2024.05.16 19:10 CTV1225 [FH5] Spring Information Thread - Series 33
2024.05.16 04:19 fganniversaries Fighting Game Anniversaries: Week 20 (May 13 - May 19)
2024.05.16 04:18 fganniversaries Fighting Game Anniversaries: Week 20 (May 13 - May 19)
2024.05.15 00:29 stlatos Ogma and Agni, PIE Fire Gods and Sun Gods
2024.05.14 05:44 courtingdisaster Presenting the evidence: 17 May 2024
Come one, come all, we're clooowning again! 🤡 submitted by courtingdisaster to GaylorSwift [link] [comments] Thanks to u/1DMod for posting the Jimmy Fallon video that led to me to start to connect the dots that other creators have noticed. Long story short, we're clowning for Stockholm N1 (maybe even night ✌️ as well), buckle up clowns! ✌️First things first, May 17 is ✌️ fortnights after the release of TTPD on April 19. We know that Taylor is still throwing up peace signs which seems unnecessary if it only ever meant that there was a second part of TTPD. I think it's an indication that we haven't completely cracked that egg yet.This photo was necessary for the post, ok National/International Day OfWhile these days aren't necessarily solid proof of anything, Taylor did release TTPD on Poetry & The Creative Mind Day and also released the ME! music video (ME! Out now!) on Lesbian Visibility Day so I think it's definitely worth investigating.After publishing this post I was reading through the comments in this thread about easter eggs and was reminded by u/-periwinkle that some people predicted the Toe breakup date based on something Taylor mentioned in her NYU speech ("Part of growing up and moving into new chapters of your life is about catch and release"). 11 months later, the Toe breakup news came out on, you guessed it, National Catch and Release Day. More on the NYU speech later. First, let's have a look at the holidays for May 17 that could be relevant:
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Direct 17/5 easter eggs
Important days in historyThese could be nothing, could be something, still worth noting:
Important events in the TSCU on this day
Stockholm
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New RomanticsKristen, who I have referenced in nearly every part in this post (again, she's amazing, go follow her), has a mass coming-out theory that she has dubbed the New Romantics. I highly recommend checking out her content on Twitter and TikTok and she's also recently launched a podcast that you can read more about here for more information on this theory. Essentially the theory is that a large number of artists in the entertainment industry are queer and are working together as a "safety in numbers" type approach to coming out of the closet and potentially changing the industry in a monumental way.Let's have a look at some players that are relevant to either May 17 or Stockholm (or both in one person's case!):
Theories as to what exactly is coming
In SummationSomething is happening in Stockholm. I don't know why exactly but it is THE ONE to watch.I think it would be interesting to revisit the NYU speech, Karma music video, Stephen King, photos from the Uno parties and the Lover era in general for further hints as to what's coming. I think the key is going to be working together due to a comment that Questlove (yes, the one who throws the Uno parties) left on one of Kristen's videos. Here's a link to the video, the top comment is his. Regardless, I'll be there talking smack in the megathread on Friday and keeping an eye out for any new "Chiefs" colours. See you there, clowns! Who's clowning with me?! 🤡🤡🤡 Edit: I'll be making some additions to this post as people have been making incredible connections already, thank you! These will be noted as a new bulletpoint to try and keep it transparent as to what has been added. As I'm researching I'm also making new connections of my own that I will also add as separate bulletpoints. |
2024.05.13 09:17 Total-Interview82 Day trip to Tardisland?
submitted by Total-Interview82 to DoctorWhumour [link] [comments] |
2024.05.11 13:31 devoid0101 New Kp-like planetary geomagnetic activity indices: Hourly (Hp60) and half-hourly (Hp30) indices
It looks like we touched upon KP11, a G6 storm (if such a thing existed). Serious solarmax spaceweather submitted by devoid0101 to Heliobiology [link] [comments] “The geomagnetic Hpo index is a Kp-like index with a time resolution of half an hour, called Hp30, and one hour, called Hp60. besides that, the Hpo index is not capped at 9 like Kp, but is an open ended index that describes the strongest geomagnetic storms more nuanced than the three-hourly Kp, which is limited to the maximum value of 9. Next to the Hpo we also provide the linear apo index (ap30 and ap60). The Hpo index was developed in the H2020 project SWAMI and is described in Yamazaki et al (2022). Abstract The geomagnetic activity index Kp is widely used but is restricted by low time resolution (3-hourly) and an upper limit. To address this, new geomagnetic activity indices, Hpo, are introduced. Similar to Kp, Hpo expresses the level of planetary geomagnetic activity in units of thirds (0o, 0+, 1−, 1o, 1+, 2−, …) based on the magnitude of geomagnetic disturbances observed at subauroral observatories. Hpo has a higher time resolution than Kp. 30-min (Hp30) and 60-min (Hp60) indices are produced. The frequency distribution of Hpo is designed to be similar to that of Kp so that Hpo may be used as a higher time-resolution alternative to Kp. Unlike Kp, which is capped at 9o, Hpo is an open-ended index and thus can characterize severe geomagnetic storms more accurately. Hp30, Hp60 and corresponding linearly scaled ap30 and ap60 are available, in near real time, at the GFZ website (https://www.gfz-potsdam.de/en/hpo-index). Key Points New Kp-like planetary geomagnetic activity indices, Hpo, are presented Hourly (Hp60) and half-hourly (Hp30) indices are available from GFZ website Hpo indices are open-ended without the upper limit at 9o Plain Language Summary The geomagnetic activity index Kp is a measure of planetary geomagnetic activity, expressed in units of thirds (0o, 0+, 1−, 1o, 1+, 2−, …9o). Kp is widely used in the space physics community, as it is known to be a good proxy of the solar-wind energy input into the magnetosphere-ionosphere-thermosphere system. Kp has two important limitations. One is the temporal resolution. Kp is a three-hourly index, so that temporal features within 3 hr are not resolved. The other is the upper limit of the index. Kp does not exceed a maximum value of 9o, so that under extremely disturbed conditions, geomagnetic activity is not accurately represented. We introduce a group of new geomagnetic activity indices Hpo that overcomes these limitations. Hpo is designed to represent planetary geomagnetic activity in a similar way as Kp but with higher temporal resolution and without the upper limit at 9o. This paper describes the production of 30-min (Hp30) and 60-min (Hp60) indices, and demonstrates their properties in comparison with Kp. Hpo indices since 1995, including near-real-time values, are distributed through the GFZ website (https://www.gfz-potsdam.de/en/hpo-index). 1 Introduction Variations in the solar wind cause changes in electric currents that flow in the magnetosphere and ionosphere. The associated changes in the magnetic field can be observed using magnetometers on the ground. There exist various types of geomagnetic indices to monitor the intensity of geomagnetic disturbance associated with solar wind variations (Mayaud, 1980). The Kp index is one of the most widely used indices of geomagnetic activity. The derivation, application and historical background of Kp are detailed in Matzka, Stolle, et al. (2021), and thus are described here only briefly. Kp is derived from K indices (Bartels et al., 1939) evaluated at 13 subauroral observatories from both northern and southern hemispheres. A K index expresses geomagnetic activity on a scale of 0–9 at each observatory for a given 3-hourly interval of the UT day (00–03, 03–06, …, 21–24 UT). It is based on the range of geomagnetic disturbance over the 3-hourly interval, which may contain geomagnetic pulsations (McPherron, 2005; Saito, 1969), bays associated with substorms (McPherron, 1970; Lyons, 1996), sudden storm commencements and sudden impulses (Araki, 1994), geomagnetic storm main phase (Gonzalez et al., 1994) and solar-flare and eclipse effects (Yamazaki & Maute, 2017). K is designed to have a similar frequency distribution regardless of observatory, and thus it does not depend on latitude. K indices are converted to standardized Ks indices, which take into account the influence of seasonal and UT biases. Kp is the average of the 13 Ks indices expressed in units of thirds (0o, 0+, 1−, 1o, 1+, 2−, …, 9o), thus it represents planetary, rather than local, geomagnetic activity. The complete time series of the definitive Kp index since 1932 and nowcast indices for the most recent hours are available from the Kp website at Deutsches GeoForschungsZentrum GFZ (https://www.gfz-potsdam.de/en/kp-index/) with a digital object identifier (DOI; Matzka, Bronkalla, et al., 2021). Real-time Kp forecasts (Shprits et al., 2019) based on solar wind data are also available from the GFZ website (https://spaceweather.gfz-potsdam.de/products-data/forecasts/kp-index-forecast). The Kp index has a wide range of applications in space physics studies. For example, Kp can be used to select undisturbed data from the measurements obtained from the magnetosphere, ionosphere or thermosphere to determine their climatological base states (e.g., Drob