42 u.s.c. 1981 (1982) and women

Liverpool FC: You'll Never Walk Alone

2008.09.29 21:00 Liverpool FC: You'll Never Walk Alone

A subreddit for news and discussion about Liverpool FC, a football club playing in the English Premier League. Liverpool are one of the most decorated football clubs in all of world football, with 19 English League Titles and 6 European Cups.
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2010.10.03 23:25 mhyquel Circa 1982

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2016.04.17 11:18 russiancatfood A VORON CoreXY Community

Serial requests (new & transfers) for proud owners of VORON CoreXY 3D printers. ___________________________________________ Want to talk about Vorons? Join us at: Our Discord https://discord.gg/voron or Our Official Forum https://forum.vorondesign.com/ ___________________________________________
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2024.05.01 19:46 Leather_Focus_6535 The 77 inmates executed by the state of Georgia since the 1970s and their crimes (warning, graphic content, please read at your own risk)

Here is the list that I wrote for Georgia's post Furman execution roster for my death penalty project. Like with the previous posts, the dates aren't a precise duration of time spent on death row, but rather an approximation of their earliest known criminal activities to their executions. Many of the crimes discussed in this post are also extremely horrific, and thus please read at your own risk.
As I finished finials yesterday, the remaining states, Missouri, Virginia, Florida, and Oklahoma might be released on a quicker pace. I'm planning on doing Missouri next, but it might be split into at least two separate parts due to the currently 98 executions that have taken place.
The currently executed 77 inmates:
1. John Smith (1974-1983, electric chair): Smith and his wife decided to kill her ex husband, 38 year old Ronald Atkins, and his 29 year old wife Juanita, when they learned that the daughter she had in their former marriage were beneficiaries of the Atkins' life insurance policy. The couple and another accomplice lured the Atkins' to their home with a promise of selling them a television set, and shot them both dead.
2. Ivon Stanley (1976-1984, electric chair): Stanley and an accomplice abducted Clifford Floyd, a 46 year old insurance agent, after they lured him into the accomplice's apartment. Floyd was dragged into a forest, beaten with a hammer, and tied to a tree. He was then shot and buried alive in a shallow grave. Floyd succumbed to a combination of blood loss and suffocation and a total of $234 was stolen from him in the attack.
3. Alpha Stephens (~1961-1984, electric chair): In 1973, Stephens shot dead 57 year old Louise Mercer while robbing a grocery store her brother owned. A year later, Stephens abducted Roy Asbell, a 49 year old minister, from his home with a gun he stole from Asbell's son. Asbell tried bribing his captor with hundreds of dollars in cash for his life, but Stephens simply snatched the money away, dragged Asbell to a barn, and shot him in the head. He had a significant rap sheet that included several armed robberies, prison breakouts, auto thefts, kidnappings, and burglaries, and was first arrested at the age of 16.
4. Roosevelt Green Jr. (1976-1985, electric chair): During a robbery of a convenience store, Green kidnapped the clerk, 18 year old Teresa Allen, stole $466 from the cash register, and drove away with his loot and hostage in her car. He then raped Allen, shot her to death, and dumped her body on a dirt road.
5. Van Solomon (1979-1985, electric chair): Solomon and his accomplice Brandon Jones gunned down 29 year old Roger Tackett while robbing a Tenneco store he managed. Ironically, Solomon himself was shot by an assailant robbing his grocery store some years before the murder.
6. John Young (1974-1985, electric chair): Young attacked 6 elderly men and women with bottles, lamps, fireplace pokers, and vases in their homes, across a single neighborhood. 3 of the victims, 85 year old Coleman Brice, his 83 year old wife Gladys, and 83 year old Katie Davis, were beaten to death in the assaults. Several variables such as jewelry and watches were taken as well.
7. Jerome Bowden (1976-1986, electric chair): Bowden and an accomplice stabbed 55 year old Kathryn Stryker to death and gravely wounded her bedridden mother, 76 year old Wessie Jenkins while burglarizing their home. Several items, such a wig, a pellet gun, some jewelry, and a television set was stolen in the intrusion. The television set was sold by Bowden to one of his acquaintances. Jenkins initially survived the attack, but died from complications relating to their injuries after Bowden was indicted for her daughter's murder.
8. Joseph Mulligan (1974-1987, electric chair): As part of a scheme to collect an insurance policy, Mulligan shot his sister's estranged husband, 30 year old Patrick Doe and Doe's girlfriend, 25 year old Marion Miller, while they were driving to a party. Doe was a captain in the United States Army at the time of his death.
  1. Richard Tucker Jr. (~1963-1987, electric chair): In 1963, Tucker stabbed his aunt, 61 year old Annie Armstrong, 14 times with scissors while burglarizing her home. He was released from incarceration in 1978. 6 months after being let out of prison, Tucker abducted 50 year old Edna Sandefur from a hospital parking lot while she was visiting her ill mother, and drove her to a remote warehouse. He robbed and raped Sandefur, and then beat her to death with an iron pipe. Tucker also had previous convictions of burglary and attempted rape.
10. William Tucker (1977-1987, electric chair): Tucker abducted 19 year old Kathleen Parry, a pregnant clerk, while he was robbing a convenience store she was working at. He forced Parry at knifepoint to withdraw money from the cash register, and dragged her into his car. When they drove to a chapel, Tucker stabbed her to death.
11. William Mitchell (1974-1987, electric chair): Mitchell accosted 50 year old Willard Williams while he was walking down a street and mugged him of $4. He then forced Williams to lay down and shot him execution style. In the following day, he held 34 year old Peggy Carr and her 14 year old son Christopher at gunpoint while they were opening their family owned store. Despite Peggy giving him $160, he made rape threats against her and forced the pair into a freezer. Both mother and son were shot several times and left for dead by Mitchell. Christopher died at the scene, while his mother survived her injuries.
12. Timothy McCorquodale (1974-1987, electric chair): McCorquodale and his entourage accused Donna Dixon, a 17 year old runaway, of stealing money from him and giving it to a black pimp that he thought she was having a relationship with. He bombarded Dixon with racist insults and sexual advances as he and his accomplices kidnapped her from a club. After she was taken to McCorquodale’s apartment, Dixon was bound, and repeatedly beaten and raped. They tortured her by cutting her breasts with razor blades, burned her body with cigarette butts and candle wax, and she was violated with a bottle. The abuse ended when McCorquodale broke her arms and legs, and strangled her to death with a clothesline.
13. James Messer Jr. (1979-1988, electric chair) To get back at his estranged wife for leaving him with their children, Messer kidnapped her niece, 8 year old Rhonda Tanner, while he was picking her up from school. He raped and severely beat Tanner in a forest and stabbed her to death.
14. Henry Willis III (1976-1989, electric chair): Willis and his accomplices abducted a policeman, 29 year old James Giddens, that was dispatched to stop their robbery of a food market. They took the captive officer near a lake, where he tried to escape by jumping into it. Willis and one of his partners shot Giddens dead while he was trying to swim to safety.
15. Warren McCleskey (1978-1991, electric chair): McCleskey robbed a jewelry store at gunpoint, and fired on the responding officers. One of the officers, 30 year old Frank Schlatt was killed in the shooting.
16. Thomas Stevens (1977-1993, electric chair): Stevens and Christopher Burger abducted a fellow soldier, 20 year old Roger Honeycutt, who was also working as a cab driver, when he picked them up from the enlisted men's club on Fort Stewart. Honeycutt was tied up with a cord, robbed of $20, and sodomized repeatedly by both of his captors. The pair then locked Honeycutt in the trunk of the cab, and drove it into a pond as they jumped out. Being unable to escape, Honeycutt drowned as his car sank into the pond's depths.
17. Christopher Burger (1977-1993, electric chair): As mentioned under Thomas Stevens' section, Burger assisted in the robbery, abduction, rape, and murder of Roger Honeycutt.
18. William Hance (1977-1994, electric chair): Hance, a former Marine that transferred himself to the Army, abducted at least 3 women, 32 year old Irene Thirkield, 24 year old Karen Hickman, and 21 year old Gail Jackson. Thrikield and Jackson were black prostitutes and Hickman was a white Marine servicewoman that was stationed in the same base as Hance. They were all raped and beaten to death with jack handles and tire irons. In a misguided attempt to throw off the police and attract media attention, Hance staged a convoluted hoax involving a race war between a gang of white vigilantes and a gang of black counter vigilantes. He tried to pretend that his victims were murdered from retaliatory killings between the two groups. Hance was also suspected in the murder of another woman in Indiana, but was never charged of it.
19. Nicholas Ingram (1983-1995, electric chair): Ingram broke into the home of 55 year old J.C. Sawyer and his wife Mary. He forced them to hand over $60 and their car keys at gunpoint, tied the couple together to a tree, and shot both of them. J.C. was killed, while Mary survived their ordeal. Ingram then stole their car and fled to California. While a fugitive hiding out in California, he committed another carjacking, and ran off to Nebraska, where he was detained for a DUI and deported back to Georgia to face trial. Due to being a British national, Ingram's execution sparked outrage in the United Kingdom.
20. Darrell Devier (1979-1995, electric chair): Devier lured 12 year old Mary Stoner into his car while she was walking home from school. He raped her in a forest, made an attempt to strangle her during their struggle, and crushed Stoner's head with a rock. Months before the murder, Devier was accused of raping a 13 year old girl, but the charges against him were dismissed from the lack of sufficient evidence.
21. Larry Lonchar (1986-1996, electric chair): During a dispute over gambling debts, Lonchar confronted his bookkeeper, 54 year old Wayne Smith, at his condo while pretending to be a FBI agent. In the altercation, he bound Wayne and his 24 year old son Steven with handcuffs, and shot and stabbed them to death. Wayne's girlfriend, 45 year old Margaret Sweat, called 911, and was also shot and stabbed to death while she was on the phone with the dispatcher. Another one of Wayne's sons was attacked in the incident, but he managed to survive his injuries.
22. Ellis Felker (1977-1996, electric chair): Evelyn Ludlam, a 19 year old cocktail waitress for the Holiday Inn, was lured into Flelker's clutches when he promised her work at his leather store. For religious reasons, Ludlam was disaffected with her job, and wanted a new line of work. Felker raped and strangled Ludlam to death and sexually mutilated her body. After he murdered Ludlem, Felker dumped her remains in a creek. He was registered sex offender with a sodomy conviction at the time of Ludlam's death.
23. David Cargill (1985-1998, electric chair): Cargill and his brother stormed a gas station, and forced a couple, 41 year old Danny and 29 year old Cheryl Williams, to lie on the floor. Cheryl was a clerk for the station, and Danny stopped by to help her close down after he put their sons to bed. The brothers shot the couple execution style, and stole a total of $482.79 from the register. They were also involved with several carjackings.
24. Terry Mincey (1982-2001, lethal injection): Mincey and his accomplices robbed a convenience store at gunpoint, and forced the clerk, 38 year old Paulette Riggs to empty the cash register into their bag. They shot her dead, and took 2 teenage siblings hostage that were present in the store. Coincidentally, a firefighter pulled up to the scene to refill his truck, and Mincey shot and wounded him. The siblings took the opportunity to escape and fled into a nearby field.
25. Jose High (1976-2001, lethal injection): High and his accomplices abducted 11 year old Bonnie Bulloch and his stepfather, 27 year old Henry Philips, from a gas station they were operating, after emptying the cash register. The robbers forced the pair into their car, reportedly taunted the captives about their intentions to kill them, and drove to a remote forest. They then shot Bulloch dead and wounded Philips.
26. Fred Gilreath Jr. (1979-2001, lethal injection): Gilreath's wife, 28 year old Linda, moved out of their home to escape their disintegrating marriage. When Linda returned with her father, 57 year old Gerrit Van Leeuwen, to pack up her belongings, Gilreath shot them both dead.
27. Byron Parker (1984-2001, lethal injection): Parker enticed 11 year old Christie Griffith into his car after she missed her taxi that was supposed to take her to her older brother's high school graduation. He bound Griffith to a tree, and raped and strangled her death, while his two year old son was waiting for him in their car.
28. Ronald Spivey (~1961-2002, lethal injection): While playing pool at a bar, Spivey got into a fight with 32 year old Charles McCook over money he perceived to have won, and shot him to death. A day later, he robbed a bank and took hostages. He fatally shot Bill Watson, a 40 year old off duty police officer that tried to stop him, and injured the manager, 21 year old Welton Allen. Allen tried fleeing to a nearby restaurant, and Spivey following him into it in pursuit. He fired on the establishment in an attempt to kill him, but missed and wounded an employee caught in the crossfire. Spivey then kidnapped a waitress and forced her to drive him to Alabama. She was rescued unharmed by local authorities when they pulled over and captured Spivey. A search of the stolen car found that Spivey stole a total of $360 in his robberies. His previous convictions include several counts of forgery, armed robbery, and auto theft.
29. Tracy Housel (1984-2002, lethal injection) Housel was a sexual predator and thief that victimized men and women alike between the ages of 18-45. He worked as a interstate truck driver, and picked up victims that he befriended from stops all across the country. They were driven to isolated locations, where Housel would bind, rob, and sodomize them. His killing methods were diverse and circumstantial, but Housel mostly used strangulations, beatings, and stabbings in the attacks. Housel was convicted in the deaths of Troy Smith (age unknown) and 44 year old Jean Drew, and is suspected in and/or confessed to 15 other murders. He was also responsible for several non fatal assaults and robberies. Like Nicholas Ingram, Housel's death sentence and execution sparked outrage in the United Kingdom due to him being a British national.
30. Wallace Fugate III (1991-2002, lethal injection): Fugate forced himself inside the home of his ex wife, 39 year old Pattie. He pistol whipped Pattie dozens of times and shot her dead in front of their 15 year old son. Unrelated to the case, but that son was beaten to death in the same house by his friends a year after Fugate's conviction.
31. William Putman (1980-2002, lethal injection): Purtman shot and killed 49 year old William Hodges on the side of a highway. Hours later, he snuck up on a married couple, 28 year old Kate Back and 22 year old David Hardin, sleeping at a rest stop in their car with their children (which included a 9 year old daughter, a 7 year old son, and an 11 month old daughter) and 14 year old niece. He shot David dead and tried to abduct Kate. When she resisted and screamed for her husband, Purtman shot her as well and fled the scene.
32. Larry Moon (1984-2003, lethal injection): According to prosecutors, Moon ambushed 34 year old Ricky Callahan while the later was walking to a pharmacy to buy headache medicine for his wife. Callahan was shot in the head during the attack and had $60 taken from his wallet. Moon was also suspected in the shooting deaths of Jimmy Hutcheson (age unknown) and Thomas DeJose (age unknown), several robberies, and the abduction and sexual assault of a female impersonator. The prosecution failed to convict him for the murder of DeJose on the grounds of self defense and the murder of Butcheson on the lack of sufficient evidence. His conviction for Callahan's murder is contested, as Moon and his supporters claim that a late hitman confessed to the killing.
33. Carl Isaacs (~1960s-2003, lethal injection): Isaacs, with the help of two of his brothers and a cellmate, escaped from the Maryland State prison, and fatally shot 19 year old Richard Miller when he tried to stop them from stealing a car. The group drove by a Georgia gas pump in the hopes of refilling their getaway car. However, the pump was empty, and decided to burglarize a nearby trailer belonging to the Alday family (which consisted of brothers, 62 year old Ned and 57 year old Aubrey, Ned's sons, 35 year old Jerry and 32 year old Chester, and Jerry's 26 year old wife Mary) while they were gone. When the family returned home, Isaacs and his accomplices held the entire family at gun point, gang-raped Mary several times, and shot them all dead. Isaacs had a very troubled history, and committed several burglaries and robberies as a teenager.
34. James Brown (~1968-2003, lethal injection): Brown went on a date with Brenda Watson, a 21 year old stripper. After they were drinking and partying together at a bar, Brown tied up Watson with nylon stockings, and raped and asphyxiated her by shoving panties down her throat. He had a long history involving violence towards women. One of his previous convictions involved an incident of him breaking into a woman’s home, and (non fatally) stabbing and sexually assaulting her. Brown also had a warrant at the time of Watson’s murder for aggravated robbery, kidnapping, and sexual assault charges when he lured another woman by posing as an artist in need of a model.
35. Robert Hicks (~1970s-2004, lethal injection): Hicks laid his eyes on 28 year old Joni Rivers while she was talking to her boyfriend using a grocery store payphone. He chased down Rivers when she tried to flee from him and nearly decapitated her in a frenzied stabbing attack. Rivers' shoes, shorts, and ring were taken and found in Hicks' car. Hicks was released from prison months earlier after serving a half of a 15 year sentence for sexually abusing a 16 year old girl.
36. Eddie Crawford (1983-2004, lethal injection): Crawford tried spending the night with one of his estranged wife's sisters after a drinking binge, but she ejected him from her home. Out of anger, he abducted Leslie English, her 2 year old daughter, from the girl's bedroom, and then raped and strangled her to death.
37. Timothy Carr (1992-2005, lethal injection): Carr and his girlfriend attended a party with 17 year old Keith Young. The couple decided that they wanted to rob the boy, and they lured him into a forest with the help of two other teenagers. Carr slit Young's throat, and then proceeded to beat him to death with a baseball bat. He and his accomplices stole a $125 paycheck and Young's car in the robbery.
38. Stephen Mobley (1991-2005, lethal injection): Mobley shot and killed 25 year old John Collins while robbing a Domino's Pizza restaurant he was managing. He had also held up 6 other restaurants and dry-cleaning shops at gunpoint in his month long crime spree.
39. Robert Conklin (~1981-2005, lethal injection): Conklin stabbed his boyfriend, 28 year old George Crooks, in the ear with a screwdriver in their apartment, and dismembered his body. In an attempt to get rid of the remains, he stuffed them in a garbage disposal in their kitchen and a nearby dumpster. At the time of Crooks' murder, Conklin was on parole from a 6 year sentence for armed robbery.
40. John Hightower (1987-2007, lethal injection): While under the influence of cocaine, Hightower shot his wife, 41 year old Dorothy, and his stepdaughters, 22 year old Sandra and 19 year old Evelyn Reaves, to death in their sleep.
41. William Lynd (1988-2008, lethal injection): Lynd got into an argument with his girlfriend, 26 year old Ginger Moore, over a planned vacation and shot her to death. While on the run in Ohio, he tried to hijack a car, and shot the driver, 42 year old Leslie Sharkey, in the process. Sharkey managed to crawl to safety, and notified the authorities of the attack. She died of her injuries a few days after the shooting.
42. Curtis Osborne (1990-2008, lethal injection): Osborne, a career drug dealer, shot his girlfriend's brother, 29 year old Arthur Jones, and Jones' girlfriend, 28 year old Linda Seaborne, dead in argument over money gained from a motorcycle sale. His death sentence was controversial, as Osborne claimed that his attorney denied him a plea bargain for a racist agenda.
43. Jack Alderman (1975-2008, lethal injection): In an attempt to collect a life insurance policy, Alderman beat his wife, 20 year old Barbara, to death with a wench.
44. Robert Newland (1986-2009, lethal injection): Newland went to the apartment of his girlfriend, 27 year old Carol Beatty, after a drinking binge, and tried to kiss her. When she rejected and slapped him, Newland stabbed and disemboweled her alive. Just before she succumbed to her injuries, Beatty used her own blood to identify Newland as her attacker to the first responders.
45. William Mize (1994-2009, lethal injection): Mize was a leader of a white supremacist gang called the National Vastilian Aryan Party, in which 34 year old Eddie Tucker had filed to join. When Tucker disobeyed his orders to burn down a "crack house" as part of an initiation ritual, Mize lured him into a forest and shot him dead.
46. Mark McClain (1994-2009, lethal injection): McClain robbed a Domino pizza parlor after ordering a pizza. He shot the manger, 28 year old Kevin Brown, dead and stole $130 from the register.
47. Melbert Ford Jr. (1986-2010, lethal injection): Ford had a very specific fantasy about robbing, abducting and then murdering his ex girlfriend, 30 year old Martha Matich, after forcing her beg for mercy. He decided to make his fantasies into a reality, and stormed the grocery store she worked at with the help of an accomplice he hired. Ford shot Matich and her niece, 11 year old Lisa Chapman, dead, and stole $579 from the register.
48. Brandon Rhode (1998-2010, lethal injection): Rhode and his accomplice Daniel Lucas broke into a house, and encountered the residents, 37 year old Steven Moss, and his two children, 15 year old Kristin and 11 year old Bryan. Bryan was home alone when the intruders arrived, and tried to fight them off with a baseball bat. Lucas and Rhodes quickly subdued the boy and shot him to death. Kristen and Steven were also shot dead when they returned home. Their bodies were discovered by Gerri, Steven's wife and the children's mother. The pair were career burglars, and previously targeted the Moss home weeks before the massacre.
49. Emmanuel Hammond (~1983-2011, lethal injection): Hammond, his girlfriend, and her cousin spotted 27 year old Julia Love broken down on the side of the road. They dragged her into their car after she declined their offer for a ride. Love was tied up, forced to withdraw $140 from an ATM, and raped. The attackers partially strangled Love and shot her to death in a remote forest. In exchange for having all charges dropped, Hammond's girlfriend agreed to testify against him and her cousin. He tried to hire a fellow inmate to permanently silence her testimony, but was foiled by prison officials. Hammond had numerous previous convictions, but my sources didn't disclose details.
50. Roy Blankenship (1978-2011, lethal injection): Blankenship climbed into a home of 78 year old Sara Bowen after breaking her window. He raped and beat Bowen, and penetrated her with a bottle. She succumbed to a heart attack from the stress of the assault.
51. Andrew DeYoung (1993-2011, lethal injection): Wanting to use their life insurance policies to start his dream business, DeYoung stabbed his parents, 42 year old Gary and 41 year old Kathryn, and his sister, 14 year old Sarah, to death, and unsuccessfully ordered his accomplice to kill his 16 year old brother Nathan. Nathan escaped through a window and went to a neighbor for help.
52. Troy Davis (1988-2011, lethal injection): Davis was sentenced to death for a crime spree involving several robberies, the non fatal shooting of a teenager, and the beating of a homeless man, Troy Young (age unknown). Larry MacPhail, a 27 year old police officer and security guard, was shot and killed when he intervened in an attempt to protect Young. Davis' execution was controversial, as he managed to amass a popular following that believed in his innocence during his time on death row. He previously plead guilty for a carrying concealed weapons charge, and Davis paid a $250 fine as part of a plea agreement to avoid prison time.
53. Andrew Cook (1995-2003, lethal injection): On a random whim, Cook walked up to a couple, 22 year old Grant Hendrickson and 19 year old Michele Cartagena, parked near a lake, and shot them both to death in their car.
54. Marcus Wellons (1989-2014, lethal injection): Wellons took an obsessive sexual interest in his neighbor, 15 year old India Roberts, and began to stalk and harass the girl in an attempt to groom her into a "relationship." At one point, he even pressured his girlfriend's 14 year old son to date her. His illicit pursuit of Roberts alarmed his girlfriend and she tried evicting him from their apartment. With his relationship in shambles, Wellons' behavior escalated beyond the breaking point. After he ransacked his now ex girlfriend's apartment and poured bleach on her clothes, Wellons ambushed and abducted Roberts while she was walking to school. He raped and strangled her to death with a telephone cord.
55. Robert Holsey (~1990s-2014, lethal injection): Holsey shot and killed Will Robinson, a 26 year old Sheriff's Deputy, during a robbery of a convenience store. At the time of the shooting, he was on parole for an armed robbery conviction.
56. Andrew Brannan (~1980s-2015, lethal injection): In 1998, Branner was pulled over for speeding by Kyle Dinkheller, a 22 year old deputy. While Dinkheller was trying to file a citation, Branner became belligerent, pulled an M1 carbine out of his truck, and opened fire. Dinkheller was killed in the shootout, but he managed to wound Branner in his return fire. Branner was a Vietnam combat veteran, and he tried to use PTSD as a defense for the fatal shooting of Dinkheller and previous domestic abuse charges from his ex wife.
57. Warren Hill Jr. (~1985-2015, lethal injection): Hill was given a life sentence when he shot and killed his girlfriend, 18 year old Myra Wright. His sentence escalated to death a few years later when he fatally beat his cellmate, 34 year old Joseph Handspike, with a nailed board. At the time of his own murder, Handspike was also serving a life sentence for shooting and killing a restaurant manager during a robbery.
58. Kelly Gissendaner (1997-2015, lethal injection): Out of a desire to leave their marriage and to collect a life insurance policy, Gissendan assisted her boyfriend in abducting her husband, 30 year old Douglas, from their home. Her boyfriend stabbed Douglas to death, and she set their car on fire to destroy his body. The couple were also charged with attempting to intimidate witnesses during the murder trial.
59.Marcus Johnson (1994-2015, lethal injection): After Johnson picked up 35 year old Angela Sizemore from a bar, he sexually assaulted her with a knife. Sizemore was stabbed 41 times in the attack, and her throat was cut. Her body was found in her car by a man walking his dog hours after the murder.
60. Brian Terrell (~1992-2015, lethal injection): Terrell forged up to $8,000 in checks using 70 year old John Watson's name. Watson, who was seeking a relationship with Terrell's mother, tried to make a deal that he wouldn't pursue any charges if the money was returned to him. According to prosecutors, Terrell broke into Watson's home, and beat and fatally shot him to avoid repaying the money. His execution caused controversy, as the defense attorneys claimed that the footprints at the scene were smaller then his feet, and that he was condemned only by what they perceived to be misused testimony from his cousin (that testified against him in exchange for a plea deal) and a neighbor (who allegedly claimed that they saw "someone else walk out of the home"). Those arguments were shut down by the courts, but embraced by anti death penalty activist groups and outlets. Regardless of his guilt or lack thereof, strong evidence points to him perpetrating similar armed robberies of other homes, and was on parole at the time of Watson's murder.
61. Brandon Jones (1979-2016, lethal injection): Jones was an accomplice to the above mentioned Van Solomon, and participated in the robbery that killed Roger Tackett.
62. Travis Hittson (1993-2016, lethal injection): Hittson, who was serving on the U.S.S. Forrestal, was convinced by a crewmate to kill Conway Utterbeck, a 20 year old fellow sailor, for the thrill of killing. When they were off duty, Hittson and his accomplice walked into the home of Herbeck's parents, and found Herbeck sleeping on the couch. Before they shot him to death, the pair bludgeoned Herbeck with a baseball bat. To prevent the body's identification, they chopped off his hands, feet, and head with a hacksaw, and dumped his dismembered remains in two separate burial sites across a 300 mile radius.
63. Joshua Bishop (1994-2016, lethal injection): Bishop and another man accosted 44 year old Leverett Morrison at a bar, and demand to have the keys to his jeep. When Morrison refused, the pair beat him to death. Bishop also orchestrated the beating death of 36 year old Ricky Wills for having intercourse with his prostitute mother. The prosecution declined to charge Bishop for Willis' murder, as they wanted to use it as evidence to help secure his death sentence for Morrison's slaying.
64. Kenneth Fults (1996-2016, lethal injection): Fults forced his way inside the home of 19 year old Cathy Bonds. He bound, gagged, and blindfolded Bonds with duct tape, and made an attempt to smother her with a pillow. When that failed, Fults shot Bonds in the head, stole her keys, and drove away with her car.
65. Daniel Lucas (1998-2016, lethal injection): Lucas was the accomplice to the above mentioned Brandon Rhode, and he assisted him in murdering Steven Moss and his children in their home.
66. John Conner (1982-2016, lethal injection): In a drunken rage, Connor beat his friend, 29 year old James White, to death with a whisky bottle and a stick while visiting him in his home. The two had gotten in fight when White refused to take Connor to a liquor store.
67. Gregory Lawler (1997-2016, lethal injection): Lawler and his girlfriend were walking home intoxicated after drinking heavily at a bar, and got into a fight. A witness called the police, and officers, 28 year old John Sowa and 38 year old Patricia Cocciolone, were sent to the scene. They carried Lawler's girlfriend to their car, and drove her to the couple's apartment. Lawler was allowed to walk home unescorted. When he arrived, Lawler grabbed an AR-15, and fired on the officers. Sowa was killed, while Cocciolone survived with crippling injuries and called for backup. The other officers besieged Lawler in his apartment, and he surrendered after a 44 minute standoff.
68. Steven Spears (2001-2016, lethal injection): Spears suspected that his girlfriend, 34 year old Sherri Holland, was cheating on him. He reacted to his suspicions by wrapping Holland's head with duct tape and suffocating her with a plastic bag in her home.
69. William Sallie (1989-2016, lethal injection): Sallie's ex wife, 19 year old Robin Moore, divorced him for his physical abuse and moved back to her family (consisting of her parents, 49 year old John and Linda (age unknown), and her siblings, 17 year old April and 10 year old Justin). He was able to acquire visitation rights to their 2 year old son from the courts, and used that pretext to attack the family. Sallie charged into the Moore family home, shot and killed John, wounded Linda and bound her to Justin with handcuffs, and kidnapped Robin and April. The sisters were both kept captive and sexually assaulted together in a trailer, but they were spared and released after a few hours.
70. J. Ledford Jr. (1992-2017, lethal injection): Ledford was welcomed inside a home by the wife of his neighbor, 73 year old Harry Johnston Jr.. He tied up the couple at knifepoint, stole an undisclosed amount of money and guns, kidnapped Johnston, and drove away with him in his truck. Johnston's body was later found near an abandoned building. He was half decapitated, had a knife embedded in his back, and covered with several minor stab wounds.
71. Carlton Gary (~1964-2018, lethal injection): Gary raped and murdered at least 8 mostly elderly women between 40-89 years old. Almost all of his victims were killed in their homes, but his youngest, 40 year old Marion Fisher of New York, was abducted while walking out of a bar. They were all strangled to death with nylon stockings, which is why Gary was given the “Stocking Slayer" epithet by the media. Despite the overwhelming evidence to the contrary, including positive DNA tests, testimonies from surviving victims, fingerprints found on crime scenes, and semen samples, Gary still has a vocal following trying to proclaim his innocence. He had an extensive criminal history, which started with several arson, assault, and robbery charges as a teenager.
72. Robert Butts Jr. (1996-2018, lethal injection): Butts and his accomplice Marion Wilson carjacked Donovan Parks, a 24 year old off duty correctional officer, after he agreed to give them a ride home from Walmart. They forced Parks to exit the car and the shot him in the head execution style. Both Butts and Wilson were part of a Latin Kings set, and are believed to have killed Parks to gain more prestige from their gang. Butt's previous convictions include charges of shoplifting and burglary.
73. Scotty Morrow (1999-2019, lethal injection): Angry that his ex girlfriend, 26 year old Barbara Young, broke up with him for his abusive behavior, Morrow shot her, and her friend, 21 year old Tonya Wood, dead in their home. A third woman, 18 year old Latoyna Horn, was injured in the shooting. Young's two children, a 5 year old son and an 8 month old daughter, witnessed the killings, but were unharmed.
74. Marion Wilson Jr. (1999-2019, lethal injection): Wilson assisted Robert Butts, a fellow Latin King gangster, in the carjacking and shooting murder of officer Donovan Parks. He had a lengthy and very violent criminal history, which included the non fatal shootings of a Mexican migrant worker and a drug dealer during robberies, unprovoked assaults on a classmate and a youth worker, and an arson attack on an apartment complex. His friends noted that Wilson had a penchant for animal cruelty, and they reported seeing him shooting dogs on random whims.
75. Ray Cromartie (1994-2019, lethal injection): While robbing a grocery store, Cromartie and his accomplice shot two clerks, 50 year old Richard Slysz and Daniel Wilson (age unknown). Slysz died at the scene and Wilson survived with crippling injuries.
76. Donnie Lance (~1990s-2020, lethal injection): Lance broke down the door of his ex wife's, 39 year old Sandra, and fatally shot her boyfriend, 33 year old Dwight Wood Jr.. He then used the butt of his gun to club Sandra to death. According to court documents, Lance subjected Sandra to extreme abuse during their marriage, and reportedly kidnapped and tortured her with beatings, strangulations, and electrocutions on numerous occasions.
77. Willie Pye (~1985-2024, lethal injection): Pye's ex girlfriend, 21 year old Alicia Yarbrough, had a child with another man that he believed was his. Despite his suspicions, Yarbrough and their boyfriend pushed Pye out of the child’s life. In retaliation, Pye and two accomplice’s broke into Yarbrough’s ex boyfriend’s home to rob it, but found her alone with her infant. They abducted and robbed Yarbrough of her jewelry at gunpoint, raped her for several hours in a motel room, and shot her a total of 3 times in the head. Due to reports of him allegedly being cognitively disabled, Pye’s execution sparked some controversy. He was previously convicted of burglary.
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prisons and have not focused on female inmates as a separate research population, nor on the relevance of the above-mentioned objectives.
Using data gathered from interviews with the female inmates who participate in a conjugal visitation program in Neve Tirza Prison in Israel, this study sought to examine three major subjects: first, to identify and analyze the attitudes of female inmates toward conjugal visitation programs; second, to portray the dynamics of conjugal visits; and third, to examine the meaning of conjugal visits to female inmates.
The participants of this study unanimously support the program. Although some express criticism at the organizational or physical aspects of the program, they all welcome the visits, look forward to them, and wish to increase their frequency and length. A few see the program as such a positive force in their lives that they believe that conjugal visits should be made available to all inmates.
According to the participants, the main part of the meetings, in terms of time and importance, is devoted to dialogues with their partners. These conversations, which focus on present and future life, bring the participants pleasure, encouragement, and relief from the stress and difficulties of prison life. The participants see the sexual part of the meetings as an important component of the visits, and a source of love, warmth, companionship, sexual satisfaction and an opportunity to hold onto their spouses by being able to compete with free women for attention.
The findings of this study correlate with other research findings revealing that conjugal visits decrease the emotional frustrations of inmates (Goetting, 1982), reduce tension among inmates (Chesney-Lind & Pollock-Byrne, 1995; Wyatt, 2005), and foster dyadic stability (Carlson & Cervera, 1991; Owen, 1998; Pollock-Byrne, 1990; Robertson, 1999). The participants of this study maintained that the visits with their spouses allow them to disclose their personal anxieties and sorrows, receive valuable emotional support, and make plans for the future with their partners. During the visits, the temporary detachment from prison life also gives them a sense of freedom and privacy. Conjugal visits give female inmates the opportunity to open up to their partners in privacy, receive emotional and psychological support, and return to prison life invigorated and relaxed.
These visits, and the benefits they bring, are particularly important to female inmates. Most female inmates who are eligible to receive visits from friends, spouses, or children (Einat & Chen, 2012a; Meave, 1999) have them only infrequently. Hence, the isolation of incarceration has a negative effect on the inmates’ emotional stability and their mental health. Furthermore, female inmates engage in same-sex sexual relationships in prisons to decrease their pains of imprisonment, particularly deprivation of heterosexual relationships and loneliness (Einat & Chen, 2012a, 2012b; Koscheski, Hensley, Wright, & Tewksbury, 2002; Larsen & Nelson, 1984; Owen, 1998). It should be noted that same-sex relationships in prison bring psychological and instrumental benefits, such as affection, companionship, and sexual gratification (Powell & Nolan, 2003; Severance, 2004). Nonetheless, prison relationships are also characterized by conflict, distrust, and rivalry, weakening the social solidarity of inmates (Einat & Chen, 2012b; Owen, 1998). Participation in conjugal visitation programs enables the participants to enjoy heterosexual sexual relationships with their spouses, which also serves to decrease their pains of imprisonment and secure a degree of emotional and sexual stability as well as reinforcing positive images of themselves as desirable sexual partners.
Nonetheless, most of the participants of this study portray a complex reality: On one hand, they yearn for the visits and find them highly enjoyable and energizing; on the other hand, they and their partners feel sad at the conclusion of each meeting. The participants must deal with the transition from 12 hr of pleasure, romance, privacy, and symbolic freedom to the harsh reality of prison life. One of them even says that following the visit, she must cheer up her partner on the phone. Despite these difficulties, they all agree that they return to prison feeling energized and renewed, which may contribute to a calmer prison atmosphere. As mentioned, other studies concluded that conjugal visits in prison have a normalizing effect on the prisons lives of inmates (Howser, Grossman, & MacDonald, 1983).
Most importantly, perhaps, this study finds that conjugal visits operate, first and foremost, as an arena for private dialogues between female inmates and their spouses. As mentioned, these dialogues focus on the everyday concerns and difficulties of the participants and their spouses, as well as their mutual plans for the future. In so doing, the participants and their partners regain a sense of intimacy and reaffirm their joint commitment.
To the participants, heterosexual sexual activity is secondary to the personal dialogues, in importance and duration of time. Beyond the physical enjoyment, the sexual relationships may be seen as a natural extension of the dyadic bond. The importance the participants give to the dialogues, as opposed to the sexual relationships, stands in contrast to research findings on conjugal visits among male inmates. Such findings revealed that maleinmates perceive the sexual component as the most important element of the conjugal visits, far surpassing the importance of dialogues and emotional support (Hensley et al., 2000; Hensley et al., 2000a). The contradiction between the findings could indicate gender differences in the perceptions of heterosexual sexual relationships among male and female inmates in particular, and men and women in general. Future research should examine this issue as it may have a bearing on future conjugal visitation policies.
An additional finding of the study relates to the tension that some of the participants feel between their love for their partners and their fear of being abandoned. The inmates’ happiness at the visits is somewhat marred by a sense of obligation. Although they are not forced into a sexual act, they feel obliged to please their partners sexually and to engage in more, and more varied sexual, activities than they might wish or be physically comfortable with. The participants’ fear of being abandoned is not without cause, as female inmates are often abandoned by their partners during incarceration, especially if their enforced separation will be lengthy (Chesney-Lind & Pollock-Byrne, 1995; Faith, 1993). Moreover, the obligation these two participants feel may be seen as an indirect form of abuse, which may relate to the literature. Toepell and Greaves’s study (2001) indicated that while visiting their incarcerated spouses, some women often experienced verbal and physical abuse. Nevertheless, the two inmates emphasized their desire to have sexual relationships with their partners and, more importantly, their ability to refuse their spouses regardless of the possible outcomes they fear. None of the participants mentioned in this context the word “abuse.” The context is rather their own empowerment in refusing their partners on occasions, despite their fear.
The findings of this study differ from the literature in another respect. Although earlier studies cited nothing but positive attitudes toward conjugal visits (Hensley et al., 2002; Robertson, 1999), the participants of this study, however, find fault with the implementation of the program. Regardless of the underlining positive attitudes of the participants toward the program, they also express some criticism: (a) criticism toward various structural and architectural limitations—the size of the rooms, close proximity to other rooms, and their poor cleanliness and maintenance; (b) criticism toward the relatively low frequency and duration of conjugal meetings, claiming that IPS should allow more than one visit a month, and that visits should last more than 12 hr each; and (c) criticism toward administrative restrictions, particularly the presence of a correctional officer outside the conjugal visitation rooms at all times and the possibility of bent interrupted without warning. These issues cause the participants unease, limiting their enjoyment and preventing them from acting freely during the meetings. Furthermore, these criticisms may reflect the differing expectations female inmates have of the conjugal visits program as compared with male inmates. Female inmates see the program as more than a sexual outlet, giving more importance to spending quality and personal time with their spouses.
As for the positioning of a correctional officer outside the conjugal visitation rooms, the IPS (2012b) is legally responsible to guard the inmates and ensure their safety. Therefore, a correctional officer continually patrols outside the conjugal visitation rooms to react immediately to any incident of abuse of the inmates by their spouses.
Although Toepell and Greaves (2001) found abuse of women visiting their partners, according to the participants of this study, they do not suffer abuse from their partners. Furthermore, neither they nor their visiting partners leave their rooms during the visits. Therefore, female inmates may not need such ardent protection or guarding. The presence of a correctional officer outside the visitation rooms of female inmates may be redundant, even counterproductive, as it only serves to make the inmates and their significant others uneasy (see also Sturges, 2002). In light of this, it may be sufficient to place a correctional officer at the entrance of the conjugal visitation site to ensure that inmates or their partners could not leave the compound unauthorized. This could meet the same goal without posing an intrusive presence.
Conjugal visitation policies may also need to address the perceived insufficient frequency of the visits. The participants of this study all wish to increase the visits to twice a month, claiming that one visit a month is “insufficient especially for inmates who want to get pregnant,” whereas two visits would be “wonderful,” “relaxing,” and “strengthening.” As stated, two important goals of conjugal visitation programs are to reduce tension among inmates (Knowles, 1999) and to provide opportunities to preserve marital stability and family ties (Hensley et al., 2000; Hensley et al., 2000a; Hensley et al., 2002). Therefore, IPS may consider modifying its conjugal visitation policy to accommodate two monthly visits. A joint review on the subject, by representatives of the law, criminologists, and members of IPS, may be worthwhile to explore these possibilities
Finally, the findings of this study may help correctional officials to better understand the significance of conjugal visitation programs to female inmates and the problems they encounter during and after these private encounters. As conjugal visits, especially their conclusion, affect the psychological state of the inmate and her conduct in prison, they may also affect prison maintenance and the ability of staff to ensure safety. Furthermore, as the physical conditions of the conjugal visitation rooms are perceived, by most inmates, as inappropriate, it may increase tensions, frustrations, and conflict with prison personnel. Improving the physical conditions of the visitation rooms, increasing the number of meetings per month, and eliminating the presence of a correctional officer right outside the visitation rooms may reduce the inmates’ frustrations and better serve the goals of the program.
The limitations of this study relate to its method of data collection and the small sample size. (a) As mentioned, data collection was performed by qualitative semi-structured interviews. Several studies have indicated that research regarding sexual relationships and abuse among male and female inmates could result in underreporting (Ben, 1981; Hyde, 1986) due to inmates’ shame, bringing into question the credibility of the testimonies (Greer, 2000; Hensley et al., 2002). It is therefore possible that the use of other sophisticated data collection techniques—such as ethnographic observation or written self-reports—may facilitate detailed or additional data, which have not been obtained by this study. The same may be true for the use of more convenient settings for interviews, set outside the prison facility, for example. Nevertheless, it should be noted that the participants of this study have told the researcher about previous instances of abuse by partners or men in general. They have also voluntarily disclosed personal, intimate information about themselves, which is irrelevant to the study. The researcher, therefore, believes that the participants felt enough confidence and trust to open up and not to withhold information in response to two direct questions about abuse during conjugal visits. (b) The results of this research are based on interviews with all the inmates eligible for conjugal visits at Neve Tirza Prison—a total of eight participants. Hence, the researcher cannot be confident that the participants’ accounts represent the dynamics of conjugal meetings and inmates’ attitudes and motivation in other Western women’s prisons. Further studies are needed to ascertain these issues.
Despite these limitations, the results of this study add to the existing knowledge base about the reality of women imprisonment, particularly about the dynamics of conjugal visits and the importance they hold to female inmates. This may provide scholars, practitioners, and prison authorities with a better understanding of such meetings, which have a positive effect on the maintenance and control of the prison and, possibly, of women inmate’s rehabilitation
As a final note, the research into conjugal visitation programs for women, in Israel and other countries, is currently insufficient, failing to address central issues. Future research is needed to examine various aspects of such relationships: for instance, similarities and dissimilarities in meanings, functions, and implications of conjugal visitation programs in men’s and women’s prisons; correlations between participation in conjugal visitation programs and levels of frustration, depression, or violence among inmates. Finally, although this study has found no apparent link between the attitudes of the participants and their religion, ethnicity, age, marital state, or length of prison term, further studies may wish to examine such a connection.
Declaration of Conflicting Interests
The author(s) declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.
Funding
The author(s) received no financial support for the research, authorship, and/or publication of this article.
Note
  1. Conjugal visits of same-sex partners are currently forbidden, but a Supreme Court appeal is now pending.
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A WARM TOUCH IN A COLD CELL Page 3
prisons and have not focused on female inmates as a separate research population, nor on the relevance of the above-mentioned objectives.
Using data gathered from interviews with the female inmates who participate in a conjugal visitation program in Neve Tirza Prison in Israel, this study sought to examine three major subjects: first, to identify and analyze the attitudes of female inmates toward conjugal visitation programs; second, to portray the dynamics of conjugal visits; and third, to examine the meaning of conjugal visits to female inmates.
The participants of this study unanimously support the program. Although some express criticism at the organizational or physical aspects of the program, they all welcome the visits, look forward to them, and wish to increase their frequency and length. A few see the program as such a positive force in their lives that they believe that conjugal visits should be made available to all inmates.
According to the participants, the main part of the meetings, in terms of time and importance, is devoted to dialogues with their partners. These conversations, which focus on present and future life, bring the participants pleasure, encouragement, and relief from the stress and difficulties of prison life. The participants see the sexual part of the meetings as an important component of the visits, and a source of love, warmth, companionship, sexual satisfaction and an opportunity to hold onto their spouses by being able to compete with free women for attention.
The findings of this study correlate with other research findings revealing that conjugal visits decrease the emotional frustrations of inmates (Goetting, 1982), reduce tension among inmates (Chesney-Lind & Pollock-Byrne, 1995; Wyatt, 2005), and foster dyadic stability (Carlson & Cervera, 1991; Owen, 1998; Pollock-Byrne, 1990; Robertson, 1999). The participants of this study maintained that the visits with their spouses allow them to disclose their personal anxieties and sorrows, receive valuable emotional support, and make plans for the future with their partners. During the visits, the temporary detachment from prison life also gives them a sense of freedom and privacy. Conjugal visits give female inmates the opportunity to open up to their partners in privacy, receive emotional and psychological support, and return to prison life invigorated and relaxed.
These visits, and the benefits they bring, are particularly important to female inmates. Most female inmates who are eligible to receive visits from friends, spouses, or children (Einat & Chen, 2012a; Meave, 1999) have them only infrequently. Hence, the isolation of incarceration has a negative effect on the inmates’ emotional stability and their mental health. Furthermore, female inmates engage in same-sex sexual relationships in prisons to decrease their pains of imprisonment, particularly deprivation of heterosexual relationships and loneliness (Einat & Chen, 2012a, 2012b; Koscheski, Hensley, Wright, & Tewksbury, 2002; Larsen & Nelson, 1984; Owen, 1998). It should be noted that same-sex relationships in prison bring psychological and instrumental benefits, such as affection, companionship, and sexual gratification (Powell & Nolan, 2003; Severance, 2004). Nonetheless, prison relationships are also characterized by conflict, distrust, and rivalry, weakening the social solidarity of inmates (Einat & Chen, 2012b; Owen, 1998). Participation in conjugal visitation programs enables the participants to enjoy heterosexual sexual relationships with their spouses, which also serves to decrease their pains of imprisonment and secure a degree of emotional and sexual stability as well as reinforcing positive images of themselves as desirable sexual partners.
Nonetheless, most of the participants of this study portray a complex reality: On one hand, they yearn for the visits and find them highly enjoyable and energizing; on the other hand, they and their partners feel sad at the conclusion of each meeting. The participants must deal with the transition from 12 hr of pleasure, romance, privacy, and symbolic freedom to the harsh reality of prison life. One of them even says that following the visit, she must cheer up her partner on the phone. Despite these difficulties, they all agree that they return to prison feeling energized and renewed, which may contribute to a calmer prison atmosphere. As mentioned, other studies concluded that conjugal visits in prison have a normalizing effect on the prisons lives of inmates (Howser, Grossman, & MacDonald, 1983).
Most importantly, perhaps, this study finds that conjugal visits operate, first and foremost, as an arena for private dialogues between female inmates and their spouses. As mentioned, these dialogues focus on the everyday concerns and difficulties of the participants and their spouses, as well as their mutual plans for the future. In so doing, the participants and their partners regain a sense of intimacy and reaffirm their joint commitment.
To the participants, heterosexual sexual activity is secondary to the personal dialogues, in importance and duration of time. Beyond the physical enjoyment, the sexual relationships may be seen as a natural extension of the dyadic bond. The importance the participants give to the dialogues, as opposed to the sexual relationships, stands in contrast to research findings on conjugal visits among male inmates. Such findings revealed that maleinmates perceive the sexual component as the most important element of the conjugal visits, far surpassing the importance of dialogues and emotional support (Hensley et al., 2000; Hensley et al., 2000a). The contradiction between the findings could indicate gender differences in the perceptions of heterosexual sexual relationships among male and female inmates in particular, and men and women in general. Future research should examine this issue as it may have a bearing on future conjugal visitation policies.
An additional finding of the study relates to the tension that some of the participants feel between their love for their partners and their fear of being abandoned. The inmates’ happiness at the visits is somewhat marred by a sense of obligation. Although they are not forced into a sexual act, they feel obliged to please their partners sexually and to engage in more, and more varied sexual, activities than they might wish or be physically comfortable with. The participants’ fear of being abandoned is not without cause, as female inmates are often abandoned by their partners during incarceration, especially if their enforced separation will be lengthy (Chesney-Lind & Pollock-Byrne, 1995; Faith, 1993). Moreover, the obligation these two participants feel may be seen as an indirect form of abuse, which may relate to the literature. Toepell and Greaves’s study (2001) indicated that while visiting their incarcerated spouses, some women often experienced verbal and physical abuse. Nevertheless, the two inmates emphasized their desire to have sexual relationships with their partners and, more importantly, their ability to refuse their spouses regardless of the possible outcomes they fear. None of the participants mentioned in this context the word “abuse.” The context is rather their own empowerment in refusing their partners on occasions, despite their fear.
The findings of this study differ from the literature in another respect. Although earlier studies cited nothing but positive attitudes toward conjugal visits (Hensley et al., 2002; Robertson, 1999), the participants of this study, however, find fault with the implementation of the program. Regardless of the underlining positive attitudes of the participants toward the program, they also express some criticism: (a) criticism toward various structural and architectural limitations—the size of the rooms, close proximity to other rooms, and their poor cleanliness and maintenance; (b) criticism toward the relatively low frequency and duration of conjugal meetings, claiming that IPS should allow more than one visit a month, and that visits should last more than 12 hr each; and (c) criticism toward administrative restrictions, particularly the presence of a correctional officer outside the conjugal visitation rooms at all times and the possibility of bent interrupted without warning. These issues cause the participants unease, limiting their enjoyment and preventing them from acting freely during the meetings. Furthermore, these criticisms may reflect the differing expectations female inmates have of the conjugal visits program as compared with male inmates. Female inmates see the program as more than a sexual outlet, giving more importance to spending quality and personal time with their spouses.
As for the positioning of a correctional officer outside the conjugal visitation rooms, the IPS (2012b) is legally responsible to guard the inmates and ensure their safety. Therefore, a correctional officer continually patrols outside the conjugal visitation rooms to react immediately to any incident of abuse of the inmates by their spouses.
Although Toepell and Greaves (2001) found abuse of women visiting their partners, according to the participants of this study, they do not suffer abuse from their partners. Furthermore, neither they nor their visiting partners leave their rooms during the visits. Therefore, female inmates may not need such ardent protection or guarding. The presence of a correctional officer outside the visitation rooms of female inmates may be redundant, even counterproductive, as it only serves to make the inmates and their significant others uneasy (see also Sturges, 2002). In light of this, it may be sufficient to place a correctional officer at the entrance of the conjugal visitation site to ensure that inmates or their partners could not leave the compound unauthorized. This could meet the same goal without posing an intrusive presence.
Conjugal visitation policies may also need to address the perceived insufficient frequency of the visits. The participants of this study all wish to increase the visits to twice a month, claiming that one visit a month is “insufficient especially for inmates who want to get pregnant,” whereas two visits would be “wonderful,” “relaxing,” and “strengthening.” As stated, two important goals of conjugal visitation programs are to reduce tension among inmates (Knowles, 1999) and to provide opportunities to preserve marital stability and family ties (Hensley et al., 2000; Hensley et al., 2000a; Hensley et al., 2002). Therefore, IPS may consider modifying its conjugal visitation policy to accommodate two monthly visits. A joint review on the subject, by representatives of the law, criminologists, and members of IPS, may be worthwhile to explore these possibilities
Finally, the findings of this study may help correctional officials to better understand the significance of conjugal visitation programs to female inmates and the problems they encounter during and after these private encounters. As conjugal visits, especially their conclusion, affect the psychological state of the inmate and her conduct in prison, they may also affect prison maintenance and the ability of staff to ensure safety. Furthermore, as the physical conditions of the conjugal visitation rooms are perceived, by most inmates, as inappropriate, it may increase tensions, frustrations, and conflict with prison personnel. Improving the physical conditions of the visitation rooms, increasing the number of meetings per month, and eliminating the presence of a correctional officer right outside the visitation rooms may reduce the inmates’ frustrations and better serve the goals of the program.
The limitations of this study relate to its method of data collection and the small sample size. (a) As mentioned, data collection was performed by qualitative semi-structured interviews. Several studies have indicated that research regarding sexual relationships and abuse among male and female inmates could result in underreporting (Ben, 1981; Hyde, 1986) due to inmates’ shame, bringing into question the credibility of the testimonies (Greer, 2000; Hensley et al., 2002). It is therefore possible that the use of other sophisticated data collection techniques—such as ethnographic observation or written self-reports—may facilitate detailed or additional data, which have not been obtained by this study. The same may be true for the use of more convenient settings for interviews, set outside the prison facility, for example. Nevertheless, it should be noted that the participants of this study have told the researcher about previous instances of abuse by partners or men in general. They have also voluntarily disclosed personal, intimate information about themselves, which is irrelevant to the study. The researcher, therefore, believes that the participants felt enough confidence and trust to open up and not to withhold information in response to two direct questions about abuse during conjugal visits. (b) The results of this research are based on interviews with all the inmates eligible for conjugal visits at Neve Tirza Prison—a total of eight participants. Hence, the researcher cannot be confident that the participants’ accounts represent the dynamics of conjugal meetings and inmates’ attitudes and motivation in other Western women’s prisons. Further studies are needed to ascertain these issues.
Despite these limitations, the results of this study add to the existing knowledge base about the reality of women imprisonment, particularly about the dynamics of conjugal visits and the importance they hold to female inmates. This may provide scholars, practitioners, and prison authorities with a better understanding of such meetings, which have a positive effect on the maintenance and control of the prison and, possibly, of women inmate’s rehabilitation
As a final note, the research into conjugal visitation programs for women, in Israel and other countries, is currently insufficient, failing to address central issues. Future research is needed to examine various aspects of such relationships: for instance, similarities and dissimilarities in meanings, functions, and implications of conjugal visitation programs in men’s and women’s prisons; correlations between participation in conjugal visitation programs and levels of frustration, depression, or violence among inmates. Finally, although this study has found no apparent link between the attitudes of the participants and their religion, ethnicity, age, marital state, or length of prison term, further studies may wish to examine such a connection.
Declaration of Conflicting Interests
The author(s) declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.
Funding
The author(s) received no financial support for the research, authorship, and/or publication of this article.
Note
  1. Conjugal visits of same-sex partners are currently forbidden, but a Supreme Court appeal is now pending.
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2024.02.10 23:36 SanderSo47 Directors at the Box Office: George Lucas

Directors at the Box Office: George Lucas

https://preview.redd.it/e5t3wkrm4uhc1.png?width=1920&format=png&auto=webp&s=9c3c3d8b200bf7e640025ba074c0394c0a4173ba
Here's a new edition of "Directors at the Box Office", which seeks to explore the directors' trajectory at the box office and analyze their hits and bombs. I already talked about a few, and as I promised, it's George Lucas' turn.
While he grew up as a sci-fi fan, Lucas was actually interested in becoming a race car driver. But an incident in his teenage years caused him to lose interest in that. Lucas had been planning to go to art school, and declared upon leaving home that he would be a millionaire by the age of 30. As he graduated from the USC School of Cinematic Arts, he became friends with a young Steven Spielberg. Slowly making his way through the industry, he would have a chance to make films by his late 20s.
From a box office perspective, how reliable is he to deliver a box office hit?
That's the point of this post. To analyze his career.

It should be noted that as he started his career in the 1970s, some of the domestic grosses here will be adjusted by inflation. The table with his highest grossing films, however, will be left in its unadjusted form, as the worldwide grosses are more difficult to adjust.

THX 1138 (1971)

"The future is here."
His directorial debut. It stars Robert Duvall, Donald Pleasence, Don Pedro Colley, Maggie McOmie, and Ian Wolfe. The film is set in a dystopian future in which the citizens are controlled by android police and mandatory use of drugs that suppress emotions.
Lucas got a chance in making a feature film when his friend, Francis Ford Coppola, signed a deal with Warner Bros. in getting seven films produced. He adapted his own short film, although Walter Murch helped in rewriting the script as it was considered very poor. While WB agreed to distribute it, the executives disliked the film, and insisted that Coppola provide the negative to an in-house editor, who cut about four minutes of the film prior to release.
Even with its very low budget, it was a box office dud, earning only $2 million at the box office. But the film received positive reviews from critics; while they criticized the storyline, the effects were praised. So Lucas made a fine impression, although he needed to prove he could make money.
  • Budget: $777,777.
  • Domestic gross: $2,437,000. ($18.3 million adjusted)
  • Worldwide gross: $2,437,000.

American Graffiti (1973)

"Where were you in '62?"
His second film. It stars Richard Dreyfuss, Ron Howard, Paul Le Mat, Harrison Ford, Charles Martin Smith, Cindy Williams, Candy Clark, Mackenzie Phillips, Bo Hopkins, and Wolfman Jack. Set in Modesto, California, in 1962, the film is a study of the cruising and early rock 'n' roll cultures, and tells the story of a group of teenagers and their adventures over the course of a night.
While making TXH 1138, Francis Ford Coppola challenged Lucas in making a mainstream film. Lucas embraced the idea, using his early 1960s teenage experiences cruising in Modesto, California: "Cruising was gone, and I felt compelled to document the whole experience and what my generation used as a way of meeting girls." The characters Curt Henderson, John Milner, and Terry "The Toad" Fields represent different stages from his younger life. Curt is modeled after Lucas's personality during USC, while John is based on Lucas's teenaged street-racing and junior-college years, and hot rod enthusiasts he had known from the Kustom Kulture in Modesto. Terry represents Lucas's nerd years as a freshman in high school, specifically his "bad luck" with dating.
He started fully developing the film after his version of Apocalypse Now was scrapped. He hired Willard Huyck and Gloria Katz, although they still struggled in finding funding. Drawing upon his large collection of vintage records, Lucas wrote each scene with a particular song in mind as its musical backdrop. It was one of the first films to eschew a traditional film score and successfully rely instead on synchronizing a series of popular hit songs with individual scenes. The licensing was the main reason behind the studios' reluctance in paying for the project, until Universal stepped in. They allowed Lucas total artistic control and the right of final cut privilege on the condition that he make it on a strict low budget.
Universal still wanted a few edits to the cut, but allowed Coppola to maintain authority after he won Best Picture for The Godfather. And it really paid off; it slowly found an audience, and through word of mouth, it hit a huge $116 million domestically through many re-issues. It also received critical acclaim, and has been named among the best coming-of-age films ever made. The film also received many Oscar nominations, including Best Picture, and Lucas received nominations for Best Director and Best Original Screenplay. It lost all three to The Sting. But Lucas was now a recognizable name in the industry. And he had one project in mind...
  • Budget: $777,000.
  • Domestic gross: $115,557,835. ($529 million adjusted)
  • Worldwide gross: $140,557,835.

