Galilea montijo en h extremo 2009

[FH5] Spring Information Thread - Series 33

2024.05.16 19:10 CTV1225 [FH5] Spring Information Thread - Series 33

Hey everyone! Spring is here. It's almost the end of the Apex AllStars update, and Horizon Retrowave is around the corner! Let's enjoy the final week of Series 33 before Series 34 arrives.
Stay safe and have a great week ahead!  
A Super Wheelspin is available for completing the Super7 this week.  

Forzathon Shop

Note that the current Forzathon Shop will change on May 16th, 2024 @ 14:30 (UTC).

Festival Playlist Rewards

Hot Wheels Events - 7 Points

Exclusive to Hot Wheels Owners; the respective Academy Rank must be unlocked. Not required for Season Rewards, Series Completion, or the Min, Meet Max Achievement.  

Rally Adventure Events - 7 Points

Exclusive to Rally Adventure Owners; required for you to be Horizon Badlands Champion. Not required for Season Rewards, Series Completion, or the Min, Meet Max Achievement.  

Forzathon Weekly Challenge - 5 Points

Earn 80FP for completing the weekly challenge, double if you own La Casa Solariega. Must be done in sequence to count.

Forzathon Daily Challenges - 1 Point Each, 7 Points Total

Each challenge is open for 7 Days from 14:30 UTC of the start day. Earn 10FP per Challenge, double if you own La Casa Solariega.

Seasonal Events - 40 Points Total

The reward listed for Seasonal Championship events requires you to place 1st against at or above the Highly Skilled Drivatar difficulty setting; the Trial requires Unbeatable difficulty and is accessible after entering the Hall of Fame.  

Challenges - 5 Points Total

Monthly Events - 4 Points per Season (16 Points per Series)

GT Racers rush through Mexico roads in Apex AllStars.  
FH5 Release Notes: April 23rd, 2024  
Experience Track Toys in Forza Motorsport Update 8  
Forza Motorsport Update 8.0 Release Notes – May 13, 2024  
submitted by CTV1225 to forza [link] [comments]


2024.05.16 04:19 fganniversaries Fighting Game Anniversaries: Week 20 (May 13 - May 19)

Hey, yall. This is fganniversaries and apologies for missing last week; I genuinely thought that I posted for the week but turns out that I didn't upon looking. As per usual, I will be recapping anniversaries relating to fighting game announcements/releases this week. Like always, if I missed one, do please let me know in the comments. Here would be the following anniversaries:
May 13
May 14
May 15
May 16
May 17
May 18
May 19
May 20
submitted by fganniversaries to Fighters [link] [comments]


2024.05.16 04:18 fganniversaries Fighting Game Anniversaries: Week 20 (May 13 - May 19)

Hey, yall. This is fganniversaries and apologies for missing last week; I genuinely thought that I posted for the week but turns out that I didn't upon looking. As per usual, I will be recapping anniversaries relating to fighting game announcements/releases this week. Like always, if I missed one, do please let me know in the comments. Here would be the following anniversaries:
May 13
May 14
May 15
May 16
May 17
May 18
May 19
May 20
submitted by fganniversaries to u/fganniversaries [link] [comments]


2024.05.15 00:29 stlatos Ogma and Agni, PIE Fire Gods and Sun Gods

Ranko Matasovic reconstructed *Ogmiyos to explain the name of the Celtic god (Gaulish Ogmios, OIr Ogm(a)e, MW Euuyd \ Ewyð). He said that though *ogm > *ōm might be expected on the model of certain *ogn > *ōn, etc., *m and *n need not behave the same. This is true, but not very likely (nasals often behave the same way, especially concerning voicing). The other possible example of *seg(m)et- > OW seget-, MIr séimed ‘seed / descendants’ shows that *egm > *ēm DID occur, and though he wonders about the source of *-gm- here (*-met- is not a normal ending), *seg- is a known root, *og- is not. In cases like this, there is no reason to say an uncertain sound change is proven one way by an unknown root, and *gm of *Ogmiyos should be abandoned in favor of a different cluster. The only likely source is *Ongmiyos or *Omgmiyos, with later nasal dissimilation. That this occurred after leaving its mark in a sound change is also seen in *smamk^i- > *sme(m)gi- > Irish smeig ‘chin’, where *-mk- is needed to voice *k > g, but the 2nd *m must disappear before regular *emg > *ēg (Whalen 2024a). Two nasals are seen in Hittite zmankur, making it :
*smamk^ru- > *sma(m)k^ur- > Hittite zma(n)kur ‘beard’, šmankur-want- ‘bearded’
*smak^ru- > Sanskrit śmáśru-
*smak^ro- > Lithuanian smãkras ‘chin’
*smamk^i- > *sme(m)gi- > Irish smeig ‘chin’

The only similar word in PIE is *(e/o)ngni-s ‘fire’ (L. ignis, Li. ugnìs, Skt. agní-). Since this occurs in the name of the god Agni, similarities between them should be looked at. Since Ogma is called ‘sun-faced’ and Agni compared to the sun (or sometimes equivalent), Ogmios was equated with Hercules and Agni was said to do the same deeds as Indra (and their births were likely once the same), and both had odd tongues (Agni’s many tongues represented the flames, Ogmios’ tongue connected by chains to his followers represented his eloquent words binding them), there is a reasonable amount to compare.

Ogma is not described in extensive detail, but he is similar to Lug. Since several gods might be split into more (if they had multiple names), I will also consider this connection. Hercules is most similar to Cú Chulainn; if Ogma was an earlier name, then trying to find common elements in all 3 might help. Cú Chulainn’s real name was supposedly Sétanta ‘knowing the way’. If this was an epithet of a god, it would be for one associated with intelligence, not strength. Ogma is known for both, and Lug is skilled in many arts. One god of fighting strength and knowledge is possible, but 3 would e pushing it.

OIr Lug (Ir. Lugh, Lugu- in Gaulish) is likely related to a similarly “clever” god, Norse Loki. Since *g > k would be expected in Germanic, this could have some value in reconstructing *Lug-u- vs. *Lug-on-, but this would not be related to any meaningful PIE root. The primacy of regularity would require Lugu- ‘lynx’, but this seems like grasping at straws. It’s possible both are somehow related to *l(e)uk- ‘light’ (ON leygr ‘flame / fire’, Skt. roci- ‘light/ray/beam’). Loki’s connection to fire (such as his descent from lightning and a tree, like a forest fire) shows he was a once a god of fire, among others. His punishment is very similar to Prometheus’, who gave fire to man. In a myth (probably late) Loki has an eating contest with Logi (the personification of fire). Both Old Norse loga ‘flame’ and logi come from Indo-European *leuk- ‘bright, light’. If Loki came from the same root, the -k- would be unexplained. The cause could be found in Icelandic bingur ‘heap’, Norwegian bunga / bunka ‘small heap’. Seeing g > k in one word, also an old n-stem, suggests that PIE *kn > *gn > Gmc. *kn could be at work (as in *doik^no- > E. token), or that Gmc. *nK or *nKn was irregular (see below). Since n-stems had *-o:n in the nominative, but *-nos in the genitive, or similar inflection, a split of the older into two words later is possible:

*luko:n > *lugo:n > logi
*luknos > *lugnos > *luknos >> *luko:n > Loki

Sometimes *k > g in Celtic for no known cause (OIc. hafr ‘male goat’, L. caper, OIr. gabor), so there is no proof lug- did not come from *luk-. It is also possible that Lugu- is related to *lugh- in *lughra: > OW loyr, W. lloer ‘moon’, L. lūridus ‘pale yellow / wan / ghastly’, which would serve the same semantic purpose, even if from a separate root. It seems likely to me that *luk- and *lugh- would be related, since many IE roots are nearly identical except for voicing, such as *KaP- ‘hold’ > *ghabh-eH1 > L. habeō, *kap-ye- > L. capiō ‘seize/take’,*gab- > Arm. kapem ‘bind’.

Since *ogmos > OIr ogum ‘Ogham writing’ is an o-stem, 3 different endings would exist (legend says Ogmae created ogum). With this, that the PIE word is *(e/o)mgni(yo)- / *(e/o)ngmo- / etc. and not *(e/o)ngni-s ‘fire’ allows figures similar to Lug to be added, especially if they had no etymology before. With more nasal dissimilation *n-m > *n-w, Gmc. *Ingwaz, ON Yngvi, OE Ing (which were likely other names for Frey). For *ngm > *nkw, since Kümmel proposed outcomes of Gmc. *nK that were not governed by Verner’s Law, *nKn might be a special case, both possibly irregular. Since Ing was “seen first among the East Danes” and had a wagon that could move over water he resembles the sun and other Sun Gods with flying boats or chariots. This could have also originally been like Frey’s magic foldable ship Skíðblaðnir or Wade’s boat Guingelot.

It is not easy to determine an origin for *(e/o)ngmi(yo)-. However, since Agni shows many signs of being particularly associated with the domestic hearth, his female equivalent being *westu- ‘dwelling / home’ >> L. Vesta, G. Hestíā suggests a source for odd *-ngm-. If his name also came from ‘home’, a compound of *domyo- (Skt. dámya- ‘being in a house/homely’) could be *en+domyo- > *endmyo- ‘(that) which is within a house / hearth / focus’. With no other old examples, *ndm > *ngm seems possible. As for *(e/o)-, it could be optional rounding by *m in *emgnyo- > *omgniyo- (compare also optional e > o by KW in *penkWe > *kW- > O. *pompe ‘5’, L. quīnque; Ga. pempe-, *kWonkWe > OIr cóic ). If not, I have also considered it possible that PIE *(H)en ‘in(to)’ was actually more complicated. Consider :

*ent(e)ro- ‘interior (of body) / entrails / stomach / belly’ > éntera ‘entrails’, Arm. ǝnder-k’, Skt. antrá-m, OCS jętro ‘liver’
*endro- > Cz. jádro ‘kernel’

*wentri- ‘interior (of body) / entrails / stomach / belly’ > L. venter ‘belly / womb / entrails’
*wed(a)ro- > Li. vḗdaras ‘fish entrails’

Both groups mean the same thing, alternate *t / *d and *Tr / *TVr for no clear reason. Some of this might be contamination between similar stems, but, if not, it could be that *ewen ‘in’ existed, becoming *en when not stressed (or in quick speech, or as a clitic, etc.). If so, *ewen-taro- could become *ent(e)ro- / *went(a)ro- ‘interior (of body)’, maybe with optional assimilation of *e-e-a > *e-e-e and *ntr vs. *ndR (for optional *r pronounced as uvular *R, see Whalen 2024b). With this, *ewen- or *ewem- > *on- / *om- might be more likely, and the w of *Ingwaz could be original. Whatever the case, I feel many of these problems need more study.

Kümmel, Martin Joachim (2012) Das dünkt mich dunkel: Germanische etymologische Probleme
https://www.academia.edu/32282127

Matasović, Ranko (2009) Etymological Dictionary of Proto-Celtic
https://www.academia.edu/112902373

Whalen, Sean (2024a) Artemis and Indo-European Words for ‘Bear’
https://www.academia.edu/117037912

Whalen, Sean (2024b) Greek Uvular R / q, ks > xs / kx / kR, k / x > k / kh / r, Hk > H / k / kh (Draft)
https://www.academia.edu/115369292

submitted by stlatos to mythology [link] [comments]


2024.05.14 05:44 courtingdisaster Presenting the evidence: 17 May 2024

Presenting the evidence: 17 May 2024
Come one, come all, we're clooowning again! 🤡
Thanks to u/1DMod for posting the Jimmy Fallon video that led to me to start to connect the dots that other creators have noticed. Long story short, we're clowning for Stockholm N1 (maybe even night ✌️ as well), buckle up clowns!

✌️

First things first, May 17 is ✌️ fortnights after the release of TTPD on April 19. We know that Taylor is still throwing up peace signs which seems unnecessary if it only ever meant that there was a second part of TTPD. I think it's an indication that we haven't completely cracked that egg yet.
This photo was necessary for the post, ok

National/International Day Of

While these days aren't necessarily solid proof of anything, Taylor did release TTPD on Poetry & The Creative Mind Day and also released the ME! music video (ME! Out now!) on Lesbian Visibility Day so I think it's definitely worth investigating.
After publishing this post I was reading through the comments in this thread about easter eggs and was reminded by u/-periwinkle that some people predicted the Toe breakup date based on something Taylor mentioned in her NYU speech ("Part of growing up and moving into new chapters of your life is about catch and release"). 11 months later, the Toe breakup news came out on, you guessed it, National Catch and Release Day. More on the NYU speech later.
First, let's have a look at the holidays for May 17 that could be relevant:
  • Endangered Species Day - Does anyone remember the ✌️ trips to the zoo while in Sydney...? We also have the big cat imagery on her new 1989 outfit to consider. If you haven't read this incredible post by u/Funny-Barnacle1291, I'd urge you to stop clowning with me (just for a moment) and go and read it. Taylor's TikTok bio still reads, "this is pretty much just a cat account" which could be a surface level meaning of her posting videos of her cats, but we know miss Feline Enthusiast herself loves a layered meaning. She also compared herself to feeling, "a lot like being a tiger in a wildlife enclosure" in the Lover diaries she released (pictured below).
TNT at Sydney Zoo Paris N4 TikTok bio Lover diaries comparing herself to a tiger Sydney Zoo
  • National Pizza Party Day - I know I am personally still haunted by her Stephen Colbert interview on 13 April 2021. The interview starts with Colbert talking about Taylor's Versions and also talking about how he believes the song "Hey Stephen" is about him. What surprise song did we get on guitar Paris N3..? Important to note that this interview also talks about him "waiting tables on the lunch shift at Scoozi, an Italian restaurant in the River North area of Chicago, that, by the way, serves a really incredible slice of pizza." Taylor also goes on to say that the song is actually about Stephen King and Taylor then says "The Dark Tower series changed my life, plus The Shining, The Stand and don't even get me started on his short stories... Absolutely luminescent." This interview is obviously very strange and likely filled with easter eggs. We know that her mention of the River North area of Chicago was also the location of one of the TTPD murals that went up ahead of its release.
  • I've just seen this tweet which has beautifully tied in the new Red shirt that was premiered Paris N1 ("This is not Taylor's Version") with a quote from the Stephen Colbert interview, "This isn't about you, it's about pizza... See?" We can clearly see the mood board is about Stephen however she keeps only talking about the pizza. It feels like a Cassandra moment where we (Gaylors but Stephen in the interview) are recoginising all the Stephen pictures and the general public (Swifties) are only focused on the pizza because that's what Taylor is showing them (the public narrative featuring Travis Kelce). There was also this excellent post connecting the new Red shirt to a painting by René Magritte's titled, "The Treachery of Images". We then get "Treacherous" as a surprise song on Paris N4.
  • u/naked_blanket pointed out that there is a scene in the Lavender Haze music video "where a bunch of people are gathered around a pizza box."
  • I can't remember where I saw it now but I was reminded of the below photo of Taylor and Keleigh Teller. Keleigh posted this to her Instagram on 30 May 2023 along with 8 emojis. The importance of the 8s will be explained further down the post under the Stockholm heading but for now, pizza.
No... This is pizza
https://preview.redd.it/4ikx6teucd0d1.jpg?width=443&format=pjpg&auto=webp&s=6aec634e52a1083cccbcaefcb78227f2fe8db793
ME! Out soon 😉
  • National Graduation Tassel Day - Taylor was awarded with an honorary doctorate at NYU in 2022. We know that her speech at this event was filled with “Midnights” easter eggs including lyrics to “Labyrinth” and “You're On Your Own, Kid”. I wonder what other easter eggs are hidden in this speech...? Here's a link to the video and you can also read the full transcript here. I'm not going to do any further digging into this one right now, just presenting it as evidence but please feel free to note anything of importance in the comments. I do want to note here though that I recently saw a video where Taylor was leaving TTPD easter eggs while doing promo for Red TV (maybe an ATW10MV short film interview?) so I don't think it's out of the question that this speech contains TTPD (and beyond) easter eggs. I'll link the video if I can find it again.
Dr Taylor Alison Swift
These chemicals hit me like whiiiiite wiiiiine
https://preview.redd.it/97pt3mzrdi0d1.jpg?width=529&format=pjpg&auto=webp&s=2c30a7fb9079ba73680babe83b44f756a48c0c9f

Direct 17/5 easter eggs

  • Tokyo N3 - One of the surprise songs during Tokyo N3 was "The Outside". This excellent video by Kristen (underthepink7 - go follow her, she's amazing) goes into some additional easter eggs that I'm not going to go into here but definitely worth a watch (which also connects to "Down Bad"). What I do want to talk about though is what Taylor said when she introduced the song. Here's a video of the performance including her speech beforehand where she says, "this song is 175 years old." At the time most people thought that it was an egg for number of days leading us to 2 August 2024. It could still be referring to this however I'm starting to believe it's related to the date.
  • Date format - Before we go any further, it's important to note that the date format in Europe (where the Eras Tour currently is) goes DD/MM/YY. This is why I think the 175 could be a date as that equates to May 17 in Europe.
  • Tokyo N4 - On 10 February 2024, the surprise songs in Tokyo were "Come In With The Rain" (track 17) and "You're On Your Own, Kid" (track 5), another 175 and in this case it's specifically 17/5.
  • Anti-Hero music video - There's been some really interesting analysis that I've seen on Twitter where the timestamps in Taylor's recent music videos appear to be lining up with the date of things happening in real life. Underthepink7 and Kiturakk on Twitter have pointed out some interesting connections to the numbers 175 in the "Anti-Hero", "Bejeweled" and "Willow" music videos. I'll admit this could be considered a bit of a stretch but what if I told you none of it was accidental...
Is Taylor using timestamps in her self-directed music videos to refer to dates in real life?