et al., 2015; Fejer et al., 2008). Kp is also often used for modeling the geospace response to solar wind variations. Just to give a few examples, Kp is used to drive the 3-D Versatile Electron Radiation Belt model (Subbotin et al., 2011), the Whole Atmosphere Community Climate Model with thermosphere and ionosphere extension (WACCM-X; Liu et al., 2018) and the Naval Research Laboratory Mass Spectrometer Incoherent Scatter radar empirical atmospheric model (Emmert et al., 2021), among many other models of the magnetosphere, ionosphere and thermosphere. Thomsen (2004) argued that what makes Kp so useful is its sensitivity to the latitudinal distance from the Kp stations to the equatorial edge of auroral currents, which is tightly linked to the strength of magnetospheric convection. Kp has two important limitations. One is the temporal resolution. Kp cannot resolve temporal features within 3 hr. For example, the onset of geomagnetic disturbance determined by Kp could be off from the actual onset by up to 3 hr. This could be an issue when Kp is used to drive a geospace model, because the state of the magnetosphere, ionosphere and thermosphere can change significantly within the 3-hr interval. As a compromise, some models use interpolated Kp values as input data, for example, thermospheric density models (Vallado & Finkleman, 2014), WACCM-X (Liu et al., 2018). The other limitation of Kp is its upper limit at 9o. Kp is not able to quantify geomagnetic activity after it reaches 9o. Extreme geomagnetic storms involving Kp = 9o are not necessarily equally strong in terms of geomagnetic disturbance. Extrapolated values of Kp above 9o are sometimes used for a better representation of geomagnetic activity during severe geomagnetic storms (e.g., Shprits et al., 2011). The objective of this paper is to introduce a new group of Kp-like geomagnetic indices. The indices are collectively called Hpo, where “H” stands for half-hourly or hourly, “p” for planetary, and “o” for open-ended. Hpo has been conceived and developed under the EU Horizon 2020 project, Space Weather Atmosphere Model and Indices (SWAMI; Jackson et al., 2020). Hpo is designed to represent planetary geomagnetic activity in a similar manner as Kp but with higher time resolution and without an upper limit, to overcome the limitations of Kp described above. The derivation of 30-min (Hp30) and 60-min (Hp60) indices is outlined in Section 2, and their basic properties are described in Section 7. 2 Derivation of Hpo Hpo indices are derived using 1-min magnetic data from the same 13 subauroral observatories as Kp (see Section 2.2 of Matzka, Stolle, et al., 2021). Time series of Hpo starts from the year 1995, because 1-min digital data are not available from all the observatories before 1995. The procedure for deriving Hpo is similar to that for nowcast Kp described in Matzka, Stolle, et al. (2021), involving the steps described below. 2.1 Evaluation and Removal of Quiet Curve Records of the geomagnetic field from a ground station contain regular quiet daily variation and geomagnetic disturbance (Chapman & Bartels, 1940). The estimation of the quiet curve for Hpo is based on the Finnish Meteorological Institute method (Sucksdorff et al., 1991), which uses 1-min data from the previous day, present day, and subsequent day. The quiet curve is obtained for the northward X and eastward Y components of the geomagnetic field, and subtracted from the corresponding data, which leaves geomagnetic disturbance. 2.2 Evaluation of the Magnitude of Geomagnetic Disturbance The magnitude of geomagnetic disturbance is evaluated for every 30-min interval for Hp30 and 60-min interval for Hp60. For a given time interval, the range of geomagnetic disturbance (i.e., maximum minus minimum value) is compared with the maximum absolute value of geomagnetic disturbance, and the larger value of the two is adopted as the magnitude of geomagnetic disturbance. This contrasts with the derivation procedure for Kp, which always uses the range of geomagnetic disturbance. We found that this modification of the procedure improves the compatibility between Hpo and Kp. The magnitude of geomagnetic disturbance is obtained for the X and Y components, and the larger value is used in the next step. 2.3 Evaluation of H30 and H60 Indices H30 and H60 indices are analogous to K indices for Kp, and are collectively called H herein. For the evaluation of K, an observatory-specific table is used for converting the magnitude of geomagnetic disturbance (in nT) to an integer K value (0–9). An example of the conversion table for the Niemegk observatory can be found in Table 1. New tables have been created for each observatory that convert the magnitude of geomagnetic disturbance to an H value (0–9). This was done, for each observatory, by generating a conversion table for H in such a manner that the frequency distribution of H is as similar as possible to the frequency distribution of K. The construction of the conversion tables for H is based on the geomagnetic data during 1995–2017, which were all the available data when the construction of Hpo was initiated. The conversion table for H30 and H60 for Niemegk is presented in Table 1. Furthermore, extended conversion tables are produced in order to allow H to go beyond 9. In the extended conversion tables, the maximum value of H is unlimited. The lower limit for H = 10 is given by the lower limit of H = 9 multiplied by a factor of 1.35. The lower limit of H = 11 is given by the lower limit of H = 10 multiplied by a factor of 1.30, and the lower limit of H = 12 is given by the lower limit of H = 11 multiplied by a factor of 1.20. For values of H greater than 12, the multiplication factor will be always 1.20, so that H can be defined no matter how large the magnitude of geomagnetic disturbance is. These multiplication factors were determined on a trial-and-error basis so that the behavior of the final Hpo index above 9o will be compatible with those of other open-ended indices (see Section 7). Table 1. Lower Limits of H30, H60, and K for the Niemegk Observatory Index 0 1 2 3 4 5 6 7 8 9 H30 (nT) 0 2.16 4.46 8.89 17.9 33.9 65.7 119 190 267 H60 (nT) 0 2.97 6.11 12.1 24.3 44.7 82.7 144 218 337 K (nT) 0 5.00 10.0 20.0 40.0 70.0 120 200 330 500 2.4 Evaluation of Hp30 and Hp60 Indices H indices are converted to standardized Hs indices using the same method for converting K to Ks. The conversion tables can be found in the Supporting Information of Matzka, Stolle, et al. (2021). The conversion of H to Hs minimizes the influence of seasonal and UT biases. Finally, the average of the 13 Hs indices is converted into Hpo values in units of thirds (0, 1/3, 2/3, 1, 4/3, 5/3, 2, …) in analog fashion as with the nowcast Kp (see Section 3.3 of Matzka, Stolle, et al., 2021) and expressed as (0o, 0+, 1−, 1o, 1+, 2−, …) following the convention for Kp. The Hpo value is derived using the H indices evaluated with the conversion tables capped at 9 (like the one shown in Table 1). If this initial Hpo value is 9o, all the H indices are re-evaluated using the extended conversion tables, in which H can go beyond 9, to re-calculate Hpo. This ensures that Hpo and Kp behave similarly up to 9− (and differently only at 9o and above). Like Kp, Hpo indices are a quasi-logarithmic, rather than linear, measure of geomagnetic activity, and thus are not suitable for basic arithmetic operations such as addition and multiplication. To avoid this issue, linearly scaled ap30 and ap60 indices (collectively called apo) are produced for Hp30 and Hp60, respectively, by using the table that is used for producing ap from Kp (Matzka, Stolle, et al., 2021) but extending its higher end in a similar manner as the extension of H tables above 9. The relationship between Hpo and apo is illustrated in Figure 1a. Like ap, values of apo correspond to half the magnitude of geomagnetic disturbance at Niemegk. Details are in the caption following the image Figure 1 Open in figure viewer PowerPoint (a) The relationship between Hpo and apo. (b–j) Frequency distributions of the occurrence of Kp, Hp60, and Hp30 values for different years. (k) Monthly mean values of ap, ap60, and ap30 during 1995–2020. The total sunspot number is also indicated. Hp30 and Hp60, along with their corresponding ap30 and ap60, are archived since 1995 and available, in near real time, from the GFZ website (https://www.gfz-potsdam.de/en/hpo-index) with DOI (https://doi.org/10.5880/Hpo.0002) under the CC BY 4.0 license (Matzka et al., 2022, for data publication). 