudo startxfce4") in the Ubuntu terminal within the Chrome OS developer shell (accessible with "shell") and everything goes normally, but instead of transferring me to my desktop, it gives me a black screen with my mouse. I can move the mouse around, but I can't do anything else. Here's the full error output that I get in the Chrome OS Ubuntu shell (that I used to launch Ubuntu) when I come back from the broken Ubuntu desktop: Entering /mnt/stateful_partition/crouton/chroots/precise... /usbin/startxfce4: Starting X server
_XSERVTransmkdir: ERROR: euid != 0,directory /tmp/.X11-unix will not be created. X.Org X Server 1.15.1 Release Date: 2014-04-13 X Protocol Version 11, Revision 0 Build Operating System: Linux 2.6.42-75-generic x86_64 Ubuntu Current Operating System: Linux localhost 3.10.18 #1 SMP Tue Oct 4 15:41:50 PDT 2016 x86_64 Kernel command line: cros_secure console= loglevel=7 init=/sbin/init cros_secure oops=panic panic=-1 root=/dev/dm-0 rootwait ro dm_verity.error_behavior=3 dm_verity.max_bios=-1 dm_verity.dev_wait=1 dm="1 vroot none ro 1,0 2506752 verity payload=PARTUUID=8df58beb-aff6-8947-9b84-bdd6be314ec8/PARTNROFF=1 hashtree=PARTUUID=8df58beb-aff6-8947-9b84-bdd6be314ec8/PARTNROFF=1 hashstart=2506752 alg=sha1 root_hexdigest=4e09178f72a73d2e7477b7530311209e983ba452 salt=7e9b38d648a5ee54b92aa0588bfa33c591f0157b067cf5479bed78436d33465e" noinitrd vt.global_cursor_default=0 kern_guid=8df58beb-aff6-8947-9b84-bdd6be314ec8 add_efi_memmap boot=local noresume noswap i915.modeset=1 tpm_tis.force=1 tpm_tis.interrupts=0 nmi_watchdog=panic,lapic Build Date: 12 February 2015 03:37:52PM xorg-server 2:1.15.1-0ubuntu2~precise5 (For technical support please see http://www.ubuntu.com/support) Current version of pixman: 0.30.2 Before reporting problems, check http://wiki.x.org to make sure that you have the latest version. Markers: (--) probed, (**) from config file, (==) default setting, (++) from command line, (!!) notice, (II) informational, (WW) warning, (EE) error, (NI) not implemented, (??) unknown. (++) Log file: "/tmp/Xorg.crouton.1.log", Time: Tue Oct 25 20:53:01 2016 (==) Using system config directory "/usshare/X11/xorg.conf.d" setversion 1.4 failed: Permission denied Initializing built-in extension Generic Event Extension Initializing built-in extension SHAPE Initializing built-in extension MIT-SHM Initializing built-in extension XInputExtension Initializing built-in extension XTEST Initializing built-in extension BIG-REQUESTS Initializing built-in extension SYNC Initializing built-in extension XKEYBOARD Initializing built-in extension XC-MISC Initializing built-in extension SECURITY Initializing built-in extension XINERAMA Initializing built-in extension XFIXES Initializing built-in extension RENDER Initializing built-in extension RANDR Initializing built-in extension COMPOSITE Initializing built-in extension DAMAGE Initializing built-in extension MIT-SCREEN-SAVER Initializing built-in extension DOUBLE-BUFFER Initializing built-in extension RECORD Initializing built-in extension DPMS Initializing built-in extension X-Resource Initializing built-in extension XVideo Initializing built-in extension XVideo-MotionCompensation Initializing built-in extension XFree86-VidModeExtension Initializing built-in extension XFree86-DGA Initializing built-in extension XFree86-DRI Initializing built-in extension DRI2 Loading extension GLX xf86EnableIOPorts: failed to set IOPL for I/O (Operation not permitted) setversion 1.4 failed: Permission denied crouton: version 1-20161012155921~master:68e8a354 release: precise architecture: amd64 xmethod: xorg targets: xfce host: version 8530.96.0 (Official Build) stable-channel gnawty kernel: Linux localhost 3.10.18 #1 SMP Tue Oct 4 15:41:50 PDT 2016 x86_64 x86_64 x86_64 GNU/Linux freon: yes /etc/xdg/xfce4/xinitrc: 1: /etc/xdg/xfce4/xinitrc: ssh-agent: not found _IceTransmkdir: ERROR: euid != 0,directory /tmp/.ICE-unix will not be created. (xfce4-session:12805): Gtk-WARNING **: Unable to locate theme engine in module_path: "pixmap", (xfsettingsd:12812): Gtk-WARNING **: Unable to locate theme engine in module_path: "pixmap", (xfwm4:12810): Gtk-WARNING **: Unable to locate theme engine in module_path: "pixmap", xfce4-settings-helper: Another instance is already running. Leaving... (mousepad:12829): Gtk-WARNING **: Unable to locate theme engine in module_path: "pixmap", (polkit-gnome-authentication-agent-1:12825): GLib-CRITICAL **: g_variant_new_string: assertion `string != NULL' failed (polkit-gnome-authentication-agent-1:12825): polkit-gnome-1-WARNING **: Failed to register client: GDBus.Error:org.freedesktop.DBus.Error.ServiceUnknown: The name org.gnome.SessionManager was not provided by any .service files (II) AIGLX: Suspending AIGLX clients for VT switch ^C/usbin/xinit: connection to X server lost waiting for X server to shut down xscreensaver: 20:55:55: SIGHUP received: restarting... Hangup Hangup Running exit commands... xfwm4: Fatal IO error 11 (Resource temporarily unavailable) on X server :1.0. xscreensaver: 20:55:55: running as adam/adam (1000/1000) (EE) Server terminated successfully (0). Closing log file. xscreensaver: 20:55:55: Can't open display: :1 xscreensaver: 20:55:55: running as adam/adam (1000/1000)Though I have access to a Ubuntu shell, it's linked to (because I access it by) the Chrome OS, not my Ubuntu installation, so I can't install the gtk2-engines-pixbuf package that's worked for other people- and even if it was linked, sudo apt-get install doesn't work on the Chrome OS Ubuntu shell for some reason, even though it worked on the Ubuntu shell while Ubuntu itself was working... Something else I just realized was worth mentioning is that when I log out of Ubuntu (by holding down the power button to get the dialog box) a document is briefly visible in the bottom-left of the screen, but it's not there long enough for me to figure out what it is. Thanks so much!
2016.10.28 03:52 AmToasterAMA Dual-Booting Ubuntu and Chrome OS, and Ubuntu Won't Work, Citing "Unable to locate theme engine in module_path: "pixmap" " (x-post from /r/linuxfornoobs since I didn't get a response)
Specs: Acer 16GB SSD Chromebook, 2GB RAM, Intel Celeron N2840 Dual-Core Processor, 11.6 inch screen.
I downloaded Ubuntu with Crouton on my Chromebook. I normally start Ubuntu by going into the Chrome OS developer shell, but it's not working.
What happens is that I type the start command ("sudo startxfce4") in the Ubuntu terminal within the Chrome OS developer shell (accessible with "shell") and everything goes normally, but instead of transferring me to my desktop, it gives me a black screen with my mouse. I can move the mouse around, but I can't do anything else. Here's the full error output that I get in the Chrome OS Ubuntu shell (that I used to launch Ubuntu) when I come back from the broken Ubuntu desktop: Entering /mnt/stateful_partition/crouton/chroots/precise... /usbin/startxfce4: Starting X server
submitted by AmToasterAMA to 24hoursupport [link] [comments]
I downloaded Ubuntu with Crouton on my Chromebook. I normally start Ubuntu by going into the Chrome OS developer shell, but it's not working.
What happens is that I type the start command ("sudo startxfce4") in the Ubuntu terminal within the Chrome OS developer shell (accessible with "shell") and everything goes normally, but instead of transferring me to my desktop, it gives me a black screen with my mouse. I can move the mouse around, but I can't do anything else. Here's the full error output that I get in the Chrome OS Ubuntu shell (that I used to launch Ubuntu) when I come back from the broken Ubuntu desktop: Entering /mnt/stateful_partition/crouton/chroots/precise... /usbin/startxfce4: Starting X server
_XSERVTransmkdir: ERROR: euid != 0,directory /tmp/.X11-unix will not be created. X.Org X Server 1.15.1 Release Date: 2014-04-13 X Protocol Version 11, Revision 0 Build Operating System: Linux 2.6.42-75-generic x86_64 Ubuntu Current Operating System: Linux localhost 3.10.18 #1 SMP Tue Oct 4 15:41:50 PDT 2016 x86_64 Kernel command line: cros_secure console= loglevel=7 init=/sbin/init cros_secure oops=panic panic=-1 root=/dev/dm-0 rootwait ro dm_verity.error_behavior=3 dm_verity.max_bios=-1 dm_verity.dev_wait=1 dm="1 vroot none ro 1,0 2506752 verity payload=PARTUUID=8df58beb-aff6-8947-9b84-bdd6be314ec8/PARTNROFF=1 hashtree=PARTUUID=8df58beb-aff6-8947-9b84-bdd6be314ec8/PARTNROFF=1 hashstart=2506752 alg=sha1 root_hexdigest=4e09178f72a73d2e7477b7530311209e983ba452 salt=7e9b38d648a5ee54b92aa0588bfa33c591f0157b067cf5479bed78436d33465e" noinitrd vt.global_cursor_default=0 kern_guid=8df58beb-aff6-8947-9b84-bdd6be314ec8 add_efi_memmap boot=local noresume noswap i915.modeset=1 tpm_tis.force=1 tpm_tis.interrupts=0 