Important days in history

These could be nothing, could be something, still worth noting:
Important events in history that may be important to Taylor

Important events in the TSCU on this day

  • "Bad Blood" music video premiered at the Billboard Awards
  • Entertainment Weekly where Taylor is on the cover with a rainbow pin and gravestone that says "I tried" is published
  • City of Lover concert (i.e. Taylor's Lover concert performed in Paris) airs on ABC for the first time
I think we're about to recreate her sparkling summer

Stockholm

  • 88th show - Taylor made a point to let everyone know that Paris N4 was the 87th show of the tour. Yes, 87 is Travis' number, but what if it was also to let everyone know that Stockholm will feature both her 88th and 89th shows? Obviously 89 is an important number to her as it's the year she was born, however last year we saw Taylor embracing double dates (5/5 Speak Now TV announcement, 7/7 Speak Now TV release - there's probably others, that's all I remember off the top of my head) so I don't think it's a stretch to say that the 88th show would hold significance to her. I saw this thread on Twitter yesterday regarding "portal dates" and while obviously this is referring to dates, I can see "portal shows" being potentially noteworthy. Following on from this, Kristen has highlighted some Taylor Nation tweets that include the words "17" or "May" with one of those tweets being posted on 8/8 (while quoting "Betty" of all songs...) which Kristen notes is the karmic number representing resurrection and regeneration (tweets pictured below).
  • I was reading through the comments in the Jimmy Fallon video thread and u/cookiechipchocolate reminded me that one of Kanye's albums is titled "808s & Heartbreak". Could be a sly reference to her 88th show however I'll admit this is a bit more of a stretch connection that I've made.
  • In the same thread, I saw this comment from u/taytopancakes noting that the day after is "said to be the most magical/lucky day of the year" which just so happens to also be Taylor's 89th show of the Eras Tour. I'd say the stars are certainly starting to align!
  • Following on from the Keleigh Teller pizza photo on 30 May 2023 that has 8 emojis that I shared above, the other big thing Keleigh contributed to the TSCU in 2023 is her quote of, "you're my Elizabeth Taylor" in the video she shared where she gave Taylor that opal and blue topaz ring for her 34th birthday. This quote always stuck out to me. I know that Elizabeth Taylor had many husbands so I looked it up and, you guessed it, she had 8 husbands (7 different men). It's also interesting to note that the first thing that comes up when you google "opal signficance" is "the opal has long been considered a lucky and protective talisman" which connects back to the TTPD announcement post that Taylor tweeted on 5 February 2024.
  • u/slugs_instead and u/chickadee323 also pointed out that we have been seeing a lot of infinity symbols lately; we've seen the infinity symbols everywhere from The Man wall, jewelry Taylor wears, the Karma music video and most recently in the stage visuals for "Down Bad". An infinity symbol turned on its side looks like an 8. I believe the infinity symbol represents Taylor's cycle of death and rebirth, "I rise up from the dead, I do it all the time" and "I'm getting tired even for a phoenix, always risin' from the ashes". What better way to signify the two sides of Taylor than two infinity symbols side-by-side, i.e. 88. Important thing I want to note - I just went and watched the footage of the "Down Bad" infinity symbol that I linked above and it stops just before completing - she's still on the journey, the cycle is not yet complete.
Deep portal, time travel
https://preview.redd.it/a28zn1akid0d1.jpg?width=1237&format=pjpg&auto=webp&s=e2b4751ac3530892d8a17d3c5ca1bbea8a1f5ee9
  • Beyoncé - The Renaissance World Tour kicked off on 10 May 2023 in Stockholm at the very same stadium that Taylor is performing in next weekend. To me it would make sense to start a tour named Renaissance in Italy, where the Renaissance originated not in Sweden... We've seen Taylor and Beyoncé supporting each other a lot in the last year and Beyoncé's producer recently said, "let's just say she's on the approach of shocking the world." We know she's on her own three-act journey at the moment (complete with queer-flagging in her shows and her own Biyoncé rumours) so I don't think this quote is directly related to Cowboy Carter but potentially regarding the culmination of her arc. Is it possible that her arc lines up with Taylor's creating a supernova that will change the industry forever?
Taylor & Bey supporting each other at their respective film premieres, a literal pride flag on the Renaissance Tour (it's actually just Chiefs colours, phew!)
  • Taylor recorded songs in Stockholm - Kristen notes that many of Taylor's important singles were recorded in Stockholm including "I Knew You Were Trouble", "Shake It Off", "Blank Space", "Bad Blood", "Ready For It" and "New Romantics". Perhaps this city holds a special place in her heart?
  • One Direction - paging u/1DMod to go into more detail here however noting that One Direction has a song called "Stockholm Syndrome" and the lyrics are very interesting indeed ("I used the light to guide me home"). Checkout this recent post by u/1DMod regarding the possible Larry connections to TTPD.
  • Friends Arena - The stadium in Stockholm is called the Friends Arena. Taylor had a Friends pin on her jacket on the Entertainment Weekly cover. Was this stadium always supposed to play an important role? Kristen also notes that the opening ceremony took place on 27 October 2012 (obviously 27 October is the day that 1989 was released, both times) and Elton John played there on 13 December 2010 (who had his own journey down the yellow brick road and people refused to see his queerness for years even though he was in screaming colour).

New Romantics

Kristen, who I have referenced in nearly every part in this post (again, she's amazing, go follow her), has a mass coming-out theory that she has dubbed the New Romantics. I highly recommend checking out her content on Twitter and TikTok and she's also recently launched a podcast that you can read more about here for more information on this theory. Essentially the theory is that a large number of artists in the entertainment industry are queer and are working together as a "safety in numbers" type approach to coming out of the closet and potentially changing the industry in a monumental way.
Let's have a look at some players that are relevant to either May 17 or Stockholm (or both in one person's case!):
  • Zayn - This is the person who is relevant to both May 17 and Stockholm! Obviously he was part of One Direction who I spoke about above as having a song titled "Stockholm Syndrome". Did you know his new album "The Closet" "The Room Under The Stairs" is being released this Friday, May 17? Again, I'll leave this to u/1DMod to add any additional relevant information as this is not my area of expertise but from what I understand, all members have their own queer rumours.
  • Billie Eilish - Recently out as a girl kisser, Billie Eilish is also releasing an album on this day titled "Hit Me Hard and Soft" featuring a song called "Lunch" that would leave even the most homophobic Swiftie unable to defend her queerness if released by Taylor.
  • Madison Beer - Madison is out as bi. Her tour, The Spinnin Tour, began 24 February 2024 in Stockholm (a different venue though).

Theories as to what exactly is coming

Karma is REAL
  • Coming Out - I personally don't believe she would come out during a show in Stockholm, however it's worth at least noting as a possibility. It would mean that she was "out" before Pride Month 😉 She did just sing "Begin Again" as a surprise song in Paris N4 - is she beginning again as her authentic self at the very next show?
  • Music Video - I know we thought we were getting a second music video for TTPD a fortnight after the album was released, however maybe that's what all this easter egging is for. I personally think it's something much bigger than that however will be very excited to dissect another music video! u/allie_lacey noted in this comment that Florence has recently said that she has "just got done filming with Taylor". A Florida!!! music video is something that a lot of us have been clowning for recently but I'd love to point to this comment by u/-periwinkle in particular as I think they've made a really good point about the mirrorball jellyfish which makes me think we will get a music video for this song at some point.
  • Book - The creator of the video that u/1DMod initially posted believes that Taylor is announcing a book on 17 May 2024 with it to be released on 21 October 2024. I'm not going to go into this theory in detail however if you are interested in finding out more about what they have to say, here are a couple of videos of theirs (video 1, video 2, video 3).
Is this another easter egg that she laid 3 years ago?

In Summation

Something is happening in Stockholm. I don't know why exactly but it is THE ONE to watch.
I think it would be interesting to revisit the NYU speech, Karma music video, Stephen King, photos from the Uno parties and the Lover era in general for further hints as to what's coming. I think the key is going to be working together due to a comment that Questlove (yes, the one who throws the Uno parties) left on one of Kristen's videos. Here's a link to the video, the top comment is his.
Regardless, I'll be there talking smack in the megathread on Friday and keeping an eye out for any new "Chiefs" colours. See you there, clowns!
Who's clowning with me?! 🤡🤡🤡
Edit: I'll be making some additions to this post as people have been making incredible connections already, thank you! These will be noted as a new bulletpoint to try and keep it transparent as to what has been added. As I'm researching I'm also making new connections of my own that I will also add as separate bulletpoints.
submitted by courtingdisaster to GaylorSwift [link] [comments]


2024.05.13 09:17 Total-Interview82 Day trip to Tardisland?

Day trip to Tardisland? submitted by Total-Interview82 to DoctorWhumour [link] [comments]


2024.05.11 13:31 devoid0101 New Kp-like planetary geomagnetic activity indices: Hourly (Hp60) and half-hourly (Hp30) indices