3 Some Properties of Hpo The frequency distributions of the occurrence of Hp30, Hp60, and Kp values are compared in Figures 1b–1j for every 3-year interval from 1995 to 2021. The distribution pattern of Kp is different in different solar cycle phases. For instance, during the solar minimum years 2007–2009 (Figure 1f) and 2019–2021 (Figure 1j), the occurrence rate of low Kp values (e.g., Kp ≤ 1o) is appreciably higher than during the solar maximum years 2001–2003 (Figure 1d) and 2013–2015 (Figure 1h). Hp30 and Hp60 reproduce different distribution patterns of Kp well, even for the later years not used in the construction of the conversion tables defining the H indices. The agreement of Hp30 and Hp60 with Kp during 2018–2021 (Figure 1j) suggests that the conversion tables for H indices are valid beyond the period 1995–2017. The linearly scaled ap30 and ap60 indices are suitable for assessing average geomagnetic activity over a certain period. Monthly mean values of ap30 and ap60 are plotted in Figure 1k. They are in good agreement with monthly mean ap, showing 11-year solar-cycle variation. The sunspot number is also displayed in Figure 1k for comparison. Geomagnetic activity is known to be highest during the declining phase of solar cycle due to the effects of recurrent high speed solar wind streams (Lockwood et al., 1999). In Figure 2, Hp30 (top), Hp60 (middle), and Kp (bottom) are compared with other geospace indices. The left panels show comparisons with Newell's coupling function (Newell et al., 2007), which is a measure of the energy input from the solar wind into the magnetosphere. The coupling function was derived using OMNI 5-min solar wind data (King & Papitashvili, 2005). Panels in the middle and right columns show comparisons with AE and PC indices, respectively. The AE index is a measure of auroral electrojet activity based on geomagnetic field measurements in the auroral region. The PC index represents geomagnetic activity in the polar region (Troshichev et al., 1988). Following Stauning (2007), the average of the PC indices from the northern (PCN) and southern (PCS) hemispheres were calculated using non-negative values. For comparisons with Hpo and Kp indices, 5-min solar wind data and 1-min AE and PC indices were averaged over every 30-min intervals. Hp60 and Kp are assumed to remain the same within their temporal windows. The solar wind data were shifted by 20 min to account for the delay due to energy transfer from the bow shock to the ionosphere (Manoj et al., 2008). Details are in the caption following the image Figure 2 Open in figure viewer PowerPoint Dependence of (a–c) Hp30, (d–f) Hp60, and (g–i) Kp on (a, d, g) Newell's solar-wind coupling function, (b, e, h) AE index, and (c, f, i) PC index. For the PC index, the average of the northern (PCN) and southern (PCS) indices is used, considering only their positive values. In each panel, black dots indicate the average of the solar-wind coupling function, AE or PC index at each Hpo or Kp value (0o, 0+, 1−, …, 9−), with error bars representing the standard deviation and the green curve representing the best-fitting third-order polynomial function for Hpo or Kp below 9o. The gray dots in panels (a–f) are individual data points for Hpo ≥9o, and the yellow dot is their average value. The solar-wind coupling function, AE and PC indices averaged at each value of Hpo and Kp from 0o to 9− are indicated in Figure 2 by black dots, with error bars representing the standard deviation. Curves in green show the best-fitting third-degree polynomial function for Hpo and Kp below 9o. The fitted curves for Hp30, Hp60, and Kp are similar to each other. The results suggest that for Hpo <9o, the dependence of Hp30 and Hp60 on the solar-wind coupling function, AE and PC indices is consistent with that of Kp. For Hpo ≥9o, the number of data points is rather small, and thus the average solar-wind coupling function, AE and PC indices were not calculated for each Hpo value. Instead, a single average value was derived using all the data corresponding to Hpo ≥9o (gray dots), which is indicated by the yellow dot in each panel of Figures 2a–2f. It is seen that the average value falls near the polynomial curve derived from the data for Hpo <9o. The results suggest that Hp30 and Hp60 can represent geomagnetic activity for Hpo ≥9o in the manner expected from their behavior for Hpo <9o. The behavior of Hpo at its high end is further illustrated in Figure 3 based on five geomagnetic storm events. The selected geomagnetic storms are those in November 2003, March 2001, October 2003, November 2004, and July 2002, which are the five most intense geomagnetic storms during the period considered in this study (1995–2021) according to the minimum value of the Dst index. The left panels show time series of Hp30, Hp60, and Kp, as well as the Dst index, over a 7-day interval, in which the third day corresponds to the storm main phase. The temporal evolution of Kp is generally well captured by Hp30 and Hp60. Variations within 3 hr are seen in Hp30 and Hp60, which are not resolved by Kp. The maximum values of Hp30, Hp60, Kp, and the minimum value of Dst are (9−, 9−, 9−, and −422) for the November 2003 event, (10o, 10−, 9−, and −387) for the March 2001 event, (12−, 12−, 9o, and −383) for the October 2003 event, (11−, 9−, 9−, and −374) for the November 2004 event and (11o, 11o, 9o, and −300) for the July 2002 event. Thus, according to Hpo, the October 2003 event is the strongest among the five. Hpo ≥9o is seen mainly during the storm main phase, when the Dst index rapidly decreases. The right panels compare the 3-hourly mean of Hp30 (calculated from ap30) and Kp. The correlation is rather good; the correlation coefficient r is greater than 0.98 in all cases. Similarly good correlation is found for the comparison between 3-hourly mean of Hp60 and Kp (not shown here). These results suggest that Hpo can represent geomagnetic activity in a similar way as Kp even during the strongest geomagnetic storms. Details are in the caption following the image Figure 3 Open in figure viewer PowerPoint (a, c, e, g, i) Time series of Kp, Hp60, Hp30, and Dst over a 7-day interval during strong geomagnetic storm events. Zero in the horizontal axis corresponds to 00 UT of the day with the storm main phase. (b, d, f, h, j) Comparison of Kp and three-hourly average of Hp30 during the strong geomagnetic storm events. The 3-hourly average of Hp30 is derived from the corresponding values of ap30. The correlation coefficient r is also indicated. To provide some insight into variations of Hp30 and Hp60 within 3 hr, Figure 4 depicts the response of ap30, ap60, and ap to isolated substorms. The substorm onset list based on the technique described by Newell and Gjerloev (2011a) was obtained from the SuperMAG website (https://supermag.jhuapl.edu/). We selected isolated substorm events where there is no other substorm onset in the preceding 6 hr and following 12 hr. A total of 1947 isolated substorm events have been identified during 1995–2018. Figure 4a shows the variation of the AE index averaged over those substorm events. The average AE index peaks approximately 1 hr after the onset, and decays gradually to go back to the pre-onset level in 3–4 hr. The average ap30 and ap60 indices (Figures 4b and 4c) show the increase and decrease of geomagnetic activity that occur within 3 hr around the substorm onset. ap (Figure 4d) is not able to fully resolve such a short-term variation due to its low time resolution. The results suggest that variation of Hpo within 3 hr can contain physically meaningful information, which is not resolved by Kp. Details are in the caption following the image Figure 4 Open in figure viewer PowerPoint Superposed epoch analysis of (a) AE, (b) ap30, (c) ap60, and (d) Kp over 1947 isolated substorm events identified during 1995–2018 based on the method of Newell and Gjerloev (2011a). Error bars represent the standard error of the mean. Zero in the horizontal axis corresponds to the substorm onset. 4 Summary and Outlook We have described a group of new open-ended geomagnetic activity indices Hpo. Hourly (Hp60) and half-hourly (Hp30) indices, along with their linearly scaled counterparts (ap30 and ap60), are available in near real time from the GFZ website (https://www.gfz-potsdam.de/en/hpo-index) with DOI (Matzka et al., 2022). Important properties of Hpo that are revealed by our initial analysis can be summarized as follows: The frequency distributions of the occurrence of Hp30 and Hp60 values are consistent with that of Kp at different phases of the solar cycle (Figures 1a–1i). Month-to-month variations of Hp30 and Hp60 are consistent with that of Kp (Figure 1k). The relationships between Hpo indices and Newell's solar wind coupling function, AE and PC indices are similar to those between Kp and these three quantities. Hp30 and Hp60 can capture temporal variation of Kp during strong geomagnetic storm events (Figure 3). Hp30 and Hp60 can reproduce short-term variation of geomagnetic activity within 3 hr associated with substorms (Figure 4). These results demonstrate that Hpo can be used as a higher time-resolution alternative to Kp. Indeed, there are already a few studies that utilized Hpo for its advantage over Kp. Yamazaki et al. (2021) used Hp30 to select quiet-time measurements of the geomagnetic field from Swarm satellites. The orbital period of a Swarm satellite is approximately 90 min, thus using Hp30, geomagnetic activity can be evaluated for every one third of the orbit, while there is only one Kp value for every two orbits. The high-cadence output of Hpo enables a more accurate selection of quiet-time data than the three-hourly Kp index. Bruinsma and Boniface (2021) used Hp60 to drive a recent version of the Drag Temperature Model, DTM-2020, which is a semi-empirical model of the Earth's thermosphere, developed for orbit determination and prediction of spacecraft and debris. They showed that the use of Hpo leads to the improvement of the model compared with the predecessor model DTM-2013 (Bruinsma, 2015) that is driven by Kp. Similarly, Hpo may be used for improving other geospace models driven by Kp. Recalibration and validation are recommended when Hpo is used as an input for existing models that are parameterized with Kp. |
2024.05.11 08:43 CaptainMawii Skill ceiling for heavy is really low, huh?
It's like my second time playing with the flame thrower. And I rarely play heavy. OP AF. submitted by CaptainMawii to thefinals [link] [comments] |
2024.05.11 08:04 Night_Fev3r @EbonyPrince2k24 backups, in case they're deleted.