Star Wars (1977)

"A long time ago, in a galaxy far, far away..."
His third film. The film stars Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, David Prowse, James Earl Jones, Anthony Daniels, Kenny Baker, and Peter Mayhew. Set "a long time ago" in a fictional universe where the galaxy is ruled by the tyrannical Galactic Empire, the story focuses on a group of freedom fighters known as the Rebel Alliance, who aim to destroy the Empire's newest weapon, the Death Star. When Rebel leader Princess Leia is apprehended by the Empire, Luke Skywalker acquires stolen architectural plans of the Death Star and sets out to rescue her while learning the ways of a metaphysical power known as "the Force" from Jedi Master Obi-Wan Kenobi.
Grab your popcorn. This is going to be a long story.
In 1971, Lucas started working on a space fantasy film, although the project originally started as a Flash Gordon adaptation. He was disappointed when the rights were not given to him, and he decided to make his very own take. After finishing American Graffiti, Lucas returned to the space opera film. He drew inspiration from politics of the era, later saying, "It was really about the Vietnam War, and that was the period where Nixon was trying to run for a [second] term."
Frustrated that his story was too difficult to understand, Lucas then began writing a 13-page treatment called The Star Wars on April 17, 1973, which had narrative parallels with Akira Kurosawa's film The Hidden Fortress. But United Artists was not willing to fund it, and while Universal liked it, they felt Lucas should continue making films similar to American Graffiti. Specifically, the studios believed that Lucas wouldn't pull it off. Coppola brought the project to a division of Paramount Pictures he ran with fellow directors Peter Bogdanovich and William Friedkin, but Friedkin questioned Lucas's ability to direct the film and he, along with Bogdanovich, declined to back it.
20th Century Fox eventually decided to pay $150,000 to Lucas in writing and directing the film. By 1974, he added elements such as the Sith, the Death Star, and a general by the name of Annikin Starkiller. He changed Starkiller to an adolescent boy, and he shifted the general into a supporting role as a member of a family of dwarfs. Lucas envisioned the Corellian smuggler, Han Solo, as a large, green-skinned monster with gills. He based Chewbacca on his Alaskan Malamute dog, Indiana, who often acted as the director's "co-pilot" by sitting in the passenger seat of his car.
As he expanded on the characters and setting, Lucas realized that the story was too big for a single film. Fox granted him a $8 million budget. Subsequently, Lucas started writing with a budget in mind, conceiving the cheap, "used" look of much of the film, and reducing the number of complex special effects shots called for by the script. With filming closing in, he changed the character's name to Luke Skywalker and the film was retitled simply as Star Wars. He would also continue to tweak the script during filming, including adding the death of Obi-Wan after realizing he served no purpose in the ending of the film.
For the film's opening crawl, Lucas originally wrote a composition consisting of six paragraphs with four sentences each. He said, "The crawl is such a hard thing because you have to be careful that you're not using too many words that people don't understand. It's like a poem." Lucas showed his draft to his friends. Director Brian De Palma, who was there, described it: "The crawl at the beginning looks like it was written on a driveway. It goes on forever. It's gibberish." Lucas recounted what De Palma said the first time he saw it: "George, you're out of your mind! Let me sit down and write this for you." De Palma and Jay Cocks helped edit the text into the form used in the film.
Lucas insisted that unknown actors play the characters. For Luke, Lucas sought actors who could project intelligence and integrity. Many were considered, until Mark Hamill was selected for sincerely reading the "odd script." For Han, Lucas didn't want Harrison Ford to play him. Instead, Lucas asked Ford to assist in the auditions by reading lines with the other actors and explaining the concepts and history behind the scenes that they were reading. Lucas was eventually won over by Ford's portrayal and cast him. For Leia, Jodie Foster was offered the role, but she had to turn it down due to a contract with Disney. Koo Stark was considered but ended up getting the role of Camie Marstrap, Luke Skywalker's friend, a character that did not make the final cut of the film. Fisher was cast under the condition that she lose 10 pounds (4.5 kg) for the role.
While Lucas wanted unknown actors, Coppola and the Fox executives disapproved. So he decided to add a few established actors. For Obi-Wan Kenobi, Japanese actor Toshiro Mifune (who starred in many Akira Kurosawa films) was considered for the role, but he turned down Lucas' offers because "he was concerned about how the film would look and that it would cheapen the image of samurai... At the time, sci-fi movies still looked quite cheap as the effects were not advanced and he had a lot of samurai pride." Alec Guinness was one of the few cast members who believed that the film would be successful; he negotiated a deal for 2.25% of the one-fifth gross royalties paid to Lucas, which made him quite wealthy in later life. He agreed to take the part of Kenobi on the condition that he would not have to do any publicity to promote the film.
For Darth Vader, Lucas hired David Prowse to physically play him, although Prowse actually wanted to play Chewbacca. But Lucas was not convinced of his West Country English accent, which led to him being nicknamed "Darth Farmer" by the other cast members. He considered Orson Welles to voice Vader, but concluded that it would be too familiar to the audience. So he cast the then-relatively less recognizable James Earl Jones instead, who was uncredited until 1983.
In 1975, Lucas formed his own visual effects company Industrial Light & Magic (ILM) after discovering that Fox's visual effects department had been disbanded. ILM began its work on Star Wars in a warehouse in Van Nuys. Most of the visual effects used pioneering digital motion control photography developed by John Dykstra and his team, which created the illusion of size by employing small models and slowly moving cameras.
With just a few days into filming in Tunisia, problems already started. Lucas fell behind schedule in the first week of shooting due to malfunctioning props and electronic breakdowns. Moreover, a rare Tunisian rainstorm struck the country, which further disrupted filming. When Anthony Daniels wore the C-3PO outfit for the first time in Tunisia, the left leg piece shattered down through the plastic covering his left foot, stabbing him. He also could not see through his costume's eyes, which was covered with gold to prevent corrosion. Abnormal radio signals caused by the Tunisian sands made the radio-controlled R2-D2 models run out of control.
Lucas had to write around a scene featuring a human Jabba the Hutt, which was scrapped due to budget and time constraints. Lucas would later claim he wanted to superimpose a stop-motion creature over the actor — which he did with CGI in the 1997 Special Edition, and remains a controversial decision. All of the original script drafts describe Jabba as humanoid, with the notion of him being an alien not coming up until work on the 1979 re-release.
While shooting, Lucas rarely spoke to the actors, who believed that he expected too much of them while providing little direction. His directions to the actors usually consisted of the words "faster" and "more intense". Despite Lucas's efforts, his crew had little interest in the film. Most of the crew considered the project a "children's film", rarely took their work seriously, and often found it unintentionally humorous. Kenny Baker (R2D2) later confessed that he thought the film would be a failure. Ford found it strange that "there's a princess with weird buns in her hair", and called Chewbacca a "giant in a monkey suit." Guinness begged Lucas to kill off Obi-Wan as he did not want to go on to speak those "awful bloody lines".
The film was originally scheduled for Christmas 1976, but the amount of production setbacks forced Fox to delay it. In particular, the editor had to edit the film while Lucas was filming in Tunisia. He was in an "impossible position" because Lucas had not explained any of the film's material to him. When Lucas watched the rough cut for the first time, he disliked what he saw. Lucas fired him halfway through filming and replaced him with Paul Hirsch, Richard Chew, and his then-wife, Marcia Lucas, who was also cutting the film New York, New York with Lucas's friend Martin Scorsese.
The newest cut decided to remove a lot of aspects in the original cut, such as Luke's everyday life before meeting Obi-Wan. It is estimated this early cut contained "30–40%" different footage from the final cut, with most of the differences coming from extended cuts or alternate takes rather than deleted scenes. Meanwhile, ILM was struggling to achieve unprecedented special effects. The company had spent half of its budget on four shots that Lucas deemed unacceptable. With hundreds of uncompleted shots remaining, ILM was forced to finish a year's work in six months. Lucas inspired ILM by editing together aerial dogfights from old war films, which enhanced the pacing of the scenes.
Lucas showed an early cut for Fox executives. This cut had a different crawl from the finished version and used Prowse's voice for Darth Vader. It also lacked most special effects; hand-drawn arrows took the place of blaster beams, and when the Millennium Falcon fought TIE fighters, the film cut to footage of World War II dogfights. Among those in attendance were Lucas' director friends, Brian de Palma, John Milius and Steven Spielberg, and all three were unconvinced. Spielberg, who said he was the only person in the audience to have enjoyed the film, believed that the lack of enthusiasm was due to the absence of finished special effects. There were some glowing responses, which lifted Lucas' spirits. He got some additional funding to finish some sequences. On the recommendation of Spielberg, Lucas hired John Williams, who had worked with Spielberg on Jaws.
Unusually, Lucas wanted the film released for Memorial Day weekend, the idea being to build word of mouth during the school term. Worried that the film would be beaten out by other summer films, Fox moved the release date to May 25, the Wednesday before Memorial Day. However, only 37 theaters ordered the film to be shown in North America. In response, the studio demanded that theaters order Star Wars if they wanted the eagerly anticipated The Other Side of Midnight.
Lucas himself was not able to predict how successful it would be. After visiting the set of the Spielberg's Close Encounters of the Third Kind, Lucas was sure that would outperform the yet-to-be-released Star Wars at the box office. Spielberg disagreed, and believed Star Wars would be the bigger hit. Lucas proposed they trade 2.5% of the profit on each other's films; Spielberg took the trade, and still receives 2.5% of the profits from Star Wars. Amidst Fox pessimism, Lucas elected to forgo his option to an extra $500,000 fee for directing Star Wars, in exchange for obtaining the merchandising and sequel rights for the movie from Fox.
As Fox prioritized The Other Side of Midnight and viewed Star Wars as a "B track" for theaters, Lucas decided to just not answer any calls nor follow the predicted flop's numbers. So imagine his surprise, while walking the streets, to see a long line of people along the sidewalks leading to Mann's Chinese Theatre, waiting to see Star Wars. While surprised, he didn't think much of it, so he and his wife Marcia left for some vacations at Hawaii. And he realized he had become wealthy when Walter Cronkite reported gigantic crowds across the country lining up to watch the film. Francis Ford Coppola, who needed money to finish Apocalypse Now, sent a telegram to Lucas' hotel asking for funding.
The film debuted in just 43 theaters, but it earned a colossal $1,554,475 over the Memorial Day weekend, ranking as the #1 movie in the country. The film increased as it added more theaters through the summer, and it managed to be #1 all the way through August 1978, more than one year after it opened. It replaced Jaws as the highest-earning film in North America just six months into release, eventually earning over $220 million during its initial theatrical run. On July 21, 1978, while still in current release in 38 theaters in the U.S., the film expanded into a 1,744 theater national saturation windup of release and set a new U.S. weekend record of $10,202,726. Through re-issues in 1978, 1979, 1981 and 1982, the film closed with $323 million domestically and $530 million worldwide, becoming the highest grossing film ever made.
The film was also re-released with a Special Edition in 1997, breaking a record for the biggest re-release. It added $138 million domestically and $117 million overseas, which allowed it to close with $775 million worldwide. Adjusted for inflation, the film earned $1.66 billion domestically (an estimated 178.1 million tickets), making it the second highest grossing film in the history of North America.
You don't get to those figures without an enthusiastic response, and Star Wars delivered on it. The long lines, the level of rewatchability and the sense of "fun" that Lucas aimed for exceeded every single expectation. It has become one of the most acclaimed, influential, quotable and beloved films in cinema history. Lucas feared he would lose his career, but he instead became the biggest star on Earth. He created something new with the blockbuster film, and cinema hasn't been the same ever since.
The film received 10 Oscar nominations and won six: Best Art Direction, Best Costume Design, Best Film Editing, Best Original Score, Best Sound and Best Visual Effects. It also won a Special Achievement for Sound Effects Editing. Additional nominations included Alec Guinness for Best Actor in a Supporting Role, which went to Jason Robards for Julia and George Lucas for Best Original Screenplay, Best Director, and Best Picture, which were instead awarded to Woody Allen's Annie Hall.
As mentioned, Lucas envisioned it as a trilogy. The sequel, The Empire Strikes Back, would be released in 1980. And the trilogy ender, Return of the Jedi, was released in 1983. All big hits, even if they didn't outgross the original. But Lucas didn't return as director for neither, as he was exhausted by the pressure of filming the original. He only had a story credit in Empire and a screenwriting credit on Return. He would then move on to more writing and producing credits through the 80s and 90s.
  • Budget: $11,000,000.
  • Domestic gross: $460,998,007. ($1.668 billion adjusted)
  • Worldwide gross: $775,398,007.

Star Wars: Episode I – The Phantom Menace (1999)

"Every saga has a beginning."
His fourth film. The fourth installment in the Star Wars franchise, and the first in the prequel trilogy. It stars Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Ahmed Best, Ian McDiarmid, Anthony Daniels, Kenny Baker, Pernilla August and Frank Oz. Set 32 years before the original trilogy, during the era of the Galactic Republic, the plot follows Jedi Master Qui-Gon Jinn and his apprentice Obi-Wan Kenobi as they try to protect Queen Padmé Amidala of Naboo in hopes of securing a peaceful end to an interplanetary trade dispute. Joined by Anakin Skywalker — a young slave with unusually strong natural powers of the Force — they simultaneously contend with the mysterious return of the Sith.
Lucas envisioned sequels for the original Star Wars, although he was also adding backstory in the writing process. Throughout the 1980s, Lucas said he had no desire to return to Star Wars and had canceled his sequel trilogy by the time of Return of the Jedi. However, because Lucas had developed most of the backstory, the idea of prequels continued to fascinate him. The franchise's resurgence in the early 90s made the decision easier, especially as the advancement on CGI convinced him he could insert the desired effects he wanted, but never could due to the limitations of the era.
In 1993, Lucas confirmed that he was developing a prequel trilogy. Anakin was first written as a twelve-year-old, but Lucas reduced his age to nine because he felt that the lower age would better fit the plot point of Anakin being affected by his mother's separation from him. Eventually, Anakin's younger age led Lucas to rewrite his participation in the movie's major scenes. Lucas later revealed that the Phantom Menace title was a reference to Palpatine hiding his true identity as an evil Sith Lord behind the facade of a well-intentioned public servant.
But despite his involvement, Lucas was still unsure over returning to the director's chair. He offered the job to Ron Howard, Robert Zemeckis and Steven Spielberg, all of which declined and told him that he should direct the film, as they each found the project "too daunting." His doubts were cast aside as he was fascinated by the new scale of the film. The larger budget and possibilities opened up by the use of digital effects made Lucas "think about a much grander, more epic scale — which is what I wanted Star Wars to be".
Over 3,000 actors auditioned for the role of Anakin Skywalker including Haley Joel Osment, Cameron Finley, Justin Berfield and Michael Angarano before Jake Lloyd was selected. Vinette Robinson auditioned for the role of Padmé Amidala. Benicio del Toro was originally cast as Darth Maul but later left the project when the character's lines were cut. Michael Jackson expressed interest in playing Jar Jar Binks, but he wanted to do it in prosthetic make ups while George Lucas wanted to do it in CGI. Joseph Fiennes auditioned for the role of Obi-Wan Kenobi and nearly landed the part until George Lucas's young daughter rejected him upon meeting him during the second level of auditioning.
Filming was done with blue screens. A binder with the film's storyboards served as a reference for live-action filming, shots that would be filmed in front of a chroma key blue screen, and shots that would be composed using CGI. The sets were often built with the parts that would be required on screen; often they were built only up to the heights of the actors. About 1,950 of the shots have visual effects. The scene in which toxic gas is released on the Jedi is the only sequence with no digital alteration.
As it was the first Star Wars film in 16 years, it was one of the most anticipated films ever. So much, that fans bought tickets to Meet Joe Black, as it was one of the few titles that had the first teaser trailer, and then left before the film even began. To keep fans from leaving before the movie was over, some theaters played the teaser an additional time after the film finished. So many workers announced plans to view the premiere that many companies closed on the opening day. Queue areas formed outside cinema theaters over a month before ticket sales began. It was reported that theater owners received strict instructions from Lucasfilm that the film could only play in the cinema's largest auditorium for the first 8–12 weeks, no honor passes were allowed for the first eight weeks, and they were obliged to send their payments to Fox within seven days.
Thanks to a killer marketing campaign, it broke many box office records. It debuted on Wednesday May 19th, 1999, earning a colossal $28 million, the biggest opening day ever. Its opening weekend was $64 million, also passing $100 million in a record five days. It also broke records for the fastest film to hit $200 million (13 days) and $300 million (28 days). It was also massive in the rest of the world, eventually closing with $926 million worldwide, making it the second highest grossing film worldwide behind Titanic. In 2012, it was re-released in 3D, adding $102.7 million. That allowed it to hit the $1 billion milestone, Lucas' first and only film to hit that mark. All in all, just a fantastic success all around.
But despite those records, in the echoes of movie theaters, something was off with the audience...
The general feeling went from hype to... confusion, followed by sheer discontent. The reception was quite favorable with kids, which might have been their first ever Star Wars. But the reception wasn't particularly great for the older audience, especially those that watched the original film in 1977. With responses like "that was fine... right?", "that... wasn't as good as the originals", "yeah, this is a bad movie", "Midichlorians????", etc.
So the film received a very mixed response. Some loved it, some found it middling and others hated it. The biggest points of criticism included the story, dialogue, acting, over-use of CGI and the character of Jar-Jar Binks, with the latter quickly deemed as one of the worst characters in cinema history. The concept of midichlorians was also panned, as some viewed it as a concept that negates the Force's spiritual quality. Whatever the case may be, it's clear Lucas didn't deliver on all the promises that opening day.
  • Budget: $115,000,000.
  • Domestic gross: $474,544,677. ($846.2 million adjusted)
  • Worldwide gross: $1,027,044,677.

Star Wars: Episode II – Attack of the Clones (2002)

*"A Jedi shall not know anger. Nor hatred. Nor love."
His fifth film. The sequel to The Phantom Menace, it is the fifth film in the franchise and second film in the prequel trilogy. The film stars Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Samuel L. Jackson, Christopher Lee, Anthony Daniels, Kenny Baker, Frank Oz, Temuera Morrison, Silas Carson, and Jimmy Smits. The story is set ten years after The Phantom Menace, as thousands of planetary systems slowly secede from the Galactic Republic and join the newly formed Confederacy of Independent Systems, led by former Jedi Master Count Dooku. With the galaxy on the brink of civil war, Obi-Wan Kenobi investigates a mysterious assassination attempt on Senator Padmé Amidala, which leads him to uncover a clone army in service of the Republic and the truth behind the Separatist movement. Meanwhile, his apprentice Anakin Skywalker is assigned to protect Amidala and develops a secret romance with her. Soon, the trio witness the onset of a new threat to the galaxy: The Clone Wars.
While the previous film made money, Lucas was hesitant in returning as a writer following the mixed reception. While he eventually wrote many drafts, he brought on Jonathan Hales, who had written several episodes of The Young Indiana Jones Chronicles for him, but had limited experience writing theatrical films. The final script was completed just three days before the start of principal photography. The film's working title was Jar Jar's Great Adventure.
Because of Lucas' method of creating shots through various departments and sources that are sometimes miles and years apart from each other, Attack of the Clones became the first film ever to be produced through what Rick McCallum called "virtual filmmaking". Back at Fox Studios, the stages from McGregor's other film Moulin Rouge! were reused during filming. While filming his scenes, Christensen would sometimes make lightsaber noises from his mouth, which caused Lucas to stop filming and tell Christensen "Hayden, that looks really great, but I can see your mouth moving. You don't have to do that, we add the sound effects in afterward."
As one of his requests, Samuel L. Jackson asked Lucas to give him his own personal lightsaber. He didn't want a red, green or blue lightsaber. He wanted a lightsaber based on his favorite color, purple, because he was "the second baddest Jedi in the universe" and so he could find himself among the many Jedi featured in the Battle of Geonosis scene.
While it didn't replicate the hype from the predecessor, it was nonetheless a huge hit. It opened on a Thursday with $30 million, which was the biggest Thursday debut in history. It had a $80 million opening weekend ($110 million four-day), which was a bigger start than the previous film. It didn't hold as well as that film, but it still hit $310 million domestically and $656 million worldwide. Adjusted for inflation, it remains the lowest grossing film in the Skywalker Saga domestically. There were plans for the film to be re-released in September 2013 with 3D, but it was shelved when Lucasfilm was acquired by Disney.
Like the original, it drew very mixed reviews. While no one could say they were disappointed here after watching The Phantom Menace, this film was still panned for its dialogue and acting. In subsequent years, it has ranked among the worst Star Wars films. The only reason why it's not an easy worst, is because there's discontent with The Rise of Skywalker, but that's something for another day. Whatever it is, Lucas was clearly not living up to his full potential.
  • Budget: $115,000,000.
  • Domestic gross: $310,676,740. ($500 million adjusted)
  • Worldwide gross: $656,695,615.

Star Wars: Episode III – Revenge of the Sith (2005)

"The saga is complete."
His sixth and final film. The sequel to Attack of the Clones, it is the sixth film in the franchise and third and final film in the prequel trilogy. It stars Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Samuel L. Jackson, Christopher Lee, Anthony Daniels, Kenny Baker, and Frank Oz. Set three years after the onset of the Clone Wars, the Jedi are spread across the galaxy in a full-scale war against the Separatists. The Jedi Council dispatches Jedi Master Obi-Wan Kenobi on a mission to defeat General Grievous, the head of the Separatist army and Count Dooku's former apprentice, to put an end to the war. Meanwhile, after having visions of his wife Padmé Amidala dying in childbirth, Jedi Knight Anakin Skywalker is tasked by the Council to spy on Palpatine, the Supreme Chancellor of the Galactic Republic and, secretly, a Sith Lord. Palpatine manipulates Anakin into turning to the dark side of the Force and becoming his apprentice, Darth Vader, with wide-ranging consequences for the galaxy.
Lucas began working on the screenplay for Episode III before the previous film was released, proposing to concept artists that the film would open with a montage of seven battles on seven planets. It is said that Lucas found flaws with Anakin's fall to the dark side and radically reorganized the plot. For example, instead of opening the film with a montage of Clone War battles, Lucas decided to focus on Anakin, ending the first act with him killing Count Dooku, an action that signals his turn to the dark side. The title is a reference to Revenge of the Jedi, the original title of Return of the Jedi; Lucas changed the title scant weeks before the premiere of Return of the Jedi, declaring that a true Jedi could never seek revenge.
Lucas had originally planned to include even more ties to the original trilogy, and wrote early drafts of the script in which a 10-year-old Han Solo appeared on Kashyyyk, but the role was not cast or shot. He also wrote a scene in which Palpatine reveals to Anakin that he created him from midichlorians, and is thus his "father", a clear parallel to Vader's revelation to Luke in The Empire Strikes Back, but Lucas ejected this scene as well. Another planned scene by Lucas that was written during the early development of the film was a conversation between Master Yoda and the ghostly Qui-Gon Jinn, with Liam Neeson reprising his role as Jinn (he also hinted his possible appearance in the film). However, the scene was never filmed and Neeson was never recorded.
The film was sold as the final chapter in the saga, and it was also the first film in the franchise to receive a PG-13 rating. It opened on a Thursday with a massive $50 million, which was the biggest Thursday debut ever (a record it still maintains). It debuted with a $108 million weekend ($158 million four-day). It didn't hold as well, due to a more stacked summer, but it still earned $380 million domestically and $868 million worldwide, ranking as one of the biggest films ever. There were plans for the film to be re-released in October 2013 with 3D, but it was shelved when Lucasfilm was acquired by Disney.
While the trilogy received mixed reviews at best, Revenge of the Sith was generally well received, mostly as it was more focused in story and tone. But there was still disdain towards the writing and acting, especially Hayden Christensen's performance.
After its release, Lucas was presented with the 33rd American Film Institute Lifetime Achievement Award. The institute honored his "astonishing contributions to the art and technology of filmmaking, as well as the impact of the epic Star Wars series". This was his last major involvement with a theatrical Star Wars film before selling Lucasfilm to Disney.
  • Budget: $113,000,000.
  • Domestic gross: $380,270,577. ($555.8 million adjusted)
  • Worldwide gross: $868,390,560.

The Future

In 2012, Lucas said he would retire from blockbuster filmmaking, wishing to focus on smaller, independently budgeted features. But since then, he has not directed anything. He's pretty much retired.

Other Projects

Another big franchise he helped conceive was Indiana Jones. For more details on that one, check the post on Steven Spielberg.
Through Lucasfilm, he has served as an executive producer on many films, including Willow, Labyrinth, Howard the Duck, Mishima: A Life in Four Chapters, The Land Before Time, etc.
In television, he created the short-lived The Young Indiana Jones Chronicles.
He also appeared in many other projects, including Hook, Beverly Hills Cop III, Men in Black, The O.C., Just Shoot Me! and Robot Chicken.

MOVIES (FROM HIGHEST GROSSING TO LEAST GROSSING)

No. Movie Year Studio Domestic Total Overseas Total Worldwide Total Budget
1 Star Wars: Episode I – The Phantom Menace 1999 Fox $474,544,677 $552,500,000 $1,027,044,677 $115M
2 Star Wars: Episode III – Revenge of the Sith 2005 Fox $380,270,577 $488,119,983 $868,390,560 $113M
3 Star Wars 1977 Fox $460,998,007 $314,400,000 $775,398,007 $11M
4 Star Wars: Episode II – Attack of the Clones 2002 Fox $310,676,740 $346,018,875 $656,695,615 $115M
5 American Graffiti 1973 Universal $115,557,835 $25,000,000 $140,557,835 $777K
6 THX 1138 1971 Warner Bros. $2,437,000 $0 $2,437,000 $777K
Across those 6 films, he has made $3,470,523,694 worldwide. That's $578,420,615 per movie.

The Verdict

Insanely reliable.
Lucas is definitely one of the most iconic directors in the history of cinema. You don't even have to like Star Wars to admit it. Other than his first film (which didn't lose a lot), the rest of his films all massively exceeded their budgets. He knew what the audience wanted (sort of) and changed the landscape of what was possible with blockbusters. Unlike a lot of directors, he is the quintessential element of that success. No Lucas, no Star Wars. It's that easy.
The real question should be if he could've done more as a director. While there's potential in that he could've expanded into more films, you have to think of the challenges as a director. Lucas himself says so, that he was exhausted and very stressed. The fact that the prequels were the laughing stock of Internet for years didn't help him either. And he clearly decided not to deal with any of that anymore, as he's practically retired. A few small contributions to the Star Wars franchise in recent years, but that's it. And that's fine. He already influenced cinema as we know it, he doesn't have to prove anything again.
Hope you liked this edition. You can find this and more in the wiki for this section.
The next director will be Joel Schumacher. Timely, considering we just covered Tim Burton last week.
I asked you to choose who else should be in the run and the comment with the most upvotes would be chosen. With the requirement that, as the post would be written the day after International Women's Day, it should be a female director. Well, we'll later talk about... Kathryn Bigelow. A very important filmmaker, so it's surprising that she hasn't directed a film since 2016.
This is the schedule for the following four:
Week Director Reasoning
February 12-18 Joel Schumacher What killed the dinosaurs?
February 19-25 Joel & Ethan Coen You see what happens when you find a stranger in the Alps!
February 26-March 3 Bryan Singer A tough one to write.
March 4-10 Kathryn Bigelow Any Strange Days fan here? Hello?
For the following week, the intended post would be Christopher Nolan, as I previously mentioned. But I'm still debating on this one. I said I would make the post until Oppenheimer ends its run, and not only is it still playing in theaters, but it will get multiple re-releases in North America and China in March, as well as finally opening in Japan on March 29.
I'm asking because what if... just what if... those grosses are big enough that it would finally hit $1 billion? Then the post would look foolish for not having the film hitting that milestone. Of course, it could totally flop in all this and miss the mark.
Besides, as the film is practically a frontrunner to win big at the Oscars, including Best Picture, it could see a boost in the coming weeks. Last year, Everything Everywhere All At Once added $26 million after winning Best Picture, and that was almost one year after it opened. Oppenheimer only needs $42 million to hit the billion milestone.
So enlighten me. What should be the choice. Do you want Nolan's post for March 16? Or do you prefer in having it delayed by one, maybe two months just in case it could finally hit the milestone? And if the choice is not Nolan, then who should be next after Bigelow?
submitted by SanderSo47 to boxoffice [link] [comments]


2024.01.31 04:59 snoweric The Theory of Evolution Is Bad Philosophy, Not Good Science

Let's examine why the theory of evolution isn't true in some detail from a philosophical and scientific viewpoint, for those interested in grinding through some of the details involved.
Modern Western Civilization’s most important myth, or unproven collective belief, is the theory of evolution. Seemingly dressed up in the authoritative attire of objectively proven biological science, evolution’s presumed truth presides over the thinking of most of the West’s political, academic, media, and even religious worlds. Darwinism is the leading reason why modern man believes he is the accidental product of blind, purposeless material forces, not the special creation of a loving, almighty God. Declaring itself to be scientifically true, Darwinism is actually based on bad philosophy, not good science. The robe of evolution’s claims to being a scientific fact, not a philosophical myth, is stripped off below.
Using unacknowledged philosophical assumptions, evolutionists frequently assert that their theory is a “fact,” or an easily verified, objectively true statement. The famous theorist of evolution, Stephen Jay Gould, once reasoned: “Facts are the world’s data. Theories are structures of ideas that explain and interpret facts. Facts do not go away while scientists debate rival theories for explaining them. . . . And human beings evolved from ape-like ancestors whether they did so by Darwin’s proposed mechanism or by some other, yet to be identified.”[1] No evolutionist, however, lived millions of years ago to witness this alleged set of events take place. After all, purported developments such as the first cell’s spontaneous generation are unrepeatable, unique past events that cannot be subjected to future further experimental investigation.[2] Evolutionists suppose their theory is a “fact” because they philosophically rule out in advance special creation as impossible or “unscientific.” In order to pull this off, they use a philosophically rigged definition of “science.”[3] They covertly equate “naturalism” or “materialism” with “science.” To them, evolution must be a fact since neither the supernatural nor God exists. Without having actually observed macroevolution or special creation, they are certain the former happened, and equally certain the latter did not. Because they liken “science” to the “systematic study of physically sensed forces,” Darwinism is virtually true by definition. Then when informed critics attack macroevolution’s grand claims on empirical grounds, evolutionists dismiss any anomalous evidence by labeling belief in a Creator or any miracles as “unscientific.” Obviously, if “God” is ruled out in advance while setting up the premises of scientific reasoning, “God” could never be in any conclusion. But this is a matter of free philosophical choice before experience, not compelling scientific results after experience.
In addition, Gould’s statement overlooks science’s core function, which requires it to provide explanations of the “efficient cause” or “how” something happened, including the purported mechanism for evolution. By contrast, so long as written revelation’s details do not deal with the “how,” religious explanations primarily account for the “final cause” or “why” an event took place. So why should anyone believe in the “fact” of evolution if science cannot give specific reasons about “how” it occurred? Then Darwinism is no more empirical (i.e., based on data from the senses) than any ancient pagan creation myth.
Scientific knowledge is based upon reasoning using direct observations. By contrast, historical knowledge, which is derived by interpreting old written records, is a sharply different method for knowing something. For example, the theory of gravity can be tested immediately by dropping apples and measuring how fast they fall. But the natural evolution of fundamentally different kinds of plants and animals has never been observed scientifically at a level higher than the “species” classification.[4] Macroevolution, or large-scale natural biological changes, cannot be tested directly in a laboratory or witnessed clearly in the wild. Belief in macroevolution is a matter of historical reasoning and presumptuous extrapolation, not scientific observation and personal experience.
Now another philosophical prop behind the reasoning of evolutionists should be kicked down. Often evolutionists conceitedly criticize perceived flaws in the structure, number, geography, and/or inter-relationship of plants and animals in order to claim God could not have created them. For example, the philosopher Philip Kitcher argued the panda’s “thumb,” used for stripping bamboo shoots before eating them, is a clumsy, inefficient design: “It does not work well. Any competent engineer who wanted to design a giant panda could have done better.”[5] First of all in response, evolutionists have a hard time proving a specific anatomical structure is really “poor” (i.e., unambiguously hinders survival). For example, does a male cricket’s chirp help its species to survive? Chirping gives away its position to both prospective mates and potential predators.[6] The only “hard” evidence that the “fittest” organism survives to leave the most offspring is (well) it is an organism that leaves the most offspring. Such a “tautology,” or repetitious statement, explains nothing specifically about how mono-cells became men.[7] Second, evolutionists fail to realize that they are philosophers, not scientists, when making these kinds of arguments. For if it is “unscientific” to conclude that a particular complex wonder of nature proves God’s existence, it is equally philosophical to argue purported defects in nature disprove God’s creative power. The Apostle Paul taught that the existence and design of the universe confirm God’s existence and characteristics (Romans 1:20, NASB): “For since the creation of the world His invisible attributes, His eternal power and divine nature, have been clearly seen, being understood through what has been made, so that they are without excuse.” Theologians call this kind of reasoning “natural theology,” since it avoids using the Bible (i.e., written revelation) in order to find out truths about God. Evolutionists are engaged in negative natural theology, not empirical scientific research, when skeptically complaining about “nature’s defects.” They are philosophizing in order to support materialism under the cover of “science.” Third, they mistakenly believed certain natural organs and structures were “defective” and “unnecessary” before further scientific research revealed their value and importance. For instance, by the year 1900 evolutionists had drawn up a list of around 180 vestigial organs in the human body. Today, all these supposedly “useless” organs, even the appendix and the tailbone, are medically known to have a helpful function.[8] Ironically, the theory of evolution’s belief in these supposedly unneeded organs retarded medical research about their actual functions, thus showing by actual experience how scientifically dysfunctional this theory is.
Many evolutionists, seeing all the pain, cruelty, and death in nature, also complain about God’s allowing so much evil. Charles Darwin himself denied that “a beneficent and omnipotent God would have designedly created . . . the cat [to] play with mice.”[9] Here Darwin wrote as a disbelieving theologian, not an empirical scientist. From what field study’s investigation could have the following reasoning emerged? “Evolution is true because a good, almighty God never would have made nature full of suffering.” Because the problem of evil in nature drives so much of the emotional rationalizing that justifies faith in evolution as a replacement for faith in God, their complaints still deserve a detailed response. First of all, suffering in the natural world is a temporary intruder, not a permanent resident, before Christ returns (Romans 8:18-22). The Bible prophesies that animal predation is only a passing condition of the world, not the original intent of God (Isaiah 11:6-7), “The wolf also shall dwell with the lamb, the leopard shall lie down with the young goat . . . the lion shall eat straw like the ox.” Second, this world’s evils resulted originally from the free choices of people and angels who should have chosen more wisely. Satan’s great revolt (Genesis 1:2; Isaiah 14:12-15), Adam and Eve’s sin (Genesis 3:17-18), and God’s great flood for punishing humanity’s sins (Genesis 6:5-17) all combined to damage terribly the physical world’s environment. As a result, nobody should look out at nature today, and then believe the Creator originally planned to leave it as it is today. Third, people should humbly admit how much greater God’s knowledge is than mankind’s own. Evolutionists fail to perceive that the “improvements” that could be done to natural structures if they were God may result in unanticipated, unintended consequences. For instance, a larger brain size for men and women sounds great until it is realized that babies with larger skulls pose bigger problems for mothers giving birth. Like Job, the evolutionists ignorantly question the Creator’s wisdom and righteousness. In principle, God replies to them (Job 38:2), “Who is this who darkens counsel by words without knowledge?” Finally, if evolutionists do not believe in moral absolutes, they cannot criticize God for allowing evil into the world. For if moral relativism is true, then evil does not exist. Most serious evolutionists are atheists and agnostics who deny objective values or moral commands that are true in all places at all times. Ironically, only moral absolutists, who are a rare breed among unbelievers, can use the problem of evil to deny God’s existence. After all, if you do not believe in evil, you cannot condemn God for permitting it![10] So in general, evolutionists should ask scientific questions instead of questioning God’s motives if they are to be regarded as scientists instead of as philosophers. Blasphemy should not be misidentified with scientific reasoning.[11]
Evolutionists make a prime analytical error when they extrapolate from small biological changes within species or genera (related groupings of species) to draw sweeping conclusions about how single cell organisms became human beings after so many geological eras go by. In short, it is illegitimate to infer from microevolution that macroevolution actually happened. Just because some biological change occurs is not enough to prove that biological change has no limits.[12] As law professor Phillip Johnson comments (“Defeating Darwinism,” p. 94), evolutionists “think that finch-beak variation illustrates the process that created birds in the first place.” Despite appearing repeatedly in textbooks for decades, does the case of peppered moths evolving from a lighter to darker variety on average really prove anything about macroevolution? Even assuming that the researchers in question did not fudge the data, the moths still were the same species, and both varieties had already lived naturally in the wild.[13] Darwin himself leaned heavily upon artificial breeding of animals, such as pigeons and dogs, in order to argue for his theory. Ironically, because intelligent purpose guides the selective breeding of farm animals for humanly desired characteristics, it is a poor analogy for an unguided, blind natural process that supposedly overcomes all built-in barriers to biological variation. After all the lab experiments and selective breeding, fruit flies and cats still remained just fruit flies and cats. They did not even become other genera despite human interventions can apply selective pressure to choose certain characteristics in order to produce changes much more quickly than nature does. As Johnson explains, dogs cannot be bred to become as big as elephants, or even be transformed into elephants, because they lack the genetic capacity to be so transformed, not from the lack of time for breeding them.[14] To illustrate, between 1800 and 1878, the French successfully raised the sugar content of beets from 6% to 17%. But then they hit a wall; no further improvements took place. Similarly, one experimenter artificially selected and bred fruit flies in order to reduce the number of bristles on their bodies. After 20 generations, the bristle count could not be lowered further.[15]Clear empirical evidence demonstrates that plants and animals have intrinsic natural limits to biological change. The evolutionists’ grand claims about bacteria’s becoming men after enough eons have passed are merely speculative fantasies.
Normally evolutionists assert that small mutations, natural selection, and millions of years combined together to slowly develop complicated biological structures and processes. This theory is called “neo-Darwinism.” But gradual evolution can never convincingly leap the hurdle termed “irreducible complexity” by Michael Behe, a professor of biochemistry. Basically, all the related parts of an entirely new and complete anatomical structure, such as the eyes of humans or the wings of birds, would have to mutate at once together to have any value. Even Darwin himself once confessed, “the eye to this day gives me a cold shudder.” He remained uncomfortable about explaining the human eye’s origins by the gradual processes of natural selection alone.[16] In order to function, these structures must be perfect, or else they will be perfectly useless. Even Stephen Jay Gould, an ardent evolutionist who questioned gradual evolution, once asked: “Of what possible use are imperfect incipient stages of useful structures? What good is half a jaw or half a wing?”[17] Partially built structures resulting from minor mutations will not help a plant or animal to survive. In order to explain the problem with gradual evolution developing intricate organs, Behe makes an ingenious analogy between a mousetrap and an organ’s successful functioning. In order for a snap mousetrap to work, all five parts (the spring, hammer, holding bar, catch, and platform) must be present together and connected properly. If even one part is missing, unconnected, or broken, the rest of mousetrap is completely worthless for catching mice.[18] In light of this analogy, consider how slight flaws in the immensely complicated hemoglobin molecule, which carries oxygen in the bloodstream, can cause deadly blood diseases. Sickle cell anemia and hemophilia, which can easily cause its sufferers to bleed to death when their blood fails to clot properly, are two key examples.[19] Therefore, either an incredibly unlikely chance set of mutations at once created the whole hemoglobin molecule, or God created it. The broad, deep canyon of functioning complex organs cannot be leaped over by the baby steps of microevolution’s mutations.[20] Indeed, if the time-honored biologists’ saying “nature makes no jumps” is historically true, then complex biological designs prove God’s existence.
Now the reason why mutations were so unlikely to produce such complex structures deserves more specific attention. In the time and space available in earth’s history, useful mutations could not have happened often enough to produce fundamentally different types of plants and animals. Time cannot be the hero of the plot for evolutionists when even many billions of years are insufficient. But this can only be known when the mathematical probabilities involved are carefully quantified, which is crucial to all scientific observations. That is, specific mathematical equations describing what scientists observed need to be set up in order to describe how likely or unlikely this or that event was. But so long as evolutionists tell a general “just-so” story without specific mathematical descriptions, much like the ancient pagan creation myths retold over the generations, many listeners will find their tale persuasive. For example, upon the first recounting, listeners may find it plausible to believe the evolutionists’ story about the first living cell arising by random chance out of a “chemical soup” in the world’s oceans. But after specific mathematical calculations are applied to their claim, it is plainly absurd to believe in spontaneous generation, which says life comes from non-living materials. The astronomers Fred Hoyle and Chandra Wickramasinghe once figured out that even the most simple single cell organism had to have 2,000 enzymes.[21] These organic catalysts help to speed up chemical reactions within a cell so it can live. The chance of these all occurring together was a mere 1 out of 1040,000. That is equal to one followed by 40,000 zeros, which would require about five pages of this magazine to print. By contrast, using the largest earth-based telescopes, the number of atoms in the observable universe is around 1080. [22] At one academic conference of mathematicians, engineers, and biologists entitled, “Mathematical Challenges to the Neo-Darwinian Interpretation of Evolution,” (published 1967) these kinds of probabilities were applied to evolutionary claims.[23] One professor of electrical engineering at the conference, Murray Eden, calculated that even if a common species of bacteria received five billion years and placed an inch thick on the earth, it couldn’t create by accident a pair of genes. Many other specific estimates like these could easily be devised to test the truthfulness of Darwinism, including the likelihood of various transitional forms of plants and animals being formed by chance mutations and natural selection.
Furthermore, even bad mutations themselves only rarely happen. One standard estimate puts it at one in a hundred million to one in a billion per base pairs of the DNA molecule.[24] As a result, the possibility is very low for a truly good mutation’s occurrence that is helpful under all or most survival conditions. For example, the gene that causes sickle cell anemia is somewhat helpful in climates where malaria is common, but it is serious genetic defect everywhere else.
At this point, knowing how unlikely even seemingly simple biological structures could arise by chance, many evolutionists will resort to yet more philosophical dodges. For example, they might assert that the universe is infinitely large and infinitely old. So then enough time and space for anything to happen by chance would exist, even for life itself. Of course, they have no observational proof for their philosophical assertion. Furthermore, their claim clashes with the big bang theory, which presently dominates astronomers’ explanations about the universe’s origin. This theory often has estimated that the universe is somewhere around 12 to 14 billion years old and has said it is still expanding.[25] If the universe had a beginning and is still getting bigger, it cannot be eternal in age and infinite in size.
Evolutionists may declare that their Christian opponents only believe in a “God of the gaps.” But do Christians only believe God created what cannot be now naturally explained? And as scientific knowledge advances, will their belief in what God did miraculously by His creative power correspondingly shrink? In actuality, the gaps in scientific knowledge have been getting much larger, not smaller. As more is discovered, more is known to be unknown. For instance, after over 150 years of intensive searching, very few, if any, transitional forms have ever been found between fundamentally different types of plants and animals.[26] Even the ardent evolutionist Stephen Jay Gould admitted, “The extreme rarity of transitional forms in the fossil record persists as the trade secret of paleontology.”[27] Along with Niles Eldredge, Gould even dismissed the well-known purported reptile/bird transitional form archaeopteryx as a “curious mosaic” that didn’t count. After all, after carefully evaluating its anatomy, it is clearly a bird with a few unusual characteristics, not a “half-bird/half-dinosaur.” [28] Back in 1859, Darwin himself used the excuse that the “extreme imperfection of the geological record” resorted from a lack of research, but that explanation wears very thin nowadays. For example, of the 329 living families of animals with backbones, nearly 80% have been found as fossils. [29] Furthermore, when Victorian scientists accepted Darwin’s theory almost wholesale, they hardly knew anything about how complex single cell organisms were. Behe notes that after World War II scientists who used newly developed electron microscopes found out how much more complex bacteria were than when they had seen them before under the older light microscopes.[30]
As the knowledge of biochemistry has increased, such as about DNA and protein, the difficulties of explaining the origins of such complex structures by random chance increased correspondingly. The gaps that evolutionists have to account for have grown larger and larger, not smaller and smaller. The faith that they need in their paradigm has ironically grown greater as scientific research has turned up increasing numbers of anomalies that need to be explained away. They distract others from realizing the flaws with their theory by attacking Christians who account for nature’s miraculous origins by God’s power by asserting that is not a “scientific” explanation. If evolutionists claim that they wish to explain as much as possible without resorting to God as the answer, that is a philosophical claim about the nature of knowledge, not scientific work itself.[31] To assert, “natural processes can always be explained materialistically,” requires unbounded blind faith. In general, Darwinists have not realized a crucial principle: “Nature cannot always explain nature.” The complexity of the information encoded in biological processes cannot be explained by any slowly developing natural process itself. Therefore, in order for living things to have orderly design, they needed a still greater Creator with an orderly mind to cause them to exist.
As shown above, the theory of evolution is based on philosophical assumptions, not scientific evidence. Although evolutionists will intellectually intimidate their critics into silence by commanding all the prestige of modern science that they can muster, their theory is like a mighty fortress built upon conceptual quicksand. They claim the evils of the natural world prove that no God exists, but as moral relativists, they contradict themselves by generally asserting that evil does not exist either. They also define “science” in materialistic terms so that any supernatural explanations of nature have to be rejected in advance for philosophical reasons only. But above all, the Darwinists irrationally attempt to explain nature’s complex designs by random natural processes alone. Although Paul was describing how ancient pagans rejected the true God, his words fit equally well the Western scientists who rejected God as the Creator over the past two centuries (Romans 1:21-22): “Although they knew God, they did not glorify Him as God, nor were thankful, but became futile in their thoughts, and their foolish hearts were darkened. Professing to be wise, they became fools.” May we reject the theory of evolution’s false declaration that our lives have no meaning when the God of the Bible will fill them with true purpose!
[1] Stephen Jay Gould, “Evolution as Fact and Theory,” Hen’s Teeth and Horse’s Toes, as quoted in Philip Johnson, Darwin on Trial (Downers Grove, IL: InterVarsity Press, 1991), pp. 66-67.
[2] Michael Denton, Evolution: A Theory in Crisis (Bethesda, MD: Adler & Adler, Publishers, 1986), p. 75.
[3] Phillip E. Johnson, Defeating Darwinism by Opening Minds (Downers Grove, IL: InterVarsity Press, 1997), pp. 43-44.
[4] Frank Lewis Marsh, Evolution or Special Creation? (Washington, DC: Review and Herald, 1963), pp. 12-13, 42, discusses a number of arbitrarily scientifically labeled, even created, “species” of animals and plants that are still inter-fertile. Henry Morris, The Biblical Basis of Modern Science (Grand Rapids, MI: 1984), p. 374, believes that the “family” level roughly corresponds with the basic created Genesis “type.”
[5] Philip Kitcher, Abusing Science: The Case Against Creationism (Cambridge, MA: MIT Press, 1982), p. 139, as quoted by Duane T. Gish, Creation Scientists Answer Their Critics (El Cajon, CA: Institute for Creation Research, 1993), p. 226.
[6]http://www.psu.edu/.../naturetrail/speciespages/cricket.htm
[7] Johnson, Darwin on Trial, pp. 20-22.
[8] Jerry Bergman and George Howe, “Vestigial Organs” Are Fully Functional (St. Joseph, MO: Creation Research Society Books, 1990), p. x; Gish, Creation Scientists Answer Their Critics, p. 219.
[9] Letter to Asa Gray in 1860, as quoted in Greene, Science, Ideology and World View, p. 138, as quoted in Hunter, Darwin’s God, p. 140; see also pp. 17-18.
[10] Hunter, Darwin’s God, p. 154.
[11] Citing Phillip Johnson, Darwin on Trial, Hunter, Darwin’s God, p. 155.
[12] Denton, Evolution: A Theory in Crisis, p. 87.
[13] Henry M. Morris, “Evolutionists and the Moth Myth,” Back to Genesis, August 2003, pp. a-d; Denton, Evolution: A Theory in Crisis, pp. 79-80.
[14] See Johnson, Defeating Darwinism by Opening Minds, p. 44; Darwin on Trial, pp. 17-18.
[15] Examples taken from Duane Gish, Evolution: The Challenge of the Fossil Record (El Cajon, CA: Master Books, 1985), pp. 33-34.
[16] As quoted in Bird, The Origin of Species Revisited, p. 73.
[17] Stephen Jay Gould, “Return of the Hopeful Monsters,” Natural History 86(6), as quoted by Dwayne Gish, Evolution: The Challenge of the Fossil Record (El Cajon, CA: Creation-Life Publishers, 1985), p. 236.
[18] Michael J. Behe, Darwin’s Black Box (New York: The Free Press, 2003), pp. 39-45; see also pp. 111-112).
[19] W.R. Bird, The Origin of Species Revisited The Theories of Evolution and of Abrupt Appearance (Nashville, TN: Thomas Nelson, Inc., 1991), pp. 74, 81; Denton, Evolution: A Theory in Crisis, p. 267; http://www.chemguide.co.uk/organicprops/aminoacids/dna6.html; http://www.pathlights.com/ce.../Encyclopedia/20hist12.htm; http://www.occc.edu/.../Doc.../Real/Gene_Mutation_script.htm
[20] See Behe, Darwin’s Black Box, pp. 13-14.
[21] Fred Hoyle and Chandra Wickramasinghe, Evolution from Space (London: J.M. Dent & Sons, 1981), p. 24.
[22]http://wiki.answers.com/.../How_many_atoms_are_in_the...
[23] See Denton, Evolution: A Theory in Crisis, p. 314; http://www.pathlights.com/ce.../Encyclopedia/20hist12.htm
[24] Denton, Evolution: A Theory in Crisis, p. 267.
[25]http://map.gsfc.nasa.gov/universe/uni_age.html
[26] Denton, Evolution: A Theory in Crisis, pp. 345-346.
[27] Gould, “Evolution’s Erratic Pace,” Natural History, May 1977, pp. 12, 14, as quoted in Bird, The Origin of Species Revisited, vol. 1, p. 58.
[28]Paleobiology, 3:147 (1977), as quoted by Gish, Evolution: The Challenge of the Fossil Record, p. 115; see generally pp. 110-117.
[29] Denton, Evolution: A Theory in Crisis, pp. 189, 191.
[30] Behe, Darwin’s Black Box, p. 10; See also p. x.
[31] Ibid., pp. 238-239.
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2023.04.01 19:37 ThePoliticalLibrary Books about workers, labor, the lower-classes, and left-wing politics in the United States and Canada (Books that are free to borrow and read online on the Internet Archive): Part 2