New Kp-like planetary geomagnetic activity indices: Hourly (Hp60) and half-hourly (Hp30) indices
It looks like we touched upon KP11, a G6 storm (if such a thing existed). Serious solarmax spaceweather
“The geomagnetic Hpo index is a Kp-like index with a time resolution of half an hour, called Hp30, and one hour, called Hp60. besides that, the Hpo index is not capped at 9 like Kp, but is an open ended index that describes the strongest geomagnetic storms more nuanced than the three-hourly Kp, which is limited to the maximum value of 9. Next to the Hpo we also provide the linear apo index (ap30 and ap60). The Hpo index was developed in the H2020 project SWAMI and is described in Yamazaki et al (2022).
Abstract The geomagnetic activity index Kp is widely used but is restricted by low time resolution (3-hourly) and an upper limit. To address this, new geomagnetic activity indices, Hpo, are introduced. Similar to Kp, Hpo expresses the level of planetary geomagnetic activity in units of thirds (0o, 0+, 1−, 1o, 1+, 2−, …) based on the magnitude of geomagnetic disturbances observed at subauroral observatories. Hpo has a higher time resolution than Kp. 30-min (Hp30) and 60-min (Hp60) indices are produced. The frequency distribution of Hpo is designed to be similar to that of Kp so that Hpo may be used as a higher time-resolution alternative to Kp. Unlike Kp, which is capped at 9o, Hpo is an open-ended index and thus can characterize severe geomagnetic storms more accurately. Hp30, Hp60 and corresponding linearly scaled ap30 and ap60 are available, in near real time, at the GFZ website (https://www.gfz-potsdam.de/en/hpo-index).
Key Points New Kp-like planetary geomagnetic activity indices, Hpo, are presented
Hourly (Hp60) and half-hourly (Hp30) indices are available from GFZ website
Hpo indices are open-ended without the upper limit at 9o
Plain Language Summary The geomagnetic activity index Kp is a measure of planetary geomagnetic activity, expressed in units of thirds (0o, 0+, 1−, 1o, 1+, 2−, …9o). Kp is widely used in the space physics community, as it is known to be a good proxy of the solar-wind energy input into the magnetosphere-ionosphere-thermosphere system. Kp has two important limitations. One is the temporal resolution. Kp is a three-hourly index, so that temporal features within 3 hr are not resolved. The other is the upper limit of the index. Kp does not exceed a maximum value of 9o, so that under extremely disturbed conditions, geomagnetic activity is not accurately represented. We introduce a group of new geomagnetic activity indices Hpo that overcomes these limitations. Hpo is designed to represent planetary geomagnetic activity in a similar way as Kp but with higher temporal resolution and without the upper limit at 9o. This paper describes the production of 30-min (Hp30) and 60-min (Hp60) indices, and demonstrates their properties in comparison with Kp. Hpo indices since 1995, including near-real-time values, are distributed through the GFZ website (https://www.gfz-potsdam.de/en/hpo-index).
1 Introduction Variations in the solar wind cause changes in electric currents that flow in the magnetosphere and ionosphere. The associated changes in the magnetic field can be observed using magnetometers on the ground. There exist various types of geomagnetic indices to monitor the intensity of geomagnetic disturbance associated with solar wind variations (Mayaud, 1980). The Kp index is one of the most widely used indices of geomagnetic activity. The derivation, application and historical background of Kp are detailed in Matzka, Stolle, et al. (2021), and thus are described here only briefly.
Kp is derived from K indices (Bartels et al., 1939) evaluated at 13 subauroral observatories from both northern and southern hemispheres. A K index expresses geomagnetic activity on a scale of 0–9 at each observatory for a given 3-hourly interval of the UT day (00–03, 03–06, …, 21–24 UT). It is based on the range of geomagnetic disturbance over the 3-hourly interval, which may contain geomagnetic pulsations (McPherron, 2005; Saito, 1969), bays associated with substorms (McPherron, 1970; Lyons, 1996), sudden storm commencements and sudden impulses (Araki, 1994), geomagnetic storm main phase (Gonzalez et al., 1994) and solar-flare and eclipse effects (Yamazaki & Maute, 2017). K is designed to have a similar frequency distribution regardless of observatory, and thus it does not depend on latitude. K indices are converted to standardized Ks indices, which take into account the influence of seasonal and UT biases. Kp is the average of the 13 Ks indices expressed in units of thirds (0o, 0+, 1−, 1o, 1+, 2−, …, 9o), thus it represents planetary, rather than local, geomagnetic activity. The complete time series of the definitive Kp index since 1932 and nowcast indices for the most recent hours are available from the Kp website at Deutsches GeoForschungsZentrum GFZ (https://www.gfz-potsdam.de/en/kp-index/) with a digital object identifier (DOI; Matzka, Bronkalla, et al., 2021). Real-time Kp forecasts (Shprits et al., 2019) based on solar wind data are also available from the GFZ website (https://spaceweather.gfz-potsdam.de/products-data/forecasts/kp-index-forecast).
The Kp index has a wide range of applications in space physics studies. For example, Kp can be used to select undisturbed data from the measurements obtained from the magnetosphere, ionosphere or thermosphere to determine their climatological base states (e.g., Drob et al., 2015; Fejer et al., 2008). Kp is also often used for modeling the geospace response to solar wind variations. Just to give a few examples, Kp is used to drive the 3-D Versatile Electron Radiation Belt model (Subbotin et al., 2011), the Whole Atmosphere Community Climate Model with thermosphere and ionosphere extension (WACCM-X; Liu et al., 2018) and the Naval Research Laboratory Mass Spectrometer Incoherent Scatter radar empirical atmospheric model (Emmert et al., 2021), among many other models of the magnetosphere, ionosphere and thermosphere. Thomsen (2004) argued that what makes Kp so useful is its sensitivity to the latitudinal distance from the Kp stations to the equatorial edge of auroral currents, which is tightly linked to the strength of magnetospheric convection.
Kp has two important limitations. One is the temporal resolution. Kp cannot resolve temporal features within 3 hr. For example, the onset of geomagnetic disturbance determined by Kp could be off from the actual onset by up to 3 hr. This could be an issue when Kp is used to drive a geospace model, because the state of the magnetosphere, ionosphere and thermosphere can change significantly within the 3-hr interval. As a compromise, some models use interpolated Kp values as input data, for example, thermospheric density models (Vallado & Finkleman, 2014), WACCM-X (Liu et al., 2018). The other limitation of Kp is its upper limit at 9o. Kp is not able to quantify geomagnetic activity after it reaches 9o. Extreme geomagnetic storms involving Kp = 9o are not necessarily equally strong in terms of geomagnetic disturbance. Extrapolated values of Kp above 9o are sometimes used for a better representation of geomagnetic activity during severe geomagnetic storms (e.g., Shprits et al., 2011).
The objective of this paper is to introduce a new group of Kp-like geomagnetic indices. The indices are collectively called Hpo, where “H” stands for half-hourly or hourly, “p” for planetary, and “o” for open-ended. Hpo has been conceived and developed under the EU Horizon 2020 project, Space Weather Atmosphere Model and Indices (SWAMI; Jackson et al., 2020). Hpo is designed to represent planetary geomagnetic activity in a similar manner as Kp but with higher time resolution and without an upper limit, to overcome the limitations of Kp described above. The derivation of 30-min (Hp30) and 60-min (Hp60) indices is outlined in Section 2, and their basic properties are described in Section 7.
2 Derivation of Hpo Hpo indices are derived using 1-min magnetic data from the same 13 subauroral observatories as Kp (see Section 2.2 of Matzka, Stolle, et al., 2021). Time series of Hpo starts from the year 1995, because 1-min digital data are not available from all the observatories before 1995. The procedure for deriving Hpo is similar to that for nowcast Kp described in Matzka, Stolle, et al. (2021), involving the steps described below.
2.1 Evaluation and Removal of Quiet Curve
Records of the geomagnetic field from a ground station contain regular quiet daily variation and geomagnetic disturbance (Chapman & Bartels, 1940). The estimation of the quiet curve for Hpo is based on the Finnish Meteorological Institute method (Sucksdorff et al., 1991), which uses 1-min data from the previous day, present day, and subsequent day. The quiet curve is obtained for the northward X and eastward Y components of the geomagnetic field, and subtracted from the corresponding data, which leaves geomagnetic disturbance.
2.2 Evaluation of the Magnitude of Geomagnetic Disturbance
The magnitude of geomagnetic disturbance is evaluated for every 30-min interval for Hp30 and 60-min interval for Hp60. For a given time interval, the range of geomagnetic disturbance (i.e., maximum minus minimum value) is compared with the maximum absolute value of geomagnetic disturbance, and the larger value of the two is adopted as the magnitude of geomagnetic disturbance. This contrasts with the derivation procedure for Kp, which always uses the range of geomagnetic disturbance. We found that this modification of the procedure improves the compatibility between Hpo and Kp. The magnitude of geomagnetic disturbance is obtained for the X and Y components, and the larger value is used in the next step.
2.3 Evaluation of H30 and H60 Indices
H30 and H60 indices are analogous to K indices for Kp, and are collectively called H herein. For the evaluation of K, an observatory-specific table is used for converting the magnitude of geomagnetic disturbance (in nT) to an integer K value (0–9). An example of the conversion table for the Niemegk observatory can be found in Table 1. New tables have been created for each observatory that convert the magnitude of geomagnetic disturbance to an H value (0–9). This was done, for each observatory, by generating a conversion table for H in such a manner that the frequency distribution of H is as similar as possible to the frequency distribution of K. The construction of the conversion tables for H is based on the geomagnetic data during 1995–2017, which were all the available data when the construction of Hpo was initiated. The conversion table for H30 and H60 for Niemegk is presented in Table 1. Furthermore, extended conversion tables are produced in order to allow H to go beyond 9. In the extended conversion tables, the maximum value of H is unlimited. The lower limit for H = 10 is given by the lower limit of H = 9 multiplied by a factor of 1.35. The lower limit of H = 11 is given by the lower limit of H = 10 multiplied by a factor of 1.30, and the lower limit of H = 12 is given by the lower limit of H = 11 multiplied by a factor of 1.20. For values of H greater than 12, the multiplication factor will be always 1.20, so that H can be defined no matter how large the magnitude of geomagnetic disturbance is. These multiplication factors were determined on a trial-and-error basis so that the behavior of the final Hpo index above 9o will be compatible with those of other open-ended indices (see Section 7).
Table 1. Lower Limits of H30, H60, and K for the Niemegk Observatory Index 0 1 2 3 4 5 6 7 8 9 H30 (nT) 0 2.16 4.46 8.89 17.9 33.9 65.7 119 190 267 H60 (nT) 0 2.97 6.11 12.1 24.3 44.7 82.7 144 218 337 K (nT) 0 5.00 10.0 20.0 40.0 70.0 120 200 330 500 2.4 Evaluation of Hp30 and Hp60 Indices
H indices are converted to standardized Hs indices using the same method for converting K to Ks. The conversion tables can be found in the Supporting Information of Matzka, Stolle, et al. (2021). The conversion of H to Hs minimizes the influence of seasonal and UT biases. Finally, the average of the 13 Hs indices is converted into Hpo values in units of thirds (0, 1/3, 2/3, 1, 4/3, 5/3, 2, …) in analog fashion as with the nowcast Kp (see Section 3.3 of Matzka, Stolle, et al., 2021) and expressed as (0o, 0+, 1−, 1o, 1+, 2−, …) following the convention for Kp. The Hpo value is derived using the H indices evaluated with the conversion tables capped at 9 (like the one shown in Table 1). If this initial Hpo value is 9o, all the H indices are re-evaluated using the extended conversion tables, in which H can go beyond 9, to re-calculate Hpo. This ensures that Hpo and Kp behave similarly up to 9− (and differently only at 9o and above).
Like Kp, Hpo indices are a quasi-logarithmic, rather than linear, measure of geomagnetic activity, and thus are not suitable for basic arithmetic operations such as addition and multiplication. To avoid this issue, linearly scaled ap30 and ap60 indices (collectively called apo) are produced for Hp30 and Hp60, respectively, by using the table that is used for producing ap from Kp (Matzka, Stolle, et al., 2021) but extending its higher end in a similar manner as the extension of H tables above 9. The relationship between Hpo and apo is illustrated in Figure 1a. Like ap, values of apo correspond to half the magnitude of geomagnetic disturbance at Niemegk.
Details are in the caption following the image Figure 1 Open in figure viewer PowerPoint (a) The relationship between Hpo and apo. (b–j) Frequency distributions of the occurrence of Kp, Hp60, and Hp30 values for different years. (k) Monthly mean values of ap, ap60, and ap30 during 1995–2020. The total sunspot number is also indicated.
Hp30 and Hp60, along with their corresponding ap30 and ap60, are archived since 1995 and available, in near real time, from the GFZ website (https://www.gfz-potsdam.de/en/hpo-index) with DOI (https://doi.org/10.5880/Hpo.0002) under the CC BY 4.0 license (Matzka et al., 2022, for data publication).
3 Some Properties of Hpo The frequency distributions of the occurrence of Hp30, Hp60, and Kp values are compared in Figures 1b–1j for every 3-year interval from 1995 to 2021. The distribution pattern of Kp is different in different solar cycle phases. For instance, during the solar minimum years 2007–2009 (Figure 1f) and 2019–2021 (Figure 1j), the occurrence rate of low Kp values (e.g., Kp ≤ 1o) is appreciably higher than during the solar maximum years 2001–2003 (Figure 1d) and 2013–2015 (Figure 1h). Hp30 and Hp60 reproduce different distribution patterns of Kp well, even for the later years not used in the construction of the conversion tables defining the H indices. The agreement of Hp30 and Hp60 with Kp during 2018–2021 (Figure 1j) suggests that the conversion tables for H indices are valid beyond the period 1995–2017.
The linearly scaled ap30 and ap60 indices are suitable for assessing average geomagnetic activity over a certain period. Monthly mean values of ap30 and ap60 are plotted in Figure 1k. They are in good agreement with monthly mean ap, showing 11-year solar-cycle variation. The sunspot number is also displayed in Figure 1k for comparison. Geomagnetic activity is known to be highest during the declining phase of solar cycle due to the effects of recurrent high speed solar wind streams (Lockwood et al., 1999).
In Figure 2, Hp30 (top), Hp60 (middle), and Kp (bottom) are compared with other geospace indices. The left panels show comparisons with Newell's coupling function (Newell et al., 2007), which is a measure of the energy input from the solar wind into the magnetosphere. The coupling function was derived using OMNI 5-min solar wind data (King & Papitashvili, 2005). Panels in the middle and right columns show comparisons with AE and PC indices, respectively. The AE index is a measure of auroral electrojet activity based on geomagnetic field measurements in the auroral region. The PC index represents geomagnetic activity in the polar region (Troshichev et al., 1988). Following Stauning (2007), the average of the PC indices from the northern (PCN) and southern (PCS) hemispheres were calculated using non-negative values. For comparisons with Hpo and Kp indices, 5-min solar wind data and 1-min AE and PC indices were averaged over every 30-min intervals. Hp60 and Kp are assumed to remain the same within their temporal windows. The solar wind data were shifted by 20 min to account for the delay due to energy transfer from the bow shock to the ionosphere (Manoj et al., 2008).
Details are in the caption following the image Figure 2 Open in figure viewer PowerPoint Dependence of (a–c) Hp30, (d–f) Hp60, and (g–i) Kp on (a, d, g) Newell's solar-wind coupling function, (b, e, h) AE index, and (c, f, i) PC index. For the PC index, the average of the northern (PCN) and southern (PCS) indices is used, considering only their positive values. In each panel, black dots indicate the average of the solar-wind coupling function, AE or PC index at each Hpo or Kp value (0o, 0+, 1−, …, 9−), with error bars representing the standard deviation and the green curve representing the best-fitting third-order polynomial function for Hpo or Kp below 9o. The gray dots in panels (a–f) are individual data points for Hpo ≥9o, and the yellow dot is their average value.
The solar-wind coupling function, AE and PC indices averaged at each value of Hpo and Kp from 0o to 9− are indicated in Figure 2 by black dots, with error bars representing the standard deviation. Curves in green show the best-fitting third-degree polynomial function for Hpo and Kp below 9o. The fitted curves for Hp30, Hp60, and Kp are similar to each other. The results suggest that for Hpo <9o, the dependence of Hp30 and Hp60 on the solar-wind coupling function, AE and PC indices is consistent with that of Kp. For Hpo ≥9o, the number of data points is rather small, and thus the average solar-wind coupling function, AE and PC indices were not calculated for each Hpo value. Instead, a single average value was derived using all the data corresponding to Hpo ≥9o (gray dots), which is indicated by the yellow dot in each panel of Figures 2a–2f. It is seen that the average value falls near the polynomial curve derived from the data for Hpo <9o. The results suggest that Hp30 and Hp60 can represent geomagnetic activity for Hpo ≥9o in the manner expected from their behavior for Hpo <9o.
The behavior of Hpo at its high end is further illustrated in Figure 3 based on five geomagnetic storm events. The selected geomagnetic storms are those in November 2003, March 2001, October 2003, November 2004, and July 2002, which are the five most intense geomagnetic storms during the period considered in this study (1995–2021) according to the minimum value of the Dst index. The left panels show time series of Hp30, Hp60, and Kp, as well as the Dst index, over a 7-day interval, in which the third day corresponds to the storm main phase. The temporal evolution of Kp is generally well captured by Hp30 and Hp60. Variations within 3 hr are seen in Hp30 and Hp60, which are not resolved by Kp. The maximum values of Hp30, Hp60, Kp, and the minimum value of Dst are (9−, 9−, 9−, and −422) for the November 2003 event, (10o, 10−, 9−, and −387) for the March 2001 event, (12−, 12−, 9o, and −383) for the October 2003 event, (11−, 9−, 9−, and −374) for the November 2004 event and (11o, 11o, 9o, and −300) for the July 2002 event. Thus, according to Hpo, the October 2003 event is the strongest among the five. Hpo ≥9o is seen mainly during the storm main phase, when the Dst index rapidly decreases. The right panels compare the 3-hourly mean of Hp30 (calculated from ap30) and Kp. The correlation is rather good; the correlation coefficient r is greater than 0.98 in all cases. Similarly good correlation is found for the comparison between 3-hourly mean of Hp60 and Kp (not shown here). These results suggest that Hpo can represent geomagnetic activity in a similar way as Kp even during the strongest geomagnetic storms.
Details are in the caption following the image Figure 3 Open in figure viewer PowerPoint (a, c, e, g, i) Time series of Kp, Hp60, Hp30, and Dst over a 7-day interval during strong geomagnetic storm events. Zero in the horizontal axis corresponds to 00 UT of the day with the storm main phase. (b, d, f, h, j) Comparison of Kp and three-hourly average of Hp30 during the strong geomagnetic storm events. The 3-hourly average of Hp30 is derived from the corresponding values of ap30. The correlation coefficient r is also indicated.
To provide some insight into variations of Hp30 and Hp60 within 3 hr, Figure 4 depicts the response of ap30, ap60, and ap to isolated substorms. The substorm onset list based on the technique described by Newell and Gjerloev (2011a) was obtained from the SuperMAG website (https://supermag.jhuapl.edu/). We selected isolated substorm events where there is no other substorm onset in the preceding 6 hr and following 12 hr. A total of 1947 isolated substorm events have been identified during 1995–2018. Figure 4a shows the variation of the AE index averaged over those substorm events. The average AE index peaks approximately 1 hr after the onset, and decays gradually to go back to the pre-onset level in 3–4 hr. The average ap30 and ap60 indices (Figures 4b and 4c) show the increase and decrease of geomagnetic activity that occur within 3 hr around the substorm onset. ap (Figure 4d) is not able to fully resolve such a short-term variation due to its low time resolution. The results suggest that variation of Hpo within 3 hr can contain physically meaningful information, which is not resolved by Kp.
Details are in the caption following the image Figure 4 Open in figure viewer PowerPoint Superposed epoch analysis of (a) AE, (b) ap30, (c) ap60, and (d) Kp over 1947 isolated substorm events identified during 1995–2018 based on the method of Newell and Gjerloev (2011a). Error bars represent the standard error of the mean. Zero in the horizontal axis corresponds to the substorm onset.
4 Summary and Outlook We have described a group of new open-ended geomagnetic activity indices Hpo. Hourly (Hp60) and half-hourly (Hp30) indices, along with their linearly scaled counterparts (ap30 and ap60), are available in near real time from the GFZ website (https://www.gfz-potsdam.de/en/hpo-index) with DOI (Matzka et al., 2022). Important properties of Hpo that are revealed by our initial analysis can be summarized as follows: The frequency distributions of the occurrence of Hp30 and Hp60 values are consistent with that of Kp at different phases of the solar cycle (Figures 1a–1i).
Month-to-month variations of Hp30 and Hp60 are consistent with that of Kp (Figure 1k).
The relationships between Hpo indices and Newell's solar wind coupling function, AE and PC indices are similar to those between Kp and these three quantities.
Hp30 and Hp60 can capture temporal variation of Kp during strong geomagnetic storm events (Figure 3).
Hp30 and Hp60 can reproduce short-term variation of geomagnetic activity within 3 hr associated with substorms (Figure 4).
These results demonstrate that Hpo can be used as a higher time-resolution alternative to Kp. Indeed, there are already a few studies that utilized Hpo for its advantage over Kp. Yamazaki et al. (2021) used Hp30 to select quiet-time measurements of the geomagnetic field from Swarm satellites. The orbital period of a Swarm satellite is approximately 90 min, thus using Hp30, geomagnetic activity can be evaluated for every one third of the orbit, while there is only one Kp value for every two orbits. The high-cadence output of Hpo enables a more accurate selection of quiet-time data than the three-hourly Kp index. Bruinsma and Boniface (2021) used Hp60 to drive a recent version of the Drag Temperature Model, DTM-2020, which is a semi-empirical model of the Earth's thermosphere, developed for orbit determination and prediction of spacecraft and debris. They showed that the use of Hpo leads to the improvement of the model compared with the predecessor model DTM-2013 (Bruinsma, 2015) that is driven by Kp. Similarly, Hpo may be used for improving other geospace models driven by Kp. Recalibration and validation are recommended when Hpo is used as an input for existing models that are parameterized with Kp.
submitted by devoid0101 to Heliobiology [link] [comments]


2024.05.11 08:43 CaptainMawii Skill ceiling for heavy is really low, huh?

Skill ceiling for heavy is really low, huh?
It's like my second time playing with the flame thrower. And I rarely play heavy. OP AF.
submitted by CaptainMawii to thefinals [link] [comments]


2024.05.11 08:04 Night_Fev3r @EbonyPrince2k24 backups, in case they're deleted.

@EbonyPrince2k24 backups, in case they're deleted.
CONTEXT & TL;DR:
An X / Twitter created May '24 posted a video that shows off the items from the ' meet the grahams' cover art.
The white Popular Jewelry receipt is physically blocked by a Nadine Ghosn card on the cover art. In a video posted by Ebony Prince, the blocked portion is revealed to be a link to a digital copy of the receipt. The digital receipt matches the details (prices and date) of the physical one, seemingly proving the items are not replicas.
The account seemingly wants to sell the items, but Drake/Akademiks claim of them being stolen has made this difficult. They are also taking Etherium (ETH, cryptocurrency) offers for a 30s security footage clip of Drake allegedly doing something bad.
They have publicly threated Drake/Akadmiks with legal action if they do not retract their theft accusations before "noon Monday 5/13/24" (time zone unknown, assumed NYC).
However, aside from the first video: they have not posted any proof to backup any of their claims. Every new post leads people to theorize on the alleged clues, but again they have not been backed with any proof.
That is where we currently are as of 5/12/24 06:30 PM PST.

THE TOO LONG / SEE FAQ BELOW BEFORE ASKING FOR CLARIFICATION
May 12 06:00 PM PST - I am still archiving their Twitter account continuously, I have every tweet plus attached media saved. Waiting to do an all-in one upload, or until they upload hard proof of anything like with the 'meet the graham' cover items.
PS: if mods unpin, they aren't censoring. Don't blame them for wanting to keep Kendrick's latest song pinned in addition to their usual daily discussion thread (reddit only allows two pinned posts per sub or one pinned comment per thread). This is supposed to be a music sub, not a conspiracy one.
View using new.reddit.com or the official mobile app to view captions under the media for reddit hosted content.
Disclaimer: to avoid breaking sitewide rules that would get this post/account deleted, I will not be listing any names/information of non-public persons. I will also attempt to keep this post objective and documentative, rather than speculative or conspiratorial. Notes are for clarity of misunderstood information.
Disclaimer: I am not a mod, they simply chose this post to pin/use as a megathread. reddit mods cannot edit titles or the content of this post; not trying to give them a hard time by adding theories to this, just reputably sourced information from articles, etc.
Content mirror includes:
  • Cropped screenshot of all Twitter posts.
  • Cropped screenshot of who they follow.
  • Unaltered files (including names) of X banner, profile picture and media content.
  • html of their X page.
Mirrors (warning without ad blockers these sites may have fake download links):
First two mirrors were removed. Probably due to high traffic or mass reporting. Google Drive deletes for both those reasons, too. Only includes raw Set 1 files. I am still saving their more recent posts, but will not bother uploading them until they post proof instead of vague text or this is all finished.
Timeline / reddit-hosted backups:
Set 1
X banner.
X profile picture.
First post at 3:35 PM · May 10, 2024 (PST)
https://twitter.com/EbonyPrince2k2 4/status/1789061624852013566

Second post at 4:07 PM · May 10, 2024 (PST)
https://twitter.com/EbonyPrince2k24/status/1789069835868967336

Third post at 5:38 PM · May 10, 2024 (PST)
https://twitter.com/EbonyPrince2k24/status/1789092657794371766
#1. King @kendricklamar is not a liar, and I am not a thief!
#2. Mr. Aubrey Graham (@Drake) & Mr. Livingston Allen (@Akademiks) have until noon Monday 5/13/24 to retract your claims of theft, or my attorney Ms. Adrienne Edward and I will exhaust every legal option available.
Fourth post at 6:25 PM · May 10, 2024 (PST)
https://twitter.com/EbonyPrince2k24/status/1789104508754162091
To Mr. Aubrey Graham (@Drake), may this photo help jog your memory as to where you discarded those items. The issue in the photo should also jog your memory. Jimmy Brooks would not have been proud of you that night...
Their liked posts.
Set 2
⚠ Sets 2 and newer are not accompanied by any proof. Keep a skeptical mind when viewing them. ⚠
4:56 AM · May 11, 2024 (PST)
https://twitter.com/EbonyPrince2k24/status/1789263365841277222?t=3_odEyHy03tbALd-ZLeZ-Q&s=19

5:17 AM · May 11, 2024 (PST)
https://twitter.com/EbonyPrince2k24/status/1789268486780281300?t=JcJibnBHQFh40Bb7j9FLWQ&s=19
5:37 AM · May 11, 2024 (PST)
https://twitter.com/EbonyPrince2k24/status/1789273689369796961?t=43y6rWVpC6VR1Q3lPzf1mQ&s=19
Set 3

11:33 AM · May 11, 2024 (PST)
https://twitter.com/EbonyPrince2k24/status/1789363298690912407
11:44 AM · May 11, 2024 (PST)
https://twitter.com/EbonyPrince2k24/status/1789365922064482533
Two Black American Men became unemployed at this exact moment. And you made an enemy...

12:09 PM · May 11, 2024 (PST)
https://twitter.com/EbonyPrince2k24/status/1789372362414022833
https://t.co/JwvxzUJlkT
What Nino Said???
Children of Harlem Stand Up!
P.S.: "We Don't Wanna Hear You Say Nigga No More"
Nor any of the rest of you foreign culture appropriating savages...

1:10 PM · May 11, 2024 (PST)
https://twitter.com/EbonyPrince2k24/status/1789387682155557175
How do we know you're "Not Like Us"???
We never come back after we curse out the service providers...