CONTEXT & TL;DR: submitted by Night_Fev3r to KendrickLamar [link] [comments] An X / Twitter created May '24 posted a video that shows off the items from the ' meet the grahams' cover art. The white Popular Jewelry receipt is physically blocked by a Nadine Ghosn card on the cover art. In a video posted by Ebony Prince, the blocked portion is revealed to be a link to a digital copy of the receipt. The digital receipt matches the details (prices and date) of the physical one, seemingly proving the items are not replicas. The account seemingly wants to sell the items, but Drake/Akademiks claim of them being stolen has made this difficult. They are also taking Etherium (ETH, cryptocurrency) offers for a 30s security footage clip of Drake allegedly doing something bad. They have publicly threated Drake/Akadmiks with legal action if they do not retract their theft accusations before "noon Monday 5/13/24" (time zone unknown, assumed NYC). However, aside from the first video: they have not posted any proof to backup any of their claims. Every new post leads people to theorize on the alleged clues, but again they have not been backed with any proof. That is where we currently are as of 5/12/24 06:30 PM PST. THE TOO LONG / SEE FAQ BELOW BEFORE ASKING FOR CLARIFICATION May 12 06:00 PM PST - I am still archiving their Twitter account continuously, I have every tweet plus attached media saved. Waiting to do an all-in one upload, or until they upload hard proof of anything like with the 'meet the graham' cover items. PS: if mods unpin, they aren't censoring. Don't blame them for wanting to keep Kendrick's latest song pinned in addition to their usual daily discussion thread (reddit only allows two pinned posts per sub or one pinned comment per thread). This is supposed to be a music sub, not a conspiracy one. View using new.reddit.com or the official mobile app to view captions under the media for reddit hosted content. Disclaimer: to avoid breaking sitewide rules that would get this post/account deleted, I will not be listing any names/information of non-public persons. I will also attempt to keep this post objective and documentative, rather than speculative or conspiratorial. Notes are for clarity of misunderstood information. Disclaimer: I am not a mod, they simply chose this post to pin/use as a megathread. reddit mods cannot edit titles or the content of this post; not trying to give them a hard time by adding theories to this, just reputably sourced information from articles, etc. Content mirror includes:
First two mirrors were removed. Probably due to high traffic or mass reporting. Google Drive deletes for both those reasons, too. Only includes raw Set 1 files. I am still saving their more recent posts, but will not bother uploading them until they post proof instead of vague text or this is all finished. Timeline / reddit-hosted backups: Set 1 X banner. X profile picture. First post at 3:35 PM · May 10, 2024 (PST) https://twitter.com/EbonyPrince2k2 4/status/1789061624852013566 Second post at 4:07 PM · May 10, 2024 (PST) https://twitter.com/EbonyPrince2k24/status/1789069835868967336 Third post at 5:38 PM · May 10, 2024 (PST) https://twitter.com/EbonyPrince2k24/status/1789092657794371766Fourth post at 6:25 PM · May 10, 2024 (PST) https://twitter.com/EbonyPrince2k24/status/1789104508754162091Their liked posts. Set 2 ⚠ Sets 2 and newer are not accompanied by any proof. Keep a skeptical mind when viewing them. ⚠ 4:56 AM · May 11, 2024 (PST) https://twitter.com/EbonyPrince2k24/status/1789263365841277222?t=3_odEyHy03tbALd-ZLeZ-Q&s=19 5:17 AM · May 11, 2024 (PST) https://twitter.com/EbonyPrince2k24/status/1789268486780281300?t=JcJibnBHQFh40Bb7j9FLWQ&s=195:37 AM · May 11, 2024 (PST) https://twitter.com/EbonyPrince2k24/status/1789273689369796961?t=43y6rWVpC6VR1Q3lPzf1mQ&s=19Set 3 11:33 AM · May 11, 2024 (PST) https://twitter.com/EbonyPrince2k24/status/178936329869091240711:44 AM · May 11, 2024 (PST) https://twitter.com/EbonyPrince2k24/status/1789365922064482533 12:09 PM · May 11, 2024 (PST) https://twitter.com/EbonyPrince2k24/status/1789372362414022833 1:10 PM · May 11, 2024 (PST) https://twitter.com/EbonyPrince2k24/status/1789387682155557175 ⚠ Important Information / FAQ ⚠ I'll update as more information is found by myself or others. Video items in order of appearance
The laptop is not the same as the one seen in J Cole's recent beach photo. The Popular Jewelry online receipt is also non-itemized. The online receipt code was physically blocked by the Nadine Ghosn card in 'meet the grahams' cover art, seemingly proving the receipt and other items are not replicas. The purchaser is "Drew Ferguson" who was an OVO affiliate. Their current relationship is seemingly unknown. Jimmy Brooks Jimmy Brooks would not have been proud of you that night...Jimmy Brooks is the name of the 'Degrassi: The Next Generation' character Aubrey (Drake) Graham played. Drake played was on the show from 2001-2009 for 145 episodes. Notably the character Jimmy Brooks ends up wheelchair-bound. Degrassi: The Next Generation (TV Series 2001–2015) - IMDb Christopher Alvarez The "baby" in the "stroller" is a disabled adult in a mobility wheelchair. Believed to be Christopher Alvarez, a NYC journalist who appeared in a viral video with DJ Khaled. DJ Khaled Finds Friendship's the Key When It Comes to This Fan (tmz.com)Christopher Alvarez, M. S. LinkedIn Conflicting dates Dates printed on the Popular Jewelry receipts are dated July 2023, while the security footage screenshot is timestamped January 2023. This on its own does not prove a hoax: ...may this photo help jog your memory as to where you discarded...The post could be a visual hint directed at Drake and not a claim that Drake lost the 'meet the grahams' cover items on that specific date. The Mark Hotel The apparent CCTV footage shows Drake, Christopher Alvarez, and two currently unidentified men in the lobby of The Mark Hotel. The still image of the footage is timestamped January 22, 2023 03:19:03 AM EDT (?). The luxury hotel is in close proximity to the Apollo Theater and Barclays Center, where Drake performed during that month. The Mark Hotel - Wikipedia Kendrick Lamar NY penthouse The video showing off Drake's items, as seen on the 'meet the grahams' cover, was allegedly taken from the same building as Kendrick Lamar's penthouse. Initial rumors claim the view lines up exactly with Kendrick's penthouse room. The views do seem to line up with the building itself at the very least? See notes below. Kendrick Lamar Buys a Penthouse on the Brooklyn Waterfront - The New York Times Kendrick Lamar's Brooklyn Penthouse Pierhouse at Brooklyn Bridge Park NYC Real Estate Brokerage Notes: The video from EbonyPrince2k24 matches a balcony from Harriet's Rooftop & Lounge. Assuming the photos of Kendrick's penthouse are still accurate, the video from the post was not taken from there. The railing and floor of the balconies do not match. The Pierhouse penthouse and Harriet's Lounge seemingly share the same building according to Google Maps. Or are at least two separate buildings that are physically connected. The Historical House of Ebony The first two X posts include a poster for a dance performance and a logo (?), both belonging the the titular house. The poster comes from an Instagram post (November 19, 2023) by a performative "ballroom house" of the same name. The House of Ebony was featured in an HBO Max show titled 'Legendary,' where multiple houses competed for a prize of USD$100,000. They placed 6th place. The connection to Drake or Kendrick Lamar is seemingly unknown. Legendary (TV series) - Wikipedia) The source of the logo image has zero results through Google Image reverse search or through TinEye reverse image search. X banner and profile picture The banner is seemingly a logo for the House of Ebony as discussed above. The profile picture is an icon of the "African-American Flag." African-American Flag - Wikipedia |