nmi_watchdog=panic,lapic Build Date: 12 February 2015 03:37:52PM xorg-server 2:1.15.1-0ubuntu2~precise5 (For technical support please see http://www.ubuntu.com/support) Current version of pixman: 0.30.2 Before reporting problems, check http://wiki.x.org to make sure that you have the latest version. Markers: (--) probed, (**) from config file, (==) default setting, (++) from command line, (!!) notice, (II) informational, (WW) warning, (EE) error, (NI) not implemented, (??) unknown. (++) Log file: "/tmp/Xorg.crouton.1.log", Time: Tue Oct 25 20:53:01 2016 (==) Using system config directory "/usshare/X11/xorg.conf.d" setversion 1.4 failed: Permission denied Initializing built-in extension Generic Event Extension Initializing built-in extension SHAPE Initializing built-in extension MIT-SHM Initializing built-in extension XInputExtension Initializing built-in extension XTEST Initializing built-in extension BIG-REQUESTS Initializing built-in extension SYNC Initializing built-in extension XKEYBOARD Initializing built-in extension XC-MISC Initializing built-in extension SECURITY Initializing built-in extension XINERAMA Initializing built-in extension XFIXES Initializing built-in extension RENDER Initializing built-in extension RANDR Initializing built-in extension COMPOSITE Initializing built-in extension DAMAGE Initializing built-in extension MIT-SCREEN-SAVER Initializing built-in extension DOUBLE-BUFFER Initializing built-in extension RECORD Initializing built-in extension DPMS Initializing built-in extension X-Resource Initializing built-in extension XVideo Initializing built-in extension XVideo-MotionCompensation Initializing built-in extension XFree86-VidModeExtension Initializing built-in extension XFree86-DGA Initializing built-in extension XFree86-DRI Initializing built-in extension DRI2 Loading extension GLX xf86EnableIOPorts: failed to set IOPL for I/O (Operation not permitted) setversion 1.4 failed: Permission denied crouton: version 1-20161012155921~master:68e8a354 release: precise architecture: amd64 xmethod: xorg targets: xfce host: version 8530.96.0 (Official Build) stable-channel gnawty kernel: Linux localhost 3.10.18 #1 SMP Tue Oct 4 15:41:50 PDT 2016 x86_64 x86_64 x86_64 GNU/Linux freon: yes /etc/xdg/xfce4/xinitrc: 1: /etc/xdg/xfce4/xinitrc: ssh-agent: not found _IceTransmkdir: ERROR: euid != 0,directory /tmp/.ICE-unix will not be created. (xfce4-session:12805): Gtk-WARNING **: Unable to locate theme engine in module_path: "pixmap", (xfsettingsd:12812): Gtk-WARNING **: Unable to locate theme engine in module_path: "pixmap", (xfwm4:12810): Gtk-WARNING **: Unable to locate theme engine in module_path: "pixmap", xfce4-settings-helper: Another instance is already running. Leaving... (mousepad:12829): Gtk-WARNING **: Unable to locate theme engine in module_path: "pixmap", (polkit-gnome-authentication-agent-1:12825): GLib-CRITICAL **: g_variant_new_string: assertion `string != NULL' failed (polkit-gnome-authentication-agent-1:12825): polkit-gnome-1-WARNING **: Failed to register client: GDBus.Error:org.freedesktop.DBus.Error.ServiceUnknown: The name org.gnome.SessionManager was not provided by any .service files (II) AIGLX: Suspending AIGLX clients for VT switch ^C/usbin/xinit: connection to X server lost waiting for X server to shut down xscreensaver: 20:55:55: SIGHUP received: restarting... Hangup Hangup Running exit commands... xfwm4: Fatal IO error 11 (Resource temporarily unavailable) on X server :1.0. xscreensaver: 20:55:55: running as adam/adam (1000/1000) (EE) Server terminated successfully (0). Closing log file. xscreensaver: 20:55:55: Can't open display: :1 xscreensaver: 20:55:55: running as adam/adam (1000/1000)Though I have access to a Ubuntu shell, it's linked to (because I access it by) the Chrome OS, not my Ubuntu installation, so I can't install the gtk2-engines-pixbuf package that's worked for other people- and even if it was linked, sudo apt-get install doesn't work on the Chrome OS Ubuntu shell for some reason, even though it worked on the Ubuntu shell while Ubuntu itself was working.. Something else I just realized was worth mentioning is that when I log out of Ubuntu (by holding down the power button to get the dialog box) a document is briefly visible in the bottom-left of the screen, but it's not there long enough for me to figure out what it is. Thanks so much!