⚠ Important Information / FAQ ⚠
I'll update as more information is found by myself or others.
Video items in order of appearance
Notes:
The laptop is not the same as the one seen in J Cole's recent beach photo.
The Popular Jewelry online receipt is also non-itemized. The online receipt code was physically blocked by the Nadine Ghosn card in 'meet the grahams' cover art, seemingly proving the receipt and other items are not replicas. The purchaser is "Drew Ferguson" who was an OVO affiliate. Their current relationship is seemingly unknown.
Jimmy Brooks
Jimmy Brooks would not have been proud of you that night...
Jimmy Brooks is the name of the 'Degrassi: The Next Generation' character Aubrey (Drake) Graham played. Drake played was on the show from 2001-2009 for 145 episodes.
Notably the character Jimmy Brooks ends up wheelchair-bound.
Degrassi: The Next Generation (TV Series 2001–2015) - IMDb
Christopher Alvarez
The "baby" in the "stroller" is a disabled adult in a mobility wheelchair. Believed to be Christopher Alvarez, a NYC journalist who appeared in a viral video with DJ Khaled.
DJ Khaled Finds Friendship's the Key When It Comes to This Fan (tmz.com)
Christopher Alvarez, M. S. LinkedIn
Conflicting dates
Dates printed on the Popular Jewelry receipts are dated July 2023, while the security footage screenshot is timestamped January 2023. This on its own does not prove a hoax:
...may this photo help jog your memory as to where you discarded...
The post could be a visual hint directed at Drake and not a claim that Drake lost the 'meet the grahams' cover items on that specific date.
The Mark Hotel
The apparent CCTV footage shows Drake, Christopher Alvarez, and two currently unidentified men in the lobby of The Mark Hotel.
The still image of the footage is timestamped January 22, 2023 03:19:03 AM EDT (?).
The luxury hotel is in close proximity to the Apollo Theater and Barclays Center, where Drake performed during that month.
The Mark Hotel - Wikipedia
Kendrick Lamar NY penthouse
The video showing off Drake's items, as seen on the 'meet the grahams' cover, was allegedly taken from the same building as Kendrick Lamar's penthouse.
Initial rumors claim the view lines up exactly with Kendrick's penthouse room. The views do seem to line up with the building itself at the very least? See notes below.
Kendrick Lamar Buys a Penthouse on the Brooklyn Waterfront - The New York Times
Kendrick Lamar's Brooklyn Penthouse
Pierhouse at Brooklyn Bridge Park NYC Real Estate Brokerage
Notes:
The video from EbonyPrince2k24 matches a balcony from Harriet's Rooftop & Lounge.
Assuming the photos of Kendrick's penthouse are still accurate, the video from the post was not taken from there. The railing and floor of the balconies do not match.
The Pierhouse penthouse and Harriet's Lounge seemingly share the same building according to Google Maps. Or are at least two separate buildings that are physically connected.
The Historical House of Ebony
The first two X posts include a poster for a dance performance and a logo (?), both belonging the the titular house.
The poster comes from an Instagram post (November 19, 2023) by a performative "ballroom house" of the same name.
The House of Ebony was featured in an HBO Max show titled 'Legendary,' where multiple houses competed for a prize of USD$100,000. They placed 6th place. The connection to Drake or Kendrick Lamar is seemingly unknown.
Legendary (TV series) - Wikipedia)
The source of the logo image has zero results through Google Image reverse search or through TinEye reverse image search.
X banner and profile picture
The banner is seemingly a logo for the House of Ebony as discussed above.
The profile picture is an icon of the "African-American Flag."
African-American Flag - Wikipedia
submitted by Night_Fev3r to KendrickLamar [link] [comments]


2024.05.10 23:22 Lamorosii The K-Pop Index: COOL Edition (Artist Discovery & Discussion)

Hello Everyone!
Continuing with our journey through K-Pop history...we've come to our first ever mixed group! Maybe not the first in Korea's history, but in the sense of K-Pop? Pretty darn close! And on top of that? They are one of the longest lastest groups in the genre, overall. They debuted in 1994 and consistently released at least one album a year (8 tracks minimum) until 2006. They slowed down quite a bit after, releasing two more albums in 2008 and 2009. After that? Three singles over 6 years and have been pretty quiet ever since.
This group actually surprised me during this write-up. Their discography intimated me, as it's definitely one of the biggest ones I've tried to tackle. One of the main reasons I kind of avoided it. Fortunately, or unfortunately depending on how you look at it, it was pretty easy to do. Despite having quite the hefty amount of material to sift through, there is a SURPRISING lack of material for this group. I don't know if that's just how the group worked or if history preservation for this group was abysmal. You'll notice that near the end of their discography, there are little to no links except for the music. There just...isn't any. There are like...4 solid albums with no live performances, which strikes me as odd.
Regardless, this is a bit of a departure for the genre. In an era where K-Pop was still searching for it's identity, this particular group took a softer approach. A vast majority of their music I would classify as easy listening. They have exceptions, of course, but if you want more on the line of ballad/R&B? You'll probably like a lot of what they have to offer.
Any fans here? Anybody else wish mixed groups were a thing that people liked nowadays?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1st Korean Studio Album: The [Ku:l]
Release Date: July 10, 1994

Song Title Music Video Live Performance
1. The (Ku:l) Prologue -- --
2. 너이길 원했던 이유 Official Music Video KBS Performance
3. 사랑의 끝 -- --
4. 이젠 (R & B) -- --
5. 그냥 그런 이야기 -- --
6. 잊을 수 있어 -- Performance
7. 이젠 (Reggae) -- Performance
8. 자유속으로 -- --
9. AM0432 -- --
10. 이젠 (Inst.) -- --

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2nd Korean Studio Album: The [Ku:l] II
Release Date: October 10, 1995

Song Title Music Video Live Performance
1. 프롤로그 -- --
2. 작은 기다림 Official Music Video MBC Performance
3. 나만의 자유 -- Performance
4. 슬퍼지려 하기 전에 -- MBC Performance
5. 너이길 원했던 이유 Ⅱ -- --
6. 나의 기도 -- --
7. 비밀의 연인 -- --
8. 이젠 -- --
9. 작은 기다림 (Inst.) -- --

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3rd Korean Studio Album: Destined For The Best
Release Date: November 1, 1996

Song Title Music Video Live Performance
1. 루시퍼의 변명 -- MBC Performance
2. 운명 Official Music Video KBS Performance
3. 너의 집 앞에서 -- --
4. 현실+상상 -- --
5. 너의 지나간 사랑 -- --
6. 결별 -- --
7. 짧은 사랑 -- --
8. 지금까지 -- --
9. 슬퍼지려 하기 전에 -- Performance
10. 너의 집앞에서 (Inst.) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1st Korean Special Album: Summer Story
Release Date: July 1, 1997

Song Title Music Video Live Performance
1. 해변의 여인 Official Music Video MBC Performance
2. 송인 -- MBC Performance
3. 있을때 잘해 -- --
4. 지금까지 -- --
5. 너의 지나간 사랑 -- --
6. 잊을수 있어 -- --
7. 진주 조개잡이 -- --
8. 슬퍼지려 하기 전에 -- --
9. 너의 집 앞에서 -- --
10. 해변의 여인 (Remix) -- --
11. 있을 때 잘해 (Remix) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4th Korean Studio Album: Cool 4
Release Date: April 1, 1998

Song Title Music Video Live Performance
1. 그대 그리워지는 이밤에 -- Performance
2. 애상 Official Music Video Performance
3. 변명 Official Music Video Music Camp Performance
4. 영원한 비밀 -- --
5. 날아 날아 -- --
6. 클라멘타인 -- --
7. 북에서 온 민숙이 -- --
8. 친구가 연인이 되기까지 -- --
9. 또자 - 쿨쿨 -- KBS Performance
10. 오토리버스 -- --
11. 지난 슬픔 버리고 -- --
12. 북에서 온 민숙이 (Sam ver.) -- --
13. 한 장의 추억 -- --
14. 애상 (MR) -- --
15. 북에서 온 민숙이 (MR, Bonus Track) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2nd Korean Special Album: Cool 4.5
Release Date: January 23, 1999

Song Title Music Video Live Performance
1. 슬퍼지려 하기전에 -- --
2. 십계 (십계명) Official Music Video Performance
3. 미절 (Misery) -- Performance
4. 날아 날아 (사브리나 보이스의 랩 인용) -- --
5. 나의 바램 -- --
6. 친구가 연인이 되기까지 -- --
7. 북에서 온 민숙이 -- --
8. 클레멘타인 -- --
9. 송인 -- --
10. 눈속의 여인 (해변의 여인 Remake) -- --
11. 애상 -- --
12. 약속 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5th Korean Studio Album: 해석남녀
Release Date: April 25, 2000

Song Title Music Video Live Performance
1. Cool Night -- MBC Performance
2. Love Letter -- --
3. 해석남녀 Official Music Video SBS Performance
4. Skin Ship -- --
5. 5분전 -- --
6. 웨딩데이 -- --
7. 맥주와 땅콩 Official Music Video MBC Performance
8. 칼로리 -- --
9. 사랑의 이름으로 -- --
10. 비연 -- --
11. All For You -- --
12. 바람의 아들 -- --
13. 늦었음을 -- --
14. 매끈한 여자 -- --
15. All For You Guitar -- KBS Performance
16. 오랜 친구에게 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6th Korean Studio Album: Cool 6ix
Release Date: July 5, 2001

Song Title Music Video Live Performance
1. 좋은 세상 만들기 -- --
2. Jumpo Mambo Official Music Video KBS Performance
3. 오래된 연인 -- --
4. 비밀 -- --
5. 이별로 배운 사랑 -- --
6. 소중한 사람아 -- --
7. 애구애구 -- --
8. 믿어? 믿어! -- Performance
9. -- KBS Performance
10. Queen Of The Night -- --
11. You & I -- --
12. 하늘로 쓰는 편지 -- --
13. 천사에게 -- --
14. Someday -- KBS Performance
15. Weekend -- --
16. 친구가 된다는 건 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3rd Korean Special Album: First Whisper
Release Date: December 5, 2001

Song Title Music Video Live Performance
1. I Love You -- --
2. Tell Me Why -- --
3. White Christmas -- --
4. 아로하 Official Music Video Performance
5. 헤어지는 날 -- --
6. 그래서 행복합니다 Official Music Video --
7. 나의 바램 -- --
8. 소원 -- --
9. Love Again -- --
10. 하늘로 쓰는 편지 -- --
11. 아마 그댄 -- --
12. 웨딩전야 -- --
13. 그녀의 결혼식 -- --
14. 한장의 추억 -- --
15. 우리 이렇게 서로 스쳐 보내면 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7th Korean Studio Album: Cool 7even
Release Date: July 4, 2002

Song Title Music Video Live Performance
1. Intro -- --
2. 짚신커풀 -- --
3. 숙아 Official Music Video Performance
4. Sad Cafe -- MBC Performance
5. 남과 여 -- --
6. 울보 -- --
7. 좋은사람 -- --
8. 진실 Official Music Video MBC Performance
9. 고백가 -- --
10. Cheat -- --
11. Blue Eyes -- --
12. 여우비 -- --
13. 헤어짐에 관한 짧은 필름 -- --
14. Any Time -- --
15. 첫사랑을 만나다 -- --
16. 나밖에 모르던 내가 -- --
17. 그대는 다르겠죠 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4th Korean Special Album: Second Whisper
Release Date: December 12, 2002

Song Title Music Video Live Performance
1. 백설공주를 사랑한 일곱번째 난장이 Official Music Video --
2. 작년, 오늘 Official Music Video --
3. Sometimes -- --
4. If -- --
5. 산책 -- MBC Performance
6. 부디 -- --
7. 다시 -- --
8. This Song -- --
9. 청혼 -- --
10. 겨울이야기 -- --
11. 발자욱 -- --
12. 양치기 소년 -- --
13. 유리 공주 -- --
14. 작년 오늘 기차 -- --
15. 걱정이죠 Official Music Video --
16. Daring -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8th Korean Studio Album: COOL 8ight
Release Date: July 4, 2003

Song Title Music Video Live Performance
1. Cool Love -- Performance
2. One Summer Drive Official Music Video MBC Performance
3. 결혼을 할 거라면 Official Music Video MBC Performance
4. 못난이 -- --
5. 그대 행복을 빌어줄 순 없죠 -- --
6. 과거를 묻지 마세요 -- --
7. 바보야 -- --
8. 숟가락 두 개 -- --
9. 에덴의 동쪽 -- --
10. Beautiful People -- --
11. -- --
12. 2 Become 1 -- --
13. 섬집아기 -- --
14. 사랑 조리법 -- --
15. -- --
16. 괜찮아요 -- --
17. 추억이 오는 날 -- --
18. 못난이 (Guitar ver.) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5th Korean Special Album: Third Whisper
Release Date: December 17, 2003

Song Title Music Video Live Performance
1. Blue Moon -- --
2. 떠나야만 했나요? Official Music Video --
3. 나는 유죄다 -- --
4. 당신에게 일어날 수 있는 일 -- --
5. 설야 -- --
6. 별과 나 (Notting Hill) -- --
7. 그래요 난 -- --
8. 약속할게요 (Promise) -- --
9. 겨울잠 -- --
10. Again -- --
11. 괜찮을 것 같아 -- --
12. 소곡 -- --
13. Last Christmas -- --
14. 겨울여행 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9th Korean Studio Album: 9th Performance: Let‘s See What‘s Happening Now
Release Date: July 19, 2004

Song Title Music Video Live Performance
1. 친구찾기 Official Music Video --
2. Jingle Love Song (청춘에서 황혼까지) -- --
3. 사랑노래 -- --
4. 아가씨와 건달들 Official Music Video --
5. 그대, 20m, 나 -- --
6. Now I Know -- --
7. 5 땡 Q -- --
8. Turning -- --
9. 도시 바캉스 -- --
10. 등푸른 추억 -- --
11. Falling In Love -- --
12. 둘만의 비밀 -- --
13. 에게해에 지다 -- --
14. Solo -- --
15. 할 수 있는 건 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10th Korean Studio Album: Forever Cool 10th
Release Date: July 14, 2005

Song Title Music Video Live Performance
1. 이 여름 Summer Official Music Video --
2. 고백합시다 -- --
3. Sexy Summer Lady -- --
4. 애정의 조건 -- --
5. 너에게 가는 여행 -- --
6. 혼자인걸요 -- --
7. Goodbye (feat. MC 몽) -- --
8. 스트롱~맨 -- --
9. 널 잊는 날 -- --
10. 어머머 -- --
11. 널 잊는 연습 -- --
12. 단 하나의 둘 -- --
13. Promise -- --
14. The Fighter -- --
15. Friends -- --
16. 10 Years -- --
17. End... And -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6th Korean Special Album: Never Ending Story
Release Date: July 6, 2006

Song Title Music Video Live Performance
1. 오늘 하루 Official Music Video MBC Performance
2. 잘한거죠 -- --
3. 헤어지자 -- --
4. 아내에게 -- --
5. 사랑합니다 -- --
6. 도시의 바캉스 -- --
7. 둘만의 비밀 -- --
8. 스트롱 맨 -- --
9. 단 하나의 사랑 -- --
10. Good-Bye -- --
11. 아가씨와 건달들 -- --
12. 등 푸른 추억 -- --
13. 잘한거죠 (Inst.) -- --
14. 헤어지자 (Inst.) -- --
15. 아내에게 (Inst.) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7th Korean Special Album: Cool Returns
Release Date: July 25, 2008

Song Title Music Video Live Performance
1. BPM 140 -- --
2. Dance Dance -- --
3. 이별을 견디는 몇가지 방법 - --
4. 첫사랑 -- --
5. 보고 싶은데 -- Performance
6. 사랑을 원해 Official Music Video MBC Performance
7. 서울 구경 -- --
8. 바보 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
11th Korean Studio Album: COOL 11
Release Date: July 20, 2009

Song Title Music Video Live Performance
1. 보고보고 Official Music Video MBC Performance
2. In Your Eyes -- Mnet Performance
3. Kiss -- --
4. Happy Time -- --
5. 신발 -- --
6. Blue Night -- Performance
7. 선물 -- --
8. 헤어지나요 -- --
9. 달콤한 거짓말 -- --
10. Summer Melody -- --
11. I'm So Cool -- --
12. 고고씽 -- --
13. In Your Eyes (Guitar ver.) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1st Korean Single: 이별 앞에 서다
Release Date: August 2, 2013

Song Title
이별 앞에 서다
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2nd Korean Single: 한여름 밤의 고백
Release Date: July 21, 2015

Song Title
한여름 밤의 고백
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3rd Korean Single: 다 잘될 거야
Release Date: September 23, 2015

Song Title Music Video Live Performance
다 잘될 거야 Official Music Video --
submitted by Lamorosii to kpopnostalgia [link] [comments]


2024.05.10 23:17 Lamorosii The K-Pop Index: COOL Edition (Artist Discovery & Discussion)

Hello Everyone!
Continuing with our journey through K-Pop history...we've come to our first ever mixed group! Maybe not the first in Korea's history, but in the sense of K-Pop? Pretty darn close! And on top of that? They are one of the longest lasting groups in the genre, overall. They debuted in 1994 and consistently released at least one album a year (8 tracks minimum) until 2006. They slowed down quite a bit after, releasing two more albums in 2008 and 2009. After that? Three singles over 6 years and have been pretty quiet ever since.
This group actually surprised me during this write-up. Their discography intimated me, as it's definitely one of the biggest ones I've tried to tackle. One of the main reasons I kind of avoided it. Fortunately, or unfortunately depending on how you look at it, it was pretty easy to do. Despite having quite the hefty amount of material to sift through, there is a SURPRISING lack of material for this group. I don't know if that's just how the group worked or if history preservation for this group was abysmal. You'll notice that near the end of their discography, there are little to no links except for the music. There just...isn't any. There are like...4 solid albums with no live performances, which strikes me as odd.
Regardless, this is a bit of a departure for the genre. In an era where K-Pop was still searching for it's identity, this particular group took a softer approach. A vast majority of their music I would classify as easy listening. They have exceptions, of course, but if you want more on the line of ballad/R&B? You'll probably like a lot of what they have to offer.
Any fans here? Anybody else wish mixed groups were a thing that people liked nowadays?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1st Korean Studio Album: The [Ku:l]
Release Date: July 10, 1994

Song Title Music Video Live Performance
1. The (Ku:l) Prologue -- --
2. 너이길 원했던 이유 Official Music Video KBS Performance
3. 사랑의 끝 -- --
4. 이젠 (R & B) -- --
5. 그냥 그런 이야기 -- --
6. 잊을 수 있어 -- Performance
7. 이젠 (Reggae) -- Performance
8. 자유속으로 -- --
9. AM0432 -- --
10. 이젠 (Inst.) -- --

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2nd Korean Studio Album: The [Ku:l] II
Release Date: October 10, 1995

Song Title Music Video Live Performance
1. 프롤로그 -- --
2. 작은 기다림 Official Music Video MBC Performance
3. 나만의 자유 -- Performance
4. 슬퍼지려 하기 전에 -- MBC Performance
5. 너이길 원했던 이유 Ⅱ -- --
6. 나의 기도 -- --
7. 비밀의 연인 -- --
8. 이젠 -- --
9. 작은 기다림 (Inst.) -- --

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3rd Korean Studio Album: Destined For The Best
Release Date: November 1, 1996

Song Title Music Video Live Performance
1. 루시퍼의 변명 -- MBC Performance
2. 운명 Official Music Video KBS Performance
3. 너의 집 앞에서 -- --
4. 현실+상상 -- --
5. 너의 지나간 사랑 -- --
6. 결별 -- --
7. 짧은 사랑 -- --
8. 지금까지 -- --
9. 슬퍼지려 하기 전에 -- Performance
10. 너의 집앞에서 (Inst.) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1st Korean Special Album: Summer Story
Release Date: July 1, 1997

Song Title Music Video Live Performance
1. 해변의 여인 Official Music Video MBC Performance
2. 송인 -- MBC Performance
3. 있을때 잘해 -- --
4. 지금까지 -- --
5. 너의 지나간 사랑 -- --
6. 잊을수 있어 -- --
7. 진주 조개잡이 -- --
8. 슬퍼지려 하기 전에 -- --
9. 너의 집 앞에서 -- --
10. 해변의 여인 (Remix) -- --
11. 있을 때 잘해 (Remix) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4th Korean Studio Album: Cool 4
Release Date: April 1, 1998