2024.05.10 23:22 Lamorosii The K-Pop Index: COOL Edition (Artist Discovery & Discussion)
Song Title | Music Video | Live Performance |
---|---|---|
1. The (Ku:l) Prologue | -- | -- |
2. 너이길 원했던 이유 | Official Music Video | KBS Performance |
3. 사랑의 끝 | -- | -- |
4. 이젠 (R & B) | -- | -- |
5. 그냥 그런 이야기 | -- | -- |
6. 잊을 수 있어 | -- | Performance |
7. 이젠 (Reggae) | -- | Performance |
8. 자유속으로 | -- | -- |
9. AM0432 | -- | -- |
10. 이젠 (Inst.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 프롤로그 | -- | -- |
2. 작은 기다림 | Official Music Video | MBC Performance |
3. 나만의 자유 | -- | Performance |
4. 슬퍼지려 하기 전에 | -- | MBC Performance |
5. 너이길 원했던 이유 Ⅱ | -- | -- |
6. 나의 기도 | -- | -- |
7. 비밀의 연인 | -- | -- |
8. 이젠 | -- | -- |
9. 작은 기다림 (Inst.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 루시퍼의 변명 | -- | MBC Performance |
2. 운명 | Official Music Video | KBS Performance |
3. 너의 집 앞에서 | -- | -- |
4. 현실+상상 | -- | -- |
5. 너의 지나간 사랑 | -- | -- |
6. 결별 | -- | -- |
7. 짧은 사랑 | -- | -- |
8. 지금까지 | -- | -- |
9. 슬퍼지려 하기 전에 | -- | Performance |
10. 너의 집앞에서 (Inst.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 해변의 여인 | Official Music Video | MBC Performance |
2. 송인 | -- | MBC Performance |
3. 있을때 잘해 | -- | -- |
4. 지금까지 | -- | -- |
5. 너의 지나간 사랑 | -- | -- |
6. 잊을수 있어 | -- | -- |
7. 진주 조개잡이 | -- | -- |
8. 슬퍼지려 하기 전에 | -- | -- |
9. 너의 집 앞에서 | -- | -- |
10. 해변의 여인 (Remix) | -- | -- |
11. 있을 때 잘해 (Remix) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 그대 그리워지는 이밤에 | -- | Performance |
2. 애상 | Official Music Video | Performance |
3. 변명 | Official Music Video | Music Camp Performance |
4. 영원한 비밀 | -- | -- |
5. 날아 날아 | -- | -- |
6. 클라멘타인 | -- | -- |
7. 북에서 온 민숙이 | -- | -- |
8. 친구가 연인이 되기까지 | -- | -- |
9. 또자 - 쿨쿨 | -- | KBS Performance |
10. 오토리버스 | -- | -- |
11. 지난 슬픔 버리고 | -- | -- |
12. 북에서 온 민숙이 (Sam ver.) | -- | -- |
13. 한 장의 추억 | -- | -- |
14. 애상 (MR) | -- | -- |
15. 북에서 온 민숙이 (MR, Bonus Track) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 슬퍼지려 하기전에 | -- | -- |
2. 십계 (십계명) | Official Music Video | Performance |
3. 미절 (Misery) | -- | Performance |
4. 날아 날아 (사브리나 보이스의 랩 인용) | -- | -- |
5. 나의 바램 | -- | -- |
6. 친구가 연인이 되기까지 | -- | -- |
7. 북에서 온 민숙이 | -- | -- |
8. 클레멘타인 | -- | -- |
9. 송인 | -- | -- |
10. 눈속의 여인 (해변의 여인 Remake) | -- | -- |
11. 애상 | -- | -- |
12. 약속 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. Cool Night | -- | MBC Performance |
2. Love Letter | -- | -- |
3. 해석남녀 | Official Music Video | SBS Performance |
4. Skin Ship | -- | -- |
5. 5분전 | -- | -- |
6. 웨딩데이 | -- | -- |
7. 맥주와 땅콩 | Official Music Video | MBC Performance |
8. 칼로리 | -- | -- |
9. 사랑의 이름으로 | -- | -- |
10. 비연 | -- | -- |
11. All For You | -- | -- |
12. 바람의 아들 | -- | -- |
13. 늦었음을 | -- | -- |
14. 매끈한 여자 | -- | -- |
15. All For You Guitar | -- | KBS Performance |
16. 오랜 친구에게 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 좋은 세상 만들기 | -- | -- |
2. Jumpo Mambo | Official Music Video | KBS Performance |
3. 오래된 연인 | -- | -- |
4. 비밀 | -- | -- |
5. 이별로 배운 사랑 | -- | -- |
6. 소중한 사람아 | -- | -- |
7. 애구애구 | -- | -- |
8. 믿어? 믿어! | -- | Performance |
9. 밤 | -- | KBS Performance |
10. Queen Of The Night | -- | -- |
11. You & I | -- | -- |
12. 하늘로 쓰는 편지 | -- | -- |
13. 천사에게 | -- | -- |
14. Someday | -- | KBS Performance |
15. Weekend | -- | -- |
16. 친구가 된다는 건 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. I Love You | -- | -- |
2. Tell Me Why | -- | -- |
3. White Christmas | -- | -- |
4. 아로하 | Official Music Video | Performance |
5. 헤어지는 날 | -- | -- |
6. 그래서 행복합니다 | Official Music Video | -- |
7. 나의 바램 | -- | -- |
8. 소원 | -- | -- |
9. Love Again | -- | -- |
10. 하늘로 쓰는 편지 | -- | -- |
11. 아마 그댄 | -- | -- |
12. 웨딩전야 | -- | -- |
13. 그녀의 결혼식 | -- | -- |
14. 한장의 추억 | -- | -- |
15. 우리 이렇게 서로 스쳐 보내면 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. Intro | -- | -- |
2. 짚신커풀 | -- | -- |
3. 숙아 | Official Music Video | Performance |
4. Sad Cafe | -- | MBC Performance |
5. 남과 여 | -- | -- |
6. 울보 | -- | -- |
7. 좋은사람 | -- | -- |
8. 진실 | Official Music Video | MBC Performance |
9. 고백가 | -- | -- |
10. Cheat | -- | -- |
11. Blue Eyes | -- | -- |
12. 여우비 | -- | -- |
13. 헤어짐에 관한 짧은 필름 | -- | -- |
14. Any Time | -- | -- |
15. 첫사랑을 만나다 | -- | -- |
16. 나밖에 모르던 내가 | -- | -- |
17. 그대는 다르겠죠 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 백설공주를 사랑한 일곱번째 난장이 | Official Music Video | -- |
2. 작년, 오늘 | Official Music Video | -- |
3. Sometimes | -- | -- |
4. If | -- | -- |
5. 산책 | -- | MBC Performance |
6. 부디 | -- | -- |
7. 다시 | -- | -- |
8. This Song | -- | -- |
9. 청혼 | -- | -- |
10. 겨울이야기 | -- | -- |
11. 발자욱 | -- | -- |
12. 양치기 소년 | -- | -- |
13. 유리 공주 | -- | -- |
14. 작년 오늘 기차 | -- | -- |
15. 걱정이죠 | Official Music Video | -- |
16. Daring | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. Cool Love | -- | Performance |
2. One Summer Drive | Official Music Video | MBC Performance |
3. 결혼을 할 거라면 | Official Music Video | MBC Performance |
4. 못난이 | -- | -- |
5. 그대 행복을 빌어줄 순 없죠 | -- | -- |
6. 과거를 묻지 마세요 | -- | -- |
7. 바보야 | -- | -- |
8. 숟가락 두 개 | -- | -- |
9. 에덴의 동쪽 | -- | -- |
10. Beautiful People | -- | -- |
11. 쉿 | -- | -- |
12. 2 Become 1 | -- | -- |
13. 섬집아기 | -- | -- |
14. 사랑 조리법 | -- | -- |
15. 껌 | -- | -- |
16. 괜찮아요 | -- | -- |
17. 추억이 오는 날 | -- | -- |
18. 못난이 (Guitar ver.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. Blue Moon | -- | -- |
2. 떠나야만 했나요? | Official Music Video | -- |
3. 나는 유죄다 | -- | -- |
4. 당신에게 일어날 수 있는 일 | -- | -- |
5. 설야 | -- | -- |
6. 별과 나 (Notting Hill) | -- | -- |
7. 그래요 난 | -- | -- |
8. 약속할게요 (Promise) | -- | -- |
9. 겨울잠 | -- | -- |
10. Again | -- | -- |
11. 괜찮을 것 같아 | -- | -- |
12. 소곡 | -- | -- |
13. Last Christmas | -- | -- |
14. 겨울여행 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 친구찾기 | Official Music Video | -- |
2. Jingle Love Song (청춘에서 황혼까지) | -- | -- |
3. 사랑노래 | -- | -- |
4. 아가씨와 건달들 | Official Music Video | -- |
5. 그대, 20m, 나 | -- | -- |
6. Now I Know | -- | -- |
7. 5 땡 Q | -- | -- |
8. Turning | -- | -- |
9. 도시 바캉스 | -- | -- |