2016.10.26 03:04 AmToasterAMA Dual-Booting Ubuntu and Chrome OS, and Ubuntu Won't Work, Citing "Unable to locate theme engine in module_path: "pixmap" "
I downloaded Ubuntu with Crouton on my Chromebook. I normally start Ubuntu by going into the Chrome OS developer shell, but it's not working.
What happens is that I type the start command ("sudo startxfce4") in the Ubuntu terminal within the Chrome OS developer shell (accessible with "shell") and everything goes normally, but instead of transferring me to my desktop, it gives me a black screen with my mouse. I can move the mouse around, but I can't do anything else.
Here's the full error output that I get in the Chrome OS Ubuntu shell when I come back from the broken Ubuntu desktop:
Thanks so much!
submitted by AmToasterAMA to linux4noobs [link] [comments]
What happens is that I type the start command ("sudo startxfce4") in the Ubuntu terminal within the Chrome OS developer shell (accessible with "shell") and everything goes normally, but instead of transferring me to my desktop, it gives me a black screen with my mouse. I can move the mouse around, but I can't do anything else.
Here's the full error output that I get in the Chrome OS Ubuntu shell when I come back from the broken Ubuntu desktop:
Entering /mnt/stateful_partition/crouton/chroots/precise... /usbin/startxfce4: Starting X server _XSERVTransmkdir: ERROR: euid != 0,directory /tmp/.X11-unix will not be created. X.Org X Server 1.15.1 Release Date: 2014-04-13 X Protocol Version 11, Revision 0 Build Operating System: Linux 2.6.42-75-generic x86_64 Ubuntu Current Operating System: Linux localhost 3.10.18 #1 SMP Tue Oct 4 15:41:50 PDT 2016 x86_64 Kernel command line: cros_secure console= loglevel=7 init=/sbin/init cros_secure oops=panic panic=-1 root=/dev/dm-0 rootwait ro dm_verity.error_behavior=3 dm_verity.max_bios=-1 dm_verity.dev_wait=1 dm="1 vroot none ro 1,0 2506752 verity payload=PARTUUID=8df58beb-aff6-8947-9b84-bdd6be314ec8/PARTNROFF=1 hashtree=PARTUUID=8df58beb-aff6-8947-9b84-bdd6be314ec8/PARTNROFF=1 hashstart=2506752 alg=sha1 root_hexdigest=4e09178f72a73d2e7477b7530311209e983ba452 salt=7e9b38d648a5ee54b92aa0588bfa33c591f0157b067cf5479bed78436d33465e" noinitrd vt.global_cursor_default=0 kern_guid=8df58beb-aff6-8947-9b84-bdd6be314ec8 add_efi_memmap boot=local noresume noswap i915.modeset=1 tpm_tis.force=1 tpm_tis.interrupts=0 nmi_watchdog=panic,lapic Build Date: 12 February 2015 03:37:52PM xorg-server 2:1.15.1-0ubuntu2~precise5 (For technical support please see http://www.ubuntu.com/support) Current version of pixman: 0.30.2 Before reporting problems, check http://wiki.x.org to make sure that you have the latest version. Markers: (--) probed, (**) from config file, (==) default setting, (++) from command line, (!!) notice, (II) informational, (WW) warning, (EE) error, (NI) not implemented, (??) unknown. (++) Log file: "/tmp/Xorg.crouton.1.log", Time: Tue Oct 25 20:53:01 2016 (==) Using system config directory "/usshare/X11/xorg.conf.d" setversion 1.4 failed: Permission denied Initializing built-in extension Generic Event Extension Initializing built-in extension SHAPE Initializing built-in extension MIT-SHM Initializing built-in extension XInputExtension Initializing built-in extension XTEST Initializing built-in extension BIG-REQUESTS Initializing built-in extension SYNC Initializing built-in extension XKEYBOARD Initializing built-in extension XC-MISC Initializing built-in extension SECURITY Initializing built-in extension XINERAMA Initializing built-in extension XFIXES Initializing built-in extension RENDER Initializing built-in extension RANDR Initializing built-in extension COMPOSITE Initializing built-in extension DAMAGE Initializing built-in extension MIT-SCREEN-SAVER Initializing built-in extension DOUBLE-BUFFER Initializing built-in extension RECORD Initializing built-in extension DPMS Initializing built-in extension X-Resource Initializing built-in extension XVideo Initializing built-in extension XVideo-MotionCompensation Initializing