Song Title Music Video Live Performance
1. 그대 그리워지는 이밤에 -- Performance
2. 애상 Official Music Video Performance
3. 변명 Official Music Video Music Camp Performance
4. 영원한 비밀 -- --
5. 날아 날아 -- --
6. 클라멘타인 -- --
7. 북에서 온 민숙이 -- --
8. 친구가 연인이 되기까지 -- --
9. 또자 - 쿨쿨 -- KBS Performance
10. 오토리버스 -- --
11. 지난 슬픔 버리고 -- --
12. 북에서 온 민숙이 (Sam ver.) -- --
13. 한 장의 추억 -- --
14. 애상 (MR) -- --
15. 북에서 온 민숙이 (MR, Bonus Track) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2nd Korean Special Album: Cool 4.5
Release Date: January 23, 1999

Song Title Music Video Live Performance
1. 슬퍼지려 하기전에 -- --
2. 십계 (십계명) Official Music Video Performance
3. 미절 (Misery) -- Performance
4. 날아 날아 (사브리나 보이스의 랩 인용) -- --
5. 나의 바램 -- --
6. 친구가 연인이 되기까지 -- --
7. 북에서 온 민숙이 -- --
8. 클레멘타인 -- --
9. 송인 -- --
10. 눈속의 여인 (해변의 여인 Remake) -- --
11. 애상 -- --
12. 약속 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5th Korean Studio Album: 해석남녀
Release Date: April 25, 2000

Song Title Music Video Live Performance
1. Cool Night -- MBC Performance
2. Love Letter -- --
3. 해석남녀 Official Music Video SBS Performance
4. Skin Ship -- --
5. 5분전 -- --
6. 웨딩데이 -- --
7. 맥주와 땅콩 Official Music Video MBC Performance
8. 칼로리 -- --
9. 사랑의 이름으로 -- --
10. 비연 -- --
11. All For You -- --
12. 바람의 아들 -- --
13. 늦었음을 -- --
14. 매끈한 여자 -- --
15. All For You Guitar -- KBS Performance
16. 오랜 친구에게 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6th Korean Studio Album: Cool 6ix
Release Date: July 5, 2001

Song Title Music Video Live Performance
1. 좋은 세상 만들기 -- --
2. Jumpo Mambo Official Music Video KBS Performance
3. 오래된 연인 -- --
4. 비밀 -- --
5. 이별로 배운 사랑 -- --
6. 소중한 사람아 -- --
7. 애구애구 -- --
8. 믿어? 믿어! -- Performance
9. -- KBS Performance
10. Queen Of The Night -- --
11. You & I -- --
12. 하늘로 쓰는 편지 -- --
13. 천사에게 -- --
14. Someday -- KBS Performance
15. Weekend -- --
16. 친구가 된다는 건 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3rd Korean Special Album: First Whisper
Release Date: December 5, 2001

Song Title Music Video Live Performance
1. I Love You -- --
2. Tell Me Why -- --
3. White Christmas -- --
4. 아로하 Official Music Video Performance
5. 헤어지는 날 -- --
6. 그래서 행복합니다 Official Music Video --
7. 나의 바램 -- --
8. 소원 -- --
9. Love Again -- --
10. 하늘로 쓰는 편지 -- --
11. 아마 그댄 -- --
12. 웨딩전야 -- --
13. 그녀의 결혼식 -- --
14. 한장의 추억 -- --
15. 우리 이렇게 서로 스쳐 보내면 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7th Korean Studio Album: Cool 7even
Release Date: July 4, 2002

Song Title Music Video Live Performance
1. Intro -- --
2. 짚신커풀 -- --
3. 숙아 Official Music Video Performance
4. Sad Cafe -- MBC Performance
5. 남과 여 -- --
6. 울보 -- --
7. 좋은사람 -- --
8. 진실 Official Music Video MBC Performance
9. 고백가 -- --
10. Cheat -- --
11. Blue Eyes -- --
12. 여우비 -- --
13. 헤어짐에 관한 짧은 필름 -- --
14. Any Time -- --
15. 첫사랑을 만나다 -- --
16. 나밖에 모르던 내가 -- --
17. 그대는 다르겠죠 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4th Korean Special Album: Second Whisper
Release Date: December 12, 2002

Song Title Music Video Live Performance
1. 백설공주를 사랑한 일곱번째 난장이 Official Music Video --
2. 작년, 오늘 Official Music Video --
3. Sometimes -- --
4. If -- --
5. 산책 -- MBC Performance
6. 부디 -- --
7. 다시 -- --
8. This Song -- --
9. 청혼 -- --
10. 겨울이야기 -- --
11. 발자욱 -- --
12. 양치기 소년 -- --
13. 유리 공주 -- --
14. 작년 오늘 기차 -- --
15. 걱정이죠 Official Music Video --
16. Daring -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8th Korean Studio Album: COOL 8ight
Release Date: July 4, 2003

Song Title Music Video Live Performance
1. Cool Love -- Performance
2. One Summer Drive Official Music Video MBC Performance
3. 결혼을 할 거라면 Official Music Video MBC Performance
4. 못난이 -- --
5. 그대 행복을 빌어줄 순 없죠 -- --
6. 과거를 묻지 마세요 -- --
7. 바보야 -- --
8. 숟가락 두 개 -- --
9. 에덴의 동쪽 -- --
10. Beautiful People -- --
11. -- --
12. 2 Become 1 -- --
13. 섬집아기 -- --
14. 사랑 조리법 -- --
15. -- --
16. 괜찮아요 -- --
17. 추억이 오는 날 -- --
18. 못난이 (Guitar ver.) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5th Korean Special Album: Third Whisper
Release Date: December 17, 2003

Song Title Music Video Live Performance
1. Blue Moon -- --
2. 떠나야만 했나요? Official Music Video --
3. 나는 유죄다 -- --
4. 당신에게 일어날 수 있는 일 -- --
5. 설야 -- --
6. 별과 나 (Notting Hill) -- --
7. 그래요 난 -- --
8. 약속할게요 (Promise) -- --
9. 겨울잠 -- --
10. Again -- --
11. 괜찮을 것 같아 -- --
12. 소곡 -- --
13. Last Christmas -- --
14. 겨울여행 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9th Korean Studio Album: 9th Performance: Let‘s See What‘s Happening Now
Release Date: July 19, 2004

Song Title Music Video Live Performance
1. 친구찾기 Official Music Video --
2. Jingle Love Song (청춘에서 황혼까지) -- --
3. 사랑노래 -- --
4. 아가씨와 건달들 Official Music Video --
5. 그대, 20m, 나 -- --
6. Now I Know -- --
7. 5 땡 Q -- --
8. Turning -- --
9. 도시 바캉스 -- --
10. 등푸른 추억 -- --
11. Falling In Love -- --
12. 둘만의 비밀 -- --
13. 에게해에 지다 -- --
14. Solo -- --
15. 할 수 있는 건 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10th Korean Studio Album: Forever Cool 10th
Release Date: July 14, 2005

Song Title Music Video Live Performance
1. 이 여름 Summer Official Music Video --
2. 고백합시다 -- --
3. Sexy Summer Lady -- --
4. 애정의 조건 -- --
5. 너에게 가는 여행 -- --
6. 혼자인걸요 -- --
7. Goodbye (feat. MC 몽) -- --
8. 스트롱~맨 -- --
9. 널 잊는 날 -- --
10. 어머머 -- --
11. 널 잊는 연습 -- --
12. 단 하나의 둘 -- --
13. Promise -- --
14. The Fighter -- --
15. Friends -- --
16. 10 Years -- --
17. End... And -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6th Korean Special Album: Never Ending Story
Release Date: July 6, 2006

Song Title Music Video Live Performance
1. 오늘 하루 Official Music Video MBC Performance
2. 잘한거죠 -- --
3. 헤어지자 -- --
4. 아내에게 -- --
5. 사랑합니다 -- --
6. 도시의 바캉스 -- --
7. 둘만의 비밀 -- --
8. 스트롱 맨 -- --
9. 단 하나의 사랑 -- --
10. Good-Bye -- --
11. 아가씨와 건달들 -- --
12. 등 푸른 추억 -- --
13. 잘한거죠 (Inst.) -- --
14. 헤어지자 (Inst.) -- --
15. 아내에게 (Inst.) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7th Korean Special Album: Cool Returns
Release Date: July 25, 2008

Song Title Music Video Live Performance
1. BPM 140 -- --
2. Dance Dance -- --
3. 이별을 견디는 몇가지 방법 - --
4. 첫사랑 -- --
5. 보고 싶은데 -- Performance
6. 사랑을 원해 Official Music Video MBC Performance
7. 서울 구경 -- --
8. 바보 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
11th Korean Studio Album: COOL 11
Release Date: July 20, 2009

Song Title Music Video Live Performance
1. 보고보고 Official Music Video MBC Performance
2. In Your Eyes -- Mnet Performance
3. Kiss -- --
4. Happy Time -- --
5. 신발 -- --
6. Blue Night -- Performance
7. 선물 -- --
8. 헤어지나요 -- --
9. 달콤한 거짓말 -- --
10. Summer Melody -- --
11. I'm So Cool -- --
12. 고고씽 -- --
13. In Your Eyes (Guitar ver.) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1st Korean Single: 이별 앞에 서다
Release Date: August 2, 2013

Song Title
이별 앞에 서다
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2nd Korean Single: 한여름 밤의 고백
Release Date: July 21, 2015

Song Title
한여름 밤의 고백
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3rd Korean Single: 다 잘될 거야
Release Date: September 23, 2015

Song Title Music Video Live Performance
다 잘될 거야 Official Music Video --
submitted by Lamorosii to kpopthoughts [link] [comments]


2024.05.10 22:40 Lamorosii 쿨 (Cool)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1st Korean Studio Album: The [Ku:l]
Release Date: July 10, 1994

Song Title Music Video Live Performance
1. The (Ku:l) Prologue -- --
2. 너이길 원했던 이유 Official Music Video KBS Performance
3. 사랑의 끝 -- --
4. 이젠 (R & B) -- --
5. 그냥 그런 이야기 -- --
6. 잊을 수 있어 -- Performance
7. 이젠 (Reggae) -- Performance
8. 자유속으로 -- --
9. AM0432 -- --
10. 이젠 (Inst.) -- --

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2nd Korean Studio Album: The [Ku:l] II
Release Date: October 10, 1995

Song Title Music Video Live Performance
1. 프롤로그 -- --
2. 작은 기다림 Official Music Video MBC Performance
3. 나만의 자유 -- Performance
4. 슬퍼지려 하기 전에 -- MBC Performance
5. 너이길 원했던 이유 Ⅱ -- --
6. 나의 기도 -- --
7. 비밀의 연인 -- --
8. 이젠 -- --
9. 작은 기다림 (Inst.) -- --

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3rd Korean Studio Album: Destined For The Best
Release Date: November 1, 1996

Song Title Music Video Live Performance
1. 루시퍼의 변명 -- MBC Performance
2. 운명 Official Music Video KBS Performance
3. 너의 집 앞에서 -- --
4. 현실+상상 -- --
5. 너의 지나간 사랑 -- --
6. 결별 -- --
7. 짧은 사랑 -- --
8. 지금까지 -- --
9. 슬퍼지려 하기 전에 -- Performance
10. 너의 집앞에서 (Inst.) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1st Korean Special Album: Summer Story
Release Date: July 1, 1997

Song Title Music Video Live Performance
1. 해변의 여인 Official Music Video MBC Performance
2. 송인 -- MBC Performance
3. 있을때 잘해 -- --
4. 지금까지 -- --
5. 너의 지나간 사랑 -- --
6. 잊을수 있어 -- --
7. 진주 조개잡이 -- --
8. 슬퍼지려 하기 전에 -- --
9. 너의 집 앞에서 -- --
10. 해변의 여인 (Remix) -- --
11. 있을 때 잘해 (Remix) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4th Korean Studio Album: Cool 4
Release Date: April 1, 1998

Song Title Music Video Live Performance
1. 그대 그리워지는 이밤에 -- Performance
2. 애상 Official Music Video Performance
3. 변명 Official Music Video Music Camp Performance
4. 영원한 비밀 -- --
5. 날아 날아 -- --
6. 클라멘타인 -- --
7. 북에서 온 민숙이 -- --
8. 친구가 연인이 되기까지 -- --
9. 또자 - 쿨쿨 -- KBS Performance
10. 오토리버스 -- --
11. 지난 슬픔 버리고 -- --
12. 북에서 온 민숙이 (Sam ver.) -- --
13. 한 장의 추억 -- --
14. 애상 (MR) -- --
15. 북에서 온 민숙이 (MR, Bonus Track) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2nd Korean Special Album: Cool 4.5
Release Date: January 23, 1999

Song Title Music Video Live Performance
1. 슬퍼지려 하기전에 -- --
2. 십계 (십계명) Official Music Video Performance
3. 미절 (Misery) -- Performance
4. 날아 날아 (사브리나 보이스의 랩 인용) -- --
5. 나의 바램 -- --
6. 친구가 연인이 되기까지 -- --
7. 북에서 온 민숙이 -- --
8. 클레멘타인 -- --
9. 송인 -- --
10. 눈속의 여인 (해변의 여인 Remake) -- --
11. 애상 -- --
12. 약속 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5th Korean Studio Album: 해석남녀
Release Date: April 25, 2000

Song Title Music Video Live Performance
1. Cool Night -- MBC Performance
2. Love Letter -- --
3. 해석남녀 Official Music Video SBS Performance
4. Skin Ship -- --
5. 5분전 -- --
6. 웨딩데이 -- --
7. 맥주와 땅콩 Official Music Video MBC Performance
8. 칼로리 -- --
9. 사랑의 이름으로 -- --
10. 비연 -- --
11. All For You -- --
12. 바람의 아들 -- --
13. 늦었음을 -- --
14. 매끈한 여자 -- --
15. All For You Guitar -- KBS Performance
16. 오랜 친구에게 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6th Korean Studio Album: Cool 6ix
Release Date: July 5, 2001

Song Title Music Video Live Performance
1. 좋은 세상 만들기 -- --
2. Jumpo Mambo Official Music Video KBS Performance
3. 오래된 연인 -- --
4. 비밀 -- --
5. 이별로 배운 사랑 -- --
6. 소중한 사람아 -- --
7. 애구애구 -- --
8. 믿어? 믿어! -- Performance
9. -- KBS Performance
10. Queen Of The Night -- --
11. You & I -- --
12. 하늘로 쓰는 편지 -- --
13. 천사에게 -- --
14. Someday -- KBS Performance
15. Weekend -- --
16. 친구가 된다는 건 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3rd Korean Special Album: First Whisper
Release Date: December 5, 2001

Song Title Music Video Live Performance
1. I Love You -- --
2. Tell Me Why -- --
3. White Christmas -- --
4. 아로하 Official Music Video Performance
5. 헤어지는 날 -- --
6. 그래서 행복합니다 Official Music Video --
7. 나의 바램 -- --
8. 소원 -- --
9. Love Again -- --
10. 하늘로 쓰는 편지 -- --
11. 아마 그댄 -- --
12. 웨딩전야 -- --
13. 그녀의 결혼식 -- --
14. 한장의 추억 -- --
15. 우리 이렇게 서로 스쳐 보내면 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7th Korean Studio Album: Cool 7even
Release Date: July 4, 2002

Song Title Music Video Live Performance
1. Intro -- --
2. 짚신커풀 -- --
3. 숙아 Official Music Video Performance
4. Sad Cafe -- MBC Performance
5. 남과 여 -- --
6. 울보 -- --
7. 좋은사람 -- --
8. 진실 Official Music Video MBC Performance
9. 고백가 -- --
10. Cheat -- --
11. Blue Eyes -- --
12. 여우비 -- --
13. 헤어짐에 관한 짧은 필름 -- --
14. Any Time -- --
15. 첫사랑을 만나다 -- --
16. 나밖에 모르던 내가 -- --
17. 그대는 다르겠죠 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4th Korean Special Album: Second Whisper
Release Date: December 12, 2002

Song Title Music Video Live Performance
1. 백설공주를 사랑한 일곱번째 난장이 Official Music Video --
2. 작년, 오늘 Official Music Video --
3. Sometimes -- --
4. If -- --
5. 산책 -- MBC Performance
6. 부디 -- --
7. 다시 -- --
8. This Song -- --
9. 청혼 -- --
10. 겨울이야기 -- --
11. 발자욱 -- --
12. 양치기 소년 -- --
13. 유리 공주 -- --
14. 작년 오늘 기차 -- --
15. 걱정이죠 Official Music Video --
16. Daring -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8th Korean Studio Album: COOL 8ight
Release Date: July 4, 2003

Song Title Music Video Live Performance
1. Cool Love -- Performance
2. One Summer Drive Official Music Video MBC Performance
3. 결혼을 할 거라면 Official Music Video MBC Performance
4. 못난이 -- --
5. 그대 행복을 빌어줄 순 없죠 -- --
6. 과거를 묻지 마세요 -- --
7. 바보야 -- --
8. 숟가락 두 개 -- --
9. 에덴의 동쪽 -- --
10. Beautiful People -- --
11. -- --
12. 2 Become 1 -- --
13. 섬집아기 -- --
14. 사랑 조리법 -- --
15. -- --
16. 괜찮아요 -- --
17. 추억이 오는 날 -- --
18. 못난이 (Guitar ver.) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5th Korean Special Album: Third Whisper
Release Date: December 17, 2003

Song Title Music Video Live Performance
1. Blue Moon -- --
2. 떠나야만 했나요? Official Music Video --
3. 나는 유죄다 -- --
4. 당신에게 일어날 수 있는 일 -- --
5. 설야 -- --
6. 별과 나 (Notting Hill) -- --
7. 그래요 난 -- --
8. 약속할게요 (Promise) -- --
9. 겨울잠 -- --
10. Again -- --
11. 괜찮을 것 같아 -- --
12. 소곡 -- --
13. Last Christmas -- --
14. 겨울여행 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9th Korean Studio Album: 9th Performance: Let‘s See What‘s Happening Now
Release Date: July 19, 2004

Song Title Music Video Live Performance
1. 친구찾기 Official Music Video --
2. Jingle Love Song (청춘에서 황혼까지) -- --
3. 사랑노래 -- --
4. 아가씨와 건달들 Official Music Video --
5. 그대, 20m, 나 -- --
6. Now I Know -- --
7. 5 땡 Q -- --
8. Turning -- --
9. 도시 바캉스 -- --
10. 등푸른 추억 -- --
11. Falling In Love -- --
12. 둘만의 비밀 -- --
13. 에게해에 지다 -- --
14. Solo -- --
15. 할 수 있는 건 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10th Korean Studio Album: Forever Cool 10th
Release Date: July 14, 2005