10. 등푸른 추억 | -- | -- |
11. Falling In Love | -- | -- |
12. 둘만의 비밀 | -- | -- |
13. 에게해에 지다 | -- | -- |
14. Solo | -- | -- |
15. 할 수 있는 건 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 이 여름 Summer | Official Music Video | -- |
2. 고백합시다 | -- | -- |
3. Sexy Summer Lady | -- | -- |
4. 애정의 조건 | -- | -- |
5. 너에게 가는 여행 | -- | -- |
6. 혼자인걸요 | -- | -- |
7. Goodbye (feat. MC 몽) | -- | -- |
8. 스트롱~맨 | -- | -- |
9. 널 잊는 날 | -- | -- |
10. 어머머 | -- | -- |
11. 널 잊는 연습 | -- | -- |
12. 단 하나의 둘 | -- | -- |
13. Promise | -- | -- |
14. The Fighter | -- | -- |
15. Friends | -- | -- |
16. 10 Years | -- | -- |
17. End... And | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 오늘 하루 | Official Music Video | MBC Performance |
2. 잘한거죠 | -- | -- |
3. 헤어지자 | -- | -- |
4. 아내에게 | -- | -- |
5. 사랑합니다 | -- | -- |
6. 도시의 바캉스 | -- | -- |
7. 둘만의 비밀 | -- | -- |
8. 스트롱 맨 | -- | -- |
9. 단 하나의 사랑 | -- | -- |
10. Good-Bye | -- | -- |
11. 아가씨와 건달들 | -- | -- |
12. 등 푸른 추억 | -- | -- |
13. 잘한거죠 (Inst.) | -- | -- |
14. 헤어지자 (Inst.) | -- | -- |
15. 아내에게 (Inst.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. BPM 140 | -- | -- |
2. Dance Dance | -- | -- |
3. 이별을 견디는 몇가지 방법 | - | -- |
4. 첫사랑 | -- | -- |
5. 보고 싶은데 | -- | Performance |
6. 사랑을 원해 | Official Music Video | MBC Performance |
7. 서울 구경 | -- | -- |
8. 바보 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 보고보고 | Official Music Video | MBC Performance |
2. In Your Eyes | -- | Mnet Performance |
3. Kiss | -- | -- |
4. Happy Time | -- | -- |
5. 신발 | -- | -- |
6. Blue Night | -- | Performance |
7. 선물 | -- | -- |
8. 헤어지나요 | -- | -- |
9. 달콤한 거짓말 | -- | -- |
10. Summer Melody | -- | -- |
11. I'm So Cool | -- | -- |
12. 고고씽 | -- | -- |
13. In Your Eyes (Guitar ver.) | -- | -- |
Song Title |
---|
이별 앞에 서다 |
Song Title |
---|
한여름 밤의 고백 |
Song Title | Music Video | Live Performance |
---|---|---|
다 잘될 거야 | Official Music Video | -- |
2024.05.10 23:17 Lamorosii The K-Pop Index: COOL Edition (Artist Discovery & Discussion)
Song Title | Music Video | Live Performance |
---|---|---|
1. The (Ku:l) Prologue | -- | -- |
2. 너이길 원했던 이유 | Official Music Video | KBS Performance |
3. 사랑의 끝 | -- | -- |
4. 이젠 (R & B) | -- | -- |
5. 그냥 그런 이야기 | -- | -- |
6. 잊을 수 있어 | -- | Performance |
7. 이젠 (Reggae) | -- | Performance |
8. 자유속으로 | -- | -- |
9. AM0432 | -- | -- |
10. 이젠 (Inst.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 프롤로그 | -- | -- |
2. 작은 기다림 | Official Music Video | MBC Performance |
3. 나만의 자유 | -- | Performance |
4. 슬퍼지려 하기 전에 | -- | MBC Performance |
5. 너이길 원했던 이유 Ⅱ | -- | -- |
6. 나의 기도 | -- | -- |
7. 비밀의 연인 | -- | -- |
8. 이젠 | -- | -- |
9. 작은 기다림 (Inst.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 루시퍼의 변명 | -- | MBC Performance |
2. 운명 | Official Music Video | KBS Performance |
3. 너의 집 앞에서 | -- | -- |
4. 현실+상상 | -- | -- |
5. 너의 지나간 사랑 | -- | -- |
6. 결별 | -- | -- |
7. 짧은 사랑 | -- | -- |
8. 지금까지 | -- | -- |
9. 슬퍼지려 하기 전에 | -- | Performance |
10. 너의 집앞에서 (Inst.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 해변의 여인 | Official Music Video | MBC Performance |
2. 송인 | -- | MBC Performance |
3. 있을때 잘해 | -- | -- |
4. 지금까지 | -- | -- |
5. 너의 지나간 사랑 | -- | -- |
6. 잊을수 있어 | -- | -- |
7. 진주 조개잡이 | -- | -- |
8. 슬퍼지려 하기 전에 | -- | -- |
9. 너의 집 앞에서 | -- | -- |
10. 해변의 여인 (Remix) | -- | -- |
11. 있을 때 잘해 (Remix) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 그대 그리워지는 이밤에 | -- | Performance |
2. 애상 | Official Music Video | Performance |
3. 변명 | Official Music Video | Music Camp Performance |
4. 영원한 비밀 | -- | -- |
5. 날아 날아 | -- | -- |
6. 클라멘타인 | -- | -- |
7. 북에서 온 민숙이 | -- | -- |
8. 친구가 연인이 되기까지 | -- | -- |
9. 또자 - 쿨쿨 | -- | KBS Performance |
10. 오토리버스 | -- | -- |
11. 지난 슬픔 버리고 | -- | -- |
12. 북에서 온 민숙이 (Sam ver.) | -- | -- |
13. 한 장의 추억 | -- | -- |
14. 애상 (MR) | -- | -- |
15. 북에서 온 민숙이 (MR, Bonus Track) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 슬퍼지려 하기전에 | -- | -- |
2. 십계 (십계명) | Official Music Video | Performance |
3. 미절 (Misery) | -- | Performance |
4. 날아 날아 (사브리나 보이스의 랩 인용) | -- | -- |
5. 나의 바램 | -- | -- |
6. 친구가 연인이 되기까지 | -- | -- |
7. 북에서 온 민숙이 | -- | -- |
8. 클레멘타인 | -- | -- |
9. 송인 | -- | -- |
10. 눈속의 여인 (해변의 여인 Remake) | -- | -- |
11. 애상 | -- | -- |
12. 약속 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. Cool Night | -- | MBC Performance |
2. Love Letter | -- | -- |
3. 해석남녀 | Official Music Video | SBS Performance |
4. Skin Ship | -- | -- |
5. 5분전 | -- | -- |
6. 웨딩데이 | -- | -- |
7. 맥주와 땅콩 | Official Music Video | MBC Performance |
8. 칼로리 | -- | -- |
9. 사랑의 이름으로 | -- | -- |
10. 비연 | -- | -- |
11. All For You | -- | -- |
12. 바람의 아들 | -- | -- |
13. 늦었음을 | -- | -- |
14. 매끈한 여자 | -- | -- |
15. All For You Guitar | -- | KBS Performance |
16. 오랜 친구에게 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 좋은 세상 만들기 | -- | -- |
2. Jumpo Mambo | Official Music Video | KBS Performance |
3. 오래된 연인 | -- | -- |
4. 비밀 | -- | -- |
5. 이별로 배운 사랑 | -- | -- |
6. 소중한 사람아 | -- | -- |
7. 애구애구 | -- | -- |
8. 믿어? 믿어! | -- | Performance |
9. 밤 | -- | KBS Performance |
10. Queen Of The Night | -- | -- |
11. You & I | -- | -- |
12. 하늘로 쓰는 편지 | -- | -- |
13. 천사에게 | -- | -- |
14. Someday | -- | KBS Performance |
15. Weekend | -- | -- |
16. 친구가 된다는 건 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. I Love You | -- | -- |
2. Tell Me Why | -- | -- |
3. White Christmas | -- | -- |
4. 아로하 | Official Music Video | Performance |
5. 헤어지는 날 | -- | -- |
6. 그래서 행복합니다 | Official Music Video | -- |
7. 나의 바램 | -- | -- |
8. 소원 | -- | -- |
9. Love Again | -- | -- |
10. 하늘로 쓰는 편지 | -- | -- |
11. 아마 그댄 | -- | -- |
12. 웨딩전야 | -- | -- |
13. 그녀의 결혼식 | -- | -- |
14. 한장의 추억 | -- | -- |
15. 우리 이렇게 서로 스쳐 보내면 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. Intro | -- | -- |
2. 짚신커풀 | -- | -- |
3. 숙아 | Official Music Video | Performance |
4. Sad Cafe | -- | MBC Performance |
5. 남과 여 | -- | -- |
6. 울보 | -- | -- |
7. 좋은사람 | -- | -- |
8. 진실 | Official Music Video | MBC Performance |
9. 고백가 | -- | -- |
10. Cheat | -- | -- |
11. Blue Eyes | -- | -- |
12. 여우비 | -- | -- |
13. 헤어짐에 관한 짧은 필름 | -- | -- |
14. Any Time | -- | -- |
15. 첫사랑을 만나다 | -- | -- |
16. 나밖에 모르던 내가 | -- | -- |
17. 그대는 다르겠죠 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 백설공주를 사랑한 일곱번째 난장이 | Official Music Video | -- |
2. 작년, 오늘 | Official Music Video | -- |
3. Sometimes | -- | -- |
4. If | -- | -- |
5. 산책 | -- | MBC Performance |
6. 부디 | -- | -- |
7. 다시 | -- | -- |
8. This Song | -- | -- |
9. 청혼 | -- | -- |
10. 겨울이야기 | -- | -- |
11. 발자욱 | -- | -- |
12. 양치기 소년 | -- | -- |
13. 유리 공주 | -- | -- |
14. 작년 오늘 기차 | -- | -- |
15. 걱정이죠 | Official Music Video | -- |
16. Daring | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. Cool Love | -- | Performance |
2. One Summer Drive | Official Music Video | MBC Performance |
3. 결혼을 할 거라면 | Official Music Video | MBC Performance |
4. 못난이 | -- | -- |
5. 그대 행복을 빌어줄 순 없죠 | -- | -- |
6. 과거를 묻지 마세요 | -- | -- |
7. 바보야 | -- | -- |
8. 숟가락 두 개 | -- | -- |
9. 에덴의 동쪽 | -- | -- |
10. Beautiful People | -- | -- |
11. 쉿 | -- | -- |