built-in extension XFree86-VidModeExtension Initializing built-in extension XFree86-DGA Initializing built-in extension XFree86-DRI Initializing built-in extension DRI2 Loading extension GLX xf86EnableIOPorts: failed to set IOPL for I/O (Operation not permitted) setversion 1.4 failed: Permission denied crouton: version 1-20161012155921~master:68e8a354 release: precise architecture: amd64 xmethod: xorg targets: xfce host: version 8530.96.0 (Official Build) stable-channel gnawty kernel: Linux localhost 3.10.18 #1 SMP Tue Oct 4 15:41:50 PDT 2016 x86_64 x86_64 x86_64 GNU/Linux freon: yes /etc/xdg/xfce4/xinitrc: 1: /etc/xdg/xfce4/xinitrc: ssh-agent: not found _IceTransmkdir: ERROR: euid != 0,directory /tmp/.ICE-unix will not be created. (xfce4-session:12805): Gtk-WARNING **: Unable to locate theme engine in module_path: "pixmap", (xfsettingsd:12812): Gtk-WARNING **: Unable to locate theme engine in module_path: "pixmap", (xfwm4:12810): Gtk-WARNING **: Unable to locate theme engine in module_path: "pixmap", xfce4-settings-helper: Another instance is already running. Leaving... (mousepad:12829): Gtk-WARNING **: Unable to locate theme engine in module_path: "pixmap", (polkit-gnome-authentication-agent-1:12825): GLib-CRITICAL **: g_variant_new_string: assertion `string != NULL' failed (polkit-gnome-authentication-agent-1:12825): polkit-gnome-1-WARNING **: Failed to register client: GDBus.Error:org.freedesktop.DBus.Error.ServiceUnknown: The name org.gnome.SessionManager was not provided by any .service files (II) AIGLX: Suspending AIGLX clients for VT switch ^C/usbin/xinit: connection to X server lost waiting for X server to shut down xscreensaver: 20:55:55: SIGHUP received: restarting... Hangup Hangup Running exit commands... xfwm4: Fatal IO error 11 (Resource temporarily unavailable) on X server :1.0. xscreensaver: 20:55:55: running as adam/adam (1000/1000) (EE) Server terminated successfully (0). Closing log file. xscreensaver: 20:55:55: Can't open display: :1 xscreensaver: 20:55:55: running as adam/adam (1000/1000)Something else I just realized was worth mentioning is that when I log out of Ubuntu (by holding down the power button to get the dialog box) a document is briefly visible in the bottom-left of the screen, but it's not there long enough for me to figure out what it is.
Thanks so much!
2014.09.04 16:20 DrShadyBusiness What's wrong with my computer?! Possible memory leak?
Specs below. I have run anti virus/malware/ccleaner everything i can think of.
PROBLEM: I will be using google chrome (happens when i use othr programs too) and everything will completely freeze up no task manager no nothing, except for my mouse which still moves on screen.
Now there are three outcomes when this happens,
So im not sure what is causing this, and its very frustrating happens about once a day. Could anyone tell me how to test for faults?? I'd say im fairly tech savvy but im no SystemAdmin
Windows 8.1 on 200gb ssd.
8gbs ram
AMD 8530
SAPPHIRE HD 7870 GHz Edition OC 2GB GDDR5
submitted by DrShadyBusiness to computers [link] [comments]
PROBLEM: I will be using google chrome (happens when i use othr programs too) and everything will completely freeze up no task manager no nothing, except for my mouse which still moves on screen.
Now there are three outcomes when this happens,
- I click furiously, the computer stays frozen, then suddenly snaps back and carrys out all the "cached" clicks i was abusing my mouse with.
- Same as above, but instead of catching up the computer shutsdown (not blue screen). The screen goes grey (colour of my windows theme) then i have to manually turn off by holding down the power button for 4+ seconds.
- Computer will momentarily freeze then go to a blank screen and i have to manually turn off.
So im not sure what is causing this, and its very frustrating happens about once a day. Could anyone tell me how to test for faults?? I'd say im fairly tech savvy but im no SystemAdmin
Windows 8.1 on 200gb ssd.
8gbs ram
AMD 8530
SAPPHIRE HD 7870 GHz Edition OC 2GB GDDR5