Song Title Music Video Live Performance
1. 이 여름 Summer Official Music Video --
2. 고백합시다 -- --
3. Sexy Summer Lady -- --
4. 애정의 조건 -- --
5. 너에게 가는 여행 -- --
6. 혼자인걸요 -- --
7. Goodbye (feat. MC 몽) -- --
8. 스트롱~맨 -- --
9. 널 잊는 날 -- --
10. 어머머 -- --
11. 널 잊는 연습 -- --
12. 단 하나의 둘 -- --
13. Promise -- --
14. The Fighter -- --
15. Friends -- --
16. 10 Years -- --
17. End... And -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6th Korean Special Album: Never Ending Story
Release Date: July 6, 2006

Song Title Music Video Live Performance
1. 오늘 하루 Official Music Video MBC Performance
2. 잘한거죠 -- --
3. 헤어지자 -- --
4. 아내에게 -- --
5. 사랑합니다 -- --
6. 도시의 바캉스 -- --
7. 둘만의 비밀 -- --
8. 스트롱 맨 -- --
9. 단 하나의 사랑 -- --
10. Good-Bye -- --
11. 아가씨와 건달들 -- --
12. 등 푸른 추억 -- --
13. 잘한거죠 (Inst.) -- --
14. 헤어지자 (Inst.) -- --
15. 아내에게 (Inst.) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7th Korean Special Album: Cool Returns
Release Date: July 25, 2008

Song Title Music Video Live Performance
1. BPM 140 -- --
2. Dance Dance -- --
3. 이별을 견디는 몇가지 방법 - --
4. 첫사랑 -- --
5. 보고 싶은데 -- Performance
6. 사랑을 원해 Official Music Video MBC Performance
7. 서울 구경 -- --
8. 바보 -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
11th Korean Studio Album: COOL 11
Release Date: July 20, 2009

Song Title Music Video Live Performance
1. 보고보고 Official Music Video MBC Performance
2. In Your Eyes -- Mnet Performance
3. Kiss -- --
4. Happy Time -- --
5. 신발 -- --
6. Blue Night -- Performance
7. 선물 -- --
8. 헤어지나요 -- --
9. 달콤한 거짓말 -- --
10. Summer Melody -- --
11. I'm So Cool -- --
12. 고고씽 -- --
13. In Your Eyes (Guitar ver.) -- --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1st Korean Single: 이별 앞에 서다
Release Date: August 2, 2013

Song Title
이별 앞에 서다
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2nd Korean Single: 한여름 밤의 고백
Release Date: July 21, 2015

Song Title
한여름 밤의 고백
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3rd Korean Single: 다 잘될 거야
Release Date: September 23, 2015

Song Title Music Video Live Performance
다 잘될 거야 Official Music Video --
submitted by Lamorosii to TheKPopIndex [link] [comments]


2024.05.10 10:23 stlatos Sound Changes in Sanskrit Mārtāṇḍá- / Átri- and arvīṣa- / ṛbī́sa- ‘volcano’ based on myths

https://www.academia.edu/118834217

Summarizing the sound changes within:

Átri was also ejected from his mother (Speech) early, descended alone, and had a second birth from a pit in the earth (Houben 2010), of a type said to be hot (Śrauta-Sūtras). He was saved from this pit by the Aśvins (likely given strengthening food (offerings to the gods, as usual) and insulated in snow (to protect him from the heat or to allow him to exit?, possibly analogous to the idea that the womb protected embryos from the mother’s stomach)). In another myth, Átri saved the sun. These seem to show that Átri was a name for Mārtāṇḍa, or both Sun Gods with the same myths told of them. If so, the unclear etymology of Átri-would be ‘fiery? / Sun?’, from PIE *HaHter-s > Av. ātar-š ‘fire’, Skt. athr-, L. āter ‘*burnt > black/somber’. If *-Htr- > -thr- was regular in Skt., then -tr- here would be analogy from the nominative.

The hot pit in the earth he was born from would then be a volcano, it was called arvīṣa- / ṛbī́sa- in Sanskrit, which has been seen by some as a non-IE loan (Kuiper) due to its apparently unnatural form. However, many native words in the Rig Veda also have alternation (for whatever reason), and based on the words for ‘volcano’ as ‘fire-mouth(ed)’ in later Indic (Hindi jvālāmukhī), the same type of compound would explain arvīṣa- as aruṣá- ‘red / fire-colored / glowing /sun / etc.’ + ās(án)- ‘mouth / face’ (either with dissimilation of ṣ-s > 0-ṣ or with later Skt. aru- ‘sun’). Since Skt. ās- came from PIE *HoHs- (L. ōs, ON óss ‘river mouth’), *-HHs(o)- > -īṣa- would appear in compounds, with many C- or n-stems > o-stems (Whalen 2024b). Since *-H- > -i-, it makes sense that *-HH- > -ī-. The alternation arvīṣa- / ṛbī́sa- needs to be explained whatever its origin, and either Middle Indic contamination or ṛbī́sa was borrowed from a related IIr. language that underwent the same changes (if one group not near volcanoes at the time). This would include the common merger of s / ṣ / ś, v / b, a > ǝ. Together:

*
aru- + ās- < *HaHs-
aru+HHsó-
aru+īsó-
arv+īsó-
arvīṣa-

or

*
aruṣá- + ās- < *HaHs-
aruṣ+HHsó-
aruṣ+īṣó-
aru+īṣó- dissimilation
arv+īṣó-
arvīṣa-

Skt. mārtāṇḍá- meant ‘mortal / man’ (Norelius) and was opposed to cows in a hymn. This would then be a very simple and generic name for the mythic ancestor of humanity. From this alone, since of his brother Garuḍá- / Garútmant- only Garútmant- has understandable IE cognates, it is likely contamination of a pair (like L. levis & gravis > *grevis) caused Garútmant- > *Garutāṇḍá- (if dissimilation of T-T occurred) or directly to Garuḍá- (depending on how extensive the original analogy was). Still, this depends on finding an origin for mārtāṇḍá- to be certain.

If Mārtāṇḍá- was equivalent to Av. Gaya- Marǝtan-, whose story is very close to Mārtāṇḍá’s (Norelius 2020), could both their names be derived from a common source? IIr. *marta- ‘mortal’ (Skt. márta-s, Av. maša-, G. mortós / brotós << PIE *mer(H)- ‘die’) might have formed a compound *marta-Hnar- ‘mortal man’ ( < *H2ner- ‘strong? / brave? / warrior / man’). In this case, dissimilation of r-r in the strong stem would create *marta-Hnar- > *marta-Hna-, in the weak stem before C *marta-Hnr̥- > *marta-Hn- / *marta:n-, & in the weak stem before V possibly *marta-Hnr- > *marta:nr- > *marta:ndr- > *marta:nd-. With this, *marta-Hn- / *marta:n- > Marǝtan- (with either *marta:n- becoming nom. *marta:n with analogy or metathesis of *H (as in Kümmel)). Since loss of *r / *l occasionally causes retroflexion in Skt., I see no problem in *marta:ndr- producing a vrddhi adj. *ma:rta:ndrá- becoming Mārtāṇḍá- (possibly with meaning ‘a mortal’ >> ‘mortal / man / (family) of mortals / the father of the line of men’).

Choke & Machoke (A. ṭṣ(h)oók & maṭṣoók) were 2 brothers (or father & son) who founded villages in Ashrit. According to local history (Liljegren 2009: 54-55), Choke son of Machoke was the ancestor of the (Palula/Achareta-speaking) people of Ashrit. There are different versions. According to Ahmad Saeed (Decker 1992: 71-72), they came from Chilas on the Indus River, lost a bid for leadership of their tribe, and they and their followers went west. According to documentation by Dr. Inayatullah Faizi (Liljegren 2009: 55), Choke was one of 3 brothers, the eldest of whom disputed his rule and was the winner of the power struggle; he sent (or forced) his younger brothers Choke & Machoke away (they parted along their travel). Choke gained control of the Ashrit Valley; the legend tells of several battles with the Kalasha. This resembles Zeus, Poseidon, and Hades (Zeus was usually called the youngest) dividing the rule of the world into Land, Sea, and Underworld, or the 3 founding Scythian brothers, only one of whom, Kolá-xaï-s ‘lord of the sun’, was worthy of the golden cup that came from the sky; his brothers Arpó-xaï-s ‘lord of water / lord of the deep’ & Lipó-xaï-s ‘lord of the earth’ also resemble this threefold division (Whalen 2024c).

These names do not seem historical and there were also, “two villages, Awi and Riri in Oveer in northern Chitral, inhabited by descendants of Kachote, whose tale is very similar to that of Choke and Machoke” (Decker 1992: 72). That they were only legendary might be seen in Dooshi & Kanooshi / dúuši & kaṇúuši. According to a story by an old man from Puri (Liljegren 2009: 56), 2 brothers founded the village; they came (via Dogdarra in Dir Kohistan) from a place called dangeri phurúṛi (in Tangir Valley), which probably is the same as Phurori (shown on some maps). Their names are clearly related to Nuristani ‘older’ & ‘younger’ (Skt. kániṣṭha-, jyéṣṭha- ‘1st/chief / eldest brother’, Ni. düṣṭö´ ‘elder’). These might show a modern outcome (though analogy has changed both to end in -oke, as *Yemos > Remus with R-) of *martya-s. The variants Dk. Machun (in Hunza) & Dishil (in Nagar) would be from *ma(r)tya:n (very similar to Av. Marǝtan-). I do not know the origin of -il, but it’s possible that some language had jyéṣṭha- > *dyéṣṭha- > *dyéṣḷha- or that it is from yet another analogy (in a language in which kániṣṭha- had r \ l and metathesis, lik Kt. křaštá but > *kaštil or the like). Maybe with cognates:

IIr. *martya-s > OP martiya-, Av. mašya- ‘man’, Kh. móš ‘human’, Dm. mač, *mæhčæ > Ka. mííš (`)
A. maṭṣoók ‘Machoke’, Machun

*k^euk- >> Skt. śóka-s ‘light /flame’
A. ṭṣ(h)oók ‘Choke’

For source of retro., compare Skt. śukrá- ‘white / pure’, Rom. šukar ‘beautiful’, Av. suxra- ‘luminous (of fire)’, *indra-ćukra- > Kalasha indóčik ‘lightning’. Others like Skt. šúcyati ‘shine / glare / burn’, śocyate ‘be purified’, Ben. chũci ‘ceremonial cleanliness’, B. šucO ‘pure’, Ks. ṣìṭṣ ‘clean’ show various (apparently irregular outcomes). Since Ks. ṣìṭṣ has no clear *-r-, maybe some š / ṣ alternation existed (also in Skt. kṣ : Dardic č(h) / ṭṣ(h)). If metathesis in *k^(e)uk-ro- > *ćr(a)uka- existed, it might spread by analogy, but I think this is unlikely. Together, these could again be from words for ‘man’ and ‘sun / bright’. Though only one set might resemble these by chance, 2 makes the theory more likely.


Decker, Kendall D. (1992) Languages of Chitral. Sociolinguistic Survey of Northern Pakistan, Volume 5

Houben, Jan E. M. (2010) Structures, Events and Ritual Practice in the Rg-Veda: The Gharma and Atri's Rescue by the Aśvins
https://www.academia.edu/37664186

Kümmel, Martin Joachim (2014) The development of laryngeals in Indo-Iranian
https://www.academia.edu/9352535

Liljegren, Henrik (2009) The Dangari tongue of Choke and Machoke: Tracing the proto-language of Shina enclaves in the Hindu Kush
https://www.academia.edu/3849218

Norelius, Per-Johan (2020) The divine miscarriage: Mārtāṇḍa, the sun, and the birth of mankind
https://www.academia.edu/98068042

Whalen, Sean (2023a) Indo-European Divine Twins
https://www.reddit.com/mythology/comments/10op7nj/indoeuropean_divine_twins/

Whalen, Sean (2023b) Greek part-animal gods and heroes
https://www.reddit.com/mythology/comments/10szo9s/greek_partanimal_gods_and_heroes/

Whalen, Sean (2023c) Peter Zoller and the Serpentine Spirits
https://www.reddit.com/mythology/comments/12vnln1/peter_zoller_and_the_serpentine_spirits/

Whalen, Sean (2024a) Gandharvá-s & Kéntauros, Váruṇa-s & Ouranós
https://www.academia.edu/115937304

Whalen, Sean (2024b) Indo-Iranian *mn > *ṽn > mm / nn, *Cmn > *Cṽn > Cn / Cm, Indo-European adjectives in -no- and -mo- (Draft)
https://www.academia.edu/118736225

Whalen, Sean (2024c) Reclassification of North Picene (Draft)
https://www.academia.edu/116163380

https://en.wikipedia.org/wiki/Puy_de_D%C3%B4me

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2024.05.08 18:35 Bennoelman Those Dutch Drugs are going hard

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2024.05.08 08:52 stlatos Indo-Iranian *mn > *ṽn > mm / nn

https://www.academia.edu/118736225
Many linguists think that IE adj. in -no- and -mo- all came from *-mno-, derived from nouns in *-m(o)n-. One collection of related ideas (Nikolaev 2021) is, in part:

  1. IIr. nouns in -man- show *CmnV > CmV / CnV by regular sound change (drāghmán- ‘length’, ins. drāghmā́)

  1. whether -m- or -n- appears does not have clear cause (Nikolaev argues against a labial in the root being responsible)

  1. when a m(V)n-stem is the second part of a compound, it becomes mo-stems (kárman- ‘work’, vīrá-karma- ‘whose deeds are manly’)

  1. several of these are seen outside IIr., though not clear in some branches (G. spérma > áspermos ‘seedless’)

  1. it is not regular for the 1st part of a compound to show the same n-loss, but analogy caused it in both (G. akmó-theton ‘anvil post’)

  1. other n-stem words show the same, even when not mVn-, likely analogy or a related sound change (Skt. ukṣán- > mahokṣa- ‘large bull’)

  1. these changes depend on tone: *Cmnó > Cmá / Cná, *Cmno > *Cṃno > Cana (*wésṃno- > Skt. vásana- ‘clothes’, G. éanos)

There are problems with most parts. Though many apparent counterexamples could be due to analogy, they add up. On the whole, the existence of nouns in -o-, -on-, -mon-, -non-, -mo-, -no-, etc., seems likely to be produced by original o-stems that produced derivatives that were n-stems; some happened to contain *-mo-, thus make *-mon-, not the other way around. Just like any other noun, mon-stems might have formed derivatives in *-mno- (a few likely examples below), but saying they are the source of so many words in -no- and -mo- is not reasonable, especially with little evidence and no set of regular changes that can account for all data. Also, -to-, -ton-, -ko-, -kon-, etc., do not seem likely to be produced by original *-T-m(o)n-. That this is both clear and not claimed by proponents of *-mon- > -mo- / -no- removes any theoretical need.

Nikolaev’s examples contain *-imno- > -na- (*praHimán- > Skt. premán- ‘love / affection’, ins. preṇā́), though if *ymno counted *y as a C, it would not matter much. However, since he also has *bhuHmn- > bhū́man- ‘world’, ins. bhūnā́, the timing makes it less likely that these happened at a stage that could be interpreted as *praHimán- = *praHymán-. Also, adj. in -no- and -mo- appear after V’s, both -ino- and -imo exist with no special meaning, and all could come from *-imHo- / *-iHmo- (L. maritimus, opīmus, etc.) with optional *mH > *nH (remember that supposed *Cmno > Cmá / Cná is also not regular, and there is no way to avoid this). Some examples of IE words with -(i)no-:

PIE *peyH1- (Skt. páyate ‘swell’, pī́van- ‘fat’) supposedly created *poH1mo- > L. pōmum ‘fruit’, but instead *poH1imo- is needed, since cognates show both *o: and *o(:)i (the god(esse)s Pōmōna, Pōmōnus,Vestinian Poimun- (Poimunien ‘in Pomonium?’), Umbrian *Pōimōno- > Puemune). This is not likely a result of only this word happening to have an uncommon suffix *-imo-, but that *poH1imo- / *poH1mo- shows that the loss of *-i- was happening at the same time as the loss of *H, leading to either *-oi- or *-oH-. Others in Note (1).

Other objections to each part (keeping in mind that each is not meant to be certain or prove the whole theory wrong by itself):

  1. *Cmno > *Cṃno > Cana does not apply in compounds (*vīrá-karmna- > vīrá-karma-), though this could be due to *vīrá-karmná-, etc., and later simplification

  1. if words like G. áspermos came from a sound change, why would G. have other -Cmno-?; if G. dáknō ‘bite’, dagómenos ‘weak’, dágmnos ‘pitiable’ < *dánk-m(e)nos ‘worn down’ were due to analogy, *-Cmno- > -Cmo- would have to be very early and its presence in many IE would suggest it was of PIE date or immediately after breakup, if regular (this contradicts several other points, also see below)

  1. there are just as many good old-looking examples of n vs. 0 in both parts of compounds; why is one regular and the other not?

  1. there is no reason to think words like Skt. mahokṣa- require a sound change (ukṣán- > *maha-ukṣán- could exist, so there is no preference for the existence of intermediate *maha-ukṣná- > mahokṣa- instead of a rule of grammar changing stems directly); u-, i-, and C-stems often become o-stems in compounds, and o- > i- or yo-stems; whatever the cause, 5 or more sound changes make less sense than suffixes that replace the ending, rather than change it (and analogy might have extended this alternation, even if some were really produced by a sound change to begin with)

  1. there is no evidence that Skt. vásana- ‘clothes’, G. éanos, etc., came from *wésṃno- instead of *wésano-. Though PIE *a is seen as rare or conditioned, many suffixes could be reconstructed with *-(a)no-, with *-a- often lost (like i/0 and u/0 above):

*dH2p-ano-? > G. dapánē ‘expense’
*dH2p-no-? > L. damnum ‘expense/loss/harm’ (not *dapumnum if from *-mno-)

L. daps ‘(sacrificial) feast’, *dapno- > ON tafn ‘sacrifice / sacrificial animal’, Arm. tawn ‘feast / festival’ (likely the same as above, also no evidence for *-m-)

*weranaH2- > Arm. geran ‘timbebeam/log’
*wernaH2 > OIr. fern ‘alder’, Alb. verrë ‘white poplar’
*werno(s)- > G. érnos ‘young sprout’

The most important problem is that comparative evidence shows that *Cmn did not become Cm / Cn at all, at least not directly. If Nikolaev’s stages were real, the changes in *g^h(e)i- > Skt. hinóti ‘urge on / throw’, Arm. jgem ‘throw’, *g^heimon- > Skt. hemán- ‘eagerness’, Av. zaēman- ‘active / awake’, zaēni- ‘eager’, zaēna- ‘*swift / *thrown > *arrow > weapon’, etc., would require *g^heimn-í- = *g^heymn-í- > *g^heyn-í- > zaēni-. However, the words cognate to zaēna-, including loans, show -u- and *-w- in *dzainu > TB tsain ‘arrow’, pl. tsainwa, Arm. zēn ‘weapon/armoharness’, gen. zinu, NP zin ‘saddle’, Kh. *hēwna > *hīwn > hún ‘saddle’. Instead of *-w- appearing from nowhere, *mn > *wn makes the most sense, and fits other optional changes (Celtic *k^Hatu-welH2mon- ‘warleader’ > *-welxǝwon- > British Catuvellauni, Cassivellaunus ‘name of a warleader’, W. Caswallawn / Cadwallawn, Vellaunus ‘a god’, *akamn- ‘stone’ >> L. acaunamarga ‘red marl’, Arm. (2)). If there were, instead, a u-stem *g^heymn-ú- >*zaēnu- with exactly the same meaning as zaēna-, it seems unlikely it would happen to be the only one borrowed into Arm. and TB both, and be unrelated to supposed metathesis in *hēnw- > *hīwn > hún. Loans often show features lost in the donor languages (and Kh. is a Dardic language, a group that retains many archaic features, and is at the periphery, another type that commonly shows otherwise lost features). Another loan from IIr. might be the source of *zaymna > *zaymma > *zymama > Aramaic zǝmāmā ‘reins’, Arabic zimām.