12. 2 Become 1 | -- | -- |
13. 섬집아기 | -- | -- |
14. 사랑 조리법 | -- | -- |
15. 껌 | -- | -- |
16. 괜찮아요 | -- | -- |
17. 추억이 오는 날 | -- | -- |
18. 못난이 (Guitar ver.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. Blue Moon | -- | -- |
2. 떠나야만 했나요? | Official Music Video | -- |
3. 나는 유죄다 | -- | -- |
4. 당신에게 일어날 수 있는 일 | -- | -- |
5. 설야 | -- | -- |
6. 별과 나 (Notting Hill) | -- | -- |
7. 그래요 난 | -- | -- |
8. 약속할게요 (Promise) | -- | -- |
9. 겨울잠 | -- | -- |
10. Again | -- | -- |
11. 괜찮을 것 같아 | -- | -- |
12. 소곡 | -- | -- |
13. Last Christmas | -- | -- |
14. 겨울여행 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 친구찾기 | Official Music Video | -- |
2. Jingle Love Song (청춘에서 황혼까지) | -- | -- |
3. 사랑노래 | -- | -- |
4. 아가씨와 건달들 | Official Music Video | -- |
5. 그대, 20m, 나 | -- | -- |
6. Now I Know | -- | -- |
7. 5 땡 Q | -- | -- |
8. Turning | -- | -- |
9. 도시 바캉스 | -- | -- |
10. 등푸른 추억 | -- | -- |
11. Falling In Love | -- | -- |
12. 둘만의 비밀 | -- | -- |
13. 에게해에 지다 | -- | -- |
14. Solo | -- | -- |
15. 할 수 있는 건 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 이 여름 Summer | Official Music Video | -- |
2. 고백합시다 | -- | -- |
3. Sexy Summer Lady | -- | -- |
4. 애정의 조건 | -- | -- |
5. 너에게 가는 여행 | -- | -- |
6. 혼자인걸요 | -- | -- |
7. Goodbye (feat. MC 몽) | -- | -- |
8. 스트롱~맨 | -- | -- |
9. 널 잊는 날 | -- | -- |
10. 어머머 | -- | -- |
11. 널 잊는 연습 | -- | -- |
12. 단 하나의 둘 | -- | -- |
13. Promise | -- | -- |
14. The Fighter | -- | -- |
15. Friends | -- | -- |
16. 10 Years | -- | -- |
17. End... And | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 오늘 하루 | Official Music Video | MBC Performance |
2. 잘한거죠 | -- | -- |
3. 헤어지자 | -- | -- |
4. 아내에게 | -- | -- |
5. 사랑합니다 | -- | -- |
6. 도시의 바캉스 | -- | -- |
7. 둘만의 비밀 | -- | -- |
8. 스트롱 맨 | -- | -- |
9. 단 하나의 사랑 | -- | -- |
10. Good-Bye | -- | -- |
11. 아가씨와 건달들 | -- | -- |
12. 등 푸른 추억 | -- | -- |
13. 잘한거죠 (Inst.) | -- | -- |
14. 헤어지자 (Inst.) | -- | -- |
15. 아내에게 (Inst.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. BPM 140 | -- | -- |
2. Dance Dance | -- | -- |
3. 이별을 견디는 몇가지 방법 | - | -- |
4. 첫사랑 | -- | -- |
5. 보고 싶은데 | -- | Performance |
6. 사랑을 원해 | Official Music Video | MBC Performance |
7. 서울 구경 | -- | -- |
8. 바보 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 보고보고 | Official Music Video | MBC Performance |
2. In Your Eyes | -- | Mnet Performance |
3. Kiss | -- | -- |
4. Happy Time | -- | -- |
5. 신발 | -- | -- |
6. Blue Night | -- | Performance |
7. 선물 | -- | -- |
8. 헤어지나요 | -- | -- |
9. 달콤한 거짓말 | -- | -- |
10. Summer Melody | -- | -- |
11. I'm So Cool | -- | -- |
12. 고고씽 | -- | -- |
13. In Your Eyes (Guitar ver.) | -- | -- |
Song Title |
---|
이별 앞에 서다 |
Song Title |
---|
한여름 밤의 고백 |
Song Title | Music Video | Live Performance |
---|---|---|
다 잘될 거야 | Official Music Video | -- |
2024.05.10 22:40 Lamorosii 쿨 (Cool)
Song Title | Music Video | Live Performance |
---|---|---|
1. The (Ku:l) Prologue | -- | -- |
2. 너이길 원했던 이유 | Official Music Video | KBS Performance |
3. 사랑의 끝 | -- | -- |
4. 이젠 (R & B) | -- | -- |
5. 그냥 그런 이야기 | -- | -- |
6. 잊을 수 있어 | -- | Performance |
7. 이젠 (Reggae) | -- | Performance |
8. 자유속으로 | -- | -- |
9. AM0432 | -- | -- |
10. 이젠 (Inst.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 프롤로그 | -- | -- |
2. 작은 기다림 | Official Music Video | MBC Performance |
3. 나만의 자유 | -- | Performance |
4. 슬퍼지려 하기 전에 | -- | MBC Performance |
5. 너이길 원했던 이유 Ⅱ | -- | -- |
6. 나의 기도 | -- | -- |
7. 비밀의 연인 | -- | -- |
8. 이젠 | -- | -- |
9. 작은 기다림 (Inst.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 루시퍼의 변명 | -- | MBC Performance |
2. 운명 | Official Music Video | KBS Performance |
3. 너의 집 앞에서 | -- | -- |
4. 현실+상상 | -- | -- |
5. 너의 지나간 사랑 | -- | -- |
6. 결별 | -- | -- |
7. 짧은 사랑 | -- | -- |
8. 지금까지 | -- | -- |
9. 슬퍼지려 하기 전에 | -- | Performance |
10. 너의 집앞에서 (Inst.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 해변의 여인 | Official Music Video | MBC Performance |
2. 송인 | -- | MBC Performance |
3. 있을때 잘해 | -- | -- |
4. 지금까지 | -- | -- |
5. 너의 지나간 사랑 | -- | -- |
6. 잊을수 있어 | -- | -- |
7. 진주 조개잡이 | -- | -- |
8. 슬퍼지려 하기 전에 | -- | -- |
9. 너의 집 앞에서 | -- | -- |
10. 해변의 여인 (Remix) | -- | -- |
11. 있을 때 잘해 (Remix) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 그대 그리워지는 이밤에 | -- | Performance |
2. 애상 | Official Music Video | Performance |
3. 변명 | Official Music Video | Music Camp Performance |
4. 영원한 비밀 | -- | -- |
5. 날아 날아 | -- | -- |
6. 클라멘타인 | -- | -- |
7. 북에서 온 민숙이 | -- | -- |
8. 친구가 연인이 되기까지 | -- | -- |
9. 또자 - 쿨쿨 | -- | KBS Performance |
10. 오토리버스 | -- | -- |
11. 지난 슬픔 버리고 | -- | -- |
12. 북에서 온 민숙이 (Sam ver.) | -- | -- |
13. 한 장의 추억 | -- | -- |
14. 애상 (MR) | -- | -- |
15. 북에서 온 민숙이 (MR, Bonus Track) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 슬퍼지려 하기전에 | -- | -- |
2. 십계 (십계명) | Official Music Video | Performance |
3. 미절 (Misery) | -- | Performance |
4. 날아 날아 (사브리나 보이스의 랩 인용) | -- | -- |
5. 나의 바램 | -- | -- |
6. 친구가 연인이 되기까지 | -- | -- |
7. 북에서 온 민숙이 | -- | -- |
8. 클레멘타인 | -- | -- |
9. 송인 | -- | -- |
10. 눈속의 여인 (해변의 여인 Remake) | -- | -- |
11. 애상 | -- | -- |
12. 약속 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. Cool Night | -- | MBC Performance |
2. Love Letter | -- | -- |
3. 해석남녀 | Official Music Video | SBS Performance |
4. Skin Ship | -- | -- |
5. 5분전 | -- | -- |
6. 웨딩데이 | -- | -- |
7. 맥주와 땅콩 | Official Music Video | MBC Performance |
8. 칼로리 | -- | -- |
9. 사랑의 이름으로 | -- | -- |
10. 비연 | -- | -- |
11. All For You | -- | -- |
12. 바람의 아들 | -- | -- |
13. 늦었음을 | -- | -- |
14. 매끈한 여자 | -- | -- |
15. All For You Guitar | -- | KBS Performance |
16. 오랜 친구에게 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 좋은 세상 만들기 | -- | -- |
2. Jumpo Mambo | Official Music Video | KBS Performance |
3. 오래된 연인 | -- | -- |
4. 비밀 | -- | -- |
5. 이별로 배운 사랑 | -- | -- |
6. 소중한 사람아 | -- | -- |
7. 애구애구 | -- | -- |
8. 믿어? 믿어! | -- | Performance |
9. 밤 | -- | KBS Performance |
10. Queen Of The Night | -- | -- |
11. You & I | -- | -- |
12. 하늘로 쓰는 편지 | -- | -- |
13. 천사에게 | -- | -- |
14. Someday | -- | KBS Performance |
15. Weekend | -- | -- |
16. 친구가 된다는 건 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. I Love You | -- | -- |
2. Tell Me Why | -- | -- |
3. White Christmas | -- | -- |
4. 아로하 | Official Music Video | Performance |
5. 헤어지는 날 | -- | -- |
6. 그래서 행복합니다 | Official Music Video | -- |
7. 나의 바램 | -- | -- |
8. 소원 | -- | -- |
9. Love Again | -- | -- |
10. 하늘로 쓰는 편지 | -- | -- |
11. 아마 그댄 | -- | -- |
12. 웨딩전야 | -- | -- |
13. 그녀의 결혼식 | -- | -- |
14. 한장의 추억 | -- | -- |
15. 우리 이렇게 서로 스쳐 보내면 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. Intro | -- | -- |
2. 짚신커풀 | -- | -- |
3. 숙아 | Official Music Video | Performance |
4. Sad Cafe | -- | MBC Performance |
5. 남과 여 | -- | -- |
6. 울보 | -- | -- |
7. 좋은사람 | -- | -- |
8. 진실 | Official Music Video | MBC Performance |
9. 고백가 | -- | -- |
10. Cheat | -- | -- |
11. Blue Eyes | -- | -- |
12. 여우비 | -- | -- |
13. 헤어짐에 관한 짧은 필름 | -- | -- |
14. Any Time | -- | -- |
15. 첫사랑을 만나다 | -- | -- |
16. 나밖에 모르던 내가 | -- | -- |
17. 그대는 다르겠죠 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 백설공주를 사랑한 일곱번째 난장이 | Official Music Video | -- |