Disclaimer: The Internet Archive is currently undergoing litigation to determine the legality of its book lending program that is being challenged by major publishers. Impending legal action may render this list obsolete for the purpose of borrowing these books from the Internet Archive. To learn more, search up Hachette v. Internet Archive.
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The format of this list previously took the form of a post with a chain of comments continuing the list due to character limits. This list is now divided into separate posts (which I believe would be easier to update and search) indicated as Part 1, Part 2, and so on.
The lending library of the Internet Archive allows you to renew your checkout immediately after the time for borrowing has elapsed, whether it's borrowable for 1 hour or 14 days. This selection of books will be updated. I recommend to those interested to check this post once a week for updates.
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Part 1: /Social_Democracy/comments/128sx7n/books_about_workers_labor_the_lowerclasses_and/
Part 2: You are here.
Part 3: /Social_Democracy/comments/128t4wz/books_about_workers_labor_the_lowerclasses_and/
Morris Hillquit (author) - History of Socialism in the United States (Fifth Revised and Enlarged Edition; 1910) https://archive.org/details/historyofsociali00hilluoft (Public domain)
Morris Hillquit (author) - Loose Leaves from a Busy Life (1934) https://archive.org/details/looseleavesfromb0000unse_x3v1 (Borrowable for 14 days)
Hugh D. Hindman - Child Labor: An American History (2002) https://archive.org/details/childlaborameric0000hind (Borrowable for 14 days)
John Hinshaw, Paul Le Blanc - U.S. Labor in the Twentieth Century: Studies in Working-Class Struggles and Insurgency (2000) https://archive.org/details/isbn_9781573928656 (Borrowable for 14 days)
Susan Eleanor Hirsch (author) - After the Strike: A Century of Labor Struggle at Pullman (2003) https://archive.org/details/afterstrikecentu0000hirs (Borrowable for 14 days)
Dirk Hoerder - "Struggle a Hard Battle": Essays on Working-Class Immigrants (1986) https://archive.org/details/strugglehardbatt00hoer (Borrowable for 14 days)
Michael K. Honey - Southern Labor and Black Civil Rights: Organizing Memphis Workers (1993) https://archive.org/details/southernlaborbla0000hone (Borrowable for 14 days)
Michael Keith Honey - Black Workers Remember: An Oral History of Segregation, Unionism, and the Freedom Struggle (1999) https://archive.org/details/blackworkersreme0000hone (Borrowable for 14 days)
Michael K. Honey (author) - Going Down Jericho Road: The Memphis Strike, Martin Luther King's Last Campaign (2007) https://archive.org/details/goingdownjericho0000hone (Borrowable for 14 days)
Roger Horowitz (author) - "Negro and White, Unite and Fight!": A Social History of Industrial Unionism in Meatpacking, 1930-90 (1997) https://archive.org/details/negrowhiteunitef0000horo (Borrowable for 1 hour)
Victor Howard - "We Were the Salt of the Earth!": A Narrative of the On-to-Ottawa Trek and the Regina Riot (1985) https://archive.org/details/weweresaltofeart0000howa (Borrowable for 14 days)
Hosea Hudson - Black Worker in the Deep South: A Personal Record (1991) https://archive.org/details/blackworkerindee00huds (Borrowable for 14 days)
Horace Huntley, David Montgomery (editors) - Black Workers' Struggle for Equality in Birmingham (2004) https://archive.org/details/blackworkersstru0000unse (Borrowable for 14 days)
Janet Irons (author) - Testing the New Deal: The General Textile Strike of 1934 in the American South (2000) https://archive.org/details/testingnewdealge0000iron (Borrowable for 14 days)
Andrew Jackson, Mark P. Thomas (authors) - Work and Labour in Canada: Critical Issues (2017) https://archive.org/details/worklabourincana0000jack_v6d1 (Borrowable for 1 hour)
Stuart Marshall Jamieson - Labor Unionism in American Agriculture (1945) https://fraser.stlouisfed.org/title/labor-unionism-american-agriculture-4306 (Public domain)
Vernon H. Jensen - Heritage of Conflict: Labor Relations in the Nonferrous Metals Industry up to 1930 (1950) https://archive.org/details/heritageofconfli0000jens (Borrowable for 1 hour)
Edward P. Johanningsmeier - Forging American Communism: The Life of William Z. Foster (1994) https://archive.org/details/forgingamericanc0000joha (Borrowable for 14 days)
Bernard K. Johnpoll - Pacifist's Progress: Norman Thomas and the Decline of American Socialism (1970) https://archive.org/details/pacifistsprogres0000unse (Borrowable for 14 days)
Bernard K. Johnpoll, Lillian Johnpoll - The Impossible Dream: The Rise and Demise of the American Left (1981) https://archive.org/details/impossibledreamr0000john (Borrowable for 14 days)
Bernard K. Johnpoll, Harvey Klehr - Biographical Dictionary of the American Left (1986) https://archive.org/details/biographicaldict0000unse_o7r7 (Borrowable for 14 days)
Christopher H. Johnson - Maurice Sugar: Law, Labor, and the Left in Detroit, 1912-1950 (1988) https://archive.org/details/mauricesugarlawl0000john (Borrowable for 14 days)
Jennifer Johnson (author) - Getting By on the Minimum: The Lives of Working-Class Women (2002) https://archive.org/details/gettingbyonminim0000john (Borrowable for 14 days)
Mother Jones - Autobiography of Mother Jones (1925) https://archive.org/details/autobiographyofm00jone (Public domain)
Matthew Josephson - Sidney Hillman: Statesman of American Labor (1952) https://archive.org/details/sidneyhillmansta00jose (Borrowable for 1 hour)
Maurice Jourdane - The Struggle for the Health and Legal Protection of Farm Workers: El Cortico (2004) https://archive.org/details/struggleforhealt0000jour (Borrowable for 1 hour)
Max M. Kampelman - The Communist Party vs. the C.I.O.: A Study in Power Politics (1957) https://archive.org/details/communistpartyvs0000kamp (Borrowable for 14 days)
Marc Karson - American Labor Unions and Politics, 1900-1918 (1958) https://archive.org/details/americanlaboruni0001kars (Borrowable for 1 hour)
Daniel Katz - All Together Different: Yiddish Socialists, Garment Workers, and the Labor Roots of Multiculturalism (2011) https://archive.org/details/alltogetherdiffe0000katz (Borrowable for 14 days)
Daniel Katz, Richard A. Greenwald (editors) - Labor Rising: The Past and Future of Working People in America (2012) https://archive.org/details/laborrisingpastf00gree_0 (Borrowable for 14 days)
Stuart Bruce Kaufman - Samuel Gompers and the Origins of the American Federation of Labor, 1848-1896 (1973) https://archive.org/details/samuelgompersori0000kauf (Borrowable for 14 days)
Stuart Bruce Kaufman - A Vision of Unity: The History of the Bakery and Confectionery Workers International Union (1986) https://archive.org/details/visionofunityhis0000kauf (Borrowable for 14 days)
Stuart Bruce Kaufman - Challenge & Change: The History of the Tobacco Workers International Union (1986) https://archive.org/details/challengechangeh0000kauf (Borrowable for 14 days)
Stuart B. Kaufman - The Samuel Gompers Papers: Volume 1: The Making of a Union Leader, 1850-86 (1986) https://archive.org/details/samuelgomperspap0000unse_b1a3 (Borrowable for 1 hour)
Stuart B. Kaufman - The Samuel Gompers Papers: Volume 2: The Early Years of the American Federation of Labor, 1887-90 (1987) https://archive.org/details/samuelgomperspap0002unse (Borrowable for 1 hour)
Stuart B. Kaufman, Peter J. Albert - The Samuel Gompers Papers: Volume 3: Unrest and Depression, 1891-94 (1989) https://archive.org/details/unrestdepression0003gomp (Borrowable for 1 hour)
Stuart B. Kaufman, Peter J. Albert, Grace Palladino - The Samuel Gompers Papers: Volume 4: A National Labor Movement Takes Shape, 1895-98 (1991) https://archive.org/details/samuelgomperspap0004unse (Borrowable for 1 hour)
Stuart B. Kaufman, Peter J. Albert, Grace Palladino - The Samuel Gompers Papers: Volume 5: An Expanding Movement at the Turn of the Century, 1898-1902 (1996) https://archive.org/details/samuelgomperspap0000unse (Borrowable for 14 days)
Stuart B. Kaufman, Peter J. Albert, Grace Palladino - The Samuel Gompers Papers: Volume 6: The American Federation of Labor and the Rise of Progressivism, 1902-6 (1997) https://archive.org/details/samuelgomperspap0006unse (Borrowable for 1 hour)
Gregory S. Kealey, Bryan D. Palmer - Dreaming of What Might Be: The Knights of Labor in Ontario, 1880-1900 (1982) https://archive.org/details/dreamingofwhatmi00keal (Borrowable for 14 days)
Gregory S. Kealey (author) - Workers and Canadian History (1995) https://archive.org/details/workerscanadianh0000keal (Borrowable for 14 days)
Gregory S. Kealey, Peter Warrian (editors) - Essays in Canadian Working Class History (1976) https://archive.org/details/essaysincanadian0000unse_l3x1 (Borrowable for 14 days)
Linda Kealey - Enlisting Women for the Cause: Women, Labour, and the Left in Canada, 1890-1920 (1998) https://archive.org/details/enlistingwomenfo0000keal (Borrowable for 14 days)
Hartmut Keil, John B. Jentz - German Workers in Chicago: A Documentary History of Working-Class Culture from 1850 to World War I (1988) https://archive.org/details/germanworkersinc0000unse (Borrowable for 14 days)
Harry Kelber (author) - My 70 Years in the Labor Movement (2006) https://archive.org/details/my70yearsinlabor0000kelb (Borrowable for 1 hour)
Peter Kellman (author) - Divided We Fall: The Story of the Paperworkers' Union and the Future of Labor (2004) https://archive.org/details/dividedwefallsto0000kell (Borrowable for 1 hour)
James J. Kenneally - Women and American Trade Unions (1981) https://archive.org/details/womenamericantra00kenn (Borrowable for 14 days)
Susan Estabrook Kennedy - If All We Did Was To Weep At Home: A History of White Working-Class Women in America (1979) https://archive.org/details/ifallwedidwastow00susa (Borrowable for 14 days)
Alice Kessler-Harris (author) - Out to Work: A History of Wage-Earning Women in the United States (1982) https://archive.org/details/outtoworkhistory00kess_0 (Borrowable for 14 days)
Alexander Keyssar - Out of Work: The First Century of Unemployment in Massachusetts (1986) https://archive.org/details/outofworkfirstce0000keys (Borrowable for 14 days)
Howard Kimeldorf (author) - Battling for American Labor: Wobblies, Craft Workers, and the Making of the Union Movement (1999) https://archive.org/details/battlingforameri0000kime (Borrowable for 14 days)
Martin Luther King Jr., Michael K. Honey - "All Labor Has Dignity" (2011) https://archive.org/details/alllaborhasdigni0000king (Borrowable for 14 days)
Ira Kipnis - The American Socialist Movement, 1897-1912 (1952) https://archive.org/details/americansocialis0000unse_n1j4 (Borrowable for 1 hour)
Harvey Klehr - The Heyday of American Communism: The Depression Decade (1984) https://archive.org/details/heydayofamerican0000kleh (Borrowable for 14 days)
Harvey Klehr, John Earl Haynes, Kyrill M. Anderson - The Soviet World of American Communism (1998) https://archive.org/details/sovietworldofame0000kleh (Borrowable for 14 days)
Harvey Klehr, John Earl Haynes, Fridrikh Igorevich Firsov - The Secret World of American Communism (1995) https://archive.org/details/secretworldofame0000kleh (Borrowable for 1 hour)
Jeffrey D. Kleiman - Strike!: How the Furniture Workers Strike of 1911 Changed Grand Rapids (2006) https://archive.org/details/isbn_2900977904302 (Borrowable for 14 days)
Joyce L. Kornbluh (editor) - Rebel Voices: An IWW Anthology (2011) https://archive.org/details/rebelvoicesiwwan0000unse (Borrowable for 14 days)
Robert Rodgers Korstad (author) - Civil Rights Unionism: Tobacco Workers and the Struggle for Democracy in the Mid-Twentieth-Century South (2003) https://archive.org/details/civilrightsunion0000kors (Borrowable for 1 hour)
Philip Korth - Minneapolis Teamsters Strike of 1934 (1995) https://archive.org/details/minneapolisteams0000kort (Borrowable for 14 days)
Philip A. Korth, Margaret R. Beegle - I Remember Like Today: The Auto-Lite Strike of 1934 (1988) https://archive.org/details/irememberliketod0000kort (Borrowable for 14 days)
Aileen S. Kraditor - "Jimmy Higgins": The Mental World of the American Rank-and-File Communist, 1930-1958 (1988) https://archive.org/details/jimmyhigginsment00krad (Borrowable for 14 days)
Henry Kraus - Heroes of Unwritten Story: The UAW, 1934-39 (1993) https://archive.org/details/heroesofunwritte0000krau (Borrowable for 14 days)
Clifford M. Kuhn - Contesting the New South Order: The 1914-1915 Strike at Atlanta's Fulton Mills (2001) https://archive.org/details/contestingnewsou0000kuhn (Borrowable for 14 days)
Josiah Bartlett Lambert (author) - "If the Workers Took a Nation": The Right to Strike and American Political Development (2005) https://archive.org/details/ifworkerstooknot0000lamb (Borrowable for 14 days)
Michèle Lamont (author) - The Dignity of Working Men: Morality and the Boundaries of Race, Class, and Immigration (2000) https://archive.org/details/dignityofworking00lamo (Borrowable for 14 days)
Eric Larson - Jobs with Justice: 25 Years, 25 Voices (2013) https://archive.org/details/jobswithjustice20000lars (Borrowable for 14 days)
Simeon Larson, Bruce Nissen (editors) - Theories of the Labor Movement (1987) https://archive.org/details/theoriesoflaborm0000unse (Borrowable for 14 days)
John H. M. Laslett - Labor and the Left: A Study of Socialist and Radical Influences in the American Labor Movement, 1881-1924 (1970) https://archive.org/details/laborleftstudyof0000lasl (Borrowable for 14 days)
John H. M. Laslett, Seymour Martin Lipset - Failure of a Dream?: Essays in the History of American Socialism (Revised Edition) (1984) https://archive.org/details/failureofdreames0000unse (Borrowable for 1 hour)
Bruce Laurie - Working People of Philadelphia, 1800-1850 (1980) https://archive.org/details/workingpeopleofp00bruc (Borrowable for 14 days)
Bruce Laurie - Artisans into Workers: Labor in Nineteenth-Century America (1989) https://archive.org/details/artisansintowork0000laur (Borrowable for 14 days)
Paul Le Blanc (actor) - A Short History of the U.S. Working Class: From Colonial Times to the Twenty-first Century (1999) https://archive.org/details/shorthistoryofus0000lebl (Borrowable for 14 days)
Elaine Leeder (author) - The Gentle General: Rosa Pesotta, Anarchist and Labor Organizer (1993) https://archive.org/details/gentlegeneralros0000leed (Borrowable for 14 days)
John C. Leggett - Class, Race, and Labor: Working-Class Consciousness in Detroit (1968) https://archive.org/details/classracelaborw00legg (Borrowable for 1 hour)
Jerry Lembcke, William M. Tattam (authors) - One Union in Wood: A Political History of the International Woodworkers of America (1984) https://archive.org/details/oneunioninwood0000lemb (Borrowable for 14 days)
Sidney Lens - Left, Right & Center: Conflicting Forces in American Labor (1949) https://archive.org/details/leftrightcenterc0000lens (Borrowable for 1 hour)
Sidney Lens - The Labor Wars: From the Molly Maguires to the Sitdowns (1973) https://archive.org/details/laborwarsfrommol0000lens (Borrowable for 14 days)
Sidney Lens - Unrepentant Radical: An American Activist's Account of Five Turbulent Decades (1980) https://archive.org/details/unrepentantradic00lens (Borrowable for 1 hour)
Les Leopold - The Man Who Hated Work and Loved Labor: The Life and Times of Tony Mazzocchi (2007) https://archive.org/details/manwhohatedworka00leop (Borrowable for 14 days)
Harvey A. Levenstein - Labor Organizations in the United States and Mexico: A History of Their Relations (1971) https://archive.org/details/labororganizatio0000leve (Borrowable for 14 days)
Harvey A. Levenstein - Communism, Anticommunism, and the CIO (1981) https://archive.org/details/communismanticom0000leve (Borrowable for 14 days)
Edward Levinson - Labor on the March (1995) https://archive.org/details/laboronmarch00levi (Borrowable for 14 days)
Walter Licht (author) - Getting Work: Philadelphia, 1840-1950 (1992) https://archive.org/details/gettingworkphila0000lich (Borrowable for 1 hour)
Nelson Lichtenstein - Walter Reuther: The Most Dangerous Man in Detroit (1995) https://archive.org/details/walterreuthermos00lich (Borrowable for 14 days)
Nelson Lichtenstein - State of the Union: A Century of American Labor (2002) https://archive.org/details/stateofunioncent2002lich (Borrowable for 14 days)
Almont Lindsey (author) - The Pullman Strike: The Story of a Unique Experiment and of a Great Labor Upheaval (1942) https://archive.org/details/pullmanstrikesto0000lind (Borrowable for 1 hour)
Lawrence M. Lipin - Producers, Proletarians, and Politicians: Workers and Party Politics in Evansville and New Albany Indiana, 1850-87 (1994) https://archive.org/details/producersproleta0000lipi (Borrowable for 1 hour)
H. A. Logan - Trade Unions in Canada: Their Development and Functioning (1948) https://archive.org/details/tradeunionsincan0000loga (Borrowable for 1 hour)
Steven Henry Lopez (author) - Reorganizing the Rust Belt: An Inside Study of the American Labor Movement (2004) https://archive.org/details/reorganizingrust0000lope (Borrowable for 14 days)
James J. Lorence - Organizing the Unemployed: Community and Union Activists in the Industrial Heartland (1996) https://archive.org/details/organizingunempl0000lore (Borrowable for 14 days)
Edward C. Lorenz (author) - Defining Global Justice: The History of U.S. International Labor Standards Policy (2001) https://archive.org/details/definingglobalju0000lore (Borrowable for 14 days)
Lewis L. Lorwin - The American Federation of Labor: History, Policies, and Prospects (1933) https://archive.org/details/americanfederati0000lorw_v2u9 (Borrowable for 14 days)
Miriam Ching Yoon Louie (author) - Sweatshop Warriors: Immigrant Women Workers Take On the Global Factory (2001) https://archive.org/details/sweatshopwarrior00loui (Borrowable for 14 days)
Jay Lovestone - The Government-Strikebreaker: A Study of the Role of the Government in the Recent Industrial Crisis (1923) https://archive.org/details/governmentstrike00love (Public domain)
Beatrice Lumpkin - "Always Bring a Crowd!": The Story of Frank Lumpkin, Steelworker (1999) https://archive.org/details/alwaysbringcrowd0000lump (Borrowable for 14 days)
Alice Lynd, Staughton Lynd (editors) - Rank and File: Personal Histories by Working-Class Organizers (1988) https://archive.org/details/rankfilepersonal0000unse (Borrowable for 1 hour)
Staughton Lynd (editor) - American Labor Radicalism: Testimonies and Interpretations (1973) https://archive.org/details/americanlaborrad0885lynd (Borrowable for 14 days)
Staughton Lynd (author) - The Fight Against Shutdowns: Youngstown's Steel Mill Closings (1982) https://archive.org/details/fightagainstshut0000lynd (Borrowable for 14 days)
Staughton Lynd (editor) - "We Are All Leaders": The Alternative Unionism of the Early 1930s (1996) https://archive.org/details/weareallleadersa0000unse (Borrowable for 1 hour)
Staughton Lynd, Alice Lynd (editors) - The New Rank and File (2000) https://archive.org/details/newrankfile0000unse (Borrowable for 14 days)
Laurel Sefton MacDowell (author) - 'Remember Kirkland Lake': The History and Effects of the Kirkland Lake Gold Miners' Strike, 1941-42 (1983) https://archive.org/details/rememberkirkland0000macd (Borrowable for 14 days)
Laurel Sefton MacDowell, Ian Radforth (editors) - Canadian Working-Class History: Selected Readings (Third Edition; 2006) https://archive.org/details/canadianworkingc0000unse_v6j4 (Borrowable for 14 days)
Charles A. Madison - American Labor Leaders: Personalities and Forces in the Labor Movement (Second, Enlarged Edition) (1950) https://archive.org/details/americanlaborlea0000unse (Borrowable for 14 days)
Richard Magat (author) - Unlikely Partners: Philanthropic Foundations and the Labor Movement (1999) https://archive.org/details/unlikelypartners00maga_0 (Borrowable for 14 days)
Bernard Mandel - Labor: Free and Slave: Workingmen and the Anti-Slavery Movement in the United States (1955) https://archive.org/details/laborfreeslave0000unse (Borrowable for 1 hour)
Bernard Mandel - Samuel Gompers: A Biography (1963) https://archive.org/details/samuelgompersbio0000mand (Borrowable for 1 hour)
Gerald Markowitz, David Rosner - "Slaves of the Depression": Workers' Letters About Life on the Job (1987) https://archive.org/details/slavesofdepressi00mark (Borrowable for 14 days)
Linda Markowitz (author) - Worker Activism After Successful Union Organizing (2000) https://archive.org/details/workeractivismaf0000mark (Borrowable for 14 days)
Frank Marquart - An Auto Worker's Journal: The UAW from Crusade to One-Party Union (1975) https://archive.org/details/autoworkersjourn0000marq (Borrowable for 14 days)
Philip L. Martin (author) - Promise Unfulfilled: Unions, Immigration and the Farm Workers (2003) https://archive.org/details/promiseunfulfill0000mart (Borrowable for 14 days)
Lucy Randolph Mason (author) - To Win These Rights: A Personal Story of the CIO in the South (1952) https://archive.org/details/towintheserights0000unse (Borrowable for 1 hour)
James J. Matles, James Higgins - Them and Us: Struggles of a Rank-and-File Union (1974) https://archive.org/details/themusstruggleso0000unse (Borrowable for 14 days)
Joseph A. McCartin - Collision Course: Ronald Reagan, the Air Traffic Controllers, and the Strike that Changed America (2011) https://archive.org/details/collisioncourser0000mcca_v7z2 (Borrowable for 14 days)
LaRue McCormick - Activist in the Radical Movement, 1930-1960, the International Labor Defense, the Communist Party (1980) https://archive.org/details/activistmccorrad00larurich (Transcript)
Carolyn Daniel McCreesh (author) - Women in the Campaign to Organize Garment Worekrs, 1880-1917 (1985) https://archive.org/details/womenincampaignt0000mccr (Borrowable for 14 days)
Robert S. McElvaine - Down & Out in the Great Depression: Letters from the Forgotten Man (1983) https://archive.org/details/downoutingreatd00sour (Borrowable for 14 days)
George S. McGovern, Leonard F. Guttridge - The Great Coalfield War (1972) https://archive.org/details/greatcoalfieldwa0000mcgo (Borrowable for 14 days)
Doris B. McLaughlin - Michigan Labor: A Brief History from 1818 to the Present (1970) https://archive.org/details/michiganlaborbri0000mcla (Borrowable for 14 days)
Melton Alonza McLaurin - Paternalism and Protest: Southern Cotton Mill Workers and Organized Labor, 1875-1905 (1971) https://archive.org/details/paternalismprote0000mcla (Borrowable for 14 days)
Donald L. McMurry - The Great Burlington Strike of 1888: A Case History in Labor Relations (1956) https://archive.org/details/greatburlingtons0000mcmu (Borrowable for 14 days)
Donald L. McMurry - Coxey's Army: A Study of the Industrial Army Movement of 1894 (1968) https://archive.org/details/coxeysarmystudyo0000mcmu (Borrowable for 1 hour)
Carey McWilliams (author) - Ill Fares the Land: Migrants and Migratory Labor in the United States (1942) https://archive.org/details/illfareslandmigr0000mcwi (Borrowable for 1 hour)
Carey McWilliams (author) - Factories in the Field: The Story of Migratory Farm Labor in California (1999) https://archive.org/details/factoriesinfield0000mcwi_d6d5 (Borrowable for 1 hour)
Philip J. Mellinger (author) - Race and Labor in Western Copper: The Fight for Equality, 1896-1918 (1995) https://archive.org/details/racelaborinweste0000mell (Borrowable for 14 days)
Tony Michels (author) - A Fire in Their Hearts: Yiddish Socialists in New York (2005) https://archive.org/details/fireintheirheart0000mich (Borrowable for 14 days)
Dione Miles - Something in Common: An IWW Bibliography (1986) https://archive.org/details/somethingincommo0000mile (Borrowable for 14 days)
Ruth Milkman - Women, Work and Protest: A Century of US Women's Labor History (1985) https://archive.org/details/womenworkprotest0000unse (Borrowable for 14 days)
Ruth Milkman - Farewell to the Factory: Auto Workers in the Late Twentieth Century (1997) https://archive.org/details/farewelltofactor0000milk (Borrowable for 14 days)
Ruth Milkman (editor) - Organizing Immigrants: The Challenge for Unions in Contemporary California (2000) https://archive.org/details/organizingimmigr0000unse (Borrowable for 14 days)
Ruth Milkman (author) - L.A. Story: Immigrant Workers and the Future of the U.S. Labor Movement (2006) https://archive.org/details/isbn_2900871546356 (Borrowable for 14 days)
Ruth Milkman, Kim Voss (editors) - Rebuilding Labor: Organizing and Organizers in the New Union Movement (2004) https://archive.org/details/rebuildinglaboro0000unse (Borrowable for 14 days)
Sally M. Miller - Victor Berger and the Promise of Constructive Socialism, 1910-1920 (1973) https://archive.org/details/victorbergerprom0000mill (Borrowable for 14 days)
Sally M. Miller - From Prairie to Prison: The Life of Social Activist Kate Richards O'Hare (1993) https://archive.org/details/fromprairietopri00mill (Borrowable for 14 days)
Sally M. Miller, Daniel A. Cornford (editors) - American Labor in the Era of World War II (1995) https://archive.org/details/americanlaborine0000unse (Borrowable for 14 days)
Timothy J. Minchin (author) - What Do We Need a Union For?: The TWUA in the South, 1945-1955 (1997) https://archive.org/details/whatdoweneedunio0000minc (Borrowable for 14 days)
Timothy J. Minchin (author) - Hiring the Black Worker: The Racial Integration of the Southern Textile Industry, 1960-1980 (1990) https://archive.org/details/hiringblackworke0000minc (Borrowable for 14 days)
Timthoy J. Minchin (author) - The Color of Work: The Struggle for Civil Rights in the Southern Paper Industry, 1945-1980 (2000) https://archive.org/details/colorofworkstrug00minc (Borrowable for 14 days)
Timothy J. Minchin (author) - Fighting Against the Odds: A History of Southern Labor Since World War II (2005) https://archive.org/details/fightingagainsto0000minc (Borrowable for 14 days)
William A. Mirola - Redeeming Time: Protestantism and Chicago's Eight-Hour Movement, 1866-1912 (2015) https://archive.org/details/redeemingtimepro0000miro (Borrowable for 1 hour)
Ronald L. Mize, Alicia C. S. Swords (authors) - Consuming Mexican Labor: From the Bracero Program to NAFTA (2011) https://archive.org/details/consumingmexican0000mize (Borrowable for 14 days)
David Montgomery - Beyond Equality: Labor and the Radical Republicans, 1862-1872 (1967) https://archive.org/details/beyondequalityla0000mont (Borrowable for 1 hour)
David Montgomery - The Fall of the House of Labor: The Workplace, the State, and American Labor Activism, 1865-1925 (1987) https://archive.org/details/fallofhouseoflab0000mont (Borrowable for 14 days)
J. Carroll Moody, Alice Kessler-Harris (editors) - Perspectives on American Labor History: The Problems of Synthesis (1990) https://archive.org/details/perspectivesonam0000unse_p4x5 (Borrowable for 14 days)
Kim Moody - An Injury to All: The Decline of American Unionism (1988) https://archive.org/details/injurytoalldecli0000mood (Borrowable for 14 days)
Paul D. Moreno (author) - Black Americans and Organized Labor: A New History (2006) https://archive.org/details/blackamericansor0000more (Borrowable for 1 hour)
H. Wayne Morgan - Eugene V. Debs: Socialist for President (1962) https://archive.org/details/eugenevdebssocia0000morg (Borrowable for 1 hour)
James Naylor - The Fate of Labour Socialism: The Co-operative Commonwealth Federation and the Dream of a Working-Class Future (2016) https://archive.org/details/fateoflaboursoci0000nayl (Borrowable for 1 hour)
Ruth Needleman (author) - Black Freedom Fighters in Steel: The Struggle for Democratic Unionism (2003) https://archive.org/details/blackfreedomfigh0000need (Borrowable for 14 days)
Bruce C. Nelson - Beyond the Martyrs: A Social History of Chicago's Anarchists, 1870-1900 (1988) https://archive.org/details/beyondmartyrssoc0000nels (Borrowable for 14 days)
Bruce Nelson (author) - Divided We Stand: American Workers and the Struggle for Black Equality (2001) https://archive.org/details/dividedwestandam0000nels (Borrowable for 14 days)
Daniel Nelson - Farm and Factory: Workers in the Midwest, 1880-1990 (1995) https://archive.org/details/farmfactoryworke0000nels (Borrowable for 14 days)
Daniel Nelson (author) - Shifting Fortunes: The Rise and Decline of American Labor, from the 1820s to the Present (1997) https://archive.org/details/shiftingfortunes00nels (Borrowable for 14 days)
Andrew Neufeld, Andrew Parnaby (authors) - The IWA in Canada: The Life and Times of an Industrial Union (2000) https://archive.org/details/iwaincanadalifet0000neuf (Borrowable for 14 days)
Maurice F. Neufeld, Naiel J. Leab, Dorothy Swanson - American Working Class History: A Representative Bibliography (1983) https://archive.org/details/americanworkingc0000neuf (Borrowable for 14 days)
Peter E. Newell - The Impossibilists: A Brief Profile of the Socialist Party of Canada (2008) https://archive.org/details/impossibilistsbr0000newe (Borrowable for 14 days)
Katherine S. Newman (author) - Chutes and Ladders: Navigating the Low-Wage Labor Market (2006) https://archive.org/details/chutesladdersnav0000newm (Borrowable for 14 days)
Philip Yale Nicholson (author) - Labor's Story in the United States (2004) https://archive.org/details/laborsstoryinuni0000nich (Borrowable for 14 days)
Kathleen Banks Nutter - The Necessity of Organization: Mary Kenney O'Sullivan and Trade Unionism for Women, 1892-1912 (2000) https://archive.org/details/necessityoforgan0000nutt (Borrowable for 14 days)
Ernest Obadele-Starks (author) - Black Unionism in the Industrial South (2000) https://archive.org/details/blackunionismini0000obad (Borrowable for 14 days)
Harvey O'Connor - History of Oil Workers Intl. Union (CIO) (1950) https://archive.org/details/historyofoilwork0000ocon (Borrowable for 1 hour)
Harvey O'Connor - Revolution in Seattle: A Memoir (1964) https://archive.org/details/revolutioninseat00ocon (Borrowable for 1 hour)
Jessie Lloyd O'Connor, Harvey O'Connor, Susan M. Bowler - Harvey and Jessie: A Couple of Radicals (1988) https://archive.org/details/harveyjessiecou00ocon (Borrowable for 14 days)
Richard Jules Oestreicher - Solidarity and Fragmentation: Working People and Class Consciousness in Detroit, 1875-1900 (1986) https://archive.org/details/solidarityfragme0000oest (Borrowable for 14 days)
Brigid O'Farrell, Joyce L. Kornbluh (authors) - Rocking the Boat: Union Women's Voices, 1915-1975 (1996) https://archive.org/details/isbn_9780813522692 (Borrowable for 14 days)
James Oneal - The Workers in American History (Fourth Edition, Revised and Enlarged) (1921) https://archive.org/details/workersinameri00onea (Public domain)
James Oneal - A History of the Amalgamated Ladies' Garment Cutters' Union, Local 10, Affiliated with The International Ladies' Garment Workers' Union (1927) https://archive.org/details/historyofamalgam00onea (Public domain)
James Oneal, G. A. Werner - American Communism: A Critical Analysis of its Origins, Development and Programs (New and Revised Edition) (1947) https://archive.org/details/americancommunis0000onea (Borrowable for 14 days)
Robert W. Ozanne - The Labor Movement in Wisconsin: A History (1984) https://archive.org/details/labormovementinw0000ozan (Borrowable for 14 days)
Kris Paap (author) - Working Construction: Why White Working-Class Men Put Themselves-and the Labor Movement-in Harm's Way (2006) https://archive.org/details/workingconstruct00paap (Borrowable for 14 days)
Nell Irvin Painter - The Narrative of Hosea Hudson: His Life as a Negro Communist in the South (1979) https://archive.org/details/narrativeofhosea0000huds (Borrowable for 14 days)
Bryan D. Palmer - A Communist Life: Jack Scott and the Canadian Workers Movement, 1927-1985 (1988) https://archive.org/details/communistlifejac0000scot (Borrowable for 14 days)
David Palmer - Organizing the Shipyards: Union Strategy in Three Northeast Ports, 1933-1945 (1998) https://archive.org/details/organizingshipya00palm (Borrowable for 14 days)
Leo Panitch, Donald Swartz (authors) - From Consent to Coercion: The Assault on Trade Union Freedoms (Third Edition; 2003) https://archive.org/details/fromconsenttocoe0000pani (Borrowable for 14 days)
Robert D. Parmet - The Master of Seventh Avenue: David Dubinsky and the American Labor Movement (2005) https://archive.org/details/masterofseventha0000parm (Borrowable for 14 days)
Karen Pastorello - A Power among Them: Bessie Abramowitz Hillman and the Making of the Amalgamated Clothing Workers of America (2008) https://archive.org/details/poweramongthembe0000past (Borrowable for 14 days)
Brad A. Paul (author) - Rebels of the New South: The Socialist Party in Dixie, 1892-1920 (1999) https://scholarworks.umass.edu/cgi/viewcontent.cgi?article=2270&context=dissertations_1 (Dissertation)
Henry Pelling - American Labor (1960) https://archive.org/details/americanlabor0000pell_j0d4 (Borrowable for 1 hour)
Norman Penner - The Canadian Left: A Critical Analysis (1977) https://archive.org/details/canadianleftcrit0000penn (Borrowable for 14 days)
Norman Penner - Canadian Communism: The Stalin Years and Beyond (1988) https://archive.org/details/canadiancommunis0000penn (Borrowable for 14 days)
Selig Perlman - A History of Trade Unionism in the United States (1922) https://archive.org/details/historyoftradeun00perluoft (Public domain)
Selig Perlman, Philip Taft - History of Labor in the United States, 1896-1932: Volume IV: Labor Movements (1935) https://archive.org/details/historyoflaborin0004unse (Borrowable for 1 hour)
Rosa Pesotta (author), John Nicholas Beffel (editor) - Bread Upon the Waters (1987) https://archive.org/details/breaduponwaters00peso (Borrowable for 14 days)
Craig Phelan - William Green: Biography of a Labor Leader (1989) https://archive.org/details/williamgreenbiog00phel (Borrowable for 14 days)
Kimberley L. Phillips (author) - AlabamaNorth: African-American Migrants, Community, and Working-Class Activism in Cleveland, 1915-45 (1999) https://archive.org/details/alabamanorthafri0000phil (Borrowable for 14 days)
Paul A. Phillips - No Power Greater: A Century of Labor in British Columbia (1967) https://archive.org/details/nopowergreater0000unse (Borrowable for 1 hour)
Terence V. Powderly, Harry J. Carman, Henry David, Paul N. Guthrie - The Path I Trod: The Autobiography of Terence V. Powderly (1940) https://archive.org/details/pathitrodautobio00powdrich (Borrowable for 1 hour)
Norma Fain Pratt - Morris Hillquit: A Political History of an American Jewish Socialist (1979) https://archive.org/details/morrishillquitpo0000prat (Borrowable for 14 days)
Art Preis (author) - Labor's Giant Step: Twenty Years of the CIO (1972) https://archive.org/details/laborssgiantstep0000unse (Borrowable for 1 hour)
William Preston Jr. - Aliens and Dissenters: Federal Suppression of Radicals, 1903-1933 (Second Edition) (1994) https://archive.org/details/aliensdissenters0000pres (Borrowable for 14 days)
Marco G. Prouty (author) - César Chávez, The Catholic Bishops, and the Farmworkers' Struggle for Social Justice (2006) https://archive.org/details/cesarchavezcatho0000prou (Borrowable for 1 hour)
Fran Quigley - If We can Win Here: The New Front Lines of the Labor Movement (2015) https://archive.org/details/ifwecanwinherene0000quig (Borrowable for 1 hour)
Howard H. Quint - The Forging of American Socialism: Origins of the Modern Movement (1964) https://archive.org/details/forgingofamerica0000quin (Borrowable for 1 hour)
Peter J. Rachleff - Black Labor in Richmond (1989) https://archive.org/details/blacklaborinrich0000rach (Borrowable for 1 hour)
Peter Rachleff - Hard-Pressed in the Heartland: The Hormel Strike and the Future of the Labor Movement (1993) https://archive.org/details/hardpressedinhea0000rach (Borrowable for 14 days)
Joseph G. Rayback - A History of American Labor (Expanded and Updated) (1966) https://archive.org/details/historyofamerica0000rayb_f5x7 (Borrowable for 14 days)
Louis S. Reed - The Labor Philosophy of Samuel Gompers (1930) https://archive.org/details/laborphilosophyo0000reed (Borrowable for 1 hour)
Merl E. Reed, Leslie S. Hough, Gary M. Fink - Southern Workers and Their Unions, 1880-1975: Selected Papers, The Second Southern Labor History Conference, 1978 (1981) https://archive.org/details/southernworkerst0000sout (Borrowable for 14 days)
Catherine Reef (author) - Working in America: An Eyewitness History (2000) https://archive.org/details/workinginamerica00cath (Borrowable for 14 days)
Carl Reeve - The Life and Times of Daniel De Leon (1971) https://archive.org/details/lifetimesofdanie0000reev (Borrowable for 14 days)
Charles M. Rehmus, Doris B. McLaughlin, Frederick H. Nesbitt - Labor and American Politics: A Book of Readings (Revised Edition) (1978) https://archive.org/details/laboramericanpol00rehm (Borrowable for 1 hour)
Adam D. Reich - With God on Our Side: The Struggle for Workers' Rights in a Catholic Hospital (2012) https://archive.org/details/withgodonourside0000reic (Borrowable for 14 days)
Patrick Renshaw - The Wobblies: The Story of the IWW and Syndicalism in the United States (New, Updated Edition) (1999) https://archive.org/details/wobbliesstoryofi0000rens (Borrowable for 1 hour)
Terry A. Repak (author) - Waiting on Washington: Central American Workers in the Nation's Capital (1995) https://archive.org/details/waitingonwashing0000repa (Borrowable for 14 days)
Chris Rhomberg - The Broken Table: The Detroit Newspaper Strike and the State of American Labor (2012) https://archive.org/details/brokentabledetro0000rhom (Borrowable for 14 days)
Yevette Richards (author) - Maida Springer: Pan-Africanist and International Labor Leader (2000) https://archive.org/details/maidaspringerpan0000rich (Borrowable for 1 hour)
Lawrence Richards - Union-Free America: Workers and Antiunion Culture (2008) https://archive.org/details/unionfreeamerica0000rich (Borrowable for 14 days)
Yevette Richards - Maida Springer: Pan-Africanist and International Labor Leader (2000) https://archive.org/details/maidaspringerpan0000rich (Borrowable for 1 hour)
Al Richmond - A Long View from the Left: Memoirs of an American Revolutionary (1972) https://archive.org/details/longviewfromleft00rich (Borrowable for 14 days)
Irving Richter (author) - Labor's Struggles, 1945-1950: A Participant's View (1994) https://archive.org/details/laborsstruggles100rich (Borrowable for 14 days)
Angel Quintero Rivera - Workers' Struggle in Puerto Rico: A Documentary History (1976) https://archive.org/details/workersstrugglei00quin (Borrowable for 1 hour)
submitted by ThePoliticalLibrary to Social_Democracy [link] [comments]


2023.04.01 02:24 OalBlunkont TCM April Schedule, Looks Totally Awesome.

I had to do a lot of weird editing to convert it from copypasted PDF to something reddit wouldn't munge too much. I've seen a lot of these and there are a bunch I've been wanting to see for a while. God I hate PDFs. When I'm king it will be a capital offense to use them for anything other than formatting for printers. Reddit really needs to improve their formatting capabilities as well, single line spacing without making everthing look like code and columnar arranging too. These features have been available since the days of typewriters.
The Idjits don't mention the timezone to which they are referring.
 SATURDAY, APRIL 1 THE EARLY YEARS 6:00 AM Beau Brummel (1924) 8:30 AM Disraeli (1929) 10:00 AM Noah’s Ark (1929) 12:00 PM The Dawn Patrol (1930) (AKA FLIGHT COMMANDER) 2:00 PM Night Nurse (1931) 
Seen it, Loved it, Joan Blondell and Barbara Stanwyck, Duh
 3:30 PM Jewel Robbery (1932) 
Seen it, Loved it, William Powell and Kay Francis, Duh
 What a Character Ned Sparks (interstitial) 4:45 PM Blessed Event (1932) Marlo Thomas on Loretta Young (interstitial) 6:15 PM Employee’s Entrance (1933) 
Waned to see it for a long time
HOW IT STARTED AND THE DAWN OF SOUND Hollywood Steps Out (1941) (cartoon) 8:00 PM The Brothers Warner (2007) Silents, Please! (interstitial) 9:45 PM The Clash of the Wolves (1925) 11:15 PM Cinema Finds Its Voice (2023) (DOCUMENTARY ABOUT SOUND IN FILM) 12:30 AM Vitaphone shorts Gus Arnheim and His Cocoanut Grove Orchestra (1927) Baby Rose Marie The Child Wonder (1929) 
I've seen her on the Dick Van Dyke show and Hollywood Squares and briefly in International House when I had to look her up to see that it was the same person
 Lambchops (1929) (8m) Blackface and Hollywood (interstitial) 1:15 AM The Jazz Singer (1927) Will H. Hays Introduces Vitaphone (1926) (Vitaphone short) 3:00 AM Don Juan (1926) 5:00 AM Lights of New York (1928) SUNDAY, APRIL 2 WARNER JOINS A GANG 6:30 AM Little Caesar (1931) 
Seen it, It was OK
 King for a Day (1934) 8:30 AM G-Men (1935) 
Seen it, It was OK
 Mills Blue Rhythm Band (1933) 10:15 AM Bullets or Ballots (1936) 
Seen it, Loved it, Joan Blondell, Duh
 Swing Cat’s Jamboree (1938) 12:00 PM Each Dawn I Die (1939) Claude Hopkins and His Band in Barber Shop Blues 2:00 PM High Sierra (1941) Cab Calloway and His Orchestra (1937) Angelica Huston on John & Walter Huston (interstitial) 4:00 PM Key Largo (1948) Racketeer Rabbit (1946) (cartoon) 6:00 PM Larceny, Inc. (1942) PRE-CODE CLASSICS AND AN EMPHASIS ON REALISM Bugsy and Mugsy (1957) (cartoon) Melanie Griffith on Jean Harlow (interstitial) 8:00 PM The Public Enemy (1933) The Scarlet Pumpernickel (1950) (cartoon) 9:45 PM Jack L. Warner: The Last Mogul (1993) Laura Dern on Barbara Stanwyck (interstitial) 11:45 PM Baby Face (1933) 1:15 AM One Way Passage (1932) NEWLY REMASTERED IN PARTNERSHIP WITH THE FILM FOUNDATION 2:45 AM Two Seconds (1932) 4:15 AM Life Begins (1932) MONDAY, APRIL 3 CHOREOGRAPHY BY BUSBY BERKELEY 
Seen em all, all good. I didn't know they were allowed to get as close to naked as they did in Fashions back then
 5:30 AM Fashions of 1934 (1934) 7:00 AM Dames (1934) 8:45 AM Gold Diggers of 1937 (1936) MUSIC BY MAX STEINER 10:30 AM Max Steiner: Maestro of Movie Music (2021) 12:45 PM The Adventures of Mark Twain (1944) Rhapsody Rabbit (1947) (cartoon) 3:15 PM Rhapsody in Blue (1945) 5:45 PM Helen of Troy (1956) (TFF remaster) GREAT DIRECTORS AT WARNER BROTHERS WILLIAM A. WELLMAN Big House Bunny (1950) (Cartoon) Special introduction by Alexander Payne 8:00 PM Safe in Hell (1931) NEWLY REMASTERED IN PARTNERSHIP WITH THE FILM FOUNDATION Hollywood by Storm William Wellman (interstitial) 9:30 PM Heroes for Sale (1933) 
Seen it, It's what made me really apprecioate Aline MacMahon. I still think they had the conceits of three of four movies.
MERVYN LEROY Page Miss Glory (1936) (cartoon) 11:00 PM Page Miss Glory (1935) The Making of a Great Motion Picture (1936) 12:45 AM Anthony Adverse (1936) LLOYD BACON 3:15 AM Marked Woman (1937) 5:00 AM Cain and Mabel (1936) TUESDAY, APRIL 4 STUDIO CONTRACT PLAYERS MYRNA LOY 6:30 AM The Great Divide (1929) Julianne Moore on Myrna Loy (interstitial) 7:45 AM The Truth About Youth (1930) 
I haven't seen any of these
BEBE DANIELS 9:00 AM My Past (1931) 10:15 AM The Maltese Falcon (1931) 
I wrote in an earlier post that the women in this one are better than the women in the remake. I stand by that.
DOLORES DEL RIO 11:45 AM Madame du Barry (1934) 1:15 PM In Caliente (1935) ANN DVORAK 2:45 PM Love is a Racket (1932) 4:00 PM Murder in the Clouds (1934) GLENDA FARRELL 5:15 PM Smart Blonde (1937) 6:30 PM Little Big Shot (1935) GINGER ROGERS Stage Door Cartoon (1944) (cartoon) Nigel Lythgoe on Ginger Rogers (interstitial) 8:00 PM 42nd Street (1933) 
Seen it, story is basic but I love her
 An All-Colored Vaudeville Show (1935) 10:00 PM Gold Diggers of 1933 (1933) JOAN BLONDELL 11:45 PM Footlight Parade (1933) 1:45 AM Three on a Match (1932) 
Both of these are totally awesome
KAY FRANCIS 3:00 AM Mary Stevens, M.D. (1933) 4:30 AM I Found Stella Parish (1935) 
I've not seen either. Why to they have to be at the butt crack of dawn?
 WEDNESDAY, APRIL 5 STUDIO CONTRACT PLAYERS JOHN BARRYMORE 
Can't stand him
 6:00 AM When a Man Loves (1927) 8:00 AM Svengali (1931) JOE E. BROWN 9:30 AM You Said a Mouthful (1932) Porky’s Baseball Broadcast (1940) (cartoon) 11:00 AM Elmer, the Great (1933) PAT O’BRIEN 12:30 PM Oil for the Lamps of China (1935) 2:30 PM The Great O’Malley (1937) DICK POWELL 4:00 PM Flirtation Walk (1934) 6:00 PM Gold Diggers of 1935 (1935) 
Can't go wrong with Busby Berkeley. I don't understand why the poster image for 42nd street has the dancers in costumes from this one though
EDWARD G. ROBINSON Buccaneer Bunny (1948) (cartoon) Chaz Palminteri on Edward G. Robinson (interstitial) 8:00 PM The Sea Wolf (1941) 9:45 PM Brother Orchid (1940) 
Two of his I haven't seen
PAUL MUNI 11:30 PM The Life of Emile Zola (1937) 1:45 AM The Story of Louis Pasteur (1936) 
I love his biopics. The rest is hit or miss
GEORGE BRENT 3:30 AM So Big! (1932) 
I don't know who George Brent is but its a Barbara Stanwyck movie so see it.
 5:00 AM From Headquarters (1933) THURSDAY, APRIL 6 WARNER GOES TO SCHOOL 6:30 AM The Corn is Green (1945) 8:30 AM Our Miss Brooks (1957) 10:00 AM Up the Down Staircase (1967) WARNER JOINS THE TEAM 12:15 PM Jim Thorpe – All-American (1951) Baseball Bugs (1946) (cartoon) 2:15 PM The Winning Team (1952) Mary Anne Owen on Donna Reed (interstitial) 4:00 PM Trouble Along the Way (1953) 6:00 PM One on One (1977) GREAT DIRECTORS AT WARNER BROTHERS MICHAEL CURTIZ Rabbit Hood (1949) (cartoon) 8:00 PM The Adventures of Robin Hood (1938) 
I've wanted to see this for a while even though Errol Flynn didn't impress me in Captain Blood.
 Sons of Liberty (1939) (directed by Michael Curtiz) 10:00 PM Life with Father (1947) 
Seen it, Loved it. I've not seen a bad William Powell movie.
WILLIAM WYLER William Wyler Father and Filmmaker (interstitial) 12:15 AM Jezebel (1938) 2:15 AM The Letter (1940) ARCHIE MAYO 4:00 AM Bordertown (1935) 5:45 AM The Life of Jimmy Dolan (1933) FRIDAY, APRIL 7 WARNER LEARNS TO READ 7:15 AM Moby Dick (1930) 8:45 AM The Old Man and the Sea (1958) Molly Haskell on King Vidor (interstitial) 10:15 AM The Fountainhead (1949) 
Classic example of why should watch the movie before reading the book to avoid disappointment.
WARNER STUDIES HISTORY 12:15 PM When Dinosaurs Ruled the Earth (1971) 2:00 PM The Private Lives of Elizabeth and Essex (1939) The Declaration of Independence (1938) (short) 4:15 PM Alexander Hamilton (1931) 5:30 PM The Charge of the Light Brigade (1936) A STUDIO THAT TAKESASTAND What’s Opera, Doc? (1957) (cartoon) 8:00 PM They Won’t Forget (1937) Special introduction by Martin Scorsese 10:00 PM Storm Warning (1951) NEWLY REMASTERED IN PARTNERSHIP WITH THE FILM FOUNDATION 12:00 AM Confessions of a Nazi Spy (1939) 2:00 AM I Am a Fugitive from a Chain Gang (1932) 
Not Muni's best
 4:00 AM The Mayor of Hell (1933) SATURDAY, APRIL 8 WARNER COMES OF AGE 6:00 AM Wild Boys of the Road (1933) 
Mostly good, some implausibilities
 7:30 AM Kings Row (1942) A Mutt in a Rut (1959) (cartoon) 10:00 AM Good-Bye, My Lady (1956) 11:45 AM Splendor in the Grass (1961) 2:00 PM The Learning Tree (1969) 4:00 PM Summer of ’42 (1971) 6:00 PM A Little Romance (1979) WARNER AT WAR Carrotblanca (1995) (cartoon) Patricia Clarkson on Ingrid Bergman (interstitial) 8:00 PM Casablanca (1942) 
No praise I could heap upon it that hasn't been done before.
 Tony Curtis on Cary Grant (interstitial) 10:00 PM Destination Tokyo (1943) 12:30 AM Objective, Burma (1945) 3:00 AM This is the Army (1943) 5:15 AM Across the Pacific (1942) SUNDAY, APRIL 9 WARNER FINDS RELIGION 7:00 AM The Green Pastures (1936) 
Seen it, It certainly has more than it's fair share of black stereotypes, even for it's day. I wonder if this is an accurate representation of rural vs urban blacks. I'd love to know what the black press of the day thought about it.
 9:00 AM Sergeant York (1941) Easter Yeggs (1947) (cartoon) What a Character Beulah Bondi (interstitial) 11:30 AM One Foot in Heaven (1941) 1:30 PM The Miracle of Our Lady of Fatima (1952) Vanessa Redgrave on Fred Zinnemann (interstitial) 3:15 PM The Nun’s Story (1959) 6:00 PM Oh, God! (1977) 
Saw it in theaters, it was cute
THE POSTWAR YEARS AND THE TELEVISION ERA A Star is Bored (1956) (cartoon) Above Limitations: George Cukor (interstitial) 8:00 PM A Star is Born (1954) Special introduction by Robyn Sklaren and Daphne Dentz 11:15 PM A Lion is in the Streets (1953) NEWLY REMASTERED IN PARTNERSHIP WITH THE FILM FOUNDATION 1:00 AM A Streetcar Named Desire (1951) 3:15 AM The FBI Story (1959) MONDAY, APRIL 10 SHOT AT TEDDINGTON, WARNER’S BRITISH STUDIOS 6:00 AM Crime Unlimited (1935) 7:15 AM Something Always Happens (1934) 8:30 AM Crown vs. Stevens (1936) 9:45 AM Mr. Cohen Takes a Walk ( AKA FATHERTAKE SAWALK ) (1936) 11:15 AM Jack L. Warner The Last Mogul (1993) PRODUCED BY HAMMER, DISTRIBUTED BY WARNER 1:15 PM The Curse of Frankenstein (1957) 2:45 PM Frankenstein Must be Destroyed (1970) Hair-Raising Hare (1946) (cartoon) 4:30 PM Dracula has Risen from the Grave (1969) 6:15 PM Taste the Blood of Dracula (1970) GREAT DIRECTORS AT WARNER BROTHERS JOHN HUSTON 14 Carrot Rabbit (1952) (cartoon) Men in Crisis The Films of John Huston (interstitial) 8:00 PM The Treasure of the Sierra Madre (1948) 10:45 PM In This Our Life (1943) RAOUL WALSH 12:30 AM The True Adventures of Raoul Walsh (2014) ( DOC UMENTARY ) 2:30 AM The Roaring Twenties (1939) WILLIAM DIETERLE 4:30 AM Juarez (1939) 6:45 AM Dr. Ehrlich’s Magic Bullet (1940) TUESDAY, APRIL 11 STUDIO CONTRACT PLAYERS PRISCILLA LANE 8:30 AM Yes, My Darling Daughter (1939) 10:15 AM Arsenic and Old Lace (1944) 
This is what you get when you send Capra out with out Riskin and Swerling, not very good. They couldn't even get Boris Karloff to play the guy who looks like Boris Karloff.
IDA LUPINO Lee Grant on Ida Lupino (interstitial) 12:30 PM Out of the Fog (1941) 2:30 PM The Hard Way (1943) MARY ASTOR 4:30 PM Scandal The Trial of Mary Astor (2018) 6:00 PM The Great Lie (1941) BETTE DAVIS Tweety’s S.O.S. (1951) (cartoon) Meryl Streep on Bette Davis (interstitial) 8:00 PM Now, Voyager (1942) 10:15 PM Dark Victory (1939) OLIVIA DE HAVILLAND Special introduction by Wes Anderson 12:15 AM The Strawberry Blonde (1941) 2:30 AM Princess O’Rourke (1943) ANN SHERIDAN 4:15 AM City for Conquest (1940) 6:15 AM Nora Prentiss (1947) WEDNESDAY, APRIL 12 STUDIO CONTRACT PLAYERS DOUGLAS FAIRBANKS, JR. 8:15 AM Union Depot (1932) 
He should have done more of this instead of trying to step into his dad's shoes
 9:30 AM Parachute Jumper (1933) JOHN GARFIELD 11:15 AM They Made Me a Criminal (1939) 1:00 PM Air Force (1943) CLAUDE RAINS Sir John Gielgud on Claude Rains (interstitial) 3:15 PM Passage to Marseille (1944) 5:15 PM Mr. Skeffington (1944) JAMES CAGNEY Bugs and Thugs (1954) (cartoon) George C. Scott on James Cagney (interstitial) 8:00 PM White Heat (1949) Blackface and Hollywood (interstitial) Yankee Doodle Daffy (1943) (cartoon) 10:30 PM Yankee Doodle Dandy (1942) ERROL FLYNN 12:45 AM Gentleman Jim (1942) 2:45 AM The Sea Hawk (1940) GEORGE RAFT 5:00 AM Manpower (1941) 6:45 AM Background to Danger (1943) THURSDAY, APRIL 13 WARNER LEARNS TO DRIVE 8:15 AM The Crowd Roars (1932) 9:45 AM They Drive by Night (1940) There Auto Be a Law (1953) (cartoon) 11:30 AM Greased Lightning (1977) WARNER LEARNS TO FLY 1:30 PM The Dawn Patrol (1938) Jet Jockeys in Love The Making of Chain Lightning (TCM original) 3:15 PM Chain Lightning (1950) Go Fly a Kit (1957) (cartoon) 5:30 PM The Spirit of St. Louis (1957) GREAT DIRECTORS AT WARNER BROTHERS JOHN FORD Drip-Along Daffy (1951) (cartoon) Meet John Ford (interstitial) 8:00 PM The Searchers (1956) 10:15 PM Sergeant Rutledge (1960) ELIA KAZAN The Immigrant Experience (interstitial) 12:15 AM America, America (1963) 3:15 AM The Arrangement (1969) FRIDAY, APRIL 14 WARNER JOINS THE BAND Michael Douglas on Kirk Douglas (interstitial) 6:00 AM Young Man with a Horn (1950) 8:00 AM Blues in the Night (1941) 9:30 AM Sparkle (1976) WARNER RUNS FOR OFFICE 11:30 AM Kisses for My President (1964) 1:30 PM Flamingo Road (1949) 3:30 PM The Candidate (1972) Ballot Box Bunny (1951) (cartoon) 5:30 PM A Face in the Crowd (1957) EARLY CINEMASCOPE Sahara Hare (1955) (cartoon) Special introduction by Martin Scorsese 8:00 PM The Land of the Pharaohs (1955) NEWLY REMASTERED IN PARTNERSHIP WITH THE FILM FOUNDATION Peter and Jane Fonda on Henry Fonda (interstitial) 10:00 PM Mister Roberts (1955) 
At least it has a happy ending where they sent him to live on a farm where he lives to this day.
SHOT FOR 3D Prince Albert on Grace Kelly (interstitial) 12:15 AM Dial M for Murder (1954) 2:15 AM House of Wax (1953) 
Saw it in a re-released theatrical 3D showing. It was as unimpressive then as it is now.
 4:00 AM The Bounty Hunter (1954) SATURDAY, APRIL 15 WARNER GETS SCARED 5:30 AM Doctor X (1932) What a Character: Frank McHugh (interstitial) 7:00 AM The Mystery of the Wax Museum (1933) Good Morning, Eve (1934) (short) Ant-Pasted (1953) (cartoon) 9:00 AM Them! (1954) 
I thought this was American International or some such
 The Haunted Mouse (1941) (cartoon) 11:00 AM The Bad Seed (1956) 1:30 PM Dead Ringer (1964) 3:30 PM What Ever Happened to Baby Jane (1962) 6:00 PM Wait Until Dark (1967) WARNER LOOKS TO BROADWAY FOR INSPIRATION 
That was a bad idea.
 Lumber Jerks (1955) (cartoon) 8:00 PM My Fair Lady (1964) 11:00 PM The Music Man (1962) 1:45 AM Gypsy (1962) 4:15 AM Camelot (1967) SUNDAY, APRIL 16 WARNER TURNS TO CRIME 8:00 AM The Petrified Forest (1936) 
Saw it. It was OK. I was never a Leslie Howard fan and Bette Davis while more natural here than in most movies was not convincing as a girl still in or barely out of her teens.
 9:30 AM Dark Passage (1947) 11:30 AM Crime Wave (1954) Bullitt: Anatomy of a Car Chase (TCM original) 1:00 PM Bullitt (1968) 3:30 PM The Yakuza (1974) 5:30 PM Dog Day Afternoon (1975) 
Saw it in the theater, barely remember it
WARNER BROTHERS LEADSAREVOLUTION IN FILMMAKING Rabbit Fire (1951) (cartoon) Paul Newman on Elizabeth Taylor (interstitial) 8:00 PM Who’s Afraid of Virginia Woolf? (1966) 10:30 PM Cool Hand Luke (1967) 12:45 AM The Wild Bunch (1969) 3:15 AM Petulia (1968) 5:15 AM The Fox (1968) MONDAY, APRIL 17 BACK TO THE DRAWING BOARD – WARNER BROTHERS ANIMATED FEATURES 7:15 AM Gay Purr-ee (1962) 8:45 AM Treasure Island (1973) 10:30 AM The Incredible Mr. Limpet (1964) 
Saw it a long time ago on TV. IIRC it's a strange story about a guy who neglects his girlfriend for his fish, falls off a pier and turns into a fish and makes noises to mis-direct torpedoes from German U-boats.
THE RAT PACK AT WARNER BROTHERS Swooner Crooner (1944) (cartoon) 12:30 PM Oceans 11 (1960) 3:00 PM 4 for Texas (1963) Nancy Sinatra on Frank Sinatra (interstitial) 5:15 PM Robin and the 7 Hoods (1964) GREAT DIRECTORS AT WARNER BROTHERS HOWARD HAWKS Bugs Bunny Rides Again (1948) (cartoon) Special introduction by Martin Scorsese 8:00 PM Rio Bravo (1959) TELEVISION PREMIERE OFNEW RESTORATION IN PARTNER SHIP WITH THE FILM FOUNDATION Peter Bogdanovich on Howard Hawks (interstitial) 10:30 PM The Big Sleep (1946) ALFRED HITCHCOCK Zipping Along (1953) (cartoon) 1:00 AM Strangers on a Train (1951) 3:00 AM I Confess (1953) VINCENT SHERMAN 5:00 AM All Through the Night (1942) 7:00 AM Old Acquaintance (1943) TUESDAY, APRIL 18 STUDIO CONTRACT PLAYERS JOAN LESLIE 9:00 AM The Male Animal (1942) 10:45 AM Two Guys from Milwaukee (1946) VIRGINIA MAYO 12:15 PM Colorado Territory (1949) 2:00 PM The West Point Story (1950) JANE WYMAN 4:00 PM Johnny Belinda (1948) The Last Hungry Cat (1961) (cartoon) 6:00 PM Stage Fright (1950) JOAN CRAWFORD Duck Amuck (1953) (cartoon) Ann Blyth on Joan Crawford (interstitial) 8:00 PM Mildred Pierce (1945) 10:15 PM Joan Crawford: The Ultimate Movie Star (2002) LAUREN BACALL Gregory Peck on Lauren Bacall (interstitial) 12:00 AM To Have and Have Not (1944) 2:00 AM Harper (1966) GERALDINE FITZGERALD 4:15 AM Watch on the Rhine (1943) 6:15 AM Nobody Lives Forever (1946) WEDNESDAY, APRIL 19 STUDIO CONTRACT PLAYERS SYDNEY GREENSTREET 8:00 AM The Mask of Dimitrios (1944) 10:00 AM Three Strangers (1946) RONALD REAGAN 12:00 PM Knute Rockne – All-American (1940) 2:00 PM The Hasty Heart (1949) 
Seen it, Liked it, but I think it was a play first. It's got that one set feel.
PAUL HENREID Monica Henreid on Paul Henreid (interstitial) 3:45 PM Between Two Worlds (1944) 5:45 PM Deception (1946) HUMPHREY BOGART Slick Hare (1947) (cartoon) How Bogart Became a Star (interstitial) 8:00 PM Black Legion (1937) 10:00 PM The Maltese Falcon (1941) 
Watch the original for the women, this one for the men.
TAB HUNTER 12:00 AM Tab Hunter Confidential (2015) 1:45 AM Battle Cry (1955) PETER LORRE 4:30 AM The Beast with Five Fingers (1946) 6:00 AM The Verdict (1946) THURSDAY, APRIL 20 WARNER GOES TO COURT 7:30 AM Dust be My Destiny (1939) 9:00 AM The Wrong Man (1956) 11:00 AM The Young Philadelphians (1959) WARNER GOES TO PRISON Burt Reynolds on Spencer Tracy (interstitial) 1:30 PM 20,000 Years in Sing Sing (1932) 
I remember seeing it but nothing else
 3:00 PM San Quentin (1937) 4:30 PM Blackwell’s Island (1939) 6:00 PM Inside the Walls of Folsom Prison (1951) GREAT DIRECTORS AT WARNER BROTHERS MARTIN SCORSESE Rabbit Seasoning (1952) (cartoon) 8:00 PM Alice Doesn’t Live Here Anymore (1974) 10:15 PM Mean Streets (1973) STANLEY KUBRICK 12:15 AM Full Metal Jacket (1987) 2:30 AM A Clockwork Orange (1971) 
Kubrick should have learned from Billy Wilder that the best director is the one that you don't see.
FRANCIS FORD COPPOLA 5:00 AM The Rain People (1969) 6:45 AM Finian’s Rainbow (1968) FRIDAY, APRIL 21 WARNER HEADS SOUTH 9:15 AM The Cabin in the Cotton (1932) 10:45 AM The Heart is a Lonely Hunter (1968) Hillbilly Hare (1950) (cartoon) 1:00 PM Ode to Billy Joe (1976) WARNER GOES WEST 3:00 PM The Oklahoma Kid (1939) 4:30 PM Dodge City (1939) 6:15 PM Along the Great Divide (1951) SEVEN ARTS COMES IN AS JACK PREPARES TO LEAVE Baby Buggy Bunny (1954) (cartoon) 8:00 PM Bonnie and Clyde (1967) Special introduction by Ethan Hawke 10:00 PM Rachel, Rachel (1968) NEWLY REMASTERED IN PARTNERSHIP WITH THE FILM FOUNDATION 12:00 AM Firecreek (1968) 2:00 AM Reflections in a Golden Eye (1967) 4:00 AM Start the Revolution Without Me (1970) SATURDAY, APRIL 22 WARNER SEEKS ADVENTURE 5:45 AM Captain Blood (1935) 
Meh
 8:00 AM Adventures of Don Juan (1948) Captain Hareblower (1954) (cartoon) 10:00 AM Captain Horatio Hornblower (1951) 12:00 PM The Master of Ballantrae (1953) 1:30 PM The Valley of Gwangi (1969) 3:15 PM The Great Race (1965) 6:00 PM Time After Time (1979) 
I haven't thought if this one in ages. I have to see it again.
WARNER EMBRACESANEW HOLLYWOOD What’s Up, Doc? (1950) (cartoon) 8:00 PM All the President’s Men (1976) 10:30 PM The Exorcist (1973) Jerry Schatzberg: Reality in Focus (interstitial) 12:45 AM Scarecrow (1973) 3:00 AM Badlands (1973): Robert Duvall on Gene Hackman (interstitial) 4:45 AM Night Moves (1975) SUNDAY, APRIL 23 WARNER FALLS IN LOVE 6:30 AM A Midsummer Night’s Dream (1935) 9:00 AM All This and Heaven Too (1940) 11:30 AM A Warm December (1973) Scent-imental Romeo (1951) (cartoon) 1:30 PM Fanny (1961) 4:00 PM The Prince and the Showgirl (1957) 6:00 PM The Goodbye Girl (1977) THE SUPERHERO ERA BEGINS... Duck Dodgers in the 24 1⁄2th Century (1953) (cartoon) 8:00 PM Superman (1978) 10:30 PM Batman (1989) 
Both great
...AND WOMEN FINALLY HAVEASAY 12:45 AM Girlfriends (1978) 2:30 AM Cookie (1989) 4:15 AM The Brothers Warner (2007) MONDAY, APRIL 24 CULT CLASSICS 6:00 AM Untamed Youth (1957) 8:00 AM The Swarm (1978) (theatrical version) 10:00 AM Big Wednesday (1978) 12:15 PM Over the Edge (1979) 2:00 PM The Last of Sheila (1973) 4:15 PM It’s Alive (1974) 6:00 PM The Omega Man (1971) GREAT DIRECTORS AT WARNER BROTHERS STEVEN SPIELBERG One Froggy Evening (1955) (cartoon) 8:00 PM The Color Purple (1985) 11:00 PM Empire of the Sun (1987) ROBERT ALTMAN 2:00 AM McCabe and Mrs. Miller (1971) 4:15 AM Countdown (1967) TUESDAY, APRIL 25 STUDIO CONTRACT PLAYERS ALEXIS SMITH 6:00 AM Night and Day (1946) 8:30 AM San Antonio (1945) ELEANOR PARKER 10:45 AM Pride of the Marines (1945) 1:00 PM Caged (1950) CAROL BAKER 3:00 PM Baby Doll (1956) 5:00 PM Cheyenne Autumn (1964) DORIS DAY Don’t Look Now (1936) (cartoon) Is it Love or Is it Conscription (Soundie) 8:00 PM Romance on the High Seas (1948) Doris Day on Doris Day (interstitial) 10:00 PM Calamity Jane (1953) NATALIE WOOD Robert Redford on Natalie Wood (interstitial) 12:00 AM Inside Daisy Clover (1965) 2:15 AM Sex and the Single Girl (1964) PATRICIA NEAL 4:15 AM Bright Leaf (1950) 6:15 AM The Breaking Point (1950) WEDNESDAY, APRIL 26 STUDIO CONTRACT PLAYERS JACK CARSON 8:00 AM Roughly Speaking (1945) 10:00 AM John Loves Mary (1949) JAMES GARNER 11:45 AM Up Periscope (1959) 1:45 PM Cash McCall (1960) TROY DONAHUE 3:30 PM A Summer Place (1959) 5:45 PM Rome Adventure (1962) JAMES DEAN Walky Talky Hawky (1946) (cartoon) Special introductions by Joanna Hogg and Wes Anderson 8:00 PM East of Eden (1955) 10:15 PM Rebel Without a Cause (1955) 12:15 AM Giant (1956) 3:45 AM Return to Giant (1996) 4:45 AM George Stevens: A Filmmaker’s Journey (1984) THURSDAY, APRIL 27 WARNER GETS MARRIED What a Character: William Frawley (interstitial) 6:45 AM The Bride Came C.O.D. (1941) What a Character: Hattie McDaniel (interstitial) 8:30 AM Janie Gets Married (1946) 10:15 AM June Bride (1948) WARNER RAISESAFAMILY 12:00 PM Room for One More (1952) 1:45 PM Four Daughters (1938) Feed the Kitty (1952) (cartoon) 3:30 PM Spencer’s Mountain (1963) 5:30 PM The Sundowners (1960) GREAT DIRECTORS AT WARNER BROTHERS CLINT EASTWOOD The Three Little Bops (1957) (cartoon) 8:00 PM Bird (1988) 11:00 PM Unforgiven (1992) ALAN J. PAKULA 1:30 AM Klute (1971) 3:30 AM Rollover (1981) SIDNEY LUMET 5:30 AM Bye Bye Braverman (1968) 7:15 AM Deathtrap (1982) FRIDAY, APRIL 28 WARNER GOESALITTLE BIT COUNTRY 9:15 AM Every Which Way But Loose (1978) 11:15 AM Honeysuckle Rose (1980) WARNER GOESALITTLE BIT ROCK ‘N ROLL Kurt Russell on Elvis Presley (interstitial) 1:30 PM This is Elvis (1981) 3:30 PM The Song Remains the Same (1976) 6:00 PM Jimi Hendrix (1973) WARNER BROTHERS REINVENTS THE CONCERT FILM... Long-Haired Hare (1949) (cartoon) 8:00 PM Woodstock The Director’s Cut (1970) ...AND VENTURES INTO BLAXPLOITATION The Best of Blaxploitation (interstitial) 12:00 AM Super Fly (1972) 2:00 AM Black Belt Jones (1974) 3:30 AM Cleopatra Jones (1973) 5:00 AM Black Samson (1974) SATURDAY, APRIL 29 WARNER HAS SOME FUN What a Character: Edward Brophy (interstitial) 6:30 AM A Slight Case of Murder (1938) What a Character: Guy Kibbee (interstitial) 8:00 AM The Horn Blows at Midnight (1945) What a Character: Mary Wickes (interstitial) 9:30 AM The Man Who Came to Dinner (1942) 11:30 AM No Time for Sergeants (1958) 1:45 PM Auntie Mame (1958) 4:15 PM What’s Up, Doc? (1972) 6:00 PM The In-Laws (1979) INTIMATE STORIES BREAK THROUGH My Bunny Lies Over the Sea (1948) (cartoon) 8:00 PM Local Hero (1983) 10:00 PM Crossing Delancey (1988) 12:00 AM Torch Song Trilogy (1988) 2:30 AM Running on Empty (1988) 4:30 AM The Great Santini (1979) SUNDAY, APRIL 30 WARNER SEEKS THE TRUTH 6:30 AM Sunrise at Campobello (1960) 9:00 AM A Cry in the Dark (1988) Tortoise Beats Hare (1941) (cartoon) 11:30 AM Chariots of Fire (1981) 2:00 PM The Right Stuff (1983) 5:30 PM The Killing Fields (1984) AND THE TRADITION CONTINUES, WHERE EVERY STORY MATTERS Rabbit of Seville (1950) (cartoon) 8:00 PM Malcolm X (1992) 11:30 PM Million Dollar Baby (2004) 2:00 AM Argo (2012) OVERNIGHT FEATURE 4:15 AM Going in Style (1979) 
submitted by OalBlunkont to classicfilms [link] [comments]