If a u-stem existed here, it would also not be able to account for the same type of change in a word that only sounded the same, with no reason for a u-stem: *g^heimon- ‘winter’ > G. kheimṓn, Av. zaēn-, etc. If IIr. words with -(m/w)-n- are needed in both words pronounced *g^heimon-, a sound change *m > m / *w̃ > w / ũ near n would be the best solution (reasonably, it would be optional based on the data):

*g^heimon-to- > Skt. hemantá-s, *haywanta- > A. haywaán ‘winter’, pl. haywandá, *hyamanda > *yOmOnO > Kh. yomùn, *yawanō > Sh. yṓno

*g^himno- > Skt. himá-s ‘cold / frost / snow’, Kh. hím ‘snow’, Pashayi hīm, *híṽ > *híw̃ > Ba. hiũ, Id. hī̃, Sh. hín, Gurezi hinn, Savi hina, Pj. himma

*dwi-g^himno- ‘2 winters (old)’ > L. bīmus ‘two years (old)’, *dvi-zivn > Wg. düzun-zālǝ ‘heifer in its 3rd year’ (Skt. śatá-hima- ‘100 years old’)

It is easy to see that m and w alternated when separated from n, thus *mn > *mn / *ṽn > nn / mm / etc. (including many cases where *C disappeared and created long V, *himn > *himm > hīm (as in himma where non-final)) should be clear. Turner reconstructs many of these words with *-mn- (even when cognates in Skt. have -m-) or plain *-n-, seeing -n(n)- as analogy (and/or << snih-) but no reasonable analogy could produce all the other variants (or is needed, based on hemantá- ~ haywandá, etc., when no analogy with a word with *-w- is possible). No fully regular set of changes can describe all data, but the basic alternations are clear if unpredictable. Knowing that *-mn- / *-ṽn- existed when seen between V’s shows that this should be expected for *-Cmn- as well, with the outcomes -Cn- / -Cm- matching *-mn- / *-ṽn- > -mm- / -nn- (both apparently optional). Just as much of the variation is clearest in Dardic, it also has many other examples of m / v from all types of *P (3).


The need for nasalized *ṽ in these stages (Whalen 2023) is also seen in words in which *m- > v- in some, but sometimes also -r- vs. -n- in the same, requiring *m-r > *ṽ-r > *v-r̃ / *v-n :

IIr. *mṛgá- ‘game, horned (deer), (large) bird’ > B. mirig ‘deer’, Ba. múgur ‘billy goat’, Kh. mùru ‘female ibex’, Iran. *mǝrǝγa- ‘bird’ > Ps. mǝrγǝ´ / murγǝ´ / marγǝ´

IIr. *mṛg-iska- ‘small bird’ > Iran. *mǝrǝγiška- > Mz. mička ‘sparrow’, NP Arak malič, Hamadan milič, Mj. braγiko
IIr. *mṛg-iska- ‘small bird’ > Iran. *mǝrǝǰiška- > *ṽǝrǝǰiška- > *vǝrǝčšika- > Ni. girišig
*ṽǝrǝǰiška- > *vǝr̃ǝǰiška- > *vǝnǝǰiška- > MP vinǰišk, NP NP gunǰišk, Bl. jinjišk
*ṽǝrǝǰī > *vinji > OKho. biṃji- >> TB *wiñcä- > wiñcaññe ‘of sparrows’

Though these words are kept separate by others, vinǰ- / virǰ- / *mirǰ- / mirg- in ‘sparrow’ when mirg- ‘bird’ exists makes these stages needed Having 3 (at least) separate words that are so similar, with vinj- having no clear origin, seems pointless. Note that *-gi- > -ǰi- is the regular outcome, but as shown by *gWemtu- > Skt. gántu- ‘course/way’, Av. jantu-, analogy could restore or retain K based on cognates (when the relation was clear, thus when *m- > v- no restoration from mirg- ‘bird’).

Notes
(1) Ex. of -i- vs. -0-, showing that -ino- was older than -no-, thus not caused by *-Cmno-:

*peyH1- > Skt. páyate ‘swell’, pī́van- ‘fat’
*poH1imo- > *poH1mo- > L. pōmum ‘fruit’
*poH1imo:n ‘God / Goddess of Fruits’ > Vestinian Poimun-, Umbrian *Pōimōno- > Puemune
*poH1mo:n > L. Pōmōna

*k^oH3no-s > G. kônos ‘(pine-)cone / spinning top? / bullroarer?’, Skt. śāna-s / śāṇa-s ‘whetstone’
*k^oH3inaH2 > *xaino: > ON hein, OE hán ‘whetstone’

*staH2- ‘stand’ >> *staH2-ino- > ON steinn, E. stone, Slavic *staina: > *ste:na: ‘cliff / rock / block’ > R. stená
(meaning ‘hard / strong’ like *staH2ro- > ON stórr ‘big’, Li. storas ‘thick’)

*H1ek^w-iHno- > L. equīnus ‘of horses’
*-in- > Sanskrit aśvin-
*-ino- > OPr aswinan ‘mare's milk’
*-eino- > Li. ašvíenis ‘stallion’

*melH2iHno- > *meHliHno- > Li. mė́lynas ‘blue’
*melH2inHo- > *melH2no- > G. melanós ‘blue-black’

*leukinHo- > Arm. lusin ‘moon’, *leukiHno- > *leukisno- > *leuksno- > L. lūna
(note that Arm. lusin from *leukisno- is also possible)

*H3opinHo- > H. happina- ‘rich’
*H3opni- > L. omnis ‘every/whole’

*gWlH2ino- > Arm. kałin ‘acorn / hazel nut’
*gWlH2no- > G. bálanos ‘acorn / oak / barnacle’

*pltH2ino- > *hlahin > Arm. layn ‘wide/broad/large’
*pltH2no- > *hlitanos > OIr. lethan ‘wide’, G. plátanos ‘plane tree’

*wedino- > Arm. getin ‘ground/soil’
*wedn- > G. édaphos ‘ground/soil / bottom/base’

*skandulHo- > *sxantułxo- > Arm. pl. sanduł-k` / sandux-k` ‘laddestairs’
*skandulo- > *skandlo- > L. pl. scālae ‘ladder / flight of steps’

*grH2unHo- = *grxunxo- > *gurRunRo > *kurrunko > Arm. kṙunk ‘crane’
*gerH2no- > G. géranos

*H(a)mburHo- > Arm. ambuṙ-k` ‘storm’
*H(a)mbro- > G. ómbros ‘rain(storm)’, Arm. amprop ‘thunder(bolt)’

*pteturo- > *fteturo > *fetturo > Arm. p`etur ‘feather’
*ptetro- > G. pterón, Skt. pátra- / páttra-, pátatra- ‘wing/feather’

G. aírinos ‘of ryegrass/darnel’, Lt. airene ‘ryegrass/darnel’

L. geminī ‘twins’, *yamuna- > Ni. iämüṇa ‘twin’

*Hak^iHnaH- > Cz. osina ‘awn’
*Hak^(a)ni- > Skt. aśáni- ‘thunderbolt / arrow tip’, Li. ašnìs ‘edge/blade’

*slaHg-isno- > Skt. ślakṣṇá- ‘smooth/slippery/soft’
*slaHg-inHo- > *srakina > *srikana > Ni. sirikana ‘smooth/slippery’, Kv. salkáň

*bhrHg^ó- ‘birch’, *bhrHg^isno- > *frākhisno- in L. frāxinus / *fārk(s)nos > farnus ‘ash’

*HrikinHo- > L. ricinus ‘large vermin of sheep/dogs / tick’
*Hrikinso- > *Hriknso- > *Hrik(n)so- > *ri(n)ksa- > Os. liskä, Skt. likṣā́, A. liiṇṭṣií ‘nit’


(2) mn / wn in Arm.; though Martirosyan says that *-mo:n > *-mun > *-mn > -wn is regular, otherwise *-mon- > -mun-, there are many examples of optionality, both *mn > wn and *wn > m(n) (not counting *-nn > -mn in atamn, etc., if really later than *-mn > -wn):

Iran. *pari-štaH-man- >> Arm. paštawn ‘worship / service’, pl. paštamun-k‘

gełgełem ‘sing beautifully / warble / quiver / vibrate’, geławn ‘song’

*g^heluHno- > G. khelū́nē ‘upper lip’, *g^helumn ‘*ceiling > *dome > *shell’ > G. khélumna ‘tortoise / lyre’, Arm. *jelumn > *jeluwn > jełun ‘palate/ceiling’, gen. *jelwans > jełuan, ins. *jelman-bhi > jełmamb

*Hnomn ‘name’ > *anuwn / *anumn > Arm. anun, EArm. anum (or dissim. *n-n > n-m later?)

*H3oid- > G. oîdos, Arm. aytumn ‘swelling’

*welwu()mn- > L. volūmen ‘roll (of writing) / whirl / wreath’, G. eílūma ‘wrapper’, Arm. gelumn

? > xet’em ‘bite/push/shove’, xet’umn ‘bite of conscience’

*H1leudh- ‘come / go (up)’ > G. eleúthō ‘bring’, Arm. eluzumn ‘sprout’ (compare elust ‘growing of plants’)

*g^hiyom- > G. khiṓn ‘snow’, *jiyun > Arm. jiwn, Av. zyam- ‘winter’

*jiwn-hayt’ > *jimnayt’ > EArm. Xotorǰur jimEt’ ‘snowblind’ (hayim ‘watch / look at’ >> *hayti- ‘vision’)


(3) a few out of many ex. of IIr. (often Dardic) w > m, m > w, many m from P between V’s, so nasalization must have been optional late

Skt. náva- ‘young / new’, A. náaw, Ti. nam, Dm. nõwã, Ks. *nõra > nõ.a, Kh. nóγ ‘new’

Skt. náva ‘9’, Dm. noo, A. núu, Ti. nom, D. no, Sa. no, Kv. nu, Kt. nu, Ni. nu, Kh. nyòf

*Hnomn ‘name’ > Dk. nóom, naam-, A. nóo, nóow-, Km. nām \ nāv, Rom. anav \ nav

G plé(w)ō ‘float/sail’, Rom. plemel ‘float/swim’, Skt. prav- ‘swim’

Skt. lopāśá-s > *lovāśá- \ *lovāyá- > Kh. ḷòw, Dk. láač \ ló(o)i ‘fox’, fem. *lovāyī > *lomhāyī > A. luuméei, Pl. lhooméi

PIE *g^hew- ‘pour’ > G. khéō ‘pour’, Skt. juhóti ‘pour a libation / sacrifice’, *goü- > B. goi- / gom- ‘sacrifice’

IE? *kswiP-to- > Av. xšvipta-, *xšvufta- > Ps. šaudǝ ‘milk’, šómle ‘buttermilk’


Turner, R. L. (Ralph Lilley), Sir (1962-1966) A comparative dictionary of Indo-Aryan languages. London: Oxford University Press. Includes three supplements, published 1969-1985.
https://dsal.uchicago.edu/dictionaries/soas/
https://dsal.uchicago.edu/cgi-bin/app/soas_query.py?qs=him%C3%A1&searchhws=yes&matchtype=exact

Martirosyan, Hrach (2009) Etymological Dictionary of the Armenian Inherited Lexicon
https://www.academia.edu/46614724

Nikolaev, Alexander (2021) YAv. Spitiiura and the compositional form of PIE *u̯r̥h₁-en- 'lamb' in Indo-Iranian
https://www.academia.edu/49130944

Whalen, Sean (2023) Indo-Iranian Nasal Sonorants (r > n, y > ñ, w > m)
https://www.academia.edu/106688624

submitted by stlatos to HistoricalLinguistics [link] [comments]


2024.05.05 10:09 No-Home8231 You cannot tell me this isnt similar

You cannot tell me this isnt similar submitted by No-Home8231 to namesoundalikes [link] [comments]


2024.05.03 04:48 LadyValkyrie420 Sources on Richard Gadd, Baby Reindeer, Gary Reich, Etc.

THIS IS THE FORMAL LIST FOR MY RESOURCES ON MY MOST RECENT LIVESTREAM: https://www.youtube.com/live/PoVplNSFojs?si=UEfHZ09zegVkZ7pl My quality isn't great but if you need anyone to walk you through the below, I've done what I could. I do suggest 1.25-1.5x speed! Happy sleuthing!!
APR 2002
Brown Eyed Boy
https://find-and-update.company-information.service.gov.uk/officers/5r2e9gpW6UTmCUdqYFoIXenTpok/appointments
OCT 2008
Meet Charlie
https://www.youtube.com/watch?v=18vobsVQ0No&t=36s
MARCH 2009
"Donny" Sings
https://youtu.be/focV7EEaXQ8?si=saTcf_pbTKZ7Hai5
DEC 2009
Ayahuasca Healing Retreats
https://maps.org/2009/12/12/ayahuasca-healing-retreats10/
MAR 2010
Uncle David
https://youtu.be/Wv9EC6IAGPU?si=6YDHPPYOvf_ggIP8
https://youtu.be/Jl67bTS0Tu0?si=ifrxAJyn3__89LoH
https://youtu.be/ZycZb2CRGQ4?si=_XAwEBTtDdLau9il
https://youtu.be/7eFoPDscuU8?si=ctwIGSId9gF0YgBP
FEB 2011
Baby Baby Reindeer
https://youtu.be/3yHQw9-Hf7I?si=h8tsb4_yBLB4d_FE
MAY 2011
How Not to Live Your Life
https://youtu.be/BXVw1N0WiZw?si=E4tJyC1L9TV5_8MM
FEB 2012
Venus Williams
https://youtu.be/jPeHxmHBG_8?si=IAl9WhOtmb8lCLR1
MAR 2013
Brown Eyed Boy
https://find-and-update.company-information.service.gov.uk/company/08453379
APR 2013
Vicious Released
https://youtu.be/P-dQ5zDlGMA?si=yTJNm-SETp3FgZ_0
AUG 2013
Cheese & Crack Whores
https://www.comedy.co.uk/fringe/2013/richard_gadd/
MAY 2014
Annabel Linder's Son
https://robynsassenmyview.com/2014/05/10/i-did-it-my-way-because-of-my-mum-says-vicious-sa-born-producer-gary-reich/
Nark
https://youtu.be/SixEYDWGkyQ?si=H8juS2bHVFNaiw-r
JULY 2014
Martha Arrives
https://twitter.com/FionaHarvey2014/status/484260386573934592?t=-EMOI6yvpvhJu5iFtOJ1mg&s=19
https://twitter.com/FionaHarvey2014/status/485473029297033216?t=m5j_DxCq81tFCiVvQKde6g&s=19
JUN 2014
Ian & Gary at Pride
https://m.facebook.com/ianmckellen/photos/a.162951253600/10152207274453601/?type=3
AUG 2014
Martha's Curtains
https://twitter.com/FionaHarvey2014/status/514416588645494785?t=s4Al6HnZa8EPbmBHHg6I6w&s=19
DEC 2014
Bum Shots
https://twitter.com/FionaHarvey2014/status/545642730815508481?t=sI9nw0zhw7wu0Kot4c9vGw&s=19
MAR 2015
Comedy Festival
https://www.scotsman.com/arts-and-culture/theatre-and-stage/stand-up-richard-gadd-on-glasgow-comedy-festival-1510857
AUG 2015
Stole the Show
https://twitter.com/rjjtaylostatus/635739816693497856
Happy Reindeer
https://twitter.com/Iansmithcomedy/status/635482571418271744?t=VG-BMyVav5JZsVxsgEeN4Q&s=19
OCT 2015
Waiting for Gaddot
https://londonist.com/2015/10/comedian-richard-gadd-puts-the-pun-into-punk
DEC 2015
X
https://twitter.com/FionaHarvey2014/status/670951751424589824?t=Jtrw-7aLgLlgSSJ1PGKS5Q&s=19
Martha's Emails
https://twitter.com/FionaHarvey2014/status/672091775402668036?t=5hJ5ZMdeLciT-XS2_MajLw&s=19
JUN 2016
Vicious Canceled
https://www.telegraph.co.uk/tv/2016/12/16/itvs-vicious-came-end-not-even-ian-mckellen-derek-jacobi-could/
JUL 2016
Uncle David 2 GFM
https://www.kickstarter.com/projects/2029079422/uncle-david-2
AUG 2016
Monkey See, Monkey Do Interview
https://youtu.be/5mzIxkvuRFE?si=6GBcBHvAS5aXGXaB
JAN 2017
Initiate Intuition Ltd.
https://find-and-update.company-information.service.gov.uk/company/10588072
MAR 2017
Comedy & Tragedy
https://youtu.be/Th2PBzR9Mg4?si=zCpV-cNSr6AdAL53
APR 2017
Gary Reich Review
https://www.youtube.com/watch?v=qdUKBLrckOE
JUN 2017
Young LGBT Casting Call
https://www.hollywoodreporter.com/movies/movie-news/cannes-lions-ian-mckellen-gary-reich-launch-short-form-film-project-lgbtq-stories-1015885/
LGBT Heroes
https://youtu.be/-89pcpldfiY?si=oNKbYqCRznv8BFws
AUG 2017
Monkey See, Monkey Do Trailer
https://youtu.be/F8Ry7RUJBsM?si=XywBqRgMI7S4yiIM
DEC 2017
Green Eyed Boy
https://find-and-update.company-information.service.gov.uk/company/11123201
2018
Uncle David 2
https://mubi.com/en/films/uncle-david-2/trailer
APR 2019
Turn Up Charlie Announced
https://deadline.com/2018/04/luther-star-idris-elba-to-star-as-struggling-dj-in-netflix-comedy-turn-up-charlie-1202366803/
JUL 2019
Chanting with Kai
https://youtu.be/YxFw7epcqUQ?si=oImpZxbWiwWwAHuI
AUG 2019
3 Paths
https://www.homehouse.co.uk/events/3-paths-magik-ayahuasca-shamanic-path-magik-2/
OCT 2019
Baby Reindeer Live Show
https://youtu.be/_UmlVt5KK-s?si=Ts1Uv6LYL7HGHV6E
NOV 2019
Love for Charlie
https://www.youtube.com/watch?v=xBCdlB1_P2k
MARCH 2020
Introducing Kivare
https://www.facebook.com/share/v/b5i1zEcbuwqLNN3g/?mibextid=w8EBqM
The Pleasure Podcast
https://uk-podcasts.co.uk/podcast/the-pleasure-podcast/s3-ep-3-richard-gadd-art-and-sex-after-trauma
APRIL 2020
Turn Up Charlie Cancelled
https://www.hollywoodreporter.com/tv/tv-news/turn-up-charlie-starring-idris-elba-canceled-at-netflix-1292049/
Baby Reindeer at West End
https://youtu.be/emAN73l7G08?feature=shared
OCT 2020
Sacred Pathways
https://find-and-update.company-information.service.gov.uk/company/12959475
DEC 2020
Netflix Baby Reindeer Announced
https://www.chortle.co.uk/news/2020/12/14/47478/richard_gadds_baby_reindeer_to_become_a_netflix_series
AUG 2021
Kivare, Performance Artist
https://vimeo.com/592810179
MAY 2022
Men Accused of Impropriety
https://twitter.com/vee_gang/status/1528502302646099969?t=qTjF8wVROq4c6cKnbtu50g&s=1
JUNE 2022
No Room for Fear In My Pussy
https://youtu.be/xoV5ykYAjfM?si=GMTBYZufcUFx3YBs
FEBRUARY 2023
Egypt Guided Tour
https://davidmanningenergywork.com/egyptianalchemy
MAR 2023
Comedy In The Works
https://www.comedy.co.uk/tv/news/7244/nick-mohammed-julia-davis-c4-morning-has-broken/
DEC 2023
Call for Queer Spirit
https://queerspirit.net/blog/call-for-queer-spirit-2024
APR 2024
Rumors "Busted"
https://twitter.com/TheSuperrrSlice/status/1784851205102977408
Jeremy Vine
https://www.facebook.com/story.php?id=100064377416223&story_fbid=815555290600377
"Everyone Knows" Richard Osmon
https://open.spotify.com/episode/5I85kd1Kx5ihoMMZchRQhS?si=JoWS4Zk5QqSQZjRm6909QA
CURRENT
Sacred Pathways
https://www.sacredpathways.co.uk/
Facillitator Kai
https://queerspirit.net/festival/whatson/facilitators/kai-reich
Ancient Egyptian Sex Magic
https://queerspirit.net/festival/whatson/workshops-and-events/temple/ancient-egyptian-queer-sex-magick
submitted by LadyValkyrie420 to u/LadyValkyrie420 [link] [comments]