2. 작년, 오늘 | Official Music Video | -- |
3. Sometimes | -- | -- |
4. If | -- | -- |
5. 산책 | -- | MBC Performance |
6. 부디 | -- | -- |
7. 다시 | -- | -- |
8. This Song | -- | -- |
9. 청혼 | -- | -- |
10. 겨울이야기 | -- | -- |
11. 발자욱 | -- | -- |
12. 양치기 소년 | -- | -- |
13. 유리 공주 | -- | -- |
14. 작년 오늘 기차 | -- | -- |
15. 걱정이죠 | Official Music Video | -- |
16. Daring | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. Cool Love | -- | Performance |
2. One Summer Drive | Official Music Video | MBC Performance |
3. 결혼을 할 거라면 | Official Music Video | MBC Performance |
4. 못난이 | -- | -- |
5. 그대 행복을 빌어줄 순 없죠 | -- | -- |
6. 과거를 묻지 마세요 | -- | -- |
7. 바보야 | -- | -- |
8. 숟가락 두 개 | -- | -- |
9. 에덴의 동쪽 | -- | -- |
10. Beautiful People | -- | -- |
11. 쉿 | -- | -- |
12. 2 Become 1 | -- | -- |
13. 섬집아기 | -- | -- |
14. 사랑 조리법 | -- | -- |
15. 껌 | -- | -- |
16. 괜찮아요 | -- | -- |
17. 추억이 오는 날 | -- | -- |
18. 못난이 (Guitar ver.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. Blue Moon | -- | -- |
2. 떠나야만 했나요? | Official Music Video | -- |
3. 나는 유죄다 | -- | -- |
4. 당신에게 일어날 수 있는 일 | -- | -- |
5. 설야 | -- | -- |
6. 별과 나 (Notting Hill) | -- | -- |
7. 그래요 난 | -- | -- |
8. 약속할게요 (Promise) | -- | -- |
9. 겨울잠 | -- | -- |
10. Again | -- | -- |
11. 괜찮을 것 같아 | -- | -- |
12. 소곡 | -- | -- |
13. Last Christmas | -- | -- |
14. 겨울여행 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 친구찾기 | Official Music Video | -- |
2. Jingle Love Song (청춘에서 황혼까지) | -- | -- |
3. 사랑노래 | -- | -- |
4. 아가씨와 건달들 | Official Music Video | -- |
5. 그대, 20m, 나 | -- | -- |
6. Now I Know | -- | -- |
7. 5 땡 Q | -- | -- |
8. Turning | -- | -- |
9. 도시 바캉스 | -- | -- |
10. 등푸른 추억 | -- | -- |
11. Falling In Love | -- | -- |
12. 둘만의 비밀 | -- | -- |
13. 에게해에 지다 | -- | -- |
14. Solo | -- | -- |
15. 할 수 있는 건 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 이 여름 Summer | Official Music Video | -- |
2. 고백합시다 | -- | -- |
3. Sexy Summer Lady | -- | -- |
4. 애정의 조건 | -- | -- |
5. 너에게 가는 여행 | -- | -- |
6. 혼자인걸요 | -- | -- |
7. Goodbye (feat. MC 몽) | -- | -- |
8. 스트롱~맨 | -- | -- |
9. 널 잊는 날 | -- | -- |
10. 어머머 | -- | -- |
11. 널 잊는 연습 | -- | -- |
12. 단 하나의 둘 | -- | -- |
13. Promise | -- | -- |
14. The Fighter | -- | -- |
15. Friends | -- | -- |
16. 10 Years | -- | -- |
17. End... And | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 오늘 하루 | Official Music Video | MBC Performance |
2. 잘한거죠 | -- | -- |
3. 헤어지자 | -- | -- |
4. 아내에게 | -- | -- |
5. 사랑합니다 | -- | -- |
6. 도시의 바캉스 | -- | -- |
7. 둘만의 비밀 | -- | -- |
8. 스트롱 맨 | -- | -- |
9. 단 하나의 사랑 | -- | -- |
10. Good-Bye | -- | -- |
11. 아가씨와 건달들 | -- | -- |
12. 등 푸른 추억 | -- | -- |
13. 잘한거죠 (Inst.) | -- | -- |
14. 헤어지자 (Inst.) | -- | -- |
15. 아내에게 (Inst.) | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. BPM 140 | -- | -- |
2. Dance Dance | -- | -- |
3. 이별을 견디는 몇가지 방법 | - | -- |
4. 첫사랑 | -- | -- |
5. 보고 싶은데 | -- | Performance |
6. 사랑을 원해 | Official Music Video | MBC Performance |
7. 서울 구경 | -- | -- |
8. 바보 | -- | -- |
Song Title | Music Video | Live Performance |
---|---|---|
1. 보고보고 | Official Music Video | MBC Performance |
2. In Your Eyes | -- | Mnet Performance |
3. Kiss | -- | -- |
4. Happy Time | -- | -- |
5. 신발 | -- | -- |
6. Blue Night | -- | Performance |
7. 선물 | -- | -- |
8. 헤어지나요 | -- | -- |
9. 달콤한 거짓말 | -- | -- |
10. Summer Melody | -- | -- |
11. I'm So Cool | -- | -- |
12. 고고씽 | -- | -- |
13. In Your Eyes (Guitar ver.) | -- | -- |
Song Title |
---|
이별 앞에 서다 |
Song Title |
---|
한여름 밤의 고백 |
Song Title | Music Video | Live Performance |
---|---|---|
다 잘될 거야 | Official Music Video | -- |
2024.05.10 10:23 stlatos Sound Changes in Sanskrit Mārtāṇḍá- / Átri- and arvīṣa- / ṛbī́sa- ‘volcano’ based on myths
2024.05.08 18:35 Bennoelman Those Dutch Drugs are going hard
submitted by Bennoelman to eu4 [link] [comments] |
2024.05.08 08:52 stlatos Indo-Iranian *mn > *ṽn > mm / nn
2024.05.05 10:09 No-Home8231 You cannot tell me this isnt similar
submitted by No-Home8231 to namesoundalikes [link] [comments] |
2024.05.03 04:48 LadyValkyrie420 Sources on Richard Gadd, Baby Reindeer, Gary Reich, Etc.
2024.05.03 02:46 MadMayhem103 LCD Top/Bottom Row White Blocks 16x2
Hi everyone, just wanted to say thank you to everyone who responded to yesterday's post of mine. I soldered it today as many of you guys mentioned. Im slowly getting the hang of Arduino but it's still a bit difficult for me. As seen in the attached video, my LCD screen is now giving me two rows of white blocks when running the sample "Hello World" code from the Arduino IDE. Any help would be greatly appreciated. I tried showing the soldering as well submitted by MadMayhem103 to arduino [link] [comments] I'll try and specify where I connected what since my wires are a little messy and once again im sorry for that. Red Wires - 5v of Arduino to Positive rail of bread board. 5V to VDD. 5V to right side of POT , Pin A to 5V, Black/Grey Wires - Ground of Arduino to Negative rail of breadboard. Gnd to VSS. GND to left side of POT Green Wire - V0 to middle of Pot Yellow/ Orange Wires - RS to Pin 12, E to Pin 11, D4 to Pin 5, D5 to Pin 4, D6 to Pin 3, D7 to Pin 2, Pin K to GND Note: I had Pin RW connected to GND which caused flickering so I disconnected it. I've also tried changing the contrast with the Pot but it just goes from the white boxes to a blue screen. Code: /* LiquidCrystal Library - Hello World Demonstrates the use a 16x2 LCD display. The LiquidCrystal library works with all LCD displays that are compatible with the Hitachi HD44780 driver. There are many of them out there, and you can usually tell them by the 16-pin interface. This sketch prints "Hello World!" to the LCD and shows the time. The circuit: * LCD RS pin to digital pin 12 * LCD Enable pin to digital pin 11 * LCD D4 pin to digital pin 5 * LCD D5 pin to digital pin 4 * LCD D6 pin to digital pin 3 * LCD D7 pin to digital pin 2 * LCD W pin to ground * LCD VSS pin to ground * LCD VCC pin to 5V * 10K resistor: * ends to +5V and ground * wiper to LCD VO pin (pin 3) Library originally added 18 Apr 2008 by David A. Mellis library modified 5 Jul 2009 by Limor Fried (http://www.ladyada.net) example added 9 Jul 2009 by Tom Igoe modified 22 Nov 2010 by Tom Igoe modified 7 Nov 2016 by Arturo Guadalupi This example code is in the public domain. http://www.arduino.cc/en/Tutorial/LiquidCrystalHelloWorld */ // include the library code: #includehttps://preview.redd.it/9qqd6ifzy3yc1.jpg?width=554&format=pjpg&auto=webp&s=89740c69015971a997c2df4d234fd2dd369d386f https://preview.redd.it/4rytzxfzy3yc1.jpg?width=977&format=pjpg&auto=webp&s=e1476fc609fd9c8f9e547f487e3b4103949acf71 |
2024.05.01 06:21 fganniversaries Fighting Game Anniversaries: Week 18 (April 29 - May 5)
2024.05.01 06:21 fganniversaries Fighting Game Anniversaries: Week 18 (April 29 - May 5)
2024.05.01 06:18 fganniversaries Fighting Game Anniversaries: Week 18 (April 29 - May 5)
2024.05.01 02:50 SOO4R3R-217 Hokkaido + Some Leftover Spots From Few Countries