2022.10.26 03:14 wtfwafflezor (Selling) 800 Titles

Prices FIRM - CashApp/Venmo/PayPal Friends & Family
Disney/Marvel titles are split codes. Only redeem what you pay for. Thank you.
10 Cloverfield Lane (2016) (Vudu/4K) $6 (iTunes/4K) $4.50 (Vudu/HD) $2.75
12 Strong (2018) (MA/HD) $2.50
12 Years a Slave (2013) (MA/HD) $4
15:17 To Paris (2018) (MA/HD) $2.75
2001 Maniacs (2005) (Vudu/HD) $2.75
2001: A Space Odyssey (1968) (MA/4K) $6
2012 (2009) & Godzilla (1998) (MA/HD) $6.50
21 Jump Street (2012) (MA/4K) $7 (MA/HD) $3
3 From Hell (Vudu/4K) (iTunes/4K) $2.75
3:10 to Yuma (2007) (Vudu/4K) (iTunes/4K) $6.50
31 (2016) (Vudu/HD) $2.75
355 (2022) (MA/HD) $6.50
42: The Jackie Robinson Story (2013) (MA/HD) $2
A Bad Moms Christmas (2017) (iTunes/4K) $3
A Clockwork Orange (1972) (MA/4K) $7
A Dog's Way Home (2019) (MA/HD) $3.25
A Journal For Jordan (2021) (MA/HD) $4.75
A Most Wanted Man (2014) (Vudu/HD) $4.50
A Nightmare on Elm Street (1984) (MA/HD) $6
A Nightmare on Elm Street (2010) (MA/HD) $6.50
A Quiet Place (2018) (Vudu/4K) $5.25 (Vudu/HD) (iTunes/4K) $1.75
A Quiet Place Part II (2020) (iTunes/4K) (Vudu/HD) $5
A Simple Favor (2018) (iTunes/4K) (Vudu/HD) $3.25
A Star is Born (2018) (MA/HD) $4
About Time (2013) (MA/HD) (iTunes/HD) $6
Abraham Lincoln: Vampire Hunter (2012) (MA/HD) $4.75
Accountant (2016) (MA/4K) $6 (MA/HD) $5.50
Addams Family (2019) (iTunes/4K) $5.50
Addams Family 2 (2021) (iTunes/4K) $6.50
Addams Family, The (1991) (Vudu/4K) (iTunes/4K) $6
Adventures of Sharkboy and Lavagirl (2005) (Vudu/HD) (iTunes/HD) $6
Age of Adaline (2015) (Vudu/HD) (iTunes/HD) $4.50
Aladdin (2019) (MA/4K) $6.75 (iTunes/4K) (MA/HD) $4.75 (GP/HD) $1.75
Alice Through the Looking Glass (2016) (MA/HD) $6.50 (GP/HD) $4.50
Alien (1979) (iTunes/4K) (MA/HD) $6
Alien 3 (1992) (MA/HD) $6
Alien Resurrection (1997) (MA/HD) $6
Alien: Covenant (2017) (iTunes/4K) (MA/HD) $2.75
Aliens (1986) (MA/HD) $6.25
Alita: Battle Angel (2019) (MA/4K) $6.25 (MA/HD) $4.75
Allied (2016) (Vudu/HD) $4.25
Almost Famous (2000) (Vudu/4K) (iTunes/4K) $7
Alpha Dog (2007) (iTunes/HD) Ports to MA $6
Alvin and the Chipmunks: The Squeakquel (2009) (MA/HD) $5.75
Ambulance (2022) (MA/HD) $7.25
American Gangster (Extended Edition) (2007) (iTunes/4K) (MA/HD) $6.75
American Made (2017) (MA/HD) $4.75
American Psycho (Uncut) (2000) (Vudu/4K) $2.75
American Sniper (2014) (MA/4K) $6 (MA/HD) $1
American Underdog (2021) (Vudu/4K) $6.50 (Vudu/HD) (iTunes/4K) $5
Angel Has Fallen (2019) (Vudu/4K) (iTunes/4K) $5.50
Angel Heart (1987) (Vudu/4K) $2.75
Anna (2019) (Vudu/4K) (iTunes/4K) $4.75
Annabelle (2014) (MA/4K) $6.50 (MA/HD) $4
Annabelle Comes Homes (2019) (MA/4K) $6 (MA/HD) $5.50
Annabelle Creation (2017) (MA/4K) $6.50 (MA/HD) $5.50
Annie (2014) (MA/HD) $2.75
Annihilation (2018) (Vudu/HD) $2.75 (iTunes/4K) $2.25
Antebellum (2020) (Vudu/4K) (iTunes/4K) $2.75
Antlers (2021) (MA/HD) $4.75 (GP/HD) $3.75
Antz (1998) (MA/HD) $6.25
Aquaman (2018) (MA/4K) $4.75 (MA/HD) $3.25
Aristocats (1970) (MA/HD) $7 (GP/HD) $5
Astro Boy (2009) (Vudu/HD) $4.75
ATL (2006) (MA/HD) $5.75
Baby Driver (2017) (MA/HD) $4.25
Back to the Future (1985) (iTunes/4K) (MA/HD) $5
Back to the Future 3-Movie (MA/4K) $13 (MA/HD) $8
Bad Guys, The (2022) (MA/4K) $9.50 (MA/HD) $6.50
Band of Brothers (2001) (iTunes/HD) $7 (GP/HD) $3.50
Batman Beyond: The Complete Series (1999) (Vudu/HD) $23
Batman Forever (1995) (MA/4K) $6.50
Batman v Superman: Dawn of Justice (2016) (MA/4K) $5.75
Batman, The (2022) (MA/4K) $7.75 (MA/HD) $4.25
Batman: Hush (2019) (MA/HD) $4.75
Batman: Soul of the Dragon (2021) (MA/HD) $4.50
Batman: The Complete Animated Series (1992) (Vudu/HD) $14.50
Batman: The Complete Series (2004) (Vudu/HD) $16
Batman: The Dark Knight Returns - Part 1 (2012) (MA/HD) $2.75
Batman: The Killing Joke (2016) (MA/HD) $4.50
Batman: The Long Halloween Deluxe Edition (2022) (MA/HD) $9.75
Batman: The Long Halloween Part 1 (2021) (MA/4K) $6.50 (MA/HD) $4.50
Batman: The Long Halloween Part Two (2021) (MA/4K) $6.50 (MA/HD) $5.50
Battleship (2012) (MA/4K) $4.75 (MA/HD) $1.75 (iTunes/4K) $3.75
Baywatch (2017) (iTunes/4K) (Vudu/HD) $2
Be Kind Rewind (2008) (MA/HD) $6.50
Beast (2022) (MA/HD) $7.75
Beauty and the Beast (1991) (MA/4K) $7 (iTunes/4K) (MA/HD) $5.50 (GP/HD) $2.50
Bedknobs and Broomsticks (1971) (MA/HD) $5.50 (GP/HD) $3.25
Beetlejuice (1988) (MA/4K) $6.50 (MA/HD) $5.50
Belfast (2021) (MA/HD) $6.50
Best in Show (2000) (MA/HD) $6.50
Beverly Hills Cop (1984) (Vudu/4K) (iTunes/HD) $4.75
Big (1988) (MA/HD) $6.25
Bill & Ted 3-Movie (Vudu/HD) $10.50
Black Mass (2015) (MA/HD) $4
Black Phone, The (2021) (MA/HD) $8.25
Black Swan (2010) (MA/HD) $4.25
Blacklight (2022) (MA/HD) $6
Blade Runner (Final Cut) (1982) (MA/4K) $6
Blade Runner 2049 (2017) (MA/4K) $6 (MA/HD) $3.25
Blair Witch (2016) (Vudu/4K) $2.75 (Vudu/HD) $2.75
Bleed for This (2016) (MA/HD) (iTunes/HD) $4.50
Bloodshot (2020) (MA/HD) $4.50
Blue Bayou (2021) (MA/HD) $5.50
Blue Mountain State: The Rise of Thadland (2016) (Vudu/HD) $5.50
Blumhouse's Truth Or Dare (Unrated) (2018) (MA/HD) $5
Bob's Burgers Movie (2022) (MA/HD) $4.25 (GP/HD) $3.50
Bohemian Rhapsody (2018) (MA/4K) $5.50 (MA/HD) $3.50
Bond: Tomorrow Never Dies (1997) (Vudu/HD) $6.75
Bone Collector, The (1999) (MA/HD) $3.50
Book of Henry (2017) (MA/HD) (iTunes/HD) $5.75
Boss Baby: Family Business (2021) (MA/HD) $5.50
Bourne 5-Movie (iTunes/4K) $20 (MA/HD) $16
Bourne Identity (2002) (MA/4K) $3.50 (iTunes/4K) $5 (MA/HD) $3.25
Boxtrolls, The (2014) (iTunes/HD) $5.25
Boy, The (2016) (MA/HD) (iTunes/HD) $4
Brahms: The Boy II (2020) (iTunes/4K) $2.25
Breakdown (1997) (Vudu/HD) (iTunes/HD) $6.25
Breakfast Club (1985), Weird Science (2008), Sixteen Candles (1984) (MA/HD) $11
Breaking In (Unrated) (2018) (MA/HD) $4.25
Bridget Jones's Diary (2001) (Vudu/HD) (iTunes/HD) $4.50
Broken Hearts Gallery (2020) (MA/HD) $4.25
Bugsy Malone (Vudu/HD) (iTunes/HD) $6
Bullet to the Head (2013) (MA/HD) $3.50
Bullet Train (2022) (MA/HD) $6.25
Bye Bye Man (Unrated) (2017) (iTunes/HD) Ports to MA $2.75
Cabin in the Woods (2012) (Vudu/4K) $2.75 (iTunes/4K) (Vudu/HD) $2.25
Caddyshack (1980) (MA/HD) $6.50
Campaign (2012) (MA/HD) $1.25
Candyman (2020) (MA/HD) $4.75
Cantinflas (2014) (Vudu/HD) $5.50
Card Counter, The (2021) (MA/HD) $5.75
Case for Christ, The (2017) (MA/HD) $5
Casino (1995) (MA/4K) $7
Casino Royale (2006), Quantum of Solace (2008), Skyfall (2012), Spectre (2015) (Vudu/HD) $14
Casper (1995) (MA/HD) $4.75 (iTunes/HD) $3.75
Cat's Eye (1985) (MA/HD) $6
Catwoman: Hunted (2021) (MA/HD) $4.75
Change-Up, The (2011) (Unrated) (2011) (iTunes/HD) Ports to MA $5.75
Chaos Walking (2021) (Vudu/4K) (iTunes/4K) $5.75
Chappaquiddick (2007) (Vudu/4K) (iTunes/4K) $5
Chappie (2015) (MA/HD) $2.75
Charlie's Angels (2019) (MA/4K) $6.75 (MA/HD) $5.75
Children, The (2008) (Vudu/HD) $2.75
Child's Play (2019) (Vudu/HD) (iTunes/HD) $7
Chronicle (2012) (MA/HD) $5
Chronicles of Riddick (Unrated Director's Cut) (2004) (MA/HD) (iTunes/HD) $5.50
Cinderella (1950) (MA/HD) $6.25 (GP/HD) $4
Cinderella (2015) (iTunes/4K) (MA/HD) $6.25 (GP/HD) $3
Cinderella 'Camila Cabello' (2021) (MA/HD) $5
Cinderella II: Dreams Come True (2002) (MA/HD) $7 (GP/HD) $5.50
Clifford the Big Red Dog (2021) (Vudu/4K) $6.25 (iTunes/4K) (Vudu/HD) $4.25
Cloudy With a Chance of Meatballs 2 (2013) (MA/HD) $4 (MA/SD) $2.75
Cloverfield (2008) (Vudu/4K) (iTunes/4K) $7
Clown (2014) (Vudu/HD) $2.75
Clue (1985) (Vudu/HD) (iTunes/HD) $6
Coal Miner's Daughter (1980) (MA/HD) (iTunes/HD) $6.75
Conjuring (2013) (MA/4K) $6.50 (MA/HD) $1.50
Conjuring (2013), Conjuring 2 (2016), 3: The Devil Made Me Do It (2021) (MA/HD) $11.50
Conjuring 2 (2016) (MA/HD) $5.75
Conjuring 3: The Devil Made Me Do It (2021) (MA/4K) $6.50 (MA/HD) $4.75
Constantine (2005) (MA/HD) $6
Constantine: City of Demons (2018) (MA/4K) $6 (MA/HD) $4.25
Constantine: The House of Mystery (2022) (MA/HD) $4.25
Contact (1997) (MA/HD) $6
Contagion (2011) (MA/HD) $2
Contraband (2012) (iTunes/HD) Ports to MA $2.50
Contractor (2022) (iTunes/4K) (Vudu/HD) $6
Cooties (2014) (Vudu/HD) $2.75
Corpse Bride (2005) (MA/HD) $6
Countdown (2019) (iTunes/4K) $2.50
Cowboys and Aliens (2011) (iTunes/HD) Ports to MA $2.50
Crawl (2019) (Vudu/HD) $2.25 (iTunes/4K) $2
Crazy, Stupid, Love (2011) (MA/HD) $2
Creed (2015) (Vudu/HD) $4
Creed II (2018) (Vudu/HD) $4
Creepshow (1982) (MA/HD) $6
Criminal (2016) (Vudu/4K) (iTunes/4K) $6
Critters Attack! (2019) (MA/HD) $4.50
Croods 2-Movie (2013) & A New Age (2020) (MA/HD) $7.50
Croods: A New Age (2020) (MA/HD) $6
Crow, The (1994) (Vudu/HD) (iTunes/HD) $5.50
Cruella (2021) (MA/4K) $6 (MA/HD) $4 (GP/HD) $3
Cry Macho (2021) (MA/HD) $4.25
Cult of Chucky (Unrated) (2017) (MA/HD) $4 (iTunes/HD) $2.50
Curse of Chucky (Unrated) (2013) (MA/HD) (iTunes/HD) $3.75
Curse of La Llorona (2019) (MA/4K) $6.50 (MA/HD) $5.50
Cyrano (2021) (iTunes/4K) $6.75
Daddy's Home 1-2 (iTunes/4K) (Vudu/HD) $5.50
Dances With Wolves (1990) (Vudu/HD) $6.50
Daniel Craig - Casino Royale (2006), Quantum of Solace (2008), Skyfall (2012), Spectre (2015), No Time to Die (2021) (Vudu/4K) $20
Dark Shadows (2012) (MA/HD) $1.50
Dark Tower (2017) (MA/HD) $3.25
Darkest Hour (2017) (MA/4K) $6 (MA/HD) $3.25
Daybreakers (2010) (Vudu/4K) $2.75
DC League of Super-Pets (2022) (MA/HD) $7.50
Dead Man Down (2013) (MA/HD) $5.25
Dear Evan Hansen (2021) (MA/HD) $5
Death on the Nile (2022) (MA/HD) $5.75 (GP/HD) $3.75
Den of Thieves (2018) (iTunes/HD) $1.75
Descent, The (2005) (Vudu/HD) $2.75
Despicable Me (2010), DM 2 (2013), DM 3 (2017), Minions (2015), Secret Life of Pets (2016), 2 (2019), Sing (2016), Hop (2011), Lorax (2012), Grinch (2018) (MA/HD) $21
Detroit (2017) (iTunes/4K) (MA/HD) $5
Devil (2010) (MA/HD) $3.50
Devil Inside (2012) (Vudu/HD) $4
Devil Wears Prada (2006) (MA/HD) $5.75
Devil's Due (2014) (MA/HD) $2.75
Die Hard 1-5 (MA/HD) $16 $4.75 Each
Dirty Grandpa (2016) (Vudu/4K) (iTunes/4K) $6.50
Doctor Sleep + Director's Cut (2019) (MA/4K) $6.50 (MA/HD) $4.25
Doctor Strange in the Multiverse of Madness (2022) (MA/4K) $6.75 (MA/HD) $3.50 (GP/HD) $2.50
Dog (2022) (Vudu/HD) $6.25
Dolittle (2020) (MA/4K) $6.50 (MA/HD) $3.25
Dolphin Tale (2011) & 2 (2014) (MA/HD) $4 $2.75 Each
Don't Breathe (2016) (MA/HD) $5.75
Don't Tell a Soul (2021) (Vudu/HD) (iTunes/HD) $5
Dope (2015) (iTunes/HD) Ports to MA $6
Dora and the Lost City of Gold (2019) (Vudu/4K) $6 (Vudu/HD) $5.75 (iTunes/4K) $4.50
Downton Abbey (2019) (MA/HD) $6.25
Downton Abbey: A New Era (2022) (MA/HD) $5.75
Dr. Seuss' Horton Hears a Who (2008) (MA/HD) $6.25
Dracula (1931), Frankenstein (1931), The Bride of Frankenstein (1935), The Wolf Man (1941), The Invisible Man (1933), The Mummy (1932) (MA/HD) $18
Dracula 2000 (2000), II: Ascension (2003) (Vudu/HD) (iTunes/HD) $10.50 $6 Each
Drag Me to Hell (Unrated) (2009) (MA/HD) $3.50
Dragonheart 5-Movie (MA/HD) $15
Dreamkatcher (2020) (Vudu/HD) $2.75
Dredd (2012) (Vudu/4K) $4.75 (iTunes/4K) (Vudu/HD) $4
Dumb and Dumber To (2014) (iTunes/HD) Ports to MA $3.25
Dune (2021) (MA/4K) $6 (MA/HD) $4.25
Dunkirk (2017) (MA/4K) $6 (MA/HD) $2.50
Edward Scissorhands (1990) (MA/HD) $3
El Chicano (2019) (MA/HD) $5.75
Ella Enchanted (2004) (Vudu/HD) (iTunes/HD) $6
Elvis (2022) (MA/HD) $6.75
Elysium (2013) & District 9 (2009) (MA/HD) $8
End of Watch (2012) (iTunes/HD) Ports to MA $5
Enemies Closer (2013) (Vudu/HD) $4
English Patient (1996) (Vudu/HD) (iTunes/HD) $5.25
Enough Said (2013) (MA/HD) $2.50
Equalizer (2014) (MA/HD) $4
Equalizer 2 (2018) (MA/4K) $7.75 (MA/HD) $3
Escape from L.A (1996) (Vudu/4K) (iTunes/4K) $7
Everything Everywhere All at Once (2022) (Vudu/4K) $9.50
Evil Dead (1981) (Vudu/4K) $4.50
Evil Dead II (1987) (Vudu/4K) $2.75
Ex Machina (2015) (Vudu/HD) $4.50
Exodus: Gods and Kings (2014) (iTunes/4K) (MA/HD) $3.50
Exorcist: The Version You've Never Seen (2000) (MA/HD) $6.50
Expendables 1-3 (Vudu/HD) $4.50
Extremely Loud & Incredibly Close (2011) (MA/HD) $1.50
Eyes of Tammy Faye (2021) (GP/HD) Ports to MA $4.50
F9: The Fast Saga + Director's Cut (2021) (MA/4K) $6 (MA/HD) $3.75
Fantastic Beasts Collection 1-3 (MA/HD) $11
Fantastic Beasts: The Secrets of Dumbledore (2022) (MA/4K) $6.75 (MA/HD) $5
Fast & Furious Collection 1-8 (MA/4K) $27
Fast & Furious Collection 1-9 (MA/HD) $10
Father Stu (2022) (MA/HD) $6.75
Fatherhood (2021) (MA/HD) $4.50
Fatman (2020) (Vudu/HD) (iTunes/HD) $5.50
Field of Dreams (1989) (iTunes/4K) (MA/HD) $6.50
Fifty Shades of Grey 3-Movie + Unrated (MA/HD) $11
Final Score (2018) (Vudu/HD) $4
Finding Dory (2016) (MA/4K) $6 (iTunes/4K) $4 (GP/HD) $1.75
Finest Hours, The (2016) (MA/HD) $7 (GP/HD) $4.50
First Man (2018) (MA/HD) $4.75
First Purge (2018) (MA/HD) $5
Five Feet Apart (2019) (iTunes/4K) (Vudu/HD) $2.75
Flatliners (2017) (MA/HD) $4.50
Focus (2015) (MA/HD) $2.50
Forbidden Kingdom (2008) (Vudu/HD) $4.25
Ford v Ferrari (2019) (MA/HD) $5.25
Forever Purge (2021) (MA/HD) $6
Fortress: Sniper's Eye (2022) (iTunes/4K) (Vudu/HD) $4.50
Founder (2017) (Vudu/HD) (iTunes/HD) $4.25
Fox and the Hound (1981) (MA/HD) $7 (GP/HD) $5.50
Foxcatcher (2014) (MA/HD) $4.50
Frailty (2001) (Vudu/HD) $2.75
Frankenstein (1931) (MA/HD) (iTunes/HD) $5
Freaky (2020) (MA/HD) $7
Freddy vs. Jason (2003) (MA/HD) $6
Free Guy (2021) (MA/4K) $7.75 (MA/HD) $5.25 (GP/HD) $3.75
Free Willy (1993) (MA/HD) $6.50
French Dispatch (2021) (MA/HD) $5.75 (GP/HD) $3.75
Friday Night Lights (2004) (MA/HD) $3.50
Friday The 13th 1-8 (Vudu/HD) (iTunes/HD) $25
From Dusk till Dawn (1996) (Vudu/HD) (iTunes/HD) $4.75
Frozen 2 (2019) (MA/4K) $4.75 (iTunes/4K) (MA/HD) $4 (GP/HD) $1.75
Full Metal Jacket (1987) (MA/4K) $6.25
G.I. Joe: Retaliation (2013) (iTunes/4K) (Vudu/HD) $4.25
Galaxy Quest (1999) (Vudu/HD) (iTunes/HD) $6
Gallowwalkers (2012) (Vudu/HD) $2.75
Gamer (2009) (Vudu/4K) (iTunes/4K) $5.50
Gangs of New York (2002) (Vudu/HD) (iTunes/HD) $4.75
Gangster Squad (2013) (MA/HD) $2.25
Gate, The (1987) (Vudu/SD) $2.75
Gemini Man (2019) (Vudu/4K) $6.25 (iTunes/4K) (Vudu/HD) $2.50
Geostorm (2017) (MA/4K) $5.50 (MA/HD) $4.25
Get Out (2017) & Us (2019) (MA/4K) $13
Get Out (2017) (MA/4K) $7 (iTunes/4K) (MA/HD) $4
Ghost in the Shell (1995) (Animated) (Vudu/4K) $4.25
Ghost In The Shell (2017) (Vudu/HD) $2 (iTunes/4K) $2.75
Ghostbusters (1984) (MA/HD) $3.75
Ghostbusters + Extended (2016) (MA/4K) $6.75 (MA/HD) $3.50
Ghostbusters II (1989) (MA/HD) $3.75
Ghostbusters: Afterlife (2021) (MA/4K) $7.25 (MA/HD) $4.50
Gifted (2017) (MA/HD) $5.50
Girl with All the Gifts, The (2016) (Vudu/HD) $2.75
Gladiator (2000) (Vudu/4K) $6.25 (iTunes/4K) (Vudu/HD) $5.50
Glass (2019) (MA/4K) $6.75 (MA/HD) $4.75
Godfather Trilogy (iTunes/4K) (Vudu/HD) $13.50
Godfather, Coda: The Death of Michael Corleone (2020) (iTunes/4K) (Vudu/HD) $5.50
Gods and Generals (2003) (MA/HD) $6
Gods of Egypt (2016) (Vudu/4K) $5.75 (iTunes/4K) (Vudu/HD) $1.50
Godzilla (2014) (MA/4K) $6.25 (MA/HD) $1.75
Godzilla vs. Kong (2021) (MA/4K) $6 (MA/HD) $3.75
Godzilla vs. Kong (2021), Godzilla: King Of The Monsters (2019), Kong: Skull Island (2017) (MA/HD) $7
Godzilla: King of the Monsters (2019) (MA/4K) $6.50 (MA/HD) $3.75
Gone Girl (2014) (iTunes/4K) (MA/HD) $6
Good Boys (2019) (MA/HD) $3.75
Good Burger (1997) (Vudu/HD) (iTunes/HD) $6
Good Dinosaur (2015) (iTunes/4K) (MA/HD) $6 (GP/HD) $3.50
Goodfellas (1990) (MA/4K) $7 (MA/HD) $5.25
Goonies (1985) (MA/4K) $6
Goosebumps (2015) (MA/HD) $5.50
Gothika (2003) (MA/HD) $6
Gotti (2018) (Vudu/HD) $2.50
Grease (1978), 2 (1982), Live! (2016) (Vudu/HD) (iTunes/HD) $14
Greatest Showman (2017) (MA/HD) $2.50
Green Knight (2021) (Vudu/4K) $5.75
Green Lantern: Beware My Power (2022) (MA/HD) $5.50
Gremlins (1984) (MA/4K) $6.25
Gremlins 2: The New Batch (1990) (MA/HD) $6.50
Gretel & Hansel (2020) (Vudu/HD) $2.75
Guest, The (2014) (MA/4K) $3.50
Hail, Caesar! (2016) (MA/HD) $4.25 (iTunes/HD) $2.75
Half Baked (1998) (MA/HD) $3.50
Half Brothers (2020) (MA/HD) $6
Halloween (2018) (MA/4K) $6.50
Halloween H20: 20 Years Later (1998), The Curse of Michael Myers (1995), Resurrection (2002) (Vudu/HD) (iTunes/HD) $11
Halloween Kills (2021) (MA/4K) $7.50 (MA/HD) $5.50
Hansel and Gretel: Witch Hunters (2013) (Vudu/HD) (iTunes/HD) $3
Happy Death Day (2017) (MA/HD) $5
Happy Death Day 2U (2019) (MA/HD) $5.75
Happy Feet (2006) & Two (2011) (MA/HD) $7 $4.25 Each
Happytime Murders (2018) (iTunes/4K) $1.50
Heaven is for Real (2014) (MA/HD) $2
Hell Fest (2018) (Vudu/4K) (iTunes/4K) $2.75
Hellboy (2019) (Vudu/4K) (iTunes/4K) $4.50
Her (2013) (MA/HD) $2.50
Hercules (2014) (iTunes/4K) (Vudu/HD) $2
Hereditary (2018) (Vudu/HD) $4
Hitchcock (2012) (iTunes/HD) Ports to MA $3.75
Hitman's Bodyguard (2017) (iTunes/4K) (Vudu/HD) $4.50
Hitman's Wife's Bodyguard (2021) (Vudu/4K) (iTunes/4K) $5
Hobbit 1-3 (Theatrical) (MA/4K) $18 (MA/HD) $7
Hobbs & Shaw (2019) (MA/4K) $6 (MA/HD) $4.25
Hocus Pocus (1993) (iTunes/4K) (MA/HD) $5.25 (GP/HD) $2.50
Home (2015) (MA/HD) $2.25
Home Alone 1-2 (MA/HD) $8
Honey: Rise Up & Dance (2018) (MA/HD) $3
Hot Seat (2022) (Vudu/HD) $4.25
Hotel Mumbai (2019) (MA/HD) $6.50
Hotel Transylvania (2012) (MA/HD) $6.75 (MA/SD) $2.75
Hotel Transylvania 3: Summer Vacation (2018) (MA/HD) $4.75
House of 1,000 Corpses (2003), Devil's Rejects (2005), 3 From Hell (2019) (Vudu/HD) $6
House of Gucci (2021) (iTunes/4K) $5.75
House of Wax (2005) (MA/HD) $6
House with a Clock in Its Walls (2018) (MA/4K) $6.50 (MA/HD) $4.50
How to Train Your Dragon 1-3 (MA/HD) $8.50 $4.75 Each
How to Train Your Dragon: The Hidden World (2019) (MA/4K) $6.25 (MA/HD) $4.75
Hugo (2011) (Vudu/4K) $6 (Vudu/HD) (iTunes/HD) $4.75
Hulk, The (2003) (iTunes/4K) (MA/HD) $7
Hunger Games 4-Movie (Vudu/HD) $7 (iTunes/4K) $12
Hunt, The (2019) (MA/HD) $6.50
Hurricane Heist (2018) (iTunes/4K) (Vudu/HD) $3.25
Hustle, The (2019) (iTunes/4K) $2.25
I Am Legend (2007) (MA/4K) $6
I Can Only Imagine (2018) (Vudu/HD) (iTunes/HD) $2.75
I Feel Pretty (2018) (iTunes/HD) $1
I See You (2019) (Vudu/HD) $4.75 (iTunes/HD) $2.50
I, Frankenstein (2014) (Vudu/HD) (iTunes/HD) $1.75
I, Tonya (2017) (MA/HD) $6.50
Ice Age: Collision Course (2016) (iTunes/4K) (MA/HD) $4.50
Ides of March (2011) (MA/HD) $5.75
Immortal Life Of Henrietta Lacks (2017) (iTunes/HD) $3.75
Impractical Jokers: The Movie (2020) (MA/HD) $5.25
Inception (2010) (MA/4K) $6 (MA/HD) $2.25
Incredible Hulk (2008) (MA/4K) $7.25 (MA/HD) $5.25
Incredibles (2004) (MA/4K) $8 (iTunes/4K) $6.75 (GP/HD) $5.25
Indiana Jones 1-4 (iTunes/4K) (Vudu/HD) $20
Indiana Jones and the Last Crusade (1989) (iTunes/4K) (Vudu/HD) $6
Indiana Jones and the Temple of Doom (1984) (iTunes/4K) (Vudu/HD) $5
Inferno (2016) (MA/HD) $4
Infinite (2021) (iTunes/4K) (Vudu/HD) $6
Ingrid Goes West (2017) (MA/HD) (iTunes/HD) $5.75
Inherent Vice (2014) (MA/HD) $2.25
Injustice (2021) (MA/HD) $4.75
Insidious (2011), Chapter 2 (2013), Chapter 3 (2015) (MA/SD) $11
Insidious: Chapter 2 (2013) (MA/HD) $5.50 (MA/SD) $2.75
Insidious: Chapter 3 (2015) (MA/HD) $6
Insidious: The Last Key (2018) (MA/HD) $3.50
Instant Family (2018) (iTunes/4K) (Vudu/HD) $1.50
Interview with the Vampire (1994) (MA/HD) $6
Intruder (2019) (MA/HD) $6
Invisible Man (2020) (MA/4K) $6.75 (MA/HD) $4
Iron Man (2008) (MA/4K) $7.50 (iTunes/4K) $6.50 (GP/HD) $3.25
Iron Man 2 (2010) (MA/4K) $7.50 (iTunes/4K) $6.50 (GP/HD) $3.25
Irresistible (2020) (MA/HD) $5.50
It (2017) & It Chapter Two (2019) (MA/4K) $12 (MA/HD) $7.25
IT (2017) (MA/HD) $3.25
It Chapter Two (2019) (MA/4K) $5.75 (MA/HD) $4.25
It Follows (2015) (Vudu/HD) $2.75
Jack Reacher 1-2 (Vudu/HD) $7 (iTunes/4K) $7.50
Jack Reacher: Never Go Back (2016) (Vudu/4K) $6.25 (iTunes/4K) (Vudu/HD) $3.25
Jackass Forever (2022) (iTunes/4K) (Vudu/HD) $5.25
Jackie Brown (1997) (Vudu/HD) (iTunes/HD) $4
Jacob's Ladder (1990) (Vudu/HD) $2.75
Jason Goes to Hell (1993) (MA/HD) $6
Jason Statham 6-Movie (Wild Card, War, Bank Job, Transporter 3, Crank, Crank 2) (Vudu/HD) $11
Jason X (2001) (MA/HD) $6
Jaws (1975) (MA/4K) $6.75 (iTunes/4K) (MA/HD) $5.25
Jaws (1975) Jaws 2 (1978) Jaws 3 (1983) Jaws: The Revenge (1987) (MA/HD) $16.50
Jay and Silent Bob Reboot (2019) (Vudu/HD) (iTunes/HD) $3.75
Jerry Maguire (1996) (MA/HD) $6.75
Jesus Music, The (2021) (Vudu/HD) (iTunes/HD) $5.75
Jexi (2019) (Vudu/4K) (iTunes/4K) $3.50
Jigsaw (2017) (Vudu/4K) $2.75 (iTunes/4K) (Vudu/HD) $2.25
Jiu Jitsu (2020) (Vudu/HD) (iTunes/HD) $5.50
John Wick Collection 1-3 (Vudu/4K) $16 (iTunes/4K) $14.50 (Vudu/HD) $8.50
Jojo Rabbit (2019) (MA/HD) $6.75
Joker (2019) (MA/4K) $5 (MA/HD) $3
Joseph: King of Dreams (2000) (MA/HD) $5.50
Journey 2: The Mysterious Island (2012) (MA/HD) $2
Joy (2015) (iTunes/4K) (MA/HD) $2.25
Jumanji: Next Level (2019) & Welcome to the Jungle (2017) (MA/HD) $7.50
Jumanji: The Next Level (2019) (MA/HD) $5.25
Jumanji: Welcome To The Jungle (2017) (MA/4K) $6 (MA/HD) $2.25 (MA/SD) $1
Jungle Book (1967) (MA/HD) $6.75 (GP/HD) $4.75
Jupiter Ascending (2015) (MA/HD) $2
Jurassic World Collection 1-5 (MA/HD) $12
Jurassic World Collection 1-6 (MA/4K) $26 (MA/HD) $15
Jurassic World: Dominion + Extended Cut (2022) (MA/4K) $9.75 (MA/HD) $6.75
Just Mercy (2019) (MA/HD) $3
Justice League: Gods and Monsters (2015) (MA/HD) $5.25
Keeping Up with the Joneses (2016) (MA/HD) $3.50
Keeping Up with the Joneses (2016) (MA/HD) $5
Kick-Ass 2 (2013) (MA/HD) (iTunes/HD) $5.50
Kid, The (2019) (Vudu/4K) (iTunes/4K) $5.75
Kill Bill: Vol. 1 (2003) & Vol. 2 (2004) (Vudu/HD) $12 $6.50 Each
Killer Elite (2011) (iTunes/HD) Ports to MA $2.75
Killerman (2019) (Vudu/HD) $2.75 (iTunes/HD) $1.75
Killing Them Softly (2012) (Vudu/HD) $3.25
King Kong (2005) (MA/4K) $6 (iTunes/4K) $4 (MA/HD) $3.50
King of Staten Island (2020) (MA/HD) $5.25
King Richard (2021) (MA/4K) $6.25 (MA/HD) $4.50
Kitchen, The (2019) (MA/4K) $5.50 (MA/HD) $4.50
Krampus (2015) (iTunes/HD) Ports to MA $4.50
Kung Fu Panda 3-Movie (MA/HD) $13
L.A. Confidential (1997) (MA/HD) $6
Last Christmas (2019) (MA/HD) $5.75
Last Exorcism, The (2010) (Vudu/HD) (iTunes/HD) $2.75
Last Full Measure, The (2020) (Vudu/HD) (iTunes/HD) $5.25
Last Night in Soho (2021) (MA/HD) $6
Last Witch Hunter (2015) (Vudu/4K) $2.75 (iTunes/4K) (Vudu/HD) $2
Last Word (2017) (iTunes/HD) Ports to MA $5
Lawless (2012) (Vudu/HD) $4
Leap! (2017) (Vudu/HD) (iTunes/HD) $4
Leatherface (2017) (Vudu/HD) $2.75
Legend of Hercules (2014) (iTunes/4K) (Vudu/HD) $3.75
Legend of Tarzan (2016) (MA/HD) $2.25
LEGO Movie 2: The Second Part (2019) (MA/4K) $6 (MA/HD) $4.75
Leprechaun Returns (2018) (Vudu/HD) $2.75
Let Him Go (2020) (MA/HD) $4.50
Licence to Kill (1989) (Vudu/HD) $7
Life (2017) (MA/HD) $2.50
Life of Pi (2012) (MA/HD) $3
Light of My Life (2019) (Vudu/HD) (iTunes/HD) $2.25
Lightyear (2022) (MA/4K) $6.50 (MA/HD) $3.50 (GP/HD) $2.50
Like a Boss (2020) (iTunes/4K) (Vudu/HD) $2.50
Little (2019) (MA/HD) $5
Little Rascals, The (1994) (iTunes/HD) Ports to MA $6
Little Shop of Horrors (1986) (MA/HD) $6
Little Things, The (2021) (MA/HD) $3.75
Little Women (2019) (MA/HD) $4.25
Live Die Repeat: Edge of Tomorrow (2014) (MA/4K) $6 (MA/HD) $3.25
Logan (2017) (iTunes/4K) (MA/HD) $3.25
Logan Lucky (2017) (MA/HD) $1.75 (iTunes/4K) $2.25
Looney Tunes: Back in Action (2003) (MA/HD) $6.50
Lord of the Rings 3-Movie (Theatrical+Extended) (MA/4K) $16.50 (Theatrical) (MA/HD) $13.50
Lords of Salem, The (2012) (Vudu/HD) $2.75
Lost Boys, The (1987) (MA/4K) $6.50 (MA/HD) $6
Lost City, The (2022) (Vudu/4K) $7 (iTunes/4K) (Vudu/HD) $6
Love and Monsters (2020) (iTunes/4K) (Vudu/HD) $5
Lovebirds (2020) (Vudu/HD) (iTunes/HD) $6
Ma (2019) (MA/HD) $6
Mad Max (1980) (Vudu/4K) $8
Mad Max 2: The Road Warrior (1982) (MA/4K) $6.25
Mad Max 3: Beyond Thunderdome (1985) (MA/4K) $6.25
Madagascar 4-Movie (MA/HD) $14.50
Magic Mike (2012) & XXL (2015) (MA/HD) $4.50
Maleficent (2014) (MA/4K) $6.50 (iTunes/4K) (MA/HD) $3.50 (GP/HD) $1.75
Malignant (2021) (MA/4K) $6.50 (MA/HD) $5.50
Mama (2013) (MA/HD) $3.50
Mamma Mia! The Movie (2008) & Here We Go Again (2018) (MA/HD) $7 $5 Each
Man from U.N.C.L.E. (2015) (MA/4K) $6
Man Who Invented Christmas (2017) (MA/HD) $7
Many Saints of Newark (2021) (MA/HD) $5.25
Marksman, The (2021) (MA/HD) $6
Marry Me (2022) (MA/HD) $5.50
Matrix (1999), Reloaded (2003), Revolutions (2003), Resurrections (2021) (MA/4K) $23 (MA/HD) $13
Matrix Reloaded (2003) (MA/4K) $5.75
Matrix Revolutions (2003) (MA/4K) $5.75
Matrix, The (1999) (MA/4K) $5.75
Matrix: Resurrections (2021) (MA/4K) $6 (MA/HD) $4.25
Max (2015) (MA/HD) $3
Me Before You (2016) (MA/HD) $5.25
Meg, The (2018) (MA/4K) $5.75 (MA/HD) $3.75
Memory (2022) (MA/HD) $5.75
Men (2022) (Vudu/HD) $5.50
Men in Black 3 (2012) (MA/HD) $2.75
Mickey, Donald, Goofy: The Three Musketeers (2004) (MA/HD) $7 (GP/HD) $5.25
Midnight Meat Train (2008) (Vudu/HD) $2.75
Midsommar (2019) (Vudu/HD) $6.50
Mile 22 (2018) (iTunes/4K) $1.75
Milk (2008) (MA/HD) $3.50
Million Dollar Arm (2014) (MA/HD) $4.75 (GP/HD) $2.75
Minions (2015) (iTunes/4K) (MA/HD) $3
Minions: The Rise of Gru (2022) & Minions (2015) (MA/HD) $10
Minions: The Rise of Gru (2022) (MA/4K) $9.75 (MA/HD) $7.75
Miracles From Heaven (2016) (MA/HD) $5.50
Miss Bala (2019) (MA/HD) $4.25
Miss Peregrine’s Home for Peculiar Children (2015) (iTunes/4K) (MA/HD) $2.25
Mission: Impossible 1-6 (Vudu/4K) $28 (iTunes/4K) (Vudu/HD) $20
Mitchells Vs. The Machines (2021) (MA/HD) $5.50
Moana (2016) (MA/4K) $7 (iTunes/4K) (MA/HD) $5.25 (GP/HD) $2.25
Money Monster (2016) (MA/HD) $3.50
Monster Hunter (2020) (MA/4K) $7.50 (MA/HD) $4.75
Monster Trucks (2016) (Vudu/4K) $6 (iTunes/4K) (Vudu/HD) $2.25
Monsters University (2013) (MA/4K) $7 (iTunes/4K) $6.25 (GP/HD) $4
Monsters, Inc. (2001) (iTunes/4K) $7 (GP/HD) $4
Moonfall (2022) (Vudu/4K) (iTunes/4K) $6
Morbius (2022) (MA/4K) $7.50 (MA/HD) $4.50
Mortal Kombat (2021) (MA/4K) $6.25 (MA/HD) $4
Mortal Kombat Legends: Battle of the Realms (2021) (MA/HD) $5.50
Mortal Kombat Legends: Scorpion's Revenge (2020) (MA/4K) $6.50 (MA/HD) $3.75
Mother! (2017) (Vudu/HD) (iTunes/4K) $3.50
Mother's Day (2016) (MA/HD) $5.50
Mr & Mrs. Smith (2005) (MA/HD) $6
Mulan 2 (2005) (MA/HD) $4 (GP/HD) $3
Mule, The (2018) (MA/4K) $6 (MA/HD) $3.75
Mummy (1999), Returns (2001), Tomb of the Dragon Emperor (2008), Scorpion King (2002), Mummy (2017) (iTunes/4K) (MA/HD) $20
Mummy, The (2017) (iTunes/4K) (MA/HD) $2.75
Muppets Most Wanted (2014) (MA/HD) $7 (GP/HD) $5.25
My Girl (1991) & 2 (1994) (MA/SD) $7
National Lampoon's Animal House (1978) (MA/4K) $6.50 (iTunes/4K) (MA/HD) $6.25
Neighbors 2: Sorority Rising (2016) (iTunes/HD) Ports to MA $3.50
Neverending Story (1984) (MA/HD) $4.75
New Mutants (2020) (MA/4K) $7 (MA/HD) $5.75 (GP/HD) $2.75
New Year's Eve (2011) (MA/HD) $1.50
News of the World (2020) (MA/4K) $6.25 (MA/HD) $4.50
Nice Guys (2016) (MA/HD) $4.50
Night at the Museum 3-Movie (MA/HD) $15 $6 Each (MA/SD) $10
Night House, The (2021) (MA/HD) $6 (GP/HD) $4
Nightmare Alley (2021) (MA/HD) $4.75 (GP/HD) $4
Nightmare Before Christmas (1993) (MA/HD) $4.50 (GP/HD) $3
Ninth Gate, The (1999) (Vudu/HD) $2.75
No Time to Die (2021) (iTunes/4K) $4.25
Nobody (2021) (MA/HD) $3.50
Northman (2022) (MA/HD) $7.75
Now You See Me 1-2 (Vudu/HD) $4.50 (iTunes/HD) $6.50
Nun, The (2018) (MA/4K) $6.50 (MA/HD) $5.50
Ocean's 8 (2018) (MA/4K) $5.50
Old (2021) (MA/HD) $5.25
Once Upon A Time... In Hollywood (2019) (MA/4K) $7 (MA/HD) $5.50
Orphan (2009) (MA/HD) $6
Ouija (2014) (MA/HD) (iTunes/HD) $2.75
Our Kind of Traitor (2016) (Vudu/HD) $4
Over the Hedge (2006) (MA/HD) $6.50
Overlord (2018) (Vudu/4K) $5.25 (Vudu/HD) $2.75 (iTunes/4K) $3.50
Pacific Rim (2013) (MA/4K) $6 (MA/HD) $1.75
Paddington (2015) & 2 (2018) (Vudu/HD) $9
Paddington 2 (2018) (MA/HD) $3.75
Pan's Labyrinth (2006) (MA/4K) $6
ParaNorman (2012) (iTunes/HD) $5.25
Parasite (2019) (MA/4K) $7 (MA/HD) $5.25
Patriot, The (2000) (MA/4K) $7.75
Paw Patrol: The Movie (2021) (Vudu/4K) $6.50 (iTunes/4K) (Vudu/HD) $6
Pee-wee's Big Adventure (1985) (MA/HD) $6
Pet Sematary (1989) (iTunes/4K) (Vudu/HD) $4.25
Pet Sematary (2019) (Vudu/4K) $4.75 (iTunes/4K) (Vudu/HD) $3
Peter Rabbit (2018) & 2 (2021) (MA/HD) $10 $5.75 Each
Peter Rabbit (2018) (MA/4K) $6 (MA/HD) $5.75
Peter Rabbit 2 (2021) (MA/HD) $4.50
Phantom of the Opera, The (2004) (MA/HD) $6
Pinocchio (1940) (MA/HD) $6.25 (GP/HD) $4.50
Pirates of the Caribbean: Dead Men Tell No Tales (2017) (MA/HD) $3.75 (GP/HD) $1.75
Pitch Perfect (2012) (MA/4K) $3.50 (MA/HD) $3 (iTunes/4K) $4
Pitch Perfect 1-3 (MA/4K) $16.50 (MA/HD) $11
Pixels (2015) (MA/HD) $5
Planes: Fire & Rescue (2014) (MA/HD) $4.50 (GP/HD) $2.50
Planet of the Apes 1-3 (iTunes/4K) (MA/HD) $12
Planet of the Apes 1-9 (MA/HD) $25
Pokemon Detective Pikachu (2019) (MA/4K) $6
Poltergeist (1982) (MA/4K) $6.50
Post, The (2017) (MA/HD) $2.50
Predator (1987) (MA/HD) $3
Predator (1987), 2 (1990), Predators (2009), Predator (2018) $12
Predator (2018) (MA/4K) $6.25 (MA/HD) $2.50
Pretty in Pink (1986) (iTunes/4K) (Vudu/HD) $5
Project X (2012) (MA/HD) $2.25
Prometheus (2012) (MA/4K) $6.75 (MA/HD) $2.25
Prophecy Collection 1-5 (Vudu/HD) (iTunes/HD) $15
Psycho (1960) (MA/HD) $2.75 (iTunes/4K) $5.50
Punisher, The (2004) (Vudu/4K) $5.50
Punisher: War Zone (2008) (Vudu/4K) $5.50
Purge, The (2013) (MA/4K) $7 (iTunes/4K) (MA/HD) $3.25
Purge: Anarchy (2014) (MA/4K) $6.25 (iTunes/4K) (MA/HD) $5
Purge: Election Year (2016) (MA/4K) $3.50 (iTunes/4K) (MA/HD) $3.25
Rambo 1-5 (Vudu/HD) $17
Rango (2011) (Vudu/4K) (iTunes/4K) $6
Ready or Not (2019) (MA/HD) $6.75
Ready Player One (2018) (MA/4K) $6 (MA/HD) $3
Red Rocket (2021) (Vudu/HD) $5.25
Red Sparrow (2018) (MA/HD) $3
Reminiscence (2021) (MA/4K) $6.25 (MA/HD) $4.25
Rescuers Down Under (1990) (MA/HD) $7 (GP/HD) $4.75
Rescuers,The (1977) (MA/HD) $7 (GP/HD) $4.75
Resident Evil: Retribution (2012) (MA/HD) $2.75
Resident Evil: The Final Chapter (2017) (MA/HD) $3.25
Resident Evil: Welcome to Raccoon City (2021) (MA/HD) $5.25
Respect (2021) (iTunes/4K) $5.50
Richard Jewell (2019) (MA/4K) $5.75 (MA/HD) $3.50
Rick and Morty: Season 1-5 (Vudu/HD) $15.50 Seasons 1-4 (Vudu/HD) $12
Riddick - Unrated Director's Cut (2013) (MA/4K) $3.50
Ride Along 1-2 (MA/HD) (iTunes/HD) $5 $2.75 Each
Rings (2017) (Vudu/HD) $3 (iTunes/HD) $1.50
Road to El Dorado (2000) (MA/HD) $5.50
Robin Hood (2018) (Vudu/4K) $5.50 (iTunes/4K) (Vudu/HD) $3.50
Robin Hood (Animated) (1973) (MA/HD) $4.25 (GP/HD) $3.25
Rock of Ages (2012) (MA/HD) $2 Extended Edition (MA/HD) $2.75
Rogue (2020) (Vudu/4K) (iTunes/4K) $4
Roman J. Israel, Esq. (2017) (MA/HD) $2.25 (MA/SD) $1.25
Room (2015) (Vudu/HD) $5.50
Roots: Season 1 (2016) (Vudu/SD) $8.75
Rosemary's Baby (1968) (Vudu/HD) (iTunes/HD) $6
Rounders (1998) (Vudu/HD) $6.25
Rugrats Go Wild (2003) (Vudu/4K) (iTunes/4K) $6
Rugrats in Paris (2000) (Vudu/4K) (iTunes/4K) $6
Rugrats Movie, The (1998) (Vudu/4K) (iTunes/4K) $6
Rush Hour 1, 2 (MA/HD) 3 (MA/SD) $14
Russell Madness (2015) (MA/HD) $4.75
Santa Clause (1994), 2 (2002), 3 (2006) (iTunes/4K) (MA/HD) $14 (GP/HD) $10
Savages (2012) (iTunes/HD) Ports to MA $2.50
Saw (2004) (Vudu/4K) (iTunes/4K) $2.75
Saw 7-Movies (Vudu/HD) $10.50
Scary Movie 2 (2001) (Vudu/HD) (iTunes/HD) $4.50
Scary Movie 3 (2003) (Vudu/HD) (iTunes/HD) $4
Scary Stories to Tell in the Dark (2019) (Vudu/4K) (iTunes/4K) $2.75
Scooby-Doo (2002) (MA/HD) $6
Scooby-Doo 2: Monsters Unleashed (2004) (MA/HD) $6
Scouts Guide to the Zombie Apocalypse (2015) (Vudu/HD) $3.75 (iTunes/HD) $2.50
Scream (1996) (Vudu/4K) $6 (iTunes/4K) (Vudu/HD) $4
Scream 3-Movie (Vudu/HD) (iTunes/HD) $13.50 $6 Each
Scream 5 (2022) (Vudu/4K) $6.75 (iTunes/4K) (Vudu/HD) $4
Searching (2018) (MA/HD) $6.25
Seeking a Friend for the End of the World (2012) (iTunes/HD) Ports to MA $4.50
Serenity (2005) (MA/HD) $3.75
Shaft (2019) (MA/HD) $4.25
Shape of Water (2017) (MA/HD) $3.75
Shaun of the Dead (2004), Hot Fuzz (2007), World's End (2013) (MA/HD) $10
Shazam! (2019) (MA/4K) $6 (MA/HD) $4.25
Sherlock Gnomes (2018) (Vudu/4K) $6 (Vudu/HD) $2.75 (iTunes/4K) $2
Sherlock Holmes (2009) (MA/4K) $5.50
She's Having a Baby (1988) (Vudu/HD) (iTunes/HD) $5
Shining (1980) (MA/4K) $6
Shivers (1975) (Vudu/HD) $2.75
Show, The (2020) (Vudu/HD) $3.50
Shrek (2001), Madagascar (2005), Home (2015), Spirit: Stallion of the Cimarron (2003), How to Train Your Dragon (2010), Croods (2013), Kung Fu Panda (2008), Boss Baby (2017), Abominable (2019), Trolls (2016) (MA/HD) $16.50
Shrek 6-Movie (MA/HD) $19
Shutter Island (2010) (Vudu/4K) (iTunes/4K) $5.50
Sicario: Day of the Soldado (2018) (MA/HD) $3.75
Silencing (2020) (iTunes/4K) (Vudu/HD) $3
Silver Linings Playbook (2012) (Vudu/HD) $2.25
Sin City (2005) (Vudu/HD) $5.75
Sing 2 (2021) (MA/4K) $8.25 (MA/HD) $4.25
Sinister (2012) (Vudu/HD) $3.25 (iTunes/HD) $2.50
Sisters (Unrated) (2015) (MA/HD) $4.50 (iTunes/HD) $3.50
Sixteen Candles (1984) (iTunes/HD) Ports to MA $4.75
Smurfs 2 (2013) (MA/HD) $3.75
Snake Eyes (2021) (iTunes/4K) (Vudu/HD) $4.75
Snakes on a Plane (2006) (MA/HD) $6.25
Snowman (2017) (MA/HD) $2.25
Son of God (2014) (MA/HD) $1.75
Sonic the Hedgehog (2020) (Vudu/4K) $6.25 (iTunes/4K) (Vudu/HD) $4.75
Sonic the Hedgehog 2 (2022) (Vudu/4K) $8 (iTunes/4K) (Vudu/HD) $5.75
Sound of Music, The (1965) (MA/HD) $6.75
Southpaw (2015) (Vudu/HD) $4.50
Space Jam (1996) & A New Legacy (2021) (MA/HD) $9
Space Jam: A New Legacy (2021) (MA/4K) $6.25 (MA/HD) $3.25
Spell (2020) (iTunes/4K) (Vudu/HD) $4.50
Spider-Man (2002) (MA/HD) $7
Spider-Man 2 + Extended Edition (2004) (MA/HD) $7
Spider-Man: Far From Home (2019) & Homecoming (2017) (MA/HD) $7
Spider-Man: Far From Home (2019) (MA/4K) $8 (MA/HD) $4.75
Spider-Man: Homecoming (2017), Into The Spider-Verse (2018), Far From Home (2019), Venom (2018) (MA/HD) $13
Spider-Man: No Way Home (2021) (MA/4K) $7.50 (MA/HD) $4.75
Spiral (Vudu/4K) (iTunes/4K) $2.75
Spirit Untamed: The Movie (2021) (MA/HD) $4.75
SpongeBob Movie: Sponge Out of Water (2015) (Vudu/HD) $4.75 (iTunes/HD) $4
Spontaneous (2020) (Vudu/HD) (iTunes/HD) $5.75
Spy (Unrated) (2015) (MA/HD) $2.50
Spy Kids (2001) (Vudu/HD) (iTunes/HD) $6
Spy Kids 2: The Island Of Lost Dreams (2002) (Vudu/HD) (iTunes/HD) $6
Spy Kids 3: Game Over (2003) (Vudu/HD) (iTunes/HD) $6
Star Trek (2009) (Vudu/4K) (iTunes/4K) $7.25
Star Trek 1-3 (Vudu/4K) $20 (Vudu/HD) $10 (iTunes/4K) $14
Star Trek Into Darkness (2013) (Vudu/HD) $2.25 (iTunes/4K) $3.75
Star, The (2017) (MA/HD) $2.25
Step Up Revolution (2012) (Vudu/HD) (iTunes/HD) $3.50
Still Alice (2015) (MA/HD) $3.25
Stillwater (2021) (MA/HD) $6
Stir of Echoes (1999) (Vudu/HD) $2.75
Storks (2016) (MA/HD) $2.75
Straight Outta Compton (Unrated Director’s Cut) (2015) (MA/HD) (iTunes/HD) $3
Studio 666 (2022) (MA/HD) $7.25
Suburbicon (2017) (iTunes/4K) (Vudu/HD) $4
Suicide Squad (2016) (MA/4K) $6 (MA/HD) $2.75
Suicide Squad + Extended Cut (2016) (MA/4K) $7 (MA/HD) $2.50
Suicide Squad, The (2021) (MA/4K) $6 (MA/HD) $3.50
Super 8 (2011) (Vudu/4K) $6.25 (Vudu/HD) $3.50 (iTunes/4K) $5.25
Super Troopers (2002) (MA/HD) $5.75
Superman: The Complete Animated Series (1996) (Vudu/HD) $20
SW: Phantom Menace (1999) (MA/4K) $7.50 (iTunes/4K) $6.50 (GP/HD) $3.50
SW: Return of the Jedi (1983) (MA/4K) $7.50 (GP/HD) $3.50
Taken (2009), 2 (2012), 3 (2015) (MA/HD) $12
Ted (2012) (Unrated) (MA/HD) (iTunes/HD) $4.25
Teen Titans Go! & DC Super Hero Girls: Mayhem in the Multiverse (2022) (MA/HD) $5.75
Teenage Mutant Ninja Turtles (2014) (Vudu/4K) $6 (iTunes/4K) (Vudu/HD) $3.50
Terminator 2: Judgment Day (1991) (Vudu/4K) (iTunes/4K) $4.75
Thing, The (1982) (MA/4K) $7
Think Like a Man (2012) & Two (2014) (MA/HD) $9
Thir13en Ghosts (2001) (MA/HD) $7
Thor: Love and Thunder (2022) (MA/4K) $8 (MA/HD) $4 (GP/HD) $2.75
Those Who Wish Me Dead (2021) (MA/HD) $6
Three Billboards Outside Ebbing, Missouri (2017) (MA/HD) $3
Thumbelina (1994) (MA/HD) $6.75
TMNT (2014) & Out of the Shadows (2016) (iTunes/4K) (Vudu/HD) $7.50 $4.25 Each
TMNT Out of the Shadows (2016) (Vudu/4K) $6 (iTunes/4K) (Vudu/HD) $4.25
Tom and Jerry (2021) (MA/HD) $3.75
Top Gun (1986) (Vudu/4K) $6.75 (iTunes/4K) (Vudu/HD) $6
Tower Heist (2011) (iTunes/HD) Ports to MA $4
Training Day (2001) (MA/HD) $6.50
Transformers 1-5 (Vudu/4K) $30 (Vudu/HD) $22
Trick 'r Treat (2009) (MA/HD) $6.50
Trolls (2016) & Trolls World Tour (2020) (MA/HD) $6
Tucker: The Man and His Dream (1988) (Vudu/HD) $2.75
Turning Red (2022) (MA/4K) $6.75 (MA/HD) $5.25 (GP/HD) $3.50
Turning, The (2020) (MA/HD) $6
Twilight Zone: The Movie (1983) (MA/HD) $6
Tyler Perry Presents Peeples (2013) (Vudu/HD) $2
Umma (2022) (MA/HD) $4.75
Unbanned: The Legend of AJ1 (2019) (Vudu/HD) $6
Unbearable Weight of Massive Talent (2022) (Vudu/4K) (iTunes/4K) $6.75
Unbreakable (2000) (MA/4K) $6 (GP/HD) $3.75
Uncharted (2022) (MA/4K) $7.25 (MA/HD) $4.75
Underwater (2020) (MA/HD) $6
Underworld: Awakening (2012) (MA/HD) $2.25
Underworld: Blood Wars (2016) (MA/4K) $6.50 (MA/HD) $2.50
Unfriended: Dark Web (2018) (MA/HD) $4.50
Unhinged (2020) (Vudu/HD) $3.25
Upside, The (2017) (iTunes/HD) $2.25
Us (2019) (MA/4K) $7 (MA/HD) $5.75
Usual Suspects, The (1995) (Vudu/HD) $6.75
Van Helsing (2004) (MA/4K) $6.50 (iTunes/4K) $5.25 (MA/HD) $3.50
Vanished, The (2020) (Vudu/HD) (iTunes/HD) $2.75
Venom (2005) (Vudu/HD) (iTunes/HD) $5.50
Venom: Let There Be Carnage (2021) (MA/4K) $7.75 (MA/HD) $4.75
Victoria & Abdul (2017) (MA/HD) $5.75
Vivo (2021) (MA/HD) $5.75
Voices, The (2014) (Vudu/HD) $2.75
Wander Darkly (2020) (Vudu/HD) (iTunes/HD) $4.75
Wanted (2008) (iTunes/HD) Ports to MA $6.25
Warm Bodies (2013) (iTunes/4K) (Vudu/HD) $2.25
Warrior (2011) (Vudu/4K) (iTunes/HD) $4.25
Watch, The (2012) (MA/HD) $4.75
Way Back, The (2020) (MA/HD) $4.25
We Summon the Darkness (2019) (Vudu/HD) (iTunes/HD) $4.75
We're the Millers (2013) (MA/HD) $2.75
What to Expect When You're Expecting (2012) (Vudu/HD) (iTunes/HD) $2.50
Where the Crawdads Sing (2022) (MA/HD) $7.75
White House Down (2013) (MA/HD) $4
Whole Truth, The (2016) (Vudu/HD) $4.50
Why Him? (2016) (iTunes/4K) (MA/HD) $2.25
Wild Card (2015) (Vudu/HD) $4.50
Willy Wonka and the Chocolate Factory (1971) (MA/4K) $6.25
Wings (1927) (Vudu/HD) $4.50
Winter's Tale (2014) (MA/HD) $1.50
Witches, The (1990) (MA/HD) $6
Wizard of Oz (1939) (MA/4K) $6
Wonder Park (2019) (Vudu/4K) $6 (Vudu/HD) $3 (iTunes/4K) $1.75
Wonder Woman (2017) & 1984 (2020) (MA/HD) $6.50
Wonder Woman (Commemorative Edition) (2009) (MA/HD) $6.50
Won't Back Down (2012) (MA/HD) $4
Words on Bathroom Walls (2020) (Vudu/HD) (iTunes/HD) $6.25
Wraith, The (1986) (Vudu/HD) $4.75
Wrath of Man (2021) (Vudu/HD) $4.75
X-Men: First Class (2010), X-Men: Days of Future Past (2004), X-Men: Apocalypse (2014) (MA/HD) $12
X-Men: The Last Stand (2006) (MA/HD) $7.50
Zero Dark Thirty (2012) (MA/HD) $3.50
Zombieland: Double Tap (2019) (MA/4K) $7 (MA/HD) $5
Zookeeper's Wife, The (2017) (iTunes/HD) Ports to MA $5
submitted by wtfwafflezor to DigitalCodeSELL [link] [comments]