2024.05.03 02:46 MadMayhem103 LCD Top/Bottom Row White Blocks 16x2

LCD Top/Bottom Row White Blocks 16x2
Hi everyone, just wanted to say thank you to everyone who responded to yesterday's post of mine. I soldered it today as many of you guys mentioned. Im slowly getting the hang of Arduino but it's still a bit difficult for me. As seen in the attached video, my LCD screen is now giving me two rows of white blocks when running the sample "Hello World" code from the Arduino IDE. Any help would be greatly appreciated. I tried showing the soldering as well
I'll try and specify where I connected what since my wires are a little messy and once again im sorry for that.
Red Wires - 5v of Arduino to Positive rail of bread board. 5V to VDD. 5V to right side of POT , Pin A to 5V,
Black/Grey Wires - Ground of Arduino to Negative rail of breadboard. Gnd to VSS. GND to left side of POT
Green Wire - V0 to middle of Pot
Yellow/ Orange Wires - RS to Pin 12, E to Pin 11, D4 to Pin 5, D5 to Pin 4, D6 to Pin 3, D7 to Pin 2, Pin K to GND
Note: I had Pin RW connected to GND which caused flickering so I disconnected it. I've also tried changing the contrast with the Pot but it just goes from the white boxes to a blue screen.
Code:
/* LiquidCrystal Library - Hello World Demonstrates the use a 16x2 LCD display. The LiquidCrystal library works with all LCD displays that are compatible with the Hitachi HD44780 driver. There are many of them out there, and you can usually tell them by the 16-pin interface. This sketch prints "Hello World!" to the LCD and shows the time. The circuit: * LCD RS pin to digital pin 12 * LCD Enable pin to digital pin 11 * LCD D4 pin to digital pin 5 * LCD D5 pin to digital pin 4 * LCD D6 pin to digital pin 3 * LCD D7 pin to digital pin 2 * LCD W pin to ground * LCD VSS pin to ground * LCD VCC pin to 5V * 10K resistor: * ends to +5V and ground * wiper to LCD VO pin (pin 3) Library originally added 18 Apr 2008 by David A. Mellis library modified 5 Jul 2009 by Limor Fried (http://www.ladyada.net) example added 9 Jul 2009 by Tom Igoe modified 22 Nov 2010 by Tom Igoe modified 7 Nov 2016 by Arturo Guadalupi This example code is in the public domain. http://www.arduino.cc/en/Tutorial/LiquidCrystalHelloWorld */ // include the library code: #include  // initialize the library by associating any needed LCD interface pin // with the arduino pin number it is connected to const int rs = 12, en = 11, d4 = 5, d5 = 4, d6 = 3, d7 = 2; LiquidCrystal lcd(rs, en, d4, d5, d6, d7); void setup() { // set up the LCD's number of columns and rows: lcd.begin(16, 2); // Print a message to the LCD. lcd.print("hello, world!"); } void loop() { // set the cursor to column 0, line 1 // (note: line 1 is the second row, since counting begins with 0): lcd.setCursor(0, 1); // print the number of seconds since reset: lcd.print(millis() / 1000); } 
https://preview.redd.it/9qqd6ifzy3yc1.jpg?width=554&format=pjpg&auto=webp&s=89740c69015971a997c2df4d234fd2dd369d386f
https://preview.redd.it/4rytzxfzy3yc1.jpg?width=977&format=pjpg&auto=webp&s=e1476fc609fd9c8f9e547f487e3b4103949acf71
submitted by MadMayhem103 to arduino [link] [comments]


2024.05.01 06:21 fganniversaries Fighting Game Anniversaries: Week 18 (April 29 - May 5)

Hey, yall. This is fganniversaries and apologies for skipping last week. As per usual, I will be recapping anniversaries relating to fighting game announcements/releases this week. Like always, if I missed one, do please let me know in the comments. Here would be the following anniversaries:
April 29
April 30
May 1
May 2
May 3
May 4
May 5
submitted by fganniversaries to Fighters [link] [comments]


2024.05.01 06:21 fganniversaries Fighting Game Anniversaries: Week 18 (April 29 - May 5)

Hey, yall. This is fganniversaries and apologies for skipping last week. As per usual, I will be recapping anniversaries relating to fighting game announcements/releases this week. Like always, if I missed one, do please let me know in the comments. Here would be the following anniversaries:
April 29
April 30
May 1
May 2
May 3
May 4
May 5
submitted by fganniversaries to FGC [link] [comments]


2024.05.01 06:18 fganniversaries Fighting Game Anniversaries: Week 18 (April 29 - May 5)

Hey, yall. This is fganniversaries and apologies for skipping last week. As per usual, I will be recapping anniversaries relating to fighting game announcements/releases this week. Like always, if I missed one, do please let me know in the comments. Here would be the following anniversaries:
April 29
April 30
May 1
May 2
May 3
May 4
May 5
submitted by fganniversaries to u/fganniversaries [link] [comments]


2024.05.01 02:50 SOO4R3R-217 Hokkaido + Some Leftover Spots From Few Countries

Hokkaido, Japan:
  1. Bentley Mark VI and Continental GT (Sapporo, 2021) https://www.google.com.ph/maps/@43.0559199,141.3500007,3a,15y,89.41h,86.83t/data=!3m7!1e1!3m5!1srPUEwWrUKBQrc_qcteQfAQ!2e0!5s20210501T000000!7i16384!8i8192?hl=en&entry=ttu
  2. Toyota GR Supra A90 (Otaru, 2021) https://www.google.com.ph/maps/@43.198486,141.0005859,3a,15y,102.61h,87.17t/data=!3m6!1e1!3m4!1sbHzXXJ1fovs1TG9E44Fx3Q!2e0!7i16384!8i8192?hl=en&entry=ttu
  3. Tuned Porsche 970 Panamera 4S (Wakkanai, 2023) https://www.google.com.ph/maps/@45.522288,141.9367962,3a,15y,43.52h,88.62t/data=!3m6!1e1!3m4!1sWY0lEuf4p7hiAD7DqbXkEQ!2e0!7i16384!8i8192?hl=en&entry=ttu
  4. Mitsubishi Lancer Evolution X (Hokkaido, 2014) https://www.google.com.ph/maps/@43.0490202,141.3560307,3a,15y,100.87h,84.44t/data=!3m7!1e1!3m5!1s6pFOcr2TTRbLUp5WcHuetw!2e0!5s20140801T000000!7i13312!8i6656?hl=en&entry=ttu
  5. 2008 Dodge Challenger RT (Hokkaido, 2022) https://www.google.com.ph/maps/@43.0490587,141.3558847,3a,15y,169.6h,88.03t/data=!3m7!1e1!3m5!1szUbqw9LPGpboEtSUDVJC5w!2e0!5s20220901T000000!7i16384!8i8192?hl=en&entry=ttu
  6. Mitsubishi Lancer Evolution IX (Sapporo, 2018) https://www.google.com.ph/maps/@43.0537178,141.3487297,3a,15y,301.8h,85.92t/data=!3m7!1e1!3m5!1sqQdcllKcq4TK4a-tTDEBAg!2e0!5s20180701T000000!7i13312!8i6656?hl=en&entry=ttu
  7. Mitsubishi Lancer Evolution VI (Sapporo, 2021) https://www.google.com.ph/maps/@43.0727176,141.3685359,3a,15.1y,133.6h,86.32t/data=!3m7!1e1!3m5!1skIZB1f2fNvwpisxxUDPxSw!2e0!5s20211101T000000!7i16384!8i8192?hl=en&entry=ttu
  8. BMW M3 E90 (Sapporo, 2019) https://www.google.com.ph/maps/@43.0729473,141.3697223,3a,15y,322.65h,88.73t/data=!3m7!1e1!3m5!1sbWAKbRcY05AXwH0gPouy4g!2e0!5s20190501T000000!7i16384!8i8192?hl=en&entry=ttu
  9. Mercedes Benz S63 AMG W222 (Sapporo, 2022) https://www.google.com.ph/maps/@43.0574517,141.3503866,3a,37y,45.07h,70.96t/data=!3m6!1e1!3m4!1sJ_1Sf-9FUYfui-Si__c8Ng!2e0!7i16384!8i8192?hl=en&entry=ttu
  10. Cadillac XLR (Sapporo, 2010) https://www.google.com.ph/maps/@43.0570843,141.3472916,3a,17.5y,235.93h,77.54t/data=!3m7!1e1!3m5!1smz7Q4dpHshJkOhUitoOjrQ!2e0!5s20100801T000000!7i13312!8i6656?hl=en&entry=ttu
  11. Audi R8 V8 Type 42 (Sapporo, 2017) https://www.google.com.ph/maps/@43.0558778,141.3469422,3a,15y,308.34h,85.82t/data=!3m7!1e1!3m5!1sXKCHlQKS8ekvTqT6uzndHQ!2e0!5s20170801T000000!7i13312!8i6656?hl=en&entry=ttu
  12. Mitsubishi Lancer Evolution IX (Sapporo, 2014) https://www.google.com.ph/maps/@43.0553691,141.3469844,3a,15y,108.05h,84.66t/data=!3m7!1e1!3m5!1sM6UH8-eBJBWBH8Id6PxXyw!2e0!5s20140801T000000!7i13312!8i6656?hl=en&entry=ttu
  13. Ferrari 488 Spider (Sapporo, 2017) https://www.google.com.ph/maps/@43.0562102,141.3226275,3a,15y,133.74h,84.45t/data=!3m7!1e1!3m5!1sbkNk2CSittSHUzM4hE31NA!2e0!5s20170801T000000!7i13312!8i6656?hl=en&entry=ttu
  14. Porsche 957 Cayenne Turbo (Sapporo, 2017) https://www.google.com.ph/maps/@43.0559313,141.3203093,3a,15y,188.97h,84.23t/data=!3m7!1e1!3m5!1spXix1fTBDa47MScb_TDEJQ!2e0!5s20170701T000000!7i13312!8i6656?hl=en&entry=ttu
  15. Tuned Nissan Silvia S15 (Sapporo, 2018) https://www.google.com.ph/maps/@43.0560042,141.3252757,3a,35.7y,93.89h,68.6t/data=!3m7!1e1!3m5!1sPHw0GIrC3sG-HKSJbIz4tA!2e0!5s20180701T000000!7i13312!8i6656?hl=en&entry=ttu
  16. Mitsubishi Lancer Evolution VII (Chitose, 2021) https://www.google.com.ph/maps/@42.797178,141.6770478,3a,15y,219.44h,87.15t/data=!3m7!1e1!3m5!1sLTzbB32a-Xw-GSVJyIa5Bg!2e0!5s20210801T000000!7i16384!8i8192?hl=en&entry=ttu
  17. Mitsubishi Lancer Evolution X (Chitose, 2020) https://www.google.com.ph/maps/@42.7891803,141.6794069,3a,15y,234.67h,87.25t/data=!3m7!1e1!3m5!1sykr1WFylwQv4HELnx5zf6w!2e0!5s20201001T000000!7i16384!8i8192?hl=en&entry=ttu
  18. Nissan Skyline GTR BNR32 (Chitose, 2015) https://www.google.com.ph/maps/@42.7971511,141.6775959,3a,15y,194.82h,86.5t/data=!3m7!1e1!3m5!1s5j3WQ_DeG_gare-h-utdMQ!2e0!5s20150601T000000!7i13312!8i6656?hl=en&entry=ttu
  19. Porsche Macan GTS (Chitose, 2023) https://www.google.com.ph/maps/@42.7838186,141.6772277,3a,15y,278.61h,85.12t/data=!3m7!1e1!3m5!1ssMraUIsp58oHyhx1pLFVzQ!2e0!5s20230801T000000!7i16384!8i8192?hl=en&entry=ttu
Philippines:
  1. Porsche Panamera Turbo (Quezon City, 2024) https://www.google.com.ph/maps/@14.6651369,121.0817971,3a,15y,134.2h,82.74t/data=!3m6!1e1!3m4!1sw5aRuxnFfDZonYx9HhssBg!2e0!7i16384!8i8192?entry=ttu
  2. 2x Mercedes Benz 170 S (Makati, 2024) https://www.google.com.ph/maps/@14.5556236,121.0175428,3a,16.3y,109.5h,82.05t/data=!3m6!1e1!3m4!1sBRJZ1xvXO1CLPYKqNdjZwg!2e0!7i16384!8i8192?hl=en&entry=ttu
  3. Maserati Levante (Makati, 2024) https://www.google.com.ph/maps/@14.5579991,121.0248446,3a,15y,62.33h,85.68t/data=!3m7!1e1!3m5!1suB9OMrEh7fwmi88AZwrOhQ!2e0!5s20240201T000000!7i16384!8i8192?hl=en&entry=ttu
  4. Bentley Bentayga II (Makati, 2024) https://www.google.com.ph/maps/@14.5613197,121.0276944,3a,15y,186.21h,85.91t/data=!3m7!1e1!3m5!1sl8ConL1YcVLG9l-SFID2kA!2e0!5s20240201T000000!7i16384!8i8192?hl=en&entry=ttu
  5. Toyota GR Supra A90 (Makati, 2024) https://www.google.com.ph/maps/@14.5613197,121.0276944,3a,15y,333.94h,84.08t/data=!3m7!1e1!3m5!1sl8ConL1YcVLG9l-SFID2kA!2e0!5s20240201T000000!7i16384!8i8192?hl=en&entry=ttu
  6. 2012 Mercedes Benz G63 AMG (Makati, 2024) https://www.google.com.ph/maps/@14.5578049,121.0271834,3a,36.7y,128.73h,69.94t/data=!3m6!1e1!3m4!1syEHxpGRAy3KHxkW2AyI0JQ!2e0!7i16384!8i8192?hl=en&entry=ttu
  7. Tuned Mitsubishi Lancer Evolution VII (Quezon City, 2024) https://www.google.com.ph/maps/@14.6492199,121.0742946,3a,15y,68.28h,84.37t/data=!3m7!1e1!3m5!1slwmaC7OE2x6lIf0Y_Jpfag!2e0!5s20240201T000000!7i16384!8i8192?hl=en&entry=ttu
Ireland:
  1. Tuned Toyota Supra A80 (Kilkenny, 2009) https://www.google.com.ph/maps/@52.6555843,-7.2473205,3a,15y,123.96h,82.02t/data=!3m7!1e1!3m5!1srpXNj87f-0oaRbX7msU43w!2e0!5s20090701T000000!7i13312!8i6656?hl=en&entry=ttu
  2. 2017 Nissan GTR R35 (Kilkenny, 2017) https://www.google.com.ph/maps/@52.6356472,-7.2511928,3a,27.1y,105.68h,76.14t/data=!3m7!1e1!3m5!1sR9zrxc1zOnHqioTK4KixqQ!2e0!5s20170501T000000!7i13312!8i6656?hl=en&entry=ttu
Switzerland:
  1. Ford Focus RS Mk2 (La Chaux-de-Fonds, 2014) https://www.google.com.ph/maps/@47.0890015,6.8064739,3a,15y,120.73h,77.67t/data=!3m6!1e1!3m4!1sMjXnaDEi_kXR0IcHxW0hDg!2e0!7i13312!8i6656?hl=en&entry=ttu
  2. Renault Megane RS (La Chaux-de-Fonds, 2013) https://www.google.com.ph/maps/@47.0922312,6.8120819,3a,33.3y,142.69h,75.41t/data=!3m6!1e1!3m4!1sS5C2_aWH44y03LDSkIx56g!2e0!7i13312!8i6656?hl=en&entry=ttu
  3. Renault Megane RS (La Chaux-de-Fonds, 2014) https://www.google.com.ph/maps/@47.0938477,6.8213198,3a,16.2y,232.23h,85.93t/data=!3m6!1e1!3m4!1s-9oAP8meuAIf6Ru7CI9B3A!2e0!7i13312!8i6656?hl=en&entry=ttu
submitted by SOO4R3R-217 to StreetviewCarSpotting [link] [comments]


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