2022.08.24 15:00 SLimmerick 50 Obscure and/or Underappreciated Punk, Hardcore and New Wave Records & Tapes

Every Record & Tape on this list has a link to its Youtube / Bandcamp / Discogs page included, whichever is most relevant to show the music itself.
With over 45 years of Punk Rock, there were bound to be thousands of overlooked records of small bands, never to be heard by the majority of Punks. Here are 50 of those rare gems from Europe & North America. This is a repost from about a week ago because of many formatting issues in that post.
**Note: The "**✓" symbol next to an entry means I physically own a copy of the Album/EP.
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Honourable Mentions: The Proles Picture Frame Seduction Waste Plastic Surgery The Vultures Ok? The Nitwitz Glueams B.G.K. Lizards Rotten Mind Youth Avoiders The Miranda's TNT Zondag Suspense C.C.T.V. Diese Herren Pisse Bloedbad
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  1. 12 Ft. 6 - 12 Ft. 6 1993 USA
The only release by this Arkansas Hardcore band with an interesting name. The occasional vocal harmony gives this EP a nice touch. It has a decent grungy feel to it.
Highlights: Tuff C-Note
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  1. Heart Attack - Hitler 1980 USA
This 5-song Demo by New York Punk band Heart Attack was never officially released as far as I know, but it appears on their "The Last War 1980-84" compilation album. It has a much softer sound than their later Hardcore releases like their first EP "God Is Dead" from '81. The lyrics can be a bit funny at times, but their fast-paced songs are quite a blast to listen to.
Highlights: Hitler Everybody Wants To Rock And Roll KGB
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  1. Unity - Blood Days 1989 USA
Far more melodic, polished and fine-tuned than their previous recordings, this record was a major departure from Unity's more aggressive and crunchy Hardcore origins. The hardest songs on this record are the ones also on their "You Are One..." EP. Despite the more melodic new tunes, it's a highly enjoyable and underrated album.
Highlights: Sound And Sight Roses For You When I Fall Positive Mental Attitude
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  1. Anti - Defy The System 1983 USA
Second album by this unfortunately overlooked Southern California Hardcore band. With a great set of politically charged lyrics and the occasional vocal harmony over the more aggressive playing style, this DIY band managed to create 3 enjoyable records.
Highlights: I Try Lies Your Governments Calling You Club Me Like A Baby Seal Be Free Overthrow The Government
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  1. Nog Watt - Fear 1985 Netherlands
A rather Dark-sounding Hardcore EP released by a band of 4 women from Amsterdam. They play it hard, loud and aggressive. The original pressing of this piece is worth quite a bit.
Highlights: Going On Wish That You Could Feel Big Warning, Big Mistake
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  1. No-Song Kutkotz - Personal Anarchy 1983 Netherlands
Interesting all-female New Wave group No-Song Kutkotz's only release. This tape has some surprisingly catchy songs with great and funky-sounding bass-lines. It's definitely the most "New-Wavy" sounding release on this list.
Highlights: Personal Anarchy Telegram Fuck The Entertainment No Money, No Houses
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  1. ΜΠΡΙΤΖΟΛΙΤΣΕΣ - ΑΙΣΧΟΣ ΝΤΡΟΠΗ 2021 Greece
"Disgusting Shame" Personally I'm not a big fan of Synth Punk, but the first time I heard this EP by accident it completely blew me out of the water. The sheer speed and energy of this Greek duo is hard to sit still to. Their refreshing melodies, powerful kicks and sometimes nonsensical singing definitely make this a release worth checking out.
Highlights: ΕΚΔΡΟΜΗ ΣΤΟ W.C. Trip To The WC ΜΗ Non ΒΓΑΙΝΩ ΕΞΩ (ΚΟΜΟΔΙΝΑ 3) Going Out Bedside 3
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  1. Aids Cats Kein Anlaß Zur Romantik 1997 / Songs From 1987 Germany
This German band with a great name released just one EP, over a decade after they were actually active as a band. It has both male and female vocals, although the male ones tend to be most dominant. Most of the songs have a soloing guitar melody running over the rythm guitars accompanied by fast-paced drumming. It's an interesting German EP worth checking out.
Highlights: Kein Anlass Zur Romantik No Need For Romance Hast Du Je Daran Geglaubt? Have You Ever Believed? Ein Kurzer Aufenthalt A Short Stay
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  1. The Nixe - The Nixe E.P. 1981 Netherlands
The first and only EP by these 4 Dutch women. The songs are very simple in both text and music, but it's a highly enjoyable DIY Punk project nonetheless. All of the songs are in English, but with a very strong Dutch accent.
Highlights: Pretty Doze Happens Commercial
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  1. Mika Miko - C.Y.S.L.A.B.F. 2006 USA
A solid first record by this LA-based Punk band from the early 2000's. The energy and frantic singing / screaming by the two lead female vocalists is honestly astounding. The songs can be quite simple and sometimes even nonsensical, but they manage to perform them with such ferocity it hardly even matters. It's just a lot of fun. It's been on my personal favourites list for well over a decade.
Highlights: Take It Serious Jogging Song (He's Your Mr. Right) The Dress Take Hold Business Cats
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  1. Ponys Auf Pump - Ponys Auf Pump 2017 Germany
First tape by this German Surf/Glam Punk band, their use of Keyboards is a hard to miss but welcome contribution to their songs. The duetting vocals between the male & female vocalists sound pretty cool as well.
Highlights: Carlos Mhhh...Uns Mhhh...Us Hochhaus Skyscraper Tropfsteinhöhlen Stalactite Caves
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  1. Zmiv - Banzai! Here's "Zmiv" Beware! 1982 Netherlands
Crunchy Guitars and a very boppy Bass that pops nicely in your ears. The only release by this Dutch Noise / Hardcore band, it's a solid and often overlooked EP that's worth giving a listen.
Highlights: Fame Beware Alive Wir Haben Es Nicht Gewusst We Did Not Know It
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  1. Legal Weapon - Your Weapon 1982 USA
Quite the melodic-ish Punk record with some great female vocals. The vocal harmonies are pretty great as well. Definitely worth checking out this first EP by the American band Legal Weapon.
Highlights: What A Scene The Stare Only Lost For Today Caught In The Reign
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  1. Misanthropic Charity - Misanthropic Charity 1986 Denmark
The sole album of this Danish Punk band, Misanthropic Charity has some very melodic undertones characteristic of late 80's Metal music. Its female vocalists manages to hit quite a few clear notes while also keeping the power and punch of Punk Rock ever present. A very solid album.
Highlights: For A While Rock 'n' Rich No Name But Life Changed You
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  1. F - You Are An E.P. 1984 USA
A fast and punchy first EP by this American band with a one-letter name. Angry and energetic, this hard-to-come-by EP is a proud example of American hardcore and definitely deserves far more attention than it ever received.
Highlights: No Spit It Out Citizens Arrest
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  1. Cold War Embryos - Pretty Words 1980 Netherlands
If you're looking for a time-capsule of the early 80's Cold War period, try listening to this bands lyrics. The cynic attitude of being stuck in the middle between 2 superpowers is omnipresent on this DIY EP.
Highlights: Pretty Words Secret Army Ich Bin Ein Berliner I Am A Berliner Kanker
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  1. The Squats - The Squats 1980 Netherlands
An extremely rare 17-song Oi! tape by Dutch band The Squats, released on their own label. Like most of their DIY counterparts, it's recorded in one sitting.
Highlights: Stupid Students I'Am On The Dole Pistols Swindle Holiday In Spain We Hate School Nijmegen City Hippies Are Trough In '82
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  1. Regulations - Destroy 2003 Sweden
First EP of an early 2000's Swedish Punk band with a sound resembling mid-to-late 80's American Hardcore. This EP is one 8+ minute disk of non-stop action to scream along with. While you're at it, check out their other releases as well for more of this kind of energy.
Highlights: Destroy We're Blank Policecar
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  1. Belgian Associality - Belgian Associality 1989 Belgium
A Belgian Hardcore band with mostly funny songs with the occasional serious one in between. They're fast-paced and very boppy and a lot of their titles are puns. Great record to start slamming to.
Highlights: Belgian Associality Wodka Miep, Miep Beep Beep Harde Tijden Hard Times Boerderie Farm Feasty Boys Western
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  1. Success - First Edition 2021 USA
What if a 1950's American News Anchor started singing in a Punk-ish band? You'd get an EP like this one by New York band Success. It's the only thing I can hear when the vocalist starts singing.
Highlights: The Fool Beautiful Dinner Up Your Sleeve Back At The Bar
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  1. Gate Crashers - Desillusioned / Idols / Spectator 1980 Denmark
A Danish 3-song EP with an interesting Punk / New Wave sound. The most dominant instrument of the 3 songs is definitely the Keyboard, which swirls over the rest. The closest comparison I can think of is the late 70's - early 80's Californian band Catholic Discipline. If you like keyboards in Punk, this one is worth checking out just for its humourous sounds.
Highlights: Spectator Idols
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  1. Indirekt - Groeten Uit Hoorn 1983 Netherlands
"Greetings From Hoorn" Recorded on tape, with the only clear part of the recordings being the female vocals from Indirekts first lead singer Marjolein. Her clear vocals over the almost noise-like Bass and Guitar provide a pretty stark contrast that really gives you a feeling of going to a gringy café-basement live show. A brutal tape from start to finish.
Highlights: Haagse Bluf The Hague's Bluff Hiroshima Neo-Nazis VVD A Right-Wing Dutch Political Party EO Evangelical Broadcast
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  1. Vopo's - Dead Entertainment 1981 Netherlands
The first full-length album by Dutch Punk and later Speed Metal band Vopo's. In this record you can already hear some of the Speed Metal aspects of their later releases. It's fast, reasonably well-polished and because it's sung in English, relatively accessable to non-Dutch listeners.
Highlights: You're Gonna Miss Me Baby God Commercials Unifil Soldier Zwolle Communist Rules I Don't Care What People Say
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  1. U.B.R. - Corpus Delicti 1984 Slovenia / Italy
"Body of the Crime" Straight from the album cover you know what to expect and this band, "Uporniki Brez Razloga" (Rebels Without a Cause), from the former Yugoslav Republic of Slovenia does not disappoint. Because these kinds of records were not allowed to be sold in Yugoslavia, it was released on an Italian label at the time. A great piece of Balkan hardcore that's worth a listen, even if you don't speak Slovenian.
Highlights: Utrujenost Fatigue U.B.R. Corpus Delicti Body of the Crime
_______________________________________________________________________________
  1. Ivy Green - Ivy Green 1978 Netherlands
First album by this Dutch punk band formed in 1975. Sounding like a blissful mix between the UK Subs and the Sex Pistols, this early Dutch punk album really creates a fun late 70's atmosphere.
Highlights: I'm Sure We're Gonna Make It Another Sub-Culture Going Bad Sex On The Radio Mister, Mister Sue Stupid Village I'm Lost
_______________________________________________________________________________
  1. Athletico Spizz 80 - Do A Runner 1980 UK
A highly underrated British New Wave album from one of the Spizz incarnations. With the classically weird Spizz-vocals and some great Guitar & Keyboard work, this album really manages to create some great experimental New Wave tracks.
Highlights: Intimate European Heroes Energy Crisis Person Impersonator Airships
_______________________________________________________________________________
  1. Male - Zensur & Zensur 1979 Germany
"Censorship & Censorship" The only album from this punk band from Düsseldorf, Germany founded in '76. They make great use of vocal harmonies and their songs are quite catchy and enjoyable, even if you don't speak German. The early date of their founding also means a lot of the songs on this album have a more "Rock 'n' Roll" flair to them.
Highlights: Bilk 80 Risikofaktor 1:X Risk Factor 1:X Zensur & Zensur Censorship & Censorship Haftbefehl Arrest Warrent Vaterland Fatherland Polizei Police KH 3
_______________________________________________________________________________
  1. Aheads - Aheads 1981 Germany
Namewise, stylistically, musically and lyrically you might think this band is from the UK, but they're 4 Germans from Herford who have created a pretty cool record. It's quite strange this band flew under the radar.
Highlights: Stuff It Object Mirror Cat's Eye No More Hope Nightmare Minute Man
_______________________________________________________________________________
  1. Agent Orange - Your Mother Sucks Cocks In Hell... 1983] Netherlands
Loud, fast, almost unintelligable and to top it off, a great name. This EP by the later incarnation of Jezus And The Gospelfuckers hits you in the face for 7+ minutes straight and leaves you begging for more. And all you can do to satisfy that urge is listen to their second EP "VD / Hello Boy Friend, Coming My Way ?", also released in '83.
Highlights: Your Mother Sucks Cocks In Hell... Lingerie Feminist
_______________________________________________________________________________
  1. The Mob - Ching 1981] UK
A 1981 demo tape by English Anarcho-Punk band The Mob containing songs from 2 of their Singles and their more well-known album "Let The Tribe Increase". The unpolished versions of the songs on this tape appeal more to me than the fine-tuned ones on the other releases. Great tape by a great band.
Highlights: Gates Of Hell No Doves Fly Here White Niggers I Wish
_______________________________________________________________________________
  1. Plastix - Ich Bin Modern 2015 / Songs from 1980 Austria
"I Am Modern" A Compilation LP of all recorded demo's by Austrian Punk/New Wave band Plastix. Their style in both vocals and guitars is interesting to say the least and can sometimes even feel annoying, but nonetheless a lot of their songs are surprisingly catchy and it's a shame they never released more than 3 fully-finished songs. All songs are in Austrian-German.
Highlights: Ungustios Annoyances I Mog Nur Di I Only Like Tuesday Leim Klebt Glue Sticks Konsumier Mich Consume Me Raumschiff Erde Space Ship Earth Du Oide Latern You Old Lantern Geschlechtsverkehr Sexual Intercourse
_______________________________________________________________________________
  1. Electric Deads - Electric Deads 1982 Denmark
If Siouxsie & The Banshees were a Hardcore Punk band, they would be called Electric Deads. This Danish band released some ferocious and punchy Hardcore EP's with snarling female vocals on top of it. Their first and Self-Titled EP is a banger from start to finish.
Highlights: Order Fish In A Pool
_______________________________________________________________________________
  1. Hates - New World Oi! The Seventh Hates Recording 1992] USA
One of the most underappreciated Punk bands to ever come out of Texas. Almost all of their releases have a different style of Punk attached to them and this one is the more Hardcore-ish one.
Highlights: Down And Out Another War Shut Up Junkyard Gang II Apathy Raw Meat Cleave
_______________________________________________________________________________
  1. Lullabies - Utreg Punx - Double Single 1980] Netherlands
Inspired by their friends who were also in DIY Punk bands, Lullabies chose to record their 21-song first release in just a single take. Which gives this album a very "Live-Performance" feel. The songs are simple, crunchy and the recording is messy. It's a style that's very enjoyable to me, but I can imagine it's not for everyone.
Highlights: Noxious Anarchy Kids Hey Director I Hate Cops Fun God Is A Nazi Colours
_______________________________________________________________________________
  1. Neo Boys - Crumbling Myths 1982] USA
An interesting release by this very Low-Key Portland-based Punk band. With lyrics more resembling Poetry and without any distortion on the guitars, this record really blurs the line between Punk and Alternative Rock. But the songs clearly have Punk-inspired lyrics about the working class and corporate greed.
Highlights: Poor Man's Jungle Time Keeps Time Cheap Labor Dirty White Lies
_______________________________________________________________________________
  1. Spizzoil - 6000 Crazy 1978 UK
This 3-Song EP has no bass and no drums, only one electric guitar and a strange vocalist with a Kazoo. I haven't really heard anything like it before, but Spizz and Petey Petrol managed to create a highly enjoyable and interesting EP.
Highlights: 6000 Crazy Fibre
_______________________________________________________________________________
  1. The Jet$et - Modern Times Are Coming Back 1982] Netherlands
The third tape by Dutch Hardcore / Anarcho-Punk band Jet$et. With the male-vocalist leaving and the female background-vocalist becoming the new lead, Jetset heads for a very fast-paced and aggressive style. All of the songs are extremely political, critical of both the government AND some of the Squatters community at the time. For those who like harsh, almost grunting female vocalists, this tape is highly recommended.
Highlights: Pogo In Potsdam Dresden Work? Gooi Die Steen Maar Throw That Stone Bloemenbuurt Flowery Neighbourhood Last Train To Auschwitz Symbols Don't Fight
_______________________________________________________________________________
  1. Modern Warfare - Modern Warfare 1980 USA
Another 3-Song EP with a very interesting sound I haven't been able to find elsewhere. Surpsingly creative EP by this Long Beach-based Punk band. Definitely check out their second EP "Modern Warfare #2" as well for a less-experimental, more hardcore-ish sound.
Highlights: Delivered Dayglo
_______________________________________________________________________________
  1. Bedboys - L'Indifferenza Uccide 1985 Italy
"Indifference Kills" This fast-paced EP by another Turin-based Italian Hardcore/Anarcho-Punk band manages to completely blow you away with its furious vocals. The guitars create a very interesting sound that belongs more in some early-to-mid 80's New Wave records.
Highlights: Se Un Giorno Accadesse... If One Day Happens... Costretti A Subire Forced To Undergo Pace Non Vuol Dire Solo Niente Guerra Peace Doesn't Just Mean No War Violenza No ! No Violence!
_______________________________________________________________________________
  1. Kalashnikov Kalashnikov 1984 Denmark
A strong 3-Song EP by this Danish band with a love for the Reverb setting on their amps. With a couple vocal harmonies over the lead-female vocalists' more monotonous voice, Kalashnikov's debut EP is pretty enjoyable, even if you can't understand Danish.
Highlights: Schlüters Kabinet Schlüters' Cabinet
_______________________________________________________________________________
  1. Niveau Null - Niveau Null 1981 Germany
An enjoyable and extremely rare and valuable German EP. With a very strong base-line with accompanying guitars, Niveau Null has 4 very catchy songs with a nice and soft DIY feel.
Highlights: Rotor Nazi
_______________________________________________________________________________
  1. All Systems Gone - Contrary To Popular Demand... 1990 USA
This surprisingly creative EP from short-lived, Uni-Project, Orange County based Punk band All systems Gone manages to fit 4 interesting Protest songs on its 10 minute run.
Highlights: Intro; Thundercloud / Earthrape, Inc. The Harder They Come
_______________________________________________________________________________
  1. Frammenti - Torino Area Industriale 1993 Italy
"Turin Industrial Area" For something entirely different, this hardcore band from Turin, Italy, manages to combine fast-paced distortion guitar lines with non-distorted and even acoustic lines in an almost Ska-like sound at times. The vocals are hardly what you expect from a hardcore band, but they're highly enjoyable and fun to listen to. If anything, this tape just sounds incredibly fun.
Highlights: Amore E Rabbia Love And Anger Stupido Sguardo Stupid Look Un Altro Inverno Sta Passando Another Winter Is Passing By Uno Dei Tanti One Of Many La Scorreggetta The Scorreggetta
_______________________________________________________________________________
  1. Jezus And The Gospelfuckers - Jezus And The Gospelfuckers 1982 Netherlands
The first tape of this infamous Amsterdam-based Hardcore band later renamed to Genocide Express / Agent Orange. From start to finish, this tape is non-stop aggressive action that manages to keep you on your feet and moving for its entire 16-minute run. If you love Hardcore punk, this is a MUST to listen to.
Highlights: Factory Amsterdam Alcohol Kill The Police TV Slave
_______________________________________________________________________________
  1. Indirekt - Op Oorlogspad 1985 Netherlands
"On The War Path" Another record with strong female vocals and like Sado-Nation, this record is fast, furious and aggressive. The vocalist, Anneke, manages to accentuate her singing quite well; Occasionally raising the volume of her voice to quickly match the crescendo's of the guitars. Even though all of the lyrics are in Dutch, this is still a highly enjoyable record for those unable to understand the language.
Highlights: Tolerantie Tolerance Jan Soldaat Private/Soldier Jan Ballade Multimix Shell Helpt Shell Helps Nomen Scio I Know The Name Zwart-Wit Black-White H.E.L.
_______________________________________________________________________________
  1. Hans-A-Plast - Hans-A-Plast 1979 Germany
First record by this Punk band from Hannover, Germany. It's a pretty melodic album with vocals that reminds everyone I showed it to of the German SingeActress Nina Hagen. Some of the songs have a strong feminist undertone, while others are more political. It's a great record for those willing to give Deutschpunk a try.
Highlights: Lederhosentyp Lederhosen Type Für 'Ne Frau For A Woman Polizeiknüppel Police Baton Man Of Stone Amerikaner American Hau Ab Du Stinkst Get Lost, You Smell
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  1. Sado-Nation - We're Not Equal 1983 USA
Quite the fast-paced record with furious vocals by its female vocalist, backed up by the others in most chorusses. This Portland band has been active since '78 and has unfortunately slipped through the cracks of the public eye. Highly underappreciated band with a handful of releases in the early 80's.
Highlights: Messed Up Mixed Up We're Not Equal On The Wall Industrial Revolution Cut Off The Cord
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  1. Hermann's Orgie - Die Moderne Welt Und Andere Disharmonien... 1981 Germany
"The Modern World And Other Disharmonies" One of those records that made me appreciate that I learned German in Middle School. The lyrics are simple enough to understand for anyone who speaks basic German. The Saxophone parts in the songs really compliment the simple guitar and bass melodies.
Highlights: Tu Was Du Willst Do What You Want Politik Politics Moderne Welt Modern World Der Staatsbürger The Citizen 1977
_______________________________________________________________________________
  1. The Jet$et - The Jet$et Tape 1981 Netherlands
Jetset is one of those bands that embodies the DIY Punk ethic and were very active in the Squatters community during the housing crisis in the 80's. This second tape of theirs belongs to their relatively "non-chaotic" years. The songs have more melody, but sound very crude and crunchy with a sharp contrast between the 2 guitar sounds.
Highlights: Auto's Cars Gospel Grun'n Punx Groningen Punks Lennon Beatrix Army Amnesty Anti / Pro Vaders Woede Daddy's Rage
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  1. Crazy - No Chance 1980 Switzerland
A crazy fun Swiss album sung in Swiss-German and broken English. It's unfortunate that the opening song might discourage people from listening to the entire record. It should've been placed a bit further down the album. Starting from the second song, the entire album is full of non-stop bangers that just makes you want to sing along. An extremely underrated record from the golden age of Swiss punk.
Highlights: Backstreet Boy Hermann Ist Tot Hermann Is Dead Ech Well Frei Si I Want To Be Free Chele Church Freie CH Free Switzerland Fernes Donnern Distant Thunder
submitted by SLimmerick to punk [link] [comments]


2022.03.30 08:27 yawningvoid28 Full Turner Classic Movies (U.S.) daily schedule for April, 2022

(all times E.S.T.)
FRI 01
(12:30AM) The Hustler (1961/2h 14m/Drama/Robert Rossen)
(3:00AM) Midnight Cowboy (1969/1h 53m/Drama/John Schlesinger)
(5:00AM) The Virgin Spring (1960/1h 27m/Drama/Ingmar Bergman)
(6:30AM) Give a Girl a Break (1953/1h 21m/Musical/Stanley Donen)
(8:00AM) It Started with a Kiss (1959/1h 43m/Comedy/George Marshall)
(10:00AM) The Unsinkable Molly Brown (1964/2h 8m/Musical/Charles Walters)
(12:15PM) Bundle of Joy (1956/1h 38m/Musical/Norman Taurog)
(2:15PM) The Mating Game (1959/1h 37m/Comedy/George Marshall)
(4:00PM) Singin' in the Rain (1952/1h 43m/Musical/Gene Kelly)
(6:00PM) The Tender Trap (1955/1h 51m/Comedy/Charles Walters)
(8:00PM) Girl Crazy (1943/1h 39m/Musical/Norman Taurog)
(10:00PM) The Southerner (1945/1h 31m/Drama/Jean Renoir)
(11:45PM) Day for Night (1973/2h 0m/Comedy/François Truffaut)
SAT 02
(2:15AM) Day of the Dead (1985/1h 42m/HorroGeorge A. Romero)
(4:15AM) Night of the Living Dead (1968/1h 36m/HorroGeorge A. Romero)
(6:00AM) The Trouble with Girls (1969/1h 44m/Comedy/Peter Tewksbury)
(8:00AM) MGM CARTOONS: The Three Little Pups (1953/6m/Animation/Fred “Tex” Avery)
(8:08AM) Goofy Movies Number Nine (1934/9m/Short/?)
(8:18AM) Quaint St. Augustine (1939/8m/Documentary/?)
(8:27AM) Legion of the Lawless (1940/59m/Western/David Howard)
(9:30AM) BUCK ROGERS: The Phantom Plane (1939/Science-Fiction/Ford Beebe and Ray Trampe)
(10:00AM) POPEYE: Riot in Rhythm (1950)7m/Animation/Seymour Kneitel)
(10:08AM) Fighting Fools (1949/1h 9m/Comedy/Reginald Le Borg)
(11:30AM) College Hounds (1930/16m/Comedy/Jules White)
(12:00PM) Mr. Deeds Goes to Town (1936/1h 55m/Comedy/Frank Capra)
(2:00PM) Brute Force (1947/1h 38m/Crime/Jules Dassin)
(3:45PM) Butch Cassidy and the Sundance Kid (1969/1h 50m/Western/George Roy Hill)
(5:45PM) The Sting (1973/2h 9m/Comedy/George Roy Hill)
(8:00PM) The Heart Is a Lonely Hunter (1968/2h 3m/Drama/Robert Ellis Miller)
(10:15PM) The Outlaw Josey Wales (1976/2h 15m/Western/Clint Eastwood)
SUN 03
(12:45AM) Pitfall (1948/1h 24m/Film-NoiAndre Detoth)
(2:30AM) Soldiers Three (1951/1h 27m/Adventure/Tay Garnett)
(4:15AM) The Prisoner of Zenda (1952/1h 41m/Adventure/Richard Thorpe)
(6:00AM) Holiday in Mexico (1946/2h 7m/Musical/George Sidney)
(8:15AM) Beach Blanket Bingo (1965/1h 38m/Musical/William Asher)
(10:00AM) Pitfall (1948/1h 24m/Film-NoiAndre Detoth)
(12:00PM) On Moonlight Bay (1951/1h 35m/Musical/Roy Del Ruth)
(1:45PM) Love Me or Leave Me (1955/2h 2m/Musical/Charles Vidor)
(4:00PM) Calamity Jane (1953/1h 41m/Musical/David Butler)
(6:00PM) Lover Come Back (1961/1h 47m/Comedy/Delbert Mann)
(9:00PM) Doris Day Today (1975/1h 0m/Comedy/Tony Charmoli)
(10:00PM) The Doris Day Show (1968/?/?/?)
MON 04
(12:00AM) An Inn in Tokyo (1935/1h 20m/Crime/Yasujirô Ozu)
(2:00AM) Carmen Comes Home (1951/1h 26m/Comedy/Keisuke Kinoshita)
(3:45AM) Carmen's Innocent Love (1952/1h 46m/Comedy/Keisuke Kinoshita)
(5:30AM) MGM Parade Show #25 (1955/29m/Documentary/?)
(6:00AM) The Actress (1953/1h 30m/Comedy/George Cukor)
(8:00AM) Friendly Persuasion (1956/2h 17m/Drama/William Wyler)
(10:30AM) Green Mansions (1959/1h 44m/Romance/Mel Ferrer)
(12:30PM) Tall Story (1960/1h 31m/Comedy/Joshua Logan)
(2:30PM) The Trial (1963/1h 58m/Drama/Orson Welles)
(4:45PM) The Life and Times of Judge Roy Bean (1972/2h/Western/John Huston)
(7:00PM) Hollywood Without Make-Up (1966/50m/Documentary/?)
(8:00PM) Captain Blood (1935/1h 59m/Adventure/Michael Curtiz)
(10:15PM) The Adventures of Robin Hood (1938/1h 42m/Adventure/Michael Curtiz)
TUE 05
(12:15AM) The Sea Hawk (1940/2h 7m/Adventure/Michael Curtiz)
(2:30AM) Against All Flags (1952/1h 23m/Adventure/George Sherman)
(4:00AM) Adventures of Don Juan (1948/1h 50m/Adventure/Vincent Sherman)
(6:00AM) Dive Bomber (1941/2h 13m/Drama/Michael Curtiz)
(8:15AM) Mara Maru (1952/1h 38m/Adventure/Gordon Douglas)
(10:00AM) Rocky Mountain (1950/1h 23m/WaWilliam Keighley)
(11:30AM) Montana (1950/1h 16m/Western/Ray Enright)
(1:00PM) Northern Pursuit (1943/1h 34m/Adventure/Raoul Walsh)
(3:00PM) Kim (1951/1h 53m/Adventure/Victor Saville)
(5:00PM) Far From the Madding Crowd (1967/2h 49m/Romance/John Schlesinger)
(8:00PM) Gentlemen Prefer Blondes (1953/1h 31m/Comedy/Howard Hawks)
(10:00PM) Imitation of Life (1934/1h 46m/Drama/John M. Stahl)
WED 06
(12:00AM) Woman of the Year (19-42/1h 52m/Comedy/George Stevens)
(2:00AM) The Bad and the Beautiful (1952/1h 58m/Drama/Vincente Minnelli)
(4:00AM) Gaslight (1944/1h 54m/Suspense/George Cukor)
(6:00AM) The Cool Ones (1967/1h 38m/Musical/Gene Nelson)
(7:45AM) Get Yourself a College Girl (1964/1h 26m/Musical/Sidney Miller)
(9:15AM) Come Fly with Me (1962/1h 49m/Comedy/Henry Levin)
(11:15AM) The Young Girls of Rochefort (1967/2h 4m/Musical/Jacques Demy)
(1:30PM) The Bobo (1967/1h 43m/Comedy/Robert Parrish)
(3:30PM) Ocean's Eleven (1960/2h 7m/Comedy/Lewis Milestone)
(6:00PM) Sunday in New York (1963/1h 45m/Comedy/Peter Tewksbury)
(8:00PM) The Lost Weekend (1945/1h 41m/Drama/Billy Wilder)
(10:00PM) Smash Up: The Story of a Woman (1947/1h 43m/Drama/Stuart Heisler)
THU 07

(12:00AM) I'll Cry Tomorrow (1955/1h 57m/Drama/Daniel Mann)
(2:15AM) The Champ (1931/1h 26m/Drama/King Vidor)
(4:00AM) Cat on a Hot Tin Roof (1958/1h 48m/Drama/Richard Brooks)
(6:00AM) Dean Martin: King of Cool (2020/Documentary/Tom Donahue)
(8:00AM) Ada (1961/1h 49m/Drama/Daniel Mann)
(10:00AM) A Lion Is in the Streets (1953/1h 28m/Drama/Raoul Walsh)
(11:30AM) Cry of the Hunted (1953/1h 20m/Drama/Joseph H. Lewis)
(1:00PM) The Drowning Pool (1975/1h 46m/Mystery/Stuart Rosenberg)
(3:00PM) Louisiana Story (1948/1h 17m/Documentary/Robert Flaherty)
(4:30PM) Good-Bye, My Lady (1956/1h 35m/Drama/William A. Wellman)
(6:15PM) Wind Across the Everglades (1958/1h 33m/Adventure/Nicholas Ray)
(8:00PM) Planet of the Apes (1968/1h 52m/Adventure/Franklin J. Schaffner)
(10:15PM) Dr. Who and the Daleks (1966/1h 25m/Science-Fiction/Gordon Flemyng)
FRI 08
(12:00AM) Daleks' Invasion Earth: 2150 A. D. (1967/1h 21m/Science-Fiction/Gordon Flemyng)
(1:30AM) 2001: A Space Odyssey (1968/2h 40m/Science-Fiction/Stanley Kubrick)
(4:15AM) Beyond the Time Barrier (1960/1h 15m/Sci-Fi/Edgar G. Ulmer)
(5:45AM) World Without End (1955/1h 20m/Science-Fiction/Edward Bernds)
(7:15AM) Hullabaloo (1940/1h 17m/Comedy/Edwin L. Marin)
(8:45AM) The Big Store (1941/1h 20m/Comedy/Charles Riesner)
(10:30AM) Panama Hattie (1942/1h 19m/Musical/Norman Z. Mcleod)
(12:00PM) Ship Ahoy (1942/1h 35m/Musical/Edward Buzzell)
(1:45PM) Du Barry Was a Lady (1943/1h 41m/Musical/Roy Del Ruth)
(3:45PM) Two Girls and a Sailor (1944/2h 4m/Musical/Richard Thorpe)
(6:00PM) The Harvey Girls (1946/1h 41m/Musical/George Sidney)
(7:45PM) Martin Block's Musical Merry-Go-Round #4 (1948/10m/Short/Jack Scholl)
(8:00PM) Angels in the Outfield (1951/1h 42m/Drama/Clarence Brown)
(10:00PM) Bull Durham (1988/1h 48m/Comedy/Ron Shelton)
SAT 09
(12:00AM) Take Me Out to the Ball Game (1949/1h 33m/Musical/Busby Berkeley)
(2:00AM) Hell Night (1981/1h 42m/HorroTom Desimone)
(4:00AM) Killer Party (1986/1h 31m/HorroWilliam Fruet)
(5:45AM) When You Grow Up (1973/11m/Short/Jerry Kurtz)
(6:00AM) Rich, Young and Pretty (1951/1h 35m/Musical/Norman Taurog)
(7:45AM) Gold Diggers in Paris (1938/1h 37m/Musical/Ray Enright)
(9:30AM) Made in Paris (1966/1h 43m/Comedy/Boris Sagal
(11:15AM) Lovely To Look At (1952/1h 45m/Musical/Mervyn Leroy)
(1:15PM) Ninotchka (1939/1h 50m/Comedy/Ernst Lubitsch)
(3:15PM) The Last Time I Saw Paris (1954/1h 56m/Drama/Richard Brooks) - (5:30PM) Can-Can (1960/2h 11m/Musical/Walter Lang)
(8:00PM) Love in the Afternoon (1957/2h 10m/Romance/Billy Wilder)
(10:15PM) How to Steal a Million (1966/2h 7m/Comedy/William Wyler)
SUN 10
(12:30AM) Bob le Flambeur (1955/1h 38m/Film-NoiJean-Pierre Melville)
(2:30AM) Zazie Dans Le Metro (1960/1h 32m/Comedy/Louis Malle)
(4:15AM) The 400 Blows (1959/1h 34m/Drama/François Truffaut)
(6:00AM) Roberta (1935/1h 25m/Musical/William A. Seiter)
(8:00AM) The Hunchback of Notre Dame (1939/1h 57m/HorroWilliam Dieterle)
(10:00AM) Bob le Flambeur (1955/1h 38m/Film-NoiJean-pierre Melville)
(12:00PM) April in Paris (1952/1h 41m/Comedy/David Butler)
(3:30PM) Goodbye Again (1961/2h/Drama/Anatole Litvak)
(5:45PM) Silk Stockings (1957/1h 57m/Musical/Rouben Mamoulian)
(8:00PM) An American in Paris (1951/1h 53m/Musical/Vincente Minnelli)
(10:00PM) Gigi (1958/1h 56m/Musical/Vincente Minnelli)

MON 11
(12:15AM) A Woman of Paris (1923/1h 24m/Silent/Charles Chaplin)
(2:00AM) Breathless (1960/1h 30m/Crime/Jean-Luc Godard)
(3:45AM) Under the Roofs of Paris (1931h 36m/Comedy/Rene Clair)
(6:00AM) Boulder Dam (1936/1h 10m/Drama/Frank McDonald)
(7:15AM) Flowing Gold (1940/1h 22m/Western/Alfred E. Green)

(8:45AM) The Getaway (1972/2h 2m/Crime/Sam Peckinpah)

11:00AM) The Wild North (1952/1h 37m/Western/Andrew Marton)
(12:45PM) Out of the Past (1947/1h 37m/Film-NoiJacques Tourneur)
(2:30PM) Badlands (1973/1h 35m/Crime/Terrence Malick)
(4:15PM) Bonnie and Clyde (1967/1h 51m/Crime/Arthur Penn)
(6:15PM) Gun Crazy (1950/1h 27m/Crime/Joseph H. Lewis)
(8:00PM) The Charge of the Light Brigade (1936/1h 56m/Adventure/Michael Curtiz)
(10:15PM) The Private Lives of Elizabeth and Essex (1939/1h 46m/Romance/Michael Curtiz)
TUE 12
(12:15AM) The Prince and the Pauper (1937/2h/Drama/William Keighley)
(2:30AM) The Master of Ballantrae (1953)1h 29m/Adventure/William Keighley)
(4:15AM) The Warriors (1955/1h 25m/Adventure/Henry Levin)
(6:00AM) Another Dawn (1937/1h 13m/Romance/William Dieterle)
(7:30AM) Green Light (1937/1h 25m/Drama/Frank Borzage)
(9:00AM) The Case of the Curious Bride (1935/1h 20m/Suspense/Michael Curtiz)
(10:30AM) Don't Bet on Blondes (1935/1h/Comedy/Robert Florey)
(11:30AM) MGM Parade Show #25 (1955/29m/Documentary/?)
(12:00PM) Beach Party (1963/1h 41m/Musical/William Asher)
(2:00PM) Beach Blanket Bingo (1965/1h 38m/Musical/William Asher)
(4:00PM) Where the Boys Are (1960/1h 39m/Comedy/Henry Levin)
(6:00PM) Palm Springs Weekend (1963/1h 40m/Comedy/Norman Taurog)
(8:00PM) Safety Last! (1923/1h 17m/Silent/Fred Newmeyer)
(9:30PM) Stagecoach (1939/1h 36m/Western/John Ford)
(11:15PM) The Seven-Ups (1973/1h 43m/Crime/Philip D'antoni)
WED 13
(1:15AM) Ben-Hur (1959/3h 32m/Epic/William Wyler)
(5:15AM) The Lost Squadron (1932/1h 12m/Drama/George Archainbaud)
(6:45AM) Pagan Love Song (1950/1h 16m/Musical/Robert Alton)
(8:15AM) Annie Get Your Gun (1950/1h 47m/Musical/George Sidney)
(10:15AM) Callaway Went Thataway (1951/1h 21m/Western/Norman Panama)
(11:45AM) Seven Brides for Seven Brothers (1954/1h 43m/Musical/Stanley Donen)
(1:30PM) Show Boat (1951/1h 48m/Musical/George Sidney)
(3:30PM) Kiss Me Kate (1953/1h 51m/Musical/George Sidney)
(5:30PM) Kismet (1955/1h 53m/Musical/Vincente Minnelli)
(7:30PM) MGM Parade Show #25 (1955/29m/Documentary/?)
(8:00PM) Clean & Sober (1988/2h 4m/Drama/Glenn Gordon Caron)
(10:15PM) Bright Lights, Big City (1988/1h 47m/Drama/James Bridges)
THU 14
(12:15AM) Leaving Las Vegas (1995/1h 52m/Adaptation/Mike Figgis)
(2:15AM) Barfly (1987/1h 40m/Comedy/Barbet Schroeder)
(4:00AM) Days of Wine and Roses (1962/1h 57m/Drama/Blake Edwards)
(6:15AM) A Star Is Born (1937/1h 51m/Romance/William A. Wellman)
(8:30AM) Jack of Diamonds (1967/1h 48m/Suspense/Don Taylor)
(10:30AM) High Sierra (1941/1h 40m/Crime/Raoul Walsh)
(12:15PM) The Asphalt Jungle (1950/1h 52m/Crime/John Huston)
(2:15PM) They Live by Night (1948/1h 35m/Crime/Nicholas Ray)
(4:00PM) Kansas City Confidential (1952/1h 38m/Crime/Phil Karlson)
(5:45PM) There Was a Crooked Man… (1970/2h 6m/Western/Joseph L. Mankiewicz)
(8:00PM) The Time Machine (1960/1h 43m/Science-Fiction/George Pal)
(10:00PM) Time After Time (1979/1h 52m/Science-Fiction/Nicholas Meyer)
FRI 15
(12:00AM) As the Earth Turns (2019/Silent/Richard Lyford)
(1:00AM) Time Bandits (1981/1h 50m/Adventure/Terry Gilliam)
(3:15AM) Things to Come (1936/1h 53m/Science-Fiction/William Cameron Menzies)
(5:00AM) La Jetee (1962/27m/Experimental/Chris Marker)
(5:30AM) Alice in Movieland (1940/21m/Short/Jean Negulesco)
(6:00AM) Good News (1947/1h 35m/Musical/Charles Walters)
(7:45AM) Summer Stock (1950/1h 49m/Musical/Charles Walters)
(9:45AM) Texas Carnival (1951/1h 17m/Comedy/Charles Walters)
(11:15AM) Three Guys Named Mike (1951/1h 30m/Comedy/Charles Walters)
(1:00PM) Lili (1953/1h 21m/Musical/Charles Walters)
(2:30PM) The Belle of New York (1952/1h 22m/Musical/Charles Walters)
(4:00PM) High Society (1956/1h 47m/Musical/Charles Walters)
(6:00PM) Don't Go Near the Water (1957/1h 42m/Comedy/Charles Walters)
(8:00PM) The Jackie Robinson Story (1950/1h 16m/Drama/Alfred E. Green)
(9:30PM) The Natural (1984/2h 17m/Drama/Barry Levinson)
SAT 16
(12:00AM) The Pride of the Yankees (1943/2h 8m/Drama/Sam Wood)
(2:15AM) Lust In The Dust (1984/1h 27m/Comedy/Paul Bartel)
(3:45AM) Female Trouble (1975/1h 32m/Comedy/John Waters)
(6:00AM) R.F.D. Greenwich Village (1969/10m/Documentary Short/?)
(5:30AM) Time Out for Trouble (1961/19m/Documentary Short/David S. Glidden)
(5:45AM) The Corvair In Action! (1960/6m/Short/?)
(6:15AM) The Horizontal Lieutenant (1962/1h 30m/Comedy/Richard Thorpe)
(8:00AM) MGM CARTOONS: When the Cat's Away (1935/8m/Animation/Rudolf Ising)
(8:10AM) Goofy Movies Number Ten (1934/9m/Comedy Short/?)
(8:21AM) Seeing Spain (1953/8m/Documentary Short/?)
(8:30AM) Land Beyond the Law (1937/54m/Western/B. Reeves Eason)
(9:30AM) BUCK ROGERS: The Unknown Command (1939/Serial/Ford Beebe and Ray Trampe)
(10:00AM) POPEYE: Let's Stalk Spinach (1951/6m/Animation/Seymour Kneitel)
(10:07AM) Here Come the Marines (1952/1h 6m/Comedy/William Beaudine)
(11:30AM) Buyer Beware (1940/21m/Crime/Joseph Newman)
(12:00PM) Mad Love (1935/1h 7m/HorroKarl Freund)
(1:15PM) Chisum (1970/1h 50m/Western/Andrew V. McLaglen)
(3:15PM) The Maltese Falcon (1941/1h 40m/Film-NoiJohn Huston)
(5:15PM) The Great Race (1965/2h 37m/Comedy/Blake Edwards)
(8:00PM) The Honey Pot (1967/2h 11m/Comedy/Joseph L. Mankiewicz)
(10:30PM) Under the Yum Yum Tree (1963/1h 50m/Comedy/David Swift)
SUN 17
(12:30AM) Night and the City (1950/1h 35m/Film-NoiJules Dassin)
(2:30AM) Black Narcissus (1947/1h 39m/Drama/Michael Powell)
(4:30AM) The Miracle of Our Lady of Fatima (1952/1h 42m/Drama/John Brahm)
(6:30AM) The Greatest Story Ever Told (1965/3h 45m/Drama/George Stevens)
(10:00AM) Night and the City (1950/1h 35m/Film-NoiJules Dassin)
(12:00PM) The Silver Chalice (1954/2h 24m/Drama/Victor Saville)
(2:30PM) Barabbas (1962/2h 24m/Drama/Richard Fleischer)
(5:00PM) The Shoes of the Fisherman (1968/2h 42m/Drama/Michael Anderson)
(8:00PM) Easter Parade (1948/1h 43m/Musical/Charles Walters)
(10:00PM) King of Kings (1961/2h 48m/Drama/Nicholas Ray)
MON 18
(1:00AM) A Trip to the Moon (1902/14m/Silent/Georges Méliès)
(2:00AM) Flowers of St. Francis (1950/1h 25m/Drama/Roberto Rossellini)
(3:30AM) Trial of Joan of Arc (1962/1h 5m/Drama/Robert Bresson)
(4:45AM) Mad Holiday (1936/1h 11m/George B. Seitz)
(6:00AM) Little Women (1933/1h 55m/Drama/George Cukor)
(8:00AM) Woman of the Year (1942/1h 52m/Comedy/George Stevens)
(10:00AM) Love in the Afternoon (1957/2h 10m/Romance/Billy Wilder)
(12:15PM) Bringing Up Baby (1938/1h 42m/Comedy/Howard Hawks)
(2:00PM) Green Mansions (1959/1h 44m/Romance/Mel Ferrer)
(4:00PM) Wait Until Dark (1967/1h 48m/Suspense/Terence Young)
(6:00PM) The Philadelphia Story (1940/1h 51m/Comedy/George Cukor)
(8:00PM) Dodge City (1939/1h 45m/Western/Michael Curtiz)
(10:00PM) Santa Fe Trail (1940/1h 50m/Western/Michael Curtiz)
TUE 19
(12:00AM) They Died with Their Boots On (1941/2h 18m/Western/Raoul Walsh)
(2:30AM) San Antonio (1945/1h 51m/Western/David Butler)
(4:30AM) Virginia City (1940/2h 1m/Western/Michael Curtiz)
(6:45AM) Silver River (1948/1h 50m/Western/Raoul Walsh)
(8:45AM) Uncertain Glory (1944/1h 42m/WaRaoul Walsh)
(10:30AM) Desperate Journey (1942/1h 47m/WaRaoul Walsh)
(12:30PM) Edge of Darkness (1943/1h 59m/WaLewis Milestone)
(2:30PM) Objective, Burma! (1945/2h 22m/WaRaoul Walsh)
(5:00PM) The Dawn Patrol (1938/1h 43m/WaEdmund Goulding)
(6:45PM) Churchill and the Movie Mogul (2019/Documentary/John Fleet)
(8:00PM) In Which We Serve (1942/1h 53m/WaNoel Coward)
(10:15PM) Great Expectations (1946/1h 58m/Drama/David Lean)
WED 20
(12:30AM) Ryan's Daughter (1970/3h 26m/Drama/David Lean)
(4:00AM) This Happy Breed (1944/1h 50m/Drama/David Lean)
(6:00AM) Girl Rush (1944/1h 4m/Musical/Gordon Douglas)
(7:15AM) Johnny Doesn't Live Here Anymore (1944/1h 17m/Comedy/Joe May)
(8:45AM) Rachel and the Stranger (1948/1h 33m/Western/Norman Foster)
(10:30AM) The Big Steal (1949/1h 11m/Suspense/Don Siegel)
(12:00PM) She Couldn't Say No (1954/1h 29m/Drama/Lloyd Bacon)
(1:45PM) The Sundowners (1960/2h 13m/Drama/Fred Zinnemann)
(4:15PM) The Good Guys and the Bad Guys (1969/1h 31m/Comedy/Burt Kennedy)
(6:00PM) The Wrath of God (1972/1h 51m/Western/Ralph Nelson)
(8:00PM) The Man with the Golden Arm (1956/1h 59m/Drama/Otto Preminger)
(10:15PM) The Panic in Needle Park (1971/1h 50m/Drama/Jerry Schatzberg)
THU 21
(12:15AM) The Basketball Diaries (1995/1h 40m/Drama/Scott Kalvert)
(2:00AM) Dusty and Sweets McGee (1971/1h 31m/Crime/Floyd Mutrux)
(3:45AM) Distant Drummer: Flowers of Darkness (1972/22m/Short/William Templeton)
(4:15AM) Hollywood Party (1934/1h 3m/Musical/Allan Dwan)
(6:00AM) Invitation (1952/1h 24m/Romance/Gottfried Reinhardt)
(7:30AM) Lizzie (1957/1h 21m/Drama/Hugo Haas)
(9:00AM) Wall of Noise (1963/1h 52m/Drama/Richard Wilson)
(11:00AM) In the Cool of the Day (1963/1h 29m/Romance/Robert Stevens)
(12:30PM) Butterfield 8 (1960/1h 49m/Drama/Daniel Mann)
(2:30PM) Of Human Bondage (1964/1h 38m/Drama/Ken Hughes)
(4:15PM) The Roman Spring of Mrs. Stone (1961/1h 44m/Drama/José Quintero)
(6:00PM) Dear Heart (1964/1h 54m/Romance/Delbert Mann)
(8:00PM) A Connecticut Yankee in King Arthur's Court (1949/1h 47m/Musical/Tay Garnett)
(10:00PM) Berkeley Square (1933/1h 24m/Romance/Frank Lloyd)
(11:45PM) It Happened Tomorrow (1944/1h 14m/Comedy/René Clair)
FRI 22
(1:30AM) Turn Back the Clock (1933/1h 19m/Drama/Edgar Selwyn)
(3:00AM) The Story of Mankind (1957/1h 40m/Epic/Irwin Allen)
(4:45AM) The Boy and the Pirates (1960/1h 22m/Adventure/Bert I. Gordon)
(6:15AM) Station West (1948/1h 32m/Western/Sidney Lanfield)
(7:45AM) The Bandit Trail (1941/1h/Western/Edward Killy)
(9:00AM) Blood on the Moon (1948/1h 28m/Western/Robert Wise)
(10:45AM) The Badlanders (1958/1h 25m/Western/Delmer Daves)
(12:15PM) Along the Great Divide (1951/1h 28m/Western/Raoul Walsh)
(1:45PM) Colorado Territory (1949/1h 34m/Western/Raoul Walsh)
(3:30PM) Black Patch (1957/1h 22m/Western/Allen H. Miner)
(5:00PM) Riding Shotgun (1954/1h 14m/Western/Andre Detoth)
(6:30PM) Roughshod (1949/1h 28m/Western/Mark Robson)
(8:00PM) Paper Moon (1973/1h 42m/Comedy/Peter Bogdanovich)
(10:00PM) The Last Picture Show (1971/1h 58m/Drama/Peter Bogdanovich)
SAT 23
(12:15AM) What's Up, Doc? (1972/1h 34m/Comedy/Peter Bogdanovich)
(2:00AM) Five Minutes to Live (1961/1h 20m/Crime/Bill Karn)
(3:30AM) Look In Any Window (1961/1h 27m/Drama/William Alland)
(5:00AM) The Trouble Maker (1959/12m/Short/Herk Harvey)
(5:10AM) The Drop Out (1962/10m/Short/?)
(5:20AM) Distant Drummer: A Movable Scene (1970/22m/Short/William Templeton)
(5:40AM) The Relaxed Wife (1957/13m/Short/?)
(6:00AM) Today We Live (1933/1h 53m/Romance/Howard Hawks)
(8:00AM) MGM CARTOONS: The Tree Surgeon (1944/7m/Animation/George Gordon)
(8:09AM) Bone Crushers (1933/8m/Short/Ward Wing)
(8:18AM) Valiant Venezuela (1939/8m/Short/?)
(8:27AM) Trail Guide (1952/1h 0m/Western/Lesley Selander)
(9:30AM) BUCK ROGERS: Primitive Urge (1939/Serial/Ford Beebe and Ray Trampe)
(10:00AM) POPEYE: Double-Cross-Country Race (1951/7m/Animation/Seymour Kneitel)
(10:09AM) Ghosts on the Loose (1943/1h 7m/Comedy/William Beaudine)
11:30AM) Easy Life (1944/20m/Short/Walter Hart)
(12:00PM) The Man Who Knew Too Much (1934/1h 24m/Suspense/Alfred Hitchcock)
(1:30PM) The Lady from Shanghai (1948/1h 26m/Crime/Orson Welles)
(3:15PM) Out Of Africa (1985/2h 42m/Romance/Sydney Pollack)
6:00PM) Robin And Marian (1976/1h 52m/Adventure/Richard Lester)
(6:00PM) Young Frankenstein (1974/1h 48m/Comedy/Mel Brooks)
(8:00PM) Saint Jack (1979/1h 55m/Crime/Peter Bogdanovich)
(10:15PM) The Great Buster: A Celebration (2018/1h 43m/Documentary/Peter Bogdanovich)
SUN 24
(12:15AM) The Window (1949/1h 13m/Film-NoiTed Tetzlaff)
(2:15AM) Mad Max (1979/1h 30m/Adventure/George Miller)
(4:00AM) The Magnificent Seven (1960/2h 6m/Western/John Sturges)
(6:15AM) Arsene Lupin (1932/1h 24m/Comedy/Jack Conway)
(7:45AM) Mr. Smith Goes to Washington (1939/2h 5m/Drama/Frank Capra)
(10:00AM) The Window (1949/1h 13m/Film-NoiTed Tetzlaff)
(11:30AM) A Letter to Three Wives (1949/1h 43m/Comedy/Joseph L. Mankiewicz)
(1:30PM) All About Eve -(1950/2h 18m/Drama/Joseph L. Mankiewicz)
(4:00PM) Two for the Road (1967/1h 52m/Romance/Stanley Donen)
(6:00PM) Places In The Heart (1984/1h 51m/Drama/Robert Benton)
(8:00PM) Blazing Saddles (1974/1h 33m/Western/Mel Brooks)
(9:45PM) Silver Streak (1976/1h 53m/Adventure/Arthur Hiller)
MON 25
(12:00AM) Siren of the Tropics (1929/1h 20m/Silent/Henri Étiévant)
(2:00AM) The Merchant of Four Seasons (1971/1h 29m/Comedy/Rainer Werner Fassbinder)
(4:00AM) Chinese Roulette (1976/1h 26m/Drama/Rainer Werner Fassbinder)
(6:00AM) The Last Gangster (1937/1h 21m/Crime/Edward Ludwig)
(7:30AM) Blackmail (1939/1h 21m/Suspense/Mystery/H. C. Potter)
(9:00AM) His Greatest Gamble (1934/1h 12m/Drama/John Robertson)
(10:30AM) The Great O'Malley (1937/1h 11m/Drama/William Dieterle)
(11:45AM) Always in My Heart (1942/1h 32m/Drama/Jo Graham)
(1:30PM) House of Women (1962/1h 25m/Crime/Walter Doniger)
(3:00PM) Why Would I Lie? (1980/1h 45m/Comedy/Larry Peerce)
(5:00PM) Man to Man (1931/1h 8m/Crime/Allan Dwan)
(6:15PM) Going Home (1971/1h 37m/Drama/Herbert B. Leonard)
(8:00PM) Gentleman Jim (1942/1h 44m/Comedy/Raoul Walsh)
(10:00PM) Footsteps in the Dark (1941/1h 36m/Suspense/Lloyd Bacon)
TUE 26
(12:00AM) Never Say Goodbye (1946/1h 37m/Comedy/James V. Kern)
(2:00AM) That Forsyte Woman (1949/1h 54m/Romance/Compton Bennett)
(4:00AM) The Sisters (1938/1h 38m/Drama/Anatole Litvak)
(6:00AM) Four's a Crowd (1938/1h 31m/Comedy/Michael Curtiz)
(8:00AM) Escape Me Never (1947/1h 44m/Romance/Peter Godfrey)
(9:45AM) Cry Wolf (1947/1h 23m/Suspense/Peter Godfrey)
(11:15AM) The Big Boodle (1957/1h 24m/Crime/Richard Wilson)
(12:45PM) Too Much, Too Soon (1958/2h 1m/Drama/Art Napoleon)
(3:00PM) Born Yesterday (1950/1h 43m/Comedy/George Cukor)
(4:45PM) It Should Happen to You (1953/1h 26m/Comedy/George Cukor)
(6:15PM) The Marrying Kind (1952/1h 33m/Comedy/George Cukor)
(8:00PM) The Lady Vanishes (1938/1h 37m/Suspense/Alfred Hitchcock)
(9:45PM) That Hamilton Woman (1941/2h 8m/Romance/Alexander Korda)
WED 27
(12:00AM) Gandhi (1982/3h 8m/Drama/Richard Attenborough)
(3:30AM) So Well Remembered (1947/1h 54m/Drama/Edward Dmytryk)
(5:30AM) MGM Parade Show #25 (1955/29m/Documentary/?)
(6:00AM) The Thing from Another World (1951/1h 27m/Science-Fiction/Christian Nyby)
(7:45AM) The Beast from 20,000 Fathoms (1953/1h 20m/HorroEugène Lourié)
(9:15AM) Them! (1954/1h 34m/HorroGordon Douglas)
(11:00AM) Forbidden Planet (1956/1h 38m/Science-Fiction/Fred Mcleod Wilcox)
(12:45PM) Indestructible Man (1956/1h 10m/HorroJack Pollexfen)
(2:00PM) Attack of the 50 Foot Woman (1958/1h 5m/HorroNathan Hertz)
(3:15PM) The Fly (1958/1h 34m/HorroKurt Neumann)
(5:00PM) Queen of Outer Space (1958/1h 20m/HorroEdward Bernds)
(6:45PM) The Killer Shrews (1959/1h 9m/HorroRay Kellogg)
(8:00PM) Bigger Than Life (1956/1h 35m/Drama/Nicholas Ray)
(9:45PM) Valley of the Dolls (1967/2h 2m/Drama/Mark Robson)
THU 28
12:00) The Lady Gambles (1949/1h 39m/Drama/Michael Gordon)
(1:45AM) California Split (1974/1h 48m/Comedy/Robert Altman)
(3:45AM) Tricheurs (1983/1h 42m/Drama/Barbet Schroeder)
(6:00AM) The Gorgeous Hussy (1936/1h 42m/Romance/Clarence Brown)
(8:00AM) The Return of Peter Grimm (1936/1h 23m/Drama/George Nicholls, Jr.)
(9:30AM) Young Dr. Kildare (1938/1h 7m/Drama/Harold S. Bucquet)
(11:00AM) Three Wise Fools (1946/1h 30m/Comedy/Edward Buzzell)
(12:45PM) Rasputin and the Empress (1932/2h 13m/Drama/Richard Boleslavsky)
(3:00PM) Mark of the Vampire (1935/1h 1m/HorroTod Browning)
(4:15PM) A Free Soul (1931/1h 31m/Drama/Clarence Brown)
(6:00PM) Dinner at Eight (1933/1h 53m/Comedy/George Cukor)
(8:00PM) A Matter of Life and Death (1947/1h 44m/Romance/Michael Powell)
(10:00PM) Brigadoon (1954/1h 48m/Musical/Vincente Minnelli)
FRI 29
(12:00AM) Orlando (1992/1h 33m/Drama/Sally Potter)
(1:45AM) Brigadoon (1954/1h 48m/Musical/Vincente Minnelli)
(4:00AM) Jubilee (1978/1h 43m/Musical/Derek Jarman)
(6:00AM) The Sorcerers (1967/1h 25m/HorroMichael Reeves)
(7:30AM) Hysteria (1965/1h 25m/Suspense/Freddie Francis)
(9:00AM) The Strangler (1964/1h 29m/HorroBurt Topper)
(10:45AM) Spider Baby (1964/1h 20m/HorroJack Hill)
(12:15PM) Hush...Hush, Sweet Charlotte (1964/2h 13m/HorroRobert Aldrich)
(2:30PM) Two on a Guillotine (1965/1h 47m/HorroWilliam Conrad)
(4:30PM) The Hypnotic Eye (1960/1h 18m/HorroGeorge Blair)
(6:00PM) It! (1967/1h 35m/HorroHerbert J. Leder)
(8:00PM) The Last Hurrah (1958/2h 1m/Drama/John Ford)
(10:15PM) This Sporting Life (1963/2h 14m/Drama/Lindsay Anderson)
SAT 30
(12:45AM) Bringing Up Baby (1938/1h 42m/Comedy/Howard Hawks)
(2:45AM) The Loveless (1982/1h 22m/Action/Kathryn Bigelow and Monty Montgomery)
(4:15AM) The Hunger (1983/1h 39m/HorroTony Scott)
(6:00AM) Ah, Wilderness (1935/1h 41m/Comedy/Clarence Brown)
(8:00AM) MGM CARTOONS: Wee-Willie Wildcat (1953/6m/Animation/Dick Lundy)
(8:08AM) Desert Regatta (1932/9m/Documentary/Jules White)
(8:18AM) Visiting Italy (1951/7m/Short/?)
(8:26AM) Indian Agent (1949/1h 4m/Western/Lesley Selander)
(9:30AM) BUCK ROGERS: Revolt of the Zuggs (1939/Serial/Ford Beebe and Ray Trampe)
(10:00AM) POPEYE: Alpine for You (1951/6m/Animation/I. Sparber)
(10:08AM) Up In Smoke (1957/1h 4m/Comedy/William Beaudine)
(11:30AM) Main Street on the March! (1941/19m/Short/Edward L. Cahn)
(12:00PM) The Life and Death of Colonel Blimp (1943/2h 43m/WaMichael Powell)
(3:00PM) Henry V (1944/2h 16m/Epic/Laurence Olivier)
(5:30PM) Kelly's Heroes (1970/2h 23m/WaBrian G. Hutton)
(8:00PM) The Cowboys (1972/2h 8m/Western/Mark Rydell)
(10:30PM) Cahill, U.S. Marshal (1973/1h 43m/Western/Andrew V. McLaglen)
submitted by yawningvoid28 to movies [link] [comments]


2021.08.28 12:39 herbibot Today Shows : August 28

beep.
day in history lookup
Grateful Dead - 1966/8/28 - I.D.E.S. Hall, El Pescadero, CA No setlist. Mentions: 0
Grateful Dead - 1967/8/28 - Lindley Meadows, San Francisco, CA No setlist. Mentions: 0
Mickey and the Hartbeats - 1968/8/28 - Avalon Ballroom, San Francisco, CA Good Morning School Girl, Dark Star, St. Stephen, The Eleven, Death Don't Have No Mercy, Turn on Your Love Light
Grateful Dead - 1969/8/28 - Family Dog, San Francisco, CA It's a Sin, Hi-Heel Sneakers, Dark Star, The Eleven Mentions: 5
Grateful Dead - 1970/8/28 - The Club, Los Angeles, CA No setlist. Mentions: 0
Grateful Dead - 1981/8/28 - Long Beach Arena, Long Beach, CA Set 1: Jack Straw, They Love Each Other, Me and My Uncle, Big River, Althea, Little Red Rooster, Brown-Eyed Women, Let It Grow, China Cat Sunflower, I Know You Rider Set 2: Shakedown Street, Lost Sailor, Saint of Circumstance, The Wheel, Jam, Never Trust a Woman, Jam, Drums, Space, Spanish Jam, Truckin', Wharf Rat, Sugar Magnolia Encore: U.S. Blues Mentions: 97 First: Never Trust a Woman (42)
Grateful Dead - 1982/8/28 - Oregon County Fair Site, Veneta, OR Set 1: Bertha, Minglewood Blues, Tennessee Jed, Me and My Uncle, Big River, Althea, It's All Over Now, China Cat Sunflower, I Know You Rider Set 2: Day Job, Man Smart Woman Smarter, West L.A. Fadeaway, Far From Me, Playing in the Band, Drums, The Wheel, The Other One, Truckin', Black Peter, Playing in the Band, One More Saturday Night Encore: Dupree's Diamond Blues Mentions: 39 First: West L.A. Fadeaway (137), Day Job (57)
Jerry Garcia & John Kahn - 1984/8/28 - Wolfgang's, San Francisco, CA Deep Elem Blues, Been All Around This World, Friend of the Devil, Little Sadie, Oh Babe It Ain't No Lie, Goodnight Irene, Ripple
Grateful Dead - 1988/8/28 - Autzen Stadium, Eugene, OR Set 1: Mississippi Half-Step Uptown Toodeloo, Little Red Rooster, Friend of the Devil, Stuck Inside of Mobile With the Memphis Blues Again, Foolish Heart, Victim or the Crime, Don't Ease Me In Set 2: Jack Straw, Bertha, Truckin', Terrapin Station, Drums, Space, The Other One, Wharf Rat, Throwing Stones, Not Fade Away Encore: Knockin' on Heaven's Door Mentions: 5
Today Show Playlist
other stuff:
Robert Hunter Songs Tags: Garcia Weir Pigpen Brent Phil Pig & Brent Dylan R&B C&W Rarities Jam
Shakedown Scarlet / Sometimes Fire Eyes Bird Song Pigpen Random Dark Star Radio 73 > 74 Brent Era
Popularity by Era
Top Performances Roll Bones Song Mood?
beep.
submitted by herbibot to grateful_dead [link] [comments]


2021.07.05 01:23 Fox-The-Wise Isometric angle myth debunked

https://www.ncbi.nlm.nih.gov/books/NBK9961/
I find that a lot of people say a problem with isometrics is it only trains 15-30 degrees of where the static hold is, and because of that it doesn't build strength for full ROM making it inferior to dynamic exercises. Interestingly enough this myth started being spread around bodybuilding forums due to misinformation and also because isometrics went against the status queue. This led to widespread misinformation regarding the viability of isometrics for overall strength due to the belief it didn't increase all of your strength. Since then angle theory studies have been examined it were found when accounting for leverage, isometrics gave the same strength gains across the full ROM as dynamic exercise. Muscles done change where they are affixed to they are always stuck to fixed points by the tendons, it doesn't matter where you are in a loft, you are working your entire muscle, meaning whether it be dynamic, or isometric, you are strengthening your entire ROM. Many studies have been put out now supporting this, along with the fact isometric exercises recruit up tl 10% more muscle fibers then dynamic exercise leading to better strength gains on account of larger muscle recruitment. I wanted to post this as a saw many posts on this forum pushing the angle myth In regards to isometric exercises.
A large number of studies supporting what I said below, copy and pasted from different places and on my phone so excuse the formatting
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Human Muscle Strength Training: The Effects of Three Different Regimens and the Nature of the Resultant Changes, The Journal of Physiology, Oct; 391 4. Schoenfeld, B. J. et al. (2017). Strength and Hypertrophy Adaptations Between Low- vs. High-Load Resistance Training: A Systematic Review and Meta-analysis, Journal of Strength and Conditioning Research, Dec; 31 (12) 5. Schoenfeld, B. J. (2010). The Mechanisms of Muscle Hypertrophy and Their Application to Resistance Training, Journal of Strength and Conditioning Research, Oct; 24(10) 6. Morrissey M. C. et al. (1995). Resistance Training Modes: Specificity and Effectiveness, Medicine and Science in Sports and Exercise, 27 (5) 7. Mitchell, C. J. et al. (2012). Resistance Exercise Load Does Not Determine Training- Mediated Hypertrophic Gains in Young Men, Journal of Applied Physiology, Jul 1; 113 (1) 8. Ibid. 9. Burd, N. A. et al. (2012). 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Original image courtesy of Larissa Tskhovrebova and John Trinick 20. Armstrong, R. B. (1990). Initial Events in Exercise-Induced Muscular Injury, Medicine and Science in Sports and Exercise, Aug; 22 (4) 21. MacIntyre, D. L. et al. (1995). Delayed Muscle Soreness. The Inflammatory Response to Muscle Injury and Its Clinical Implications, Sports Medicine, Jul; 20 (1) 22. Morgan, D. L. & Proske, U. (2004). Popping Sarcomere Hypothesis Explains Stretch Induced Muscle Damage, Clinical and Experimental Pharmacology and Physiology, Aug; 31 (8) 23. Newham, D. J. et al. (1985). Repeated High-Force Eccentric Exercise: Effects on Muscle Pain and Damage, Journal of Applied Physiology, Oct; 63 (4) 24. Talag, T. S. (1973). Residual Muscular Soreness as Influenced by Concentric, Eccentric, and Static Contractions, Research Quarterly, Dec; 44 (4) 25. Clarkson, P. M. & Hubal, M. J. (2002). Exercise-Induced Muscle Damage in Humans, American Journal of Physical Medicine and Rehabilitation, Nov; 81 26. 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Skeletal Muscle in Health and Disease: A Textbook of Muscle Physiology, ch. 2.2 16. Rosentsweig, J. J. & Hinson, M. M. (1972). Comparison of Isometric, Isotonic and Isokinetic Exercises by Electromyography, Archives of Physical Medicine and Rehabilitation, Jun; 53 (6) 17. Hawkins, D. & Molé, P. (1997). Modeling Energy Expenditure Associated With Isometric, Concentric, and Eccentric Muscle Action at the Knee, Annals of Biomedical Engineering, Sep-Oct; 25 (5) 18. Petrofsky, J. et al. (2007). Muscle Strength Training and Weight Loss from a Combined Isometric Exercise and Dietary Program, Journal of Applied Research, 7 (1) 19. Westcott, W. L. (2012). Resistance Training is Medicine: Effects of Strength Training on Health, Current Sports Medicine Reports, Jul-Aug; 11 (4) 20. Caba, J. (2015). Male vs. Female Weight Loss: Why Do Men Lose Weight Faster Than Women? Medical Daily 21. Lavie, C. J. et al. (2001). 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Circulatory Effects of Isometric Muscle Contractions, Performed Separately and in Combination With Dynamic Exercise, European Journal of Applied Physiology and Occupational Physiology, 36 27. Laird, W. P. et al. (1979). Cardiovascular Response to Isometric Exercise in Normal Adolescents, Circulation, Apr; 59 (4) 28. Palatini, P. (1988). Blood Pressure Behaviour During Physical Activity, Sports Medicine, Jun; 5 (6) 29. Carlson, D. J. et al. (2014). Isometric Exercise Training for Blood Pressure Management: A Systematic Review and Meta-Analysis, Mayo Clinic Proceedings, Mar; 89 (3) 30. Wiley, R. L. et al. (1992). Isometric Exercise Training Lowers Resting Blood Pressure, Medicine and Science in Sports and Exercise, Jul; 24 (7) 31. Devereux, G. R. et al. (2010). Reductions in Resting Blood Pressure After 4 Weeks of Isometric Exercise Training, European Journal of Applied Physiology, Jul; 109 (4) 32. Owen, et al. (2010). 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H. et al. (2006). The Loss of Skeletal Muscle Strength, Mass, and Quality in Older Adults: The Health, Aging and Body Composition Study, The Journals of Gerontology, Oct; 61 (10) 41. Asmussen, E. & Heebøll-Nielsen (1962). Isometric Muscle Strength in Relation to Age in Men and Women, Ergonomics, 5 (1) 42. Symons, T. B. (2005). Effects of Maximal Isometric and Isokinetic Resistance Training on Strength and Functional Mobility in Older Adults, The Journals of Gerontology, Jun; 60 (6) 43. Bäckman, E. et al. (1995). Isometric Muscle Strength and Muscular Endurance in normal Persons Aged Between 17 and 70 Years, Scandinavian Journal of Rehabilitation Medicine, Jun ;27 (2) 44. Hess, N. C. L. & Smart, N. A. (2017). Isometric Exercise Training for Managing Vascular Risk Factors in Mild Cognitive Impairment and Alzheimer’s Disease, Frontiers in Aging Neuroscience, 9: 48 1. This quote is variously attributed to Peter Drucker (the famous management consultant) or Karl Pearson (the founder of mathematical statistics). It is thought to be inspired by the quote anecdotally attributed to Lord Kelvin: If you can not measure it, you can not improve it. 1. Schmidt, R. F.& Thews, G. (editors) (1989). Human Physiology, ch. 26 (2nd Edition) 2. Rogin, G. (1961). Get Strong, Sports Illustrated (October Edition) 1. Ackland, T. R. et al. (2009). Applied Anatomy and Biomechanics in Sport (2nd Edition) 1. Petrofsky, J. S. & Phillips, C. A. (1986). The Physiology of Static Exercise, Exercise and Sport Sciences Reviews, 14 2. Ibid. 3. Weber, M. D. et al. (1994). The Effects of Three Modalities on Delayed Onset Muscle Soreness, Journal of Orthopaedic and Sports Physical Therapy, Nov; 20 (5) 4. Jones D. A. et al. (1989). Mechanical Influences on Longlasting Human Muscle Fatigue and Delayed-Onset Pain, Journal of Physiology, 412 5. Cheung, K. et al. (2003). Delayed Onset Muscle Soreness: Treatment Strategies and Performance Factors, Sports Medicine, 33 (2) 6. Allen, T. J. et al. (2017). Muscle Damage Produced by Isometric Contractions in Human Elbow Flexors, Journal of Applied Physiology, 124 7. Babault, N. et al. (2001). Activation of Human Quadriceps Femoris During Isometric, Concentric, and Eccentric Contractions, Journal of Applied Physiology, Dec; 91 (6) 8. Rio, E. et al. (2015). Isometric Exercise Induces Analgesia and Reduces Inhibition in Patellar Tendinopathy, British Journal of Sports Medicine, Oct; 49 (19) 9. Barreto, R. et al. (2019). Protective Effect Conferred by Isometric Preconditioning Against Slow- and Fast-Velocity Eccentric Exercise-Induced Muscle Damage, Frontiers in Physiology, 10 10. Ibid. CHAPTER 12 1. Starr, W. (2010). The Ultimate Strength Exercise, Part II: startingstrength.com CHAPTER 13 1. Schwarzenegger, A. (1998). The Encyclopedia of Modern Bodybuilding 2. Voroboyev, A. (1978). A Textbook on Weightlifting 3. Kovalik, A. (1978). Prevention of Overstress to the Skeletal System of Weightlifters, Theory and Practice of Physical Culture (Russian), 4 4. Hettinger, T. (1961). The Physiology of Strength, page 27 5. Kovalik, A. (1978). Prevention of Overstress to the Skeletal System of Weightlifters, Theory and Practice of Physical Culture (Russian), 4 6. Ibid. 7. Ibid. 8. Ibid. 9. Fleck, S. J. & Kraemer, W. (2014). Designing Resistance Training Programs (4th Edition) 10. Ibid. CHAPTER 14 1. Clark, M. A. et al. (2012). NASM Essentials of Personal Fitness Training (4th Edition) chapter 8 CHAPTER 15 1. Mentzer, M. (2002). High-Intensity Training, The Mike Mentzer Way 2. Thompson, W. R. (2010). ACSM’s Resources for the Personal Trainer (3rd Edition), chapter 15 3. Petrofsky, J. S. & Phillips, C. A. (1986). The Physiology of Static Exercise, Exercise and Sport Sciences Reviews, 14 4. Ibid. 5. Clarke, R. S. et al. (1958). The Duration of Sustained Contractions of the Human Forearm at Different Muscle Temperatures, Journal of Physiology, Oct;143 (3) 6. Verkhoshansky, Y. & Siff, M. C. (2009). Supertraining, chapter 4.2.4 (6th Edition) 7. Hoffman, B. (1964). Functional Isometric Contraction, chapter 9 8. Verkhoshansky, Y. & Siff, M. C. (2009). Supertraining, chapter 4.2.4 (6th Edition) 9. Atha, J. (1981). Strengthening Muscle, Exercise and Sports Sciences Reviews, 9 10. Ibid. 11. Verkhoshansky, Y. & Siff, M. C. (2009). Supertraining, chapter 4.2.4 (6th Edition) 12. Syme, D. A. & Josephson, R. K. (2002). How to Build Fast Muscles: Synchronous and Asynchronous Designs, Integrative and Comparative Biology, 42, (4) 13. Hettinger, T. (1961). The Physiology of Strength 14. McGlynn, G. H. (1971). A Re-Evaluation of Isometric Strength Training, British Journal of Sports Medicine, Nov; 6 (1) 15. Verkhoshansky, Y. & Siff, M. C. (2009). Supertraining, chapter 4.2.4 (6th Edition) 16. Khouw, W. & Herbert, R. (1998). Optimisation of Isometric Strength Training Intensity, Australian Journal of Physiotherapy, 44 (1) 17. Muller, E. A. (1970). Influence of Training and Inactivity on Muscle Strength, Archives of Physical Medicine and Rehabilitation, 51 (8) 18. McDonagh, M. J. M. & Davies, C. T. M. (1984). Adaptive Response of Mammalian Skeletal Muscle to Exercise With High Loads, European Journal of Applied Physiology and Occupational Physiology, 52 (2) 19. Young, K. et al. (1985). The Effects of Two Forms of Isometric Training on the Mechanical Properties of the Triceps Surae in Man, Pflügers Archiv: European Journal of Physiology, Dec; 405 (4) 20. Salter, N. (1955). The Effect on Muscle Strength of Maximum Isometric and Isotonic Contractions at Different Repetition Rates, The Journal of Physiology, Oct; 130 (1) 21. Schoenfeld, B. J. (2010). The Mechanisms of Muscle Hypertrophy and Their Application to Resistance Training, Journal of Strength and Conditioning Research, 24 (10) 22. Ibid. 23. Baker, J. S. et al. (2010). Interaction Among Skeletal Muscle Metabolic Energy Systems During Intense Exercise, Journal of Nutrition and Metabolism, 2010 (1) 24. Ibid. 25. Butler, T., & Siegman, M. (1985). High Energy Phosphate Metabolism in Vascular Smooth Muscle, Annual Review of Physiology, 47 (cf. also page 60-61 of this manual.) 26. Mitchell, C. J. et al. (2012). Resistance Exercise Load Does Not Determine Training- Mediated Hypertrophic Gains in Young Men, Journal of Applied Physiology, Jul 1; 113 (1) 27. Ibid. 28. Salter, N. (1955). The Effect on Muscle Strength of Maximum Isometric and Isotonic Contractions at Different Repetition Rates, The Journal of Physiology, Oct; 130 (1) 29. Hettinger, T. (1961). The Physiology of Strength 30. Verkhoshansky, Y. & Siff, M. C. (2009). Supertraining, chapter 4.2.4 (6th Edition) 31. McDonagh, M.J. & Davies, C.T. (1984). Adaptive Response of Mammalian Skeletal Muscle to Exercise With High Loads: European Journal of Applied Physiology and Occupational Physiology, 52 (2) 32. Verkhoshansky, Y. & Siff, M. C. (2009). Supertraining, chapter 4.2.4 (6th Edition) 33. Fleck, S. J. & Kraemer, W. (2014). Designing Resistance Training Programs (4th Edition) 34. Burgomaster, K. A. et al. (2003). Resistance Training with Vascular Occlusion: Metabolic Adaptations in Human Muscle, Medicine & Science in Sports & Exercise, Jul; 35 (7) 35. Verkhoshansky, Y. & Siff, M. C. (2009). Supertraining, chapter 4.2.4 (6th Edition) 36. Salter, N. (1955). The Effect on Muscle Strength of Maximum Isometric and Isotonic Contractions at Different Repetition Rates, The Journal of Physiology, Oct; 130 (1) 37. Clarke, D. H. & Alan Stull, G. (1969). Strength Recovery Patterns Following Isometric and Isotonic exercise, Journal of Motor Behavior, Sep; 1 (3) 38. Fleck, S. J. & Kraemer, W. (2014). Designing Resistance Training Programs (4th Edition) 39. Funderburk, C. F. et al. (1974). Development of and Recovery from Fatigue Induced by Static Effort at Various Tensions, Journal of Applied Physiology, 37 (3) 40. Whitley, J. D. (1967). The Influence of Static and Dynamic Training on Angular Strength Performance, Ergonomics, May; 10 (3) 41. Raitsin, L. M. (1974). The Effectiveness of Isometric and Electro-Stimulated Training on Muscle Strength at Different Joint Angles, Theory and Practice of Physical Culture, 12 42. Rosentsweig, J. J. & Hinson, M. M. (1972). Comparison of Isometric, Isotonic and Isokinetic Exercises by Electromyography, Archives of Physical Medicine and Rehabilitation, 38 (3) 43. Smith, L. E. (1974). Strength Increments Following Massed and Distributed Practice Relative to Motor Learning, Medicine in Science and Sports, summer; 6 (2) 44. Murray, A. (1971). Modern Weight Training—The Key to Physical Power (2nd Edition) 45. Ackland, T. R. et al. (2009). Applied Anatomy and Biomechanics in Sport (2nd Edition), chapter 8 46. O'Shea, K. L. & O'Shea, J. P. (1989). Functional Isometric Weight Training, Its Effects on Dynamic and Static Strength, The Journal of Strength & Conditioning Research, May 47. Babault, N. et al. (2001). Activation of Human Quadriceps Femoris During Isometric, Concentric, and Eccentric Contractions, Journal of Applied Physiology, Dec; 91 (6) 48. Kreher, J. B. & Schwartz, J. B. (2012). Overtraining Syndrome, Sports Health, Mar; 4 (2) 49. Verkhoshansky, Y. & Siff, M. C. (2009). Supertraining, chapter 4.2.4 (6th Edition) 50. Ackland, T. R. et al. (2009). Applied Anatomy and Biomechanics in Sport (2nd Edition), chapter 8 51. Atha, J. (1981). Strengthening Muscle, Exercise and Sports Sciences Reviews, 9 52. Hettinger, T. (1961). The Physiology of Strength 53. Atha, J. (1981). Strengthening Muscle, Exercise and Sports Sciences Reviews, 9 54. Hettinger, T. (1961). The Physiology of Strength 55. Berger, R. (1962). Comparison Between Resistance Load and Strength Improvement, Research Quarterly for Exercise and Sport, 33 (4) 56. Ackland, T. R. et al. (2009). Applied Anatomy and Biomechanics in Sport (2nd Edition), chapter 8 57. Fleck, S. J. & Kraemer, W. (2014). Designing Resistance Training Programs (4th Edition) 58. Ibid. 59. Medvedev, A. S. (1986). A System of Multi-Year Training in Weightlifting 60. Kraemer, W. & Harman, S. (1998). Building Strength, Manual of Sports Medicine, 1. Baye, A. M. Isometrics, Timed Static Contractions, and Static Holds, MikeMentzer.com
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[1] [2] [3]
Sentence Equivalence
[1] [2]
Discrete Questions - EASY
[1] [2] [3] [4] [5] [6] [7] [8]
Reading Comprehension Questions - EASY
[1] [2/3/4/5] [6/7] [8/9]
Discrete Questions - MEDIUM
[1] [2] [3] [4] [5] [6] [7] [8]
Reading Comprehension Questions - MEDIUM
[1/2/3] [4/5] [6/7/8/9]
Discrete Questions - HARD
[1] [2] [3] [4] [5] [6] [7] [8] [9]
Reading Comprehension Questions - HARD
[1] [2] [3/4] [5/6/7/8]
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GRE ® Quantitative Reasoning Practice Questions
Sample Questions
Quantitative Comparison Question
[1] [2] [3] [4] [5] [6] [7] [8] [9]
Multiple-choice Questions — Select One Answer Choice
[1] [2] [3] [4] [5]
Multiple-choice Questions — Select One or More Answer Choices
[1] [2] [3] [4]
Numeric Entry Question
[1] [2] [3] [4] [5]
Data Interpretation
[1] [2] [3]
Discrete Questions - EASY
Quantitative Comparison Question
[1] [2] [3] [4] [5] [6]
Multiple-choice Questions — Select One Answer Choice
[7] [8] [9] [10] [11]
Multiple-choice Questions — Select One or More Answer Choices
[14]
Numeric Entry Question
[12] [13]
Discrete Questions - MEDIUM
Quantitative Comparison Question
[1] [2] [3] [4] [5]
Multiple-choice Questions — Select One Answer Choice
[6] [7] [8] [9] [10]
Multiple-choice Questions — Select One or More Answer Choices
[13] [14]
Numeric Entry Question
[11] [12]
Discrete Questions - HARD
Quantitative Comparison Question
[1] [2 [3] [4] [5] [6]
Multiple-choice Questions — Select One Answer Choice
[7] [8 [9] [10] [11] [12]
Multiple-choice Questions — Select One or More Answer Choices
[14] [15]
Numeric Entry Question
[13]
Data Interpretation Sets
Set #1
[1] [2] [3]
Set #2
[4] [5] [6] [7]
GRE ® - Math Review
Arithmetic
[1] [2] [3] [4] [5] [6] [7] [8] [9] [10][11] [12] [13] [14] [15]
Algebra
[1] [2] [3] [4] [5] [6] [7] [8] [9] [10][11] [12] [13] [14] [15] [16] [17] [18] [19] [20][21]
Geometry
[1] [2] [3] [4] [5] [6] [7] [8] [9] [10][11] [12] [13] [14]
Data Analysis
[1] [2] [3] [4] [5] [6] [7] [8] [9] [10][11] [12] [13] [14] [15] [16] [17] [18] [19]
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GRE ® Practice Test # 1
Section #3 - Verbal reasoning
[1/2/3] [4] [5] [6] [7] [8] [9/10/11/12][13] [14] [15] [16] [17] [18/19/20][21 [22] [23] [24] [25]
Section #4 - Verbal Reasoning
[1] [2] [3] [4] [5/6] [7] [8/9] [10][11] [12] [13] [14/15/16] [17] [18] [19] [20][21] [22] [23/24/25]
Section #5 - Quantitative Reasoning
[1] [2] [3] [4] [5] [6] [7] [8] [9] [10][11] [12] [13] [14] [15] [16] [17] [18] [19] [20][21] [22] [23] [24] [25]
Section #6 - Quantitative Reasoning
[1] [2] [3] [4] [5] [6] [7 [8] [9] [10][11] [12] [13] [14] [15] [16] [17] [18] [19] [20][21] [22] [23] [24] [25]
GRE ® Practice Test # 2
Section #3 - Verbal Reasoning
[1] [2] [3] [4] [5] [6] [7] [8] [9/10][11/12/13/14] [15] [16] [17] [18] [19] [20][21] [22/23] [24/25]
Section #4 - Verbal Reasoning
[1] [2] [3] [4] [5] [6] [7] [8] [9/10/11/12][13/14] [15] [16] [17] [18] [19/20][21] [22/23/24][25]
Section #5 - Quantitative Reasoning
[1] [2] [3] [4] 5] [6] [7] [8] [9] [10][11] [12] [13] [14] [15] [16] [17] [18] [19] [20][21] [22] [23] [24] [25]
Section #6 - Quantitative Reasoning
[1] [2] [3] [4] [5] [6] [7] [8] [9] [10][11] [12] [13] [14] [15] [16] [17] [18] [19] [20][21] [22] [23] [24] [25]
submitted by skypetutor to GREpreparation [link] [comments]


2020.12.30 13:21 herbibot Today Shows : December 30

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day in history lookup i am having a robot fundraiser for a human
Grateful Dead - 1966/12/30 - Fillmore Auditorium, San Francisco, CA No setlist. Mentions: 0
Grateful Dead - 1967/12/30 - Psychedelic Supermarket, Boston, MA No setlist. Mentions: 0
Grateful Dead - 1969/12/30 - Boston Tea Party, Boston, MA Set 1: Good Lovin', Mama Tried, New Speedway Boogie, Casey Jones, Black Peter, Me and My Uncle, In the Midnight Hour, Cumberland Blues, That's It for the Other One, Cosmic Charlie Set 2: Uncle John's Band, Mason's Children, China Cat Sunflower, I Know You Rider, Dark Star, Alligator, The Eleven, Alligator, And We Bid You Goodnight Mentions: 4
Grateful Dead - 1977/12/30 - Winterland Arena, San Francisco, CA Set 1: Mississippi Half-Step Uptown Toodeloo, Me and My Uncle, Dire Wolf, Looks Like Rain, Row Jimmy, Big River, Peggy-O, Passenger, Ramble On Rose, Let It Grow Set 2: Samson and Delilah, Ship of Fools, Estimated Prophet, Eyes of the World, St. Stephen, Sugar Magnolia Encore: U.S. Blues, Good Lovin' Mentions: 42
Grateful Dead - 1978/12/30 - Pauley Pavilion (UCLA), Los Angeles, CA Set 1: Jack Straw, They Love Each Other, Mama Tried, Mexicali Blues, Loser, Looks Like Rain, Stagger Lee, Passenger, Tennessee Jed, Minglewood Blues, Sugaree, The Promised Land Set 2: I Need a Miracle, Bertha, Good Lovin', Scarlet Begonias, Fire on the Mountain, Playing in the Band, Shakedown Street, Drums, Ollin Arageed, St. Stephen, Not Fade Away, Going Down the Road Feelin' Bad, Around and Around Encore: One More Saturday Night Mentions: 26
Grateful Dead - 1979/12/30 - Civic Auditorium, Oakland, CA Set 1: Minglewood Blues, Candyman, Me and My Uncle, Big River, Ramble On Rose, Lazy Lightning, Supplication, Deal Set 2: Scarlet Begonias, Fire on the Mountain, Let It Grow, Drums, Space, Truckin', Wharf Rat, Around and Around, Johnny B. Goode Encore: Don't Ease Me In, Brokedown Palace Mentions: 9
Grateful Dead - 1980/12/30 - Civic Auditorium, Oakland, CA Set 1: Minglewood Blues, Friend of the Devil, Mama Tried, Mexicali Blues, Brown-Eyed Women, Beat It On Down the Line, Althea, Let It Grow, Deal Set 2: Shakedown Street, Samson and Delilah, He's Gone, Truckin', Drums, Space, Not Fade Away, China Doll, Around and Around, Good Lovin' Encore: U.S. Blues Mentions: 8
Grateful Dead - 1981/12/30 - Civic Auditorium, Oakland, CA Set 1: Jack Straw, They Love Each Other, On the Road Again, Dire Wolf, Little Red Rooster, Cumberland Blues, It's All Over Now, Althea, Lazy Lightning, Supplication, Might as Well Set 2: Me and Bobby McGee, Lady Di and I, Barbara Allen, Feel Like a Stranger, Ramble On Rose, Estimated Prophet, Drums, Space, Not Fade Away, Black Peter, Johnny B. Goode Encore: Casey Jones Guests: Me & Bobby McGee, Lady Di (with Joan Baez), Barbara Allen (with Joan Baez), Feel Like a Stranger (without Brent) Mentions: 10
Grateful Dead - 1982/12/30 - Civic Auditorium, Oakland, CA Set 1: Alabama Getaway, The Promised Land, Loser, Little Red Rooster, Big Railroad Blues, Feel Like a Stranger, Dupree's Diamond Blues, The Music Never Stopped, Don't Ease Me In Set 2: Touch of Grey, Throwing Stones, Franklin's Tower, Lost Sailor, Saint of Circumstance, He's Gone, Drums, Truckin', Stella Blue, Going Down the Road Feelin' Bad, Johnny B. Goode Encore: Hard to Handle, Tell Mama Guests: Hard To Handle, Tell Me Mama (with Etta James & Tower Of Power) Mentions: 7 First: Tell Mama (2)
Grateful Dead - 1983/12/30 - San Francisco Civic Auditorium, San Francisco, CA Set 1: Bertha, Greatest Story Ever Told, Friend of the Devil, Me and My Uncle, Big River, Ramble On Rose, Little Red Rooster, Brown-Eyed Women, Looks Like Rain, Deal Set 2: Shakedown Street, Man Smart Woman Smarter, Terrapin Station, Drums, Mind Left Body Jam, Truckin', Wharf Rat, Good Lovin' Encore: Day Job Mentions: 13
Grateful Dead - 1985/12/30 - Oakland-Alameda County Coliseum Arena, Oakland, CA Set 1: Gimme Some Lovin', Greatest Story Ever Told, West L.A. Fadeaway, Little Red Rooster, Stagger Lee, My Brother Esau, Tennessee Jed, Looks Like Rain, Don't Ease Me In Set 2: Quinn the Eskimo (The Mighty Quinn), Samson and Delilah, He's Gone, I Need a Miracle, Crazy Fingers, Drums, Space, The Other One, Wharf Rat, Sugar Magnolia Encore: It's All Over Now Baby Blue Mentions: 17 First: Quinn the Eskimo (The Mighty Quinn) (59)
Grateful Dead - 1986/12/30 - Henry J. Kaiser Convention Center, Oakland, CA Set 1: Hell in a Bucket, Althea, See See Rider, Cumberland Blues, My Brother Esau, When Push Comes to Shove, Beat It On Down the Line, Greatest Story Ever Told, Don't Ease Me In, The Music Never Stopped Set 2: China Cat Sunflower, I Know You Rider, Saint of Circumstance, Ship of Fools, Estimated Prophet, Eyes of the World, Drums, Space, Iko Iko, Man Smart Woman Smarter, Stella Blue, Throwing Stones, Not Fade Away Encore: Johnny B. Goode Guests: Iko Iko, Man Smart,Woman Smarter, Johnny B. Goode (with The Neville Brothers) Mentions: 8
Grateful Dead - 1987/12/30 - Oakland-Alameda County Coliseum Arena, Oakland, CA Set 1: Hey Pocky A-Way, Big Boss Man, Greatest Story Ever Told, Friend of the Devil, Mama Tried, Mexicali Blues, Althea, Cassidy, West L.A. Fadeaway, Let It Grow Set 2: Scarlet Begonias, Samson and Delilah, Ship of Fools, He's Gone, Drums, Space, I Need a Miracle, Gimme Some Lovin', Morning Dew, All Along the Watchtower Encore: It's All Over Now Baby Blue Mentions: 3
Grateful Dead - 1989/12/30 - Oakland-Alameda County Coliseum Arena, Oakland, CA Set 1: Bertha, Good Lovin', Sugaree, Walkin' Blues, Jack-A-Roe, When I Paint My Masterpiece, West L.A. Fadeaway, The Music Never Stopped Set 2: Jack Straw, China Cat Sunflower, I Know You Rider, Estimated Prophet, Terrapin Station, Drums, Space, I Will Take You Home, The Other One, Standing on the Moon, One More Saturday Night Encore: It's All Over Now Baby Blue Mentions: 9
Grateful Dead - 1990/12/30 - Oakland-Alameda County Coliseum Arena, Oakland, CA Set 1: Bertha, Feel Like a Stranger, Candyman, Me and My Uncle, Maggie's Farm, High Time, Stuck Inside of Mobile With the Memphis Blues Again, Tennessee Jed, The Valley Road Set 2: Mississippi Half-Step Uptown Toodeloo, Looks Like Rain, Crazy Fingers, Playing in the Band, Drums, Space, Terrapin Station, Sugar Magnolia Encore: U.S. Blues Mentions: 2
Grateful Dead - 1991/12/30 - Oakland-Alameda County Coliseum Arena, Oakland, CA Set 1: Touch of Grey, Wang Dang Doodle, Row Jimmy, Big River, Maggie's Farm, Ramble On Rose, Just Like Tom Thumb's Blues, Bird Song, The Promised Land Set 2: China Cat Sunflower, I Know You Rider, Samson and Delilah, Ship of Fools, Saint of Circumstance, Drums, Space, The Last Time, Stella Blue, Turn on Your Love Light Encore: The Weight Guests: Dear Prudence Jam (with Airto Moreira), Drums (with Airto Moreira) Mentions: 3
Today Show Playlist
other stuff:
Robert Hunter Songs Tags: Garcia Weir Pigpen Brent Phil Pig & Brent Dylan R&B C&W Rarities Jam
Shakedown Scarlet / Sometimes Fire Eyes Bird Song Pigpen Random Dark Star Radio 73 > 74 Brent Era
Popularity by Era
Top Performances Roll Bones Song Mood?
beep.
submitted by herbibot to grateful_dead [link] [comments]


2020.11.06 11:09 herbibot Today Shows : November 6

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day in history lookup
Grateful Dead - 1970/11/6 - Capitol Theatre, Port Chester, NY Set 1: Don't Ease Me In, Deep Elem Blues, Dark Hollow, Friend of the Devil, The Rub, Black Peter, El Paso, Brokedown Palace, Uncle John's Band Set 2: Casey Jones, Me and My Uncle, I'm a King Bee, China Cat Sunflower, I Know You Rider, Truckin', Candyman, Sugar Magnolia, Drums, Good Lovin', Drums, The Main Ten, Drums, Good Lovin', Alligator, Not Fade Away, Going Down the Road Feelin' Bad, Mountain Jam, Not Fade Away, Caution (Do Not Stop on Tracks), Turn on Your Love Light Mentions: 19 First: Mountain Jam (only)
Grateful Dead - 1971/11/6 - Harding Theater, San Francisco, CA Bertha, Me and My Uncle, Sugaree, Jack Straw, Tennessee Jed, El Paso, Loser, Playing in the Band, Cumberland Blues, Black Peter, Beat It On Down the Line, Deal, Mexicali Blues, Sing Me Back Home, One More Saturday Night, Ramble On Rose, Me and Bobby McGee, Cryptical Envelopment, Drums, The Other One, Cryptical Envelopment, Comes a Time, Sugar Magnolia, Brown-Eyed Women, Not Fade Away, Going Down the Road Feelin' Bad, Not Fade Away Mentions: 2
Jerry Garcia & Merl Saunders - 1974/11/6 - The Bottom Line, New York, NY Think, Valdez in the Country, I Second That Emotion, You Can Leave Your Hat On, Someday Baby, Mystery Train, The Night They Drove Old Dixie Down
Grateful Dead - 1977/11/6 - Broome County Veterans Memorial Arena, Binghamton, NY Set 1: Mississippi Half-Step Uptown Toodeloo, Jack Straw, Tennessee Jed, Mexicali Blues, Me and My Uncle, Friend of the Devil, Minglewood Blues, Dupree's Diamond Blues, Passenger, Dire Wolf, The Music Never Stopped Set 2: Samson and Delilah, Sunrise, Scarlet Begonias, Fire on the Mountain, Good Lovin', St. Stephen, Drums, Not Fade Away, Wharf Rat, St. Stephen, Truckin' Encore: Johnny B. Goode Mentions: 98
Grateful Dead - 1979/11/6 - The Spectrum, Philadelphia, PA Set 1: Alabama Getaway, The Promised Land, Tennessee Jed, Me and My Uncle, Mexicali Blues, Candyman, Easy to Love You, Looks Like Rain, Jack-A-Roe, Jack Straw, Deal Set 2: Terrapin Station, Playing in the Band, Drums, Space, Black Peter, Good Lovin' Encore: U.S. Blues Mentions: 42
Jerry Garcia Band - 1981/11/6 - Capitol Theatre, Passaic, NJ Early Show: The Way You Do the Things You Do, They Love Each Other, Simple Twist of Fate, That's What Love Will Make You Do, Mississippi Moon, I Second That Emotion, Deal
Jerry Garcia Band - 1982/11/6 - Ritchie Coliseum, College Park, MD Set 1: How Sweet It Is (To Be Loved by You), They Love Each Other, Love in the Afternoon, Valerie, Run for the Roses, Deal Set 2: Mission in the Rain, The Harder They Come, Simple Twist of Fate, Tore Up Over You, The Night They Drove Old Dixie Down, Tangled Up in Blue Encore: Midnight Moonlight
Grateful Dead - 1987/11/6 - Henry J. Kaiser Convention Center, Oakland, CA Set 1: Big Boss Man, Feel Like a Stranger, It Must Have Been the Roses, Minglewood Blues, When Push Comes to Shove, Me and My Uncle, Cumberland Blues, Let It Grow Set 2: Scarlet Begonias, Hell in a Bucket, He's Gone, Drums, Space, The Wheel, Gimme Some Lovin', Morning Dew, All Along the Watchtower Encore: Black Muddy River Mentions: 2
Jerry Garcia Band - 1991/11/6 - Capital Centre, Landover, MD Set 1: Cats Under the Stars, Stop That Train, You Never Can Tell, Run for the Roses, Simple Twist of Fate, No Bread in the Breadbox, My Sisters and Brothers, Deal Set 2: The Way You Do the Things You Do, Waiting for a Miracle, Money Honey, Shining Star, Struggling Man, Don't Let Go, Everybody Needs Somebody to Love Encore: What a Wonderful World
Today Show Playlist
other stuff:
Robert Hunter Songs Tags: Garcia Weir Pigpen Brent Phil Pig & Brent Dylan R&B C&W Rarities Jam
Shakedown Scarlet / Sometimes Fire Eyes Bird Song Pigpen Random Dark Star Radio 73 > 74 Brent Era
Popularity by Era
Top Performances Roll Bones Song Mood?
beep.
submitted by herbibot to grateful_dead [link] [comments]


2020.09.18 12:31 herbibot Today Shows : September 18

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day in history lookup
Grateful Dead - 1970/9/18 - Fillmore East, New York, NY Set 1: Truckin', Black Peter Set 2: Sugar Magnolia, Candyman, That's It for the Other One, Brokedown Palace, It's a Man's Man's Man's World, Till the Morning Comes, Me and My Uncle, Operator, Dancing in the Street, St. Stephen, Not Fade Away, Good Lovin' Encore: And We Bid You Goodnight Mentions: 7 First: Till the Morning Comes (4)
Grateful Dead - 1973/9/18 - Onondaga War Memorial Auditorium, Syracuse, NY No setlist. Mentions: 0
Grateful Dead - 1974/9/18 - Parc des Expositions, Dijon, FR Set 1: Uncle John's Band, Jack Straw, Black-Throated Wind, Scarlet Begonias, Mexicali Blues, Row Jimmy, Beat It On Down the Line, Deal, The Race Is On, To Lay Me Down, Playing in the Band Set 2: Loose Lucy, Big River, Peggy-O, Me and My Uncle, Eyes of the World, China Doll, He's Gone, Truckin', Drums, Caution (Do Not Stop on Tracks), Ship of Fools, Johnny B. Goode Encore: U.S. Blues Mentions: 99
Jerry Garcia Band - 1975/9/18 - Sophie's, Palo Alto, CA Set 1: It Ain't No Use, Catfish John, You Win Again, I'll Take a Melody, All By Myself, Edward the Mad Shirt Grinder Set 2: (I'm a) Road Runner, It Takes a Lot to Laugh It Takes a Train to Cry, Sitting in Limbo, Pig's Boogie, Crazy Arms, Mystery Train, How Sweet It Is (To Be Loved by You)
Jerry Garcia Band - 1976/9/18 - Ben Light Gymnasium, Ithaca, NY Set 1: They Love Each Other, The Way You Do the Things You Do, After Midnight, Mission in the Rain, Stir It Up, Lonesome and a Long Way From Home, The Night They Drove Old Dixie Down Set 2: Sugaree, Knockin' on Heaven's Door, Tore Up Over You, Strange Man, Midnight Moonlight, Friend of the Devil, Mighty High
Jerry Garcia Band - 1981/9/18 - Keystone, Berkeley, CA Set 1: The Way You Do the Things You Do, They Love Each Other, I'll Take a Melody, I Second That Emotion, Valerie, Tangled Up in Blue Set 2: Mission in the Rain, The Harder They Come, The Night They Drove Old Dixie Down, Dear Prudence, Midnight Moonlight
Grateful Dead - 1982/9/18 - Boston Garden, Boston, MA Set 1: Jack Straw, Sugaree, Mama Tried, Mexicali Blues, West L.A. Fadeaway, Little Red Rooster, Dupree's Diamond Blues, Cassidy, Far From Me Set 2: Samson and Delilah, Uncle John's Band, Playing in the Band, Drums, Throwing Stones, The Wheel, Truckin', Wharf Rat, Around and Around, One More Saturday Night Encore: It's All Over Now Baby Blue Mentions: 7
Grateful Dead - 1983/9/18 - Nevada County Fairgrounds, Grass Valley, CA Set 1: Jack Straw, They Love Each Other, Minglewood Blues, Friend of the Devil, Hell in a Bucket, Ramble On Rose, Let It Grow Set 2: Touch of Grey, Samson and Delilah, Terrapin Station, Drums, The Other One, Wharf Rat, Around and Around, Sugar Magnolia Encore: It's All Over Now Baby Blue Mentions: 2
Jerry Garcia Band - 1984/9/18 - Keystone, Palo Alto, CA Set 1: Sugaree, Cats Under the Stars, Knockin' on Heaven's Door, Tangled Up in Blue Set 2: Rhapsody in Red, The Night They Drove Old Dixie Down, Get Out of My Life Woman, Gomorrah, Midnight Moonlight
Grateful Dead - 1987/9/18 - Madison Square Garden, New York, NY Set 1: Hell in a Bucket, Sugaree, Walkin' Blues, Candyman, When I Paint My Masterpiece, Bird Song Set 2: Shakedown Street, Man Smart Woman Smarter, Terrapin Station, Drums, Space, Going Down the Road Feelin' Bad, All Along the Watchtower, Morning Dew, Good Lovin', La bamba Encore: Knockin' on Heaven's Door Mentions: 190 (#42)
Grateful Dead - 1988/9/18 - Madison Square Garden, New York, NY Set 1: Feel Like a Stranger, Franklin's Tower, Never Trust a Woman, Big Railroad Blues, Stuck Inside of Mobile With the Memphis Blues Again, Stagger Lee, The Promised Land Set 2: Not Fade Away, Scarlet Begonias, Fire on the Mountain, Man Smart Woman Smarter, Drums, Space, The Other One, Wharf Rat, Throwing Stones, Not Fade Away Encore: Black Muddy River Mentions: 2
Grateful Dead - 1990/9/18 - Madison Square Garden, New York, NY Set 1: Mississippi Half-Step Uptown Toodeloo, Minglewood Blues, Loser, Picasso Moon, Row Jimmy, Desolation Row, To Lay Me Down, The Promised Land Set 2: Eyes of the World, Estimated Prophet, Foolish Heart, Drums, Space, The Other One, The Wheel, Sugar Magnolia Encore: Knockin' on Heaven's Door Mentions: 26
Grateful Dead - 1991/9/18 - Madison Square Garden, New York, NY Set 1: In the Midnight Hour, Ramble On Rose, Wang Dang Doodle, Candyman, Stuck Inside of Mobile With the Memphis Blues Again, Row Jimmy, Jack Straw Set 2: Victim or the Crime, Crazy Fingers, Playing in the Band, Terrapin Station, Drums, Space, The Wheel, I Need a Miracle, Wharf Rat, Sugar Magnolia Encore: Brokedown Palace Mentions: 1
Grateful Dead - 1993/9/18 - Madison Square Garden, New York, NY Set 1: Mississippi Half-Step Uptown Toodeloo, Little Red Rooster, Althea, When I Paint My Masterpiece, Brown-Eyed Women, Cassidy, Loose Lucy Set 2: Iko Iko, Victim or the Crime, Uncle John's Band, Corrina, Drums, Space, The Wheel, All Along the Watchtower, China Doll, One More Saturday Night Encore: Gloria Mentions: 1
Grateful Dead - 1994/9/18 - Shoreline Amphitheatre, Mountain View, CA Set 1: Touch of Grey, Greatest Story Ever Told, Jack-A-Roe, Little Red Rooster, Tennessee Jed, El Paso, Brown-Eyed Women, The Music Never Stopped Set 2: Iko Iko, Saint of Circumstance, Samba in the Rain, So Many Roads, Samson and Delilah, Drums, Space, The Days Between, Throwing Stones, Not Fade Away Encore: Brokedown Palace Mentions: 5
Today Show Playlist
other stuff:
Robert Hunter Songs Tags: Garcia Weir Pigpen Brent Phil Pig & Brent Dylan R&B C&W Rarities Jam
Shakedown Scarlet / Sometimes Fire Eyes Bird Song Pigpen Random Dark Star Radio 73 > 74 Brent Era
Popularity by Era
Top Performances Roll Bones Song Mood?
beep.
submitted by herbibot to grateful_dead [link] [comments]


2020.08.28 12:37 herbibot Today Shows : August 28

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day in history lookup
Grateful Dead - 1966/8/28 - I.D.E.S. Hall, El Pescadero, CA No setlist. Mentions: 0
Grateful Dead - 1967/8/28 - Lindley Meadows, San Francisco, CA No setlist. Mentions: 0
Mickey and the Hartbeats - 1968/8/28 - Avalon Ballroom, San Francisco, CA Good Morning School Girl, Dark Star, St. Stephen, The Eleven, Death Don't Have No Mercy, Turn on Your Love Light
Grateful Dead - 1969/8/28 - Family Dog, San Francisco, CA It's a Sin, Hi-Heel Sneakers, Dark Star, The Eleven Mentions: 3
Grateful Dead - 1970/8/28 - The Club, Los Angeles, CA No setlist. Mentions: 0
Grateful Dead - 1981/8/28 - Long Beach Arena, Long Beach, CA Set 1: Jack Straw, They Love Each Other, Me and My Uncle, Big River, Althea, Little Red Rooster, Brown-Eyed Women, Let It Grow, China Cat Sunflower, I Know You Rider Set 2: Shakedown Street, Lost Sailor, Saint of Circumstance, The Wheel, Jam, Never Trust a Woman, Jam, Drums, Space, Spanish Jam, Truckin', Wharf Rat, Sugar Magnolia Encore: U.S. Blues Mentions: 84 First: Never Trust a Woman (42)
Grateful Dead - 1982/8/28 - Oregon County Fair Site, Veneta, OR Set 1: Bertha, Minglewood Blues, Tennessee Jed, Me and My Uncle, Big River, Althea, It's All Over Now, China Cat Sunflower, I Know You Rider Set 2: Day Job, Man Smart Woman Smarter, West L.A. Fadeaway, Far From Me, Playing in the Band, Drums, The Wheel, The Other One, Truckin', Black Peter, Playing in the Band, One More Saturday Night Encore: Dupree's Diamond Blues Mentions: 34 First: West L.A. Fadeaway (137), Day Job (57)
Jerry Garcia & John Kahn - 1984/8/28 - Wolfgang's, San Francisco, CA Deep Elem Blues, Been All Around This World, Friend of the Devil, Little Sadie, Oh Babe It Ain't No Lie, Goodnight Irene, Ripple
Grateful Dead - 1988/8/28 - Autzen Stadium, Eugene, OR Set 1: Mississippi Half-Step Uptown Toodeloo, Little Red Rooster, Friend of the Devil, Stuck Inside of Mobile With the Memphis Blues Again, Foolish Heart, Victim or the Crime, Don't Ease Me In Set 2: Jack Straw, Bertha, Truckin', Terrapin Station, Drums, Space, The Other One, Wharf Rat, Throwing Stones, Not Fade Away Encore: Knockin' on Heaven's Door Mentions: 3
Today Show Playlist
other stuff:
Robert Hunter Songs Tags: Garcia Weir Pigpen Brent Phil Pig & Brent Dylan R&B C&W Rarities Jam
Shakedown Scarlet / Sometimes Fire Eyes Bird Song Pigpen Random Dark Star Radio 73 > 74 Brent Era
Popularity by Era
Top Performances Roll Bones Song Mood?
beep.
submitted by herbibot to grateful_dead [link] [comments]


2020.08.17 23:02 tombstoneshadows28 Turner Classic Movies (U.S.) Schedule For The Month Of September, 2020 (All Airtimes E.S.T)

Tuesday, September 01, 2020
(1:15 AM) (drama) L'Eclisse (1962/126 m/Michelangelo Antonioni)
(3:30 AM) (western) Lost Command (1966/129 m/Mark Robson)
(6:00 AM) (suspense) The 39 Steps (1935/87 m/Alfred Hitchcock)
(7:45 AM) (suspense) The Lady Vanishes (1938/96 m/Alfred Hitchcock)
(9:30 AM) (suspense) Foreign Correspondent (1940/121 m/Alfred Hitchcock)
(11:45 AM) (suspence) Suspicion (1941/99 m/Alfred Hitchcock)
(1:27 PM) (short) Men In Fright (1938/11 m/George Sidney)
(1:45 PM) (suspense) Stage Fright (1950/110 m/Alfred Hitchcock)
(3:45 PM) (suspense) Dial ‘M’ For Murder (1954/105 m/Alfred Hitchcock)
(5:32 PM) (short) Third Dimensional Murder (1941/7 m/George Sidney)
(5:45 PM) (suspense) The Wrong Man (1956/105 m/Alfred Hitchcock)
(7:34 PM) (short) Wrong Way Butch (1950/10 m/David Barclay)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 1) (2019/60 m/Mark Cousins)
(10:45 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 1) (2019/60 m/Mark Cousins)
Wednesday, September 02, 2020
(12:00 AM) (premiere) Olivia (1951/96 m/
(1:45 AM) (premiere) Sleepwalking Land (2008/96 m/Teresa Prata)
(3:30 AM) (premiere) Seven Beauties (1975/117 m/Lina Wertmuller)
(5:30 AM) (premiere) Je tu il Elle (1975/86 m/Chantal Akerman)
(6:57 AM) (short) Over The Counter (1932/18 m/Jack Cummings)
(7:15 AM) (premiere) Madchen In Uniform (1931/89 m/Leontine Sagan)
(9:00 AM) (comedy) La Cienaga (2001/101 m/Lucrecia Martel)
(11:00 AM) (musical) Yolanda and the Thief (1945/108 m/Vincente Minnelli)
(1:00 PM) (musical) Call of the Flesh (1930/100 m/Charles Brabin)
(2:45 PM) (musical) Fiesta (1947/102 m/Richard Thorpe)
(4:30 PM) (musical) Pan-Americana (1945/84 m/John H. Auer)
(6:00 PM) (romance) Latin Lovers (1953/104 m/Mervyn Le Roy)
(8:00 PM) (musical) Sweet Charity (1969/148 m/Bob Fosse)
(10:45) (drama) All That Jazz (1979)
Thursday, September 03, 2020
(1:00 AM) (musical) Cabaret (1972/124 m/Bob Fosse)
(3:15 AM) (premiere) Star ‘80 (1983/103 m/Bob Fosse)
(5:15 AM) (documentary) A Well Spent Life (1971/44 m/Les Blank)
(6:00 AM) (suspense) The Window (1949/73 m/Ted Tetzlaff)
(7:15 AM) (comedy) Having Wonderful Time (1938/70 m/Alfred Santell)
(9:30 AM) (drama) Picnic At Hanging Rock (1975/107 m/Peter Weir)
(10:30 AM) (adventure) Corvette Summer (1978/105 m/Matthew Robbins)
(12:15 PM) (romance) A Stolen Life (1946/107 m/Curtis Bernhardt)
(2:15 PM) (drama) The Southerner (1945/93 m/Jean Renoir)
(4:00 PM) (comedy) The Seven Year Itch (1955/104 m/Billy Wilder)
(5:49 PM) (short) Mackinac Island (1944/9 m/James A. FitzPatrick)
(6:00 PM) (romance) Summer of ‘42 (1971/104 m/Robert Mulligan)
(9:00 PM) (drama) The Story of Louis Pasteur (1936/86 m/William Dieterle)
(9:45 PM) (drama) The Story of Dr. Jenner (1939/10 m/Henry K. Dunn)
(10:00 PM) (drama) Sister Kenny (1946/116 m/Dudley Nichols)
Friday, September 04, 2020
(12:01 AM) (short) See Your Doctor (1939/8 m/Basil Wrangell)
(12:15 AM) (drama) Dr. Ehrlich's Magic Bullet (1940/103 m/William Dieterle)
(2:15 AM) (drama) Arrowsmith (1931/99 m/John Ford)
(4:15 AM) (adventure) Yellow Jack (1938/83 m/George B. Seitz)
(5:47 AM) (short) Her Honor, The Nurse (1956/8 m/Harry W. Smith)
(6:00 AM) (drama) Madame Curie (1943/124 m/Mervyn Le Roy)
(9:15 AM) (documentary) Hollywood: The Dream Factory (1972/51 m/Mark Woods)
(9:30 AM) (comedy) Some Like It Hot (1959/122 m/Billy Wilder)
(11:45 AM) (comedy) The Apartment (1960/125 m/Billy Wilder)
(2:00 PM) (comedy) The Prisoner of Second Avenue (1974/98 m/Melvin Frank)
(4:00 PM) (comedy) The Sunshine Boys (1975/111 m/Herbert Ross)
(6:00 PM) (comedy) The Goodbye Girl (1977/111 m/Herbert Ross)
(8:00 PM) (premiere) The T.A.M.I. Show (1964/113 m/Steve Binder)
(10:15 PM) (documentary) Let The Good Times Roll (1973/99 m/Sidney Levin)
Saturday, September 05, 2020
(12:00 AM) (documentary) Elvis: That’s The Way It Is (1970/95 m/Denis Sanders)
(1:45 AM) (documentary) Divine Madness (1980/94 m/Michael Ritchie)
(3:30 AM) (documentary) ABBA: The Movie (1977/97 m/Lasse Hallstrom)
(5:30 AM) (documentary) MGM Parade Show #4 (1955/26 m/?)
(6:00 AM) (crime) The Biggest Bundle Of Them All (1968/108 m/Ken Annakin)
(9:00 AM) (premiere) MGM CARTOONS: The Chump Champ (1950/7 m/Fred [Tex] Avery)
(9:09 AM) (documentary) Game Warden (1955/8 m/Harry W. Smith)
(9:18 AM) (short) Seattle: Gateway To The Northwest (1940/9 m/?)
(9:28 AM) (drama) Isle Of Fury (1936/60 m/Frank McDonald)
(9:30 AM) (serial) TERRY AND THE PIRATES: The Fatal Mistake (1940/17 m/?)
(10:00 AM) (premiere) POPEYE: Fleets of Stren'th (1942/7 m/Dave Fleischer)
(10:08 AM) (adventure) Elephant Stampede (1951/71 m/Ford Beebe)
(11:30 AM) (short) Frontier Days (1945/17 m/Jack Scholl)
(12:00 PM) (suspense) The Prize (1963/135 m/Mark Robson)
(2:30 PM) (western) Stagecoach (1939/96 m/John Ford)
(4:15 PM) (drama) East Of Eden (1955/118 m/Elia Kazan)
(6:30 PM) (comedy) Bananas (1971/82 m/Woody Allen)
(8:00 PM) (documentary) The Kids Are Alright (1979/109 m/Jeff Stein)
(10:00 PM) (premiere) Shine A Light (2008/122 m/Martin Scorsese)
Sunday, September 06, 2020
(12:15 AM) (documentary) The Decline of Western Civilization (1981/100 m/Penelope Spheeris)
(2:15 AM) (documentary) The Decline of Western Civilization, Part II: The Metal Years (1988/93 m/Penelope Spheeris)
(4:00 AM) (documentary) This Is Elvis (1981/102 m/Malcolm Leo)
(6:00 AM) (musical) On An Island With You (1948/108 m/Richard Thorpe)
(9:00 AM) (musical) Easy To Love (1953/96 m/Charles Walters)
(10:00 AM) (crime) Night Editor (1946/67 m/Henry Levin)
(12:00 PM) (romance) The Enchanted Cottage (1945/92 m/John Cromwell)
(1:45 PM) (drama) The V.I.P.s (1963/119 m/Anthony Asquith)
(4:00 PM) (romance) Crossing Delancey (1988/97 m/Joan Micklin Silver)
(6:00 PM) (romance) To Have and Have Not (1944/100 m/Howard Hawks)
(8:00 PM) (documentary) The Song Remains The Same (1976/138 m/Peter Clifton)
(10:30 PM) (documentary) Jimi Hendrix (1973/102 m/Joe Boyd)
Monday, September 07, 2020
(12:15 AM) (premiere) Jimi Plays Monterey (1986/49 m/D.A. Pennebaker)
(1:15 AM) (premiere) Shake!: Otis At Monterey (1987/19 m/D.A. Pennebaker)
(1:45 AM) (premiere) Fade To Black (2004/110 m/Patrick Paulson)
(5:30 AM) (premiere) Say Amen, Somebody: The Good News Musical (1982/101 m/George T. Nierenberg)
(7:15 AM) (premiere) A Poem Is A Naked Person (1977/90 m/Les Blank)
(9:00 AM) (premiere) Louie Bluie (1985/61 m/Terry Zwigoff)
(12:15 PM) (premiere) Big Time (1988/87 m/Chris Blum)
(2:00 PM) (documentary) Don’t Look Back (1967/96 m/D.A. Pennebaker)
(4:00 PM) (premiere) Neil Young: Heart Of Gold (2006/104 m/Jonathan Demme)
(6:00 PM) (premiere) Festival (1967/98 m/Murray Lerner)
(8:00 PM) (documentary) Monterey Pop (1969/79/D.A. Pennebaker)
(9:30 PM) (documentary) Woodstock: The Director’s Cut (1970/224 m/Michael Wadleigh)
Tuesday, September 08, 2020
(1:30 AM) (musical) A Hard Day’s Night (1964/87 m/Richard Lester)
(3:15 AM) (documentary) Go Go Mania (1965/70 m/Frederic Goode)
(4:45 AM) (documentary) Robert Osborne’s 20th Anniversary Tribute (2015/47 m/?)
(6:00 AM) (crime) Armored Car Robbery (1950/68 m/Richard Fleischer)
(7:30 AM) (crime) The Asphalt Jungle (1950/112 m/John Huston)
(9:30 AM) (crime) High Sierra (1941/100 m/Raoul Walsh)
(11:15 AM) (crime) Rififi (1954/118 m/Jules Dassin)
(1:30 PM) (crime) The League Of Gentlemen (1960/114 m/Basil Dearden)
(3:45 PM) (comedy) Ocean’s 11 (1960/127 m/Lewis Milestone)
(6:00 PM) (suspense) Jack of Diamonds (1967/108 m/Don Taylor)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 2) (2019/61 m/Mark Cousins)
(9:15 PM) (premiere) El Camino (1963/95 m/Ana Mariscal)
(11:15 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode #2) (2019/61 m/Mark Cousins)
Wednesday, September 09, 2020
(12:30 AM) (premiere) Lovely & Amazing (2001/91 m/Nicole Holofcener)
(2:15 AM) (premiere) Wanda (1970/103 m/Barbara Loden)
(4:15 AM) (premiere) The Watermelon Woman (1995/85 m/Cheryl Dunye)
(6:00 AM) (premiere) In The Empty City (2004/90 m/Maria Jopo Ganga)
(7:45 AM) (silent) The Adventures of Prince Achmed (1926/66 m/Lotte Reiniger)
(9:15 AM) (premiere) Entre Nous (1983/111 m/Diane Kurys)
(11:30 AM) (drama) Jeopardy (1953/69 m/John Sturges)
(1:00 PM) (suspense) Cry Terror! (1958/96 m/Andrew L. Stone)
(3:15 PM) (drama) The Devil Makes Three (1952/90 m/Andrew Marton)
(5:00 PM) (suspense) Dial 1119 (1950/75 m/Gerald Mayer)
(6:30 PM) (suspense) Beyond A Reasonable Doubt (1956/80 m/Fritz Lang)
(8:00 PM) (comedy) Mr. Belvedere Goes To College (1949/83 m/Elliott Nugent)
(11:30 PM) (premiere) Blondie Goes To College (1942/77 m/Frank R. Strayer)
Thursday, September 10, 2020
(1:00 AM) (musical) She's Working Her Way Through College (1952/101 m/Bruce Humberstone)
(3:00 AM) Start Cheering (1938/78 m/Albert S. Rogell)
(4:30 AM) Strictly Dynamite (1934/71 m/Elliott Nugent)
(6:00 AM) (drama) Mademoiselle Fifi (1944/69 m/Robert Wise)
(7:15 AM) (suspense) The Curse of the Cat People (1944/70 m/Gunther V. Fritsch and Robert Wise)
(8:30 AM) (horror) The Body Snatcher (1945/78 m/Robert Wise)
(10:00 AM) (suspense) Mystery In Mexico (1948/66 m/Robert Wise)
(11:15 AM) (western) Blood On the Moon (1948/?/Robert Wise)
(1:00 PM) (crime) Born To Kill (1947/92 m/Robert Wise)
(2:45 PM) (drama) The Set-Up (1949/72 m/Robert Wise)
(4:15 PM) (romance) So Big (1953/102 m/Robert Wise)
(6:00 PM) (drama) Somebody Up There Likes Me (1956/113 m/Robert Wise)
(9:00 PM) (war) So Proudly We Hail (1943/126 m/Mark Sandrich)
(10:15 PM) (comedy) MAS*H (1970/116 m/Robert Altman)
Friday, September 11, 2020
(12:30 AM) (war) The Story of Dr. Wassell (1944/136 m/Cecil B. DeMille)
(3:00 AM) (war) Cry ‘Havoc’ (1944/97 m/Richard Thorpe)
(4:45 AM) (war) Battle Circus (1953/90 m/Richard Brooks)
(6:30 AM) (short) Angel Of Mercy (1939/10 m/Edward L. Cahn)
(6:45 AM) (drama) The White Angel (1936/92 m/William Dieterle)
(9:30 AM) (comedy) Bud Abbott and Lou Costello In Hollywood (1945/83 m/S. Sylvan Simon)
(10:00 AM) (comedy) Merton of the Movies (1947/82 m/Robert Alton)
(11:30 AM) (musical) Show Girl in Hollywood (1930/78 m/Mervyn Le Roy)
(1:00 PM) (comedy) Goldie Gets Along (1933/68 m/Malcolm St. Clair)
(2:15 PM) (musical) Talent Scout (1937/62 m/William Clemens)
(3:30 PM) (comedy) Pick A Star (1937/70 m/Edward Sedgwick)
(4:45 PM) (comedy) Boy Meets Girl (1938/86 m/Lloyd Bacon)
(6:15 PM) (comedy) Movie Crazy (1932/96 m/Clyde Bruckman)
(8:00 PM) (adventure) She (1965/106 m/Robert Day)
(10:00 PM) (adventure) Clash of the Titans (1981/118 m/Desmond Davis)
Saturday, September 12, 2020
(12:15 AM) (comedy) Casino Royale (1967/131 m/John Huston, et. al.)
(2:45 AM) (horror) Plan 9 From Outer Space (1959/78 m/Edward D. Wood, Jr.)
(4:15 AM) (drama) Reefer Madness (1936/66 m/Louis Gasnier)
(5:15 AM) (premiere) Sex Madness (1938/52 m/?
(6:15 AM) (comedy) A Slight Case Of Murder (1938/85 m/Lloyd Bacon)
(9:00 AM) (premiere) MGM CARTOONS: Droopy’s Double Trouble (1951/7 m/Fred [Tex] Avery)
(9:09 AM) (short) High Dive Kids (1956/8 m/?)
(9:18 AM) (short) Sitka and Juneau: A Tale of Two Cities (1940/9 m/?)
(9:28 AM) (drama) Daredevil Drivers (1938/60 m/B. Reeves Eason)
(9:30 AM) (serial) TERRY AND THE PIRATES: Pyre of Death (1940/17 m/?)
(10:00 AM) (premiere) POPEYE: Pip-Eye, Pup-Eye, Poop-Eye An' Peep-Eye (1942/6 m/Dave Fleischer)
(10:08 AM) (adventure) The Lion Hunters (1951/80 m/Ford Beebe)
(11:30 AM) (short) The Rear Gunner (1943/20 m/Ray Enright)
(12:00 PM) (crime) Double Indemnity (1944/108 m/Billy Wilder)
(2:00 PM) (drama) Birdman of Alcatraz (1962/149 m/John Frankenheimer)
(4:45 PM) (war) The Sand Pebbles (1966/179 m/Robert Wise)
(8:00 PM) (suspense) Out of the Past (1947/97 m/Jacques Tourneur)
(10:00 PM) (drama) Experiment Perilous (1944/91 m/Jacques Tourneur)
Sunday, September 13, 2020
(12:00 AM) (suspense) Danger Signal (1945/78 m/Robert Florey)
(1:30 AM) (drama) The China Syndrome (1979/122 m/James Bridges)
(3:45 AM) (horror) Coma (1978/113 m/Michael Crichton)
(6:00 AM) (comedy) See Here, Private Hargrove (1944/101 m/Wesley Ruggles)
(9:00 AM) (musical) Summer Stock (1950/109 m/Charles Walters)
(10:00 AM) (suspense) Danger Signal (1945/78 m/Robert Florey)
(11:30 AM) (comedy) The Whole Town’s Talking (1935/93 m/John Ford)
(1:15 PM) (drama) The Last Hurrah (1958/121 m/John Ford)
(3:30 PM) (drama) Sweet Bird Of Youth (1962/120 m/Richard Brooks)
(5:45 PM) (adventure) The Black Stallion (1979/117 m/Carroll Ballard)
(8:00 PM) (musical) Carmen Jones (1954/105 m/Otto Preminger)
(10:00 PM) (drama) Bright Road (1953/68 m/Gerald Mayer)
(11:30 PM) (musical) Sun Valley Serenade (1941/86 m/H. Bruce Humberstone)
Monday, September 14, 2020
(1:15 AM) (silent) The Ace of Hearts (1921/74 m/Wallace Worsley)
(6:00 AM) (musical) Playing Around (1930/66 m/Mervyn Le Roy)
(7:15 AM) (drama) Union Depot (1932/67 m/Alfred E. Green)
(9:30 AM) (drama) When In Rome (1952/78 m/Clarence Brown)
(10:00 AM) (drama) The Toast Of New York (1937/109 m/Rowland V. Lee)
(12:00 PM) (musical) Fashions of 1934 (1934/78 m/William Dieterle)
(1:30 PM) (suspense) Kind Lady (1935/76 m/George B. Seitz)
(3:00 PM) (romance) Sylvia Scarlett (1935/95 m/George Cukor)
(4:45 PM) (romance) Nobody Lives Forever (1946/100 m/Jean Negulesco)
(6:30 PM) (suspense) Cast a Dark Shadow (1955/83 m/Lewis Gilbert)
(8:00 PM) (short) Star Night At the Cocoanut Grove (1934/20 m/Louis Lewyn)
(8:00 PM) (short) A Night At The Movies (1937/10 m/Roy Rowland)
(8:00 PM) (comedy) The Pip From Pittsburg (1931/21 m/James Parrott)
(8:00 PM) (short) Movie Pests (1944/10 m/Will Jason)
(8:00 PM) (short) So You Want To Be A Detective (1948/11 m/Richard Bare)
(8:00 PM) (short) Los Angeles “Wonder City of the West” (1935/8 m/?)
(8:00 PM) (short) The Man In The Barn (1937/11 m/Jacques Tourneur)
(8:00 PM) (short) Smash Your Baggage (1932/9 m/Roy Mack)
(10:00 PM) (short) Asleep In The Feet (1933/19 m/Gus Meins)
(10:00 PM) (comedy) Top Flat (1935/19 m/William Terhune)
(10:00 PM) (short) The Bargain of the Century (1933/19 m/Charley Chase)
(11:15 PM) (short) You’re Telling Me (1932/19 m/Lloyd French)
(11:15 PM) (short) Call A Cop! (1931/20 m/George Stevens)
(11:15 PM) (short) Too Many Women (1932/19 m/Lloyd French)
(11:15 PM) (short) Air-Tight (1931/17 m/George Stevens)
Tuesday, September 15, 2020
(12:45 AM) (comedy) Buzzin’ Around (1933/20 m/Alfred J. Goulding)
(12:45 AM) (short) Whispering Whoopee (1930/21 m/James W. Horne)
(2:00 AM) (short) Women In Hiding (1940/22 m/Joseph Newman)
(2:00 AM) (short) Drunk Driving (1939/21 m/David Miller)
(2:00 AM) (short) The Public Pays (1936/18 m/Errol Taggart)
(3:15 AM) (short) His Silent Racket (1933/18 m/Charley Chase
(3:15 AM) (short) Girl Shock (1930/20 m/James W. Horne)
(3:15 AM) (short) Fallen Arches (1933/19 m/Gus Meins)
(3:15 AM) (short) The Chases of Pimple Street (1934/20 m/Charles Parrott)
(3:15 AM) (short) Four Parts (1934/18 m/Eddie Dunn)
(5:00 AM) (short) So You Want To Play The Piano (1956/10 m/Richard Bare)
(5:00 AM) (short) Apples To You! (1934/20 m/Leigh Jason)
(5:00 AM) (short) Zion: Canyon of Colour (1934/8 m/?)
(5:00 AM) (short) How To Sleep (1935/11 m/Nick Grindé)
(5:00 AM) (short) Double Talk (1937/11 m/Lloyd French)
(5:00 AM) (western) Pony Express Days (1940/20 m/B. Reeves Eason)
(5:00 AM) (comedy) Important Business (1944/11 m/Will Jason)
(5:00 AM) (short) The Black Network (1936/21 m/Roy Mack)
(5:00 AM) (short) And She Learned About Dames (1934/?/?)
(5:00 AM) (short) The Fabulous Fraud (1948/11 m/Edward L. Cahn)
(7:15 AM) (suspense) Man Hunt (1933/64 m/Irving Cummings)
(8:30 AM) (suspense) Nick Carter, Master Detective (1939/59 m/Jac ques Tourneur)
(9:45 AM) (suspense) Phantom Raiders (1940/70 m/Jacques Tourneur)
(11:00 AM) (suspense) Sky Murder (1940/72 m/George B. Seitz)
(12:15 PM) (suspense) Star Of Midnight (1935/90 m/Stephen Roberts)
(2:00 PM) (suspense) Miracles For Sale (1939/71 m/Tod Browning)
(3:15 PM) (suspense) Eyes In The Night (1942/80 m/Fred Zinnemann)
(4:45 PM) (suspense) The Hidden Eye (1945/69 m/Richard Whorf)
(6:00 PM) (suspense) Stage Fright (1950/110 m/Alfred Hitchcock)
(9:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 3) (2019/61 m/Mark Cousins)
(9:15 PM) (documentary) Harlan County, U.S.A. (1976/105 m/Barbara Kopple)
(11:15 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 3) (2019/61 m/Mark Cousins)
Wednesday, September 16, 2020
(12:30 AM) (drama) The Virgin Suicides (1999/97 m/Sofia Coppola)
(2:30 AM) (premiere) Loving Couples (1964/113 m/Mai Zetterling)
(6:30 AM) (premiere) 10 to 11 (2009/110 m/Pelin Esmer)
(9:30 AM) (comedy) Losing Ground (1982/86 m/Kathleen Collins)
(10:00 AM) (premiere) Strangers In Good Company (1990/101 m/Cynthia Scott)
(12:00 PM) (short) Wagon Wheels West (1943/17 m/B. Reeves Eason)
(12:30 PM) (western) Westward The Women (1951/116 m/William A. Wellman)
(2:45 PM) (western) Strange Lady In Town (1955/112 m/Mervyn Le Roy)
(4:45 PM) (western) Rachel and the Stranger (1948/93 m/Norman Foster)
(6:15 PM) (western) Cat Ballou (1965/96 m/Elliot Silverstein)
(8:00 PM) (musical) A Connecticut Yankee in King Arthur's Court (1949/107 m/Tay Garnett)
(10:00 PM) (premiere) Peggy Sue Got Married (1986/103 m/Francis Ford Coppola)
Thursday, September 17, 2020
(12:00 AM) (premiere) Repeat Performance (1947/93 m/Alfred Werker)
(1:45 AM) (drama) Turn Back the Clock (1933/79 m/Edgar Selwyn)
(3:15 AM) (adventure) The Boy and the Pirates (1960/84 m/Bert I. Gordon)
(5:00 AM) (romance) Berkeley Square (1933/88 m/Frank Lloyd)
(6:45 AM) (short) MGM Is On The Move! (1964/36 m/?)
(7:45 AM) (crime) Angel Face (1953/91 m/Otto Preminger)
(9:30 AM) (western) River of No Return (1954/91 m/Otto Preminger)
(11:15 AM) (suspense) Bunny Lake Is Missing (1965/107 m/Otto Preminger)
(1:15 PM) (drama) The Man with the Golden Arm (1956/119 m/Otto Preminger)
(3:30 PM) (drama) Anatomy Of A Murder (1959/161 m/Otto Preminger)
(6:15 PM) (suspense) Laura (1944/88 m/Otto Preminger)
(8:00 PM) (comedy) People Will Talk (1951/110 m/Joseph L. Mankiewicz)
(10:00 PM) (drama) Magnificent Obsession (1954/108 m/Douglas Sirk)
Friday, September 18, 2020
(12:00 AM) (drama) A Man to Remember (1938/78 m/Garson Kanin)
(1:30 AM) (drama) The Citadel (1938/113 m/King Vidor)
(3:30 AM) (drama) Red Beard (1965/185 m/Akira Kurosawa)
(6:45 AM) (drama) The Doctor and the Girl (1949/98 m/Curtis Bernhardt)
(9:30 AM) (romance) Dark Victory (1939/104 m/Edmund Goulding)
(10:30 AM) (romance) The Painted Veil (1934/84 m/Richard Boleslawski)
(12:00 PM) (romance) Conquest (1937/112 m/Clarence Brown)
(2:00 PM) (romance) Camille (1937/109 m/George Cukor)
(4:00 PM) (comedy) Ninotchka (1939/110 m/Ernst Lubitsch)
(6:00 PM) Grand Hotel (1932/113 m/Edmund Goulding)
(8:00 PM) (drama) The Rain People (1969/101 m/Francis Ford Coppola)
(10:00 PM) (drama) Harry and Tonto (1974/115 m/Paul Mazursky)
Saturday, September 19, 2020
(12:00 AM) (comedy) Lost In America (1985/91 m/Albert Brooks)
(2:00 AM) (premiere) Wild At Heart (1990/124 m/David Lynch)
(4:15 AM) (premiere) Twin Peaks: Fire Walk With Me (1992/135 m/David Lynch)
(6:30 AM) (suspense) Blackmail (1939/81 m/H.C. Potter)
(9:00 AM) (premiere) MGM CARTOONS: The Flea Circus (1954/7 m/Fred [Tex] Avery)
(9:09 AM) (short) Holland Sailing (1956/8 m/?)
(9:18 AM) (short) Alluring Alaska (1941/9 m/?)
(9:27 AM) (western) Guns Of Hate (1948/62 m/Lesley Selander)
(9:30 AM) (serial) TERRY AND THE PIRATES: The Secret of the Temple (1940/17 m/?)
(10:00 AM) (premiere) POPEYE: Olive Oyl and Water Don't Mix (1933/7 m/Dave Fleischer)
(10:08 AM) (adventure) African Treasure (1952/70 m/Ford Beebe)
(11:30 AM) (short) Roaring Guns (1944/19 m/Jean Negulesco)
(12:00 PM) (drama) Going Home (1971/97 m/Herbert B. Leonard)
(1:45 PM) (western) 3:10 To Yuma (1957/92 m/Delmer Daves)
(3:30 PM) (drama) Fail-Safe (1964/112 m/Sidney Lumet)
(5:30 PM) (war) Sergeant York (1941/134 m/Howard Hawks)
(8:00 PM) (musical) Guys and Dolls (1955/149 m/Joseph L. Mankiewicz)
(10:45 PM) (crime) Midnight Alibi (1934/58 m/Alan Crosland)
Sunday, September 20, 2020
(12:00 AM) (suspense) Gilda (1946/110 m/Charles Vidor)
(2:15 AM) (sci-fi) Rollerball (1975/125 m/Norman Jewison)
(4:30 AM) (sci-fi) Countdown (1968/101 m/Robert Altman)
(6:15 AM) (drama) All The King’s Men (1949/110 m/Robert Rossen)
(9:15 AM) (comedy) It Happened One Night (1934/105 m/Frank Capra)
(10:00 AM) (suspense) Gilda (1946/110 m/Charles Vidor)
(12:15 PM) (musical) Going My Way (1944/127 m/Leo McCarey)
(2:30 PM) (musical) Royal Wedding (1951/93 m/Stanley Donen)
(4:15 PM) (musical) Dangerous When Wet (1953/95 m/Charles Walters)
(6:00 PM) (comedy) Guess Who’s Coming To Dinner? (1967/108 m/Stanley Kramer)
(8:00 PM) (premiere) Tamango (1959/100 m/John Berry)
(10:00 PM) (adventure) Tarzan’s Peril (1951/79 m/Byron Haskin)
(11:30 PM) (drama) The Harlem Globetrotters (1951/77 m/Phil Brown)
Monday, September 21, 2020
(1:00 AM) (premiere) Where Now Are The Dreams Of Youth? (1932/86 m/Yasujiro Ozu)
(2:45 AM) (premiere) LONE WOLF AND CUB: Baby Cart in the Land of Demons (1973/90 m/Kenji Misumi)
(4:30 AM) (premiere) LONE WOLF AND CUB: White Heaven In Hell (1974/84 m/Yoshiyuki Kuroda)
(6:00 AM) (silent) Flesh and the Devil (1926/112 m/Clarence Brown)
(9:15 AM) (romance) To Have and Have Not (1944/100 m/Howard Hawks)
(10:15 AM) (crime) The Postman Always Rings Twice (1946/113 m/Tay Garnett)
(12:30 PM) (romance) Possessed (1931/76 m/Clarence Brown)
(2:00 PM) (comedy) Woman of the Year (1942/114 m/George Stevens)
(4:15 PM) (romance) Swing Shift (1984/100 m/Jonathan Demme)
(6:00 PM) (drama) Stromboli (1950/106 m/Roberto Rossellini)
(8:00 PM) (drama) A Cry In The Dark (1988/121 m/Fred Schepisi)
(10:15 PM) (romance) The French Lieutenant’s Woman (1981/124 m/Karel Reisz)
Tuesday, September 22, 2020
(2:30 AM) (drama) Kramer vs. Kramer (1979/105 m/Robert Benton)
(4:30 AM) (drama) Wednesday’s Child (1934/68 m/John Robertson)
(6:00 AM) (documentary) MGM Parade Show #4 (1955/26 m/?)
(6:30 AM) (epic) Around The World In 80 Days (1956/182 m/Michael Anderson)
(9:45 AM) (musical) Bitter Sweet (1940/93 m/W.S. Van Dyke II)
(11:30 AM) (war) In Which We Serve (1942/115 m/Noel Coward)
(1:30 PM) (comedy) Private Lives (1931/84 m/Sidney Franklin)
(3:00 PM) (romance) We Were Dancing (1942/95 m/Robert Z. Leonard)
(4:45 PM) (comedy) Blithe Spirit (1945/96 m/David Lean)
(6:30 PM) (romance) Brief Encounter (1945/87 m/David Lean)
(9:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 4) (2019/61 m/Mark Cousins)
(9:15 PM) (premiere) The Cave of the Yellow Dog (2005/89 m/Byambasuren Davaa)
(11:00 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 4) (2019/61 m/Mark Cousins)
Wednesday, September 23, 2020
(12:15 AM) (crime) Salaam Bombay! (1988/114 m/Mira Nair)
(2:30 AM) (drama) Daughters of the Dust (1991/112 m/Julie Dash)
(4:30 AM) (premiere) Krane’s Confectionary (1951/103 m/Astrid Henning-Jensen)
(6:30 AM) (premiere) Mikey and Nicky (1976/107 m/Elaine May)
(9:45 AM) (premiere) The Juniper Tree (1990/79 m/Nietzchka Keene)
(10:15 AM) (premiere) Women Who Loved Cinema (Part 1 & 2) (2002/114 m/Marianne Khoury)
(12:15 PM) (comedy) Life Begins For Andy Hardy (1941/101 m/George B. Seitz)
2:00 PM) (musical) Girl Crazy (1943/Norman Taurog)
(4:00 PM) (adventure) The Adventures of Huckleberry Finn (1939/91 m/Richard Thorpe)
(6:00 PM) (comedy) Ah, Wilderness! (1935/98 m/Clarence Brown)\
(8:00 PM) (drama) Boys Town (1938/93 m/Norman Taurog)
(9:45 PM) (drama) The Human Comedy (1943/117 m/Clarence Brown)
Thursday, September 24, 2020
(12:00 AM) (adventure) The Black Stallion (1979/117 m/Carroll Ballard)
(2:15 AM) (musical) Strike Up The Band (1940/120 m/Busby Berkeley)
(4:30 AM) (crime) Killer McCoy (1947/104 m/Roy Rowland)
(6:15 AM) (romance) Wuthering Heights (1939/104 m/William Wyler)
(9:15 AM) (romance) Kitty Foyle (1940/108 m/Sam Wood)
(10:15 AM) (drama) Cass Timberlane (1947/119 m/George Sidney)
(12:15 PM) (drama) The Bad and the Beautiful (1952/118 m/Vincente Minnelli)
(2:30 PM) (drama) Magnificent Obsession (1954/108 m/Douglas Sirk)
(4:30 PM) (drama) All That Heaven Allows (1955/89 m/Douglas Sirk)
(6:15 PM) Written On The Wind (1957/99 m/Douglas Sirk)
(8:00 PM) (drama) Young Dr. Kildare (1938/82 m/Harold S. Bucquet)
(9:30 PM) (drama) The Young Doctors (1961/103 m/Phil Karlson)
(11:30 PM) (comedy) The Hospital (1971/102 m/Arthur Hiller)
Friday, September 25, 2020
(1:30 AM) (drama) No Way Out (1950/107 m/Joseph L. Mankiewicz)
(3:30 AM) (drama) The Girl In White (1952/93 m/John Sturges)
(5:04 AM) (short) Her Honor, The Nurse (1956/8 m/Harry W. Smith)
(5:30 AM) (drama) Emergency Hospital (1956/63 m/Lee Sholem)
(6:45 AM) (horror) War of the Planets (1965/97 m/Antonio Margheriti)
(9:30 AM) (horror) The Cosmic Monster (1958/72 m/Gilbert Gunn)
(10:00 AM) (horror) Satellite In The Sky (1956/84 m/Paul Dickson)
(11:30 AM) (horror) The Green Slime (1969/90 m/Kinji Fukasaku)
(1:15 PM) (horror) Queen of Outer Space (1958/80 m/Edward Bernds)
(2:45 PM) (horror) The Wild, Wild Planet (1965/94 m/Anthony Dawson)
(4:30 PM) (horror) Village of the Damned (1960/77 m/Wolf Rilla)
(6:00 PM) (horror) Children of the Damned (1964/90 m/Anton M. Leader)
(9:00 PM) (western) The Outlaw Josey Wales (1976/136 m/Clint Eastwood)
(10:30 PM) (western) Alvarez Kelly (1966/110 m/Edward Dmytryk)
Saturday, September 26, 2020
(12:45 AM) (western) Springfield Rifle (1952/93 m/Andre de Toth)
(6:00 AM) (comedy) Larceny, Inc. (1942/95 m/Lloyd Bacon)
(9:00 AM) (premiere) MGM CARTOONS: The First Bad Man (1955/7 m/Fred [Tex] Avery)
(9:09 AM) (short) Salar, The Leaper (1957/8 m/Douglas Sinclair)
(9:18 AM) (documentary) Land of Alaska Nellie (1940/9 m/?)
(9:28 AM) (western) Gun Law (1938/60 m/David Howard)
(9:30 AM) (serial) WILD WEST DAYS: Death Rides The Range (1937/?/?)
(10:00 AM) (premiere) POPEYE: Many Tanks (1933/7 m/Dave Fleischer)
(10:09 AM) (adventure) Bomba and the Jungle Girls (1952/70 m/Ford Beebe)
(11:30 AM) (short) Heavenly Music (1943/22 m/Josef Berne)
(12:00 PM) (drama) The Long Voyage Home (1940/106 m/John Ford)
(2:00 PM) (epic) Quo Vadis (1951/174 m/Mervyn LeRoy)
(5:15 PM) (war) Where Eagles Dare (1968/155 m/Brian G. Hutton)
(8:00 PM) (romance) The Red Shoes (1948/134 m/Michael Powell)
(10:30 PM) (war) Night Ambush (1958/105 m/Michael Powell)
Sunday, September 27, 2020
(12:15 AM) (drama) They Won’t Believe Me (1947/90 m/Irving Pichel)
(2:00 AM) (horror) Creature from the Black Lagoon (1954/79 m/Jack Arnold)
(3:30 AM) (horror) UFO (1956/88 m/Winston Jones)
(5:15 AM) (documentary) MGM Parade Show #4 (1955/26 m/?)
(6:00 AM) (romance) Mata Hari (1931/89 m/George Fitzmaurice)
(7:45 AM) (comedy) The Talk Of The Town (1942/117 m/George Stevens)
(10:00 AM) (drama) They Won't Believe Me (1947/90 m/Irving Pichel)
(11:45 AM) (comedy) Don't Make Waves (1967/97 m/Alexander Mackendrick)
(1:30 PM) (drama) Honeysuckle Rose (1980/119 m/Jerry Schatzberg)
(3:45 PM) (romance) Now, Voyager (1942/117 m/Irving Rapper)
(6:00 PM) (drama) Executive Suite (1954/104 m/Robert Wise)
(10:15 PM) (drama) The Decks Ran Red (1958/84 m/Andrew L. Stone)
(12:00 AM) (comedy) Our Modern Maidens (1929/75 m/Jack Conway)
(2:00 AM) (musical) Black Orpheus (1959/108 m/Marcel Camus)
(4:00 AM) (romance) Orpheus (1950/96 m/Jean Cocteau)
Monday, September 28, 2020
(6:00 AM) (comedy) Not So Dumb (1930/76 m/King Vidor)
(7:30 AM) (drama) Street Scene (1931/79 m/King Vidor)
(9:00 AM) (adventure) Bird of Paradise (1932/82 m/King Vidor)
(10:30 AM) (drama) Our Daily Bread (1934/74 m/King Vidor)
(11:45 AM) (western) Northwest Passage (1940/127 m/King Vidor)
(2:00 PM) (drama) H.M. Pulham, Esq. (1941/120 m/King Vidor)
(4:15 PM) (drama) The Fountainhead (1949/113 m/King Vidor)
(6:15 PM) (crime) Lightning Strikes Twice (1951/90 m/King Vidor)
(9:00 PM) (comedy) You Can't Take It With You (1938/126 m/Frank Capra)
(10:30 PM) (drama) Ship of Fools (1965/149 m/Stanley Kramer)
(1:15 AM) (premiere) Titicut Follies (1967/84 m/Frederick Wiseman)
(3:00 AM) (drama) The Sign of the Ram (1948/84 m/John Sturges)
(5:00 AM) (documentary) Private Screenings: Liza Minnelli (2010/45 m/Sean Cameron)
Tuesday, September 29, 2020
(6:00 AM) (drama) Blossoms in the Dust (1941/99 m/Mervyn LeRoy)
(9:00 AM) (romance) Mrs. Parkington (1944/124 m/Tay Garnett)
(10:30 AM) (drama) Madame Curie (1943/124 m/Mervyn Le Roy)
(1:00 PM) (romance) The Valley of Decision (1945/118 m/Tay Garnett)
(3:15 PM) (romance) Pride and Prejudice (1940/118 m/Robert Z. Leonard)
(5:30 PM) (war) Mrs. Miniver (1942/134 m/William Wyler)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 5) (2019/61 m/Mark Cousins)
(9:15 PM) (drama) Middle of Nowhere (2012/101 m/Ava Duvernay)
(11:15 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 5) (2019/61 m/Mark Cousins)
Wednesday, September 30, 2020
(12:30 AM) (drama) Beau Travail (1999/89 m/Claire Denis)
(6:00 AM) (premiere) Wasp (2003/26 m/Andrea Arnold)
(10:00 AM) (drama) Antonia's Line (1995/103 m/Marleen Gorris)
(12:00 PM) (premiere) The Green-Eyed Blonde (1957/72 m/Bernard Girard)
(1:15 PM) (crime) Ring of Fire (1961/91/Andrew L. Stone)
(2:45 PM) (drama) Untamed Youth (1957/80 m/Howard W. Koch)
(4:15 PM) (musical) Jailhouse Rock (1957/97 m/Richard Thorpe)
(6:00 PM) (drama) Rebel Without A Cause (1955/111 m/Nicholas Ray)
(8:00 PM) (drama) Stand and Deliver (1988/103 m/Ramon Menendez)
(10:00 PM) (drama) The Blackboard Jungle (1955/101 m/Richard Brooks)
submitted by tombstoneshadows28 to movies [link] [comments]


2020.07.23 23:23 nelsonisanitwit The top 51 lies of the institutional church

Top 51 Most Dishonest and even ongoing dishonest acts by the institutional church leaders:
  1. The institutional church teaching its members for decades the story of Joseph Smith declining alcohol as a boy during his surgery (to give the impression that he obeyed the Word of Wisdom during his life), while knowing that Joseph Smith both drank alcohol as an adult (including drinking wine the night before he was killed), and supported alcohol production and sales in Nauvoo, including having a bar in the Nauvoo Mansion.
  2. The institutional church continuing to overtly hide that Joseph Smith took most of the "Joseph Smith Translation" of the bible from the Adam Clarke commentary.
  3. The institutional church knowingly deceiving members by portraying Joseph Smith as translating the Book of Mormon using a breast plate and glasses as the “Urim and Thumim” when they knew that he actually used a stone in a hat as a urim and thummim.
  4. The institutional church knowingly and intentionally hiding after publication alterations Joseph Smith made to both the Book of Mormon and the Doctrine and Covenants once they were demonstrated to have a problem.
  5. The institutional church knowingly and intentionally hiding that many members of the church in Kirtland Ohio lost their savings to a reckless bank Joseph created where people were misled about the lack of liquid assets.
  6. The institutional church knowingly and intentionally lying about alterations to the timeline of the restoration of the Melchizedek priesthood where Joseph Smith manufactured the bestowal of the Melchizedek priesthood years after it was supposed to have been given to the church, and then amending the history accordingly.
  7. The institutional church knowingly and intentionally lying about Joseph Smith excommunicating Oliver Cowdery for accurately accusing him of an adulterous affair with Fanny Alger in 1838. Claiming that Oliver merely "apostatized."
  8. The institutional church knowingly and intentionally lying about Joseph Smith overtly lying to his first wife Emma about polygamy, which included Joseph performing a fake sealing of Emily and Eliza Partridge to Joseph after he had already been sealed to them both secretly.
  9. The institutional church knowingly and intentionally lying about Joseph Smith overtly lying to LDS Church membership about his practice of polygamy.
  10. The institutional church knowingly and intentionally lying about Joseph Smith calling men on foreign missions so that he could proposition their wives for polygamy.
  11. The institutional church knowingly and intentionally lying about Joseph Smith publicly maligning a few women as “whores” who denied his polygamous advances.
  12. The institutional church knowingly and intentionally lying about Joseph Smith sending a mob to destroy the Nauvoo Expositor because it accurately reported that Joseph Smith was secretly practicing polygamy and lying about it.
  13. The institutional church knowingly and intentionally lying by falsely portraying Joseph Smith as a monogamist in its curriculum for members for over a century.
  14. The institutional church knowingly and intentionally hiding facts about the Mountain Meadows Massacre for generations – how leaders and church members in Southern Utah promised peace (via a white flag) to the besieged members of the Baker–Fancher emigrant wagon train, and then dressing up as Native Americans so that the Native Americans could be blamed for the massacre. In total, 120 men, women, and children were massacred. Brigham Young assisting in the cover-up of the crime, and scapegoating John D. Lee as primarily responsible for the massacre.
  15. The institutional church knowingly and intentionally lying by telling the world in 1890 that it was stopping new polygamous sealings, and then secretly and intentionally continuing – at the highest levels – allowing new polygamous sealings, for over another decade.
  16. The institutional church knowingly and intentionally lying about how the full leadership of the church was given in 1922 the opinion of B.H. Roberts and others that both the Book of Mormon and Book of Abraham conflicted with current scientific understanding, and then hiding this information from members for another almost 100 years, and seeking to suppress the memory of B.H. Roberts. This included the church telling Truman Madsen NOT to publish his biography of B.H. Roberts in 1965, out of fear that it would challenge the faith of its members.
  17. Church historian and eventual president Joseph Fielding Smith encountering the 1832 version of Joseph Smith’s First Vision (which significantly contradicted the later, 1838 “official version” of the First Vision), and thus ripping it out of Joseph’s journal and hiding the account for decades, until he was publicly exposed for having done so, and then taping it back into the journal.
  18. The Mormon church excommunicating David O. McKay’s niece, Fawn Brodie, for authoring a historically accurate biography of Joseph Smith entitled “No Man Knows My History.”. After feeling the need to respond to the rising popularity of Fawn Brodie’s Joseph Smith biography, the Mormon church attempting to become more honest with its history during the Leonard Arrington years (1972 – 1982), only to have the entire initiative scrapped out of fears that church members might lose their faith if they were taught the honest history.
  19. Apostle Bruce R. McConkie publicly claiming in 1981 that the Adam-God doctrine was never “known to be taught in the church,” only to acknowledge in private to Eugene England in the same year, “Yes, President Young did teach that Adam was the Father of our spirits, and all the related things that the cultists ascribe to him. ” Boyd K. Packer explicitly justifying the deception of the membership by stating in his 1981 talk entitled “The Mantle is Far, Far Greater Than the Intellect,” that “Some things that are true are not very useful.”
  20. The institutional church, specific several top leaders, knowingly and intentionally lying over the course of weeks about the church attempting to purchase the Mark Hofmann forgeries in an overt attempt to hide the potentially controversial documents from its members. The church continues to lie to members about the extent to which top leaders (sustained as "prophets, seers and revelators" were totally duped and lied about certain items the church possessed at the time.
  21. The institutional church knowingly and intentionally lying about how the church enlisted hired apologists (e.g., Nibley, Peterson, Sorenson, Gee, Ash, Bushman, Terryl & Fiona Givens, Fluhman) FOR DECADES to publicly attack the character of honest truth-tellers of Mormon history, and/or to mislead and gaslight its membership regarding problematic church history.
  22. The institutional church knowingly and intentionally lying by excommunicating and/or intimidating honest scholars and activists for openly discussing problematic church history (e.g., Fawn Brodie, Juanita Brooks, Michael Quinn, Maxine Hanks, Brent Metcalfe, Jeremy Runnells, Sam Young).
  23. President and "prophet" Gordon B. Hinckley publicly lying and condemning polygamy on Larry King Live as being “not doctrinal” when the doctrine remains enshrined in D&C 132, and when church leaders including Dallin H. Oaks and Russell M. Nelson continue to live celestial polygamy.
  24. Gordon B. Hinckley publicly lying and denying that the Mormon church taught that men and women could become Gods by stating, “I don’t know that we teach it. I don’t know that we emphasize it.”
  25. Gordon B. Hinckley lying and stating publicly that the members are entitled to know where their tithing goes, when he knew that church financial information is withheld from its members. Helmut Nemetchek: ‘In my country, we say the people’s Churches–the Protestants, the Catholics–they publish all their budgets, to all the public. ‘ Hinckley: ‘Yeah. Yeah. ‘ Helmut Nemetschek: ‘Why is it impossible for your Church? ‘ Hinckley: ‘Well, we simply think that that information belongs to those who made the contribution, and not to the world. That’s the only thing. Yes. ‘”
  26. The institutional church knowingly and intentionally lying about withholding extensive diaries, journals, and historical records from its members for over a century.- until the Internet forced its hand.
  27. The institutional church knowingly and intentionally lying by hiding how it explicitly forbids current Mormon apostles and prophets from keeping journals, so as to prevent any future sensitive church information from coming to light.
  28. The institutional church knowingly and intentionally lying about attempting to take control over and privatize the Leonard Arrington Records Collection at Utah State University.
  29. The institutional church knowingly and intentionally lying by claiming that no tithing funds were used to build City Creek Mall.
  30. The institutional church knowingly and intentionally lying by claiming that no tithing funds were used to bail out for-profit Beneficial Live insurance company.
  31. The institutional church knowingly and intentionally lying about the gaslighting infused into LDS Gospel Topics Essays. Making it difficult to find these essays. Publishing these in unsigned fashion to insulate top leaders who pretend to be honest.
  32. The institutional church knowingly and intentionally lying by referring to the lifting of the Black Priesthood Ban as a policy change, when the church knows that the Black Priesthood Ban was declared to be doctrinal by the First Presidency in 1949.
  33. Elder Jeffrey R. Holland lying publicly when asked if U.S. presidential candidate Mitt Romney would have taken a blood oath in his Mormon temple endowment.
  34. President and "prophet" Russell M. Nelson claiming that the heinous, baptism blocking November 2015 policy was inspired of God, only to turn around 3 years later and claim that the rescinding/reversal of the policy was also a revelation from God. Nelson also claimed that the policy was “motivated by love.”
  35. Elder Ballard explicitly denying in November of 2017 that Mormon church leaders have ever attempted to hide any troubling history from its members, ever.”Some are saying that the Church has been hiding the fact that there’s more than one version of the First Vision, which is just not true. The facts are, we don’t study. We don’t go back and search what has been said on the subject. For example, Dr. James B. Allen of BYU, in 1970 he produced an article for the church magazines explaining all about the different versions of the First Vision…But it’s this idea that the Church is hiding something, which we would have to say–as two apostles that have covered the world and know the history of the Church and know the integrity of the First Presidency and the Quorum of the Twelve from the beginning of time–there has been no attempt on the part, in any way, of the Church leaders trying to hide anything from anybody. Now we’ve had the Joseph Smith Papers. We didn’t have those where they are in our hands now. And so we’re learning more about the Prophet Joseph…So, just trust us wherever you are in the world. And you share this message with anyone else who raises the question about the Church not being transparent. We’re as transparent as we know how to be in telling the truth. We have to do that. That’s the Lord’s way.”
  36. The institutional church knowingly and intentionally lying about the long embedded doctrine of polygamy by claiming that "the manifesto" (always misleadingly used to only reference the first manifesto of 1890) somehow repealed doctrine.
  37. The institutional church knowingly and intentionally lying about the long embedded doctrine of polygamy by intentionally hiding the existence of the second manifesto of 1904, and hiding that it was never claimed to be revelation and was only a declaration to assist in the seating of U.S. senator from Utah, Reed Smoot.
  38. The institutional church knowingly and intentionally lying about the reasons for prohibiting generations of “non-worthy” LDS and/or non-LDS family and friends in the U.S. from attending the temple wedding ceremonies of their believing LDS family and friends – including parents and siblings – only to reverse the policy without offering any sort of apology to those who were excluded for decades.
  39. President "prophet" Russell M. Nelson broadly proclaims that Mormons believe that marriage should only be between one man and one woman, all while D&C 132 still teaches polygamy as Mormon doctrine, and Russell M. Nelson himself (as well as Apostle Dallin H. Oaks) are both sealed to multiple women for the eternities. Utter refusal by the institutional church to even address eternal polygamy publicly is a form of dishonesty.
  40. When Zimbabwe Vice President Mohandi requested support for clean-water wells, Mormon apostle Neil Anderson said “We are not a wealthy people but we are a good people, and we share what we have.” Less than a month later it is revealed that the Mormon church had/has a $120 Billion+ stockpile of investments through Ensign Peak Advisors, which doesn’t count other assets such as real estate, etc. The annual GDP of Zimbabwe is currently $31 billion USD.
  41. Ezra Taft Benson attempting to destroy copies of LDS Church-written “The Story of the Latter-day Saints” in 1976 because he was uncomfortable with the candid history and framing.
  42. The institutional church knowingly and intentionally lying about Gordon Hinckley's book "Truth Restored" by changing much of it to hide true references to the church being "inextricably linked" to plural marriage.
  43. President and "prophet" Thomas S. Monson openly lying in general conference and within 30 seconds telling two lies. One lie claiming the church is not wealthy, and the second lie that the church has no paid ministry when all "general authorities" have been exposed to receiving a six figure "paycheck." The lie about "no paid ministry" has been repeated by many top church leaders for generations.
  44. The institutional church knowingly and intentionally lying about the history of tithing calculation, the scriptures regarding tithing intent and calculation, so as to convert into an all encompassing income tax that is collected via heavy intimidation even upon the poorest members where they are told to not pay important bills until tithing is paid.
  45. The institutional church knowingly and intentionally lying about how it supposedly treats temple covenants and temple ceremonial clothing as being unchanging when it is increasingly making serious changes to both covenants and ceremonial clothing, changes for political convenience purposes that directly contradict their claim to believe that previous usage was inspired.
  46. The institutional church knowingly and intentionally lying about how church "discipline" targeting is done. That it is supposedly "local" and that judgments are supposedly local when in truth higher church leaders are repeatedly caught ordering "hits" on members. Changing long running, brutal, and medieval terms such as "excommunication" and "disfellowshipment" to "membership restriction" or "withdrawal" shows a pattern of deception.
  47. The institutional church knowingly and intentionally lies about top leaders being "prophets" "seers" and "revelators" while never showing any evidence whatsoever of prophecy, seership, or revelation from ANY of the top 15 who are "sustained" as prophets, seers, and revelators."
  48. The institutional church knowingly and intentionally lies about supposedly being patterned after Jesus' original church, while actually "going beyond the mark" and instead of having 12 apostles, has 15. The "twelve" are kept in subservience to a separate ruling class of 3 which openly contradicts Jesus' command to his apostles not to rule over each other and not to rank each other. The twelve are kept from honestly deliberating.
  49. President and "prophet" Russell Nelson lied about "retiring" home teaching, when this program had almost completely died before he was even president. Small lies are normal among habitual liars.
  50. President and "prophet" Russell Nelson claiming he had an agreement for a temple in Shanghai China, when in truth the church only had a tentative allowance to use a floor of an existing building ONLY for chinese members. In arrogance he "announced" it and the Chinese government pulled all permission and the church hid all of this by deleting this recently announced temple from the church's list of "announced" temples.
  51. The institutional church knowingly and intentionally lying about the whole nature of Ron Poleman's talk in 1984 by making him rewrite and refilm a fake version, complete with fake cough track. Someone had an early VCR, recorded it live, and uploaded it to youtube. The church stuck to its lie and kept the fake version on its website, all because Elder Poleman used wording that didn't fully imply perfection in infallibility of top leaders.
submitted by nelsonisanitwit to exmormon [link] [comments]


2020.07.06 17:54 sonofabutch The All-I Team!

Recently I put together an All-Q Team -- the 25 best of the 51 players in MLB history who have last names starting with Q. (And that followed my post as to which last name has the most players (M, 2,040) and which has the least (X, 0). Q has the second-fewest, with 51.)
The Q team's performance would be... shall we say... Questionable. Basically it's starting pitchers Jack Quinn and Jose Quintana, relievers Dan Quisenberry and Paul Quantrill, and one hitter -- slugger Carlos Quentin. Everyone else had career bWAR in the single digits, or negative.
The letter with the next fewest players is I, with 59. I thought it would be Interesting to look at the All-I Team. Would it be as Inadequate as the All-Q team, or would a pool of just eight more names be a big Improvement?
Of the 59 players, six are still active, according to baseball-reference.com; five played in MLB in 2019. (The active player who didn't appear in MLB last year was pitcher Gregory Infante, who had been signed by the Orioles but released before the season started; earlier this year they again invited him to spring training, but he's not on the 60-man roster.)
One odd thing I noticed is a fair number of these I-guys would become minor league managers, just as it seemed a disproportionate number of Q'ers died relatively young. I guess baseball teams think if your last name starts with I, you must be Intelligent enough to be a manager!
Batters: The I's have much more Impressive hitters than the Q's. The leading hitter on the Q-team is OF Carlos Quentin, with 10.5 bWAR; he'd rank 11th on the I-team! The Q-team's starting nine had just 27.1 career bWAR; the I-team's lineup has 152.3!
C Chris Iannetta - 15.0 bWAR, .230/.345/.406 (98 OPS+), 3,563 AB (2006-2019). "Sponge" consistently posts an OBP a hundred points higher than his batting average -- even in 2010, when he hit .197 but still got on base nearly 32% of the time. Casual fans look at a walk as something negative the pitcher did, not something positive the batter did -- a mistake by the pitcher rather than an accomplishment by the batter. But it's absolutely a skill and Iannetta proves it every year. Pitchers don't want to walk a guy with a career .230 BA, yet he gets walks.
1B Frank Isbell - 14.6 bWAR, .250/.289/.326 (89 OPS+), 4,219 AB (1898-1909). Nicknames in the Deadball Era were notoriously cruel. Hazen Cuyler was a stutterer who had trouble with his own last name; he's immortalized as Kiki Cuyler, mocking the way he pronounced it. William Hoy, who was deaf, was known as "Dummy." Charles Briody's round face and growing waistline earned him the nickname "Fatty." As for Frank, who was sensitive about losing his hair early in his 20s, his teammates dubbed him "The Bald Eagle." Frank's career slash-line of .250/.289/.326 isn't impressive, but he did have a tremendous year for the 1905 Chicago White Sox (.296/.335/.440, a 149 OPS+). Isbell played most of his games at first base, but he played all over the field -- literally, as he's one of the few men in MLB history to have multiple games at every position. He even pitched in 17 games, posting a 3.46 ERA in 88.1 innings!
2B Omar Infante - 16.9 bWAR, .271/.308/.387 (87 OPS+), 5,271 AB (2002-2016). Omar is the first of many players born in Venezuela; are last names starting with I more common there? Infante was primarily a utility man for the first half of his career, playing second, third, short, and all three outfield positions; it wasn't until 2010, at the age of 28, the Braves gave him 500+ plate appearances for just the second time in his career. He responded with his best season, hitting .321/.359/.416 and making his one and only All-Star appearance. He would spend the rest of his career as a starting second baseman. A tragic note: Omar's older brother, Asdrubal Infante, was a promising pitching prospect with the Tigers -- he posted a 1.09 ERA with 51 K in 33 IP in rookie ball in 1999 -- but was murdered that same year in a robbery in Venezuela. He was just 17 years old.
3B Brandon Inge - 19.2 bWAR, .233/.301/.384 (82 OPS+), 5,014 AB (2001-2013). Inge was a shortstop and pitcher at Virginia Commonwealth University, but the Tigers drafted him in the 2nd round in 1998 with the intention of converting him to a catcher. After three seasons in the bigs, he was moved to third base, where both his offense and his defense greatly improved. (Inge would hit .199/.260/.330 in 1,271 PA as a catcher, and .243/.315/.402 in 4,102 PA as a third baseman!) In 2008, Inge went on the disabled list when he strained a muscle trying to position a pillow under the head of his sleeping son.
SS Arthur Irwin - 15.2 bWAR, .241/.299/.305 (81 OPS+), 3,871 AB (1880-1894). The Q-Team had a lot of Quinns -- 13 of the 51 Q's in MLB history, or 25%, have the last name Quinn. For the I's, it's Irwin. Eight of the 59 I's are Irwins, or 13.5%. The first in both alphabetical order and by most bWAR is Arthur Irwin, a 19th century infielder who was later a manager, umpire, scout, and part-owner of a minor league team. At the age of 63, Irwin -- who during his playing days was known by the nicknames Doc, Foxy, and Sandy -- took ill and was hospitalized. His son came to visit him... and was surprised to discover another son visiting him as well. It turned out Irwin had married two women and had two families, one in New York and another in Boston. Soon after, Irwin boarded a ship and was never seen again. It was ruled a suicide, but who knows... maybe he settled down with a third family!
LF Raúl Ibañez - 20.9 bWAR, .272/.335/.465 (111 OPS+), 7,471 AB (1996-2014). Ibañez, the son of Cuban refugees, hit .272/.347/.572 and set career highs in OPS and HR (34) in his lone All-Star season... at the age of 37! Over his 19-year career, Ibañez had an OPS+ over 100 twelve times. His career bWAR was dinged by his defense -- 28.7 oWAR, but -17.3 dWAR. CF Ender Inciarte - 18.9 bWAR, .286/.338/.398 (95 OPS+), 2,922 AB (2014-2019). A 2017 All-Star and three-time Gold Glove award winner, Inciarte was signed out of Venezuela as a 18-year-old amateur by the Diamondbacks in 2008, but he would spend the next six years in the minors; the Phillies claimed him via the Rule V draft prior to the 2013 season, but had to return him after just one game (in which he didn't play) when they claimed Ezequiel Carrera off waivers. The D'Backs finally gave Inciarte a chance in 2014, and he would hit .292 for them over the next two seasons. Arizona then traded him to the Braves (with former #1 overall pick Dansby Swanson and Aaron Blair) for Shelby Miller and Gabe Speier, one of the moves that doomed Arizona GM Dave Stewart.
RF Monte Irvin - 21.3 bWAR, .293/.383/.475 (125 OPS+), 2,499 AB (1949-1956). "Mr. Murder" was a Negro Leagues star whose career was cut short by segregation and military service. Most believed he was the best player in the Negro Leagues, but it was Jackie Robinson, not Irvin, who first crossed the color line. Irvin was 30 years old when he finally got the chance, two years after Jackie, to play in the bigs. His best year was 1951, when he hit .312/.415/.514 with 24 HR and 121 RBI, finishing third in the MVP race. "As great as he was in 1951," said Roy Campanella, who won the MVP that year, "he was twice that good 10 years earlier." Irvin was inducted into the Hall of Fame in 1973.
DH Pete Incaviglia - 10.3 bWAR, .246/.310/.448 (104 OPS+), 4,233 AB (1986-1998). "Inky" was one of the best college players of his generation, setting an NCAA record with 100 home runs in 213 games at Oklahoma State. He told teams interested in drafting him that he wouldn't sign unless they allowed him to skip the minors; the Expos took him 8th overall but immediately traded him to the Rangers. (MLB later adopted a rule prohibiting trades of newly drafted players, informally dubbed "The Pete Incaviglia Rule.") Incaviglia would then hit 30 home runs as a 22-year-old rookie... which would turn out to be his single-season career high. A low-average, high-strikeout player, Incaviglia played for six teams in 12 seasons -- not counting the Expos or the Diamondbacks, who signed him to a minor league deal in his final season -- plus one season in Japan. He would later be a hitting coach and manager in the minors.
Bench: There were an extraordinary amount of Infielders whose last names start with I; some good ones couldn't make the cut. The five guys on the bench total 45.3 bWAR... Q's bench was -1.5.
UT Maicer Izturis - 11.3 bWAR, .269/.331/.372 (90 OPS+), 3,013 AB (2004-2014). "Mighty Mouse" nearly evenly split his career between third base (2,552 innings) and second base (2,456 innings), but he also played nearly 1,700 innings at shorstop. Though his career OPS+ was below average, he did have some good offensive years -- .293/.365/.412 in 2006 and .300/.359/.434 in 2009. A series of injuries ended the Venezuelan's career after the 2014 season.
SS José Iglesias - 11.1 bWAR, .273/.315/.371 (84 OPS+), 2,706 AB (2011-2019). The 18-year-old Iglesias defected from Cuba during the 2008 World Junior Championship and signed with the Red Sox, immediately becoming one of the team's top prospects. He bounced up and down between Boston and the minors in 2011 and 2012, but in 2013 he won the starting job and after a tremendous start (.330/.376/.409 in 63 games) was included in a three-team deal for Jake Peavy. He would spend five seasons with the Tigers, hitting .268/.312/.364; last year he signed with the Reds and hit .288/.318/.407. Now 30, this off-season he signed a one-year deal with the Orioles.
3B Charlie Irwin - 9.2 bWAR, .268/.331/.345 (82 OPS+), 3,685 AB (1893-1902). Primarily known for his glove -- he ranked 1st or 2nd in 3B fielding percentage in five of his 10 seasons -- Irwin hit a respectable .273/.346/.317 (105 OPS+) with the Brooklyn Superbas in 1902, his final season in the bigs, then would go on to play several more seasons in the Pacific Coast League, and like so many others on this team would later be a manager.
1B/3B/OF Mike Ivie - 7.3 bWAR, .269/.324/.421 (110 OPS+), 2,694 AB (1971-1983). The first overall pick of the 1970 draft by the San Diego Padres, Ivie made his debut as a September call-up at the tender age of 18, going 8-for-17 with 3 RBIs in six games as a catcher. He'd return to the bigs in 1974, now a first baseman; they'd later try him at third and in the outfield, too. (His best position was probably DH.) A right-handed hitter good at mashing lefties (.693 OPS vsR, .846 OPS vsL), Ivie would top 400 ABs just three times in 11 seasons. He retired at the age of 30.
2B Tadahito Iguchi - 6.4 bWAR, .268/.338/.401 (93 OPS+), 1,841 AB (2005-2008). A star player in Japan, Iguchi came to MLB as a 30-year-old in 2005, signing with the White Sox. He would hit .278/.342/.438 and finish fourth in the ROY voting, and became the first Japanese-born position player to win a World Series. He returned to Japan in 2009 and would finally retire in 2017 at the age of 42. Iguchi has four rings -- one with the White Sox and three from Japan -- and since 2018 has been manager of the Chiba Lotte Marines.
Starting Pitchers: So it's going to be great hitting vs great pitching. The I-team has the bats, but the Q-team has the arms: The I's best pitcher would be #3 on the Q's, and after that... it's not pretty. The I-team has just 21.4 bWAR from its rotation, compared to 77.9 for the Q-team.
SP Hisashi Iwakuma - 16.9 bWAR, 63-39, 3.42 ERA, 1.143 WHIP, 883.2 IP (2012-2017). One advantage the I-team has over the Q-team is Japanese players, who represent three-fifths of the starting rotation. The ace is Kuma, who went 107-69 with a 3.25 ERA in Japan and then came to the United States where he had six pretty good seasons, all with the Mariners and all after his 30th birthday. His best year was 2013, when he was an All-Star and finished third in the Cy Young Award voting, going 14-6 with a 2.66 ERA and 1.006 WHIP.
SP Hideki Irabu - 3.4 bWAR, 34-35, 5.15 ERA, 1.405 WHIP, 514.0 IP (1997-2002). Irabu was a star in Japan with the Chiba Lotte Marines who wanted to pitch in MLB... specifically with the Yankees. Under an existing arrangement with the Padres, Chiba sold Irabu's rights to San Diego in 1997 and then traded him to New York for Ruben Rivera, Rafael Medina, and $3 million in cash. The first season of Irabu's four-year, $12.8 million deal was a disaster (5-4, 7.09 ERA, 1.669 WHIP), but he wasn't bad in 1998-1999 (24-16, 4.44 ERA, 1.315 WHIP). But Boss Steinbrenner didn't like him and he was traded to the Expos, where he went a disappointing 2-7 with a 6.69 ERA in two seasons. In 2002 he was used as a reliever with the Rangers, going 3-8 with 16 saves. He would then return to Japan, pitching two seasons before retiring in 2005. He briefly came out of retirement in 2009 to pitch in independent leagues in both the United States and Japan. In 2011, Irabu apparently hanged himself in his California home. He was just 42.
SP Mike Ignasiak - 0.9 BWAR, 10-4, 4.80 EARA, 1.504 WHIP, 137.0 IP (1991-1995). A teammate of Barry Larkin, Jim Abbott, and Scott Kamieniecki at the University of Michigan, Ignasiak went 47-25 with a 3.23 ERA in eight minor league seasons -- including a 55.2 scoreless inning streak between 1993 and 1994 -- then went 10-4 with a 4.80 ERA over four seasons with the Brewers. In 1996, he signed with the Red Sox but suffered a back injury that ended his career. He took up golf in his mid-30s and became one of the top amateur players in the country.
SP Bert Inks - 0.5 bWAR, 27-46, 5.52 ERA, 1.733 WHIP in 603.2 IP (1891-1896). A 6'3" lefty, Inks and his brother Will both played for Notre Dame. Will and a third brother, Fred, also played a little pro ball but only Bert made it to the bigs. He pitched for six teams in just five seasons, most of them bad.
SP Kazuhisa Ishii - -0.3 bWAR, 39-34, 4.44 ERA, 1.528 WHIP, 564.0 IP (2002-2005). Walks were Kaz's downfall, with 5.6 BB/9 over his four-year MLB career. After leaving the bigs, the lefty returned to Japan where he'd pitch until the age of 40 for a total of 18 seasons. In Japan, Ishii went 143-103 with a 3.63 ERA and 1.307 WHIP (and 3.9 BB/9, 8.8 K/9).
Relief Pitchers: Once again, the Q-team comes out on top. Team Q had 54.4 bWAR from its relievers; the I-team, less than half that at 25.3 (and most of that coming from their closer).
RP Jason Isringhausen - 13.0 bWAR, 51-55, 300 SV, 3.64 ERA, 1.328 WHIP, 1007.2 IP (1995-2012). One of the first players I think of when it comes to I-names, Izzy finished fourth in the NL ROY voting after an impressive debut season (9-2, 2.81 ERA, 1.280 WHIP) with the New York Mets at the age of 22. But injuries, ineffectiveness, and a bout with tuberculosis caused his Mets career to fizzle, and in 1999 he was traded to the Oakland A's where he would become a top closer. He was named to two All-Star teams and recorded 11 post-season saves.
RP Raisel Iglesias - 8.3 bWAR, 14-29, 98 SV, 3.17 ERA, 1.135 WHIP, 388.2 IP (2015-2019). Raisel Iglesias apparently isn't related to Jose Iglesias, but were born in, and fled from, Cuba. Raisel signed with the Reds, who converted him to a starter (he had been a reliever with the Cuban national team), but after going 4-8 with a 3.88 ERA in 21 starts, they switched him back to a reliever. In 231 relief appearances, he's posted a 2.85 ERA with 98 saves; overall, he's struck out 448 batters in 388.2 IP.
RP Jeff Innis - 4.6 bWAR, 10-20, 5 SV, 3.05 ERA, 1.272 WHIP, 360.0 IP (1987-1993). Jeff pitched all seven seasons of his MLB career with the New York Mets. A side-arming sinkerballer, "the I-Man" was known for his impressions of players and staff, including GM Frank Cashen. Maybe that's why the Mets declined to offer Innis a contract after the 1993 season. He signed with the Twins, and that spring training had the distinction of giving up the first professional base hit to a 31-year-old rookie named Michael Jordan. Jeff would stick around in the minors for a few more seasons, even working on a knuckleball, but never made it back to the bigs.
RP Gregory Infante - 1.0 bWAR, 3-2, 0 SV, 3.56 ERA, 1.332 WHIP, 68.1 IP (2010-2018). Infante was a baby -- ha, ha -- when he came up the first time in 2010, as a 22-year-old reliever with the White Sox. He pitched in five games without allowing a run and struck out five batters, though he did give up two hits and four walks in 4.2 innings. He would then spend the next eight seasons bouncing between organizations in the minors before finally returning to the bigs in 2017 with... the White Sox. So in nine years, he's pitched in 67 games, all with Chicago. Infante, now 30, signed with the Orioles last year but was released before the season started; the Venezuelan spent this off-season pitching in the Venezuelan Winter League.
RP Cole Irvin - -0.2 bWAR, 2-1, 1 SV, 5.83 ERA, 1.392 WHIP, 41.2 IP (2019). A 5th round pick by the Phillies in the 2016 draft, Swirvin Irvin went 6-1 with a 3.94 ERA in 16 starts and one relief appearance in Triple-A, then was promoted to the bigs where he had three starts and 13 relief appearances. The lefty was named the 2018 International League Pitcher of the Year after going 14-4 with a 2.57 ERA for the Lehigh Valley IronPigs.
RP Ryota Igarashi - -1.4 bWAR, 5-2, 0 SV, 6.41 ERA, 1.808 WHIP, 73.0 IP (2010-2012). Once renowned as one of the hardest throwers in Japan -- he struck out 97 batters in 78 innings in 2002 -- the New York Mets signed the 31-year-old reliever in 2010 but he struggled, giving up 24 runs, 29 hits, and 18 walks in 30.1 IP (but he did strike out 25 batters). The following year he gave up 20 runs on 43 hits and 28 walks in 38.2 IP (with 42 Ks), and the Mets released him. He signed with the Pirates, but was traded to the Blue Jays; they released him after two disastrous outings and the Yankees signed him, and they gave up on him after two more ugly appearances. Igarashi returned to Japan, where he's still pitching at age 41!
The I's who were... Ignored:
Here are the remaining 34 players whose last name starts with I. Some were fairly Impressive, others were Inferior.
Reliever Edgar Ibarra pitched in two games with the Angels in 2015, giving up one run on four hits and three walks while striking out three in four innings. The lefty has spent the last few seasons pitching winter ball in his native Venezuela.
Ham Iburg's real name was Herman; I don't know why they called him Ham. A San Francisco native who started and ended his career in the Pacific Coast League, Iburg had just one season in the bigs, going 11-18 with the 1902 Philadelphia Phillies; he was under contract to return in 1903, but he went back to California instead. The Pacific Coast League of that era offered better weather, easier travel, and sometimes better salaries than MLB, and many players like Iburg simply preferred playing on the west coast than in the Show.
Kei Igawa was a fading Japanese ace -- he even was briefly sent to the minors in 2005, and had become unpopular with fans -- but the Yankees needed an answer to the Red Sox signing Daisuke Matsuzaka two weeks earlier. After going 2-1 (with a 7.63 ERA) in his first six games, Igawa was sent to the minors; he'd return in June, get sent down again, and then be back in September. He'd end the year 2-3 with a 6.25 ERA. He would get bombed in two more appearances the following year, giving up six runs on 13 hits in just 4 innings, and would never resurface in MLB, despite posting adequate numbers in Triple-A (33-22, 3.81 ERA, 1.297 WHIP). After his release in 2011, Igawa returned to Japan, where he would pitch several more seasons with the Orix Buffaloes.
Gary Ignasiak is the big brother -- by 18 years! -- of pitcher Mike Ignasiak. Gary got into three games with the Tigers in 1973, striking out 4 batters in 4.2 innings but also giving up five hits and three walks. They sent him back to the minors but he never mastered his control, walking 647 batters in 825.0 minor league innings, and was out of pro baseball by the age of 25.
Reliever Blaise Ilsley made 10 appearances with the Cubs in 1994, giving up 13 runs on 25 hits and nine walks in 15.0 innings. Not surprisingly, the Cubs didn't bring him back. But he did have a long minor league career, and was later a pitching coach in the minors and a bullpen coach with the St. Louis Cardinals.
Doc Imlay had nine appearances for the Philadelphia Phillies in 1913, giving up 13 runs on 19 hits and seven walks in 13.2 innings. Imlay would then have a more successful career as a dentist in New Jersey.
Infielder Alexis Infante went 5-for-27 with the Blue Jays between 1987 and 1989, and 1-for-28 with the Braves in 1990. He would later be a manager in the Dominican Republic. The three Infantes in MLB history -- Alexis, Gregory, and Omar -- do not appear to be closely related, though all are from Venezuela.
Bob Ingersoll was a 31-year-old reliever who made four appearances with the Reds in 1914, giving up two runs on five hits and five walks in six innings.
A utilityman with the 1911 Boston Rustlers -- they wouldn't become the Braves until the following year -- Scotty Ingerton would get 521 AB while playing six different positions, hitting .250/.304/.340. After baseball, the former Rustler would become a deputy in Ohio.
A century later, another utilityman named Joe Inglett would play six positions (and pitch an inning!) across six seasons with the Indians, Blue Jays, Brewers, and Astros. Inglett would hit a respectable .283/.342/.392 in 808 career AB, but didn't get to the majors until he was 28 years old and never really got a chance; his best season was 2008, when he would hit .297/.355/.407 in 344 AB.
Charlie Ingraham caught one game for the Baltimore Orioles in 1883, going 1-for-4.
Utilityman Garey Ingram got into 82 games for the Dodgers between 1994 and 1997, going 37-for-142 (.261 BA). He played second, third, and outfield. He'd later be a coach in the minor leagues.
Mel Ingram -- apparently no relation to Garey -- had a "Moonlight Graham" MLB career, playing in MLB but never getting a plate appearance. He appeared in three games, all as a pinch runner, and scored a run for the Pittsburgh Pirates in 1929.
The third man with this last name, Ricardo Ingram, played in 12 games with the Tigers in 1994 and four with the Twins in 1995, going a combined total of 6-for-31 (.194). He would later be a minor league coach and manager, but tragically developed brain cancer and died in 2015 at the age of 48.
Brothers Dane Iorg and Garth Iorg played in the 1970s and 80s. Dane was a 1st round pick by the Philadelphia Phillies in 1971, but he didn't make it to the Show until 1977; then, after just 12 games, was traded to the St. Louis Cardinals for Bake McBride. A left-handed hitter, Dane was platooned throughout his career, hitting .284/.326/.387 in 1,502 AB vsR but just .200/.220/.276 in 145 AB vsL. Given his lack of power (14 career HR), speed (5 career SB), and defense (-3.1 career dWAR), it's surprising he had a 10-year MLB career. But he did win World Series rings with the '82 Cardinals and '85 Royals, going 12-for-23 (.522) with five doubles and a triple when it mattered most! Big brother Garth was originally drafted by the Yankees, but the Blue Jays took him in the 1976 expansion draft and he'd play his entire career as a utilityman for Toronto. After his MLB career ended, he would play in the short-lived Senior Professional Baseball Association, then would be a coach with the Brewers as well as a minor league manager. His sons Isaac, Eli, and Cale all played in the minors but never made the Show.
Happy Iott played in three games with the 1903 Cleveland Naps, going 2-for-10. A Maine native, the outfielder would later play in minor league and semipro teams in his home state.
Apparently no relation, Hooks Iott pitched in two games as a 21-year-old rookie with the St. Louis Browns in 1941, then in 24 games with the Browns and Giants in 1947... something must have happened in the middle... oh right, World War II. The lefty served in the U.S. Army Air Force during the war. He went 3-9 with a 7.05 ERA in 81.2 IP in his bifurcated MLB career, then would pitch into the late 1950s in the minors, including going 24-9 with a 1.83 ERA in 260.0 IP with the St. Petersburg Saints of the Florida International League in 1952.
Switch-hitting infielder Hal Irelan played just one season in the bigs, hitting .236 in 67 games with the Philadelphia Phillies in 1914. He would have a much longer career in the minors, still playing for Decatur in the, appropriately enough, Three-I League in 1926. He'd later be a minor league manager.
Another switch-hitting infielder came along in the early 1980s, Tim Ireland. He would go 1-for-7 in 11 games with the Royals scattered between 1981 and 1982. After a long career in the minors, Ireland would spend two seasons with the Hiroshima Toyo Carp, hitting .275 with 18 HR in 585 AB. Like many others on this list, he would later be a manager in the minors.
Venezuelan Hernan Iribarren hit .185 in 27 AB for the Brewers between 2008 and 2009; he returned to the majors in 2016 at the age of 32 and hit .311 in 45 AB for the Reds. A utilityman, Iribarren saw time first, second, third, and all three outfield positions.
A highly prized prospect at Ferrum Junior College, Daryl Irvine was selected in three different drafts -- in the 3rd round, in the 2nd round, and finally in the 1st round -- before signing with the Red Sox in 1985. He posted a 3.34 ERA in nine minor league seasons, but never mastered his control, with 291 walks in 711.2 minor league innings. In the bigs, he posted a 5.68 ERA and an unsightly 4.7 BB/9 (with just 3.8 K/9).
Bill Irwin somehow acquired the nickname Phil. He pitched in two games for the Cincinnati Red Stockings late in the 1886 season, giving up 19 runs (11 earned) on 18 hits and eight walks. Each was a complete game loss!
Third baseman Ed Irwin played in one game with the Detroit Tigers in 1912, going 2-for-3 -- and both hits were triples! How he came to play in one and only game is a tale in and of itself. Ty Cobb had been suspended indefinitely for one of his more infamous incidents -- he'd jumped into the stands to beat up a man who had no hands -- and Tiger players refused to take the field until he was reinstated, or at least given a punishment with an end date. Rather than forfeit the game, the Tigers recruited some local college and semipro players, including Irwin. They were crushed 24-2 by the A's. League President Ban Johnson then told the Tigers that he'd kick all of them out of baseball if they refused to play again, and the strike ended. Cobb was reinstated on May 26. As for Irwin, he was killed in a bar brawl four years later. It's believed he still has the record for "most triples by a player without another base hit."
The brother of Arthur Irwin, infielder John Irwin hit .246 in 1,269 career at-bats. It's said he owed at least some of those at-bats to the fact that big brother Arthur was his manager with the 1889 Washington Nationals and 1891 Boston Reds.
Phil Irwin had two starts in the bigs, one with the Pirates in 2013 and another with the Rangers in 2014; he gave up eight runs (seven earned) on 12 hits and six walks in 8.2 innings. In 2015, he pitched in the Korean League, going 1-7 with a 8.68 ERA.
Shortstop Tommy Irwin got into three games with the Cleveland Indians late in the 1938 season; he went 1-for-9. Later in life he'd be a scout for Cleveland.
The last of the Irwins is Walt Irwin, who got into four games as a pinch runner and pinch hitter for the 1921 St. Louis Cardinals; he struck out in his only at-bat.
Orlando Isales started his pro career at the tender age of 15. By the time he reached the bigs in 1980, he was a veteran... at the age of 20. He played in three games for the Phillies in 1980; he went 2-for-5 with a triple, a walk, and three RBIs (.400/.500/.800!). But he never got another chance; he was in Triple-A for a few more years, then left for the Mexican League.
Travis Ishikawa is best remembered for his walk-off home run off Michael Wacha in the 2014 NLCS to send the Giants to the World Series for the third time in five seasons. "Smoky" only topped 200 AB once in his career, and accumulated just 1.1 career bWAR, but Giant fans won't ever forget him. He would later be a hitting coach for the Giants in the Arizona Fall League.
Akinori Iwamura was a top performer for the Yakult Swallows, topping .300 BA/30 HR in three straight seasons prior to signing with the Tampa Bay Devil Rays in 2007. He hit a respectable .281/.354/.393 with the Rays over his first three MLB seasons, but cratered in 2010, hitting .182 with the Pirates and then .129 with the A's. After his release, the infielder would return to play in Japan for four more seasons.
Cuban-born catcher Hank Izquierdo went 7-for-26 in his only MLB season of 1967, playing for the Minnesota Twins. A lifer in the minor leagues, he didn't get the Call until he was 36 years old; his pro career started as a 20-year-old with Galveston in the Gulf Coast League in 1951, and ended with Veracruz in the Mexican League in 1974. He had 1,870 games in professional baseball, but only 16 in the bigs. He was later a minor league coach, a Mexican League manager, and a scout with the Minnesota Twins.
Another Cuban-born player, Hansel Izquierdo, defected when he was a teenager on the Cuban national junior team. He pitched in 20 games for the Florida Marlins in 2002, giving up 17 runs (15 earned) on 33 hits and 21 walks in 29.2 innings. He never resurfaced in the bigs, but he would pitch for 11 years in the minors, including stints with the White Sox, Expos, Yankees, and Pirates.
Cesar Izturis, Maicer's half-brother, played 13 years and accumulated 4,350 AB despite a career 64 OPS+, a testament to his glove. Over his career, the Venezuelan was 64 runs better than the average shortstop. Although his only All-Star selection came in 2005, his best year was the year before that, when he hit .288/.330/.381 in 670 AB, set career highs in nearly everything, and won a Gold Glove. His son, Cesar Izturis Jr., is a 20-year-old prospect in the Seattle Mariners system.
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2019.12.27 14:41 herbibot Today Shows : December 27

beep.
day in history lookup
Grateful Dead - 1967/12/27 - Village Theatre, New York, NY No setlist. Mentions: 0
Grateful Dead - 1970/12/27 - Legion Stadium, El Monte, CA ** Set1:** Truckin', Mama Tried, Hard to Handle, Deep Elem Blues, Sugar Magnolia, Brokedown Palace, Cumberland Blues, It Hurts Me Too, Me and My Uncle, China Cat Sunflower, I Know You Rider, Casey Jones ** Set2:** Good Lovin', In the Midnight Hour, Attics of My Life, Me and Bobby McGee, Around and Around, St. Stephen, Not Fade Away, Going Down the Road Feelin' Bad, Turn on Your Love Light Mentions: 2
Grateful Dead - 1977/12/27 - Winterland Arena, San Francisco, CA Set 1: Bertha, Good Lovin', Brown-Eyed Women, Cassidy, Peggy-O, Looks Like Rain, Dire Wolf, Passenger, Candyman, El Paso, Friend of the Devil, The Music Never Stopped Set 2: Cold Rain and Snow, Lazy Lightning, Supplication, Scarlet Begonias, Fire on the Mountain, Estimated Prophet, He's Gone, Truckin', Wharf Rat, Around and Around Encore: Samson and Delilah Mentions: 10
Grateful Dead - 1978/12/27 - Golden Hall, San Diego, CA Set 1: The Promised Land, Friend of the Devil, Cassidy, Peggy-O, Mama Tried, Mexicali Blues, Mississippi Half-Step Uptown Toodeloo, Franklin's Tower, The Music Never Stopped Set 2: Bertha, Good Lovin', Ship of Fools, Samson and Delilah, Terrapin Station, Playing in the Band, Drums, Not Fade Away, Black Peter, Around and Around Encore: U.S. Blues Mentions: 5
Grateful Dead - 1979/12/27 - Civic Auditorium, Oakland, CA Set 1: Jack Straw, They Love Each Other, Cassidy, Peggy-O, El Paso, Don't Ease Me In, Beat It On Down the Line, Deal Set 2: China Cat Sunflower, I Know You Rider, Samson and Delilah, Eyes of the World, Lost Sailor, Saint of Circumstance, Drums, Space, Black Peter, Sugar Magnolia Encore: U.S. Blues, Brokedown Palace Mentions: 0
Grateful Dead - 1980/12/27 - Civic Auditorium, Oakland, CA Set 1: Feel Like a Stranger, Sugaree, Minglewood Blues, Loser, Looks Like Rain, Tennessee Jed, Passenger, It Must Have Been the Roses, The Music Never Stopped Set 2: China Cat Sunflower, I Know You Rider, Estimated Prophet, Eyes of the World, Drums, Space, The Wheel, Truckin', Wharf Rat, Going Down the Road Feelin' Bad, One More Saturday Night Encore: Johnny B. Goode Mentions: 4
Grateful Dead - 1981/12/27 - Civic Auditorium, Oakland, CA Set 1: Minglewood Blues, Sugaree, Cassidy, Deep Elem Blues, See See Rider, Friend of the Devil, Passenger, Althea, Looks Like Rain, Deal Set 2: Samson and Delilah, To Lay Me Down, Playing in the Band, Drums, Space, The Wheel, Wharf Rat, Sugar Magnolia Encore: It's All Over Now Baby Blue Mentions: 14
Grateful Dead - 1982/12/27 - Civic Auditorium, Oakland, CA Set 1: Bertha, Greatest Story Ever Told, Bird Song, Beat It On Down the Line, They Love Each Other, Me and My Uncle, Big River, Brown-Eyed Women, Let It Grow Set 2: Scarlet Begonias, Fire on the Mountain, Playing in the Band, Drums, The Wheel, The Other One, Black Peter, Sugar Magnolia Encore: U.S. Blues Mentions: 3
Grateful Dead - 1983/12/27 - San Francisco Civic Auditorium, San Francisco, CA & VIDEO Set 1: Cold Rain and Snow, See See Rider, They Love Each Other, Beat It On Down the Line, Althea, Cassidy, West L.A. Fadeaway, Hell in a Bucket, Might as Well Set 2: Scarlet Begonias, Fire on the Mountain, Samson and Delilah, He's Gone, Drums, Throwing Stones, Black Peter, Sugar Magnolia Encore: U.S. Blues Mentions: 4
Grateful Dead - 1986/12/27 - Henry J. Kaiser Convention Center, Oakland, CA Set 1: Playing in the Band, Bertha, Mama Tried, Mexicali Blues, Ramble On Rose, Little Red Rooster, Bird Song Set 2: Quinn the Eskimo (The Mighty Quinn), Dancing in the Street, Black Muddy River, Playing in the Band, I Need a Miracle, Drums, Space, Truckin', Smokestack Lightning, Comes a Time, Around and Around, Playing in the Band Encore: When Push Comes to Shove Mentions: 42
Grateful Dead - 1987/12/27 - Oakland-Alameda County Coliseum Arena, Oakland, CA Set 1: Touch of Grey, Jack Straw, Peggy-O, Walkin' Blues, Ramble On Rose, Me and My Uncle, Big River, It Must Have Been the Roses, Desolation Row, Don't Ease Me In Set 2: Playing in the Band, Uncle John's Band, Estimated Prophet, Eyes of the World, Drums, Space, Dear Mr. Fantasy, Stella Blue, Throwing Stones, Turn on Your Love Light Encore: Quinn the Eskimo (The Mighty Quinn) Mentions: 3
Grateful Dead - 1989/12/27 - Oakland-Alameda County Coliseum Arena, Oakland, CA Set 1: Cold Rain and Snow, Greatest Story Ever Told, Never Trust a Woman, Althea, Me and My Uncle, Big River, Just Like Tom Thumb's Blues, Bird Song, The Promised Land Set 2: Iko Iko, Playing in the Band, Crazy Fingers, Uncle John's Band, Drums, Space, The Wheel, I Need a Miracle, Morning Dew Encore: Johnny B. Goode, Black Muddy River Guests: Iko Iko, Playin in the Band, The Wheel, I Need a Miracle (Clarence Clemons) Mentions: 9
Grateful Dead - 1990/12/27 - Oakland-Alameda County Coliseum Arena, Oakland, CA Set 1: Jack Straw, Sugaree, Minglewood Blues, It Must Have Been the Roses, Queen Jane Approximately, Loose Lucy, Cassidy, Don't Ease Me In Set 2: Scarlet Begonias, Fire on the Mountain, Estimated Prophet, Comes a Time, Drums, Space, I Need a Miracle, The Wheel, Throwing Stones, Turn on Your Love Light Encore: It's All Over Now Baby Blue Guests: Drums (with Hamza ElDin) Mentions: 5
Grateful Dead - 1991/12/27 - Oakland-Alameda County Coliseum Arena, Oakland, CA Set 1: Cold Rain and Snow, Little Red Rooster, They Love Each Other, Mama Tried, Mexicali Blues, Loose Lucy, Stuck Inside of Mobile With the Memphis Blues Again, Stagger Lee, The Music Never Stopped Set 2: Scarlet Begonias, Fire on the Mountain, Looks Like Rain, Terrapin Station, Drums, Space, The Wheel, All Along the Watchtower, Black Peter, Around and Around Encore: It's All Over Now Baby Blue Mentions: 3
Today Show Playlist
other stuff:
Mobile friendly m3u playlist links below usually stream uninterrupted by sleep/stop issues on iphone. Android needs a 3rd party app like VLC. Robert Hunter Songs Tags: Garcia Weir Pigpen Brent Phil Pig & Brent Dylan R&B C&W Rarities Jam
Shakedown Scarlet / Sometimes Fire Eyes Bird Song Pigpen Random Dark Star Radio 73 > 74 Brent Era
Popularity by Era
Top Performances Roll Bones Song Mood?
beep.
submitted by herbibot to grateful_dead [link] [comments]


2019.12.06 13:26 RealBotaram My DVD-collection (yes, no blu-rays because those are hardly available in my country)

Numbers and stuff
  1. 8 Mile (2002)
  2. $9,99 (
  3. 12 Angry Men (1957)
  4. 12 Years a Slave (2013)
  5. 16 Blocks (2006)
  6. 21 Grams (2003)
  7. 28 Days Later (2002)
  8. 28 Weeks Later (2007)
  9. Die 1000 Augen des Dr. Mabuse (1960) (The Complete Fritz Lang Mabuse Boxset)
  10. 2001: A Space Odyssey (1968) (The Stanley Kubrick Collection)
A
  1. De Aanslag (1986)
  2. A.I.: Artificial Intelligence (2001)
  3. Aladdin (1992)
  4. Alien (1979) (Alien 6-film collection)
  5. Aliens (1986) (Alien 6-film collection)
  6. Alien3 (1992) (Alien 6-film collection)
  7. Alien: Covenant (2017) (Alien 6-film collection)
  8. Alien: Resurrection (1997) (Alien 6-film collection)
  9. All Is Lost (2013)
  10. Amélie (2001)
  11. American History X (1998)
  12. American Sniper (2014)
  13. Andrei Rublev (1966) (Andrei Tarkovsky Collection)
  14. Angels & Demons (2009)
  15. Ant-Man (2015)
  16. Ant-Man and the Wasp (2018)
  17. Apocalypse Now Redux (1979)
  18. Argo (2012)
  19. Arlington Road (1999)
  20. Army in the Shadows (1969)
  21. Avatar (2009)
  22. The Avengers (2012)
  23. Avengers: Age of Ultron (2015)
  24. Avengers: Infinity War (2018)
  25. Avengers: Endgame (2019)
  26. The Aviator (2004)
B
  1. Barry Lyndon (1975) (The Stanley Kubrick Collection)
  2. Batman (1989) (The Superman & Batman Anthology 9-film collection)
  3. Batman Begins (2005) (The Dark Knight Trilogy Boxset)
  4. Batman Forever (1995) (The Superman & Batman Anthology 9-film collection)
  5. Batman Returns (1992) (The Superman & Batman Anthology 9-film collection)
  6. Batman & Robin (1997) (The Superman & Batman Anthology 9-film collection)
  7. The Battle Over Citizen Kane (1996)
  8. A Beatiful Mind (2001)
  9. Before Sunrise (1995) (Before-Boxset)
  10. Before Sunset (2004) (Before-Boxset)
  11. Beyond a Reasonable Doubt (2009)
  12. Big (1988)
  13. The Big Lebowski (1998)
  14. Birdman (or: The Unexpected Virtue of Ignorance (2014)
  15. The Birds (1963) (The Alfred Hitchcock Collection)
  16. Black Dahlia (2006)
  17. Black Hawk Down (2001)
  18. Black Panther (2018)
  19. Black Swan (2010)
  20. The Blair Witch Project (1999)
  21. Die Blechtrommel (1979)
  22. Blood Diamond (2006)
  23. Blue Velvet (1986) (David Lynch Boxset)
  24. Breakfast at Tiffany’s (1961)
  25. The Breakfast Club (1985)
  26. Brokeback Mountain (2005)
  27. Broken Wings (2002)
  28. Bruce Almighty (2003)
  29. The Bucket List (2007)
  30. Burning (2018)
  31. The Butterfly Effect (2004)
  32. The Butterfly Effect 3: Revelations (2009)
C
  1. The Cabin in the Woods (2011)
  2. Captain America: The First Avenger (2011)
  3. Captain America: The Winter Soldier (2014)
  4. Captain America: Civil War (2016)
  5. Captain Marvel (2019)
  6. Carlito’s Way (1993)
  7. Casablanca (1942)
  8. Catch Me If You Can (2002)
  9. Chaplin (1992)
  10. Chariots of Fire (1981)
  11. Chicago (2002)
  12. Children of Men (2006)
  13. Les Choristes (2004)
  14. Cijfers en Letters (2003)
  15. Citizen Kane (1941)
  16. The Client (1994)
  17. A Clockwork Orange (1971) (The Stanley Kubrick Collection)
  18. Close Encounters of the Third Kind (1977)
  19. Coco Avant Chanel (2009)
  20. The Code/Thick as Thieves (2009)
  21. Collateral (2004)
  22. Colombiana (2011)
  23. Crank (2006)
  24. Crash (2004)
  25. Creature of the Black Lagoon (1954) (Horror 2DVD-pack)
  26. Cosmos: A Spacetime Odyssey (seizoen 1) (2014)
  27. Cube (1997)
  28. The Curious Case of Benjamin Button (2008)
D
  1. Dancer in the Dark (2000)
  2. Dances with Wolves (1990)
  3. The Dark Knight (2008) (The Dark Knight Trilogy Boxset)
  4. The Dark Knight Rises (2012) (The Dark Knight Trilogy Boxset)
  5. The Da Vinci Code (2006)
  6. Dawn of the Planet of the Apes (2014) (Planet of the Apes Trilogy Boxset)
  7. Day Zero (2007)
  8. Deadoool (2016) (Deadpool 1&2 Boxset)
  9. Deadpool 2 (2018) (Deadpool 1&2 Boxset)
  10. The Death of Stalin (2017)
  11. The Deer Hunter (1978)
  12. The Departed (2006)
  13. Departures (2008)
  14. The Descendants (2011)
  15. The Descent (2005)
  16. The Desert Trail (1935) (John Wayne 3-Pack vol. 4)
  17. Desperado (1995) (Robert Rodriguez Desperado Collection)
  18. Dinosaur (2000)
  19. Dirty Dancing (1987)
  20. The Disaster Artist (2017)
  21. Dogville (2003)
  22. Donnie Brasco (1997)
  23. Donnie Darko (2001)
  24. Dragonfly (2002)
  25. Driving Miss Daisy (1989)
  26. Dr. Mabuse: Der Spieler (1922) (The Complete Fritz Lang Mabuse Boxset)
  27. Dr. Strangelove (or: How I Learned to Stop Worrying and Love the Bomb) (1964) (The Stanley Kubrick Collection)
  28. Doctor Strange (2016)
  29. Dune (1984) (David Lynch Boxset)
  30. From Dusk till Dawn (1996)
  31. Dumbo (1941)
E
  1. Eastern Promises (2007)
  2. Edward Scissorhands (1990)
  3. The Elephant Man (1980)
  4. Eraserhead (1977) (David Lynch Boxset)
  5. Eternal Sunshine of the Spotless Mind (2004) (Michel Gondry 2DVD-Pack)
  6. The Exorcist (1973)
  7. The Experiment (2010)
  8. Eyes Wide Shut (1999) (The Stanley Kubrick Collection)
F
  1. Fanny och Alexander (1982)
  2. Fateless (2005)
  3. Fawlty Towers (seizoen 1&2) (1975-1979)
  4. Fear and Desire (1953)
  5. Fight Club (1999)
  6. Fill the Void (2012)
  7. The Final Countdown (1980)
  8. Final Destination (2000)
  9. Finding Neverland (2004)
  10. The Flat (2011)
  11. The Fountain (2006)
  12. Freedom Writers (2007)
  13. Frosty de Sneeuwman (1969) (Frosty 2DVD-Pack)
  14. Frosty Returns (1992) (Frosty 2DVD-Pack
  15. Fucking Amal/Show me Love (1998)
  16. Full Metal Jacket (1987) (The Stanley Kubrick Collection)
  17. Funny Games (1997)
  18. Funny Games US (2007)
  19. Fury (2014)
G
  1. Gangs of New York (2002)
  2. Get Out (2017)
  3. Ghost (1990)
  4. Una Giornata particolare (1977)
  5. Gladiator (2000)
  6. Glass (2019)
  7. The Godfather (1972) (The Coppola Restoration)
  8. The Godfather II (1974) (The Coppola Restoration)
  9. The Godfather III (1990) (The Coppola Restoration)
  10. Gone in 60 Seconds (2000)
  11. Gone with the Wind (1939)
  12. The Good, the Bad and the Ugly (1966)
  13. Goodbye Lenin (2003)
  14. Goodfellas (1990)
  15. The Good Sheperd (2006)
  16. The Grand Budapest Hotel (2014)
  17. Gosford Park (2001)
  18. The Green Mile (1999)
  19. Guardians of the Galaxy (2014)
  20. Guardians of the Galaxy Vol. 2 (2017)
  21. The Guns of Navarone (1961)
H
  1. Hang ‘em High (1968)
  2. Hart’s War (2002)
  3. Heavenly Creatures (1994)
  4. Hellboy (2004)
  5. The Help (2011)
  6. The Hobbit: An Unexpected Journey (2012)
  7. The Hobbit: The Desolation of Smaug (2013)
  8. The Hobbit: The Battle of the Five Armies (2014)
  9. The Host (2006)
  10. Hot Fuzz (2007)
  11. The Hunt for Red October (1990)
I
  1. I Am Legend (2007)
  2. The Illusionist (2006)
  3. Immortal Beloved (1994)
  4. In Bruges (2008)
  5. Inception (2010)
  6. The Incredible Hulk (2008)
  7. The Incredibles (2004)
  8. Independence Day (1996)
  9. Inferno (2016)
  10. Inglourious Basterds (2009)
  11. Ingrid Goes West (2017)
  12. Inside Man (2006)
  13. Insomnia (2002)
  14. Interstellar (2014)
  15. Interview with a Vampire (1994)
  16. Intouchables (2011)
  17. Invictus (2009)
  18. I, Robot (2004)
  19. Iron Man (2008)
  20. Iron Man 2 (2010)
  21. Iron Man 3 (2013)
  22. Irreversible (2002)
  23. Ivan’s Childhood (1962) (The Andrei Tarkovsky Collection)
J
  1. Jagten (2012)
  2. Jerry Maguire (1996)
  3. Johnny English (2003) (Johnny English 2DVD-Pack)
  4. Johnny English Reborn (2011) (Johnny English 2DVD-Pack)
  5. Junior (1994)
  6. Juno (2007)
  7. Jurassic Park (1993)
K
  1. Kill Bill (2003)
  2. Kill Bill Vol. 2 (2004)
  3. Killer’s Kiss (1955)
  4. The Killing (1956)
  5. Knowing (2009)
L
  1. L.A. Confidential (1997)
  2. Lara Croft: Tomb Raider (2001)
  3. Lara Croft Tomb Raider: The Cradle of Life (2003)
  4. The Last King of Scotland (2006)
  5. The Last Samurai (2003)
  6. Lawless Range (1935) (John Wayne 3-Pack Vol. 4)
  7. Das Leben des Anderen (2006)
  8. The Lion King (1994)
  9. Lincoln (2012)
  10. Lock, Stock and Two Smoking Barrels (1998)
  11. Lolita (1962) (The Stanley Kubrick Collection)
  12. Looper (2012)
  13. The Longest Day (1962)
  14. The Losers (2010)
  15. Lost Highway (1997) (David Lynch Boxset)
  16. Lost in Translation (2003)
  17. The Lord of the Rings: The Fellowship of the Rings (2001) (Extended Edition Deluxe Trilogy Boxset)
  18. The Lord of the Rings: The Two Towers (2002) (Extended Edition Deluxe Trilogy Boxset)
  19. The Lord of the Rings: The Return of the King (2003) (Extended Edition Deluxe Trilogy Boxset)
  20. Lord of War (2005)
  21. Love & Other Drugs (2010)
  22. Love Story (1970)
  23. Lucky Number Slevin (2006)
  24. Lucy (2014)
  25. Lust, Caution (2007)
M
  1. The Magnificent Seven (1960)
  2. Magnolia (1999)
  3. The Manchurian Candidate (2004)
  4. The Man in the Iron Mask (1998)
  5. The Man who Knew too Much (1956)
  6. El Mariachi (1992) (Robert Rodriguez Desperado Collection)
  7. Mars Attacks (1996)
  8. The Matrix (1999)
  9. Max Havelaar (1976)
  10. Meester van de Zwarte Molen/Krabat (2008)
  11. Memento (2000)
  12. The Messenger (2009)
  13. Metropolis (1927)
  14. Michiel de Ruyter (2015)
  15. Milk (2008)
  16. Million Dollar Baby (2004)
  17. Minority Report (2002)
  18. The Mirror (1975) (Andrei Tarkovsky Collection)
  19. Misery (1990)
  20. The Mist (2007)
  21. Monster’s Ball (2001)
  22. Monster’s Inc. (2001)
  23. Monty Pyhton: Almost the Truth – The Lawyer’s Cut (2009) (The Complete Monty Pyhton 13-Disc Collection)
  24. Monty Python and the Holy Grail (1975) (The Complete Monty Pyhton 13-Disc Collection)
  25. Monty Python: Live at the Hollywood Bowl (1982) (The Complete Monty Pyhton 13-Disc Collection)
  26. Monty Python’s And Now for Something Completely Different (1971) (The Complete Monty Pyhton 13-Disc Collection)
  27. Monty Pyhton’s Flying Circus (seizoen 1t/m 4) (1969-1974) (The Complete Monty Pyhton 13-Disc Collection)
  28. Monty Python’s Life of Brian (1979) (The Complete Monty Pyhton 13-Disc Collection)
  29. Monty Python’s The Meaning of Life (1983) (The Complete Monty Pyhton 13-Disc Collection)
  30. Mother (2009)
  31. The Mummy (1932) (Horror 2DVD-pack)
  32. Munich (2005)
  33. Mulholland Drive (2001)
  34. Mutant Action (1993)
  35. My Name is Nobody (1973)
  36. Mysterious Skin (2004)
N
  1. The Naked Gun: From the Files of the Police Squad (1988) (The Naked Gun Trilogy 3DVD-Pack)
  2. The Naked Gun 2½: The Smell of Fear (1991) (The Naked Gun Trilogy 3DVD-Pack)
  3. The Naked Gun 33⅓: The Final Insult (1994) (The Naked Gun Trilogy 3DVD-Pack)
  4. National Treasure (2004)
  5. Natural Born Killers (1994)
  6. ‘Neath the Arizona Skies (1934) (John Wayne 3-Pack vol. 4)
  7. A Nightmare on Elm Street (1984) (A Nightmare on Elm Street Collection)
  8. A Nightmare on Elm Street 2: Freddy’s Revenge (1985) (A Nightmare on Elm Street Collection)
  9. A Nightmare on Elm Street 3: Dream Warriors (1987) (A Nightmare on Elm Street Collection)
  10. A Nightmare on Elm Street 4: The Dream Master (1988) (A Nightmare on Elm Street Collection)
  11. A Nightmare on Elm Street: The Dream Child (1989) (A Nightmare on Elm Street Collection)
  12. A Nightmare on Elm Street: Freddy’s Death (1991) (A Nightmare on Elm Street Collection)
  13. North by Northwest (1959)
  14. Now You See Me (2013)
O
  1. Oblivion (2013)
  2. Brother, Where Art Thou (2000)
  3. Ocean’s Eleven (2001)
  4. Once Upon a Time in Mexico (2003) (Robert Rodriguez Desperado Collection)
  5. Once Upon a Time in the West (1968)
  6. One Flew over the Cuckoo’s Nest (1975)
  7. Oorlogswinter (2008)
  8. The Others (2001)
P
  1. Padre Padrone (1977)
  2. Panic Room (2002)
  3. Pan’s Labrinth (2006)
  4. Paris, Texas (1984)
  5. Paths of Glory (1957)
  6. Pearl Harbor (2001)
  7. A Perfect Murder (1998)
  8. The Pianist (2002)
  9. Pirates of the Caribbean: The Curse of the Black Pearl (2003)
  10. Platoon (1986)
  11. De Poolse Bruid (1998)
  12. The Prestige (2006)
  13. The Princess Bride (1987)
  14. De Prins van Egypte (1998)
  15. Prometheus (2012) (Alien 6-film collection)
  16. Proof (2005)
  17. Psycho (1960) (The Alfred Hitchcock Essential) Collection)
  18. Public Enemies (2009)
  19. Pulp Fiction (1994)
Q
  1. Q & Q (seizoen 1&2) (1974-1976)
R
  1. Raging Bull (1980)
  2. The Reader (2008)
  3. Rear Window (1954) (The Alfred Hitchcock Essential Collection)
  4. Rebel Without a Cause (1955)
  5. Reservoir Dogs (1992)
  6. Ringu (1998)
  7. Rise of the Planet of the Apes (2011) (Planet of the Apes Trilogy Boxset)
  8. Rocky (1976) (Rocky Heavyweight Collection)
  9. Rocky II (1979) (Rocky Heavyweight Collection)
  10. Rocky III (1982) (Rocky Heavyweight Collection)
  11. Rocky IV (1985) (Rocky Heavyweight Collection)
  12. Rocky V (1990) (Rocky Heavyweight Collection)
  13. Rocky Balboa (2006) (Rocky Heavyweight Collection)
  14. The Rocky Horror Picture Show (1975)
  15. The Room (2003)
  16. Rope (1948)
S
  1. Sabotage (1936)
  2. Samba (2014)
  3. Saw (2004)
  4. Scarface (1983)
  5. Schindler’s List (1993)
  6. The Science of Sleep (2006) (Michel Gondry 2DVD-Pack)
  7. Se7en (1995)
  8. Seven Psychopaths (2012)
  9. Seven Samurai (1954)
  10. Seven Years in Tibet (1997)
  11. Shaun of the Dead (2004)
  12. The Shawshank Redemption (1994)
  13. Sherlock Holmes (2009)
  14. Sherlock Holmes: A Game of Shadows (2011)
  15. The Shining (1980) (The Stanley Kubrick Collection)
  16. Signs (2002)
  17. Sin City (2005)
  18. Sixth Sense (1999)
  19. Slumdog Millionaire (2008)
  20. Smoke (1995)
  21. Snowpiercer (2013)
  22. Solaris (1972) (Andrei Tarkovsky Collection)
  23. The Sound of Music (1965)
  24. Space Cowboys (2000)
  25. Spartacus (1960)
  26. Speed (1994)
  27. Spiderman: Homecoming (2017)
  28. Split (2017)
  29. Spongebob the Movie (2004)
  30. Stalker (1979) (Andrei Tarkovsky Collection)
  31. Stanley Kubrick: A Life in Pictures (2001) (The Stanley Kubrick Collection)
  32. Star Wars Episode IV: A New Hope (1977) (Star Wars Trilogy Boxset)
  33. Star Wars Episode V: The Empire Strikes Back (1980) (Star Wars Trilogy Boxset)
  34. Star Wars Episode VI: The Return of the Jedi (1983) (Star Wars Trilogy Boxset)
  35. State of Play (2009)
  36. Straw Dogs (1971)
  37. Sunset Boulavard (1950)
  38. Superman (1978) (The Superman & Batman Anthology 9-film collection)
  39. Superman II (1980) (The Superman & Batman Anthology 9-film collection)
  40. Superman III (1983) (The Superman & Batman Anthology 9-film collection)
  41. Superman IV: The Quest for Peace (1987) (The Superman & Batman Anthology 9-film collection)
  42. Superman Returns (2006) (The Superman & Batman Anthology 9-film collection)
T
  1. Taken (2008)
  2. Tarzan (1999)
  3. Taxi (1998)
  4. The Terminal (2004)
  5. Das Testament des Dr. Mabuse (1933) (The Complete Fritz Lang Mabuse Boxset)
  6. Thor (2011)
  7. Thor: The Dark World (2013)
  8. Thor: Ragnarok (2017)
  9. Three Billboards Outside Ebbing, Missouri (2017)
  10. Training Day (2001)
  11. Trainspotting (1996)
  12. Tropic Thunder (2008)
  13. True Romance (1993)
  14. Truth or Dare (2018)
  15. Twin Peaks (seizoen 1&2) (1990-1991)
  16. Twin Peaks: Fire Walk with me (1992) (David Lynch Boxset)
U
  1. Unbreakable (2000)
  2. Underground (1995)
  3. Der Untergang (2004)
  4. The Untouchables (1987)
  5. The Usual Suspects (1995)
V
  1. Vantage Point (2008)
  2. V for Vendetta (2005)
  3. Vertigo (1958) (The Alfred Hitchcock Essential Collection)
  4. The Village (2004)
  5. La Vita e Bella (1997)
  6. The Virgin Suicides (1999)
  7. Volver (2006)
W
  1. Wall Street (1987)
  2. Wanted (2008)
  3. War for the Planet of the Apes (2017) (Planet of the Apes Trilogy Boxset)
  4. War of the Worlds (2005)
  5. Wes Craven’s New Nightmare (1994) (A Nightmare on Elm Street Collection)
  6. Westworld (1973)
  7. What Women Want (2000)
  8. Whiplash (2014)
  9. Who Killed Captain Alex? (2010)
  10. Who’s Afraid of Virginia Woolf (1966)
  11. Wild at Heart (1990) (David Lynch Boxset)
  12. Wit Licht (2008)
  13. The Wolf of Wall Street (2013)
  14. The World is Funny (2012)
  15. The World’s End (2013)
Z
  1. Zazie dans le Metro (1960)
  2. Zwartboek (2006)
submitted by RealBotaram to Sardonicast [link] [comments]


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